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    <title>New Books in Critical Theory</title>
    <link>https://newbooksnetwork.com/category/politics-society/critical-theory/</link>
    <language>en</language>
    <copyright>New Books Network</copyright>
    <description>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
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      <title>New Books in Critical Theory</title>
      <link>https://newbooksnetwork.com/category/politics-society/critical-theory/</link>
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    <itunes:explicit>no</itunes:explicit>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Interviews with Scholars of Critical Theory about their New Books</itunes:subtitle>
    <itunes:author>Marshall Poe</itunes:author>
    <itunes:summary>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
    <content:encoded>
      <![CDATA[<p>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.</p>
<p>Discover our 150+ channels and browse our 28,000+ episodes on our website: <a href="http://newbooksnetwork.com">⁠<u>newbooksnetwork.com</u>⁠</a></p>
<p>Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: <a href="https://newbooksnetwork.substack.com/">⁠<u>https://newbooksnetwork.substack.com/</u>⁠</a></p>
<p>Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork</p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@gmail.com</itunes:email>
    </itunes:owner>
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    <itunes:category text="Science">
      <itunes:category text="Social Sciences"/>
    </itunes:category>
    <item>
      <title>Sarah Jaffe, "From the Ashes: Grief and Transformation in a World on Fire" (Bold Type Books, 2024)</title>
      <description>From the author of Work Won't Love You Back, a stirring examination of how collective grief can ignite powerful change. Our era is one of significant and substantial loss, yet we barely have time to acknowledge it. The losses range from the personal grief of a single COVID death to the planetary disaster wrought by climate change, in an age of unraveling hopes and expectations, of dreams curtailed, of aspirations desiccated. This is capitalism's death phase. It has become clear that the cost of wealth creation for a few is enormous destruction for others, for the marginalized and the vulnerable but increasingly for all of us. At the same time, we are denied the means of mourning those futures that are being so brutally curtailed. At such a moment, taking the time to grieve is a political act. Sarah Jaffe shows how the act of public memorialization has become a radical statement, a vibrant response to loss, and a path to imagining a better world. When we are able to grieve well the ones we have lost, the causes they fought for, or the examples they bequeathed us, we are better prepared to fight for a transformed future.

Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of Necessary Trouble and Work Won't Love you Back. She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From the author of Work Won't Love You Back, a stirring examination of how collective grief can ignite powerful change. Our era is one of significant and substantial loss, yet we barely have time to acknowledge it. The losses range from the personal grief of a single COVID death to the planetary disaster wrought by climate change, in an age of unraveling hopes and expectations, of dreams curtailed, of aspirations desiccated. This is capitalism's death phase. It has become clear that the cost of wealth creation for a few is enormous destruction for others, for the marginalized and the vulnerable but increasingly for all of us. At the same time, we are denied the means of mourning those futures that are being so brutally curtailed. At such a moment, taking the time to grieve is a political act. Sarah Jaffe shows how the act of public memorialization has become a radical statement, a vibrant response to loss, and a path to imagining a better world. When we are able to grieve well the ones we have lost, the causes they fought for, or the examples they bequeathed us, we are better prepared to fight for a transformed future.

Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of Necessary Trouble and Work Won't Love you Back. She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the author of Work Won't Love You Back, a stirring examination of how collective grief can ignite powerful change. Our era is one of significant and substantial loss, yet we barely have time to acknowledge it. The losses range from the personal grief of a single COVID death to the planetary disaster wrought by climate change, in an age of unraveling hopes and expectations, of dreams curtailed, of aspirations desiccated. This is capitalism's death phase. It has become clear that the cost of wealth creation for a few is enormous destruction for others, for the marginalized and the vulnerable but increasingly for all of us. At the same time, we are denied the means of mourning those futures that are being so brutally curtailed. At such a moment, taking the time to grieve is a political act. Sarah Jaffe shows how the act of public memorialization has become a radical statement, a vibrant response to loss, and a path to imagining a better world. When we are able to grieve well the ones we have lost, the causes they fought for, or the examples they bequeathed us, we are better prepared to fight for a transformed future.</p>
<p>Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of <em>Necessary Trouble</em> and <em>Work Won't Love you Back. </em>She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4059</itunes:duration>
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      <title>169* Hannah Arendt on Oases (JP)</title>
      <description>Our Recall This Buck series began by speaking with Christine Desan of Harvard Law School about how key ideas—and the actual currency, physical coins and bills— underlying the modern monetary system get “invisibilized” with that system’s success, so that seeing money clearly is both harder and more vital. Today, illustrious Princeton historian Peter Brown narrates the … Continue reading "42 Recall This Buck 2: Peter Brown on wealth, charity and managerial bishops in early Christianity (JP)"

Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 18 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Our Recall This Buck series began by speaking with Christine Desan of Harvard Law School about how key ideas—and the actual currency, physical coins and bills— underlying the modern monetary system get “invisibilized” with that system’s success, so that seeing money clearly is both harder and more vital. Today, illustrious Princeton historian Peter Brown narrates the … Continue reading "42 Recall This Buck 2: Peter Brown on wealth, charity and managerial bishops in early Christianity (JP)"

Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our Recall This Buck series began by speaking with Christine Desan of Harvard Law School about how key ideas—and the actual currency, physical coins and bills— underlying the modern monetary system get “invisibilized” with that system’s success, so that seeing money clearly is both harder and more vital. Today, illustrious Princeton historian Peter Brown narrates the … <a href="https://recallthisbook.org/2020/07/30/42-recall-this-buck-2-peter-brown-on-wealth-charity-and-managerial-bishops-in-early-christianity-jp/">Continue reading "42 Recall This Buck 2: Peter Brown on wealth, charity and managerial bishops in early Christianity (JP)"</a></p>
<p><a href="https://elizabeth-ferry.com/">Elizabeth Ferry</a><em> is Professor of Anthropology at Brandeis University. Email: </em><a href="mailto:ferry@brandeis.edu">ferry@brandeis.edu</a><em>. </em><a href="https://www.brandeis.edu/english/faculty/plotz.html">John Plotz</a><em> is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the </em><a href="https://sites.google.com/brandeis.edu/brandeisjusticeinitiative/home">Brandeis Educational Justice Initiative</a><em>. Email: </em><a href="mailto:plotz@brandeis.edu">plotz@brandeis.edu</a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1879</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Manuel Barcia, "Pirate Imperialism: Trade, Abolition, and Global Suppression of Maritime Raiding, 1825–1870" (Yale UP, 2026)</title>
      <description>In the middle decades of the nineteenth century, imperial powers around the world came into direct confrontation with local resistance in the form of maritime raiding. From the Atlantic basin to the western Mediterranean Sea, the Persian Gulf and the east coast of Africa, and Southeast Asia and China, imperial powers claimed that progress was being held back by the barbarity and greed of pirates, who repeatedly attacked imperial vessels. The suppression of piracy, justified under the banner of spreading civilization and free trade and abolishing slavery and the slave trade, provided both western and non-western powers with a back door for territorial expansion and the enforcement of imperialist agendas.

In Pirate Imperialism: Trade, Abolition, and Global Suppression of Maritime Raiding, 1825–1870 (Yale UP, 2026), Professor Manuel Barcia tells the story of these conflicts, showing how imperialist powers frequently used anti–maritime raiding efforts as excuses to cement western supremacy in various parts of the world, while simultaneously resorting to violent means that were indistinguishable from the methods of those they accused of being pirates.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 18 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the middle decades of the nineteenth century, imperial powers around the world came into direct confrontation with local resistance in the form of maritime raiding. From the Atlantic basin to the western Mediterranean Sea, the Persian Gulf and the east coast of Africa, and Southeast Asia and China, imperial powers claimed that progress was being held back by the barbarity and greed of pirates, who repeatedly attacked imperial vessels. The suppression of piracy, justified under the banner of spreading civilization and free trade and abolishing slavery and the slave trade, provided both western and non-western powers with a back door for territorial expansion and the enforcement of imperialist agendas.

In Pirate Imperialism: Trade, Abolition, and Global Suppression of Maritime Raiding, 1825–1870 (Yale UP, 2026), Professor Manuel Barcia tells the story of these conflicts, showing how imperialist powers frequently used anti–maritime raiding efforts as excuses to cement western supremacy in various parts of the world, while simultaneously resorting to violent means that were indistinguishable from the methods of those they accused of being pirates.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the middle decades of the nineteenth century, imperial powers around the world came into direct confrontation with local resistance in the form of maritime raiding. From the Atlantic basin to the western Mediterranean Sea, the Persian Gulf and the east coast of Africa, and Southeast Asia and China, imperial powers claimed that progress was being held back by the barbarity and greed of pirates, who repeatedly attacked imperial vessels. The suppression of piracy, justified under the banner of spreading civilization and free trade and abolishing slavery and the slave trade, provided both western and non-western powers with a back door for territorial expansion and the enforcement of imperialist agendas.</p>
<p>In <a href="https://bookshop.org/a/12343/9780300269451">Pirate Imperialism: Trade, Abolition, and Global Suppression of Maritime Raiding, 1825–1870</a> (Yale UP, 2026), Professor Manuel Barcia tells the story of these conflicts, showing how imperialist powers frequently used anti–maritime raiding efforts as excuses to cement western supremacy in various parts of the world, while simultaneously resorting to violent means that were indistinguishable from the methods of those they accused of being pirates.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2332</itunes:duration>
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    <item>
      <title>Audrey Borowski, "Leibniz in His World: The Making of a Savant" (Princeton UP, 2026)</title>
      <description>Described by Voltaire as “perhaps a man of the most universal learning in Europe,” Gottfried Wilhelm Leibniz (1646–1716) is often portrayed as a rationalist and philosopher who was wholly detached from the worldly concerns of his fellow men. Leibniz in His World: The Making of a Savant (Princeton UP, 2026) provides a groundbreaking reassessment of Leibniz, telling the story of his trials and tribulations as an aspiring scientist and courtier navigating the learned and courtly circles of early modern Europe and the Republic of Letters.Drawing on extensive correspondence by Leibniz and many leading figures of the age, Audrey Borowski paints a nuanced portrait of Leibniz in the 1670s, during his “Paris sojourn” as a young diplomat and in Germany at the court of Duke Johann Friedrich of Hanover. She challenges the image of Leibniz as an isolated genius, revealing instead a man of multiple identities whose thought was shaped by a deep engagement with the social and intellectual milieus of his time. Borowski shows us Leibniz as he was known to his contemporaries, enabling us to rediscover him as an enigmatic young man who was complex and all too human.An exhilarating work of scholarship, Leibniz in His World demonstrates how this uncommon intellect, torn between his ideals and the necessity to work for absolutist states, struggled to make a name for himself during his formative years.

Audrey Borowski is a Leverhulme Early Career Fellow and Isaac Newton Trust Fellow at the University of Cambridge working on the philosophy of AI. She received her PhD from the University of Oxford and is a regular contributor to The Times Literary Supplement and Aeon.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Described by Voltaire as “perhaps a man of the most universal learning in Europe,” Gottfried Wilhelm Leibniz (1646–1716) is often portrayed as a rationalist and philosopher who was wholly detached from the worldly concerns of his fellow men. Leibniz in His World: The Making of a Savant (Princeton UP, 2026) provides a groundbreaking reassessment of Leibniz, telling the story of his trials and tribulations as an aspiring scientist and courtier navigating the learned and courtly circles of early modern Europe and the Republic of Letters.Drawing on extensive correspondence by Leibniz and many leading figures of the age, Audrey Borowski paints a nuanced portrait of Leibniz in the 1670s, during his “Paris sojourn” as a young diplomat and in Germany at the court of Duke Johann Friedrich of Hanover. She challenges the image of Leibniz as an isolated genius, revealing instead a man of multiple identities whose thought was shaped by a deep engagement with the social and intellectual milieus of his time. Borowski shows us Leibniz as he was known to his contemporaries, enabling us to rediscover him as an enigmatic young man who was complex and all too human.An exhilarating work of scholarship, Leibniz in His World demonstrates how this uncommon intellect, torn between his ideals and the necessity to work for absolutist states, struggled to make a name for himself during his formative years.

Audrey Borowski is a Leverhulme Early Career Fellow and Isaac Newton Trust Fellow at the University of Cambridge working on the philosophy of AI. She received her PhD from the University of Oxford and is a regular contributor to The Times Literary Supplement and Aeon.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Described by Voltaire as “perhaps a man of the most universal learning in Europe,” Gottfried Wilhelm Leibniz (1646–1716) is often portrayed as a rationalist and philosopher who was wholly detached from the worldly concerns of his fellow men. <a href="https://bookshop.org/a/12343/9780691260754">Leibniz in His World: The Making of a Savant</a><em> </em>(Princeton UP, 2026) provides a groundbreaking reassessment of Leibniz, telling the story of his trials and tribulations as an aspiring scientist and courtier navigating the learned and courtly circles of early modern Europe and the Republic of Letters.<br>Drawing on extensive correspondence by Leibniz and many leading figures of the age, Audrey Borowski paints a nuanced portrait of Leibniz in the 1670s, during his “Paris sojourn” as a young diplomat and in Germany at the court of Duke Johann Friedrich of Hanover. She challenges the image of Leibniz as an isolated genius, revealing instead a man of multiple identities whose thought was shaped by a deep engagement with the social and intellectual milieus of his time. Borowski shows us Leibniz as he was known to his contemporaries, enabling us to rediscover him as an enigmatic young man who was complex and all too human.<br>An exhilarating work of scholarship, <em>Leibniz in His World</em> demonstrates how this uncommon intellect, torn between his ideals and the necessity to work for absolutist states, struggled to make a name for himself during his formative years.</p>
<p>Audrey Borowski is a Leverhulme Early Career Fellow and Isaac Newton Trust Fellow at the University of Cambridge working on the philosophy of AI. She received her PhD from the University of Oxford and is a regular contributor to The Times Literary Supplement and Aeon.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3671</itunes:duration>
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      <title>Amanda Anderson and Simon During, "Humanities Theory" (Oxford UP, 2026)</title>
      <description>Humanities Theory (Oxford UP, 2026) pioneers a new topic: the theory of the humanities. It is an urgent topic right now because the humanities face a suite of forceful new challenges and are in a period of significant change. For these reasons, it has become important to analyse and understand what the humanities are as a whole, beyond disciplinary divisions and yet without resorting to simplistic notions of their worth. Remarkably little attention has been paid to this topic. Most discussions of the humanities have been polemical if not defensive.

This book argues that there exists a global humanities world which not only transcends disciplinary divisions but joins the professional academic humanities to a thriving amateur public humanities. This world has no essence, it is plural. Nevertheless, powerful, if contested, ethical orientations run through it and help shape it, including a will to truthfulness, a will to openness and generosity, a will to examine values.In their essays Simon During and Amanda Anderson each bring different emphases to their shared orientation towards a large plural humanities world:During analyses how key disciplines—sociology, philosophy and history—might be used to think about the humanities as a whole and, on this basis, offers some predictions of the future awaiting the humanities.Anderson analyzes media representations of the humanities and considers the general conceptual frameworks through which the humanities focus on value and proffer critique. She analyses a series of examples of contemporary critical engagements in the humanities to press a case for value pluralism in the humanities and the university more broadly.

Amanda Anderson is Andrew W. Mellon Professor of English and Humanities and Director of the Cogut Institute for the Humanities at Brown University. She is the author, most recently, of Psyche and Ethos: Moral Life after Psychology (Oxford, 2018) and Bleak Liberalism (Chicago, 2016). She previously served as the Director of the School of Criticism and Theory at Cornell and serves on the advisory board of the international Consortium of Humanities Centers and Institutes (CHCI).

Simon During, educated in New Zealand and at Cambridge, has taught at the University of Melbourne and Johns Hopkins University. He is the author of pioneering work in post-colonialism, cultural studies, and the history of entertainment but in recent years has concentrated on thinking about literature and the humanities under their difficult contemporary conditions

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Humanities Theory (Oxford UP, 2026) pioneers a new topic: the theory of the humanities. It is an urgent topic right now because the humanities face a suite of forceful new challenges and are in a period of significant change. For these reasons, it has become important to analyse and understand what the humanities are as a whole, beyond disciplinary divisions and yet without resorting to simplistic notions of their worth. Remarkably little attention has been paid to this topic. Most discussions of the humanities have been polemical if not defensive.

This book argues that there exists a global humanities world which not only transcends disciplinary divisions but joins the professional academic humanities to a thriving amateur public humanities. This world has no essence, it is plural. Nevertheless, powerful, if contested, ethical orientations run through it and help shape it, including a will to truthfulness, a will to openness and generosity, a will to examine values.In their essays Simon During and Amanda Anderson each bring different emphases to their shared orientation towards a large plural humanities world:During analyses how key disciplines—sociology, philosophy and history—might be used to think about the humanities as a whole and, on this basis, offers some predictions of the future awaiting the humanities.Anderson analyzes media representations of the humanities and considers the general conceptual frameworks through which the humanities focus on value and proffer critique. She analyses a series of examples of contemporary critical engagements in the humanities to press a case for value pluralism in the humanities and the university more broadly.

Amanda Anderson is Andrew W. Mellon Professor of English and Humanities and Director of the Cogut Institute for the Humanities at Brown University. She is the author, most recently, of Psyche and Ethos: Moral Life after Psychology (Oxford, 2018) and Bleak Liberalism (Chicago, 2016). She previously served as the Director of the School of Criticism and Theory at Cornell and serves on the advisory board of the international Consortium of Humanities Centers and Institutes (CHCI).

Simon During, educated in New Zealand and at Cambridge, has taught at the University of Melbourne and Johns Hopkins University. He is the author of pioneering work in post-colonialism, cultural studies, and the history of entertainment but in recent years has concentrated on thinking about literature and the humanities under their difficult contemporary conditions

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780198918783">Humanities Theory</a> (Oxford UP, 2026) pioneers a new topic: the theory of the humanities. It is an urgent topic right now because the humanities face a suite of forceful new challenges and are in a period of significant change. For these reasons, it has become important to analyse and understand what the humanities are as a whole, beyond disciplinary divisions and yet without resorting to simplistic notions of their worth. Remarkably little attention has been paid to this topic. Most discussions of the humanities have been polemical if not defensive.</p>
<p><br>This book argues that there exists a global humanities world which not only transcends disciplinary divisions but joins the professional academic humanities to a thriving amateur public humanities. This world has no essence, it is plural. Nevertheless, powerful, if contested, ethical orientations run through it and help shape it, including a will to truthfulness, a will to openness and generosity, a will to examine values.<br>In their essays Simon During and Amanda Anderson each bring different emphases to their shared orientation towards a large plural humanities world:<br>During analyses how key disciplines—sociology, philosophy and history—might be used to think about the humanities as a whole and, on this basis, offers some predictions of the future awaiting the humanities.<br>Anderson analyzes media representations of the humanities and considers the general conceptual frameworks through which the humanities focus on value and proffer critique. She analyses a series of examples of contemporary critical engagements in the humanities to press a case for value pluralism in the humanities and the university more broadly.</p>
<p>Amanda Anderson is Andrew W. Mellon Professor of English and Humanities and Director of the Cogut Institute for the Humanities at Brown University. She is the author, most recently, of <em>Psyche and Ethos: Moral Life after Psychology</em> (Oxford, 2018) and <em>Bleak Liberalism</em> (Chicago, 2016). She previously served as the Director of the School of Criticism and Theory at Cornell and serves on the advisory board of the international Consortium of Humanities Centers and Institutes (CHCI).</p>
<p>Simon During, educated in New Zealand and at Cambridge, has taught at the University of Melbourne and Johns Hopkins University. He is the author of pioneering work in post-colonialism, cultural studies, and the history of entertainment but in recent years has concentrated on thinking about literature and the humanities under their difficult contemporary conditions</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f398dad4-38b1-11f1-b74e-bbc1495a55b2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6687501213.mp3?updated=1776248167" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alisa Kessel, "Rape Fantasies: Rape Culture and the Persistence of Sexual Violence" (Oxford UP, 2025)</title>
      <description>Political theorist Alisa Kessel (University of Puget Sound) has an important and impressive new book, Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Kessel’s research grew out of her work on questions of consent and how consent is embedded within the social contract structure. Initially the plan for the research was to critique this concept of “rape culture” which had found its way into popular discourse as well as academic work and was somewhat unclear in terms of application and understanding. Kessel notes in the book and in our conversations that her thinking about the idea of rape culture owes a great deal to black feminists who had been writing about and discussing the underlying issue at the heart of rape culture, which is not just about violence against women, but more broadly about the political, societal, and cultural dimensions of domination, victimhood, and human value. Rape Fantasies develops this understanding and provides fascinating examples of this intersectional concept. One of the key claims of the book is that sexual violence is not accidental, it is not necessarily based on physical urges that just cannot be controlled; it is, instead, based in the dynamic of political domination thus making rape itself a political act. Part of the unexamined problem with rape is that it is built around an entitlement to dominate, which also makes the threat of sexual violence a political act. Rape Fantasies traces this idea through a number of different case studies that unpack the dimensions of this threat of sexual violence in a variety of circumstances and situations, tied, inevitably, to the duality of domination and subordination or victimization, which is also wrapped up with questions of who is deserving of protection and who is not as deserving.

Kessel explains that in examining sexual violence, what she found was multifaceted reflections and refractions, since the issue and the individual’s experience with sexual violence are neither simple nor linear. And the examples and case studies that make up the thrust of the book present this multidimensional nature of sexual violence. This multifaceted thinking about sexual violence also integrates an intersectional analysis, drawing on work from indigenous studies, feminist and women’s studies, feminist theory, black feminism, political theory and other connected schools of thought. The interrogation of rape and rape culture, particular in context of the political valence, “occurs across multiple axes of oppression, including white supremacist, heteropatriarchal, cisgender, settler colonial, and capitalist axes.”[1] The case study examples in Rape Fantasies include bathroom bills across the states, the idea of the frontier and modes of extraction, consent contracts and consent apps, and OnlyFans and intimacy on demand. Each example is deeply researched and unpacked, providing the reader with historical, legal, political, economic, cultural, and societal analyses of these complex areas of domination and entitlement.

Rape Fantasies: Rape Culture and the Persistence of Sexual Violence is an expansive undertaking, bringing together theoretical frameworks from different schools of thought and analysis, threaded with important case studies that help the reader think deeply about this concept and how it is operationalized in our daily lives. Even if we are not aware of these narratives, they surround us and shape so much of our thinking about how the world works. And why sexual violence remains so persistent.

Susan Liebell is Professor Emerita of Political Science at Saint Joseph’s University in Philadelphia.

Lilly J. Goren is a Professor of Political Science at Carroll University in Waukesha, Wisconsin. 



[1] Alisa Kessel. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Oxford University Press, 2025. p. 6.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Political theorist Alisa Kessel (University of Puget Sound) has an important and impressive new book, Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Kessel’s research grew out of her work on questions of consent and how consent is embedded within the social contract structure. Initially the plan for the research was to critique this concept of “rape culture” which had found its way into popular discourse as well as academic work and was somewhat unclear in terms of application and understanding. Kessel notes in the book and in our conversations that her thinking about the idea of rape culture owes a great deal to black feminists who had been writing about and discussing the underlying issue at the heart of rape culture, which is not just about violence against women, but more broadly about the political, societal, and cultural dimensions of domination, victimhood, and human value. Rape Fantasies develops this understanding and provides fascinating examples of this intersectional concept. One of the key claims of the book is that sexual violence is not accidental, it is not necessarily based on physical urges that just cannot be controlled; it is, instead, based in the dynamic of political domination thus making rape itself a political act. Part of the unexamined problem with rape is that it is built around an entitlement to dominate, which also makes the threat of sexual violence a political act. Rape Fantasies traces this idea through a number of different case studies that unpack the dimensions of this threat of sexual violence in a variety of circumstances and situations, tied, inevitably, to the duality of domination and subordination or victimization, which is also wrapped up with questions of who is deserving of protection and who is not as deserving.

Kessel explains that in examining sexual violence, what she found was multifaceted reflections and refractions, since the issue and the individual’s experience with sexual violence are neither simple nor linear. And the examples and case studies that make up the thrust of the book present this multidimensional nature of sexual violence. This multifaceted thinking about sexual violence also integrates an intersectional analysis, drawing on work from indigenous studies, feminist and women’s studies, feminist theory, black feminism, political theory and other connected schools of thought. The interrogation of rape and rape culture, particular in context of the political valence, “occurs across multiple axes of oppression, including white supremacist, heteropatriarchal, cisgender, settler colonial, and capitalist axes.”[1] The case study examples in Rape Fantasies include bathroom bills across the states, the idea of the frontier and modes of extraction, consent contracts and consent apps, and OnlyFans and intimacy on demand. Each example is deeply researched and unpacked, providing the reader with historical, legal, political, economic, cultural, and societal analyses of these complex areas of domination and entitlement.

Rape Fantasies: Rape Culture and the Persistence of Sexual Violence is an expansive undertaking, bringing together theoretical frameworks from different schools of thought and analysis, threaded with important case studies that help the reader think deeply about this concept and how it is operationalized in our daily lives. Even if we are not aware of these narratives, they surround us and shape so much of our thinking about how the world works. And why sexual violence remains so persistent.

Susan Liebell is Professor Emerita of Political Science at Saint Joseph’s University in Philadelphia.

Lilly J. Goren is a Professor of Political Science at Carroll University in Waukesha, Wisconsin. 



[1] Alisa Kessel. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Oxford University Press, 2025. p. 6.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political theorist Alisa Kessel (University of Puget Sound) has an important and impressive new book<a href="https://global.oup.com/academic/product/rape-fantasies-9780197797822?cc=us&amp;lang=en&amp;">, Rape Fantasies: Rape Culture and the Persistence of Sexual Violence</a>. Kessel’s research grew out of her work on questions of consent and how consent is embedded within the social contract structure. Initially the plan for the research was to critique this concept of “rape culture” which had found its way into popular discourse as well as academic work and was somewhat unclear in terms of application and understanding. Kessel notes in the book and in our conversations that her thinking about the idea of rape culture owes a great deal to black feminists who had been writing about and discussing the underlying issue at the heart of rape culture, which is not just about violence against women, but more broadly about the political, societal, and cultural dimensions of domination, victimhood, and human value. <a href="https://global.oup.com/academic/product/rape-fantasies-9780197797822?cc=us&amp;lang=en&amp;">Rape Fantasies</a> develops this understanding and provides fascinating examples of this intersectional concept. One of the key claims of the book is that sexual violence is not accidental, it is not necessarily based on physical urges that just cannot be controlled; it is, instead, based in the dynamic of political domination thus making rape itself a political act. Part of the unexamined problem with rape is that it is built around an entitlement to dominate, which also makes the threat of sexual violence a political act. <a href="https://global.oup.com/academic/product/rape-fantasies-9780197797822?cc=us&amp;lang=en&amp;">Rape Fantasies</a> traces this idea through a number of different case studies that unpack the dimensions of this threat of sexual violence in a variety of circumstances and situations, tied, inevitably, to the duality of domination and subordination or victimization, which is also wrapped up with questions of who is deserving of protection and who is not as deserving.</p>
<p>Kessel explains that in examining sexual violence, what she found was multifaceted reflections and refractions, since the issue and the individual’s experience with sexual violence are neither simple nor linear. And the examples and case studies that make up the thrust of the book present this multidimensional nature of sexual violence. This multifaceted thinking about sexual violence also integrates an intersectional analysis, drawing on work from indigenous studies, feminist and women’s studies, feminist theory, black feminism, political theory and other connected schools of thought. The interrogation of rape and rape culture, particular in context of the political valence, “occurs across multiple axes of oppression, including white supremacist, heteropatriarchal, cisgender, settler colonial, and capitalist axes.”<a href="https://newbooksnetwork.com/admin/entries/episodes/436613-rape-fantasies?site=default#_ftn1">[1]</a> The case study examples in <a href="https://global.oup.com/academic/product/rape-fantasies-9780197797822?cc=us&amp;lang=en&amp;">Rape Fantasies</a> include bathroom bills across the states, the idea of the frontier and modes of extraction, consent contracts and consent apps, and <em>OnlyFans</em> and intimacy on demand. Each example is deeply researched and unpacked, providing the reader with historical, legal, political, economic, cultural, and societal analyses of these complex areas of domination and entitlement.</p>
<p><a href="https://global.oup.com/academic/product/rape-fantasies-9780197797822?cc=us&amp;lang=en&amp;">Rape Fantasies: Rape Culture and the Persistence of Sexual Violence</a> is an expansive undertaking, bringing together theoretical frameworks from different schools of thought and analysis, threaded with important case studies that help the reader think deeply about this concept and how it is operationalized in our daily lives. Even if we are not aware of these narratives, they surround us and shape so much of our thinking about how the world works. And why sexual violence remains so persistent.</p>
<p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950">Susan Liebell </a><em>is Professor Emerita of Political Science at Saint Joseph’s University in Philadelphia.</em></p>
<p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a Professor of Political Science at Carroll University in Waukesha, Wisconsin. </em></p>
<p><br></p>
<p><a href="https://newbooksnetwork.com/admin/entries/episodes/436613-rape-fantasies?site=default#_ftnref1">[1]</a> Alisa Kessel. <a href="https://global.oup.com/academic/product/rape-fantasies-9780197797822?cc=us&amp;lang=en&amp;">Rape Fantasies: Rape Culture and the Persistence of Sexual Violence</a>. Oxford University Press, 2025. p. 6.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4387</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ef2d519e-385e-11f1-922e-cbbdcca62803]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7978087366.mp3?updated=1776211763" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Devika Dutt et al., "Decolonizing Economics: An Introduction" (Polity Press, 2025)</title>
      <description>Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. Decolonizing Economics: An Introduction (Polity, 2024) ﻿provides a much-needed intervention.Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. Decolonizing Economics: An Introduction (Polity, 2024) ﻿provides a much-needed intervention.Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. <a href="https://bookshop.org/a/12343/9781509545483">Decolonizing Economics: An Introduction</a> (Polity, 2024) ﻿provides a much-needed intervention.<br>Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4123</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c58fec38-370b-11f1-b11b-1b762d48b439]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3246388679.mp3?updated=1776066539" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lisa Siraganian, "The Problem of Personhood: Giving Rights to Trees, Corporations, and Robots" (Verso, 2026)</title>
      <description>Over the last twenty-five years, the concept of per-sonhood has become central to many contentious debates. Corporations have won free speech protections, as if they were individuals. The right to life or freedom has been claimed on behalf of fetuses, trees, and elephants. The fund of human rights is spilling over into the nonhuman.Lisa Siraganian’s The Problem of Personhood: Giving Rights to Trees, Corporations, and Robots (Verso, 2026) reveals the unsettling consequences of granting rights to imagined persons, such as Sophia the robot citizen or New Zealand’s Whanganui River. Synthesizing the political and phil­osophical debates on personhood and drawing on a varied cast of thinkers that includes Simone Weil, Hannah Arendt, and Dr. Seuss, Siraganian un­covers the disturbing impact of this contemporary development. Awarding rights to robots and rivers all too easily becomes a legal tool to turn people into capital. When robot Sophia is made a citizen, “she” is transformed into a subject in the law without the corre­sponding legal duties that protect us from her.At the root of this trend is the US Supreme Court’s Citizens United ruling that grants First Amendment rights to corporations as if they were individuals. The result has not been the transformation of things into humans so much as humans into things, when animals and the environment would be better protected with reference to our humanity rather than to theirs.

Lisa Siraganian is the J. R. Herbert Boone Chair in Humanities and Professor in the Department of Comparative Thought and Literature at Johns Hopkins University (Baltimore, Maryland, USA). Her work has won multiple awards and has been supported by fellowships from the American Academy of Arts and Sciences, the National Endowment of the Humanities, the American Council of Learned Societies, and the Andrew W. Mellon Foundation. Siraganian has written award-winning scholarly monographs that bridge literary criticism, art criticism, and legal and philosophical scholarship. More recently, she was the Editor of the Norton Anthology of American Literature, 10th edition, Volume D (1914-1945) (2022).

Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the last twenty-five years, the concept of per-sonhood has become central to many contentious debates. Corporations have won free speech protections, as if they were individuals. The right to life or freedom has been claimed on behalf of fetuses, trees, and elephants. The fund of human rights is spilling over into the nonhuman.Lisa Siraganian’s The Problem of Personhood: Giving Rights to Trees, Corporations, and Robots (Verso, 2026) reveals the unsettling consequences of granting rights to imagined persons, such as Sophia the robot citizen or New Zealand’s Whanganui River. Synthesizing the political and phil­osophical debates on personhood and drawing on a varied cast of thinkers that includes Simone Weil, Hannah Arendt, and Dr. Seuss, Siraganian un­covers the disturbing impact of this contemporary development. Awarding rights to robots and rivers all too easily becomes a legal tool to turn people into capital. When robot Sophia is made a citizen, “she” is transformed into a subject in the law without the corre­sponding legal duties that protect us from her.At the root of this trend is the US Supreme Court’s Citizens United ruling that grants First Amendment rights to corporations as if they were individuals. The result has not been the transformation of things into humans so much as humans into things, when animals and the environment would be better protected with reference to our humanity rather than to theirs.

Lisa Siraganian is the J. R. Herbert Boone Chair in Humanities and Professor in the Department of Comparative Thought and Literature at Johns Hopkins University (Baltimore, Maryland, USA). Her work has won multiple awards and has been supported by fellowships from the American Academy of Arts and Sciences, the National Endowment of the Humanities, the American Council of Learned Societies, and the Andrew W. Mellon Foundation. Siraganian has written award-winning scholarly monographs that bridge literary criticism, art criticism, and legal and philosophical scholarship. More recently, she was the Editor of the Norton Anthology of American Literature, 10th edition, Volume D (1914-1945) (2022).

Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the last twenty-five years, the concept of per-sonhood has become central to many contentious debates. Corporations have won free speech protections, as if they were individuals. The right to life or freedom has been claimed on behalf of fetuses, trees, and elephants. The fund of human rights is spilling over into the nonhuman.<br>Lisa Siraganian’s <a href="https://bookshop.org/a/12343/9781804293447">The Problem of Personhood: Giving Rights to Trees, Corporations, and Robots</a> (Verso, 2026) reveals the unsettling consequences of granting rights to imagined persons, such as Sophia the robot citizen or New Zealand’s Whanganui River. Synthesizing the political and phil­osophical debates on personhood and drawing on a varied cast of thinkers that includes Simone Weil, Hannah Arendt, and Dr. Seuss, Siraganian un­covers the disturbing impact of this contemporary development. Awarding rights to robots and rivers all too easily becomes a legal tool to turn people into capital. When robot Sophia is made a citizen, “she” is transformed into a subject in the law without the corre­sponding legal duties that protect us from her.<br>At the root of this trend is the US Supreme Court’s <em>Citizens United</em> ruling that grants First Amendment rights to corporations as if they were individuals. The result has not been the transformation of things into humans so much as humans into things, when animals and the environment would be better protected with reference to our humanity rather than to theirs.</p>
<p><a href="https://www.personhoodproblembook.com/"><em>Lisa Siraganian</em></a> <em>is the J. R. Herbert Boone Chair in Humanities and Professor in the Department of Comparative Thought and Literature at Johns Hopkins University (Baltimore, Maryland, USA). Her work has won multiple awards and has been supported by fellowships from the American Academy of Arts and Sciences, the National Endowment of the Humanities, the American Council of Learned Societies, and the Andrew W. Mellon Foundation. Siraganian has written award-winning scholarly monographs that bridge literary criticism, art criticism, and legal and philosophical scholarship. More recently, she was the Editor of the </em>Norton Anthology of American Literature<em>, 10th edition, Volume D (1914-1945) (2022)</em>.</p>
<p><a href="https://humanrights.columbia.edu/directory/tim-wyman-mccarthy"><em>Tim Wyman-McCarthy</em></a><em> is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at </em><a href="mailto:tw2468@columbia.edu"><em>tw2468@columbia.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2682</itunes:duration>
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    <item>
      <title>Donald Sassoon, "Revolutions: A New History" (Verso Books, 2025)</title>
      <description>Revolutions: A New History (Verso Books, 2025) is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small.

Revolutions is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Revolutions: A New History (Verso Books, 2025) is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small.

Revolutions is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781804299920"><em>Revolutions: A New History</em> </a>(Verso Books, 2025) is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.<br>Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. <em>Revolutions </em>will change how you think about the transformative moments in history, both big and small.</p>
<p><em>Revolutions </em>is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.<br>Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. <em>Revolutions </em>will change how you think about the transformative moments in history, both big and small.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3357</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Voices from a Century of Struggle: Writings of the Jim Crow Era</title>
      <description>Tuesday, April 7, 2026—Confronting disenfranchisement, legal segregation, and terrorist violence in the aftermath of the Civil War, Black Americans challenged white supremacy in word and deed in a prolonged struggle to create a better, more just nation.

Join Tyina L. Steptoe, editor of the new two-volume LOA edition of writings from the Jim Crow era, and historians Keisha N. Blain and Manisha Sinha for a conversation about courageous voices and revelatory firsthand documents that bring this crucial period to life and speak powerfully to the present.

Hosted by Max Rudin
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Tuesday, April 7, 2026—Confronting disenfranchisement, legal segregation, and terrorist violence in the aftermath of the Civil War, Black Americans challenged white supremacy in word and deed in a prolonged struggle to create a better, more just nation.

Join Tyina L. Steptoe, editor of the new two-volume LOA edition of writings from the Jim Crow era, and historians Keisha N. Blain and Manisha Sinha for a conversation about courageous voices and revelatory firsthand documents that bring this crucial period to life and speak powerfully to the present.

Hosted by Max Rudin
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tuesday, April 7, 2026—Confronting disenfranchisement, legal segregation, and terrorist violence in the aftermath of the Civil War, Black Americans challenged white supremacy in word and deed in a prolonged struggle to create a better, more just nation.</p>
<p>Join Tyina L. Steptoe, editor of the <a href="https://www.loa.org/books/jim-crow-voices-from-a-century-of-struggle-1876-1976-boxed-set/?no_lightbox=1"><em>new two-volume LOA edition</em></a> of writings from the Jim Crow era, and historians Keisha N. Blain and Manisha Sinha for a conversation about courageous voices and revelatory firsthand documents that bring this crucial period to life and speak powerfully to the present.</p>
<p><em>Hosted by Max Rudin</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3663</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f5a25f92-370a-11f1-9e95-8b903e473056]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3794140184.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Decolonizing the Novum</title>
      <description>In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum.

In Zac’s words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency.

In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman’s “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang.

The transcript lives here as a WordDoc and here as a PDF.

Zac’s book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books.

Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics &amp; Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics &amp; technology, and the poetics of California infrastructure.

The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/047f89f6-36aa-11f1-b248-0f54b613cf9a/image/7cca792824836d6aded8ce354029db18.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum.

In Zac’s words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency.

In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman’s “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang.

The transcript lives here as a WordDoc and here as a PDF.

Zac’s book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books.

Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics &amp; Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics &amp; technology, and the poetics of California infrastructure.

The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum.</p>
<p>In Zac’s words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency.</p>
<p>In the episode, Zac references an incredible list of writers and theorists, including <a href="https://en.wikipedia.org/wiki/Edmundo_O%27Gorman">Edmundo O'Gorman</a> and <a href="https://en.wikipedia.org/wiki/Walter_Benjamin">Walter Benjamin</a>, Saidiya Hartman’s “<a href="https://muse.jhu.edu/article/241115">Venus in Two Acts</a>,” <a href="https://www.penguinrandomhouse.com/books/722363/you-dreamed-of-empires-by-alvaro-enrigue-translated-by-natasha-wimmer/"><em>You Dreamed of Empires</em></a> by Álvaro Enrigue, <a href="https://www.penguinlibros.com/us/tematicas/388572-ebook-destruccion-de-todas-las-cosas-9786073856546?srsltid=AfmBOoq7yv5LJ5lk7xzUm1UaMHtXirBHbKAUf7bODHCR44EruHkpgRxH"><em>Destrucción de todas las cosas</em></a> by Hugo Hiriart, and “<a href="https://clas.osu.edu/sites/clas.osu.edu/files/Tuck%20and%20Yang%202012%20Decolonization%20is%20not%20a%20metaphor.pdf">Decolonization is not a metaphor</a>” by Eve Tuck and K. Wayne Yang.</p>
<p>The transcript lives here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Decolonizing-the-Novum-transcript.docx">WordDoc</a> and here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Decolonizing-the-Novum-transcript.pdf">PDF</a>.</p>
<p>Zac’s book, <a href="http://nupress.northwestern.edu/9780810148185/first-contact/"><em>First Contact: Speculative Visions of the Conquest of the Americas</em></a> (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the <a href="https://lareviewofbooks.org/article/challenging-the-myth-of-firstness/"><em>Los Angeles Review of Books</em></a>.</p>
<p><a href="https://campusdirectory.ucsc.edu/cd_detail?uid=zaazimme">Zac Zimmer</a> works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics &amp; Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics &amp; technology, and the poetics of California infrastructure.</p>
<p>The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from <a href="https://www.flickr.com/photos/nasahubble/53723475484/">Flicker</a> for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[047f89f6-36aa-11f1-b248-0f54b613cf9a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6383830570.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jasper Bernes, "The Future of Revolution: Communist Prospects from the Paris Commune to the George Floyd Uprising" (Verso Books, 2025)</title>
      <description>How might a twenty-first-century revolution against class society succeed?

Communism comes from the future, but its hopes haunt our past. Reading revolutionary history from the Paris Commune to the George Floyd Uprising by the light of communist theory, from Marx to C. L. R. James, The Future of Revolution: ﻿﻿Communist Prospects from the Paris Commune to the George Floyd Uprising ﻿(Verso Books, 2025) illuminates the possibilities for overcoming class society in the twenty-first century.When Marx wrote that the Paris Commune of 1871 showed that “the working class cannot simply lay hold of the ready-made state machinery, and wield it for its own purposes,” he identified a principle that will remain true as long as capitalism and its class antagonism persist. Historical revolutions reveal essential features of our communist horizon, which would-be revolutionaries, then as now, must negotiate one way or another. In chapters that move from a critical history of the workers’ council to a reading of Marx’s theory of value as an inverted description of communism, Jasper Bernes synthesizes from a history of failure the key criteria for success. He defines for our present moment the urgent mission of the world proletariat.

Jasper Bernes lives in Oakland and teaches in the English Department at the University of California, Berkeley. A regular contributor to the Field Notes section of the Brooklyn Rail, he is the author of The Work of Art in the Age of Deindustrialization and two books of poetry, We Are Nothing and So Can You and Starsdown.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 12 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How might a twenty-first-century revolution against class society succeed?

Communism comes from the future, but its hopes haunt our past. Reading revolutionary history from the Paris Commune to the George Floyd Uprising by the light of communist theory, from Marx to C. L. R. James, The Future of Revolution: ﻿﻿Communist Prospects from the Paris Commune to the George Floyd Uprising ﻿(Verso Books, 2025) illuminates the possibilities for overcoming class society in the twenty-first century.When Marx wrote that the Paris Commune of 1871 showed that “the working class cannot simply lay hold of the ready-made state machinery, and wield it for its own purposes,” he identified a principle that will remain true as long as capitalism and its class antagonism persist. Historical revolutions reveal essential features of our communist horizon, which would-be revolutionaries, then as now, must negotiate one way or another. In chapters that move from a critical history of the workers’ council to a reading of Marx’s theory of value as an inverted description of communism, Jasper Bernes synthesizes from a history of failure the key criteria for success. He defines for our present moment the urgent mission of the world proletariat.

Jasper Bernes lives in Oakland and teaches in the English Department at the University of California, Berkeley. A regular contributor to the Field Notes section of the Brooklyn Rail, he is the author of The Work of Art in the Age of Deindustrialization and two books of poetry, We Are Nothing and So Can You and Starsdown.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How might a twenty-first-century revolution against class society succeed?</p>
<p>Communism comes from the future, but its hopes haunt our past. Reading revolutionary history from the Paris Commune to the George Floyd Uprising by the light of communist theory, from Marx to C. L. R. James, <a href="https://bookshop.org/a/12343/9781788737531">The Future of Revolution: ﻿﻿Communist Prospects from the Paris Commune to the George Floyd Uprising </a><em>﻿</em>(Verso Books, 2025) illuminates the possibilities for overcoming class society in the twenty-first century.<br>When Marx wrote that the Paris Commune of 1871 showed that “the working class cannot simply lay hold of the ready-made state machinery, and wield it for its own purposes,” he identified a principle that will remain true as long as capitalism and its class antagonism persist. Historical revolutions reveal essential features of our communist horizon, which would-be revolutionaries, then as now, must negotiate one way or another. In chapters that move from a critical history of the workers’ council to a reading of Marx’s theory of value as an inverted description of communism, Jasper Bernes synthesizes from a history of failure the key criteria for success. He defines for our present moment the urgent mission of the world proletariat.</p>
<p>Jasper Bernes lives in Oakland and teaches in the English Department at the University of California, Berkeley. A regular contributor to the Field Notes section of the <em>Brooklyn Rail,</em> he is the author of <em>The Work of Art in the Age of Deindustrialization</em> and two books of poetry, <em>We Are Nothing and So Can You</em> and <em>Starsdown</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a>﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4794</itunes:duration>
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    </item>
    <item>
      <title>Rishi Rajpopat, "Panini's Perfect Rule: A Modern Solution to an Ancient Problem in Sanskrit Grammar" (Harvard UP, 2025)</title>
      <description>Panini’s Ashtadyayi is one of the most famous works in Sanskrit, a so-called “linguistic machine” that, through its 4,000 words, allows someone to generate words and grammar. Generations of commentators have tried to figure out exactly how to best interpret the work and explain its various contradictions and overlapping instructions.﻿

Then, in 2022, Rishi Rajpopat, a PhD student at Cambridge, said he’d figured out how to unravel Panini’s work to create a cohesive set of rules–and potentially wiped away centuries of commentary. The announcement made headlines (and led to some grumbling among other Sanskrit professors). That work is now a book—Panini's Perfect Rule: A Modern Solution to an Ancient Problem in Sanskrit Grammar (Harvard UP, 2025)—and Rishi joins us today to talk about it. ﻿

Rishi Rajpopat is Research Assistant Professor in the Department of Philosophy and Religious Studies at the University of Macau. His research on Pāṇini’s grammar has been covered by the BBC, Daily Mail, The Telegraph, the Times of India, The Hindu, and other global news outlets.﻿

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Panini’s Perfect Rule. Follow on Twitter at @BookReviewsAsia.﻿Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Panini’s Ashtadyayi is one of the most famous works in Sanskrit, a so-called “linguistic machine” that, through its 4,000 words, allows someone to generate words and grammar. Generations of commentators have tried to figure out exactly how to best interpret the work and explain its various contradictions and overlapping instructions.﻿

Then, in 2022, Rishi Rajpopat, a PhD student at Cambridge, said he’d figured out how to unravel Panini’s work to create a cohesive set of rules–and potentially wiped away centuries of commentary. The announcement made headlines (and led to some grumbling among other Sanskrit professors). That work is now a book—Panini's Perfect Rule: A Modern Solution to an Ancient Problem in Sanskrit Grammar (Harvard UP, 2025)—and Rishi joins us today to talk about it. ﻿

Rishi Rajpopat is Research Assistant Professor in the Department of Philosophy and Religious Studies at the University of Macau. His research on Pāṇini’s grammar has been covered by the BBC, Daily Mail, The Telegraph, the Times of India, The Hindu, and other global news outlets.﻿

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Panini’s Perfect Rule. Follow on Twitter at @BookReviewsAsia.﻿Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Panini’s Ashtadyayi is one of the most famous works in Sanskrit, a so-called “linguistic machine” that, through its 4,000 words, allows someone to generate words and grammar. Generations of commentators have tried to figure out exactly how to best interpret the work and explain its various contradictions and overlapping instructions.﻿</p>
<p>Then, in 2022, Rishi Rajpopat, a PhD student at Cambridge, said he’d figured out how to unravel Panini’s work to create a cohesive set of rules–and potentially wiped away centuries of commentary. The announcement made headlines (and led to some grumbling among other Sanskrit professors). That work is now a book—<a href="https://bookshop.org/a/12343/9780674297647">Panini's Perfect Rule: A Modern Solution to an Ancient Problem in Sanskrit Grammar</a><em> </em>(Harvard UP, 2025)—and Rishi joins us today to talk about it. ﻿<br></p>
<p>Rishi Rajpopat is Research Assistant Professor in the Department of Philosophy and Religious Studies at the University of Macau. His research on Pāṇini’s grammar has been covered by the BBC, Daily Mail, The Telegraph, the Times of India, The Hindu, and other global news outlets.﻿<br></p>
<p><em>You can find more reviews, excerpts, interviews, and essays at</em><a href="https://asianreviewofbooks.com/"> <em>The Asian Review of Books</em></a><em>, including its review of </em><a href="https://asianreviewofbooks.com/pa%E1%B9%87inis-perfect-rule-a-modern-solution-to-an-ancient-problem-in-sanskrit-grammar-by-rishi-rajpopat/"><em>Panini’s Perfect Rule</em></a><em>. Follow on Twitter at</em><a href="https://twitter.com/BookReviewsAsia"> <em>@BookReviewsAsia</em></a><em>.</em>﻿<br><em>Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at</em><a href="https://twitter.com/nickrigordon?lang=en"><em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2484</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Michaela Hulstyn, "Unselfing: Global French Literature at the Limits of Consciousness" (U Toronto Press, 2022)</title>
      <description>Altered states of consciousness – including experiences of deprivation, pain, hallucination, fear, desire, alienation, and spiritual transcendence – can transform the ordinary experience of selfhood.

Unselfing: Global French Literature at the Limits of Consciousness (U Toronto Press, 2022) explores the nature of disruptive self-experiences and the different shapes they have taken in literary writing. The book focuses on the tension between rival conceptions of unselfing as either a form of productive self-transcendence or a form of alienating self-loss.

Michaela Hulstyn explores the shapes and meanings of unselfing through the framework of the global French literary world, encompassing texts by modernist figures in France and Belgium alongside writers from Algeria, Rwanda, and Morocco. Together these diverse texts prompt a re-evaluation of the consequences of the loss or the transcendence of the self. Through a series of close readings, Hulstyn offers a new account of the ethical questions raised by altered states and shows how philosophies of empathy can be tested against and often challenged by literary works. Drawing on cognitive science and phenomenology, Unselfing provides a new methodology for approaching texts that give shape to the fringes of conscious experience.

Guest Dr. Michaela Hulstyn is Associate Director of the Structured Liberal Education Program at Stanford University. Her research interests include philosophy and Literature; 20c and 21c French and Francophone African thought, cognitive approaches to aesthetics; global phenomenology; intermediality; decolonization; narrative. In addition to her monograph, she has published articles related to a number of these topics in forums such as Modern Fiction Studies, Philosophy and Literature, and Contemporary French and Francophone Studies: Sites.Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Altered states of consciousness – including experiences of deprivation, pain, hallucination, fear, desire, alienation, and spiritual transcendence – can transform the ordinary experience of selfhood.

Unselfing: Global French Literature at the Limits of Consciousness (U Toronto Press, 2022) explores the nature of disruptive self-experiences and the different shapes they have taken in literary writing. The book focuses on the tension between rival conceptions of unselfing as either a form of productive self-transcendence or a form of alienating self-loss.

Michaela Hulstyn explores the shapes and meanings of unselfing through the framework of the global French literary world, encompassing texts by modernist figures in France and Belgium alongside writers from Algeria, Rwanda, and Morocco. Together these diverse texts prompt a re-evaluation of the consequences of the loss or the transcendence of the self. Through a series of close readings, Hulstyn offers a new account of the ethical questions raised by altered states and shows how philosophies of empathy can be tested against and often challenged by literary works. Drawing on cognitive science and phenomenology, Unselfing provides a new methodology for approaching texts that give shape to the fringes of conscious experience.

Guest Dr. Michaela Hulstyn is Associate Director of the Structured Liberal Education Program at Stanford University. Her research interests include philosophy and Literature; 20c and 21c French and Francophone African thought, cognitive approaches to aesthetics; global phenomenology; intermediality; decolonization; narrative. In addition to her monograph, she has published articles related to a number of these topics in forums such as Modern Fiction Studies, Philosophy and Literature, and Contemporary French and Francophone Studies: Sites.Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Altered states of consciousness – including experiences of deprivation, pain, hallucination, fear, desire, alienation, and spiritual transcendence – can transform the ordinary experience of selfhood.</p>
<p><a href="https://bookshop.org/a/12343/9781487543761"><em>Unselfing: Global French Literature at the Limits of Consciousness</em> </a>(U Toronto Press, 2022) explores the nature of disruptive self-experiences and the different shapes they have taken in literary writing. The book focuses on the tension between rival conceptions of unselfing as either a form of productive self-transcendence or a form of alienating self-loss.</p>
<p>Michaela Hulstyn explores the shapes and meanings of unselfing through the framework of the global French literary world, encompassing texts by modernist figures in France and Belgium alongside writers from Algeria, Rwanda, and Morocco. Together these diverse texts prompt a re-evaluation of the consequences of the loss or the transcendence of the self. Through a series of close readings, Hulstyn offers a new account of the ethical questions raised by altered states and shows how philosophies of empathy can be tested against and often challenged by literary works. Drawing on cognitive science and phenomenology, <em>Unselfing</em> provides a new methodology for approaching texts that give shape to the fringes of conscious experience.</p>
<p>Guest Dr. Michaela Hulstyn is Associate Director of the Structured Liberal Education Program at Stanford University. Her research interests include philosophy and Literature; 20c and 21c French and Francophone African thought, cognitive approaches to aesthetics; global phenomenology; intermediality; decolonization; narrative. In addition to her monograph, she has published articles related to a number of these topics in forums such as <em>Modern Fiction Studies, Philosophy and Literature, </em>and <em>Contemporary French and Francophone Studies: Sites</em>.<br>Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Leslie Barnes, "Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film" (Edinburgh UP, 2025)</title>
      <description>In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge.﻿

Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge.﻿

Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781399532884">Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film</a> (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, <em>Sex Work in Southeast Asia</em> explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s <em>scenes of ambivalence </em>show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge.﻿</p>
<p>Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of <em>Vietnam and the Colonial Condition of French Literature</em> (2014) and co-editor of <a href="https://newbooksnetwork.com/the-cinema-of-rithy-panh#entry:106725@1:url">The Cinema of Rithy Panh: Everything Has a Soul</a> (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about <em>Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4967</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andrew Lister, "Justice and Reciprocity" (Oxford UP, 2024) </title>
      <description>Andrew Lister's Justice and Reciprocity (Oxford University Press, 2024) examines the place of reciprocity in egalitarianism, focusing on John Rawls's conception of "justice as fairness." Reciprocity was a central to justice as fairness, but Rawls wasn't explicit about the different forms of reciprocity, nor the diverse roles reciprocity played in his theory. The book's main thesis is threefold. First, reciprocity is not simply a fact of human psychology or a duty, but a limiting condition on other duties. Second, such conditions are a natural consequence of thinking of equality as a relational value. However, third, we can identify limits on this conditionality, which explains how some duties of justice can be unconditional. The book explores the ramifications of this argument in a series of debates about distributive justice: productive incentives, duties to future generations, unconditional basic income, and global justice. In each domain, thinking about reciprocity as a limiting condition helps explain otherwise puzzling aspects of justice as fairness, in some cases making the view more plausible, but in others underlining limits that will be unappealing to egalitarians of a more unilateral bent. Lister ultimately shows that reciprocity involves more than returning benefits, and that limiting justice with reciprocity conditions need not make justice implausibly undemanding. In this way, the book rehabilitates reciprocity for egalitarianism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 05 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Andrew Lister's Justice and Reciprocity (Oxford University Press, 2024) examines the place of reciprocity in egalitarianism, focusing on John Rawls's conception of "justice as fairness." Reciprocity was a central to justice as fairness, but Rawls wasn't explicit about the different forms of reciprocity, nor the diverse roles reciprocity played in his theory. The book's main thesis is threefold. First, reciprocity is not simply a fact of human psychology or a duty, but a limiting condition on other duties. Second, such conditions are a natural consequence of thinking of equality as a relational value. However, third, we can identify limits on this conditionality, which explains how some duties of justice can be unconditional. The book explores the ramifications of this argument in a series of debates about distributive justice: productive incentives, duties to future generations, unconditional basic income, and global justice. In each domain, thinking about reciprocity as a limiting condition helps explain otherwise puzzling aspects of justice as fairness, in some cases making the view more plausible, but in others underlining limits that will be unappealing to egalitarians of a more unilateral bent. Lister ultimately shows that reciprocity involves more than returning benefits, and that limiting justice with reciprocity conditions need not make justice implausibly undemanding. In this way, the book rehabilitates reciprocity for egalitarianism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Andrew Lister's <a href="https://bookshop.org/a/12343/9780198924043">Justice and Reciprocity</a> (Oxford University Press, 2024) examines the place of reciprocity in egalitarianism, focusing on John Rawls's conception of "justice as fairness." Reciprocity was a central to justice as fairness, but Rawls wasn't explicit about the different forms of reciprocity, nor the diverse roles reciprocity played in his theory. The book's main thesis is threefold. First, reciprocity is not simply a fact of human psychology or a duty, but a limiting condition on other duties. Second, such conditions are a natural consequence of thinking of equality as a relational value. However, third, we can identify limits on this conditionality, which explains how some duties of justice can be unconditional. The book explores the ramifications of this argument in a series of debates about distributive justice: productive incentives, duties to future generations, unconditional basic income, and global justice. In each domain, thinking about reciprocity as a limiting condition helps explain otherwise puzzling aspects of justice as fairness, in some cases making the view more plausible, but in others underlining limits that will be unappealing to egalitarians of a more unilateral bent. Lister ultimately shows that reciprocity involves more than returning benefits, and that limiting justice with reciprocity conditions need not make justice implausibly undemanding. In this way, the book rehabilitates reciprocity for egalitarianism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4290</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Eivind Røssaak, "The Cory Arcangel Hack: Digital Culture and Aesthetic Practice" (MIT Press, 2025)</title>
      <description>The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.

Cory Arcangel (b. 1978)—perhaps best known for Super Mario Clouds, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In The Cory Arcangel Hack: Digital Culture and Aesthetic Practice ﻿﻿(MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.﻿﻿﻿Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 04 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.

Cory Arcangel (b. 1978)—perhaps best known for Super Mario Clouds, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In The Cory Arcangel Hack: Digital Culture and Aesthetic Practice ﻿﻿(MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.﻿﻿﻿Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.</p>
<p>Cory Arcangel (b. 1978)—perhaps best known for <em>Super Mario Clouds</em>, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.<br>Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In <a href="https://bookshop.org/a/12343/9780262552547">The Cory Arcangel Hack: Digital Culture and Aesthetic Practice</a><em> </em>﻿﻿(MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.<br>Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.﻿<br>﻿<br>﻿Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2635</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Amir Saemi, "Morality and Revelation in Islamic Thought and Beyond: A New Problem of Evil" (Oxford UP, 2024)</title>
      <description>Amir Saemi’s exciting book Morality and Revelation in Islamic Thought and Beyond: A New Problem of Evil (Oxford UP, 2024) is a fascinating and deeply thought-provoking study that challenges how we think about scripture, morality, and divine authority. Saemi tackles what he calls the “New Problem of Evil,” a divinely prescribed problem of evil, which is the tension between the commands found in sacred texts, our own moral judgments, and the belief in a morally perfect God. Saemi demonstrates the limits of scripture-first approaches, which is to say that scripture is given precedence over our independent moral judgments in cases where the two conflict. He explores ethics-first solutions that allow the believer to take moral reasoning seriously, while also showing that scripture’s injunctions can be understood as legal or social mandates. By tracing the arguments of Ashʿarites, Mu’tazilites, and other medieval Islamic thinkers, and developing alternative solutions, Saemi offers a methodical and historically grounded framework for reconciling moral judgment with scriptural authority.

In our conversation, Amir and I explore how Islamic philosophers like al-Ghazālī, al-Rāzī, al-Fārābi, and others navigated the relationship between reason and revelation, and how we might approach morally troubling passages in scripture today, including through an ethics-first approach. We also discuss thick and thin moral concepts, the Moses Principle, and what it means to reconcile modern moral sensibilities with ancient texts. Amir shares insights on gendered morality, the ethical significance of the Abraham story, and the broader implications of his work for progressive Muslims and theists alike.

This book is essential reading for readers interested in the ethics of interpretation, the challenges faced by contemporary religious communities when re-interpreting historical texts, theists wrestling with moral dilemmas, and anyone interested in the intersection of philosophy, religion, and ethics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 04 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Amir Saemi’s exciting book Morality and Revelation in Islamic Thought and Beyond: A New Problem of Evil (Oxford UP, 2024) is a fascinating and deeply thought-provoking study that challenges how we think about scripture, morality, and divine authority. Saemi tackles what he calls the “New Problem of Evil,” a divinely prescribed problem of evil, which is the tension between the commands found in sacred texts, our own moral judgments, and the belief in a morally perfect God. Saemi demonstrates the limits of scripture-first approaches, which is to say that scripture is given precedence over our independent moral judgments in cases where the two conflict. He explores ethics-first solutions that allow the believer to take moral reasoning seriously, while also showing that scripture’s injunctions can be understood as legal or social mandates. By tracing the arguments of Ashʿarites, Mu’tazilites, and other medieval Islamic thinkers, and developing alternative solutions, Saemi offers a methodical and historically grounded framework for reconciling moral judgment with scriptural authority.

In our conversation, Amir and I explore how Islamic philosophers like al-Ghazālī, al-Rāzī, al-Fārābi, and others navigated the relationship between reason and revelation, and how we might approach morally troubling passages in scripture today, including through an ethics-first approach. We also discuss thick and thin moral concepts, the Moses Principle, and what it means to reconcile modern moral sensibilities with ancient texts. Amir shares insights on gendered morality, the ethical significance of the Abraham story, and the broader implications of his work for progressive Muslims and theists alike.

This book is essential reading for readers interested in the ethics of interpretation, the challenges faced by contemporary religious communities when re-interpreting historical texts, theists wrestling with moral dilemmas, and anyone interested in the intersection of philosophy, religion, and ethics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amir Saemi’s exciting book <a href="https://bookshop.org/a/12343/9780197686232">Morality and Revelation in Islamic Thought and Beyond: A New Problem of Evil</a> (Oxford UP, 2024) is a fascinating and deeply thought-provoking study that challenges how we think about scripture, morality, and divine authority. Saemi tackles what he calls the “New Problem of Evil,” a divinely prescribed problem of evil, which is the tension between the commands found in sacred texts, our own moral judgments, and the belief in a morally perfect God. Saemi demonstrates the limits of scripture-first approaches, which is to say that scripture is given precedence over our independent moral judgments in cases where the two conflict. He explores ethics-first solutions that allow the believer to take moral reasoning seriously, while also showing that scripture’s injunctions can be understood as legal or social mandates.<strong> </strong>By tracing the arguments of Ashʿarites, Mu’tazilites, and other medieval Islamic thinkers, and developing alternative solutions, Saemi offers a methodical and historically grounded framework for reconciling moral judgment with scriptural authority.</p>
<p>In our conversation, Amir and I explore how Islamic philosophers like al-Ghazālī, al-Rāzī, al-Fārābi, and others navigated the relationship between reason and revelation, and how we might approach morally troubling passages in scripture today, including through an ethics-first approach. We also discuss thick and thin moral concepts, the Moses Principle, and what it means to reconcile modern moral sensibilities with ancient texts. Amir shares insights on gendered morality, the ethical significance of the Abraham story, and the broader implications of his work for progressive Muslims and theists alike.</p>
<p>This book is essential reading for readers interested in the ethics of interpretation, the challenges faced by contemporary religious communities when re-interpreting historical texts, theists wrestling with moral dilemmas, and anyone interested in the intersection of philosophy, religion, and ethics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5371</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9818459212.mp3?updated=1775202252" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Rachel, "This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich" (Akashic Books, 2026)</title>
      <description>Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime?

In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today.

Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London.

Daniel Rachel’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 04 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime?

In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today.

Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London.

Daniel Rachel’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime?</p>
<p>In <a href="https://bookshop.org/p/books/this-ain-t-rock-n-roll-pop-music-the-swastika-and-the-third-reich-daniel-rachel/8912ffdb05d4c6d8?ean=9781636142852&amp;next=t">This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich</a><em> </em>(Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today.</p>
<p>Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include <em>Too Much Too Young, the 2 Tone Records Story</em>; <em>Isle of Noises: Conversations with Great British Songwriters</em>; and <em>The Lost Album of the Beatles: What If the Beatles Hadn't Split Up?</em> He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London.</p>
<p>Daniel Rachel’s <a href="https://danielrachel.com/">website</a> and <a href="https://www.instagram.com/danielrachelauthor/?hl=en">Instagram</a>.</p>
<p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a> (Backbeat Books, 2021), <a href="https://bookshop.org/p/books/frank-zappa-s-america/8849ce3db2569e6e?ean=9780807183922&amp;next=t"><em>Frank Zappa's America</em></a> (LSU Press, 2025), and <a href="https://bookshop.org/p/books/u2-until-the-end-of-the-world-bradley-morgan/79efd5b55b88c62d?ean=9798886743579&amp;next=t"><em>U2: Until the End of the World</em></a> (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.</p>
<p>Bradley on <a href="https://www.facebook.com/bradleymorganauthor/">Facebook</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
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      <itunes:duration>3431</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7190140237.mp3?updated=1775110586" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Pennington, "Foucault and Liberal Political Economy: Power, Knowledge, and Freedom" (Oxford UP, 2025)</title>
      <description>Foucault and Liberal Political Economy: Power, Knowledge, and Freedom by Mark Pennington

This highly original and innovative book is the first to comprehensively engage the ideas of the French social theorist and philosopher Michel Foucault from within the tradition of liberal political economy. Divided into two parts the book commences by demonstrating important commonalities between Foucault's ideas and those of a neglected 'post-modern' stream in liberal political and economic thought. These ideas draw on a social theory emphasising a culturally situated individualism; a philosophy of science highly critical of socio-economic 'scientism' and 'expert rule'; and an understanding of freedom as an open-ended process of 'self-creation' in the face of cultural power relations—a freedom threatened by alignments between state power and more decentred manifestations of power.Part two combines the tools of Foucault's critical social theory with those of a post-modern liberalism to problematise four separate though overlapping 'bio-political' or 'pastoral' dispositifs in contemporary liberal societies focused on social justice, public health, ecological sustainability, and law and order. Where the Foucauldian and the post-modern liberal approaches suggest that freedom requires a cultural and economic 'creative destruction' that destabilises existing modes of thought and ways of being, the pastoral dispositifs that seek to 'monitor and correct' multiple pattern anomalies are shown to stifle the space for that creative freedom.Though the book does not engage the question of whether Foucault himself moved towards endorsing liberal political economy, it throws considerable light on how key Foucauldian concerns may be addressed within the liberal tradition, and why Foucauldians may have reason to embrace a reconstituted or post-modern liberalism

Mark Pennington has been Professor of Political Economy and Public Policy in the Department of Political Economy, King's College, University of London, since 2012, and is currently Director of the Centre for the Study of Governance and Society. Prior to King's he taught for twelve years in the Department of Politics and International Studies at Queen Mary, University of London. He has a PhD from the London School of Economics and Political Science.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Foucault and Liberal Political Economy: Power, Knowledge, and Freedom by Mark Pennington

This highly original and innovative book is the first to comprehensively engage the ideas of the French social theorist and philosopher Michel Foucault from within the tradition of liberal political economy. Divided into two parts the book commences by demonstrating important commonalities between Foucault's ideas and those of a neglected 'post-modern' stream in liberal political and economic thought. These ideas draw on a social theory emphasising a culturally situated individualism; a philosophy of science highly critical of socio-economic 'scientism' and 'expert rule'; and an understanding of freedom as an open-ended process of 'self-creation' in the face of cultural power relations—a freedom threatened by alignments between state power and more decentred manifestations of power.Part two combines the tools of Foucault's critical social theory with those of a post-modern liberalism to problematise four separate though overlapping 'bio-political' or 'pastoral' dispositifs in contemporary liberal societies focused on social justice, public health, ecological sustainability, and law and order. Where the Foucauldian and the post-modern liberal approaches suggest that freedom requires a cultural and economic 'creative destruction' that destabilises existing modes of thought and ways of being, the pastoral dispositifs that seek to 'monitor and correct' multiple pattern anomalies are shown to stifle the space for that creative freedom.Though the book does not engage the question of whether Foucault himself moved towards endorsing liberal political economy, it throws considerable light on how key Foucauldian concerns may be addressed within the liberal tradition, and why Foucauldians may have reason to embrace a reconstituted or post-modern liberalism

Mark Pennington has been Professor of Political Economy and Public Policy in the Department of Political Economy, King's College, University of London, since 2012, and is currently Director of the Centre for the Study of Governance and Society. Prior to King's he taught for twelve years in the Department of Politics and International Studies at Queen Mary, University of London. He has a PhD from the London School of Economics and Political Science.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Foucault and Liberal Political Economy: Power, Knowledge, and Freedom by <strong>Mark Pennington</strong></p>
<p>This highly original and innovative book is the first to comprehensively engage the ideas of the French social theorist and philosopher Michel Foucault from <em>within</em> the tradition of liberal political economy. Divided into two parts the book commences by demonstrating important commonalities between Foucault's ideas and those of a neglected 'post-modern' stream in liberal political and economic thought. These ideas draw on a social theory emphasising a culturally situated individualism; a philosophy of science highly critical of socio-economic 'scientism' and 'expert rule'; and an understanding of freedom as an open-ended process of 'self-creation' in the face of cultural power relations—a freedom threatened by alignments between state power and more decentred manifestations of power.<br>Part two combines the tools of Foucault's critical social theory with those of a post-modern liberalism to problematise four separate though overlapping 'bio-political' or 'pastoral' <em>dispositifs</em> in contemporary liberal societies focused on social justice, public health, ecological sustainability, and law and order. Where the Foucauldian and the post-modern liberal approaches suggest that freedom requires a cultural and economic 'creative destruction' that destabilises existing modes of thought and ways of being, the pastoral <em>dispositifs</em> that seek to 'monitor and correct' multiple pattern anomalies are shown to stifle the space for that creative freedom.<br>Though the book does not engage the question of whether Foucault himself moved towards endorsing liberal political economy, it throws considerable light on how key Foucauldian concerns may be addressed within the liberal tradition, and why Foucauldians may have reason to embrace a reconstituted or post-modern liberalism</p>
<p>Mark Pennington has been Professor of Political Economy and Public Policy in the Department of Political Economy, King's College, University of London, since 2012, and is currently Director of the Centre for the Study of Governance and Society. Prior to King's he taught for twelve years in the Department of Politics and International Studies at Queen Mary, University of London. He has a PhD from the London School of Economics and Political Science.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3510</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7bf7db82-2bc4-11f1-9bf7-afb94087fc7e]]></guid>
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    </item>
    <item>
      <title>Pre-Reading</title>
      <description>In this episode of High Theory, Milan Terlunen talks to Kim about Pre-Reading. There are many books we will never read and films we will never watch, but it turns out we know quite a bit about them in advance. A concept developed in his work on the plot twist, pre-reading names the epistemic practices by which we approach a text before we read it (if we ever do). The pre-reading environment is shared, social knowledge that shapes our expectations long before we open the cover or hit play.

This podcast episode forms part of the pre-reading environment for Milan’s article, "What We Can(’t) Know Before We Read: Towards a Theory of the Pre-Reading Environment" (Book History 27, no. 2 (2024): 346-374). The article proposes the Pre-Reading Environment as a new object of study for understanding how texts relate to communal knowledge. While easily overlooked by scholars, equipped with fuller knowledge derived from their own reading, Pre-Reading Environments are among the most widespread epistemic objects in book history. Turning to two literary texts, Agatha Christie’s The Murder of Roger Ackroyd (1926) and Hanya Yanagihara’s A Little Life (2015), the article examines how their respective Pre-Reading Environments, in newspapers and on Twitter, strategically concealed key plot points that might pre-emptively spoil the experience of potential readers.

The transcript of this episode lives here as a WordDoc and here as a PDF.

Milan Terlunen is a scholar of literature, with a focus on narrative and the history of reading practices. He works as a Researcher in Digital Humanities at the University of Sussex. While a PhD student at Columbia University he co-created and hosted two podcasts – How To Read and In Sacred Spaces – and co-founded the Humanities Podcast Network in 2021, where he met Kim and Saronik. He is also an editor of the Palgrave Handbook of Humanities Podcasting, a huge project that he ran along with Kim, Saronik, and Beth Kramer. A book about podcasting would not be complete without its own podcast. Keep your ears peeled for Podcasting the Humanities later this year.

The image for this episode is an illustration from Jean de Bosschère’s Weird Islands (1921), titled “Read Books on Practical Navigation.” It is a line drawing showing a reader swamped by piles of books. The image was found for High Theory by Lili Epstein on the Public Domain Image Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b5c7e8f0-2bc1-11f1-add0-ffea9dd00ad0/image/4b9646a09b4b4418c886c9f7e018a43d.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Milan Terlunen talks to Kim about Pre-Reading. There are many books we will never read and films we will never watch, but it turns out we know quite a bit about them in advance. A concept developed in his work on the plot twist, pre-reading names the epistemic practices by which we approach a text before we read it (if we ever do). The pre-reading environment is shared, social knowledge that shapes our expectations long before we open the cover or hit play.

This podcast episode forms part of the pre-reading environment for Milan’s article, "What We Can(’t) Know Before We Read: Towards a Theory of the Pre-Reading Environment" (Book History 27, no. 2 (2024): 346-374). The article proposes the Pre-Reading Environment as a new object of study for understanding how texts relate to communal knowledge. While easily overlooked by scholars, equipped with fuller knowledge derived from their own reading, Pre-Reading Environments are among the most widespread epistemic objects in book history. Turning to two literary texts, Agatha Christie’s The Murder of Roger Ackroyd (1926) and Hanya Yanagihara’s A Little Life (2015), the article examines how their respective Pre-Reading Environments, in newspapers and on Twitter, strategically concealed key plot points that might pre-emptively spoil the experience of potential readers.

The transcript of this episode lives here as a WordDoc and here as a PDF.

Milan Terlunen is a scholar of literature, with a focus on narrative and the history of reading practices. He works as a Researcher in Digital Humanities at the University of Sussex. While a PhD student at Columbia University he co-created and hosted two podcasts – How To Read and In Sacred Spaces – and co-founded the Humanities Podcast Network in 2021, where he met Kim and Saronik. He is also an editor of the Palgrave Handbook of Humanities Podcasting, a huge project that he ran along with Kim, Saronik, and Beth Kramer. A book about podcasting would not be complete without its own podcast. Keep your ears peeled for Podcasting the Humanities later this year.

The image for this episode is an illustration from Jean de Bosschère’s Weird Islands (1921), titled “Read Books on Practical Navigation.” It is a line drawing showing a reader swamped by piles of books. The image was found for High Theory by Lili Epstein on the Public Domain Image Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Milan Terlunen talks to Kim about Pre-Reading. There are many books we will never read and films we will never watch, but it turns out we know quite a bit about them in advance. A concept developed in his work on the plot twist, pre-reading names the epistemic practices by which we approach a text before we read it (if we ever do). The pre-reading environment is shared, social knowledge that shapes our expectations long before we open the cover or hit play.</p>
<p>This podcast episode forms part of the pre-reading environment for Milan’s article, "<a href="https://dx.doi.org/10.1353/bh.2024.a947331">What We Can(’t) Know Before We Read: Towards a Theory of the Pre-Reading Environment</a>" (<em>Book History</em> 27, no. 2 (2024): 346-374). The article proposes the Pre-Reading Environment as a new object of study for understanding how texts relate to communal knowledge. While easily overlooked by scholars, equipped with fuller knowledge derived from their own reading, Pre-Reading Environments are among the most widespread epistemic objects in book history. Turning to two literary texts, Agatha Christie’s <em>The Murder of Roger Ackroyd </em>(1926) and Hanya Yanagihara’s <em>A Little Life </em>(2015), the article examines how their respective Pre-Reading Environments, in newspapers and on Twitter, strategically concealed key plot points that might pre-emptively spoil the experience of potential readers.</p>
<p>The transcript of this episode lives here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Pre-Reading-transcript.docx">WordDoc</a> and here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Pre-Reading-transcript.pdf">PDF</a>.</p>
<p><a href="https://milanterlunen.com/">Milan Terlunen</a> is a scholar of literature, with a focus on narrative and the history of reading practices. He works as a Researcher in Digital Humanities at the University of Sussex. While a PhD student at Columbia University he co-created and hosted two podcasts – <a href="https://podcasts.apple.com/us/podcast/how-to-read/id1265201142"><em>How To Read</em></a> and <a href="https://insacredspacespodcast.com/"><em>In Sacred Spaces</em></a> – and co-founded the <a href="https://humanitiespodnetwork.org/">Humanities Podcast Network</a> in 2021, where he met Kim and Saronik. He is also an editor of the <em>Palgrave Handbook of Humanities Podcasting, </em>a huge project that he ran along with Kim, Saronik, and Beth Kramer. A book about podcasting would not be complete without its own podcast. Keep your ears peeled for <em>Podcasting the Humanities</em> later this year.</p>
<p>The image for this episode is an illustration from Jean de Bosschère’s Weird Islands (1921), titled “Read Books on Practical Navigation.” It is a line drawing showing a reader swamped by piles of books. The image was found for High Theory by Lili Epstein on the <a href="https://pdimagearchive.org/images/7f6dee5d-c13d-4c12-a2ce-8456fbba8769/">Public Domain Image Archive.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1217</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ainehi Edoro, "Forest Imaginaries: How African Novels Think" (﻿Columbia UP, 2026)</title>
      <description>Forests in fiction are often understood simply as settings, symbols, or remnants of a premodern past. Yet many African novelists have turned to the forest to experiment with worldbuilding and to imagine new futures. This groundbreaking book explores the life of the forest in African fiction, showing how writers have used it to reinvent the novel’s formal, aesthetic, and political possibilities.

 Ainehi Edoro argues in ﻿Forest Imaginaries: How African Novels Think (﻿Columbia UP, 2026) ﻿that forests in African fiction are laboratories for unmaking and remaking the world, where writers break apart familiar forms to test alternate forms of life, knowledge, and power. Instead of treating the forest as a backdrop, these writers imagine it as a living structure: a space where politics, history, myth, violence, technology, the magical, and creativity animate fictional worlds. Spanning indigenous African narratives and contemporary science fiction, Forest Imaginaries traces the lineage of forest worlds in African literature: Chinua Achebe’s evil forest, the cosmic forest in Wọle Ṣóyínká’s mythic imagination, Thomas Mofolo’s forest of imperial dreams, Amos Tutuola’s endless fractal forest, and Nnedi Okorafor’s aquatic forest of new ecological futures. This book rethinks African literary history by showing how African writers draw on the forest—and the wealth of Indigenous ideas about time, space, and storytelling it conjures—to transform the novel’s aesthetic, political, and philosophical horizons.

Ainehi Edoro is a Mellon-Morgridge Assistant Professor of English and African cultural studies at the University of Wisconsin–Madison. She is the founding editor of Brittle Paper, a leading platform for African literary culture.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Forests in fiction are often understood simply as settings, symbols, or remnants of a premodern past. Yet many African novelists have turned to the forest to experiment with worldbuilding and to imagine new futures. This groundbreaking book explores the life of the forest in African fiction, showing how writers have used it to reinvent the novel’s formal, aesthetic, and political possibilities.

 Ainehi Edoro argues in ﻿Forest Imaginaries: How African Novels Think (﻿Columbia UP, 2026) ﻿that forests in African fiction are laboratories for unmaking and remaking the world, where writers break apart familiar forms to test alternate forms of life, knowledge, and power. Instead of treating the forest as a backdrop, these writers imagine it as a living structure: a space where politics, history, myth, violence, technology, the magical, and creativity animate fictional worlds. Spanning indigenous African narratives and contemporary science fiction, Forest Imaginaries traces the lineage of forest worlds in African literature: Chinua Achebe’s evil forest, the cosmic forest in Wọle Ṣóyínká’s mythic imagination, Thomas Mofolo’s forest of imperial dreams, Amos Tutuola’s endless fractal forest, and Nnedi Okorafor’s aquatic forest of new ecological futures. This book rethinks African literary history by showing how African writers draw on the forest—and the wealth of Indigenous ideas about time, space, and storytelling it conjures—to transform the novel’s aesthetic, political, and philosophical horizons.

Ainehi Edoro is a Mellon-Morgridge Assistant Professor of English and African cultural studies at the University of Wisconsin–Madison. She is the founding editor of Brittle Paper, a leading platform for African literary culture.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Forests in fiction are often understood simply as settings, symbols, or remnants of a premodern past. Yet many African novelists have turned to the forest to experiment with worldbuilding and to imagine new futures. This groundbreaking book explores the life of the forest in African fiction, showing how writers have used it to reinvent the novel’s formal, aesthetic, and political possibilities.</p>
<p> Ainehi Edoro argues in<a href="https://bookshop.org/a/12343/9780231220750"> ﻿Forest Imaginaries: How African Novels Think </a>(﻿Columbia UP, 2026) ﻿that forests in African fiction are laboratories for unmaking and remaking the world, where writers break apart familiar forms to test alternate forms of life, knowledge, and power. Instead of treating the forest as a backdrop, these writers imagine it as a living structure: a space where politics, history, myth, violence, technology, the magical, and creativity animate fictional worlds. Spanning indigenous African narratives and contemporary science fiction, <em>Forest Imaginaries</em> traces the lineage of forest worlds in African literature: Chinua Achebe’s evil forest, the cosmic forest in Wọle Ṣóyínká’s mythic imagination, Thomas Mofolo’s forest of imperial dreams, Amos Tutuola’s endless fractal forest, and Nnedi Okorafor’s aquatic forest of new ecological futures. This book rethinks African literary history by showing how African writers draw on the forest—and the wealth of Indigenous ideas about time, space, and storytelling it conjures—to transform the novel’s aesthetic, political, and philosophical horizons.</p>
<p>Ainehi Edoro is a Mellon-Morgridge Assistant Professor of English and African cultural studies at the University of Wisconsin–Madison. She is the founding editor of <em>Brittle Paper</em>, a leading platform for African literary culture.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3722</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4210f814-29a2-11f1-8411-e39f0b88c15c]]></guid>
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    </item>
    <item>
      <title>Emmanuel Ofuasia, "Ìwà: the Process-Relational Dimension to African Metaphysics" (Springer, 2024)</title>
      <description>Correction: In the interview, the host mistakenly mentioned that Prof. Ofuasia is teaching the University of Pretoria. In reality, Prof Ofuasia is currently a decoloniality research associate at the University of Pretoria, South Africa. Previously, he has taught at the National Open University of Nigeria, FCT Abuja.

Ìwà: the Process-Relational Dimension to African Metaphysics ﻿(Springer, 2024) approaches the subject of African metaphysics historically as it connects Ancient Egypt to Yorùbá. It provides a history of African metaphysics from ancient Egypt or Kemet down to John Boakye Danquah and Placide Tempels in the 20th century and then Innocent Asouzu, Ada Agada, and Aribiah David Attoe, in the 21st century. As it surpasses the deductions of these previous works, it moves further to showcase African originality and approaches to studying reality, whilst resisting the temptation to deduce conclusions from Western philosophy. It is the first book in the history of African philosophy to use a process-relational approach to interrogate African metaphysics. It also serves to harmonize and engage prominent African scholars who have written on the subject of African metaphysics. The general scope of this book centers on engaging the history of distortion and misunderstanding of African metaphysics by providing a relevant and reliable process-relational background as well as an alternative trivalent logic system. Unless African metaphysical theories are understood from this perspective, they will remain powerless to overcome these misrepresentations. It appeals to students and researchers internationally actively working in the fields of African philosophy, Intercultural African studies as well as process studies.

Online May 11-13, 2026 conference on Processual Philosophy, more information here.

Two other books by Prof. Ofuasia on related topics

1. Panentheism and Concepts of God in African Traditional Religions: A Third-Wave Proposal, Springer 2026

2. An Exploration of the Parallels Between African and Process Metaphysics: Introducing the Metaphysics of Force and Becoming, Springer 2026.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 29 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Correction: In the interview, the host mistakenly mentioned that Prof. Ofuasia is teaching the University of Pretoria. In reality, Prof Ofuasia is currently a decoloniality research associate at the University of Pretoria, South Africa. Previously, he has taught at the National Open University of Nigeria, FCT Abuja.

Ìwà: the Process-Relational Dimension to African Metaphysics ﻿(Springer, 2024) approaches the subject of African metaphysics historically as it connects Ancient Egypt to Yorùbá. It provides a history of African metaphysics from ancient Egypt or Kemet down to John Boakye Danquah and Placide Tempels in the 20th century and then Innocent Asouzu, Ada Agada, and Aribiah David Attoe, in the 21st century. As it surpasses the deductions of these previous works, it moves further to showcase African originality and approaches to studying reality, whilst resisting the temptation to deduce conclusions from Western philosophy. It is the first book in the history of African philosophy to use a process-relational approach to interrogate African metaphysics. It also serves to harmonize and engage prominent African scholars who have written on the subject of African metaphysics. The general scope of this book centers on engaging the history of distortion and misunderstanding of African metaphysics by providing a relevant and reliable process-relational background as well as an alternative trivalent logic system. Unless African metaphysical theories are understood from this perspective, they will remain powerless to overcome these misrepresentations. It appeals to students and researchers internationally actively working in the fields of African philosophy, Intercultural African studies as well as process studies.

Online May 11-13, 2026 conference on Processual Philosophy, more information here.

Two other books by Prof. Ofuasia on related topics

1. Panentheism and Concepts of God in African Traditional Religions: A Third-Wave Proposal, Springer 2026

2. An Exploration of the Parallels Between African and Process Metaphysics: Introducing the Metaphysics of Force and Becoming, Springer 2026.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Correction: In the interview, the host mistakenly mentioned that Prof. Ofuasia is teaching the University of Pretoria. In reality, Prof Ofuasia is currently a decoloniality research associate at the University of Pretoria, South Africa. Previously, he has taught at the National Open University of Nigeria, FCT Abuja.</p>
<p><a href="https://bookshop.org/a/12343/9783031763915">Ìwà: the Process-Relational Dimension to African Metaphysics</a> ﻿(Springer, 2024) approaches the subject of African metaphysics historically as it connects Ancient Egypt to Yorùbá. It provides a history of African metaphysics from ancient Egypt or Kemet down to John Boakye Danquah and Placide Tempels in the 20th century and then Innocent Asouzu, Ada Agada, and Aribiah David Attoe, in the 21st century. As it surpasses the deductions of these previous works, it moves further to showcase African originality and approaches to studying reality, whilst resisting the temptation to deduce conclusions from Western philosophy. It is the first book in the history of African philosophy to use a process-relational approach to interrogate African metaphysics. It also serves to harmonize and engage prominent African scholars who have written on the subject of African metaphysics. The general scope of this book centers on engaging the history of distortion and misunderstanding of African metaphysics by providing a relevant and reliable process-relational background as well as an alternative trivalent logic system. Unless African metaphysical theories are understood from this perspective, they will remain powerless to overcome these misrepresentations. It appeals to students and researchers internationally actively working in the fields of African philosophy, Intercultural African studies as well as process studies.</p>
<p>Online May 11-13, 2026 conference on Processual Philosophy, <a href="https://ctr4process.org/event/process-philosophy-in-under-explored-traditions-in-philosophical-history-an-online-conference/">more information here</a>.</p>
<p>Two other books by Prof. Ofuasia on related topics</p>
<p>1. <a href="https://link.springer.com/book/10.1007/978-3-032-12395-4">Panentheism and Concepts of God in African Traditional Religions: A Third-Wave Proposal</a>, Springer 2026</p>
<p>2. <a href="https://link.springer.com/book/10.1007/978-3-032-11100-5">An Exploration of the Parallels Between African and Process Metaphysics: Introducing the Metaphysics of Force and Becoming</a>, Springer 2026.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5491</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[91e2034a-299a-11f1-b140-57acd9443fda]]></guid>
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    <item>
      <title>Thomas Hegghammer and Diego Gambetta eds., "Fight, Flight, Mimic: Identity Mimicry in Conflict" (Oxford UP, 2024)</title>
      <description>Time spent and words spent—what does each signal?

Deceptive mimicry—the manipulation of individual or group identity—includes passing off as a different individual, as a member of a group to which one does not belong, or, for a group, to ‘sign’ its action as another group. Mimicry exploits the reputation of the model it mimics to avoid capture (flight), to strike undetected at the enemy (fight), or to hide behind or besmirch the reputation of the model group (‘false-flag’ operations). 

Fight, Flight, Mimic: Identity Mimicry in Conflict (Oxford UP, 2024) offers a theory and game-theoretic model of mimicry, an overview of its use through history, and a deep empirical exploration of its modern manifestations through several case studies by leading social scientists. The chapters cover mimicry in the context of the Northern Ireland conflict, terrorism campaigns in 1970s Italy, the height of the Iraq insurgency, the Rwandan genocide, the Naxalite rebellion in India, and jihadi discussion forums on the Internet.

Thomas Hegghammer is Senior Research Fellow at All Souls College, Oxford.

Lucas Tse is Examination Fellow at All Souls College, Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 28 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Time spent and words spent—what does each signal?

Deceptive mimicry—the manipulation of individual or group identity—includes passing off as a different individual, as a member of a group to which one does not belong, or, for a group, to ‘sign’ its action as another group. Mimicry exploits the reputation of the model it mimics to avoid capture (flight), to strike undetected at the enemy (fight), or to hide behind or besmirch the reputation of the model group (‘false-flag’ operations). 

Fight, Flight, Mimic: Identity Mimicry in Conflict (Oxford UP, 2024) offers a theory and game-theoretic model of mimicry, an overview of its use through history, and a deep empirical exploration of its modern manifestations through several case studies by leading social scientists. The chapters cover mimicry in the context of the Northern Ireland conflict, terrorism campaigns in 1970s Italy, the height of the Iraq insurgency, the Rwandan genocide, the Naxalite rebellion in India, and jihadi discussion forums on the Internet.

Thomas Hegghammer is Senior Research Fellow at All Souls College, Oxford.

Lucas Tse is Examination Fellow at All Souls College, Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Time spent and words spent—what does each signal?</p>
<p>Deceptive mimicry—the manipulation of individual or group identity—includes passing off as a different individual, as a member of a group to which one does not belong, or, for a group, to ‘sign’ its action as another group. Mimicry exploits the reputation of the model it mimics to avoid capture (flight), to strike undetected at the enemy (fight), or to hide behind or besmirch the reputation of the model group (‘false-flag’ operations). </p>
<p><a href="https://bookshop.org/a/12343/9780198739470">Fight, Flight, Mimic: Identity Mimicry in Conflict</a> (Oxford UP, 2024) offers a theory and game-theoretic model of mimicry, an overview of its use through history, and a deep empirical exploration of its modern manifestations through several case studies by leading social scientists. The chapters cover mimicry in the context of the Northern Ireland conflict, terrorism campaigns in 1970s Italy, the height of the Iraq insurgency, the Rwandan genocide, the Naxalite rebellion in India, and jihadi discussion forums on the Internet.</p>
<p>Thomas Hegghammer is Senior Research Fellow at All Souls College, Oxford.</p>
<p>Lucas Tse is Examination Fellow at All Souls College, Oxford.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>The Criminal Record Complex: Risk, Race, and the Struggle for Work in America</title>
      <description>﻿Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: ﻿﻿Risk, Race, and the Struggle for Work in America﻿ (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers’ common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today’s routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety.

Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project.

Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  Ghost in the Criminal Justice Machine

  Carceral Apartheid

  Freemans Challenge

  Hands Up Don't Shoot

  The Names of all the Flowers

  The Journal of Higher Education in Prison

  Black Boy Out of Time

  Secrets of the Killing State


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: ﻿﻿Risk, Race, and the Struggle for Work in America﻿ (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers’ common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today’s routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety.

Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project.

Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  Ghost in the Criminal Justice Machine

  Carceral Apartheid

  Freemans Challenge

  Hands Up Don't Shoot

  The Names of all the Flowers

  The Journal of Higher Education in Prison

  Black Boy Out of Time

  Secrets of the Killing State


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In <a href="https://bookshop.org/a/12343/9780691272108">The Criminal Record Complex: ﻿﻿Risk, Race, and the Struggle for Work in America</a><em>﻿ </em>(Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers’ common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.<br>Dr. Burch places today’s routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, <em>The Criminal Record Complex</em> upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety.</p>
<p>Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/ghost-in-the-criminal-justice-machine">Ghost in the Criminal Justice Machine</a></li>
  <li><a href="https://newbooksnetwork.com/brittany-friedman-carceral-apartheid-how-lies-and-white-supremacists-run-our-prisons-unc-press-2025">Carceral Apartheid</a></li>
  <li><a href="https://newbooksnetwork.com/freemans-challenge">Freemans Challenge</a></li>
  <li><a href="https://newbooksnetwork.com/researching-racial-injustice">Hands Up Don't Shoot</a></li>
  <li><a href="https://newbooksnetwork.com/getting-an-mfa-and-memoir-writing">The Names of all the Flowers</a></li>
  <li><a href="https://newbooksnetwork.com/the-journal-of-higher-education-in-prison">The Journal of Higher Education in Prison</a></li>
  <li><a href="https://newbooksnetwork.com/writing-beyond-a-limited-narrative">Black Boy Out of Time</a></li>
  <li><a href="https://newbooksnetwork.com/secrets-of-the-killing-state">Secrets of the Killing State</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3253</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[887b7346-2809-11f1-ae24-67d129def6f8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8329142302.mp3?updated=1774415833" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hsuan L Hsu, "Olfactory Worldmaking" (U Minnesota Press, 2026)</title>
      <description>Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories.

Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 24 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>387</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories.

Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In <em>Olfactory Worldmaking</em> (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories.</p>
<p>Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a3edbdea-26ca-11f1-87a8-ff2d1ee63ff0]]></guid>
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    </item>
    <item>
      <title>David Bather Woods, "Arthur Schopenhauer: The Life and Thought of Philosophy's Greatest Pessimist" (U Chicago Press, 2025)</title>
      <description>Arthur Schopenhauer: The Life and Thought of Philosophy’s Greatest Pessimist by David Bather Woods

An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer’s pessimism.Arthur Schopenhauer (1788–1860) almost wasn’t one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer’s pessimism in the context of his life experiences, revealing the philosopher’s relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer’s ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life’s most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn’t give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer’s life informed his ideas and how they still resonate today.

David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer’s Moral Philosophy, and The Palgrave Schopenhauer Handbook.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Arthur Schopenhauer: The Life and Thought of Philosophy’s Greatest Pessimist by David Bather Woods

An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer’s pessimism.Arthur Schopenhauer (1788–1860) almost wasn’t one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer’s pessimism in the context of his life experiences, revealing the philosopher’s relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer’s ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life’s most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.Despite his pessimistic outlook on human existence, Schopenhauer didn’t give up on life. Rather, he recognized that the question of how to live becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer’s life informed his ideas and how they still resonate today.

David Bather Woods is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of The Schopenhauerian Mind. He has contributed chapters to The Proustian Mind, Schopenhauer’s Moral Philosophy, and The Palgrave Schopenhauer Handbook.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Arthur Schopenhauer: The Life and Thought of Philosophy’s Greatest Pessimist by <a href="https://press.uchicago.edu/ucp/books/author/B/D/au204596750.html">David Bather Woods</a></p>
<p><strong>An engaging biography of one of the most influential Western philosophers and a thought-provoking exploration of how to live with Arthur Schopenhauer’s pessimism.</strong><br>Arthur Schopenhauer (1788–1860) almost wasn’t one of the greatest philosophers of the nineteenth century. Born in the Free City of Danzig to a family of shipping merchants, he was destined for a life of imports and exports until his father died in a suspected suicide. After much deliberation, the young Schopenhauer invested his inheritance in himself and his philosophical vocation. But the long road to recognition was a difficult one, with Schopenhauer spending all but the last decade of his life in total obscurity. Yet his ideas and style went on to influence great thinkers, including Friedrich Nietzsche, Ludwig Wittgenstein, and Sigmund Freud, as well as artists such as the composer Richard Wagner and writers Marcel Proust, Thomas Mann, Samuel Beckett, and many more.<br>A singular and remarkably influential thinker, Schopenhauer is usually described as an extreme pessimist. He questioned the purpose of existence in a world where pain and suffering are inescapable and happiness is all too brief. In this engaging philosophical biography, David Bather Woods reevaluates Schopenhauer’s pessimism in the context of his life experiences, revealing the philosopher’s relentless fascination with the world and making a case for his contemporary relevance. Bather Woods weaves together Schopenhauer’s ideas with the story of how he came to be, including such topics as love, loneliness, morality, politics, gender, sexuality, death, suicide, fame, and madness. In doing so, this book answers some of life’s most challenging questions about how to deal with pain and loss, and how to live with ourselves and each other.<br>Despite his pessimistic outlook on human existence, Schopenhauer didn’t give up on life. Rather, he recognized that the question of <em>how to live</em> becomes even more pressing, and he worked to provide an answer. Bather Woods shows how Schopenhauer’s life informed his ideas and how they still resonate today.</p>
<p><strong>David Bather Woods</strong> is associate professor of philosophy at the University of Warwick. He is coeditor with Timothy Stoll of <em>The Schopenhauerian Mind</em>. He has contributed chapters to <em>The Proustian Mind</em>, <em>Schopenhauer’s Moral Philosophy</em>, and <em>The Palgrave Schopenhauer Handbook</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4594</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Prolepsis</title>
      <description>In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form.

In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s Black Power: The Politics of Liberation (Random House 1967) and Michael Dango's Crisis Style: The Aesthetics of Repair (Stanford UP 2021). The transcript lives here as a WordDoc and here as a PDF.

Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing.

In her first book, Orhan Pamuk and the Good of World Literature (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him.

In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a chemical spill, maybe, or untimely death at sea; incarceration, or a terrorist attack — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale. Look forward to seeing it in print!

The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the Public Domain Image Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5261f962-2497-11f1-a955-27e94f3aab4f/image/9eb72f4f83d2130a8ab036b10f006d68.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form.

In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s Black Power: The Politics of Liberation (Random House 1967) and Michael Dango's Crisis Style: The Aesthetics of Repair (Stanford UP 2021). The transcript lives here as a WordDoc and here as a PDF.

Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing.

In her first book, Orhan Pamuk and the Good of World Literature (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him.

In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a chemical spill, maybe, or untimely death at sea; incarceration, or a terrorist attack — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale. Look forward to seeing it in print!

The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the Public Domain Image Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form.</p>
<p>In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s <a href="https://en.wikipedia.org/wiki/Black_Power:_The_Politics_of_Liberation"><em>Black Power: The Politics of Liberation</em></a> (Random House 1967) and Michael Dango's <a href="https://www.sup.org/books/literary-studies-and-literature/crisis-style"><em>Crisis Style: The Aesthetics of Repair</em></a> (Stanford UP 2021). The transcript lives here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Prolepsis-Transcript.docx">WordDoc</a> and here as a <a href="http://hightheory.net/wp-content/uploads/2026/03/Prolepsis-Transcript.pdf">PDF</a>.</p>
<p>Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing.</p>
<p>In her first book, <a href="https://cup.columbia.edu/book/orhan-pamuk-and-the-good-of-world-literature/9780231183260/"><em>Orhan Pamuk and the Good of World Literature</em></a> (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him.</p>
<p>In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">chemical spill</a>, maybe, or <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">untimely death at sea</a>; <a href="https://www.dropbox.com/s/9trnek9h20eqbgu/Fisk.ACLA.2016.docx?dl=0">incarceration</a>, or a <a href="https://www.dropbox.com/s/so8017ddd40h4de/NLH.Fisk.pdf?dl=0">terrorist attack</a> — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is <em>We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale</em>. Look forward to seeing it in print!</p>
<p>The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the <a href="https://pdimagearchive.org/images/91a69ca0-7067-4bbf-9bc0-9f4e8756d0e3/">Public Domain Image Archive</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4249421195.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip C. Almond, "Noah and the Flood in Western Thought" (Cambridge UP, 2025)</title>
      <description>In a world beset by climatic emergencies, the continuing resonance of the flood story is perhaps easy to understand. Whether in the tortured alpha male intensity of Russell Crowe’s Noah, in Darren Aronofsky’s eponymous 2014 film, or other recent derivations, the biblical narrative has become a lightning rod for gathering environmental anxieties. However, Philip C. Almond’s masterful exploration of Western cultural history uncovers a far more complex Noah than is commonly recognised: not just the father of humanity but also the first shipbuilder, navigator, zookeeper, farmer, grape grower, and wine maker. Noah’s pivotal significance is revealed as much in his forgotten secular as in his religious receptions, and their major impact on such disciplines as geology, geography, biology, and zoology. While Noah’s many interpretations over two millennia might seem to offer a common message of hope, the author’s sober conclusion to ﻿Noah and the Flood in Western Thought (Cambridge UP, 2025) is that deliverance now lies not in divine but rather in human hands.

Philip C. Almond is Emeritus Professor in the History of Religious Thought at The University of Queensland. A noted authority in the history of religion and of ideas, he has written many books on subjects as diverse as God, the Devil, the afterlife, witchcraft and witches, Adam and Eve, heaven and hell in Enlightenment England, and early modern demonic possession. His recent works include The Buddha: Life and Afterlife Between East and West (2024), Mary Magdalene: A Cultural History (2023), and The Antichrist: A New Biography (2020), all published by Cambridge University Press.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

Twitter: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In a world beset by climatic emergencies, the continuing resonance of the flood story is perhaps easy to understand. Whether in the tortured alpha male intensity of Russell Crowe’s Noah, in Darren Aronofsky’s eponymous 2014 film, or other recent derivations, the biblical narrative has become a lightning rod for gathering environmental anxieties. However, Philip C. Almond’s masterful exploration of Western cultural history uncovers a far more complex Noah than is commonly recognised: not just the father of humanity but also the first shipbuilder, navigator, zookeeper, farmer, grape grower, and wine maker. Noah’s pivotal significance is revealed as much in his forgotten secular as in his religious receptions, and their major impact on such disciplines as geology, geography, biology, and zoology. While Noah’s many interpretations over two millennia might seem to offer a common message of hope, the author’s sober conclusion to ﻿Noah and the Flood in Western Thought (Cambridge UP, 2025) is that deliverance now lies not in divine but rather in human hands.

Philip C. Almond is Emeritus Professor in the History of Religious Thought at The University of Queensland. A noted authority in the history of religion and of ideas, he has written many books on subjects as diverse as God, the Devil, the afterlife, witchcraft and witches, Adam and Eve, heaven and hell in Enlightenment England, and early modern demonic possession. His recent works include The Buddha: Life and Afterlife Between East and West (2024), Mary Magdalene: A Cultural History (2023), and The Antichrist: A New Biography (2020), all published by Cambridge University Press.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

Twitter: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a world beset by climatic emergencies, the continuing resonance of the flood story is perhaps easy to understand. Whether in the tortured alpha male intensity of Russell Crowe’s Noah, in Darren Aronofsky’s eponymous 2014 film, or other recent derivations, the biblical narrative has become a lightning rod for gathering environmental anxieties. However, Philip C. Almond’s masterful exploration of Western cultural history uncovers a far more complex Noah than is commonly recognised: not just the father of humanity but also the first shipbuilder, navigator, zookeeper, farmer, grape grower, and wine maker. Noah’s pivotal significance is revealed as much in his forgotten secular as in his religious receptions, and their major impact on such disciplines as geology, geography, biology, and zoology. While Noah’s many interpretations over two millennia might seem to offer a common message of hope, the author’s sober conclusion to ﻿<a href="https://bookshop.org/a/12343/9781009557221">Noah and the Flood in Western Though</a>t (Cambridge UP, 2025) is that deliverance now lies not in divine but rather in human hands.</p>
<p>Philip C. Almond is Emeritus Professor in the History of Religious Thought at The University of Queensland. A noted authority in the history of religion and of ideas, he has written many books on subjects as diverse as God, the Devil, the afterlife, witchcraft and witches, Adam and Eve, heaven and hell in Enlightenment England, and early modern demonic possession. His recent works include The Buddha: Life and Afterlife Between East and West (2024), Mary Magdalene: A Cultural History (2023), and The Antichrist: A New Biography (2020), all published by Cambridge University Press.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p>
<p>Twitter: <a href="https://twitter.com/TalkArtCulture">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3021</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b8c3450-2350-11f1-944a-4fdb032d3066]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2317853109.mp3?updated=1773897031" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Becca Voelcker, "Land Cinema in an Age of Extraction" (U California Press, 2025)</title>
      <description>Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape-portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing "land cinema" as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed the seeds for climate justice movements today.

Becca Voelcker is Lecturer in the Department of Art at Goldsmiths, University of London. She was named a BBC New Generation Thinker in 2024.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape-portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing "land cinema" as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed the seeds for climate justice movements today.

Becca Voelcker is Lecturer in the Department of Art at Goldsmiths, University of London. She was named a BBC New Generation Thinker in 2024.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520416451"><em>Land Cinema in an Age of Extraction</em> </a>considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape-portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing "land cinema" as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed the seeds for climate justice movements today.</p>
<p>Becca Voelcker is Lecturer in the Department of Art at Goldsmiths, University of London. She was named a BBC New Generation Thinker in 2024.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4216</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f4f15ac-2351-11f1-a435-7304639cf663]]></guid>
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    </item>
    <item>
      <title>Piergiorgio Di Giminiani et al. eds., "The Futures of Reparations in Latin America: Imagination, Translation, and Belonging" (Rutgers UP, 2026)</title>
      <description>Over the last thirty years, Latin America has undergone an unprecedented wave of reparations targeting victims of political violence during military regimes, Indigenous and Afro-Latin groups affected by historical processes of dispossession, and citizens suffering from environmental harm. Reparations prompt us to face uncomfortable pasts and in so doing, create conditions for imagination of multiple futures. In representing the experiences and hopes of those affected by political violence in El Salvador and Argentina, environmental harm in Guatemala and Peru, and colonial dispossession in Chile and Bolivia, reparations are built upon conflictive forms of future imagination, translation of harm and new forms of belonging to and beyond the nation state, which reifies as much as challenges state authority over the promises of actual repair. In today’s Latin American political debate, hopes for justice and democracy remain anchored to the question of the kinds of future that can be imagined through and after reparation. Piergiorgio Di Giminiani, Helene Risør, and Karine Vanthuyne discuss their edited volume, The Futures of Reparations in Latin America: Imagination, Translation, and Belonging (Rutgers UP, 2026)

Piergiorgio Di Giminiani is an associate professor in anthropology at the Pontificia Universidad Católica de Chile. He is the author of Sentient Lands: Indigeneity, Property, and Political Imagination in Neoliberal Chile and co-editor of Theorizing Relations in Indigenous South America.

Helene Risør is a teaching associate professor in anthropology and visiting research fellow at Copenhagen University. Professor Risør is also a senior researcher at the Millennium Institute for Research on Violence and Democracy based in Chile.

Professor Karine Vanthuyne is professor in Anthropology at the University of Ottawa. Professor Vanthuyne is the author of La presence d’un passé de violences: mémoires et identités autochtones dans le Guatemala postgénocide, as well as co-editor of Power through Testimony: Residential schools in the age of reconciliation in Canada.

Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Her research explores demands for reparations in Latin America and the Caribbean. Website here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the last thirty years, Latin America has undergone an unprecedented wave of reparations targeting victims of political violence during military regimes, Indigenous and Afro-Latin groups affected by historical processes of dispossession, and citizens suffering from environmental harm. Reparations prompt us to face uncomfortable pasts and in so doing, create conditions for imagination of multiple futures. In representing the experiences and hopes of those affected by political violence in El Salvador and Argentina, environmental harm in Guatemala and Peru, and colonial dispossession in Chile and Bolivia, reparations are built upon conflictive forms of future imagination, translation of harm and new forms of belonging to and beyond the nation state, which reifies as much as challenges state authority over the promises of actual repair. In today’s Latin American political debate, hopes for justice and democracy remain anchored to the question of the kinds of future that can be imagined through and after reparation. Piergiorgio Di Giminiani, Helene Risør, and Karine Vanthuyne discuss their edited volume, The Futures of Reparations in Latin America: Imagination, Translation, and Belonging (Rutgers UP, 2026)

Piergiorgio Di Giminiani is an associate professor in anthropology at the Pontificia Universidad Católica de Chile. He is the author of Sentient Lands: Indigeneity, Property, and Political Imagination in Neoliberal Chile and co-editor of Theorizing Relations in Indigenous South America.

Helene Risør is a teaching associate professor in anthropology and visiting research fellow at Copenhagen University. Professor Risør is also a senior researcher at the Millennium Institute for Research on Violence and Democracy based in Chile.

Professor Karine Vanthuyne is professor in Anthropology at the University of Ottawa. Professor Vanthuyne is the author of La presence d’un passé de violences: mémoires et identités autochtones dans le Guatemala postgénocide, as well as co-editor of Power through Testimony: Residential schools in the age of reconciliation in Canada.

Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Her research explores demands for reparations in Latin America and the Caribbean. Website here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the last thirty years, Latin America has undergone an unprecedented wave of reparations targeting victims of political violence during military regimes, Indigenous and Afro-Latin groups affected by historical processes of dispossession, and citizens suffering from environmental harm. Reparations prompt us to face uncomfortable pasts and in so doing, create conditions for imagination of multiple futures. In representing the experiences and hopes of those affected by political violence in El Salvador and Argentina, environmental harm in Guatemala and Peru, and colonial dispossession in Chile and Bolivia, reparations are built upon conflictive forms of future imagination, translation of harm and new forms of belonging to and beyond the nation state, which reifies as much as challenges state authority over the promises of actual repair. In today’s Latin American political debate, hopes for justice and democracy remain anchored to the question of the kinds of future that can be imagined through and after reparation. Piergiorgio Di Giminiani, Helene Risør, and Karine Vanthuyne discuss their edited volume, <a href="https://bookshop.org/a/12343/9781978844384">The Futures of Reparations in Latin America: Imagination, Translation, and Belonging </a>(Rutgers UP, 2026)</p>
<p>Piergiorgio Di Giminiani is an associate professor in anthropology at the Pontificia Universidad Católica de Chile. He is the author of Sentient Lands: Indigeneity, Property, and Political Imagination in Neoliberal Chile and co-editor of Theorizing Relations in Indigenous South America.</p>
<p>Helene Risør is a teaching associate professor in anthropology and visiting research fellow at Copenhagen University. Professor Risør is also a senior researcher at the Millennium Institute for Research on Violence and Democracy based in Chile.</p>
<p>Professor Karine Vanthuyne is professor in Anthropology at the University of Ottawa. Professor Vanthuyne is the author of <em>La presence d’un passé de violences: mémoires et identités autochtones dans le Guatemala postgénocide</em>, as well as co-editor of <em>Power through Testimony: Residential schools in the age of reconciliation in Canada</em>.</p>
<p>Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Her research explores demands for reparations in Latin America and the Caribbean. Website <a href="https://www.ucl.ac.uk/social-historical-sciences/americas/research/research-students/shodona-kettle">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4419</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e12eaff4-22a4-11f1-a66a-4b1e3e045373]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8727649646.mp3?updated=1773823098" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Kohlbry, "Plots and Deeds: Agrarian Annihilation and the Fight for Land Justice in Palestine" (Stanford UP, 2026)</title>
      <description>The emancipatory potential and limits of land justice, when land is at once home, property, territory, and homeland.

Peasant farming was once an integral part of Palestine's agrarian fabric. But after military occupation of the West Bank in 1967, Israeli land confiscations and economic policies pushed rural cultivators into wage labor. In recent decades, Palestinian land titling and private developers have driven the slow transformation of agricultural land into real estate. In Plots and Deeds﻿: Agrarian Annihilation and the Fight for Land Justice in Palestine (Stanford UP, 2026) Paul Kohlbry argues that we should see these changes as part of a larger process of agrarian annihilation, one in which state violence and market coercion together devastate the social, ecological, and economic relationships that make agrarian livelihoods possible.

Kohlbry tells the story of those who, refusing annihilation, struggle both for the return of land, and for their return to it. Through long-term engagements in the central highlands of the West Bank, Kohlbry shows how peasant practices and ethics matter for those fighting to rebuild collective attachments to rural places, and the surprising ways that property ownership has become a means of both land dispossession and defense. Going beyond accounts that treat the peasant as a tragic figure or a heroic national symbol, Kohlbry foregrounds the complexity of agrarian life to reveal the relationships between agrarian regeneration and political liberation—ultimately connecting Palestine within a global struggle for land justice.

Paul Kohlbry is Assistant Professor of Global Studies at the University of California, Santa Barbara.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The emancipatory potential and limits of land justice, when land is at once home, property, territory, and homeland.

Peasant farming was once an integral part of Palestine's agrarian fabric. But after military occupation of the West Bank in 1967, Israeli land confiscations and economic policies pushed rural cultivators into wage labor. In recent decades, Palestinian land titling and private developers have driven the slow transformation of agricultural land into real estate. In Plots and Deeds﻿: Agrarian Annihilation and the Fight for Land Justice in Palestine (Stanford UP, 2026) Paul Kohlbry argues that we should see these changes as part of a larger process of agrarian annihilation, one in which state violence and market coercion together devastate the social, ecological, and economic relationships that make agrarian livelihoods possible.

Kohlbry tells the story of those who, refusing annihilation, struggle both for the return of land, and for their return to it. Through long-term engagements in the central highlands of the West Bank, Kohlbry shows how peasant practices and ethics matter for those fighting to rebuild collective attachments to rural places, and the surprising ways that property ownership has become a means of both land dispossession and defense. Going beyond accounts that treat the peasant as a tragic figure or a heroic national symbol, Kohlbry foregrounds the complexity of agrarian life to reveal the relationships between agrarian regeneration and political liberation—ultimately connecting Palestine within a global struggle for land justice.

Paul Kohlbry is Assistant Professor of Global Studies at the University of California, Santa Barbara.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The emancipatory potential and limits of land justice, when land is at once home, property, territory, and homeland.</p>
<p>Peasant farming was once an integral part of Palestine's agrarian fabric. But after military occupation of the West Bank in 1967, Israeli land confiscations and economic policies pushed rural cultivators into wage labor. In recent decades, Palestinian land titling and private developers have driven the slow transformation of agricultural land into real estate. In <a href="https://bookshop.org/a/12343/9781503645103"><em>Plots and Deeds﻿: Agrarian Annihilation and the Fight for Land Justice in Palestine</em></a> (Stanford UP, 2026) Paul Kohlbry argues that we should see these changes as part of a larger process of agrarian annihilation, one in which state violence and market coercion together devastate the social, ecological, and economic relationships that make agrarian livelihoods possible.</p>
<p>Kohlbry tells the story of those who, refusing annihilation, struggle both for the return of land, and for their return to it. Through long-term engagements in the central highlands of the West Bank, Kohlbry shows how peasant practices and ethics matter for those fighting to rebuild collective attachments to rural places, and the surprising ways that property ownership has become a means of both land dispossession and defense. Going beyond accounts that treat the peasant as a tragic figure or a heroic national symbol, Kohlbry foregrounds the complexity of agrarian life to reveal the relationships between agrarian regeneration and political liberation—ultimately connecting Palestine within a global struggle for land justice.</p>
<p>Paul Kohlbry is Assistant Professor of Global Studies at the University of California, Santa Barbara.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4210</itunes:duration>
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    </item>
    <item>
      <title> Miriam Ticktin, "Against Innocence: Undoing and Remaking the World" (U Chicago Press, 2025)</title>
      <description>In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood.

Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 19 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood.

Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this timely and bold book, <a href="https://bookshop.org/a/12343/9780226838755">Against Innocence: Undoing and Remaking the World</a> (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.<br>Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood.</p>
<p>Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of <em>Casualties of Care </em>and the coeditor of <em>In the Name of Humanity</em>.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em> <em>Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3838</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>H. S. Jones, "Liberal Worlds: James Bryce and the Democratic Intellect" (Princeton UP, 2025)</title>
      <description>James Bryce (1838–1922) was a leading figure in Britain’s Liberal Party and a distinguished historian, a versatile scholar-politician who moved seamlessly between academia and politics. He was, among many other things, a cabinet minister and a popular ambassador, an expert on American politics and on Roman law, an advocate for the Armenian people and an architect of the League of Nations, a world traveller and a climber of Mount Ararat. In Liberal Worlds: James Bryce and the Democratic Intellect ﻿(Princeton UP, 2025), Stuart Jones offers an intellectual biography of Bryce, tracing a Scots-Ulster Presbyterian’s assimilation to the increasingly multiconfessional Victorian state, and a late Victorian Liberal’s encounter with the wider world. Jones shows how a polymathic intelligence grappled with a dizzyingly wide range of concerns and issues, including the challenges of democracy and race relations, the rise of modern universities and the reconstruction of the international order after World War I.In mapping the evolution of Bryce’s thought, Liberal Worlds illuminates the international intellectual networks and the many places across the globe that shaped his thinking. Jones considers, for example, why a man who had a lifelong revulsion against slavery seemed to accept racial segregation in the American South; how a vigorous activist for girls’ and women’s education became a tenacious parliamentary critic of women’s suffrage; and why, over the objections of his Ulster Presbyterian family, he backed Irish home rule. Above all, Jones rescues Bryce—immensely influential in his time, now little remembered—from being consigned to a historical pigeonhole, restoring him to the centre of late nineteenth- and early twentieth-century debates over the nature of democratic politics.

Stuart Jones is professor of intellectual history at the University of Manchester. He is the author of The French State in Question: Public Law and Political Argument in the Third Republic, Victorian Political Thought, and Intellect and Character in Victorian England: Mark Pattison and the Invention of the Don.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>James Bryce (1838–1922) was a leading figure in Britain’s Liberal Party and a distinguished historian, a versatile scholar-politician who moved seamlessly between academia and politics. He was, among many other things, a cabinet minister and a popular ambassador, an expert on American politics and on Roman law, an advocate for the Armenian people and an architect of the League of Nations, a world traveller and a climber of Mount Ararat. In Liberal Worlds: James Bryce and the Democratic Intellect ﻿(Princeton UP, 2025), Stuart Jones offers an intellectual biography of Bryce, tracing a Scots-Ulster Presbyterian’s assimilation to the increasingly multiconfessional Victorian state, and a late Victorian Liberal’s encounter with the wider world. Jones shows how a polymathic intelligence grappled with a dizzyingly wide range of concerns and issues, including the challenges of democracy and race relations, the rise of modern universities and the reconstruction of the international order after World War I.In mapping the evolution of Bryce’s thought, Liberal Worlds illuminates the international intellectual networks and the many places across the globe that shaped his thinking. Jones considers, for example, why a man who had a lifelong revulsion against slavery seemed to accept racial segregation in the American South; how a vigorous activist for girls’ and women’s education became a tenacious parliamentary critic of women’s suffrage; and why, over the objections of his Ulster Presbyterian family, he backed Irish home rule. Above all, Jones rescues Bryce—immensely influential in his time, now little remembered—from being consigned to a historical pigeonhole, restoring him to the centre of late nineteenth- and early twentieth-century debates over the nature of democratic politics.

Stuart Jones is professor of intellectual history at the University of Manchester. He is the author of The French State in Question: Public Law and Political Argument in the Third Republic, Victorian Political Thought, and Intellect and Character in Victorian England: Mark Pattison and the Invention of the Don.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>James Bryce (1838–1922) was a leading figure in Britain’s Liberal Party and a distinguished historian, a versatile scholar-politician who moved seamlessly between academia and politics. He was, among many other things, a cabinet minister and a popular ambassador, an expert on American politics and on Roman law, an advocate for the Armenian people and an architect of the League of Nations, a world traveller and a climber of Mount Ararat. In <a href="https://bookshop.org/a/12343/9780691180113"><em>Liberal</em> </a><a href="https://bookshop.org/a/12343/9780691180113">Worlds: James Bryce and the Democratic Intellect</a><em> ﻿</em>(Princeton UP, 2025), Stuart Jones offers an intellectual biography of Bryce, tracing a Scots-Ulster Presbyterian’s assimilation to the increasingly multiconfessional Victorian state, and a late Victorian Liberal’s encounter with the wider world. Jones shows how a polymathic intelligence grappled with a dizzyingly wide range of concerns and issues, including the challenges of democracy and race relations, the rise of modern universities and the reconstruction of the international order after World War I.<br>In mapping the evolution of Bryce’s thought, <em>Liberal World</em>s illuminates the international intellectual networks and the many places across the globe that shaped his thinking. Jones considers, for example, why a man who had a lifelong revulsion against slavery seemed to accept racial segregation in the American South; how a vigorous activist for girls’ and women’s education became a tenacious parliamentary critic of women’s suffrage; and why, over the objections of his Ulster Presbyterian family, he backed Irish home rule. Above all, Jones rescues Bryce—immensely influential in his time, now little remembered—from being consigned to a historical pigeonhole, restoring him to the centre of late nineteenth- and early twentieth-century debates over the nature of democratic politics.</p>
<p>Stuart Jones is professor of intellectual history at the University of Manchester. He is the author of <em>The French State in Question: Public Law and Political Argument in the Third Republic, Victorian Political Thought</em>, and <em>Intellect and Character in Victorian England: Mark Pattison and the Invention of the Don</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Susannah B. Mintz, "Hypochondria: In Sickness and in Story" (Reaktion, 2026)</title>
      <description>Hypochondria: In Sickness and in Story (Reaktion, 2026) proposes a bold reimagining of a frequently dismissed condition. Dr. Susannah B. Mintz reframes health anxiety not as a pathology but as a site of creative potential – exploring hypochondria as a form of communication, a reorientation to time, a convergence of personal and communal identity, a declaration of bodymind needs and an embrace of ageing’s transformations. Far-ranging in its attention to historical periods, national literatures, philosophical thought and medical discourse, the book challenges the containment of suffering within narratives of professional authority. In doing so, it seeks to dispel shame and stigma, opening space for new forms of connection and understanding through a deeper attentiveness to the experience of illness.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 15 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Hypochondria: In Sickness and in Story (Reaktion, 2026) proposes a bold reimagining of a frequently dismissed condition. Dr. Susannah B. Mintz reframes health anxiety not as a pathology but as a site of creative potential – exploring hypochondria as a form of communication, a reorientation to time, a convergence of personal and communal identity, a declaration of bodymind needs and an embrace of ageing’s transformations. Far-ranging in its attention to historical periods, national literatures, philosophical thought and medical discourse, the book challenges the containment of suffering within narratives of professional authority. In doing so, it seeks to dispel shame and stigma, opening space for new forms of connection and understanding through a deeper attentiveness to the experience of illness.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781836391227"><em>Hypochondria: In Sickness and in Story</em> </a>(Reaktion, 2026) proposes a bold reimagining of a frequently dismissed condition. Dr. Susannah B. Mintz reframes health anxiety not as a pathology but as a site of creative potential – exploring hypochondria as a form of communication, a reorientation to time, a convergence of personal and communal identity, a declaration of bodymind needs and an embrace of ageing’s transformations. Far-ranging in its attention to historical periods, national literatures, philosophical thought and medical discourse, the book challenges the containment of suffering within narratives of professional authority. In doing so, it seeks to dispel shame and stigma, opening space for new forms of connection and understanding through a deeper attentiveness to the experience of illness.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3116</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8a2a1a7a-1dce-11f1-8702-53aa2935a4fa]]></guid>
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    <item>
      <title>Alec Ryrie, "The Age of Hitler and How We Will Survive It" (Reaktion, 2025)</title>
      <description>Examining everything from popular novels to politics, an investigation of persistent fascination with Nazis—and where it might take us.

We live in an age where Hitler and the Nazis dominate our cultural imagination, shaping values once defined by religion. Historian Alec Ryrie explores why society remains captivated by this struggle, from history and fiction to modern myths such as Star Wars and Harry Potter. He examines the costs of our Nazi obsession and questions what will come as our anti-Nazi moral consensus frays and both the Left and Right begin to move on. With a fresh take on modern history and pop culture, The Age of Hitler and How We Will Survive It ﻿(Reaktion, 2025) offers a thought-provoking look at the culture wars and our shifting political crises, challenging assumptions on both sides and asking what a new moral vision might look like.

Alec Ryrie is professor of the history of Christianity at Durham University and a fellow of the British Academy. His previous books include Unbelievers: An Emotional History of Doubt. He lives in rural County Durham.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 15 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Examining everything from popular novels to politics, an investigation of persistent fascination with Nazis—and where it might take us.

We live in an age where Hitler and the Nazis dominate our cultural imagination, shaping values once defined by religion. Historian Alec Ryrie explores why society remains captivated by this struggle, from history and fiction to modern myths such as Star Wars and Harry Potter. He examines the costs of our Nazi obsession and questions what will come as our anti-Nazi moral consensus frays and both the Left and Right begin to move on. With a fresh take on modern history and pop culture, The Age of Hitler and How We Will Survive It ﻿(Reaktion, 2025) offers a thought-provoking look at the culture wars and our shifting political crises, challenging assumptions on both sides and asking what a new moral vision might look like.

Alec Ryrie is professor of the history of Christianity at Durham University and a fellow of the British Academy. His previous books include Unbelievers: An Emotional History of Doubt. He lives in rural County Durham.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Examining everything from popular novels to politics, an investigation of persistent fascination with Nazis—and where it might take us.</p>
<p>We live in an age where Hitler and the Nazis dominate our cultural imagination, shaping values once defined by religion. Historian Alec Ryrie explores why society remains captivated by this struggle, from history and fiction to modern myths such as <em>Star Wars</em> and <em>Harry Potter</em>. He examines the costs of our Nazi obsession and questions what will come as our anti-Nazi moral consensus frays and both the Left and Right begin to move on. With a fresh take on modern history and pop culture, <a href="https://bookshop.org/a/12343/9781836390824"><em>The Age of Hitler and How We Will Survive It</em> ﻿</a>(Reaktion, 2025) offers a thought-provoking look at the culture wars and our shifting political crises, challenging assumptions on both sides and asking what a new moral vision might look like.</p>
<p>Alec Ryrie is professor of the history of Christianity at Durham University and a fellow of the British Academy. His previous books include <em>Unbelievers: An Emotional History of Doubt</em>. He lives in rural County Durham.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3214</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Tristan J. Rogers﻿, "Conservatism, Past and Present: A Philosophical Introduction" (Routledge, 2025)</title>
      <description>In Conservatism, Past and Present: A Philosophical Introduction ﻿﻿(Routledge, 2025), Tristan J. Rogers﻿ argues that philosophical conservatism is a coherent and compelling set of historically rooted ideas about conserving and promoting the human good. Part I, “Conservatism Past,” presents a history of conservative ideas, exploring themes, such as the search for wisdom, the limits of philosophy, reform in preference to revolution, the relationship between authority and freedom, and liberty as a living tradition. Major figures include Aristotle, Saint Thomas Aquinas, Edmund Burke, G.W.F. Hegel, and Roger Scruton. Part II, “Conservatism Present,” applies philosophical conservatism to contemporary conservative politics, focusing on issues such as nationalism, populism, the family, education, and responsibility.

Rogers shows that conservatism has been defined differently at different times: as a loose set of connected ideas reacting against the French Revolution; as a kind of disposition or instinct in favor of the status quo; and more recently as any ideas opposed to the political left. But he also allows a set of questions to guide his argument for conservatism’s merits: What is conservatism? Is it a coherent and attractive philosophy? What are conservatives for? And how is today’s conservatism related to its past? In his answers, Rogers paints a compelling and coherent picture of an aligned and attractive set of ideas.

Dr. Tristan J. Rogers teaches Logic and Latin at Donum Dei Classical Academy in San Francisco, CA. He has also taught philosophy at Santa Clara University, the University of Colorado Boulder, and the University of California, Davis. He is the author of The Authority of Virtue: Institutions and Character in the Good Society (2020).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 14 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Conservatism, Past and Present: A Philosophical Introduction ﻿﻿(Routledge, 2025), Tristan J. Rogers﻿ argues that philosophical conservatism is a coherent and compelling set of historically rooted ideas about conserving and promoting the human good. Part I, “Conservatism Past,” presents a history of conservative ideas, exploring themes, such as the search for wisdom, the limits of philosophy, reform in preference to revolution, the relationship between authority and freedom, and liberty as a living tradition. Major figures include Aristotle, Saint Thomas Aquinas, Edmund Burke, G.W.F. Hegel, and Roger Scruton. Part II, “Conservatism Present,” applies philosophical conservatism to contemporary conservative politics, focusing on issues such as nationalism, populism, the family, education, and responsibility.

Rogers shows that conservatism has been defined differently at different times: as a loose set of connected ideas reacting against the French Revolution; as a kind of disposition or instinct in favor of the status quo; and more recently as any ideas opposed to the political left. But he also allows a set of questions to guide his argument for conservatism’s merits: What is conservatism? Is it a coherent and attractive philosophy? What are conservatives for? And how is today’s conservatism related to its past? In his answers, Rogers paints a compelling and coherent picture of an aligned and attractive set of ideas.

Dr. Tristan J. Rogers teaches Logic and Latin at Donum Dei Classical Academy in San Francisco, CA. He has also taught philosophy at Santa Clara University, the University of Colorado Boulder, and the University of California, Davis. He is the author of The Authority of Virtue: Institutions and Character in the Good Society (2020).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032139500">Conservatism, Past and Present: A Philosophical Introduction</a><em> </em>﻿﻿(Routledge, 2025), <a href="https://www.routledge.com/search?author=Tristan%20J.%20Rogers">Tristan J. Rogers</a>﻿ argues that philosophical conservatism is a coherent and compelling set of historically rooted ideas about conserving and promoting the human good. Part I, “Conservatism Past,” presents a history of conservative ideas, exploring themes, such as the search for wisdom, the limits of philosophy, reform in preference to revolution, the relationship between authority and freedom, and liberty as a living tradition. Major figures include Aristotle, Saint Thomas Aquinas, Edmund Burke, G.W.F. Hegel, and Roger Scruton. Part II, “Conservatism Present,” applies philosophical conservatism to contemporary conservative politics, focusing on issues such as nationalism, populism, the family, education, and responsibility.</p>
<p>Rogers shows that conservatism has been defined differently at different times: as a loose set of connected ideas reacting against the French Revolution; as a kind of disposition or instinct in favor of the status quo; and more recently as any ideas opposed to the political left. But he also allows a set of questions to guide his argument for conservatism’s merits: What is conservatism? Is it a coherent and attractive philosophy? What are conservatives for? And how is today’s conservatism related to its past? In his answers, Rogers paints a compelling and coherent picture of an aligned and attractive set of ideas.</p>
<p>Dr. Tristan J. Rogers teaches Logic and Latin at Donum Dei Classical Academy in San Francisco, CA. He has also taught philosophy at Santa Clara University, the University of Colorado Boulder, and the University of California, Davis. He is the author of <em>The Authority of Virtue: Institutions and Character in the Good Society </em>(2020).</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4489</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[60d4426c-1d07-11f1-a11e-834035f3abe7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5298849303.mp3?updated=1773205501" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wendy Brown, "States of Injury: Power and Freedom in Late Modernity" (Princeton UP, 2025)</title>
      <description>A sympathetic critique that attempts to free Left politics from its own snares, States of Injury: Power and Freedom in Late Modernity (Princeton University Press, 2025) explores how woundedness became a basis for contemporary political identity. Without condemning identity politics, Wendy Brown carefully probes the varied historical forces generating them today and the ways these formative conditions constrain emancipatory desire. Along the way, she advances a novel feminist critical theory of liberalism and the liberal democratic state. She also develops an original theoretical practice that weaves together Nietzsche, Marx, Weber, Foucault, and cultural theories of gender and race to analyze contemporary political predicaments. In a new preface, Brown places States of Injury in political and intellectual context, including the rise of neoliberalism, and addresses the book’s renewed relevance in today’s political landscape.

Wendy Brown is the UPS Foundation Professor in the School of Social Science at the Institute for Advanced Study. Her books include Nihilistic Times, In the Ruins of Neoliberalism, and Undoing the Demos.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 12 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A sympathetic critique that attempts to free Left politics from its own snares, States of Injury: Power and Freedom in Late Modernity (Princeton University Press, 2025) explores how woundedness became a basis for contemporary political identity. Without condemning identity politics, Wendy Brown carefully probes the varied historical forces generating them today and the ways these formative conditions constrain emancipatory desire. Along the way, she advances a novel feminist critical theory of liberalism and the liberal democratic state. She also develops an original theoretical practice that weaves together Nietzsche, Marx, Weber, Foucault, and cultural theories of gender and race to analyze contemporary political predicaments. In a new preface, Brown places States of Injury in political and intellectual context, including the rise of neoliberalism, and addresses the book’s renewed relevance in today’s political landscape.

Wendy Brown is the UPS Foundation Professor in the School of Social Science at the Institute for Advanced Study. Her books include Nihilistic Times, In the Ruins of Neoliberalism, and Undoing the Demos.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A sympathetic critique that attempts to free Left politics from its own snares, <a href="https://bookshop.org/a/12343/9780691270609">States of Injury: Power and Freedom in Late Modernity</a><em> </em>(Princeton University Press, 2025)<em> </em>explores how woundedness became a basis for contemporary political identity. Without condemning identity politics, Wendy Brown carefully probes the varied historical forces generating them today and the ways these formative conditions constrain emancipatory desire. Along the way, she advances a novel feminist critical theory of liberalism and the liberal democratic state. She also develops an original theoretical practice that weaves together Nietzsche, Marx, Weber, Foucault, and cultural theories of gender and race to analyze contemporary political predicaments. In a new preface, Brown places <em>States of Injury</em> in political and intellectual context, including the rise of neoliberalism, and addresses the book’s renewed relevance in today’s political landscape.</p>
<p><strong>Wendy Brown</strong> is the UPS Foundation Professor in the School of Social Science at the Institute for Advanced Study. Her books include <em>Nihilistic Times</em>, <em>In the Ruins of Neoliberalism</em>, and <em>Undoing the Demos.</em></p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2471</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[40a865b6-1c14-11f1-a622-07ae87b18ed8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2654747744.mp3?updated=1773101193" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>What’s on Her Mind: The Mental Workload of Family Life</title>
      <description>Mothers and fathers use their time differently, with women spending roughly twice as many hours on family labor as men. But what about the gendered differences in the ways women and men think? What’s on Her Mind examines the cognitive labor that families depend on, and reveals why this essential aspect of family life is disproportionately handled by women—even in couples that aspire to practice equality. While most accounts of household labor center on how people use their time, Dr. Allison Daminger focuses on a less visible and less easily quantifiable aspect of family life. She introduces readers to the concept of cognitive labor—anticipating, researching, deciding, and following up—and shows how women in different-gender couples do most of this critical work.

Dr. Daminger argues that cognitive labor has less to do with personality traits—for example, she’s type A while he’s laid-back—and more to do with learned skills that men and women deploy in distinct ways. Yet not all couples fall into the personality trap. Dr. Daminger looks at different-gender couples who achieve a more balanced cognitive allocation while also exploring how queer couples carve out unique relationships to the gender binary. Drawing on original, in-depth interviews with members of different- and same-gender couples, What’s on Her Mind points to new ways of understanding the interplay between who we are as individuals and the cognitive work we do on behalf of our families.

Our guest is: Dr. Allison Daminger, who is assistant professor of sociology at the University of Wisconsin–Madison. She’s the author of What’s On Her Mind; her work has also been featured in publications such as the New York Times, the Guardian, Psychology Today, and the Atlantic.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  You're Doing It Wrong

  Raising Them

  Sin Padres Ni Papeles

  Tomboy

  PhDing While Parenting

  Sharing lessons from his working-class parents

  Recipes, parenting, and grief

  We Take Our Cities With Us

  Secret Harvests

  The Translators Daughter


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 12 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>316</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Mothers and fathers use their time differently, with women spending roughly twice as many hours on family labor as men. But what about the gendered differences in the ways women and men think? What’s on Her Mind examines the cognitive labor that families depend on, and reveals why this essential aspect of family life is disproportionately handled by women—even in couples that aspire to practice equality. While most accounts of household labor center on how people use their time, Dr. Allison Daminger focuses on a less visible and less easily quantifiable aspect of family life. She introduces readers to the concept of cognitive labor—anticipating, researching, deciding, and following up—and shows how women in different-gender couples do most of this critical work.

Dr. Daminger argues that cognitive labor has less to do with personality traits—for example, she’s type A while he’s laid-back—and more to do with learned skills that men and women deploy in distinct ways. Yet not all couples fall into the personality trap. Dr. Daminger looks at different-gender couples who achieve a more balanced cognitive allocation while also exploring how queer couples carve out unique relationships to the gender binary. Drawing on original, in-depth interviews with members of different- and same-gender couples, What’s on Her Mind points to new ways of understanding the interplay between who we are as individuals and the cognitive work we do on behalf of our families.

Our guest is: Dr. Allison Daminger, who is assistant professor of sociology at the University of Wisconsin–Madison. She’s the author of What’s On Her Mind; her work has also been featured in publications such as the New York Times, the Guardian, Psychology Today, and the Atlantic.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:


  You're Doing It Wrong

  Raising Them

  Sin Padres Ni Papeles

  Tomboy

  PhDing While Parenting

  Sharing lessons from his working-class parents

  Recipes, parenting, and grief

  We Take Our Cities With Us

  Secret Harvests

  The Translators Daughter


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mothers and fathers use their time differently, with women spending roughly twice as many hours on family labor as men. But what about the gendered differences in the ways women and men think? <em>What’s on Her Mind</em> examines the cognitive labor that families depend on, and reveals why this essential aspect of family life is disproportionately handled by women—even in couples that aspire to practice equality. While most accounts of household labor center on how people use their time, Dr. Allison Daminger focuses on a less visible and less easily quantifiable aspect of family life. She introduces readers to the concept of cognitive labor—anticipating, researching, deciding, and following up—and shows how women in different-gender couples do most of this critical work.</p>
<p>Dr. Daminger argues that cognitive labor has less to do with personality traits—for example, she’s type A while he’s laid-back—and more to do with learned skills that men and women deploy in distinct ways. Yet not all couples fall into the personality trap. Dr. Daminger looks at different-gender couples who achieve a more balanced cognitive allocation while also exploring how queer couples carve out unique relationships to the gender binary. Drawing on original, in-depth interviews with members of different- and same-gender couples, <em>What’s on Her Mind</em> points to new ways of understanding the interplay between who we are as individuals and the cognitive work we do on behalf of our families.</p>
<p>Our guest is: Dr. Allison Daminger, who is assistant professor of sociology at the University of Wisconsin–Madison. She’s the author of <em>What’s On Her Mind</em>; her work has also been featured in publications such as the <em>New York Times</em>, the <em>Guardian</em>, <em>Psychology Today</em>, and the <em>Atlantic</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/about-maternal-health-studies-a-conversation-with-bethany-johnson#entry:108161@1:url">You're Doing It Wrong</a></li>
  <li><a href="https://newbooksnetwork.com/the-self-care-stuff-parenting-and-personal-life-in-academia#entry:50416@1:url">Raising Them</a></li>
  <li><a href="https://newbooksnetwork.com/sin-padres-ni-papeles-2#entry:349857@1:url">Sin Padres Ni Papeles</a></li>
  <li><a href="https://newbooksnetwork.com/what-is-a-tomboy-a-discussion-with-lisa-selin-davis#entry:164796@1:url">Tomboy</a></li>
  <li><a href="https://newbooksnetwork.com/phding-while-parenting#entry:313920@1:url">PhDing While Parenting</a></li>
  <li><a href="https://newbooksnetwork.com/sharing-lessons-from-his-working-class-parents-a-conversation-with-dr-jorge-juan-rodr%C3%ADguez">Sharing lessons from his working-class parents</a></li>
  <li><a href="https://newbooksnetwork.com/david-smith-tw-eat-a-little-book-with-big-feelings-and-short-recipes-for-very-busy-lives#entry:103879@1:url">Recipes, parenting, and grief</a></li>
  <li><a href="https://newbooksnetwork.com/we-take-our-cities-with-us#entry:308824@1:url">We Take Our Cities With Us</a></li>
  <li><a href="https://newbooksnetwork.com/secret-harvests#entry:297964@1:url">Secret Harvests</a></li>
  <li><a href="https://newbooksnetwork.com/the-translators-daughter#entry:308821@1:url">The Translators Daughter</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3055</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b93a6066-1beb-11f1-8eb4-979f44e8acbc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2374123862.mp3?updated=1773083955" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sari Hanafi, "Against Symbolic Liberalism: A Plea for Dialogical Sociology" (Liverpool UP, 2025)</title>
      <description>In an era of deepening polarization, Sari Hanafi examines how social scientists often reproduce the very injustices they seek to challenge, taking entrenched positions while dismissing alternative perspectives.

He introduces the concept of symbolic liberalism - a contradiction in which individuals espouse classical liberal principles, yet act in politically illiberal ways. This, he argues, has exacerbated the pathologies of late modernity: authoritarianism, economic precarity, and environmental destruction, now all unfolding in a climate where reasonable debate seems increasingly impossible.

Examining key flashpoints of contemporary polarization, Hanafi critiques how symbolic liberalism inflates the universality of rights while simultaneously narrowing the space for dialogue. Rather than this rigid ideological stance, he calls for a dialogical turn, a renewed public sphere where diverse conceptions of the ‘common good’ engage in genuine conversation.

Blending political and moral philosophy with sociological critique, Hanafi offers a path forward in an age when intellectual exchange is more necessary, yet also more imperilled, than ever. ﻿Against Symbolic Liberalism: A Plea for Dialogical Sociology (Liverpool UP, 2025) is not just a critique of polarization but a critical and impassioned call to reclaim meaningful intellectual discourse.

Sari Hanafi is a Professor of Sociology and Director of the Center for Arab and Middle Eastern Studies at the American University of Beirut. He served as President of the International Sociological Association (2018–23) and Vice President of the Arab Council for Social Sciences (2015–16). An International Fellow of the British Academy, he was also the Editor of Idafat: The Arab Journal of Sociology (2007–22). His contributions to the field have been recognized with some of the Arab world’s most prestigious academic awards, including the Abdelhamid Shouman Award (2014) and the Kuwait Award for Social Science (2015). In 2019, he was awarded an Honorary Doctorate from the National University of San Marcos, Peru.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In an era of deepening polarization, Sari Hanafi examines how social scientists often reproduce the very injustices they seek to challenge, taking entrenched positions while dismissing alternative perspectives.

He introduces the concept of symbolic liberalism - a contradiction in which individuals espouse classical liberal principles, yet act in politically illiberal ways. This, he argues, has exacerbated the pathologies of late modernity: authoritarianism, economic precarity, and environmental destruction, now all unfolding in a climate where reasonable debate seems increasingly impossible.

Examining key flashpoints of contemporary polarization, Hanafi critiques how symbolic liberalism inflates the universality of rights while simultaneously narrowing the space for dialogue. Rather than this rigid ideological stance, he calls for a dialogical turn, a renewed public sphere where diverse conceptions of the ‘common good’ engage in genuine conversation.

Blending political and moral philosophy with sociological critique, Hanafi offers a path forward in an age when intellectual exchange is more necessary, yet also more imperilled, than ever. ﻿Against Symbolic Liberalism: A Plea for Dialogical Sociology (Liverpool UP, 2025) is not just a critique of polarization but a critical and impassioned call to reclaim meaningful intellectual discourse.

Sari Hanafi is a Professor of Sociology and Director of the Center for Arab and Middle Eastern Studies at the American University of Beirut. He served as President of the International Sociological Association (2018–23) and Vice President of the Arab Council for Social Sciences (2015–16). An International Fellow of the British Academy, he was also the Editor of Idafat: The Arab Journal of Sociology (2007–22). His contributions to the field have been recognized with some of the Arab world’s most prestigious academic awards, including the Abdelhamid Shouman Award (2014) and the Kuwait Award for Social Science (2015). In 2019, he was awarded an Honorary Doctorate from the National University of San Marcos, Peru.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In an era of deepening polarization, Sari Hanafi examines how social scientists often reproduce the very injustices they seek to challenge, taking entrenched positions while dismissing alternative perspectives.</p>
<p>He introduces the concept of <em>symbolic liberalism</em> - a contradiction in which individuals espouse classical liberal principles, yet act in politically illiberal ways. This, he argues, has exacerbated the pathologies of late modernity: authoritarianism, economic precarity, and environmental destruction, now all unfolding in a climate where reasonable debate seems increasingly impossible.</p>
<p>Examining key flashpoints of contemporary polarization, Hanafi critiques how symbolic liberalism inflates the universality of rights while simultaneously narrowing the space for dialogue. Rather than this rigid ideological stance, he calls for a dialogical turn, a renewed public sphere where diverse conceptions of the ‘common good’ engage in genuine conversation.</p>
<p>Blending political and moral philosophy with sociological critique, Hanafi offers a path forward in an age when intellectual exchange is more necessary, yet also more imperilled, than ever. <em>﻿</em><a href="https://bookshop.org/a/12343/9781836244677">Against Symbolic Liberalism: A Plea for Dialogical Sociology</a> (Liverpool UP, 2025) is not just a critique of polarization but a critical and impassioned call to reclaim meaningful intellectual discourse.</p>
<p>Sari Hanafi is a Professor of Sociology and Director of the Center for Arab and Middle Eastern Studies at the American University of Beirut. He served as President of the International Sociological Association (2018–23) and Vice President of the Arab Council for Social Sciences (2015–16). An International Fellow of the British Academy, he was also the Editor of <em>Idafat: The Arab Journal of Sociology (2007–22)</em>. His contributions to the field have been recognized with some of the Arab world’s most prestigious academic awards, including the Abdelhamid Shouman Award (2014) and the Kuwait Award for Social Science (2015). In 2019, he was awarded an Honorary Doctorate from the National University of San Marcos, Peru.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3005</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6639326594.mp3?updated=1773047877" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (Lever Press, 2026)</title>
      <description>Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018)

From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephen Lee Naish</itunes:subtitle>
      <itunes:summary>Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018)

From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Movies open a window into our collective soul. In <a href="https://bookshop.org/a/12343/9781554201754"><em>Screen Captures: Film in the Age of Emergency</em></a> (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: <a href="https://newbooksnetwork.com/stephen-lee-naish-create-or-die-essays-on-the-artistry-of-dennis-hopper-amsterdam-up-2016#entry:14267@1:url"><em>Create of Die: Essays on the Artistry of Dennis Hopper</em> (2016)</a>, <a href="https://newbooksnetwork.com/stephen-lee-naish-deconstructing-dirty-dancing-zero-books-2017#entry:13131@1:url"><em>Deconstructing Dirty Dancing</em> (2017)</a>, <a href="https://newbooksnetwork.com/stephen-lee-naish-riffs-meaning-manic-street-preachers-and-know-your-enemy-headpress-2018#entry:10274@1:url"><em>Riffs and Meaning </em>(2018)</a></p>
<p>From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's <em>Screen Captures</em> adds a sharpening filter to the film-goer's experience on the big and little screen.</p>
<p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4167</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3595502044.mp3?updated=1632418703" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacob Stegenga, "Heart of Science: ﻿A Philosophy of Scientific Inquiry" (U Chicago Press, 2026)</title>
      <description>In Heart of Science: A Philosophy of Scientific Inquiry (University of Chicago Press, 2026), philosopher Jacob Stegenga breaks with the most dominant epistemologies of science to argue that in judging scientific activity, we should focus on its justification, not the achievement of truth or knowledge. Yet, Stegenga argues, the aim of science goes far beyond justification and is, instead, a special kind of truth—common knowledge, a broadly shared and mutually justified scientific finding.

Drawing on both historical examples and recent events like the COVID-19 pandemic, Stegenga outlines his approach before delving into its implications for scientific evaluation, testimony, values, progress, and credit, as well as the nature of science during times of crisis. Truth, he shows, may not be easily identified in the short term. However, an evaluation of scientific justification, grounded in shared standards, is possible. This framework helps us appraise—and appreciate—historical theories that ultimately weren’t accurate and offers fresh insights about appropriate science communication and public trust in scientific research. Justification and scientific rigor are not just means to an end, Stegenga writes, but the very heart of good science.Ambitious, authoritative, and accessible, Heart of Science offers a new vision for the philosophy of science.

Jacob Stegenga is professor of philosophy in the School of Humanities at Nanyang Technological University, Singapore. He is the author of Medical Nihilism and Care and Cure: An Introduction to Philosophy of Medicine

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos

Twitter: https://twitter.com/TalkArtCulture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Heart of Science: A Philosophy of Scientific Inquiry (University of Chicago Press, 2026), philosopher Jacob Stegenga breaks with the most dominant epistemologies of science to argue that in judging scientific activity, we should focus on its justification, not the achievement of truth or knowledge. Yet, Stegenga argues, the aim of science goes far beyond justification and is, instead, a special kind of truth—common knowledge, a broadly shared and mutually justified scientific finding.

Drawing on both historical examples and recent events like the COVID-19 pandemic, Stegenga outlines his approach before delving into its implications for scientific evaluation, testimony, values, progress, and credit, as well as the nature of science during times of crisis. Truth, he shows, may not be easily identified in the short term. However, an evaluation of scientific justification, grounded in shared standards, is possible. This framework helps us appraise—and appreciate—historical theories that ultimately weren’t accurate and offers fresh insights about appropriate science communication and public trust in scientific research. Justification and scientific rigor are not just means to an end, Stegenga writes, but the very heart of good science.Ambitious, authoritative, and accessible, Heart of Science offers a new vision for the philosophy of science.

Jacob Stegenga is professor of philosophy in the School of Humanities at Nanyang Technological University, Singapore. He is the author of Medical Nihilism and Care and Cure: An Introduction to Philosophy of Medicine

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos

Twitter: https://twitter.com/TalkArtCulture
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226844053">Heart of Science: A Philosophy of Scientific Inquiry</a><em> </em>(University of Chicago Press, 2026), philosopher Jacob Stegenga breaks with the most dominant epistemologies of science to argue that in judging scientific activity, we should focus on its justification, not the achievement of truth or knowledge. Yet, Stegenga argues, the aim of science goes far beyond justification and is, instead, a special kind of truth—common knowledge, a broadly shared and mutually justified scientific finding.</p>
<p>Drawing on both historical examples and recent events like the COVID-19 pandemic, Stegenga outlines his approach before delving into its implications for scientific evaluation, testimony, values, progress, and credit, as well as the nature of science during times of crisis. Truth, he shows, may not be easily identified in the short term. However, an evaluation of scientific justification, grounded in shared standards, <em>is </em>possible. This framework helps us appraise—and appreciate—historical theories that ultimately weren’t accurate and offers fresh insights about appropriate science communication and public trust in scientific research. Justification and scientific rigor are not just means to an end, Stegenga writes, but the very heart of good science.<br>Ambitious, authoritative, and accessible, <em>Heart of Science</em> offers a new vision for the philosophy of science.</p>
<p><strong>Jacob Stegenga </strong>is professor of philosophy in the School of Humanities at Nanyang Technological University, Singapore. He is the author of <em>Medical Nihilism</em> and <em>Care and Cure: An Introduction to Philosophy of Medicine</em></p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p>
<p>Twitter: <a href="https://twitter.com/TalkArtCulture">https://twitter.com/TalkArtCulture</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e94c5aa4-1b35-11f1-9caf-ff2b7cc6a807]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6534645774.mp3?updated=1773006101" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sean Parson, "Punk Anarchism: An Anti-Politics of Resistance" (Bloomsbury, 2026)</title>
      <description>Punk Anarchism: An Anti-Politics of Resistance ﻿(Bloomsbury, 2026) is a radical critique of contemporary politics, offering an alternative framework rooted in anarchism, punk rock, dadaism, situationism and political nihilism.﻿



Arguing that traditional approaches to political change are ineffective in the face of the climate crisis and the failures of liberal institutions, the book advocates for rejecting the possibility of meaningful political change within the existing political system.﻿

Drawing on historical cultural movements like the Russian and Japanese nihilists of the 19th and early 20th centuries, Sean Parson calls for a politics of pure negation, centered on the destruction of the current social order, rather than its reform – advocating for a revolutionary politics that embraces resentment against the wealthy and rejects hierarchical power dynamics. Punk Anarchism asks: what if resistance were motivated by a sense of playfulness and enjoyment, rather than hope for a better future? Ultimately, Parson proposes an anti-theory of negation as a way to imagine political agency beyond traditional frameworks.﻿

Sean Parson is Professor in the Department of Politics and International Affairs at Northern Arizona University, USA. They are the author of Cooking Up a Revolution: Resistance to Gentrification (2019) and the co-editor of four edited books includingRepresentations of Political Resistance and Emancipation in Science Fiction (2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Punk Anarchism: An Anti-Politics of Resistance ﻿(Bloomsbury, 2026) is a radical critique of contemporary politics, offering an alternative framework rooted in anarchism, punk rock, dadaism, situationism and political nihilism.﻿



Arguing that traditional approaches to political change are ineffective in the face of the climate crisis and the failures of liberal institutions, the book advocates for rejecting the possibility of meaningful political change within the existing political system.﻿

Drawing on historical cultural movements like the Russian and Japanese nihilists of the 19th and early 20th centuries, Sean Parson calls for a politics of pure negation, centered on the destruction of the current social order, rather than its reform – advocating for a revolutionary politics that embraces resentment against the wealthy and rejects hierarchical power dynamics. Punk Anarchism asks: what if resistance were motivated by a sense of playfulness and enjoyment, rather than hope for a better future? Ultimately, Parson proposes an anti-theory of negation as a way to imagine political agency beyond traditional frameworks.﻿

Sean Parson is Professor in the Department of Politics and International Affairs at Northern Arizona University, USA. They are the author of Cooking Up a Revolution: Resistance to Gentrification (2019) and the co-editor of four edited books includingRepresentations of Political Resistance and Emancipation in Science Fiction (2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>
<p><a href="https://bookshop.org/a/12343/9781350537330">Punk Anarchism: An Anti-Politics of Resistance</a><em> ﻿</em>(Bloomsbury, 2026)<em> </em>is a radical critique of contemporary politics, offering an alternative framework rooted in anarchism, punk rock, dadaism, situationism and political nihilism.﻿</p>
<p><br></p>
<p>Arguing that traditional approaches to political change are ineffective in the face of the climate crisis and the failures of liberal institutions, the book advocates for rejecting the possibility of meaningful political change within the existing political system.﻿</p>
<p>Drawing on historical cultural movements like the Russian and Japanese nihilists of the 19th and early 20th centuries, Sean Parson calls for a politics of pure negation, centered on the destruction of the current social order, rather than its reform – advocating for a revolutionary politics that embraces resentment against the wealthy and rejects hierarchical power dynamics. <em>Punk Anarchism</em> asks: what if resistance were motivated by a sense of playfulness and enjoyment, rather than hope for a better future? Ultimately, Parson proposes an anti-theory of negation as a way to imagine political agency beyond traditional frameworks.﻿</p>
<p>Sean Parson is Professor in the Department of Politics and International Affairs at Northern Arizona University, USA. They are the author of <em>Cooking Up a Revolution:</em> <em>Resistance to Gentrification</em> (2019) and the co-editor of four edited books including<em>Representations of Political Resistance and Emancipation in Science Fiction (2020</em>).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2543</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4600150458.mp3?updated=1772696147" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Cave and the Coalition: Philosophy, Populism, and the MAGA New Right</title>
      <description>In this episode of International Horizons, RBI acting director Eli Karetny sits down with political theorist Laura Field to trace the intellectual currents shaping today’s right — from Straussian thought at the Claremont Institute to Catholic integralism, the manosphere, and Trump-era populism. Using Plato’s Allegory of the Cave as a touchstone, they interrogate how philosophical radicalism becomes political strategy, why some thinkers return to the “cave” with prudence while others return with authoritarian blueprints, and what these debates mean for American democracy. Tune in for a lively, theory-steeped conversation that bridges political philosophy and contemporary conservative politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode of International Horizons, RBI acting director Eli Karetny sits down with political theorist Laura Field to trace the intellectual currents shaping today’s right — from Straussian thought at the Claremont Institute to Catholic integralism, the manosphere, and Trump-era populism. Using Plato’s Allegory of the Cave as a touchstone, they interrogate how philosophical radicalism becomes political strategy, why some thinkers return to the “cave” with prudence while others return with authoritarian blueprints, and what these debates mean for American democracy. Tune in for a lively, theory-steeped conversation that bridges political philosophy and contemporary conservative politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of International Horizons, RBI acting director Eli Karetny sits down with political theorist Laura Field to trace the intellectual currents shaping today’s right — from Straussian thought at the Claremont Institute to Catholic integralism, the manosphere, and Trump-era populism. Using Plato’s Allegory of the Cave as a touchstone, they interrogate how philosophical radicalism becomes political strategy, why some thinkers return to the “cave” with prudence while others return with authoritarian blueprints, and what these debates mean for American democracy. Tune in for a lively, theory-steeped conversation that bridges political philosophy and contemporary conservative politics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3417</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[94eb69f6-1864-11f1-b7f9-c3371d413507]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3457312722.mp3?updated=1772695965" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alex Brostoff and Vilashini Cooppan eds., "Autotheories" (MIT Press, 2025) </title>
      <description>A transdisciplinary array of authors offering a new frame of reference for autotheory and its genre-bending synthesis of autobiography and critical theory.

Autotheories (MIT Press, 2025) ﻿tells the story of a field in formation. Building on traditions that have long fused life writing, philosophical encounter, embodied theorizing, and cultural critique, autotheory constructs new practices of critical theory. Transgressing generic boundaries and bridging stylistic registers, it crafts language that is intimate, analytic, playful, and insurgent. Editors Alex Brostoff and Vilashini Cooppan underscore autotheory's multiple genealogies and genre-bending forms while situating it within the contemporary political field. In this collection, autotheory emerges as a strut (of style), a straddle (of disciplines), a proliferation (of selves), an axis (of identifications), an index (of attachments), and an archive (of loves).An assemblage and an experience, Autotheories surveys the field's iterations and permutations without settling for classification or bowing to ossification.Contributors:Alex Brostoff, Jessica Bush, Judith Butler, Vilashini Cooppan, Carla Freccero, rl Goldberg, Jan Grue, Emma Lieber, Megan Moodie, Lili Owen Rowlands, John Patterson, Paul B. Preciado, Erica Richardson, Migueltzinta C. Solís, Jamieson Webster, Damon Ross Young, Stacey Young, Arianne Zwartjes﻿Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A transdisciplinary array of authors offering a new frame of reference for autotheory and its genre-bending synthesis of autobiography and critical theory.

Autotheories (MIT Press, 2025) ﻿tells the story of a field in formation. Building on traditions that have long fused life writing, philosophical encounter, embodied theorizing, and cultural critique, autotheory constructs new practices of critical theory. Transgressing generic boundaries and bridging stylistic registers, it crafts language that is intimate, analytic, playful, and insurgent. Editors Alex Brostoff and Vilashini Cooppan underscore autotheory's multiple genealogies and genre-bending forms while situating it within the contemporary political field. In this collection, autotheory emerges as a strut (of style), a straddle (of disciplines), a proliferation (of selves), an axis (of identifications), an index (of attachments), and an archive (of loves).An assemblage and an experience, Autotheories surveys the field's iterations and permutations without settling for classification or bowing to ossification.Contributors:Alex Brostoff, Jessica Bush, Judith Butler, Vilashini Cooppan, Carla Freccero, rl Goldberg, Jan Grue, Emma Lieber, Megan Moodie, Lili Owen Rowlands, John Patterson, Paul B. Preciado, Erica Richardson, Migueltzinta C. Solís, Jamieson Webster, Damon Ross Young, Stacey Young, Arianne Zwartjes﻿Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A transdisciplinary array of authors offering a new frame of reference for autotheory and its genre-bending synthesis of autobiography and critical theory.</p>
<p><a href="https://bookshop.org/a/12343/9780262552295">Autotheories</a> (MIT Press, 2025) ﻿tells the story of a field in formation. Building on traditions that have long fused life writing, philosophical encounter, embodied theorizing, and cultural critique, autotheory constructs new practices of critical theory. Transgressing generic boundaries and bridging stylistic registers, it crafts language that is intimate, analytic, playful, and insurgent. Editors Alex Brostoff and Vilashini Cooppan underscore autotheory's multiple genealogies and genre-bending forms while situating it within the contemporary political field. In this collection, autotheory emerges as a strut (of style), a straddle (of disciplines), a proliferation (of selves), an axis (of identifications), an index (of attachments), and an archive (of loves).<br>An assemblage and an experience, <em>Autotheories</em> surveys the field's iterations and permutations without settling for classification or bowing to ossification.<br>Contributors:<br>Alex Brostoff, Jessica Bush, Judith Butler, Vilashini Cooppan, Carla Freccero, rl Goldberg, Jan Grue, Emma Lieber, Megan Moodie, Lili Owen Rowlands, John Patterson, Paul B. Preciado, Erica Richardson, Migueltzinta C. Solís, Jamieson Webster, Damon Ross Young, Stacey Young, Arianne Zwartjes﻿<br>Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2136656a-178d-11f1-9cb0-57271ae4c096]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9256976861.mp3?updated=1772604086" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Damion Searls, "The Philosophy of Translation" (Yale UP, 2024)</title>
      <description>The Philosophy of Translation (Yale UP, 2024) is a fresh, approachable, and convincing account of what translation really is and what translators actually do. As the translator of sixty books from multiple languages, Damion Searls has spent decades grappling with words on the most granular level: nouns and verbs, accents on people’s names, rhymes, rhythm, “untranslatable” cultural nuances. In this book, he connects a wealth of specific examples to larger philosophical issues of reading and perception. Translation, he argues, is fundamentally a way of reading—but reading is much more than taking in information, and translating is far from a mechanical process of converting one word to another. This sharp and inviting exploration of the theory and practice of translation is for anyone who has ever marveled at the beauty, force, and movement of language.

In this episode, Ibrahim Fawzy sat down with Damion Searls to discuss The Philosophy of Translation, exploring what it truly means to read as a translator, how grammar shapes worldview, and where creativity lives in the space between languages.

Damion Searls studied philosophy at Harvard and is a prominent translator from German, Norwegian, French, and Dutch, including books by Nietzsche, Wittgenstein, Rilke, Proust, Kielland, Jelinek, Schwitters, Mann, Modiano, and Fosse. His own books include the novel Analog Days, the poetry volume The Mariner’s Mirror, and The Inkblots, a history of the Rorschach test and biography of its creator.

Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Philosophy of Translation (Yale UP, 2024) is a fresh, approachable, and convincing account of what translation really is and what translators actually do. As the translator of sixty books from multiple languages, Damion Searls has spent decades grappling with words on the most granular level: nouns and verbs, accents on people’s names, rhymes, rhythm, “untranslatable” cultural nuances. In this book, he connects a wealth of specific examples to larger philosophical issues of reading and perception. Translation, he argues, is fundamentally a way of reading—but reading is much more than taking in information, and translating is far from a mechanical process of converting one word to another. This sharp and inviting exploration of the theory and practice of translation is for anyone who has ever marveled at the beauty, force, and movement of language.

In this episode, Ibrahim Fawzy sat down with Damion Searls to discuss The Philosophy of Translation, exploring what it truly means to read as a translator, how grammar shapes worldview, and where creativity lives in the space between languages.

Damion Searls studied philosophy at Harvard and is a prominent translator from German, Norwegian, French, and Dutch, including books by Nietzsche, Wittgenstein, Rilke, Proust, Kielland, Jelinek, Schwitters, Mann, Modiano, and Fosse. His own books include the novel Analog Days, the poetry volume The Mariner’s Mirror, and The Inkblots, a history of the Rorschach test and biography of its creator.

Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780300247374"><em>The Philosophy of Translation</em> </a>(Yale UP, 2024) is a fresh, approachable, and convincing account of what translation really is and what translators actually do. As the translator of sixty books from multiple languages, Damion Searls has spent decades grappling with words on the most granular level: nouns and verbs, accents on people’s names, rhymes, rhythm, “untranslatable” cultural nuances. In this book, he connects a wealth of specific examples to larger philosophical issues of reading and perception. Translation, he argues, is fundamentally a way of reading—but reading is much more than taking in information, and translating is far from a mechanical process of converting one word to another. This sharp and inviting exploration of the theory and practice of translation is for anyone who has ever marveled at the beauty, force, and movement of language.</p>
<p>In this episode, Ibrahim Fawzy sat down with Damion Searls to discuss <em>The Philosophy of Translation</em>, exploring what it truly means to read as a translator, how grammar shapes worldview, and where creativity lives in the space between languages.</p>
<p><em>Damion Searls studied philosophy at Harvard and is a prominent translator from German, Norwegian, French, and Dutch, including books by Nietzsche, Wittgenstein, Rilke, Proust, Kielland, Jelinek, Schwitters, Mann, Modiano, and Fosse. His own books include the novel </em>Analog Days<em>, the poetry volume </em>The Mariner’s Mirror<em>, and </em>The Inkblots<em>, a history of the Rorschach test and biography of its creator.</em></p>
<p><em>Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s </em>A Plan to Save the World (Sandorf Passage, 2026). <em>His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3421</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[53f0d6d8-16da-11f1-b878-035ba566cdfe]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9771222690.mp3?updated=1772526505" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David L. Eng, "Reparations and the Human" (Duke UP, 2025)</title>
      <description>The Holocaust and the atomic bombings of Hiroshima and Nagasaki invoked in graphic terms the specter of total human destruction. In response, a new international order of reparations and human rights arose from the ashes of World War II. This legal regime sought to subrogate the sovereignty of the nation-state in order to defend the sovereignty of the human being. While the Holocaust’s history is settled—Nazis were perpetrators and Jews were victims—there remains little historical consensus as to the victims and perpetrators of the atomic bombings. In Reparations and the Human (Duke UP, 2025), David L. Eng investigates a history of reparations across the Transpacific. He analyzes how concepts of reparation established during colonial settlement and the European Enlightenment shape contemporary configurations of the human and human rights, determining who can be recognized as victims, who must be seen as perpetrators, and who deserves repair. As demands for reparations now occupy center stage in debates concerning unresolved legacies of dispossession and Transatlantic slavery, Eng considers how the Cold War Transpacific provides a limit case for the politics of repair and definitions of the human. This book is a sweeping genealogical investigation that moves from seventeenth-century land dispossession in the Americas to the irradiated histories of the Cold War Transpacific, asking a fundamental question: who is considered deserving of repair?

Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.﻿
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Holocaust and the atomic bombings of Hiroshima and Nagasaki invoked in graphic terms the specter of total human destruction. In response, a new international order of reparations and human rights arose from the ashes of World War II. This legal regime sought to subrogate the sovereignty of the nation-state in order to defend the sovereignty of the human being. While the Holocaust’s history is settled—Nazis were perpetrators and Jews were victims—there remains little historical consensus as to the victims and perpetrators of the atomic bombings. In Reparations and the Human (Duke UP, 2025), David L. Eng investigates a history of reparations across the Transpacific. He analyzes how concepts of reparation established during colonial settlement and the European Enlightenment shape contemporary configurations of the human and human rights, determining who can be recognized as victims, who must be seen as perpetrators, and who deserves repair. As demands for reparations now occupy center stage in debates concerning unresolved legacies of dispossession and Transatlantic slavery, Eng considers how the Cold War Transpacific provides a limit case for the politics of repair and definitions of the human. This book is a sweeping genealogical investigation that moves from seventeenth-century land dispossession in the Americas to the irradiated histories of the Cold War Transpacific, asking a fundamental question: who is considered deserving of repair?

Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Holocaust and the atomic bombings of Hiroshima and Nagasaki invoked in graphic terms the specter of total human destruction. In response, a new international order of reparations and human rights arose from the ashes of World War II. This legal regime sought to subrogate the sovereignty of the nation-state in order to defend the sovereignty of the human being. While the Holocaust’s history is settled—Nazis were perpetrators and Jews were victims—there remains little historical consensus as to the victims and perpetrators of the atomic bombings. In<a href="https://bookshop.org/a/12343/9781478031864"> </a><a href="https://bookshop.org/a/12343/9781478031864">Reparations and the Human</a> (Duke UP, 2025), David L. Eng investigates a history of reparations across the Transpacific. He analyzes how concepts of reparation established during colonial settlement and the European Enlightenment shape contemporary configurations of the human and human rights, determining who can be recognized as victims, who must be seen as perpetrators, and who deserves repair. As demands for reparations now occupy center stage in debates concerning unresolved legacies of dispossession and Transatlantic slavery, Eng considers how the Cold War Transpacific provides a limit case for the politics of repair and definitions of the human. This book is a sweeping genealogical investigation that moves from seventeenth-century land dispossession in the Americas to the irradiated histories of the Cold War Transpacific, asking a fundamental question: who is considered deserving of repair?</p>
<p><a href="https://history.wisc.edu/people/acharya-deep/"><em>Deep Acharya</em></a><em> is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.</em><br>﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3269</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d6bcba8-15fe-11f1-b5b6-63b2ba6a0a5c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3257083958.mp3?updated=1772431852" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catherine Elgin, "Epistemic Ecology" (MIT Press, 2025)</title>
      <description>Humans are highly inquisitive, yet fallible and cognitively limited. How can we improve our epistemic lot despite our limitations? In Epistemic Ecology (MIT Press, 2025), Catherine Elgin develops a model in which individuals learn to rely on communal epistemic resources, such as communally-endorsed standards for correcting ourselves, and in turn contribute to those resources through active epistemic agency. In this way, she shows how epistemic autonomy and epistemic interdependence are mutually reinforcing rather than in tension. Elgin, who is professor of philosophy of education at Harvard University, also distinguishes between belief, which entails truth, and acceptance, an active epistemic attitude that constitutively involves reflection and assessment. This capacity for reflection is learned, but we use it widely – in sports bars, for example, just as much as in academic contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Humans are highly inquisitive, yet fallible and cognitively limited. How can we improve our epistemic lot despite our limitations? In Epistemic Ecology (MIT Press, 2025), Catherine Elgin develops a model in which individuals learn to rely on communal epistemic resources, such as communally-endorsed standards for correcting ourselves, and in turn contribute to those resources through active epistemic agency. In this way, she shows how epistemic autonomy and epistemic interdependence are mutually reinforcing rather than in tension. Elgin, who is professor of philosophy of education at Harvard University, also distinguishes between belief, which entails truth, and acceptance, an active epistemic attitude that constitutively involves reflection and assessment. This capacity for reflection is learned, but we use it widely – in sports bars, for example, just as much as in academic contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Humans are highly inquisitive, yet fallible and cognitively limited. How can we improve our epistemic lot despite our limitations? In <a href="https://bookshop.org/a/12343/9780262551717"><em>Epistemic Ecology</em> </a>(MIT Press, 2025), Catherine Elgin develops a model in which individuals learn to rely on communal epistemic resources, such as communally-endorsed standards for correcting ourselves, and in turn contribute to those resources through active epistemic agency. In this way, she shows how epistemic autonomy and epistemic interdependence are mutually reinforcing rather than in tension. Elgin, who is professor of philosophy of education at Harvard University, also distinguishes between belief, which entails truth, and acceptance, an active epistemic attitude that constitutively involves reflection and assessment. This capacity for reflection is learned, but we use it widely – in sports bars, for example, just as much as in academic contexts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e21019b0-15f9-11f1-9a23-cbb61a78f99c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3236711032.mp3?updated=1772429943" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ailbhe Kenny, "Music Refuge: Living Asylum through Music" (Oxford UP, Press 2025)</title>
      <description>How can music change people’s lives? In Music Refuge: Living Asylum Through Music ﻿(Oxford UP, Press 2025) Ailbhe Kenny, an Associate Professor in Music Education at Mary Immaculate College Ireland, explores music programmes for, with and by people seeking asylum in Ireland and Germany. In doing so, the book offers new understandings of the use, practice and meaning of music in people’s lives, whether as musicians or as listeners. Exploring a range of settings for music, from listening on phones and shared music making experiences, to parties and performances, the book demonstrates music’s profound impact. Filled with stories of refugees’ experiences, alongside rich and deep analysis, the book is essential reading across the arts and social sciences, as well as for anyone interested in music’s place in promoting our shared and common humanity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How can music change people’s lives? In Music Refuge: Living Asylum Through Music ﻿(Oxford UP, Press 2025) Ailbhe Kenny, an Associate Professor in Music Education at Mary Immaculate College Ireland, explores music programmes for, with and by people seeking asylum in Ireland and Germany. In doing so, the book offers new understandings of the use, practice and meaning of music in people’s lives, whether as musicians or as listeners. Exploring a range of settings for music, from listening on phones and shared music making experiences, to parties and performances, the book demonstrates music’s profound impact. Filled with stories of refugees’ experiences, alongside rich and deep analysis, the book is essential reading across the arts and social sciences, as well as for anyone interested in music’s place in promoting our shared and common humanity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can music change people’s lives? In <a href="https://bookshop.org/a/12343/9780197780138">Music Refuge: Living Asylum Through Music</a> ﻿(Oxford UP, Press 2025) <a href="https://bsky.app/profile/kennyailbhe.bsky.social">Ailbhe Kenny</a>, an <a href="https://www.mic.ul.ie/staff/237-ailbhe-kenny">Associate Professor in Music Education at Mary Immaculate College Ireland</a>, explores music programmes for, with and by people seeking asylum in Ireland and Germany. In doing so, the book offers new understandings of the use, practice and meaning of music in people’s lives, whether as musicians or as listeners. Exploring a range of settings for music, from listening on phones and shared music making experiences, to parties and performances, the book demonstrates music’s profound impact. Filled with stories of refugees’ experiences, alongside rich and deep analysis, the book is essential reading across the arts and social sciences, as well as for anyone interested in music’s place in promoting our shared and common humanity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2334</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0f38bc2-15fa-11f1-8580-835cfb96789e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1761249503.mp3?updated=1772431103" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessi Streib, "The Accidental Equalizer: How Luck Determines Pay After College" (U Chicago Press, 2023)</title>
      <description>Are jobs fair? In The Accidental Equalizer: How Luck Determines Pay after College (U Chicago Press, 2023), Jessi Streib, an associate Professor of Sociology at Duke University, uncovers the remarkable story of the way luck shapes the hiring process for a key strata of business jobs in America. Offering a thesis that is initially counterintuitive but clearly argued, empirically grounded, and ultimately compelling, the book introduces the idea of ‘luckocracy’. ‘Luckocracy’ underpins the functioning of important parts of the graduate labour market, and equalises what would otherwise be significant class differences between college graduates. Rich with details, as well as offering a broad new perspective on education and the labour market, the book is essential reading across the social sciences, as well as for anyone interested in understanding work, fairness, and the importance of luck.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 02 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>424</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessi Streib</itunes:subtitle>
      <itunes:summary>Are jobs fair? In The Accidental Equalizer: How Luck Determines Pay after College (U Chicago Press, 2023), Jessi Streib, an associate Professor of Sociology at Duke University, uncovers the remarkable story of the way luck shapes the hiring process for a key strata of business jobs in America. Offering a thesis that is initially counterintuitive but clearly argued, empirically grounded, and ultimately compelling, the book introduces the idea of ‘luckocracy’. ‘Luckocracy’ underpins the functioning of important parts of the graduate labour market, and equalises what would otherwise be significant class differences between college graduates. Rich with details, as well as offering a broad new perspective on education and the labour market, the book is essential reading across the social sciences, as well as for anyone interested in understanding work, fairness, and the importance of luck.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Are jobs fair? In <a href="https://bookshop.org/a/12343/9780226829319"><em>The Accidental Equalizer: How Luck Determines Pay after College</em></a><em> </em>(U Chicago Press, 2023), <a href="https://twitter.com/JessiStreib">Jessi Streib</a>, <a href="https://www.jessistreib.com/">an associate Professor of Sociology</a> at <a href="https://sociology.duke.edu/jessi-streib">Duke University</a>, uncovers the remarkable story of the way luck shapes the hiring process for a key strata of business jobs in America. Offering a thesis that is initially counterintuitive but clearly argued, empirically grounded, and ultimately compelling, the book introduces the idea of ‘luckocracy’. ‘Luckocracy’ underpins the functioning of important parts of the graduate labour market, and equalises what would otherwise be significant class differences between college graduates. Rich with details, as well as offering a broad new perspective on education and the labour market, the book is essential reading across the social sciences, as well as for anyone interested in understanding work, fairness, and the importance of luck.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3fb975fa-87ec-11ee-ac5f-8f7796346091]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9741937303.mp3?updated=1700516737" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sophie Salvo, "Articulating Difference: Sex and Language in the German Nineteenth Century"(U Chicago Press, 2024) </title>
      <description>Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women’s languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines.

Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities.

Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 01 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women’s languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines.

Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities.

Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women’s languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines.</p>
<p><a href="https://bookshop.org/a/12343/9780226827704">Articulating Difference: Sex and Language in the German Nineteenth Century</a>(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities.<br></p>
<p><a href="https://history.wisc.edu/people/acharya-deep/"><em>Deep Acharya</em></a><em> is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c2112f64-13a6-11f1-b036-235ddf5381af]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1784627374.mp3?updated=1772174160" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hanna Pickard, "What Would You Do Alone in a Cage with Nothing But Cocaine?: A Philosophy of Addiction" (Princeton UP, 2026)</title>
      <description>Dr. Hanna Pickard has written a revolutionary new paradigm for understanding addiction. 

Why do people with addiction use drugs self-destructively? Why don’t they quit out of self-concern? Why does the rat in the experiment, alone in a cage, press the lever again and again for cocaine—to the point of death? In this pathbreaking book ﻿What Would You Do Alone in a Cage with Nothing But Cocaine?: A Philosophy of Addiction (Princeton UP, 2026), Johns Hopkins University professor Pickard proposes a new paradigm for understanding the puzzle of addiction. For too long, our thinking has been hostage to a false dichotomy: either addiction is a brain disease, or it is a moral failing. Pickard argues that it is neither, and that both models stifle addiction research and fail people who need help. 

Drawing on her expertise as an academic philosopher and her clinical work in a therapeutic community, Pickard explores the meaning of drugs for people with addiction and the diverse factors that keep them using despite the costs. People use drugs to cope with suffering—but also to self-harm, or even to die. Some identify as “addicts," while others are in denial or struggle with cravings and self-control. Social, cultural, and economic circumstances are crucial to explaining addiction—but brain pathology may also matter. By integrating addiction science with philosophy, clinical practice, and the psychology and voices of people with addiction themselves, Pickard shows why there is no one-size-fits-all theory or ethics of addiction. The result is a heterogeneous and humanistic paradigm for understanding and treating addiction, and a fresh way of thinking about responsibility, blame, and relationships with people who use drugs.

Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her new book, Addiction, Inc.: Medication-Assisted Treatment and America's Forgotten War on Drugs, will be released in April 2026.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 24 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dr. Hanna Pickard has written a revolutionary new paradigm for understanding addiction. 

Why do people with addiction use drugs self-destructively? Why don’t they quit out of self-concern? Why does the rat in the experiment, alone in a cage, press the lever again and again for cocaine—to the point of death? In this pathbreaking book ﻿What Would You Do Alone in a Cage with Nothing But Cocaine?: A Philosophy of Addiction (Princeton UP, 2026), Johns Hopkins University professor Pickard proposes a new paradigm for understanding the puzzle of addiction. For too long, our thinking has been hostage to a false dichotomy: either addiction is a brain disease, or it is a moral failing. Pickard argues that it is neither, and that both models stifle addiction research and fail people who need help. 

Drawing on her expertise as an academic philosopher and her clinical work in a therapeutic community, Pickard explores the meaning of drugs for people with addiction and the diverse factors that keep them using despite the costs. People use drugs to cope with suffering—but also to self-harm, or even to die. Some identify as “addicts," while others are in denial or struggle with cravings and self-control. Social, cultural, and economic circumstances are crucial to explaining addiction—but brain pathology may also matter. By integrating addiction science with philosophy, clinical practice, and the psychology and voices of people with addiction themselves, Pickard shows why there is no one-size-fits-all theory or ethics of addiction. The result is a heterogeneous and humanistic paradigm for understanding and treating addiction, and a fresh way of thinking about responsibility, blame, and relationships with people who use drugs.

Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her new book, Addiction, Inc.: Medication-Assisted Treatment and America's Forgotten War on Drugs, will be released in April 2026.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Hanna Pickard has written a revolutionary new paradigm for understanding addiction. </p>
<p>Why do people with addiction use drugs self-destructively? Why don’t they quit out of self-concern? Why does the rat in the experiment, alone in a cage, press the lever again and again for cocaine—to the point of death? In this pathbreaking book ﻿<a href="https://bookshop.org/a/12343/9780691253534">What Would You Do Alone in a Cage with Nothing But Cocaine?: A Philosophy of Addiction</a> (Princeton UP, 2026), Johns Hopkins University professor Pickard proposes a new paradigm for understanding the puzzle of addiction. For too long, our thinking has been hostage to a false dichotomy: either addiction is a brain disease, or it is a moral failing. Pickard argues that it is neither, and that both models stifle addiction research and fail people who need help. </p>
<p>Drawing on her expertise as an academic philosopher and her clinical work in a therapeutic community, Pickard explores the meaning of drugs for people with addiction and the diverse factors that keep them using despite the costs. People use drugs to cope with suffering—but also to self-harm, or even to die. Some identify as “addicts," while others are in denial or struggle with cravings and self-control. Social, cultural, and economic circumstances are crucial to explaining addiction—but brain pathology may also matter. By integrating addiction science with philosophy, clinical practice, and the psychology and voices of people with addiction themselves, Pickard shows why there is no one-size-fits-all theory or ethics of addiction. The result is a heterogeneous and humanistic paradigm for understanding and treating addiction, and a fresh way of thinking about responsibility, blame, and relationships with people who use drugs.</p>
<p><a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo264671741.html">Emily Dufton</a> is the author of<a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo264671741.html"> <em>Grass Roots: The Rise and Fall and Rise of Marijuana in America</em> </a>(Basic Books, 2017). Her new book, <a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo264671741.html"><em>Addiction, Inc.: Medication-Assisted Treatment and America's Forgotten War on Drugs</em></a>, will be released in April 2026.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2929</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2f6ba3b6-1085-11f1-aa8f-53c691062f74]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9574561696.mp3?updated=1771830163" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin Heidegger, "Being and Time: An Annotated Translation" (Yale UP, 2026)</title>
      <description>A full century ago, a young and relatively unknown philosophy instructor in a small town in Germany would publish a book that would be swiftly picked up and radically reshape the intellectual landscape around it. Everything published before could now be reread in a new light, while everything after would often be seen as a sort of development in response to this book. Its author was Martin Heidegger, and the book was his Being and Time ﻿(Yale UP, 2026), one of the most important and influential works in the history of philosophy. Due to the difficulty of the text, filled with dense neologisms or unconventional uses of common terms, Heidegger’s work has proven a consistent challenge for any translator trying to render him in English. The first attempt was by John Macquarrie and Edward Robinson in 1962, with a repeated attempt by one of Heidegger’s students, Joan Stambaugh, arriving in 1995, with revisions by Dennis Schmidt in 2010. Now in 2026, Cyril Welch has brought his own translation to publication. Initial work began several decades ago in his classroom where he was trying to teach the text, and so he started offering up his own translations of key passages for his students. Over time these translations were revised and added to until eventually he found he had enough to consider formal publication. The publication was held back for some time, but now is finally able to come to light, giving both seasoned and fresh readers of Heidegger a chance to read his work anew.

Cyril Welch is professor emeritus of philosophy at Mount Allison University in New Brunswick, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A full century ago, a young and relatively unknown philosophy instructor in a small town in Germany would publish a book that would be swiftly picked up and radically reshape the intellectual landscape around it. Everything published before could now be reread in a new light, while everything after would often be seen as a sort of development in response to this book. Its author was Martin Heidegger, and the book was his Being and Time ﻿(Yale UP, 2026), one of the most important and influential works in the history of philosophy. Due to the difficulty of the text, filled with dense neologisms or unconventional uses of common terms, Heidegger’s work has proven a consistent challenge for any translator trying to render him in English. The first attempt was by John Macquarrie and Edward Robinson in 1962, with a repeated attempt by one of Heidegger’s students, Joan Stambaugh, arriving in 1995, with revisions by Dennis Schmidt in 2010. Now in 2026, Cyril Welch has brought his own translation to publication. Initial work began several decades ago in his classroom where he was trying to teach the text, and so he started offering up his own translations of key passages for his students. Over time these translations were revised and added to until eventually he found he had enough to consider formal publication. The publication was held back for some time, but now is finally able to come to light, giving both seasoned and fresh readers of Heidegger a chance to read his work anew.

Cyril Welch is professor emeritus of philosophy at Mount Allison University in New Brunswick, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A full century ago, a young and relatively unknown philosophy instructor in a small town in Germany would publish a book that would be swiftly picked up and radically reshape the intellectual landscape around it. Everything published before could now be reread in a new light, while everything after would often be seen as a sort of development in response to this book. Its author was Martin Heidegger, and the book was his <a href="https://bookshop.org/a/12343/9780300282726">Being and Time</a> ﻿(Yale UP, 2026), one of the most important and influential works in the history of philosophy. Due to the difficulty of the text, filled with dense neologisms or unconventional uses of common terms, Heidegger’s work has proven a consistent challenge for any translator trying to render him in English. The first attempt was by John Macquarrie and Edward Robinson in 1962, with a repeated attempt by one of Heidegger’s students, Joan Stambaugh, arriving in 1995, with revisions by Dennis Schmidt in 2010. Now in 2026, Cyril Welch has brought his own translation to publication. Initial work began several decades ago in his classroom where he was trying to teach the text, and so he started offering up his own translations of key passages for his students. Over time these translations were revised and added to until eventually he found he had enough to consider formal publication. The publication was held back for some time, but now is finally able to come to light, giving both seasoned and fresh readers of Heidegger a chance to read his work anew.</p>
<p>Cyril Welch is professor emeritus of philosophy at Mount Allison University in New Brunswick, Canada.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[21b143ea-106f-11f1-9f4c-0fef796fb9ba]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9243565781.mp3?updated=1771820734" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jie-Hyun Lim, "Victimhood Nationalism: History and Memory in a Global Age" (Columbia UP, 2025)</title>
      <description>Nationalism today depends on the perception of victimhood. The historical memory of past suffering endows nationalist movements with political legitimacy and a sense of moral superiority. Koreans recall Japanese colonial atrocities, while Japan commemorates the atomic bombings of Hiroshima and Nagasaki. Israel sanctifies the Holocaust and Poland trumpets the Nazi and Soviet occupations. Even Germany and Russia, perpetrators of historical crimes, today cast themselves as victims by pointing to national suffering.

In this theoretically sophisticated and empirically rich book, Jie-Hyun Lim offers a new way to understand nationalism and its political instrumentalization of suffering, developing the concept of “victimhood nationalism” and exploring it in a range of global settings. Victimhood Nationalism: History and Memory in a Global Age (Columbia UP, 2025) examines relations among Poland, Germany, Israel, Korea, and Japan, focusing on how memories of colonialism, the Holocaust, and Stalinist terror have converged and intertwined in transnational spaces. With an emphasis on memory formation, Lim scrutinizes how perpetrators in Germany and Japan transformed themselves into victims, as well as how nationalists in Poland, Korea, and Israel portray themselves as hereditary victims in order to rebut external criticism. He considers the construction of nations as victims and perpetrators, tracing the interaction of history and memory. Ultimately, the book contends, challenging victimhood nationalism is necessary to overcome the endless competition over national suffering and instead promote reconciliation, mutual understanding, and transnational solidarity.

Dr. Jie-Hyun Lim is the CIPSH Chairholder of Global Easts, Distinguished Professor, and founding director of the Critical Global Studies Institute at Sogang University. In 2025–2026, he is the Class of 1955 Visiting Professor in Global Studies at Williams College. His many books include Global Easts: Remembering, Imagining, Mobilizing (Columbia, 2022).

Visit the Critical Global Studies Institute’s homepage: here

Buy Victimhood Nationalism: History and Memory in a Global Age: here

About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Nationalism today depends on the perception of victimhood. The historical memory of past suffering endows nationalist movements with political legitimacy and a sense of moral superiority. Koreans recall Japanese colonial atrocities, while Japan commemorates the atomic bombings of Hiroshima and Nagasaki. Israel sanctifies the Holocaust and Poland trumpets the Nazi and Soviet occupations. Even Germany and Russia, perpetrators of historical crimes, today cast themselves as victims by pointing to national suffering.

In this theoretically sophisticated and empirically rich book, Jie-Hyun Lim offers a new way to understand nationalism and its political instrumentalization of suffering, developing the concept of “victimhood nationalism” and exploring it in a range of global settings. Victimhood Nationalism: History and Memory in a Global Age (Columbia UP, 2025) examines relations among Poland, Germany, Israel, Korea, and Japan, focusing on how memories of colonialism, the Holocaust, and Stalinist terror have converged and intertwined in transnational spaces. With an emphasis on memory formation, Lim scrutinizes how perpetrators in Germany and Japan transformed themselves into victims, as well as how nationalists in Poland, Korea, and Israel portray themselves as hereditary victims in order to rebut external criticism. He considers the construction of nations as victims and perpetrators, tracing the interaction of history and memory. Ultimately, the book contends, challenging victimhood nationalism is necessary to overcome the endless competition over national suffering and instead promote reconciliation, mutual understanding, and transnational solidarity.

Dr. Jie-Hyun Lim is the CIPSH Chairholder of Global Easts, Distinguished Professor, and founding director of the Critical Global Studies Institute at Sogang University. In 2025–2026, he is the Class of 1955 Visiting Professor in Global Studies at Williams College. His many books include Global Easts: Remembering, Imagining, Mobilizing (Columbia, 2022).

Visit the Critical Global Studies Institute’s homepage: here

Buy Victimhood Nationalism: History and Memory in a Global Age: here

About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nationalism today depends on the perception of victimhood. The historical memory of past suffering endows nationalist movements with political legitimacy and a sense of moral superiority. Koreans recall Japanese colonial atrocities, while Japan commemorates the atomic bombings of Hiroshima and Nagasaki. Israel sanctifies the Holocaust and Poland trumpets the Nazi and Soviet occupations. Even Germany and Russia, perpetrators of historical crimes, today cast themselves as victims by pointing to national suffering.</p>
<p>In this theoretically sophisticated and empirically rich book, Jie-Hyun Lim offers a new way to understand nationalism and its political instrumentalization of suffering, developing the concept of “victimhood nationalism” and exploring it in a range of global settings. <a href="https://bookshop.org/a/12343/9780231561396">Victimhood Nationalism: History and Memory in a Global Age</a> (Columbia UP, 2025) examines relations among Poland, Germany, Israel, Korea, and Japan, focusing on how memories of colonialism, the Holocaust, and Stalinist terror have converged and intertwined in transnational spaces. With an emphasis on memory formation, Lim scrutinizes how perpetrators in Germany and Japan transformed themselves into victims, as well as how nationalists in Poland, Korea, and Israel portray themselves as hereditary victims in order to rebut external criticism. He considers the construction of nations as victims and perpetrators, tracing the interaction of history and memory. Ultimately, the book contends, challenging victimhood nationalism is necessary to overcome the endless competition over national suffering and instead promote reconciliation, mutual understanding, and transnational solidarity.</p>
<p>Dr. Jie-Hyun Lim is the CIPSH Chairholder of Global Easts, Distinguished Professor, and founding director of the Critical Global Studies Institute at Sogang University. In 2025–2026, he is the Class of 1955 Visiting Professor in Global Studies at Williams College. His many books include Global Easts: Remembering, Imagining, Mobilizing (Columbia, 2022).</p>
<p>Visit the Critical Global Studies Institute’s homepage: <a href="http://cgsi.ac/index_eng.php">here</a></p>
<p>Buy <em>Victimhood Nationalism: History and Memory in a Global Age: </em><a href="https://cup.columbia.edu/book/victimhood-nationalism/9780231216883/">here</a></p>
<p>About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[661045fe-0e3a-11f1-93ac-6b6a1d470572]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5055966651.mp3?updated=1771577951" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica Martin, "Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity" (Bloomsbury, 2025)</title>
      <description>Is the home still a site for feminist resistance? In Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity Jessica Martin, a Lecturer in Sociology and Social Policy at the University of Leeds, examines the rise of postfeminist celebrities in the era of covid and the cost-of-living crisis. Drawing on 4 case studies, the book demonstrates how much of the seemingly feminist celebrity activism of recent years has reinforced and justified social inequalities. The book explains and contextualises many current media issues, from the ‘trad wife’ and nostalgic gender politics, to the complicated politics of mumsnet, blogging and business coaches. Offering a nuanced account of the possibilities for alternatives, whilst cautioning that even explicitly anti-poverty feminist campaigning is constrained by a reactionary media landscape, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding contemporary life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Is the home still a site for feminist resistance? In Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity Jessica Martin, a Lecturer in Sociology and Social Policy at the University of Leeds, examines the rise of postfeminist celebrities in the era of covid and the cost-of-living crisis. Drawing on 4 case studies, the book demonstrates how much of the seemingly feminist celebrity activism of recent years has reinforced and justified social inequalities. The book explains and contextualises many current media issues, from the ‘trad wife’ and nostalgic gender politics, to the complicated politics of mumsnet, blogging and business coaches. Offering a nuanced account of the possibilities for alternatives, whilst cautioning that even explicitly anti-poverty feminist campaigning is constrained by a reactionary media landscape, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding contemporary life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is the home still a site for feminist resistance? In <a href="https://bookshop.org/a/12343/9781350332232">Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity</a> <a href="https://bsky.app/profile/jessmartin.bsky.social">Jessica Martin</a>, a <a href="https://essl.leeds.ac.uk/sociology/staff/1159/dr-jessica-martin">Lecturer in Sociology and Social Policy at the University of Leeds</a>, examines the rise of postfeminist celebrities in the era of covid and the cost-of-living crisis. Drawing on 4 case studies, the book demonstrates how much of the seemingly feminist celebrity activism of recent years has reinforced and justified social inequalities. The book explains and contextualises many current media issues, from the ‘trad wife’ and nostalgic gender politics, to the complicated politics of mumsnet, blogging and business coaches. Offering a nuanced account of the possibilities for alternatives, whilst cautioning that even explicitly anti-poverty feminist campaigning is constrained by a reactionary media landscape, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding contemporary life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2214</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c4858c4e-0d58-11f1-b726-5bfdb07b32cc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8022536781.mp3?updated=1771481727" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle Jackson, "The Division of Rationalized Labor" (Harvard UP, 2025)</title>
      <description>﻿How have jobs changed in the last 150 years? In The Division of Rationalized Labor ﻿(Harvard UP, 2025) Michelle Jackson, an Associate Professor in the Department of Sociology at Stanford University examines the original theories about the division of labour and explains why many predictions about the future of work did not emerge. Drawing on detailed case studies of medicine, law, education and manufacturing the book charts the intertwined rise of the sciences, the expansion of occupational responsibilities, and the increasing complexity of work. Theorizing the paradox of specialization, alongside detailed empirical analysis, the book is essential reading across the social sciences and for anyone interested in understanding work and occupations today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿How have jobs changed in the last 150 years? In The Division of Rationalized Labor ﻿(Harvard UP, 2025) Michelle Jackson, an Associate Professor in the Department of Sociology at Stanford University examines the original theories about the division of labour and explains why many predictions about the future of work did not emerge. Drawing on detailed case studies of medicine, law, education and manufacturing the book charts the intertwined rise of the sciences, the expansion of occupational responsibilities, and the increasing complexity of work. Theorizing the paradox of specialization, alongside detailed empirical analysis, the book is essential reading across the social sciences and for anyone interested in understanding work and occupations today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿How have jobs changed in the last 150 years? In <a href="https://bookshop.org/a/12343/9780674296220">The Division of Rationalized Labor</a> ﻿(Harvard UP, 2025) <a href="https://bsky.app/profile/did:plc:ipigi2e4exdb4blg2vhvcxhg">Michelle Jackson</a>, an <a href="https://www.mivich.com/">Associate Professor</a> in the <a href="https://sociology.stanford.edu/people/michelle-jackson">Department of Sociology at Stanford University</a> examines the original theories about the division of labour and explains why many predictions about the future of work did not emerge. Drawing on detailed case studies of medicine, law, education and manufacturing the book charts the intertwined rise of the sciences, the expansion of occupational responsibilities, and the increasing complexity of work. Theorizing the paradox of specialization, alongside detailed empirical analysis, the book is essential reading across the social sciences and for anyone interested in understanding work and occupations today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3666</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[642a867e-0e39-11f1-a01b-c30112a92b95]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2784633315.mp3?updated=1771578510" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eray Çayli, "Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan" (U Texas Press, 2025)</title>
      <description>Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved.

Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı’s years-long work in Northern Kurdistan, home to the world’s largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms.

Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved.

Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı’s years-long work in Northern Kurdistan, home to the world’s largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms.

Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved.</p>
<p><a href="https://bookshop.org/a/12343/9781477332771">Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan</a> (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı’s years-long work in Northern Kurdistan, home to the world’s largest stateless nation—rendered stateless by colonial policies since the nineteenth century—<em>Earthmoving</em> focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms.</p>
<p>Host: <a href="https://www.eui.eu/people?id=ronay-bakan">Ronay Bakan</a> is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3790</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[83100616-0d50-11f1-992e-1f2e119e8758]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1220942916.mp3?updated=1771476273" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Denys Gorbach, "The Making and Unmaking of the Ukrainian Working Class: Everyday Politics and Moral Economy in a Post-Soviet City" (Berghahn Books, 2024)</title>
      <description>Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups.

The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books.

Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 19 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups.

The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books.

Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups.</p>
<p><a href="https://bookshop.org/a/12343/9781805392989">The Making and Unmaking of the Ukrainian Working Class</a><em> </em>is written by Denys Gorbach, published in 2024 by Berghan Books.</p>
<p>Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4171</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e7e683c4-0d11-11f1-81ba-7b5141dff753]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9187438804.mp3?updated=1771451102" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Drabinski, "So Unimaginable a Price: Baldwin and the Black Atlantic" (Northwestern UP, 2025)</title>
      <description>What happens if we turn to James Baldwin, not just for the amazing quotations and excellent photos, but as a critical theorist? What if we read his nonfiction philosophically? What can Baldwin help us understand and do now? In So Unimaginable a Price: Baldwin and the Black Atlantic (Northwestern UP, 2025), John Drabinski takes up this project to give a sustained philosophical reading of Baldwin’s nonfiction. Drabinski does so to understand the event of Baldwin’s contributions in the context of the Black Atlantic. Baldwin was a thinker who looked to the United States, even when in exile. But he was also in the broader context of the mid-twentieth century Black Atlantic, of which he was surely aware but wrote little—what if we read for what was absent from Baldwin’s texts?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What happens if we turn to James Baldwin, not just for the amazing quotations and excellent photos, but as a critical theorist? What if we read his nonfiction philosophically? What can Baldwin help us understand and do now? In So Unimaginable a Price: Baldwin and the Black Atlantic (Northwestern UP, 2025), John Drabinski takes up this project to give a sustained philosophical reading of Baldwin’s nonfiction. Drabinski does so to understand the event of Baldwin’s contributions in the context of the Black Atlantic. Baldwin was a thinker who looked to the United States, even when in exile. But he was also in the broader context of the mid-twentieth century Black Atlantic, of which he was surely aware but wrote little—what if we read for what was absent from Baldwin’s texts?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens if we turn to James Baldwin, not just for the amazing quotations and excellent photos, but as a critical theorist? What if we read his nonfiction philosophically? What can Baldwin help us understand and do now? In <a href="https://bookshop.org/a/12343/9780810149557">So Unimaginable a Price: Baldwin and the Black Atlantic</a> (Northwestern UP, 2025), John Drabinski takes up this project to give a sustained philosophical reading of Baldwin’s nonfiction. Drabinski does so to understand the event of Baldwin’s contributions in the context of the Black Atlantic. Baldwin was a thinker who looked to the United States, even when in exile. But he was also in the broader context of the mid-twentieth century Black Atlantic, of which he was surely aware but wrote little—what if we read for what was absent from Baldwin’s texts?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3544</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be877c86-0b0e-11f1-88eb-fb4bd4b62ddf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8578043996.mp3?updated=1771229547" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Feminism and Critical Hindu Studies with Shreena Gandhi, Harshita Kamath, Sailaja Krishnamurt, and Shana Sippy</title>
      <description>This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law.

Guests:

Shreena Gandhi: Professor of Religious Studies, Michigan State University

Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University

Sailaja Krishnamurti: Professor of Gender Studies, Queen’s University

Shana Sippy, Professor of Religion, Centre College

Mentioned in the episode:

Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation

Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance

Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora.

Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai’i Press, 207-226, 2020.

Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992.

Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming.

Thenmozhi Soundarajan, The Trauma of Caste

Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others

Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation”

Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America”

Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists”

Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism”

Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress

Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus"

Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism

Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy”

Equality Labs is a South Asian Dalit civil rights organization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law.

Guests:

Shreena Gandhi: Professor of Religious Studies, Michigan State University

Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University

Sailaja Krishnamurti: Professor of Gender Studies, Queen’s University

Shana Sippy, Professor of Religion, Centre College

Mentioned in the episode:

Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation

Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance

Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora.

Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai’i Press, 207-226, 2020.

Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992.

Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming.

Thenmozhi Soundarajan, The Trauma of Caste

Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others

Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation”

Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America”

Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists”

Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism”

Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress

Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus"

Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism

Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy”

Equality Labs is a South Asian Dalit civil rights organization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law.</p>
<p>Guests:</p>
<p><a href="https://scholars.msu.edu/scholar/11853/SHREENA-GANDHI?unitId=716&amp;unitType=2">Shreena Gandhi</a>: Professor of Religious Studies, Michigan State University</p>
<p><a href="https://mesas.emory.edu/people/biographies/Kamath-Harshita%20Mruthinti.html">Harshita Kamath</a>: Professor of Telugu Culture, Literature, and History, Emory University</p>
<p><a href="https://sailajakrishnamurti.com/about/">Sailaja Krishnamurti</a>: Professor of Gender Studies, Queen’s University</p>
<p><a href="https://www.centre.edu/about/faculty-staff/shana-sippy">Shana Sippy</a>, Professor of Religion, Centre College</p>
<p>Mentioned in the episode:</p>
<p>Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation</p>
<p>Harshita Kamath, <a href="https://www.ucpress.edu/books/impersonations/paper">Impersonations</a>: The Artifice of Brahmin Masculinity in South Indian Dance</p>
<p>Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora.</p>
<p>Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. <em>Envisioning Religion, Race and Asian Americans</em>, Honolulu: University of Hawai’i Press, 207-226, 2020.</p>
<p>Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992.</p>
<p>Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” <em>American Religion</em>, forthcoming.</p>
<p>Thenmozhi Soundarajan, <a href="https://www.penguinrandomhouse.com/books/710528/the-trauma-of-caste-by-thenmozhi-soundararajan/">The Trauma of Caste</a></p>
<p>Sarah Ahmed, <a href="https://read.dukeupress.edu/books/book/1065/Queer-PhenomenologyOrientations-Objects-Others">Queer Phenomenology: Orientations, Objects, Others</a></p>
<p>Feminist Critical Hindu Studies Collective, “<a href="https://compass.onlinelibrary.wiley.com/doi/10.1111/rec3.12392">Feminist Critical Hindu Studies in formation</a>”</p>
<p>Feminist Critical Hindu Studies Collective, <a href="https://tif.ssrc.org/2022/11/02/hindu-fragility-and-the-politics-of-mimicry-in-north-america/">“Hindu fragility and the politics of mimicry in North America”</a></p>
<p>Feminist Critical Hindu Studies Collective, “<a href="https://religionnews.com/2021/09/10/hinduphobia-is-a-smokescreen-for-hindu-nationalists-dismantling-global-hindutva-conference/">Hinduphobia is a smokescreen for Hindu nationalists</a>”</p>
<p>Shana Sippy and Sailaja Krishnamurti, <a href="https://scroll.in/article/1005407/counterview-not-all-hinduism-is-hindutva-but-hindutva-is-in-fact-hinduism">“Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism”</a></p>
<p>Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress</p>
<p>Shana Sippy, "<a href="https://muse.jhu.edu/article/964545">Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus</a>"</p>
<p>Tomako Masuzawa, <a href="https://press.uchicago.edu/ucp/books/book/chicago/I/bo3534198.html">The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism</a></p>
<p>Shreena Gandhi, “<a>Framing Islam as American Religion Despite White Supremacy</a>”</p>
<p><a href="https://www.equalitylabs.org/">Equality Labs</a> is a South Asian Dalit civil rights organization.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3673</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e33b341e-0ab4-11f1-b77f-f39dd94ad54b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2845449339.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carl Death, "African Climate Futures" (Oxford UP, 2025)</title>
      <description>This episode is brought to you by the BISA Environment and Climate Politics Working Group.

African Climate Futures (Oxford UP, 2025) shows how climate-changed futures are imagined in Africa and by Africans, and how these future visions shape political debates and struggles in the present. Scientific climate scenarios forecast bleak futures, with increased droughts, floods, lethal heatwaves, sea level rises, declining crop yields, and greater exposure to vector-borne diseases. Yet, African climate futures could also encompass energy transitions and socio-economic revolutions, transformed political agency and human subjectivities, and radically reparative more-than-human climate politics.

At the heart of the book is an original and interdisciplinary approach. It studies official climate policy strategies and fictional texts side-by-side, as ecopolitical imaginaries that envision low-carbon, climate-changed futures, and narrate pathways from 'here' to 'there'. It discusses net zero strategies from Ethiopia, The Gambia, Nigeria, South Africa, and Zimbabwe and draws on postcolonial, feminist, and queer theory, arguing that Africanfuturist climate fiction can inspire more radical, reparative, more-than-human ecopolitical imaginaries. These stories can help us to understand the debts we all owe, imagine what reparations might entail, and explore the contours of living convivially alongside more-than-human others in heterotopian, climate-changed futures.

Stories can help explore how we might feel in climate-changed futures and can help us to narrate a path through them. This book uses Africanfuturist climate fiction to inspire new ways of challenging and enriching theoretical debates in global climate change politics, including how we understand the places, temporalities, ecologies, and politics of climate futures. If we want to survive to tell new stories in liveable futures then we need to urgently and radically transform carboniferous capitalism.

Carl Death joined the University of Manchester in August 2013 as a Senior Lecturer in International Political Economy, after four years in the Department of International Politics, Aberystwyth University, and a year in the School of Law and Government, Dublin City University. He has conducted research in South Africa, Tanzania and the USA, and has held visiting researcher positions at The MacMillan Centre for International and Area Studies and the Agrarian Studies Program at Yale University; the Wits Institute for Social and Economic Research (WISER) at the University of the Witwatersrand in Johannesburg; Stellenbosch University; and the Centre for Civil Society (CCS) at the University of KwaZulu-Natal in Durban.

Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode is brought to you by the BISA Environment and Climate Politics Working Group.

African Climate Futures (Oxford UP, 2025) shows how climate-changed futures are imagined in Africa and by Africans, and how these future visions shape political debates and struggles in the present. Scientific climate scenarios forecast bleak futures, with increased droughts, floods, lethal heatwaves, sea level rises, declining crop yields, and greater exposure to vector-borne diseases. Yet, African climate futures could also encompass energy transitions and socio-economic revolutions, transformed political agency and human subjectivities, and radically reparative more-than-human climate politics.

At the heart of the book is an original and interdisciplinary approach. It studies official climate policy strategies and fictional texts side-by-side, as ecopolitical imaginaries that envision low-carbon, climate-changed futures, and narrate pathways from 'here' to 'there'. It discusses net zero strategies from Ethiopia, The Gambia, Nigeria, South Africa, and Zimbabwe and draws on postcolonial, feminist, and queer theory, arguing that Africanfuturist climate fiction can inspire more radical, reparative, more-than-human ecopolitical imaginaries. These stories can help us to understand the debts we all owe, imagine what reparations might entail, and explore the contours of living convivially alongside more-than-human others in heterotopian, climate-changed futures.

Stories can help explore how we might feel in climate-changed futures and can help us to narrate a path through them. This book uses Africanfuturist climate fiction to inspire new ways of challenging and enriching theoretical debates in global climate change politics, including how we understand the places, temporalities, ecologies, and politics of climate futures. If we want to survive to tell new stories in liveable futures then we need to urgently and radically transform carboniferous capitalism.

Carl Death joined the University of Manchester in August 2013 as a Senior Lecturer in International Political Economy, after four years in the Department of International Politics, Aberystwyth University, and a year in the School of Law and Government, Dublin City University. He has conducted research in South Africa, Tanzania and the USA, and has held visiting researcher positions at The MacMillan Centre for International and Area Studies and the Agrarian Studies Program at Yale University; the Wits Institute for Social and Economic Research (WISER) at the University of the Witwatersrand in Johannesburg; Stellenbosch University; and the Centre for Civil Society (CCS) at the University of KwaZulu-Natal in Durban.

Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode is brought to you by the <a href="https://www.bisa.ac.uk/members/working-groups/ecp">BISA Environment and Climate Politics Working Group</a>.</p>
<p><a href="https://bookshop.org/a/12343/9780198960744">African Climate Futures</a><em> </em>(Oxford UP, 2025) shows how climate-changed futures are imagined in Africa and by Africans, and how these future visions shape political debates and struggles in the present. Scientific climate scenarios forecast bleak futures, with increased droughts, floods, lethal heatwaves, sea level rises, declining crop yields, and greater exposure to vector-borne diseases. Yet, African climate futures could also encompass energy transitions and socio-economic revolutions, transformed political agency and human subjectivities, and radically reparative more-than-human climate politics.</p>
<p>At the heart of the book is an original and interdisciplinary approach. It studies official climate policy strategies and fictional texts side-by-side, as ecopolitical imaginaries that envision low-carbon, climate-changed futures, and narrate pathways from 'here' to 'there'. It discusses net zero strategies from Ethiopia, The Gambia, Nigeria, South Africa, and Zimbabwe and draws on postcolonial, feminist, and queer theory, arguing that Africanfuturist climate fiction can inspire more radical, reparative, more-than-human ecopolitical imaginaries. These stories can help us to understand the debts we all owe, imagine what reparations might entail, and explore the contours of living convivially alongside more-than-human others in heterotopian, climate-changed futures.</p>
<p>Stories can help explore how we might feel in climate-changed futures and can help us to narrate a path through them. This book uses Africanfuturist climate fiction to inspire new ways of challenging and enriching theoretical debates in global climate change politics, including how we understand the places, temporalities, ecologies, and politics of climate futures. If we want to survive to tell new stories in liveable futures then we need to urgently and radically transform carboniferous capitalism.</p>
<p><a href="https://research.manchester.ac.uk/en/persons/carl.death">Carl Death</a> joined the University of Manchester in August 2013 as a Senior Lecturer in International Political Economy, after four years in the Department of International Politics, Aberystwyth University, and a year in the School of Law and Government, Dublin City University. He has conducted research in South Africa, Tanzania and the USA, and has held visiting researcher positions at The MacMillan Centre for International and Area Studies and the Agrarian Studies Program at Yale University; the Wits Institute for Social and Economic Research (WISER) at the University of the Witwatersrand in Johannesburg; Stellenbosch University; and the Centre for Civil Society (CCS) at the University of KwaZulu-Natal in Durban.</p>
<p><a href="https://www.kcl.ac.uk/people/pauline-sophie-heinrichs">Pauline Heinrichs</a> is a Lecturer in War Studies (Climate and Energy) at King’s College London. Her research focuses climate and energy security. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3735</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Agustín Santella and Adrián Piva, "Marxism, Social Movements and Collective Action" (Palgrave Macmillan, 2023)</title>
      <description>Marxists have an obvious interest in understanding social movements. Less obvious, even with the voluminous theoretical archives at hand, is how to pull their various forms together into a cohesive theory of collective action. While one can see images on the news of strikes, riots, protests, coups, and uprisings, and draw occasional connections between them, turning this vast array of phenomena into a cohesive theory that can be built upon remains a challenge, but it's one my guests today, Augustin Santella and Adrian Piva have risen to. Assembling a number of essays from scholars from all over the world, their book, Marxism, Social Movements and Collective Action (Palgrave Macmillan, 2023) tries to understand the various forms collective struggle can take, all the while chasing the underlying logic that might unite them. While the book will not be the final word on the topic, its essays will prove rich resources for those looking for both empirical examples and philosophical speculations on the nature of collective struggle.

Augustin Santella and Adrian Piva are both professors at the University of Buenos Aires, Argentina.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Marxists have an obvious interest in understanding social movements. Less obvious, even with the voluminous theoretical archives at hand, is how to pull their various forms together into a cohesive theory of collective action. While one can see images on the news of strikes, riots, protests, coups, and uprisings, and draw occasional connections between them, turning this vast array of phenomena into a cohesive theory that can be built upon remains a challenge, but it's one my guests today, Augustin Santella and Adrian Piva have risen to. Assembling a number of essays from scholars from all over the world, their book, Marxism, Social Movements and Collective Action (Palgrave Macmillan, 2023) tries to understand the various forms collective struggle can take, all the while chasing the underlying logic that might unite them. While the book will not be the final word on the topic, its essays will prove rich resources for those looking for both empirical examples and philosophical speculations on the nature of collective struggle.

Augustin Santella and Adrian Piva are both professors at the University of Buenos Aires, Argentina.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marxists have an obvious interest in understanding social movements. Less obvious, even with the voluminous theoretical archives at hand, is how to pull their various forms together into a cohesive theory of collective action. While one can see images on the news of strikes, riots, protests, coups, and uprisings, and draw occasional connections between them, turning this vast array of phenomena into a cohesive theory that can be built upon remains a challenge, but it's one my guests today, Augustin Santella and Adrian Piva have risen to. Assembling a number of essays from scholars from all over the world, their book, <a href="https://bookshop.org/a/12343/9783031124761">Marxism, Social Movements and Collective Action</a><em> </em>(Palgrave Macmillan, 2023) tries to understand the various forms collective struggle can take, all the while chasing the underlying logic that might unite them. While the book will not be the final word on the topic, its essays will prove rich resources for those looking for both empirical examples and philosophical speculations on the nature of collective struggle.</p>
<p>Augustin Santella and Adrian Piva are both professors at the University of Buenos Aires, Argentina.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2059</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd15d332-0ab0-11f1-88db-3f72b50299a1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2904459887.mp3?updated=1771189592" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sourit Bhattacharya, "Postcolonialism Now: Literature, Reading, Decolonising" (Orient BlackSwan, 2024) </title>
      <description>Postcolonialism Now: Literature, Reading, Decolonising (Orient BlackSwan, 2024) by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, Postcolonialism Now engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Postcolonialism Now: Literature, Reading, Decolonising (Orient BlackSwan, 2024) by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, Postcolonialism Now engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://orientblackswan.com/details?obsin=2718&amp;eb=1">Postcolonialism Now: Literature, Reading, Decolonising</a><em> </em>(Orient BlackSwan, 2024)<em> </em>by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, <em>Postcolonialism Now</em> engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e7a326bc-08e6-11f1-865e-bb5e41255273]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8476473186.mp3?updated=1770876402" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura K. Field, "Furious Minds: The Making of the MAGA New Right" (Princeton UP, 2025)</title>
      <description>Political Theorist Laura Field has written an insightful and detailed exploration of the people and the ideas that have shaped the second Trump Administration (and some contributed, as well, to the first Trump Administration.) While Furious Minds: The Making of the MAGA New Right (Princeton UP, 2025) is about quite a few scholars and academics, it is written like a propulsive page-turner of a book. And Field takes us through all the of the ins and outs of the individuals who have pursued a path to power and policy development, often from positions in the Ivory Tower. Furious Minds: The Making of the MAGA New Right is truly fascinating, since it is not simply about egg-headed academics writing up white papers or books, or simply about presidential advisors and the way they have worked to influence the president or put particular policies into place. Instead, Field interrogates the construction of the ideas that have come to dominate this New Right, seeking their genesis and how these ideas, which are divided into three distinct but overlapping intellectual camps, have made their way to the Trump Administration, through Trump himself, Vice President J.D. Vance, and so many of the advisors and cabinet members who surround Trump.

Field’s training in political theory, especially Straussian political theory, contributes to her understanding and analysis of the individuals at the heart of the story in Furious Minds—and how these particular academics think, but in particular how they think about politics and political projects. The substance of Furious Minds is focused on the past decade or so of engagement between these various schools of thought and the Trump Administration—both while in elected office as well as during the out of office interregnum. At the same time, Field traces the deep origins of some of these schools of thought through the longer conservative tradition in the United States. In our discussion, we explore the Claremonters, the Postliberals, and the National Conservatives. Each group is populated by well-educated (PhDs, published authors, etc.) individuals (mostly men) who are urging a concept of the common good, as they define it, on to the American people, through the Trump Administration’s rhetoric, policies, institutional dispositions, cultural approaches, and general demeanor. Field takes all of these thinkers and ideas seriously, making the case for understanding both the ideas themselves and their origins, while also critiquing much of this by exposing the more extremist bases behind these paths of thinking as well as the people who are purveying them.

Furious Minds: The Making of the MAGA New Right is a tour de force of the intellectual and political landscape that has brought us to the midst of the second Trump Administration and provides the reader with deep insight into the radical origins of the myths and concepts that are the backbone of the current Trump Administration and the current Republican Party.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She studied political theory at Kenyon College and Boston College. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 12 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Political Theorist Laura Field has written an insightful and detailed exploration of the people and the ideas that have shaped the second Trump Administration (and some contributed, as well, to the first Trump Administration.) While Furious Minds: The Making of the MAGA New Right (Princeton UP, 2025) is about quite a few scholars and academics, it is written like a propulsive page-turner of a book. And Field takes us through all the of the ins and outs of the individuals who have pursued a path to power and policy development, often from positions in the Ivory Tower. Furious Minds: The Making of the MAGA New Right is truly fascinating, since it is not simply about egg-headed academics writing up white papers or books, or simply about presidential advisors and the way they have worked to influence the president or put particular policies into place. Instead, Field interrogates the construction of the ideas that have come to dominate this New Right, seeking their genesis and how these ideas, which are divided into three distinct but overlapping intellectual camps, have made their way to the Trump Administration, through Trump himself, Vice President J.D. Vance, and so many of the advisors and cabinet members who surround Trump.

Field’s training in political theory, especially Straussian political theory, contributes to her understanding and analysis of the individuals at the heart of the story in Furious Minds—and how these particular academics think, but in particular how they think about politics and political projects. The substance of Furious Minds is focused on the past decade or so of engagement between these various schools of thought and the Trump Administration—both while in elected office as well as during the out of office interregnum. At the same time, Field traces the deep origins of some of these schools of thought through the longer conservative tradition in the United States. In our discussion, we explore the Claremonters, the Postliberals, and the National Conservatives. Each group is populated by well-educated (PhDs, published authors, etc.) individuals (mostly men) who are urging a concept of the common good, as they define it, on to the American people, through the Trump Administration’s rhetoric, policies, institutional dispositions, cultural approaches, and general demeanor. Field takes all of these thinkers and ideas seriously, making the case for understanding both the ideas themselves and their origins, while also critiquing much of this by exposing the more extremist bases behind these paths of thinking as well as the people who are purveying them.

Furious Minds: The Making of the MAGA New Right is a tour de force of the intellectual and political landscape that has brought us to the midst of the second Trump Administration and provides the reader with deep insight into the radical origins of the myths and concepts that are the backbone of the current Trump Administration and the current Republican Party.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She studied political theory at Kenyon College and Boston College. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political Theorist Laura Field has written an insightful and detailed exploration of the people and the ideas that have shaped the second Trump Administration (and some contributed, as well, to the first Trump Administration.) While <a href="https://bookshop.org/a/12343/9780691255262"><em>Furious Minds: The Making of the MAGA New Right</em></a> (Princeton UP, 2025) is about quite a few scholars and academics, it is written like a propulsive page-turner of a book. And Field takes us through all the of the ins and outs of the individuals who have pursued a path to power and policy development, often from positions in the Ivory Tower. <a href="https://press.princeton.edu/books/hardcover/9780691255262/furious-minds?srsltid=AfmBOorQo46qMGVFATZlC-lUoVhwCoXmgjRGlaQkJ47HUcVsNfF77RuR"><em>Furious Minds: The Making of the MAGA New Right</em></a> is truly fascinating, since it is not simply about egg-headed academics writing up white papers or books, or simply about presidential advisors and the way they have worked to influence the president or put particular policies into place. Instead, Field interrogates the construction of the ideas that have come to dominate this New Right, seeking their genesis and how these ideas, which are divided into three distinct but overlapping intellectual camps, have made their way to the Trump Administration, through Trump himself, Vice President J.D. Vance, and so many of the advisors and cabinet members who surround Trump.</p>
<p>Field’s training in political theory, especially Straussian political theory, contributes to her understanding and analysis of the individuals at the heart of the story in <a href="https://press.princeton.edu/books/hardcover/9780691255262/furious-minds?srsltid=AfmBOorQo46qMGVFATZlC-lUoVhwCoXmgjRGlaQkJ47HUcVsNfF77RuR"><em>Furious Minds</em></a>—and how these particular academics think, but in particular how they think about politics and political projects. The substance of <a href="https://press.princeton.edu/books/hardcover/9780691255262/furious-minds?srsltid=AfmBOorQo46qMGVFATZlC-lUoVhwCoXmgjRGlaQkJ47HUcVsNfF77RuR"><em>Furious Minds</em></a> is focused on the past decade or so of engagement between these various schools of thought and the Trump Administration—both while in elected office as well as during the out of office interregnum. At the same time, Field traces the deep origins of some of these schools of thought through the longer conservative tradition in the United States. In our discussion, we explore the Claremonters, the Postliberals, and the National Conservatives. Each group is populated by well-educated (PhDs, published authors, etc.) individuals (mostly men) who are urging a concept of the common good, as they define it, on to the American people, through the Trump Administration’s rhetoric, policies, institutional dispositions, cultural approaches, and general demeanor. Field takes all of these thinkers and ideas seriously, making the case for understanding both the ideas themselves and their origins, while also critiquing much of this by exposing the more extremist bases behind these paths of thinking as well as the people who are purveying them.</p>
<p><a href="https://press.princeton.edu/books/hardcover/9780691255262/furious-minds?srsltid=AfmBOorQo46qMGVFATZlC-lUoVhwCoXmgjRGlaQkJ47HUcVsNfF77RuR"><em>Furious Minds: The Making of the MAGA New Right</em></a> is a tour de force of the intellectual and political landscape that has brought us to the midst of the second Trump Administration and provides the reader with deep insight into the radical origins of the myths and concepts that are the backbone of the current Trump Administration and the current Republican Party.</p>
<p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She studied political theory at Kenyon College and Boston College. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><u><em> Volume I: The Infinity Saga</em></u><em> (University Press of Kansas, 2022), and of </em><a href="https://kansaspress.ku.edu/9780700640546/"><em>The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse</em></a><em> (University Press of Kansas, 2025) as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2595</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Alex Prichard, "Anarchism: a Very Short Introduction" (Oxford UP, 2022)</title>
      <description>If you asked a passerby on the street what anarchism is, they may answer that it is an ideology based on chaos, disorder, and violence. But is this true? What exactly is anarchism?
Anarchism: a Very Short Introduction (Oxford UP, 2022) provides a new point of departure for our understanding of anarchism. Prichard describes anarchism as a lived set of practices, with a rich historical legacy, and shows how anarchists have inspired and criticised some of our most cherished values and concepts, from the ideals of freedom, participatory education, federalism, to important topics like climate change, and wider popular culture in science fiction. By locating the emergence and globalization of anarchist ideas in a history of colonialism and imperialism, the book links anarchism into struggles for freedom across the world and demonstrates that anarchism has much to offer anyone trying to envision a better future.
Alex Prichard is Associate Professor of International Relations at the University of Exeter. His research on anarchism has shed new light on old problems of constitutional politics, order and anarchy in world order, and the history of international thought. He is the co-founder of the Political Studies Association specialist group for the study of anarchism, the Manchester University Press monograph series, Contemporary Anarchist Studies, and a trained chef.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>381</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex Prichard</itunes:subtitle>
      <itunes:summary>If you asked a passerby on the street what anarchism is, they may answer that it is an ideology based on chaos, disorder, and violence. But is this true? What exactly is anarchism?
Anarchism: a Very Short Introduction (Oxford UP, 2022) provides a new point of departure for our understanding of anarchism. Prichard describes anarchism as a lived set of practices, with a rich historical legacy, and shows how anarchists have inspired and criticised some of our most cherished values and concepts, from the ideals of freedom, participatory education, federalism, to important topics like climate change, and wider popular culture in science fiction. By locating the emergence and globalization of anarchist ideas in a history of colonialism and imperialism, the book links anarchism into struggles for freedom across the world and demonstrates that anarchism has much to offer anyone trying to envision a better future.
Alex Prichard is Associate Professor of International Relations at the University of Exeter. His research on anarchism has shed new light on old problems of constitutional politics, order and anarchy in world order, and the history of international thought. He is the co-founder of the Political Studies Association specialist group for the study of anarchism, the Manchester University Press monograph series, Contemporary Anarchist Studies, and a trained chef.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you asked a passerby on the street what anarchism is, they may answer that it is an ideology based on chaos, disorder, and violence. But is this true? What exactly is anarchism?</p><p><a href="https://bookshop.org/a/12343/9780198815617"><em>Anarchism: a Very Short Introduction</em></a> (Oxford UP, 2022) provides a new point of departure for our understanding of anarchism. Prichard describes anarchism as a lived set of practices, with a rich historical legacy, and shows how anarchists have inspired and criticised some of our most cherished values and concepts, from the ideals of freedom, participatory education, federalism, to important topics like climate change, and wider popular culture in science fiction. By locating the emergence and globalization of anarchist ideas in a history of colonialism and imperialism, the book links anarchism into struggles for freedom across the world and demonstrates that anarchism has much to offer anyone trying to envision a better future.</p><p>Alex Prichard is Associate Professor of International Relations at the University of Exeter. His research on anarchism has shed new light on old problems of constitutional politics, order and anarchy in world order, and the history of international thought. He is the co-founder of the Political Studies Association specialist group for the study of anarchism, the Manchester University Press monograph series, Contemporary Anarchist Studies, and a trained chef.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3338</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Olivier Esteves et al., "France, You Love It but Leave It: The Silent Flight of French Muslims" (Polity, 2025)</title>
      <description>Their names are Mohamed, Samira, sometimes Matthieu or Sophie. They were born and bred in France and are highly qualified, but they have decided to go and live in London or New York, Montreal or Brussels, Geneva or Dubai. Many were discriminated against on the French job market, or stigmatized simply because of their religion or the sound of their names. Whether devout or not, they felt unloved and unwanted in France, but abroad they have found a sense of peace and fulfilment that their native country failed to give them.Based on extensive original research, France, You Love It but Leave It: The Silent Flight of French Muslims (Polity, 2025) by Dr. Olivier Esteves, Dr. Alice Picard, and Dr. Julien Talpin sheds new light on the silent and largely unacknowledged flight abroad of French Muslims. It explores their motivations, their experiences in France and abroad, and their sense of Frenchness, torn between gratitude and bitterness. This book isn't just about an unreported brain-drain - it is also about the deleterious effects of Islamophobia in a country that balks at the very mention of the concept. And it highlights a pressing issue that many nations with Muslim minorities need to confront.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Their names are Mohamed, Samira, sometimes Matthieu or Sophie. They were born and bred in France and are highly qualified, but they have decided to go and live in London or New York, Montreal or Brussels, Geneva or Dubai. Many were discriminated against on the French job market, or stigmatized simply because of their religion or the sound of their names. Whether devout or not, they felt unloved and unwanted in France, but abroad they have found a sense of peace and fulfilment that their native country failed to give them.Based on extensive original research, France, You Love It but Leave It: The Silent Flight of French Muslims (Polity, 2025) by Dr. Olivier Esteves, Dr. Alice Picard, and Dr. Julien Talpin sheds new light on the silent and largely unacknowledged flight abroad of French Muslims. It explores their motivations, their experiences in France and abroad, and their sense of Frenchness, torn between gratitude and bitterness. This book isn't just about an unreported brain-drain - it is also about the deleterious effects of Islamophobia in a country that balks at the very mention of the concept. And it highlights a pressing issue that many nations with Muslim minorities need to confront.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Their names are Mohamed, Samira, sometimes Matthieu or Sophie. They were born and bred in France and are highly qualified, but they have decided to go and live in London or New York, Montreal or Brussels, Geneva or Dubai. Many were discriminated against on the French job market, or stigmatized simply because of their religion or the sound of their names. Whether devout or not, they felt unloved and unwanted in France, but abroad they have found a sense of peace and fulfilment that their native country failed to give them.<br>Based on extensive original research, <a href="https://bookshop.org/a/12343/9781509570089"><em>France, You Love It but Leave It: The Silent Flight of French Muslims</em> </a>(Polity, 2025) by Dr. Olivier Esteves, Dr. Alice Picard, and Dr. Julien Talpin sheds new light on the silent and largely unacknowledged flight abroad of French Muslims. It explores their motivations, their experiences in France and abroad, and their sense of Frenchness, torn between gratitude and bitterness. This book isn't just about an unreported brain-drain - it is also about the deleterious effects of Islamophobia in a country that balks at the very mention of the concept. And it highlights a pressing issue that many nations with Muslim minorities need to confront.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3475</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1b8e5406-0243-11f1-a98d-eb4e367e25c9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7959824184.mp3?updated=1770262473" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Hart, "Lands of Likeness: For a Poetics of Contemplation" (U Chicago Press, 2023)</title>
      <description>In Lands of Likeness: For a Poetics of Contemplation (U Chicago Press, 2023), Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. Drawing on Kant, Schopenhauer, Coleridge, and Husserl, Hart first charts the emergence of contemplation in and beyond the Romantic era. Next, Hart shows this hermeneutic at work in poetry by Gerard Manley Hopkins, Marianne Moore, Wallace Stevens, and others. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world.Kevin Hart is Jo Rae Wright University Distinguished Professor at the Duke Divinity School.Nathan H. Phillips is an independent scholar working out of South Bend, Indiana.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Lands of Likeness: For a Poetics of Contemplation (U Chicago Press, 2023), Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. Drawing on Kant, Schopenhauer, Coleridge, and Husserl, Hart first charts the emergence of contemplation in and beyond the Romantic era. Next, Hart shows this hermeneutic at work in poetry by Gerard Manley Hopkins, Marianne Moore, Wallace Stevens, and others. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world.Kevin Hart is Jo Rae Wright University Distinguished Professor at the Duke Divinity School.Nathan H. Phillips is an independent scholar working out of South Bend, Indiana.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226827582">Lands of Likeness: For a Poetics of Contemplatio</a><em>n </em>(U Chicago Press, 2023), Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. Drawing on Kant, Schopenhauer, Coleridge, and Husserl, Hart first charts the emergence of contemplation in and beyond the Romantic era. Next, Hart shows this hermeneutic at work in poetry by Gerard Manley Hopkins, Marianne Moore, Wallace Stevens, and others. Delivered in its original form as the prestigious Gifford Lectures, <em>Lands of Likeness </em>is a revelatory meditation on contemplation for the modern world.<br>Kevin Hart is Jo Rae Wright University Distinguished Professor at the Duke Divinity School.<br>Nathan H. Phillips is an independent scholar working out of South Bend, Indiana.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4663</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[39143a7c-015d-11f1-b29e-6751c89e204f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2998417247.mp3?updated=1770163943" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patricia Daley and Ian Klinke, "Human Geography: A Very Short Introduction" (Oxford UP, 2025)</title>
      <description>Human geography offers answers to some of the most important challenges of our time. To understand contemporary struggles over global economic inequality, forced migration, racial injustice, gender justice, and the climate crisis, we must grasp the ways in which these are fought over and through space.

Human Geography: A Very Short Introduction (Oxford University Press, 2025) by Patricia Daley and Ian Klinke explains how the subject can aid a better knowledge of the modern world. It examines the formation of power systems and the ways in which they have been constructed, subverted, and resisted over time. This Very Short Introduction explores the topic through seven spaces that define the present: the colony, the pipeline, the border, the high rise, the workplace, the conservation area, and outer space. In addition, the authors take a critical view of the discipline and its history, but argue for its continuing vitality.

Patricia Daley is Professor of the Human Geography of Africa at University of Oxford.

Ian Klinke is Associate Professor in Human Geography at the University of Oxford.

Caleb Zakarin is CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Human geography offers answers to some of the most important challenges of our time. To understand contemporary struggles over global economic inequality, forced migration, racial injustice, gender justice, and the climate crisis, we must grasp the ways in which these are fought over and through space.

Human Geography: A Very Short Introduction (Oxford University Press, 2025) by Patricia Daley and Ian Klinke explains how the subject can aid a better knowledge of the modern world. It examines the formation of power systems and the ways in which they have been constructed, subverted, and resisted over time. This Very Short Introduction explores the topic through seven spaces that define the present: the colony, the pipeline, the border, the high rise, the workplace, the conservation area, and outer space. In addition, the authors take a critical view of the discipline and its history, but argue for its continuing vitality.

Patricia Daley is Professor of the Human Geography of Africa at University of Oxford.

Ian Klinke is Associate Professor in Human Geography at the University of Oxford.

Caleb Zakarin is CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Human geography offers answers to some of the most important challenges of our time. To understand contemporary struggles over global economic inequality, forced migration, racial injustice, gender justice, and the climate crisis, we must grasp the ways in which these are fought over and through space.</p>
<p><a href="https://bookshop.org/a/12343/9780192869302">Human Geography: A Very Short Introduction</a><em> </em>(Oxford University Press, 2025) by Patricia Daley and Ian Klinke explains how the subject can aid a better knowledge of the modern world. It examines the formation of power systems and the ways in which they have been constructed, subverted, and resisted over time. This <em>Very Short Introduction</em> explores the topic through seven spaces that define the present: the colony, the pipeline, the border, the high rise, the workplace, the conservation area, and outer space. In addition, the authors take a critical view of the discipline and its history, but argue for its continuing vitality.</p>
<p>Patricia Daley is Professor of the Human Geography of Africa at University of Oxford.</p>
<p>Ian Klinke is Associate Professor in Human Geography at the University of Oxford.</p>
<p><em>Caleb Zakarin is CEO and Publisher of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8bcd35f4-0156-11f1-ae9d-7b2480617b2a]]></guid>
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    </item>
    <item>
      <title>Lisa Min et al. eds., "Redacted: Writing in the Negative Space of the State" (punctum books, 2024)</title>
      <description>When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy?

Redacted: Writing in the Negative Space of the State (punctum books, 2024) ﻿brings together essays, poems, artwork, and memes—a bricolage of media that conveys the experience of living in state-inflected worlds in flux. Critically and poetically engaging with redaction in politically charged contexts (from the United States and Denmark to Russia, China, and North Korea), the volume closely examines and turns loose this disquieting mark of state power, aiming to trouble the liberal imaginaries that configure the political as a left-right spectrum, as populism and nationalism versus global and transnational cosmopolitanism, as east versus west, authoritarianism versus democracy, good versus evil, or the state versus the people—age-old coordinates that no longer make sense. Because we know from the upheavals of the past decade that these relations are being reconfigured in novel, recursive, and unrecognizable ways, the consequences of which are perplexing and ever evolving.

This book takes up redaction as a vital form in this new political reality. Contributors both critically engage with statist redaction practices and also explore its alluring and ambivalent forms, as experimental practices that open up new dialogic possibilities in navigating and conveying the stakes of political encounters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy?

Redacted: Writing in the Negative Space of the State (punctum books, 2024) ﻿brings together essays, poems, artwork, and memes—a bricolage of media that conveys the experience of living in state-inflected worlds in flux. Critically and poetically engaging with redaction in politically charged contexts (from the United States and Denmark to Russia, China, and North Korea), the volume closely examines and turns loose this disquieting mark of state power, aiming to trouble the liberal imaginaries that configure the political as a left-right spectrum, as populism and nationalism versus global and transnational cosmopolitanism, as east versus west, authoritarianism versus democracy, good versus evil, or the state versus the people—age-old coordinates that no longer make sense. Because we know from the upheavals of the past decade that these relations are being reconfigured in novel, recursive, and unrecognizable ways, the consequences of which are perplexing and ever evolving.

This book takes up redaction as a vital form in this new political reality. Contributors both critically engage with statist redaction practices and also explore its alluring and ambivalent forms, as experimental practices that open up new dialogic possibilities in navigating and conveying the stakes of political encounters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy?</p>
<p><a href="https://punctumbooks.com/titles/redacted-writing-in-the-negative-space-of-the-state/">Redacted: Writing in the Negative Space of the State</a> (punctum books, 2024) ﻿brings together essays, poems, artwork, and memes—a bricolage of media that conveys the experience of living in state-inflected worlds in flux. Critically and poetically engaging with redaction in politically charged contexts (from the United States and Denmark to Russia, China, and North Korea), the volume closely examines and turns loose this disquieting mark of state power, aiming to trouble the liberal imaginaries that configure the political as a left-right spectrum, as populism and nationalism versus global and transnational cosmopolitanism, as east versus west, authoritarianism versus democracy, good versus evil, or the state versus the people—age-old coordinates that no longer make sense. Because we know from the upheavals of the past decade that these relations are being reconfigured in novel, recursive, and unrecognizable ways, the consequences of which are perplexing and ever evolving.</p>
<p>This book takes up redaction as a vital form in this new political reality. Contributors both critically engage with statist redaction practices and also explore its alluring and ambivalent forms, as experimental practices that open up new dialogic possibilities in navigating and conveying the stakes of political encounters.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5124</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eec666ea-000b-11f1-af51-275b09998d47]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2916645942.mp3?updated=1771192846" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samuel Holley-Kline, "In the Shadow of El Tajín: The Political Economy of Archaeology in Modern Mexico" (U Nebraska Press, 2025)</title>
      <description>Located in the Papantla municipality of the Mexican state of Veracruz, El Tajín is a UNESCO World Heritage site but a lesser-known tourist destination and national symbol. The Indigenous Totonac residents of the region know well that the site’s relative absence from discussions of global archaeology and heritage belies a century of wide-ranging labor, extractive industries, and commodity exchange.In the Shadow of El Tajín: The Political Economy of Archaeology in Modern Mexico (U Nebraska Press, 2025) tells the story of how a landscape of ancient mounds and ruins became an archaeological site, brings to light the network of actors who made it happen, and reveals the Indigenous histories silenced in the process. By drawing on the insights of Indigenous Totonac peoples who have lived and worked in El Tajín for more than a century, Sam Holley-Kline explores historical processes that made both the archaeological site and regional historical memory. In the Shadow of El Tajín decenters discussions of the state and tourism industry by focusing on the industries and workers who are integral to the functioning of the site but who have historically been overlooked by studies of the ancient past. Holley-Kline recovers local Indigenous histories in dialogue with broader trends in scholarship to demonstrate the rich recent past of El Tajín, a place better known for its ancient history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Located in the Papantla municipality of the Mexican state of Veracruz, El Tajín is a UNESCO World Heritage site but a lesser-known tourist destination and national symbol. The Indigenous Totonac residents of the region know well that the site’s relative absence from discussions of global archaeology and heritage belies a century of wide-ranging labor, extractive industries, and commodity exchange.In the Shadow of El Tajín: The Political Economy of Archaeology in Modern Mexico (U Nebraska Press, 2025) tells the story of how a landscape of ancient mounds and ruins became an archaeological site, brings to light the network of actors who made it happen, and reveals the Indigenous histories silenced in the process. By drawing on the insights of Indigenous Totonac peoples who have lived and worked in El Tajín for more than a century, Sam Holley-Kline explores historical processes that made both the archaeological site and regional historical memory. In the Shadow of El Tajín decenters discussions of the state and tourism industry by focusing on the industries and workers who are integral to the functioning of the site but who have historically been overlooked by studies of the ancient past. Holley-Kline recovers local Indigenous histories in dialogue with broader trends in scholarship to demonstrate the rich recent past of El Tajín, a place better known for its ancient history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Located in the Papantla municipality of the Mexican state of Veracruz, El Tajín is a UNESCO World Heritage site but a lesser-known tourist destination and national symbol. The Indigenous Totonac residents of the region know well that the site’s relative absence from discussions of global archaeology and heritage belies a century of wide-ranging labor, extractive industries, and commodity exchange.<a href="https://bookshop.org/a/12343/9781496234629"><br></a><a href="https://bookshop.org/a/12343/9781496234629">In the Shadow of El Tajín: The Political Economy of Archaeology in Modern Mexico</a> (U Nebraska Press, 2025) tells the story of how a landscape of ancient mounds and ruins became an archaeological site, brings to light the network of actors who made it happen, and reveals the Indigenous histories silenced in the process. By drawing on the insights of Indigenous Totonac peoples who have lived and worked in El Tajín for more than a century, Sam Holley-Kline explores historical processes that made both the archaeological site and regional historical memory. <em>In the Shadow of El Tajín</em> decenters discussions of the state and tourism industry by focusing on the industries and workers who are integral to the functioning of the site but who have historically been overlooked by studies of the ancient past. Holley-Kline recovers local Indigenous histories in dialogue with broader trends in scholarship to demonstrate the rich recent past of El Tajín, a place better known for its ancient history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2752</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)</title>
      <description>Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. <a href="https://bookshop.org/a/12343/9780691252469">Africa's Buildings: Architecture and the Displacement of Cultural Heritage</a> (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.<br>Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.<br>Richly illustrated, <em>Africa’s Buildings</em> uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jacqueline Couti and Anny Dominique Curtius, "Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings" (Liverpool UP, 2025)</title>
      <description>Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces.

Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern &amp; Classical Literatures &amp; Cultures at Rice University and the author of 2016’s Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021’s Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters. 

Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d’une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d’une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces.

Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern &amp; Classical Literatures &amp; Cultures at Rice University and the author of 2016’s Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021’s Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters. 

Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d’une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d’une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781836245377">Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings</a><em> </em>(Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces.</p>
<p>Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern &amp; Classical Literatures &amp; Cultures at Rice University and the author of 2016’s <em>Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 </em>and 2021’s <em>Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948</em>, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters. </p>
<p>Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : <em>Symbioses d’une mémoire: Manifestations religieuses et littératures de la Caraibe</em> in 2006 and <em>Suzanne Césaire. Archéologie littéraire et artistique d’une mémoire empêchée</em> in 2020. She has also co-edited a special issue of <em>Esprit Créateur </em>on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes.</p>
<p>Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4651</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f7da01f2-0005-11f1-b4cf-cfaf887fefb2]]></guid>
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    </item>
    <item>
      <title>Gina Schouten, "The Anatomy of Justice" (Oxford UP, 2024)</title>
      <description>“Liberal egalitarianism” refers to a family of political views that are “liberal” in taking individual rights to be of premier importance and “egalitarian” in holding that justice requires that political, social, and economic inequalities be minimized as much as possible. The standard approach to liberal egalitarian theorizing, influenced greatly by John Rawls’s A Theory of Justice (1971), is to specify a set of normative principles to guide the design and functioning of society’s primary institutions (its “basic structure”). In The Anatomy of Justice: On the Shape, Substance, and Power of Liberal Egalitarianism (Oxford UP, 2024), Gina Schouten argues for a reorientation in liberal egalitarian theorizing about justice. She proposes that, instead of prescriptive principles, we should instead think of a liberal egalitarian theory’s most important product to be “evaluative discernment”: theorizing should aim to discern those achievements or values the realization of which would make society more just overall. Schouten offers a weighted specification of the values of justice, what she calls “the anatomy of justice.” The anatomy of justice is deployed by Schouten to help resolve difficulties internal to liberal egalitarianism, in part by deflating longstanding debates, like that regarding whether equality is fundamentally a distributive or a relational value. The anatomy of justice is also used by Schouten to provide systematic and compelling guidance for addressing existing injustices and to defend liberalism from criticisms from the left. The book thus aims to demonstrate the vitality and relevance of feminist liberal egalitarianism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 01 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>“Liberal egalitarianism” refers to a family of political views that are “liberal” in taking individual rights to be of premier importance and “egalitarian” in holding that justice requires that political, social, and economic inequalities be minimized as much as possible. The standard approach to liberal egalitarian theorizing, influenced greatly by John Rawls’s A Theory of Justice (1971), is to specify a set of normative principles to guide the design and functioning of society’s primary institutions (its “basic structure”). In The Anatomy of Justice: On the Shape, Substance, and Power of Liberal Egalitarianism (Oxford UP, 2024), Gina Schouten argues for a reorientation in liberal egalitarian theorizing about justice. She proposes that, instead of prescriptive principles, we should instead think of a liberal egalitarian theory’s most important product to be “evaluative discernment”: theorizing should aim to discern those achievements or values the realization of which would make society more just overall. Schouten offers a weighted specification of the values of justice, what she calls “the anatomy of justice.” The anatomy of justice is deployed by Schouten to help resolve difficulties internal to liberal egalitarianism, in part by deflating longstanding debates, like that regarding whether equality is fundamentally a distributive or a relational value. The anatomy of justice is also used by Schouten to provide systematic and compelling guidance for addressing existing injustices and to defend liberalism from criticisms from the left. The book thus aims to demonstrate the vitality and relevance of feminist liberal egalitarianism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Liberal egalitarianism” refers to a family of political views that are “liberal” in taking individual rights to be of premier importance and “egalitarian” in holding that justice requires that political, social, and economic inequalities be minimized as much as possible. The standard approach to liberal egalitarian theorizing, influenced greatly by John Rawls’s <em>A Theory of Justice</em> (1971), is to specify a set of normative principles to guide the design and functioning of society’s primary institutions (its “basic structure”). In <a href="https://bookshop.org/a/12343/9780198898634">The Anatomy of Justice: On the Shape, Substance, and Power of Liberal Egalitarianism</a> (Oxford UP, 2024), Gina Schouten argues for a <em>reorientation</em> in liberal egalitarian theorizing about justice. She proposes that, instead of prescriptive principles, we should instead think of a liberal egalitarian theory’s most important product to be “evaluative discernment”: theorizing should aim to discern those achievements or values the realization of which would make society more just overall. Schouten offers a weighted specification of the values of justice, what she calls “the anatomy of justice.” The anatomy of justice is deployed by Schouten to help resolve difficulties internal to liberal egalitarianism, in part by deflating longstanding debates, like that regarding whether equality is fundamentally a distributive or a relational value. The anatomy of justice is also used by Schouten to provide systematic and compelling guidance for addressing existing injustices and to defend liberalism from criticisms from the left. The book thus aims to demonstrate the vitality and relevance of feminist liberal egalitarianism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3708</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Blair Kelley, "Black Folk: The Roots of the Black Working Class" (LIveright, 2023)</title>
      <description>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. 
In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.
Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.
Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.
Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press.
Dr. Kelley mentions Dr. Tera W. Hunter’s To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War, Duke University’s Behind the Veil oral history project, and Philip R. Rubio’s There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 31 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>666</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Blair Kelley</itunes:subtitle>
      <itunes:summary>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. 
In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.
Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.
Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.
Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press.
Dr. Kelley mentions Dr. Tera W. Hunter’s To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War, Duke University’s Behind the Veil oral history project, and Philip R. Rubio’s There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the <em>white </em>working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. </p><p>In <a href="https://bookshop.org/a/12343/9781631496554"><em>Black Folk: The Roots of the Black Working Class</em> </a>(LIveright, 2023<em>), </em>Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.</p><p>Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.</p><p>Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, <em>Black Folk</em> celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” <em>Black Folk</em> looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.</p><p><a href="https://www.profblmkelley.com/">Dr. Blair LM Kelley</a> is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of <a href="https://bookshop.org/p/books/right-to-ride-streetcar-boycotts-and-african-american-citizenship-in-the-era-of-plessy-v-ferguson-blair-l-m-kelley/10090103"><em>Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson</em></a> from the University of North Carolina Press.</p><p>Dr. Kelley mentions Dr. Tera W. Hunter’s <a href="https://bookshop.org/p/books/to-joy-my-freedom-southern-black-women-s-lives-and-labors-after-the-civil-war-tera-w-hunter/6726921?gclid=Cj0KCQjwwvilBhCFARIsADvYi7KdjrVy3RX86sASEF8xzlk8qYccLxCHgFIeAXN7FgDdJ_kt_oemwTkaAil4EALw_wcB"><em>To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War</em></a>, Duke University’s <a href="https://repository.duke.edu/dc/behindtheveil"><em>Behind the Veil</em></a> oral history project, and Philip R. Rubio’s <a href="https://bookshop.org/p/books/there-s-always-work-at-the-post-office-african-american-postal-workers-and-the-fight-for-jobs-justice-and-equality-philip-f-rubio/10083852"><em>There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5309d8da-faf8-11f0-877b-d36a69f484bb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2418715231.mp3?updated=1690482254" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Justin L. Mann, "Breaking the World: ﻿﻿Black Insecurity and the Horizons of Speculation" (Duke UP, 2026)</title>
      <description>Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478029816">Breaking the World: Black Insecurity and the Horizons of Speculation </a>(Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ghost in the Criminal Justice Machine </title>
      <description>Despite reform efforts that have grown in scope and intensity over the last two decades, the machine of American mass incarceration continues to flourish. In Ghost in the Criminal Justice Machine: ﻿﻿Reform, White Supremacy, and an Abolitionist Future, formerly incarcerated activist and organizer Emile Suotonye DeWeaver argues that the root of the problem is white supremacy.

During twenty-one years in prison, DeWeaver covertly organized to pass legislation impacting juveniles in California’s criminal legal system; was a culture writer for Easy Street Magazine; and co-founded Prison Renaissance, an organization centering incarcerated voices and incarcerated leadership. DeWeaver draws on these experiences to interrogate the central premise of reform efforts, including prisoner rehabilitation programs, arguing that they demand self-abnegation, entrench white supremacy, and ignore the role of structural oppression.

DeWeaver intervenes in contemporary debates on criminal justice and racial justice efforts with his eye-opening discussion of the tools we need to end white supremacy—both within and outside the carceral setting. Ghost in the Criminal Justice Machine adds a sharp and unique perspective to the growing discourse on racial justice, incarceration, and abolition.

This episode considers: parole boards; hidden factors that extend sentences; how power is structured; why most reforms repackage inequality; and ways to restructure power.

Our guest is: Emile Suotonye DeWeaver, who is a formerly-incarcerated activist and a 2022 Soros Justice Fellow. California’s Governor Brown commuted his life sentence after twenty-one years for his community work. He has written for publications including the San Francisco Chronicle, the San Jose Mercury News, Colorlines, The Appeal, The Rumpus, and Seventh Wave.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator, producer and show host of the Academic Life podcast.

Playlist for listeners:


  Hands Up, Don't Shoot

  Freemans Challenge

  Stitching Freedom

  Education Behind The Wall

  What Might Be

  Carceral Apartheid

  No Common Ground


Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Despite reform efforts that have grown in scope and intensity over the last two decades, the machine of American mass incarceration continues to flourish. In Ghost in the Criminal Justice Machine: ﻿﻿Reform, White Supremacy, and an Abolitionist Future, formerly incarcerated activist and organizer Emile Suotonye DeWeaver argues that the root of the problem is white supremacy.

During twenty-one years in prison, DeWeaver covertly organized to pass legislation impacting juveniles in California’s criminal legal system; was a culture writer for Easy Street Magazine; and co-founded Prison Renaissance, an organization centering incarcerated voices and incarcerated leadership. DeWeaver draws on these experiences to interrogate the central premise of reform efforts, including prisoner rehabilitation programs, arguing that they demand self-abnegation, entrench white supremacy, and ignore the role of structural oppression.

DeWeaver intervenes in contemporary debates on criminal justice and racial justice efforts with his eye-opening discussion of the tools we need to end white supremacy—both within and outside the carceral setting. Ghost in the Criminal Justice Machine adds a sharp and unique perspective to the growing discourse on racial justice, incarceration, and abolition.

This episode considers: parole boards; hidden factors that extend sentences; how power is structured; why most reforms repackage inequality; and ways to restructure power.

Our guest is: Emile Suotonye DeWeaver, who is a formerly-incarcerated activist and a 2022 Soros Justice Fellow. California’s Governor Brown commuted his life sentence after twenty-one years for his community work. He has written for publications including the San Francisco Chronicle, the San Jose Mercury News, Colorlines, The Appeal, The Rumpus, and Seventh Wave.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator, producer and show host of the Academic Life podcast.

Playlist for listeners:


  Hands Up, Don't Shoot

  Freemans Challenge

  Stitching Freedom

  Education Behind The Wall

  What Might Be

  Carceral Apartheid

  No Common Ground


Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite reform efforts that have grown in scope and intensity over the last two decades, the machine of American mass incarceration continues to flourish. In <a href="https://bookshop.org/a/12343/9781620977880">Ghost in the Criminal Justice Machine: ﻿﻿Reform, White Supremacy, and an Abolitionist Future</a>, formerly incarcerated activist and organizer Emile Suotonye DeWeaver argues that the root of the problem is white supremacy.</p>
<p>During twenty-one years in prison, DeWeaver covertly organized to pass legislation impacting juveniles in California’s criminal legal system; was a culture writer for <em>Easy Street Magazine</em>; and co-founded Prison Renaissance, an organization centering incarcerated voices and incarcerated leadership. DeWeaver draws on these experiences to interrogate the central premise of reform efforts, including prisoner rehabilitation programs, arguing that they demand self-abnegation, entrench white supremacy, and ignore the role of structural oppression.</p>
<p>DeWeaver intervenes in contemporary debates on criminal justice and racial justice efforts with his eye-opening discussion of the tools we need to end white supremacy—both within and outside the carceral setting. <em>Ghost in the Criminal Justice Machine</em> adds a sharp and unique perspective to the growing discourse on racial justice, incarceration, and abolition.</p>
<p>This episode considers: parole boards; hidden factors that extend sentences; how power is structured; why most reforms repackage inequality; and ways to restructure power.</p>
<p>Our guest is: Emile Suotonye DeWeaver, who is a formerly-incarcerated activist and a 2022 Soros Justice Fellow. California’s Governor Brown commuted his life sentence after twenty-one years for his community work. He has written for publications including the <em>San Francisco Chronicle</em>, the <em>San Jose Mercury News</em>, <em>Colorlines</em>, <em>The Appeal</em>, <em>The Rumpus</em>, and <em>Seventh Wave</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is an academic writing coach and editor. She is the creator, producer and show host of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/researching-racial-injustice">Hands Up, Don't Shoot</a></li>
  <li><a href="https://newbooksnetwork.com/freemans-challenge">Freemans Challenge</a></li>
  <li><a href="https://newbooksnetwork.com/stitching-freedom">Stitching Freedom</a></li>
  <li><a href="https://newbooksnetwork.com/education-behind-the-wall">Education Behind The Wall</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be">What Might Be</a></li>
  <li><a href="https://newbooksnetwork.com/brittany-friedman-carceral-apartheid-how-lies-and-white-supremacists-run-our-prisons-unc-press-2025">Carceral Apartheid</a></li>
  <li><a href="https://newbooksnetwork.com/no-common-ground">No Common Ground</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2658</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b406b3a-fc0d-11f0-92d4-ffd0f41b2bc0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7414244273.mp3?updated=1769579596" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brahim El Guabli, "Desert Imaginations: A History of Saharanism and Its Radical Consequences" (U California Press, 2025)</title>
      <description>Desert Imaginations: A History of Saharanism and Its Radical Consequences (U California Press, 2025) traces the cultural and intellectual histories that have informed the prevalent ideas of deserts across the globe. The book argues that Saharanism—a globalizing imaginary that perceives desert spaces as empty, exploitable, and dangerous—has been at the center of all desert-focused enterprises. Encompassing spiritual practices, military thinking, sexual fantasies, experiential quests, extractive economies, and experimental schemes, among other projects, Saharanism has shaped the way deserts not only are constructed intellectually but are acted upon. From nuclear testing to border walls, and much more, Brahim El Guabli articulates some of Saharanism’s consequential manifestations across different deserts. Desert Imaginations draws on the abundant historical literature and cultural output in multiple languages and across disciplines to delineate the parameters of Saharanism. Against Saharanism’s powerful and reductive vision of deserts, the book rehabilitates a tradition of desert eco-care that has been at work in desert Indigenous people’s literary, artistic, scholarly, and ritualistic practices.

In this episode, Ibrahim Fawzy sat with Brahim El Guabli to talk about Saharanism, energy extraction, borders, and the ways deserts have been imagined as zones of sacrifice and permission. Brahim El Guabli also reflected on how these imaginaries shape migration, war, and ecological futures—from North Africa to Gaza.

Brahim El Guabli is Associate Professor of Comparative Thought and Literature at Johns Hopkins University. He is author of Moroccan Other-Archives: History and Citizenship after State Violence.

Ibrahim Fawzy is an Egyptian literary translator and writer based in Boston. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Desert Imaginations: A History of Saharanism and Its Radical Consequences (U California Press, 2025) traces the cultural and intellectual histories that have informed the prevalent ideas of deserts across the globe. The book argues that Saharanism—a globalizing imaginary that perceives desert spaces as empty, exploitable, and dangerous—has been at the center of all desert-focused enterprises. Encompassing spiritual practices, military thinking, sexual fantasies, experiential quests, extractive economies, and experimental schemes, among other projects, Saharanism has shaped the way deserts not only are constructed intellectually but are acted upon. From nuclear testing to border walls, and much more, Brahim El Guabli articulates some of Saharanism’s consequential manifestations across different deserts. Desert Imaginations draws on the abundant historical literature and cultural output in multiple languages and across disciplines to delineate the parameters of Saharanism. Against Saharanism’s powerful and reductive vision of deserts, the book rehabilitates a tradition of desert eco-care that has been at work in desert Indigenous people’s literary, artistic, scholarly, and ritualistic practices.

In this episode, Ibrahim Fawzy sat with Brahim El Guabli to talk about Saharanism, energy extraction, borders, and the ways deserts have been imagined as zones of sacrifice and permission. Brahim El Guabli also reflected on how these imaginaries shape migration, war, and ecological futures—from North Africa to Gaza.

Brahim El Guabli is Associate Professor of Comparative Thought and Literature at Johns Hopkins University. He is author of Moroccan Other-Archives: History and Citizenship after State Violence.

Ibrahim Fawzy is an Egyptian literary translator and writer based in Boston. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520401792">Desert Imaginations: A History of Saharanism and Its Radical Consequences</a> (U California Press, 2025) traces the cultural and intellectual histories that have informed the prevalent ideas of deserts across the globe. The book argues that Saharanism—a globalizing imaginary that perceives desert spaces as empty, exploitable, and dangerous—has been at the center of all desert-focused enterprises. Encompassing spiritual practices, military thinking, sexual fantasies, experiential quests, extractive economies, and experimental schemes, among other projects, Saharanism has shaped the way deserts not only are constructed intellectually but are acted upon. From nuclear testing to border walls, and much more, Brahim El Guabli articulates some of Saharanism’s consequential manifestations across different deserts. <em>Desert Imaginations</em> draws on the abundant historical literature and cultural output in multiple languages and across disciplines to delineate the parameters of Saharanism. Against Saharanism’s powerful and reductive vision of deserts, the book rehabilitates a tradition of desert eco-care that has been at work in desert Indigenous people’s literary, artistic, scholarly, and ritualistic practices.</p>
<p>In this episode, Ibrahim Fawzy sat with Brahim El Guabli to talk about Saharanism, energy extraction, borders, and the ways deserts have been imagined as zones of sacrifice and permission. Brahim El Guabli also reflected on how these imaginaries shape migration, war, and ecological futures—from North Africa to Gaza.</p>
<p><em>Brahim El Guabli is Associate Professor of Comparative Thought and Literature at Johns Hopkins University. He is author of </em>Moroccan Other-Archives: History and Citizenship after State Violence.</p>
<p><em>Ibrahim Fawzy is an Egyptian literary translator and writer based in Boston. He is the translator of Hassan Akram’s </em>A Plan to Save the World (Sandorf Passage, 2026). <em>His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aebe433c-fb43-11f0-a188-7701e77b4b30]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5570895432.mp3?updated=1769492952" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Duy Lap Nguyen, "Walter Benjamin and the Critique of Political Economy: A New Historical Materialism" (Bloomsbury, 2024)</title>
      <description>Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin’s work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin’s work. In Nguyen’s revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism ﻿(Bloomsbury, 2024), he navigates through Benjamin’s complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole.

Nguyen argues that Benjamin’s work demonstrated a holistic philosophical project, and he takes the reader through the latter’s early critical engagement with anarchist praxis and Kantian thought, through to Benjamin’s ‘Marxist’ turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress’. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle’, which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin’s historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into.

Duy Lap Nguyen’s book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen’s book, then, provides a holistic account of Benjamin’s often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today’s political economy.

Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin’s work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin’s work. In Nguyen’s revealing, latest book, Walter Benjmain and the Critique of Political Economy: A New Historical Materialism ﻿(Bloomsbury, 2024), he navigates through Benjamin’s complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole.

Nguyen argues that Benjamin’s work demonstrated a holistic philosophical project, and he takes the reader through the latter’s early critical engagement with anarchist praxis and Kantian thought, through to Benjamin’s ‘Marxist’ turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress’. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle’, which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin’s historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into.

Duy Lap Nguyen’s book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen’s book, then, provides a holistic account of Benjamin’s often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today’s political economy.

Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Walter Benjamin was a German-Jewish intellectual and philosopher associated with the Frankfurt School, who tragically died at 48 years old in 1940 as he fled the advance of the Third Reich on the French-Spanish border. Most writers and critics see Benjamin’s work as fragmented, disjointed, esoteric and dispersed, with no clear narrative or cohesive philosophy. Duy Lap Nguyen, Associate Professor in World Cultures and Literatures at the University of Houston, paints a different picture of Benjamin’s work. In Nguyen’s revealing, latest book, <a href="https://bookshop.org/a/12343/9781350331051">Walter Benjmain and the Critique of Political Economy: A New Historical Materialism</a><em> ﻿</em>(Bloomsbury, 2024), he navigates through Benjamin’s complex organon and meticulously puts together these apparently disperse philosophical threads into a cohesive whole.</p>
<p>Nguyen argues that Benjamin’s work demonstrated a holistic philosophical project, and he takes the reader through the latter’s early critical engagement with anarchist praxis and Kantian thought, through to Benjamin’s ‘Marxist’ turn that put him in conversation with the Frankfurt School. The historical materialism of Benjamin, Nguyen carefully demonstrates, was centred on his critique of the ahistorical conceptions of time and history that were the foundation for popular, contemporaneous notions of ‘progress’. Benjamin rallied against neo-Kantians and early twentieth century social democrats alike for their adherence to the ‘infinite struggle’, which posited the necessity for the continued, unachievable pursuit of the realisation of some ethical beyond, abstracted from historical conditions and forces of production, namely capitalism, that made their realisation impossible. Against these ahistorical conceptions, Benjamin’s historical materialism saw modernism as a historically specific form of society, and not the eternal, fate-bound destiny that humanity was entrapped into.</p>
<p>Duy Lap Nguyen’s book offers a new insight into not only the crucial philosophy of Walter Benjamin, which demands resurrection in our historical juncture of overlapping crises and fascistic resurgence, but a richly detailed investigation into the ideas, people, and movements that surrounded Benjamin in his time. Nguyen’s book, then, provides a holistic account of Benjamin’s often forgotten philosophical contributions, how they were shaped, and what Benjamin can contribute to the critique of today’s political economy.</p>
<p>Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, <em>Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine</em>, is now out with Bristol University Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2299</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[346042e4-fa84-11f0-b06f-b35bf02b779c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9410497115.mp3?updated=1769410740" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nick Romeo, "The Alternative: How to Build a Just Economy" (PublicAffairs, 2024)</title>
      <description>Winners Take All meets Nickel and Dimed: a provocative debunking of accepted wisdom, providing the pathway to a sustainable, survivable economy.
Confronted by the terrifying trends of the early twenty-first century - widening inequality, environmental destruction, and the immiseration of millions of workers around the world - many economists and business leaders still preach dogmas that lack evidence and create political catastrophe: Private markets are always more efficient than public ones; investment capital flows efficiently to necessary projects; massive inequality is the unavoidable side effect of economic growth; people are selfish and will only behave well with the right incentives.
But a growing number of people - academic economists, business owners, policy entrepreneurs, and ordinary people - are rejecting these myths and reshaping economies around the world to reflect ethical and social values. Though they differ in approach, all share a vision of the economy as a place of moral action and accountability. Journalist Nick Romeo has spent years covering the world's most innovative economic and policy ideas for The New Yorker. In The Alternative: How to Build a Just Economy (PublicAffairs, 2024), Romeo takes us on an extraordinary journey through the unforgettable stories and successes of people working to build economies that are more equal, just, and livable.
Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 24 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Romeo</itunes:subtitle>
      <itunes:summary>Winners Take All meets Nickel and Dimed: a provocative debunking of accepted wisdom, providing the pathway to a sustainable, survivable economy.
Confronted by the terrifying trends of the early twenty-first century - widening inequality, environmental destruction, and the immiseration of millions of workers around the world - many economists and business leaders still preach dogmas that lack evidence and create political catastrophe: Private markets are always more efficient than public ones; investment capital flows efficiently to necessary projects; massive inequality is the unavoidable side effect of economic growth; people are selfish and will only behave well with the right incentives.
But a growing number of people - academic economists, business owners, policy entrepreneurs, and ordinary people - are rejecting these myths and reshaping economies around the world to reflect ethical and social values. Though they differ in approach, all share a vision of the economy as a place of moral action and accountability. Journalist Nick Romeo has spent years covering the world's most innovative economic and policy ideas for The New Yorker. In The Alternative: How to Build a Just Economy (PublicAffairs, 2024), Romeo takes us on an extraordinary journey through the unforgettable stories and successes of people working to build economies that are more equal, just, and livable.
Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Winners Take All</em> meets <em>Nickel and Dimed</em>: a provocative debunking of accepted wisdom, providing the pathway to a sustainable, survivable economy.</p><p>Confronted by the terrifying trends of the early twenty-first century - widening inequality, environmental destruction, and the immiseration of millions of workers around the world - many economists and business leaders still preach dogmas that lack evidence and create political catastrophe: Private markets are always more efficient than public ones; investment capital flows efficiently to necessary projects; massive inequality is the unavoidable side effect of economic growth; people are selfish and will only behave well with the right incentives.</p><p>But a growing number of people - academic economists, business owners, policy entrepreneurs, and ordinary people - are rejecting these myths and reshaping economies around the world to reflect ethical and social values. Though they differ in approach, all share a vision of the economy as a place of moral action and accountability. Journalist Nick Romeo has spent years covering the world's most innovative economic and policy ideas for <em>The New Yorker</em>. In <a href="https://bookshop.org/a/12343/9781541701595"><em>The Alternative: How to Build a Just Economy</em></a> (PublicAffairs, 2024), Romeo takes us on an extraordinary journey through the unforgettable stories and successes of people working to build economies that are more equal, just, and livable.</p><p><a href="https://www.linkedin.com/in/stephenpimpare/"><em>Stephen Pimpare</em></a><em> is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1923</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08ce22b0-f7d5-11f0-88f1-17c39f3a0ade]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4416437753.mp3?updated=1707243587" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daisy Fancourt, "Art Cure: The Science of How the Arts Save Lives" (Cornerstone Press, 2026)</title>
      <description>Is culture good for you? In Art Cure: The Science of How the Arts Save Lives (Cornerstone Press, 2026) Daisy Fancourt, a Professor of Psychobiology &amp; Epidemiology and head of the Social Biobehavioural Research Group at University College London offers a comprehensive and compelling argument for the ways arts and culture offer health and social benefits for individuals and societies. The book offers both the evidence for the benefits of arts and culture, whilst at the same time showing how many people and places are missing out and excluded from the positive impact of engagement and experiences. A powerful call for the importance of art and culture, backed by a blend of rigorous scientific and medical evidence, as well as engaging personal stories and narratives, the book is essential reading across the arts, humanities and sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Is culture good for you? In Art Cure: The Science of How the Arts Save Lives (Cornerstone Press, 2026) Daisy Fancourt, a Professor of Psychobiology &amp; Epidemiology and head of the Social Biobehavioural Research Group at University College London offers a comprehensive and compelling argument for the ways arts and culture offer health and social benefits for individuals and societies. The book offers both the evidence for the benefits of arts and culture, whilst at the same time showing how many people and places are missing out and excluded from the positive impact of engagement and experiences. A powerful call for the importance of art and culture, backed by a blend of rigorous scientific and medical evidence, as well as engaging personal stories and narratives, the book is essential reading across the arts, humanities and sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is culture good for you? In <a href="https://bookshop.org/a/12343/9781250364531">Art Cure: The Science of How the Arts Save Lives</a> (Cornerstone Press, 2026) Daisy Fancourt, a <a href="https://profiles.ucl.ac.uk/44526-daisy-fancourt">Professor of Psychobiology &amp; Epidemiology</a> and head of the <a href="https://bsky.app/profile/ucl-sbb.bsky.social">Social Biobehavioural Research Group</a> at University College London offers a comprehensive and compelling argument for the ways arts and culture offer health and social benefits for individuals and societies. The book offers both the evidence for the benefits of arts and culture, whilst at the same time showing how many people and places are missing out and excluded from the positive impact of engagement and experiences. A powerful call for the importance of art and culture, backed by a blend of rigorous scientific and medical evidence, as well as engaging personal stories and narratives, the book is essential reading across the arts, humanities and sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[11e71fda-f746-11f0-b794-b3a67ace5806]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7278938308.mp3?updated=1769054604" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle Henning, "A Dirty History of Photography: Chemistry, Fog, and Empire" (U Chicago Press, 2026)</title>
      <description>In A Dirty History of Photography: Chemistry, Fog, and Empire (U Chicago Press, 2026), Professor Michelle Henning presents an environmental history of chemical photography through the lens of its deep connections to empire and industry.

Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Professor Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water.

Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Professor Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In A Dirty History of Photography: Chemistry, Fog, and Empire (U Chicago Press, 2026), Professor Michelle Henning presents an environmental history of chemical photography through the lens of its deep connections to empire and industry.

Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Professor Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water.

Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Professor Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226840673">A Dirty History of Photography: Chemistry, Fog, and Empire</a><em> </em>(U Chicago Press, 2026), Professor Michelle Henning presents an environmental history of chemical photography through the lens of its deep connections to empire and industry.</p>
<p>Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Professor Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water.</p>
<p>Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Professor Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3441</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[16c40226-f5b5-11f0-951e-7f0faa3aa2a3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6517467096.mp3?updated=1768881822" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Dorschel, "The Social Codes of Tech Workers: Class Identity in Digital Capitalism" (MIT Press, 2025)</title>
      <description>Who are the people staffing the digital economy? In The Social Codes of Tech Workers: Class Identity in Digital Capitalism ﻿(MIT Press, 2025) Robert Dorschel an Assistant Professor in Digital Sociology at the University of Cambridge, explores an occupation that has emerged as central to modern economies and societies. Drawing on an extensive range of interview fieldwork, the book offers a compelling picture of the working lives, along with the social and cultural interests of these workers, giving details on a section of the tech profession that is neglected in discussions that focus on the billionaire founders and owners in the sector. The book is also theoretically rich, considering the nature of work in modern society, the question of where these workers fit within social class structures, and crucially how they experience and understand both work and class. A significant addition to research on the tech sector, the book is essential reading across the humanities and social sciences, and is available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Who are the people staffing the digital economy? In The Social Codes of Tech Workers: Class Identity in Digital Capitalism ﻿(MIT Press, 2025) Robert Dorschel an Assistant Professor in Digital Sociology at the University of Cambridge, explores an occupation that has emerged as central to modern economies and societies. Drawing on an extensive range of interview fieldwork, the book offers a compelling picture of the working lives, along with the social and cultural interests of these workers, giving details on a section of the tech profession that is neglected in discussions that focus on the billionaire founders and owners in the sector. The book is also theoretically rich, considering the nature of work in modern society, the question of where these workers fit within social class structures, and crucially how they experience and understand both work and class. A significant addition to research on the tech sector, the book is essential reading across the humanities and social sciences, and is available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who are the people staffing the digital economy? In <a href="https://bookshop.org/a/12343/9780262553537"><em>The Social Codes of Tech Workers: Class Identity in Digital Capitalism</em></a> ﻿(MIT Press, 2025) <a href="https://bsky.app/profile/robertdorschel.bsky.social">Robert Dorschel</a> an <a href="https://robertdorschel.com/">Assistant Professor in Digital Sociology</a> at the <a href="https://research.sociology.cam.ac.uk/profile/dr-robert-dorschel">University of Cambridge</a>, explores an occupation that has emerged as central to modern economies and societies. Drawing on an extensive range of interview fieldwork, the book offers a compelling picture of the working lives, along with the social and cultural interests of these workers, giving details on a section of the tech profession that is neglected in discussions that focus on the billionaire founders and owners in the sector. The book is also theoretically rich, considering the nature of work in modern society, the question of where these workers fit within social class structures, and crucially how they experience and understand both work and class. A significant addition to research on the tech sector, the book is essential reading across the humanities and social sciences, and is available open access <a href="https://direct.mit.edu/books/oa-monograph/6068/The-Social-Codes-of-Tech-WorkersClass-Identity-in">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2431</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a9013f2-f4e7-11f0-876c-67501b47c519]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6761537883.mp3?updated=1768794213" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laurie Parsons, "Carbon Colonialism: How Rich Countries Export Climate Breakdown" (Manchester UP, 2023)</title>
      <description>Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book Carbon Colonialism: How Rich Countries Export Climate Breakdown (Manchester UP, 2023) opens our eyes. 
Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Outsourcing climate breakdown explores the murky practices of exporting a country's environmental impact. A world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is notonly a technical problem, but a problem of cultural and political systems and structures - from nationalism to economic logic - deeply embedded in our society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 18 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laurie Parsons</itunes:subtitle>
      <itunes:summary>Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book Carbon Colonialism: How Rich Countries Export Climate Breakdown (Manchester UP, 2023) opens our eyes. 
Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Outsourcing climate breakdown explores the murky practices of exporting a country's environmental impact. A world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is notonly a technical problem, but a problem of cultural and political systems and structures - from nationalism to economic logic - deeply embedded in our society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book <a href="https://bookshop.org/a/12343/9781526169181"><em>Carbon Colonialism: How Rich Countries Export Climate Breakdown</em></a> (Manchester UP, 2023) opens our eyes. </p><p>Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Outsourcing climate breakdown explores the murky practices of exporting a country's environmental impact. A world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is notonly a technical problem, but a problem of cultural and political systems and structures - from nationalism to economic logic - deeply embedded in our society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ryan Donovan, "Broadway Bodies: A Critical History of Conformity" (Oxford UP, 2023)</title>
      <description>Broadway has body issues.
What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body.
In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West’s Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside?
In answering these questions, Broadway Bodies tells a history of Broadway’s inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 18 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ryan Donovan</itunes:subtitle>
      <itunes:summary>Broadway has body issues.
What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body.
In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West’s Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside?
In answering these questions, Broadway Bodies tells a history of Broadway’s inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Broadway has body issues.</p><p>What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body.</p><p>In <a href="https://bookshop.org/a/12343/9780197551073"><em>Broadway Bodies: A Critical History of Conformity</em></a> (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did <em>A Chorus Line</em>, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like <em>Dreamgirls</em> and <em>Hairspray</em> stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in <em>La Cage aux Folles</em> in 1983? How did deaf actors change the sound of musicals in Deaf West’s Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside?</p><p>In answering these questions, <em>Broadway Bodies</em> tells a history of Broadway’s inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4384</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1115921141.mp3?updated=1677788306" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Wyche, "The Care of the Self and the Care of the Other: From Spiritual Exercises to Political Transformation" (Columbia UP, 2025)</title>
      <description>In The Care of the Self and the Care of the Other: From Spiritual Exercises to Political Transformation (Columbia UP, 2025), Daniel Wyche examines the political implications of what he calls practices of ethical self-change. These include Pierre Hadot’s notion of “spiritual exercises”; what the French sociologist of labor Georges Friedmann terms “interior effort”; Michel Foucault’s ethics of the “care of the self”; Martin Luther King Jr.’s understanding of “self-purification” as integral to direct action; and Audre Lorde’s claim that caring for herself constitutes a form of “political warfare.” Each reading furnishes Wyche with a lexicon of concepts and practices that he develops with great care toward a critical account of the self in relation to others.Daniel Louis Wyche is a Senior Scholar with the Columbia Center for Contemporary Critical Thought.Nathan H. Phillips is an independent scholar working out of South Bend, Indiana.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 17 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Care of the Self and the Care of the Other: From Spiritual Exercises to Political Transformation (Columbia UP, 2025), Daniel Wyche examines the political implications of what he calls practices of ethical self-change. These include Pierre Hadot’s notion of “spiritual exercises”; what the French sociologist of labor Georges Friedmann terms “interior effort”; Michel Foucault’s ethics of the “care of the self”; Martin Luther King Jr.’s understanding of “self-purification” as integral to direct action; and Audre Lorde’s claim that caring for herself constitutes a form of “political warfare.” Each reading furnishes Wyche with a lexicon of concepts and practices that he develops with great care toward a critical account of the self in relation to others.Daniel Louis Wyche is a Senior Scholar with the Columbia Center for Contemporary Critical Thought.Nathan H. Phillips is an independent scholar working out of South Bend, Indiana.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780231557122">The Care of the Self and the Care of the Other: From Spiritual Exercises to Political Transformation</a> (Columbia UP, 2025), Daniel Wyche examines the political implications of what he calls practices of ethical self-change. These include Pierre Hadot’s notion of “spiritual exercises”; what the French sociologist of labor Georges Friedmann terms “interior effort”; Michel Foucault’s ethics of the “care of the self”; Martin Luther King Jr.’s understanding of “self-purification” as integral to direct action; and Audre Lorde’s claim that caring for herself constitutes a form of “political warfare.” Each reading furnishes Wyche with a lexicon of concepts and practices that he develops with great care toward a critical account of the self in relation to others.<br>Daniel Louis Wyche is a Senior Scholar with the Columbia Center for Contemporary Critical Thought.<br>Nathan H. Phillips is an independent scholar working out of South Bend, Indiana.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4612</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[267995c8-f286-11f0-beca-634a6c2dd629]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6335444090.mp3?updated=1768532663" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Christian Thompson, "﻿Phenomenal Blackness: ﻿Black Power, Philosophy, and Theory" (U Chicago Press, 2022)</title>
      <description>Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 17 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>281</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Christian Thompson</itunes:subtitle>
      <itunes:summary>Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mark Christian Thompson's book, <a href="https://bookshop.org/a/12343/9780226816418"><em>Phenomenal Blackness: Black Power, Philosophy, and Theory</em></a><em> </em>(University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3729</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9975916839.mp3?updated=1768548425" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Di Wu et. al, eds., "China As Context: Anthropology, Post-globalisation and the Neglect of China" (Manchester UP, 2025)</title>
      <description>A provocative collaborative project, China as Context challenges the marginalization of Chinese-grounded ideas in academia, arguing that neglecting China distorts our understanding of global complexities. Through diverse ethnographic perspectives, this volume repositions China, urging a holistic, post-global approach to the social sciences amid shifting global dynamics.

Decades-old calls to recognise China’s significance for anthropological theory and the social sciences are more urgent than ever. Yet, Chinese-grounded ideas remain marginal, with China often seen as a distant “Other” rather than a source of widely applicable theory. Drawing on East Asian postcolonial scholarship, this volume argues that without taking China seriously as a knowledge producer and a key agent in a post-global world, social scientists risk misinterpreting the global present. As Western globalisation wanes and anthropology reassesses the relationship between ethnography and theory, we show how “China” must be understood as an ordinary, integral context for research worldwide.

China as Context is edited by Di Wu, Andrea Pia, and Ed Pulford.

Di Wu is an Anthropologist and Associate Professorial Fellow at the Institute of Anthropology, Zhejiang University, the People’s Republic of China.

Ed Pulford is an Anthropologist and Senior Lecturer in Chinese Studies at the University of Manchester.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A provocative collaborative project, China as Context challenges the marginalization of Chinese-grounded ideas in academia, arguing that neglecting China distorts our understanding of global complexities. Through diverse ethnographic perspectives, this volume repositions China, urging a holistic, post-global approach to the social sciences amid shifting global dynamics.

Decades-old calls to recognise China’s significance for anthropological theory and the social sciences are more urgent than ever. Yet, Chinese-grounded ideas remain marginal, with China often seen as a distant “Other” rather than a source of widely applicable theory. Drawing on East Asian postcolonial scholarship, this volume argues that without taking China seriously as a knowledge producer and a key agent in a post-global world, social scientists risk misinterpreting the global present. As Western globalisation wanes and anthropology reassesses the relationship between ethnography and theory, we show how “China” must be understood as an ordinary, integral context for research worldwide.

China as Context is edited by Di Wu, Andrea Pia, and Ed Pulford.

Di Wu is an Anthropologist and Associate Professorial Fellow at the Institute of Anthropology, Zhejiang University, the People’s Republic of China.

Ed Pulford is an Anthropologist and Senior Lecturer in Chinese Studies at the University of Manchester.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A provocative collaborative project, <a href="https://bookshop.org/a/12343/9781526184306">China as Context </a>challenges the marginalization of Chinese-grounded ideas in academia, arguing that neglecting China distorts our understanding of global complexities. Through diverse ethnographic perspectives, this volume repositions China, urging a holistic, post-global approach to the social sciences amid shifting global dynamics.</p>
<p>Decades-old calls to recognise China’s significance for anthropological theory and the social sciences are more urgent than ever. Yet, Chinese-grounded ideas remain marginal, with China often seen as a distant “Other” rather than a source of widely applicable theory. Drawing on East Asian postcolonial scholarship, this volume argues that without taking China seriously as a knowledge producer and a key agent in a post-global world, social scientists risk misinterpreting the global present. As Western globalisation wanes and anthropology reassesses the relationship between ethnography and theory, we show how “China” must be understood as an ordinary, integral context for research worldwide.</p>
<p><em>China as Context </em>is edited by Di Wu, Andrea Pia, and Ed Pulford.</p>
<p>Di Wu is an Anthropologist and Associate Professorial Fellow at the Institute of Anthropology, Zhejiang University, the People’s Republic of China.</p>
<p>Ed Pulford is an Anthropologist and Senior Lecturer in Chinese Studies at the University of Manchester.</p>
<p>Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4755</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Helen Graham, "Deconstituting Museums: Participation’s Affective Work" (UCL Press, 2024)</title>
      <description>What is the future of museums? In Deconstituting Museums: Participation’s Affective Work Helen Graham, an Associate Professor in School of Fine Art, History of Art and Cultural Studies at the University of Leeds, considers the current state of the sector and stresses the need for significant change. Drawing on both professional reflections and academic analysis, the book introduces the concept of the museum constitution as a key site for struggle within the institution. It shows the challenge of making participation meaningful, and the scale of transformation needed to reframe museums’ central ideas and activities. Essential reading for both academics and museum professionals, as well as audiences, the book is available open access here
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What is the future of museums? In Deconstituting Museums: Participation’s Affective Work Helen Graham, an Associate Professor in School of Fine Art, History of Art and Cultural Studies at the University of Leeds, considers the current state of the sector and stresses the need for significant change. Drawing on both professional reflections and academic analysis, the book introduces the concept of the museum constitution as a key site for struggle within the institution. It shows the challenge of making participation meaningful, and the scale of transformation needed to reframe museums’ central ideas and activities. Essential reading for both academics and museum professionals, as well as audiences, the book is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of museums? In <a href="https://bookshop.org/a/12343/9781800089129">Deconstituting Museums: Participation’s Affective Work</a> <a href="https://ahc.leeds.ac.uk/fine-art/staff/285/dr-helen-graham">Helen Graham,</a> an Associate Professor in <a href="https://ahc.leeds.ac.uk/fine-art">School of Fine Art, History of Art and Cultural Studies</a> at the University of Leeds, considers the current state of the sector and stresses the need for significant change. Drawing on both professional reflections and academic analysis, the book introduces the concept of the museum constitution as a key site for struggle within the institution. It shows the challenge of making participation meaningful, and the scale of transformation needed to reframe museums’ central ideas and activities. Essential reading for both academics and museum professionals, as well as audiences, the book is available open access <a href="https://uclpress.co.uk/book/deconstituting-museums/">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2728</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a0ccb0f0-f1c6-11f0-9faf-b30646823ff6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5510104351.mp3?updated=1768450388" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kerry Gottlich, "From Frontiers to Borders: How Colonial Technicians Created Modern Territoriality" (Cambridge UP, 2025)</title>
      <description>How did modern territoriality emerge and what are its consequences? From Frontiers to Borders: How Colonial Technicians Created Modern Territoriality (Cambridge UP, 2025) examines these key questions with a unique global perspective. Kerry Goettlich argues that linear boundaries are products of particular colonial encounters, rather than being essentially an intra-European practice artificially imposed on colonized regions. He reconceptualizes modern territoriality as a phenomenon separate from sovereignty and the state, based on expert practices of delimitation and demarcation. Its history stems from the social production of expertise oriented towards these practices. Employing both primary and secondary sources, From Frontiers to Borders examines how this expertise emerged in settler colonies in North America and in British India – cases which illuminate a range of different types of colonial rule and influence. It also explores some of the consequences of the globalization of modern territoriality, exposing the colonial origins of Boundary Studies, and the impact of boundary experts on the Paris Peace Conference of 1919–20.

Dr Kerry Goettlich is an International Relations scholar whose work draws on original historical research to reframe theoretical debates about international politics, particularly around issues of territory and borders. His current work deals with the history of the legal and moral prohibition of territorial conquest. He is an associate professor at City St George's, University of London.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How did modern territoriality emerge and what are its consequences? From Frontiers to Borders: How Colonial Technicians Created Modern Territoriality (Cambridge UP, 2025) examines these key questions with a unique global perspective. Kerry Goettlich argues that linear boundaries are products of particular colonial encounters, rather than being essentially an intra-European practice artificially imposed on colonized regions. He reconceptualizes modern territoriality as a phenomenon separate from sovereignty and the state, based on expert practices of delimitation and demarcation. Its history stems from the social production of expertise oriented towards these practices. Employing both primary and secondary sources, From Frontiers to Borders examines how this expertise emerged in settler colonies in North America and in British India – cases which illuminate a range of different types of colonial rule and influence. It also explores some of the consequences of the globalization of modern territoriality, exposing the colonial origins of Boundary Studies, and the impact of boundary experts on the Paris Peace Conference of 1919–20.

Dr Kerry Goettlich is an International Relations scholar whose work draws on original historical research to reframe theoretical debates about international politics, particularly around issues of territory and borders. His current work deals with the history of the legal and moral prohibition of territorial conquest. He is an associate professor at City St George's, University of London.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did modern territoriality emerge and what are its consequences? <a href="https://bookshop.org/a/12343/9781009553001">From Frontiers to Borders: How Colonial Technicians Created Modern Territoriality</a> (Cambridge UP, 2025) examines these key questions with a unique global perspective. Kerry Goettlich argues that linear boundaries are products of particular colonial encounters, rather than being essentially an intra-European practice artificially imposed on colonized regions. He reconceptualizes modern territoriality as a phenomenon separate from sovereignty and the state, based on expert practices of delimitation and demarcation. Its history stems from the social production of expertise oriented towards these practices. Employing both primary and secondary sources,<em> From Frontiers to Borders </em>examines how this expertise emerged in settler colonies in North America and in British India – cases which illuminate a range of different types of colonial rule and influence. It also explores some of the consequences of the globalization of modern territoriality, exposing the colonial origins of Boundary Studies, and the impact of boundary experts on the Paris Peace Conference of 1919–20.</p>
<p>Dr Kerry Goettlich is an International Relations scholar whose work draws on original historical research to reframe theoretical debates about international politics, particularly around issues of territory and borders. His current work deals with the history of the legal and moral prohibition of territorial conquest. He is an associate professor at City St George's, University of London.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4493</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[caa97d5a-f058-11f0-8d8a-4b5d1b574811]]></guid>
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    <item>
      <title>Angie Hobbs, "Why Plato Matters Now" (Bloomsbury, 2025)</title>
      <description>Does Plato matter? An ancient philosopher whose work has inspired and informed countless thinkers and poets across the centuries, his ideas are no longer taught as widely as they once were. But, as Angie Hobbs argues in this clear-sighted book ﻿Why Plato Matters Now (Bloomsbury, 2025), that is a mistake.If we want to understand the world we live in – from democracy, autocracy and fake news to celebrity, cancel culture and what money can and cannot do – there is no better place to start than Plato. Exploring the intersection between the ancient and the modern, Professor Hobbs shows how Plato can help us address key questions concerning the nature of a flourishing life and community, healthcare, love and friendship, heroism, reality, art and myth-making. She also shows us how Plato's adaptation of the Socratic method and dialogue form can enable us to deal with contested issues more constructively.Plato's methodology, arguments, ideas and vivid images are explained with a clarity suitable both for readers familiar with his work and for those approaching Plato for the first time. This book shows why Plato really matters, now more than ever.

Angie Hobbs is emerita Professor of the Public Understanding of Philosophy at the University of Sheffield. She gained a degree in Classics and a PhD in Ancient Philosophy at the University of Cambridge, and her chief interests are in ancient philosophy and literature, and ethics and political theory from classical thought to the present, and she has published widely in these areas, including Plato and the Hero. She works in a number of policy sectors, and contributes regularly to media around the world, including many appearances on In Our Time on Radio 4; she has spoken at the World Economic Forum at Davos, the Athens Democracy Forum, the Houses of Parliament, the Scottish Parliament and Westminster Abbey and been the guest on Desert Island Discs and Private Passions. Website here

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Does Plato matter? An ancient philosopher whose work has inspired and informed countless thinkers and poets across the centuries, his ideas are no longer taught as widely as they once were. But, as Angie Hobbs argues in this clear-sighted book ﻿Why Plato Matters Now (Bloomsbury, 2025), that is a mistake.If we want to understand the world we live in – from democracy, autocracy and fake news to celebrity, cancel culture and what money can and cannot do – there is no better place to start than Plato. Exploring the intersection between the ancient and the modern, Professor Hobbs shows how Plato can help us address key questions concerning the nature of a flourishing life and community, healthcare, love and friendship, heroism, reality, art and myth-making. She also shows us how Plato's adaptation of the Socratic method and dialogue form can enable us to deal with contested issues more constructively.Plato's methodology, arguments, ideas and vivid images are explained with a clarity suitable both for readers familiar with his work and for those approaching Plato for the first time. This book shows why Plato really matters, now more than ever.

Angie Hobbs is emerita Professor of the Public Understanding of Philosophy at the University of Sheffield. She gained a degree in Classics and a PhD in Ancient Philosophy at the University of Cambridge, and her chief interests are in ancient philosophy and literature, and ethics and political theory from classical thought to the present, and she has published widely in these areas, including Plato and the Hero. She works in a number of policy sectors, and contributes regularly to media around the world, including many appearances on In Our Time on Radio 4; she has spoken at the World Economic Forum at Davos, the Athens Democracy Forum, the Houses of Parliament, the Scottish Parliament and Westminster Abbey and been the guest on Desert Island Discs and Private Passions. Website here

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does Plato matter? An ancient philosopher whose work has inspired and informed countless thinkers and poets across the centuries, his ideas are no longer taught as widely as they once were. But, as Angie Hobbs argues in this clear-sighted book ﻿<a href="https://bookshop.org/a/12343/9781399403412">Why Plato Matters Now </a>(Bloomsbury, 2025), that is a mistake.<br>If we want to understand the world we live in – from democracy, autocracy and fake news to celebrity, cancel culture and what money can and cannot do – there is no better place to start than Plato. Exploring the intersection between the ancient and the modern, Professor Hobbs shows how Plato can help us address key questions concerning the nature of a flourishing life and community, healthcare, love and friendship, heroism, reality, art and myth-making. She also shows us how Plato's adaptation of the Socratic method and dialogue form can enable us to deal with contested issues more constructively.<br>Plato's methodology, arguments, ideas and vivid images are explained with a clarity suitable both for readers familiar with his work and for those approaching Plato for the first time. This book shows why Plato really matters, now more than ever.</p>
<p>Angie Hobbs is emerita Professor of the Public Understanding of Philosophy at the University of Sheffield. She gained a degree in Classics and a PhD in Ancient Philosophy at the University of Cambridge, and her chief interests are in ancient philosophy and literature, and ethics and political theory from classical thought to the present, and she has published widely in these areas, including Plato and the Hero. She works in a number of policy sectors, and contributes regularly to media around the world, including many appearances on In Our Time on Radio 4; she has spoken at the World Economic Forum at Davos, the Athens Democracy Forum, the Houses of Parliament, the Scottish Parliament and Westminster Abbey and been the guest on Desert Island Discs and Private Passions. Website <a href="http://angiehobbs.com/">here</a></p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4712</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8f403278-f057-11f0-913d-9bb4b87f3671]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2052940570.mp3?updated=1768293107" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mercedes Valmisa, "All Things Act" (Oxford UP, 2025)</title>
      <description>All Things Act explores the collective character of action to expand the ways we think about agency. First, it resists viewing agency as a capacity, much less one exclusive to humans. Instead, it defines agency as an umbrella term for the concrete sociomaterial processes that emerge from the collaborative efforts of multiple entities acting together. Agency isn't the faculty of an individual entity or self; it's always the function of a network or assembly of actors. Second, many of the actors involved in these processes are nonhuman-things without intentions, will, or even awareness. This relational and collective approach adopts a conception of action that doesn't hinge on mental states. To act is to participate in, contribute to, shape, facilitate, organize, constrain, and modify the course of events. This book argues that there's no such thing as an individual action and that agency is collectively distributed across a heterogeneous field of human and nonhuman actors.

For readers interested in the link between quantum physics and relational metaphysics, please check out this recorded talk, especially Rovelli's linked here﻿

You can also check out his book Helgoland. For a more detailed analysis of why substance metaphysics fail us, see, The Non-Existence of the Real World.

For readers interested in wuwei (non-coercive self-organizing communities in nature), please check out Honeybee Democracy, Biocivilisations, and FLUKE.

About the urgency of building a non-cruel optimism, check out the classic critique of neoliberal individualism: Cruel Optimism and Psychopolitics and Burnout society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>All Things Act explores the collective character of action to expand the ways we think about agency. First, it resists viewing agency as a capacity, much less one exclusive to humans. Instead, it defines agency as an umbrella term for the concrete sociomaterial processes that emerge from the collaborative efforts of multiple entities acting together. Agency isn't the faculty of an individual entity or self; it's always the function of a network or assembly of actors. Second, many of the actors involved in these processes are nonhuman-things without intentions, will, or even awareness. This relational and collective approach adopts a conception of action that doesn't hinge on mental states. To act is to participate in, contribute to, shape, facilitate, organize, constrain, and modify the course of events. This book argues that there's no such thing as an individual action and that agency is collectively distributed across a heterogeneous field of human and nonhuman actors.

For readers interested in the link between quantum physics and relational metaphysics, please check out this recorded talk, especially Rovelli's linked here﻿

You can also check out his book Helgoland. For a more detailed analysis of why substance metaphysics fail us, see, The Non-Existence of the Real World.

For readers interested in wuwei (non-coercive self-organizing communities in nature), please check out Honeybee Democracy, Biocivilisations, and FLUKE.

About the urgency of building a non-cruel optimism, check out the classic critique of neoliberal individualism: Cruel Optimism and Psychopolitics and Burnout society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780197812181">All Things Act</a> explores the collective character of action to expand the ways we think about agency. First, it resists viewing agency as a capacity, much less one exclusive to humans. Instead, it defines agency as an umbrella term for the concrete sociomaterial processes that emerge from the collaborative efforts of multiple entities acting together. Agency isn't the faculty of an individual entity or self; it's always the function of a network or assembly of actors. Second, many of the actors involved in these processes are nonhuman-things without intentions, will, or even awareness. This relational and collective approach adopts a conception of action that doesn't hinge on mental states. To act is to participate in, contribute to, shape, facilitate, organize, constrain, and modify the course of events. This book argues that there's no such thing as an individual action and that agency is collectively distributed across a heterogeneous field of human and nonhuman actors.</p>
<p>For readers interested in the link between quantum physics and relational metaphysics, please check out this recorded talk, especially Rovelli's linked <a href="https://www.youtube.com/watch?v=7HYhX25KI8A">here</a>﻿</p>
<p>You can also check out his book <a href="https://www.penguinrandomhouse.com/books/653621/helgoland-by-carlo-rovelli-translated-by-erica-segre-and-simon-carnell/">Helgoland</a>. For a more detailed analysis of why substance metaphysics fail us, see, <a href="https://academic.oup.com/book/42022/chapter-abstract/355672062?redirectedFrom=fulltext">The Non-Existence of the Real World</a>.</p>
<p>For readers interested in wuwei (non-coercive self-organizing communities in nature), please check out <em>Honeybee Democracy</em>, <em>Biocivilisations</em>, and <a href="https://brianpklaas.com/fluke">FLUKE</a>.</p>
<p>About the urgency of building a non-cruel optimism, check out the classic critique of neoliberal individualism:<em> </em><a href="https://www.dukeupress.edu/cruel-optimism">Cruel Optimism</a> and <a href="https://youtu.be/BX-FK_Rmzjc?si=7bhwGCkaQ7C8Hpaz">Psychopolitics and Burnout society</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3360</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6e4a209a-ef91-11f0-be81-e3f952a2e8b3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9225566293.mp3?updated=1768207105" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dagmar Herzog, "The New Fascist Body" (Wirklichkeit Books, 2025)</title>
      <description>The success of new far-right movements cannot be explained by fear or rage alone – the pleasures of aggression and violence are just as essential. As such, racism is particularly intense when it is erotically charged, migration presenting as a sexual threat to white women being one of many examples. Germany’s strikingly successful right-wing political party Alternative für Deutschland is, according to the historian Dagmar Herzog, characterized by this “sexy racism,” with its second main feature being that of an obsessive hostility to disability – both elements resonating strongly with Nazism. In The New Fascist Body, Herzog connects her analysis of fascism’s libidinous energy with its animus against bodies perceived as imperfect. Only by studying the emotional and intellectual worlds of past fascisms can we understand and combat their current manifestations. The book features an afterword by Alberto Toscano, author of Late Fascism: Race, Capitalism and the Politics of Crisis (Verso 2023).

Lisa Schmidt-Herzog is a Berlin-based writer and researcher. Her academic work focuses on the biopolitics of medical standardization and the influence of cultural and ethico-political norms on mental health and illness. She is interested in the historicity of scientific concepts and subject-centered approaches to health and illness, and examines the radical thought of theorists and practitioners such as Georges Canguilhem, Frantz Fanon, and Erich Wulff. For NBN’s Critical Theory channel, she focuses on medical pluralism, the relationship between health and resistance, and the pragmatics of healing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The success of new far-right movements cannot be explained by fear or rage alone – the pleasures of aggression and violence are just as essential. As such, racism is particularly intense when it is erotically charged, migration presenting as a sexual threat to white women being one of many examples. Germany’s strikingly successful right-wing political party Alternative für Deutschland is, according to the historian Dagmar Herzog, characterized by this “sexy racism,” with its second main feature being that of an obsessive hostility to disability – both elements resonating strongly with Nazism. In The New Fascist Body, Herzog connects her analysis of fascism’s libidinous energy with its animus against bodies perceived as imperfect. Only by studying the emotional and intellectual worlds of past fascisms can we understand and combat their current manifestations. The book features an afterword by Alberto Toscano, author of Late Fascism: Race, Capitalism and the Politics of Crisis (Verso 2023).

Lisa Schmidt-Herzog is a Berlin-based writer and researcher. Her academic work focuses on the biopolitics of medical standardization and the influence of cultural and ethico-political norms on mental health and illness. She is interested in the historicity of scientific concepts and subject-centered approaches to health and illness, and examines the radical thought of theorists and practitioners such as Georges Canguilhem, Frantz Fanon, and Erich Wulff. For NBN’s Critical Theory channel, she focuses on medical pluralism, the relationship between health and resistance, and the pragmatics of healing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The success of new far-right movements cannot be explained by fear or rage alone – the pleasures of aggression and violence are just as essential. As such, racism is particularly intense when it is erotically charged, migration presenting as a sexual threat to white women being one of many examples. Germany’s strikingly successful right-wing political party Alternative für Deutschland is, according to the historian Dagmar Herzog, characterized by this “sexy racism,” with its second main feature being that of an obsessive hostility to disability – both elements resonating strongly with Nazism. In <em>The New Fascist Body</em>, Herzog connects her analysis of fascism’s libidinous energy with its animus against bodies perceived as imperfect. Only by studying the emotional and intellectual worlds of past fascisms can we understand and combat their current manifestations. The book features an afterword by Alberto Toscano, author of Late Fascism: Race, Capitalism and the Politics of Crisis (Verso 2023).</p>
<p>Lisa Schmidt-Herzog is a Berlin-based writer and researcher. Her academic work focuses on the biopolitics of medical standardization and the influence of cultural and ethico-political norms on mental health and illness. She is interested in the historicity of scientific concepts and subject-centered approaches to health and illness, and examines the radical thought of theorists and practitioners such as Georges Canguilhem, Frantz Fanon, and Erich Wulff. For NBN’s <em>Critical Theory</em> channel, she focuses on medical pluralism, the relationship between health and resistance, and the pragmatics of healing.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3874</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f17e7f76-ef8a-11f0-a417-f72de3f34b18]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4151426506.mp3?updated=1768204858" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthijs Lok, "Europe Against Revolution: Conservatism, Enlightenment, and the Making of the Past" (Cambridge UP, 2023)</title>
      <description>Contemporary Europe seems to be divided between progressive cosmopolitans sympathetic to the European Union and the ideals of the Enlightenment, and counter-enlightened conservative nationalists extolling the virtues of homelands threatened by globalised elites and mass migration. 
Europe Against Revolution: Conservatism, Enlightenment, and the Making of the Past (Cambridge UP, 2023) seeks to uncover the roots of historically informed ideas of Europe, while at the same time underlining the fundamental differences between the writings of the older counter-revolutionary Europeanists and their self-appointed successors and detractors in the twenty-first century. In the decades around 1800, the era of the French Revolution, counter-revolutionary authors from all over Europe defended European civilisation against the onslaught of nationalist revolutionaries, bent on the destruction of the existing order, or so they believed. In opposition to the new revolutionary world of universal and abstract principles, the counter-revolutionary publicists proclaimed the concept of a gradually developing European society and political order, founded on a set of historical and - ultimately divine - institutions that had guaranteed Europe's unique freedom, moderation, diversity, and progress since the fall of the Roman Empire. These counter-revolutionary Europeanists drew on the cosmopolitan Enlightenment and simultaneously criticized its alleged revolutionary legacy. Throughout the nineteenth and twentieth centuries, these ideas of European history and civilisation were rediscovered and adapted to new political contexts, shaping in manifold ways our contested idea of European history and memory until today.
Matthijs Lok, Senior Lecturer in Modern European History, Universiteit van Amsterdam
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthijs Lok</itunes:subtitle>
      <itunes:summary>Contemporary Europe seems to be divided between progressive cosmopolitans sympathetic to the European Union and the ideals of the Enlightenment, and counter-enlightened conservative nationalists extolling the virtues of homelands threatened by globalised elites and mass migration. 
Europe Against Revolution: Conservatism, Enlightenment, and the Making of the Past (Cambridge UP, 2023) seeks to uncover the roots of historically informed ideas of Europe, while at the same time underlining the fundamental differences between the writings of the older counter-revolutionary Europeanists and their self-appointed successors and detractors in the twenty-first century. In the decades around 1800, the era of the French Revolution, counter-revolutionary authors from all over Europe defended European civilisation against the onslaught of nationalist revolutionaries, bent on the destruction of the existing order, or so they believed. In opposition to the new revolutionary world of universal and abstract principles, the counter-revolutionary publicists proclaimed the concept of a gradually developing European society and political order, founded on a set of historical and - ultimately divine - institutions that had guaranteed Europe's unique freedom, moderation, diversity, and progress since the fall of the Roman Empire. These counter-revolutionary Europeanists drew on the cosmopolitan Enlightenment and simultaneously criticized its alleged revolutionary legacy. Throughout the nineteenth and twentieth centuries, these ideas of European history and civilisation were rediscovered and adapted to new political contexts, shaping in manifold ways our contested idea of European history and memory until today.
Matthijs Lok, Senior Lecturer in Modern European History, Universiteit van Amsterdam
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Contemporary Europe seems to be divided between progressive cosmopolitans sympathetic to the European Union and the ideals of the Enlightenment, and counter-enlightened conservative nationalists extolling the virtues of homelands threatened by globalised elites and mass migration. </p><p><a href="https://bookshop.org/a/12343/9780198872139"><em>Europe Against Revolution: Conservatism, Enlightenment, and the Making of the Past</em></a> (Cambridge UP, 2023) seeks to uncover the roots of historically informed ideas of Europe, while at the same time underlining the fundamental differences between the writings of the older counter-revolutionary Europeanists and their self-appointed successors and detractors in the twenty-first century. In the decades around 1800, the era of the French Revolution, counter-revolutionary authors from all over Europe defended European civilisation against the onslaught of nationalist revolutionaries, bent on the destruction of the existing order, or so they believed. In opposition to the new revolutionary world of universal and abstract principles, the counter-revolutionary publicists proclaimed the concept of a gradually developing European society and political order, founded on a set of historical and - ultimately divine - institutions that had guaranteed Europe's unique freedom, moderation, diversity, and progress since the fall of the Roman Empire. These counter-revolutionary Europeanists drew on the cosmopolitan Enlightenment and simultaneously criticized its alleged revolutionary legacy. Throughout the nineteenth and twentieth centuries, these ideas of European history and civilisation were rediscovered and adapted to new political contexts, shaping in manifold ways our contested idea of European history and memory until today.</p><p>Matthijs Lok, Senior Lecturer in Modern European History, Universiteit van Amsterdam</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3411</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2373656e-2fcf-11ef-99d6-3f195b63ba23]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8049864104.mp3?updated=1719400569" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Logan Smilges, "Crip Negativity" (U of Minnesota Press, 2023)</title>
      <description>In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what’s gone wrong and what we can do to fix it.
Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible.
J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022).
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 10 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with J. Logan Smilges</itunes:subtitle>
      <itunes:summary>In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what’s gone wrong and what we can do to fix it.
Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible.
J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022).
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In <a href="https://bookshop.org/a/12343/9781517915582"><em>Crip Negativity</em></a><em> </em>(U of Minnesota Press, 2023), J. Logan Smilges shows us what’s gone wrong and what we can do to fix it.</p><p>Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible.</p><p>J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of <em>Queer Silence: On Disability and Rhetorical Absence</em> (Minnesota, 2022).</p><p><a href="https://cjarrard717.wixsite.com/website"><em>Clayton Jarrard</em></a><em> is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the </em><a href="https://open.spotify.com/show/0X98h0FENG1hptiHFA1o5b?si=183b40d21ac94919/"><em>Un/Livable Cultures podcast</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3426</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a6708ace-ecce-11f0-b89f-53aa2619b735]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4408774381.mp3?updated=1689107537" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caitlin Vincent, "Opera Wars: Inside the World of Opera and the Battles for Its Future" (Simon and Schuster, 2026)</title>
      <description>How can cultural industries survive in the twenty-first century? In Opera Wars Inside the World of Opera and the Battles for Its Future Caitlin Vincent, a Senior Lecturer in Creative Industries at the University of Melbourne, examines the past, present and future of Opera to understand how music, performance, institutions and audiences battle to support this artform. Drawing on a wealth of research, as well as personal experience as a performer, librettist and entrepreneur, the book discusses key controversies over scores and staging, demands for changes to casting and working conditions, as well as companies’ and audiences’ resistance to change. Engaging and witty, the book is essential reading for arts, humanities and social science scholars, as well as for anyone interested in the future of arts and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>583</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How can cultural industries survive in the twenty-first century? In Opera Wars Inside the World of Opera and the Battles for Its Future Caitlin Vincent, a Senior Lecturer in Creative Industries at the University of Melbourne, examines the past, present and future of Opera to understand how music, performance, institutions and audiences battle to support this artform. Drawing on a wealth of research, as well as personal experience as a performer, librettist and entrepreneur, the book discusses key controversies over scores and staging, demands for changes to casting and working conditions, as well as companies’ and audiences’ resistance to change. Engaging and witty, the book is essential reading for arts, humanities and social science scholars, as well as for anyone interested in the future of arts and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can cultural industries survive in the twenty-first century? In <a href="https://www.simonandschuster.co.uk/books/Opera-Wars/Caitlin-Vincent/9781668084069">Opera Wars Inside the World of Opera and the Battles for Its Future</a> <a href="https://bsky.app/profile/caitlinvincent.bsky.social">Caitlin Vincent</a>, a <a href="https://findanexpert.unimelb.edu.au/profile/851678-caitlin-vincent">Senior Lecturer in Creative Industries at the University of Melbourne</a>, examines the past, present and future of Opera to understand how music, performance, institutions and audiences battle to support this artform. Drawing on a wealth of research, as well as personal experience as a performer, librettist and entrepreneur, the book discusses key controversies over scores and staging, demands for changes to casting and working conditions, as well as companies’ and audiences’ resistance to change. Engaging and witty, the book is essential reading for arts, humanities and social science scholars, as well as for anyone interested in the future of arts and music.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f707cbd0-ecbc-11f0-ae05-a312f55e87d8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1942850572.mp3?updated=1767896540" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Keidrick Roy, "American Dark Age: Racial Feudalism and the Rise of Black Liberalism" (Princeton UP, 2024)</title>
      <description>Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

Keidrick Roy is Assistant Professor of Government at Dartmouth College. He has received national attention through media outlets such as CBS News Sunday Morning and the Chicago Review of Books and appears in the HBO documentary Frederick Douglass: In Five Speeches. He has curated two major exhibitions at the American Writers Museum in Chicago on Black American figures, including Frederick Douglass, Ida B. Wells, and Ralph Ellison.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>539</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. American Dark Age reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.American Dark Age reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.

Keidrick Roy is Assistant Professor of Government at Dartmouth College. He has received national attention through media outlets such as CBS News Sunday Morning and the Chicago Review of Books and appears in the HBO documentary Frederick Douglass: In Five Speeches. He has curated two major exhibitions at the American Writers Museum in Chicago on Black American figures, including Frederick Douglass, Ida B. Wells, and Ralph Ellison.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Though the United States has been heralded as a beacon of democracy, many nineteenth-century Americans viewed their nation through the prism of the Old World. What they saw was a racially stratified country that reflected not the ideals of a modern republic but rather the remnants of feudalism. <em>American Dark Age</em> reveals how defenders of racial hierarchy embraced America’s resemblance to medieval Europe and tells the stories of the abolitionists who exposed it as a glaring blemish on the national conscience.<br>Against those seeking to maintain what Frederick Douglass called an “aristocracy of the skin,” Keidrick Roy shows how a group of Black thinkers, including Frances Ellen Watkins Harper, Hosea Easton, and Harriet Jacobs, challenged the medievalism in their midst—and transformed the nation’s founding liberal tradition. He demonstrates how they drew on spiritual insight, Enlightenment thought, and a homegrown political philosophy that gave expression to their experiences at the bottom of the American social order. Roy sheds new light on how Black abolitionist writers and activists worked to eradicate the pernicious ideology of racial feudalism from American liberalism and renew the country’s commitment to values such as individual liberty, social progress, and egalitarianism.<br><em>American Dark Age</em> reveals how the antebellum Black liberal tradition holds vital lessons for us today as hate groups continue to align themselves with fantasies of a medieval past and openly call for a return of all-powerful monarchs, aristocrats, and nobles who rule by virtue of their race.</p>
<p><strong>Keidrick Roy</strong> is Assistant Professor of Government at Dartmouth College. He has received national attention through media outlets such as <em>CBS News Sunday Morning</em> and the <em>Chicago Review of Books </em>and appears in the HBO documentary <em>Frederick Douglass: In Five Speeches</em>. He has curated two major exhibitions at the American Writers Museum in Chicago on Black American figures, including Frederick Douglass, Ida B. Wells, and Ralph Ellison.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3073</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d6455fc6-ec07-11f0-a4b3-731ba2f2041e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6043459477.mp3?updated=1767818591" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas Albert Howard, "Broken Altars: Secularist Violence in Modern History" (Yale UP, 2025)</title>
      <description>A sweeping history of the violence perpetrated by governments committed to extreme forms of secularism in the twentieth centuryA popular truism derived from the Enlightenment holds that violence is somehow inherent to religion, to which political secularism offers a liberating solution. But this assumption ignores a glaring modern reality: that putatively progressive regimes committed to secularism have possessed just as much and often a vastly greater capacity for violence as those tied to a religious identity. In Broken Altars, Thomas Albert Howard presents a powerful account of the misery, deaths, and destruction visited on religious communities by secularist regimes in the twentieth century.Presenting three principal forms of modern secularism that have arisen since the Enlightenment—passive secularism, combative secularism, and eliminationist secularism—Howard argues that the latter two have been especially violence-prone. Westerners do not fully grasp this, however, because they often mistake the first form, passive secularism, for secularism as a whole. But a disconcertingly more complicated picture emerges with the adoption of a broader global vision. Admitting different species of secularism, greater historical perspective, and case studies drawn from the former Soviet Union, Turkey, Mexico, Spain, Czechoslovakia, Albania, Mongolia, and China, among other countries, Howard calls into question the conventional tale of modernity as the pacifying triumph of secularism over a benighted religious past.

Thomas Albert Howard is professor of humanities and history and holder of the Phyllis and Richard Duesenberg Chair in Christian Ethics at Valparaiso University. He is the author of many books, including The Faiths of Others: A History of Interreligious Dialogue.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 Jan 2026 09:02:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A sweeping history of the violence perpetrated by governments committed to extreme forms of secularism in the twentieth centuryA popular truism derived from the Enlightenment holds that violence is somehow inherent to religion, to which political secularism offers a liberating solution. But this assumption ignores a glaring modern reality: that putatively progressive regimes committed to secularism have possessed just as much and often a vastly greater capacity for violence as those tied to a religious identity. In Broken Altars, Thomas Albert Howard presents a powerful account of the misery, deaths, and destruction visited on religious communities by secularist regimes in the twentieth century.Presenting three principal forms of modern secularism that have arisen since the Enlightenment—passive secularism, combative secularism, and eliminationist secularism—Howard argues that the latter two have been especially violence-prone. Westerners do not fully grasp this, however, because they often mistake the first form, passive secularism, for secularism as a whole. But a disconcertingly more complicated picture emerges with the adoption of a broader global vision. Admitting different species of secularism, greater historical perspective, and case studies drawn from the former Soviet Union, Turkey, Mexico, Spain, Czechoslovakia, Albania, Mongolia, and China, among other countries, Howard calls into question the conventional tale of modernity as the pacifying triumph of secularism over a benighted religious past.

Thomas Albert Howard is professor of humanities and history and holder of the Phyllis and Richard Duesenberg Chair in Christian Ethics at Valparaiso University. He is the author of many books, including The Faiths of Others: A History of Interreligious Dialogue.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A sweeping history of the violence perpetrated by governments committed to extreme forms of secularism in the twentieth century<br>A popular truism derived from the Enlightenment holds that violence is somehow inherent to religion, to which political secularism offers a liberating solution. But this assumption ignores a glaring modern reality: that putatively progressive regimes committed to secularism have possessed just as much and often a vastly greater capacity for violence as those tied to a religious identity. In <em>Broken Altars</em>, Thomas Albert Howard presents a powerful account of the misery, deaths, and destruction visited on religious communities by secularist regimes in the twentieth century.<br>Presenting three principal forms of modern secularism that have arisen since the Enlightenment—passive secularism, combative secularism, and eliminationist secularism—Howard argues that the latter two have been especially violence-prone. Westerners do not fully grasp this, however, because they often mistake the first form, passive secularism, for secularism as a whole. But a disconcertingly more complicated picture emerges with the adoption of a broader global vision. Admitting different species of secularism, greater historical perspective, and case studies drawn from the former Soviet Union, Turkey, Mexico, Spain, Czechoslovakia, Albania, Mongolia, and China, among other countries, Howard calls into question the conventional tale of modernity as the pacifying triumph of secularism over a benighted religious past.</p>
<p><strong>Thomas Albert Howard</strong> is professor of humanities and history and holder of the Phyllis and Richard Duesenberg Chair in Christian Ethics at Valparaiso University. He is the author of many books, including <em>The Faiths of Others: A History of Interreligious Dialogue</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2709</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f1a8aa2-eb35-11f0-9667-7f33d75ecb4a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6920497641.mp3?updated=1767737156" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Extraction: The Frontiers of Green Capitalism with Thea Riofrancos</title>
      <description>Lithium, a crucial input in the batteries powering electric vehicles, has the potential to save the world from climate change. But even green solutions come at a cost. Mining lithium is environmentally destructive. We therefore confront a dilemma: Is it possible to save the world by harming it in the process?

Having spent over a decade researching mining and oil sectors in Latin America, Thea Riofrancos is a leading voice on resource extraction. In this episode, we discuss her 2025 book Extraction: The Frontiers of Green Capitalism, in which she draws on groundbreaking fieldwork on the global race for lithium. Taking readers from the breathtaking salt flats of Chile’s Atacama Desert to Nevada’s glorious Silver Peak Range to the rolling hills of the Barroso Region of Portugal, the book reveals the social and environmental costs of “critical minerals.” She takes stock of new policy paradigms in the Global South, where governments seek to leverage mineral assets to jumpstart green development. Zooming out from lithium, we also discuss the evolving geopolitics and geoeconomics of energy transition, critical minerals, and green technology supply chains.

—

Thea Riofrancos is an Associate Professor of Political Science at Providence College, a Strategic Co-Director of the Climate and Community Institute, and a fellow at the Transnational Institute. Her research focuses on resource extraction, climate change, the energy transition, the global lithium sector, green technologies, social movements, and the Latin American left. She explored these themes in her book, Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador (Duke University Press, 2020), peer-reviewed articles in Cultural Studies, World Politics, and Global Environmental Politics, and her coauthored book, A Planet to Win: Why We Need a Green New Deal (Verso Books, 2019). Her essays have appeared in outlets including The New York Times, Financial Times, The Washington Post, Foreign Policy, The Guardian, and more. Thea’s latest book, which we discuss on this episode, is Extraction: The Frontiers of Green Capitalism (W.W. Norton 2025).

Extraction: The Frontiers of Green Capitalism (W.W. Norton 2025)

The Security–Sustainability Nexus: Lithium Onshoring in the Global North in Global Environmental Politics 2022

Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador (Duke University Press, 2020)

A Planet to Win: Why We Need a Green New Deal (Verso Books, 2019)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Lithium, a crucial input in the batteries powering electric vehicles, has the potential to save the world from climate change. But even green solutions come at a cost. Mining lithium is environmentally destructive. We therefore confront a dilemma: Is it possible to save the world by harming it in the process?

Having spent over a decade researching mining and oil sectors in Latin America, Thea Riofrancos is a leading voice on resource extraction. In this episode, we discuss her 2025 book Extraction: The Frontiers of Green Capitalism, in which she draws on groundbreaking fieldwork on the global race for lithium. Taking readers from the breathtaking salt flats of Chile’s Atacama Desert to Nevada’s glorious Silver Peak Range to the rolling hills of the Barroso Region of Portugal, the book reveals the social and environmental costs of “critical minerals.” She takes stock of new policy paradigms in the Global South, where governments seek to leverage mineral assets to jumpstart green development. Zooming out from lithium, we also discuss the evolving geopolitics and geoeconomics of energy transition, critical minerals, and green technology supply chains.

—

Thea Riofrancos is an Associate Professor of Political Science at Providence College, a Strategic Co-Director of the Climate and Community Institute, and a fellow at the Transnational Institute. Her research focuses on resource extraction, climate change, the energy transition, the global lithium sector, green technologies, social movements, and the Latin American left. She explored these themes in her book, Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador (Duke University Press, 2020), peer-reviewed articles in Cultural Studies, World Politics, and Global Environmental Politics, and her coauthored book, A Planet to Win: Why We Need a Green New Deal (Verso Books, 2019). Her essays have appeared in outlets including The New York Times, Financial Times, The Washington Post, Foreign Policy, The Guardian, and more. Thea’s latest book, which we discuss on this episode, is Extraction: The Frontiers of Green Capitalism (W.W. Norton 2025).

Extraction: The Frontiers of Green Capitalism (W.W. Norton 2025)

The Security–Sustainability Nexus: Lithium Onshoring in the Global North in Global Environmental Politics 2022

Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador (Duke University Press, 2020)

A Planet to Win: Why We Need a Green New Deal (Verso Books, 2019)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lithium, a crucial input in the batteries powering electric vehicles, has the potential to save the world from climate change. But even green solutions come at a cost. Mining lithium is environmentally destructive. We therefore confront a dilemma: Is it possible to save the world by harming it in the process?</p>
<p>Having spent over a decade researching mining and oil sectors in Latin America, Thea Riofrancos is a leading voice on resource extraction. In this episode, we discuss her 2025 book <em>Extraction: The Frontiers of Green Capitalism,</em> in which she draws on groundbreaking fieldwork on the global race for lithium. Taking readers from the breathtaking salt flats of Chile’s Atacama Desert to Nevada’s glorious Silver Peak Range to the rolling hills of the Barroso Region of Portugal, the book reveals the social and environmental costs of “critical minerals.” She takes stock of new policy paradigms in the Global South, where governments seek to leverage mineral assets to jumpstart green development. Zooming out from lithium, we also discuss the evolving geopolitics and geoeconomics of energy transition, critical minerals, and green technology supply chains.</p>
<p><strong>—</strong></p>
<p><a href="https://www.theariofrancos.com/"><strong>Thea Riofrancos</strong></a> is an Associate Professor of Political Science at Providence College, a Strategic Co-Director of the Climate and Community Institute, and a fellow at the Transnational Institute. Her research focuses on resource extraction, climate change, the energy transition, the global lithium sector, green technologies, social movements, and the Latin American left. She explored these themes in her book, <em>Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador</em> (Duke University Press, 2020), peer-reviewed articles in <em>Cultural Studies</em>, <em>World Politics</em>, and <em>Global Environmental Politics, </em>and her coauthored book, <em>A Planet to Win: Why We Need a Green New Deal</em> (Verso Books, 2019). Her essays have appeared in outlets including <em>The New York Times,</em> <em>Financial Times</em>, <em>The Washington Post</em>, <em>Foreign Policy</em>, <em>The Guardian</em>, and more. Thea’s latest book, which we discuss on this episode, is <em>Extraction: The Frontiers of Green Capitalism</em> (W.W. Norton 2025).</p>
<p><a href="https://wwnorton.com/books/9781324036760/about-the-book"><em>Extraction: The Frontiers of Green Capitalism</em></a> (W.W. Norton 2025)</p>
<p><a href="https://static1.squarespace.com/static/53e8fd0ee4b065351ce13257/t/63e5beb17cec867b1030ddb0/1676000945789/riofrancos+-+security+sustainability+nexus+-+GEP+final+.pdf">The Security–Sustainability Nexus: Lithium Onshoring in the Global North</a> in <em>Global Environmental Politics </em>2022</p>
<p><a href="https://www.dukeupress.edu/resource-radicals"><em>Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador</em></a> (Duke University Press, 2020)</p>
<p><a href="https://www.versobooks.com/products/2546-a-planet-to-win?srsltid=AfmBOooxHW23vlhQ4GUPyzOj2UlHiAytPLlmhZ3AUWKbbuiMT6c-bmi2"><em>A Planet to Win: Why We Need a Green New Deal</em></a> (Verso Books, 2019)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4432</itunes:duration>
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    <item>
      <title>Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)</title>
      <description>How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.
Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries.
 Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 05 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kelsey Klotz</itunes:subtitle>
      <itunes:summary>How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.
Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries.
 Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.</p><p><a href="https://bookshop.org/a/12343/9780197525074"><em>Dave Brubeck and the Performance of Whiteness</em></a><em> </em>(Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, <em>Dave Brubeck and the Performance of Whiteness</em> listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries.</p><p><em> Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4176</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Megha Anwer and Anupama Arora, "Screening Precarity: Hindi Cinema and Neoliberal Crisis in Twenty-first Century India" (U Michigan Press, 2025)</title>
      <description>Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism’s promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India’s precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency.

Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture.

Anupama Arora is a professor of English and Communication, and Women’s and Gender Studies, at the University of Massachusetts, Dartmouth. 

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 04 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>305</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism’s promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India’s precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency.

Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture.

Anupama Arora is a professor of English and Communication, and Women’s and Gender Studies, at the University of Massachusetts, Dartmouth. 

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Screening Precarity </em>integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism’s promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India’s precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. <em>Screening Precarity</em> is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency.</p>
<p><strong>Megha Anwer</strong> is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture.</p>
<p><strong>Anupama Arora</strong> is a professor of English and Communication, and Women’s and Gender Studies, at the University of Massachusetts, Dartmouth. <br></p>
<p><em><strong>Dr Priyam Sinha</strong></em><em> is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website </em><a href="http://www.priyamsinha.com/">www.priyamsinha.com</a><em> and you can follow her on </em><a href="https://x.com/PriyamSinha">https://x.com/PriyamSinha</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3233</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Julia Elyachar, "On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo" (Duke UP, 2025)</title>
      <description>On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo (Duke University Press, 2025) by Julia Elyachar is a sweeping analysis of the coloniality that shaped—and blocked—sovereign futures for those dubbed barbarian and semicivilized in the former Ottoman Empire. Drawing on thirty years of ethnographic research in Cairo, family archives from Palestine and Egypt, and research on Ottoman debt and finance to rethink catastrophe and potentiality in Cairo and the world today, Elyachar theorizes a global condition of the “semicivilized” marked by nonsovereign futures, crippling debts, and the constant specter of violence exercised by those who call themselves civilized. Originally used to describe the Ottoman Empire, whose perceived “civilizational differences” rendered it incompatible with a Western-dominated global order, semicivilized came to denote lands where unitary territorial sovereignty was stymied at the end of WWI. Elyachar’s theorizing offers a new analytic vocabulary for thinking beyond territoriality, postcolonialism, and the “civilized"/"primitive” divide. Looking at the world from the perspective of the semicivilized, Elyachar argues, allows us to shift attention to embodied infrastructures, collective lives, and practices of moving and acting in common that bypass lingering assumptions of territorialism and unitary sovereign rule.Julia Elyachar is Associate Professor of Anthropology at Princeton University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 04 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>395</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo (Duke University Press, 2025) by Julia Elyachar is a sweeping analysis of the coloniality that shaped—and blocked—sovereign futures for those dubbed barbarian and semicivilized in the former Ottoman Empire. Drawing on thirty years of ethnographic research in Cairo, family archives from Palestine and Egypt, and research on Ottoman debt and finance to rethink catastrophe and potentiality in Cairo and the world today, Elyachar theorizes a global condition of the “semicivilized” marked by nonsovereign futures, crippling debts, and the constant specter of violence exercised by those who call themselves civilized. Originally used to describe the Ottoman Empire, whose perceived “civilizational differences” rendered it incompatible with a Western-dominated global order, semicivilized came to denote lands where unitary territorial sovereignty was stymied at the end of WWI. Elyachar’s theorizing offers a new analytic vocabulary for thinking beyond territoriality, postcolonialism, and the “civilized"/"primitive” divide. Looking at the world from the perspective of the semicivilized, Elyachar argues, allows us to shift attention to embodied infrastructures, collective lives, and practices of moving and acting in common that bypass lingering assumptions of territorialism and unitary sovereign rule.Julia Elyachar is Associate Professor of Anthropology at Princeton University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo </em>(Duke University Press, 2025) by Julia Elyachar is a sweeping analysis of the coloniality that shaped—and blocked—sovereign futures for those dubbed barbarian and semicivilized in the former Ottoman Empire. Drawing on thirty years of ethnographic research in Cairo, family archives from Palestine and Egypt, and research on Ottoman debt and finance to rethink catastrophe and potentiality in Cairo and the world today, Elyachar theorizes a global condition of the “semicivilized” marked by nonsovereign futures, crippling debts, and the constant specter of violence exercised by those who call themselves civilized. Originally used to describe the Ottoman Empire, whose perceived “civilizational differences” rendered it incompatible with a Western-dominated global order, <em>semicivilized </em>came to denote lands where unitary territorial sovereignty was stymied at the end of WWI. Elyachar’s theorizing offers a new analytic vocabulary for thinking beyond territoriality, postcolonialism, and the “civilized"/"primitive” divide. Looking at the world from the perspective of the semicivilized, Elyachar argues, allows us to shift attention to embodied infrastructures, collective lives, and practices of moving and acting in common that bypass lingering assumptions of territorialism and unitary sovereign rule.<br>Julia Elyachar is Associate Professor of Anthropology at Princeton University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2170</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Deana Heath and Jinee Lokaneeta, "Policing and Violence in India: Colonial Origins and Contemporary Realities" (Speaking Tiger, 2025)</title>
      <description>Why does Indias police force, created under British rule, still echo the priorities of a bygone empire? And what is it about this institution, tasked with maintaining the law and order, that has led to a normalization of daily violence? These are the key questions that inform the analyses in this volume by lawyers, academics and activists. Divided into four broad sections, it begins by looking at the origins of the modern police force in the 1860s and demonstrates their role in maintaining socio-cultural, economic and political hierarchies even in post-Independence India. The second section explores how the law and legal infrastructure, as well as the bureaucracy in India, work to effectively facilitate police violence and to further marginalize and criminalize certain groups, like lower castes and Muslims. The penultimate section complicates this picture, examining how police violence is shaped by historical ambivalence towards democracy, the personal and systemic dynamics between police personnel and the accused, and the fraught identity of police in conflict zones like Kashmir, where authority is both granted and withheld by the state. The final section contains interviews of and reflections by prominent critics of police violence, including former Haryana DGP V.N. Rai and Abdul Wahid Shaikh, falsely accused of involvement in the 2006 Mumbai blasts. Questioning its foundational purpose and envisioning pathways to accountability and reform, Policing and Violence in India ignites a long-overdue conversation about the nature of policing in India.

Deana Heath is Professor of Indian and Colonial History at the University of Liverpool. She has written widely on issues relating to policing and violence in colonial India, particularly on torture and sexual violence. Her latest book, Colonial Terror: Torture and State Violence in Colonial India, was published by Oxford University Press in 2021.

Jinee Lokaneeta is Professor in Political Science and International Relations at Drew University, New Jersey. She is the author of The Truth Machines: Policing, Violence, and Scientific Interrogations in India, published in 2020 by the University of Michigan Press and Orient Blackswan, and Transnational Torture: Law, Violence, and State Power in the United States and India, published by New York University Press in 2011 and Orient Blackswan in 2012.

Shailza Sharma is an Assistant Professor at Jindal Global Law School, O.P. Jindal Global University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>304</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why does Indias police force, created under British rule, still echo the priorities of a bygone empire? And what is it about this institution, tasked with maintaining the law and order, that has led to a normalization of daily violence? These are the key questions that inform the analyses in this volume by lawyers, academics and activists. Divided into four broad sections, it begins by looking at the origins of the modern police force in the 1860s and demonstrates their role in maintaining socio-cultural, economic and political hierarchies even in post-Independence India. The second section explores how the law and legal infrastructure, as well as the bureaucracy in India, work to effectively facilitate police violence and to further marginalize and criminalize certain groups, like lower castes and Muslims. The penultimate section complicates this picture, examining how police violence is shaped by historical ambivalence towards democracy, the personal and systemic dynamics between police personnel and the accused, and the fraught identity of police in conflict zones like Kashmir, where authority is both granted and withheld by the state. The final section contains interviews of and reflections by prominent critics of police violence, including former Haryana DGP V.N. Rai and Abdul Wahid Shaikh, falsely accused of involvement in the 2006 Mumbai blasts. Questioning its foundational purpose and envisioning pathways to accountability and reform, Policing and Violence in India ignites a long-overdue conversation about the nature of policing in India.

Deana Heath is Professor of Indian and Colonial History at the University of Liverpool. She has written widely on issues relating to policing and violence in colonial India, particularly on torture and sexual violence. Her latest book, Colonial Terror: Torture and State Violence in Colonial India, was published by Oxford University Press in 2021.

Jinee Lokaneeta is Professor in Political Science and International Relations at Drew University, New Jersey. She is the author of The Truth Machines: Policing, Violence, and Scientific Interrogations in India, published in 2020 by the University of Michigan Press and Orient Blackswan, and Transnational Torture: Law, Violence, and State Power in the United States and India, published by New York University Press in 2011 and Orient Blackswan in 2012.

Shailza Sharma is an Assistant Professor at Jindal Global Law School, O.P. Jindal Global University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does Indias police force, created under British rule, still echo the priorities of a bygone empire? And what is it about this institution, tasked with maintaining the law and order, that has led to a normalization of daily violence? These are the key questions that inform the analyses in this volume by lawyers, academics and activists. Divided into four broad sections, it begins by looking at the origins of the modern police force in the 1860s and demonstrates their role in maintaining socio-cultural, economic and political hierarchies even in post-Independence India. The second section explores how the law and legal infrastructure, as well as the bureaucracy in India, work to effectively facilitate police violence and to further marginalize and criminalize certain groups, like lower castes and Muslims. The penultimate section complicates this picture, examining how police violence is shaped by historical ambivalence towards democracy, the personal and systemic dynamics between police personnel and the accused, and the fraught identity of police in conflict zones like Kashmir, where authority is both granted and withheld by the state. The final section contains interviews of and reflections by prominent critics of police violence, including former Haryana DGP V.N. Rai and Abdul Wahid Shaikh, falsely accused of involvement in the 2006 Mumbai blasts. Questioning its foundational purpose and envisioning pathways to accountability and reform, Policing and Violence in India ignites a long-overdue conversation about the nature of policing in India.<br></p>
<p>Deana Heath is Professor of Indian and Colonial History at the University of Liverpool. She has written widely on issues relating to policing and violence in colonial India, particularly on torture and sexual violence. Her latest book, <em>Colonial Terror: Torture and State Violence in Colonial India</em>, was published by Oxford University Press in 2021.<br></p>
<p>Jinee Lokaneeta is Professor in Political Science and International Relations at Drew University, New Jersey. She is the author of <em>The Truth Machines: Policing, Violence, and Scientific Interrogations in India</em>, published in 2020 by the University of Michigan Press and Orient Blackswan, and <em>Transnational Torture: Law, Violence, and State Power in the United States and India</em>, published by New York University Press in 2011 and Orient Blackswan in 2012.<br></p>
<p>Shailza Sharma is an Assistant Professor at Jindal Global Law School, O.P. Jindal Global University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2778</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Richard Wolin, "Heidegger in Ruins: Between Philosophy and Ideology" (Yale UP, 2023)</title>
      <description>What does it mean when a radical understanding of National Socialism is inextricably embedded in the work of the twentieth century's most important philosopher? Martin Heidegger's sympathies for the conservative revolution and National Socialism have long been well known. As the rector of the University of Freiburg in the early 1930s, he worked hard to reshape the university in accordance with National Socialist policies. He also engaged in an all-out struggle to become the movement's philosophical preceptor, "to lead the leader." Yet for years, Heidegger's defenders have tried to separate his political beliefs from his philosophical doctrines. They argued, in effect, that he was good at philosophy but bad at politics. But with the 2014 publication of Heidegger's "Black Notebooks," it has become clear that he embraced a far more radical vision of the conservative revolution than previously suspected. His dissatisfaction with National Socialism, it turns out, was mainly that it did not go far enough. 
The notebooks show that far from being separated from Nazism, Heidegger's philosophy was suffused with it. In Heidegger in Ruins: Between Philosophy and Ideology (Yale University Press, 2022), Richard Wolin explores what the notebooks mean for our understanding of arguably the most important philosopher of the twentieth century, and of his ideas--and why his legacy remains radically compromised.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does it mean when a radical understanding of National Socialism is inextricably embedded in the work of the twentieth century's most important philosopher? Martin Heidegger's sympathies for the conservative revolution and National Socialism have long been well known. As the rector of the University of Freiburg in the early 1930s, he worked hard to reshape the university in accordance with National Socialist policies. He also engaged in an all-out struggle to become the movement's philosophical preceptor, "to lead the leader." Yet for years, Heidegger's defenders have tried to separate his political beliefs from his philosophical doctrines. They argued, in effect, that he was good at philosophy but bad at politics. But with the 2014 publication of Heidegger's "Black Notebooks," it has become clear that he embraced a far more radical vision of the conservative revolution than previously suspected. His dissatisfaction with National Socialism, it turns out, was mainly that it did not go far enough. 
The notebooks show that far from being separated from Nazism, Heidegger's philosophy was suffused with it. In Heidegger in Ruins: Between Philosophy and Ideology (Yale University Press, 2022), Richard Wolin explores what the notebooks mean for our understanding of arguably the most important philosopher of the twentieth century, and of his ideas--and why his legacy remains radically compromised.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean when a radical understanding of National Socialism is inextricably embedded in the work of the twentieth century's most important philosopher? Martin Heidegger's sympathies for the conservative revolution and National Socialism have long been well known. As the rector of the University of Freiburg in the early 1930s, he worked hard to reshape the university in accordance with National Socialist policies. He also engaged in an all-out struggle to become the movement's philosophical preceptor, "to lead the leader." Yet for years, Heidegger's defenders have tried to separate his political beliefs from his philosophical doctrines. They argued, in effect, that he was good at philosophy but bad at politics. But with the 2014 publication of Heidegger's "Black Notebooks," it has become clear that he embraced a far more radical vision of the conservative revolution than previously suspected. His dissatisfaction with National Socialism, it turns out, was mainly that it did not go far enough. </p><p>The notebooks show that far from being separated from Nazism, Heidegger's philosophy was suffused with it. In <a href="https://bookshop.org/a/12343/9780300233186"><em>Heidegger in Ruins: Between Philosophy and Ideology</em></a> (Yale University Press, 2022), <a href="https://www.gc.cuny.edu/people/richard-wolin">Richard Wolin</a> explores what the notebooks mean for our understanding of arguably the most important philosopher of the twentieth century, and of his ideas--and why his legacy remains radically compromised.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6791</itunes:duration>
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    <item>
      <title>Hans Kundnani, "Eurowhiteness: Culture, Empire and Race in the European Project" (Oxford UP, 2023)</title>
      <description>"Today’s 'pro-Europeans' would be horrified at the suggestion that their idea of Europe had anything to do with whiteness. In fact, many would find the attempt to link the two baffling and outrageous," writes Hans Kundnani in Eurowhiteness: Culture, Empire and Race in the European Project (Oxford UP, 2023).
Yet, he does so - taking the reader on a historical journey through the development of European identity from Christendom to the coincidence of the Enlightenment and the development of colonialism to the pan-European movement that grew out of the first world war and peace project (or was it?) that emerged from the second.
Not only is pro-Europeanism “analogous to nationalism - something like nationalism but on a larger, continental scale," Kundani argues, but the EU itself has “become a vehicle for imperial amnesia" thereby promoting and privileging “whiteness”.
Hans Kundnani is a fellow at the Open Society Foundations Workshop, an associate scholar at the Royal Institute of International Affairs (Chatham House), and a visiting scholar at the Robert L. Heilbroner Center for Capitalism Studies at The New School for Social Research. From 2018-22, he was a full-time researcher at Chatham House, including as director of the Europe Programme. Before that, he was a researcher at the German Marshall Fund, the Transatlantic Academy, and the European Council on Foreign Relations. In 2014, he published The Paradox of German Power.
*The author's own book recommendations are Eurafrica: The Untold History of European Integration and Colonialism by Peo Hansen and Stefan Jonsson (Bloomsbury Academic, 2015) and The Lonely Londoners by Sam Selvon (Penguin Modern Classics, 2006 - first published in 1956)
Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 01 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hans Kundnani</itunes:subtitle>
      <itunes:summary>"Today’s 'pro-Europeans' would be horrified at the suggestion that their idea of Europe had anything to do with whiteness. In fact, many would find the attempt to link the two baffling and outrageous," writes Hans Kundnani in Eurowhiteness: Culture, Empire and Race in the European Project (Oxford UP, 2023).
Yet, he does so - taking the reader on a historical journey through the development of European identity from Christendom to the coincidence of the Enlightenment and the development of colonialism to the pan-European movement that grew out of the first world war and peace project (or was it?) that emerged from the second.
Not only is pro-Europeanism “analogous to nationalism - something like nationalism but on a larger, continental scale," Kundani argues, but the EU itself has “become a vehicle for imperial amnesia" thereby promoting and privileging “whiteness”.
Hans Kundnani is a fellow at the Open Society Foundations Workshop, an associate scholar at the Royal Institute of International Affairs (Chatham House), and a visiting scholar at the Robert L. Heilbroner Center for Capitalism Studies at The New School for Social Research. From 2018-22, he was a full-time researcher at Chatham House, including as director of the Europe Programme. Before that, he was a researcher at the German Marshall Fund, the Transatlantic Academy, and the European Council on Foreign Relations. In 2014, he published The Paradox of German Power.
*The author's own book recommendations are Eurafrica: The Untold History of European Integration and Colonialism by Peo Hansen and Stefan Jonsson (Bloomsbury Academic, 2015) and The Lonely Londoners by Sam Selvon (Penguin Modern Classics, 2006 - first published in 1956)
Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"Today’s 'pro-Europeans' would be horrified at the suggestion that their idea of Europe had anything to do with whiteness. In fact, many would find the attempt to link the two baffling and outrageous," writes Hans Kundnani in <a href="https://bookshop.org/p/books/eurowhiteness-kundnani/20124625?ean=9781787389328"><em>Eurowhiteness: Culture, Empire and Race in the European Project </em></a>(Oxford UP, 2023).</p><p>Yet, he does so - taking the reader on a historical journey through the development of European identity from Christendom to the coincidence of the Enlightenment and the development of colonialism to the pan-European movement that grew out of the first world war and peace project (or was it?) that emerged from the second.</p><p>Not only is pro-Europeanism “analogous to nationalism - something like nationalism but on a larger, continental scale," Kundani argues, but the EU itself has “become a vehicle for imperial amnesia" thereby promoting and privileging “whiteness”.</p><p>Hans Kundnani is a fellow at the Open Society Foundations Workshop, an associate scholar at the Royal Institute of International Affairs (Chatham House), and a visiting scholar at the Robert L. Heilbroner Center for Capitalism Studies at The New School for Social Research. From 2018-22, he was a full-time researcher at Chatham House, including as director of the Europe Programme. Before that, he was a researcher at the German Marshall Fund, the Transatlantic Academy, and the European Council on Foreign Relations. In 2014, he published <em>The Paradox of German Power</em>.</p><p>*The author's own book recommendations are <em>Eurafrica: The Untold History of European Integration and Colonialism</em> by Peo Hansen and Stefan Jonsson (Bloomsbury Academic, 2015) and <em>The Lonely Londoners</em> by Sam Selvon (Penguin Modern Classics, 2006 - first published in 1956)</p><p><a href="https://timgwynnjones.com/"><em>Tim Gwynn Jones</em></a><em> is an economic and political-risk analyst at Medley Advisors, who also writes the </em><a href="https://twentyfourtwo.substack.com/"><em>twenty4two</em></a><em> newsletter on Substack and hosts the </em><a href="https://podcasts.apple.com/us/podcast/in-the-room/id1646625087?uo=4"><em>In The Room</em></a><em> podcast series.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b7f441c6-e5be-11f0-b6ca-cb143e8ce6b8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2097501521.mp3?updated=1691865965" length="0" type="audio/mpeg"/>
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    <item>
      <title>Bernard Forjwuor, "Critique of Political Decolonization" (Oxford UP, 2023)</title>
      <description>What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved?
In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms.
Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice.
Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bernard Forjwuor</itunes:subtitle>
      <itunes:summary>What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved?
In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms.
Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice.
Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved?</p><p>In <a href="https://bookshop.org/a/12343/9780198871842"><em>Critique of Political Decolonization</em></a><em> </em>(Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms.</p><p>Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice.</p><p>Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3235</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Gillian Adler and Paul Strohm, "Alle Thyng Hath Tyme: Time and Medieval Life" (Reaktion, 2023) </title>
      <description>Alle Thyng Hath Tyme: Time and Medieval Life (Reaktion, 2023) ﻿recreates medieval people’s experience of time: as continuous and discontinuous, linear and cyclical, embracing Creation and Judgement, shrinking to ‘atoms’ or ‘droplets’ and extending to the silent spaces of eternity. They might measure time by natural phenomena such as sunrise and sunset, the motion of the stars or the progress of the seasons, even as the late medieval invention of the mechanical clock was making time-reckoning more precise. Negotiating these mixed and competing systems, medieval people gained a nuanced and expansive sense of time that rewards attention today.

Gillian Adler is Associate Professor of Literature and Esther Raushenbush Chair in Humanities at Sarah Lawrence College in New York. She is the author of Chaucer and the Ethics of Time (2022)

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Dec 2025 21:53:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Alle Thyng Hath Tyme: Time and Medieval Life (Reaktion, 2023) ﻿recreates medieval people’s experience of time: as continuous and discontinuous, linear and cyclical, embracing Creation and Judgement, shrinking to ‘atoms’ or ‘droplets’ and extending to the silent spaces of eternity. They might measure time by natural phenomena such as sunrise and sunset, the motion of the stars or the progress of the seasons, even as the late medieval invention of the mechanical clock was making time-reckoning more precise. Negotiating these mixed and competing systems, medieval people gained a nuanced and expansive sense of time that rewards attention today.

Gillian Adler is Associate Professor of Literature and Esther Raushenbush Chair in Humanities at Sarah Lawrence College in New York. She is the author of Chaucer and the Ethics of Time (2022)

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789146790">Alle Thyng Hath Tyme: Time and Medieval Life</a> (Reaktion, 2023) ﻿recreates medieval people’s experience of time: as continuous and discontinuous, linear and cyclical, embracing Creation and Judgement, shrinking to ‘atoms’ or ‘droplets’ and extending to the silent spaces of eternity. They might measure time by natural phenomena such as sunrise and sunset, the motion of the stars or the progress of the seasons, even as the late medieval invention of the mechanical clock was making time-reckoning more precise. Negotiating these mixed and competing systems, medieval people gained a nuanced and expansive sense of time that rewards attention today.</p>
<p>Gillian Adler is Associate Professor of Literature and Esther Raushenbush Chair in Humanities at Sarah Lawrence College in New York. She is the author of <em>Chaucer and the Ethics of Time</em> (2022)</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2180</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[327b7d62-df00-11f0-b655-bf4f0f1ae5ce]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7990536548.mp3?updated=1767132035" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin Jay, "Immanent Critiques: The Frankfurt School under Pressure" (Verso, 2023)</title>
      <description>The Frankfurt School’s own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. 
Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>423</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martin Jay</itunes:subtitle>
      <itunes:summary>The Frankfurt School’s own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. 
Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Frankfurt School’s own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, <a href="https://bookshop.org/a/12343/9781804292525"><em>Immanent Critiques: The Frankfurt School Under Pressure</em></a><em> </em>(Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of <em>The Dialectical Imagination</em>, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. </p><p>Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4943</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Russell T. McCutcheon, "Critics Not Caretakers: Redescribing the Public Study of Religion" (Routledge, 2023)</title>
      <description>Russell T. McCutcheon's essay collection Critics Not Caretakers: Redescribing the Public Study of Religion (Routledge, 2023) argues that the study of religion must be rethought as an ordinary aspect of social, historical existence, a stance that makes the scholar of religion a critic of cultural and historical practices rather than a caretaker of religious tradition or a font of timeless wisdom and deep meaning.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>314</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Russell T. McCutcheon</itunes:subtitle>
      <itunes:summary>Russell T. McCutcheon's essay collection Critics Not Caretakers: Redescribing the Public Study of Religion (Routledge, 2023) argues that the study of religion must be rethought as an ordinary aspect of social, historical existence, a stance that makes the scholar of religion a critic of cultural and historical practices rather than a caretaker of religious tradition or a font of timeless wisdom and deep meaning.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Russell T. McCutcheon's essay collection <a href="https://bookshop.org/a/12343/9781032467924"><em>Critics Not Caretakers: Redescribing the Public Study of Religion</em></a> (Routledge, 2023) argues that the study of religion must be rethought as an ordinary aspect of social, historical existence, a stance that makes the scholar of religion a critic of cultural and historical practices rather than a caretaker of religious tradition or a font of timeless wisdom and deep meaning.</p><p><em>Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see </em><a href="https://rajbalkaran.com/"><em>rajbalkaran.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2899</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ac02746-e271-11f0-a11a-0f9d469cbb5d]]></guid>
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    </item>
    <item>
      <title>Philippe Huneman, "Why?: The Philosophy Behind the Question" (Stanford UP, 2023)</title>
      <description>Why did triceratops have horns? Why did World War I occur? Why does Romeo love Juliet? And, most importantly, why ask why? In Why?: The Philosophy Behind the Question (Stanford UP, 2023), philosopher Philippe Huneman describes the different meanings of "why," and how those meanings can, and should (or should not), be conflated.
As Huneman outlines, there are three basic meanings of why: the cause of an event, the reason of a belief, and the reason why I do what I do (the purpose). Each of these meanings, in turn, impacts how we approach knowledge in a wide array of disciplines: science, history, psychology, and metaphysics. Exhibiting a rare combination of conversational ease and intellectual rigor, Huneman teases out the hidden dimensions of questions as seemingly simple as "Why did Mickey Mouse open the refrigerator?" or as seemingly unanswerable as "Why am I me?" In doing so, he provides an extraordinary tour of canonical and contemporary philosophical thought, from Plato and Aristotle, through Descartes and Spinoza, to Elizabeth Anscombe and Ruth Millikan, and beyond.
Of course, no proper reckoning with the question "why?" can afford not to acknowledge its limits, which are the limits, and the ends, of reason itself. Huneman thus concludes with a provocative elaboration of what Kant called the "natural need for metaphysics," the unallayed instinct we have to ask the question even when we know there can be no unequivocal answer.
Philippe Huneman is Research Director at the Institut d'Histoire et de Philosophie des Sciences et des Techniques, CNRS/ Université Paris I Panthéon Sorbonne and the author of several books in French and English, including Philosophical Sketches of Death in Biology: An Historical and Analytic Investigation (2022). 
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>414</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philippe Huneman</itunes:subtitle>
      <itunes:summary>Why did triceratops have horns? Why did World War I occur? Why does Romeo love Juliet? And, most importantly, why ask why? In Why?: The Philosophy Behind the Question (Stanford UP, 2023), philosopher Philippe Huneman describes the different meanings of "why," and how those meanings can, and should (or should not), be conflated.
As Huneman outlines, there are three basic meanings of why: the cause of an event, the reason of a belief, and the reason why I do what I do (the purpose). Each of these meanings, in turn, impacts how we approach knowledge in a wide array of disciplines: science, history, psychology, and metaphysics. Exhibiting a rare combination of conversational ease and intellectual rigor, Huneman teases out the hidden dimensions of questions as seemingly simple as "Why did Mickey Mouse open the refrigerator?" or as seemingly unanswerable as "Why am I me?" In doing so, he provides an extraordinary tour of canonical and contemporary philosophical thought, from Plato and Aristotle, through Descartes and Spinoza, to Elizabeth Anscombe and Ruth Millikan, and beyond.
Of course, no proper reckoning with the question "why?" can afford not to acknowledge its limits, which are the limits, and the ends, of reason itself. Huneman thus concludes with a provocative elaboration of what Kant called the "natural need for metaphysics," the unallayed instinct we have to ask the question even when we know there can be no unequivocal answer.
Philippe Huneman is Research Director at the Institut d'Histoire et de Philosophie des Sciences et des Techniques, CNRS/ Université Paris I Panthéon Sorbonne and the author of several books in French and English, including Philosophical Sketches of Death in Biology: An Historical and Analytic Investigation (2022). 
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why did triceratops have horns? Why did World War I occur? Why does Romeo love Juliet? And, most importantly, why ask why? In <a href="https://bookshop.org/a/12343/9781503628908"><em>Why?: The Philosophy Behind the Question</em></a> (Stanford UP, 2023), philosopher Philippe Huneman describes the different meanings of "why," and how those meanings can, and should (or should not), be conflated.</p><p>As Huneman outlines, there are three basic meanings of why: the cause of an event, the reason of a belief, and the reason why I do what I do (the purpose). Each of these meanings, in turn, impacts how we approach knowledge in a wide array of disciplines: science, history, psychology, and metaphysics. Exhibiting a rare combination of conversational ease and intellectual rigor, Huneman teases out the hidden dimensions of questions as seemingly simple as "Why did Mickey Mouse open the refrigerator?" or as seemingly unanswerable as "Why am I me?" In doing so, he provides an extraordinary tour of canonical and contemporary philosophical thought, from Plato and Aristotle, through Descartes and Spinoza, to Elizabeth Anscombe and Ruth Millikan, and beyond.</p><p>Of course, no proper reckoning with the question "why?" can afford not to acknowledge its limits, which are the limits, and the ends, of reason itself. Huneman thus concludes with a provocative elaboration of what Kant called the "natural need for metaphysics," the unallayed instinct we have to ask the question even when we know there can be no unequivocal answer.</p><p>Philippe Huneman is Research Director at the Institut d'Histoire et de Philosophie des Sciences et des Techniques, CNRS/ Université Paris I Panthéon Sorbonne and the author of several books in French and English, including Philosophical Sketches of Death in Biology: An Historical and Analytic Investigation (2022). </p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Daniel M. Herskowitz, "The Judeo-Christian Thought of Franz Rosenzweig" ﻿(Liverpool UP, 2025)</title>
      <description>The Judeo-Christian Thought of Franz Rosenzweig ﻿(Liverpool UP, 2025) ﻿offers a new interpretation of Franz Rosenzweig's magnum opus The Star of Redemption, commonly treated as one of the high points of modern Jewish thought, and demonstrates its profound immersion in the Protestant conceptuality of its time. It argues that appreciating the decisive mark of Protestant thought on The Star solves many of its puzzles, challenges some entrenched hagiographic orthodoxies about Rosenzweig, and provides a unique perspective onto one of the most influential cases of the 'Protestantisation of Judaism'. The book shows that Rosenzweig's inventiveness resides in his weaving of Jewish and Christian motifs that result in an original scheme that is remarkably inclusive toward Judaism from a Christian perspective and remarkably inclusive toward Christianity from a Jewish perspective. The Star thus emerges anew, not simply as a work of Jewish thought that is 'influenced' by Christian theology but as a work that is more accurately characterised as 'Judeo-Christian'."
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 27 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Judeo-Christian Thought of Franz Rosenzweig ﻿(Liverpool UP, 2025) ﻿offers a new interpretation of Franz Rosenzweig's magnum opus The Star of Redemption, commonly treated as one of the high points of modern Jewish thought, and demonstrates its profound immersion in the Protestant conceptuality of its time. It argues that appreciating the decisive mark of Protestant thought on The Star solves many of its puzzles, challenges some entrenched hagiographic orthodoxies about Rosenzweig, and provides a unique perspective onto one of the most influential cases of the 'Protestantisation of Judaism'. The book shows that Rosenzweig's inventiveness resides in his weaving of Jewish and Christian motifs that result in an original scheme that is remarkably inclusive toward Judaism from a Christian perspective and remarkably inclusive toward Christianity from a Jewish perspective. The Star thus emerges anew, not simply as a work of Jewish thought that is 'influenced' by Christian theology but as a work that is more accurately characterised as 'Judeo-Christian'."
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781836245742">The Judeo-Christian Thought of Franz Rosenzweig</a><em> </em>﻿(Liverpool UP, 2025) ﻿offers a new interpretation of Franz Rosenzweig's magnum opus <em>The Star of Redemption</em>, commonly treated as one of the high points of modern Jewish thought, and demonstrates its profound immersion in the Protestant conceptuality of its time. It argues that appreciating the decisive mark of Protestant thought on <em>The Star</em> solves many of its puzzles, challenges some entrenched hagiographic orthodoxies about Rosenzweig, and provides a unique perspective onto one of the most influential cases of the 'Protestantisation of Judaism'. The book shows that Rosenzweig's inventiveness resides in his weaving of Jewish and Christian motifs that result in an original scheme that is remarkably inclusive toward Judaism from a Christian perspective and remarkably inclusive toward Christianity from a Jewish perspective. <em>The Star</em> thus emerges anew, not simply as a work of Jewish thought that is 'influenced' by Christian theology but as a work that is more accurately characterised as 'Judeo-Christian'."</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4208</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3bfaa68e-dfcc-11f0-9cf6-e70cc703f3c4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5002493631.mp3?updated=1766473171" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Henrike Kohpeiß, "Bourgeois Coldness" (Divided Publishing, 2025)</title>
      <description>Bourgeois Coldness﻿﻿ (Divided Publishing, 2025) refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning – a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces – institutional and affective – stay cool and pleasant. But outside it’s burning.

﻿ Canonical critical theory by Adorno and Horkheimer enters a dialogue with Black studies through Hartman and Moten.

Host: Michael L. Rosino, Assistant Professor of Sociology, Molloy University

Recent Books:


  
Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30


  
Debating the Drug War: Race, Politics, and the Media (Routledge)


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 27 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Bourgeois Coldness﻿﻿ (Divided Publishing, 2025) refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning – a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces – institutional and affective – stay cool and pleasant. But outside it’s burning.

﻿ Canonical critical theory by Adorno and Horkheimer enters a dialogue with Black studies through Hartman and Moten.

Host: Michael L. Rosino, Assistant Professor of Sociology, Molloy University

Recent Books:


  
Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing (UNC Press) 30% off with code: 01UNCP30


  
Debating the Drug War: Race, Politics, and the Media (Routledge)


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781739516123">Bourgeois Coldness</a><em>﻿</em>﻿ (Divided Publishing, 2025) refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning – a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces – institutional and affective – stay cool and pleasant. But outside it’s burning.</p>
<p>﻿ Canonical critical theory by Adorno and Horkheimer enters a dialogue with Black studies through Hartman and Moten.</p>
<p>Host: Michael L. Rosino, Assistant Professor of Sociology, Molloy University</p>
<p>Recent Books:</p>
<ul>
  <li>
<a href="https://uncpress.org/book/9781469685632/democracy-is-awkward/"><em>Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing</em></a><a href="https://uncpress.org/book/9781469685632/democracy-is-awkward/"> </a>(UNC Press) 30% off with code: <strong>01UNCP30</strong>
</li>
  <li>
<a href="https://urldefense.com/v3/__https:/www.routledge.com/Debating-the-Drug-War-Race-Politics-and-the-Media/Rosino/p/book/9781138239692__;!!IBzWLUs!FBVaK_5X9eKQ9sW0Z-2FAe8aORNeeOZ2d2mwMOFFM7ZdBU4MUT1vQcdlUFqFwwPO$"><em>Debating the Drug War: Race, Politics, and the Media</em></a><a href="https://urldefense.com/v3/__https:/www.routledge.com/Debating-the-Drug-War-Race-Politics-and-the-Media/Rosino/p/book/9781138239692__;!!IBzWLUs!FBVaK_5X9eKQ9sW0Z-2FAe8aORNeeOZ2d2mwMOFFM7ZdBU4MUT1vQcdlUFqFwwPO$"> </a>(Routledge)</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3057</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d61072a-df05-11f0-9b7d-97afc8fce8d0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4583661466.mp3?updated=1766387256" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marcus Willaschek, "Kant: A Revolution in Thinking" (Harvard UP, 2025)</title>
      <description>﻿Immanuel Kant is undoubtedly the most important philosopher of the modern era. His Critique of Pure Reason, “categorical imperative,” and conception of perpetual peace in the global order decisively influenced both intellectual history and twentieth-century politics, shaping everything from the German Constitution to the United Nations Charter.

Renowned philosopher Marcus Willaschek explains why, three centuries after Kant’s birth, his reflections on democracy, beauty, nature, morality, and the limits of human knowledge remain so profoundly relevant. Weaving biographical and historical context together with exposition of key ideas, Willaschek emphasizes three central features of Kant’s theory and method. First, Kant combines seemingly incompatible positions to show how their insights can be reconciled. Second, he demonstrates that it is not only human thinking that must adjust to the realities of the world; the world must also be fitted to the structures of our thinking. Finally, he overcomes the traditional opposition between thought and action by putting theory at the service of practice.

In Kant: A Revolution in Thinking ﻿(Harvard UP, 2025), even readers having no prior acquaintance with Kant’s ideas or with philosophy generally will find an adroit introduction to the Prussian polymath’s oeuvre, beginning with his political arguments, expanding to his moral theory, and finally moving to his more abstract considerations of natural science, epistemology, and metaphysics. Along the way, Kant himself emerges from beneath his famed works, revealing a magnetic personality, a clever ironist, and a man deeply engaged with his contemporary world.

Marcus Willaschek is Professor of Philosophy at Goethe University, Frankfurt, and a member of the Berlin-Brandenburg Academy of Science, where he is responsible for the German standard edition of Kant’s works. The author of four books, he is also coeditor of the three-volume Kant-Lexikon.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿Immanuel Kant is undoubtedly the most important philosopher of the modern era. His Critique of Pure Reason, “categorical imperative,” and conception of perpetual peace in the global order decisively influenced both intellectual history and twentieth-century politics, shaping everything from the German Constitution to the United Nations Charter.

Renowned philosopher Marcus Willaschek explains why, three centuries after Kant’s birth, his reflections on democracy, beauty, nature, morality, and the limits of human knowledge remain so profoundly relevant. Weaving biographical and historical context together with exposition of key ideas, Willaschek emphasizes three central features of Kant’s theory and method. First, Kant combines seemingly incompatible positions to show how their insights can be reconciled. Second, he demonstrates that it is not only human thinking that must adjust to the realities of the world; the world must also be fitted to the structures of our thinking. Finally, he overcomes the traditional opposition between thought and action by putting theory at the service of practice.

In Kant: A Revolution in Thinking ﻿(Harvard UP, 2025), even readers having no prior acquaintance with Kant’s ideas or with philosophy generally will find an adroit introduction to the Prussian polymath’s oeuvre, beginning with his political arguments, expanding to his moral theory, and finally moving to his more abstract considerations of natural science, epistemology, and metaphysics. Along the way, Kant himself emerges from beneath his famed works, revealing a magnetic personality, a clever ironist, and a man deeply engaged with his contemporary world.

Marcus Willaschek is Professor of Philosophy at Goethe University, Frankfurt, and a member of the Berlin-Brandenburg Academy of Science, where he is responsible for the German standard edition of Kant’s works. The author of four books, he is also coeditor of the three-volume Kant-Lexikon.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿Immanuel Kant is undoubtedly the most important philosopher of the modern era. His <em>Critique of Pure Reason,</em> “categorical imperative,” and conception of perpetual peace in the global order decisively influenced both intellectual history and twentieth-century politics, shaping everything from the German Constitution to the United Nations Charter.</p>
<p>Renowned philosopher Marcus Willaschek explains why, three centuries after Kant’s birth, his reflections on democracy, beauty, nature, morality, and the limits of human knowledge remain so profoundly relevant. Weaving biographical and historical context together with exposition of key ideas, Willaschek emphasizes three central features of Kant’s theory and method. First, Kant combines seemingly incompatible positions to show how their insights can be reconciled. Second, he demonstrates that it is not only human thinking that must adjust to the realities of the world; the world must also be fitted to the structures of our thinking. Finally, he overcomes the traditional opposition between thought and action by putting theory at the service of practice.</p>
<p>In <a href="https://bookshop.org/a/12343/9780674296107">Kant: A Revolution in Thinking</a><em> ﻿(</em>Harvard UP, 2025), even readers having no prior acquaintance with Kant’s ideas or with philosophy generally will find an adroit introduction to the Prussian polymath’s oeuvre, beginning with his political arguments, expanding to his moral theory, and finally moving to his more abstract considerations of natural science, epistemology, and metaphysics. Along the way, Kant himself emerges from beneath his famed works, revealing a magnetic personality, a clever ironist, and a man deeply engaged with his contemporary world.</p>
<p>Marcus Willaschek is Professor of Philosophy at Goethe University, Frankfurt, and a member of the Berlin-Brandenburg Academy of Science, where he is responsible for the German standard edition of Kant’s works. The author of four books, he is also coeditor of the three-volume <em>Kant-Lexikon</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3904</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cdf0b54a-dce5-11f0-8990-470686538363]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1622541578.mp3?updated=1766154961" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Beenash Jafri, "Settler Attachments and Asian Diasporic Film" (U Minnesota Press, 2025)</title>
      <description>Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity.

Beenash Jafri is an associate professor of Gender, Sexuality and Women’s Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>243</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity.

Beenash Jafri is an associate professor of Gender, Sexuality and Women’s Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Settler Attachments and Asian Diasporic Film</em> (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity.</p>
<p>Beenash Jafri is an associate professor of Gender, Sexuality and Women’s Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of <a href="https://tupress.temple.edu/books/cultural-studies-in-the-interregnum"><em>Cultural Studies in the Interregnum</em></a> (Temple University Press, 2025), and of <em>Amerasia</em>'s forthcoming special issue on <a href="https://www.amerasiajournal.org/blog/?p=2987">Asian Settler Colonial Critique</a>. Her <a href="https://escholarship.org/search?q=author%3AJafri%2C+Beenash">writing</a> has been published in academic venues such as <em>GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association</em>; and in public venues such as <a href="https://reappropriate.co/2022/09/asian-american-cowboys-and-native-erasure/"><em>Reappropriate</em></a><em>, </em><a href="https://www.publicbooks.org/our-matrix-of-desire/"><em>Public Books</em></a><em>, </em><a href="https://asapjournal.com/feature/dead-ringers-and-the-horrors-of-white-feminism/"><em>ASAP/J</em></a><em>, </em><a href="https://truthout.org/articles/stabbings-near-uc-davis-were-terrifying-but-more-policing-wont-make-us-safer/"><em>Truthout</em></a><em>, and Briarpatch Magazine</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4128</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2862e3aa-dc45-11f0-9b2f-3b192891ad98]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9698203583.mp3?updated=1766086048" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lucy Jeffery and Anna Váradi, "Replaying Communism: Trauma and Nostalgia in European Cultural Production" (CEU Press, 2025)</title>
      <description>In this episode, host Andrea Talabér (CEU Press) sat down with Lucy Jeffery and Anna Váradi to talk about their edited volume, Replaying Communism: Trauma and Nostalgia in European Cultural Production. The volume explores the lasting impact of the communist era across Central and Eastern Europe, with chapters thematically threaded through by concepts including curation, immersion, interaction, humor, and authenticity. In the podcast we talked about what it means to “replay” communism, about the trauma/nostalgia paradigm in relation to cultural production, and about inter-generational experiences of media depicting the communist period.

You can purchase a copy here.

You can find out more about the Replaying Communism project here. If you would like to cooperate with Anna and Lucy, or you have a similar project, please contact them via the replayingcommunism@gmail.com email address.

The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.



Interested in CEU Press’s publications? Click here to find out more: https://ceupress.com/

Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7ea71186-da0c-11f0-b257-330d1f2e526d/image/d5005406b7d4e21410de45be2ff5ce46.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, host Andrea Talabér (CEU Press) sat down with Lucy Jeffery and Anna Váradi to talk about their edited volume, Replaying Communism: Trauma and Nostalgia in European Cultural Production. The volume explores the lasting impact of the communist era across Central and Eastern Europe, with chapters thematically threaded through by concepts including curation, immersion, interaction, humor, and authenticity. In the podcast we talked about what it means to “replay” communism, about the trauma/nostalgia paradigm in relation to cultural production, and about inter-generational experiences of media depicting the communist period.

You can purchase a copy here.

You can find out more about the Replaying Communism project here. If you would like to cooperate with Anna and Lucy, or you have a similar project, please contact them via the replayingcommunism@gmail.com email address.

The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.



Interested in CEU Press’s publications? Click here to find out more: https://ceupress.com/

Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, host Andrea Talabér (CEU Press) sat down with Lucy Jeffery and Anna Váradi to talk about their edited volume, <em>Replaying Communism: Trauma and Nostalgia in European Cultural Production</em>. The volume explores the lasting impact of the communist era across Central and Eastern Europe, with chapters thematically threaded through by concepts including curation, immersion, interaction, humor, and authenticity. In the podcast we talked about what it means to “replay” communism, about the trauma/nostalgia paradigm in relation to cultural production, and about inter-generational experiences of media depicting the communist period.</p>
<p>You can purchase a copy <a href="https://www.routledge.com/cart/add?isbn=9789048574322">here</a>.</p>
<p>You can find out more about the <em>Replaying Communism</em> project <a href="https://sites.google.com/view/replayingcommunism/home">here</a>. If you would like to cooperate with Anna and Lucy, or you have a similar project, please contact them via the <a href="mailto:replayingcommunism@gmail.com">replayingcommunism@gmail.com</a> email address.</p>
<p>The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.</p>
<p><br></p>
<p>Interested in CEU Press’s publications? Click here to find out more: <a href="https://ceupress.com/">https://ceupress.com/</a></p>
<p><br>Stay tuned for future episodes and subscribe to our podcast to be the first to be notified.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7ea71186-da0c-11f0-b257-330d1f2e526d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3648539679.mp3?updated=1765841198" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Graham Harman, "Waves and Stones: The Continuous and the Discontinuous in Human Thought" (Allen Lane, 2025)</title>
      <description>A new exploration of our conception of reality, by one of the world’s most influential philosophers.How do we understand the world and our place in it? Do our lives consist of a small number of dramatic turning points, or is there nothing but a series of gradual changes from infancy to old age? Are political elections genuinely transformational, or merely arbitrary points along a shifting cultural timeline? And in physics, how can the continuities of general relativity coexist with the discontinuities of quantum theory?In Waves and Stones, Graham Harman shows that this paradoxical interaction – the question of whether reality is made up of sudden jumps, or is laid out along a gentle gradient with no clear divisions between the various things in the world – permeates every area of human life. What’s more, this paradox is as old as human thought itself. In exploring how the continuous and discrete relate to each other, he takes us on a kaleidoscopic journey from the philosophers of ancient Greece, through the writings of the great Arab historian Ibn Khaldun, through architectural and evolutionary theory, the compatibility of religion with science, and the wave-particle duality of matter.To explore the relationship between the continuous and the discrete, Harman shows, is to consider the very fabric of reality. With this dazzling new book, he proposes a new way of thinking about this ancient problem, with profound implications for our understanding of ourselves and the bewilderingly complex world in which we live.Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>390</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A new exploration of our conception of reality, by one of the world’s most influential philosophers.How do we understand the world and our place in it? Do our lives consist of a small number of dramatic turning points, or is there nothing but a series of gradual changes from infancy to old age? Are political elections genuinely transformational, or merely arbitrary points along a shifting cultural timeline? And in physics, how can the continuities of general relativity coexist with the discontinuities of quantum theory?In Waves and Stones, Graham Harman shows that this paradoxical interaction – the question of whether reality is made up of sudden jumps, or is laid out along a gentle gradient with no clear divisions between the various things in the world – permeates every area of human life. What’s more, this paradox is as old as human thought itself. In exploring how the continuous and discrete relate to each other, he takes us on a kaleidoscopic journey from the philosophers of ancient Greece, through the writings of the great Arab historian Ibn Khaldun, through architectural and evolutionary theory, the compatibility of religion with science, and the wave-particle duality of matter.To explore the relationship between the continuous and the discrete, Harman shows, is to consider the very fabric of reality. With this dazzling new book, he proposes a new way of thinking about this ancient problem, with profound implications for our understanding of ourselves and the bewilderingly complex world in which we live.Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A new exploration of our conception of reality, by one of the world’s most influential philosophers.<br>How do we understand the world and our place in it? Do our lives consist of a small number of dramatic turning points, or is there nothing but a series of gradual changes from infancy to old age? Are political elections genuinely transformational, or merely arbitrary points along a shifting cultural timeline? And in physics, how can the continuities of general relativity coexist with the discontinuities of quantum theory?<br>In Waves and Stones, Graham Harman shows that this paradoxical interaction – the question of whether reality is made up of sudden jumps, or is laid out along a gentle gradient with no clear divisions between the various things in the world – permeates every area of human life. What’s more, this paradox is as old as human thought itself. In exploring how the continuous and discrete relate to each other, he takes us on a kaleidoscopic journey from the philosophers of ancient Greece, through the writings of the great Arab historian Ibn Khaldun, through architectural and evolutionary theory, the compatibility of religion with science, and the wave-particle duality of matter.<br>To explore the relationship between the continuous and the discrete, Harman shows, is to consider the very fabric of reality. With this dazzling new book, he proposes a new way of thinking about this ancient problem, with profound implications for our understanding of ourselves and the bewilderingly complex world in which we live.<br><em>Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6b6dbdbc-d83c-11f0-935e-5b64dd07c00d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4174233660.mp3?updated=1765642296" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Negar Mansouri and Daniel R. Quiroga-Villamarín eds., "Ways of Seeing International Organisations: New Perspectives for International Institutional Law" (Cambridge UP, 2025</title>
      <description>For decades, the field of scholarship that studies the law and practice of international organisations -also known as 'international institutional law'- has been marked by an intellectual quietism. Most of the scholarship tends to focus narrowly on providing 'legal' answers to 'legal' questions. For that reason, perspectives rarely engage with the insights of critical traditions of legal thought (for instance, feminist, postcolonial, or political economy-oriented perspectives) or with interdisciplinary contributions produced outside the field.

Ways of Seeing International Organisations: New Perspectives for International Institutional Law (Cambridge UP, 2025) edited by Dr. Negar Mansouri &amp; Dr. Daniel R. Quiroga-Villamarín challenges the narrow gaze of the field by bringing together authors across multiple disciplines to reflect on the need for 'new' perspectives in international institutional law. Highlighting the limits of mainstream approaches, the authors instead interrogate international organisations as pivots in processes of world-making. To achieve this, the volume is organised around four fundamental themes: expertise; structure; performance; and capital. This title is also available as Open Access on Cambridge Core.

﻿﻿﻿This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 13 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For decades, the field of scholarship that studies the law and practice of international organisations -also known as 'international institutional law'- has been marked by an intellectual quietism. Most of the scholarship tends to focus narrowly on providing 'legal' answers to 'legal' questions. For that reason, perspectives rarely engage with the insights of critical traditions of legal thought (for instance, feminist, postcolonial, or political economy-oriented perspectives) or with interdisciplinary contributions produced outside the field.

Ways of Seeing International Organisations: New Perspectives for International Institutional Law (Cambridge UP, 2025) edited by Dr. Negar Mansouri &amp; Dr. Daniel R. Quiroga-Villamarín challenges the narrow gaze of the field by bringing together authors across multiple disciplines to reflect on the need for 'new' perspectives in international institutional law. Highlighting the limits of mainstream approaches, the authors instead interrogate international organisations as pivots in processes of world-making. To achieve this, the volume is organised around four fundamental themes: expertise; structure; performance; and capital. This title is also available as Open Access on Cambridge Core.

﻿﻿﻿This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For decades, the field of scholarship that studies the law and practice of international organisations -also known as 'international institutional law'- has been marked by an intellectual quietism. Most of the scholarship tends to focus narrowly on providing 'legal' answers to 'legal' questions. For that reason, perspectives rarely engage with the insights of critical traditions of legal thought (for instance, feminist, postcolonial, or political economy-oriented perspectives) or with interdisciplinary contributions produced outside the field.</p>
<p><a href="https://bookshop.org/a/12343/9781009552622">Ways of Seeing International Organisations: New Perspectives for International Institutional Law</a> (Cambridge UP, 2025) edited by Dr. Negar Mansouri &amp; Dr. Daniel R. Quiroga-Villamarín challenges the narrow gaze of the field by bringing together authors across multiple disciplines to reflect on the need for 'new' perspectives in international institutional law. Highlighting the limits of mainstream approaches, the authors instead interrogate international organisations as pivots in processes of world-making. To achieve this, the volume is organised around four fundamental themes: expertise; structure; performance; and capital. This title is also available as Open Access on Cambridge Core.</p>
<p>﻿﻿<em>﻿This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2813</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5383bad6-d660-11f0-a695-b3c435b582c2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5893449236.mp3?updated=1765437241" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne Lawrence-Mathers, "The Magic Books: A History of Enchantment in 20 Medieval Manuscripts﻿" (﻿Yale UP, 2025)</title>
      <description>Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture.

In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne’s son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so.

Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture.

In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne’s son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so.

Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture.</p>
<p>In this beautifully illustrated account <a href="https://bookshop.org/a/12343/9780300244434">The Magic Books: A History of Enchantment in 20 Medieval Manuscripts</a> (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne’s son; <em>The Sworn Book of Honorius</em>, used by a secret society of trained magicians; and the highly influential <em>Picatrix</em>. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so.</p>
<p>Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of <em>Medieval Meteorology</em> and <em>The True History of Merlin the Magician</em> and coauthor of <em>Magic and Medieval Society</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3554</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08f1ab50-d65a-11f0-97a3-d7e06e56d5f4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8878429707.mp3?updated=1765435205" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rachel Jean-Baptiste, "Multiracial Identities in Colonial French Africa: Race, Childhood, and Citizenship" (Cambridge UP, 2023)</title>
      <description>Despite increasingly hardened visions of racial difference in colonial governance in French Africa after World War I, interracial sexual relationships persisted, resulting in the births of thousands of children. These children, mostly born to African women and European men, sparked significant debate in French society about the status of multiracial people, debates historians have termed 'the métis problem.'

Drawing on extensive archival and oral history research in Gabon, Republic of Congo, Senegal, and France, in Multiracial Identities in Colonial French Africa: Race, Childhood, and Citizenship (Cambridge UP, 2023) Dr. Rachel Jean-Baptiste investigates the fluctuating identities of métis. Crucially, she centres claims by métis themselves to access French social and citizenship rights amidst the refusal by fathers to recognize their lineage, and in the context of changing African racial thought and practice. In this original history of race-making, belonging, and rights, Dr. Jean-Baptiste demonstrates the diverse ways in which métis individuals and collectives carved out visions of racial belonging as children and citizens in Africa, Europe, and internationally.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Despite increasingly hardened visions of racial difference in colonial governance in French Africa after World War I, interracial sexual relationships persisted, resulting in the births of thousands of children. These children, mostly born to African women and European men, sparked significant debate in French society about the status of multiracial people, debates historians have termed 'the métis problem.'

Drawing on extensive archival and oral history research in Gabon, Republic of Congo, Senegal, and France, in Multiracial Identities in Colonial French Africa: Race, Childhood, and Citizenship (Cambridge UP, 2023) Dr. Rachel Jean-Baptiste investigates the fluctuating identities of métis. Crucially, she centres claims by métis themselves to access French social and citizenship rights amidst the refusal by fathers to recognize their lineage, and in the context of changing African racial thought and practice. In this original history of race-making, belonging, and rights, Dr. Jean-Baptiste demonstrates the diverse ways in which métis individuals and collectives carved out visions of racial belonging as children and citizens in Africa, Europe, and internationally.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite increasingly hardened visions of racial difference in colonial governance in French Africa after World War I, interracial sexual relationships persisted, resulting in the births of thousands of children. These children, mostly born to African women and European men, sparked significant debate in French society about the status of multiracial people, debates historians have termed 'the métis problem.'</p>
<p>Drawing on extensive archival and oral history research in Gabon, Republic of Congo, Senegal, and France, in <a href="https://bookshop.org/a/12343/9781108733311">Multiracial Identities in Colonial French Africa: Race, Childhood, and Citizenship</a> (Cambridge UP, 2023) Dr. Rachel Jean-Baptiste investigates the fluctuating identities of métis. Crucially, she centres claims by métis themselves to access French social and citizenship rights amidst the refusal by fathers to recognize their lineage, and in the context of changing African racial thought and practice. In this original history of race-making, belonging, and rights, Dr. Jean-Baptiste demonstrates the diverse ways in which métis individuals and collectives carved out visions of racial belonging as children and citizens in Africa, Europe, and internationally.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[46dc7c3a-d4b9-11f0-b8fd-9feaeaf9e049]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5267505416.mp3?updated=1765255444" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Staunton, "Thomas Becket and His World" (Reaktion Books, 2025)</title>
      <description>Thomas Becket and His World ﻿(Reaktion Books, 2025) explores the turbulent life and violent death of Thomas Becket, one of the most controversial figures of the Middle Ages. From a London merchant’s son to royal chancellor and archbishop of Canterbury, Becket’s murder in Canterbury Cathedral on 29 December 1170 elevated him to England’s most celebrated saint. Michael Staunton looks at Becket’s complex and contested legacy, drawing from Becket's own words and those of his contemporaries.

Based on extensive contemporary medieval sources, this account offers a fresh perspective on Thomas Becket’s life and places him within the broader landscape of twelfth-century England and Europe – a time of rapid change, conflict and achievement. Thomas Becket and His World is perfect for anyone wanting to learn more about this pivotal figure in medieval history.

Michael Staunton﻿ is Professor of Medieval History at University College Dublin. He is an internationally recognized expert on Thomas Becket. His books include The Historians of Angevin England (2017).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Thomas Becket and His World ﻿(Reaktion Books, 2025) explores the turbulent life and violent death of Thomas Becket, one of the most controversial figures of the Middle Ages. From a London merchant’s son to royal chancellor and archbishop of Canterbury, Becket’s murder in Canterbury Cathedral on 29 December 1170 elevated him to England’s most celebrated saint. Michael Staunton looks at Becket’s complex and contested legacy, drawing from Becket's own words and those of his contemporaries.

Based on extensive contemporary medieval sources, this account offers a fresh perspective on Thomas Becket’s life and places him within the broader landscape of twelfth-century England and Europe – a time of rapid change, conflict and achievement. Thomas Becket and His World is perfect for anyone wanting to learn more about this pivotal figure in medieval history.

Michael Staunton﻿ is Professor of Medieval History at University College Dublin. He is an internationally recognized expert on Thomas Becket. His books include The Historians of Angevin England (2017).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781836390701">Thomas Becket and His World</a> ﻿(Reaktion Books, 2025) explores the turbulent life and violent death of Thomas Becket, one of the most controversial figures of the Middle Ages. From a London merchant’s son to royal chancellor and archbishop of Canterbury, Becket’s murder in Canterbury Cathedral on 29 December 1170 elevated him to England’s most celebrated saint. Michael Staunton looks at Becket’s complex and contested legacy, drawing from Becket's own words and those of his contemporaries.</p>
<p>Based on extensive contemporary medieval sources, this account offers a fresh perspective on Thomas Becket’s life and places him within the broader landscape of twelfth-century England and Europe – a time of rapid change, conflict and achievement. <em>Thomas Becket and His World</em> is perfect for anyone wanting to learn more about this pivotal figure in medieval history.</p>
<p><a href="https://reaktionbooks.co.uk/authors/michael-staunton">Michael Staunton</a>﻿ is Professor of Medieval History at University College Dublin. He is an internationally recognized expert on Thomas Becket. His books include <em>The Historians of Angevin England</em> (2017).</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4297</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[14e9d496-d4c0-11f0-94e1-13b6b59873f7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2363836641.mp3?updated=1765259006" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dan Edelstein﻿, "The Revolution to Come: A History of an Idea from Thucydides to Lenin" (﻿Princeton UP, 2025)</title>
      <description>Political thinkers from Plato to John Adams saw revolutions as a grave threat to society and advocated for a constitution that prevented them by balancing social interests and forms of government. The Revolution to Come: A History of an Idea from Thucydides to Lenin (﻿Princeton UP, 2025) traces how evolving conceptions of history ushered in a faith in the power of revolution to create more just and reasonable societies.

﻿Taking readers from Greek antiquity to Leninist Russia, Dan Edelstein describes how classical philosophers viewed history as chaotic and directionless, and sought to keep historical change—especially revolutions—at bay. This conception prevailed until the eighteenth century, when Enlightenment thinkers conceived of history as a form of progress and of revolution as its catalyst. These ideas were put to the test during the French Revolution and came to define revolutions well into the twentieth century. Edelstein demonstrates how the coming of the revolution leaves societies divided over its goals, giving rise to new forms of violence in which rivals are targeted as counterrevolutionaries.A panoramic work of intellectual history, The Revolution to Come challenges us to reflect on the aims and consequences of revolution and to balance the value of stability over the hope for change in our own moment of fear and upheaval.

Dan Edelstein﻿ is the William H. Bonsall Professor of French and (by courtesy) professor of political science and of history at Stanford University. His many books include On the Spirit of Rights and The Terror of Natural Right: Republicanism, the Cult of Nature, and the French Revolution.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Political thinkers from Plato to John Adams saw revolutions as a grave threat to society and advocated for a constitution that prevented them by balancing social interests and forms of government. The Revolution to Come: A History of an Idea from Thucydides to Lenin (﻿Princeton UP, 2025) traces how evolving conceptions of history ushered in a faith in the power of revolution to create more just and reasonable societies.

﻿Taking readers from Greek antiquity to Leninist Russia, Dan Edelstein describes how classical philosophers viewed history as chaotic and directionless, and sought to keep historical change—especially revolutions—at bay. This conception prevailed until the eighteenth century, when Enlightenment thinkers conceived of history as a form of progress and of revolution as its catalyst. These ideas were put to the test during the French Revolution and came to define revolutions well into the twentieth century. Edelstein demonstrates how the coming of the revolution leaves societies divided over its goals, giving rise to new forms of violence in which rivals are targeted as counterrevolutionaries.A panoramic work of intellectual history, The Revolution to Come challenges us to reflect on the aims and consequences of revolution and to balance the value of stability over the hope for change in our own moment of fear and upheaval.

Dan Edelstein﻿ is the William H. Bonsall Professor of French and (by courtesy) professor of political science and of history at Stanford University. His many books include On the Spirit of Rights and The Terror of Natural Right: Republicanism, the Cult of Nature, and the French Revolution.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political thinkers from Plato to John Adams saw revolutions as a grave threat to society and advocated for a constitution that prevented them by balancing social interests and forms of government. <a href="https://bookshop.org/a/12343/9780691231853">The Revolution to Come: A History of an Idea from Thucydides to Lenin</a><em> </em>(﻿Princeton UP, 2025) traces how evolving conceptions of history ushered in a faith in the power of revolution to create more just and reasonable societies.</p>
<p>﻿Taking readers from Greek antiquity to Leninist Russia, Dan Edelstein describes how classical philosophers viewed history as chaotic and directionless, and sought to keep historical change—especially revolutions—at bay. This conception prevailed until the eighteenth century, when Enlightenment thinkers conceived of history as a form of progress and of revolution as its catalyst. These ideas were put to the test during the French Revolution and came to define revolutions well into the twentieth century. Edelstein demonstrates how the coming of the revolution leaves societies divided over its goals, giving rise to new forms of violence in which rivals are targeted as counterrevolutionaries.<br>A panoramic work of intellectual history, <em>The Revolution to Come</em> challenges us to reflect on the aims and consequences of revolution and to balance the value of stability over the hope for change in our own moment of fear and upheaval.</p>
<p><strong></strong><a href="https://press.princeton.edu/taxonomy/term/28118">Dan Edelstein</a>﻿ is the William H. Bonsall Professor of French and (by courtesy) professor of political science and of history at Stanford University. His many books include <em>On the Spirit of Rights</em> and <em>The Terror of Natural Right: Republicanism, the Cult of Nature, and the French Revolution</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3623</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90504614-d4bc-11f0-ac1f-ef017cb7f245]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9131805958.mp3?updated=1765256880" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chad Augustine Córdova, "Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France" (Northwestern UP, 2025)</title>
      <description>What good is aesthetics in a time of ecological crisis? Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France (Northwestern UP, 2025) shows that philosophical aesthetics contains unheeded potentialities for challenging the ontological subjection of nature to the human subject. Drawing on deconstructive, ecological, and biopolitical thought, Chad Córdova uncovers in aesthetics something irreducible to humanist metaphysics: an account of how beings emerge and are interrelated, responsive, and even response-able without reason or why.This anarchic and atelic ontology, recovered from Kant, becomes the guiding thread for a new, premodern trajectory of posthumanism. Charting a path from Aristotle to Heidegger to today’s plant-thinking, with new readings of Montaigne, Pascal, Diderot, Rousseau, and others along the way, this capacious study reveals the untimely relevance of pre-1800 practices of writing, science, and art. Enacting a multitemporal mode of reading, Córdova offers a defense and illustration of the importance of returning to early modern texts as a way to rethink nature, art, ethics, and politics in a time when these concepts are in flux and more contentious than ever.

Author Chad Córdova is Assistant Professor in the Department of Romance Studies at Cornell University where he is also affiliated faculty in the Department of Environment and Sustainability. In addition to this new book, he is the author of many articles on figures and concepts that appear in this book, such as Montaigne, Kant, and Heidegger—most recently in Essais: Revue interdisciplinaire d’humanités and The Comparitist.

Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 06 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What good is aesthetics in a time of ecological crisis? Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France (Northwestern UP, 2025) shows that philosophical aesthetics contains unheeded potentialities for challenging the ontological subjection of nature to the human subject. Drawing on deconstructive, ecological, and biopolitical thought, Chad Córdova uncovers in aesthetics something irreducible to humanist metaphysics: an account of how beings emerge and are interrelated, responsive, and even response-able without reason or why.This anarchic and atelic ontology, recovered from Kant, becomes the guiding thread for a new, premodern trajectory of posthumanism. Charting a path from Aristotle to Heidegger to today’s plant-thinking, with new readings of Montaigne, Pascal, Diderot, Rousseau, and others along the way, this capacious study reveals the untimely relevance of pre-1800 practices of writing, science, and art. Enacting a multitemporal mode of reading, Córdova offers a defense and illustration of the importance of returning to early modern texts as a way to rethink nature, art, ethics, and politics in a time when these concepts are in flux and more contentious than ever.

Author Chad Córdova is Assistant Professor in the Department of Romance Studies at Cornell University where he is also affiliated faculty in the Department of Environment and Sustainability. In addition to this new book, he is the author of many articles on figures and concepts that appear in this book, such as Montaigne, Kant, and Heidegger—most recently in Essais: Revue interdisciplinaire d’humanités and The Comparitist.

Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What good is aesthetics in a time of ecological crisis? <a href="https://bookshop.org/a/12343/9780810148277">Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France</a> (Northwestern UP, 2025) shows that philosophical aesthetics contains unheeded potentialities for challenging the ontological subjection of nature to the human subject. Drawing on deconstructive, ecological, and biopolitical thought, Chad Córdova uncovers in aesthetics something irreducible to humanist metaphysics: an account of how beings emerge and are interrelated, responsive, and even response-able without reason or why.<br>This anarchic and atelic ontology, recovered from Kant, becomes the guiding thread for a new, premodern trajectory of posthumanism. Charting a path from Aristotle to Heidegger to today’s plant-thinking, with new readings of Montaigne, Pascal, Diderot, Rousseau, and others along the way, this capacious study reveals the untimely relevance of pre-1800 practices of writing, science, and art. Enacting a multitemporal mode of reading, Córdova offers a defense and illustration of the importance of returning to early modern texts as a way to rethink nature, art, ethics, and politics in a time when these concepts are in flux and more contentious than ever.</p>
<p>Author Chad Córdova is Assistant Professor in the Department of Romance Studies at Cornell University where he is also affiliated faculty in the Department of Environment and Sustainability. In addition to this new book, he is the author of many articles on figures and concepts that appear in this book, such as Montaigne, Kant, and Heidegger—most recently in <em>Essais: Revue interdisciplinaire d’humanités </em>and <em>The Comparitist.</em></p>
<p>Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3352</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[01a484ba-d193-11f0-a3ef-9b718907531a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7533819142.mp3?updated=1764909199" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ayoush Lazikani, "The Medieval Moon: A History of Haunting and Blessing" (Yale UP, 2025)</title>
      <description>When they gazed at the moon, medieval people around the globe saw an object that was at once powerful and fragile, distant and intimate—and sometimes all this at once. The moon could convey love, beauty, and gentleness; but it could also be about pain, hatred, and violence. In its circularity the moon was associated with fullness and fertility. Yet in its crescent and other shifting forms, the moon could seem broken, even wounded.

﻿ In this beautifully illustrated history ﻿The Medieval Moon: A History of Haunting and Blessing﻿ ﻿﻿(Yale UP, 2025), Ayoush Lazikani reveals the many ways medieval people felt and wrote about the moon. Ranging across the world, from China to South America, Korea to Wales, Lazikani explores how different cultures interacted with the moon. From the idea that the Black Death was caused by a lunar eclipse to the wealth of Persian love poetry inspired by the moon’s beauty, this is a truly global account of our closest celestial neighbour.

Ayoush Lazikani is a lecturer at the University of Oxford. A specialist in medieval literature, she is the author of Cultivating the Heart and Emotion in Christian and Islamic Contemplative Texts, 1100–1250, and an associate editor for the Palgrave Encyclopedia of Medieval Women’s Writing in the Global Middle Ages.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 06 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When they gazed at the moon, medieval people around the globe saw an object that was at once powerful and fragile, distant and intimate—and sometimes all this at once. The moon could convey love, beauty, and gentleness; but it could also be about pain, hatred, and violence. In its circularity the moon was associated with fullness and fertility. Yet in its crescent and other shifting forms, the moon could seem broken, even wounded.

﻿ In this beautifully illustrated history ﻿The Medieval Moon: A History of Haunting and Blessing﻿ ﻿﻿(Yale UP, 2025), Ayoush Lazikani reveals the many ways medieval people felt and wrote about the moon. Ranging across the world, from China to South America, Korea to Wales, Lazikani explores how different cultures interacted with the moon. From the idea that the Black Death was caused by a lunar eclipse to the wealth of Persian love poetry inspired by the moon’s beauty, this is a truly global account of our closest celestial neighbour.

Ayoush Lazikani is a lecturer at the University of Oxford. A specialist in medieval literature, she is the author of Cultivating the Heart and Emotion in Christian and Islamic Contemplative Texts, 1100–1250, and an associate editor for the Palgrave Encyclopedia of Medieval Women’s Writing in the Global Middle Ages.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When they gazed at the moon, medieval people around the globe saw an object that was at once powerful and fragile, distant and intimate—and sometimes all this at once. The moon could convey love, beauty, and gentleness; but it could also be about pain, hatred, and violence. In its circularity the moon was associated with fullness and fertility. Yet in its crescent and other shifting forms, the moon could seem broken, even wounded.</p>
<p>﻿ In this beautifully illustrated history ﻿<a href="https://bookshop.org/a/12343/9780300278286">The Medieval Moon: A History of Haunting and Blessing﻿</a><em> </em>﻿﻿(Yale UP, 2025), Ayoush Lazikani reveals the many ways medieval people felt and wrote about the moon. Ranging across the world, from China to South America, Korea to Wales, Lazikani explores how different cultures interacted with the moon. From the idea that the Black Death was caused by a lunar eclipse to the wealth of Persian love poetry inspired by the moon’s beauty, this is a truly global account of our closest celestial neighbour.</p>
<p>Ayoush Lazikani is a lecturer at the University of Oxford. A specialist in medieval literature, she is the author of <em>Cultivating the Heart</em> and <em>Emotion in Christian and Islamic Contemplative Texts, 1100–1250,</em> and an associate editor for the <em>Palgrave Encyclopedia of Medieval Women’s Writing in the Global Middle Ages</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2236</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8a708692-d0dd-11f0-a36c-8741a82f83e4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3252532195.mp3?updated=1764831685" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Griffiths, "Checkpoint 300: Colonial Space in Palestine" (U Minnesota Press, 2025)</title>
      <description>Checkpoint 300, the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space in ﻿﻿Checkpoint 300: Colonial Space in Palestine ﻿(U Minnesota Press, 2025), Mark Griffiths reveals Checkpoint 300 as a stark symbol of Israeli colonialism that embodies larger systems of control and violence.

Griffiths’s sensitive and timely work highlights the myriad ways Palestinians are affected by Israel’s spatial control—whether they travel through the checkpoint or not—demonstrating how colonial infrastructures of inequity extend far beyond their physical boundaries to shape daily life. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.

Blending meticulous research with vivid human stories to show the lived realities of borders, power, and resistance in the West Bank, Checkpoint 300 portrays the checkpoint as an entry into the ways that colonial space is formed through security infrastructure that is both the product and producer of wider geographies of oppression, complicity, and control.

Mark Griffiths is reader in political geography at Newcastle University. He is coeditor of Encountering Palestine: Un/making Spaces of Colonial Violence.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Checkpoint 300, the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space in ﻿﻿Checkpoint 300: Colonial Space in Palestine ﻿(U Minnesota Press, 2025), Mark Griffiths reveals Checkpoint 300 as a stark symbol of Israeli colonialism that embodies larger systems of control and violence.

Griffiths’s sensitive and timely work highlights the myriad ways Palestinians are affected by Israel’s spatial control—whether they travel through the checkpoint or not—demonstrating how colonial infrastructures of inequity extend far beyond their physical boundaries to shape daily life. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.

Blending meticulous research with vivid human stories to show the lived realities of borders, power, and resistance in the West Bank, Checkpoint 300 portrays the checkpoint as an entry into the ways that colonial space is formed through security infrastructure that is both the product and producer of wider geographies of oppression, complicity, and control.

Mark Griffiths is reader in political geography at Newcastle University. He is coeditor of Encountering Palestine: Un/making Spaces of Colonial Violence.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Checkpoint 300, the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space in<a href="https://bookshop.org/a/12343/9781517919849"> ﻿﻿Checkpoint 300: Colonial Space in Palestine</a><em> </em>﻿(U Minnesota Press, 2025), Mark Griffiths reveals Checkpoint 300 as a stark symbol of Israeli colonialism that embodies larger systems of control and violence.</p>
<p>Griffiths’s sensitive and timely work highlights the myriad ways Palestinians are affected by Israel’s spatial control—whether they travel through the checkpoint or not—demonstrating how colonial infrastructures of inequity extend far beyond their physical boundaries to shape daily life. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.</p>
<p>Blending meticulous research with vivid human stories to show the lived realities of borders, power, and resistance in the West Bank, <em>Checkpoint 300</em> portrays the checkpoint as an entry into the ways that colonial space is formed through security infrastructure that is both the product and producer of wider geographies of oppression, complicity, and control.</p>
<p>Mark Griffiths is reader in political geography at Newcastle University. He is coeditor of <em>Encountering Palestine: Un/making Spaces of Colonial Violence</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2824</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[39f2f0dc-cf4e-11f0-b829-c7f44dae6f2a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4254579966.mp3?updated=1764660436" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Houlbrook, "Songs of Seven Dials: An Intimate History of 1920s and 1930s London" (Manchester UP, 2025)</title>
      <description>How has central London changed in the last 100 years? In Songs of Seven Dials An Intimate History of 1920s and 1930s London (﻿Manchester UP, 2025), Matt Houlbrook, a Professor of Cultural History at the University of Birmingham, tells the story of a part of London that was the site for major contests over urban development, race, and the future of the city. Centred around a libel trial brought by a local café owner resisting the press’ lies about the area. From this, the book explores the wider context of property investment, the circulation of capital, the impact of Empire, and the changing meaning of what is now one of London’s most visited and most fashionable areas. The book will appeal to academic and general audiences, showing how the story of Seven Dials is still important to contemporary life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How has central London changed in the last 100 years? In Songs of Seven Dials An Intimate History of 1920s and 1930s London (﻿Manchester UP, 2025), Matt Houlbrook, a Professor of Cultural History at the University of Birmingham, tells the story of a part of London that was the site for major contests over urban development, race, and the future of the city. Centred around a libel trial brought by a local café owner resisting the press’ lies about the area. From this, the book explores the wider context of property investment, the circulation of capital, the impact of Empire, and the changing meaning of what is now one of London’s most visited and most fashionable areas. The book will appeal to academic and general audiences, showing how the story of Seven Dials is still important to contemporary life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has central London changed in the last 100 years? In <a href="https://bookshop.org/a/12343/9781526181954">Songs of Seven Dials An Intimate History of 1920s and 1930s London</a> (﻿Manchester UP, 2025), <a href="https://www.birmingham.ac.uk/staff/profiles/history/houlbrook-matt">Matt Houlbrook</a>, a <a href="https://bsky.app/profile/tricksterprince.bsky.social">Professor of Cultural History at the University of Birmingham</a>, tells the story of a part of London that was the site for major contests over urban development, race, and the future of the city. Centred around a libel trial brought by a local café owner resisting the press’ lies about the area. From this, the book explores the wider context of property investment, the circulation of capital, the impact of Empire, and the changing meaning of what is now one of London’s most visited and most fashionable areas. The book will appeal to academic and general audiences, showing how the story of Seven Dials is still important to contemporary life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3202</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3abeb4be-ce82-11f0-92e1-1761a7926f4d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5443542524.mp3?updated=1764572659" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Renaissance of Marxist Studies: A Discussion with Babak Amini</title>
      <description>The last few years have seen a resurgence of interest in academic research in Marxism and related fields, and many researchers have been stepping up to the plate to offer rigorous analysis and critical reanimations of Marxist theory. One particularly exciting place where this is included is the Palgrave series Marx, Engels and Marxisms, which has been steadily putting new titles out for close to a decade. Including original monographs, edited collections and translated texts, the series covers a wide variety of topics for those interested in rediscovering and developing a Marxism ready to face the 21st century. This conversation with one of the editors is intended to serve as an overview of the series, with more traditional episodes to follow in the near future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>279</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Babak Amini</itunes:subtitle>
      <itunes:summary>The last few years have seen a resurgence of interest in academic research in Marxism and related fields, and many researchers have been stepping up to the plate to offer rigorous analysis and critical reanimations of Marxist theory. One particularly exciting place where this is included is the Palgrave series Marx, Engels and Marxisms, which has been steadily putting new titles out for close to a decade. Including original monographs, edited collections and translated texts, the series covers a wide variety of topics for those interested in rediscovering and developing a Marxism ready to face the 21st century. This conversation with one of the editors is intended to serve as an overview of the series, with more traditional episodes to follow in the near future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The last few years have seen a resurgence of interest in academic research in Marxism and related fields, and many researchers have been stepping up to the plate to offer rigorous analysis and critical reanimations of Marxist theory. One particularly exciting place where this is included is the Palgrave series <a href="https://link.springer.com/series/14812">Marx, Engels and Marxisms</a>, which has been steadily putting new titles out for close to a decade. Including original monographs, edited collections and translated texts, the series covers a wide variety of topics for those interested in rediscovering and developing a Marxism ready to face the 21st century. This conversation with one of the editors is intended to serve as an overview of the series, with more traditional episodes to follow in the near future.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1205</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5e57453c-bf25-11ec-8e5a-5b349f401043]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4360011090.mp3?updated=1650293383" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)</title>
      <description>In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jean-Thomas Tremblay</itunes:subtitle>
      <itunes:summary>In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478018865"><em>Breathing Aesthetics</em></a> (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3820</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6e62178c-cad3-11f0-a924-630a78408fae]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2145660248.mp3?updated=1664029159" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Benjamin Balthaser, "Citizens of the Whole World: Anti-Zionism and the Cultures of the American Jewish Left" (Verso Books, 2025)</title>
      <description>Since October 7, 2023, the world has witnessed a massive American Jewish uprising in support of Palestinian liberation. Through sit-ins in Congress or Grand Central Terminal, through petitions and marches, thousands of Jews have made it known the Israeli state is not acting in their name. This resistance did not come out of nowhere. Citizens of the Whole World: Anti-Zionism and the Cultures of the American Jewish Left (Verso Books, 2025) returns us to its roots in the “red decade” of the 1930s and, from there, traces the history of American Jewish radicals and revolutionaries to the present day.Benjamin Balthaser delves into radical Jewish novels and memoirs, as well as interviews with Jewish revolutionaries, to unearth a buried if nonetheless unbroken continuity between leftist Jewish Americans and the diasporic internation­alism of today.Covering more than just the politics of anti-Zionism, Citizens of the Whole World explores the Jewish revolutionary traditions of Marxist internationalism, Jewish solidarity with Third World struggles, and relations between Jewish and Black radicals during the Civil Rights era.Balthaser’s book stages an intervention into current anti-Zionist politics, suggesting activists can learn from past struggles to help form a future politics in a world after Zionism.

Benjamin Balthaser's critical and creative work explores the connections among radical U.S. social movements, racial and class formation, internationalism, and culture. He is the author of Anti-Imperialist Modernism: Race and Radical Transnational Culture from the Great Depression to the Cold War (University of Michigan Press, 2016) and Dedication (Partisan Press, 2011). His work has appeared or is forthcoming in journals such as American Quarterly, Historical Materialism, Boston Review, Jacobin, Shofar and elsewhere. He is currently associate professor of multi-ethnic U.S. literature at Indiana University, South Bend, and associate editor of American Quarterly.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since October 7, 2023, the world has witnessed a massive American Jewish uprising in support of Palestinian liberation. Through sit-ins in Congress or Grand Central Terminal, through petitions and marches, thousands of Jews have made it known the Israeli state is not acting in their name. This resistance did not come out of nowhere. Citizens of the Whole World: Anti-Zionism and the Cultures of the American Jewish Left (Verso Books, 2025) returns us to its roots in the “red decade” of the 1930s and, from there, traces the history of American Jewish radicals and revolutionaries to the present day.Benjamin Balthaser delves into radical Jewish novels and memoirs, as well as interviews with Jewish revolutionaries, to unearth a buried if nonetheless unbroken continuity between leftist Jewish Americans and the diasporic internation­alism of today.Covering more than just the politics of anti-Zionism, Citizens of the Whole World explores the Jewish revolutionary traditions of Marxist internationalism, Jewish solidarity with Third World struggles, and relations between Jewish and Black radicals during the Civil Rights era.Balthaser’s book stages an intervention into current anti-Zionist politics, suggesting activists can learn from past struggles to help form a future politics in a world after Zionism.

Benjamin Balthaser's critical and creative work explores the connections among radical U.S. social movements, racial and class formation, internationalism, and culture. He is the author of Anti-Imperialist Modernism: Race and Radical Transnational Culture from the Great Depression to the Cold War (University of Michigan Press, 2016) and Dedication (Partisan Press, 2011). His work has appeared or is forthcoming in journals such as American Quarterly, Historical Materialism, Boston Review, Jacobin, Shofar and elsewhere. He is currently associate professor of multi-ethnic U.S. literature at Indiana University, South Bend, and associate editor of American Quarterly.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since October 7, 2023, the world has witnessed a massive American Jewish uprising in support of Palestinian liberation. Through sit-ins in Congress or Grand Central Terminal, through petitions and marches, thousands of Jews have made it known the Israeli state is not acting in their name. This resistance did not come out of nowhere. <a href="https://bookshop.org/a/12343/9781804291375">Citizens of the Whole World: Anti-Zionism and the Cultures of the American Jewish Left</a> (Verso Books, 2025) returns us to its roots in the “red decade” of the 1930s and, from there, traces the history of American Jewish radicals and revolutionaries to the present day.<br>Benjamin Balthaser delves into radical Jewish novels and memoirs, as well as interviews with Jewish revolutionaries, to unearth a buried if nonetheless unbroken continuity between leftist Jewish Americans and the diasporic internation­alism of today.<br>Covering more than just the politics of anti-Zionism, <em>Citizens of the Whole World</em> explores the Jewish revolutionary traditions of Marxist internationalism, Jewish solidarity with Third World struggles, and relations between Jewish and Black radicals during the Civil Rights era.<br>Balthaser’s book stages an intervention into current anti-Zionist politics, suggesting activists can learn from past struggles to help form a future politics in a world after Zionism.</p>
<p>Benjamin Balthaser's critical and creative work explores the connections among radical U.S. social movements, racial and class formation, internationalism, and culture. He is the author of <em>Anti-Imperialist Modernism: Race and Radical Transnational Culture from the Great Depression to the Cold War </em>(University of Michigan Press, 2016) and <em>Dedication </em>(Partisan Press, 2011). His work has appeared or is forthcoming in journals such as <em>American Quarterly</em>, <em>Historical Materialism</em>, <em>Boston Review</em>, <em>Jacobin</em>, <em>Shofar</em> and elsewhere. He is currently associate professor of multi-ethnic U.S. literature at Indiana University, South Bend, and associate editor of <em>American Quarterly</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4619</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a5eee92e-caaf-11f0-a3be-0f7127823ab3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3777659862.mp3?updated=1764151533" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick Gamsby, "Henri Lefebvre, Metaphilosophy and Modernity" (Routledge, 2025)</title>
      <description>Henri Lefebvre is a writer who has had many competing claims for ownership, from sociology to philosophy to urban geography, different scholars have attempted to grasp the nature of his thought. These competing attempts have been encouraged by Lefebvre’s rejection of systematicity in his thought and his eclectic, discursive writing style. In his book Henri Lefebvre, Metaphilosophy and Modernity (Routledge, 2025) Patrick Gamsby provides a new, interdisciplinary way of viewing Lefebvre’s work through the category of ‘metaphilosophy’. This, the term Lefebvre used to categorise his own perspective, emphasises the link between thought and action and therefore encourages us to foreground Lefebvre’s critique of alienation. The role of alienation as the ‘blockage of the possible’ also leads Gamsby to emphasis the utopian nature of Lefebvre’s thought as one directed to what could be.

In our conversation we discuss how Gamsby came to this topic through his previous explorations of Lefebvre’s sociology of boredom, the importance of happiness for Lefebvre, the problems of technology and why Lefebvre saw great hopes in a new romanticism. We also discuss why we should be wary of packets of sweetener encouraging us to be happy.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Henri Lefebvre is a writer who has had many competing claims for ownership, from sociology to philosophy to urban geography, different scholars have attempted to grasp the nature of his thought. These competing attempts have been encouraged by Lefebvre’s rejection of systematicity in his thought and his eclectic, discursive writing style. In his book Henri Lefebvre, Metaphilosophy and Modernity (Routledge, 2025) Patrick Gamsby provides a new, interdisciplinary way of viewing Lefebvre’s work through the category of ‘metaphilosophy’. This, the term Lefebvre used to categorise his own perspective, emphasises the link between thought and action and therefore encourages us to foreground Lefebvre’s critique of alienation. The role of alienation as the ‘blockage of the possible’ also leads Gamsby to emphasis the utopian nature of Lefebvre’s thought as one directed to what could be.

In our conversation we discuss how Gamsby came to this topic through his previous explorations of Lefebvre’s sociology of boredom, the importance of happiness for Lefebvre, the problems of technology and why Lefebvre saw great hopes in a new romanticism. We also discuss why we should be wary of packets of sweetener encouraging us to be happy.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Henri Lefebvre is a writer who has had many competing claims for ownership, from sociology to philosophy to urban geography, different scholars have attempted to grasp the nature of his thought. These competing attempts have been encouraged by Lefebvre’s rejection of systematicity in his thought and his eclectic, discursive writing style. In his book <a href="https://bookshop.org/a/12343/9781032576428">Henri Lefebvre, Metaphilosophy and Modernity</a><em> </em>(Routledge, 2025) Patrick Gamsby provides a new, interdisciplinary way of viewing Lefebvre’s work through the category of ‘metaphilosophy’. This, the term Lefebvre used to categorise his own perspective, emphasises the link between thought and action and therefore encourages us to foreground Lefebvre’s critique of alienation. The role of alienation as the ‘blockage of the possible’ also leads Gamsby to emphasis the utopian nature of Lefebvre’s thought as one directed to what could be.</p>
<p>In our conversation we discuss how Gamsby came to this topic through his previous explorations of Lefebvre’s sociology of boredom, the importance of happiness for Lefebvre, the problems of technology and why Lefebvre saw great hopes in a new romanticism. We also discuss why we should be wary of packets of sweetener encouraging us to be happy.</p>
<p>Your host, <a href="https://www.gla.ac.uk/schools/socialpolitical/staff/mattdawson/">Matt Dawson</a> is Professor of Sociology at the University of Glasgow and the author of <a href="https://link.springer.com/book/10.1007/978-3-031-75484-5">G.D.H. Cole and British Sociology: A Study in Semi-Alienation</a> (2024, Palgrave Macmillan), along with other texts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3034</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b6582168-caaf-11f0-a0b0-c78d0e1e28e4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1631870326.mp3?updated=1764151837" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)</title>
      <description>Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.
What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.
Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.
Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places.

Kara Walker, A Subtlety, 2014

Manaf Halbouni, Monument, 2017

Warren Kanders controversy at the Whitney


Triple Chaser by Forensic Architecture

My conversations with and on Forensic Architecture


Wolfgang Tillmans and his anti-Brexit campaign


Ren Hang


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 29 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Gamso</itunes:subtitle>
      <itunes:summary>Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.
What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.
Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.
Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places.

Kara Walker, A Subtlety, 2014

Manaf Halbouni, Monument, 2017

Warren Kanders controversy at the Whitney


Triple Chaser by Forensic Architecture

My conversations with and on Forensic Architecture


Wolfgang Tillmans and his anti-Brexit campaign


Ren Hang


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781941332689"><em>Art After Liberalism</em></a><em> </em>(Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.</p><p>What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.</p><p>Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.</p><p><a href="https://www.nicholas-gamso.com/">Nicholas Gamso</a> is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at <a href="https://placesjournal.org/"><em>Places</em></a><em>.</em></p><ul>
<li><a href="https://creativetime.org/projects/karawalker/">Kara Walker, <em>A Subtlety</em>, 2014</a></li>
<li><a href="https://learngerman.dw.com/en/monument-to-aleppo-opens-to-protests-in-dresden/a-37445794">Manaf Halbouni, <em>Monument</em>, 2017</a></li>
<li><a href="https://www.nytimes.com/2019/07/25/arts/whitney-warren-kanders-resigns.html">Warren Kanders controversy at the Whitney</a></li>
<li>
<a href="https://forensic-architecture.org/investigation/triple-chaser"><em>Triple Chaser</em></a> by Forensic Architecture</li>
<li><a href="https://petitpoi.net/tag/forensic-architecture/">My conversations with and on <em>Forensic Architecture</em></a></li>
<li>
<a href="https://tillmans.co.uk/">Wolfgang Tillmans</a> and his <a href="https://tillmans.co.uk/campaign-eu">anti-Brexit campaign</a>
</li>
<li><a href="https://www.itsliquid.com/renhang-photography.html">Ren Hang</a></li>
</ul><p><br></p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5011</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[704dbc02-ca49-11f0-a9f1-db36eb4e94d1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1547140838.mp3?updated=1662390050" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jake Monaghan, "Just Policing" (Oxford UP, 2023)</title>
      <description>Policing is a source of perennial conflict and philosophical disagreement. Current political developments in the United States have only increased the urgency of this topic. Today we welcome philosopher Jake Monaghan to discuss his book, Just Policing (Oxford UP, 2023), which applies interdisciplinary insights to examine the morality of policing.

Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always the result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? Just Policing attempts an answer, offering a theory of just policing in non-ideal contexts.

Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This claim conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code.

But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. Police need an alternative normative framework for evaluating and guiding their exercise of power.

Just Policing critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform.

Jake Monaghan is Assistant Professor of Philosophy at the University of Southern California. He earned his Ph.D. in philosophy at the University of Buffalo. His research is primarily in moral and political philosophy.

He is interviewed by Tom McInerney, an international lawyer, scholar, and strategist, who has worked to advance rule of law and development internationally for 25 years. He has taught in the Rule of Law for Development Program at Loyola University Chicago School of Law since 2011. He writes the Rights, Regulation and Rule of Law newsletter on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jake Monaghan</itunes:subtitle>
      <itunes:summary>Policing is a source of perennial conflict and philosophical disagreement. Current political developments in the United States have only increased the urgency of this topic. Today we welcome philosopher Jake Monaghan to discuss his book, Just Policing (Oxford UP, 2023), which applies interdisciplinary insights to examine the morality of policing.

Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always the result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? Just Policing attempts an answer, offering a theory of just policing in non-ideal contexts.

Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This claim conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code.

But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. Police need an alternative normative framework for evaluating and guiding their exercise of power.

Just Policing critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform.

Jake Monaghan is Assistant Professor of Philosophy at the University of Southern California. He earned his Ph.D. in philosophy at the University of Buffalo. His research is primarily in moral and political philosophy.

He is interviewed by Tom McInerney, an international lawyer, scholar, and strategist, who has worked to advance rule of law and development internationally for 25 years. He has taught in the Rule of Law for Development Program at Loyola University Chicago School of Law since 2011. He writes the Rights, Regulation and Rule of Law newsletter on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Policing is a source of perennial conflict and philosophical disagreement. Current political developments in the United States have only increased the urgency of this topic. Today we welcome philosopher Jake Monaghan to discuss his book, <a href="https://bookshop.org/a/12343/9780197610725">Just Policing</a> (Oxford UP, 2023), which applies interdisciplinary insights to examine the morality of policing.</p>
<p>Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always the result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? <em>Just Policing</em> attempts an answer, offering a theory of just policing in non-ideal contexts.</p>
<p>Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This claim conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code.</p>
<p>But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. Police need an alternative normative framework for evaluating and guiding their exercise of power.</p>
<p><em>Just Policing</em> critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform.</p>
<p><a href="https://jakemonaghan.com/">Jake Monaghan</a> is Assistant Professor of Philosophy at the University of Southern California. He earned his Ph.D. in philosophy at the University of Buffalo. His research is primarily in moral and political philosophy.</p>
<p>He is interviewed by Tom McInerney, an international lawyer, scholar, and strategist, who has worked to advance rule of law and development internationally for 25 years. He has taught in the Rule of Law for Development Program at Loyola University Chicago School of Law since 2011. He writes the <a href="https://tommcinerney.substack.com/">Rights, Regulation and Rule of Law</a> newsletter on Substack.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3681</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9381c2da-ca3b-11f0-9545-9750e771ce77]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7846703661.mp3?updated=1746630719" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joanna Merwood-Salisbury, "Barbarian Architecture: Thorstein Veblen’s Chicago" (MIT Press, 2024)</title>
      <description>An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious display of goods in the service of social status. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture: Thorstein Veblen’s Chicago (MIT Press, 2024), Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Taking an interdisciplinary approach, she explores Veblen's position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago's historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen's home city on his work and ideas.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious display of goods in the service of social status. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture: Thorstein Veblen’s Chicago (MIT Press, 2024), Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Taking an interdisciplinary approach, she explores Veblen's position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago's historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen's home city on his work and ideas.

This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious display of goods in the service of social status. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In <a href="https://bookshop.org/a/12343/9780262547413">Barbarian Architecture: Thorstein Veblen’s Chicago</a> (MIT Press, 2024), Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Taking an interdisciplinary approach, she explores Veblen's position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago's historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen's home city on his work and ideas.</p>
<p>This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of <a href="https://verlag.gta.arch.ethz.ch/en/gta:book_6db14e9d-a38e-45d4-b477-8c02cba3d1ce">Modelling the Metropolis: The Architectural Model in Victorian London</a> (2023).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2376</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a49c6c9e-c9ac-11f0-8edc-136537bee09f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7460387881.mp3?updated=1764040530" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joe Greenwood-Hau," Capital, Privilege and Political Participation" (Liverpool UP, 2025) </title>
      <description>Who gets involved in politics? In﻿ Capital, Privilege and Political Participation (Liverpool UP, 2025) ﻿Joe Greenwood-Hau a Lecturer in the John Smith Centre at the University of Glasgow, examines the dynamics of who participates, who is excluded and the reasons why. Drawing on a broad approach to political participation, the analysis connects levels of social, economic and cultural capital and resources to the question of political engagement. The book also thinks through how people understand both social inequalities and their own sense of self and social positioning, connecting quantitative perspectives to rich qualitative narratives. Connecting politics and sociology, and speaking to one of the most crucial issues in contemporary democracy. The book is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Who gets involved in politics? In﻿ Capital, Privilege and Political Participation (Liverpool UP, 2025) ﻿Joe Greenwood-Hau a Lecturer in the John Smith Centre at the University of Glasgow, examines the dynamics of who participates, who is excluded and the reasons why. Drawing on a broad approach to political participation, the analysis connects levels of social, economic and cultural capital and resources to the question of political engagement. The book also thinks through how people understand both social inequalities and their own sense of self and social positioning, connecting quantitative perspectives to rich qualitative narratives. Connecting politics and sociology, and speaking to one of the most crucial issues in contemporary democracy. The book is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who gets involved in politics? In<em>﻿ </em><a href="https://bookshop.org/a/12343/9781836245902">Capital, Privilege and Political Participation</a> (Liverpool UP, 2025) ﻿<a href="https://bsky.app/profile/niceonecombo.bsky.social">Joe Greenwood-Hau</a> <a href="https://joegreenwoodhau.org/">a Lecturer in the </a><a href="https://www.johnsmithcentre.com/">John Smith Centre</a> at the <a href="https://www.gla.ac.uk/schools/socialpolitical/staff/joegreenwoodhau/">University of Glasgow</a>, examines the dynamics of who participates, who is excluded and the reasons why. Drawing on a broad approach to political participation, the analysis connects levels of social, economic and cultural capital and resources to the question of political engagement. The book also thinks through how people understand both social inequalities and their own sense of self and social positioning, connecting quantitative perspectives to rich qualitative narratives. Connecting politics and sociology, and speaking to one of the most crucial issues in contemporary democracy. The book is available open access <a href="https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781836245902">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2723</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[81df01da-c9a7-11f0-8fe7-2bfd35850616]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5159721389.mp3?updated=1764039045" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth Anne Davis, "The Time of the Cannibals: On Conspiracy Theory and Context" (Fordham UP, 2024) </title>
      <description>In 2009, the body of a former president of the Republic of Cyprus, Tassos Papadopoulos, was stolen from his grave. The Time of the Cannibals reconsiders this history and the public discourse on it to reconsider how we think about conspiracy theory, and specifically, what it means to understand conspiracy theories “in context.”

The months after Papadopoulos’s body was stolen saw intense public speculation in Cyprus, including widespread expressions of sacrilege, along with many false accusations against Cypriots and foreigners positioned as his political antagonists. Davis delves into the public discourse on conspiracy theory in Cyprus that flourished in the aftermath, tracing theories about the grave robbery to theories about the division of Cyprus some thirty-five years earlier, and both to longer histories of imperial and colonial violence.

Along the way, Davis explores cross-contextual connections among Cyprus and other locales, in the form of conspiracy theories as well as political theologies regarding the dead bodies of political leaders. Through critical close readings of academic and journalistic approaches to conspiracy theory, Davis shows that conspiracy theory as an analytic object fails to sustain comparative analysis, and defies any general theory of conspiracy theory. What these approaches accomplish instead, she argues, is the perpetuation of ethnocentrism in the guise of contextualization.

The Time of the Cannibals: On Conspiracy Theory and Context (Fordham UP, 2024) asks what better kind of contextualization this and any “case” call for, and proposes the concept of conspiracy attunement: a means of grasping the dialogic contexts in which conspiracy theories work recursively as matters of political and cultural significance in the long durée.

Elizabeth Anne Davis is Professor of Anthropology at Princeton University. Her research and writing, grounded in the European horizons and the Ottoman history of the Greek-speaking world, focus on the intersections of psyche, body, history, and power. She is also the author of Bad Souls: Madness and Responsibility in Modern Greece (2012, Duke Press) and Artifactual: Forensic and Documentary Knowing (2023, Duke Press).

Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 2009, the body of a former president of the Republic of Cyprus, Tassos Papadopoulos, was stolen from his grave. The Time of the Cannibals reconsiders this history and the public discourse on it to reconsider how we think about conspiracy theory, and specifically, what it means to understand conspiracy theories “in context.”

The months after Papadopoulos’s body was stolen saw intense public speculation in Cyprus, including widespread expressions of sacrilege, along with many false accusations against Cypriots and foreigners positioned as his political antagonists. Davis delves into the public discourse on conspiracy theory in Cyprus that flourished in the aftermath, tracing theories about the grave robbery to theories about the division of Cyprus some thirty-five years earlier, and both to longer histories of imperial and colonial violence.

Along the way, Davis explores cross-contextual connections among Cyprus and other locales, in the form of conspiracy theories as well as political theologies regarding the dead bodies of political leaders. Through critical close readings of academic and journalistic approaches to conspiracy theory, Davis shows that conspiracy theory as an analytic object fails to sustain comparative analysis, and defies any general theory of conspiracy theory. What these approaches accomplish instead, she argues, is the perpetuation of ethnocentrism in the guise of contextualization.

The Time of the Cannibals: On Conspiracy Theory and Context (Fordham UP, 2024) asks what better kind of contextualization this and any “case” call for, and proposes the concept of conspiracy attunement: a means of grasping the dialogic contexts in which conspiracy theories work recursively as matters of political and cultural significance in the long durée.

Elizabeth Anne Davis is Professor of Anthropology at Princeton University. Her research and writing, grounded in the European horizons and the Ottoman history of the Greek-speaking world, focus on the intersections of psyche, body, history, and power. She is also the author of Bad Souls: Madness and Responsibility in Modern Greece (2012, Duke Press) and Artifactual: Forensic and Documentary Knowing (2023, Duke Press).

Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2009, the body of a former president of the Republic of Cyprus, Tassos Papadopoulos, was stolen from his grave. The Time of the Cannibals reconsiders this history and the public discourse on it to reconsider how we think about conspiracy theory, and specifically, what it means to understand conspiracy theories “in context.”</p>
<p>The months after Papadopoulos’s body was stolen saw intense public speculation in Cyprus, including widespread expressions of sacrilege, along with many false accusations against Cypriots and foreigners positioned as his political antagonists. Davis delves into the public discourse on conspiracy theory in Cyprus that flourished in the aftermath, tracing theories about the grave robbery to theories about the division of Cyprus some thirty-five years earlier, and both to longer histories of imperial and colonial violence.</p>
<p>Along the way, Davis explores cross-contextual connections among Cyprus and other locales, in the form of conspiracy theories as well as political theologies regarding the dead bodies of political leaders. Through critical close readings of academic and journalistic approaches to conspiracy theory, Davis shows that conspiracy theory as an analytic object fails to sustain comparative analysis, and defies any general theory of conspiracy theory. What these approaches accomplish instead, she argues, is the perpetuation of ethnocentrism in the guise of contextualization.</p>
<p><a href="https://bookshop.org/a/12343/9781531508852">The Time of the Cannibals: On Conspiracy Theory and Context</a> (Fordham UP, 2024) asks what better kind of contextualization this and any “case” call for, and proposes the concept of conspiracy attunement: a means of grasping the dialogic contexts in which conspiracy theories work recursively as matters of political and cultural significance in the long durée.</p>
<p>Elizabeth Anne Davis is Professor of Anthropology at Princeton University. Her research and writing, grounded in the European horizons and the Ottoman history of the Greek-speaking world, focus on the intersections of psyche, body, history, and power. She is also the author of <em>Bad Souls: Madness and Responsibility in Modern Greece</em> (2012, Duke Press) and <em>Artifactual: Forensic and Documentary Knowing </em>(2023, Duke Press).</p>
<p>Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5448</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1751c262-c8e9-11f0-a583-0b51eba9d8f9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1514921386.mp3?updated=1763956592" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Piotr Nowak, "After Jews: Essays on Political Theology, Shoah and the End of Man" (Anthem Press, 2025)</title>
      <description>After Jews: Essays on Political Theology, Shoah and the End of Man (Anthem Press, 2025) is an attempt to describe and critically interpret the condition of man living in the shadow of the Shoah, in the world "after Jews".
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>After Jews: Essays on Political Theology, Shoah and the End of Man (Anthem Press, 2025) is an attempt to describe and critically interpret the condition of man living in the shadow of the Shoah, in the world "after Jews".
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781839996504">After Jews: Essays on Political Theology, Shoah and the End of Man </a>(Anthem Press, 2025) is an attempt to describe and critically interpret the condition of man living in the shadow of the Shoah, in the world "after Jews".</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3091</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b89c9936-c91f-11f0-9fb7-e70f6f5cb962]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3817191060.mp3?updated=1774980292" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy Hughes, "An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States" (U Michigan Press, 2025)</title>
      <description>Harry Watkins was no one special. During a career that spanned four decades, this nineteenth-century actor yearned for fame but merely skirted the edges of it. He performed alongside the brightest stars, wrote scores of plays, and toured the United States and England, but he never became a household name. Inspired by this average performer’s life and labor, An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States (University of Michigan Press, 2025) by Dr. Amy Hughes offers an alternative history of nineteenth-century theater, focusing on the daily rhythms and routines of theatrical life rather than the celebrated people, plays, and exceptional events that tend to dominate histories of US theater and performance. In the process, Dr. Hughes asks uncomfortable questions about the existence, predominance, and erasure of White male mediocrity in US culture, both in the past and present.

When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today’s US entertainment industry?

Ultimately, Dr. Hughes reveals how this actor’s tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Harry Watkins was no one special. During a career that spanned four decades, this nineteenth-century actor yearned for fame but merely skirted the edges of it. He performed alongside the brightest stars, wrote scores of plays, and toured the United States and England, but he never became a household name. Inspired by this average performer’s life and labor, An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States (University of Michigan Press, 2025) by Dr. Amy Hughes offers an alternative history of nineteenth-century theater, focusing on the daily rhythms and routines of theatrical life rather than the celebrated people, plays, and exceptional events that tend to dominate histories of US theater and performance. In the process, Dr. Hughes asks uncomfortable questions about the existence, predominance, and erasure of White male mediocrity in US culture, both in the past and present.

When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today’s US entertainment industry?

Ultimately, Dr. Hughes reveals how this actor’s tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Harry Watkins was no one special. During a career that spanned four decades, this nineteenth-century actor yearned for fame but merely skirted the edges of it. He performed alongside the brightest stars, wrote scores of plays, and toured the United States and England, but he never became a household name. Inspired by this average performer’s life and labor, <a href="https://bookshop.org/a/12343/9780472057689">An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States</a> (University of Michigan Press, 2025) by Dr. Amy Hughes offers an alternative history of nineteenth-century theater, focusing on the daily rhythms and routines of theatrical life rather than the celebrated people, plays, and exceptional events that tend to dominate histories of US theater and performance. In the process, Dr. Hughes asks uncomfortable questions about the existence, predominance, and erasure of White male mediocrity in US culture, both in the past and present.</p>
<p>When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today’s US entertainment industry?</p>
<p>Ultimately, Dr. Hughes reveals how this actor’s tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3854</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[791ac0ac-c87b-11f0-9090-cf1eb66ed422]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6631581166.mp3?updated=1763909496" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sebastian Truskolaski, "Adorno and the Ban on Images" (Bloomsbury, 2022)</title>
      <description>Adorno and the Ban on Images (Bloomsbury, 2022) upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism.
Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today.
On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world – above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God.
By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.
Lukas Hoffman is a Doctoral Candidate at the Carolina-Duke Graduate Program in German Studies and is currently supported by a DAAD research grant as a Visiting Scholar at the Humboldt University in Berlin. He is currently working on a book manuscript that examines how the persistence of religious imagery in German modernist lyric reimagines the ways in which traditional, religious attitudes overlap with revolutionary political thought. Recently, he has published an article in Monatshefte, titled “Love of Things: Reconsidering Adorno’s Criticism of Rilke” (Summer 2022) and has a forthcoming article in New German Critique, titled “Abject Eve: A Revolutionary Reading of Lasker-Schüler’s ‘Erkenntnis.’”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>351</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sebastian Truskolaski</itunes:subtitle>
      <itunes:summary>Adorno and the Ban on Images (Bloomsbury, 2022) upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism.
Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today.
On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world – above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God.
By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.
Lukas Hoffman is a Doctoral Candidate at the Carolina-Duke Graduate Program in German Studies and is currently supported by a DAAD research grant as a Visiting Scholar at the Humboldt University in Berlin. He is currently working on a book manuscript that examines how the persistence of religious imagery in German modernist lyric reimagines the ways in which traditional, religious attitudes overlap with revolutionary political thought. Recently, he has published an article in Monatshefte, titled “Love of Things: Reconsidering Adorno’s Criticism of Rilke” (Summer 2022) and has a forthcoming article in New German Critique, titled “Abject Eve: A Revolutionary Reading of Lasker-Schüler’s ‘Erkenntnis.’”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350196766"><em>Adorno and the Ban on Images</em></a> (Bloomsbury, 2022) upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno – not least amongst them, his supposed fatalism.</p><p>Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today.</p><p>On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world – above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God.</p><p>By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.</p><p><a href="https://scholars.duke.edu/person/lukas.hoffman"><em>Lukas Hoffman</em></a><em> is a Doctoral Candidate at the Carolina-Duke Graduate Program in German Studies and is currently supported by a DAAD research grant as a Visiting Scholar at the Humboldt University in Berlin. He is currently working on a book manuscript that examines how the persistence of religious imagery in German modernist lyric reimagines the ways in which traditional, religious attitudes overlap with revolutionary political thought. Recently, he has published an article in Monatshefte, titled “Love of Things: Reconsidering Adorno’s Criticism of Rilke” (Summer 2022) and has a forthcoming article in New German Critique, titled “Abject Eve: A Revolutionary Reading of Lasker-Schüler’s ‘Erkenntnis.’”</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3485</itunes:duration>
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      <title>Mary Edwards, "Sartre’s Existential Psychoanalysis: Knowing Others" (Bloomsbury, 2022)</title>
      <description>Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works.
This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre’s Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre’s output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 23 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Edwards</itunes:subtitle>
      <itunes:summary>Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works.
This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre’s Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre’s output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works.</p><p>This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book <a href="https://bookshop.org/a/12343/9781350331075"><em>Sartre’s Existential Psychoanalysis: Knowing Others</em></a><em> </em>(Bloomsbury, 2022). Working through Sartre’s output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6466</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4604080231.mp3?updated=1692381804" length="0" type="audio/mpeg"/>
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    <item>
      <title>Heather Davis, "Plastic Matter" (Duke UP, 2022)</title>
      <description>Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material—it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter (Duke UP, 2022), Heather Davis traces plastic’s relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic’s materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic’s saturation.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 23 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heather Davis</itunes:subtitle>
      <itunes:summary>Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material—it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter (Duke UP, 2022), Heather Davis traces plastic’s relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic’s materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic’s saturation.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material—it is emblematic of life in the twentieth and twenty-first centuries. In <a href="https://bookshop.org/a/12343/9781478017752"><em>Plastic Matter</em></a><em> </em>(Duke UP, 2022)<em>,</em> Heather Davis traces plastic’s relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic’s materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic’s saturation.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6896663070.mp3?updated=1653593181" length="0" type="audio/mpeg"/>
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    <item>
      <title>160* Hannah Arendt's Refugee Politics (JP)</title>
      <description>John's “Arendt's Refugee Politics” came out in Public Books in early November. He made the case that his favorite political philosopher, Hannah Arendt is an opponent both of identity politics and also of a cosmpolitan universalism that is blind to all the differences (of race, gender, belief) that make us who though not what we are. Going back to one of the first pieces she published in English, a 1943 essay from Menorah called "We Refugees", he reflected on how amazingly Arendt was able to air her unease about militant Zionism at the same time she warned fellow arrivals in America from rushing to disguise their origins.

Recall this Book 153 is simply John reading the article aloud. It is an experiment (akin to Books in Dark Times and Recall This Story and Recall This B-Side) in soliloquy. You can consult footnotes and a read a transcript by heading back to the article in its original form here.

Reach out and let us know if you think it should be the first of many, or simply a one-off!﻿
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>John's “Arendt's Refugee Politics” came out in Public Books in early November. He made the case that his favorite political philosopher, Hannah Arendt is an opponent both of identity politics and also of a cosmpolitan universalism that is blind to all the differences (of race, gender, belief) that make us who though not what we are. Going back to one of the first pieces she published in English, a 1943 essay from Menorah called "We Refugees", he reflected on how amazingly Arendt was able to air her unease about militant Zionism at the same time she warned fellow arrivals in America from rushing to disguise their origins.

Recall this Book 153 is simply John reading the article aloud. It is an experiment (akin to Books in Dark Times and Recall This Story and Recall This B-Side) in soliloquy. You can consult footnotes and a read a transcript by heading back to the article in its original form here.

Reach out and let us know if you think it should be the first of many, or simply a one-off!﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John's <a href="https://www.publicbooks.org/lying-in-politics-hannah-arendts-antidote-to-anticipatory-despair/">“</a><a href="https://www.publicbooks.org/arendts-refugee-politics/">Arendt's Refugee Politics</a><a href="https://www.publicbooks.org/lying-in-politics-hannah-arendts-antidote-to-anticipatory-despair/">”</a> came out in <em>Public Book</em>s in early November. He made the case that his favorite political philosopher, <a href="https://en.wikipedia.org/wiki/Hannah_Arendt">Hannah Arendt</a> is an opponent both of identity politics and also of a cosmpolitan universalism that is blind to all the differences (of race, gender, belief) that make us <em>who</em> though not <em>what</em> we are. Going back to one of the first pieces she published in English, a 1943 essay from <em>Menorah </em>called "<a href="https://amroali.com/2017/04/refugees-essay-hannah-arendt/">We Refugees</a>", he reflected on how amazingly Arendt was able to air her unease about militant Zionism at the same time she warned fellow arrivals in America from rushing to disguise their origins.</p>
<p><a href="http://recallthisbook.org/">Recall this Book</a> 153 is simply John reading the article aloud. It is an experiment (akin to <a href="https://recallthisbook.org/books-in-dark-times/">Books in Dark Times</a> and <a href="https://recallthisbook.org/?s=recall+this+story">Recall This Story</a> and <a href="https://recallthisbook.org/recall-this-b-side/">Recall This B-Side</a>) in soliloquy. You can consult footnotes and a read a transcript by heading back to the article in<a href="https://www.publicbooks.org/arendts-refugee-politics/"> its original form here</a>.</p>
<p>Reach out and let us know if you think it should be the first of many, or simply a one-off!﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1264</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6527300084.mp3?updated=1763523665" length="0" type="audio/mpeg"/>
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    <item>
      <title>Can Feminism be African?: A Conversation with Minna Salami</title>
      <description>Transcript of the interview

Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the Black Feminism and the Polycrisis programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects.

She is the author of Can Feminism Be African? (Harper Collins, 2025) and Sensuous Knowledge: A Black Feminist Approach for Everyone (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism.

Her work has featured in The Guardian, The Financial Times, The Ideas Letter, Project Syndicate, and The Philosopher, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA.

Salami was the creative director of the short film Black Feminism and the Polycrisis, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards.

From 2019 to 2022, she co-directed Activate, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK.

She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria &amp; Albert Museum in London.

Her blog, MsAfropolitan, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life.

Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy.

Links to References:Apart Together – essay on Leopold Senghor and Aimé Césaire’s radical vision for the world

Africa’s Populist Trap for The Ideas Letter

The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park by Ezenwa E. Olumba
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Transcript of the interview

Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the Black Feminism and the Polycrisis programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects.

She is the author of Can Feminism Be African? (Harper Collins, 2025) and Sensuous Knowledge: A Black Feminist Approach for Everyone (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism.

Her work has featured in The Guardian, The Financial Times, The Ideas Letter, Project Syndicate, and The Philosopher, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA.

Salami was the creative director of the short film Black Feminism and the Polycrisis, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards.

From 2019 to 2022, she co-directed Activate, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK.

She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria &amp; Albert Museum in London.

Her blog, MsAfropolitan, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life.

Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy.

Links to References:Apart Together – essay on Leopold Senghor and Aimé Césaire’s radical vision for the world

Africa’s Populist Trap for The Ideas Letter

The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park by Ezenwa E. Olumba
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://cdn.craft.cloud/44c3b6c3-3307-4a13-a091-f99416660f91/assets/Can-Feminism-be-African-Transcript.pdf#asset:431245@1:url">Transcript of the interview</a></p>
<p>Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the <em>Black Feminism and the Polycrisis</em> programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects.</p>
<p>She is the author of <a href="https://harpercollins.co.uk/products/can-feminism-be-african-a-most-paradoxical-question-minna-salami?variant=41459562676302">Can Feminism Be African?</a> (Harper Collins, 2025) and <a href="https://www.bloomsbury.com/uk/sensuous-knowledge-9781786997111/">Sensuous Knowledge: A Black Feminist Approach for Everyone</a> (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism.</p>
<p>Her work has featured in <em>The Guardian</em>, <em>The Financial Times</em>, <em>The Ideas Letter</em>, <em>Project Syndicate</em>, and <em>The Philosopher</em>, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA.</p>
<p>Salami was the creative director of the short film <em>Black Feminism and the Polycrisis</em>, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards.</p>
<p>From 2019 to 2022, she co-directed <em>Activate</em>, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK.</p>
<p>She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria &amp; Albert Museum in London.</p>
<p>Her blog, <a href="https://msafropolitan.com/">MsAfropolitan</a>, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life.</p>
<p>Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy.</p>
<p>Links to References:<a href="https://aeon.co/essays/how-cesaire-and-senghor-saw-the-decolonised-world"><br>Apart Together</a> – essay on Leopold Senghor and Aimé Césaire’s radical vision for the world</p>
<p><a href="https://www.theideasletter.org/essay/africas-populist-trap/">Africa’s Populist Trap</a> for The Ideas Letter</p>
<p><a href="https://rpublc.com/february-march-2024/deconstructing-the-myths-of-mungo-park/">The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park</a> by Ezenwa E. Olumba</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2041</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3281750459.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Yehudah Halper, "Averroes on Pathways to Divine Knowledge" (Academic Studies Press, 2025)</title>
      <description>Today we will be talking to Yehudah Halper about his new book, Averroes on Pathways to Divine Knowledge ﻿(Academic Studies Press, 2025).

The twelfth-century Andalusian philosopher Averroes sought to understand the divine in a way independent of religious theology, by turning to the philosophical works of Aristotle and, to a lesser extent, Plato. In doing so, he established standards of scientific inquiry into God that were and remain highly influential on Jewish and Christian thought. Averroes, however, does not provide much in the way of demonstrative knowledge of God, and most of his arguments remain dialectical, rhetorical, or political. This volume explores the various pathways towards attaining divine knowledge that we find in Averroes’ commentaries on Aristotle’s De Anima, Metaphysics, and Nicomachean Ethics, and on Plato’s Republic, along with Averroes’ Epistle on Divine Knowledge, Decisive Treatise, and more.

Yehuda Halper is Professor in the Department of Jewish Philosophy at Bar Ilan University. He is currently a aisiting professor at University of Chicago Divinity School. His first monograph, Jewish Socratic Questions in an Age without Plato (Brill, 2021) won the Goldstein-Goren Book Award for the best book in Jewish Thought in 2019-2021. He is currently directing the ISF grant (#622/22) "Samuel Ibn Tibbon's Explanation of Foreign Terms and the Foundations of Philosophy in Hebrew."

Rabbi Marc Katz is the Senior Rabbi at Temple Ner Tamid. His latest book is Yochanan's Gamble: Judaism's Pragmatic Approach to Life.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today we will be talking to Yehudah Halper about his new book, Averroes on Pathways to Divine Knowledge ﻿(Academic Studies Press, 2025).

The twelfth-century Andalusian philosopher Averroes sought to understand the divine in a way independent of religious theology, by turning to the philosophical works of Aristotle and, to a lesser extent, Plato. In doing so, he established standards of scientific inquiry into God that were and remain highly influential on Jewish and Christian thought. Averroes, however, does not provide much in the way of demonstrative knowledge of God, and most of his arguments remain dialectical, rhetorical, or political. This volume explores the various pathways towards attaining divine knowledge that we find in Averroes’ commentaries on Aristotle’s De Anima, Metaphysics, and Nicomachean Ethics, and on Plato’s Republic, along with Averroes’ Epistle on Divine Knowledge, Decisive Treatise, and more.

Yehuda Halper is Professor in the Department of Jewish Philosophy at Bar Ilan University. He is currently a aisiting professor at University of Chicago Divinity School. His first monograph, Jewish Socratic Questions in an Age without Plato (Brill, 2021) won the Goldstein-Goren Book Award for the best book in Jewish Thought in 2019-2021. He is currently directing the ISF grant (#622/22) "Samuel Ibn Tibbon's Explanation of Foreign Terms and the Foundations of Philosophy in Hebrew."

Rabbi Marc Katz is the Senior Rabbi at Temple Ner Tamid. His latest book is Yochanan's Gamble: Judaism's Pragmatic Approach to Life.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we will be talking to Yehudah Halper about his new book, <a href="https://bookshop.org/a/12343/9798887197616">Averroes on Pathways to Divine Knowledge</a><em> ﻿</em>(Academic Studies Press, 2025).</p>
<p>The twelfth-century Andalusian philosopher Averroes sought to understand the divine in a way independent of religious theology, by turning to the philosophical works of Aristotle and, to a lesser extent, Plato. In doing so, he established standards of scientific inquiry into God that were and remain highly influential on Jewish and Christian thought. Averroes, however, does not provide much in the way of demonstrative knowledge of God, and most of his arguments remain dialectical, rhetorical, or political. This volume explores the various pathways towards attaining divine knowledge that we find in Averroes’ commentaries on Aristotle’s <em>De Anima</em>, <em>Metaphysics</em>, and <em>Nicomachean Ethics</em>, and on Plato’s <em>Republic</em>, along with Averroes’ <em>Epistle on Divine Knowledge</em>, <em>Decisive Treatise</em>, and more.</p>
<p>Yehuda Halper is Professor in the Department of Jewish Philosophy at Bar Ilan University. He is currently a aisiting professor at University of Chicago Divinity School. His first monograph,<em> Jewish Socratic Questions in an Age without Plato </em>(Brill, 2021) won the Goldstein-Goren Book Award for the best book in Jewish Thought in 2019-2021. He is currently directing the ISF grant (#622/22) "Samuel Ibn Tibbon's Explanation of Foreign Terms and the Foundations of Philosophy in Hebrew."</p>
<p>Rabbi Marc Katz is the Senior Rabbi at Temple Ner Tamid. His latest book is <a href="https://jps.org/books/yochanans-gamble/">Yochanan's Gamble: Judaism's Pragmatic Approach to Life.</a>﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5015fcd0-c461-11f0-8356-032be9e4b587]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7850865919.mp3?updated=1763458344" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Democracy and Bullshit with Hélène Landemore</title>
      <description>Today I’m speaking with Hélène Landemore, Professor of Political Science at Yale University, about Democracy and Bullshit, with a special focus on her 2020 book, Open Democracy: Reinventing Popular Rule for the Twenty-First Century (Princeton University Press, 2020).

Bullshit is a feature of both democracies and dictatorships alike, but it takes different forms. In democracies, while citizens enjoy the freedom of speech and the right to vote, a range of forces often conspire to limit their real power in favor of competing elites. The political and economic elite’s toolkit includes the art of bullshit—the persuasive use of language without regard for truth. Whether meritocratic or populist, elites alike have mastered this form of manipulation, amplified by modern tools of dissemination and authority.

To help us understand the challenges that bullshit poses to democratic citizens, I’m pleased to welcome Hélène Landemore.

Hélène Landemore is a professor of political science at Yale University.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/6f3563bc-c321-11f0-923c-77f54a558b59/image/ea2a49c4e9c23e97f5c24000b77ee81a.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today I’m speaking with Hélène Landemore, Professor of Political Science at Yale University, about Democracy and Bullshit, with a special focus on her 2020 book, Open Democracy: Reinventing Popular Rule for the Twenty-First Century (Princeton University Press, 2020).

Bullshit is a feature of both democracies and dictatorships alike, but it takes different forms. In democracies, while citizens enjoy the freedom of speech and the right to vote, a range of forces often conspire to limit their real power in favor of competing elites. The political and economic elite’s toolkit includes the art of bullshit—the persuasive use of language without regard for truth. Whether meritocratic or populist, elites alike have mastered this form of manipulation, amplified by modern tools of dissemination and authority.

To help us understand the challenges that bullshit poses to democratic citizens, I’m pleased to welcome Hélène Landemore.

Hélène Landemore is a professor of political science at Yale University.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I’m speaking with Hélène Landemore, Professor of Political Science at Yale University, about <em>Democracy and Bullshit,</em> with a special focus on her 2020 book, <a href="https://bookshop.org/a/12343/9780691181998">Open Democracy: Reinventing Popular Rule for the Twenty-First Century</a><em> </em>(Princeton University Press, 2020)<em>.</em></p>
<p>Bullshit is a feature of both democracies and dictatorships alike, but it takes different forms. In democracies, while citizens enjoy the freedom of speech and the right to vote, a range of forces often conspire to limit their real power in favor of competing elites. The political and economic elite’s toolkit includes the art of bullshit—the persuasive use of language without regard for truth. Whether meritocratic or populist, elites alike have mastered this form of manipulation, amplified by modern tools of dissemination and authority.</p>
<p>To help us understand the challenges that bullshit poses to democratic citizens, I’m pleased to welcome Hélène Landemore.<br></p>
<p>Hélène Landemore is a professor of political science at Yale University.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3975</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6f3563bc-c321-11f0-923c-77f54a558b59]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1150211768.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jemma Deer, "Radical Animism: Reading for the End of the World" (Bloomsbury, 2020)</title>
      <description>Jemma Deer’s Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 16 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jemma Deer</itunes:subtitle>
      <itunes:summary>Jemma Deer’s Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jemma Deer’s <a href="https://bookshop.org/a/12343/9781350111158"><em>Radical Animism: Reading for the End of the World</em></a><em> </em>(Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. <em>Radical Animism </em>is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2744</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[60220748-c12f-11f0-a46a-c3304b85b49b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3334704396.mp3?updated=1763107226" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rizvana Bradley, "Anteaesthetics: Black Aesthesis and the Critique of Form" (Stanford UP, 2023)</title>
      <description>In Anteaesthetics﻿: Black Aesthesis and the Critique of Form (Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.

Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 15 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Anteaesthetics﻿: Black Aesthesis and the Critique of Form (Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.

Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781503637139">Anteaesthetics﻿: Black Aesthesis and the Critique of Form</a><em> </em>(Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity.</p>
<p>Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, <em>Anteaesthetics</em> asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3729</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f1586ac0-c127-11f0-9b89-0339b083d84e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6292435227.mp3?updated=1763103985" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sophie Bishop, "Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture" (U California Press, 2025)</title>
      <description>How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds’ School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds’ School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are influencers changing the arts? In <a href="https://bookshop.org/a/12343/9780520402706">Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture</a> (U California Press, 2025) <a href="https://bsky.app/profile/sophiebishop.bsky.social">Sophie Bishop</a>, <a href="https://sophiebishop.co.uk/">an Associate Professor</a> in the <a href="https://ahc.leeds.ac.uk/media/staff/5858/sophie-bishop">University of Leeds’ School of Media and Communication</a> analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1923</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bdd32fe0-beb2-11f0-85a6-5f572de349a7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2486124254.mp3?updated=1762834273" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dag Nikolaus Hasse, "What Is European? On Overcoming Colonial and Romantic Modes of Thought" (Amsterdam UP, 2025)</title>
      <description>It is common to define Europe by its democratic, scientific, religious, and cultural traditions. But in What is European? On Overcoming Colonial and Romantic Modes of Thought (Amsterdam UP, 2025), Dag Nikolaus Hasse argues that the search for Europe's essence has taken a troubling turn. He shows that many traditional ideas about Europe are culturally one-sided and historically and geographically distorted, and calls for a decolonisation and deromanticisation of the discourse on Europe.

The book promotes an inclusive vision of Europe that reflects its long history of multiethnic cities, offers a cultural home to a wider range of people across the continent, and extends attention and respect to other continents, thus laying a more respectful foundation for shaping the future together.At the same time, Hasse demonstrates that overcoming colonial ways of thinking does not and should not result in anti-Europeanism. Criticising European arrogance may well go hand in hand with feeling culturally at home in other traditions of Europe. For this, it does not matter whether one is a resident of the European continent or not. There is no privileged access to European culture or to the culture of any other continent.

Dag Nikolaus Hasse is professor of the history of philosophy at the University of Würzburg. Among his numerous publications, two monographs stand out: Avicenna's De Anima in the Latin West (2000), and Success and Suppression: Arabic Sciences and Philosophy in the Renaissance (2016). In 2016, Hasse was awarded the prestigious Gottfried Wilhelm Leibniz Prize, the highest disctinction for a scientist in Germany.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It is common to define Europe by its democratic, scientific, religious, and cultural traditions. But in What is European? On Overcoming Colonial and Romantic Modes of Thought (Amsterdam UP, 2025), Dag Nikolaus Hasse argues that the search for Europe's essence has taken a troubling turn. He shows that many traditional ideas about Europe are culturally one-sided and historically and geographically distorted, and calls for a decolonisation and deromanticisation of the discourse on Europe.

The book promotes an inclusive vision of Europe that reflects its long history of multiethnic cities, offers a cultural home to a wider range of people across the continent, and extends attention and respect to other continents, thus laying a more respectful foundation for shaping the future together.At the same time, Hasse demonstrates that overcoming colonial ways of thinking does not and should not result in anti-Europeanism. Criticising European arrogance may well go hand in hand with feeling culturally at home in other traditions of Europe. For this, it does not matter whether one is a resident of the European continent or not. There is no privileged access to European culture or to the culture of any other continent.

Dag Nikolaus Hasse is professor of the history of philosophy at the University of Würzburg. Among his numerous publications, two monographs stand out: Avicenna's De Anima in the Latin West (2000), and Success and Suppression: Arabic Sciences and Philosophy in the Renaissance (2016). In 2016, Hasse was awarded the prestigious Gottfried Wilhelm Leibniz Prize, the highest disctinction for a scientist in Germany.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is common to define Europe by its democratic, scientific, religious, and cultural traditions. But in <a href="https://bookshop.org/a/12343/9789048571277">What is European? On Overcoming Colonial and Romantic Modes of Thought</a> (Amsterdam UP, 2025), Dag Nikolaus Hasse argues that the search for Europe's essence has taken a troubling turn. He shows that many traditional ideas about Europe are culturally one-sided and historically and geographically distorted, and calls for a decolonisation and deromanticisation of the discourse on Europe.</p>
<p>The book promotes an inclusive vision of Europe that reflects its long history of multiethnic cities, offers a cultural home to a wider range of people across the continent, and extends attention and respect to other continents, thus laying a more respectful foundation for shaping the future together.<br>At the same time, Hasse demonstrates that overcoming colonial ways of thinking does not and should not result in anti-Europeanism. Criticising European arrogance may well go hand in hand with feeling culturally at home in other traditions of Europe. For this, it does not matter whether one is a resident of the European continent or not. There is no privileged access to European culture or to the culture of any other continent.</p>
<p>Dag Nikolaus Hasse is professor of the history of philosophy at the University of Würzburg. Among his numerous publications, two monographs stand out: <em>Avicenna's De Anima in the Latin West</em> (2000), and <em>Success and Suppression: Arabic Sciences and Philosophy in the Renaissance</em> (2016). In 2016, Hasse was awarded the prestigious Gottfried Wilhelm Leibniz Prize, the highest disctinction for a scientist in Germany.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lars Cornelissen, "Neoliberalism and Race" (Stanford UP, 2025)</title>
      <description>In ﻿Neoliberalism and Race (Stanford UP, 2025) ﻿Lars Cornelissen argues that the category of race constitutes an organizing principle of neoliberal ideology. Using the methods of intellectual history and drawing on insights from critical race studies, Cornelissen explores the various racial constructs that structure neoliberal ideology, some of which are explicit, while others are more coded. Beginning in the interwar period and running through to recent developments, Neoliberalism and Race shows that racial themes have always pervaded neoliberal thinking. The book's key argument is that neoliberal thought is constitutively racialized—its racial motifs cannot be extracted from neoliberalism without rendering it theoretically and politically incoherent. The book aptly explores a wide variety of racial constructs through the structure of neoliberal ideology, deconstructing the conceptualizations in the works of landmark thinkers such as Ludwig von Mises, Friedrich Hayek, Peter Bauer, Thomas Sowell, Charles Murray, and others from the early twentieth century to the present. In this original—perhaps controversial—critique, Cornelissen asserts that neoliberal thinkers were not just the passive recipients of racial discourse, but also directly impacted it.

Lars Cornelissen is a historian of neoliberalism. His writings have been published in History of European Ideas, Constellations, and Modern Intellectual History.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In ﻿Neoliberalism and Race (Stanford UP, 2025) ﻿Lars Cornelissen argues that the category of race constitutes an organizing principle of neoliberal ideology. Using the methods of intellectual history and drawing on insights from critical race studies, Cornelissen explores the various racial constructs that structure neoliberal ideology, some of which are explicit, while others are more coded. Beginning in the interwar period and running through to recent developments, Neoliberalism and Race shows that racial themes have always pervaded neoliberal thinking. The book's key argument is that neoliberal thought is constitutively racialized—its racial motifs cannot be extracted from neoliberalism without rendering it theoretically and politically incoherent. The book aptly explores a wide variety of racial constructs through the structure of neoliberal ideology, deconstructing the conceptualizations in the works of landmark thinkers such as Ludwig von Mises, Friedrich Hayek, Peter Bauer, Thomas Sowell, Charles Murray, and others from the early twentieth century to the present. In this original—perhaps controversial—critique, Cornelissen asserts that neoliberal thinkers were not just the passive recipients of racial discourse, but also directly impacted it.

Lars Cornelissen is a historian of neoliberalism. His writings have been published in History of European Ideas, Constellations, and Modern Intellectual History.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In ﻿<a href="https://bookshop.org/a/12343/9781503644342">Neoliberalism and Race</a><em> </em>(Stanford UP, 2025) ﻿Lars Cornelissen argues that the category of race constitutes an organizing principle of neoliberal ideology. Using the methods of intellectual history and drawing on insights from critical race studies, Cornelissen explores the various racial constructs that structure neoliberal ideology, some of which are explicit, while others are more coded. Beginning in the interwar period and running through to recent developments, <em>Neoliberalism and Race</em> shows that racial themes have always pervaded neoliberal thinking. The book's key argument is that neoliberal thought is constitutively racialized—its racial motifs cannot be extracted from neoliberalism without rendering it theoretically and politically incoherent. The book aptly explores a wide variety of racial constructs through the structure of neoliberal ideology, deconstructing the conceptualizations in the works of landmark thinkers such as Ludwig von Mises, Friedrich Hayek, Peter Bauer, Thomas Sowell, Charles Murray, and others from the early twentieth century to the present. In this original—perhaps controversial—critique, Cornelissen asserts that neoliberal thinkers were not just the passive recipients of racial discourse, but also directly impacted it.</p>
<p>Lars Cornelissen is a historian of neoliberalism. His writings have been published in <em>History of European Ideas</em>, <em>Constellations</em>, and <em>Modern Intellectual History</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4643</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a3c081c-bde7-11f0-b2a7-d3b10485249c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8970431623.mp3?updated=1762747181" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joseph Stiglitz, "The Origins of Inequality" (Oxford UP, 2025)</title>
      <description>Joseph E. Stiglitz has had a remarkable career. He is a brilliant academic, capped by sharing the Nobel Memorial Prize in Economics and the Nobel Peace Prize, and honorary degrees from Harvard, Cambridge, Oxford and more than fifty other universities, and elected not only to the National Academy of Sciences and the American Academy of Arts and Letters but the Royal Society and the British Academy; a public servant, who served as Chair of President Clinton's Council of Economic Advisors and Chief Economist and Senior Vice President of the World Bank, headed international commissions for the UN and France, and was awarded the French Legion of Honor and Australia's Sydney Peace Prize; a public intellectual whose numerous books on vital topics have been best sellers.What brought him to economics were his concerns about the inequality and discrimination he saw growing up. Wanting to understand what drives it and what can be done about it has been his lifelong passion. This book gathers together and extends to new frontiers this lifelong work, drawing upon the challenges and insights of each of these phases of his career.In a still very widely cited paper written fifty years ago, Stiglitz set forth the fundamental framework for analyzing intergenerational transfer of wealth and advantage, which plays a central role in persistent inequality. That and subsequent work, developed most fully here for the first time, described today's inequality as a result of centrifugal forces increasing inequality and centripetal forces reducing it. In recent decades, the centrifugal forces have strengthened, the centripetal forces weakened. His general theory provides a framework for understanding the marked growth in inequality in recent decades, and for devising policies to reduce it.A central message is that ever-increasing inequality is not inevitable. Inequality is, in a fundamental sense, a choice. Stiglitz explains that inequality does not largely arise from differences in savings rates between capitalists and others, though that may play a role (as Piketty, Marx, and Kaldor suggest); but rather, it originates importantly from the rules of the game, which have weakened the bargaining power of workers as they have increased the market power of corporations. He also explains how monetary authorities have contributed to increasing wealth inequality, and how, unless something is done about it, likely changes in technology such as AI and robotization will make matters worse. He describes policies that can simultaneously reduce inequality and improve economic performance.

Joseph E. Stiglitz is an American economist and a professor at Columbia University. 

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 10 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>572</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Joseph E. Stiglitz has had a remarkable career. He is a brilliant academic, capped by sharing the Nobel Memorial Prize in Economics and the Nobel Peace Prize, and honorary degrees from Harvard, Cambridge, Oxford and more than fifty other universities, and elected not only to the National Academy of Sciences and the American Academy of Arts and Letters but the Royal Society and the British Academy; a public servant, who served as Chair of President Clinton's Council of Economic Advisors and Chief Economist and Senior Vice President of the World Bank, headed international commissions for the UN and France, and was awarded the French Legion of Honor and Australia's Sydney Peace Prize; a public intellectual whose numerous books on vital topics have been best sellers.What brought him to economics were his concerns about the inequality and discrimination he saw growing up. Wanting to understand what drives it and what can be done about it has been his lifelong passion. This book gathers together and extends to new frontiers this lifelong work, drawing upon the challenges and insights of each of these phases of his career.In a still very widely cited paper written fifty years ago, Stiglitz set forth the fundamental framework for analyzing intergenerational transfer of wealth and advantage, which plays a central role in persistent inequality. That and subsequent work, developed most fully here for the first time, described today's inequality as a result of centrifugal forces increasing inequality and centripetal forces reducing it. In recent decades, the centrifugal forces have strengthened, the centripetal forces weakened. His general theory provides a framework for understanding the marked growth in inequality in recent decades, and for devising policies to reduce it.A central message is that ever-increasing inequality is not inevitable. Inequality is, in a fundamental sense, a choice. Stiglitz explains that inequality does not largely arise from differences in savings rates between capitalists and others, though that may play a role (as Piketty, Marx, and Kaldor suggest); but rather, it originates importantly from the rules of the game, which have weakened the bargaining power of workers as they have increased the market power of corporations. He also explains how monetary authorities have contributed to increasing wealth inequality, and how, unless something is done about it, likely changes in technology such as AI and robotization will make matters worse. He describes policies that can simultaneously reduce inequality and improve economic performance.

Joseph E. Stiglitz is an American economist and a professor at Columbia University. 

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Joseph E. Stiglitz has had a remarkable career. He is a brilliant academic, capped by sharing the Nobel Memorial Prize in Economics and the Nobel Peace Prize, and honorary degrees from Harvard, Cambridge, Oxford and more than fifty other universities, and elected not only to the National Academy of Sciences and the American Academy of Arts and Letters but the Royal Society and the British Academy; a public servant, who served as Chair of President Clinton's Council of Economic Advisors and Chief Economist and Senior Vice President of the World Bank, headed international commissions for the UN and France, and was awarded the French Legion of Honor and Australia's Sydney Peace Prize; a public intellectual whose numerous books on vital topics have been best sellers.<br>What brought him to economics were his concerns about the inequality and discrimination he saw growing up. Wanting to understand what drives it and what can be done about it has been his lifelong passion. This book gathers together and extends to new frontiers this lifelong work, drawing upon the challenges and insights of each of these phases of his career.<br>In a still very widely cited paper written fifty years ago, Stiglitz set forth the fundamental framework for analyzing intergenerational transfer of wealth and advantage, which plays a central role in persistent inequality. That and subsequent work, developed most fully here for the first time, described today's inequality as a result of centrifugal forces increasing inequality and centripetal forces reducing it. In recent decades, the centrifugal forces have strengthened, the centripetal forces weakened. His general theory provides a framework for understanding the marked growth in inequality in recent decades, and for devising policies to reduce it.<br>A central message is that ever-increasing inequality is not inevitable. Inequality is, in a fundamental sense, a choice. Stiglitz explains that inequality does not largely arise from differences in savings rates between capitalists and others, though that may play a role (as Piketty, Marx, and Kaldor suggest); but rather, it originates importantly from the rules of the game, which have weakened the bargaining power of workers as they have increased the market power of corporations. He also explains how monetary authorities have contributed to increasing wealth inequality, and how, unless something is done about it, likely changes in technology such as AI and robotization will make matters worse. He describes policies that can simultaneously reduce inequality and improve economic performance.</p>
<p><strong>Joseph E. Stiglitz</strong> is an American economist and a professor at Columbia University. </p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2387</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[48d13a54-bd75-11f0-835a-8f78b35d2b65]]></guid>
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    </item>
    <item>
      <title>Mattin, "Social Dissonance" (MIT Press, 2022)</title>
      <description>We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.
Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse.
The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today.
Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation.
Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide.
He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel.

Information on the Social Dissonance concert at Documenta 14

A video recording of one of the performances

Social Discipline podcast

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mattin</itunes:subtitle>
      <itunes:summary>We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.
Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse.
The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today.
Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation.
Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide.
He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel.

Information on the Social Dissonance concert at Documenta 14

A video recording of one of the performances

Social Discipline podcast

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.</p><p>Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse.</p><p>The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today.</p><p>Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score <em>Social Dissonance</em>, in which the audience is the instrument and the legacy of the Marxist theory of alienation.</p><p><a href="http://mattin.org/">Mattin</a> is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide.</p><p>He has performed in festivals such as <em>Performa</em> and <em>Club Transmediale</em> and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast <em>Social Discipline</em>. Mattin took part in 2017 in documenta14 in Athens and Kassel.</p><ul>
<li><a href="https://www.documenta14.de/en/artists/13587/mattin">Information on the <em>Social Dissonance </em>concert at Documenta 14</a></li>
<li><a href="https://archive.org/details/SocialDissonanceKassel090617004">A video recording of one of the performances</a></li>
<li><a href="https://soundcloud.com/socialdiscipline/sd-34"><em>Social Discipline</em> podcast</a></li>
</ul><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3584</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eaa84326-bb4b-11f0-9690-232f009858e5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3635483975.mp3?updated=1656423908" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Castellino, "Calibrating Colonial Crime: Reparations and The Crime of Unjust Enrichment" (Policy Press, 2025)</title>
      <description>While decolonization liberated territories, it left the root causes of historical injustice unaddressed. Governance change did not address past wrongs and transferred injustice through political and financial architectures.

In Calibrating Colonial Crime: Reparations and The Crime of Unjust Enrichment (Bristol University Press/Policy Press, 2024) Dr. Joshua Castellino presents a five-point plan aimed at system redress through reparations that addresses the colonially induced climate crisis through equitable and sustainable means.

In highlighting the structural legacy of colonial crimes, Dr. Castellino provides insights into the complexities of contemporary societies, showing how legal frameworks could foster a fairer, more just world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>While decolonization liberated territories, it left the root causes of historical injustice unaddressed. Governance change did not address past wrongs and transferred injustice through political and financial architectures.

In Calibrating Colonial Crime: Reparations and The Crime of Unjust Enrichment (Bristol University Press/Policy Press, 2024) Dr. Joshua Castellino presents a five-point plan aimed at system redress through reparations that addresses the colonially induced climate crisis through equitable and sustainable means.

In highlighting the structural legacy of colonial crimes, Dr. Castellino provides insights into the complexities of contemporary societies, showing how legal frameworks could foster a fairer, more just world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While decolonization liberated territories, it left the root causes of historical injustice unaddressed. Governance change did not address past wrongs and transferred injustice through political and financial architectures.</p>
<p>In <a href="https://bookshop.org/a/12343/9781529241822">Calibrating Colonial Crime: Reparations and The Crime of Unjust Enrichment</a> (Bristol University Press/Policy Press, 2024) Dr. Joshua Castellino presents a five-point plan aimed at system redress through reparations that addresses the colonially induced climate crisis through equitable and sustainable means.</p>
<p>In highlighting the structural legacy of colonial crimes, Dr. Castellino provides insights into the complexities of contemporary societies, showing how legal frameworks could foster a fairer, more just world.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3179</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[98f14efc-b8e8-11f0-926f-4bd78903871d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6756544609.mp3?updated=1762197255" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Scorer, "Latin American Comics in the Twenty-First Century: Transgressing the Frame" (U Texas Press, 2024)</title>
      <description>How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>567</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do comics cross boarders? In <a href="https://utpress.utexas.edu/9781477329023/">Latin American Comics in the Twenty-First Century: Transgressing the Frame</a><em> </em><a href="https://research.manchester.ac.uk/en/persons/james.scorer">James Scorer, a Professor of Latin American Studies at the University of Manchester,</a> considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying <a href="https://sites.manchester.ac.uk/comics-and-race-in-latin-america/home/english/about/">Comics and race in Latin America</a> as well as the previously published open access collection <a href="https://uclpress.co.uk/book/comics-beyond-the-page-in-latin-america/">Comics Beyond the Page in Latin America</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2470</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bad866a4-b8e3-11f0-aee8-3be4c93fbb4c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7008415656.mp3?updated=1762195664" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>brian bean, "Their End Is Our Beginning: Cops, Capitalism, and Abolition" (Haymarket, 2025)</title>
      <description>Where do cops come from and what do they do? How did “modern policing” as we know it today come to be? What about the capitalist state necessitates policing? In this clear and comprehensive account of why and how the police—the linchpin of capitalism—function and exist, organizer and author brian bean presents a clear case for the abolition of policing and capitalism.

Their End Is Our Beginning traces the roots and development of policing in global capitalism through colonial rule, racist enslavement, and class oppression, along the way arguing how police power can be challenged and, ultimately, abolished. bean draws from extensive interviews with activists from Mexico to Ireland to Egypt, all of whom share compelling and knowledgeable perspectives on what it takes to—even if temporarily—take down the cops and build a thriving community-organized society, free from the police. The lessons they offer bring nuance to the meaning of “solidarity” and clarity to what “abolition” and “revolution” look like in practice.

Featuring illustrations by Chicago-based artist Charlie Aleck, Their End Is Our Beginning is an incendiary book that offers a socialist analysis of policing and the capitalist state, a vital discussion of the contours of abolition at large, and the revolutionary logic needed for liberation.



Guest: brian bean is a Chicago-based socialist organizer, writer, and agitator originally from North Carolina. They are one of the founding editors of Rampant magazine. Their work has been published in Truthout, Jacobin, Tempest, Spectre, Red Flag, New Politics, Socialist Worker, International Viewpoint, and more. In addition to Their End Is Our Beginning, brian coedited and contributed to the book Palestine: A Socialist Introduction, also published by Haymarket Books.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Where do cops come from and what do they do? How did “modern policing” as we know it today come to be? What about the capitalist state necessitates policing? In this clear and comprehensive account of why and how the police—the linchpin of capitalism—function and exist, organizer and author brian bean presents a clear case for the abolition of policing and capitalism.

Their End Is Our Beginning traces the roots and development of policing in global capitalism through colonial rule, racist enslavement, and class oppression, along the way arguing how police power can be challenged and, ultimately, abolished. bean draws from extensive interviews with activists from Mexico to Ireland to Egypt, all of whom share compelling and knowledgeable perspectives on what it takes to—even if temporarily—take down the cops and build a thriving community-organized society, free from the police. The lessons they offer bring nuance to the meaning of “solidarity” and clarity to what “abolition” and “revolution” look like in practice.

Featuring illustrations by Chicago-based artist Charlie Aleck, Their End Is Our Beginning is an incendiary book that offers a socialist analysis of policing and the capitalist state, a vital discussion of the contours of abolition at large, and the revolutionary logic needed for liberation.



Guest: brian bean is a Chicago-based socialist organizer, writer, and agitator originally from North Carolina. They are one of the founding editors of Rampant magazine. Their work has been published in Truthout, Jacobin, Tempest, Spectre, Red Flag, New Politics, Socialist Worker, International Viewpoint, and more. In addition to Their End Is Our Beginning, brian coedited and contributed to the book Palestine: A Socialist Introduction, also published by Haymarket Books.

Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Where do cops come from and what do they do? How did “modern policing” as we know it today come to be? What about the capitalist state necessitates policing? In this clear and comprehensive account of why and how the police—the linchpin of capitalism—function and exist, organizer and author brian bean presents a clear case for the abolition of policing and capitalism.</p>
<p><em>Their End Is Our Beginning</em> traces the roots and development of policing in global capitalism through colonial rule, racist enslavement, and class oppression, along the way arguing how police power can be challenged and, ultimately, abolished. bean draws from extensive interviews with activists from Mexico to Ireland to Egypt, all of whom share compelling and knowledgeable perspectives on what it takes to—even if temporarily—take down the cops and build a thriving community-organized society, free from the police. The lessons they offer bring nuance to the meaning of “solidarity” and clarity to what “abolition” and “revolution” look like in practice.</p>
<p>Featuring illustrations by Chicago-based artist Charlie Aleck, <em>Their End Is Our Beginning</em> is an incendiary book that offers a socialist analysis of policing and the capitalist state, a vital discussion of the contours of abolition at large, and the revolutionary logic needed for liberation.</p>
<p><br></p>
<p>Guest: brian bean is a Chicago-based socialist organizer, writer, and agitator originally from North Carolina. They are one of the founding editors of Rampant magazine. Their work has been published in Truthout, Jacobin, Tempest, Spectre, Red Flag, New Politics, Socialist Worker, International Viewpoint, and more. In addition to <em>Their End Is Our Beginning</em>, brian coedited and contributed to the book <em>Palestine: A Socialist Introduction</em>, also published by Haymarket Books.</p>
<p>Host: <a href="https://www.michaelstauch.com/">Michael Stauch</a> (he/him) is an associate professor of history at the University of Toledo and the author of <a href="https://www.pennpress.org/9781512827996/wildcat-of-the-streets/"><em>Wildcat of the Streets: Detroit in the Age of Community Policing</em></a>, published by the University of Pennsylvania Press in 2025.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3638</itunes:duration>
      <guid isPermaLink="false"><![CDATA[85be18e6-b8d0-11f0-b61f-df7c6fa41638]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8136556215.mp3?updated=1762187291" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rebecca van Laer, "Cat" (Bloomsbury, 2025)</title>
      <description>Dr. Rebecca van Laer and her partner purchase a home and move in with their senior cats, Toby and Gus. Their loved ones see this as a step toward an inevitable future-first comes the house, then a dog, then a child. But what if they are just cat people?Moving between memoir, philosophy, and pop culture, Cat (Bloomsbury, 2025) is a playful and tender meditation on cats and their people, part of the Object Lessons series. Van Laer considers cats' role in her personal narrative, where they are mascots of laziness and lawlessness, and in cultural narratives, where they appear as feminine, anarchic, and maladapted, especially in comparison to dogs.From the stereotype of the 'crazy cat lady' to the joy of cat memes to the grief of pet loss, van Laer demonstrates that the cat-person relationship is free of the discipline and dependence required by parenting (and dog-parenting), creating a less hierarchical intimacy that offers a different model for love.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 03 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dr. Rebecca van Laer and her partner purchase a home and move in with their senior cats, Toby and Gus. Their loved ones see this as a step toward an inevitable future-first comes the house, then a dog, then a child. But what if they are just cat people?Moving between memoir, philosophy, and pop culture, Cat (Bloomsbury, 2025) is a playful and tender meditation on cats and their people, part of the Object Lessons series. Van Laer considers cats' role in her personal narrative, where they are mascots of laziness and lawlessness, and in cultural narratives, where they appear as feminine, anarchic, and maladapted, especially in comparison to dogs.From the stereotype of the 'crazy cat lady' to the joy of cat memes to the grief of pet loss, van Laer demonstrates that the cat-person relationship is free of the discipline and dependence required by parenting (and dog-parenting), creating a less hierarchical intimacy that offers a different model for love.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Rebecca van Laer and her partner purchase a home and move in with their senior cats, Toby and Gus. Their loved ones see this as a step toward an inevitable future-first comes the house, then a dog, then a child. But what if they are just cat people?<br>Moving between memoir, philosophy, and pop culture, <a href="https://bookshop.org/a/12343/9798765114629">Cat</a><em> </em>(Bloomsbury, 2025) is a playful and tender meditation on cats and their people, part of the Object Lessons series. Van Laer considers cats' role in her personal narrative, where they are mascots of laziness and lawlessness, and in cultural narratives, where they appear as feminine, anarchic, and maladapted, especially in comparison to dogs.<br>From the stereotype of the 'crazy cat lady' to the joy of cat memes to the grief of pet loss, van Laer demonstrates that the cat-person relationship is free of the discipline and dependence required by parenting (and dog-parenting), creating a less hierarchical intimacy that offers a different model for love.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1702</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[408ac0ca-b697-11f0-9aa9-8b4e580736c1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6421358750.mp3?updated=1761942405" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natasha Piano, "Democratic Elitism: The Founding Myth of American Political Science" (Harvard UP, 2025)</title>
      <description>Do competitive elections secure democracy, or might they undermine it by breeding popular disillusionment with liberal norms and procedures? The so-called Italian School of Elitism, comprising Vilfredo Pareto, Gaetano Mosca, and Robert Michels, voiced this very concern. They feared that defining democracy exclusively through representative practices creates unrealistic expectations of what elections can achieve, generating mass demoralization and disillusionment with popular government.

The Italian School’s concern has gone unheeded, even as their elite theory has been foundational for political science in the United States. Democratic Elitism: The Founding Myth of American Political Science (Harvard UP, 2025) argues that scholars have misinterpreted the Italians as conservative, antidemocratic figures who championed the equation of democracy with representative practices to restrain popular participation in politics. Natasha Piano contends not only that the Italian School’s thought has been distorted but also that theorists have ignored its main objective: to contain demagogues and plutocrats who prey on the cynicism of the masses. We ought to view these thinkers not as elite theorists of democracy but as democratic theorists of elitism.

The Italian School’s original writings do not reject electoral politics; they emphasize the power and promise of democracy beyond the ballot. Elections undoubtedly are an essential component of functioning democracies, but in order to preserve their legitimacy we must understand their true capacities and limitations. It is past time to dispel the delusion that we need only elections to solve political crises, or else mass publics, dissatisfied with the status quo, will fall deeper into the arms of authoritarians who capture and pervert formal democratic institutions to serve their own ends.

Natasha Piano is an Assistant Professor of Political Theory in the Department of Political Science at UCLA. She specializes in democratic theory and the history of political thought, focusing on the realist and empirical traditions in political science and Italian political theory

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 01 Nov 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Do competitive elections secure democracy, or might they undermine it by breeding popular disillusionment with liberal norms and procedures? The so-called Italian School of Elitism, comprising Vilfredo Pareto, Gaetano Mosca, and Robert Michels, voiced this very concern. They feared that defining democracy exclusively through representative practices creates unrealistic expectations of what elections can achieve, generating mass demoralization and disillusionment with popular government.

The Italian School’s concern has gone unheeded, even as their elite theory has been foundational for political science in the United States. Democratic Elitism: The Founding Myth of American Political Science (Harvard UP, 2025) argues that scholars have misinterpreted the Italians as conservative, antidemocratic figures who championed the equation of democracy with representative practices to restrain popular participation in politics. Natasha Piano contends not only that the Italian School’s thought has been distorted but also that theorists have ignored its main objective: to contain demagogues and plutocrats who prey on the cynicism of the masses. We ought to view these thinkers not as elite theorists of democracy but as democratic theorists of elitism.

The Italian School’s original writings do not reject electoral politics; they emphasize the power and promise of democracy beyond the ballot. Elections undoubtedly are an essential component of functioning democracies, but in order to preserve their legitimacy we must understand their true capacities and limitations. It is past time to dispel the delusion that we need only elections to solve political crises, or else mass publics, dissatisfied with the status quo, will fall deeper into the arms of authoritarians who capture and pervert formal democratic institutions to serve their own ends.

Natasha Piano is an Assistant Professor of Political Theory in the Department of Political Science at UCLA. She specializes in democratic theory and the history of political thought, focusing on the realist and empirical traditions in political science and Italian political theory

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Do competitive elections secure democracy, or might they undermine it by breeding popular disillusionment with liberal norms and procedures? The so-called Italian School of Elitism, comprising Vilfredo Pareto, Gaetano Mosca, and Robert Michels, voiced this very concern. They feared that defining democracy exclusively through representative practices creates unrealistic expectations of what elections can achieve, generating mass demoralization and disillusionment with popular government.</p>
<p>The Italian School’s concern has gone unheeded, even as their elite theory has been foundational for political science in the United States. <a href="https://bookshop.org/a/12343/9780674295377">Democratic Elitism: The Founding Myth of American Political Science</a><em> </em>(Harvard UP, 2025) argues that scholars have misinterpreted the Italians as conservative, antidemocratic figures who championed the equation of democracy with representative practices to restrain popular participation in politics. Natasha Piano contends not only that the Italian School’s thought has been distorted but also that theorists have ignored its main objective: to contain demagogues and plutocrats who prey on the cynicism of the masses. We ought to view these thinkers not as elite theorists of democracy but as democratic theorists of elitism.</p>
<p>The Italian School’s original writings do not reject electoral politics; they emphasize the power and promise of democracy beyond the ballot. Elections undoubtedly are an essential component of functioning democracies, but in order to preserve their legitimacy we must understand their true capacities and limitations. It is past time to dispel the delusion that we need only elections to solve political crises, or else mass publics, dissatisfied with the status quo, will fall deeper into the arms of authoritarians who capture and pervert formal democratic institutions to serve their own ends.</p>
<p>Natasha Piano is an Assistant Professor of Political Theory in the Department of Political Science at UCLA. She specializes in democratic theory and the history of political thought, focusing on the realist and empirical traditions in political science and Italian political theory</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3405</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2084bc82-b560-11f0-bb93-cb110feecee4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4726543433.mp3?updated=1761809333" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aria Fani, "Reading Across Borders: Afghans, Iranians, and Literary Nationalism" (U Texas Press, 2024)</title>
      <description>The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature.

Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature.

Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today.

Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 31 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature.

Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature.

Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today.

Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature.</p>
<p>Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, <a href="https://bookshop.org/a/12343/9781477328811">Reading Across Borders: Afghans, Iranians, and Literary Nationalism</a><em> (</em>University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature.</p>
<p>Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today.</p>
<p>Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of <em>Iranian Studies</em> and is a co-investigator of the Translation Studies Hub at UW.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3148</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[164b5384-b510-11f0-90d3-43adf4ef9a81]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7857407020.mp3?updated=1761774439" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gavin Flood, "The Concept of Mind in Hindu Tantra" (Routledge, 2024)</title>
      <description>The Concept of Mind in Hindu Tantra (Routledge, 2024) presents an account of the concept of mind in Hindu Tantra through a study of religious and philosophical texts in the medieval period. It will be of interest to researchers in the field of Religious Studies, Asian Religion, Hindu Studies, Indian philosophy and comparative philosophy.
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      <pubDate>Thu, 30 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Concept of Mind in Hindu Tantra (Routledge, 2024) presents an account of the concept of mind in Hindu Tantra through a study of religious and philosophical texts in the medieval period. It will be of interest to researchers in the field of Religious Studies, Asian Religion, Hindu Studies, Indian philosophy and comparative philosophy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032835167">The Concept of Mind in Hindu Tantra </a>(Routledge, 2024) presents an account of the concept of mind in Hindu Tantra through a study of religious and philosophical texts in the medieval period. It will be of interest to researchers in the field of Religious Studies, Asian Religion, Hindu Studies, Indian philosophy and comparative philosophy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1972</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fe3d301c-b471-11f0-af3f-bfe2bee7b8b6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7094206442.mp3?updated=1761706428" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elif Kalaycioglu, "The Politics of World Heritage: Visions, Custodians, and Futures of Humanity" (Oxford UP, 2025)</title>
      <description>What does it take to construct humanity's cultural history and what do these efforts produce in the world? In The Politics of World Heritage (Oxford UP, 2025), Elif Kalaycioglu analyzes UNESCO's flagship regime, which seeks to curate a cultural history of humanity, attached to "outstanding universal value" and tethered to goals of peace and solidarity. Kalaycioglu's analysis tracks that construction across fifty years of the regime and maps it onto three distinct visions: humanity as a rarified transhistorical subject, humanity as a diverse subject, and humanity as a subject that is adequately represented by the community of nation states. In each of these constructions, experts and states take up the cultural and historical resources that circulate within the regime to narrate a humanity into being, and position themselves as its adjudicators, contributors and custodians. Each construction comes with remainders, that is, parts of humanity excluded from this cultural history, and internal hierarchies between those at its center and others that remain on the margins.These hierarchies challenge the aspiration to peace and solidarity. While these aspirations have changed across the three iterations of humanity, across the different forms, the regime's structures and participants have been ill-equipped and hesitant to engage with the underbellies of humanity towards robust visions of peace and solidarity. In contrast to this general tendency, Kalaycioglu excavates from select nomination files nested constructions of humanity that hold onto the globality and unevenness of its political conditions and presents the possibility of robust visions of peace and solidarity, and humanity's different futures.

Elif Kalaycioglu is Assistant Professor at the Department of Political Science at The University of Alabama.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does it take to construct humanity's cultural history and what do these efforts produce in the world? In The Politics of World Heritage (Oxford UP, 2025), Elif Kalaycioglu analyzes UNESCO's flagship regime, which seeks to curate a cultural history of humanity, attached to "outstanding universal value" and tethered to goals of peace and solidarity. Kalaycioglu's analysis tracks that construction across fifty years of the regime and maps it onto three distinct visions: humanity as a rarified transhistorical subject, humanity as a diverse subject, and humanity as a subject that is adequately represented by the community of nation states. In each of these constructions, experts and states take up the cultural and historical resources that circulate within the regime to narrate a humanity into being, and position themselves as its adjudicators, contributors and custodians. Each construction comes with remainders, that is, parts of humanity excluded from this cultural history, and internal hierarchies between those at its center and others that remain on the margins.These hierarchies challenge the aspiration to peace and solidarity. While these aspirations have changed across the three iterations of humanity, across the different forms, the regime's structures and participants have been ill-equipped and hesitant to engage with the underbellies of humanity towards robust visions of peace and solidarity. In contrast to this general tendency, Kalaycioglu excavates from select nomination files nested constructions of humanity that hold onto the globality and unevenness of its political conditions and presents the possibility of robust visions of peace and solidarity, and humanity's different futures.

Elif Kalaycioglu is Assistant Professor at the Department of Political Science at The University of Alabama.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it take to construct humanity's cultural history and what do these efforts produce in the world? In <a href="https://bookshop.org/p/books/the-politics-of-world-heritage-visions-custodians-and-futures-of-humanity-assistant-professor-of-political-science-elif-kalaycioglu/776267d6d1565afe?ean=9780198912767&amp;next=t">The Politics of World Heritage</a><em> </em>(Oxford UP, 2025), Elif Kalaycioglu analyzes UNESCO's flagship regime, which seeks to curate a cultural history of humanity, attached to "outstanding universal value" and tethered to goals of peace and solidarity. Kalaycioglu's analysis tracks that construction across fifty years of the regime and maps it onto three distinct visions: humanity as a rarified transhistorical subject, humanity as a diverse subject, and humanity as a subject that is adequately represented by the community of nation states. In each of these constructions, experts and states take up the cultural and historical resources that circulate within the regime to narrate a humanity into being, and position themselves as its adjudicators, contributors and custodians. Each construction comes with remainders, that is, parts of humanity excluded from this cultural history, and internal hierarchies between those at its center and others that remain on the margins.<br>These hierarchies challenge the aspiration to peace and solidarity. While these aspirations have changed across the three iterations of humanity, across the different forms, the regime's structures and participants have been ill-equipped and hesitant to engage with the underbellies of humanity towards robust visions of peace and solidarity. In contrast to this general tendency, Kalaycioglu excavates from select nomination files nested constructions of humanity that hold onto the globality and unevenness of its political conditions and presents the possibility of robust visions of peace and solidarity, and humanity's different futures.</p>
<p>Elif Kalaycioglu is Assistant Professor at the Department of Political Science at The University of Alabama.</p>
<p><a href="https://jenhoyer.info/">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> (2022) and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a> (2021)<em>, </em>and co-editor of <a href="https://www.commonnotions.org/buy/armed-by-design"><em>Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America</em></a> (2025)<em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3498</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3511526226.mp3?updated=1761708527" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gilles Deleuze, "On Painting" (U Minnesota Press, 2025)</title>
      <description>Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss:

Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press.

Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze’s Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion!

From the inside flap:

“

”

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss:

Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press.

Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze’s Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion!

From the inside flap:

“

”

Nathan Smith is a PhD candidate in Music Theory at Yale University

nathan.smith@yale.edu

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss:</p>
<p>Deleuze, Gilles. 2025. <a href="https://bookshop.org/a/12343/9781517918408">On Painting</a><em>. </em>Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press.</p>
<p>Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (<a href="https://deleuze.cla.purdue.edu/">website here</a>). Dan is also the translator of Deleuze’s <em>Francis Bacon: The Logic of Sensation</em>, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion!<br></p>
<p>From the inside flap:</p>
<p>“</p>
<p>”</p>
<p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p>
<p>nathan.smith@yale.edu</p>
<p><em><strong>Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on painting</strong></em><em>From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5988</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08c587d0-b104-11f0-bea3-1bc88111f9a3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1633687035.mp3?updated=1761330533" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Lazarus, "Absolute Ethical Life: Aristotle, Hegel and Marx" (Stanford UP, 2025)</title>
      <description>Absolute Ethical Life: Aristotle, Hegel and Marx by Michael Lazarus

Karl Marx gave us not just a critique of the political economy of capital but a way of confronting the impoverished ethical quality of life we face under capitalism. Interpreting Marx anew as an ethical thinker, Absolute Ethical Life provides crucial resources for understanding how freedom and rational agency are impacted by a social world formed by value under capitalism, with consequences for philosophy today.

Michael Lazarus situates Marx within a shared tradition of ethical inquiry, placing him in close dialogue with Aristotle and Hegel. Lazarus traces the ethical and political dimensions of Marx's work missed by Hannah Arendt and Alasdair MacIntyre, two of the most profound critics of modern politics and ethics. Ultimately, the book claims that Marx's value-form theory is both a continuation of Aristotelian and Hegelian themes and at the same time his most distinctive theoretical achievement.

In this normative interpretation of Marx, Lazarus integrates recent moral philosophy with a historically specific analysis of capitalism as a social form of life. He challenges contemporary political and economic theory to insist that any conception of modern life needs to account for capitalism. With a robust critique of capitalism derived from the determinations of what Marx calls the "form of value," Lazarus argues for an ethical life beyond capital.

Michael Lazarus is a Lecturer in Political Theory in the Department of Political Economy. Before coming to King’s College London, he was Deakin University Postdoctoral Research Fellow at the Alfred Deakin Institute and a visiting Postdoctoral Fellow at Yale University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Absolute Ethical Life: Aristotle, Hegel and Marx by Michael Lazarus

Karl Marx gave us not just a critique of the political economy of capital but a way of confronting the impoverished ethical quality of life we face under capitalism. Interpreting Marx anew as an ethical thinker, Absolute Ethical Life provides crucial resources for understanding how freedom and rational agency are impacted by a social world formed by value under capitalism, with consequences for philosophy today.

Michael Lazarus situates Marx within a shared tradition of ethical inquiry, placing him in close dialogue with Aristotle and Hegel. Lazarus traces the ethical and political dimensions of Marx's work missed by Hannah Arendt and Alasdair MacIntyre, two of the most profound critics of modern politics and ethics. Ultimately, the book claims that Marx's value-form theory is both a continuation of Aristotelian and Hegelian themes and at the same time his most distinctive theoretical achievement.

In this normative interpretation of Marx, Lazarus integrates recent moral philosophy with a historically specific analysis of capitalism as a social form of life. He challenges contemporary political and economic theory to insist that any conception of modern life needs to account for capitalism. With a robust critique of capitalism derived from the determinations of what Marx calls the "form of value," Lazarus argues for an ethical life beyond capital.

Michael Lazarus is a Lecturer in Political Theory in the Department of Political Economy. Before coming to King’s College London, he was Deakin University Postdoctoral Research Fellow at the Alfred Deakin Institute and a visiting Postdoctoral Fellow at Yale University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Absolute Ethical Life: Aristotle, Hegel and Marx by Michael Lazarus</p>
<p>Karl Marx gave us not just a critique of the political economy of capital but a way of confronting the impoverished ethical quality of life we face under capitalism. Interpreting Marx anew as an ethical thinker, <em>Absolute Ethical Life</em> provides crucial resources for understanding how freedom and rational agency are impacted by a social world formed by value under capitalism, with consequences for philosophy today.</p>
<p>Michael Lazarus situates Marx within a shared tradition of ethical inquiry, placing him in close dialogue with Aristotle and Hegel. Lazarus traces the ethical and political dimensions of Marx's work missed by Hannah Arendt and Alasdair MacIntyre, two of the most profound critics of modern politics and ethics. Ultimately, the book claims that Marx's value-form theory is both a continuation of Aristotelian and Hegelian themes and at the same time his most distinctive theoretical achievement.</p>
<p>In this normative interpretation of Marx, Lazarus integrates recent moral philosophy with a historically specific analysis of capitalism as a social form of life. He challenges contemporary political and economic theory to insist that any conception of modern life needs to account for capitalism. With a robust critique of capitalism derived from the determinations of what Marx calls the "form of value," Lazarus argues for an ethical life beyond capital.</p>
<p>Michael Lazarus is a Lecturer in Political Theory in the Department of Political Economy. Before coming to King’s College London, he was Deakin University Postdoctoral Research Fellow at the Alfred Deakin Institute and a visiting Postdoctoral Fellow at Yale University.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4023</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64da4cc4-b107-11f0-932c-4717f1b45665]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1394457675.mp3?updated=1761331071" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tim Beasley-Murray, "Critical Games: On Play and Seriousness in Academia, Literature and Life" (Manchester UP, 2025)</title>
      <description>﻿Which parts of life are serious, and which are a game? In ﻿Critical Games: On Play and Seriousness in Academia, Literature and Life (Manchester UP, 2025) Tim Beasley-Murray, an Associate Professor of European Thought and Culture and Vice-Dean (Innovation and Enterprise) for the Faculty of Arts and Humanities at University College London, offers a series of reflections on literature, culture, universities and society as both playful and serious. The book combines close reading of key figures in contemporary literature such as Emmanuel Carrère, set alongside playful and serious reflections on literary criticism, media, and academic careers and practice. A fascinating and eclectic text, the book is essential reading for literature and culture scholars, as well as for anyone seeking a defence of contemporary arts and humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 25 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿Which parts of life are serious, and which are a game? In ﻿Critical Games: On Play and Seriousness in Academia, Literature and Life (Manchester UP, 2025) Tim Beasley-Murray, an Associate Professor of European Thought and Culture and Vice-Dean (Innovation and Enterprise) for the Faculty of Arts and Humanities at University College London, offers a series of reflections on literature, culture, universities and society as both playful and serious. The book combines close reading of key figures in contemporary literature such as Emmanuel Carrère, set alongside playful and serious reflections on literary criticism, media, and academic careers and practice. A fascinating and eclectic text, the book is essential reading for literature and culture scholars, as well as for anyone seeking a defence of contemporary arts and humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿Which parts of life are serious, and which are a game? In <a href="https://bookshop.org/a/12343/9781526177773">﻿Critical Games: On Play and Seriousness in Academia, Literature and Life</a> (Manchester UP, 2025) <a href="https://bsky.app/profile/timb-m.bsky.social">Tim Beasley-Murray</a>, an <a href="https://profiles.ucl.ac.uk/4327-tim-beasleymurray">Associate Professor of European Thought and Culture and Vice-Dean (Innovation and Enterprise) for the Faculty of Arts and Humanities at University College London</a>, offers a series of reflections on literature, culture, universities and society as both playful and serious. The book combines close reading of key figures in contemporary literature such as Emmanuel Carrère, set alongside playful and serious reflections on literary criticism, media, and academic careers and practice. A fascinating and eclectic text, the book is essential reading for literature and culture scholars, as well as for anyone seeking a defence of contemporary arts and humanities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2520</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[14f5e076-b07e-11f0-b0df-7b7e1abc2e1d]]></guid>
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    </item>
    <item>
      <title>What Do You Want Out of Life? A Philosophical Guide to Figuring Out What Matters</title>
      <description>What do you want out of life? To make a lot of money, work for justice, run marathons, sing in a choir, have children, travel the world? The things we care about in life—family, friendship, leisure activities, work, our moral ideals—often conflict, preventing us from doing what matters most to us. Even worse, we don’t always know what we really want, or how to define success. Blending personal stories, philosophy, and psychology, this insightful and entertaining book offers invaluable advice about living well by understanding your values and resolving the conflicts that frustrate their fulfillment.Dr. Valerie Tiberius introduces you to a way of thinking about your goals that enables you to reflect on them effectively throughout your life. She illustrates her approach with vivid examples, many of which are drawn from her own life, ranging from the silly to the serious, from shopping to navigating prejudice. Throughout, the book emphasizes the importance of interconnectedness, reminding us of the profound influence other people have on our lives, our goals, and how we should pursue them. At the same time, the book offers strategies for coping with obstacles to realizing your goals, including gender bias and other kinds of discrimination. Whether you are changing jobs, rethinking your priorities, or reconsidering your whole life path, What Do You Want Out of Life?: A Philosophical Guide to Figuring Out What Matters (Princeton UP, 2024) is an essential guide to helping you understand what really matters to you and how you can thoughtfully pursue it.

Our guest is: Valerie Tiberius, who is the Paul W. Frenzel Chair in Liberal Arts and professor of philosophy at the University of Minnesota. Her books include Well-Being as Value Fulfillment: How We Can Help Each Other to Live Well and The Reflective Life: Living Wisely with Our Limits. She lives in Minneapolis.

Our host is: Dr. Christina Gessler, who is a dissertation and grad student coach, and a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast, and writes the show’s newsletter at christinagessler.substack.com.

Listeners may enjoy this playlist:


  How We Show Up

  The Good-Enough Life

  Tell Me What You Want

  Taking A Break from Overworking and Underliving

  How Can Mindfulness Help

  Meditation For Beginners

  Making A Meaningful Life


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help to support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 280+ Academic Life episodes? Find them here. Thank you for listening!﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What do you want out of life? To make a lot of money, work for justice, run marathons, sing in a choir, have children, travel the world? The things we care about in life—family, friendship, leisure activities, work, our moral ideals—often conflict, preventing us from doing what matters most to us. Even worse, we don’t always know what we really want, or how to define success. Blending personal stories, philosophy, and psychology, this insightful and entertaining book offers invaluable advice about living well by understanding your values and resolving the conflicts that frustrate their fulfillment.Dr. Valerie Tiberius introduces you to a way of thinking about your goals that enables you to reflect on them effectively throughout your life. She illustrates her approach with vivid examples, many of which are drawn from her own life, ranging from the silly to the serious, from shopping to navigating prejudice. Throughout, the book emphasizes the importance of interconnectedness, reminding us of the profound influence other people have on our lives, our goals, and how we should pursue them. At the same time, the book offers strategies for coping with obstacles to realizing your goals, including gender bias and other kinds of discrimination. Whether you are changing jobs, rethinking your priorities, or reconsidering your whole life path, What Do You Want Out of Life?: A Philosophical Guide to Figuring Out What Matters (Princeton UP, 2024) is an essential guide to helping you understand what really matters to you and how you can thoughtfully pursue it.

Our guest is: Valerie Tiberius, who is the Paul W. Frenzel Chair in Liberal Arts and professor of philosophy at the University of Minnesota. Her books include Well-Being as Value Fulfillment: How We Can Help Each Other to Live Well and The Reflective Life: Living Wisely with Our Limits. She lives in Minneapolis.

Our host is: Dr. Christina Gessler, who is a dissertation and grad student coach, and a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast, and writes the show’s newsletter at christinagessler.substack.com.

Listeners may enjoy this playlist:


  How We Show Up

  The Good-Enough Life

  Tell Me What You Want

  Taking A Break from Overworking and Underliving

  How Can Mindfulness Help

  Meditation For Beginners

  Making A Meaningful Life


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help to support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 280+ Academic Life episodes? Find them here. Thank you for listening!﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do you want out of life? To make a lot of money, work for justice, run marathons, sing in a choir, have children, travel the world? The things we care about in life—family, friendship, leisure activities, work, our moral ideals—often conflict, preventing us from doing what matters most to us. Even worse, we don’t always know what we really want, or how to define success. Blending personal stories, philosophy, and psychology, this insightful and entertaining book offers invaluable advice about living well by understanding your values and resolving the conflicts that frustrate their fulfillment.<br>Dr. Valerie Tiberius introduces you to a way of thinking about your goals that enables you to reflect on them effectively throughout your life. She illustrates her approach with vivid examples, many of which are drawn from her own life, ranging from the silly to the serious, from shopping to navigating prejudice. Throughout, the book emphasizes the importance of interconnectedness, reminding us of the profound influence other people have on our lives, our goals, and how we should pursue them. At the same time, the book offers strategies for coping with obstacles to realizing your goals, including gender bias and other kinds of discrimination. Whether you are changing jobs, rethinking your priorities, or reconsidering your whole life path, <a href="https://bookshop.org/a/12343/9780691241395">What Do You Want Out of Life?: A Philosophical Guide to Figuring Out What Matters</a><em> </em>(Princeton UP, 2024) is an essential guide to helping you understand what really matters to you and how you can thoughtfully pursue it.</p>
<p>Our guest is: Valerie Tiberius, who is the Paul W. Frenzel Chair in Liberal Arts and professor of philosophy at the University of Minnesota. Her books include <em>Well-Being as Value Fulfillment: How We Can Help Each Other to Live Well</em> and <em>The Reflective Life: Living Wisely with Our Limits. </em>She lives in Minneapolis.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is a dissertation and grad student coach, and a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast, and writes the show’s newsletter at christinagessler.substack.com.</p>
<p>Listeners may enjoy this playlist:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/community-building-and-how-we-show-up">How We Show Up</a></li>
  <li><a href="https://newbooksnetwork.com/the-good-enough-life">The Good-Enough Life</a></li>
  <li><a href="https://newbooksnetwork.com/tell-me-what-you-want">Tell Me What You Want</a></li>
  <li><a href="https://newbooksnetwork.com/need-a-break-from-overworking-and-underliving">Taking A Break from Overworking and Underliving</a></li>
  <li><a href="https://newbooksnetwork.com/skills-for-scholars-how-can-mindfulness-help">How Can Mindfulness Help</a></li>
  <li><a href="https://newbooksnetwork.com/meditation-episode">Meditation For Beginners</a></li>
  <li><a href="https://newbooksnetwork.com/how-to-stop-chasing-happiness-and-make-a-meaningful-life-instead">Making A Meaningful Life</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help to support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 280+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> Thank you for listening!﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3881</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9191518185.mp3?updated=1761108217" length="0" type="audio/mpeg"/>
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    <item>
      <title>Joanna Woronkowicz, "Artists at Work: Rethinking Policy for Artistic Careers" (Stanford UP, 2025)</title>
      <description>What does it mean to be an artist? In Artists At Work: Rethinking Policy for Artistic Careers (Stanford UP, 2025) Joanna Woronkowicz, the co-founder of the Center for Cultural Affairs and co-director of the Arts, Entrepreneurship and Innovation Lab at Indiana University Bloomington and currently based at Copenhagen Business School, tells the story of cultural work and cultural policy in the USA. Offering a broad definition of artists and creatives, the book offers a deep dive into the demographics of the arts workforce, their working patterns, the places where they work and live, and their education and training. The analysis also shows the range of challenges confronting the contemporary arts workforce, and crucially demonstrates what policy can do to help. Rich with empirical detail, as well as being clear and accessible, the book is essential reading across the humanities, social sciences, and for anyone interested in the arts today!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does it mean to be an artist? In Artists At Work: Rethinking Policy for Artistic Careers (Stanford UP, 2025) Joanna Woronkowicz, the co-founder of the Center for Cultural Affairs and co-director of the Arts, Entrepreneurship and Innovation Lab at Indiana University Bloomington and currently based at Copenhagen Business School, tells the story of cultural work and cultural policy in the USA. Offering a broad definition of artists and creatives, the book offers a deep dive into the demographics of the arts workforce, their working patterns, the places where they work and live, and their education and training. The analysis also shows the range of challenges confronting the contemporary arts workforce, and crucially demonstrates what policy can do to help. Rich with empirical detail, as well as being clear and accessible, the book is essential reading across the humanities, social sciences, and for anyone interested in the arts today!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean to be an artist? In <a href="https://bookshop.org/a/12343/9781503636408">Artists At Work: Rethinking Policy for Artistic Careers</a> (Stanford UP, 2025) Joanna Woronkowicz, the co-founder of the <a href="https://culturalaffairs.indiana.edu/index.html?_gl=1*x01i6d*_gcl_au*MTM1MzA0Njc4NS4xNzYwODk4Nzc2*_ga*MTUxMDE2NTg2Ny4xNzYwODk4Nzc1*_ga_61CH0D2DQW*czE3NjA4OTg3NzUkbzEkZzEkdDE3NjA4OTg3NzUkajYwJGwwJGgw">Center for Cultural Affairs</a> and co-director of the <a href="https://culturalaffairs.indiana.edu/programs/aeilab/index.html?_gl=1*vxbsy8*_gcl_au*MTM1MzA0Njc4NS4xNzYwODk4Nzc2*_ga*MTUxMDE2NTg2Ny4xNzYwODk4Nzc1*_ga_61CH0D2DQW*czE3NjA4OTg3NzUkbzEkZzEkdDE3NjA4OTg3NzUkajYwJGwwJGgw">Arts, Entrepreneurship and Innovation Lab</a> at<a href="https://oneill.indiana.edu/faculty-research/directory/profiles/faculty/full-time/woronkowicz-joanna.html"> Indiana University</a> Bloomington and currently based at <a href="https://www.cbs.dk/en">Copenhagen Business School</a>, tells the story of cultural work and cultural policy in the USA. Offering a broad definition of artists and creatives, the book offers a deep dive into the demographics of the arts workforce, their working patterns, the places where they work and live, and their education and training. The analysis also shows the range of challenges confronting the contemporary arts workforce, and crucially demonstrates what policy can do to help. Rich with empirical detail, as well as being clear and accessible, the book is essential reading across the humanities, social sciences, and for anyone interested in the arts today!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2418</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f9316980-af03-11f0-bb71-3bd418915d83]]></guid>
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    </item>
    <item>
      <title>Eva Meijer, "Multispecies Assemblies" (Vine Press, 2025)</title>
      <description>Animals speak. Plants do too. Seas and mountains are not a mute background to human actions, but have interests and agency. Many more-than-human beings are political actors. All of us are part of a web of relations in which we affect others and are affected by them. To counter the current ecological destruction and find more just ways to co-exist, humans need new ways of doing politics with other earth beings. In Multispecies Assemblies (Vine Press, 2025), Dutch philosopher Eva Meijer develops such a new political model: the multispecies assembly. Multispecies assemblies are a form of direct democracy in which some beings speak for themselves and others are represented. Living differently as humans is possible, but we must begin to listen to others, and learn from them.

Eva Meijer is a philosopher, visual artist, writer and singer-songwriter. They write novels, philosophical essays, academic texts, poems and columns, and their work has been translated into over twenty languages. Recurring themes are language including silence, madness, nonhuman animals, and politics. Meijer also works as a postdoctoral researcher at the University of Amsterdam, writes essays and columns for Dutch newspapers, and is a member of the Multispecies Collective.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Animals speak. Plants do too. Seas and mountains are not a mute background to human actions, but have interests and agency. Many more-than-human beings are political actors. All of us are part of a web of relations in which we affect others and are affected by them. To counter the current ecological destruction and find more just ways to co-exist, humans need new ways of doing politics with other earth beings. In Multispecies Assemblies (Vine Press, 2025), Dutch philosopher Eva Meijer develops such a new political model: the multispecies assembly. Multispecies assemblies are a form of direct democracy in which some beings speak for themselves and others are represented. Living differently as humans is possible, but we must begin to listen to others, and learn from them.

Eva Meijer is a philosopher, visual artist, writer and singer-songwriter. They write novels, philosophical essays, academic texts, poems and columns, and their work has been translated into over twenty languages. Recurring themes are language including silence, madness, nonhuman animals, and politics. Meijer also works as a postdoctoral researcher at the University of Amsterdam, writes essays and columns for Dutch newspapers, and is a member of the Multispecies Collective.

Kyle Johannsen is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Animals speak. Plants do too. Seas and mountains are not a mute background to human actions, but have interests and agency. Many more-than-human beings are political actors. All of us are part of a web of relations in which we affect others and are affected by them. To counter the current ecological destruction and find more just ways to co-exist, humans need new ways of doing politics with other earth beings. In <a href="https://bookshop.org/a/12343/9798989617227">Multispecies Assemblies</a> (Vine Press, 2025), Dutch philosopher Eva Meijer develops such a new political model: the multispecies assembly. Multispecies assemblies are a form of direct democracy in which some beings speak for themselves and others are represented. Living differently as humans is possible, but we must begin to listen to others, and learn from them.</p>
<p><a href="https://www.evameijer.nl/en/indexen.html">Eva Meijer</a> is a philosopher, visual artist, writer and singer-songwriter. They write novels, philosophical essays, academic texts, poems and columns, and their work has been translated into over twenty languages. Recurring themes are language including silence, madness, nonhuman animals, and politics. Meijer also works as a postdoctoral researcher at the University of Amsterdam, writes essays and columns for Dutch newspapers, and is a member of the Multispecies Collective.</p>
<p><a href="https://sites.google.com/view/kyle-johannsen/">Kyle Johannsen</a> is Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent authored book is <em>Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering</em> (Routledge, 2021).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3896</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Massimo Modonesi, "The Antagonistic Principle: Marxism and Political Action​" (Haymarket, 2019)</title>
      <description>What does it mean to be a political subject? This is one of the key questions asked by Massimo Modonesi in ​The Antagonistic Principle: Marxism and Political Action (2019)​, published as part of the Historical Materialism book series from Brill and Haymarket books. The book takes on the theories of Marx and Gramsci to develop a philosophical triad of subalternity-antagonism-autonomy as a way of studying political subjectification under oppressive conditions and the potential for resistance. The book then looks at political developments in South and Latin America, trying to understand the underlying dynamics of both where it’s coming from, and what its possibilities are for anticapitalist resistance.
Massimo Modonesi is professor and chair of the Political and Social Sciences Faculty at the Autonomous National University in Mexico, and is the author of numerous books on political theory and history in Latin America, his most recent in English being ​Subalternity, Antagonism, Autonomy: Constructing the Political Subject.​ He is a member of the coordinating committee of the International Gramsci Society.
Maria Vignau served as a research assistant under Modonesi, and now teaches while working on her PhD at the University of Washington in Seattle.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does it mean to be a political subject?</itunes:subtitle>
      <itunes:summary>What does it mean to be a political subject? This is one of the key questions asked by Massimo Modonesi in ​The Antagonistic Principle: Marxism and Political Action (2019)​, published as part of the Historical Materialism book series from Brill and Haymarket books. The book takes on the theories of Marx and Gramsci to develop a philosophical triad of subalternity-antagonism-autonomy as a way of studying political subjectification under oppressive conditions and the potential for resistance. The book then looks at political developments in South and Latin America, trying to understand the underlying dynamics of both where it’s coming from, and what its possibilities are for anticapitalist resistance.
Massimo Modonesi is professor and chair of the Political and Social Sciences Faculty at the Autonomous National University in Mexico, and is the author of numerous books on political theory and history in Latin America, his most recent in English being ​Subalternity, Antagonism, Autonomy: Constructing the Political Subject.​ He is a member of the coordinating committee of the International Gramsci Society.
Maria Vignau served as a research assistant under Modonesi, and now teaches while working on her PhD at the University of Washington in Seattle.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean to be a political subject? This is one of the key questions asked by <a href="https://massimomodonesi.net/">Massimo Modonesi</a> in ​<a href="https://www.amazon.com/dp/1642590614/?tag=newbooinhis-20"><em>The Antagonistic Principle: Marxism and Political Action</em></a> (2019)​, published as part of the Historical Materialism book series from Brill and Haymarket books. The book takes on the theories of Marx and Gramsci to develop a philosophical triad of subalternity-antagonism-autonomy as a way of studying political subjectification under oppressive conditions and the potential for resistance. The book then looks at political developments in South and Latin America, trying to understand the underlying dynamics of both where it’s coming from, and what its possibilities are for anticapitalist resistance.</p><p>Massimo Modonesi is professor and chair of the Political and Social Sciences Faculty at the Autonomous National University in Mexico, and is the author of numerous books on political theory and history in Latin America, his most recent in English being ​<em>Subalternity, Antagonism, Autonomy: Constructing the Political Subject</em>.​ He is a member of the coordinating committee of the International Gramsci Society.</p><p><a href="https://twitter.com/mariavigl">Maria Vignau</a> served as a research assistant under Modonesi, and now teaches while working on her PhD at the University of Washington in Seattle.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2587</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Bill V. Mullen, "James Baldwin: Living in Fire" (Pluto Press, 2019)</title>
      <description>In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.
Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 19 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bill V. Mullen</itunes:subtitle>
      <itunes:summary>In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.
Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first major biography of Baldwin in more than a decade, <a href="https://bookshop.org/a/12343/9780745338545"><em>James Baldwin: Living in Fire</em></a> (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.</p><p><a href="https://www.billvmullen.com/">Bill V. Mullen</a> is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[13c252d0-9849-11ec-acf3-c72b34c41714]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1693083937.mp3?updated=1760786831" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hamid Dabashi, "After Savagery: Gaza, Genocide, and the Illusion of Western Civilization" (Haymarket, 2025)</title>
      <description>In this episode, we speak with Hamid Dabashi about his new book, After Savagery: Gaza, Genocide, and the Illusion of Western Civilization (Haymarket, 2025), published by Haymarket Books. Written amid the ongoing war in Gaza, the book confronts what Dabashi describes as the moral and philosophical crisis of the modern West.

After Savagery challenges long-standing traditions of Western thought, arguing that their universal claims often conceal a history of exclusion and erasure. Dabashi calls for readers to reckon with the intellectual foundations that have shaped contemporary understandings of humanity, violence, and colonialism.

At the same time, he finds hope in art, literature, and film — works that, in his view, keep alive the possibility of a shared and liberated imagination. For Dabashi, Palestine becomes both a specific struggle and a universal metaphor for resistance and renewal.Joe WilliamsHistory PhD researcher at the University of Coimbra and translator website- Censorship and Sacralisation of Politics in the Portuguese Press during the Spanish Civil War- "Year X of the National Revolution" — Salazarist Palingenetic Myth in the Diário da Manhã
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, we speak with Hamid Dabashi about his new book, After Savagery: Gaza, Genocide, and the Illusion of Western Civilization (Haymarket, 2025), published by Haymarket Books. Written amid the ongoing war in Gaza, the book confronts what Dabashi describes as the moral and philosophical crisis of the modern West.

After Savagery challenges long-standing traditions of Western thought, arguing that their universal claims often conceal a history of exclusion and erasure. Dabashi calls for readers to reckon with the intellectual foundations that have shaped contemporary understandings of humanity, violence, and colonialism.

At the same time, he finds hope in art, literature, and film — works that, in his view, keep alive the possibility of a shared and liberated imagination. For Dabashi, Palestine becomes both a specific struggle and a universal metaphor for resistance and renewal.Joe WilliamsHistory PhD researcher at the University of Coimbra and translator website- Censorship and Sacralisation of Politics in the Portuguese Press during the Spanish Civil War- "Year X of the National Revolution" — Salazarist Palingenetic Myth in the Diário da Manhã
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we speak with Hamid Dabashi about his new book, <a href="https://bookshop.org/a/12343/9798888904503">After Savagery: Gaza, Genocide, and the Illusion of Western Civilization </a>(Haymarket, 2025), published by Haymarket Books. Written amid the ongoing war in Gaza, the book confronts what Dabashi describes as the moral and philosophical crisis of the modern West.</p>
<p><em>After Savagery</em> challenges long-standing traditions of Western thought, arguing that their universal claims often conceal a history of exclusion and erasure. Dabashi calls for readers to reckon with the intellectual foundations that have shaped contemporary understandings of humanity, violence, and colonialism.</p>
<p>At the same time, he finds hope in art, literature, and film — works that, in his view, keep alive the possibility of a shared and liberated imagination. For Dabashi, Palestine becomes both a specific struggle and a universal metaphor for resistance and renewal.<br>Joe Williams<br>History PhD researcher at the University of Coimbra and translator <a href="http://www.joewilliamstranslation.com/">website</a><br>- <a href="https://journals.openedition.org/lerhistoria/15337">Censorship and Sacralisation of Politics in the Portuguese Press during the Spanish Civil War</a><br>- <a href="https://www.academia.edu/142935704/_Year_X_of_the_National_Revolution_Salazarist_palingenetic_myth_in_the_Di%C3%A1rio_da_Manh%C3%A3">"Year X of the National Revolution" — Salazarist Palingenetic Myth in the <em>Diário da Manhã</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2223</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6b6ab6e0-a875-11f0-8e9c-07ed85029e3b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5128070174.mp3?updated=1760388300" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gianna Englert, "Democracy Tamed: French Liberalism and the Politics of Suffrage" (Oxford UP, 2024)</title>
      <description>Does good democratic government require intelligent, moral, and productive citizens? Can our political institutions educate the kind of citizens we wish or need to have? With recent arguments "against democracy" and fears about the rise of populism, there is growing scepticism about whether liberalism and democracy can continue to survive together. Some even question whether democracy is worth saving.

In Democracy Tamed: French Liberalism and the Politics of Suffrage (Oxford UP, 2024), Gianna Englert argues that the dilemmas facing liberal democracy are not unique to our present moment, but have existed since the birth of liberal political thought in nineteenth-century France. Combining political theory and intellectual history, Englert shows how nineteenth-century French liberals championed the idea of "political capacity" as an alternative to democratic political rights and argued that voting rights should be limited to capable citizens who would preserve free, stable institutions against revolutionary passions and democratic demands. Liberals also redefined democracy itself, from its ancient meaning as political rule by the people to something that, counterintuitively, demanded the guidance of a capable few rather than the rule of all.Understandably, scholarly treatments of political capacity have criticized the idea as exclusionary and potentially dangerous. Englert argues instead that political capacity was a flexible standard that developed alongside a changing society and economy, allowing liberals to embrace democracy without abandoning their first principles. She reveals a forgotten, uncharted path of liberalism in France that remained open to political democracy while aiming to foster citizen capacity. Overall, Democracy Tamed tells the story of how the earliest liberals deployed their notion of the "new democracy" to resist universal suffrage. But it also reveals how later liberals would appropriate their predecessors' antidemocratic arguments to safeguard liberal democracies as we have come to know them.

Gianna Englert is Associate Professor of Humanities in The Hamilton School for Classical and Civic Education at the University of Florida.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Does good democratic government require intelligent, moral, and productive citizens? Can our political institutions educate the kind of citizens we wish or need to have? With recent arguments "against democracy" and fears about the rise of populism, there is growing scepticism about whether liberalism and democracy can continue to survive together. Some even question whether democracy is worth saving.

In Democracy Tamed: French Liberalism and the Politics of Suffrage (Oxford UP, 2024), Gianna Englert argues that the dilemmas facing liberal democracy are not unique to our present moment, but have existed since the birth of liberal political thought in nineteenth-century France. Combining political theory and intellectual history, Englert shows how nineteenth-century French liberals championed the idea of "political capacity" as an alternative to democratic political rights and argued that voting rights should be limited to capable citizens who would preserve free, stable institutions against revolutionary passions and democratic demands. Liberals also redefined democracy itself, from its ancient meaning as political rule by the people to something that, counterintuitively, demanded the guidance of a capable few rather than the rule of all.Understandably, scholarly treatments of political capacity have criticized the idea as exclusionary and potentially dangerous. Englert argues instead that political capacity was a flexible standard that developed alongside a changing society and economy, allowing liberals to embrace democracy without abandoning their first principles. She reveals a forgotten, uncharted path of liberalism in France that remained open to political democracy while aiming to foster citizen capacity. Overall, Democracy Tamed tells the story of how the earliest liberals deployed their notion of the "new democracy" to resist universal suffrage. But it also reveals how later liberals would appropriate their predecessors' antidemocratic arguments to safeguard liberal democracies as we have come to know them.

Gianna Englert is Associate Professor of Humanities in The Hamilton School for Classical and Civic Education at the University of Florida.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does good democratic government require intelligent, moral, and productive citizens? Can our political institutions educate the kind of citizens we wish or need to have? With recent arguments "against democracy" and fears about the rise of populism, there is growing scepticism about whether liberalism and democracy can continue to survive together. Some even question whether democracy is worth saving.</p>
<p>In <a href="https://bookshop.org/a/12343/9780197635315">Democracy Tamed: French Liberalism and the Politics of Suffrage </a>(Oxford UP, 2024), Gianna Englert argues that the dilemmas facing liberal democracy are not unique to our present moment, but have existed since the birth of liberal political thought in nineteenth-century France. Combining political theory and intellectual history, Englert shows how nineteenth-century French liberals championed the idea of "political capacity" as an alternative to democratic political rights and argued that voting rights should be limited to capable citizens who would preserve free, stable institutions against revolutionary passions and democratic demands. Liberals also redefined democracy itself, from its ancient meaning as political rule by the people to something that, counterintuitively, demanded the guidance of a capable few rather than the rule of all.<br>Understandably, scholarly treatments of political capacity have criticized the idea as exclusionary and potentially dangerous. Englert argues instead that political capacity was a flexible standard that developed alongside a changing society and economy, allowing liberals to embrace democracy without abandoning their first principles. She reveals a forgotten, uncharted path of liberalism in France that remained open to political democracy while aiming to foster citizen capacity. Overall, <em>Democracy Tamed </em>tells the story of how the earliest liberals deployed their notion of the "new democracy" to resist universal suffrage. But it also reveals how later liberals would appropriate their predecessors' antidemocratic arguments to safeguard liberal democracies as we have come to know them.</p>
<p>Gianna Englert is Associate Professor of Humanities in The Hamilton School for Classical and Civic Education at the University of Florida.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a78d0d6-a8c8-11f0-a75f-1315866d0697]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7586466584.mp3?updated=1760424738" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mahboob Qirvanian and Behnaz Mirzai, "Life of an Enslaved African in the Ottoman Empire and Iran" (U Toronto Press, 2025)</title>
      <description>Life of an Enslaved African in the Ottoman Empire and Iran: The Autobiography of Mahboob Qirvanian ﻿provides a translation of a compelling autobiography that chronicles the life of Mahboob Qirvanian, from childhood and enslavement in North Africa and the Ottoman Empire to his eventual liberation in Iran.

The Life of an Enslaved African in the Ottoman Empire and Iran is a poignant and compelling account of one man’s journey through struggle, resilience, and unimaginable suffering. In the early twentieth century, Mahboob Qirvanian recorded his personal experiences of forced migration and enslavement as he navigated his path from captivity in Africa to full citizenship and a reconstructed identity in Iran. Written in Persian and Arabic, this remarkable autobiography serves as a powerful testament to Mahboob’s endurance, suffering, and ultimate transformation. Through insightful analysis, Behnaz A. Mirzai places Mahboob’s narrative – the only known account by a former African slave in Iran – within the context of the political upheavals of the Constitutional Revolution in Iran and the Tanzimat reforms of the Ottoman Empire. This book not only sheds light on Mahboob’s personal story and the historical injustices of slavery but also engages with broader themes of displacement, identity, and social justice. In doing so, it invites readers to reflect on the enduring legacies of racial inequality and the ongoing struggles for freedom and dignity in the modern world.

Behnaz A. Mirzai is a professor of Middle Eastern history at Brock University and senior guest researcher at Bonn Center for Dependency and Slavery Studies at University of Bonn.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Life of an Enslaved African in the Ottoman Empire and Iran: The Autobiography of Mahboob Qirvanian ﻿provides a translation of a compelling autobiography that chronicles the life of Mahboob Qirvanian, from childhood and enslavement in North Africa and the Ottoman Empire to his eventual liberation in Iran.

The Life of an Enslaved African in the Ottoman Empire and Iran is a poignant and compelling account of one man’s journey through struggle, resilience, and unimaginable suffering. In the early twentieth century, Mahboob Qirvanian recorded his personal experiences of forced migration and enslavement as he navigated his path from captivity in Africa to full citizenship and a reconstructed identity in Iran. Written in Persian and Arabic, this remarkable autobiography serves as a powerful testament to Mahboob’s endurance, suffering, and ultimate transformation. Through insightful analysis, Behnaz A. Mirzai places Mahboob’s narrative – the only known account by a former African slave in Iran – within the context of the political upheavals of the Constitutional Revolution in Iran and the Tanzimat reforms of the Ottoman Empire. This book not only sheds light on Mahboob’s personal story and the historical injustices of slavery but also engages with broader themes of displacement, identity, and social justice. In doing so, it invites readers to reflect on the enduring legacies of racial inequality and the ongoing struggles for freedom and dignity in the modern world.

Behnaz A. Mirzai is a professor of Middle Eastern history at Brock University and senior guest researcher at Bonn Center for Dependency and Slavery Studies at University of Bonn.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781487561338">Life of an Enslaved African in the Ottoman Empire and Iran: The Autobiography of Mahboob Qirvanian</a><em> </em>﻿provides a translation of a compelling autobiography that chronicles the life of Mahboob Qirvanian, from childhood and enslavement in North Africa and the Ottoman Empire to his eventual liberation in Iran.</p>
<p><em>The Life of an Enslaved African in the Ottoman Empire and Iran</em> is a poignant and compelling account of one man’s journey through struggle, resilience, and unimaginable suffering. In the early twentieth century, Mahboob Qirvanian recorded his personal experiences of forced migration and enslavement as he navigated his path from captivity in Africa to full citizenship and a reconstructed identity in Iran. Written in Persian and Arabic, this remarkable autobiography serves as a powerful testament to Mahboob’s endurance, suffering, and ultimate transformation. Through insightful analysis, Behnaz A. Mirzai places Mahboob’s narrative – the only known account by a former African slave in Iran – within the context of the political upheavals of the Constitutional Revolution in Iran and the Tanzimat reforms of the Ottoman Empire. This book not only sheds light on Mahboob’s personal story and the historical injustices of slavery but also engages with broader themes of displacement, identity, and social justice. In doing so, it invites readers to reflect on the enduring legacies of racial inequality and the ongoing struggles for freedom and dignity in the modern world.</p>
<p>Behnaz A. Mirzai is a professor of Middle Eastern history at Brock University and senior guest researcher at Bonn Center for Dependency and Slavery Studies at University of Bonn.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3638</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[48976180-a7d1-11f0-8c35-5f0147112804]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6518352506.mp3?updated=1760318870" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Will Kitchen, "Culture, Capital and Carnival: Modern Media and the Representation of Work" (Bloomsbury, 2025)</title>
      <description>How is the world of work depicted on page and on screen? In Culture, Capital and Carnival: Modern Media and the Representation of Work Dr Will Kitchen, an Associate Lecturer at Arts University Bournemouth explores this question using a series of literary and media case studies. Drawing on Bakhtin’s theories of the carnivalesque, the book assesses the possibilities of media texts, including histories, literature, films and sitcoms, to offer alternative visions of work. More critically, the analysis highlights media’s role in reinforcing exploitation and alienation within its seemingly playful and positive engagements with work. Theoretically rich, but accessible for the general reader, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how media shapes our understanding of work today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How is the world of work depicted on page and on screen? In Culture, Capital and Carnival: Modern Media and the Representation of Work Dr Will Kitchen, an Associate Lecturer at Arts University Bournemouth explores this question using a series of literary and media case studies. Drawing on Bakhtin’s theories of the carnivalesque, the book assesses the possibilities of media texts, including histories, literature, films and sitcoms, to offer alternative visions of work. More critically, the analysis highlights media’s role in reinforcing exploitation and alienation within its seemingly playful and positive engagements with work. Theoretically rich, but accessible for the general reader, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how media shapes our understanding of work today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is the world of work depicted on page and on screen? In <a href="https://www.bloomsbury.com/uk/culture-capital-and-carnival-9798765137369/">Culture, Capital and Carnival: Modern Media and the Representation of Work</a> <a href="https://bsky.app/profile/willkitchen.bsky.social">Dr Will Kitchen</a>, an <a href="https://uk.linkedin.com/in/will-kitchen-63997a23a">Associate Lecturer</a> at <a href="https://staff.aub.ac.uk/en/profile/william-kitchen">Arts University Bournemouth</a> explores this question using a series of literary and media case studies. Drawing on Bakhtin’s theories of the carnivalesque, the book assesses the possibilities of media texts, including histories, literature, films and sitcoms, to offer alternative visions of work. More critically, the analysis highlights media’s role in reinforcing exploitation and alienation within its seemingly playful and positive engagements with work. Theoretically rich, but accessible for the general reader, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how media shapes our understanding of work today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2474</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc5e28f8-a46d-11f0-8388-8b996b0d05e5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3693687212.mp3?updated=1759950490" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin M. Schultz, "Why Everyone Hates White Liberals (Including White Liberals): A History" (U Chicago Press, 2025)</title>
      <description>A bracing, accessible history of white American liberals—and why it’s time to change the conversation about them.If there’s one thing most Americans can agree on, it’s that everyone hates white liberals. Conservatives hate them for being culturally tolerant and threatening to usher in communism. Libertarians hate them for believing in the power of the state. Socialists hate them for serving as capitalism’s beard. Even liberals hate liberals—either because they can’t manage to overcome their own prejudices, or precisely because they’re so self-hating.This is the starting point for Kevin M. Schultz’s lively new history of white liberals in the United States. He efficiently lays out the array of objections to liberals—ineffective, spineless, judgmental, authoritarian, and more—in a historical frame that shows how protean the concept has been throughout the past hundred years. It turns out, he declares, that how you define a “white liberal” is less a reflection of reality and more a Rorschach test revealing your own anxieties.Sharply assessing how decades of attacks on liberals and liberalism have steadily hollowed out the center of American political life, Schultz also explains precisely what needs to be done to avoid digging ourselves even further into the hole of polarization. The ultimate goal, he argues, is to achieve political fragmentation that will fuel the rise of a true multiparty system, where ideology will matter more, not less.With a tight command of postwar American history and a spirited voice, Why Everyone Hates White Liberals (Including White Liberals): A Critical History (University of Chicago Press, 2025) is a must-read for anyone wishing to understand—and envision a way forward in—the complicated landscape of American politics.

Kevin M. Schultz is professor and chair of history at the University of Illinois Chicago (UIC). He is the author of Buckley and Mailer and Tri-Faith America.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A bracing, accessible history of white American liberals—and why it’s time to change the conversation about them.If there’s one thing most Americans can agree on, it’s that everyone hates white liberals. Conservatives hate them for being culturally tolerant and threatening to usher in communism. Libertarians hate them for believing in the power of the state. Socialists hate them for serving as capitalism’s beard. Even liberals hate liberals—either because they can’t manage to overcome their own prejudices, or precisely because they’re so self-hating.This is the starting point for Kevin M. Schultz’s lively new history of white liberals in the United States. He efficiently lays out the array of objections to liberals—ineffective, spineless, judgmental, authoritarian, and more—in a historical frame that shows how protean the concept has been throughout the past hundred years. It turns out, he declares, that how you define a “white liberal” is less a reflection of reality and more a Rorschach test revealing your own anxieties.Sharply assessing how decades of attacks on liberals and liberalism have steadily hollowed out the center of American political life, Schultz also explains precisely what needs to be done to avoid digging ourselves even further into the hole of polarization. The ultimate goal, he argues, is to achieve political fragmentation that will fuel the rise of a true multiparty system, where ideology will matter more, not less.With a tight command of postwar American history and a spirited voice, Why Everyone Hates White Liberals (Including White Liberals): A Critical History (University of Chicago Press, 2025) is a must-read for anyone wishing to understand—and envision a way forward in—the complicated landscape of American politics.

Kevin M. Schultz is professor and chair of history at the University of Illinois Chicago (UIC). He is the author of Buckley and Mailer and Tri-Faith America.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A bracing, accessible history of white American liberals—and why it’s time to change the conversation about them.<br>If there’s one thing most Americans can agree on, it’s that everyone hates white liberals. Conservatives hate them for being culturally tolerant and threatening to usher in communism. Libertarians hate them for believing in the power of the state. Socialists hate them for serving as capitalism’s beard. Even liberals hate liberals—either because they can’t manage to overcome their own prejudices, or precisely because they’re so self-hating.<br>This is the starting point for Kevin M. Schultz’s lively new history of white liberals in the United States. He efficiently lays out the array of objections to liberals—ineffective, spineless, judgmental, authoritarian, and more—in a historical frame that shows how protean the concept has been throughout the past hundred years. It turns out, he declares, that how you define a “white liberal” is less a reflection of reality and more a Rorschach test revealing your own anxieties.<br>Sharply assessing how decades of attacks on liberals and liberalism have steadily hollowed out the center of American political life, Schultz also explains precisely what needs to be done to avoid digging ourselves even further into the hole of polarization. The ultimate goal, he argues, is to achieve political fragmentation that will fuel the rise of a true multiparty system, where ideology will matter more, not less.<br>With a tight command of postwar American history and a spirited voice, <a href="https://bookshop.org/a/12343/9780226824369">Why Everyone Hates White Liberals (Including White Liberals): A Critical History</a><em> </em>(University of Chicago Press, 2025)<em> </em>is a must-read for anyone wishing to understand—and envision a way forward in—the complicated landscape of American politics.</p>
<p><strong>Kevin M. Schultz </strong>is professor and chair of history at the University of Illinois Chicago (UIC). He is the author of <em>Buckley and Mailer </em>and <em>Tri-Faith America</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ragini Tharoor Srinivasan, "Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone" (Columbia UP, 2025)</title>
      <description>Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee’s rejection of “ethnic” Americanness; Chetan Bhagat’s “bad English”; Amit Chaudhuri’s autofictional literary project; and Jhumpa Lahiri’s decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West.

Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee’s rejection of “ethnic” Americanness; Chetan Bhagat’s “bad English”; Amit Chaudhuri’s autofictional literary project; and Jhumpa Lahiri’s decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West.

Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.<br><a href="https://bookshop.org/a/12343/9780231218863"><br>Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone</a> (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee’s rejection of “ethnic” Americanness; Chetan Bhagat’s “bad English”; Amit Chaudhuri’s autofictional literary project; and Jhumpa Lahiri’s decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, <em>Overdetermined</em> offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West.</p>
<p>Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays <em>What is We?</em> (2025) and the coedited <em>Thinking with an Accent: Toward a New Object, Method, and Practice </em>(2023), and her public writing has appeared in numerous venues.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4318</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2365635939.mp3?updated=1759823574" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Madison Schramm, "Why Democracies Fight Dictators" (Oxford UP, 2025)</title>
      <description>Over the course of the last century, there has been an outsized incidence of conflict between democracies and personalist regimes—political systems where a single individual has undisputed executive power and prominence. In most cases, it has been the democratic side that has chosen to employ military force.

﻿﻿﻿ Why Democracies Fight Dictators (Oxford UP, 2025) takes up the question of why liberal democracies are so inclined to engage in conflict with personalist dictators. Building on research in political science, history, sociology, and psychology and marshalling evidence from statistical analysis of conflict, multi-archival research of American and British perceptions during the Suez Crisis and Gulf War, and non-democracies' understanding of the threat from Saddam Hussein's invasion of Kuwait, Madison V. Schramm offers a novel and nuanced explanation for patterns in escalation and hostility between liberal democracies and personalist regimes. When conflicts of interest arise between the two types of states, Schramm argues, cognitive biases and social narratives predispose leaders in liberal democracies to perceive personalist dictators as particularly threatening and to respond with anger—an emotional response that elicits more risk acceptance and aggressive behavior. She also locates this tendency in the escalatory dynamics that precede open military conflict: coercion, covert action, and crisis bargaining. At all of these stages, the tendency toward anger and risk acceptance contributes to explosive outcomes between democratic and personalist regimes.

Madison Schramm, Assistant Professor, Department of Political Science, University of Toronto

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the course of the last century, there has been an outsized incidence of conflict between democracies and personalist regimes—political systems where a single individual has undisputed executive power and prominence. In most cases, it has been the democratic side that has chosen to employ military force.

﻿﻿﻿ Why Democracies Fight Dictators (Oxford UP, 2025) takes up the question of why liberal democracies are so inclined to engage in conflict with personalist dictators. Building on research in political science, history, sociology, and psychology and marshalling evidence from statistical analysis of conflict, multi-archival research of American and British perceptions during the Suez Crisis and Gulf War, and non-democracies' understanding of the threat from Saddam Hussein's invasion of Kuwait, Madison V. Schramm offers a novel and nuanced explanation for patterns in escalation and hostility between liberal democracies and personalist regimes. When conflicts of interest arise between the two types of states, Schramm argues, cognitive biases and social narratives predispose leaders in liberal democracies to perceive personalist dictators as particularly threatening and to respond with anger—an emotional response that elicits more risk acceptance and aggressive behavior. She also locates this tendency in the escalatory dynamics that precede open military conflict: coercion, covert action, and crisis bargaining. At all of these stages, the tendency toward anger and risk acceptance contributes to explosive outcomes between democratic and personalist regimes.

Madison Schramm, Assistant Professor, Department of Political Science, University of Toronto

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the course of the last century, there has been an outsized incidence of conflict between democracies and personalist regimes—political systems where a single individual has undisputed executive power and prominence. In most cases, it has been the <em>democratic</em> side that has chosen to employ military force.</p>
<p>﻿﻿﻿ <a href="https://bookshop.org/a/12343/9780197807453">Why Democracies Fight Dictators</a> (Oxford UP, 2025) takes up the question of why liberal democracies are so inclined to engage in conflict with personalist dictators. Building on research in political science, history, sociology, and psychology and marshalling evidence from statistical analysis of conflict, multi-archival research of American and British perceptions during the Suez Crisis and Gulf War, and non-democracies' understanding of the threat from Saddam Hussein's invasion of Kuwait, Madison V. Schramm offers a novel and nuanced explanation for patterns in escalation and hostility between liberal democracies and personalist regimes. When conflicts of interest arise between the two types of states, Schramm argues, cognitive biases and social narratives predispose leaders in liberal democracies to perceive personalist dictators as particularly threatening and to respond with anger—an emotional response that elicits more risk acceptance and aggressive behavior. She also locates this tendency in the escalatory dynamics that precede open military conflict: coercion, covert action, and crisis bargaining. At all of these stages, the tendency toward anger and risk acceptance contributes to explosive outcomes between democratic and personalist regimes.</p>
<p>Madison Schramm, Assistant Professor, Department of Political Science, University of Toronto</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3276</itunes:duration>
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    <item>
      <title>Vincent Pak, "Queer Correctives: Discursive Neo-homophobia, Sexuality and Christianity in Singapore" (Bloomsbury, 2025)</title>
      <description>Queer Correctives: Discursive Neo-homophobia, Sexuality and Christianity in Singapore (Bloomsbury Academic, 2025) explores Christian discourses of sex and sexuality in Singapore to argue that metanoia, the theological concept of spiritual transformation, can be read as a form of neo-homophobia that coaxes change in the queer individual.

In Singapore, Christian discourses of sex and sexuality have materialised in the form of testimonials that detail the pain and suffering of homosexuality, and how Christianity has been a salve for the tribulations experienced by the storytellers. This book freshly engages with Michel Foucault's posthumous and final volume of The History of Sexuality by revitalising his work on biblical metanoia to understand it as a form of neo-homophobia. Drawing on Foucauldian critical theory and approaches in discourse studies, it shows how language is at the centre of this particular iteration of neo-homophobia, one that no longer finds value in overt expressions of hate and disdain for those with non-normative sexualities, but relies extensively on seemingly neutral calls for change and transformation in personal lives.Queer Correctives takes Singapore as a case study to examine neo-homophobic phenomena, but its themes of change and transformation embedded in discourse will be relevant for scholars interested in contemporary iterations of Foucault's concepts of discipline and technologies of the self. Together with interview data from religious sexual minorities in Singapore, it captures a burgeoning form of homophobic discursive practices that eludes mainstream criticism to harm through change and transformation.

About Vincent Pak:

Vincent Pak is Assistant Lecturer at The University of Hong Kong. His work is located in the fields of sociocultural linguistics and linguistic anthropology, where he’s interested in matters of gender, sexuality, and race. His monograph, Queer Correctives, considers the emergence of neo-homophobia in Singapore.

About Pavan Mano:

Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London. He works at the intersections of critical &amp; literary theory, politics and culture. His first monograph, Straight Nation (Manchester UP, 2025), interrogates postcolonial nationalism and the governance of sexuality in Singapore.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Queer Correctives: Discursive Neo-homophobia, Sexuality and Christianity in Singapore (Bloomsbury Academic, 2025) explores Christian discourses of sex and sexuality in Singapore to argue that metanoia, the theological concept of spiritual transformation, can be read as a form of neo-homophobia that coaxes change in the queer individual.

In Singapore, Christian discourses of sex and sexuality have materialised in the form of testimonials that detail the pain and suffering of homosexuality, and how Christianity has been a salve for the tribulations experienced by the storytellers. This book freshly engages with Michel Foucault's posthumous and final volume of The History of Sexuality by revitalising his work on biblical metanoia to understand it as a form of neo-homophobia. Drawing on Foucauldian critical theory and approaches in discourse studies, it shows how language is at the centre of this particular iteration of neo-homophobia, one that no longer finds value in overt expressions of hate and disdain for those with non-normative sexualities, but relies extensively on seemingly neutral calls for change and transformation in personal lives.Queer Correctives takes Singapore as a case study to examine neo-homophobic phenomena, but its themes of change and transformation embedded in discourse will be relevant for scholars interested in contemporary iterations of Foucault's concepts of discipline and technologies of the self. Together with interview data from religious sexual minorities in Singapore, it captures a burgeoning form of homophobic discursive practices that eludes mainstream criticism to harm through change and transformation.

About Vincent Pak:

Vincent Pak is Assistant Lecturer at The University of Hong Kong. His work is located in the fields of sociocultural linguistics and linguistic anthropology, where he’s interested in matters of gender, sexuality, and race. His monograph, Queer Correctives, considers the emergence of neo-homophobia in Singapore.

About Pavan Mano:

Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London. He works at the intersections of critical &amp; literary theory, politics and culture. His first monograph, Straight Nation (Manchester UP, 2025), interrogates postcolonial nationalism and the governance of sexuality in Singapore.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350454149">Queer Correctives: Discursive Neo-homophobia, Sexuality and Christianity in Singapore</a> (Bloomsbury Academic, 2025) explores Christian discourses of sex and sexuality in Singapore to argue that metanoia, the theological concept of spiritual transformation, can be read as a form of neo-homophobia that coaxes change in the queer individual.</p>
<p>In Singapore, Christian discourses of sex and sexuality have materialised in the form of testimonials that detail the pain and suffering of homosexuality, and how Christianity has been a salve for the tribulations experienced by the storytellers. This book freshly engages with Michel Foucault's posthumous and final volume of <em>The History of Sexuality</em> by revitalising his work on biblical metanoia to understand it as a form of neo-homophobia. Drawing on Foucauldian critical theory and approaches in discourse studies, it shows how language is at the centre of this particular iteration of neo-homophobia, one that no longer finds value in overt expressions of hate and disdain for those with non-normative sexualities, but relies extensively on seemingly neutral calls for change and transformation in personal lives.<br><em>Queer Correctives</em> takes Singapore as a case study to examine neo-homophobic phenomena, but its themes of change and transformation embedded in discourse will be relevant for scholars interested in contemporary iterations of Foucault's concepts of discipline and technologies of the self. Together with interview data from religious sexual minorities in Singapore, it captures a burgeoning form of homophobic discursive practices that eludes mainstream criticism to harm through change and transformation.<br></p>
<p><strong>About Vincent Pak:</strong></p>
<p>Vincent Pak is Assistant Lecturer at The University of Hong Kong. His work is located in the fields of sociocultural linguistics and linguistic anthropology, where he’s interested in matters of gender, sexuality, and race. His monograph, <em>Queer Correctives</em>, considers the emergence of neo-homophobia in Singapore.</p>
<p><strong>About Pavan Mano:</strong></p>
<p><a href="https://www.kcl.ac.uk/people/pavan-mano">Pavan Mano</a> is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London. He works at the intersections of critical &amp; literary theory, politics and culture. His first monograph, <a href="https://manchesteruniversitypress.co.uk/9781526176783/">Straight Nation (Manchester UP, 2025)</a>, interrogates postcolonial nationalism and the governance of sexuality in Singapore.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3208</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Katharine Jenkins, "Feminist Philosophy: A Very Short Introduction" (Oxford UP, 2025)</title>
      <description>Katharine Jenkins offers an introduction to feminist philosophy, giving the reader an idea of what it is, why it is important, and how to think about it. She explores key topics such as gender oppression, beauty, objectification, and sexuality. Moreover, she considers questions about the relation between the personal and the political, what it is to be a woman, whether there is a distinctive kind of women's knowledge, and what feminist philosophy can bring to our understanding of such aspects of our world as justice, work, and the environment. Feminist Philosophy: A Very Short Introduction (Oxford UP, 2025) takes a richly intersectional approach, recognizing the combined impact of such factors as race and class as well as gender.

Katharine Jenkins is Professor of Philosophy at the University of Glasgow, and was previously Assistant Professor at the University of Nottingham. She specialises in social philosophy, especially feminist philosophy and social ontology. She is the author of Ontology and Oppression: Race, Gender, and Social Reality (OUP, 2023).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Katharine Jenkins offers an introduction to feminist philosophy, giving the reader an idea of what it is, why it is important, and how to think about it. She explores key topics such as gender oppression, beauty, objectification, and sexuality. Moreover, she considers questions about the relation between the personal and the political, what it is to be a woman, whether there is a distinctive kind of women's knowledge, and what feminist philosophy can bring to our understanding of such aspects of our world as justice, work, and the environment. Feminist Philosophy: A Very Short Introduction (Oxford UP, 2025) takes a richly intersectional approach, recognizing the combined impact of such factors as race and class as well as gender.

Katharine Jenkins is Professor of Philosophy at the University of Glasgow, and was previously Assistant Professor at the University of Nottingham. She specialises in social philosophy, especially feminist philosophy and social ontology. She is the author of Ontology and Oppression: Race, Gender, and Social Reality (OUP, 2023).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Katharine Jenkins offers an introduction to feminist philosophy, giving the reader an idea of what it is, why it is important, and how to think about it. She explores key topics such as gender oppression, beauty, objectification, and sexuality. Moreover, she considers questions about the relation between the personal and the political, what it is to be a woman, whether there is a distinctive kind of women's knowledge, and what feminist philosophy can bring to our understanding of such aspects of our world as justice, work, and the environment. <a href="https://bookshop.org/a/12343/9780192858078">Feminist Philosophy: A Very Short Introduction </a>(Oxford UP, 2025) takes a richly intersectional approach, recognizing the combined impact of such factors as race and class as well as gender.</p>
<p>Katharine Jenkins is Professor of Philosophy at the University of Glasgow, and was previously Assistant Professor at the University of Nottingham. She specialises in social philosophy, especially feminist philosophy and social ontology. She is the author of <em>Ontology and Oppression: Race, Gender, and Social Reality</em> (OUP, 2023).</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3500</itunes:duration>
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    </item>
    <item>
      <title>William H. F. Altman, "The Revival of Platonism in Cicero's Late Philosophy: Platonis Aemulus and the Invention of Cicero" (Lexington Books, 2016)</title>
      <description>The Revival of Platonism in Cicero's Late Philosophy: Platonis Aemulus and the Invention of Cicero (Lexington Books, 2016) argues that Cicero deserves to be spoken of with more respect and to be studied with greater care. Using Plato's influence on Cicero's life and writings as a clue, Altman reveals the ineffable combination of qualities that enabled Cicero not only to revive Platonism, but also to rival Plato himself.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Revival of Platonism in Cicero's Late Philosophy: Platonis Aemulus and the Invention of Cicero (Lexington Books, 2016) argues that Cicero deserves to be spoken of with more respect and to be studied with greater care. Using Plato's influence on Cicero's life and writings as a clue, Altman reveals the ineffable combination of qualities that enabled Cicero not only to revive Platonism, but also to rival Plato himself.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781498527132">The Revival of Platonism in Cicero's Late Philosophy: Platonis Aemulus and the Invention of Cicero</a> (Lexington Books, 2016) argues that Cicero deserves to be spoken of with more respect and to be studied with greater care. Using Plato's influence on Cicero's life and writings as a clue, Altman reveals the ineffable combination of qualities that enabled Cicero not only to revive Platonism, but also to rival Plato himself.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7188</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0292b50e-9d0e-11f0-9f14-7fc1803aaf31]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2380825232.mp3?updated=1759134442" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Myers, "The Halted March of the European Left: The Working Class in Britain, France, and Italy, 1968-1989" (Oxford UP, 2025)</title>
      <description>The European left seemed to be in rude health during the 1970s. Never had so many political parties committed to representing the working class been in power simultaneously across the continent. New forms of mobilisation led by female, immigrant, and young wage-earners seemed to reflect the growing strength of the workers' movement rather than its pending obsolescence. Parties and trade unions grew rapidly as a diverse new generation entered the ranks. Why did the left's forward march halt so abruptly?

﻿ ﻿The Halted March of the European Left: ﻿﻿The Working Class in Britain, France, and Italy, 1968-1989 ﻿(Oxford UP, 2025)shows how the left's defeats after the mid-1970s were not the inevitable result of de-industrialisation or, more precisely, the transition to a globalised and post-Fordist world that abolished the working class as a great historical actor. Choices that were made during a concentrated but decisive moment contributed to the left's lost battles. The British, French, and Italian left managed the shift to a new era by marginalising those groups of workers who had invested it with hopes of social and political transformation. Communist, socialist, and social democratic parties helped disempower the new components of the working class in workplaces, in society, in the political system, and successfully disciplined their traditional working-class supporters. The left encountered a crisis of purpose and identity, a sense of both defeat and lost opportunities, and the dissolution of the idea of a community of fate amongst workers. This book provides a comparative analysis of the left's fragmenting relationship with the working class and a 'feel' for the culture of three leading industrial countries during a traumatic transition of late twentieth-century history. It concludes that decisions taken by the left during the 1970s contributed to the tragic inversion of the expected outcome of that hopeful decade.

Matt Myers is a Lecturer in Modern European History at the University of Oxford

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The European left seemed to be in rude health during the 1970s. Never had so many political parties committed to representing the working class been in power simultaneously across the continent. New forms of mobilisation led by female, immigrant, and young wage-earners seemed to reflect the growing strength of the workers' movement rather than its pending obsolescence. Parties and trade unions grew rapidly as a diverse new generation entered the ranks. Why did the left's forward march halt so abruptly?

﻿ ﻿The Halted March of the European Left: ﻿﻿The Working Class in Britain, France, and Italy, 1968-1989 ﻿(Oxford UP, 2025)shows how the left's defeats after the mid-1970s were not the inevitable result of de-industrialisation or, more precisely, the transition to a globalised and post-Fordist world that abolished the working class as a great historical actor. Choices that were made during a concentrated but decisive moment contributed to the left's lost battles. The British, French, and Italian left managed the shift to a new era by marginalising those groups of workers who had invested it with hopes of social and political transformation. Communist, socialist, and social democratic parties helped disempower the new components of the working class in workplaces, in society, in the political system, and successfully disciplined their traditional working-class supporters. The left encountered a crisis of purpose and identity, a sense of both defeat and lost opportunities, and the dissolution of the idea of a community of fate amongst workers. This book provides a comparative analysis of the left's fragmenting relationship with the working class and a 'feel' for the culture of three leading industrial countries during a traumatic transition of late twentieth-century history. It concludes that decisions taken by the left during the 1970s contributed to the tragic inversion of the expected outcome of that hopeful decade.

Matt Myers is a Lecturer in Modern European History at the University of Oxford

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The European left seemed to be in rude health during the 1970s. Never had so many political parties committed to representing the working class been in power simultaneously across the continent. New forms of mobilisation led by female, immigrant, and young wage-earners seemed to reflect the growing strength of the workers' movement rather than its pending obsolescence. Parties and trade unions grew rapidly as a diverse new generation entered the ranks. Why did the left's forward march halt so abruptly?</p>
<p>﻿ <a href="https://bookshop.org/a/12343/9780198944614">﻿The Halted March of the European Left: ﻿﻿The Working Class in Britain, France, and Italy, 1968-1989</a><em> </em>﻿(Oxford UP, 2025)shows how the left's defeats after the mid-1970s were not the inevitable result of de-industrialisation or, more precisely, the transition to a globalised and post-Fordist world that abolished the working class as a great historical actor. Choices that were made during a concentrated but decisive moment contributed to the left's lost battles. The British, French, and Italian left managed the shift to a new era by marginalising those groups of workers who had invested it with hopes of social and political transformation. Communist, socialist, and social democratic parties helped disempower the new components of the working class in workplaces, in society, in the political system, and successfully disciplined their traditional working-class supporters. The left encountered a crisis of purpose and identity, a sense of both defeat and lost opportunities, and the dissolution of the idea of a community of fate amongst workers. This book provides a comparative analysis of the left's fragmenting relationship with the working class and a 'feel' for the culture of three leading industrial countries during a traumatic transition of late twentieth-century history. It concludes that decisions taken by the left during the 1970s contributed to the tragic inversion of the expected outcome of that hopeful decade.</p>
<p>Matt Myers is a Lecturer in Modern European History at the University of Oxford</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4383</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0d2744e0-9d17-11f0-92ed-7778d076d84e]]></guid>
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    <item>
      <title>Carol Atack, "Plato: A Civic Life" (Reaktion, 2025)</title>
      <description>Plato is a key figure from the beginnings of Western philosophy, yet the impact of his lived experience on his thought has rarely been explored. Born during a war that would lead to Athens’ decline, Plato lived in turbulent times. In ﻿Plato: A Civic Life ﻿(Reaktion, 2025), Carol Atack explores how Plato’s life in Athens influenced his thought, how he developed the Socratic dialogue into a powerful philosophical tool, and how he used the institutions of Athenian society to create a compelling imaginative world. Accessibly written, this book shows how Plato made Athens the place where diverse ideas were integrated into a new way of approaching the big questions about our lives, then and now.

Carol Atack teaches classical Greek and ancient philosophy at the University of Cambridge. She is the author and coauthor of two books, most recently Anachronism and Antiquity.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 27 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Plato is a key figure from the beginnings of Western philosophy, yet the impact of his lived experience on his thought has rarely been explored. Born during a war that would lead to Athens’ decline, Plato lived in turbulent times. In ﻿Plato: A Civic Life ﻿(Reaktion, 2025), Carol Atack explores how Plato’s life in Athens influenced his thought, how he developed the Socratic dialogue into a powerful philosophical tool, and how he used the institutions of Athenian society to create a compelling imaginative world. Accessibly written, this book shows how Plato made Athens the place where diverse ideas were integrated into a new way of approaching the big questions about our lives, then and now.

Carol Atack teaches classical Greek and ancient philosophy at the University of Cambridge. She is the author and coauthor of two books, most recently Anachronism and Antiquity.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Plato is a key figure from the beginnings of Western philosophy, yet the impact of his lived experience on his thought has rarely been explored. Born during a war that would lead to Athens’ decline, Plato lived in turbulent times. In ﻿<a href="https://bookshop.org/a/12343/9781789149463">Plato: A Civic Life</a><em> </em>﻿(Reaktion, 2025), Carol Atack explores how Plato’s life in Athens influenced his thought, how he developed the Socratic dialogue into a powerful philosophical tool, and how he used the institutions of Athenian society to create a compelling imaginative world. Accessibly written, this book shows how Plato made Athens the place where diverse ideas were integrated into a new way of approaching the big questions about our lives, then and now.</p>
<p>Carol Atack teaches classical Greek and ancient philosophy at the University of Cambridge. She is the author and coauthor of two books, most recently <em>Anachronism and Antiquity</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</em></p>
<p><em>YouTube Channel: </em><a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4375</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Natacha Chetcuti-Osorovitz and Sara Garbagnoli "La Pensée Wittig: Une Introduction" (Payot, 2025)</title>
      <description>How is it possible to be a subject when faced with oppression? The revolutionary thought and work of French novelist and lesbian thinker Monique Wittig are today in dialogue with feminist and LGBTQIA+ analyses and politics. Her materialist theorization of lesbianism subfuses contemporary feminism and queer political and social movements. By proposing a detailed analysis of heterosexuality as a total political regime, Wittig as a theorist, writer, and activist opens up the possibility of a world beyond the categories of sex and gender, founded on a new definition of the human. This book acts as a roadmap to help us reach such a horizon. Sara Garbagnoli and her co-author Natacha Chetcuti-Osorovitz situate Wittig within array of feminist movements of the 20th century and explain why her theories are so pertinent in today's political landscape.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 26 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How is it possible to be a subject when faced with oppression? The revolutionary thought and work of French novelist and lesbian thinker Monique Wittig are today in dialogue with feminist and LGBTQIA+ analyses and politics. Her materialist theorization of lesbianism subfuses contemporary feminism and queer political and social movements. By proposing a detailed analysis of heterosexuality as a total political regime, Wittig as a theorist, writer, and activist opens up the possibility of a world beyond the categories of sex and gender, founded on a new definition of the human. This book acts as a roadmap to help us reach such a horizon. Sara Garbagnoli and her co-author Natacha Chetcuti-Osorovitz situate Wittig within array of feminist movements of the 20th century and explain why her theories are so pertinent in today's political landscape.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is it possible to be a subject when faced with oppression? The revolutionary thought and work of French novelist and lesbian thinker Monique Wittig are today in dialogue with feminist and LGBTQIA+ analyses and politics. Her materialist theorization of lesbianism subfuses contemporary feminism and queer political and social movements. By proposing a detailed analysis of heterosexuality as a total political regime, Wittig as a theorist, writer, and activist opens up the possibility of a world beyond the categories of sex and gender, founded on a new definition of the human. This book acts as a roadmap to help us reach such a horizon. Sara Garbagnoli and her co-author Natacha Chetcuti-Osorovitz situate Wittig within array of feminist movements of the 20th century and explain why her theories are so pertinent in today's political landscape.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2603</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b74f9956-99e6-11f0-8ca6-8fbc65d4028c]]></guid>
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    <item>
      <title>Constance Bailey, "Conversations with Kiese Laymon" (UP of Mississippi, 2025)</title>
      <description>This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.

Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words.

And the same can be said of this episode.

You can find Dr. Constance Bailey at her website, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.

Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words.

And the same can be said of this episode.

You can find Dr. Constance Bailey at her website, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is a very special episode of the New Books Network, as the editor of <a href="https://bookshop.org/a/12343/9781496859044">Conversations with Kiese Laymon</a><em> </em>(UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.</p>
<p><em>Conversations with Kiese Laymon</em> provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, <em>Heavy</em>, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s <em>Coming of Age in Mississippi</em>, Welty’s <em>One Writer’s Beginnings</em>, Jesmyn Ward’s <em>Men We Reaped</em>, and Natasha Trethewey’s <em>Memorial Drive</em>. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.</p>
<p>As the first collection of its kind, <em>Conversations with Kiese Laymon </em>serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, <em>Conversations</em> provides an unfiltered look at the prolific Southern writer in his own words.</p>
<p>And the same can be said of this episode.</p>
<p>You can find Dr. Constance Bailey at her <a href="https://constancebailey.com/">website</a>, and on <a href="https://www.instagram.com/constancetheeakademic/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4046</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
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    </item>
    <item>
      <title>Robert F. Carley, "Culture and Tactics: Gramsci, Race, and the Politics of Practice" (SUNY Press, 2019)</title>
      <description>While scholars of social and political movements tend to analyze tactics in terms of their effectiveness in achieving specific outcomes, Robert F. Carley argues by contrast that tactics are, above all, what social movements do. They are not mere means to an end so much as they are a public form of expression pointing out injustices and making just demands. Rooted in a highly original analysis of the tactically mediated relationship between race and mobilization in the work of Italian philosopher and revolutionary Antonio Gramsci, Culture and Tactics: Gramsci, Race, and the Politics of Practice (SUNY Press, 2019) demonstrates how tactics impact the organizational structures of social movements and expand the affinities of political communities. Carley looks at how Gramsci used innovative tactics to bridge perceptions of racial differences between factory workers and subaltern groups, the latter having been denigrated to the point of subhumanity by a complex Italian national racial economy. Newly envisioning Gramsci as a theorist of race within a broader context of social struggle, Carley connects Gramsci's insights into the political mobilizations of racialized subaltern groups to contemporary critical race theory and cultural studies of racialization and racism. Speaking across disciplines and drawing on a number of empirical examples, Carley offers a battery of original concepts to assist scholars and activists in analyzing the tactical practices of protests in which race is a central factor.

Author info - Robert F. Carley is Associate Professor of International Studies at Texas A&amp;M University, College Station.

Host info – Michael L. Rosino is Assistant Professor of Sociology at Molloy University, whose work focuses on racial politics, media, and democracy. He recently published the book Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing and an essay in Time on the importance of cross-racial coalitions in social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>While scholars of social and political movements tend to analyze tactics in terms of their effectiveness in achieving specific outcomes, Robert F. Carley argues by contrast that tactics are, above all, what social movements do. They are not mere means to an end so much as they are a public form of expression pointing out injustices and making just demands. Rooted in a highly original analysis of the tactically mediated relationship between race and mobilization in the work of Italian philosopher and revolutionary Antonio Gramsci, Culture and Tactics: Gramsci, Race, and the Politics of Practice (SUNY Press, 2019) demonstrates how tactics impact the organizational structures of social movements and expand the affinities of political communities. Carley looks at how Gramsci used innovative tactics to bridge perceptions of racial differences between factory workers and subaltern groups, the latter having been denigrated to the point of subhumanity by a complex Italian national racial economy. Newly envisioning Gramsci as a theorist of race within a broader context of social struggle, Carley connects Gramsci's insights into the political mobilizations of racialized subaltern groups to contemporary critical race theory and cultural studies of racialization and racism. Speaking across disciplines and drawing on a number of empirical examples, Carley offers a battery of original concepts to assist scholars and activists in analyzing the tactical practices of protests in which race is a central factor.

Author info - Robert F. Carley is Associate Professor of International Studies at Texas A&amp;M University, College Station.

Host info – Michael L. Rosino is Assistant Professor of Sociology at Molloy University, whose work focuses on racial politics, media, and democracy. He recently published the book Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing and an essay in Time on the importance of cross-racial coalitions in social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While scholars of social and political movements tend to analyze tactics in terms of their effectiveness in achieving specific outcomes, Robert F. Carley argues by contrast that tactics are, above all, what social movements do. They are not mere means to an end so much as they are a public form of expression pointing out injustices and making just demands. Rooted in a highly original analysis of the tactically mediated relationship between race and mobilization in the work of Italian philosopher and revolutionary Antonio Gramsci, <a href="https://bookshop.org/a/12343/9781438476438">Culture and Tactics: Gramsci, Race, and the Politics of Practice</a> (SUNY Press, 2019) demonstrates how tactics impact the organizational structures of social movements and expand the affinities of political communities. Carley looks at how Gramsci used innovative tactics to bridge perceptions of racial differences between factory workers and subaltern groups, the latter having been denigrated to the point of subhumanity by a complex Italian national racial economy. Newly envisioning Gramsci as a theorist of race within a broader context of social struggle, Carley connects Gramsci's insights into the political mobilizations of racialized subaltern groups to contemporary critical race theory and cultural studies of racialization and racism. Speaking across disciplines and drawing on a number of empirical examples, Carley offers a battery of original concepts to assist scholars and activists in analyzing the tactical practices of protests in which race is a central factor.</p>
<p>Author info - Robert F. Carley is Associate Professor of International Studies at Texas A&amp;M University, College Station.</p>
<p>Host info – Michael L. Rosino is Assistant Professor of Sociology at Molloy University, whose work focuses on racial politics, media, and democracy. He recently published the book <a href="https://uncpress.org/9781469685632/democracy-is-awkward/">Democracy is Awkward: Grappling with Racism inside Grassroots Political Organizing</a> and an essay in Time on <a href="https://time.com/7307042/history-coalition-building/">the importance of cross-racial coalitions in social movements</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2929</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kenja McCray, "Essential Soldiers: Women Activists and Black Power Movement Leadership" (NYU Press, 2025)</title>
      <description>Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies.

This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates.

Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies.

This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates.

Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.<a href="https://bookshop.org/a/12343/9781479833047"><br></a><a href="https://bookshop.org/a/12343/9781479833047">Essential Soldiers: Women Activists and Black Power Movement Leadership</a><em> </em>(New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, <em>Essential Soldiers</em> provides a new vantage point for considering Black Power leadership legacies.</p>
<p>This episode includes a reference to the book <em>Prose to the People: A Celebration of Black Bookstores</em> by Katie Mitchell (Random House, 2025). <a href="https://newbooksnetwork.com/prose-to-the-people#entry:390613@1:url">Listen to Mitchell discuss her book</a> at New Books in African American Studies, hosted by N’Kosi Oates.</p>
<p>Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of <em>Atlanta Metropolitan State College</em>: <em>A Campus History</em> (Arcadia Publishing, 2023)<em>.</em> You can find Dr. McCray at her <a href="https://kenjamccray.com/">website</a>, on <a href="https://www.facebook.com/p/Essential-Soldiers-Women-Activists-and-Black-Power-Movement-Leadership-61576674309372/">Facebook</a>, and on <a href="https://www.instagram.com/essentialsoldiers/">Instagram</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>, where she and Dr. McCray continued their conversation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Marcus Rediker, "Freedom Ship: The Uncharted History of Escaping Slavery by Sea" (Penguin Group, 2025)</title>
      <description>Conspiracy, mutiny and liberation on America’s waterfront by the award-winning author of The Slave Ship.

Freedom Ship: ﻿The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom.

Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 20 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Conspiracy, mutiny and liberation on America’s waterfront by the award-winning author of The Slave Ship.

Freedom Ship: ﻿The Uncharted History of Escaping Slavery by Sea (Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make Freedom Ship essential and enthralling reading.Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, Freedom Ship traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom.

Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Conspiracy, mutiny and liberation on America’s waterfront by the award-winning author of <em>The Slave Ship</em>.</p>
<p><a href="https://bookshop.org/a/12343/9780525558347">Freedom Ship: ﻿The Uncharted History of Escaping Slavery by Sea</a><em> </em>(Penguin Group, 2025) is a gripping history of stowaway slaves and the vessels that carried them to liberty. Up to 100,000 fugitives successfully fled the horrors of bondage in the American South. Many were ushered clandestinely northwards from safe house to safe house: know as the Underground Railway. Thousands of others escaped not by land, but by sea. Their dramatic tales of whispered conspiracy and billowing sails make <em>Freedom Ship</em> essential and enthralling reading.<br>Through the intricate riverways of the Carolinas to the banks of the Chesapeake Bay, <em>Freedom Ship</em> traces the freedom seekers who turned their sights to the sea. Sailaways regularly arrived in Britain on cotton ships from New York or Southern ports. For example, Moses Roper, one of the most determined runaways in American history, traveled 350 miles through slave country before eventually taking a ship named the Napoleon to Liverpool. Both legendary abolitionists Frederick Douglass and Harriet Tubman used the waterfront as a path to freedom.</p>
<p>Marcus Rediker is Distinguished Professor of Atlantic History at the University of Pittsburgh. His “histories from below,” including The Slave Ship: A Human History, have won numerous awards, including the George Washington Book Prize, and have been translated into seventeen languages worldwide. He has produced a film, Ghosts of Amistad, with director Tony Buba, and written a play, “The Return of Benjamin Lay,” with playwright Naomi Wallace. He is currently writing a book about escaping slavery by sea in antebellum America.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3897</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Paying Attention with Anya Daly</title>
      <description>In this episode Pat speaks with Dr Anya Daly.

Dr Anya Daly investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.

They discuss meditation and perception, the divide between continental and analytic philosophy, and human and animal lifeworlds.

A transcript of this episode will be available on the Concept : Art website here.

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode Pat speaks with Dr Anya Daly.

Dr Anya Daly investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.

They discuss meditation and perception, the divide between continental and analytic philosophy, and human and animal lifeworlds.

A transcript of this episode will be available on the Concept : Art website here.

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Pat speaks with Dr Anya Daly.</p>
<p>Dr Anya Daly investigates the intersections of phenomenology with philosophy of mind, the philosophy of perception, the philosophy of psychiatry, embodied and social cognition, enactivism, ethics, aesthetics and Buddhist Philosophy.</p>
<p>They discuss meditation and perception, the divide between continental and analytic philosophy, and human and animal lifeworlds.</p>
<p>A transcript of this episode will be available on the <em>Concept : Art</em> website <a href="http://www.conceptart.fm/">here</a>.</p>
<p><em>Concept : Art</em> is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1950</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d452842-9442-11f0-8918-cb575be357c6]]></guid>
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    </item>
    <item>
      <title>Zahi Zalloua, "Fanon, Žižek and the Violence of Resistance" (Bloomsbury, 2025)</title>
      <description>n a novel pairing of anti-colonial theorist Frantz Fanon with Marxist-Lacanian philosopher Slavoj Žižek, Zahi Zalloua explores the ways both thinkers expose the violence of political structures.This inventive exploration advances an anti-racist critique, describing how ontology operates in a racial matrix to produce some human bodies that count and others (deemed not-quite- or non-human) that do not. For Fanon and Žižek, the violence of ontology must be met with another form of violence, a revolutionary violence that delegitimizes the logic of the symbolic order and troubles its collective fantasies. Whereas Fanon begins his challenge to ontology by exposing its historical linkages to Europe's destructive imperialist procedures before proceeding to “stretch” Marxism, along with psychoanalysis, to account for the crushing (neo)colonial situation, Žižek premises his work on the refusal to accept the totality of ontology. Because of these different points of intervention, Fanon and Žižek together offer a powerful and multifaceted assessment of the liberal anti-racist paradigm whose propensity for identity politics and aversion to class struggle silence the cry of the dispossessed and foreclose radical change. Avoiding contemporary separatist temptations (decoloniality and Afropessimism), and breaking with a non-violent, sentimentalist futurology that announces more of the same, Fanon and Žižek point in a different direction, one that eschews identitarian thought in favor of a collective struggle for freedom and equality.

Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature and a Professor of Indigeneity, Race, and Ethnicity Studies at Whitman College

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>n a novel pairing of anti-colonial theorist Frantz Fanon with Marxist-Lacanian philosopher Slavoj Žižek, Zahi Zalloua explores the ways both thinkers expose the violence of political structures.This inventive exploration advances an anti-racist critique, describing how ontology operates in a racial matrix to produce some human bodies that count and others (deemed not-quite- or non-human) that do not. For Fanon and Žižek, the violence of ontology must be met with another form of violence, a revolutionary violence that delegitimizes the logic of the symbolic order and troubles its collective fantasies. Whereas Fanon begins his challenge to ontology by exposing its historical linkages to Europe's destructive imperialist procedures before proceeding to “stretch” Marxism, along with psychoanalysis, to account for the crushing (neo)colonial situation, Žižek premises his work on the refusal to accept the totality of ontology. Because of these different points of intervention, Fanon and Žižek together offer a powerful and multifaceted assessment of the liberal anti-racist paradigm whose propensity for identity politics and aversion to class struggle silence the cry of the dispossessed and foreclose radical change. Avoiding contemporary separatist temptations (decoloniality and Afropessimism), and breaking with a non-violent, sentimentalist futurology that announces more of the same, Fanon and Žižek point in a different direction, one that eschews identitarian thought in favor of a collective struggle for freedom and equality.

Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature and a Professor of Indigeneity, Race, and Ethnicity Studies at Whitman College

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>n a novel pairing of anti-colonial theorist Frantz Fanon with Marxist-Lacanian philosopher Slavoj Žižek, Zahi Zalloua explores the ways both thinkers expose the violence of political structures.<br>This inventive exploration advances an anti-racist critique, describing how ontology operates in a racial matrix to produce some human bodies that count and others (deemed not-quite- or non-human) that do not. For Fanon and Žižek, the violence of ontology must be met with another form of violence, a revolutionary violence that delegitimizes the logic of the symbolic order and troubles its collective fantasies. Whereas Fanon begins his challenge to ontology by exposing its historical linkages to Europe's destructive imperialist procedures before proceeding to “stretch” Marxism, along with psychoanalysis, to account for the crushing (neo)colonial situation, Žižek premises his work on the refusal to accept the totality of ontology. Because of these different points of intervention, Fanon and Žižek together offer a powerful and multifaceted assessment of the liberal anti-racist paradigm whose propensity for identity politics and aversion to class struggle silence the cry of the dispossessed and foreclose radical change. Avoiding contemporary separatist temptations (decoloniality and Afropessimism), and breaking with a non-violent, sentimentalist futurology that announces more of the same, Fanon and Žižek point in a different direction, one that eschews identitarian thought in favor of a collective struggle for freedom and equality.</p>
<p>Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature and a Professor of Indigeneity, Race, and Ethnicity Studies at Whitman College</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4116</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8593291695.mp3?updated=1757979065" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Garbes, "Listeners Like Who?: Exclusion and Resistance in the Public Radio Industry" (Princeton UP, 2025)</title>
      <description>Why is radio so white? In Listeners Like Who? Exclusion and Resistance in the Public Radio Industry ﻿(Princeton UP, 2025) Laura Garbes, a Sociologist and Assistant Professor at the University of Minnesota - Twin Cities, explores the history of public radio, theorising it as a white institutional space. Alongside the rich history and theoretical framework, the book draws on a range of interviews with radio workers, revealing how stories are chosen and supported, expertise and perspectives are included and excluded, and how radio workers of colour are challenging and changing the radio industry. Published at a time when public radio faces an uncertain future, the book is essential reading across the social sciences and humanities, and for anyone interested how to support a more diverse media industry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 13 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why is radio so white? In Listeners Like Who? Exclusion and Resistance in the Public Radio Industry ﻿(Princeton UP, 2025) Laura Garbes, a Sociologist and Assistant Professor at the University of Minnesota - Twin Cities, explores the history of public radio, theorising it as a white institutional space. Alongside the rich history and theoretical framework, the book draws on a range of interviews with radio workers, revealing how stories are chosen and supported, expertise and perspectives are included and excluded, and how radio workers of colour are challenging and changing the radio industry. Published at a time when public radio faces an uncertain future, the book is essential reading across the social sciences and humanities, and for anyone interested how to support a more diverse media industry.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is radio so white? In <a href="https://press.princeton.edu/books/paperback/9780691257426/listeners-like-who?_gl=1*16e7imn*_up*MQ..*_ga*OTY3NzI3NDA1LjE3NTc0NDYyNzQ.*_ga_N1W9JWKLY3*czE3NTc0NDYyNzMkbzEkZzAkdDE3NTc0NDYyNzMkajYwJGwwJGg0NTc4MDI3OTA.">Listeners Like Who? Exclusion and Resistance in the Public Radio Industry</a> ﻿(Princeton UP, 2025) <a href="https://bsky.app/profile/lauragarbes.bsky.social">Laura Garbes</a>, a <a href="https://www.lauragarbes.com/">Sociologist and Assistant Professor</a> at the <a href="https://cla.umn.edu/about/directory/profile/garbes">University of Minnesota - Twin Cities</a>, explores the history of public radio, theorising it as a white institutional space. Alongside the rich history and theoretical framework, the book draws on a range of interviews with radio workers, revealing how stories are chosen and supported, expertise and perspectives are included and excluded, and how radio workers of colour are challenging and changing the radio industry. Published at a time when public radio faces an uncertain future, the book is essential reading across the social sciences and humanities, and for anyone interested how to support a more diverse media industry.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2527</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dd30c4fa-8eed-11f0-9bce-8707d8b39a2d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3535137600.mp3?updated=1757581513" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Benjamin Cole, "Fear the Future: Dystopia and Political Imagination in the Twentieth Century" (U of Michigan Press, 2025)</title>
      <description>Are we already living in some kind of fascist or technocratic dystopia? How do we avert the AI dystopia? These are the types of things that you'll see thrown about in op-eds and analysis pieces all over the net and the press. Dystopia is doing some kind of work in our political vocabulary that goes beyond a reference to those iconic dystopian novels or their sort of contemporary successors. … Sometimes politics seems to be so absorbed in the train of fantasy and the imaginary that it becomes worrying. But like it or not, or like specific expressions of the political imagination or not, the political arena is an arena of the imagination. Habermas once said that people don't fight for abstractions, but they do battle with images.

                                                                                                                   – Matthew Benjamin Cole, NBN interview 2025

After centuries of contemplating utopias, late nineteenth- and early twentieth-century writers began to warn of dystopian futures. Yet these fears extended beyond the canonical texts of dystopian fiction into post-war discourses on totalitarianism, mass society, and technology, as well as subsequent political theories of freedom and domination. Fear the Future: Dystopia and Political Imagination in the Twentieth Century (U of Michigan Press, 2025) demonstrates the centrality of dystopian thinking to twentieth century political thought, showing the pervasiveness of dystopian images, themes, and anxieties. Offering a novel reading of major themes and thinkers, Fear the Future explores visions of the future from literary figures such as Yevgeny Zamyatin, Aldous Huxley, and George Orwell; political theorists such as Max Weber, Hannah Arendt, Herbert Marcuse, Jürgen Habermas, and Michel Foucault; and mid-century social scientists such as Erich Fromm, Max Horkheimer, Theodor Adorno, David Reisman, C. Wright Mills, and Jacques Ellul. It offers a comparative analysis of distinct intellectual and literary traditions, including modern utopianism and anti-utopianism, mid-century social science, Frankfurt School critical theory, and continental political philosophy. With detailed case studies of key thinkers from the Enlightenment to the late twentieth century, the book synthesizes secondary literature and research from a range of disciplinary areas, including in political theory, intellectual history, literary studies, and utopian studies. This wide-ranging reconstruction shows that while dystopian thinking has illustrated the dangers of domination and dehumanization, it has also illuminated new possibilities for freedom.

Professor Cole published his book with the University of Michigan Press as Open Access: find the detailed insights and arguments that Matthew discusses in our interview here as an online publication with downloadable options.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 13 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Are we already living in some kind of fascist or technocratic dystopia? How do we avert the AI dystopia? These are the types of things that you'll see thrown about in op-eds and analysis pieces all over the net and the press. Dystopia is doing some kind of work in our political vocabulary that goes beyond a reference to those iconic dystopian novels or their sort of contemporary successors. … Sometimes politics seems to be so absorbed in the train of fantasy and the imaginary that it becomes worrying. But like it or not, or like specific expressions of the political imagination or not, the political arena is an arena of the imagination. Habermas once said that people don't fight for abstractions, but they do battle with images.

                                                                                                                   – Matthew Benjamin Cole, NBN interview 2025

After centuries of contemplating utopias, late nineteenth- and early twentieth-century writers began to warn of dystopian futures. Yet these fears extended beyond the canonical texts of dystopian fiction into post-war discourses on totalitarianism, mass society, and technology, as well as subsequent political theories of freedom and domination. Fear the Future: Dystopia and Political Imagination in the Twentieth Century (U of Michigan Press, 2025) demonstrates the centrality of dystopian thinking to twentieth century political thought, showing the pervasiveness of dystopian images, themes, and anxieties. Offering a novel reading of major themes and thinkers, Fear the Future explores visions of the future from literary figures such as Yevgeny Zamyatin, Aldous Huxley, and George Orwell; political theorists such as Max Weber, Hannah Arendt, Herbert Marcuse, Jürgen Habermas, and Michel Foucault; and mid-century social scientists such as Erich Fromm, Max Horkheimer, Theodor Adorno, David Reisman, C. Wright Mills, and Jacques Ellul. It offers a comparative analysis of distinct intellectual and literary traditions, including modern utopianism and anti-utopianism, mid-century social science, Frankfurt School critical theory, and continental political philosophy. With detailed case studies of key thinkers from the Enlightenment to the late twentieth century, the book synthesizes secondary literature and research from a range of disciplinary areas, including in political theory, intellectual history, literary studies, and utopian studies. This wide-ranging reconstruction shows that while dystopian thinking has illustrated the dangers of domination and dehumanization, it has also illuminated new possibilities for freedom.

Professor Cole published his book with the University of Michigan Press as Open Access: find the detailed insights and arguments that Matthew discusses in our interview here as an online publication with downloadable options.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Are we already living in some kind of fascist or technocratic dystopia? How do we avert the AI dystopia? These are the types of things that you'll see thrown about in op-eds and analysis pieces all over the net and the press. Dystopia is doing some kind of work in our political vocabulary that goes beyond a reference to those iconic dystopian novels or their sort of contemporary successors. … Sometimes politics seems to be so absorbed in the train of fantasy and the imaginary that it becomes worrying. But like it or not, or like specific expressions of the political imagination or not, the political arena is an arena of the imagination. Habermas once said that people don't fight for abstractions, but they do battle with images.</em></p>
<p>                                                                                                                   – Matthew Benjamin Cole, NBN interview 2025</p>
<p>After centuries of contemplating utopias, late nineteenth- and early twentieth-century writers began to warn of dystopian futures. Yet these fears extended beyond the canonical texts of dystopian fiction into post-war discourses on totalitarianism, mass society, and technology, as well as subsequent political theories of freedom and domination. <a href="https://bookshop.org/a/12343/9780472057740">Fear the Future: Dystopia and Political Imagination in the Twentieth Century</a> (U of Michigan Press, 2025) demonstrates the centrality of dystopian thinking to twentieth century political thought, showing the pervasiveness of dystopian images, themes, and anxieties. Offering a novel reading of major themes and thinkers, Fear the Future explores visions of the future from literary figures such as Yevgeny Zamyatin, Aldous Huxley, and George Orwell; political theorists such as Max Weber, Hannah Arendt, Herbert Marcuse, Jürgen Habermas, and Michel Foucault; and mid-century social scientists such as Erich Fromm, Max Horkheimer, Theodor Adorno, David Reisman, C. Wright Mills, and Jacques Ellul. It offers a comparative analysis of distinct intellectual and literary traditions, including modern utopianism and anti-utopianism, mid-century social science, Frankfurt School critical theory, and continental political philosophy. With detailed case studies of key thinkers from the Enlightenment to the late twentieth century, the book synthesizes secondary literature and research from a range of disciplinary areas, including in political theory, intellectual history, literary studies, and utopian studies. This wide-ranging reconstruction shows that while dystopian thinking has illustrated the dangers of domination and dehumanization, it has also illuminated new possibilities for freedom.</p>
<p>Professor Cole published his book with the University of Michigan Press as Open Access: find the detailed insights and arguments that Matthew discusses in our interview <a href="https://www.fulcrum.org/concern/monographs/br86b6684">here as an online publication</a> with downloadable options.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6518</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c207f10e-8eec-11f0-b245-2bc73bcc5cb7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8675902305.mp3?updated=1757580972" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simon James Copland, "The Male Complaint: The Manosphere and Misogyny Online" (Polity, 2025)</title>
      <description>Inspired by leaders such as Andrew Tate and Jordan Peterson, the online Manosphere has exploded in recent years. Dedicated to anti-feminism, these communities have orchestrated online campaigns of misogynistic harassment, with some individuals going as far as committing violent terrorist attacks.

Although the Manosphere has become a focus point of the media, researchers and governments alike, discussions tend to either over-sensationalize the community or offer simplistic explanations for their existence. This book uses a mixture of historical and economic analysis, alongside actual Manosphere content, to delve deeper. With The Male Complaint: The Manosphere and Misogyny Online (Polity, 2025), Simon James Copland explains how the Manosphere has developed and why it appeals to so many men. He argues that the Manosphere is not an aberration, but is deeply embedded within mainstream, neoliberal, social structures. For a cohort of alienated men, the promise of community provides a space of understanding, connection and purpose.

This insightful book dares to dig into the corners of incel communities and online spaces where misogyny thrives. It is essential reading for anyone who wants to understand, and do something about, this growing and worrying phenomenon.

Simon Copland is Honorary Fellow at the Australian National University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here﻿﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Inspired by leaders such as Andrew Tate and Jordan Peterson, the online Manosphere has exploded in recent years. Dedicated to anti-feminism, these communities have orchestrated online campaigns of misogynistic harassment, with some individuals going as far as committing violent terrorist attacks.

Although the Manosphere has become a focus point of the media, researchers and governments alike, discussions tend to either over-sensationalize the community or offer simplistic explanations for their existence. This book uses a mixture of historical and economic analysis, alongside actual Manosphere content, to delve deeper. With The Male Complaint: The Manosphere and Misogyny Online (Polity, 2025), Simon James Copland explains how the Manosphere has developed and why it appeals to so many men. He argues that the Manosphere is not an aberration, but is deeply embedded within mainstream, neoliberal, social structures. For a cohort of alienated men, the promise of community provides a space of understanding, connection and purpose.

This insightful book dares to dig into the corners of incel communities and online spaces where misogyny thrives. It is essential reading for anyone who wants to understand, and do something about, this growing and worrying phenomenon.

Simon Copland is Honorary Fellow at the Australian National University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here﻿﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inspired by leaders such as Andrew Tate and Jordan Peterson, the online Manosphere has exploded in recent years. Dedicated to anti-feminism, these communities have orchestrated online campaigns of misogynistic harassment, with some individuals going as far as committing violent terrorist attacks.</p>
<p>Although the Manosphere has become a focus point of the media, researchers and governments alike, discussions tend to either over-sensationalize the community or offer simplistic explanations for their existence. This book uses a mixture of historical and economic analysis, alongside actual Manosphere content, to delve deeper. With <a href="https://bookshop.org/a/12343/9781509562565">The Male Complaint: The Manosphere and Misogyny Online</a> (Polity, 2025), Simon James Copland explains how the Manosphere has developed and why it appeals to so many men. He argues that the Manosphere is not an aberration, but is deeply embedded within mainstream, neoliberal, social structures. For a cohort of alienated men, the promise of community provides a space of understanding, connection and purpose.</p>
<p>This insightful book dares to dig into the corners of incel communities and online spaces where misogyny thrives. It is essential reading for anyone who wants to understand, and do something about, this growing and worrying phenomenon.</p>
<p>Simon Copland is Honorary Fellow at the Australian National University.</p>
<p>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a>﻿﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4292</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4cc1ced2-8e2f-11f0-b526-fb657fe995a7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2573546466.mp3?updated=1757499943" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anna Strhan and Rachael Shillitoe, "Growing Up Godless: Non-Religious Childhoods in Contemporary England" (Princeton UP, 2025)</title>
      <description>What do children believe in? In ﻿Growing Up Godless: Non-Religious Childhoods in Contemporary England (Princeton UP, 2025) Anna Strhan, a Reader in the Department of Sociology at the University of York and Rachael Shillitoe, a senior social scientist in the UK civil service and honorary fellow in the Department of Sociology at the University of York use ethnography and interviews with young people and parents at a variety of schools in England to examine current forms of non-religiosity. The book explores how children make meaning and sense of their world, offering an account that foregrounds their sense of ethical commitments and their beliefs in key humanistic ideas. Theoretically rich, and with a wealth of fascinating empirical material, the book will be of interest across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What do children believe in? In ﻿Growing Up Godless: Non-Religious Childhoods in Contemporary England (Princeton UP, 2025) Anna Strhan, a Reader in the Department of Sociology at the University of York and Rachael Shillitoe, a senior social scientist in the UK civil service and honorary fellow in the Department of Sociology at the University of York use ethnography and interviews with young people and parents at a variety of schools in England to examine current forms of non-religiosity. The book explores how children make meaning and sense of their world, offering an account that foregrounds their sense of ethical commitments and their beliefs in key humanistic ideas. Theoretically rich, and with a wealth of fascinating empirical material, the book will be of interest across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do children believe in? In ﻿<a href="https://bookshop.org/a/12343/9780691247250">Growing Up Godless: Non-Religious Childhoods in Contemporary England</a> (Princeton UP, 2025)<em> </em><a href="https://bsky.app/profile/annastrhan.bsky.social">Anna Strhan</a>, a <a href="https://www.york.ac.uk/sociology/people/dr-anna-strhan/">Reader in the Department of Sociology at the University of York</a> and Rachael Shillitoe, a senior social scientist in the UK civil service and <a href="https://www.york.ac.uk/sociology/people/rachaelshillitoe/">honorary fellow in the Department of Sociology at the University of York</a> use ethnography and interviews with young people and parents at a variety of schools in England to examine current forms of non-religiosity. The book explores how children make meaning and sense of their world, offering an account that foregrounds their sense of ethical commitments and their beliefs in key humanistic ideas. Theoretically rich, and with a wealth of fascinating empirical material, the book will be of interest across the humanities and social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[82480940-8d49-11f0-8c57-2b14230bcbc9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1467140588.mp3?updated=1757401236" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ariel Colonomos, "Pricing Lives: The Political Art of Measurement" (Oxford UP, 2023)</title>
      <description>Pricing Lives: The Political Art of Measurement (Oxford UP, 2023) discusses how human lives are equated with the material, and argues that pricing lives lies at the core of the political; in fact, as in Plato or Hobbes, and in the Weberian ethics of responsibility, measurement is considered to be one of its central features. Ariel Colonomos argues that this measure relies primarily on human lives and interests, and that the material equivalence to lives is twofold. The equivalence is a double equation, as we pay for lives and we pay with lives. This double equation constitutes the measurement upon which the political equilibrium of a society depends and is thus a key constitutive part of the political. The book adopts two approaches, both with an interdisciplinary perspective: one explanatory and the other normative. First, it explains the nexus between existential goods and material goods, drawing on a detailed analysis of several case studies from contemporary politics, both domestic and international. Second, it discusses normatively the material valuation of human lives and the human value of material goods. Value attribution and the question of the material equivalent to lives are of relevance not only for political theory and philosophy, but also for sociology, history, international relations, and legal studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Pricing Lives: The Political Art of Measurement (Oxford UP, 2023) discusses how human lives are equated with the material, and argues that pricing lives lies at the core of the political; in fact, as in Plato or Hobbes, and in the Weberian ethics of responsibility, measurement is considered to be one of its central features. Ariel Colonomos argues that this measure relies primarily on human lives and interests, and that the material equivalence to lives is twofold. The equivalence is a double equation, as we pay for lives and we pay with lives. This double equation constitutes the measurement upon which the political equilibrium of a society depends and is thus a key constitutive part of the political. The book adopts two approaches, both with an interdisciplinary perspective: one explanatory and the other normative. First, it explains the nexus between existential goods and material goods, drawing on a detailed analysis of several case studies from contemporary politics, both domestic and international. Second, it discusses normatively the material valuation of human lives and the human value of material goods. Value attribution and the question of the material equivalent to lives are of relevance not only for political theory and philosophy, but also for sociology, history, international relations, and legal studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780192890559">Pricing Lives: The Political Art of Measurement </a>(Oxford UP, 2023) discusses how human lives are equated with the material, and argues that pricing lives lies at the core of the political; in fact, as in Plato or Hobbes, and in the Weberian ethics of responsibility, measurement is considered to be one of its central features. Ariel Colonomos argues that this measure relies primarily on human lives and interests, and that the material equivalence to lives is twofold. The equivalence is a double equation, as we pay for lives and we pay with lives. This double equation constitutes the measurement upon which the political equilibrium of a society depends and is thus a key constitutive part of the political. The book adopts two approaches, both with an interdisciplinary perspective: one explanatory and the other normative. First, it explains the nexus between existential goods and material goods, drawing on a detailed analysis of several case studies from contemporary politics, both domestic and international. Second, it discusses normatively the material valuation of human lives and the human value of material goods. Value attribution and the question of the material equivalent to lives are of relevance not only for political theory and philosophy, but also for sociology, history, international relations, and legal studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2023c4aa-8c88-11f0-aca0-33719372b0f7]]></guid>
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    </item>
    <item>
      <title>Robert T. Tally, Jr., "For a Ruthless Critique of All That Exists: Literature in an Age of Capitalist Realism" (Zero Books, 2022)</title>
      <description>Robert T. Tally, Jr.'s book For a Ruthless Critique of All That Exists: Literature in an Age of Capitalist Realism (Zero Books, 2022) takes as its point of departure two profound and interrelated phenomena. The first is the pervasive sense of what Mark Fisher had called “capitalist realism", in which (to cite the famous expression variously attributed to Fredric Jameson and Slavoj Žižek) it is easier to imagine the end of the world than then end of capitalism. As Jameson in particular has noted, “perhaps this is due to some weakness in our imaginations,” and the attenuation of the imaginative function in cultural criticism has far-reaching implications for the organization and reformation of institutions more generally. This manifests itself as a waning of speculative or theoretical energy, which in turn leads to a general capitulation to the tyranny of “what is,” the actually existing state of affairs, and the preemptive disavowal of alternative possibilities. Connected to this is the second phenomenon: the prevalent tendency in literary and cultural criticism over the past 30 or more years to eschew critical theory and even critique itself, while championing approaches to cultural study that emphasize surface reading, thin description, ordinary language philosophy, object-oriented ontology, and post-critique. 
Together these forms of anticritical and antitheoretical criticism have constituted a tendency that has in its various incarnations come to dominate the humanities and other areas of higher education in recent years. The latter has served to reinforce the former, and the result has been to align literary and cultural criticism with the broad-based forces of neoliberalism whose influence has so deleteriously transformed not only higher education but the whole of society at large. Robert T. Tally Jr. argues that, in order to counter these trends and empower the imagination, the time is ripe for “a ruthless critique of all that exists,” to borrow a phrase from the young Marx. This book is intended as a provocation, at once a polemic and a call to action for cultural critics
Robert T. Tally Jr. is a professor of English at Texas State University
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 07 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>407</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert T. Tally, Jr.</itunes:subtitle>
      <itunes:summary>Robert T. Tally, Jr.'s book For a Ruthless Critique of All That Exists: Literature in an Age of Capitalist Realism (Zero Books, 2022) takes as its point of departure two profound and interrelated phenomena. The first is the pervasive sense of what Mark Fisher had called “capitalist realism", in which (to cite the famous expression variously attributed to Fredric Jameson and Slavoj Žižek) it is easier to imagine the end of the world than then end of capitalism. As Jameson in particular has noted, “perhaps this is due to some weakness in our imaginations,” and the attenuation of the imaginative function in cultural criticism has far-reaching implications for the organization and reformation of institutions more generally. This manifests itself as a waning of speculative or theoretical energy, which in turn leads to a general capitulation to the tyranny of “what is,” the actually existing state of affairs, and the preemptive disavowal of alternative possibilities. Connected to this is the second phenomenon: the prevalent tendency in literary and cultural criticism over the past 30 or more years to eschew critical theory and even critique itself, while championing approaches to cultural study that emphasize surface reading, thin description, ordinary language philosophy, object-oriented ontology, and post-critique. 
Together these forms of anticritical and antitheoretical criticism have constituted a tendency that has in its various incarnations come to dominate the humanities and other areas of higher education in recent years. The latter has served to reinforce the former, and the result has been to align literary and cultural criticism with the broad-based forces of neoliberalism whose influence has so deleteriously transformed not only higher education but the whole of society at large. Robert T. Tally Jr. argues that, in order to counter these trends and empower the imagination, the time is ripe for “a ruthless critique of all that exists,” to borrow a phrase from the young Marx. This book is intended as a provocation, at once a polemic and a call to action for cultural critics
Robert T. Tally Jr. is a professor of English at Texas State University
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robert T. Tally, Jr.'s book <a href="https://bookshop.org/a/12343/9781789048544"><em>For a Ruthless Critique of All That Exists: Literature in an Age of Capitalist Realism</em></a> (Zero Books, 2022) takes as its point of departure two profound and interrelated phenomena. The first is the pervasive sense of what Mark Fisher had called “capitalist realism", in which (to cite the famous expression variously attributed to Fredric Jameson and Slavoj Žižek) it is easier to imagine the end of the world than then end of capitalism. As Jameson in particular has noted, “perhaps this is due to some weakness in our imaginations,” and the attenuation of the imaginative function in cultural criticism has far-reaching implications for the organization and reformation of institutions more generally. This manifests itself as a waning of speculative or theoretical energy, which in turn leads to a general capitulation to the tyranny of “what is,” the actually existing state of affairs, and the preemptive disavowal of alternative possibilities. Connected to this is the second phenomenon: the prevalent tendency in literary and cultural criticism over the past 30 or more years to eschew critical theory and even critique itself, while championing approaches to cultural study that emphasize surface reading, thin description, ordinary language philosophy, object-oriented ontology, and post-critique. </p><p>Together these forms of anticritical and antitheoretical criticism have constituted a tendency that has in its various incarnations come to dominate the humanities and other areas of higher education in recent years. The latter has served to reinforce the former, and the result has been to align literary and cultural criticism with the broad-based forces of neoliberalism whose influence has so deleteriously transformed not only higher education but the whole of society at large. Robert T. Tally Jr. argues that, in order to counter these trends and empower the imagination, the time is ripe for “a ruthless critique of all that exists,” to borrow a phrase from the young Marx. This book is intended as a provocation, at once a polemic and a call to action for cultural critics</p><p>Robert T. Tally Jr. is a professor of English at Texas State University</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6824</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[79007f56-39f0-11ee-872c-67189dbf14be]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5275088702.mp3?updated=1691943841" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lyndsey Stonebridge on Hannah Arendt's Lessons on Love and Disobedience (JP)</title>
      <description>An Arendt expert has arrived at Arendt-obsessed Recall This Book. Lyndsey Stonebridge discusses her widely praised 2024 We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience. Lyndsey sees both radical evil and the banality of evil at work in Nazi Germany and in the causes of suffering and death in Gaza today. She compares the moral idiocy of authoritarians (like the murderous Nazis and those who are starving Gaza) to that of philosophers who cannot hear the echoes of what they are doing.

Lyndsey and John discuss Arendt’s belief in the fragile ethics of the Founding Fathers, with its checks and balances and its politics based not on emotion but cool deliberation. Arendt could say that “The fundamental contradiction of [America] is political freedom coupled with social slavery,”” but why was she too easy on the legacy of imperial racism in America, missing its settler-colonial logic? Arendt read W. E. B. DuBois (who saw and said this) but perhaps, says Lyndsey, not attentively enough.

Lyndsey is not a fan of Jonathan Glazer's Zone of Interest, because it makes the evil banality of extermination monstrous all over again (cf. her"Mythic Banality: Jonathan Glazer and Hannah Arendt.") Responsibility is crucial: She praises Arendt for distinguishing between temptation and coercion.

Mentioned in the episode:


  
Carnation Revolution in Portugal in 1974 one of the last great historical events in Arendt’s lifetime.

  Lyndsey praises “reading while walking” and the unpacking of the totalitarian in Anna Burns’s marvelous Norther Ireland novel, Milkman.

  Hannah Pitkin’s wonderful 1998 The Attack of the Blob: Hannah Arendt’s Concept of the Social, emphasizes Arendt’s idea that although we are free, we can forfeit that freedom by assuming we are rule-bound.

  Arendt on the challenge of identity: “When one is attacked as a Jew, one must respond not as a German or a Frenchman or a world citizen, but as a Jew.” The Holocaust is a crime agains humanity a crime against the human status, a crime "perpetrated on the body of the Jewish people".”



Various books by Hannah Arendt come up:


  
Eichmann in Jerusalem: A Report on the Banality of Evil. (1963).


  Judgement in Arendt is crucial from earliest days studying Kant and in her final works (among The Life of the Mind) she speaks of the moments when "the mind goes visiting.”

  Her earliest ideas about love and natality are in Love and Saint Augustine (1929, not published in English until 1996).

  Hannah Arendt is buried at Bard, near her husband Heinrich Blucher and opposite Philip Roth, who reportedly wanted to capture some of the spillover Arendt traffic.

  James Baldwin's essay “The Fire Next Time” (1963) caused Arendt to write Baldwin about the difference between pariah love and the love of those in power, who think that love can justify lashing out with power.


Recallable Books


  Lyndsey praises Leah Ypi's (Free) forthcoming memoir about her Albanian family, Indignity.


  John recalls E. M Forster, Howard’s End a novel that thinks philosophically (in a novelistic vein) about how to continue being an individual in a new Imperial Britain.


Read transcript here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An Arendt expert has arrived at Arendt-obsessed Recall This Book. Lyndsey Stonebridge discusses her widely praised 2024 We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience. Lyndsey sees both radical evil and the banality of evil at work in Nazi Germany and in the causes of suffering and death in Gaza today. She compares the moral idiocy of authoritarians (like the murderous Nazis and those who are starving Gaza) to that of philosophers who cannot hear the echoes of what they are doing.

Lyndsey and John discuss Arendt’s belief in the fragile ethics of the Founding Fathers, with its checks and balances and its politics based not on emotion but cool deliberation. Arendt could say that “The fundamental contradiction of [America] is political freedom coupled with social slavery,”” but why was she too easy on the legacy of imperial racism in America, missing its settler-colonial logic? Arendt read W. E. B. DuBois (who saw and said this) but perhaps, says Lyndsey, not attentively enough.

Lyndsey is not a fan of Jonathan Glazer's Zone of Interest, because it makes the evil banality of extermination monstrous all over again (cf. her"Mythic Banality: Jonathan Glazer and Hannah Arendt.") Responsibility is crucial: She praises Arendt for distinguishing between temptation and coercion.

Mentioned in the episode:


  
Carnation Revolution in Portugal in 1974 one of the last great historical events in Arendt’s lifetime.

  Lyndsey praises “reading while walking” and the unpacking of the totalitarian in Anna Burns’s marvelous Norther Ireland novel, Milkman.

  Hannah Pitkin’s wonderful 1998 The Attack of the Blob: Hannah Arendt’s Concept of the Social, emphasizes Arendt’s idea that although we are free, we can forfeit that freedom by assuming we are rule-bound.

  Arendt on the challenge of identity: “When one is attacked as a Jew, one must respond not as a German or a Frenchman or a world citizen, but as a Jew.” The Holocaust is a crime agains humanity a crime against the human status, a crime "perpetrated on the body of the Jewish people".”



Various books by Hannah Arendt come up:


  
Eichmann in Jerusalem: A Report on the Banality of Evil. (1963).


  Judgement in Arendt is crucial from earliest days studying Kant and in her final works (among The Life of the Mind) she speaks of the moments when "the mind goes visiting.”

  Her earliest ideas about love and natality are in Love and Saint Augustine (1929, not published in English until 1996).

  Hannah Arendt is buried at Bard, near her husband Heinrich Blucher and opposite Philip Roth, who reportedly wanted to capture some of the spillover Arendt traffic.

  James Baldwin's essay “The Fire Next Time” (1963) caused Arendt to write Baldwin about the difference between pariah love and the love of those in power, who think that love can justify lashing out with power.


Recallable Books


  Lyndsey praises Leah Ypi's (Free) forthcoming memoir about her Albanian family, Indignity.


  John recalls E. M Forster, Howard’s End a novel that thinks philosophically (in a novelistic vein) about how to continue being an individual in a new Imperial Britain.


Read transcript here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An Arendt expert has arrived at Arendt-obsessed <a href="http://recallthisbook.org/"><em>Recall This Book</em></a>. <a href="https://www.birmingham.ac.uk/staff/profiles/english/stonebridge-lyndsey">Lyndsey Stonebridge</a> discusses her widely praised <em>2024 </em><a href="https://lyndseystonebridge.com/books"><em>We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience</em></a>. Lyndsey sees both radical evil and the banality of evil at work in Nazi Germany and in the causes of suffering and death in Gaza today. She compares the moral idiocy of authoritarians (like the murderous Nazis and those who are starving Gaza) to that of philosophers who cannot hear the echoes of what they are doing.</p>
<p>Lyndsey and John discuss Arendt’s belief in the fragile ethics of the Founding Fathers, with its checks and balances and its politics based not on emotion but cool deliberation. Arendt could say that “<a href="https://publicseminar.org/2016/06/hannah-arendt-on-american-social-slavery/#:~:text=She%20remarked%2C%20%E2%80%9CThe%20fundamental%20contradiction,is%20striking%20for%20three%20reasons.">The fundamental contradiction of [America] is political freedom coupled with social slavery,”</a>” but why was she too easy on the legacy of imperial racism in America, missing its settler-colonial logic? Arendt read W. E. B. DuBois (who saw and said this) but perhaps, says Lyndsey, not attentively enough.</p>
<p>Lyndsey is not a fan of Jonathan Glazer's <em>Zone of Interest</em>, because it makes the evil banality of extermination monstrous all over again (cf. her"<a href="https://www.tandfonline.com/doi/full/10.1080/14623528.2024.2351263">Mythic Banality: Jonathan Glazer and Hannah Arendt</a>.") Responsibility is crucial: She praises Arendt for distinguishing between <em>temptation</em> and <em>coercion</em>.</p>
<p><u>Mentioned in the episode:</u></p>
<ul>
  <li>
<a href="https://en.wikipedia.org/wiki/Carnation_Revolution">Carnation Revolution</a> in Portugal in 1974 one of the last great historical events in Arendt’s lifetime.</li>
  <li>Lyndsey praises “reading while walking” and the unpacking of the totalitarian in Anna Burns’s marvelous Norther Ireland novel, <a href="https://en.wikipedia.org/wiki/Milkman_(novel)">Milkman</a>.</li>
  <li>Hannah Pitkin’s wonderful 1998 <a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo3633281.html">The Attack of the Blob: Hannah Arendt’s Concept of the Social, </a>emphasizes Arendt’s idea that although we are free, we can forfeit that freedom by assuming we are rule-bound.</li>
  <li>Arendt on the challenge of identity: “<a href="https://www.bostonreview.net/articles/vivian-gornick-hannah-arendt-on-being-jewish/">When one is attacked as a Jew,</a> one must respond not as a German or a Frenchman or a world citizen, but<em> as a Jew.</em>” <a href="https://www.loc.gov/collections/hannah-arendt-papers/articles-and-essays/evil-the-crime-against-humanity/">The Holocaust is a crime agains humanity a crime against the human status, a crime "perpetrated on the body of the Jewish people".”</a>
</li>
</ul>
<p>Various books by Hannah Arendt come up:</p>
<ul>
  <li>
<a href="https://en.wikipedia.org/wiki/Eichmann_in_Jerusalem"><em>Eichmann in Jerusalem: A Report on the Banality of Evil.</em></a><em> (1963).</em>
</li>
  <li>Judgement in Arendt is crucial from earliest days studying Kant and in her final works (among <a href="https://en.wikipedia.org/wiki/The_Life_of_the_Mind"><em>The Life of the Mind</em>)</a> she speaks of the moments when "the mind goes visiting.”</li>
  <li>Her earliest ideas about love and natality are in <a href="https://en.wikipedia.org/wiki/Love_and_Saint_Augustine">Love and Saint Augustine</a> (1929, not published in English until 1996).</li>
  <li>Hannah Arendt<a href="https://lli.bard.edu/2023/11/walking-the-bard-cemetery/"> is buried at Bard</a>, near her husband Heinrich Blucher and opposite Philip Roth, who reportedly wanted to capture some of the spillover Arendt traffic.</li>
  <li>James Baldwin's essay “<a href="https://en.wikipedia.org/wiki/The_Fire_Next_Time">The Fire Next Time”</a> (1963) caused Arendt to write Baldwin about the difference between pariah love and the love of those in power, who think that love can justify lashing out with power.</li>
</ul>
<p>Recallable Books</p>
<ul>
  <li>Lyndsey praises <a href="https://www.lse.ac.uk/government/people/academic-staff/lea-ypi">Leah Ypi</a>'s (<a href="https://en.wikipedia.org/wiki/Free_(Ypi_book)"><em>Free</em></a><em>) </em>forthcoming memoir about her Albanian family, <a href="https://us.macmillan.com/books/9780374614096/indignity/"><em>Indignity.</em></a>
</li>
  <li>John recalls <em>E. M Forster, </em><a href="https://en.wikipedia.org/wiki/Howards_End">Howard’s End</a> a novel that thinks philosophically (in a novelistic vein) about how to continue being an individual in a new Imperial Britain.</li>
</ul>
<p><a href="https://recallthisbook.org/wp-content/uploads/2025/09/recall-this-book-155-stonebridge-transcript.pdf">Read</a> transcript here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3384</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7eb96000-891e-11f0-a250-33145e7e3709]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6115378880.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Santiago Zabala, "Signs from the Future:  Philosophy of Warnings" (Columbia UP, 2025)</title>
      <description>Returning to NBN is the philosopher Santiago Zabala, here to introduce his new book Signs from the Future: A Philosophy of Warnings (Columbia University Press, 2025). Warnings, for Zabala, are not synonymous with predictions. They are instead as much about the present as the future. They point towards already present crisis and contradictions. They also attempt to reorient us towards alternative paths. Embedded deeply in the critical hermeneutics of writers such as Heidegger, Arendt and Beauvoir but exploring contemporary issues such as gender, climate change and machine warfare, Zabala’s book is an accessible and applicable text that simultaneously tries to destabilize us in our present complacency while grounding us in an urgent need to seek alternatives.

Santiago Zabala is ICREA Research Professor of Philosophy at the Pompeu Fabra University in Barcelona. He is the author of numerous books, including one previously discussed on this show, Being at Large: Freedom in the Age of Alternative Facts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Returning to NBN is the philosopher Santiago Zabala, here to introduce his new book Signs from the Future: A Philosophy of Warnings (Columbia University Press, 2025). Warnings, for Zabala, are not synonymous with predictions. They are instead as much about the present as the future. They point towards already present crisis and contradictions. They also attempt to reorient us towards alternative paths. Embedded deeply in the critical hermeneutics of writers such as Heidegger, Arendt and Beauvoir but exploring contemporary issues such as gender, climate change and machine warfare, Zabala’s book is an accessible and applicable text that simultaneously tries to destabilize us in our present complacency while grounding us in an urgent need to seek alternatives.

Santiago Zabala is ICREA Research Professor of Philosophy at the Pompeu Fabra University in Barcelona. He is the author of numerous books, including one previously discussed on this show, Being at Large: Freedom in the Age of Alternative Facts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Returning to NBN is the philosopher Santiago Zabala, here to introduce his new book <a href="https://bookshop.org/a/12343/9780231221726">Signs from the Future: A Philosophy of Warnings</a><em> </em>(Columbia University Press, 2025). Warnings, for Zabala, are not synonymous with predictions. They are instead as much about the present as the future. They point towards already present crisis and contradictions. They also attempt to reorient us towards alternative paths. Embedded deeply in the critical hermeneutics of writers such as Heidegger, Arendt and Beauvoir but exploring contemporary issues such as gender, climate change and machine warfare, Zabala’s book is an accessible and applicable text that simultaneously tries to destabilize us in our present complacency while grounding us in an urgent need to seek alternatives.</p>
<p>Santiago Zabala is ICREA Research Professor of Philosophy at the Pompeu Fabra University in Barcelona. He is the author of numerous books, including one previously discussed on this show, <a href="https://newbooksnetwork.com/santiago-zabala-being-at-large-freedom-in-the-ago-of-alternative-facts-mcgill-queens-up-2020#entry:1772@1:url">Being at Large: Freedom in the Age of Alternative Facts</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3225</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9a751fd0-8911-11f0-8c21-2bd03176ce82]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9533072929.mp3?updated=1756937630" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David McNally, "Slavery and Capitalism: A New Marxist History" (U California Press, 2025)</title>
      <description>David McNally's Slavery and Capitalism: A New Marxist History (U California Press, 2025)presents the first systematic Marxist account of the capitalist character of Atlantic slavery. McNally argues that enslaved labour within the plantation system constituted capitalist commodity production, and crucially, reframes the resistance of enslaved people as profound labour struggles.

He posits a "social conception of freedom", contrasting it with the liberal individualist view, asserting that for enslaved people, freedom was communal and collective, as no individual could break the structures of slavery alone. The book revives a "forgotten critical Marxist tradition" that consistently upheld the capitalist nature of New World slavery, drawing on three crucial thinkers:


  
C.L.R. James, who argued that the collective labour of enslaved sugar cane workers on Haitian plantations was "closer to a modern proletariat than any group of workers in the world at the time".



  
W.E.B. Du Bois, who described the overthrow of slavery in the U.S. Civil War as a "general strike of the slaves," recognizing their withdrawal of labour as commodity producers.



  
Sylvia Wynter, who referred to this "new world enslaved class" as the "plantation proletariat," seeing them as "the most thoroughly modern social class".




At the heart of McNally's analysis is the concept of the "chattel proletariat," which he describes as the "pivot point" of his analysis. This concept challenges the idea that the proletariat must mean "free workers". He demonstrates that enslaved people were economically bonded to capital, much like "free" labourers are bonded by economic necessity, with both forms of labour exploited for surplus value. Contrary to common belief, enslaved workers on Atlantic plantations "regularly used the strike weapon," engaging in collective acts like mass strikes (e.g., Toussaint Louverture's call, Bussa's rebellion, the 1831 Jamaica strikes, and Du Bois's "general strike"). These actions lead McNally to assert they were "among the foremost innovators in mass strikes" and should be recognized as part of the proletariat, necessitating a rewriting of modern labour history.

McNally incorporates the insights of Marxist feminists and social reproduction theorists, emphasizing the "life-making" aspect of the chattel proletariat. He highlights that enslaved Black women not only produced commodities but also performed the essential, gendered labour of reproducing human existence. He also stresses the "necessity of theory" in historical analysis, arguing that empirical approaches alone cannot grasp "collective social processes" without a broader theoretical framework of commodity and social relationships. This book represents a significant confrontation with racial capitalism, weaving together McNally's long-standing interests in political economy and anti-racist commitments.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>David McNally's Slavery and Capitalism: A New Marxist History (U California Press, 2025)presents the first systematic Marxist account of the capitalist character of Atlantic slavery. McNally argues that enslaved labour within the plantation system constituted capitalist commodity production, and crucially, reframes the resistance of enslaved people as profound labour struggles.

He posits a "social conception of freedom", contrasting it with the liberal individualist view, asserting that for enslaved people, freedom was communal and collective, as no individual could break the structures of slavery alone. The book revives a "forgotten critical Marxist tradition" that consistently upheld the capitalist nature of New World slavery, drawing on three crucial thinkers:


  
C.L.R. James, who argued that the collective labour of enslaved sugar cane workers on Haitian plantations was "closer to a modern proletariat than any group of workers in the world at the time".



  
W.E.B. Du Bois, who described the overthrow of slavery in the U.S. Civil War as a "general strike of the slaves," recognizing their withdrawal of labour as commodity producers.



  
Sylvia Wynter, who referred to this "new world enslaved class" as the "plantation proletariat," seeing them as "the most thoroughly modern social class".




At the heart of McNally's analysis is the concept of the "chattel proletariat," which he describes as the "pivot point" of his analysis. This concept challenges the idea that the proletariat must mean "free workers". He demonstrates that enslaved people were economically bonded to capital, much like "free" labourers are bonded by economic necessity, with both forms of labour exploited for surplus value. Contrary to common belief, enslaved workers on Atlantic plantations "regularly used the strike weapon," engaging in collective acts like mass strikes (e.g., Toussaint Louverture's call, Bussa's rebellion, the 1831 Jamaica strikes, and Du Bois's "general strike"). These actions lead McNally to assert they were "among the foremost innovators in mass strikes" and should be recognized as part of the proletariat, necessitating a rewriting of modern labour history.

McNally incorporates the insights of Marxist feminists and social reproduction theorists, emphasizing the "life-making" aspect of the chattel proletariat. He highlights that enslaved Black women not only produced commodities but also performed the essential, gendered labour of reproducing human existence. He also stresses the "necessity of theory" in historical analysis, arguing that empirical approaches alone cannot grasp "collective social processes" without a broader theoretical framework of commodity and social relationships. This book represents a significant confrontation with racial capitalism, weaving together McNally's long-standing interests in political economy and anti-racist commitments.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>David McNally's <a href="https://bookshop.org/a/12343/9780520415973">Slavery and Capitalism: A New Marxist History</a><em> </em>(U California Press, 2025)presents the first systematic Marxist account of the capitalist character of Atlantic slavery. McNally argues that enslaved labour within the plantation system constituted capitalist commodity production, and crucially, reframes the resistance of enslaved people as profound labour struggles.</p>
<p>He posits a "social conception of freedom", contrasting it with the liberal individualist view, asserting that for enslaved people, freedom was communal and collective, as no individual could break the structures of slavery alone. The book revives a "forgotten critical Marxist tradition" that consistently upheld the capitalist nature of New World slavery, drawing on three crucial thinkers:</p>
<ul>
  <li>
<p>C.L.R. James, who argued that the collective labour of enslaved sugar cane workers on Haitian plantations was "closer to a modern proletariat than any group of workers in the world at the time".</p>
</li>
  <li>
<p>W.E.B. Du Bois, who described the overthrow of slavery in the U.S. Civil War as a "general strike of the slaves," recognizing their withdrawal of labour as commodity producers.</p>
</li>
  <li>
<p>Sylvia Wynter, who referred to this "new world enslaved class" as the "plantation proletariat," seeing them as "the most thoroughly modern social class".</p>
</li>
</ul>
<p>At the heart of McNally's analysis is the concept of the "chattel proletariat," which he describes as the "pivot point" of his analysis. This concept challenges the idea that the proletariat must mean "free workers". He demonstrates that enslaved people were economically bonded to capital, much like "free" labourers are bonded by economic necessity, with both forms of labour exploited for surplus value. Contrary to common belief, enslaved workers on Atlantic plantations "regularly used the strike weapon," engaging in collective acts like mass strikes (e.g., Toussaint Louverture's call, Bussa's rebellion, the 1831 Jamaica strikes, and Du Bois's "general strike"). These actions lead McNally to assert they were "among the foremost innovators in mass strikes" and should be recognized as part of the proletariat, necessitating a rewriting of modern labour history.</p>
<p>McNally incorporates the insights of Marxist feminists and social reproduction theorists, emphasizing the "life-making" aspect of the chattel proletariat. He highlights that enslaved Black women not only produced commodities but also performed the essential, gendered labour of reproducing human existence. He also stresses the "necessity of theory" in historical analysis, arguing that empirical approaches alone cannot grasp "collective social processes" without a broader theoretical framework of commodity and social relationships. This book represents a significant confrontation with racial capitalism, weaving together McNally's long-standing interests in political economy and anti-racist commitments.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2585</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[611eea90-87d1-11f0-ad97-b7eb0c294cee]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2183151630.mp3?updated=1756799472" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maddalena Cerrato, "Michel Foucault's Practical Philosophy: A Critique of Subjectivation Processes" (SUNY Press, 2025)</title>
      <description>Michel Foucault's thought, Maddalena Cerrato writes, may be understood as practical philosophy. In this perspective, political analysis, philosophy of history, epistemology, and ethics appear as necessarily cast together in a philosophical project that aims to rethink freedom and emancipation from domination of all kinds. The idea of practical philosophy accounts for Foucault's specific approach to the object, as well as to the task of philosophy, and it identifies the perspective that led him to consider the question of subjectivity as the guiding thread of his work. Overall, in ﻿Michel Foucault's Practical Philosophy: A Critique of Subjectivation Processes (SUNY Press, 2025) Cerrato shows the deep consistency underlying Foucault's reflection and the substantial coherence of his philosophical itinerary, setting aside all the conventional interpretations that pivot on the idea that his thought underwent a radical "turn" from the political engagement of the question of power toward an ethical retrieval of the question of subjectivity.

Maddalena Cerrato is an assistant professor in the Department of International Affairs.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Michel Foucault's thought, Maddalena Cerrato writes, may be understood as practical philosophy. In this perspective, political analysis, philosophy of history, epistemology, and ethics appear as necessarily cast together in a philosophical project that aims to rethink freedom and emancipation from domination of all kinds. The idea of practical philosophy accounts for Foucault's specific approach to the object, as well as to the task of philosophy, and it identifies the perspective that led him to consider the question of subjectivity as the guiding thread of his work. Overall, in ﻿Michel Foucault's Practical Philosophy: A Critique of Subjectivation Processes (SUNY Press, 2025) Cerrato shows the deep consistency underlying Foucault's reflection and the substantial coherence of his philosophical itinerary, setting aside all the conventional interpretations that pivot on the idea that his thought underwent a radical "turn" from the political engagement of the question of power toward an ethical retrieval of the question of subjectivity.

Maddalena Cerrato is an assistant professor in the Department of International Affairs.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michel Foucault's thought, Maddalena Cerrato writes, may be understood as practical philosophy. In this perspective, political analysis, philosophy of history, epistemology, and ethics appear as necessarily cast together in a philosophical project that aims to rethink freedom and emancipation from domination of all kinds. The idea of practical philosophy accounts for Foucault's specific approach to the object, as well as to the task of philosophy, and it identifies the perspective that led him to consider the question of subjectivity as the guiding thread of his work. Overall, in <em>﻿</em><a href="https://bookshop.org/a/12343/9798855802214">Michel Foucault's Practical Philosophy: A Critique of Subjectivation Processes</a> (SUNY Press, 2025) Cerrato shows the deep consistency underlying Foucault's reflection and the substantial coherence of his philosophical itinerary, setting aside all the conventional interpretations that pivot on the idea that his thought underwent a radical "turn" from the political engagement of the question of power toward an ethical retrieval of the question of subjectivity.</p>
<p>Maddalena Cerrato is an assistant professor in the Department of International Affairs.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3265</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cea8eede-870f-11f0-a8fa-37826b364b9b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6335643646.mp3?updated=1756717055" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Edmonds, "Death in a Shallow Pond: A Philosopher, a Drowning Child, and Strangers in Need" (Princeton UP, 2025)</title>
      <description>Imagine this: You’re walking past a shallow pond and spot a toddler thrashing around in the water, in obvious danger of drowning. You look around for her parents, but nobody is there. You’re the only person who can save her and you must act immediately. But as you approach the pond you remember that you’re wearing your most expensive shoes. Wading into the water will ruin them—and might make you late for a meeting. Should you let the child drown? The philosopher Peter Singer published this thought experiment in 1972, arguing that allowing people in the developing world to die, when we could easily help them by giving money to charity, is as morally reprehensible as saving our shoes instead of the drowning child. Can this possibly be true? In Death in a Shallow Pond, David Edmonds tells the remarkable story of Singer and his controversial idea, tracing how it radically changed the way many think about poverty—but also how it has provoked scathing criticisms.Death in a Shallow Pond describes the experiences and world events that led Singer to make his radical case and how it moved some young philosophers to establish the Effective Altruism movement, which tries to optimize philanthropy. The book also explores the reactions of critics who argue that the Shallow Pond and Effective Altruism are unrealistic, misguided, and counterproductive, neglecting the causes of—and therefore perpetuating—poverty. Ultimately, however, Edmonds argues that the Shallow Pond retains the power to shape how we live in a world in which terrible and unnecessary suffering persists.

David Edmonds is the bestselling author of many critically acclaimed and popular books on philosophy, including Wittgenstein’s Poker (with John Eidinow). His other books include Parfit, The Murder of Professor Schlick, and Would You Kill the Fat Man? (all Princeton). A Distinguished Research Fellow at the University of Oxford’s Uehiro Oxford Institute and a former BBC radio journalist, Edmonds hosts, with Nigel Warburton, the Philosophy Bites podcast, which has been downloaded nearly 50 million times.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Imagine this: You’re walking past a shallow pond and spot a toddler thrashing around in the water, in obvious danger of drowning. You look around for her parents, but nobody is there. You’re the only person who can save her and you must act immediately. But as you approach the pond you remember that you’re wearing your most expensive shoes. Wading into the water will ruin them—and might make you late for a meeting. Should you let the child drown? The philosopher Peter Singer published this thought experiment in 1972, arguing that allowing people in the developing world to die, when we could easily help them by giving money to charity, is as morally reprehensible as saving our shoes instead of the drowning child. Can this possibly be true? In Death in a Shallow Pond, David Edmonds tells the remarkable story of Singer and his controversial idea, tracing how it radically changed the way many think about poverty—but also how it has provoked scathing criticisms.Death in a Shallow Pond describes the experiences and world events that led Singer to make his radical case and how it moved some young philosophers to establish the Effective Altruism movement, which tries to optimize philanthropy. The book also explores the reactions of critics who argue that the Shallow Pond and Effective Altruism are unrealistic, misguided, and counterproductive, neglecting the causes of—and therefore perpetuating—poverty. Ultimately, however, Edmonds argues that the Shallow Pond retains the power to shape how we live in a world in which terrible and unnecessary suffering persists.

David Edmonds is the bestselling author of many critically acclaimed and popular books on philosophy, including Wittgenstein’s Poker (with John Eidinow). His other books include Parfit, The Murder of Professor Schlick, and Would You Kill the Fat Man? (all Princeton). A Distinguished Research Fellow at the University of Oxford’s Uehiro Oxford Institute and a former BBC radio journalist, Edmonds hosts, with Nigel Warburton, the Philosophy Bites podcast, which has been downloaded nearly 50 million times.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Imagine this: You’re walking past a shallow pond and spot a toddler thrashing around in the water, in obvious danger of drowning. You look around for her parents, but nobody is there. You’re the only person who can save her and you must act immediately. But as you approach the pond you remember that you’re wearing your most expensive shoes. Wading into the water will ruin them—and might make you late for a meeting. Should you let the child drown? The philosopher Peter Singer published this thought experiment in 1972, arguing that allowing people in the developing world to die, when we could easily help them by giving money to charity, is as morally reprehensible as saving our shoes instead of the drowning child. Can this possibly be true? In <em>Death in a Shallow Pond</em>, David Edmonds tells the remarkable story of Singer and his controversial idea, tracing how it radically changed the way many think about poverty—but also how it has provoked scathing criticisms.<br><em>Death in a Shallow Pond</em> describes the experiences and world events that led Singer to make his radical case and how it moved some young philosophers to establish the Effective Altruism movement, which tries to optimize philanthropy. The book also explores the reactions of critics who argue that the Shallow Pond and Effective Altruism are unrealistic, misguided, and counterproductive, neglecting the causes of—and therefore perpetuating—poverty. Ultimately, however, Edmonds argues that the Shallow Pond retains the power to shape how we live in a world in which terrible and unnecessary suffering persists.</p>
<p><strong>David Edmonds</strong> is the bestselling author of many critically acclaimed and popular books on philosophy, including <em>Wittgenstein’s Poker</em> (with John Eidinow). His other books include <em>Parfit</em>, <em>The Murder of Professor Schlick</em>, and <em>Would You Kill the Fat Man? </em>(all Princeton). A Distinguished Research Fellow at the University of Oxford’s Uehiro Oxford Institute and a former BBC radio journalist, Edmonds hosts, with Nigel Warburton, the <em>Philosophy Bites</em> podcast, which has been downloaded nearly 50 million times.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7039e06a-84df-11f0-9247-6ff5c5467ded]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7929866622.mp3?updated=1756484648" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cordelia Fine, "Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work" (W.W. Norton, 2025)</title>
      <description>Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society

Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society

Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.<br>With perceptive and razor-sharp insight, in <a href="https://bookshop.org/a/12343/9781324064749">Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work</a> (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society</p>
<p>Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4171</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Pauwke Berkers and Yosha Wijngaarden, "A Sociology of Awkwardness: On Social Interactions Going Wrong" (Taylor &amp; Francis, 2025)</title>
      <description>How does sociology help to explain modern life? In A Sociology of Awkwardness: On Social Interactions Going Wrong (Routledge, 2025)Pauwke Berkers, a full professor Sociology of Popular Music at the Erasmus University Rotterdam, and Yosha Wijngaarden, an assistant professor of Media and Creative Industries at the Erasmus University Rotterdam, examine how people interact in settings as diverse as work, everyday life, self-help and even contemporary dating. Alongside this rich empirical research, the book outlines a uniquely sociological approach to awkwardness, displacing the idea that it is a personal characteristic and showing how both the idea of awkwardness and people’s experiences around it are closely associated with social contexts and constructions. The book will be of interest to anyone who has ever felt awkward! It is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 30 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How does sociology help to explain modern life? In A Sociology of Awkwardness: On Social Interactions Going Wrong (Routledge, 2025)Pauwke Berkers, a full professor Sociology of Popular Music at the Erasmus University Rotterdam, and Yosha Wijngaarden, an assistant professor of Media and Creative Industries at the Erasmus University Rotterdam, examine how people interact in settings as diverse as work, everyday life, self-help and even contemporary dating. Alongside this rich empirical research, the book outlines a uniquely sociological approach to awkwardness, displacing the idea that it is a personal characteristic and showing how both the idea of awkwardness and people’s experiences around it are closely associated with social contexts and constructions. The book will be of interest to anyone who has ever felt awkward! It is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does sociology help to explain modern life? In <a href="https://bookshop.org/a/12343/9781032161556">A Sociology of Awkwardness: On Social Interactions Going Wrong</a> (Routledge, 2025)<a href="https://www.eur.nl/people/pauwke-berkers">Pauwke Berkers</a>, a full professor Sociology of Popular Music at the Erasmus University Rotterdam, and <a href="https://www.eur.nl/en/people/yosha-wijngaarden">Yosha Wijngaarden</a>, an assistant professor of Media and Creative Industries at the Erasmus University Rotterdam, examine how people interact in settings as diverse as work, everyday life, self-help and even contemporary dating. Alongside this rich empirical research, the book outlines a uniquely sociological approach to awkwardness, displacing the idea that it is a personal characteristic and showing how both the idea of awkwardness and people’s experiences around it are closely associated with social contexts and constructions. The book will be of interest to anyone who has ever felt awkward! It is available open access <a href="https://www.taylorfrancis.com/books/oa-mono/10.4324/9781003247302/sociology-awkwardness-pauwke-berkers-yosha-wijngaarden">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2023</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ae06b9b2-8486-11f0-b3ed-2f57ae96e7d1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2739261861.mp3?updated=1756438318" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrice D. Douglass, "Engendering Blackness: Slavery and the Ontology of Sexual Violence" (Stanford UP, 2025)</title>
      <description>In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Engendering Blackness: Slavery and the Ontology of Sexual Violence (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. Engendering Blackness urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781503641617">Engendering Blackness: Slavery and the Ontology of Sexual Violence</a> (Stanford UP, 2025) Patrice D. Douglass interrogates the relationship between sexual violence and modern racial slavery and finds it not only inseverable but also fundamental to the structural predicaments facing Blackness in the present. Douglass contends that the sexual violability of slaves is often misappropriated by frameworks on sexual violence that privilege its occurrences as a question of ethics, sexual agency, and feminine orders of gendering. Rather, this book foregrounds Blackness as engendered by sexual violence, which forcefully (re)produces Blackness, corporeally and conceptually, as a condition that lacks the capacity to ontologically distinguish its suffering from what it means to be human. By employing and critically revising Black feminist theory and Afro-pessimism, Douglass reveals that engaging primarily with the sexualization of the slave forces theories of sexual violence to interrogate why this violence—one of the most prevalent under slavery—continues to lack a grammar of fundamental redress. There are no reparations struggles for the generational transfer of sexual violation and the inability of present frameworks to rectify the sexual stains of slavery lies precisely in the fact that what made this history possible continues to haunt arrangements of life today. <em>Engendering Blackness</em> urgently articulates the way our present understandings of Blackness and humanness are bound by this vexed sexual history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4779</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9591dbf4-83dd-11f0-b107-af2bbced585d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7987436224.mp3?updated=1756365072" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ian Scoones, "Navigating Uncertainty: Radical Rethinking for a Turbulent World" (Polity, 2024)</title>
      <description>Uncertainties are everywhere. Whether it’s climate change, financial volatility, pandemic outbreaks or new technologies, we don’t know what the future will hold. For many contemporary challenges, navigating uncertainty – where we cannot predict what may happen – is essential and, as the book explores, this is much more than just managing risk. But how is this done, and what can we learn from different contexts about responding to and living with uncertainty? Indeed, what might it mean to live from uncertainty?

Drawing on experiences from across the world, the chapters in Navigating Uncertainty: Radical Rethinking for a Turbulent World (Polity, 2024) explore finance and banking, technology regulation, critical infrastructures, pandemics, natural disasters and climate change. Each chapter contrasts an approach centred on risk and control, where we assume we know about and can manage the future, with one that is more flexible, responding to uncertainty.The book argues that we need to adjust our modernist, controlling view and to develop new approaches, including some reclaimed and adapted from previous times or different cultures. This requires a radical rethinking of policies, institutions and practices for successfully navigating uncertainties in an increasingly turbulent world.

Ian Scoones is a Professorial Fellow at the Institute of Development Studies, University of Sussex

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Uncertainties are everywhere. Whether it’s climate change, financial volatility, pandemic outbreaks or new technologies, we don’t know what the future will hold. For many contemporary challenges, navigating uncertainty – where we cannot predict what may happen – is essential and, as the book explores, this is much more than just managing risk. But how is this done, and what can we learn from different contexts about responding to and living with uncertainty? Indeed, what might it mean to live from uncertainty?

Drawing on experiences from across the world, the chapters in Navigating Uncertainty: Radical Rethinking for a Turbulent World (Polity, 2024) explore finance and banking, technology regulation, critical infrastructures, pandemics, natural disasters and climate change. Each chapter contrasts an approach centred on risk and control, where we assume we know about and can manage the future, with one that is more flexible, responding to uncertainty.The book argues that we need to adjust our modernist, controlling view and to develop new approaches, including some reclaimed and adapted from previous times or different cultures. This requires a radical rethinking of policies, institutions and practices for successfully navigating uncertainties in an increasingly turbulent world.

Ian Scoones is a Professorial Fellow at the Institute of Development Studies, University of Sussex

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Uncertainties are everywhere. Whether it’s climate change, financial volatility, pandemic outbreaks or new technologies, we don’t know what the future will hold. For many contemporary challenges, navigating uncertainty – where we cannot predict what may happen – is essential and, as the book explores, this is much more than just managing risk. But how is this done, and what can we learn from different contexts about responding to and living with uncertainty? Indeed, what might it mean to live <em>from</em> uncertainty?</p>
<p>Drawing on experiences from across the world, the chapters in <a href="https://bookshop.org/a/12343/9781509560080">Navigating Uncertainty: Radical Rethinking for a Turbulent World</a> (Polity, 2024) explore finance and banking, technology regulation, critical infrastructures, pandemics, natural disasters and climate change. Each chapter contrasts an approach centred on risk and control, where we assume we know about and can manage the future, with one that is more flexible, responding to uncertainty.<br>The book argues that we need to adjust our modernist, controlling view and to develop new approaches, including some reclaimed and adapted from previous times or different cultures. This requires a radical rethinking of policies, institutions and practices for successfully navigating uncertainties in an increasingly turbulent world.</p>
<p>Ian Scoones is a Professorial Fellow at the Institute of Development Studies, University of Sussex</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3840</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5aaacfea-8226-11f0-a23c-6b522b60bad7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6976221095.mp3?updated=1756177021" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aaron Hammes, "TransGenre" (Cambridge UP, 2025)</title>
      <description>TransGenre (Cambridge UP, 2025) is a reconsideration of genre theory in long-form fiction through transgender minor literature in the US and Canada. Using four genre sites (the road novel, the mourning novel, the chosen family novel, and the archival novel), this Element considers how the minoritized becomes the minoritarian through deterritorializing generic conventions in fiction to its own ends. In so doing, TransGenre proposes narrative reading practices as strategies of the minor to subvert, transgress, and reappropriate the novel's genealogy and radical future prospects. A range of fiction published in the last decade is deployed as largely self-theorizing, generating its own epistemological, thematic, and formal innovations and possibilities, revealing cisheteronormative underpinnings of generic categories and turning them in on themselves.

Aaron Hammes holds a PhD in English from the CUNY Graduate Center, and was most recently the Virginia and Walter Nord Postdoctoral Fellow in the Humanities at Case Western Reserve University. Dr. Hammes has published on sex work, transgender literature, and prison abolition in South Atlantic Review, Women’s Studies Quarterly, the Routledge Handbook of Transgender Literature, Journal of Feminist Scholarship, and GLQ. Their first monograph, TransGenre, (Cambridge, 2025) is an exploration of genre theory and contemporary transgender minor literature.

Atalia Israeli-Nevo is an anthropology PhD student at the University of Texas at Austin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>TransGenre (Cambridge UP, 2025) is a reconsideration of genre theory in long-form fiction through transgender minor literature in the US and Canada. Using four genre sites (the road novel, the mourning novel, the chosen family novel, and the archival novel), this Element considers how the minoritized becomes the minoritarian through deterritorializing generic conventions in fiction to its own ends. In so doing, TransGenre proposes narrative reading practices as strategies of the minor to subvert, transgress, and reappropriate the novel's genealogy and radical future prospects. A range of fiction published in the last decade is deployed as largely self-theorizing, generating its own epistemological, thematic, and formal innovations and possibilities, revealing cisheteronormative underpinnings of generic categories and turning them in on themselves.

Aaron Hammes holds a PhD in English from the CUNY Graduate Center, and was most recently the Virginia and Walter Nord Postdoctoral Fellow in the Humanities at Case Western Reserve University. Dr. Hammes has published on sex work, transgender literature, and prison abolition in South Atlantic Review, Women’s Studies Quarterly, the Routledge Handbook of Transgender Literature, Journal of Feminist Scholarship, and GLQ. Their first monograph, TransGenre, (Cambridge, 2025) is an exploration of genre theory and contemporary transgender minor literature.

Atalia Israeli-Nevo is an anthropology PhD student at the University of Texas at Austin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781009502214">TransGenre </a>(Cambridge UP, 2025) is a reconsideration of genre theory in long-form fiction through transgender minor literature in the US and Canada. Using four genre sites (the road novel, the mourning novel, the chosen family novel, and the archival novel), this Element considers how the minoritized becomes the minoritarian through deterritorializing generic conventions in fiction to its own ends. In so doing, <em>TransGenre </em>proposes narrative reading practices as strategies of the minor to subvert, transgress, and reappropriate the novel's genealogy and radical future prospects. A range of fiction published in the last decade is deployed as largely self-theorizing, generating its own epistemological, thematic, and formal innovations and possibilities, revealing cisheteronormative underpinnings of generic categories and turning them in on themselves.<br></p>
<p>Aaron Hammes holds a PhD in English from the CUNY Graduate Center, and was most recently the Virginia and Walter Nord Postdoctoral Fellow in the Humanities at Case Western Reserve University. Dr. Hammes has published on sex work, transgender literature, and prison abolition in <em>South Atlantic Review</em>, <em>Women’s Studies Quarterly</em>, the<em> Routledge Handbook of Transgender Literature, Journal of Feminist Scholarship, </em>and <em>GLQ</em>. Their first monograph, <em>TransGenre</em>, (Cambridge, 2025) is an exploration of genre theory and contemporary transgender minor literature.<br></p>
<p><a href="https://liberalarts.utexas.edu/anthropology/gradstudents/ai6492">Atalia Israeli-Nevo</a> is an anthropology PhD student at the University of Texas at Austin.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3577</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[41039598-8165-11f0-8c9a-db62c8761d34]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9526653188.mp3?updated=1756093419" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle P. Brown, "Bede and the Theory of Everything" (Reaktion Books, 2023)</title>
      <description>Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history’. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede’s handwriting, his research programme and his previously lost Old English translation of St John’s Gospel, dictated on his deathbed.

Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 23 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Bede and the Theory of Everything (Reaktion Books, 2023) investigates the life and world of Bede (c. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history’. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous Ecclesiastical History of the English People, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede’s handwriting, his research programme and his previously lost Old English translation of St John’s Gospel, dictated on his deathbed.

Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789147889">Bede and the Theory of Everything</a> (Reaktion Books, 2023) investigates the life and world of Bede (<em>c</em>. 673–735), foremost scholar of the early Middle Ages and ‘the father of English history’. It examines his notable feats, including calculating the first tide-tables; playing a role in the creation of the Ceolfrith Bibles and the Lindisfarne Gospels; writing the earliest extant Old English poetry and the earliest translation of part of the Bible into English; and composing his famous <em>Ecclesiastical History of the English People</em>, with its single dating system. Despite never leaving Northumbria, Bede also wrote a guide to the Holy Land. Michelle P. Brown, an authority on the period, describes new discoveries regarding Bede’s handwriting, his research programme and his previously lost Old English translation of St John’s Gospel, dictated on his deathbed.</p>
<p>Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include <em>Bede and the Theory of</em> <em>Everything</em> (Reaktion, 2023).</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4495</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b952c782-7f29-11f0-bba2-03e80e28181f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5380327551.mp3?updated=1755848766" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathleen Wilson, "Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833" (Cambridge UP, 2022)</title>
      <description>Why did Britons get up a play wherever they went? In Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833 (Cambridge UP, 2022), Dr. Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why did Britons get up a play wherever they went? In Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833 (Cambridge UP, 2022), Dr. Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why did Britons get up a play wherever they went? In <a href="https://bookshop.org/a/12343/9781108479783">Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833</a> (Cambridge UP, 2022), Dr. Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3338</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d65f0404-7db1-11f0-adcf-875903a7343a]]></guid>
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    </item>
    <item>
      <title>Alyssa Battistoni, "Free Gifts: Capitalism and the Politics of Nature" (Princeton UP, 2025)</title>
      <description>Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In Free Gifts, Alyssa Battistoni explores capitalism’s persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature shouldn’t be commodified, but the economic puzzle of why they haven’t been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx’s critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism’s relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism’s own core dynamics in a new light.Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature’s gifts.

Alyssa Battistoni is an Assistant Professor of Political Science at Barnard College in New York City

Alec Fiorini is a ﻿PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>543</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In Free Gifts, Alyssa Battistoni explores capitalism’s persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature shouldn’t be commodified, but the economic puzzle of why they haven’t been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx’s critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism’s relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism’s own core dynamics in a new light.Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature’s gifts.

Alyssa Battistoni is an Assistant Professor of Political Science at Barnard College in New York City

Alec Fiorini is a ﻿PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Capitalism is typically treated as a force for relentless commodification. Yet it consistently fails to place value on vital aspects of the nonhuman world, whether carbon emissions or entire ecosystems. In <em>Free Gifts</em>, Alyssa Battistoni explores capitalism’s persistent failure to value nature, arguing that the key question is not the moral issue of why some kinds of nature <em>shouldn’t </em>be commodified, but the economic puzzle of why they <em>haven’t</em> been. To understand contemporary ecological problems from biodiversity collapse to climate change, she contends, we have to understand how some things come to have value under capitalism—and how others do not. To help us do so, Battistoni recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world, and builds on Karl Marx’s critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism’s relationship to nature not only helps us understand contemporary ecological breakdown, but also casts capitalism’s own core dynamics in a new light.<br>Battistoni addresses four different instances of the free gift in political economic thought, each in a specific domain: natural agents in industry, pollution in the environment, reproductive labor in the household, and natural capital in the biosphere. In so doing, she offers new readings of major twentieth-century thinkers, including Friedrich Hayek, Simone de Beauvoir, Garrett Hardin, Silvia Federici, and Ronald Coase. Ultimately, she offers a novel account of freedom for our ecologically troubled present, developing a materialist existentialism to argue that capitalism limits our ability to be responsible for our relationships to the natural world, and imagining how we might live freely while valuing nature’s gifts.</p>
<p>Alyssa Battistoni is an Assistant Professor of Political Science at Barnard College in New York City</p>
<p>Alec Fiorini is a ﻿PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5519</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a5fa8a46-6c85-11f0-8719-b789a431a374]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8749569793.mp3?updated=1753936588" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd Mcgowan, "Pure Excess: Capitalism and the Commodity" (Columbia UP, 2024)</title>
      <description>Todd McGowan forges a new theory of capitalism as a system based on the production of more than what we need: pure excess. He argues that the promise of more—more wealth, more enjoyment, more opportunity, without requiring any sacrifice—is the essence of capitalism. Previous socioeconomic systems set up some form of the social good as their focus. Capitalism, however, represents a revolutionary turn away from the good and the useful toward excessive growth, which now threatens the habitability of the planet.Drawing on psychoanalytic theory, McGowan shows how the production of commodities explains the role of excess in the workings of capitalism. Capitalism and the commodity ensnare us with the image of the constant fulfillment of our desires—the seductive but unattainable promise of satisfying a longing that has no end. To challenge this system, McGowan turns to art, arguing that it can expose the psychological mechanisms that perpetuate capitalist society and reveal the need for limits. Featuring lively writing and engaging examples from film, literature, and popular culture, Pure Excess uncovers the hidden logic of capitalism—and helps us envision a noncapitalist life in a noncapitalist society.

Todd McGowan teaches theory and film at the University of Vermont. He is the author of Embracing Alienation, The Racist Fantasy, Emancipation After Hegel, Capitalism and Desire, and Only a Joke Can Save Us, among other books. He is also the cohost of the Why Theory podcast with Ryan Engley.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Todd McGowan forges a new theory of capitalism as a system based on the production of more than what we need: pure excess. He argues that the promise of more—more wealth, more enjoyment, more opportunity, without requiring any sacrifice—is the essence of capitalism. Previous socioeconomic systems set up some form of the social good as their focus. Capitalism, however, represents a revolutionary turn away from the good and the useful toward excessive growth, which now threatens the habitability of the planet.Drawing on psychoanalytic theory, McGowan shows how the production of commodities explains the role of excess in the workings of capitalism. Capitalism and the commodity ensnare us with the image of the constant fulfillment of our desires—the seductive but unattainable promise of satisfying a longing that has no end. To challenge this system, McGowan turns to art, arguing that it can expose the psychological mechanisms that perpetuate capitalist society and reveal the need for limits. Featuring lively writing and engaging examples from film, literature, and popular culture, Pure Excess uncovers the hidden logic of capitalism—and helps us envision a noncapitalist life in a noncapitalist society.

Todd McGowan teaches theory and film at the University of Vermont. He is the author of Embracing Alienation, The Racist Fantasy, Emancipation After Hegel, Capitalism and Desire, and Only a Joke Can Save Us, among other books. He is also the cohost of the Why Theory podcast with Ryan Engley.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Todd McGowan forges a new theory of capitalism as a system based on the production of more than what we need: pure excess. He argues that the promise of <em>more</em>—more wealth, more enjoyment, more opportunity, without requiring any sacrifice—is the essence of capitalism. Previous socioeconomic systems set up some form of the social good as their focus. Capitalism, however, represents a revolutionary turn away from the good and the useful toward excessive growth, which now threatens the habitability of the planet.<br>Drawing on psychoanalytic theory, McGowan shows how the production of commodities explains the role of excess in the workings of capitalism. Capitalism and the commodity ensnare us with the image of the constant fulfillment of our desires—the seductive but unattainable promise of satisfying a longing that has no end. To challenge this system, McGowan turns to art, arguing that it can expose the psychological mechanisms that perpetuate capitalist society and reveal the need for limits. Featuring lively writing and engaging examples from film, literature, and popular culture, <em>Pure Excess</em> uncovers the hidden logic of capitalism—and helps us envision a noncapitalist life in a noncapitalist society.</p>
<p>Todd McGowan teaches theory and film at the University of Vermont. He is the author of <em>Embracing Alienation</em>, <em>The Racist Fantasy</em>, <em>Emancipation After Hegel</em>, <em>Capitalism and Desire</em>, and <em>Only a Joke Can Save Us</em>, among other books. He is also the cohost of the <em>Why Theory</em> podcast with Ryan Engley.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3920</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5437471646.mp3?updated=1755357352" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Enrique Dussel, "The Theological Metaphors of Marx" (Duke UP, 2024)–A Conversation with Camilo Pérez-Bustillo and Eduardo Mendieta</title>
      <description>The Theological Metaphors of Marx (Duke UP, 2024) by Enrique Dussel – A Conversation with Camilo Pérez-Bustillo and Eduardo Mendieta

In The Theological Metaphors of Marx, Enrique Dussel provides a groundbreaking combination of Marxology, theology, and ethical theory. Dussel shows that Marx unveils the theology of capitalism in his critique of commodity fetishization. Capitalism constitutes an idolatry of the commodity that undergirds the capitalist expropriation of labor. Dussel examines Marx’s early writings on religion and fetishism and proceeds through what Dussel refers to as the four major drafts of Capital, ultimately situating Marx’s philosophical, economic, ethical, and historical insights in relation to the theological problems of his time. Dussel notes a shift in Marx’s underlying theological schema from a political critique of the state to an economic critique of the commodity fetish as the Devil, or anti-God, of modernity. Marx’s thought, impact, and influence cannot be fully understood without Dussel’s historic reinterpretation of the theological origins and implications of Marx’s critiques of political economy and politics.

Enrique Dussel (1934–2023) was Emeritus Professor, Universidad Autonoma Metropolitana-Iztapalapa, and the author of many books, including Twenty Theses on Politics and Ethics of Liberation: In the Age of Globalization and Exclusion, both also published by Duke University Press.Camilo Pérez-Bustillo is coauthor of Human Rights, Hegemony, and Utopia in Latin America.Eduardo Mendieta is Professor of Philosophy and Latina/o Studies at Pennsylvania State University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Theological Metaphors of Marx (Duke UP, 2024) by Enrique Dussel – A Conversation with Camilo Pérez-Bustillo and Eduardo Mendieta

In The Theological Metaphors of Marx, Enrique Dussel provides a groundbreaking combination of Marxology, theology, and ethical theory. Dussel shows that Marx unveils the theology of capitalism in his critique of commodity fetishization. Capitalism constitutes an idolatry of the commodity that undergirds the capitalist expropriation of labor. Dussel examines Marx’s early writings on religion and fetishism and proceeds through what Dussel refers to as the four major drafts of Capital, ultimately situating Marx’s philosophical, economic, ethical, and historical insights in relation to the theological problems of his time. Dussel notes a shift in Marx’s underlying theological schema from a political critique of the state to an economic critique of the commodity fetish as the Devil, or anti-God, of modernity. Marx’s thought, impact, and influence cannot be fully understood without Dussel’s historic reinterpretation of the theological origins and implications of Marx’s critiques of political economy and politics.

Enrique Dussel (1934–2023) was Emeritus Professor, Universidad Autonoma Metropolitana-Iztapalapa, and the author of many books, including Twenty Theses on Politics and Ethics of Liberation: In the Age of Globalization and Exclusion, both also published by Duke University Press.Camilo Pérez-Bustillo is coauthor of Human Rights, Hegemony, and Utopia in Latin America.Eduardo Mendieta is Professor of Philosophy and Latina/o Studies at Pennsylvania State University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478025771"><em>The Theological Metaphors of Mar</em>x </a>(Duke UP, 2024) by Enrique Dussel – A Conversation with Camilo Pérez-Bustillo and Eduardo Mendieta</p>
<p>In <em>The Theological Metaphors of Marx</em>, Enrique Dussel provides a groundbreaking combination of Marxology, theology, and ethical theory. Dussel shows that Marx unveils the theology of capitalism in his critique of commodity fetishization. Capitalism constitutes an idolatry of the commodity that undergirds the capitalist expropriation of labor. Dussel examines Marx’s early writings on religion and fetishism and proceeds through what Dussel refers to as the four major drafts of <em>Capital</em>, ultimately situating Marx’s philosophical, economic, ethical, and historical insights in relation to the theological problems of his time. Dussel notes a shift in Marx’s underlying theological schema from a political critique of the state to an economic critique of the commodity fetish as the Devil, or anti-God, of modernity. Marx’s thought, impact, and influence cannot be fully understood without Dussel’s historic reinterpretation of the theological origins and implications of Marx’s critiques of political economy and politics.</p>
<p>Enrique Dussel (1934–2023) was Emeritus Professor, Universidad Autonoma Metropolitana-Iztapalapa, and the author of many books, including <em>Twenty Theses on Politics</em> and <em>Ethics of Liberation: In the Age of Globalization and Exclusion</em>, both also published by Duke University Press.<br>Camilo Pérez-Bustillo is coauthor of <em>Human Rights, Hegemony, and Utopia in Latin America</em>.<br>Eduardo Mendieta is Professor of Philosophy and Latina/o Studies at Pennsylvania State University.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a></p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3334</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[062b56dc-78b8-11f0-83f2-539e35ecab1f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5066943352.mp3?updated=1755139464" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Theo Goldberg, "The War on Critical Race Theory: Or, The Remaking of Racism" (Polity Press, 2023)</title>
      <description>The War on Critical Race Theory: Or, The Remaking of Racism (Polity Press, 2023) by David Theo Goldberg discusses how “Critical Race Theory” is consuming conservative America. The mounting attacks on a once-obscure legal theory are upending public schooling, legislating censorship, driving elections, and cleaving communities.

In this much-needed response, renowned scholar David Theo Goldberg cuts to the heart of the claims expressed in these attacks. He punctures the demonization of Critical Race Theory, uncovering who is orchestrating it, funding the assault, and eagerly distributing the message. The book richly illustrates the enduring nature of structural racism, even as a conservative insistence on colorblindness serves to silence the possibility of doing anything about it. Crucially, Goldberg exposes the political aims and effects of the vitriolic attacks. The upshot of CRT’s targeting, he argues, has been to unleash racisms anew and to stymie any attempt to fight them, all with the aim of protecting white minority rule.

David Theo Goldberg is Distinguished Professor at the University of California, Irvine.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The War on Critical Race Theory: Or, The Remaking of Racism (Polity Press, 2023) by David Theo Goldberg discusses how “Critical Race Theory” is consuming conservative America. The mounting attacks on a once-obscure legal theory are upending public schooling, legislating censorship, driving elections, and cleaving communities.

In this much-needed response, renowned scholar David Theo Goldberg cuts to the heart of the claims expressed in these attacks. He punctures the demonization of Critical Race Theory, uncovering who is orchestrating it, funding the assault, and eagerly distributing the message. The book richly illustrates the enduring nature of structural racism, even as a conservative insistence on colorblindness serves to silence the possibility of doing anything about it. Crucially, Goldberg exposes the political aims and effects of the vitriolic attacks. The upshot of CRT’s targeting, he argues, has been to unleash racisms anew and to stymie any attempt to fight them, all with the aim of protecting white minority rule.

David Theo Goldberg is Distinguished Professor at the University of California, Irvine.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781509558544">The War on Critical Race Theory: Or, The Remaking of Racism </a>(Polity Press, 2023) by <a href="https://www.politybooks.com/author-books?author_slug=david-theo-goldberg">David Theo Goldberg</a> discusses how “Critical Race Theory” is consuming conservative America. The mounting attacks on a once-obscure legal theory are upending public schooling, legislating censorship, driving elections, and cleaving communities.</p>
<p>In this much-needed response, renowned scholar David Theo Goldberg cuts to the heart of the claims expressed in these attacks. He punctures the demonization of Critical Race Theory, uncovering who is orchestrating it, funding the assault, and eagerly distributing the message. The book richly illustrates the enduring nature of structural racism, even as a conservative insistence on colorblindness serves to silence the possibility of doing anything about it. Crucially, Goldberg exposes the political aims and effects of the vitriolic attacks. The upshot of CRT’s targeting, he argues, has been to unleash racisms anew and to stymie any attempt to fight them, all with the aim of protecting white minority rule.</p>
<p><strong>David Theo Goldberg</strong> is Distinguished Professor at the University of California, Irvine.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel <a href="https://www.youtube.com/user/a48266/videos">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4523</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[73951de0-7816-11f0-b079-23840de46b11]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5068686350.mp3?updated=1755070625" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bryon L. Garner, "Black Veteranality: Military Service and the Illusion of Inclusive Patriotism" (Routledge, 2025)</title>
      <description>Military service in the United States has long been associated with patriotism. But for Black veterans, this association with patriotism, love for country, is complicated by their experiences with racism and discrimination in the US and both civilians and as members of the military. In Black Veteranality: Military Service and the Illusion of Inclusive Patriotism(Routledge, 2025). Dr. Bryon Garner explores the intersections between race and American patriotism and veteran identity. Drawing from his own service in the US Navy and experiences as a veteran, historical examples, and interviews with other Black veterans, Dr. Garner shows how the Black veteran experience helps illuminate the often undiscussed tensions around race, identity, and inclusion in American patriotism. Black Veteranality is an important opening in conversations about race, military service, and patriotism in the United States.

Please check out Dr. Garner’s podcast “American Paradox: Black Veterans and America 250.”

And you can find a transcript of the interview here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>292</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Military service in the United States has long been associated with patriotism. But for Black veterans, this association with patriotism, love for country, is complicated by their experiences with racism and discrimination in the US and both civilians and as members of the military. In Black Veteranality: Military Service and the Illusion of Inclusive Patriotism(Routledge, 2025). Dr. Bryon Garner explores the intersections between race and American patriotism and veteran identity. Drawing from his own service in the US Navy and experiences as a veteran, historical examples, and interviews with other Black veterans, Dr. Garner shows how the Black veteran experience helps illuminate the often undiscussed tensions around race, identity, and inclusion in American patriotism. Black Veteranality is an important opening in conversations about race, military service, and patriotism in the United States.

Please check out Dr. Garner’s podcast “American Paradox: Black Veterans and America 250.”

And you can find a transcript of the interview here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Military service in the United States has long been associated with patriotism. But for Black veterans, this association with patriotism, love for country, is complicated by their experiences with racism and discrimination in the US and both civilians and as members of the military. In <em>Black Veteranality: Military Service and the Illusion of Inclusive Patriotism</em>(Routledge, 2025). <a href="https://www.linkedin.com/in/bryon-l-garner-phd-908711255/">Dr. Bryon Garner</a> explores the intersections between race and American patriotism and veteran identity. Drawing from his own service in the US Navy and experiences as a veteran, historical examples, and interviews with other Black veterans, Dr. Garner shows how the Black veteran experience helps illuminate the often undiscussed tensions around race, identity, and inclusion in American patriotism. <em>Black Veteranality</em> is an important opening in conversations about race, military service, and patriotism in the United States.</p>
<p>Please check out Dr. Garner’s podcast <a href="https://www.patreon.com/DrBLG">“American Paradox: Black Veterans and America 250.”</a></p>
<p>And you can find a <a href="https://medium.com/@john_armenta/understanding-the-black-veteran-experience-an-interview-with-bryon-garner-9dcf43beac16">transcript of the interview here.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3392</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fa688a7c-75e2-11f0-9186-f3bb0f9b430b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4965659577.mp3?updated=1754828532" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jirí Anger, "Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up" (Bloomsbury, 2024)</title>
      <description>Jiří Anger is a scholar, archivist, and videographic critic devoted, as he says in this interview, to "making weird shapes shine." In this episode of New Books in Film, Anger sits down with Alix Beeston to discuss his award-winning book Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up. 

Anger's book is an experiment in theorizing film "from below," from the perspective of moving-image objects themselves. Its revelatory readings of single frames from the digitized first Czech films by Jan Kríženecký challenge what we think we know about film materials, histories, and spectatorship. These early film objects are defined and deformed by scratches, stains, tears, and shakes that Anger takes seriously as part of an "accidental aesthetics" which reveals the creative potential of material traces and processes — beyond their shaping through human intention.

How does doing film theory from below complicate our understandings of creativity and agency? What forms of scholarly or artistic interventions into film materials does it prompt? What are the ethics of "touching" or manipulating archival objects for the sake of restoration, dissemination, or interpretation? Reflecting on both his written scholarship and videographic practice, Jiří offers thoughtful answers to these and other vexing questions for all who seek to reimagine film history and theory through the archive's preponderance of idiosyncratic forms, disruptive materials, and weird shapes.

Towards a Film Theory from Below is out now with Bloomsbury Academic. Anger builds on the work of the book in A Tale of Two Desktops: The First Czech Films in Parallel Worlds, a new videographic essay coproduced with Veronika Hanáková and Jiří Žák.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jiří Anger is a scholar, archivist, and videographic critic devoted, as he says in this interview, to "making weird shapes shine." In this episode of New Books in Film, Anger sits down with Alix Beeston to discuss his award-winning book Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up. 

Anger's book is an experiment in theorizing film "from below," from the perspective of moving-image objects themselves. Its revelatory readings of single frames from the digitized first Czech films by Jan Kríženecký challenge what we think we know about film materials, histories, and spectatorship. These early film objects are defined and deformed by scratches, stains, tears, and shakes that Anger takes seriously as part of an "accidental aesthetics" which reveals the creative potential of material traces and processes — beyond their shaping through human intention.

How does doing film theory from below complicate our understandings of creativity and agency? What forms of scholarly or artistic interventions into film materials does it prompt? What are the ethics of "touching" or manipulating archival objects for the sake of restoration, dissemination, or interpretation? Reflecting on both his written scholarship and videographic practice, Jiří offers thoughtful answers to these and other vexing questions for all who seek to reimagine film history and theory through the archive's preponderance of idiosyncratic forms, disruptive materials, and weird shapes.

Towards a Film Theory from Below is out now with Bloomsbury Academic. Anger builds on the work of the book in A Tale of Two Desktops: The First Czech Films in Parallel Worlds, a new videographic essay coproduced with Veronika Hanáková and Jiří Žák.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jiří Anger is a scholar, archivist, and videographic critic devoted, as he says in this interview, to "making weird shapes shine." In this episode of New Books in Film, Anger sits down with Alix Beeston to discuss his award-winning book <em>Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up</em>. </p>
<p>Anger's book is an experiment in theorizing film "from below," from the perspective of moving-image objects themselves. Its revelatory readings of single frames from the digitized first Czech films by Jan Kríženecký challenge what we think we know about film materials, histories, and spectatorship. These early film objects are defined and deformed by scratches, stains, tears, and shakes that Anger takes seriously as part of an "accidental aesthetics" which reveals the creative potential of material traces and processes — beyond their shaping through human intention.</p>
<p>How does doing film theory from below complicate our understandings of creativity and agency? What forms of scholarly or artistic interventions into film materials does it prompt? What are the ethics of "touching" or manipulating archival objects for the sake of restoration, dissemination, or interpretation? Reflecting on both his written scholarship and videographic practice, Jiří offers thoughtful answers to these and other vexing questions for all who seek to reimagine film history and theory through the archive's preponderance of idiosyncratic forms, disruptive materials, and weird shapes.</p>
<p><em>Towards a Film Theory from Below</em> is <a href="https://www.bloomsbury.com/uk/towards-a-film-theory-from-below-9798765107263/">out now with Bloomsbury Academic</a>. Anger builds on the work of the book in <a href="https://youtu.be/uZ629gTCTDE?si=Zux-G_SO3CmHN1Jx">A Tale of Two Desktops: The First Czech Films in Parallel Worlds</a>, a new videographic essay coproduced with Veronika Hanáková and Jiří Žák.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3694</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a655e1fe-6805-11f0-87f2-a3cd76158428]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3434507421.mp3?updated=1753920036" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alan M. Wald, "Bohemian Bolsheviks: Dispatches from the Culture and History of the Left" (Brill, 2025)</title>
      <description>For several decades now, Alan Wald has been thoroughly documenting the history of the literature and cultural output of the American left. While his numerous books and essays cover a lot of territory, much of his work is united by an interest in commitment, particularly when it comes to radical politics. What does it mean to commit ones life to a radical political cause, one which may not see anything beyond minor and marginal fractions of success in your lifetime? This question has animated his voluminous writing. On this episode, he joined us to discuss his newest book, Bohemian Bolsheviks: Dispatches from the Culture and History of the Left from the Historical Materialism book series. Clocking in at over 600 pages, this volume collects essays, reviews and reflections published over almost two decades, and offers readers a glimpse into Wald’s attempts to map the lefts literary intelligentsia, all the while raising questions about the tensions and ambiguities of its many members and fellow travelers.

Published in hardback by Brill, with a Haymarket paperback scheduled later.

Alan M. Wald is the H. Chandler Davis Collegiate Professer Emeritus at University of Michigan. His numerous books include The New York Intellectuals: The Rise and Decline of the Anti-Stalinist Left from the 1930s to the 1980s, Trinity of Passion: The Literary Left and the Antifascist Crusade and American Night: The Literary Left in the Era of the Cold War.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>546</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For several decades now, Alan Wald has been thoroughly documenting the history of the literature and cultural output of the American left. While his numerous books and essays cover a lot of territory, much of his work is united by an interest in commitment, particularly when it comes to radical politics. What does it mean to commit ones life to a radical political cause, one which may not see anything beyond minor and marginal fractions of success in your lifetime? This question has animated his voluminous writing. On this episode, he joined us to discuss his newest book, Bohemian Bolsheviks: Dispatches from the Culture and History of the Left from the Historical Materialism book series. Clocking in at over 600 pages, this volume collects essays, reviews and reflections published over almost two decades, and offers readers a glimpse into Wald’s attempts to map the lefts literary intelligentsia, all the while raising questions about the tensions and ambiguities of its many members and fellow travelers.

Published in hardback by Brill, with a Haymarket paperback scheduled later.

Alan M. Wald is the H. Chandler Davis Collegiate Professer Emeritus at University of Michigan. His numerous books include The New York Intellectuals: The Rise and Decline of the Anti-Stalinist Left from the 1930s to the 1980s, Trinity of Passion: The Literary Left and the Antifascist Crusade and American Night: The Literary Left in the Era of the Cold War.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For several decades now, Alan Wald has been thoroughly documenting the history of the literature and cultural output of the American left. While his numerous books and essays cover a lot of territory, much of his work is united by an interest in commitment, particularly when it comes to radical politics. What does it mean to commit ones life to a radical political cause, one which may not see anything beyond minor and marginal fractions of success in your lifetime? This question has animated his voluminous writing. On this episode, he joined us to discuss his newest book, <em>Bohemian Bolsheviks: Dispatches from the Culture and History of the Left</em> from the Historical Materialism book series. Clocking in at over 600 pages, this volume collects essays, reviews and reflections published over almost two decades, and offers readers a glimpse into Wald’s attempts to map the lefts literary intelligentsia, all the while raising questions about the tensions and ambiguities of its many members and fellow travelers.</p>
<p>Published in hardback by <a href="https://brill.com/display/serial/HM?language=en&amp;srsltid=AfmBOoqrxn51CJl-TNHwbpEvPZk6b7KSiJZpbWmX2ZAxU_fYW79WIPg6">Brill</a>, with a <a href="https://www.haymarketbooks.org/series_collections/1-historical-materialism">Haymarket</a> paperback scheduled later.</p>
<p>Alan M. Wald is the H. Chandler Davis Collegiate Professer Emeritus at University of Michigan. His numerous books include <em>The New York Intellectuals: The Rise and Decline of the Anti-Stalinist Left from the 1930s to the 1980s</em>, <em>Trinity of Passion: The Literary Left and the Antifascist Crusade</em> and <em>American Night: The Literary Left in the Era of the Cold War</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6037</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[57a0beb6-7602-11f0-aced-f7b2435e8184]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3951948354.mp3?updated=1754842504" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexandra Freidus, "Unequal Lessons: School Diversity and Educational Inequality in New York City" (NYU Press, 2025)</title>
      <description>Unequal Lessons: School Diversity and Educational Inequality in New York City (NYU Press, 2025) argues that diversity and racial integration efforts are not sufficient to address educational inequality.

New York City schools are among the most segregated in the nation. Yet over seven decades after the Brown v. Board of Education decision, New Yorkers continue to argue about whether school segregation matters. Amid these debates, Alexandra Freidus dives deep into the roots of racial inequality in diversifying schools, asking how we can better understand both the opportunities and the limits of school diversity and integration. Unequal Lessons is based on six years of observations and interviews with children, parents, educators, and district policymakers about the stakes of racial diversity in New York City schools. 

The book examines what children learn from diversity, exploring both the costs and benefits of school integration. By drawing on students’ first-hand experiences, Freidus makes the case that although a focus on diversity offers many benefits to students, it often reinscribes, rather than diminishes, existing inequalities in school policy and practice. The idea of diversity for its own sake is frequently seen as the solution, with students of color presumed to benefit from their experiences with white students, while schools fail to address structural inequality. Though educators and advocates often focus on diversity out of a real desire to make a positive difference in students’ lives, this book makes clear the gaps between good intentions and educational injustice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 10 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>257</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Unequal Lessons: School Diversity and Educational Inequality in New York City (NYU Press, 2025) argues that diversity and racial integration efforts are not sufficient to address educational inequality.

New York City schools are among the most segregated in the nation. Yet over seven decades after the Brown v. Board of Education decision, New Yorkers continue to argue about whether school segregation matters. Amid these debates, Alexandra Freidus dives deep into the roots of racial inequality in diversifying schools, asking how we can better understand both the opportunities and the limits of school diversity and integration. Unequal Lessons is based on six years of observations and interviews with children, parents, educators, and district policymakers about the stakes of racial diversity in New York City schools. 

The book examines what children learn from diversity, exploring both the costs and benefits of school integration. By drawing on students’ first-hand experiences, Freidus makes the case that although a focus on diversity offers many benefits to students, it often reinscribes, rather than diminishes, existing inequalities in school policy and practice. The idea of diversity for its own sake is frequently seen as the solution, with students of color presumed to benefit from their experiences with white students, while schools fail to address structural inequality. Though educators and advocates often focus on diversity out of a real desire to make a positive difference in students’ lives, this book makes clear the gaps between good intentions and educational injustice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Unequal Lessons: School Diversity and Educational Inequality in New York City (NYU Press, 2025) argues that diversity and racial integration efforts are not sufficient to address educational inequality.</p>
<p>New York City schools are among the most segregated in the nation. Yet over seven decades after the Brown v. Board of Education decision, New Yorkers continue to argue about whether school segregation matters. Amid these debates, Alexandra Freidus dives deep into the roots of racial inequality in diversifying schools, asking how we can better understand both the opportunities and the limits of school diversity and integration. Unequal Lessons is based on six years of observations and interviews with children, parents, educators, and district policymakers about the stakes of racial diversity in New York City schools. </p>
<p>The book examines what children learn from diversity, exploring both the costs and benefits of school integration. By drawing on students’ first-hand experiences, Freidus makes the case that although a focus on diversity offers many benefits to students, it often reinscribes, rather than diminishes, existing inequalities in school policy and practice. The idea of diversity for its own sake is frequently seen as the solution, with students of color presumed to benefit from their experiences with white students, while schools fail to address structural inequality. Though educators and advocates often focus on diversity out of a real desire to make a positive difference in students’ lives, this book makes clear the gaps between good intentions and educational injustice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1738</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e0d16f8e-7470-11f0-a00b-432ca39c9d41]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7173026362.mp3?updated=1754669443" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Irvin Weathersby Jr., "In Open Contempt: Confronting White Supremacy in Art and Public Space" (Viking, 2025)</title>
      <description>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 09 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.<br>Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, <em>In Open Contempt </em>(Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.</p>
<p>Find Professor Weathersby at his <a href="https://www.irvinweathersby.com/">website</a>, where you can order <em>In Open Contempt</em>, check out his other writings, and attend upcoming events.</p>
<p>Host Sullivan Summer can be found at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Professor Weathersby continue their conversation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2287185003.mp3?updated=1754565023" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eli Zaretsky, “Political Freud: A History” (Columbia UP, 2015)</title>
      <description>Back in the early 70s, Eli Zaretsky wrote for a socialist newspaper and was engaged to review a recently released book, Psychoanalysis and Feminism by Juliet Mitchell. First, he decided, he’d better read some Freud. This started a life-long engagement with psychoanalysis and leftist politics, and his new book Political Freud: A History (Columbia University Press, 2015) conveys the richness of his decades of reading Freud. Following his 2004 Secrets of the Soul: A Social and Cultural History of Psychoanalysis, Zaretsky’s latest book, some would call it a companion, is comprised of five essays analyzing the complexity of the mutual influencing of capitalism, social/political history, and psychoanalysis, with particular attention to how and whether people conceive of their own interiority as political. (Particularly timely is chapter two: “Beyond the Blues: the Racial Unconscious and Collective Memory” which explores African American intellectual engagement with psychoanalysis as a tool for understanding oppression.) “Whereas introspection did once define an epoch of social and cultural history– the Freudian epoch– there were historical reasons for this, and it was bound to pass” says Zaretsky. But Political Freud is also a compelling argument for how badly we still need a conception of the self–or ego– with a critical and non-normalizing edge.

Eli Zaretsky is a professor of history at The New School, writes and teaches about twentieth-century cultural history, the theory and history of capitalism (especially its social and cultural dimensions), and the history of the family. He is also the author of Why America Needs a Left, Secrets of the Soul: A Social and Cultural History of Psychoanalysis and Capitalism, the Family and Personal Life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 Aug 2025 20:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Back in the early 70s, Eli Zaretsky wrote for a socialist newspaper and was engaged to review a recently released book, Psychoanalysis and Feminism by Juliet Mitchell. First, he decided, he’d better read some Freud. This started a life-long engagement with psychoanalysis and leftist politics, and his new book Political Freud: A History (Columbia University Press, 2015) conveys the richness of his decades of reading Freud. Following his 2004 Secrets of the Soul: A Social and Cultural History of Psychoanalysis, Zaretsky’s latest book, some would call it a companion, is comprised of five essays analyzing the complexity of the mutual influencing of capitalism, social/political history, and psychoanalysis, with particular attention to how and whether people conceive of their own interiority as political. (Particularly timely is chapter two: “Beyond the Blues: the Racial Unconscious and Collective Memory” which explores African American intellectual engagement with psychoanalysis as a tool for understanding oppression.) “Whereas introspection did once define an epoch of social and cultural history– the Freudian epoch– there were historical reasons for this, and it was bound to pass” says Zaretsky. But Political Freud is also a compelling argument for how badly we still need a conception of the self–or ego– with a critical and non-normalizing edge.

Eli Zaretsky is a professor of history at The New School, writes and teaches about twentieth-century cultural history, the theory and history of capitalism (especially its social and cultural dimensions), and the history of the family. He is also the author of Why America Needs a Left, Secrets of the Soul: A Social and Cultural History of Psychoanalysis and Capitalism, the Family and Personal Life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Back in the early 70s, <a href="https://www.newschool.edu/nssr/faculty/?id=4e54-6b31-4f51-3d3d">Eli Zaretsky</a> wrote for a socialist newspaper and was engaged to review a recently released book, Psychoanalysis and Feminism by Juliet Mitchell. First, he decided, he’d better read some Freud. This started a life-long engagement with psychoanalysis and leftist politics, and his new book <a href="http://www.amazon.com/dp/0231172443/?tag=newbooinhis-20">Political Freud: A History</a> (Columbia University Press, 2015) conveys the richness of his decades of reading Freud. Following his 2004 Secrets of the Soul: A Social and Cultural History of Psychoanalysis, Zaretsky’s latest book, some would call it a companion, is comprised of five essays analyzing the complexity of the mutual influencing of capitalism, social/political history, and psychoanalysis, with particular attention to how and whether people conceive of their own interiority as political. (Particularly timely is chapter two: “Beyond the Blues: the Racial Unconscious and Collective Memory” which explores African American intellectual engagement with psychoanalysis as a tool for understanding oppression.) “Whereas introspection did once define an epoch of social and cultural history– the Freudian epoch– there were historical reasons for this, and it was bound to pass” says Zaretsky. But Political Freud is also a compelling argument for how badly we still need a conception of the self–or ego– with a critical and non-normalizing edge.</p><p>
Eli Zaretsky is a professor of history at The New School, writes and teaches about twentieth-century cultural history, the theory and history of capitalism (especially its social and cultural dimensions), and the history of the family. He is also the author of Why America Needs a Left, Secrets of the Soul: A Social and Cultural History of Psychoanalysis and Capitalism, the Family and Personal Life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3413</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinhistory.com/2015/12/02/eli-zaretsky-political-freud-a-history-columbia-up-2015/]]></guid>
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    </item>
    <item>
      <title>Daniel José Gaztambide, "Decolonizing Psychoanalytic Technique: Putting Freud on Fanon's Couch" (Palgrave Macmillan, 2024)</title>
      <description>Both new and seasoned psychotherapists wrestle with the relationship between psychological distress and inequality across race, class, gender, and sexuality. How does one address this organically in psychotherapy? What role does it play in therapeutic action? Who brings it up, the therapist or the patient?

Daniel José Gaztambide addresses these questions by offering a rigorous decolonial approach that rethinks theory and technique from the ground up, providing an accessible, evidence-informed reintroduction to psychoanalytic practice. He re-examines foundational thinkers from three traditions--Freudian, relational-interpersonal, and Lacanian--through the lens of revolutionary psychiatrist Frantz Fanon, and offers a detailed analysis of Fanon's psychoanalytic practice.

Drawing on rich yet grounded discussions of theory and research, Gaztambide presents a clinical model that facilitates exploration of the social in the clinical space in a manner intimately related to the patient's presenting problem. In doing so, this book demonstrates that clinicians no longer have to choose between attending to the personal, interpersonal, or sociopolitical. It is a guide to therapeutic action "on the couch," which envisions political action "off the couch" and in the streets. Decolonizing Psychoanalytic Technique provides a comprehensive, practice-oriented and compelling guide for students, practitioners, and scholars of critical, multicultural and decolonial approaches to psychotherapy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>274</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Both new and seasoned psychotherapists wrestle with the relationship between psychological distress and inequality across race, class, gender, and sexuality. How does one address this organically in psychotherapy? What role does it play in therapeutic action? Who brings it up, the therapist or the patient?

Daniel José Gaztambide addresses these questions by offering a rigorous decolonial approach that rethinks theory and technique from the ground up, providing an accessible, evidence-informed reintroduction to psychoanalytic practice. He re-examines foundational thinkers from three traditions--Freudian, relational-interpersonal, and Lacanian--through the lens of revolutionary psychiatrist Frantz Fanon, and offers a detailed analysis of Fanon's psychoanalytic practice.

Drawing on rich yet grounded discussions of theory and research, Gaztambide presents a clinical model that facilitates exploration of the social in the clinical space in a manner intimately related to the patient's presenting problem. In doing so, this book demonstrates that clinicians no longer have to choose between attending to the personal, interpersonal, or sociopolitical. It is a guide to therapeutic action "on the couch," which envisions political action "off the couch" and in the streets. Decolonizing Psychoanalytic Technique provides a comprehensive, practice-oriented and compelling guide for students, practitioners, and scholars of critical, multicultural and decolonial approaches to psychotherapy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Both new and seasoned psychotherapists wrestle with the relationship between psychological distress and inequality across race, class, gender, and sexuality. How does one address this organically in psychotherapy? What role does it play in therapeutic action? Who brings it up, the therapist or the patient?<br></p>
<p>Daniel José Gaztambide addresses these questions by offering a rigorous decolonial approach that rethinks theory and technique from the ground up, providing an accessible, evidence-informed reintroduction to psychoanalytic practice. He re-examines foundational thinkers from three traditions--Freudian, relational-interpersonal, and Lacanian--through the lens of revolutionary psychiatrist Frantz Fanon, and offers a detailed analysis of Fanon's psychoanalytic practice.</p>
<p>Drawing on rich yet grounded discussions of theory and research, Gaztambide presents a clinical model that facilitates exploration of the social in the clinical space in a manner intimately related to the patient's presenting problem. In doing so, this book demonstrates that clinicians no longer have to choose between attending to the personal, interpersonal, or sociopolitical. It is a guide to therapeutic action "on the couch," which envisions political action "off the couch" and in the streets. <em>Decolonizing Psychoanalytic Technique</em> provides a comprehensive, practice-oriented and compelling guide for students, practitioners, and scholars of critical, multicultural and decolonial approaches to psychotherapy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3642</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7e401444-6d75-11f0-bc96-9b8b388fe8e5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8776299812.mp3?updated=1753916963" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Marx, "Libraries of the Mind" (Princeton UP, 2025)</title>
      <description>Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach’s—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library.

William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 03 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>545</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach’s—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library.

William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Erich Auerbach wrote his classic work <em>Mimesis</em>, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach’s—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.<br>Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library.</p>
<p><a href="https://press.princeton.edu/taxonomy/term/28437">William Marx</a> is professor of comparative literature at the Collège de France. He is the author of <em>The Hatred of Literature</em>,<em> The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic</em>, and other books.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3938</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[520474e4-6e31-11f0-afc7-e3ca85f6df51]]></guid>
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    </item>
    <item>
      <title>Sarah E. K. Smith, "Trading on Art: Cultural Diplomacy and Free Trade in North America" (UBC Press, 2025)</title>
      <description>hat is the relationship between culture and trade? In Trading on Art: Cultural Diplomacy and Free Trade in North America Sarah E. K. Smith, an Associate Professor in the Faculty of Information and Media Studies at Western University and the Canada Research Chair (Tier 2) in Art, Culture and Global Relations, examines the history of cultural relations between Canada, the USA and Mexico at the turn of the twenty-first century. The book considers how North America was conceptualised by cultural practices such as art and video, as well as how the arts engaged and responded to free trade agreements in that period. As the world confronts a very different trading and cultural context, the book is essential reading for anyone interested in the future, as well as the past, of cross-national cultural exchange. The book will also be available open access in 2026
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 02 Aug 2025 08:05:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>544</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>hat is the relationship between culture and trade? In Trading on Art: Cultural Diplomacy and Free Trade in North America Sarah E. K. Smith, an Associate Professor in the Faculty of Information and Media Studies at Western University and the Canada Research Chair (Tier 2) in Art, Culture and Global Relations, examines the history of cultural relations between Canada, the USA and Mexico at the turn of the twenty-first century. The book considers how North America was conceptualised by cultural practices such as art and video, as well as how the arts engaged and responded to free trade agreements in that period. As the world confronts a very different trading and cultural context, the book is essential reading for anyone interested in the future, as well as the past, of cross-national cultural exchange. The book will also be available open access in 2026
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>hat is the relationship between culture and trade? In <a href="https://www.ubcpress.ca/trading-on-art">Trading on Art: Cultural Diplomacy and Free Trade in North America</a> <a href="https://bsky.app/profile/smithsarah.bsky.social">Sarah E. K. Smith</a>, an <a href="https://saraheksmith.com/about/">Associate Professor</a> in the Faculty of Information and Media Studies at Western University and the <a href="https://www.fims.uwo.ca/research/fellowships_chairs/canada_research_chair.html">Canada Research Chair (Tier 2) in Art, Culture and Global Relations</a>, examines the history of cultural relations between Canada, the USA and Mexico at the turn of the twenty-first century. The book considers how North America was conceptualised by cultural practices such as art and video, as well as how the arts engaged and responded to free trade agreements in that period. As the world confronts a very different trading and cultural context, the book is essential reading for anyone interested in the future, as well as the past, of cross-national cultural exchange. The book will also be available open access in 2026</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2040</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Philip Cunliffe, "The National Interest: Politics After Globalization" (Polity Press, 2025)</title>
      <description>Globalization is over. With US president Donald Trump pursuing an 'America First' agenda in trade and foreign policy, everyone now recognises the urgency of defending their own country's national interest. But what is the national interest and why did it disappear from the political agenda? Will Trump restore American national interests, or will he betray them? How might we know the difference?

The National Interest: Politics After Globalization (Polity Press, 2025) answers these questions. It explains how and why globalist political leaders and bureaucrats abandoned the national interest over the past thirty years. Even today, many of our elites still sneer at the concept as an anachronism in an age of global environmental collapse and 'polycrisis'. But without it, there can be no political representation, and without representation there can be no democratic accountability. The national interest can be revived as part of a strategy of nation-building and national rebirth. This book makes the case for such a revival, heralding a new era of democratic renewal and international cooperation.

Philip Cunliffe is Associate Professor of International Relations at the Department of Risk and Disaster Reduction, University College London.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 02 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Globalization is over. With US president Donald Trump pursuing an 'America First' agenda in trade and foreign policy, everyone now recognises the urgency of defending their own country's national interest. But what is the national interest and why did it disappear from the political agenda? Will Trump restore American national interests, or will he betray them? How might we know the difference?

The National Interest: Politics After Globalization (Polity Press, 2025) answers these questions. It explains how and why globalist political leaders and bureaucrats abandoned the national interest over the past thirty years. Even today, many of our elites still sneer at the concept as an anachronism in an age of global environmental collapse and 'polycrisis'. But without it, there can be no political representation, and without representation there can be no democratic accountability. The national interest can be revived as part of a strategy of nation-building and national rebirth. This book makes the case for such a revival, heralding a new era of democratic renewal and international cooperation.

Philip Cunliffe is Associate Professor of International Relations at the Department of Risk and Disaster Reduction, University College London.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Globalization is over. With US president Donald Trump pursuing an 'America First' agenda in trade and foreign policy, everyone now recognises the urgency of defending their own country's national interest. But what is the national interest and why did it disappear from the political agenda? Will Trump restore American national interests, or will he betray them? How might we know the difference?</p>
<p><a href="https://bookshop.org/a/12343/9781509561100">The National Interest: Politics After Globalization</a><em> </em>(Polity Press, 2025) answers these questions. It explains how and why globalist political leaders and bureaucrats abandoned the national interest over the past thirty years. Even today, many of our elites still sneer at the concept as an anachronism in an age of global environmental collapse and 'polycrisis'. But without it, there can be no political representation, and without representation there can be no democratic accountability. The national interest <em>can</em> be revived as part of a strategy of nation-building and national rebirth. This book makes the case for such a revival, heralding a new era of democratic renewal and international cooperation.</p>
<p>Philip Cunliffe is Associate Professor of International Relations at the Department of Risk and Disaster Reduction, University College London.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3508</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18f08f84-6e6e-11f0-8652-abd911869975]]></guid>
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    </item>
    <item>
      <title>Chris Washington, "Nonbinary Jane Austen" (U Minnesota Press, 2025)</title>
      <description>﻿In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility.

Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley’s The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy.

Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 02 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility.

Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley’s The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy.

Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022)
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿In <em>Nonbinary Jane Austen, </em>Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility.</p>
<p>Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley’s <em>The Last Man</em> and is the author of <em>Nonbinary Jane Austen</em>, <em>Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene</em> (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy.</p>
<p>Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of <em>Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? </em>(Routledge, 2022)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Martin Shuster, "Critical Theory: The Basics" (Routledge, 2024)</title>
      <description>Why does critical theory matter today? In Critical Theory: The Basics ﻿(Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world.

﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why does critical theory matter today? In Critical Theory: The Basics ﻿(Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world.

﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does critical theory matter today? In <a href="https://www.routledge.com/Critical-Theory-The-Basics/Shuster/p/book/9781032061566">Critical Theory: The Basics</a><em> </em>﻿(Routledge, 2024), <a href="https://pages.charlotte.edu/martinshuster/">Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte</a>, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world.</p>
<p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien">Dave O'Brien</a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2557</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d945e10-6d64-11f0-a04a-9bd7dceaa5d8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8000650178.mp3?updated=1753935298" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dan-el Padilla Peralta, "Classicism and Other Phobias" (Princeton UP, 2025)</title>
      <description>Classicism and Other Phobias (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people.

Dan-el Padilla Peralta is professor of classics at Princeton University.

Caleb Zakarin is editor of the New Books Network.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 31 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Classicism and Other Phobias (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people.

Dan-el Padilla Peralta is professor of classics at Princeton University.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780691266183">Classicism and Other Phobias</a> (Princeton University Press, 2025) shows how the concept of “classicism” lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism—one of insurgence, fugitivity, and emancipation—is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as “the classical” comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people.</p>
<p>Dan-el Padilla Peralta is professor of classics at Princeton University.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3052</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ab0291e-6be4-11f0-800f-839ffa859a31]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6260575195.mp3?updated=1753726872" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas M. Kemple, "Marx's Wager: Das Kapital and Classical Sociology" (Palgrave MacMillan, 2022)</title>
      <description>Marx’s Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road’ to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind.
Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean’s reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx’s quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx’s work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed.
Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber’s Calling and most recently Simmel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>339</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas M. Kemple</itunes:subtitle>
      <itunes:summary>Marx’s Capital looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road’ to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind.
Against this, Thomas Kemple in his new book Marx's Wager: Das Kapital and Classical Sociology (Palgrave MacMillan, 2022) argues that understanding Capital mean’s reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx’s quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx’s work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed.
Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including Reading Marx Writing: Melodrama, the Market and the Grundrisse, Intellectual Work and the Spirit of Capitalism: Weber’s Calling and most recently Simmel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marx’s <em>Capital</em> looms large today, a century and a half after first publication, a massive tome that attempts to document and map out the dynamics of a society consumed by capital accumulation. The complexity and scope, as well as its voluminous incompleteness upon his death, have left many readers perplexed, looking for a ‘royal road’ to comprehension. However, this has led to a number of misreadings, with commentators often trying to pick at what they assume is the core of the text, leaving the rest behind.</p><p>Against this, Thomas Kemple in his new book <a href="https://bookshop.org/a/12343/9783031080647"><em>Marx's Wager: Das Kapital and Classical Sociology</em></a><em> </em>(Palgrave MacMillan, 2022) argues that understanding <em>Capital</em> mean’s reading it not just for the economic equations, but the social and moral insights as well. Rather than see Marx’s quotations of literature and poetry as an embellishment to spice up the economic analysis, he sees it performing moral and analytic work as well, allowing Marx to explore the nature of capitalism at a much broader level than narrow economics will allow. Putting Marx in dialogue with his contemporaries, particularly Durkheim, Weber and Simmel, Kemple finds Marx’s work to be much more dynamic and comprehensive than many of his readers have previously realized. This little book offers close textual analysis that will enable readers to approach Marx with fresh eyes, seeing elements of their society and themselves in the text that may have previously gone unnoticed.</p><p>Thomas Kemple is a professor of sociology at the University of British Columbia. He is the author of several books, including <em>Reading Marx Writing: Melodrama, the Market and the Grundrisse</em>, <em>Intellectual Work and the Spirit of Capitalism: Weber’s Calling</em> and most recently <em>Simmel</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4200</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[16a85104-7bd1-11ed-a98b-5fb28e93bc67]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4149339513.mp3?updated=1753916823" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Stauch, "Wildcat of the Streets: Detroit in the Age of Community Policing" (U Pennsylvania Press, 2025)</title>
      <description>The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. Wildcat of the Streets documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation’s symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression.

In response, young people in the 1970s and 1980s drew on the city’s storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing.

Centering the perspective of criminalized and crime-committing young people, Wildcat of the Streets is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing.

Guest: Michael Stauch (he/him) is an Associate Professor at the University of Toledo. He historian of the modern United States with a focus on policing, politics, and the intersection of race, labor, and youth in social movements.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1594</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. Wildcat of the Streets documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation’s symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression.

In response, young people in the 1970s and 1980s drew on the city’s storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing.

Centering the perspective of criminalized and crime-committing young people, Wildcat of the Streets is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing.

Guest: Michael Stauch (he/him) is an Associate Professor at the University of Toledo. He historian of the modern United States with a focus on policing, politics, and the intersection of race, labor, and youth in social movements.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: https://scholars.duke.edu/pers...

Linktree: https://linktr.ee/jennapittman
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. <em>Wildcat of the Streets</em> documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation’s symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression.</p>
<p>In response, young people in the 1970s and 1980s drew on the city’s storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing.</p>
<p>Centering the perspective of criminalized and crime-committing young people, <em>Wildcat of the Streets</em> is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing.</p>
<p><strong>Guest:</strong> Michael Stauch (he/him) is an Associate Professor at the University of Toledo. He historian of the modern United States with a focus on policing, politics, and the intersection of race, labor, and youth in social movements.</p>
<p><strong>Host:</strong> <a href="https://scholars.duke.edu/person/Jenna.Pittman">Jenna Pittman </a>(she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.</p>
<p>Scholars@Duke: <a href="https://scholars.duke.edu/person/Jenna.Pittman">https://scholars.duke.edu/pers...</a></p>
<p>Linktree: <a href="https://linktr.ee/jennapittman">https://linktr.ee/jennapittman</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3909</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b73d2824-6954-11f0-bd97-2b38a96faa7d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2355992144.mp3?updated=1753939201" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ela Przybylo, "Ungendering Menstruation" (U Minnesota Press, 2025)</title>
      <description>Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 21 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Ungendering Menstruation</em> by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2435</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9ffc09ec-657f-11f0-b0ce-cf162c8db926]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6065935918.mp3?updated=1753933482" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sabrina L. Hom, "Critical Mixed Race Philosophy: Rethinking Kinship and Identity" (Lexington Books, 2025)</title>
      <description>What are dominant narratives of mixed race identity? What are those narratives doing, in everyday life and within philosophical discourse? How can attending to the narratives and actions of people who identify as mixed race not just interrupt these dominant narratives, but change our understandings of ancestry, race, sexuality, and much more? In Critical Mixed Race Philosophy: Rethinking Kinship and Identity (Lexington Books, 2025), Sabrina L. Hom tackles these questions to argue for the view that many mixed race people have taken up their positioning within and between racial groups in critical and transformative ways. If we disrupt the dominant tropes of objectifying mixed race people, Hom shows us, to attend to what they say and do, we can find a critical standpoint that adds much to our thinking about and collective action in regards to kinship, embodiment, and identity.

﻿Sabrina L. Hom is associate professor of philosophy and affiliate faculty of women's and gender studies at Georgia College and State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 19 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What are dominant narratives of mixed race identity? What are those narratives doing, in everyday life and within philosophical discourse? How can attending to the narratives and actions of people who identify as mixed race not just interrupt these dominant narratives, but change our understandings of ancestry, race, sexuality, and much more? In Critical Mixed Race Philosophy: Rethinking Kinship and Identity (Lexington Books, 2025), Sabrina L. Hom tackles these questions to argue for the view that many mixed race people have taken up their positioning within and between racial groups in critical and transformative ways. If we disrupt the dominant tropes of objectifying mixed race people, Hom shows us, to attend to what they say and do, we can find a critical standpoint that adds much to our thinking about and collective action in regards to kinship, embodiment, and identity.

﻿Sabrina L. Hom is associate professor of philosophy and affiliate faculty of women's and gender studies at Georgia College and State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are dominant narratives of mixed race identity? What are those narratives doing, in everyday life and within philosophical discourse? How can attending to the narratives and actions of people who identify as mixed race not just interrupt these dominant narratives, but change our understandings of ancestry, race, sexuality, and much more? In <a href="https://bookshop.org/a/12343/9781666962505">Critical Mixed Race Philosophy: Rethinking Kinship and Identity</a><em> </em>(Lexington Books, 2025), Sabrina L. Hom tackles these questions to argue for the view that many mixed race people have taken up their positioning within and between racial groups in critical and transformative ways. If we disrupt the dominant tropes of objectifying mixed race people, Hom shows us, to attend to what they say and do, we can find a critical standpoint that adds much to our thinking about and collective action in regards to kinship, embodiment, and identity.</p>
<p>﻿Sabrina L. Hom is associate professor of philosophy and affiliate faculty of women's and gender studies at Georgia College and State University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bbe0dc12-6365-11f0-90f6-1f920c27f8a4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4519130532.mp3?updated=1749840948" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dayna Bowen Matthew, "Just Health: Treating Structural Racism to Heal America" (NYU Press, 2022)</title>
      <description>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book ﻿Just Health: Treating Structural Racism to Heal America (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.
Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 19 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>610</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dayna Bowen Matthew</itunes:subtitle>
      <itunes:summary>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book ﻿Just Health: Treating Structural Racism to Heal America (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.
Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book ﻿<a href="https://bookshop.org/a/12343/9781479802661"><em>Just Health: Treating Structural Racism to Heal America</em></a> (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.</p><p>Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.</p><p><em>Emma R. Handschke assisted in the production of this podcast.</em></p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2813</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[567f3f52-63de-11f0-b985-ef2c63ad3af0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7676911346.mp3?updated=1655990306" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Triauna Carey, "The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance" (Lexington Books, 2024)</title>
      <description>The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance (Lexington Books, 2024) investigates the rhetorical strategies present in mainstream popular music and how those strategies are implemented to empower resistance. Case studies across the genres of popular music in the West are surveyed throughout the book to consider the power of music as a rhetorical tool during cultural flashpoints and times of crisis. Carey analyzes songs such as “This is America” by Childish Gambino, “Alien Superstar” by Beyoncé, “Thought Contagion” by Muse, and more to consider the impact of contemporary music on culture and social justice movements. Scholars of rhetoric and composition, communication, cultural studies, and ethnomusicology will find this book particularly interesting.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>288</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance (Lexington Books, 2024) investigates the rhetorical strategies present in mainstream popular music and how those strategies are implemented to empower resistance. Case studies across the genres of popular music in the West are surveyed throughout the book to consider the power of music as a rhetorical tool during cultural flashpoints and times of crisis. Carey analyzes songs such as “This is America” by Childish Gambino, “Alien Superstar” by Beyoncé, “Thought Contagion” by Muse, and more to consider the impact of contemporary music on culture and social justice movements. Scholars of rhetoric and composition, communication, cultural studies, and ethnomusicology will find this book particularly interesting.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781666946581">The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance</a> (Lexington Books, 2024) investigates the rhetorical strategies present in mainstream popular music and how those strategies are implemented to empower resistance. Case studies across the genres of popular music in the West are surveyed throughout the book to consider the power of music as a rhetorical tool during cultural flashpoints and times of crisis. Carey analyzes songs such as “This is America” by Childish Gambino, “Alien Superstar” by Beyoncé, “Thought Contagion” by Muse, and more to consider the impact of contemporary music on culture and social justice movements. Scholars of rhetoric and composition, communication, cultural studies, and ethnomusicology will find this book particularly interesting.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2947</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[52bf122a-6325-11f0-a4c1-634d65f3fa7e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2546043927.mp3?updated=1753937146" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Renay Richardson and Arisa Loomba, "Human Resources: Slavery and the Making of Modern Britain" (Profile Books, 2025)</title>
      <description>Ordinary items take on new meanings when you cast them in different light. The origins of tea, coffee and sugar are well known, but when you discover that gym treadmills were pioneered on plantations or that denim jeans were once clothing for enslaved people, you can't help but ask where else the legacy of slavery hides in plain sight.

Through the stories of thirty-nine everyday places and objects, in Human Resources: Slavery and the Making of Modern Britain – in 39 Institutions, People, Places and Things (Profile, 2025) Renay Richardson and Arisa Loomba unpick the threads of the history that we never learned in school, revealing the truth of how Britain's present is bound to a darker past.

Taking us from art galleries to football stands, banks to hospitals, from grand country houses to the backs of our kitchen cupboards, Human Resources is an eye-opening inquiry that gives a voice to the enslaved people who built modern Britain.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 15 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ordinary items take on new meanings when you cast them in different light. The origins of tea, coffee and sugar are well known, but when you discover that gym treadmills were pioneered on plantations or that denim jeans were once clothing for enslaved people, you can't help but ask where else the legacy of slavery hides in plain sight.

Through the stories of thirty-nine everyday places and objects, in Human Resources: Slavery and the Making of Modern Britain – in 39 Institutions, People, Places and Things (Profile, 2025) Renay Richardson and Arisa Loomba unpick the threads of the history that we never learned in school, revealing the truth of how Britain's present is bound to a darker past.

Taking us from art galleries to football stands, banks to hospitals, from grand country houses to the backs of our kitchen cupboards, Human Resources is an eye-opening inquiry that gives a voice to the enslaved people who built modern Britain.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ordinary items take on new meanings when you cast them in different light. The origins of tea, coffee and sugar are well known, but when you discover that gym treadmills were pioneered on plantations or that denim jeans were once clothing for enslaved people, you can't help but ask where else the legacy of slavery hides in plain sight.</p>
<p>Through the stories of thirty-nine everyday places and objects, in <em>Human Resources: Slavery and the Making of Modern Britain – in 39 Institutions, People, Places and Things</em> (Profile, 2025) Renay Richardson and Arisa Loomba unpick the threads of the history that we never learned in school, revealing the truth of how Britain's present is bound to a darker past.</p>
<p>Taking us from art galleries to football stands, banks to hospitals, from grand country houses to the backs of our kitchen cupboards, <em>Human Resources</em> is an eye-opening inquiry that gives a voice to the enslaved people who built modern Britain.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3830</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f12ca916-60ca-11f0-afc1-d3f7361fd625]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9701771497.mp3?updated=1752510036" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth Popp Berman, "Thinking like an Economist: How Efficiency Replaced Equality in U.S. Public Policy" (Princeton UP, 2022)</title>
      <description>For decades, Democratic politicians have frustrated progressives by tinkering around the margins of policy while shying away from truly ambitious change. What happened to bold political vision on the left, and what shrunk the very horizons of possibility? In Thinking like an Economist, Elizabeth Popp Berman tells the story of how a distinctive way of thinking—an “economic style of reasoning”—became dominant in Washington between the 1960s and the 1980s and how it continues to dramatically narrow debates over public policy today.

Introduced by liberal technocrats who hoped to improve government, this way of thinking was grounded in economics but also transformed law and policy. At its core was an economic understanding of efficiency, and its advocates often found themselves allied with Republicans and in conflict with liberal Democrats who argued for rights, equality, and limits on corporate power. By the Carter administration, economic reasoning had spread throughout government policy and laws affecting poverty, healthcare, antitrust, transportation, and the environment. Fearing waste and overspending, liberals reined in their ambitions for decades to come, even as Reagan and his Republican successors argued for economic efficiency only when it helped their own goals.A compelling account that illuminates what brought American politics to its current state, Thinking like an Economist also offers critical lessons for the future. With the political left resurgent today, Democrats seem poised to break with the past—but doing so will require abandoning the shibboleth of economic efficiency and successfully advocating new ways of thinking about policy.

Elizabeth Popp Berman is Director and Richard H. Price Professor of Organizational Studies at the University of Michigan and the author of Creating the Market University: How Academic Science Became an Economic Engine (Princeton).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For decades, Democratic politicians have frustrated progressives by tinkering around the margins of policy while shying away from truly ambitious change. What happened to bold political vision on the left, and what shrunk the very horizons of possibility? In Thinking like an Economist, Elizabeth Popp Berman tells the story of how a distinctive way of thinking—an “economic style of reasoning”—became dominant in Washington between the 1960s and the 1980s and how it continues to dramatically narrow debates over public policy today.

Introduced by liberal technocrats who hoped to improve government, this way of thinking was grounded in economics but also transformed law and policy. At its core was an economic understanding of efficiency, and its advocates often found themselves allied with Republicans and in conflict with liberal Democrats who argued for rights, equality, and limits on corporate power. By the Carter administration, economic reasoning had spread throughout government policy and laws affecting poverty, healthcare, antitrust, transportation, and the environment. Fearing waste and overspending, liberals reined in their ambitions for decades to come, even as Reagan and his Republican successors argued for economic efficiency only when it helped their own goals.A compelling account that illuminates what brought American politics to its current state, Thinking like an Economist also offers critical lessons for the future. With the political left resurgent today, Democrats seem poised to break with the past—but doing so will require abandoning the shibboleth of economic efficiency and successfully advocating new ways of thinking about policy.

Elizabeth Popp Berman is Director and Richard H. Price Professor of Organizational Studies at the University of Michigan and the author of Creating the Market University: How Academic Science Became an Economic Engine (Princeton).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For decades, Democratic politicians have frustrated progressives by tinkering around the margins of policy while shying away from truly ambitious change. What happened to bold political vision on the left, and what shrunk the very horizons of possibility? In <em>Thinking like an Economist</em>, Elizabeth Popp Berman tells the story of how a distinctive way of thinking—an “economic style of reasoning”—became dominant in Washington between the 1960s and the 1980s and how it continues to dramatically narrow debates over public policy today.</p>
<p><br>Introduced by liberal technocrats who hoped to improve government, this way of thinking was grounded in economics but also transformed law and policy. At its core was an economic understanding of efficiency, and its advocates often found themselves allied with Republicans and in conflict with liberal Democrats who argued for rights, equality, and limits on corporate power. By the Carter administration, economic reasoning had spread throughout government policy and laws affecting poverty, healthcare, antitrust, transportation, and the environment. Fearing waste and overspending, liberals reined in their ambitions for decades to come, even as Reagan and his Republican successors argued for economic efficiency only when it helped their own goals.<br>A compelling account that illuminates what brought American politics to its current state, <em>Thinking like an Economist </em>also offers critical lessons for the future. With the political left resurgent today, Democrats seem poised to break with the past—but doing so will require abandoning the shibboleth of economic efficiency and successfully advocating new ways of thinking about policy.</p>
<p><strong>Elizabeth Popp Berman</strong> is Director and Richard H. Price Professor of Organizational Studies at the University of Michigan and the author of <em>Creating the Market University: How Academic Science Became an Economic Engine</em> (Princeton).</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a><em>. </em><a href="https://twitter.com/TalkArtCulture">Twitter</a><em>.</em></p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3056</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[703324aa-6009-11f0-819a-77b00b373cc6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9239756932.mp3?updated=1752425475" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Bullshit in Politics</title>
      <description>Today we’re continuing our series on philosopher Harry Frankfurt’s seminal work, On Bullshit. Our guest is Michael Patrick Lynch, Provost Professor of the Humanities and Board of Trustees Distinguished Professor of Philosophy at the University of Connecticut. Michael is the author of the recently published book, On Truth in Politics: Why Democracy Demands It (Princeton University Press, 2025). The topic of our discussion today will be on bullshit in politics, and how we might think about ways to combat it.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 12 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/29c92790-5de2-11f0-a92e-5f3af70281de/image/ea2a49c4e9c23e97f5c24000b77ee81a.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today we’re continuing our series on philosopher Harry Frankfurt’s seminal work, On Bullshit. Our guest is Michael Patrick Lynch, Provost Professor of the Humanities and Board of Trustees Distinguished Professor of Philosophy at the University of Connecticut. Michael is the author of the recently published book, On Truth in Politics: Why Democracy Demands It (Princeton University Press, 2025). The topic of our discussion today will be on bullshit in politics, and how we might think about ways to combat it.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we’re continuing our series on philosopher Harry Frankfurt’s seminal work, On Bullshit. Our guest is Michael Patrick Lynch, Provost Professor of the Humanities and Board of Trustees Distinguished Professor of Philosophy at the University of Connecticut. Michael is the author of the recently published book, <a href="https://bookshop.org/a/12343/9780691231938">On Truth in Politics: Why Democracy Demands It </a>(Princeton University Press, 2025). The topic of our discussion today will be on bullshit in politics, and how we might think about ways to combat it.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1980</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[984c3252-5de2-11f0-be47-7f3adf6838a6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2577794209.mp3?updated=1752188940" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Noëlle McAfee, "Fear of Breakdown: Psychoanalysis and Politics" (Columbia UP, 2019)</title>
      <description>In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott, Noëlle McAfee’s Fear of Breakdown: Psychoanalysis and Politics (Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy.
Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money’s worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will.
Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right?  It seems there is something about democracy that frightens the shit out of us.
Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother’s other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss.
Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage?
Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself’,” to quote Adrienne Rich, “and not the myth?”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened...</itunes:subtitle>
      <itunes:summary>In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott, Noëlle McAfee’s Fear of Breakdown: Psychoanalysis and Politics (Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy.
Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money’s worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will.
Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right?  It seems there is something about democracy that frightens the shit out of us.
Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother’s other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss.
Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage?
Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself’,” to quote Adrienne Rich, “and not the myth?”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott,<a href="http://philosophy.emory.edu/home/people/faculty/mcafee-noelle.html"> Noëlle McAfee</a>’s <a href="https://www.amazon.com/dp/023119269X/?tag=newbooinhis-20"><em>Fear of Breakdown: Psychoanalysis and Politics</em></a><em> </em>(Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy.</p><p>Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money’s worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will.</p><p>Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right?  It seems there is something about democracy that frightens the shit out of us.</p><p>Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother’s other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss.</p><p>Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage?</p><p>Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself’,” to quote Adrienne Rich, “and not the myth?”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3428</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7e72b074-5e99-11f0-a9bf-3b1ec6aac6ac]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5261462686.mp3?updated=1752268037" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carl Rhodes, "Stinking Rich: The Four Myths of the Good Billionaire" (Policy Press, 2025)</title>
      <description>Billionaires are an ultra-elite social class whose numbers are growing alongside their obscene wealth while others struggle, suffer or even die.

They represent a scourge of economic inequality, but how do they get away with it? A set of dangerous and deceptive inter-connected myths portrays them as a ‘force for good’:


  -the ‘heroic billionaire’ asserts they are gallant protagonists of the American Dream gone global

  -the ‘generous billionaire’ pretends that their philanthropic efforts and personal good deeds should be lauded for generosity and benevolence

  -the ‘meritorious billionaire’ insists that extreme wealth is a worthy reward for individual hard work and talent

  -the ‘vigilante billionaire’ claims to be able to solve the world’s biggest problems where bureaucrats and politicians have failed.


Each of these myths enables billionaire wealth and power to set us back to old-style feudalism and plutocracy.

Offering a trenchant critique, Stinking Rich: The Four Myths of the Good Billionaire (Policy Press, 2025)testifies to the growing international political will to take concrete actions in supporting economic justice and democratic equality.

Carl Rhodes is Professor of Organization Studies at the University of Technology Sydney. He researches the ethical and democratic dimensions of business and work. Carl regularly writes for the mainstream and independent press on issues related to ethics, politics and the economy.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>543</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carl Rhodes</itunes:subtitle>
      <itunes:summary>Billionaires are an ultra-elite social class whose numbers are growing alongside their obscene wealth while others struggle, suffer or even die.

They represent a scourge of economic inequality, but how do they get away with it? A set of dangerous and deceptive inter-connected myths portrays them as a ‘force for good’:


  -the ‘heroic billionaire’ asserts they are gallant protagonists of the American Dream gone global

  -the ‘generous billionaire’ pretends that their philanthropic efforts and personal good deeds should be lauded for generosity and benevolence

  -the ‘meritorious billionaire’ insists that extreme wealth is a worthy reward for individual hard work and talent

  -the ‘vigilante billionaire’ claims to be able to solve the world’s biggest problems where bureaucrats and politicians have failed.


Each of these myths enables billionaire wealth and power to set us back to old-style feudalism and plutocracy.

Offering a trenchant critique, Stinking Rich: The Four Myths of the Good Billionaire (Policy Press, 2025)testifies to the growing international political will to take concrete actions in supporting economic justice and democratic equality.

Carl Rhodes is Professor of Organization Studies at the University of Technology Sydney. He researches the ethical and democratic dimensions of business and work. Carl regularly writes for the mainstream and independent press on issues related to ethics, politics and the economy.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Billionaires are an ultra-elite social class whose numbers are growing alongside their obscene wealth while others struggle, suffer or even die.</p>
<p>They represent a scourge of economic inequality, but how do they get away with it? A set of dangerous and deceptive inter-connected myths portrays them as a ‘force for good’:</p>
<ul>
  <li>-the ‘heroic billionaire’ asserts they are gallant protagonists of the American Dream gone global</li>
  <li>-the ‘generous billionaire’ pretends that their philanthropic efforts and personal good deeds should be lauded for generosity and benevolence</li>
  <li>-the ‘meritorious billionaire’ insists that extreme wealth is a worthy reward for individual hard work and talent</li>
  <li>-the ‘vigilante billionaire’ claims to be able to solve the world’s biggest problems where bureaucrats and politicians have failed.</li>
</ul>
<p>Each of these myths enables billionaire wealth and power to set us back to old-style feudalism and plutocracy.</p>
<p>Offering a trenchant critique, <a href="https://bookshop.org/a/12343/9781529239119">Stinking Rich: The Four Myths of the Good Billionaire</a> (Policy Press, 2025)testifies to the growing international political will to take concrete actions in supporting economic justice and democratic equality.</p>
<p>Carl Rhodes is Professor of Organization Studies at the University of Technology Sydney. He researches the ethical and democratic dimensions of business and work. Carl regularly writes for the mainstream and independent press on issues related to ethics, politics and the economy.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3192</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6bd149ac-5d05-11f0-a92b-4fffd7be374a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1396932484.mp3?updated=1752094628" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert G. Morrison, "Merchants of Knowledge: Intellectual Exchange in the Ottoman Empire and Renaissance Europe" (Stanford UP, 2025)</title>
      <description>Between 1450 and 1550, a remarkable century of intellectual exchange developed across the Eastern Mediterranean. As Renaissance Europe depended on knowledge from the Ottoman Empire, and the courts of Mehmed the Conqueror and Bayezid II greatly benefitted from knowledge coming out of Europe, merchants of knowledge—multilingual and transregional Jewish scholars—became an important bridge among the powers.

With this book, Robert Morrison is the first to track the network of scholars who mediated exchanges in astronomy, astrology, Qabbalah, and philosophy. Their books, manuscripts, and acts of translation all held economic value, thus commercial and intellectual exchange commingled—knowledge became transactional as these merchants exchanged texts for more intellectual material and social capital. While parallels between medieval Islamic astronomy and the famous heliocentric arrangement posited by Copernicus are already known, Morrison reveals far deeper networks of intellectual exchange that extended well beyond theoretical astronomy and shows how religion, science, and philosophy, areas that will eventually develop into separate fields, were once interwoven. The Renaissance portrayed in ﻿Merchants of Knowledge: Intellectual Exchange in the Ottoman Empire and Renaissance Europe (Stanford UP, 2025) is not, from the perspective of the Ottoman Muslim contacts of the Jewish merchants of knowledge, hegemonic. It's a Renaissance permeated by diversity, the cultural and political implications of which the West is only now waking up to.

Robert G. Morrison is a professor at Bowdoin College. He is the author of The Light of the World: Astronomy in al-Andalus (2016).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 10 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Between 1450 and 1550, a remarkable century of intellectual exchange developed across the Eastern Mediterranean. As Renaissance Europe depended on knowledge from the Ottoman Empire, and the courts of Mehmed the Conqueror and Bayezid II greatly benefitted from knowledge coming out of Europe, merchants of knowledge—multilingual and transregional Jewish scholars—became an important bridge among the powers.

With this book, Robert Morrison is the first to track the network of scholars who mediated exchanges in astronomy, astrology, Qabbalah, and philosophy. Their books, manuscripts, and acts of translation all held economic value, thus commercial and intellectual exchange commingled—knowledge became transactional as these merchants exchanged texts for more intellectual material and social capital. While parallels between medieval Islamic astronomy and the famous heliocentric arrangement posited by Copernicus are already known, Morrison reveals far deeper networks of intellectual exchange that extended well beyond theoretical astronomy and shows how religion, science, and philosophy, areas that will eventually develop into separate fields, were once interwoven. The Renaissance portrayed in ﻿Merchants of Knowledge: Intellectual Exchange in the Ottoman Empire and Renaissance Europe (Stanford UP, 2025) is not, from the perspective of the Ottoman Muslim contacts of the Jewish merchants of knowledge, hegemonic. It's a Renaissance permeated by diversity, the cultural and political implications of which the West is only now waking up to.

Robert G. Morrison is a professor at Bowdoin College. He is the author of The Light of the World: Astronomy in al-Andalus (2016).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between 1450 and 1550, a remarkable century of intellectual exchange developed across the Eastern Mediterranean. As Renaissance Europe depended on knowledge from the Ottoman Empire, and the courts of Mehmed the Conqueror and Bayezid II greatly benefitted from knowledge coming out of Europe, merchants of knowledge—multilingual and transregional Jewish scholars—became an important bridge among the powers.</p>
<p>With this book, Robert Morrison is the first to track the network of scholars who mediated exchanges in astronomy, astrology, <em>Qabbalah</em>, and philosophy. Their books, manuscripts, and acts of translation all held economic value, thus commercial and intellectual exchange commingled—knowledge became transactional as these merchants exchanged texts for more intellectual material and social capital. While parallels between medieval Islamic astronomy and the famous heliocentric arrangement posited by Copernicus are already known, Morrison reveals far deeper networks of intellectual exchange that extended well beyond theoretical astronomy and shows how religion, science, and philosophy, areas that will eventually develop into separate fields, were once interwoven. The Renaissance portrayed in ﻿<a href="https://bookshop.org/a/12343/9781503642683">Merchants of Knowledge: Intellectual Exchange in the Ottoman Empire and Renaissance Europe</a> (Stanford UP, 2025) is not, from the perspective of the Ottoman Muslim contacts of the Jewish merchants of knowledge, hegemonic. It's a Renaissance permeated by diversity, the cultural and political implications of which the West is only now waking up to.</p>
<p><strong>Robert G. Morrison</strong> is a professor at Bowdoin College. He is the author of <em>The Light of the World: Astronomy in al-Andalus</em> (2016).</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3484</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f26fc67e-5c7d-11f0-ba02-1b2267c9ca83]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1631890421.mp3?updated=1752036557" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jyotsna G. Singh, "Shakespeare and Postcolonial Theory" (Bloomsbury, 2019)</title>
      <description>My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare’s works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues.

Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history.

Singh’s book shows how our reading of Shakespeare’s plays such as ‘The Tempest,’ ‘Hamlet,’ and ‘Othello’ has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh’s book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field.

Author of the article on The Tempest mentioned at around 35:40 is as follows:

Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare’s works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues.

Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history.

Singh’s book shows how our reading of Shakespeare’s plays such as ‘The Tempest,’ ‘Hamlet,’ and ‘Othello’ has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh’s book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field.

Author of the article on The Tempest mentioned at around 35:40 is as follows:

Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including <em>Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism </em>(Routledge), and <em>The Weyward Sisters: Shakespeare and Feminist Politics</em> (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited <em>A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700</em> (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare’s works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in <em>Theatre Journal</em> in 1989, and then expanded on and reprinted in <em>Colonial Narratives/Cultural Dialogues</em>.</p>
<p><a href="https://bookshop.org/a/12343/9781408185742">Shakespeare and Postcolonial Theory</a> (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history.</p>
<p>Singh’s book shows how our reading of Shakespeare’s plays such as ‘The Tempest,’ ‘Hamlet,’ and ‘Othello’ has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh’s book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field.</p>
<p>Author of the article on <em>The Tempest</em> mentioned at around 35:40 is as follows:</p>
<p>Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's <em>The Tempest</em>." <em>The Tempest</em>. Routledge, 2013. 223-230 (first published in 1980).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4366</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[84753eca-5bc8-11f0-886c-db7c549737b0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3999192576.mp3?updated=1752066480" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Myles Lennon, "Subjects of the Sun: Solar Energy in the Shadows of Racial Capitalism" (Duke UP, 2025)</title>
      <description>In the face of accelerating climate change, anticapitalist environmental justice activists and elite tech corporations increasingly see eye to eye. Both envision solar-powered futures where renewable energy redresses gentrification, systemic racism, and underemployment. However, as Myles Lennon argues in Subjects of the Sun: ﻿﻿Solar Energy in the Shadows of Racial Capitalism ﻿(Duke University Press, 2025), solar power is no less likely to exploit marginalized communities than dirtier forms of energy. Drawing from ethnographic research on clean energy corporations and community solar campaigns in New York City, Lennon argues that both groups overlook solar’s extractive underside because they primarily experience energy from the sun in the virtual world of the cloud. He shows how the material properties of solar technology—its shiny surfaces, decentralized spatiality, and modularity—work closely with images, digital platforms, and quantitative graphics to shape utopic visions in which renewable energy can eradicate the constitutive tensions of racial capitalism. As a corrective to this virtual world, Lennon calls for an equitable energy transition that centers the senses and sensibilities neglected by screenwork: one’s haptic care for their local environment; the full-bodied feel of infrastructural labor; and the sublime affect of the sun.

﻿Myles Lennon is Dean's Assistant Professor of Environment and Society and Anthropology at Brown University.

Alec Fiorini is a ﻿PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the face of accelerating climate change, anticapitalist environmental justice activists and elite tech corporations increasingly see eye to eye. Both envision solar-powered futures where renewable energy redresses gentrification, systemic racism, and underemployment. However, as Myles Lennon argues in Subjects of the Sun: ﻿﻿Solar Energy in the Shadows of Racial Capitalism ﻿(Duke University Press, 2025), solar power is no less likely to exploit marginalized communities than dirtier forms of energy. Drawing from ethnographic research on clean energy corporations and community solar campaigns in New York City, Lennon argues that both groups overlook solar’s extractive underside because they primarily experience energy from the sun in the virtual world of the cloud. He shows how the material properties of solar technology—its shiny surfaces, decentralized spatiality, and modularity—work closely with images, digital platforms, and quantitative graphics to shape utopic visions in which renewable energy can eradicate the constitutive tensions of racial capitalism. As a corrective to this virtual world, Lennon calls for an equitable energy transition that centers the senses and sensibilities neglected by screenwork: one’s haptic care for their local environment; the full-bodied feel of infrastructural labor; and the sublime affect of the sun.

﻿Myles Lennon is Dean's Assistant Professor of Environment and Society and Anthropology at Brown University.

Alec Fiorini is a ﻿PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the face of accelerating climate change, anticapitalist environmental justice activists and elite tech corporations increasingly see eye to eye. Both envision solar-powered futures where renewable energy redresses gentrification, systemic racism, and underemployment. However, as Myles Lennon argues in <a href="https://bookshop.org/a/12343/9781478031789">Subjects of the Sun: ﻿﻿Solar Energy in the Shadows of Racial Capitalism</a><em> </em>﻿(Duke University Press, 2025), solar power is no less likely to exploit marginalized communities than dirtier forms of energy. Drawing from ethnographic research on clean energy corporations and community solar campaigns in New York City, Lennon argues that both groups overlook solar’s extractive underside because they primarily experience energy from the sun in the virtual world of the cloud. He shows how the material properties of solar technology—its shiny surfaces, decentralized spatiality, and modularity—work closely with images, digital platforms, and quantitative graphics to shape utopic visions in which renewable energy can eradicate the constitutive tensions of racial capitalism. As a corrective to this virtual world, Lennon calls for an equitable energy transition that centers the senses and sensibilities neglected by screenwork: one’s haptic care for their local environment; the full-bodied feel of infrastructural labor; and the sublime affect of the sun.</p>
<p>﻿Myles Lennon is Dean's Assistant Professor of Environment and Society and Anthropology at Brown University.</p>
<p><em>Alec Fiorini is a ﻿PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4007</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[917ec344-5b77-11f0-b138-cf05b21cab46]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1588387982.mp3?updated=1751923027" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Eldevik, "Reading Prester John: Cultural Fantasy and Its Manuscript Contexts" (Arc Humanities Press, 2024)</title>
      <description>Reading Prester John: Cultural Fantasy and its Manuscript Contexts by John Eldevik

During the Middle Ages, many Europeans imagined that there existed a powerful and marvel-filled Christian realm beyond the lands of Islam ruled by a devout emperor they called “Priest John,” or “Prester John.” Spurred by a forged letter that mysteriously appeared around 1165 and quickly “went viral” in hundreds of manuscripts across Western Europe, the legend of Prester John and his exotic kingdom was not just a utopian fantasy, but a way to bring contemporary political and theological questions into sharper focus. In this new study, John Eldevik shows how the manuscripts that transmitted the story of Prester John reflect the ways contemporary audiences processed ideas about religious conflict and helped them imagine a new, global dimension of Christianity. It includes an appendix with a new translation of the B recension of The Letter of Prester John.

John Eldevik is Professor of History at Hamilton College in Clinton (New York State), and has previously published on medieval social and religious history.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.  

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 06 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Reading Prester John: Cultural Fantasy and its Manuscript Contexts by John Eldevik

During the Middle Ages, many Europeans imagined that there existed a powerful and marvel-filled Christian realm beyond the lands of Islam ruled by a devout emperor they called “Priest John,” or “Prester John.” Spurred by a forged letter that mysteriously appeared around 1165 and quickly “went viral” in hundreds of manuscripts across Western Europe, the legend of Prester John and his exotic kingdom was not just a utopian fantasy, but a way to bring contemporary political and theological questions into sharper focus. In this new study, John Eldevik shows how the manuscripts that transmitted the story of Prester John reflect the ways contemporary audiences processed ideas about religious conflict and helped them imagine a new, global dimension of Christianity. It includes an appendix with a new translation of the B recension of The Letter of Prester John.

John Eldevik is Professor of History at Hamilton College in Clinton (New York State), and has previously published on medieval social and religious history.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.  

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781942401834">Reading Prester John: Cultural Fantasy and its Manuscript Contexts </a>by <a href="https://www.arc-humanities.org/search-results-list/?contributor=john-eldevik">John Eldevik</a></p>
<p>During the Middle Ages, many Europeans imagined that there existed a powerful and marvel-filled Christian realm beyond the lands of Islam ruled by a devout emperor they called “Priest John,” or “Prester John.” Spurred by a forged letter that mysteriously appeared around 1165 and quickly “went viral” in hundreds of manuscripts across Western Europe, the legend of Prester John and his exotic kingdom was not just a utopian fantasy, but a way to bring contemporary political and theological questions into sharper focus. In this new study, John Eldevik shows how the manuscripts that transmitted the story of Prester John reflect the ways contemporary audiences processed ideas about religious conflict and helped them imagine a new, global dimension of Christianity. It includes an appendix with a new translation of the B recension of <em>The Letter of Prester John</em>.</p>
<p>John Eldevik is Professor of History at Hamilton College in Clinton (New York State), and has previously published on medieval social and religious history.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.  </p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2066</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[13fa3b56-56e5-11f0-bf08-d7493c62d021]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4199610828.mp3?updated=1749760755" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Guyan, "Rainbow Trap: Queer Lives, Classifications and the Dangers of Inclusion" (Bloomsbury, 2025)</title>
      <description>Rainbow Trap: Queer Lives, Classifications and the Dangers of Inclusion (Bloomsbury, 2025) by Dr. Kevin Guyan reveals how the fight for LGBTQ equalities in the UK is shaped – and constrained – by the classifications we encounter every day.

Looking across six systems – the police and the recording of hate crimes; dating apps and digital desire; outness in the film and television industry; borders and LGBTQ asylum seekers; health and fitness activities; and DEI initiatives in the workplace – Rainbow Trap documents how inclusive interventions – such as new legislation, revamped diversity policies and tech fixes – have attempted to bring historically marginalized communities out of the shadows.Yet, as part of the bargain, LGBTQ people need to locate themselves in an ever-growing list of classifications, categories and labels to 'make sense' to the very systems they are seeking to access. This requirement to be classified catches LGBTQ communities in a rainbow trap. Because when we look beyond the welcoming veneer of inclusive interventions, we uncover sorting processes that determine what LGBTQ lives are valued and what queer futures are possible.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 05 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Rainbow Trap: Queer Lives, Classifications and the Dangers of Inclusion (Bloomsbury, 2025) by Dr. Kevin Guyan reveals how the fight for LGBTQ equalities in the UK is shaped – and constrained – by the classifications we encounter every day.

Looking across six systems – the police and the recording of hate crimes; dating apps and digital desire; outness in the film and television industry; borders and LGBTQ asylum seekers; health and fitness activities; and DEI initiatives in the workplace – Rainbow Trap documents how inclusive interventions – such as new legislation, revamped diversity policies and tech fixes – have attempted to bring historically marginalized communities out of the shadows.Yet, as part of the bargain, LGBTQ people need to locate themselves in an ever-growing list of classifications, categories and labels to 'make sense' to the very systems they are seeking to access. This requirement to be classified catches LGBTQ communities in a rainbow trap. Because when we look beyond the welcoming veneer of inclusive interventions, we uncover sorting processes that determine what LGBTQ lives are valued and what queer futures are possible.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350429680">Rainbow Trap: Queer Lives, Classifications and the Dangers of Inclusion</a> (Bloomsbury, 2025) by Dr. Kevin Guyan reveals how the fight for LGBTQ equalities in the UK is shaped – and constrained – by the classifications we encounter every day.</p>
<p>Looking across six systems – the police and the recording of hate crimes; dating apps and digital desire; outness in the film and television industry; borders and LGBTQ asylum seekers; health and fitness activities; and DEI initiatives in the workplace – <em>Rainbow Trap</em> documents how inclusive interventions – such as new legislation, revamped diversity policies and tech fixes – have attempted to bring historically marginalized communities out of the shadows.<br>Yet, as part of the bargain, LGBTQ people need to locate themselves in an ever-growing list of classifications, categories and labels to 'make sense' to the very systems they are seeking to access. This requirement to be classified catches LGBTQ communities in a rainbow trap. Because when we look beyond the welcoming veneer of inclusive interventions, we uncover sorting processes that determine what LGBTQ lives are valued and what queer futures are possible.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3180</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb17441e-5854-11f0-8082-8342b2983e74]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4374257785.mp3?updated=1751578449" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daanika Kamal, "Domestic Violence in Pakistan: The Legal Construction of 'Bad' and 'Mad' Women" (Oxford UP, 2025)</title>
      <description>Pakistani women are increasingly pursuing legal avenues against acts of domestic violence. Their claims, however, are often dismissed through character allegations that label them as 'bad' women in need of control, or 'mad' women not to be trusted. Domestic Violence in Pakistan: The Legal Construction of 'Bad' and 'Mad' Women (Oxford University Press, 2025) by Dr. Daanika Kamal explores why the subjectivities of women victims are constructed in particular ways, and how these subjectivities are captured and negotiated in the Pakistani legal system.Drawing on feminist poststructuralist accounts relating to the use of gendering strategies in institutional and disciplinary settings and based on an analysis of over a hundred case files and judgements, seventy-two interviews, and court observations in three cities of Pakistan, this book shadows the experiences of women victims of domestic violence in both criminal law and family law proceedings. It captures and offers empirical insights in relation to gendered subject formation in discursive spaces; ranging from the use of societal narratives that minimise and silence women's harms, to the deployment of police mechanisms that assist in maintaining the 'secrecy' of familial violence, and the application and enactment of boilerplate lawyerly strategies to present alternative legal 'truths.'Amidst regulations of the public versus the private and understandings of rights versus duties, Domestic Violence in Pakistan explores how these practices construct the victim-subject of domestic violence in a way that not only subjectivise her, but also secure her within the field of that subjectification; setting her up to be viewed by the judiciary through the lens of the allegations applied to her.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Pakistani women are increasingly pursuing legal avenues against acts of domestic violence. Their claims, however, are often dismissed through character allegations that label them as 'bad' women in need of control, or 'mad' women not to be trusted. Domestic Violence in Pakistan: The Legal Construction of 'Bad' and 'Mad' Women (Oxford University Press, 2025) by Dr. Daanika Kamal explores why the subjectivities of women victims are constructed in particular ways, and how these subjectivities are captured and negotiated in the Pakistani legal system.Drawing on feminist poststructuralist accounts relating to the use of gendering strategies in institutional and disciplinary settings and based on an analysis of over a hundred case files and judgements, seventy-two interviews, and court observations in three cities of Pakistan, this book shadows the experiences of women victims of domestic violence in both criminal law and family law proceedings. It captures and offers empirical insights in relation to gendered subject formation in discursive spaces; ranging from the use of societal narratives that minimise and silence women's harms, to the deployment of police mechanisms that assist in maintaining the 'secrecy' of familial violence, and the application and enactment of boilerplate lawyerly strategies to present alternative legal 'truths.'Amidst regulations of the public versus the private and understandings of rights versus duties, Domestic Violence in Pakistan explores how these practices construct the victim-subject of domestic violence in a way that not only subjectivise her, but also secure her within the field of that subjectification; setting her up to be viewed by the judiciary through the lens of the allegations applied to her.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pakistani women are increasingly pursuing legal avenues against acts of domestic violence. Their claims, however, are often dismissed through character allegations that label them as 'bad' women in need of control, or 'mad' women not to be trusted. <a href="https://bookshop.org/a/12343/9780198953449">Domestic Violence in Pakistan: The Legal Construction of 'Bad' and 'Mad' Women</a> (Oxford University Press, 2025) by Dr. Daanika Kamal explores why the subjectivities of women victims are constructed in particular ways, and how these subjectivities are captured and negotiated in the Pakistani legal system.<br>Drawing on feminist poststructuralist accounts relating to the use of gendering strategies in institutional and disciplinary settings and based on an analysis of over a hundred case files and judgements, seventy-two interviews, and court observations in three cities of Pakistan, this book shadows the experiences of women victims of domestic violence in both criminal law and family law proceedings. It captures and offers empirical insights in relation to gendered subject formation in discursive spaces; ranging from the use of societal narratives that minimise and silence women's harms, to the deployment of police mechanisms that assist in maintaining the 'secrecy' of familial violence, and the application and enactment of boilerplate lawyerly strategies to present alternative legal 'truths.'<br>Amidst regulations of the public versus the private and understandings of rights versus duties, Domestic Violence in Pakistan explores how these practices construct the victim-subject of domestic violence in a way that not only subjectivise her, but also secure her within the field of that subjectification; setting her up to be viewed by the judiciary through the lens of the allegations applied to her.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3089</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8129605053.mp3?updated=1751494930" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>153: What Hannah Arendt Has to Teach Us about Anticipatory Despair (JP)</title>
      <description>John recently published “Lying in Politics: Hannah Arendt’s Antidote to Anticipatory Despair" in Public Books. It makes the case against anticipatory despair in the face of the Trump administration's relentless campaign of lies, half-lies, bluster, and bullshit by turning for inspiration to his favorite political philosopher, Hannah Arendt.

Half a century ago, in "Lying in Politics: Reflections on the Pentagon Papers" (1971) she showed how expedient occasional lies spread to become omnipresent--not just in how America's campaigns in Vietnam were reported, but throughout Nixon-era governance.

Recall this Book 153 is simply John reading the article aloud. It is an experiment (akin to Books in Dark Times and Recall This Story and Recall This B-Side) in soliloquy. Reach out and let us know if you think it should be the first of many, or simply a one-off.

Mentioned in the episode:

M. Gessen, Surviving Autocracy

Harry Frankfurt, "On Bullshit"

Vaclav Havel, "The Power of the Powerless" (1978)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>John recently published “Lying in Politics: Hannah Arendt’s Antidote to Anticipatory Despair" in Public Books. It makes the case against anticipatory despair in the face of the Trump administration's relentless campaign of lies, half-lies, bluster, and bullshit by turning for inspiration to his favorite political philosopher, Hannah Arendt.

Half a century ago, in "Lying in Politics: Reflections on the Pentagon Papers" (1971) she showed how expedient occasional lies spread to become omnipresent--not just in how America's campaigns in Vietnam were reported, but throughout Nixon-era governance.

Recall this Book 153 is simply John reading the article aloud. It is an experiment (akin to Books in Dark Times and Recall This Story and Recall This B-Side) in soliloquy. Reach out and let us know if you think it should be the first of many, or simply a one-off.

Mentioned in the episode:

M. Gessen, Surviving Autocracy

Harry Frankfurt, "On Bullshit"

Vaclav Havel, "The Power of the Powerless" (1978)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John recently published <a href="https://www.publicbooks.org/lying-in-politics-hannah-arendts-antidote-to-anticipatory-despair/">“Lying in Politics: Hannah Arendt’s Antidote to Anticipatory Despair"</a> in <em>Public Books</em>. It makes the case against<em> anticipatory despair</em> in the face of the Trump administration's relentless campaign of lies, half-lies, bluster, and bullshit by turning for inspiration to his favorite political philosopher, <a href="https://en.wikipedia.org/wiki/Hannah_Arendt">Hannah Arendt</a>.</p>
<p>Half a century ago, in "<a href="https://www.nybooks.com/articles/1971/11/18/lying-in-politics-reflections-on-the-pentagon-pape/">Lying in Politics: Reflections on the Pentagon Papers</a>" (1971) she showed how expedient occasional lies spread to become omnipresent--not just in how America's campaigns in Vietnam were reported, but throughout Nixon-era governance.</p>
<p><a href="http://recallthisbook.org/">Recall this Book</a> 153 is simply John reading the article aloud. It is an experiment (akin to <a href="https://recallthisbook.org/books-in-dark-times/">Books in Dark Times</a> and <a href="https://recallthisbook.org/?s=recall+this+story">Recall This Story</a> and <a href="https://recallthisbook.org/recall-this-b-side/">Recall This B-Side</a>) in soliloquy. <a href="https://www.brandeis.edu/english/faculty/plotz.html">Reach out</a> and let us know if you think it should be the first of many, or simply a one-off.</p>
<p>Mentioned in the episode:</p>
<p>M. Gessen, <a href="https://www.penguinrandomhouse.com/books/565060/surviving-autocracy-by-masha-gessen/"><em>Surviving Autocracy</em></a></p>
<p><a href="https://en.wikipedia.org/wiki/Harry_Frankfurt">Harry Frankfurt</a>, "<a href="https://www.math.mcgill.ca/rags/JAC/124/bs.html">On Bullshit</a>"</p>
<p>Vaclav Havel, "<a href="https://hac.bard.edu/amor-mundi/the-power-of-the-powerless-vaclav-havel-2011-12-23">The Power of the Powerless</a>" (1978)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1593</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8732785a-5757-11f0-b202-9719d30781ad]]></guid>
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    </item>
    <item>
      <title>Angela Katrina Lewis-Maddox ed., "Disrupting Political Science: Black Women Reimagining the Discipline" (SUNY Press, 2025)</title>
      <description>Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.

Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) ﻿is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.

Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.

Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) ﻿is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.

Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research.</p>
<p><a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science: Black Women Reimagining the Discipline</em></a> (SUNY Press, 2025) ﻿is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of <a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science</em></a> is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century.</p>
<p>Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. <a href="https://sunypress.edu/Books/D/Disrupting-Political-Science2"><em>Disrupting Political Science: Black Women Reimagining the Discipline</em></a> is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists.</p>
<p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3064</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4efacc68-56c0-11f0-8806-fb808c318246]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9125988300.mp3?updated=1751873296" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Timothy Stacey, "Saving Liberalism from Itself: The Spirit of Political Participation" (Bristol UP, 2022)</title>
      <description>Saving Liberalism from Itself: The Spirit of Political Participation ﻿Bristol UP, 2022) ﻿By Timothy Stacey

In the wake of populism, Timothy Stacey’s book critically reflects on what is missing from the liberal project with the aim of saving liberalism.

It explains that populists have harnessed myth, ritual, magic and tradition to advance their ambitions, and why opponents need to embrace rather than eschew them. Using examples of liberally oriented activists in Vancouver, it presents an accessible theorization of these quasi-religious concepts in secular life.

The result is to provide both a new theoretical understanding of why liberalism fails to engage people, and a toolkit for campaigners, policymakers and academics seeking to bridge the gap between liberal aspirations and lived experiences, in order to promote political engagement and to create unity out of division.

Timothy Stacey is Researcher in the Urban Future Studio at Utrecht University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Saving Liberalism from Itself: The Spirit of Political Participation ﻿Bristol UP, 2022) ﻿By Timothy Stacey

In the wake of populism, Timothy Stacey’s book critically reflects on what is missing from the liberal project with the aim of saving liberalism.

It explains that populists have harnessed myth, ritual, magic and tradition to advance their ambitions, and why opponents need to embrace rather than eschew them. Using examples of liberally oriented activists in Vancouver, it presents an accessible theorization of these quasi-religious concepts in secular life.

The result is to provide both a new theoretical understanding of why liberalism fails to engage people, and a toolkit for campaigners, policymakers and academics seeking to bridge the gap between liberal aspirations and lived experiences, in order to promote political engagement and to create unity out of division.

Timothy Stacey is Researcher in the Urban Future Studio at Utrecht University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781529215489">Saving Liberalism from Itself: The Spirit of Political Participation ﻿</a>Bristol UP, 2022) ﻿By <a href="https://bristoluniversitypress.co.uk/timothy-stacey">Timothy Stacey</a></p>
<p>In the wake of populism, Timothy Stacey’s book critically reflects on what is missing from the liberal project with the aim of saving liberalism.</p>
<p>It explains that populists have harnessed myth, ritual, magic and tradition to advance their ambitions, and why opponents need to embrace rather than eschew them. Using examples of liberally oriented activists in Vancouver, it presents an accessible theorization of these quasi-religious concepts in secular life.</p>
<p>The result is to provide both a new theoretical understanding of why liberalism fails to engage people, and a toolkit for campaigners, policymakers and academics seeking to bridge the gap between liberal aspirations and lived experiences, in order to promote political engagement and to create unity out of division.</p>
<p>Timothy Stacey is Researcher in the Urban Future Studio at Utrecht University.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3273</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e89d0bcc-564a-11f0-b652-87c853afcd8c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7283898030.mp3?updated=1751354810" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Cook, "A History of the Muslim World: From Its Origins to the Dawn of Modernity" (Princeton UP, 2024)</title>
      <description>A History of the Muslim World: From Its Origins to the Dawn of Modernity (Princeton UP, 2024) by Michael A. Cook

This book describes and explains the major events, personalities, conflicts, and convergences that have shaped the history of the Muslim world. The body of the book takes readers from the origins of Islam to the eve of the nineteenth century, and an epilogue continues the story to the present day. Michael Cook thus provides a broad history of a civilization remarkable for both its unity and diversity.After setting the scene in the Middle East of late antiquity, the book depicts the rise of Islam as one of the great black swan events of history. It continues with the spectacular rise of the Caliphate, an empire that by the time it broke up had nurtured the formation of a new civilization. It then goes on to cover the diverse histories of all the major regions of the Muslim world, providing a wide-ranging account of the key military, political, and cultural developments that accompanied the eastward and westward spread of Islam from the Middle East to the shores of the Atlantic and the Pacific.At the same time, A History of the Muslim World contains numerous primary-source quotations that expose the reader to a variety of acutely insightful voices from the Muslim past.

Michael Cook is the Class of 1943 University Professor of Near Eastern Studies at Princeton University. His books include Ancient Religions, Modern Politics: The Islamic Case in Comparative Perspective (Princeton), A Brief History of the Human Race, and The Koran: A Very Short Introduction.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A History of the Muslim World: From Its Origins to the Dawn of Modernity (Princeton UP, 2024) by Michael A. Cook

This book describes and explains the major events, personalities, conflicts, and convergences that have shaped the history of the Muslim world. The body of the book takes readers from the origins of Islam to the eve of the nineteenth century, and an epilogue continues the story to the present day. Michael Cook thus provides a broad history of a civilization remarkable for both its unity and diversity.After setting the scene in the Middle East of late antiquity, the book depicts the rise of Islam as one of the great black swan events of history. It continues with the spectacular rise of the Caliphate, an empire that by the time it broke up had nurtured the formation of a new civilization. It then goes on to cover the diverse histories of all the major regions of the Muslim world, providing a wide-ranging account of the key military, political, and cultural developments that accompanied the eastward and westward spread of Islam from the Middle East to the shores of the Atlantic and the Pacific.At the same time, A History of the Muslim World contains numerous primary-source quotations that expose the reader to a variety of acutely insightful voices from the Muslim past.

Michael Cook is the Class of 1943 University Professor of Near Eastern Studies at Princeton University. His books include Ancient Religions, Modern Politics: The Islamic Case in Comparative Perspective (Princeton), A Brief History of the Human Race, and The Koran: A Very Short Introduction.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780691236575">A History of the Muslim World: From Its Origins to the Dawn of Modernit</a><a href="https://bookshop.org/a/12343/9780691236575">y</a><strong> </strong>(Princeton UP, 2024) by Michael A. Cook</p>
<p>This book describes and explains the major events, personalities, conflicts, and convergences that have shaped the history of the Muslim world. The body of the book takes readers from the origins of Islam to the eve of the nineteenth century, and an epilogue continues the story to the present day. Michael Cook thus provides a broad history of a civilization remarkable for both its unity and diversity.<br>After setting the scene in the Middle East of late antiquity, the book depicts the rise of Islam as one of the great black swan events of history. It continues with the spectacular rise of the Caliphate, an empire that by the time it broke up had nurtured the formation of a new civilization. It then goes on to cover the diverse histories of all the major regions of the Muslim world, providing a wide-ranging account of the key military, political, and cultural developments that accompanied the eastward and westward spread of Islam from the Middle East to the shores of the Atlantic and the Pacific.<br>At the same time, <em>A History of the Muslim World </em>contains numerous primary-source quotations that expose the reader to a variety of acutely insightful voices from the Muslim past.</p>
<p><strong>Michael Cook</strong> is the Class of 1943 University Professor of Near Eastern Studies at Princeton University. His books include <em>Ancient Religions, Modern Politics: The Islamic Case in Comparative Perspective</em> (Princeton), <em>A Brief History of the Human Race</em>, and <em>The Koran: A Very Short Introduction</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4502</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9ec33276-563e-11f0-98a6-b72a340790fd]]></guid>
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    </item>
    <item>
      <title>Cheryl Thompson, "Canada and the Blackface Atlantic: Performing Slavery, Conflict and Freedom, 1812-1895" (Wilfrid Laurier UP, 2025)</title>
      <description>Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions.

When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages.

It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom.

Find Dr. Thompson on her website and the website of Mapping Ontario’s Black Archives, on BlueSky, and on Substack.

Find host Sullivan Summer at her website, on Instagram, and on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 01 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions.

When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages.

It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom.

Find Dr. Thompson on her website and the website of Mapping Ontario’s Black Archives, on BlueSky, and on Substack.

Find host Sullivan Summer at her website, on Instagram, and on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em><strong>Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025)</strong></em><strong> traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions.</strong></p>
<p>When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages.</p>
<p>It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom.</p>
<p>Find Dr. Thompson on her <a href="https://www.drcherylthompson.com/cv-dr-cheryl">website</a> and the website of <a href="https://mobaprojects.ca/">Mapping Ontario’s Black Archives</a>, on <a href="https://bsky.app/profile/drcherylt.bsky.social">BlueSky</a>, and on <a href="https://substack.com/@drcherylthompson">Substack</a>.</p>
<p>Find host Sullivan Summer at her <a href="https://sullivansummer.com/">website</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and on <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4472</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5ee818d6-557d-11f0-bb35-6722cfae06e6]]></guid>
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    <item>
      <title>Sarah Bull, "Selling Sexual Knowledge: Medical Publishing and Obscenity in Victorian Britain" (Cambridge UP, 2025)</title>
      <description>What is the relationship between medicine and commerce? In Selling Sexual Knowledge: Medical Publishing and Obscenity in Victorian Britain (Cambridge University Press, 2025), Sarah Bull, an Associate Professor in the Department of English at Toronto Metropolitan University, explores the relationships between doctors, sexual reform campaigners, publishers and pornography in the Victorian era. The book charts the struggle to differentiate and define medicine from ‘quackery’, in the context of the rise of commercial forms of publishing and demands for access to contraception. The book uses richly detailed materials, including books and newspapers, court cases, and case studies of the key players who defined the era, and the years that would follow. Challenging myths of sex and Victorian society, and offering a compelling picture of conflicts over key issues such as free speech, contraception, and professional identity, the book will be of wide interest across the arts and humanities, as well as for medicine and science, and is available open access here

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What is the relationship between medicine and commerce? In Selling Sexual Knowledge: Medical Publishing and Obscenity in Victorian Britain (Cambridge University Press, 2025), Sarah Bull, an Associate Professor in the Department of English at Toronto Metropolitan University, explores the relationships between doctors, sexual reform campaigners, publishers and pornography in the Victorian era. The book charts the struggle to differentiate and define medicine from ‘quackery’, in the context of the rise of commercial forms of publishing and demands for access to contraception. The book uses richly detailed materials, including books and newspapers, court cases, and case studies of the key players who defined the era, and the years that would follow. Challenging myths of sex and Victorian society, and offering a compelling picture of conflicts over key issues such as free speech, contraception, and professional identity, the book will be of wide interest across the arts and humanities, as well as for medicine and science, and is available open access here

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the relationship between medicine and commerce? In <a href="https://bookshop.org/a/12343/9781009578073">Selling Sexual Knowledge: Medical Publishing and Obscenity in Victorian </a><a href="https://bookshop.org/a/12343/9781009578073">Britain</a><em> </em>(Cambridge University Press, 2025), <a href="https://bsky.app/profile/sarahebull.bsky.social">Sarah Bull</a>, an <a href="https://www.torontomu.ca/english/about-us/faculty-and-staff/faculty/bull-sarah/">Associate Professor in the Department of English at Toronto Metropolitan University</a>, explores the relationships between doctors, sexual reform campaigners, publishers and pornography in the Victorian era. The book charts the struggle to differentiate and define medicine from ‘quackery’, in the context of the rise of commercial forms of publishing and demands for access to contraception. The book uses richly detailed materials, including books and newspapers, court cases, and case studies of the key players who defined the era, and the years that would follow. Challenging myths of sex and Victorian society, and offering a compelling picture of conflicts over key issues such as free speech, contraception, and professional identity, the book will be of wide interest across the arts and humanities, as well as for medicine and science, and is available open access <a href="https://www.cambridge.org/core/books/selling-sexual-knowledge/CFBB5501FC465F15182EF0F5407BA054">here</a></p>
<p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien">Dave O'Brien</a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2612</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[afb7b934-5509-11f0-94c9-dbeb2a021b41]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4976682129.mp3?updated=1751216686" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Kenny, "Growing Up and Going Out: Youth Culture, Commerce, and Leisure Space in Post-War Britain" (Manchester UP, 2025)</title>
      <description>Sarah Kenny Growing up and going out: Youth culture, commerce and leisure space in post-war Britain Manchester University Press 2025

How did young people spend their time in the post-war era? In Growing up and going out: Youth culture, commerce and leisure space in post-war Britain Sarah Kenny, a lecturer in Modern History at the University of Birmingham, explores changing spaces and places of young people’s leisure. The book uses the case study of Sheffield, a city in the North of England that has often been overlooked in histories of youth culture, to examine how young people’s leisure was provided, commodified, and regulated. At the same time, the book has powerful stories of young people’s experiences, challenging perceptions of attitudes and activities, as well as subcultures and styles. A fascinating history, as well as an agenda setting analysis, the book should be widely read across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 29 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Sarah Kenny Growing up and going out: Youth culture, commerce and leisure space in post-war Britain Manchester University Press 2025

How did young people spend their time in the post-war era? In Growing up and going out: Youth culture, commerce and leisure space in post-war Britain Sarah Kenny, a lecturer in Modern History at the University of Birmingham, explores changing spaces and places of young people’s leisure. The book uses the case study of Sheffield, a city in the North of England that has often been overlooked in histories of youth culture, to examine how young people’s leisure was provided, commodified, and regulated. At the same time, the book has powerful stories of young people’s experiences, challenging perceptions of attitudes and activities, as well as subcultures and styles. A fascinating history, as well as an agenda setting analysis, the book should be widely read across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sarah Kenny Growing up and going out: Youth culture, commerce and leisure space in post-war Britain Manchester University Press 2025</p>
<p>How did young people spend their time in the post-war era? In <a href="https://manchesteruniversitypress.co.uk/9781526152640/">Growing up and going out: Youth culture, commerce and leisure space in post-war Britain</a> <a href="https://bsky.app/profile/did:plc:5xl2zv6qy2rqazdp5kzmzorg">Sarah Kenny</a>, a <a href="https://www.birmingham.ac.uk/staff/profiles/history/kenny-sarah">lecturer in Modern History at the University of Birmingham,</a> explores changing spaces and places of young people’s leisure. The book uses the case study of Sheffield, a city in the North of England that has often been overlooked in histories of youth culture, to examine how young people’s leisure was provided, commodified, and regulated. At the same time, the book has powerful stories of young people’s experiences, challenging perceptions of attitudes and activities, as well as subcultures and styles. A fascinating history, as well as an agenda setting analysis, the book should be widely read across the humanities and social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2444</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5435040698.mp3?updated=1751013304" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nubar Hovsepian, "Edward Said: The Politics of an Oppositional Intellectual" (AUC Press, 2025)</title>
      <description>Edward Said was one of the most influential intellectuals of the twentieth century. A literary scholar with an aesthete’s temperament, he did not experience his political awakening until the 1967 Arab–Israeli war, which transformed his thinking and led him to forge ties with political groups and like-minded scholars. Said’s subsequent writings, which cast light on the interplay between cultural representation and the exercise of Western political power, caused a seismic shift in scholarly circles and beyond. In this intimate intellectual biography, by a close friend and confidant, Nubar Hovsepian offers fascinating insight into the evolution of Said’s political thought.

Through analysis of Said’s seminal works and the debates surrounding them, Edward Said: The Politics of an Oppositional Intellectual (American University in Cairo Press, 2025) traces the influence of Foucault on Said, and how Said eventually diverged from this influence to arrive at a more pronounced understanding of agency, resistance, and liberation. He consequently affiliated more closely with Raymond Williams, Antonio Gramsci, and more contemporaneously, with his friends the late Eqbal Ahmad and Ibrahim Abu-Lughod.

Said held that it is the intellectual’s responsibility to expose lies and deceptions of the holders of power. A passionate advocate for the Palestinian cause, his solidarity did not prevent him from launching a sustained critique of the Palestinian leadership. Hovsepian charts both Said’s engagement with the Palestinian national movement and his exchanges with a host of intellectuals over Palestine, arguing that Said’s interventions have succeeded in changing the parameters of the discourse in the humanities, and among younger Jews searching for political affiliation.

Drawing on his diaries, in which he recorded his meetings with Said, as well as access to some of Said’s private letters, Hovsepian illuminates, in rich detail, the trajectory of Said’s political thinking and the depth and breadth of his engagement with peers and critics over issues that continue to resonate to this day.

Nubar Hovsepian is associate professor emeritus of political science at Chapman University in Orange, California. He is the author of Palestinian State Formation: Education and the Construction of National Identity, and he edited and contributed to The War on Lebanon. Hovsepian has devoted enormous time to the Israel/Palestine conflict, and served, from 1982 to 1984, as political affairs officer for the United Nations Conference on the Question of Palestine.

Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Edward Said was one of the most influential intellectuals of the twentieth century. A literary scholar with an aesthete’s temperament, he did not experience his political awakening until the 1967 Arab–Israeli war, which transformed his thinking and led him to forge ties with political groups and like-minded scholars. Said’s subsequent writings, which cast light on the interplay between cultural representation and the exercise of Western political power, caused a seismic shift in scholarly circles and beyond. In this intimate intellectual biography, by a close friend and confidant, Nubar Hovsepian offers fascinating insight into the evolution of Said’s political thought.

Through analysis of Said’s seminal works and the debates surrounding them, Edward Said: The Politics of an Oppositional Intellectual (American University in Cairo Press, 2025) traces the influence of Foucault on Said, and how Said eventually diverged from this influence to arrive at a more pronounced understanding of agency, resistance, and liberation. He consequently affiliated more closely with Raymond Williams, Antonio Gramsci, and more contemporaneously, with his friends the late Eqbal Ahmad and Ibrahim Abu-Lughod.

Said held that it is the intellectual’s responsibility to expose lies and deceptions of the holders of power. A passionate advocate for the Palestinian cause, his solidarity did not prevent him from launching a sustained critique of the Palestinian leadership. Hovsepian charts both Said’s engagement with the Palestinian national movement and his exchanges with a host of intellectuals over Palestine, arguing that Said’s interventions have succeeded in changing the parameters of the discourse in the humanities, and among younger Jews searching for political affiliation.

Drawing on his diaries, in which he recorded his meetings with Said, as well as access to some of Said’s private letters, Hovsepian illuminates, in rich detail, the trajectory of Said’s political thinking and the depth and breadth of his engagement with peers and critics over issues that continue to resonate to this day.

Nubar Hovsepian is associate professor emeritus of political science at Chapman University in Orange, California. He is the author of Palestinian State Formation: Education and the Construction of National Identity, and he edited and contributed to The War on Lebanon. Hovsepian has devoted enormous time to the Israel/Palestine conflict, and served, from 1982 to 1984, as political affairs officer for the United Nations Conference on the Question of Palestine.

Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Edward Said was one of the most influential intellectuals of the twentieth century. A literary scholar with an aesthete’s temperament, he did not experience his political awakening until the 1967 Arab–Israeli war, which transformed his thinking and led him to forge ties with political groups and like-minded scholars. Said’s subsequent writings, which cast light on the interplay between cultural representation and the exercise of Western political power, caused a seismic shift in scholarly circles and beyond. In this intimate intellectual biography, by a close friend and confidant, Nubar Hovsepian offers fascinating insight into the evolution of Said’s political thought.</p>
<p>Through analysis of Said’s seminal works and the debates surrounding them,<em> </em><a href="https://bookshop.org/a/12343/9781649031761">Edward Said: The Politics of an Oppositional Intellectual</a><em> </em>(American University in Cairo Press, 2025) traces the influence of Foucault on Said, and how Said eventually diverged from this influence to arrive at a more pronounced understanding of agency, resistance, and liberation. He consequently affiliated more closely with Raymond Williams, Antonio Gramsci, and more contemporaneously, with his friends the late Eqbal Ahmad and Ibrahim Abu-Lughod.</p>
<p>Said held that it is the intellectual’s responsibility to expose lies and deceptions of the holders of power. A passionate advocate for the Palestinian cause, his solidarity did not prevent him from launching a sustained critique of the Palestinian leadership. Hovsepian charts both Said’s engagement with the Palestinian national movement and his exchanges with a host of intellectuals over Palestine, arguing that Said’s interventions have succeeded in changing the parameters of the discourse in the humanities, and among younger Jews searching for political affiliation.</p>
<p>Drawing on his diaries, in which he recorded his meetings with Said, as well as access to some of Said’s private letters, Hovsepian illuminates, in rich detail, the trajectory of Said’s political thinking and the depth and breadth of his engagement with peers and critics over issues that continue to resonate to this day.</p>
<p>Nubar Hovsepian is associate professor emeritus of political science at Chapman University in Orange, California. He is the author of Palestinian State Formation: Education and the Construction of National Identity, and he edited and contributed to The War on Lebanon. Hovsepian has devoted enormous time to the Israel/Palestine conflict, and served, from 1982 to 1984, as political affairs officer for the United Nations Conference on the Question of Palestine.</p>
<p><em>Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1967</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f2584fe6-515e-11f0-a021-83325ea5623a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6064056031.mp3?updated=1750812812" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Judicial Territory: Law, Capital, and the Expansion of American Empire with Shaina Potts</title>
      <description>In this episode, we sit down with Shaina Potts, author of Judicial Territory: Law, Capital, and the Expansion of American Empire (Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls judicial territory—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order.

The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today’s multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance?

GUEST BIO: Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South.

More on Shaina and research is available here: https://geog.ucla.edu/person/shaina-potts/

LINKS TO RESOURCES:


  
Judicial Territory: Law, Capital, and the Expansion of American Empire: https://dukeupress.edu/judicial-territory


  Long-form essay on Shaina Potts' Judicial Territory by Ilias Alami: https://journals.sagepub.com/doi/10.1177/0308518X251342660


  
The Spectre of State Capitalism by Ilias Alami and Adam Dixon: https://academic.oup.com/book/57552



Corporate Sovereignty Law and Government under Capitalism by Joshua Barkan - https://www.upress.umn.edu/9780816674275/corporate-sovereignty/
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, we sit down with Shaina Potts, author of Judicial Territory: Law, Capital, and the Expansion of American Empire (Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls judicial territory—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order.

The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today’s multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance?

GUEST BIO: Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South.

More on Shaina and research is available here: https://geog.ucla.edu/person/shaina-potts/

LINKS TO RESOURCES:


  
Judicial Territory: Law, Capital, and the Expansion of American Empire: https://dukeupress.edu/judicial-territory


  Long-form essay on Shaina Potts' Judicial Territory by Ilias Alami: https://journals.sagepub.com/doi/10.1177/0308518X251342660


  
The Spectre of State Capitalism by Ilias Alami and Adam Dixon: https://academic.oup.com/book/57552



Corporate Sovereignty Law and Government under Capitalism by Joshua Barkan - https://www.upress.umn.edu/9780816674275/corporate-sovereignty/
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we sit down with Shaina Potts, author of <a href="https://bookshop.org/a/12343/9781478026488">Judicial Territory: Law, Capital, and the Expansion of American Empire</a><em> </em>(Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls <em>judicial territory</em>—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order.</p>
<p>The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today’s multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance?</p>
<p><strong>GUEST BIO: </strong>Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South.</p>
<p>More on Shaina and research is available here: <a href="https://geog.ucla.edu/person/shaina-potts/">https://geog.ucla.edu/person/shaina-potts/</a></p>
<p><strong>LINKS TO RESOURCES:</strong></p>
<ul>
  <li>
<em>Judicial Territory: Law, Capital, and the Expansion of American Empire</em>: <a href="https://dukeupress.edu/judicial-territory">https://dukeupress.edu/judicial-territory</a>
</li>
  <li>Long-form essay on Shaina Potts' <em>Judicial Territory </em>by Ilias Alami: <a href="https://journals.sagepub.com/doi/10.1177/0308518X251342660">https://journals.sagepub.com/doi/10.1177/0308518X251342660</a>
</li>
  <li>
<em>The Spectre of State Capitalism</em> by Ilias Alami and Adam Dixon: <a href="https://academic.oup.com/book/57552">https://academic.oup.com/book/57552</a>
</li>
</ul>
<p><em>Corporate Sovereignty Law and Government under Capitalism</em> by Joshua Barkan - <a href="https://www.upress.umn.edu/9780816674275/corporate-sovereignty/">https://www.upress.umn.edu/9780816674275/corporate-sovereignty/</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2723</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3eaf1b2c-4ca5-11f0-bc94-e78dcf75181c]]></guid>
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    </item>
    <item>
      <title>Honorée Fanonne Jeffers, "Misbehaving at the Crossroads: Essays and Writings" (Harper, 2025)</title>
      <description>The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack.

Host Sullivan Summer can be found at her website, Instagram, and Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack.

Host Sullivan Summer can be found at her website, Instagram, and Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The <em>New York Times</em>-bestselling, National Book Award-nominated author of <em>The Love Songs of W.E.B. Du Bois</em> and <em>The Age of Phillis</em> makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.</p>
<p>Honorée Fanonne Jeffers is at a crossroads.</p>
<p>Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.</p>
<p>In <a href="https://bookshop.org/a/12343/9780063246638">Misbehaving at the Crossroads: Essays and Writings</a><em> </em>(Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.</p>
<p>Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, <em>Misbehaving at the Crossroads</em> illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.</p>
<p>Find author Honorée Fannone Jeffers at her <a href="https://honoreejeffers.com/">website</a>, <a href="https://www.instagram.com/honoree_jeffers/?hl=en">Instagram</a>, <a href="https://bsky.app/profile/blklibrarygirl.bsky.social">Bluesky</a>, and <a href="https://substack.com/@honoreejeffers">Substack</a>.</p>
<p>Host Sullivan Summer can be found at her <a href="https://sullivansummer.com/">website</a>, <a href="https://www.instagram.com/thesullivansummer/?hl=en">Instagram</a>, and <a href="https://substack.com/@sullivansummer">Substack</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2567</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9e91c8b6-4ca3-11f0-a6d5-2b6dbd565f79]]></guid>
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    </item>
    <item>
      <title>Dominik Zechner, "The Violence of Reading: Literature and Philosophy at the Threshold of Pain" (Palgrave Macmillan, 2024)</title>
      <description>The Violence of Reading: Literature and Philosophy at the Threshold of Pain (Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River).

Dominik Zechner is currently an Assistant Professor at Rutgers University.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Violence of Reading: Literature and Philosophy at the Threshold of Pain (Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River).

Dominik Zechner is currently an Assistant Professor at Rutgers University.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783031531910">The Violence of Reading: Literature and Philosophy at the Threshold of Pain</a><em> </em>(Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River).</p>
<p>Dominik Zechner is currently an Assistant Professor at Rutgers University.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2482</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c3326e2-4c66-11f0-bf7a-736ac2409b5e]]></guid>
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    </item>
    <item>
      <title>Andrew Hartman, "Karl Marx in America" (U Chicago Press, 2025)</title>
      <description>Karl Marx in America (University of Chicago Press, 2025), by Andrew Hartman

To read Karl Marx is to contemplate a world created by capitalism. People have long viewed the United States as the quintessential anti-Marxist nation, but Marx’s ideas have inspired a wide range of people to formulate a more precise sense of the stakes of the American project. Historians have highlighted the imprint made on the United States by Enlightenment thinkers such as Adam Smith, John Locke, and Thomas Paine, but Marx is rarely considered alongside these figures. Yet his ideas are the most relevant today because of capitalism’s centrality to American life.In  historian Andrew Hartman argues that even though Karl Marx never visited America, the country has been infused, shaped, and transformed by him. Since the beginning of the Civil War, Marx has been a specter in the American machine. During the Gilded Age, socialists read Marx as an antidote to the unchecked power of corporations. In the Great Depression, communists turned to Marx in hopes of transcending the destructive capitalist economy. The young activists of the 1960s were inspired by Marx as they gathered to protest an overseas war. Marx’s influence today is evident, too, as Americans have become increasingly attuned to issues of inequality, labor, and power.After decades of being pushed to the far-left corner of intellectual thought, Marx’s ideologies have crossed over into the mainstream and are more alive than ever. Working-class consciousness is on the rise, and, as Marx argued, the future of a capitalist society rests in the hands of the people who work at the point of production. A valuable resource for anyone interested in Marx’s influence on American political discourse, Karl Marx in America is a thought-provoking account of the past, present, and future of his philosophies in American society.

Andrew Hartman is professor of history at Illinois State University. He is the author of A War for the Soul of America: A History of the Culture Wars, published by the University of Chicago Press, and Education and the Cold War: The Battle for the American School. He is also the coeditor of American Labyrinth: Intellectual History for Complicated Times.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 15 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Karl Marx in America (University of Chicago Press, 2025), by Andrew Hartman

To read Karl Marx is to contemplate a world created by capitalism. People have long viewed the United States as the quintessential anti-Marxist nation, but Marx’s ideas have inspired a wide range of people to formulate a more precise sense of the stakes of the American project. Historians have highlighted the imprint made on the United States by Enlightenment thinkers such as Adam Smith, John Locke, and Thomas Paine, but Marx is rarely considered alongside these figures. Yet his ideas are the most relevant today because of capitalism’s centrality to American life.In  historian Andrew Hartman argues that even though Karl Marx never visited America, the country has been infused, shaped, and transformed by him. Since the beginning of the Civil War, Marx has been a specter in the American machine. During the Gilded Age, socialists read Marx as an antidote to the unchecked power of corporations. In the Great Depression, communists turned to Marx in hopes of transcending the destructive capitalist economy. The young activists of the 1960s were inspired by Marx as they gathered to protest an overseas war. Marx’s influence today is evident, too, as Americans have become increasingly attuned to issues of inequality, labor, and power.After decades of being pushed to the far-left corner of intellectual thought, Marx’s ideologies have crossed over into the mainstream and are more alive than ever. Working-class consciousness is on the rise, and, as Marx argued, the future of a capitalist society rests in the hands of the people who work at the point of production. A valuable resource for anyone interested in Marx’s influence on American political discourse, Karl Marx in America is a thought-provoking account of the past, present, and future of his philosophies in American society.

Andrew Hartman is professor of history at Illinois State University. He is the author of A War for the Soul of America: A History of the Culture Wars, published by the University of Chicago Press, and Education and the Cold War: The Battle for the American School. He is also the coeditor of American Labyrinth: Intellectual History for Complicated Times.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780226537481">Karl Marx in America</a><em> </em>(University of Chicago Press, 2025), by <a href="https://press.uchicago.edu/ucp/books/author/H/A/au20063406.html">Andrew Hartman</a></p>
<p>To read Karl Marx is to contemplate a world created by capitalism. People have long viewed the United States as the quintessential anti-Marxist nation, but Marx’s ideas have inspired a wide range of people to formulate a more precise sense of the stakes of the American project. Historians have highlighted the imprint made on the United States by Enlightenment thinkers such as Adam Smith, John Locke, and Thomas Paine, but Marx is rarely considered alongside these figures. Yet his ideas are the most relevant today because of capitalism’s centrality to American life.<br>In  historian Andrew Hartman argues that even though Karl Marx never visited America, the country has been infused, shaped, and transformed by him. Since the beginning of the Civil War, Marx has been a specter in the American machine. During the Gilded Age, socialists read Marx as an antidote to the unchecked power of corporations. In the Great Depression, communists turned to Marx in hopes of transcending the destructive capitalist economy. The young activists of the 1960s were inspired by Marx as they gathered to protest an overseas war. Marx’s influence today is evident, too, as Americans have become increasingly attuned to issues of inequality, labor, and power.<br>After decades of being pushed to the far-left corner of intellectual thought, Marx’s ideologies have crossed over into the mainstream and are more alive than ever. Working-class consciousness is on the rise, and, as Marx argued, the future of a capitalist society rests in the hands of the people who work at the point of production. A valuable resource for anyone interested in Marx’s influence on American political discourse, <em>Karl Marx in America </em>is a thought-provoking account of the past, present, and future of his philosophies in American society.</p>
<p><strong>Andrew Hartman</strong> is professor of history at Illinois State University. He is the author of <em>A War for the Soul of America: A History of the Culture Wars</em>, published by the University of Chicago Press, and <em>Education and the Cold War: The Battle for the American School</em>. He is also the coeditor of <em>American Labyrinth: Intellectual History for Complicated Times</em>.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3012</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>J. McKenzie Alexander, "The Open Society as an Enemy: A Critique of how Free Societies Turned Against Themselves" (LSE Press, 2024)</title>
      <description>The Open Society as an Enemy: A critique of how free societies turned against themselves by J. McKenzie Alexander

Nearly 80 years ago, Karl Popper gave a spirited philosophical defence of the Open Society in his two-volume work, The Open Society and Its Enemies. In this book, J. McKenzie Alexander argues that a new defence is urgently needed because, in the decades since the end of the Cold War, many of the values of the Open Society have come under threat once again. Populist agendas on both the left and right threaten to undermine fundamental principles that underpin liberal democracies, so that what were previously seen as virtues of the Open Society are now, by many people, seen as vices, dangers, or threats.

The Open Society as an Enemy: A Critique of how Free Societies Turned Against Themselves interrogates four interconnected aspects of the Open Society: cosmopolitanism, transparency, the free exchange of ideas, and communitarianism. Each of these is analysed in depth, drawing out the implications for contemporary social questions such as the free movement of people, the erosion of privacy, no-platforming and the increased political and social polarisation that is fuelled by social media.

In re-examining the consequences for all of us of these attacks on free societies, Alexander calls for resistance to the forces of reaction. But he also calls for the concept of the Open Society to be rehabilitated and advanced. In doing this, he argues, there is an opportunity to re-think the kind of society we want to create, and to ensure it is achievable and sustainable. This forensic defence of the core principles of the Open Society is an essential read for anyone wishing to understand some of the powerful social currents that have engulfed public debates in recent years, and what to do about them.

The book is publicly available via the following link The Open Society as an Enemy | LSE Press

J. McKenzie Alexander is a Professor in Philosophy at the Department of Philosophy, Logic and Scientific Method in the London School of Economics. From 2012 to 2018, Professor Alexander served as one of the Academic Governors on the Council of the LSE, as well as a member of the Court of Governors. From 2018–2021, he served as the Head of Department. Before joining the department, Alexander was a Visiting Assistant Professor at the Department of Philosophy, University of California – San Diego (between 2000 and 2001). Although J. McKenzie Alexander's original field of research concerned evolutionary game theory as applied to the evolution of morality and social norms, more recently he has worked on problems in decision theory, more broadly construed, including topics in formal epistemology.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 14 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Open Society as an Enemy: A critique of how free societies turned against themselves by J. McKenzie Alexander

Nearly 80 years ago, Karl Popper gave a spirited philosophical defence of the Open Society in his two-volume work, The Open Society and Its Enemies. In this book, J. McKenzie Alexander argues that a new defence is urgently needed because, in the decades since the end of the Cold War, many of the values of the Open Society have come under threat once again. Populist agendas on both the left and right threaten to undermine fundamental principles that underpin liberal democracies, so that what were previously seen as virtues of the Open Society are now, by many people, seen as vices, dangers, or threats.

The Open Society as an Enemy: A Critique of how Free Societies Turned Against Themselves interrogates four interconnected aspects of the Open Society: cosmopolitanism, transparency, the free exchange of ideas, and communitarianism. Each of these is analysed in depth, drawing out the implications for contemporary social questions such as the free movement of people, the erosion of privacy, no-platforming and the increased political and social polarisation that is fuelled by social media.

In re-examining the consequences for all of us of these attacks on free societies, Alexander calls for resistance to the forces of reaction. But he also calls for the concept of the Open Society to be rehabilitated and advanced. In doing this, he argues, there is an opportunity to re-think the kind of society we want to create, and to ensure it is achievable and sustainable. This forensic defence of the core principles of the Open Society is an essential read for anyone wishing to understand some of the powerful social currents that have engulfed public debates in recent years, and what to do about them.

The book is publicly available via the following link The Open Society as an Enemy | LSE Press

J. McKenzie Alexander is a Professor in Philosophy at the Department of Philosophy, Logic and Scientific Method in the London School of Economics. From 2012 to 2018, Professor Alexander served as one of the Academic Governors on the Council of the LSE, as well as a member of the Court of Governors. From 2018–2021, he served as the Head of Department. Before joining the department, Alexander was a Visiting Assistant Professor at the Department of Philosophy, University of California – San Diego (between 2000 and 2001). Although J. McKenzie Alexander's original field of research concerned evolutionary game theory as applied to the evolution of morality and social norms, more recently he has worked on problems in decision theory, more broadly construed, including topics in formal epistemology.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>The Open Society as an Enemy: </strong>A critique of how free societies turned against themselves by J. McKenzie Alexander</p>
<p>Nearly 80 years ago, Karl Popper gave a spirited philosophical defence of the Open Society in his two-volume work, <em>The Open Society and Its Enemies</em>. In this book, J. McKenzie Alexander argues that a new defence is urgently needed because, in the decades since the end of the Cold War, many of the values of the Open Society have come under threat once again. Populist agendas on both the left and right threaten to undermine fundamental principles that underpin liberal democracies, so that what were previously seen as virtues of the Open Society are now, by many people, seen as vices, dangers, or threats.</p>
<p><a href="https://bookshop.org/a/12343/9781911712268">The Open Society as an Enemy: A Critique of how Free Societies Turned Against Themselves </a>interrogates four interconnected aspects of the Open Society: cosmopolitanism, transparency, the free exchange of ideas, and communitarianism. Each of these is analysed in depth, drawing out the implications for contemporary social questions such as the free movement of people, the erosion of privacy, no-platforming and the increased political and social polarisation that is fuelled by social media.</p>
<p>In re-examining the consequences for all of us of these attacks on free societies, Alexander calls for resistance to the forces of reaction. But he also calls for the concept of the Open Society to be rehabilitated and advanced. In doing this, he argues, there is an opportunity to re-think the kind of society we want to create, and to ensure it is achievable and sustainable. This forensic defence of the core principles of the Open Society is an essential read for anyone wishing to understand some of the powerful social currents that have engulfed public debates in recent years, and what to do about them.</p>
<p>The book is publicly available via the following link <a href="https://press.lse.ac.uk/books/m/10.31389/lsepress.ose">The Open Society as an Enemy | LSE Press</a></p>
<p>J. McKenzie Alexander is a Professor in Philosophy at the Department of Philosophy, Logic and Scientific Method in the London School of Economics. From 2012 to 2018, Professor Alexander served as one of the Academic Governors on the Council of the LSE, as well as a member of the Court of Governors. From 2018–2021, he served as the Head of Department. Before joining the department, Alexander was a Visiting Assistant Professor at the Department of Philosophy, University of California – San Diego (between 2000 and 2001). Although J. McKenzie Alexander's original field of research concerned evolutionary game theory as applied to the evolution of morality and social norms, more recently he has worked on problems in decision theory, more broadly construed, including topics in formal epistemology.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.</p>
<p>YouTube Channel: <a href="https://www.youtube.com/user/a48266/videos">https://www.youtube.com/user/a48266/videos</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4286</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jennifer Crane, "'Gifted Children' in Britain and the World: Elitism and Equality Since 1945" (Oxford UP, 2025)</title>
      <description>Who are 'gifted' children? In ‘Gifted Children’ in Britain and the World: Elitism and Equality since 1945 Jennifer Crane, a senior lecturer in the School of Geographical Sciences at the University of Bristol (Oxford UP, 2025) tells the social and cultural history of this category of young people. The book charts the individuals, organisations, policymakers, and media activities that aimed to identify children as ‘gifted’, lobbying for their social status and the potential benefit they might bring to both the UK and the rest of the world. At the same time, the book critically assesses the idea of 'gifted' children being closely intertwined with a range of social inequalities, reflecting Britain’s broader class, race, gender and disability hierarchies. Most crucially, the book draws on children’s voices, foregrounding their experiences of understanding, embracing, and resisting the 'gifted' label. At a time of renewed public debates over social and cultural hierarchies, the book is essential reading across the humanities and social sciences. It is available open access here.

﻿Jennifer Crane is lecturer in health geographies at the School of Geographical Sciences, University of Bristol, working at the intersection of history, geography, and sociologies of health.

﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Who are 'gifted' children? In ‘Gifted Children’ in Britain and the World: Elitism and Equality since 1945 Jennifer Crane, a senior lecturer in the School of Geographical Sciences at the University of Bristol (Oxford UP, 2025) tells the social and cultural history of this category of young people. The book charts the individuals, organisations, policymakers, and media activities that aimed to identify children as ‘gifted’, lobbying for their social status and the potential benefit they might bring to both the UK and the rest of the world. At the same time, the book critically assesses the idea of 'gifted' children being closely intertwined with a range of social inequalities, reflecting Britain’s broader class, race, gender and disability hierarchies. Most crucially, the book draws on children’s voices, foregrounding their experiences of understanding, embracing, and resisting the 'gifted' label. At a time of renewed public debates over social and cultural hierarchies, the book is essential reading across the humanities and social sciences. It is available open access here.

﻿Jennifer Crane is lecturer in health geographies at the School of Geographical Sciences, University of Bristol, working at the intersection of history, geography, and sociologies of health.

﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who are 'gifted' children? In <a href="https://bookshop.org/a/12343/9780198928850">‘Gifted Children’ in Britain and the World: Elitism and Equality since 1945</a> Jennifer Crane, <a href="https://www.bristol.ac.uk/people/person/Jennifer-Crane-fd5e0411-6dae-4c5c-abb2-f711c31c3cdc/">a senior lecturer in the School of Geographical Sciences at the University of Bristol</a> (Oxford UP, 2025) tells the social and cultural history of this category of young people. The book charts the individuals, organisations, policymakers, and media activities that aimed to identify children as ‘gifted’, lobbying for their social status and the potential benefit they might bring to both the UK and the rest of the world. At the same time, the book critically assesses the idea of 'gifted' children being closely intertwined with a range of social inequalities, reflecting Britain’s broader class, race, gender and disability hierarchies. Most crucially, the book draws on children’s voices, foregrounding their experiences of understanding, embracing, and resisting the 'gifted' label. At a time of renewed public debates over social and cultural hierarchies, the book is essential reading across the humanities and social sciences. It is available open access <a href="https://watermark.silverchair.com/9780198928867_web.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAAyswggMnBgkqhkiG9w0BBwagggMYMIIDFAIBADCCAw0GCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMv0zPYrq1dhs_U7MeAgEQgIIC3htpN6m8TzIXWVkuiomcWE7T6qEPN7UiSlAi_JRb33-5g3Ihu4mrU5LcKuFA_C2PRP7z2G0mGFP3FlxUYHFWrP0966w-Da0cF9Fk8Fua6_RWW_WDBqRPPKi7wSUFZrr1dCASncbIuX0a8CIUiucXTUmC158o97uSU85FnJIZSEObaNV-BNAN0rQxxZ0QWBKg0nUB8tPk-nwVr80nr1-xQlXs5D6sstJRw2J2UjUAAbr7CRCJHN65sV6mmrHeOvadt245lnypTz_ZKkh3ZhPpD0wjpoDlasLafh_lcizjyNxzPL2r8Jva9q9MB0zrCaBa64EeHkhIA0jrv5XuZc6SV-ATfbEAx8obMhvE6JpjeLAa0REZv09BH7OAwB_w15amDQCtkSH0dSaknak1J_B4xlFvZJZLO7qe408QKt0Qvrl1u5XL2OCSxdZfaXmhUWYLMtMmPWf-SC0Hi_K5HzK3KjQiQHnVGozvBmy5KQ89P8FhBtrDWj7YCxFt4mAXVD8kILZnn3JfyENUblME19pPfRvK5khdTyS3FXUKiDSpf2iJIDfZzaCSbQorx6mMx25C9O8gRcqKPPNpsMs2EjY09cUUZAokwH5Qnc3wiNGNcFaSSsw0ZVpjxV37aKEloUnMq5hm-UHlKekSxS3iCXdYB4H8h1Co1zuUZUDw8Whj9FxqhcUh8Z9nrdghIuPDzGEmW0yPxfbPOdPrhDg07nmpcWLLupHtICYs10ULizbjB_QRXiGfTdHC98-hTBDJo8ttruVfQhuFHTXRKdXbEXFrAHIQA3Te95NS9TtzK0PUUyHDf_15s_1ZWN-AV4-5vJQB8O37CeYPqo5rM6YT3-Sn7StrmvCte-f3avCscp3Ch2rHXVbmWnBGaFZkYW9C9rSNkxlkv7f9wD-KAxVolqA-d9m2cWhJwKDq6LbowfvhlBYIomacHxqmGdByGJybGUXq96jehJxPaffjAenx939N">here</a>.</p>
<p>﻿Jennifer Crane is lecturer in health geographies at the School of Geographical Sciences, University of Bristol, working at the intersection of history, geography, and sociologies of health.</p>
<p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien">Dave O'Brien</a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Alison Griffiths, "Nomadic Cinema: A Cultural Geography of the Expedition Film" (Columbia UP, 2025)</title>
      <description>From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens.

Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens.

Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From <em>In Borneo</em>, the <em>Land of the Head-Hunters</em> to <em>The Epic of Everest to Camping Among the Indians</em>, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens.</p>
<p><a href="https://bookshop.org/a/12343/9780231192590">Nomadic Cinema: A Cultural Geography of the Expedition Film</a> (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, <em>Nomadic Cinema</em> ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3745</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>antonio c. cuyler, "Achieving Creative Justice in the U.S. Creative Sector" (Routledge, 2025)</title>
      <description>How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship &amp; Leadership and Faculty Associate in Voice &amp; Opera in the School of Music, Theatre &amp; Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship &amp; Leadership and Faculty Associate in Voice &amp; Opera in the School of Music, Theatre &amp; Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can cultural organisations better support diversity? In <em>Achieving Creative Justice in the U.S. Creative Sector</em> <a href="https://smtd.umich.edu/profiles/antonio-cuyler/">antonio c. cuyler, Professor of Music in Entrepreneurship &amp; Leadership and Faculty Associate in Voice &amp; Opera in the School of Music, Theatre &amp; Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan</a>, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access <a href="https://www.taylorfrancis.com/books/oa-mono/10.4324/9781003246909/achieving-creative-justice-creative-sector-antonio-cuyler">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2437</itunes:duration>
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    </item>
    <item>
      <title>Kevin B. Anderson, "The Late Marx's Revolutionary Roads: Colonialism, Gender, and Indigenous Communism" (Verso, 2025)</title>
      <description>Kevin Anderson’s The Late Marx's Revolutionary Roads: Colonialism, Gender, and Indigenous Communism (Verso, 2025) encourages to look again at the intellectual and political work of a figure some may assume has been exhausted: Karl Marx. Following on from his earlier landmark study Marx at the Margins: On Nationalism, Ethnicity and Non-Western Societies (University of Chicago Press, 2016), this volume turns specifically to the ‘late Marx’. In this period (1869-82), Marx spent much of his time engrossed in the study of colonialism, agrarian Russia and India, Indigenous societies, and gender among many other less known topics of his interest. His notes, especially what come to be known as The Ethnological Notebooks, along with letters, essays and a scattering of published texts remain only poorly known (and in some cases unpublished or not yet fully translated into English) and form the backbone of Anderson’s study. They evidence a change of perspective, away from Eurocentric worldviews or unilinear theories of development. Anderson shows how the late Marx sees a wider revolution that included the European proletariat being touched off by revolts by oppressed ethno-racial groups, peasant communes, and Indigenous communist groups, in many of which women held great social power.

In our discussion, we highlight some of the key themes in the late Marx, bringing out the ways in which Marx is making connections across his writings, how colonial subjects in Ireland and India share commonalities and what can be seen when we look at communal social forms in Russia and among Native Americans. We also discuss why Marx can be seen as a decolonial thinker, consider what he might have produced had he lived longer and the ways in which the late Marx can be presented to students to complement his central themes of class and capitalism.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (Palgrave Macmillan, 2024), along with other texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kevin Anderson’s The Late Marx's Revolutionary Roads: Colonialism, Gender, and Indigenous Communism (Verso, 2025) encourages to look again at the intellectual and political work of a figure some may assume has been exhausted: Karl Marx. Following on from his earlier landmark study Marx at the Margins: On Nationalism, Ethnicity and Non-Western Societies (University of Chicago Press, 2016), this volume turns specifically to the ‘late Marx’. In this period (1869-82), Marx spent much of his time engrossed in the study of colonialism, agrarian Russia and India, Indigenous societies, and gender among many other less known topics of his interest. His notes, especially what come to be known as The Ethnological Notebooks, along with letters, essays and a scattering of published texts remain only poorly known (and in some cases unpublished or not yet fully translated into English) and form the backbone of Anderson’s study. They evidence a change of perspective, away from Eurocentric worldviews or unilinear theories of development. Anderson shows how the late Marx sees a wider revolution that included the European proletariat being touched off by revolts by oppressed ethno-racial groups, peasant communes, and Indigenous communist groups, in many of which women held great social power.

In our discussion, we highlight some of the key themes in the late Marx, bringing out the ways in which Marx is making connections across his writings, how colonial subjects in Ireland and India share commonalities and what can be seen when we look at communal social forms in Russia and among Native Americans. We also discuss why Marx can be seen as a decolonial thinker, consider what he might have produced had he lived longer and the ways in which the late Marx can be presented to students to complement his central themes of class and capitalism.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (Palgrave Macmillan, 2024), along with other texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kevin Anderson’s <a href="https://www.versobooks.com/en-gb/products/3257-the-late-marx-s-revolutionary-roads">The Late Marx's Revolutionary Roads: Colonialism, Gender, and Indigenous Communism</a> (Verso, 2025) encourages to look again at the intellectual and political work of a figure some may assume has been exhausted: Karl Marx. Following on from his earlier landmark study <a href="https://press.uchicago.edu/ucp/books/book/chicago/M/bo22776846.html">Marx at the Margins: On Nationalism, Ethnicity and Non-Western Societies</a> (University of Chicago Press, 2016), this volume turns specifically to the ‘late Marx’. In this period (1869-82), Marx spent much of his time engrossed in the study of colonialism, agrarian Russia and India, Indigenous societies, and gender among many other less known topics of his interest. His notes, especially what come to be known as The Ethnological Notebooks, along with letters, essays and a scattering of published texts remain only poorly known (and in some cases unpublished or not yet fully translated into English) and form the backbone of Anderson’s study. They evidence a change of perspective, away from Eurocentric worldviews or unilinear theories of development. Anderson shows how the late Marx sees a wider revolution that included the European proletariat being touched off by revolts by oppressed ethno-racial groups, peasant communes, and Indigenous communist groups, in many of which women held great social power.</p>
<p>In our discussion, we highlight some of the key themes in the late Marx, bringing out the ways in which Marx is making connections across his writings, how colonial subjects in Ireland and India share commonalities and what can be seen when we look at communal social forms in Russia and among Native Americans. We also discuss why Marx can be seen as a decolonial thinker, consider what he might have produced had he lived longer and the ways in which the late Marx can be presented to students to complement his central themes of class and capitalism.</p>
<p>Your host, <a href="https://www.gla.ac.uk/schools/socialpolitical/staff/mattdawson/">Matt Dawson</a> is Professor of Sociology at the University of Glasgow and the author of <a href="https://link.springer.com/book/10.1007/978-3-031-75484-5">G.D.H. Cole and British Sociology: A Study in Semi-Alienation</a> (Palgrave Macmillan, 2024), along with other texts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cd08fea4-42d9-11f0-becf-b70d3fbdd9cc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7851923513.mp3?updated=1749216596" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sladja Blažan, "Ghosts and Their Hosts: The Colonization of the Invisible World in Early America" (University of Virginia Press, 2025)</title>
      <description>In Ghosts and Their Hosts: The Colonization of the Invisible World in Early America (University of Virginia Press, 2025), Dr. Sladja Blažan explains the foundational role of ghost stories in fostering the cultural imaginary, offering a medium for framing political ideologies, philosophical thought, racial anxieties, and social concerns. Ghosts and Their Hosts analyzes American ghost stories, considering their role as a settler colonial tool that emerged to help justify land appropriation and human labor exploitation. Dr. Blažan breaks with the long tradition of reading ghosts as harbingers of justice, arguing that early American ghost stories worked instead to suppress the presence of non-Europeans through fantasies of European transcultural incorporation. Images of sentient forests and nature possessed by spirits helped develop fixed racial, gendered, and sexualized categories, while authors used ghosts to affirm existing hierarchies and establish new ones. Focusing on the cultural exchanges between Germany, England, France, and the United States around the turn of the nineteenth century, Dr. Blažan deploys a groundbreaking ecocritical and comparative approach to shed light on this haunting subject.



This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 08 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Ghosts and Their Hosts: The Colonization of the Invisible World in Early America (University of Virginia Press, 2025), Dr. Sladja Blažan explains the foundational role of ghost stories in fostering the cultural imaginary, offering a medium for framing political ideologies, philosophical thought, racial anxieties, and social concerns. Ghosts and Their Hosts analyzes American ghost stories, considering their role as a settler colonial tool that emerged to help justify land appropriation and human labor exploitation. Dr. Blažan breaks with the long tradition of reading ghosts as harbingers of justice, arguing that early American ghost stories worked instead to suppress the presence of non-Europeans through fantasies of European transcultural incorporation. Images of sentient forests and nature possessed by spirits helped develop fixed racial, gendered, and sexualized categories, while authors used ghosts to affirm existing hierarchies and establish new ones. Focusing on the cultural exchanges between Germany, England, France, and the United States around the turn of the nineteenth century, Dr. Blažan deploys a groundbreaking ecocritical and comparative approach to shed light on this haunting subject.



This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780813952390">Ghosts and Their Hosts: The Colonization of the Invisible World in Early America</a> (University of Virginia Press, 2025), Dr. Sladja Blažan explains the foundational role of ghost stories in fostering the cultural imaginary, offering a medium for framing political ideologies, philosophical thought, racial anxieties, and social concerns. <em>Ghosts and Their Hosts</em> analyzes American ghost stories, considering their role as a settler colonial tool that emerged to help justify land appropriation and human labor exploitation. Dr. Blažan breaks with the long tradition of reading ghosts as harbingers of justice, arguing that early American ghost stories worked instead to suppress the presence of non-Europeans through fantasies of European transcultural incorporation. Images of sentient forests and nature possessed by spirits helped develop fixed racial, gendered, and sexualized categories, while authors used ghosts to affirm existing hierarchies and establish new ones. Focusing on the cultural exchanges between Germany, England, France, and the United States around the turn of the nineteenth century, Dr. Blažan deploys a groundbreaking ecocritical and comparative approach to shed light on this haunting subject.</p>
<p><br></p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2958</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a60077ea-41f0-11f0-b68a-af8b4cd06fe2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6529334802.mp3?updated=1749116604" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Potter, "Poetics of the Migrant: Migrant Literature and the Politics of Motion" (Edinburgh UP, 2023)</title>
      <description>Since the 1980s, readers and scholars alike have celebrated migrant literature for not only depicting migration, but for inspiring  reflections on class, race, gender, nations, and mobility. But, beyond  depicting migration, is it possible for migrant literature to be a force of movement itself? Poetics of the Migrant: ﻿﻿Migrant Literature and the Politics of Motion calls upon the philosophy of movement and a counter-history of migration to invent a theory and method for analysing migrant literature. The text uncovers patterns of movement that migrant texts enact and create – in other words, a movement-oriented poetics. Poetics of the Migrant understands movement as the defining force of human history; and the migrant is the primary figure of cultural and political transformation. Migrant literature makes it possible to transform how we process and interpret social history through social motion. Perhaps, from here, we can imagine a different world: one where movement and migrancy are legible and thinkable.

About Kevin Potter:

Kevin Potter is a postdoctoral researcher in the Department of English &amp; American Studies at the University of Vienna. His research and teaching primarily focus on Marxist theory, migrant literature, anarchist thought, dystopian fiction, and Palestine. His first book, Poetics of the Migrant was released in 2023 through Edinburgh University Press, and received honorable mention for the 2024 Hugh J. Silverman Prize from the Association for Philosophy and Literature.

About Pavan Mano:

Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London (https://www.kcl.ac.uk/people/p...). He works at the intersections of critical &amp; literary theory, politics and culture. His first monograph, Straight Nation, interrogates postcolonial nationalism and the governance of sexuality in Singapore (https://manchesteruniversitypr...).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since the 1980s, readers and scholars alike have celebrated migrant literature for not only depicting migration, but for inspiring  reflections on class, race, gender, nations, and mobility. But, beyond  depicting migration, is it possible for migrant literature to be a force of movement itself? Poetics of the Migrant: ﻿﻿Migrant Literature and the Politics of Motion calls upon the philosophy of movement and a counter-history of migration to invent a theory and method for analysing migrant literature. The text uncovers patterns of movement that migrant texts enact and create – in other words, a movement-oriented poetics. Poetics of the Migrant understands movement as the defining force of human history; and the migrant is the primary figure of cultural and political transformation. Migrant literature makes it possible to transform how we process and interpret social history through social motion. Perhaps, from here, we can imagine a different world: one where movement and migrancy are legible and thinkable.

About Kevin Potter:

Kevin Potter is a postdoctoral researcher in the Department of English &amp; American Studies at the University of Vienna. His research and teaching primarily focus on Marxist theory, migrant literature, anarchist thought, dystopian fiction, and Palestine. His first book, Poetics of the Migrant was released in 2023 through Edinburgh University Press, and received honorable mention for the 2024 Hugh J. Silverman Prize from the Association for Philosophy and Literature.

About Pavan Mano:

Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London (https://www.kcl.ac.uk/people/p...). He works at the intersections of critical &amp; literary theory, politics and culture. His first monograph, Straight Nation, interrogates postcolonial nationalism and the governance of sexuality in Singapore (https://manchesteruniversitypr...).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the 1980s, readers and scholars alike have celebrated migrant literature for not only depicting migration, but for inspiring  reflections on class, race, gender, nations, and mobility. But, beyond  depicting migration, is it possible for migrant literature to be a force of movement itself? <a href="https://bookshop.org/a/12343/9781399524995"><em>Poetics of the Migrant: ﻿﻿Migrant Literature and the Politics of Motion</em> </a>calls upon the philosophy of movement and a counter-history of migration to invent a theory and method for analysing migrant literature. The text uncovers patterns of movement that migrant texts enact and create – in other words, a movement-oriented poetics. <em>Poetics of the Migrant</em> understands movement as the defining force of human history; and the migrant is the primary figure of cultural and political transformation. Migrant literature makes it possible to transform how we process and interpret social history through social motion. Perhaps, from here, we can imagine a different world: one where movement and migrancy are legible and thinkable.</p>
<p><strong>About Kevin Potter:</strong></p>
<p>Kevin Potter is a postdoctoral researcher in the Department of English &amp; American Studies at the University of Vienna. His research and teaching primarily focus on Marxist theory, migrant literature, anarchist thought, dystopian fiction, and Palestine. His first<em> </em>book, <em>Poetics of the Migrant</em> was released in 2023 through Edinburgh University Press, and received honorable mention for the 2024 Hugh J. Silverman Prize from the Association for Philosophy and Literature.</p>
<p><strong>About Pavan Mano:</strong></p>
<p>Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London (<a href="https://www.kcl.ac.uk/people/pavan-mano">https://www.kcl.ac.uk/people/p...</a>). He works at the intersections of critical &amp; literary theory, politics and culture. His first monograph, Straight Nation, interrogates postcolonial nationalism and the governance of sexuality in Singapore (<a href="https://manchesteruniversitypress.co.uk/9781526176783/">https://manchesteruniversitypr...</a>).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3802</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6555b27a-40f9-11f0-9c88-fb384fbcb996]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4235177171.mp3?updated=1749010876" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Quinn Slobodian and Philip J. Stern on Political Economy</title>
      <description>• Philip J. Stern, Empire, Incorporated. The Corporations That Built British Colonialism (Belknap Press of Harvard University Press in 2023), by.

• Quinn Slobodian, Crack-Up Capitalism: Market Radicals and the Dream of a World Without Democracy (Penguin, 2023).

Adam Smith wrote that, “Political economy belongs to no nation; it is of no country: it is the science of the rules for the production, the accumulation, the distribution, and the consumption of wealth.”

However Adam Smith regarded the science of political economy, in practical terms, one is quite hard pressed to find a case where governments—be it an empire, republic, or nation—were completely left out of the picture. At least, that is how it’s been historically.

Questions about how people and other types of entities organize and generate capital, AND the role that governments play in all of this, fill libraries. The ramifications of the dynamics and rules surrounding money have proved so consequential—and increasingly so, in our increasingly technologized world—that it is no surprise that historians have devoted much energy to the study of political economy. Political economy, in the broadest terms, is the subject of our conversation today. Today on History Ex we put two recent books that bring important perspectives to these questions in conversation with each other. Today’s books both deal with entrepreneurial endeavors, usually “abroad”, or beyond the Metropole. While Philip Stern’s examination of early modern British corporations explains the myriad ways private initiatives sought government legitimacy and became entangled in the business of governance during the age of empires, Quinn Slobodian trenchantly reveals how some entrepreneurs and ideologues seek to escape governments in the age of nation-states.

Our authors find points of convergence as well as divergence in aims, methods, and outcomes of the people at the center of their books. Stern and Slobodian discuss methodologies and chronologies, the ideologies that animated their actors, how memory and history were mobilized in promoting various visions; they probe the historian’s perennial challenges of disentangling ideologies from interest, explain how similar actions in different historical contexts can demand different interpretations; and more. Listen in!

Philip Stern is an associate professor of History at Duke University in Durham, North Carolina. His work focuses on various aspects of the legal, political, intellectual, and business histories that shaped the British Empire. He is also the author of The Company-State: Corporate Sovereignty and the Early Modern Foundations of the British Empire in India (Oxford University Press, 2011) and many other scholarly works.

Quinn Slobodian is a professor of the history at Wellesley College in Massachusetts. He is also the author of the award-winning Globalists: The End of Empire and the Birth of Neoliberalism (Harvard University Press, 2018), which has been translated into six languages, and a frequent contributor to the Guardian, New Statesman, The New York, Times, Foreign Policy, Dissent and the Nation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>• Philip J. Stern, Empire, Incorporated. The Corporations That Built British Colonialism (Belknap Press of Harvard University Press in 2023), by.

• Quinn Slobodian, Crack-Up Capitalism: Market Radicals and the Dream of a World Without Democracy (Penguin, 2023).

Adam Smith wrote that, “Political economy belongs to no nation; it is of no country: it is the science of the rules for the production, the accumulation, the distribution, and the consumption of wealth.”

However Adam Smith regarded the science of political economy, in practical terms, one is quite hard pressed to find a case where governments—be it an empire, republic, or nation—were completely left out of the picture. At least, that is how it’s been historically.

Questions about how people and other types of entities organize and generate capital, AND the role that governments play in all of this, fill libraries. The ramifications of the dynamics and rules surrounding money have proved so consequential—and increasingly so, in our increasingly technologized world—that it is no surprise that historians have devoted much energy to the study of political economy. Political economy, in the broadest terms, is the subject of our conversation today. Today on History Ex we put two recent books that bring important perspectives to these questions in conversation with each other. Today’s books both deal with entrepreneurial endeavors, usually “abroad”, or beyond the Metropole. While Philip Stern’s examination of early modern British corporations explains the myriad ways private initiatives sought government legitimacy and became entangled in the business of governance during the age of empires, Quinn Slobodian trenchantly reveals how some entrepreneurs and ideologues seek to escape governments in the age of nation-states.

Our authors find points of convergence as well as divergence in aims, methods, and outcomes of the people at the center of their books. Stern and Slobodian discuss methodologies and chronologies, the ideologies that animated their actors, how memory and history were mobilized in promoting various visions; they probe the historian’s perennial challenges of disentangling ideologies from interest, explain how similar actions in different historical contexts can demand different interpretations; and more. Listen in!

Philip Stern is an associate professor of History at Duke University in Durham, North Carolina. His work focuses on various aspects of the legal, political, intellectual, and business histories that shaped the British Empire. He is also the author of The Company-State: Corporate Sovereignty and the Early Modern Foundations of the British Empire in India (Oxford University Press, 2011) and many other scholarly works.

Quinn Slobodian is a professor of the history at Wellesley College in Massachusetts. He is also the author of the award-winning Globalists: The End of Empire and the Birth of Neoliberalism (Harvard University Press, 2018), which has been translated into six languages, and a frequent contributor to the Guardian, New Statesman, The New York, Times, Foreign Policy, Dissent and the Nation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>• Philip J. Stern<em>, </em><a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674988125"><em>Empire, Incorporated. The Corporations That Built British Colonialism</em></a> (Belknap Press of Harvard University Press in 2023), by.</p>
<p><em>• </em>Quinn Slobodian, <a href="https://us.macmillan.com/books/9781250753892/crackupcapitalism"><em>Crack-Up Capitalism: Market Radicals and the Dream of a World Without Democracy</em></a> (Penguin, 2023).</p>
<p>Adam Smith wrote that, “Political economy belongs to no nation; it is of no country: it is the science of the rules for the production, the accumulation, the distribution, and the consumption of wealth.”</p>
<p>However Adam Smith regarded the science of political economy, in practical terms, one is quite hard pressed to find a case where governments—be it an empire, republic, or nation—were completely left out of the picture. At least, that is how it’s been historically.</p>
<p>Questions about how people and other types of entities organize and generate capital, AND the role that governments play in all of this, fill libraries. The ramifications of the dynamics and rules surrounding money have proved so consequential—and increasingly so, in our increasingly technologized world—that it is no surprise that historians have devoted much energy to the study of political economy. Political economy, in the broadest terms, is the subject of our conversation today. Today on History Ex we put two recent books that bring important perspectives to these questions in conversation with each other. <strong>Today’s books both deal with entrepreneurial endeavors, usually “abroad”, or beyond the Metropole. While Philip Stern’s examination of early modern British corporations explains the myriad ways private initiatives sought government legitimacy and became entangled in the business of governance during the age of empires, Quinn Slobodian trenchantly reveals how some entrepreneurs and ideologues seek to escape governments in the age of nation-states.</strong></p>
<p>Our authors find points of convergence as well as divergence in aims, methods, and outcomes of the people at the center of their books. Stern and Slobodian discuss methodologies and chronologies, the ideologies that animated their actors, how memory and history were mobilized in promoting various visions; they probe the historian’s perennial challenges of disentangling ideologies from interest, explain how similar actions in different historical contexts can demand different interpretations; and more. Listen in!</p>
<p>Philip Stern is an associate professor of History at Duke University in Durham, North Carolina. His work focuses on various aspects of the legal, political, intellectual, and business histories that shaped the British Empire. He is also the author of <a href="https://academic.oup.com/book/11841"><em>The Company-State: Corporate Sovereignty and the Early Modern Foundations of the British Empire in India</em></a> (Oxford University Press, 2011) and many other scholarly works.</p>
<p>Quinn Slobodian is a professor of the history at Wellesley College in Massachusetts. He is also the author of the award-<em>winning </em><a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674979529"><em>Globalists: The End of Empire and the Birth of Neoliberalism </em>(Harvard University Press, 2018</a>), which has been translated into six languages, and a frequent contributor to <em>the Guardian, New Statesman, The New York, Times, Foreign Policy, Dissent</em> and<em> the Nation.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3832</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f67ca780-40b9-11f0-97ba-c740dc2bc46d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7425962379.mp3?updated=1748982727" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christoph Schuringa, "Karl Marx and the Actualization of Philosophy" (Cambridge UP, 2025)</title>
      <description>It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In Karl Marx and the Actualization of Philosophy (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution.

Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin.

Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In Karl Marx and the Actualization of Philosophy (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution.

Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin.

Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is indisputable that Marx began his intellectual trajectory as a philosopher, but it is often thought that he subsequently turned away from philosophy. In <a href="https://bookshop.org/a/12343/9781009304801">Karl Marx and the Actualization of Philosophy</a> (Cambridge University Press, 2025), Christoph Schuringa proposes a radically different reading of Marx's intellectual project and demonstrates that from his earliest writings his aim was the 'actualization' of philosophy. Marx, he argues, should be understood not as turning away from philosophy, but as seeking to make philosophy a practical force in the world. By analysing a series of texts from across Marx's output, Schuringa shows that Marx progressively overcame what he called 'self-sufficient philosophy', not in order to leave philosophy behind but to bring it into its own. This involves a major reinterpretation of Marx's relationship to his ancestors Aristotle, Kant and Hegel, and shows that philosophy, as it actualizes itself, far from being merely a body of philosophical doctrine, figures as an instrument of the revolution.</p>
<p>Christoph Schuringa is Associate Professor of Philosophy at Northeastern University London. He has published widely on the history of philosophy and on Marx and Marxism, and is editor of the Hegel Bulletin.</p>
<p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2969</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8631630530.mp3?updated=1749516064" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anthony C. Infanti, "The Human Toll: Taxation and Slavery in Colonial America" (NYU Press, 2025)</title>
      <description>The Human Toll: Taxation and Slavery in Colonial America (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery’s economic entrenchment through the history of American tax law, The Human Toll urges us to consider the lessons that fiscal history holds for those working in the reparations movement today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Human Toll: Taxation and Slavery in Colonial America (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery’s economic entrenchment through the history of American tax law, The Human Toll urges us to consider the lessons that fiscal history holds for those working in the reparations movement today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781479829866">The Human Toll: Taxation and Slavery in Colonial America</a> (NYU Press, 2025) by Anthony C. Infanti documents how the American colonies used tax law to dehumanize enslaved persons, taxing them alongside valuable commodities upon their forced arrival and then as wealth-generating assets in the hands of slaveholders. Dr. Infanti examines how taxation also proved to be an important component for subjugating and controlling enslaved persons, both through its shaping of the composition of new arrivals to the colonies and through its funding of financial compensation to slaveholders for the destruction of their “property” to ensure their cooperation in the administration of capital punishment. The variety of tax mechanisms chosen to fund slaveholder compensation payments conveyed messages about who was thought to benefit from—and, therefore, who should shoulder the burden of—slaveholder compensation while opening a revealing window into these colonial societies.<br>While the story of colonial tax law is intrinsically linked to advancing slavery and racism, Infanti reveals how several colonies used the power of taxation as a means of curtailing the slave trade. Though often self-interested, these efforts show how taxation can be used not only in the service of evil but also to correct societal injustices. Providing a fascinating account of slavery’s economic entrenchment through the history of American tax law,<em> The Human Toll</em> urges us to consider the lessons that fiscal history holds for those working in the reparations movement today.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3767</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2f39c58a-3f89-11f0-93ef-7362f69055d2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4064507573.mp3?updated=1748852258" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katie Beswick, "Slags on Stage: Class, Sex, Art and Desire in British Culture" (Routledge, 2025)</title>
      <description>How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag’ across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag’, the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags’ in British culture and how class, race and gender all intersect in Britain’s unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 31 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag’ across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag’, the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags’ in British culture and how class, race and gender all intersect in Britain’s unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are working class women represented in contemporary culture? In <a href="https://www.routledge.com/Slags-on-Stage-Class-Sex-Art-and-Desire-in-British-Culture/Beswick/p/book/9780367417123"><em>Slags on Stage: Class, Sex, Art and Desire in British Culture</em></a> (Routledge, 2025), <a href="https://bsky.app/profile/drkbez.bsky.social">Katie Beswick</a>, a <a href="https://katiebeswick.com/">Senior Lecturer in Arts Management </a>at <a href="https://www.gold.ac.uk/icce/staff/beswick-katie/">Goldsmiths, University of London,</a> examines this question by analysing the figure of the ‘slag’ across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag’, the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags’ in British culture and how class, race and gender all intersect in Britain’s unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2480</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2620290062.mp3?updated=1748553997" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nneka D. Dennie, "Mary Ann Shadd Cary: Essential Writings of a Nineteenth Century Black Radical Feminist" (Oxford UP, 2023)</title>
      <description>In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”

Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom.

Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 30 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”

Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom.

Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”</p>
<p><a href="https://bookshop.org/a/12343/9780197609477">Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist</a><em> </em>(Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom.</p>
<p><a href="https://nnekadennie.com/">Nneka D. Dennie </a>is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the <a href="https://blackwomensstudies.org/">Black Women’s Studies Association</a>. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in<em> Palimpsest: A Journal on Women, Gender, and the Black International</em>; <em>Feminist Studies; Atlantic Studies: Global Currents</em>; <em>The Routledge Companion to Black Women's Social and Cultural Histories</em>; <em>The Oxford Handbook of W.E.B. Du Bois</em>, and more.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Dr. Dennie continue their conversation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3512</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Peter Allen, "How to Think about Politics: A Guide in Five Parts" (Oxford UP, 2025)</title>
      <description>What part should politics play in our everyday lives? In How to Think About Politics: A Guide in Five Parts (Oxford University Press, 2025) Peter Allen, a professor of Politics and Co-Director of the Institute for Policy Research at the University of Bath, explores this question across a range of practical and philosophical examples. The book directly challenges the conventional academic understanding of politics, showing how politics is much more than election polls or parliamentary behaviours. This broader view of the politic allows the book to offer insights as to what needs to change in political systems, as well as more generally in societies. A much needed and urgent intervention on the current state of our world, the book should be widely read by any readers interested in politics today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What part should politics play in our everyday lives? In How to Think About Politics: A Guide in Five Parts (Oxford University Press, 2025) Peter Allen, a professor of Politics and Co-Director of the Institute for Policy Research at the University of Bath, explores this question across a range of practical and philosophical examples. The book directly challenges the conventional academic understanding of politics, showing how politics is much more than election polls or parliamentary behaviours. This broader view of the politic allows the book to offer insights as to what needs to change in political systems, as well as more generally in societies. A much needed and urgent intervention on the current state of our world, the book should be widely read by any readers interested in politics today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What part should politics play in our everyday lives? In <a href="https://www.peter-allen.co.uk/how-to-think-about-politics/"><em>How to Think About Politics: A Guide in Five Parts</em></a> (Oxford University Press, 2025) <a href="https://bsky.app/profile/peterallen.bsky.social">Peter Allen</a>, <a href="https://www.peter-allen.co.uk/">a professor of Politics</a> and <a href="https://www.bath.ac.uk/research-institutes/institute-for-policy-research/">Co-Director of the Institute for Policy Research</a> at the <a href="https://researchportal.bath.ac.uk/en/persons/peter-allen/publications/">University of Bath,</a> explores this question across a range of practical and philosophical examples. The book directly challenges the conventional academic understanding of politics, showing how politics is much more than election polls or parliamentary behaviours. This broader view of the politic allows the book to offer insights as to what needs to change in political systems, as well as more generally in societies. A much needed and urgent intervention on the current state of our world, the book should be widely read by any readers interested in politics today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2153</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d399a71a-3b4e-11f0-987b-5fe7f9e87ba5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6674577400.mp3?updated=1748387600" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jaleh Mansoor, "Universal Prostitution and Modernist Abstraction: A Counterhistory" (Duke UP, 2025)</title>
      <description>Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists’ muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic.

In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx’s concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet’s Olympia and Georges Seurat’s The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value’s impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jaleh Mansoor</itunes:subtitle>
      <itunes:summary>Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists’ muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic.

In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx’s concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet’s Olympia and Georges Seurat’s The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value’s impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Join me for conversation with <a href="https://ahva.ubc.ca/profile/jaleh-mansoor/">Dr. Jaleh Mansoor</a> (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book <a href="https://bookshop.org/a/12343/9781478031758">Universal Prostitution and Modernist Abstraction: A Counterhistory</a> (Duke University Press, 2025). Our discussion brought us to topics like the artists’ muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic.</p>
<p>In <em>Universal Prostitution and Modernist Abstraction</em>, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx’s concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet’s Olympia and Georges Seurat’s The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value’s impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life.</p>
<p>This episode was hosted by <a href="https://history-of-art.osu.edu/people/adomanis.1">Asia Adomanis</a>, a PhD student in the Department of History of Art at Ohio State.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4813</itunes:duration>
      <guid isPermaLink="false"><![CDATA[bba74b72-366b-11f0-9013-6f335e97ba27]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2516444043.mp3?updated=1747850813" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tamara Lea Spira, "Queering Families: Reproductive Justice in Precarious Times" (U California Press, 2025)</title>
      <description>Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times.

Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>252</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tamara Lea Spira</itunes:subtitle>
      <itunes:summary>Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's Queering Families: Reproductive Justice in Precarious Times (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times.

Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship and more recently, Doing Gender Justice: Queering Reproduction, Kin and Care (co-authored withe Natalie Fixmer-Oraiz).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Envisioning queer futures where we lovingly wager everything for the world's children, the planet, and all living beings against all odds, and in increasingly precarious times. Tamara Lea Spira's <a href="https://newbooksnetwork.com/admin/entries/episodes/undefined/a/12343/9780520386204">Queering Families: Reproductive Justice in Precarious Times</a> (U California Press, 2025) traces the shifting dominant meanings of queer family from the late twentieth century to today. With this book, Spira highlights the growing embrace of normative family structures by LGBTQ+ movements--calling into question how many queers, once deemed unfit to parent, have become contradictory agents within the US empire's racial and colonial agendas. Simultaneously, Queering Families celebrates the rich history of queer reproductive justice, from the radical movements of the 1970s through the present, led by Black, decolonial, and queer of color feminist activists. Ultimately, Spira argues that queering reproductive justice impels us to build communities of care to cherish and uphold the lives of those who, defying normativity's violent stranglehold, are deemed to be unworthy of life. She issues the call to lovingly wager a future for the world's children, the planet, and all living beings against all odds, and in increasingly perilous times.</p>
<p>Shui-yin Sharon Yam is Professor of Writing, Rhetoric, and Digital Studies at the University of Kentucky. She is the author of <a href="https://ohiostatepress.org/books/titles/9780814214091.html">Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship</a><em> </em>and more recently,<a href="https://www.press.jhu.edu/books/title/53812/doing-gender-justice"> <em>Doing Gender Justice: Queering Reproduction, Kin and Care </em></a>(co-authored withe Natalie Fixmer-Oraiz).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3789</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[804caf10-3335-11f0-93b9-c390a4045c6a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4789831014.mp3?updated=1747497343" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rasheedah Phillips, "Dismantling the Master's Clock: On Race, Space, and Time" (AK Press, 2025)</title>
      <description>Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master's Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.

Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 18 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>506</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rasheedah Phillips</itunes:subtitle>
      <itunes:summary>Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master's Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.

Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward <em>and</em> backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.</p>
<p>Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?</p>
<p>Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, <a href="https://bookshop.org/a/12343/9781849355612">Dismantling the Master's Clock: On Race, Space, and Time</a><em> </em>(AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.<br></p>
<p><a href="https://www.rasheedah.net/">Rasheedah Phillips</a> is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the <em>New York Times</em>, <em>The Wire</em>, <em>New York </em>Magazine, <em>Boston Review</em>, <em>Hyperallergic</em>, and <em>e-flux</em>.</p>
<p>You can find the host, Sullivan Summer, <a href="https://sullivansummer.com/">online</a>, on <a href="https://www.instagram.com/thesullivansummer/">Instagram</a>, and at <a href="https://sullivansummer.substack.com/">Substack</a>, where she and Rasheedah continue their conversation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3371</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9fd1aad0-319a-11f0-b329-cb13954044da]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5491586490.mp3?updated=1747320732" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lucia Soriano, "Embodying Normalcy: Women's Work in Neoliberal Times" (Lexington Books, 2024)</title>
      <description>Embodying Normalcy: Women’s Work in Neoliberal Times (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day.

Author Lucia Soriano is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College.

The episode is hosted by Ailin Zhou, PhD student in Film &amp; Digital Media at University of California - Santa Cruz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 17 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>251</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lucia Soriano</itunes:subtitle>
      <itunes:summary>Embodying Normalcy: Women’s Work in Neoliberal Times (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day.

Author Lucia Soriano is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College.

The episode is hosted by Ailin Zhou, PhD student in Film &amp; Digital Media at University of California - Santa Cruz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781666919424">Embodying Normalcy: Women’s Work in Neoliberal Times</a> (Lexington Books, 2024) calls attention to how women in the United States do a type of unpaid work to embody the latest trends for the purpose of achieving success in neoliberal culture. Using TLC reality shows, lifestyle and beauty influencers, Brazilian butt lift TikToks, and celebrities like Kim Kardashian as her archive, Lucia Soriano delivers four case studies that draw on gender studies, media studies, disability studies, and American studies to illustrate how the prerequisite for women to succeed in neoliberal culture calls for them to treat their bodies as projects that must be transformed every day.</p>
<p>Author Lucia Soriano<strong> </strong>is assistant professor in women’s, gender, and sexuality studies and ethnic studies at Albion College.</p>
<p>The episode is hosted by Ailin Zhou, PhD student in Film &amp; Digital Media at University of California - Santa Cruz.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[71521986-3101-11f0-96ac-0b8e73c565cf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3648902971.mp3?updated=1747254931" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric Heinze, "Coming Clean: The Rise of Critical Theory and the Future of the Left" (MIT Press, 2025)</title>
      <description>What has gone wrong with the left—and what leftists must do if they want to change politics, ethics, and minds. Leftists have long taught that people in the West must take responsibility for centuries of classism, racism, colonialism, patriarchy, and other gross injustices. Of course, right-wingers constantly ridicule this claim for its “wokeness.” 

In Coming Clean: The Rise of Critical Theory and the Future of the Left ( MIT Press, 2025), Eric Heinze rejects the idea that we should be less woke. In fact, we need more wokeness, but of a new kind. Yes, we must teach about these bleak pasts, but we must also educate the public about the left’s own support for regimes that damaged and destroyed millions of lives for over a century—Stalin in the Soviet Union, Mao Zedong in China, Pol Pot in Cambodia, or the Kim dynasty in North Korea. Criticisms of Western wrongdoing are certainly important, yet Heinze explains that leftists have rarely engaged in the kinds of open and public self-scrutiny that they demand from others. Citing examples as different as the Ukraine war, LGBTQ+ people in Cuba, the concept of “hatred,” and the problem of leftwing antisemitism, Heinze explains why and how the left must change its memory politics if it is to claim any ethical high ground.

Eric Heinze is Professor of Law and Humanities at Queen Mary University of London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What has gone wrong with the left—and what leftists must do if they want to change politics, ethics, and minds. Leftists have long taught that people in the West must take responsibility for centuries of classism, racism, colonialism, patriarchy, and other gross injustices. Of course, right-wingers constantly ridicule this claim for its “wokeness.” 

In Coming Clean: The Rise of Critical Theory and the Future of the Left ( MIT Press, 2025), Eric Heinze rejects the idea that we should be less woke. In fact, we need more wokeness, but of a new kind. Yes, we must teach about these bleak pasts, but we must also educate the public about the left’s own support for regimes that damaged and destroyed millions of lives for over a century—Stalin in the Soviet Union, Mao Zedong in China, Pol Pot in Cambodia, or the Kim dynasty in North Korea. Criticisms of Western wrongdoing are certainly important, yet Heinze explains that leftists have rarely engaged in the kinds of open and public self-scrutiny that they demand from others. Citing examples as different as the Ukraine war, LGBTQ+ people in Cuba, the concept of “hatred,” and the problem of leftwing antisemitism, Heinze explains why and how the left must change its memory politics if it is to claim any ethical high ground.

Eric Heinze is Professor of Law and Humanities at Queen Mary University of London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What has gone wrong with the left—and what leftists must do if they want to change politics, ethics, and minds. Leftists have long taught that people in the West must take responsibility for centuries of classism, racism, colonialism, patriarchy, and other gross injustices. Of course, right-wingers constantly ridicule this claim for its “wokeness.” </p>
<p>In <a href="https://bookshop.org/a/12343/9780262049580">Coming Clean: The Rise of Critical Theory and the Future of the Left</a> ( MIT Press, 2025), Eric Heinze rejects the idea that we should be less woke. In fact, we need more wokeness, but of a new kind. Yes, we must teach about these bleak pasts, but we must also educate the public about the left’s own support for regimes that damaged and destroyed millions of lives for over a century—Stalin in the Soviet Union, Mao Zedong in China, Pol Pot in Cambodia, or the Kim dynasty in North Korea. Criticisms of Western wrongdoing are certainly important, yet Heinze explains that leftists have rarely engaged in the kinds of open and public self-scrutiny that they demand from others. Citing examples as different as the Ukraine war, LGBTQ+ people in Cuba, the concept of “hatred,” and the problem of leftwing antisemitism, Heinze explains why and how the left must change its memory politics if it is to claim any ethical high ground.</p>
<p>Eric Heinze is Professor of Law and Humanities at Queen Mary University of London.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4314</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Myka Tucker-Abramson, "Cartographies of Empire: The Road Novel and American Hegemony" (Stanford UP, 2025)</title>
      <description>The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely?

In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>347</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Myka Tucker-Abramson</itunes:subtitle>
      <itunes:summary>The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely?

In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely?</p>
<p>In <a href="https://bookshop.org/a/12343/9781503642164">Cartographies of Empire: The Road Novel and American Hegemony</a> (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3474</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3568f9c6-3020-11f0-8c03-7b17821b7a9b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8216027527.mp3?updated=1747158315" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert F. Darden and Stephen M. Newby, "Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch" (Oxford UP, 2025)</title>
      <description>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.

10 Songs chosen by the authors:


  The Blood (Will Never Lose Its Power)

  I’ve Got Confidence

  My Tribute (to God be the Glory)

  Satisfied

  Bless His Holy Name

  Take Me Back

  Soon and Very Soon

  Bless His Holy Name

  Jesus is the Answer

  Just Like He Said He Would


Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine.

Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.

Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert F. Darden and Stephen M. Newby</itunes:subtitle>
      <itunes:summary>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.

10 Songs chosen by the authors:


  The Blood (Will Never Lose Its Power)

  I’ve Got Confidence

  My Tribute (to God be the Glory)

  Satisfied

  Bless His Holy Name

  Take Me Back

  Soon and Very Soon

  Bless His Holy Name

  Jesus is the Answer

  Just Like He Said He Would


Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine.

Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.

Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, <a href="https://bookshop.org/a/12343/9780197748121">Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch</a><em> </em>(Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.</p>
<p>10 Songs chosen by the authors:</p>
<ul>
  <li>The Blood (Will Never Lose Its Power)</li>
  <li>I’ve Got Confidence</li>
  <li>My Tribute (to God be the Glory)</li>
  <li>Satisfied</li>
  <li>Bless His Holy Name</li>
  <li>Take Me Back</li>
  <li>Soon and Very Soon</li>
  <li>Bless His Holy Name</li>
  <li>Jesus is the Answer</li>
  <li>Just Like He Said He Would</li>
</ul>
<p>Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for <em>Billboard</em> magazine.<br></p>
<p>Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.</p>
<p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3116</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[290d249a-2f6c-11f0-9a81-a7457d65e002]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2010807323.mp3?updated=1747076196" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maron E. Greenleaf, "Forest Lost: Producing Green Capitalism in the Brazilian Amazon" (Duke UP, 2024)</title>
      <description>Forest Lost: Producing Green Capitalism in the Brazilian Amazon (2024) is an ethnography of forest carbon offsets and the wider effort to make the living rainforest valuable in the Brazilian Amazon. Situated in the state of Acre, which continuously had to grapple with a complex positionality between frontier and periphery, Maron E. Greenleaf explores forest carbon offset to understand green capitalism. Commodifying forest carbon offset requires keeping carbon in place through forest protection and valuation, unlike other forest commodities – for example Açaí berries, which also feature in the ethnography – that involve extraction. Initially set out to do a supply chain analysis, Greenleaf instead wrote a well-thought-out account disentangling the relationships at play in a place which at the time was celebrated for being ‘a leader in forest- focused development’, through tracing the complexity of the uneven, contingent and contesting cultural, material and multispecies relations involved in making forest carbon valuable. At the same time, she illustrates how forest carbon’s commodification turned it into a source of redistributable public environmental wealth and how green capitalism can also reinforce just the marginalization it seeks to combat. By outlining these complex relations and tensions, Greenleaf elucidates broader efforts to create a capitalism suited to the Anthropocene and those efforts’ alluring promises and vexing failures.

Mentioned in this episode:


  Anand, Nikhil. Hydraulic City : Water and the Infrastructures of Citizenship in Mumbai. Duke University Press, 2017.

  Appadurai, Arjun, et al. The Social Life of Things : Commodities in Cultural Perspective. Edited by Arjun Appadurai, Cambridge University Press, 1986.

  Holston, James. Insurgent Citizenship : Disjunctions of Democracy and Modernity in Brazil. Princeton University Press, 2008.


Maron E. Greenleaf is a cultural anthropologist, political ecologist and legal scholar and currently Assistant Professor at the Anthropology Department at Dartmouth. She is interested in how human and more-than-human relationships are shaped through efforts linked to environmental crisis. Her topics of interest include landscapes, green economies, environmental justice and land rights.

Olivia Bianchi is a postgraduate student at the University of Oxford, currently finishing the MSc program in Visual, Material and Museum Anthropology. Her interests include anthropological inquiries into materials, especially textiles, as well as the topics of sustainability and waste more generally.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 10 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>362</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maron Greenleaf</itunes:subtitle>
      <itunes:summary>Forest Lost: Producing Green Capitalism in the Brazilian Amazon (2024) is an ethnography of forest carbon offsets and the wider effort to make the living rainforest valuable in the Brazilian Amazon. Situated in the state of Acre, which continuously had to grapple with a complex positionality between frontier and periphery, Maron E. Greenleaf explores forest carbon offset to understand green capitalism. Commodifying forest carbon offset requires keeping carbon in place through forest protection and valuation, unlike other forest commodities – for example Açaí berries, which also feature in the ethnography – that involve extraction. Initially set out to do a supply chain analysis, Greenleaf instead wrote a well-thought-out account disentangling the relationships at play in a place which at the time was celebrated for being ‘a leader in forest- focused development’, through tracing the complexity of the uneven, contingent and contesting cultural, material and multispecies relations involved in making forest carbon valuable. At the same time, she illustrates how forest carbon’s commodification turned it into a source of redistributable public environmental wealth and how green capitalism can also reinforce just the marginalization it seeks to combat. By outlining these complex relations and tensions, Greenleaf elucidates broader efforts to create a capitalism suited to the Anthropocene and those efforts’ alluring promises and vexing failures.

Mentioned in this episode:


  Anand, Nikhil. Hydraulic City : Water and the Infrastructures of Citizenship in Mumbai. Duke University Press, 2017.

  Appadurai, Arjun, et al. The Social Life of Things : Commodities in Cultural Perspective. Edited by Arjun Appadurai, Cambridge University Press, 1986.

  Holston, James. Insurgent Citizenship : Disjunctions of Democracy and Modernity in Brazil. Princeton University Press, 2008.


Maron E. Greenleaf is a cultural anthropologist, political ecologist and legal scholar and currently Assistant Professor at the Anthropology Department at Dartmouth. She is interested in how human and more-than-human relationships are shaped through efforts linked to environmental crisis. Her topics of interest include landscapes, green economies, environmental justice and land rights.

Olivia Bianchi is a postgraduate student at the University of Oxford, currently finishing the MSc program in Visual, Material and Museum Anthropology. Her interests include anthropological inquiries into materials, especially textiles, as well as the topics of sustainability and waste more generally.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478031086">Forest Lost: Producing Green Capitalism in the Brazilian Amazon </a>(2024) is an ethnography of forest carbon offsets and the wider effort to make the living rainforest valuable in the Brazilian Amazon. Situated in the state of Acre, which continuously had to grapple with a complex positionality between frontier and periphery, Maron E. Greenleaf explores forest carbon offset to understand green capitalism. Commodifying forest carbon offset requires keeping carbon in place through forest protection and valuation, unlike other forest commodities – for example Açaí berries, which also feature in the ethnography – that involve extraction. Initially set out to do a supply chain analysis, Greenleaf instead wrote a well-thought-out account disentangling the relationships at play in a place which at the time was celebrated for being ‘a leader in forest- focused development’, through tracing the complexity of the uneven, contingent and contesting cultural, material and multispecies relations involved in making forest carbon valuable. At the same time, she illustrates how forest carbon’s commodification turned it into a source of redistributable public environmental wealth and how green capitalism can also reinforce just the marginalization it seeks to combat. By outlining these complex relations and tensions, Greenleaf elucidates broader efforts to create a capitalism suited to the Anthropocene and those efforts’ alluring promises and vexing failures.</p>
<p>Mentioned in this episode:</p>
<ul>
  <li>Anand, Nikhil. <em>Hydraulic City</em> <em>: Water and the Infrastructures of Citizenship in Mumbai</em>. Duke University Press, 2017.</li>
  <li>Appadurai, Arjun, et al. <em>The Social Life of Things</em> <em>: Commodities in Cultural Perspective</em>. Edited by Arjun Appadurai, Cambridge University Press, 1986.</li>
  <li>Holston, James. <em>Insurgent Citizenship</em> <em>: Disjunctions of Democracy and Modernity in Brazil</em>. Princeton University Press, 2008.</li>
</ul>
<p><a href="https://www.marongreenleaf.com/">Maron E. Greenleaf</a> is a cultural anthropologist, political ecologist and legal scholar and currently Assistant Professor at the Anthropology Department at Dartmouth. She is interested in how human and more-than-human relationships are shaped through efforts linked to environmental crisis. Her topics of interest include landscapes, green economies, environmental justice and land rights.</p>
<p><a href="mailto:olivia.bianchi@stcatz.ox.ac.uk">Olivia Bianchi</a> is a postgraduate student at the University of Oxford, currently finishing the MSc program in Visual, Material and Museum Anthropology. Her interests include anthropological inquiries into materials, especially textiles, as well as the topics of sustainability and waste more generally.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2866</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b07fda42-2c35-11f0-8325-6f221d1a84cc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5417960668.mp3?updated=1746727219" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seulghee Lee, "Other Lovings: An Afroasian American Theory of Life" (Ohio State UP, 2025)</title>
      <description>Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame.

In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>504</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Seulghee Lee</itunes:subtitle>
      <itunes:summary>Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame.

In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Join me for a conversation with <a href="https://www.sc.edu/study/colleges_schools/artsandsciences/english_language_and_literature/our_people/directory/lee_seulghee.php">Dr. Seulghee Lee</a> (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, <em>Other Lovings: An AfroAsian American Theory of Life</em> (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel <em>Shortcomings </em>(2007), Gayl Jones' novella <em>Corregidora</em> (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame.</p>
<p>In <em>Other Lovings</em>, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, <em>Other Lovings</em> suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, <em>Other Loving</em>s argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.</p>
<p>This episode was hosted by <a href="https://history-of-art.osu.edu/people/adomanis.1">Asia Adomanis</a>, a PhD student in the Department of History of Art at Ohio State.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2433</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c851b10a-2b62-11f0-a1d4-63e83f22223c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7453491801.mp3?updated=1746636925" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jake Monaghan, "Just Policing" (Oxford UP, 2023)</title>
      <description>Policing is a source of perennial conflict and philosophical disagreement. Current political developments in the United States have only increased the urgency of this topic. Today we welcome philosopher Jake Monaghan to discuss his book, Just Policing (Oxford UP, 2023), which applies interdisciplinary insights to examine the morality of policing.

Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always the result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? Just Policing attempts an answer, offering a theory of just policing in non-ideal contexts.

Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This claim conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code.

But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. Police need an alternative normative framework for evaluating and guiding their exercise of power.

Just Policing critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform.

Jake Monaghan is Assistant Professor of Philosophy at the University of Southern California. He earned his Ph.D. in philosophy at the University of Buffalo. His research is primarily in moral and political philosophy.

He is interviewed by Tom McInerney, an international lawyer, scholar, and strategist, who has worked to advance rule of law and development internationally for 25 years. He has taught in the Rule of Law for Development Program at Loyola University Chicago School of Law since 2011. He writes the Rights, Regulation and Rule of Law newsletter on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jake Monaghan</itunes:subtitle>
      <itunes:summary>Policing is a source of perennial conflict and philosophical disagreement. Current political developments in the United States have only increased the urgency of this topic. Today we welcome philosopher Jake Monaghan to discuss his book, Just Policing (Oxford UP, 2023), which applies interdisciplinary insights to examine the morality of policing.

Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always the result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? Just Policing attempts an answer, offering a theory of just policing in non-ideal contexts.

Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This claim conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code.

But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. Police need an alternative normative framework for evaluating and guiding their exercise of power.

Just Policing critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform.

Jake Monaghan is Assistant Professor of Philosophy at the University of Southern California. He earned his Ph.D. in philosophy at the University of Buffalo. His research is primarily in moral and political philosophy.

He is interviewed by Tom McInerney, an international lawyer, scholar, and strategist, who has worked to advance rule of law and development internationally for 25 years. He has taught in the Rule of Law for Development Program at Loyola University Chicago School of Law since 2011. He writes the Rights, Regulation and Rule of Law newsletter on Substack.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Policing is a source of perennial conflict and philosophical disagreement. Current political developments in the United States have only increased the urgency of this topic. Today we welcome philosopher Jake Monaghan to discuss his book, <a href="https://bookshop.org/a/12343/9780197610725">Just Policing</a> (Oxford UP, 2023), which applies interdisciplinary insights to examine the morality of policing.</p>
<p>Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always the result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? <em>Just Policing</em> attempts an answer, offering a theory of just policing in non-ideal contexts.</p>
<p>Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This claim conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code.</p>
<p>But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. Police need an alternative normative framework for evaluating and guiding their exercise of power.</p>
<p><em>Just Policing</em> critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform.</p>
<p><a href="https://jakemonaghan.com/">Jake Monaghan</a> is Assistant Professor of Philosophy at the University of Southern California. He earned his Ph.D. in philosophy at the University of Buffalo. His research is primarily in moral and political philosophy.</p>
<p>He is interviewed by Tom McInerney, an international lawyer, scholar, and strategist, who has worked to advance rule of law and development internationally for 25 years. He has taught in the Rule of Law for Development Program at Loyola University Chicago School of Law since 2011. He writes the <a href="https://tommcinerney.substack.com/">Rights, Regulation and Rule of Law</a> newsletter on Substack.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3681</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c7951aa4-2b53-11f0-b4fa-0fe55dec55b7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2834920357.mp3?updated=1746630719" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maïa Pal, "Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital" (Cambridge UP, 2020)</title>
      <description>With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications.

Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority.

Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maïa Pal</itunes:subtitle>
      <itunes:summary>With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications.

Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority.

Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With rigorous attention to history and empire, Maïa Pal's <a href="https://bookshop.org/a/12343/9781108739573">Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital</a> (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, <em>Jurisdictional Accumulation</em> is a multidisciplinary approach to thinking through extraterritoriality and its implications.</p>
<p>Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority.<br></p>
<p><a href="https://www.brookes.ac.uk/profiles/staff/maia-pal">Dr. Maïa Pal</a> is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.<a href="https://www.rinevieth.com/"><br>Rine Vieth</a> is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2605</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9b84f1ba-29c2-11f0-b354-2bc5f20e0e7a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4039562679.mp3?updated=1746458228" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eunji Kim, "The American Mirage: How Reality TV Upholds the Myth of Meritocracy" (Princeton UP, 2025)</title>
      <description>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. The American Mirage: How Reality TV Upholds the Myth of Meritocracy (Princeton University Press, 2025) addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation.Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news.By taking seriously what people casually watch every day, The American Mirage shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>291</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eunji Kim</itunes:subtitle>
      <itunes:summary>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. The American Mirage: How Reality TV Upholds the Myth of Meritocracy (Princeton University Press, 2025) addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation.Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news.By taking seriously what people casually watch every day, The American Mirage shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. <a href="https://bookshop.org/a/12343/9780691267197">The American Mirage: How Reality TV Upholds the Myth of Meritocracy</a> (Princeton University Press, 2025) addresses this puzzle by exposing the stark reality of today’s media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation.<br>Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news.<br>By taking seriously what people casually watch every day, <em>The American Mirage</em> shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people’s lives.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2223</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[60cc56f8-283c-11f0-8f1d-4713aa97ff89]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5783817604.mp3?updated=1746290217" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ipek A. Celik Rappas, "Filming in European Cities: The Labor of Location" (Cornell UP, 2025)</title>
      <description>Filming in European Cities: The Labor of Location (Cornell University Press, 2025) explores the effort behind creating screen production locations. Dr. Ipek A. Celik Rappas accounts the rising demand for original and affordable locations for screen projects due to the growth of streaming platforms. As a result, screen professionals are repeatedly tasked with chores such as transforming a former factory in Istanbul to resemble a war zone in Aleppo, or finding a London street that evokes Barcelona.

Dr. Celik Rappas highlights the pivotal role crew members play in transforming cities and locations into functional screen settings. Examining five European media capitals—Athens, Belfast, Berlin, Istanbul, and Paris—the book delves into the overlooked aspects of location-related screen labor and its ability to generate production value. Filming in European Cities demonstrates that in its perpetual quest for authentic filming locations, the screen industry extracts value from cities and neighborhoods, their marginalized residents, and screen labor, enriching itself through this triple exploitation.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 04 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Filming in European Cities: The Labor of Location (Cornell University Press, 2025) explores the effort behind creating screen production locations. Dr. Ipek A. Celik Rappas accounts the rising demand for original and affordable locations for screen projects due to the growth of streaming platforms. As a result, screen professionals are repeatedly tasked with chores such as transforming a former factory in Istanbul to resemble a war zone in Aleppo, or finding a London street that evokes Barcelona.

Dr. Celik Rappas highlights the pivotal role crew members play in transforming cities and locations into functional screen settings. Examining five European media capitals—Athens, Belfast, Berlin, Istanbul, and Paris—the book delves into the overlooked aspects of location-related screen labor and its ability to generate production value. Filming in European Cities demonstrates that in its perpetual quest for authentic filming locations, the screen industry extracts value from cities and neighborhoods, their marginalized residents, and screen labor, enriching itself through this triple exploitation.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501779992">Filming in European Cities: The Labor of Location</a> (Cornell University Press, 2025) explores the effort behind creating screen production locations. Dr. Ipek A. Celik Rappas accounts the rising demand for original and affordable locations for screen projects due to the growth of streaming platforms. As a result, screen professionals are repeatedly tasked with chores such as transforming a former factory in Istanbul to resemble a war zone in Aleppo, or finding a London street that evokes Barcelona.</p>
<p>Dr. Celik Rappas highlights the pivotal role crew members play in transforming cities and locations into functional screen settings. Examining five European media capitals—Athens, Belfast, Berlin, Istanbul, and Paris—the book delves into the overlooked aspects of location-related screen labor and its ability to generate production value. Filming in European Cities demonstrates that in its perpetual quest for authentic filming locations, the screen industry extracts value from cities and neighborhoods, their marginalized residents, and screen labor, enriching itself through this triple exploitation.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[612e9178-26a8-11f0-b23f-632b16a7ec42]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6721472535.mp3?updated=1746115769" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin Thomas, "The End of Empires and a World Remade: A Global History of Decolonization" (Princeton UP, 2024)</title>
      <description>Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration.﻿﻿

The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history.

Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martin Thomas</itunes:subtitle>
      <itunes:summary>Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration.﻿﻿

The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history.

Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration.﻿﻿</p>
<p><a href="https://bookshop.org/a/12343/9780691190921">The End of Empires and a World Remade: A Global History of Decolonization</a><em> </em>(Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.<br>Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In <em>The End of Empires and a World Remade</em>, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history.</p>
<p>Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of <em>Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires</em>, <em>1918–1940</em>; <em>Fight or Flight: Britain, France, and the Roads from Empire</em>; and other books.</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2811</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2afa3a2a-246a-11f0-9c04-dfd1a3530796]]></guid>
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    </item>
    <item>
      <title>Maliha Safri et al., "Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation" (U of Minnesota Press, 2025)</title>
      <description>In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series.

Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice. 

Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities. 

Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak</itunes:subtitle>
      <itunes:summary>In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series.

Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice. 

Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities. 

Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book <a href="https://bookshop.org/a/12343/9781517916022">Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation</a> (University of Minnesota Press, 2024). This volume is part of the <a href="https://www.upress.umn.edu/search-grid/?series=diverse-economies-and-livable-worlds">Diverse Economies and Livable Worlds series</a>.</p>
<p>Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice. </p>
<p>Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities. </p>
<p>Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.</p>
<p>This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3798</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[74c982ba-2441-11f0-ab20-dbfda08c5d71]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4109453039.mp3?updated=1745852650" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laleh Khalili, "Extractive Capitalism: How Commodities and Cronyism Drive the Global Economy" (Profile Books, 2025)</title>
      <description>Whether it's pumping oil, mining resources or shipping commodities across oceans, the global economy runs on extraction. Promises of frictionless trade and lucrative speculation are the hallmarks of our era, but the backbone of globalisation is still low-cost labour and rapacious corporate control. Extractive capitalism is what made - and is still making - our unequal world.
In Extractive Capitalism: How Commodities and Cronyism Drive the Global Economy (Verso, 2025) Professor Laleh Khalili reflects on the hidden stories behind late capitalism, from seafarers abandoned on debt-ridden container ships to the nefarious reach of consultancy firms and the cronyism that drives record-breaking profits. Piercing, wry and constantly revealing, Extractive Capitalism brings vividly to light the dark truths behind the world's most voracious industries.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 01 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>204</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laleh Khalili</itunes:subtitle>
      <itunes:summary>Whether it's pumping oil, mining resources or shipping commodities across oceans, the global economy runs on extraction. Promises of frictionless trade and lucrative speculation are the hallmarks of our era, but the backbone of globalisation is still low-cost labour and rapacious corporate control. Extractive capitalism is what made - and is still making - our unequal world.
In Extractive Capitalism: How Commodities and Cronyism Drive the Global Economy (Verso, 2025) Professor Laleh Khalili reflects on the hidden stories behind late capitalism, from seafarers abandoned on debt-ridden container ships to the nefarious reach of consultancy firms and the cronyism that drives record-breaking profits. Piercing, wry and constantly revealing, Extractive Capitalism brings vividly to light the dark truths behind the world's most voracious industries.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Whether it's pumping oil, mining resources or shipping commodities across oceans, the global economy runs on extraction. Promises of frictionless trade and lucrative speculation are the hallmarks of our era, but the backbone of globalisation is still low-cost labour and rapacious corporate control. Extractive capitalism is what made - and is still making - our unequal world.</p><p>In <a href="https://bookshop.org/a/12343/9781836740285"><em>Extractive Capitalism: How Commodities and Cronyism Drive the Global Economy</em></a> (Verso, 2025) Professor Laleh Khalili reflects on the hidden stories behind late capitalism, from seafarers abandoned on debt-ridden container ships to the nefarious reach of consultancy firms and the cronyism that drives record-breaking profits. Piercing, wry and constantly revealing, <em>Extractive Capitalism</em> brings vividly to light the dark truths behind the world's most voracious industries.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4326</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9385b87a-08eb-11f0-9640-0bcfd1f619fc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3790959489.mp3?updated=1746121104" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice</title>
      <description>When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today.

In No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.

Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include Dreaming of Dixie: How the South Was Created in American Popular Culture and Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture.

Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.

Playlist for listeners:


  Campus Monuments

  Researching Racial Injustice

  A Conversation with Curators from the Smithsonian

  The Names of All the Flowers

  What Might Be: Confronting Racism to Transform Our Institutions

  Stolen Fragments


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karen L. Cox</itunes:subtitle>
      <itunes:summary>When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today.

In No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.

Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include Dreaming of Dixie: How the South Was Created in American Popular Culture and Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture.

Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.

Playlist for listeners:


  Campus Monuments

  Researching Racial Injustice

  A Conversation with Curators from the Smithsonian

  The Names of All the Flowers

  What Might Be: Confronting Racism to Transform Our Institutions

  Stolen Fragments


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today.</p>
<p>In <a href="https://bookshop.org/a/12343/9781469662688">No Common Ground: </a><a href="https://bookshop.org/a/12343/9781469662688">Confederate Monuments and the Ongoing Fight for Racial Justice</a><em> </em>(UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, <em>No Common Ground </em>is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.</p>
<p>Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include <em>Dreaming of Dixie: How the South Was Created in American Popular Culture</em> and <em>Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture</em>.</p>
<p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.</p>
<p>Playlist for listeners:</p>
<ul>
  <li><a href="https://newbooksnetwork.com/research-whiteness-and-campus-monuments#entry:39395@1:url">Campus Monuments</a></li>
  <li><a href="https://newbooksnetwork.com/researching-racial-injustice#entry:39399@1:url">Researching Racial Injustice</a></li>
  <li><a href="https://newbooksnetwork.com/considering-museum-work-a-conversation-with-curators-from-the-smithsonian#entry:140933@1:url">A Conversation with Curators from the Smithsonian</a></li>
  <li><a href="https://newbooksnetwork.com/getting-an-mfa-and-memoir-writing#entry:39424@1:url">The Names of All the Flowers</a></li>
  <li><a href="https://newbooksnetwork.com/what-might-be#entry:387428@1:url">What Might Be: Confronting Racism to Transform Our Institutions</a></li>
  <li><a href="https://newbooksnetwork.com/stolen-fragments-black-markets-bad-faith-and-the-illicit-trade-in-ancient-artefacts#entry:388728@1:url">Stolen Fragments</a></li>
</ul>
<p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3223</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8f3e5902-243e-11f0-8ef3-0fca03add18c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7115899368.mp3?updated=1745851736" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Franck Billé, "Somatic States: On Cartography, Geobodies, Bodily Integrity" (Duke UP, 2025)</title>
      <description>In Somatic States: On Cartography, Geobodies, Bodily Integrity (Duke UP, 2025), Franck Billé examines the conceptual link between the nation-state and the body, particularly the visceral and affective attachment to the state and the symbolic significance of its borders. Billé argues that corporeal analogies to the nation-state are not simply poetic or allegorical but reflect a genuine association of the individual body with the national outline—an identification greatly facilitated by the emergence of the national map. Billé charts the evolution of cartographic practices and the role that political maps have played in transforming notions of territorial sovereignty. He shows how states routinely and effectively mobilize corporeal narratives, such as framing territorial loss through metaphors of dismemberment and mutilation. Despite the current complexity of geopolitics and neoliberalism, Billé demonstrates that corporeality and bodily metaphors remain viscerally powerful because they offer a seemingly simple way to apprehend the abstract nature of the nation-state.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Franck Billé</itunes:subtitle>
      <itunes:summary>In Somatic States: On Cartography, Geobodies, Bodily Integrity (Duke UP, 2025), Franck Billé examines the conceptual link between the nation-state and the body, particularly the visceral and affective attachment to the state and the symbolic significance of its borders. Billé argues that corporeal analogies to the nation-state are not simply poetic or allegorical but reflect a genuine association of the individual body with the national outline—an identification greatly facilitated by the emergence of the national map. Billé charts the evolution of cartographic practices and the role that political maps have played in transforming notions of territorial sovereignty. He shows how states routinely and effectively mobilize corporeal narratives, such as framing territorial loss through metaphors of dismemberment and mutilation. Despite the current complexity of geopolitics and neoliberalism, Billé demonstrates that corporeality and bodily metaphors remain viscerally powerful because they offer a seemingly simple way to apprehend the abstract nature of the nation-state.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478031727">Somatic States: On Cartography, Geobodies, Bodily Integrity</a> (Duke UP, 2025), Franck Billé examines the conceptual link between the nation-state and the body, particularly the visceral and affective attachment to the state and the symbolic significance of its borders. Billé argues that corporeal analogies to the nation-state are not simply poetic or allegorical but reflect a genuine association of the individual body with the national outline—an identification greatly facilitated by the emergence of the national map. Billé charts the evolution of cartographic practices and the role that political maps have played in transforming notions of territorial sovereignty. He shows how states routinely and effectively mobilize corporeal narratives, such as framing territorial loss through metaphors of dismemberment and mutilation. Despite the current complexity of geopolitics and neoliberalism, Billé demonstrates that corporeality and bodily metaphors remain viscerally powerful because they offer a seemingly simple way to apprehend the abstract nature of the nation-state.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2942</itunes:duration>
      <guid isPermaLink="false"><![CDATA[de09b60a-22ac-11f0-9553-07ce421637df]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8906195880.mp3?updated=1745678943" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nat Dyer, "Ricardo’s Dream: How Economists Forgot the Real World and Led Us Astray" (Bristol UP, 2024)</title>
      <description>From the workings of financial markets to our response to the ecological crisis, economic theory shapes the world. But where do these ideas come from?

Ricardo’s Dream: How Economists Forgot the Real World and Led Us Astray (Bristol University Press, 2024) tells the fascinating story of David Ricardo, Adam Smith’s only real rival as the ‘founder of economics’. The wealthiest stock trader of his day, Ricardo introduced the study of abstract models to economics. He also developed the theory of trade that underpinned globalization and hides, behind its mathematical facade, a history of power, empire, and slavery.

Brimming with fresh ideas and stories, Ricardo’s Dream shows how too many economists, from Ricardo’s day to our own, have turned away from observing the real world and led us astray.

Nat Dyer is a writer and researcher specialising in global political economy. He is a Fellow of the Schumacher Institute and the Royal Society of Arts. He has worked for Global Witness and for Promoting Economic Pluralism and his stories have been reported on by the BBC, the New York Times and Bloomberg

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nat Dyer</itunes:subtitle>
      <itunes:summary>From the workings of financial markets to our response to the ecological crisis, economic theory shapes the world. But where do these ideas come from?

Ricardo’s Dream: How Economists Forgot the Real World and Led Us Astray (Bristol University Press, 2024) tells the fascinating story of David Ricardo, Adam Smith’s only real rival as the ‘founder of economics’. The wealthiest stock trader of his day, Ricardo introduced the study of abstract models to economics. He also developed the theory of trade that underpinned globalization and hides, behind its mathematical facade, a history of power, empire, and slavery.

Brimming with fresh ideas and stories, Ricardo’s Dream shows how too many economists, from Ricardo’s day to our own, have turned away from observing the real world and led us astray.

Nat Dyer is a writer and researcher specialising in global political economy. He is a Fellow of the Schumacher Institute and the Royal Society of Arts. He has worked for Global Witness and for Promoting Economic Pluralism and his stories have been reported on by the BBC, the New York Times and Bloomberg

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the workings of financial markets to our response to the ecological crisis, economic theory shapes the world. But where do these ideas come from?</p>
<p><a href="https://bookshop.org/a/12343/9781529225501">Ricardo’s Dream: How Economists Forgot the Real World and Led Us Astray </a>(Bristol University Press, 2024) tells the fascinating story of David Ricardo, Adam Smith’s only real rival as the ‘founder of economics’. The wealthiest stock trader of his day, Ricardo introduced the study of abstract models to economics. He also developed the theory of trade that underpinned globalization and hides, behind its mathematical facade, a history of power, empire, and slavery.</p>
<p>Brimming with fresh ideas and stories, Ricardo’s Dream shows how too many economists, from Ricardo’s day to our own, have turned away from observing the real world and led us astray.</p>
<p>Nat Dyer is a writer and researcher specialising in global political economy. He is a Fellow of the Schumacher Institute and the Royal Society of Arts. He has worked for Global Witness and for Promoting Economic Pluralism and his stories have been reported on by the BBC, the New York Times and Bloomberg</p>
<p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4702</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[792ebc12-22bb-11f0-9bad-a7922132097a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7747725999.mp3?updated=1745686197" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip V. McHarris, "Beyond Policing" (Legacy Lit, 2024)</title>
      <description>What would happen if policing disappeared? Would we be safe? This book imagines a world without police.
It's evident that policing is a problem. But what is the best way forward? In Beyond Policing, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and reveal how we can make police departments obsolete.
Beyond Policing tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.
McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.
McHarris writes, "What if our response to crisis wasn't about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn't just a daydream; it's the first step toward building a society where violence and fear no longer dictate our lives."
Transformative and forward thinking, Beyond Policing provides a blueprint for a brighter, safer world. McHarris's vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 27 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>500</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip V. McHarris</itunes:subtitle>
      <itunes:summary>What would happen if policing disappeared? Would we be safe? This book imagines a world without police.
It's evident that policing is a problem. But what is the best way forward? In Beyond Policing, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and reveal how we can make police departments obsolete.
Beyond Policing tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.
McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.
McHarris writes, "What if our response to crisis wasn't about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn't just a daydream; it's the first step toward building a society where violence and fear no longer dictate our lives."
Transformative and forward thinking, Beyond Policing provides a blueprint for a brighter, safer world. McHarris's vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What would happen if policing disappeared? Would we be safe? This book imagines a world without police.</p><p>It's evident that policing is a problem. But what is the best way forward? In <a href="https://bookshop.org/a/12343/9781538725665"><em>Beyond Policing</em></a>, distinguished scholar and writer Philip V. McHarris reimagines the world without police to find answers and reveal how we can make police departments obsolete.</p><p><em>Beyond Policing</em> tackles thorny issues with evidence, including data and personal stories, to uncover the weight of policing on people and communities and the patterns that prove police reform only leads to more policing.</p><p>McHarris challenges us to envision a future where safety is not synonymous with policing but is built on the foundation of community support and preventive measures. He explores innovative community-based safety models (like community mediators and violence interrupters), the decriminalization of driving offenses, and the creation of nonpolice crisis response teams. McHarris also outlines strategies for responding to conflict and harm in ways that transform the conditions that give rise to the issues. He asks us to imagine a world where people thrive without the shadow of inequality, where our approach to safety is a collective achievement.</p><p>McHarris writes, "What if our response to crisis wasn't about control but about care? How can we create conditions where safety is a shared responsibility? How can we design justice so that no community is routinely oppressed? Envisioning such a world isn't just a daydream; it's the first step toward building a society where violence and fear no longer dictate our lives."</p><p>Transformative and forward thinking, <em>Beyond Policing</em> provides a blueprint for a brighter, safer world. McHarris's vision is clear: we must dare to move beyond policing and foster a society where everyone has the resources to thrive and feel safe.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2659</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a28cce4-1ebe-11f0-9a2d-eb14ac2d008d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4275293652.mp3?updated=1745247779" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emma Casey, "The Return of the Housewife: Why Women Are Still Cleaning Up" (Manchester UP, 2025)</title>
      <description>How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society.

Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.

Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 26 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>525</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emma Casey</itunes:subtitle>
      <itunes:summary>How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society.

Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.

Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has the rise of digital platforms changed domestic labour? In <a href="https://bookshop.org/a/12343/9781526170972"><em>The Return of the Housewife: Why Women Are Still Cleaning Up</em></a><em> (Manchester UP, 2025),</em> <a href="https://bsky.app/profile/did:plc:7kbvs6thdli7qkdwhxjcvo2t">Emma Casey</a>, a <a href="https://www.york.ac.uk/sociology/people/emma-casey/">Reader in Sociology at the University of York</a>, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society.</p><p><br></p><p><em>Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download </em><a href="https://drive.google.com/file/d/18YFnB006Nb1ON9_LF2tKvDJjir4d6lLB/view?usp=sharing"><em>this poster here</em></a><em> to spread the word.</em></p><p><br></p><p><em>Please share this interview on </em><a href="https://www.instagram.com/newbooksnetwork"><em>Instagram</em></a><em>, </em><a href="https://www.linkedin.com/company/new-books-network/"><em>LinkedIn</em></a><em>, or </em><a href="https://bsky.app/profile/newbooksnetwork.bsky.social"><em>Bluesky</em></a><em>. Don't forget to subscribe to our Substack </em><a href="https://newbooksnetwork.substack.com/"><em>here</em></a><em> to receive our weekly newsletter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a4a449ae-21e7-11f0-8ccc-bbfb85290157]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3625014749.mp3?updated=1745594923" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Russell Blackford, "How We Became Post-Liberal: The Rise and Fall of Toleration" (Bloomsbury, 2023)</title>
      <description>Liberalism is in trouble. As a set of ideas, it has lost much of its historical authority in guiding public policy and personal behaviour. In this post-liberal climate, Russell Blackford asks whether liberalism is truly over.
How We Became Post-Liberal: The Rise and Fall of Toleration (Bloomsbury, 2023) examines how Western liberal democracies became nations where traditional liberal principles of toleration (religious and otherwise), individual liberty and freedom of speech are frequently dismissed as outdated or twisted to support conservative policies. Blackford traces the lineage of liberalism from problems of toleration that emerged when Christianity triumphed in the late centuries of classical antiquity, with comparison to non-Western civilizations. The political and philosophical story culminates in the recent development – over the past 30 to 50 years – of post-liberal ideologies in the West. At each stage, Blackford discusses arguments for and against liberal principles, identifying why no argument to date has been totally successful in convincing opponents, while maintaining that liberalism's ideas and language are still worth saving.
From campus wars over academic freedom to the Charlie Hebdo attack and the murder of Samuel Paty, this is an indispensable guide for anyone wanting to understand the why, what and how of the post-liberal world.
Russell Blackford is a philosopher, legal scholar, literary critic based at the University of Newcastle, New South Wales, Australia. He is the author of Freedom of Religion and the Secular State (2012), Humanity Enhanced (2014), The Mystery of Moral Authority (2016), and Science Fiction and the Moral Imagination (2017). In 2014, he was inducted as a Laureate of the International Academy of Humanism.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.

Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 25 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>527</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Russell Blackford</itunes:subtitle>
      <itunes:summary>Liberalism is in trouble. As a set of ideas, it has lost much of its historical authority in guiding public policy and personal behaviour. In this post-liberal climate, Russell Blackford asks whether liberalism is truly over.
How We Became Post-Liberal: The Rise and Fall of Toleration (Bloomsbury, 2023) examines how Western liberal democracies became nations where traditional liberal principles of toleration (religious and otherwise), individual liberty and freedom of speech are frequently dismissed as outdated or twisted to support conservative policies. Blackford traces the lineage of liberalism from problems of toleration that emerged when Christianity triumphed in the late centuries of classical antiquity, with comparison to non-Western civilizations. The political and philosophical story culminates in the recent development – over the past 30 to 50 years – of post-liberal ideologies in the West. At each stage, Blackford discusses arguments for and against liberal principles, identifying why no argument to date has been totally successful in convincing opponents, while maintaining that liberalism's ideas and language are still worth saving.
From campus wars over academic freedom to the Charlie Hebdo attack and the murder of Samuel Paty, this is an indispensable guide for anyone wanting to understand the why, what and how of the post-liberal world.
Russell Blackford is a philosopher, legal scholar, literary critic based at the University of Newcastle, New South Wales, Australia. He is the author of Freedom of Religion and the Secular State (2012), Humanity Enhanced (2014), The Mystery of Moral Authority (2016), and Science Fiction and the Moral Imagination (2017). In 2014, he was inducted as a Laureate of the International Academy of Humanism.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.

Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Liberalism is in trouble. As a set of ideas, it has lost much of its historical authority in guiding public policy and personal behaviour. In this post-liberal climate, Russell Blackford asks whether liberalism is truly over.</p><p><a href="https://bookshop.org/a/12343/9781350322943">How We Became Post-Liberal: The Rise and Fall of Toleration</a> (Bloomsbury, 2023) examines how Western liberal democracies became nations where traditional liberal principles of toleration (religious and otherwise), individual liberty and freedom of speech are frequently dismissed as outdated or twisted to support conservative policies. Blackford traces the lineage of liberalism from problems of toleration that emerged when Christianity triumphed in the late centuries of classical antiquity, with comparison to non-Western civilizations. The political and philosophical story culminates in the recent development – over the past 30 to 50 years – of post-liberal ideologies in the West. At each stage, Blackford discusses arguments for and against liberal principles, identifying why no argument to date has been totally successful in convincing opponents, while maintaining that liberalism's ideas and language are still worth saving.</p><p>From campus wars over academic freedom to the Charlie Hebdo attack and the murder of Samuel Paty, this is an indispensable guide for anyone wanting to understand the why, what and how of the post-liberal world.</p><p>Russell Blackford is a philosopher, legal scholar, literary critic based at the University of Newcastle, New South Wales, Australia. He is the author of <em>Freedom of Religion and the Secular State </em>(2012), <em>Humanity Enhanced</em> (2014), <em>The Mystery of Moral Authority </em>(2016), and <em>Science Fiction and the Moral Imagination </em>(2017). In 2014, he was inducted as a Laureate of the International Academy of Humanism.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p><br></p><p><em>Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download </em><a href="https://drive.google.com/file/d/18YFnB006Nb1ON9_LF2tKvDJjir4d6lLB/view?usp=sharing"><em>this poster here</em></a><em> to spread the word.</em></p><p><br></p><p><em>Please share this interview on </em><a href="https://www.instagram.com/newbooksnetwork"><em>Instagram</em></a><em>, </em><a href="https://www.linkedin.com/company/new-books-network/"><em>LinkedIn</em></a><em>, or </em><a href="https://bsky.app/profile/newbooksnetwork.bsky.social"><em>Bluesky</em></a><em>. Don't forget to subscribe to our Substack </em><a href="https://newbooksnetwork.substack.com/"><em>here</em></a><em> to receive our weekly newsletter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f7c57bba-2121-11f0-8e98-43b514dd89a6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9196376549.mp3?updated=1745510839" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steven Hahn, "Illiberal America: A History" (Norton, 2024)</title>
      <description>If your reaction to the January 6, 2021, insurrection at the Capitol was to think, 'That’s not us,' think again. In Illiberal America: A History (Norton, 2024), a Pulitzer Prize–winning historian uncovers a powerful illiberalism as deep-seated in the American past as the founding ideals.
A storm of illiberalism, building in the United States for years, unleashed its destructive force in the Capitol insurrection of January 6, 2021. The attack on American democracy and images of mob violence led many to recoil, thinking “That’s not us.” But now we must think again, for Steven Hahn shows in his startling new history that illiberalism has deep roots in our past. To those who believe that the ideals announced in the Declaration of Independence set us apart as a nation, Hahn shows that Americans have long been animated by competing values, equally deep-seated, in which the illiberal will of the community overrides individual rights, and often protects itself by excluding perceived threats, whether on grounds of race, religion, gender, economic status, or ideology.
Driven by popular movements and implemented through courts and legislation, illiberalism is part of the American bedrock. The United States was born a republic of loosely connected states and localities that demanded control of their domestic institutions, including slavery. As white settlement expanded west and immigration exploded in eastern cities, the democracy of the 1830s fueled expulsions of Blacks, Native Americans, Catholics, Mormons, and abolitionists. After the Civil War, southern states denied new constitutional guarantees of civil rights and enforced racial exclusions in everyday life. Illiberalism was modernized during the Progressive movement through advocates of eugenics who aimed to reduce the numbers of racial and ethnic minorities as well as the poor. The turmoil of the 1960s enabled George Wallace to tap local fears of unrest and build support outside the South, a politics adopted by Richard Nixon in 1968. Today, with illiberalism shaping elections and policy debates over guns, education, and abortion, it is urgent to understand its long history, and how that history bears on the present crisis.
Steven Hahn is an acclaimed historian whose works include A Nation Under Our Feet, winner of the Pulitzer Prize and the Bancroft Prize, and A Nation Without Borders. He is professor of history at New York University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.

Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.

150 million lifetime downloads. Advertise on the New Books Network. Watch our promotional video.

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      <pubDate>Thu, 24 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>526</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Hahn</itunes:subtitle>
      <itunes:summary>If your reaction to the January 6, 2021, insurrection at the Capitol was to think, 'That’s not us,' think again. In Illiberal America: A History (Norton, 2024), a Pulitzer Prize–winning historian uncovers a powerful illiberalism as deep-seated in the American past as the founding ideals.
A storm of illiberalism, building in the United States for years, unleashed its destructive force in the Capitol insurrection of January 6, 2021. The attack on American democracy and images of mob violence led many to recoil, thinking “That’s not us.” But now we must think again, for Steven Hahn shows in his startling new history that illiberalism has deep roots in our past. To those who believe that the ideals announced in the Declaration of Independence set us apart as a nation, Hahn shows that Americans have long been animated by competing values, equally deep-seated, in which the illiberal will of the community overrides individual rights, and often protects itself by excluding perceived threats, whether on grounds of race, religion, gender, economic status, or ideology.
Driven by popular movements and implemented through courts and legislation, illiberalism is part of the American bedrock. The United States was born a republic of loosely connected states and localities that demanded control of their domestic institutions, including slavery. As white settlement expanded west and immigration exploded in eastern cities, the democracy of the 1830s fueled expulsions of Blacks, Native Americans, Catholics, Mormons, and abolitionists. After the Civil War, southern states denied new constitutional guarantees of civil rights and enforced racial exclusions in everyday life. Illiberalism was modernized during the Progressive movement through advocates of eugenics who aimed to reduce the numbers of racial and ethnic minorities as well as the poor. The turmoil of the 1960s enabled George Wallace to tap local fears of unrest and build support outside the South, a politics adopted by Richard Nixon in 1968. Today, with illiberalism shaping elections and policy debates over guns, education, and abortion, it is urgent to understand its long history, and how that history bears on the present crisis.
Steven Hahn is an acclaimed historian whose works include A Nation Under Our Feet, winner of the Pulitzer Prize and the Bancroft Prize, and A Nation Without Borders. He is professor of history at New York University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.

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      <content:encoded>
        <![CDATA[<p>If your reaction to the January 6, 2021, insurrection at the Capitol was to think, 'That’s not us,' think again. In <a href="https://bookshop.org/a/12343/9780393635928">Illiberal America: A History</a> (Norton, 2024), a Pulitzer Prize–winning historian uncovers a powerful illiberalism as deep-seated in the American past as the founding ideals.</p><p>A storm of illiberalism, building in the United States for years, unleashed its destructive force in the Capitol insurrection of January 6, 2021. The attack on American democracy and images of mob violence led many to recoil, thinking “That’s not us.” But now we must think again, for Steven Hahn shows in his startling new history that illiberalism has deep roots in our past. To those who believe that the ideals announced in the Declaration of Independence set us apart as a nation, Hahn shows that Americans have long been animated by competing values, equally deep-seated, in which the illiberal will of the community overrides individual rights, and often protects itself by excluding perceived threats, whether on grounds of race, religion, gender, economic status, or ideology.</p><p>Driven by popular movements and implemented through courts and legislation, illiberalism is part of the American bedrock. The United States was born a republic of loosely connected states and localities that demanded control of their domestic institutions, including slavery. As white settlement expanded west and immigration exploded in eastern cities, the democracy of the 1830s fueled expulsions of Blacks, Native Americans, Catholics, Mormons, and abolitionists. After the Civil War, southern states denied new constitutional guarantees of civil rights and enforced racial exclusions in everyday life. Illiberalism was modernized during the Progressive movement through advocates of eugenics who aimed to reduce the numbers of racial and ethnic minorities as well as the poor. The turmoil of the 1960s enabled George Wallace to tap local fears of unrest and build support outside the South, a politics adopted by Richard Nixon in 1968. Today, with illiberalism shaping elections and policy debates over guns, education, and abortion, it is urgent to understand its long history, and how that history bears on the present crisis.</p><p>Steven Hahn is an acclaimed historian whose works include A Nation Under Our Feet, winner of the Pulitzer Prize and the Bancroft Prize, and A Nation Without Borders. He is professor of history at New York University.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p><br></p><p><em>Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download </em><a href="https://drive.google.com/file/d/18YFnB006Nb1ON9_LF2tKvDJjir4d6lLB/view?usp=sharing"><em>this poster here</em></a><em> to spread the word.</em></p><p><br></p><p><em>Please share this interview on </em><a href="https://www.instagram.com/newbooksnetwork"><em>Instagram</em></a><em>, </em><a href="https://www.linkedin.com/company/new-books-network/"><em>LinkedIn</em></a><em>, or </em><a href="https://bsky.app/profile/newbooksnetwork.bsky.social"><em>Bluesky</em></a><em>. Don't forget to subscribe to our Substack </em><a href="https://newbooksnetwork.substack.com/"><em>here</em></a><em> to receive our weekly newsletter.</em></p><p><br></p><p><em>150 million lifetime downloads. Advertise on the New Books Network. Watch our </em><a href="https://www.youtube.com/watch?v=XHIutaAFfOY"><em>promotional video</em></a><em>.</em></p><p><br></p><p><em>Learn how to </em><a href="https://www.youtube.com/watch?v=Bt7amE3ojGs&amp;t=2s"><em>make the most of our library</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2998</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sophie Lewis, "Enemy Feminisms: Terfs, Policewomen, and Girlbosses Against Liberation" (Haymarket Books, 2025)</title>
      <description>Enemy Feminisms: Terfs, Policewomen, and Girlbosses Against Liberation (Haymarket Books, 2025) is a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we'll need to stand against fascism, nationalism, femmephobia, and cisness. 
In recent years, "white feminism" and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need. Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist. At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism.
About the Author
Sophie Lewis is a writer. Her books, Full Surrogacy Now: Feminism Against Family, and Abolish the Family: A Manifesto for Care and Liberation, have been translated into nine languages.Sophie grew up in France, half-British, half-German, but now lives in Philadelphia and teaches online courses on utopian theory at the Brooklyn Institute for Social Research. She also has a visiting affiliation with the Center for Research on Feminist, Queer and Transgender Studies at the University of Pennsylvania.
About the Host 
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford. She holds a BA in Political Science from the University of Toronto.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sophie Lewis</itunes:subtitle>
      <itunes:summary>Enemy Feminisms: Terfs, Policewomen, and Girlbosses Against Liberation (Haymarket Books, 2025) is a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we'll need to stand against fascism, nationalism, femmephobia, and cisness. 
In recent years, "white feminism" and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need. Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist. At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism.
About the Author
Sophie Lewis is a writer. Her books, Full Surrogacy Now: Feminism Against Family, and Abolish the Family: A Manifesto for Care and Liberation, have been translated into nine languages.Sophie grew up in France, half-British, half-German, but now lives in Philadelphia and teaches online courses on utopian theory at the Brooklyn Institute for Social Research. She also has a visiting affiliation with the Center for Research on Feminist, Queer and Transgender Studies at the University of Pennsylvania.
About the Host 
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford. She holds a BA in Political Science from the University of Toronto.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9798888902493"><em>Enemy Feminisms: Terfs, Policewomen, and Girlbosses Against Liberation</em></a><em> </em>(Haymarket Books, 2025) is a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we'll need to stand against fascism, nationalism, femmephobia, and cisness. </p><p>In recent years, "white feminism" and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need. Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist. At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism.</p><p><strong>About the Author</strong></p><p><strong>Sophie Lewis</strong> is a writer. Her books, <em>Full Surrogacy Now: Feminism Against Family,</em> and <em>Abolish the Family: A Manifesto for Care and Liberation</em>, have been translated into nine languages.Sophie grew up in France, half-British, half-German, but now lives in Philadelphia and teaches online courses on utopian theory at the Brooklyn Institute for Social Research. She also has a visiting affiliation with the Center for Research on Feminist, Queer and Transgender Studies at the University of Pennsylvania.</p><p><strong>About the Host </strong></p><p>Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford. She holds a BA in Political Science from the University of Toronto.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5339</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[42535d1a-1c67-11f0-8e02-9b1057d05d92]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1432103895.mp3?updated=1744989720" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pil Ho Kim, "Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea" (U Hawaii Press, 2024)</title>
      <description>Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul’s middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. 
In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea’s global-polarization.
Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pil Ho Kim</itunes:subtitle>
      <itunes:summary>Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul’s middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. 
In Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea’s global-polarization.
Dr. Pil Ho Kim is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gangnam is an exclusive zone of privilege and wealth that has lured South Korean pop culture industries since the 1980s and fueled the aspirations of Seoul’s middle class, producing in its wake the “dialectical images” of the modern city described by Walter Benjamin: sweet dreams and nightmares, visions of heaven and hell, scenes of spectacular rises and great falls. </p><p>In <a href="https://bookshop.org/a/12343/9780824897512"><em>Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea</em></a> (University of Hawai‘i Press, 2024), Pil Ho Kim weaves together dissident poetry and protest songs from the 1980s, B-rated adult films, tour bus disco music, obscure early works by famous authors and filmmakers, interviews with sex workers and urban entrepreneurs, and other sources to show how Gangnam is at the heart of Korea’s global-polarization.</p><p><a href="http://u.osu.edu/kim.2736/">Dr. Pil Ho Kim</a> is Associate Professor of Korean in the Department of East Asian Languages and Literatures at The Ohio State University. A sociologist by training, he has been studying and teaching a wide range of topics related to modern Korea, including popular music, cinema, literature, urban culture, and social polarization.</p><p><br></p><p>Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at <a href="https://twitter.com/AJuseyo">https://twitter.com/AJuseyo</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4003</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[75ef612a-1bc0-11f0-a6c1-4f3be715ff6b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6561354318.mp3?updated=1744916863" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Rosino, "Democracy Is Awkward: Grappling with Racism Inside American Grassroots Political Organizing" (UNC Press, 2025)</title>
      <description>In uncertain times, confronting pressing problems such as racial oppression and the environmental crisis requires everyday people to come together and wield political power for the greater good. Yet, as Michael Rosino shows in Democracy Is Awkward (UNC Press, 2025), progressive political organizations in the United States have frequently failed to achieve social change. 
Why? Rosino posits that it is because of the unwillingness of white progressives at the grassroots level to share power with progressives of color. Using rich ethnographic data, Rosino focuses on participants in a real grassroots progressive political party in the northeastern United States. While the organization's goals included racial equity and the inclusion of people of color, its membership and leadership remained disproportionately white, and the group had mixed success in prioritizing and carrying out its racial justice agenda. By highlighting the connections between racial inequality, grassroots democracy, and political participation, Rosino weaves in the voices and experiences of party members and offers insights for building more robust and empowering spaces of grassroots democratic engagement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 21 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>202</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Rosino</itunes:subtitle>
      <itunes:summary>In uncertain times, confronting pressing problems such as racial oppression and the environmental crisis requires everyday people to come together and wield political power for the greater good. Yet, as Michael Rosino shows in Democracy Is Awkward (UNC Press, 2025), progressive political organizations in the United States have frequently failed to achieve social change. 
Why? Rosino posits that it is because of the unwillingness of white progressives at the grassroots level to share power with progressives of color. Using rich ethnographic data, Rosino focuses on participants in a real grassroots progressive political party in the northeastern United States. While the organization's goals included racial equity and the inclusion of people of color, its membership and leadership remained disproportionately white, and the group had mixed success in prioritizing and carrying out its racial justice agenda. By highlighting the connections between racial inequality, grassroots democracy, and political participation, Rosino weaves in the voices and experiences of party members and offers insights for building more robust and empowering spaces of grassroots democratic engagement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In uncertain times, confronting pressing problems such as racial oppression and the environmental crisis requires everyday people to come together and wield political power for the greater good. Yet, as Michael Rosino shows in <a href="https://bookshop.org/a/12343/9781469685632">Democracy Is Awkward</a> (UNC Press, 2025), progressive political organizations in the United States have frequently failed to achieve social change. </p><p>Why? Rosino posits that it is because of the unwillingness of white progressives at the grassroots level to share power with progressives of color. Using rich ethnographic data, Rosino focuses on participants in a real grassroots progressive political party in the northeastern United States. While the organization's goals included racial equity and the inclusion of people of color, its membership and leadership remained disproportionately white, and the group had mixed success in prioritizing and carrying out its racial justice agenda. By highlighting the connections between racial inequality, grassroots democracy, and political participation, Rosino weaves in the voices and experiences of party members and offers insights for building more robust and empowering spaces of grassroots democratic engagement.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1639</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9735d470-1ad7-11f0-bbaa-ebaf80818c70]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9286822308.mp3?updated=1744817877" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Talia Mae Bettcher, "Beyond Personhood: An Essay in Trans Philosophy" (U Minnesota Press, 2025)</title>
      <description>What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all? 
In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 20 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>369</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Talia Mae Bettcher</itunes:subtitle>
      <itunes:summary>What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all? 
In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all? </p><p>In <a href="https://bookshop.org/a/12343/9781517902575"><em>Beyond Personhood: An Essay in Trans Philosophy</em></a> (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3053</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87d75966-fc20-11ef-bfa9-8f750e791e4b]]></guid>
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    </item>
    <item>
      <title>Mary Bosworth, "Supply Chain Justice: The Logistics of British Border Control" (Princeton UP, 2024)</title>
      <description>In the UK’s fully outsourced “immigration detainee escorting system,” private sector security employees detain, circulate and deport foreign national citizens. Run and organized like a supply chain, this system dehumanises those who are detained and deported, treating them as if they were packages to be moved from place to place and relying on poorly paid, minimally trained staff to do so. In Supply Chain Justice: The Logistics of British Border Control (Princeton UP, 2024), Mary Bosworth offers the first empirically grounded, scholarly analysis of the British detention and deportation system. Drawing on four years of extensive ethnographic research, Bosworth examines what keeps the system in place and whether it might be effectively challenged.
Told by a senior manager that “this is a logistics business,” Bosworth documents how the public and private sectors have built a supply chain in which people’s humanity is transformed both symbolically and tangibly through administrative processes and bureaucracy into monetized, measurable units. Like all logistics, the system has failure built into it. The contract does not seek to eradicate risk but rather to manage it, determining responsibility and apportioning a financial value to such “failures” as delay, escape, aborted flight or death in custody. Front-line workers and managers depoliticise and normalise their efforts by casting their duties in familiar bureaucratic terms, with targets, “service level agreements” and “key performance indicators.” Focusing on first-hand accounts from workers and lengthy observation and document analysis, Bosworth explores the impact of border logistics in order to ask what it would take to build inclusive infrastructures rather than those designed to exclude.
This interview was conducted by Dr. Hannah Pool whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 19 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Bosworth</itunes:subtitle>
      <itunes:summary>In the UK’s fully outsourced “immigration detainee escorting system,” private sector security employees detain, circulate and deport foreign national citizens. Run and organized like a supply chain, this system dehumanises those who are detained and deported, treating them as if they were packages to be moved from place to place and relying on poorly paid, minimally trained staff to do so. In Supply Chain Justice: The Logistics of British Border Control (Princeton UP, 2024), Mary Bosworth offers the first empirically grounded, scholarly analysis of the British detention and deportation system. Drawing on four years of extensive ethnographic research, Bosworth examines what keeps the system in place and whether it might be effectively challenged.
Told by a senior manager that “this is a logistics business,” Bosworth documents how the public and private sectors have built a supply chain in which people’s humanity is transformed both symbolically and tangibly through administrative processes and bureaucracy into monetized, measurable units. Like all logistics, the system has failure built into it. The contract does not seek to eradicate risk but rather to manage it, determining responsibility and apportioning a financial value to such “failures” as delay, escape, aborted flight or death in custody. Front-line workers and managers depoliticise and normalise their efforts by casting their duties in familiar bureaucratic terms, with targets, “service level agreements” and “key performance indicators.” Focusing on first-hand accounts from workers and lengthy observation and document analysis, Bosworth explores the impact of border logistics in order to ask what it would take to build inclusive infrastructures rather than those designed to exclude.
This interview was conducted by Dr. Hannah Pool whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the UK’s fully outsourced “immigration detainee escorting system,” private sector security employees detain, circulate and deport foreign national citizens. Run and organized like a supply chain, this system dehumanises those who are detained and deported, treating them as if they were packages to be moved from place to place and relying on poorly paid, minimally trained staff to do so. In <a href="https://bookshop.org/a/12343/9780691259925">Supply Chain Justice: The Logistics of British Border Control</a> (Princeton UP, 2024), Mary Bosworth offers the first empirically grounded, scholarly analysis of the British detention and deportation system. Drawing on four years of extensive ethnographic research, Bosworth examines what keeps the system in place and whether it might be effectively challenged.</p><p>Told by a senior manager that “this is a logistics business,” Bosworth documents how the public and private sectors have built a supply chain in which people’s humanity is transformed both symbolically and tangibly through administrative processes and bureaucracy into monetized, measurable units. Like all logistics, the system has failure built into it. The contract does not seek to eradicate risk but rather to manage it, determining responsibility and apportioning a financial value to such “failures” as delay, escape, aborted flight or death in custody. Front-line workers and managers depoliticise and normalise their efforts by casting their duties in familiar bureaucratic terms, with targets, “service level agreements” and “key performance indicators.” Focusing on first-hand accounts from workers and lengthy observation and document analysis, Bosworth explores the impact of border logistics in order to ask what it would take to build inclusive infrastructures rather than those designed to exclude.</p><p><em>This interview was conducted by Dr. Hannah Pool whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3336</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5740bfc4-1a14-11f0-b19e-c7781e412885]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5312672791.mp3?updated=1744733873" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jina B. Kim, "Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing" (Duke UP, 2025)</title>
      <description>In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support.

Duke University Press Scholars of Color First Book Award
Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jina B. Kim</itunes:subtitle>
      <itunes:summary>In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support.

Duke University Press Scholars of Color First Book Award
Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478031710"><em>Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing</em></a><em> </em>(Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support.</p><p><br></p><p>Duke University Press Scholars of Color First Book Award</p><p>Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3087</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2549424024.mp3?updated=1744392377" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anita Say Chan, "Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future" (U California Press, 2025)</title>
      <description>It’s a common refrain: AI is neither good nor bad because that depends on how its used. Professor Anita Say Chan begs to differ. Chan is the author of Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future (U California Press, 2025). Chan is Associate Professor in the School of Information Sciences and Department of Media and Cinema Studies at the University of Illinois at Urbana-Champaign, as well as the author of a prior book Networking Peripheries on tech movements among craftwork communities in Peru. In her current book, Chan documents how the Big Data on which AI are trained are based on long-standing data infrastructures—sets of practices, policies, and logics—that remove, imperil, devalue, and actively harm people who refuse to conform to racialized patriarchal power structures and the priorities of surveillance capitalism—most pointedly immigrant, feminist, and low-income communities.
Centered mostly in the United States as well as Latin America, Predatory Data shows how the eugenicist data practices of the past now shape our present. But her approach is fundamentally a politics of pluralism. Chan dedicates half of the book to amplifying and praising the small-scale, community-led projects of the past and present—from the legendary Hull House’s data visualizations to community data initiatives in Champaign, Illinois. There is much fuel for political outrage in this book and also fodder for solidarity and hope.
This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course, “The Politics of AI.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.
email: laura.stark@vanderbilt.edu .
Student collaborators on this interview were Emma Bufkin, Keyonté Doughty, Natalie Dumm, Lauren Garza, Eden Kim, Michelle Kugel, Kai Lee, Sam Mitike, Hadassah Nehikhuere, Shalini Thinakaran, Logan Walsh, and Wesley Williams.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 17 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anita Say Chan</itunes:subtitle>
      <itunes:summary>It’s a common refrain: AI is neither good nor bad because that depends on how its used. Professor Anita Say Chan begs to differ. Chan is the author of Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future (U California Press, 2025). Chan is Associate Professor in the School of Information Sciences and Department of Media and Cinema Studies at the University of Illinois at Urbana-Champaign, as well as the author of a prior book Networking Peripheries on tech movements among craftwork communities in Peru. In her current book, Chan documents how the Big Data on which AI are trained are based on long-standing data infrastructures—sets of practices, policies, and logics—that remove, imperil, devalue, and actively harm people who refuse to conform to racialized patriarchal power structures and the priorities of surveillance capitalism—most pointedly immigrant, feminist, and low-income communities.
Centered mostly in the United States as well as Latin America, Predatory Data shows how the eugenicist data practices of the past now shape our present. But her approach is fundamentally a politics of pluralism. Chan dedicates half of the book to amplifying and praising the small-scale, community-led projects of the past and present—from the legendary Hull House’s data visualizations to community data initiatives in Champaign, Illinois. There is much fuel for political outrage in this book and also fodder for solidarity and hope.
This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course, “The Politics of AI.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.
email: laura.stark@vanderbilt.edu .
Student collaborators on this interview were Emma Bufkin, Keyonté Doughty, Natalie Dumm, Lauren Garza, Eden Kim, Michelle Kugel, Kai Lee, Sam Mitike, Hadassah Nehikhuere, Shalini Thinakaran, Logan Walsh, and Wesley Williams.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s a common refrain: AI is neither good nor bad because that depends on how its used. Professor Anita Say Chan begs to differ. Chan is the author of <a href="https://bookshop.org/a/12343/9780520402843"><em>Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future</em></a> (U California Press, 2025). Chan is Associate Professor in the School of Information Sciences and Department of Media and Cinema Studies at the University of Illinois at Urbana-Champaign, as well as the author of a prior book <em>Networking Peripheries</em> on tech movements among craftwork communities in Peru. In her current book, Chan documents how the Big Data on which AI are trained are based on long-standing data infrastructures—sets of practices, policies, and logics—that remove, imperil, devalue, and actively harm people who refuse to conform to racialized patriarchal power structures and the priorities of surveillance capitalism—most pointedly immigrant, feminist, and low-income communities.</p><p>Centered mostly in the United States as well as Latin America, <em>Predatory Data</em> shows how the eugenicist data practices of the past now shape our present. But her approach is fundamentally a politics of pluralism. Chan dedicates half of the book to amplifying and praising the small-scale, community-led projects of the past and present—from the legendary Hull House’s data visualizations to community data initiatives in Champaign, Illinois. There is much fuel for political outrage in this book and also fodder for solidarity and hope.</p><p>This interview was a collaborative effort among Professor <a href="http://www.laura-stark.com/">Laura Stark</a> and students at Vanderbilt University in the course, “The Politics of AI.” Please email Laura with any feedback on the interview or questions about how to <a href="https://www.researchgate.net/publication/286403980_Can_New_Media_Save_the_Book">design collaborative interview projects</a> for the classroom.</p><p>email: <a href="mailto:laura.stark@vanderbilt.edu">laura.stark@vanderbilt.edu</a> .</p><p>Student collaborators on this interview were Emma Bufkin, Keyonté Doughty, Natalie Dumm, Lauren Garza, Eden Kim, Michelle Kugel, Kai Lee, Sam Mitike, Hadassah Nehikhuere, Shalini Thinakaran, Logan Walsh, and Wesley Williams.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4e946e5c-193d-11f0-bf15-735a44258545]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6934127519.mp3?updated=1745601890" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neil Kraus, "The Fantasy Economy: Neoliberalism, Inequality, and the Education Reform Movement" (Temple UP, 2023)</title>
      <description>Wage stagnation, growing inequality, and even poverty itself have resulted from decades of neoliberal decision making, not the education system, writes Neil Kraus in his urgent call to action, The Fantasy Economy: Neoliberalism, Inequality, and the Education Reform Movement (Temple UP, 2023).

Kraus claims the idea that both the education system and labor force are chronically deficient was aggressively and incorrectly promoted starting in the Reagan era, when corporate interests and education reformers emphasized education as the exclusive mechanism providing the citizenry with economic opportunity. However, as this critical book reveals, that is a misleading articulation of the economy and education system rooted in the economic self-interests of corporations and the wealthy.

The Fantasy Economy challenges the basic assumptions of the education reform movement of the last few decades. Kraus insists that education cannot control the labor market and unreliable corporate narratives fuel this misinformation. Moreover, misguided public policies, such as accountability and school choice, along with an emphasis on workforce development and STEM over broad-based liberal arts education, have only produced greater inequality.

Ultimately, The Fantasy Economy argues that education should be understood as a social necessity, not an engine of the neoliberal agenda. Kraus' book advocates for a change in conventional thinking about economic opportunity and the purpose of education in a democracy.

Neil Kraus is Professor of Political Science at the University of Wisconsin, River Falls. He is the author of Majoritarian Cities: Policy Making and Inequality in Urban Politics and Race, Neighborhoods, and Community Power: Buffalo Politics, 1934-1997.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Wage stagnation, growing inequality, and even poverty itself have resulted from decades of neoliberal decision making, not the education system, writes Neil Kraus in his urgent call to action, The Fantasy Economy: Neoliberalism, Inequality, and the Education Reform Movement (Temple UP, 2023).

Kraus claims the idea that both the education system and labor force are chronically deficient was aggressively and incorrectly promoted starting in the Reagan era, when corporate interests and education reformers emphasized education as the exclusive mechanism providing the citizenry with economic opportunity. However, as this critical book reveals, that is a misleading articulation of the economy and education system rooted in the economic self-interests of corporations and the wealthy.

The Fantasy Economy challenges the basic assumptions of the education reform movement of the last few decades. Kraus insists that education cannot control the labor market and unreliable corporate narratives fuel this misinformation. Moreover, misguided public policies, such as accountability and school choice, along with an emphasis on workforce development and STEM over broad-based liberal arts education, have only produced greater inequality.

Ultimately, The Fantasy Economy argues that education should be understood as a social necessity, not an engine of the neoliberal agenda. Kraus' book advocates for a change in conventional thinking about economic opportunity and the purpose of education in a democracy.

Neil Kraus is Professor of Political Science at the University of Wisconsin, River Falls. He is the author of Majoritarian Cities: Policy Making and Inequality in Urban Politics and Race, Neighborhoods, and Community Power: Buffalo Politics, 1934-1997.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wage stagnation, growing inequality, and even poverty itself have resulted from decades of neoliberal decision making, not the education system, writes Neil Kraus in his urgent call to action, <a href="https://bookshop.org/a/12343/9781439923719">The Fantasy Economy: Neoliberalism, Inequality, and the Education Reform Movement </a>(Temple UP, 2023).</p><p><br></p><p>Kraus claims the idea that both the education system and labor force are chronically deficient was aggressively and incorrectly promoted starting in the Reagan era, when corporate interests and education reformers emphasized education as the exclusive mechanism providing the citizenry with economic opportunity. However, as this critical book reveals, that is a misleading articulation of the economy and education system rooted in the economic self-interests of corporations and the wealthy.</p><p><br></p><p>The Fantasy Economy challenges the basic assumptions of the education reform movement of the last few decades. Kraus insists that education cannot control the labor market and unreliable corporate narratives fuel this misinformation. Moreover, misguided public policies, such as accountability and school choice, along with an emphasis on workforce development and STEM over broad-based liberal arts education, have only produced greater inequality.</p><p><br></p><p>Ultimately, The Fantasy Economy argues that education should be understood as a social necessity, not an engine of the neoliberal agenda. Kraus' book advocates for a change in conventional thinking about economic opportunity and the purpose of education in a democracy.</p><p><br></p><p>Neil Kraus is Professor of Political Science at the University of Wisconsin, River Falls. He is the author of Majoritarian Cities: Policy Making and Inequality in Urban Politics and Race, Neighborhoods, and Community Power: Buffalo Politics, 1934-1997.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4343</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Mingwei Huang, "Reconfiguring Racial Capitalism: South Africa in the Chinese Century" (Duke UP, 2024)</title>
      <description>In Reconfiguring Racial Capitalism: South Africa in the Chinese Century (Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg’s former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present. 
Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism’s center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 15 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>525</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mingwei Huang</itunes:subtitle>
      <itunes:summary>In Reconfiguring Racial Capitalism: South Africa in the Chinese Century (Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg’s former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present. 
Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism’s center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478026792"><em>Reconfiguring Racial Capitalism: South Africa in the Chinese Century</em></a><em> </em>(Duke UP, 2024), Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg’s former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present. </p><p>Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism’s center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offers tools for understanding this shift and decentering contemporary Western conceptions of race, empire, and racial capitalism in the Chinese Century.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3754</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3920ec08-1942-11f0-920b-034d71a79936]]></guid>
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    </item>
    <item>
      <title>What Might Be: Confronting Racism to Transform Our Institutions</title>
      <description>Leaders who introduce anti-racist approaches to their organizations often face backlash. In What Might Be: Confronting Racism to Transform Our Institutions (Princeton UP, 2025), Susan Sturm explores how to navigate the contradictions built into our racialized history, relationships, and institutions. She offers strategies and stories for confronting racism within predominantly white institutions, describing how change agents can move beyond talk to build the architecture of full participation. Professor Sturm argues that although we cannot avoid the contradictions built into efforts to confront racism, we can make them into engines of cross-racial reflection, bridge building, and institutional reimagination, rather than falling into a Groundhog Day–like trap of repeated failures. 
Drawing on her decades of experience researching and working with institutions to help them become more equitable and inclusive, she identifies three persistent paradoxes inherent in anti-racism work. These are the paradox of racialized power, whereby anti-racism requires white people to lean into and yet step back from exercising power; the paradox of racial salience, which means that effective efforts must explicitly name and address race while also framing their goals in universal terms other than race; and the paradox of racialized institutions, which must drive anti-racism work while simultaneously being the target of it. Sturm shows how people and institutions can cultivate the capacity to straddle these contradictions, enabling those in different racial positions to discover their linked fate and become the catalysts for long-term change. The book includes thoughtful and critical responses from Goodwin Liu, Freeman Hrabowski, and Anurima Bhargava.
Our guest is: Professor Susan Sturm, who is the George M. Jaffin Professor of Law and Social Responsibility and the Founding Director of the Center for Institutional and Social Change at Columbia Law School. She is the coauthor with Lani Guinier, of Who's Qualified? A New Democracy Forum on the Future of Affirmative Action.
Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.
Playlist for listeners:

Teaching About Race and Racism in the College Classroom

Black Women, Ivory Tower

Transforming Hispanic Serving Institutions for Equity and Justice

Black Woman on Board

We Are Not Dreamers: Undocumented Scholars Theorize Undocumented Life in the United States

Leading from the Margins

Presumed Incompetent

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>261</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Susan Sturm</itunes:subtitle>
      <itunes:summary>Leaders who introduce anti-racist approaches to their organizations often face backlash. In What Might Be: Confronting Racism to Transform Our Institutions (Princeton UP, 2025), Susan Sturm explores how to navigate the contradictions built into our racialized history, relationships, and institutions. She offers strategies and stories for confronting racism within predominantly white institutions, describing how change agents can move beyond talk to build the architecture of full participation. Professor Sturm argues that although we cannot avoid the contradictions built into efforts to confront racism, we can make them into engines of cross-racial reflection, bridge building, and institutional reimagination, rather than falling into a Groundhog Day–like trap of repeated failures. 
Drawing on her decades of experience researching and working with institutions to help them become more equitable and inclusive, she identifies three persistent paradoxes inherent in anti-racism work. These are the paradox of racialized power, whereby anti-racism requires white people to lean into and yet step back from exercising power; the paradox of racial salience, which means that effective efforts must explicitly name and address race while also framing their goals in universal terms other than race; and the paradox of racialized institutions, which must drive anti-racism work while simultaneously being the target of it. Sturm shows how people and institutions can cultivate the capacity to straddle these contradictions, enabling those in different racial positions to discover their linked fate and become the catalysts for long-term change. The book includes thoughtful and critical responses from Goodwin Liu, Freeman Hrabowski, and Anurima Bhargava.
Our guest is: Professor Susan Sturm, who is the George M. Jaffin Professor of Law and Social Responsibility and the Founding Director of the Center for Institutional and Social Change at Columbia Law School. She is the coauthor with Lani Guinier, of Who's Qualified? A New Democracy Forum on the Future of Affirmative Action.
Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.
Playlist for listeners:

Teaching About Race and Racism in the College Classroom

Black Women, Ivory Tower

Transforming Hispanic Serving Institutions for Equity and Justice

Black Woman on Board

We Are Not Dreamers: Undocumented Scholars Theorize Undocumented Life in the United States

Leading from the Margins

Presumed Incompetent

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Leaders who introduce anti-racist approaches to their organizations often face backlash. In <a href="https://bookshop.org/a/12343/9780691246758"><em>What Might Be: Confronting Racism to Transform Our Institutions</em></a> (Princeton UP, 2025), Susan Sturm explores how to navigate the contradictions built into our racialized history, relationships, and institutions. She offers strategies and stories for confronting racism within predominantly white institutions, describing how change agents can move beyond talk to build the architecture of full participation. Professor Sturm argues that although we cannot avoid the contradictions built into efforts to confront racism, we can make them into engines of cross-racial reflection, bridge building, and institutional reimagination, rather than falling into a Groundhog Day–like trap of repeated failures. </p><p>Drawing on her decades of experience researching and working with institutions to help them become more equitable and inclusive, she identifies three persistent paradoxes inherent in anti-racism work. These are the paradox of racialized power, whereby anti-racism requires white people to lean into and yet step back from exercising power; the paradox of racial salience, which means that effective efforts must explicitly name and address race while also framing their goals in universal terms other than race; and the paradox of racialized institutions, which must drive anti-racism work while simultaneously being the target of it. Sturm shows how people and institutions can cultivate the capacity to straddle these contradictions, enabling those in different racial positions to discover their linked fate and become the catalysts for long-term change. The book includes thoughtful and critical responses from Goodwin Liu, Freeman Hrabowski, and Anurima Bhargava.</p><p>Our guest is: Professor Susan Sturm, who is the George M. Jaffin Professor of Law and Social Responsibility and the Founding Director of the Center for Institutional and Social Change at Columbia Law School. She is the coauthor with Lani Guinier, of <em>Who's Qualified? A New Democracy Forum on the Future of Affirmative Action</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.</p><p>Playlist for listeners:</p><ul>
<li><a href="https://newbooksnetwork.com/teaching-about-race-and-racism-in-the-college-classroom#entry:103132@1:url">Teaching About Race and Racism in the College Classroom</a></li>
<li><a href="https://newbooksnetwork.com/black-women-ivory-tower#entry:287753@1:url">Black Women, Ivory Tower</a></li>
<li><a href="https://newbooksnetwork.com/transforming-hispanic-serving-institutions-for-equity-and-justice#entry:215429@1:url">Transforming Hispanic Serving Institutions for Equity and Justice</a></li>
<li><a href="https://newbooksnetwork.com/black-woman-on-board#entry:343629@1:url">Black Woman on Board</a></li>
<li><a href="https://newbooksnetwork.com/we-are-not-dreamers-undocumented-scholars-theorize-undocumented-life-in-the-united-states#entry:205111@1:url">We Are Not Dreamers: Undocumented Scholars Theorize Undocumented Life in the United States</a></li>
<li><a href="https://newbooksnetwork.com/leading-from-the-margins#entry:308703@1:url">Leading from the Margins</a></li>
<li><a href="https://newbooksnetwork.com/how-to-deal-with-structural-inequality#entry:39410@1:url">Presumed Incompetent</a></li>
</ul><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3072</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ysabel Gerrard, "The Kids Are Online: Confronting the Myths and Realities of Young Digital Life" (U California Press, 2025)</title>
      <description>How do young people use digital platforms? In The Kids are Online: Confronting the Myths and Realities of Young Digital Life (U California Press, 2025), Ysabel Gerrard, a Senior Lecturer in Digital Media and Society at the University of Sheffield explores the understandings and experience of young people as they navigate both the online and offline world. Drawing on a range of sociological, digital and creative methods, the book punctures many myths around young people’s digital lives, showing both the potential as well as the problems of contemporary online spaces. Framed through the idea of the paradoxes of social media for young people, the book’s analysis is insightful and engaging, as well as deeply theoretically informed. The book is essential reading across the social sciences and humanities, as well as for anyone interested in understanding contemporary digital life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 13 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>524</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ysabel Gerrard</itunes:subtitle>
      <itunes:summary>How do young people use digital platforms? In The Kids are Online: Confronting the Myths and Realities of Young Digital Life (U California Press, 2025), Ysabel Gerrard, a Senior Lecturer in Digital Media and Society at the University of Sheffield explores the understandings and experience of young people as they navigate both the online and offline world. Drawing on a range of sociological, digital and creative methods, the book punctures many myths around young people’s digital lives, showing both the potential as well as the problems of contemporary online spaces. Framed through the idea of the paradoxes of social media for young people, the book’s analysis is insightful and engaging, as well as deeply theoretically informed. The book is essential reading across the social sciences and humanities, as well as for anyone interested in understanding contemporary digital life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do young people use digital platforms? In <a href="https://bookshop.org/a/12343/9780520388086"><em>The Kids are Online:</em> <em>Confronting the Myths and Realities of Young Digital Life</em></a><em> </em>(U California Press, 2025), <a href="https://bsky.app/profile/ysabel.bsky.social">Ysabel Gerrard</a>, a <a href="https://ysabelgerrard.net/home">Senior Lecturer in Digital Media and Society</a> at the <a href="https://www.sheffield.ac.uk/socstudies/people/academic-staff/ysabel-gerrard">University of Sheffield</a> explores the understandings and experience of young people as they navigate both the online and offline world. Drawing on a range of sociological, digital and creative methods, the book punctures many myths around young people’s digital lives, showing both the potential as well as the problems of contemporary online spaces. Framed through the idea of the paradoxes of social media for young people, the book’s analysis is insightful and engaging, as well as deeply theoretically informed. The book is essential reading across the social sciences and humanities, as well as for anyone interested in understanding contemporary digital life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2320</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[feba3986-16e2-11f0-aa7b-8fdef50ac82d]]></guid>
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    </item>
    <item>
      <title>Mimi Thi Nguyen, "The Promise of Beauty" (Duke UP, 2024)</title>
      <description>In The Promise of Beauty (Duke UP, 2024), Mimi Thi Nguyen explores the relationship between the concept of beauty and narratives of crisis and catastrophe. Nguyen conceptualizes beauty, which, she observes, we turn to in emergencies and times of destruction, as a tool to identify and bridge the discrepancy between the world as it is and what it ought to be. Drawing widely from aesthetic and critical theories, Nguyen outlines how beauty—or its lack—points to the conditions that must exist for it to flourish. She notes that an absence of beauty becomes both a political observation and a call to action to transform the conditions of the situation so as to replicate, preserve, or repair beauty. The promise of beauty can then engender a critique of social arrangements and political structures that would set the foundations for its possibility and presence. In this way, Nguyen highlights the role of beauty in inspiring action toward a more just world.
Mimi Thi Nguyen is Professor of Gender and Women's Studies at the University of Illinois, Urbana-Champaign. Her first book, called The Gift of Freedom: War, Debt, and Other Refugee Passages, focuses on the promise of “giving” freedom concurrent and contingent with waging war (Duke University Press, 2012; Outstanding Book Award in Cultural Studies from the Association of Asian American Studies, 2014). She is also co-editor with Fiona I.B. Ngo and Mariam Lam of a special issue of positions: asia critique on Southeast Asian American Studies (20:3, Winter 2012), and co-editor with Thuy Linh Nguyen Tu of Alien Encounters: Pop Culture in Asian America (Duke University Press, 2007). Her papers have been solicited for the Feminist Theory Archive at Brown University. Her second book is called The Promise of Beauty, and she is part of an editorial collective with Patty Ahn, Michelle Cho, Vernadette Vicuna Gonzalez, Rani Neutill, and Yutian Wong for Bangtan Remixed: A Critical BTS Reader; both books are being published with Duke University Press in 2024. She has also published in Signs, Camera Obscura, The Funambulist, Women &amp; Performance, positions, Radical History Review, and ArtForum.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 12 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Promise of Beauty (Duke UP, 2024), Mimi Thi Nguyen explores the relationship between the concept of beauty and narratives of crisis and catastrophe. Nguyen conceptualizes beauty, which, she observes, we turn to in emergencies and times of destruction, as a tool to identify and bridge the discrepancy between the world as it is and what it ought to be. Drawing widely from aesthetic and critical theories, Nguyen outlines how beauty—or its lack—points to the conditions that must exist for it to flourish. She notes that an absence of beauty becomes both a political observation and a call to action to transform the conditions of the situation so as to replicate, preserve, or repair beauty. The promise of beauty can then engender a critique of social arrangements and political structures that would set the foundations for its possibility and presence. In this way, Nguyen highlights the role of beauty in inspiring action toward a more just world.
Mimi Thi Nguyen is Professor of Gender and Women's Studies at the University of Illinois, Urbana-Champaign. Her first book, called The Gift of Freedom: War, Debt, and Other Refugee Passages, focuses on the promise of “giving” freedom concurrent and contingent with waging war (Duke University Press, 2012; Outstanding Book Award in Cultural Studies from the Association of Asian American Studies, 2014). She is also co-editor with Fiona I.B. Ngo and Mariam Lam of a special issue of positions: asia critique on Southeast Asian American Studies (20:3, Winter 2012), and co-editor with Thuy Linh Nguyen Tu of Alien Encounters: Pop Culture in Asian America (Duke University Press, 2007). Her papers have been solicited for the Feminist Theory Archive at Brown University. Her second book is called The Promise of Beauty, and she is part of an editorial collective with Patty Ahn, Michelle Cho, Vernadette Vicuna Gonzalez, Rani Neutill, and Yutian Wong for Bangtan Remixed: A Critical BTS Reader; both books are being published with Duke University Press in 2024. She has also published in Signs, Camera Obscura, The Funambulist, Women &amp; Performance, positions, Radical History Review, and ArtForum.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478030973"><em>The Promise of Beauty</em> </a>(Duke UP, 2024), Mimi Thi Nguyen explores the relationship between the concept of beauty and narratives of crisis and catastrophe. Nguyen conceptualizes beauty, which, she observes, we turn to in emergencies and times of destruction, as a tool to identify and bridge the discrepancy between the world as it is and what it ought to be. Drawing widely from aesthetic and critical theories, Nguyen outlines how beauty—or its lack—points to the conditions that must exist for it to flourish. She notes that an absence of beauty becomes both a political observation and a call to action to transform the conditions of the situation so as to replicate, preserve, or repair beauty. The promise of beauty can then engender a critique of social arrangements and political structures that would set the foundations for its possibility and presence. In this way, Nguyen highlights the role of beauty in inspiring action toward a more just world.</p><p>Mimi Thi Nguyen is Professor of Gender and Women's Studies at the University of Illinois, Urbana-Champaign. Her first book, called <a href="http://www.amazon.com/The-Gift-Freedom-Passages-Directions/dp/0822352397">The Gift of Freedom: War, Debt, and Other Refugee Passages</a>, focuses on the promise of “giving” freedom concurrent and contingent with waging war (Duke University Press, 2012; Outstanding Book Award in Cultural Studies from the Association of Asian American Studies, 2014). She is also co-editor with Fiona I.B. Ngo and Mariam Lam of a special issue of positions: asia critique on <a href="http://www.dukeupress.edu/Catalog/ViewProduct.php?productid=51928&amp;viewby=author&amp;lastname=Nguyen&amp;firstname=Mimi&amp;middlename=Thi&amp;sort=newest">Southeast Asian American Studies</a> (20:3, Winter 2012), and co-editor with Thuy Linh Nguyen Tu of <a href="http://www.dukeupress.edu/Catalog/ViewProduct.php?productid=5560&amp;viewby=author&amp;lastname=Nguyen&amp;firstname=Mimi&amp;middlename=Thi&amp;sort=newest">Alien Encounters: Pop Culture in Asian America</a> (Duke University Press, 2007). Her papers have been solicited for the Feminist Theory Archive at Brown University. Her second book is called <a href="https://www.dukeupress.edu/the-promise-of-beauty">The Promise of Beauty</a>, and she is part of an editorial collective with Patty Ahn, Michelle Cho, Vernadette Vicuna Gonzalez, Rani Neutill, and Yutian Wong for Bangtan Remixed: A Critical BTS Reader; both books are being published with Duke University Press in 2024. She has also published in Signs, Camera Obscura, The Funambulist, Women &amp; Performance, positions, Radical History Review, and ArtForum.</p><p><a href="https://www.bu.edu/cas/profile/najwa-mayer/">Najwa Mayer</a> is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5285</itunes:duration>
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    <item>
      <title>Rebecca Zorach, "Temporary Monuments: Art, Land, and America's Racial Enterprise" (U Chicago Press, 2024)</title>
      <description>Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in Temporary Monuments: Art, Land, and America’s Racial Enterprise (University of Chicago Press, 2024), Dr. Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.
Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Dr. Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in Temporary Monuments: Art, Land, and America’s Racial Enterprise (University of Chicago Press, 2024), Dr. Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.
Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Dr. Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in <a href="https://bookshop.org/a/12343/9780226831015"><em>Temporary Monuments: Art, Land, and America’s Racial Enterprise</em></a> (University of Chicago Press, 2024), Dr. Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.</p><p>Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Dr. Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3701</itunes:duration>
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    <item>
      <title>"Queer Jews, Queer Muslims" with Adi Saleem and Shanon Shah</title>
      <description>In this episode of Radio ReOrient, Claudia Radiven and Chella Ward spoke to Adi Saleem and Shanon Shah. They discussed the recent publication of the book Queer Muslims, Queer Jews: Race, Religion, and Representation (Wayne State UP, 2024) that Adi edited and Shannon contributed a chapter. Adi is an assistant professor at the University of Michigan with a focus on the intersection of race and religion, particularly in relation to Jews and Muslims. Shannon is a Visiting Research Fellow at the Department of Theology and Religious Studies at King’s College London with a focus on ethnographic study of religion, contemporary Islam and Christianity, new religious movements, gender and sexuality, popular culture, and social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 10 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode of Radio ReOrient, Claudia Radiven and Chella Ward spoke to Adi Saleem and Shanon Shah. They discussed the recent publication of the book Queer Muslims, Queer Jews: Race, Religion, and Representation (Wayne State UP, 2024) that Adi edited and Shannon contributed a chapter. Adi is an assistant professor at the University of Michigan with a focus on the intersection of race and religion, particularly in relation to Jews and Muslims. Shannon is a Visiting Research Fellow at the Department of Theology and Religious Studies at King’s College London with a focus on ethnographic study of religion, contemporary Islam and Christianity, new religious movements, gender and sexuality, popular culture, and social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of Radio ReOrient, Claudia Radiven and Chella Ward spoke to Adi Saleem and Shanon Shah. They discussed the recent publication of the book <a href="https://bookshop.org/a/12343/9780814350874"><em>Queer Muslims, Queer Jews: Race, Religion, and Representation</em></a> (Wayne State UP, 2024) that Adi edited and Shannon contributed a chapter. Adi is an assistant professor at the University of Michigan with a focus on the intersection of race and religion, particularly in relation to Jews and Muslims. Shannon is a Visiting Research Fellow at the Department of Theology and Religious Studies at King’s College London with a focus on ethnographic study of religion, contemporary Islam and Christianity, new religious movements, gender and sexuality, popular culture, and social movements.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4003</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a838dfbc-1094-11f0-b5b8-e31127d64dc3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5601367703.mp3?updated=1743689758" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ståle Holgersen, "Against the Crisis: Economy and Ecology in a Burning World" (Verso, 2024)</title>
      <description>In Against the Crisis: Economy and Ecology in a Burning World (Verso, 2024), Ståle Holgersen develops a conceptualization of 'crisis' that moves beyond simplistic understandings of societal turbulence or even disaster, arguing that crises have come to mean something very specific. Where previous analyses have treated economic and ecological crises as separate phenomena, Holgersen reveals their profound interconnection within capitalism's contradictions. Central to the book is the idea that both economic and climate crises are crises of capitalism specifically, and the powers that be are not willing to acknowledge it.
 Holgersen delves into today’s economic and ecological crises to demonstrate that they are not exceptions to an otherwise functioning system but integral to its operation. It is naive to see these upheavals as opportunities for reform or revolution. They are the bedrock of the status quo. Fortunately, the vicious circle sustaining capitalism is not founded on an iron law. Our historical mission in the face of the climate crisis is to create a historical exception to the rule. It is time for ecosocialism against crisis.
About the Author: 
Ståle Holgersen is a Senior Lecturer in Human Geography at Stockholm University, Sweden. He is a member of two research collectives: the Zetkin Collective (ecosocialist group working on political ecologies of the far right) published White Skin, Black Fuel on Verso in 2021 and Fundament (a housing research collective) published Kris i Bostadsfrågan on Daidalos in 2023. This is his first monograph in English.
About the Host: 
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford. She has a BA in Political Science from the University of Toronto.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>522</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ståle Holgersen</itunes:subtitle>
      <itunes:summary>In Against the Crisis: Economy and Ecology in a Burning World (Verso, 2024), Ståle Holgersen develops a conceptualization of 'crisis' that moves beyond simplistic understandings of societal turbulence or even disaster, arguing that crises have come to mean something very specific. Where previous analyses have treated economic and ecological crises as separate phenomena, Holgersen reveals their profound interconnection within capitalism's contradictions. Central to the book is the idea that both economic and climate crises are crises of capitalism specifically, and the powers that be are not willing to acknowledge it.
 Holgersen delves into today’s economic and ecological crises to demonstrate that they are not exceptions to an otherwise functioning system but integral to its operation. It is naive to see these upheavals as opportunities for reform or revolution. They are the bedrock of the status quo. Fortunately, the vicious circle sustaining capitalism is not founded on an iron law. Our historical mission in the face of the climate crisis is to create a historical exception to the rule. It is time for ecosocialism against crisis.
About the Author: 
Ståle Holgersen is a Senior Lecturer in Human Geography at Stockholm University, Sweden. He is a member of two research collectives: the Zetkin Collective (ecosocialist group working on political ecologies of the far right) published White Skin, Black Fuel on Verso in 2021 and Fundament (a housing research collective) published Kris i Bostadsfrågan on Daidalos in 2023. This is his first monograph in English.
About the Host: 
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford. She has a BA in Political Science from the University of Toronto.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781804293812"><em>Against the Crisis: Economy and Ecology in a Burning World </em></a>(Verso, 2024), Ståle Holgersen develops a conceptualization of 'crisis' that moves beyond simplistic understandings of societal turbulence or even disaster, arguing that crises have come to mean something very specific. Where previous analyses have treated economic and ecological crises as separate phenomena, Holgersen reveals their profound interconnection within capitalism's contradictions. Central to the book is the idea that both economic and climate crises are crises of capitalism specifically, and the powers that be are not willing to acknowledge it.</p><p> Holgersen delves into today’s economic and ecological crises to demonstrate that they are not exceptions to an otherwise functioning system but integral to its operation. It is naive to see these upheavals as opportunities for reform or revolution. They are the bedrock of the status quo. Fortunately, the vicious circle sustaining capitalism is not founded on an iron law. Our historical mission in the face of the climate crisis is to create a historical exception to the rule. It is time for ecosocialism against crisis.</p><p>About the Author: </p><p><strong>Ståle Holgersen</strong> is a Senior Lecturer in Human Geography at Stockholm University, Sweden. He is a member of two research collectives: the Zetkin Collective (ecosocialist group working on political ecologies of the far right) published <em>White Skin, Black Fuel</em> on Verso in 2021 and Fundament (a housing research collective) published <em>Kris i Bostadsfrågan on Daidalos in</em> 2023. This is his first monograph in English.</p><p>About the Host: </p><p><strong>Stuti Roy</strong> has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford. She has a BA in Political Science from the University of Toronto.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3170</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7223dc38-1319-11f0-9045-632f1f6aaf39]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1995332674.mp3?updated=1743966790" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sam Wetherell, "Liverpool and the Unmaking of Britain" (Bloomsbury, 2025)</title>
      <description>What does the history of Liverpool tell us about the future of Britain? In Liverpool and the Unmaking of Britain (Bloomsbury, 2025), Sam Wetherall, a Senior Lecturer in the History of Britain and the World at the University of York, tells the story of the city through the lens of ‘obsolesce’. This powerful framework structures a narrative that sees the story of Liverpool as both one of state ineffectiveness, indifference, and brutality, and one of solidarity and alternative forms of community and organising. The analysis is rich with details, ranging widely across the city’s rich social, cultural and economic story. Offering Liverpool as a blueprint for pessimism and optimism, the book is essential reading across the humanities, social scientists, and anyone interested in politics, culture and society today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>521</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sam Wetherell</itunes:subtitle>
      <itunes:summary>What does the history of Liverpool tell us about the future of Britain? In Liverpool and the Unmaking of Britain (Bloomsbury, 2025), Sam Wetherall, a Senior Lecturer in the History of Britain and the World at the University of York, tells the story of the city through the lens of ‘obsolesce’. This powerful framework structures a narrative that sees the story of Liverpool as both one of state ineffectiveness, indifference, and brutality, and one of solidarity and alternative forms of community and organising. The analysis is rich with details, ranging widely across the city’s rich social, cultural and economic story. Offering Liverpool as a blueprint for pessimism and optimism, the book is essential reading across the humanities, social scientists, and anyone interested in politics, culture and society today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does the history of Liverpool tell us about the future of Britain? In <a href="https://www.bloomsbury.com/uk/liverpool-and-the-unmaking-of-britain-9781801108867/"><em>Liverpool and the Unmaking of Britain</em></a><em> </em>(Bloomsbury, 2025),<em> </em><a href="https://bsky.app/profile/samwetherell.bsky.social">Sam Wetherall</a>, <a href="https://www.samwetherell.com/">a Senior Lecturer</a> in the History of Britain and the World at the <a href="https://www.york.ac.uk/history/people/wetherell/">University of York</a>, tells the story of the city through the lens of ‘obsolesce’. This powerful framework structures a narrative that sees the story of Liverpool as both one of state ineffectiveness, indifference, and brutality, and one of solidarity and alternative forms of community and organising. The analysis is rich with details, ranging widely across the city’s rich social, cultural and economic story. Offering Liverpool as a blueprint for pessimism and optimism, the book is essential reading across the humanities, social scientists, and anyone interested in politics, culture and society today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3081</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8165742548.mp3?updated=1743963347" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>What it Means to Forget</title>
      <description>The recent removal of information about Black, Indigenous, and female military personnel from the Arlington National Cemetery’s website exemplifies how cancel culture intersects with broader societal dynamics, particularly in the context of diversity, equity, and inclusion (DEI) initiatives. Under directives from the Department of Defense, pages highlighting notable veterans, such as Colin Powell, Jackie Roberson and members of the Tuskegee Airmen were deleted. These actions align with executive orders targeting DEI efforts in federal agencies, raising concerns about historical erasure and its implications for marginalized groups.
This form of cancel culture—removing or altering narratives—reflects a modern-day example of erasure as a defense mechanism. Psychoanalytic theory offers insights into this phenomenon, particularly through concepts like repression and the “return of the repressed.” Erasure can be seen as a defense against confronting uncomfortable truths about systemic inequities or historical injustices. By eliminating these narratives from public platforms, institutions may unconsciously attempt to suppress collective guilt or discomfort. However, Freud’s theory suggests that repressed material often resurfaces in unintended ways, potentially fueling collective anger or demands for accountability.
Other psychoanalytic defenses also play a role in cancel culture. Projection involves attributing one’s own insecurities or biases onto others, which can manifest in public condemnation of individuals or groups perceived as embodying those traits. Rationalization allows individuals or institutions to justify their actions—such as removing historical content—under the guise of compliance with executive orders or policy changes. Displacement, another mechanism, shifts focus from systemic issues (e.g., structural racism) to surface-level actions like website edits, thereby avoiding deeper engagement with societal problems.
Cancel culture extends beyond institutional actions to broader societal trends. Modern examples include public figures like Andrew Cuomo and Chris Brown navigating cancellations and subsequent comebacks. These cases highlight how cancel culture can sometimes lose its potency over time, especially when individuals retain strong support bases. Social media platforms have also relaxed moderation policies, allowing previously banned accounts to return, which reflects shifting attitudes toward cancel practices.
Ultimately, understanding cancel culture through psychoanalytic mechanisms reveals its complex interplay between societal norms and individual psychology. Erasure as a defense may temporarily shield institutions from scrutiny but risks perpetuating cycles of repression and backlash. Addressing these dynamics requires fostering empathy and critical dialogue to prevent harmful patterns of exclusion and suppression.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Psychoanalytic Perspectives on Racism in America Episode 9</itunes:subtitle>
      <itunes:summary>The recent removal of information about Black, Indigenous, and female military personnel from the Arlington National Cemetery’s website exemplifies how cancel culture intersects with broader societal dynamics, particularly in the context of diversity, equity, and inclusion (DEI) initiatives. Under directives from the Department of Defense, pages highlighting notable veterans, such as Colin Powell, Jackie Roberson and members of the Tuskegee Airmen were deleted. These actions align with executive orders targeting DEI efforts in federal agencies, raising concerns about historical erasure and its implications for marginalized groups.
This form of cancel culture—removing or altering narratives—reflects a modern-day example of erasure as a defense mechanism. Psychoanalytic theory offers insights into this phenomenon, particularly through concepts like repression and the “return of the repressed.” Erasure can be seen as a defense against confronting uncomfortable truths about systemic inequities or historical injustices. By eliminating these narratives from public platforms, institutions may unconsciously attempt to suppress collective guilt or discomfort. However, Freud’s theory suggests that repressed material often resurfaces in unintended ways, potentially fueling collective anger or demands for accountability.
Other psychoanalytic defenses also play a role in cancel culture. Projection involves attributing one’s own insecurities or biases onto others, which can manifest in public condemnation of individuals or groups perceived as embodying those traits. Rationalization allows individuals or institutions to justify their actions—such as removing historical content—under the guise of compliance with executive orders or policy changes. Displacement, another mechanism, shifts focus from systemic issues (e.g., structural racism) to surface-level actions like website edits, thereby avoiding deeper engagement with societal problems.
Cancel culture extends beyond institutional actions to broader societal trends. Modern examples include public figures like Andrew Cuomo and Chris Brown navigating cancellations and subsequent comebacks. These cases highlight how cancel culture can sometimes lose its potency over time, especially when individuals retain strong support bases. Social media platforms have also relaxed moderation policies, allowing previously banned accounts to return, which reflects shifting attitudes toward cancel practices.
Ultimately, understanding cancel culture through psychoanalytic mechanisms reveals its complex interplay between societal norms and individual psychology. Erasure as a defense may temporarily shield institutions from scrutiny but risks perpetuating cycles of repression and backlash. Addressing these dynamics requires fostering empathy and critical dialogue to prevent harmful patterns of exclusion and suppression.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The recent removal of information about Black, Indigenous, and female military personnel from the Arlington National Cemetery’s website exemplifies how cancel culture intersects with broader societal dynamics, particularly in the context of diversity, equity, and inclusion (DEI) initiatives. Under directives from the Department of Defense, pages highlighting notable veterans, such as Colin Powell, Jackie Roberson and members of the Tuskegee Airmen were deleted. These actions align with executive orders targeting DEI efforts in federal agencies, raising concerns about historical erasure and its implications for marginalized groups.</p><p>This form of cancel culture—removing or altering narratives—reflects a modern-day example of erasure as a defense mechanism. Psychoanalytic theory offers insights into this phenomenon, particularly through concepts like repression and the “return of the repressed.” Erasure can be seen as a defense against confronting uncomfortable truths about systemic inequities or historical injustices. By eliminating these narratives from public platforms, institutions may unconsciously attempt to suppress collective guilt or discomfort. However, Freud’s theory suggests that repressed material often resurfaces in unintended ways, potentially fueling collective anger or demands for accountability.</p><p>Other psychoanalytic defenses also play a role in cancel culture. Projection involves attributing one’s own insecurities or biases onto others, which can manifest in public condemnation of individuals or groups perceived as embodying those traits. Rationalization allows individuals or institutions to justify their actions—such as removing historical content—under the guise of compliance with executive orders or policy changes. Displacement, another mechanism, shifts focus from systemic issues (e.g., structural racism) to surface-level actions like website edits, thereby avoiding deeper engagement with societal problems.</p><p>Cancel culture extends beyond institutional actions to broader societal trends. Modern examples include public figures like Andrew Cuomo and Chris Brown navigating cancellations and subsequent comebacks. These cases highlight how cancel culture can sometimes lose its potency over time, especially when individuals retain strong support bases. Social media platforms have also relaxed moderation policies, allowing previously banned accounts to return, which reflects shifting attitudes toward cancel practices.</p><p>Ultimately, understanding cancel culture through psychoanalytic mechanisms reveals its complex interplay between societal norms and individual psychology. Erasure as a defense may temporarily shield institutions from scrutiny but risks perpetuating cycles of repression and backlash. Addressing these dynamics requires fostering empathy and critical dialogue to prevent harmful patterns of exclusion and suppression.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2736</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3120984466.mp3?updated=1743704978" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bruno Leipold, "Citizen Marx: Republicanism and the Formation of Karl Marx’s Social and Political Thought" (Princeton UP, 2024)</title>
      <description>In Citizen Marx: Republicanism and the Formation of Karl Marx’s Social and Political Thought (Princeton UP, 2024), Bruno Leipold argues that, contrary to certain interpretive commonplaces, Karl Marx’s thinking was deeply informed by republicanism. Marx’s relation to republicanism changed over the course of his life, but its complex influence on his thought cannot be reduced to wholesale adoption or rejection. Challenging common depictions of Marx that downplay or ignore his commitment to politics, democracy, and freedom, Leipold shows that Marx viewed democratic political institutions as crucial to overcoming the social unfreedom and domination of capitalism. One of Marx’s principal political values, Leipold contends, was a republican conception of freedom, according to which one is unfree when subjected to arbitrary power.

Placing Marx’s republican communism in its historical context—but not consigning him to that context—Leipold traces Marx’s shifting relationship to republicanism across three broad periods. First, Marx began his political life as a republican committed to a democratic republic in which citizens held active popular sovereignty. Second, he transitioned to communism, criticizing republicanism but incorporating the republican opposition to arbitrary power into his social critiques. He argued that although a democratic republic was not sufficient for emancipation, it was necessary for it. Third, spurred by the events of the Paris Commune of 1871, he came to view popular control in representation and public administration as essential to the realization of communism. Leipold shows how Marx positioned his republican communism to displace both antipolitical socialism and anticommunist republicanism. One of Marx’s great contributions, Leipold suggests, was to place politics (and especially democratic politics) at the heart of socialism.
Bruno Leipold is a fellow in political theory at the London School of Economics and Political Science. He is the coeditor of Radical Republicanism: Recovering the Tradition’s Popular Heritage.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 06 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>520</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bruno Leipold</itunes:subtitle>
      <itunes:summary>In Citizen Marx: Republicanism and the Formation of Karl Marx’s Social and Political Thought (Princeton UP, 2024), Bruno Leipold argues that, contrary to certain interpretive commonplaces, Karl Marx’s thinking was deeply informed by republicanism. Marx’s relation to republicanism changed over the course of his life, but its complex influence on his thought cannot be reduced to wholesale adoption or rejection. Challenging common depictions of Marx that downplay or ignore his commitment to politics, democracy, and freedom, Leipold shows that Marx viewed democratic political institutions as crucial to overcoming the social unfreedom and domination of capitalism. One of Marx’s principal political values, Leipold contends, was a republican conception of freedom, according to which one is unfree when subjected to arbitrary power.

Placing Marx’s republican communism in its historical context—but not consigning him to that context—Leipold traces Marx’s shifting relationship to republicanism across three broad periods. First, Marx began his political life as a republican committed to a democratic republic in which citizens held active popular sovereignty. Second, he transitioned to communism, criticizing republicanism but incorporating the republican opposition to arbitrary power into his social critiques. He argued that although a democratic republic was not sufficient for emancipation, it was necessary for it. Third, spurred by the events of the Paris Commune of 1871, he came to view popular control in representation and public administration as essential to the realization of communism. Leipold shows how Marx positioned his republican communism to displace both antipolitical socialism and anticommunist republicanism. One of Marx’s great contributions, Leipold suggests, was to place politics (and especially democratic politics) at the heart of socialism.
Bruno Leipold is a fellow in political theory at the London School of Economics and Political Science. He is the coeditor of Radical Republicanism: Recovering the Tradition’s Popular Heritage.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780691205236"><em>Citizen Marx: Republicanism and the Formation of Karl Marx’s Social and Political Thought</em> </a>(Princeton UP, 2024), Bruno Leipold argues that, contrary to certain interpretive commonplaces, Karl Marx’s thinking was deeply informed by republicanism. Marx’s relation to republicanism changed over the course of his life, but its complex influence on his thought cannot be reduced to wholesale adoption or rejection. Challenging common depictions of Marx that downplay or ignore his commitment to politics, democracy, and freedom, Leipold shows that Marx viewed democratic political institutions as crucial to overcoming the social unfreedom and domination of capitalism. One of Marx’s principal political values, Leipold contends, was a republican conception of freedom, according to which one is unfree when subjected to arbitrary power.</p><p><br></p><p>Placing Marx’s republican communism in its historical context—but not consigning him to that context—Leipold traces Marx’s shifting relationship to republicanism across three broad periods. First, Marx began his political life as a republican committed to a democratic republic in which citizens held active popular sovereignty. Second, he transitioned to communism, criticizing republicanism but incorporating the republican opposition to arbitrary power into his social critiques. He argued that although a democratic republic was not sufficient for emancipation, it was necessary for it. Third, spurred by the events of the Paris Commune of 1871, he came to view popular control in representation and public administration as essential to the realization of communism. Leipold shows how Marx positioned his republican communism to displace both antipolitical socialism and anticommunist republicanism. One of Marx’s great contributions, Leipold suggests, was to place politics (and especially democratic politics) at the heart of socialism.</p><p><strong>Bruno Leipold </strong>is a fellow in political theory at the London School of Economics and Political Science. He is the coeditor of <em>Radical Republicanism: Recovering the Tradition’s Popular Heritage</em>.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3203</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35ba6de8-121a-11f0-b41a-dff4660a04cc]]></guid>
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    </item>
    <item>
      <title>Atiya Husain, "No God But Man: On Race, Knowledge, and Terrorism" (Duke UP, 2025)</title>
      <description>Atiya Husain’s No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 05 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>355</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Atiya Husain</itunes:subtitle>
      <itunes:summary>Atiya Husain’s No God but Man: On Race, Knowledge and Terrorism (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Atiya Husain’s <a href="https://bookshop.org/a/12343/9781478031369"><em>No God but Man: On Race, Knowledge and Terrorism</em></a> (Duke University Press, 2025) uses the FBI Most Wanted lists to rethink theoretical relationships between race and Islam in the United States. Husain traces the genealogy of wanted posters and how theories of the “average man” informs the use of photographs and its accompanying descriptions on most wanted posters. To probe this pattern further, she closely considers the activism and Islam of Black revolutionary Assata Shakur and her addition to the FBI Most Wanted Terrorist List in 2013. Shakur was the first woman added to this list and joins Muslims, who are oddly not racialized in the descriptions on the poster. This peculiar pattern forces us to contend with how race as a category oscillates between racelessness and race, and therefore reveals the categorical limitations of the discourses of racialization of Muslims. It is here that the work of Black Studies scholars, such as Sylvia Wynter, offers us necessary conceptual pathways forward. This book will be of interest to anyone thinking about race, Islam, and terrorism, surveillance or security studies, and Black Studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3968</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bb9ba716-0ff8-11f0-bf37-3b5a1b3699ce]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2370657501.mp3?updated=1743623276" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Populism, Power, and the Crisis of Globalism: A Conversation with Wolfgang Streeck</title>
      <description>What explains the growing divide between elites and the broader public in democracies across Europe and the United States? In this episode of International Horizons, sociologist Wolfgang Streeck joins RBI director John Torpey to discuss the rise of populism, the limits of globalism, and the tensions between democracy and capitalism. 
Drawing from his recent book, Taking Back Control? States and State Systems After Globalism (Verso, 2024), Streeck examines how market forces, technocracy, and the erosion of national sovereignty have fueled discontent across the transatlantic world. He also reflects on the educational divide shaping political cleavages, the challenges posed by immigration, and the implications of U.S. foreign policy and security commitments in Europe and beyond. The conversation explores the shifting foundations of the postwar international order and the prospects for a more democratic and egalitarian global system.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What explains the growing divide between elites and the broader public in democracies across Europe and the United States? In this episode of International Horizons, sociologist Wolfgang Streeck joins RBI director John Torpey to discuss the rise of populism, the limits of globalism, and the tensions between democracy and capitalism. 
Drawing from his recent book, Taking Back Control? States and State Systems After Globalism (Verso, 2024), Streeck examines how market forces, technocracy, and the erosion of national sovereignty have fueled discontent across the transatlantic world. He also reflects on the educational divide shaping political cleavages, the challenges posed by immigration, and the implications of U.S. foreign policy and security commitments in Europe and beyond. The conversation explores the shifting foundations of the postwar international order and the prospects for a more democratic and egalitarian global system.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What explains the growing divide between elites and the broader public in democracies across Europe and the United States? In this episode of International Horizons, sociologist Wolfgang Streeck joins RBI director John Torpey to discuss the rise of populism, the limits of globalism, and the tensions between democracy and capitalism. </p><p>Drawing from his recent book, <a href="https://bookshop.org/a/12343/9781839767296"><em>Taking Back Control? States and State Systems After Globalism</em></a><em> </em>(Verso, 2024), Streeck examines how market forces, technocracy, and the erosion of national sovereignty have fueled discontent across the transatlantic world. He also reflects on the educational divide shaping political cleavages, the challenges posed by immigration, and the implications of U.S. foreign policy and security commitments in Europe and beyond. The conversation explores the shifting foundations of the postwar international order and the prospects for a more democratic and egalitarian global system.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2308</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5c149d98-0fe4-11f0-a113-3770112c9fb3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6100893581.mp3?updated=1743613370" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>We Have Never Been Woke: A Conversation with Musa al-Gharbi</title>
      <description>Why does occupation reliably predict political leanings? What is social capitalism, and how does it span income classes? If social capitalists are sincerely committed to equality and “wokeness,” why do they simultaneously benefit from—and perpetuate—the very inequalities they denounce?
Join us as we dive into Musa al-Gharbi’s provocative new book, We Have Never Been Woke: The Cultural Contradictions of a New Elite (Princeton University Press, 2024). We explore al-Gharbi’s central argument: the disconnect between the stated values of the "symbolic capital elite" and the real-world consequences of their actions, despite their genuine intentions. Al-Gharbi draws parallels to past "great awakenings"—periods of profound cultural upheaval and shifting attitudes toward civil rights. We also examine whether defining "wokeness" is essential to his thesis, and al-Gharbi clarifies some of the most frequently misunderstood aspects of his work.
Musa al-Gharbi is a sociologist and assistant professor in the School of Communication and Journalism at Stony Brook University. A columnist for The Guardian, his writing has appeared in The New York Times, The Washington Post, The Atlantic, and other major publications.
Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.
Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Why does occupation reliably predict political leanings? What is social capitalism, and how does it span income classes? If social capitalists are sincerely committed to equality and “wokeness,” why do they simultaneously benefit from—and perpetuate—the very inequalities they denounce?
Join us as we dive into Musa al-Gharbi’s provocative new book, We Have Never Been Woke: The Cultural Contradictions of a New Elite (Princeton University Press, 2024). We explore al-Gharbi’s central argument: the disconnect between the stated values of the "symbolic capital elite" and the real-world consequences of their actions, despite their genuine intentions. Al-Gharbi draws parallels to past "great awakenings"—periods of profound cultural upheaval and shifting attitudes toward civil rights. We also examine whether defining "wokeness" is essential to his thesis, and al-Gharbi clarifies some of the most frequently misunderstood aspects of his work.
Musa al-Gharbi is a sociologist and assistant professor in the School of Communication and Journalism at Stony Brook University. A columnist for The Guardian, his writing has appeared in The New York Times, The Washington Post, The Atlantic, and other major publications.
Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.
Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does occupation reliably predict political leanings? What is social capitalism, and how does it span income classes? If social capitalists are sincerely committed to equality and “wokeness,” why do they simultaneously benefit from—and perpetuate—the very inequalities they denounce?</p><p>Join us as we dive into Musa al-Gharbi’s provocative new book, <a href="https://bookshop.org/a/12343/9780691232607"><em>We Have Never Been Woke: The Cultural Contradictions of a New Elite</em></a> (Princeton University Press, 2024). We explore al-Gharbi’s central argument: the disconnect between the stated values of the "symbolic capital elite" and the real-world consequences of their actions, despite their genuine intentions. Al-Gharbi draws parallels to past "great awakenings"—periods of profound cultural upheaval and shifting attitudes toward civil rights. We also examine whether defining "wokeness" is essential to his thesis, and al-Gharbi clarifies some of the most frequently misunderstood aspects of his work.</p><p>Musa al-Gharbi is a sociologist and assistant professor in the School of Communication and Journalism at Stony Brook University. A columnist for The Guardian, his writing has appeared in The New York Times, The Washington Post, The Atlantic, and other major publications.</p><p><a href="https://jmp.princeton.edu/podcast"><em>Madison’s Notes</em></a> is the podcast of Princeton <a href="https://jmp.princeton.edu/"><em>University’s James Madison Program in American Ideals and Institutions</em></a><em>.</em></p><p><em>Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2737</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[febc4926-0f1a-11f0-848a-1f2c0d30d45f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5260616402.mp3?updated=1743526976" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tiffany D. Joseph, "Not All In: Race, Immigration, and Health Care Exclusion in the Age of Obamacare" (Johns Hopkins UP, 2025)</title>
      <description>Despite progressive policy strides in health care reform, immigrant communities continue to experience stark disparities across the United States. In Not All In: Race, Immigration, and Health Care Exclusion in the Age of Obamacare (Johns Hopkins UP, 2025), Tiffany D. Joseph exposes the insidious contradiction of Massachusetts' advanced health care system and the exclusionary experiences of its immigrant communities.
Joseph illustrates how patients' race, ethnicity, and legal status determine their access to health coverage and care services, revealing a disturbing paradox where policy advances and individual experiences drastically diverge. Examining Boston's Brazilian, Dominican, and Salvadoran communities, this book provides an exhaustive analysis spanning nearly a decade to highlight the profound impacts of the Affordable Care Act and subsequent policy shifts on these marginalized groups.
Not All In is a critical examination of the systemic barriers that perpetuate health care disparities. Joseph challenges readers to confront the uncomfortable truths about racialized legal status and its profound implications on health care access. This essential book illuminates the complexities of policy implementation and advocates for more inclusive reforms that genuinely cater to all. Urging policymakers, health care providers, and activists to rethink strategies that bridge the gap between legislation and life, this book reminds us that in the realm of health care, being progressive is not synonymous with inclusivity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>410</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tiffany Joseph</itunes:subtitle>
      <itunes:summary>Despite progressive policy strides in health care reform, immigrant communities continue to experience stark disparities across the United States. In Not All In: Race, Immigration, and Health Care Exclusion in the Age of Obamacare (Johns Hopkins UP, 2025), Tiffany D. Joseph exposes the insidious contradiction of Massachusetts' advanced health care system and the exclusionary experiences of its immigrant communities.
Joseph illustrates how patients' race, ethnicity, and legal status determine their access to health coverage and care services, revealing a disturbing paradox where policy advances and individual experiences drastically diverge. Examining Boston's Brazilian, Dominican, and Salvadoran communities, this book provides an exhaustive analysis spanning nearly a decade to highlight the profound impacts of the Affordable Care Act and subsequent policy shifts on these marginalized groups.
Not All In is a critical examination of the systemic barriers that perpetuate health care disparities. Joseph challenges readers to confront the uncomfortable truths about racialized legal status and its profound implications on health care access. This essential book illuminates the complexities of policy implementation and advocates for more inclusive reforms that genuinely cater to all. Urging policymakers, health care providers, and activists to rethink strategies that bridge the gap between legislation and life, this book reminds us that in the realm of health care, being progressive is not synonymous with inclusivity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite progressive policy strides in health care reform, immigrant communities continue to experience stark disparities across the United States. In <a href="https://bookshop.org/a/12343/9781421451114"><em>Not All In: Race, Immigration, and Health Care Exclusion in the Age of Obamacare</em></a><em> </em>(Johns Hopkins UP, 2025), Tiffany D. Joseph exposes the insidious contradiction of Massachusetts' advanced health care system and the exclusionary experiences of its immigrant communities.</p><p>Joseph illustrates how patients' race, ethnicity, and legal status determine their access to health coverage and care services, revealing a disturbing paradox where policy advances and individual experiences drastically diverge. Examining Boston's Brazilian, Dominican, and Salvadoran communities, this book provides an exhaustive analysis spanning nearly a decade to highlight the profound impacts of the Affordable Care Act and subsequent policy shifts on these marginalized groups.</p><p><em>Not All In</em> is a critical examination of the systemic barriers that perpetuate health care disparities. Joseph challenges readers to confront the uncomfortable truths about racialized legal status and its profound implications on health care access. This essential book illuminates the complexities of policy implementation and advocates for more inclusive reforms that genuinely cater to all. Urging policymakers, health care providers, and activists to rethink strategies that bridge the gap between legislation and life, this book reminds us that in the realm of health care, being progressive is not synonymous with inclusivity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3964</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[940ffcba-0e72-11f0-8f13-bb06f76c0f71]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4834447623.mp3?updated=1743455706" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason L. Newton, "Cutover Capitalism: The Industrialization of the Northern Forest" (West Virginia UP, 2024)</title>
      <description>What happened to the loggers of America’s past when lumbermen moved west and south in the late nineteenth and early twentieth centuries? How did these communities continue to create value and meaning in these marginal lands? Cutover Capitalism: The Industrialization of the Northern Forest (West Virginia University Press, 2024) by Dr. Jason L. Newton provides a new perspective on the process of industrialization in America through the study of rural workers in a cutover landscape.
Back when resources started running scarce, the environment of the forest and bodies of workers became the natural resources from which mills and landowners extracted. Bodies and cutover landscapes were mobilized in new ways to increase the scale and efficiency of production—a brutal process for workers, human and animal alike. In the Northern Forest, an industrial working class formed in relation to the unique ways that workers' bodies were used to produce value and in relation to the seasonal cycles of the forest environment.
Cutover Capitalism is an innovative historical study that combines methodological approaches from labor history, environmental history, and the new history of capitalism. The book tells a character-driven yet theoretically sophisticated story about what it was like to live through this process of industrialization.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 29 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason L. Newton</itunes:subtitle>
      <itunes:summary>What happened to the loggers of America’s past when lumbermen moved west and south in the late nineteenth and early twentieth centuries? How did these communities continue to create value and meaning in these marginal lands? Cutover Capitalism: The Industrialization of the Northern Forest (West Virginia University Press, 2024) by Dr. Jason L. Newton provides a new perspective on the process of industrialization in America through the study of rural workers in a cutover landscape.
Back when resources started running scarce, the environment of the forest and bodies of workers became the natural resources from which mills and landowners extracted. Bodies and cutover landscapes were mobilized in new ways to increase the scale and efficiency of production—a brutal process for workers, human and animal alike. In the Northern Forest, an industrial working class formed in relation to the unique ways that workers' bodies were used to produce value and in relation to the seasonal cycles of the forest environment.
Cutover Capitalism is an innovative historical study that combines methodological approaches from labor history, environmental history, and the new history of capitalism. The book tells a character-driven yet theoretically sophisticated story about what it was like to live through this process of industrialization.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happened to the loggers of America’s past when lumbermen moved west and south in the late nineteenth and early twentieth centuries? How did these communities continue to create value and meaning in these marginal lands? <a href="https://bookshop.org/a/12343/9781959000297"><em>Cutover Capitalism: The Industrialization of the Northern Forest</em></a> (West Virginia University Press, 2024) by Dr. Jason L. Newton provides a new perspective on the process of industrialization in America through the study of rural workers in a cutover landscape.</p><p>Back when resources started running scarce, the environment of the forest and bodies of workers became the natural resources from which mills and landowners extracted. Bodies and cutover landscapes were mobilized in new ways to increase the scale and efficiency of production—a brutal process for workers, human and animal alike. In the Northern Forest, an industrial working class formed in relation to the unique ways that workers' bodies were used to produce value and in relation to the seasonal cycles of the forest environment.</p><p><em>Cutover Capitalism</em> is an innovative historical study that combines methodological approaches from labor history, environmental history, and the new history of capitalism. The book tells a character-driven yet theoretically sophisticated story about what it was like to live through this process of industrialization.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3211</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9920f54a-0a7d-11f0-9417-b3c1d1a4ca60]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8066224014.mp3?updated=1743020106" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Max Nelson, "Enlightenment Biopolitics: A History of Race, Eugenics, and the Making of Citizens" (U Chicago Press, 2024)</title>
      <description>In Enlightenment Biopolitics (U Chicago Press, 2024), historian William Max Nelson pursues the ambitious task of tracing the context in which biopolitical thought emerged and circulated. He locates that context in the Enlightenment when emancipatory ideals sat alongside the horrors of colonialism, slavery, and race-based discrimination. In fact, these did not just coexist, Nelson argues; they were actually mutually constitutive of Enlightenment ideals.
In this book, Nelson focuses on Enlightenment-era visions of eugenics (including proposals to establish programs of selective breeding), forms of penal slavery, and spurious biological arguments about the supposed inferiority of particular groups. The Enlightenment, he shows, was rife with efforts to shape, harness, and “organize” the minds and especially the bodies of subjects and citizens. In his reading of the birth of biopolitics and its transformations, Nelson examines the shocking conceptual and practical connections between inclusion and exclusion, equality and inequality, rights and race, and the supposed “improvement of the human species” and practices of dehumanization.
William Max Nelson is associate professor of history at the University of Toronto. He is the author of The Time of Enlightenment: Constructing the Future in France, 1750 to Year One and a coeditor of The French Revolution in Global Perspective.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>519</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William Max Nelson</itunes:subtitle>
      <itunes:summary>In Enlightenment Biopolitics (U Chicago Press, 2024), historian William Max Nelson pursues the ambitious task of tracing the context in which biopolitical thought emerged and circulated. He locates that context in the Enlightenment when emancipatory ideals sat alongside the horrors of colonialism, slavery, and race-based discrimination. In fact, these did not just coexist, Nelson argues; they were actually mutually constitutive of Enlightenment ideals.
In this book, Nelson focuses on Enlightenment-era visions of eugenics (including proposals to establish programs of selective breeding), forms of penal slavery, and spurious biological arguments about the supposed inferiority of particular groups. The Enlightenment, he shows, was rife with efforts to shape, harness, and “organize” the minds and especially the bodies of subjects and citizens. In his reading of the birth of biopolitics and its transformations, Nelson examines the shocking conceptual and practical connections between inclusion and exclusion, equality and inequality, rights and race, and the supposed “improvement of the human species” and practices of dehumanization.
William Max Nelson is associate professor of history at the University of Toronto. He is the author of The Time of Enlightenment: Constructing the Future in France, 1750 to Year One and a coeditor of The French Revolution in Global Perspective.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226825588">Enlightenment Biopolitics</a> (U Chicago Press, 2024), historian William Max Nelson pursues the ambitious task of tracing the context in which biopolitical thought emerged and circulated. He locates that context in the Enlightenment when emancipatory ideals sat alongside the horrors of colonialism, slavery, and race-based discrimination. In fact, these did not just coexist, Nelson argues; they were actually mutually constitutive of Enlightenment ideals.</p><p>In this book, Nelson focuses on Enlightenment-era visions of eugenics (including proposals to establish programs of selective breeding), forms of penal slavery, and spurious biological arguments about the supposed inferiority of particular groups. The Enlightenment, he shows, was rife with efforts to shape, harness, and “organize” the minds and especially the bodies of subjects and citizens. In his reading of the birth of biopolitics and its transformations, Nelson examines the shocking conceptual and practical connections between inclusion and exclusion, equality and inequality, rights and race, and the supposed “improvement of the human species” and practices of dehumanization.</p><p><strong>William Max Nelson</strong> is associate professor of history at the University of Toronto. He is the author of <em>The Time of Enlightenment: Constructing the Future in France, 1750 to Year One </em>and a coeditor of <em>The French Revolution in Global Perspective</em>.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4171</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[668b3e0e-0b1f-11f0-8bea-ef3c16ef5308]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1195590044.mp3?updated=1743089917" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alisha Ali et al., "Mad Studies Reader: Interdisciplinary Innovations in Mental Health" (Routledge, 2024)</title>
      <description>The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference. 
Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives.
Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University’s Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming).

Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press).

Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the Mad Studies Reader: Interdisciplinary Innovations in Mental Health (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference. 
Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives.
Bradley Lewis is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University’s Gallatin School of Individualized Study and he is on the editorial board of the Journal of Medical Humanities. His books include Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry; Narrative Psychiatry: How Stories Can Shape Clinical Encounters; and Experiencing Epiphanies in Literature, Cinema, and Everyday Life (forthcoming).

Alisha Ali is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book Silencing the Self Across Cultures (Oxford University Press) as well as the co-editor of The Crisis of Connection (NYU Press).

Jazmine Russell is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The last few years have brought increased writings from activists, artists, scholars, and concerned clinicians that cast a critical and constructive eye on psychiatry, mental health care, and the cultural relations of mental difference. With particular focus on accounts of lived experience and readings that cover issues of epistemic and social injustice in mental health discourse, the <a href="https://bookshop.org/a/12343/9780367709082">Mad Studies Reader: Interdisciplinary Innovations in Mental Health</a> (Routledge, 2024) brings together voices that advance anti-sanist approaches to scholarship, practice, art, and activism in this realm. Beyond offering a theoretical and historical overview of mad studies, this Reader draws on the perspectives, voices, and experiences of artists, mad pride activists, humanities and social science scholars, and critical clinicians to explore the complexity of mental life and mental difference. </p><p>Voices from these groups confront and challenge standard approaches to mental difference. They advance new structures of meaning and practice that are inclusive of those who have been systematically subjugated and promote anti-sanist approaches to counter inequalities, prejudices, and discrimination. Confronting modes of psychological oppression and the power of a few to interpret and define difference for so many, the Mad Studies Reader asks the critical question of how these approaches may be reconsidered, resisted, and reclaimed. This collection will be of interest to mental health clinicians; students and scholars of the arts, humanities and social sciences; and anyone who has been affected by mental difference, directly or indirectly, who is curious to explore new perspectives.</p><p><strong>Bradley Lewis</strong> is a psychiatrist and psychotherapist with a background in the arts and humanities. He is Associate Professor at New York University’s Gallatin School of Individualized Study and he is on the editorial board of the <em>Journal of Medical Humanities. </em>His books include <em>Moving Beyond Prozac, DSM, and the New Psychiatry: The Birth of Postpsychiatry</em>; <em>Narrative Psychiatry: How Stories Can Shape Clinical Encounters</em>; and <em>Experiencing Epiphanies in Literature, Cinema, and Everyday Life </em>(forthcoming).</p><p><br></p><p><strong>Alisha Ali </strong>is Associate Professor in the Department of Applied Psychology at New York University. Her research focuses on the mental health effects of oppression, including violence, racism, discrimination, and trauma. She is the co-editor of the book <em>Silencing the Self Across Cultures </em>(Oxford University Press) as well as the co-editor of <em>The Crisis of Connection </em>(NYU Press).</p><p><br></p><p><strong>Jazmine Russell </strong>is the co-founder of the Institute for the Development of Human Arts (IDHA), a transformative mental health training institute, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of mad studies, critical psychology, and neuroscience, with experience working both within and outside the mental health system.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3203</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[adf138f8-09a2-11f0-ae72-4f5ae8fad2ad]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8781757888.mp3?updated=1742926032" length="0" type="audio/mpeg"/>
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    <item>
      <title>Anita Say Chan, "Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future" (U California Press, 2025)</title>
      <description>Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future (University of California Press, 2025) illuminates the throughline between the nineteenth century's anti-immigration and eugenics movements and our sprawling systems of techno-surveillance and algorithmic discrimination. With this book, Anita Say Chan offers a historical, globally multisited analysis of the relations of dispossession, misrecognition, and segregation expanded by dominant knowledge institutions in the Age of Big Data.
While technological advancement has a tendency to feel inevitable, it always has a history, including efforts to chart a path for alternative futures and the important parallel story of defiant refusal and liberatory activism. Chan explores how more than a century ago, feminist, immigrant, and other minoritized actors refused dominant institutional research norms and worked to develop alternative data practices whose methods and traditions continue to reverberate through global justice-based data initiatives today. Looking to the past to shape our future, this book charts a path for an alternative historical consciousness grounded in the pursuit of global justice.
Anita Say Chan is a feminist and decolonial scholar of Science and Technology Studies and Associate Professor of Information Sciences and Media Studies at the University of Illinois, Urbana-Champaign.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>384</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anita Say Chan</itunes:subtitle>
      <itunes:summary>Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future (University of California Press, 2025) illuminates the throughline between the nineteenth century's anti-immigration and eugenics movements and our sprawling systems of techno-surveillance and algorithmic discrimination. With this book, Anita Say Chan offers a historical, globally multisited analysis of the relations of dispossession, misrecognition, and segregation expanded by dominant knowledge institutions in the Age of Big Data.
While technological advancement has a tendency to feel inevitable, it always has a history, including efforts to chart a path for alternative futures and the important parallel story of defiant refusal and liberatory activism. Chan explores how more than a century ago, feminist, immigrant, and other minoritized actors refused dominant institutional research norms and worked to develop alternative data practices whose methods and traditions continue to reverberate through global justice-based data initiatives today. Looking to the past to shape our future, this book charts a path for an alternative historical consciousness grounded in the pursuit of global justice.
Anita Say Chan is a feminist and decolonial scholar of Science and Technology Studies and Associate Professor of Information Sciences and Media Studies at the University of Illinois, Urbana-Champaign.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520402843"><em>Predatory Data: Eugenics in Big Tech and Our Fight for an Independent Future</em> </a>(University of California Press, 2025) illuminates the throughline between the nineteenth century's anti-immigration and eugenics movements and our sprawling systems of techno-surveillance and algorithmic discrimination. With this book, Anita Say Chan offers a historical, globally multisited analysis of the relations of dispossession, misrecognition, and segregation expanded by dominant knowledge institutions in the Age of Big Data.</p><p>While technological advancement has a tendency to feel inevitable, it always has a history, including efforts to chart a path for alternative futures and the important parallel story of defiant refusal and liberatory activism. Chan explores how more than a century ago, feminist, immigrant, and other minoritized actors refused dominant institutional research norms and worked to develop alternative data practices whose methods and traditions continue to reverberate through global justice-based data initiatives today. Looking to the past to shape our future, this book charts a path for an alternative historical consciousness grounded in the pursuit of global justice.</p><p>Anita Say Chan is a feminist and decolonial scholar of Science and Technology Studies and Associate Professor of Information Sciences and Media Studies at the University of Illinois, Urbana-Champaign.</p><p>Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4450</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9981670607.mp3?updated=1742669741" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Sloterdijk Knows it All</title>
      <description>Today’s guest is Dr Thomas Sutherland, author of the Bloomsbury title, Speaking Philosophically: Communication at the Limits of Discursive Reason (Bloombury, 2024), lecturer in digital media at the University of Southampton, and researcher into digital culture and the humanities, the history of philosophy and contemporary continental philosophy, and technologies of the self.
We discuss three areas that concern the odd character that is Peter Sloterdijk; namely, spheres, the practising life and his rehabilitation of philosophy as wisdom.
Dr Thomas Sutherland is a deep dabbler in Sloterdijk’s thought, having written various papers on his work, including Peter Sloterdijk and the ‘security architecture of existence’: immunity, autochthony, and ontological nativism, and Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. He is also familiar with a regular mention here on the podcast, François Laruelle and his non-philosophy.
We touch on;

Sloterdijk’s original work on Cynicism and why it is still relevant today

Spheres, co-existence &amp; interdependence

The Practising Life &amp; why ‘You Must Change your Life’

The Art of Philosophy as Wisdom

The strengths and weaknesses of Sloterdijk’s insights


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Thomas Sutherland</itunes:subtitle>
      <itunes:summary>Today’s guest is Dr Thomas Sutherland, author of the Bloomsbury title, Speaking Philosophically: Communication at the Limits of Discursive Reason (Bloombury, 2024), lecturer in digital media at the University of Southampton, and researcher into digital culture and the humanities, the history of philosophy and contemporary continental philosophy, and technologies of the self.
We discuss three areas that concern the odd character that is Peter Sloterdijk; namely, spheres, the practising life and his rehabilitation of philosophy as wisdom.
Dr Thomas Sutherland is a deep dabbler in Sloterdijk’s thought, having written various papers on his work, including Peter Sloterdijk and the ‘security architecture of existence’: immunity, autochthony, and ontological nativism, and Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. He is also familiar with a regular mention here on the podcast, François Laruelle and his non-philosophy.
We touch on;

Sloterdijk’s original work on Cynicism and why it is still relevant today

Spheres, co-existence &amp; interdependence

The Practising Life &amp; why ‘You Must Change your Life’

The Art of Philosophy as Wisdom

The strengths and weaknesses of Sloterdijk’s insights


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s guest is Dr Thomas Sutherland, author of the Bloomsbury title, <a href="https://bookshop.org/a/12343/9781350373969"><em>Speaking Philosophically: Communication at the Limits of Discursive Reason</em></a><em> </em>(Bloombury, 2024), lecturer in digital media at the University of Southampton, and researcher into digital culture and the humanities, the history of philosophy and contemporary continental philosophy, and technologies of the self.</p><p>We discuss three areas that concern the odd character that is Peter Sloterdijk; namely, <em>spheres, the practising life</em> and his <em>rehabilitation of philosophy as wisdom</em>.</p><p>Dr Thomas Sutherland is a deep dabbler in Sloterdijk’s thought, having written various papers on his work, including <em>Peter Sloterdijk and the ‘security architecture of existence’: immunity, autochthony, and ontological nativism,</em> and <em>Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation</em>. He is also familiar with a regular mention here on the podcast, François Laruelle and his non-philosophy.</p><p>We touch on;</p><ul>
<li>Sloterdijk’s original work on Cynicism and why it is still relevant today</li>
<li>Spheres, co-existence &amp; interdependence</li>
<li>The Practising Life &amp; why ‘You Must Change your Life’</li>
<li>The Art of Philosophy as Wisdom</li>
<li>The strengths and weaknesses of Sloterdijk’s insights</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4141</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[36b2f12c-05c5-11f0-8b99-7b1c77f0d922]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1469178231.mp3?updated=1742501181" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Mahmoudi, "Migrants in the Digital Periphery: New Urban Frontiers of Control" (U California Press, 2025)</title>
      <description>As the fortification of Europe's borders and its hostile immigration terrain has taken shape, so too have the biometric and digital surveillance industries. And when US Immigration Customs Enforcement aggressively reinforced its program of raids, detention, and family separation, it was powered by Silicon Valley corporations. In cities of refuge, where communities on the move once lived in anonymity and proximity to familial and diaspora networks, the possibility for escape is diminishing.

As cities rely increasingly on tech companies to develop digital urban infrastructures for accessing information, identification, services, and socioeconomic life at large, they also invite the border to encroach further on migrant communities, networks, and bodies. In Migrants in the Digital Periphery: New Urban Frontiers of Control (U California Press, 2025), Matt Mahmoudi unveils how the unsettling convergence of Silicon Valley logics, austere and xenophobic migration management practices, and racial capitalism has allowed tech companies to close in on the final frontiers of fugitivity—and suggests how we might counteract their machines through our own refusal.
This interview was conducted by Dr. Hannah Pool whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 23 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>518</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Mahmoudi</itunes:subtitle>
      <itunes:summary>As the fortification of Europe's borders and its hostile immigration terrain has taken shape, so too have the biometric and digital surveillance industries. And when US Immigration Customs Enforcement aggressively reinforced its program of raids, detention, and family separation, it was powered by Silicon Valley corporations. In cities of refuge, where communities on the move once lived in anonymity and proximity to familial and diaspora networks, the possibility for escape is diminishing.

As cities rely increasingly on tech companies to develop digital urban infrastructures for accessing information, identification, services, and socioeconomic life at large, they also invite the border to encroach further on migrant communities, networks, and bodies. In Migrants in the Digital Periphery: New Urban Frontiers of Control (U California Press, 2025), Matt Mahmoudi unveils how the unsettling convergence of Silicon Valley logics, austere and xenophobic migration management practices, and racial capitalism has allowed tech companies to close in on the final frontiers of fugitivity—and suggests how we might counteract their machines through our own refusal.
This interview was conducted by Dr. Hannah Pool whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the fortification of Europe's borders and its hostile immigration terrain has taken shape, so too have the biometric and digital surveillance industries. And when US Immigration Customs Enforcement aggressively reinforced its program of raids, detention, and family separation, it was powered by Silicon Valley corporations. In cities of refuge, where communities on the move once lived in anonymity and proximity to familial and diaspora networks, the possibility for escape is diminishing.</p><p><br></p><p>As cities rely increasingly on tech companies to develop digital urban infrastructures for accessing information, identification, services, and socioeconomic life at large, they also invite the border to encroach further on migrant communities, networks, and bodies. In <a href="https://bookshop.org/a/12343/9780520397026">Migrants in the Digital Periphery: New Urban Frontiers of Control</a> (U California Press, 2025), Matt Mahmoudi unveils how the unsettling convergence of Silicon Valley logics, austere and xenophobic migration management practices, and racial capitalism has allowed tech companies to close in on the final frontiers of fugitivity—and suggests how we might counteract their machines through our own refusal.</p><p><em>This interview was conducted by Dr. Hannah Pool whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3344</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb7fb6de-068d-11f0-ba61-1b9f0db0814e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2910482745.mp3?updated=1742587395" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amanda M. Greenwell, "The Child Gaze: Narrating Resistance in American Literature" (UP of Mississippi, 2024)</title>
      <description>The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin’s Little Man, Little Man, Mildred D. Taylor’s Roll of Thunder, Hear My Cry, Toni Morrison’s The Bluest Eye, Gene Luen Yang’s American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms.
Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 22 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>340</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amanda M. Greenwell</itunes:subtitle>
      <itunes:summary>The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin’s Little Man, Little Man, Mildred D. Taylor’s Roll of Thunder, Hear My Cry, Toni Morrison’s The Bluest Eye, Gene Luen Yang’s American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms.
Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496854551"><em>The Child Gaze: Narrating Resistance in American Literature</em></a> (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin’s <em>Little Man, Little Man</em>, Mildred D. Taylor’s <em>Roll of Thunder, Hear My Cry</em>, Toni Morrison’s <em>The Bluest Eye</em>, Gene Luen Yang’s <em>American Born Chinese</em>, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms.</p><p>Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, <em>The Child Gaze</em> explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2394</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f561a188-04d8-11f0-a4a8-2b3553b70fba]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3838669123.mp3?updated=1742399260" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rahul Rao, "The Psychic Lives of Statues: Reckoning with the Rubble of Empire" (Pluto Press, 2025)</title>
      <description>From Cape Town to Bristol and Richmond, statues have become sites of resistance and contestation of our imperial past and postcolonial present. The Psychic Lives of Statues by Rahul Rao offers an insightful exploration of these global controversies, demonstrating that beneath their surface lie deeper struggles over race, caste, and the politics of decolonisation.
Rao takes readers on a journey through South Africa, England, the US, Ghana, India, Australia, and Scotland, revealing how statue controversies have dramatically rearranged the canon of anticolonial political thought. By examining these debates through a personal and literary lens, Rao addresses the multifaceted issues of justice, cultural memory, and belonging.
The Psychic Lives of Statues (Pluto Press, 2025) examines both the toppling of colonial statues and the raising of postcolonial ones, demonstrating that the statue form as a medium of representation and a bid for immortality is by no means obsolete. Engaging with artists, scholars, and activists, Rao provides fresh perspectives on how societies grapple with and reinterpret the past and present through iconography.
About the Author: 
Rahul Rao is a Reader in International Political Thought in the School of International Relations at the University of St Andrews, and Professorial Research Associate at SOAS University of London. He is the author of two books – Third World Protest: Between Home and the World (2010) and Out of Time: The Queer Politics of Postcoloniality (2020), both published by Oxford University Press. He is a member of the Radical Philosophy editorial collective.
About the Host: 
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>762</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rahul Rao</itunes:subtitle>
      <itunes:summary>From Cape Town to Bristol and Richmond, statues have become sites of resistance and contestation of our imperial past and postcolonial present. The Psychic Lives of Statues by Rahul Rao offers an insightful exploration of these global controversies, demonstrating that beneath their surface lie deeper struggles over race, caste, and the politics of decolonisation.
Rao takes readers on a journey through South Africa, England, the US, Ghana, India, Australia, and Scotland, revealing how statue controversies have dramatically rearranged the canon of anticolonial political thought. By examining these debates through a personal and literary lens, Rao addresses the multifaceted issues of justice, cultural memory, and belonging.
The Psychic Lives of Statues (Pluto Press, 2025) examines both the toppling of colonial statues and the raising of postcolonial ones, demonstrating that the statue form as a medium of representation and a bid for immortality is by no means obsolete. Engaging with artists, scholars, and activists, Rao provides fresh perspectives on how societies grapple with and reinterpret the past and present through iconography.
About the Author: 
Rahul Rao is a Reader in International Political Thought in the School of International Relations at the University of St Andrews, and Professorial Research Associate at SOAS University of London. He is the author of two books – Third World Protest: Between Home and the World (2010) and Out of Time: The Queer Politics of Postcoloniality (2020), both published by Oxford University Press. He is a member of the Radical Philosophy editorial collective.
About the Host: 
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Cape Town to Bristol and Richmond, statues have become sites of resistance and contestation of our imperial past and postcolonial present. <em>The Psychic Lives of Statues </em>by Rahul Rao offers an insightful exploration of these global controversies, demonstrating that beneath their surface lie deeper struggles over race, caste, and the politics of decolonisation.</p><p>Rao takes readers on a journey through South Africa, England, the US, Ghana, India, Australia, and Scotland, revealing how statue controversies have dramatically rearranged the canon of anticolonial political thought. By examining these debates through a personal and literary lens, Rao addresses the multifaceted issues of justice, cultural memory, and belonging.</p><p><a href="https://bookshop.org/a/12343/9780745350769"><em>The Psychic Lives of Statues</em></a> (Pluto Press, 2025) examines both the toppling of colonial statues and the raising of postcolonial ones, demonstrating that the statue form as a medium of representation and a bid for immortality is by no means obsolete. Engaging with artists, scholars, and activists, Rao provides fresh perspectives on how societies grapple with and reinterpret the past and present through iconography.</p><p>About the Author: </p><p>Rahul Rao is a Reader in International Political Thought in the School of International Relations at the University of St Andrews, and Professorial Research Associate at SOAS University of London. He is the author of two books – <em>Third World Protest: Between Home and the World</em> (2010) and <em>Out of Time: The Queer Politics of Postcoloniality</em> (2020), both published by Oxford University Press. He is a member of the Radical Philosophy editorial collective.</p><p>About the Host: </p><p>Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb6eb2b4-041a-11f0-9948-43824347ed79]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9477979441.mp3?updated=1742317541" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Colby Gordon, "Glorious Bodies: Trans Theology and Renaissance Literature" (U Chicago Press, 2024)</title>
      <description>Glorious Bodies: Trans Theology and Renaissance Literature (U Chicago Press, 2024) offers a prehistory of transness that recovers early modern theological resources for trans lifeworlds. 
In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology. 
Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative acco unt of theology’s value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Colby Gordon</itunes:subtitle>
      <itunes:summary>Glorious Bodies: Trans Theology and Renaissance Literature (U Chicago Press, 2024) offers a prehistory of transness that recovers early modern theological resources for trans lifeworlds. 
In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology. 
Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative acco unt of theology’s value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780226835006">Glorious Bodies: Trans Theology and Renaissance Literature</a> (U Chicago Press, 2024) offers a prehistory of transness that recovers early modern theological resources for trans lifeworlds. </p><p>In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology. </p><p>Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative acco unt of theology’s value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3247</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a5c08a5a-0329-11f0-ada0-3bbebced912e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8361396071.mp3?updated=1742214610" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lydia Pelot-Hobbs, "Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana" (UNC Press, 2023)</title>
      <description>Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana (University of North Carolina Press, 2023) is the first detailed account of Louisiana's unprecedented turn to mass incarceration from 1970 to 2020.
Through extensive research, Dr. Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana's carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding "crime." However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confinement lawsuits and Angola activists challenging life without parole to grassroots organizers struggling to shrink the New Orleans jail following Hurricane Katrina and LGBTQ youth of color organizing against police sexual violence, grassroots movements stretch us toward new geographies of freedom in the lineage of abolition democracy.
Understanding Louisiana's carceral crisis extends our understanding of the interplay between the crises of mass criminalization and racial capitalism while highlighting the conditions of possibility for dismantling carceral power in all its forms.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lydia Pelot-Hobbs</itunes:subtitle>
      <itunes:summary>Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana (University of North Carolina Press, 2023) is the first detailed account of Louisiana's unprecedented turn to mass incarceration from 1970 to 2020.
Through extensive research, Dr. Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana's carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding "crime." However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confinement lawsuits and Angola activists challenging life without parole to grassroots organizers struggling to shrink the New Orleans jail following Hurricane Katrina and LGBTQ youth of color organizing against police sexual violence, grassroots movements stretch us toward new geographies of freedom in the lineage of abolition democracy.
Understanding Louisiana's carceral crisis extends our understanding of the interplay between the crises of mass criminalization and racial capitalism while highlighting the conditions of possibility for dismantling carceral power in all its forms.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the nation and thus the world. <a href="https://bookshop.org/a/12343/9781469675121"><em>Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana</em></a> (University of North Carolina Press, 2023) is the first detailed account of Louisiana's unprecedented turn to mass incarceration from 1970 to 2020.</p><p>Through extensive research, Dr. Lydia Pelot-Hobbs illuminates how policy makers enlarged Louisiana's carceral infrastructures with new prisons and jail expansions alongside the bulking up of police and prosecutorial power. At the same time, these infrastructures were the products of multiscalar crises: the swings of global oil capitalism, liberal federal court and policy interventions, the rise of neoliberal governance and law-and-order austerity, and racist and patriarchal moral panics surrounding "crime." However, these crises have also created fertile space for anticarceral social movements. From incarcerated people filing conditions of confinement lawsuits and Angola activists challenging life without parole to grassroots organizers struggling to shrink the New Orleans jail following Hurricane Katrina and LGBTQ youth of color organizing against police sexual violence, grassroots movements stretch us toward new geographies of freedom in the lineage of abolition democracy.</p><p>Understanding Louisiana's carceral crisis extends our understanding of the interplay between the crises of mass criminalization and racial capitalism while highlighting the conditions of possibility for dismantling carceral power in all its forms.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3777</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[38eeb7c6-0036-11f0-9276-177bef1f0827]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4068554854.mp3?updated=1741890006" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Neocleous, "Pacification: Social War and the Power of Police" (Verso, 2025)</title>
      <description>Today I talked to Mark Neocleous about his new book Pacification: Social War and the Power of Police (Verso, 2025).
For more than two decades, Neocleous has been a pioneer in the radical critique of policing, security, and warfare. Today we will discuss his newest work on the theory and practice of pacification, which, he argues, is “social warfare carried out through the ideology of peace.” Pacification not only aims to counter resistance to capitalist exploitation, dispossession, and displacement, but it aims to prevent such resistance from emerging in the first place by constructing social institutions and the built environment. Pacification is a totalizing process by which states deploy social policies, symbolic practices, and coercive operations in order to produce cooperative – or at least acquiescent – subjects. However, pacification never succeeds in obscuring the antagonistic nature of capitalist social relations. Consequently, pacification becomes an endless social war for peace.
Mark Neocleous is Professor of the Critique of Political Economy at Brunel University in London. His previous books include A Critical Theory of Police Power (reissued by Verso in 2021), The Politics of Immunity (Verso, 2022), and War Power, Police Power (Edinburgh 2014). As a member of the Anti-Security Collective, he co-authored the Security Abolition Manifesto, which is available at anti-security.org. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Neocleous</itunes:subtitle>
      <itunes:summary>Today I talked to Mark Neocleous about his new book Pacification: Social War and the Power of Police (Verso, 2025).
For more than two decades, Neocleous has been a pioneer in the radical critique of policing, security, and warfare. Today we will discuss his newest work on the theory and practice of pacification, which, he argues, is “social warfare carried out through the ideology of peace.” Pacification not only aims to counter resistance to capitalist exploitation, dispossession, and displacement, but it aims to prevent such resistance from emerging in the first place by constructing social institutions and the built environment. Pacification is a totalizing process by which states deploy social policies, symbolic practices, and coercive operations in order to produce cooperative – or at least acquiescent – subjects. However, pacification never succeeds in obscuring the antagonistic nature of capitalist social relations. Consequently, pacification becomes an endless social war for peace.
Mark Neocleous is Professor of the Critique of Political Economy at Brunel University in London. His previous books include A Critical Theory of Police Power (reissued by Verso in 2021), The Politics of Immunity (Verso, 2022), and War Power, Police Power (Edinburgh 2014). As a member of the Anti-Security Collective, he co-authored the Security Abolition Manifesto, which is available at anti-security.org. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Mark Neocleous about his new book <a href="https://bookshop.org/a/12343/9781804294017"><em>Pacification: Social War and the Power of Police</em></a> (Verso, 2025).</p><p>For more than two decades, Neocleous has been a pioneer in the radical critique of policing, security, and warfare. Today we will discuss his newest work on the theory and practice of pacification, which, he argues, is “social warfare carried out through the ideology of peace.” Pacification not only aims to counter resistance to capitalist exploitation, dispossession, and displacement, but it aims to prevent such resistance from emerging in the first place by constructing social institutions and the built environment. Pacification is a totalizing process by which states deploy social policies, symbolic practices, and coercive operations in order to produce cooperative – or at least acquiescent – subjects. However, pacification never succeeds in obscuring the antagonistic nature of capitalist social relations. Consequently, pacification becomes an endless social war for peace.</p><p>Mark Neocleous is Professor of the Critique of Political Economy at Brunel University in London. His previous books include <em>A Critical Theory of Police Power</em> (reissued by Verso in 2021), <em>The Politics of Immunity</em> (Verso, 2022), and <em>War Power, Police Power </em>(Edinburgh 2014). As a member of the Anti-Security Collective, he co-authored the <em>Security Abolition Manifesto</em>, which is available at anti-security.org. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4920</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f92906fe-0103-11f0-9058-877f258d04ed]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9815422929.mp3?updated=1741979381" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Action Without Hope</title>
      <description>In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible?
In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital.
Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empire (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action without Hope: Victorian Literature after Climate Collapse, forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland.
Image: J.M.W. Turner, The Burning of the Houses of Lords and Commons, 1834-35. Public Domain. Original at the Philadelphia Museum of Art.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>156</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/13d54b32-01c9-11f0-87ed-1b92d5c5a0eb/image/628bd29e50bd2580cc8caa225810b598.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Nathan K. Hensley</itunes:subtitle>
      <itunes:summary>In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible?
In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital.
Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empire (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action without Hope: Victorian Literature after Climate Collapse, forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland.
Image: J.M.W. Turner, The Burning of the Houses of Lords and Commons, 1834-35. Public Domain. Original at the Philadelphia Museum of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible?</p><p>In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital.</p><p><a href="https://gufaculty360.georgetown.edu/s/contact/00336000014Tw4pAAC/nathan-hensley">Nathan K. Hensley</a> is the author of <a href="https://global.oup.com/academic/product/forms-of-empire-9780198792451?cc=us&amp;lang=en&amp;">Forms of Empire: The Poetics of Victorian Sovereignty </a>(Oxford, 2016), and co-editor, with Philip Steer, of <a href="https://www.fordhampress.com/9780823282135/ecological-form/">Ecological Form: System and Aesthetics in the Age of Empir</a>e (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is <a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo242060390.html">Action without Hope: Victorian Literature after Climate Collapse</a>, forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland.</p><p>Image: J.M.W. Turner, <em>The Burning of the Houses of Lords and Commons</em>, 1834-35. Public Domain. Original at the Philadelphia Museum of Art.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1265</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Maggie M. Cao, "Painting US Empire: Nineteenth-Century Art and Its Legacies" (U Chicago Press, 2025)</title>
      <description>Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025) by Dr. Maggie Cao is the first book to offer a synthetic account of art and US imperialism around the globe in the nineteenth century. In this work, art historian Dr. Cao crafts a nuanced portrait of nineteenth-century US painters’ complicity with and resistance to ascendant US imperialism, offering eye-opening readings of canonical works, landscapes of polar expeditions and tropical tourism, still lifes of imported goods, genre paintings, and ethnographic portraiture.
Revealing how the US empire was “hidden in plain sight” in the art of this period, Dr. Cao examines artists including Frederic Edwin Church and Winslow Homer who championed and expressed ambivalence toward the colonial project. She also tackles the legacy of US imperialism, examining Euro-American painters of the past alongside global artists of the present. Pairing each chapter with reflections on works by contemporary anticolonial artists including Tavares Strachan, Nicholas Galanin, and Yuki Kihara, Dr. Cao addresses important contemporary questions around representation, colonialism, and indigeneity. This book foregrounds an underacknowledged topic in the study of nineteenth-century US art and illuminates the ongoing ecological and economic effects of the US empire.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 16 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maggie M. Cao</itunes:subtitle>
      <itunes:summary>Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025) by Dr. Maggie Cao is the first book to offer a synthetic account of art and US imperialism around the globe in the nineteenth century. In this work, art historian Dr. Cao crafts a nuanced portrait of nineteenth-century US painters’ complicity with and resistance to ascendant US imperialism, offering eye-opening readings of canonical works, landscapes of polar expeditions and tropical tourism, still lifes of imported goods, genre paintings, and ethnographic portraiture.
Revealing how the US empire was “hidden in plain sight” in the art of this period, Dr. Cao examines artists including Frederic Edwin Church and Winslow Homer who championed and expressed ambivalence toward the colonial project. She also tackles the legacy of US imperialism, examining Euro-American painters of the past alongside global artists of the present. Pairing each chapter with reflections on works by contemporary anticolonial artists including Tavares Strachan, Nicholas Galanin, and Yuki Kihara, Dr. Cao addresses important contemporary questions around representation, colonialism, and indigeneity. This book foregrounds an underacknowledged topic in the study of nineteenth-century US art and illuminates the ongoing ecological and economic effects of the US empire.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780226832418"><em>Painting US Empire: Nineteenth-Century Art and Its Legacies</em></a> (University of Chicago Press, 2025) by Dr. Maggie Cao is the first book to offer a synthetic account of art and US imperialism around the globe in the nineteenth century. In this work, art historian Dr. Cao crafts a nuanced portrait of nineteenth-century US painters’ complicity with and resistance to ascendant US imperialism, offering eye-opening readings of canonical works, landscapes of polar expeditions and tropical tourism, still lifes of imported goods, genre paintings, and ethnographic portraiture.</p><p>Revealing how the US empire was “hidden in plain sight” in the art of this period, Dr. Cao examines artists including Frederic Edwin Church and Winslow Homer who championed and expressed ambivalence toward the colonial project. She also tackles the legacy of US imperialism, examining Euro-American painters of the past alongside global artists of the present. Pairing each chapter with reflections on works by contemporary anticolonial artists including Tavares Strachan, Nicholas Galanin, and Yuki Kihara, Dr. Cao addresses important contemporary questions around representation, colonialism, and indigeneity. This book foregrounds an underacknowledged topic in the study of nineteenth-century US art and illuminates the ongoing ecological and economic effects of the US empire.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2453</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)</title>
      <description>How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.
Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.
Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain
Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 15 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Harriet Atkinson</itunes:subtitle>
      <itunes:summary>How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.
Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.
Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain
Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.</p><p>Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.</p><p><a href="https://bookshop.org/a/12343/9781526157416"><em>Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53</em></a> (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain</p><p>Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2205</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Tahrir Hamdi, "Imagining Palestine: Cultures of Exile and National Identity" (Bloomsbury, 2022)</title>
      <description>Tahrir Hamdi is a Professor of Resistance Literature at the Arab Open University in Jordan. She is the author of the award-winning Imagining Palestine and serves as an assistant editor of Arab Studies Quarterly.
National identities are inherently fluid, shaped as much by collective beliefs and cultural practices as by official borders and territory. For Palestinians, whose national status remains contested, the articulation and imagination of national identity take on particular urgency. Imagining Palestine: Cultures of Exile and National Identity (Bloomsbury, 2022) examines how Palestinian intellectuals, artists, activists, and ordinary citizens envision their homeland, engaging with the works of key figures such as Edward Said, Ghassan Kanafani, Naji al-Ali, Mahmoud Darwish, Mourid Barghouti, Radwa Ashour, Suheir Hammad, and Susan Abulhawa.
Drawing on decolonial and resistance concepts—particularly Palestinian sumud—Hamdi argues that the imaginative construction of Palestine is central to the Palestinian struggle. This interdisciplinary study, rooted in critical theory, postcolonial and decolonial studies, and literary analysis, offers valuable insights for students and scholars of Palestine, Middle East studies, and Arabic literature.
Imagining Palestine received the Counter Current Award at the 2023 Palestine Book Awards.
Bryant Scott is a professor of English and film studies at Hamad Bin Khalifa University and Texas A&amp;M University at Qatar.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>338</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tahrir Hamdi</itunes:subtitle>
      <itunes:summary>Tahrir Hamdi is a Professor of Resistance Literature at the Arab Open University in Jordan. She is the author of the award-winning Imagining Palestine and serves as an assistant editor of Arab Studies Quarterly.
National identities are inherently fluid, shaped as much by collective beliefs and cultural practices as by official borders and territory. For Palestinians, whose national status remains contested, the articulation and imagination of national identity take on particular urgency. Imagining Palestine: Cultures of Exile and National Identity (Bloomsbury, 2022) examines how Palestinian intellectuals, artists, activists, and ordinary citizens envision their homeland, engaging with the works of key figures such as Edward Said, Ghassan Kanafani, Naji al-Ali, Mahmoud Darwish, Mourid Barghouti, Radwa Ashour, Suheir Hammad, and Susan Abulhawa.
Drawing on decolonial and resistance concepts—particularly Palestinian sumud—Hamdi argues that the imaginative construction of Palestine is central to the Palestinian struggle. This interdisciplinary study, rooted in critical theory, postcolonial and decolonial studies, and literary analysis, offers valuable insights for students and scholars of Palestine, Middle East studies, and Arabic literature.
Imagining Palestine received the Counter Current Award at the 2023 Palestine Book Awards.
Bryant Scott is a professor of English and film studies at Hamad Bin Khalifa University and Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tahrir Hamdi is a Professor of Resistance Literature at the Arab Open University in Jordan. She is the author of the award-winning <em>Imagining Palestine</em> and serves as an assistant editor of <em>Arab Studies Quarterly</em>.</p><p>National identities are inherently fluid, shaped as much by collective beliefs and cultural practices as by official borders and territory. For Palestinians, whose national status remains contested, the articulation and imagination of national identity take on particular urgency. <a href="https://bookshop.org/a/12343/9780755649419"><em>Imagining Palestine: Cultures of Exile and National Identity</em> </a>(Bloomsbury, 2022) examines how Palestinian intellectuals, artists, activists, and ordinary citizens envision their homeland, engaging with the works of key figures such as Edward Said, Ghassan Kanafani, Naji al-Ali, Mahmoud Darwish, Mourid Barghouti, Radwa Ashour, Suheir Hammad, and Susan Abulhawa.</p><p>Drawing on decolonial and resistance concepts—particularly Palestinian <em>sumud</em>—Hamdi argues that the imaginative construction of Palestine is central to the Palestinian struggle. This interdisciplinary study, rooted in critical theory, postcolonial and decolonial studies, and literary analysis, offers valuable insights for students and scholars of Palestine, Middle East studies, and Arabic literature.</p><p><em>Imagining Palestine</em> received the Counter Current Award at the 2023 Palestine Book Awards.</p><p>Bryant Scott is a professor of English and film studies at Hamad Bin Khalifa University and Texas A&amp;M University at Qatar.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3080</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Karl Berglund, "Reading Audio Readers: Book Consumption in the Streaming Age" (Bloomsbury, 2024)</title>
      <description>What is the future of reading? In Reading Audio Readers: Book Consumption in the Digital Age (Bloombury, 2024), Karl Berglund, Assistant Professor in Literature at Department of Literature and Rhetoric at Upsala University, examines the rise of audiobooks as a new mode of reading books. The analysis draws on digital humanities methods and a detailed industry case study to show who are the readers of audiobooks, how those readers engage and consume books, what sort of genres are most popular, and crucially how all of this us impacting on the publishing industry. The research also picks up on important themes of continuity and change represented by audiobooks, from ongoing issues of inequalities through to the new forms of writing practice and AI generated narrators. A richly detailed but easily accessible text, the book is essential reading for scholars across academia, as well as anyone interested in reading!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>517</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karl Berglund</itunes:subtitle>
      <itunes:summary>What is the future of reading? In Reading Audio Readers: Book Consumption in the Digital Age (Bloombury, 2024), Karl Berglund, Assistant Professor in Literature at Department of Literature and Rhetoric at Upsala University, examines the rise of audiobooks as a new mode of reading books. The analysis draws on digital humanities methods and a detailed industry case study to show who are the readers of audiobooks, how those readers engage and consume books, what sort of genres are most popular, and crucially how all of this us impacting on the publishing industry. The research also picks up on important themes of continuity and change represented by audiobooks, from ongoing issues of inequalities through to the new forms of writing practice and AI generated narrators. A richly detailed but easily accessible text, the book is essential reading for scholars across academia, as well as anyone interested in reading!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of reading? In <a href="https://bookshop.org/a/12343/9781350358362"><em>Reading Audio Readers: Book Consumption in the Digital Age</em></a> (Bloombury, 2024), <a href="https://www.uu.se/en/contact-and-organisation/staff?query=N11-1308">Karl Berglund</a>, Assistant Professor in Literature at <a href="https://www.uu.se/en/contact-and-organisation/organisation?query=HH13">Department of Literature and Rhetoric</a> at Upsala University, examines the rise of audiobooks as a new mode of reading books. The analysis draws on digital humanities methods and a detailed industry case study to show who are the readers of audiobooks, how those readers engage and consume books, what sort of genres are most popular, and crucially how all of this us impacting on the publishing industry. The research also picks up on important themes of continuity and change represented by audiobooks, from ongoing issues of inequalities through to the new forms of writing practice and AI generated narrators. A richly detailed but easily accessible text, the book is essential reading for scholars across academia, as well as anyone interested in reading!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2202</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[45718aee-ff57-11ef-92b1-c3309df7ef84]]></guid>
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    <item>
      <title>Nima Bassiri, "Madness and Enterprise: Psychiatry, Economic Reason, and the Emergence of Pathological Value" (U Chicago Press, 2024)</title>
      <description>Uncovers a powerful relationship between pathology and money: beginning in the nineteenth century, the severity of mental illness was measured against a patient’s economic productivity.
Madness and Enterprise: Psychiatry, Economic Reason, and the Emergence of Pathological Value (U Chicago Press, 2024) reveals the economic norms embedded within psychiatric thinking about mental illness in the North Atlantic world. Over the course of the nineteenth century, various forms of madness were subjected to a style of psychiatric reasoning that was preoccupied with money. Psychiatrists across Western Europe and the United States attributed financial and even moral value to an array of pathological conditions, such that some mental disorders were seen as financial assets and others as economic liabilities. By turning to economic conduct and asking whether potential patients appeared capable of managing their financial affairs or even generating wealth, psychiatrists could often bypass diagnostic uncertainties about a person’s mental state.
Through an exploration of the intertwined histories of psychiatry and economic thought, Nima Bassiri shows how this relationship transformed the very idea of value in the modern North Atlantic, as the most common forms of social valuation—moral value, medical value, and economic value—were rendered equivalent and interchangeable. If what was good and what was healthy were increasingly conflated with what was remunerative (and vice versa), then a conceptual space opened through which madness itself could be converted into an economic form and subsequently redeemed—and even revered.
Nima Bassiri is assistant professor of literature at Duke University, where he is also the codirector of the Institute for Critical Theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>515</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nima Bassiri</itunes:subtitle>
      <itunes:summary>Uncovers a powerful relationship between pathology and money: beginning in the nineteenth century, the severity of mental illness was measured against a patient’s economic productivity.
Madness and Enterprise: Psychiatry, Economic Reason, and the Emergence of Pathological Value (U Chicago Press, 2024) reveals the economic norms embedded within psychiatric thinking about mental illness in the North Atlantic world. Over the course of the nineteenth century, various forms of madness were subjected to a style of psychiatric reasoning that was preoccupied with money. Psychiatrists across Western Europe and the United States attributed financial and even moral value to an array of pathological conditions, such that some mental disorders were seen as financial assets and others as economic liabilities. By turning to economic conduct and asking whether potential patients appeared capable of managing their financial affairs or even generating wealth, psychiatrists could often bypass diagnostic uncertainties about a person’s mental state.
Through an exploration of the intertwined histories of psychiatry and economic thought, Nima Bassiri shows how this relationship transformed the very idea of value in the modern North Atlantic, as the most common forms of social valuation—moral value, medical value, and economic value—were rendered equivalent and interchangeable. If what was good and what was healthy were increasingly conflated with what was remunerative (and vice versa), then a conceptual space opened through which madness itself could be converted into an economic form and subsequently redeemed—and even revered.
Nima Bassiri is assistant professor of literature at Duke University, where he is also the codirector of the Institute for Critical Theory.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Uncovers a powerful relationship between pathology and money: beginning in the nineteenth century, the severity of mental illness was measured against a patient’s economic productivity.</p><p><a href="https://bookshop.org/a/12343/9780226830896"><em>Madness and Enterprise: Psychiatry, Economic Reason, and the Emergence of Pathological Value</em></a> (U Chicago Press, 2024) reveals the economic norms embedded within psychiatric thinking about mental illness in the North Atlantic world. Over the course of the nineteenth century, various forms of madness were subjected to a style of psychiatric reasoning that was preoccupied with money. Psychiatrists across Western Europe and the United States attributed financial and even moral value to an array of pathological conditions, such that some mental disorders were seen as financial assets and others as economic liabilities. By turning to economic conduct and asking whether potential patients appeared capable of managing their financial affairs or even generating wealth, psychiatrists could often bypass diagnostic uncertainties about a person’s mental state.</p><p>Through an exploration of the intertwined histories of psychiatry and economic thought, Nima Bassiri shows how this relationship transformed the very idea of value in the modern North Atlantic, as the most common forms of social valuation—moral value, medical value, and economic value—were rendered equivalent and interchangeable. If what was good and what was healthy were increasingly conflated with what was remunerative (and vice versa), then a conceptual space opened through which madness itself could be converted into an economic form and subsequently redeemed—and even revered.</p><p>Nima Bassiri is assistant professor of literature at Duke University, where he is also the codirector of the Institute for Critical Theory.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4142</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Abby Innes, "Late Soviet Britain: Why Materialist Utopias Fail" (Cambridge UP, 2023)</title>
      <description>Why has the United Kingdom, historically one of the strongest democracies in the world, become so unstable? What changed? Late Soviet Britain: Why Materialist Utopias Fail (Cambridge UP, 2023) demonstrates that a major part of the answer lies in the transformation of its state. It shows how Britain championed radical economic liberalisation only to weaken and ultimately break its own governing institutions. The crisis of democracy in rich countries has brought forward many urgent analyses of neoliberal capitalism. This book explores for the first time how the 'governing science' in Leninist and neoliberal revolutions fails for many of the same reasons. These systems may have been utterly opposed in their political values, but Abby Innes argues that when we grasp the kinship in their closed-system forms of economic reasoning and their strategies for government, we may better understand the causes of state failure in what remains an inescapably open-system reality.
Abby Innes is Associate Professor of Political Economy in the European Institute at the LSE.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 09 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>515</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Abby Innes</itunes:subtitle>
      <itunes:summary>Why has the United Kingdom, historically one of the strongest democracies in the world, become so unstable? What changed? Late Soviet Britain: Why Materialist Utopias Fail (Cambridge UP, 2023) demonstrates that a major part of the answer lies in the transformation of its state. It shows how Britain championed radical economic liberalisation only to weaken and ultimately break its own governing institutions. The crisis of democracy in rich countries has brought forward many urgent analyses of neoliberal capitalism. This book explores for the first time how the 'governing science' in Leninist and neoliberal revolutions fails for many of the same reasons. These systems may have been utterly opposed in their political values, but Abby Innes argues that when we grasp the kinship in their closed-system forms of economic reasoning and their strategies for government, we may better understand the causes of state failure in what remains an inescapably open-system reality.
Abby Innes is Associate Professor of Political Economy in the European Institute at the LSE.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why has the United Kingdom, historically one of the strongest democracies in the world, become so unstable? What changed?<a href="https://bookshop.org/a/12343/9781009373630"> <em>Late Soviet Britain: Why Materialist Utopias Fail</em></a> (Cambridge UP, 2023) demonstrates that a major part of the answer lies in the transformation of its state. It shows how Britain championed radical economic liberalisation only to weaken and ultimately break its own governing institutions. The crisis of democracy in rich countries has brought forward many urgent analyses of neoliberal capitalism. This book explores for the first time how the 'governing science' in Leninist and neoliberal revolutions fails for many of the same reasons. These systems may have been utterly opposed in their political values, but Abby Innes argues that when we grasp the kinship in their closed-system forms of economic reasoning and their strategies for government, we may better understand the causes of state failure in what remains an inescapably open-system reality.</p><p>Abby Innes is Associate Professor of Political Economy in the European Institute at the LSE.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5462</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9071258531.mp3?updated=1741363359" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maria Kaika and Luca Ruggiero, "Class Meets Land: The Embodied History of Land Financialization" (U California Press, 2024)</title>
      <description>Class Meets Land: The Embodied History of Land Financialization (University of California Press, 2024) by Dr. Maria Kaika &amp; Dr. Luca Ruggiero reveals something seemingly counterintuitive: that nineteenth-century class struggles over land are deeply implicated in the transition to twenty-first-century financial capitalism. Challenging our understanding of land financialization as a recent phenomenon propelled by high finance, Dr. Kaika and Dr. Ruggiero foreground 150 years of class struggle over land as a catalyst for assembling the global financial constellation. Narrating the close-knit histories of industrial land, industrial elites, and the working class, the authors offer a novel understanding of land financialization as a “lived” process: the outcome of a relentless, socially embodied historical unfolding, in which shifts in land’s material, economic, and symbolic roles impact both local everyday lives and global capital flows.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maria Kaika and Luca Ruggiero</itunes:subtitle>
      <itunes:summary>Class Meets Land: The Embodied History of Land Financialization (University of California Press, 2024) by Dr. Maria Kaika &amp; Dr. Luca Ruggiero reveals something seemingly counterintuitive: that nineteenth-century class struggles over land are deeply implicated in the transition to twenty-first-century financial capitalism. Challenging our understanding of land financialization as a recent phenomenon propelled by high finance, Dr. Kaika and Dr. Ruggiero foreground 150 years of class struggle over land as a catalyst for assembling the global financial constellation. Narrating the close-knit histories of industrial land, industrial elites, and the working class, the authors offer a novel understanding of land financialization as a “lived” process: the outcome of a relentless, socially embodied historical unfolding, in which shifts in land’s material, economic, and symbolic roles impact both local everyday lives and global capital flows.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520410084"><em>Class Meets Land: The Embodied History of Land Financialization</em></a> (University of California Press, 2024) by Dr. Maria Kaika &amp; Dr. Luca Ruggiero reveals something seemingly counterintuitive: that nineteenth-century class struggles over land are deeply implicated in the transition to twenty-first-century financial capitalism. Challenging our understanding of land financialization as a recent phenomenon propelled by high finance, Dr. Kaika and Dr. Ruggiero foreground 150 years of class struggle over land as a catalyst for assembling the global financial constellation. Narrating the close-knit histories of industrial land, industrial elites, and the working class, the authors offer a novel understanding of land financialization as a “lived” process: the outcome of a relentless, socially embodied historical unfolding, in which shifts in land’s material, economic, and symbolic roles impact both local everyday lives and global capital flows.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3607</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[02bb3a8e-f87b-11ef-ab4c-d3ed56b0865d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9108287101.mp3?updated=1741039464" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alfie Bown, "Post-Comedy" (Polity, 2025)</title>
      <description>Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge.
Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore?
Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered.
Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture.
He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships.
He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>260</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alfie Bown</itunes:subtitle>
      <itunes:summary>Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge.
Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore?
Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered.
Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture.
He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships.
He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge.</p><p>Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore?</p><p><a href="https://bookshop.org/a/12343/9781509563395"><em>Post-Comedy</em></a><em> </em>(Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered.</p><p>Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture.</p><p>He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include <em>The Playstation Dreamworld</em>, <em>Post-Memes</em>, and <em>Dream Lovers: The Gamification of Relationships</em>.</p><p>He is the founder of <a href="https://www.everydayanalysis.co.uk/">Everyday Analysis</a> which publishes pamphlets and essay collections with contemporary social and political issues.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4139</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7313887336.mp3?updated=1740932976" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sam Srauy, "Race, Culture and the Video Game Industry: A Vicious Circuit" (Routledge, 2024)</title>
      <description>My guest today Sam Srauy is an Associate Professor in the Department of Communication, Journalism, and Public Relations at Oakland University, Her research examines race, video games, and the political economy of the video game industry. Srauy’s work appears in various academic journals including Social Media + Society, First Mondays, Games and Culture, and Television and New Media. She teaches courses on identity, race/racism, digital media production, and video game studies/production. Prior to academia, Srauy worked for over a decade in the high-tech industry. Her experience in that field includes municipal wireless networks, open-source technology, and streaming media systems. About the book: 
Race, Culture and the Video Game Industry: A Vicious Circuit (Routledge, 2024) offers a detailed and much needed examination of how systemic racism in the US shaped the culture, market logic, and production practices of video game developers from the 1970s until the 2010s.
Offering historical analysis of the video game industries (console, PC, and indie) from a critical, political economic lens, this book specifically examines the history of how such practices created, enabled, and maintained racism through the imagined 'gamer.' The book explores how the cultural and economic landscape of the United States developed from the 1970s through the 2000s and explains how racist attitudes are reflected and maintained in the practices of video games production. These practices constitute a 'Vicious Circuit' that normalizes racism and the centrality of an imagined gamer identity. It also explores how the industry, from indie game developers to larger profit-driven companies, responded to changing attitudes in the 2010s, where racism and lack of diversity in games was frequently being noted. The book concludes by offering potential solutions to combat this 'Vicious Circuit'.
A vital contribution to the study of video games that will be welcomed by students and scholars in the fields of media studies, cultural studies, game studies, critical race studies, and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 01 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sam Srauy</itunes:subtitle>
      <itunes:summary>My guest today Sam Srauy is an Associate Professor in the Department of Communication, Journalism, and Public Relations at Oakland University, Her research examines race, video games, and the political economy of the video game industry. Srauy’s work appears in various academic journals including Social Media + Society, First Mondays, Games and Culture, and Television and New Media. She teaches courses on identity, race/racism, digital media production, and video game studies/production. Prior to academia, Srauy worked for over a decade in the high-tech industry. Her experience in that field includes municipal wireless networks, open-source technology, and streaming media systems. About the book: 
Race, Culture and the Video Game Industry: A Vicious Circuit (Routledge, 2024) offers a detailed and much needed examination of how systemic racism in the US shaped the culture, market logic, and production practices of video game developers from the 1970s until the 2010s.
Offering historical analysis of the video game industries (console, PC, and indie) from a critical, political economic lens, this book specifically examines the history of how such practices created, enabled, and maintained racism through the imagined 'gamer.' The book explores how the cultural and economic landscape of the United States developed from the 1970s through the 2000s and explains how racist attitudes are reflected and maintained in the practices of video games production. These practices constitute a 'Vicious Circuit' that normalizes racism and the centrality of an imagined gamer identity. It also explores how the industry, from indie game developers to larger profit-driven companies, responded to changing attitudes in the 2010s, where racism and lack of diversity in games was frequently being noted. The book concludes by offering potential solutions to combat this 'Vicious Circuit'.
A vital contribution to the study of video games that will be welcomed by students and scholars in the fields of media studies, cultural studies, game studies, critical race studies, and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>My guest today Sam Srauy is an Associate Professor in the Department of Communication, Journalism, and Public Relations at Oakland University, Her research examines race, video games, and the political economy of the video game industry. Srauy’s work appears in various academic journals including Social Media + Society, First Mondays, Games and Culture, and Television and New Media. She teaches courses on identity, race/racism, digital media production, and video game studies/production. Prior to academia, Srauy worked for over a decade in the high-tech industry. Her experience in that field includes municipal wireless networks, open-source technology, and streaming media systems. About the book: </p><p><a href="https://bookshop.org/a/12343/9781032398068"><em>Race, Culture and the Video Game Industry: A Vicious Circuit</em></a><em> </em>(Routledge, 2024) offers a detailed and much needed examination of how systemic racism in the US shaped the culture, market logic, and production practices of video game developers from the 1970s until the 2010s.</p><p>Offering historical analysis of the video game industries (console, PC, and indie) from a critical, political economic lens, this book specifically examines the history of how such practices created, enabled, and maintained racism through the imagined 'gamer.' The book explores how the cultural and economic landscape of the United States developed from the 1970s through the 2000s and explains how racist attitudes are reflected and maintained in the practices of video games production. These practices constitute a 'Vicious Circuit' that normalizes racism and the centrality of an imagined gamer identity. It also explores how the industry, from indie game developers to larger profit-driven companies, responded to changing attitudes in the 2010s, where racism and lack of diversity in games was frequently being noted. The book concludes by offering potential solutions to combat this 'Vicious Circuit'.</p><p>A vital contribution to the study of video games that will be welcomed by students and scholars in the fields of media studies, cultural studies, game studies, critical race studies, and beyond.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3197</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64f2ec26-f464-11ef-a668-93d45375a717]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7797691790.mp3?updated=1740590037" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wan-Chuan Kao, "White before Whiteness in the Late Middle Ages" (Manchester UP, 2024)</title>
      <description>White before Whiteness in the Late Middle Ages (Manchester University Press, 2024) by Dr. Wan-Chuan Kao analyses premodern whiteness as operations of fragility, precarity and racialicity across bodily and nonsomatic figurations.
The book argues that while whiteness participates in the history of racialisation in the late medieval West, it does not denote skin tone alone. The 'before' of whiteness, presupposing essence and teleology, is less a retro-futuristic temporisation - one that simultaneously looks backward and faces forward - than a discursive figuration of how white becomes whiteness. Fragility delineates the limits of ruling ideologies in performances of mourning as self-defence against perceived threats to subjectivity and desire; precarity registers the ruptures within normative values by foregrounding the unmarked vulnerability of the body politic and the violence of cultural aestheticisation; and racialicity attends to the politics of recognition and the technologies of enfleshment at the systemic edge of life and nonlife.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wan-Chuan Kao</itunes:subtitle>
      <itunes:summary>White before Whiteness in the Late Middle Ages (Manchester University Press, 2024) by Dr. Wan-Chuan Kao analyses premodern whiteness as operations of fragility, precarity and racialicity across bodily and nonsomatic figurations.
The book argues that while whiteness participates in the history of racialisation in the late medieval West, it does not denote skin tone alone. The 'before' of whiteness, presupposing essence and teleology, is less a retro-futuristic temporisation - one that simultaneously looks backward and faces forward - than a discursive figuration of how white becomes whiteness. Fragility delineates the limits of ruling ideologies in performances of mourning as self-defence against perceived threats to subjectivity and desire; precarity registers the ruptures within normative values by foregrounding the unmarked vulnerability of the body politic and the violence of cultural aestheticisation; and racialicity attends to the politics of recognition and the technologies of enfleshment at the systemic edge of life and nonlife.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781526145802"><em>White before Whiteness in the Late Middle Ages</em></a> (Manchester University Press, 2024) by Dr. Wan-Chuan Kao analyses premodern whiteness as operations of fragility, precarity and racialicity across bodily and nonsomatic figurations.</p><p>The book argues that while whiteness participates in the history of racialisation in the late medieval West, it does not denote skin tone alone. The 'before' of whiteness, presupposing essence and teleology, is less a retro-futuristic temporisation - one that simultaneously looks backward and faces forward - than a discursive figuration of how white becomes whiteness. Fragility delineates the limits of ruling ideologies in performances of mourning as self-defence against perceived threats to subjectivity and desire; precarity registers the ruptures within normative values by foregrounding the unmarked vulnerability of the body politic and the violence of cultural aestheticisation; and racialicity attends to the politics of recognition and the technologies of enfleshment at the systemic edge of life and nonlife.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4094</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Linh Thuy Nguyen, "Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production" (Temple UP, 2024)</title>
      <description>Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization.
Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn’s analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss.
Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism.
She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/.
Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women’s, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com.
Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at cpham@g.harvard.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>338</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Linh Thuy Nguyen</itunes:subtitle>
      <itunes:summary>Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization.
Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn’s analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss.
Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism.
She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/.
Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women’s, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com.
Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at cpham@g.harvard.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. <a href="https://bookshop.org/a/12343/9781439924709"><em>Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production</em></a> (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization.</p><p>Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn’s analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss.</p><p>Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, <em>Displacing Kinship</em> offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism.</p><p>She was recently featured in an interview regarding her monograph with <em>Toward Inclusive Excellence</em> (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at <a href="http://www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/">www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/</a>.</p><p>Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women’s, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com.</p><p><em>Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at </em><a href="mailto:cpham@g.harvard.edu"><em>cpham@g.harvard.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5303</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[59588560-f2ed-11ef-9a34-639fc8528a0e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7534712518.mp3?updated=1740429703" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Giampaolo Conte, "A History of Capitalist Transformation: A Critique of Liberal-Capitalist Reforms" (Routledge, 2024)</title>
      <description>A History of Capitalist Transformation: A Critique of Liberal-Capitalist Reforms highlights how, since the recent financial crises, the expression ‘liberal reform’ has entered common parlance as an evocative image of austerity and economic malaise, especially for the working classes and a segment of the middle class. But what exactly does ‘liberal reform’ refer to? The research analyzes the historical origins of liberal-capitalist reformism using a critical approach, starting with the origins of the Industrial Revolution.
The book demonstrates that the chief purpose of such reforms was to integrate semi-peripheral states into the capitalist world-economy by imposing, both directly and indirectly, the adoption of rules, institutions, attitudes, and procedures amenable to economic and political interests of capitalist élites and hegemonic states – Britain first, the United States later – between the nineteenth and twenty-first centuries. As such, the reforms became an active tool used to promote social-economical-financial institutions, norms, and lifestyles typical of a liberal-capitalist economic order which locates some of its founding values in capital accumulation, profit-seeking, and social transformation.
This book will be of significant interest to readers on capitalism, political economy, the history of the global economy, and British history.
Giampaolo Conte is Assistant Professor in Economic History at University of Roma Tre, Italy.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>513</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Giampaolo Conte</itunes:subtitle>
      <itunes:summary>A History of Capitalist Transformation: A Critique of Liberal-Capitalist Reforms highlights how, since the recent financial crises, the expression ‘liberal reform’ has entered common parlance as an evocative image of austerity and economic malaise, especially for the working classes and a segment of the middle class. But what exactly does ‘liberal reform’ refer to? The research analyzes the historical origins of liberal-capitalist reformism using a critical approach, starting with the origins of the Industrial Revolution.
The book demonstrates that the chief purpose of such reforms was to integrate semi-peripheral states into the capitalist world-economy by imposing, both directly and indirectly, the adoption of rules, institutions, attitudes, and procedures amenable to economic and political interests of capitalist élites and hegemonic states – Britain first, the United States later – between the nineteenth and twenty-first centuries. As such, the reforms became an active tool used to promote social-economical-financial institutions, norms, and lifestyles typical of a liberal-capitalist economic order which locates some of its founding values in capital accumulation, profit-seeking, and social transformation.
This book will be of significant interest to readers on capitalism, political economy, the history of the global economy, and British history.
Giampaolo Conte is Assistant Professor in Economic History at University of Roma Tre, Italy.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032579634"><em>A History of Capitalist Transformation: A Critique of Liberal-Capitalist Reforms</em></a> highlights how, since the recent financial crises, the expression ‘liberal reform’ has entered common parlance as an evocative image of austerity and economic malaise, especially for the working classes and a segment of the middle class. But what exactly does ‘liberal reform’ refer to? The research analyzes the historical origins of liberal-capitalist reformism using a critical approach, starting with the origins of the Industrial Revolution.</p><p>The book demonstrates that the chief purpose of such reforms was to integrate semi-peripheral states into the capitalist world-economy by imposing, both directly and indirectly, the adoption of rules, institutions, attitudes, and procedures amenable to economic and political interests of capitalist élites and hegemonic states – Britain first, the United States later – between the nineteenth and twenty-first centuries. As such, the reforms became an active tool used to promote social-economical-financial institutions, norms, and lifestyles typical of a liberal-capitalist economic order which locates some of its founding values in capital accumulation, profit-seeking, and social transformation.</p><p>This book will be of significant interest to readers on capitalism, political economy, the history of the global economy, and British history.</p><p><strong>Giampaolo Conte</strong> is Assistant Professor in Economic History at University of Roma Tre, Italy.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1419</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Tabish Khair, "Literature Against Fundamentalism" (Oxford UP, 2024)</title>
      <description>Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism.
Literature is a mode of thinking, stories being one of the oldest thinking 'devices' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material ('language') and its subject matter ('reality'). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism (Oxford UP, 2024) argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive.
Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and not just as material for aesthetic, sociological, political, and other theoretical discourses--is essential for humanity. In the process, he offers a radical re-definition of literature, an illuminating engagement with religion and fundamentalism, a revaluation of the relationship between the sciences and humanities, and, finally, a call to literature as in 'a call to arms'.
Tabish Khair is an Indian writer, academic and journalist, born (1966) and educated in the small town of Gaya in Bihar, India. After finishing his MA from Gaya, he completed a PhD at Copenhagen University and a DPhil at Aarhus University, Denmark, where he is now an Associate Professor. He has been a visiting professor or research fellow at various universities and has received Carlsberg, Leverhulme, and other academic grants. Khair is also an internationally published novelist.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 22 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>337</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tabish Khair</itunes:subtitle>
      <itunes:summary>Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism.
Literature is a mode of thinking, stories being one of the oldest thinking 'devices' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material ('language') and its subject matter ('reality'). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. Literature Against Fundamentalism (Oxford UP, 2024) argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive.
Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature as literature--and not just as material for aesthetic, sociological, political, and other theoretical discourses--is essential for humanity. In the process, he offers a radical re-definition of literature, an illuminating engagement with religion and fundamentalism, a revaluation of the relationship between the sciences and humanities, and, finally, a call to literature as in 'a call to arms'.
Tabish Khair is an Indian writer, academic and journalist, born (1966) and educated in the small town of Gaya in Bihar, India. After finishing his MA from Gaya, he completed a PhD at Copenhagen University and a DPhil at Aarhus University, Denmark, where he is now an Associate Professor. He has been a visiting professor or research fellow at various universities and has received Carlsberg, Leverhulme, and other academic grants. Khair is also an internationally published novelist.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Acclaimed novelist and academic Tabish Khair argues that literature as a distinct mode of thinking can counteract fundamentalism.</p><p>Literature is a mode of thinking, stories being one of the oldest thinking 'devices' known to humankind. The ways in which literature enables us to think are distinctive and necessary, because of the relationships between its material ('language') and its subject matter ('reality'). Although present in oral literature, these relationships are exposed in their full complexity with the rise of literature as a distinct form of writing. <a href="https://bookshop.org/a/12343/9780198919582"><em>Literature Against Fundamentalism</em></a><em> </em>(Oxford UP, 2024) argues that literature enables us to engage with reality in language and language in reality, where both are mutually constitutive, constantly changing, and partly elusive.</p><p>Tabish Khair defines this mode of engagement as essentially an agnostic one, resistant to simple dogma. Hence, literature can provide an antidote to fundamentalism. Khair argues that reading literature <em>as</em> literature--and not just as material for aesthetic, sociological, political, and other theoretical discourses--is essential for humanity. In the process, he offers a radical re-definition of literature, an illuminating engagement with religion and fundamentalism, a revaluation of the relationship between the sciences and humanities, and, finally, a call to literature as in 'a call to arms'.</p><p><strong>Tabish Khair</strong> is an Indian writer, academic and journalist, born (1966) and educated in the small town of Gaya in Bihar, India. After finishing his MA from Gaya, he completed a PhD at Copenhagen University and a DPhil at Aarhus University, Denmark, where he is now an Associate Professor. He has been a visiting professor or research fellow at various universities and has received Carlsberg, Leverhulme, and other academic grants. Khair is also an internationally published novelist.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[294d5b50-eedf-11ef-9233-17637ba71fd7]]></guid>
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    </item>
    <item>
      <title>Adnan Husain on Reorienting History</title>
      <description>In this episode, Chella Ward and Salman Sayyid talked to Adnan Husain about some of the challenges involved in reorienting history. We spoke about the opportunities and limitations of the idea of ‘the global’ as a way of organising history, and explored the relationship between the global and the decolonial. Adnan Husain is a Medieval European and Middle Eastern historian at Queen’s University, Canada. He has a particular interest in the relationship between Muslims, Jews and Christians in the medieval Mediterranean and we particularly enjoyed talking to him about the question of methodology: how do we write a new history of the world?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Chella Ward and Salman Sayyid</itunes:subtitle>
      <itunes:summary>In this episode, Chella Ward and Salman Sayyid talked to Adnan Husain about some of the challenges involved in reorienting history. We spoke about the opportunities and limitations of the idea of ‘the global’ as a way of organising history, and explored the relationship between the global and the decolonial. Adnan Husain is a Medieval European and Middle Eastern historian at Queen’s University, Canada. He has a particular interest in the relationship between Muslims, Jews and Christians in the medieval Mediterranean and we particularly enjoyed talking to him about the question of methodology: how do we write a new history of the world?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Chella Ward and Salman Sayyid talked to Adnan Husain about some of the challenges involved in reorienting history. We spoke about the opportunities and limitations of the idea of ‘the global’ as a way of organising history, and explored the relationship between the global and the decolonial. Adnan Husain is a Medieval European and Middle Eastern historian at Queen’s University, Canada. He has a particular interest in the relationship between Muslims, Jews and Christians in the medieval Mediterranean and we particularly enjoyed talking to him about the question of methodology: how do we write a new history of the world?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b59f4468-ef9f-11ef-8294-0703c0d8139d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5120438526.mp3?updated=1740066150" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eugene W. Holland, "Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism" (SUNY Press, 2024)</title>
      <description>Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism (SUNY Press, 2024) argues that capitalism fosters sadism and masochism--not as individual psychological proclivities but as widespread institutionalized patterns of behavior. The book is divided into two parts: one historical and the other theoretical. In the first, Eugene W. Holland shows how, as capital becomes global in scale and drives production and consumption farther and farther apart, it perverts otherwise free markets, transforming sadism and masochism into borderline conditions and various supremacisms. The second part then turns to Deleuze and Guattari's 'schizoanalysis,' explaining how it helpfully embeds Freud's analysis of the family and Lacan's analysis of language within an analysis of the capitalist market and its psycho-dynamics. Drawing on literature and film throughout to illuminate the discontents of modern culture, Holland maintains that the sadistic relations of production and masochistic relations of consumption must be eliminated to prevent capitalism from destroying life as we know it.
Nathan Smith is a PhD candidate in Music Theory at Yale University
nathan.smith@yale.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>513</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eugene W. Holland</itunes:subtitle>
      <itunes:summary>Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism (SUNY Press, 2024) argues that capitalism fosters sadism and masochism--not as individual psychological proclivities but as widespread institutionalized patterns of behavior. The book is divided into two parts: one historical and the other theoretical. In the first, Eugene W. Holland shows how, as capital becomes global in scale and drives production and consumption farther and farther apart, it perverts otherwise free markets, transforming sadism and masochism into borderline conditions and various supremacisms. The second part then turns to Deleuze and Guattari's 'schizoanalysis,' explaining how it helpfully embeds Freud's analysis of the family and Lacan's analysis of language within an analysis of the capitalist market and its psycho-dynamics. Drawing on literature and film throughout to illuminate the discontents of modern culture, Holland maintains that the sadistic relations of production and masochistic relations of consumption must be eliminated to prevent capitalism from destroying life as we know it.
Nathan Smith is a PhD candidate in Music Theory at Yale University
nathan.smith@yale.edu
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      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9798855800227"><em>Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism</em></a><em> </em>(SUNY Press, 2024) argues that capitalism fosters sadism and masochism--not as individual psychological proclivities but as widespread institutionalized patterns of behavior. The book is divided into two parts: one historical and the other theoretical. In the first, Eugene W. Holland shows how, as capital becomes global in scale and drives production and consumption farther and farther apart, it perverts otherwise free markets, transforming sadism and masochism into borderline conditions and various supremacisms. The second part then turns to Deleuze and Guattari's 'schizoanalysis,' explaining how it helpfully embeds Freud's analysis of the family and Lacan's analysis of language within an analysis of the capitalist market and its psycho-dynamics. Drawing on literature and film throughout to illuminate the discontents of modern culture, Holland maintains that the sadistic relations of production and masochistic relations of consumption must be eliminated to prevent capitalism from destroying life as we know it.</p><p>Nathan Smith is a PhD candidate in Music Theory at Yale University</p><p>nathan.smith@yale.edu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3548174-ee08-11ef-ae78-9b6aca34473d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8620928853.mp3?updated=1739892849" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martyn Percy, "The Crisis of Colonial Anglicanism: Empire, Slavery and Revolt in the Church of England" (Hurst, 2025)</title>
      <description>The Crisis of Colonial Anglicanism: Empire, Slavery and Revolt in the Church of England (Hurst, 2025) by Dr. Martyn Percy offers a bold and unsettling truth: the British Empire and Great Britain are primarily English constructions, and the Church of England benefited from English enterprise and exploitation, serving as the spiritual arm of the imperial project. English Anglicanism has cast itself as the lead character in its own ‘serious fiction’—the main religious player in a drama of Church and Empire.
Yet, in collusion with colonialism, it is now trapped by historical amnesia. Dr. Percy examines the English interests concealed in appeals to Britishness, showing how slavery, exploitation, classism and racism upheld elitist and hierarchical worldviews that bolstered both Empire and Church. By viewing the rest of the world as lesser, both institutions have declined in global standing, now reduced to minor national players on the world stage.
Religious, social and political imperialism thrived on deprecating others, but those once marginalised have fought for equality and independence. Today, the worldwide Anglican Communion faces a new era of moral reckoning.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>158</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martyn Percy</itunes:subtitle>
      <itunes:summary>The Crisis of Colonial Anglicanism: Empire, Slavery and Revolt in the Church of England (Hurst, 2025) by Dr. Martyn Percy offers a bold and unsettling truth: the British Empire and Great Britain are primarily English constructions, and the Church of England benefited from English enterprise and exploitation, serving as the spiritual arm of the imperial project. English Anglicanism has cast itself as the lead character in its own ‘serious fiction’—the main religious player in a drama of Church and Empire.
Yet, in collusion with colonialism, it is now trapped by historical amnesia. Dr. Percy examines the English interests concealed in appeals to Britishness, showing how slavery, exploitation, classism and racism upheld elitist and hierarchical worldviews that bolstered both Empire and Church. By viewing the rest of the world as lesser, both institutions have declined in global standing, now reduced to minor national players on the world stage.
Religious, social and political imperialism thrived on deprecating others, but those once marginalised have fought for equality and independence. Today, the worldwide Anglican Communion faces a new era of moral reckoning.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781805261964"><em>The Crisis of Colonial Anglicanism: Empire, Slavery and Revolt in the Church of England</em></a> (Hurst, 2025) by Dr. Martyn Percy offers a bold and unsettling truth: the British Empire and Great Britain are primarily English constructions, and the Church of England benefited from English enterprise and exploitation, serving as the spiritual arm of the imperial project. English Anglicanism has cast itself as the lead character in its own ‘serious fiction’—the main religious player in a drama of Church and Empire.</p><p>Yet, in collusion with colonialism, it is now trapped by historical amnesia. Dr. Percy examines the English interests concealed in appeals to Britishness, showing how slavery, exploitation, classism and racism upheld elitist and hierarchical worldviews that bolstered both Empire and Church. By viewing the rest of the world as lesser, both institutions have declined in global standing, now reduced to minor national players on the world stage.</p><p>Religious, social and political imperialism thrived on deprecating others, but those once marginalised have fought for equality and independence. Today, the worldwide Anglican Communion faces a new era of moral reckoning.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2868</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ead1e9b4-ee3d-11ef-b6a8-8f0edc63d028]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3656600057.mp3?updated=1739913752" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William M. Paris, "Race, Time, and Utopia: Critical Theory and the Process of Emancipation" (Oxford UP, 2024)</title>
      <description>How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>365</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William M. Paris</itunes:subtitle>
      <itunes:summary>How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In <a href="https://bookshop.org/a/12343/9780197698877"><em>Race, Time, and Utopia: Critical Theory and the Process of Emancipation</em></a><em> </em>(Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4157</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0d22e9a-eba9-11ef-8efa-235460e9f356]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1632428329.mp3?updated=1739630242" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jamieson Webster, "On Breathing: Care in a Time of Catastrophe" (Catapult, 2025)</title>
      <description>A few moments after birth we begin to use our lungs for the first time. From then on, we must continue breathing for as long as we are alive. And although this mostly happens unconsciously, in a society plagued by anxiety, climate change, environmental racism, and illness, there are more and more instances that “teach us about the privilege that is breathing.” Why do we so easily forget the air that we breathe in common? What does it mean to breathe when the environment that sustains life now threatens it? And how can life continue to flourish under conditions that are increasingly toxic? 
To approach these questions, Jamieson Webster draws on psychoanalytic theory and reflects on her own experiences as an asthmatic teenager, a deep-sea diver, a palliative psychologist during COVID, a psychoanalyst attentive to the somatic, and a new mother. The result is a compassionate and timely exploration of air and breathing as a way to undo the pervasive myth of the individual by considering our dependence on invisible systems, on one another, and the way we have violently neglected this important aspect of life.
Jamieson Webster is a psychoanalyst in private practice in New York City and faculty at The New School for Social Research. She is the author, most recently, of On Breathing (Peninusula Press, UK; Catapult, US), as well as, Conversion Disorder: Listening to the Body in Psychoanalysis (Columbia, 2018) and, with Simon Critchley, Stay, Illusion! The Hamlet Doctrine (Vintage Random House, 2013). She has written regularly for Artforum, The New York Times, The New York Review of Books, as well as, many psychoanalytic publications.
Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor in the Somatic Psychology program at California Institute of Integral Studies. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>258</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jamieson Webster</itunes:subtitle>
      <itunes:summary>A few moments after birth we begin to use our lungs for the first time. From then on, we must continue breathing for as long as we are alive. And although this mostly happens unconsciously, in a society plagued by anxiety, climate change, environmental racism, and illness, there are more and more instances that “teach us about the privilege that is breathing.” Why do we so easily forget the air that we breathe in common? What does it mean to breathe when the environment that sustains life now threatens it? And how can life continue to flourish under conditions that are increasingly toxic? 
To approach these questions, Jamieson Webster draws on psychoanalytic theory and reflects on her own experiences as an asthmatic teenager, a deep-sea diver, a palliative psychologist during COVID, a psychoanalyst attentive to the somatic, and a new mother. The result is a compassionate and timely exploration of air and breathing as a way to undo the pervasive myth of the individual by considering our dependence on invisible systems, on one another, and the way we have violently neglected this important aspect of life.
Jamieson Webster is a psychoanalyst in private practice in New York City and faculty at The New School for Social Research. She is the author, most recently, of On Breathing (Peninusula Press, UK; Catapult, US), as well as, Conversion Disorder: Listening to the Body in Psychoanalysis (Columbia, 2018) and, with Simon Critchley, Stay, Illusion! The Hamlet Doctrine (Vintage Random House, 2013). She has written regularly for Artforum, The New York Times, The New York Review of Books, as well as, many psychoanalytic publications.
Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor in the Somatic Psychology program at California Institute of Integral Studies. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A few moments after birth we begin to use our lungs for the first time. From then on, we must continue breathing for as long as we are alive. And although this mostly happens unconsciously, in a society plagued by anxiety, climate change, environmental racism, and illness, there are more and more instances that “teach us about the privilege that is breathing.” Why do we so easily forget the air that we breathe in common? What does it mean to breathe when the environment that sustains life now threatens it? And how can life continue to flourish under conditions that are increasingly toxic? </p><p>To approach these questions, Jamieson Webster draws on psychoanalytic theory and reflects on her own experiences as an asthmatic teenager, a deep-sea diver, a palliative psychologist during COVID, a psychoanalyst attentive to the somatic, and a new mother. The result is a compassionate and timely exploration of air and breathing as a way to undo the pervasive myth of the individual by considering our dependence on invisible systems, on one another, and the way we have violently neglected this important aspect of life.</p><p>Jamieson Webster is a psychoanalyst in private practice in New York City and faculty at The New School for Social Research. She is the author, most recently, of On Breathing (Peninusula Press, UK; Catapult, US), as well as, Conversion Disorder: Listening to the Body in Psychoanalysis (Columbia, 2018) and, with Simon Critchley, Stay, Illusion! The Hamlet Doctrine (Vintage Random House, 2013). She has written regularly for Artforum, The New York Times, The New York Review of Books, as well as, many psychoanalytic publications.</p><p><a href="https://helenavissing.com/"><em>Helena Vissing</em></a><em>, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor in the Somatic Psychology program at </em><a href="http://ciis.edu/"><em>California Institute of Integral Studies</em></a><em>. She can be reached at </em><a href="mailto:contact@helenavissing.com"><em>contact@helenavissing.com</em></a><em>. She is the author of </em><a href="https://bookshop.org/a/12343/9781032315249"><em>Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period</em></a><em> (Routledge, 2023).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2899</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0f4cae72-ed68-11ef-900c-cb902ad9566a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3550025649.mp3?updated=1739822256" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Violent Majorities 2.2: Subir Sinha on Hindutva as Long-Distance Ethnonationalism</title>
      <description>Lori Allen and Ajantha Subramanian continue their second series on Violent Majorities. Their previous episode featured Peter Beinart on Zionism as long-distance ethnonationalism; here they speak with Subir Sinha, who teaches at SOAS University of London, comments on Indian and European media, and is a member of a commission of inquiry exploring the 2022 unrest between Hindus and Muslims in Leicester, UK.
The catalysts he identifies for the rise of Hindu nationalism (Hindutva) include the emergence of new middle classes after economic liberalization, the rise of Islamophobia after 9/11, the 2008 crisis in capitalism, and the spread of new communications technologies.
The trio discuss the growth of Hindutva in the US and UK since the 1990s and its further consolidation. Social media has been key to Modi’s brand of authoritarian populism, with simultaneous messaging across national borders producing a globally dispersed audience for Hindutva. Particularly useful to transnational political mobilizations has been the manufacture of wounded Hindu sentiments: a claim to victimhood that draws on the legitimizing language of religious minority rights in the US and UK.
They also note more hopeful signs: Dalit and other oppressed caste politics have begun to strengthen in the diaspora; the contradictions between lived Hinduism and Hindutva have become clearer; there are some demographic and structural barriers to Hindutva’s further growth in the UK and US.
Subir’s Recallable Book is Kunal Purohit’s H-Pop:The Secretive World of Hindutva Pop Stars (Harper Collins India, 2023), which looks at the proliferation of Hindutva Pop, a genre of music that is made to go viral and whip up mob violence against religious minorities.
Mentioned in this episode:

Subir Sinha, “Fragile Hegemony: Modi, Social Media, and Competitive Electoral Populism in India.” International Journal of Communication 11(2017), 4158–4180.

Subir Sinha, “‘Strong leaders’, authoritarian populism and Indian developmentalism: The Modi moment in historical context.” Geoforum, https://doi.org/10.1016/j.geoforum.2021.02.019


Subir Sinha, “Modi's People and Populism's Imagined Communities.” Seminar, 7 5 6 – A u g u s t 2022, pp.18-23.

Edward T. G. Anderson, Hindu Nationalism in the Indian Diaspora: Transnational Politics and British Multiculturalism. London: Hurst &amp; Co., 2023.


Rashtriya Swayamsevak Sangh (RSS), or National Volunteer Corps, is the parent organization of the Sangh Parivar, or Hindu nationalist family of organizations. It espouses principles of Hindu unity and aims to transform India into a Hindu supremacist nation-state.


Vishwa Hindu Parishad (VHP), or World Hindu Organization, is a branch of the Sangh Parivar. Its stated aims are to engage in social service work, construct Hindu temples, and defend Hindus.

On the anti-caste discrimination bill in the UK parliament, see David Mosse, Outside Caste? The Enclosure of Caste and Claims to Castelessness in India and the United Kingdom


The Ganesh Puja period is a 10-day festival that honors the Hindu god Ganesha, and usually takes place in late August or early September.

Diane M. Nelson, A Finger in the Wound: Body Politics in Quincentennial Guatemala. Berkeley: University of California Press, 1999.

Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso; Revised edition, 2016.

Yohann Koshy, “What the unrest in Leicester revealed about Britain – and Modi’s India.” The Guardian, 8 February 2024.

Richard Manuel, Cassette Culture in North India: Popular Music and Technology in North India. University of Chicago .Press; 2nd ed. Edition,1993.

Listen and Read here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Lori Allen and Ajantha Subramanian continue their second series on Violent Majorities. Their previous episode featured Peter Beinart on Zionism as long-distance ethnonationalism; here they speak with Subir Sinha, who teaches at SOAS University of London, comments on Indian and European media, and is a member of a commission of inquiry exploring the 2022 unrest between Hindus and Muslims in Leicester, UK.
The catalysts he identifies for the rise of Hindu nationalism (Hindutva) include the emergence of new middle classes after economic liberalization, the rise of Islamophobia after 9/11, the 2008 crisis in capitalism, and the spread of new communications technologies.
The trio discuss the growth of Hindutva in the US and UK since the 1990s and its further consolidation. Social media has been key to Modi’s brand of authoritarian populism, with simultaneous messaging across national borders producing a globally dispersed audience for Hindutva. Particularly useful to transnational political mobilizations has been the manufacture of wounded Hindu sentiments: a claim to victimhood that draws on the legitimizing language of religious minority rights in the US and UK.
They also note more hopeful signs: Dalit and other oppressed caste politics have begun to strengthen in the diaspora; the contradictions between lived Hinduism and Hindutva have become clearer; there are some demographic and structural barriers to Hindutva’s further growth in the UK and US.
Subir’s Recallable Book is Kunal Purohit’s H-Pop:The Secretive World of Hindutva Pop Stars (Harper Collins India, 2023), which looks at the proliferation of Hindutva Pop, a genre of music that is made to go viral and whip up mob violence against religious minorities.
Mentioned in this episode:

Subir Sinha, “Fragile Hegemony: Modi, Social Media, and Competitive Electoral Populism in India.” International Journal of Communication 11(2017), 4158–4180.

Subir Sinha, “‘Strong leaders’, authoritarian populism and Indian developmentalism: The Modi moment in historical context.” Geoforum, https://doi.org/10.1016/j.geoforum.2021.02.019


Subir Sinha, “Modi's People and Populism's Imagined Communities.” Seminar, 7 5 6 – A u g u s t 2022, pp.18-23.

Edward T. G. Anderson, Hindu Nationalism in the Indian Diaspora: Transnational Politics and British Multiculturalism. London: Hurst &amp; Co., 2023.


Rashtriya Swayamsevak Sangh (RSS), or National Volunteer Corps, is the parent organization of the Sangh Parivar, or Hindu nationalist family of organizations. It espouses principles of Hindu unity and aims to transform India into a Hindu supremacist nation-state.


Vishwa Hindu Parishad (VHP), or World Hindu Organization, is a branch of the Sangh Parivar. Its stated aims are to engage in social service work, construct Hindu temples, and defend Hindus.

On the anti-caste discrimination bill in the UK parliament, see David Mosse, Outside Caste? The Enclosure of Caste and Claims to Castelessness in India and the United Kingdom


The Ganesh Puja period is a 10-day festival that honors the Hindu god Ganesha, and usually takes place in late August or early September.

Diane M. Nelson, A Finger in the Wound: Body Politics in Quincentennial Guatemala. Berkeley: University of California Press, 1999.

Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso; Revised edition, 2016.

Yohann Koshy, “What the unrest in Leicester revealed about Britain – and Modi’s India.” The Guardian, 8 February 2024.

Richard Manuel, Cassette Culture in North India: Popular Music and Technology in North India. University of Chicago .Press; 2nd ed. Edition,1993.

Listen and Read here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lori Allen and Ajantha Subramanian continue their second series on <a href="https://recallthisbook.org/?s=violent+majorities">Violent Majorities</a>. Their previous episode featured <a href="https://recallthisbook.org/2025/02/06/143-violent-majorities-2-1-peter-beinart-on-long-distance-israeli-ethnonationalism-la-as/">Peter Beinart on Zionism </a>as long-distance ethnonationalism; here they speak with<a href="https://www.soas.ac.uk/about/subir-sinha"> Subir Sinha</a>, who teaches at SOAS University of London, comments on Indian and European media, and is a member of a<a href="https://www.leicesterinquiry.org/"> commission of inquiry</a> exploring the 2022 unrest between Hindus and Muslims in Leicester, UK.</p><p>The catalysts he identifies for the rise of Hindu nationalism (<em>Hindutva) </em>include the emergence of new middle classes after economic liberalization, the rise of Islamophobia after 9/11, the 2008 crisis in capitalism, and the spread of new communications technologies.</p><p>The trio discuss the growth of Hindutva in the US and UK since the 1990s and its further consolidation. Social media has been key to Modi’s brand of authoritarian populism, with simultaneous messaging across national borders producing a globally dispersed audience for Hindutva. Particularly useful to transnational political mobilizations has been the manufacture of wounded Hindu sentiments: a claim to victimhood that draws on the legitimizing language of religious minority rights in the US and UK.</p><p>They also note more hopeful signs: Dalit and other oppressed caste politics have begun to strengthen in the diaspora; the contradictions between lived Hinduism and Hindutva have become clearer; there are some demographic and structural barriers to Hindutva’s further growth in the UK and US.</p><p><strong>Subir’s Recallable Book </strong>is Kunal Purohit’s <a href="https://www.amazon.com/H-Pop-Secretive-World-Hindutva-Stars-ebook/dp/B0CKP9VB8T"><em>H-Pop:The Secretive World of Hindutva Pop Stars</em> </a>(Harper Collins India, 2023), which looks at the proliferation of Hindutva Pop, a genre of music that is made to go viral and whip up mob violence against religious minorities.</p><p>Mentioned in this episode:</p><ul>
<li>Subir Sinha, “<a href="https://ijoc.org/index.php/ijoc/article/viewFile/6739/2161">Fragile Hegemony: Modi, Social Media, and Competitive Electoral Populism in Indi</a>a.” <em>International Journal of Communication</em> 11(2017), 4158–4180.</li>
<li>Subir Sinha, “‘Strong leaders’, authoritarian populism and Indian developmentalism: The Modi moment in historical context.” <em>Geoforum</em>, <a href="https://doi.org/10.1016/j.geoforum.2021.02.019">https://doi.org/10.1016/j.geoforum.2021.02.019</a>
</li>
<li>Subir Sinha, “<a href="https://www.india-seminar.com/2022/756/756-03%20SUBIR%20SINHA.htm">Modi's People and Populism's Imagined Communities.</a>” <em>Seminar</em>, 7 5 6 – A u g u s t 2022, pp.18-23.</li>
<li>Edward T. G. Anderson,<a href="https://www.amazon.com/Hindu-Nationalism-Indian-Diaspora-author/dp/1805260545"> <em>Hindu Nationalism in the Indian Diaspora: Transnational Politics and British Multiculturalism</em></a>. London: Hurst &amp; Co., 2023.</li>
<li>
<em>Rashtriya Swayamsevak Sangh</em> (RSS), or National Volunteer Corps, is the parent organization of the Sangh Parivar, or Hindu nationalist family of organizations. It espouses principles of Hindu unity and aims to transform India into a Hindu supremacist nation-state.</li>
<li>
<em>Vishwa Hindu Parishad</em> (<em>VHP</em>), or World Hindu Organization, is a branch of the Sangh Parivar. Its stated aims are to engage in social service work, construct Hindu temples, and defend Hindus.</li>
<li>On the anti-caste discrimination bill in the UK parliament, see David Mosse, <a href="https://doi.org/10.1017/S0010417519000392">Outside Caste? The Enclosure of Caste and Claims to Castelessness in India and the United Kingdom</a>
</li>
<li>The Ganesh Puja period is a 10-day festival that honors the Hindu god Ganesha, and usually takes place in late August or early September.</li>
<li>Diane M. Nelson, <a href="https://www.ucpress.edu/books/a-finger-in-the-wound/paper"><em>A Finger in the Wound: Body Politics in Quincentennial Guatemala</em></a><em>.</em> Berkeley: University of California Press, 1999.</li>
<li>Benedict Anderson, <em>Imagined Communities: Reflections on the Origin and Spread of Nationalism</em>. Verso; Revised edition, 2016.</li>
<li>Yohann Koshy, “What the unrest in Leicester revealed about Britain – and Modi’s India.” <a href="https://www.theguardian.com/uk-news/2024/feb/08/unrest-leicester-muslim-hindu-revealed-britain-modi-india-2022"><em>The Guardian</em></a>, 8 February 2024.</li>
<li>Richard Manuel, <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo3684199.html"><em>Cassette Culture in North India: Popular Music and Technology in North India</em></a>. University of Chicago .Press; 2nd ed. Edition,1993.</li>
</ul><p>Listen and<a href="https://recallthisbook.org/wp-content/uploads/2025/02/subir-sinha-transcript.pdf"> Read</a> here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3276</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2694751251.mp3?updated=1739900018" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yoni Appelbaum, "Stuck: How the Privileged and the Propertied Broke the Engine of Prosperity" (Random House, 2025)</title>
      <description>We take it for granted that good neighborhoods—with good schools and good housing—are inaccessible to all but the very wealthy. But, in America, this wasn’t always the case. Though for most of world history your prospects were tied to where you were born, Americans came up with a revolutionary idea: If you didn’t like your lot in life, you could find a better location and reinvent yourself there. Americans moved to new places with unprecedented frequency, and for 200 years, that remarkable mobility was the linchpin of American economic and social opportunity. Then, as the twentieth century wound down, economic and geographic stasis set in, producing deep social polarization. 
What happened? In Stuck: How the Privileged and the Propertied Broke the Engine of Prosperity (Random House, 2025), Yoni Appelbaum introduces us to the reformers who destroyed American mobility with discriminatory zoning laws, federal policies, and community gatekeeping. From the first zoning laws enacted to ghettoize Chinese Americans in nineteenth-century Modesto, California, to the toxic blend of private-sector discrimination and racist public policy that trapped Black families in mid-century Flint, Michigan, Appelbaum shows us how Americans lost the freedom to move. Even Jane Jacobs’s well-intentioned fight against development in Greenwich Village choked off opportunity for strivers—and started a trend that would put desirable neighborhoods out of reach for most of us. And yet he also offers glimmers of hope. Perhaps our problems as a nation aren’t as intractable as they seem. If we tear down the barriers to mobility and return to the social and economic dynamism Americans invented, we might be able to rediscover the tolerance and possibility that made us distinctive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yoni Appelbaum</itunes:subtitle>
      <itunes:summary>We take it for granted that good neighborhoods—with good schools and good housing—are inaccessible to all but the very wealthy. But, in America, this wasn’t always the case. Though for most of world history your prospects were tied to where you were born, Americans came up with a revolutionary idea: If you didn’t like your lot in life, you could find a better location and reinvent yourself there. Americans moved to new places with unprecedented frequency, and for 200 years, that remarkable mobility was the linchpin of American economic and social opportunity. Then, as the twentieth century wound down, economic and geographic stasis set in, producing deep social polarization. 
What happened? In Stuck: How the Privileged and the Propertied Broke the Engine of Prosperity (Random House, 2025), Yoni Appelbaum introduces us to the reformers who destroyed American mobility with discriminatory zoning laws, federal policies, and community gatekeeping. From the first zoning laws enacted to ghettoize Chinese Americans in nineteenth-century Modesto, California, to the toxic blend of private-sector discrimination and racist public policy that trapped Black families in mid-century Flint, Michigan, Appelbaum shows us how Americans lost the freedom to move. Even Jane Jacobs’s well-intentioned fight against development in Greenwich Village choked off opportunity for strivers—and started a trend that would put desirable neighborhoods out of reach for most of us. And yet he also offers glimmers of hope. Perhaps our problems as a nation aren’t as intractable as they seem. If we tear down the barriers to mobility and return to the social and economic dynamism Americans invented, we might be able to rediscover the tolerance and possibility that made us distinctive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We take it for granted that good neighborhoods—with good schools and good housing—are inaccessible to all but the very wealthy. But, in America, this wasn’t always the case. Though for most of world history your prospects were tied to where you were born, Americans came up with a revolutionary idea: If you didn’t like your lot in life, you could find a better location and reinvent yourself there. Americans moved to new places with unprecedented frequency, and for 200 years, that remarkable mobility was the linchpin of American economic and social opportunity. Then, as the twentieth century wound down, economic and geographic stasis set in, producing deep social polarization. </p><p>What happened? In <a href="https://bookshop.org/a/12343/9780593449301"><em>Stuck: How the Privileged and the Propertied Broke the Engine of Prosperity</em></a> (Random House, 2025), Yoni Appelbaum introduces us to the reformers who destroyed American mobility with discriminatory zoning laws, federal policies, and community gatekeeping. From the first zoning laws enacted to ghettoize Chinese Americans in nineteenth-century Modesto, California, to the toxic blend of private-sector discrimination and racist public policy that trapped Black families in mid-century Flint, Michigan, Appelbaum shows us how Americans lost the freedom to move. Even Jane Jacobs’s well-intentioned fight against development in Greenwich Village choked off opportunity for strivers—and started a trend that would put desirable neighborhoods out of reach for most of us. And yet he also offers glimmers of hope. Perhaps our problems as a nation aren’t as intractable as they seem. If we tear down the barriers to mobility and return to the social and economic dynamism Americans invented, we might be able to rediscover the tolerance and possibility that made us distinctive.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1672</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Melinda Cooper, "Counterrevolution: Extravagance and Austerity in Public Finance" (Zone Books, 2024)</title>
      <description>At the close of the 1970s, government treasuries and central banks took a vow of perpetual self-restraint. To this day, fiscal authorities fret over soaring public debt burdens, while central bankers wring their hands at the slightest sign of rising wages. As the brief reprieve of coronavirus spending made clear, no departure from government austerity will be tolerated without a corresponding act of penance.
Yet we misunderstand the scope of neoliberal public finance if we assume austerity to be its sole setting. Beyond the zero-sum game of direct claims on state budgets lies a realm of indirect government spending that escapes the naked eye. Capital gains are multiply subsidized by a tax system that reserves its greatest rewards for financial asset holders. And for all its airs of haughty asceticism, the Federal Reserve has become adept at facilitating the inflation of asset values while ruthlessly suppressing wages. Neoliberalism is as extravagant as it is austere, and this paradox needs to be grasped if we are to challenge its core modus operandi.
In Counterrevolution: Extravagance and Austerity in Public Finance (Zone Books, 2024) Dr. Melinda Cooper examines the major schools of thought that have shaped neoliberal common sense around public finance. Focusing, in particular, on Virginia school public choice theory and supply-side economics, she shows how these currents produced distinct but ultimately complementary responses to the capitalist crisis of the 1970s. With its intellectual roots in the conservative Southern Democratic tradition, Virginia school public choice theory espoused an austere doctrine of budget balance. The supply-side movement, by contrast, advocated tax cuts without spending restraint and debt issuance without guilt, in an apparent repudiation of austerity. Yet, for all their differences, the two schools converged around the need to rein in the redistributive uses of public spending. Together, they drove a counterrevolution in public finance that deepened the divide between rich and poor and revived the fortunes of dynastic wealth.
Far-reaching as the neoliberal counterrevolution has been, Dr. Cooper still identifies a counterfactual history of unrealized possibilities in the capitalist crisis of the 1970s. She concludes by inviting us to rethink the concept of revolution and raises the question: Is another politics of extravagance possible?
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melinda Cooper</itunes:subtitle>
      <itunes:summary>At the close of the 1970s, government treasuries and central banks took a vow of perpetual self-restraint. To this day, fiscal authorities fret over soaring public debt burdens, while central bankers wring their hands at the slightest sign of rising wages. As the brief reprieve of coronavirus spending made clear, no departure from government austerity will be tolerated without a corresponding act of penance.
Yet we misunderstand the scope of neoliberal public finance if we assume austerity to be its sole setting. Beyond the zero-sum game of direct claims on state budgets lies a realm of indirect government spending that escapes the naked eye. Capital gains are multiply subsidized by a tax system that reserves its greatest rewards for financial asset holders. And for all its airs of haughty asceticism, the Federal Reserve has become adept at facilitating the inflation of asset values while ruthlessly suppressing wages. Neoliberalism is as extravagant as it is austere, and this paradox needs to be grasped if we are to challenge its core modus operandi.
In Counterrevolution: Extravagance and Austerity in Public Finance (Zone Books, 2024) Dr. Melinda Cooper examines the major schools of thought that have shaped neoliberal common sense around public finance. Focusing, in particular, on Virginia school public choice theory and supply-side economics, she shows how these currents produced distinct but ultimately complementary responses to the capitalist crisis of the 1970s. With its intellectual roots in the conservative Southern Democratic tradition, Virginia school public choice theory espoused an austere doctrine of budget balance. The supply-side movement, by contrast, advocated tax cuts without spending restraint and debt issuance without guilt, in an apparent repudiation of austerity. Yet, for all their differences, the two schools converged around the need to rein in the redistributive uses of public spending. Together, they drove a counterrevolution in public finance that deepened the divide between rich and poor and revived the fortunes of dynastic wealth.
Far-reaching as the neoliberal counterrevolution has been, Dr. Cooper still identifies a counterfactual history of unrealized possibilities in the capitalist crisis of the 1970s. She concludes by inviting us to rethink the concept of revolution and raises the question: Is another politics of extravagance possible?
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At the close of the 1970s, government treasuries and central banks took a vow of perpetual self-restraint. To this day, fiscal authorities fret over soaring public debt burdens, while central bankers wring their hands at the slightest sign of rising wages. As the brief reprieve of coronavirus spending made clear, no departure from government austerity will be tolerated without a corresponding act of penance.</p><p>Yet we misunderstand the scope of neoliberal public finance if we assume austerity to be its sole setting. Beyond the zero-sum game of direct claims on state budgets lies a realm of indirect government spending that escapes the naked eye. Capital gains are multiply subsidized by a tax system that reserves its greatest rewards for financial asset holders. And for all its airs of haughty asceticism, the Federal Reserve has become adept at facilitating the inflation of asset values while ruthlessly suppressing wages. Neoliberalism is as extravagant as it is austere, and this paradox needs to be grasped if we are to challenge its core modus operandi.</p><p>In <a href="https://bookshop.org/a/12343/9781942130932"><em>Counterrevolution: Extravagance and Austerity in Public Finance</em></a> (Zone Books, 2024) Dr. Melinda Cooper examines the major schools of thought that have shaped neoliberal common sense around public finance. Focusing, in particular, on Virginia school public choice theory and supply-side economics, she shows how these currents produced distinct but ultimately complementary responses to the capitalist crisis of the 1970s. With its intellectual roots in the conservative Southern Democratic tradition, Virginia school public choice theory espoused an austere doctrine of budget balance. The supply-side movement, by contrast, advocated tax cuts without spending restraint and debt issuance without guilt, in an apparent repudiation of austerity. Yet, for all their differences, the two schools converged around the need to rein in the redistributive uses of public spending. Together, they drove a counterrevolution in public finance that deepened the divide between rich and poor and revived the fortunes of dynastic wealth.</p><p>Far-reaching as the neoliberal counterrevolution has been, Dr. Cooper still identifies a counterfactual history of unrealized possibilities in the capitalist crisis of the 1970s. She concludes by inviting us to rethink the concept of revolution and raises the question: Is another politics of extravagance possible?</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4764</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1387025879.mp3?updated=1739718781" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Briony Hannell, "Feminist Fandom: Media Fandom, Digital Feminisms, and Tumblr" (Bloomsbury, 2023)</title>
      <description>What is the connection between fan culture and feminism? In Media Fandom, Digital Feminisms, and Tumblr (Bloomsbury, 2023), Briony Hannell, a lecturer in sociology at the University of Manchester, explores the intersection of fandom, in a variety of forms, and feminist discourses on social media. Using an in-depth case study of Tumblr, the book charts the creation of a community of feminist fans, showing how the sense of being a feminist and belonging to a digital community are created and maintained online. The analysis also reflects on how this community includes and excludes particular social groups, showing the potential and the limits of digital spaces for feminist ideas and activities. A vital intervention at a moment where social media spaces are being transformed in various ways, the book is essential reading for anyone interested in understanding the contemporary digital world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 15 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>512</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Briony Hannell</itunes:subtitle>
      <itunes:summary>What is the connection between fan culture and feminism? In Media Fandom, Digital Feminisms, and Tumblr (Bloomsbury, 2023), Briony Hannell, a lecturer in sociology at the University of Manchester, explores the intersection of fandom, in a variety of forms, and feminist discourses on social media. Using an in-depth case study of Tumblr, the book charts the creation of a community of feminist fans, showing how the sense of being a feminist and belonging to a digital community are created and maintained online. The analysis also reflects on how this community includes and excludes particular social groups, showing the potential and the limits of digital spaces for feminist ideas and activities. A vital intervention at a moment where social media spaces are being transformed in various ways, the book is essential reading for anyone interested in understanding the contemporary digital world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the connection between fan culture and feminism? In <a href="https://bookshop.org/a/12343/9798765101810"><em>Media Fandom, Digital Feminisms, and Tumblr </em></a>(Bloomsbury, 2023), <a href="https://bsky.app/profile/briony.bsky.social">Briony Hannell,</a> a <a href="https://brionyhannell.com/">lecturer in sociology</a> at the <a href="https://research.manchester.ac.uk/en/persons/briony-hannell">University of Manchester</a>, explores the intersection of fandom, in a variety of forms, and feminist discourses on social media. Using an in-depth case study of Tumblr, the book charts the creation of a community of feminist fans, showing how the sense of being a feminist and belonging to a digital community are created and maintained online. The analysis also reflects on how this community includes and excludes particular social groups, showing the potential and the limits of digital spaces for feminist ideas and activities. A vital intervention at a moment where social media spaces are being transformed in various ways, the book is essential reading for anyone interested in understanding the contemporary digital world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2378</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d05473da-e961-11ef-bd5d-cba71e592b1c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9939313463.mp3?updated=1739379802" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Burke, "Ignorance: A Global History" (Yale UP, 2024)</title>
      <description>Throughout history, every age has thought of itself as more knowledgeable than the last. Renaissance humanists viewed the Middle Ages as an era of darkness, Enlightenment thinkers tried to sweep superstition away with reason, the modern welfare state sought to slay the “giant” of ignorance, and in today’s hyperconnected world seemingly limitless information is available on demand. But what about the knowledge lost over the centuries? Are we really any less ignorant than our ancestors?
In Ignorance: A Global History (Yale UP, 2024), Peter Burke examines the long history of humanity’s ignorance across religion and science, war and politics, business and catastrophes. Burke reveals remarkable stories of the many forms of ignorance—genuine or feigned, conscious and unconscious—from the willful politicians who redrew Europe’s borders in 1919 to the politics of whistleblowing and climate change denial. The result is a lively exploration of human knowledge across the ages, and the importance of recognizing its limits
Peter Burke is emeritus professor of cultural history at the University of Cambridge. He is the author of many distinguished books that have been translated into more than thirty languages, including The Polymath and What Is the History of Knowledge?
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>240</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Burke</itunes:subtitle>
      <itunes:summary>Throughout history, every age has thought of itself as more knowledgeable than the last. Renaissance humanists viewed the Middle Ages as an era of darkness, Enlightenment thinkers tried to sweep superstition away with reason, the modern welfare state sought to slay the “giant” of ignorance, and in today’s hyperconnected world seemingly limitless information is available on demand. But what about the knowledge lost over the centuries? Are we really any less ignorant than our ancestors?
In Ignorance: A Global History (Yale UP, 2024), Peter Burke examines the long history of humanity’s ignorance across religion and science, war and politics, business and catastrophes. Burke reveals remarkable stories of the many forms of ignorance—genuine or feigned, conscious and unconscious—from the willful politicians who redrew Europe’s borders in 1919 to the politics of whistleblowing and climate change denial. The result is a lively exploration of human knowledge across the ages, and the importance of recognizing its limits
Peter Burke is emeritus professor of cultural history at the University of Cambridge. He is the author of many distinguished books that have been translated into more than thirty languages, including The Polymath and What Is the History of Knowledge?
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Throughout history, every age has thought of itself as more knowledgeable than the last. Renaissance humanists viewed the Middle Ages as an era of darkness, Enlightenment thinkers tried to sweep superstition away with reason, the modern welfare state sought to slay the “giant” of ignorance, and in today’s hyperconnected world seemingly limitless information is available on demand. But what about the knowledge lost over the centuries? Are we really any less ignorant than our ancestors?</p><p>In<a href="https://bookshop.org/a/12343/9780300276503"><em> Ignorance: A Global History</em></a> (Yale UP, 2024), Peter Burke examines the long history of humanity’s ignorance across religion and science, war and politics, business and catastrophes. Burke reveals remarkable stories of the many forms of ignorance—genuine or feigned, conscious and unconscious—from the willful politicians who redrew Europe’s borders in 1919 to the politics of whistleblowing and climate change denial. The result is a lively exploration of human knowledge across the ages, and the importance of recognizing its limits</p><p><strong>Peter Burke</strong> is emeritus professor of cultural history at the University of Cambridge. He is the author of many distinguished books that have been translated into more than thirty languages, including <em>The Polymath</em> and <em>What Is the History of Knowledge?</em></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2627</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1fe60e24-e8bb-11ef-af29-6b59c7f76ba4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9161666661.mp3?updated=1739308195" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Professor Priyamvada Gopal on Anticolonial Resistance</title>
      <description>In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Conversation with Chella Ward and Salman Sayyid</itunes:subtitle>
      <itunes:summary>In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Chella Ward and Salman Sayyid talked to Professor Priyamvada Gopal, Professor of Postcolonial Studies at the University of Cambridge. We talked about her important work on anticolonial resistance, about the importance of the literary in imagining liberation, and about the relationship between the Muslim and the decolonial – and also had the opportunity to hear about some of her upcoming work. This episode is the first in our series on ReOrienting History.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3472</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0e2fc33a-ea43-11ef-a0e3-93b451304174]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8135796296.mp3?updated=1739476673" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Iain D. Thomson, "Rethinking Death in and after Heidegger" (Cambridge UP, 2024)</title>
      <description>We are coming up on the centenary of Heidegger’s Being and Time, a text that radically reshaped the intellectual landscape. One of its most central themes, death, remains one of its most difficult to understand, puzzling readers and scholars with language that at times can feel obscure and ethereal. This has generated a plethora of opinions on the topic, although without much of a consensus. 
Stepping in to try and clarify the topic is Iain Thomson in his new book Rethinking Death in and after Heidegger (Cambridge UP, 2024). Unpacking dense passages, he shows the place death plays in Heidegger’s thinking, as well as the impact it would have on his later intellectual trajectory. After laying this all out, he turns to other readers of Heidegger and gives us a philosophical odyssey of various others who’ve thought along similar lines, but often developed his thinking in new directions. In showing how others have often tried to think with Heidegger, Thomson is able to tease out the subtlety of Heidegger’s own positions and what it might have to offer contemporary readers today.
Iain Thomson is a professor of philosophy at the University of New Mexico. He is also the author of Heidegger on Ontotheology: Technology and the Politics of Education and Heidegger, Art and Postmodernity. He is also the coeditor of The Cambridge History of Philosophy: 1945-2015.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Iain D. Thomson</itunes:subtitle>
      <itunes:summary>We are coming up on the centenary of Heidegger’s Being and Time, a text that radically reshaped the intellectual landscape. One of its most central themes, death, remains one of its most difficult to understand, puzzling readers and scholars with language that at times can feel obscure and ethereal. This has generated a plethora of opinions on the topic, although without much of a consensus. 
Stepping in to try and clarify the topic is Iain Thomson in his new book Rethinking Death in and after Heidegger (Cambridge UP, 2024). Unpacking dense passages, he shows the place death plays in Heidegger’s thinking, as well as the impact it would have on his later intellectual trajectory. After laying this all out, he turns to other readers of Heidegger and gives us a philosophical odyssey of various others who’ve thought along similar lines, but often developed his thinking in new directions. In showing how others have often tried to think with Heidegger, Thomson is able to tease out the subtlety of Heidegger’s own positions and what it might have to offer contemporary readers today.
Iain Thomson is a professor of philosophy at the University of New Mexico. He is also the author of Heidegger on Ontotheology: Technology and the Politics of Education and Heidegger, Art and Postmodernity. He is also the coeditor of The Cambridge History of Philosophy: 1945-2015.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are coming up on the centenary of Heidegger’s <em>Being and Time</em>, a text that radically reshaped the intellectual landscape. One of its most central themes, death, remains one of its most difficult to understand, puzzling readers and scholars with language that at times can feel obscure and ethereal. This has generated a plethora of opinions on the topic, although without much of a consensus. </p><p>Stepping in to try and clarify the topic is Iain Thomson in his new book <a href="https://bookshop.org/a/12343/9781009480086"><em>Rethinking Death in and after Heidegger</em></a><em> </em>(Cambridge UP, 2024). Unpacking dense passages, he shows the place death plays in Heidegger’s thinking, as well as the impact it would have on his later intellectual trajectory. After laying this all out, he turns to other readers of Heidegger and gives us a philosophical odyssey of various others who’ve thought along similar lines, but often developed his thinking in new directions. In showing how others have often tried to think with Heidegger, Thomson is able to tease out the subtlety of Heidegger’s own positions and what it might have to offer contemporary readers today.</p><p>Iain Thomson is a professor of philosophy at the University of New Mexico. He is also the author of <em>Heidegger on Ontotheology: Technology and the Politics of Education</em> and <em>Heidegger, Art and Postmodernity</em>. He is also the coeditor of <em>The Cambridge History of Philosophy: 1945-2015</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5377</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[247b0522-e652-11ef-bc19-13431c374c64]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4773630006.mp3?updated=1739043890" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>In Conversation: Decolonial Activism and Islamophobia in France</title>
      <description>In this episode, Amina Easat-Daas interviews Houria Bouteldja on decolonial activism and Islamophobia in France.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/20326e5a-6322-11ef-994b-770b930c11bf/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Houria Bouteldja</itunes:subtitle>
      <itunes:summary>In this episode, Amina Easat-Daas interviews Houria Bouteldja on decolonial activism and Islamophobia in France.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Amina Easat-Daas interviews Houria Bouteldja on decolonial activism and Islamophobia in France.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2737</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[266ddc11-dc69-4545-a86f-984be69a3271]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2506067514.mp3?updated=1724619521" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Failed Passing</title>
      <description>Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan.
Ian Fleishman is the inaugural Chair of the Department of Cinema &amp; Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez.
Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/cdb3a5ec-e6ff-11ef-a412-17bcad8cd606/image/913f26e7668a81183b92b032d9705097.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Ian Fleishman</itunes:subtitle>
      <itunes:summary>Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan.
Ian Fleishman is the inaugural Chair of the Department of Cinema &amp; Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez.
Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ian Fleishman develops the concept of failed passing in his new book<a href="https://bookshop.org/a/12343/9780810148031"> <em>Flamboyant Fictions</em></a>, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan.</p><p><a href="https://germanic.sas.upenn.edu/people/ian-fleishman">Ian Fleishman</a> is the inaugural Chair of the Department of Cinema &amp; Media Studies at the University of Pennsylvania and the author of <a href="https://nupress.northwestern.edu/9780810148031/flamboyant-fictions/">Flamboyant Fictions: The Failed Art of Passing</a> (Northwestern 2024). His previous books are <a href="https://nupress.northwestern.edu/9780810136793/an-aesthetics-of-injury/"><em>An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino</em></a> (Northwestern 2018) and <a href="https://edinburghuniversitypress.com/book-performative-opacity-in-the-work-of-isabelle-huppert.html"><em>Performative Opacity in the Work of Isabelle Hupert</em></a> (Edinburgh 2023), co-edited with Iggy Cortez.</p><p>Image: From the cover of <em>Flamboyant Fictions</em>, by Monograph / Matt Avery</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1193</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a9e6523a-e700-11ef-9fa3-d3f93de86290]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1858330146.mp3?updated=1739117482" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tao Leigh Goffe, "Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis" (Doubleday Books, 2025)</title>
      <description>In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.
Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.
Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 10 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>346</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tao Leigh Goffe</itunes:subtitle>
      <itunes:summary>In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.
Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.
Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In <a href="https://bookshop.org/a/12343/9780385549912"><em>Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis</em></a> (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.</p><p>Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. <em>Dark Laboratory </em>forces a reckoning with the received forms of knowledge that have led us astray.</p><p><br></p><p>Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, <em>Dark Laboratory</em> becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.</p><p>Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3662</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>"Insurgent Ecologies: Between Environmental Struggles and Postcapitalist Transformations" (Fernwood Publishing, 2024)</title>
      <description>We are living through a world-rattling ecological inflection point, with an unprecedented consensus that capitalism is leading humanity into a social and ecological catastrophe and that everything needs to change, and fast. Thankfully, radical environmental movements have forced the question of “system change” to the centre of the political agenda to make way for a just and livable world.
Insurgent Ecologies: Between Environmental Struggles and Postcapitalist Transformations takes readers on an inspiring journey across key sites of ecological crisis and contestation, showing how revolutionary politics can emerge from the convergences between place-based, often disconnected struggles. These engaging essays speak to longstanding debates in political ecology around how to advance transformations in, against and beyond capitalism. The collection starts from the belief that the environmental struggles taking place across the Global South and North are a necessary component of such transformations. The book presents unique stories of the visions and strategies of struggles organized around sovereignty, land, climate, feminisms and labour, written by scholar-activists rooted in territories around the globe, offering locally grounded yet global perspectives. Each story reflects on how to build solidarity and comradeship across diverse struggles and how new political subjects and transformative collective projects for social-ecological justice are created.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 09 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We are living through a world-rattling ecological inflection point, with an unprecedented consensus that capitalism is leading humanity into a social and ecological catastrophe and that everything needs to change, and fast. Thankfully, radical environmental movements have forced the question of “system change” to the centre of the political agenda to make way for a just and livable world.
Insurgent Ecologies: Between Environmental Struggles and Postcapitalist Transformations takes readers on an inspiring journey across key sites of ecological crisis and contestation, showing how revolutionary politics can emerge from the convergences between place-based, often disconnected struggles. These engaging essays speak to longstanding debates in political ecology around how to advance transformations in, against and beyond capitalism. The collection starts from the belief that the environmental struggles taking place across the Global South and North are a necessary component of such transformations. The book presents unique stories of the visions and strategies of struggles organized around sovereignty, land, climate, feminisms and labour, written by scholar-activists rooted in territories around the globe, offering locally grounded yet global perspectives. Each story reflects on how to build solidarity and comradeship across diverse struggles and how new political subjects and transformative collective projects for social-ecological justice are created.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are living through a world-rattling ecological inflection point, with an unprecedented consensus that capitalism is leading humanity into a social and ecological catastrophe and that everything needs to change, and fast. Thankfully, radical environmental movements have forced the question of “system change” to the centre of the political agenda to make way for a just and livable world.</p><p><a href="https://bookshop.org/a/12343/9781773636917"><em>Insurgent Ecologies: Between Environmental Struggles and Postcapitalist Transformations</em></a> takes readers on an inspiring journey across key sites of ecological crisis and contestation, showing how revolutionary politics can emerge from the convergences between place-based, often disconnected struggles. These engaging essays speak to longstanding debates in political ecology around how to advance transformations in, against and beyond capitalism. The collection starts from the belief that the environmental struggles taking place across the Global South and North are a necessary component of such transformations. The book presents unique stories of the visions and strategies of struggles organized around sovereignty, land, climate, feminisms and labour, written by scholar-activists rooted in territories around the globe, offering locally grounded yet global perspectives. Each story reflects on how to build solidarity and comradeship across diverse struggles and how new political subjects and transformative collective projects for social-ecological justice are created.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3082</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Richard Rorty, "What Can We Hope For?: Essays on Politics" (Princeton UP, 2023)</title>
      <description>Today I talked to Chris Voparil about What Can We Hope For?: Essays on Politics (Princeton UP, 2023), a book of Richard Rorty's writings he co-edited with W. P. Malecki.
Richard Rorty, one of the most influential intellectuals of recent decades, is perhaps best known today as the philosopher who, almost two decades before the 2016 U.S. presidential election, warned of the rise of a Trumpian strongman in America. What Can We Hope For? Essays on Politics (Princeton University Press, 2023) gathers nineteen of Rorty’s essays on American and global politics, including four previously unpublished and many lesser-known and hard-to-find pieces. In these provocative and compelling essays, Rorty confronts the critical challenges democracies face at home and abroad, including populism, growing economic inequality, and overpopulation and environmental devastation. In response, he offers optimistic and realistic ideas about how to address these crises. He outlines strategies for fostering social hope and building an inclusive global community of trust, and urges us to put our faith in trade unions, universities, bottom-up social campaigns, and bold political visions that thwart ideological pieties. Driven by Rorty’s sense of emergency about our collective future, What Can We Hope For? is filled with striking diagnoses of today’s political crises and creative proposals for solving them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 08 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>510</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Voparil</itunes:subtitle>
      <itunes:summary>Today I talked to Chris Voparil about What Can We Hope For?: Essays on Politics (Princeton UP, 2023), a book of Richard Rorty's writings he co-edited with W. P. Malecki.
Richard Rorty, one of the most influential intellectuals of recent decades, is perhaps best known today as the philosopher who, almost two decades before the 2016 U.S. presidential election, warned of the rise of a Trumpian strongman in America. What Can We Hope For? Essays on Politics (Princeton University Press, 2023) gathers nineteen of Rorty’s essays on American and global politics, including four previously unpublished and many lesser-known and hard-to-find pieces. In these provocative and compelling essays, Rorty confronts the critical challenges democracies face at home and abroad, including populism, growing economic inequality, and overpopulation and environmental devastation. In response, he offers optimistic and realistic ideas about how to address these crises. He outlines strategies for fostering social hope and building an inclusive global community of trust, and urges us to put our faith in trade unions, universities, bottom-up social campaigns, and bold political visions that thwart ideological pieties. Driven by Rorty’s sense of emergency about our collective future, What Can We Hope For? is filled with striking diagnoses of today’s political crises and creative proposals for solving them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Chris Voparil about <a href="https://bookshop.org/a/12343/9780691222905"><em>What Can We Hope For?: Essays on Politics</em></a> (Princeton UP, 2023), a book of Richard Rorty's writings he co-edited with W. P. Malecki.</p><p>Richard Rorty, one of the most influential intellectuals of recent decades, is perhaps best known today as the philosopher who, almost two decades before the 2016 U.S. presidential election, warned of the rise of a Trumpian strongman in America. <a href="https://bookshop.org/a/12343/9780691222905"><em>What Can We Hope For? Essays on Politics</em></a> (Princeton University Press, 2023) gathers nineteen of Rorty’s essays on American and global politics, including four previously unpublished and many lesser-known and hard-to-find pieces. In these provocative and compelling essays, Rorty confronts the critical challenges democracies face at home and abroad, including populism, growing economic inequality, and overpopulation and environmental devastation. In response, he offers optimistic and realistic ideas about how to address these crises. He outlines strategies for fostering social hope and building an inclusive global community of trust, and urges us to put our faith in trade unions, universities, bottom-up social campaigns, and bold political visions that thwart ideological pieties. Driven by Rorty’s sense of emergency about our collective future, What Can We Hope For? is filled with striking diagnoses of today’s political crises and creative proposals for solving them.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3560</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1491655585.mp3?updated=1738779707" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seung-hoon Jeong, "Biopolitical Ethics in Global Cinema" (Oxford UP, 2023)</title>
      <description>If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong’s global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical’ inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical’ symptoms of fundamentalist exclusion and terror. 
Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection’ and ethical ‘agency.’ In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies.
Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida’s Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser’s The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology.
Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Seung-hoon Jeong</itunes:subtitle>
      <itunes:summary>If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong’s global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical’ inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical’ symptoms of fundamentalist exclusion and terror. 
Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection’ and ethical ‘agency.’ In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies.
Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida’s Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser’s The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology.
Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong’s global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical’ inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical’ symptoms of fundamentalist exclusion and terror. </p><p>Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection’ and ethical ‘agency.’ In this frame, <a href="https://bookshop.org/a/12343/9780190093785"><em>Biopolitical Ethics in Global Cinema</em></a> (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies.</p><p><strong>Seung-hoon Jeong </strong>is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of <em>Cinematic Interfaces: Film Theory after New Media</em>, co-translator of the Korean edition of Jacques Derrida’s <em>Acts of Literature</em>, and co-editor of <em>The Global Auteur: The Politics of Authorship in 21st Century Cinema </em>and Thomas Elsaesser’s<em> The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology</em>.</p><p><strong>Steve Choe</strong> is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of <em>Afterlives: Allegories of Film and Mortality in Early Weimar Germany</em> (2014), <em>Sovereign Violence: Ethics and South Korean Cinema in the New Millennium</em> (2016) and <em>ReFocus: The Films of William Friedkin</em> (2023). He is the co-editor of <em>Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia</em> (2019) and editor of the <em>Handbook for Violence in Film and Media</em> (2022).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4868</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9135343352.mp3?updated=1738780801" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Corinne Mitsuye Sugino, "Making the Human: Race, Allegory, and Asian Americans" (Rutgers UP, 2024)</title>
      <description>In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines.
About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan.
About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities &amp; Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Corinne Mitsuye Sugino</itunes:subtitle>
      <itunes:summary>In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines.
About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan.
About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities &amp; Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I talked to Corinne Sugino, whose book <a href="https://bookshop.org/a/12343/9781978839694"><em>Making the Human: Race, Allegory, and Asian American</em>s</a> (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as <em>Crazy Rich Asians</em>, to (supposedly) myth-busting documentaries such as <em>Seeking Asian Female</em>, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines.</p><p>About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, <em>Making the Human: Race, Allegory, and Asian Americans </em>(Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan.</p><p>About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities &amp; Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2729</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3198146427.mp3?updated=1738788289" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Zahi Zalloua, "The Politics of the Wretched: Race, Reason, and Ressentiment" (Bloomsbury, 2024)</title>
      <description>The Politics of the Wretched: Race, Reason, and Ressentiment (Bloomsbury 2024) argues for ressentiment's generative negativity, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective “No”. Inspired by Kant and Nietzsche's philosophy, Zalloua identifies two modes of deploying ressentiment – private and public use – by substituting ressentiment for reason. This reinterpretation argues for a public use of ressentiment, for the wretched to universalize their grievances, to see their antagonism as cutting across societies, and to turn personal trauma into a common cause.
A public use of ressentiment rails against the ideology of identity and victimhood and insists on ressentiment's generative negativity, its own rationality, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective “No”. Reframing ressentiment as a tool to oppose the evils of capitalism, anti-Blackness, and neocolonialism, it both alarms the liberal gatekeepers of the status quo and promises to energize the anti-racist Left in its ongoing struggles for universal justice and emancipation.
Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature and a Professor of Indigeneity, Race, and Ethnicity Studies at Whitman College and Editor of The Comparatist. His most recent work includes Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality (2023), Being Posthuman: Ontologies of the Future (2021), Žižek on Race: Toward an Anti- Racist Future (2020), Theory's Autoimmunity: Skepticism, Literature, and Philosophy (2018), and Continental Philosophy and the Palestinian Question: Beyond the Jew and the Greek (2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>510</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Zahi Zalloua</itunes:subtitle>
      <itunes:summary>The Politics of the Wretched: Race, Reason, and Ressentiment (Bloomsbury 2024) argues for ressentiment's generative negativity, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective “No”. Inspired by Kant and Nietzsche's philosophy, Zalloua identifies two modes of deploying ressentiment – private and public use – by substituting ressentiment for reason. This reinterpretation argues for a public use of ressentiment, for the wretched to universalize their grievances, to see their antagonism as cutting across societies, and to turn personal trauma into a common cause.
A public use of ressentiment rails against the ideology of identity and victimhood and insists on ressentiment's generative negativity, its own rationality, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective “No”. Reframing ressentiment as a tool to oppose the evils of capitalism, anti-Blackness, and neocolonialism, it both alarms the liberal gatekeepers of the status quo and promises to energize the anti-racist Left in its ongoing struggles for universal justice and emancipation.
Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature and a Professor of Indigeneity, Race, and Ethnicity Studies at Whitman College and Editor of The Comparatist. His most recent work includes Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality (2023), Being Posthuman: Ontologies of the Future (2021), Žižek on Race: Toward an Anti- Racist Future (2020), Theory's Autoimmunity: Skepticism, Literature, and Philosophy (2018), and Continental Philosophy and the Palestinian Question: Beyond the Jew and the Greek (2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350422858"><em>The Politics of the Wretched: Race, Reason, and Ressentiment</em></a> (Bloomsbury 2024) argues for ressentiment's generative negativity, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective “No”. Inspired by Kant and Nietzsche's philosophy, Zalloua identifies two modes of deploying ressentiment – private and public use – by substituting ressentiment for reason. This reinterpretation argues for a public use of ressentiment, for the wretched to universalize their grievances, to see their antagonism as cutting across societies, and to turn personal trauma into a common cause.</p><p>A public use of ressentiment rails against the ideology of identity and victimhood and insists on ressentiment's generative negativity, its own rationality, prompting a shift from ressentiment as a personal expression of frustration to ressentiment as a collective “No”. Reframing ressentiment as a tool to oppose the evils of capitalism, anti-Blackness, and neocolonialism, it both alarms the liberal gatekeepers of the status quo and promises to energize the anti-racist Left in its ongoing struggles for universal justice and emancipation.</p><p>Zahi Zalloua is Cushing Eells Professor of Philosophy and Literature and a Professor of Indigeneity, Race, and Ethnicity Studies at Whitman College and Editor of The Comparatist. His most recent work includes Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality (2023), Being Posthuman: Ontologies of the Future (2021), Žižek on Race: Toward an Anti- Racist Future (2020), Theory's Autoimmunity: Skepticism, Literature, and Philosophy (2018), and Continental Philosophy and the Palestinian Question: Beyond the Jew and the Greek (2017).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2348</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Violent Majorities 2.1: Peter Beinart on Long-Distance Israeli Ethnonationalism (LA, AS)</title>
      <description>Political anthropologists Ajantha Subramanian and Lori Allen are back to continue RTB's Violent Majorities series with a set of three episodes on long-distance ethno-nationalism. Today, they speak with Peter Beinart (an editor at Jewish Currents and Professor of Journalism and Political Science at the City University of New York) about his just-released book, Being Jewish After the Destruction of Gaza: A Reckoning (Knopf, 2025). It aims to mobilize Jewish religious ethics and teachings to reach a Jewish-American audience shaped by Zionism. Beinart seeks to debunk myths that prevent many from realizing that the moral abominations committed against Palestinians are part of the Israeli settler-colonial-nation-state project.
Peter is haunted by the fact that some of the most ardent opposition to apartheid in his parents’ country of South Africa came from secular Jewish people, and is troubled by the nationalistic tendency of religiously observant Jews there in the apartheid era. The three also discuss questions of solidarity against and among authoritarians, Israel’s threat to international law, the dangers of minority alliances with majoritarian politics, campus politics, and the importance of seeing Gaza and Palestine as connected to us all.
Peter’s Recallable Book is Accepting the Yoke of Heaven: Commentary on the Weekly Torah Portion, by Orthodox scientist, philosopher, and Judaica scholar Yeshayahu Leibowitz (1903-1994), who emphasized the idolatry of investing the state with anything more than a supportive role in Jewish life.
Mentioned in the Episode:

119 Violent Majorities, Indian and Israeli Ethnonationalism. Episode 2: Natasha Roth-Rowland with Ajantha and Lori

Aparna Gopalan, "The Hindu Nationalists Using the Pro-Israel Playbook," Jewish Currents.

Isabella Hammad, Recognizing the Stranger: On Palestine and Narrative.


Martin Luther King, Letter from a Birmingham Jail.

Ta-Nehisi Coates, The Message.


The Beinart Notebook podcast

Listen and Read Here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Political anthropologists Ajantha Subramanian and Lori Allen are back to continue RTB's Violent Majorities series with a set of three episodes on long-distance ethno-nationalism. Today, they speak with Peter Beinart (an editor at Jewish Currents and Professor of Journalism and Political Science at the City University of New York) about his just-released book, Being Jewish After the Destruction of Gaza: A Reckoning (Knopf, 2025). It aims to mobilize Jewish religious ethics and teachings to reach a Jewish-American audience shaped by Zionism. Beinart seeks to debunk myths that prevent many from realizing that the moral abominations committed against Palestinians are part of the Israeli settler-colonial-nation-state project.
Peter is haunted by the fact that some of the most ardent opposition to apartheid in his parents’ country of South Africa came from secular Jewish people, and is troubled by the nationalistic tendency of religiously observant Jews there in the apartheid era. The three also discuss questions of solidarity against and among authoritarians, Israel’s threat to international law, the dangers of minority alliances with majoritarian politics, campus politics, and the importance of seeing Gaza and Palestine as connected to us all.
Peter’s Recallable Book is Accepting the Yoke of Heaven: Commentary on the Weekly Torah Portion, by Orthodox scientist, philosopher, and Judaica scholar Yeshayahu Leibowitz (1903-1994), who emphasized the idolatry of investing the state with anything more than a supportive role in Jewish life.
Mentioned in the Episode:

119 Violent Majorities, Indian and Israeli Ethnonationalism. Episode 2: Natasha Roth-Rowland with Ajantha and Lori

Aparna Gopalan, "The Hindu Nationalists Using the Pro-Israel Playbook," Jewish Currents.

Isabella Hammad, Recognizing the Stranger: On Palestine and Narrative.


Martin Luther King, Letter from a Birmingham Jail.

Ta-Nehisi Coates, The Message.


The Beinart Notebook podcast

Listen and Read Here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political anthropologists <a href="https://www.gc.cuny.edu/people/ajantha-subramanian">Ajantha Subramanian</a> and <a href="https://www.soas.ac.uk/about/lori-allen">Lori Allen</a> are back to continue RTB's <a href="https://recallthisbook.org/category/violent-majorities-indian-and-israeli-ethnonationalism/">Violent Majorities</a> series with a set of three episodes on long-distance ethno-nationalism. Today, they speak with Peter Beinart (an <a href="https://jewishcurrents.org/author/peter-beinart">editor at <em>Jewish Currents</em></a> and Professor of Journalism and Political Science at the City University of New York) about his just-released book,<a href="https://bookshop.org/a/12343/9780593803905"> <em>Being Jewish After the Destruction of Gaza: A Reckoning </em></a>(Knopf, 2025). It aims to mobilize Jewish religious ethics and teachings to reach a Jewish-American audience shaped by Zionism. Beinart seeks to debunk myths that prevent many from realizing that the moral abominations committed against Palestinians are part of the Israeli settler-colonial-nation-state project.</p><p>Peter is haunted by the fact that some of the most ardent opposition to apartheid in his parents’ country of South Africa came from secular Jewish people, and is troubled by the nationalistic tendency of religiously observant Jews there in the apartheid era. The three also discuss questions of solidarity against and among authoritarians, Israel’s threat to international law, the dangers of minority alliances with majoritarian politics, campus politics, and the importance of seeing Gaza and Palestine as connected to us all.</p><p>Peter’s Recallable Book is <a href="https://ktav.com/products/accepting-the-yoke-of-heaven">Accepting the Yoke of Heaven</a>: Commentary on the Weekly Torah Portion, by Orthodox scientist, philosopher, and Judaica scholar Yeshayahu Leibowitz (1903-1994), who emphasized the idolatry of investing the state with anything more than a supportive role in Jewish life.</p><p>Mentioned in the Episode:</p><ul>
<li>119 Violent Majorities, Indian and Israeli Ethnonationalism. <a href="https://recallthisbook.org/2023/12/14/119-violent-majorities-indian-and-israeli-ethnonationalism-episode-2-natasha-roth-rowland-with-lori-ajantha/">Episode 2: Natasha Roth-Rowland </a>with Ajantha and Lori</li>
<li>Aparna Gopalan, "<a href="https://jewishcurrents.org/the-hindu-nationalists-using-the-pro-israel-playbook">The Hindu Nationalists Using the Pro-Israel Playbook</a>," <em>Jewish Currents</em>.</li>
<li>Isabella Hammad, <a href="https://www.penguin.co.uk/books/463942/recognising-the-stranger-by-hammad-isabella/9781911717379"><em>Recognizing the Stranger: On Palestine and Narrative.</em></a>
</li>
<li>Martin Luther King,<a href="https://www.africa.upenn.edu/Articles_Gen/Letter_Birmingham.html"> Letter from a Birmingham Jail</a>.</li>
<li>Ta-Nehisi Coates, <a href="https://www.penguin.co.uk/books/463295/the-message-by-coates-ta-nehisi/9780241724187"><em>The Message</em></a>.</li>
<li>
<a href="https://peterbeinart.substack.com/podcast">The Beinart Notebook</a> podcast</li>
</ul><p>Listen and<a href="https://recallthisbook.org/wp-content/uploads/2025/01/143-beinart-transcript-rtb-1.25.pdf"> Read </a>Here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3290</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c49baae8-e26f-11ef-956a-d72f5b297a29]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7703117294.mp3?updated=1738616309" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Davide Panagia, "Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France" (Fordham UP, 2024)</title>
      <description>Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability.
The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>756</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Davide Panagia</itunes:subtitle>
      <itunes:summary>Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability.
The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory<a href="https://research.library.fordham.edu/politics/2/">. <em>Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France</em></a> (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In <em>Sentimental Empiricism</em>, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability.</p><p>The research and broader historical sketch in <a href="https://research.library.fordham.edu/politics/2/"><em>Sentimental Empiricism</em></a> leads to the thrust of <a href="https://bookshop.org/a/12343/9780810147102"><em>Intermedialities: Political Theory and Cinematic Experience</em></a><em> </em>(Northwestern UP, 2024)<em>.</em> In <em>Intermedialities </em>(Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world.<a href="https://nupress.northwestern.edu/9780810147102/intermedialities/"> <em>Intermedialities</em></a> compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. <a href="https://nupress.northwestern.edu/9780810147102/intermedialities/"><em>Intermedialities</em></a> should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3763</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3501208878.mp3?updated=1738694580" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Silvia Vong, "Critical Management Studies and Librarianship" (Library Juice Press, 2024)</title>
      <description>Critical Management Studies and Librarianship: Critical Perspectives on Library Management Education and Practice (Library Juice Press, November 2024) introduces key concepts in the field of critical management studies (CMS) and critiques dominant theories and concepts in the management field. The aim of CMS is to denaturalize dominant theories in the management field by introducing works and research from other fields (e.g., queer feminist theories, postcolonial studies, critical race theory). In this edited volume, Silvia Vong brings together contributions that offer critical perspectives on dominant CMS issues contextualized in LIS management education and practice such as strategic planning, consumer and assessment culture, and management institutes to name a few. In addition, the book includes discussions around approaches to leading using research and literature outside of the business and management literature to redress epistemic injustice in management education and provide inclusive and diverse perspectives on leadership.
Silvia Vong is an Assistant Professor, Teaching Stream at University of Toronto’s iSchool. She was a professional librarian for 15 years in various roles at different Canadian universities ranging from liaison librarian to head of public services to associate dean of scholarly, research, and creative activities. Her experience in teaching, collections, scholarly communications, and management contributed to her research as a professional in critical management studies in librarianship as well as addressing anti-racism in the profession.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 02 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Silvia Vong</itunes:subtitle>
      <itunes:summary>Critical Management Studies and Librarianship: Critical Perspectives on Library Management Education and Practice (Library Juice Press, November 2024) introduces key concepts in the field of critical management studies (CMS) and critiques dominant theories and concepts in the management field. The aim of CMS is to denaturalize dominant theories in the management field by introducing works and research from other fields (e.g., queer feminist theories, postcolonial studies, critical race theory). In this edited volume, Silvia Vong brings together contributions that offer critical perspectives on dominant CMS issues contextualized in LIS management education and practice such as strategic planning, consumer and assessment culture, and management institutes to name a few. In addition, the book includes discussions around approaches to leading using research and literature outside of the business and management literature to redress epistemic injustice in management education and provide inclusive and diverse perspectives on leadership.
Silvia Vong is an Assistant Professor, Teaching Stream at University of Toronto’s iSchool. She was a professional librarian for 15 years in various roles at different Canadian universities ranging from liaison librarian to head of public services to associate dean of scholarly, research, and creative activities. Her experience in teaching, collections, scholarly communications, and management contributed to her research as a professional in critical management studies in librarianship as well as addressing anti-racism in the profession.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781634001427"><em>Critical Management Studies and Librarianship: Critical Perspectives on Library Management Education and Practice</em></a><em> </em>(Library Juice Press, November 2024) introduces key concepts in the field of critical management studies (CMS) and critiques dominant theories and concepts in the management field. The aim of CMS is to denaturalize dominant theories in the management field by introducing works and research from other fields (e.g., queer feminist theories, postcolonial studies, critical race theory). In this edited volume, Silvia Vong brings together contributions that offer critical perspectives on dominant CMS issues contextualized in LIS management education and practice such as strategic planning, consumer and assessment culture, and management institutes to name a few. In addition, the book includes discussions around approaches to leading using research and literature outside of the business and management literature to redress epistemic injustice in management education and provide inclusive and diverse perspectives on leadership.</p><p>Silvia Vong is an Assistant Professor, Teaching Stream at University of Toronto’s iSchool. She was a professional librarian for 15 years in various roles at different Canadian universities ranging from liaison librarian to head of public services to associate dean of scholarly, research, and creative activities. Her experience in teaching, collections, scholarly communications, and management contributed to her research as a professional in critical management studies in librarianship as well as addressing anti-racism in the profession.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> (2022) and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a> (2021)<em>, </em>and co-editor of <a href="https://www.commonnotions.org/buy/armed-by-design"><em>Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America</em></a> (2025)<em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2179</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4350927e-dfee-11ef-b172-9bd16bd93c65]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3393962810.mp3?updated=1738340282" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mirca Madianou, "Technocolonialism: When Technology for Good is Harmful" (Polity, 2024)</title>
      <description>With over 300 million people in need of humanitarian assistance, and with emergencies and climate disasters becoming more common, AI and big data are being championed as forces for good and as solutions to the complex challenges of the aid sector.
Technocolonialism: When Technology for Good is Harmful (Polity, 2024) argues, however, that digital innovation engenders new forms of violence and entrenches power asymmetries between the global South and North. Dr. Madianou develops a new concept, technocolonialism, to capture how the convergence of digital developments with humanitarian structures, state power and market forces reinvigorates and reshapes colonial legacies. The concept of technocolonialism shifts the attention to the constitutive role that digital infrastructures, data and AI play in accentuating inequities between aid providers and people in need.
Drawing on ten years of research on the uses of digital technologies in humanitarian operations, Dr. Mirca Madianou examines a range of practices: from the normalization of biometric technologies and the datafication of humanitarian operations to experimentation in refugee camps, which are treated as laboratories for technological pilots. In so doing, the book opens new ground in the fields of humanitarianism and critical AI studies, and in the debates in postcolonial studies, by highlighting the fundamental role of digital technologies in reworking colonial genealogies.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 01 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mirca Madianou</itunes:subtitle>
      <itunes:summary>With over 300 million people in need of humanitarian assistance, and with emergencies and climate disasters becoming more common, AI and big data are being championed as forces for good and as solutions to the complex challenges of the aid sector.
Technocolonialism: When Technology for Good is Harmful (Polity, 2024) argues, however, that digital innovation engenders new forms of violence and entrenches power asymmetries between the global South and North. Dr. Madianou develops a new concept, technocolonialism, to capture how the convergence of digital developments with humanitarian structures, state power and market forces reinvigorates and reshapes colonial legacies. The concept of technocolonialism shifts the attention to the constitutive role that digital infrastructures, data and AI play in accentuating inequities between aid providers and people in need.
Drawing on ten years of research on the uses of digital technologies in humanitarian operations, Dr. Mirca Madianou examines a range of practices: from the normalization of biometric technologies and the datafication of humanitarian operations to experimentation in refugee camps, which are treated as laboratories for technological pilots. In so doing, the book opens new ground in the fields of humanitarianism and critical AI studies, and in the debates in postcolonial studies, by highlighting the fundamental role of digital technologies in reworking colonial genealogies.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With over 300 million people in need of humanitarian assistance, and with emergencies and climate disasters becoming more common, AI and big data are being championed as forces for good and as solutions to the complex challenges of the aid sector.</p><p><em>Technocolonialism: When Technology for Good is Harmful</em> (Polity, 2024) argues, however, that digital innovation engenders new forms of violence and entrenches power asymmetries between the global South and North. Dr. Madianou develops a new concept, technocolonialism, to capture how the convergence of digital developments with humanitarian structures, state power and market forces reinvigorates and reshapes colonial legacies. The concept of technocolonialism shifts the attention to the constitutive role that digital infrastructures, data and AI play in accentuating inequities between aid providers and people in need.</p><p>Drawing on ten years of research on the uses of digital technologies in humanitarian operations, Dr. Mirca Madianou examines a range of practices: from the normalization of biometric technologies and the datafication of humanitarian operations to experimentation in refugee camps, which are treated as laboratories for technological pilots. In so doing, the book opens new ground in the fields of humanitarianism and critical AI studies, and in the debates in postcolonial studies, by highlighting the fundamental role of digital technologies in reworking colonial genealogies.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3767</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d24134f4-df4c-11ef-ae61-e3acef7ecdf9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3540214744.mp3?updated=1738271401" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Fenwick, "Archive Histories: An Archaeology of the Stanley Kubrick Archive" (Liverpool UP, 2024)</title>
      <description>What can archives tell us about the film industry? In Archive Histories: An Archaeology of the Stanley Kubrick Archive (Liverpool UP, 2024), James Fenwick, a senior lecturer in cultural and creative industries at the University of Manchester examines the range of possibilities offered by The Stanley Kubrick Archive at the University of London. The book draws on the experience of being an archival researcher to situate the archive in relation to time and place, specifically London and the early 2020s. It connects the diversity of material held in the archive, much of it the everyday record of film industry lives, to key issues of work, sustainability, and technological change shaping media production today. A rich, fascinating and personal narrative, the book will be essential reading for film scholars, as well as the wider arts and humanities community.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 01 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>510</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Fenwick</itunes:subtitle>
      <itunes:summary>What can archives tell us about the film industry? In Archive Histories: An Archaeology of the Stanley Kubrick Archive (Liverpool UP, 2024), James Fenwick, a senior lecturer in cultural and creative industries at the University of Manchester examines the range of possibilities offered by The Stanley Kubrick Archive at the University of London. The book draws on the experience of being an archival researcher to situate the archive in relation to time and place, specifically London and the early 2020s. It connects the diversity of material held in the archive, much of it the everyday record of film industry lives, to key issues of work, sustainability, and technological change shaping media production today. A rich, fascinating and personal narrative, the book will be essential reading for film scholars, as well as the wider arts and humanities community.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can archives tell us about the film industry? In <a href="https://bookshop.org/a/12343/9781835537343"><em>Archive Histories: An Archaeology of the Stanley Kubrick Archive</em></a><em> </em>(Liverpool UP, 2024), <a href="https://research.manchester.ac.uk/en/persons/james-fenwick">James Fenwick, a senior lecturer in cultural and creative industries at the University of Manchester</a> examines the range of possibilities offered by The Stanley Kubrick Archive at the University of London. The book draws on the experience of being an archival researcher to situate the archive in relation to time and place, specifically London and the early 2020s. It connects the diversity of material held in the archive, much of it the everyday record of film industry lives, to key issues of work, sustainability, and technological change shaping media production today. A rich, fascinating and personal narrative, the book will be essential reading for film scholars, as well as the wider arts and humanities community.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2128</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f52f833e-df43-11ef-8635-dfd31442d5c3]]></guid>
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    </item>
    <item>
      <title>Wilton S. Wright, "Rewriting Resistance to Social Justice Pedagogies" (Lexington Books, 2024)</title>
      <description>Resistance to feminist, queer, and antiracist pedagogies can take many forms in the composition class: silence during class discussion; tepid, bland writing that fails to engage with course content; refusal to engage with feminist and queer ideas; open and direct challenges to professors’ authority. According to Wilton Wright, Rewriting Resistance to Social Justice Pedagogies (Lexington Books, 2024) argues that composition studies has not adequately addressed the complex and deeply local contexts and causes of resistance. Therefore, the author argues that resistance research must first understand the origins and purpose for a student’s resistance, interrogating the language used to name and describe students who resist. Composition instructors must then give students the tools to uncover and investigate their reasons for resistance themselves, challenging students to continually interrogate their resistances. This book utilizes feminist composition pedagogies, masculinity studies, and queer pedagogies to engage student resistance in the writing classroom.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between oneself, identification of place, and the attachment/s they have to those places. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social),Twitter (@ProfessorJohnst), or by email at johnstonmo@wmpenn.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wilton S. Wright</itunes:subtitle>
      <itunes:summary>Resistance to feminist, queer, and antiracist pedagogies can take many forms in the composition class: silence during class discussion; tepid, bland writing that fails to engage with course content; refusal to engage with feminist and queer ideas; open and direct challenges to professors’ authority. According to Wilton Wright, Rewriting Resistance to Social Justice Pedagogies (Lexington Books, 2024) argues that composition studies has not adequately addressed the complex and deeply local contexts and causes of resistance. Therefore, the author argues that resistance research must first understand the origins and purpose for a student’s resistance, interrogating the language used to name and describe students who resist. Composition instructors must then give students the tools to uncover and investigate their reasons for resistance themselves, challenging students to continually interrogate their resistances. This book utilizes feminist composition pedagogies, masculinity studies, and queer pedagogies to engage student resistance in the writing classroom.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between oneself, identification of place, and the attachment/s they have to those places. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social),Twitter (@ProfessorJohnst), or by email at johnstonmo@wmpenn.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Resistance to feminist, queer, and antiracist pedagogies can take many forms in the composition class: silence during class discussion; tepid, bland writing that fails to engage with course content; refusal to engage with feminist and queer ideas; open and direct challenges to professors’ authority. According to <a href="https://www.wmpenn.edu/person/wilton-wright/">Wilton Wright</a>, <a href="https://bookshop.org/a/12343/9781666913484"><em>Rewriting Resistance to Social Justice Pedagogies</em></a> (Lexington Books, 2024) argues that composition studies has not adequately addressed the complex and deeply local contexts and causes of resistance. Therefore, the author argues that resistance research must first understand the origins and purpose for a student’s resistance, interrogating the language used to name and describe students who resist. Composition instructors must then give students the tools to uncover and investigate their reasons for resistance themselves, challenging students to continually interrogate their resistances. This book utilizes feminist composition pedagogies, masculinity studies, and queer pedagogies to engage student resistance in the writing classroom.</p><p><em>Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between oneself, identification of place, and the attachment/s they have to those places. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>personal website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=nPdv1bEAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Bluesky (@professorjohnst.bsky.social),Twitter (@ProfessorJohnst), or by email at johnstonmo@wmpenn.edu</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2872</itunes:duration>
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    </item>
    <item>
      <title>Peter Brian Barry, "George Orwell: The Ethics of Equality" (Oxford UP, 2023)</title>
      <description>George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality. 
In George Orwell: The Ethics of Equality (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions.
While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century.
Peter Brian Barry is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of Evil and Moral Psychology and The Fiction of Evil as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to The Cambridge Companion to Nineteen Eighty-Four, The Oxford Handbook of George Orwell, and George Orwell Studies.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>236</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Brian Barry</itunes:subtitle>
      <itunes:summary>George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality. 
In George Orwell: The Ethics of Equality (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions.
While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century.
Peter Brian Barry is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of Evil and Moral Psychology and The Fiction of Evil as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to The Cambridge Companion to Nineteen Eighty-Four, The Oxford Handbook of George Orwell, and George Orwell Studies.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>George Orwell is sometimes read as disinterested in (if not outright hostile) to philosophy. Yet a fair reading of Orwell's work reveals an author whose work was deeply informed by philosophy and who often revealed his philosophical sympathies. Orwell's written works are of ethical significance, but he also affirmed and defended substantive ethical claims about humanism, well-being, normative ethics, free will and moral responsibility, moral psychology, decency, equality, liberty, justice, and political morality. </p><p>In <a href="https://bookshop.org/a/12343/9780197627402"><em>George Orwell: The Ethics of Equality</em></a> (Oxford UP, 2023), philosopher Peter Brian Barry avoids a narrow reading of Orwell that considers only a few of his best-known works and instead considers the entirety of Orwell's corpus, including his fiction, journalism, essays, book reviews, diaries, and correspondence, contending that there are ethical commitments discernible throughout his work that ground some of his best-known pronouncements and positions.</p><p>While Orwell is often read as a humanist, egalitarian, and socialist, too little attention has been paid to the nuanced versions of those doctrines that he endorsed and the philosophical sympathies that led him to embrace them. Barry illuminates Orwell's philosophical sympathies and contributions that have either gone unnoticed or been underappreciated. Philosophers interested in Orwell now have a text that explores many of the philosophical themes in his work and Orwell's readers now have a text that makes the case for regarding him as a worthy philosopher as well as one of the greatest Anglophone writers of the 20th century.</p><p><strong>Peter Brian Barry</strong> is Professor of Philosophy and the Finkbeiner Endowed Professor in Ethics at Saginaw Valley State University. He is the author of <em>Evil and Moral Psychology</em> and <em>The Fiction of Evil</em> as well as several papers in ethics, applied ethics, and social and political philosophy. He has contributed to <em>The Cambridge Companion to Nineteen Eighty-Four</em>, <em>The Oxford Handbook of George Orwell</em>, and <em>George Orwell Studies</em>.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3939</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Philip Rathgeb, "How the Radical Right Has Changed Capitalism and Welfare in Europe and the USA" (Oxford UP, 2024)</title>
      <description>Radical right parties are no longer political challengers on the fringes of party systems; they have become part of the political mainstream across the Western world. How the Radical Right Has Changed Capitalism and Welfare in Europe and the USA (Oxford UP, 2024) shows how they have used their political power to reform economic and social policies in Continental Europe, Northern Europe, Eastern Europe, and the USA. In doing so, it argues that the radical right's core ideology of nativism and authoritarianism informs their socio-economic policy preferences. However, diverse welfare state contexts mediate their socio-economic policy impacts along regime-specific lines, leading to variations of trade protectionism, economic nationalism, traditional familialism, labour market dualism, and welfare chauvinism.
The radical right has used the diverse policy instruments available within their political-economic arrangements to protect threatened labour market insiders and male breadwinners from decline, while creating a racialized and gendered precariat at the same time. This socio-economic agenda of selective status protection restores horizontal inequalities in terms of gender and ethnicity, without addressing vertical inequalities between the rich and the poor.
Combining insights from comparative politics, party politics, comparative political economy, and welfare state research, the book provides novel insights into how the radical right manufactures consent for authoritarian rule by taming the socially corrosive effects of globalised capitalism for key electoral groups, while aiming to exclude the rest from democratic participation.
Philip Rathgeb is an associate professor in Social Policy in the School of Social and Political Science at the University of Edinburgh. Previously, he was a Postdoctoral Researcher in the Department of Politics and Public Administration at the University of Konstanz. Philip holds a PhD in Political and Social Sciences from the European University Institute (EUI) and held visiting positions at Harvard University, Lund University, University of Southern Denmark, and the EUI. His research interests are in comparative political economy and comparative politics, with a particular focus on welfare states, industrial relations, and party politics. His first book Strong Governments, Precarious Workers was published with Cornell University Press in 2018.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>508</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip Rathgeb</itunes:subtitle>
      <itunes:summary>Radical right parties are no longer political challengers on the fringes of party systems; they have become part of the political mainstream across the Western world. How the Radical Right Has Changed Capitalism and Welfare in Europe and the USA (Oxford UP, 2024) shows how they have used their political power to reform economic and social policies in Continental Europe, Northern Europe, Eastern Europe, and the USA. In doing so, it argues that the radical right's core ideology of nativism and authoritarianism informs their socio-economic policy preferences. However, diverse welfare state contexts mediate their socio-economic policy impacts along regime-specific lines, leading to variations of trade protectionism, economic nationalism, traditional familialism, labour market dualism, and welfare chauvinism.
The radical right has used the diverse policy instruments available within their political-economic arrangements to protect threatened labour market insiders and male breadwinners from decline, while creating a racialized and gendered precariat at the same time. This socio-economic agenda of selective status protection restores horizontal inequalities in terms of gender and ethnicity, without addressing vertical inequalities between the rich and the poor.
Combining insights from comparative politics, party politics, comparative political economy, and welfare state research, the book provides novel insights into how the radical right manufactures consent for authoritarian rule by taming the socially corrosive effects of globalised capitalism for key electoral groups, while aiming to exclude the rest from democratic participation.
Philip Rathgeb is an associate professor in Social Policy in the School of Social and Political Science at the University of Edinburgh. Previously, he was a Postdoctoral Researcher in the Department of Politics and Public Administration at the University of Konstanz. Philip holds a PhD in Political and Social Sciences from the European University Institute (EUI) and held visiting positions at Harvard University, Lund University, University of Southern Denmark, and the EUI. His research interests are in comparative political economy and comparative politics, with a particular focus on welfare states, industrial relations, and party politics. His first book Strong Governments, Precarious Workers was published with Cornell University Press in 2018.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Radical right parties are no longer political challengers on the fringes of party systems; they have become part of the political mainstream across the Western world. <a href="https://bookshop.org/a/12343/9780192866332"><em>How the Radical Right Has Changed Capitalism and Welfare in Europe and the USA</em></a> (Oxford UP, 2024) shows how they have used their political power to reform economic and social policies in Continental Europe, Northern Europe, Eastern Europe, and the USA. In doing so, it argues that the radical right's core ideology of nativism and authoritarianism informs their socio-economic policy preferences. However, diverse welfare state contexts mediate their socio-economic policy impacts along regime-specific lines, leading to variations of trade protectionism, economic nationalism, traditional familialism, labour market dualism, and welfare chauvinism.</p><p>The radical right has used the diverse policy instruments available within their political-economic arrangements to protect threatened labour market insiders and male breadwinners from decline, while creating a racialized and gendered precariat at the same time. This socio-economic agenda of selective status protection restores horizontal inequalities in terms of gender and ethnicity, without addressing vertical inequalities between the rich and the poor.</p><p>Combining insights from comparative politics, party politics, comparative political economy, and welfare state research, the book provides novel insights into how the radical right manufactures consent for authoritarian rule by taming the socially corrosive effects of globalised capitalism for key electoral groups, while aiming to exclude the rest from democratic participation.</p><p>Philip Rathgeb is an associate professor in Social Policy in the School of Social and Political Science at the University of Edinburgh. Previously, he was a Postdoctoral Researcher in the Department of Politics and Public Administration at the University of Konstanz. Philip holds a PhD in Political and Social Sciences from the European University Institute (EUI) and held visiting positions at Harvard University, Lund University, University of Southern Denmark, and the EUI. His research interests are in comparative political economy and comparative politics, with a particular focus on welfare states, industrial relations, and party politics. His first book Strong Governments, Precarious Workers was published with Cornell University Press in 2018.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3284</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Michael Sonenscher, "After Kant: The Romans, the Germans, and the Moderns in the History of Political Thought" (Princeton UP, 2023)</title>
      <description>In this wide-ranging work, Michael Sonenscher traces the origins of modern political thought and ideologies to a question, raised by Immanuel Kant, about what is involved in comparing individual human lives to the whole of human history. How can we compare them, or understand the results of the comparison? Kant’s question injected a new, future-oriented dimension into existing discussions of prevailing norms, challenging their orientation toward the past. This reversal made Kant’s question a bridge between three successive sets of arguments: between the supporters of the ancients and moderns, the classics and romantics, and the Romans and the Germans. Sonenscher argues that the genealogy of modern political ideologies—from liberalism to nationalism to communism—can be connected to the resulting discussions of time, history, and values, mainly in France but also in Germany, Switzerland, and Britain, in the period straddling the French and Industrial revolutions.

What is the genuinely human content of human history? Everything begins somewhere—democracy with the Greeks, or the idea of a res publica with the Romans—but these local arrangements have become vectors of values that are, apparently, universal. The intellectual upheaval that Sonenscher describes involved a struggle to close the gap, highlighted by Kant, between individual lives and human history. After Kant is an examination of that struggle’s enduring impact on the history and the historiography of political thought.
Michael Sonenscher is a fellow of King’s College at the University of Cambridge. His many books include Before the Deluge (Princeton), Sans-Culottes (Princeton), and Jean-Jacques Rousseau.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>234</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Sonenscher</itunes:subtitle>
      <itunes:summary>In this wide-ranging work, Michael Sonenscher traces the origins of modern political thought and ideologies to a question, raised by Immanuel Kant, about what is involved in comparing individual human lives to the whole of human history. How can we compare them, or understand the results of the comparison? Kant’s question injected a new, future-oriented dimension into existing discussions of prevailing norms, challenging their orientation toward the past. This reversal made Kant’s question a bridge between three successive sets of arguments: between the supporters of the ancients and moderns, the classics and romantics, and the Romans and the Germans. Sonenscher argues that the genealogy of modern political ideologies—from liberalism to nationalism to communism—can be connected to the resulting discussions of time, history, and values, mainly in France but also in Germany, Switzerland, and Britain, in the period straddling the French and Industrial revolutions.

What is the genuinely human content of human history? Everything begins somewhere—democracy with the Greeks, or the idea of a res publica with the Romans—but these local arrangements have become vectors of values that are, apparently, universal. The intellectual upheaval that Sonenscher describes involved a struggle to close the gap, highlighted by Kant, between individual lives and human history. After Kant is an examination of that struggle’s enduring impact on the history and the historiography of political thought.
Michael Sonenscher is a fellow of King’s College at the University of Cambridge. His many books include Before the Deluge (Princeton), Sans-Culottes (Princeton), and Jean-Jacques Rousseau.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this wide-ranging work, Michael Sonenscher traces the origins of modern political thought and ideologies to a question, raised by Immanuel Kant, about what is involved in comparing individual human lives to the whole of human history. How can we compare them, or understand the results of the comparison? Kant’s question injected a new, future-oriented dimension into existing discussions of prevailing norms, challenging their orientation toward the past. This reversal made Kant’s question a bridge between three successive sets of arguments: between the supporters of the ancients and moderns, the classics and romantics, and the Romans and the Germans. Sonenscher argues that the genealogy of modern political ideologies—from liberalism to nationalism to communism—can be connected to the resulting discussions of time, history, and values, mainly in France but also in Germany, Switzerland, and Britain, in the period straddling the French and Industrial revolutions.</p><p><br></p><p>What is the genuinely human content of human history? Everything begins somewhere—democracy with the Greeks, or the idea of a <em>res publica</em> with the Romans—but these local arrangements have become vectors of values that are, apparently, universal. The intellectual upheaval that Sonenscher describes involved a struggle to close the gap, highlighted by Kant, between individual lives and human history. <em>After Kant</em> is an examination of that struggle’s enduring impact on the history and the historiography of political thought.</p><p><strong>Michael Sonenscher</strong> is a fellow of King’s College at the University of Cambridge. His many books include <em>Before the Deluge</em> (Princeton), <em>Sans-Culottes</em> (Princeton), and <em>Jean-Jacques Rousseau</em>.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4042</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Richard Bourke, "Hegel’s World Revolutions" (Princeton UP, 2023)</title>
      <description>G.W.F. Hegel was widely seen as the greatest philosopher of his age. Ever since, his work has shaped debates about issues as varied as religion, aesthetics and metaphysics. His most lasting contribution was his vision of history and politics. In Hegel’s World Revolutions (Princeton UP, 2023), Richard Bourke returns to Hegel’s original arguments, clarifying their true import and illuminating their relevance to contemporary society. Bourke shows that central to Hegel’s thought was his anatomy of the modern world. On the one hand he claimed that modernity was a deliverance from subjection, but on the other he saw it as having unleashed the spirit of critical reflection. Bourke explores this predicament in terms of a series of world revolutions that Hegel believed had ushered in the rise of civil society and the emergence of the constitutional state.
Bourke interprets Hegel’s thought, with particular reference to his philosophy of history, placing it in the context of his own time. He then recounts the reception of Hegel’s political ideas, largely over the course of the twentieth century. Countering the postwar revolt against Hegel, Bourke argues that his disparagement by major philosophers has impoverished our approach to history and politics alike. Challenging the condescension of leading thinkers—from Heidegger and Popper to Lévi-Strauss and Foucault—the book revises prevailing views of the relationship between historical ideas and present circumstances
Richard Bourke is professor of the history of political thought and a fellow of King’s College at the University of Cambridge. He is the author of a number of books, including Empire and Revolution: The Political Life of Edmund Burke (Princeton).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 25 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Bourke</itunes:subtitle>
      <itunes:summary>G.W.F. Hegel was widely seen as the greatest philosopher of his age. Ever since, his work has shaped debates about issues as varied as religion, aesthetics and metaphysics. His most lasting contribution was his vision of history and politics. In Hegel’s World Revolutions (Princeton UP, 2023), Richard Bourke returns to Hegel’s original arguments, clarifying their true import and illuminating their relevance to contemporary society. Bourke shows that central to Hegel’s thought was his anatomy of the modern world. On the one hand he claimed that modernity was a deliverance from subjection, but on the other he saw it as having unleashed the spirit of critical reflection. Bourke explores this predicament in terms of a series of world revolutions that Hegel believed had ushered in the rise of civil society and the emergence of the constitutional state.
Bourke interprets Hegel’s thought, with particular reference to his philosophy of history, placing it in the context of his own time. He then recounts the reception of Hegel’s political ideas, largely over the course of the twentieth century. Countering the postwar revolt against Hegel, Bourke argues that his disparagement by major philosophers has impoverished our approach to history and politics alike. Challenging the condescension of leading thinkers—from Heidegger and Popper to Lévi-Strauss and Foucault—the book revises prevailing views of the relationship between historical ideas and present circumstances
Richard Bourke is professor of the history of political thought and a fellow of King’s College at the University of Cambridge. He is the author of a number of books, including Empire and Revolution: The Political Life of Edmund Burke (Princeton).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>G.W.F. Hegel was widely seen as the greatest philosopher of his age. Ever since, his work has shaped debates about issues as varied as religion, aesthetics and metaphysics. His most lasting contribution was his vision of history and politics. In <a href="https://bookshop.org/a/12343/9780691250182"><em>Hegel’s World Revolutions</em></a><em> </em>(Princeton UP, 2023), Richard Bourke returns to Hegel’s original arguments, clarifying their true import and illuminating their relevance to contemporary society. Bourke shows that central to Hegel’s thought was his anatomy of the modern world. On the one hand he claimed that modernity was a deliverance from subjection, but on the other he saw it as having unleashed the spirit of critical reflection. Bourke explores this predicament in terms of a series of world revolutions that Hegel believed had ushered in the rise of civil society and the emergence of the constitutional state.</p><p>Bourke interprets Hegel’s thought, with particular reference to his philosophy of history, placing it in the context of his own time. He then recounts the reception of Hegel’s political ideas, largely over the course of the twentieth century. Countering the postwar revolt against Hegel, Bourke argues that his disparagement by major philosophers has impoverished our approach to history and politics alike. Challenging the condescension of leading thinkers—from Heidegger and Popper to Lévi-Strauss and Foucault—the book revises prevailing views of the relationship between historical ideas and present circumstances</p><p><strong>Richard Bourke</strong> is professor of the history of political thought and a fellow of King’s College at the University of Cambridge. He is the author of a number of books, including <em>Empire and Revolution: The Political Life of Edmund Burke</em> (Princeton).</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9590518557.mp3?updated=1737560766" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Smith, "Class and the Uses of Poetry: Symbolic Enclosures" (Palgrave Macmillan, 2024)</title>
      <description>Sociologists have had surprisingly little to say about poetry as a topic while sometimes also making grandiose claims that sociology is/should be like poetry. These are the prompts which begin Andrew Smith’s Class and the Uses of Poetry: Symbolic Enclosures (2024, Palgrave Macmillan). Drawing upon discussions with working class readers of poetry, and interviews with unpublished poets, Smith draws our attention to the ways in which poetry has been enclosed, or fenced off, from working class readers. Influenced by, though offering some criticisms, of, Bourdieu’s approach to the sociology of culture, he shows us how readers become aware of this enclosure but nevertheless engage in collective understanding of the poems they are presented with. In doing do, Smith reminds us of the need to emphasise the aesthetic elements of poetry, and culture more generally, including its creative and expressive affordances. A reader of his book realises that a critical sociology of poetry needs to attest not just to the symbolic capital in who is seen as ‘legitimate’ readers and producers of poetry but also how those shut off from it lose out on the uses of poetry.
Our discussion covers what led Smith to pursue this work, how sociology has, and might in future confront poetry, his experiences of running these reading groups and suggests why, perhaps, we should also perhaps reject the ‘society of the segue way’ and savour some of the finitude which poetry might offer.
Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>402</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew Smith</itunes:subtitle>
      <itunes:summary>Sociologists have had surprisingly little to say about poetry as a topic while sometimes also making grandiose claims that sociology is/should be like poetry. These are the prompts which begin Andrew Smith’s Class and the Uses of Poetry: Symbolic Enclosures (2024, Palgrave Macmillan). Drawing upon discussions with working class readers of poetry, and interviews with unpublished poets, Smith draws our attention to the ways in which poetry has been enclosed, or fenced off, from working class readers. Influenced by, though offering some criticisms, of, Bourdieu’s approach to the sociology of culture, he shows us how readers become aware of this enclosure but nevertheless engage in collective understanding of the poems they are presented with. In doing do, Smith reminds us of the need to emphasise the aesthetic elements of poetry, and culture more generally, including its creative and expressive affordances. A reader of his book realises that a critical sociology of poetry needs to attest not just to the symbolic capital in who is seen as ‘legitimate’ readers and producers of poetry but also how those shut off from it lose out on the uses of poetry.
Our discussion covers what led Smith to pursue this work, how sociology has, and might in future confront poetry, his experiences of running these reading groups and suggests why, perhaps, we should also perhaps reject the ‘society of the segue way’ and savour some of the finitude which poetry might offer.
Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sociologists have had surprisingly little to say about poetry as a topic while sometimes also making grandiose claims that sociology is/should be like poetry. These are the prompts which begin Andrew Smith’s<em> </em><a href="https://bookshop.org/a/12343/9783031664472"><em>Class and the Uses of Poetry: Symbolic Enclosures</em></a> (2024, Palgrave Macmillan). Drawing upon discussions with working class readers of poetry, and interviews with unpublished poets, Smith draws our attention to the ways in which poetry has been enclosed, or fenced off, from working class readers. Influenced by, though offering some criticisms, of, Bourdieu’s approach to the sociology of culture, he shows us how readers become aware of this enclosure but nevertheless engage in collective understanding of the poems they are presented with. In doing do, Smith reminds us of the need to emphasise the aesthetic elements of poetry, and culture more generally, including its creative and expressive affordances. A reader of his book realises that a critical sociology of poetry needs to attest not just to the symbolic capital in who is seen as ‘legitimate’ readers and producers of poetry but also how those shut off from it lose out on the uses of poetry.</p><p>Our discussion covers what led Smith to pursue this work, how sociology has, and might in future confront poetry, his experiences of running these reading groups and suggests why, perhaps, we should also perhaps reject the ‘society of the segue way’ and savour some of the finitude which poetry might offer.</p><p>Your host, <a href="https://www.gla.ac.uk/schools/socialpolitical/staff/mattdawson/">Matt Dawson</a> is Professor of Sociology at the University of Glasgow and the author of <a href="https://link.springer.com/book/10.1007/978-3-031-75484-5">G.D.H. Cole and British Sociology: A Study in Semi-Alienation</a> (2024, Palgrave Macmillan), along with other texts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4176</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6291551504.mp3?updated=1737580591" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ryan Tan Wander, "Settler Tenses: Queer Time and Literatures of the American West" (Texas Tech UP, 2024)</title>
      <description>In today’s cultural and political climate of relative LGBTQ+ inclusion, Settler Tenses: Queer Time and Literatures of the American West (Texas Tech University Press, 2024) by Dr. Ryan Tan Wander provides a literary history that rewrites our understanding of when and how queerness began to align with US nationalism and settler colonialism, tracing the discursive production of masculinities in late nineteenth and early twentieth-century literatures of the American West.
Current scholarly understandings often equate turn-of-the-century representations of the US frontier with hypermasculinity and heteronormativity. Simultaneously, scholars tend to view queer inclusion—that is, the civil and political inclusion of those who make up the “-Q+” of the initialism LGBTQ+—as a phenomenon of post–Civil Rights era activism. Settler Tenses provides a deeper history of queerness in US history by showing that literature created frontier masculinities that representationally yoked a range of queer bodies and subjectivities to national identity as the US consolidated its sovereignty in the late nineteenth and early twentieth centuries.
Reframing and explaining anew the provenance and significance of the links between queerness and US nationalism and settler colonialism, Settler Tenses will appeal to an audience of advanced undergraduates as well as researchers and scholars in American literary studies, gender, queer, and sexuality studies, settler colonial studies, and critical race and ethnic studies.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>179</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ryan Tan Wander</itunes:subtitle>
      <itunes:summary>In today’s cultural and political climate of relative LGBTQ+ inclusion, Settler Tenses: Queer Time and Literatures of the American West (Texas Tech University Press, 2024) by Dr. Ryan Tan Wander provides a literary history that rewrites our understanding of when and how queerness began to align with US nationalism and settler colonialism, tracing the discursive production of masculinities in late nineteenth and early twentieth-century literatures of the American West.
Current scholarly understandings often equate turn-of-the-century representations of the US frontier with hypermasculinity and heteronormativity. Simultaneously, scholars tend to view queer inclusion—that is, the civil and political inclusion of those who make up the “-Q+” of the initialism LGBTQ+—as a phenomenon of post–Civil Rights era activism. Settler Tenses provides a deeper history of queerness in US history by showing that literature created frontier masculinities that representationally yoked a range of queer bodies and subjectivities to national identity as the US consolidated its sovereignty in the late nineteenth and early twentieth centuries.
Reframing and explaining anew the provenance and significance of the links between queerness and US nationalism and settler colonialism, Settler Tenses will appeal to an audience of advanced undergraduates as well as researchers and scholars in American literary studies, gender, queer, and sexuality studies, settler colonial studies, and critical race and ethnic studies.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In today’s cultural and political climate of relative LGBTQ+ inclusion, <a href="https://bookshop.org/a/12343/9781682832264"><em>Settler Tenses: Queer Time and Literatures of the American West</em></a> (Texas Tech University Press, 2024) by Dr. Ryan Tan Wander provides a literary history that rewrites our understanding of when and how queerness began to align with US nationalism and settler colonialism, tracing the discursive production of masculinities in late nineteenth and early twentieth-century literatures of the American West.</p><p>Current scholarly understandings often equate turn-of-the-century representations of the US frontier with hypermasculinity and heteronormativity. Simultaneously, scholars tend to view queer inclusion—that is, the civil and political inclusion of those who make up the “-Q+” of the initialism LGBTQ+—as a phenomenon of post–Civil Rights era activism. Settler Tenses provides a deeper history of queerness in US history by showing that literature created frontier masculinities that representationally yoked a range of queer bodies and subjectivities to national identity as the US consolidated its sovereignty in the late nineteenth and early twentieth centuries.</p><p>Reframing and explaining anew the provenance and significance of the links between queerness and US nationalism and settler colonialism, <em>Settler Tenses</em> will appeal to an audience of advanced undergraduates as well as researchers and scholars in American literary studies, gender, queer, and sexuality studies, settler colonial studies, and critical race and ethnic studies.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b62a3696-d829-11ef-8299-e7f7ff0b276f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1159709749.mp3?updated=1737486637" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Tondre, "Oil" (Bloomsbury, 2024)</title>
      <description>Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing.
In Oil (Bloomsbury, 2024), Dr. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Tondre</itunes:subtitle>
      <itunes:summary>Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing.
In Oil (Bloomsbury, 2024), Dr. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing.</p><p>In <a href="https://bookshop.org/a/12343/9781501386626"><em>Oil</em></a><em> </em>(Bloomsbury, 2024), Dr. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2590</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>August H. Nimtz and Kyle A. Edwards, "The Communist and the Revolutionary Liberal in the Second American Revolution" (Brill, 2024)</title>
      <description>The last decade has seen a resurgence of interest and urgency to questions of racial oppression and emancipation. We’ve now had about a decade of activists fighting for the idea that Black Lives Matter which eventually culminated in the summer of 2020 with millions taking to the streets. The actual concrete victories have been more of a mixed bag, which leads us to the question: what sort of politics are needed to achieve real emancipation? This led Kyle Edwards and August Nimtz back to the American Civil War, and more specifically to the writings of Karl Marx and Frederick Douglass. Both wrote quite prolifically on the events that were happening and were enthusiastic about its possibilities for the advancement of human freedom, but both brought some very different political values and ideas to their analysis. In studying these two figures together, Edwards and Nimtz are able to show how both a fight for Communism rooted in class struggle and a revolutionary liberalism rose to this profound historical moment. The result is The Communist and the Revolutionary Liberal in the Second American Revolution: Comparing Karl Marx and Frederick Douglass in Real-Time (Brill, 2024), a study with a concrete answer to the question of what sort of politics will be needed going forward.
Published as part of the Historical Materialism book series by Brill and Haymarket.
Kyle Edwards is a Curriculum Administrator at the University of Minnesota, and a member of AFSCME 3800.
August Nimtz is a professor in the political science department at the University of Minnesota. He is the author of numerous books, including Marxism versus Liberalism: Comparative Real-Time Political Analysis and The Ballot, the Streets―or Both: From Marx and Engels to Lenin and the October Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>507</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with August H. Nimtz and Kyle A. Edwards</itunes:subtitle>
      <itunes:summary>The last decade has seen a resurgence of interest and urgency to questions of racial oppression and emancipation. We’ve now had about a decade of activists fighting for the idea that Black Lives Matter which eventually culminated in the summer of 2020 with millions taking to the streets. The actual concrete victories have been more of a mixed bag, which leads us to the question: what sort of politics are needed to achieve real emancipation? This led Kyle Edwards and August Nimtz back to the American Civil War, and more specifically to the writings of Karl Marx and Frederick Douglass. Both wrote quite prolifically on the events that were happening and were enthusiastic about its possibilities for the advancement of human freedom, but both brought some very different political values and ideas to their analysis. In studying these two figures together, Edwards and Nimtz are able to show how both a fight for Communism rooted in class struggle and a revolutionary liberalism rose to this profound historical moment. The result is The Communist and the Revolutionary Liberal in the Second American Revolution: Comparing Karl Marx and Frederick Douglass in Real-Time (Brill, 2024), a study with a concrete answer to the question of what sort of politics will be needed going forward.
Published as part of the Historical Materialism book series by Brill and Haymarket.
Kyle Edwards is a Curriculum Administrator at the University of Minnesota, and a member of AFSCME 3800.
August Nimtz is a professor in the political science department at the University of Minnesota. He is the author of numerous books, including Marxism versus Liberalism: Comparative Real-Time Political Analysis and The Ballot, the Streets―or Both: From Marx and Engels to Lenin and the October Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The last decade has seen a resurgence of interest and urgency to questions of racial oppression and emancipation. We’ve now had about a decade of activists fighting for the idea that Black Lives Matter which eventually culminated in the summer of 2020 with millions taking to the streets. The actual concrete victories have been more of a mixed bag, which leads us to the question: what sort of politics are needed to achieve real emancipation? This led Kyle Edwards and August Nimtz back to the American Civil War, and more specifically to the writings of Karl Marx and Frederick Douglass. Both wrote quite prolifically on the events that were happening and were enthusiastic about its possibilities for the advancement of human freedom, but both brought some very different political values and ideas to their analysis. In studying these two figures together, Edwards and Nimtz are able to show how both a fight for Communism rooted in class struggle and a revolutionary liberalism rose to this profound historical moment. The result is <a href="https://bookshop.org/a/12343/9789004706378"><em>The Communist and the Revolutionary Liberal in the Second American Revolution: Comparing Karl Marx and Frederick Douglass in Real-Time</em></a> (Brill, 2024), a study with a concrete answer to the question of what sort of politics will be needed going forward.</p><p>Published as part of the Historical Materialism book series by <a href="https://brill.com/display/serial/HM?language=en">Brill</a> and <a href="https://www.haymarketbooks.org/series_collections/1-historical-materialism">Haymarket</a>.</p><p>Kyle Edwards is a Curriculum Administrator at the University of Minnesota, and a member of AFSCME 3800.</p><p>August Nimtz is a professor in the political science department at the University of Minnesota. He is the author of numerous books, including <em>Marxism versus Liberalism: Comparative Real-Time Political Analysis</em> and <em>The Ballot, the Streets―or Both: From Marx and Engels to Lenin and the October Revolution</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5899</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Alva Gotby, "Feeling at Home: Transforming the Politics of Housing" (Verso, 2025)</title>
      <description>Housing is more than bricks and mortar. The home is where our hopes and dreams play out, and it lies at the heart of our lives. This is where we rest, eat, and relax. The home we enjoy can determine our health, life expectancy, and day-to-day well-being. In contrast, the lack of a stable residence can lead to mental and physical illness and often premature death. This is central to how we conceive of a good and dignified life.
In Feeling at Home: Transforming the Politics of Housing (Verso, 2025), Alva Gotby grapples with the practical and emotional questions of housing – domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Gotby makes clear that solving the housing crisis is about much more than housing stock. It is about revolutionising our everyday lives and labours.
Louisa Hann has a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. Her recent book, HIV/AIDS and the Stage, is out with Liverpool University Press
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>201</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alva Gotby</itunes:subtitle>
      <itunes:summary>Housing is more than bricks and mortar. The home is where our hopes and dreams play out, and it lies at the heart of our lives. This is where we rest, eat, and relax. The home we enjoy can determine our health, life expectancy, and day-to-day well-being. In contrast, the lack of a stable residence can lead to mental and physical illness and often premature death. This is central to how we conceive of a good and dignified life.
In Feeling at Home: Transforming the Politics of Housing (Verso, 2025), Alva Gotby grapples with the practical and emotional questions of housing – domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Gotby makes clear that solving the housing crisis is about much more than housing stock. It is about revolutionising our everyday lives and labours.
Louisa Hann has a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. Her recent book, HIV/AIDS and the Stage, is out with Liverpool University Press
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Housing is more than bricks and mortar. The home is where our hopes and dreams play out, and it lies at the heart of our lives. This is where we rest, eat, and relax. The home we enjoy can determine our health, life expectancy, and day-to-day well-being. In contrast, the lack of a stable residence can lead to mental and physical illness and often premature death. This is central to how we conceive of a good and dignified life.</p><p>In <a href="https://bookshop.org/a/12343/9781804296219"><em>Feeling at Home: Transforming the Politics of Housing</em> </a>(Verso, 2025), Alva Gotby grapples with the practical and emotional questions of housing – domestic labour, privacy, security, ownership, and health. Is it possible to imagine success without home ownership? Gotby makes clear that solving the housing crisis is about much more than housing stock. It is about revolutionising our everyday lives and labours.</p><p><em>Louisa Hann has a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. Her recent book, HIV/AIDS and the Stage, is out with Liverpool University Press</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3120</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Arthur Bradley, "Staging Sovereignty: Theory, Theater, Thaumaturgy" (Columbia UP, 2024)</title>
      <description>Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty’s modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet.
Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>507</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Arthur Bradley</itunes:subtitle>
      <itunes:summary>Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty’s modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet.
Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780231217347"><em>Staging Sovereignty: Theory, Theater, Thaumaturgy</em></a> (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author <a href="https://www.lancaster.ac.uk/english-literature-and-creative-writing/people/arthur-bradley">Arthur Bradley</a> considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty’s modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet.</p><p>Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is <em>Unbearable Life: A Genealogy of Political Erasure</em> (Columbia, 2019).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3333</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6c3268c8-d113-11ef-a71a-3352315862e6]]></guid>
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    </item>
    <item>
      <title>James Malazita, "Enacting Platforms: Feminist Technoscience and the Unreal Engine" (MIT Press, 2024)</title>
      <description>An analysis of the game engine Unreal through feminist, race, and queer theories of technology and media, as well as a critique of the platform studies framework itself.
In this first scholarly book on the Unreal game engine, James Malazita explores one of the major contemporary game development platforms through feminist, race, and queer theories of technology and media, revealing how Unreal produces, and is produced by, broader intersections of power. Enacting Platforms: Feminist Technoscience and the Unreal Engine (MIT Press, 2024) takes a novel critical platform studies approach, raising deeper questions: what are the material and cultural limits of platforms themselves? What is the relationship between the analyst and the platform of study, and how does that relationship in part determine what “counts” as the platform itself? Malazita also offers a forward-looking critique of the platform studies framework itself.
The Unreal platform serves as a kind of technical and political archive of the games industry, highlighting how the techniques and concerns of games have shifted and accreted over the past 30 years. Today, Unreal is also used in contexts far beyond games, including in public communication, biomedical research, civil engineering, and military simulation and training. The author's depth of technical analysis, combined with new archival findings, contributes to discussions of topics rarely covered in games studies (such as the politics of graphical rendering algorithms), as well as new readings of previously “closed” case studies (such as the engine's entanglement with the US military and American masculinity in America's Army). Culture, Malazita writes, is not “built into” software but emerges through human practices with code.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 12 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Malazita</itunes:subtitle>
      <itunes:summary>An analysis of the game engine Unreal through feminist, race, and queer theories of technology and media, as well as a critique of the platform studies framework itself.
In this first scholarly book on the Unreal game engine, James Malazita explores one of the major contemporary game development platforms through feminist, race, and queer theories of technology and media, revealing how Unreal produces, and is produced by, broader intersections of power. Enacting Platforms: Feminist Technoscience and the Unreal Engine (MIT Press, 2024) takes a novel critical platform studies approach, raising deeper questions: what are the material and cultural limits of platforms themselves? What is the relationship between the analyst and the platform of study, and how does that relationship in part determine what “counts” as the platform itself? Malazita also offers a forward-looking critique of the platform studies framework itself.
The Unreal platform serves as a kind of technical and political archive of the games industry, highlighting how the techniques and concerns of games have shifted and accreted over the past 30 years. Today, Unreal is also used in contexts far beyond games, including in public communication, biomedical research, civil engineering, and military simulation and training. The author's depth of technical analysis, combined with new archival findings, contributes to discussions of topics rarely covered in games studies (such as the politics of graphical rendering algorithms), as well as new readings of previously “closed” case studies (such as the engine's entanglement with the US military and American masculinity in America's Army). Culture, Malazita writes, is not “built into” software but emerges through human practices with code.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An analysis of the game engine Unreal through feminist, race, and queer theories of technology and media, as well as a critique of the platform studies framework itself.</p><p>In this first scholarly book on the Unreal game engine, James Malazita explores one of the major contemporary game development platforms through feminist, race, and queer theories of technology and media, revealing how Unreal produces, and is produced by, broader intersections of power. <a href="https://bookshop.org/a/12343/9780262548243"><em>Enacting Platforms: Feminist Technoscience and the Unreal Engine</em></a><em> </em>(MIT Press, 2024) takes a novel critical platform studies approach, raising deeper questions: what are the material and cultural limits of platforms themselves? What is the relationship between the analyst and the platform of study, and how does that relationship in part determine what “counts” as the platform itself? Malazita also offers a forward-looking critique of the platform studies framework itself.</p><p>The Unreal platform serves as a kind of technical and political archive of the games industry, highlighting how the techniques and concerns of games have shifted and accreted over the past 30 years. Today, Unreal is also used in contexts far beyond games, including in public communication, biomedical research, civil engineering, and military simulation and training. The author's depth of technical analysis, combined with new archival findings, contributes to discussions of topics rarely covered in games studies (such as the politics of graphical rendering algorithms), as well as new readings of previously “closed” case studies (such as the engine's entanglement with the US military and American masculinity in <em>America's Army</em>). Culture, Malazita writes, is not “built into” software but emerges through human practices with code.</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2281</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Matthew McManus, "The Political Theory of Liberal Socialism" (Routledge, 2024)</title>
      <description>In The Political Theory of Liberal Socialism (Routledge, 2024), McManus presents a comprehensive guide to the liberal socialist tradition, stretching from Mary Wollstonecraft and Thomas Paine through John Stuart Mill to Irving Howe, John Rawls, and Charles Mills.
Providing a comprehensive critical genealogy of liberal socialism from a sympathetic but critical standpoint, McManus traces its core to the Revolutionary period that catalyzed major divisions in liberal political theory to the French Revolution that saw the emergence of writers like Mary Wollstonecraft and Thomas Paine who argued that liberal principles could only be inadequately instantiated in a society with high levels of material and social inequality to John Stuart Mill, the first major thinker who declared himself a liberal and a socialist and who made major contributions to both traditions through his efforts to synthesize and conciliate them. McManus argues for liberal socialism as a political theory which could truly secure equality and liberty for all.
An essential book on the tradition of liberal socialism for students, researchers, and scholars of political science and humanities.
Matthew McManus is a lecturer in Political Science at the University of Michigan, USA. He is the author of The Political Right and Equality (Routledge) and A Critical Legal Examination of Liberalism and Liberal Rights among other books.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 11 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>506</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew McManus</itunes:subtitle>
      <itunes:summary>In The Political Theory of Liberal Socialism (Routledge, 2024), McManus presents a comprehensive guide to the liberal socialist tradition, stretching from Mary Wollstonecraft and Thomas Paine through John Stuart Mill to Irving Howe, John Rawls, and Charles Mills.
Providing a comprehensive critical genealogy of liberal socialism from a sympathetic but critical standpoint, McManus traces its core to the Revolutionary period that catalyzed major divisions in liberal political theory to the French Revolution that saw the emergence of writers like Mary Wollstonecraft and Thomas Paine who argued that liberal principles could only be inadequately instantiated in a society with high levels of material and social inequality to John Stuart Mill, the first major thinker who declared himself a liberal and a socialist and who made major contributions to both traditions through his efforts to synthesize and conciliate them. McManus argues for liberal socialism as a political theory which could truly secure equality and liberty for all.
An essential book on the tradition of liberal socialism for students, researchers, and scholars of political science and humanities.
Matthew McManus is a lecturer in Political Science at the University of Michigan, USA. He is the author of The Political Right and Equality (Routledge) and A Critical Legal Examination of Liberalism and Liberal Rights among other books.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032647234"><em>The Political Theory of Liberal Socialism</em> </a>(Routledge, 2024), McManus presents a comprehensive guide to the liberal socialist tradition, stretching from Mary Wollstonecraft and Thomas Paine through John Stuart Mill to Irving Howe, John Rawls, and Charles Mills.</p><p>Providing a comprehensive critical genealogy of liberal socialism from a sympathetic but critical standpoint, McManus traces its core to the Revolutionary period that catalyzed major divisions in liberal political theory to the French Revolution that saw the emergence of writers like Mary Wollstonecraft and Thomas Paine who argued that liberal principles could only be inadequately instantiated in a society with high levels of material and social inequality to John Stuart Mill, the first major thinker who declared himself a liberal and a socialist and who made major contributions to both traditions through his efforts to synthesize and conciliate them. McManus argues for liberal socialism as a political theory which could truly secure equality and liberty for all.</p><p>An essential book on the tradition of liberal socialism for students, researchers, and scholars of political science and humanities.</p><p>Matthew McManus is a lecturer in Political Science at the University of Michigan, USA. He is the author of <em>The Political Right and Equality</em> (Routledge) and <em>A Critical Legal Examination of Liberalism and Liberal Rights</em> among other books.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5082</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cordelia Fine, "Testosterone Rex: Myths of Sex, Science, and Society" (Norton, 2018)</title>
      <description>Many people believe that, at its core, biological sex is a fundamental, diverging force in human development. According to this overly familiar story, differences between the sexes are shaped by past evolutionary pressures―women are more cautious and parenting-focused, while men seek status to attract more mates. In each succeeding generation, sex hormones and male and female brains are thought to continue to reinforce these unbreachable distinctions, making for entrenched inequalities in modern society.
In Testosterone Rex: Myths of Sex, Science, and Society (Norton, 2018), psychologist Cordelia Fine wittily explains why past and present sex roles are only serving suggestions for the future, revealing a much more dynamic situation through an entertaining and well-documented exploration of the latest research that draws on evolutionary science, psychology, neuroscience, endocrinology, and philosophy. She uses stories from daily life, scientific research, and common sense to break through the din of cultural assumptions. Testosterone, for instance, is not the potent hormonal essence of masculinity; the presumed, built-in preferences of each sex, from toys to financial risk taking, are turned on their heads.
Moving beyond the old “nature versus nurture” debates, Testosterone Rex disproves ingrained myths and calls for a more equal society based on both sexes’ full, human potential.
Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 11 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cordelia Fine</itunes:subtitle>
      <itunes:summary>Many people believe that, at its core, biological sex is a fundamental, diverging force in human development. According to this overly familiar story, differences between the sexes are shaped by past evolutionary pressures―women are more cautious and parenting-focused, while men seek status to attract more mates. In each succeeding generation, sex hormones and male and female brains are thought to continue to reinforce these unbreachable distinctions, making for entrenched inequalities in modern society.
In Testosterone Rex: Myths of Sex, Science, and Society (Norton, 2018), psychologist Cordelia Fine wittily explains why past and present sex roles are only serving suggestions for the future, revealing a much more dynamic situation through an entertaining and well-documented exploration of the latest research that draws on evolutionary science, psychology, neuroscience, endocrinology, and philosophy. She uses stories from daily life, scientific research, and common sense to break through the din of cultural assumptions. Testosterone, for instance, is not the potent hormonal essence of masculinity; the presumed, built-in preferences of each sex, from toys to financial risk taking, are turned on their heads.
Moving beyond the old “nature versus nurture” debates, Testosterone Rex disproves ingrained myths and calls for a more equal society based on both sexes’ full, human potential.
Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Many people believe that, at its core, biological sex is a fundamental, diverging force in human development. According to this overly familiar story, differences between the sexes are shaped by past evolutionary pressures―women are more cautious and parenting-focused, while men seek status to attract more mates. In each succeeding generation, sex hormones and male and female brains are thought to continue to reinforce these unbreachable distinctions, making for entrenched inequalities in modern society.</p><p>In <a href="https://bookshop.org/a/12343/9780393355482"><em>Testosterone Rex: Myths of Sex, Science, and Society</em></a><em> </em>(Norton, 2018), psychologist Cordelia Fine wittily explains why past and present sex roles are only serving suggestions for the future, revealing a much more dynamic situation through an entertaining and well-documented exploration of the latest research that draws on evolutionary science, psychology, neuroscience, endocrinology, and philosophy. She uses stories from daily life, scientific research, and common sense to break through the din of cultural assumptions. Testosterone, for instance, is not the potent hormonal essence of masculinity; the presumed, built-in preferences of each sex, from toys to financial risk taking, are turned on their heads.</p><p>Moving beyond the old “nature versus nurture” debates, <em>Testosterone Rex</em> disproves ingrained myths and calls for a more equal society based on both sexes’ full, human potential.</p><p>Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4364</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[071e9f88-cf65-11ef-8f3b-d3fc7c0b1e38]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7151650892.mp3?updated=1736522074" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Greenburg, "At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War" (Cornell UP, 2023)</title>
      <description>At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War (Cornell University Press, 2023) by Jennifer Greenburg reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality.
Dr. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 11 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Greenburg</itunes:subtitle>
      <itunes:summary>At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War (Cornell University Press, 2023) by Jennifer Greenburg reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality.
Dr. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501767746"><em>At War with Women: Military Humanitarianism and Imperial Feminism in an Era of Permanent War</em></a> (Cornell University Press, 2023) by Jennifer Greenburg reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality.</p><p>Dr. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2645</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Gabriele Badano and Alasia Nuti, "Politicizing Political Liberalism: On the Containment of Illiberal and Antidemocratic Views" (Oxford UP, 2024)</title>
      <description>How should broadly liberal democratic societies stop illiberal and antidemocratic views from gaining influence while honouring liberal democratic values? This question has become particularly pressing after the recent successes of right-wing populist leaders and parties across Europe, in the US, and beyond. Politicizing Political Liberalism: On the Containment of Illiberal and Antidemocratic Views ﻿(Oxford University Press, 2024) by Alasia Nuti and Gabriele Badano develops a normative account of liberal democratic self-defence that denounces the failures of real-world societies without excusing those supporting illiberal and antidemocratic political actors. This account is innovative in focusing not only on the role of the state but also on the duties of nonstate actors including citizens, partisans, and municipalities. Consequently, it also addresses cases where the central government has at least been partly captured by illiberal and antidemocratic agents. Gabriele Badano and Alasia Nuti's approach builds on John Rawls's treatment of political liberalism and his awareness of the need to 'contain' unreasonable views, that is, views denying that society should treat every person as free and equal through a mutually acceptable system of social cooperation where pluralism is to be expected. The authors offer original solutions to vexed problems within political liberalism by putting forward a new account of the relation between ideal and non-ideal theory, explaining why it is justifiable to exclude unreasonable persons from the constituency of public reason, and showing that the strictures of public reason do not apply to those suffering from severe injustice. In doing so, the book further politicizes political liberalism and turns it into a framework that can insightfully respond to the challenges of real politics.
Alasia Nuti is senior Lecturer in Political Theory at the University of York. Her work is situated at the intersection of analytical political theory, critical theory, gender studies and critical race theory
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alasia Nuti</itunes:subtitle>
      <itunes:summary>How should broadly liberal democratic societies stop illiberal and antidemocratic views from gaining influence while honouring liberal democratic values? This question has become particularly pressing after the recent successes of right-wing populist leaders and parties across Europe, in the US, and beyond. Politicizing Political Liberalism: On the Containment of Illiberal and Antidemocratic Views ﻿(Oxford University Press, 2024) by Alasia Nuti and Gabriele Badano develops a normative account of liberal democratic self-defence that denounces the failures of real-world societies without excusing those supporting illiberal and antidemocratic political actors. This account is innovative in focusing not only on the role of the state but also on the duties of nonstate actors including citizens, partisans, and municipalities. Consequently, it also addresses cases where the central government has at least been partly captured by illiberal and antidemocratic agents. Gabriele Badano and Alasia Nuti's approach builds on John Rawls's treatment of political liberalism and his awareness of the need to 'contain' unreasonable views, that is, views denying that society should treat every person as free and equal through a mutually acceptable system of social cooperation where pluralism is to be expected. The authors offer original solutions to vexed problems within political liberalism by putting forward a new account of the relation between ideal and non-ideal theory, explaining why it is justifiable to exclude unreasonable persons from the constituency of public reason, and showing that the strictures of public reason do not apply to those suffering from severe injustice. In doing so, the book further politicizes political liberalism and turns it into a framework that can insightfully respond to the challenges of real politics.
Alasia Nuti is senior Lecturer in Political Theory at the University of York. Her work is situated at the intersection of analytical political theory, critical theory, gender studies and critical race theory
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should broadly liberal democratic societies stop illiberal and antidemocratic views from gaining influence while honouring liberal democratic values? This question has become particularly pressing after the recent successes of right-wing populist leaders and parties across Europe, in the US, and beyond. <a href="https://bookshop.org/a/12343/9780192859310"><em>Politicizing Political Liberalism: On the Containment of Illiberal and Antidemocratic Views</em></a><em> </em>﻿(Oxford University Press, 2024) by Alasia Nuti and Gabriele Badano develops a normative account of liberal democratic self-defence that denounces the failures of real-world societies without excusing those supporting illiberal and antidemocratic political actors. This account is innovative in focusing not only on the role of the state but also on the duties of nonstate actors including citizens, partisans, and municipalities. Consequently, it also addresses cases where the central government has at least been partly captured by illiberal and antidemocratic agents. Gabriele Badano and Alasia Nuti's approach builds on John Rawls's treatment of political liberalism and his awareness of the need to 'contain' unreasonable views, that is, views denying that society should treat every person as free and equal through a mutually acceptable system of social cooperation where pluralism is to be expected. The authors offer original solutions to vexed problems within political liberalism by putting forward a new account of the relation between ideal and non-ideal theory, explaining why it is justifiable to exclude unreasonable persons from the constituency of public reason, and showing that the strictures of public reason do not apply to those suffering from severe injustice. In doing so, the book further politicizes political liberalism and turns it into a framework that can insightfully respond to the challenges of real politics.</p><p><strong>Alasia Nuti is senior Lecturer in Political Theory at the University of York. Her work is situated at the intersection of analytical political theory, critical theory, gender studies and critical race theory</strong></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3727</itunes:duration>
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    </item>
    <item>
      <title>Negative Life</title>
      <description>Steven Swarbrick and Jean-Thomas Tremblay talk about negative life, which names the misalignment of individual and species survival, as a condition of thought and film. In developing this concept, they shed light on the gaps within the rhetoric of entanglement, and push against ethics and politics that insist on the values of human and nonhuman relations. Negative life already inheres in existing social relationships because the world is already broken. Steven and Jean-Thomas critique much of ecocriticism’s romantic attachment to contingencies and solutions that would have us ignore this truth.
Steven Swarbrick is Associate Professor of English at Baruch College, City University of New York. He is the author of two books: The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and The Earth Is Evil (forthcoming from the University of Nebraska Press, “Provocations” series, 2025). He is a coauthor, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). He has been a guest at High Theory in the past, and his previous episode on ‘The Environmental Unconscious’ can be found here.
Jean-Thomas Tremblay is Associate Professor of Environmental Humanities and Director of the Graduate Program in Social and Political Thought at York University, in Toronto. He is the author of Breathing Aesthetics (Duke University Press, 2022) and, with Steven Swarbrick, a coauthor of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). Excerpts from a book-in-progress on climate action, liberal sensemaking, and the "world" concept have appeared in Critical Inquiry and are forthcoming in Representations.
Image: © 2025 Saronik Bosu. The silhouette of a forest and that of a cow floating above it, against an orange sky, and a general atmosphere of smoke and haze.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Swarbrick and Jean-Thomas Tremblay</itunes:subtitle>
      <itunes:summary>Steven Swarbrick and Jean-Thomas Tremblay talk about negative life, which names the misalignment of individual and species survival, as a condition of thought and film. In developing this concept, they shed light on the gaps within the rhetoric of entanglement, and push against ethics and politics that insist on the values of human and nonhuman relations. Negative life already inheres in existing social relationships because the world is already broken. Steven and Jean-Thomas critique much of ecocriticism’s romantic attachment to contingencies and solutions that would have us ignore this truth.
Steven Swarbrick is Associate Professor of English at Baruch College, City University of New York. He is the author of two books: The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and The Earth Is Evil (forthcoming from the University of Nebraska Press, “Provocations” series, 2025). He is a coauthor, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). He has been a guest at High Theory in the past, and his previous episode on ‘The Environmental Unconscious’ can be found here.
Jean-Thomas Tremblay is Associate Professor of Environmental Humanities and Director of the Graduate Program in Social and Political Thought at York University, in Toronto. He is the author of Breathing Aesthetics (Duke University Press, 2022) and, with Steven Swarbrick, a coauthor of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). Excerpts from a book-in-progress on climate action, liberal sensemaking, and the "world" concept have appeared in Critical Inquiry and are forthcoming in Representations.
Image: © 2025 Saronik Bosu. The silhouette of a forest and that of a cow floating above it, against an orange sky, and a general atmosphere of smoke and haze.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Steven Swarbrick and Jean-Thomas Tremblay talk about negative life, which names the misalignment of individual and species survival, as a condition of thought and film. In developing this concept, they shed light on the gaps within the rhetoric of entanglement, and push against ethics and politics that insist on the values of human and nonhuman relations. Negative life already inheres in existing social relationships because the world is already broken. Steven and Jean-Thomas critique much of ecocriticism’s romantic attachment to contingencies and solutions that would have us ignore this truth.</p><p><a href="https://www.stevenswarbrick.com/">Steven Swarbrick</a> is Associate Professor of English at Baruch College, City University of New York. He is the author of two books: <a href="https://www.upress.umn.edu/9781517913816/the-environmental-unconscious/">The Environmental Unconscious: Ecological Poetics from Spenser to Milton</a> (University of Minnesota Press, 2023) and The Earth Is Evil (forthcoming from the University of Nebraska Press, “Provocations” series, 2025). He is a coauthor, with Jean-Thomas Tremblay, of <a href="https://nupress.northwestern.edu/9780810147195/negative-life/">Negative Life: The Cinema of Extinction</a> (Northwestern University Press, 2024). He has been a guest at High Theory in the past, and his previous episode on ‘The Environmental Unconscious’ can be found <a href="https://hightheory.net/2023/06/20/">here</a>.</p><p><a href="https://jeanthomastremblay.carrd.co/">Jean-Thomas Tremblay</a> is Associate Professor of Environmental Humanities and Director of the Graduate Program in Social and Political Thought at York University, in Toronto. He is the author of <a href="https://www.dukeupress.edu/breathing-aesthetics">Breathing Aesthetics</a> (Duke University Press, 2022) and, with Steven Swarbrick, a coauthor of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). Excerpts from a book-in-progress on climate action, liberal sensemaking, and the "world" concept have appeared in Critical Inquiry and are forthcoming in Representations.</p><p>Image: © 2025 Saronik Bosu. The silhouette of a forest and that of a cow floating above it, against an orange sky, and a general atmosphere of smoke and haze.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1329</itunes:duration>
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    <item>
      <title>In Conversation: Epistemology, Critical Race Theory and Critical Muslim Studies</title>
      <description>In this episode, Uzma Jamil is speaking to Stephen Sheehi on epistemology, critical race theory and critical Muslim studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>31</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/32bab1cc-6318-11ef-8f65-ff054ffdad57/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Stephen Sheehi</itunes:subtitle>
      <itunes:summary>In this episode, Uzma Jamil is speaking to Stephen Sheehi on epistemology, critical race theory and critical Muslim studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Uzma Jamil is speaking to Stephen Sheehi on epistemology, critical race theory and critical Muslim studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2396</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d91e4ff1-dc07-4dfd-b9fd-77299f392821]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2756222903.mp3?updated=1724614610" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Phelps and Robin Vandome, "Marxism and America: New Appraisals" (Manchester UP, 2021)</title>
      <description>If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New Appraisals (Manchester University Press, 2021) sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle.
I was joined for this interview by editors Christopher Phelps and Robin Vandome (both University of Nottingham), and contributors Mara Keire (Oxford University) and Andrew Hartman (Illinois State University). 
We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you enjoy our conversation as much as we enjoyed recording it!
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher Phelps, Robin Vandome, Mara Keire, and Andrew Hartman</itunes:subtitle>
      <itunes:summary>If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New Appraisals (Manchester University Press, 2021) sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle.
I was joined for this interview by editors Christopher Phelps and Robin Vandome (both University of Nottingham), and contributors Mara Keire (Oxford University) and Andrew Hartman (Illinois State University). 
We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you enjoy our conversation as much as we enjoyed recording it!
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? <em>Marxism and America: New Appraisals </em>(Manchester University Press, 2021)<em> </em>sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle.</p><p>I was joined for this interview by editors <a href="https://www.nottingham.ac.uk/clas/departments/american/people/christopher.phelps">Christopher Phelps</a> and <a href="https://www.nottingham.ac.uk/CLAS/people/robin.vandome">Robin Vandome</a> (both University of Nottingham), and contributors <a href="https://www.history.ox.ac.uk/people/dr-mara-keire#/">Mara Keire</a> (Oxford University) and <a href="https://history.illinoisstate.edu/faculty_staff/profile.php?ulid=ahartma">Andrew Hartman</a> (Illinois State University). </p><p>We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you enjoy our conversation as much as we enjoyed recording it!</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by </em><a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a><em> or on </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[576a9020-cb8f-11ef-b012-5faadef847c2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8889152549.mp3?updated=1736100547" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joel Whitebook, "Freud: An Intellectual Biography" (Cambridge UP, 2017)</title>
      <description>We interview Dr. Joel Whitebook, philosopher and psychoanalyst about his book Freud: An Intellectual Biography (Cambridge UP, 2017). Dr. Whitebook works in Critical Theory in the tradition of the Frankfurt School, developing that tradition with his clinical and philosophical knowledge of recent advances in psychoanalytic theory.
The life and work of Sigmund Freud continue to fascinate general and professional readers alike. Joel Whitebook here presents the first major biography of Freud since the last century, taking into account recent developments in psychoanalytic theory and practice, gender studies, philosophy, cultural theory, and more. Offering a radically new portrait of the creator of psychoanalysis, this book explores the man in all his complexity alongside an interpretation of his theories that cuts through the stereotypes that surround him. The development of Freud's thinking is addressed not only in the context of his personal life, but also in that of society and culture at large, while the impact of his thinking on subsequent issues of psychoanalysis, philosophy, and social theory is fully examined. Whitebook demonstrates that declarations of Freud's obsolescence are premature, and, with his clear and engaging style, brings this vivid figure to life in compelling and readable fashion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joel Whitebook</itunes:subtitle>
      <itunes:summary>We interview Dr. Joel Whitebook, philosopher and psychoanalyst about his book Freud: An Intellectual Biography (Cambridge UP, 2017). Dr. Whitebook works in Critical Theory in the tradition of the Frankfurt School, developing that tradition with his clinical and philosophical knowledge of recent advances in psychoanalytic theory.
The life and work of Sigmund Freud continue to fascinate general and professional readers alike. Joel Whitebook here presents the first major biography of Freud since the last century, taking into account recent developments in psychoanalytic theory and practice, gender studies, philosophy, cultural theory, and more. Offering a radically new portrait of the creator of psychoanalysis, this book explores the man in all his complexity alongside an interpretation of his theories that cuts through the stereotypes that surround him. The development of Freud's thinking is addressed not only in the context of his personal life, but also in that of society and culture at large, while the impact of his thinking on subsequent issues of psychoanalysis, philosophy, and social theory is fully examined. Whitebook demonstrates that declarations of Freud's obsolescence are premature, and, with his clear and engaging style, brings this vivid figure to life in compelling and readable fashion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We interview Dr. Joel Whitebook, philosopher and psychoanalyst about his book<a href="https://bookshop.org/a/12343/9780521864183"> <em>Freud: An Intellectual Biography</em></a><em> </em>(Cambridge UP, 2017). Dr. Whitebook works in Critical Theory in the tradition of the Frankfurt School, developing that tradition with his clinical and philosophical knowledge of recent advances in psychoanalytic theory.</p><p>The life and work of Sigmund Freud continue to fascinate general and professional readers alike. Joel Whitebook here presents the first major biography of Freud since the last century, taking into account recent developments in psychoanalytic theory and practice, gender studies, philosophy, cultural theory, and more. Offering a radically new portrait of the creator of psychoanalysis, this book explores the man in all his complexity alongside an interpretation of his theories that cuts through the stereotypes that surround him. The development of Freud's thinking is addressed not only in the context of his personal life, but also in that of society and culture at large, while the impact of his thinking on subsequent issues of psychoanalysis, philosophy, and social theory is fully examined. Whitebook demonstrates that declarations of Freud's obsolescence are premature, and, with his clear and engaging style, brings this vivid figure to life in compelling and readable fashion.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3326</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[30ade588-cb8d-11ef-90b1-23ba26bf1008]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7097012947.mp3?updated=1736099555" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam Elliott-Cooper, "Black Resistance to British Policing" (Manchester UP, 2021)</title>
      <description>As police racism unsettles Britain's tolerant self-image, Black Resistance to British Policing (Manchester UP, 2021) details the activism that made movements like Black Lives Matter possible. Adam Elliott-Cooper analyses racism beyond prejudice and the interpersonal - arguing that black resistance confronts a global system of racial classification, exploitation and violence.
Imperial cultures and policies, as well as colonial war and policing highlight connections between these histories and contemporary racisms. But this is a book about resistance, considering black liberation movements in the 20th century while utilising a decade of activist research covering spontaneous rebellion, campaigns and protest in the 21st century. Drawing connections between histories of resistance and different kinds of black struggle against policing is vital, it is argued, if we are to challenge the cutting edge of police and prison power which harnesses new and dangerous forms of surveillance, violence and criminalisation.
Black Resistance to British Policing is a must read for all those who are interested in the history of the British Empire, its enduring legacies, and anti-colonial and anti-racist resistance.
Adam Elliot-Cooper is a Lecturer (Assistant Professor) in Public and Social Policy at Queen Mary University of London. He is also co-author of Empire’s Endgame: Racism and the British State (Pluto Press, 2021). He sits on the board of The Monitoring Group, an anti-racist organisation challenging state racisms and racial violence.

Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Elliott-Cooper</itunes:subtitle>
      <itunes:summary>As police racism unsettles Britain's tolerant self-image, Black Resistance to British Policing (Manchester UP, 2021) details the activism that made movements like Black Lives Matter possible. Adam Elliott-Cooper analyses racism beyond prejudice and the interpersonal - arguing that black resistance confronts a global system of racial classification, exploitation and violence.
Imperial cultures and policies, as well as colonial war and policing highlight connections between these histories and contemporary racisms. But this is a book about resistance, considering black liberation movements in the 20th century while utilising a decade of activist research covering spontaneous rebellion, campaigns and protest in the 21st century. Drawing connections between histories of resistance and different kinds of black struggle against policing is vital, it is argued, if we are to challenge the cutting edge of police and prison power which harnesses new and dangerous forms of surveillance, violence and criminalisation.
Black Resistance to British Policing is a must read for all those who are interested in the history of the British Empire, its enduring legacies, and anti-colonial and anti-racist resistance.
Adam Elliot-Cooper is a Lecturer (Assistant Professor) in Public and Social Policy at Queen Mary University of London. He is also co-author of Empire’s Endgame: Racism and the British State (Pluto Press, 2021). He sits on the board of The Monitoring Group, an anti-racist organisation challenging state racisms and racial violence.

Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As police racism unsettles Britain's tolerant self-image, <a href="https://bookshop.org/a/12343/9781526157072"><em>Black Resistance to British Policing</em></a> (Manchester UP, 2021) details the activism that made movements like Black Lives Matter possible. Adam Elliott-Cooper analyses racism beyond prejudice and the interpersonal - arguing that black resistance confronts a global system of racial classification, exploitation and violence.</p><p>Imperial cultures and policies, as well as colonial war and policing highlight connections between these histories and contemporary racisms. But this is a book about resistance, considering black liberation movements in the 20th century while utilising a decade of activist research covering spontaneous rebellion, campaigns and protest in the 21st century. Drawing connections between histories of resistance and different kinds of black struggle against policing is vital, it is argued, if we are to challenge the cutting edge of police and prison power which harnesses new and dangerous forms of surveillance, violence and criminalisation.</p><p><em>Black Resistance to British Policing</em> is a must read for all those who are interested in the history of the British Empire, its enduring legacies, and anti-colonial and anti-racist resistance.</p><p><a href="https://www.qmul.ac.uk/politics/staff/profiles/elliottcooperadam.html">Adam Elliot-Cooper</a> is a Lecturer (Assistant Professor) in Public and Social Policy at Queen Mary University of London. He is also co-author of <a href="https://www.plutobooks.com/9780745342047/empires-endgame/">Empire’s Endgame: Racism and the British State</a> (Pluto Press, 2021). He sits on the board of The Monitoring Group, an anti-racist organisation challenging state racisms and racial violence.</p><p><br></p><p><a href="https://www.ncl.ac.uk/gps/staff/profile/denizyonucu.html"><em>Deniz Yonucu</em></a><em> is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, </em><a href="https://www.cornellpress.cornell.edu/book/9781501762161/police-provocation-politics/#bookTabs=1"><em>Police, Provocation, Politics Counterinsurgency in Istanbul</em></a><em> (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3553</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a792c22-cb8b-11ef-b47a-430e613525ff]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3454398549.mp3?updated=1736098872" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Mandler, "The Crisis of the Meritocracy: Britain's Transition to Mass Education Since the Second World War" (Oxford UP, 2020)</title>
      <description>How did public demand shape education in the 20th century? In The Crisis of the Meritocracy: Britain’s Transition to Mass Education since the Second World War (Oxford UP, 2020), Peter Mandler, Professor of Modern Cultural History at the University of Cambridge, charts the history of schools, colleges, and universities. The book charts the tension between demands for democracy and the defence of meritocracy within both elite and public discourses, showing how this tension plays out in Britain’s complex and fragmented education system. Offering an alternative vision to the popular memory and perception of education, a note of caution about the power of education to cure social inequalities, and a celebration of public demand for high quality education for all, the book is essential reading across the humanities, social sciences, and for anyone interested in understanding education in contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 06 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>194</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Mandler</itunes:subtitle>
      <itunes:summary>How did public demand shape education in the 20th century? In The Crisis of the Meritocracy: Britain’s Transition to Mass Education since the Second World War (Oxford UP, 2020), Peter Mandler, Professor of Modern Cultural History at the University of Cambridge, charts the history of schools, colleges, and universities. The book charts the tension between demands for democracy and the defence of meritocracy within both elite and public discourses, showing how this tension plays out in Britain’s complex and fragmented education system. Offering an alternative vision to the popular memory and perception of education, a note of caution about the power of education to cure social inequalities, and a celebration of public demand for high quality education for all, the book is essential reading across the humanities, social sciences, and for anyone interested in understanding education in contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did public demand shape education in the 20th century? In <a href="https://bookshop.org/a/12343/9780198840145"><em>The Crisis of the Meritocracy: Britain’s Transition to Mass Education since the Second World War</em></a> (Oxford UP, 2020), <a href="https://www.hist.cam.ac.uk/people/prof-peter-mandler">Peter Mandler</a>, Professor of Modern Cultural History at the University of Cambridge, charts the history of schools, colleges, and universities. The book charts the tension between demands for democracy and the defence of meritocracy within both elite and public discourses, showing how this tension plays out in Britain’s complex and fragmented education system. Offering an alternative vision to the popular memory and perception of education, a note of caution about the power of education to cure social inequalities, and a celebration of public demand for high quality education for all, the book is essential reading across the humanities, social sciences, and for anyone interested in understanding education in contemporary society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[15c7c7c6-210e-11eb-bc2e-b74ca9c31a0c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4404018461.mp3?updated=1736094289" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd McGowan, "Universality and Identity Politics" (Columbia UP, 2020)</title>
      <description>The great political ideas and movements of the modern world were founded on a promise of universal emancipation. But in recent decades, much of the Left has grown suspicious of such aspirations. Critics see the invocation of universality as a form of domination or a way of speaking for others, and have come to favor a politics of particularism—often derided as “identity politics.” Others, both centrists and conservatives, associate universalism with twentieth-century totalitarianism and hold that it is bound to lead to catastrophe.
This book develops a new conception of universality that helps us rethink political thought and action. Todd McGowan argues that universals such as equality and freedom are not imposed on us. They emerge from our shared experience of their absence and our struggle to attain them. McGowan reconsiders the history of Nazism and Stalinism and reclaims the universalism of movements fighting racism, sexism, and homophobia. He demonstrates that the divide between Right and Left comes down to particularity versus universality. Despite the accusation of identity politics directed against leftists, every emancipatory political project is fundamentally a universal one—and the real proponents of identity politics are the right wing. Through a wide range of examples in contemporary politics, film, and history, Universality and Identity Politics (Columbia UP, 2020) offers an antidote to the impasses of identity and an inspiring vision of twenty-first-century collective struggle.
Todd McGowan is professor of film studies at the University of Vermont. His previous Columbia University Press books are The Impossible David Lynch (2007), Capitalism and Desire: The Psychic Cost of Free Markets (2016), and Emancipation After Hegel: Achieving a Contradictory Revolution (2019). He is the coeditor of the Diaeresis series at Northwestern University Press with Slavoj Žižek and Adrian Johnston. He is also cohost of the Why Theory podcast, which brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 04 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>287</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Todd McGowan</itunes:subtitle>
      <itunes:summary>The great political ideas and movements of the modern world were founded on a promise of universal emancipation. But in recent decades, much of the Left has grown suspicious of such aspirations. Critics see the invocation of universality as a form of domination or a way of speaking for others, and have come to favor a politics of particularism—often derided as “identity politics.” Others, both centrists and conservatives, associate universalism with twentieth-century totalitarianism and hold that it is bound to lead to catastrophe.
This book develops a new conception of universality that helps us rethink political thought and action. Todd McGowan argues that universals such as equality and freedom are not imposed on us. They emerge from our shared experience of their absence and our struggle to attain them. McGowan reconsiders the history of Nazism and Stalinism and reclaims the universalism of movements fighting racism, sexism, and homophobia. He demonstrates that the divide between Right and Left comes down to particularity versus universality. Despite the accusation of identity politics directed against leftists, every emancipatory political project is fundamentally a universal one—and the real proponents of identity politics are the right wing. Through a wide range of examples in contemporary politics, film, and history, Universality and Identity Politics (Columbia UP, 2020) offers an antidote to the impasses of identity and an inspiring vision of twenty-first-century collective struggle.
Todd McGowan is professor of film studies at the University of Vermont. His previous Columbia University Press books are The Impossible David Lynch (2007), Capitalism and Desire: The Psychic Cost of Free Markets (2016), and Emancipation After Hegel: Achieving a Contradictory Revolution (2019). He is the coeditor of the Diaeresis series at Northwestern University Press with Slavoj Žižek and Adrian Johnston. He is also cohost of the Why Theory podcast, which brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The great political ideas and movements of the modern world were founded on a promise of universal emancipation. But in recent decades, much of the Left has grown suspicious of such aspirations. Critics see the invocation of universality as a form of domination or a way of speaking for others, and have come to favor a politics of particularism—often derided as “identity politics.” Others, both centrists and conservatives, associate universalism with twentieth-century totalitarianism and hold that it is bound to lead to catastrophe.</p><p>This book develops a new conception of universality that helps us rethink political thought and action. Todd McGowan argues that universals such as equality and freedom are not imposed on us. They emerge from our shared experience of their absence and our struggle to attain them. McGowan reconsiders the history of Nazism and Stalinism and reclaims the universalism of movements fighting racism, sexism, and homophobia. He demonstrates that the divide between Right and Left comes down to particularity versus universality. Despite the accusation of identity politics directed against leftists, every emancipatory political project is fundamentally a universal one—and the real proponents of identity politics are the right wing. Through a wide range of examples in contemporary politics, film, and history, <a href="https://bookshop.org/a/12343/9780231197700"><em>Universality and Identity Politics</em></a> (Columbia UP, 2020) offers an antidote to the impasses of identity and an inspiring vision of twenty-first-century collective struggle.</p><p>Todd McGowan is professor of film studies at the University of Vermont. His previous Columbia University Press books are <em>The Impossible David Lynch</em> (2007), <em>Capitalism and Desire: The Psychic Cost of Free Markets</em> (2016), and <em>Emancipation After Hegel: Achieving a Contradictory Revolution</em> (2019). He is the coeditor of the Diaeresis series at Northwestern University Press with Slavoj Žižek and Adrian Johnston. He is also cohost of the <a href="https://podcasts.apple.com/au/podcast/why-theory/id1299863834">Why Theory podcast</a>, which brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3685</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a2710aa2-d233-11ec-b074-c7aad380f1f1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3966400349.mp3?updated=1735925905" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stuart Elden, "The Early Foucault" (Polity Press, 2021)</title>
      <description>What were the key ideas and influences on Michel Foucault’s early career? In The Early Foucault (Polity Press, 2021), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick and author of the Progressive Geographies blog, charts Foucault’s formative intellectual years leading up to the publication of the ground-breaking The History of Madness. The book uses a range of new archival material, much of which has been only recently accessible, to show the influence of teachers, mentors, and colleagues, as well as Foucault’s practice as an academic and writer during the 1950s and early 1960s. Telling the story of the possible intellectual trajectories, in psychology and philosophy, Foucault might have followed, along with a clear examination of the roots of his later work, the book is essential reading across the humanities and social sciences.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>260</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stuart Elden</itunes:subtitle>
      <itunes:summary>What were the key ideas and influences on Michel Foucault’s early career? In The Early Foucault (Polity Press, 2021), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick and author of the Progressive Geographies blog, charts Foucault’s formative intellectual years leading up to the publication of the ground-breaking The History of Madness. The book uses a range of new archival material, much of which has been only recently accessible, to show the influence of teachers, mentors, and colleagues, as well as Foucault’s practice as an academic and writer during the 1950s and early 1960s. Telling the story of the possible intellectual trajectories, in psychology and philosophy, Foucault might have followed, along with a clear examination of the roots of his later work, the book is essential reading across the humanities and social sciences.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What were the key ideas and influences on Michel Foucault’s early career? In <a href="https://bookshop.org/a/12343/9781509525966"><em>The Early Foucault </em></a>(Polity Press, 2021)<em>,</em> <a href="https://twitter.com/StuartElden">Stuart Elden</a>, <a href="https://warwick.ac.uk/fac/soc/pais/people/elden/">Professor of Political Theory and Geography at the University of Warwick</a> and author of the <a href="https://progressivegeographies.com/">Progressive Geographies</a> blog, charts Foucault’s formative intellectual years leading up to the publication of the ground-breaking <em>The History of Madness. </em>The book uses a range of new archival material, much of which has been only recently accessible, to show the influence of teachers, mentors, and colleagues, as well as Foucault’s practice as an academic and writer during the 1950s and early 1960s. Telling the story of the possible intellectual trajectories, in psychology and philosophy, Foucault might have followed, along with a clear examination of the roots of his later work, the book is essential reading across the humanities and social sciences.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3059</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e080da60-8522-11ec-9681-379bdf085341]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3583142301.mp3?updated=1735834491" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Camille Robcis, "Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar France" (U Chicago Press, 2021)</title>
      <description>On this episode, J.J. Mull interviews scholar and historian Camille Robcis. In her most recent book, Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar France (University of Chicago Press, 2021), Robcis grapples with the historical, intellectual, psychiatric and psychoanalytic meaning of institutional psychotherapy as articulated at Saint-Alban Hospital in France by exploring the movement’s key thinkers, including François Tosquelles, Frantz Fanon, Félix Guattari, and Michel Foucault. Anchored in the history of one hospital, Robcis's study draws on a wide geographic context—revolutionary Spain, occupied France, colonial Algeria, and beyond—and charts the movement's place within a broad political-economic landscape, from fascism to Stalinism to postwar capitalism.
J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work currently living in Northampton, MA. He can be reached at jmull@smith.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Camille Robcis</itunes:subtitle>
      <itunes:summary>On this episode, J.J. Mull interviews scholar and historian Camille Robcis. In her most recent book, Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar France (University of Chicago Press, 2021), Robcis grapples with the historical, intellectual, psychiatric and psychoanalytic meaning of institutional psychotherapy as articulated at Saint-Alban Hospital in France by exploring the movement’s key thinkers, including François Tosquelles, Frantz Fanon, Félix Guattari, and Michel Foucault. Anchored in the history of one hospital, Robcis's study draws on a wide geographic context—revolutionary Spain, occupied France, colonial Algeria, and beyond—and charts the movement's place within a broad political-economic landscape, from fascism to Stalinism to postwar capitalism.
J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work currently living in Northampton, MA. He can be reached at jmull@smith.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, J.J. Mull interviews scholar and historian Camille Robcis. In her most recent book, <a href="https://bookshop.org/a/12343/9780226777740"><em>Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar France</em></a><em> </em>(University of Chicago Press, 2021), Robcis grapples with the historical, intellectual, psychiatric and psychoanalytic meaning of institutional psychotherapy as articulated at Saint-Alban Hospital in France by exploring the movement’s key thinkers, including François Tosquelles, Frantz Fanon, Félix Guattari, and Michel Foucault. Anchored in the history of one hospital, Robcis's study draws on a wide geographic context—revolutionary Spain, occupied France, colonial Algeria, and beyond—and charts the movement's place within a broad political-economic landscape, from fascism to Stalinism to postwar capitalism.</p><p><em>J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work currently living in Northampton, MA. He can be reached at </em><a href="mailto:jmull@smith.edu"><em>jmull@smith.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3705</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cbd2689c-c79e-11ef-a9a1-f3b12133573a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1625918906.mp3?updated=1735667162" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>I. Augustus Durham, "Stay Black and Die: On Melancholy and Genius" (Duke UP, 2023)</title>
      <description>In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>488</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with I. Augustus Durham</itunes:subtitle>
      <itunes:summary>In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025528"><em>Stay Black and Die: On Melancholy and Genius</em></a><em> </em>(Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4177</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[931a3910-c6e2-11ef-b462-3ffc091eebde]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9285123682.mp3?updated=1735589918" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>In Conversation: The Antinomies of Afropessimism </title>
      <description>In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms &amp; co-author of ‘Beneath the Surface: Racial Harassment’
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>30</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/910237ac-6316-11ef-acc7-7f69004da2d2/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Barnor Hesse</itunes:subtitle>
      <itunes:summary>In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms &amp; co-author of ‘Beneath the Surface: Racial Harassment’
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, S. Sayyid talks with Barnor Hesse (Northwestern University) on the Antimonies of Afropessimism. Professor Barnor Hesse teaches in the department of African American Studies, at Northwestern University, he is the author of Raceocracy: White Sovereignty and Black Life Politics (forthcoming); co-editor of After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought; editor of ‘Unsettled Multiculturalisms &amp; co-author of ‘Beneath the Surface: Racial Harassment’</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3810</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[810d5175-cf1c-418e-a177-027dceeceaf1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3441530136.mp3?updated=1724614058" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frederick Crews, "Freud: The Making of an Illusion" (Picador, 2018)</title>
      <description>The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world. 
Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth.
Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man. 
How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work?
In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot.

Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 31 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>141</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frederick Crews</itunes:subtitle>
      <itunes:summary>The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world. 
Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth.
Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man. 
How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work?
In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot.

Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world. </p><p>Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, <a href="https://bookshop.org/a/12343/9781250183620"><em>Freud: The Making of an Illusion </em></a>(Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth.</p><p>Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man. </p><p>How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work?</p><p>In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot.</p><p><br></p><p><em>Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. </em><a href="mailto:cassandraseltman@gmail.com"><em>cassandraseltman@gmail.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3608</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[95bb6532-c6c3-11ef-8077-ab8c43715390]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8808385046.mp3?updated=1735573109" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Loneliness</title>
      <description>Loneliness is what results when a person is cut off from the living world. Ecological loneliness, in particular, is reciprocal - what we mete out always comes back to trouble us. However, as Laura Marris demonstrates, loneliness can entail the shadow work for understanding how a society based on capital and on growth, can create profound isolation. She suggests that this work can look like ground truthing a place that has changed over time, that was once familiar to us, either as individuals or as collectives, but now appears alien.
Laura Marris is an essayist, poet, and translator. Her writing has appeared or is forthcoming in The Believer, Harper’s, The New York Times, The Paris Review Daily, The Yale Review, Words Without Borders and elsewhere. She has received fellowships from MacDowell, a Katharine Bakeless Fellowship from the Bread Loaf Writer’s Conference, and a grant from the Robert B. Silvers Foundation. Her first solo-authored book, The Age of Loneliness, was published by Graywolf in August, 2024. She lives in Buffalo.
Image: “The Monk by the Sea” by Caspar David Friedrich, now housed at the Alte Nationalgalerie in Berlin. The image is in the public domain.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/572129f4-c549-11ef-b082-af7bca9e93a2/image/81c8f6998946c314cbf8682e34d59c15.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Laura Marris</itunes:subtitle>
      <itunes:summary>Loneliness is what results when a person is cut off from the living world. Ecological loneliness, in particular, is reciprocal - what we mete out always comes back to trouble us. However, as Laura Marris demonstrates, loneliness can entail the shadow work for understanding how a society based on capital and on growth, can create profound isolation. She suggests that this work can look like ground truthing a place that has changed over time, that was once familiar to us, either as individuals or as collectives, but now appears alien.
Laura Marris is an essayist, poet, and translator. Her writing has appeared or is forthcoming in The Believer, Harper’s, The New York Times, The Paris Review Daily, The Yale Review, Words Without Borders and elsewhere. She has received fellowships from MacDowell, a Katharine Bakeless Fellowship from the Bread Loaf Writer’s Conference, and a grant from the Robert B. Silvers Foundation. Her first solo-authored book, The Age of Loneliness, was published by Graywolf in August, 2024. She lives in Buffalo.
Image: “The Monk by the Sea” by Caspar David Friedrich, now housed at the Alte Nationalgalerie in Berlin. The image is in the public domain.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Loneliness is what results when a person is cut off from the living world. Ecological loneliness, in particular, is reciprocal - what we mete out always comes back to trouble us. However, as Laura Marris demonstrates, loneliness can entail the shadow work for understanding how a society based on capital and on growth, can create profound isolation. She suggests that this work can look like ground truthing a place that has changed over time, that was once familiar to us, either as individuals or as collectives, but now appears alien.</p><p><a href="http://lauramarris.com/">Laura Marris</a> is an essayist, poet, and translator. Her writing has appeared or is forthcoming in The Believer, Harper’s, The New York Times, The Paris Review Daily, The Yale Review, Words Without Borders and elsewhere. She has received fellowships from MacDowell, a Katharine Bakeless Fellowship from the Bread Loaf Writer’s Conference, and a grant from the Robert B. Silvers Foundation. Her first solo-authored book, <a href="https://bookshop.org/a/12343/9781644452943"><em>The Age of Loneliness</em></a>, was published by Graywolf in August, 2024. She lives in Buffalo.</p><p>Image: “The Monk by the Sea” by Caspar David Friedrich, now housed at the Alte Nationalgalerie in Berlin. The image is in the public domain.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1225</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Emily Herring, "Herald of a Restless World: How Henri Bergson Brought Philosophy to the People" (Basic Books, 2024)</title>
      <description>Herald of a Restless World: How Henri Bergson Brought Philosophy to the People (Basic Books, 2024) is the first English-language biography of Henri Bergson, the philosopher who defined individual creativity and transformed twentieth century thought.
At the dawn of the twentieth century, Henri Bergson became the most famous philosopher on earth. Where prior thinkers sketched out a predictable universe, he asserted the transformative power of consciousness and creativity. An international celebrity, he made headlines around the world debating luminaries like Bertrand Russell and Albert Einstein about free will and time. The vision of creative evolution and freedom he presented was so disruptive that the New York Times branded him "the most dangerous man in the world."
In the first English-language biography of Bergson, Emily Herring traces how his celebration of the time-bending uniqueness of individual experience struck a chord with those shaken by modern technological and social change. Bergson captivated a society in flux like no other. Long after he faded from public view, his insights into memory, time, joy and creativity continue to shape our perceptions to this day. Herald of a Restless World is an electrifying portrait of a singular intellect.
Emily Herring is a writer based in Paris. She studied philosophy at the Sorbonne and received her PhD in the history and philosophy of science from the University of Leeds. Her work has appeared in the TLS and Aeon.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 29 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>504</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Herring</itunes:subtitle>
      <itunes:summary>Herald of a Restless World: How Henri Bergson Brought Philosophy to the People (Basic Books, 2024) is the first English-language biography of Henri Bergson, the philosopher who defined individual creativity and transformed twentieth century thought.
At the dawn of the twentieth century, Henri Bergson became the most famous philosopher on earth. Where prior thinkers sketched out a predictable universe, he asserted the transformative power of consciousness and creativity. An international celebrity, he made headlines around the world debating luminaries like Bertrand Russell and Albert Einstein about free will and time. The vision of creative evolution and freedom he presented was so disruptive that the New York Times branded him "the most dangerous man in the world."
In the first English-language biography of Bergson, Emily Herring traces how his celebration of the time-bending uniqueness of individual experience struck a chord with those shaken by modern technological and social change. Bergson captivated a society in flux like no other. Long after he faded from public view, his insights into memory, time, joy and creativity continue to shape our perceptions to this day. Herald of a Restless World is an electrifying portrait of a singular intellect.
Emily Herring is a writer based in Paris. She studied philosophy at the Sorbonne and received her PhD in the history and philosophy of science from the University of Leeds. Her work has appeared in the TLS and Aeon.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781541600942"><em>Herald of a Restless World: How Henri Bergson Brought Philosophy to the People</em></a><em> </em>(Basic Books, 2024) is the first English-language biography of Henri Bergson, the philosopher who defined individual creativity and transformed twentieth century thought.</p><p>At the dawn of the twentieth century, Henri Bergson became the most famous philosopher on earth. Where prior thinkers sketched out a predictable universe, he asserted the transformative power of consciousness and creativity. An international celebrity, he made headlines around the world debating luminaries like Bertrand Russell and Albert Einstein about free will and time. The vision of creative evolution and freedom he presented was so disruptive that the New York Times branded him "the most dangerous man in the world."</p><p>In the first English-language biography of Bergson, Emily Herring traces how his celebration of the time-bending uniqueness of individual experience struck a chord with those shaken by modern technological and social change. Bergson captivated a society in flux like no other. Long after he faded from public view, his insights into memory, time, joy and creativity continue to shape our perceptions to this day. Herald of a Restless World is an electrifying portrait of a singular intellect.</p><p>Emily Herring is a writer based in Paris. She studied philosophy at the Sorbonne and received her PhD in the history and philosophy of science from the University of Leeds. Her work has appeared in the TLS and Aeon.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3781</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Harvey J. Kaye, "The British Marxist Historians" (Zero Book, 2022)</title>
      <description>The British Marxist Historians, originally published in 1995, remains the first and most complete study of the founders of one of the most influential contemporary academic traditions in history and social theory. In this classic text, Kaye looks at Maurice Dobb and the debate on the transition to capitalism; Rodney Hilton on feudalism and the English peasantry; Christopher Hill on the English Revolution; Eric Hobsbawm on workers, peasants and world history; and E.P. Thompson on the making of the English working class. Kaye compares their perspective on history with other approaches, such as that of the French Annales school, and concludes with a discussion of the British Marxist historians' contribution to the formation of a democratic historical consciousness. The British Marxist Historians is an indispensable book for anyone interested in the intellectual history of the late twentieth century.
Harvey J. Kaye is the Ben &amp; Joyce Rosenberg Professor of Democracy and Justice Studies at the University of Wisconsin-Green Bay, an award-winning author of numerous books, including Thomas Paine and the Promise of America, a frequent contributor to the Huffington Post and The Daily Beast, and a repeat guest on radio and television programs such as To the Best of Our Knowledge, the Thom Hartmann Show, and Bill Moyers' Journal. 
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 29 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>337</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Harvey J. Kaye</itunes:subtitle>
      <itunes:summary>The British Marxist Historians, originally published in 1995, remains the first and most complete study of the founders of one of the most influential contemporary academic traditions in history and social theory. In this classic text, Kaye looks at Maurice Dobb and the debate on the transition to capitalism; Rodney Hilton on feudalism and the English peasantry; Christopher Hill on the English Revolution; Eric Hobsbawm on workers, peasants and world history; and E.P. Thompson on the making of the English working class. Kaye compares their perspective on history with other approaches, such as that of the French Annales school, and concludes with a discussion of the British Marxist historians' contribution to the formation of a democratic historical consciousness. The British Marxist Historians is an indispensable book for anyone interested in the intellectual history of the late twentieth century.
Harvey J. Kaye is the Ben &amp; Joyce Rosenberg Professor of Democracy and Justice Studies at the University of Wisconsin-Green Bay, an award-winning author of numerous books, including Thomas Paine and the Promise of America, a frequent contributor to the Huffington Post and The Daily Beast, and a repeat guest on radio and television programs such as To the Best of Our Knowledge, the Thom Hartmann Show, and Bill Moyers' Journal. 
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789048643"><em>The British Marxist Historians</em></a>, originally published in 1995, remains the first and most complete study of the founders of one of the most influential contemporary academic traditions in history and social theory. In this classic text, Kaye looks at Maurice Dobb and the debate on the transition to capitalism; Rodney Hilton on feudalism and the English peasantry; Christopher Hill on the English Revolution; Eric Hobsbawm on workers, peasants and world history; and E.P. Thompson on the making of the English working class. Kaye compares their perspective on history with other approaches, such as that of the French Annales school, and concludes with a discussion of the British Marxist historians' contribution to the formation of a democratic historical consciousness. The British Marxist Historians is an indispensable book for anyone interested in the intellectual history of the late twentieth century.</p><p>Harvey J. Kaye is the Ben &amp; Joyce Rosenberg Professor of Democracy and Justice Studies at the University of Wisconsin-Green Bay, an award-winning author of numerous books, including Thomas Paine and the Promise of America, a frequent contributor to the Huffington Post and The Daily Beast, and a repeat guest on radio and television programs such as To the Best of Our Knowledge, the Thom Hartmann Show, and Bill Moyers' Journal. </p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4493</itunes:duration>
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    <item>
      <title>Peter Salmon, "An Event, Perhaps: A Biography of Jacques Derrida" (Verso, 2020)</title>
      <description>Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times.
Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida’s intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century.
Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 28 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Salmon</itunes:subtitle>
      <itunes:summary>Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times.
Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida’s intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century.
Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In <a href="https://bookshop.org/a/12343/9781788732802"><em>An Event, Perhaps</em></a><em> </em>(Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times.</p><p>Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida’s intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, <em>An Event, Perhaps</em> will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century.</p><p><a href="https://www.petersalmon.co.uk/">Peter Salmon</a> is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4570</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ben Highmore, "Playgrounds: The Experimental Years" (Reaktion, 2024)</title>
      <description>After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. 
Playgrounds: The Experimental Years (Reaktion, 2024) tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities--and above all--about the value of play.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>503</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Highmore</itunes:subtitle>
      <itunes:summary>After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. 
Playgrounds: The Experimental Years (Reaktion, 2024) tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities--and above all--about the value of play.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After World War II, a new kind of playground emerged in Northern Europe and North America. Rather than slides, swings, and roundabouts, these new playgrounds encouraged children to build shacks and invent their own entertainment. </p><p><a href="https://bookshop.org/a/12343/9781789149470"><em>Playgrounds: The Experimental Years </em></a>(Reaktion, 2024) tells the story of how waste grounds and bombsites were transformed into hives of activity by children and progressive educators. It shows how a belief in the imaginative capacity of children shaped a new kind of playground and how designers reimagined what playgrounds could be. Ben Highmore tells a compelling story about pioneers, designers, and charities--and above all--about the value of play.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2706</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cbcc3d38-c09f-11ef-a4ad-3b4038762b55]]></guid>
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    <item>
      <title>Rebecca Ball, "A Hundred English Working-Class Lives, 1900-1945" (Palgrave MacMillan, 2024)</title>
      <description>How do ordinary people write the stories of their lives? In A Hundred English Working-Class Lives, 1900-1945 (Palgrave MacMillan, 2024), Rebecca Ball, a lecturer in history at Manchester Metropolitan University, presents the microhistory of a series of working-class autobiographies. Ranging from childhood experiences, through education, work, marriage and death, the book draws on the hundred voices to paint a rich and evocative picture of working-class life. These lives are lived against the backdrop of huge global events, not least of which are two world wars. Yet what comes through is the sense of continuity of everyday life even in the face of such huge social change. Offering theoretical reflection for historians as well as being accessible to general readers, the book is essential reading for anyone interested in understanding life in the first half of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>502</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rebecca Ball</itunes:subtitle>
      <itunes:summary>How do ordinary people write the stories of their lives? In A Hundred English Working-Class Lives, 1900-1945 (Palgrave MacMillan, 2024), Rebecca Ball, a lecturer in history at Manchester Metropolitan University, presents the microhistory of a series of working-class autobiographies. Ranging from childhood experiences, through education, work, marriage and death, the book draws on the hundred voices to paint a rich and evocative picture of working-class life. These lives are lived against the backdrop of huge global events, not least of which are two world wars. Yet what comes through is the sense of continuity of everyday life even in the face of such huge social change. Offering theoretical reflection for historians as well as being accessible to general readers, the book is essential reading for anyone interested in understanding life in the first half of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do ordinary people write the stories of their lives? In <a href="https://bookshop.org/a/12343/9783031550836"><em>A Hundred English Working-Class Lives, 1900-1945</em> </a>(Palgrave MacMillan, 2024)<em>,</em> <a href="https://x.com/DrRebeccaBall">Rebecca Ball</a>, <a href="https://www.mmu.ac.uk/staff/profile/dr-rebecca-ball#t-tabs_staff_profile-0">a lecturer in history at Manchester Metropolitan University</a>, presents the microhistory of a series of working-class autobiographies. Ranging from childhood experiences, through education, work, marriage and death, the book draws on the hundred voices to paint a rich and evocative picture of working-class life. These lives are lived against the backdrop of huge global events, not least of which are two world wars. Yet what comes through is the sense of continuity of everyday life even in the face of such huge social change. Offering theoretical reflection for historians as well as being accessible to general readers, the book is essential reading for anyone interested in understanding life in the first half of the twentieth century.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2005</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Peter Singer, "Consider the Turkey" (Princeton UP, 2024)</title>
      <description>A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today’s specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story—and, unfortunately, it’s not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential “pardon” of a Thanksgiving turkey, and introduces us to “a tremendously handsome, outgoing, and intelligent turkey” named Cornelius. Above all, Singer explains how we can improve our holiday tables—for turkeys, people, and the planet—by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative—or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, Consider the Turkey (Princeton University Press, 2024) will make you reconsider what you serve for your next holiday meal—or even tomorrow’s dinner.
Peter Singer is a professor of bioethics, with a background in philosophy. He works mostly in practical ethics and is best known for Animal Liberation and for his writings about global poverty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Singer</itunes:subtitle>
      <itunes:summary>A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today’s specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story—and, unfortunately, it’s not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential “pardon” of a Thanksgiving turkey, and introduces us to “a tremendously handsome, outgoing, and intelligent turkey” named Cornelius. Above all, Singer explains how we can improve our holiday tables—for turkeys, people, and the planet—by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative—or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, Consider the Turkey (Princeton University Press, 2024) will make you reconsider what you serve for your next holiday meal—or even tomorrow’s dinner.
Peter Singer is a professor of bioethics, with a background in philosophy. He works mostly in practical ethics and is best known for Animal Liberation and for his writings about global poverty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A turkey is the centerpiece of countless Thanksgiving and Christmas dinners. Yet most of us know almost nothing about today’s specially bred, commercially produced birds. In this brief book, bestselling author Peter Singer tells their story—and, unfortunately, it’s not a happy one. Along the way, he also offers a brief history of the turkey and its consumption, ridicules the annual U.S. presidential “pardon” of a Thanksgiving turkey, and introduces us to “a tremendously handsome, outgoing, and intelligent turkey” named Cornelius. Above all, Singer explains how we can improve our holiday tables—for turkeys, people, and the planet—by liberating ourselves from the traditional turkey feast. In its place, he encourages us to consider trying a vegetarian alternative—or just serving the side dishes that many people already enjoy far more than turkey. Complete with some delicious recipes for turkey-free holiday feasting, <a href="https://bookshop.org/a/12343/9780691231686"><em>Consider the Turkey</em></a> (Princeton University Press, 2024) will make you reconsider what you serve for your next holiday meal—or even tomorrow’s dinner.</p><p><a href="https://www.petersinger.info/">Peter Singer</a> is a professor of bioethics, with a background in philosophy. He works mostly in practical ethics and is best known for <em>Animal Liberation</em> and for his writings about global poverty.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3008</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Larry S. Temkin, "Being Good in a World of Need" (Oxford UP, 2022)</title>
      <description>In a world filled with both enormous wealth and pockets of great devastation, how should the well-off respond to the world's needy?
This is the urgent central question of Being Good in a World of Need (Oxford UP, 2024). Larry S. Temkin, one of the world's foremost ethicists, challenges common assumptions about philanthropy, his own prior beliefs, and the dominant philosophical positions of Peter Singer and Effective Altruism. Filled with keen analysis and insightful discussions of philosophy, current events, development economics, history, literature, and age-old wisdom, this book is a thorough and sobering exploration of the complicated ways that global aid may incentivize disastrous policies, reward corruption, and foster “brain drains” that hinder social and economic development.
Using real-world examples and illuminating thought experiments, Temkin discusses ethical imperialism, humanitarian versus developmental aid, how charities ignore or coverup negative impacts, replicability and scaling-up problems, and the views of the renowned economists Angus Deaton and Jeffrey Sachs, all within the context of deeper philosophical issues of fairness, responsibility, and individual versus collective morality. At times both inspiring and profoundly disturbing, he presents the powerful argument that neglecting the needy is morally impermissible, even as he illustrates that the path towards helping others is often fraught with complex ethical and practical perils. Steeped in empathy, morality, pathos, and humanity, this is an engaging and eye-opening text for any reader who shares an intense concern for helping others in need.
Larry S. Temkin is Emeritus Professor of Philosophy at Rutgers. He graduated number one from the University of Wisconsin/Madison before pursuing graduate work at Oxford and earning his PhD from Princeton. He is the author of Inequality, hailed as "one of the [20th century's] most important contributions to analytical political philosophy" and of Rethinking the Good, described as a "tour de force" and "a genuinely awe-inspiring achievement." Temkin's approach to equality has been adopted by the World Health Organization. An award-winning teacher, he has received fellowships from Harvard, All Souls College and Corpus Christi College at Oxford, the National Institutes of Health, the Australian National University, the National Humanities Center, the Danforth Foundation, and Princeton.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>501</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Larry S. Temkin</itunes:subtitle>
      <itunes:summary>In a world filled with both enormous wealth and pockets of great devastation, how should the well-off respond to the world's needy?
This is the urgent central question of Being Good in a World of Need (Oxford UP, 2024). Larry S. Temkin, one of the world's foremost ethicists, challenges common assumptions about philanthropy, his own prior beliefs, and the dominant philosophical positions of Peter Singer and Effective Altruism. Filled with keen analysis and insightful discussions of philosophy, current events, development economics, history, literature, and age-old wisdom, this book is a thorough and sobering exploration of the complicated ways that global aid may incentivize disastrous policies, reward corruption, and foster “brain drains” that hinder social and economic development.
Using real-world examples and illuminating thought experiments, Temkin discusses ethical imperialism, humanitarian versus developmental aid, how charities ignore or coverup negative impacts, replicability and scaling-up problems, and the views of the renowned economists Angus Deaton and Jeffrey Sachs, all within the context of deeper philosophical issues of fairness, responsibility, and individual versus collective morality. At times both inspiring and profoundly disturbing, he presents the powerful argument that neglecting the needy is morally impermissible, even as he illustrates that the path towards helping others is often fraught with complex ethical and practical perils. Steeped in empathy, morality, pathos, and humanity, this is an engaging and eye-opening text for any reader who shares an intense concern for helping others in need.
Larry S. Temkin is Emeritus Professor of Philosophy at Rutgers. He graduated number one from the University of Wisconsin/Madison before pursuing graduate work at Oxford and earning his PhD from Princeton. He is the author of Inequality, hailed as "one of the [20th century's] most important contributions to analytical political philosophy" and of Rethinking the Good, described as a "tour de force" and "a genuinely awe-inspiring achievement." Temkin's approach to equality has been adopted by the World Health Organization. An award-winning teacher, he has received fellowships from Harvard, All Souls College and Corpus Christi College at Oxford, the National Institutes of Health, the Australian National University, the National Humanities Center, the Danforth Foundation, and Princeton.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a world filled with both enormous wealth and pockets of great devastation, how should the well-off respond to the world's needy?</p><p>This is the urgent central question of <a href="https://bookshop.org/a/12343/9780198912132"><em>Being Good in a World of Need</em></a><em> </em>(Oxford UP, 2024). Larry S. Temkin, one of the world's foremost ethicists, challenges common assumptions about philanthropy, his own prior beliefs, and the dominant philosophical positions of Peter Singer and Effective Altruism. Filled with keen analysis and insightful discussions of philosophy, current events, development economics, history, literature, and age-old wisdom, this book is a thorough and sobering exploration of the complicated ways that global aid may incentivize disastrous policies, reward corruption, and foster “brain drains” that hinder social and economic development.</p><p>Using real-world examples and illuminating thought experiments, Temkin discusses ethical imperialism, humanitarian versus developmental aid, how charities ignore or coverup negative impacts, replicability and scaling-up problems, and the views of the renowned economists Angus Deaton and Jeffrey Sachs, all within the context of deeper philosophical issues of fairness, responsibility, and individual versus collective morality. At times both inspiring and profoundly disturbing, he presents the powerful argument that neglecting the needy is morally impermissible, even as he illustrates that the path towards helping others is often fraught with complex ethical and practical perils. Steeped in empathy, morality, pathos, and humanity, this is an engaging and eye-opening text for any reader who shares an intense concern for helping others in need.</p><p>Larry S. Temkin is Emeritus Professor of Philosophy at Rutgers. He graduated number one from the University of Wisconsin/Madison before pursuing graduate work at Oxford and earning his PhD from Princeton. He is the author of <em>Inequality</em>, hailed as "one of the [20th century's] most important contributions to analytical political philosophy" and of <em>Rethinking the Good</em>, described as a "tour de force" and "a genuinely awe-inspiring achievement." Temkin's approach to equality has been adopted by the World Health Organization. An award-winning teacher, he has received fellowships from Harvard, All Souls College and Corpus Christi College at Oxford, the National Institutes of Health, the Australian National University, the National Humanities Center, the Danforth Foundation, and Princeton.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5748</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[09ced258-c06e-11ef-9161-d32a8786f92d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2959703446.mp3?updated=1734877424" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer C. Nash, "How We Write Now: Living with Black Feminist Theory" (Duke UP, 2024)</title>
      <description>In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>483</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer C. Nash</itunes:subtitle>
      <itunes:summary>In How We Write Now: Living with Black Feminist Theory (Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/how-we-write-now"><em>How We Write Now: Living with Black Feminist Theory</em></a><em> </em>(Duke UP, 2024), Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2346</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0ef0592c-c06a-11ef-a0da-cfb3bd8184d3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3694017125.mp3?updated=1734875239" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Whiteness, Accents, and Children's Media</title>
      <description>In this episode of the Language on the Move podcast, Brynn Quick speaks with Dr. Laura Smith-Khan about language and accents in children’s media, from Octonauts to Disney to Bluey, and they investigate what a choice as seemingly banal as a character’s accent has to do with whiteness, standard language ideology, and securing a nation’s borders. They then reflect on Laura’s most recently published paper (with co-authors Distinguished Professor Ingrid Piller and Dr. Hanna Torsh) and how accents and language are used to shape discourses around migration and belonging.
For additional resources, show notes, and transcripts, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 24 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Smith-Khan</itunes:subtitle>
      <itunes:summary>In this episode of the Language on the Move podcast, Brynn Quick speaks with Dr. Laura Smith-Khan about language and accents in children’s media, from Octonauts to Disney to Bluey, and they investigate what a choice as seemingly banal as a character’s accent has to do with whiteness, standard language ideology, and securing a nation’s borders. They then reflect on Laura’s most recently published paper (with co-authors Distinguished Professor Ingrid Piller and Dr. Hanna Torsh) and how accents and language are used to shape discourses around migration and belonging.
For additional resources, show notes, and transcripts, go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of the <em>Language on the Move</em> podcast, <a href="https://researchers.mq.edu.au/en/persons/brynn-quick">Brynn Quick</a> speaks with <a href="https://www.une.edu.au/staff-profiles/law/Dr-Laura-Smith-Khan_Profile">Dr. Laura Smith-Khan</a> about language and accents in children’s media, from Octonauts to Disney to Bluey, and they investigate what a choice as seemingly banal as a character’s accent has to do with whiteness, standard language ideology, and securing a nation’s borders. They then reflect on Laura’s <a href="https://www.languageonthemove.com/trust-and-suspicion-at-the-airport/">most recently published paper</a> (with co-authors <a href="https://www.languageonthemove.com/ingrid-piller/">Distinguished Professor Ingrid Piller</a> and <a href="https://researchers.mq.edu.au/en/persons/hanna-torsh">Dr. Hanna Torsh</a>) and how accents and language are used to shape discourses around migration and belonging.</p><p>For additional resources, show notes, and transcripts, go <a href="https://www.languageonthemove.com/podcast/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4105</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c73d8c56-bfb2-11ef-8230-67d9032ed716]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7212517019.mp3?updated=1734796870" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jess A. Goldberg, "Abolition Time: Grammars of Law, Poetics of Justice" (U Minnesota Press, 2024)</title>
      <description>How can Black Atlantic literature challenge conventions and redefine literary scholarship?
Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 24 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>328</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jess A. Goldberg</itunes:subtitle>
      <itunes:summary>How can Black Atlantic literature challenge conventions and redefine literary scholarship?
Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can Black Atlantic literature challenge conventions and redefine literary scholarship?</p><p><a href="https://bookshop.org/a/12343/9781517917890"><em>Abolition Time: Grammars of Law, Poetics of Justice</em></a><em> </em>(U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4502</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc23ca90-bfd1-11ef-8bb8-d3aba10fa1a6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2929707037.mp3?updated=1734809941" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nick Couldry, "The Space of the World: Can Human Solidarity Survive Social Media and What If It Can't?" (Polity, 2024)</title>
      <description>Is human solidarity achievable in a world dominated by continuous digital connectivity and commercially managed platforms? And what if it’s not? Professor Nick Couldry explores these urgent questions in his latest book, The Space of the World: Can Human Solidarity Survive Social Media and What If It Can’t? (Polity, 2024), as discussed in a recent interview with the New Books Network.
In a conversation with Joanne Kuai, Couldry reflects on how society has ceded critical decisions to Big Tech, enabling these companies to construct what he calls our "space of the world"—the artificial environment of social media platforms that now shapes much of our social existence. He argues this delegation of power was reckless, with far-reaching and damaging social consequences.
While the harmful effects on social life, youth mental health, and political solidarity are widely recognized, Couldry emphasizes a deeper issue that has been overlooked: humanity’s decision to allow businesses to define and exploit this shared digital space for profit. In doing so, we disregarded centuries of political thought on the conditions required for healthy and non-violent politics. This oversight has jeopardized a vital resource in the era of the climate crisis: solidarity.
In The Space of the World, the first book in his trilogy Humanising the Future, Couldry proposes a transformative vision for redesigning digital spaces to foster, rather than erode, solidarity and community. He stresses that caring for our shared digital space is no longer optional—it is an urgent task that must be tackled collectively.

Nick Couldry is Professor of Media, Communications and Social Theory in the Department of Media and Communications at LSE. As a sociologist of media and culture, he approaches media and communications from the perspective of the symbolic power that has been historically concentrated in media institutions. He is interested in how media and communications institutions and infrastructures contribute to various types of order (social, political, cultural, economic, ethical). His work has drawn on, and contributed to, social, spatial, democratic and cultural theory, anthropology, and media and communications ethics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Couldry</itunes:subtitle>
      <itunes:summary>Is human solidarity achievable in a world dominated by continuous digital connectivity and commercially managed platforms? And what if it’s not? Professor Nick Couldry explores these urgent questions in his latest book, The Space of the World: Can Human Solidarity Survive Social Media and What If It Can’t? (Polity, 2024), as discussed in a recent interview with the New Books Network.
In a conversation with Joanne Kuai, Couldry reflects on how society has ceded critical decisions to Big Tech, enabling these companies to construct what he calls our "space of the world"—the artificial environment of social media platforms that now shapes much of our social existence. He argues this delegation of power was reckless, with far-reaching and damaging social consequences.
While the harmful effects on social life, youth mental health, and political solidarity are widely recognized, Couldry emphasizes a deeper issue that has been overlooked: humanity’s decision to allow businesses to define and exploit this shared digital space for profit. In doing so, we disregarded centuries of political thought on the conditions required for healthy and non-violent politics. This oversight has jeopardized a vital resource in the era of the climate crisis: solidarity.
In The Space of the World, the first book in his trilogy Humanising the Future, Couldry proposes a transformative vision for redesigning digital spaces to foster, rather than erode, solidarity and community. He stresses that caring for our shared digital space is no longer optional—it is an urgent task that must be tackled collectively.

Nick Couldry is Professor of Media, Communications and Social Theory in the Department of Media and Communications at LSE. As a sociologist of media and culture, he approaches media and communications from the perspective of the symbolic power that has been historically concentrated in media institutions. He is interested in how media and communications institutions and infrastructures contribute to various types of order (social, political, cultural, economic, ethical). His work has drawn on, and contributed to, social, spatial, democratic and cultural theory, anthropology, and media and communications ethics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is human solidarity achievable in a world dominated by continuous digital connectivity and commercially managed platforms? And what if it’s not? Professor <a href="https://www.lse.ac.uk/media-and-communications/people/academic-staff/nick-couldry">Nick Couldry</a> explores these urgent questions in his latest book, <a href="https://bookshop.org/a/12343/9781509554737"><em>The Space of the World: Can Human Solidarity Survive Social Media and What If It Can’t?</em></a> (Polity, 2024), as discussed in a recent interview with the New Books Network.</p><p>In a conversation with <a href="https://www.kau.se/en/researchers/joanne-kuai">Joanne Kuai</a>, Couldry reflects on how society has ceded critical decisions to Big Tech, enabling these companies to construct what he calls our "space of the world"—the artificial environment of social media platforms that now shapes much of our social existence. He argues this delegation of power was reckless, with far-reaching and damaging social consequences.</p><p>While the harmful effects on social life, youth mental health, and political solidarity are widely recognized, Couldry emphasizes a deeper issue that has been overlooked: humanity’s decision to allow businesses to define and exploit this shared digital space for profit. In doing so, we disregarded centuries of political thought on the conditions required for healthy and non-violent politics. This oversight has jeopardized a vital resource in the era of the climate crisis: solidarity.</p><p>In <em>The Space of the World</em>, the first book in his trilogy <em>Humanising the Future</em>, Couldry proposes a transformative vision for redesigning digital spaces to foster, rather than erode, solidarity and community. He stresses that caring for our shared digital space is no longer optional—it is an urgent task that must be tackled collectively.</p><p><br></p><p><a href="https://www.nickcouldry.org/">Nick Couldry</a> is Professor of Media, Communications and Social Theory in the Department of Media and Communications at LSE. As a sociologist of media and culture, he approaches media and communications from the perspective of the symbolic power that has been historically concentrated in media institutions. He is interested in how media and communications institutions and infrastructures contribute to various types of order (social, political, cultural, economic, ethical). His work has drawn on, and contributed to, social, spatial, democratic and cultural theory, anthropology, and media and communications ethics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2182</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Pinelopi Koujianou Goldberg, "The Unequal Effects of Globalization" (MIT, 2023)</title>
      <description>The recent retreat from globalization has been triggered by a perception that increased competition from global trade is not fair and leads to increased inequality within countries. Is this phenomenon a small hiccup in the overall wave of globalization, or are we at the beginning of a new era of deglobalization? Former Chief Economist of the World Bank Group Pinelopi Koujianou Goldberg tells us that the answer depends on the policy choices we make, and in The Unequal Effects of Globalization (MIT Press, 2023), she calls for exploring alternative policy approaches including place-based policies, while sustaining international cooperation.
At this critical moment of shifting attitudes toward globalization, The Unequal Effects of Globalization enters the debate while also taking a step back. Goldberg investigates globalization's many dimensions, disruptions, and complex interactions, from the late twentieth century's wave of trade liberalizations to the rise of China, the decline of manufacturing in advanced economies, and the recent effects of trade on global poverty, inequality, labor markets, and firm dynamics. From there, Goldberg explores the significance of the recent backlash against and potential retreat from globalization and considers the key policy implications of these trends and emerging dynamics.
As comprehensive as it is well-balanced, The Unequal Effects of Globalization is an essential read on trade and cooperation between nations that will appeal as much to academics and policymakers as it will to general readers who are interested in learning more about this timely subject.
Pinelopi (Penny) Koujianou Goldberg is the Elihu Professor of Economics and Global Affairs and an Affiliate of the Economic Growth Center at Yale University. She holds a joint appointment at the Yale Department of Economics and the Jackson School of Global Affairs. From 2018 to 2020, she was the Chief Economist of the World Bank Group. Goldberg was President of the Econometric Society in 2021 and has previously served as Vice-President of the American Economic Association. From 2011-2017 she was Editor-in-Chief of the American Economic Review. She is member of the National Academy of Sciences and the American Academy of Arts and Sciences, recipient of Guggenheim Memorial Foundation and Sloan Research Fellowships, and recipient of the Bodossaki Prize in Social Sciences. She is also a Distinguished Fellow of the Centre for Economic Policy Research (CEPR), research associate at the National Bureau of Economics Research (NBER), research fellow at the Institute for Fiscal Studies (IFS) in London, UK, fellow of the CESifo research network in Germany, and member of the board of directors of the Bureau of Research and Economic Analysis of Development (BREAD).
Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China’s Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master’s of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 22 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pinelopi Koujianou Goldberg</itunes:subtitle>
      <itunes:summary>The recent retreat from globalization has been triggered by a perception that increased competition from global trade is not fair and leads to increased inequality within countries. Is this phenomenon a small hiccup in the overall wave of globalization, or are we at the beginning of a new era of deglobalization? Former Chief Economist of the World Bank Group Pinelopi Koujianou Goldberg tells us that the answer depends on the policy choices we make, and in The Unequal Effects of Globalization (MIT Press, 2023), she calls for exploring alternative policy approaches including place-based policies, while sustaining international cooperation.
At this critical moment of shifting attitudes toward globalization, The Unequal Effects of Globalization enters the debate while also taking a step back. Goldberg investigates globalization's many dimensions, disruptions, and complex interactions, from the late twentieth century's wave of trade liberalizations to the rise of China, the decline of manufacturing in advanced economies, and the recent effects of trade on global poverty, inequality, labor markets, and firm dynamics. From there, Goldberg explores the significance of the recent backlash against and potential retreat from globalization and considers the key policy implications of these trends and emerging dynamics.
As comprehensive as it is well-balanced, The Unequal Effects of Globalization is an essential read on trade and cooperation between nations that will appeal as much to academics and policymakers as it will to general readers who are interested in learning more about this timely subject.
Pinelopi (Penny) Koujianou Goldberg is the Elihu Professor of Economics and Global Affairs and an Affiliate of the Economic Growth Center at Yale University. She holds a joint appointment at the Yale Department of Economics and the Jackson School of Global Affairs. From 2018 to 2020, she was the Chief Economist of the World Bank Group. Goldberg was President of the Econometric Society in 2021 and has previously served as Vice-President of the American Economic Association. From 2011-2017 she was Editor-in-Chief of the American Economic Review. She is member of the National Academy of Sciences and the American Academy of Arts and Sciences, recipient of Guggenheim Memorial Foundation and Sloan Research Fellowships, and recipient of the Bodossaki Prize in Social Sciences. She is also a Distinguished Fellow of the Centre for Economic Policy Research (CEPR), research associate at the National Bureau of Economics Research (NBER), research fellow at the Institute for Fiscal Studies (IFS) in London, UK, fellow of the CESifo research network in Germany, and member of the board of directors of the Bureau of Research and Economic Analysis of Development (BREAD).
Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China’s Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master’s of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The recent retreat from globalization has been triggered by a perception that increased competition from global trade is not fair and leads to increased inequality within countries. Is this phenomenon a small hiccup in the overall wave of globalization, or are we at the beginning of a new era of deglobalization? Former Chief Economist of the World Bank Group Pinelopi Koujianou Goldberg tells us that the answer depends on the policy choices we make, and in <a href="https://bookshop.org/a/12343/9780262048255"><em>The Unequal Effects of Globalization</em></a> (MIT Press, 2023), she calls for exploring alternative policy approaches including place-based policies, while sustaining international cooperation.</p><p>At this critical moment of shifting attitudes toward globalization, <em>The Unequal Effects of Globalization</em> enters the debate while also taking a step back. Goldberg investigates globalization's many dimensions, disruptions, and complex interactions, from the late twentieth century's wave of trade liberalizations to the rise of China, the decline of manufacturing in advanced economies, and the recent effects of trade on global poverty, inequality, labor markets, and firm dynamics. From there, Goldberg explores the significance of the recent backlash against and potential retreat from globalization and considers the key policy implications of these trends and emerging dynamics.</p><p>As comprehensive as it is well-balanced, <em>The Unequal Effects of Globalization</em> is an essential read on trade and cooperation between nations that will appeal as much to academics and policymakers as it will to general readers who are interested in learning more about this timely subject.</p><p><a href="https://economics.yale.edu/people/pinelopi-goldberg">Pinelopi (Penny) Koujianou Goldberg</a> is the Elihu Professor of Economics and Global Affairs and an Affiliate of the Economic Growth Center at Yale University. She holds a joint appointment at the Yale Department of Economics and the Jackson School of Global Affairs. From 2018 to 2020, she was the Chief Economist of the World Bank Group. Goldberg was President of the Econometric Society in 2021 and has previously served as Vice-President of the American Economic Association. From 2011-2017 she was Editor-in-Chief of the American Economic Review. She is member of the National Academy of Sciences and the American Academy of Arts and Sciences, recipient of Guggenheim Memorial Foundation and Sloan Research Fellowships, and recipient of the Bodossaki Prize in Social Sciences. She is also a Distinguished Fellow of the Centre for Economic Policy Research (CEPR), research associate at the National Bureau of Economics Research (NBER), research fellow at the Institute for Fiscal Studies (IFS) in London, UK, fellow of the CESifo research network in Germany, and member of the board of directors of the Bureau of Research and Economic Analysis of Development (BREAD).</p><p>Interviewer <a href="https://peterlorentzen.com/">Peter Lorentzen</a> is an <a href="https://www.usfca.edu/faculty/peter-lorentzen">Associate Professor of Economics at the University of San Francisco</a>, a nonresident scholar at the <a href="https://china.ucsd.edu/scholars/nonresident-scholars.html">UCSD 21st Century China Center</a>, an alumnus of the <a href="https://www.ncuscr.org/program/public-intellectuals-program/">Public Intellectuals Program of the National Committee on US-China Relations</a>, and is currently a visiting scholar at the <a href="https://sccei.fsi.stanford.edu/people/peter_lorentzen">Stanford Center on China’s Economy and Institutions</a>. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique <a href="https://www.usfca.edu/arts-sciences/programs/graduate/applied-economics/program-overview">Master’s of Science in Applied Economics</a> at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2975</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Matthew Chin, "Fractal Repair: Queer Histories of Modern Jamaica" (Duke UP, 2024)</title>
      <description>In Fractal Repair: Queer Histories of Modern Jamaica (Duke UP, 2024), Matthew Chin investigates queerness in Jamaica from early colonial occupation to the present, critically responding to the island’s global reputation for extreme homophobia and anti-queer violence. Chin advances a theory and method of queer fractals to bring together genealogies of queer and Caribbean formation. Fractals—a kind of geometry in which patterns repeat but never exactly in the same way—make visible shifting accounts of Caribbean queerness in terms of race, gender, and sexual alterity. 
Drawing on this fractal orientation, Chin assembles and analyzes multigenre archives, ranging from mid-twentieth-century social science studies of the Caribbean to Jamaica’s National Dance Theatre Company to HIV/AIDS organizations, to write reparative histories of queerness. Chin’s proposal of a fractal politics of repair invests in the horizon of difference that repetition materializes, and it extends reparations discourses intent on overcoming the past and calculating economic compensation for survivors of violence.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 22 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Chin</itunes:subtitle>
      <itunes:summary>In Fractal Repair: Queer Histories of Modern Jamaica (Duke UP, 2024), Matthew Chin investigates queerness in Jamaica from early colonial occupation to the present, critically responding to the island’s global reputation for extreme homophobia and anti-queer violence. Chin advances a theory and method of queer fractals to bring together genealogies of queer and Caribbean formation. Fractals—a kind of geometry in which patterns repeat but never exactly in the same way—make visible shifting accounts of Caribbean queerness in terms of race, gender, and sexual alterity. 
Drawing on this fractal orientation, Chin assembles and analyzes multigenre archives, ranging from mid-twentieth-century social science studies of the Caribbean to Jamaica’s National Dance Theatre Company to HIV/AIDS organizations, to write reparative histories of queerness. Chin’s proposal of a fractal politics of repair invests in the horizon of difference that repetition materializes, and it extends reparations discourses intent on overcoming the past and calculating economic compensation for survivors of violence.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025986"><em>Fractal Repair: Queer Histories of Modern Jamaica</em></a><em> </em>(Duke UP, 2024), Matthew Chin investigates queerness in Jamaica from early colonial occupation to the present, critically responding to the island’s global reputation for extreme homophobia and anti-queer violence. Chin advances a theory and method of queer fractals to bring together genealogies of queer and Caribbean formation. Fractals—a kind of geometry in which patterns repeat but never exactly in the same way—make visible shifting accounts of Caribbean queerness in terms of race, gender, and sexual alterity. </p><p>Drawing on this fractal orientation, Chin assembles and analyzes multigenre archives, ranging from mid-twentieth-century social science studies of the Caribbean to Jamaica’s National Dance Theatre Company to HIV/AIDS organizations, to write reparative histories of queerness. Chin’s proposal of a fractal politics of repair invests in the horizon of difference that repetition materializes, and it extends reparations discourses intent on overcoming the past and calculating economic compensation for survivors of violence.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ulises Ali Mejias and Nick Couldry, "Data Grab: The New Colonialism of Big Tech and How to Fight Back" (U Chicago Press, 2024)</title>
      <description>In the present day, Big Tech is extracting resources from us, transferring and centralizing resources from people to companies. These companies are grabbing our most basic natural resources--our data--exploiting our labor and connections, and repackaging our information to control our views, track our movements, record our conversations, and discriminate against us. These companies tell us this is for our own good, to build innovation and develop new technology. But in fact, every time we unthinkingly click "Accept" on a set of Terms and Conditions, we allow our most personal information to be kept indefinitely, repackaged by companies to control and exploit us for their own profit. 
In Data Grab: The New Colonialism of Big Tech and How to Fight Back (The University of Chicago Press, 2024), Ulises Mejias and Nick Couldry explain why postindustrial capitalism cannot be understood without colonialism, and why race is a critical factor in who benefits from data colonialism, just as it was for historic colonialism. In this searing, cutting-edge guide, Mejias and Couldry explore the concept of data colonialism, revealing how history can help us understand the emerging future--and how we can fight back.
Mention in this episode: Tierra Comun (English Version)
Ulises A. Mejias is professor of communication studies at the State University of New York at Oswego.
Nick Couldry is professor of media, communications, and social theory at the London School of Economics and Political Science and faculty associate at Harvard University’s Berkman Klein Center for Internet and Society.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>378</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ulises Ali Mejias and Nick Couldry,</itunes:subtitle>
      <itunes:summary>In the present day, Big Tech is extracting resources from us, transferring and centralizing resources from people to companies. These companies are grabbing our most basic natural resources--our data--exploiting our labor and connections, and repackaging our information to control our views, track our movements, record our conversations, and discriminate against us. These companies tell us this is for our own good, to build innovation and develop new technology. But in fact, every time we unthinkingly click "Accept" on a set of Terms and Conditions, we allow our most personal information to be kept indefinitely, repackaged by companies to control and exploit us for their own profit. 
In Data Grab: The New Colonialism of Big Tech and How to Fight Back (The University of Chicago Press, 2024), Ulises Mejias and Nick Couldry explain why postindustrial capitalism cannot be understood without colonialism, and why race is a critical factor in who benefits from data colonialism, just as it was for historic colonialism. In this searing, cutting-edge guide, Mejias and Couldry explore the concept of data colonialism, revealing how history can help us understand the emerging future--and how we can fight back.
Mention in this episode: Tierra Comun (English Version)
Ulises A. Mejias is professor of communication studies at the State University of New York at Oswego.
Nick Couldry is professor of media, communications, and social theory at the London School of Economics and Political Science and faculty associate at Harvard University’s Berkman Klein Center for Internet and Society.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the present day, Big Tech is extracting resources from us, transferring and centralizing resources from people to companies. These companies are grabbing our most basic natural resources--our data--exploiting our labor and connections, and repackaging our information to control our views, track our movements, record our conversations, and discriminate against us. These companies tell us this is for our own good, to build innovation and develop new technology. But in fact, every time we unthinkingly click "Accept" on a set of Terms and Conditions, we allow our most personal information to be kept indefinitely, repackaged by companies to control and exploit us for their own profit. </p><p>In <a href="https://bookshop.org/a/12343/9780226832302"><em>Data Grab: The New Colonialism of Big Tech and How to Fight Back</em></a> (The University of Chicago Press, 2024), Ulises Mejias and Nick Couldry explain why postindustrial capitalism cannot be understood without colonialism, and why race is a critical factor in who benefits from data colonialism, just as it was for historic colonialism. In this searing, cutting-edge guide, Mejias and Couldry explore the concept of data colonialism, revealing how history can help us understand the emerging future--and how we can fight back.</p><p>Mention in this episode: <a href="https://www.tierracomun.net/en/home">Tierra Comun</a> (English Version)</p><p>Ulises A. Mejias is professor of communication studies at the State University of New York at Oswego.</p><p>Nick Couldry is professor of media, communications, and social theory at the London School of Economics and Political Science and faculty associate at Harvard University’s Berkman Klein Center for Internet and Society.</p><p>Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lindsay Weinberg, "Smart University: Student Surveillance in the Digital Age" (Johns Hopkins UP, 2024)</title>
      <description>In Smart University: Student Surveillance in the Digital Age (Johns Hopkins University Press, 2024), Lindsay Weinberg evaluates how this latest era of tech solutions and systems in our schools impacts students' abilities to access opportunities and exercise autonomy on their campuses. Using historical and textual analysis of administrative discourses, university policies, conference proceedings, grant solicitations, news reports, tech industry marketing materials, and product demonstrations, Weinberg argues that these more recent transformations are best understood as part of a longer history of universities supporting the development of technologies that reproduce racial and economic injustice on their campuses and in their communities.
Mentioned in this episode is this piece that Dr. Weinberg wrote in Inside Higher Ed: 
Lindsay Weinberg is a clinical assistant professor and the Director of the Tech Justice Lab in the John Martinson Honors College at Purdue University.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lindsay Weinberg</itunes:subtitle>
      <itunes:summary>In Smart University: Student Surveillance in the Digital Age (Johns Hopkins University Press, 2024), Lindsay Weinberg evaluates how this latest era of tech solutions and systems in our schools impacts students' abilities to access opportunities and exercise autonomy on their campuses. Using historical and textual analysis of administrative discourses, university policies, conference proceedings, grant solicitations, news reports, tech industry marketing materials, and product demonstrations, Weinberg argues that these more recent transformations are best understood as part of a longer history of universities supporting the development of technologies that reproduce racial and economic injustice on their campuses and in their communities.
Mentioned in this episode is this piece that Dr. Weinberg wrote in Inside Higher Ed: 
Lindsay Weinberg is a clinical assistant professor and the Director of the Tech Justice Lab in the John Martinson Honors College at Purdue University.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781421450018"><em>Smart University: Student Surveillance in the Digital Age</em></a><em> </em>(Johns Hopkins University Press, 2024), Lindsay Weinberg evaluates how this latest era of tech solutions and systems in our schools impacts students' abilities to access opportunities and exercise autonomy on their campuses. Using historical and textual analysis of administrative discourses, university policies, conference proceedings, grant solicitations, news reports, tech industry marketing materials, and product demonstrations, Weinberg argues that these more recent transformations are best understood as part of a longer history of universities supporting the development of technologies that reproduce racial and economic injustice on their campuses and in their communities.</p><p>Mentioned in this episode is <a href="https://www.insidehighered.com/opinion/views/2024/11/06/ai-consolidating-corporate-power-higher-ed-opinion">this piece</a> that Dr. Weinberg wrote in <em>Inside Higher Ed</em>: </p><p>Lindsay Weinberg is a clinical assistant professor and the Director of the Tech Justice Lab in the John Martinson Honors College at Purdue University.</p><p>Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2772</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d0857be2-bd42-11ef-a17f-d388917033f3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1298211327.mp3?updated=1734528656" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neil Atkinson, "Transformer: Klopp, the Revolution of a Club and Culture" (Canongate, 2024)</title>
      <description>How did Jurgen Klopp change Liverpool? In Transformer: Klopp, the Revolution of a Club and Culture (Canongate, 2024), Neil Atkinson, host of The Anfield Wrap tells the story of Klopp’s time at the football club and in the city. The book ranges widely, from socio-cultural history, through personal memoir, to tactical analysis and contemplations on the changing styles and patterns of football. Structured around 19 key games, the book also features reflections on the need for a transformation in English (as well as European and global) football governance, alongside politics and society more generally. Funny, moving, and deeply poignant, the book will be of interest to anyone seeking to understand football, culture and society in past decade.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>500</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Neil Atkinson</itunes:subtitle>
      <itunes:summary>How did Jurgen Klopp change Liverpool? In Transformer: Klopp, the Revolution of a Club and Culture (Canongate, 2024), Neil Atkinson, host of The Anfield Wrap tells the story of Klopp’s time at the football club and in the city. The book ranges widely, from socio-cultural history, through personal memoir, to tactical analysis and contemplations on the changing styles and patterns of football. Structured around 19 key games, the book also features reflections on the need for a transformation in English (as well as European and global) football governance, alongside politics and society more generally. Funny, moving, and deeply poignant, the book will be of interest to anyone seeking to understand football, culture and society in past decade.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did Jurgen Klopp change Liverpool? In <a href="https://bookshop.org/a/12343/9781837262922"><em>Transformer: Klopp, the Revolution of a Club and Culture</em></a><em> </em>(Canongate, 2024),<em> </em><a href="https://x.com/Knox_Harrington">Neil Atkinson</a>, host of <a href="https://www.theanfieldwrap.com/">The Anfield Wrap</a> tells the story of Klopp’s time at the football club and in the city. The book ranges widely, from socio-cultural history, through personal memoir, to tactical analysis and contemplations on the changing styles and patterns of football. Structured around 19 key games, the book also features reflections on the need for a transformation in English (as well as European and global) football governance, alongside politics and society more generally. Funny, moving, and deeply poignant, the book will be of interest to anyone seeking to understand football, culture and society in past decade.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[12ef6e8a-bcac-11ef-93f0-bb9b5f8b8190]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2942828347.mp3?updated=1734463841" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>In Conversation: Critical Race Theory and Black Lives Matter</title>
      <description>In this episode, Dr. Hizer Mir speaks with Momodou Taal on Critical Race Theory and Black Lives Matter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/35839700-6310-11ef-9628-8744efd3c5df/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Momodou Taal</itunes:subtitle>
      <itunes:summary>In this episode, Dr. Hizer Mir speaks with Momodou Taal on Critical Race Theory and Black Lives Matter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Dr. Hizer Mir speaks with Momodou Taal on Critical Race Theory and Black Lives Matter.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2605</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0e00d58-d5fe-45ee-ada0-58493a0383e5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7659092409.mp3?updated=1724611245" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jarrett Zigon, "How Is It Between Us?: Relational Ethics and Care for the World" (HAU Books, 2023)</title>
      <description>How Is It Between Us?: Relational Ethics and Care for the World (HAU Books, 2023) offers a new theory of relational ethics that tackles contemporary issues. In How Is It Between Us?, Jarrett Zigon puts anthropology and phenomenological hermeneutics in conversation to develop a new theory of relational ethics. This relational ethics takes place in the between, the interaction not just between people, but all existents. Importantly, this theory is utilized as a framework for considering some of today’s most pressing ethical concerns - for example, living in a condition of post-truth and worlds increasingly driven by algorithms and data extraction, various and competing calls for justice, and the ethical demands of the climate crisis. Written by one of the preeminent contributors to the anthropology of ethics, this is a ground-breaking book within that literature, developing a robust and systematic ethical theory to think through contemporary ethical problems.
Jarrett Zigon is a social theorist, philosopher and anthropologist at the University of Virginia, where he is the William &amp; Linda Porterfield Chair in Bioethics and Professor of Anthropology. From 2018 to 2020, he was the founding director of the Center for Data Ethics and Justice at the University of Virginia.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>338</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jarrett Zigon</itunes:subtitle>
      <itunes:summary>How Is It Between Us?: Relational Ethics and Care for the World (HAU Books, 2023) offers a new theory of relational ethics that tackles contemporary issues. In How Is It Between Us?, Jarrett Zigon puts anthropology and phenomenological hermeneutics in conversation to develop a new theory of relational ethics. This relational ethics takes place in the between, the interaction not just between people, but all existents. Importantly, this theory is utilized as a framework for considering some of today’s most pressing ethical concerns - for example, living in a condition of post-truth and worlds increasingly driven by algorithms and data extraction, various and competing calls for justice, and the ethical demands of the climate crisis. Written by one of the preeminent contributors to the anthropology of ethics, this is a ground-breaking book within that literature, developing a robust and systematic ethical theory to think through contemporary ethical problems.
Jarrett Zigon is a social theorist, philosopher and anthropologist at the University of Virginia, where he is the William &amp; Linda Porterfield Chair in Bioethics and Professor of Anthropology. From 2018 to 2020, he was the founding director of the Center for Data Ethics and Justice at the University of Virginia.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781914363054"><em>How Is It Between Us?: Relational Ethics and Care for the World </em></a>(HAU Books, 2023) offers a new theory of relational ethics that tackles contemporary issues. In <em>How Is It Between Us?</em>, Jarrett Zigon puts anthropology and phenomenological hermeneutics in conversation to develop a new theory of relational ethics. This relational ethics takes place in the between, the interaction not just between people, but all existents. Importantly, this theory is utilized as a framework for considering some of today’s most pressing ethical concerns - for example, living in a condition of post-truth and worlds increasingly driven by algorithms and data extraction, various and competing calls for justice, and the ethical demands of the climate crisis. Written by one of the preeminent contributors to the anthropology of ethics, this is a ground-breaking book within that literature, developing a robust and systematic ethical theory to think through contemporary ethical problems.</p><p>Jarrett Zigon is a social theorist, philosopher and anthropologist at the University of Virginia, where he is the William &amp; Linda Porterfield Chair in Bioethics and Professor of Anthropology. From 2018 to 2020, he was the founding director of the Center for Data Ethics and Justice at the University of Virginia.</p><p>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[127e2220-bafe-11ef-b266-a78d67d6fae5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3011433511.mp3?updated=1734279993" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sara Cantillon et al., "Feminist Political Economy: A Global Perspective" (Agenda, 2023)</title>
      <description>Challenging mainstream narratives in political economy, the new book Feminist Political Economy: A Global Perspective (Agenda Publishing, 2023) serves as an introduction to a new era of critical research. It is written by Prof. Sara Cantillon, Dr. Sara Stevano and Prof. Odile Mackett, who have carried out incredible work to deconstruct gender-blind approaches in contemporary economic research. The book brings together the most important topics in political economy and demonstrates why feminist approaches are crucial to understanding social relations. It begins with an overview of feminist political economy and then offers a nuanced perspective on care, social reproduction, inequalities in households and labour markets, and the feminisation of poverty. As mentioned in the podcast, the book not only takes a feminist approach to theory, but is also an example of the practice of feminist research, focusing for example on female scholars.
The host, Sarah Vogelsanger, is a feminist researcher, who is interested in social justice, critical migration studies and political ecology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>245</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Challenging mainstream narratives in political economy, the new book Feminist Political Economy: A Global Perspective (Agenda Publishing, 2023) serves as an introduction to a new era of critical research. It is written by Prof. Sara Cantillon, Dr. Sara Stevano and Prof. Odile Mackett, who have carried out incredible work to deconstruct gender-blind approaches in contemporary economic research. The book brings together the most important topics in political economy and demonstrates why feminist approaches are crucial to understanding social relations. It begins with an overview of feminist political economy and then offers a nuanced perspective on care, social reproduction, inequalities in households and labour markets, and the feminisation of poverty. As mentioned in the podcast, the book not only takes a feminist approach to theory, but is also an example of the practice of feminist research, focusing for example on female scholars.
The host, Sarah Vogelsanger, is a feminist researcher, who is interested in social justice, critical migration studies and political ecology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Challenging mainstream narratives in political economy, the new book <a href="https://bookshop.org/a/12343/9781788212632"><em>Feminist Political Economy: A Global Perspective</em></a><em> </em>(Agenda Publishing, 2023) serves as an introduction to a new era of critical research. It is written by <a href="https://www.gcu.ac.uk/staff/saracantillon">Prof. Sara Cantillon</a>, <a href="https://www.soas.ac.uk/about/sara-stevano">Dr. Sara Stevano</a> and <a href="https://odilemackett.com/home/">Prof. Odile Mackett</a>, who have carried out incredible work to deconstruct gender-blind approaches in contemporary economic research. The book brings together the most important topics in political economy and demonstrates why feminist approaches are crucial to understanding social relations. It begins with an overview of feminist political economy and then offers a nuanced perspective on care, social reproduction, inequalities in households and labour markets, and the feminisation of poverty. As mentioned in the podcast, the book not only takes a feminist approach to theory, but is also an example of the practice of feminist research, focusing for example on female scholars.</p><p>The host, <a href="https://newbooksnetwork.com/admin/entries/episodes/www.linkedin.com/in/%20sarahvogelsanger">Sarah Vogelsanger</a>, is a feminist researcher, who is interested in social justice, critical migration studies and political ecology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1805</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b9e24e4-b999-11ef-8fb4-0b79771c6d5d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4623118718.mp3?updated=1734125658" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Toby Manning, "Mixing Pop and Politics: A Marxist History of Popular Music" (Repeater, 2024)</title>
      <description>From rock &amp; roll to contemporary pop, Mixing Pop and Politics: A Marxist History of Popular Music (Repeater, 2024) is a timely and original exploration of popular music’s role in shaping our society. Told through a Marxist lens, Toby Manning traces the last seventy years of political and social upheavals through its most iconic US and UK-based music.
Mixing Pop and Politics examines the connections between popular music and political ideology and explores themes like the liberation of rock ’n’ roll, containment of girl groups, defiance of glam, resignation of soft rock, the communal spirit of disco, and the individualism of 1980s pop. Spanning the early 1950s to today, the book reveals how music—from doo-wop to hip-hop, punk to crunk, and grunge to grime—has both reflected and resisted the political forces of its time.
Toby Manning is the author of The Rough Guide to Pink Floyd (2006) and John le Carré and the Cold War (2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>262</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Toby Manning</itunes:subtitle>
      <itunes:summary>From rock &amp; roll to contemporary pop, Mixing Pop and Politics: A Marxist History of Popular Music (Repeater, 2024) is a timely and original exploration of popular music’s role in shaping our society. Told through a Marxist lens, Toby Manning traces the last seventy years of political and social upheavals through its most iconic US and UK-based music.
Mixing Pop and Politics examines the connections between popular music and political ideology and explores themes like the liberation of rock ’n’ roll, containment of girl groups, defiance of glam, resignation of soft rock, the communal spirit of disco, and the individualism of 1980s pop. Spanning the early 1950s to today, the book reveals how music—from doo-wop to hip-hop, punk to crunk, and grunge to grime—has both reflected and resisted the political forces of its time.
Toby Manning is the author of The Rough Guide to Pink Floyd (2006) and John le Carré and the Cold War (2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From rock &amp; roll to contemporary pop, <a href="https://bookshop.org/a/12343/9781913462673"><em>Mixing Pop and Politics: A Marxist History of Popular Music</em></a> (Repeater, 2024) is a timely and original exploration of popular music’s role in shaping our society. Told through a Marxist lens, Toby Manning traces the last seventy years of political and social upheavals through its most iconic US and UK-based music.</p><p><em>Mixing Pop and Politics</em> examines the connections between popular music and political ideology and explores themes like the liberation of rock ’n’ roll, containment of girl groups, defiance of glam, resignation of soft rock, the communal spirit of disco, and the individualism of 1980s pop. Spanning the early 1950s to today, the book reveals how music—from doo-wop to hip-hop, punk to crunk, and grunge to grime—has both reflected and resisted the political forces of its time.</p><p>Toby Manning is the author of The Rough Guide to Pink Floyd (2006) and John le Carré and the Cold War (2018).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1252</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[78dfa66a-b73e-11ef-86fb-5bda20435844]]></guid>
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    </item>
    <item>
      <title>Barbara A. Biesecker, "Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State" (Penn State Press, 2024)</title>
      <description>By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States.
Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg’s Saving Private Ryan, Tom Brokaw’s The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda.
By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>285</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara A. Biesecker</itunes:subtitle>
      <itunes:summary>By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States.
Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg’s Saving Private Ryan, Tom Brokaw’s The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda.
By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In <em>Reinventing </em><a href="https://bookshop.org/a/12343/9780271097824"><em>World War II: Popular Memory in the Rise of the Ethnonationalist State</em></a> (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States.</p><p>Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg’s Saving Private Ryan, Tom Brokaw’s The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda.</p><p>By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2799</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c914d8cc-b670-11ef-8bf0-5fbd2aa89be9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8524513901.mp3?updated=1733778247" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>In Conversation: Palestine and Decoloniality</title>
      <description>In this episode, Dr. Ismail Patel talks with Prof. Hatem Bazian about structural Islamophobia, global politics and the demonisation of the Muslim.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0e6bd554-630d-11ef-a769-53191a05380a/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Hatem Bazian</itunes:subtitle>
      <itunes:summary>In this episode, Dr. Ismail Patel talks with Prof. Hatem Bazian about structural Islamophobia, global politics and the demonisation of the Muslim.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Dr. Ismail Patel talks with Prof. Hatem Bazian about structural Islamophobia, global politics and the demonisation of the Muslim.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2556</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[10b68ac2-93bc-45d3-85ee-8433b89c1a7c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4654763130.mp3?updated=1724609932" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Reem Hilu, "Digitizing Domesticity in the 1980s: The Intimate Life of Computers" (U Minnesota Press, 2024)</title>
      <description>Digitizing Domesticity in the 1980s: The Intimate Life of Computers (U Minnesota Press, 2024) shows how the widespread introduction of home computers in the 1980s was purposefully geared toward helping sustain heteronormative middle-class families by shaping relationships between users. Moving beyond the story of male-dominated computer culture, this book emphasizes the neglected history of the influence of women’s culture and feminist critique on the development of personal computing despite women’s underrepresentation in the industry.
Proposing the notion of “companionate computing,” Reem Hilu reimagines the spread of computers into American homes as the history of an interpersonal, romantic, and familial medium. She details the integration of computing into family relationships—from helping couples have better sex and offering thoughtful simulations of masculine seduction to animating cute robot companions and giving voice to dolls that could talk to lonely children—underscoring how these computer applications directly responded to the companionate needs of their users as a way to ease growing pressures on home life.
The Intimate Life of Computers is a vital contribution to feminist media history, highlighting how the emergence of personal computing dovetailed with changing gender roles and other social and cultural shifts. Eschewing the emphasis on technologies and institutions typically foregrounded in personal-computer histories, Hilu uncovers the surprising ways that domesticity and family life guided the earlier stages of our all-pervasive digital culture.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Reem Hilu</itunes:subtitle>
      <itunes:summary>Digitizing Domesticity in the 1980s: The Intimate Life of Computers (U Minnesota Press, 2024) shows how the widespread introduction of home computers in the 1980s was purposefully geared toward helping sustain heteronormative middle-class families by shaping relationships between users. Moving beyond the story of male-dominated computer culture, this book emphasizes the neglected history of the influence of women’s culture and feminist critique on the development of personal computing despite women’s underrepresentation in the industry.
Proposing the notion of “companionate computing,” Reem Hilu reimagines the spread of computers into American homes as the history of an interpersonal, romantic, and familial medium. She details the integration of computing into family relationships—from helping couples have better sex and offering thoughtful simulations of masculine seduction to animating cute robot companions and giving voice to dolls that could talk to lonely children—underscoring how these computer applications directly responded to the companionate needs of their users as a way to ease growing pressures on home life.
The Intimate Life of Computers is a vital contribution to feminist media history, highlighting how the emergence of personal computing dovetailed with changing gender roles and other social and cultural shifts. Eschewing the emphasis on technologies and institutions typically foregrounded in personal-computer histories, Hilu uncovers the surprising ways that domesticity and family life guided the earlier stages of our all-pervasive digital culture.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517916657"><em>Digitizing Domesticity in the 1980s: The Intimate Life of Computers </em></a>(U Minnesota Press, 2024) shows how the widespread introduction of home computers in the 1980s was purposefully geared toward helping sustain heteronormative middle-class families by shaping relationships between users. Moving beyond the story of male-dominated computer culture, this book emphasizes the neglected history of the influence of women’s culture and feminist critique on the development of personal computing despite women’s underrepresentation in the industry.</p><p>Proposing the notion of “companionate computing,” Reem Hilu reimagines the spread of computers into American homes as the history of an interpersonal, romantic, and familial medium. She details the integration of computing into family relationships—from helping couples have better sex and offering thoughtful simulations of masculine seduction to animating cute robot companions and giving voice to dolls that could talk to lonely children—underscoring how these computer applications directly responded to the companionate needs of their users as a way to ease growing pressures on home life.</p><p><em>The Intimate Life of Computers</em> is a vital contribution to feminist media history, highlighting how the emergence of personal computing dovetailed with changing gender roles and other social and cultural shifts. Eschewing the emphasis on technologies and institutions typically foregrounded in personal-computer histories, Hilu uncovers the surprising ways that domesticity and family life guided the earlier stages of our all-pervasive digital culture.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1692</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9193088324.mp3?updated=1733858463" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Benjamin J. Shestakofsky on How Venture Capital Shapes Work, Innovation, and Inequality</title>
      <description>Peoples &amp; Things host, Lee Vinsel, talks to Benjamin Shestakofsky about his book, Behind the Startup: How Venture Capital Shapes Work, Innovation, and Inequality (U California Press, 2024). Shestakofsky is Assistant Professor of Sociology at the University of Pennsylvania, where he is affiliated with AI at Wharton and the Center on Digital Culture and Society. His research centers on how digital technologies are affecting work and employment, organizations, and economic exchange.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Peoples &amp; Things host, Lee Vinsel, talks to Benjamin Shestakofsky about his book, Behind the Startup: How Venture Capital Shapes Work, Innovation, and Inequality (U California Press, 2024). Shestakofsky is Assistant Professor of Sociology at the University of Pennsylvania, where he is affiliated with AI at Wharton and the Center on Digital Culture and Society. His research centers on how digital technologies are affecting work and employment, organizations, and economic exchange.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Peoples &amp; Things host, Lee Vinsel, talks to Benjamin Shestakofsky about his book, <a href="https://bookshop.org/a/12343/9780520395039"><em>Behind the Startup: How Venture Capital Shapes Work, Innovation, and Inequality</em></a><em> </em>(U California Press, 2024). Shestakofsky is Assistant Professor of Sociology at the University of Pennsylvania, where he is affiliated with AI at Wharton and the Center on Digital Culture and Society. His research centers on how digital technologies are affecting work and employment, organizations, and economic exchange.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4193</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[51ce32ac-b596-11ef-bc1a-df16ca8bdc05]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6160530115.mp3?updated=1733685138" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Steinmetz-Jenkins, "Did It Happen Here?: Perspectives on Fascism and America" (W. W. Norton, 2024)</title>
      <description>Today I’m speaking with Daniel Steinmetz-Jenkins about the new, edited volume, Did It Happen Here? Perspectives on Fascism and America (W.W. Norton, 2024). Danny is Assistant Professor in the College of Social Studies at Wesleyan University and the steward of a fantastic interview series in The Nation magazine. Did it Happen Here? presents a snapshot of the fascism debate being waged on American campuses, in magazines, and on social media. The most recent iteration of the fascism debate began, as with many debates about the state of American politics, with the election of Donald Trump. Since his first term in 2016, speculation about the true nature of Trumpism has generated countless think-pieces and books. Did It Happen Here? is the definitive summary of the major scholarly views on whether fascism has come to America. As Danny puts it, “the fascism debate is Rorschach test for understanding what is truly ailing American society.”
Daniel Steinmetz-Jenkins is Assistant Professor in the College of Social Studies at Wesleyan University.
Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 08 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Steinmetz-Jenkins</itunes:subtitle>
      <itunes:summary>Today I’m speaking with Daniel Steinmetz-Jenkins about the new, edited volume, Did It Happen Here? Perspectives on Fascism and America (W.W. Norton, 2024). Danny is Assistant Professor in the College of Social Studies at Wesleyan University and the steward of a fantastic interview series in The Nation magazine. Did it Happen Here? presents a snapshot of the fascism debate being waged on American campuses, in magazines, and on social media. The most recent iteration of the fascism debate began, as with many debates about the state of American politics, with the election of Donald Trump. Since his first term in 2016, speculation about the true nature of Trumpism has generated countless think-pieces and books. Did It Happen Here? is the definitive summary of the major scholarly views on whether fascism has come to America. As Danny puts it, “the fascism debate is Rorschach test for understanding what is truly ailing American society.”
Daniel Steinmetz-Jenkins is Assistant Professor in the College of Social Studies at Wesleyan University.
Caleb Zakarin is editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I’m speaking with Daniel Steinmetz-Jenkins about the new, edited volume, <a href="https://bookshop.org/a/12343/9781324074397"><em>Did It Happen Here? Perspectives on Fascism and America</em></a><em> </em>(W.W. Norton, 2024). Danny is Assistant Professor in the College of Social Studies at Wesleyan University and the steward of a fantastic interview series in The Nation magazine. <em>Did it Happen Here? </em>presents a snapshot of the fascism debate being waged on American campuses, in magazines, and on social media. The most recent iteration of the fascism debate began, as with many debates about the state of American politics, with the election of Donald Trump. Since his first term in 2016, speculation about the true nature of Trumpism has generated countless think-pieces and books. <em>Did It Happen Here? </em>is the definitive summary of the major scholarly views on whether fascism has come to America. As Danny puts it, “the fascism debate is Rorschach test for understanding what is truly ailing American society.”</p><p>Daniel Steinmetz-Jenkins is Assistant Professor in the College of Social Studies at Wesleyan University.</p><p><em>Caleb Zakarin is editor at the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3358</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6090ac10-b4a2-11ef-accc-8774bfaefd84]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8776577709.mp3?updated=1733518582" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andy Hines, "Imagining After Capitalism" (Triarchy Press, 2025)</title>
      <description>Imagining After Capitalism (Triarchy Press, 2025) is the culmination of a decade-long exploration of what comes next after capitalism. It leverages previous work in developing foresight methodologies, which are featured in two previous books: Teaching about the Future and Thinking about the Future (2nd edition), both with Peter Bishop. It also leverages my work in identifying long-term values shifts—which are pivotal to After Capitalism—that are highlighted in ConsumerShift: How Changing Values Are Reshaping the Consumer Landscape.
Arguing that the absence of compelling positive alternatives keeps us stuck in a combination of fear, denial, and false hope, he offers three “guiding images” for the long-term future: an environmentally driven Circular Commons, a socially and politically driven Non-Workers’ Paradise, and a technology-driven Tech-Led Abundance.
Imagining After Capitalism argues “first things first.” Let us first decide where we want to go before building detailed plans for getting there. The three “guiding images” are not the answers, but are intended to provoke discussion about the possibilities.
The book offers an alternative to the prevailing doom and gloom and suggests there are indeed positive alternatives out there and it’s time to get started on crafting a different path to the future!
Andy Hines brings more than three decades of experience as a futurist to the Imagining After Capitalism work. He has explored the future from multiple vantage points. He is currently an Associate Professor and Program Coordinator at the University of Houston Foresight program. He also spent a decade as an organizational futurist, first with Kellogg’s and then Dow Chemical. His consulting futurists roles included Coates &amp; Jarratt, Inc., Social Technologies/Innovaro and currently his own firm Hinesight.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andy Hines</itunes:subtitle>
      <itunes:summary>Imagining After Capitalism (Triarchy Press, 2025) is the culmination of a decade-long exploration of what comes next after capitalism. It leverages previous work in developing foresight methodologies, which are featured in two previous books: Teaching about the Future and Thinking about the Future (2nd edition), both with Peter Bishop. It also leverages my work in identifying long-term values shifts—which are pivotal to After Capitalism—that are highlighted in ConsumerShift: How Changing Values Are Reshaping the Consumer Landscape.
Arguing that the absence of compelling positive alternatives keeps us stuck in a combination of fear, denial, and false hope, he offers three “guiding images” for the long-term future: an environmentally driven Circular Commons, a socially and politically driven Non-Workers’ Paradise, and a technology-driven Tech-Led Abundance.
Imagining After Capitalism argues “first things first.” Let us first decide where we want to go before building detailed plans for getting there. The three “guiding images” are not the answers, but are intended to provoke discussion about the possibilities.
The book offers an alternative to the prevailing doom and gloom and suggests there are indeed positive alternatives out there and it’s time to get started on crafting a different path to the future!
Andy Hines brings more than three decades of experience as a futurist to the Imagining After Capitalism work. He has explored the future from multiple vantage points. He is currently an Associate Professor and Program Coordinator at the University of Houston Foresight program. He also spent a decade as an organizational futurist, first with Kellogg’s and then Dow Chemical. His consulting futurists roles included Coates &amp; Jarratt, Inc., Social Technologies/Innovaro and currently his own firm Hinesight.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781917251037"><em>Imagining After Capitalism</em></a> (Triarchy Press, 2025) is the culmination of a decade-long exploration of what comes next after capitalism. It leverages previous work in developing foresight methodologies, which are featured in two previous books: <a href="https://www.amazon.com/Teaching-about-Future-Peter-Bishop/dp/0230363490">Teaching about the Future</a> and <a href="https://www.amazon.com/Thinking-about-Future-Guidelines-Strategic-dp-0996773401/dp/0996773401/ref=dp_ob_image_bk">Thinking about the Future (2nd edition)</a>, both with Peter Bishop. It also leverages my work in identifying long-term values shifts—which are pivotal to After Capitalism—that are highlighted in <a href="https://www.amazon.com/Consumershift-Changing-Reshaping-Consumer-Landscape/dp/1614660379/ref=monarch_sidesheet">ConsumerShift: How Changing Values Are Reshaping the Consumer Landscape</a>.</p><p>Arguing that the absence of compelling positive alternatives keeps us stuck in a combination of fear, denial, and false hope, he offers three “guiding images” for the long-term future: an environmentally driven Circular Commons, a socially and politically driven Non-Workers’ Paradise, and a technology-driven Tech-Led Abundance.</p><p><em>Imagining After Capitalism</em> argues “first things first.” Let us first decide where we want to go before building detailed plans for getting there. The three “guiding images” are not the answers, but are intended to provoke discussion about the possibilities.</p><p>The book offers an alternative to the prevailing doom and gloom and suggests there are indeed positive alternatives out there and it’s time to get started on crafting a different path to the future!</p><p>Andy Hines brings more than three decades of experience as a futurist to the Imagining After Capitalism work. He has explored the future from multiple vantage points. He is currently an Associate Professor and Program Coordinator at the University of Houston Foresight program. He also spent a decade as an organizational futurist, first with Kellogg’s and then Dow Chemical. His consulting futurists roles included Coates &amp; Jarratt, Inc., Social Technologies/Innovaro and currently his own firm Hinesight.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2909</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[96f9ed36-b338-11ef-8376-b7f60bd2bfc7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9885536301.mp3?updated=1733424596" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Larry Alan Busk, "The Right-Wing Mirror of Critical Theory: Studies of Schmitt, Oakeshott, Hayek, Strauss, and Rand" (Rowman &amp; Littlefield, 2023)</title>
      <description>What really separates emancipatory thinking from its opposite? The prevailing Left defines itself against neoliberalism, conservative traditionalism, and fascism as a matter of course. The philosophical differences, however, may be more apparent than real. 
The Right-Wing Mirror of Critical Theory: Studies of Schmitt, Oakeshott, Hayek, Strauss, and Rand (Rowman &amp; Littlefield, 2023) argues that dominant trends in critical and radical theory inadvertently reproduce the cardinal tenets of the twentieth century’s most influential right-wing philosophers. It finds the rejection of foundationalism, rationalism, economic planning, and vanguardism mirrored in the work of Schmitt, Oakeshott, Hayek, and Strauss. If it is to be more than merely an inverted image of the Right, critical theory must reevaluate its relationship to what Julius Nyerere once called “deliberate design” in politics. In the era of anthropogenic climate change, a substantial—not merely nominal—departure from right-wing talking points is all the more necessary and momentous.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>497</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Larry Alan Busk</itunes:subtitle>
      <itunes:summary>What really separates emancipatory thinking from its opposite? The prevailing Left defines itself against neoliberalism, conservative traditionalism, and fascism as a matter of course. The philosophical differences, however, may be more apparent than real. 
The Right-Wing Mirror of Critical Theory: Studies of Schmitt, Oakeshott, Hayek, Strauss, and Rand (Rowman &amp; Littlefield, 2023) argues that dominant trends in critical and radical theory inadvertently reproduce the cardinal tenets of the twentieth century’s most influential right-wing philosophers. It finds the rejection of foundationalism, rationalism, economic planning, and vanguardism mirrored in the work of Schmitt, Oakeshott, Hayek, and Strauss. If it is to be more than merely an inverted image of the Right, critical theory must reevaluate its relationship to what Julius Nyerere once called “deliberate design” in politics. In the era of anthropogenic climate change, a substantial—not merely nominal—departure from right-wing talking points is all the more necessary and momentous.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What really separates emancipatory thinking from its opposite? The prevailing Left defines itself against neoliberalism, conservative traditionalism, and fascism as a matter of course. The philosophical differences, however, may be more apparent than real. </p><p><a href="https://rowman.com/ISBN/9781666929638/The-Right-Wing-Mirror-of-Critical-Theory-Studies-of-Schmitt-Oakeshott-Hayek-Strauss-and-Rand"><em>The Right-Wing Mirror of Critical Theory: Studies of Schmitt, Oakeshott, Hayek, Strauss, and Rand</em></a> (Rowman &amp; Littlefield, 2023) argues that dominant trends in critical and radical theory inadvertently reproduce the cardinal tenets of the twentieth century’s most influential right-wing philosophers. It finds the rejection of foundationalism, rationalism, economic planning, and vanguardism mirrored in the work of Schmitt, Oakeshott, Hayek, and Strauss. If it is to be more than merely an inverted image of the Right, critical theory must reevaluate its relationship to what Julius Nyerere once called “deliberate design” in politics. In the era of anthropogenic climate change, a substantial—not merely nominal—departure from right-wing talking points is all the more necessary and momentous.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[389daa22-b0f7-11ef-ba04-57f451fc3997]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9521752596.mp3?updated=1733177099" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric Drott, "Streaming Music, Streaming Capital" (Duke UP, 2024)</title>
      <description>Streaming Music, Streaming Capital (Duke University Press, 2024)  provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses .
Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>260</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eric Drott</itunes:subtitle>
      <itunes:summary>Streaming Music, Streaming Capital (Duke University Press, 2024)  provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses .
Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.dukeupress.edu/streaming-music-streaming-capital"><em>Streaming Music, Streaming Capital</em></a><em> </em>(Duke University Press, 2024) <em> </em>provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses .</p><p>Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5472</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5ccf4c3c-b270-11ef-a2d8-d799f69dacd5]]></guid>
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    </item>
    <item>
      <title>Simin Fadaee, "Global Marxism: Decolonisation and Revolutionary Politics" (Manchester UP, 2024)</title>
      <description>For much of the twentieth century, the ideas of Karl Marx provided the backbone for social justice around the world. But today the legacy of Marxism is contested, with some seeing it as Eurocentric and irrelevant to the wider global struggle.
In Global Marxism: Decolonisation and Revolutionary Politics (Manchester UP, 2024) Simin Fadaee argues that Marxism remains a living tradition and the cornerstone of revolutionary theory and practice in the Global South. She explores the lives, ideas and legacies of a group of revolutionaries who played an exceptional role in contributing to counter-hegemonic change. Figures such as Ho Chi Minh, Kwame Nkrumah, Ali Shariati and Subcomandante Marcos did not simply accept the version of Marxism that was given to them they adapted it to local conditions and contexts. In doing this they demonstrated that Marxism is not a rigid set of propositions but an evolving force whose transformative potential remains enormous.

This global Marxism has much to teach us in the never-ending task of grasping the changing historical conditions of capitalism and the complex world in which we live
Simin Fadaee is Senior Lecturer in Sociology at the University of Manchester and President of the International Sociological Association Research Committee on Social Classes and Social Movements. She is the author of Social Movements in Iran: Environmentalism and Civil Society; editor of Southern Social Movements; and Co-editor of Marxism, Religion and Emancipatory Politics.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>496</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simin Fadaee</itunes:subtitle>
      <itunes:summary>For much of the twentieth century, the ideas of Karl Marx provided the backbone for social justice around the world. But today the legacy of Marxism is contested, with some seeing it as Eurocentric and irrelevant to the wider global struggle.
In Global Marxism: Decolonisation and Revolutionary Politics (Manchester UP, 2024) Simin Fadaee argues that Marxism remains a living tradition and the cornerstone of revolutionary theory and practice in the Global South. She explores the lives, ideas and legacies of a group of revolutionaries who played an exceptional role in contributing to counter-hegemonic change. Figures such as Ho Chi Minh, Kwame Nkrumah, Ali Shariati and Subcomandante Marcos did not simply accept the version of Marxism that was given to them they adapted it to local conditions and contexts. In doing this they demonstrated that Marxism is not a rigid set of propositions but an evolving force whose transformative potential remains enormous.

This global Marxism has much to teach us in the never-ending task of grasping the changing historical conditions of capitalism and the complex world in which we live
Simin Fadaee is Senior Lecturer in Sociology at the University of Manchester and President of the International Sociological Association Research Committee on Social Classes and Social Movements. She is the author of Social Movements in Iran: Environmentalism and Civil Society; editor of Southern Social Movements; and Co-editor of Marxism, Religion and Emancipatory Politics.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For much of the twentieth century, the ideas of Karl Marx provided the backbone for social justice around the world. But today the legacy of Marxism is contested, with some seeing it as Eurocentric and irrelevant to the wider global struggle.</p><p>In <a href="https://bookshop.org/a/12343/9781526177988"><em>Global Marxism: Decolonisation and Revolutionary Politics</em></a> (Manchester UP, 2024) Simin Fadaee argues that Marxism remains a living tradition and the cornerstone of revolutionary theory and practice in the Global South. She explores the lives, ideas and legacies of a group of revolutionaries who played an exceptional role in contributing to counter-hegemonic change. Figures such as Ho Chi Minh, Kwame Nkrumah, Ali Shariati and Subcomandante Marcos did not simply accept the version of Marxism that was given to them they adapted it to local conditions and contexts. In doing this they demonstrated that Marxism is not a rigid set of propositions but an evolving force whose transformative potential remains enormous.</p><p><br></p><p>This global Marxism has much to teach us in the never-ending task of grasping the changing historical conditions of capitalism and the complex world in which we live</p><p>Simin Fadaee is Senior Lecturer in Sociology at the University of Manchester and President of the International Sociological Association Research Committee on Social Classes and Social Movements. She is the author of Social Movements in Iran: Environmentalism and Civil Society; editor of Southern Social Movements; and Co-editor of Marxism, Religion and Emancipatory Politics.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2830</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5764e6a6-b0e7-11ef-af04-e76621c66999]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6697186039.mp3?updated=1733170002" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Mijin Cha, "A Just Transition for All: Workers and Communities for a Carbon-Free Future" (MIT Press, 2024)</title>
      <description>To meet the greenhouse gas emissions reductions needed to stave off the worst impacts of climate change, a transition away from fossil fuels must occur, as quickly as possible. But there are many unknowns when it comes to moving from theory to implementation for such a large-scale energy transition, to say nothing of whether this transition will be “just.” 
In A Just Transition for All: Workers and Communities for a Carbon-Free Future (MIT Press, 2024), J. Mijin Cha—a seasoned climate policy researcher who also works with advocacy organizations and unions—offers a comprehensive analysis of how we can actualize a just transition in the U.S. context and enact transformational changes that meaningfully improve people’s lives. Cha provides a novel governance framework called the “Four+ Pillars,” formulated from original research to provide a way to move from theory to practice. The “Pillars” framework includes a novel analysis that guides readers in understanding how to formulate effective just transition policies, what makes them just or unjust, and, similarly, what makes transition just and unjust. The framework also combines theoretical discussions with original empirical research and provides insights into perceptions of just transition. Grounded in real-world perspectives that make the case for policies that advance a just transition for all, not just fossil fuel workers, Cha charts the path forward to an equitable and sustainable future that no longer depends on fossil fuels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with J. Mijin Cha</itunes:subtitle>
      <itunes:summary>To meet the greenhouse gas emissions reductions needed to stave off the worst impacts of climate change, a transition away from fossil fuels must occur, as quickly as possible. But there are many unknowns when it comes to moving from theory to implementation for such a large-scale energy transition, to say nothing of whether this transition will be “just.” 
In A Just Transition for All: Workers and Communities for a Carbon-Free Future (MIT Press, 2024), J. Mijin Cha—a seasoned climate policy researcher who also works with advocacy organizations and unions—offers a comprehensive analysis of how we can actualize a just transition in the U.S. context and enact transformational changes that meaningfully improve people’s lives. Cha provides a novel governance framework called the “Four+ Pillars,” formulated from original research to provide a way to move from theory to practice. The “Pillars” framework includes a novel analysis that guides readers in understanding how to formulate effective just transition policies, what makes them just or unjust, and, similarly, what makes transition just and unjust. The framework also combines theoretical discussions with original empirical research and provides insights into perceptions of just transition. Grounded in real-world perspectives that make the case for policies that advance a just transition for all, not just fossil fuel workers, Cha charts the path forward to an equitable and sustainable future that no longer depends on fossil fuels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>To meet the greenhouse gas emissions reductions needed to stave off the worst impacts of climate change, a transition away from fossil fuels must occur, as quickly as possible. But there are many unknowns when it comes to moving from theory to implementation for such a large-scale energy transition, to say nothing of whether this transition will be “just.” </p><p>In <a href="https://bookshop.org/a/12343/9780262550796"><em>A Just Transition for All: Workers and Communities for a Carbon-Free Future</em></a><em> </em>(MIT Press, 2024), J. Mijin Cha—a seasoned climate policy researcher who also works with advocacy organizations and unions—offers a comprehensive analysis of how we can actualize a just transition in the U.S. context and enact transformational changes that meaningfully improve people’s lives. Cha provides a novel governance framework called the “Four+ Pillars,” formulated from original research to provide a way to move from theory to practice. The “Pillars” framework includes a novel analysis that guides readers in understanding how to formulate effective just transition policies, what makes them just or unjust, and, similarly, what makes transition just and unjust. The framework also combines theoretical discussions with original empirical research and provides insights into perceptions of just transition. Grounded in real-world perspectives that make the case for policies that advance a just transition for all, not just fossil fuel workers, Cha charts the path forward to an equitable and sustainable future that no longer depends on fossil fuels.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1608</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[880c868a-b1b2-11ef-8ab8-536fb6577056]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4349199335.mp3?updated=1733256861" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helena Hansen et al., "Whiteout: How Racial Capitalism Changed the Color of Opioids in America" (U California Press, 2023)</title>
      <description>The phrase "racial capitalism" was used by Cedric Robinson to describe an economy of wealth accumulation extracted from cheap labor, organized by racial hierarchy, and justified through white supremacist logics. Now, in the twenty-first century, the biotech industry is the new capitalist whose race-based exploitation engages not only labor but racialized consumption. This arrangement is upheld through US drug policy, which over the past century has created a split legal system—one punitive system that criminalizes drug use common among Black, Brown, and lower-income communities and another system characterized by compassion and care that medicalizes, and thus legalizes, drug use targeted to middle-class White people.
In the award-winning book Whiteout: How Racial Capitalism Changed the Color of Opioids in America (U California Press, 2023), a trio of authors—Helena Hansen, Jules Netherland, and David Herzberg—explain how this arrangement came to pass, what impacts it has, and what needs to be done. This remarkable book won the 2023 Rachel Carson Book Prize from the Society for the Social Studies of Science.
This interview was a collaborative effort among Professor Laura Stark and graduate students at Vanderbilt University in the course, “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.
email: laura.stark@vanderbilt.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The phrase "racial capitalism" was used by Cedric Robinson to describe an economy of wealth accumulation extracted from cheap labor, organized by racial hierarchy, and justified through white supremacist logics. Now, in the twenty-first century, the biotech industry is the new capitalist whose race-based exploitation engages not only labor but racialized consumption. This arrangement is upheld through US drug policy, which over the past century has created a split legal system—one punitive system that criminalizes drug use common among Black, Brown, and lower-income communities and another system characterized by compassion and care that medicalizes, and thus legalizes, drug use targeted to middle-class White people.
In the award-winning book Whiteout: How Racial Capitalism Changed the Color of Opioids in America (U California Press, 2023), a trio of authors—Helena Hansen, Jules Netherland, and David Herzberg—explain how this arrangement came to pass, what impacts it has, and what needs to be done. This remarkable book won the 2023 Rachel Carson Book Prize from the Society for the Social Studies of Science.
This interview was a collaborative effort among Professor Laura Stark and graduate students at Vanderbilt University in the course, “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.
email: laura.stark@vanderbilt.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The phrase "racial capitalism" was used by <a href="https://books.google.com/books/about/Black_Marxism.html?id=Y30zsnRdFlIC">Cedric Robinson</a> to describe an economy of wealth accumulation extracted from cheap labor, organized by racial hierarchy, and justified through white supremacist logics. Now, in the twenty-first century, the biotech industry is the new capitalist whose race-based exploitation engages not only labor but racialized consumption. This arrangement is upheld through US drug policy, which over the past century has created a split legal system—one punitive system that criminalizes drug use common among Black, Brown, and lower-income communities and another system characterized by compassion and care that medicalizes, and thus legalizes, drug use targeted to middle-class White people.</p><p>In the award-winning book <a href="https://bookshop.org/a/12343/9780520384057"><em>Whiteout: How Racial Capitalism Changed the Color of Opioids in America</em></a><em> </em>(U California Press, 2023), a trio of authors—Helena Hansen, Jules Netherland, and David Herzberg—explain how this arrangement came to pass, what impacts it has, and what needs to be done. This remarkable book won the 2023 Rachel Carson Book Prize from the Society for the Social Studies of Science.</p><p>This interview was a collaborative effort among Professor <a href="http://www.laura-stark.com/">Laura Stark</a> and graduate students at Vanderbilt University in the course, “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about how to design <a href="https://www.researchgate.net/publication/286403980_Can_New_Media_Save_the_Book">collaborative interview projects for the classroom</a>.</p><p>email: <a href="mailto:laura.stark@vanderbilt.edu">laura.stark@vanderbilt.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4552</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[85729bb8-b283-11ef-b149-93f15503f1dc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1590825409.mp3?updated=1733347233" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Toby Bennett, "Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out" (Bloomsbury, 2024)</title>
      <description>How does the music industry actually work? In Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out Toby Bennett, a Senior Lecturer in Media, Culture &amp; Organisation in the School of Media and Communications at the University of Westminster offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offering a detailed theoretical framework for understanding these changes, as well as rich details on the ordinary organisational practices that keep the music industry running, the book will be essential reading across humanities, social sciences, and for anyone interested in music and culture industries.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>499</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Toby Bennett</itunes:subtitle>
      <itunes:summary>How does the music industry actually work? In Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out Toby Bennett, a Senior Lecturer in Media, Culture &amp; Organisation in the School of Media and Communications at the University of Westminster offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offering a detailed theoretical framework for understanding these changes, as well as rich details on the ordinary organisational practices that keep the music industry running, the book will be essential reading across humanities, social sciences, and for anyone interested in music and culture industries.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the music industry actually work? In <a href="https://www.bloomsbury.com/uk/corporate-life-in-the-digital-music-industry-9781501387258/"><em>Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out</em></a> <a href="https://bsky.app/profile/tgpb.bsky.social">Toby Bennett,</a> a <a href="https://tgpbennett.wordpress.com/">Senior Lecturer</a> in Media, Culture &amp; Organisation in the <a href="https://www.westminster.ac.uk/about-us/our-people/directory/bennett-toby">School of Media and Communications at the University of Westminster</a> offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offering a detailed theoretical framework for understanding these changes, as well as rich details on the ordinary organisational practices that keep the music industry running, the book will be essential reading across humanities, social sciences, and for anyone interested in music and culture industries.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien">Dave O'Brien</a> is Professor of Cultural and Creative Industries, at the University of Manchester.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2843</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b6b2e57c-b0fb-11ef-ac03-0fc977242bfd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2665314359.mp3?updated=1733178819" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Gardner Kelly, "Dividing the Public: School Finance and the Creation of Structural Inequity" (Cornell UP, 2024)</title>
      <description>In Dividing the Public: School Finance and the Creation of Structural Inequity (Cornell UP, 2024), Matthew Gardner Kelly takes aim at the racial and economic disparities that characterize public education funding in the United States. With California as his focus, Kelly illustrates that the use of local taxes to fund public education was never an inadvertent or de facto product of past practices, but an intentional decision adopted in place of well-known alternatives during the Progressive Era, against past precedent and principle in several states.
From efforts to convert expropriated Indigenous and Mexican land into common school funding in the 1850s, to reforms that directed state aid to expanding white suburbs during the years surrounding World War II, Dividing the Public traces, in intricate detail, how a host of policies connected to school funding have divided California by race and class over time. In bringing into view the neglected and poorly understood history of policymaking connected to school finance, Kelly offers a new story about the role public education played in shaping the racially segregated, economically divided, and politically fragmented world of the post-1945 metropolis.
Matthew Gardner Kelly is an assistant professor of educational foundations, leadership, and policy at the University of Washington.  
Max Jacobs is a PhD student in education at Rutgers University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Gardner Kelly</itunes:subtitle>
      <itunes:summary>In Dividing the Public: School Finance and the Creation of Structural Inequity (Cornell UP, 2024), Matthew Gardner Kelly takes aim at the racial and economic disparities that characterize public education funding in the United States. With California as his focus, Kelly illustrates that the use of local taxes to fund public education was never an inadvertent or de facto product of past practices, but an intentional decision adopted in place of well-known alternatives during the Progressive Era, against past precedent and principle in several states.
From efforts to convert expropriated Indigenous and Mexican land into common school funding in the 1850s, to reforms that directed state aid to expanding white suburbs during the years surrounding World War II, Dividing the Public traces, in intricate detail, how a host of policies connected to school funding have divided California by race and class over time. In bringing into view the neglected and poorly understood history of policymaking connected to school finance, Kelly offers a new story about the role public education played in shaping the racially segregated, economically divided, and politically fragmented world of the post-1945 metropolis.
Matthew Gardner Kelly is an assistant professor of educational foundations, leadership, and policy at the University of Washington.  
Max Jacobs is a PhD student in education at Rutgers University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501773266"><em>Dividing the Public: School Finance and the Creation of Structural Inequity</em></a><em> </em>(Cornell UP, 2024), Matthew Gardner Kelly takes aim at the racial and economic disparities that characterize public education funding in the United States<strong>.</strong> With California as his focus, Kelly illustrates that the use of local taxes to fund public education was never an inadvertent or de facto product of past practices, but an intentional decision adopted in place of well-known alternatives during the Progressive Era, against past precedent and principle in several states.</p><p>From efforts to convert expropriated Indigenous and Mexican land into common school funding in the 1850s, to reforms that directed state aid to expanding white suburbs during the years surrounding World War II, <em>Dividing the Public</em> traces, in intricate detail, how a host of policies connected to school funding have divided California by race and class over time. In bringing into view the neglected and poorly understood history of policymaking connected to school finance, Kelly offers a new story about the role public education played in shaping the racially segregated, economically divided, and politically fragmented world of the post-1945 metropolis.</p><p><a href="https://education.uw.edu/about/directory/matthew-gardner-kelly">Matthew Gardner Kelly</a> is an assistant professor of educational foundations, leadership, and policy at the University of Washington.  </p><p><a href="https://gse.rutgers.edu/student/max-antonio-jacobs/"><em>Max Jacobs</em></a><em> is a PhD student in education at Rutgers University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4634</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9636813921.mp3?updated=1733252006" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joy White, "Like Lockdown Never Happened: Music and Culture During Covid" (Repeater, 2024)</title>
      <description>What happened to culture in 2020? In Like Lockdown Never Happened: Music and Culture During Covid (Repeater, 2024), Joy White, a Lecturer in Applied Social Studies at the University of Bedfordshire, explores the impact of Covid, along with social, community and artistic responses. The book ranges widely, including comparative analysis of the UK and Jamaica, deep dives into contemporary Black music and Black culture on TV, digital modes of making and distributing music, and emerging cultural practices on platforms such as TikTok. Theoretically rich as well as offering detailed media and cultural analysis, the book is essential reading of humanities, social science and public health scholars, as well as for anyone interested in reflecting on the era when Covid first hut society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>496</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joy White</itunes:subtitle>
      <itunes:summary>What happened to culture in 2020? In Like Lockdown Never Happened: Music and Culture During Covid (Repeater, 2024), Joy White, a Lecturer in Applied Social Studies at the University of Bedfordshire, explores the impact of Covid, along with social, community and artistic responses. The book ranges widely, including comparative analysis of the UK and Jamaica, deep dives into contemporary Black music and Black culture on TV, digital modes of making and distributing music, and emerging cultural practices on platforms such as TikTok. Theoretically rich as well as offering detailed media and cultural analysis, the book is essential reading of humanities, social science and public health scholars, as well as for anyone interested in reflecting on the era when Covid first hut society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happened to culture in 2020? In<a href="https://bookshop.org/a/12343/9781914420092"><em> Like Lockdown Never Happened: Music and Culture During Covid</em></a> (Repeater, 2024), <a href="https://x.com/joywhite2">Joy White</a>, a <a href="https://www.joywhite.co.uk/">Lecturer in Applied Social Studies</a> at the <a href="https://www.beds.ac.uk/howtoapply/departments/appliedsocialsciences/staff/joy-white/">University of Bedfordshire,</a> explores the impact of Covid, along with social, community and artistic responses. The book ranges widely, including comparative analysis of the UK and Jamaica, deep dives into contemporary Black music and Black culture on TV, digital modes of making and distributing music, and emerging cultural practices on platforms such as TikTok. Theoretically rich as well as offering detailed media and cultural analysis, the book is essential reading of humanities, social science and public health scholars, as well as for anyone interested in reflecting on the era when Covid first hut society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1987</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[695a8524-b0eb-11ef-805b-63cb2f76585f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2241287001.mp3?updated=1733230119" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Geneviève Rousselière, "Sharing Freedom: Republicanism and Exclusion in Revolutionary France" (Cambridge UP, 2024)</title>
      <description>The French have long self-identified as champions of universal emancipation, yet the republicanism they adopted has often been faulted for being exclusionary – of women, foreigners, and religious and ethnic minorities. Can republicanism be an attractive alternative to liberalism, communism, and communitarianism, or is it fundamentally flawed?
Sharing Freedom: Republicanism and Exclusion in Revolutionary France (Cambridge UP, 2024) traces the development of republicanism from an older elitist theory of freedom into an inclusive theory of emancipation during the French Revolution. It uncovers the theoretical innovations of Rousseau and of revolutionaries such as Sieyès, Robespierre, Condorcet, and Grouchy. We learn how they struggled to adapt republicanism to the new circumstances of a large and diverse France, full of poor and dependent individuals with little education or experience of freedom. Analysing the argumentative logic that led republicans to justify the exclusion of many, this book renews the republican tradition and connects it with the enduring issues of colonialism, immigration, slavery, poverty and gender.
Geneviève Rousselière is a Franco-American political theorist. She is Assistant Professor of Political Science at Duke University. She is the co-editor of Republicanism and the Future of Democracy (Cambridge University Press, 2019).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Geneviève Rousselière</itunes:subtitle>
      <itunes:summary>The French have long self-identified as champions of universal emancipation, yet the republicanism they adopted has often been faulted for being exclusionary – of women, foreigners, and religious and ethnic minorities. Can republicanism be an attractive alternative to liberalism, communism, and communitarianism, or is it fundamentally flawed?
Sharing Freedom: Republicanism and Exclusion in Revolutionary France (Cambridge UP, 2024) traces the development of republicanism from an older elitist theory of freedom into an inclusive theory of emancipation during the French Revolution. It uncovers the theoretical innovations of Rousseau and of revolutionaries such as Sieyès, Robespierre, Condorcet, and Grouchy. We learn how they struggled to adapt republicanism to the new circumstances of a large and diverse France, full of poor and dependent individuals with little education or experience of freedom. Analysing the argumentative logic that led republicans to justify the exclusion of many, this book renews the republican tradition and connects it with the enduring issues of colonialism, immigration, slavery, poverty and gender.
Geneviève Rousselière is a Franco-American political theorist. She is Assistant Professor of Political Science at Duke University. She is the co-editor of Republicanism and the Future of Democracy (Cambridge University Press, 2019).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The French have long self-identified as champions of universal emancipation, yet the republicanism they adopted has often been faulted for being exclusionary – of women, foreigners, and religious and ethnic minorities. Can republicanism be an attractive alternative to liberalism, communism, and communitarianism, or is it fundamentally flawed?</p><p><a href="https://bookshop.org/a/12343/9781009477277"><em>Sharing Freedom: Republicanism and Exclusion in Revolutionary France</em></a><em> </em>(Cambridge UP, 2024) traces the development of republicanism from an older elitist theory of freedom into an inclusive theory of emancipation during the French Revolution. It uncovers the theoretical innovations of Rousseau and of revolutionaries such as Sieyès, Robespierre, Condorcet, and Grouchy. We learn how they struggled to adapt republicanism to the new circumstances of a large and diverse France, full of poor and dependent individuals with little education or experience of freedom. Analysing the argumentative logic that led republicans to justify the exclusion of many, this book renews the republican tradition and connects it with the enduring issues of colonialism, immigration, slavery, poverty and gender.</p><p>Geneviève Rousselière is a Franco-American political theorist. She is Assistant Professor of Political Science at Duke University. She is the co-editor of <em>Republicanism and the Future of Democracy</em> (Cambridge University Press, 2019).</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3030</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9729502258.mp3?updated=1733249777" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura C. Chávez-Moreno, "How Schools Make Race: Teaching Latinx Racialization in America" (Harvard Education Press, 2024)</title>
      <description>In How Schools Make Race: Teaching Latinx Racialization in America (Harvard Education Press, 2025), Dr. Laura C. Chávez-Moreno uncovers the process through which schools implicitly and explicitly shape their students’ concept of race and the often unintentional consequences of this on educational equity. Dr.Chávez-Moreno sheds light on how the complex interactions among educational practices, policies, pedagogy, language, and societal ideas interplay to form, reinforce, and blur the boundaries of racialized groups, a dynamic which creates contradictions in classrooms and communities committed to antiracism.
In this provocative book, Dr. Chávez-Moreno urges readers to rethink race, to reconceptualize Latinx as a racialized group, and to pay attention to how schools construct Latinidad (a concept about Latinx experience and identity) in relation to Blackness, Indigeneity, Asianness, and Whiteness. The work explores, as an example, how Spanish-English bilingual education programs engage in race-making work. It also illuminates how schools can offer ambitious teachings to raise their students’ critical consciousness about race and racialization.
Ultimately, Dr. Chávez-Moreno’s groundbreaking work makes clear that understanding how our schools teach about racialized groups is crucial to understanding how our society thinks about race and offers solutions to racial inequities. The book invites educators and scholars to embrace ambitious teaching about the ambivalence of race so that teachers and students are prepared to interrogate racist ideas and act toward just outcomes.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>243</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura C. Chávez-Moreno</itunes:subtitle>
      <itunes:summary>In How Schools Make Race: Teaching Latinx Racialization in America (Harvard Education Press, 2025), Dr. Laura C. Chávez-Moreno uncovers the process through which schools implicitly and explicitly shape their students’ concept of race and the often unintentional consequences of this on educational equity. Dr.Chávez-Moreno sheds light on how the complex interactions among educational practices, policies, pedagogy, language, and societal ideas interplay to form, reinforce, and blur the boundaries of racialized groups, a dynamic which creates contradictions in classrooms and communities committed to antiracism.
In this provocative book, Dr. Chávez-Moreno urges readers to rethink race, to reconceptualize Latinx as a racialized group, and to pay attention to how schools construct Latinidad (a concept about Latinx experience and identity) in relation to Blackness, Indigeneity, Asianness, and Whiteness. The work explores, as an example, how Spanish-English bilingual education programs engage in race-making work. It also illuminates how schools can offer ambitious teachings to raise their students’ critical consciousness about race and racialization.
Ultimately, Dr. Chávez-Moreno’s groundbreaking work makes clear that understanding how our schools teach about racialized groups is crucial to understanding how our society thinks about race and offers solutions to racial inequities. The book invites educators and scholars to embrace ambitious teaching about the ambivalence of race so that teachers and students are prepared to interrogate racist ideas and act toward just outcomes.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781682539224"><em>How Schools Make Race: Teaching Latinx Racialization in America</em></a> (Harvard Education Press, 2025), Dr. Laura C. Chávez-Moreno uncovers the process through which schools implicitly and explicitly shape their students’ concept of race and the often unintentional consequences of this on educational equity. Dr.Chávez-Moreno sheds light on how the complex interactions among educational practices, policies, pedagogy, language, and societal ideas interplay to form, reinforce, and blur the boundaries of racialized groups, a dynamic which creates contradictions in classrooms and communities committed to antiracism.</p><p>In this provocative book, Dr. Chávez-Moreno urges readers to rethink race, to reconceptualize Latinx as a racialized group, and to pay attention to how schools construct Latinidad (a concept about Latinx experience and identity) in relation to Blackness, Indigeneity, Asianness, and Whiteness. The work explores, as an example, how Spanish-English bilingual education programs engage in race-making work. It also illuminates how schools can offer ambitious teachings to raise their students’ critical consciousness about race and racialization.</p><p>Ultimately, Dr. Chávez-Moreno’s groundbreaking work makes clear that understanding how our schools teach about racialized groups is crucial to understanding how our society thinks about race and offers solutions to racial inequities. The book invites educators and scholars to embrace ambitious teaching about the ambivalence of race so that teachers and students are prepared to interrogate racist ideas and act toward just outcomes.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2390</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ae0a8972-b0ef-11ef-9d7c-8f339264dec8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6285658540.mp3?updated=1733173129" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sidney A. Shapiro and Joseph P. Tomain, "How Government Built America" (Cambridge UP, 2024)</title>
      <description>How Government Built America (Cambridge UP, 2024) challenges growing, anti-government rhetoric by highlighting the role government has played in partnering with markets to build the United States. Sidney A. Shapiro and Joseph P. Tomain explore how markets can harm and fail the country, and how the government has addressed these extremes by restoring essential values to benefit all citizens. Without denying that individualism and small government are part of the national DNA, the authors demonstrate how democracy and a people pursuing communal interests are equally important. In highly engaging prose, the authors describe how the government, despite the complexity of markets, remains engaged in promoting economic prosperity, protecting people, and providing an economic safety net. Each chapter focuses on a historical figure, from Lincoln to FDR to Trump, to illustrate how the government-market mix has evolved over time. By understanding this history, readers can turn the national conversation back to what combination of government and markets will best serve the country.
Sidney A. Shapiro holds the Fletcher Chair in Administrative Law at the Wake Forest University School of Law. He is the author of Administrative Competence: Reimagining Administrative Law (2020) and Achieving Democracy: The Future of Progressive Regulation (2014).
Joseph P. Tomain is Dean Emeritus and the Wilbert and Helen Ziegler Professor of Law at the University of Cincinnati. A highly respected professor and scholar, his teaching and research interests focus in the areas of energy law, land use, regulatory policy, and contracts.
﻿Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 01 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>283</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sidney A. Shapiro and Joseph P. Tomain</itunes:subtitle>
      <itunes:summary>How Government Built America (Cambridge UP, 2024) challenges growing, anti-government rhetoric by highlighting the role government has played in partnering with markets to build the United States. Sidney A. Shapiro and Joseph P. Tomain explore how markets can harm and fail the country, and how the government has addressed these extremes by restoring essential values to benefit all citizens. Without denying that individualism and small government are part of the national DNA, the authors demonstrate how democracy and a people pursuing communal interests are equally important. In highly engaging prose, the authors describe how the government, despite the complexity of markets, remains engaged in promoting economic prosperity, protecting people, and providing an economic safety net. Each chapter focuses on a historical figure, from Lincoln to FDR to Trump, to illustrate how the government-market mix has evolved over time. By understanding this history, readers can turn the national conversation back to what combination of government and markets will best serve the country.
Sidney A. Shapiro holds the Fletcher Chair in Administrative Law at the Wake Forest University School of Law. He is the author of Administrative Competence: Reimagining Administrative Law (2020) and Achieving Democracy: The Future of Progressive Regulation (2014).
Joseph P. Tomain is Dean Emeritus and the Wilbert and Helen Ziegler Professor of Law at the University of Cincinnati. A highly respected professor and scholar, his teaching and research interests focus in the areas of energy law, land use, regulatory policy, and contracts.
﻿Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781009489379"><em>How Government Built America</em></a> (Cambridge UP, 2024) challenges growing, anti-government rhetoric by highlighting the role government has played in partnering with markets to build the United States. Sidney A. Shapiro and Joseph P. Tomain explore how markets can harm and fail the country, and how the government has addressed these extremes by restoring essential values to benefit all citizens. Without denying that individualism and small government are part of the national DNA, the authors demonstrate how democracy and a people pursuing communal interests are equally important. In highly engaging prose, the authors describe how the government, despite the complexity of markets, remains engaged in promoting economic prosperity, protecting people, and providing an economic safety net. Each chapter focuses on a historical figure, from Lincoln to FDR to Trump, to illustrate how the government-market mix has evolved over time. By understanding this history, readers can turn the national conversation back to what combination of government and markets will best serve the country.</p><p>Sidney A. Shapiro holds the Fletcher Chair in Administrative Law at the Wake Forest University School of Law. He is the author of Administrative Competence: Reimagining Administrative Law (2020) and Achieving Democracy: The Future of Progressive Regulation (2014).</p><p>Joseph P. Tomain is Dean Emeritus and the Wilbert and Helen Ziegler Professor of Law at the University of Cincinnati. A highly respected professor and scholar, his teaching and research interests focus in the areas of energy law, land use, regulatory policy, and contracts.</p><p><em>﻿</em><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[06f503d6-af39-11ef-ac5f-3760b9f51ebe]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3990755698.mp3?updated=1732985355" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Psychoanalytic Mechanisms of Defense Affected the 2024 Presidential Campaign and Election</title>
      <description>Even though this is not a political show, today we will be talking about the ways in which mechanisms of defense effected both parties in the 2024 campaign and the presidential election. It is too big and too germane to our society to ignore. If we did, we might be guilty of denial.
In this podcast the hist and co-host discuss the following question and how mechanism of defense were employed to ward off difficult thoughts and feelings; some too frightening to contemplate.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 01 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>245</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Psychoanalytic Perspectives on Racism in America: Episode 5</itunes:subtitle>
      <itunes:summary>Even though this is not a political show, today we will be talking about the ways in which mechanisms of defense effected both parties in the 2024 campaign and the presidential election. It is too big and too germane to our society to ignore. If we did, we might be guilty of denial.
In this podcast the hist and co-host discuss the following question and how mechanism of defense were employed to ward off difficult thoughts and feelings; some too frightening to contemplate.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Even though this is not a political show, today we will be talking about the ways in which mechanisms of defense effected <em>both</em> parties in the 2024 campaign and the presidential election. It is too big and too germane to our society to ignore. If we did, we might be guilty of denial.</p><p>In this podcast the hist and co-host discuss the following question and how mechanism of defense were employed to ward off difficult thoughts and feelings; some too frightening to contemplate.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2237</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[807ac0e8-af33-11ef-97fc-6bcfad98fca3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4455822043.mp3?updated=1732982742" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Too Black and Rasul A. Mowatt, "Laundering Black Rage: The Washing of Black Death, People, Property, and Profits" (Routledge, 2024)</title>
      <description>Laundering Black Rage: The Washing of Black Death, People, Property, and Profits (Routledge, 2024) examines the dilution and commodification of Black Rage--conceived as a constructive response to the conquest of resources, land, and human beings--in a spatial and historical critique of the capitalist State. Interweaving academic criticism with journalistic essays, it presents a thoughtful challenge to popular narratives surrounding recent US events such as the Black Lives Matter movement, the death of George Floyd and other police killings, and cases of White vigilantism, arguing that the maintenance of capitalism increasingly requires the manufactured consent of the conquered. Essayist/performer Too Black and geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital, which must therefore be conquered by laundering, defined as a process of: - Incubation via the State, which places rage in circulation by setting both the oppressive conditions for its expression and seeding contradictions for it to be cleaned. - Labour, which sets mass uprisings in motion, layers the narcissistic rage of the Black elite over the illegal, militant rage of the masses to conceal class interests and collapse labour into capital. - Commodification, in which the now-laundered Black Rage is integrated within the State, ready to be withdrawn as a labour-crushed commodity to be bought, sold, or repressed by White capital. Entwining histories of Black resistance throughout the diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and activists engaged at the intersection of critiquing capitalism and combating systemic racism"--
Too Black is a low-wage worker, poet, organizer, and filmmaker. As a poet, Too Black has headlined the historic Nuyorican Poets Café, Princeton University, and Johannesburg Theater in South Africa. His words have appeared in publications such as Black Agenda Report, Left Voice, Indianapolis Recorder, and Hood Communist. He is also the co-director of the award-winning documentary The Pendleton 2: They Stood Up.
Rasul A. Mowatt is a son of Chicago and a subject of empire, while dwelling within notions of statelessness, settler colonial mentality, and anti-capitalism. Rasul also functions in the State as a Department Head in the College of Natural Resources, as an Interim Department Head in the Division of Academic and Student Affairs, and as an Affiliate Professor in the Department of Sociology and Anthropology at North Carolina State University. He is the author of the book The Geographies of Threat and the Production of Violence: The City and State Between Us.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>482</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Too Black</itunes:subtitle>
      <itunes:summary>Laundering Black Rage: The Washing of Black Death, People, Property, and Profits (Routledge, 2024) examines the dilution and commodification of Black Rage--conceived as a constructive response to the conquest of resources, land, and human beings--in a spatial and historical critique of the capitalist State. Interweaving academic criticism with journalistic essays, it presents a thoughtful challenge to popular narratives surrounding recent US events such as the Black Lives Matter movement, the death of George Floyd and other police killings, and cases of White vigilantism, arguing that the maintenance of capitalism increasingly requires the manufactured consent of the conquered. Essayist/performer Too Black and geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital, which must therefore be conquered by laundering, defined as a process of: - Incubation via the State, which places rage in circulation by setting both the oppressive conditions for its expression and seeding contradictions for it to be cleaned. - Labour, which sets mass uprisings in motion, layers the narcissistic rage of the Black elite over the illegal, militant rage of the masses to conceal class interests and collapse labour into capital. - Commodification, in which the now-laundered Black Rage is integrated within the State, ready to be withdrawn as a labour-crushed commodity to be bought, sold, or repressed by White capital. Entwining histories of Black resistance throughout the diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and activists engaged at the intersection of critiquing capitalism and combating systemic racism"--
Too Black is a low-wage worker, poet, organizer, and filmmaker. As a poet, Too Black has headlined the historic Nuyorican Poets Café, Princeton University, and Johannesburg Theater in South Africa. His words have appeared in publications such as Black Agenda Report, Left Voice, Indianapolis Recorder, and Hood Communist. He is also the co-director of the award-winning documentary The Pendleton 2: They Stood Up.
Rasul A. Mowatt is a son of Chicago and a subject of empire, while dwelling within notions of statelessness, settler colonial mentality, and anti-capitalism. Rasul also functions in the State as a Department Head in the College of Natural Resources, as an Interim Department Head in the Division of Academic and Student Affairs, and as an Affiliate Professor in the Department of Sociology and Anthropology at North Carolina State University. He is the author of the book The Geographies of Threat and the Production of Violence: The City and State Between Us.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032573779"><em>Laundering Black Rage: The Washing of Black Death, People, Property, and Profits</em></a> (Routledge, 2024) examines the dilution and commodification of Black Rage--conceived as a constructive response to the conquest of resources, land, and human beings--in a spatial and historical critique of the capitalist State. Interweaving academic criticism with journalistic essays, it presents a thoughtful challenge to popular narratives surrounding recent US events such as the Black Lives Matter movement, the death of George Floyd and other police killings, and cases of White vigilantism, arguing that the maintenance of capitalism increasingly requires the manufactured consent of the conquered. Essayist/performer Too Black and geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital, which must therefore be conquered by laundering, defined as a process of: - Incubation via the State, which places rage in circulation by setting both the oppressive conditions for its expression and seeding contradictions for it to be cleaned. - Labour, which sets mass uprisings in motion, layers the narcissistic rage of the Black elite over the illegal, militant rage of the masses to conceal class interests and collapse labour into capital. - Commodification, in which the now-laundered Black Rage is integrated within the State, ready to be withdrawn as a labour-crushed commodity to be bought, sold, or repressed by White capital. Entwining histories of Black resistance throughout the diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and activists engaged at the intersection of critiquing capitalism and combating systemic racism"--</p><p><strong>Too Black</strong> is a low-wage worker, poet, organizer, and filmmaker. As a poet, Too Black has headlined the historic Nuyorican Poets Café, Princeton University, and Johannesburg Theater in South Africa. His words have appeared in publications such as <em>Black Agenda Report</em>,<em> Left Voice</em>,<em> Indianapolis Recorder</em>, and <em>Hood Communist</em>. He is also the co-director of the award-winning documentary <em>The Pendleton 2: They Stood Up</em>.</p><p><strong>Rasul A. Mowatt </strong>is a son of Chicago and a subject of empire, while dwelling within notions of statelessness, settler colonial mentality, and anti-capitalism. Rasul also functions in the State as a Department Head in the College of Natural Resources, as an Interim Department Head in the Division of Academic and Student Affairs, and as an Affiliate Professor in the Department of Sociology and Anthropology at North Carolina State University. He is the author of the book <em>The Geographies of Threat and the Production of Violence: The City and State Between Us.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6232</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6076cc38-ac36-11ef-b062-e3383920b844]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5254137332.mp3?updated=1732655121" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>In Conversation: Islamophobia, Race and Global Politics</title>
      <description>In this episode, Dr. Ismail Patel sits down with Prof. Nazia Kazi to discuss her book “Islamophobia, Race and Global Politics”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/6f5cc622-6301-11ef-9ca1-ebb3c9adf664/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Nazia Kazi</itunes:subtitle>
      <itunes:summary>In this episode, Dr. Ismail Patel sits down with Prof. Nazia Kazi to discuss her book “Islamophobia, Race and Global Politics”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Dr. Ismail Patel sits down with Prof. Nazia Kazi to discuss her book “Islamophobia, Race and Global Politics”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1901</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9ce176f2-2e21-4fa4-ab4c-bd0929af4ef6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4954678467.mp3?updated=1724604381" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sabrina Strings, "The End of Love: Racism, Sexism, and the Death of Romance" (Beacon Press, 2024)</title>
      <description>More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.
Connecting the past to the present, in The End of Love: Racism, Sexism, and the Death of Romance (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.
Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sabrina Strings</itunes:subtitle>
      <itunes:summary>More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.
Connecting the past to the present, in The End of Love: Racism, Sexism, and the Death of Romance (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.
Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>More men than ever are refusing loving partnerships and commitment, and instead seeking out “situationships.” When these men deign to articulate what they are looking for in a steady partner, they’ll often rely on superficial norms of attractiveness rooted in whiteness and anti-Blackness.</p><p>Connecting the past to the present, in <a href="https://bookshop.org/a/12343/9780807016817"><em>The End of Love: Racism, Sexism, and the Death of Romance</em></a> (Beacon Press, 2024) sociologist Dr. Sabrina Strings argues that following the Civil Rights movement and the integration of women during the Second Wave Feminist movement, men aimed to hold on to their power by withholding love and commitment, a basic tenet of white supremacy and male domination, that served to manipulate all women. From pornography to hip hop, women—especially Black and “insufficiently white” women—were presented as gold diggers, props for masturbation, and side-pieces.</p><p>Using historical research, personal stories, and critical analysis, Dr. Strings argues that the result is fuccboism, the latest incarnation of toxic masculinity. This work shows that men are not innately “toxic.” Nor do they hate love, commitment, or sex. Instead, men across race have been working a new code to effectively deny loving partnerships to women who are not pliant, slim, and white as a new mode of male domination.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2113</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3111039852.mp3?updated=1732552816" length="0" type="audio/mpeg"/>
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    <item>
      <title>Sandipto Dasgupta, "Legalizing the Revolution: India and the Constitution of the Postcolony" (Cambridge UP, 2024)</title>
      <description>Anticolonial movements of the twentieth century generated audacious ideas of freedom. Following decolonization, the challenge was to give an institutional form to those ideas. Through an original account of India's constitution making, Legalizing the Revolution explores the promises, challenges, and contradictions of that task. 
In contrast to derived templates, Dasgupta theorizes the distinctively postcolonial constitution through an innovative synthesis of the history of decolonization and constitutional theory. Legalizing the Revolution: India and the Constitution of the Postcolony (Cambridge UP, 2024) traces the contentious transition from the tumult of popular anticolonial politics to the ordered calculus of postcolonial governance; and then explains how major institutions – parliament, judiciary, rights, property – were formed by that foundational tension. A major contribution to postcolonial political theory, the book excavates the unrealized futures of decolonization. At the same time, through a critical account of the making of the postcolonial constitutional order, it offers keys to understanding the present crisis of that order, including and especially in India.
Sandipto Dasgupta is Assistant Professor of Politics at The New School for Social Research. For the 2024-25 academic year, he will be a member of the Institute for Advanced Study at Princeton University. His research is in the history of modern political and social thought, especially the political theory of empire, decolonization, and postcolonial presents. 
Vatsal Naresh is a Lecturer in Social Studies at Harvard University. His recent publications include co-edited volumes on Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>250</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sandipto Dasgupta</itunes:subtitle>
      <itunes:summary>Anticolonial movements of the twentieth century generated audacious ideas of freedom. Following decolonization, the challenge was to give an institutional form to those ideas. Through an original account of India's constitution making, Legalizing the Revolution explores the promises, challenges, and contradictions of that task. 
In contrast to derived templates, Dasgupta theorizes the distinctively postcolonial constitution through an innovative synthesis of the history of decolonization and constitutional theory. Legalizing the Revolution: India and the Constitution of the Postcolony (Cambridge UP, 2024) traces the contentious transition from the tumult of popular anticolonial politics to the ordered calculus of postcolonial governance; and then explains how major institutions – parliament, judiciary, rights, property – were formed by that foundational tension. A major contribution to postcolonial political theory, the book excavates the unrealized futures of decolonization. At the same time, through a critical account of the making of the postcolonial constitutional order, it offers keys to understanding the present crisis of that order, including and especially in India.
Sandipto Dasgupta is Assistant Professor of Politics at The New School for Social Research. For the 2024-25 academic year, he will be a member of the Institute for Advanced Study at Princeton University. His research is in the history of modern political and social thought, especially the political theory of empire, decolonization, and postcolonial presents. 
Vatsal Naresh is a Lecturer in Social Studies at Harvard University. His recent publications include co-edited volumes on Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anticolonial movements of the twentieth century generated audacious ideas of freedom. Following decolonization, the challenge was to give an institutional form to those ideas. Through an original account of India's constitution making, Legalizing the Revolution explores the promises, challenges, and contradictions of that task. </p><p>In contrast to derived templates, Dasgupta theorizes the distinctively postcolonial constitution through an innovative synthesis of the history of decolonization and constitutional theory. <a href="https://bookshop.org/a/12343/9781009525244"><em>Legalizing the Revolution: India and the Constitution of the Postcolony</em></a> (Cambridge UP, 2024) traces the contentious transition from the tumult of popular anticolonial politics to the ordered calculus of postcolonial governance; and then explains how major institutions – parliament, judiciary, rights, property – were formed by that foundational tension. A major contribution to postcolonial political theory, the book excavates the unrealized futures of decolonization. At the same time, through a critical account of the making of the postcolonial constitutional order, it offers keys to understanding the present crisis of that order, including and especially in India.</p><p>Sandipto Dasgupta is <a href="https://www.newschool.edu/nssr/faculty/sandipto-dasgupta/">Assistant Professor of Politics</a> at The New School for Social Research. For the 2024-25 academic year, he will be a member of the Institute for Advanced Study at Princeton University. His research is in the history of modern political and social thought, especially the political theory of empire, decolonization, and postcolonial presents. </p><p><a href="https://vatsalnaresh.com/"><em>Vatsal Naresh</em></a><em> is a Lecturer in Social Studies at Harvard University. His recent publications include co-edited volumes on Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Megan Rae Blakely, "Technology, Intellectual Property Law, and Culture: The Tangification of Cultural Heritage" (Routledge, 2024)</title>
      <description>How can we protect diverse cultural expressions in an era of huge technological change? In Technology, Intellectual Property Law and Culture: The Tangification of Intangible Cultural Heritage (Routledge, 2024), Megan Rae Blakely, a lecturer in law at Lancaster University, examines the contemporary international legal context for heritage. The book uses three detailed case studies of Scotland, Ireland, and Wales, considering heritage in many different forms, from tourism and nation branding through to language and clothing. Rich in detail, but accessible for a those who are not specialists in law, technology, or heritage, the book is essential reading across the humanities and social sciences, as well as for anyone interested in how best to support and preserve the past.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 25 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>495</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Megan Rae Blakely</itunes:subtitle>
      <itunes:summary>How can we protect diverse cultural expressions in an era of huge technological change? In Technology, Intellectual Property Law and Culture: The Tangification of Intangible Cultural Heritage (Routledge, 2024), Megan Rae Blakely, a lecturer in law at Lancaster University, examines the contemporary international legal context for heritage. The book uses three detailed case studies of Scotland, Ireland, and Wales, considering heritage in many different forms, from tourism and nation branding through to language and clothing. Rich in detail, but accessible for a those who are not specialists in law, technology, or heritage, the book is essential reading across the humanities and social sciences, as well as for anyone interested in how best to support and preserve the past.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we protect diverse cultural expressions in an era of huge technological change? In <a href="https://bookshop.org/a/12343/9780367439750"><em>Technology, Intellectual Property Law and Culture: The Tangification of Intangible Cultural Heritage</em></a><em> </em>(Routledge, 2024), <a href="https://bsky.app/profile/meganraeblakely.bsky.social">Megan Rae Blakely</a>, <a href="https://www.lancaster.ac.uk/law/people/megan-blakely">a lecturer in law at Lancaster University</a>, examines the contemporary international legal context for heritage. The book uses three detailed case studies of Scotland, Ireland, and Wales, considering heritage in many different forms, from tourism and nation branding through to language and clothing. Rich in detail, but accessible for a those who are not specialists in law, technology, or heritage, the book is essential reading across the humanities and social sciences, as well as for anyone interested in how best to support and preserve the past.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2414</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Steve J. Shone, "Dangerous Anarchist Strikers" (Brill, 2023)</title>
      <description>Dangerous Anarchist Strikers (Brill, 2023) explores the ideas of three largely forgotten radical women who participated in labor union strikes in Argentina and Uruguay, Canada, and the United States: Virginia Bolten (c.1876-1960), one of the most militant anarchists of southern South America; Helen Armstrong (1875-1947), a major leader of the Winnipeg General Strike of 1919, whose involvement in that important event in Canadian history was, for a long time, obscured by accounts that emphasized the accomplishments of men; and Elizabeth Gurley Flynn (1890-1964), the Wobbly leader who directed many industrial strikes throughout the United States, and was one of the founders of the American Civil Liberties Union, who eventually became the leader of the Communist Party, USA. It also examines the contributions of two similarly neglected anarchist men who participated in labor union strikes and industrial action in New Zealand, Australia, Chile, Argentina, and Japan. Tom Barker (1887-1970) was an anarchist who eventually became a socialist who worked to promote labor unionism on four continents and who tried to create a global One Big Union for sailors. Kōtoku, Shūsui (1871-1911) was a liberal who became a socialist and finally an anarchist. An opponent of governmental imperialism and ecological mismanagement, he studied and translated the works of Western thinkers and sought to apply what he learned from other cultures to the development of Japan.
Steve J. Shone is Lecturer in Political Science at Texas A&amp;M University-Kingsville. He received his Ph.D. (1992) in political science from the University of California-Riverside. He has taught at Winona State University, Gonzaga University, and the University of Texas-Rio Grande Valley. He is the author of Lysander Spooner: American Anarchist(Lexington Books, 2010), American Anarchism (Brill, 2013), Women of Liberty (Brill, 2019), and Rose Summerfield: Australian Radical (Lexington Books, 2022).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 25 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steve J. Shone</itunes:subtitle>
      <itunes:summary>Dangerous Anarchist Strikers (Brill, 2023) explores the ideas of three largely forgotten radical women who participated in labor union strikes in Argentina and Uruguay, Canada, and the United States: Virginia Bolten (c.1876-1960), one of the most militant anarchists of southern South America; Helen Armstrong (1875-1947), a major leader of the Winnipeg General Strike of 1919, whose involvement in that important event in Canadian history was, for a long time, obscured by accounts that emphasized the accomplishments of men; and Elizabeth Gurley Flynn (1890-1964), the Wobbly leader who directed many industrial strikes throughout the United States, and was one of the founders of the American Civil Liberties Union, who eventually became the leader of the Communist Party, USA. It also examines the contributions of two similarly neglected anarchist men who participated in labor union strikes and industrial action in New Zealand, Australia, Chile, Argentina, and Japan. Tom Barker (1887-1970) was an anarchist who eventually became a socialist who worked to promote labor unionism on four continents and who tried to create a global One Big Union for sailors. Kōtoku, Shūsui (1871-1911) was a liberal who became a socialist and finally an anarchist. An opponent of governmental imperialism and ecological mismanagement, he studied and translated the works of Western thinkers and sought to apply what he learned from other cultures to the development of Japan.
Steve J. Shone is Lecturer in Political Science at Texas A&amp;M University-Kingsville. He received his Ph.D. (1992) in political science from the University of California-Riverside. He has taught at Winona State University, Gonzaga University, and the University of Texas-Rio Grande Valley. He is the author of Lysander Spooner: American Anarchist(Lexington Books, 2010), American Anarchism (Brill, 2013), Women of Liberty (Brill, 2019), and Rose Summerfield: Australian Radical (Lexington Books, 2022).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9798888903421"><em>Dangerous Anarchist Strikers</em></a> (Brill, 2023) explores the ideas of three largely forgotten radical women who participated in labor union strikes in Argentina and Uruguay, Canada, and the United States: Virginia Bolten (c.1876-1960), one of the most militant anarchists of southern South America; Helen Armstrong (1875-1947), a major leader of the Winnipeg General Strike of 1919, whose involvement in that important event in Canadian history was, for a long time, obscured by accounts that emphasized the accomplishments of men; and Elizabeth Gurley Flynn (1890-1964), the Wobbly leader who directed many industrial strikes throughout the United States, and was one of the founders of the American Civil Liberties Union, who eventually became the leader of the Communist Party, USA. It also examines the contributions of two similarly neglected anarchist men who participated in labor union strikes and industrial action in New Zealand, Australia, Chile, Argentina, and Japan. Tom Barker (1887-1970) was an anarchist who eventually became a socialist who worked to promote labor unionism on four continents and who tried to create a global One Big Union for sailors. Kōtoku, Shūsui (1871-1911) was a liberal who became a socialist and finally an anarchist. An opponent of governmental imperialism and ecological mismanagement, he studied and translated the works of Western thinkers and sought to apply what he learned from other cultures to the development of Japan.</p><p>Steve J. Shone is Lecturer in Political Science at Texas A&amp;M University-Kingsville. He received his Ph.D. (1992) in political science from the University of California-Riverside. He has taught at Winona State University, Gonzaga University, and the University of Texas-Rio Grande Valley. He is the author of Lysander Spooner: American Anarchist(Lexington Books, 2010), American Anarchism (Brill, 2013), Women of Liberty (Brill, 2019), and Rose Summerfield: Australian Radical (Lexington Books, 2022).</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2753</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6e48226c-a9d9-11ef-b4c3-6fd445231f72]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3800790101.mp3?updated=1732393942" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Denbow, "Reproductive Labor and Innovation: Against the Tech Fix in an Era of Hype" (Duke UP, 2024)</title>
      <description>In Reproductive Labor and Innovation: Against the Tech Fix in an Era of Hype (Duke UP, 2024), Jennifer Denbow examines how the push toward technoscientific innovation in contemporary American life often comes at the expense of the care work and reproductive labor that is necessary for society to function. Noting that the gutting of social welfare programs has shifted the burden of solving problems to individuals, Denbow argues that the aggrandizement of innovation and the degradation of reproductive labor are intertwined facets of neoliberalism. She shows that the construction of innovation as a panacea to social ills justifies the accumulation of wealth for corporate innovators and the impoverishment of those feminized and racialized people who do the bulk of reproductive labor. Moreover, even innovative technology aimed at reproduction—such as digital care work platforms and noninvasive prenatal testing—obscure structural injustices and further devalue reproductive labor. 
By drawing connections between innovation discourse, the rise of neoliberalism, financialized capitalism, and the social and political degradation of reproductive labor, Denbow illustrates what needs to be done to destabilize the overvaluation of innovation and to offer collective support for reproduction. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 24 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>245</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Denbow</itunes:subtitle>
      <itunes:summary>In Reproductive Labor and Innovation: Against the Tech Fix in an Era of Hype (Duke UP, 2024), Jennifer Denbow examines how the push toward technoscientific innovation in contemporary American life often comes at the expense of the care work and reproductive labor that is necessary for society to function. Noting that the gutting of social welfare programs has shifted the burden of solving problems to individuals, Denbow argues that the aggrandizement of innovation and the degradation of reproductive labor are intertwined facets of neoliberalism. She shows that the construction of innovation as a panacea to social ills justifies the accumulation of wealth for corporate innovators and the impoverishment of those feminized and racialized people who do the bulk of reproductive labor. Moreover, even innovative technology aimed at reproduction—such as digital care work platforms and noninvasive prenatal testing—obscure structural injustices and further devalue reproductive labor. 
By drawing connections between innovation discourse, the rise of neoliberalism, financialized capitalism, and the social and political degradation of reproductive labor, Denbow illustrates what needs to be done to destabilize the overvaluation of innovation and to offer collective support for reproduction. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/reproductive-labor-and-innovation"><em>Reproductive Labor and Innovation: Against the Tech Fix in an Era of Hype </em></a>(Duke UP, 2024), Jennifer Denbow examines how the push toward technoscientific innovation in contemporary American life often comes at the expense of the care work and reproductive labor that is necessary for society to function. Noting that the gutting of social welfare programs has shifted the burden of solving problems to individuals, Denbow argues that the aggrandizement of innovation and the degradation of reproductive labor are intertwined facets of neoliberalism. She shows that the construction of innovation as a panacea to social ills justifies the accumulation of wealth for corporate innovators and the impoverishment of those feminized and racialized people who do the bulk of reproductive labor. Moreover, even innovative technology aimed at reproduction—such as digital care work platforms and noninvasive prenatal testing—obscure structural injustices and further devalue reproductive labor. </p><p>By drawing connections between innovation discourse, the rise of neoliberalism, financialized capitalism, and the social and political degradation of reproductive labor, Denbow illustrates what needs to be done to destabilize the overvaluation of innovation and to offer collective support for reproduction. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3420</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3d6c5aa0-a9b6-11ef-8e52-5bf099a1ba6d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8026684952.mp3?updated=1732379372" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Infrastructure, Development, and Racialization</title>
      <description>International development projects supported by governments of wealthy countries, international financial institutions, and influential NGOs like the Gates Foundation purport to uplift poor or disadvantaged populations through political, economic, and social interventions in these communities. However, practices, policies, and discourses of development also have a darker side: they are both premised on and perpetuate the translation of social difference into deficit, ranking groups according to their perceived ‘stage’ of historical development.
My guest today, the political theorist Begüm Adalet, has explored how discourses and practices of development have interacted with political processes of racialization. She also examines how anti-colonial movements can resist racialized development practices by envisioning alternative means of recrafting built environments and the creation of selves. Our interview today focuses on three recent articles that she has published in academic journals:

“Agricultural infrastructures: Land, race, and statecraft in Turkey,” Environment and Planning D: Society and Space vol. 40, no. 6 (2022): 975-993

“Infrastructures of Decolonization: Scales of Worldmaking in the Writings of Frantz Fanon,” Political Theory vol. 50, no. 1 (2022): 5-31

“An Empire of Development: American Political Thought in Transnational Perspective,” American Political Science Review (2024)


Begüm Adalet is assistant professor in the Department of Government at Cornell University. She is the author of Hotels and Highways: The construction of modernization theory in Cold War Turkey (Stanford, 2018), which I interviewed her about for the New Books Network in 2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 24 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Begüm Adalet</itunes:subtitle>
      <itunes:summary>International development projects supported by governments of wealthy countries, international financial institutions, and influential NGOs like the Gates Foundation purport to uplift poor or disadvantaged populations through political, economic, and social interventions in these communities. However, practices, policies, and discourses of development also have a darker side: they are both premised on and perpetuate the translation of social difference into deficit, ranking groups according to their perceived ‘stage’ of historical development.
My guest today, the political theorist Begüm Adalet, has explored how discourses and practices of development have interacted with political processes of racialization. She also examines how anti-colonial movements can resist racialized development practices by envisioning alternative means of recrafting built environments and the creation of selves. Our interview today focuses on three recent articles that she has published in academic journals:

“Agricultural infrastructures: Land, race, and statecraft in Turkey,” Environment and Planning D: Society and Space vol. 40, no. 6 (2022): 975-993

“Infrastructures of Decolonization: Scales of Worldmaking in the Writings of Frantz Fanon,” Political Theory vol. 50, no. 1 (2022): 5-31

“An Empire of Development: American Political Thought in Transnational Perspective,” American Political Science Review (2024)


Begüm Adalet is assistant professor in the Department of Government at Cornell University. She is the author of Hotels and Highways: The construction of modernization theory in Cold War Turkey (Stanford, 2018), which I interviewed her about for the New Books Network in 2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>International development projects supported by governments of wealthy countries, international financial institutions, and influential NGOs like the Gates Foundation purport to uplift poor or disadvantaged populations through political, economic, and social interventions in these communities. However, practices, policies, and discourses of development also have a darker side: they are both premised on and perpetuate the translation of social difference into deficit, ranking groups according to their perceived ‘stage’ of historical development.</p><p>My guest today, the political theorist Begüm Adalet, has explored how discourses and practices of development have interacted with political processes of racialization. She also examines how anti-colonial movements can resist racialized development practices by envisioning alternative means of recrafting built environments and the creation of selves. Our interview today focuses on three recent articles that she has published in academic journals:</p><ul>
<li>“Agricultural infrastructures: Land, race, and statecraft in Turkey,” <em>Environment and Planning D: Society and Space</em> vol. 40, no. 6 (2022): 975-993</li>
<li>“Infrastructures of Decolonization: Scales of Worldmaking in the Writings of Frantz Fanon,” <em>Political Theory</em> vol. 50, no. 1 (2022): 5-31</li>
<li>“An Empire of Development: American Political Thought in Transnational Perspective,” <em>American Political Science Review</em> (2024)</li>
</ul><p><br></p><p>Begüm Adalet is assistant professor in the Department of Government at Cornell University. She is the author of <em>Hotels and Highways: The construction of modernization theory in Cold War Turkey</em> (Stanford, 2018), which I interviewed her about for the New Books Network in 2020.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4708</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3eae65b0-a9bc-11ef-a5db-cb5f93f78e56]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3771842253.mp3?updated=1732382688" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin B. Smith, "The Jailer's Reckoning: How Mass Incarceration Is Damaging America" (Rowman &amp; Littlefield, 2024)</title>
      <description>How does a Black man in Austin get sent to prison on a 70-year sentence for stealing a tuna sandwich, likely costing Texas taxpayers roughly a million dollars? In America, your liberty--or even your life--may be forfeit not simply because of what you do, but where you do it. If the same man had run off with a lobster roll from a lunch counter in Maine it's unlikely that he'd be spending the rest of his life behind bars.
The U.S. incarcerates more people than any other industrial democracy in the world. We have more ex-prisoners than the entire population of Ireland, and more people with a felony record than the populations of Denmark, Norway, New Zealand and Liberia combined. Why did the United States become the world's biggest jailer? And, just as importantly, what has it done to us? What are the costs--socially, economically, and politically--of having the world's largest population of ex-prisoners? And what can we do about it?
In The Jailer's Reckoning: How Mass Incarceration Is Damaging America (Rowman &amp; Littlefield, 2024), Kevin B. Smith explains that the United States became the world's biggest jailer because politicians wanted to do something about a very real problem with violent crime. That effort was accelerated by a variety of partisan and socio-demographic trends that started to significantly reshape the political environment in the 1980s and 1990s. The force of those trends varied from state to state, but ultimately led to not just historically unprecedented levels of incarceration, but equally unprecedented numbers of ex-prisoners. Serving time behind bars is now a normalized social experience--it affects a majority of Americans directly or indirectly. There is a clear price, the jailer's reckoning, to be paid for this. As Smith shows, it is a society with declining levels of civic cohesion, reduced economic prospects, and less political engagement. Mass incarceration turns out to be something of a hidden bomb, a social explosion that inflicts enormous civic collateral damage on the entire country, and we must all do something about it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 24 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin B. Smith</itunes:subtitle>
      <itunes:summary>How does a Black man in Austin get sent to prison on a 70-year sentence for stealing a tuna sandwich, likely costing Texas taxpayers roughly a million dollars? In America, your liberty--or even your life--may be forfeit not simply because of what you do, but where you do it. If the same man had run off with a lobster roll from a lunch counter in Maine it's unlikely that he'd be spending the rest of his life behind bars.
The U.S. incarcerates more people than any other industrial democracy in the world. We have more ex-prisoners than the entire population of Ireland, and more people with a felony record than the populations of Denmark, Norway, New Zealand and Liberia combined. Why did the United States become the world's biggest jailer? And, just as importantly, what has it done to us? What are the costs--socially, economically, and politically--of having the world's largest population of ex-prisoners? And what can we do about it?
In The Jailer's Reckoning: How Mass Incarceration Is Damaging America (Rowman &amp; Littlefield, 2024), Kevin B. Smith explains that the United States became the world's biggest jailer because politicians wanted to do something about a very real problem with violent crime. That effort was accelerated by a variety of partisan and socio-demographic trends that started to significantly reshape the political environment in the 1980s and 1990s. The force of those trends varied from state to state, but ultimately led to not just historically unprecedented levels of incarceration, but equally unprecedented numbers of ex-prisoners. Serving time behind bars is now a normalized social experience--it affects a majority of Americans directly or indirectly. There is a clear price, the jailer's reckoning, to be paid for this. As Smith shows, it is a society with declining levels of civic cohesion, reduced economic prospects, and less political engagement. Mass incarceration turns out to be something of a hidden bomb, a social explosion that inflicts enormous civic collateral damage on the entire country, and we must all do something about it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does a Black man in Austin get sent to prison on a 70-year sentence for stealing a tuna sandwich, likely costing Texas taxpayers roughly a million dollars? In America, your liberty--or even your life--may be forfeit not simply because of what you do, but where you do it. If the same man had run off with a lobster roll from a lunch counter in Maine it's unlikely that he'd be spending the rest of his life behind bars.</p><p>The U.S. incarcerates more people than any other industrial democracy in the world. We have more ex-prisoners than the entire population of Ireland, and more people with a felony record than the populations of Denmark, Norway, New Zealand and Liberia combined. Why did the United States become the world's biggest jailer? And, just as importantly, what has it done to us? What are the costs--socially, economically, and politically--of having the world's largest population of ex-prisoners? And what can we do about it?</p><p>In <a href="https://bookshop.org/a/12343/9781538192382"><em>The Jailer's Reckoning: How Mass Incarceration Is Damaging America</em></a><em> </em>(Rowman &amp; Littlefield, 2024), Kevin B. Smith explains that the United States became the world's biggest jailer because politicians wanted to do something about a very real problem with violent crime. That effort was accelerated by a variety of partisan and socio-demographic trends that started to significantly reshape the political environment in the 1980s and 1990s. The force of those trends varied from state to state, but ultimately led to not just historically unprecedented levels of incarceration, but equally unprecedented numbers of ex-prisoners. Serving time behind bars is now a normalized social experience--it affects a majority of Americans directly or indirectly. There is a clear price, the jailer's reckoning, to be paid for this. As Smith shows, it is a society with declining levels of civic cohesion, reduced economic prospects, and less political engagement. Mass incarceration turns out to be something of a hidden bomb, a social explosion that inflicts enormous civic collateral damage on the entire country, and we must <em>all </em>do something about it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3026</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8c64fa0-a9c9-11ef-868d-0b1db7635c49]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9134968108.mp3?updated=1732387554" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lauren D. Olsen, "Curricular Injustice: How U.S. Medical Schools Reproduce Inequalities" (Columbia UP, 2024)</title>
      <description>Medical schools have increasingly incorporated the humanities and social sciences into their teaching, seeking to make future physicians more empathetic and more concerned with equity. In practice, however, these good intentions have not translated into critical consciousness. Humanities and social sciences education has often not only failed to deliver on its promise but even entrenched the inequalities that the medical profession set out to address. 
In Curricular Injustice: How U.S. Medical Schools Reproduce Inequalities (Columbia UP, 2024), Lauren D. Olsen examines how U.S. medical school faculty conceived, designed, and implemented their vision of education, tracing the failures of curricular reform. She argues that the way medical students encounter humanities and social sciences material in practice has served to reinforce the status quo by teaching them to individualize systemic problems. Students learn to avoid advocacy, critique, and attention to structural inequalities—while also gathering that it will be up to them to find coping strategies for problems from burnout to systemic racism. Olsen pinpoints the limitations of how clinical faculty understand the humanities and social sciences, arguing that in structuring and teaching courses, they assumed, reinforced, and glorified a white, elite model of the medical profession. Showing how deeply intertwined professional and social identities are in medical education, Curricular Injustice has significant implications for how occupations, organizations, and institutions shape understandings of inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 23 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lauren D. Olsen</itunes:subtitle>
      <itunes:summary>Medical schools have increasingly incorporated the humanities and social sciences into their teaching, seeking to make future physicians more empathetic and more concerned with equity. In practice, however, these good intentions have not translated into critical consciousness. Humanities and social sciences education has often not only failed to deliver on its promise but even entrenched the inequalities that the medical profession set out to address. 
In Curricular Injustice: How U.S. Medical Schools Reproduce Inequalities (Columbia UP, 2024), Lauren D. Olsen examines how U.S. medical school faculty conceived, designed, and implemented their vision of education, tracing the failures of curricular reform. She argues that the way medical students encounter humanities and social sciences material in practice has served to reinforce the status quo by teaching them to individualize systemic problems. Students learn to avoid advocacy, critique, and attention to structural inequalities—while also gathering that it will be up to them to find coping strategies for problems from burnout to systemic racism. Olsen pinpoints the limitations of how clinical faculty understand the humanities and social sciences, arguing that in structuring and teaching courses, they assumed, reinforced, and glorified a white, elite model of the medical profession. Showing how deeply intertwined professional and social identities are in medical education, Curricular Injustice has significant implications for how occupations, organizations, and institutions shape understandings of inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Medical schools have increasingly incorporated the humanities and social sciences into their teaching, seeking to make future physicians more empathetic and more concerned with equity. In practice, however, these good intentions have not translated into critical consciousness. Humanities and social sciences education has often not only failed to deliver on its promise but even entrenched the inequalities that the medical profession set out to address. </p><p>In<em> </em><a href="https://bookshop.org/a/12343/9780231207874"><em>Curricular Injustice: How U.S. Medical Schools Reproduce Inequalities</em></a> (Columbia UP, 2024), Lauren D. Olsen examines how U.S. medical school faculty conceived, designed, and implemented their vision of education, tracing the failures of curricular reform. She argues that the way medical students encounter humanities and social sciences material in practice has served to reinforce the status quo by teaching them to individualize systemic problems. Students learn to avoid advocacy, critique, and attention to structural inequalities—while also gathering that it will be up to them to find coping strategies for problems from burnout to systemic racism. Olsen pinpoints the limitations of how clinical faculty understand the humanities and social sciences, arguing that in structuring and teaching courses, they assumed, reinforced, and glorified a white, elite model of the medical profession. Showing how deeply intertwined professional and social identities are in medical education, Curricular Injustice has significant implications for how occupations, organizations, and institutions shape understandings of inequality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3070</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0682756c-a90f-11ef-a4ca-ffb0e04930d9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2334769002.mp3?updated=1732307499" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steven Swarbrick and Jean-Thomas Tremblay, "Negative Life: The Cinema of Extinction" (Northwestern UP, 2024)</title>
      <description>In Negative Life: The Cinema of Extinction (Northwestern UP, 2024), Steven Swarbrick and Jean-Thomas Tremblay enact a dialogue between cinema, philosophy, and ecocriticism to tarry with the question of ecological catastrophe. Taking as one of their conceptual points of departure Freud’s writing on negation, the authors elaborate a concept of ‘negative life’ to contest current approaches to ecocriticism predicated upon ideas of entanglement, presence, and connection. In their book, Swarbrick and Tremblay engage critically with a broad body of films—including Kelly Reichardt, Julian Pölsler, Mahesh Mathai, and Paul Schrader—and a range of conceptual paradigms (from antisocial queer theory and psychoanalytic thought to object-oriented ontology and theories of melodrama) to unsettle many of ecocriticism’s foundational assumptions. In this interview, we unpack some of the core themes and organising principles of the book and discuss the nature of collaborative writing.
Jules O’Dwyer is Teaching Associate in Film Studies and French at the University of Cambridge.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 23 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>222</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Swarbrick and Jean-Thomas Tremblay</itunes:subtitle>
      <itunes:summary>In Negative Life: The Cinema of Extinction (Northwestern UP, 2024), Steven Swarbrick and Jean-Thomas Tremblay enact a dialogue between cinema, philosophy, and ecocriticism to tarry with the question of ecological catastrophe. Taking as one of their conceptual points of departure Freud’s writing on negation, the authors elaborate a concept of ‘negative life’ to contest current approaches to ecocriticism predicated upon ideas of entanglement, presence, and connection. In their book, Swarbrick and Tremblay engage critically with a broad body of films—including Kelly Reichardt, Julian Pölsler, Mahesh Mathai, and Paul Schrader—and a range of conceptual paradigms (from antisocial queer theory and psychoanalytic thought to object-oriented ontology and theories of melodrama) to unsettle many of ecocriticism’s foundational assumptions. In this interview, we unpack some of the core themes and organising principles of the book and discuss the nature of collaborative writing.
Jules O’Dwyer is Teaching Associate in Film Studies and French at the University of Cambridge.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780810147195"><em>Negative Life: The Cinema of Extinction</em></a> (Northwestern UP, 2024), Steven Swarbrick and Jean-Thomas Tremblay enact a dialogue between cinema, philosophy, and ecocriticism to tarry with the question of ecological catastrophe. Taking as one of their conceptual points of departure Freud’s writing on negation, the authors elaborate a concept of ‘negative life’ to contest current approaches to ecocriticism predicated upon ideas of entanglement, presence, and connection. In their book, Swarbrick and Tremblay engage critically with a broad body of films—including Kelly Reichardt, Julian Pölsler, Mahesh Mathai, and Paul Schrader—and a range of conceptual paradigms (from antisocial queer theory and psychoanalytic thought to object-oriented ontology and theories of melodrama) to unsettle many of ecocriticism’s foundational assumptions. In this interview, we unpack some of the core themes and organising principles of the book and discuss the nature of collaborative writing.</p><p><em>Jules O’Dwyer is Teaching Associate in Film Studies and French at the University of Cambridge.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3397</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[433110cc-a900-11ef-8ef1-0f09e506b7af]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7509283994.mp3?updated=1732300776" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jordan S. Carroll, "Speculative Whiteness: Science Fiction and the Alt-Right" (U Minnesota Press, 2024)</title>
      <description>Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. Speculative Whiteness: Science Fiction and the Alt-Right (University of Minnesota Press, 2024) traces these ideas through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Although fascists insist that tomorrow belongs to them, they have always been and will continue to be contested by antifascist fans willing to fight for the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 22 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>319</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jordan S. Carroll </itunes:subtitle>
      <itunes:summary>Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. Speculative Whiteness: Science Fiction and the Alt-Right (University of Minnesota Press, 2024) traces these ideas through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Although fascists insist that tomorrow belongs to them, they have always been and will continue to be contested by antifascist fans willing to fight for the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. <a href="https://bookshop.org/a/12343/9781517917081"><em>Speculative Whiteness: Science Fiction and the Alt-Right</em></a><em> </em>(University of Minnesota Press, 2024) traces these ideas through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Although fascists insist that tomorrow belongs to them, they have always been and will continue to be contested by antifascist fans willing to fight for the future.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2708</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eae77764-a84e-11ef-b807-379c4d41d243]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2521215355.mp3?updated=1732224353" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Serene Khader, "Faux Feminism: Why We Fall for White Feminism and How We Can Stop" (Beacon Press, 2024)</title>
      <description>After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.
A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about:
–The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality.
–The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations.
–The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation.
–The Restriction Myth: The flawed belief that feminism is a fight against social restrictions.
–The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women.
In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.
Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.
Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center.
Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>195</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Serene Khader</itunes:subtitle>
      <itunes:summary>After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism: Why We Fall for White Feminism and How We Can Stop (Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.
A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about:
–The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality.
–The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations.
–The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation.
–The Restriction Myth: The flawed belief that feminism is a fight against social restrictions.
–The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women.
In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.
Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.
Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center.
Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In <a href="https://bookshop.org/a/12343/9780807008270"><em>Faux Feminism: Why We Fall for White Feminism and How We Can Stop</em></a><em> </em>(Beacon Press, 2024), political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.</p><p>A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about:</p><p>–<strong>The Freedom Myth:</strong> The overarching misconception that feminism is about personal freedom rather than collective equality.</p><p>–<strong>The Individualism Myth:</strong> The pervasive idea that feminism aims to free individual women from social expectations.</p><p>–<strong>The Culture Myth: </strong>The harmful misconception that “other” cultures restrict women’s liberation.</p><p>–<strong>The Restriction Myth:</strong> The flawed belief that feminism is a fight against social restrictions.</p><p>–<strong>The Judgment Myth:</strong> The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women.</p><p>In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.</p><p>Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.</p><p>Serene Khader is Jay Newman Chair in Philosophy of Culture at Brooklyn College and Professor of Philosophy and Women's and Gender Studies at the CUNY Graduate Center.</p><p><em>Emily K. Crandall is a Doctoral Lecturer in Women and Gender Studies at Hunter College. She holds a PhD in Political Theory from the Graduate Center, CUNY.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3753</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a949b470-a763-11ef-8838-fbd7d909ef52]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8961708422.mp3?updated=1732051815" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carrie J. Preston, "Complicit Participation: The Liberal Audience for Theater of Racial Justice" (Oxford UP, 2024)</title>
      <description>In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. 
Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s The Blacks, Branden Jacobs-Jenkins’s An Octoroon, George C. Wolfe’s Shuffle Along, Lin-Manuel Miranda’s Hamilton, Anna Deavere Smith’s Notes from the Field, and Claudia Rankine’s The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.
In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carrie J. Preston</itunes:subtitle>
      <itunes:summary>In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. 
Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s The Blacks, Branden Jacobs-Jenkins’s An Octoroon, George C. Wolfe’s Shuffle Along, Lin-Manuel Miranda’s Hamilton, Anna Deavere Smith’s Notes from the Field, and Claudia Rankine’s The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.
In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. </p><p><a href="https://bookshop.org/a/12343/9780197693407"><em>Complicit Participation: The Liberal Audience for Theater of Racial Justice</em></a><em> </em>(Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s <em>The Blacks</em>, Branden Jacobs-Jenkins’s <em>An Octoroon</em>, George C. Wolfe’s <em>Shuffle Along</em>, Lin-Manuel Miranda’s <em>Hamilton</em>, Anna Deavere Smith’s <em>Notes from the Field</em>, and Claudia Rankine’s <em>The White Card</em>. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.</p><p>In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.</p><p><em>Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3089</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63a15cc4-a4e9-11ef-90ea-234ade6a6258]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7072227164.mp3?updated=1731852033" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nick Bernards, "Fictions of Financialization: Rethinking Speculation, Exploitation and Twenty-First Century Capitalism" (Pluto Press, 2024)</title>
      <description>Since the global financial crisis that began in 2008, the role of the financial sector in contemporary capitalism has come under increasing scrutiny. In the global North, the expansion of the financial sector over the last 40 years has paralleled a decline in manufacturing employment and an increase in personal indebtedness, giving rise to the perception that speculation and usury have come to replace production as the engine of economic growth. In the global South, financial liberalization has exacerbated long-standing patterns of boom-and-bust cycles, and the growth of the financial sector has caused anxieties that speculative investments in natural resource extraction, urban real estate, and rural farm land are dispossessing and displacing people rather than improving human development. Overall, the growth of the financial sector has created the perception that we’re entering a new phase in capitalism’s history in which speculation and rent-seeking have displaced production as the engines of economic growth.
My guest today, the political economist Nick Bernards, challenges this narrative. In his new book, Fictions of Financialization: Rethinking Speculation, Exploitation and Twenty-First Century Capitalism (Pluto Press, 2024), Bernards argues that we need to re-center labor in narratives about the expansion of finance, that speculation and the subsumption of nature are always central to capitalism, and that major private-sector financial institutions have actually been reluctant to invest in major development projects in the global south. The main problem with the growth of finance is that it makes more exploitation, displacement, and environmental damage – in short, more capitalism – possible.
Nick Bernards is Associate Professor of Global Sustainable Development at the University of Warwick. He is the author of A Critical History of Poverty Finance (Pluto, 2022) and The Global Governance of Precarity (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>494</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Bernards</itunes:subtitle>
      <itunes:summary>Since the global financial crisis that began in 2008, the role of the financial sector in contemporary capitalism has come under increasing scrutiny. In the global North, the expansion of the financial sector over the last 40 years has paralleled a decline in manufacturing employment and an increase in personal indebtedness, giving rise to the perception that speculation and usury have come to replace production as the engine of economic growth. In the global South, financial liberalization has exacerbated long-standing patterns of boom-and-bust cycles, and the growth of the financial sector has caused anxieties that speculative investments in natural resource extraction, urban real estate, and rural farm land are dispossessing and displacing people rather than improving human development. Overall, the growth of the financial sector has created the perception that we’re entering a new phase in capitalism’s history in which speculation and rent-seeking have displaced production as the engines of economic growth.
My guest today, the political economist Nick Bernards, challenges this narrative. In his new book, Fictions of Financialization: Rethinking Speculation, Exploitation and Twenty-First Century Capitalism (Pluto Press, 2024), Bernards argues that we need to re-center labor in narratives about the expansion of finance, that speculation and the subsumption of nature are always central to capitalism, and that major private-sector financial institutions have actually been reluctant to invest in major development projects in the global south. The main problem with the growth of finance is that it makes more exploitation, displacement, and environmental damage – in short, more capitalism – possible.
Nick Bernards is Associate Professor of Global Sustainable Development at the University of Warwick. He is the author of A Critical History of Poverty Finance (Pluto, 2022) and The Global Governance of Precarity (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the global financial crisis that began in 2008, the role of the financial sector in contemporary capitalism has come under increasing scrutiny. In the global North, the expansion of the financial sector over the last 40 years has paralleled a decline in manufacturing employment and an increase in personal indebtedness, giving rise to the perception that speculation and usury have come to replace production as the engine of economic growth. In the global South, financial liberalization has exacerbated long-standing patterns of boom-and-bust cycles, and the growth of the financial sector has caused anxieties that speculative investments in natural resource extraction, urban real estate, and rural farm land are dispossessing and displacing people rather than improving human development. Overall, the growth of the financial sector has created the perception that we’re entering a new phase in capitalism’s history in which speculation and rent-seeking have displaced production as the engines of economic growth.</p><p>My guest today, the political economist Nick Bernards, challenges this narrative. In his new book, <a href="https://bookshop.org/a/12343/9780745348896"><em>Fictions of Financialization: Rethinking Speculation, Exploitation and Twenty-First Century Capitalism</em></a> (Pluto Press, 2024), Bernards argues that we need to re-center labor in narratives about the expansion of finance, that speculation and the subsumption of nature are always central to capitalism, and that major private-sector financial institutions have actually been reluctant to invest in major development projects in the global south. The main problem with the growth of finance is that it makes more exploitation, displacement, and environmental damage – in short, more capitalism – possible.</p><p>Nick Bernards is Associate Professor of Global Sustainable Development at the University of Warwick. He is the author of <em>A Critical History of Poverty Finance</em> (Pluto, 2022) and <em>The Global Governance of Precarity</em> (Routledge, 2018).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4916</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6f2e68fc-a44e-11ef-8d40-db836f8ae68a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3254005692.mp3?updated=1731785575" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Stone Higgins, "Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan" (UNC Press, 2023)</title>
      <description>The 1960 California Master Plan for Higher Education remains to this day the largest and most ambitious attempt to provide free, universal college education in the United States. Yet the Master Plan, the product of committed Cold War liberals, unfortunately served to reinforce the very class-based exclusions and de facto racism that plagued K–12 education in the nation's largest and most diverse state. In doing so, it inspired a wave of student and faculty organizing that not only forced administrators and politicians to live up to the original promise of the Master Plan—quality higher education for all—but changed the face of California itself. 
Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan (UNC Press, 2023)  is the first and only comprehensive account of the California Master Plan. Through deep archival work and sharp attention to a fascinating cast of historical characters, Andrew Stone Higgins has excavated the forgotten history of the Master Plan: from its origins in the 1957 Sputnik Crisis, through Governor Ronald Reagan's financial starvation and his failed quest to introduce tuition, to the student struggle to institute affirmative action in university admissions.
Abigail (Abby) Jean Kahn is a PhD candidate in the history of education at Stanford's Graduate School of Education. She also currently sits on the Graduate Student Council for the History of Education Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew Stone Higgins</itunes:subtitle>
      <itunes:summary>The 1960 California Master Plan for Higher Education remains to this day the largest and most ambitious attempt to provide free, universal college education in the United States. Yet the Master Plan, the product of committed Cold War liberals, unfortunately served to reinforce the very class-based exclusions and de facto racism that plagued K–12 education in the nation's largest and most diverse state. In doing so, it inspired a wave of student and faculty organizing that not only forced administrators and politicians to live up to the original promise of the Master Plan—quality higher education for all—but changed the face of California itself. 
Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan (UNC Press, 2023)  is the first and only comprehensive account of the California Master Plan. Through deep archival work and sharp attention to a fascinating cast of historical characters, Andrew Stone Higgins has excavated the forgotten history of the Master Plan: from its origins in the 1957 Sputnik Crisis, through Governor Ronald Reagan's financial starvation and his failed quest to introduce tuition, to the student struggle to institute affirmative action in university admissions.
Abigail (Abby) Jean Kahn is a PhD candidate in the history of education at Stanford's Graduate School of Education. She also currently sits on the Graduate Student Council for the History of Education Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1960 California Master Plan for Higher Education remains to this day the largest and most ambitious attempt to provide free, universal college education in the United States. Yet the Master Plan, the product of committed Cold War liberals, unfortunately served to reinforce the very class-based exclusions and de facto racism that plagued K–12 education in the nation's largest and most diverse state. In doing so, it inspired a wave of student and faculty organizing that not only forced administrators and politicians to live up to the original promise of the Master Plan—quality higher education for all—but changed the face of California itself. </p><p><a href="https://bookshop.org/a/12343/9781469672915"><em>Higher Education for All: Racial Inequality, Cold War Liberalism, and the California Master Plan</em></a><em> </em>(UNC Press, 2023)  is the first and only comprehensive account of the California Master Plan. Through deep archival work and sharp attention to a fascinating cast of historical characters, Andrew Stone Higgins has excavated the forgotten history of the Master Plan: from its origins in the 1957 Sputnik Crisis, through Governor Ronald Reagan's financial starvation and his failed quest to introduce tuition, to the student struggle to institute affirmative action in university admissions.</p><p>Abigail (Abby) Jean Kahn is a PhD candidate in the history of education at Stanford's Graduate School of Education. She also currently sits on the Graduate Student Council for the History of Education Society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3690</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[571283de-a453-11ef-b6db-1f41403e1469]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3760813803.mp3?updated=1731786990" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Whitney Kemble, "Contested Spaces: A Critical History of Canadian Public Libraries As Neutral Places, 1960-2020" (Library Juice Press, 2024)</title>
      <description>Contested Spaces: A Critical History of Canadian Public Libraries As Neutral Places, 1960-2020 (Library Juice Press, 2024) is the first comprehensive and critical history of controversial events at Canadian public libraries, and an examination of the real-world impacts of neutrality policies in Canadian public library space use.
What events at public libraries in Canada have created controversies and prompted protests? What were the issues at stake? What kinds of outcry or protest occurred? Did politicians get involved? Did the events happen, or did they get cancelled, and why? What kinds of impacts or outcomes resulted? This book answers these questions and brings the Canadian historical context into the ongoing conversations that are critiquing the concept of neutrality in libraries. It considers relevant librarian perspectives alongside critical theories to interrogate the myth of library neutrality, and to seek positive and productive ways for libraries to engage with and serve their communities that honour library values and foster inclusivity, care, safety, and social justice.
Whitney Kemble is the Liaison Librarian for Historical and Cultural Studies at the University of Toronto Scarborough. Her interests include critical librarianship, social justice in libraries, abolition, fat liberation, and privacy rights and surveillance.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Whitney Kemble</itunes:subtitle>
      <itunes:summary>Contested Spaces: A Critical History of Canadian Public Libraries As Neutral Places, 1960-2020 (Library Juice Press, 2024) is the first comprehensive and critical history of controversial events at Canadian public libraries, and an examination of the real-world impacts of neutrality policies in Canadian public library space use.
What events at public libraries in Canada have created controversies and prompted protests? What were the issues at stake? What kinds of outcry or protest occurred? Did politicians get involved? Did the events happen, or did they get cancelled, and why? What kinds of impacts or outcomes resulted? This book answers these questions and brings the Canadian historical context into the ongoing conversations that are critiquing the concept of neutrality in libraries. It considers relevant librarian perspectives alongside critical theories to interrogate the myth of library neutrality, and to seek positive and productive ways for libraries to engage with and serve their communities that honour library values and foster inclusivity, care, safety, and social justice.
Whitney Kemble is the Liaison Librarian for Historical and Cultural Studies at the University of Toronto Scarborough. Her interests include critical librarianship, social justice in libraries, abolition, fat liberation, and privacy rights and surveillance.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781634001588"><em>Contested Spaces: A Critical History of Canadian Public Libraries As Neutral Places, 1960-2020</em></a><em> </em>(Library Juice Press, 2024) is the first comprehensive and critical history of controversial events at Canadian public libraries, and an examination of the real-world impacts of neutrality policies in Canadian public library space use.</p><p>What events at public libraries in Canada have created controversies and prompted protests? What were the issues at stake? What kinds of outcry or protest occurred? Did politicians get involved? Did the events happen, or did they get cancelled, and why? What kinds of impacts or outcomes resulted? This book answers these questions and brings the Canadian historical context into the ongoing conversations that are critiquing the concept of neutrality in libraries. It considers relevant librarian perspectives alongside critical theories to interrogate the myth of library neutrality, and to seek positive and productive ways for libraries to engage with and serve their communities that honour library values and foster inclusivity, care, safety, and social justice.</p><p>Whitney Kemble is the Liaison Librarian for Historical and Cultural Studies at the University of Toronto Scarborough. Her interests include critical librarianship, social justice in libraries, abolition, fat liberation, and privacy rights and surveillance.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1983</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35174330-a2c0-11ef-b376-db1882622770]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9141177325.mp3?updated=1731613439" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laure Astourian, "The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema" (Indiana UP, 2024)</title>
      <description>The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema.
Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>220</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laure Astourian</itunes:subtitle>
      <itunes:summary>The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema.
Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253069597"><em>The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema</em></a><em> </em>(Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as <em>Breathless</em> and <em>La Jetée,</em> this is an essential book for readers interested in national identity and cinema.</p><p><a href="https://www.tandfonline.com/doi/full/10.1080/14715880.2017.1385324#abstract">Here's</a> the link to Astourian's essay on Jean Rouch's <em>Moi, Un Noir</em> discussed in the podcast. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1754</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Anthony Grasso, "Dual Justice: America's Divergent Approaches to Street and Corporate Crime" (U Chicago Press, 2024)</title>
      <description>The United States incarcerates its citizens for property crime, drug use, and violent crime at a rate that exceeds any other developed nation – and disproportionately affects the poor and racial minorities. Yet the U.S. has never developed the capacity to consistently prosecute corporate wrongdoing. This disjuncture between the treatment of street and corporate crime is often narrated as hypocrisy. Others suggest that the disparity is rooted in a conservative backlash after the civil rights movement and the Great Society or a legacy of slavery, Jim Crow, and the racialization of crime.
In Dual Justice: America's Divergent Approaches to Street and Corporate Crime (U Chicago Press, 2024), Dr. Anthony Grasso interrogates the intertwined histories of street and corporate crime to find that the differences in punishment are more than modern hypocrisy. Examining the carceral and regulatory states' evolutions from 1870 through today, Grasso argues that divergent approaches to street and corporate crime share common, self-reinforcing origins. During the Progressive Era, scholars and lawmakers championed naturalized theories of human difference such as eugenics to justify instituting punitive measures for poor offenders and regulatory controls for corporate lawbreakers. These ideas laid the foundation for dual justice systems: criminal justice institutions harshly governing street crime and regulatory institutions governing corporate misconduct.
Even after eugenics was discredited, criminal justice and regulatory institutions have developed in tandem to reinforce politically constructed understandings about who counts as a criminal. Using an impressive array of sources and methods, Dr. Grasso analyzes the intellectual history, policy debates, and state and federal institutional reforms that consolidated these ideas, along with their racial and class biases, into America's legal system.
Dr. Anthony Grasso is an assistant professor of political science at Rutgers University Camden. His research focuses on American political development, law, and inequality.
Mentioned:

Susan’s interview with Dr. Joanna Wuest on Born This Way: Science, Citizenship, and Inequality in the American LGBTQ+ Movement


David Vogel, Fluctuating Fortunes: The Political Power of Business in America (Beard Books, 1989)


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>746</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anthony Grasso</itunes:subtitle>
      <itunes:summary>The United States incarcerates its citizens for property crime, drug use, and violent crime at a rate that exceeds any other developed nation – and disproportionately affects the poor and racial minorities. Yet the U.S. has never developed the capacity to consistently prosecute corporate wrongdoing. This disjuncture between the treatment of street and corporate crime is often narrated as hypocrisy. Others suggest that the disparity is rooted in a conservative backlash after the civil rights movement and the Great Society or a legacy of slavery, Jim Crow, and the racialization of crime.
In Dual Justice: America's Divergent Approaches to Street and Corporate Crime (U Chicago Press, 2024), Dr. Anthony Grasso interrogates the intertwined histories of street and corporate crime to find that the differences in punishment are more than modern hypocrisy. Examining the carceral and regulatory states' evolutions from 1870 through today, Grasso argues that divergent approaches to street and corporate crime share common, self-reinforcing origins. During the Progressive Era, scholars and lawmakers championed naturalized theories of human difference such as eugenics to justify instituting punitive measures for poor offenders and regulatory controls for corporate lawbreakers. These ideas laid the foundation for dual justice systems: criminal justice institutions harshly governing street crime and regulatory institutions governing corporate misconduct.
Even after eugenics was discredited, criminal justice and regulatory institutions have developed in tandem to reinforce politically constructed understandings about who counts as a criminal. Using an impressive array of sources and methods, Dr. Grasso analyzes the intellectual history, policy debates, and state and federal institutional reforms that consolidated these ideas, along with their racial and class biases, into America's legal system.
Dr. Anthony Grasso is an assistant professor of political science at Rutgers University Camden. His research focuses on American political development, law, and inequality.
Mentioned:

Susan’s interview with Dr. Joanna Wuest on Born This Way: Science, Citizenship, and Inequality in the American LGBTQ+ Movement


David Vogel, Fluctuating Fortunes: The Political Power of Business in America (Beard Books, 1989)


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The United States incarcerates its citizens for property crime, drug use, and violent crime at a rate that exceeds any other developed nation – and disproportionately affects the poor and racial minorities. Yet the U.S. has never developed the capacity to consistently prosecute <em>corporate</em> wrongdoing. This disjuncture between the treatment of street and corporate crime is often narrated as hypocrisy. Others suggest that the disparity is rooted in a conservative backlash after the civil rights movement and the Great Society or a legacy of slavery, Jim Crow, and the racialization of crime.</p><p>In <a href="https://bookshop.org/a/12343/9780226835594"><em>Dual Justice: America's Divergent Approaches to Street and Corporate Crime</em></a> (U Chicago Press, 2024), Dr. Anthony Grasso interrogates the intertwined histories of street and corporate crime to find that the differences in punishment are more than modern hypocrisy. Examining the carceral and regulatory states' evolutions from 1870 through today, Grasso argues that divergent approaches to street and corporate crime share common, self-reinforcing origins. During the Progressive Era, scholars and lawmakers championed naturalized theories of human difference such as eugenics to justify instituting punitive measures for poor offenders and regulatory controls for corporate lawbreakers. These ideas laid the foundation for dual justice systems: criminal justice institutions harshly governing street crime and regulatory institutions governing corporate misconduct.</p><p>Even after eugenics was discredited, criminal justice and regulatory institutions have developed in tandem to reinforce politically constructed understandings about who counts as a criminal. Using an impressive array of sources and methods, Dr. Grasso analyzes the intellectual history, policy debates, and state and federal institutional reforms that consolidated these ideas, along with their racial and class biases, into America's legal system.</p><p><a href="http://www.anthonyjgrasso.com/">Dr. Anthony Grasso </a>is an assistant professor of political science at Rutgers University Camden. His research focuses on American political development, law, and inequality.</p><p>Mentioned:</p><ul>
<li>Susan’s interview with Dr. Joanna Wuest on <a href="https://newbooksnetwork.com/born-this-way#entry:332828@1:url"><em>Born This Way: Science, Citizenship, and Inequality in the American LGBTQ+ Movement</em></a>
</li>
<li>David Vogel,<em> Fluctuating Fortunes: The Political Power of Business in America </em>(Beard Books, 1989)</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3363</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db9d4c78-9a09-11ef-b29b-3bac4d8aeff4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9350875317.mp3?updated=1730655576" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amín Pérez, "Bourdieu and Sayad Against Empire: Forging Sociology in Anticolonial Struggle" (Polity Press, 2023)</title>
      <description>How did the Algerian war of independence shape contemporary sociology? In Bourdieu and Sayad Against Empire: Forging Sociology in Anticolonial Struggle (Polity Press, 2023), Amin Perez, an Assistant Professor of Sociology at University of Quebec in Montreal, explores the sociological practice and friendship of Pierre Bourdieu and Abdelmalek Sayad. Using a range of archival and contemporary methods, the book shows the impact of anticolonialism on these key figures in sociology and demonstrates the ongoing importance of their work today. Theoretically and historically rich, as well as being accessible, the book is essential reading across the social sciences and humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 09 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>493</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amín Pérez</itunes:subtitle>
      <itunes:summary>How did the Algerian war of independence shape contemporary sociology? In Bourdieu and Sayad Against Empire: Forging Sociology in Anticolonial Struggle (Polity Press, 2023), Amin Perez, an Assistant Professor of Sociology at University of Quebec in Montreal, explores the sociological practice and friendship of Pierre Bourdieu and Abdelmalek Sayad. Using a range of archival and contemporary methods, the book shows the impact of anticolonialism on these key figures in sociology and demonstrates the ongoing importance of their work today. Theoretically and historically rich, as well as being accessible, the book is essential reading across the social sciences and humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did the Algerian war of independence shape contemporary sociology? In <a href="https://bookshop.org/a/12343/9781509557868"><em>Bourdieu and Sayad Against Empire: Forging Sociology in Anticolonial Struggle</em></a> (Polity Press, 2023), <a href="https://x.com/AminPerezV">Amin Perez</a>, an <a href="https://aminperez.weebly.com/">Assistant Professor of Sociology</a> at <a href="https://professeurs.uqam.ca/professeur/perez_vargas.raul_amin/">University of Quebec in Montreal,</a> explores the sociological practice and friendship of Pierre Bourdieu and Abdelmalek Sayad. Using a range of archival and contemporary methods, the book shows the impact of anticolonialism on these key figures in sociology and demonstrates the ongoing importance of their work today. Theoretically and historically rich, as well as being accessible, the book is essential reading across the social sciences and humanities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[91ebd88c-9e10-11ef-b1c4-9b99b8df664b]]></guid>
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    </item>
    <item>
      <title>Non-literary Fiction</title>
      <description>In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022).
In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch’s book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame, who collaborated with the Columbia artist Antonio Caro. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice.
Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History &amp; Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 09 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ff6c6650-a20d-11ef-ac6c-0f9aa1ef4c89/image/7a4e611d5a7f5892b28204316cb14cb6.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Esther Gabara</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, Non-Literary Fiction: Art of the Americas under Neoliberalism (Chicago University Press, 2022).
In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are Ferreira Gullar in Brazil and Juan Acha in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found this cool piece on Juan Acha that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch’s book on Indigenous and Popular Thinking in América was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist Manuel Quintín Lame, who collaborated with the Columbia artist Antonio Caro. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice.
Esther Gabara is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History &amp; Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue, Pop América, 1965-1975 (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and Errant Modernism: The Ethos of Photography in Mexico and Brazil (Duke University Press, 2008).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Esther Gabara talks with us about Non-Literary Fiction, that is, works of fiction that belong to the world of contemporary art, rather than the world of contemporary literature. She focuses on literary and narrative strategies used by Latin American and Indigenous American artists to make “non-objective” forms of visual art under the pressures of neoliberalism. To learn more, check out her book, <a href="https://press.uchicago.edu/ucp/books/book/chicago/N/bo181453433.html"><em>Non-Literary Fiction: Art of the Americas under Neoliberalism</em></a> (Chicago University Press, 2022).</p><p>In our conversation, Esther gave us a theoretical bibliography of thinkers from Latin America who have shaped her work on non-literary fiction. Prominent among these figures are <a href="https://en.wikipedia.org/wiki/Ferreira_Gullar">Ferreira Gullar</a> in Brazil and <a href="https://es.wikipedia.org/wiki/Juan_Acha">Juan Acha</a> in Mexico, who were the founding thinkers of the term “Non-Objectualism”-- a term that informs the fiction making practices Esther studies. We found <a href="https://post.moma.org/conceiving-a-theory-for-latin-america-juan-achas-criticism/">this cool piece on Juan Acha</a> that might be worth reading. She also named the philosopher Rodolfo Kusch and his work with indigenous storytellers. Kusch’s book on <a href="https://www.dukeupress.edu/indigenous-and-popular-thinking-in-america"><em>Indigenous and Popular Thinking in América</em></a> was translated into English and published by Duke in 2010. And finally she named the indigenous artist and activist <a href="https://en.wikipedia.org/wiki/Quint%C3%ADn_Lame">Manuel Quintín Lame</a>, who collaborated with the Columbia artist <a href="https://en.wikipedia.org/wiki/Antonio_Caro">Antonio Caro</a>. Each of these figures features in her book as a theorist in their own right, in a context where art is a critical practice.</p><p><a href="https://scholars.duke.edu/person/egabara">Esther Gabara</a> is a professor of Romance Studies at Duke University, where she works with modern and contemporary art, literature, and critical theory from the Americas. Her teaching in the departments of Romance Studies and Art, Art History &amp; Visual Studies at Duke University covers visual studies, modernism, photography, Pop Art and popular culture, feminism, public art, and coloniality in contemporary art. Her prior publications include the bilingual exhibition catalogue,<a href="https://www.dukeupress.edu/pop-america-1965-1975"> <em>Pop América, 1965-1975</em></a> (Nasher Museum of Art/Duke University Press, 2018), for an exhibition she curated at the Nasher Museum of Art, and <a href="https://www.dukeupress.edu/errant-modernism"><em>Errant Modernism: The Ethos of Photography in Mexico and Brazil </em></a>(Duke University Press, 2008).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>870</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff6c6650-a20d-11ef-ac6c-0f9aa1ef4c89]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6306410616.mp3?updated=1731099664" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniela Berghahn, "Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film" (Edinburgh UP, 2023)</title>
      <description>Daniela Berghahn's award-winning monograph Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film (Edinburgh UP, 2023) is the first systematic analysis of decentred exoticsm in contemporary transnational and world cinema. By critically examining regimes of visuality such as the imperial, the ethnographic and the exotic gaze, which have colonised our minds and ways of looking, the monograph makes an important contribution to the urgent agenda of decolonising film studies. Exotic Cinema was awarded The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre (best book) and the African Studies Centre award at Babes-Bolyai Univeristy in Cluj-Napoca. 
The research website www.exotic-cinema.org offers some insights into the scope and aims of this project. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 09 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>218</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniela Berghahn</itunes:subtitle>
      <itunes:summary>Daniela Berghahn's award-winning monograph Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film (Edinburgh UP, 2023) is the first systematic analysis of decentred exoticsm in contemporary transnational and world cinema. By critically examining regimes of visuality such as the imperial, the ethnographic and the exotic gaze, which have colonised our minds and ways of looking, the monograph makes an important contribution to the urgent agenda of decolonising film studies. Exotic Cinema was awarded The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre (best book) and the African Studies Centre award at Babes-Bolyai Univeristy in Cluj-Napoca. 
The research website www.exotic-cinema.org offers some insights into the scope and aims of this project. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Daniela Berghahn's award-winning monograph <a href="https://edinburghuniversitypress.com/book-exotic-cinema.html"><em>Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film</em></a><em> </em>(Edinburgh UP, 2023) is the first systematic analysis of decentred exoticsm in contemporary transnational and world cinema. By critically examining regimes of visuality such as the imperial, the ethnographic and the exotic gaze, which have colonised our minds and ways of looking, the monograph makes an important contribution to the urgent agenda of decolonising film studies. <em>Exotic Cinema</em> was awarded The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre (best book) and the African Studies Centre award at Babes-Bolyai Univeristy in Cluj-Napoca. </p><p>The research website <a href="http://www.exotic-cinema.org/">www.exotic-cinema.org</a> offers some insights into the scope and aims of this project. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2321</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[50435c40-a200-11ef-8510-43af2a52983a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8542797125.mp3?updated=1731004046" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Doyle D. Calhoun, "The Suicide Archive: Reading Resistance in the Wake of French Empire" (Duke UP, 2024)</title>
      <description>A note about content:
This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself.
This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, The Suicide Archive: Reading Resistance in the Wake of French Empire was published in October 2024 by Duke University Press.
“There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. The Suicide Archive is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms as archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Doyle D. Calhoun</itunes:subtitle>
      <itunes:summary>A note about content:
This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself.
This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, The Suicide Archive: Reading Resistance in the Wake of French Empire was published in October 2024 by Duke University Press.
“There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. The Suicide Archive is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms as archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A note about content:</p><p><strong>This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself.</strong></p><p>This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, <a href="https://www.dukeupress.edu/the-suicide-archive"><em>The Suicide Archive: Reading Resistance in the Wake of French Empire</em></a><em> </em>was published in October 2024 by Duke University Press.</p><p>“There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. <em>The Suicide Archive </em>is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms <em>as </em>archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4267</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[432e84de-9ba3-11ef-982d-5795fbdae691]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2923172437.mp3?updated=1730831423" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne M. Whitesell, "Living Off the Government?: Race, Gender, and the Politics of Welfare" (NYU Press, 2024)</title>
      <description>Who deserves public assistance from the government? This age-old question has been revived by policymakers, pundits, and activists following the massive economic impact of the COVID-19 pandemic. Anne Whitesell takes up this timely debate, showing us how our welfare system, in its current state, fails the people it is designed to serve. 
From debates over stimulus check eligibility to the uncertain future of unemployment benefits, Living Off the Government?: Race, Gender, and the Politics of Welfare (NYU Press, 2024) tackles it all. Examining welfare rules across eight different states, as well as 19,000 state and local interest groups, Whitesell shows how we determine who is—and who isn't—deserving of government assistance. She explores racial and gender stereotypes surrounding welfare recipients, particularly Black women and mothers; how different groups take advantage of these harmful stereotypes to push their own political agendas; and how the interests and needs of welfare recipients are inadequately represented as a result. Living Off the Government? highlights how harmful stereotypes about the race, gender, and class of welfare recipients filter into our highly polarized political arena to shape public policy. Whitesell calls out a system that she believes serves special interests and not the interests of low-income Americans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 03 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anne M. Whitesell</itunes:subtitle>
      <itunes:summary>Who deserves public assistance from the government? This age-old question has been revived by policymakers, pundits, and activists following the massive economic impact of the COVID-19 pandemic. Anne Whitesell takes up this timely debate, showing us how our welfare system, in its current state, fails the people it is designed to serve. 
From debates over stimulus check eligibility to the uncertain future of unemployment benefits, Living Off the Government?: Race, Gender, and the Politics of Welfare (NYU Press, 2024) tackles it all. Examining welfare rules across eight different states, as well as 19,000 state and local interest groups, Whitesell shows how we determine who is—and who isn't—deserving of government assistance. She explores racial and gender stereotypes surrounding welfare recipients, particularly Black women and mothers; how different groups take advantage of these harmful stereotypes to push their own political agendas; and how the interests and needs of welfare recipients are inadequately represented as a result. Living Off the Government? highlights how harmful stereotypes about the race, gender, and class of welfare recipients filter into our highly polarized political arena to shape public policy. Whitesell calls out a system that she believes serves special interests and not the interests of low-income Americans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who deserves public assistance from the government? This age-old question has been revived by policymakers, pundits, and activists following the massive economic impact of the COVID-19 pandemic. Anne Whitesell takes up this timely debate, showing us how our welfare system, in its current state, fails the people it is designed to serve. </p><p>From debates over stimulus check eligibility to the uncertain future of unemployment benefits,<a href="https://bookshop.org/a/12343/9781479828586"> <em>Living Off the Government?: Race, Gender, and the Politics of Welfare</em></a><em> </em>(NYU Press, 2024) tackles it all. Examining welfare rules across eight different states, as well as 19,000 state and local interest groups, Whitesell shows how we determine who is—and who isn't—deserving of government assistance. She explores racial and gender stereotypes surrounding welfare recipients, particularly Black women and mothers; how different groups take advantage of these harmful stereotypes to push their own political agendas; and how the interests and needs of welfare recipients are inadequately represented as a result. Living Off the Government? highlights how harmful stereotypes about the race, gender, and class of welfare recipients filter into our highly polarized political arena to shape public policy. Whitesell calls out a system that she believes serves special interests and not the interests of low-income Americans.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1834</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5790b570-97b4-11ef-b262-4f4a43bf23c2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3301404803.mp3?updated=1730398855" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)</title>
      <description>What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music (Manchester UP, 2024) by Dr. Kristina Kolbe addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism.
The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Dr. Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skillfully considers what these processes can tell us about the remaking of class, race, and racism today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 02 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>255</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristina Kolbe</itunes:subtitle>
      <itunes:summary>What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music (Manchester UP, 2024) by Dr. Kristina Kolbe addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism.
The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Dr. Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skillfully considers what these processes can tell us about the remaking of class, race, and racism today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? <a href="https://bookshop.org/a/12343/9781526165497"><em>The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music</em> </a>(Manchester UP, 2024) by Dr. Kristina Kolbe addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism.</p><p>The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Dr. Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skillfully considers what these processes can tell us about the remaking of class, race, and racism today.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3052</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Robert A. Schneider, "The Return of Resentment: The Rise and Decline and Rise Again of a Political Emotion" (U Chicago Press, 2023)</title>
      <description>The term “resentment,” often casually paired with words like “hatred,” “rage,” and “fear,” has dominated US news analysis since November 2016. Despite its increased use, this word seems to defy easy categorization. Does “resentment” describe many interlocking sentiments, or is it just another way of saying “anger”? Does it suggest an irrational grievance, as opposed to a legitimate callout of injustice? Does it imply political leanings, or is it nonpartisan by nature?
In The Return of Resentment: The Rise and Decline and Rise Again of a Political Emotion (U Chicago Press, 2023), Robert A. Schneider explores these questions and more, moving from eighteenth-century Britain to the aftermath of the French Revolution to social movements throughout the twentieth century. Drawing on a wide range of writers, thinkers, and historical experiences, Schneider illustrates how resentment has morphed across time, coming to express a collective sentiment felt by people and movements across the political spectrum. In this history, we discover resentment’s modernity and its ambiguity—how it can be used to dismiss legitimate critique and explain away violence, but also convey a moral stance that demands recognition. Schneider anatomizes the many ways resentment has been used to label present-day movements, from followers of Trump and supporters of Brexit to radical Islamicists and proponents of identity politics. Addressing our contemporary political situation in a novel way, The Return of Resentment challenges us to think critically about the roles different emotions play in politics.
Robert A. Schneider is professor of history at Indiana University Bloomington. He is the author of three books, including, most recently, Dignified Retreat: Writers and Intellectuals in the Age of Richelieu.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 02 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1494</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert A. Schneider</itunes:subtitle>
      <itunes:summary>The term “resentment,” often casually paired with words like “hatred,” “rage,” and “fear,” has dominated US news analysis since November 2016. Despite its increased use, this word seems to defy easy categorization. Does “resentment” describe many interlocking sentiments, or is it just another way of saying “anger”? Does it suggest an irrational grievance, as opposed to a legitimate callout of injustice? Does it imply political leanings, or is it nonpartisan by nature?
In The Return of Resentment: The Rise and Decline and Rise Again of a Political Emotion (U Chicago Press, 2023), Robert A. Schneider explores these questions and more, moving from eighteenth-century Britain to the aftermath of the French Revolution to social movements throughout the twentieth century. Drawing on a wide range of writers, thinkers, and historical experiences, Schneider illustrates how resentment has morphed across time, coming to express a collective sentiment felt by people and movements across the political spectrum. In this history, we discover resentment’s modernity and its ambiguity—how it can be used to dismiss legitimate critique and explain away violence, but also convey a moral stance that demands recognition. Schneider anatomizes the many ways resentment has been used to label present-day movements, from followers of Trump and supporters of Brexit to radical Islamicists and proponents of identity politics. Addressing our contemporary political situation in a novel way, The Return of Resentment challenges us to think critically about the roles different emotions play in politics.
Robert A. Schneider is professor of history at Indiana University Bloomington. He is the author of three books, including, most recently, Dignified Retreat: Writers and Intellectuals in the Age of Richelieu.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The term “resentment,” often casually paired with words like “hatred,” “rage,” and “fear,” has dominated US news analysis since November 2016. Despite its increased use, this word seems to defy easy categorization. Does “resentment” describe many interlocking sentiments, or is it just another way of saying “anger”? Does it suggest an irrational grievance, as opposed to a legitimate callout of injustice? Does it imply political leanings, or is it nonpartisan by nature?</p><p>In <a href="https://bookshop.org/a/12343/9780226586434"><em>The Return of Resentment: The Rise and Decline and Rise Again of a Political Emotion</em></a> (U Chicago Press, 2023), Robert A. Schneider explores these questions and more, moving from eighteenth-century Britain to the aftermath of the French Revolution to social movements throughout the twentieth century. Drawing on a wide range of writers, thinkers, and historical experiences, Schneider illustrates how resentment has morphed across time, coming to express a collective sentiment felt by people and movements across the political spectrum. In this history, we discover resentment’s modernity and its ambiguity—how it can be used to dismiss legitimate critique and explain away violence, but also convey a moral stance that demands recognition. Schneider anatomizes the many ways resentment has been used to label present-day movements, from followers of Trump and supporters of Brexit to radical Islamicists and proponents of identity politics. Addressing our contemporary political situation in a novel way, <em>The Return of Resentment</em> challenges us to think critically about the roles different emotions play in politics.</p><p><strong>Robert A. Schneider</strong> is professor of history at Indiana University Bloomington. He is the author of three books, including, most recently, <em>Dignified Retreat: Writers and Intellectuals in the Age of Richelieu</em>.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3346</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Adam Hanieh, "Crude Capitalism: Oil, Corporate Power, and the Making of the World Market" (Verso, 2024)</title>
      <description>Oil is everywhere. It’s in our cars, it’s in the fertilizer used to grow our food, and it’s in the plastics used to produce and transport our consumer goods, to name just a few prominent uses. How did oil come to occupy its central position in the world economy? How did corporate power shape the uptake, pricing, and distribution of oil and petrochemicals? And how have changes in oil markets affected broader trends in the global economy? In Crude Capitalism: Oil, Corporate Power, and the Making of the World Market (Verso, 2024), my guest Adam Hanieh tackles all of these questions by tracing the history and diverse geographies of oil. His narratives weaves together links between oil, geopolitics, high finance, the evolution of corporate organization, and the environment.
Adam Hanieh is Professor of Political Economy and Global Development at the University of Exeter in the UK. He is currently a Distinguished Visiting Professor at Tsinghua University in Beijing. He is previous books are Lineages of Revolt (2013) and Money, Markets, and Monarchies: The Gulf Cooperation Council and the political economy of the contemporary Middle East (2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 02 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Hanieh</itunes:subtitle>
      <itunes:summary>Oil is everywhere. It’s in our cars, it’s in the fertilizer used to grow our food, and it’s in the plastics used to produce and transport our consumer goods, to name just a few prominent uses. How did oil come to occupy its central position in the world economy? How did corporate power shape the uptake, pricing, and distribution of oil and petrochemicals? And how have changes in oil markets affected broader trends in the global economy? In Crude Capitalism: Oil, Corporate Power, and the Making of the World Market (Verso, 2024), my guest Adam Hanieh tackles all of these questions by tracing the history and diverse geographies of oil. His narratives weaves together links between oil, geopolitics, high finance, the evolution of corporate organization, and the environment.
Adam Hanieh is Professor of Political Economy and Global Development at the University of Exeter in the UK. He is currently a Distinguished Visiting Professor at Tsinghua University in Beijing. He is previous books are Lineages of Revolt (2013) and Money, Markets, and Monarchies: The Gulf Cooperation Council and the political economy of the contemporary Middle East (2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Oil is everywhere. It’s in our cars, it’s in the fertilizer used to grow our food, and it’s in the plastics used to produce and transport our consumer goods, to name just a few prominent uses. How did oil come to occupy its central position in the world economy? How did corporate power shape the uptake, pricing, and distribution of oil and petrochemicals? And how have changes in oil markets affected broader trends in the global economy? In <a href="https://bookshop.org/a/12343/9781839763427"><em>Crude Capitalism: Oil, Corporate Power, and the Making of the World Market</em></a> (Verso, 2024), my guest Adam Hanieh tackles all of these questions by tracing the history and diverse geographies of oil. His narratives weaves together links between oil, geopolitics, high finance, the evolution of corporate organization, and the environment.</p><p>Adam Hanieh is Professor of Political Economy and Global Development at the University of Exeter in the UK. He is currently a Distinguished Visiting Professor at Tsinghua University in Beijing. He is previous books are <em>Lineages of Revolt </em>(2013) and <em>Money, Markets, and Monarchies: The Gulf Cooperation Council and the political economy of the contemporary Middle East </em>(2020).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5465</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[10fe3c68-97c3-11ef-907c-73004373b1c0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8071397937.mp3?updated=1732046305" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ghosts In Our Fields</title>
      <description>High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare!
This episode features (in order of appearance)


Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa.


Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN.


Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life.


Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal.


Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace.


Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference.


Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party.


Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics.


John Linstrom on Liberty Hyde Bailey’s Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere.


The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu.
Boo!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/975b8f9c-9848-11ef-9af7-5f7d813e61df/image/e60046d78911210b1dddd331989617d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Halloween 2024</itunes:subtitle>
      <itunes:summary>High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare!
This episode features (in order of appearance)


Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa.


Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN.


Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life.


Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal.


Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace.


Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference.


Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party.


Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics.


John Linstrom on Liberty Hyde Bailey’s Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere.


The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu.
Boo!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare!</p><p>This episode features (in order of appearance)</p><ul>
<li>
<a href="https://www.universiteitleiden.nl/en/staffmembers/abhishek-avtans#tab-1">Abhishek Avtans</a> on the Churail. He kindly gave us a <a href="https://docs.google.com/document/d/1rVFnr0FO-1otmPBRGiimLaKEOpy-eBsg/edit?usp=sharing&amp;ouid=114621500580675754573&amp;rtpof=true&amp;sd=true">transcript</a> (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on <a href="https://hightheory.net/2022/01/01/apabhra%e1%b9%83sa/">Apabhraṃśa</a>.</li>
<li>
<a href="https://www.angelinaeimannsberger.com/">Angelina Eimannsberger </a>on the Reader. You can hear more from Angelina in her episode on <a href="https://hightheory.net/2020/10/18/jvn/">JVN</a>.</li>
<li>
<a href="https://www.kenyon.edu/directory/travis-lau/">Travis Chi Wing Lau</a> on Mad Studies. You can hear more from Travis in his episode on <a href="https://hightheory.net/2021/06/12/experimental-life/">Experimental Life</a>.</li>
<li>
<a href="https://www.hamilton.edu/academics/our-faculty/directory/faculty-detail/mackenzie-cooley">Mackenzie Cooley</a> on the Scientific Revolution. You can hear more from Mackenzie in her episode on the <a href="https://hightheory.net/2024/04/08/animal/">Animal</a>.</li>
<li>
<a href="https://english.cornell.edu/farah-bakaari">Farah Bakaari</a> on the Nation State. You can hear more from Farah in her episode on the <a href="https://hightheory.net/2021/11/21/trace/">Trace</a>.</li>
<li>
<a href="https://as.nyu.edu/faculty/emma-heaney.html">Emma Heany</a> on Communism and Empire. You can hear more from Emma in her episode on <a href="https://hightheory.net/2021/06/27/sexual-difference/">Sexual Difference</a>.</li>
<li>
<a href="http://sheilaliming.com/">Sheila Liming</a> on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the <a href="https://hightheory.net/2023/05/23/party/">Party</a>.</li>
<li>
<a href="https://www.english.pitt.edu/people/sritama-chatterjee">Sritama Chatterjee</a> on Nature and Wilderness. You can hear more from Sritama in her episode on <a href="https://hightheory.net/2022/12/16/off-shore-aesthetics/">Off-Shore Aesthetics</a>.</li>
<li>
<a href="https://www.johnlinstrom.com/">John Linstrom</a> on Liberty Hyde Bailey’s Haunted Houses. You can hear more from John in his episodes on <a href="https://hightheory.net/2023/12/30/nature-study/">Nature Study</a> and <a href="https://hightheory.net/2020/09/05/ecosphere/">Ecosphere</a>.</li>
</ul><p><br></p><p>The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu.</p><p>Boo!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1695</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[975b8f9c-9848-11ef-9af7-5f7d813e61df]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5946334429.mp3?updated=1730462431" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Angel Daniel Matos, "The Reparative Impulse of Queer Young Adult Literature" (Routledge, 2024)</title>
      <description>The Reparative Impulse of Queer Young Adult Literature (Routledge, 2024) is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field’s attachments to normative, capitalist, and neoliberal frameworks. Central to Matos’ argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of intersectional thinking in reparative readings of queer youth texts. 
The Reparative Impulse of Queer Young Adult Literature shows how YA cultural productions are akin to the broader queer imagination in their ability to move and affect audiences, and how these texts encapsulate a significant and enduring change in terms of how queerness is—or can be—read, structured, represented, and felt.
The Open Access version of this book, available here, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Nov 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>320</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Angel Daniel Matos</itunes:subtitle>
      <itunes:summary>The Reparative Impulse of Queer Young Adult Literature (Routledge, 2024) is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field’s attachments to normative, capitalist, and neoliberal frameworks. Central to Matos’ argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of intersectional thinking in reparative readings of queer youth texts. 
The Reparative Impulse of Queer Young Adult Literature shows how YA cultural productions are akin to the broader queer imagination in their ability to move and affect audiences, and how these texts encapsulate a significant and enduring change in terms of how queerness is—or can be—read, structured, represented, and felt.
The Open Access version of this book, available here, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Peter C. Kunze is an assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367482060"><em>The Reparative Impulse of Queer Young Adult Literature</em></a><em> </em>(Routledge, 2024) is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field’s attachments to normative, capitalist, and neoliberal frameworks. Central to Matos’ argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of intersectional thinking in reparative readings of queer youth texts. </p><p><em>The Reparative Impulse of Queer Young Adult Literature</em> shows how YA cultural productions are akin to the broader queer imagination in their ability to move and affect audiences, and how these texts encapsulate a significant and enduring change in terms of how queerness is—or can be—read, structured, represented, and felt.</p><p>The Open Access version of this book, available <a href="http://www.taylorfrancis.com/">here</a>, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.</p><p>Peter C. Kunze is an assistant professor of communication at Tulane University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4494</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lennard J. Davis, "Poor Things: How Those with Money Depict Those Without It" (Duke UP, 2024)</title>
      <description>For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions. 
In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lennard J. Davis</itunes:subtitle>
      <itunes:summary>For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions. 
In Poor Things: How Those with Money Depict Those Without It (Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For generations most of the canonical works that detail the lives of poor people have been created by rich or middle-class writers like Charles Dickens, John Steinbeck, or James Agee. This has resulted in overwhelming depictions of poor people as living abject, violent lives in filthy and degrading conditions. </p><p>In<em> </em><a href="https://www.dukeupress.edu/poor-things"><em>Poor Things: How Those with Money Depict Those Without It </em></a>(Duke UP, 2024), Lennard J. Davis labels this genre “poornography”: distorted narratives of poverty written by and for the middle and upper classes. Davis shows how poornography creates harmful and dangerous stereotypes that build barriers to social justice and change. To remedy this, Davis argues, poor people should write realistic depictions of themselves, but because of representational inequality they cannot. Given the obstacles to the poor accessing the means of publication, Davis suggests that the work should, at least for now, be done by “transclass” writers who were once poor and who can accurately represent poverty without relying on stereotypes and clichés. Only then can the lived experience of poverty be more fully realized.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a6649c9c-9562-11ef-8603-abbc3e3e7f19]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2403859284.mp3?updated=1730144166" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anuradha Sajjanhar, "The New Experts: Populist Elites and Technocratic Promises in Modi's India" (Cambridge UP, 2024)</title>
      <description>How are technocratic experts supporting populist politics? In The New Experts Populist Elites and Technocratic Promises in Modi’s India (Cambridge UP, 2024), Anuradha Sajjanhar, a Lecturer in Politics &amp; Public Policy at the University of East Anglia examines the recent history of Indian Politics and the rise and impact of Hindu Nationalism. Often seen as distinct from each other, the book shows how technocratic ideas and populist rhetoric have combined in the Hindu Nationalist project. This intersection of technocratic promises, devised by thinktanks and intellectual networks, and populist politics, has come to dominate not only contemporary India, but much of global politics too. In this context, of a rising tide of populism, the books examination of the roots and consequences of technocratic expertise intertwined with populist platforms is essential reading for anyone interested in politics and society today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>492</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anuradha Sajjanhar</itunes:subtitle>
      <itunes:summary>How are technocratic experts supporting populist politics? In The New Experts Populist Elites and Technocratic Promises in Modi’s India (Cambridge UP, 2024), Anuradha Sajjanhar, a Lecturer in Politics &amp; Public Policy at the University of East Anglia examines the recent history of Indian Politics and the rise and impact of Hindu Nationalism. Often seen as distinct from each other, the book shows how technocratic ideas and populist rhetoric have combined in the Hindu Nationalist project. This intersection of technocratic promises, devised by thinktanks and intellectual networks, and populist politics, has come to dominate not only contemporary India, but much of global politics too. In this context, of a rising tide of populism, the books examination of the roots and consequences of technocratic expertise intertwined with populist platforms is essential reading for anyone interested in politics and society today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are technocratic experts supporting populist politics? In <a href="https://bookshop.org/a/12343/9781009349758"><em>The New Experts Populist Elites and Technocratic Promises in Modi’s India</em></a><em> </em>(Cambridge UP, 2024), <a href="https://x.com/anuradhasajj">Anuradha Sajjanhar</a>, <a href="https://research-portal.uea.ac.uk/en/persons/anuradha-sajjanhar">a Lecturer in Politics &amp; Public Policy at the University of East Anglia</a> examines the recent history of Indian Politics and the rise and impact of Hindu Nationalism. Often seen as distinct from each other, the book shows how technocratic ideas and populist rhetoric have combined in the Hindu Nationalist project. This intersection of technocratic promises, devised by thinktanks and intellectual networks, and populist politics, has come to dominate not only contemporary India, but much of global politics too. In this context, of a rising tide of populism, the books examination of the roots and consequences of technocratic expertise intertwined with populist platforms is essential reading for anyone interested in politics and society today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2230</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ec2ed966-95f0-11ef-a91d-4b2d7d585db5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7571296657.mp3?updated=1730211437" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Hardt, "The Subversive Seventies" (Oxford UP, 2023)</title>
      <description>A thought-provoking reconsideration of how the revolutionary movements of the 1970s set the mold for today's activism.
The 1970s was a decade of "subversives". Faced with various progressive and revolutionary social movements, the forces of order--politicians, law enforcement, journalists, and conservative intellectuals--saw subversives everywhere. From indigenous peasant armies and gay liberation organizations, to anti-nuclear activists and Black liberation militants, subversives challenged authority, laid siege to the established order, and undermined time-honored ways of life. Every corner of the left was fertile ground for subversive elements, which the forces of order had to root out and destroy--a project they pursued with zeal and brutality.
In The Subversive Seventies (Oxford UP, 2023), Michael Hardt sets out to show that popular understandings of the political movements of the seventies--often seen as fractious, violent, and largely unsuccessful--are not just inaccurate, but foreclose valuable lessons for the political struggles of today. While many accounts of the 1970s have been written about the regimes of domination that emerged throughout the decade, Hardt approaches the subversive from the perspectives of those who sought to undermine the base of established authority and transform the fundamental structures of society. In so doing, he provides a novel account of the theoretical and practical projects of liberation that still speak to us today, too many of which have been all but forgotten.
Departing from popular and scholarly accounts that focus on the social movements of the 1960s, Hardt argues that the 1970s offers an inspiring and useful guide for contemporary radical political thought and action. Although we can still learn much from the movements of the sixties, that decade's struggles for peace, justice, and freedom fundamentally marked the end of an era. The movements of the seventies, in contrast, responded directly to emerging neoliberal frameworks and other structures of power that continue to rule over us today. They identified and confronted political problems that remain central for us. The 1970s, in this sense, marks the beginning of our time. Looking at a wide range of movements around the globe, from the United States, to Guinea Bissau, South Korea, Chile, Turkey, and Italy, The Subversive Seventies provides a reassessment of the political action of the 1970s that sheds new light not only on our revolutionary past but also on what liberation can be and do today.
Michael Hardt teaches political theory in the Literature Program at Duke University. He is co-author, with Antonio Negri, of the Empire trilogy and, most recently, Assembly. He is co-director with Sandro Mezzadra of The Social Movements Lab.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>491</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Hardt</itunes:subtitle>
      <itunes:summary>A thought-provoking reconsideration of how the revolutionary movements of the 1970s set the mold for today's activism.
The 1970s was a decade of "subversives". Faced with various progressive and revolutionary social movements, the forces of order--politicians, law enforcement, journalists, and conservative intellectuals--saw subversives everywhere. From indigenous peasant armies and gay liberation organizations, to anti-nuclear activists and Black liberation militants, subversives challenged authority, laid siege to the established order, and undermined time-honored ways of life. Every corner of the left was fertile ground for subversive elements, which the forces of order had to root out and destroy--a project they pursued with zeal and brutality.
In The Subversive Seventies (Oxford UP, 2023), Michael Hardt sets out to show that popular understandings of the political movements of the seventies--often seen as fractious, violent, and largely unsuccessful--are not just inaccurate, but foreclose valuable lessons for the political struggles of today. While many accounts of the 1970s have been written about the regimes of domination that emerged throughout the decade, Hardt approaches the subversive from the perspectives of those who sought to undermine the base of established authority and transform the fundamental structures of society. In so doing, he provides a novel account of the theoretical and practical projects of liberation that still speak to us today, too many of which have been all but forgotten.
Departing from popular and scholarly accounts that focus on the social movements of the 1960s, Hardt argues that the 1970s offers an inspiring and useful guide for contemporary radical political thought and action. Although we can still learn much from the movements of the sixties, that decade's struggles for peace, justice, and freedom fundamentally marked the end of an era. The movements of the seventies, in contrast, responded directly to emerging neoliberal frameworks and other structures of power that continue to rule over us today. They identified and confronted political problems that remain central for us. The 1970s, in this sense, marks the beginning of our time. Looking at a wide range of movements around the globe, from the United States, to Guinea Bissau, South Korea, Chile, Turkey, and Italy, The Subversive Seventies provides a reassessment of the political action of the 1970s that sheds new light not only on our revolutionary past but also on what liberation can be and do today.
Michael Hardt teaches political theory in the Literature Program at Duke University. He is co-author, with Antonio Negri, of the Empire trilogy and, most recently, Assembly. He is co-director with Sandro Mezzadra of The Social Movements Lab.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A thought-provoking reconsideration of how the revolutionary movements of the 1970s set the mold for today's activism.</p><p>The 1970s was a decade of "subversives". Faced with various progressive and revolutionary social movements, the forces of order--politicians, law enforcement, journalists, and conservative intellectuals--saw subversives everywhere. From indigenous peasant armies and gay liberation organizations, to anti-nuclear activists and Black liberation militants, subversives challenged authority, laid siege to the established order, and undermined time-honored ways of life. Every corner of the left was fertile ground for subversive elements, which the forces of order had to root out and destroy--a project they pursued with zeal and brutality.</p><p>In <a href="https://bookshop.org/a/12343/9780197674659"><em>The Subversive Seventies</em></a> (Oxford UP, 2023), Michael Hardt sets out to show that popular understandings of the political movements of the seventies--often seen as fractious, violent, and largely unsuccessful--are not just inaccurate, but foreclose valuable lessons for the political struggles of today. While many accounts of the 1970s have been written about the regimes of domination that emerged throughout the decade, Hardt approaches the subversive from the perspectives of those who sought to undermine the base of established authority and transform the fundamental structures of society. In so doing, he provides a novel account of the theoretical and practical projects of liberation that still speak to us today, too many of which have been all but forgotten.</p><p>Departing from popular and scholarly accounts that focus on the social movements of the 1960s, Hardt argues that the 1970s offers an inspiring and useful guide for contemporary radical political thought and action. Although we can still learn much from the movements of the sixties, that decade's struggles for peace, justice, and freedom fundamentally marked the end of an era. The movements of the seventies, in contrast, responded directly to emerging neoliberal frameworks and other structures of power that continue to rule over us today. They identified and confronted political problems that remain central for us. The 1970s, in this sense, marks the beginning of our time. Looking at a wide range of movements around the globe, from the United States, to Guinea Bissau, South Korea, Chile, Turkey, and Italy, <em>The</em> <em>Subversive Seventies </em>provides a reassessment of the political action of the 1970s that sheds new light not only on our revolutionary past but also on what liberation can be and do today.</p><p><strong>Michael Hardt </strong>teaches political theory in the Literature Program at Duke University. He is co-author, with Antonio Negri, of the Empire trilogy and, most recently, <em>Assembly</em>. He is co-director with Sandro Mezzadra of The Social Movements Lab.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5094</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0f989f26-9485-11ef-985e-e77c35eabfd4]]></guid>
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    </item>
    <item>
      <title>Kostas Kampourakis, "Ancestry Reimagined: Dismantling the Myth of Genetic Ethnicities" (Oxford UP, 2023)</title>
      <description>Recent social and political psychological research indicates that increased access to ancestry testing has strengthened the notion of genetic essentialism among some groups, or the idea that our biology ties us to particular ethnic identities. This can boost a sense of cultural pride and prosocial behaviors among communities that are perceived to be similar. In the worst-case scenarios, however, this phenomenon can contribute to deeper social woes like misinformation, anti-science agendas, and even social hatred among those who believe in racial superiority. 
Using research from both the social sciences and the genetics literature as support, Ancestry Reimagined: Dismantling the Myth of Genetic Ethnicities (Oxford University Press, 2023) establishes realistic expectations about what we can learn from our DNA as a foundation for examining the psychological impact of ancestry testing, including the differences between how this information is perceived versus its reality. With this book, Dr. Kampourakis flexes his muscles as an esteemed interdisciplinary science educator and author to challenge these traditional social constructs, using the current genetic testing science as a myth busting tool.
Kampourakis argues that DNA ancestry testing cannot reveal a person's true ethnic identity because ethnic groups are socially and culturally constructed. In 10 accessible chapters, he explains the assumptions underlying the scientific study of ancestry, and the resulting paradoxes that are often overlooked. What the study of human DNA mostly shows is that human DNA variation is continuous, and it is not possible to clearly delimit ethnic groups based on DNA data. As a result, we all are members of a huge, extended family, and not of genetically distinct ethnic groups. What ancestry tests can provide are probabilistic estimations of similarities between the test-takers and particular reference populations. This does not devalue the results of these tests, however, because they can indeed provide some valuable information to people who may not know much about their ancestors. In fact, what the tests are very good at doing is finding close relatives, and this is perhaps why the whole enterprise should be rebranded as family, not ancestry, testing. Ultimately, this book reveals that genetic essentialism, biological ethnic identities, racial superiority, and similar social constructs are scientifically unsupported
Kostas Kampourakis is the author and editor of several books about evolution, genetics, philosophy and history of science, as well as the editor of the Cambridge University Press book series Understanding Life. He teaches biology and science education courses at the University of Geneva
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 27 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>490</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kostas Kampourakis</itunes:subtitle>
      <itunes:summary>Recent social and political psychological research indicates that increased access to ancestry testing has strengthened the notion of genetic essentialism among some groups, or the idea that our biology ties us to particular ethnic identities. This can boost a sense of cultural pride and prosocial behaviors among communities that are perceived to be similar. In the worst-case scenarios, however, this phenomenon can contribute to deeper social woes like misinformation, anti-science agendas, and even social hatred among those who believe in racial superiority. 
Using research from both the social sciences and the genetics literature as support, Ancestry Reimagined: Dismantling the Myth of Genetic Ethnicities (Oxford University Press, 2023) establishes realistic expectations about what we can learn from our DNA as a foundation for examining the psychological impact of ancestry testing, including the differences between how this information is perceived versus its reality. With this book, Dr. Kampourakis flexes his muscles as an esteemed interdisciplinary science educator and author to challenge these traditional social constructs, using the current genetic testing science as a myth busting tool.
Kampourakis argues that DNA ancestry testing cannot reveal a person's true ethnic identity because ethnic groups are socially and culturally constructed. In 10 accessible chapters, he explains the assumptions underlying the scientific study of ancestry, and the resulting paradoxes that are often overlooked. What the study of human DNA mostly shows is that human DNA variation is continuous, and it is not possible to clearly delimit ethnic groups based on DNA data. As a result, we all are members of a huge, extended family, and not of genetically distinct ethnic groups. What ancestry tests can provide are probabilistic estimations of similarities between the test-takers and particular reference populations. This does not devalue the results of these tests, however, because they can indeed provide some valuable information to people who may not know much about their ancestors. In fact, what the tests are very good at doing is finding close relatives, and this is perhaps why the whole enterprise should be rebranded as family, not ancestry, testing. Ultimately, this book reveals that genetic essentialism, biological ethnic identities, racial superiority, and similar social constructs are scientifically unsupported
Kostas Kampourakis is the author and editor of several books about evolution, genetics, philosophy and history of science, as well as the editor of the Cambridge University Press book series Understanding Life. He teaches biology and science education courses at the University of Geneva
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Recent social and political psychological research indicates that increased access to ancestry testing has strengthened the notion of genetic essentialism among some groups, or the idea that our biology ties us to particular ethnic identities. This can boost a sense of cultural pride and prosocial behaviors among communities that are perceived to be similar. In the worst-case scenarios, however, this phenomenon can contribute to deeper social woes like misinformation, anti-science agendas, and even social hatred among those who believe in racial superiority. </p><p>Using research from both the social sciences and the genetics literature as support, <a href="https://bookshop.org/a/12343/9780197656341"><em>Ancestry Reimagined: Dismantling the Myth of Genetic Ethnicities</em></a><em> </em>(Oxford University Press, 2023)<em> </em>establishes realistic expectations about what we can learn from our DNA as a foundation for examining the psychological impact of ancestry testing, including the differences between how this information is perceived versus its reality. With this book, Dr. Kampourakis flexes his muscles as an esteemed interdisciplinary science educator and author to challenge these traditional social constructs, using the current genetic testing science as a myth busting tool.</p><p>Kampourakis argues that DNA ancestry testing cannot reveal a person's true ethnic identity because ethnic groups are socially and culturally constructed. In 10 accessible chapters, he explains the assumptions underlying the scientific study of ancestry, and the resulting paradoxes that are often overlooked. What the study of human DNA mostly shows is that human DNA variation is continuous, and it is not possible to clearly delimit ethnic groups based on DNA data. As a result, we all are members of a huge, extended family, and not of genetically distinct ethnic groups. What ancestry tests can provide are probabilistic estimations of similarities between the test-takers and particular reference populations. This does not devalue the results of these tests, however, because they can indeed provide some valuable information to people who may not know much about their ancestors. In fact, what the tests are very good at doing is finding close relatives, and this is perhaps why the whole enterprise should be rebranded as family, not ancestry, testing. Ultimately, this book reveals that genetic essentialism, biological ethnic identities, racial superiority, and similar social constructs are scientifically unsupported</p><p>Kostas Kampourakis is the author and editor of several books about evolution, genetics, philosophy and history of science, as well as the editor of the Cambridge University Press book series Understanding Life. He teaches biology and science education courses at the University of Geneva</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2397</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7070993e-92eb-11ef-958f-1758c784e971]]></guid>
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      <title>Andrew deWaard, "Derivative Media: How Wall Street Devours Culture" (U California Press, 2024)</title>
      <description>Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, Derivative Media: How Wall Street Devours Culture (University of California Press, 2024) offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music—and provides a plan to reverse this dire threat to culture.
A free digital version of this title is available here.
Andrew deWaard is Assistant Professor of Media and Popular Culture at the University of California, San Diego, and coauthor of The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape.
Peter C. Kunze is assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 27 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An Interview with Andrew deWaard</itunes:subtitle>
      <itunes:summary>Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, Derivative Media: How Wall Street Devours Culture (University of California Press, 2024) offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music—and provides a plan to reverse this dire threat to culture.
A free digital version of this title is available here.
Andrew deWaard is Assistant Professor of Media and Popular Culture at the University of California, San Diego, and coauthor of The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape.
Peter C. Kunze is assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, <a href="https://bookshop.org/a/12343/9780520392472"><em>Derivative Media: How Wall Street Devours Culture</em></a><em> </em>(University of California Press, 2024) offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music—and provides a plan to reverse this dire threat to culture.</p><p>A free digital version of this title is available <a href="https://webfiles.ucpress.edu/oa/9780520392489_WEB.pdf">here</a>.</p><p>Andrew deWaard is Assistant Professor of Media and Popular Culture at the University of California, San Diego, and coauthor of The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape.</p><p><em>Peter C. Kunze is assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4787</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0ab8499a-9311-11ef-a06b-0756d3927b51]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3268227346.mp3?updated=1729884723" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matilde Masso, "Contested Money: Towards a New Social Contract" (Routledge, 2023)</title>
      <description>Discussing money is always accompanied by controversy as well as enchantment. Debating what money is and how it performs its main functions in the contemporary economy is fundamental to understanding the social consequences of money transformation associated with the digital revolution. This book explores the links between the current and prospective properties of money, its production, and its relationship to the concepts of value, the common good, and innovation.
Contested Money: Towards a New Social Contract (Routledge, 2023) opens a debate on the role that money could play in a different paradigm based on a renewed conception of monetary properties and functions that are capable of having a positive impact on social and individual welfare. Massó outlines the fundamentals of this monetary model, which would operate as a parallel currency, where the processes of monetary and value creation are connected in a new deal between the citizen and the state, grounded on an approach of reciprocal rights and responsibilities.
This book will appeal to scholars, students, and, more broadly, readers interested in a contemporary understanding of what money is, how it is being transformed, and the role that it can play in redefining the twenty-first-century social contract.
Matilde Massó is an Associate Professor of Sociology in the Department of Sociology and Communication Sciences at the University of A Coruña (UDC). Her main research interests focus on the transformations of money, the role of culture and emotions in economic processes, and how technological innovation is shaping a new conception of the economy concerning theories of justice. She has extensive experience leading research projects in economic sociology, particularly in financialization studies, the sociology of money, and financial innovation. Her recent publications include Contested Money (Routledge, 2024) and Why Money Matters? (Journal of Economic Issues, 2023). Additionally, she was awarded a Marie Curie IF Action in 2016.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 25 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>390</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matilde Masso</itunes:subtitle>
      <itunes:summary>Discussing money is always accompanied by controversy as well as enchantment. Debating what money is and how it performs its main functions in the contemporary economy is fundamental to understanding the social consequences of money transformation associated with the digital revolution. This book explores the links between the current and prospective properties of money, its production, and its relationship to the concepts of value, the common good, and innovation.
Contested Money: Towards a New Social Contract (Routledge, 2023) opens a debate on the role that money could play in a different paradigm based on a renewed conception of monetary properties and functions that are capable of having a positive impact on social and individual welfare. Massó outlines the fundamentals of this monetary model, which would operate as a parallel currency, where the processes of monetary and value creation are connected in a new deal between the citizen and the state, grounded on an approach of reciprocal rights and responsibilities.
This book will appeal to scholars, students, and, more broadly, readers interested in a contemporary understanding of what money is, how it is being transformed, and the role that it can play in redefining the twenty-first-century social contract.
Matilde Massó is an Associate Professor of Sociology in the Department of Sociology and Communication Sciences at the University of A Coruña (UDC). Her main research interests focus on the transformations of money, the role of culture and emotions in economic processes, and how technological innovation is shaping a new conception of the economy concerning theories of justice. She has extensive experience leading research projects in economic sociology, particularly in financialization studies, the sociology of money, and financial innovation. Her recent publications include Contested Money (Routledge, 2024) and Why Money Matters? (Journal of Economic Issues, 2023). Additionally, she was awarded a Marie Curie IF Action in 2016.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Discussing money is always accompanied by controversy as well as enchantment. Debating what money is and how it performs its main functions in the contemporary economy is fundamental to understanding the social consequences of money transformation associated with the digital revolution. This book explores the links between the current and prospective properties of money, its production, and its relationship to the concepts of value, the common good, and innovation.</p><p><a href="https://bookshop.org/a/12343/9780367375492"><em>Contested Money: Towards a New Social Contract</em> </a>(Routledge, 2023) opens a debate on the role that money could play in a different paradigm based on a renewed conception of monetary properties and functions that are capable of having a positive impact on social and individual welfare<em>. </em>Massó outlines the fundamentals of this monetary model, which would operate as a parallel currency, where the processes of monetary and value creation are connected in a new deal between the citizen and the state, grounded on an approach of reciprocal rights and responsibilities.</p><p>This book will appeal to scholars, students, and, more broadly, readers interested in a contemporary understanding of what money is, how it is being transformed, and the role that it can play in redefining the twenty-first-century social contract.</p><p><strong>Matilde Massó </strong>is an Associate Professor of Sociology in the Department of Sociology and Communication Sciences at the University of A Coruña (UDC). Her main research interests focus on the transformations of money, the role of culture and emotions in economic processes, and how technological innovation is shaping a new conception of the economy concerning theories of justice. She has extensive experience leading research projects in economic sociology, particularly in financialization studies, the sociology of money, and financial innovation. Her recent publications include <em>Contested Money</em> (Routledge, 2024) and <em>Why Money Matters?</em> (Journal of Economic Issues, 2023). Additionally, she was awarded a Marie Curie IF Action in 2016.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64cdb68c-917b-11ef-b04a-fb0e248fcbda]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1328116943.mp3?updated=1729714778" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Omer Aijazi, "Atmospheric Violence: Disaster and Repair in Kashmir" (U Pennsylvania Press, 2024)</title>
      <description>Atmospheric Violence: Disaster and Repair in Kashmir (U Pennsylvania Press, 2024) grapples with the afterlife of environmental disasters and armed conflict and examines how people attempt to flourish despite and alongside continuing violence. Departing from conventional approaches to the study of disaster and conflict that have dominated academic studies of Kashmir, Omer Aijazi’s ethnography of life in the borderlands instead explores possibilities for imagining life otherwise, in an environment where violence is everywhere, or atmospheric.

Drawing on extensive fieldwork in the portion of Kashmir under Pakistan’s control and its surrounding mountainscapes, the book takes us to two remote mountainous valleys that have been shaped by recurring environmental disasters, as well as by the landscape of no-go zones, army barracks, and security checkpoints of the contested India/Pakistan border. Through a series of interconnected scenes from the lives of five protagonists, all of whom are precariously situated within their families or societies and rarely enjoy the expected protections of state or community, Aijazi reveals the movements, flows, and intimacies sustained by a landscape that enables alternative modes of life. Blurring the distinctions between story, theory, and activism, he explores what emerges when theory becomes a project of seeing and feeling from the non-normative standpoint of those who, like the book’s protagonists, do not subscribe to the rules by which most others have come to know the world.

Bringing the critical study of disaster into conversation with a radical humanist anthropology and the capaciousness of affect theory, held accountable to Black studies and Indigenous studies, Aijazi offers a decolonial approach to disaster studies centering not on trauma and rupture but rather on repair—the social labor through which communities living with disaster refuse the conditions of death imposed upon them and create viable lives for themselves, even amidst constant diminishment and world-annihilation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 25 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Omer Aijazi</itunes:subtitle>
      <itunes:summary>Atmospheric Violence: Disaster and Repair in Kashmir (U Pennsylvania Press, 2024) grapples with the afterlife of environmental disasters and armed conflict and examines how people attempt to flourish despite and alongside continuing violence. Departing from conventional approaches to the study of disaster and conflict that have dominated academic studies of Kashmir, Omer Aijazi’s ethnography of life in the borderlands instead explores possibilities for imagining life otherwise, in an environment where violence is everywhere, or atmospheric.

Drawing on extensive fieldwork in the portion of Kashmir under Pakistan’s control and its surrounding mountainscapes, the book takes us to two remote mountainous valleys that have been shaped by recurring environmental disasters, as well as by the landscape of no-go zones, army barracks, and security checkpoints of the contested India/Pakistan border. Through a series of interconnected scenes from the lives of five protagonists, all of whom are precariously situated within their families or societies and rarely enjoy the expected protections of state or community, Aijazi reveals the movements, flows, and intimacies sustained by a landscape that enables alternative modes of life. Blurring the distinctions between story, theory, and activism, he explores what emerges when theory becomes a project of seeing and feeling from the non-normative standpoint of those who, like the book’s protagonists, do not subscribe to the rules by which most others have come to know the world.

Bringing the critical study of disaster into conversation with a radical humanist anthropology and the capaciousness of affect theory, held accountable to Black studies and Indigenous studies, Aijazi offers a decolonial approach to disaster studies centering not on trauma and rupture but rather on repair—the social labor through which communities living with disaster refuse the conditions of death imposed upon them and create viable lives for themselves, even amidst constant diminishment and world-annihilation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781512823608"><em>Atmospheric Violence: Disaster and Repair in Kashmir</em></a> (U Pennsylvania Press, 2024) grapples with the afterlife of environmental disasters and armed conflict and examines how people attempt to flourish despite and alongside continuing violence. Departing from conventional approaches to the study of disaster and conflict that have dominated academic studies of Kashmir, Omer Aijazi’s ethnography of life in the borderlands instead explores possibilities for imagining life otherwise, in an environment where violence is everywhere, or <em>atmospheric</em>.</p><p><br></p><p>Drawing on extensive fieldwork in the portion of Kashmir under Pakistan’s control and its surrounding mountainscapes, the book takes us to two remote mountainous valleys that have been shaped by recurring environmental disasters, as well as by the landscape of no-go zones, army barracks, and security checkpoints of the contested India/Pakistan border. Through a series of interconnected scenes from the lives of five protagonists, all of whom are precariously situated within their families or societies and rarely enjoy the expected protections of state or community, Aijazi reveals the movements, flows, and intimacies sustained by a landscape that enables alternative modes of life. Blurring the distinctions between story, theory, and activism, he explores what emerges when theory becomes a project of seeing and feeling from the non-normative standpoint of those who, like the book’s protagonists, do not subscribe to the rules by which most others have come to know the world.</p><p><br></p><p>Bringing the critical study of disaster into conversation with a radical humanist anthropology and the capaciousness of affect theory, held accountable to Black studies and Indigenous studies, Aijazi offers a decolonial approach to disaster studies centering not on trauma and rupture but rather on repair—the social labor through which communities living with disaster refuse the conditions of death imposed upon them and create viable lives for themselves, even amidst constant diminishment and world-annihilation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2222</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[98d5935e-9172-11ef-88f7-0b140ca15047]]></guid>
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    </item>
    <item>
      <title>Deborah Valenze, "The Invention of Scarcity: Malthus and the Margins of History" (Yale UP, 2023)</title>
      <description>A radical new reading of eighteenth-century British theorist Thomas Robert Malthus, which recovers diverse ideas about subsistence production and environments later eclipsed by classical economics
With the publication of Essay on the Principle of Population and its projection of food shortages in the face of ballooning populations, British theorist Thomas Robert Malthus secured a leading role in modern political and economic thought. In this startling new interpretation, Deborah Valenze reveals how canonical readings of Malthus fail to acknowledge his narrow understanding of what constitutes food production.
Valenze returns to the eighteenth-century contexts that generated his arguments, showing how Malthus mobilized a redemptive narrative of British historical development and dismissed the varied ways that people adapted to the challenges of subsistence needs. She uses history, anthropology, food studies, and animal studies to redirect our attention to the margins of Malthus’s essay, where activities such as hunting, gathering, herding, and gardening were rendered extraneous. She demonstrates how Malthus’s omissions and his subsequent canonization provided a rationale for colonial imposition of British agricultural models, regardless of environmental diversity.
By broadening our conception of human livelihoods, Valenze suggests pathways to resistance against the hegemony of Malthusian political economy. The Invention of Scarcity: Malthus and the Margins of History (Yale UP, 2023) invites us to imagine a world where monoculture is in retreat and the margins are recentered as spaces of experimentation, nimbleness, and human flourishing.
Deborah Valenze is the Ann Whitney Olin Professor of History at Barnard College. A recipient of numerous fellowships, she has written four previous books on British culture and economic life. She lives in Cambridge, MA, and New York City.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>229</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Deborah Valenze</itunes:subtitle>
      <itunes:summary>A radical new reading of eighteenth-century British theorist Thomas Robert Malthus, which recovers diverse ideas about subsistence production and environments later eclipsed by classical economics
With the publication of Essay on the Principle of Population and its projection of food shortages in the face of ballooning populations, British theorist Thomas Robert Malthus secured a leading role in modern political and economic thought. In this startling new interpretation, Deborah Valenze reveals how canonical readings of Malthus fail to acknowledge his narrow understanding of what constitutes food production.
Valenze returns to the eighteenth-century contexts that generated his arguments, showing how Malthus mobilized a redemptive narrative of British historical development and dismissed the varied ways that people adapted to the challenges of subsistence needs. She uses history, anthropology, food studies, and animal studies to redirect our attention to the margins of Malthus’s essay, where activities such as hunting, gathering, herding, and gardening were rendered extraneous. She demonstrates how Malthus’s omissions and his subsequent canonization provided a rationale for colonial imposition of British agricultural models, regardless of environmental diversity.
By broadening our conception of human livelihoods, Valenze suggests pathways to resistance against the hegemony of Malthusian political economy. The Invention of Scarcity: Malthus and the Margins of History (Yale UP, 2023) invites us to imagine a world where monoculture is in retreat and the margins are recentered as spaces of experimentation, nimbleness, and human flourishing.
Deborah Valenze is the Ann Whitney Olin Professor of History at Barnard College. A recipient of numerous fellowships, she has written four previous books on British culture and economic life. She lives in Cambridge, MA, and New York City.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A radical new reading of eighteenth-century British theorist Thomas Robert Malthus, which recovers diverse ideas about subsistence production and environments later eclipsed by classical economics</p><p>With the publication of <em>Essay on the Principle of Population</em> and its projection of food shortages in the face of ballooning populations, British theorist Thomas Robert Malthus secured a leading role in modern political and economic thought. In this startling new interpretation, Deborah Valenze reveals how canonical readings of Malthus fail to acknowledge his narrow understanding of what constitutes food production.</p><p>Valenze returns to the eighteenth-century contexts that generated his arguments, showing how Malthus mobilized a redemptive narrative of British historical development and dismissed the varied ways that people adapted to the challenges of subsistence needs. She uses history, anthropology, food studies, and animal studies to redirect our attention to the margins of Malthus’s essay, where activities such as hunting, gathering, herding, and gardening were rendered extraneous. She demonstrates how Malthus’s omissions and his subsequent canonization provided a rationale for colonial imposition of British agricultural models, regardless of environmental diversity.</p><p>By broadening our conception of human livelihoods, Valenze suggests pathways to resistance against the hegemony of Malthusian political economy. <a href="https://bookshop.org/a/12343/9780300246131"><em>The Invention of Scarcity: Malthus and the Margins of History</em></a><em> </em>(Yale UP, 2023) invites us to imagine a world where monoculture is in retreat and the margins are recentered as spaces of experimentation, nimbleness, and human flourishing.</p><p><strong>Deborah Valenze</strong> is the Ann Whitney Olin Professor of History at Barnard College. A recipient of numerous fellowships, she has written four previous books on British culture and economic life. She lives in Cambridge, MA, and New York City.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4179</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1612dbf2-9159-11ef-8cb4-fb139d79a0bf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6384814373.mp3?updated=1729703508" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The End of White Politics: How to Heal Our Liberal Divide</title>
      <description>In early June 2020, Christina Gessler and Zerlina Maxwell met remotely to discuss Maxwell’s soon-to-be-released book. This episode is an encore presentation of that discussion. As we watch the race to the 2024 United States presidential election, we revisit this conversation from four years ago to reconsider lessons learned and those ignored in the race to the 2020 presidential election.
Today’s book is: The End of White Politics: How to Heal Our Liberal Divide (Legacy Lit, 2020), by Zerlina Maxwell, which examines the past and present problems of the Left. After working on presidential campaigns for Barack Obama and Hillary Clinton, Maxwell gained first-hand knowledge of what liberals have and have not been doing right over the past few elections. Ultimately, these errors worked in President Donald Trump's favor in 2016; he ran a campaign on white identity politics, successfully tapping into white male angst and resistance. In 2020, after the Democratic Party's most historically diverse pool of presidential candidates dwindled down to Joe Biden, once again an older white man, Maxwell asked: what now, liberals? Fueled by Maxwell's trademark wit and candor, The End of White Politics dismantles the problems of the Left, challenging everyone from young "Bernie Bros" to power players in the "Billionaire Boys' Club." Whether tackling the white privilege that enabled Mayor Pete Buttigieg's presidential run, the controversial #HashtagActivism of the Millennial generation, the massive individual donations that sway politicians toward maintaining the status quo of income inequality, or the lingering racism that debilitated some Democratic presidential contenders and cut their promising campaigns short, Maxwell pulls no punches in her critique. Underlying all of these individual issues, Maxwell argues, is the "liberal-minded" party's struggle to engage women and communities of color, and its preoccupation with catering to the white, male working class that threatens to be its most lethal shortfall.
Our guest is: Zerlina Maxwell, the host of Mornings with Zerlina on Sirius XM, and the Director of Progressive Programming for SiriusXM. She was the Director of Progressive Media for Hillary Clinton’s 2016 presidential campaign, and acted as a campaign spokesperson for the Presidential Debates. She writes for a variety of national media outlets, is a frequent college campus speaker, and is the author of The End Of White Politics: How To Heal Our Liberal Divide. She has a law degree from Rutgers Law School Newark and a B.A. in International Relations from Tufts University.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Zerlina Maxwell</itunes:subtitle>
      <itunes:summary>In early June 2020, Christina Gessler and Zerlina Maxwell met remotely to discuss Maxwell’s soon-to-be-released book. This episode is an encore presentation of that discussion. As we watch the race to the 2024 United States presidential election, we revisit this conversation from four years ago to reconsider lessons learned and those ignored in the race to the 2020 presidential election.
Today’s book is: The End of White Politics: How to Heal Our Liberal Divide (Legacy Lit, 2020), by Zerlina Maxwell, which examines the past and present problems of the Left. After working on presidential campaigns for Barack Obama and Hillary Clinton, Maxwell gained first-hand knowledge of what liberals have and have not been doing right over the past few elections. Ultimately, these errors worked in President Donald Trump's favor in 2016; he ran a campaign on white identity politics, successfully tapping into white male angst and resistance. In 2020, after the Democratic Party's most historically diverse pool of presidential candidates dwindled down to Joe Biden, once again an older white man, Maxwell asked: what now, liberals? Fueled by Maxwell's trademark wit and candor, The End of White Politics dismantles the problems of the Left, challenging everyone from young "Bernie Bros" to power players in the "Billionaire Boys' Club." Whether tackling the white privilege that enabled Mayor Pete Buttigieg's presidential run, the controversial #HashtagActivism of the Millennial generation, the massive individual donations that sway politicians toward maintaining the status quo of income inequality, or the lingering racism that debilitated some Democratic presidential contenders and cut their promising campaigns short, Maxwell pulls no punches in her critique. Underlying all of these individual issues, Maxwell argues, is the "liberal-minded" party's struggle to engage women and communities of color, and its preoccupation with catering to the white, male working class that threatens to be its most lethal shortfall.
Our guest is: Zerlina Maxwell, the host of Mornings with Zerlina on Sirius XM, and the Director of Progressive Programming for SiriusXM. She was the Director of Progressive Media for Hillary Clinton’s 2016 presidential campaign, and acted as a campaign spokesperson for the Presidential Debates. She writes for a variety of national media outlets, is a frequent college campus speaker, and is the author of The End Of White Politics: How To Heal Our Liberal Divide. She has a law degree from Rutgers Law School Newark and a B.A. in International Relations from Tufts University.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In early June 2020, Christina Gessler and Zerlina Maxwell met remotely to discuss Maxwell’s soon-to-be-released book. This episode is an encore presentation of that discussion. As we watch the race to the 2024 United States presidential election, we revisit this conversation from four years ago to reconsider lessons learned and those ignored in the race to the 2020 presidential election.</p><p>Today’s book is: <a href="https://bookshop.org/a/12343/9780306873638"><em>The End of White Politics: How to Heal Our Liberal Divide</em></a><em> </em>(Legacy Lit, 2020), by Zerlina Maxwell, which examines the past and present problems of the Left. After working on presidential campaigns for Barack Obama and Hillary Clinton, Maxwell gained first-hand knowledge of what liberals have and have not been doing right over the past few elections. Ultimately, these errors worked in President Donald Trump's favor in 2016; he ran a campaign on white identity politics, successfully tapping into white male angst and resistance. In 2020, after the Democratic Party's most historically diverse pool of presidential candidates dwindled down to Joe Biden, once again an older white man, Maxwell asked: what now, liberals? Fueled by Maxwell's trademark wit and candor, <em>The End of White Politics</em> dismantles the problems of the Left, challenging everyone from young "Bernie Bros" to power players in the "Billionaire Boys' Club." Whether tackling the white privilege that enabled Mayor Pete Buttigieg's presidential run, the controversial #HashtagActivism of the Millennial generation, the massive individual donations that sway politicians toward maintaining the status quo of income inequality, or the lingering racism that debilitated some Democratic presidential contenders and cut their promising campaigns short, Maxwell pulls no punches in her critique. Underlying all of these individual issues, Maxwell argues, is the "liberal-minded" party's struggle to engage women and communities of color, and its preoccupation with catering to the white, male working class that threatens to be its most lethal shortfall.</p><p>Our guest is: Zerlina Maxwell, the host of <em>Mornings with Zerlina</em> on Sirius XM, and the Director of Progressive Programming for SiriusXM. She was the Director of Progressive Media for Hillary Clinton’s 2016 presidential campaign, and acted as a campaign spokesperson for the Presidential Debates. She writes for a variety of national media outlets, is a frequent college campus speaker, and is the author of <em>The End Of White Politics: How To Heal Our Liberal Divide</em>. She has a law degree from Rutgers Law School Newark and a B.A. in International Relations from Tufts University.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4480</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Adam Greenfield, "Lifehouse: Taking Care of Ourselves in a World on Fire" (Verso, 2024)</title>
      <description>In Lifehouse: Taking Care of Ourselves in a World on Fire (Verso, 2024), Adam Greenfield presents a compelling vision for collective resilience in an age of perpetual crisis. As we grapple with what Greenfield terms the "Long Emergency"—an era marked by cascading disasters from pandemics to climate-driven catastrophes—this timely book explores how we might reclaim agency and foster community in the face of overwhelming challenges.
Greenfield's central argument is both radical and deeply pragmatic: by synthesizing diverse tactics of mutual aid and community organizing, we can construct a coherent way of life that not only helps us survive but potentially thrive amidst upheaval. Drawing inspiration from a rich tapestry of historical and contemporary examples, he illustrates how grassroots networks of care and solidarity can serve as powerful bulwarks against despair and disempowerment.
The author takes readers on a journey through various models of collective action and self-organization. He examines the Black Panthers' survival programs and the remarkable effectiveness of Occupy Sandy's disaster relief efforts in the wake of Hurricane Sandy. Greenfield also highlights the crucial role played by neighborhood-based mutual aid groups during the COVID-19 lockdowns, demonstrating how local initiatives can fill gaps left by institutional failures.
However, Greenfield's vision extends beyond ad hoc responses to specific crises. He invites readers to consider larger-scale experiments in participatory democracy and communal living, such as the municipalist movements in Spain and the autonomous region of Rojava in Syria. These examples serve as proof of concept for alternative forms of social and political organization that prioritize collective well-being and ecological sustainability.
Lifehouse is both a manifesto and a call to action. It is an invitation to rediscover and nurture our individual and collective capacities that have long been suppressed under late capitalism. Greenfield argues that by building robust networks of mutual support and reimagining local power structures, we can create resilient communities capable of weathering the storms ahead.
This book arrives at a critical juncture as the effects of climate change become increasingly apparent and traditional institutions struggle to address mounting global challenges. Greenfield's work offers not just a critique of the current system but a roadmap for creating meaningful alternatives rooted in solidarity and shared purpose.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Greenfield</itunes:subtitle>
      <itunes:summary>In Lifehouse: Taking Care of Ourselves in a World on Fire (Verso, 2024), Adam Greenfield presents a compelling vision for collective resilience in an age of perpetual crisis. As we grapple with what Greenfield terms the "Long Emergency"—an era marked by cascading disasters from pandemics to climate-driven catastrophes—this timely book explores how we might reclaim agency and foster community in the face of overwhelming challenges.
Greenfield's central argument is both radical and deeply pragmatic: by synthesizing diverse tactics of mutual aid and community organizing, we can construct a coherent way of life that not only helps us survive but potentially thrive amidst upheaval. Drawing inspiration from a rich tapestry of historical and contemporary examples, he illustrates how grassroots networks of care and solidarity can serve as powerful bulwarks against despair and disempowerment.
The author takes readers on a journey through various models of collective action and self-organization. He examines the Black Panthers' survival programs and the remarkable effectiveness of Occupy Sandy's disaster relief efforts in the wake of Hurricane Sandy. Greenfield also highlights the crucial role played by neighborhood-based mutual aid groups during the COVID-19 lockdowns, demonstrating how local initiatives can fill gaps left by institutional failures.
However, Greenfield's vision extends beyond ad hoc responses to specific crises. He invites readers to consider larger-scale experiments in participatory democracy and communal living, such as the municipalist movements in Spain and the autonomous region of Rojava in Syria. These examples serve as proof of concept for alternative forms of social and political organization that prioritize collective well-being and ecological sustainability.
Lifehouse is both a manifesto and a call to action. It is an invitation to rediscover and nurture our individual and collective capacities that have long been suppressed under late capitalism. Greenfield argues that by building robust networks of mutual support and reimagining local power structures, we can create resilient communities capable of weathering the storms ahead.
This book arrives at a critical juncture as the effects of climate change become increasingly apparent and traditional institutions struggle to address mounting global challenges. Greenfield's work offers not just a critique of the current system but a roadmap for creating meaningful alternatives rooted in solidarity and shared purpose.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781788738354"><em>Lifehouse: Taking Care of Ourselves in a World on Fire</em></a> (Verso, 2024), Adam Greenfield presents a compelling vision for collective resilience in an age of perpetual crisis. As we grapple with what Greenfield terms the "Long Emergency"—an era marked by cascading disasters from pandemics to climate-driven catastrophes—this timely book explores how we might reclaim agency and foster community in the face of overwhelming challenges.</p><p>Greenfield's central argument is both radical and deeply pragmatic: by synthesizing diverse tactics of mutual aid and community organizing, we can construct a coherent way of life that not only helps us survive but potentially thrive amidst upheaval. Drawing inspiration from a rich tapestry of historical and contemporary examples, he illustrates how grassroots networks of care and solidarity can serve as powerful bulwarks against despair and disempowerment.</p><p>The author takes readers on a journey through various models of collective action and self-organization. He examines the Black Panthers' survival programs and the remarkable effectiveness of Occupy Sandy's disaster relief efforts in the wake of Hurricane Sandy. Greenfield also highlights the crucial role played by neighborhood-based mutual aid groups during the COVID-19 lockdowns, demonstrating how local initiatives can fill gaps left by institutional failures.</p><p>However, Greenfield's vision extends beyond ad hoc responses to specific crises. He invites readers to consider larger-scale experiments in participatory democracy and communal living, such as the municipalist movements in Spain and the autonomous region of Rojava in Syria. These examples serve as proof of concept for alternative forms of social and political organization that prioritize collective well-being and ecological sustainability.</p><p><em>Lifehouse</em> is both a manifesto and a call to action. It is an invitation to rediscover and nurture our individual and collective capacities that have long been suppressed under late capitalism. Greenfield argues that by building robust networks of mutual support and reimagining local power structures, we can create resilient communities capable of weathering the storms ahead.</p><p>This book arrives at a critical juncture as the effects of climate change become increasingly apparent and traditional institutions struggle to address mounting global challenges. Greenfield's work offers not just a critique of the current system but a roadmap for creating meaningful alternatives rooted in solidarity and shared purpose.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2816</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2652449908.mp3?updated=1729445279" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steven Levitsky, "Tyranny of the Minority: How to Reverse an Authoritarian Turn, and Forge a Democracy for All" (Crown, 2024)</title>
      <description>America is undergoing a massive experiment: It is moving, in fits and starts, toward a multiracial democracy, something few societies have ever done. But the prospect of change has sparked an authoritarian backlash that threatens the very foundations of our political system. Why is democracy under assault here, and not in other wealthy, diversifying nations? And what can we do to save it?
With the clarity and brilliance that made their first book, How Democracies Die, a global bestseller, Harvard professors Steven Levitsky and Daniel Ziblatt offer a coherent framework for understanding these volatile times. They draw on a wealth of examples—from 1930s France to present-day Thailand—to explain why and how political parties turn against democracy. They then show how our Constitution makes us uniquely vulnerable to attacks from within: It is a pernicious enabler of minority rule, allowing partisan minorities to consistently thwart and even rule over popular majorities. Most modern democracies—from Germany and Sweden to Argentina and New Zealand—have eliminated outdated institutions like elite upper chambers, indirect elections, and lifetime tenure for judges. The United States lags dangerously behind.
In Tyranny of the Minority: How to Reverse an Authoritarian Turn, and Forge a Democracy for All (Crown, 2024), Levitsky and Ziblatt issue an urgent call to reform our politics. It’s a daunting task, but we have remade our country before—most notably, after the Civil War and during the Progressive Era. And now we are at a crossroads: America will either become a multiracial democracy or cease to be a democracy at all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven Levitsky</itunes:subtitle>
      <itunes:summary>America is undergoing a massive experiment: It is moving, in fits and starts, toward a multiracial democracy, something few societies have ever done. But the prospect of change has sparked an authoritarian backlash that threatens the very foundations of our political system. Why is democracy under assault here, and not in other wealthy, diversifying nations? And what can we do to save it?
With the clarity and brilliance that made their first book, How Democracies Die, a global bestseller, Harvard professors Steven Levitsky and Daniel Ziblatt offer a coherent framework for understanding these volatile times. They draw on a wealth of examples—from 1930s France to present-day Thailand—to explain why and how political parties turn against democracy. They then show how our Constitution makes us uniquely vulnerable to attacks from within: It is a pernicious enabler of minority rule, allowing partisan minorities to consistently thwart and even rule over popular majorities. Most modern democracies—from Germany and Sweden to Argentina and New Zealand—have eliminated outdated institutions like elite upper chambers, indirect elections, and lifetime tenure for judges. The United States lags dangerously behind.
In Tyranny of the Minority: How to Reverse an Authoritarian Turn, and Forge a Democracy for All (Crown, 2024), Levitsky and Ziblatt issue an urgent call to reform our politics. It’s a daunting task, but we have remade our country before—most notably, after the Civil War and during the Progressive Era. And now we are at a crossroads: America will either become a multiracial democracy or cease to be a democracy at all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>America is undergoing a massive experiment: It is moving, in fits and starts, toward a multiracial democracy, something few societies have ever done. But the prospect of change has sparked an authoritarian backlash that threatens the very foundations of our political system. Why is democracy under assault here, and not in other wealthy, diversifying nations? And what can we do to save it?</p><p>With the clarity and brilliance that made their first book, <em>How Democracies Die,</em> a global bestseller, Harvard professors Steven Levitsky and Daniel Ziblatt offer a coherent framework for understanding these volatile times. They draw on a wealth of examples—from 1930s France to present-day Thailand—to explain why and how political parties turn against democracy. They then show how our Constitution makes us uniquely vulnerable to attacks from within: It is a pernicious enabler of minority rule, allowing partisan minorities to consistently thwart and even rule over popular majorities. Most modern democracies—from Germany and Sweden to Argentina and New Zealand—have eliminated outdated institutions like elite upper chambers, indirect elections, and lifetime tenure for judges. The United States lags dangerously behind.</p><p>In <a href="https://bookshop.org/a/12343/9780593443071">Tyranny of the Minority: How to Reverse an Authoritarian Turn, and Forge a Democracy for All </a>(Crown, 2024), Levitsky and Ziblatt issue an urgent call to reform our politics. It’s a daunting task, but we have remade our country before—most notably, after the Civil War and during the Progressive Era. And now we are at a crossroads: America will either become a multiracial democracy or cease to be a democracy at all.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2561</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e87a4a0a-8f18-11ef-9364-bbcb1473775a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8312117881.mp3?updated=1729452954" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vanessa Christina Wills, "Marx's Ethical Vision" (Oxford UP, 2024)</title>
      <description>Does Marx have a coherent ethical vision? How does that square with his sometimes-scathing dismissal of morality? What does his critique of capital have to do with ethics? Why is the proletariat the revolutionary class? What is the normative importance of that claim? 
In Marx’s Ethical Vision (Oxford University Press, 2024), Vanessa Wills provides a careful reconstruction of Marx’s understanding of human nature and the possibility of creating a world best suited to our flourishing. Working from Marx’s earliest texts through his last, Wills shows not only how Marx builds his understanding from material conditions in their historical specificity, but also how doing so can help guide efforts to change the world in ways that support individual growth, self-expression, and development as a universally shared project. Wills consistently argues against philosophical projects that try to salvage Marx’s valuable insights stripped of his method. Wills shows that the method by which Marx sought to understand the world and human nature as a force within it is integral to understanding his vision for what ought to be.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 21 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>356</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vanessa Christina Wills</itunes:subtitle>
      <itunes:summary>Does Marx have a coherent ethical vision? How does that square with his sometimes-scathing dismissal of morality? What does his critique of capital have to do with ethics? Why is the proletariat the revolutionary class? What is the normative importance of that claim? 
In Marx’s Ethical Vision (Oxford University Press, 2024), Vanessa Wills provides a careful reconstruction of Marx’s understanding of human nature and the possibility of creating a world best suited to our flourishing. Working from Marx’s earliest texts through his last, Wills shows not only how Marx builds his understanding from material conditions in their historical specificity, but also how doing so can help guide efforts to change the world in ways that support individual growth, self-expression, and development as a universally shared project. Wills consistently argues against philosophical projects that try to salvage Marx’s valuable insights stripped of his method. Wills shows that the method by which Marx sought to understand the world and human nature as a force within it is integral to understanding his vision for what ought to be.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does Marx have a coherent ethical vision? How does that square with his sometimes-scathing dismissal of morality? What does his critique of capital have to do with ethics? Why is the proletariat the revolutionary class? What is the normative importance of that claim? </p><p>In <a href="https://global.oup.com/academic/product/marxs-ethical-vision-9780197688144?cc=us&amp;lang=en&amp;"><em>Marx’s Ethical Vision</em></a> (Oxford University Press, 2024), Vanessa Wills provides a careful reconstruction of Marx’s understanding of human nature and the possibility of creating a world best suited to our flourishing. Working from Marx’s earliest texts through his last, Wills shows not only how Marx builds his understanding from material conditions in their historical specificity, but also how doing so can help guide efforts to change the world in ways that support individual growth, self-expression, and development as a universally shared project. Wills consistently argues against philosophical projects that try to salvage Marx’s valuable insights stripped of his method. Wills shows that the method by which Marx sought to understand the world and human nature as a force within it is integral to understanding his vision for what ought to be.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3491</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9e3642e8-8e26-11ef-a6e1-b34b3bac327e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8444148772.mp3?updated=1729348964" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Sanson, "Mobile Hollywood: Labor and the Geography of Production" (U California Press, 2024)</title>
      <description>What is the future of the film industry? In Mobile Hollywood Labor and the Geography of Production (U California Press, 2024), Kevin Sanson, Professor of Media Studies and Head of the School of Communication at Queensland University of Technology, examines the way Hollywood film production has become a global industry. The book theorises Hollywood as a distinct spatial assemblage, and examines the consequences of the rise of global, mobile film production for places and for workers. Offering a unique perspective on the challenges of this new mode of production, alongside insights on how ‘good work’ can be defended and preserved in media industries, the book is essential reading across the humanities and social sciences, as well as for anyone interested in media today. The book is also available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 20 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>489</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin Sanson</itunes:subtitle>
      <itunes:summary>What is the future of the film industry? In Mobile Hollywood Labor and the Geography of Production (U California Press, 2024), Kevin Sanson, Professor of Media Studies and Head of the School of Communication at Queensland University of Technology, examines the way Hollywood film production has become a global industry. The book theorises Hollywood as a distinct spatial assemblage, and examines the consequences of the rise of global, mobile film production for places and for workers. Offering a unique perspective on the challenges of this new mode of production, alongside insights on how ‘good work’ can be defended and preserved in media industries, the book is essential reading across the humanities and social sciences, as well as for anyone interested in media today. The book is also available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of the film industry? In <a href="https://bookshop.org/a/12343/9780520399006"><em>Mobile Hollywood Labor and the Geography of Production</em></a><em> </em>(U California Press, 2024), <a href="https://x.com/ksanson?lang=en">Kevin Sanson,</a> <a href="https://www.qut.edu.au/about/our-people/academic-profiles/k.sanson">Professor of Media Studies and Head of the School of Communication at Queensland University of Technology</a>, examines the way Hollywood film production has become a global industry. The book theorises Hollywood as a distinct spatial assemblage, and examines the consequences of the rise of global, mobile film production for places and for workers. Offering a unique perspective on the challenges of this new mode of production, alongside insights on how ‘good work’ can be defended and preserved in media industries, the book is essential reading across the humanities and social sciences, as well as for anyone interested in media today. The book is also available open access <a href="https://www.ucpress.edu/books/mobile-hollywood/paper">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ec007f74-8d73-11ef-99b0-f3e72e391ac7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3439615514.mp3?updated=1729272599" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Psychoanalytic Defense Mechanisms in James Baldwin’s "Tell Me How Long the Train's Been Gone"</title>
      <description>This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.
Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin's penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.
Tell Me How Long the Train's Been Gone is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.
It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, Where Do We Go From Here: Chaos or Community?
Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Psychoanalytic Perspectives on Racism in America: Episode 4</itunes:subtitle>
      <itunes:summary>This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.
Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin's penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.
Tell Me How Long the Train's Been Gone is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.
It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, Where Do We Go From Here: Chaos or Community?
Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This podcast describes a short history of a man who did something we’ve lost in America. That man was James Baldwin who insisted on telling the truth. He confronted the harsh realities of racism, believing that exposing its ugliness was necessary for progress. He rejected simplistic solutions, arguing that racism was deeply rooted in American consciousness and imagination, beyond just political and economic inequalities. Instead, Baldwin called for a fundamental transformation of American society and identity. He critiqued white America, urging white Americans to confront their own behavior and complicity in racist systems.</p><p>Controversially, Baldwin advocated for Black Americans to approach white countrymen with love, while still insisting on unconditional freedom, seeing this as necessary for true transformation. He ultimately wanted to build a nation that moved beyond racial categorization, focusing instead on individual humanity. Baldwin viewed racism as stemming from a deeper spiritual problem in America, where individuals and the nation lacked a true sense of identity. While he did not offer simple solutions to racism, Baldwin's penetrating analysis and powerful writing exposed the complexities of racism in our country, challenged both white and Black Americans to confront difficult truths, and provided a framework for understanding racism beyond just political reforms. His work continues to influence discussions on race in America today, aiming not to ameliorate racism in a superficial sense, but to push for a profound reckoning with and transformation of American society and identity in relation to race.</p><p><a href="https://bookshop.org/a/12343/9780375701894"><em>Tell Me How Long the Train's Been Gone</em></a> is a powerful novel that explores the complexities of race, sexuality, and identity in America through the life of its protagonist, Leo Proud/hammer. As the story begins, Leo, a successful African-American actor, suffers from a heart attack. As he recovers he reflects on his life and relationships.</p><p>It is also of interest to note how James Baldwin’s novel relates to Dr. Matin Luther King Jr.’s non-fiction book, <em>Where Do We Go From Here: Chaos or Community?</em></p><p>Both books are discussed in terms of the major contributions they made to racism in America as well as how they illustrate psychoanalytic mechanism of defense.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2436</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1272048532.mp3?updated=1728910509" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jamie Furlong and Will Jennings, "The Changing Electoral Map of England and Wales" (Oxford UP, 2024)</title>
      <description>What is the connection between where people live and how they vote? In The Changing Electoral Map of England and Wales (Oxford UP, 2024), Jamie Furlong a Research Fellow at the University of Westminster and Will Jennings Associate Dean Research &amp; Enterprise and Professor at the University of Southampton, analyse the continuities and changes in history of party support at general elections. The book uses a variety of methods- and a huge range of data- to critically interrogate the idea of ‘left behind’ places, as well as interrogating the long term social, economic, and cultural changes associated with those places and that idea. Rich in detail, including case studies of places that stand out within the overall trends, and accessibly written, the book is essential reading for anyone interested in contemporary politics.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 15 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>488</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jamie Furlong and Will Jennings</itunes:subtitle>
      <itunes:summary>What is the connection between where people live and how they vote? In The Changing Electoral Map of England and Wales (Oxford UP, 2024), Jamie Furlong a Research Fellow at the University of Westminster and Will Jennings Associate Dean Research &amp; Enterprise and Professor at the University of Southampton, analyse the continuities and changes in history of party support at general elections. The book uses a variety of methods- and a huge range of data- to critically interrogate the idea of ‘left behind’ places, as well as interrogating the long term social, economic, and cultural changes associated with those places and that idea. Rich in detail, including case studies of places that stand out within the overall trends, and accessibly written, the book is essential reading for anyone interested in contemporary politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the connection between where people live and how they vote? In <a href="https://bookshop.org/a/12343/9780198927082"><em>The Changing Electoral Map of England and Wales</em></a><em> </em>(Oxford UP, 2024), <a href="https://bsky.app/profile/jwfurlong.bsky.social">Jamie Furlong</a> a <a href="https://www.westminster.ac.uk/about-us/our-people/directory/furlong-jamie">Research Fellow at the University of Westminster</a> and <a href="https://bsky.app/profile/drjennings.bsky.social">Will Jennings</a> Associate Dean Research &amp; Enterprise and <a href="https://willjennings.substack.com/">Professor</a> at the <a href="https://www.southampton.ac.uk/people/5x8zrf/professor-will-jennings">University of Southampton</a>, analyse the continuities and changes in history of party support at general elections. The book uses a variety of methods- and a huge range of data- to critically interrogate the idea of ‘left behind’ places, as well as interrogating the long term social, economic, and cultural changes associated with those places and that idea. Rich in detail, including case studies of places that stand out within the overall trends, and accessibly written, the book is essential reading for anyone interested in contemporary politics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2902</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[332aaf6e-896e-11ef-9650-132374b0df87]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9085425523.mp3?updated=1728830205" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Theo Williams, "Making the Revolution Global: Black Radicalism and the British Socialist Movement before Decolonisation" (Verso, 2022)</title>
      <description>Theo Williams’ Making the Revolution Global: Black Radicalism and the British Socialist Movement before Decolonisation (Verso, 2022) shows how black radicals transformed socialist politics in Britain in the years before decolonisation. A history that runs from 1929 to the years after WWII here we see a number of significant activists and intellectuals such as George Padmore, C.L.R. James, Jomo Kenyatta and Amy Ashwood Garvey, establish significant groups on the British Left and how they related to the dominant groups in this field, most notably the Communist Party of Great Britian (CPGB) and the Independent Labour Party (ILP). As Williams shows, while these activists continually emphasised the need to combine international socialism with colonial liberation, these other groups were often resistant to this, with the CPGB responding to the shifting demands of international communism and the ILP facing internal splits on the role of colonialism. Despite these frustrations, these activists develop a significant radical tradition which doesn’t reject the British Left, but rather changes it, as the events during, and after WWII show.
As our conversation discusses Williams is encouraging us to reconsider this history, not just in order to correct the historical record and more fully account for the place of this black radical tradition within the British left, but also to think about the continuing impacts of decolonisation and what this may mean for contemporary demands to ‘decolonise the university’.
Your host Matt Dawson is Professor of Sociology at the University of Glasgow with research interests in social theory and the history of sociology. He is the author of a number of books, including G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 13 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>387</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Theo Williams</itunes:subtitle>
      <itunes:summary>Theo Williams’ Making the Revolution Global: Black Radicalism and the British Socialist Movement before Decolonisation (Verso, 2022) shows how black radicals transformed socialist politics in Britain in the years before decolonisation. A history that runs from 1929 to the years after WWII here we see a number of significant activists and intellectuals such as George Padmore, C.L.R. James, Jomo Kenyatta and Amy Ashwood Garvey, establish significant groups on the British Left and how they related to the dominant groups in this field, most notably the Communist Party of Great Britian (CPGB) and the Independent Labour Party (ILP). As Williams shows, while these activists continually emphasised the need to combine international socialism with colonial liberation, these other groups were often resistant to this, with the CPGB responding to the shifting demands of international communism and the ILP facing internal splits on the role of colonialism. Despite these frustrations, these activists develop a significant radical tradition which doesn’t reject the British Left, but rather changes it, as the events during, and after WWII show.
As our conversation discusses Williams is encouraging us to reconsider this history, not just in order to correct the historical record and more fully account for the place of this black radical tradition within the British left, but also to think about the continuing impacts of decolonisation and what this may mean for contemporary demands to ‘decolonise the university’.
Your host Matt Dawson is Professor of Sociology at the University of Glasgow with research interests in social theory and the history of sociology. He is the author of a number of books, including G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Theo Williams’ <a href="https://bookshop.org/a/12343/9781839761980"><em>Making the Revolution Global: Black Radicalism and the British Socialist Movement before Decolonisation</em></a> (Verso, 2022) shows how black radicals transformed socialist politics in Britain in the years before decolonisation. A history that runs from 1929 to the years after WWII here we see a number of significant activists and intellectuals such as George Padmore, C.L.R. James, Jomo Kenyatta and Amy Ashwood Garvey, establish significant groups on the British Left and how they related to the dominant groups in this field, most notably the Communist Party of Great Britian (CPGB) and the Independent Labour Party (ILP). As Williams shows, while these activists continually emphasised the need to combine international socialism with colonial liberation, these other groups were often resistant to this, with the CPGB responding to the shifting demands of international communism and the ILP facing internal splits on the role of colonialism. Despite these frustrations, these activists develop a significant radical tradition which doesn’t reject the British Left, but rather changes it, as the events during, and after WWII show.</p><p>As our conversation discusses Williams is encouraging us to reconsider this history, not just in order to correct the historical record and more fully account for the place of this black radical tradition within the British left, but also to think about the continuing impacts of decolonisation and what this may mean for contemporary demands to ‘decolonise the university’.</p><p>Your host <a href="https://www.gla.ac.uk/schools/socialpolitical/staff/mattdawson/">Matt Dawson</a> is Professor of Sociology at the University of Glasgow with research interests in social theory and the history of sociology. He is the author of a number of books, including <a href="https://link.springer.com/book/9783031754838">G.D.H. Cole and British Sociology: A Study in Semi-Alienation</a> (2024, Palgrave Macmillan)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3858</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sharad Chari, "Apartheid Remains" (Duke UP, 2024)</title>
      <description>Over the course of the 20th century, the South African state attempted to construct a “White Man’s Country” on the African continent using the biopolitical tools and spatial and economic planning strategies that characterized modern statecraft. My guest today, the geographer Sharad Chari, examines how racialized subaltern populations of Blacks, Indians, and coloureds resisted and circumvented these efforts to construct a racialized social order. At the same time, the book also examines how the legacies of Apartheid shape the experiences of denizens of South Africa’s cities today. Focusing on the Indian Ocean city of Durban from the turn of the 20th century, Apartheid Remains (Duke UP, 2024) is a rich historical and ethnographic account of racialized capitalist space-making and the resistance that it continues to provoke.
Sharad Chari is Associate Professor of Geography at UC Berkeley. He is also the author of Fraternal Capital: Peasant-workers, self-made men and globalization in provincial India (Stanford, 2004) and Gramsci at Sea (Minnesota, 2023). 
You can download Apartheid Remains for free here: https://library.oapen.org/hand...
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 13 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sharad Chari</itunes:subtitle>
      <itunes:summary>Over the course of the 20th century, the South African state attempted to construct a “White Man’s Country” on the African continent using the biopolitical tools and spatial and economic planning strategies that characterized modern statecraft. My guest today, the geographer Sharad Chari, examines how racialized subaltern populations of Blacks, Indians, and coloureds resisted and circumvented these efforts to construct a racialized social order. At the same time, the book also examines how the legacies of Apartheid shape the experiences of denizens of South Africa’s cities today. Focusing on the Indian Ocean city of Durban from the turn of the 20th century, Apartheid Remains (Duke UP, 2024) is a rich historical and ethnographic account of racialized capitalist space-making and the resistance that it continues to provoke.
Sharad Chari is Associate Professor of Geography at UC Berkeley. He is also the author of Fraternal Capital: Peasant-workers, self-made men and globalization in provincial India (Stanford, 2004) and Gramsci at Sea (Minnesota, 2023). 
You can download Apartheid Remains for free here: https://library.oapen.org/hand...
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the course of the 20th century, the South African state attempted to construct a “White Man’s Country” on the African continent using the biopolitical tools and spatial and economic planning strategies that characterized modern statecraft. My guest today, the geographer Sharad Chari, examines how racialized subaltern populations of Blacks, Indians, and coloureds resisted and circumvented these efforts to construct a racialized social order. At the same time, the book also examines how the legacies of Apartheid shape the experiences of denizens of South Africa’s cities today. Focusing on the Indian Ocean city of Durban from the turn of the 20th century, <a href="https://bookshop.org/a/12343/9781478026174"><em>Apartheid Remains</em></a><em> </em>(Duke UP, 2024) is a rich historical and ethnographic account of racialized capitalist space-making and the resistance that it continues to provoke.</p><p>Sharad Chari is Associate Professor of Geography at UC Berkeley. He is also the author of <em>Fraternal Capital: Peasant-workers, self-made men and globalization in provincial India </em>(Stanford, 2004) and <em>Gramsci at Sea</em> (Minnesota, 2023). </p><p>You can download <em>Apartheid Remains </em>for free here: <a href="https://library.oapen.org/handle/20.500.12657/90271">https://library.oapen.org/hand...</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4712</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f1ba5060-8815-11ef-8f36-13190121027d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4986843343.mp3?updated=1728683479" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Cutrone, "Marxism and Politics: Essays on Critical Theory 2006-2024" (Sublation Media, 2024)</title>
      <description>Capitalism is a revolutionary situation of the last stage of pre-history, and the potential and possibility for freedom, or else it is just what Hegel said history has always been: the slaughter-bench of everything good and virtuous humanity has ever achieved. Marxism defined itself as the critical self-consciousness of this task of socialism in capitalism, but this has been eclipsed by the mere moral condemnation of catastrophe. This happened as a result of Marxism's own failure, over a hundred years ago, to make good on the crisis. This pattern has repeated itself since then, in ever more obscure ways. 
Chris Cutrone's Marxism and Politics: Essays on Critical Theory 2006-2024 (Sublation Media, 2024) span the time of the Millennial Left's abortive search to rediscover a true politics for socialism in the history of Marxism: the attempted recovery of a lost revolutionary tradition. Cutrone's participation as a teacher alongside this journey into the heart of Marxism was guided by the Millennial investigation into controversial and divisive figures such as Vladimir Lenin, Rosa Luxembourg, Leon Trotsky, Georg Lukacs, Theodor Adorno and the Frankfurt School, and Marx himself. The question of a political party for socialism loomed large--but was abandoned. Readers of these essays will find no taboo unchallenged, as every aspect of Marxism's accumulated wreckage is underwritten by the red thread and haunting memory of what was once the world-historical character of socialist revolution. Can this Marxist "message in a bottle" cast adrift by hisotry yet be received?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 12 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>487</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Cutrone</itunes:subtitle>
      <itunes:summary>Capitalism is a revolutionary situation of the last stage of pre-history, and the potential and possibility for freedom, or else it is just what Hegel said history has always been: the slaughter-bench of everything good and virtuous humanity has ever achieved. Marxism defined itself as the critical self-consciousness of this task of socialism in capitalism, but this has been eclipsed by the mere moral condemnation of catastrophe. This happened as a result of Marxism's own failure, over a hundred years ago, to make good on the crisis. This pattern has repeated itself since then, in ever more obscure ways. 
Chris Cutrone's Marxism and Politics: Essays on Critical Theory 2006-2024 (Sublation Media, 2024) span the time of the Millennial Left's abortive search to rediscover a true politics for socialism in the history of Marxism: the attempted recovery of a lost revolutionary tradition. Cutrone's participation as a teacher alongside this journey into the heart of Marxism was guided by the Millennial investigation into controversial and divisive figures such as Vladimir Lenin, Rosa Luxembourg, Leon Trotsky, Georg Lukacs, Theodor Adorno and the Frankfurt School, and Marx himself. The question of a political party for socialism loomed large--but was abandoned. Readers of these essays will find no taboo unchallenged, as every aspect of Marxism's accumulated wreckage is underwritten by the red thread and haunting memory of what was once the world-historical character of socialist revolution. Can this Marxist "message in a bottle" cast adrift by hisotry yet be received?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Capitalism is a revolutionary situation of the last stage of pre-history, and the potential and possibility for freedom, or else it is just what Hegel said history has always been: the slaughter-bench of everything good and virtuous humanity has ever achieved. Marxism defined itself as the critical self-consciousness of this task of socialism in capitalism, but this has been eclipsed by the mere moral condemnation of catastrophe. This happened as a result of Marxism's own failure, over a hundred years ago, to make good on the crisis. This pattern has repeated itself since then, in ever more obscure ways. </p><p>Chris Cutrone's <a href="https://bookshop.org/a/12343/9798990159112"><em>Marxism and Politics: Essays on Critical Theory 2006-2024</em> </a>(Sublation Media, 2024) span the time of the Millennial Left's abortive search to rediscover a true politics for socialism in the history of Marxism: the attempted recovery of a lost revolutionary tradition. Cutrone's participation as a teacher alongside this journey into the heart of Marxism was guided by the Millennial investigation into controversial and divisive figures such as Vladimir Lenin, Rosa Luxembourg, Leon Trotsky, Georg Lukacs, Theodor Adorno and the Frankfurt School, and Marx himself. The question of a political party for socialism loomed large--but was abandoned. Readers of these essays will find no taboo unchallenged, as every aspect of Marxism's accumulated wreckage is underwritten by the red thread and haunting memory of what was once the world-historical character of socialist revolution. Can this Marxist "message in a bottle" cast adrift by hisotry yet be received?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2528</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[34eb2d22-8745-11ef-9b9a-a7372f433406]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3642920212.mp3?updated=1728592391" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eunsong Kim, "The Politics of Collecting: Race and the Aestheticization of Property" (Duke UP, 2024)</title>
      <description>In The Politics of Collecting: Race and the Aestheticization of Property (Duke University Press, 2024), Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
Eunsong Kim is Associate Professor of English at Northeastern University.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 12 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eunsong Kim</itunes:subtitle>
      <itunes:summary>In The Politics of Collecting: Race and the Aestheticization of Property (Duke University Press, 2024), Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
Eunsong Kim is Associate Professor of English at Northeastern University.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/the-politics-of-collecting"><em>The Politics of Collecting: Race and the Aestheticization of Property</em></a> (Duke University Press, 2024), Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.</p><p>Eunsong Kim is Associate Professor of English at Northeastern University.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4610</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ryan Emanuel, "On the Swamp: Fighting for Indigenous Environmental Justice" (UNC Press, 2024)</title>
      <description>Despite centuries of colonialism, Indigenous peoples still occupy parts of their ancestral homelands in what is now Eastern North Carolina--a patchwork quilt of forested swamps, sandy plains, and blackwater streams that spreads across the Coastal Plain between the Fall Line and the Atlantic Ocean. In these backwaters, Lumbees and other American Indians have adapted to a radically transformed world while maintaining vibrant cultures and powerful connections to land and water. This reality is paralleled in Indigenous communities worldwide as Indigenous people continue to assert their rights to self-determination by resisting legacies of colonialism and the continued transformation of their homelands through pollution, unsustainable development, and climate change. 
In On the Swamp: Fighting for Indigenous Environmental Justice (UNC Press, 2024), environmental scientist Ryan Emanuel, a member of the Lumbee tribe, shares stories from North Carolina about Indigenous survival and resilience in the face of radical environmental changes. Addressing issues from the loss of wetlands to the arrival of gas pipelines, these stories connect the dots between historic patterns of Indigenous oppression and present-day efforts to promote environmental justice and Indigenous rights on the swamp. Emanuel's scientific insight and deeply personal connections to his home blend together in a book that is both a heartfelt and an analytical call to acknowledge and protect sacred places.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ryan Emanuel</itunes:subtitle>
      <itunes:summary>Despite centuries of colonialism, Indigenous peoples still occupy parts of their ancestral homelands in what is now Eastern North Carolina--a patchwork quilt of forested swamps, sandy plains, and blackwater streams that spreads across the Coastal Plain between the Fall Line and the Atlantic Ocean. In these backwaters, Lumbees and other American Indians have adapted to a radically transformed world while maintaining vibrant cultures and powerful connections to land and water. This reality is paralleled in Indigenous communities worldwide as Indigenous people continue to assert their rights to self-determination by resisting legacies of colonialism and the continued transformation of their homelands through pollution, unsustainable development, and climate change. 
In On the Swamp: Fighting for Indigenous Environmental Justice (UNC Press, 2024), environmental scientist Ryan Emanuel, a member of the Lumbee tribe, shares stories from North Carolina about Indigenous survival and resilience in the face of radical environmental changes. Addressing issues from the loss of wetlands to the arrival of gas pipelines, these stories connect the dots between historic patterns of Indigenous oppression and present-day efforts to promote environmental justice and Indigenous rights on the swamp. Emanuel's scientific insight and deeply personal connections to his home blend together in a book that is both a heartfelt and an analytical call to acknowledge and protect sacred places.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite centuries of colonialism, Indigenous peoples still occupy parts of their ancestral homelands in what is now Eastern North Carolina--a patchwork quilt of forested swamps, sandy plains, and blackwater streams that spreads across the Coastal Plain between the Fall Line and the Atlantic Ocean. In these backwaters, Lumbees and other American Indians have adapted to a radically transformed world while maintaining vibrant cultures and powerful connections to land and water. This reality is paralleled in Indigenous communities worldwide as Indigenous people continue to assert their rights to self-determination by resisting legacies of colonialism and the continued transformation of their homelands through pollution, unsustainable development, and climate change. </p><p>In <a href="https://bookshop.org/a/12343/9781469678320"><em>On the Swamp: Fighting for Indigenous Environmental Justice</em></a><em> </em>(UNC Press, 2024), environmental scientist Ryan Emanuel, a member of the Lumbee tribe, shares stories from North Carolina about Indigenous survival and resilience in the face of radical environmental changes. Addressing issues from the loss of wetlands to the arrival of gas pipelines, these stories connect the dots between historic patterns of Indigenous oppression and present-day efforts to promote environmental justice and Indigenous rights on the swamp. Emanuel's scientific insight and deeply personal connections to his home blend together in a book that is both a heartfelt and an analytical call to acknowledge and protect sacred places.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2615</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0b16a4b4-85a0-11ef-8479-4f04c3c2817f]]></guid>
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    </item>
    <item>
      <title>Chris Benner and Manuel Pastor, "Charging Forward: Lithium Valley, Electric Vehicles, and a Just Future" (The New Press, 2024)</title>
      <description>A clarion call for justice in the quest for clean energy California’s Salton Sea region is home to some of the worst environmental health conditions in the country. Recently, however, it has also become ground zero in the new “lithium gold rush”—the race to power the rapidly expanding electric vehicle and renewable energy storage market. The immense quantities of lithium lurking beneath the surface have led to predictions that the region could provide a third of global demand. But who will benefit from the development of this precious resource? 
A work of stunning analysis and reporting, Charging Forward: Lithium Valley, Electric Vehicles, and a Just Future (The New Press, 2024) shows that the questions raised by Lithium Valley lie at the heart of the “green transition.” Weaving together movement politics, federal policy, and autoworker struggles, noted experts Chris Benner and Manuel Pastor stress that getting the lithium out from under the earth is just a first step: the real question is whether the region and the nation will get out from under the environmental degradation, labor exploitation, and racial injustice that have been as much a part of the landscape as the Salton Sea itself. What happens in Lithium Valley, the authors argue, will not stay there. This tiny patch of California is a microcosm of the broad climate challenges we face; understanding Lithium Valley today is the key to grasping the future of our economy and our planet.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Benner and Manuel Pastor</itunes:subtitle>
      <itunes:summary>A clarion call for justice in the quest for clean energy California’s Salton Sea region is home to some of the worst environmental health conditions in the country. Recently, however, it has also become ground zero in the new “lithium gold rush”—the race to power the rapidly expanding electric vehicle and renewable energy storage market. The immense quantities of lithium lurking beneath the surface have led to predictions that the region could provide a third of global demand. But who will benefit from the development of this precious resource? 
A work of stunning analysis and reporting, Charging Forward: Lithium Valley, Electric Vehicles, and a Just Future (The New Press, 2024) shows that the questions raised by Lithium Valley lie at the heart of the “green transition.” Weaving together movement politics, federal policy, and autoworker struggles, noted experts Chris Benner and Manuel Pastor stress that getting the lithium out from under the earth is just a first step: the real question is whether the region and the nation will get out from under the environmental degradation, labor exploitation, and racial injustice that have been as much a part of the landscape as the Salton Sea itself. What happens in Lithium Valley, the authors argue, will not stay there. This tiny patch of California is a microcosm of the broad climate challenges we face; understanding Lithium Valley today is the key to grasping the future of our economy and our planet.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A clarion call for justice in the quest for clean energy California’s Salton Sea region is home to some of the worst environmental health conditions in the country. Recently, however, it has also become ground zero in the new “lithium gold rush”—the race to power the rapidly expanding electric vehicle and renewable energy storage market. The immense quantities of lithium lurking beneath the surface have led to predictions that the region could provide a third of global demand. But who will benefit from the development of this precious resource? </p><p>A work of stunning analysis and reporting, <a href="https://bookshop.org/a/12343/9781620978740"><em>Charging Forward: Lithium Valley, Electric Vehicles, and a Just Future</em></a> (The New Press, 2024) shows that the questions raised by Lithium Valley lie at the heart of the “green transition.” Weaving together movement politics, federal policy, and autoworker struggles, noted experts Chris Benner and Manuel Pastor stress that getting the lithium out from under the earth is just a first step: the real question is whether the region and the nation will get out from under the environmental degradation, labor exploitation, and racial injustice that have been as much a part of the landscape as the Salton Sea itself. What happens in Lithium Valley, the authors argue, will not stay there. This tiny patch of California is a microcosm of the broad climate challenges we face; understanding Lithium Valley today is the key to grasping the future of our economy and our planet.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1901</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8fb2dd8-85ae-11ef-bed3-37f274dac1fc]]></guid>
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    </item>
    <item>
      <title>Frank R. Baumgartner, “Suspect Citizens: What 20 Million Traffic Stops Tell Us about Policing and Race” (Cambridge UP, 2018)</title>
      <description>We recently marked the 50th Anniversary of Terry vs. Ohio, the US Supreme Court case that dramatically expanded the scope under which agents of the state could stop people and search them. Taking advantage of a North Carolina law that required the collection of demographic data on those detained by the police during routine traffic stops, Frank Baumgartner and his colleagues analyzed twenty million such stops from 2002-2016. They present the results of this research in Suspect Citizens: What 20 Million Traffic Stops Tell Us about Policing and Race (Cambridge University Press, 2018). Join us as we speak with Baumgartner about what they found—and what we can do to reduce the most discriminatory features of the practice.

Stephen Pimpare is Senior Lecturer in the Politics and Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).
 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frank R. Baumgartner</itunes:subtitle>
      <itunes:summary>We recently marked the 50th Anniversary of Terry vs. Ohio, the US Supreme Court case that dramatically expanded the scope under which agents of the state could stop people and search them. Taking advantage of a North Carolina law that required the collection of demographic data on those detained by the police during routine traffic stops, Frank Baumgartner and his colleagues analyzed twenty million such stops from 2002-2016. They present the results of this research in Suspect Citizens: What 20 Million Traffic Stops Tell Us about Policing and Race (Cambridge University Press, 2018). Join us as we speak with Baumgartner about what they found—and what we can do to reduce the most discriminatory features of the practice.

Stephen Pimpare is Senior Lecturer in the Politics and Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We recently marked the 50th Anniversary of Terry vs. Ohio, the US Supreme Court case that dramatically expanded the scope under which agents of the state could stop people and search them. Taking advantage of a North Carolina law that required the collection of demographic data on those detained by the police during routine traffic stops, <a href="https://www.unc.edu/~fbaum/">Frank Baumgartner</a> and his colleagues analyzed twenty million such stops from 2002-2016. They present the results of this research in <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qn6Ug2R958Kht7pPIgvJAsEAAAFkVkdfgAEAAAFKAc0i_Yk/http://www.amazon.com/dp/1108454046/ref=as_at?creativeASIN=1108454046&amp;linkCode=w61&amp;imprToken=Ld7XnHRCOl2VVPLkVwIpGA&amp;slotNum=0&amp;tag=newbooinhis-20">Suspect Citizens: What 20 Million Traffic Stops Tell Us about Policing and Race</a> (Cambridge University Press, 2018). Join us as we speak with Baumgartner about what they found—and what we can do to reduce the most discriminatory features of the practice.</p><p><br></p><p><a href="http://www.stephenpimpare.com/">Stephen Pimpare</a> is Senior Lecturer in the Politics and Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2048</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=75254]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4441980934.mp3?updated=1728246750" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natalie Wall, "Black Expression and White Generosity: A Theoretical Framework of Race" (Emerald Publishing, 2024)</title>
      <description>In Black Expression and White Generosity: A Theoretical Framework of Race (Emerald Publishing, 2024), Dr. Natalie Wall takes readers on a journey through the tropes and narratives of white generosity, from the onset of the African slave trade to contemporary efforts to ridicule and undermine the “woke agenda.” She offers a theoretical framework for use by antiracist scholars, students, and activists to name and interrogate this pervasive attitude and its role in the structures of white supremacy and in the continued marginalisation of non-white people. Providing an exploration of lived experience and of the theoretical underpinnings of that lived experience, Wall offers a new vocabulary with which to speak truth to power and decentre whiteness from the work of antiracism, by looking to moments of black expression and creativity in black arts production.
Taking inspiration from the bold, powerful, and experimental work of black artists and activists, Black Expression and White Generosity forges an alternative narrative that strives for freedom and justice without relinquishing anything in return. It is your indispensable guide to remaining ungrateful.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>479</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Natalie Wall</itunes:subtitle>
      <itunes:summary>In Black Expression and White Generosity: A Theoretical Framework of Race (Emerald Publishing, 2024), Dr. Natalie Wall takes readers on a journey through the tropes and narratives of white generosity, from the onset of the African slave trade to contemporary efforts to ridicule and undermine the “woke agenda.” She offers a theoretical framework for use by antiracist scholars, students, and activists to name and interrogate this pervasive attitude and its role in the structures of white supremacy and in the continued marginalisation of non-white people. Providing an exploration of lived experience and of the theoretical underpinnings of that lived experience, Wall offers a new vocabulary with which to speak truth to power and decentre whiteness from the work of antiracism, by looking to moments of black expression and creativity in black arts production.
Taking inspiration from the bold, powerful, and experimental work of black artists and activists, Black Expression and White Generosity forges an alternative narrative that strives for freedom and justice without relinquishing anything in return. It is your indispensable guide to remaining ungrateful.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781803827582"><em>Black Expression and White Generosity: A Theoretical Framework of Race</em></a> (Emerald Publishing, 2024), Dr. Natalie Wall takes readers on a journey through the tropes and narratives of white generosity, from the onset of the African slave trade to contemporary efforts to ridicule and undermine the “woke agenda.” She offers a theoretical framework for use by antiracist scholars, students, and activists to name and interrogate this pervasive attitude and its role in the structures of white supremacy and in the continued marginalisation of non-white people. Providing an exploration of lived experience and of the theoretical underpinnings of that lived experience, Wall offers a new vocabulary with which to speak truth to power and decentre whiteness from the work of antiracism, by looking to moments of black expression and creativity in black arts production.</p><p>Taking inspiration from the bold, powerful, and experimental work of black artists and activists, <em>Black Expression and White Generosity</em> forges an alternative narrative that strives for freedom and justice without relinquishing anything in return. It is your indispensable guide to remaining ungrateful.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3363</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[02a684ea-8355-11ef-88a5-ef4d886ab48b]]></guid>
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    </item>
    <item>
      <title>A Deep Dive on Karl Marx's "Capital"</title>
      <description>Over 150 years ago, Marx published the first volume of Capital, a systematic and voluminous account of capitalism, from the economic bedrock all the way up to the social and political consequences. The book itself would stand as one of the most influential and decisive texts of all time, proving to be a wildly fruitful foundation for further research into everything it touched, and also becoming a cornerstone text for various political movements that would try and develop the critical analysis into a workable theory of action and social transformation.
Even after its 1867 publication, the text remained a fluid, dynamic object, with a 2nd edition being put out in Marx’s own lifetime and a 3rd and 4th edition being published posthumously under the stewardship of Friedrich Engels. These later editions would be the foundations for the first two translations of the text into English, first by Edward Aveling and Sam Moore in 1887, and then by Ben Fowkes in 1976. Now in 2024, we can add a third version of the text in English.
Translated by Paul Reitter and edited by both Paul Reitter and Paul North, Marx has been given a fresh voice with a new edition of the text that includes a foreword by Wendy Brown and an afterword by William Clare Roberts. The introduction by Paul North helps situate the text in Marx’s larger output, showing how it was the culmination of an early political radicalization that took time to develop into a more systematic critique. Paul Reitter’s preface explains some of the difficulties of translating such a large and complex text, and will help readers appreciate the care Marx chose his words with. Substantial editorial endnotes will help contextualize obscure phrases and terms, helping readers keep up with the massive scope of Marx’s vision as he pulls information, inspiration and ideas from economics, philosophy, literature and history into a cohesive yet dynamic vision of what the ceaseless pursuit of value was doing to our world, and what might be done about it.
For this interview, there are two parts. For the first hour, Paul Reitter and Paul North sat together and discussed the main ideas of the text, the various ways it tries to develop its critical perspective and its continued importance. For the second hour, Paul Reitter stayed to discuss some passages in detail, explaining the various choices made and roads not traveled, and how he tried to bring various aspects of Marx’s voice into English.
Translation is at least as much an art as a science, one that demands hermeneutic sensitivity as much as a knowledge of which words correspond to which. Reitter is a humble practitioner of what is often thankless work and makes no claim to being the final word on how best to translate Marx, but his contribution will absolutely raise the bar and give readers who’ve never read Marx an excellent place to start, and will give those familiar with the text a chance to see it in new light. To borrow a phrase from Marx himself, this new translation is as royal a road to science as we could ask for.
Paul Reitter is a professor of Germanic languages at Ohio State University.
Paul North is the Maurice Natanson professor of Germanic languages and literature at Yale University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>486</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Paul Reitter and Paul North</itunes:subtitle>
      <itunes:summary>Over 150 years ago, Marx published the first volume of Capital, a systematic and voluminous account of capitalism, from the economic bedrock all the way up to the social and political consequences. The book itself would stand as one of the most influential and decisive texts of all time, proving to be a wildly fruitful foundation for further research into everything it touched, and also becoming a cornerstone text for various political movements that would try and develop the critical analysis into a workable theory of action and social transformation.
Even after its 1867 publication, the text remained a fluid, dynamic object, with a 2nd edition being put out in Marx’s own lifetime and a 3rd and 4th edition being published posthumously under the stewardship of Friedrich Engels. These later editions would be the foundations for the first two translations of the text into English, first by Edward Aveling and Sam Moore in 1887, and then by Ben Fowkes in 1976. Now in 2024, we can add a third version of the text in English.
Translated by Paul Reitter and edited by both Paul Reitter and Paul North, Marx has been given a fresh voice with a new edition of the text that includes a foreword by Wendy Brown and an afterword by William Clare Roberts. The introduction by Paul North helps situate the text in Marx’s larger output, showing how it was the culmination of an early political radicalization that took time to develop into a more systematic critique. Paul Reitter’s preface explains some of the difficulties of translating such a large and complex text, and will help readers appreciate the care Marx chose his words with. Substantial editorial endnotes will help contextualize obscure phrases and terms, helping readers keep up with the massive scope of Marx’s vision as he pulls information, inspiration and ideas from economics, philosophy, literature and history into a cohesive yet dynamic vision of what the ceaseless pursuit of value was doing to our world, and what might be done about it.
For this interview, there are two parts. For the first hour, Paul Reitter and Paul North sat together and discussed the main ideas of the text, the various ways it tries to develop its critical perspective and its continued importance. For the second hour, Paul Reitter stayed to discuss some passages in detail, explaining the various choices made and roads not traveled, and how he tried to bring various aspects of Marx’s voice into English.
Translation is at least as much an art as a science, one that demands hermeneutic sensitivity as much as a knowledge of which words correspond to which. Reitter is a humble practitioner of what is often thankless work and makes no claim to being the final word on how best to translate Marx, but his contribution will absolutely raise the bar and give readers who’ve never read Marx an excellent place to start, and will give those familiar with the text a chance to see it in new light. To borrow a phrase from Marx himself, this new translation is as royal a road to science as we could ask for.
Paul Reitter is a professor of Germanic languages at Ohio State University.
Paul North is the Maurice Natanson professor of Germanic languages and literature at Yale University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over 150 years ago, Marx published the first volume of <em>Capital</em>, a systematic and voluminous account of capitalism, from the economic bedrock all the way up to the social and political consequences. The book itself would stand as one of the most influential and decisive texts of all time, proving to be a wildly fruitful foundation for further research into everything it touched, and also becoming a cornerstone text for various political movements that would try and develop the critical analysis into a workable theory of action and social transformation.</p><p>Even after its 1867 publication, the text remained a fluid, dynamic object, with a 2nd edition being put out in Marx’s own lifetime and a 3rd and 4th edition being published posthumously under the stewardship of Friedrich Engels. These later editions would be the foundations for the first two translations of the text into English, first by Edward Aveling and Sam Moore in 1887, and then by Ben Fowkes in 1976. <a href="https://bookshop.org/a/12343/9780691190075">Now in 2024, we can add a third version of the text in English</a>.</p><p>Translated by Paul Reitter and edited by both Paul Reitter and Paul North, Marx has been given a fresh voice with a new edition of the text that includes a foreword by Wendy Brown and an afterword by William Clare Roberts. The introduction by Paul North helps situate the text in Marx’s larger output, showing how it was the culmination of an early political radicalization that took time to develop into a more systematic critique. Paul Reitter’s preface explains some of the difficulties of translating such a large and complex text, and will help readers appreciate the care Marx chose his words with. Substantial editorial endnotes will help contextualize obscure phrases and terms, helping readers keep up with the massive scope of Marx’s vision as he pulls information, inspiration and ideas from economics, philosophy, literature and history into a cohesive yet dynamic vision of what the ceaseless pursuit of value was doing to our world, and what might be done about it.</p><p>For this interview, there are two parts. For the first hour, Paul Reitter and Paul North sat together and discussed the main ideas of the text, the various ways it tries to develop its critical perspective and its continued importance. For the second hour, Paul Reitter stayed to discuss some passages in detail, explaining the various choices made and roads not traveled, and how he tried to bring various aspects of Marx’s voice into English.</p><p>Translation is <em>at least</em> as much an art as a science, one that demands hermeneutic sensitivity as much as a knowledge of which words correspond to which. Reitter is a humble practitioner of what is often thankless work and makes no claim to being the final word on how best to translate Marx, but his contribution will absolutely raise the bar and give readers who’ve never read Marx an excellent place to start, and will give those familiar with the text a chance to see it in new light. To borrow a phrase from Marx himself, this new translation is as royal a road to science as we could ask for.</p><p>Paul Reitter is a professor of Germanic languages at Ohio State University.</p><p>Paul North is the Maurice Natanson professor of Germanic languages and literature at Yale University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>9427</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Alan F. Blackwell, "Moral Codes: Designing Alternatives to AI" (MIT Press, 2024)</title>
      <description>Why the world needs less AI and better programming languages. Decades ago, we believed that robots and computers would take over all the boring jobs and drudgery, leaving humans to a life of leisure. This hasn’t happened. Instead, humans are still doing boring jobs, and even worse, AI researchers have built technology that is creative, self-aware, and emotional—doing the tasks humans were supposed to enjoy. How did we get here? 
In Moral Codes: Designing Alternatives to AI (MIT Press, 2024), Alan Blackwell argues that there is a fundamental flaw in the research agenda of AI. What humanity needs, Blackwell argues, is better ways to tell computers what we want them to do, with new and better programming languages: More Open Representations, Access to Learning, and Control Over Digital Expression, in other words, MORAL CODE. Blackwell draws on his deep experiences as a programming language designer—which he has been doing since 1983—to unpack fundamental principles of interaction design and explain their technical relationship to ideas of creativity and fairness. Taking aim at software that constrains our conversations with strict word counts or infantilizes human interaction with likes and emojis, Blackwell shows how to design software that is better—not more efficient or more profitable, but better for society and better for all people. Covering recent research and the latest smart tools, Blackwell offers rich design principles for a better kind of software—and a better kind of world.
Alan F. Blackwell is Professor of Interdisciplinary Design in the Cambridge University department of Computer Science and Technology. He is a Fellow of Darwin College Cambridge, cofounder with David Good of the Crucible Network for Research in Interdisciplinary Design, and with David and Lara Allen the Global Challenges strategic research initiative of the University of Cambridge.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 06 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>373</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alan F. Blackwell</itunes:subtitle>
      <itunes:summary>Why the world needs less AI and better programming languages. Decades ago, we believed that robots and computers would take over all the boring jobs and drudgery, leaving humans to a life of leisure. This hasn’t happened. Instead, humans are still doing boring jobs, and even worse, AI researchers have built technology that is creative, self-aware, and emotional—doing the tasks humans were supposed to enjoy. How did we get here? 
In Moral Codes: Designing Alternatives to AI (MIT Press, 2024), Alan Blackwell argues that there is a fundamental flaw in the research agenda of AI. What humanity needs, Blackwell argues, is better ways to tell computers what we want them to do, with new and better programming languages: More Open Representations, Access to Learning, and Control Over Digital Expression, in other words, MORAL CODE. Blackwell draws on his deep experiences as a programming language designer—which he has been doing since 1983—to unpack fundamental principles of interaction design and explain their technical relationship to ideas of creativity and fairness. Taking aim at software that constrains our conversations with strict word counts or infantilizes human interaction with likes and emojis, Blackwell shows how to design software that is better—not more efficient or more profitable, but better for society and better for all people. Covering recent research and the latest smart tools, Blackwell offers rich design principles for a better kind of software—and a better kind of world.
Alan F. Blackwell is Professor of Interdisciplinary Design in the Cambridge University department of Computer Science and Technology. He is a Fellow of Darwin College Cambridge, cofounder with David Good of the Crucible Network for Research in Interdisciplinary Design, and with David and Lara Allen the Global Challenges strategic research initiative of the University of Cambridge.
Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why the world needs less AI and better programming languages. Decades ago, we believed that robots and computers would take over all the boring jobs and drudgery, leaving humans to a life of leisure. This hasn’t happened. Instead, humans are still doing boring jobs, and even worse, AI researchers have built technology that is creative, self-aware, and emotional—doing the tasks humans were supposed to enjoy. How did we get here? </p><p>In <a href="https://bookshop.org/a/12343/9780262548717"><em>Moral Codes: Designing Alternatives to AI</em></a> (MIT Press, 2024), Alan Blackwell argues that there is a fundamental flaw in the research agenda of AI. What humanity needs, Blackwell argues, is better ways to tell computers what we want them to do, with new and better programming languages: More Open Representations, Access to Learning, and Control Over Digital Expression, in other words, MORAL CODE. Blackwell draws on his deep experiences as a programming language designer—which he has been doing since 1983—to unpack fundamental principles of interaction design and explain their technical relationship to ideas of creativity and fairness. Taking aim at software that constrains our conversations with strict word counts or infantilizes human interaction with likes and emojis, Blackwell shows how to design software that is better—not more efficient or more profitable, but better for society and better for all people. Covering recent research and the latest smart tools, Blackwell offers rich design principles for a better kind of software—and a better kind of world.</p><p>Alan F. Blackwell is Professor of Interdisciplinary Design in the Cambridge University department of Computer Science and Technology. He is a Fellow of Darwin College Cambridge, cofounder with David Good of the Crucible Network for Research in Interdisciplinary Design, and with David and Lara Allen the Global Challenges strategic research initiative of the University of Cambridge.</p><p>Dr. Michael LaMagna is the Information Literacy Program &amp; Library Services Coordinator and Professor of Library Services at Delaware County Community College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3189</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4886521019.mp3?updated=1728144164" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)</title>
      <description>What is the future of classical music? In The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music (Manchester UP, 2024), Kristina Kolbe, an assistant professor of Sociology of Arts and Culture in the School of History, Culture and Communication at the Erasmus University Rotterdam, explores how the genre is seeking to become more diverse. In doing so, it reveals the challenges associated with changing audiences, performers and performances. Using a detailed case study, the book examines why classical music faces the need to change in the context of diversity discourses in both the music and the more general creative industries. 
Offering a nuanced but critical perspective, the analysis outlines how diversity has had a limited impact on both case study opera house and the industry more generally. The critical perspective sets out how diversity can be easily commodified, how it depends on precarious workers, and how the pandemic of 2020 demonstrated just how much more work needs to be done. Offering rich empirical data as well as theoretical depth, the book is essential reading across the humanities and the social sciences, as well as for anyone interested in music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 05 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>485</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristina Kolbe</itunes:subtitle>
      <itunes:summary>What is the future of classical music? In The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music (Manchester UP, 2024), Kristina Kolbe, an assistant professor of Sociology of Arts and Culture in the School of History, Culture and Communication at the Erasmus University Rotterdam, explores how the genre is seeking to become more diverse. In doing so, it reveals the challenges associated with changing audiences, performers and performances. Using a detailed case study, the book examines why classical music faces the need to change in the context of diversity discourses in both the music and the more general creative industries. 
Offering a nuanced but critical perspective, the analysis outlines how diversity has had a limited impact on both case study opera house and the industry more generally. The critical perspective sets out how diversity can be easily commodified, how it depends on precarious workers, and how the pandemic of 2020 demonstrated just how much more work needs to be done. Offering rich empirical data as well as theoretical depth, the book is essential reading across the humanities and the social sciences, as well as for anyone interested in music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of classical music? In <a href="https://bookshop.org/a/12343/9781526165497"><em>The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music</em></a> (Manchester UP, 2024), <a href="https://x.com/kolbekristina">Kristina Kolbe</a>, an <a href="https://www.eur.nl/en/people/kristina-kolbe">assistant professor of Sociology of Arts and Culture</a> in the School of History, Culture and Communication at the Erasmus University Rotterdam, explores how the genre is seeking to become more diverse. In doing so, it reveals the challenges associated with changing audiences, performers and performances. Using a detailed case study, the book examines why classical music faces the need to change in the context of diversity discourses in both the music and the more general creative industries. </p><p>Offering a nuanced but critical perspective, the analysis outlines how diversity has had a limited impact on both case study opera house and the industry more generally. The critical perspective sets out how diversity can be easily commodified, how it depends on precarious workers, and how the pandemic of 2020 demonstrated just how much more work needs to be done. Offering rich empirical data as well as theoretical depth, the book is essential reading across the humanities and the social sciences, as well as for anyone interested in music.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2449</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f8e0c606-8281-11ef-9ef7-eb9f10623fc4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3332069888.mp3?updated=1728068657" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael J. Thompson, "Descent of the Dialectic: Phronetic Criticism in an Age of Nihilism" (Routledge, 2024)</title>
      <description>In Descent of the Dialectic: Phronetic Criticism in an Age of Nihilism (Routledge, 2024), Michael J. Thompson reconstructs the concept and practice of dialectics as a means of grounding a critical theory of society. At the center of this project is the thesis of phronetic criticism or a form of reason that is able to synthesize human value with objective rationality.
Thompson argues that defects in modern forms of social reason are the result of the powers of social structure and the norms and purposes they embody. Increasingly, modern societies are driven not by substantive values concerning human good but by the technical imperatives of economic management, leading to a cultural condition of nihilism that has eroded dialectical consciousness. In the first half of the book, Thompson demonstrates the various ways that social power erodes and undermines critical-rational forms of consciousness. In the second part of the book, he constructs an alternative basis for critical reason by showing how it requires seeing human value as essentially ontological: that is, constituted by objective forms of sociality that either promote human freedom or pervert our capacities and drive toward pathological forms of life. The philosophical claim is that a critical theory of ethics must be rooted in these concrete forms of life and that this will serve as a critical vantage point for critical political judgment and transformational praxis.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on the negotiation of identity and place for residents at the neighborhood level. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 05 Oct 2024 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>385</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael J. Thompson</itunes:subtitle>
      <itunes:summary>In Descent of the Dialectic: Phronetic Criticism in an Age of Nihilism (Routledge, 2024), Michael J. Thompson reconstructs the concept and practice of dialectics as a means of grounding a critical theory of society. At the center of this project is the thesis of phronetic criticism or a form of reason that is able to synthesize human value with objective rationality.
Thompson argues that defects in modern forms of social reason are the result of the powers of social structure and the norms and purposes they embody. Increasingly, modern societies are driven not by substantive values concerning human good but by the technical imperatives of economic management, leading to a cultural condition of nihilism that has eroded dialectical consciousness. In the first half of the book, Thompson demonstrates the various ways that social power erodes and undermines critical-rational forms of consciousness. In the second part of the book, he constructs an alternative basis for critical reason by showing how it requires seeing human value as essentially ontological: that is, constituted by objective forms of sociality that either promote human freedom or pervert our capacities and drive toward pathological forms of life. The philosophical claim is that a critical theory of ethics must be rooted in these concrete forms of life and that this will serve as a critical vantage point for critical political judgment and transformational praxis.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on the negotiation of identity and place for residents at the neighborhood level. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032011998"><em>Descent of the Dialectic: Phronetic Criticism in an Age of Nihilism</em></a> (Routledge, 2024), <a href="https://wpconnect.wpunj.edu/directories/faculty/default.cfm?user=thompsonmi">Michael J. Thompson</a> reconstructs the concept and practice of dialectics as a means of grounding a critical theory of society. At the center of this project is the thesis of phronetic criticism or a form of reason that is able to synthesize human value with objective rationality.</p><p>Thompson argues that defects in modern forms of social reason are the result of the powers of social structure and the norms and purposes they embody. Increasingly, modern societies are driven not by substantive values concerning human good but by the technical imperatives of economic management, leading to a cultural condition of nihilism that has eroded dialectical consciousness. In the first half of the book, Thompson demonstrates the various ways that social power erodes and undermines critical-rational forms of consciousness. In the second part of the book, he constructs an alternative basis for critical reason by showing how it requires seeing human value as essentially ontological: that is, constituted by objective forms of sociality that either promote human freedom or pervert our capacities and drive toward pathological forms of life. The philosophical claim is that a critical theory of ethics must be rooted in these concrete forms of life and that this will serve as a critical vantage point for critical political judgment and transformational praxis.</p><p>Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on the negotiation of identity and place for residents at the neighborhood level. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3530</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cc2c55e-8287-11ef-b69b-43b3279eed4e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3581292427.mp3?updated=1728071231" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jon Michaels and David Noll, "Vigilante Nation: How State-Sponsored Terror Threatens Our Democracy" (Atria/One Signal, 2024)</title>
      <description>Law professors Jon Michaels and David Noll use their expertise to expose how state-supported forms of vigilantism are being deployed by MAGA Republicans and Christian nationalists to roll back civil, political, and privacy rights and subvert American democracy. Beyond identifying the dangers of vigilantism, Vigilante Nation: How State-Sponsored Terror Threatens Our Democracy (Atria/One Signal, 2024) functions as a call to arms with a playbook for a democratic response.
Michaels and Noll look back in time to make sense of today's American politics. They demonstrate how Christian nationalists have previously used state-supported forms of vigilantism when their power and privilege have been challenged. The book examines the early republic, abolitionism, and Reconstruction.
Since the failed coup by supporters of Former president Donald Trump on January 6, 2021, Michaels and Noll document how overlapping networks of right-wing lawyers, politicians, plutocrats, and preachers have resurrected state-supported vigilantism – using wide ranging methods including book bans, anti-abortion bounties, and attacks on government proceedings, especially elections. Michaels and Noll see the US at a critical inflection point in which state-sponsored vigilantism is openly supported by GOP candidates for president and vice-president, Project 2025, and wider networks, Michaels and Noll move beyond analysis to action: 19 model laws to pass. The supporters of democratic equality are numerous and dexterous enough to create a plan to fight radicalism and vigilantism and secure the broad promises of the civil rights revolution.
Jon Michaels is a professor of law at UCLA Law, where he teaches and writes about constitutional law, public administration, and national security. He has written numerous articles in law reviews including Yale, University of Chicago, and Harvard and also public facing work in venues like the Washington Post, the New York Times, and Foreign Affairs.
David Noll is a law professor at Rutgers Law School. He teaches and writes on courts, administrative law, and legal movements. He publishes scholarly work in law reviews such as California, Cornell, Michigan and NYU and translates for wider audiences in places like the New York Times, Politico, and Slate.
Mentioned in the podcast:


By Hands Now Known: Jim Crow’s Legal Executioners (Norton) by Margaret A. Burnham


Let them Eat Tweets: How the Right Rules in an Age of Extreme Inequality (Liveright) by Jacob Hacker and Paul Pierson


Hannah Nathanson at the Washington Post who was part of a team of journalists awarded the 2022 Pulitzer Prize for Public Service for coverage of the Jan. 6 insurrection at the U.S. Capitol

Previous interviews with scholars addressing the breakdown of American democracy: Four Threats: The Recurring Crises of American Democracy (Suzanne Mettler and Robert C. Lieberman) Phantoms of a Beleaguered Republic (Stephen Skowronek, John A. Dearborn, and Desmond King); How Democracies Die (Steve Levitsky and Daniel Ziblatt); The Specter of Dictatorship: Judicial Enabling of Presidential Power (David M. Driesen and A Supreme Court Unlike Any Other: The Deepening Divide Between the Justices and the People (Kevin J. McMahon)


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>740</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jon Michaels and David Noll</itunes:subtitle>
      <itunes:summary>Law professors Jon Michaels and David Noll use their expertise to expose how state-supported forms of vigilantism are being deployed by MAGA Republicans and Christian nationalists to roll back civil, political, and privacy rights and subvert American democracy. Beyond identifying the dangers of vigilantism, Vigilante Nation: How State-Sponsored Terror Threatens Our Democracy (Atria/One Signal, 2024) functions as a call to arms with a playbook for a democratic response.
Michaels and Noll look back in time to make sense of today's American politics. They demonstrate how Christian nationalists have previously used state-supported forms of vigilantism when their power and privilege have been challenged. The book examines the early republic, abolitionism, and Reconstruction.
Since the failed coup by supporters of Former president Donald Trump on January 6, 2021, Michaels and Noll document how overlapping networks of right-wing lawyers, politicians, plutocrats, and preachers have resurrected state-supported vigilantism – using wide ranging methods including book bans, anti-abortion bounties, and attacks on government proceedings, especially elections. Michaels and Noll see the US at a critical inflection point in which state-sponsored vigilantism is openly supported by GOP candidates for president and vice-president, Project 2025, and wider networks, Michaels and Noll move beyond analysis to action: 19 model laws to pass. The supporters of democratic equality are numerous and dexterous enough to create a plan to fight radicalism and vigilantism and secure the broad promises of the civil rights revolution.
Jon Michaels is a professor of law at UCLA Law, where he teaches and writes about constitutional law, public administration, and national security. He has written numerous articles in law reviews including Yale, University of Chicago, and Harvard and also public facing work in venues like the Washington Post, the New York Times, and Foreign Affairs.
David Noll is a law professor at Rutgers Law School. He teaches and writes on courts, administrative law, and legal movements. He publishes scholarly work in law reviews such as California, Cornell, Michigan and NYU and translates for wider audiences in places like the New York Times, Politico, and Slate.
Mentioned in the podcast:


By Hands Now Known: Jim Crow’s Legal Executioners (Norton) by Margaret A. Burnham


Let them Eat Tweets: How the Right Rules in an Age of Extreme Inequality (Liveright) by Jacob Hacker and Paul Pierson


Hannah Nathanson at the Washington Post who was part of a team of journalists awarded the 2022 Pulitzer Prize for Public Service for coverage of the Jan. 6 insurrection at the U.S. Capitol

Previous interviews with scholars addressing the breakdown of American democracy: Four Threats: The Recurring Crises of American Democracy (Suzanne Mettler and Robert C. Lieberman) Phantoms of a Beleaguered Republic (Stephen Skowronek, John A. Dearborn, and Desmond King); How Democracies Die (Steve Levitsky and Daniel Ziblatt); The Specter of Dictatorship: Judicial Enabling of Presidential Power (David M. Driesen and A Supreme Court Unlike Any Other: The Deepening Divide Between the Justices and the People (Kevin J. McMahon)


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Law professors Jon Michaels and David Noll use their expertise to expose how state-supported forms of vigilantism are being deployed by MAGA Republicans and Christian nationalists to roll back civil, political, and privacy rights and subvert American democracy. Beyond identifying the dangers of vigilantism, <a href="https://bookshop.org/a/12343/9781668023235"><em>Vigilante Nation: How State-Sponsored Terror Threatens Our Democracy</em></a> (Atria/One Signal, 2024) functions as a call to arms with a playbook for a democratic response.</p><p>Michaels and Noll look back in time to make sense of today's American politics. They demonstrate how Christian nationalists have previously used state-supported forms of vigilantism when their power and privilege have been challenged. The book examines the early republic, abolitionism, and Reconstruction.</p><p>Since the failed coup by supporters of Former president Donald Trump on January 6, 2021, Michaels and Noll document how overlapping networks of right-wing lawyers, politicians, plutocrats, and preachers have resurrected state-supported vigilantism – using wide ranging methods including book bans, anti-abortion bounties, and attacks on government proceedings, especially elections. Michaels and Noll see the US at a critical inflection point in which state-sponsored vigilantism is openly supported by GOP candidates for president and vice-president, Project 2025, and wider networks, Michaels and Noll move beyond analysis to action: 19 model laws to pass. The supporters of democratic equality are numerous and dexterous enough to create a plan to fight radicalism and vigilantism <em>and </em>secure the broad promises of the civil rights revolution.</p><p><a href="https://law.ucla.edu/faculty/faculty-profiles/jon-d-michaels">Jon Michaels</a> is a professor of law at UCLA Law, where he teaches and writes about constitutional law, public administration, and national security. He has written numerous articles in law reviews including Yale, University of Chicago, and Harvard and also public facing work in venues like the <em>Washington Post</em>, the <em>New York Times</em>, and <em>Foreign Affairs</em>.</p><p><a href="http://noll.org/">David Noll</a> is a law professor at Rutgers Law School. He teaches and writes on courts, administrative law, and legal movements. He publishes scholarly work in law reviews such as California, Cornell, Michigan and NYU and translates for wider audiences in places like the <em>New York Times</em>, <em>Politico</em>, and <em>Slate</em>.</p><p>Mentioned in the podcast:</p><ul>
<li>
<em>By Hands Now Known: Jim Crow’s Legal Executioners</em> (Norton) by Margaret A. Burnham</li>
<li>
<em>Let them Eat Tweets: How the Right Rules in an Age of Extreme Inequality</em> (Liveright) by Jacob Hacker and Paul Pierson</li>
<li>
<a href="https://www.washingtonpost.com/people/hannah-natanson/">Hannah Nathanson</a> at the <em>Washington Post </em>who was part of a team of journalists awarded the 2022 Pulitzer Prize for Public Service for coverage of the Jan. 6 insurrection at the U.S. Capitol</li>
<li>Previous interviews with scholars addressing the breakdown of American democracy: <a href="https://newbooksnetwork.com/four-threats#entry:41440@1:url"><em><u>Four Threats: The Recurring Crises of American Democracy</u></em></a> (Suzanne Mettler and Robert C. Lieberman) <a href="https://newbooksnetwork.com/phantoms-of-a-beleaguered-republic#entry:76268@1:url">Phantoms of a Beleaguered Republic</a> (Stephen Skowronek, John A. Dearborn, and Desmond King); <a href="https://newbooksnetwork.com/steven-levitsky-and-daniel-ziblatt-how-democracies-die-crown-2018#entry:8570@1:url"><em>How Democracies Die</em></a> (Steve Levitsky and Daniel Ziblatt); <a href="https://newbooksnetwork.com/the-specter-of-dictatorship#entry:334703@1:url"><em>The Specter of Dictatorship: Judicial Enabling of Presidential Power</em></a> (David M. Driesen and <a href="https://newbooksnetwork.com/a-supreme-court-unlike-any-other#entry:336097@1:url"><em>A Supreme Court Unlike Any Other: The Deepening Divide Between the Justices and the People</em></a> (Kevin J. McMahon)</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d74ac2b8-8037-11ef-802a-677cdf1adcaf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2324023333.mp3?updated=1727817011" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Camille Owens, "Like Children: Black Prodigy and the Measure of the Human in America" (NYU Press, 2024)</title>
      <description>Like Children: Black Prodigy and the Measure of the Human in America (NYU Press, 2024) argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.
Like Children recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, Like Children displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>478</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Camille Owens</itunes:subtitle>
      <itunes:summary>Like Children: Black Prodigy and the Measure of the Human in America (NYU Press, 2024) argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.
Like Children recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, Like Children displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781479812929"><em>Like Children:</em> <em>Black Prodigy and the Measure of the Human in America</em></a><em> </em>(NYU Press, 2024) argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.</p><p><em>Like Children</em> recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, <em>Like Children</em> displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2430</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f758b498-80f0-11ef-84ab-4f27e7cba17a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8202898948.mp3?updated=1727896323" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brianna Nofil, "The Migrant's Jail: An American History of Mass Incarceration" (Princeton UP, 2024)</title>
      <description>Today, U.S. Immigration &amp; Customs Enforcement (ICE) detains an average of 37,000 migrants each night. To do so, they rely on, and pay for, the use of hundreds of local jails. But this is nothing new: the federal government has been detaining migrants in city and county jails for more than 100 years. 
In The Migrant's Jail: An American History of Mass Incarceration (Princeton UP, 2024), Brianna Nofil examines how a century of political, ideological, and economic exchange between the U.S. immigration bureaucracy and the criminal justice system gave rise to the world's largest system of migrant incarceration. Migrant detention is not simply an outgrowth of mass incarceration; rather, it has propelled carceral state-building and fostered intergovernmental policing efforts since the turn of the twentieth century.
From the incarceration of Chinese migrants in New York in the 1900s and 1910s to the jailing of Caribbean refugees in Gulf South lockups of the 1980s and 1990s, federal immigration authorities provided communities with a cash windfall that they used to cut taxes, reward local officials, and build bigger jails--which they then had incentive to fill. Trapped in America's patchwork detention networks, migrants turned to courts, embassies, and the media to challenge the cruel paradox of "administrative imprisonment." Drawing on immigration records, affidavits, protest letters, and a variety of local sources, Nofil excavates the web of political negotiations, financial deals, and legal precedents that allows the United States to incarcerate migrants with little accountability and devastating consequences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brianna Nofil</itunes:subtitle>
      <itunes:summary>Today, U.S. Immigration &amp; Customs Enforcement (ICE) detains an average of 37,000 migrants each night. To do so, they rely on, and pay for, the use of hundreds of local jails. But this is nothing new: the federal government has been detaining migrants in city and county jails for more than 100 years. 
In The Migrant's Jail: An American History of Mass Incarceration (Princeton UP, 2024), Brianna Nofil examines how a century of political, ideological, and economic exchange between the U.S. immigration bureaucracy and the criminal justice system gave rise to the world's largest system of migrant incarceration. Migrant detention is not simply an outgrowth of mass incarceration; rather, it has propelled carceral state-building and fostered intergovernmental policing efforts since the turn of the twentieth century.
From the incarceration of Chinese migrants in New York in the 1900s and 1910s to the jailing of Caribbean refugees in Gulf South lockups of the 1980s and 1990s, federal immigration authorities provided communities with a cash windfall that they used to cut taxes, reward local officials, and build bigger jails--which they then had incentive to fill. Trapped in America's patchwork detention networks, migrants turned to courts, embassies, and the media to challenge the cruel paradox of "administrative imprisonment." Drawing on immigration records, affidavits, protest letters, and a variety of local sources, Nofil excavates the web of political negotiations, financial deals, and legal precedents that allows the United States to incarcerate migrants with little accountability and devastating consequences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, U.S. Immigration &amp; Customs Enforcement (ICE) detains an average of 37,000 migrants each night. To do so, they rely on, and pay for, the use of hundreds of local jails. But this is nothing new: the federal government has been detaining migrants in city and county jails for more than 100 years. </p><p>In <a href="https://bookshop.org/a/12343/9780691237015"><em>The Migrant's Jail: An American History of Mass Incarceration</em></a><em> </em>(Princeton UP, 2024), Brianna Nofil examines how a century of political, ideological, and economic exchange between the U.S. immigration bureaucracy and the criminal justice system gave rise to the world's largest system of migrant incarceration. Migrant detention is not simply an outgrowth of mass incarceration; rather, it has propelled carceral state-building and fostered intergovernmental policing efforts since the turn of the twentieth century.</p><p>From the incarceration of Chinese migrants in New York in the 1900s and 1910s to the jailing of Caribbean refugees in Gulf South lockups of the 1980s and 1990s, federal immigration authorities provided communities with a cash windfall that they used to cut taxes, reward local officials, and build bigger jails--which they then had incentive to fill. Trapped in America's patchwork detention networks, migrants turned to courts, embassies, and the media to challenge the cruel paradox of "administrative imprisonment." Drawing on immigration records, affidavits, protest letters, and a variety of local sources, Nofil excavates the web of political negotiations, financial deals, and legal precedents that allows the United States to incarcerate migrants with little accountability and devastating consequences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2379</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0322fa62-8002-11ef-aad0-d36ede100977]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8631981102.mp3?updated=1727793103" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julia Caterina Hartley, "Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France" (Bloomsbury. 2023)</title>
      <description>Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023).
New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. 
This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.
Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen’s College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julia Caterina Hartley</itunes:subtitle>
      <itunes:summary>Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023).
New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. 
This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.
Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen’s College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Julia Caterina Hartley about <a href="https://bookshop.org/a/12343/9780755645633"><em>Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France</em></a> (Bloomsbury. 2023).</p><p>New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera <em>Lalla Roukh</em>, and ominous, as in Massenet's <em>Le Mage</em>, Iran elicited a multiplicity of treatments. </p><p>This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.</p><p>Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen’s College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2572</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d00fdca0-8004-11ef-b693-172854c1c034]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2812605904.mp3?updated=1727794568" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary Bridges, "Dollars and Dominion: US Bankers and the Making of a Superpower" (Princeton UP, 2024)</title>
      <description>There was nothing inevitable or natural about the rise of US finance capitalism in the early twentieth century. 
In Dollars and Dominion: US Bankers and the Making of a Superpower, Mary Bridges shows how US foreign banking began as a side hustle of Gilded Age tycoons and evolved into a more staid, bureaucratized network for bolstering US influence overseas. The early waves of US bankers built a network of international branch banks that relied on the power of the US government, copied the example of British foreign bankers, and built new alliances with local elites.  
Overseas bank branches provided sites for experimentation in how to fuse US political will with local innovations and on-the-ground improvisation. In the process, branch bankers constructed a flexible and durable new infrastructure that supported the growth of US power abroad. 
Using details from ledger entries and other sources, Bridges shows how these branch bankers divided their local communities into groups of “us” and "them," either as potential clients or local populations. In doing so, they constructed a new architecture of US trade finance that relied on long-standing inequalities and hierarchies of privilege. Thus, ideas developed by wealthy white men became part of the enduring fabric of financial infrastructure. She also shows how bank branches could accommodate these hierarchies to make room for new ideas about serving local markets, in response to financial pressures of the 1920s and after the Great Depression cut off other avenues of growth. 
Bridges also tells the story of how US bankers created a market based on a new financial asset enabled by the Federal Reserve System called bankers' acceptance and began to collect vast amounts of foreign credit information. 
Related resources:


Bankers and Empire: How Wall Street Colonized the Caribbean by Peter James Hudson


Infrastructure Is Remaking Geopolitics: How Power Flows from the Systems That Connect the World by Mary Bridges 


Author recommended reading:  


Plastic Capitalism: Banks, Credit Cards, and the End of Financial Control by Sean H. Vanatta


The War Below: Lithium, Copper, and the Global Battle to Power Our Lives by Ernest Scheyder


Hosted by Meghan Cochran 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 01 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Bridges</itunes:subtitle>
      <itunes:summary>There was nothing inevitable or natural about the rise of US finance capitalism in the early twentieth century. 
In Dollars and Dominion: US Bankers and the Making of a Superpower, Mary Bridges shows how US foreign banking began as a side hustle of Gilded Age tycoons and evolved into a more staid, bureaucratized network for bolstering US influence overseas. The early waves of US bankers built a network of international branch banks that relied on the power of the US government, copied the example of British foreign bankers, and built new alliances with local elites.  
Overseas bank branches provided sites for experimentation in how to fuse US political will with local innovations and on-the-ground improvisation. In the process, branch bankers constructed a flexible and durable new infrastructure that supported the growth of US power abroad. 
Using details from ledger entries and other sources, Bridges shows how these branch bankers divided their local communities into groups of “us” and "them," either as potential clients or local populations. In doing so, they constructed a new architecture of US trade finance that relied on long-standing inequalities and hierarchies of privilege. Thus, ideas developed by wealthy white men became part of the enduring fabric of financial infrastructure. She also shows how bank branches could accommodate these hierarchies to make room for new ideas about serving local markets, in response to financial pressures of the 1920s and after the Great Depression cut off other avenues of growth. 
Bridges also tells the story of how US bankers created a market based on a new financial asset enabled by the Federal Reserve System called bankers' acceptance and began to collect vast amounts of foreign credit information. 
Related resources:


Bankers and Empire: How Wall Street Colonized the Caribbean by Peter James Hudson


Infrastructure Is Remaking Geopolitics: How Power Flows from the Systems That Connect the World by Mary Bridges 


Author recommended reading:  


Plastic Capitalism: Banks, Credit Cards, and the End of Financial Control by Sean H. Vanatta


The War Below: Lithium, Copper, and the Global Battle to Power Our Lives by Ernest Scheyder


Hosted by Meghan Cochran 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There was nothing inevitable or natural about the rise of US finance capitalism in the early twentieth century. </p><p>In <em>Dollars and Dominion: US Bankers and the Making of a Superpower</em>, <a href="https://www.marybridges.com/">Mary Bridges</a> shows how US foreign banking began as a side hustle of Gilded Age tycoons and evolved into a more staid, bureaucratized network for bolstering US influence overseas. The early waves of US bankers built a network of international branch banks that relied on the power of the US government, copied the example of British foreign bankers, and built new alliances with local elites.  </p><p>Overseas bank branches provided sites for experimentation in how to fuse US political will with local innovations and on-the-ground improvisation. In the process, branch bankers constructed a flexible and durable new infrastructure that supported the growth of US power abroad. </p><p>Using details from ledger entries and other sources, <a href="https://www.belfercenter.org/people/mary-bridges">Bridges</a> shows how these branch bankers divided their local communities into groups of “us” and "them," either as potential clients or local populations. In doing so, they constructed a new architecture of US trade finance that relied on long-standing inequalities and hierarchies of privilege. Thus, ideas developed by wealthy white men became part of the enduring fabric of financial infrastructure. She also shows how bank branches could accommodate these hierarchies to make room for new ideas about serving local markets, in response to financial pressures of the 1920s and after the Great Depression cut off other avenues of growth. </p><p>Bridges also tells the story of how US bankers created a market based on a new financial asset enabled by the Federal Reserve System called bankers' acceptance and began to collect vast amounts of foreign credit information. </p><p>Related resources:</p><ul>
<li>
<a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__press.uchicago.edu_ucp_books_book_chicago_B_bo26032761.html&amp;d=DwMFaQ&amp;c=WO-RGvefibhHBZq3fL85hQ&amp;r=wPt-g_EOdaUO511a2QJya44TBbAalfrIfwa5FUtdbTQ&amp;m=BSui0btF6XYa4niXiVb_PF-by4PnxCt-eyg2lyh-tXP1VMfMA4qKz3Xf5AhaQkxb&amp;s=PhV7gQ7y-SjQT-DZ_s3R8zX3YGDkXhYvFalHIJhvnZU&amp;e="><u>Bankers and Empire: How Wall Street Colonized the Caribbean</u></a> by Peter James Hudson</li>
<li>
<a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__press.uchicago.edu_ucp_books_book_chicago_B_bo26032761.html&amp;d=DwMFaQ&amp;c=WO-RGvefibhHBZq3fL85hQ&amp;r=wPt-g_EOdaUO511a2QJya44TBbAalfrIfwa5FUtdbTQ&amp;m=BSui0btF6XYa4niXiVb_PF-by4PnxCt-eyg2lyh-tXP1VMfMA4qKz3Xf5AhaQkxb&amp;s=PhV7gQ7y-SjQT-DZ_s3R8zX3YGDkXhYvFalHIJhvnZU&amp;e="><u>Infrastructure Is Remaking Geopolitics: How Power Flows from the Systems That Connect the World</u></a> by Mary Bridges </li>
</ul><p><br></p><p>Author recommended reading:  </p><ul>
<li>
<a href="https://yalebooks.yale.edu/book/9780300247343/plastic-capitalism/"><u>Plastic Capitalism</u>: Banks, Credit Cards, and the End of Financial Control</a> by Sean H. Vanatta</li>
<li>
<a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.simonandschuster.com_books_The-2DWar-2DBelow_Ernest-2DScheyder_9781668011805&amp;d=DwMFaQ&amp;c=WO-RGvefibhHBZq3fL85hQ&amp;r=wPt-g_EOdaUO511a2QJya44TBbAalfrIfwa5FUtdbTQ&amp;m=BSui0btF6XYa4niXiVb_PF-by4PnxCt-eyg2lyh-tXP1VMfMA4qKz3Xf5AhaQkxb&amp;s=en0wgerbDYtgVbJOJVXTmyj-RXwCCT05KGz0gXsLyOY&amp;e="><u>The War Below: Lithium, Copper, and the Global Battle to Power Our Lives</u></a> by Ernest Scheyder</li>
</ul><p><br></p><p>Hosted by <a href="https://newbooksnetwork.com//hosts/profile/b113c5c0-b702-44b3-9ee1-436e326cfbd3">Meghan Cochran</a> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3497</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Inés Valdez, "Democracy and Empire: Labor, Nature, and the Reproduction of Capitalism" (Cambridge UP, 2023)</title>
      <description>In scholarly and popular discourse, popular sovereignty and self-determination are typically conceived of as the antitheses of imperialism, while histories of the emergence of democracy in Western Europe and its settler offshoots ignore the imperial setting of struggles for suffrage expansion and institutional change altogether. 
Democracy and Empire: Labor, Nature, and the Reproduction of Capitalism (Cambridge UP, 2023) casts doubt on both of these tendencies. My guest, Ines Valdez, argues that popular sovereignty in the global North contains an affective attachment to wealth that is secured through collective agreements to dominate others, a phenomenon she calls “self-and-other determination.” The book details how social reproduction in the US and Western Europe is enabled by the exploitation of racialized others who sacrifice their families and communities to perform arduous and poorly-paid menial jobs, only to be derided and oppressed by the populations who depend on their labor. It also shows how the political alienation from nature it wealthy countries is mediated by technology and enabled by a joint devaluation of nature and manual labor performed by racialized others. The book concludes with a theorization of anti-imperial popular sovereignty grounded in transnational movements and political relations that encompass nature.
Ines Valdez is Associate Professor of political science at Johns Hopkins University. She is also the author of Transnational Cosmopolitianism: Kant, Dubois, and Justice as a Political Craft (Cambridge, 2019). 
﻿Democracy and Empire is available open access here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 29 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Inés Valdez</itunes:subtitle>
      <itunes:summary>In scholarly and popular discourse, popular sovereignty and self-determination are typically conceived of as the antitheses of imperialism, while histories of the emergence of democracy in Western Europe and its settler offshoots ignore the imperial setting of struggles for suffrage expansion and institutional change altogether. 
Democracy and Empire: Labor, Nature, and the Reproduction of Capitalism (Cambridge UP, 2023) casts doubt on both of these tendencies. My guest, Ines Valdez, argues that popular sovereignty in the global North contains an affective attachment to wealth that is secured through collective agreements to dominate others, a phenomenon she calls “self-and-other determination.” The book details how social reproduction in the US and Western Europe is enabled by the exploitation of racialized others who sacrifice their families and communities to perform arduous and poorly-paid menial jobs, only to be derided and oppressed by the populations who depend on their labor. It also shows how the political alienation from nature it wealthy countries is mediated by technology and enabled by a joint devaluation of nature and manual labor performed by racialized others. The book concludes with a theorization of anti-imperial popular sovereignty grounded in transnational movements and political relations that encompass nature.
Ines Valdez is Associate Professor of political science at Johns Hopkins University. She is also the author of Transnational Cosmopolitianism: Kant, Dubois, and Justice as a Political Craft (Cambridge, 2019). 
﻿Democracy and Empire is available open access here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In scholarly and popular discourse, popular sovereignty and self-determination are typically conceived of as the antitheses of imperialism, while histories of the emergence of democracy in Western Europe and its settler offshoots ignore the imperial setting of struggles for suffrage expansion and institutional change altogether. </p><p><a href="https://bookshop.org/a/12343/9781009383998"><em>Democracy and Empire: Labor, Nature, and the Reproduction of Capitalism</em></a><em> </em>(Cambridge UP, 2023) casts doubt on both of these tendencies. My guest, Ines Valdez, argues that popular sovereignty in the global North contains an affective attachment to wealth that is secured through collective agreements to dominate others, a phenomenon she calls “self-and-other determination.” The book details how social reproduction in the US and Western Europe is enabled by the exploitation of racialized others who sacrifice their families and communities to perform arduous and poorly-paid menial jobs, only to be derided and oppressed by the populations who depend on their labor. It also shows how the political alienation from nature it wealthy countries is mediated by technology and enabled by a joint devaluation of nature and manual labor performed by racialized others. The book concludes with a theorization of anti-imperial popular sovereignty grounded in transnational movements and political relations that encompass nature.</p><p>Ines Valdez is Associate Professor of political science at Johns Hopkins University. She is also the author of <em>Transnational Cosmopolitianism: Kant, Dubois, and Justice as a Political Craft</em> (Cambridge, 2019). </p><p><em>﻿Democracy and Empire </em>is available open access <a href="https://www.cambridge.org/core/books/democracy-and-empire/9B6A06BCA01140FB26953C1A224C67FE#fndtn-information">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3647</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jack A. Goldstone, "Revolutions: A Very Short Introduction" (Oxford UP, 2023)</title>
      <description>In their pursuit of social justice, revolutionaries have taken on the assembled might of monarchies, empires, and dictatorships. They have often, though not always, sparked cataclysmic violence, and have at times won miraculous victories, though at other times suffered devastating defeat.
Revolutions: A Very Short Introduction (Oxford UP, 2023) illuminates the revolutionaries, their strategies, their successes and failures, and the ways in which revolutions continue to dominate world events and the popular imagination. Starting with the city-states of ancient Greece and Rome, Jack Goldstone traces the development of revolutions through the Renaissance and Reformation, the Enlightenment and liberal constitutional revolutions such as in America, and their opposite--the communist revolutions of the 20th century. He shows how revolutions overturned dictators in Nicaragua and Iran and brought the collapse of communism in the Soviet Union and Eastern Europe, and examines the new wave of non-violent "color" revolutions--the Philippines' Yellow Revolution, Ukraine's Orange Revolution--and the Arab Uprisings of 2011-12 that rocked the Middle East.
In this new edition, Goldstone also sheds light on the major theories of revolution, exploring the causes of revolutionary waves, the role of revolutionary leaders, the strategies and processes of revolutionary change, and the intersection between revolutions and shifting patterns of global power. Further, he explores the role social media and nonviolence play in modern revolutions. Finally, he examines the reasons for diverse revolutionary outcomes, from democracy to civil war and authoritarian rule, and the likely future of revolution in years to come.
Jack A. Goldstone is the Hazel Professor of Public Policy and Director of the Center for the Study of Social Change, Institutions and Policy at George Mason University. He has previously held positions at the University of California, Northwestern University, and the Hong Kong University of Science and Technology.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>484</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jack A. Goldstone</itunes:subtitle>
      <itunes:summary>In their pursuit of social justice, revolutionaries have taken on the assembled might of monarchies, empires, and dictatorships. They have often, though not always, sparked cataclysmic violence, and have at times won miraculous victories, though at other times suffered devastating defeat.
Revolutions: A Very Short Introduction (Oxford UP, 2023) illuminates the revolutionaries, their strategies, their successes and failures, and the ways in which revolutions continue to dominate world events and the popular imagination. Starting with the city-states of ancient Greece and Rome, Jack Goldstone traces the development of revolutions through the Renaissance and Reformation, the Enlightenment and liberal constitutional revolutions such as in America, and their opposite--the communist revolutions of the 20th century. He shows how revolutions overturned dictators in Nicaragua and Iran and brought the collapse of communism in the Soviet Union and Eastern Europe, and examines the new wave of non-violent "color" revolutions--the Philippines' Yellow Revolution, Ukraine's Orange Revolution--and the Arab Uprisings of 2011-12 that rocked the Middle East.
In this new edition, Goldstone also sheds light on the major theories of revolution, exploring the causes of revolutionary waves, the role of revolutionary leaders, the strategies and processes of revolutionary change, and the intersection between revolutions and shifting patterns of global power. Further, he explores the role social media and nonviolence play in modern revolutions. Finally, he examines the reasons for diverse revolutionary outcomes, from democracy to civil war and authoritarian rule, and the likely future of revolution in years to come.
Jack A. Goldstone is the Hazel Professor of Public Policy and Director of the Center for the Study of Social Change, Institutions and Policy at George Mason University. He has previously held positions at the University of California, Northwestern University, and the Hong Kong University of Science and Technology.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their pursuit of social justice, revolutionaries have taken on the assembled might of monarchies, empires, and dictatorships. They have often, though not always, sparked cataclysmic violence, and have at times won miraculous victories, though at other times suffered devastating defeat.</p><p><a href="https://bookshop.org/a/12343/9780197666302"><em>Revolutions: A Very Short Introduction</em></a> (Oxford UP, 2023) illuminates the revolutionaries, their strategies, their successes and failures, and the ways in which revolutions continue to dominate world events and the popular imagination. Starting with the city-states of ancient Greece and Rome, Jack Goldstone traces the development of revolutions through the Renaissance and Reformation, the Enlightenment and liberal constitutional revolutions such as in America, and their opposite--the communist revolutions of the 20th century. He shows how revolutions overturned dictators in Nicaragua and Iran and brought the collapse of communism in the Soviet Union and Eastern Europe, and examines the new wave of non-violent "color" revolutions--the Philippines' Yellow Revolution, Ukraine's Orange Revolution--and the Arab Uprisings of 2011-12 that rocked the Middle East.</p><p>In this new edition, Goldstone also sheds light on the major theories of revolution, exploring the causes of revolutionary waves, the role of revolutionary leaders, the strategies and processes of revolutionary change, and the intersection between revolutions and shifting patterns of global power. Further, he explores the role social media and nonviolence play in modern revolutions. Finally, he examines the reasons for diverse revolutionary outcomes, from democracy to civil war and authoritarian rule, and the likely future of revolution in years to come.</p><p><strong>Jack A. Goldstone</strong> is the Hazel Professor of Public Policy and Director of the Center for the Study of Social Change, Institutions and Policy at George Mason University. He has previously held positions at the University of California, Northwestern University, and the Hong Kong University of Science and Technology.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3794</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jeff Schuhrke, "Blue Collar Empire: The Untold Story of U.S. Labor’s Global Anticommunist Crusade" (Verso, 2024)</title>
      <description>How the CIA used American unions to undermine workers at home and subvert democracy abroad.
Blue Collar Empire: The Untold Story of U.S. Labor’s Global Anticommunist Crusade (Verso, 2024) tells the shocking story of the AFL-CIO's global anticommunist crusade--and its devastating consequences for workers around the world.
Unions have the power not only to secure pay raises and employee benefits but to bring economies to a screeching halt and overthrow governments. Recognizing this, in the late twentieth century, the US government sought to control labor movements abroad as part of the Cold War contest for worldwide supremacy. In this work, Washington found an enthusiastic partner in the AFL-CIO's anticommunist officials, who, in a shocking betrayal, for decades expended their energies to block revolutionary ideologies and militant class consciousness from taking hold in the workers' movements of Europe, Latin America, Africa, and Asia.
Jeff Schuhrke is a labor historian, journalist, union activist, and assistant professor at the Harry Van Arsdale Jr. School of Labor Studies, SUNY Empire State University in New York City. He is a frequent contributor to In These Times and Jacobin, and his scholarship has been published in Diplomatic History and Labor: Studies in Working-Class History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeff Schuhrke</itunes:subtitle>
      <itunes:summary>How the CIA used American unions to undermine workers at home and subvert democracy abroad.
Blue Collar Empire: The Untold Story of U.S. Labor’s Global Anticommunist Crusade (Verso, 2024) tells the shocking story of the AFL-CIO's global anticommunist crusade--and its devastating consequences for workers around the world.
Unions have the power not only to secure pay raises and employee benefits but to bring economies to a screeching halt and overthrow governments. Recognizing this, in the late twentieth century, the US government sought to control labor movements abroad as part of the Cold War contest for worldwide supremacy. In this work, Washington found an enthusiastic partner in the AFL-CIO's anticommunist officials, who, in a shocking betrayal, for decades expended their energies to block revolutionary ideologies and militant class consciousness from taking hold in the workers' movements of Europe, Latin America, Africa, and Asia.
Jeff Schuhrke is a labor historian, journalist, union activist, and assistant professor at the Harry Van Arsdale Jr. School of Labor Studies, SUNY Empire State University in New York City. He is a frequent contributor to In These Times and Jacobin, and his scholarship has been published in Diplomatic History and Labor: Studies in Working-Class History.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How the CIA used American unions to undermine workers at home and subvert democracy abroad.</p><p><a href="https://bookshop.org/a/12343/9781839769054"><em>Blue Collar Empire: The Untold Story of U.S. Labor’s Global Anticommunist Crusade</em></a><em> </em>(Verso, 2024) tells the shocking story of the AFL-CIO's global anticommunist crusade--and its devastating consequences for workers around the world.</p><p>Unions have the power not only to secure pay raises and employee benefits but to bring economies to a screeching halt and overthrow governments. Recognizing this, in the late twentieth century, the US government sought to control labor movements abroad as part of the Cold War contest for worldwide supremacy. In this work, Washington found an enthusiastic partner in the AFL-CIO's anticommunist officials, who, in a shocking betrayal, for decades expended their energies to block revolutionary ideologies and militant class consciousness from taking hold in the workers' movements of Europe, Latin America, Africa, and Asia.</p><p>Jeff Schuhrke is a labor historian, journalist, union activist, and assistant professor at the Harry Van Arsdale Jr. School of Labor Studies, SUNY Empire State University in New York City. He is a frequent contributor to In These Times and Jacobin, and his scholarship has been published in Diplomatic History and Labor: Studies in Working-Class History.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Caterina Fugazzola, "Words Like Water: Queer Mobilization and Social Change in China" (Temple UP, 2023)</title>
      <description>After China officially “decriminalized” same-sex behavior in 1997, both the visibility and public acceptance of tongzhi, an inclusive identity term that refers to nonheterosexual and gender nonconforming identities in the People’s Republic of China, has improved. However, for all the positive change, there are few opportunities for political and civil rights advocacy under Xi Jinping’s authoritarian rule.
Words Like Water: Queer Mobilization and Social Change in China (Temple UP, 2023) explores the nonconfrontational strategies the tongzhi movement uses in contemporary China. Caterina Fugazzola analyzes tongzhi organizers’ conceptualizations of, and approaches to, social change, explaining how they avoid the backlash that meets Western tactics, such as protests, confrontation, and language about individual freedoms. In contrast, the groups’ intentional use of community and family-oriented narratives, discourses, and understandings of sexual identity are more effective, especially in situations where direct political engagement is not possible.
Providing on-the-ground stories that examine the social, cultural, and political constraints and opportunities, Words like Water emphasizes the value of discursive flexibility that allows activists to adapt to changing social and political conditions.
Caterina Fugazzola is Assistant Senior Instructional Professor of Global Studies at the University of Chicago.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caterina Fugazzola</itunes:subtitle>
      <itunes:summary>After China officially “decriminalized” same-sex behavior in 1997, both the visibility and public acceptance of tongzhi, an inclusive identity term that refers to nonheterosexual and gender nonconforming identities in the People’s Republic of China, has improved. However, for all the positive change, there are few opportunities for political and civil rights advocacy under Xi Jinping’s authoritarian rule.
Words Like Water: Queer Mobilization and Social Change in China (Temple UP, 2023) explores the nonconfrontational strategies the tongzhi movement uses in contemporary China. Caterina Fugazzola analyzes tongzhi organizers’ conceptualizations of, and approaches to, social change, explaining how they avoid the backlash that meets Western tactics, such as protests, confrontation, and language about individual freedoms. In contrast, the groups’ intentional use of community and family-oriented narratives, discourses, and understandings of sexual identity are more effective, especially in situations where direct political engagement is not possible.
Providing on-the-ground stories that examine the social, cultural, and political constraints and opportunities, Words like Water emphasizes the value of discursive flexibility that allows activists to adapt to changing social and political conditions.
Caterina Fugazzola is Assistant Senior Instructional Professor of Global Studies at the University of Chicago.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After China officially “decriminalized” same-sex behavior in 1997, both the visibility and public acceptance of <em>tongzhi</em>, an inclusive identity term that refers to nonheterosexual and gender nonconforming identities in the People’s Republic of China, has improved. However, for all the positive change, there are few opportunities for political and civil rights advocacy under Xi Jinping’s authoritarian rule.</p><p><a href="https://bookshop.org/a/12343/9781439921470"><em>Words Like Water: Queer Mobilization and Social Change in China</em></a><em> </em>(Temple UP, 2023) explores the nonconfrontational strategies the <em>tongzhi</em> movement uses in contemporary China. Caterina Fugazzola analyzes <em>tongzhi</em> organizers’ conceptualizations of, and approaches to, social change, explaining how they avoid the backlash that meets Western tactics, such as protests, confrontation, and language about individual freedoms. In contrast, the groups’ intentional use of community and family-oriented narratives, discourses, and understandings of sexual identity are more effective, especially in situations where direct political engagement is not possible.</p><p>Providing on-the-ground stories that examine the social, cultural, and political constraints and opportunities, <em>Words like Water</em> emphasizes the value of discursive flexibility that allows activists to adapt to changing social and political conditions.</p><p>Caterina Fugazzola is Assistant Senior Instructional Professor of Global Studies at the University of Chicago.</p><p>Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3478</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[53fc43fc-7aa9-11ef-bc9e-c37666430ab8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3455504926.mp3?updated=1727207408" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew W. Kahrl, "The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America" (U Chicago Press, 2024)</title>
      <description>In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America’s tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power.
Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>477</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew W. Kahrl</itunes:subtitle>
      <itunes:summary>In The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America (U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America’s tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power.
Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780226730592"><em>The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America</em></a><em> </em>(U Chicago Press, 2024), Andrew W. Kahrl uncovers the history of inequitable and predatory tax laws in the United States. He examines the structural traps within America’s tax system that have forced Black Americans to pay more for less despite being taxpayers with fewer resources compared to white taxpayers. Kahrl exposes these practices, From Reconstruction up to the present, Kahrl exposes these practices to describe how discrimination continues to take new forms, even as people continue to fight for their rights, their assets, and their power.</p><p>Dr. N’Kosi Oates is a curator. He earned his Ph.D. in Africana Studies at Brown University. Find him on Twitter at DrNKosiOates.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3423</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a9360cc-7a8e-11ef-a2e1-8b3010817a08]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5822084032.mp3?updated=1727193685" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aaron Reeves and Sam Friedman, "Born to Rule: The Making and Remaking of the British Elite" (Harvard UP, 2024)</title>
      <description>Who runs Britain? In Born to Rule: The Making and Remaking of the British Elite (Harvard UP, 2024), Aaron Reeves, and Sam Friedman, both Professors of Sociology at the London School of Economics, tell the story of the UK’s ruling class. The book blends a huge range of qualitative and quantitative data, and uses innovative sociological methods, to offer a historically informed understanding of how those at the top of society preserve their status and privileges. Examining inequalities of race and gender, as well as social class, alongside the enduring impact of Britain’s imperial past, Born to Rule is essential reading for anyone interested in Britain’s past, present and future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>483</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aaron Reeves</itunes:subtitle>
      <itunes:summary>Who runs Britain? In Born to Rule: The Making and Remaking of the British Elite (Harvard UP, 2024), Aaron Reeves, and Sam Friedman, both Professors of Sociology at the London School of Economics, tell the story of the UK’s ruling class. The book blends a huge range of qualitative and quantitative data, and uses innovative sociological methods, to offer a historically informed understanding of how those at the top of society preserve their status and privileges. Examining inequalities of race and gender, as well as social class, alongside the enduring impact of Britain’s imperial past, Born to Rule is essential reading for anyone interested in Britain’s past, present and future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who runs Britain? In <a href="https://bookshop.org/a/12343/9780674257719"><em>Born to Rule: The Making and Remaking of the British Elite</em></a><em> </em>(Harvard UP, 2024), <a href="http://aaronreeves.org/">Aaron Reeves</a>, and <a href="https://x.com/SamFriedmanSoc">Sam Friedman</a>, both <a href="https://www.lse.ac.uk/sociology/people/academic-staff/aaron-reeves">Professors of Sociology</a> at the <a href="https://www.lse.ac.uk/sociology/people/academic-staff/sam-friedman">London School of Economics</a>, tell the story of the UK’s ruling class. The book blends a huge range of qualitative and quantitative data, and uses innovative sociological methods, to offer a historically informed understanding of how those at the top of society preserve their status and privileges. Examining inequalities of race and gender, as well as social class, alongside the enduring impact of Britain’s imperial past, <em>Born to Rule</em> is essential reading for anyone interested in Britain’s past, present and future.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2536</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3c50f186-79ea-11ef-be19-cbf3a8029e67]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1374916908.mp3?updated=1727124162" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ilias Alami and Adam D. Dixon, "The Spectre of State Capitalism" (Oxford UP, 2024)</title>
      <description>After close to three decades of the hegemony of free market ideas, the state has made a big comeback as an economic actor since the 2008 financial crisis. China’s state-owned companies and international financial institutions have made headlines for their growing influence in the world economy. State-backed investment vehicles based in the Gulf states have made high-profile investments in global real estate markets and professional sports, while their state-owned firms have become world leaders in the logistics and natural resource sectors. Governments around the world – including in the heartlands of advanced capitalism – have promoted the interests of ‘national champion’ companies in strategic economic sectors, bailed out financial institutions by taking toxic assets off of their balance sheets, and implemented industrial policies with the aim of moving into the most profitable segments of global value chains.
What accounts for this renewed prominence of states in global capitalism? Does the increased activism of states mark the end of neoliberal hegemony? And how do contemporary state-led economic initiatives compare to the heyday of Keynesian and developmentalist policy agendas in the decades immediately following World War II?
The book that we are discussing today, The Spectre of State Capitalism (Oxford UP, 2024) by Ilias Alami and Adam Dixon, marks the culmination of a highly productive research project that the authors have led on the compulsions and constraints that shape the ‘new’ state capitalism. The book aims to challenge narratives that pathologize state capitalism as an authoritarian deviation from the ‘normal’ course of free market capitalism while also showing how new forms of state activism depart from earlier models of state-led development.
Ilias Alami is a University assistant professor in the political economy of development at Cambrdige University. His previous book is Money Power and Financial Capital in Emerging Markets (2019). Adam Dixon holds the Adam Smith Chair in Sustainable Capitalism at Heriot Watt University’s Ediburgh Business School. He is the author of several books, most recently Sovereign Wealth Funds: Between States and Markets (2022).
This book is available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 22 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ilias Alami and Adam D. Dixon</itunes:subtitle>
      <itunes:summary>After close to three decades of the hegemony of free market ideas, the state has made a big comeback as an economic actor since the 2008 financial crisis. China’s state-owned companies and international financial institutions have made headlines for their growing influence in the world economy. State-backed investment vehicles based in the Gulf states have made high-profile investments in global real estate markets and professional sports, while their state-owned firms have become world leaders in the logistics and natural resource sectors. Governments around the world – including in the heartlands of advanced capitalism – have promoted the interests of ‘national champion’ companies in strategic economic sectors, bailed out financial institutions by taking toxic assets off of their balance sheets, and implemented industrial policies with the aim of moving into the most profitable segments of global value chains.
What accounts for this renewed prominence of states in global capitalism? Does the increased activism of states mark the end of neoliberal hegemony? And how do contemporary state-led economic initiatives compare to the heyday of Keynesian and developmentalist policy agendas in the decades immediately following World War II?
The book that we are discussing today, The Spectre of State Capitalism (Oxford UP, 2024) by Ilias Alami and Adam Dixon, marks the culmination of a highly productive research project that the authors have led on the compulsions and constraints that shape the ‘new’ state capitalism. The book aims to challenge narratives that pathologize state capitalism as an authoritarian deviation from the ‘normal’ course of free market capitalism while also showing how new forms of state activism depart from earlier models of state-led development.
Ilias Alami is a University assistant professor in the political economy of development at Cambrdige University. His previous book is Money Power and Financial Capital in Emerging Markets (2019). Adam Dixon holds the Adam Smith Chair in Sustainable Capitalism at Heriot Watt University’s Ediburgh Business School. He is the author of several books, most recently Sovereign Wealth Funds: Between States and Markets (2022).
This book is available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After close to three decades of the hegemony of free market ideas, the state has made a big comeback as an economic actor since the 2008 financial crisis. China’s state-owned companies and international financial institutions have made headlines for their growing influence in the world economy. State-backed investment vehicles based in the Gulf states have made high-profile investments in global real estate markets and professional sports, while their state-owned firms have become world leaders in the logistics and natural resource sectors. Governments around the world – including in the heartlands of advanced capitalism – have promoted the interests of ‘national champion’ companies in strategic economic sectors, bailed out financial institutions by taking toxic assets off of their balance sheets, and implemented industrial policies with the aim of moving into the most profitable segments of global value chains.</p><p>What accounts for this renewed prominence of states in global capitalism? Does the increased activism of states mark the end of neoliberal hegemony? And how do contemporary state-led economic initiatives compare to the heyday of Keynesian and developmentalist policy agendas in the decades immediately following World War II?</p><p>The book that we are discussing today, <a href="https://bookshop.org/a/12343/9780198925194"><em>The Spectre of State Capitalism</em></a> (Oxford UP, 2024) by Ilias Alami and Adam Dixon, marks the culmination of a highly productive research project that the authors have led on the compulsions and constraints that shape the ‘new’ state capitalism. The book aims to challenge narratives that pathologize state capitalism as an authoritarian deviation from the ‘normal’ course of free market capitalism while also showing how new forms of state activism depart from earlier models of state-led development.</p><p>Ilias Alami is a University assistant professor in the political economy of development at Cambrdige University. His previous book is <em>Money Power and Financial Capital in Emerging Markets</em> (2019). Adam Dixon holds the Adam Smith Chair in Sustainable Capitalism at Heriot Watt University’s Ediburgh Business School. He is the author of several books, most recently <em>Sovereign Wealth Funds: Between States and Markets</em> (2022).</p><p>This book is available open access <a href="https://academic.oup.com/book/57552">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4055</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7b65be38-7828-11ef-b104-dbe0608a7cf1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8742620418.mp3?updated=1732047071" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shane Burley and Ben Lorber, "Safety through Solidarity: A Radical Guide to Fighting Antisemitism" (Melville House, 2024)</title>
      <description>Antisemitism is on the rise today. From synagogue shootings by white nationalists, to right-wing politicians and media figures pushing George Soros conspiracy theories, it’s clear that exclusionary nationalist movements are growing. By spreading division and fear, they put Jews, along with other marginalized groups and multiracial democracy itself, at risk.
And since the outbreak of war in Gaza, debates around antisemitism have become more polarized and high-stakes than ever. How can we stand in solidarity with Palestinians seeking justice, while also avoiding antisemitism — and resisting those who seek to conflate the two? How do we forge the coalitions across communities that we need, in order to overcome the politics of division and fear?
In Safety through Solidarity: A Radical Guide to Fighting Antisemitism (Melville House, 2024), Shane Burley and Ben Lorber help us break the current impasse to understand how antisemitism works, what’s missing in contemporary debates, and how to build true safety through solidarity, for Jews and all people.
Shane Burley is a writer and filmmaker based in Portland, Oregon. Ben Lorber is a Senior Research Analyst at Political Research Associates, a progressive think tank that monitors far-right movements. He tweets at @BenLorber8.
Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>549</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shane Burley and Ben Lorber</itunes:subtitle>
      <itunes:summary>Antisemitism is on the rise today. From synagogue shootings by white nationalists, to right-wing politicians and media figures pushing George Soros conspiracy theories, it’s clear that exclusionary nationalist movements are growing. By spreading division and fear, they put Jews, along with other marginalized groups and multiracial democracy itself, at risk.
And since the outbreak of war in Gaza, debates around antisemitism have become more polarized and high-stakes than ever. How can we stand in solidarity with Palestinians seeking justice, while also avoiding antisemitism — and resisting those who seek to conflate the two? How do we forge the coalitions across communities that we need, in order to overcome the politics of division and fear?
In Safety through Solidarity: A Radical Guide to Fighting Antisemitism (Melville House, 2024), Shane Burley and Ben Lorber help us break the current impasse to understand how antisemitism works, what’s missing in contemporary debates, and how to build true safety through solidarity, for Jews and all people.
Shane Burley is a writer and filmmaker based in Portland, Oregon. Ben Lorber is a Senior Research Analyst at Political Research Associates, a progressive think tank that monitors far-right movements. He tweets at @BenLorber8.
Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Antisemitism is on the rise today. From synagogue shootings by white nationalists, to right-wing politicians and media figures pushing George Soros conspiracy theories, it’s clear that exclusionary nationalist movements are growing. By spreading division and fear, they put Jews, along with other marginalized groups and multiracial democracy itself, at risk.</p><p>And since the outbreak of war in Gaza, debates around antisemitism have become more polarized and high-stakes than ever. How can we stand in solidarity with Palestinians seeking justice, while also avoiding antisemitism — and resisting those who seek to conflate the two? How do we forge the coalitions across communities that we need, in order to overcome the politics of division and fear?</p><p>In <a href="https://bookshop.org/a/12343/9781685890919"><em>Safety through Solidarity: A Radical Guide to Fighting Antisemitism</em></a> (Melville House, 2024), Shane Burley and Ben Lorber help us break the current impasse to understand how antisemitism works, what’s missing in contemporary debates, and how to build true safety through solidarity, for Jews and all people.</p><p>Shane Burley is a writer and filmmaker based in Portland, Oregon. Ben Lorber is a Senior Research Analyst at Political Research Associates, a progressive think tank that monitors far-right movements. He tweets at @BenLorber8.</p><p>Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4081</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c5e554bc-778f-11ef-b7e3-df7533843ff3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5782974974.mp3?updated=1726866765" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Lewis, "The Unseen Truth: When Race Changed Sight in America" (Harvard UP, 2024)</title>
      <description>In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.
The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.
To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
Sarah Lewis is the founder of Vision &amp; Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon &amp; Schuster),  Lewis is the editor of the award-winning volumes, “Vision &amp; Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision &amp; Justice Convening at Harvard University, and co-editor of the Vision &amp; Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>324</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Lewis</itunes:subtitle>
      <itunes:summary>In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.
The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.
To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
Sarah Lewis is the founder of Vision &amp; Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon &amp; Schuster),  Lewis is the editor of the award-winning volumes, “Vision &amp; Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision &amp; Justice Convening at Harvard University, and co-editor of the Vision &amp; Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.</p><p>The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.</p><p>To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant,<a href="https://bookshop.org/a/12343/9780674238343"> <em>The Unseen Truth: When Race Changed Sight in America</em></a><em> </em>(Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.</p><p>Sarah Lewis is the founder of Vision &amp; Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of <em>The Unseen Truth: When Race Changed Sight in America</em> (Harvard University Press), the bestseller, <em>The Rise: Creativity, the Gift of Failure, and the Search for Mastery </em>(Simon &amp; Schuster),  Lewis is the editor of the award-winning volumes, “Vision &amp; Justice” by <em>Aperture</em> magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision &amp; Justice Convening at Harvard University, and co-editor of the Vision &amp; Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the <em>New Yorker</em>, the <em>New York Times</em>, <em>Artforum</em>, and the <em>New York Review of Books</em>, and her work has been the subject of profiles from <em>The Boston Globe</em> to the <em>New York Times</em>. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2603</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lucy Weir, "Performance, Masculinity, and Self-Injury" (Routledge, 2024)</title>
      <description>Can self-harm be art? In Performance, Masculinity, and Self-Injury (Routledge, 2024), Lucy Weir, a Reader in History of Art at the University of Edinburgh rethinks the recent history of performance to understand the ‘injurious turn’ in contemporary live art. The book challenges the usual associations between self-harm and gender by exploring the work of a diverse range of artists. 
Taking Viennese Actionism as its starting point, the book then offers detailed case studies of, amongst others, André Stitt, Ron Athey, Wafaa Bilal and Pyotr Pavlensky. Each artist is considered in relation to their context, as well as how their work relates to the more general question of how masculinity itself relates to extreme performance in challenging and censorious settings. As well as being theoretically and empirically rich, the book offers an engaging route into art theory and art history for non-specialists. It will be of interest widely in humanities, medicine and the social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>482</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lucy Weir</itunes:subtitle>
      <itunes:summary>Can self-harm be art? In Performance, Masculinity, and Self-Injury (Routledge, 2024), Lucy Weir, a Reader in History of Art at the University of Edinburgh rethinks the recent history of performance to understand the ‘injurious turn’ in contemporary live art. The book challenges the usual associations between self-harm and gender by exploring the work of a diverse range of artists. 
Taking Viennese Actionism as its starting point, the book then offers detailed case studies of, amongst others, André Stitt, Ron Athey, Wafaa Bilal and Pyotr Pavlensky. Each artist is considered in relation to their context, as well as how their work relates to the more general question of how masculinity itself relates to extreme performance in challenging and censorious settings. As well as being theoretically and empirically rich, the book offers an engaging route into art theory and art history for non-specialists. It will be of interest widely in humanities, medicine and the social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can self-harm be art? In <a href="https://bookshop.org/a/12343/9781032027098"><em>Performance, Masculinity, and Self-Injury</em></a><em> </em>(Routledge, 2024), <a href="https://lucyweir.co.uk/">Lucy Weir</a>, a Reader in <a href="https://www.eca.ed.ac.uk/profile/dr-lucy-weir">History of Art at the University of Edinburgh</a> rethinks the recent history of performance to understand the ‘injurious turn’ in contemporary live art. The book challenges the usual associations between self-harm and gender by exploring the work of a diverse range of artists. </p><p>Taking Viennese Actionism as its starting point, the book then offers detailed case studies of, amongst others, <a href="https://www.instagram.com/andrestitt/?hl=en">André Stitt,</a> <a href="https://www.instagram.com/ronathey_4/?hl=en">Ron Athey,</a> <a href="https://wafaabilal.com/">Wafaa Bilal</a> and <a href="https://www.instagram.com/pyotr.pavlensky/?hl=en">Pyotr Pavlensky</a>. Each artist is considered in relation to their context, as well as how their work relates to the more general question of how masculinity itself relates to extreme performance in challenging and censorious settings. As well as being theoretically and empirically rich, the book offers an engaging route into art theory and art history for non-specialists. It will be of interest widely in humanities, medicine and the social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2304</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Immigration Realities: Challenging Common Misperceptions</title>
      <description>Today’s book is: Immigration Realities: Challenging Common Misperceptions (Columbia UP, 2024), by Ernesto Castaneda and Carina Cione, which is a practical, evidence-based primer on immigrants and immigration. Each chapter debunks a frequently encountered claim and answers common questions. Presenting the latest findings and decades of interdisciplinary research in an accessible way, Dr. Castañeda and Carina Cione emphasize the expert consensus that immigration is vital to the United States and many other countries around the world. Featuring original insights from research conducted in El Paso, Texas, Immigration Realities considers a wide range of places, ethnic groups, and historical eras. It provides the key data and context to understand how immigration affects economies, crime rates, and social welfare systems, and it sheds light on contentious issues such as the safety of the U.S.-Mexico border and the consequences of Brexit. This book is an indispensable guide for all readers who want to counter false claims about immigration and are interested in what the research shows.
Our guest is: Dr. Ernesto Castañeda, who is the director of the Immigration Lab and the Center for Latin American and Latino Studies at American University. His books include A Place to Call Home: Immigrant Exclusion and Urban Belonging in New York, Paris, and Barcelona (2018); Building Walls: Excluding Latin People in the United States (2019); and Reunited: Family Separation and Central American Youth Migration (2024).
The Immigration Realities co-author is: Carina Cione, who is a sociologist and writer based out of Baltimore. Their work has been featured by the International Journal of Environmental Research and Public Health, Trauma Care, El Paso News, and American University’s Center for Latin American &amp; Latino Studies Working Paper Series.
Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast.
Listeners may enjoy this playlist:

We Are Not Dreamers: Undocumented Scholars Theorize Undocumented Life in the United States

We Take Our Cities With Us

Secret Harvests

The Ungrateful Refugee

The Translator's Daughter

Where Is Home?

Who Gets Believed: When the Truth Isn't Enough


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 19 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>232</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Ernesto Castañeda</itunes:subtitle>
      <itunes:summary>Today’s book is: Immigration Realities: Challenging Common Misperceptions (Columbia UP, 2024), by Ernesto Castaneda and Carina Cione, which is a practical, evidence-based primer on immigrants and immigration. Each chapter debunks a frequently encountered claim and answers common questions. Presenting the latest findings and decades of interdisciplinary research in an accessible way, Dr. Castañeda and Carina Cione emphasize the expert consensus that immigration is vital to the United States and many other countries around the world. Featuring original insights from research conducted in El Paso, Texas, Immigration Realities considers a wide range of places, ethnic groups, and historical eras. It provides the key data and context to understand how immigration affects economies, crime rates, and social welfare systems, and it sheds light on contentious issues such as the safety of the U.S.-Mexico border and the consequences of Brexit. This book is an indispensable guide for all readers who want to counter false claims about immigration and are interested in what the research shows.
Our guest is: Dr. Ernesto Castañeda, who is the director of the Immigration Lab and the Center for Latin American and Latino Studies at American University. His books include A Place to Call Home: Immigrant Exclusion and Urban Belonging in New York, Paris, and Barcelona (2018); Building Walls: Excluding Latin People in the United States (2019); and Reunited: Family Separation and Central American Youth Migration (2024).
The Immigration Realities co-author is: Carina Cione, who is a sociologist and writer based out of Baltimore. Their work has been featured by the International Journal of Environmental Research and Public Health, Trauma Care, El Paso News, and American University’s Center for Latin American &amp; Latino Studies Working Paper Series.
Our host is: Dr. Christina Gessler, who is the producer of the Academic Life podcast.
Listeners may enjoy this playlist:

We Are Not Dreamers: Undocumented Scholars Theorize Undocumented Life in the United States

We Take Our Cities With Us

Secret Harvests

The Ungrateful Refugee

The Translator's Daughter

Where Is Home?

Who Gets Believed: When the Truth Isn't Enough


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s book is:<a href="https://bookshop.org/a/12343/9780231203753"><em> Immigration Realities: Challenging Common Misperceptions</em></a><em> </em>(Columbia UP, 2024), by Ernesto Castaneda and Carina Cione, which is a practical, evidence-based primer on immigrants and immigration. Each chapter debunks a frequently encountered claim and answers common questions. Presenting the latest findings and decades of interdisciplinary research in an accessible way, Dr. Castañeda and Carina Cione emphasize the expert consensus that immigration is vital to the United States and many other countries around the world. Featuring original insights from research conducted in El Paso, Texas, Immigration Realities considers a wide range of places, ethnic groups, and historical eras. It provides the key data and context to understand how immigration affects economies, crime rates, and social welfare systems, and it sheds light on contentious issues such as the safety of the U.S.-Mexico border and the consequences of Brexit. This book is an indispensable guide for all readers who want to counter false claims about immigration and are interested in what the research shows.</p><p>Our guest is: Dr. Ernesto Castañeda, who is the director of the Immigration Lab and the Center for Latin American and Latino Studies at American University. His books include A Place to Call Home: Immigrant Exclusion and Urban Belonging in New York, Paris, and Barcelona (2018); Building Walls: Excluding Latin People in the United States (2019); and Reunited: Family Separation and Central American Youth Migration (2024).</p><p>The Immigration Realities co-author is: Carina Cione, who is a sociologist and writer based out of Baltimore. Their work has been featured by the International Journal of Environmental Research and Public Health, Trauma Care, El Paso News, and American University’s Center for Latin American &amp; Latino Studies Working Paper Series.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the producer of the Academic Life podcast.</p><p>Listeners may enjoy this playlist:</p><ul>
<li><a href="https://newbooksnetwork.com/we-are-not-dreamers-undocumented-scholars-theorize-undocumented-life-in-the-united-states#entry:205111@1:url">We Are Not Dreamers: Undocumented Scholars Theorize Undocumented Life in the United States</a></li>
<li><a href="https://newbooksnetwork.com/we-take-our-cities-with-us#entry:308824@1:url">We Take Our Cities With Us</a></li>
<li><a href="https://newbooksnetwork.com/secret-harvests#entry:297964@1:url">Secret Harvests</a></li>
<li><a href="https://newbooksnetwork.com/the-ungrateful-refugee#entry:228574@1:url">The Ungrateful Refugee</a></li>
<li><a href="https://newbooksnetwork.com/the-translators-daughter#entry:308821@1:url">The Translator's Daughter</a></li>
<li><a href="https://newbooksnetwork.com/where-is-home#entry:289487@1:url">Where Is Home?</a></li>
<li><a href="https://podcasts.apple.com/us/podcast/who-gets-believed-when-the-truth-isnt-enough/id1539341620?i=1000602026316">Who Gets Believed: When the Truth Isn't Enough</a></li>
</ul><p><br></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? Find them <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a> And thank you for listening!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4006</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4c03e44c-75e6-11ef-bca0-efb0ffef0bbc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6845895603.mp3?updated=1726683213" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alexis Pauline Gumbs, "Survival Is a Promise: The Eternal Life of Audre Lorde" (FSG, 2024)</title>
      <description>We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.
Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.
In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 19 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>476</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexis Pauline Gumbs</itunes:subtitle>
      <itunes:summary>We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.
Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.
In Survival Is a Promise: The Eternal Life of Audre Lorde (FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde's teachings on "the creative power of difference" may be missing something fundamental about her life and work, and what they can mean for us today.</p><p>Lorde's understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde's quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive--to live the ethics that a Black feminist lesbian warrior poetics demands.</p><p>In <a href="https://bookshop.org/a/12343/9780374603274"><em>Survival Is a Promise: The Eternal Life of Audre Lorde</em></a><em> </em>(FSG, 2024), Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3187</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c0369f2-75fc-11ef-bac1-03ea6079ea78]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1595895796.mp3?updated=1726692332" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Danny Sriskandarajah, "Power to the People: Use Your Voice, Change the World" (Headline Press, 2024)</title>
      <description>Power to the People: Use Your Voice, Change the World (Headline Press, 2024) is Danny Sriskandarajah‘s radical manifesto for change designed to inspire citizen action around the world. The book presents a blueprint for how we, as individuals, can make a difference through greater community engagement and how we can deliver a society that works for the many and not the few. He speaks to voter apathy and a growing sense that elections no longer matter, with politicians and institutions too focused on short-term issues to grapple with complex global problems such as climate change, rising inequality, and digital disruption. Yet the book is also filled with inspiring real-life examples of citizen power in action, ranging from a volunteer-run repair café in Danny's local suburb to Avaaz's successful campaigns to tackle endemic corruption in Brazil.
From public ownership of social media spaces to democratizing share ownership and from re-energizing co-operatives to creating a people's chamber at the United Nations, this campaigning book has a mission to make us reclaim our power as citizens of the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Danny Sriskandarajah</itunes:subtitle>
      <itunes:summary>Power to the People: Use Your Voice, Change the World (Headline Press, 2024) is Danny Sriskandarajah‘s radical manifesto for change designed to inspire citizen action around the world. The book presents a blueprint for how we, as individuals, can make a difference through greater community engagement and how we can deliver a society that works for the many and not the few. He speaks to voter apathy and a growing sense that elections no longer matter, with politicians and institutions too focused on short-term issues to grapple with complex global problems such as climate change, rising inequality, and digital disruption. Yet the book is also filled with inspiring real-life examples of citizen power in action, ranging from a volunteer-run repair café in Danny's local suburb to Avaaz's successful campaigns to tackle endemic corruption in Brazil.
From public ownership of social media spaces to democratizing share ownership and from re-energizing co-operatives to creating a people's chamber at the United Nations, this campaigning book has a mission to make us reclaim our power as citizens of the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/Power-People-voice-change-world-ebook/dp/B0CND1BSNQ"><em>Power to the People: Use Your Voice, Change the World</em> </a>(Headline Press, 2024) is Danny Sriskandarajah‘s radical manifesto for change designed to inspire citizen action around the world. The book presents a blueprint for how we, as individuals, can make a difference through greater community engagement and how we can deliver a society that works for the many and not the few. He speaks to voter apathy and a growing sense that elections no longer matter, with politicians and institutions too focused on short-term issues to grapple with complex global problems such as climate change, rising inequality, and digital disruption. Yet the book is also filled with inspiring real-life examples of citizen power in action, ranging from a volunteer-run repair café in Danny's local suburb to Avaaz's successful campaigns to tackle endemic corruption in Brazil.</p><p>From public ownership of social media spaces to democratizing share ownership and from re-energizing co-operatives to creating a people's chamber at the United Nations, this campaigning book has a mission to make us reclaim our power as citizens of the world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3053</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90ac7038-739c-11ef-9e01-2738104bccd8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6321877481.mp3?updated=1726431872" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karl Marx, "Capital: Critique of Political Economy, Volume 1" (Princeton UP, 2024)</title>
      <description>Karl Marx (1818-1883) was living in exile in England when he embarked on an ambitious, multivolume critique of the capitalist system of production. Though only the first volume saw publication in Marx's lifetime, it would become one of the most consequential books in history. 
This magnificent new edition of Capital (Princeton UP, 2024) is a translation of Marx for the twenty-first century. It is the first translation into English to be based on the last German edition revised by Marx himself, the only version that can be called authoritative, and it features extensive commentary and annotations by Paul North and Paul Reitter that draw on the latest scholarship and provide invaluable perspective on the book and its complicated legacy. At once precise and boldly readable, this translation captures the momentous scale and sweep of Marx's thought while recovering the elegance and humor of the original source.
For Marx, our global economic system is relentlessly driven by "value"--to produce it, capture it, trade it, and, most of all, to increase it. Lifespans are shortened under the demand for ever-greater value. Days are lengthened, work is intensified, and the division of labor deepens until it leaves two classes, owners and workers, in constant struggle for life and livelihood. In Capital, Marx reveals how value came to tyrannize our world, and how the history of capital is a chronicle of bloodshed, colonization, and enslavement.
With a foreword by Wendy Brown and an afterword by William Clare Roberts, this is a critical edition of Capital for our time, one that faithfully preserves the vitality and directness of Marx's German prose and renders his ideas newly relevant to modern readers.
An audiobook narrated by Simon Vance is available here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul North, Paul Reitter, and Simon Vance</itunes:subtitle>
      <itunes:summary>Karl Marx (1818-1883) was living in exile in England when he embarked on an ambitious, multivolume critique of the capitalist system of production. Though only the first volume saw publication in Marx's lifetime, it would become one of the most consequential books in history. 
This magnificent new edition of Capital (Princeton UP, 2024) is a translation of Marx for the twenty-first century. It is the first translation into English to be based on the last German edition revised by Marx himself, the only version that can be called authoritative, and it features extensive commentary and annotations by Paul North and Paul Reitter that draw on the latest scholarship and provide invaluable perspective on the book and its complicated legacy. At once precise and boldly readable, this translation captures the momentous scale and sweep of Marx's thought while recovering the elegance and humor of the original source.
For Marx, our global economic system is relentlessly driven by "value"--to produce it, capture it, trade it, and, most of all, to increase it. Lifespans are shortened under the demand for ever-greater value. Days are lengthened, work is intensified, and the division of labor deepens until it leaves two classes, owners and workers, in constant struggle for life and livelihood. In Capital, Marx reveals how value came to tyrannize our world, and how the history of capital is a chronicle of bloodshed, colonization, and enslavement.
With a foreword by Wendy Brown and an afterword by William Clare Roberts, this is a critical edition of Capital for our time, one that faithfully preserves the vitality and directness of Marx's German prose and renders his ideas newly relevant to modern readers.
An audiobook narrated by Simon Vance is available here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Karl Marx (1818-1883) was living in exile in England when he embarked on an ambitious, multivolume critique of the capitalist system of production. Though only the first volume saw publication in Marx's lifetime, it would become one of the most consequential books in history. </p><p>This magnificent new edition of <a href="https://bookshop.org/a/12343/9780691190075"><em>Capital</em></a> (Princeton UP, 2024) is a translation of Marx for the twenty-first century. It is the first translation into English to be based on the last German edition revised by Marx himself, the only version that can be called authoritative, and it features extensive commentary and annotations by Paul North and Paul Reitter that draw on the latest scholarship and provide invaluable perspective on the book and its complicated legacy. At once precise and boldly readable, this translation captures the momentous scale and sweep of Marx's thought while recovering the elegance and humor of the original source.</p><p>For Marx, our global economic system is relentlessly driven by "value"--to produce it, capture it, trade it, and, most of all, to increase it. Lifespans are shortened under the demand for ever-greater value. Days are lengthened, work is intensified, and the division of labor deepens until it leaves two classes, owners and workers, in constant struggle for life and livelihood. In <em>Capital</em>, Marx reveals how value came to tyrannize our world, and how the history of capital is a chronicle of bloodshed, colonization, and enslavement.</p><p>With a foreword by Wendy Brown and an afterword by William Clare Roberts, this is a critical edition of <em>Capital</em> for our time, one that faithfully preserves the vitality and directness of Marx's German prose and renders his ideas newly relevant to modern readers.</p><p>An audiobook narrated by Simon Vance is available <a href="https://press.princeton.edu/books/audio/9780691267562/capital?srsltid=AfmBOoqoxuUG9sEFVuOOXX1movYrKP5yX3DE0kNGkGOtNq7dYjMsJKrq">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2148</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0517e3e-6238-11ef-993d-eb40e7bc68ba]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6245000281.mp3?updated=1724517986" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Decolonial Muslim Political Activism and Thought in Britain</title>
      <description>Hizer Mir in conversation with Yahya Birt who speaks on decolonial Muslim political activism and thought in Britain.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/38398cf2-5807-11ef-97f1-3fc0c2869b31/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In conversation with Yahya Birt </itunes:subtitle>
      <itunes:summary>Hizer Mir in conversation with Yahya Birt who speaks on decolonial Muslim political activism and thought in Britain.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hizer Mir in conversation with Yahya Birt who speaks on decolonial Muslim political activism and thought in Britain.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1616</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c44f00b8-fa46-5f3d-f243-e1aff4d6b749]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4993546731.mp3?updated=1723397623" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Osborne, "Polished: College, Class, and the Burdens of Social Mobility" (U Chicago Press, 2024)</title>
      <description>Why do people go to college? In Polished: College, Class, and the Burdens of Social Mobility (U Chicago Press, 2024), Melissa Osborne, an associate professor at Western Washington University, explores the experiences of students from low income and first-generation backgrounds who attend elite universities in the USA. The book offers a vital intervention for our understanding of the role of higher education and its connection to a range of social inequalities. It captures the sometimes difficult and ambivalent experiences of students from outside the traditional demographics for elite institutions. The analysis offers a nuanced understanding of the process of social mobility, showing the struggles of students and institutions, and the limits of individually-focused approaches to social change. Rich with ethnographic and qualitative data, as well as a powerful set of ideas for elite institutional change, the book is essential reading for educators everywhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>481</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa Osborne</itunes:subtitle>
      <itunes:summary>Why do people go to college? In Polished: College, Class, and the Burdens of Social Mobility (U Chicago Press, 2024), Melissa Osborne, an associate professor at Western Washington University, explores the experiences of students from low income and first-generation backgrounds who attend elite universities in the USA. The book offers a vital intervention for our understanding of the role of higher education and its connection to a range of social inequalities. It captures the sometimes difficult and ambivalent experiences of students from outside the traditional demographics for elite institutions. The analysis offers a nuanced understanding of the process of social mobility, showing the struggles of students and institutions, and the limits of individually-focused approaches to social change. Rich with ethnographic and qualitative data, as well as a powerful set of ideas for elite institutional change, the book is essential reading for educators everywhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do people go to college? In <a href="https://bookshop.org/a/12343/9780226833040"><em>Polished: College, Class, and the Burdens of Social Mobility</em></a><em> </em>(U Chicago Press, 2024), <a href="https://x.com/MOsborne_Soc">Melissa Osborne</a>, an <a href="https://www.melissaosborne.net/">associate professor</a> at <a href="https://chss.wwu.edu/osbornm7">Western Washington University</a>, explores the experiences of students from low income and first-generation backgrounds who attend elite universities in the USA. The book offers a vital intervention for our understanding of the role of higher education and its connection to a range of social inequalities. It captures the sometimes difficult and ambivalent experiences of students from outside the traditional demographics for elite institutions. The analysis offers a nuanced understanding of the process of social mobility, showing the struggles of students and institutions, and the limits of individually-focused approaches to social change. Rich with ethnographic and qualitative data, as well as a powerful set of ideas for elite institutional change, the book is essential reading for educators everywhere.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2740</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1f3c174e-6eee-11ef-af26-1bc2518c05a5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7042730913.mp3?updated=1725917171" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Are We Experiencing a Crisis of Culture?</title>
      <description>In this episode of International Horizons, RBI director John Torpey spoke with Olivier Roy, professor of social and political sciences at the European University Institute in Florence, Italy, and author of The Crisis of Culture: Identity Politics and the Empire of Norms (Oxford University Press, 2024). Roy argues that neoliberal globalization is dissolving not just subordinate cultures but also dominant ones by undermining the tacit understanding that undergird cultures and demanding that those norms be made explicit. 
Moreover, Roy discusses how identity politics has come to supplant the norms once implicit in a broader culture, undermining the possibility that people know how to live in society at all. These development reflect the decline of utopian dreams – for better or worse – and the difficulties involved in maintaining social bonds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Olivier Roy</itunes:subtitle>
      <itunes:summary>In this episode of International Horizons, RBI director John Torpey spoke with Olivier Roy, professor of social and political sciences at the European University Institute in Florence, Italy, and author of The Crisis of Culture: Identity Politics and the Empire of Norms (Oxford University Press, 2024). Roy argues that neoliberal globalization is dissolving not just subordinate cultures but also dominant ones by undermining the tacit understanding that undergird cultures and demanding that those norms be made explicit. 
Moreover, Roy discusses how identity politics has come to supplant the norms once implicit in a broader culture, undermining the possibility that people know how to live in society at all. These development reflect the decline of utopian dreams – for better or worse – and the difficulties involved in maintaining social bonds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of International Horizons, RBI director John Torpey spoke with Olivier Roy, professor of social and political sciences at the European University Institute in Florence, Italy, and author of <a href="https://bookshop.org/a/12343/9780197782514"><em>The Crisis of Culture: Identity Politics and the Empire of Norms</em></a><em> </em>(Oxford University Press, 2024). Roy argues that neoliberal globalization is dissolving not just subordinate cultures but also dominant ones by undermining the tacit understanding that undergird cultures and demanding that those norms be made explicit. </p><p>Moreover, Roy discusses how identity politics has come to supplant the norms once implicit in a broader culture, undermining the possibility that people know how to live in society at all. These development reflect the decline of utopian dreams – for better or worse – and the difficulties involved in maintaining social bonds.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2368</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8064cfc-6eeb-11ef-b6f1-a363e277e7ef]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2462645466.mp3?updated=1725915309" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Josh Cowen, "The Privateers: How Billionaires Created a Culture War and Sold School Vouchers" (Harvard Education Press, 2024)</title>
      <description>School vouchers are often framed as a way to help students and families by providing choice, but evidence shows that vouchers have a negative impact on educational outcomes. 
In The Privateers: How Billionaires Created a Culture War and Sold School Vouchers (Harvard Education Press, 2024), Josh Cowen describes voucher programs as the product of decades of work by influential conservatives and wealthy activists to support a vision of America where education is privatized and removed from the public sphere.
Far from realizing the purported goal of educational equity, Cowen cites multiple research studies that conclude that voucher programs return poor academic outcomes, including lower test scores on state exams, especially among students who are at greater academic risk because of their race, their religion, their gender identity, or their family's income.
The books traces the history of vouchers from it's initial proposal as part of conservative economic policy through its adoption as a method for families to resist school desegregation. Since then, the issue of education "freedom" has been a part of an ongoing culture war waged through policymaking, legislation, and litigation. 
Cowen describes the advocacy network that funds research and promotion of vouchers as a way to attain ideological goals related to conservative social policy, not educational outcomes. 
Recommended reading: 


East of Eden by John Steinbeck


Demon Copperhead by Barbara Kingsolver


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Josh Cowen</itunes:subtitle>
      <itunes:summary>School vouchers are often framed as a way to help students and families by providing choice, but evidence shows that vouchers have a negative impact on educational outcomes. 
In The Privateers: How Billionaires Created a Culture War and Sold School Vouchers (Harvard Education Press, 2024), Josh Cowen describes voucher programs as the product of decades of work by influential conservatives and wealthy activists to support a vision of America where education is privatized and removed from the public sphere.
Far from realizing the purported goal of educational equity, Cowen cites multiple research studies that conclude that voucher programs return poor academic outcomes, including lower test scores on state exams, especially among students who are at greater academic risk because of their race, their religion, their gender identity, or their family's income.
The books traces the history of vouchers from it's initial proposal as part of conservative economic policy through its adoption as a method for families to resist school desegregation. Since then, the issue of education "freedom" has been a part of an ongoing culture war waged through policymaking, legislation, and litigation. 
Cowen describes the advocacy network that funds research and promotion of vouchers as a way to attain ideological goals related to conservative social policy, not educational outcomes. 
Recommended reading: 


East of Eden by John Steinbeck


Demon Copperhead by Barbara Kingsolver


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>School vouchers are often framed as a way to help students and families by providing choice, but evidence shows that vouchers have a negative impact on educational outcomes. </p><p>In <a href="https://bookshop.org/a/12343/9781682539101"><em>The Privateers: How Billionaires Created a Culture War and Sold School Vouchers</em></a><em> </em>(Harvard Education Press, 2024), Josh Cowen describes voucher programs as the product of decades of work by influential conservatives and wealthy activists to support a vision of America where education is privatized and removed from the public sphere.</p><p>Far from realizing the purported goal of educational equity, Cowen cites multiple research studies that conclude that voucher programs return poor academic outcomes, including lower test scores on state exams, especially among students who are at greater academic risk because of their race, their religion, their gender identity, or their family's income.</p><p>The books traces the history of vouchers from it's initial proposal as part of conservative economic policy through its adoption as a method for families to resist school desegregation. Since then, the issue of education "freedom" has been a part of an ongoing culture war waged through policymaking, legislation, and litigation. </p><p>Cowen describes the advocacy network that funds research and promotion of vouchers as a way to attain ideological goals related to conservative social policy, not educational outcomes. </p><p>Recommended reading: </p><ul>
<li>
<a href="https://bookshop.org/p/books/east-of-eden-penguin-orange-collection-john-steinbeck/6688502">East of Eden</a> by John Steinbeck</li>
<li>
<a href="https://bookshop.org/p/books/demon-copperhead-barbara-kingsolver/18506689?">Demon Copperhead</a> by Barbara Kingsolver</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2386</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[133e110c-6d4c-11ef-9617-ef11d1a680a1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8415040739.mp3?updated=1725736794" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Red Chidgey and Joanne Garde-Hansen, "Museums, Archives and Protest Memory" (Palgrave Macmillan, 2024)</title>
      <description>In Museums, Archives and Protest Memory (Palgrave Macmillan, 2024), Red Chidgey and Joanne Garde-Hansen address the emergence of ‘protest memory’ as a powerful contemporary shaper of ideas and practices in culture, media and heritage domains. Directly focused on the role of museum and archive practitioners in protest memory curation, they make a compelling contribution to our understanding of how social movements and activist experiences are publicly remembered and activated for social and environmental justice.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Red Chidgey and Joanne Garde-Hansen</itunes:subtitle>
      <itunes:summary>In Museums, Archives and Protest Memory (Palgrave Macmillan, 2024), Red Chidgey and Joanne Garde-Hansen address the emergence of ‘protest memory’ as a powerful contemporary shaper of ideas and practices in culture, media and heritage domains. Directly focused on the role of museum and archive practitioners in protest memory curation, they make a compelling contribution to our understanding of how social movements and activist experiences are publicly remembered and activated for social and environmental justice.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9783031444777"><em>Museums, Archives and Protest Memory</em></a> (Palgrave Macmillan, 2024), Red Chidgey and Joanne Garde-Hansen address the emergence of ‘protest memory’ as a powerful contemporary shaper of ideas and practices in culture, media and heritage domains. Directly focused on the role of museum and archive practitioners in protest memory curation, they make a compelling contribution to our understanding of how social movements and activist experiences are publicly remembered and activated for social and environmental justice.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3438</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c52d49d0-6d4e-11ef-a107-dfd794364c08]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6404487994.mp3?updated=1725740852" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jess Whatcott, "Menace to the Future: A Disability and Queer History of Carceral Eugenics" (Duke UP, 2024)</title>
      <description>In Menace to the Future: A Disability and Queer History of Carceral Eugenics (Duke UP, 2024), Jess Whatcott traces the link between US disability institutions and early twentieth-century eugenicist ideology, demonstrating how the legacy of those ideas continues to shape incarceration and detention today. Whatcott focuses on California, examining records from state institutions and reform organizations, newspapers, and state hospital museum exhibits. They reveal that state confinement, coercive treatment, care neglect, and forced sterilization were done out of the belief that the perceived unfitness of disabled, mad, and neurodivergent people was hereditary and thus posed a biological threat—a so-called menace to the future. 
Whatcott uncovers a history of disabled resistance to these institutions that predates disability rights movements, builds a genealogy of resistance, and tells a history of eugenics from below. Theorizing how what they call “carceral eugenics” informed state treatment of disabled, mad, and neurodivergent people a century ago, Whatcott shows not only how that same logic still exists in secure treatment facilities, state prisons, and immigration detention centers, but also why it must continue to be resisted.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jess Whatcott</itunes:subtitle>
      <itunes:summary>In Menace to the Future: A Disability and Queer History of Carceral Eugenics (Duke UP, 2024), Jess Whatcott traces the link between US disability institutions and early twentieth-century eugenicist ideology, demonstrating how the legacy of those ideas continues to shape incarceration and detention today. Whatcott focuses on California, examining records from state institutions and reform organizations, newspapers, and state hospital museum exhibits. They reveal that state confinement, coercive treatment, care neglect, and forced sterilization were done out of the belief that the perceived unfitness of disabled, mad, and neurodivergent people was hereditary and thus posed a biological threat—a so-called menace to the future. 
Whatcott uncovers a history of disabled resistance to these institutions that predates disability rights movements, builds a genealogy of resistance, and tells a history of eugenics from below. Theorizing how what they call “carceral eugenics” informed state treatment of disabled, mad, and neurodivergent people a century ago, Whatcott shows not only how that same logic still exists in secure treatment facilities, state prisons, and immigration detention centers, but also why it must continue to be resisted.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://read.dukeupress.edu/books/book/3393/Menace-to-the-FutureA-Disability-and-Queer-History"><em>Menace to the Future: A Disability and Queer History of Carceral Eugenics</em></a><em> </em>(Duke UP, 2024), Jess Whatcott traces the link between US disability institutions and early twentieth-century eugenicist ideology, demonstrating how the legacy of those ideas continues to shape incarceration and detention today. Whatcott focuses on California, examining records from state institutions and reform organizations, newspapers, and state hospital museum exhibits. They reveal that state confinement, coercive treatment, care neglect, and forced sterilization were done out of the belief that the perceived unfitness of disabled, mad, and neurodivergent people was hereditary and thus posed a biological threat—a so-called menace to the future. </p><p>Whatcott uncovers a history of disabled resistance to these institutions that predates disability rights movements, builds a genealogy of resistance, and tells a history of eugenics from below. Theorizing how what they call “carceral eugenics” informed state treatment of disabled, mad, and neurodivergent people a century ago, Whatcott shows not only how that same logic still exists in secure treatment facilities, state prisons, and immigration detention centers, but also why it must continue to be resisted.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3502</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ee4931fe-6c80-11ef-95e4-6326624f28e7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3833316345.mp3?updated=1725649765" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Oren Kroll-Zeldin, "Unsettled: American Jews and the Movement for Justice in Palestine" (NYU Press, 2024)</title>
      <description>Unsettled: American Jews and the Movement for Justice in Palestine (NYU Press, 2024) digs into the experiences of young Jewish Americans who engage with the Palestine solidarity movement and challenge the staunch pro-Israel stance of mainstream Jewish American institutions. The book explores how these activists address Israeli government policies of occupation and apartheid, and seek to transform American Jewish institutional support for Israel.
Author Oren Kroll-Zeldin identifies three key social movement strategies employed by these activists: targeting mainstream Jewish American institutions, participating in co-resistance efforts in Palestine/Israel, and engaging in Boycott, Divestment, and Sanctions (BDS) campaigns. He argues that these young people perceive their commitment to ending the occupation and Israeli apartheid as a Jewish value, deeply rooted in the changing dynamics of Jewish life in the twenty-first century. By associating social justice activism with Jewish traditions and values, these activists establish a connection between their Jewishness and their pursuit of justice for Palestinians.
In a time of internal Jewish tensions and uncertainty about peace prospects between Palestine and Israel, the book provides hope that the efforts of these young Jews in the United States are pushing the political pendulum in a new direction, potentially leading to a more balanced and nuanced conversation.
Roberto Mazza is currently a visiting lecturer at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Oren Kroll-Zeldin</itunes:subtitle>
      <itunes:summary>Unsettled: American Jews and the Movement for Justice in Palestine (NYU Press, 2024) digs into the experiences of young Jewish Americans who engage with the Palestine solidarity movement and challenge the staunch pro-Israel stance of mainstream Jewish American institutions. The book explores how these activists address Israeli government policies of occupation and apartheid, and seek to transform American Jewish institutional support for Israel.
Author Oren Kroll-Zeldin identifies three key social movement strategies employed by these activists: targeting mainstream Jewish American institutions, participating in co-resistance efforts in Palestine/Israel, and engaging in Boycott, Divestment, and Sanctions (BDS) campaigns. He argues that these young people perceive their commitment to ending the occupation and Israeli apartheid as a Jewish value, deeply rooted in the changing dynamics of Jewish life in the twenty-first century. By associating social justice activism with Jewish traditions and values, these activists establish a connection between their Jewishness and their pursuit of justice for Palestinians.
In a time of internal Jewish tensions and uncertainty about peace prospects between Palestine and Israel, the book provides hope that the efforts of these young Jews in the United States are pushing the political pendulum in a new direction, potentially leading to a more balanced and nuanced conversation.
Roberto Mazza is currently a visiting lecturer at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781479821457"><em>Unsettled: American Jews and the Movement for Justice in Palestine</em></a><em> </em>(NYU Press, 2024) digs into the experiences of young Jewish Americans who engage with the Palestine solidarity movement and challenge the staunch pro-Israel stance of mainstream Jewish American institutions. The book explores how these activists address Israeli government policies of occupation and apartheid, and seek to transform American Jewish institutional support for Israel.</p><p>Author Oren Kroll-Zeldin identifies three key social movement strategies employed by these activists: targeting mainstream Jewish American institutions, participating in co-resistance efforts in Palestine/Israel, and engaging in Boycott, Divestment, and Sanctions (BDS) campaigns. He argues that these young people perceive their commitment to ending the occupation and Israeli apartheid as a Jewish value, deeply rooted in the changing dynamics of Jewish life in the twenty-first century. By associating social justice activism with Jewish traditions and values, these activists establish a connection between their Jewishness and their pursuit of justice for Palestinians.</p><p>In a time of internal Jewish tensions and uncertainty about peace prospects between Palestine and Israel, the book provides hope that the efforts of these young Jews in the United States are pushing the political pendulum in a new direction, potentially leading to a more balanced and nuanced conversation.</p><p>Roberto Mazza is currently a visiting lecturer at Northwestern University. He is the host of the <a href="https://shows.acast.com/jerusalemunplugged">Jerusalem Unplugged Podcast</a> and to discuss and propose a book for interview can be reached at <a href="mailto:robbymazza@gmail.com">robbymazza@gmail.com</a>. Twitter and IG: @robbyref Website: <a href="http://www.robertomazza.org/">www.robertomazza.org</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a578d3ca-6bbe-11ef-8283-c7c8498f68fb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9203172829.mp3?updated=1725567515" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David H. Price, "The American Surveillance State: How the US Spies on Dissent" (Pluto Press, 2022)</title>
      <description>When the possibility of wiretapping first became known to Americans they were outraged. Now, in our post-9/11 world, it's accepted that corporations are vested with human rights, and government agencies and corporations use computers to monitor our private lives. In The American Surveillance State: How the US Spies on Dissent (Pluto Press, 2022), David H. Price pulls back the curtain to reveal how the FBI and other government agencies have always functioned as the secret police of American capitalism up to today, where they luxuriate in a near-limitless NSA surveillance of all.
Price looks through a roster of campaigns by law enforcement, intelligence agencies, and corporations to understand how we got here. Starting with J. Edgar Hoover and the early FBI's alignment with business, his access to 15,000 pages of never-before-seen FBI files shines a light on the surveillance of Edward Said, Andre Gunder Frank and Alexander Cockburn, Native American communists, and progressive factory owners.
Price uncovers patterns of FBI monitoring and harassing of activists and public figures, providing the vital means for us to understand how these new frightening surveillance operations are weaponized by powerful governmental agencies that remain largely shrouded in secrecy.
David H. Price is Professor of Anthropology at Saint Martin’s University’s Department of Society and Social Justice. He is the author of a number of books on the FBI and CIA, and has written articles for The Nation, Monthly Review, CounterPunch, Guardian and Le Monde. His work has been translated into five languages.

Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David H. Price</itunes:subtitle>
      <itunes:summary>When the possibility of wiretapping first became known to Americans they were outraged. Now, in our post-9/11 world, it's accepted that corporations are vested with human rights, and government agencies and corporations use computers to monitor our private lives. In The American Surveillance State: How the US Spies on Dissent (Pluto Press, 2022), David H. Price pulls back the curtain to reveal how the FBI and other government agencies have always functioned as the secret police of American capitalism up to today, where they luxuriate in a near-limitless NSA surveillance of all.
Price looks through a roster of campaigns by law enforcement, intelligence agencies, and corporations to understand how we got here. Starting with J. Edgar Hoover and the early FBI's alignment with business, his access to 15,000 pages of never-before-seen FBI files shines a light on the surveillance of Edward Said, Andre Gunder Frank and Alexander Cockburn, Native American communists, and progressive factory owners.
Price uncovers patterns of FBI monitoring and harassing of activists and public figures, providing the vital means for us to understand how these new frightening surveillance operations are weaponized by powerful governmental agencies that remain largely shrouded in secrecy.
David H. Price is Professor of Anthropology at Saint Martin’s University’s Department of Society and Social Justice. He is the author of a number of books on the FBI and CIA, and has written articles for The Nation, Monthly Review, CounterPunch, Guardian and Le Monde. His work has been translated into five languages.

Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the possibility of wiretapping first became known to Americans they were outraged. Now, in our post-9/11 world, it's accepted that corporations are vested with human rights, and government agencies and corporations use computers to monitor our private lives. In <a href="https://bookshop.org/a/12343/9780745346014"><em>The American Surveillance State: How the US Spies on Dissent</em></a> (Pluto Press, 2022), David H. Price pulls back the curtain to reveal how the FBI and other government agencies have always functioned as the secret police of American capitalism up to today, where they luxuriate in a near-limitless NSA surveillance of all.</p><p>Price looks through a roster of campaigns by law enforcement, intelligence agencies, and corporations to understand how we got here. Starting with J. Edgar Hoover and the early FBI's alignment with business, his access to 15,000 pages of never-before-seen FBI files shines a light on the surveillance of Edward Said, Andre Gunder Frank and Alexander Cockburn, Native American communists, and progressive factory owners.</p><p>Price uncovers patterns of FBI monitoring and harassing of activists and public figures, providing the vital means for us to understand how these new frightening surveillance operations are weaponized by powerful governmental agencies that remain largely shrouded in secrecy.</p><p><a href="https://www.stmartin.edu/directory/faculty-staff-directory/david-price-phd">David H. Price</a> is Professor of Anthropology at Saint Martin’s University’s Department of Society and Social Justice. He is the author of a number of books on the FBI and CIA, and has written articles for <em>The Nation</em>, <em>Monthly Review</em>, <em>CounterPunch</em>, <em>Guardian </em>and <em>Le Monde.</em> His work has been translated into five languages.</p><p><br></p><p><a href="https://www.ncl.ac.uk/gps/staff/profile/denizyonucu.html"><em>Deniz Yonucu</em></a><em> is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, </em><a href="https://www.cornellpress.cornell.edu/book/9781501762161/police-provocation-politics/#bookTabs=1"><em>Police, Provocation, Politics Counterinsurgency in Istanbul</em></a><em> (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d9791056-6a36-11ef-a856-938fc9ee4428]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3713709390.mp3?updated=1725397781" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andy Clarno et al., "Imperial Policing: Weaponized Data in Carceral Chicago" (U Minnesota Press, 2024)</title>
      <description>Chicago is a city with extreme concentrations of racialized poverty and inequity, one that relies on an extensive network of repressive agencies to police the poor and suppress struggles for social justice. Imperial Policing: Weaponized Data in Carceral Chicago (University of Minnesota Press, 2024) examines the role of local law enforcement, federal immigration authorities, and national security agencies in upholding the city’s highly unequal social order.
Collaboratively authored by the Policing in Chicago Research Group (PCRG), Imperial Policing was developed in dialogue with movements on the front lines of struggles against racist policing in Black, Latinx, and Arab/Muslim communities. The members of PCRG are Andy Clarno, Enrique Alvear Moreno, Janaé Bonsu-Love, Lydia Dana, Michael De Anda Muñiz, Ilā Ravichandran, and Haley Volpintesta. Imperial Policing analyzes the connections between three police “wars”—on crime, terror, and immigrants—focusing on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include high-tech, data-based tools of policing; the racialized archetypes that ground the police wars; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.
Andy Clarno is an Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21st century, with a focus on racialized policing and struggles for social justice in contexts of extreme inequality.
Michael De Anda Muñiz is an Assistant Professor in the Latina/Latino Studies Department at San Francisco State University. His research interests include culture, art, community engagement, space, and resistance.
Ilā Ravichandran is an assistant professor of legal studies at the University of Washington, Tacoma. Dr. Ravichandran’s research interests include science, knowledge, technology, biopolitics, policing, surveillance, counterinsurgency, state, queerness &amp; Black studies.
Timi Koyejo is a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor for the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andy Clarno, Michael De Anda Muñiz, and Ilā Ravichandran</itunes:subtitle>
      <itunes:summary>Chicago is a city with extreme concentrations of racialized poverty and inequity, one that relies on an extensive network of repressive agencies to police the poor and suppress struggles for social justice. Imperial Policing: Weaponized Data in Carceral Chicago (University of Minnesota Press, 2024) examines the role of local law enforcement, federal immigration authorities, and national security agencies in upholding the city’s highly unequal social order.
Collaboratively authored by the Policing in Chicago Research Group (PCRG), Imperial Policing was developed in dialogue with movements on the front lines of struggles against racist policing in Black, Latinx, and Arab/Muslim communities. The members of PCRG are Andy Clarno, Enrique Alvear Moreno, Janaé Bonsu-Love, Lydia Dana, Michael De Anda Muñiz, Ilā Ravichandran, and Haley Volpintesta. Imperial Policing analyzes the connections between three police “wars”—on crime, terror, and immigrants—focusing on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include high-tech, data-based tools of policing; the racialized archetypes that ground the police wars; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.
Andy Clarno is an Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21st century, with a focus on racialized policing and struggles for social justice in contexts of extreme inequality.
Michael De Anda Muñiz is an Assistant Professor in the Latina/Latino Studies Department at San Francisco State University. His research interests include culture, art, community engagement, space, and resistance.
Ilā Ravichandran is an assistant professor of legal studies at the University of Washington, Tacoma. Dr. Ravichandran’s research interests include science, knowledge, technology, biopolitics, policing, surveillance, counterinsurgency, state, queerness &amp; Black studies.
Timi Koyejo is a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor for the City of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Chicago is a city with extreme concentrations of racialized poverty and inequity, one that relies on an extensive network of repressive agencies to police the poor and suppress struggles for social justice.<a href="https://bookshop.org/a/12343/9781517917715"> <em>Imperial Policing: Weaponized Data in Carceral Chicago</em></a><em> </em>(University of Minnesota Press, 2024) examines the role of local law enforcement, federal immigration authorities, and national security agencies in upholding the city’s highly unequal social order.</p><p>Collaboratively authored by the Policing in Chicago Research Group (PCRG), <em>Imperial Policing</em> was developed in dialogue with movements on the front lines of struggles against racist policing in Black, Latinx, and Arab/Muslim communities. The members of PCRG are Andy Clarno, Enrique Alvear Moreno, Janaé Bonsu-Love, Lydia Dana, Michael De Anda Muñiz, Ilā Ravichandran, and Haley Volpintesta. <em>Imperial Policing </em>analyzes the connections between three police “wars”—on crime, terror, and immigrants—focusing on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include high-tech, data-based tools of policing; the racialized archetypes that ground the police wars; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.</p><p>Andy Clarno is an Associate Professor of Sociology and Black Studies and coordinator of the Policing in Chicago Research Group at the University of Illinois at Chicago. His research examines racism, capitalism, colonialism, and empire in the early 21st century, with a focus on racialized policing and struggles for social justice in contexts of extreme inequality.</p><p>Michael De Anda Muñiz is an Assistant Professor in the Latina/Latino Studies Department at San Francisco State University. His research interests include culture, art, community engagement, space, and resistance.</p><p>Ilā Ravichandran is an assistant professor of legal studies at the University of Washington, Tacoma. Dr. Ravichandran’s research interests include science, knowledge, technology, biopolitics, policing, surveillance, counterinsurgency, state, queerness &amp; Black studies.</p><p>Timi Koyejo is a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor for the City of Chicago.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>How Mechanisms of Psychoanalytic Defense Perpetuate Racism in America</title>
      <description>The third podcast in this series focuses on an article written by Dr. Dionne Powell who participated in the 2014 documentary, “Black Psychoanalysts Speak,” which was an excellent film created by Basia Winograd. Dr. Powell’s JAPA article written in 2018 was entitled, “Race, African Americans, and Psychoanalysis: Collective Silence in the Therapeutic Situation.” This is a an important illustration of racism in America and ties in nicely with our topic about psychoanalytic mechanisms of defense.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Felecia Powell-Williams and Karyne Messina</itunes:subtitle>
      <itunes:summary>The third podcast in this series focuses on an article written by Dr. Dionne Powell who participated in the 2014 documentary, “Black Psychoanalysts Speak,” which was an excellent film created by Basia Winograd. Dr. Powell’s JAPA article written in 2018 was entitled, “Race, African Americans, and Psychoanalysis: Collective Silence in the Therapeutic Situation.” This is a an important illustration of racism in America and ties in nicely with our topic about psychoanalytic mechanisms of defense.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The third podcast in this series focuses on an article written by Dr. Dionne Powell who participated in the 2014 documentary, <a href="https://web.sas.upenn.edu/psycheoncampus/2022/01/06/making-black-psychoanalysts-speak/">“Black Psychoanalysts Speak</a>,” which was an excellent film created by <a href="https://web.sas.upenn.edu/psycheoncampus/2022/01/06/making-black-psychoanalysts-speak/">Basia Winograd.</a> <a href="https://www.researchgate.net/publication/330272141_Race_African_Americans_and_Psychoanalysis_Collective_Silence_in_the_Therapeutic_Situation">Dr. Powell’s JAPA article</a> written in 2018 was entitled, “Race, African Americans, and Psychoanalysis: Collective Silence in the Therapeutic Situation.” This is a an important illustration of racism in America and ties in nicely with our topic about <a href="https://www.betterhelp.com/advice/defense-mechanisms/an-overview-of-freuds-defense-mechanisms-and-how-they-may-show-up-in-everyday-life/">psychoanalytic mechanisms of defense.</a></p><p>Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p>Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2591</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[69a18b66-6962-11ef-b51f-cb62cccd0558]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4232379506.mp3?updated=1725306534" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Lay Williams, "The Greatest of All Plagues: How Economic Inequality Shaped Political Thought from Plato to Marx" (Princeton UP, 2024)</title>
      <description>Political Theorist David Lay Williams has a new book that traces the problem of economic inequality through the thought of many of the canonical thinkers in Western political theory. The Greatest of All Plagues: How Economic Inequality Shaped Political Thought from Plato to Marx (Princeton UP, 2024) explores the thought of Socrates and Plato, Jesus, Thomas Hobbes, Jean-Jacques Rousseau, Adam Smith, John Stuart Mill, and Karl Marx. We often turn to these thinkers and their various works to consider how best to establish political regimes and understand political power. But it is quite difficult to separate economics from politics, since these are both key parts of all societies. 
And this is the thrust of William’s work in The Greatest of All Plagues. We expect to find critiques of economics in Karl Marx or Adam Smith, given the focus of their political thought. But The Greatest of All Plagues demonstrates how vital the economic questions are for all of these western thinkers, and how concerned they each were with the concentration of wealth among the few within a society. This is a key component of the analysis in the book and in our conversation: “economic inequality” is a broad term and encompasses many complexities, but the thrust of the book is that each thinker is particularly concerned about the wealthy and the poor, and the destabilizing impact of a very few having great wealth. This is not to exclude poverty from the analysis, but much attention is often paid to the poor and ways to solve poverty. Scant attention is generally paid to the problem posed by excessive wealth, and the imbalance between those possessing great wealth and the rest of the society, and how this is problematic for political regimes and societies.
The Greatest of All Plagues: How Economic Inequality Shaped Political Thought from Plato to Marx is an impressive exploration of not only the work of these political thinkers, but also of the many scholars who have studied these works and these thinkers. There is much depth to this study, and the reader learns a great deal about the works themselves, the theorist under consideration in each chapter, historical context, and the interrelationship between politics and inequality. Williams is clear that his focus is on economic inequality in political theory, and not other, equally important inequalities. During the course of our conversation, we only touch on the surface of this complex and deep work. It is a worthy subject for investigation and this well-written and accessible book provides the reader with a rich discourse on the reason why we should pay attention to wealth inequality and how it contributes to societal instability, the corruption of character and soul, and how it remains an ongoing threat to justice, democracy, freedom and faith.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>734</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Lay Williams</itunes:subtitle>
      <itunes:summary>Political Theorist David Lay Williams has a new book that traces the problem of economic inequality through the thought of many of the canonical thinkers in Western political theory. The Greatest of All Plagues: How Economic Inequality Shaped Political Thought from Plato to Marx (Princeton UP, 2024) explores the thought of Socrates and Plato, Jesus, Thomas Hobbes, Jean-Jacques Rousseau, Adam Smith, John Stuart Mill, and Karl Marx. We often turn to these thinkers and their various works to consider how best to establish political regimes and understand political power. But it is quite difficult to separate economics from politics, since these are both key parts of all societies. 
And this is the thrust of William’s work in The Greatest of All Plagues. We expect to find critiques of economics in Karl Marx or Adam Smith, given the focus of their political thought. But The Greatest of All Plagues demonstrates how vital the economic questions are for all of these western thinkers, and how concerned they each were with the concentration of wealth among the few within a society. This is a key component of the analysis in the book and in our conversation: “economic inequality” is a broad term and encompasses many complexities, but the thrust of the book is that each thinker is particularly concerned about the wealthy and the poor, and the destabilizing impact of a very few having great wealth. This is not to exclude poverty from the analysis, but much attention is often paid to the poor and ways to solve poverty. Scant attention is generally paid to the problem posed by excessive wealth, and the imbalance between those possessing great wealth and the rest of the society, and how this is problematic for political regimes and societies.
The Greatest of All Plagues: How Economic Inequality Shaped Political Thought from Plato to Marx is an impressive exploration of not only the work of these political thinkers, but also of the many scholars who have studied these works and these thinkers. There is much depth to this study, and the reader learns a great deal about the works themselves, the theorist under consideration in each chapter, historical context, and the interrelationship between politics and inequality. Williams is clear that his focus is on economic inequality in political theory, and not other, equally important inequalities. During the course of our conversation, we only touch on the surface of this complex and deep work. It is a worthy subject for investigation and this well-written and accessible book provides the reader with a rich discourse on the reason why we should pay attention to wealth inequality and how it contributes to societal instability, the corruption of character and soul, and how it remains an ongoing threat to justice, democracy, freedom and faith.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political Theorist David Lay Williams has a new book that traces the problem of economic inequality through the thought of many of the canonical thinkers in Western political theory. <a href="https://bookshop.org/a/12343/9780691171975"><em>The Greatest of All Plagues: How Economic Inequality Shaped Political Thought from Plato to Marx</em></a><em> </em>(Princeton UP, 2024) explores the thought of Socrates and Plato, Jesus, Thomas Hobbes, Jean-Jacques Rousseau, Adam Smith, John Stuart Mill, and Karl Marx. We often turn to these thinkers and their various works to consider how best to establish political regimes and understand political power. But it is quite difficult to separate economics from politics, since these are both key parts of all societies. </p><p>And this is the thrust of William’s work in <em>The Greatest of All Plagues</em>. We expect to find critiques of economics in Karl Marx or Adam Smith, given the focus of their political thought. But <em>The Greatest of All Plagues</em> demonstrates how vital the economic questions are for all of these western thinkers, and how concerned they each were with the concentration of wealth among the few within a society. This is a key component of the analysis in the book and in our conversation: “economic inequality” is a broad term and encompasses many complexities, but the thrust of the book is that each thinker is particularly concerned about the wealthy and the poor, and the destabilizing impact of a very few having great wealth. This is not to exclude poverty from the analysis, but much attention is often paid to the poor and ways to solve poverty. Scant attention is generally paid to the problem posed by excessive wealth, and the imbalance between those possessing great wealth and the rest of the society, and how this is problematic for political regimes and societies.</p><p><em>The Greatest of All Plagues: How Economic Inequality Shaped Political Thought from Plato to Marx</em> is an impressive exploration of not only the work of these political thinkers, but also of the many scholars who have studied these works and these thinkers. There is much depth to this study, and the reader learns a great deal about the works themselves, the theorist under consideration in each chapter, historical context, and the interrelationship between politics and inequality. Williams is clear that his focus is on economic inequality in political theory, and not other, equally important inequalities. During the course of our conversation, we only touch on the surface of this complex and deep work. It is a worthy subject for investigation and this well-written and accessible book provides the reader with a rich discourse on the reason why we should pay attention to wealth inequality and how it contributes to societal instability, the corruption of character and soul, and how it remains an ongoing threat to justice, democracy, freedom and faith.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4089</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[df2bc65e-696b-11ef-a100-df0cc1eacb52]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6157115004.mp3?updated=1725310981" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karyne E. Messina, "The Power of Community: A 45 Day Action Plan to Stop Trump from Turning Our Democracy into His Autocracy" (PI Press, 2024)</title>
      <description>An Amazon # 1 top release Kindle book during its debut, The Power of Community: A 45 Day Action Plan to Stop Trump from Turning Our Democracy into His Autocracy (PI Press, 2024) by psychoanalyst Dr. Karyne Messina, is a comprehensive guide designed to enhance public understanding of democratic processes and individual participation using psychoanalytic insights. The book provides a daily plan filled with reflective exercises and action-oriented tasks to empower readers to actively protect and participate in their democracy, especially considering modern political challenges and threats.
We the people have the power to preserve our democracy, and this book provides the solutions anyone willing to put in the time to do it. From writing social media posts to volunteering at the polls, The Power of Community explains what's at stake and how we can all do our part.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 01 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karyne E. Messina</itunes:subtitle>
      <itunes:summary>An Amazon # 1 top release Kindle book during its debut, The Power of Community: A 45 Day Action Plan to Stop Trump from Turning Our Democracy into His Autocracy (PI Press, 2024) by psychoanalyst Dr. Karyne Messina, is a comprehensive guide designed to enhance public understanding of democratic processes and individual participation using psychoanalytic insights. The book provides a daily plan filled with reflective exercises and action-oriented tasks to empower readers to actively protect and participate in their democracy, especially considering modern political challenges and threats.
We the people have the power to preserve our democracy, and this book provides the solutions anyone willing to put in the time to do it. From writing social media posts to volunteering at the polls, The Power of Community explains what's at stake and how we can all do our part.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An Amazon # 1 top release Kindle book during its debut, <a href="https://www.amazon.com/Power-Community-Karyne-Messina-ebook/dp/B0DDW6RWJD"><em>The Power of Community: A 45 Day Action Plan to Stop Trump from Turning Our Democracy into His Autocracy</em></a> (PI Press, 2024) by psychoanalyst Dr. Karyne Messina, is a comprehensive guide designed to enhance public understanding of democratic processes and individual participation using psychoanalytic insights. The book provides a daily plan filled with reflective exercises and action-oriented tasks to empower readers to actively protect and participate in their democracy, especially considering modern political challenges and threats.</p><p>We the people have the power to preserve our democracy, and this book provides the solutions anyone willing to put in the time to do it. From writing social media posts to volunteering at the polls, <em>The Power of Community</em> explains what's at stake and how we can all do our part.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3176</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8201e242-67c2-11ef-95a8-b702d8910eb1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2784415779.mp3?updated=1725128974" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Beth Driscoll, "What Readers Do: Aesthetic and Moral Practices of a Post-Digital Age" (Bloomsbury, 2024)</title>
      <description>What is reading? In What Readers Do: Aesthetic and Moral Practices of a Post-Digital Age (Bloomsbury, 2024) Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne, explores this question by situating reading in a variety of contemporary social contexts. The book’s analysis engages with a range of academic fields to understand the study of reading, and offers a unique theoretical framework to understand the practices and meanings associated with reading in a variety of settings. The book also draws on a range of online and physical world case studies, from the aesthetics of ‘bookstagram’ through to behaviours and networks at book groups and literary festivals. The book is an essential read for a huge range of academics from the social sciences and humanities, as well as for anyone interested in reading!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 31 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>480</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Beth Driscoll</itunes:subtitle>
      <itunes:summary>What is reading? In What Readers Do: Aesthetic and Moral Practices of a Post-Digital Age (Bloomsbury, 2024) Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne, explores this question by situating reading in a variety of contemporary social contexts. The book’s analysis engages with a range of academic fields to understand the study of reading, and offers a unique theoretical framework to understand the practices and meanings associated with reading in a variety of settings. The book also draws on a range of online and physical world case studies, from the aesthetics of ‘bookstagram’ through to behaviours and networks at book groups and literary festivals. The book is an essential read for a huge range of academics from the social sciences and humanities, as well as for anyone interested in reading!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is reading? In <a href="https://bookshop.org/a/12343/9781350375147"><em>What Readers Do: Aesthetic and Moral Practices of a Post-Digital Age</em></a><em> </em>(Bloomsbury, 2024) <a href="https://x.com/beth_driscoll">Beth Driscoll,</a> an <a href="https://findanexpert.unimelb.edu.au/profile/158568-beth-driscoll">Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne</a>, explores this question by situating reading in a variety of contemporary social contexts. The book’s analysis engages with a range of academic fields to understand the study of reading, and offers a unique theoretical framework to understand the practices and meanings associated with reading in a variety of settings. The book also draws on a range of online and physical world case studies, from the aesthetics of ‘bookstagram’ through to behaviours and networks at book groups and literary festivals. The book is an essential read for a huge range of academics from the social sciences and humanities, as well as for anyone interested in reading!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e5a12978-66e8-11ef-b604-1f924932568e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2591781423.mp3?updated=1725035819" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Susan Greenhalgh, "Soda Science: Making the World Safe for Coca-Cola" (U Chicago Press, 2024)</title>
      <description>Soda Science: Making the World Safe for Coca-Cola (U Chicago Press, 2024) takes readers deep inside the secret world of corporate science, where powerful companies and allied academic scientists mould research to meet industry needs. The 1990s were tough times for the soda industry. In the United States, obesity rates were exploding. Public health critics pointed to sugary soda as a main culprit and advocated for soda taxes that might decrease the consumption of sweetened beverages—and threaten the revenues of the giant soda companies. 
Soda Science tells the story of how industry leader Coca-Cola mobilized allies in academia to create a soda-defense science that would protect profits by advocating exercise, not dietary restraint, as the priority solution to obesity, a view few experts accept. Anthropologist and science studies specialist Susan Greenhalgh discovers a hidden world of science-making—with distinctive organizations, social networks, knowledge-making practices, and ethical claims—dedicated to creating industry-friendly science and keeping it under wraps. By tracing the birth, maturation, death, and afterlife of the science they made, Greenhalgh shows how corporate science has managed to gain such a hold over our lives. Spanning twenty years, her investigation takes her from the US, where the science was made, to China, a key market for sugary soda. In the US, soda science was a critical force in the making of today’s society of step-counting, fitness-tracking, weight-obsessed citizens. In China, this distorted science has left its mark not just on national obesity policies but on the apparatus for managing chronic disease generally. 
By following the scientists and their ambitious schemes to make the world safe for Coke, Greenhalgh offers an account that is more global—and yet more human—than the story that dominates public understanding today. Coke’s research isn’t fake science, Greenhalgh argues; it was real science, conducted by real and eminent scientists, but distorted by its aim. Her gripping book raises crucial questions about conflicts of interest in scientific research, the funding behind familiar messages about health, and the cunning ways giant corporations come to shape our diets, lifestyles, and health to their own needs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 31 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>370</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan Greenhalgh</itunes:subtitle>
      <itunes:summary>Soda Science: Making the World Safe for Coca-Cola (U Chicago Press, 2024) takes readers deep inside the secret world of corporate science, where powerful companies and allied academic scientists mould research to meet industry needs. The 1990s were tough times for the soda industry. In the United States, obesity rates were exploding. Public health critics pointed to sugary soda as a main culprit and advocated for soda taxes that might decrease the consumption of sweetened beverages—and threaten the revenues of the giant soda companies. 
Soda Science tells the story of how industry leader Coca-Cola mobilized allies in academia to create a soda-defense science that would protect profits by advocating exercise, not dietary restraint, as the priority solution to obesity, a view few experts accept. Anthropologist and science studies specialist Susan Greenhalgh discovers a hidden world of science-making—with distinctive organizations, social networks, knowledge-making practices, and ethical claims—dedicated to creating industry-friendly science and keeping it under wraps. By tracing the birth, maturation, death, and afterlife of the science they made, Greenhalgh shows how corporate science has managed to gain such a hold over our lives. Spanning twenty years, her investigation takes her from the US, where the science was made, to China, a key market for sugary soda. In the US, soda science was a critical force in the making of today’s society of step-counting, fitness-tracking, weight-obsessed citizens. In China, this distorted science has left its mark not just on national obesity policies but on the apparatus for managing chronic disease generally. 
By following the scientists and their ambitious schemes to make the world safe for Coke, Greenhalgh offers an account that is more global—and yet more human—than the story that dominates public understanding today. Coke’s research isn’t fake science, Greenhalgh argues; it was real science, conducted by real and eminent scientists, but distorted by its aim. Her gripping book raises crucial questions about conflicts of interest in scientific research, the funding behind familiar messages about health, and the cunning ways giant corporations come to shape our diets, lifestyles, and health to their own needs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780226834733"><em>Soda Science: Making the World Safe for Coca-Cola</em></a> (U Chicago Press, 2024) takes readers deep inside the secret world of corporate science, where powerful companies and allied academic scientists mould research to meet industry needs. The 1990s were tough times for the soda industry. In the United States, obesity rates were exploding. Public health critics pointed to sugary soda as a main culprit and advocated for soda taxes that might decrease the consumption of sweetened beverages—and threaten the revenues of the giant soda companies. </p><p><em>Soda Science</em> tells the story of how industry leader Coca-Cola mobilized allies in academia to create a soda-defense science that would protect profits by advocating exercise, not dietary restraint, as the priority solution to obesity, a view few experts accept. Anthropologist and science studies specialist Susan Greenhalgh discovers a hidden world of science-making—with distinctive organizations, social networks, knowledge-making practices, and ethical claims—dedicated to creating industry-friendly science and keeping it under wraps. By tracing the birth, maturation, death, and afterlife of the science they made, Greenhalgh shows how corporate science has managed to gain such a hold over our lives. Spanning twenty years, her investigation takes her from the US, where the science was made, to China, a key market for sugary soda. In the US, soda science was a critical force in the making of today’s society of step-counting, fitness-tracking, weight-obsessed citizens. In China, this distorted science has left its mark not just on national obesity policies but on the apparatus for managing chronic disease generally. </p><p>By following the scientists and their ambitious schemes to make the world safe for Coke, Greenhalgh offers an account that is more global—and yet more human—than the story that dominates public understanding today. Coke’s research isn’t fake science, Greenhalgh argues; it was real science, conducted by real and eminent scientists, but distorted by its aim. Her gripping book raises crucial questions about conflicts of interest in scientific research, the funding behind familiar messages about health, and the cunning ways giant corporations come to shape our diets, lifestyles, and health to their own needs.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1151</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Tadashi Dozono, "Discipline Problems: How Students of Color Trouble Whiteness in Schools" (U Pennsylvania Press, 2024)</title>
      <description>Angel, a Black tenth-grader at a New York City public school, self-identifies as a nerd and likes to learn. But she’s troubled that her history classes leave out events like the genocide and dispossession of Indigenous people in the Americas, presenting a sugar-coated image of the United States that is at odds with her everyday experience. “The history I learned in school is simpler,” she says. “The world I live in is a lot more complex.” 
Angel, like every student interviewed in Discipline Problems: How Students of Color Trouble Whiteness in Schools (U Pennsylvania Press, 2024), has been identified by teachers as a “troublemaker,” a student whose behavior disrupts classroom norms and interferes with instruction. But her critiques of the curriculum she’s taught speak to her curiosity and insight, crucial foundations for understanding history. Like many students who have been marginalized by systemic racism in American schools, she exposes the shortcomings of her classrooms’ academic environments by challenging both the content and the methods of her education. All too often, these challenges are framed as “troublemaking,” and the students are disciplined for “acting out” instead of being rewarded for their intellectual engagement. 
Tadashi Dozono, a professor of education and former high school social studies teacher, takes seriously the often-overlooked critiques that students of color who get labeled as troublemakers direct toward their high school history curriculum. He reinterprets “troublemaking,” usually cast as a behavioral deficit, as an intellectual asset and form of reasoning that challenges the “disciplining reason” of classrooms where whiteness is valued over the histories and knowledge of people of color. Dozono shows how what are traditionally framed as discipline problems can be seen through a different lens as responses to educational practices that marginalize non-white students. Discipline Problems reveals how students of color seek out alternate avenues for understanding their world and imagines a pedagogy that champions the curiosity, intellect, and knowledge of marginalized learners.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 31 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>239</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tadashi Dozono</itunes:subtitle>
      <itunes:summary>Angel, a Black tenth-grader at a New York City public school, self-identifies as a nerd and likes to learn. But she’s troubled that her history classes leave out events like the genocide and dispossession of Indigenous people in the Americas, presenting a sugar-coated image of the United States that is at odds with her everyday experience. “The history I learned in school is simpler,” she says. “The world I live in is a lot more complex.” 
Angel, like every student interviewed in Discipline Problems: How Students of Color Trouble Whiteness in Schools (U Pennsylvania Press, 2024), has been identified by teachers as a “troublemaker,” a student whose behavior disrupts classroom norms and interferes with instruction. But her critiques of the curriculum she’s taught speak to her curiosity and insight, crucial foundations for understanding history. Like many students who have been marginalized by systemic racism in American schools, she exposes the shortcomings of her classrooms’ academic environments by challenging both the content and the methods of her education. All too often, these challenges are framed as “troublemaking,” and the students are disciplined for “acting out” instead of being rewarded for their intellectual engagement. 
Tadashi Dozono, a professor of education and former high school social studies teacher, takes seriously the often-overlooked critiques that students of color who get labeled as troublemakers direct toward their high school history curriculum. He reinterprets “troublemaking,” usually cast as a behavioral deficit, as an intellectual asset and form of reasoning that challenges the “disciplining reason” of classrooms where whiteness is valued over the histories and knowledge of people of color. Dozono shows how what are traditionally framed as discipline problems can be seen through a different lens as responses to educational practices that marginalize non-white students. Discipline Problems reveals how students of color seek out alternate avenues for understanding their world and imagines a pedagogy that champions the curiosity, intellect, and knowledge of marginalized learners.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Angel, a Black tenth-grader at a New York City public school, self-identifies as a nerd and likes to learn. But she’s troubled that her history classes leave out events like the genocide and dispossession of Indigenous people in the Americas, presenting a sugar-coated image of the United States that is at odds with her everyday experience. “The history I learned in school is simpler,” she says. “The world I live in is a lot more complex.” </p><p>Angel, like every student interviewed in <a href="https://bookshop.org/a/12343/9781512825251"><em>Discipline Problems: How Students of Color Trouble Whiteness in Schools</em></a> (U Pennsylvania Press, 2024), has been identified by teachers as a “troublemaker,” a student whose behavior disrupts classroom norms and interferes with instruction. But her critiques of the curriculum she’s taught speak to her curiosity and insight, crucial foundations for understanding history. Like many students who have been marginalized by systemic racism in American schools, she exposes the shortcomings of her classrooms’ academic environments by challenging both the content and the methods of her education. All too often, these challenges are framed as “troublemaking,” and the students are disciplined for “acting out” instead of being rewarded for their intellectual engagement. </p><p>Tadashi Dozono, a professor of education and former high school social studies teacher, takes seriously the often-overlooked critiques that students of color who get labeled as troublemakers direct toward their high school history curriculum. He reinterprets “troublemaking,” usually cast as a behavioral deficit, as an intellectual asset and form of reasoning that challenges the “disciplining reason” of classrooms where whiteness is valued over the histories and knowledge of people of color. Dozono shows how what are traditionally framed as discipline problems can be seen through a different lens as responses to educational practices that marginalize non-white students. Discipline Problems reveals how students of color seek out alternate avenues for understanding their world and imagines a pedagogy that champions the curiosity, intellect, and knowledge of marginalized learners.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1795</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ronnie Grinberg, "Write like a Man: Jewish Masculinity and the New York Intellectuals" (Princeton UP, 2024)</title>
      <description>In the years following World War II, the New York intellectuals became some of the most renowned critics and writers in the country. Although mostly male and Jewish, this prominent group also included women and non-Jews. Yet all of its members embraced a secular Jewish machismo that became a defining characteristic of the contemporary experience. Write like a Man: Jewish Masculinity and the New York Intellectuals (Princeton University Press, 2024) examines how the New York intellectuals shared a uniquely American conception of Jewish masculinity that prized verbal confrontation, polemical aggression, and an unflinching style of argumentation.
Dr. Ronnie Grinberg paints illuminating portraits of figures such as Norman Mailer, Hannah Arendt, Lionel and Diana Trilling, Mary McCarthy, Norman Podhoretz, Midge Decter, and Irving Howe. She describes how their construction of Jewish masculinity helped to propel the American Jew from outsider to insider even as they clashed over its meaning in a deeply anxious project of self-definition. Along the way, Dr. Grinberg sheds light on their fraught encounters with the most contentious issues and ideas of the day, from student radicalism and the civil rights movement to feminism, Freudianism, and neoconservatism.
A spellbinding chronicle of mid-century America, Write like a Man shows how a combative and intellectually grounded vision of Jewish manhood contributed to the masculinization of intellectual life and shaped some of the most important political and cultural debates of the postwar era.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 30 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>314</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ronnie Grinberg</itunes:subtitle>
      <itunes:summary>In the years following World War II, the New York intellectuals became some of the most renowned critics and writers in the country. Although mostly male and Jewish, this prominent group also included women and non-Jews. Yet all of its members embraced a secular Jewish machismo that became a defining characteristic of the contemporary experience. Write like a Man: Jewish Masculinity and the New York Intellectuals (Princeton University Press, 2024) examines how the New York intellectuals shared a uniquely American conception of Jewish masculinity that prized verbal confrontation, polemical aggression, and an unflinching style of argumentation.
Dr. Ronnie Grinberg paints illuminating portraits of figures such as Norman Mailer, Hannah Arendt, Lionel and Diana Trilling, Mary McCarthy, Norman Podhoretz, Midge Decter, and Irving Howe. She describes how their construction of Jewish masculinity helped to propel the American Jew from outsider to insider even as they clashed over its meaning in a deeply anxious project of self-definition. Along the way, Dr. Grinberg sheds light on their fraught encounters with the most contentious issues and ideas of the day, from student radicalism and the civil rights movement to feminism, Freudianism, and neoconservatism.
A spellbinding chronicle of mid-century America, Write like a Man shows how a combative and intellectually grounded vision of Jewish manhood contributed to the masculinization of intellectual life and shaped some of the most important political and cultural debates of the postwar era.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the years following World War II, the New York intellectuals became some of the most renowned critics and writers in the country. Although mostly male and Jewish, this prominent group also included women and non-Jews. Yet all of its members embraced a secular Jewish machismo that became a defining characteristic of the contemporary experience. <a href="https://bookshop.org/a/12343/9780691193090"><em>Write like a Man: Jewish Masculinity and the New York Intellectuals</em></a> (Princeton University Press, 2024) examines how the New York intellectuals shared a uniquely American conception of Jewish masculinity that prized verbal confrontation, polemical aggression, and an unflinching style of argumentation.</p><p>Dr. Ronnie Grinberg paints illuminating portraits of figures such as Norman Mailer, Hannah Arendt, Lionel and Diana Trilling, Mary McCarthy, Norman Podhoretz, Midge Decter, and Irving Howe. She describes how their construction of Jewish masculinity helped to propel the American Jew from outsider to insider even as they clashed over its meaning in a deeply anxious project of self-definition. Along the way, Dr. Grinberg sheds light on their fraught encounters with the most contentious issues and ideas of the day, from student radicalism and the civil rights movement to feminism, Freudianism, and neoconservatism.</p><p>A spellbinding chronicle of mid-century America, <em>Write like a Man</em> shows how a combative and intellectually grounded vision of Jewish manhood contributed to the masculinization of intellectual life and shaped some of the most important political and cultural debates of the postwar era.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Bhaskar Sunkara, "The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality" (Basic Books, 2020)</title>
      <description>In The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality (Basic Books, 2020), Bhaskar Sunkara explores socialism's history since the mid-1800s and presents a realistic vision for its future. With the stunning popularity of Bernie Sanders and Alexandria Ocasio-Cortez, Americans are embracing the class politics of socialism. But what, exactly, is socialism? And what would a socialist system in America look like? The editor of Jacobin magazine, Sunkara shows that socialism, though often seen primarily as an economic system, in fact offers the means to fight all forms of oppression, including racism and sexism. The ultimate goal is not Soviet-style planning, but to win rights to healthcare, education, and housing, and to create new democratic institutions in workplaces and communities. A primer on socialism for the 21st century, this is a book for anyone seeking an end to the vast inequities of our age.
Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bhaskar Sunkara</itunes:subtitle>
      <itunes:summary>In The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality (Basic Books, 2020), Bhaskar Sunkara explores socialism's history since the mid-1800s and presents a realistic vision for its future. With the stunning popularity of Bernie Sanders and Alexandria Ocasio-Cortez, Americans are embracing the class politics of socialism. But what, exactly, is socialism? And what would a socialist system in America look like? The editor of Jacobin magazine, Sunkara shows that socialism, though often seen primarily as an economic system, in fact offers the means to fight all forms of oppression, including racism and sexism. The ultimate goal is not Soviet-style planning, but to win rights to healthcare, education, and housing, and to create new democratic institutions in workplaces and communities. A primer on socialism for the 21st century, this is a book for anyone seeking an end to the vast inequities of our age.
Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781541647107"><em>The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality</em></a><em> </em>(Basic Books, 2020), Bhaskar Sunkara explores socialism's history since the mid-1800s and presents a realistic vision for its future. With the stunning popularity of Bernie Sanders and Alexandria Ocasio-Cortez, Americans are embracing the class politics of socialism. But what, exactly, is socialism? And what would a socialist system in America look like? The editor of <em>Jacobin</em> magazine, Sunkara shows that socialism, though often seen primarily as an economic system, in fact offers the means to fight all forms of oppression, including racism and sexism. The ultimate goal is not Soviet-style planning, but to win rights to healthcare, education, and housing, and to create new democratic institutions in workplaces and communities. A primer on socialism for the 21st century, this is a book for anyone seeking an end to the vast inequities of our age.</p><p><a href="https://independent.academia.edu/KirkMeighoo"><em>Kirk Meighoo</em></a><em> is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3915</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1506761277.mp3?updated=1724878825" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ludovico Silva, "Marx's Literary Style" (Verso, 2023)</title>
      <description>In Marx’s Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx’s work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx’s oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva’s unique sensitivity to Marx’s literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx’s most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva’s book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once.
Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva’s works in English, features an introduction by Alberto Toscano.
Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>479</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Alberto Toscano</itunes:subtitle>
      <itunes:summary>In Marx’s Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx’s work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx’s oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva’s unique sensitivity to Marx’s literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx’s most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva’s book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once.
Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva’s works in English, features an introduction by Alberto Toscano.
Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>Marx’s Literary Style</em>, the Venezuelan poet and philosopher <a href="https://www.versobooks.com/en-gb/blogs/authors/silva-ludovico">Ludovico Silva</a> argues that much of the confusion around Marx’s work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx’s oeuvre, Silva isolates the key elements of his style: his search for an “architectonic” unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva’s unique sensitivity to Marx’s literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx’s most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva’s book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once.</p><p>Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva’s works in English, features an introduction by Alberto Toscano.</p><p>Alberto Toscano is an Italian cultural critic, social theorist, philosopher, and translator. He has translated the work of Alain Badiou, including Badiou's The Century and Logics of Worlds. He served as both editor and translator of Badiou's Theoretical Writings and On Beckett</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3963</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[31da40d0-63a2-11ef-b348-57741c99a77f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7308835773.mp3?updated=1724677588" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Brim, "Poor Queer Studies: Confronting Elitism in the University" (Duke UP, 2020)</title>
      <description>In Poor Queer Studies: Confronting Elitism in the University (Duke UP, 2020), Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy.
Matt Brim is Associate Professor of Queer Studies in the English Department at the College of Staten Island, City University of New York; author of James Baldwin and the Queer Imagination; and coeditor of Imagining Queer Methods.
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Brim</itunes:subtitle>
      <itunes:summary>In Poor Queer Studies: Confronting Elitism in the University (Duke UP, 2020), Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy.
Matt Brim is Associate Professor of Queer Studies in the English Department at the College of Staten Island, City University of New York; author of James Baldwin and the Queer Imagination; and coeditor of Imagining Queer Methods.
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478008200"><em>Poor Queer Studies: Confronting Elitism in the University</em></a><em> </em>(Duke UP, 2020), Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. <em>Poor Queer Studies</em> is essential for all of those who care about the state of higher education and building a more equitable academy.</p><p>Matt Brim is Associate Professor of Queer Studies in the English Department at the College of Staten Island, City University of New York; author of <em>James Baldwin and the Queer Imagination</em>; and coeditor of <em>Imagining Queer Methods</em>.</p><p><em>John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5530c69c-64ad-11ef-9088-f7b6402bbf80]]></guid>
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    </item>
    <item>
      <title>Christopher B. Patterson and Tara Fickle, "Made in Asia/America: Why Video Games Were Never (Really) about Us" (Duke UP, 2024)</title>
      <description>Made in Asia/America: Why Video Games Were Never (Really) about Us (Duke UP, 2024) explores the key role video games play within the race makings of Asia/America. Its fourteen critical essays on games, ranging from Death Stranding to Animal Crossing, and five roundtables with twenty Asian/American game makers examine the historical entanglements of games, Asia, and America, and reveal the ways games offer new modes of imagining imperial violence, racial difference, and coalition. Shifting away from Eurocentric, white, masculinist takes on gaming, the contributors focus on minority and queer experiences, practices, and innovative scholarly methods to better account for the imperial circulation of games. Encouraging ambiguous and contextual ways of understanding games, the editors offer an “interactive” editorial method, a genre-expanding approach that encourages hybrid works of autotheory, queer of color theory, and conversation among game makers and scholars to generate divergent meanings of games, play, and “Asian America.”
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 24 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher B. Patterson and Tara Fickle</itunes:subtitle>
      <itunes:summary>Made in Asia/America: Why Video Games Were Never (Really) about Us (Duke UP, 2024) explores the key role video games play within the race makings of Asia/America. Its fourteen critical essays on games, ranging from Death Stranding to Animal Crossing, and five roundtables with twenty Asian/American game makers examine the historical entanglements of games, Asia, and America, and reveal the ways games offer new modes of imagining imperial violence, racial difference, and coalition. Shifting away from Eurocentric, white, masculinist takes on gaming, the contributors focus on minority and queer experiences, practices, and innovative scholarly methods to better account for the imperial circulation of games. Encouraging ambiguous and contextual ways of understanding games, the editors offer an “interactive” editorial method, a genre-expanding approach that encourages hybrid works of autotheory, queer of color theory, and conversation among game makers and scholars to generate divergent meanings of games, play, and “Asian America.”
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.dukeupress.edu/made-in-asia-america"><em>Made in Asia/America: Why Video Games Were Never (Really) about Us</em></a><em> </em>(Duke UP, 2024) explores the key role video games play within the race makings of Asia/America. Its fourteen critical essays on games, ranging from <em>Death Stranding</em> to <em>Animal Crossing</em>, and five roundtables with twenty Asian/American game makers examine the historical entanglements of games, Asia, and America, and reveal the ways games offer new modes of imagining imperial violence, racial difference, and coalition. Shifting away from Eurocentric, white, masculinist takes on gaming, the contributors focus on minority and queer experiences, practices, and innovative scholarly methods to better account for the imperial circulation of games. Encouraging ambiguous and contextual ways of understanding games, the editors offer an “interactive” editorial method, a genre-expanding approach that encourages hybrid works of autotheory, queer of color theory, and conversation among game makers and scholars to generate divergent meanings of games, play, and “Asian America.”</p><p>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Titel kulturmagazin, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2314</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[77786ada-6182-11ef-9cd5-4be1e5e791aa]]></guid>
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    </item>
    <item>
      <title>Nazmul Sultan, "Waiting for the People: The Idea of Democracy in Indian Anticolonial Thought" (Harvard UP, 2024)</title>
      <description>Indians, their former British rulers asserted, were unfit to rule themselves. Behind this assertion lay a foundational claim about the absence of peoplehood in India. The purported “backwardness” of Indians as a people led to a democratic legitimation of empire, justifying self-government at home and imperial rule in the colonies.
In response, Indian anticolonial thinkers launched a searching critique of the modern ideal of peoplehood. Waiting for the People: The Idea of Democracy in Indian Anticolonial Thought (Harvard University Press, 2024) is the first account of Indian answers to the question of peoplehood in political theory. This new book by Nazmul Sultan shows how Indian political thinkers explored the fraught theoretical space between sovereignty and government in the nineteenth and twentieth centuries. From Surendranath Banerjea and Radhakamal Mukerjee to Mohandas Gandhi and Jawaharlal Nehru, Indian political thinkers offered novel insights into the globalization of democracy, and ultimately drove India’s twentieth-century political transformation.
In this conversation, Sultan talks to host Yi Ning Chang about sovereignty and government, democracy and development, and the intellectual choices that laid the foundation of postcolonial democracy in the mid-twentieth century. 
Yi Ning Chang is a PhD Candidate in political theory at the Department of Government at Harvard University. She is writing a dissertation on the end of anticolonial politics. Through a study of 1950s–60s Southeast Asia, the project examines the relationship between critique and action, and the effects anticolonialism had on politics in the postcolony. She has wider interests in the history of twentieth-century political thought, the politics of resistance, and theory from the postcolonial world. Yi Ning can be reached at yiningchang@g.harvard.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 24 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>732</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nazmul Sultan</itunes:subtitle>
      <itunes:summary>Indians, their former British rulers asserted, were unfit to rule themselves. Behind this assertion lay a foundational claim about the absence of peoplehood in India. The purported “backwardness” of Indians as a people led to a democratic legitimation of empire, justifying self-government at home and imperial rule in the colonies.
In response, Indian anticolonial thinkers launched a searching critique of the modern ideal of peoplehood. Waiting for the People: The Idea of Democracy in Indian Anticolonial Thought (Harvard University Press, 2024) is the first account of Indian answers to the question of peoplehood in political theory. This new book by Nazmul Sultan shows how Indian political thinkers explored the fraught theoretical space between sovereignty and government in the nineteenth and twentieth centuries. From Surendranath Banerjea and Radhakamal Mukerjee to Mohandas Gandhi and Jawaharlal Nehru, Indian political thinkers offered novel insights into the globalization of democracy, and ultimately drove India’s twentieth-century political transformation.
In this conversation, Sultan talks to host Yi Ning Chang about sovereignty and government, democracy and development, and the intellectual choices that laid the foundation of postcolonial democracy in the mid-twentieth century. 
Yi Ning Chang is a PhD Candidate in political theory at the Department of Government at Harvard University. She is writing a dissertation on the end of anticolonial politics. Through a study of 1950s–60s Southeast Asia, the project examines the relationship between critique and action, and the effects anticolonialism had on politics in the postcolony. She has wider interests in the history of twentieth-century political thought, the politics of resistance, and theory from the postcolonial world. Yi Ning can be reached at yiningchang@g.harvard.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Indians, their former British rulers asserted, were unfit to rule themselves. Behind this assertion lay a foundational claim about the absence of peoplehood in India. The purported “backwardness” of Indians as a people led to a democratic legitimation of empire, justifying self-government at home and imperial rule in the colonies.</p><p>In response, Indian anticolonial thinkers launched a searching critique of the modern ideal of peoplehood. <a href="https://bookshop.org/a/12343/9780674290372"><em>Waiting for the People: The Idea of Democracy in Indian Anticolonial Thought</em></a><em> </em>(Harvard University Press, 2024) is the first account of Indian answers to the question of peoplehood in political theory. This new book by Nazmul Sultan shows how Indian political thinkers explored the fraught theoretical space between sovereignty and government in the nineteenth and twentieth centuries. From Surendranath Banerjea and Radhakamal Mukerjee to Mohandas Gandhi and Jawaharlal Nehru, Indian political thinkers offered novel insights into the globalization of democracy, and ultimately drove India’s twentieth-century political transformation.</p><p>In this conversation, Sultan talks to host Yi Ning Chang about sovereignty and government, democracy and development, and the intellectual choices that laid the foundation of postcolonial democracy in the mid-twentieth century. </p><p><em>Yi Ning Chang is a PhD Candidate in political theory at the Department of Government at Harvard University. She is writing a dissertation on the end of anticolonial politics. Through a study of 1950s–60s Southeast Asia, the project examines the relationship between critique and action, and the effects anticolonialism had on politics in the postcolony. She has wider interests in the history of twentieth-century political thought, the politics of resistance, and theory from the postcolonial world. Yi Ning can be reached at </em><a href="mailto:yiningchang@g.harvard.edu"><em>yiningchang@g.harvard.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6312</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Bessie N. Rigakos and Wesley R. Bishop, "Liberating Fat Bodies: Social Media Censorship and Body Size Activism" (Palgrave Macmillan, 2024)</title>
      <description>Using a multidisciplinary and intersectional approach, Liberating Fat Bodies: Social Media Censorship and Body Size Activism (Palgrave Macmillan, 2024) by Dr. Wesley Bishop &amp; Dr. Bessie Rigakos explores the social factors that influence the ways in which societal norms police fat bodies. Chapters examine the racist and colonial constructions of Western beauty norms as well as the evolution of anti-fat bias and fat liberation, before delving into the relationship between social media and body size activism, with a particular emphasis on social media companies censoring fat people. The authors draw on first-person narratives of artists, activists, and fat social media users to unpack how, these mostly women, have used their bodies to transform the negative social perceptions of fat people.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>378</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wesley R. Bishop</itunes:subtitle>
      <itunes:summary>Using a multidisciplinary and intersectional approach, Liberating Fat Bodies: Social Media Censorship and Body Size Activism (Palgrave Macmillan, 2024) by Dr. Wesley Bishop &amp; Dr. Bessie Rigakos explores the social factors that influence the ways in which societal norms police fat bodies. Chapters examine the racist and colonial constructions of Western beauty norms as well as the evolution of anti-fat bias and fat liberation, before delving into the relationship between social media and body size activism, with a particular emphasis on social media companies censoring fat people. The authors draw on first-person narratives of artists, activists, and fat social media users to unpack how, these mostly women, have used their bodies to transform the negative social perceptions of fat people.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Using a multidisciplinary and intersectional approach,<a href="https://bookshop.org/a/12343/9783031638893"> <em>Liberating Fat Bodies: Social Media Censorship and Body Size Activism</em></a> (Palgrave Macmillan, 2024) by Dr. Wesley Bishop &amp; Dr. Bessie Rigakos explores the social factors that influence the ways in which societal norms police fat bodies. Chapters examine the racist and colonial constructions of Western beauty norms as well as the evolution of anti-fat bias and fat liberation, before delving into the relationship between social media and body size activism, with a particular emphasis on social media companies censoring fat people. The authors draw on first-person narratives of artists, activists, and fat social media users to unpack how, these mostly women, have used their bodies to transform the negative social perceptions of fat people.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2889</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ca4d566-5ff0-11ef-8d3e-c3dd48441462]]></guid>
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    </item>
    <item>
      <title>Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)</title>
      <description>In Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War (Duke UP, 2021), Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist Fran Ilich, the activist performances of Grupo de Arte Callejero, Etcétera, and International Errorista rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur.
Jennifer Ponce de León is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Ponce de León</itunes:subtitle>
      <itunes:summary>In Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War (Duke UP, 2021), Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist Fran Ilich, the activist performances of Grupo de Arte Callejero, Etcétera, and International Errorista rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur.
Jennifer Ponce de León is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478011255"><em>Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War</em></a><em> </em>(Duke UP, 2021)<em>,</em> Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.</p><p>Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist <a href="https://en.wikipedia.org/wiki/Fran_Ilich">Fran Ilich</a>, the activist performances of <a href="https://grupodeartecallejero.wordpress.com/">Grupo de Arte Callejero</a>, <a href="https://grupoetcetera.wordpress.com/">Etcétera</a>, and <a href="https://www.erroristas.org/es">International Errorista</a> rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur.</p><p><a href="https://jenniferponcedeleon.wordpress.com/">Jennifer Ponce de León</a> is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3832</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Claire Carter et al., "Contemporary Vulnerabilities: Reflections on Social Justice Methodologies" (U Alberta Press, 2024)</title>
      <description>Contemporary Vulnerabilities: Reflections on Social Justice Methodologies (U Alberta Press, 2024) centres on critical reflections about vulnerable moments in research committed to social change. Exploring the many vulnerabilities within social science research, this interdisciplinary collection gathers critical stories, reflections, and analyses about innovative methodologies that engage with unconventional and unexpected spaces of research that scholars inhabit and share. The authors encourage us to collaborate within, reflect on, and confront the frictions of inquiry around social change. Towards an aim of contesting the dominance of Eurocentric epistemologies, the collection includes modes of storytelling and examples of knowledge gathering that are often excluded from academic texts in general and methodological texts in particular - such as queer, crip, and indigenous ways of being and knowing. Scholars and students across all disciplines will find provocation and recognition in this volume.
See the full Table of Contents here.
Claire Carter is Associate Professor in the Department of Gender, Religion, and Critical Studies at the University of Regina
Chelsea Temple Jones is Associate Professor in the Department of Child and Youth Studies at Brock University
Caitlin Janzen is a doctoral candidate in Sociology at York University and also works at the Postdoc Office of the University of Calgary.
Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>478</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Claire Carter, Chelsea Temple Jones, and Caitlin Janzen</itunes:subtitle>
      <itunes:summary>Contemporary Vulnerabilities: Reflections on Social Justice Methodologies (U Alberta Press, 2024) centres on critical reflections about vulnerable moments in research committed to social change. Exploring the many vulnerabilities within social science research, this interdisciplinary collection gathers critical stories, reflections, and analyses about innovative methodologies that engage with unconventional and unexpected spaces of research that scholars inhabit and share. The authors encourage us to collaborate within, reflect on, and confront the frictions of inquiry around social change. Towards an aim of contesting the dominance of Eurocentric epistemologies, the collection includes modes of storytelling and examples of knowledge gathering that are often excluded from academic texts in general and methodological texts in particular - such as queer, crip, and indigenous ways of being and knowing. Scholars and students across all disciplines will find provocation and recognition in this volume.
See the full Table of Contents here.
Claire Carter is Associate Professor in the Department of Gender, Religion, and Critical Studies at the University of Regina
Chelsea Temple Jones is Associate Professor in the Department of Child and Youth Studies at Brock University
Caitlin Janzen is a doctoral candidate in Sociology at York University and also works at the Postdoc Office of the University of Calgary.
Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781772127386"><em>Contemporary Vulnerabilities: Reflections on Social Justice Methodologies</em></a><em> </em>(U Alberta Press, 2024) centres on critical reflections about vulnerable moments in research committed to social change. Exploring the many vulnerabilities within social science research, this interdisciplinary collection gathers critical stories, reflections, and analyses about innovative methodologies that engage with unconventional and unexpected spaces of research that scholars inhabit and share. The authors encourage us to collaborate within, reflect on, and confront the frictions of inquiry around social change. Towards an aim of contesting the dominance of Eurocentric epistemologies, the collection includes modes of storytelling and examples of knowledge gathering that are often excluded from academic texts in general and methodological texts in particular - such as queer, crip, and indigenous ways of being and knowing. Scholars and students across all disciplines will find provocation and recognition in this volume.</p><p>See the full Table of Contents <a href="https://ualbertapress.ca/9781772127386/contemporary-vulnerabilities/">here</a>.</p><p>Claire Carter is Associate Professor in the Department of Gender, Religion, and Critical Studies at the University of Regina</p><p>Chelsea Temple Jones is Associate Professor in the Department of Child and Youth Studies at Brock University</p><p>Caitlin Janzen is a doctoral candidate in Sociology at York University and also works at the Postdoc Office of the University of Calgary.</p><p>Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4765</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Literatures beyond the West</title>
      <description>In this episode Salman Sayyid talks to Ian Almond about his work in world literature, including his 2021 book World Literature Decentered which looks at literature beyond the idea of the West. Ian is professor of World Literature at Georgetown University, whose work asks what it would mean to do literary study that embraces the non-West not as a residual category, but as the majority of the world. The interview connects up this work with Ian’s earlier work on dismantling Eurocentrism, and asks big questions about what is at stake in the idea of the global.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ian Almond</itunes:subtitle>
      <itunes:summary>In this episode Salman Sayyid talks to Ian Almond about his work in world literature, including his 2021 book World Literature Decentered which looks at literature beyond the idea of the West. Ian is professor of World Literature at Georgetown University, whose work asks what it would mean to do literary study that embraces the non-West not as a residual category, but as the majority of the world. The interview connects up this work with Ian’s earlier work on dismantling Eurocentrism, and asks big questions about what is at stake in the idea of the global.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Salman Sayyid talks to Ian Almond about his work in world literature, including his 2021 book <a href="https://bookshop.org/a/12343/9781032034553"><em>World Literature Decentered</em> </a>which looks at literature beyond the idea of the West. Ian is professor of World Literature at Georgetown University, whose work asks what it would mean to do literary study that embraces the non-West not as a residual category, but as the majority of the world. The interview connects up this work with Ian’s earlier work on dismantling Eurocentrism, and asks big questions about what is at stake in the idea of the global.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c261be6-5d90-11ef-9b2d-ab37f5f65ef7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9888143532.mp3?updated=1724007786" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joachim C. Häberlen, "Beauty Is in the Street: Protest and Counterculture in Post-War Europe" (Penguin, 2023)</title>
      <description>In post-war Europe, protest was everywhere. On both sides of the Iron Curtain, from Paris to Prague, Milan to Wroclaw, ordinary people took to the streets, fighting for a better world. Their efforts came to a head most dramatically in 1968 and 1989, when mass movements swept Europe and rewrote its history.
 In the decades between, Joachim C. Haberlen argues in ﻿Beauty Is in the Street: Protest and Counterculture in Post-War Europe (Penguin, 2023), new movements emerged that transformed the nature of protesting. Activism moved beyond traditional demonstrations, from squatting to staging 'happenings' and camping out at nuclear power plants. People protested in the way they dressed, the music they listened to, the lovers they slept with, the clubs where they danced all night. New movements were born, notably anti-racism, women's liberation, gay liberation and environmentalism. And protest turned inward, as activists experimented with new ways of living and feeling, from communes to group therapy, in their efforts to live a better life in the here and now.

Some of these struggles succeeded, others failed. But successful or not, their history provides a glimpse into roads not taken, into futures that did not happen. The stories in Haberlen's book invite us to imagine different futures; to struggle, to fail, and to try again. In a time when we are told that there are no alternatives, they show us that there could be another way.
Joachim C. Häberlen is a historian of modern Europe. He holds a PhD from the University of Chicago and worked until 2022 at the University of Warwick; he now lives and works in Berlin.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joachim C. Häberlen</itunes:subtitle>
      <itunes:summary>In post-war Europe, protest was everywhere. On both sides of the Iron Curtain, from Paris to Prague, Milan to Wroclaw, ordinary people took to the streets, fighting for a better world. Their efforts came to a head most dramatically in 1968 and 1989, when mass movements swept Europe and rewrote its history.
 In the decades between, Joachim C. Haberlen argues in ﻿Beauty Is in the Street: Protest and Counterculture in Post-War Europe (Penguin, 2023), new movements emerged that transformed the nature of protesting. Activism moved beyond traditional demonstrations, from squatting to staging 'happenings' and camping out at nuclear power plants. People protested in the way they dressed, the music they listened to, the lovers they slept with, the clubs where they danced all night. New movements were born, notably anti-racism, women's liberation, gay liberation and environmentalism. And protest turned inward, as activists experimented with new ways of living and feeling, from communes to group therapy, in their efforts to live a better life in the here and now.

Some of these struggles succeeded, others failed. But successful or not, their history provides a glimpse into roads not taken, into futures that did not happen. The stories in Haberlen's book invite us to imagine different futures; to struggle, to fail, and to try again. In a time when we are told that there are no alternatives, they show us that there could be another way.
Joachim C. Häberlen is a historian of modern Europe. He holds a PhD from the University of Chicago and worked until 2022 at the University of Warwick; he now lives and works in Berlin.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In post-war Europe, protest was everywhere. On both sides of the Iron Curtain, from Paris to Prague, Milan to Wroclaw, ordinary people took to the streets, fighting for a better world. Their efforts came to a head most dramatically in 1968 and 1989, when mass movements swept Europe and rewrote its history.</p><p> In the decades between, Joachim C. Haberlen argues in <a href="https://bookshop.org/a/12343/9780141994963">﻿Beauty Is in the Street: Protest and Counterculture in Post-War Europe</a> (Penguin, 2023), new movements emerged that transformed the nature of protesting. Activism moved beyond traditional demonstrations, from squatting to staging 'happenings' and camping out at nuclear power plants. People protested in the way they dressed, the music they listened to, the lovers they slept with, the clubs where they danced all night. New movements were born, notably anti-racism, women's liberation, gay liberation and environmentalism. And protest turned inward, as activists experimented with new ways of living and feeling, from communes to group therapy, in their efforts to live a better life in the here and now.</p><p><br></p><p>Some of these struggles succeeded, others failed. But successful or not, their history provides a glimpse into roads not taken, into futures that did not happen. The stories in Haberlen's book invite us to imagine different futures; to struggle, to fail, and to try again. In a time when we are told that there are no alternatives, they show us that there could be another way.</p><p>Joachim C. Häberlen is a historian of modern Europe. He holds a PhD from the University of Chicago and worked until 2022 at the University of Warwick; he now lives and works in Berlin.</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[15a095e0-5f33-11ef-a219-bf6c87e3f9ef]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9800448123.mp3?updated=1724187070" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Allen, “The Political Class: Why It Matters Who Our Politicians Are” (Oxford UP, 2018)</title>
      <description>Who is in charge? In The Political Class: Why It Matters Who Our Politicians Are (Oxford University Press, 2018), Peter Allen, a Reader in Comparative Politics in the Department of Politics, Languages and International Studies at the University of Bath, explores the rise of a specific type of political leader and what this means for our politics. The book works through debates over the existence of a political class, arguing this ‘class’ is homogenised along lines of characteristics, attitudes, and behaviours, and carefully analysing potential defences of the political class. However, in presenting the intrinsic case, as well as an extensive and detailed range of other cases, against the political class the book presents a powerful critique of how politics is currently organised. Concluding with a range of practical suggestions for change, including quotas, randomised selection of representative, and changes to how politics is organised, the book will be essential reading for anyone concerned with who is in charge of society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Allen</itunes:subtitle>
      <itunes:summary>Who is in charge? In The Political Class: Why It Matters Who Our Politicians Are (Oxford University Press, 2018), Peter Allen, a Reader in Comparative Politics in the Department of Politics, Languages and International Studies at the University of Bath, explores the rise of a specific type of political leader and what this means for our politics. The book works through debates over the existence of a political class, arguing this ‘class’ is homogenised along lines of characteristics, attitudes, and behaviours, and carefully analysing potential defences of the political class. However, in presenting the intrinsic case, as well as an extensive and detailed range of other cases, against the political class the book presents a powerful critique of how politics is currently organised. Concluding with a range of practical suggestions for change, including quotas, randomised selection of representative, and changes to how politics is organised, the book will be essential reading for anyone concerned with who is in charge of society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who is in charge? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QplLhWkaWL37fda_mKNeITgAAAFj2lkLpgEAAAFKAQkJ1jA/http://www.amazon.com/dp/0198795971/ref=as_at?creativeASIN=0198795971&amp;linkCode=w61&amp;imprToken=HX0EGXXnQBrUYKt1DgLfGQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Political Class: Why It Matters Who Our Politicians Are</a> (Oxford University Press, 2018), <a href="http://www.peter-allen.co.uk/">Peter Allen</a>, a Reader in Comparative Politics in the Department of Politics, Languages and International Studies at the University of Bath<a href="http://www.bath.ac.uk/departments/department-of-politics-languages-international-studies/">,</a> explores the rise of a specific type of political leader and what this means for our politics. The book works through debates over the existence of a political class, arguing this ‘class’ is homogenised along lines of characteristics, attitudes, and behaviours, and carefully analysing potential defences of the political class. However, in presenting the intrinsic case, as well as an extensive and detailed range of other cases, against the political class the book presents a powerful critique of how politics is currently organised. Concluding with a range of practical suggestions for change, including quotas, randomised selection of representative, and changes to how politics is organised, the book will be essential reading for anyone concerned with who is in charge of society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74359]]></guid>
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    <item>
      <title>Karen Patel, "Craft as a Creative Industry" (Routledge, 2024)</title>
      <description>How can we diversify the creative industries? In Craft as a Creative Industry (Routledge, 2024), Karen Patel, an Associate Professor in Media and Director of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>477</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karen Patel</itunes:subtitle>
      <itunes:summary>How can we diversify the creative industries? In Craft as a Creative Industry (Routledge, 2024), Karen Patel, an Associate Professor in Media and Director of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we diversify the creative industries? In <a href="https://newbooksnetwork.com/admin/entries/episodes/Craft%20as%20a%20Creative%20Industry"><em>Craft as a Creative Industry</em></a> (Routledge, 2024), <a href="https://x.com/KarenPatel">Karen Patel,</a> an <a href="https://karenpatel.com/">Associate Professor</a> in Media and Director of the <a href="https://www.bcu.ac.uk/arts-design-and-media/centre-for-diversity-and-inclusion-in-the-arts">Centre for Equality, Diversity and Inclusion in the Arts (CEDIA)</a> at <a href="https://www.bcu.ac.uk/research/media-and-journalism/research-staff/karen-patel">Birmingham City University</a>, examines the craft industries of Australia and the UK to show new ways of organising these crucial parts of the economy. The book uses case studies and lived experience from women makers of colour, situated within the history of context of both countries’ craft sectors, to demonstrate the scale of inequalities in craft and the need for change. A compact and easy to read intervention into current debates, the book is essential reading across creative industries, as well as the humanities and social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2971</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af5b162e-5d7b-11ef-8277-433d649e9621]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4008756106.mp3?updated=1723999204" length="0" type="audio/mpeg"/>
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    <item>
      <title>Raj Jayadev, "Protect Your People: How Ordinary Families Are Using Participatory Defense to Challenge Mass Incarceration" (New Press, 2023)</title>
      <description>Over two million Americans are currently in prison or jail. Another 4.5 million are on probation or parole. And nearly one in two Americans have a family member who is or has been incarcerated. Writing for those new to activism as well as seasoned organizers, celebrated criminal justice activist Raj Jayadev introduces readers to the groundbreaking idea of participatory defense, a community organizing model for families and communities aimed at bettering the outcome of cases involving their loved ones and transforming the landscape of power in the courts. Participatory defense has led to acquittals, dismissed and reduced charges, prison terms changed to rehabilitation programs, and life sentences taken off the table. 
Drawing on years of organizing to offer a radical vision of community intervention, Protect Your People: How Ordinary Families Are Using Participatory Defense to Challenge Mass Incarceration (New Press, 2023) features stories from across the country, highlighting the most effective strategies of this groundbreaking approach, including how to get loved ones released from bail hearings, arraignments, and post-conviction; how to take on deportation cases; how to prevent youth from being transferred to adult court, and more. A radical new argument for the era of mass incarceration, Protect Your People shows that real change is possible when people step into America's courtrooms and get involved.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 18 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Raj Jayadev</itunes:subtitle>
      <itunes:summary>Over two million Americans are currently in prison or jail. Another 4.5 million are on probation or parole. And nearly one in two Americans have a family member who is or has been incarcerated. Writing for those new to activism as well as seasoned organizers, celebrated criminal justice activist Raj Jayadev introduces readers to the groundbreaking idea of participatory defense, a community organizing model for families and communities aimed at bettering the outcome of cases involving their loved ones and transforming the landscape of power in the courts. Participatory defense has led to acquittals, dismissed and reduced charges, prison terms changed to rehabilitation programs, and life sentences taken off the table. 
Drawing on years of organizing to offer a radical vision of community intervention, Protect Your People: How Ordinary Families Are Using Participatory Defense to Challenge Mass Incarceration (New Press, 2023) features stories from across the country, highlighting the most effective strategies of this groundbreaking approach, including how to get loved ones released from bail hearings, arraignments, and post-conviction; how to take on deportation cases; how to prevent youth from being transferred to adult court, and more. A radical new argument for the era of mass incarceration, Protect Your People shows that real change is possible when people step into America's courtrooms and get involved.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over two million Americans are currently in prison or jail. Another 4.5 million are on probation or parole. And nearly one in two Americans have a family member who is or has been incarcerated. Writing for those new to activism as well as seasoned organizers, celebrated criminal justice activist Raj Jayadev introduces readers to the groundbreaking idea of participatory defense, a community organizing model for families and communities aimed at bettering the outcome of cases involving their loved ones and transforming the landscape of power in the courts. Participatory defense has led to acquittals, dismissed and reduced charges, prison terms changed to rehabilitation programs, and life sentences taken off the table. </p><p>Drawing on years of organizing to offer a radical vision of community intervention, <a href="https://bookshop.org/a/12343/9781620977002"><em>Protect Your People: How Ordinary Families Are Using Participatory Defense to Challenge Mass Incarceration</em></a> (New Press, 2023) features stories from across the country, highlighting the most effective strategies of this groundbreaking approach, including how to get loved ones released from bail hearings, arraignments, and post-conviction; how to take on deportation cases; how to prevent youth from being transferred to adult court, and more. A radical new argument for the era of mass incarceration, Protect Your People shows that real change is possible when people step into America's courtrooms and get involved.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[42c0d120-5ca4-11ef-8c9b-2f9495194474]]></guid>
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    <item>
      <title>Sudhir Kakar, "The Indian Jungle: Psychoanalysis and Non-Western Civilizations" (Karnac, 2024)</title>
      <description>In this podcast, Ashis Roy (Psychoanalyst (IPA) and author of the recently published book Intimacy in Alienation: A Psychoanalytic Study of Hindu-Muslim Relationships (﻿Yoda Press, 2024) is in conversation with Dhwani Shah, MD. Shah is a psychiatrist and psychoanalyst currently practicing in Princeton, NJ. He is a clinical associate faculty member in the Department of Psychiatry at the University of Pennsylvania School of Medicine and a Supervising Analyst and instructor at the Psychoanalytic Center of Philadelphia.
Together they engage with Late Sudhir Kakar´s last book the Indian Jungle: Psychoanalysis and Non-Western Civilizations (Karnac, 2024). Shah reflects on Kakar´s contributions to psychoanalysis and on some of the pillars in Kakar´s writing.
About the Indian Jungle
For more than a century, the cultural imagination of psychoanalysis has been assumed and largely continues to be assumed as Western. Although the terroirs of psychoanalysis in South America, France, Italy, England, the United States, and so on have important differences, they all share a strong family resemblance which distinguishes them clearly from the cultural imaginations of Indian, Chinese, Korean, Japanese and other non-Western terroirs.
Fundamental ideas about human relationships, family, marriage, and gender often remain unexamined and pervade the analytic space as if they are universally valid. Thus, ideas that are historically and culturally only true of and limited to modern Western, specifically European and North American middle-class experience, have been incorporated unquestioningly into psychoanalytic thought.
In the intellectual climate of our times, with the rise of relativism in the human sciences and politically with the advent of decolonization, the cultural and historical transcendence of psychoanalytic thought can no longer be taken for granted. Insights from clinical work embedded in the cultural imaginations of non-Western civilizations could help psychoanalysis rethink some of its theories of the human psyche, extending these to cover a fuller range of human experience. These cultural imaginations are an invaluable resource for the move away from a universal psychoanalysis to a more global one that remains aware of but is not limited by its origins in the modern West. This book of essays aims to be a step in that journey, of altering the self-perception of psychoanalysis from ‘one size fits all’ into a more nuanced enterprise that reflects and is enriched by cultural particularities.
The perfect book for psychoanalysts, psychotherapists, cultural psychologists, anthropologists, students of South Asian, cultural, and post-colonial studies, and anyone interested in the current and possible future shape of psychoanalytic thought.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 17 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dhwani Shah</itunes:subtitle>
      <itunes:summary>In this podcast, Ashis Roy (Psychoanalyst (IPA) and author of the recently published book Intimacy in Alienation: A Psychoanalytic Study of Hindu-Muslim Relationships (﻿Yoda Press, 2024) is in conversation with Dhwani Shah, MD. Shah is a psychiatrist and psychoanalyst currently practicing in Princeton, NJ. He is a clinical associate faculty member in the Department of Psychiatry at the University of Pennsylvania School of Medicine and a Supervising Analyst and instructor at the Psychoanalytic Center of Philadelphia.
Together they engage with Late Sudhir Kakar´s last book the Indian Jungle: Psychoanalysis and Non-Western Civilizations (Karnac, 2024). Shah reflects on Kakar´s contributions to psychoanalysis and on some of the pillars in Kakar´s writing.
About the Indian Jungle
For more than a century, the cultural imagination of psychoanalysis has been assumed and largely continues to be assumed as Western. Although the terroirs of psychoanalysis in South America, France, Italy, England, the United States, and so on have important differences, they all share a strong family resemblance which distinguishes them clearly from the cultural imaginations of Indian, Chinese, Korean, Japanese and other non-Western terroirs.
Fundamental ideas about human relationships, family, marriage, and gender often remain unexamined and pervade the analytic space as if they are universally valid. Thus, ideas that are historically and culturally only true of and limited to modern Western, specifically European and North American middle-class experience, have been incorporated unquestioningly into psychoanalytic thought.
In the intellectual climate of our times, with the rise of relativism in the human sciences and politically with the advent of decolonization, the cultural and historical transcendence of psychoanalytic thought can no longer be taken for granted. Insights from clinical work embedded in the cultural imaginations of non-Western civilizations could help psychoanalysis rethink some of its theories of the human psyche, extending these to cover a fuller range of human experience. These cultural imaginations are an invaluable resource for the move away from a universal psychoanalysis to a more global one that remains aware of but is not limited by its origins in the modern West. This book of essays aims to be a step in that journey, of altering the self-perception of psychoanalysis from ‘one size fits all’ into a more nuanced enterprise that reflects and is enriched by cultural particularities.
The perfect book for psychoanalysts, psychotherapists, cultural psychologists, anthropologists, students of South Asian, cultural, and post-colonial studies, and anyone interested in the current and possible future shape of psychoanalytic thought.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this podcast, Ashis Roy (Psychoanalyst (IPA) and author of the recently published book <em>Intimacy in Alienation: A Psychoanalytic Study of Hindu-Muslim Relationships</em> (﻿Yoda Press, 2024) is in conversation with Dhwani Shah, MD. Shah is a psychiatrist and psychoanalyst currently practicing in Princeton, NJ. He is a clinical associate faculty member in the Department of Psychiatry at the University of Pennsylvania School of Medicine and a Supervising Analyst and instructor at the Psychoanalytic Center of Philadelphia.</p><p>Together they engage with Late Sudhir Kakar´s last book the <a href="https://bookshop.org/a/12343/9781915565204"><em>Indian Jungle: Psychoanalysis and Non-Western Civilizations</em></a> (Karnac, 2024). Shah reflects on Kakar´s contributions to psychoanalysis and on some of the pillars in Kakar´s writing.</p><p>About the Indian Jungle</p><p>For more than a century, the cultural imagination of psychoanalysis has been assumed and largely continues to be assumed as Western. Although the terroirs of psychoanalysis in South America, France, Italy, England, the United States, and so on have important differences, they all share a strong family resemblance which distinguishes them clearly from the cultural imaginations of Indian, Chinese, Korean, Japanese and other non-Western terroirs.</p><p>Fundamental ideas about human relationships, family, marriage, and gender often remain unexamined and pervade the analytic space as if they are universally valid. Thus, ideas that are historically and culturally only true of and limited to modern Western, specifically European and North American middle-class experience, have been incorporated unquestioningly into psychoanalytic thought.</p><p>In the intellectual climate of our times, with the rise of relativism in the human sciences and politically with the advent of decolonization, the cultural and historical transcendence of psychoanalytic thought can no longer be taken for granted. Insights from clinical work embedded in the cultural imaginations of non-Western civilizations could help psychoanalysis rethink some of its theories of the human psyche, extending these to cover a fuller range of human experience. These cultural imaginations are an invaluable resource for the move away from a universal psychoanalysis to a more global one that remains aware of but is not limited by its origins in the modern West. This book of essays aims to be a step in that journey, of altering the self-perception of psychoanalysis from ‘one size fits all’ into a more nuanced enterprise that reflects and is enriched by cultural particularities.</p><p>The perfect book for psychoanalysts, psychotherapists, cultural psychologists, anthropologists, students of South Asian, cultural, and post-colonial studies, and anyone interested in the current and possible future shape of psychoanalytic thought.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[28578e9a-5be2-11ef-bc15-4b2409fa103b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8110566154.mp3?updated=1723822011" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Archer, "Unsustainable: Measurement, Reporting, and the Limits of Corporate Sustainability" (NYU Press, 2024)</title>
      <description>In recent years, companies have felt the pressure to be transparent about their environmental impact. Large documents containing summaries of yearly emissions rates, carbon output, and utilized resources are shared on companies’ social media pages, websites, and employee briefings in a bid for public confidence in corporate responsibility.
And yet, Matthew Archer argues, these metrics are often just hollow symbols. Unsustainable: Measurement, Reporting, and the Limits of Corporate Sustainability (New York University Press, 2024) contends with the world of big banks and multinational corporations, where sustainability begins and ends with measuring and reporting. Drawing on five years of research among sustainability professionals in the US and Europe, Unsustainable shows how this depoliticizing tendency to frame sustainability as a technical issue enhances and obscures corporate power while doing little, if anything, to address the root causes of the climate crisis and issues of social inequality. Through this obsession with metrics and indicators, the adage that you can’t manage what you can’t measure transforms into a belief that once you’ve measured social and environmental impacts, the market will simply manage them for you.
The book draws on diverse sources of evidence―ethnographic fieldwork among a wide array of sustainability professionals, interviews with private bankers, and apocalyptic science fiction―and features analyses of name-brand companies including Volkswagen, Unilever, and Nestlé. Making the case for the limits of measuring and reporting, Archer seeks to mobilize alternative approaches. Through an intersectional lens incorporating Black and Indigenous theories of knowledge, power and value, he offers a vision of sustainability that aims to be more effective and more socially and ecologically just.
Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor, and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. Robin can be reached at rsteiner@fiu.edu. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>318</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Archer</itunes:subtitle>
      <itunes:summary>In recent years, companies have felt the pressure to be transparent about their environmental impact. Large documents containing summaries of yearly emissions rates, carbon output, and utilized resources are shared on companies’ social media pages, websites, and employee briefings in a bid for public confidence in corporate responsibility.
And yet, Matthew Archer argues, these metrics are often just hollow symbols. Unsustainable: Measurement, Reporting, and the Limits of Corporate Sustainability (New York University Press, 2024) contends with the world of big banks and multinational corporations, where sustainability begins and ends with measuring and reporting. Drawing on five years of research among sustainability professionals in the US and Europe, Unsustainable shows how this depoliticizing tendency to frame sustainability as a technical issue enhances and obscures corporate power while doing little, if anything, to address the root causes of the climate crisis and issues of social inequality. Through this obsession with metrics and indicators, the adage that you can’t manage what you can’t measure transforms into a belief that once you’ve measured social and environmental impacts, the market will simply manage them for you.
The book draws on diverse sources of evidence―ethnographic fieldwork among a wide array of sustainability professionals, interviews with private bankers, and apocalyptic science fiction―and features analyses of name-brand companies including Volkswagen, Unilever, and Nestlé. Making the case for the limits of measuring and reporting, Archer seeks to mobilize alternative approaches. Through an intersectional lens incorporating Black and Indigenous theories of knowledge, power and value, he offers a vision of sustainability that aims to be more effective and more socially and ecologically just.
Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor, and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. Robin can be reached at rsteiner@fiu.edu. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In recent years, companies have felt the pressure to be transparent about their environmental impact. Large documents containing summaries of yearly emissions rates, carbon output, and utilized resources are shared on companies’ social media pages, websites, and employee briefings in a bid for public confidence in corporate responsibility.</p><p>And yet, Matthew Archer argues, these metrics are often just hollow symbols. <a href="https://bookshop.org/a/12343/9781479822010"><em>Unsustainable: Measurement, Reporting, and the Limits of Corporate Sustainability</em></a><em> </em>(New York University Press, 2024) contends with the world of big banks and multinational corporations, where sustainability begins and ends with measuring and reporting. Drawing on five years of research among sustainability professionals in the US and Europe, <em>Unsustainable</em> shows how this depoliticizing tendency to frame sustainability as a technical issue enhances and obscures corporate power while doing little, if anything, to address the root causes of the climate crisis and issues of social inequality. Through this obsession with metrics and indicators, the adage that you can’t manage what you can’t measure transforms into a belief that once you’ve measured social and environmental impacts, the market will simply manage them for you.</p><p>The book draws on diverse sources of evidence―ethnographic fieldwork among a wide array of sustainability professionals, interviews with private bankers, and apocalyptic science fiction―and features analyses of name-brand companies including Volkswagen, Unilever, and Nestlé. Making the case for the limits of measuring and reporting, Archer seeks to mobilize alternative approaches. Through an intersectional lens incorporating Black and Indigenous theories of knowledge, power and value, he offers a vision of sustainability that aims to be more effective and more socially and ecologically just.</p><p><em>Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor, and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. Robin can be reached at rsteiner@fiu.edu. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2418</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[687deeb6-5a79-11ef-9fec-8b71ef8a5695]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6792506751.mp3?updated=1723667874" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Decoloniality</title>
      <description>This episode is the third one this series where we look back over the first principles of the ReOrient project. In previous episodes we have discussed post-orientalism and post-positivism, here we turn to decoloniality. Discussions of decoloniality have become increasingly mainstream since the ‘Decolonise the Curriculum’ and ‘Rhodes Must Fall’ movements, and calls to decolonise are often heard on pro-Palestine marches around the world. But what is the relationship between the decolonial and the Islamicate? And how do we ensure that as it is mainstreamed, decolonial thought does not lose its meaning? To find out, let’s listen in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode is the third one this series where we look back over the first principles of the ReOrient project. In previous episodes we have discussed post-orientalism and post-positivism, here we turn to decoloniality. Discussions of decoloniality have become increasingly mainstream since the ‘Decolonise the Curriculum’ and ‘Rhodes Must Fall’ movements, and calls to decolonise are often heard on pro-Palestine marches around the world. But what is the relationship between the decolonial and the Islamicate? And how do we ensure that as it is mainstreamed, decolonial thought does not lose its meaning? To find out, let’s listen in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode is the third one this series where we look back over the first principles of the ReOrient project. In previous episodes we have discussed post-orientalism and post-positivism, here we turn to decoloniality. Discussions of decoloniality have become increasingly mainstream since the ‘Decolonise the Curriculum’ and ‘Rhodes Must Fall’ movements, and calls to decolonise are often heard on pro-Palestine marches around the world. But what is the relationship between the decolonial and the Islamicate? And how do we ensure that as it is mainstreamed, decolonial thought does not lose its meaning? To find out, let’s listen in.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6b30e2ac-5a52-11ef-9355-e79d10d336ca]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6271492395.mp3?updated=1723650410" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anthony Abraham Jack, "Class Dismissed: When Colleges Ignore Inequality and Students Pay the Price" (Princeton UP, 2024)</title>
      <description>Elite colleges are boasting unprecedented numbers with respect to diversity, with some schools admitting their first majority-minority classes. But when the twin pandemics of COVID-19 and racial unrest gripped the world, schools scrambled to figure out what to do with the diversity they so fervently recruited. And disadvantaged students suffered. Class Dismissed: When Colleges Ignore Inequality and Students Pay the Price (Princeton UP, 2024) exposes how woefully unprepared colleges were to support these students and shares their stories of how they were left to weather the storm alone and unprotected.
Drawing on the firsthand experiences of students from all walks of life at elite colleges, Anthony Abraham Jack reveals the hidden and unequal worlds students navigated before and during the pandemic closures and upon their return to campus. He shows how COVID-19 exacerbated the very inequalities that universities ignored or failed to address long before campus closures. Jack examines how students dealt with the disruptions caused by the pandemic, how they navigated social unrest, and how they grappled with problems of race both on campus and off.
A provocative and much-needed book, Class Dismissed paints an intimate and unflinchingly candid portrait of the challenges of undergraduate life for disadvantaged students even in elite schools that invest millions to diversify their student body. Moreover, Jack offers guidance on how to make students' path to graduation less treacherous--guidance colleges would be wise to follow.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anthony Abraham Jack</itunes:subtitle>
      <itunes:summary>Elite colleges are boasting unprecedented numbers with respect to diversity, with some schools admitting their first majority-minority classes. But when the twin pandemics of COVID-19 and racial unrest gripped the world, schools scrambled to figure out what to do with the diversity they so fervently recruited. And disadvantaged students suffered. Class Dismissed: When Colleges Ignore Inequality and Students Pay the Price (Princeton UP, 2024) exposes how woefully unprepared colleges were to support these students and shares their stories of how they were left to weather the storm alone and unprotected.
Drawing on the firsthand experiences of students from all walks of life at elite colleges, Anthony Abraham Jack reveals the hidden and unequal worlds students navigated before and during the pandemic closures and upon their return to campus. He shows how COVID-19 exacerbated the very inequalities that universities ignored or failed to address long before campus closures. Jack examines how students dealt with the disruptions caused by the pandemic, how they navigated social unrest, and how they grappled with problems of race both on campus and off.
A provocative and much-needed book, Class Dismissed paints an intimate and unflinchingly candid portrait of the challenges of undergraduate life for disadvantaged students even in elite schools that invest millions to diversify their student body. Moreover, Jack offers guidance on how to make students' path to graduation less treacherous--guidance colleges would be wise to follow.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elite colleges are boasting unprecedented numbers with respect to diversity, with some schools admitting their first majority-minority classes. But when the twin pandemics of COVID-19 and racial unrest gripped the world, schools scrambled to figure out what to do with the diversity they so fervently recruited. And disadvantaged students suffered. <a href="https://bookshop.org/a/12343/9780691237466"><em>Class Dismissed: When Colleges Ignore Inequality and Students Pay the Price</em></a><em> </em>(Princeton UP, 2024) exposes how woefully unprepared colleges were to support these students and shares their stories of how they were left to weather the storm alone and unprotected.</p><p>Drawing on the firsthand experiences of students from all walks of life at elite colleges, Anthony Abraham Jack reveals the hidden and unequal worlds students navigated before and during the pandemic closures and upon their return to campus. He shows how COVID-19 exacerbated the very inequalities that universities ignored or failed to address long before campus closures. Jack examines how students dealt with the disruptions caused by the pandemic, how they navigated social unrest, and how they grappled with problems of race both on campus and off.</p><p>A provocative and much-needed book, <em>Class Dismissed</em> paints an intimate and unflinchingly candid portrait of the challenges of undergraduate life for disadvantaged students even in elite schools that invest millions to diversify their student body. Moreover, Jack offers guidance on how to make students' path to graduation less treacherous--guidance colleges would be wise to follow.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1966</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6de2469e-4cf6-11ef-b6ea-ef68accb8302]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6225191605.mp3?updated=1722180673" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Policing and White Power with Daniel Kryder and David Cunningham (JP, EF)</title>
      <description>This June 2020 episode, originally part of a Global Policing series, was Recall this Book's first exploration of police brutality, systemic and personal racism and Black Lives Matter. Elizabeth and John were lucky to be joined by Daniel Kryder and David Cunningham, two scholars who have worked on these questions for decades.
Many of the mechanisms that create an oppressed and subordinated American community of color can seem subtle and indirect, despite the insidious ways they pervade housing law (The Color of Law), education (Why Are All the Black Kids Sitting Together, Savage Inequalities) and the carceral state (The Condemnation of Blackness, The New Jim Crow, Locking Up Our Own).
Although there is plenty of subtle racism in policing as well, there can be a brutally frontal quality to white-power policing: just look at the racial disparity in the stubbornly astronomically number of fatal shootings by police. David and Daniel ask how much of the current system of racial and class disparity can be traced back to slavery or to subsequent 19th century racial logic, and howw much arises from the confluence of other forces.
The conversation notes the widespread white participation in 2020 protests–did we ever expect to hear Mitt Romney chanting “Black Lives Matter”?– and what this might suggest about the possibilities for actual change. It also touches on the roles of the media and institutions such as police unions and the erosion of federal oversight of local police departments.
Mentioned in this episode:


Klansville, USA (cf. the PBS show of the same name that drew heavily on the book; and an interview David did on the topic of today’s Klan)


Kerner Commission Report (1968)


Ethical Society of Police (cf. this compelling local post-Ferguson PBS documentary that speaks with St. Louis African-American police officers)

Recallable Books

Walter Johnson, “The Broken Heart of America” (2020)

James Baldwin, “The Fire Next Time” (1963)

Ta-Nehisi Coates, “Between the World and Me” (2015)


Listen and Read Here:
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This June 2020 episode, originally part of a Global Policing series, was Recall this Book's first exploration of police brutality, systemic and personal racism and Black Lives Matter. Elizabeth and John were lucky to be joined by Daniel Kryder and David Cunningham, two scholars who have worked on these questions for decades.
Many of the mechanisms that create an oppressed and subordinated American community of color can seem subtle and indirect, despite the insidious ways they pervade housing law (The Color of Law), education (Why Are All the Black Kids Sitting Together, Savage Inequalities) and the carceral state (The Condemnation of Blackness, The New Jim Crow, Locking Up Our Own).
Although there is plenty of subtle racism in policing as well, there can be a brutally frontal quality to white-power policing: just look at the racial disparity in the stubbornly astronomically number of fatal shootings by police. David and Daniel ask how much of the current system of racial and class disparity can be traced back to slavery or to subsequent 19th century racial logic, and howw much arises from the confluence of other forces.
The conversation notes the widespread white participation in 2020 protests–did we ever expect to hear Mitt Romney chanting “Black Lives Matter”?– and what this might suggest about the possibilities for actual change. It also touches on the roles of the media and institutions such as police unions and the erosion of federal oversight of local police departments.
Mentioned in this episode:


Klansville, USA (cf. the PBS show of the same name that drew heavily on the book; and an interview David did on the topic of today’s Klan)


Kerner Commission Report (1968)


Ethical Society of Police (cf. this compelling local post-Ferguson PBS documentary that speaks with St. Louis African-American police officers)

Recallable Books

Walter Johnson, “The Broken Heart of America” (2020)

James Baldwin, “The Fire Next Time” (1963)

Ta-Nehisi Coates, “Between the World and Me” (2015)


Listen and Read Here:
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This June 2020 episode, originally part of a <a href="https://recallthisbook.org/episodes/global-policing/">Global Policing</a> series, was Recall this Book's first exploration of police brutality, systemic and personal racism and Black Lives Matter. Elizabeth and John were lucky to be joined by <a href="https://scholarworks.brandeis.edu/esploro/profile/daniel_kryder/overview?emplid=488b867310b49ff8036f0bd1f9d55e8522c1c62f">Daniel Kryder</a> and <a href="https://sociology.wustl.edu/people/david-cunningham">David Cunningham</a>, two scholars who have worked on these questions for decades.</p><p>Many of the mechanisms that create an oppressed and subordinated American community of color can seem subtle and indirect, despite the insidious ways they pervade housing law (<a href="https://wwnorton.com/books/The-Color-of-Law/"><em>The Color of Law</em></a>), education (<a href="https://www.amazon.com/Black-Kids-Sitting-Together-Cafeteria/dp/0465083617"><em>Why Are All the Black Kids Sitting Together</em></a><em>, </em><a href="https://en.wikipedia.org/wiki/Savage_Inequalities"><em>Savage Inequalities</em></a>) and the carceral state (<a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674238145"><em>The Condemnation of Blackness</em></a>, <a href="https://newjimcrow.com/"><em>The New Jim Crow,</em></a> <a href="https://www.jamesformanjr.com/"><em>Locking Up Our Own</em></a>).</p><p>Although there is plenty of subtle racism in policing as well, there can be a brutally frontal quality to white-power policing: just look at the racial disparity in the <a href="https://www.washingtonpost.com/graphics/investigations/police-shootings-database/">stubbornly astronomically number of fatal shootings</a> by police. David and Daniel ask how much of the current system of racial and class disparity can be traced back to slavery or to subsequent 19th century racial logic, and howw much arises from the confluence of other forces.</p><p>The conversation notes the widespread white participation in 2020 protests–did we ever expect to hear Mitt Romney chanting “Black Lives Matter”?– and what this might suggest about the possibilities for actual change. It also touches on the roles of the media and institutions such as police unions and the erosion of federal oversight of local police departments.</p><p><strong>Mentioned in this episode:</strong></p><ul>
<li>
<a href="https://www.amazon.com/Klansville-U-S-Civil-Rights-Era/dp/0199752028">Klansville, USA</a> (cf. the <a href="https://www.pbs.org/wgbh/americanexperience/films/klansville/">PBS show of the same name </a>that drew heavily on the book; and<a href="https://www.pbs.org/wgbh/americanexperience/features/klansville-faq/"> an interview David did</a> on the topic of today’s Klan)</li>
<li>
<a href="https://en.wikipedia.org/wiki/Kerner_Commission">Kerner Commission Report</a> (1968)</li>
<li>
<a href="https://esopstl.org/">Ethical Society of Police</a> (cf. this compelling <a href="https://www.youtube.com/watch?v=xxSb-cY_VUE&amp;list=WL&amp;index=3&amp;t=0s">local post-Ferguson PBS documentary</a> that speaks with St. Louis African-American police officers)</li>
</ul><p><strong>Recallable Books</strong></p><ul>
<li>Walter Johnson, “<a href="https://www.basicbooks.com/titles/walter-johnson/the-broken-heart-of-america/9780465064267/">The Broken Heart of America</a>” (2020)</li>
<li>James Baldwin, “<a href="https://en.wikipedia.org/wiki/The_Fire_Next_Time">The Fire Next Time</a>” (1963)</li>
<li>Ta-Nehisi Coates, “<a href="https://en.wikipedia.org/wiki/Between_the_World_and_Me">Between the World and Me</a>” (2015)</li>
</ul><p><br></p><p>Listen and <a href="https://recallthisbook.org/wp-content/uploads/2020/06/rtb-38-cunningham-kruder-transcrip.pdf">Read</a> Here:</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2255</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d60d33fc-5a55-11ef-9bb9-1b8a969f0b43]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4823756477.mp3?updated=1723651922" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tehila Sasson, "The Solidarity Economy: Nonprofits and the Making of Neoliberalism after Empire" (Princeton UP, 2024)</title>
      <description>After India gained independence in 1947, Britain reinvented its role in the global economy through nongovernmental aid organisations. Utilising existing imperial networks and colonial bureaucracy, the nonprofit sector sought an ethical capitalism, one that would equalise relationships between British consumers and Third World producers as the age of empire was ending. The Solidarity Economy: Nonprofits and the Making of Neoliberalism after Empire (Princeton University Press, 2024) by Dr. Tehila Sasson examines the role of nonstate actors in the major transformations of the world economy in the postwar era, showing how British NGOs charted a path to neoliberalism in their pursuit of ethical markets.
Between the 1950s and 1990s, nonprofits sought to establish an alternative to Keynesianism through their welfare and development programs. Encouraging the fair trade of commodities and goods through microfinance, consumer boycotts, and corporate social responsibility, these programs emphasised decentralisation, privatisation, and entrepreneurship. Tehila Sasson tells the stories of the activists, economists, politicians, and businessmen who reimagined the marketplace as a workshop for global reform. She reveals how their ideas, though commonly associated with conservative neoliberal policies, were part of a nonprofit-driven endeavour by the liberal left to envision markets as autonomous and humanising spaces, facilitating ethical relationships beyond the impersonal realm of the state.
Drawing on dozens of newly available repositories from nongovernmental, international, national, and business archives, The Solidarity Economy reconstructs the political economy of these markets—from handicrafts and sugar to tea and coffee—shedding critical light on the post imperial origins of neoliberalism.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tehila Sasson</itunes:subtitle>
      <itunes:summary>After India gained independence in 1947, Britain reinvented its role in the global economy through nongovernmental aid organisations. Utilising existing imperial networks and colonial bureaucracy, the nonprofit sector sought an ethical capitalism, one that would equalise relationships between British consumers and Third World producers as the age of empire was ending. The Solidarity Economy: Nonprofits and the Making of Neoliberalism after Empire (Princeton University Press, 2024) by Dr. Tehila Sasson examines the role of nonstate actors in the major transformations of the world economy in the postwar era, showing how British NGOs charted a path to neoliberalism in their pursuit of ethical markets.
Between the 1950s and 1990s, nonprofits sought to establish an alternative to Keynesianism through their welfare and development programs. Encouraging the fair trade of commodities and goods through microfinance, consumer boycotts, and corporate social responsibility, these programs emphasised decentralisation, privatisation, and entrepreneurship. Tehila Sasson tells the stories of the activists, economists, politicians, and businessmen who reimagined the marketplace as a workshop for global reform. She reveals how their ideas, though commonly associated with conservative neoliberal policies, were part of a nonprofit-driven endeavour by the liberal left to envision markets as autonomous and humanising spaces, facilitating ethical relationships beyond the impersonal realm of the state.
Drawing on dozens of newly available repositories from nongovernmental, international, national, and business archives, The Solidarity Economy reconstructs the political economy of these markets—from handicrafts and sugar to tea and coffee—shedding critical light on the post imperial origins of neoliberalism.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After India gained independence in 1947, Britain reinvented its role in the global economy through nongovernmental aid organisations. Utilising existing imperial networks and colonial bureaucracy, the nonprofit sector sought an ethical capitalism, one that would equalise relationships between British consumers and Third World producers as the age of empire was ending. <a href="https://bookshop.org/a/12343/9780691250380"><em>The Solidarity Economy: Nonprofits and the Making of Neoliberalism after Empire</em></a> (Princeton University Press, 2024) by Dr. Tehila Sasson examines the role of nonstate actors in the major transformations of the world economy in the postwar era, showing how British NGOs charted a path to neoliberalism in their pursuit of ethical markets.</p><p>Between the 1950s and 1990s, nonprofits sought to establish an alternative to Keynesianism through their welfare and development programs. Encouraging the fair trade of commodities and goods through microfinance, consumer boycotts, and corporate social responsibility, these programs emphasised decentralisation, privatisation, and entrepreneurship. Tehila Sasson tells the stories of the activists, economists, politicians, and businessmen who reimagined the marketplace as a workshop for global reform. She reveals how their ideas, though commonly associated with conservative neoliberal policies, were part of a nonprofit-driven endeavour by the liberal left to envision markets as autonomous and humanising spaces, facilitating ethical relationships beyond the impersonal realm of the state.</p><p>Drawing on dozens of newly available repositories from nongovernmental, international, national, and business archives, The Solidarity Economy reconstructs the political economy of these markets—from handicrafts and sugar to tea and coffee—shedding critical light on the post imperial origins of neoliberalism.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3292</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63c79662-5996-11ef-ab9a-43d87c6e3531]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7166406089.mp3?updated=1723570851" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Miguel Montalva Barba, "White Supremacy and Racism in Progressive America: Race, Place, and Space" (Policy Press, 2024)</title>
      <description>White Supremacy and Racism in Progressive America: Race, Place, and Space (Policy Press, 2024) examines the connections between race, place, and space, and sheds light on how they contribute and maintain racial hierarchies.
Dr. Miguel Montalva Barba focuses on the White residents of Jamaica Plain, Massachusetts, which, according to the Cooks Political Report Partisan Voting Index, is the most liberal district in the state and 15th in the United States of America. The book uses settler colonialism and critical race theory to explore how self-identified progressive White residents perceive their gentrifying neighborhood and how they make sense of their positionality.
Using the extended case method, as well as in-depth interviews, participant observation, content analysis and visual/media analysis, the author reveals how systemic racialized inequality persists even in a politically progressive borough.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>476</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Miguel Montalva Barba</itunes:subtitle>
      <itunes:summary>White Supremacy and Racism in Progressive America: Race, Place, and Space (Policy Press, 2024) examines the connections between race, place, and space, and sheds light on how they contribute and maintain racial hierarchies.
Dr. Miguel Montalva Barba focuses on the White residents of Jamaica Plain, Massachusetts, which, according to the Cooks Political Report Partisan Voting Index, is the most liberal district in the state and 15th in the United States of America. The book uses settler colonialism and critical race theory to explore how self-identified progressive White residents perceive their gentrifying neighborhood and how they make sense of their positionality.
Using the extended case method, as well as in-depth interviews, participant observation, content analysis and visual/media analysis, the author reveals how systemic racialized inequality persists even in a politically progressive borough.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781529235432"><em>White Supremacy and Racism in Progressive America: Race, Place, and Space</em></a> (Policy Press, 2024) examines the connections between race, place, and space, and sheds light on how they contribute and maintain racial hierarchies.</p><p>Dr. Miguel Montalva Barba focuses on the White residents of Jamaica Plain, Massachusetts, which, according to the Cooks Political Report Partisan Voting Index, is the most liberal district in the state and 15th in the United States of America. The book uses settler colonialism and critical race theory to explore how self-identified progressive White residents perceive their gentrifying neighborhood and how they make sense of their positionality.</p><p>Using the extended case method, as well as in-depth interviews, participant observation, content analysis and visual/media analysis, the author reveals how systemic racialized inequality persists even in a politically progressive borough.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3087</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e0d359ac-59a5-11ef-8819-8bd1905114e6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3493760198.mp3?updated=1723578193" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Craig Gent, "Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work" (Verso, 2024)</title>
      <description>Across the world, algorithms are changing the nature of work. Nowhere is this clearer than in the logistics and distribution sectors, where workers are instructed, tracked and monitored by increasingly dystopian management technologies.
In Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work (Verso, 2024), Craig Gent takes us into workplaces where algorithms rule to excavate the politics behind the newest form of managerial power. Combining worker testimony and original research on companies such as Amazon, Uber, and Deliveroo, the cutting edge of algorithmic management technology, this book reveals the sometimes unexpected effects these new techniques have on work, workers and managers. Gent advances an alternative politics of resistance in the face of digital control.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>475</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Craig Gent</itunes:subtitle>
      <itunes:summary>Across the world, algorithms are changing the nature of work. Nowhere is this clearer than in the logistics and distribution sectors, where workers are instructed, tracked and monitored by increasingly dystopian management technologies.
In Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work (Verso, 2024), Craig Gent takes us into workplaces where algorithms rule to excavate the politics behind the newest form of managerial power. Combining worker testimony and original research on companies such as Amazon, Uber, and Deliveroo, the cutting edge of algorithmic management technology, this book reveals the sometimes unexpected effects these new techniques have on work, workers and managers. Gent advances an alternative politics of resistance in the face of digital control.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Across the world, algorithms are changing the nature of work. Nowhere is this clearer than in the logistics and distribution sectors, where workers are instructed, tracked and monitored by increasingly dystopian management technologies.</p><p>In <a href="https://bookshop.org/a/12343/9781839768552"><em>Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work</em></a><em> </em>(Verso, 2024), Craig Gent takes us into workplaces where algorithms rule to excavate the politics behind the newest form of managerial power. Combining worker testimony and original research on companies such as Amazon, Uber, and Deliveroo, the cutting edge of algorithmic management technology, this book reveals the sometimes unexpected effects these new techniques have on work, workers and managers. Gent advances an alternative politics of resistance in the face of digital control.</p><p>Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3245</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e318be7a-58d6-11ef-82f1-43d78862af77]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6540472480.mp3?updated=1723488728" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Soar and Chill</title>
      <description>Why do certain musical sounds move us while others leave us cold? Are musical trends simply that—or do they contain insights into the culture at large? Our guest is a musicologist who studies pop and electronic dance music. She’s fascinated by the way EDM privileges timbral and rhythmic complexity over the chord changes and harmonic complexities of the blues-based rock and pop music of yore. However, Robin James is also a philosopher and she connects these musical structures to social and economic structures, not to mention structural racism and sexism. 
In this episode, cris and Mack have a lengthy, freeform interview and listening session with Robin in which she breaks down the sounds of EDM, pop, hip hop, “chill” playlists, and industrial techno, conceiving them as varied responses to neoliberalism’s intensification of capitalism. Her analysis includes lyrical content, but her main focus is the soars, stutters, breaks, and drops that mimic the socio-economic environment of the 21st century. It’s an environment that demands resilience from all of us—and especially from women and people of color.
Robin James’s books include:
·      Resilience &amp; Melancholy: pop music, feminism, neoliberalism (Zer0 Books, 2015).
·      The Sonic Episteme: acoustic resonance &amp; biopolitics (Duke, 2019).
·      The Conjectural Body: Gender, Race, &amp; the Philosophy of Music (Lexington Books, 2010).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Robin James</itunes:subtitle>
      <itunes:summary>Why do certain musical sounds move us while others leave us cold? Are musical trends simply that—or do they contain insights into the culture at large? Our guest is a musicologist who studies pop and electronic dance music. She’s fascinated by the way EDM privileges timbral and rhythmic complexity over the chord changes and harmonic complexities of the blues-based rock and pop music of yore. However, Robin James is also a philosopher and she connects these musical structures to social and economic structures, not to mention structural racism and sexism. 
In this episode, cris and Mack have a lengthy, freeform interview and listening session with Robin in which she breaks down the sounds of EDM, pop, hip hop, “chill” playlists, and industrial techno, conceiving them as varied responses to neoliberalism’s intensification of capitalism. Her analysis includes lyrical content, but her main focus is the soars, stutters, breaks, and drops that mimic the socio-economic environment of the 21st century. It’s an environment that demands resilience from all of us—and especially from women and people of color.
Robin James’s books include:
·      Resilience &amp; Melancholy: pop music, feminism, neoliberalism (Zer0 Books, 2015).
·      The Sonic Episteme: acoustic resonance &amp; biopolitics (Duke, 2019).
·      The Conjectural Body: Gender, Race, &amp; the Philosophy of Music (Lexington Books, 2010).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p class="ql-align-justify">Why do certain musical sounds move us while others leave us cold? Are musical trends simply that—or do they contain insights into the culture at large? Our guest is a musicologist who studies pop and electronic dance music. She’s fascinated by the way EDM privileges timbral and rhythmic complexity over the chord changes and harmonic complexities of the blues-based rock and pop music of yore. However, <a href="https://www.its-her-factory.com/"><strong>Robin James</strong></a> is also a philosopher and she connects these musical structures to social and economic structures, not to mention structural racism and sexism. </p><p class="ql-align-justify">In this episode, cris and Mack have a lengthy, freeform interview and listening session with Robin in which she breaks down the sounds of EDM, pop, hip hop, “chill” playlists, and industrial techno, conceiving them as varied responses to neoliberalism’s intensification of capitalism. Her analysis includes lyrical content, but her main focus is the soars, stutters, breaks, and drops that mimic the socio-economic environment of the 21st century. It’s an environment that demands resilience from all of us—and especially from women and people of color.</p><p class="ql-align-justify">Robin James’s books include:</p><p class="ql-align-justify">·      <a href="http://www.amazon.com/Resilience-Melancholy-Music-Feminism-Neoliberalism/dp/1782795987"><strong>Resilience &amp; Melancholy: pop music, feminism, neoliberalism</strong></a> (Zer0 Books, 2015).</p><p class="ql-align-justify">·      <a href="https://www.amazon.com/Sonic-Episteme-Resonance-Neoliberalism-Biopolitics/dp/1478006641"><strong>The Sonic Episteme: acoustic resonance &amp; biopolitics</strong></a> (Duke, 2019).</p><p class="ql-align-justify">·      <a href="http://www.amazon.com/The-Conjectural-Body-Philosophy-Philosophy-Culture-Politics/dp/0739139029"><strong>The Conjectural Body: Gender, Race, &amp; the Philosophy of Music</strong></a> (Lexington Books, 2010).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3874</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[621e0bde-107b-11ef-8428-739a36f459b4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8401729627.mp3?updated=1715530998" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Spencer Piston, “Class Attitudes in American Politics: Sympathy for the Poor, Resentment of the Rich, and Political Implications” (Cambridge UP, 2018)</title>
      <description>It has long been a truism that Americans’ disdain for poor people–our collective sense that if they only worked harder or behaved more responsibly they would do well in this land of opportunity–explains, at least in part, why it is we have such a weak and limited public welfare state. But what if that very premise is false? What if, to the contrary, a majority of Americans have sympathy for poor people and disdain for the wealthy? And what if those feelings have demonstrable policy effects? Join us as we speak with Spencer Piston about a provocative new book Class Attitudes in American Politics: Sympathy for the Poor, Resentment of the Rich, and Political Implications (Cambridge University Press, 2018), a work that unsettles some long-held assumptions about American class attitudes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 11 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Spencer Piston</itunes:subtitle>
      <itunes:summary>It has long been a truism that Americans’ disdain for poor people–our collective sense that if they only worked harder or behaved more responsibly they would do well in this land of opportunity–explains, at least in part, why it is we have such a weak and limited public welfare state. But what if that very premise is false? What if, to the contrary, a majority of Americans have sympathy for poor people and disdain for the wealthy? And what if those feelings have demonstrable policy effects? Join us as we speak with Spencer Piston about a provocative new book Class Attitudes in American Politics: Sympathy for the Poor, Resentment of the Rich, and Political Implications (Cambridge University Press, 2018), a work that unsettles some long-held assumptions about American class attitudes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It has long been a truism that Americans’ disdain for poor people–our collective sense that if they only worked harder or behaved more responsibly they would do well in this land of opportunity–explains, at least in part, why it is we have such a weak and limited public welfare state. But what if that very premise is false? What if, to the contrary, a majority of Americans have sympathy for poor people and disdain for the wealthy? And what if those feelings have demonstrable policy effects? Join us as we speak with <a href="https://www.bu.edu/polisci/people/faculty/piston/">Spencer Piston</a> about a provocative new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvnGse4NYYNDh_rWO8B3lmEAAAFlqwPukQEAAAFKAZ2HNBU/https://www.amazon.com/dp/1108447120/ref=as_at?creativeASIN=1108447120&amp;linkCode=w61&amp;imprToken=XnAedP8BSMRPOP7fXewoLQ&amp;slotNum=0&amp;tag=newbooinhis-20">Class Attitudes in American Politics: Sympathy for the Poor, Resentment of the Rich, and Political Implications</a> (Cambridge University Press, 2018), a work that unsettles some long-held assumptions about American class attitudes.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1901</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77693]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8391386258.mp3?updated=1723318707" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neoliberalism and the University, Part 2</title>
      <description>This is the Global Media &amp; Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.
Today, our hosts, Anjali DasSarma and Sim Gill, present the second episode in a two-part series on neoliberalism and the state of the university as a deeply powerful structure, along with two incredible scholars: Professor Natalie Fenton and Professor Alison Hearn.
In this episode, we delve into the intricate mechanisms of capitalism, unpacking how metrics, the pressure to "publish or perish," and intellectual extraction shape the academic landscape. From the commodification of knowledge to the erosion of job security, we'll shine a light on some of the systemic forces at play in higher education. We also unpack the rhetoric surrounding Elon Musk and his impact on the age of artificial intelligence, to consider how AI tools like ChatGPT are shifting debates about teaching and student evaluation methods.
Amidst these challenges, we'll also uncover the power of the ideological project of hope. Join us as we engage in a thought-provoking discussion on information, communication, and knowledge production.
In this episode you will hear about:

AI and job security

How metrics, “publishing or perishing,” and intellectual extraction function under capitalism

What the ideological project of hope offers us

Community organizing, resistance, and learning


Guest Biographies:
Natalie Fenton: Natalie is a Professor of Media and Communications at Goldsmiths University.
Alison Hearn: Alison is a professor in the Department of Information and Media Studies at the University of Western Ontario.
Host Biographies:
Anjali DasSarma: Anjali DasSarma is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania.
Sim Gill: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and a research fellow at the Center for Advanced Research in Global Communication (CARGC) and the Center on Digital Culture and Society.
Credits

Interview by: Anjali DasSarma and Sim Gill Produced by: Eszter Zimanyi 

Edited by: Anjali DasSarma and Matt Parker

Sound Mixing by: Matt Parker

Music by: Zoe Zhao Blog post written by: Anjali DasSarma and Sim Gill

Keywords: neoliberalism, higher education, artificial intelligence, community organizing
This episode was recorded on November 15th, 2023 at the Annenberg School for Communication, University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Natalie Fenton and Alison Hearn</itunes:subtitle>
      <itunes:summary>This is the Global Media &amp; Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.
Today, our hosts, Anjali DasSarma and Sim Gill, present the second episode in a two-part series on neoliberalism and the state of the university as a deeply powerful structure, along with two incredible scholars: Professor Natalie Fenton and Professor Alison Hearn.
In this episode, we delve into the intricate mechanisms of capitalism, unpacking how metrics, the pressure to "publish or perish," and intellectual extraction shape the academic landscape. From the commodification of knowledge to the erosion of job security, we'll shine a light on some of the systemic forces at play in higher education. We also unpack the rhetoric surrounding Elon Musk and his impact on the age of artificial intelligence, to consider how AI tools like ChatGPT are shifting debates about teaching and student evaluation methods.
Amidst these challenges, we'll also uncover the power of the ideological project of hope. Join us as we engage in a thought-provoking discussion on information, communication, and knowledge production.
In this episode you will hear about:

AI and job security

How metrics, “publishing or perishing,” and intellectual extraction function under capitalism

What the ideological project of hope offers us

Community organizing, resistance, and learning


Guest Biographies:
Natalie Fenton: Natalie is a Professor of Media and Communications at Goldsmiths University.
Alison Hearn: Alison is a professor in the Department of Information and Media Studies at the University of Western Ontario.
Host Biographies:
Anjali DasSarma: Anjali DasSarma is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania.
Sim Gill: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and a research fellow at the Center for Advanced Research in Global Communication (CARGC) and the Center on Digital Culture and Society.
Credits

Interview by: Anjali DasSarma and Sim Gill Produced by: Eszter Zimanyi 

Edited by: Anjali DasSarma and Matt Parker

Sound Mixing by: Matt Parker

Music by: Zoe Zhao Blog post written by: Anjali DasSarma and Sim Gill

Keywords: neoliberalism, higher education, artificial intelligence, community organizing
This episode was recorded on November 15th, 2023 at the Annenberg School for Communication, University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is the Global Media &amp; Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.</p><p>Today, our hosts, Anjali DasSarma and Sim Gill, present the second episode in a two-part series on neoliberalism and the state of the university as a deeply powerful structure, along with two incredible scholars: Professor Natalie Fenton and Professor Alison Hearn.</p><p>In this episode, we delve into the intricate mechanisms of capitalism, unpacking how metrics, the pressure to "publish or perish," and intellectual extraction shape the academic landscape. From the commodification of knowledge to the erosion of job security, we'll shine a light on some of the systemic forces at play in higher education. We also unpack the rhetoric surrounding Elon Musk and his impact on the age of artificial intelligence, to consider how AI tools like ChatGPT are shifting debates about teaching and student evaluation methods.</p><p>Amidst these challenges, we'll also uncover the power of the ideological project of hope. Join us as we engage in a thought-provoking discussion on information, communication, and knowledge production.</p><p>In this episode you will hear about:</p><ul>
<li>AI and job security</li>
<li>How metrics, “publishing or perishing,” and intellectual extraction function under capitalism</li>
<li>What the ideological project of hope offers us</li>
<li>Community organizing, resistance, and learning</li>
</ul><p><br></p><p><strong>Guest Biographies:</strong></p><p><strong>Natalie Fenton:</strong> Natalie is a Professor of Media and Communications at Goldsmiths University.</p><p><strong>Alison Hearn:</strong> Alison is a professor in the Department of Information and Media Studies at the University of Western Ontario.</p><p><strong>Host Biographies:</strong></p><p><strong>Anjali DasSarma:</strong> Anjali DasSarma is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania.</p><p><strong>Sim Gill</strong>: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and a research fellow at the Center for Advanced Research in Global Communication (CARGC) and the Center on Digital Culture and Society.</p><p><strong>Credits</strong></p><ul>
<li>Interview by: Anjali DasSarma and Sim Gill Produced by: Eszter Zimanyi </li>
<li>Edited by: Anjali DasSarma and Matt Parker</li>
<li>Sound Mixing by: Matt Parker</li>
<li>Music by: Zoe Zhao Blog post written by: Anjali DasSarma and Sim Gill</li>
</ul><p><strong>Keywords: </strong>neoliberalism, higher education, artificial intelligence, community organizing</p><p>This episode was recorded on November 15th, 2023 at the Annenberg School for Communication, University of Pennsylvania.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3153</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Frederick Luis Aldama, "Decolonizing Latinx Masculinities" (U Arizona Press, 2020)</title>
      <description>An early wave of research helped make visible the complex dynamics of sexuality and gender norms in Latino life, but a new generation of scholars is bringing renewed energy and curiosity to this field of inquiry. In this episode we sit down with Frederick Luis Aldama, Distinguished University Professor at the Ohio State University and co-editor of Decolonizing Latinx Masculinities (University of Arizona Press), to discuss some of the cutting-edge research in this new edited volume.
This rich collection of work from eighteen contributors approaches the topic of masculinities from a diversity of perspectives and methodologies. With special emphasis on the plurality of Latinx masculinities, the essays reveal the divergent manifestations of masculinity across a broad spectrum including politics, social movements, literature, media, popular culture, personal experience, and other analytical angles. The pernicious effect of stereotypes and toxic Latinx masculinity is laid bare throughout the text in chapters that challenge the derogatory performances and reification of machismo in mainstream U.S. culture and society.
At the same time, other essays look to how Latinx masculinities are being reclaimed and remade. Rejecting the inherited legacy of colonial thinking and heteronormative labels, authors outline the creation of new masculinities, new ways of being and coexisting. In this way, Decolonizing Latinx Masculinities shows that masculinities are not simply violent and traumatic, but also healing and affirming.
Jaime Sánchez, Jr. is a Ph.D. Candidate in the Department of History at Princeton University and a scholar of U.S. politics and Latino studies. He is currently writing an institutional history of the Democratic National Committee and partisan coalition politics in the twentieth century. You can follow him on Twitter @Jaime_SanchezJr.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frederick Luis Aldama</itunes:subtitle>
      <itunes:summary>An early wave of research helped make visible the complex dynamics of sexuality and gender norms in Latino life, but a new generation of scholars is bringing renewed energy and curiosity to this field of inquiry. In this episode we sit down with Frederick Luis Aldama, Distinguished University Professor at the Ohio State University and co-editor of Decolonizing Latinx Masculinities (University of Arizona Press), to discuss some of the cutting-edge research in this new edited volume.
This rich collection of work from eighteen contributors approaches the topic of masculinities from a diversity of perspectives and methodologies. With special emphasis on the plurality of Latinx masculinities, the essays reveal the divergent manifestations of masculinity across a broad spectrum including politics, social movements, literature, media, popular culture, personal experience, and other analytical angles. The pernicious effect of stereotypes and toxic Latinx masculinity is laid bare throughout the text in chapters that challenge the derogatory performances and reification of machismo in mainstream U.S. culture and society.
At the same time, other essays look to how Latinx masculinities are being reclaimed and remade. Rejecting the inherited legacy of colonial thinking and heteronormative labels, authors outline the creation of new masculinities, new ways of being and coexisting. In this way, Decolonizing Latinx Masculinities shows that masculinities are not simply violent and traumatic, but also healing and affirming.
Jaime Sánchez, Jr. is a Ph.D. Candidate in the Department of History at Princeton University and a scholar of U.S. politics and Latino studies. He is currently writing an institutional history of the Democratic National Committee and partisan coalition politics in the twentieth century. You can follow him on Twitter @Jaime_SanchezJr.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An early wave of research helped make visible the complex dynamics of sexuality and gender norms in Latino life, but a new generation of scholars is bringing renewed energy and curiosity to this field of inquiry. In this episode we sit down with <a href="https://english.osu.edu/people/aldama.1">Frederick Luis Aldama</a>, Distinguished University Professor at the Ohio State University and co-editor of <a href="https://bookshop.org/a/12343/9780816539369"><em>Decolonizing Latinx Masculinities</em></a> (University of Arizona Press), to discuss some of the cutting-edge research in this new edited volume.</p><p>This rich collection of work from eighteen contributors approaches the topic of masculinities from a diversity of perspectives and methodologies. With special emphasis on the plurality of Latinx masculinities, the essays reveal the divergent manifestations of masculinity across a broad spectrum including politics, social movements, literature, media, popular culture, personal experience, and other analytical angles. The pernicious effect of stereotypes and toxic Latinx masculinity is laid bare throughout the text in chapters that challenge the derogatory performances and reification of machismo in mainstream U.S. culture and society.</p><p>At the same time, other essays look to how Latinx masculinities are being reclaimed and remade. Rejecting the inherited legacy of colonial thinking and heteronormative labels, authors outline the creation of new masculinities, new ways of being and coexisting. In this way, <em>Decolonizing Latinx Masculinities</em> shows that masculinities are not simply violent and traumatic, but also healing and affirming.</p><p><a href="https://scholar.princeton.edu/jaimesanchezjr"><em>Jaime Sánchez, Jr.</em></a><em> is a Ph.D. Candidate in the Department of History at Princeton University and a scholar of U.S. politics and Latino studies. He is currently writing an institutional history of the Democratic National Committee and partisan coalition politics in the twentieth century. You can follow him on Twitter</em><a href="https://twitter.com/Jaime_SanchezJr"><em> @Jaime_SanchezJr</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2121</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c226e906-559a-11ef-b64b-7b2c401a19b4]]></guid>
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    </item>
    <item>
      <title>Jacob Soll, "Free Market: The History of an Idea" (Basic Books, 2022)</title>
      <description>After two government bailouts of the American economy in less than twenty years, free market thought is due for serious reappraisal. Free Market: The History of an Idea (Basic Books, 2022) shows how the idea became so powerful, why it succeeded, and why it has failed so spectacularly. In 1990, the G7 Countries enjoyed 70 percent of world GDP. In the face of the collapse of the Soviet Union, it was supposed to be a story of the success of free markets. However, in the past thirty years, that number has dropped by half, and Asia has emerged as a major motor of world economic growth. Today, state-run China is the second biggest economy on earth, and tiny Singapore, with its state-owned companies, has become a new model of wealth creation. In other words, Milton Friedman's free market dogma, that only private companies can create wealth and that states hamper it, has not proved very clearly to be untrue. 
This book shows how we got to the current crisis of free market thought, and suggests how we can find our way out. Contrary to popular free market narratives, early market theorists believed that states had an important role in building and maintaining free markets. But in the eighteenth century, some free-market thinkers began insisting only pure free markets, without state intervention, could work. A tradition of free-market ideological brittleness emerged, and it has led orthodox free market economics to some spectacular failures. It is a paradox that an economic theory rooted in the idea of competition, adaptation and evolution, has refused to follow its own precepts. This book shows that we need to go back to the origins of free market thought in order to understand its dynamism, as well as its inherent weaknesses, and to develop new economic concepts to face the staggering challenges of the twenty-first century.
Jacob Soll is an American university professor and professor of philosophy, history and accounting at the University of Southern California. Soll's work examines the mechanics of politics, statecraft and economics by dissecting the various elements of how modern states and political systems succeed and fail.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>221</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jacob Soll</itunes:subtitle>
      <itunes:summary>After two government bailouts of the American economy in less than twenty years, free market thought is due for serious reappraisal. Free Market: The History of an Idea (Basic Books, 2022) shows how the idea became so powerful, why it succeeded, and why it has failed so spectacularly. In 1990, the G7 Countries enjoyed 70 percent of world GDP. In the face of the collapse of the Soviet Union, it was supposed to be a story of the success of free markets. However, in the past thirty years, that number has dropped by half, and Asia has emerged as a major motor of world economic growth. Today, state-run China is the second biggest economy on earth, and tiny Singapore, with its state-owned companies, has become a new model of wealth creation. In other words, Milton Friedman's free market dogma, that only private companies can create wealth and that states hamper it, has not proved very clearly to be untrue. 
This book shows how we got to the current crisis of free market thought, and suggests how we can find our way out. Contrary to popular free market narratives, early market theorists believed that states had an important role in building and maintaining free markets. But in the eighteenth century, some free-market thinkers began insisting only pure free markets, without state intervention, could work. A tradition of free-market ideological brittleness emerged, and it has led orthodox free market economics to some spectacular failures. It is a paradox that an economic theory rooted in the idea of competition, adaptation and evolution, has refused to follow its own precepts. This book shows that we need to go back to the origins of free market thought in order to understand its dynamism, as well as its inherent weaknesses, and to develop new economic concepts to face the staggering challenges of the twenty-first century.
Jacob Soll is an American university professor and professor of philosophy, history and accounting at the University of Southern California. Soll's work examines the mechanics of politics, statecraft and economics by dissecting the various elements of how modern states and political systems succeed and fail.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After two government bailouts of the American economy in less than twenty years, free market thought is due for serious reappraisal. <a href="https://bookshop.org/a/12343/9780465049707"><em>Free Market: The History of an Idea</em></a> (Basic Books, 2022) shows how the idea became so powerful, why it succeeded, and why it has failed so spectacularly. In 1990, the G7 Countries enjoyed 70 percent of world GDP. In the face of the collapse of the Soviet Union, it was supposed to be a story of the success of free markets. However, in the past thirty years, that number has dropped by half, and Asia has emerged as a major motor of world economic growth. Today, state-run China is the second biggest economy on earth, and tiny Singapore, with its state-owned companies, has become a new model of wealth creation. In other words, Milton Friedman's free market dogma, that only private companies can create wealth and that states hamper it, has not proved very clearly to be untrue. </p><p>This book shows how we got to the current crisis of free market thought, and suggests how we can find our way out. Contrary to popular free market narratives, early market theorists believed that states had an important role in building and maintaining free markets. But in the eighteenth century, some free-market thinkers began insisting only pure free markets, without state intervention, could work. A tradition of free-market ideological brittleness emerged, and it has led orthodox free market economics to some spectacular failures. It is a paradox that an economic theory rooted in the idea of competition, adaptation and evolution, has refused to follow its own precepts. This book shows that we need to go back to the origins of free market thought in order to understand its dynamism, as well as its inherent weaknesses, and to develop new economic concepts to face the staggering challenges of the twenty-first century.</p><p>Jacob Soll is an American university professor and professor of philosophy, history and accounting at the University of Southern California. Soll's work examines the mechanics of politics, statecraft and economics by dissecting the various elements of how modern states and political systems succeed and fail.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5257</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4e9b898c-54ce-11ef-a690-dfab2a2fa6bc]]></guid>
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    </item>
    <item>
      <title>Alice Mah, "Petrochemical Planet: Multiscalar Battles of Industrial Transformation" (Duke UP, 2023)</title>
      <description>Is a green future possible? In Petrochemical Planet: Multiscalar Battles of Industrial Transformation (Duke UP, 2023), Alice Mah, a Professor in Urban and Environmental Studies at the University of Glasgow examines the practices of the petrochemical industry, along with the communities living with, and resisting, its impact. Offering ethnographic and theoretical reflections on this often overlooked and hidden part of the oil and plastics production chain, the book offers a new perspective on our present environmental crisis. Diagnosing the acuteness of problems as well as the challenges of solutions, the book is essential reading for anyone wanting to understand our planet and environment. The book is available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>474</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alice Mah</itunes:subtitle>
      <itunes:summary>Is a green future possible? In Petrochemical Planet: Multiscalar Battles of Industrial Transformation (Duke UP, 2023), Alice Mah, a Professor in Urban and Environmental Studies at the University of Glasgow examines the practices of the petrochemical industry, along with the communities living with, and resisting, its impact. Offering ethnographic and theoretical reflections on this often overlooked and hidden part of the oil and plastics production chain, the book offers a new perspective on our present environmental crisis. Diagnosing the acuteness of problems as well as the challenges of solutions, the book is essential reading for anyone wanting to understand our planet and environment. The book is available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is a green future possible? In <a href="https://bookshop.org/a/12343/9781478025122"><em>Petrochemical Planet: Multiscalar Battles of Industrial Transformation</em></a> (Duke UP, 2023), <a href="https://www.gla.ac.uk/schools/socialpolitical/staff/alicemah/">Alice Mah, a Professor in Urban and Environmental Studies at the University of Glasgow</a> examines the practices of the petrochemical industry, along with the communities living with, and resisting, its impact. Offering ethnographic and theoretical reflections on this often overlooked and hidden part of the oil and plastics production chain, the book offers a new perspective on our present environmental crisis. Diagnosing the acuteness of problems as well as the challenges of solutions, the book is essential reading for anyone wanting to understand our planet and environment. The book is available open access <a href="https://library.oapen.org/handle/20.500.12657/76486">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2777</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8e8fbafc-54e4-11ef-a105-53b35deb0c09]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6918734487.mp3?updated=1723054299" length="0" type="audio/mpeg"/>
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    <item>
      <title>The Role of Psychoanalytic Mechanisms of Defense; What They Are and How They Work</title>
      <description>Using one of Dr. Martin Luther King Jr.’s major ideas as a springboard for their discussion, “The truth will set you free,” the host and co-host discussed psychoanalytic mechanism of defense starting with denial which can emerge when a topic is too painful or difficult to face. A productive dialogue followed that focused on Dr. Filipe Copeland’s description of two different types of denial, Strategic Denial and Psychological Denial as described in “The American Psychoanalyst” (TAP) in an interview with Dr. Austin Ratner, editor-in-chief of the magazine. Amanual Elias’s paper, “Racism as Neglect and Denial” was also mentioned. Stay tuned for more discussions about the ways in which psychoanalytic thinking can help to explain racism in America.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Psychoanalytic Perspectives on Racism in America: Episode 2</itunes:subtitle>
      <itunes:summary>Using one of Dr. Martin Luther King Jr.’s major ideas as a springboard for their discussion, “The truth will set you free,” the host and co-host discussed psychoanalytic mechanism of defense starting with denial which can emerge when a topic is too painful or difficult to face. A productive dialogue followed that focused on Dr. Filipe Copeland’s description of two different types of denial, Strategic Denial and Psychological Denial as described in “The American Psychoanalyst” (TAP) in an interview with Dr. Austin Ratner, editor-in-chief of the magazine. Amanual Elias’s paper, “Racism as Neglect and Denial” was also mentioned. Stay tuned for more discussions about the ways in which psychoanalytic thinking can help to explain racism in America.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Using one of Dr. Martin Luther King Jr.’s major ideas as a springboard for their discussion, “The truth will set you free,” the host and co-host discussed psychoanalytic <a href="https://positivepsychology.com/defense-mechanisms-in-psychology/">mechanism of defense</a> starting with <em>denial</em> which can emerge when a topic is too painful or difficult to face. A productive dialogue followed that focused on Dr. Filipe Copeland’s description of two different types of denial, <em>Strategic Denial</em> and <em>Psychological Denial</em> as described in <a href="https://tapmagazine.org/all-articles/beyond-guilt-and-racism-denial">“The American Psychoanalyst”</a> (TAP) in an interview with Dr. Austin Ratner, editor-in-chief of the magazine. Amanual Elias’s paper, “<a href="https://www.tandfonline.com/doi/full/10.1080/01419870.2023.2181668#abstract">Racism as Neglect and Denial</a>” was also mentioned. Stay tuned for more discussions about the ways in which psychoanalytic thinking can help to explain racism in America.</p><p>Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p>Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2375</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[52b4fe3e-5412-11ef-b17c-9b992c454dee]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3302685810.mp3?updated=1722963329" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne Gray Fischer, "The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification" (UNC Press, 2022)</title>
      <description>Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.
Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.

Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 05 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anne Gray Fischer</itunes:subtitle>
      <itunes:summary>Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.
Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification (UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.

Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anne Gray Fischer speaks about her path to and through research, including how sex workers informed her analysis of policing and state violence, the role of law enforcement in struggles over economic development, and the intellectual and practical factors of research design.</p><p>Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In <a href="https://bookshop.org/a/12343/9781469665047"><em>The Streets Belong to Us: Sex, Race, and Police Power from Segregation to Gentrification</em></a><em> </em>(UNC Press, 2022)--a searing history of women and police in the modern United States--Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets.</p><p><br></p><p>Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of broken windows policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of urban vice into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, <em>The Streets Belong to Us</em> illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e138c90e-51cb-11ef-9af9-3fe3317cdcab]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1878824442.mp3?updated=1722713089" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Douglas Greene, "The New Reformism and the Revival of Karl Kautsky: The Renegade's Revenge" (Routledge, 2024)</title>
      <description>Returning to the New Books Network is Doug Greene, here to discuss his book The New Reformism and the Revival of Karl Kautsky (Routledge, 2024). Split into three main parts, the book first surveys Kautsky’s own life and thought, starting with his early interest in socialist politics and turn towards Marxism, followed by a slow but steady turn away from revolution and towards reform, believing parliamentary procedures were the best road to social transformation. The second part looks at the works of Rosa Luxemburg, Vladimir Lenin and Leon Trotsky, all of whom offer critical responses to Kautsky’s reformism, and the reassertion of the importance of revolutionary thought to any Marxist project. The third and final part looks at the contemporary works of Lars Lih, Eric Blanc and Mike Macnair and their attempts to make Kautsky’s reformist practice the central pillar of the contemporary left. Throughout, Greene argues that the real lesson Kautsky offers is the dead-end of reformism to any revolutionary project.
Some other relevant readings on this topic include

Doug Greene | Why Kautsky Was Wrong (and Why You Should Care)

Doug Greene | Why Kautsky Was Wrong (LeftVoice interview)

Harrison Fluss | The Prophet Avec Lacan


Douglas Greene is a historian in Boston. He is also the author of the books A Failure of Vision: Michael Harrington and the Limits of Democratic Socialism and Stalinism and the Dialectics of Saturn: Anticommunism, Marxism, and the Fate of the Soviet Union. His writing has appeared in a number of outlets.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 04 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Douglas Greene</itunes:subtitle>
      <itunes:summary>Returning to the New Books Network is Doug Greene, here to discuss his book The New Reformism and the Revival of Karl Kautsky (Routledge, 2024). Split into three main parts, the book first surveys Kautsky’s own life and thought, starting with his early interest in socialist politics and turn towards Marxism, followed by a slow but steady turn away from revolution and towards reform, believing parliamentary procedures were the best road to social transformation. The second part looks at the works of Rosa Luxemburg, Vladimir Lenin and Leon Trotsky, all of whom offer critical responses to Kautsky’s reformism, and the reassertion of the importance of revolutionary thought to any Marxist project. The third and final part looks at the contemporary works of Lars Lih, Eric Blanc and Mike Macnair and their attempts to make Kautsky’s reformist practice the central pillar of the contemporary left. Throughout, Greene argues that the real lesson Kautsky offers is the dead-end of reformism to any revolutionary project.
Some other relevant readings on this topic include

Doug Greene | Why Kautsky Was Wrong (and Why You Should Care)

Doug Greene | Why Kautsky Was Wrong (LeftVoice interview)

Harrison Fluss | The Prophet Avec Lacan


Douglas Greene is a historian in Boston. He is also the author of the books A Failure of Vision: Michael Harrington and the Limits of Democratic Socialism and Stalinism and the Dialectics of Saturn: Anticommunism, Marxism, and the Fate of the Soviet Union. His writing has appeared in a number of outlets.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Returning to the New Books Network is Doug Greene, here to discuss his book <a href="https://bookshop.org/a/12343/9781032758787"><em>The New Reformism and the Revival of Karl Kautsky</em></a> (Routledge, 2024). Split into three main parts, the book first surveys Kautsky’s own life and thought, starting with his early interest in socialist politics and turn towards Marxism, followed by a slow but steady turn away from revolution and towards reform, believing parliamentary procedures were the best road to social transformation. The second part looks at the works of Rosa Luxemburg, Vladimir Lenin and Leon Trotsky, all of whom offer critical responses to Kautsky’s reformism, and the reassertion of the importance of revolutionary thought to any Marxist project. The third and final part looks at the contemporary works of Lars Lih, Eric Blanc and Mike Macnair and their attempts to make Kautsky’s reformist practice the central pillar of the contemporary left. Throughout, Greene argues that the real lesson Kautsky offers is the dead-end of reformism to any revolutionary project.</p><p>Some other relevant readings on this topic include</p><ul>
<li><a href="https://firebrand.red/2024/05/why-kautsky-was-wrong-and-why-you-should-care/">Doug Greene | Why Kautsky Was Wrong (and Why You Should Care)</a></li>
<li><a href="https://www.leftvoice.org/why-kautsky-was-wrong-and-why-you-should-care/">Doug Greene | Why Kautsky Was Wrong (LeftVoice interview)</a></li>
<li><a href="https://www.historicalmaterialism.org/the-prophet-avec-lacan/">Harrison Fluss | The Prophet Avec Lacan</a></li>
</ul><p><br></p><p>Douglas Greene is a historian in Boston. He is also the author of the books <em>A Failure of Vision: Michael Harrington and the Limits of Democratic Socialism</em> and <em>Stalinism and the Dialectics of Saturn: Anticommunism, Marxism, and the Fate of the Soviet Union</em>. His writing has appeared in a number of outlets.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5054</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e3e633e0-51a7-11ef-88f7-43ebb82c69ed]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5523891546.mp3?updated=1722699676" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Susan Stryker, "When Monsters Speak: A Susan Stryker Reader" (Duke UP, 2024)</title>
      <description>Susan Stryker is a foundational figure in trans studies. When Monsters Speak: A Susan Stryker Reader (Duke UP, 2024) showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. When Monsters Speak is an authoritative and essential collection by one of the most important and influential intellectuals of our time.
Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona. She is the author of Transgender History and coeditor of The Transgender Studies Reader.
McKenzie Wark is Professor of Culture and Media at The New School and the author of several books, including Raving and Philosophy for Spiders: On the Low Theory of Kathy Acker, both also published by Duke University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan Stryker,</itunes:subtitle>
      <itunes:summary>Susan Stryker is a foundational figure in trans studies. When Monsters Speak: A Susan Stryker Reader (Duke UP, 2024) showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. When Monsters Speak is an authoritative and essential collection by one of the most important and influential intellectuals of our time.
Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona. She is the author of Transgender History and coeditor of The Transgender Studies Reader.
McKenzie Wark is Professor of Culture and Media at The New School and the author of several books, including Raving and Philosophy for Spiders: On the Low Theory of Kathy Acker, both also published by Duke University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Susan Stryker is a foundational figure in trans studies. <a href="https://bookshop.org/a/12343/9781478026259"><em>When Monsters Speak: A Susan Stryker Reader</em></a><em> </em>(Duke UP, 2024) showcases the development of Stryker’s writing from the 1990s to the present. It combines canonical pieces, such as “My Words to Victor Frankenstein,” with her hard to find earlier work published in zines and newsletters. Brought together, they ground Stryker’s thought in 1990s San Francisco and its innovative queer, trans, and S/M cultures. The volume includes an introduction by editor McKenzie Wark, who highlights Stryker’s connections to developments in queer theory, media studies, and autotheory while foregrounding Stryker’s innovative writing style and scholarly methods. <em>When Monsters Speak</em> is an authoritative and essential collection by one of the most important and influential intellectuals of our time.</p><p>Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona. She is the author of <em>Transgender History</em> and coeditor of <em>The Transgender Studies Reader</em>.</p><p>McKenzie Wark is Professor of Culture and Media at The New School and the author of several books, including <em>Raving</em> and <em>Philosophy for Spiders: On the Low Theory of Kathy Acker</em>, both also published by Duke University Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3495</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[abe120b8-5107-11ef-89ed-23cdb0d77f33]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3063935992.mp3?updated=1722630974" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Beers. "Orwell’s Ghosts Wisdom and Warnings for the 21st Century" (Norton, 2024)</title>
      <description>Is Orwell still relevant today? 
In Orwell’s Ghosts Wisdom and Warnings for the 21st Century (Norton, 2024), Laura Beers, a Professor of History at American University examines the life and writing of Orwell to offer lessons for contemporary politics and society. The book examines the influences that shaped Eric Blair’s nom de plume, as well as showing how his ideas offer vital insights for the project of equality and social justice today. The book is even handed in its analysis, placing Orwell as a writer and thinker of his time and place, as much as he is relevant today. Moreover, the book offers an important critical perspective on his views about gender and feminism, reminding the reader of the importance of a nuanced perspective even for this hugely significant figure. A fascinating read as well as a vital political intervention, the book will be essential reading across humanities, social science and for anyone interested in politics too.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>473</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Beers</itunes:subtitle>
      <itunes:summary>Is Orwell still relevant today? 
In Orwell’s Ghosts Wisdom and Warnings for the 21st Century (Norton, 2024), Laura Beers, a Professor of History at American University examines the life and writing of Orwell to offer lessons for contemporary politics and society. The book examines the influences that shaped Eric Blair’s nom de plume, as well as showing how his ideas offer vital insights for the project of equality and social justice today. The book is even handed in its analysis, placing Orwell as a writer and thinker of his time and place, as much as he is relevant today. Moreover, the book offers an important critical perspective on his views about gender and feminism, reminding the reader of the importance of a nuanced perspective even for this hugely significant figure. A fascinating read as well as a vital political intervention, the book will be essential reading across humanities, social science and for anyone interested in politics too.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is Orwell still relevant today? </p><p>In <em>Orwell’s Ghosts Wisdom and Warnings for the 21st Century </em>(Norton, 2024), <a href="https://x.com/Fiery_Particle">Laura Beers</a>, <a href="https://www.american.edu/cas/faculty/beers.cfm">a Professor of History at American University</a> examines the life and writing of Orwell to offer lessons for contemporary politics and society. The book examines the influences that shaped Eric Blair’s nom de plume, as well as showing how his ideas offer vital insights for the project of equality and social justice today. The book is even handed in its analysis, placing Orwell as a writer and thinker of his time and place, as much as he is relevant today. Moreover, the book offers an important critical perspective on his views about gender and feminism, reminding the reader of the importance of a nuanced perspective even for this hugely significant figure. A fascinating read as well as a vital political intervention, the book will be essential reading across humanities, social science and for anyone interested in politics too.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Neoliberalism and the University, Part 1</title>
      <description>This is the Global Media &amp; Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.
Today, our hosts, Anjali DasSarma and Sim Gill, present the first of two episodes on neoliberalism and the state of the university as a deeply powerful structure, along with two incredible scholars: Professor Natalie Fenton and Professor Alison Hearn.
In this episode, we explore the complex realm of neoliberalism and its profound impact on education systems in the UK, Canada, and the US. Join us as we unpack how neoliberal ideologies have transformed the very essence of the student experience.
Neoliberal policies have reshaped the landscape of education, redefining relationships between students, faculty, and institutions. But what does this actually mean for the individuals learning and working within these institutions?
Join us for an exciting conversation as we explore the complex and pressing issues shaping our academic worlds today.
In this episode you will hear about:

How Fenton and Hearn define and understand the university within neoliberalism

The material working conditions of faculty, students, and other laborers across UK, Canadian, and US contexts

Unionizing and what it means to work as a collective

The Research Excellence Framework and Higher Education Quality Council of Ontario

Capitalism and the university as a corporation


Guest Biographies:
Natalie Fenton: Natalie is a Professor of Media and Communications at Goldsmiths University.
Alison Hearn: Alison is a professor in the Department of Information and Media Studies at the University of Western Ontario.
Host Biographies:
Anjali DasSarma: Anjali DasSarma is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania.
Sim Gill: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and a research fellow at the Center for Advanced Research in Global Communication (CARGC) and the Center on Digital Culture and Society.
Credits
Interview by: Anjali DasSarma and Sim Gill
Produced by: Eszter Zimanyi
Edited by: Anjali DasSarma and Matt Parker
Sound Mixing by: Matt Parker
Music by: Zoe Zhao
Blog post written by: Anjali DasSarma and Sim Gill
Keywords: neoliberalism, higher education, labor rights
This episode was recorded on November 15th, 2023 at the Annenberg School for Communication, University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Natalie Fenton and Alison Hearn</itunes:subtitle>
      <itunes:summary>This is the Global Media &amp; Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.
Today, our hosts, Anjali DasSarma and Sim Gill, present the first of two episodes on neoliberalism and the state of the university as a deeply powerful structure, along with two incredible scholars: Professor Natalie Fenton and Professor Alison Hearn.
In this episode, we explore the complex realm of neoliberalism and its profound impact on education systems in the UK, Canada, and the US. Join us as we unpack how neoliberal ideologies have transformed the very essence of the student experience.
Neoliberal policies have reshaped the landscape of education, redefining relationships between students, faculty, and institutions. But what does this actually mean for the individuals learning and working within these institutions?
Join us for an exciting conversation as we explore the complex and pressing issues shaping our academic worlds today.
In this episode you will hear about:

How Fenton and Hearn define and understand the university within neoliberalism

The material working conditions of faculty, students, and other laborers across UK, Canadian, and US contexts

Unionizing and what it means to work as a collective

The Research Excellence Framework and Higher Education Quality Council of Ontario

Capitalism and the university as a corporation


Guest Biographies:
Natalie Fenton: Natalie is a Professor of Media and Communications at Goldsmiths University.
Alison Hearn: Alison is a professor in the Department of Information and Media Studies at the University of Western Ontario.
Host Biographies:
Anjali DasSarma: Anjali DasSarma is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania.
Sim Gill: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and a research fellow at the Center for Advanced Research in Global Communication (CARGC) and the Center on Digital Culture and Society.
Credits
Interview by: Anjali DasSarma and Sim Gill
Produced by: Eszter Zimanyi
Edited by: Anjali DasSarma and Matt Parker
Sound Mixing by: Matt Parker
Music by: Zoe Zhao
Blog post written by: Anjali DasSarma and Sim Gill
Keywords: neoliberalism, higher education, labor rights
This episode was recorded on November 15th, 2023 at the Annenberg School for Communication, University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is the Global Media &amp; Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.</p><p>Today, our hosts, Anjali DasSarma and Sim Gill, present the first of two episodes on neoliberalism and the state of the university as a deeply powerful structure, along with two incredible scholars: Professor Natalie Fenton and Professor Alison Hearn.</p><p>In this episode, we explore the complex realm of neoliberalism and its profound impact on education systems in the UK, Canada, and the US. Join us as we unpack how neoliberal ideologies have transformed the very essence of the student experience.</p><p>Neoliberal policies have reshaped the landscape of education, redefining relationships between students, faculty, and institutions. But what does this actually mean for the individuals learning and working within these institutions?</p><p>Join us for an exciting conversation as we explore the complex and pressing issues shaping our academic worlds today.</p><p>In this episode you will hear about:</p><ul>
<li>How Fenton and Hearn define and understand the university within neoliberalism</li>
<li>The material working conditions of faculty, students, and other laborers across UK, Canadian, and US contexts</li>
<li>Unionizing and what it means to work as a collective</li>
<li>The Research Excellence Framework and Higher Education Quality Council of Ontario</li>
<li>Capitalism and the university as a corporation</li>
</ul><p><br></p><p><strong>Guest Biographies:</strong></p><p><strong>Natalie Fenton</strong>: Natalie is a Professor of Media and Communications at Goldsmiths University.</p><p><strong>Alison Hearn</strong>: Alison is a professor in the Department of Information and Media Studies at the University of Western Ontario.</p><p><strong>Host Biographies:</strong></p><p><strong>Anjali DasSarma</strong>: Anjali DasSarma is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania.</p><p><strong>Sim Gill</strong>: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and a research fellow at the Center for Advanced Research in Global Communication (CARGC) and the Center on Digital Culture and Society.</p><p><strong>Credits</strong></p><p>Interview by: Anjali DasSarma and Sim Gill</p><p>Produced by: Eszter Zimanyi</p><p>Edited by: Anjali DasSarma and Matt Parker</p><p>Sound Mixing by: Matt Parker</p><p>Music by: Zoe Zhao</p><p>Blog post written by: Anjali DasSarma and Sim Gill</p><p><strong>Keywords: </strong>neoliberalism, higher education, labor rights</p><p>This episode was recorded on November 15th, 2023 at the Annenberg School for Communication, University of Pennsylvania.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3076</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Bernard E. Harcourt. "Cooperation: A Political, Economic, and Social Theory" (Columbia UP, 2023)</title>
      <description>Liberal democracy is in crisis around the world, unable to address pressing problems such as climate change. There is, however, another path—cooperation democracy. From consumer co-ops to credit unions, worker cooperatives to insurance mutuals, nonprofits to mutual aid, countless examples prove that people working together can extend the ideals of participatory democracy and sustainability into every aspect of their lives. These forms of cooperation do not depend on electoral politics. Instead, they harness the longstanding practices and values of cooperatives: self-determination, democratic participation, equity, solidarity, and respect for the environment.
Bernard E. Harcourt develops a transformative theory and practice that builds on worldwide models of successful cooperation. He identifies the most promising forms of cooperative initiatives and then distills their lessons into an integrated framework: Coöperism. This is a political theory grounded on recognition of our interdependence. It is an economic theory that can ensure equitable distribution of wealth. Finally, it is a social theory that replaces the punishment paradigm with a cooperation paradigm.
A creative work of normative critical theory, Cooperation: A Political, Economic, and Social Theory (Columbia UP, 2023) provides a positive vision for addressing our most urgent challenges today. Harcourt shows that by drawing on the core values of cooperation and the power of people working together, a new world of cooperation democracy is within our grasp.
Bernard E. Harcourt is the Isidor and Seville Sulzbacher Professor of Law and professor of political science at Columbia University and a chaired professor at the École des Hautes Études en Sciences Sociales in Paris. An editor of Michel Foucault’s work in French and English, Harcourt is the author of several books, including Critique and Praxis (Columbia, 2020). He is a social-justice litigator and the recipient of the 2019 Norman Redlich Capital Defense Distinguished Service Award from the New York City Bar Association for his longtime representation of death row prisoners.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>472</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bernard E. Harcourt</itunes:subtitle>
      <itunes:summary>Liberal democracy is in crisis around the world, unable to address pressing problems such as climate change. There is, however, another path—cooperation democracy. From consumer co-ops to credit unions, worker cooperatives to insurance mutuals, nonprofits to mutual aid, countless examples prove that people working together can extend the ideals of participatory democracy and sustainability into every aspect of their lives. These forms of cooperation do not depend on electoral politics. Instead, they harness the longstanding practices and values of cooperatives: self-determination, democratic participation, equity, solidarity, and respect for the environment.
Bernard E. Harcourt develops a transformative theory and practice that builds on worldwide models of successful cooperation. He identifies the most promising forms of cooperative initiatives and then distills their lessons into an integrated framework: Coöperism. This is a political theory grounded on recognition of our interdependence. It is an economic theory that can ensure equitable distribution of wealth. Finally, it is a social theory that replaces the punishment paradigm with a cooperation paradigm.
A creative work of normative critical theory, Cooperation: A Political, Economic, and Social Theory (Columbia UP, 2023) provides a positive vision for addressing our most urgent challenges today. Harcourt shows that by drawing on the core values of cooperation and the power of people working together, a new world of cooperation democracy is within our grasp.
Bernard E. Harcourt is the Isidor and Seville Sulzbacher Professor of Law and professor of political science at Columbia University and a chaired professor at the École des Hautes Études en Sciences Sociales in Paris. An editor of Michel Foucault’s work in French and English, Harcourt is the author of several books, including Critique and Praxis (Columbia, 2020). He is a social-justice litigator and the recipient of the 2019 Norman Redlich Capital Defense Distinguished Service Award from the New York City Bar Association for his longtime representation of death row prisoners.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Liberal democracy is in crisis around the world, unable to address pressing problems such as climate change. There is, however, another path—cooperation democracy. From consumer co-ops to credit unions, worker cooperatives to insurance mutuals, nonprofits to mutual aid, countless examples prove that people working together can extend the ideals of participatory democracy and sustainability into every aspect of their lives. These forms of cooperation do not depend on electoral politics. Instead, they harness the longstanding practices and values of cooperatives: self-determination, democratic participation, equity, solidarity, and respect for the environment.</p><p>Bernard E. Harcourt develops a transformative theory and practice that builds on worldwide models of successful cooperation. He identifies the most promising forms of cooperative initiatives and then distills their lessons into an integrated framework: Coöperism. This is a political theory grounded on recognition of our interdependence. It is an economic theory that can ensure equitable distribution of wealth. Finally, it is a social theory that replaces the punishment paradigm with a cooperation paradigm.</p><p>A creative work of normative critical theory, <a href="https://bookshop.org/a/12343/9780231216661"><em>Cooperation: A Political, Economic, and Social Theory</em></a><em> </em>(Columbia UP, 2023) provides a positive vision for addressing our most urgent challenges today. Harcourt shows that by drawing on the core values of cooperation and the power of people working together, a new world of cooperation democracy is within our grasp.</p><p>Bernard E. Harcourt is the Isidor and Seville Sulzbacher Professor of Law and professor of political science at Columbia University and a chaired professor at the École des Hautes Études en Sciences Sociales in Paris. An editor of Michel Foucault’s work in French and English, Harcourt is the author of several books, including <em>Critique and Praxis</em> (Columbia, 2020). He is a social-justice litigator and the recipient of the 2019 Norman Redlich Capital Defense Distinguished Service Award from the New York City Bar Association for his longtime representation of death row prisoners.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4228</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f4c6b34a-4e93-11ef-be55-3b2c0eebb877]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9371450386.mp3?updated=1722361152" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jan Eeckhout, "The Profit Paradox: How Thriving Firms Threaten the Future of Work" (Princeton UP, 2021)</title>
      <description>It is a truth universally acknowledged that as a society we want successful, profitable companies because, as Jan Eeckhout says in The Profit Paradox: How Thriving Firms Threaten the Future of Work (Princeton UP, 2021), “we tend to accept that when firms do well, the economy does well”, even when that's not true. 
The rising tide, in some cases, does not lift all boats. Even when a few strong players have outsized gains, the rest of the market can suffer. These trends have a ripple effect over time that effectively separate economic winners, who keep an increasingly large share of benefits, from economic losers who struggle to compete, let alone maintain the standard of living achieved by their parents.
In this book, Jan Eeckhout documents how a small number of large firms have been able to gain tremendous market power through a variety of mechanisms such as price manipulation, outsourcing, and leveraging new technical innovations. None of these are inherently wrong, but when used by powerful companies to reduce or eliminate potential competition, they lead to inefficient markets that weaken society. 
It is a case of excessive success, as companies narrowly focus on defending and increasing their profits without significant consideration for the externalities or unintended consequences of these market failures. 
Eeckhout presents an optimistic outlook of how we can retain the extensive advantages of economic growth while reversing some of these more dangerous trends. His recommendations for the future include leveraging what we've learned from prior generations who faced similar challenges, and building on the incredible technical innovations that have characterized the last few decades, including recent breakthroughs in artificial intelligence. 
Recommended reading: The Wisdom of Crowds by James Surowiecki.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jan Eeckhout</itunes:subtitle>
      <itunes:summary>It is a truth universally acknowledged that as a society we want successful, profitable companies because, as Jan Eeckhout says in The Profit Paradox: How Thriving Firms Threaten the Future of Work (Princeton UP, 2021), “we tend to accept that when firms do well, the economy does well”, even when that's not true. 
The rising tide, in some cases, does not lift all boats. Even when a few strong players have outsized gains, the rest of the market can suffer. These trends have a ripple effect over time that effectively separate economic winners, who keep an increasingly large share of benefits, from economic losers who struggle to compete, let alone maintain the standard of living achieved by their parents.
In this book, Jan Eeckhout documents how a small number of large firms have been able to gain tremendous market power through a variety of mechanisms such as price manipulation, outsourcing, and leveraging new technical innovations. None of these are inherently wrong, but when used by powerful companies to reduce or eliminate potential competition, they lead to inefficient markets that weaken society. 
It is a case of excessive success, as companies narrowly focus on defending and increasing their profits without significant consideration for the externalities or unintended consequences of these market failures. 
Eeckhout presents an optimistic outlook of how we can retain the extensive advantages of economic growth while reversing some of these more dangerous trends. His recommendations for the future include leveraging what we've learned from prior generations who faced similar challenges, and building on the incredible technical innovations that have characterized the last few decades, including recent breakthroughs in artificial intelligence. 
Recommended reading: The Wisdom of Crowds by James Surowiecki.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is a truth universally acknowledged that as a society we want successful, profitable companies because, as Jan Eeckhout says in <a href="https://bookshop.org/a/12343/9780691214474"><em>The Profit Paradox: How Thriving Firms Threaten the Future of Work</em></a><em> </em>(Princeton UP, 2021), “we tend to accept that when firms do well, the economy does well”, even when that's not true. </p><p>The rising tide, in some cases, does not lift all boats. Even when a few strong players have outsized gains, the rest of the market can suffer. These trends have a ripple effect over time that effectively separate economic winners, who keep an increasingly large share of benefits, from economic losers who struggle to compete, let alone maintain the standard of living achieved by their parents.</p><p>In this book, Jan Eeckhout documents how a small number of large firms have been able to gain tremendous market power through a variety of mechanisms such as price manipulation, outsourcing, and leveraging new technical innovations. None of these are inherently wrong, but when used by powerful companies to reduce or eliminate potential competition, they lead to inefficient markets that weaken society. </p><p>It is a case of excessive success, as companies narrowly focus on defending and increasing their profits without significant consideration for the externalities or unintended consequences of these market failures. </p><p>Eeckhout presents an optimistic outlook of how we can retain the extensive advantages of economic growth while reversing some of these more dangerous trends. His recommendations for the future include leveraging what we've learned from prior generations who faced similar challenges, and building on the incredible technical innovations that have characterized the last few decades, including recent breakthroughs in artificial intelligence. </p><p>Recommended reading: <a href="https://bookshop.org/p/books/the-wisdom-of-crowds-james-surowiecki/8686060">The Wisdom of Crowds</a> by James Surowiecki.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4113</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6a19dfc2-4c2e-11ef-9f6e-17f9787297a9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5824386242.mp3?updated=1722097458" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Musa al-Gharbi, "We Have Never Been Woke: The Cultural Contradictions of a New Elite" (Princeton UP, 2024)</title>
      <description>How a new "woke" elite uses the language of social justice to gain more power and status--without helping the marginalized and disadvantaged.
Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In We Have Never Been Woke: The Cultural Contradictions of a New Elite (Princeton UP, 2024), Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.
We Have Never Been Woke details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi’s point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion.
A powerful critique, We Have Never Been Woke reveals that only by challenging this elite’s self-serving narratives can we hope to address social and economic inequality effectively.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 28 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>374</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Musa al-Gharbi</itunes:subtitle>
      <itunes:summary>How a new "woke" elite uses the language of social justice to gain more power and status--without helping the marginalized and disadvantaged.
Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In We Have Never Been Woke: The Cultural Contradictions of a New Elite (Princeton UP, 2024), Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.
We Have Never Been Woke details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi’s point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion.
A powerful critique, We Have Never Been Woke reveals that only by challenging this elite’s self-serving narratives can we hope to address social and economic inequality effectively.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How a new "woke" elite uses the language of social justice to gain more power and status--without helping the marginalized and disadvantaged.</p><p>Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In <a href="https://bookshop.org/a/12343/9780691232607"><em>We Have Never Been Woke: The Cultural Contradictions of a New Elite</em></a> (Princeton UP, 2024), Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is “wokeness” and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.</p><p><em>We Have Never Been Woke</em> details how the language of social justice is increasingly used to justify this elite—and to portray the losers in the knowledge economy as deserving their lot because they think or say the “wrong” things about race, gender, and sexuality. Al-Gharbi’s point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems—or how their actions regularly provoke backlash against the social justice causes they champion.</p><p>A powerful critique, <em>We Have Never Been Woke</em> reveals that only by challenging this elite’s self-serving narratives can we hope to address social and economic inequality effectively.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jonathan Branfman, "Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy" (NYU Press, 2024)</title>
      <description>Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy (NYU Press, 2024), Jonathan Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.
Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity―stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world.
Jonathan Branfman is the Eli Reinhard Postdoctoral Fellow in Jewish Studies at Stanford University.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 26 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>530</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Branfman</itunes:subtitle>
      <itunes:summary>Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy (NYU Press, 2024), Jonathan Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.
Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity―stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world.
Jonathan Branfman is the Eli Reinhard Postdoctoral Fellow in Jewish Studies at Stanford University.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In <a href="https://bookshop.org/a/12343/9781479820795"><em>Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy</em></a> (NYU Press, 2024), Jonathan Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.</p><p>Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity―stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world.</p><p>Jonathan Branfman is the Eli Reinhard Postdoctoral Fellow in Jewish Studies at Stanford University.</p><p>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a0d152f8-49f8-11ef-9ff2-67e991ca3bf7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2540331268.mp3?updated=1721933899" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gavriel D. Rosenfeld and Janet Ward, "Fascism in America: Past and Present" (Cambridge UP, 2023)</title>
      <description>Has fascism arrived in America? 
In Fascism in America: Past and Present (Cambridge UP, 2023), Gavriel D. Rosenfeld and Janet Ward have gathered experts to survey the history of fascism in the United States. Although the US established a staunch anti-fascist reputation by defeating the Axis powers in World War II, the unsettling truth is that fascist ideas have long been present within American society. Since the election of Donald Trump as President in 2016, scholars have debated whether Trumpism should be seen as an outgrowth of American conservatism or of a darker – and potentially fascist – tradition. Fascism in America contributes to this debate by examining the activities of interwar right-wing groups like the Silver Shirts, the KKK, and the America First movement, as well as the post-war rise of Black antifascism and white vigilantism, the representation of American Nazis in popular culture, and policy options for combating right-wing extremism.
Gavriel David Rosenfeld is President of the Center for Jewish History in New York City and Professor of History at Fairfield University. His areas of academic specialization include the history of Nazi Germany, memory studies, and counterfactual history.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>268</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gavriel D. Rosenfeld</itunes:subtitle>
      <itunes:summary>Has fascism arrived in America? 
In Fascism in America: Past and Present (Cambridge UP, 2023), Gavriel D. Rosenfeld and Janet Ward have gathered experts to survey the history of fascism in the United States. Although the US established a staunch anti-fascist reputation by defeating the Axis powers in World War II, the unsettling truth is that fascist ideas have long been present within American society. Since the election of Donald Trump as President in 2016, scholars have debated whether Trumpism should be seen as an outgrowth of American conservatism or of a darker – and potentially fascist – tradition. Fascism in America contributes to this debate by examining the activities of interwar right-wing groups like the Silver Shirts, the KKK, and the America First movement, as well as the post-war rise of Black antifascism and white vigilantism, the representation of American Nazis in popular culture, and policy options for combating right-wing extremism.
Gavriel David Rosenfeld is President of the Center for Jewish History in New York City and Professor of History at Fairfield University. His areas of academic specialization include the history of Nazi Germany, memory studies, and counterfactual history.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Has fascism arrived in America? </p><p>In <a href="https://bookshop.org/a/12343/9781009337410"><em>Fascism in America: Past and Present</em></a> (Cambridge UP, 2023), Gavriel D. Rosenfeld and Janet Ward have gathered experts to survey the history of fascism in the United States. Although the US established a staunch anti-fascist reputation by defeating the Axis powers in World War II, the unsettling truth is that fascist ideas have long been present within American society. Since the election of Donald Trump as President in 2016, scholars have debated whether Trumpism should be seen as an outgrowth of American conservatism or of a darker – and potentially fascist – tradition. Fascism in America contributes to this debate by examining the activities of interwar right-wing groups like the Silver Shirts, the KKK, and the America First movement, as well as the post-war rise of Black antifascism and white vigilantism, the representation of American Nazis in popular culture, and policy options for combating right-wing extremism.</p><p>Gavriel David Rosenfeld is President of the Center for Jewish History in New York City and Professor of History at Fairfield University. His areas of academic specialization include the history of Nazi Germany, memory studies, and counterfactual history.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2196</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[44376e1c-469a-11ef-a287-f7887cbf3df4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4949006685.mp3?updated=1721482106" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Arie Perliger, "American Zealots: Inside Right-Wing Domestic Terrorism" (Columbia UP, 2020)</title>
      <description>In an unsettling time in American history, the outbreak of right-wing violence is among the most disturbing developments. In recent years, attacks originating from the far right of American politics have targeted religious and ethnic minorities, with a series of antigovernment militants, religious extremists, and lone-wolf mass shooters inspired by right-wing ideologies. The need to understand the nature and danger of far-right violence is greater than ever.
In American Zealots: Inside Right-Wing Domestic Terrorism by Arie Perliger (Columbia University Press, 2020), Arie Perliger provides a wide-ranging and rigorously researched overview of right-wing domestic terrorism. He analyzes its historical roots, characteristics, tactics, rhetoric, and organization, assessing the current and future trajectory of the use of violence by the far right. Perliger draws on a comprehensive dataset of more than 5,000 attacks and their perpetrators from 1990 through 2017 in order to explore key trends in American right-wing terrorism. He describes the entire ideological spectrum of the American far right, including today’s white supremacists, antigovernment groups, and antiabortion fundamentalists, as well as the histories of the KKK, skinheads, and neo-Nazis. Based on these findings, Perliger suggests counterterrorism policies that can respond effectively to the far-right threat. A groundbreaking examination of violence spawned from right-wing ideologies, American Zealots is essential reading for everyone seeking to understand the transformation of domestic terrorism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 21 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Arie Perliger</itunes:subtitle>
      <itunes:summary>In an unsettling time in American history, the outbreak of right-wing violence is among the most disturbing developments. In recent years, attacks originating from the far right of American politics have targeted religious and ethnic minorities, with a series of antigovernment militants, religious extremists, and lone-wolf mass shooters inspired by right-wing ideologies. The need to understand the nature and danger of far-right violence is greater than ever.
In American Zealots: Inside Right-Wing Domestic Terrorism by Arie Perliger (Columbia University Press, 2020), Arie Perliger provides a wide-ranging and rigorously researched overview of right-wing domestic terrorism. He analyzes its historical roots, characteristics, tactics, rhetoric, and organization, assessing the current and future trajectory of the use of violence by the far right. Perliger draws on a comprehensive dataset of more than 5,000 attacks and their perpetrators from 1990 through 2017 in order to explore key trends in American right-wing terrorism. He describes the entire ideological spectrum of the American far right, including today’s white supremacists, antigovernment groups, and antiabortion fundamentalists, as well as the histories of the KKK, skinheads, and neo-Nazis. Based on these findings, Perliger suggests counterterrorism policies that can respond effectively to the far-right threat. A groundbreaking examination of violence spawned from right-wing ideologies, American Zealots is essential reading for everyone seeking to understand the transformation of domestic terrorism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In an unsettling time in American history, the outbreak of right-wing violence is among the most disturbing developments. In recent years, attacks originating from the far right of American politics have targeted religious and ethnic minorities, with a series of antigovernment militants, religious extremists, and lone-wolf mass shooters inspired by right-wing ideologies. The need to understand the nature and danger of far-right violence is greater than ever.</p><p>In <a href="https://bookshop.org/a/12343/9780231167116"><em>American Zealots: Inside Right-Wing Domestic Terrorism by Arie Perliger</em></a><em> </em>(Columbia University Press, 2020), Arie Perliger provides a wide-ranging and rigorously researched overview of right-wing domestic terrorism. He analyzes its historical roots, characteristics, tactics, rhetoric, and organization, assessing the current and future trajectory of the use of violence by the far right. Perliger draws on a comprehensive dataset of more than 5,000 attacks and their perpetrators from 1990 through 2017 in order to explore key trends in American right-wing terrorism. He describes the entire ideological spectrum of the American far right, including today’s white supremacists, antigovernment groups, and antiabortion fundamentalists, as well as the histories of the KKK, skinheads, and neo-Nazis. Based on these findings, Perliger suggests counterterrorism policies that can respond effectively to the far-right threat. A groundbreaking examination of violence spawned from right-wing ideologies, <em>American Zealots</em> is essential reading for everyone seeking to understand the transformation of domestic terrorism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3716</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[278f93b2-46b7-11ef-9b14-c7f2402b40d5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6419145891.mp3?updated=1721495332" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lucia Hulsether, "Capitalist Humanitarianism" (Duke UP, 2023)</title>
      <description>The struggle against neoliberal order has gained momentum over the last five decades – to the point that economic elites have not only adapted to the Left's critiques but incorporated them for capitalist expansion. Venture funds expose their ties to slavery and pledge to invest in racial equity. Banks pitch microloans as a path to indigenous self-determination. Fair-trade brands narrate consumption as an act of feminist solidarity with women artisans in the global South. 
In Capitalist Humanitarianism (Duke UP, 2023), Lucia Hulsether examines these projects and the contexts of their emergence. Blending historical and ethnographic styles, and traversing intimate and global scales, Hulsether tracks how neoliberal self-critique creates new institutional hegemonies that, in turn, reproduce racial and neocolonial dispossession. From the archives of Christian fair traders to luxury social entrepreneurship conferences, from US finance offices to Guatemalan towns flooded with their loan products, from service economy desperation to the internal contradictions of social movements, Hulsether argues that capitalist humanitarian projects are fueled as much by a profit motive as by a hope that racial capitalism can redeem the losses that accumulate in its wake.
Lucia Hulsether is Assistant Professor of Religious Studies at Skidmore College.
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 21 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>471</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lucia Hulsether</itunes:subtitle>
      <itunes:summary>The struggle against neoliberal order has gained momentum over the last five decades – to the point that economic elites have not only adapted to the Left's critiques but incorporated them for capitalist expansion. Venture funds expose their ties to slavery and pledge to invest in racial equity. Banks pitch microloans as a path to indigenous self-determination. Fair-trade brands narrate consumption as an act of feminist solidarity with women artisans in the global South. 
In Capitalist Humanitarianism (Duke UP, 2023), Lucia Hulsether examines these projects and the contexts of their emergence. Blending historical and ethnographic styles, and traversing intimate and global scales, Hulsether tracks how neoliberal self-critique creates new institutional hegemonies that, in turn, reproduce racial and neocolonial dispossession. From the archives of Christian fair traders to luxury social entrepreneurship conferences, from US finance offices to Guatemalan towns flooded with their loan products, from service economy desperation to the internal contradictions of social movements, Hulsether argues that capitalist humanitarian projects are fueled as much by a profit motive as by a hope that racial capitalism can redeem the losses that accumulate in its wake.
Lucia Hulsether is Assistant Professor of Religious Studies at Skidmore College.
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The struggle against neoliberal order has gained momentum over the last five decades – to the point that economic elites have not only adapted to the Left's critiques but incorporated them for capitalist expansion. Venture funds expose their ties to slavery and pledge to invest in racial equity. Banks pitch microloans as a path to indigenous self-determination. Fair-trade brands narrate consumption as an act of feminist solidarity with women artisans in the global South. </p><p>In <a href="https://www.dukeupress.edu/capitalist-humanitarianism"><em>Capitalist Humanitarianism </em></a>(Duke UP, 2023), Lucia Hulsether examines these projects and the contexts of their emergence. Blending historical and ethnographic styles, and traversing intimate and global scales, Hulsether tracks how neoliberal self-critique creates new institutional hegemonies that, in turn, reproduce racial and neocolonial dispossession. From the archives of Christian fair traders to luxury social entrepreneurship conferences, from US finance offices to Guatemalan towns flooded with their loan products, from service economy desperation to the internal contradictions of social movements, Hulsether argues that capitalist humanitarian projects are fueled as much by a profit motive as by a hope that racial capitalism can redeem the losses that accumulate in its wake.</p><p>Lucia Hulsether is Assistant Professor of Religious Studies at Skidmore College.</p><p>This episode’s host, <a href="https://twitter.com/jakebarrett25">Jacob Barrett</a>, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website <a href="https://thereluctantamericanist.com/">thereluctantamericanist.com</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e913b52-469e-11ef-8fa1-4f32230bfb2d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7237777791.mp3?updated=1721485044" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020)</title>
      <description>Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 21 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Breanne Fahs</itunes:subtitle>
      <itunes:summary>Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/1788735382/?tag=newbooinhis-20"><em>Burn It Down: Feminist Manifestos for the Revolution</em></a> (Verso, 2020), <a href="http://www.breannefahs.com/">Breanne Fahs</a> has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.</p><p><a href="https://wiu.academia.edu/RebekahBuchanan"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of </em><a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018)<em>. You can find more about her on her website, follow her on Twitter </em><a href="https://twitter.com/rj_buchanan"><em>@rj_buchanan</em></a><em> or email her at </em><a href="mailto:rj-buchanan@wiu.edu"><em>rj-buchanan@wiu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3362</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4176721425.mp3?updated=1721472974" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ujju Aggarwal, "Unsettling Choice: Race, Rights, and the Partitioning of Public Education" (U Minnesota Press, 2024)</title>
      <description>What do universal rights to public goods like education mean when codified as individual, private choices? Is the “problem” of school choice actually not about better choices for all but, rather, about the competition and exclusion that choice engenders—guaranteeing a system of winners and losers? Unsettling Choice: Race, Rights, and the Partitioning of Public Education (U Minnesota Press, 2024) addresses such questions through a compelling ethnography that illuminates how one path of neoliberal restructuring in the United States emerged in tandem with, and in response to, the Civil Rights movement. 
Drawing on ethnographic research in one New York City school district, Unsettling Choice traces the contestations that surfaced when, in the wake of the 2007–2009 Great Recession, public schools navigated austerity by expanding choice-based programs. Ujju Aggarwal argues that this strategy, positioned as “saving public schools,” mobilized mechanisms rooted in market logics to recruit families with economic capital on their side, thereby solidifying a public sphere that increasingly resembled the private—where contingency was anticipated and rights for some were marked by intensified precarity for poor and working-class Black and Latinx families. As Unsettling Choice shows, these struggles over public schools—one of the last remaining universal public goods in the United States—were entrapped within neoliberal regimes that exceeded privatization and ensured exclusion even as they were couched in language of equity, diversity, care, and rights. And yet this richly detailed and engaging book also tracks an architecture of expansive rights, care, and belonging built among poor and working-class parents at a Head Start center, whose critique of choice helps us understand how we might struggle for—and reimagine—justice, and a public that remains to be won.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 20 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>236</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ujju Aggarwal</itunes:subtitle>
      <itunes:summary>What do universal rights to public goods like education mean when codified as individual, private choices? Is the “problem” of school choice actually not about better choices for all but, rather, about the competition and exclusion that choice engenders—guaranteeing a system of winners and losers? Unsettling Choice: Race, Rights, and the Partitioning of Public Education (U Minnesota Press, 2024) addresses such questions through a compelling ethnography that illuminates how one path of neoliberal restructuring in the United States emerged in tandem with, and in response to, the Civil Rights movement. 
Drawing on ethnographic research in one New York City school district, Unsettling Choice traces the contestations that surfaced when, in the wake of the 2007–2009 Great Recession, public schools navigated austerity by expanding choice-based programs. Ujju Aggarwal argues that this strategy, positioned as “saving public schools,” mobilized mechanisms rooted in market logics to recruit families with economic capital on their side, thereby solidifying a public sphere that increasingly resembled the private—where contingency was anticipated and rights for some were marked by intensified precarity for poor and working-class Black and Latinx families. As Unsettling Choice shows, these struggles over public schools—one of the last remaining universal public goods in the United States—were entrapped within neoliberal regimes that exceeded privatization and ensured exclusion even as they were couched in language of equity, diversity, care, and rights. And yet this richly detailed and engaging book also tracks an architecture of expansive rights, care, and belonging built among poor and working-class parents at a Head Start center, whose critique of choice helps us understand how we might struggle for—and reimagine—justice, and a public that remains to be won.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do universal rights to public goods like education mean when codified as individual, private choices? Is the “problem” of school choice actually not about better choices for all but, rather, about the competition and exclusion that choice engenders—guaranteeing a system of winners and losers? <a href="https://bookshop.org/a/12343/9781517915674"><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></a> (U Minnesota Press, 2024) addresses such questions through a compelling ethnography that illuminates how one path of neoliberal restructuring in the United States emerged in tandem with, and in response to, the Civil Rights movement. </p><p>Drawing on ethnographic research in one New York City school district, Unsettling Choice traces the contestations that surfaced when, in the wake of the 2007–2009 Great Recession, public schools navigated austerity by expanding choice-based programs. Ujju Aggarwal argues that this strategy, positioned as “saving public schools,” mobilized mechanisms rooted in market logics to recruit families with economic capital on their side, thereby solidifying a public sphere that increasingly resembled the private—where contingency was anticipated and rights for some were marked by intensified precarity for poor and working-class Black and Latinx families. As Unsettling Choice shows, these struggles over public schools—one of the last remaining universal public goods in the United States—were entrapped within neoliberal regimes that exceeded privatization and ensured exclusion even as they were couched in language of equity, diversity, care, and rights. And yet this richly detailed and engaging book also tracks an architecture of expansive rights, care, and belonging built among poor and working-class parents at a Head Start center, whose critique of choice helps us understand how we might struggle for—and reimagine—justice, and a public that remains to be won.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Freeman's Challenge: The Murder That Shook America's Original Prison for Profit</title>
      <description>Today’s book is: Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), by Dr. Robin Bernstein, which tells the story of a teenager named William Freeman. Convicted of a horse theft he insisted he did not commit, he was sentenced to five years of hard labor in Auburn’s new prison. Uniting incarceration and capitalism, the facility included industrial factories where prisoners worked as “slaves of the state.” They earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system. Incensed at being forced to work without pay, William Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom. Through one Black man, his family, and his city, Dr. Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.
Our guest is: Dr. Robin Bernstein, who is an award-winning cultural historian specializing in race and racism from the nineteenth century to the present. She teaches at Harvard University, where she is the Dillon Professor of American History and Professor of African and African American Studies and Studies of Women, Gender, and Sexuality. 
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.
Playlist for listeners who wish to learn more:

Stitching Freedom: Embroidery and Incarceration

Education Behind the Wall

Hands Up, Don't Shoot: Researching Racial Injustice

The Journal of Higher Education in Prison


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Robin Bernstein</itunes:subtitle>
      <itunes:summary>Today’s book is: Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit (U Chicago Press, 2024), by Dr. Robin Bernstein, which tells the story of a teenager named William Freeman. Convicted of a horse theft he insisted he did not commit, he was sentenced to five years of hard labor in Auburn’s new prison. Uniting incarceration and capitalism, the facility included industrial factories where prisoners worked as “slaves of the state.” They earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system. Incensed at being forced to work without pay, William Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom. Through one Black man, his family, and his city, Dr. Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.
Our guest is: Dr. Robin Bernstein, who is an award-winning cultural historian specializing in race and racism from the nineteenth century to the present. She teaches at Harvard University, where she is the Dillon Professor of American History and Professor of African and African American Studies and Studies of Women, Gender, and Sexuality. 
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.
Playlist for listeners who wish to learn more:

Stitching Freedom: Embroidery and Incarceration

Education Behind the Wall

Hands Up, Don't Shoot: Researching Racial Injustice

The Journal of Higher Education in Prison


Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9780226744230"><em>Freeman’s Challenge: The Murder That Shook America’s Original Prison for Profit</em></a><em> </em>(U Chicago Press, 2024), by Dr. Robin Bernstein, which tells the story of a teenager named William Freeman. Convicted of a horse theft he insisted he did not commit, he was sentenced to five years of hard labor in Auburn’s new prison. Uniting incarceration and capitalism, the facility included industrial factories where prisoners worked as “slaves of the state.” They earned no wages, yet they manufactured furniture, animal harnesses, carpets, and combs, which consumers bought throughout the North. Then one young man challenged the system. Incensed at being forced to work without pay, William Freeman demanded wages. His challenge triggered violence: first against him, then by him. Freeman committed a murder that terrified and bewildered white America. And white America struck back—with aftereffects that reverberate into our lives today in the persistent myth of inherent Black criminality. William Freeman’s story reveals how the North invented prison for profit half a century before the Thirteenth Amendment outlawed slavery “except as a punishment for crime”—and how Frederick Douglass, Harriet Tubman, and other African Americans invented strategies of resilience and resistance in a city dominated by a citadel of unfreedom. Through one Black man, his family, and his city, Dr. Bernstein tells an explosive, moving story about the entangled origins of prison for profit and anti-Black racism.</p><p>Our guest is: Dr. Robin Bernstein, who is an award-winning cultural historian specializing in race and racism from the nineteenth century to the present. She teaches at Harvard University, where she is the Dillon Professor of American History and Professor of African and African American Studies and Studies of Women, Gender, and Sexuality. </p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell (and why) and what happens to those we never tell.</p><p>Playlist for listeners who wish to learn more:</p><ul>
<li><a href="https://newbooksnetwork.com/stitching-freedom#entry:300506@1:url">Stitching Freedom: Embroidery and Incarceration</a></li>
<li><a href="https://newbooksnetwork.com/education-behind-the-wall#entry:206799@1:url">Education Behind the Wall</a></li>
<li><a href="https://newbooksnetwork.com/researching-racial-injustice#entry:39399@1:url">Hands Up, Don't Shoot: Researching Racial Injustice</a></li>
<li><a href="https://newbooksnetwork.com/the-journal-of-higher-education-in-prison#entry:156475@1:url">The Journal of Higher Education in Prison</a></li>
</ul><p><br></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/up-partners/academic-life">here.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3398</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bfbea8f2-445b-11ef-9d03-034286a3783b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2591942453.mp3?updated=1721235601" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mahjabeen Dhala, "Feminist Theology and Social Justice in Islam: A Study on the Sermon of Fatima" (Cambridge UP, 2024)</title>
      <description>Fatima, the daughter of Prophet Muhammad, has an interesting legacy, one that is often shaped by sectarian differences and tensions. The sermon of Fatima, which is the focus of Mahjabeen Dhala's Feminist Theology and Sociology of Islam: A Study of the Sermon of Fatima (Cambridge University Press, 2024), though itself riddled with questions of authenticity, is a compelling incident which brings to light various possibilities of analysis and insights. The issue of fadak or inheritance, which prompts Fatima to take a public stance against the male leaders of the community, such as Abu Bakr, after the passing of her father, results in a rich sermon that has theological and social justice implications, as Dhala highlights. In Dhala's reading of the sermon by Fatima and her response to an injustice experienced by her and her family, Fatima is seen as a theologian and a social activist. Moreover, this study also sheds on light of an example of pre-modern history of Muslim woman’s resistance. This book will be of interest to those who think about gender and Islam, social justice, theology, feminism and much more. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>336</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mahjabeen Dhala</itunes:subtitle>
      <itunes:summary>Fatima, the daughter of Prophet Muhammad, has an interesting legacy, one that is often shaped by sectarian differences and tensions. The sermon of Fatima, which is the focus of Mahjabeen Dhala's Feminist Theology and Sociology of Islam: A Study of the Sermon of Fatima (Cambridge University Press, 2024), though itself riddled with questions of authenticity, is a compelling incident which brings to light various possibilities of analysis and insights. The issue of fadak or inheritance, which prompts Fatima to take a public stance against the male leaders of the community, such as Abu Bakr, after the passing of her father, results in a rich sermon that has theological and social justice implications, as Dhala highlights. In Dhala's reading of the sermon by Fatima and her response to an injustice experienced by her and her family, Fatima is seen as a theologian and a social activist. Moreover, this study also sheds on light of an example of pre-modern history of Muslim woman’s resistance. This book will be of interest to those who think about gender and Islam, social justice, theology, feminism and much more. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fatima, the daughter of Prophet Muhammad, has an interesting legacy, one that is often shaped by sectarian differences and tensions. The sermon of Fatima, which is the focus of Mahjabeen Dhala's <a href="https://bookshop.org/a/12343/9781009423045"><em>Feminist Theology and Sociology of Islam: A Study of the Sermon of Fatima </em></a>(Cambridge University Press, 2024), though itself riddled with questions of authenticity, is a compelling incident which brings to light various possibilities of analysis and insights. The issue of <em>fadak</em> or inheritance, which prompts Fatima to take a public stance against the male leaders of the community, such as Abu Bakr, after the passing of her father, results in a rich sermon that has theological and social justice implications, as Dhala highlights. In Dhala's reading of the sermon by Fatima and her response to an injustice experienced by her and her family, Fatima is seen as a theologian and a social activist. Moreover, this study also sheds on light of an example of pre-modern history of Muslim woman’s resistance. This book will be of interest to those who think about gender and Islam, social justice, theology, feminism and much more. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4368</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2006d214-43b9-11ef-b180-c34f7c557513]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9405224396.mp3?updated=1721165799" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Willrich, "American Anarchy: The Epic Struggle between Immigrant Radicals and the US Government at the Dawn of the Twentieth Century" (Basic Books, 2023)</title>
      <description>In the early twentieth century, anarchists like Emma Goldman and Alexander Berkman championed a radical vision of a world without states, laws, or private property. Militant and sometimes violent, anarchists were heroes to many working-class immigrants. But to many others, anarchism was a terrifyingly foreign ideology. Determined to crush it, government officials launched a decades-long “war on anarchy,” a brutal program of spying, censorship, and deportation that set the foundations of the modern surveillance state. The lawyers who came to the anarchists’ defense advanced groundbreaking arguments for free speech and due process, inspiring the emergence of the civil liberties movement.
Michael Willrich's book American Anarchy: The Epic Struggle between Immigrant Radicals and the US Government at the Dawn of the Twentieth Century (Basic Books, 2023) tells the gripping tale of the anarchists, their allies, and their enemies, showing how their battles over freedom and power still shape our public life.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>266</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Willrich</itunes:subtitle>
      <itunes:summary>In the early twentieth century, anarchists like Emma Goldman and Alexander Berkman championed a radical vision of a world without states, laws, or private property. Militant and sometimes violent, anarchists were heroes to many working-class immigrants. But to many others, anarchism was a terrifyingly foreign ideology. Determined to crush it, government officials launched a decades-long “war on anarchy,” a brutal program of spying, censorship, and deportation that set the foundations of the modern surveillance state. The lawyers who came to the anarchists’ defense advanced groundbreaking arguments for free speech and due process, inspiring the emergence of the civil liberties movement.
Michael Willrich's book American Anarchy: The Epic Struggle between Immigrant Radicals and the US Government at the Dawn of the Twentieth Century (Basic Books, 2023) tells the gripping tale of the anarchists, their allies, and their enemies, showing how their battles over freedom and power still shape our public life.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early twentieth century, anarchists like Emma Goldman and Alexander Berkman championed a radical vision of a world without states, laws, or private property. Militant and sometimes violent, anarchists were heroes to many working-class immigrants. But to many others, anarchism was a terrifyingly foreign ideology. Determined to crush it, government officials launched a decades-long “war on anarchy,” a brutal program of spying, censorship, and deportation that set the foundations of the modern surveillance state. The lawyers who came to the anarchists’ defense advanced groundbreaking arguments for free speech and due process, inspiring the emergence of the civil liberties movement.</p><p>Michael Willrich's book <a href="https://bookshop.org/a/12343/9781541697379"><em>American Anarchy: The Epic Struggle between Immigrant Radicals and the US Government at the Dawn of the Twentieth Century </em></a>(Basic Books, 2023) tells the gripping tale of the anarchists, their allies, and their enemies, showing how their battles over freedom and power still shape our public life.</p><p><a href="https://huji.academia.edu/GeraldineGudefin"><em>Geraldine Gudefin</em></a><em> is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4198</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d78f491e-42a8-11ef-9142-0b48f4060d19]]></guid>
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    </item>
    <item>
      <title>Mónica A. Jiménez, "Making Never-Never Land: Race and Law in the Creation of Puerto Rico" (UNC Press, 2024)</title>
      <description>Myths about the powers held by the United States are often supported by the jurisdiction of the Supreme Court, which derives its logic from the interpretation of a document that the US itself developed. Therefore, when pressure is placed on a specific legal precedent, the shallowness of its validity is revealed. Dr. Mónica A. Jiménez accomplishes this kind of scholarly work in her recently published book Making Never-Never Land: Race and Law in the Creation of Puerto Rico (University of North Carolina Press, 2024). By tracing the legal logic of what continues to animate the colonial dynamics between the United States and Puerto Rico, Jiménez offers a “genealogy of racial exclusion in law” (36) that both folds time and space to make clear how late-19th century Supreme Court logics and opinions continue to subjugate the land and people of Puerto Rico to colonial violence.
Split into two sections, the first half of the book details the key case Downes v. Bidwell (1901), while the second half explores how the legal ramifications of Downes continued to haunt the archipelago. The first chapter focuses on the development of Downes and its outcome, which argued that territories of the United States were not allowed to access certain provisions of the U.S. Constitution. The ambiguous legal foundation for this decision was established in 1900 after Puerto Rico was acquired by the United States when the US Supreme Court established the territorial incorporation doctrine, effectively creating the legal category of “unincorporated territory." Chapter two probes the white supremacist U.S. legal landscape to offer a “genealogy of racial exclusion in law” (36) that shows the reader how U.S. settler colonialism and empire-making are dependent on the reuse and recycling of legal precedents and tactics that disenfranchised and dispossessed racially marginalized communities. By excavating the legal opinions handed down during the Marshal Trilolgy and Dred Scott v. Sandford – a collection of Supreme Court cases that defined 19th-century legal policy for Native Americans and African Americans, respectively – Jiménez makes clear that “It is not a coincidence that the most shameful cases in the United States’ legal history of race should serve as direct precedents to a decision that continues to serve as the basis for Puerto Rico’s exclusion more than one hundred years after it was handed down” (9).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 14 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mónica A. Jiménez</itunes:subtitle>
      <itunes:summary>Myths about the powers held by the United States are often supported by the jurisdiction of the Supreme Court, which derives its logic from the interpretation of a document that the US itself developed. Therefore, when pressure is placed on a specific legal precedent, the shallowness of its validity is revealed. Dr. Mónica A. Jiménez accomplishes this kind of scholarly work in her recently published book Making Never-Never Land: Race and Law in the Creation of Puerto Rico (University of North Carolina Press, 2024). By tracing the legal logic of what continues to animate the colonial dynamics between the United States and Puerto Rico, Jiménez offers a “genealogy of racial exclusion in law” (36) that both folds time and space to make clear how late-19th century Supreme Court logics and opinions continue to subjugate the land and people of Puerto Rico to colonial violence.
Split into two sections, the first half of the book details the key case Downes v. Bidwell (1901), while the second half explores how the legal ramifications of Downes continued to haunt the archipelago. The first chapter focuses on the development of Downes and its outcome, which argued that territories of the United States were not allowed to access certain provisions of the U.S. Constitution. The ambiguous legal foundation for this decision was established in 1900 after Puerto Rico was acquired by the United States when the US Supreme Court established the territorial incorporation doctrine, effectively creating the legal category of “unincorporated territory." Chapter two probes the white supremacist U.S. legal landscape to offer a “genealogy of racial exclusion in law” (36) that shows the reader how U.S. settler colonialism and empire-making are dependent on the reuse and recycling of legal precedents and tactics that disenfranchised and dispossessed racially marginalized communities. By excavating the legal opinions handed down during the Marshal Trilolgy and Dred Scott v. Sandford – a collection of Supreme Court cases that defined 19th-century legal policy for Native Americans and African Americans, respectively – Jiménez makes clear that “It is not a coincidence that the most shameful cases in the United States’ legal history of race should serve as direct precedents to a decision that continues to serve as the basis for Puerto Rico’s exclusion more than one hundred years after it was handed down” (9).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Myths about the powers held by the United States are often supported by the jurisdiction of the Supreme Court, which derives its logic from the interpretation of a document that the US itself developed. Therefore, when pressure is placed on a specific legal precedent, the shallowness of its validity is revealed. Dr. Mónica A. Jiménez accomplishes this kind of scholarly work in her recently published book <a href="https://bookshop.org/a/12343/9781469678450"><em>Making Never-Never Land: Race and Law in the Creation of Puerto Rico</em></a> (University of North Carolina Press, 2024). By tracing the legal logic of what continues to animate the colonial dynamics between the United States and Puerto Rico, Jiménez offers a “genealogy of racial exclusion in law” (36) that both folds time and space to make clear how late-19th century Supreme Court logics and opinions continue to subjugate the land and people of Puerto Rico to colonial violence.</p><p>Split into two sections, the first half of the book details the key case <em>Downes v. Bidwell (1901)</em>, while the second half explores how the legal ramifications of <em>Downes</em> continued to haunt the archipelago. The first chapter focuses on the development of <em>Downes </em>and its outcome, which argued that territories of the United States were not allowed to access certain provisions of the U.S. Constitution. The ambiguous legal foundation for this decision was established in 1900 after Puerto Rico was acquired by the United States when the US Supreme Court established the territorial incorporation doctrine, effectively creating the legal category of “unincorporated territory." Chapter two probes the white supremacist U.S. legal landscape to offer a “genealogy of racial exclusion in law” (36) that shows the reader how U.S. settler colonialism and empire-making are dependent on the reuse and recycling of legal precedents and tactics that disenfranchised and dispossessed racially marginalized communities. By excavating the legal opinions handed down during the Marshal Trilolgy and Dred Scott v. Sandford – a collection of Supreme Court cases that defined 19th-century legal policy for Native Americans and African Americans, respectively – Jiménez makes clear that “It is not a coincidence that the most shameful cases in the United States’ legal history of race should serve as direct precedents to a decision that continues to serve as the basis for Puerto Rico’s exclusion more than one hundred years after it was handed down” (9).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5054</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8456980471.mp3?updated=1720878852" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Leo Nadal, "Queering Law and Order: LGBTQ Communities and the Criminal Justice System" (Lexington Book, 2020)</title>
      <description>Throughout US history, lesbian, gay, bisexual, transgender, and queer (LGBTQ) people have been pathologized, victimized, and criminalized. Reports of lynching, burning, or murdering of LGBTQ people have been documented for centuries. Prior to the 1970s, LGBTQ people were deemed as having psychological disorders and subsequently subject to electroshock therapy and other ineffective and cruel treatments. LGBTQ people have historically been arrested or imprisoned for crimes like sodomy, cross-dressing, and gathering in public spaces. And while there have been many strides to advocate for LGBTQ rights in contemporary times, there are still many ways that the criminal justice system works against LGBTQ and their lives, liberties, and freedoms.
Queering Law and Order: LGBTQ Communities and the Criminal Justice System (Lexington Books, 2020) examines the state of LGBTQ people within the criminal justice system. Intertwining legal cases, academic research, and popular media, Nadal reviews a wide range of issues—ranging from historical heterosexist and transphobic legislation to police brutality to the prison industrial complex to family law. Grounded in Queer Theory and intersectional lenses, each chapter provides recommendations for queering and disrupting the justice system. This book serves as both an academic resource and a call to action for readers who are interested in advocating for LGBTQ rights.
Nick Pozek is the Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University in the City of New York and a host of New Books in Law.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 14 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin Leo Nadal</itunes:subtitle>
      <itunes:summary>Throughout US history, lesbian, gay, bisexual, transgender, and queer (LGBTQ) people have been pathologized, victimized, and criminalized. Reports of lynching, burning, or murdering of LGBTQ people have been documented for centuries. Prior to the 1970s, LGBTQ people were deemed as having psychological disorders and subsequently subject to electroshock therapy and other ineffective and cruel treatments. LGBTQ people have historically been arrested or imprisoned for crimes like sodomy, cross-dressing, and gathering in public spaces. And while there have been many strides to advocate for LGBTQ rights in contemporary times, there are still many ways that the criminal justice system works against LGBTQ and their lives, liberties, and freedoms.
Queering Law and Order: LGBTQ Communities and the Criminal Justice System (Lexington Books, 2020) examines the state of LGBTQ people within the criminal justice system. Intertwining legal cases, academic research, and popular media, Nadal reviews a wide range of issues—ranging from historical heterosexist and transphobic legislation to police brutality to the prison industrial complex to family law. Grounded in Queer Theory and intersectional lenses, each chapter provides recommendations for queering and disrupting the justice system. This book serves as both an academic resource and a call to action for readers who are interested in advocating for LGBTQ rights.
Nick Pozek is the Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University in the City of New York and a host of New Books in Law.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Throughout US history, lesbian, gay, bisexual, transgender, and queer (LGBTQ) people have been pathologized, victimized, and criminalized. Reports of lynching, burning, or murdering of LGBTQ people have been documented for centuries. Prior to the 1970s, LGBTQ people were deemed as having psychological disorders and subsequently subject to electroshock therapy and other ineffective and cruel treatments. LGBTQ people have historically been arrested or imprisoned for crimes like sodomy, cross-dressing, and gathering in public spaces. And while there have been many strides to advocate for LGBTQ rights in contemporary times, there are still many ways that the criminal justice system works against LGBTQ and their lives, liberties, and freedoms.</p><p><a href="https://bookshop.org/a/12343/9781793601063"><em>Queering Law and Order: LGBTQ Communities and the Criminal Justice System</em></a> (Lexington Books, 2020) examines the state of LGBTQ people within the criminal justice system. Intertwining legal cases, academic research, and popular media, Nadal reviews a wide range of issues—ranging from historical heterosexist and transphobic legislation to police brutality to the prison industrial complex to family law. Grounded in Queer Theory and intersectional lenses, each chapter provides recommendations for queering and disrupting the justice system. This book serves as both an academic resource and a call to action for readers who are interested in advocating for LGBTQ rights.</p><p><em>Nick Pozek is the Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University in the City of New York and a host of New Books in Law.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2214</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6c8db6a4-4132-11ef-9596-d3ad00686ecc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5464042591.mp3?updated=1720887419" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Houlbrook et al., "Men and Masculinities in Modern Britain: A History for the Present" (Manchester UP, 2024)</title>
      <description>What does the history of men tell us about life today? In Men and Masculinities in Modern Britain: A History for the Present (Manchester UP, 2024), the editors Matt Houlbrook, a Professor of Cultural History at the University of Birmingham, Katie Jones, an independent scholar living in Birmingham, and Ben Mechen, an Associate Lecturer in Modern British History at University College London, bring together a range of essays presenting historical research and contemporary reflections on both the history and historiography of men. The collection is organised into four themes across institutions, histories, everyday lives and bodies. The themes gather an eclectic yet interrelated set of chapters ranging from how bureaucracy intersects with race and gender, through reflections on sexuality and censorship, to place based analysis of work and communities. Essential reading for both historians and anyone interested in understanding contemporary society, the book is available open access here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 13 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>470</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Houlbrook</itunes:subtitle>
      <itunes:summary>What does the history of men tell us about life today? In Men and Masculinities in Modern Britain: A History for the Present (Manchester UP, 2024), the editors Matt Houlbrook, a Professor of Cultural History at the University of Birmingham, Katie Jones, an independent scholar living in Birmingham, and Ben Mechen, an Associate Lecturer in Modern British History at University College London, bring together a range of essays presenting historical research and contemporary reflections on both the history and historiography of men. The collection is organised into four themes across institutions, histories, everyday lives and bodies. The themes gather an eclectic yet interrelated set of chapters ranging from how bureaucracy intersects with race and gender, through reflections on sexuality and censorship, to place based analysis of work and communities. Essential reading for both historians and anyone interested in understanding contemporary society, the book is available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does the history of men tell us about life today? In <a href="https://bookshop.org/a/12343/9781526174697"><em>Men and Masculinities in Modern Britain: A History for the Present</em> </a>(Manchester UP, 2024), the editors <a href="https://x.com/tricksterprince">Matt Houlbrook</a>, a <a href="https://www.birmingham.ac.uk/staff/profiles/history/houlbrook-matt">Professor of Cultural History at the University of Birmingham,</a> <a href="https://bham.academia.edu/KatherineJones">Katie Jones, an independent scholar living in Birmingham</a>, and <a href="https://x.com/benmechen">Ben Mechen</a>, <a href="https://www.ucl.ac.uk/history/people/academic-staff/dr-ben-mechen#:~:text=Ben%20rejoined%20UCL%20History%20in,and%20BA%20at%20UCL%20History.">an Associate Lecturer in Modern British History at University College London</a>, bring together a range of essays presenting historical research and contemporary reflections on both the history and historiography of men. The collection is organised into four themes across institutions, histories, everyday lives and bodies. The themes gather an eclectic yet interrelated set of chapters ranging from how bureaucracy intersects with race and gender, through reflections on sexuality and censorship, to place based analysis of work and communities. Essential reading for both historians and anyone interested in understanding contemporary society, the book is available open access <a href="https://library.oapen.org/handle/20.500.12657/87342">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2c31bb10-408c-11ef-b219-af01cccce297]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1910420819.mp3?updated=1720817134" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maya Wind, "Towers of Ivory and Steel: How Israeli Universities Deny Palestinian Freedom" (Verso, 2024)</title>
      <description>Israeli universities have long enjoyed a reputation as liberal bastions of freedom and democracy. Drawing on extensive research and making Hebrew sources accessible to the international community, Maya Wind shatters this myth by documenting how Israeli universities are directly complicit in the violation of Palestinian rights. 
In Towers of Ivory and Steel: How Israeli Universities Deny Palestinian Freedom (Verso, 2024) shows, Wind argues that Israeli universities serve as pillars of Israel's system of oppression against Palestinians. Academic disciplines, degree programs, campus infrastructure, and research laboratories all service Israeli occupation and apartheid, while universities violate the rights of Palestinians to education, stifle critical scholarship, and violently repress student dissent. Towers of Ivory and Steel is a powerful exposé of Israeli academia’s ongoing and active complicity in Israel’s settler-colonial project.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>278</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maya Wind</itunes:subtitle>
      <itunes:summary>Israeli universities have long enjoyed a reputation as liberal bastions of freedom and democracy. Drawing on extensive research and making Hebrew sources accessible to the international community, Maya Wind shatters this myth by documenting how Israeli universities are directly complicit in the violation of Palestinian rights. 
In Towers of Ivory and Steel: How Israeli Universities Deny Palestinian Freedom (Verso, 2024) shows, Wind argues that Israeli universities serve as pillars of Israel's system of oppression against Palestinians. Academic disciplines, degree programs, campus infrastructure, and research laboratories all service Israeli occupation and apartheid, while universities violate the rights of Palestinians to education, stifle critical scholarship, and violently repress student dissent. Towers of Ivory and Steel is a powerful exposé of Israeli academia’s ongoing and active complicity in Israel’s settler-colonial project.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Israeli universities have long enjoyed a reputation as liberal bastions of freedom and democracy. Drawing on extensive research and making Hebrew sources accessible to the international community, Maya Wind shatters this myth by documenting how Israeli universities are directly complicit in the violation of Palestinian rights. </p><p>In <a href="https://bookshop.org/a/12343/9781804291740"><em>Towers of Ivory and Steel: How Israeli Universities Deny Palestinian Freedom</em></a> (Verso, 2024) shows, Wind argues that Israeli universities serve as pillars of Israel's system of oppression against Palestinians. Academic disciplines, degree programs, campus infrastructure, and research laboratories all service Israeli occupation and apartheid, while universities violate the rights of Palestinians to education, stifle critical scholarship, and violently repress student dissent. <em>Towers of Ivory and Steel</em> is a powerful exposé of Israeli academia’s ongoing and active complicity in Israel’s settler-colonial project.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2790</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63ad3646-3fab-11ef-8ead-e3e86efaae74]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3496710165.mp3?updated=1720721362" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wendy Matsumura, "Waiting for the Cool Moon: Anti-Imperialist Struggles in the Heart of Japan's Empire" (Duke UP, 2024)</title>
      <description>In Waiting for the Cool Moon: Anti-Imperialist Struggles in the Heart of Japan's Empire (Duke UP, 2024) Wendy Matsumura interrogates the erasure of colonial violence at the heart of Japanese nation-state formation. She critiques Japan studies’ role in this effacement and contends that the field must engage with anti-Blackness and anti-Indigeneity as the grounds on which to understand imperialism, colonialism, fascism, and other forces that shape national consciousness. Drawing on Black radical thinkers’ critique of the erasure of the Middle Passage in universalizing theories of modernity’s imbrication with fascism, Matsumura traces the consequences of the Japanese empire’s categorization of people as human and less-than-human as manifested in the 1920s and 1930s, and the struggles of racialized and colonized people against imperialist violence. She treats the archives safeguarded by racialized, colonized women throughout the empire as traces of these struggles, including the work they performed to keep certain stories out of view. Matsumura demonstrates that tracing colonial sensibility and struggle is central to grappling with their enduring consequences for the present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wendy Matsumura</itunes:subtitle>
      <itunes:summary>In Waiting for the Cool Moon: Anti-Imperialist Struggles in the Heart of Japan's Empire (Duke UP, 2024) Wendy Matsumura interrogates the erasure of colonial violence at the heart of Japanese nation-state formation. She critiques Japan studies’ role in this effacement and contends that the field must engage with anti-Blackness and anti-Indigeneity as the grounds on which to understand imperialism, colonialism, fascism, and other forces that shape national consciousness. Drawing on Black radical thinkers’ critique of the erasure of the Middle Passage in universalizing theories of modernity’s imbrication with fascism, Matsumura traces the consequences of the Japanese empire’s categorization of people as human and less-than-human as manifested in the 1920s and 1930s, and the struggles of racialized and colonized people against imperialist violence. She treats the archives safeguarded by racialized, colonized women throughout the empire as traces of these struggles, including the work they performed to keep certain stories out of view. Matsumura demonstrates that tracing colonial sensibility and struggle is central to grappling with their enduring consequences for the present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/waiting-for-the-cool-moon"><em>Waiting for the Cool Moon: Anti-Imperialist Struggles in the Heart of Japan's Empire</em></a><em> </em>(Duke UP, 2024) Wendy Matsumura interrogates the erasure of colonial violence at the heart of Japanese nation-state formation. She critiques Japan studies’ role in this effacement and contends that the field must engage with anti-Blackness and anti-Indigeneity as the grounds on which to understand imperialism, colonialism, fascism, and other forces that shape national consciousness. Drawing on Black radical thinkers’ critique of the erasure of the Middle Passage in universalizing theories of modernity’s imbrication with fascism, Matsumura traces the consequences of the Japanese empire’s categorization of people as human and less-than-human as manifested in the 1920s and 1930s, and the struggles of racialized and colonized people against imperialist violence. She treats the archives safeguarded by racialized, colonized women throughout the empire as traces of these struggles, including the work they performed to keep certain stories out of view. Matsumura demonstrates that tracing colonial sensibility and struggle is central to grappling with their enduring consequences for the present.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sasha Warren, "Storming Bedlam: Madness, Mental Health, and Revolt" (Common Notions, 2024)</title>
      <description>Mental health care and its radical possibilities reimagined in the context of its global development under capitalism.
The contemporary world is oversaturated with psychiatric programs, methods, and reforms promising to address any number of "crises" in mental health care. When these fail, alternatives to the alternatives simply pile up and seem to lead nowhere.
In an original and compelling account of radical experimentation in psychiatry, Warren traces a double movement in the global development of mental health services throughout the 20th century: a radical current pushing totalizing and idealistic visions of care to their practical limits and a reactionary one content with managing or eliminating chronically idle surplus populations.
Moral treatment is read in light of the utopian socialist movement; the theory of communication in the French Institutional Psychotherapy of Félix Guattari is put into conversation with the Brazilian art therapy of Nise da Silveira; the Mexican anti-psychiatry movement's reflections on violence are thought together with theories of violence developed in Argentinian psychoanalysis and Frantz Fanon's anticolonial therapeutic practice; the social form of the Italian Democratic Psychiatry and Brazilian anti-institutional movements are contrasted with the anti-psychiatry factions of the 1960s-70s North American counterculture.
Storming Bedlam: Madness, Mental Health, and Revolt (Common Notions, 2024) subverts the divisions between social and biological approaches to mental health or between psychiatry and anti-psychiatry. By exploring the history of psychiatry in the context of revolution, war, and economic development, Warren outlines a minor history of approaches to mental health care grounded in common struggles against conditions of scarcity, poverty, isolation, and exploitation.
Sasha Warren is a writer based in Minneapolis. His experiences within the psychiatric system and commitment to radical politics led him to cofound the group Hearing Voices Twin Cities, which provides an alternative social space for individuals to discuss often stigmatized extreme experiences and network with one-another. Following the George Floyd Uprising in 2020, he founded the project Of Unsound Mind to trace the histories of psychiatry, social work, and public health's connections to policing, prisons, and various disciplinary and managerial technologies.
Resources:

North American Networks of Alternatives to Psychiatry altpsy.net



Of Unsound Mind Substack


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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>469</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sasha Warren</itunes:subtitle>
      <itunes:summary>Mental health care and its radical possibilities reimagined in the context of its global development under capitalism.
The contemporary world is oversaturated with psychiatric programs, methods, and reforms promising to address any number of "crises" in mental health care. When these fail, alternatives to the alternatives simply pile up and seem to lead nowhere.
In an original and compelling account of radical experimentation in psychiatry, Warren traces a double movement in the global development of mental health services throughout the 20th century: a radical current pushing totalizing and idealistic visions of care to their practical limits and a reactionary one content with managing or eliminating chronically idle surplus populations.
Moral treatment is read in light of the utopian socialist movement; the theory of communication in the French Institutional Psychotherapy of Félix Guattari is put into conversation with the Brazilian art therapy of Nise da Silveira; the Mexican anti-psychiatry movement's reflections on violence are thought together with theories of violence developed in Argentinian psychoanalysis and Frantz Fanon's anticolonial therapeutic practice; the social form of the Italian Democratic Psychiatry and Brazilian anti-institutional movements are contrasted with the anti-psychiatry factions of the 1960s-70s North American counterculture.
Storming Bedlam: Madness, Mental Health, and Revolt (Common Notions, 2024) subverts the divisions between social and biological approaches to mental health or between psychiatry and anti-psychiatry. By exploring the history of psychiatry in the context of revolution, war, and economic development, Warren outlines a minor history of approaches to mental health care grounded in common struggles against conditions of scarcity, poverty, isolation, and exploitation.
Sasha Warren is a writer based in Minneapolis. His experiences within the psychiatric system and commitment to radical politics led him to cofound the group Hearing Voices Twin Cities, which provides an alternative social space for individuals to discuss often stigmatized extreme experiences and network with one-another. Following the George Floyd Uprising in 2020, he founded the project Of Unsound Mind to trace the histories of psychiatry, social work, and public health's connections to policing, prisons, and various disciplinary and managerial technologies.
Resources:

North American Networks of Alternatives to Psychiatry altpsy.net



Of Unsound Mind Substack


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mental health care and its radical possibilities reimagined in the context of its global development under capitalism.</p><p>The contemporary world is oversaturated with psychiatric programs, methods, and reforms promising to address any number of "crises" in mental health care. When these fail, alternatives to the alternatives simply pile up and seem to lead nowhere.</p><p>In an original and compelling account of radical experimentation in psychiatry, Warren traces a double movement in the global development of mental health services throughout the 20th century: a radical current pushing totalizing and idealistic visions of care to their practical limits and a reactionary one content with managing or eliminating chronically idle surplus populations.</p><p>Moral treatment is read in light of the utopian socialist movement; the theory of communication in the French Institutional Psychotherapy of Félix Guattari is put into conversation with the Brazilian art therapy of Nise da Silveira; the Mexican anti-psychiatry movement's reflections on violence are thought together with theories of violence developed in Argentinian psychoanalysis and Frantz Fanon's anticolonial therapeutic practice; the social form of the Italian Democratic Psychiatry and Brazilian anti-institutional movements are contrasted with the anti-psychiatry factions of the 1960s-70s North American counterculture.</p><p><a href="https://bookshop.org/a/12343/9781942173892"><em>Storming Bedlam: Madness, Mental Health, and Revolt</em></a> (Common Notions, 2024) subverts the divisions between social and biological approaches to mental health or between psychiatry and anti-psychiatry. By exploring the history of psychiatry in the context of revolution, war, and economic development, Warren outlines a minor history of approaches to mental health care grounded in common struggles against conditions of scarcity, poverty, isolation, and exploitation.</p><p>Sasha Warren is a writer based in Minneapolis. His experiences within the psychiatric system and commitment to radical politics led him to cofound the group Hearing Voices Twin Cities, which provides an alternative social space for individuals to discuss often stigmatized extreme experiences and network with one-another. Following the George Floyd Uprising in 2020, he founded the project <a href="https://ofunsoundmind.substack.com/">Of Unsound Mind</a> to trace the histories of psychiatry, social work, and public health's connections to policing, prisons, and various disciplinary and managerial technologies.</p><p>Resources:</p><ul>
<li>North American Networks of Alternatives to Psychiatry <a href="https://www.reseau-alternative-na.net/">altpsy.net</a>
</li>
<li>
<a href="https://ofunsoundmind.substack.com/">Of Unsound Mind</a> Substack</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5202</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a06941e-3e10-11ef-83bf-c7f9096bbbb9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5607522376.mp3?updated=1720543521" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joanne Leow, "Counter-Cartographies: Reading Singapore Otherwise" (Liverpool UP, 2024)</title>
      <description>Counter-Cartographies: Reading Singapore Otherwise (Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development.
The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To excavate, wayfind, circumvent, and confabulate in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces.
In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development.
Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>534</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joanne Leow</itunes:subtitle>
      <itunes:summary>Counter-Cartographies: Reading Singapore Otherwise (Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development.
The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To excavate, wayfind, circumvent, and confabulate in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces.
In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development.
Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781802074475"><em>Counter-Cartographies: Reading Singapore Otherwise</em></a><em> </em>(Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development.</p><p>The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To <em>excavate</em>, <em>wayfind</em>, <em>circumvent</em>, and <em>confabulate</em> in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces.</p><p>In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development.</p><p>Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4346</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[86d54ab2-3e18-11ef-9bff-93db7e5b8341]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9300452402.mp3?updated=1720547401" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)</title>
      <description>The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. 
In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.
Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>245</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Rekret</itunes:subtitle>
      <itunes:summary>The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. 
In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.
Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. </p><p>In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— <a href="https://bookshop.org/a/12343/9781913380168"><em>Take This Hammer: Work, Song, Crisis</em></a><em> </em>(Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.</p><p>Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5943</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67f6aaac-3e34-11ef-b2cf-0fe02dc99faa]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1930206267.mp3?updated=1720558876" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Robson, "Human Capital: A History of Putting Refugees to Work" (Verso, 2023)</title>
      <description>When Americans and other citizens of advanced capitalist countries think of humanitarianism, they think of charitable efforts to help people displaced by war, disaster, and oppression find new homes where they can live complete lives. 
However, as the historian Laura Robson argues in her book Human Capital: A History of Putting Refugees to Work (Verso, 2023), the history of the international refugee regime is much less noble than the self-representation of humanitarian organizations (and the global powers that fund them) would suggest. Robson shows how imperial powers, nation-states, global corporations, and intergovernmental organizations have sought to remake refugees into disposable migrant laborers whose exploitation would advance various imperial and state-building projects.
Laura Robson is a Professor of History at Yale University. Her recent books include States of Separation: Transfer, partition, and the making of the modern Middle East (2017) and The Politics of Mass Violence in the Middle East (2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>100</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Robson</itunes:subtitle>
      <itunes:summary>When Americans and other citizens of advanced capitalist countries think of humanitarianism, they think of charitable efforts to help people displaced by war, disaster, and oppression find new homes where they can live complete lives. 
However, as the historian Laura Robson argues in her book Human Capital: A History of Putting Refugees to Work (Verso, 2023), the history of the international refugee regime is much less noble than the self-representation of humanitarian organizations (and the global powers that fund them) would suggest. Robson shows how imperial powers, nation-states, global corporations, and intergovernmental organizations have sought to remake refugees into disposable migrant laborers whose exploitation would advance various imperial and state-building projects.
Laura Robson is a Professor of History at Yale University. Her recent books include States of Separation: Transfer, partition, and the making of the modern Middle East (2017) and The Politics of Mass Violence in the Middle East (2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Americans and other citizens of advanced capitalist countries think of humanitarianism, they think of charitable efforts to help people displaced by war, disaster, and oppression find new homes where they can live complete lives. </p><p>However, as the historian Laura Robson argues in her book <a href="https://bookshop.org/a/12343/9781804290217"><em>Human Capital: A History of Putting Refugees to Work</em></a><em> </em>(Verso, 2023), the history of the international refugee regime is much less noble than the self-representation of humanitarian organizations (and the global powers that fund them) would suggest. Robson shows how imperial powers, nation-states, global corporations, and intergovernmental organizations have sought to remake refugees into disposable migrant laborers whose exploitation would advance various imperial and state-building projects.</p><p>Laura Robson is a Professor of History at Yale University. Her recent books include <em>States of Separation: Transfer, partition, and the making of the modern Middle East</em> (2017) and <em>The Politics of Mass Violence in the Middle East</em> (2020).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3061</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d532af4a-3d6b-11ef-b8c1-e7b9ee3c932c]]></guid>
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    </item>
    <item>
      <title>Premal Dharia et al., "Dismantling Mass Incarceration: A Handbook for Change" (FSG Originals, 2024)</title>
      <description>In recent years, a searching national conversation has called attention to the social and racial injustices that define America’s criminal system. The incarceration of vast numbers of people, and the punitive treatment of African Americans in particular, are targets of widespread criticism. But despite the election of progressive prosecutors in several cities and the passage of reform legislation at the local, state, and federal levels, the system remains very much intact. How can the damage and depredations of the carceral state be undone? 
In this pathbreaking reader, three of the nation’s leading advocates —Premal Dharia, James Forman Jr., and Maria Hawilo—provide us with tools to move from despair and critique to hope and action. Dismantling Mass Incarceration: A Handbook for Change (FSG Originals, 2024) surveys new approaches to confronting the carceral state in all its guises, exploring ways that police, prosecutors, public defenders, judges, prisons, and even life after prison can be radically reconceived. The book captures debates about the comparative merits of reforming or abolishing prisons and police forces, and introduces a host of bold but practical interventions. The contributors range from noted figures such as Angela Davis, Clint Smith, and Larry Krasner to local organizers, judges, and people currently or formerly incarcerated. The result is an invaluable guide for students, activists, and anyone who wishes to understand mass incarceration—and hasten its end.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maria Hawilo</itunes:subtitle>
      <itunes:summary>In recent years, a searching national conversation has called attention to the social and racial injustices that define America’s criminal system. The incarceration of vast numbers of people, and the punitive treatment of African Americans in particular, are targets of widespread criticism. But despite the election of progressive prosecutors in several cities and the passage of reform legislation at the local, state, and federal levels, the system remains very much intact. How can the damage and depredations of the carceral state be undone? 
In this pathbreaking reader, three of the nation’s leading advocates —Premal Dharia, James Forman Jr., and Maria Hawilo—provide us with tools to move from despair and critique to hope and action. Dismantling Mass Incarceration: A Handbook for Change (FSG Originals, 2024) surveys new approaches to confronting the carceral state in all its guises, exploring ways that police, prosecutors, public defenders, judges, prisons, and even life after prison can be radically reconceived. The book captures debates about the comparative merits of reforming or abolishing prisons and police forces, and introduces a host of bold but practical interventions. The contributors range from noted figures such as Angela Davis, Clint Smith, and Larry Krasner to local organizers, judges, and people currently or formerly incarcerated. The result is an invaluable guide for students, activists, and anyone who wishes to understand mass incarceration—and hasten its end.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In recent years, a searching national conversation has called attention to the social and racial injustices that define America’s criminal system. The incarceration of vast numbers of people, and the punitive treatment of African Americans in particular, are targets of widespread criticism. But despite the election of progressive prosecutors in several cities and the passage of reform legislation at the local, state, and federal levels, the system remains very much intact. How can the damage and depredations of the carceral state be undone? </p><p>In this pathbreaking reader, three of the nation’s leading advocates —Premal Dharia, James Forman Jr., and Maria Hawilo—provide us with tools to move from despair and critique to hope and action.<em> </em><a href="https://bookshop.org/a/12343/9780374614485"><em>Dismantling Mass Incarceration: A Handbook for Change </em></a>(FSG Originals, 2024) surveys new approaches to confronting the carceral state in all its guises, exploring ways that police, prosecutors, public defenders, judges, prisons, and even life after prison can be radically reconceived. The book captures debates about the comparative merits of reforming or abolishing prisons and police forces, and introduces a host of bold but practical interventions. The contributors range from noted figures such as Angela Davis, Clint Smith, and Larry Krasner to local organizers, judges, and people currently or formerly incarcerated. The result is an invaluable guide for students, activists, and anyone who wishes to understand mass incarceration—and hasten its end.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1909</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jonathan Tran, "Asian Americans and the Spirit of Racial Capitalism" (Oxford UP, 2021)</title>
      <description>Any serious consideration of Asian American life forces us to reframe the way we talk about racism and antiracism. There are two contemporary approaches to antiracist theory and practice. The first emphasizes racial identity to the exclusion of political economy, making racialized life in America illegible. This approach's prevalence, in the academy and beyond, now rises to the level of established doctrine. The second approach views racial identity as the function of a particular political economy--what is called "racial capitalism--and therefore analytically subordinates racial identity to political economy.
In Asian Americans and the Spirit of Racial Capitalism (Oxford UP, 2021), Jonathan Tran develops arguments in favor of this second approach. He does so by means of an extended analysis of two case studies: a Chinese migrant settlement in the Mississippi Delta (1868-1969) and the Redeemer Community Church in the Bayview/Hunters Point section of San Francisco (1969-present). While his analysis is focused on particular groups and persons, he uses it to examine more broadly racial capitalism's processes and commitments at the sites of their structural and systemic unfolding. In pursuing a research agenda that pushes beyond the narrow confines of racial identity, Tran reaches back to trusted modes of analysis that have been obscured by the prevailing antiracist orthodoxy and proposes reframing antiracism in terms of a theologically salient account of political economy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 07 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Tran</itunes:subtitle>
      <itunes:summary>Any serious consideration of Asian American life forces us to reframe the way we talk about racism and antiracism. There are two contemporary approaches to antiracist theory and practice. The first emphasizes racial identity to the exclusion of political economy, making racialized life in America illegible. This approach's prevalence, in the academy and beyond, now rises to the level of established doctrine. The second approach views racial identity as the function of a particular political economy--what is called "racial capitalism--and therefore analytically subordinates racial identity to political economy.
In Asian Americans and the Spirit of Racial Capitalism (Oxford UP, 2021), Jonathan Tran develops arguments in favor of this second approach. He does so by means of an extended analysis of two case studies: a Chinese migrant settlement in the Mississippi Delta (1868-1969) and the Redeemer Community Church in the Bayview/Hunters Point section of San Francisco (1969-present). While his analysis is focused on particular groups and persons, he uses it to examine more broadly racial capitalism's processes and commitments at the sites of their structural and systemic unfolding. In pursuing a research agenda that pushes beyond the narrow confines of racial identity, Tran reaches back to trusted modes of analysis that have been obscured by the prevailing antiracist orthodoxy and proposes reframing antiracism in terms of a theologically salient account of political economy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Any serious consideration of Asian American life forces us to reframe the way we talk about racism and antiracism. There are two contemporary approaches to antiracist theory and practice. The first emphasizes racial identity to the exclusion of political economy, making racialized life in America illegible. This approach's prevalence, in the academy and beyond, now rises to the level of established doctrine. The second approach views racial identity as the function of a particular political economy--what is called "racial capitalism--and therefore analytically subordinates racial identity to political economy.</p><p>In <a href="https://bookshop.org/a/12343/9780197617915"><em>Asian Americans and the Spirit of Racial Capitalism</em></a> (Oxford UP, 2021), Jonathan Tran develops arguments in favor of this second approach. He does so by means of an extended analysis of two case studies: a Chinese migrant settlement in the Mississippi Delta (1868-1969) and the Redeemer Community Church in the Bayview/Hunters Point section of San Francisco (1969-present). While his analysis is focused on particular groups and persons, he uses it to examine more broadly racial capitalism's processes and commitments at the sites of their structural and systemic unfolding. In pursuing a research agenda that pushes beyond the narrow confines of racial identity, Tran reaches back to trusted modes of analysis that have been obscured by the prevailing antiracist orthodoxy and proposes reframing antiracism in terms of a theologically salient account of political economy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1880</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[69e8426c-3ad3-11ef-9e02-7714271c51de]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3808085381.mp3?updated=1720186955" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Judaken, "Critical Theories of Anti-Semitism" (Columbia UP, 2024)</title>
      <description>Despite its persistence and viciousness, anti-Semitism remains undertheorized in comparison with other forms of racism and discrimination. How should anti-Semitism be defined? What are its underlying causes? Why do anti-Semites target Jews? In what ways has Judeophobia changed over time? What are the continuities and disconnects between mediaeval anti-Judaism and the Holocaust? How does criticism of the state of Israel relate to anti-Semitism? And how can social theory illuminate the upsurge in attacks on Jews today?
Considering these questions and many more, Critical Theories of Anti-Semitism (Columbia University Press, 2024) by Dr. Jonathan Judaken is at once a philosophical reflection on key problems in the analysis of anti-Semitism and a history of its leading theories and theorists. Jonathan Judaken explores the methodological and conceptual issues that have vexed the study of Judeophobia and calls for a reconsideration of the definitions, categories, and narratives that underpin overarching explanations. He traces how a range of thinkers have wrestled with these challenges, examining the theories of Jean-Paul Sartre, the Frankfurt School, Hannah Arendt, and Jean-François Lyotard, alongside the works of sociologists Talcott Parsons and Zygmunt Bauman and historians Léon Poliakov and George Mosse. Dr. Judaken argues against claims about the uniqueness of Judeophobia, demonstrating how it is entangled with other racisms: Islamophobia, Negrophobia, and xenophobia. Critical Theories of Anti-Semitism not only urges readers to question how they think about Judeophobia but also draws them into conversation with a range of leading thinkers whose insights are sorely needed in this perilous moment.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 07 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>525</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Judaken</itunes:subtitle>
      <itunes:summary>Despite its persistence and viciousness, anti-Semitism remains undertheorized in comparison with other forms of racism and discrimination. How should anti-Semitism be defined? What are its underlying causes? Why do anti-Semites target Jews? In what ways has Judeophobia changed over time? What are the continuities and disconnects between mediaeval anti-Judaism and the Holocaust? How does criticism of the state of Israel relate to anti-Semitism? And how can social theory illuminate the upsurge in attacks on Jews today?
Considering these questions and many more, Critical Theories of Anti-Semitism (Columbia University Press, 2024) by Dr. Jonathan Judaken is at once a philosophical reflection on key problems in the analysis of anti-Semitism and a history of its leading theories and theorists. Jonathan Judaken explores the methodological and conceptual issues that have vexed the study of Judeophobia and calls for a reconsideration of the definitions, categories, and narratives that underpin overarching explanations. He traces how a range of thinkers have wrestled with these challenges, examining the theories of Jean-Paul Sartre, the Frankfurt School, Hannah Arendt, and Jean-François Lyotard, alongside the works of sociologists Talcott Parsons and Zygmunt Bauman and historians Léon Poliakov and George Mosse. Dr. Judaken argues against claims about the uniqueness of Judeophobia, demonstrating how it is entangled with other racisms: Islamophobia, Negrophobia, and xenophobia. Critical Theories of Anti-Semitism not only urges readers to question how they think about Judeophobia but also draws them into conversation with a range of leading thinkers whose insights are sorely needed in this perilous moment.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite its persistence and viciousness, anti-Semitism remains undertheorized in comparison with other forms of racism and discrimination. How should anti-Semitism be defined? What are its underlying causes? Why do anti-Semites target Jews? In what ways has Judeophobia changed over time? What are the continuities and disconnects between mediaeval anti-Judaism and the Holocaust? How does criticism of the state of Israel relate to anti-Semitism? And how can social theory illuminate the upsurge in attacks on Jews today?</p><p>Considering these questions and many more, <a href="https://bookshop.org/a/12343/9780231212939"><em>Critical Theories of Anti-Semitism</em></a> (Columbia University Press, 2024) by Dr. Jonathan Judaken is at once a philosophical reflection on key problems in the analysis of anti-Semitism and a history of its leading theories and theorists. Jonathan Judaken explores the methodological and conceptual issues that have vexed the study of Judeophobia and calls for a reconsideration of the definitions, categories, and narratives that underpin overarching explanations. He traces how a range of thinkers have wrestled with these challenges, examining the theories of Jean-Paul Sartre, the Frankfurt School, Hannah Arendt, and Jean-François Lyotard, alongside the works of sociologists Talcott Parsons and Zygmunt Bauman and historians Léon Poliakov and George Mosse. Dr. Judaken argues against claims about the uniqueness of Judeophobia, demonstrating how it is entangled with other racisms: Islamophobia, Negrophobia, and xenophobia. <em>Critical Theories of Anti-Semitism</em> not only urges readers to question how they think about Judeophobia but also draws them into conversation with a range of leading thinkers whose insights are sorely needed in this perilous moment.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4589</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ca4a2020-3ae3-11ef-a998-9b16886b5ba4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2168763824.mp3?updated=1720194189" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samira Mehta, "The Racism of People Who Love You: Essays on Mixed Race Belonging" (Beacon Press, 2023)</title>
      <description>The Racism of People Who Love You: Essays on Mixed Race Belonging (Beacon Press, 2023) is an unflinching look at the challenges and misunderstandings mixed-race people face in family spaces and intimate relationships across their varying cultural backgrounds.
In this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial.
Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than her father’s—they never carried on conversations in languages she couldn’t understand or blamed her for finding the food was too spicy. In adulthood, she realized that some of her Indian family’s assumptions about the world had become an indelible part of her—and that her well-intentioned parents had not known how to prepare her for a world that would see her as a person of color.
Popular belief assumes that mixedness gives you the ability to feel at home in more than one culture, but the flipside shows you can feel just as alienated in those spaces. In 7 essays that dissect her own experiences with a frankness tempered by generosity, Mehta confronts questions about:

authenticity and belonging;

conscious and unconscious cultural inheritance;

appropriate mentorship;

the racism of people who love you.


The Racism of People Who Love You invites people of mixed race into the conversation on race in America and the melding of found and inherited cultures of hybrid identity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samira Mehta</itunes:subtitle>
      <itunes:summary>The Racism of People Who Love You: Essays on Mixed Race Belonging (Beacon Press, 2023) is an unflinching look at the challenges and misunderstandings mixed-race people face in family spaces and intimate relationships across their varying cultural backgrounds.
In this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial.
Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than her father’s—they never carried on conversations in languages she couldn’t understand or blamed her for finding the food was too spicy. In adulthood, she realized that some of her Indian family’s assumptions about the world had become an indelible part of her—and that her well-intentioned parents had not known how to prepare her for a world that would see her as a person of color.
Popular belief assumes that mixedness gives you the ability to feel at home in more than one culture, but the flipside shows you can feel just as alienated in those spaces. In 7 essays that dissect her own experiences with a frankness tempered by generosity, Mehta confronts questions about:

authenticity and belonging;

conscious and unconscious cultural inheritance;

appropriate mentorship;

the racism of people who love you.


The Racism of People Who Love You invites people of mixed race into the conversation on race in America and the melding of found and inherited cultures of hybrid identity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780807026366"><em>The Racism of People Who Love You: Essays on Mixed Race Belonging</em></a><em> </em>(Beacon Press, 2023) is an unflinching look at the challenges and misunderstandings mixed-race people face in family spaces and intimate relationships across their varying cultural backgrounds.</p><p>In this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial.</p><p>Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than her father’s—they never carried on conversations in languages she couldn’t understand or blamed her for finding the food was too spicy. In adulthood, she realized that some of her Indian family’s assumptions about the world had become an indelible part of her—and that her well-intentioned parents had not known how to prepare her for a world that would see her as a person of color.</p><p>Popular belief assumes that mixedness gives you the ability to feel at home in more than one culture, but the flipside shows you can feel just as alienated in those spaces. In 7 essays that dissect her own experiences with a frankness tempered by generosity, Mehta confronts questions about:</p><ul>
<li>authenticity and belonging;</li>
<li>conscious and unconscious cultural inheritance;</li>
<li>appropriate mentorship;</li>
<li>the racism of people who love you.</li>
</ul><p><br></p><p><em>The Racism of People Who Love You</em> invites people of mixed race into the conversation on race in America and the melding of found and inherited cultures of hybrid identity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cc02d9e-3971-11ef-b696-375527128375]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5737324561.mp3?updated=1720035031" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Racism as Power Relation: A Discussion with Adaner Usmani (EF, JP)</title>
      <description>Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, Assistant Professor of Sociology and Social Studies at Harvard and on the editorial board at Catalyst joined Elizabeth and John back in Fall, 2020, to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy.
Adaner offers a complex genealogy of violence, mass incarceration and their roots in the social inequity (and iniquity) of antebellum economic relations. He emphasizes a frequently overlooked fact that a century ago Du Bois had already identified a key issue: the belatedness of African-American access to the social mobility offered by the North's industrialization, thanks to structures of a racist Southern agricultural economy that kept African-American workers away from those high-wage jobs. The result? An explanation for racial injustice that hinges on ossified class imbalances--contingent advantages for certain groups that end up producing (rather than being produced by) bigotry and prejudice.

Adaner Usmani and John Clegg, "The Economic Origins of Mass Incarceration" (Catalyst 3:3, 2019)

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2010)

Robin Einhorn, American Taxation, American Slavery (2006)

Richard Rothstein, The Color of Law (2017)

Kenneth Jackson, Crabgrass Frontier (1987)


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, Assistant Professor of Sociology and Social Studies at Harvard and on the editorial board at Catalyst joined Elizabeth and John back in Fall, 2020, to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy.
Adaner offers a complex genealogy of violence, mass incarceration and their roots in the social inequity (and iniquity) of antebellum economic relations. He emphasizes a frequently overlooked fact that a century ago Du Bois had already identified a key issue: the belatedness of African-American access to the social mobility offered by the North's industrialization, thanks to structures of a racist Southern agricultural economy that kept African-American workers away from those high-wage jobs. The result? An explanation for racial injustice that hinges on ossified class imbalances--contingent advantages for certain groups that end up producing (rather than being produced by) bigotry and prejudice.

Adaner Usmani and John Clegg, "The Economic Origins of Mass Incarceration" (Catalyst 3:3, 2019)

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2010)

Robin Einhorn, American Taxation, American Slavery (2006)

Richard Rothstein, The Color of Law (2017)

Kenneth Jackson, Crabgrass Frontier (1987)


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, <a href="https://sociology.fas.harvard.edu/people/adaner-usmani">Assistant Professor of Sociology and Social Studies</a> at Harvard and on <a href="https://www.jacobinmag.com/author/adaner-usmani">the editorial board at <em>Catalyst</em></a> joined Elizabeth and John back in Fall, 2020, to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy.</p><p>Adaner offers a complex genealogy of violence, mass incarceration and their roots in the social inequity (and iniquity) of antebellum economic relations. He emphasizes a frequently overlooked fact that a century ago Du Bois had already identified a key issue: the belatedness of African-American access to the social mobility offered by the North's industrialization, thanks to structures of a racist Southern agricultural economy that kept African-American workers away from those high-wage jobs. The result? An explanation for racial injustice that hinges on ossified class imbalances--contingent advantages for certain groups that end up producing (rather than being produced by) bigotry and prejudice.</p><ul>
<li>Adaner Usmani and <a href="https://history.uchicago.edu/directory/john-clegg">John Clegg</a>, "<a href="https://catalyst-journal.com/vol3/no3/the-economic-origins-of-mass-incarceration">The Economic Origins of Mass Incarceration</a>" (<em>Catalyst </em>3:3, 2019)</li>
<li>Michelle Alexander, <a href="https://en.wikipedia.org/wiki/The_New_Jim_Crow"><em>The New Jim Crow: Mass Incarceration in the Age of Colorblindness</em></a> (2010)</li>
<li>Robin Einhorn, <a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo3750524.html"><em>American Taxation, American Slavery</em></a> (2006)</li>
<li>Richard Rothstein, <em>The Color of Law </em>(2017)</li>
<li>Kenneth Jackson, <a href="https://www.amazon.com/Crabgrass-Frontier-Suburbanization-United-States/dp/0195049837"><em>Crabgrass Frontier</em></a> (1987)</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2039</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8654e85c-2c04-11ef-aa3a-43851e8005aa]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5504454276.mp3?updated=1718558800" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Firuzeh Shokooh Valle, "In Defense of Solidarity and Pleasure: Feminist Technopolitics from the Global South" (Stanford UP, 2023)</title>
      <description>Including women in the global South as users, producers, consumers, designers, and developers of technology has become a mantra against inequality, prompting movements to train individuals in information and communication technologies and foster the participation and retention of women in science and technology fields. 
In In Defense of Solidarity and Pleasure: Feminist Technopolitics from the Global South (Stanford UP, 2023), Firuzeh Shokooh Valle argues that these efforts have given rise to an idealized, female economic figure that combines technological dexterity and keen entrepreneurial instinct with gendered stereotypes of care and selflessness. Narratives about the "equalizing" potential of digital technologies spotlight these women's capacity to overcome inequality using said technologies, ignoring the barriers and circumstances that create such inequality in the first place as well as the potentially violent role of technology in their lives. In Defense of Solidarity and Pleasure examines how women in the Global South experience and resist the coopting and depoliticizing nature of these scripts. Drawing on fieldwork in Costa Rica and a transnational feminist digital organization, Shokooh Valle explores the ways that feminist activists, using digital technologies as well as a collective politics that prioritize solidarity and pleasure, advance a new feminist technopolitics.
Firuzeh Shokooh Valle is Assistant Professor of Sociology at Franklin and Marshall College. Previously, she was a journalist in Puerto Rico covering violence against women, the LGBTQI+ community, migration, racism, and social movements, and earned numerous national awards for her investigative work.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>468</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Firuzeh Shokooh Valle</itunes:subtitle>
      <itunes:summary>Including women in the global South as users, producers, consumers, designers, and developers of technology has become a mantra against inequality, prompting movements to train individuals in information and communication technologies and foster the participation and retention of women in science and technology fields. 
In In Defense of Solidarity and Pleasure: Feminist Technopolitics from the Global South (Stanford UP, 2023), Firuzeh Shokooh Valle argues that these efforts have given rise to an idealized, female economic figure that combines technological dexterity and keen entrepreneurial instinct with gendered stereotypes of care and selflessness. Narratives about the "equalizing" potential of digital technologies spotlight these women's capacity to overcome inequality using said technologies, ignoring the barriers and circumstances that create such inequality in the first place as well as the potentially violent role of technology in their lives. In Defense of Solidarity and Pleasure examines how women in the Global South experience and resist the coopting and depoliticizing nature of these scripts. Drawing on fieldwork in Costa Rica and a transnational feminist digital organization, Shokooh Valle explores the ways that feminist activists, using digital technologies as well as a collective politics that prioritize solidarity and pleasure, advance a new feminist technopolitics.
Firuzeh Shokooh Valle is Assistant Professor of Sociology at Franklin and Marshall College. Previously, she was a journalist in Puerto Rico covering violence against women, the LGBTQI+ community, migration, racism, and social movements, and earned numerous national awards for her investigative work.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Including women in the global South as users, producers, consumers, designers, and developers of technology has become a mantra against inequality, prompting movements to train individuals in information and communication technologies and foster the participation and retention of women in science and technology fields. </p><p>In<a href="https://bookshop.org/a/12343/9781503636149"> <em>In Defense of Solidarity and Pleasure: Feminist Technopolitics from the Global South</em></a> (Stanford UP, 2023), Firuzeh Shokooh Valle argues that these efforts have given rise to an idealized, female economic figure that combines technological dexterity and keen entrepreneurial instinct with gendered stereotypes of care and selflessness. Narratives about the "equalizing" potential of digital technologies spotlight these women's capacity to overcome inequality using said technologies, ignoring the barriers and circumstances that create such inequality in the first place as well as the potentially violent role of technology in their lives. <em>In Defense of Solidarity and Pleasure</em> examines how women in the Global South experience and resist the coopting and depoliticizing nature of these scripts. Drawing on fieldwork in Costa Rica and a transnational feminist digital organization, Shokooh Valle explores the ways that feminist activists, using digital technologies as well as a collective politics that prioritize solidarity and pleasure, advance a new feminist technopolitics.</p><p>Firuzeh Shokooh Valle is Assistant Professor of Sociology at Franklin and Marshall College. Previously, she was a journalist in Puerto Rico covering violence against women, the LGBTQI+ community, migration, racism, and social movements, and earned numerous national awards for her investigative work.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3794</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5a77bf64-389f-11ef-85df-5b762c2cdc8d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8438823718.mp3?updated=1719946474" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Oneka LaBennett, "Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond" (NYU Press, 2024)</title>
      <description>Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.
Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.
Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.
Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>315</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Oneka LaBennett</itunes:subtitle>
      <itunes:summary>Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.
Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.
Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.
Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.</p><p>Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s <em>Lovecraft Country</em>, and Netflix’s Indian Matchmaking―<a href="https://bookshop.org/a/12343/9781479827015"><em>Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond</em></a><em> </em>(NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.</p><p><em>Global Guyana</em> uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.</p><p>Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of <em>She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn </em>and co-editor of <em>Racial Formation in the Twenty-First Century</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3232</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Feng-Mei Heberer, "Asians on Demand: Mediating Race in Video Art and Activism" (U Minnesota Press, 2023)</title>
      <description>Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today’s unprecedented rise of onscreen diversity.
Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department’s Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing.
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Feng-Mei Heberer</itunes:subtitle>
      <itunes:summary>Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today’s unprecedented rise of onscreen diversity.
Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department’s Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing.
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517914813"><em>Asians on Demand: Mediating Race in Video Art and Activism</em></a> (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today’s unprecedented rise of onscreen diversity.</p><p><a href="https://tisch.nyu.edu/about/directory/cinema-studies/97348122">Feng-Mei Heberer</a> is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department’s Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing.</p><p><em>Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3564</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Balihar Sanghera and Elmira Satybaldieva, "Rentier Capitalism and Its Discontents: Power, Morality and Resistance in Central Asia" (Palgrave MacMillan, 2021)</title>
      <description>Balihar Sanghera and Elmira Satybaldieva’s Rentier Capitalism and Its Discontents: Power, Morality and Resistance in Central Asia (Palgrave MacMillan, 2021) evaluates today’s economic political, social and ecological crises through the lens of rentier capitalism and countermovements in Central Asia. Over the last three decades, the rich and powerful have increased their wealth and political power to the detriment of social and environmental well-being. But their activities have not gone unchecked; grassroots activism has resisted the damaging effects of the neoliberal commodification of things.
Providing a much-needed theorisation of the moral economy and politics of rent, this book offers in-depth case studies on finance, real estate and natural resources in Kazakhstan and Kyrgyzstan. The authors show the mechanisms of rent extraction, their moral justifications and legitimacy, and social struggles against them.
This book not only offers insight into social and economic dynamics in Central Asia, but invites us all to interrogate what purpose, and whom, economies ultimately serve.
Cholpon Ramizova is a London-based writer and researcher. She holds a Master's in Migration, Mobility and Development from SOAS, University of London. Her thematic interests are in migration, displacement, identity, gender, and nationalism - and more specifically on how and which ways these intersect within the Central Asia context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Balihar Sanghera</itunes:subtitle>
      <itunes:summary>Balihar Sanghera and Elmira Satybaldieva’s Rentier Capitalism and Its Discontents: Power, Morality and Resistance in Central Asia (Palgrave MacMillan, 2021) evaluates today’s economic political, social and ecological crises through the lens of rentier capitalism and countermovements in Central Asia. Over the last three decades, the rich and powerful have increased their wealth and political power to the detriment of social and environmental well-being. But their activities have not gone unchecked; grassroots activism has resisted the damaging effects of the neoliberal commodification of things.
Providing a much-needed theorisation of the moral economy and politics of rent, this book offers in-depth case studies on finance, real estate and natural resources in Kazakhstan and Kyrgyzstan. The authors show the mechanisms of rent extraction, their moral justifications and legitimacy, and social struggles against them.
This book not only offers insight into social and economic dynamics in Central Asia, but invites us all to interrogate what purpose, and whom, economies ultimately serve.
Cholpon Ramizova is a London-based writer and researcher. She holds a Master's in Migration, Mobility and Development from SOAS, University of London. Her thematic interests are in migration, displacement, identity, gender, and nationalism - and more specifically on how and which ways these intersect within the Central Asia context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Balihar Sanghera and Elmira Satybaldieva’s <a href="https://bookshop.org/a/12343/9783030763022"><em>Rentier Capitalism and Its Discontents: Power, Morality and Resistance in Central Asia</em></a><em> </em>(Palgrave MacMillan, 2021) evaluates today’s economic political, social and ecological crises through the lens of rentier capitalism and countermovements in Central Asia. Over the last three decades, the rich and powerful have increased their wealth and political power to the detriment of social and environmental well-being. But their activities have not gone unchecked; grassroots activism has resisted the damaging effects of the neoliberal commodification of things.</p><p>Providing a much-needed theorisation of the moral economy and politics of rent, this book offers in-depth case studies on finance, real estate and natural resources in Kazakhstan and Kyrgyzstan. The authors show the mechanisms of rent extraction, their moral justifications and legitimacy, and social struggles against them.</p><p>This book not only offers insight into social and economic dynamics in Central Asia, but invites us all to interrogate what purpose, and whom, economies ultimately serve.</p><p><em>Cholpon Ramizova is a London-based writer and researcher. She holds a Master's in Migration, Mobility and Development from SOAS, University of London. Her thematic interests are in migration, displacement, identity, gender, and nationalism - and more specifically on how and which ways these intersect within the Central Asia context.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3991</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kehbuma Langmia, "Black 'Race' and the White Supremacy Saga" (Anthem Press, 2024)</title>
      <description>Dr. Langmia's book Black 'Race' and the White Supremacy Saga (Anthem Press, 2024) examines the conundrum that has haunted the Black and White ancestry for ages on what supremacy actually means. Is it Black or White supremacy? Granted, the term "White supremacy" has occupied the sociopolitical, cultural and economic discourse for ages, but what does that really imply? All other ancestries on planet earth have been coerced to believe that conformity to Euro-American lifestyle is the way to become 'civilized' on planet earth. 
But the term civilization owes its genesis to the African cultural and educational achievements in Egypt. Consequently, Black ancestry, the first human specie on planet earth, should lead humankind to cultural and epistemological supremacy--but that has always been met with skepticism. This book examines this debate, especially between the Black and the White ancestry. There appears to be a pejorative connotation associated with the term Black. It has been 'inferiorized' because of the stain of slavery, servitude and brutal murders suffered by those from the continent of Africa that are overwhelmingly Black. Dr. Kehbuma Langmia offers “counter arguments on ‘inferiority’ and ‘superiority’ designations” (p. 181) that have been applied to particular groups and have prevented the unity of the entire human "race." 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>467</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kehbuma Langmia</itunes:subtitle>
      <itunes:summary>Dr. Langmia's book Black 'Race' and the White Supremacy Saga (Anthem Press, 2024) examines the conundrum that has haunted the Black and White ancestry for ages on what supremacy actually means. Is it Black or White supremacy? Granted, the term "White supremacy" has occupied the sociopolitical, cultural and economic discourse for ages, but what does that really imply? All other ancestries on planet earth have been coerced to believe that conformity to Euro-American lifestyle is the way to become 'civilized' on planet earth. 
But the term civilization owes its genesis to the African cultural and educational achievements in Egypt. Consequently, Black ancestry, the first human specie on planet earth, should lead humankind to cultural and epistemological supremacy--but that has always been met with skepticism. This book examines this debate, especially between the Black and the White ancestry. There appears to be a pejorative connotation associated with the term Black. It has been 'inferiorized' because of the stain of slavery, servitude and brutal murders suffered by those from the continent of Africa that are overwhelmingly Black. Dr. Kehbuma Langmia offers “counter arguments on ‘inferiority’ and ‘superiority’ designations” (p. 181) that have been applied to particular groups and have prevented the unity of the entire human "race." 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Langmia's book <a href="https://bookshop.org/a/12343/9781839989964"><em>Black 'Race' and the White Supremacy Saga</em></a><em> </em>(Anthem Press, 2024) examines the conundrum that has haunted the Black and White ancestry for ages on what supremacy actually means. Is it Black or White supremacy? Granted, the term "White supremacy" has occupied the sociopolitical, cultural and economic discourse for ages, but what does that really imply? All other ancestries on planet earth have been coerced to believe that conformity to Euro-American lifestyle is the way to become 'civilized' on planet earth. </p><p>But the term civilization owes its genesis to the African cultural and educational achievements in Egypt. Consequently, Black ancestry, the first human specie on planet earth, should lead humankind to cultural and epistemological supremacy--but that has always been met with skepticism. This book examines this debate, especially between the Black and the White ancestry. There appears to be a pejorative connotation associated with the term Black. It has been 'inferiorized' because of the stain of slavery, servitude and brutal murders suffered by those from the continent of Africa that are overwhelmingly Black. Dr. Kehbuma Langmia offers “counter arguments on ‘inferiority’ and ‘superiority’ designations” (p. 181) that have been applied to particular groups and have prevented the unity of the entire human "race." </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Race, Social Reproduction, and Capitalist Totality</title>
      <description>We live in a historical conjuncture characterized by the rise of a range of social movements that aim to challenge different forms of domination: capitalism, patriarchy, racism, settler colonialism, just to name a few. However, critical scholars remain divided about how to think about the relations between these different struggles. The political stakes in these debates are enormous: attributing primacy to particular social processes or structures risks alienating constituencies that also experience other forms of domination, but analzying these processes as separate structures with their own distinct ‘logics’ makes it difficult to find common ground on which to construct viable political coalitions.
My guest today, geographer William Conroy, has written a series of articles that deal with thorny questions pertaining to the relationship between race, gender, ecology, and capitalism. We’ll be discussing four articles in particular, the links to which you can find on the episode’s page on the New Books Network web site:
Conroy, William. 2023. “Background Check: Spatiality and Relationality in Nancy Fraser’s Expanded Conception of Capitalism.” Environment and Planning A: Economy and Space 55 (5): 1091–1113.
Conroy, William. 2024. “Spatializing Social Reproduction Theory: Integrating State Space and the Urban Fabric.” Review of International Political Economy 31 (3): 955–77. 
Conroy, William. 2024. “Race, Capitalism, and the Necessity/Contingency Debate.” Theory, Culture &amp; Society 41 (1): 39–58.
Conroy, William. 2024. “Constitutive Outsides or Hidden Abodes? Totality and Ideology in Critical Urban Theory.” Urban Studies, January 22, 2024.
Each of these articles deals with the question of how to study the interactions between forms of domination without succumbing to the dangers of a) reducing all axes of domination to effects of one fundamental antagonism, or b) reaching the bland conclusion that “everything is related to everything else” without specifying how or why forms of domination are related.
Will is a PhD candidate at Harvard University, and he is a research affiliate of the Urban Theory Lab, which is housed at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Jun 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with William Conroy</itunes:subtitle>
      <itunes:summary>We live in a historical conjuncture characterized by the rise of a range of social movements that aim to challenge different forms of domination: capitalism, patriarchy, racism, settler colonialism, just to name a few. However, critical scholars remain divided about how to think about the relations between these different struggles. The political stakes in these debates are enormous: attributing primacy to particular social processes or structures risks alienating constituencies that also experience other forms of domination, but analzying these processes as separate structures with their own distinct ‘logics’ makes it difficult to find common ground on which to construct viable political coalitions.
My guest today, geographer William Conroy, has written a series of articles that deal with thorny questions pertaining to the relationship between race, gender, ecology, and capitalism. We’ll be discussing four articles in particular, the links to which you can find on the episode’s page on the New Books Network web site:
Conroy, William. 2023. “Background Check: Spatiality and Relationality in Nancy Fraser’s Expanded Conception of Capitalism.” Environment and Planning A: Economy and Space 55 (5): 1091–1113.
Conroy, William. 2024. “Spatializing Social Reproduction Theory: Integrating State Space and the Urban Fabric.” Review of International Political Economy 31 (3): 955–77. 
Conroy, William. 2024. “Race, Capitalism, and the Necessity/Contingency Debate.” Theory, Culture &amp; Society 41 (1): 39–58.
Conroy, William. 2024. “Constitutive Outsides or Hidden Abodes? Totality and Ideology in Critical Urban Theory.” Urban Studies, January 22, 2024.
Each of these articles deals with the question of how to study the interactions between forms of domination without succumbing to the dangers of a) reducing all axes of domination to effects of one fundamental antagonism, or b) reaching the bland conclusion that “everything is related to everything else” without specifying how or why forms of domination are related.
Will is a PhD candidate at Harvard University, and he is a research affiliate of the Urban Theory Lab, which is housed at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We live in a historical conjuncture characterized by the rise of a range of social movements that aim to challenge different forms of domination: capitalism, patriarchy, racism, settler colonialism, just to name a few. However, critical scholars remain divided about how to think about the relations between these different struggles. The political stakes in these debates are enormous: attributing primacy to particular social processes or structures risks alienating constituencies that also experience other forms of domination, but analzying these processes as separate structures with their own distinct ‘logics’ makes it difficult to find common ground on which to construct viable political coalitions.</p><p>My guest today, geographer William Conroy, has written a series of articles that deal with thorny questions pertaining to the relationship between race, gender, ecology, and capitalism. We’ll be discussing four articles in particular, the links to which you can find on the episode’s page on the New Books Network web site:</p><p>Conroy, William. 2023. “<a href="https://doi.org/10.1177/0308518X221143118">Background Check: Spatiality and Relationality in Nancy Fraser’s Expanded Conception of Capitalism</a>.” <em>Environment and Planning A: Economy and Space</em> 55 (5): 1091–1113.</p><p>Conroy, William. 2024. “<a href="https://doi.org/10.1080/09692290.2023.2269415">Spatializing Social Reproduction Theory: Integrating State Space and the Urban Fabric</a>.” <em>Review of International Political Economy</em> 31 (3): 955–77. </p><p>Conroy, William. 2024. “<a href="https://doi.org/10.1177/02632764221140780">Race, Capitalism, and the Necessity/Contingency Debate</a>.” <em>Theory, Culture &amp; Society</em> 41 (1): 39–58.</p><p>Conroy, William. 2024. “<a href="https://doi.org/10.1177/00420980231217633">Constitutive Outsides or Hidden Abodes? Totality and Ideology in Critical Urban Theory</a>.” <em>Urban Studies</em>, January 22, 2024.</p><p>Each of these articles deals with the question of how to study the interactions between forms of domination without succumbing to the dangers of a) reducing all axes of domination to effects of one fundamental antagonism, or b) reaching the bland conclusion that “everything is related to everything else” without specifying how or why forms of domination are related.</p><p>Will is a PhD candidate at Harvard University, and he is a research affiliate of the Urban Theory Lab, which is housed at the University of Chicago.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5331</itunes:duration>
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    </item>
    <item>
      <title>Michael Sonenscher, "Capitalism: The Story Behind the Word" (Princeton UP, 2022)</title>
      <description>What exactly is capitalism? How has the meaning of capitalism changed over time? And what’s at stake in our understanding or misunderstanding of it? In Capitalism: The Story Behind the Word (Princeton UP, 2022), Michael Sonenscher examines the history behind the concept and pieces together the range of subjects bound up with the word. Sonenscher shows that many of our received ideas fail to pick up the work that the idea of capitalism is doing for us, without us even realizing it.
“Capitalism” was first coined in France in the early nineteenth century. It began as a fusion of two distinct sets of ideas. The first involved thinking about public debt and war finance. The second involved thinking about the division of labour. Sonenscher shows that thinking about the first has changed radically over time. Funding welfare has been added to funding warfare, bringing many new questions in its wake. Thinking about the second set of ideas has offered far less room for manoeuvre. The division of labour is still the division of labour and the debates and discussions that it once generated have now been largely forgotten. By exploring what lay behind the earlier distinction before it collapsed and was eroded by the passage of time, Sonenscher shows why the present range of received ideas limits our political options and the types of reform we might wish for.
Michael Sonenscher is a fellow of King's College, University of Cambridge. His books include Sans-Culottes and Before the Deluge (both Princeton UP).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Sonenscher</itunes:subtitle>
      <itunes:summary>What exactly is capitalism? How has the meaning of capitalism changed over time? And what’s at stake in our understanding or misunderstanding of it? In Capitalism: The Story Behind the Word (Princeton UP, 2022), Michael Sonenscher examines the history behind the concept and pieces together the range of subjects bound up with the word. Sonenscher shows that many of our received ideas fail to pick up the work that the idea of capitalism is doing for us, without us even realizing it.
“Capitalism” was first coined in France in the early nineteenth century. It began as a fusion of two distinct sets of ideas. The first involved thinking about public debt and war finance. The second involved thinking about the division of labour. Sonenscher shows that thinking about the first has changed radically over time. Funding welfare has been added to funding warfare, bringing many new questions in its wake. Thinking about the second set of ideas has offered far less room for manoeuvre. The division of labour is still the division of labour and the debates and discussions that it once generated have now been largely forgotten. By exploring what lay behind the earlier distinction before it collapsed and was eroded by the passage of time, Sonenscher shows why the present range of received ideas limits our political options and the types of reform we might wish for.
Michael Sonenscher is a fellow of King's College, University of Cambridge. His books include Sans-Culottes and Before the Deluge (both Princeton UP).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What exactly is capitalism? How has the meaning of capitalism changed over time? And what’s at stake in our understanding or misunderstanding of it? In <a href="https://bookshop.org/a/12343/9780691238883"><em>Capitalism: The Story Behind the Word</em></a><em> </em>(Princeton UP, 2022), Michael Sonenscher examines the history behind the concept and pieces together the range of subjects bound up with the word. Sonenscher shows that many of our received ideas fail to pick up the work that the idea of capitalism is doing for us, without us even realizing it.</p><p>“Capitalism” was first coined in France in the early nineteenth century. It began as a fusion of two distinct sets of ideas. The first involved thinking about public debt and war finance. The second involved thinking about the division of labour. Sonenscher shows that thinking about the first has changed radically over time. Funding welfare has been added to funding warfare, bringing many new questions in its wake. Thinking about the second set of ideas has offered far less room for manoeuvre. The division of labour is still the division of labour and the debates and discussions that it once generated have now been largely forgotten. By exploring what lay behind the earlier distinction before it collapsed and was eroded by the passage of time, Sonenscher shows why the present range of received ideas limits our political options and the types of reform we might wish for.</p><p>Michael Sonenscher is a fellow of King's College, University of Cambridge. His books include <em>Sans-Culottes</em> and <em>Before the Deluge</em> (both Princeton UP).</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3074</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Bayley J. Marquez, "Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space" (U California Press, 2024)</title>
      <description>Throughout the nineteenth and twentieth centuries, teachers, administrators, and policymakers fashioned a system of industrial education that attempted to transform Black and Indigenous peoples and land. This form of teaching—what Bayley J. Marquez names plantation pedagogy—was built on the claim that slavery and land dispossession are fundamentally educational. Plantation pedagogy and the formal institutions that encompassed it were thus integrally tied to enslavement, settlement, and their inherent violence toward land and people. Marquez investigates how proponents developed industrial education domestically and then spread the model abroad as part of US imperialism. A deeply thoughtful and arresting work, Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space (U California Press, 2024) sits where Black and Native studies meet in order to understand our interconnected histories and theorize our collective futures.
Bayley J. Marquez is an Indigenous scholar from the Santa Ynez Band of Chumash Indians and Assistant Professor of American Studies at the University of Maryland, College Park.
Max Jacobs is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the History of Education Society.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bayley J. Marquez</itunes:subtitle>
      <itunes:summary>Throughout the nineteenth and twentieth centuries, teachers, administrators, and policymakers fashioned a system of industrial education that attempted to transform Black and Indigenous peoples and land. This form of teaching—what Bayley J. Marquez names plantation pedagogy—was built on the claim that slavery and land dispossession are fundamentally educational. Plantation pedagogy and the formal institutions that encompassed it were thus integrally tied to enslavement, settlement, and their inherent violence toward land and people. Marquez investigates how proponents developed industrial education domestically and then spread the model abroad as part of US imperialism. A deeply thoughtful and arresting work, Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space (U California Press, 2024) sits where Black and Native studies meet in order to understand our interconnected histories and theorize our collective futures.
Bayley J. Marquez is an Indigenous scholar from the Santa Ynez Band of Chumash Indians and Assistant Professor of American Studies at the University of Maryland, College Park.
Max Jacobs is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the History of Education Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Throughout the nineteenth and twentieth centuries, teachers, administrators, and policymakers fashioned a system of industrial education that attempted to transform Black and Indigenous peoples and land. This form of teaching—what Bayley J. Marquez names plantation pedagogy—was built on the claim that slavery and land dispossession are fundamentally educational. Plantation pedagogy and the formal institutions that encompassed it were thus integrally tied to enslavement, settlement, and their inherent violence toward land and people. Marquez investigates how proponents developed industrial education domestically and then spread the model abroad as part of US imperialism. A deeply thoughtful and arresting work, <a href="https://bookshop.org/a/12343/9780520393714"><em>Plantation Pedagogy: The Violence of Schooling Across Black and Indigenous Space</em></a><em> </em>(U California Press, 2024) sits where Black and Native studies meet in order to understand our interconnected histories and theorize our collective futures.</p><p><a href="https://wgss.umd.edu/directory/bayley-marquez">Bayley J. Marquez</a> is an Indigenous scholar from the Santa Ynez Band of Chumash Indians and Assistant Professor of American Studies at the University of Maryland, College Park.</p><p><a href="https://gse.rutgers.edu/student/max-antonio-jacobs/"><em>Max Jacobs</em></a><em> is a PhD student in education at Rutgers University. He currently sits on the Graduate Student Council for the </em><a href="https://www.historyofeducation.org/"><em>History of Education Society</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5320374053.mp3?updated=1719602699" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Schuster, "What Is Extinction?: A Natural and Cultural History of Last Animals" (Fordham UP, 2023)</title>
      <description>Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events.
Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life.
What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present.
Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Schuster</itunes:subtitle>
      <itunes:summary>Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events.
Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life.
What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present.
Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. <a href="https://bookshop.org/a/12343/9781531501655"><em>What Is Extinction?: A Natural and Cultural History of Last Animals</em></a> (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events.</p><p>Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life.</p><p><em>What Is Extinction?</em> delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present.</p><p><strong>Joshua Schuster</strong> is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of <em>The Ecology of Modernism: American Environments and Avant-Garde Poetics</em> and co-author of <em>Calamity Theory: Three Critiques of Existential Risk</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3431</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Christina M. García, "Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking" (U Florida Press, 2024)</title>
      <description>Christina M. García’s book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference.
Christina M. García is assistant professor of Spanish at the College of Charleston.
Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>307</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christina M. García</itunes:subtitle>
      <itunes:summary>Christina M. García’s book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference.
Christina M. García is assistant professor of Spanish at the College of Charleston.
Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Christina M. García’s book, <a href="https://bookshop.org/a/12343/9781683404415"><em>Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking</em></a><em> </em>(University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. <em>Corporeal Readings of Cuban Literature and Art</em> demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference.</p><p><a href="https://charleston.edu/spanish/faculty/garcia-christina.php">Christina M. García </a>is assistant professor of Spanish at the College of Charleston.</p><p><a href="https://tatianaklepikova.com/">Tatiana Klepikova</a> is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Shyam Ranganathan, "Yoga - Anticolonial Philosophy: An Action-Focused Guide to Practice" (Singing Dragon, 2024)</title>
      <description>Providing a decolonial, action-focused account of Yoga philosophy, Yoga - Anticolonial Philosophy: An Action-Focused Guide to Practice (Singing Dragon, 2024) from Dr. Shyam Ranganathan, pioneering scholar in the field of Indian moral philosophy, focuses on the South Asian tradition to explore what Yoga was like prior to colonization. It challenges teachers and trainees to reflect on the impact of Western colonialism on Yoga as well as understand Yoga as the original decolonial practice in a way that is accessible.
Each chapter takes the reader through a journey of sources and traditions, beginning with an investigation into the colonial -Platonic and Aristotelian- approaches to pedagogy in colonized yoga spaces, through contrary, ancient philosophies of South Asia, such as Jainism, Buddhism, Sankhya, and various forms of Vedanta, to sources of Yoga, including the Upanisads, Yoga Sutra, Bhagavad Gita and Hatha Yoga Pradipika. With discussions of the precolonial philosophy of Yoga, its relationship to social justice, and modern postural yoga's relationship with colonial trauma, this is a comprehensive guide for any yoga teacher or trainee to activate and synergize their practice. Supplementary online resources bring the text to life, making this the perfect text for yoga teacher trainings.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>340</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shyam Ranganathan</itunes:subtitle>
      <itunes:summary>Providing a decolonial, action-focused account of Yoga philosophy, Yoga - Anticolonial Philosophy: An Action-Focused Guide to Practice (Singing Dragon, 2024) from Dr. Shyam Ranganathan, pioneering scholar in the field of Indian moral philosophy, focuses on the South Asian tradition to explore what Yoga was like prior to colonization. It challenges teachers and trainees to reflect on the impact of Western colonialism on Yoga as well as understand Yoga as the original decolonial practice in a way that is accessible.
Each chapter takes the reader through a journey of sources and traditions, beginning with an investigation into the colonial -Platonic and Aristotelian- approaches to pedagogy in colonized yoga spaces, through contrary, ancient philosophies of South Asia, such as Jainism, Buddhism, Sankhya, and various forms of Vedanta, to sources of Yoga, including the Upanisads, Yoga Sutra, Bhagavad Gita and Hatha Yoga Pradipika. With discussions of the precolonial philosophy of Yoga, its relationship to social justice, and modern postural yoga's relationship with colonial trauma, this is a comprehensive guide for any yoga teacher or trainee to activate and synergize their practice. Supplementary online resources bring the text to life, making this the perfect text for yoga teacher trainings.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Providing a decolonial, action-focused account of Yoga philosophy, <a href="https://bookshop.org/a/12343/9781839978760"><em>Yoga - Anticolonial Philosophy: An Action-Focused Guide to Practice</em></a> (Singing Dragon, 2024) from Dr. Shyam Ranganathan, pioneering scholar in the field of Indian moral philosophy, focuses on the South Asian tradition to explore what Yoga was like prior to colonization. It challenges teachers and trainees to reflect on the impact of Western colonialism on Yoga as well as understand Yoga as the original decolonial practice in a way that is accessible.</p><p>Each chapter takes the reader through a journey of sources and traditions, beginning with an investigation into the colonial -Platonic and Aristotelian- approaches to pedagogy in colonized yoga spaces, through contrary, ancient philosophies of South Asia, such as Jainism, Buddhism, Sankhya, and various forms of Vedanta, to sources of Yoga, including the Upanisads, Yoga Sutra, Bhagavad Gita and Hatha Yoga Pradipika. With discussions of the precolonial philosophy of Yoga, its relationship to social justice, and modern postural yoga's relationship with colonial trauma, this is a comprehensive guide for any yoga teacher or trainee to activate and synergize their practice. Supplementary online resources bring the text to life, making this the perfect text for yoga teacher trainings.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2118</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Post-Orientalism Revisited: A Conversation with Salman Sayyid</title>
      <description>The third episode of this season of Radio ReOrient continues our project this season of returning to the first principles of Critical Muslim Studies. In the previous episode, Hizer Mir and Salman Sayyid discussed post-positivism: here they turn to post-orientalism. The advent of Edward Said’s Orientalism in 1978 shook the foundations of many academic disciplines. Not only Oriental Studies (which was the most obvious object of Said’s critique) but almost every discipline found itself asking the question: how should we respond to Said’s Orientalism? How should our subjects be studied differently now that we know what we know about knowledge production? In this episode we delve into some of these questions.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The third episode of this season of Radio ReOrient continues our project this season of returning to the first principles of Critical Muslim Studies. In the previous episode, Hizer Mir and Salman Sayyid discussed post-positivism: here they turn to post-orientalism. The advent of Edward Said’s Orientalism in 1978 shook the foundations of many academic disciplines. Not only Oriental Studies (which was the most obvious object of Said’s critique) but almost every discipline found itself asking the question: how should we respond to Said’s Orientalism? How should our subjects be studied differently now that we know what we know about knowledge production? In this episode we delve into some of these questions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The third episode of this season of Radio ReOrient continues our project this season of returning to the first principles of Critical Muslim Studies. In the previous episode, Hizer Mir and Salman Sayyid discussed post-positivism: here they turn to post-orientalism. The advent of Edward Said’s <em>Orientalism</em> in 1978 shook the foundations of many academic disciplines. Not only Oriental Studies (which was the most obvious object of Said’s critique) but almost every discipline found itself asking the question: how should we respond to Said’s <em>Orientalism</em>? How should our subjects be studied differently now that we know what we know about knowledge production? In this episode we delve into some of these questions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2309</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ed28e166-33eb-11ef-bca5-d72f9e38c570]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6590106434.mp3?updated=1719427660" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jerry Rafiki Jenkins, "Anti-Blackness and Human Monstrosity in Black American Horror Fiction" (Ohio State UP, 2024)</title>
      <description>In Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when Black American is disassociated from American. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their "anti-Black sadism," as Jenkins calls it, is what makes them repulsive. 
Jenkins examines a variety of these monstrous forms in Tananarive Due's The Between, Victor LaValle's The Changeling, Octavia Butler's Kindred, Nnedi Okorafor's Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.
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      <pubDate>Tue, 25 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>306</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jerry Rafiki Jenkins</itunes:subtitle>
      <itunes:summary>In Anti-Blackness and Human Monstrosity in Black American Horror Fiction (Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when Black American is disassociated from American. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their "anti-Black sadism," as Jenkins calls it, is what makes them repulsive. 
Jenkins examines a variety of these monstrous forms in Tananarive Due's The Between, Victor LaValle's The Changeling, Octavia Butler's Kindred, Nnedi Okorafor's Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814259054"><em>Anti-Blackness and Human Monstrosity in Black American Horror Fiction</em></a><em> </em>(Ohio State UP, 2024), Jerry Rafiki Jenkins examines four types of human monsters that frequently appear in Black American horror fiction--the monsters of White rage, respectability, not-ness, and serial killing. Arguing that such monsters represent specific ideologies of American anti-Blackness, Jenkins shows that despite their various motivations for harming and killing Black people, these monsters embody the horrors that emerge when <em>Black American</em> is disassociated from <em>American</em>. Although these monsters of anti-Blackness are dangerous because they can terrorize Black people with virtual impunity, their "anti-Black sadism," as Jenkins calls it, is what makes them repulsive. </p><p>Jenkins examines a variety of these monstrous forms in Tananarive Due's <em>The Between, </em>Victor LaValle's <em>The Changeling, </em>Octavia Butler's <em>Kindred, </em>Nnedi Okorafor's <em>Who Fears Death, </em>and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2708</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3020602990.mp3?updated=1720721973" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas Hendriks, "Rainforest Capitalism: Power and Masculinity in a Congolese Timber Concession" (Duke UP, 2021)</title>
      <description>In this episode we are joined by Thomas Hendriks, an anthropologist studying capitalism and resource extraction in the Democratic Republic of Congo. Hendriks' work is amongst the most innovative in the anthropological study of capitalism, drawing upon queer theory, feminist ethnography, and phenomenology to make sense of cutting down large trees in the tropical rainforest. 
Congolese logging camps are places where mud, rain, fuel smugglers, and village roadblocks slow down multinational timber firms; where workers wage wars against trees while evading company surveillance deep in the forest; where labor compounds trigger disturbing colonial memories; and where blunt racism, logger machismo, and homoerotic desires reproduce violence. In Rainforest Capitalism: Power and Masculinity in a Congolese Timber Concession (Duke UP, 2021) Thomas Hendriks examines the rowdy world of industrial timber production in the Democratic Republic of the Congo to theorize racialized and gendered power dynamics in capitalist extraction. Drawing on ethnographic fieldwork among Congolese workers and European company managers as well as traders, farmers, smugglers, and barkeepers, Hendriks shows how logging is deeply tied to feelings of existential vulnerability in the face of larger forces, structures, and histories. These feelings, Hendriks contends, reveal a precarious side of power in an environment where companies, workers, and local residents frequently find themselves out of control. An ethnography of complicity, ecstasis, and paranoia, Rainforest Capitalism queers assumptions of corporate strength and opens up new ways to understand the complexities and contradictions of capitalist extraction.
Elliott M. Reichardt, MPhil, is a PhD Candidate in Socio-Cultural Anthropology at Stanford University. Elliott conducts fieldwork on Dakelh Territory in Northern British Columbia, on capitalism, forestry, and colonialism. Elliott is studies contestations over profit, property and territory on Indigenous land. Elliott also has long standing interests in medical anthropology and the history of science and medicine.
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      <pubDate>Tue, 25 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>311</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas Hendriks</itunes:subtitle>
      <itunes:summary>In this episode we are joined by Thomas Hendriks, an anthropologist studying capitalism and resource extraction in the Democratic Republic of Congo. Hendriks' work is amongst the most innovative in the anthropological study of capitalism, drawing upon queer theory, feminist ethnography, and phenomenology to make sense of cutting down large trees in the tropical rainforest. 
Congolese logging camps are places where mud, rain, fuel smugglers, and village roadblocks slow down multinational timber firms; where workers wage wars against trees while evading company surveillance deep in the forest; where labor compounds trigger disturbing colonial memories; and where blunt racism, logger machismo, and homoerotic desires reproduce violence. In Rainforest Capitalism: Power and Masculinity in a Congolese Timber Concession (Duke UP, 2021) Thomas Hendriks examines the rowdy world of industrial timber production in the Democratic Republic of the Congo to theorize racialized and gendered power dynamics in capitalist extraction. Drawing on ethnographic fieldwork among Congolese workers and European company managers as well as traders, farmers, smugglers, and barkeepers, Hendriks shows how logging is deeply tied to feelings of existential vulnerability in the face of larger forces, structures, and histories. These feelings, Hendriks contends, reveal a precarious side of power in an environment where companies, workers, and local residents frequently find themselves out of control. An ethnography of complicity, ecstasis, and paranoia, Rainforest Capitalism queers assumptions of corporate strength and opens up new ways to understand the complexities and contradictions of capitalist extraction.
Elliott M. Reichardt, MPhil, is a PhD Candidate in Socio-Cultural Anthropology at Stanford University. Elliott conducts fieldwork on Dakelh Territory in Northern British Columbia, on capitalism, forestry, and colonialism. Elliott is studies contestations over profit, property and territory on Indigenous land. Elliott also has long standing interests in medical anthropology and the history of science and medicine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode we are joined by Thomas Hendriks, an anthropologist studying capitalism and resource extraction in the Democratic Republic of Congo. Hendriks' work is amongst the most innovative in the anthropological study of capitalism, drawing upon queer theory, feminist ethnography, and phenomenology to make sense of cutting down large trees in the tropical rainforest. </p><p>Congolese logging camps are places where mud, rain, fuel smugglers, and village roadblocks slow down multinational timber firms; where workers wage wars against trees while evading company surveillance deep in the forest; where labor compounds trigger disturbing colonial memories; and where blunt racism, logger machismo, and homoerotic desires reproduce violence. In <a href="https://bookshop.org/a/12343/9781478017844"><em>Rainforest Capitalism: Power and Masculinity in a Congolese Timber Concession</em></a> (Duke UP, 2021) Thomas Hendriks examines the rowdy world of industrial timber production in the Democratic Republic of the Congo to theorize racialized and gendered power dynamics in capitalist extraction. Drawing on ethnographic fieldwork among Congolese workers and European company managers as well as traders, farmers, smugglers, and barkeepers, Hendriks shows how logging is deeply tied to feelings of existential vulnerability in the face of larger forces, structures, and histories. These feelings, Hendriks contends, reveal a precarious side of power in an environment where companies, workers, and local residents frequently find themselves out of control. An ethnography of complicity, ecstasis, and paranoia, Rainforest Capitalism queers assumptions of corporate strength and opens up new ways to understand the complexities and contradictions of capitalist extraction.</p><p><a href="https://anthropology.stanford.edu/people/elliott-reichardt"><em>Elliott M. Reichardt</em></a><em>, MPhil, is a PhD Candidate in Socio-Cultural Anthropology at Stanford University. Elliott conducts fieldwork on Dakelh Territory in Northern British Columbia, on capitalism, forestry, and colonialism. Elliott is studies contestations over profit, property and territory on Indigenous land. Elliott also has long standing interests in medical anthropology and the history of science and medicine.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4809585904.mp3?updated=1719083220" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Psychoanalytic Overview of Racism in America</title>
      <description>The first podcast in this series was inspired by a documentary film made in 2014 called “Black Analysts Speak” as well as some of the findings in the Holmes Commission on Racial Equality in American Psychoanalysis published in 2023. It also considered the reasons why racism has persisted so long in America including perspectives from a psychoanalytic vantage point. Mechanism of defense, particularly projective identification was discussed as one specific reason why change has been slow. The host and co-host also talked about the some of the reasons why it is important for white people to listen to the Black experience. Dr. Martin Luther King Jr.’s book, Where do we go from here, Chaos or Community was also considered because of its relevance today.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Psychoanalytic Perspectives on Racism in America: Episode 1</itunes:subtitle>
      <itunes:summary>The first podcast in this series was inspired by a documentary film made in 2014 called “Black Analysts Speak” as well as some of the findings in the Holmes Commission on Racial Equality in American Psychoanalysis published in 2023. It also considered the reasons why racism has persisted so long in America including perspectives from a psychoanalytic vantage point. Mechanism of defense, particularly projective identification was discussed as one specific reason why change has been slow. The host and co-host also talked about the some of the reasons why it is important for white people to listen to the Black experience. Dr. Martin Luther King Jr.’s book, Where do we go from here, Chaos or Community was also considered because of its relevance today.
Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.
Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The first podcast in this series was inspired by a documentary film made in 2014 called <a href="https://reframe.sussex.ac.uk/repsychoanalysis/2015/12/16/black-psychoanalysts-speak/">“Black Analysts Speak”</a> as well as some of the findings in the <a href="https://apsa.org/about-apsa/holmes-commission/">Holmes Commission on Racial Equality in American Psychoanalysis</a> published in 2023. It also considered the reasons <a href="https://www.epi.org/publication/chasing-the-dream-of-equity/">why racism has persisted</a> so long in America including perspectives from a psychoanalytic vantage point. <a href="https://positivepsychology.com/defense-mechanisms-in-psychology/">Mechanism of defense</a>, particularly <a href="https://www.psychologytoday.com/us/blog/psychoanalysis-unplugged/202106/understanding-boundaries-what-is-projective-identification">projective identification</a> was discussed as one specific reason why change has been slow. The host and co-host also talked about the some of the reasons <a href="https://diversity.syr.edu/the-good-intentions-of-white-people/">why it is important for white people to listen to the Black experience</a>. Dr. Martin Luther King Jr.’s book, <a href="https://www.thriftbooks.com/w/where-do-we-go-from-here-chaos-or-community/9531160/item/9618146/?utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=high_vol_midlist_standard_shopping_retention&amp;utm_adgroup=&amp;utm_term=&amp;utm_content=666159745081&amp;gad_source=1&amp;gclid=CjwKCAjwgdayBhBQEiwAXhMxtmzEoNhAtivQdECfrifFqTYL9ECb8bv_lHg0DVAJB7Mc_8LkgT6WqRoCBe4QAvD_BwE#idiq=9618146&amp;edition=8903005"><em>Where do we go from here, Chaos or Community</em></a> was also considered because of its relevance today.</p><p><a href="https://www.drkarynemessina.com/">Dr. Karyne E. Messina</a> is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited six books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world.</p><p><a href="https://psian.org/felecia-powellwilliams">Dr. Felecia Powell-Williams</a> is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2892</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[82216f2a-316e-11ef-a03e-7752de208ba1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7288703483.mp3?updated=1719154181" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pinky Hota, "The Violence of Recognition: Adivasi Indigeneity and Anti-Dalitness in India" (U Pennsylvania Press, 2023)</title>
      <description>The Violence of Recognition: Adivasi Indigeneity and Anti-Dalitness in India (U Pennsylvania Press, 2023) offers an unprecedented firsthand account of the operations of Hindu nationalists and their role in sparking the largest incident of anti-Christian violence in India’s history. Through vivid ethnographic storytelling, Pinky Hota explores the roots of ethnonationalist conflict between two historically marginalized groups—the Kandha, who are Adivasi (tribal people considered indigenous in India), and the Pana, a community of Christian Dalits (previously referred to as “untouchables”). Hota documents how Hindutva mobilization led to large-scale violence, culminating in attacks against many thousands of Pana Dalits in the district of Kandhamal in 2008.
Bringing indigenous studies as well as race and ethnic studies into conversation with Dalit studies, Hota shows that, despite attempts to frame these ethnonationalist tensions as an indigenous population’s resistance against disenfranchisement, Kandha hostility against the Pana must be understood as anti-Christian, anti-Dalit violence animated by racial capitalism. Hota’s analysis of caste in relation to race and religion details how Hindu nationalists exploit the singular and exclusionary legal recognition of Adivasis and the putatively liberatory, anti-capitalist discourse of indigeneity in order to justify continued oppression of Dalits—particularly those such as the Pana. Because the Pana lost their legal protection as recognized minorities (Scheduled Caste) upon conversion to Christianity, they struggle for recognition within the Indian state’s classificatory scheme. Within the framework of recognition, Hota shows, indigeneity works as a political technology that reproduces the political, economic, and cultural exclusion of landless marginalized groups such as Dalits. The Violence of Recognition reveals the violent implications of minority recognition in creating and maintaining hierarchies of racial capitalism.
Yash Sharma is a PhD student in Political Science at the School of Public and International Affairs, University of Cincinnati. His research is focused on the interactions of political mobilization and anti-minority violence within Hindu nationalist organizations in India. Twitter. Email: sharmaym@mail.uc.edu
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 23 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pinky Hota</itunes:subtitle>
      <itunes:summary>The Violence of Recognition: Adivasi Indigeneity and Anti-Dalitness in India (U Pennsylvania Press, 2023) offers an unprecedented firsthand account of the operations of Hindu nationalists and their role in sparking the largest incident of anti-Christian violence in India’s history. Through vivid ethnographic storytelling, Pinky Hota explores the roots of ethnonationalist conflict between two historically marginalized groups—the Kandha, who are Adivasi (tribal people considered indigenous in India), and the Pana, a community of Christian Dalits (previously referred to as “untouchables”). Hota documents how Hindutva mobilization led to large-scale violence, culminating in attacks against many thousands of Pana Dalits in the district of Kandhamal in 2008.
Bringing indigenous studies as well as race and ethnic studies into conversation with Dalit studies, Hota shows that, despite attempts to frame these ethnonationalist tensions as an indigenous population’s resistance against disenfranchisement, Kandha hostility against the Pana must be understood as anti-Christian, anti-Dalit violence animated by racial capitalism. Hota’s analysis of caste in relation to race and religion details how Hindu nationalists exploit the singular and exclusionary legal recognition of Adivasis and the putatively liberatory, anti-capitalist discourse of indigeneity in order to justify continued oppression of Dalits—particularly those such as the Pana. Because the Pana lost their legal protection as recognized minorities (Scheduled Caste) upon conversion to Christianity, they struggle for recognition within the Indian state’s classificatory scheme. Within the framework of recognition, Hota shows, indigeneity works as a political technology that reproduces the political, economic, and cultural exclusion of landless marginalized groups such as Dalits. The Violence of Recognition reveals the violent implications of minority recognition in creating and maintaining hierarchies of racial capitalism.
Yash Sharma is a PhD student in Political Science at the School of Public and International Affairs, University of Cincinnati. His research is focused on the interactions of political mobilization and anti-minority violence within Hindu nationalist organizations in India. Twitter. Email: sharmaym@mail.uc.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781512824858"><em>The Violence of Recognition: Adivasi Indigeneity and Anti-Dalitness in India</em></a><em> </em>(U Pennsylvania Press, 2023) offers an unprecedented firsthand account of the operations of Hindu nationalists and their role in sparking the largest incident of anti-Christian violence in India’s history. Through vivid ethnographic storytelling, Pinky Hota explores the roots of ethnonationalist conflict between two historically marginalized groups—the Kandha, who are Adivasi (tribal people considered indigenous in India), and the Pana, a community of Christian Dalits (previously referred to as “untouchables”). Hota documents how Hindutva mobilization led to large-scale violence, culminating in attacks against many thousands of Pana Dalits in the district of Kandhamal in 2008.</p><p>Bringing indigenous studies as well as race and ethnic studies into conversation with Dalit studies, Hota shows that, despite attempts to frame these ethnonationalist tensions as an indigenous population’s resistance against disenfranchisement, Kandha hostility against the Pana must be understood as anti-Christian, anti-Dalit violence animated by racial capitalism. Hota’s analysis of caste in relation to race and religion details how Hindu nationalists exploit the singular and exclusionary legal recognition of Adivasis and the putatively liberatory, anti-capitalist discourse of indigeneity in order to justify continued oppression of Dalits—particularly those such as the Pana. Because the Pana lost their legal protection as recognized minorities (Scheduled Caste) upon conversion to Christianity, they struggle for recognition within the Indian state’s classificatory scheme. Within the framework of recognition, Hota shows, indigeneity works as a political technology that reproduces the political, economic, and cultural exclusion of landless marginalized groups such as Dalits. The Violence of Recognition reveals the violent implications of minority recognition in creating and maintaining hierarchies of racial capitalism.</p><p><em>Yash Sharma is a PhD student in Political Science at the School of Public and International Affairs, University of Cincinnati. His research is focused on the interactions of political mobilization and anti-minority violence within Hindu nationalist organizations in India. </em><a href="https://twitter.com/YASHsh"><em>Twitter</em></a><em>. Email: </em><a href="mailto:sharmaym@mail.uc.edu"><em>sharmaym@mail.uc.edu</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3109</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af8dd7d4-2f23-11ef-9a62-2b12dcc784af]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8198846210.mp3?updated=1718902130" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adrian Johnston, "Infinite Greed: The Inhuman Selfishness of Capital" (Columbia UP, 2024)</title>
      <description>Marxism and psychoanalysis have a rich and complicated relationship to one another, with countless figures and books written on the possible intersection of the two. Our guest today, Adrian Johnston, returns to NBN to discuss his own latest entry into the genre, Infinite Greed: The Inhuman Selfishness of Capital (Columbia UP, 2024). While the book does retread some already-covered territory, Johnston’s book stands out as a unique entry in a crowded field by emphasizing the theoretical overlap of psychoanalytic concepts with the economic core of Marx’s thinking. Libidinal economics are turned into, well, economics and vice-versa in this detailed and rigorously written study that deserves to become one of the canonical texts in the Freudo-Marxist tradition.
Adrian Johnston is Distinguished Professor of Philosophy at the University of New Mexico and a faculty member of the Emory Psychoanalytic Institute. He is the author of numerous books, including three previously discussed on this podcast; A New German Idealism: Hegel, Zizek and Dialectical Materialism, and Prolegomena to Any Future Materialism volumes one and two. He is also the coeditor, with Slavoj Zizek and Todd McGowan of the book series Diaeresis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 22 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>466</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrian Johnston</itunes:subtitle>
      <itunes:summary>Marxism and psychoanalysis have a rich and complicated relationship to one another, with countless figures and books written on the possible intersection of the two. Our guest today, Adrian Johnston, returns to NBN to discuss his own latest entry into the genre, Infinite Greed: The Inhuman Selfishness of Capital (Columbia UP, 2024). While the book does retread some already-covered territory, Johnston’s book stands out as a unique entry in a crowded field by emphasizing the theoretical overlap of psychoanalytic concepts with the economic core of Marx’s thinking. Libidinal economics are turned into, well, economics and vice-versa in this detailed and rigorously written study that deserves to become one of the canonical texts in the Freudo-Marxist tradition.
Adrian Johnston is Distinguished Professor of Philosophy at the University of New Mexico and a faculty member of the Emory Psychoanalytic Institute. He is the author of numerous books, including three previously discussed on this podcast; A New German Idealism: Hegel, Zizek and Dialectical Materialism, and Prolegomena to Any Future Materialism volumes one and two. He is also the coeditor, with Slavoj Zizek and Todd McGowan of the book series Diaeresis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marxism and psychoanalysis have a rich and complicated relationship to one another, with countless figures and books written on the possible intersection of the two. Our guest today, Adrian Johnston, returns to NBN to discuss his own latest entry into the genre, <a href="https://bookshop.org/a/12343/9780231214735"><em>Infinite Greed: The Inhuman Selfishness of Capital</em></a> (Columbia UP, 2024). While the book does retread some already-covered territory, Johnston’s book stands out as a unique entry in a crowded field by emphasizing the theoretical overlap of psychoanalytic concepts with the economic core of Marx’s thinking. Libidinal economics are turned into, well, economics and vice-versa in this detailed and rigorously written study that deserves to become one of the canonical texts in the Freudo-Marxist tradition.</p><p>Adrian Johnston is Distinguished Professor of Philosophy at the University of New Mexico and a faculty member of the Emory Psychoanalytic Institute. He is the author of numerous books, including three previously discussed on this podcast; <a href="https://newbooksnetwork.com/adrian-johnston-a-new-german-idealism-hegel-zizek-and-dialectical-materialism-columbia-up-2018#entry:3930@1:url"><em>A New German Idealism: Hegel, Zizek and Dialectical Materialism</em></a>, and <em>Prolegomena to Any Future Materialism</em> volumes <a href="https://newbooksnetwork.com/adrian-johnston-prolegomena-to-any-future-materialism-the-outcome-of-contemporary-french-philosophy-northwestern-up-2013#entry:1919@1:url">one</a> and <a href="https://newbooksnetwork.com/adrian-johnston-prolegomena-to-any-future-materialism-volume-ii-a-weak-nature-alone-northwestern-up-2019#entry:31019@1:url">two</a>. He is also the coeditor, with Slavoj Zizek and Todd McGowan of the book series <a href="https://nupress.northwestern.edu/search-results-list/?series=diaeresis"><em>Diaeresis</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6977</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6e4b2dc0-2e48-11ef-b977-6b777587e1f4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6277863936.mp3?updated=1718809549" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Slava Greenberg, "Animated Film and Disability: Cripping Spectatorship" (Indiana UP, 2023)</title>
      <description>While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience.
In Animated Film and Disability: Cripping Spectatorship (Indiana University Press, 2023), Dr. Slava Greenberg analyses over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Dr. Greenberg explores physical and sensory accessibility in theatres and suggests new ways to accommodate cinematic screenings.
Offering an introduction to disability studies and crip theory for film, media, and animation scholars, Animated Film and Disability demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Slava Greenberg</itunes:subtitle>
      <itunes:summary>While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience.
In Animated Film and Disability: Cripping Spectatorship (Indiana University Press, 2023), Dr. Slava Greenberg analyses over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Dr. Greenberg explores physical and sensory accessibility in theatres and suggests new ways to accommodate cinematic screenings.
Offering an introduction to disability studies and crip theory for film, media, and animation scholars, Animated Film and Disability demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience.</p><p>In <a href="https://iupress.org/9780253064509/animated-film-and-disability/"><em>Animated Film and Disability: Cripping Spectatorship</em></a> (Indiana University Press, 2023), Dr. Slava Greenberg analyses over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Dr. Greenberg explores physical and sensory accessibility in theatres and suggests new ways to accommodate cinematic screenings.</p><p>Offering an introduction to disability studies and crip theory for film, media, and animation scholars, <em>Animated Film and Disability</em> demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3603</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[36150c86-2ceb-11ef-8a19-c3780941fff7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4607453523.mp3?updated=1718657888" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer S. Clark, "Producing Feminism: Television Work in the Age of Women's Liberation" (U California Press, 2024)</title>
      <description>How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>465</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer S. Clark</itunes:subtitle>
      <itunes:summary>How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How have women resisted sexism in TV? In <a href="https://bookshop.org/a/12343/9780520399297"><em>Producing Feminism: Television Work in the Age of Women’s Liberation</em></a> (U California Press, 2024), <a href="https://www.fordham.edu/academics/departments/communication-and-media-studies/about-us/faculty-and-staff/jennifer-s-clark/">Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University</a>, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access <a href="https://luminosoa.org/site/books/m/10.1525/luminos.180/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2894</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3abe60e-2d7d-11ef-acfd-033bce97391e]]></guid>
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    </item>
    <item>
      <title>Johanna Oksala, "Feminism, Capitalism, and Ecology" (Northwestern UP, 2023)</title>
      <description>Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together? 
In Feminism, Capitalism, and Ecology (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>345</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Johanna Oksala</itunes:subtitle>
      <itunes:summary>Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together? 
In Feminism, Capitalism, and Ecology (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can capitalism be made ecologically sustainable? Can it be good for women? What theoretical approaches help us to grapple with these questions in ways that offer us strategies for how to proceed? Have we already become lost in some sort of gender essentialism to ask these questions together? </p><p>In <a href="https://bookshop.org/a/12343/9780810146105"><em>Feminism, Capitalism, and Ecology</em></a> (Northwestern University Press, 2023), Johanna Oksala brings the resources of ecofeminism and Marxist feminism to these questions, arguing that capitalism cannot be made sustainable, nor can it do without the expropriation of bodies that produce new laborers and consumers. By attending to the rise of biocapitalism, Oksala further develops analytic resources for diagnosing the fundamental problems of an economic system predicated on profit, consumer choice, and endless growth. She also gives us theoretical tools for discerning strategies that will help us create a world beyond capitalism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[284d64ec-2a73-11ef-9fdc-d375b9904951]]></guid>
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    </item>
    <item>
      <title>Critical Muslim Studies: Post Orientalism</title>
      <description>An interview with Prof. Salman Sayyid on post-orientalism, what it means and its place in Critical Muslim Studies. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c7f53c26-2691-11ef-8a5c-ef3c0f0bca5f/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An interview with Prof. Salman Sayyid on post-orientalism, what it means and its place in Critical Muslim Studies. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An interview with Prof. Salman Sayyid on post-orientalism, what it means and its place in Critical Muslim Studies. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>868</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db0b754a-6f8b-459b-1e9a-d1cf4ca84ee2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1341107172.mp3?updated=1717959274" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aziz Rana, "The Constitutional Bind: How Americans Came to Idolize a Document That Fails Them" (U Chicago Press, 2024)</title>
      <description>In a pathbreaking retelling of the American experience, Aziz Rana shows that today’s reverential constitutional culture is a distinctively twentieth-century phenomenon. Rana connects this widespread idolization to another relatively recent development: the rise of US global dominance. Ultimately, such veneration has had far-reaching consequences: despite offering a unifying language of reform, it has also unleashed an interventionist national security state abroad while undermining the possibility of deeper change at home.
Revealing how the current constitutional order was forged over the twentieth century, The Constitutional Bind: How Americans Came to Idolize a Document That Fails Them (U Chicago Press, 2024) also sheds light on an array of movement activists—in Black, Indigenous, feminist, labor, and immigrant politics—who struggled to imagine different constitutional horizons. As time passed, these voices of opposition were excised from memory. Today, they offer essential insights that Rana reconstructs to forward an ambitious and comprehensive vision for moving past the constitutional bind.
Aziz Rana is a Professor and Provost’s Distinguished Fellow at Boston College Law School and the incoming J. Donald Monan, S.J., University Professor of Law and Government (beginning 2024).
Vatsal Naresh is a Lecturer in Social Studies at Harvard University. He is the editor of Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>214</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aziz Rana</itunes:subtitle>
      <itunes:summary>In a pathbreaking retelling of the American experience, Aziz Rana shows that today’s reverential constitutional culture is a distinctively twentieth-century phenomenon. Rana connects this widespread idolization to another relatively recent development: the rise of US global dominance. Ultimately, such veneration has had far-reaching consequences: despite offering a unifying language of reform, it has also unleashed an interventionist national security state abroad while undermining the possibility of deeper change at home.
Revealing how the current constitutional order was forged over the twentieth century, The Constitutional Bind: How Americans Came to Idolize a Document That Fails Them (U Chicago Press, 2024) also sheds light on an array of movement activists—in Black, Indigenous, feminist, labor, and immigrant politics—who struggled to imagine different constitutional horizons. As time passed, these voices of opposition were excised from memory. Today, they offer essential insights that Rana reconstructs to forward an ambitious and comprehensive vision for moving past the constitutional bind.
Aziz Rana is a Professor and Provost’s Distinguished Fellow at Boston College Law School and the incoming J. Donald Monan, S.J., University Professor of Law and Government (beginning 2024).
Vatsal Naresh is a Lecturer in Social Studies at Harvard University. He is the editor of Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a pathbreaking retelling of the American experience, Aziz Rana shows that today’s reverential constitutional culture is a distinctively twentieth-century phenomenon. Rana connects this widespread idolization to another relatively recent development: the rise of US global dominance. Ultimately, such veneration has had far-reaching consequences: despite offering a unifying language of reform, it has also unleashed an interventionist national security state abroad while undermining the possibility of deeper change at home.</p><p>Revealing how the current constitutional order was forged over the twentieth century, <a href="https://bookshop.org/a/12343/9780226350721"><em>The Constitutional Bind: How Americans Came to Idolize a Document That Fails Them</em></a><em> </em>(U Chicago Press, 2024) also sheds light on an array of movement activists—in Black, Indigenous, feminist, labor, and immigrant politics—who struggled to imagine different constitutional horizons. As time passed, these voices of opposition were excised from memory. Today, they offer essential insights that Rana reconstructs to forward an ambitious and comprehensive vision for moving past the constitutional bind.</p><p>Aziz Rana is a Professor and Provost’s Distinguished Fellow at Boston College Law School and the incoming J. Donald Monan, S.J., University Professor of Law and Government (beginning 2024).</p><p><a href="https://vatsalnaresh.com/"><em>Vatsal Naresh</em></a><em> is a Lecturer in Social Studies at Harvard University. He is the editor of Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4570</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bcca6f2e-2bff-11ef-84e9-8b86afef6bba]]></guid>
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    </item>
    <item>
      <title>Kira Huju, "Cosmopolitan Elites: Indian Diplomats and the Social Hierarchies of Global Order" (Oxford UP, 2023)</title>
      <description>Cosmopolitan Elites: Indian Diplomats and the Social Hierarchies of Global Order (Oxford University Press, 2023) by Dr. Kira Huju narrates the birth, everyday life, and fracturing of a Western-dominated global order from its margins. It offers a critical sociological examination of the elite Indian Foreign Service and its members, many of whom were present at the founding of this order. Dr. Huju explores how these diplomats set out to remake the service in the name of a radically anti-colonial global subaltern, but often ended up seeking status within its hierarchies through social mimicry of its most powerful actors. This is a book about the struggles of belonging: it revisits what it takes to be a recognized member of international society and asks what the experience of historically marginalised actors inside the diplomatic club can tell us about the evident woes of global order today. In interrogating how Indian diplomats learned to live under a Westernised world order, it also offers a sociologically grounded reading of what might happen in spaces like India as the world transitions past Western domination.
An awkward balancing act animates the order-making of India's cosmopolitan diplomats: despite a genuine desire to strive toward a postcolonial world founded on diversity, difference, and the symbolic representation of a global subaltern, there is a strong sense of a lingering caricature-like notion of a white, European-dominated homogenous club, to which Indian diplomats feel a deep-rooted and colonially embedded desire to belong. Cosmopolitanism operates inside this balancing act not as an international ethic upholding an equal, tolerant, or liberal global order, but rather as an elite aesthetic which presumes cultural compliance, diplomatic accommodation, and social assimilation into Western mores.
Based on 85 interviews with Indian diplomats, politicians, and foreign policy experts, as well as archival work in New Delhi, the book asks what the experience of historically marginalised actors inside the diplomatic club tells us about the social hierarchies of race, class, religion, gender, and caste under global order.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>230</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kira Huju</itunes:subtitle>
      <itunes:summary>Cosmopolitan Elites: Indian Diplomats and the Social Hierarchies of Global Order (Oxford University Press, 2023) by Dr. Kira Huju narrates the birth, everyday life, and fracturing of a Western-dominated global order from its margins. It offers a critical sociological examination of the elite Indian Foreign Service and its members, many of whom were present at the founding of this order. Dr. Huju explores how these diplomats set out to remake the service in the name of a radically anti-colonial global subaltern, but often ended up seeking status within its hierarchies through social mimicry of its most powerful actors. This is a book about the struggles of belonging: it revisits what it takes to be a recognized member of international society and asks what the experience of historically marginalised actors inside the diplomatic club can tell us about the evident woes of global order today. In interrogating how Indian diplomats learned to live under a Westernised world order, it also offers a sociologically grounded reading of what might happen in spaces like India as the world transitions past Western domination.
An awkward balancing act animates the order-making of India's cosmopolitan diplomats: despite a genuine desire to strive toward a postcolonial world founded on diversity, difference, and the symbolic representation of a global subaltern, there is a strong sense of a lingering caricature-like notion of a white, European-dominated homogenous club, to which Indian diplomats feel a deep-rooted and colonially embedded desire to belong. Cosmopolitanism operates inside this balancing act not as an international ethic upholding an equal, tolerant, or liberal global order, but rather as an elite aesthetic which presumes cultural compliance, diplomatic accommodation, and social assimilation into Western mores.
Based on 85 interviews with Indian diplomats, politicians, and foreign policy experts, as well as archival work in New Delhi, the book asks what the experience of historically marginalised actors inside the diplomatic club tells us about the social hierarchies of race, class, religion, gender, and caste under global order.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780198874928"><em>Cosmopolitan Elites: Indian Diplomats and the Social Hierarchies of Global Order</em></a> (Oxford University Press, 2023) by Dr. Kira Huju narrates the birth, everyday life, and fracturing of a Western-dominated global order from its margins. It offers a critical sociological examination of the elite Indian Foreign Service and its members, many of whom were present at the founding of this order. Dr. Huju explores how these diplomats set out to remake the service in the name of a radically anti-colonial global subaltern, but often ended up seeking status within its hierarchies through social mimicry of its most powerful actors. This is a book about the struggles of belonging: it revisits what it takes to be a recognized member of international society and asks what the experience of historically marginalised actors inside the diplomatic club can tell us about the evident woes of global order today. In interrogating how Indian diplomats learned to live under a Westernised world order, it also offers a sociologically grounded reading of what might happen in spaces like India as the world transitions past Western domination.</p><p>An awkward balancing act animates the order-making of India's cosmopolitan diplomats: despite a genuine desire to strive toward a postcolonial world founded on diversity, difference, and the symbolic representation of a global subaltern, there is a strong sense of a lingering caricature-like notion of a white, European-dominated homogenous club, to which Indian diplomats feel a deep-rooted and colonially embedded desire to belong. Cosmopolitanism operates inside this balancing act not as an international ethic upholding an equal, tolerant, or liberal global order, but rather as an elite aesthetic which presumes cultural compliance, diplomatic accommodation, and social assimilation into Western mores.</p><p>Based on 85 interviews with Indian diplomats, politicians, and foreign policy experts, as well as archival work in New Delhi, the book asks what the experience of historically marginalised actors inside the diplomatic club tells us about the social hierarchies of race, class, religion, gender, and caste under global order.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4087</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eb8f0b98-2a8e-11ef-99e8-5bdf86681547]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7949355144.mp3?updated=1718398624" length="0" type="audio/mpeg"/>
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    <item>
      <title>Hannah Forsyth, "Virtue Capitalists: The Rise and Fall of the Professional Class in the Anglophone World, 1870–2008" (Cambridge UP, 2023)</title>
      <description>Virtue Capitalists: The Rise and Fall of the Professional Class in the Anglophone World, 1870–2008 (Cambridge UP, 2023) explores the rise of the professional middle class across the Anglophone world from c. 1870 to 2008. With a focus on British settler colonies - Canada, Australia, New Zealand and the United States - Hannah Forsyth argues that the British middle class structured old forms of virtue into rapidly expanding white-collar professional work, needed to drive both economic and civilizational expansion across their settler colonies. They invested that virtue to produce social and economic profit. This virtue became embedded in the networked Anglophone economy so that, by the mid twentieth century, the professional class ruled the world in alliance with managers whose resources enabled the implementation of virtuous strategies. Since morality and capital had become materially entangled, the 1970s economic crisis also presented a moral crisis for all professions, beginning a process whereby the interests of expert and managerial workers separated and began to actively compete.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 16 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1448</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hannah Forsyth</itunes:subtitle>
      <itunes:summary>Virtue Capitalists: The Rise and Fall of the Professional Class in the Anglophone World, 1870–2008 (Cambridge UP, 2023) explores the rise of the professional middle class across the Anglophone world from c. 1870 to 2008. With a focus on British settler colonies - Canada, Australia, New Zealand and the United States - Hannah Forsyth argues that the British middle class structured old forms of virtue into rapidly expanding white-collar professional work, needed to drive both economic and civilizational expansion across their settler colonies. They invested that virtue to produce social and economic profit. This virtue became embedded in the networked Anglophone economy so that, by the mid twentieth century, the professional class ruled the world in alliance with managers whose resources enabled the implementation of virtuous strategies. Since morality and capital had become materially entangled, the 1970s economic crisis also presented a moral crisis for all professions, beginning a process whereby the interests of expert and managerial workers separated and began to actively compete.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781009206488"><em>Virtue Capitalists: The Rise and Fall of the Professional Class in the Anglophone World, 1870–2008</em></a><em> </em>(Cambridge UP, 2023) explores the rise of the professional middle class across the Anglophone world from c. 1870 to 2008. With a focus on British settler colonies - Canada, Australia, New Zealand and the United States - Hannah Forsyth argues that the British middle class structured old forms of virtue into rapidly expanding white-collar professional work, needed to drive both economic and civilizational expansion across their settler colonies. They invested that virtue to produce social and economic profit. This virtue became embedded in the networked Anglophone economy so that, by the mid twentieth century, the professional class ruled the world in alliance with managers whose resources enabled the implementation of virtuous strategies. Since morality and capital had become materially entangled, the 1970s economic crisis also presented a moral crisis for all professions, beginning a process whereby the interests of expert and managerial workers separated and began to actively compete.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2682</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1355655900.mp3?updated=1718306849" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Scott Souleles et al., "People before Markets: An Alternative Casebook" (Cambridge UP, 2022)</title>
      <description>People before Markets:: An Alternative Casebook (Cambridge UP, 2022) presents twenty comparative case studies of important global questions, such as 'Where should our food come from?' 'What should we do about climate change?' and 'Where should innovation come from?' A variety of solutions are proposed and compared, including market-based, economic, and neoliberal approaches, as well as those determined by humane values and ethical and socially responsible perspectives. Drawing on original research, its chapters show that more responsible solutions are very often both more effective and better aligned with human values. Providing an important counterpoint to the standard capitalist thinking propounded in business school education, People Before Markets reveals the problematic assumptions of incumbent frameworks for solving global problems and inspires the next generation of business and social science students to pursue more effective and human-centered solutions.
Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor, and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. Robin can be reached at rsteiner@fiu.edu. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 16 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>309</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Scott Souleles, Johan Gersel, and Morten Sørensen Thaning</itunes:subtitle>
      <itunes:summary>People before Markets:: An Alternative Casebook (Cambridge UP, 2022) presents twenty comparative case studies of important global questions, such as 'Where should our food come from?' 'What should we do about climate change?' and 'Where should innovation come from?' A variety of solutions are proposed and compared, including market-based, economic, and neoliberal approaches, as well as those determined by humane values and ethical and socially responsible perspectives. Drawing on original research, its chapters show that more responsible solutions are very often both more effective and better aligned with human values. Providing an important counterpoint to the standard capitalist thinking propounded in business school education, People Before Markets reveals the problematic assumptions of incumbent frameworks for solving global problems and inspires the next generation of business and social science students to pursue more effective and human-centered solutions.
Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor, and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. Robin can be reached at rsteiner@fiu.edu. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781009165853"><em>People before Markets:: An Alternative Casebook</em></a><em> </em>(Cambridge UP, 2022) presents twenty comparative case studies of important global questions, such as 'Where should our food come from?' 'What should we do about climate change?' and 'Where should innovation come from?' A variety of solutions are proposed and compared, including market-based, economic, and neoliberal approaches, as well as those determined by humane values and ethical and socially responsible perspectives. Drawing on original research, its chapters show that more responsible solutions are very often both more effective and better aligned with human values. Providing an important counterpoint to the standard capitalist thinking propounded in business school education, People Before Markets reveals the problematic assumptions of incumbent frameworks for solving global problems and inspires the next generation of business and social science students to pursue more effective and human-centered solutions.</p><p><em>Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor, and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. Robin can be reached at rsteiner@fiu.edu. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d059bade-2a58-11ef-afd1-975c5f67b7f2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8849702746.mp3?updated=1718376537" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael V. Singh, "Good Boys, Bad Hombres: The Racial Politics of Mentoring Latino Boys in Schools" (U Minnesota Press, 2024)</title>
      <description>The unintended consequences of youth empowerment programs for Latino boys Educational research has long documented the politics of punishment for boys and young men of color in schools—but what about the politics of empowerment and inclusion? In Good Boys, Bad Hombres: The Racial Politics of Mentoring Latino Boys in Schools (U Minnesota Press, 2024), Michael V. Singh focuses on this aspect of youth control in schools, asking on whose terms a positive Latino manhood gets to be envisioned. Based on two years of ethnographic research in an urban school district in California, Good Boys, Bad Hombres examines Latino Male Success, a school-based mentorship program for Latino boys. Instead of attempting to shape these boys’ lives through the threat of punishment, the program aims to provide an “invitation to a respectable and productive masculinity” framed as being rooted in traditional Latinx signifiers of manhood. 
Singh argues, however, that the promotion of this aspirational form of Latino masculinity is rooted in neoliberal multiculturalism, heteropatriarchy, and anti-Blackness, and that even such empowerment programs can unintentionally reproduce attitudes that paint Latino boys as problematic and in need of control and containment. An insightful gender analysis, Good Boys, Bad Hombres sheds light on how mentorship is a reaction to the alleged crisis of Latino boys and is governed by the perceived remedies of the neoliberal state. Documenting the ways Latino men and boys resist the politics of neoliberal empowerment for new visions of justice, Singh works to deconstruct male empowerment, arguing that new narratives and practices—beyond patriarchal redemption—are necessary for a reimagining of Latino manhood in schools and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 16 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>232</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael V. Singh</itunes:subtitle>
      <itunes:summary>The unintended consequences of youth empowerment programs for Latino boys Educational research has long documented the politics of punishment for boys and young men of color in schools—but what about the politics of empowerment and inclusion? In Good Boys, Bad Hombres: The Racial Politics of Mentoring Latino Boys in Schools (U Minnesota Press, 2024), Michael V. Singh focuses on this aspect of youth control in schools, asking on whose terms a positive Latino manhood gets to be envisioned. Based on two years of ethnographic research in an urban school district in California, Good Boys, Bad Hombres examines Latino Male Success, a school-based mentorship program for Latino boys. Instead of attempting to shape these boys’ lives through the threat of punishment, the program aims to provide an “invitation to a respectable and productive masculinity” framed as being rooted in traditional Latinx signifiers of manhood. 
Singh argues, however, that the promotion of this aspirational form of Latino masculinity is rooted in neoliberal multiculturalism, heteropatriarchy, and anti-Blackness, and that even such empowerment programs can unintentionally reproduce attitudes that paint Latino boys as problematic and in need of control and containment. An insightful gender analysis, Good Boys, Bad Hombres sheds light on how mentorship is a reaction to the alleged crisis of Latino boys and is governed by the perceived remedies of the neoliberal state. Documenting the ways Latino men and boys resist the politics of neoliberal empowerment for new visions of justice, Singh works to deconstruct male empowerment, arguing that new narratives and practices—beyond patriarchal redemption—are necessary for a reimagining of Latino manhood in schools and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The unintended consequences of youth empowerment programs for Latino boys Educational research has long documented the politics of punishment for boys and young men of color in schools—but what about the politics of empowerment and inclusion? In <a href="https://bookshop.org/a/12343/9781517912987"><em>Good Boys, Bad Hombres: The Racial Politics of Mentoring Latino Boys in Schools</em></a> (U Minnesota Press, 2024), Michael V. Singh focuses on this aspect of youth control in schools, asking on whose terms a positive Latino manhood gets to be envisioned. Based on two years of ethnographic research in an urban school district in California, <em>Good Boys, Bad Hombres</em> examines Latino Male Success, a school-based mentorship program for Latino boys. Instead of attempting to shape these boys’ lives through the threat of punishment, the program aims to provide an “invitation to a respectable and productive masculinity” framed as being rooted in traditional Latinx signifiers of manhood. </p><p>Singh argues, however, that the promotion of this aspirational form of Latino masculinity is rooted in neoliberal multiculturalism, heteropatriarchy, and anti-Blackness, and that even such empowerment programs can unintentionally reproduce attitudes that paint Latino boys as problematic and in need of control and containment. An insightful gender analysis, <em>Good Boys, Bad Hombres </em>sheds light on how mentorship is a reaction to the alleged crisis of Latino boys and is governed by the perceived remedies of the neoliberal state. Documenting the ways Latino men and boys resist the politics of neoliberal empowerment for new visions of justice, Singh works to deconstruct male empowerment, arguing that new narratives and practices—beyond patriarchal redemption—are necessary for a reimagining of Latino manhood in schools and beyond.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1806</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lauren Lassabe Shepherd, "Resistance from the Right: Conservatives and the Campus Wars in Modern America" (UNC Press, 2023)</title>
      <description>Pivoting from studies that emphasize the dominance of progressivism on American college campuses during the late sixties and early seventies, Lauren Lassabe Shepherd positions conservative critiques of, and agendas in, American colleges and universities as an essential dimension of a broader conversation of conservative backlash against liberal education.
This book explores the story of how stakeholders in American higher education organized and reacted to challenges to their power from the New Left and Black Power student resistance movements of the late 1960s. By examining the range of conservative student organizations and coalition building, Shepherd shows how wealthy donors and conservative intellectuals trained future GOP leaders such as Karl Rove, Bill Barr, Jeff Sessions, Pat Buchanan, and others in conservative politics, providing them with tactics to consciously drive American politics and culture further to the authoritarian right and to "reclaim" American higher education.
Lauren Lassabe Shepherd is instructor of higher education at the University of New Orleans.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 15 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lauren Lassabe Shepherd</itunes:subtitle>
      <itunes:summary>Pivoting from studies that emphasize the dominance of progressivism on American college campuses during the late sixties and early seventies, Lauren Lassabe Shepherd positions conservative critiques of, and agendas in, American colleges and universities as an essential dimension of a broader conversation of conservative backlash against liberal education.
This book explores the story of how stakeholders in American higher education organized and reacted to challenges to their power from the New Left and Black Power student resistance movements of the late 1960s. By examining the range of conservative student organizations and coalition building, Shepherd shows how wealthy donors and conservative intellectuals trained future GOP leaders such as Karl Rove, Bill Barr, Jeff Sessions, Pat Buchanan, and others in conservative politics, providing them with tactics to consciously drive American politics and culture further to the authoritarian right and to "reclaim" American higher education.
Lauren Lassabe Shepherd is instructor of higher education at the University of New Orleans.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pivoting from studies that emphasize the dominance of progressivism on American college campuses during the late sixties and early seventies, Lauren Lassabe Shepherd positions conservative critiques of, and agendas in, American colleges and universities as an essential dimension of a broader conversation of conservative backlash against liberal education.</p><p>This book explores the story of how stakeholders in American higher education organized and reacted to challenges to their power from the New Left and Black Power student resistance movements of the late 1960s. By examining the range of conservative student organizations and coalition building, Shepherd shows how wealthy donors and conservative intellectuals trained future GOP leaders such as Karl Rove, Bill Barr, Jeff Sessions, Pat Buchanan, and others in conservative politics, providing them with tactics to consciously drive American politics and culture further to the authoritarian right and to "reclaim" American higher education.</p><p>Lauren Lassabe Shepherd is instructor of higher education at the University of New Orleans.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3064</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5041dc0a-28f5-11ef-94e7-9b0831704862]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6987202947.mp3?updated=1718224629" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica Calarco, "Holding It Together: How Women Became America's Safety Net" (Portfolio, 2024)</title>
      <description>How do unequal societies function? In Holding It Together: How Women Became America's Safety Net (Portfolio, 2024), Jesscia Calarco, an Associate Professor of Sociology at the University of Wisconsin-Madison, examines how America’s DIY society depends on the labour of mothers and excludes the sorts of social supports present in other countries. This dependence has hugely negative social and individual consequences, as demonstrated by the rich qualitiative and quantitative data examined in the book. Alongside the analysis of the problems and consequences of women’s role in the US, the book also thinks through solutions, demonstrating how much political discourse is far from the collective action that is likely to be effective for social change. An outstanding contribution to social science and contemporary politics, the book is essential reading for anyone interested in contemporary social inequalities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 15 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>464</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessica Calarco</itunes:subtitle>
      <itunes:summary>How do unequal societies function? In Holding It Together: How Women Became America's Safety Net (Portfolio, 2024), Jesscia Calarco, an Associate Professor of Sociology at the University of Wisconsin-Madison, examines how America’s DIY society depends on the labour of mothers and excludes the sorts of social supports present in other countries. This dependence has hugely negative social and individual consequences, as demonstrated by the rich qualitiative and quantitative data examined in the book. Alongside the analysis of the problems and consequences of women’s role in the US, the book also thinks through solutions, demonstrating how much political discourse is far from the collective action that is likely to be effective for social change. An outstanding contribution to social science and contemporary politics, the book is essential reading for anyone interested in contemporary social inequalities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do unequal societies function? In <a href="https://bookshop.org/a/12343/9780593538128"><em>Holding It Together: How Women Became America's Safety Net</em></a><em> </em>(Portfolio, 2024), <a href="https://x.com/jessicacalarco">Jesscia Calarco</a>, an <a href="http://www.jessicacalarco.com/">Associate Professor of Sociology</a> at the <a href="https://sociology.wisc.edu/staff/calarco-jessica/">University of Wisconsin-Madison,</a> examines how America’s DIY society depends on the labour of mothers and excludes the sorts of social supports present in other countries. This dependence has hugely negative social and individual consequences, as demonstrated by the rich qualitiative and quantitative data examined in the book. Alongside the analysis of the problems and consequences of women’s role in the US, the book also thinks through solutions, demonstrating how much political discourse is far from the collective action that is likely to be effective for social change. An outstanding contribution to social science and contemporary politics, the book is essential reading for anyone interested in contemporary social inequalities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f32041be-28fa-11ef-a284-ebab56121a77]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2754137284.mp3?updated=1718225560" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lydia Walker, "States-in-Waiting: A Counter Narrative of Global Decolonization" (Cambridge UP, 2024)</title>
      <description>Dr. Lydia Walker's deeply researched and carefully narrated debut monograph, States-in-Waiting: A Counter Narrative of Global Decolonization (Cambridge University Press, 2024) traces “the un-endings of decolonization” – the messy and improvised ways in which the 20th-century state-centric international order replaced empire as the default mode of political organization. States-in-Waiting zooms in on the postwar Naga national liberation movement which failed to achieve independence from India at a time when dozens of European colonial possessions secured statehood. The work illuminates the complicated issue of self-determination for minority peoples within new postcolonial states and highlights transcontinental networks of Asian, African, American, and European activists and insurgents who pushed against legal-political constraints of an emergent postimperial world order. Finally, the author recovers riveting “hidden dramas” of decolonization by amplifying the voices of marginalized historical actors, lost non-state archives, and understudied regions. This title is also available as Open Access on Cambridge Core.
Dr. Lydia Walker is the Assistant Professor and Myers Chair in Global Military History at the Ohio State University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lydia Walker</itunes:subtitle>
      <itunes:summary>Dr. Lydia Walker's deeply researched and carefully narrated debut monograph, States-in-Waiting: A Counter Narrative of Global Decolonization (Cambridge University Press, 2024) traces “the un-endings of decolonization” – the messy and improvised ways in which the 20th-century state-centric international order replaced empire as the default mode of political organization. States-in-Waiting zooms in on the postwar Naga national liberation movement which failed to achieve independence from India at a time when dozens of European colonial possessions secured statehood. The work illuminates the complicated issue of self-determination for minority peoples within new postcolonial states and highlights transcontinental networks of Asian, African, American, and European activists and insurgents who pushed against legal-political constraints of an emergent postimperial world order. Finally, the author recovers riveting “hidden dramas” of decolonization by amplifying the voices of marginalized historical actors, lost non-state archives, and understudied regions. This title is also available as Open Access on Cambridge Core.
Dr. Lydia Walker is the Assistant Professor and Myers Chair in Global Military History at the Ohio State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Lydia Walker's deeply researched and carefully narrated debut monograph, <a href="https://bookshop.org/a/12343/9781009305822"><em>States-in-Waiting: A Counter Narrative of Global Decolonization </em></a>(Cambridge University Press, 2024) traces “the un-endings of decolonization” – the messy and improvised ways in which the 20th-century state-centric international order replaced empire as the default mode of political organization. <em>States-in-Waiting </em>zooms in on the postwar Naga national liberation movement which failed to achieve independence from India at a time when dozens of European colonial possessions secured statehood. The work illuminates the complicated issue of self-determination for minority peoples <em>within</em> new postcolonial states and highlights transcontinental networks of Asian, African, American, and European activists and insurgents who pushed against legal-political constraints of an emergent postimperial world order. Finally, the author recovers riveting “hidden dramas” of decolonization by amplifying the voices of marginalized historical actors, lost non-state archives, and understudied regions. This title is also available as <a href="https://www.cambridge.org/core/services/aop-cambridge-core/content/view/9446AB4E4355759A4500202B9C0F9C25/9781009305822AR.pdf/States-in-Waiting.pdf?event-type=FTLA">Open Access on Cambridge Core</a>.</p><p>Dr. Lydia Walker is the Assistant Professor and Myers Chair in Global Military History at the Ohio State University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2755</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6229394487.mp3?updated=1732046281" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher William England, "Land and Liberty: Henry George and the Crafting of Modern Liberalism" (Johns Hopkins UP, 2023)</title>
      <description>Henry George’s Progress and Poverty was one of the best-selling books of the 19th century, and his ideas were taken up by by powerful figures as diverse as Sun Yat-sen, Leo Tolstoy, and Theodor Herzl. Yet, in the 21st century, George is often reduced to a footnote in the history of the Gilded Age. In Land and Liberty: Henry George and the Crafting of Modern Liberalism (Johns Hopkins UP, 2023), Christopher William England uncovers the influence of Georgism in the 19th and 20th centuries, and the movement’s contributions to American liberalism. In surveying George’s devotees and their impacts at the municipal and national levels, England demonstrates that George’s ideas were pivotal in reconciling liberalism to a democratic welfare state.
In this episode, we discuss George’s land value tax, domestic and international Georgist movements, and the influence of Progress and Poverty on American and British liberalism.
Reed Schwartz (@reedschwartzsf) is an MPhil student in Intellectual History at the University of Cambridge.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher William England</itunes:subtitle>
      <itunes:summary>Henry George’s Progress and Poverty was one of the best-selling books of the 19th century, and his ideas were taken up by by powerful figures as diverse as Sun Yat-sen, Leo Tolstoy, and Theodor Herzl. Yet, in the 21st century, George is often reduced to a footnote in the history of the Gilded Age. In Land and Liberty: Henry George and the Crafting of Modern Liberalism (Johns Hopkins UP, 2023), Christopher William England uncovers the influence of Georgism in the 19th and 20th centuries, and the movement’s contributions to American liberalism. In surveying George’s devotees and their impacts at the municipal and national levels, England demonstrates that George’s ideas were pivotal in reconciling liberalism to a democratic welfare state.
In this episode, we discuss George’s land value tax, domestic and international Georgist movements, and the influence of Progress and Poverty on American and British liberalism.
Reed Schwartz (@reedschwartzsf) is an MPhil student in Intellectual History at the University of Cambridge.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Henry George’s <em>Progress and Poverty</em> was one of the best-selling books of the 19th century, and his ideas were taken up by by powerful figures as diverse as Sun Yat-sen, Leo Tolstoy, and Theodor Herzl. Yet, in the 21st century, George is often reduced to a footnote in the history of the Gilded Age. In <a href="https://bookshop.org/a/12343/9781421445403"><em>Land and Liberty: Henry George and the Crafting of Modern Liberalism</em></a> (Johns Hopkins UP, 2023)<em>, </em>Christopher William England uncovers the influence of Georgism in the 19th and 20th centuries, and the movement’s contributions to American liberalism. In surveying George’s devotees and their impacts at the municipal and national levels, England demonstrates that George’s ideas were pivotal in reconciling liberalism to a democratic welfare state.</p><p>In this episode, we discuss George’s land value tax, domestic and international Georgist movements, and the influence of <em>Progress and Poverty </em>on American and British liberalism.</p><p><em>Reed Schwartz (@reedschwartzsf) is an MPhil student in Intellectual History at the University of Cambridge.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2501</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1228995103.mp3?updated=1718200298" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nivedita Menon, "Secularism As Misdirection: Critical Thought from the Global South" (Duke UP, 2024)</title>
      <description>In this episode, we speak to Nivedita Menon about her new book, Secularism as Misdirection: Critical Thought from the Global South (Duke University Press, 2024; Permanent Black, 2023). 
Secularism as Misdirection is an ambitious and wide-ranging work, unravelling a term that is perhaps as contentious as it is ubiquitous in discourses of the Global South. Working across political theory, legal history, and religious thought, Menon reveals the dangers of secularism's false promise—likening it to a magic trick that draws "attention from where the trick is happening ... to objects that are made to appear more fascinating." 
Nivedita Menon is Professor at the Centre for Comparative Politics and Political Theory at Jawaharlal Nehru University in New Delhi. Her previous books include Recovering Subversion: Feminist Politics Beyond the Law (University of Illinois Press, 2004) and the landmark work, Seeing like a Feminist (Penguin/Zubaan, 2012). She has co-authored and edited several volumes, including Power and Contestation: India Since 1989 (2nd edition: Bloomsbury, 2013). In addition to her award-winning work as a scholar and translator, Menon is a prominent public intellectual, whose writing on issues such as academic freedom and feminist politics in India can be read at kafila.online, a vital independent blog that she helped found.

Arnav Adhikari is a doctoral candidate in English at Brown University, where he works on the aesthetics and politics of Cold War South Asia. His writing has appeared in Postcolonial Text and Global South Studies, amongst other venues.
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      <pubDate>Thu, 13 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>463</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nivedita Menon</itunes:subtitle>
      <itunes:summary>In this episode, we speak to Nivedita Menon about her new book, Secularism as Misdirection: Critical Thought from the Global South (Duke University Press, 2024; Permanent Black, 2023). 
Secularism as Misdirection is an ambitious and wide-ranging work, unravelling a term that is perhaps as contentious as it is ubiquitous in discourses of the Global South. Working across political theory, legal history, and religious thought, Menon reveals the dangers of secularism's false promise—likening it to a magic trick that draws "attention from where the trick is happening ... to objects that are made to appear more fascinating." 
Nivedita Menon is Professor at the Centre for Comparative Politics and Political Theory at Jawaharlal Nehru University in New Delhi. Her previous books include Recovering Subversion: Feminist Politics Beyond the Law (University of Illinois Press, 2004) and the landmark work, Seeing like a Feminist (Penguin/Zubaan, 2012). She has co-authored and edited several volumes, including Power and Contestation: India Since 1989 (2nd edition: Bloomsbury, 2013). In addition to her award-winning work as a scholar and translator, Menon is a prominent public intellectual, whose writing on issues such as academic freedom and feminist politics in India can be read at kafila.online, a vital independent blog that she helped found.

Arnav Adhikari is a doctoral candidate in English at Brown University, where he works on the aesthetics and politics of Cold War South Asia. His writing has appeared in Postcolonial Text and Global South Studies, amongst other venues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we speak to Nivedita Menon about her new book, <a href="https://bookshop.org/a/12343/9781478030423"><em>Secularism as Misdirection: Critical Thought from the Global South</em></a><em> (</em>Duke University Press, 2024; Permanent Black, 2023). </p><p><em>Secularism as Misdirection</em> is an ambitious and wide-ranging work, unravelling a term that is perhaps as contentious as it is ubiquitous in discourses of the Global South. Working across political theory, legal history, and religious thought, Menon reveals the dangers of secularism's false promise—likening it to a magic trick that draws "attention from where the trick is happening ... to objects that are made to appear more fascinating." </p><p><a href="https://www.jnu.ac.in/content/nivedita">Nivedita Menon</a> is Professor at the Centre for Comparative Politics and Political Theory at Jawaharlal Nehru University in New Delhi. Her previous books include <em>Recovering Subversion: Feminist Politics Beyond the Law</em> (University of Illinois Press, 2004) and the landmark work, <em>Seeing like a Feminist </em>(Penguin/Zubaan, 2012). She has co-authored and edited several volumes, including <em>Power and Contestation: India Since 1989 </em>(2nd edition: Bloomsbury, 2013). In addition to her award-winning work as a scholar and translator, Menon is a prominent public intellectual, whose writing on issues such as academic freedom and feminist politics in India can be read at <a href="https://kafila.online/">kafila.online</a>, a vital independent blog that she helped found.</p><p><br></p><p><a href="https://english.brown.edu/people/arnav-adhikari">Arnav Adhikari</a> is a doctoral candidate in English at Brown University, where he works on the aesthetics and politics of Cold War South Asia. His writing has appeared in <em>Postcolonial Text</em> and <em>Global South Studies</em>, amongst other venues.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4154</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7f31aa6e-2769-11ef-9353-27c286066ca1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5569524793.mp3?updated=1718053392" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Critical Muslim Studies: Decoloniality</title>
      <description>An interview with Salman Sayyid about decoloniality and its place in Critical Muslim Studies. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Jun 2024 20:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/058dc510-268f-11ef-93fe-07fabad834f0/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Salman Sayyid</itunes:subtitle>
      <itunes:summary>An interview with Salman Sayyid about decoloniality and its place in Critical Muslim Studies. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An interview with Salman Sayyid about decoloniality and its place in Critical Muslim Studies. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>992</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c5a69884-4188-cdec-2c07-6d35192c5f2c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9316566048.mp3?updated=1717958116" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Gómez, "Inventing Latinos: A New Story of American Racism" (The New Press, 2020)</title>
      <description>Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In Inventing Latinos: A New Story of American Racism (The New Press, 2020), Laura Gómez, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today.
Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos migrate from the places most impacted by this nation’s dirty deeds, leading Gómez to a bold call for reparations. In this audacious effort to reframe the often-confused and misrepresented discourse over the Latinx generation, Gómez provides essential context for today’s most pressing political and public debates—representation, voice, interpretation, and power—giving all of us a brilliant framework to engage cultural controversies, elections, current events, and more.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Gómez</itunes:subtitle>
      <itunes:summary>Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In Inventing Latinos: A New Story of American Racism (The New Press, 2020), Laura Gómez, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today.
Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos migrate from the places most impacted by this nation’s dirty deeds, leading Gómez to a bold call for reparations. In this audacious effort to reframe the often-confused and misrepresented discourse over the Latinx generation, Gómez provides essential context for today’s most pressing political and public debates—representation, voice, interpretation, and power—giving all of us a brilliant framework to engage cultural controversies, elections, current events, and more.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In <a href="https://www.amazon.com/dp/1595589171/?tag=newbooinhis-20"><em>Inventing Latinos: A New Story of American Racism</em></a> (The New Press, 2020), <a href="https://chavez.ucla.edu/person/laura-e-gomez/">Laura Gómez</a>, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today.</p><p>Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos migrate from the places most impacted by this nation’s dirty deeds, leading Gómez to a bold call for reparations. In this audacious effort to reframe the often-confused and misrepresented discourse over the Latinx generation, Gómez provides essential context for today’s most pressing political and public debates—representation, voice, interpretation, and power—giving all of us a brilliant framework to engage cultural controversies, elections, current events, and more.</p><p><a href="https://fhssfaculty.byu.edu/FacultyPage/djgonzo">David-James Gonzales (DJ)</a><em> is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter </em><a href="https://twitter.com/djgonzophd?lang=en"><em>@djgonzoPhD</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3804</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[413b6ee0-2681-11ef-b996-53a2aa402687]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8731488860.mp3?updated=1717952765" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Stoll, "Profit: An Environmental History" (Polity Press, 2022)</title>
      <description>Profit ― getting more out of something than you put into it ― is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed.
In Profit: An Environmental History (Polity Press, 2022), Historian Mark Stoll explains how capitalism supercharged this process and traces its many environmental consequences. The financial innovations of medieval Italy created trade networks that, with the European discovery of the Americas, made possible vast profits and sweeping cultural changes, to the detriment of millions of slaves and indigenous Americans; the industrial age united the world in trade and led to an energy revolution that changed lives everywhere. But when efficient production left society awash in goods, a new sort of capitalism, predicated on endless individual consumption, took its place.
This story of incredible ingenuity and villainy begins in the Doge’s palace in medieval Venice and ends with Jeff Bezos aboard his own spacecraft. Mark Stoll’s revolutionary account places environmental factors at the heart of capitalism’s progress and reveals the long shadow of its terrible consequences.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 09 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>462</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Stoll</itunes:subtitle>
      <itunes:summary>Profit ― getting more out of something than you put into it ― is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed.
In Profit: An Environmental History (Polity Press, 2022), Historian Mark Stoll explains how capitalism supercharged this process and traces its many environmental consequences. The financial innovations of medieval Italy created trade networks that, with the European discovery of the Americas, made possible vast profits and sweeping cultural changes, to the detriment of millions of slaves and indigenous Americans; the industrial age united the world in trade and led to an energy revolution that changed lives everywhere. But when efficient production left society awash in goods, a new sort of capitalism, predicated on endless individual consumption, took its place.
This story of incredible ingenuity and villainy begins in the Doge’s palace in medieval Venice and ends with Jeff Bezos aboard his own spacecraft. Mark Stoll’s revolutionary account places environmental factors at the heart of capitalism’s progress and reveals the long shadow of its terrible consequences.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Profit ― getting more out of something than you put into it ― is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed.</p><p>In <a href="https://bookshop.org/a/12343/9781509533244"><em>Profit: An Environmental History</em></a> (Polity Press, 2022), Historian Mark Stoll explains how capitalism supercharged this process and traces its many environmental consequences. The financial innovations of medieval Italy created trade networks that, with the European discovery of the Americas, made possible vast profits and sweeping cultural changes, to the detriment of millions of slaves and indigenous Americans; the industrial age united the world in trade and led to an energy revolution that changed lives everywhere. But when efficient production left society awash in goods, a new sort of capitalism, predicated on endless individual consumption, took its place.</p><p>This story of incredible ingenuity and villainy begins in the Doge’s palace in medieval Venice and ends with Jeff Bezos aboard his own spacecraft. Mark Stoll’s revolutionary account places environmental factors at the heart of capitalism’s progress and reveals the long shadow of its terrible consequences.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4540</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Margaret A. Hagerman, "Children of a Troubled Time: Growing Up with Racism in Trump's America" (NYU Press, 2024)</title>
      <description>Kids are at the center of today's "culture wars"--pundits, politicians, and parents alike are debating which books they should be allowed to read, which version of history they should learn in school, and what decisions they can make about their own bodies. And yet, no one asks kids what they think about these issues.
In Children of a Troubled Time: Growing Up with Racism in Trump's America (NYU Press, 2024), award-winning sociologist Margaret A. Hagerman amplifies the voices of children who grew up during Trump's presidency and explores how they learn about race in America today. Hagerman interviewed nearly fifty children between the ages of ten to thirteen in two dramatically different political landscapes: Mississippi and Massachusetts. Hagerman interviewed kids who identified as conservative and liberal in both places as well as kids from different racial groups. She discovered remarkably similar patterns in the ideas expressed by these children. Racism, she asserts, is not just a local or regional phenomenon: it is a broad American project affecting childhoods across the country.
In Hagerman's emotionally compelling interviews, children describe what it is like to come of age during years of deep political and racial divide, and how being a kid during the Trump era shaped their views on racism, democracy, and America as a whole. Children's racialized emotions are also central to this book: disgust and discomfort, fear and solidarity, dominance and apathy.
As administrators, teachers, and parents struggle to help children make sense of our racially and politically polarized nation, Hagerman offers concrete examples of the kinds of interventions necessary to help kids learn how to become members of a multi-racial democracy and to avoid the development of far-right thinking in the white youth of today. Children of a Troubled Time expands our understanding of how the rising generation grapples with the complexities of racism and raises critical questions about the future of American society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 09 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>365</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margaret A. Hagerman</itunes:subtitle>
      <itunes:summary>Kids are at the center of today's "culture wars"--pundits, politicians, and parents alike are debating which books they should be allowed to read, which version of history they should learn in school, and what decisions they can make about their own bodies. And yet, no one asks kids what they think about these issues.
In Children of a Troubled Time: Growing Up with Racism in Trump's America (NYU Press, 2024), award-winning sociologist Margaret A. Hagerman amplifies the voices of children who grew up during Trump's presidency and explores how they learn about race in America today. Hagerman interviewed nearly fifty children between the ages of ten to thirteen in two dramatically different political landscapes: Mississippi and Massachusetts. Hagerman interviewed kids who identified as conservative and liberal in both places as well as kids from different racial groups. She discovered remarkably similar patterns in the ideas expressed by these children. Racism, she asserts, is not just a local or regional phenomenon: it is a broad American project affecting childhoods across the country.
In Hagerman's emotionally compelling interviews, children describe what it is like to come of age during years of deep political and racial divide, and how being a kid during the Trump era shaped their views on racism, democracy, and America as a whole. Children's racialized emotions are also central to this book: disgust and discomfort, fear and solidarity, dominance and apathy.
As administrators, teachers, and parents struggle to help children make sense of our racially and politically polarized nation, Hagerman offers concrete examples of the kinds of interventions necessary to help kids learn how to become members of a multi-racial democracy and to avoid the development of far-right thinking in the white youth of today. Children of a Troubled Time expands our understanding of how the rising generation grapples with the complexities of racism and raises critical questions about the future of American society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kids are at the center of today's "culture wars"--pundits, politicians, and parents alike are debating which books they should be allowed to read, which version of history they should learn in school, and what decisions they can make about their own bodies. And yet, no one asks kids what they think about these issues.</p><p>In <a href="https://bookshop.org/a/12343/9781479815111"><em>Children of a Troubled Time: Growing Up with Racism in Trump's America</em></a> (NYU Press, 2024), award-winning sociologist Margaret A. Hagerman amplifies the voices of children who grew up during Trump's presidency and explores how they learn about race in America today. Hagerman interviewed nearly fifty children between the ages of ten to thirteen in two dramatically different political landscapes: Mississippi and Massachusetts. Hagerman interviewed kids who identified as conservative and liberal in both places as well as kids from different racial groups. She discovered remarkably similar patterns in the ideas expressed by these children. Racism, she asserts, is not just a local or regional phenomenon: it is a broad American project affecting childhoods across the country.</p><p>In Hagerman's emotionally compelling interviews, children describe what it is like to come of age during years of deep political and racial divide, and how being a kid during the Trump era shaped their views on racism, democracy, and America as a whole. Children's racialized emotions are also central to this book: disgust and discomfort, fear and solidarity, dominance and apathy.</p><p>As administrators, teachers, and parents struggle to help children make sense of our racially and politically polarized nation, Hagerman offers concrete examples of the kinds of interventions necessary to help kids learn how to become members of a multi-racial democracy and to avoid the development of far-right thinking in the white youth of today. <em>Children of a Troubled Time</em> expands our understanding of how the rising generation grapples with the complexities of racism and raises critical questions about the future of American society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1862</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jean Petrucelli et al., "Patriarchy and Its Discontents: Psychoanalytic Perspectives" (Routledge, 2022)</title>
      <description>Patriarchy and Its Discontents: Psychoanalytic Perspectives (Routledge, 2022) joins luminaries in contemporary psychoanalysis with pioneers of feminism to provide a timely analysis of the crushing effects of patriarchy and the role that psychoanalysis can play in moving us into a future defined by mutuality and respect.
Departing from the contemporary psychoanalytic view that the socio-political and intrapsychic are inextricably linked, contributors use psychoanalysis as a tool to demystify and even dismantle patriarchy, while also examining how our theories, practices, and institutions have been implicated in it. The issues under examination here include important and often under-theorized topics such as institutional responses to boundary violations, the search for a black-feminist psychoanalytic theory, patriarchal enactments within the trans community, the persistence of patriarchy within contemporary psychoanalysis, and the impacts of patriarchy on diverse patient populations and ways to address this clinically.
This book represents the first anthology comprised of voices from both within and outside the psychoanalytic realm, outlining a contemporary feminist psychoanalysis for both an analytic and non-analytic audience. It is invaluable for both psychoanalysts and for those in gender studies wishing to draw on psychoanalytic thinking.
About the editors:
Jean Petrucelli is a training and supervising analyst, director and co-founder of the Eating Disorders, Compulsions and Addictions Service (EDCAS), a one-year certificate program, and founder and chair of the Conference Advisory Board (CAB) at the William Alanson White Institute.
Sarah Schoen is a training and supervising analyst at the William Alanson White Institute, faculty and supervisor at the Eating Disorders, Compulsions and Addictions Program at the William Alanson White Institute, and clinical professor of Psychology at the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis.
Naomi Snider is a psychoanalyst in New York City and a graduate of the William Alanson White Institute’s Certificate Program in Psychoanalysis.
Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 08 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jean Petrucelli, Sarah Schoen, and Naomi Snider</itunes:subtitle>
      <itunes:summary>Patriarchy and Its Discontents: Psychoanalytic Perspectives (Routledge, 2022) joins luminaries in contemporary psychoanalysis with pioneers of feminism to provide a timely analysis of the crushing effects of patriarchy and the role that psychoanalysis can play in moving us into a future defined by mutuality and respect.
Departing from the contemporary psychoanalytic view that the socio-political and intrapsychic are inextricably linked, contributors use psychoanalysis as a tool to demystify and even dismantle patriarchy, while also examining how our theories, practices, and institutions have been implicated in it. The issues under examination here include important and often under-theorized topics such as institutional responses to boundary violations, the search for a black-feminist psychoanalytic theory, patriarchal enactments within the trans community, the persistence of patriarchy within contemporary psychoanalysis, and the impacts of patriarchy on diverse patient populations and ways to address this clinically.
This book represents the first anthology comprised of voices from both within and outside the psychoanalytic realm, outlining a contemporary feminist psychoanalysis for both an analytic and non-analytic audience. It is invaluable for both psychoanalysts and for those in gender studies wishing to draw on psychoanalytic thinking.
About the editors:
Jean Petrucelli is a training and supervising analyst, director and co-founder of the Eating Disorders, Compulsions and Addictions Service (EDCAS), a one-year certificate program, and founder and chair of the Conference Advisory Board (CAB) at the William Alanson White Institute.
Sarah Schoen is a training and supervising analyst at the William Alanson White Institute, faculty and supervisor at the Eating Disorders, Compulsions and Addictions Program at the William Alanson White Institute, and clinical professor of Psychology at the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis.
Naomi Snider is a psychoanalyst in New York City and a graduate of the William Alanson White Institute’s Certificate Program in Psychoanalysis.
Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032201207"><em>Patriarchy and Its Discontents: Psychoanalytic Perspectives</em></a><em> </em>(Routledge, 2022) joins luminaries in contemporary psychoanalysis with pioneers of feminism to provide a timely analysis of the crushing effects of patriarchy and the role that psychoanalysis can play in moving us into a future defined by mutuality and respect.</p><p>Departing from the contemporary psychoanalytic view that the socio-political and intrapsychic are inextricably linked, contributors use psychoanalysis as a tool to demystify and even dismantle patriarchy, while also examining how our theories, practices, and institutions have been implicated in it. The issues under examination here include important and often under-theorized topics such as institutional responses to boundary violations, the search for a black-feminist psychoanalytic theory, patriarchal enactments within the trans community, the persistence of patriarchy within contemporary psychoanalysis, and the impacts of patriarchy on diverse patient populations and ways to address this clinically.</p><p>This book represents the first anthology comprised of voices from both within and outside the psychoanalytic realm, outlining a contemporary feminist psychoanalysis for both an analytic and non-analytic audience. It is invaluable for both psychoanalysts and for those in gender studies wishing to draw on psychoanalytic thinking.</p><p>About the editors:</p><p><strong>Jean Petrucelli</strong> is a training and supervising analyst, director and co-founder of the Eating Disorders, Compulsions and Addictions Service (EDCAS), a one-year certificate program, and founder and chair of the Conference Advisory Board (CAB) at the William Alanson White Institute.</p><p><strong>Sarah Schoen </strong>is a training and supervising analyst at the William Alanson White Institute, faculty and supervisor at the Eating Disorders, Compulsions and Addictions Program at the William Alanson White Institute, and clinical professor of Psychology at the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis.</p><p><strong>Naomi Snider</strong> is a psychoanalyst in New York City and a graduate of the William Alanson White Institute’s Certificate Program in Psychoanalysis.</p><p><a href="https://helenavissing.com/"><em>Helena Vissing</em></a><em>, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California. She can be reached at </em><a href="mailto:contact@helenavissing.com"><em>contact@helenavissing.com</em></a><em>. She is the author of </em><a href="https://bookshop.org/a/12343/9781032315249"><em>Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period</em></a><em> (Routledge, 2023).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3557</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Michele Goodwin, "Policing the Womb: Invisible Women and the Criminalization of Motherhood" (Cambridge UP, 2020)</title>
      <description>Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.
Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 08 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michele Goodwin</itunes:subtitle>
      <itunes:summary>Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.
Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781107030176"><em>Policing the Womb: Invisible Women and the Criminalization of Motherhood</em> </a>(Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, <a href="https://www.michelebgoodwin.com">Michele Goodwin</a> recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.</p><p><em>Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3850</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jason Read, "The Double Shift: Spinoza and Marx on the Politics of Work" (Verso, 2024)</title>
      <description>Even as the rewards of work decline and its demands on us increase, many people double-down on their commitment to wage slavery – working harder, doing overtime, and learning to hustle. People take pride in having a strong work ethic and demonstrate their passionate commitment to optimizing their time and resources on social media platforms like LinkedIn. But why do people fight to be exploited as if it were liberation?
My guest today, Jason Read, turns to the intersection of Marx and Spinoza to examine contemporary ideologies and the modern phenomena of work. His new book, The Double Shift: Spinoza and Marx on the Politics of Work (Verso, 2024), argues for the transformation of our collective imagination and attachment to work.
Jason Read is a professor of philosophy at the University of Southern Maine. He is the author of The Production of Subjectivity, The Politics of Transindividuality, and The Micro-Politics of Capital.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 08 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>461</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason Read</itunes:subtitle>
      <itunes:summary>Even as the rewards of work decline and its demands on us increase, many people double-down on their commitment to wage slavery – working harder, doing overtime, and learning to hustle. People take pride in having a strong work ethic and demonstrate their passionate commitment to optimizing their time and resources on social media platforms like LinkedIn. But why do people fight to be exploited as if it were liberation?
My guest today, Jason Read, turns to the intersection of Marx and Spinoza to examine contemporary ideologies and the modern phenomena of work. His new book, The Double Shift: Spinoza and Marx on the Politics of Work (Verso, 2024), argues for the transformation of our collective imagination and attachment to work.
Jason Read is a professor of philosophy at the University of Southern Maine. He is the author of The Production of Subjectivity, The Politics of Transindividuality, and The Micro-Politics of Capital.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Even as the rewards of work decline and its demands on us increase, many people double-down on their commitment to wage slavery – working harder, doing overtime, and learning to hustle. People take pride in having a strong work ethic and demonstrate their passionate commitment to optimizing their time and resources on social media platforms like LinkedIn. But why do people fight to be exploited as if it were liberation?</p><p>My guest today, Jason Read, turns to the intersection of Marx and Spinoza to examine contemporary ideologies and the modern phenomena of work. His new book, <a href="https://bookshop.org/a/12343/9781839767623"><em>The Double Shift: Spinoza and Marx on the Politics of Work</em></a> (Verso, 2024), argues for the transformation of our collective imagination and attachment to work.</p><p>Jason Read is a professor of philosophy at the University of Southern Maine. He is the author of <em>The Production of Subjectivity, The Politics of Transindividuality</em>, and <em>The Micro-Politics of Capital</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Alan H. McGowan, "The Political Activism of Anthropologist Franz Boas, Citizen Scientist" (Cambridge Scholars Press, 2024)</title>
      <description>Alan McGowan delves into Franz Boas’s dual identity as both a scientist and a political activist, shedding light on how his work transcended academic boundaries to make a profound impact on society. In The Political Activism of Anthropologist Franz Boas, Citizen Scientist (Cambridge Scholars Press, 2024), McGowan provides a comprehensive overview of Boas’s career, from his groundbreaking research on cultural relativism to his advocacy for social justice and racial equality. By drawing on a wealth of primary sources and historical documents, he paints a vivid portrait of Boas as a multifaceted figure whose work was deeply intertwined with his political beliefs. Uncovering the intricate connection between his scientific endeavors and political beliefs, McGowan illuminates how Boas used his platform as an anthropologist to challenge societal norms and advocate for those on the fringes. Furthermore, the book offers valuable insights into the broader implications of Boas’s legacy. By emphasizing Boas’s commitment to antiracism, cultural relativism, and social justice, the author underscores the enduring relevance of Boas’s ideas in contemporary discussions on race, identity, and inequality. McGowan’s insightful analysis and engaging narrative style make this book a valuable resource for scholars, students, and anyone interested in the intersection of science, politics, and social change.
Alan H. McGowan is Adjunct Professor of Environmental Studies at The New School. Prior to coming to The New School, he founded and was president of the Gene Media Forum, an arm of the Newhouse School of Journalism at Syracuse University. Previously, he was for twenty years the president of the Scientists’ Institute for Public Information, a major bridge between the scientific community and the media. His research interests focus on the intersection between science and technology and social issues, including ethics, politics, and the economy.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>304</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alan H. McGowan</itunes:subtitle>
      <itunes:summary>Alan McGowan delves into Franz Boas’s dual identity as both a scientist and a political activist, shedding light on how his work transcended academic boundaries to make a profound impact on society. In The Political Activism of Anthropologist Franz Boas, Citizen Scientist (Cambridge Scholars Press, 2024), McGowan provides a comprehensive overview of Boas’s career, from his groundbreaking research on cultural relativism to his advocacy for social justice and racial equality. By drawing on a wealth of primary sources and historical documents, he paints a vivid portrait of Boas as a multifaceted figure whose work was deeply intertwined with his political beliefs. Uncovering the intricate connection between his scientific endeavors and political beliefs, McGowan illuminates how Boas used his platform as an anthropologist to challenge societal norms and advocate for those on the fringes. Furthermore, the book offers valuable insights into the broader implications of Boas’s legacy. By emphasizing Boas’s commitment to antiracism, cultural relativism, and social justice, the author underscores the enduring relevance of Boas’s ideas in contemporary discussions on race, identity, and inequality. McGowan’s insightful analysis and engaging narrative style make this book a valuable resource for scholars, students, and anyone interested in the intersection of science, politics, and social change.
Alan H. McGowan is Adjunct Professor of Environmental Studies at The New School. Prior to coming to The New School, he founded and was president of the Gene Media Forum, an arm of the Newhouse School of Journalism at Syracuse University. Previously, he was for twenty years the president of the Scientists’ Institute for Public Information, a major bridge between the scientific community and the media. His research interests focus on the intersection between science and technology and social issues, including ethics, politics, and the economy.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alan McGowan delves into Franz Boas’s dual identity as both a scientist and a political activist, shedding light on how his work transcended academic boundaries to make a profound impact on society. In <a href="https://www.cambridgescholars.com/product/978-1-5275-6685-9"><em>The Political Activism of Anthropologist Franz Boas, Citizen Scientist</em></a><em> </em>(Cambridge Scholars Press, 2024), McGowan provides a comprehensive overview of Boas’s career, from his groundbreaking research on cultural relativism to his advocacy for social justice and racial equality. By drawing on a wealth of primary sources and historical documents, he paints a vivid portrait of Boas as a multifaceted figure whose work was deeply intertwined with his political beliefs. Uncovering the intricate connection between his scientific endeavors and political beliefs, McGowan illuminates how Boas used his platform as an anthropologist to challenge societal norms and advocate for those on the fringes. Furthermore, the book offers valuable insights into the broader implications of Boas’s legacy. By emphasizing Boas’s commitment to antiracism, cultural relativism, and social justice, the author underscores the enduring relevance of Boas’s ideas in contemporary discussions on race, identity, and inequality. McGowan’s insightful analysis and engaging narrative style make this book a valuable resource for scholars, students, and anyone interested in the intersection of science, politics, and social change.</p><p>Alan H. McGowan is Adjunct Professor of Environmental Studies at The New School. Prior to coming to The New School, he founded and was president of the Gene Media Forum, an arm of the Newhouse School of Journalism at Syracuse University. Previously, he was for twenty years the president of the Scientists’ Institute for Public Information, a major bridge between the scientific community and the media. His research interests focus on the intersection between science and technology and social issues, including ethics, politics, and the economy.</p><p>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2972</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Critical Muslim Studies: Post-Postivism</title>
      <description>An interview with Prof. Salman Sayyid on one of the theoretical constructs that underpins Critical Muslim Studies: Post-Positivism. 
Interviewer: Hizer Mir.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e19710ce-226c-11ef-9c8e-3f163cb2b7a1/image/472441f8cf2c8b82f4e06bef450af5d9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Salman Sayyid</itunes:subtitle>
      <itunes:summary>An interview with Prof. Salman Sayyid on one of the theoretical constructs that underpins Critical Muslim Studies: Post-Positivism. 
Interviewer: Hizer Mir.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An interview with Prof. Salman Sayyid on one of the theoretical constructs that underpins Critical Muslim Studies: Post-Positivism. </p><p>Interviewer: Hizer Mir.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1442</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f613ad59-4559-05aa-d090-3331adc8d48d]]></guid>
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    </item>
    <item>
      <title>Amrita Ghosh, "Kashmir's Necropolis: Literary, Cultural, and Visual Texts" (Lexington Books, 2023)</title>
      <description>Amrita Ghosh's book Kashmir's Necropolis: Literary, Cultural, and Visual Texts (Lexington Books, 2023) is an interdisciplinary book that studies literary texts, film, photography, and art to understand the different forms of violence represented in the cultural productions from and on Kashmir. The author argues that selected texts present how the long conflict in the postcolonial nation-state transforms the Kashmiri body, the space, setting, the relationship between the subject and its natural world under different forms of violence. Each chapter showcases a form of representational and textual violence that emphasizes the shifts from biopolitical to necropolitical violence and also includes specific forms of violence such as epicolonialism, horrorism, and hauntings in Kashmir’s landscape. The book also delves into how the concepts of agency, resistance, and resilience in these different texts necessitate new poetics of looking at Kashmir. The conflicted space of Kashmir has always been located within the politics of representation and this book investigates a problem in taxonomy within postcolonial discourses to articulate unique forms of violence in such a conflicted space.
Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.
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      <pubDate>Tue, 04 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>305</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amrita Ghosh</itunes:subtitle>
      <itunes:summary>Amrita Ghosh's book Kashmir's Necropolis: Literary, Cultural, and Visual Texts (Lexington Books, 2023) is an interdisciplinary book that studies literary texts, film, photography, and art to understand the different forms of violence represented in the cultural productions from and on Kashmir. The author argues that selected texts present how the long conflict in the postcolonial nation-state transforms the Kashmiri body, the space, setting, the relationship between the subject and its natural world under different forms of violence. Each chapter showcases a form of representational and textual violence that emphasizes the shifts from biopolitical to necropolitical violence and also includes specific forms of violence such as epicolonialism, horrorism, and hauntings in Kashmir’s landscape. The book also delves into how the concepts of agency, resistance, and resilience in these different texts necessitate new poetics of looking at Kashmir. The conflicted space of Kashmir has always been located within the politics of representation and this book investigates a problem in taxonomy within postcolonial discourses to articulate unique forms of violence in such a conflicted space.
Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amrita Ghosh's book <a href="https://rowman.com/ISBN/9781793627964/Kashmir%E2%80%99s-Necropolis-Literary-Cultural-and-Visual-Texts"><em>Kashmir's Necropolis: Literary, Cultural, and Visual Texts</em> </a>(Lexington Books, 2023) is an interdisciplinary book that studies literary texts, film, photography, and art to understand the different forms of violence represented in the cultural productions from and on Kashmir. The author argues that selected texts present how the long conflict in the postcolonial nation-state transforms the Kashmiri body, the space, setting, the relationship between the subject and its natural world under different forms of violence. Each chapter showcases a form of representational and textual violence that emphasizes the shifts from biopolitical to necropolitical violence and also includes specific forms of violence such as epicolonialism, horrorism, and hauntings in Kashmir’s landscape. The book also delves into how the concepts of agency, resistance, and resilience in these different texts necessitate new poetics of looking at Kashmir. The conflicted space of Kashmir has always been located within the politics of representation and this book investigates a problem in taxonomy within postcolonial discourses to articulate unique forms of violence in such a conflicted space.</p><p><em>Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3143</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ronald R. Sundstrom, "Just Shelter: Gentrification, Integration, Race, and Reconstruction" (Oxford UP, 2024)</title>
      <description>It is widely acknowledged that the United States is in the grip of an enduring housing crisis. It is less frequently recognized that this crisis amounts to more than there being an insufficient supply of adequate shelter. It rather is tied to a range of other forms of social and economic vulnerability – and many of these forms of vulnerability impede a citizen’s capacity to function as a full member of society. What’s more, the familiar terms we deploy in discussing the housing crisis – gentrification, integration, segregation, and so on – stand in need of philosophical clarification.
In Just Shelter: Gentrification, Integration, Race, and Reconstruction (Oxford UP, 2024), Ronald R. Sundstrom draws upon tools derived from moral philosophy, political theory, and urban studies to provide the beginning of a comprehensive analysis of justice in “social-spatial arrangements.” He proposes a liberal-egalitarian and reconstructive, yet pragmatic, approach to addressing the challenges posed by our country’s legacy of unjust housing policies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 01 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>343</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ronald R. Sundstrom</itunes:subtitle>
      <itunes:summary>It is widely acknowledged that the United States is in the grip of an enduring housing crisis. It is less frequently recognized that this crisis amounts to more than there being an insufficient supply of adequate shelter. It rather is tied to a range of other forms of social and economic vulnerability – and many of these forms of vulnerability impede a citizen’s capacity to function as a full member of society. What’s more, the familiar terms we deploy in discussing the housing crisis – gentrification, integration, segregation, and so on – stand in need of philosophical clarification.
In Just Shelter: Gentrification, Integration, Race, and Reconstruction (Oxford UP, 2024), Ronald R. Sundstrom draws upon tools derived from moral philosophy, political theory, and urban studies to provide the beginning of a comprehensive analysis of justice in “social-spatial arrangements.” He proposes a liberal-egalitarian and reconstructive, yet pragmatic, approach to addressing the challenges posed by our country’s legacy of unjust housing policies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is widely acknowledged that the United States is in the grip of an enduring housing crisis. It is less frequently recognized that this crisis amounts to more than there being an insufficient supply of adequate shelter. It rather is tied to a range of other forms of social and economic vulnerability – and many of these forms of vulnerability impede a citizen’s capacity to function as a full member of society. What’s more, the familiar terms we deploy in discussing the housing crisis – gentrification, integration, segregation, and so on – stand in need of philosophical clarification.</p><p>In <a href="https://bookshop.org/a/12343/9780190948146"><em>Just Shelter: Gentrification, Integration, Race, and Reconstruction</em></a> (Oxford UP, 2024), <a href="https://www.usfca.edu/faculty/ronald-sundstrom">Ronald R. Sundstrom</a> draws upon tools derived from moral philosophy, political theory, and urban studies to provide the beginning of a comprehensive analysis of justice in “social-spatial arrangements.” He proposes a liberal-egalitarian and reconstructive, yet pragmatic, approach to addressing the challenges posed by our country’s legacy of unjust housing policies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4125</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e5089956-1602-11ef-93ba-4f4b40dfe1f5]]></guid>
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    </item>
    <item>
      <title>Margot Weiss, "Unsettling Queer Anthropology: Foundations, Reorientations, and Departures" (Duke UP, 2024)</title>
      <description>This field-defining volume of queer anthropology foregrounds both the brilliance of anthropological approaches to queer and trans life and the ways queer critique can reorient and transform anthropology. 
Consisting of fourteen original essays by both distinguished and new voices, Unsettling Queer Anthropology: Foundations, Reorientations, and Departures (Duke UP, 2024) advances a vision of queer anthropology grounded in decolonial, abolitionist, Black feminist, transnational, postcolonial, Indigenous, and queer of color approaches. Critically assessing both anthropology’s queer innovations and its colonialist legacies, contributors highlight decades of work in queer anthropology; challenge the boundaries of anthropology’s traditional methodologies, forms, and objects of study; and forge a critical, queer of color, decolonizing queer anthropology that unsettles anthropology’s normative epistemologies. At a moment of revitalized calls to reckon with the white supremacist and settler colonial logics that continue to shape anthropology, this volume advances an anthropology accountable to the vitality of queer and trans life.
Contributors. Jafari Sinclair Allen, Tom Boellstorff, Erin L. Durban, Elijah Adiv Edelman, Lyndon K. Gill, K. Marshall Green, Brian A. Horton, Nikki Lane, Martin F. Manalansan IV, Shaka McGlotten, Scott L. Morgensen, Kwame Otu, Juno Salazar Parreñas, Lucinda Ramberg, Sima Shakhsari, Savannah Shange, Anne Spice, Margot Weiss, Ara Wilson
Margot Weiss is Associate Professor of American Studies and Anthropology at Wesleyan University, where she directs the cluster in Queer Studies. Her research, teaching, and writing move between queer theory and anthropology. She is the author of the award-winning Techniques of Pleasure: BDSM and the Circuits of Sexuality and editor of Queer Then and Now and Unsettling Queer Anthropology: Foundations, Reorientations, and Departures. Past president of the Association for Queer Anthropology (AQA), she serves on the board of CLAGS: The Center for LGBT/Queer Studies and the Society for Cultural Anthropology (SCA). She is a founding member of the Wesleyan University Chapter of the AAUP.
Clayton Jarrard is an incoming graduate student at NYU's XE: Experimental Humanities &amp; Social Engagement program and a Research Project Coordinator at the University of Kansas Center for Research. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 01 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margot Weiss</itunes:subtitle>
      <itunes:summary>This field-defining volume of queer anthropology foregrounds both the brilliance of anthropological approaches to queer and trans life and the ways queer critique can reorient and transform anthropology. 
Consisting of fourteen original essays by both distinguished and new voices, Unsettling Queer Anthropology: Foundations, Reorientations, and Departures (Duke UP, 2024) advances a vision of queer anthropology grounded in decolonial, abolitionist, Black feminist, transnational, postcolonial, Indigenous, and queer of color approaches. Critically assessing both anthropology’s queer innovations and its colonialist legacies, contributors highlight decades of work in queer anthropology; challenge the boundaries of anthropology’s traditional methodologies, forms, and objects of study; and forge a critical, queer of color, decolonizing queer anthropology that unsettles anthropology’s normative epistemologies. At a moment of revitalized calls to reckon with the white supremacist and settler colonial logics that continue to shape anthropology, this volume advances an anthropology accountable to the vitality of queer and trans life.
Contributors. Jafari Sinclair Allen, Tom Boellstorff, Erin L. Durban, Elijah Adiv Edelman, Lyndon K. Gill, K. Marshall Green, Brian A. Horton, Nikki Lane, Martin F. Manalansan IV, Shaka McGlotten, Scott L. Morgensen, Kwame Otu, Juno Salazar Parreñas, Lucinda Ramberg, Sima Shakhsari, Savannah Shange, Anne Spice, Margot Weiss, Ara Wilson
Margot Weiss is Associate Professor of American Studies and Anthropology at Wesleyan University, where she directs the cluster in Queer Studies. Her research, teaching, and writing move between queer theory and anthropology. She is the author of the award-winning Techniques of Pleasure: BDSM and the Circuits of Sexuality and editor of Queer Then and Now and Unsettling Queer Anthropology: Foundations, Reorientations, and Departures. Past president of the Association for Queer Anthropology (AQA), she serves on the board of CLAGS: The Center for LGBT/Queer Studies and the Society for Cultural Anthropology (SCA). She is a founding member of the Wesleyan University Chapter of the AAUP.
Clayton Jarrard is an incoming graduate student at NYU's XE: Experimental Humanities &amp; Social Engagement program and a Research Project Coordinator at the University of Kansas Center for Research. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This field-defining volume of queer anthropology foregrounds both the brilliance of anthropological approaches to queer and trans life and the ways queer critique can reorient and transform anthropology. </p><p>Consisting of fourteen original essays by both distinguished and new voices, <a href="https://bookshop.org/a/12343/9781478026150"><em>Unsettling Queer Anthropology: Foundations, Reorientations, and Departures</em></a><em> </em>(Duke UP, 2024) advances a vision of queer anthropology grounded in decolonial, abolitionist, Black feminist, transnational, postcolonial, Indigenous, and queer of color approaches. Critically assessing both anthropology’s queer innovations and its colonialist legacies, contributors highlight decades of work in queer anthropology; challenge the boundaries of anthropology’s traditional methodologies, forms, and objects of study; and forge a critical, queer of color, decolonizing queer anthropology that unsettles anthropology’s normative epistemologies. At a moment of revitalized calls to reckon with the white supremacist and settler colonial logics that continue to shape anthropology, this volume advances an anthropology accountable to the vitality of queer and trans life.</p><p>Contributors. Jafari Sinclair Allen, Tom Boellstorff, Erin L. Durban, Elijah Adiv Edelman, Lyndon K. Gill, K. Marshall Green, Brian A. Horton, Nikki Lane, Martin F. Manalansan IV, Shaka McGlotten, Scott L. Morgensen, Kwame Otu, Juno Salazar Parreñas, Lucinda Ramberg, Sima Shakhsari, Savannah Shange, Anne Spice, Margot Weiss, Ara Wilson</p><p><a href="https://margotweiss.com/">Margot Weiss</a> is Associate Professor of <a href="https://www.wesleyan.edu/amst/">American Studies</a> and <a href="https://www.wesleyan.edu/anthro/index.html">Anthropology</a> at Wesleyan University, where she directs the cluster in <a href="https://www.wesleyan.edu/queerstudies/">Queer Studies</a>. Her research, teaching, and writing move between queer theory and anthropology. She is the author of the award-winning <a href="https://www.dukeupress.edu/Techniques-of-Pleasure/"><em>Techniques of Pleasure: BDSM and the Circuits of Sexuality</em></a> and editor of <a href="https://www.feministpress.org/books-n-z/queer-then-and-now"><em>Queer Then and Now</em></a> and <a href="https://dukeupress.edu/unsettling-queer-anthropology"><em>Unsettling</em> <em>Queer Anthropology: Foundations, Reorientations, and Departures</em></a><em>. </em>Past president of the <a href="http://queeranthro.org/">Association for Queer Anthropology (AQA)</a>, she serves on the board of <a href="http://clags.org/">CLAGS: The Center for LGBT/Queer Studies</a> and the <a href="https://culanth.org/">Society for Cultural Anthropology (SCA)</a>. She is a founding member of the <a href="https://www.wesleyanaaup.org/">Wesleyan University Chapter of the AAUP</a>.</p><p><a href="https://x.com/JarrardClayton">Clayton Jarrard</a> is an incoming graduate student at NYU's XE: Experimental Humanities &amp; Social Engagement program and a Research Project Coordinator at the University of Kansas Center for Research. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the <a href="https://open.spotify.com/show/0X98h0FENG1hptiHFA1o5b?si=183b40d21ac94919/">Un/Livable Cultures podcast</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Anthony Heath and Yaojun Li, "Social Mobility" (Polity Press, 2024)</title>
      <description>What is social mobility? In Social Mobility (Polity Press, 2023), Anthony Heath, an Emeritus Professor of Sociology at the University of Oxford and Yaojun Li, a Professor of Sociology at the University of Manchester, explore and explain this concept, setting out why the idea matters for both social scientists and the general reader. The book draws on a huge range of research, outlining the history of social mobility research, discussing central theories and approaches in sociology and economics, and detailing international comparisons and trends. The book highlights how social mobility is shaped by gender and ethnicity, along with the role of social class. Ultimately the book helps to explain who gets ahead in society and why; as a result the book will be essential reading across the social sciences, as well as for anyone interested in how society works.
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      <pubDate>Fri, 31 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>460</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anthony Heath and Yaojun Li,</itunes:subtitle>
      <itunes:summary>What is social mobility? In Social Mobility (Polity Press, 2023), Anthony Heath, an Emeritus Professor of Sociology at the University of Oxford and Yaojun Li, a Professor of Sociology at the University of Manchester, explore and explain this concept, setting out why the idea matters for both social scientists and the general reader. The book draws on a huge range of research, outlining the history of social mobility research, discussing central theories and approaches in sociology and economics, and detailing international comparisons and trends. The book highlights how social mobility is shaped by gender and ethnicity, along with the role of social class. Ultimately the book helps to explain who gets ahead in society and why; as a result the book will be essential reading across the social sciences, as well as for anyone interested in how society works.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is social mobility? In <a href="https://bookshop.org/a/12343/9780745683072"><em>Social Mobility</em></a> (Polity Press, 2023), <a href="https://www.sociology.ox.ac.uk/people/associate-member-anthony-heath">Anthony Heath, an Emeritus Professor of Sociology at the University of Oxford</a> and <a href="https://research.manchester.ac.uk/en/persons/yaojun.li">Yaojun Li, a Professor of Sociology at the University of Manchester</a>, explore and explain this concept, setting out why the idea matters for both social scientists and the general reader. The book draws on a huge range of research, outlining the history of social mobility research, discussing central theories and approaches in sociology and economics, and detailing international comparisons and trends. The book highlights how social mobility is shaped by gender and ethnicity, along with the role of social class. Ultimately the book helps to explain who gets ahead in society and why; as a result the book will be essential reading across the social sciences, as well as for anyone interested in how society works.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2401</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[627ed982-1dff-11ef-a086-1739dccf44a4]]></guid>
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    </item>
    <item>
      <title>Anne Kim, "Poverty for Profit: How Corporations Get Rich off America’s Poor" (The New Press, 2024)</title>
      <description>Poverty is big business in America. The federal government spends about $900 billion a year on programs that directly or disproportionately impact poor Americans, including antipoverty programs such as the earned income tax credit, Medicaid, and affordable housing vouchers and subsidies. States and local governments spend tens of billions more. 
Ironically, these enormous sums fuel the “corporate poverty complex,” a vast web of hidden industries and entrenched private-sector interests that profit from the bureaucracies regulating the lives of the poor. From bail bondsmen to dialysis providers to towing companies, their business models depend on exploiting low-income Americans, and their political influence ensures a thriving set of industries where everyone profits except the poor, while U.S. taxpayers foot the bill.
In Poverty for Profit: How Corporations Get Rich off America’s Poor (The New Press, 2024), veteran journalist Anne Kim investigates the multiple industries that infiltrate almost every aspect of the lives of the poor—health care, housing, criminal justice, and nutrition. She explains how these businesses are aided by public policies such as the wholesale privatization of government services and the political influence these industries wield over lawmakers and regulators. Supported by original investigative reporting on the lesser-known players profiting from the antipoverty industry, Poverty for Profit adds a crucial dimension to our understanding of how structural inequality and structural racism function today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anne Kim</itunes:subtitle>
      <itunes:summary>Poverty is big business in America. The federal government spends about $900 billion a year on programs that directly or disproportionately impact poor Americans, including antipoverty programs such as the earned income tax credit, Medicaid, and affordable housing vouchers and subsidies. States and local governments spend tens of billions more. 
Ironically, these enormous sums fuel the “corporate poverty complex,” a vast web of hidden industries and entrenched private-sector interests that profit from the bureaucracies regulating the lives of the poor. From bail bondsmen to dialysis providers to towing companies, their business models depend on exploiting low-income Americans, and their political influence ensures a thriving set of industries where everyone profits except the poor, while U.S. taxpayers foot the bill.
In Poverty for Profit: How Corporations Get Rich off America’s Poor (The New Press, 2024), veteran journalist Anne Kim investigates the multiple industries that infiltrate almost every aspect of the lives of the poor—health care, housing, criminal justice, and nutrition. She explains how these businesses are aided by public policies such as the wholesale privatization of government services and the political influence these industries wield over lawmakers and regulators. Supported by original investigative reporting on the lesser-known players profiting from the antipoverty industry, Poverty for Profit adds a crucial dimension to our understanding of how structural inequality and structural racism function today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Poverty is big business in America. The federal government spends about $900 billion a year on programs that directly or disproportionately impact poor Americans, including antipoverty programs such as the earned income tax credit, Medicaid, and affordable housing vouchers and subsidies. States and local governments spend tens of billions more. </p><p>Ironically, these enormous sums fuel the “corporate poverty complex,” a vast web of hidden industries and entrenched private-sector interests that profit from the bureaucracies regulating the lives of the poor. From bail bondsmen to dialysis providers to towing companies, their business models depend on exploiting low-income Americans, and their political influence ensures a thriving set of industries where everyone profits except the poor, while U.S. taxpayers foot the bill.</p><p>In <a href="https://bookshop.org/a/12343/9781620977811"><em>Poverty for Profit: How Corporations Get Rich off America’s Poor</em></a> (The New Press, 2024), veteran journalist Anne Kim investigates the multiple industries that infiltrate almost every aspect of the lives of the poor—health care, housing, criminal justice, and nutrition. She explains how these businesses are aided by public policies such as the wholesale privatization of government services and the political influence these industries wield over lawmakers and regulators. Supported by original investigative reporting on the lesser-known players profiting from the antipoverty industry,<em> Poverty for Profit</em> adds a crucial dimension to our understanding of how structural inequality and structural racism function today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8122581021.mp3?updated=1717005087" length="0" type="audio/mpeg"/>
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      <title>Sa’ed Atshan, "Queer Palestine and the Empire of Critique" (Stanford UP, 2020)</title>
      <description>In Queer Palestine and the Empire of Critique (Stanford University Press, 2020) anthropologist and activist Sa’ed Atshan explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora.
His timely and urgent account contends that the movement has been subjected to an “empire of critique,” which has inhibited its growth and undermines the fight against homophobia in the region and beyond. On the one hand, explains Atshan, queer Palestinians must contend with the harsh realities of patriarchal nationalism, homophobia and heteronormativity, Israeli occupation, dehumanizing discourses such as ‘pinkwashing,’ and the legacies of western imperialism.
At the same time, Atshan argues that critiques against such issues – leveled by academics, journalists, and even queer activists – have contributed to a stifling ideological purism that has put activists on the defensive and alienates some queer Palestinians.
Along with a succinct presentation of the immense challenges faced by the LGBTQ-identifying Palestinians, Atshan highlights Palestinian agency, ingenuity, and resilience. He considers how progressive social movements around the world can navigate the often fraught and complex dynamics of intersectional activism, and leaves his readers with a vision of a diverse queer Palestinian movement capable of “radically reimagining possible futures.”
Sa’ed Atshan is an assistant professor of Peace and Conflict Studies at Swarthmore College.
Joshua Donovan is a History PhD candidate and Core Preceptor at Columbia University. His dissertation examines competing conceptions of identity and subjectivity within the Antiochian Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sa’ed Atshan</itunes:subtitle>
      <itunes:summary>In Queer Palestine and the Empire of Critique (Stanford University Press, 2020) anthropologist and activist Sa’ed Atshan explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora.
His timely and urgent account contends that the movement has been subjected to an “empire of critique,” which has inhibited its growth and undermines the fight against homophobia in the region and beyond. On the one hand, explains Atshan, queer Palestinians must contend with the harsh realities of patriarchal nationalism, homophobia and heteronormativity, Israeli occupation, dehumanizing discourses such as ‘pinkwashing,’ and the legacies of western imperialism.
At the same time, Atshan argues that critiques against such issues – leveled by academics, journalists, and even queer activists – have contributed to a stifling ideological purism that has put activists on the defensive and alienates some queer Palestinians.
Along with a succinct presentation of the immense challenges faced by the LGBTQ-identifying Palestinians, Atshan highlights Palestinian agency, ingenuity, and resilience. He considers how progressive social movements around the world can navigate the often fraught and complex dynamics of intersectional activism, and leaves his readers with a vision of a diverse queer Palestinian movement capable of “radically reimagining possible futures.”
Sa’ed Atshan is an assistant professor of Peace and Conflict Studies at Swarthmore College.
Joshua Donovan is a History PhD candidate and Core Preceptor at Columbia University. His dissertation examines competing conceptions of identity and subjectivity within the Antiochian Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Queer-Palestine-Empire-Critique-Atshan/dp/1503612392/?tag=newbooinhis-20"><em>Queer Palestine and the Empire of Critique</em></a> (Stanford University Press, 2020) anthropologist and activist <a href="https://www.swarthmore.edu/faculty-sa%E2%80%99ed-atshan">Sa’ed Atshan</a> explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora.</p><p>His timely and urgent account contends that the movement has been subjected to an “empire of critique,” which has inhibited its growth and undermines the fight against homophobia in the region and beyond. On the one hand, explains Atshan, queer Palestinians must contend with the harsh realities of patriarchal nationalism, homophobia and heteronormativity, Israeli occupation, dehumanizing discourses such as ‘pinkwashing,’ and the legacies of western imperialism.</p><p>At the same time, Atshan argues that critiques against such issues – leveled by academics, journalists, and even queer activists – have contributed to a stifling ideological purism that has put activists on the defensive and alienates some queer Palestinians.</p><p>Along with a succinct presentation of the immense challenges faced by the LGBTQ-identifying Palestinians, Atshan highlights Palestinian agency, ingenuity, and resilience. He considers how progressive social movements around the world can navigate the often fraught and complex dynamics of intersectional activism, and leaves his readers with a vision of a diverse queer Palestinian movement capable of “radically reimagining possible futures.”</p><p><a href="https://www.swarthmore.edu/faculty-sa%E2%80%99ed-atshan">Sa’ed Atshan</a> is an assistant professor of Peace and Conflict Studies at Swarthmore College.</p><p><a href="https://history.columbia.edu/faculty/donovan-joshua/"><em>Joshua Donovan</em></a><em> is a History PhD candidate and Core Preceptor at Columbia University. His dissertation examines competing conceptions of identity and subjectivity within the Antiochian Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8382739849.mp3?updated=1716930221" length="0" type="audio/mpeg"/>
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    <item>
      <title>The Social Acceptance of Inequality</title>
      <description>On this episode of International Horizons, Francesco Duina, Charles A. Dana Professor of Sociology at Bates College and Luca Storti, Associate Professor of Economic Sociology at the University of Turin in Italy and a Research Fellow of the Ralph Bunche Institute for International Studies, discuss the rise of inequalities around the globe and the divergent attitudes towards them since 1970. How can those inequalities be broken down? 
In this week’s episode, Duina and Storti preview their book-in-progress on The Social Acceptance of Inequality, and they examine four types of logic leading us to accept inequalities in today’s world. Not surprisingly, the concept of meritocracy plays a major role in our thinking about contemporary inequality, although perhaps more so in the United States than in Europe.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>147</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion of Francesco Duina and Luca Storti</itunes:subtitle>
      <itunes:summary>On this episode of International Horizons, Francesco Duina, Charles A. Dana Professor of Sociology at Bates College and Luca Storti, Associate Professor of Economic Sociology at the University of Turin in Italy and a Research Fellow of the Ralph Bunche Institute for International Studies, discuss the rise of inequalities around the globe and the divergent attitudes towards them since 1970. How can those inequalities be broken down? 
In this week’s episode, Duina and Storti preview their book-in-progress on The Social Acceptance of Inequality, and they examine four types of logic leading us to accept inequalities in today’s world. Not surprisingly, the concept of meritocracy plays a major role in our thinking about contemporary inequality, although perhaps more so in the United States than in Europe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of International Horizons, Francesco Duina, Charles A. Dana Professor of Sociology at Bates College and Luca Storti, Associate Professor of Economic Sociology at the University of Turin in Italy and a Research Fellow of the Ralph Bunche Institute for International Studies, discuss the rise of inequalities around the globe and the divergent attitudes towards them since 1970. How can those inequalities be broken down? </p><p>In this week’s episode, Duina and Storti preview their book-in-progress on <em>The Social Acceptance of Inequality</em>, and they examine four types of logic leading us to accept inequalities in today’s world. Not surprisingly, the concept of meritocracy plays a major role in our thinking about contemporary inequality, although perhaps more so in the United States than in Europe.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1921</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0cb3f5ba-1c3c-11ef-bf8c-0bd02c41ba4a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7040286172.mp3?updated=1716823519" length="0" type="audio/mpeg"/>
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    <item>
      <title>Tad Delay, "Future of Denial: The Ideologies of Climate Change" (Verso, 2024)</title>
      <description>The age of denial is over, we are told. Yet emissions continue to rise while gimmicks, graft, and green-washing distract the public from the climate violence suffered by the vulnerable. Tad DeLay's Future of Denial: The Ideologies of Climate Change (Verso, 2024) draws on the latest climatology, the first shoots of an energy transition, critical theory, Earth’s paleoclimate history, and trends in border violence to answer the most pressing question of our age: Why do we continue to squander the short time we have left?
The symptoms suggest society’s inability to adjust is profound. Near Portland, militias incapable of accepting that the world is warming respond to a wildfire by hunting for imaginary left-wing arsonists. Europe erects nets in the Aegean Sea to capture migrants fleeing drought and war. An airline claims to be carbon neutral thanks to bogus cheap offsets. Drone strikes hit people living along the aridity line. Yes, Exxon knew as early as the 1970s, but the fundamental physics of carbon dioxide warming the Earth was already understood before the American Civil War.
Will capitalists ever voluntarily walk away from hundreds of trillions of dollars in fossil fuels unless they are forced to do so? And, if not, who will apply the necessary pressure?
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>459</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tad Delay</itunes:subtitle>
      <itunes:summary>The age of denial is over, we are told. Yet emissions continue to rise while gimmicks, graft, and green-washing distract the public from the climate violence suffered by the vulnerable. Tad DeLay's Future of Denial: The Ideologies of Climate Change (Verso, 2024) draws on the latest climatology, the first shoots of an energy transition, critical theory, Earth’s paleoclimate history, and trends in border violence to answer the most pressing question of our age: Why do we continue to squander the short time we have left?
The symptoms suggest society’s inability to adjust is profound. Near Portland, militias incapable of accepting that the world is warming respond to a wildfire by hunting for imaginary left-wing arsonists. Europe erects nets in the Aegean Sea to capture migrants fleeing drought and war. An airline claims to be carbon neutral thanks to bogus cheap offsets. Drone strikes hit people living along the aridity line. Yes, Exxon knew as early as the 1970s, but the fundamental physics of carbon dioxide warming the Earth was already understood before the American Civil War.
Will capitalists ever voluntarily walk away from hundreds of trillions of dollars in fossil fuels unless they are forced to do so? And, if not, who will apply the necessary pressure?
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The age of denial is over, we are told. Yet emissions continue to rise while gimmicks, graft, and green-washing distract the public from the climate violence suffered by the vulnerable. Tad DeLay's <a href="https://bookshop.org/a/12343/9781839765438"><em>Future of Denial: The Ideologies of Climate Change</em></a> (Verso, 2024) draws on the latest climatology, the first shoots of an energy transition, critical theory, Earth’s paleoclimate history, and trends in border violence to answer the most pressing question of our age: Why do we continue to squander the short time we have left?</p><p>The symptoms suggest society’s inability to adjust is profound. Near Portland, militias incapable of accepting that the world is warming respond to a wildfire by hunting for imaginary left-wing arsonists. Europe erects nets in the Aegean Sea to capture migrants fleeing drought and war. An airline claims to be carbon neutral thanks to bogus cheap offsets. Drone strikes hit people living along the aridity line. Yes, Exxon knew as early as the 1970s, but the fundamental physics of carbon dioxide warming the Earth was already understood before the American Civil War.</p><p>Will capitalists ever voluntarily walk away from hundreds of trillions of dollars in fossil fuels unless they are forced to do so? And, if not, who will apply the necessary pressure?</p><p><em>Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3945</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lamia Karim, "Castoffs of Capital: Work and Love among Garment Workers in Bangladesh" (U Minnesota Press, 2022)</title>
      <description>Castoffs of Capital: Work and Love among Garment Workers in Bangladesh (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh.
Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital.
Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles.
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      <pubDate>Sun, 26 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>302</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lamia Karim</itunes:subtitle>
      <itunes:summary>Castoffs of Capital: Work and Love among Garment Workers in Bangladesh (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh.
Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital.
Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517913366"><em>Castoffs of Capital: Work and Love among Garment Workers in Bangladesh</em></a> (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh.</p><p>Bringing a feminist labor studies lens, <em>Castoffs of Capital </em>foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital.</p><p>Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3148</itunes:duration>
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    <item>
      <title>Netta Avineri and Patricia Baquedano-López, "An Introduction to Language and Social Justice: What Is, What Has Been, and What Could Be" (Routledge, 2023)</title>
      <description>An Introduction to Language and Social Justice: What Is, What Has Been, and What Could Be (Routledge, 2023) is designed to provide the who, what, where, when, why, and how of the intersections of language, inequality, and social justice in North America, using the applied linguistic anthropology (ALA) framework. Written in accessible language and at a level equally legible for advanced undergraduate and graduate students, this text connects theory and practice by sketching out relevant historical background, introducing theoretical and conceptual underpinnings, illustrating with case studies, discussing a wide range of key issues, and explaining research methodologies. 
Using a general-to-specialized content structure, the expert authors then show readers how to apply these principles and lessons in communities in the real world, to become advocates and change agents in the realm of language and social justice. With an array of useful pedagogical resources and practical tools including discussion questions and activities, reflections and vignettes, further reading and a glossary, along with additional online resources for instructors, this is the essential text for students from multiple perspectives across linguistics, applied linguistics, linguistic anthropology, and beyond.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 25 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Netta Avineri and Patricia Baquedano-López</itunes:subtitle>
      <itunes:summary>An Introduction to Language and Social Justice: What Is, What Has Been, and What Could Be (Routledge, 2023) is designed to provide the who, what, where, when, why, and how of the intersections of language, inequality, and social justice in North America, using the applied linguistic anthropology (ALA) framework. Written in accessible language and at a level equally legible for advanced undergraduate and graduate students, this text connects theory and practice by sketching out relevant historical background, introducing theoretical and conceptual underpinnings, illustrating with case studies, discussing a wide range of key issues, and explaining research methodologies. 
Using a general-to-specialized content structure, the expert authors then show readers how to apply these principles and lessons in communities in the real world, to become advocates and change agents in the realm of language and social justice. With an array of useful pedagogical resources and practical tools including discussion questions and activities, reflections and vignettes, further reading and a glossary, along with additional online resources for instructors, this is the essential text for students from multiple perspectives across linguistics, applied linguistics, linguistic anthropology, and beyond.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367725297"><em>An Introduction to Language and Social Justice: What Is, What Has Been, and What Could Be</em></a> (Routledge, 2023) is designed to provide the who, what, where, when, why, and how of the intersections of language, inequality, and social justice in North America, using the applied linguistic anthropology (ALA) framework. Written in accessible language and at a level equally legible for advanced undergraduate and graduate students, this text connects theory and practice by sketching out relevant historical background, introducing theoretical and conceptual underpinnings, illustrating with case studies, discussing a wide range of key issues, and explaining research methodologies. </p><p>Using a general-to-specialized content structure, the expert authors then show readers how to apply these principles and lessons in communities in the real world, to become advocates and change agents in the realm of language and social justice. With an array of useful pedagogical resources and practical tools including discussion questions and activities, reflections and vignettes, further reading and a glossary, along with additional online resources for instructors, this is the essential text for students from multiple perspectives across linguistics, applied linguistics, linguistic anthropology, and beyond.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2868</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Premilla Nadasen, "Care: The Highest Stage of Capitalism" (Haymarket Books, 2023)</title>
      <description>During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations. 
This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book Care: The Highest Stage of Capitalism (Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together.
Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of Welfare Warriors: The Welfare Rights Movement in the United States and Household Workers Unite: The Untold Story of African American Women Who Built a Movement.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 25 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>458</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Premilla Nadasen</itunes:subtitle>
      <itunes:summary>During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations. 
This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book Care: The Highest Stage of Capitalism (Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together.
Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of Welfare Warriors: The Welfare Rights Movement in the United States and Household Workers Unite: The Untold Story of African American Women Who Built a Movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations. </p><p>This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book <a href="https://bookshop.org/a/12343/9781642599664"><em>Care: The Highest Stage of Capitalism</em></a><em> </em>(Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together.</p><p>Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of <em>Welfare Warriors: The Welfare Rights Movement in the United States</em> and <em>Household Workers Unite: The Untold Story of African American Women Who Built a Movement</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4219</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jeffrey Reiman and Paul Leighton, "The Rich Get Richer and the Poor Get Prison" (Routledge, 2023)</title>
      <description>For 40 years, this classic text has taken the issue of economic inequality seriously and asked: Why are our prisons filled with the poor? Why aren't the tools of the criminal justice system being used to protect Americans from predatory business practices and to punish well-off people who cause widespread harm? 
This new edition continues to engage readers in important exercises of critical thinking: Why has the U.S. relied so heavily on tough crime policies despite evidence of their limited effectiveness, and how much of the decline in crime rates can be attributed to them? Why does the U.S. have such a high crime rate compared to other developed nations, and what could we do about it? Are the morally blameworthy harms of the rich and poor equally translated into criminal laws that protect the public from harms on the streets and harms from the suites? How much class bias is present in the criminal justice system-both when the rich and poor engage in the same act, and when the rich use their leadership of corporations to perpetrate mass victimization? 
The Rich Get Richer and the Poor Get Prison (Routledge, 2023) shows readers that much of what goes on in the criminal justice system violates citizens' sense of basic fairness. It presents extensive evidence from mainstream data that the criminal justice system does not function in the way it says it does nor in the way that readers believe it should.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Leighton</itunes:subtitle>
      <itunes:summary>For 40 years, this classic text has taken the issue of economic inequality seriously and asked: Why are our prisons filled with the poor? Why aren't the tools of the criminal justice system being used to protect Americans from predatory business practices and to punish well-off people who cause widespread harm? 
This new edition continues to engage readers in important exercises of critical thinking: Why has the U.S. relied so heavily on tough crime policies despite evidence of their limited effectiveness, and how much of the decline in crime rates can be attributed to them? Why does the U.S. have such a high crime rate compared to other developed nations, and what could we do about it? Are the morally blameworthy harms of the rich and poor equally translated into criminal laws that protect the public from harms on the streets and harms from the suites? How much class bias is present in the criminal justice system-both when the rich and poor engage in the same act, and when the rich use their leadership of corporations to perpetrate mass victimization? 
The Rich Get Richer and the Poor Get Prison (Routledge, 2023) shows readers that much of what goes on in the criminal justice system violates citizens' sense of basic fairness. It presents extensive evidence from mainstream data that the criminal justice system does not function in the way it says it does nor in the way that readers believe it should.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For 40 years, this classic text has taken the issue of economic inequality seriously and asked: Why are our prisons filled with the poor? Why aren't the tools of the criminal justice system being used to protect Americans from predatory business practices and to punish well-off people who cause widespread harm? </p><p>This new edition continues to engage readers in important exercises of critical thinking: Why has the U.S. relied so heavily on tough crime policies despite evidence of their limited effectiveness, and how much of the decline in crime rates can be attributed to them? Why does the U.S. have such a high crime rate compared to other developed nations, and what could we do about it? Are the morally blameworthy harms of the rich and poor equally translated into criminal laws that protect the public from harms on the streets and harms from the suites? How much class bias is present in the criminal justice system-both when the rich and poor engage in the same act, and when the rich use their leadership of corporations to perpetrate mass victimization? </p><p><a href="https://bookshop.org/a/12343/9781032437521"><em>The Rich Get Richer and the Poor Get Prison</em></a> (Routledge, 2023) shows readers that much of what goes on in the criminal justice system violates citizens' sense of basic fairness. It presents extensive evidence from mainstream data that the criminal justice system does not function in the way it says it does nor in the way that readers believe it should.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sunaura Taylor, "Disabled Ecologies: Lessons from a Wounded Desert" (U California Press, 2024)</title>
      <description>A powerful analysis and call to action that reveals disability as one of the defining features of environmental devastation and resistance.
Deep below the ground in Tucson, Arizona, lies an aquifer forever altered by the detritus of a postwar Superfund site. Disabled Ecologies: Lessons from a Wounded Desert (U California Press, 2024) tells the story of this contamination and its ripple effects through the largely Mexican American community living above. Drawing on her own complex relationship to this long-ago injured landscape, Sunaura Taylor takes us with her to follow the site's disabled ecology—the networks of disability, both human and wild, that are created when ecosystems are corrupted and profoundly altered.
What Taylor finds is a story of entanglements that reach far beyond the Sonoran Desert. These stories tell of debilitating and sometimes life-ending injuries, but they also map out alternative modes of connection, solidarity, and resistance—an environmentalism of the injured. An original and deeply personal reflection on what disability means in an era of increasing multispecies disablement, Disabled Ecologies is a powerful call to reflect on the kinds of care, treatment, and assistance this age of disability requires.
A full transcript of the interview is available for accessibility.
Sunaura Taylor is an Assistant Professor in the Division of Society and Environment at the University of California, Berkeley. Taylor is a scholar and artist who works at the intersection of disability studies, environmental humanities, animal studies, environmental justice, feminist science studies, and art practice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sunaura Taylor</itunes:subtitle>
      <itunes:summary>A powerful analysis and call to action that reveals disability as one of the defining features of environmental devastation and resistance.
Deep below the ground in Tucson, Arizona, lies an aquifer forever altered by the detritus of a postwar Superfund site. Disabled Ecologies: Lessons from a Wounded Desert (U California Press, 2024) tells the story of this contamination and its ripple effects through the largely Mexican American community living above. Drawing on her own complex relationship to this long-ago injured landscape, Sunaura Taylor takes us with her to follow the site's disabled ecology—the networks of disability, both human and wild, that are created when ecosystems are corrupted and profoundly altered.
What Taylor finds is a story of entanglements that reach far beyond the Sonoran Desert. These stories tell of debilitating and sometimes life-ending injuries, but they also map out alternative modes of connection, solidarity, and resistance—an environmentalism of the injured. An original and deeply personal reflection on what disability means in an era of increasing multispecies disablement, Disabled Ecologies is a powerful call to reflect on the kinds of care, treatment, and assistance this age of disability requires.
A full transcript of the interview is available for accessibility.
Sunaura Taylor is an Assistant Professor in the Division of Society and Environment at the University of California, Berkeley. Taylor is a scholar and artist who works at the intersection of disability studies, environmental humanities, animal studies, environmental justice, feminist science studies, and art practice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A powerful analysis and call to action that reveals disability as one of the defining features of environmental devastation and resistance.</p><p>Deep below the ground in Tucson, Arizona, lies an aquifer forever altered by the detritus of a postwar Superfund site. <a href="https://bookshop.org/a/12343/9780520393066"><em>Disabled Ecologies: Lessons from a Wounded Desert</em></a> (U California Press, 2024) tells the story of this contamination and its ripple effects through the largely Mexican American community living above. Drawing on her own complex relationship to this long-ago injured landscape, Sunaura Taylor takes us with her to follow the site's disabled ecology—the networks of disability, both human and wild, that are created when ecosystems are corrupted and profoundly altered.</p><p>What Taylor finds is a story of entanglements that reach far beyond the Sonoran Desert. These stories tell of debilitating and sometimes life-ending injuries, but they also map out alternative modes of connection, solidarity, and resistance—an environmentalism of the injured. An original and deeply personal reflection on what disability means in an era of increasing multispecies disablement, Disabled Ecologies is a powerful call to reflect on the kinds of care, treatment, and assistance this age of disability requires.</p><p><a href="https://d8q167itd1z7d.cloudfront.net/craft3/Disabled-Ecologies-Transcript.docx#asset:312860:url">A full transcript</a> of the interview is available for accessibility.</p><p><a href="http://www.sunaurataylor.net/">Sunaura Taylor</a> is an Assistant Professor in the Division of Society and Environment at the University of California, Berkeley. Taylor is a scholar and artist who works at the intersection of disability studies, environmental humanities, animal studies, environmental justice, feminist science studies, and art practice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Anjali Arondekar, "Abundance: Sexuality’s History" (Duke UP, 2023)</title>
      <description>In Abundance: Sexuality’s History (Duke UP, 2023), Anjali Arondekar refuses the historical common sense that archival loss is foundational to a subaltern history of sexuality, and that the deficit of our minoritized pasts can be redeemed through acquisitions of lost pasts. Instead, Arondekar theorizes the radical abundance of sexuality through the archives of the Gomantak Maratha Samaj—a caste-oppressed devadasi collective in South Asia—that are plentiful and quotidian, imaginative and ordinary. For Arondekar, abundance is inextricably linked to the histories of subordinated groups in ways that challenge narratives of their constant devaluation. Summoning abundance over loss upends settled genealogies of historical recuperation and representation and works against the imperative to fix sexuality within wider structures of vulnerability, damage, and precarity. Multigeneric and multilingual, transregional and historically supple, Abundance centers sexuality within area, post/colonial, and anti/caste histories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>228</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anjali Arondekar</itunes:subtitle>
      <itunes:summary>In Abundance: Sexuality’s History (Duke UP, 2023), Anjali Arondekar refuses the historical common sense that archival loss is foundational to a subaltern history of sexuality, and that the deficit of our minoritized pasts can be redeemed through acquisitions of lost pasts. Instead, Arondekar theorizes the radical abundance of sexuality through the archives of the Gomantak Maratha Samaj—a caste-oppressed devadasi collective in South Asia—that are plentiful and quotidian, imaginative and ordinary. For Arondekar, abundance is inextricably linked to the histories of subordinated groups in ways that challenge narratives of their constant devaluation. Summoning abundance over loss upends settled genealogies of historical recuperation and representation and works against the imperative to fix sexuality within wider structures of vulnerability, damage, and precarity. Multigeneric and multilingual, transregional and historically supple, Abundance centers sexuality within area, post/colonial, and anti/caste histories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/abundance"><em>Abundance: Sexuality’s History</em></a><em> </em>(Duke UP, 2023), Anjali Arondekar refuses the historical common sense that archival loss is foundational to a subaltern history of sexuality, and that the deficit of our minoritized pasts can be redeemed through acquisitions of lost pasts. Instead, Arondekar theorizes the radical abundance of sexuality through the archives of the Gomantak Maratha Samaj—a caste-oppressed devadasi collective in South Asia—that are plentiful and quotidian, imaginative and ordinary. For Arondekar, abundance is inextricably linked to the histories of subordinated groups in ways that challenge narratives of their constant devaluation. Summoning abundance over loss upends settled genealogies of historical recuperation and representation and works against the imperative to fix sexuality within wider structures of vulnerability, damage, and precarity. Multigeneric and multilingual, transregional and historically supple, <em>Abundance</em> centers sexuality within area, post/colonial, and anti/caste histories.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9bab1608-16cf-11ef-b352-af952795d9e7]]></guid>
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    </item>
    <item>
      <title>Joseph E. Stiglitz, "The Road to Freedom: Economics and the Good Society" (Norton, 2024)</title>
      <description>In his latest book, The Road to Freedom: Economics and the Good Society (W. W. Norton, 2024), Nobel laureate Joseph E. Stiglitz rethinks the nature of freedom and its relationship to capitalism. 
While many agree that freedom is good and we want more of it, we don’t agree about what it is, whose freedom we’re talking about, or what outcomes we desire.
Stiglitz asks the question: whose freedom are we talking about, and what happens when one person’s freedom means a loss of freedom for someone else?
Narratives of neoliberalism have been accepted as gospel despite decades of research showing that less regulation and more trust in the 'hidden hand' of free market economics do not produce greater prosperity or freedom for most individuals. 
Stiglitz examines how unregulated markets reduce economic opportunities for majorities by prioritizing the freedom of corporations and wealthy individuals over that of individuals, resulting in the siphoning wealth from the many to ensure the freedom of the few, from property and intellectual rights to education and opportunity. 
The Road to Freedom re-evaluates of what constitutes a good society and provides a roadmap to achieve it.
Recommended reading:  The Groves of Academe by Mary McCarthy
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joseph E. Stiglitz</itunes:subtitle>
      <itunes:summary>In his latest book, The Road to Freedom: Economics and the Good Society (W. W. Norton, 2024), Nobel laureate Joseph E. Stiglitz rethinks the nature of freedom and its relationship to capitalism. 
While many agree that freedom is good and we want more of it, we don’t agree about what it is, whose freedom we’re talking about, or what outcomes we desire.
Stiglitz asks the question: whose freedom are we talking about, and what happens when one person’s freedom means a loss of freedom for someone else?
Narratives of neoliberalism have been accepted as gospel despite decades of research showing that less regulation and more trust in the 'hidden hand' of free market economics do not produce greater prosperity or freedom for most individuals. 
Stiglitz examines how unregulated markets reduce economic opportunities for majorities by prioritizing the freedom of corporations and wealthy individuals over that of individuals, resulting in the siphoning wealth from the many to ensure the freedom of the few, from property and intellectual rights to education and opportunity. 
The Road to Freedom re-evaluates of what constitutes a good society and provides a roadmap to achieve it.
Recommended reading:  The Groves of Academe by Mary McCarthy
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his latest book, <a href="https://bookshop.org/a/12343/9781324074373"><em>The Road to Freedom: Economics and the Good Society</em></a> (W. W. Norton, 2024), Nobel laureate Joseph E. Stiglitz rethinks the nature of freedom and its relationship to capitalism. </p><p>While many agree that freedom is good and we want more of it, we don’t agree about what it is, whose freedom we’re talking about, or what outcomes we desire.</p><p>Stiglitz asks the question: whose freedom are we talking about, and what happens when one person’s freedom means a loss of freedom for someone else?</p><p>Narratives of neoliberalism have been accepted as gospel despite decades of research showing that less regulation and more trust in the 'hidden hand' of free market economics do not produce greater prosperity or freedom for most individuals. </p><p>Stiglitz examines how unregulated markets reduce economic opportunities for majorities by prioritizing the freedom of corporations and wealthy individuals over that of individuals, resulting in the siphoning wealth from the many to ensure the freedom of the few, from property and intellectual rights to education and opportunity. </p><p><em>The Road to Freedom</em> re-evaluates of what constitutes a good society and provides a roadmap to achieve it.</p><p>Recommended reading:  <a href="https://bookshop.org/p/books/the-groves-of-academe-mary-mccarthy/6682906?gad_source=1&amp;gclid=Cj0KCQjwgJyyBhCGARIsAK8LVLPErU9B2GER7F4WDwiNB2oWB1PqaL3D8tIH5s4uXXIaj2WN9HdBGQoaAq_-EALw_wcB">The Groves of Academe</a> by Mary McCarthy</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2535</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e528c952-1511-11ef-ad6e-eb35a8167ecc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5768580135.mp3?updated=1716035820" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Raven Simone Maragh-Lloyd, "Black Networked Resistance: Strategic Rearticulations in the Digital Age" (U California Press, 2024)</title>
      <description>Black Networked Resistance: Strategic Rearticulations in the Digital Age (U California Press, 2024)​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. 
Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. 
Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, Black Networked Resistance encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 19 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Raven Simone Maragh-Lloyd</itunes:subtitle>
      <itunes:summary>Black Networked Resistance: Strategic Rearticulations in the Digital Age (U California Press, 2024)​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. 
Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. 
Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, Black Networked Resistance encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520390034"><em>Black Networked Resistance: Strategic Rearticulations in the Digital Age</em></a><em> </em>(U California Press, 2024)​ explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. </p><p>Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. </p><p>Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, <em>Black Networked Resistance</em> encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3436</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fef886ba-1471-11ef-8ba4-df40e8947f63]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1001337036.mp3?updated=1715967089" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mona Simion, "Resistance to Evidence" (Cambridge UP, 2024)</title>
      <description>We have increasingly sophisticated ways of acquiring and communicating knowledge, but efforts to spread this knowledge often encounter resistance to evidence. The phenomenon of resistance to evidence, while subject to thorough investigation in social psychology, is acutely under-theorised in the philosophical literature. 
Mona Simion's Resistance to Evidence (Cambridge UP, 2024) is concerned with positive epistemology: it argues that we have epistemic obligations to update and form beliefs on available and undefeated evidence. In turn, our resistance to easily available evidence is unpacked as an instance of epistemic malfunctioning. Simion develops a full positive, integrated epistemological picture in conjunction with novel accounts of evidence, defeat, norms of inquiry, permissible suspension, and disinformation. Her book is relevant for anyone with an interest in the nature of evidence and justified belief and in the best ways to avoid the high-stakes practical consequences of evidence resistance in policy and practice.
Mona Simion is a philosopher. She is professor of philosophy at the University of Glasgow where she is also deputy director of the COGITO Epistemology Research Centre. Simion's work focuses on issues in epistemology, ethics, the philosophy of language, and feminist philosophy.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 19 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>456</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mona Simion</itunes:subtitle>
      <itunes:summary>We have increasingly sophisticated ways of acquiring and communicating knowledge, but efforts to spread this knowledge often encounter resistance to evidence. The phenomenon of resistance to evidence, while subject to thorough investigation in social psychology, is acutely under-theorised in the philosophical literature. 
Mona Simion's Resistance to Evidence (Cambridge UP, 2024) is concerned with positive epistemology: it argues that we have epistemic obligations to update and form beliefs on available and undefeated evidence. In turn, our resistance to easily available evidence is unpacked as an instance of epistemic malfunctioning. Simion develops a full positive, integrated epistemological picture in conjunction with novel accounts of evidence, defeat, norms of inquiry, permissible suspension, and disinformation. Her book is relevant for anyone with an interest in the nature of evidence and justified belief and in the best ways to avoid the high-stakes practical consequences of evidence resistance in policy and practice.
Mona Simion is a philosopher. She is professor of philosophy at the University of Glasgow where she is also deputy director of the COGITO Epistemology Research Centre. Simion's work focuses on issues in epistemology, ethics, the philosophy of language, and feminist philosophy.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We have increasingly sophisticated ways of acquiring and communicating knowledge, but efforts to spread this knowledge often encounter resistance to evidence. The phenomenon of resistance to evidence, while subject to thorough investigation in social psychology, is acutely under-theorised in the philosophical literature. </p><p>Mona Simion's <a href="https://bookshop.org/a/12343/9781009298520"><em>Resistance to Evidence</em></a> (Cambridge UP, 2024) is concerned with positive epistemology: it argues that we have epistemic obligations to update and form beliefs on available and undefeated evidence. In turn, our resistance to easily available evidence is unpacked as an instance of epistemic malfunctioning. Simion develops a full positive, integrated epistemological picture in conjunction with novel accounts of evidence, defeat, norms of inquiry, permissible suspension, and disinformation. Her book is relevant for anyone with an interest in the nature of evidence and justified belief and in the best ways to avoid the high-stakes practical consequences of evidence resistance in policy and practice.</p><p>Mona Simion is a philosopher. She is professor of philosophy at the University of Glasgow where she is also deputy director of the COGITO Epistemology Research Centre. Simion's work focuses on issues in epistemology, ethics, the philosophy of language, and feminist philosophy.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3429</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1da29b68-1450-11ef-8c51-4bc6729cee27]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6971816801.mp3?updated=1715952722" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd Mcgowan, "Embracing Alienation: Why We Shouldn't Try to Find Ourselves" (Repeater, 2024)</title>
      <description>The left views alienation as something to be resisted or overcome, but could it actually form the basis of our emancipation? We often think of our existential and political projects as attempts to overcome or eradicate alienation: therapists imagine that they help patients to attain self-identity; political revolutionaries strive for a society in which they can live in harmony with others; ecological activists work toward a future form of existence in touch with the rest of the natural world. 
In Embracing Alienation: Why We Shouldn't Try to Find Ourselves (Repeater, 2024), Todd McGowan offers a completely different take on alienation, claiming that the effort to overcome it is not a radical response to the current state of things but a failure to see the constitutive power of alienation for all of us. Instead of trying to overcome alienation and accede to an unalienated existence, it argues, we should instead redeem alienation as an existential and political program. Engaging with Shakespeare’s great tragedies, contemporary films such as Don’t Worry Darling, and even what occurs on a public bus, as well as thinkers such as Descartes, Hegel, and Marx, McGowan provides a concrete elaboration of how alienation frees people from their situation. Relying on the tradition of dialectical thought and psychoanalytic theory, Embracing Alienation reveals a new way of conceiving how we measure progress — or even if progress should be the aim at all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 18 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>457</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Todd Mcgowan</itunes:subtitle>
      <itunes:summary>The left views alienation as something to be resisted or overcome, but could it actually form the basis of our emancipation? We often think of our existential and political projects as attempts to overcome or eradicate alienation: therapists imagine that they help patients to attain self-identity; political revolutionaries strive for a society in which they can live in harmony with others; ecological activists work toward a future form of existence in touch with the rest of the natural world. 
In Embracing Alienation: Why We Shouldn't Try to Find Ourselves (Repeater, 2024), Todd McGowan offers a completely different take on alienation, claiming that the effort to overcome it is not a radical response to the current state of things but a failure to see the constitutive power of alienation for all of us. Instead of trying to overcome alienation and accede to an unalienated existence, it argues, we should instead redeem alienation as an existential and political program. Engaging with Shakespeare’s great tragedies, contemporary films such as Don’t Worry Darling, and even what occurs on a public bus, as well as thinkers such as Descartes, Hegel, and Marx, McGowan provides a concrete elaboration of how alienation frees people from their situation. Relying on the tradition of dialectical thought and psychoanalytic theory, Embracing Alienation reveals a new way of conceiving how we measure progress — or even if progress should be the aim at all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The left views alienation as something to be resisted or overcome, but could it actually form the basis of our emancipation? We often think of our existential and political projects as attempts to overcome or eradicate alienation: therapists imagine that they help patients to attain self-identity; political revolutionaries strive for a society in which they can live in harmony with others; ecological activists work toward a future form of existence in touch with the rest of the natural world. </p><p>In <a href="https://bookshop.org/a/12343/9781915672223"><em>Embracing Alienation: Why We Shouldn't Try to Find Ourselves</em></a> (Repeater, 2024), Todd McGowan offers a completely different take on alienation, claiming that the effort to overcome it is not a radical response to the current state of things but a failure to see the constitutive power of alienation for all of us. Instead of trying to overcome alienation and accede to an unalienated existence, it argues, we should instead redeem alienation as an existential and political program. Engaging with Shakespeare’s great tragedies, contemporary films such as Don’t Worry Darling, and even what occurs on a public bus, as well as thinkers such as Descartes, Hegel, and Marx, McGowan provides a concrete elaboration of how alienation frees people from their situation. Relying on the tradition of dialectical thought and psychoanalytic theory, Embracing Alienation reveals a new way of conceiving how we measure progress — or even if progress should be the aim at all.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3459</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4cc1dc4a-145c-11ef-8122-ab61c44cdea2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9536784193.mp3?updated=1715959584" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ban Wang, "At Home in Nature: Technology, Labor, and Critical Ecology in Modern China" (Duke UP, 2022)</title>
      <description>In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth.
Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997).
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ban Wang</itunes:subtitle>
      <itunes:summary>In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth.
Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997).
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
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      <content:encoded>
        <![CDATA[<p>In his latest book <a href="https://bookshop.org/a/12343/9781478024729"><em>At Home in Nature: Technology, Labor, and Critical Ecology in Modern China</em></a> (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth.</p><p>Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include <em>China in the World: Culture, Politics, and World Vision</em> (Duke UP, 2022), <em>Illuminations from the Past: Trauma, Memory, and History in Modern China</em> (Stanford UP, 2004), <em>History and Memory: A Critique of Global Modernity</em> (Oxford UP, 2004),<em> Narrative Perspective and Irony in Chinese and American Fiction</em> (Edwin Mellen, 2002), and <em>The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century </em>(Stanford UP, 1997).</p><p><em>Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sony Coráñez Bolton, "Crip Colony: Mestizaje, US Imperialism, and the Queer Politics of Disability in the Philippines" (Duke UP, 2023)</title>
      <description>In Crip Colony: Mestizaje, US Imperialism, and the Queer Politics of Disability in the Philippines (Duke UP, 2023), Sony Coráñez Bolton examines the racial politics of disability, mestizaje, and sexuality in the Philippines. Drawing on literature, poetry, colonial records, political essays, travel narratives, and visual culture, Coráñez Bolton traces how disability politics colluded with notions of Philippine mestizaje. He demonstrates that Filipino mestizo writers in the late nineteenth and early twentieth centuries used mestizaje as a racial ideology of ability that marked Indigenous inhabitants of the Philippines as lacking in civilization and in need of uplift and rehabilitation. Heteronormative, able-bodied, and able-minded mixed-race Filipinos offered a model and path for assimilation into the US empire. In this way, mestizaje allowed for supposedly superior mixed-race subjects to govern the archipelago in collusion with American imperialism. By bringing disability studies together with studies of colonialism and queer-of-color critique, Coráñez Bolton extends theorizations of mestizaje beyond the United States and Latin America while considering how Filipinx and Filipinx American thought fundamentally enhances understandings of the colonial body and the racial histories of disability.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sony Coráñez Bolton</itunes:subtitle>
      <itunes:summary>In Crip Colony: Mestizaje, US Imperialism, and the Queer Politics of Disability in the Philippines (Duke UP, 2023), Sony Coráñez Bolton examines the racial politics of disability, mestizaje, and sexuality in the Philippines. Drawing on literature, poetry, colonial records, political essays, travel narratives, and visual culture, Coráñez Bolton traces how disability politics colluded with notions of Philippine mestizaje. He demonstrates that Filipino mestizo writers in the late nineteenth and early twentieth centuries used mestizaje as a racial ideology of ability that marked Indigenous inhabitants of the Philippines as lacking in civilization and in need of uplift and rehabilitation. Heteronormative, able-bodied, and able-minded mixed-race Filipinos offered a model and path for assimilation into the US empire. In this way, mestizaje allowed for supposedly superior mixed-race subjects to govern the archipelago in collusion with American imperialism. By bringing disability studies together with studies of colonialism and queer-of-color critique, Coráñez Bolton extends theorizations of mestizaje beyond the United States and Latin America while considering how Filipinx and Filipinx American thought fundamentally enhances understandings of the colonial body and the racial histories of disability.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478019565"><em>Crip Colony: Mestizaje, US Imperialism, and the Queer Politics of Disability in the Philippines</em></a> (Duke UP, 2023), Sony Coráñez Bolton examines the racial politics of disability, mestizaje, and sexuality in the Philippines. Drawing on literature, poetry, colonial records, political essays, travel narratives, and visual culture, Coráñez Bolton traces how disability politics colluded with notions of Philippine mestizaje. He demonstrates that Filipino mestizo writers in the late nineteenth and early twentieth centuries used mestizaje as a racial ideology of ability that marked Indigenous inhabitants of the Philippines as lacking in civilization and in need of uplift and rehabilitation. Heteronormative, able-bodied, and able-minded mixed-race Filipinos offered a model and path for assimilation into the US empire. In this way, mestizaje allowed for supposedly superior mixed-race subjects to govern the archipelago in collusion with American imperialism. By bringing disability studies together with studies of colonialism and queer-of-color critique, Coráñez Bolton extends theorizations of mestizaje beyond the United States and Latin America while considering how Filipinx and Filipinx American thought fundamentally enhances understandings of the colonial body and the racial histories of disability.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2698</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Amy Schiller, "The Price of Humanity: How Philanthropy Went Wrong—And How to Fix It" (Melville House, 2023)</title>
      <description>Amy Schiller's The Price of Humanity: How Philanthropy Went Wrong—And How to Fix It (Melville House, 2023) makes an attempt to rescue philanthropy from its progressive decline into vanity projects that drive wealth inequality, so that it may support human flourishing as originally intended. The word “philanthropy” today makes people think big money—Bill and Melinda Gates, Warren Buffet, and Andrew Carnegie come to mind. The scope of suffering in the world seems to demand an industry of giving, and yet for all the billions that are dispensed, the wealthy never seem to lose any of their money and nothing seems to change. 
Journalist, academic and consultant Schiller shows how we get out of this stalemate by evaluating the history of philanthropy from the ideas of St. Augustine to the work of Lebron James. She argues philanthropy’s contemporary tendency to maintain obscene inequality and reduce every cause to dehumanizing technocratic terms is unacceptable, while maintaining an optimism about the soul and potential of philanthropy in principle. For philanthropy to get back to its literal roots—the love of humanity—Schiller argues that philanthropy can no longer be premised around basic survival. Public institutions must assume that burden so that philanthropy can shift its focus to initiatives that allow us to flourish into happier, more fulfilled human beings. Philanthropy has to get out of the business of saving lives if we are to save humanity.
Amy Schiller is a postdoctoral fellow at Dartmouth College in the Society of Fellows. Twitter. Website.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Anna Dyjach is a senior at Deerfield.  
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy Schiller</itunes:subtitle>
      <itunes:summary>Amy Schiller's The Price of Humanity: How Philanthropy Went Wrong—And How to Fix It (Melville House, 2023) makes an attempt to rescue philanthropy from its progressive decline into vanity projects that drive wealth inequality, so that it may support human flourishing as originally intended. The word “philanthropy” today makes people think big money—Bill and Melinda Gates, Warren Buffet, and Andrew Carnegie come to mind. The scope of suffering in the world seems to demand an industry of giving, and yet for all the billions that are dispensed, the wealthy never seem to lose any of their money and nothing seems to change. 
Journalist, academic and consultant Schiller shows how we get out of this stalemate by evaluating the history of philanthropy from the ideas of St. Augustine to the work of Lebron James. She argues philanthropy’s contemporary tendency to maintain obscene inequality and reduce every cause to dehumanizing technocratic terms is unacceptable, while maintaining an optimism about the soul and potential of philanthropy in principle. For philanthropy to get back to its literal roots—the love of humanity—Schiller argues that philanthropy can no longer be premised around basic survival. Public institutions must assume that burden so that philanthropy can shift its focus to initiatives that allow us to flourish into happier, more fulfilled human beings. Philanthropy has to get out of the business of saving lives if we are to save humanity.
Amy Schiller is a postdoctoral fellow at Dartmouth College in the Society of Fellows. Twitter. Website.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Anna Dyjach is a senior at Deerfield.  
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amy Schiller's <a href="https://bookshop.org/a/12343/9781685890223"><em>The Price of Humanity: How Philanthropy Went Wrong—And How to Fix It</em></a> (Melville House, 2023) makes an attempt to rescue philanthropy from its progressive decline into vanity projects that drive wealth inequality, so that it may support human flourishing as originally intended. The word “philanthropy” today makes people think big money—Bill and Melinda Gates, Warren Buffet, and Andrew Carnegie come to mind. The scope of suffering in the world seems to demand an industry of giving, and yet for all the billions that are dispensed, the wealthy never seem to lose any of their money and nothing seems to change. </p><p>Journalist, academic and consultant Schiller shows how we get out of this stalemate by evaluating the history of philanthropy from the ideas of St. Augustine to the work of Lebron James. She argues philanthropy’s contemporary tendency to maintain obscene inequality and reduce every cause to dehumanizing technocratic terms is unacceptable, while maintaining an optimism about the soul and potential of philanthropy in principle. For philanthropy to get back to its literal roots—the love of humanity—Schiller argues that philanthropy can no longer be premised around basic survival. Public institutions must assume that burden so that philanthropy can shift its focus to initiatives that allow us to flourish into happier, more fulfilled human beings. Philanthropy has to get out of the business of saving lives if we are to save humanity.</p><p>Amy Schiller is a postdoctoral fellow at Dartmouth College in the Society of Fellows. <a href="https://twitter.com/AmyTheSchill">Twitter</a>. <a href="https://www.amybessschiller.com/about">Website</a>.</p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em> <em>Anna Dyjach is a senior at Deerfield. </em> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2316</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9b96e6f2-1066-11ef-875b-435006cee7c4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4230032144.mp3?updated=1715522323" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Woodson, "The Black Ceiling: How Race Still Matters in the Elite Workplace" (U Chicago Press, 2023)</title>
      <description>America's elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don't advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a "Black ceiling."
Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn't explicit bias but racial discomfort, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: social alienation, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and stigma anxiety, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America's segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort.
Offering a new perspective on a pressing social issue, The Black Ceiling: How Race Still Matters in the Elite Workplace (U Chicago Press, 2023) is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>460</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin Woodson</itunes:subtitle>
      <itunes:summary>America's elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don't advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a "Black ceiling."
Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn't explicit bias but racial discomfort, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: social alienation, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and stigma anxiety, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America's segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort.
Offering a new perspective on a pressing social issue, The Black Ceiling: How Race Still Matters in the Elite Workplace (U Chicago Press, 2023) is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>America's elite law firms, investment banks, and management consulting firms are known for grueling hours, low odds of promotion, and personnel practices that push out any employees who don't advance. While most people who begin their careers in these institutions leave within several years, work there is especially difficult for Black professionals, who exit more quickly and receive far fewer promotions than their White counterparts, hitting a "Black ceiling."</p><p>Sociologist and law professor Kevin Woodson knows firsthand what life at a top law firm feels like as a Black man. Examining the experiences of more than one hundred Black professionals at prestigious firms, Woodson discovers that their biggest obstacle in the workplace isn't explicit bias but <em>racial discomfort</em>, or the unease Black employees feel in workplaces that are steeped in Whiteness. He identifies two types of racial discomfort: <em>social alienation</em>, the isolation stemming from the cultural exclusion Black professionals experience in White spaces, and <em>stigma anxiety</em>, the trepidation they feel over the risk of discriminatory treatment. While racial discomfort is caused by America's segregated social structures, it can exist even in the absence of racial discrimination, which highlights the inadequacy of the unconscious bias training now prevalent in corporate workplaces. Firms must do more than prevent discrimination, Woodson explains, outlining the steps that firms and Black professionals can take to ease racial discomfort.</p><p>Offering a new perspective on a pressing social issue, <a href="https://bookshop.org/a/12343/9780226828725"><em>The Black Ceiling: How Race Still Matters in the Elite Workplace</em></a> (U Chicago Press, 2023) is a vital resource for leaders at preeminent firms, Black professionals and students, managers within mostly White organizations, and anyone committed to cultivating diverse workplaces.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e44f89b6-105d-11ef-9242-3fee25733706]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5927435341.mp3?updated=1715518547" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pamela Aronson and Matthew R. Fleming, "Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life" (Routledge, 2023)</title>
      <description>Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life (Routledge, 2023) by Dr. Pamela Aronson and Matthew R. Fleming carefully examines the profound transformations happening in both public and private arenas of gender relations. It also draws critical attention to the simultaneous and potent challenges that have risen in response.
The authors look to large-scale phenomena in this contemporary study and address how electoral politics and the #MeToo movement are reshaping everyday life. This gender revolution has led to a culture in which women, and increasing numbers of men, refuse to accept traditional gender norms and gender inequalities. People of all genders no longer tolerate abuses of power in politics or in their interpersonal relationships. Despite vigorous resistance, women are seizing power and refusing to back down, in ways both large and small. The authors note on the one hand that people of all genders in support of these transformations are voting for progressive candidates, engaging on social media, and making their interpersonal relationships more equal. On the other hand, they document considerable backlash and contestation, as some people are resisting these changes and creating adversarial gender divisions. Probing across these issues, the book develops an analysis of gendered social and cultural change that reveals how movement ideas diffuse into broader culture.
Gender Revolution presents a vibrant and essential study for a moment marked by significant changes to attitudes, beliefs, and views surrounding gender and gender relations and will appeal to readers interested in the scholarly study of gender, society, politics, media, law, and culture.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 12 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>236</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pamela Aronson</itunes:subtitle>
      <itunes:summary>Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life (Routledge, 2023) by Dr. Pamela Aronson and Matthew R. Fleming carefully examines the profound transformations happening in both public and private arenas of gender relations. It also draws critical attention to the simultaneous and potent challenges that have risen in response.
The authors look to large-scale phenomena in this contemporary study and address how electoral politics and the #MeToo movement are reshaping everyday life. This gender revolution has led to a culture in which women, and increasing numbers of men, refuse to accept traditional gender norms and gender inequalities. People of all genders no longer tolerate abuses of power in politics or in their interpersonal relationships. Despite vigorous resistance, women are seizing power and refusing to back down, in ways both large and small. The authors note on the one hand that people of all genders in support of these transformations are voting for progressive candidates, engaging on social media, and making their interpersonal relationships more equal. On the other hand, they document considerable backlash and contestation, as some people are resisting these changes and creating adversarial gender divisions. Probing across these issues, the book develops an analysis of gendered social and cultural change that reveals how movement ideas diffuse into broader culture.
Gender Revolution presents a vibrant and essential study for a moment marked by significant changes to attitudes, beliefs, and views surrounding gender and gender relations and will appeal to readers interested in the scholarly study of gender, society, politics, media, law, and culture.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032125954"><em>Gender Revolution: How Electoral Politics and #MeToo are Reshaping Everyday Life</em></a><em> </em>(Routledge, 2023) by Dr. Pamela Aronson and Matthew R. Fleming carefully examines the profound transformations happening in both public and private arenas of gender relations. It also draws critical attention to the simultaneous and potent challenges that have risen in response.</p><p>The authors look to large-scale phenomena in this contemporary study and address how electoral politics and the #MeToo movement are reshaping everyday life. This gender revolution has led to a culture in which women, and increasing numbers of men, refuse to accept traditional gender norms and gender inequalities. People of all genders no longer tolerate abuses of power in politics or in their interpersonal relationships. Despite vigorous resistance, women are seizing power and refusing to back down, in ways both large and small. The authors note on the one hand that people of all genders in support of these transformations are voting for progressive candidates, engaging on social media, and making their interpersonal relationships more equal. On the other hand, they document considerable backlash and contestation, as some people are resisting these changes and creating adversarial gender divisions. Probing across these issues, the book develops an analysis of gendered social and cultural change that reveals how movement ideas diffuse into broader culture.</p><p><em>Gender Revolution </em>presents a vibrant and essential study for a moment marked by significant changes to attitudes, beliefs, and views surrounding gender and gender relations and will appeal to readers interested in the scholarly study of gender, society, politics, media, law, and culture.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3855</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[94d0a60a-0fc1-11ef-adc2-db193386aaae]]></guid>
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    </item>
    <item>
      <title>Alissa Quart, "Bootstrapped: Liberating Ourselves from the American Dream" (Ecco Press, 2023)</title>
      <description>The promise that you can "pull yourself up by your bootstraps" is central to the story of the American Dream. It's the belief that if you work hard and rely on your own resources, you will eventually succeed. However, time and again we have seen how this foundational myth, with its emphasis on individual determination, brittle self-sufficiency, and personal accomplishment, does not help us. Instead, as income inequality rises around us, we are left with shame and self-blame for our condition.
Alissa Quart argues that at the heart of our suffering is a do-it-yourself ethos, the misplaced belief in our own independence and the conviction that we must rely on ourselves alone. Looking at a range of delusions and half solutions--from "grit" to the false Horatio Alger story to the rise of GoFundMe--Quart reveals how we have been steered away from robust social programs that would address the root causes of our problems. Meanwhile, the responsibility for survival has been shifted onto the backs of ordinary people, burdening generations with debt instead of providing the social safety net we so desperately need.
Insightful, sharply argued, and characterized by Quart's lively writing and deep reporting, and for fans of Evicted and Nickel and Dimed, Bootstrapped: Liberating Ourselves from the American Dream (Ecco Press, 2023) is a powerful examination of what ails us at a societal level and a plan for how we can free ourselves from these self-defeating narratives

Acclaimed journalist Alissa Quart is a contributor to The Washington Post and New York Times and the author of several nonfiction works including Branded: The Buying and Selling of Teenagers and Squeezed: Why our Families Can’t Afford America, as well as works of poetry like Thoughts and Prayers. Alissa Quart is the executive director of the Economic Hardship Reporting Project and the editor with David Wallis of Going for Broke: Living on the Edge in the world’s richest country which we discussed on this podcast in February.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 11 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alissa Quart</itunes:subtitle>
      <itunes:summary>The promise that you can "pull yourself up by your bootstraps" is central to the story of the American Dream. It's the belief that if you work hard and rely on your own resources, you will eventually succeed. However, time and again we have seen how this foundational myth, with its emphasis on individual determination, brittle self-sufficiency, and personal accomplishment, does not help us. Instead, as income inequality rises around us, we are left with shame and self-blame for our condition.
Alissa Quart argues that at the heart of our suffering is a do-it-yourself ethos, the misplaced belief in our own independence and the conviction that we must rely on ourselves alone. Looking at a range of delusions and half solutions--from "grit" to the false Horatio Alger story to the rise of GoFundMe--Quart reveals how we have been steered away from robust social programs that would address the root causes of our problems. Meanwhile, the responsibility for survival has been shifted onto the backs of ordinary people, burdening generations with debt instead of providing the social safety net we so desperately need.
Insightful, sharply argued, and characterized by Quart's lively writing and deep reporting, and for fans of Evicted and Nickel and Dimed, Bootstrapped: Liberating Ourselves from the American Dream (Ecco Press, 2023) is a powerful examination of what ails us at a societal level and a plan for how we can free ourselves from these self-defeating narratives

Acclaimed journalist Alissa Quart is a contributor to The Washington Post and New York Times and the author of several nonfiction works including Branded: The Buying and Selling of Teenagers and Squeezed: Why our Families Can’t Afford America, as well as works of poetry like Thoughts and Prayers. Alissa Quart is the executive director of the Economic Hardship Reporting Project and the editor with David Wallis of Going for Broke: Living on the Edge in the world’s richest country which we discussed on this podcast in February.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The promise that you can "pull yourself up by your bootstraps" is central to the story of the American Dream. It's the belief that if you work hard and rely on your own resources, you will eventually succeed. However, time and again we have seen how this foundational myth, with its emphasis on individual determination, brittle self-sufficiency, and personal accomplishment, does not help us. Instead, as income inequality rises around us, we are left with shame and self-blame for our condition.</p><p>Alissa Quart argues that at the heart of our suffering is a do-it-yourself ethos, the misplaced belief in our own independence and the conviction that we must rely on ourselves alone. Looking at a range of delusions and half solutions--from "grit" to the false Horatio Alger story to the rise of GoFundMe--Quart reveals how we have been steered away from robust social programs that would address the root causes of our problems. Meanwhile, the responsibility for survival has been shifted onto the backs of ordinary people, burdening generations with debt instead of providing the social safety net we so desperately need.</p><p>Insightful, sharply argued, and characterized by Quart's lively writing and deep reporting, and for fans of <em>Evicted</em> and <em>Nickel and Dimed, </em><a href="https://bookshop.org/a/12343/9780063028005"><em>Bootstrapped: Liberating Ourselves from the American Dream</em></a><em> </em>(Ecco Press, 2023) is a powerful examination of what ails us at a societal level and a plan for how we can free ourselves from these self-defeating narratives</p><p><br></p><p>Acclaimed journalist Alissa Quart is a contributor to <em>The Washington Post </em>and<em> New York Times </em>and the author of several nonfiction works including <em>Branded: The Buying and Selling of Teenagers </em>and <em>Squeezed: Why our Families Can’t Afford America, </em>as well as works of poetry like <em>Thoughts and Prayers. </em>Alissa Quart is the executive director of the Economic Hardship Reporting Project and the editor with David Wallis of <em>Going for Broke: Living on the Edge in the world’s richest country </em>which we discussed on this podcast in February.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3809</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kate Maclean, "Cash, Clothes, and Construction: Rethinking Value in Bolivia's Pluri-economy" (U Minnesota Press, 2023)</title>
      <description>How do alternative economic ideas and practices develop? In Cash, Clothes, and Construction: Rethinking Value in Bolivia’s Pluri-economy (U Minnesota Press, 2023),  Kate Maclean, an Associate Professor at the Institute for Global Prosperity, University College London, considers the Pluri-economy of Bolivia to rethink ideas about gender, politics, development and the state. The book uses three core case studies, money, clothing, and construction, to explore how economic alternatives have emerged in Bolivia since the 2005 election of Evo Morales and the Movement for Socialism (MAS). The book offers a feminist critique of both the expectations of neoliberal economics, and MAS’s alternatives, drawing on the perspectives and insights of indigenous women in Bolivia. Drawing on a deep engagement with place, as well as a rich theoretical and empirical contribution, the book will be essential reading across social science and humanities, as well as for anyone interested in alternatives to our current economic settlement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 11 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>455</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kate Maclean</itunes:subtitle>
      <itunes:summary>How do alternative economic ideas and practices develop? In Cash, Clothes, and Construction: Rethinking Value in Bolivia’s Pluri-economy (U Minnesota Press, 2023),  Kate Maclean, an Associate Professor at the Institute for Global Prosperity, University College London, considers the Pluri-economy of Bolivia to rethink ideas about gender, politics, development and the state. The book uses three core case studies, money, clothing, and construction, to explore how economic alternatives have emerged in Bolivia since the 2005 election of Evo Morales and the Movement for Socialism (MAS). The book offers a feminist critique of both the expectations of neoliberal economics, and MAS’s alternatives, drawing on the perspectives and insights of indigenous women in Bolivia. Drawing on a deep engagement with place, as well as a rich theoretical and empirical contribution, the book will be essential reading across social science and humanities, as well as for anyone interested in alternatives to our current economic settlement.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do alternative economic ideas and practices develop? In <a href="https://bookshop.org/a/12343/9781517915964"><em>Cash, Clothes, and Construction: Rethinking Value in Bolivia’s Pluri-economy</em></a><em> </em>(U Minnesota Press, 2023),<em> </em> <a href="https://twitter.com/DrKate99">Kate Maclean</a>, an Associate Professor at the <a href="https://www.ucl.ac.uk/bartlett/igp/dr-kate-maclean">Institute for Global Prosperity, University College London</a>, considers the Pluri-economy of Bolivia to rethink ideas about gender, politics, development and the state. The book uses three core case studies, money, clothing, and construction, to explore how economic alternatives have emerged in Bolivia since the 2005 election of Evo Morales and the Movement for Socialism (MAS). The book offers a feminist critique of both the expectations of neoliberal economics, and MAS’s alternatives, drawing on the perspectives and insights of indigenous women in Bolivia. Drawing on a deep engagement with place, as well as a rich theoretical and empirical contribution, the book will be essential reading across social science and humanities, as well as for anyone interested in alternatives to our current economic settlement.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3682</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eeba5816-0eed-11ef-930b-a792c9246fd9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5466483355.mp3?updated=1715362719" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tiziano Bonini and Emiliano Trere, "Algorithms of Resistance: The Everyday Fight against Platform Power" (MIT Press, 2024)</title>
      <description>What are the tactics needed for a world of platforms and algorithms? In Algorithms of Resistance: The Everyday Fight against Platform Power (MIT Press, 2024), Tiziano Bonini, Associate Professor in Sociology of Culture and Communication at the University of Siena, and Emiliano Treré, a Reader in Data Agency and Media Ecologies at Cardiff University, examine the impact of platforms and algorithms on people, communities, and global social life. The book explores these issues using three case studies of gig work, culture, and politics. At its heart, the book demonstrates the potential for transforming the seeming total control of platforms and algorithms through the tactics and strategies of workers, artists, and social movements. The book is essential reading across humanities, social sciences, and computing, as well as for anyone interested in contemporary digital life. The book is available open access here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>453</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tiziano Bonini and Emiliano Trere</itunes:subtitle>
      <itunes:summary>What are the tactics needed for a world of platforms and algorithms? In Algorithms of Resistance: The Everyday Fight against Platform Power (MIT Press, 2024), Tiziano Bonini, Associate Professor in Sociology of Culture and Communication at the University of Siena, and Emiliano Treré, a Reader in Data Agency and Media Ecologies at Cardiff University, examine the impact of platforms and algorithms on people, communities, and global social life. The book explores these issues using three case studies of gig work, culture, and politics. At its heart, the book demonstrates the potential for transforming the seeming total control of platforms and algorithms through the tactics and strategies of workers, artists, and social movements. The book is essential reading across humanities, social sciences, and computing, as well as for anyone interested in contemporary digital life. The book is available open access here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the tactics needed for a world of platforms and algorithms? In <a href="https://bookshop.org/a/12343/9780262547420"><em>Algorithms of Resistance: The Everyday Fight against Platform Power</em></a> (MIT Press, 2024), <a href="https://twitter.com/tbonini">Tiziano Bonini</a>, <a href="http://mediameditazioni.com/en/">Associate Professor in Sociology of Culture and Communication</a> at the <a href="https://docenti.unisi.it/it/bonini-baldini">University of Siena</a>, and <a href="https://twitter.com/EmilianoTrere">Emiliano Treré</a>, a <a href="https://www.emilianotrere.com/">Reader in Data Agency and Media Ecologies</a> at <a href="https://profiles.cardiff.ac.uk/staff/treree">Cardiff University</a>, examine the impact of platforms and algorithms on people, communities, and global social life. The book explores these issues using three case studies of gig work, culture, and politics. At its heart, the book demonstrates the potential for transforming the seeming total control of platforms and algorithms through the tactics and strategies of workers, artists, and social movements. The book is essential reading across humanities, social sciences, and computing, as well as for anyone interested in contemporary digital life. The book is available open access <a href="https://direct.mit.edu/books/oa-monograph/5721/Algorithms-of-ResistanceThe-Everyday-Fight-against">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2378</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8920861681.mp3?updated=1715279110" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022)</title>
      <description>While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.
Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julia Havas</itunes:subtitle>
      <itunes:summary>While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.
Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, <a href="https://bookshop.org/a/12343/9780814346556"><em>Woman Up: Invoking Feminism in Quality Television</em></a> (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In <em>Woman Up</em>, Dr. Havas’ central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other.</p><p>Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—<em>Woman Up</em> demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4401</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Salar Mameni, "Terracene: A Crude Aesthetics" (Duke UP, 2023)</title>
      <description>In Terracene: A Crude Aesthetics (Duke UP, 2023), Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.
Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni has published articles in Signs, Women &amp; Performance, Al-Raida Journal, Fuse Magazine, Fillip Review and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 05 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Salar Mameni</itunes:subtitle>
      <itunes:summary>In Terracene: A Crude Aesthetics (Duke UP, 2023), Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.
Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni has published articles in Signs, Women &amp; Performance, Al-Raida Journal, Fuse Magazine, Fillip Review and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025061"><em>Terracene: A Crude Aesthetics</em></a><em> </em>(Duke UP, 2023), Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.</p><p><a href="https://ethnicstudies.berkeley.edu/people/sara-mameni/">Salar Mameni</a> is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni has published articles in <em>Signs</em>, <em>Women &amp; Performance</em>, <em>Al-Raida Journal</em>, <em>Fuse Magazine</em>, <em>Fillip Review </em>and <em>Canadian Art Journal, and has </em>written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.</p><p><a href="https://www.bu.edu/wgs/profile/najwa-mayer/"><em>Najwa Mayer</em></a><em> is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Céline Bessière and Sibylle Gollac, "The Gender of Capital: How Families Perpetuate Wealth Inequality" (Harvard UP, 2023)</title>
      <description>In many countries, property law grants equal rights to men and women. Why, then, do women still accumulate less wealth than men? Combining quantitative, ethnographic, and archival research, The Gender of Capital: How Families Perpetuate Wealth Inequality (Harvard UP, 2023) explains how and why, in every class of society, women are economically disadvantaged with respect to their husbands, fathers, and brothers. The reasons lie with the unfair economic arrangements that play out in divorce proceedings, estate planning, and other crucial situations where law and family life intersect.
Céline Bessière and Sibylle Gollac argue that, whatever the law intends, too many outcomes are imprinted with unthought sexism. In private decisions, old habits die hard: families continue to allocate resources disproportionately to benefit boys and men. Meanwhile, the legal profession remains in thrall to assumptions that reinforce gender inequality. Bessière and Gollac marshal a range of economic data documenting these biases. They also examine scores of family histories and interview family members, lawyers, and notaries to identify the accounting tricks that tip the scales in favor of men.
Women across the class spectrum—from poor single mothers to MacKenzie Scott, ex-wife of Amazon billionaire Jeff Bezos—can face systematic economic disadvantages in divorce cases. The same is true in matters of inheritance and succession in family-owned businesses. Moreover, these disadvantages perpetuate broader social disparities beyond gender inequality. As Bessière and Gollac make clear, the appropriation of capital by men has helped to secure the rigid hierarchies of contemporary class society itself.
Céline Bessière is Professor of Sociology at the University of Paris-Dauphine.
Sibylle Gollac is a researcher in sociology at the National Centre for Scientific Research. 
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>453</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Céline Bessière and Sibylle Gollac</itunes:subtitle>
      <itunes:summary>In many countries, property law grants equal rights to men and women. Why, then, do women still accumulate less wealth than men? Combining quantitative, ethnographic, and archival research, The Gender of Capital: How Families Perpetuate Wealth Inequality (Harvard UP, 2023) explains how and why, in every class of society, women are economically disadvantaged with respect to their husbands, fathers, and brothers. The reasons lie with the unfair economic arrangements that play out in divorce proceedings, estate planning, and other crucial situations where law and family life intersect.
Céline Bessière and Sibylle Gollac argue that, whatever the law intends, too many outcomes are imprinted with unthought sexism. In private decisions, old habits die hard: families continue to allocate resources disproportionately to benefit boys and men. Meanwhile, the legal profession remains in thrall to assumptions that reinforce gender inequality. Bessière and Gollac marshal a range of economic data documenting these biases. They also examine scores of family histories and interview family members, lawyers, and notaries to identify the accounting tricks that tip the scales in favor of men.
Women across the class spectrum—from poor single mothers to MacKenzie Scott, ex-wife of Amazon billionaire Jeff Bezos—can face systematic economic disadvantages in divorce cases. The same is true in matters of inheritance and succession in family-owned businesses. Moreover, these disadvantages perpetuate broader social disparities beyond gender inequality. As Bessière and Gollac make clear, the appropriation of capital by men has helped to secure the rigid hierarchies of contemporary class society itself.
Céline Bessière is Professor of Sociology at the University of Paris-Dauphine.
Sibylle Gollac is a researcher in sociology at the National Centre for Scientific Research. 
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In many countries, property law grants equal rights to men and women. Why, then, do women still accumulate less wealth than men? Combining quantitative, ethnographic, and archival research, <a href="https://bookshop.org/a/12343/9780674271791"><em>The Gender of Capital: How Families Perpetuate Wealth Inequality</em></a><em> </em>(Harvard UP, 2023) explains how and why, in every class of society, women are economically disadvantaged with respect to their husbands, fathers, and brothers. The reasons lie with the unfair economic arrangements that play out in divorce proceedings, estate planning, and other crucial situations where law and family life intersect.</p><p>Céline Bessière and Sibylle Gollac argue that, whatever the law intends, too many outcomes are imprinted with unthought sexism. In private decisions, old habits die hard: families continue to allocate resources disproportionately to benefit boys and men. Meanwhile, the legal profession remains in thrall to assumptions that reinforce gender inequality. Bessière and Gollac marshal a range of economic data documenting these biases. They also examine scores of family histories and interview family members, lawyers, and notaries to identify the accounting tricks that tip the scales in favor of men.</p><p>Women across the class spectrum—from poor single mothers to MacKenzie Scott, ex-wife of Amazon billionaire Jeff Bezos—can face systematic economic disadvantages in divorce cases. The same is true in matters of inheritance and succession in family-owned businesses. Moreover, these disadvantages perpetuate broader social disparities beyond gender inequality. As Bessière and Gollac make clear, the appropriation of capital by men has helped to secure the rigid hierarchies of contemporary class society itself.</p><p>Céline Bessière is Professor of Sociology at the University of Paris-Dauphine.</p><p>Sibylle Gollac is a researcher in sociology at the National Centre for Scientific Research. </p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3832</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9976613657.mp3?updated=1714663585" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nietzsche Now! with Glenn Wallis</title>
      <description>What would Nietzsche say… about today’s divisive issues and debates? I spoke with Glenn Wallis, author of the new book, Nietzsche Now!, on how the Great Immoralist guides us in understanding democracy, identity, civilization, consciousness, religion, and other urgent topics of our time. Wallis identifies six guiding principles in Nietzsche’s work that help navigate today’s concerns: curiosity, humor, courage, distance, solitude, and humor. Steeped in Nietzsche but never academic, dogmatic, or pious (which Nietzsche would have hated!), Wallis explains with infectious enthusiasm and meticulous care the reasons why Nietzsche may be the most relevant thinker for our time.
Glenn Wallis is the editor and translator of The Dhammapada and Basic Teachings of the Buddha (Random House), and the author of A Critique of Western Buddhism (Bloomsbury), An Anarchist’s Manifesto, and How to Fix Education (both with Warbler Press). He holds a Ph.D. from Harvard University and has taught at several universities, including Brown University, and at the University of Georgia as a tenured professor. He is the founder and director of Incite Seminars in Philadelphia.
Nietzsche Now! The Great Immoralist on the Vital Issues of Our Time (Warbler Press, 2023) is now available wherever books are sold.
Other Think About It episodes mentioned in this podcast:

Béatrice Longueness on Immanuel Kant’s What is Englightenment?


Melissa Schwartzberg on Jean-Jacques Rousseau’s The Social Contract

Glenn Wallis on Kahlil Gibran’s The Prophet

Ruth Ben-Ghiat on Threats to Democracy and H. L. Mencken’s Notes on Democracy


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What would Nietzsche say… about today’s divisive issues and debates? I spoke with Glenn Wallis, author of the new book, Nietzsche Now!, on how the Great Immoralist guides us in understanding democracy, identity, civilization, consciousness, religion, and other urgent topics of our time. Wallis identifies six guiding principles in Nietzsche’s work that help navigate today’s concerns: curiosity, humor, courage, distance, solitude, and humor. Steeped in Nietzsche but never academic, dogmatic, or pious (which Nietzsche would have hated!), Wallis explains with infectious enthusiasm and meticulous care the reasons why Nietzsche may be the most relevant thinker for our time.
Glenn Wallis is the editor and translator of The Dhammapada and Basic Teachings of the Buddha (Random House), and the author of A Critique of Western Buddhism (Bloomsbury), An Anarchist’s Manifesto, and How to Fix Education (both with Warbler Press). He holds a Ph.D. from Harvard University and has taught at several universities, including Brown University, and at the University of Georgia as a tenured professor. He is the founder and director of Incite Seminars in Philadelphia.
Nietzsche Now! The Great Immoralist on the Vital Issues of Our Time (Warbler Press, 2023) is now available wherever books are sold.
Other Think About It episodes mentioned in this podcast:

Béatrice Longueness on Immanuel Kant’s What is Englightenment?


Melissa Schwartzberg on Jean-Jacques Rousseau’s The Social Contract

Glenn Wallis on Kahlil Gibran’s The Prophet

Ruth Ben-Ghiat on Threats to Democracy and H. L. Mencken’s Notes on Democracy


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What would Nietzsche say… about today’s divisive issues and debates? I spoke with Glenn Wallis, author of the new book, <a href="https://bookshop.org/a/12343/9781962572415"><em>Nietzsche Now!</em></a>, on how the Great Immoralist guides us in understanding democracy, identity, civilization, consciousness, religion, and other urgent topics of our time. Wallis identifies six guiding principles in Nietzsche’s work that help navigate today’s concerns: curiosity, humor, courage, distance, solitude, and humor. Steeped in Nietzsche but never academic, dogmatic, or pious (which Nietzsche would have hated!), Wallis explains with infectious enthusiasm and meticulous care the reasons why Nietzsche may be the most relevant thinker for our time.</p><p>Glenn Wallis is the editor and translator of <em>The</em> <em>Dhammapada</em> and <em>Basic Teachings of the Buddha</em> (Random House), and the author of <em>A Critique of Western Buddhism</em> (Bloomsbury), <em>An Anarchist’s Manifesto,</em> and <em>How to Fix Education</em> (both with Warbler Press). He holds a Ph.D. from Harvard University and has taught at several universities, including Brown University, and at the University of Georgia as a tenured professor. He is the founder and director of Incite Seminars in Philadelphia.</p><p><a href="https://warblerpress.com/nietzsche-now/"><em>Nietzsche Now! The Great Immoralist on the Vital Issues of Our Time</em></a> (Warbler Press, 2023) is now available wherever books are sold.</p><p>Other <em>Think About It</em> episodes mentioned in this podcast:</p><ul>
<li>Béatrice Longueness on Immanuel Kant’s <a href="https://newbooksnetwork.com/great-books-28-what-is-enlightenment-by-immanuel-kant-with-b%C3%A9atrice-longuenesse"><em>What is Englightenment?</em></a>
</li>
<li><a href="https://newbooksnetwork.com/great-books-melissa-schwartzberg-on-rousseaus-the-social-contract#entry:2040@1:url">Melissa Schwartzberg on Jean-Jacques Rousseau’s <em>The Social Contract</em></a></li>
<li><a href="https://newbooksnetwork.com/great-books-glenn-wallis-on-gibrans-the-prophet#entry:3875@1:url">Glenn Wallis on Kahlil Gibran’s <em>The Prophet</em></a></li>
<li><a href="https://newbooksnetwork.com/strongmen-mussolini-to-the-present#entry:277536@1:url">Ruth Ben-Ghiat on Threats to Democracy and H. L. Mencken’s <em>Notes on Democracy</em></a></li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4526</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49269632-072f-11ef-8126-7f2ef0689919]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9884119692.mp3?updated=1714508609" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Justin O’Connor, "Culture is Not an Industry: Reclaiming Art and Culture for the Common" (Manchester UP, 2024)</title>
      <description>According to Dr. Justin O’Connor, culture is at the heart of what it means to be human. But twenty-five years ago, the British government rebranded art and culture as 'creative industries', valued for their economic contribution, and set out to launch the UK as the creative workshop of a globalised world.
Where does that leave art and culture now? Facing exhausted workers and a lack of funding and vision, culture finds itself in the grip of accountancy firms, creativity gurus and Ted Talkers. At a time of sweeping geo-political turmoil, culture has been de-politicised, its radical energies reduced to factors of industrial production. Culture is Not an Industry: Reclaiming Art and Culture for the Common (Manchester UP, 2024) is about what happens when an essential part of our democratic citizenship, fundamental to our human rights, is reduced to an industry.
Culture is not an industry argues that art and culture need to renew their social contract and re-align with the radical agenda for a more equitable future. Bold and uncompromising, the book offers a powerful vision for change.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>353</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Justin O’Connor</itunes:subtitle>
      <itunes:summary>According to Dr. Justin O’Connor, culture is at the heart of what it means to be human. But twenty-five years ago, the British government rebranded art and culture as 'creative industries', valued for their economic contribution, and set out to launch the UK as the creative workshop of a globalised world.
Where does that leave art and culture now? Facing exhausted workers and a lack of funding and vision, culture finds itself in the grip of accountancy firms, creativity gurus and Ted Talkers. At a time of sweeping geo-political turmoil, culture has been de-politicised, its radical energies reduced to factors of industrial production. Culture is Not an Industry: Reclaiming Art and Culture for the Common (Manchester UP, 2024) is about what happens when an essential part of our democratic citizenship, fundamental to our human rights, is reduced to an industry.
Culture is not an industry argues that art and culture need to renew their social contract and re-align with the radical agenda for a more equitable future. Bold and uncompromising, the book offers a powerful vision for change.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to <a href="https://people.unisa.edu.au/Justin.OConnor">Dr. Justin O’Connor</a>, culture is at the heart of what it means to be human. But twenty-five years ago, the British government rebranded art and culture as 'creative industries', valued for their economic contribution, and set out to launch the UK as the creative workshop of a globalised world.</p><p>Where does that leave art and culture now? Facing exhausted workers and a lack of funding and vision, culture finds itself in the grip of accountancy firms, creativity gurus and Ted Talkers. At a time of sweeping geo-political turmoil, culture has been de-politicised, its radical energies reduced to factors of industrial production. <a href="https://bookshop.org/a/12343/9781526171269"><em>Culture is Not an Industry: Reclaiming Art and Culture for the Common</em></a><em> </em>(Manchester UP, 2024) is about what happens when an essential part of our democratic citizenship, fundamental to our human rights, is reduced to an industry.</p><p>Culture is not an industry argues that art and culture need to renew their social contract and re-align with the radical agenda for a more equitable future. Bold and uncompromising, the book offers a powerful vision for change.</p><p><em>Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3586</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Adia Harvey Wingfield, "Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It" (Amistad Press, 2023)</title>
      <description>Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work—from getting a job to workplace norms to advancement and mobility—ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Dr. Adia Harvey Wingfield calls the “gray areas:” the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels, and rarely progress to senior leadership positions.
Dr. Wingfield has spent a decade examining inequality in the workplace, interviewing over two hundred Black subjects across professions about their work lives. In Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It (Amistad Press, 2023), she introduces seven of them: Alex, a worker in the gig economy Max, an emergency medicine doctor; Constance, a chemical engineer; Brian, a filmmaker; Amalia, a journalist; Darren, a corporate vice president; and Kevin, who works for a nonprofit.
In this accessible and important antiracist work, Dr. Wingfield chronicles their experiences and blends them with history and surprising data that starkly show how old models of work are outdated and detrimental. She demonstrates the scope and breadth of gray areas and offers key insights and suggestions for how they can be fixed, including shifting hiring practices to include Black workers; rethinking organizational cultures to centralize Black employees’ experience; and establishing pathways that move capable Black candidates into leadership roles. These reforms would create workplaces that reflect America’s increasingly diverse population—professionals whose needs organizations today are ill-prepared to meet.
It’s time to prepare for a truly equitable, multiracial future and move our culture forward. To do so, we must address the gray areas in our workspaces today. This definitive work shows us how.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>352</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adia Harvey Wingfield</itunes:subtitle>
      <itunes:summary>Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work—from getting a job to workplace norms to advancement and mobility—ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Dr. Adia Harvey Wingfield calls the “gray areas:” the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels, and rarely progress to senior leadership positions.
Dr. Wingfield has spent a decade examining inequality in the workplace, interviewing over two hundred Black subjects across professions about their work lives. In Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It (Amistad Press, 2023), she introduces seven of them: Alex, a worker in the gig economy Max, an emergency medicine doctor; Constance, a chemical engineer; Brian, a filmmaker; Amalia, a journalist; Darren, a corporate vice president; and Kevin, who works for a nonprofit.
In this accessible and important antiracist work, Dr. Wingfield chronicles their experiences and blends them with history and surprising data that starkly show how old models of work are outdated and detrimental. She demonstrates the scope and breadth of gray areas and offers key insights and suggestions for how they can be fixed, including shifting hiring practices to include Black workers; rethinking organizational cultures to centralize Black employees’ experience; and establishing pathways that move capable Black candidates into leadership roles. These reforms would create workplaces that reflect America’s increasingly diverse population—professionals whose needs organizations today are ill-prepared to meet.
It’s time to prepare for a truly equitable, multiracial future and move our culture forward. To do so, we must address the gray areas in our workspaces today. This definitive work shows us how.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Labor and race have shared a complex, interconnected history in America. For decades, key aspects of work—from getting a job to workplace norms to advancement and mobility—ignored and failed Black people. While explicit discrimination no longer occurs, and organizations make internal and public pledges to honor and achieve “diversity,” inequities persist through what Dr. Adia Harvey Wingfield calls the “gray areas:” the relationships, networks, and cultural dynamics integral to companies that are now more important than ever. The reality is that Black employees are less likely to be hired, stall out at middle levels, and rarely progress to senior leadership positions.</p><p>Dr. Wingfield has spent a decade examining inequality in the workplace, interviewing over two hundred Black subjects across professions about their work lives. In <a href="https://bookshop.org/a/12343/9780063079816"><em>Gray Areas: How the Way We Work Perpetuates Racism and What We Can Do to Fix It</em></a> (Amistad Press, 2023), she introduces seven of them: Alex, a worker in the gig economy Max, an emergency medicine doctor; Constance, a chemical engineer; Brian, a filmmaker; Amalia, a journalist; Darren, a corporate vice president; and Kevin, who works for a nonprofit.</p><p>In this accessible and important antiracist work, Dr. Wingfield chronicles their experiences and blends them with history and surprising data that starkly show how old models of work are outdated and detrimental. She demonstrates the scope and breadth of gray areas and offers key insights and suggestions for how they can be fixed, including shifting hiring practices to include Black workers; rethinking organizational cultures to centralize Black employees’ experience; and establishing pathways that move capable Black candidates into leadership roles. These reforms would create workplaces that reflect America’s increasingly diverse population—professionals whose needs organizations today are ill-prepared to meet.</p><p>It’s time to prepare for a truly equitable, multiracial future and move our culture forward. To do so, we must address the gray areas in our workspaces today. This definitive work shows us how.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2784</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[95f71c44-0652-11ef-8353-6b242266ea0e]]></guid>
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    </item>
    <item>
      <title>Andil Gosine, "Nature's Wild: Love, Sex, and Law in the Caribbean" (Duke UP, 2021)</title>
      <description>In Nature's Wild: Love, Sex, and Law in the Caribbean (Duke UP, 2021), Andil Gosine engages with questions of humanism, queer theory, and animality to examine and revise understandings of queer desire in the Caribbean. Surveying colonial law, visual art practices, and contemporary activism, Gosine shows how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially influenced human/animal divide. Gosine refutes this presupposed binary and embraces animality through a series of case studies: a homoerotic game called puhngah, the institution of gender-based dress codes in Guyana, and efforts toward the decriminalization of sodomy in Trinidad and Tobago—including the work of famed activist Colin Robinson, paintings of human animality by Guadeloupean artist Kelly Sinnapah Mary, and Gosine's own artistic practice. In so doing, he troubles the ways in which individual and collective anxieties about “wild natures” have shaped the existence of Caribbean people while calling for a reassessment of what political liberation might look like.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andil Gosine</itunes:subtitle>
      <itunes:summary>In Nature's Wild: Love, Sex, and Law in the Caribbean (Duke UP, 2021), Andil Gosine engages with questions of humanism, queer theory, and animality to examine and revise understandings of queer desire in the Caribbean. Surveying colonial law, visual art practices, and contemporary activism, Gosine shows how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially influenced human/animal divide. Gosine refutes this presupposed binary and embraces animality through a series of case studies: a homoerotic game called puhngah, the institution of gender-based dress codes in Guyana, and efforts toward the decriminalization of sodomy in Trinidad and Tobago—including the work of famed activist Colin Robinson, paintings of human animality by Guadeloupean artist Kelly Sinnapah Mary, and Gosine's own artistic practice. In so doing, he troubles the ways in which individual and collective anxieties about “wild natures” have shaped the existence of Caribbean people while calling for a reassessment of what political liberation might look like.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/natures-wild"><em>Nature's Wild: Love, Sex, and Law in the Caribbean</em></a> (Duke UP, 2021), Andil Gosine engages with questions of humanism, queer theory, and animality to examine and revise understandings of queer desire in the Caribbean. Surveying colonial law, visual art practices, and contemporary activism, Gosine shows how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially influenced human/animal divide. Gosine refutes this presupposed binary and embraces animality through a series of case studies: a homoerotic game called puhngah, the institution of gender-based dress codes in Guyana, and efforts toward the decriminalization of sodomy in Trinidad and Tobago—including the work of famed activist Colin Robinson, paintings of human animality by Guadeloupean artist Kelly Sinnapah Mary, and Gosine's own artistic practice. In so doing, he troubles the ways in which individual and collective anxieties about “wild natures” have shaped the existence of Caribbean people while calling for a reassessment of what political liberation might look like.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3862</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6dfb9006-055a-11ef-b7f1-8fe550be452a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1703023757.mp3?updated=1720722233" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ariella Aisha Azoulay, "Potential History: Unlearning Imperialism" (Verso, 2019)</title>
      <description>Ariella Aisha Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium s brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day.
In Potential History: Unlearning Imperialism (Verso, 2019), Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as 'past' and making the repair of torn worlds the substance of politics.
Ariella Aisha Azoulay is a professor of Modern Culture and Media and the Department of Comparative Literature at Brown University
Yorgos Giannakopoulos is an Academy of Athens postdoctoral research fellow at King’s Collage London
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 28 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ariella Aisha Azoulay</itunes:subtitle>
      <itunes:summary>Ariella Aisha Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium s brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day.
In Potential History: Unlearning Imperialism (Verso, 2019), Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as 'past' and making the repair of torn worlds the substance of politics.
Ariella Aisha Azoulay is a professor of Modern Culture and Media and the Department of Comparative Literature at Brown University
Yorgos Giannakopoulos is an Academy of Athens postdoctoral research fellow at King’s Collage London
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://vivo.brown.edu/display/aazoulay">Ariella Aisha Azoulay</a> argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium s brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day.</p><p>In <a href="http://www.amazon.com/dp/1788735714/?tag=newbooinhis-20"><em>Potential History: Unlearning Imperialism</em></a> (Verso, 2019), Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as 'past' and making the repair of torn worlds the substance of politics.</p><p>Ariella Aisha Azoulay is a professor of Modern Culture and Media and the Department of Comparative Literature at Brown University</p><p><em>Yorgos Giannakopoulos is an Academy of Athens postdoctoral research fellow at King’s Collage London</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3137</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Karyne Messina, "Barbie and the Great American Identity Crisis: The Unfortunate Reality of a Nation Plagued by Racism, Patriarchy, and Stark Hypocrisy" (Pi Press, 2024)</title>
      <description>Barbie and the Great American Identity Crisis (Pi Press, 2024) is not merely a book but a call to action-a rallying cry for societal introspection and transformation. With meticulous research and unflinching honesty, Dr. Karyne E. Messina offers a roadmap for reclaiming our integrity and forging a more just and equitable future. Engaging, insightful, and indispensable, this book is essential reading for anyone invested in the fate of our nation and the preservation of our collective identity. 
In Barbie and the Great American Identity Crisis, Dr. Messina ingeniously uses Barbie to symbolize the multifaceted identity crisis gripping America. Barbie's transformation from Lilli reflects the complexities of stolen identity and cultural appropriation, mirroring the broader societal struggle with individual and national identity.Just as Mattel co-opted Barbie's identity from a German toymaker, America grapples with a loss of authenticity and integrity in its own narrative. Dr. Messina's exploration of Barbie's evolution serves as a poignant allegory for the broader issues at play, inviting readers to contemplate the profound implications of identity theft and cultural commodification. In essence, Barbie is our metaphorical lodestar, guiding readers through the labyrinthine complexities of America's identity crisis.Through Barbie's lens, Dr. Messina illuminates the interconnectedness of personal and collective identity formation, shedding light on how societal pressures and external influences shape our sense of self and continue to perpetuate racism and patriarchal structures-that can hamper our ability to build an authentic sense of community free of tribal isolationism.
Dr. Karyne E. Messina is a psychologist and child, adolescent, and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland, which is part of Johns Hopkins Medicine.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 28 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karyne Messina</itunes:subtitle>
      <itunes:summary>Barbie and the Great American Identity Crisis (Pi Press, 2024) is not merely a book but a call to action-a rallying cry for societal introspection and transformation. With meticulous research and unflinching honesty, Dr. Karyne E. Messina offers a roadmap for reclaiming our integrity and forging a more just and equitable future. Engaging, insightful, and indispensable, this book is essential reading for anyone invested in the fate of our nation and the preservation of our collective identity. 
In Barbie and the Great American Identity Crisis, Dr. Messina ingeniously uses Barbie to symbolize the multifaceted identity crisis gripping America. Barbie's transformation from Lilli reflects the complexities of stolen identity and cultural appropriation, mirroring the broader societal struggle with individual and national identity.Just as Mattel co-opted Barbie's identity from a German toymaker, America grapples with a loss of authenticity and integrity in its own narrative. Dr. Messina's exploration of Barbie's evolution serves as a poignant allegory for the broader issues at play, inviting readers to contemplate the profound implications of identity theft and cultural commodification. In essence, Barbie is our metaphorical lodestar, guiding readers through the labyrinthine complexities of America's identity crisis.Through Barbie's lens, Dr. Messina illuminates the interconnectedness of personal and collective identity formation, shedding light on how societal pressures and external influences shape our sense of self and continue to perpetuate racism and patriarchal structures-that can hamper our ability to build an authentic sense of community free of tribal isolationism.
Dr. Karyne E. Messina is a psychologist and child, adolescent, and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland, which is part of Johns Hopkins Medicine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781736238813"><em>Barbie and the Great American Identity Crisis</em></a><em> </em>(Pi Press, 2024) is not merely a book but a call to action-a rallying cry for societal introspection and transformation. With meticulous research and unflinching honesty, Dr. Karyne E. Messina offers a roadmap for reclaiming our integrity and forging a more just and equitable future. Engaging, insightful, and indispensable, this book is essential reading for anyone invested in the fate of our nation and the preservation of our collective identity. </p><p>In <em>Barbie and the Great American Identity Crisis</em>, Dr. Messina ingeniously uses Barbie to symbolize the multifaceted identity crisis gripping America. Barbie's transformation from Lilli reflects the complexities of stolen identity and cultural appropriation, mirroring the broader societal struggle with individual and national identity.Just as Mattel co-opted Barbie's identity from a German toymaker, America grapples with a loss of authenticity and integrity in its own narrative. Dr. Messina's exploration of Barbie's evolution serves as a poignant allegory for the broader issues at play, inviting readers to contemplate the profound implications of identity theft and cultural commodification. In essence, Barbie is our metaphorical lodestar, guiding readers through the labyrinthine complexities of America's identity crisis.Through Barbie's lens, Dr. Messina illuminates the interconnectedness of personal and collective identity formation, shedding light on how societal pressures and external influences shape our sense of self and continue to perpetuate racism and patriarchal structures-that can hamper our ability to build an authentic sense of community free of tribal isolationism.</p><p><a href="https://www.drkarynemessina.com/">Dr. Karyne E. Messina</a> is a psychologist and child, adolescent, and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland, which is part of Johns Hopkins Medicine.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3134</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b084650a-04ca-11ef-972e-6336253291ca]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2403640624.mp3?updated=1714246662" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathryn Telling, "The Liberal Arts Paradox in Higher Education: Negotiating Inclusion and Prestige" (Policy Press, 2023)</title>
      <description>What is the future of higher education? In The Liberal Arts Paradox in Higher Education: Negotiating Inclusion and Prestige (Policy Press, 2023), Dr Kathryn Telling, a lecturer in education at the University of Manchester, explores the rise of liberal arts degrees in England to examine the broader contours of the contemporary university. The book tells the story of student and staff perspectives on liberal arts, as well as examining the institutional motivations and narratives underpinning the dilemmas and paradoxes of this subject area. Offering a rich and detailed engagement with key issues such as interdisciplinarity, institutional status, employability, and inequality in higher education, the book is essential reading across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 27 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>451</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathryn Telling</itunes:subtitle>
      <itunes:summary>What is the future of higher education? In The Liberal Arts Paradox in Higher Education: Negotiating Inclusion and Prestige (Policy Press, 2023), Dr Kathryn Telling, a lecturer in education at the University of Manchester, explores the rise of liberal arts degrees in England to examine the broader contours of the contemporary university. The book tells the story of student and staff perspectives on liberal arts, as well as examining the institutional motivations and narratives underpinning the dilemmas and paradoxes of this subject area. Offering a rich and detailed engagement with key issues such as interdisciplinarity, institutional status, employability, and inequality in higher education, the book is essential reading across the humanities and social sciences.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of higher education? In <a href="https://bookshop.org/a/12343/9781447359470"><em>The Liberal Arts Paradox in Higher Education: Negotiating Inclusion and Prestige</em></a><em> </em>(Policy Press, 2023), <a href="https://twitter.com/KathrynTelling">Dr Kathryn Telling</a>, a <a href="https://research.manchester.ac.uk/en/persons/kathryn.telling">lecturer in education at the University of Manchester</a>, explores the rise of liberal arts degrees in England to examine the broader contours of the contemporary university. The book tells the story of student and staff perspectives on liberal arts, as well as examining the institutional motivations and narratives underpinning the dilemmas and paradoxes of this subject area. Offering a rich and detailed engagement with key issues such as interdisciplinarity, institutional status, employability, and inequality in higher education, the book is essential reading across the humanities and social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2567</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[06c46218-033a-11ef-a08d-27a07bf525ca]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5628842293.mp3?updated=1714078409" length="0" type="audio/mpeg"/>
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    <item>
      <title>Natalia Grincheva and Elizabeth Stainforth, "Geopolitics of Digital Heritage" (Cambridge UP, 2024)</title>
      <description>How are digital platforms transforming heritage? In Geopolitics of Digital Heritage (Cambridge UP, 2023), Dr Natalia Grincheva, Program Leader of the BA (Hons) Arts Management at the University of the Arts Singapore and Honorary Senior Research Fellow at the University of Melbourne, and Dr Elizabeth Stainforth, a lecturer in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds explore the global political context for digital heritage. Drawing on 4 detailed case studies- Singapore Memory Project, the National Library of Australia’s Trove, the EU’s Europeana, and Google Arts and Culture- the book shows the political ideas and imperatives underpinning the aggregation of heritage on digital platforms. Both an accessible introduction and a significant intervention to the field of heritage studies, the book will be essential reading across the arts, humanities and social sciences.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 27 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>452</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Natalia Grincheva and Elizabeth Stainforth</itunes:subtitle>
      <itunes:summary>How are digital platforms transforming heritage? In Geopolitics of Digital Heritage (Cambridge UP, 2023), Dr Natalia Grincheva, Program Leader of the BA (Hons) Arts Management at the University of the Arts Singapore and Honorary Senior Research Fellow at the University of Melbourne, and Dr Elizabeth Stainforth, a lecturer in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds explore the global political context for digital heritage. Drawing on 4 detailed case studies- Singapore Memory Project, the National Library of Australia’s Trove, the EU’s Europeana, and Google Arts and Culture- the book shows the political ideas and imperatives underpinning the aggregation of heritage on digital platforms. Both an accessible introduction and a significant intervention to the field of heritage studies, the book will be essential reading across the arts, humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are digital platforms transforming heritage? In <a href="https://bookshop.org/a/12343/9781009182089"><em>Geopolitics of Digital Heritage</em></a><em> </em>(Cambridge UP, 2023), <a href="https://twitter.com/Grincheva">Dr Natalia Grincheva</a>, <a href="https://grincheva.com/">Program Leader</a> <a href="https://findanexpert.unimelb.edu.au/profile/784300-natalia-grincheva">of the BA (Hons) Arts Management at the University of the Arts Singapore</a> and Honorary Senior Research Fellow at the University of Melbourne, and <a href="https://twitter.com/emcstainforth?lang=en-GB">Dr Elizabeth Stainforth</a>, <a href="https://ahc.leeds.ac.uk/fine-art/staff/464/dr-liz-stainforth">a lecturer in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds</a> explore the global political context for digital heritage. Drawing on 4 detailed case studies- Singapore Memory Project, the National Library of Australia’s Trove, the EU’s Europeana, and Google Arts and Culture- the book shows the political ideas and imperatives underpinning the aggregation of heritage on digital platforms. Both an accessible introduction and a significant intervention to the field of heritage studies, the book will be essential reading across the arts, humanities and social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3390</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64bf020e-03e6-11ef-abdc-4b52a26e4373]]></guid>
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    </item>
    <item>
      <title>Andrea Wenzel, "Antiracist Journalism: The Challenge of Creating Equitable Local News" (Columbia UP, 2023)</title>
      <description>Journalists have a long history of covering race and racism in the United States, telling stories that shed light on protest, activism, institutional turmoil, and policy change. Especially in recent years, though, the racial politics of journalism has very often become the story itself. Newsrooms across the country have had to grapple with big questions about diversity, inclusion, power, and professional standards in the media industry. What have these debates looked like up close? In what ways have newsrooms evolved? And what does this all mean for the stories we tell about our communities, our country, and the world at large? 
In Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia UP, 2023), Andrea Wenzel provides a critical look at how local media organizations in the Philadelphia area are attempting to address structural racism. She focuses on two established, majority-white newsrooms, the Philadelphia Inquirer and the public radio station WHYY, and two start-ups where at least half the staff identify as Black, Indigenous, or people of color (BIPOC), Resolve Philly and Kensington Voice. Drawing on more than five years of field research, Wenzel charts how these outlets have pursued a range of interventions—such as tracking the diversity of sources, examining reporting and editing practices, and working with community members to gain input—to varying degrees of success. Wenzel argues that institutional and systemic transformation will be possible only through the establishment of structures that facilitate holding those with more power responsible for listening to and addressing the needs and concerns of those with less.
Andrea Wenzel is an associate professor in Temple University’s Department of Journalism and a member of the Klein College of Media and Communication graduate faculty. Her research focuses on initiatives to create more connected and equitable communities and newsrooms. She is the author of Community-Centered Journalism: Engaging People, Exploring Solutions, and Building Trust (University of Illinois Press, 2020) and of Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia University Press, 2024). Prior to academia, Andrea worked for 15 years as a public radio producer, editor, and media development consultant. She managed projects and trained media makers in Afghanistan, Sri Lanka, Iraq and India for media development organizations such as BBC Media
Garrett Broad is Associate Professor of Communication Studies in Rowan University’s Edelman College of Communication &amp; Creative Arts, where he also serves as Provost’s Fellow in the Catalysts for Sustainability Initiative. His research and teaching explores the connections between contemporary social movements, food systems, and digital media technology. He is the author of More Than Just Food: Food Justice and Community Change, as well as a variety of articles on food's relationship to environmental sustainability, economic equity, and the health of humans and nonhuman animals.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 26 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrea Wenzel</itunes:subtitle>
      <itunes:summary>Journalists have a long history of covering race and racism in the United States, telling stories that shed light on protest, activism, institutional turmoil, and policy change. Especially in recent years, though, the racial politics of journalism has very often become the story itself. Newsrooms across the country have had to grapple with big questions about diversity, inclusion, power, and professional standards in the media industry. What have these debates looked like up close? In what ways have newsrooms evolved? And what does this all mean for the stories we tell about our communities, our country, and the world at large? 
In Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia UP, 2023), Andrea Wenzel provides a critical look at how local media organizations in the Philadelphia area are attempting to address structural racism. She focuses on two established, majority-white newsrooms, the Philadelphia Inquirer and the public radio station WHYY, and two start-ups where at least half the staff identify as Black, Indigenous, or people of color (BIPOC), Resolve Philly and Kensington Voice. Drawing on more than five years of field research, Wenzel charts how these outlets have pursued a range of interventions—such as tracking the diversity of sources, examining reporting and editing practices, and working with community members to gain input—to varying degrees of success. Wenzel argues that institutional and systemic transformation will be possible only through the establishment of structures that facilitate holding those with more power responsible for listening to and addressing the needs and concerns of those with less.
Andrea Wenzel is an associate professor in Temple University’s Department of Journalism and a member of the Klein College of Media and Communication graduate faculty. Her research focuses on initiatives to create more connected and equitable communities and newsrooms. She is the author of Community-Centered Journalism: Engaging People, Exploring Solutions, and Building Trust (University of Illinois Press, 2020) and of Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia University Press, 2024). Prior to academia, Andrea worked for 15 years as a public radio producer, editor, and media development consultant. She managed projects and trained media makers in Afghanistan, Sri Lanka, Iraq and India for media development organizations such as BBC Media
Garrett Broad is Associate Professor of Communication Studies in Rowan University’s Edelman College of Communication &amp; Creative Arts, where he also serves as Provost’s Fellow in the Catalysts for Sustainability Initiative. His research and teaching explores the connections between contemporary social movements, food systems, and digital media technology. He is the author of More Than Just Food: Food Justice and Community Change, as well as a variety of articles on food's relationship to environmental sustainability, economic equity, and the health of humans and nonhuman animals.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Journalists have a long history of covering race and racism in the United States, telling stories that shed light on protest, activism, institutional turmoil, and policy change. Especially in recent years, though, the racial politics of journalism has very often become the story itself. Newsrooms across the country have had to grapple with big questions about diversity, inclusion, power, and professional standards in the media industry. What have these debates looked like up close? In what ways have newsrooms evolved? And what does this all mean for the stories we tell about our communities, our country, and the world at large? </p><p>In <a href="https://bookshop.org/a/12343/9780231209694"><em>Antiracist Journalism: The Challenge of Creating Equitable Local News</em></a><em> </em>(Columbia UP, 2023), Andrea Wenzel provides a critical look at how local media organizations in the Philadelphia area are attempting to address structural racism. She focuses on two established, majority-white newsrooms, the Philadelphia Inquirer and the public radio station WHYY, and two start-ups where at least half the staff identify as Black, Indigenous, or people of color (BIPOC), Resolve Philly and Kensington Voice. Drawing on more than five years of field research, Wenzel charts how these outlets have pursued a range of interventions—such as tracking the diversity of sources, examining reporting and editing practices, and working with community members to gain input—to varying degrees of success. Wenzel argues that institutional and systemic transformation will be possible only through the establishment of structures that facilitate holding those with more power responsible for listening to and addressing the needs and concerns of those with less.</p><p><a href="https://klein.temple.edu/directory/andrea-d-wenzel-tuh48041">Andrea Wenzel </a>is an associate professor in Temple University’s Department of Journalism and a member of the Klein College of Media and Communication graduate faculty. Her research focuses on initiatives to create more connected and equitable communities and newsrooms. She is the author of Community-Centered Journalism: Engaging People, Exploring Solutions, and Building Trust (University of Illinois Press, 2020) and of Antiracist Journalism: The Challenge of Creating Equitable Local News (Columbia University Press, 2024). Prior to academia, Andrea worked for 15 years as a public radio producer, editor, and media development consultant. She managed projects and trained media makers in Afghanistan, Sri Lanka, Iraq and India for media development organizations such as BBC Media</p><p><a href="http://garrettbroad.webflow.io/"><em>Garrett Broad</em></a><em> is Associate Professor of Communication Studies in Rowan University’s Edelman College of Communication &amp; Creative Arts, where he also serves as Provost’s Fellow in the Catalysts for Sustainability Initiative. His research and teaching explores the connections between contemporary social movements, food systems, and digital media technology. He is the author of More Than Just Food: Food Justice and Community Change, as well as a variety of articles on food's relationship to environmental sustainability, economic equity, and the health of humans and nonhuman animals.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3296</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a54409e0-025c-11ef-a79e-0bad189014e9]]></guid>
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    </item>
    <item>
      <title>Danielle Taschereau Mamers, "Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art" (Fordham UP, 2023)</title>
      <description>How do bureaucratic documents create and reproduce a state’s capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused?
Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L’Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined.
By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada’s complex and violent relationship with Indigenous peoples.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>450</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Danielle Taschereau Mamers</itunes:subtitle>
      <itunes:summary>How do bureaucratic documents create and reproduce a state’s capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused?
Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L’Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined.
By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada’s complex and violent relationship with Indigenous peoples.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do bureaucratic documents create and reproduce a state’s capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused?</p><p><a href="https://bookshop.org/a/12343/9781531505202"><em>Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art</em></a> (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L’Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, <em>Settler Colonial Ways of Seeing</em> develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined.</p><p>By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada’s complex and violent relationship with Indigenous peoples.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2909</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d10e2622-000a-11ef-b08b-7fbcb019b77a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9555872591.mp3?updated=1713723862" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vaia Touna and Richard Newton, "Fieldnotes in the Critical Study of Religion: Revisiting Classical Theorists" (Bloomsbury, 2023)</title>
      <description>Fieldnotes in the Critical Study of Religion: Revisiting Classical Theorists (Bloomsbury, 2023) introduces students to the so-called classics of the field from the 19th and 20th centuries, whilst challenging readers to apply a critical lens. Instead of representing scholars and their works as virtually timeless, each contributor provides sufficient background on the classic work in question so that readers not only understand its novelty and place in its own time, but are able to arrive at a critical understanding of whether its approach to studying religion continues to be useful to them today. Scholars discussed include Muller, James, Freud and Eliade. This volume therefore offers a novel way into writing both a history and ethnography of the discipline, helping readers to see how it has changed and inviting them to consider what-if anything-endures and thereby unites these diverse authors into a common field.
Richard Newton is Associate Professor and Undergraduate Director in the Department of Religious Studies at the University of Alabama. He is the author of Identifying Roots: Alex Haley and the Anthropology of Scriptures (Equinox 2020) and serves as editor of the Bulletin for the Study of Religion.
Vaia Touna is Associate Professor and Graduate Director in the Department of Religious Studies at the University of Alabama. She is the author of Fabrications of the Greek Past: Religion, Tradition, and the Making of Modern Identities (Brill 2017).
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 21 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>225</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vaia Touna and Richard Newton</itunes:subtitle>
      <itunes:summary>Fieldnotes in the Critical Study of Religion: Revisiting Classical Theorists (Bloomsbury, 2023) introduces students to the so-called classics of the field from the 19th and 20th centuries, whilst challenging readers to apply a critical lens. Instead of representing scholars and their works as virtually timeless, each contributor provides sufficient background on the classic work in question so that readers not only understand its novelty and place in its own time, but are able to arrive at a critical understanding of whether its approach to studying religion continues to be useful to them today. Scholars discussed include Muller, James, Freud and Eliade. This volume therefore offers a novel way into writing both a history and ethnography of the discipline, helping readers to see how it has changed and inviting them to consider what-if anything-endures and thereby unites these diverse authors into a common field.
Richard Newton is Associate Professor and Undergraduate Director in the Department of Religious Studies at the University of Alabama. He is the author of Identifying Roots: Alex Haley and the Anthropology of Scriptures (Equinox 2020) and serves as editor of the Bulletin for the Study of Religion.
Vaia Touna is Associate Professor and Graduate Director in the Department of Religious Studies at the University of Alabama. She is the author of Fabrications of the Greek Past: Religion, Tradition, and the Making of Modern Identities (Brill 2017).
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350251656"><em>Fieldnotes in the Critical Study of Religion: Revisiting Classical Theorists</em></a><em> </em>(Bloomsbury, 2023) introduces students to the so-called classics of the field from the 19th and 20th centuries, whilst challenging readers to apply a critical lens. Instead of representing scholars and their works as virtually timeless, each contributor provides sufficient background on the classic work in question so that readers not only understand its novelty and place in its own time, but are able to arrive at a critical understanding of whether its approach to studying religion continues to be useful to them today. Scholars discussed include Muller, James, Freud and Eliade. This volume therefore offers a novel way into writing both a history and ethnography of the discipline, helping readers to see how it has changed and inviting them to consider what-if anything-endures and thereby unites these diverse authors into a common field.</p><p>Richard Newton is Associate Professor and Undergraduate Director in the Department of Religious Studies at the University of Alabama. He is the author of <em>Identifying Roots: Alex Haley and the Anthropology of Scriptures </em>(Equinox 2020) and serves as editor of the <em>Bulletin for the Study of Religion</em>.</p><p>Vaia Touna is Associate Professor and Graduate Director in the Department of Religious Studies at the University of Alabama. She is the author of <em>Fabrications of the Greek Past: Religion, Tradition, and the Making of Modern Identities </em>(Brill 2017).</p><p><em>This episode’s host, </em><a href="https://twitter.com/jakebarrett25"><em>Jacob Barrett</em></a><em>, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website </em><a href="https://thereluctantamericanist.com/"><em>thereluctantamericanist.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3364</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c18cdfae-fe89-11ee-b639-3fa98f778f21]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4498831575.mp3?updated=1713558287" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily S. Lee, "A Phenomenology for Women of Color: Merleau-Ponty and Identity-In-Difference" (Lexington Books, 2024)</title>
      <description>How can we understand the changing power of race and gender to shape our reality? How shared is reality? Can narratives of experience help us develop these analyses? What role does embodiment play in shaping experience? In A Phenomenology for Women of Color: Merleau-Ponty and Identity-in-Difference (Lexington Books, 2024), Emily S. Lee uses the tools of critical phenomenology to deeply engage with the theoretical work of women of color to approach these questions. Through reconstructing phenomenological approaches, particularly as developed by Maurice Merleau-Ponty, Lee helps us see past a naturalization of the identity group “women of color” to understand more deeply the coalitional struggle its articulation involves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 20 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>340</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily S. Lee</itunes:subtitle>
      <itunes:summary>How can we understand the changing power of race and gender to shape our reality? How shared is reality? Can narratives of experience help us develop these analyses? What role does embodiment play in shaping experience? In A Phenomenology for Women of Color: Merleau-Ponty and Identity-in-Difference (Lexington Books, 2024), Emily S. Lee uses the tools of critical phenomenology to deeply engage with the theoretical work of women of color to approach these questions. Through reconstructing phenomenological approaches, particularly as developed by Maurice Merleau-Ponty, Lee helps us see past a naturalization of the identity group “women of color” to understand more deeply the coalitional struggle its articulation involves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we understand the changing power of race and gender to shape our reality? How shared is reality? Can narratives of experience help us develop these analyses? What role does embodiment play in shaping experience? In <a href="https://rowman.com/ISBN/9781666916720/A-Phenomenology-for-Women-of-Color-Merleau-Ponty-and-Identity-in-Difference"><em>A Phenomenology for Women of Color: Merleau-Ponty and Identity-in-Difference</em></a><em> </em>(Lexington Books, 2024), Emily S. Lee uses the tools of critical phenomenology to deeply engage with the theoretical work of women of color to approach these questions. Through reconstructing phenomenological approaches, particularly as developed by Maurice Merleau-Ponty, Lee helps us see past a naturalization of the identity group “women of color” to understand more deeply the coalitional struggle its articulation involves.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4154</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3170b62c-fa90-11ee-916d-8bda98344ee5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2841377238.mp3?updated=1713122067" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Heather Parry, "Electric Dreams: Sex Robots and Failed Promises of Capitalism" (404 Ink, 2024)</title>
      <description>In the future, we’ll all be having sex with robots… won’t we?
Roboticists say they’re a distracting science fiction, yet endless books, films and articles are written on the subject. Campaigns are even mounted against them. So why are sex robots such a hot topic?
Electric Dreams: Sex Robots and Failed Promises of Capitalism (404 Ink, 2024) by Heather Parry picks apart the forces that posit sex robots as either the solution to our problems or a real threat to human safety, and looks at what’s being pushed aside for us to obsess about something that will never happen.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 20 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heather Parry</itunes:subtitle>
      <itunes:summary>In the future, we’ll all be having sex with robots… won’t we?
Roboticists say they’re a distracting science fiction, yet endless books, films and articles are written on the subject. Campaigns are even mounted against them. So why are sex robots such a hot topic?
Electric Dreams: Sex Robots and Failed Promises of Capitalism (404 Ink, 2024) by Heather Parry picks apart the forces that posit sex robots as either the solution to our problems or a real threat to human safety, and looks at what’s being pushed aside for us to obsess about something that will never happen.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the future, we’ll all be having sex with robots… won’t we?</p><p>Roboticists say they’re a distracting science fiction, yet endless books, films and articles are written on the subject. Campaigns are even mounted against them. So why are sex robots such a hot topic?</p><p><a href="https://www.roughtrade.com/en-gb/product/heather-parry/electric-dreams-sex-robots-and-failed-promises-of-capitalism"><em>Electric Dreams: Sex Robots and Failed Promises of Capitalism</em></a> (404 Ink, 2024) by Heather Parry picks apart the forces that posit sex robots as either the solution to our problems or a real threat to human safety, and looks at what’s being pushed aside for us to obsess about something that will never happen.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2339</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6da0f7ce-fc34-11ee-ba7d-bfd92bb418a5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1763973907.mp3?updated=1713301785" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charis Enns and Brock Bersaglio, "Settler Ecologies: The Enduring Nature of Settler Colonialism in Kenya" (U Toronto Press, 2024)</title>
      <description>Settler Ecologies: The Enduring Nature of Settler Colonialism in Kenya (University of Toronto Press, 2024) tells the story of how settler colonialism becomes memorialized and lives on through ecological relations. Drawing on eight years of research in Laikipia, Kenya, Charis Enns and Brock Bersaglio use immersive methods to reveal how animals and plants can be enrolled in the reproduction of settler colonialism.
The book details how ecological relations have been unmade and remade to enable settler colonialism to endure as a structure in this part of Kenya. It describes five modes of violent ecological transformation used to prolong structures of settler colonialism: eliminating undesired wild species; rewilding landscapes with more desirable species to settler ecologists; selectively repeopling wilderness to create seemingly more inclusive wild spaces and capitalize on biocultural diversity; rescuing injured animals and species at risk of extinction to shore up moral support for settler ecologies; and extending settler ecologies through landscape approaches to conservation that scale wild spaces.
Settler Ecologies serves as a cautionary tale for future conservation agendas in all settler colonies. While urgent action is needed to halt global biodiversity loss, this book underscores the need to continually question whether the types of nature being preserved advance settler colonial structures or create conditions in which ecologies can otherwise be (re)made and flourish.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 20 Apr 2024 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>443</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Charis Enns</itunes:subtitle>
      <itunes:summary>Settler Ecologies: The Enduring Nature of Settler Colonialism in Kenya (University of Toronto Press, 2024) tells the story of how settler colonialism becomes memorialized and lives on through ecological relations. Drawing on eight years of research in Laikipia, Kenya, Charis Enns and Brock Bersaglio use immersive methods to reveal how animals and plants can be enrolled in the reproduction of settler colonialism.
The book details how ecological relations have been unmade and remade to enable settler colonialism to endure as a structure in this part of Kenya. It describes five modes of violent ecological transformation used to prolong structures of settler colonialism: eliminating undesired wild species; rewilding landscapes with more desirable species to settler ecologists; selectively repeopling wilderness to create seemingly more inclusive wild spaces and capitalize on biocultural diversity; rescuing injured animals and species at risk of extinction to shore up moral support for settler ecologies; and extending settler ecologies through landscape approaches to conservation that scale wild spaces.
Settler Ecologies serves as a cautionary tale for future conservation agendas in all settler colonies. While urgent action is needed to halt global biodiversity loss, this book underscores the need to continually question whether the types of nature being preserved advance settler colonial structures or create conditions in which ecologies can otherwise be (re)made and flourish.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781487553616"><em>Settler Ecologies:</em> <em>The Enduring Nature of Settler Colonialism in Kenya</em></a> (University of Toronto Press, 2024) tells the story of how settler colonialism becomes memorialized and lives on through ecological relations. Drawing on eight years of research in Laikipia, Kenya, <a href="https://research.manchester.ac.uk/en/persons/charis.enns">Charis Enns</a> and Brock Bersaglio use immersive methods to reveal how animals and plants can be enrolled in the reproduction of settler colonialism.</p><p>The book details how ecological relations have been unmade and remade to enable settler colonialism to endure as a structure in this part of Kenya. It describes five modes of violent ecological transformation used to prolong structures of settler colonialism: eliminating undesired wild species; rewilding landscapes with more desirable species to settler ecologists; selectively repeopling wilderness to create seemingly more inclusive wild spaces and capitalize on biocultural diversity; rescuing injured animals and species at risk of extinction to shore up moral support for settler ecologies; and extending settler ecologies through landscape approaches to conservation that scale wild spaces.</p><p><em>Settler Ecologies</em> serves as a cautionary tale for future conservation agendas in all settler colonies. While urgent action is needed to halt global biodiversity loss, this book underscores the need to continually question whether the types of nature being preserved advance settler colonial structures or create conditions in which ecologies can otherwise be (re)made and flourish.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Guido Alfani, "As Gods Among Men: A History of the Rich in the West" (Princeton UP, 2023)</title>
      <description>This provocative and interesting book has received considerable attention. Roaring reviews and interviews include  The Financial Times (UK), The Telegraph (UK), Modem (Radio Switzerland Italian), Hufftington Post (Italy), El Diario (Spain), ABC (Australia), History Today (UK), The New Republic (USA), The New Yorker (USA), among others around the world.
During the interview, Alfani tells of the challenges of putting together. Also, how the book builds on prior research and his interests in diverse fields in social sciences. About the book:
How the rich and the super-rich throughout Western history accumulated their wealth, behaved (or misbehaved) and helped (or didn't help) their communities in times of crisis.
The rich have always fascinated, sometimes in problematic ways. Medieval thinkers feared that the super-rich would act 'as gods among men'; much more recently Thomas Piketty made wealth central to discussions of inequality. In this book, Guido Alfani offers a history of the rich and super-rich in the West, examining who they were, how they accumulated their wealth and what role they played in society. Covering the last thousand years, with frequent incursions into antiquity, and integrating recent research on economic inequality, Alfani finds--despite the different paths to wealth in different eras--fundamental continuities in the behaviour of the rich and public attitudes towards wealth across Western history. His account offers a novel perspective on current debates about wealth and income disparity.
Alfani argues that the position of the rich and super-rich in Western society has always been intrinsically fragile; their very presence has inspired social unease. In the Middle Ages, an excessive accumulation of wealth was considered sinful; the rich were expected not to appear to be wealthy. Eventually, the rich were deemed useful when they used their wealth to help their communities in times of crisis. Yet in the twenty-first century, Alfani points out, the rich and the super-rich--their wealth largely preserved through the Great Recession and COVID-19--have been exceptionally reluctant to contribute to the common good in times of crisis, rejecting even such stopgap measures as temporary tax increases. History suggests that this is a troubling development--for the rich, and for everyone else.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Guido Alfani</itunes:subtitle>
      <itunes:summary>This provocative and interesting book has received considerable attention. Roaring reviews and interviews include  The Financial Times (UK), The Telegraph (UK), Modem (Radio Switzerland Italian), Hufftington Post (Italy), El Diario (Spain), ABC (Australia), History Today (UK), The New Republic (USA), The New Yorker (USA), among others around the world.
During the interview, Alfani tells of the challenges of putting together. Also, how the book builds on prior research and his interests in diverse fields in social sciences. About the book:
How the rich and the super-rich throughout Western history accumulated their wealth, behaved (or misbehaved) and helped (or didn't help) their communities in times of crisis.
The rich have always fascinated, sometimes in problematic ways. Medieval thinkers feared that the super-rich would act 'as gods among men'; much more recently Thomas Piketty made wealth central to discussions of inequality. In this book, Guido Alfani offers a history of the rich and super-rich in the West, examining who they were, how they accumulated their wealth and what role they played in society. Covering the last thousand years, with frequent incursions into antiquity, and integrating recent research on economic inequality, Alfani finds--despite the different paths to wealth in different eras--fundamental continuities in the behaviour of the rich and public attitudes towards wealth across Western history. His account offers a novel perspective on current debates about wealth and income disparity.
Alfani argues that the position of the rich and super-rich in Western society has always been intrinsically fragile; their very presence has inspired social unease. In the Middle Ages, an excessive accumulation of wealth was considered sinful; the rich were expected not to appear to be wealthy. Eventually, the rich were deemed useful when they used their wealth to help their communities in times of crisis. Yet in the twenty-first century, Alfani points out, the rich and the super-rich--their wealth largely preserved through the Great Recession and COVID-19--have been exceptionally reluctant to contribute to the common good in times of crisis, rejecting even such stopgap measures as temporary tax increases. History suggests that this is a troubling development--for the rich, and for everyone else.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This provocative and interesting book has received considerable attention. Roaring reviews and interviews include  <a href="https://www.ft.com/content/30ee490f-c118-4f27-99f2-2642184a5aba?fbclid=IwAR0QhOxgHy8SKhipe2AODApMJ3ofL8Z1RRxuBQSpDGbji2DZoMBvu_-sKqo">The Financial Times</a> (UK), <a href="https://www.telegraph.co.uk/books/non-fiction/review-guido-alfani-gods-among-men/">The Telegraph</a> (UK), <a href="https://www.rsi.ch/play/tv/modem/video/super-ricchi?urn=urn:rsi:video:2106530">Modem (Radio Switzerland Italian)</a>, <a href="https://www.huffingtonpost.it/economia/2024/04/05/news/guido_alfani_la_flat_tax_impoverisce_le_classi_medie_il_paradosso_e_che_poi_votano_per_chi_la_propone-15543254/?fbclid=IwAR1rZKGEUZR_fck9khGBN4cDeYX3eBUPNZtm9iomScP1oADPogmK4TpKCuo">Hufftington Post</a> (Italy),<a href="https://www.eldiario.es/economia/guido-alfani-ricos-control-significativo-formulacion-politicas-han-tenido_128_11229675.html"> El Diario</a> (Spain), <a href="https://www.abc.net.au/listen/programs/latenightlive/from-medici-to-musk-a-history-of-the-superrich-in-the-west/103455004?utm_campaign=abc_listen&amp;utm_content=facebook&amp;utm_medium=content_shared&amp;utm_source=abc_listen&amp;fbclid=IwAR3YeHN7h6oKCpFUWrC2dxiXTbfHrQmdTQCnFeNdNBsMsS0-vuq7COP3rZc">ABC</a> (Australia), <a href="https://www.historytoday.com/archive/review/gods-among-men-guido-alfani-review?fbclid=IwAR30fa2N6uBe7SNkk7B_28mTgeuyGkjDspULMTcft_aSyYzoQkBAW4ZW-ns">History Today</a> (UK), <a href="https://newrepublic.com/article/177555/economists-found-richest-people-time?utm_source=social&amp;utm_medium=facebook&amp;utm_campaign=sharebtn&amp;fbclid=IwAR0XV3sfTT7-QfJIZHKpocOMx3TblaJrOvmCSm8-n5jaCZF1yCAagxMY-4Q">The New Republic</a> (USA), <a href="https://www.newyorker.com/magazine/2024/01/29/rules-for-the-ruling-class?fbclid=IwAR2sbjhJYCGMa80S6YX025FZLtmarZEzrqB2y_BZ8okP2SoqasyYT8mRpH4">The New Yorker</a> (USA), among others around the world.</p><p>During the interview, Alfani tells of the challenges of putting together. Also, how the book builds on prior research and his interests in diverse fields in social sciences. About the book:</p><p>How the rich and the super-rich throughout Western history accumulated their wealth, behaved (or misbehaved) and helped (or didn't help) their communities in times of crisis.</p><p>The rich have always fascinated, sometimes in problematic ways. Medieval thinkers feared that the super-rich would act 'as gods among men'; much more recently Thomas Piketty made wealth central to discussions of inequality. In this book, Guido Alfani offers a history of the rich and super-rich in the West, examining who they were, how they accumulated their wealth and what role they played in society. Covering the last thousand years, with frequent incursions into antiquity, and integrating recent research on economic inequality, Alfani finds--despite the different paths to wealth in different eras--fundamental continuities in the behaviour of the rich and public attitudes towards wealth across Western history. His account offers a novel perspective on current debates about wealth and income disparity.</p><p>Alfani argues that the position of the rich and super-rich in Western society has always been intrinsically fragile; their very presence has inspired social unease. In the Middle Ages, an excessive accumulation of wealth was considered sinful; the rich were expected not to appear to be wealthy. Eventually, the rich were deemed useful when they used their wealth to help their communities in times of crisis. Yet in the twenty-first century, Alfani points out, the rich and the super-rich--their wealth largely preserved through the Great Recession and COVID-19--have been exceptionally reluctant to contribute to the common good in times of crisis, rejecting even such stopgap measures as temporary tax increases. History suggests that this is a troubling development--for the rich, and for everyone else.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3484</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sharrona Pearl, "Mask" (Bloombury, 2024)</title>
      <description>From the theatre mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity.
Even as they conceal and protect, masks – as faces – are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicised, in Mask (Bloomsbury, 2024) Dr. Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object.
By exploring who we do (and do not) seek to protect through different forms of masking, Dr. Pearl's long history of masks helps us to better understand what it is we value.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 14 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sharrona Pearl</itunes:subtitle>
      <itunes:summary>From the theatre mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity.
Even as they conceal and protect, masks – as faces – are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicised, in Mask (Bloomsbury, 2024) Dr. Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object.
By exploring who we do (and do not) seek to protect through different forms of masking, Dr. Pearl's long history of masks helps us to better understand what it is we value.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the theatre mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity.</p><p>Even as they conceal and protect, masks – as faces – are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicised, in <a href="https://bookshop.org/a/12343/9798765102404"><em>Mask</em></a><em> </em>(Bloomsbury, 2024) Dr. Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object.</p><p>By exploring who we do (and do not) seek to protect through different forms of masking, Dr. Pearl's long history of masks helps us to better understand what it is we value.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9b8f7cfe-f8e3-11ee-ba3e-6be3da7ce2ce]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3749301590.mp3?updated=1712937198" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charles William Johns, "Hegel and Speculative Realism" (Palgrave MacMillan, 2023)</title>
      <description>Hegel and Speculative Realism (Palgrave MacMillan, 2023) has two main objectives. Firstly, to assess the speculative realist formulations of the real regarding the ‘withdrawn’ object, radical contingency, the absolute register of extinction, and the current interest in ‘powers philosophy’, with special attention to their possible relation to the absolute scope of Hegelian philosophy. Secondly, to invite the reader to reconsider Hegel in a new way; uncovering rare insights into his thoughts on astronomy, actuality, the concrete and non-being. Johns’ inclination is to not mistake the necessary path to the absolute as the only path. Johns argues that Hegel describes the unique trajectory of the dialectical relationship between Nature and Idea as a Spirit oriented by both logical and physical (spatio-temporal) dimensions. Johns reads this as a theory of singularity and makes the bold claim that there may be other paths not taken by the Hegelian spatio-temporal path synonymous with the dialectic; synthesis, sublation and unfolding. In-fact, speculative philosophy should not be satisfied to study only “what exists” but also what “could exist” or what it means to “inexist” and should entertain multiple modes of potential becoming between Hegel’s initial triad of logical categories; Being, Non-Being and Becoming.
Adam Bobeck received his PhD in Cultural Anthropology at the University of Leipzig. His dissertation was entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>448</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Charles William Johns</itunes:subtitle>
      <itunes:summary>Hegel and Speculative Realism (Palgrave MacMillan, 2023) has two main objectives. Firstly, to assess the speculative realist formulations of the real regarding the ‘withdrawn’ object, radical contingency, the absolute register of extinction, and the current interest in ‘powers philosophy’, with special attention to their possible relation to the absolute scope of Hegelian philosophy. Secondly, to invite the reader to reconsider Hegel in a new way; uncovering rare insights into his thoughts on astronomy, actuality, the concrete and non-being. Johns’ inclination is to not mistake the necessary path to the absolute as the only path. Johns argues that Hegel describes the unique trajectory of the dialectical relationship between Nature and Idea as a Spirit oriented by both logical and physical (spatio-temporal) dimensions. Johns reads this as a theory of singularity and makes the bold claim that there may be other paths not taken by the Hegelian spatio-temporal path synonymous with the dialectic; synthesis, sublation and unfolding. In-fact, speculative philosophy should not be satisfied to study only “what exists” but also what “could exist” or what it means to “inexist” and should entertain multiple modes of potential becoming between Hegel’s initial triad of logical categories; Being, Non-Being and Becoming.
Adam Bobeck received his PhD in Cultural Anthropology at the University of Leipzig. His dissertation was entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783031326561"><em>Hegel and Speculative Realism</em></a><em> </em>(Palgrave MacMillan, 2023) has two main objectives. Firstly, to assess the speculative realist formulations of the real regarding the ‘withdrawn’ object, radical contingency, the absolute register of extinction, and the current interest in ‘powers philosophy’, with special attention to their possible relation to the absolute scope of Hegelian philosophy. Secondly, to invite the reader to reconsider Hegel in a new way; uncovering rare insights into his thoughts on astronomy, actuality, the concrete and non-being. Johns’ inclination is to not mistake the necessary path to the absolute as the only path. Johns argues that Hegel describes the unique trajectory of the dialectical relationship between Nature and Idea as a Spirit oriented by both logical and physical (spatio-temporal) dimensions. Johns reads this as a theory of singularity and makes the bold claim that there may be other paths not taken by the Hegelian spatio-temporal path synonymous with the dialectic; synthesis, sublation and unfolding. In-fact, speculative philosophy should not be satisfied to study only “what exists” but also what “could exist” or what it means to “inexist” and should entertain multiple modes of potential becoming between Hegel’s initial triad of logical categories; Being, Non-Being and Becoming.</p><p><em>Adam Bobeck received his PhD in Cultural Anthropology at the University of Leipzig. His dissertation was entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4889918305.mp3?updated=1712608236" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rupa Marya and Raj Patel, "Inflamed: Deep Medicine and the Anatomy of Injustice" (FSG, 2021)</title>
      <description>Raj Patel, the renowned political economist and New York Times bestselling author of The Value of Nothing, teams up with the physician Rupa Marya to offer a radical new cure: the deep medicine of decolonization. Decolonizing heals what has been divided, reestablishing our relationships with the Earth and one another. Combining the latest scientific research and scholarship on globalization with the stories of Marya's work with patients in marginalized communities, activist passion, and the wisdom of Indigenous groups, Inflamed: Deep Medicine and the Anatomy of Injustice (FSG, 2021) points the way toward a deep medicine that has the potential to heal not only our bodies, but the world. “This book advances a new level of diagnosis that incorporates history and lines of power into our understanding of the root causes of health disparities and the rise of inflammatory disease in industrialized places, offering compelling treatment options for what is ailing people and the planet”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rupa Marya</itunes:subtitle>
      <itunes:summary>Raj Patel, the renowned political economist and New York Times bestselling author of The Value of Nothing, teams up with the physician Rupa Marya to offer a radical new cure: the deep medicine of decolonization. Decolonizing heals what has been divided, reestablishing our relationships with the Earth and one another. Combining the latest scientific research and scholarship on globalization with the stories of Marya's work with patients in marginalized communities, activist passion, and the wisdom of Indigenous groups, Inflamed: Deep Medicine and the Anatomy of Injustice (FSG, 2021) points the way toward a deep medicine that has the potential to heal not only our bodies, but the world. “This book advances a new level of diagnosis that incorporates history and lines of power into our understanding of the root causes of health disparities and the rise of inflammatory disease in industrialized places, offering compelling treatment options for what is ailing people and the planet”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Raj Patel, the renowned political economist and <em>New York Times </em>bestselling author of <em>The Value of Nothing</em>, teams up with the physician Rupa Marya to offer a radical new cure: the deep medicine of decolonization. Decolonizing heals what has been divided, reestablishing our relationships with the Earth and one another. Combining the latest scientific research and scholarship on globalization with the stories of Marya's work with patients in marginalized communities, activist passion, and the wisdom of Indigenous groups, <a href="https://bookshop.org/a/12343/9780374602512"><em>Inflamed: Deep Medicine and the Anatomy of Injustice</em></a> (FSG, 2021) points the way toward a deep medicine that has the potential to heal not only our bodies, but the world. “This book advances a new level of diagnosis that incorporates history and lines of power into our understanding of the root causes of health disparities and the rise of inflammatory disease in industrialized places, offering compelling treatment options for what is ailing people and the planet”.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3781</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63bdcb82-f5eb-11ee-8b61-eb99b60f69d8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7980300821.mp3?updated=1712610901" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tana Jean Welch, "Advancing Medical Posthumanism Through Twenty-First Century American Poetry" (Palgrave MacMillan, 2024)</title>
      <description>Advancing Medical Posthumanism Through Twenty-First Century American Poetry (Palgrave MacMillan, 2024) places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>293</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tana Jean Welch</itunes:subtitle>
      <itunes:summary>Advancing Medical Posthumanism Through Twenty-First Century American Poetry (Palgrave MacMillan, 2024) places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783031498879"><em>Advancing Medical Posthumanism Through Twenty-First Century American Poetry</em></a><em> </em>(Palgrave MacMillan, 2024) places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3429</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[50e214fc-f698-11ee-ba26-cbe7fcef1312]]></guid>
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    </item>
    <item>
      <title>Bishnupriya Ghosh, "The Virus Touch: Theorizing Epidemic Media" (Duke UP, 2023)</title>
      <description>In The Virus Touch: Theorizing Epidemic Media (Duke UP. 2023), Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes "epidemic media" to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates. Scientific, artistic, and activist epidemic media that make multispecies relations sensible and manageable eschew anthropocentric survival strategies and instead recast global public health crises as biological, social, and ecological catastrophes, pushing us toward a multispecies politics of health. Ghosh trains her analytic gaze on these mediations as expressed in the collection and analysis of blood samples as a form of viral media; the geospatialization of data that track viral hosts like wild primates; and the use of multisensory images to trace fluctuations in viral mutations. Studying how epidemic media inscribe, store, and transmit multispecies relations attunes us to the anthropogenic drivers of pathogenicity like deforestation or illegal wildlife trading and the vulnerabilities accruing from diseases that arise from socioeconomic inequities and biopolitical neglect.
Professor Bishnupriya Ghosh teaches at the Department of English and Global Studies at UC Santa Barbara. She studies global media cultures, environmental media and critical health studies. Her early research includes two monographs When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel and Global Icons: Apertures to the Popular, while the co-edited volume exemplifies her current research, The Routledge Companion to Media and Risk.
Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bishnupriya Ghosh</itunes:subtitle>
      <itunes:summary>In The Virus Touch: Theorizing Epidemic Media (Duke UP. 2023), Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes "epidemic media" to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates. Scientific, artistic, and activist epidemic media that make multispecies relations sensible and manageable eschew anthropocentric survival strategies and instead recast global public health crises as biological, social, and ecological catastrophes, pushing us toward a multispecies politics of health. Ghosh trains her analytic gaze on these mediations as expressed in the collection and analysis of blood samples as a form of viral media; the geospatialization of data that track viral hosts like wild primates; and the use of multisensory images to trace fluctuations in viral mutations. Studying how epidemic media inscribe, store, and transmit multispecies relations attunes us to the anthropogenic drivers of pathogenicity like deforestation or illegal wildlife trading and the vulnerabilities accruing from diseases that arise from socioeconomic inequities and biopolitical neglect.
Professor Bishnupriya Ghosh teaches at the Department of English and Global Studies at UC Santa Barbara. She studies global media cultures, environmental media and critical health studies. Her early research includes two monographs When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel and Global Icons: Apertures to the Popular, while the co-edited volume exemplifies her current research, The Routledge Companion to Media and Risk.
Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478019213"><em>The Virus Touch: Theorizing Epidemic Media</em></a> (Duke UP. 2023), Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes "epidemic media" to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates. Scientific, artistic, and activist epidemic media that make multispecies relations sensible and manageable eschew anthropocentric survival strategies and instead recast global public health crises as biological, social, and ecological catastrophes, pushing us toward a multispecies politics of health. Ghosh trains her analytic gaze on these mediations as expressed in the collection and analysis of blood samples as a form of viral media; the geospatialization of data that track viral hosts like wild primates; and the use of multisensory images to trace fluctuations in viral mutations. Studying how epidemic media inscribe, store, and transmit multispecies relations attunes us to the anthropogenic drivers of pathogenicity like deforestation or illegal wildlife trading and the vulnerabilities accruing from diseases that arise from socioeconomic inequities and biopolitical neglect.</p><p>Professor Bishnupriya Ghosh teaches at the Department of English and Global Studies at UC Santa Barbara. She studies global media cultures, environmental media and critical health studies. Her early research includes two monographs <em>When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel </em>and <em>Global Icons: Apertures to the Popular, </em>while the co-edited volume exemplifies her current research, <em>The Routledge Companion to Media and Risk.</em></p><p><em>Priyam Sinha is a doctoral candidate in the South Asian Studies Programme at the National University of Singapore. She has interdisciplinary academic interests that lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached </em><a href="https://twitter.com/PriyamSinha"><em>here</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3105</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[70885532-f5da-11ee-8a1c-bb5861ca69c1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9544424822.mp3?updated=1712606618" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shardé M. Davis, "Being Black in the Ivory: Truth-Telling about Racism in Higher Education" (UNC Press, 2024)</title>
      <description>When Sharde M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag, BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum.
Being Black in the Ivory: Truth-Telling about Racism in Higher Education (UNC Press, 2024) is a curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions--and their individual members--might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shardé M. Davis</itunes:subtitle>
      <itunes:summary>When Sharde M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag, BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum.
Being Black in the Ivory: Truth-Telling about Racism in Higher Education (UNC Press, 2024) is a curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions--and their individual members--might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Sharde M. Davis turned to social media during the summer of racial reckoning in 2020, she meant only to share how racism against Black people affects her personally. But her hashtag<em>, </em>BlackintheIvory, went viral, fostering a flood of Black scholars sharing similar stories. Soon the posts were being quoted during summer institutes and workshops on social justice, equity, diversity, and inclusion. And in fall 2020, faculty assigned the tweets as material for course curriculum.</p><p><a href="https://bookshop.org/a/12343/9781469678269"><em>Being Black in the Ivory: Truth-Telling about Racism in Higher Education</em></a> (UNC Press, 2024) is a curated collection of original personal narratives from Black scholars across the country seeks to continue the conversation that started with BlackintheIvory. Put together, the stories reveal how racism eats its way through higher education, how academia systemically ejects Black scholars in overt and covert ways, and how academic institutions--and their individual members--might make lasting change. While anti-Black racism in academia is a behemoth with many entry points to the conversation, this book marshals a diverse group of Black voices to bring to light what for too long has been hidden in the shadow of the ivory tower.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3044</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1f00e73a-f51f-11ee-934b-b7f8f7bde9fc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6209133956.mp3?updated=1712522996" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adele Oliver, "Deeping It: Colonialism, Culture &amp; Criminalisation of UK Drill" (404 Ink, 2023) </title>
      <description>Deeping It: Colonialism, Culture &amp; Criminalisation of UK Drill (404 Ink, 2023) by Adèle Oliver shines a critical light on UK drill and its fraught relationship with the British legal system. Intervening on current discourse steeped in anti-Blackness and moral panic, this Inkling ‘deeps’ how the criminalisation of UK drill cannot be disentangled from histories, technologies, and realities of colonialism, consumerism and more.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 07 Apr 2024 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adele Oliver</itunes:subtitle>
      <itunes:summary>Deeping It: Colonialism, Culture &amp; Criminalisation of UK Drill (404 Ink, 2023) by Adèle Oliver shines a critical light on UK drill and its fraught relationship with the British legal system. Intervening on current discourse steeped in anti-Blackness and moral panic, this Inkling ‘deeps’ how the criminalisation of UK drill cannot be disentangled from histories, technologies, and realities of colonialism, consumerism and more.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.404ink.com/store/inklings-deeping-it"><em>Deeping It: Colonialism, Culture &amp; Criminalisation of UK Drill</em> </a>(404 Ink, 2023) by Adèle Oliver shines a critical light on UK drill and its fraught relationship with the British legal system. Intervening on current discourse steeped in anti-Blackness and moral panic, this Inkling ‘deeps’ how the criminalisation of UK drill cannot be disentangled from histories, technologies, and realities of colonialism, consumerism and more.</p><p>Th<em>is interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2890</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d68a4854-f422-11ee-b8c5-8f9e04df525e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5806367519.mp3?updated=1712414531" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ellie Tomsett, "Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities" (Bloomsbury, 2023)</title>
      <description>How is comedy hostile to women? In Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities (Bloomsbury, 2023), Ellie Tomsett, a Senior Lecturer in media and film at Birmingham City University, explores the reality of a comedy industry that, despite many changes, still has a sexism problem. The book draws on a huge range of research materials, illustrating the experience of stand-up comic performers, the views of audiences, the impact of digital and social media, and the content of stand-up’s routines. Offering both a rich history of stand-up in the UK, alongside a wealth of contemporary reflections, the book will be essential reading across arts, humanities and media studies, as well as for anyone interested in how comedy can be open to anyone who wants to make people laugh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 06 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>447</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ellie Tomsett</itunes:subtitle>
      <itunes:summary>How is comedy hostile to women? In Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities (Bloomsbury, 2023), Ellie Tomsett, a Senior Lecturer in media and film at Birmingham City University, explores the reality of a comedy industry that, despite many changes, still has a sexism problem. The book draws on a huge range of research materials, illustrating the experience of stand-up comic performers, the views of audiences, the impact of digital and social media, and the content of stand-up’s routines. Offering both a rich history of stand-up in the UK, alongside a wealth of contemporary reflections, the book will be essential reading across arts, humanities and media studies, as well as for anyone interested in how comedy can be open to anyone who wants to make people laugh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is comedy hostile to women? In <a href="https://bookshop.org/a/12343/9781350302327"><em>Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities</em></a><em> </em>(Bloomsbury, 2023), <a href="https://twitter.com/ellietomsett">Ellie Tomsett,</a> a <a href="https://www.bcu.ac.uk/media/research/research-staff/ellie-tomsett">Senior Lecturer in media and film at Birmingham City University</a>, explores the reality of a comedy industry that, despite many changes, still has a sexism problem. The book draws on a huge range of research materials, illustrating the experience of stand-up comic performers, the views of audiences, the impact of digital and social media, and the content of stand-up’s routines. Offering both a rich history of stand-up in the UK, alongside a wealth of contemporary reflections, the book will be essential reading across arts, humanities and media studies, as well as for anyone interested in how comedy can be open to anyone who wants to make people laugh.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2302</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6603e710-f2c5-11ee-b9fb-97c4d98dc35f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7598898040.mp3?updated=1712264886" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tina Sikka, "Health Apps, Genetic Diets and Superfoods: When Biopolitics Meets Neoliberalism" (Bloomsbury, 2023)</title>
      <description>Health Apps, Genetic Diets and Superfoods: When Biopolitics Meets Neoliberalism (Bloomsbury, 2023) critically examines contemporary health and wellness culture through the lens of personalization, genetification and functional foods. These developments have had a significant impact on the intersecting categories of gender, race, and class in light of the increasing adoption of digital health and surveillance technologies like MyFitnessPal, Lifesum, HealthyifyMe, and Fooducate. These three vectors of identity, when analysed in relation to food, diet, health, and technology, reveal significant new ways in which inequality, hierarchy, and injustice become manifest.
In the book, Tina Sikka argues that the corporate-led trends associated with health apps, genetic testing, superfoods, and functional foods have produced a kind of dietary-genomic-functional food industrial complex. She makes the positive case for a prosocial, food secure, and biodiverse health and food culture that is rooted in community action, supported by strong public provisioning of health care, and grounded in principles of food justice and sovereignty.
Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>351</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tina Sikka</itunes:subtitle>
      <itunes:summary>Health Apps, Genetic Diets and Superfoods: When Biopolitics Meets Neoliberalism (Bloomsbury, 2023) critically examines contemporary health and wellness culture through the lens of personalization, genetification and functional foods. These developments have had a significant impact on the intersecting categories of gender, race, and class in light of the increasing adoption of digital health and surveillance technologies like MyFitnessPal, Lifesum, HealthyifyMe, and Fooducate. These three vectors of identity, when analysed in relation to food, diet, health, and technology, reveal significant new ways in which inequality, hierarchy, and injustice become manifest.
In the book, Tina Sikka argues that the corporate-led trends associated with health apps, genetic testing, superfoods, and functional foods have produced a kind of dietary-genomic-functional food industrial complex. She makes the positive case for a prosocial, food secure, and biodiverse health and food culture that is rooted in community action, supported by strong public provisioning of health care, and grounded in principles of food justice and sovereignty.
Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350202078"><em>Health Apps, Genetic Diets and Superfoods: When Biopolitics Meets Neoliberalism</em></a> (Bloomsbury, 2023) critically examines contemporary health and wellness culture through the lens of personalization, genetification and functional foods. These developments have had a significant impact on the intersecting categories of gender, race, and class in light of the increasing adoption of digital health and surveillance technologies like MyFitnessPal, Lifesum, HealthyifyMe, and Fooducate. These three vectors of identity, when analysed in relation to food, diet, health, and technology, reveal significant new ways in which inequality, hierarchy, and injustice become manifest.</p><p>In the book, Tina Sikka argues that the corporate-led trends associated with health apps, genetic testing, superfoods, and functional foods have produced a kind of dietary-genomic-functional food industrial complex. She makes the positive case for a prosocial, food secure, and biodiverse health and food culture that is rooted in community action, supported by strong public provisioning of health care, and grounded in principles of food justice and sovereignty.</p><p><em>Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1122</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b3303de-f419-11ee-8e6d-0725e84c6402]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4505400941.mp3?updated=1712410170" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Naomi Oreskes and Erik M. Conway, "The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market" (Bloomsbury. 2023)</title>
      <description>In their bestselling book Merchants of Doubt, Naomi Oreskes and Erik M. Conway revealed the origins of climate change denial. Now, in The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market (Bloomsbury. 2023), they unfold the truth about another disastrous dogma: the “magic of the marketplace.”
In the early 20th century, business elites, trade associations, wealthy powerbrokers, and media allies set out to build a new American orthodoxy: down with “big government” and up with unfettered markets. With startling archival evidence, Oreskes and Conway document campaigns to rewrite textbooks, combat unions, and defend child labor. They detail the ploys that turned hardline economists Friedrich von Hayek and Milton Friedman into household names; recount the libertarian roots of the Little House on the Prairie books; and tune into the General Electric-sponsored TV show that beamed free-market doctrine to millions and launched Ronald Reagan's political career.
By the 1970s, this propaganda was succeeding. Free market ideology would define the next half-century across Republican and Democratic administrations, giving us a housing crisis, the opioid scourge, climate destruction, and a baleful response to the Covid-19 pandemic. Only by understanding this history can we imagine a future where markets will serve, not stifle, democracy.
Naomi Oreskes is Professor of the History of Science at Harvard University. Her opinion pieces have appeared in the New York Times, the Washington Post, the Los Angeles Times, and many other outlets. Oreskes is author or co-author of 9 books, and over 150 articles, essays and opinion pieces, including Merchants of Doubt (Bloomsbury, 2010), The Collapse of Western Civilization (Columbia University Press, 2014), Discerning Experts (University Chicago Press, 2019), Why Trust Science? (Princeton University Press, 2019), and Science on a Mission: American Oceanography from the Cold War to Climate Change, (University of Chicago Press, 2021). Merchants of Doubt, co-authored with Erik Conway, was the subject of a documentary film of the same name produced by participant Media and distributed by SONY Pictures Classics, and has been translated into nine languages. A new edition of Merchants of Doubt, with an introduction by Al Gore, was published in 2020.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1432</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Naomi Oreskes</itunes:subtitle>
      <itunes:summary>In their bestselling book Merchants of Doubt, Naomi Oreskes and Erik M. Conway revealed the origins of climate change denial. Now, in The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market (Bloomsbury. 2023), they unfold the truth about another disastrous dogma: the “magic of the marketplace.”
In the early 20th century, business elites, trade associations, wealthy powerbrokers, and media allies set out to build a new American orthodoxy: down with “big government” and up with unfettered markets. With startling archival evidence, Oreskes and Conway document campaigns to rewrite textbooks, combat unions, and defend child labor. They detail the ploys that turned hardline economists Friedrich von Hayek and Milton Friedman into household names; recount the libertarian roots of the Little House on the Prairie books; and tune into the General Electric-sponsored TV show that beamed free-market doctrine to millions and launched Ronald Reagan's political career.
By the 1970s, this propaganda was succeeding. Free market ideology would define the next half-century across Republican and Democratic administrations, giving us a housing crisis, the opioid scourge, climate destruction, and a baleful response to the Covid-19 pandemic. Only by understanding this history can we imagine a future where markets will serve, not stifle, democracy.
Naomi Oreskes is Professor of the History of Science at Harvard University. Her opinion pieces have appeared in the New York Times, the Washington Post, the Los Angeles Times, and many other outlets. Oreskes is author or co-author of 9 books, and over 150 articles, essays and opinion pieces, including Merchants of Doubt (Bloomsbury, 2010), The Collapse of Western Civilization (Columbia University Press, 2014), Discerning Experts (University Chicago Press, 2019), Why Trust Science? (Princeton University Press, 2019), and Science on a Mission: American Oceanography from the Cold War to Climate Change, (University of Chicago Press, 2021). Merchants of Doubt, co-authored with Erik Conway, was the subject of a documentary film of the same name produced by participant Media and distributed by SONY Pictures Classics, and has been translated into nine languages. A new edition of Merchants of Doubt, with an introduction by Al Gore, was published in 2020.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their bestselling book <em>Merchants of Doubt</em>, Naomi Oreskes and Erik M. Conway revealed the origins of climate change denial. Now, in <a href="https://bookshop.org/a/12343/9781635573572"><em>The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market</em></a> (Bloomsbury. 2023), they unfold the truth about another disastrous dogma: the “magic of the marketplace.”</p><p>In the early 20th century, business elites, trade associations, wealthy powerbrokers, and media allies set out to build a new American orthodoxy: down with “big government” and up with unfettered markets. With startling archival evidence, Oreskes and Conway document campaigns to rewrite textbooks, combat unions, and defend child labor. They detail the ploys that turned hardline economists Friedrich von Hayek and Milton Friedman into household names; recount the libertarian roots of the Little House on the Prairie books; and tune into the General Electric-sponsored TV show that beamed free-market doctrine to millions and launched Ronald Reagan's political career.</p><p>By the 1970s, this propaganda was succeeding. Free market ideology would define the next half-century across Republican <em>and</em> Democratic administrations, giving us a housing crisis, the opioid scourge, climate destruction, and a baleful response to the Covid-19 pandemic. Only by understanding this history can we imagine a future where markets will serve, not stifle, democracy.</p><p>Naomi Oreskes is Professor of the History of Science at Harvard University. Her opinion pieces have appeared in the New York Times, the Washington Post, the Los Angeles Times, and many other outlets. Oreskes is author or co-author of 9 books, and over 150 articles, essays and opinion pieces, including Merchants of Doubt (Bloomsbury, 2010), The Collapse of Western Civilization (Columbia University Press, 2014), Discerning Experts (University Chicago Press, 2019), Why Trust Science? (Princeton University Press, 2019), and Science on a Mission: American Oceanography from the Cold War to Climate Change, (University of Chicago Press, 2021). Merchants of Doubt, co-authored with Erik Conway, was the subject of a documentary film of the same name produced by participant Media and distributed by SONY Pictures Classics, and has been translated into nine languages. A new edition of Merchants of Doubt, with an introduction by Al Gore, was published in 2020.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3808</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[feb5b7e6-f1ed-11ee-b6d2-2f5771be6965]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2489403011.mp3?updated=1712172112" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stefan Aune, "Indian Wars Everywhere: Colonial Violence and the Shadow Doctrines of Empire" (U California Press, 2023)</title>
      <description>From Black Hawk helicopters to the exclamation "Geronimo" used by paratroopers jumping from airplanes, words and images referring to Indians have been indelibly linked with US warfare. 
In Indian Wars Everywhere: Colonial Violence and the Shadow Doctrines of Empire (U California Press, 2023), Stefan Aune shows how these and other recurrent references to the Indian wars signal a deeper history. Indian Wars function as a shadow doctrine that influences US military violence. 
The United States' formative acts of colonial violence persist in the actions, imaginations, and stories that have facilitated the spread of American empire, from the "savage wars" of the nineteenth century to the counterinsurgencies of the Global War on Terror. 
Ranging across centuries and continents, Indian Wars Everywhere considers what it means for the conquest of Native peoples to be deemed a success that can be used as a blueprint for modern warfare.
Stefan B. Aune is a Visiting Assistant Professor of American Studies at Williams College. 
﻿Eleonora Mattiacci is an Assistant Professor of Political Science at Amherst College. She is the author of Volatile States in International Politics (Oxford University Press, 2023). She is on X (formerly known as Twitter) @ProfEMattiacci.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stefan Aune</itunes:subtitle>
      <itunes:summary>From Black Hawk helicopters to the exclamation "Geronimo" used by paratroopers jumping from airplanes, words and images referring to Indians have been indelibly linked with US warfare. 
In Indian Wars Everywhere: Colonial Violence and the Shadow Doctrines of Empire (U California Press, 2023), Stefan Aune shows how these and other recurrent references to the Indian wars signal a deeper history. Indian Wars function as a shadow doctrine that influences US military violence. 
The United States' formative acts of colonial violence persist in the actions, imaginations, and stories that have facilitated the spread of American empire, from the "savage wars" of the nineteenth century to the counterinsurgencies of the Global War on Terror. 
Ranging across centuries and continents, Indian Wars Everywhere considers what it means for the conquest of Native peoples to be deemed a success that can be used as a blueprint for modern warfare.
Stefan B. Aune is a Visiting Assistant Professor of American Studies at Williams College. 
﻿Eleonora Mattiacci is an Assistant Professor of Political Science at Amherst College. She is the author of Volatile States in International Politics (Oxford University Press, 2023). She is on X (formerly known as Twitter) @ProfEMattiacci.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Black Hawk helicopters to the exclamation "Geronimo" used by paratroopers jumping from airplanes, words and images referring to Indians have been indelibly linked with US warfare. </p><p>In <a href="https://bookshop.org/a/12343/9780520395404"><em>Indian Wars Everywhere: Colonial Violence and the Shadow Doctrines of Empire</em></a><em> </em>(U California Press, 2023), Stefan Aune shows how these and other recurrent references to the Indian wars signal a deeper history. Indian Wars function as a shadow doctrine that influences US military violence. </p><p>The United States' formative acts of colonial violence persist in the actions, imaginations, and stories that have facilitated the spread of American empire, from the "savage wars" of the nineteenth century to the counterinsurgencies of the Global War on Terror. </p><p>Ranging across centuries and continents, Indian Wars Everywhere considers what it means for the conquest of Native peoples to be deemed a success that can be used as a blueprint for modern warfare.</p><p><a href="https://american-studies.williams.edu/profile/sba2/">Stefan B. Aune</a> is a Visiting Assistant Professor of American Studies at Williams College. </p><p><em>﻿</em><a href="https://www.eleonoramattiacci.com/home"><em>Eleonora Mattiacci</em></a><em> is an Assistant Professor of Political Science at Amherst College. She is the author of </em><a href="https://www.eleonoramattiacci.com/book-project-1"><em>Volatile States in International Politics</em></a><em> (Oxford University Press, 2023). She is on X (formerly known as Twitter) </em><a href="https://twitter.com/ProfEMattiacci"><em>@ProfEMattiacci</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1790</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dominic Boyer, "No More Fossils" (U Minnesota Press, 2023)</title>
      <description>Our hosts, Devin Griffiths and Deanna Kreisel, sat down with Dominic Boyer to talk about his new book, No More Fossils, which appeared just last year (2023) from the University of Minnesota's "Forerunners" series. We talked at length about his book, its gestation in basic questions about how to divest from fossil energy and fossil culture, and the grounds for optimism about our future. In a wide ranging discussion, we also talked about utopia, our investment in memoir and place-based writing, the importance of affect and anxiety in thinking about climate, and the fiction, scholarship, and activism that gives us inspiration. 
Some show notes: we talked about other work by Dominic (including his books Hyposubjects and Energopolitics); other works on energy and ecocriticism (including Patricia Jaeger's column "Literature in the Ages of Wood, Tallow, Coal, Whale Oil, Gasoline, Atomic Power, and Other Energy Sources"; Cara New Dagget's The Birth of Energy; Allen MacDuffie's Victorian Literature, Energy, and the Ecological Imagination; and Heidi Scott's Fuel: An Ecocritical History; and Barbara Leckie's Climate Change: Interrupted); talked about matriarchal collectives and the show Station Eleven; and fiction including Kim Stanley Robinson's Pacific Edge, and Edward Bellamy's Looking Backward; and William Morris's News from Nowhere; and finally, Osaka University's "Fragmentary Institute of Comparative Timelines," and Troy Vettese and Drew Pendergrass's book, Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change, and Pandemics. It was awesome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dominic Boyer</itunes:subtitle>
      <itunes:summary>Our hosts, Devin Griffiths and Deanna Kreisel, sat down with Dominic Boyer to talk about his new book, No More Fossils, which appeared just last year (2023) from the University of Minnesota's "Forerunners" series. We talked at length about his book, its gestation in basic questions about how to divest from fossil energy and fossil culture, and the grounds for optimism about our future. In a wide ranging discussion, we also talked about utopia, our investment in memoir and place-based writing, the importance of affect and anxiety in thinking about climate, and the fiction, scholarship, and activism that gives us inspiration. 
Some show notes: we talked about other work by Dominic (including his books Hyposubjects and Energopolitics); other works on energy and ecocriticism (including Patricia Jaeger's column "Literature in the Ages of Wood, Tallow, Coal, Whale Oil, Gasoline, Atomic Power, and Other Energy Sources"; Cara New Dagget's The Birth of Energy; Allen MacDuffie's Victorian Literature, Energy, and the Ecological Imagination; and Heidi Scott's Fuel: An Ecocritical History; and Barbara Leckie's Climate Change: Interrupted); talked about matriarchal collectives and the show Station Eleven; and fiction including Kim Stanley Robinson's Pacific Edge, and Edward Bellamy's Looking Backward; and William Morris's News from Nowhere; and finally, Osaka University's "Fragmentary Institute of Comparative Timelines," and Troy Vettese and Drew Pendergrass's book, Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change, and Pandemics. It was awesome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our hosts, Devin Griffiths and Deanna Kreisel, sat down with Dominic Boyer to talk about his new book, <a href="https://bookshop.org/a/12343/9781517916367"><em>No More Fossils</em></a><em>,</em> which appeared just last year (2023) from the University of Minnesota's "Forerunners" series. We talked at length about his book, its gestation in basic questions about how to divest from fossil energy and fossil culture, and the grounds for optimism about our future. In a wide ranging discussion, we also talked about utopia, our investment in memoir and place-based writing, the importance of affect and anxiety in thinking about climate, and the fiction, scholarship, and activism that gives us inspiration. </p><p>Some show notes: we talked about other work by Dominic (including his books <a href="http://www.openhumanitiespress.org/books/titles/hyposubjects/"><em>Hyposubjects</em></a> and <a href="https://www.dukeupress.edu/energopolitics"><em>Energopolitics</em></a>); other works on energy and ecocriticism (including Patricia Jaeger's column <a href="https://warwick.ac.uk/fac/arts/english/currentstudents/postgraduate/masters/modules/en9b5worldlitanthropocene/yaeger-literature_in_the_ages_of_wood_tallow_coal.pdf">"Literature in the Ages of Wood, Tallow, Coal, Whale Oil, Gasoline, Atomic Power, and Other Energy Sources"</a>; Cara New Dagget's <a href="https://www.dukeupress.edu/the-birth-of-energy">The Birth of Energy</a>; Allen MacDuffie's <a href="https://www.cambridge.org/core/books/victorian-literature-energy-and-the-ecological-imagination/6C6A461C5D4E3B9DCDC9F28594BFF41B">Victorian Literature, Energy, and the Ecological Imagination</a>; and Heidi Scott's <a href="https://www.bloomsbury.com/us/fuel-9781350053984/"><em>Fuel: An Ecocritical History</em></a>; and Barbara Leckie's <a href="https://sup.org/books/title/?id=31102">Climate Change: Interrupted</a>); talked about matriarchal collectives and the show Station Eleven; and fiction including Kim Stanley Robinson's <a href="https://www.kimstanleyrobinson.info/node/338">Pacific Edge</a>, and Edward Bellamy's <a href="https://en.wikipedia.org/wiki/Looking_Backward">Looking Backward</a>; and William Morris's <a href="https://en.wikipedia.org/wiki/News_from_Nowhere">News from Nowhere</a>; and finally, Osaka University's "<a href="https://fict.site/">Fragmentary Institute of Comparative Timelines</a>," and Troy Vettese and Drew Pendergrass's book, <a href="https://urldefense.com/v3/__https://www.half.earth__;!!LIr3w8kk_Xxm!o8ZCPewBDxlA1FZX-QpKXUQlXPFRb1V2U11Tg2_oxs6pCQHaMT5cJDEWBSGs8yo9TezBWiGHkG1pLTIwJdU9sY_3i74$">Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change, and Pandemics</a>. It was awesome.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3558</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Naomi Cahn, et al., "Fair Shake: Women and the Fight to Build a Just Economy" (Simon &amp; Schuster, 2023)</title>
      <description>A stirring, comprehensive look at the state of women in the workforce--why women's progress has stalled, how our economy fosters unproductive competition, and how we can fix the system that holds women back.
In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation--women on the board of Fortune 500 companies and our first female vice president--women have limited recourse when they experience harassment and discrimination.
Fair Shake: Women and the Fight to Build a Just Economy ﻿(Simon &amp; Schuster, 2023) explains that the system that governs our economy--a winner-take-all economy--is the root cause of these myriad problems. The WTA economy self-selects for aggressive, cutthroat business tactics, which creates a feedback loop that sidelines women. The authors, three legal scholars, call this feedback loop "the triple bind" if women don't compete on the same terms as men, they lose; if women do compete on the same terms as men, they're punished more harshly for their sharp elbows or actual misdeeds; and when women see that they can't win on the same terms as men, they take themselves out of the game (if they haven't been pushed out already). With odds like these stacked against them, it's no wonder women feel like, no matter how hard they work, they can't get ahead.
Fair Shake is not a "fix the woman" book; it's a "fix the system" book. It not only diagnoses the problem of what's wrong with the modern economy, but shows how, with awareness and collective action, we can build a truly just economy for all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>147</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with June Carbone. and Nancy Levit</itunes:subtitle>
      <itunes:summary>A stirring, comprehensive look at the state of women in the workforce--why women's progress has stalled, how our economy fosters unproductive competition, and how we can fix the system that holds women back.
In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation--women on the board of Fortune 500 companies and our first female vice president--women have limited recourse when they experience harassment and discrimination.
Fair Shake: Women and the Fight to Build a Just Economy ﻿(Simon &amp; Schuster, 2023) explains that the system that governs our economy--a winner-take-all economy--is the root cause of these myriad problems. The WTA economy self-selects for aggressive, cutthroat business tactics, which creates a feedback loop that sidelines women. The authors, three legal scholars, call this feedback loop "the triple bind" if women don't compete on the same terms as men, they lose; if women do compete on the same terms as men, they're punished more harshly for their sharp elbows or actual misdeeds; and when women see that they can't win on the same terms as men, they take themselves out of the game (if they haven't been pushed out already). With odds like these stacked against them, it's no wonder women feel like, no matter how hard they work, they can't get ahead.
Fair Shake is not a "fix the woman" book; it's a "fix the system" book. It not only diagnoses the problem of what's wrong with the modern economy, but shows how, with awareness and collective action, we can build a truly just economy for all.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A stirring, comprehensive look at the state of women in the workforce--why women's progress has stalled, how our economy fosters unproductive competition, and how we can fix the system that holds women back.</p><p>In an era of supposed great equality, women are still falling behind in the workplace. Even with more women in the workforce than in decades past, wage gaps continue to increase. It is the most educated women who have fallen the furthest behind. Blue-collar women hold the most insecure and badly paid jobs in our economy. And even as we celebrate high-profile representation--women on the board of Fortune 500 companies and our first female vice president--women have limited recourse when they experience harassment and discrimination.</p><p><a href="https://bookshop.org/a/12343/9781982115128"><em>Fair Shake: Women and the Fight to Build a Just Economy</em></a><em> </em>﻿(Simon &amp; Schuster, 2023) explains that the system that governs our economy--a winner-take-all economy--is the root cause of these myriad problems. The WTA economy self-selects for aggressive, cutthroat business tactics, which creates a feedback loop that sidelines women. The authors, three legal scholars, call this feedback loop "the triple bind" if women <em>don't</em> compete on the same terms as men, they lose; if women <em>do </em>compete on the same terms as men, they're punished more harshly for their sharp elbows or actual misdeeds; and when women see that they can't win on the same terms as men, they take themselves out of the game (if they haven't been pushed out already). With odds like these stacked against them, it's no wonder women feel like, no matter how hard they work, they can't get ahead.</p><p><em>Fair Shake</em> is not a "fix the woman" book; it's a "fix the system" book. It not only diagnoses the problem of what's wrong with the modern economy, but shows how, with awareness and collective action, we can build a truly just economy for all.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4065</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Erin L. Durban, "The Sexual Politics of Empire: Postcolonial Homophobia in Haiti" (U Illinois Press, 2023)</title>
      <description>Evangelical Christians and members of the global LGBTQI human rights movement have vied for influence in Haiti since the 2010 earthquake. Each side accuses the other of serving foreign interests. Yet each proposes future foreign interventions on behalf of their respective causes despite the country’s traumatic past with European colonialism and American imperialism. 
In The Sexual Politics of the Empire: Postcolonial Homophobia in Haiti (University of Illinois Press, 2023), author Erin L. Durban shows two discourses dominate discussions of intervention. One maintains imperialist notions of a backward Haiti so riddled with cultural deficiencies that foreign supervision is necessary to overcome Haitians’ resistance to progress. The other sees Haiti as a modern but failed state that exists only through its capacity for violence, including homophobia. In the context of these competing claims, the book explores the creative ways that same-sex desiring and gender creative Haitians contend with anti-LGBTQI violence and ongoing foreign intervention.
As the episode neared its conclusion, Erin took a moment to shine a spotlight on the vital efforts of various organizations operating within Haiti, emphasizing the significance of their work and expressing a keen interest in bringing their endeavors to the forefront. The aim was not only to acknowledge these organizations but also to explore avenues through which individuals could offer their support, be it through donations, volunteering, or simply by raising awareness about their commendable efforts. These entities represent just a fraction of the many groups making a difference in Haiti, and include:

1. The Haitian Studies Association: An organization dedicated to scholarly research and academic excellence concerning Haiti and its diaspora.

2. The Lambi Fund of Haiti: A group focused on supporting economic justice, democracy, and sustainable development in Haiti through grassroots initiatives.

3. Partners In Health (PIH) in Haiti: A healthcare organization committed to bringing high-quality health care to some of Haiti's most remote areas.

4. Association of Haitian Women in Boston: An organization aimed at empowering Haitian women by providing them with resources to achieve social and economic stability.


Erin L. Durban is an associate professor in the Department of Anthropology at the University of Minnesota–Twin Cities, affiliated with American Studies; Gender, Women, Sexuality Studies; and the Center for Race, Indigeneity, Disability, Gender, and Sexuality Studies. Their scholarship works at the intersections of interdisciplinary feminist and queer studies, transnational American studies, critical disability studies, and critical ecologies.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>108</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erin L. Durban</itunes:subtitle>
      <itunes:summary>Evangelical Christians and members of the global LGBTQI human rights movement have vied for influence in Haiti since the 2010 earthquake. Each side accuses the other of serving foreign interests. Yet each proposes future foreign interventions on behalf of their respective causes despite the country’s traumatic past with European colonialism and American imperialism. 
In The Sexual Politics of the Empire: Postcolonial Homophobia in Haiti (University of Illinois Press, 2023), author Erin L. Durban shows two discourses dominate discussions of intervention. One maintains imperialist notions of a backward Haiti so riddled with cultural deficiencies that foreign supervision is necessary to overcome Haitians’ resistance to progress. The other sees Haiti as a modern but failed state that exists only through its capacity for violence, including homophobia. In the context of these competing claims, the book explores the creative ways that same-sex desiring and gender creative Haitians contend with anti-LGBTQI violence and ongoing foreign intervention.
As the episode neared its conclusion, Erin took a moment to shine a spotlight on the vital efforts of various organizations operating within Haiti, emphasizing the significance of their work and expressing a keen interest in bringing their endeavors to the forefront. The aim was not only to acknowledge these organizations but also to explore avenues through which individuals could offer their support, be it through donations, volunteering, or simply by raising awareness about their commendable efforts. These entities represent just a fraction of the many groups making a difference in Haiti, and include:

1. The Haitian Studies Association: An organization dedicated to scholarly research and academic excellence concerning Haiti and its diaspora.

2. The Lambi Fund of Haiti: A group focused on supporting economic justice, democracy, and sustainable development in Haiti through grassroots initiatives.

3. Partners In Health (PIH) in Haiti: A healthcare organization committed to bringing high-quality health care to some of Haiti's most remote areas.

4. Association of Haitian Women in Boston: An organization aimed at empowering Haitian women by providing them with resources to achieve social and economic stability.


Erin L. Durban is an associate professor in the Department of Anthropology at the University of Minnesota–Twin Cities, affiliated with American Studies; Gender, Women, Sexuality Studies; and the Center for Race, Indigeneity, Disability, Gender, and Sexuality Studies. Their scholarship works at the intersections of interdisciplinary feminist and queer studies, transnational American studies, critical disability studies, and critical ecologies.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Evangelical Christians and members of the global LGBTQI human rights movement have vied for influence in Haiti since the 2010 earthquake. Each side accuses the other of serving foreign interests. Yet each proposes future foreign interventions on behalf of their respective causes despite the country’s traumatic past with European colonialism and American imperialism. </p><p>In <a href="https://www.press.uillinois.edu/books/?id=p086847"><em>The Sexual Politics of the Empire: Postcolonial Homophobia in Haiti</em></a> (University of Illinois Press, 2023), author Erin L. Durban shows two discourses dominate discussions of intervention. One maintains imperialist notions of a backward Haiti so riddled with cultural deficiencies that foreign supervision is necessary to overcome Haitians’ resistance to progress. The other sees Haiti as a modern but failed state that exists only through its capacity for violence, including homophobia. In the context of these competing claims, the book explores the creative ways that same-sex desiring and gender creative Haitians contend with anti-LGBTQI violence and ongoing foreign intervention.</p><p>As the episode neared its conclusion, Erin took a moment to shine a spotlight on the vital efforts of various organizations operating within Haiti, emphasizing the significance of their work and expressing a keen interest in bringing their endeavors to the forefront. The aim was not only to acknowledge these organizations but also to explore avenues through which individuals could offer their support, be it through donations, volunteering, or simply by raising awareness about their commendable efforts. These entities represent just a fraction of the many groups making a difference in Haiti, and include:</p><ol>
<li>1. <a href="https://www.haitianstudies.org/">The Haitian Studies Association</a>: An organization dedicated to scholarly research and academic excellence concerning Haiti and its diaspora.</li>
<li>2. <a href="https://www.instagram.com/LambiFund/">The Lambi Fund of Haiti</a>: A group focused on supporting economic justice, democracy, and sustainable development in Haiti through grassroots initiatives.</li>
<li>3. <a href="https://www.pih.org/country/haiti">Partners In Health (PIH) in Haiti</a>: A healthcare organization committed to bringing high-quality health care to some of Haiti's most remote areas.</li>
<li>4. <a href="https://afab-kafanm.org/">Association of Haitian Women in Boston</a>: An organization aimed at empowering Haitian women by providing them with resources to achieve social and economic stability.</li>
</ol><p><br></p><p><a href="https://cla.umn.edu/about/directory/profile/edurbana">Erin L. Durban</a> is an associate professor in the Department of Anthropology at the University of Minnesota–Twin Cities, affiliated with American Studies; Gender, Women, Sexuality Studies; and the Center for Race, Indigeneity, Disability, Gender, and Sexuality Studies. Their scholarship works at the intersections of interdisciplinary feminist and queer studies, transnational American studies, critical disability studies, and critical ecologies.</p><p><a href="https://www.mona.uwi.edu/dogg/graduate-students/mr-aleem-mahabir"><em>Aleem Mahabir</em></a><em> is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on </em><a href="https://twitter.com/aleemmahabir"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3801</itunes:duration>
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    <item>
      <title>Huaping Lu-Adler, "Kant, Race, and Racism: Views from Somewhere" (Oxford UP, 2023)</title>
      <description>Kant scholars have paid relatively little attention to his raciology. They assume that his racism, as personal prejudice, can be disentangled from his core philosophy. They also assume that racism contradicts his moral theory. In Kant, Race, and Racism: Views from Somewhere (Oxford UP, 2023), philosopher Huaping Lu-Adler challenges both assumptions. She shows how Kant's raciology--divided into racialism and racism--is integral to his philosophical system. She also rejects the individualistic approach to Kant and racism. Instead, she uses the notion of racism as ideological formation to demonstrate how Kant, from his social location both as a prominent scholar and as a lifelong educator, participated in the formation of modern racist ideology.
As a scholar, Kant developed a ground-breaking scientific theory of race from the standpoint of a philosophical investigator of nature or Naturforscher. As an educator, he transmitted denigrating depictions of the racialized others and imbued those descriptions with normative relevance. In both roles, he left behind, as one of his legacies, a worldview that excluded non-whites from such goods as recognitional respect and candidacy for cultural and moral achievements. Scholars who research and teach Kant's philosophy therefore have an unshakable burden to take part in the ongoing antiracist struggles, through their teaching practices as well as their scholarship. And they must do so with a pragmatic attention to nonideal social realities and a deliberate orientation toward substantial racial justice, equality, and inclusion.
Lu-Adler pushes the discourse about Kant and racism well beyond the old debates about whether he was racist or whether his racism contaminates his philosophy. By foregrounding the lasting legacies of Kant's raciology, her work calls for a profound reorientation of Kant scholarship.
Huaping Lu-Adler is Associate Professor of Philosophy at Georgetown University. She specializes in seventeenth- and eighteenth-century Western philosophy (particularly epistemology, metaphysics, philosophy of science, and logic). She is the author of Kant and the Science of Logic (Oxford, 2018).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>206</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Huaping Lu-Adler</itunes:subtitle>
      <itunes:summary>Kant scholars have paid relatively little attention to his raciology. They assume that his racism, as personal prejudice, can be disentangled from his core philosophy. They also assume that racism contradicts his moral theory. In Kant, Race, and Racism: Views from Somewhere (Oxford UP, 2023), philosopher Huaping Lu-Adler challenges both assumptions. She shows how Kant's raciology--divided into racialism and racism--is integral to his philosophical system. She also rejects the individualistic approach to Kant and racism. Instead, she uses the notion of racism as ideological formation to demonstrate how Kant, from his social location both as a prominent scholar and as a lifelong educator, participated in the formation of modern racist ideology.
As a scholar, Kant developed a ground-breaking scientific theory of race from the standpoint of a philosophical investigator of nature or Naturforscher. As an educator, he transmitted denigrating depictions of the racialized others and imbued those descriptions with normative relevance. In both roles, he left behind, as one of his legacies, a worldview that excluded non-whites from such goods as recognitional respect and candidacy for cultural and moral achievements. Scholars who research and teach Kant's philosophy therefore have an unshakable burden to take part in the ongoing antiracist struggles, through their teaching practices as well as their scholarship. And they must do so with a pragmatic attention to nonideal social realities and a deliberate orientation toward substantial racial justice, equality, and inclusion.
Lu-Adler pushes the discourse about Kant and racism well beyond the old debates about whether he was racist or whether his racism contaminates his philosophy. By foregrounding the lasting legacies of Kant's raciology, her work calls for a profound reorientation of Kant scholarship.
Huaping Lu-Adler is Associate Professor of Philosophy at Georgetown University. She specializes in seventeenth- and eighteenth-century Western philosophy (particularly epistemology, metaphysics, philosophy of science, and logic). She is the author of Kant and the Science of Logic (Oxford, 2018).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kant scholars have paid relatively little attention to his raciology. They assume that his racism, as personal prejudice, can be disentangled from his core philosophy. They also assume that racism contradicts his moral theory. In <a href="https://bookshop.org/a/12343/9780197685211"><em>Kant, Race, and Racism: Views from Somewhere</em></a> (Oxford UP, 2023), philosopher Huaping Lu-Adler challenges both assumptions. She shows how Kant's raciology--divided into racialism and racism--is integral to his philosophical system. She also rejects the individualistic approach to Kant and racism. Instead, she uses the notion of racism as ideological formation to demonstrate how Kant, from his social location both as a prominent scholar and as a lifelong educator, participated in the formation of modern racist ideology.</p><p>As a scholar, Kant developed a ground-breaking scientific theory of race from the standpoint of a philosophical investigator of nature or <em>Naturforscher</em>. As an educator, he transmitted denigrating depictions of the racialized others and imbued those descriptions with normative relevance. In both roles, he left behind, as one of his legacies, a worldview that excluded non-whites from such goods as recognitional respect and candidacy for cultural and moral achievements. Scholars who research and teach Kant's philosophy therefore have an unshakable burden to take part in the ongoing antiracist struggles, through their teaching practices as well as their scholarship. And they must do so with a pragmatic attention to nonideal social realities and a deliberate orientation toward substantial racial justice, equality, and inclusion.</p><p>Lu-Adler pushes the discourse about Kant and racism well beyond the old debates about whether he was racist or whether his racism contaminates his philosophy. By foregrounding the lasting legacies of Kant's raciology, her work calls for a profound reorientation of Kant scholarship.</p><p>Huaping Lu-Adler is Associate Professor of Philosophy at Georgetown University. She specializes in seventeenth- and eighteenth-century Western philosophy (particularly epistemology, metaphysics, philosophy of science, and logic). She is the author of <em>Kant and the Science of Logic </em>(Oxford, 2018).</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2191</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jeanelle K. Hope and Bill V. Mullen, "The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition" (Haymarket Books, 2024)</title>
      <description>The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.
At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. 
In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.
In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.
Jeanelle Hope is Director &amp; Associate Professor of African American Studies
Bill V. Mullen is Professor of English and American Studies at Purdue University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>450</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeanelle K. Hope and Bill V. Mullen</itunes:subtitle>
      <itunes:summary>The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.
At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition (Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. 
In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.
In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.
Jeanelle Hope is Director &amp; Associate Professor of African American Studies
Bill V. Mullen is Professor of English and American Studies at Purdue University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.</p><p>At once a history for understanding fascism and a handbook for organizing against, <a href="https://bookshop.org/a/12343/9798888900949"><em>The Black Antifascist Tradition: Fighting Back from Anti-Lynching to Abolition</em></a><em> </em>(Haymarket Books, 2024) is an essential book for understanding our present moment and the challenges ahead. From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. </p><p>In <em>The Black Antifascist Tradition</em>, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. As Davis once observed, pointing to the importance of anti-Black racism in the development of facism as an ideology, Black people have been “the first and most deeply injured victims of fascism.” Indeed, the experience of living under and resisting racial capitalism has often made Black radicals aware of the potential for fascism to take hold long before others understood this danger. The book explores the powerful ideas and activism of Paul Robeson, Mary McLeod Bethune, Claudia Jones, W. E. B. Du Bois, Frantz Fanon, Aime Cesaire, and Walter Rodney, as well as that of the Civil Rights Congress, the Black Liberation Army, and the We Charge Genocide movement, among others.</p><p>In shining a light on fascism and anti-Blackness, Hope and Mullen argue, the writers and organizers featured in this book have also developed urgent tools and strategies for overcoming it.</p><p>Jeanelle Hope is Director &amp; Associate Professor of African American Studies</p><p>Bill V. Mullen is Professor of English and American Studies at Purdue University.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
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      <itunes:duration>4259</itunes:duration>
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    </item>
    <item>
      <title>Jeffrey R. Di Leo, "Contemporary Literary and Cultural Theory: An Overview" (Bloomsbury, 2023)</title>
      <description>The most exhaustive mapping of contemporary literary theory to date, Jeffrey R. Di Leo's book Contemporary Literary and Cultural Theory: An Overview (Bloomsbury, 2023) offers a comprehensive overview of the current state of the field of contemporary literary theory. Examining 75 key topics across 15 chapters, it provides an approachable and encyclopedic introduction to the most important areas of contemporary theory today.
Proceeding broadly chronologically from early theory all the way through to postcritique, Di Leo masterfully unpacks established topics such as psychoanalysis, structuralism and Marxism, as well as newer topics such as trans* theory, animal studies, disability studies, blue humanities, speculative realism and many more.
Featuring accessible discussion of the work of foundational theorists such as Lacan, Derrida and Freud as well as contemporary theorists such as Haraway, Braidotti and Hayles, it offers a magisterial examination of an enormously rich and varied body of work.
Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>290</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeffrey R. Di Leo</itunes:subtitle>
      <itunes:summary>The most exhaustive mapping of contemporary literary theory to date, Jeffrey R. Di Leo's book Contemporary Literary and Cultural Theory: An Overview (Bloomsbury, 2023) offers a comprehensive overview of the current state of the field of contemporary literary theory. Examining 75 key topics across 15 chapters, it provides an approachable and encyclopedic introduction to the most important areas of contemporary theory today.
Proceeding broadly chronologically from early theory all the way through to postcritique, Di Leo masterfully unpacks established topics such as psychoanalysis, structuralism and Marxism, as well as newer topics such as trans* theory, animal studies, disability studies, blue humanities, speculative realism and many more.
Featuring accessible discussion of the work of foundational theorists such as Lacan, Derrida and Freud as well as contemporary theorists such as Haraway, Braidotti and Hayles, it offers a magisterial examination of an enormously rich and varied body of work.
Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The most exhaustive mapping of contemporary literary theory to date, Jeffrey R. Di Leo's book <a href="https://bookshop.org/a/12343/9781350366169"><em>Contemporary Literary and Cultural Theory: An Overview</em></a> (Bloomsbury, 2023) offers a comprehensive overview of the current state of the field of contemporary literary theory. Examining 75 key topics across 15 chapters, it provides an approachable and encyclopedic introduction to the most important areas of contemporary theory today.</p><p>Proceeding broadly chronologically from early theory all the way through to postcritique, Di Leo masterfully unpacks established topics such as psychoanalysis, structuralism and Marxism, as well as newer topics such as trans* theory, animal studies, disability studies, blue humanities, speculative realism and many more.</p><p>Featuring accessible discussion of the work of foundational theorists such as Lacan, Derrida and Freud as well as contemporary theorists such as Haraway, Braidotti and Hayles, it offers a magisterial examination of an enormously rich and varied body of work.</p><p><em>Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2211</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2446715121.mp3?updated=1711309758" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Ortiz, "Anti-Colonialism and the Crises of Interwar Fascism" (Bloombury, 2023)</title>
      <description>What is fascism? Is it an anomaly in the history of modern Europe? Or its culmination?
In Anti-Colonialism and the Crises of Interwar Fascism (Bloomsbury, 2023), Dr. Michael Ortiz makes the case that fascism should be understood, in part, as an imperial phenomenon. He contends that the Age of Appeasement (1935-1939) was not a titanic clash between rival socio-political systems (fascism and democracy), but rather an imperial contest between satisfied and unsatisfied empires.
Historians have long debated the extent to which Western imperialisms served as ideological and intellectual precursors to European fascisms. To date, this scholarship has largely employed an “inside-out” methodology that examines the imperial discourses that pushed fascist regimes outward, into Africa, Asia, and the Americas. While effective, such approaches tend to ignore the ways in which these places and their inhabitants understood European fascisms.
Addressing this imbalance, Anti-Colonialism adopts an “outside-in” approach that analyses fascist expansion from the perspective of Indian anti-colonialists such as Jawaharlal Nehru, Subhas Bose, and Mohandas Gandhi. Seen from India, the crises of Interwar fascism-the Second Italo-Ethiopian War, Spanish Civil War, Second Sino-Japanese War, Munich Agreement, and the outbreak of the Second World War-were yet another eruption of imperial expansion analogous (although not identical) to the Scramble for Africa and the Treaty of Versailles.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1431</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Ortiz</itunes:subtitle>
      <itunes:summary>What is fascism? Is it an anomaly in the history of modern Europe? Or its culmination?
In Anti-Colonialism and the Crises of Interwar Fascism (Bloomsbury, 2023), Dr. Michael Ortiz makes the case that fascism should be understood, in part, as an imperial phenomenon. He contends that the Age of Appeasement (1935-1939) was not a titanic clash between rival socio-political systems (fascism and democracy), but rather an imperial contest between satisfied and unsatisfied empires.
Historians have long debated the extent to which Western imperialisms served as ideological and intellectual precursors to European fascisms. To date, this scholarship has largely employed an “inside-out” methodology that examines the imperial discourses that pushed fascist regimes outward, into Africa, Asia, and the Americas. While effective, such approaches tend to ignore the ways in which these places and their inhabitants understood European fascisms.
Addressing this imbalance, Anti-Colonialism adopts an “outside-in” approach that analyses fascist expansion from the perspective of Indian anti-colonialists such as Jawaharlal Nehru, Subhas Bose, and Mohandas Gandhi. Seen from India, the crises of Interwar fascism-the Second Italo-Ethiopian War, Spanish Civil War, Second Sino-Japanese War, Munich Agreement, and the outbreak of the Second World War-were yet another eruption of imperial expansion analogous (although not identical) to the Scramble for Africa and the Treaty of Versailles.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is fascism? Is it an anomaly in the history of modern Europe? Or its culmination?</p><p>In <a href="https://bookshop.org/a/12343/9781350334953"><em>Anti-Colonialism and the Crises of Interwar Fascism</em></a> (Bloomsbury, 2023), Dr. Michael Ortiz makes the case that fascism should be understood, in part, as an imperial phenomenon. He contends that the Age of Appeasement (1935-1939) was not a titanic clash between rival socio-political systems (fascism and democracy), but rather an imperial contest between satisfied and unsatisfied empires.</p><p>Historians have long debated the extent to which Western imperialisms served as ideological and intellectual precursors to European fascisms. To date, this scholarship has largely employed an “inside-out” methodology that examines the imperial discourses that pushed fascist regimes outward, into Africa, Asia, and the Americas. While effective, such approaches tend to ignore the ways in which these places and their inhabitants understood European fascisms.</p><p>Addressing this imbalance, <em>Anti-Colonialism</em> adopts an “outside-in” approach that analyses fascist expansion from the perspective of Indian anti-colonialists such as Jawaharlal Nehru, Subhas Bose, and Mohandas Gandhi. Seen from India, the crises of Interwar fascism-the Second Italo-Ethiopian War, Spanish Civil War, Second Sino-Japanese War, Munich Agreement, and the outbreak of the Second World War-were yet another eruption of imperial expansion analogous (although not identical) to the Scramble for Africa and the Treaty of Versailles.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3187</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[16b6ac8a-ea1c-11ee-9d04-5f6610b77b7d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5281417139.mp3?updated=1711312138" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anita R. Gohdes, "Repression in the Digital Age: Surveillance, Censorship, and the Dynamics of State Violence" (Oxford UP, 2023)</title>
      <description>Global adoption of the Internet has exploded, yet we are only beginning to understand the Internet's profound political consequences. Authoritarian states are digitally catching up with their democratic counterparts, and both are showing a growing interest in the use of cyber controls--online censorship and surveillance technologies--that allow governments to exercise control over the Internet. Under what conditions does a digitally connected society actually help states target their enemies? Why do repressive governments sometimes shut down the Internet when faced with uprisings? And how have cyber controls become a dependable tool in the weapons arsenal that states use in civil conflict?
In Repression in the Digital Age: Surveillance, Censorship, and the Dynamics of State Violence (Oxford University Press, 2023), Dr. Anita R. Gohdes addresses these questions, and provides an original and in-depth look into the relationship between digital technologies and state violence. Drawing on large-scale analyses of fine-grained data on the Syrian conflict, qualitative case evidence from Iran, and the first global comparative analysis on Internet outages and state repression, Dr. Gohdes makes the case that digital infrastructure supports security forces in their use of violent state repression. More specifically, she argues that mass access to the Internet presents governments who fear for their political survival with a set of response options. When faced with a political threat, they can either temporarily restrict or block online public access or they can expand mass access to online information and monitor it to their own advantage. Surveillance allows security forces to target opponents of the state more selectively, while extreme forms of censorship or shutdowns of the Internet occur in conjunction with larger and more indiscriminate repression. As digital communication has become a bedrock of modern opposition and protest movements, Repression in the Digital Age breaks new ground in examining state repression in the information age.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>446</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anita R. Gohdes</itunes:subtitle>
      <itunes:summary>Global adoption of the Internet has exploded, yet we are only beginning to understand the Internet's profound political consequences. Authoritarian states are digitally catching up with their democratic counterparts, and both are showing a growing interest in the use of cyber controls--online censorship and surveillance technologies--that allow governments to exercise control over the Internet. Under what conditions does a digitally connected society actually help states target their enemies? Why do repressive governments sometimes shut down the Internet when faced with uprisings? And how have cyber controls become a dependable tool in the weapons arsenal that states use in civil conflict?
In Repression in the Digital Age: Surveillance, Censorship, and the Dynamics of State Violence (Oxford University Press, 2023), Dr. Anita R. Gohdes addresses these questions, and provides an original and in-depth look into the relationship between digital technologies and state violence. Drawing on large-scale analyses of fine-grained data on the Syrian conflict, qualitative case evidence from Iran, and the first global comparative analysis on Internet outages and state repression, Dr. Gohdes makes the case that digital infrastructure supports security forces in their use of violent state repression. More specifically, she argues that mass access to the Internet presents governments who fear for their political survival with a set of response options. When faced with a political threat, they can either temporarily restrict or block online public access or they can expand mass access to online information and monitor it to their own advantage. Surveillance allows security forces to target opponents of the state more selectively, while extreme forms of censorship or shutdowns of the Internet occur in conjunction with larger and more indiscriminate repression. As digital communication has become a bedrock of modern opposition and protest movements, Repression in the Digital Age breaks new ground in examining state repression in the information age.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Global adoption of the Internet has exploded, yet we are only beginning to understand the Internet's profound political consequences. Authoritarian states are digitally catching up with their democratic counterparts, and both are showing a growing interest in the use of cyber controls--online censorship and surveillance technologies--that allow governments to exercise control over the Internet. Under what conditions does a digitally connected society actually help states target their enemies? Why do repressive governments sometimes shut down the Internet when faced with uprisings? And how have cyber controls become a dependable tool in the weapons arsenal that states use in civil conflict?</p><p>In <a href="https://bookshop.org/a/12343/9780197772614"><em>Repression in the Digital Age: Surveillance, Censorship, and the Dynamics of State Violence</em></a> (Oxford University Press, 2023), Dr. Anita R. Gohdes addresses these questions, and provides an original and in-depth look into the relationship between digital technologies and state violence. Drawing on large-scale analyses of fine-grained data on the Syrian conflict, qualitative case evidence from Iran, and the first global comparative analysis on Internet outages and state repression, Dr. Gohdes makes the case that digital infrastructure supports security forces in their use of violent state repression. More specifically, she argues that mass access to the Internet presents governments who fear for their political survival with a set of response options. When faced with a political threat, they can either temporarily restrict or block online public access or they can expand mass access to online information and monitor it to their own advantage. Surveillance allows security forces to target opponents of the state more selectively, while extreme forms of censorship or shutdowns of the Internet occur in conjunction with larger and more indiscriminate repression. As digital communication has become a bedrock of modern opposition and protest movements, <em>Repression in the Digital Age</em> breaks new ground in examining state repression in the information age.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2090</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e225c2ea-e948-11ee-9c33-73cb29a6b2a1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7095641617.mp3?updated=1711221755" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Colette Cann and Eric Demeulenaere, "The Activist Academic: Engaged Scholarship for Resistance, Hope and Social Change" (Myers Education Press, 2020)</title>
      <description>How can traditional academic scholarship be disrupted by activist academics? How can we make space for those who are underrepresented and historically oppressed to come to academia as their authentic selves? How can the platform of academia create space for change in the world? In The Activist Academic: Engaged Scholarship for Resistance, Hope and Social Change (Myers Education Press: 2020), Professor Colette N. Cann and Professor Eric J. DeMeulenarare answer these questions. Their work challenges dominant frameworks of what it is to be an academic. They challenge readers to think about their responsibility as academics, and their role not just as researchers and teachers, but as parents, friends and members of the community. This book should be compulsory reading for for all scholars, and those that aspire to enter academia. It provides the opportunity to rethink the ways that activism and scholarship can be combined, and the impact that academics have in the spaces that they work. 
Professor Colette N. Cann is the Associate Dean for Academic and Faculty Advancement and Professor in the School of Education at the University of San Francisco. 
Professor Eric DeMeulenaere is a Professor of Education, Director of Community, Youth, &amp; Education Studies and Director of Comparative Race &amp; Ethnic Studies at Clark University. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 24 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Colette Cann and Eric Demeulenaere</itunes:subtitle>
      <itunes:summary>How can traditional academic scholarship be disrupted by activist academics? How can we make space for those who are underrepresented and historically oppressed to come to academia as their authentic selves? How can the platform of academia create space for change in the world? In The Activist Academic: Engaged Scholarship for Resistance, Hope and Social Change (Myers Education Press: 2020), Professor Colette N. Cann and Professor Eric J. DeMeulenarare answer these questions. Their work challenges dominant frameworks of what it is to be an academic. They challenge readers to think about their responsibility as academics, and their role not just as researchers and teachers, but as parents, friends and members of the community. This book should be compulsory reading for for all scholars, and those that aspire to enter academia. It provides the opportunity to rethink the ways that activism and scholarship can be combined, and the impact that academics have in the spaces that they work. 
Professor Colette N. Cann is the Associate Dean for Academic and Faculty Advancement and Professor in the School of Education at the University of San Francisco. 
Professor Eric DeMeulenaere is a Professor of Education, Director of Community, Youth, &amp; Education Studies and Director of Comparative Race &amp; Ethnic Studies at Clark University. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can traditional academic scholarship be disrupted by activist academics? How can we make space for those who are underrepresented and historically oppressed to come to academia as their authentic selves? How can the platform of academia create space for change in the world? In <a href="https://bookshop.org/a/12343/9781975501396"><em>The Activist Academic: Engaged Scholarship for Resistance, Hope and Social Change</em></a><em> </em>(Myers Education Press: 2020), Professor Colette N. Cann and Professor Eric J. DeMeulenarare answer these questions. Their work challenges dominant frameworks of what it is to be an academic. They challenge readers to think about their responsibility as academics, and their role not just as researchers and teachers, but as parents, friends and members of the community. This book should be compulsory reading for for all scholars, and those that aspire to enter academia. It provides the opportunity to rethink the ways that activism and scholarship can be combined, and the impact that academics have in the spaces that they work. </p><p><a href="https://www.usfca.edu/faculty/colette-cann">Professor Colette N. Cann</a> is the Associate Dean for Academic and Faculty Advancement and Professor in the School of Education at the University of San Francisco. </p><p><a href="https://www.clarku.edu/faculty/profiles/eric-demeulenaere/">Professor Eric DeMeulenaere</a> is a Professor of Education, Director of Community, Youth, &amp; Education Studies and Director of Comparative Race &amp; Ethnic Studies at Clark University. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3416</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aee9705a-e855-11ee-946e-63585328f24e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9447771789.mp3?updated=1711122342" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marc-William Palen, "Pax Economica: Left-Wing Visions of a Free Trade World" (Princeton UP, 2024)</title>
      <description>A new economic history which uncovers the forgotten left-wing, anti-imperial, pacifist origins of economic cosmopolitanism and free trade from the mid-nineteenth to the mid-twentieth century. 
The post-1945 international free-trade regime was established to foster a more integrated, prosperous, and peaceful world. As US Secretary of State Cordell Hull (1933-1944), "Father of the United Nations" and one of the regime's principal architects, explained in his memoirs, "unhampered trade dovetailed with peace; high tariffs, trade barriers, and unfair economic competition, with war." Remarkably, this same economic order is now under assault from the country most involved in its creation: the United States. A global economic nationalist resurgence - heralded by Donald Trump's "America First" protectionism and resultant trade wars with the USA's closest allies and trading partners - now looks to transform over seventy years of regional and global market integration into an illiberal economic order resembling that of the late nineteenth and early twentieth centuries. Economic cosmopolitan critics of today's retreat from free trade have offered dire warnings that doing so would be catastrophic for global consumers and an existential threat to regional and world peace. But under what circumstances did this ideological marriage of free trade, prosperity, and peace arise? Who were its main adherents? How did this same free-trade ideology succeed in becoming the new economic orthodoxy following the Second World War? And how might the successes and failures of this earlier struggle to reform the economic order inform today's globalization crisis? 
In Pax Economica: Left-Wing Visions of a Free Trade World (Princeton UP, 2024), economic historian Marc-William Palen finds answers amid a century of transnational peace and anti-imperial activism that stretched from Britain's unilateral adoption of free trade in 1846 to the founding of the US-led liberal trading system that arose immediately after the Second World War. Over five thematic chapters, considering the period from different perspectives, and utilising archival research conducted in Europe, North America, and Australia, Palen shows that this politico-ideological struggle to create a more prosperous and peaceful world through free trade pitted economic cosmopolitans against economic nationalists. Cosmopolitans sought to counter the industrialising world's embrace of economic nationalism because they believed - much like today's critics of Trump's tariffs and Brexit - that economic nationalism laid the groundwork for trade wars, high prices for consumers, and geopolitical conflict; while free trade created market interdependence, prosperity, social justice, and a more peaceful world. Pax Economica argues that this cosmopolitan fight for free trade laid foundations for a century of anti-imperial and peace activism across the globe - and paved the way for today's global trade regime now under siege.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 23 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>202</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marc-William Palen</itunes:subtitle>
      <itunes:summary>A new economic history which uncovers the forgotten left-wing, anti-imperial, pacifist origins of economic cosmopolitanism and free trade from the mid-nineteenth to the mid-twentieth century. 
The post-1945 international free-trade regime was established to foster a more integrated, prosperous, and peaceful world. As US Secretary of State Cordell Hull (1933-1944), "Father of the United Nations" and one of the regime's principal architects, explained in his memoirs, "unhampered trade dovetailed with peace; high tariffs, trade barriers, and unfair economic competition, with war." Remarkably, this same economic order is now under assault from the country most involved in its creation: the United States. A global economic nationalist resurgence - heralded by Donald Trump's "America First" protectionism and resultant trade wars with the USA's closest allies and trading partners - now looks to transform over seventy years of regional and global market integration into an illiberal economic order resembling that of the late nineteenth and early twentieth centuries. Economic cosmopolitan critics of today's retreat from free trade have offered dire warnings that doing so would be catastrophic for global consumers and an existential threat to regional and world peace. But under what circumstances did this ideological marriage of free trade, prosperity, and peace arise? Who were its main adherents? How did this same free-trade ideology succeed in becoming the new economic orthodoxy following the Second World War? And how might the successes and failures of this earlier struggle to reform the economic order inform today's globalization crisis? 
In Pax Economica: Left-Wing Visions of a Free Trade World (Princeton UP, 2024), economic historian Marc-William Palen finds answers amid a century of transnational peace and anti-imperial activism that stretched from Britain's unilateral adoption of free trade in 1846 to the founding of the US-led liberal trading system that arose immediately after the Second World War. Over five thematic chapters, considering the period from different perspectives, and utilising archival research conducted in Europe, North America, and Australia, Palen shows that this politico-ideological struggle to create a more prosperous and peaceful world through free trade pitted economic cosmopolitans against economic nationalists. Cosmopolitans sought to counter the industrialising world's embrace of economic nationalism because they believed - much like today's critics of Trump's tariffs and Brexit - that economic nationalism laid the groundwork for trade wars, high prices for consumers, and geopolitical conflict; while free trade created market interdependence, prosperity, social justice, and a more peaceful world. Pax Economica argues that this cosmopolitan fight for free trade laid foundations for a century of anti-imperial and peace activism across the globe - and paved the way for today's global trade regime now under siege.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A new economic history which uncovers the forgotten left-wing, anti-imperial, pacifist origins of economic cosmopolitanism and free trade from the mid-nineteenth to the mid-twentieth century. </p><p>The post-1945 international free-trade regime was established to foster a more integrated, prosperous, and peaceful world. As US Secretary of State Cordell Hull (1933-1944), "Father of the United Nations" and one of the regime's principal architects, explained in his memoirs, "unhampered trade dovetailed with peace; high tariffs, trade barriers, and unfair economic competition, with war." Remarkably, this same economic order is now under assault from the country most involved in its creation: the United States. A global economic nationalist resurgence - heralded by Donald Trump's "America First" protectionism and resultant trade wars with the USA's closest allies and trading partners - now looks to transform over seventy years of regional and global market integration into an illiberal economic order resembling that of the late nineteenth and early twentieth centuries. Economic cosmopolitan critics of today's retreat from free trade have offered dire warnings that doing so would be catastrophic for global consumers and an existential threat to regional and world peace. But under what circumstances did this ideological marriage of free trade, prosperity, and peace arise? Who were its main adherents? How did this same free-trade ideology succeed in becoming the new economic orthodoxy following the Second World War? And how might the successes and failures of this earlier struggle to reform the economic order inform today's globalization crisis? </p><p>In <a href="https://bookshop.org/a/12343/9780691199320"><em>Pax Economica: Left-Wing Visions of a Free Trade World</em></a><em> </em>(Princeton UP, 2024), economic historian Marc-William Palen finds answers amid a century of transnational peace and anti-imperial activism that stretched from Britain's unilateral adoption of free trade in 1846 to the founding of the US-led liberal trading system that arose immediately after the Second World War. Over five thematic chapters, considering the period from different perspectives, and utilising archival research conducted in Europe, North America, and Australia, Palen shows that this politico-ideological struggle to create a more prosperous and peaceful world through free trade pitted economic cosmopolitans against economic nationalists. Cosmopolitans sought to counter the industrialising world's embrace of economic nationalism because they believed - much like today's critics of Trump's tariffs and Brexit - that economic nationalism laid the groundwork for trade wars, high prices for consumers, and geopolitical conflict; while free trade created market interdependence, prosperity, social justice, and a more peaceful world. Pax Economica argues that this cosmopolitan fight for free trade laid foundations for a century of anti-imperial and peace activism across the globe - and paved the way for today's global trade regime now under siege.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4157</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87f05182-e6ff-11ee-aba0-f316ff68b97c]]></guid>
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    </item>
    <item>
      <title>Isaac Deutscher, "Lenin's Childhood" (Verso, 2024)</title>
      <description>On January 21, 1924 and at the age of 53, Vladimir Lenin passed away. We’ve now had a century of a world without him, but also a century of a world undeniably changed by his imprint. In commemoration of his life, Verso has recently put out a collection of classic works both by and about this pivotal figure. One of these books, a short biographical sketch called Lenin’s Childhood, is the topic of today’s conversation, although it’s really only a jumping off point for my guest and I to talk about the book’s author, the Marxist historian and biographer Isaac Deutscher. Best known for his biographies of Stalin and his trilogy on Trotsky, Lenin’s Childhood is the only completed piece of an attempted two-volume study that would’ve completed his biographical work, and set the stage for a greater study of Russian history in general. While his untimely death in 1967 cut his work short, he still left a rich body of writing worth wrestling with. Throughout our conversation, we discuss Deutscher’s life, work and legacy, and encourage listeners to revisit his work as still relevant for contemporary readers.
Our guest today, Gonzalo Pozo, wrote the introduction to the new edition of Lenin’s Childhood, and is currently working on a biography of Isaac Deutscher.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>263</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Isaac Deutscher</itunes:subtitle>
      <itunes:summary>On January 21, 1924 and at the age of 53, Vladimir Lenin passed away. We’ve now had a century of a world without him, but also a century of a world undeniably changed by his imprint. In commemoration of his life, Verso has recently put out a collection of classic works both by and about this pivotal figure. One of these books, a short biographical sketch called Lenin’s Childhood, is the topic of today’s conversation, although it’s really only a jumping off point for my guest and I to talk about the book’s author, the Marxist historian and biographer Isaac Deutscher. Best known for his biographies of Stalin and his trilogy on Trotsky, Lenin’s Childhood is the only completed piece of an attempted two-volume study that would’ve completed his biographical work, and set the stage for a greater study of Russian history in general. While his untimely death in 1967 cut his work short, he still left a rich body of writing worth wrestling with. Throughout our conversation, we discuss Deutscher’s life, work and legacy, and encourage listeners to revisit his work as still relevant for contemporary readers.
Our guest today, Gonzalo Pozo, wrote the introduction to the new edition of Lenin’s Childhood, and is currently working on a biography of Isaac Deutscher.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On January 21, 1924 and at the age of 53, Vladimir Lenin passed away. We’ve now had a century of a world without him, but also a century of a world undeniably changed by his imprint. In commemoration of his life, <a href="https://www.versobooks.com/blogs/news/thinking-with-lenin-on-the-centenary-of-his-death">Verso has recently put out a collection of classic works both by and about this pivotal figure</a>. One of these books, a short biographical sketch called <em>Lenin’s Childhood</em>, is the topic of today’s conversation, although it’s really only a jumping off point for my guest and I to talk about the book’s author, the Marxist historian and biographer Isaac Deutscher. Best known for his biographies of Stalin and <a href="https://www.versobooks.com/products/40-the-prophet">his trilogy on Trotsky</a>, <em>Lenin’s Childhood</em> is the only completed piece of an attempted two-volume study that would’ve completed his biographical work, and set the stage for a greater study of Russian history in general. While his untimely death in 1967 cut his work short, he still left a rich body of writing worth wrestling with. Throughout our conversation, we discuss Deutscher’s life, work and legacy, and encourage listeners to revisit his work as still relevant for contemporary readers.</p><p>Our guest today, Gonzalo Pozo, wrote the introduction to the new edition of <em>Lenin’s Childhood</em>, and is currently working on a biography of Isaac Deutscher.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4381</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6424038963.mp3?updated=1710702680" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Dinesh Wadiwel, "Animals and Capital" (Edinburgh UP, 2023)</title>
      <description>In the 20th century, capitalist animal agriculture emerged with a twofold mission: to ruthlessly exploit animals for their labour time and enlarge human food supplies. The results of this process are clear. Animal-sourced foods have expanded exponentially. And simultaneously, hundreds of billions of animals confront humans and machines in brutal, antagonistic relations shaped by domination and resistance.
Building on Karl Marx’s value theory, Dinesh Joseph Wadiwel argues that factory farms and industrial fisheries are not merely an example of unchecked human supremacism. Nor a result of the victory of market forces. But a combination of both. In Animals and Capital (Edinburgh University Press, 2023) Wadiwel untangles this contemporary handshake between hierarchical anthropocentrism and capitalism.
Dinesh Joseph Wadiwel is Associate Professor in Socio-Legal Studies and Human Rights at the University of Sydney. His research interests include theories of violence, critical animal studies and disability rights. He is author of The War against Animals (Brill, 2015) and is co-editor, with Matthew Chrulew of Foucault and Animals (Brill, 2016). He has a background working within civil society organisations, including in anti-poverty and disability rights roles.
Kyle Johannsen is a Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dinesh Wadiwel</itunes:subtitle>
      <itunes:summary>In the 20th century, capitalist animal agriculture emerged with a twofold mission: to ruthlessly exploit animals for their labour time and enlarge human food supplies. The results of this process are clear. Animal-sourced foods have expanded exponentially. And simultaneously, hundreds of billions of animals confront humans and machines in brutal, antagonistic relations shaped by domination and resistance.
Building on Karl Marx’s value theory, Dinesh Joseph Wadiwel argues that factory farms and industrial fisheries are not merely an example of unchecked human supremacism. Nor a result of the victory of market forces. But a combination of both. In Animals and Capital (Edinburgh University Press, 2023) Wadiwel untangles this contemporary handshake between hierarchical anthropocentrism and capitalism.
Dinesh Joseph Wadiwel is Associate Professor in Socio-Legal Studies and Human Rights at the University of Sydney. His research interests include theories of violence, critical animal studies and disability rights. He is author of The War against Animals (Brill, 2015) and is co-editor, with Matthew Chrulew of Foucault and Animals (Brill, 2016). He has a background working within civil society organisations, including in anti-poverty and disability rights roles.
Kyle Johannsen is a Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the 20th century, capitalist animal agriculture emerged with a twofold mission: to ruthlessly exploit animals for their labour time and enlarge human food supplies. The results of this process are clear. Animal-sourced foods have expanded exponentially. And simultaneously, hundreds of billions of animals confront humans and machines in brutal, antagonistic relations shaped by domination and resistance.</p><p>Building on Karl Marx’s value theory, Dinesh Joseph Wadiwel argues that factory farms and industrial fisheries are not merely an example of unchecked human supremacism. Nor a result of the victory of market forces. But a combination of both. In <a href="https://bookshop.org/a/12343/9781399518062"><em>Animals and Capital</em></a> (Edinburgh University Press, 2023) Wadiwel untangles this contemporary handshake between hierarchical anthropocentrism and capitalism.</p><p><a href="https://www.sydney.edu.au/arts/about/our-people/academic-staff/dinesh-wadiwel.html">Dinesh Joseph Wadiwel</a> is Associate Professor in Socio-Legal Studies and Human Rights at the University of Sydney. His research interests include theories of violence, critical animal studies and disability rights. He is author of <em>The War against Animals</em> (Brill, 2015) and is co-editor, with Matthew Chrulew of <em>Foucault and Animals</em> (Brill, 2016). He has a background working within civil society organisations, including in anti-poverty and disability rights roles.</p><p><a href="https://sites.google.com/view/kyle-johannsen/"><em>Kyle Johannsen</em></a><em> is a Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5617</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nancy Folbre, "The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy" (Verso, 2021)</title>
      <description>Nancy Folbre’s The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy (Verso, 2021) asks the questions of why and under what conditions overlapping systems of exploitation persist and decline. Folbre adds this book to a long repertoire of studying the economics of care, social reproduction, household-state relations, and women’s coalition building. In making sense of the gender-skewed outcomes of capitalist development, the undervaluation of care, and the dynamics of social reproduction, Folbre draws from various economic and sociological perspectives to introduce an analytical framework attuned to the multiple layers of patriarchal systems of control. The book’s theoretical toolbox (Part 1) is particularly valuable for those interested in key concepts and theories in feminist political economy. The Reconstructed Narratives (Part 2) engages readers with polemics on gendered dynamics of bargaining power, the disciplining of social reproduction labor, the intertwined nature of affect and care, and prospects for progressive collective organizing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>234</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nancy Folbre</itunes:subtitle>
      <itunes:summary>Nancy Folbre’s The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy (Verso, 2021) asks the questions of why and under what conditions overlapping systems of exploitation persist and decline. Folbre adds this book to a long repertoire of studying the economics of care, social reproduction, household-state relations, and women’s coalition building. In making sense of the gender-skewed outcomes of capitalist development, the undervaluation of care, and the dynamics of social reproduction, Folbre draws from various economic and sociological perspectives to introduce an analytical framework attuned to the multiple layers of patriarchal systems of control. The book’s theoretical toolbox (Part 1) is particularly valuable for those interested in key concepts and theories in feminist political economy. The Reconstructed Narratives (Part 2) engages readers with polemics on gendered dynamics of bargaining power, the disciplining of social reproduction labor, the intertwined nature of affect and care, and prospects for progressive collective organizing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nancy Folbre’s<em> </em><a href="https://bookshop.org/a/12343/9781786632951"><em>The Rise and Decline of Patriarchal Systems: An Intersectional Political Economy</em></a> (Verso, 2021) asks the questions of why and under what conditions overlapping systems of exploitation persist and decline. Folbre adds this book to a long repertoire of studying the economics of care, social reproduction, household-state relations, and women’s coalition building. In making sense of the gender-skewed outcomes of capitalist development, the undervaluation of care, and the dynamics of social reproduction, Folbre draws from various economic and sociological perspectives to introduce an analytical framework attuned to the multiple layers of patriarchal systems of control. The book’s theoretical toolbox (Part 1) is particularly valuable for those interested in key concepts and theories in feminist political economy. The Reconstructed Narratives (Part 2) engages readers with polemics on gendered dynamics of bargaining power, the disciplining of social reproduction labor, the intertwined nature of affect and care, and prospects for progressive collective organizing.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1799</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Anna Kornbluh, "Immediacy: Or, The Style of Too Late Capitalism" (Verso, 2024)</title>
      <description>What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh’s newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism’s economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world.
Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital.
David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 17 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>445</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anna Kornbluh</itunes:subtitle>
      <itunes:summary>What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh’s newest book Immediacy, Or the Style of Too Late Capitalism (Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism’s economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, Immediacy is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world.
Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of The Order of Forms: Realism, Formalism, and Social Space, and Marxist Film Theory and Fight Club, and Realizing Capital.
David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the status of art and culture in a world dominated by apps, algorithms, and influencers? Anna Kornbluh’s newest book <a href="https://bookshop.org/a/12343/9781804291344"><em>Immediacy, Or the Style of Too Late Capitalism</em></a><em> </em>(Verso, 2023) analyzes a swath of cultural forms from auto-fiction to Netflix binges and immersive art installations. For Kornbluh, neoliberalism’s economic disintermediation manifests itself in a new dominant cultural style that renounces complex forms of representation, abstraction, and mediation in favor of instantaneity, memoir, and literalism. An ambitious and far-reaching intervention into politics and aesthetics, <em>Immediacy</em> is ultimately an impassioned defense of the power of art to reflect, critique, and transform the world.</p><p>Anna Kornbluh is Professor of English and a member of the United Faculty bargaining team at the University of Illinois, Chicago, where her research and teaching center on literature, film, and Marxist cultural theory. She is the author of <em>The Order of Forms: Realism, Formalism, and Social Space</em>, and <em>Marxist Film Theory and Fight Club</em>, and <em>Realizing Capital</em>.</p><p><em>David Maruzzella is a writer, editor, and translator specializing in philosophy and contemporary art currently based in Chicago. He received his PhD in philosophy from DePaul University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2902</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lisa Messeri, "In the Land of the Unreal: Virtual and Other Realities in Los Angeles" (Duke UP, 2024)</title>
      <description>In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With In the Land of the Unreal: Virtual and Other Realities in Los Angeles (Duke UP, 2024), Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 16 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>362</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lisa Messeri</itunes:subtitle>
      <itunes:summary>In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With In the Land of the Unreal: Virtual and Other Realities in Los Angeles (Duke UP, 2024), Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With <a href="https://www.dukeupress.edu/in-the-land-of-the-unreal"><em>In the Land of the Unreal: Virtual and Other Realities in Los Angeles</em></a><em> </em>(Duke UP, 2024), Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4184</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[23ebecda-e2d8-11ee-8a21-d7052a90678d]]></guid>
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    <item>
      <title>Ellen E. Jones, "Screen Deep: How Film and TV Can Solve Racism and Save the World" (Faber and Faber, 2024)</title>
      <description>Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC’s Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 16 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>444</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ellen E. Jones</itunes:subtitle>
      <itunes:summary>Why does race matter in film and TV? In Screen Deep: How Film and TV Can Solve Racism and Save the World (Faber and Faber, 2024), Ellen E. Jones, a journalist, broadcaster and the co-host of the BBC’s Screenshot, shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does race matter in film and TV? In <a href="https://www.faber.co.uk/product/9780571369423-screen-deep/"><em>Screen Deep: How Film and TV Can Solve Racism and Save the World</em></a> (Faber and Faber, 2024), <a href="https://twitter.com/MsEllenEJones">Ellen E. Jones</a>, a journalist, broadcaster and the co-host of the <a href="https://www.bbc.co.uk/programmes/m00121bv">BBC’s Screenshot,</a> shows how the storytelling potential offered by screen media shape how we understand ourselves and our societies. The book covers a huge range of genres in film and TV, from superheroes and horror, through romance and crime, to costume drama, comedy and westerns. It tells the history of race in Hollywood, the struggles over British history on screen, and how filmmakers are challenging genre stereotypes across screen industries. Offering a powerful call to reimagine the power, potential, and possibilities offered by film and TV, the book is essential reading for anyone interested in contemporary culture as well as a more just and equal world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2907</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7ae17c6-e2d0-11ee-9230-7f77fbe4e3b6]]></guid>
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    </item>
    <item>
      <title>Ali Bhagat, "Governing the Displaced: Race and Ambivalence in Global Capitalism" (Cornell UP, 2024)</title>
      <description>Governing the Displaced: Race and Ambivalence in Global Capitalism (Cornell UP, 2024) answers a straightforward question: how are refugees governed under capitalism in this moment of heightened global displacement? To answer this question, Ali Bhagat takes a dual case study approach to explore three dimensions of refugee survival in Paris and Nairobi: shelter, work, and political belonging. Bhagat's book makes sense of a global refugee regime along the contradictory fault lines of passive humanitarianism, violent exclusion, and organized abandonment in the European Union and East Africa. The book highlights the interrelated and overlapping features of refugee governance and survival in these seemingly disparate places. In its intersectional engagement with theories of racial capitalism with respect to right-wing populism, labor politics, and the everyday forms of exclusion, the book is a timely and necessary contribution to the field of migration studies and to political economy.
Ali Bhagat is a PhD in Political Studies (Queen's University) and works largely on the topic of global displacement in relation to racial capitalism. As an international political economist, he is interested in the intersections of race, class, and sexuality and has worked on issues pertaining to LGBTQ+ refugees in particular. His work is based in qualitative methods drawing from interviews, policy analysis, and other ethnographic techniques. Ali’s work cuts across the everyday political economy of housing, work, finance, and political belonging.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>709</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ali Bhagat</itunes:subtitle>
      <itunes:summary>Governing the Displaced: Race and Ambivalence in Global Capitalism (Cornell UP, 2024) answers a straightforward question: how are refugees governed under capitalism in this moment of heightened global displacement? To answer this question, Ali Bhagat takes a dual case study approach to explore three dimensions of refugee survival in Paris and Nairobi: shelter, work, and political belonging. Bhagat's book makes sense of a global refugee regime along the contradictory fault lines of passive humanitarianism, violent exclusion, and organized abandonment in the European Union and East Africa. The book highlights the interrelated and overlapping features of refugee governance and survival in these seemingly disparate places. In its intersectional engagement with theories of racial capitalism with respect to right-wing populism, labor politics, and the everyday forms of exclusion, the book is a timely and necessary contribution to the field of migration studies and to political economy.
Ali Bhagat is a PhD in Political Studies (Queen's University) and works largely on the topic of global displacement in relation to racial capitalism. As an international political economist, he is interested in the intersections of race, class, and sexuality and has worked on issues pertaining to LGBTQ+ refugees in particular. His work is based in qualitative methods drawing from interviews, policy analysis, and other ethnographic techniques. Ali’s work cuts across the everyday political economy of housing, work, finance, and political belonging.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501773617"><em>Governing the Displaced: Race and Ambivalence in Global Capitalism </em></a>(Cornell UP, 2024) answers a straightforward question: how are refugees governed under capitalism in this moment of heightened global displacement? To answer this question, Ali Bhagat takes a dual case study approach to explore three dimensions of refugee survival in Paris and Nairobi: shelter, work, and political belonging. Bhagat's book makes sense of a global refugee regime along the contradictory fault lines of passive humanitarianism, violent exclusion, and organized abandonment in the European Union and East Africa. The book highlights the interrelated and overlapping features of refugee governance and survival in these seemingly disparate places. In its intersectional engagement with theories of racial capitalism with respect to right-wing populism, labor politics, and the everyday forms of exclusion, the book is a timely and necessary contribution to the field of migration studies and to political economy.</p><p>Ali Bhagat is a PhD in Political Studies (Queen's University) and works largely on the topic of global displacement in relation to racial capitalism. As an international political economist, he is interested in the intersections of race, class, and sexuality and has worked on issues pertaining to LGBTQ+ refugees in particular. His work is based in qualitative methods drawing from interviews, policy analysis, and other ethnographic techniques. Ali’s work cuts across the everyday political economy of housing, work, finance, and political belonging.</p><p><a href="https://labdelaa.expressions.syr.edu/"><em>Lamis Abdelaaty</em></a><em> is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of </em><a href="https://global.oup.com/academic/product/discrimination-and-delegation-9780197530061"><em>Discrimination and Delegation: Explaining State Responses to Refugees</em></a><em> (Oxford University Press, 2021). Email her comments at </em><a href="mailto:labdelaa@syr.edu"><em>labdelaa@syr.edu</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3000</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fbdefb2c-e15d-11ee-8f1b-ef3a309abbb0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2278767931.mp3?updated=1710350953" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)</title>
      <description>How do art schools influence music? In No Machos or Pop Stars: When the Leeds Art Experiment Went Punk (Duke UP, 2022), Gavin Butt, a Professor of Fine Art at Northumbria University, Newcastle, tells the story of art, music and higher education in Leeds in the mid-1970s. Using archives and interviews, as well as analysis of the music and art of the era, the book shows the importance of art and art theory to a huge range of bands, including Gang of Four, Scritti Politti and Soft Cell. The analysis also takes a critical perspective on art, music and the era, thinking through the importance of class, gender, and racial inequalities to punk and post-punk. A rich and detailed defence of the importance of arts education, the book will be of interest across the arts and humanities, as well as for anyone wanting to know more about why Leeds matters!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>443</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gavin Butt</itunes:subtitle>
      <itunes:summary>How do art schools influence music? In No Machos or Pop Stars: When the Leeds Art Experiment Went Punk (Duke UP, 2022), Gavin Butt, a Professor of Fine Art at Northumbria University, Newcastle, tells the story of art, music and higher education in Leeds in the mid-1970s. Using archives and interviews, as well as analysis of the music and art of the era, the book shows the importance of art and art theory to a huge range of bands, including Gang of Four, Scritti Politti and Soft Cell. The analysis also takes a critical perspective on art, music and the era, thinking through the importance of class, gender, and racial inequalities to punk and post-punk. A rich and detailed defence of the importance of arts education, the book will be of interest across the arts and humanities, as well as for anyone wanting to know more about why Leeds matters!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do art schools influence music? In <a href="https://www.dukeupress.edu/no-machos-or-pop-stars"><em>No Machos or Pop Stars: When the Leeds Art Experiment Went Punk</em></a> (Duke UP, 2022), <a href="https://www.northumbria.ac.uk/about-us/our-staff/b/gavin-butt/">Gavin Butt, a Professor of Fine Art at Northumbria University, Newcastle</a>, tells the story of art, music and higher education in Leeds in the mid-1970s. Using archives and interviews, as well as analysis of the music and art of the era, the book shows the importance of art and art theory to a huge range of bands, including Gang of Four, Scritti Politti and Soft Cell. The analysis also takes a critical perspective on art, music and the era, thinking through the importance of class, gender, and racial inequalities to punk and post-punk. A rich and detailed defence of the importance of arts education, the book will be of interest across the arts and humanities, as well as for anyone wanting to know more about why Leeds matters!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2881</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ea9e2e38-dfc7-11ee-83cd-37ea15278fbf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9751191514.mp3?updated=1710183437" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Tutt, "How to Read Like a Parasite: Why the Left Got High on Nietzsche" (Repeater, 2024)</title>
      <description>A how-to guide for the left on how to overcome Nietzsche's divisive and damaging influence. 
How to Read Like a Parasite: Why the Left Got High on Nietzsche (Repeater Books, 2024) overturns the whitewashed and defanged version of Nietzsche that has been made popular by generations of translators and academic philosophers who have presented his work as apolitical and without a core reactionary agenda. The central argument of the book is that Nietzsche’s philosophy does have a center, and that the left learns a great deal from Nietzsche when we read him as driven by a highly sophisticated reactionary political vision that informs all his major concepts and ideas. The most important Nietzschean concepts — from perspectivism, ressentiment, eternal return to the pathos of distance — are analyzed in the historical context in which Nietzsche lived and wrote, and several case-studies of prominent left-Nietzscheans from Jack London, Gilles Deleuze, Wendy Brown to Huey Newton are discussed. How to Read Like a Parasite makes a persuasive case for how we can overcome Nietzsche’s damaging influence on the left, showing us how to read and understand his work without becoming victims of it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>442</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Tutt</itunes:subtitle>
      <itunes:summary>A how-to guide for the left on how to overcome Nietzsche's divisive and damaging influence. 
How to Read Like a Parasite: Why the Left Got High on Nietzsche (Repeater Books, 2024) overturns the whitewashed and defanged version of Nietzsche that has been made popular by generations of translators and academic philosophers who have presented his work as apolitical and without a core reactionary agenda. The central argument of the book is that Nietzsche’s philosophy does have a center, and that the left learns a great deal from Nietzsche when we read him as driven by a highly sophisticated reactionary political vision that informs all his major concepts and ideas. The most important Nietzschean concepts — from perspectivism, ressentiment, eternal return to the pathos of distance — are analyzed in the historical context in which Nietzsche lived and wrote, and several case-studies of prominent left-Nietzscheans from Jack London, Gilles Deleuze, Wendy Brown to Huey Newton are discussed. How to Read Like a Parasite makes a persuasive case for how we can overcome Nietzsche’s damaging influence on the left, showing us how to read and understand his work without becoming victims of it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A how-to guide for the left on how to overcome Nietzsche's divisive and damaging influence. </p><p><a href="https://bookshop.org/a/12343/9781914420627"><em>How to Read Like a Parasite: Why the Left Got High on Nietzsche</em></a> (Repeater Books, 2024) overturns the whitewashed and defanged version of Nietzsche that has been made popular by generations of translators and academic philosophers who have presented his work as apolitical and without a core reactionary agenda. The central argument of the book is that Nietzsche’s philosophy does have a center, and that the left learns a great deal from Nietzsche when we read him as driven by a highly sophisticated reactionary political vision that informs all his major concepts and ideas. The most important Nietzschean concepts — from perspectivism, ressentiment, eternal return to the pathos of distance — are analyzed in the historical context in which Nietzsche lived and wrote, and several case-studies of prominent left-Nietzscheans from Jack London, Gilles Deleuze, Wendy Brown to Huey Newton are discussed. How to Read Like a Parasite makes a persuasive case for how we can overcome Nietzsche’s damaging influence on the left, showing us how to read and understand his work without becoming victims of it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3164</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b51237ec-df0d-11ee-9bbb-276561c46677]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2326345489.mp3?updated=1710097432" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Surya Parekh, "Black Enlightenment" (Duke UP, 2023)</title>
      <description>In Black Enlightenment (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. Black Enlightenment points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>443</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Surya Parekh</itunes:subtitle>
      <itunes:summary>In Black Enlightenment (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. Black Enlightenment points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9781478020264"><em>Black Enlightenment</em></a> (Duke UP, 2023), Surya Parekh reimagines the Enlightenment from the position of the Black subject. Parekh examines the works of such Black writers as the free Jamaican Francis Williams (1697–1762), Afro-British thinker Ignatius Sancho (1729?–1780), and Afro-American poet Phillis Wheatley (1753?–1784), placing them alongside those of their white European contemporaries David Hume (1711-1776) and Immanuel Kant (1724-1804). By rethinking the Enlightenment and its canons, Parekh complicates common understandings of the Enlightenment wherein Black subjects could exist only in negation to white subjects. <em>Black Enlightenment</em> points to the anxiety of race in Hume, Kant, and others while showing the importance of Black Enlightenment thought. Parekh prompts us to consider the timeliness of reading Black Enlightenment authors who become “free” in a society hostile to that freedom.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4131</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f2d5f762-df17-11ee-a26e-d76d56840172]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9902430675.mp3?updated=1710103338" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Xin Gu, "Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries" (Routledge, 2023)</title>
      <description>How can artists survive today? In Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries (Routledge, 2023), Dr Xin Gu, Director of the Master of Cultural and Creative Industries at Monash University and an expert appointed by UNESCO 2005 Convention on the Protection and Promotion of Diversity of Cultural Expression, examines contemporary labour conditions for cultural workers. Drawing on detailed historical and global case studies, as well as up to date analysis of changing working practices, the book offers a new theorisation of the role of culture in society. The book is the basis for a major reassessment of how art and culture function in our global context, and will be essential reading across the humanities and social sciences, as well as for anyone interested in cultural industries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>441</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Xin Gu</itunes:subtitle>
      <itunes:summary>How can artists survive today? In Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries (Routledge, 2023), Dr Xin Gu, Director of the Master of Cultural and Creative Industries at Monash University and an expert appointed by UNESCO 2005 Convention on the Protection and Promotion of Diversity of Cultural Expression, examines contemporary labour conditions for cultural workers. Drawing on detailed historical and global case studies, as well as up to date analysis of changing working practices, the book offers a new theorisation of the role of culture in society. The book is the basis for a major reassessment of how art and culture function in our global context, and will be essential reading across the humanities and social sciences, as well as for anyone interested in cultural industries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can artists survive today? In <a href="https://bookshop.org/a/12343/9780367771195"><em>Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries</em></a> (Routledge, 2023), <a href="https://twitter.com/guxin2010">Dr Xin Gu</a>, <a href="https://research.monash.edu/en/persons/xin-gu">Director of the Master of Cultural and Creative Industries at Monash University and an expert appointed by UNESCO 2005 Convention on the Protection and Promotion of Diversity of Cultural Expression</a>, examines contemporary labour conditions for cultural workers. Drawing on detailed historical and global case studies, as well as up to date analysis of changing working practices, the book offers a new theorisation of the role of culture in society. The book is the basis for a major reassessment of how art and culture function in our global context, and will be essential reading across the humanities and social sciences, as well as for anyone interested in cultural industries.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[00e4bb94-de38-11ee-bc09-ef3e522b302a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3048785874.mp3?updated=1710005585" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Huttunen and Gerhild Perl, "An Anthropology of Disappearance: Politics, Intimacies and Alternative Ways of Knowing" (Berghahn Books, 2023)</title>
      <description>All over the world, people disappear from their families, communities and the state’s bureaucratic gaze, as victims of oppressive regimes or while migrating along clandestine routes. An Anthropology of Disappearance: Politics, Intimacies and Alternative Ways of Knowing (Berghahn Books, 2023) brings together scholars who engage ethnographically with such disappearances in various cultural, social and political contexts. This volume takes an anthropological perspective on questions about human life and death, absence and presence, rituals and mourning, liminality and structures, citizenship and personhood as well as agency and power. The chapters explore the political dimension of disappearances and address methodological, epistemological and ethical challenges of researching disappearances and the disappeared. The combination of disappearance through political violence, crime, voluntary disappearance and migration makes this book a unique combination.
Laura Huttunen is Professor of Social Anthropology at the Tampere University, Finland. In 2013-14 she ran a project that focused on the question of missing and disappeared persons in Bosnia-Herzegovina. In 2018-2022 she led a research project with a focus on disappearances in migratory contexts.
Gerhild Perl is Assistant Professor of Social Anthropology at the University of Trier, Germany. Her work has been published in journals such as the Journal of Social and Cultural Anthropology and the Journal of Intercultural Studies. Her doctoral dissertation on death during migration across the Spanish-Moroccan Sea was awarded the Maria Ioannis Baganha Award and the Dissertation Prize of the German Anthropological Association.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 10 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>288</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Huttunen and Gerhild Perl</itunes:subtitle>
      <itunes:summary>All over the world, people disappear from their families, communities and the state’s bureaucratic gaze, as victims of oppressive regimes or while migrating along clandestine routes. An Anthropology of Disappearance: Politics, Intimacies and Alternative Ways of Knowing (Berghahn Books, 2023) brings together scholars who engage ethnographically with such disappearances in various cultural, social and political contexts. This volume takes an anthropological perspective on questions about human life and death, absence and presence, rituals and mourning, liminality and structures, citizenship and personhood as well as agency and power. The chapters explore the political dimension of disappearances and address methodological, epistemological and ethical challenges of researching disappearances and the disappeared. The combination of disappearance through political violence, crime, voluntary disappearance and migration makes this book a unique combination.
Laura Huttunen is Professor of Social Anthropology at the Tampere University, Finland. In 2013-14 she ran a project that focused on the question of missing and disappeared persons in Bosnia-Herzegovina. In 2018-2022 she led a research project with a focus on disappearances in migratory contexts.
Gerhild Perl is Assistant Professor of Social Anthropology at the University of Trier, Germany. Her work has been published in journals such as the Journal of Social and Cultural Anthropology and the Journal of Intercultural Studies. Her doctoral dissertation on death during migration across the Spanish-Moroccan Sea was awarded the Maria Ioannis Baganha Award and the Dissertation Prize of the German Anthropological Association.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>All over the world, people disappear from their families, communities and the state’s bureaucratic gaze, as victims of oppressive regimes or while migrating along clandestine routes. <a href="https://bookshop.org/a/12343/9781805390725"><em>An Anthropology of Disappearance: Politics, Intimacies and Alternative Ways of Knowing</em></a><em> </em>(Berghahn Books, 2023) brings together scholars who engage ethnographically with such disappearances in various cultural, social and political contexts. This volume takes an anthropological perspective on questions about human life and death, absence and presence, rituals and mourning, liminality and structures, citizenship and personhood as well as agency and power. The chapters explore the political dimension of disappearances and address methodological, epistemological and ethical challenges of researching disappearances and the disappeared. The combination of disappearance through political violence, crime, voluntary disappearance and migration makes this book a unique combination.</p><p>Laura Huttunen is Professor of Social Anthropology at the Tampere University, Finland. In 2013-14 she ran a project that focused on the question of missing and disappeared persons in Bosnia-Herzegovina. In 2018-2022 she led a research project with a focus on disappearances in migratory contexts.</p><p>Gerhild Perl is Assistant Professor of Social Anthropology at the University of Trier, Germany. Her work has been published in journals such as the Journal of Social and Cultural Anthropology and the Journal of Intercultural Studies. Her doctoral dissertation on death during migration across the Spanish-Moroccan Sea was awarded the Maria Ioannis Baganha Award and the Dissertation Prize of the German Anthropological Association.</p><p><em>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found </em><a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1bd71a8c-de29-11ee-96f9-27f63539d966]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5220804146.mp3?updated=1709998102" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samantha Majic, "Lights, Camera, Feminism?: Celebrities and Anti-Trafficking Politics" (U California Press, 2023)</title>
      <description>Recent years have brought an upsurge in celebrity activism. Not a day goes by without an actor or musician taking to a stage, a podium or the internet to speak on a social issue, address an environmental problem, or adopt a political position. It’s easy to be cynical about the motivations of these privileged and sometimes uninformed people. Many of them come across as self-serving. But others appear genuine. Either way, celebrity activists are here to stay and it is incumbent on us to think about what it means for politics that we now live in an age in which celebrities are preferred over elected political leaders as spokespeople for humanitarian causes, and human rights. Who are they addressing? Who benefits when they speak? And what are the costs that they do?
The answers to these questions, Samantha Majic explains on this episode of New Books in Interpretive Political and Social Science, are neither singular nor straightforward. How and why celebrities take up causes, she writes in Lights, Camera, Feminism? Celebrities and Anti-trafficking Politics (University of California Press, 2023) is shaped and mediated by a range of personal and contextual factors. Nor do celebrity activists always go along with dominant narratives or align themselves with prevailing ideologies. They depend on certain infrastructures to be heard, but they make their own decisions about how and why they are. And while many of these decisions are ethically defensible, the problem with the celebrity activist is that they are unaccountable because they are self-appointed to represent the interests of others.
If you like this episode then you might also be interested in Sverre Molland talking about The Perfect Business?
And, in a new feature of the series, our author’s reading recommendations are:

Nikol Alexander-Floyd, Re-Imagining Black Women


Natalia Mehlman Petrzela, Fit Nation


Kate Manne, Unshrinking


Angela Jones, Camming


﻿
Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the Interpretation, Method, Critique network; and, a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 10 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samantha Majic</itunes:subtitle>
      <itunes:summary>Recent years have brought an upsurge in celebrity activism. Not a day goes by without an actor or musician taking to a stage, a podium or the internet to speak on a social issue, address an environmental problem, or adopt a political position. It’s easy to be cynical about the motivations of these privileged and sometimes uninformed people. Many of them come across as self-serving. But others appear genuine. Either way, celebrity activists are here to stay and it is incumbent on us to think about what it means for politics that we now live in an age in which celebrities are preferred over elected political leaders as spokespeople for humanitarian causes, and human rights. Who are they addressing? Who benefits when they speak? And what are the costs that they do?
The answers to these questions, Samantha Majic explains on this episode of New Books in Interpretive Political and Social Science, are neither singular nor straightforward. How and why celebrities take up causes, she writes in Lights, Camera, Feminism? Celebrities and Anti-trafficking Politics (University of California Press, 2023) is shaped and mediated by a range of personal and contextual factors. Nor do celebrity activists always go along with dominant narratives or align themselves with prevailing ideologies. They depend on certain infrastructures to be heard, but they make their own decisions about how and why they are. And while many of these decisions are ethically defensible, the problem with the celebrity activist is that they are unaccountable because they are self-appointed to represent the interests of others.
If you like this episode then you might also be interested in Sverre Molland talking about The Perfect Business?
And, in a new feature of the series, our author’s reading recommendations are:

Nikol Alexander-Floyd, Re-Imagining Black Women


Natalia Mehlman Petrzela, Fit Nation


Kate Manne, Unshrinking


Angela Jones, Camming


﻿
Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the Interpretation, Method, Critique network; and, a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Recent years have brought an upsurge in celebrity activism. Not a day goes by without an actor or musician taking to a stage, a podium or the internet to speak on a social issue, address an environmental problem, or adopt a political position. It’s easy to be cynical about the motivations of these privileged and sometimes uninformed people. Many of them come across as self-serving. But others appear genuine. Either way, celebrity activists are here to stay and it is incumbent on us to think about what it means for politics that we now live in an age in which celebrities are preferred over elected political leaders as spokespeople for humanitarian causes, and human rights. Who are they addressing? Who benefits when they speak? And what are the costs that they do?</p><p>The answers to these questions, <a href="https://www.jjay.cuny.edu/faculty/samantha-majic">Samantha Majic</a> explains on this episode of <a href="https://newbooksnetwork.com/category/academic-partners/interpretive-political-and-social-science">New Books in Interpretive Political and Social Science</a>, are neither singular nor straightforward. How and why celebrities take up causes, she writes in <em>Lights, </em><a href="https://bookshop.org/a/12343/9780520384903"><em>Camera, Feminism? Celebrities and Anti-trafficking Politics</em></a> (<a href="https://www.ucpress.edu/book/9780520384903/lights-camera-feminism">University of California Press</a>, 2023) is shaped and mediated by a range of personal and contextual factors. Nor do celebrity activists always go along with dominant narratives or align themselves with prevailing ideologies. They depend on certain infrastructures to be heard, but they make their own decisions about how and why they are. And while many of these decisions are ethically defensible, the problem with the celebrity activist is that they are unaccountable because they are self-appointed to represent the interests of others.</p><p><strong>If you like this episode</strong> then you might also be interested in Sverre Molland talking about <a href="https://newbooksnetwork.com/sverre-molland-the-perfect-business-anti-trafficking-and-the-sex-trade-along-the-mekong-u-hawaii-press-2012#entry:12906@1:url"><em>The Perfect Business?</em></a></p><p><strong>And, in a new feature of the series</strong>, our author’s reading recommendations are:</p><ul>
<li>Nikol Alexander-Floyd, <a href="https://bookshop.org/p/books/re-imagining-black-women-a-critique-of-post-feminist-and-post-racial-melodrama-in-culture-and-politics-nikol-g-alexander-floyd/15492367?ean=9781479850891"><em>Re-Imagining Black Women</em></a>
</li>
<li>Natalia Mehlman Petrzela, <a href="https://newbooksnetwork.com/fit-nation#entry:212805@1:url"><em>Fit Nation</em></a>
</li>
<li>Kate Manne, <a href="https://bookshop.org/p/books/unshrinking-how-to-face-fatphobia-kate-manne/19993688?ean=9780593593837"><em>Unshrinking</em></a>
</li>
<li>Angela Jones, <a href="https://newbooksnetwork.com/angela-jones-camming-money-power-and-pleasure-in-the-sex-work-industry-nyu-press-2020#entry:3763@1:url"><em>Camming</em></a>
</li>
</ul><p><em>﻿</em></p><p><a href="https://www.nickcheesman.net/"><em>Nick Cheesman</em></a><em> is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the </em><a href="https://politicsir.cass.anu.edu.au/research/projects/interpretation-method-critique"><em>Interpretation, Method, Critique</em></a><em> network; and, a committee member of the </em><a href="https://connect.apsanet.org/interpretationandmethod/"><em>Interpretive Methodologies and Methods</em></a><em> group of the American Political Science Association.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3288</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[79914922-de15-11ee-a865-1bc34edb6e4b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1047654677.mp3?updated=1709994648" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacqueline Kennelly, "Burnt by Democracy: Youth, Inequality, and the Erosion of Civic Life" (U Toronto Press, 2023)</title>
      <description>Burnt by Democracy: Youth, Inequality, and the Erosion of Civic Life (University of Toronto Press, 2023) by Dr. Jacqueline Kennelly traces the political ascendance of neoliberalism and its effects on youth. The book explores democracy and citizenship as described in interviews with over forty young people – ages 16 to 30 – who have either experienced homelessness or identify as an activist, living in five liberal democracies: Canada, Australia, New Zealand, the United States, and the United Kingdom.
Highlighting significant cuts to social and affordable housing, astronomical increases in the costs of higher education, and the transformation and erosion of state benefits systems, Dr. Kennelly argues that democracy’s decline is not occurring because young people are apathetic, or focused on informal politics, or unaware of their civic duties. Rather, it is because of collective misunderstanding about how democracy is actually structured, how individuals learn to participate, and how growing wealth inequality has undermined the capacity of those at the bottom to meaningfully advocate for changes that might improve their conditions.
Against a vivid and often heart-breaking backdrop of stories from young people struggling to survive and thrive under conditions of ever-expanding state retrenchment and inequality, Burnt by Democracy makes a timely and impassioned plea for protecting and strengthening democracy by truly levelling the playing field for all.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 09 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>343</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jacqueline Kennelly</itunes:subtitle>
      <itunes:summary>Burnt by Democracy: Youth, Inequality, and the Erosion of Civic Life (University of Toronto Press, 2023) by Dr. Jacqueline Kennelly traces the political ascendance of neoliberalism and its effects on youth. The book explores democracy and citizenship as described in interviews with over forty young people – ages 16 to 30 – who have either experienced homelessness or identify as an activist, living in five liberal democracies: Canada, Australia, New Zealand, the United States, and the United Kingdom.
Highlighting significant cuts to social and affordable housing, astronomical increases in the costs of higher education, and the transformation and erosion of state benefits systems, Dr. Kennelly argues that democracy’s decline is not occurring because young people are apathetic, or focused on informal politics, or unaware of their civic duties. Rather, it is because of collective misunderstanding about how democracy is actually structured, how individuals learn to participate, and how growing wealth inequality has undermined the capacity of those at the bottom to meaningfully advocate for changes that might improve their conditions.
Against a vivid and often heart-breaking backdrop of stories from young people struggling to survive and thrive under conditions of ever-expanding state retrenchment and inequality, Burnt by Democracy makes a timely and impassioned plea for protecting and strengthening democracy by truly levelling the playing field for all.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781487551643"><em>Burnt by Democracy: Youth, Inequality, and the Erosion of Civic Life</em></a> (University of Toronto Press, 2023) by Dr. Jacqueline Kennelly traces the political ascendance of neoliberalism and its effects on youth. The book explores democracy and citizenship as described in interviews with over forty young people – ages 16 to 30 – who have either experienced homelessness or identify as an activist, living in five liberal democracies: Canada, Australia, New Zealand, the United States, and the United Kingdom.</p><p>Highlighting significant cuts to social and affordable housing, astronomical increases in the costs of higher education, and the transformation and erosion of state benefits systems, Dr. Kennelly argues that democracy’s decline is not occurring because young people are apathetic, or focused on informal politics, or unaware of their civic duties. Rather, it is because of collective misunderstanding about how democracy is actually structured, how individuals learn to participate, and how growing wealth inequality has undermined the capacity of those at the bottom to meaningfully advocate for changes that might improve their conditions.</p><p>Against a vivid and often heart-breaking backdrop of stories from young people struggling to survive and thrive under conditions of ever-expanding state retrenchment and inequality, <em>Burnt by Democracy</em> makes a timely and impassioned plea for protecting and strengthening democracy by truly levelling the playing field for all.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3957</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b207c8bc-dcbc-11ee-8930-2b982bc3e776]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4154479345.mp3?updated=1709841847" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Reeducation of Race with Sonali Thakkar (JP)</title>
      <description>NYU professor Sonali Thakkar’s brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race.
They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity.
Mentioned in the episode:

Ama Ata Aidoo, Our Sister Killjoy (1977)

Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" )

Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage"

Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911)

W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945)

Frantz Fanon, Black Skin, White Masks (1952)

Michel Foucault, "Nietzsche, Genealogy, History"

Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination



IHRA definition of Antisemitism.


Jerusalem Declaration on Antisemitism.

Claude Lévi-Strauss, Race and History (1952)

Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001)

Edward W. Said, Culture and Imperialism (on the contrapuntal)

Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law


UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race


UNESCO, 1951 Statement on the Nature of Race and Race Differences


Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it)


Recallable books:

Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.)

George Eliot, Daniel Deronda (1876)


Read and Listen to the episode here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 07 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>NYU professor Sonali Thakkar’s brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race.
They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity.
Mentioned in the episode:

Ama Ata Aidoo, Our Sister Killjoy (1977)

Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" )

Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage"

Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911)

W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945)

Frantz Fanon, Black Skin, White Masks (1952)

Michel Foucault, "Nietzsche, Genealogy, History"

Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination



IHRA definition of Antisemitism.


Jerusalem Declaration on Antisemitism.

Claude Lévi-Strauss, Race and History (1952)

Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001)

Edward W. Said, Culture and Imperialism (on the contrapuntal)

Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law


UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race


UNESCO, 1951 Statement on the Nature of Race and Race Differences


Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it)


Recallable books:

Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.)

George Eliot, Daniel Deronda (1876)


Read and Listen to the episode here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>NYU professor <a href="https://as.nyu.edu/english/directory.SonaliThakkar.html">Sonali Thakkar</a>’s brilliant first book, <a href="https://bookshop.org/a/12343/9781503637337"><em>The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought</em> </a>(Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO <a href="https://en.wikipedia.org/wiki/UNESCO_statements_on_race#:~:text=10%20External%20links-,Statement%20on%20race%20(1950),a%20moral%20condemnation%20of%20racism.">Statement on Race, </a>to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a <em>sotto voce</em> concept of race.</p><p>They discuss the founding years of <a href="https://en.wikipedia.org/wiki/UNESCO">UNESCO</a> and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's <em>Discourse on Colonialism</em>--revised in 1955 to reflect ongoing debates about race and plasticity.</p><p>Mentioned in the episode:</p><ul>
<li>Ama Ata Aidoo, <a href="https://www.amazon.com/Our-Sister-Killjoy-Ama-Aidoo/dp/0582308453"><em>Our Sister Killjoy </em></a>(1977)</li>
<li>Hannah Arendt, "The Crisis in Education" (1954) in <a href="https://www.penguinrandomhouse.com/books/299802/between-past-and-future-by-hannah-arendt/"><em>Between Past and Future: Eight Exercises in Political Thought</em></a> ( "the chances that tomorrow will be like yesterday are always overwhelming" )</li>
<li>Franz Boas, "<a href="http://www.webdubois.org/BoasAtlantaCommencement.html">Commencement Address at Atlanta University</a>," May 31, 1906 (this is where he says the bit about "the line of cleavage"</li>
<li>Franz Boas, <a href="https://www.jstor.org/stable/659886"><em>Changes in Bodily Form of Descendants of Immigrants</em></a><em>, </em>Final Report, immigration COmmission (1911)</li>
<li>W.E.B. Du Bois, "<a href="https://www.amazon.com/Color-Democracy-Colonies-W-Bois/dp/0527252905">Color and Democracy: Colonies and Peace</a>," (1945)</li>
<li>Frantz Fanon, <a href="https://en.wikipedia.org/wiki/Black_Skin,_White_Masks"><em>Black Skin, White Masks</em></a> (1952)</li>
<li>Michel Foucault, "<a href="https://www.degruyter.com/document/doi/10.1515/9781501741913-008/html?lang=en">Nietzsche, Genealogy, History</a>"</li>
<li>Adom Getachew, <a href="https://press.princeton.edu/books/hardcover/9780691179155/worldmaking-after-empire"><em>Worldmaking After Empire: The Rise and Fall of Self-Determination</em></a>
</li>
<li>
<a href="https://holocaustremembrance.com/resources/working-definition-antisemitism">IHRA definition of Antisemitism</a>.</li>
<li>
<a href="https://jerusalemdeclaration.org/">Jerusalem Declaration on Antisemitism</a>.</li>
<li>Claude Lévi-Strauss, <a href="https://unesdoc.unesco.org/ark:/48223/pf0000002896"><em>Race and History</em> </a>(1952)</li>
<li>Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in <a href="https://www.routledge.com/Hannah-Arendt-And-Education-Renewing-Our-Common-World/Gordon/p/book/9780813366326"><em>Hannah Arendt and Education: Renewing our Common World</em></a>, ed. by Mordechai Gordon (2001)</li>
<li>Edward W. Said,<a href="https://en.wikipedia.org/wiki/Culture_and_Imperialism"> <em>Culture and Imperialism </em></a>(on the contrapuntal)</li>
<li>Joseph Slaughter, <a href="https://www.fordhampress.com/9780823228188/human-rights-inc/"><em>Human Rights Inc.: The World Novel, Narrative Form, and International Law</em></a>
</li>
<li>UNESCO (United Nations Educational, Scientific and Cultural Organization), <a href="https://en.wikipedia.org/wiki/UNESCO_statements_on_race#:~:text=The%201951%20statement%20declared%20that,physical%20differences%20from%20other%20groups.%22">1950 Statement on Race</a>
</li>
<li>UNESCO, <a href="https://en.wikipedia.org/wiki/UNESCO_statements_on_race#:~:text=The%201951%20statement%20declared%20that,physical%20differences%20from%20other%20groups.%22">1951 Statement on the Nature of Race and Race Differences</a>
</li>
<li>Gary Wilder, <a href="https://read.dukeupress.edu/books/book/193/Freedom-TimeNegritude-Decolonization-and-the"><em>Freedom Time: Negritude, Decolonization, and the Future of the World </em></a>(on the methodological nationalism of postcolonial studies and new approaches that challenge it)</li>
</ul><p><br></p><p>Recallable books:</p><ul>
<li>Aimé Césaire, <a href="https://en.wikipedia.org/wiki/Discourse_on_Colonialism"><em>Discourse on Colonialism</em></a> (1950, 1955 rev. ed.)</li>
<li>George Eliot,<a href="https://en.wikipedia.org/wiki/Daniel_Deronda"> <em>Daniel Deronda</em></a> (1876)</li>
</ul><p><br></p><p><a href="https://recallthisbookorg.files.wordpress.com/2024/02/rtb-124-thakkar-transcript-2.24.24.pdf">Read </a>and Listen to the episode here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7308249129.mp3?updated=1709818156" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Priyanka Basu, "The Poet’s Song: ‘Folk’ and its Cultural Politics in South Asia" (Routledge, 2023)</title>
      <description>How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>440</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Priyanka Basu</itunes:subtitle>
      <itunes:summary>How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can culture be authentic in the modern world? In <a href="https://bookshop.org/a/12343/9780367903138"><em>The Poet's Song: Folk and its Cultural Politics in South Asia</em></a> (Rouitledge, 2023), <a href="https://twitter.com/BPriyanka_KCL">Dr Priyanka Basu</a>, a <a href="https://www.kcl.ac.uk/people/priyanka-basu">Lecturer in Performing Arts at Kings College London</a>, explores the history and practice of the folk performance <em>Kobigaan</em>. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how <em>Kobigaan</em> has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom <em>Kobigaan </em>belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2256</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Baidik Bhattacharya, "Colonialism, World Literature, and the Making of the Modern Culture of Letters" (Cambridge UP, 2024)</title>
      <description>In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty’, the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism.
Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories.
Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012).
His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places.
Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>284</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty’, the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism.
Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories.
Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012).
His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places.
Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a radical and ambitious reconceptualization of the field, <a href="https://www.cambridge.org/core/books/colonialism-world-literature-and-the-making-of-the-modern-culture-of-letters/F87B7139DF8373D57203C6B6166316B7#"><em>Colonialism, World Literature, and the Making of the Modern Culture of Letters</em></a> (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty’, the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism.</p><p>Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, <em>Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations</em> (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories.</p><p>Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) <em>Novel Formations: The Indian Beginnings of a European Genre</em> (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) <em>The Postcolonial Gramsci</em> (Routledge, 2012).</p><p>His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places.</p><p>Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3267</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1083598675.mp3?updated=1709584407" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Derron Wallace, "The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth" (Oxford UP, 2023)</title>
      <description>How does race matter in schools? In The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth (Oxford UP, 2023), Derron Wallace, the Jacob S. Potofsky Chair in Sociology at Brandeis University, tells the contrasting stories of two schools in the UK and USA. The book demonstrates two very different sets of expectations for Black youth in the two countries schools, and two very different educational and social structures reinforcing these expectations. The book draws on a rich ethnographically informed narrative, which centres teachers’ and students’ understandings and experiences of education. In doing so, the book challenges ‘cultural’ explanations for failures and successes in the two schools, and the two countries. Demonstrating both the socially constructed nature of race in the UK and USA, and the racism at the centre of both educational systems, the book is essential reading across the social sciences, humanities and for anyone interested in schools, education, and social change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>438</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Derron Wallace</itunes:subtitle>
      <itunes:summary>How does race matter in schools? In The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth (Oxford UP, 2023), Derron Wallace, the Jacob S. Potofsky Chair in Sociology at Brandeis University, tells the contrasting stories of two schools in the UK and USA. The book demonstrates two very different sets of expectations for Black youth in the two countries schools, and two very different educational and social structures reinforcing these expectations. The book draws on a rich ethnographically informed narrative, which centres teachers’ and students’ understandings and experiences of education. In doing so, the book challenges ‘cultural’ explanations for failures and successes in the two schools, and the two countries. Demonstrating both the socially constructed nature of race in the UK and USA, and the racism at the centre of both educational systems, the book is essential reading across the social sciences, humanities and for anyone interested in schools, education, and social change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does race matter in schools? In <a href="https://bookshop.org/a/12343/9780197531471"><em>The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth</em></a><em> </em>(Oxford UP, 2023)<em>,</em> <a href="https://twitter.com/derronwallace">Derron Wallace</a>, the <a href="https://www.brandeis.edu/sociology/people/faculty/wallace.html">Jacob S. Potofsky Chair in Sociology</a> <a href="https://www.derronwallace.com/">at Brandeis University</a>, tells the contrasting stories of two schools in the UK and USA. The book demonstrates two very different sets of expectations for Black youth in the two countries schools, and two very different educational and social structures reinforcing these expectations. The book draws on a rich ethnographically informed narrative, which centres teachers’ and students’ understandings and experiences of education. In doing so, the book challenges ‘cultural’ explanations for failures and successes in the two schools, and the two countries. Demonstrating both the socially constructed nature of race in the UK and USA, and the racism at the centre of both educational systems, the book is essential reading across the social sciences, humanities and for anyone interested in schools, education, and social change.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3319</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[92107f90-d974-11ee-9b63-fbf0a132e651]]></guid>
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    </item>
    <item>
      <title>Francesca Sobande, "Big Brands Are Watching You: Marketing Social Justice and Digital Culture" (U California Press, 2024)</title>
      <description>Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 03 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>438</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Francesca Sobande</itunes:subtitle>
      <itunes:summary>Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can brands really support positive social change? In <a href="https://bookshop.org/a/12343/9780520387072"><em>Big Brands are Watching You: Marketing Social Justice and Digital Culture</em></a><em> </em>(U California Press, 2024), <a href="https://twitter.com/chess_ess">Francesca Sobande</a>, a <a href="https://www.francescasobande.com/">Senior Lecturer in Digital Media Studies</a> at <a href="https://profiles.cardiff.ac.uk/staff/sobandef">Cardiff University</a> explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2119</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f819263e-d8bb-11ee-962b-973286e7b3e5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3014139362.mp3?updated=1709402137" length="0" type="audio/mpeg"/>
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    <item>
      <title>Poppy Wilde, "Posthuman Gaming: Avatars, Gamers, and Entangled Subjectivities" (Routledge, 2023)</title>
      <description>Posthuman Gaming: Avatars, Gamers, and Entangled Subjectivities (Routledge, 2023) explores the relationship between avatar and gamer in the massively multiplayer online roleplaying game World of Warcraft, to examine notions of entangled subjectivity, affects, and embodiments – what it means and how it feels to be posthuman.
With a focus on posthuman subjectivity, Wilde considers how we can begin to articulate ourselves when the boundary between self and other is unclear. Drawing on fieldnotes of her own gameplay experiences, the author analyses how subjectivity is formed in ways that defy a single individual notion of “self”, and explores how different practices, feelings, and societal understandings can disrupt strict binaries and emphasise our posthumanism. She interrogates if one can speak of an “I” in the face of posthuman multiplicity, before exploring different analytical themes, beginning with how acting theories might be posthumanised and articulate the relationship between avatar and gamer. She then defines posthuman empathy and explains how this is experienced in gaming, before addressing the need to account for boredom, the complexity of nostalgia, and ways death and loss are experienced through gaming.
This volume will appeal to a broad audience and is particularly relevant to scholars and students of cultural studies, media studies, humanities, and game studies.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 02 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Poppy Wilde</itunes:subtitle>
      <itunes:summary>Posthuman Gaming: Avatars, Gamers, and Entangled Subjectivities (Routledge, 2023) explores the relationship between avatar and gamer in the massively multiplayer online roleplaying game World of Warcraft, to examine notions of entangled subjectivity, affects, and embodiments – what it means and how it feels to be posthuman.
With a focus on posthuman subjectivity, Wilde considers how we can begin to articulate ourselves when the boundary between self and other is unclear. Drawing on fieldnotes of her own gameplay experiences, the author analyses how subjectivity is formed in ways that defy a single individual notion of “self”, and explores how different practices, feelings, and societal understandings can disrupt strict binaries and emphasise our posthumanism. She interrogates if one can speak of an “I” in the face of posthuman multiplicity, before exploring different analytical themes, beginning with how acting theories might be posthumanised and articulate the relationship between avatar and gamer. She then defines posthuman empathy and explains how this is experienced in gaming, before addressing the need to account for boredom, the complexity of nostalgia, and ways death and loss are experienced through gaming.
This volume will appeal to a broad audience and is particularly relevant to scholars and students of cultural studies, media studies, humanities, and game studies.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032055039"><em>Posthuman Gaming: Avatars, Gamers, and Entangled Subjectivities</em></a> (Routledge, 2023) explores the relationship between avatar and gamer in the massively multiplayer online roleplaying game World of Warcraft, to examine notions of entangled subjectivity, affects, and embodiments – what it means and how it feels to be posthuman.</p><p>With a focus on posthuman subjectivity, Wilde considers how we can begin to articulate ourselves when the boundary between self and other is unclear. Drawing on fieldnotes of her own gameplay experiences, the author analyses how subjectivity is formed in ways that defy a single individual notion of “self”, and explores how different practices, feelings, and societal understandings can disrupt strict binaries and emphasise our posthumanism. She interrogates if one can speak of an “I” in the face of posthuman multiplicity, before exploring different analytical themes, beginning with how acting theories might be posthumanised and articulate the relationship between avatar and gamer. She then defines posthuman empathy and explains how this is experienced in gaming, before addressing the need to account for boredom, the complexity of nostalgia, and ways death and loss are experienced through gaming.</p><p>This volume will appeal to a broad audience and is particularly relevant to scholars and students of cultural studies, media studies, humanities, and game studies.</p><p><em>Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1602</itunes:duration>
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    <item>
      <title>Gerald Epstein, "Busting the Bankers' Club: Finance for the Rest of Us" (U California Press, 2024)</title>
      <description>Bankers brought the global economic system to its knees in 2007 and nearly did the same in 2020. Both times, the US government bailed out the banks and left them in control. How can we end this cycle of trillion-dollar bailouts and make finance work for the rest of us? Busting the Bankers' Club confronts the powerful people and institutions that benefit from our broken financial system—and the struggle to create an alternative.
Drawing from decades of research on the history, economics, and politics of banking, economist Gerald Epstein shows that any meaningful reform will require breaking up this club of politicians, economists, lawyers, and CEOs who sustain the status quo. Thankfully, there are thousands of activists, experts, and public officials who are working to do just that. Clear-eyed and hopeful, Busting the Bankers' Club: Finance for the Rest of Us (U California Press, 2024) centers the individuals and groups fighting for a financial system that will better serve the needs of the marginalized and support important transitions to a greener, fairer economy.
Busting the Bankers’ Club is an eye-opening account of the failures of our financial system, the sources of its staying power, and the path to meaningful economic reform from Professor Gerald Epstein, Founding Codirector of the Political Economy Research Institute at the University of Massachusetts Amherst.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gerald Epstein</itunes:subtitle>
      <itunes:summary>Bankers brought the global economic system to its knees in 2007 and nearly did the same in 2020. Both times, the US government bailed out the banks and left them in control. How can we end this cycle of trillion-dollar bailouts and make finance work for the rest of us? Busting the Bankers' Club confronts the powerful people and institutions that benefit from our broken financial system—and the struggle to create an alternative.
Drawing from decades of research on the history, economics, and politics of banking, economist Gerald Epstein shows that any meaningful reform will require breaking up this club of politicians, economists, lawyers, and CEOs who sustain the status quo. Thankfully, there are thousands of activists, experts, and public officials who are working to do just that. Clear-eyed and hopeful, Busting the Bankers' Club: Finance for the Rest of Us (U California Press, 2024) centers the individuals and groups fighting for a financial system that will better serve the needs of the marginalized and support important transitions to a greener, fairer economy.
Busting the Bankers’ Club is an eye-opening account of the failures of our financial system, the sources of its staying power, and the path to meaningful economic reform from Professor Gerald Epstein, Founding Codirector of the Political Economy Research Institute at the University of Massachusetts Amherst.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bankers brought the global economic system to its knees in 2007 and nearly did the same in 2020. Both times, the US government bailed out the banks and left them in control. How can we end this cycle of trillion-dollar bailouts and make finance work for the rest of us? <em>Busting the Bankers' Club</em> confronts the powerful people and institutions that benefit from our broken financial system—and the struggle to create an alternative.</p><p>Drawing from decades of research on the history, economics, and politics of banking, economist Gerald Epstein shows that any meaningful reform will require breaking up this club of politicians, economists, lawyers, and CEOs who sustain the status quo. Thankfully, there are thousands of activists, experts, and public officials who are working to do just that. Clear-eyed and hopeful, <a href="https://bookshop.org/a/12343/9780520385641">Busting the Bankers' Club: Finance for the Rest of Us</a> (U California Press, 2024) centers the individuals and groups fighting for a financial system that will better serve the needs of the marginalized and support important transitions to a greener, fairer economy.</p><p><em>Busting the Bankers’ Club</em> is an eye-opening account of the failures of our financial system, the sources of its staying power, and the path to meaningful economic reform from Professor Gerald Epstein, Founding Codirector of the Political Economy Research Institute at the University of Massachusetts Amherst.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sara J. Grossman, "Immeasurable Weather: Meteorological Data and Settler Colonialism from 1820 to Hurricane Sandy" (Duke UP, 2023)</title>
      <description>In Immeasurable Weather: Meteorological Data and Settler Colonialism from 1820 to Hurricane Sandy (Duke UP, 2023), Sara J. Grossman explores how environmental data collection has been central to the larger project of settler colonialism in the United States. She draws on an extensive archive of historical and meteorological data spanning two centuries to show how American scientific institutions used information about the weather to establish and reinforce the foundations of a white patriarchal settler society. Grossman outlines the relationship between climate data and state power in key moments in the history of American weather science, from the nineteenth-century public data-gathering practices of settler farmers and teachers and the automation of weather data during the Dust Bowl to the role of meteorological satellites in data science’s integration into the militarized state. Throughout, Grossman shows that weather science reproduced the natural world as something to be measured, owned, and exploited. This data gathering, she contends, gave coherence to a national weather project and to a notion of the nation itself, demonstrating that weather science’s impact cannot be reduced to a set of quantifiable phenomena.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>108</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sara J. Grossman</itunes:subtitle>
      <itunes:summary>In Immeasurable Weather: Meteorological Data and Settler Colonialism from 1820 to Hurricane Sandy (Duke UP, 2023), Sara J. Grossman explores how environmental data collection has been central to the larger project of settler colonialism in the United States. She draws on an extensive archive of historical and meteorological data spanning two centuries to show how American scientific institutions used information about the weather to establish and reinforce the foundations of a white patriarchal settler society. Grossman outlines the relationship between climate data and state power in key moments in the history of American weather science, from the nineteenth-century public data-gathering practices of settler farmers and teachers and the automation of weather data during the Dust Bowl to the role of meteorological satellites in data science’s integration into the militarized state. Throughout, Grossman shows that weather science reproduced the natural world as something to be measured, owned, and exploited. This data gathering, she contends, gave coherence to a national weather project and to a notion of the nation itself, demonstrating that weather science’s impact cannot be reduced to a set of quantifiable phenomena.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="https://www.dukeupress.edu/immeasurable-weather"> <em>Immeasurable Weather: Meteorological Data and Settler Colonialism from 1820 to Hurricane Sandy</em></a> (Duke UP, 2023), Sara J. Grossman explores how environmental data collection has been central to the larger project of settler colonialism in the United States. She draws on an extensive archive of historical and meteorological data spanning two centuries to show how American scientific institutions used information about the weather to establish and reinforce the foundations of a white patriarchal settler society. Grossman outlines the relationship between climate data and state power in key moments in the history of American weather science, from the nineteenth-century public data-gathering practices of settler farmers and teachers and the automation of weather data during the Dust Bowl to the role of meteorological satellites in data science’s integration into the militarized state. Throughout, Grossman shows that weather science reproduced the natural world as something to be measured, owned, and exploited. This data gathering, she contends, gave coherence to a national weather project and to a notion of the nation itself, demonstrating that weather science’s impact cannot be reduced to a set of quantifiable phenomena.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2489</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[570c9b04-d5af-11ee-873c-6f76e9994515]]></guid>
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    <item>
      <title>Alissa Quart and David Wallis, "Going for Broke: Living on the Edge in the World's Richest Country" (Haymarket, 2023)</title>
      <description>Going for Broke, edited by Alissa Quart, Executive Director of the Economic Hardship Reporting Project, and David Wallis, former Managing Director of EHRP, gives voice to a range of gifted writers for whom "economic precarity" is more than just another assignment. All illustrate what the late Barbara Ehrenreich, who conceived of EHRP, once described as "the real face of journalism today: not million dollar-a-year anchorpersons, but low-wage workers and downwardly spiraling professionals."One essayist and grocery store worker describes what it is like to be an "essential worker" during the pandemic; another reporter and military veteran details his experience with homelessness and what would have actually helped him at the time. These dozens of fierce and sometimes darkly funny pieces reflect the larger systems that have made writers' bodily experiences, family and home lives, and work far harder than they ought to be.Featuring introductions by luminaries including Michelle Tea, Keeanga-Yamahtta Taylor, and Astra Taylor, Going for Broke is revelatory. It shows us the costs of income inequality to our bodies and our minds--and demonstrates real ways to change our conditions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alissa Quart</itunes:subtitle>
      <itunes:summary>Going for Broke, edited by Alissa Quart, Executive Director of the Economic Hardship Reporting Project, and David Wallis, former Managing Director of EHRP, gives voice to a range of gifted writers for whom "economic precarity" is more than just another assignment. All illustrate what the late Barbara Ehrenreich, who conceived of EHRP, once described as "the real face of journalism today: not million dollar-a-year anchorpersons, but low-wage workers and downwardly spiraling professionals."One essayist and grocery store worker describes what it is like to be an "essential worker" during the pandemic; another reporter and military veteran details his experience with homelessness and what would have actually helped him at the time. These dozens of fierce and sometimes darkly funny pieces reflect the larger systems that have made writers' bodily experiences, family and home lives, and work far harder than they ought to be.Featuring introductions by luminaries including Michelle Tea, Keeanga-Yamahtta Taylor, and Astra Taylor, Going for Broke is revelatory. It shows us the costs of income inequality to our bodies and our minds--and demonstrates real ways to change our conditions.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Going for Broke</em>, edited by Alissa Quart, Executive Director of the Economic Hardship Reporting Project, and David Wallis, former Managing Director of EHRP, gives voice to a range of gifted writers for whom "economic precarity" is more than just another assignment. All illustrate what the late Barbara Ehrenreich, who conceived of EHRP, once described as "the real face of journalism today: not million dollar-a-year anchorpersons, but low-wage workers and downwardly spiraling professionals."One essayist and grocery store worker describes what it is like to be an "essential worker" during the pandemic; another reporter and military veteran details his experience with homelessness and what would have actually helped him at the time. These dozens of fierce and sometimes darkly funny pieces reflect the larger systems that have made writers' bodily experiences, family and home lives, and work far harder than they ought to be.Featuring introductions by luminaries including Michelle Tea, Keeanga-Yamahtta Taylor, and Astra Taylor, <em>Going for Broke</em> is revelatory. It shows us the costs of income inequality to our bodies and our minds--and demonstrates real ways to change our conditions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3288</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Horace J. Maxile, Jr. and Kristen M. Turner, "Race and Gender in the Western Music History Survey: A Teacher's Guide" (Routledge, 2022)</title>
      <description>Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales &amp; Locations; Forms &amp; Factions; Responses &amp; Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.
Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.
Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Horace J. Maxile, Jr. and Kristen M. Turner</itunes:subtitle>
      <itunes:summary>Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales &amp; Locations; Forms &amp; Factions; Responses &amp; Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.
Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.
Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.
Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.taylorfrancis.com/books/mono/10.4324/9781003044635/race-gender-western-music-history-survey-horace-maxile-jr-kristen-turner"><em>Race and Gender in the Western Music History Survey: A Teacher’s Guide</em></a> provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales &amp; Locations; Forms &amp; Factions; Responses &amp; Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.</p><p><a href="https://music.baylor.edu/horacejmaxilejr">Dr. Horace J. Maxile, Jr. </a>is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as <em>Perspectives of New Music, American Music, </em>the <em>Journal of the Society for American Music, </em>and <em>Black Music Research Journal.</em></p><p><a href="https://performingartstech.dasa.ncsu.edu/people/kristen-turner/">Dr. Kristen M. Turner</a> is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the <em>Journal of the American Musicological Society, </em>the <em>Journal of the Society for American Music, American Studies, </em>and <em>Musical Quarterly.</em></p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1996</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Alessandro Gerosa, "The Hipster Economy: Taste and Authenticity in Late Modern Capitalism (UCL Press, 2024)</title>
      <description>Today, being authentic has become an aspiration and an imperative. The notion of authenticity shapes the consumption habits of individuals in the most diverse contexts such as food and drinks, clothing, music, tourism and the digital sphere, even leading to the resurgence of apparently obsolescent modes of production such as craft. It also significantly transforms urban areas, their local economies and development. Alessandro Gerosa's The Hipster Economy: Taste and Authenticity in Late Modern Capitalism (UCL Press, 2024) analyses this complex set of related phenomena to argue that the quest for authenticity has been a driver of Western societies from the emersion of capitalism and industrial society to today.
From this premise, the book advances multiple original contributions. First, it explains why and how authenticity has become a fundamental value orienting consumers' taste in late modern capitalism; second, it proposes a novel conceptualisation of the aesthetic regime of consumption; third, the book constitutes the first detailed analysis of the resurgence of the neo-craft industries, their entrepreneurs, and the economic imaginary of consumption underpinning them, and fourth, it analyses how the hipster economy is impacting the urban space, favouring new logic of urban development with contrasting outcomes.
Open-source PDF version found at this link! 
Jeff Adler is an ex-linguist and occasional contributor to New Books Network!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>341</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alessandro Gerosa</itunes:subtitle>
      <itunes:summary>Today, being authentic has become an aspiration and an imperative. The notion of authenticity shapes the consumption habits of individuals in the most diverse contexts such as food and drinks, clothing, music, tourism and the digital sphere, even leading to the resurgence of apparently obsolescent modes of production such as craft. It also significantly transforms urban areas, their local economies and development. Alessandro Gerosa's The Hipster Economy: Taste and Authenticity in Late Modern Capitalism (UCL Press, 2024) analyses this complex set of related phenomena to argue that the quest for authenticity has been a driver of Western societies from the emersion of capitalism and industrial society to today.
From this premise, the book advances multiple original contributions. First, it explains why and how authenticity has become a fundamental value orienting consumers' taste in late modern capitalism; second, it proposes a novel conceptualisation of the aesthetic regime of consumption; third, the book constitutes the first detailed analysis of the resurgence of the neo-craft industries, their entrepreneurs, and the economic imaginary of consumption underpinning them, and fourth, it analyses how the hipster economy is impacting the urban space, favouring new logic of urban development with contrasting outcomes.
Open-source PDF version found at this link! 
Jeff Adler is an ex-linguist and occasional contributor to New Books Network!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, being authentic has become an aspiration and an imperative. The notion of authenticity shapes the consumption habits of individuals in the most diverse contexts such as food and drinks, clothing, music, tourism and the digital sphere, even leading to the resurgence of apparently obsolescent modes of production such as craft. It also significantly transforms urban areas, their local economies and development. Alessandro Gerosa's <a href="https://www.uclpress.co.uk/products/230904"><em>The Hipster Economy: Taste and Authenticity in Late Modern Capitalism</em></a><em> </em>(UCL Press, 2024) analyses this complex set of related phenomena to argue that the quest for authenticity has been a driver of Western societies from the emersion of capitalism and industrial society to today.</p><p>From this premise, the book advances multiple original contributions. First, it explains why and how authenticity has become a fundamental value orienting consumers' taste in late modern capitalism; second, it proposes a novel conceptualisation of the aesthetic regime of consumption; third, the book constitutes the first detailed analysis of the resurgence of the neo-craft industries, their entrepreneurs, and the economic imaginary of consumption underpinning them, and fourth, it analyses how the hipster economy is impacting the urban space, favouring new logic of urban development with contrasting outcomes.</p><p>Open-source PDF version found at <a href="https://www.uclpress.co.uk/products/230904">this link</a>! </p><p><em>Jeff Adler is an ex-linguist and occasional contributor to New Books Network!</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2949</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Yanis Varoufakis, "Technofeudalism: What Killed Capitalism" (Melville House, 2023)</title>
      <description>In Technofeudalism: What Killed Capitalism (Melville House, 2023), Yanis Varoufakis argues that capitalism is dead and a new economic era has begun.
Insane sums of money that were supposed to re-float our economies in the wake of the financial crisis and the pandemic have ended up supercharging big tech's hold over every aspect of the economy. Capitalism's twin pillars - markets and profit - have been replaced with big tech's platforms and rents. Meanwhile, with every click and scroll, we labour like serfs to increase its power. Welcome to technofeudalism.
Drawing on stories from Greek Myth and pop culture, from Homer to ​Mad Men, Varoufakis explains this revolutionary transformation: how it enslaves our minds, how it rewrites the rules of global power and ultimately what it will take overthrow it.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>437</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yanis Varoufakis</itunes:subtitle>
      <itunes:summary>In Technofeudalism: What Killed Capitalism (Melville House, 2023), Yanis Varoufakis argues that capitalism is dead and a new economic era has begun.
Insane sums of money that were supposed to re-float our economies in the wake of the financial crisis and the pandemic have ended up supercharging big tech's hold over every aspect of the economy. Capitalism's twin pillars - markets and profit - have been replaced with big tech's platforms and rents. Meanwhile, with every click and scroll, we labour like serfs to increase its power. Welcome to technofeudalism.
Drawing on stories from Greek Myth and pop culture, from Homer to ​Mad Men, Varoufakis explains this revolutionary transformation: how it enslaves our minds, how it rewrites the rules of global power and ultimately what it will take overthrow it.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781685891244"><em>Technofeudalism: What Killed Capitalism</em></a> (Melville House, 2023), Yanis Varoufakis argues that capitalism is dead and a new economic era has begun.</p><p>Insane sums of money that were supposed to re-float our economies in the wake of the financial crisis and the pandemic have ended up supercharging big tech's hold over every aspect of the economy. Capitalism's twin pillars - markets and profit - have been replaced with big tech's platforms and rents. Meanwhile, with every click and scroll, we labour like serfs to increase its power. Welcome to technofeudalism.</p><p>Drawing on stories from Greek Myth and pop culture, from Homer to ​Mad Men, Varoufakis explains this revolutionary transformation: how it enslaves our minds, how it rewrites the rules of global power and ultimately what it will take overthrow it.</p><p><em>Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3166</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1b107c78-d349-11ee-996e-775d7aca4f69]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5148594904.mp3?updated=1708803048" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thuy Linh Nguyen Tu, "Experiments in Skin: Race and Beauty in the Shadows of Vietnam" (Duke UP, 2021)</title>
      <description>Through a creative focus on skin, in Experiments in Skin: Race and Beauty in the Shadows of Vietnam (Duke UP, 2021), Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. 
In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin.
Yadong Li is a PhD student in socio-cultural anthropology at Tulane University. He is interested in the anthropology of time, hope studies, and post-structuralist philosophy. If you are interested in any of these topics, feel free to contact him by email: yli88@tulane.edu / lydooooong@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>286</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thuy Linh Nguyen Tu</itunes:subtitle>
      <itunes:summary>Through a creative focus on skin, in Experiments in Skin: Race and Beauty in the Shadows of Vietnam (Duke UP, 2021), Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. 
In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin.
Yadong Li is a PhD student in socio-cultural anthropology at Tulane University. He is interested in the anthropology of time, hope studies, and post-structuralist philosophy. If you are interested in any of these topics, feel free to contact him by email: yli88@tulane.edu / lydooooong@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Through a creative focus on skin, in <a href="https://bookshop.org/a/12343/9781478011774"><em>Experiments in Skin: Race and Beauty in the Shadows of Vietnam</em></a><em> </em>(Duke UP, 2021), Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. </p><p>In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin.</p><p><a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li"><em>Yadong Li</em></a><em> is a PhD student in socio-cultural anthropology at Tulane University. He is interested in the anthropology of time, hope studies, and post-structuralist philosophy. If you are interested in any of these topics, feel free to contact him by email: yli88@tulane.edu / lydooooong@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3702</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c51b424e-d343-11ee-8448-93943e29240c]]></guid>
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    </item>
    <item>
      <title>Imani D. Owens, "Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean" (Columbia UP, 2023)</title>
      <description>In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.
Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>435</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Imani D. Owens</itunes:subtitle>
      <itunes:summary>In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.
Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.</p><p><a href="https://bookshop.org/a/12343/9780231208895"><em>Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean</em></a><em> </em>(Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3920</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e22b5b66-d1c8-11ee-abea-93e75d6b1d36]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4428362747.mp3?updated=1708638477" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katharina Pistor, "The Code of Capital: How the Law Creates Wealth and Inequality" (Princeton UP, 2019)</title>
      <description>"Most lawyers, most actors, most soldiers and sailors, most athletes, most doctors, and most diplomats feel a certain solidarity in the face of outsiders, and, in spite of other differences, they share fragments of a common ethic in their working life, and a kind of moral complicity."
– Stuart Hampshire, Justice is Conflict.
There are many more examples of professional solidarity, however fragmented and tentative, sharing the link of a common ethic that helps make systems, and the analysis of them, possible in the larger political economy. Writing from a law professor’s vantage point, Katharina Pistor, in her new book, The Code of Capital: How the Law Creates Wealth and Inequality (Princeton University Press, 2019) explains how even though law is a social good it has been harnessed as a private commodity over time that creates private wealth, and plays a significant role in the increasing disparity of financial outcomes.
As she points out in this interview, and her chapter ‘Masters of the Code’, it is ‘critical to have lawyers in the room’, and they clearly have the lead role in her well-researched and nuanced thesis centered on the decentralized institution of private law. Professor Pistor builds on Rudden’s ‘feudal calculus’ providing the long view of legal systems in maintaining and creating wealth and draws on historical analogies including the enclosure movements as she interweaves her analysis of capital asset creation with a broader critique of professional and institutional agency. Polanyi and Piketty figure into Pistor’s analysis among many others, as does the help of the state’s coercive backing as she draws on the breadth of her own governance research and analysis of the collapsed socialist regimes in the 1990s, and a research pivot toward western market economies following the 2008 Global Financial Crisis.
Professor Pistor is a comparative scholar with a keen interdisciplinary eye for the relationship between law, values, and markets, dovetailing larger concepts with detailed descriptions of the coding of ‘stocks, bonds, ideas, and even expectations—assets that exist only in law.’ All of which informs her inquiry into why some legal systems have been more accommodating to capital’s coding cravings and others less so, as she describes the process by which capital is created. She moves beyond legal realism’s less granular critiques, and as reviewers such as Samuel Moyn have suggested – this book ‘deserves to be the essential text of any movement today that concerns itself with law and political economy’.
Katharina Pistor is the Edwin B. Parker Professor of Comparative Law, and the Director of the Center on Global Legal Transformation at Columbia Law School.
Keith Krueger lectures at the SHU-UTS Business School in Shanghai.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katharina Pistor</itunes:subtitle>
      <itunes:summary>"Most lawyers, most actors, most soldiers and sailors, most athletes, most doctors, and most diplomats feel a certain solidarity in the face of outsiders, and, in spite of other differences, they share fragments of a common ethic in their working life, and a kind of moral complicity."
– Stuart Hampshire, Justice is Conflict.
There are many more examples of professional solidarity, however fragmented and tentative, sharing the link of a common ethic that helps make systems, and the analysis of them, possible in the larger political economy. Writing from a law professor’s vantage point, Katharina Pistor, in her new book, The Code of Capital: How the Law Creates Wealth and Inequality (Princeton University Press, 2019) explains how even though law is a social good it has been harnessed as a private commodity over time that creates private wealth, and plays a significant role in the increasing disparity of financial outcomes.
As she points out in this interview, and her chapter ‘Masters of the Code’, it is ‘critical to have lawyers in the room’, and they clearly have the lead role in her well-researched and nuanced thesis centered on the decentralized institution of private law. Professor Pistor builds on Rudden’s ‘feudal calculus’ providing the long view of legal systems in maintaining and creating wealth and draws on historical analogies including the enclosure movements as she interweaves her analysis of capital asset creation with a broader critique of professional and institutional agency. Polanyi and Piketty figure into Pistor’s analysis among many others, as does the help of the state’s coercive backing as she draws on the breadth of her own governance research and analysis of the collapsed socialist regimes in the 1990s, and a research pivot toward western market economies following the 2008 Global Financial Crisis.
Professor Pistor is a comparative scholar with a keen interdisciplinary eye for the relationship between law, values, and markets, dovetailing larger concepts with detailed descriptions of the coding of ‘stocks, bonds, ideas, and even expectations—assets that exist only in law.’ All of which informs her inquiry into why some legal systems have been more accommodating to capital’s coding cravings and others less so, as she describes the process by which capital is created. She moves beyond legal realism’s less granular critiques, and as reviewers such as Samuel Moyn have suggested – this book ‘deserves to be the essential text of any movement today that concerns itself with law and political economy’.
Katharina Pistor is the Edwin B. Parker Professor of Comparative Law, and the Director of the Center on Global Legal Transformation at Columbia Law School.
Keith Krueger lectures at the SHU-UTS Business School in Shanghai.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"Most lawyers, most actors, most soldiers and sailors, most athletes, most doctors, and most diplomats feel a certain solidarity in the face of outsiders, and, in spite of other differences, they share fragments of a common ethic in their working life, and a kind of moral complicity."</p><p>– Stuart Hampshire, <em>Justice is Conflict.</em></p><p>There are many more examples of professional solidarity, however fragmented and tentative, sharing the link of a common ethic that helps make systems, and the analysis of them, possible in the larger political economy. Writing from a law professor’s vantage point, <a href="https://www.law.columbia.edu/faculty/katharina-pistor">Katharina Pistor</a>, in her new book, <a href="https://www.amazon.com/dp/0691208603/?tag=newbooinhis-20"><em>The Code of Capital: How the Law Creates Wealth and Inequality</em></a> (Princeton University Press, 2019) explains how even though law is a social good it has been harnessed as a private commodity over time that creates private wealth, and plays a significant role in the increasing disparity of financial outcomes.</p><p>As she points out in this interview, and her chapter ‘Masters of the Code’, it is ‘critical to have lawyers in the room’, and they clearly have the lead role in her well-researched and nuanced thesis centered on the decentralized institution of private law. Professor Pistor builds on Rudden’s ‘feudal calculus’ providing the long view of legal systems in maintaining and creating wealth and draws on historical analogies including the enclosure movements as she interweaves her analysis of capital asset creation with a broader critique of professional and institutional agency. Polanyi and Piketty figure into Pistor’s analysis among many others, as does the help of the state’s coercive backing as she draws on the breadth of her own governance research and analysis of the collapsed socialist regimes in the 1990s, and a research pivot toward western market economies following the 2008 Global Financial Crisis.</p><p>Professor Pistor is a comparative scholar with a keen interdisciplinary eye for the relationship between law, values, and markets, dovetailing larger concepts with detailed descriptions of the coding of ‘stocks, bonds, ideas, and even expectations—assets that exist only in law.’ All of which informs her inquiry into why some legal systems have been more accommodating to capital’s coding cravings and others less so, as she describes the process by which capital is created. She moves beyond legal realism’s less granular critiques, and as reviewers such as Samuel Moyn have suggested – this book ‘deserves to be the essential text of any movement today that concerns itself with law and political economy’.</p><p>Katharina Pistor is the Edwin B. Parker Professor of Comparative Law, and the Director of the Center on Global Legal Transformation at Columbia Law School.</p><p><em>Keith Krueger lectures at the SHU-UTS Business School in Shanghai.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4084</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Neil Lee, "Innovation for the Masses: How to Share the Benefits of the High-Tech Economy" (U California Press, 2024)</title>
      <description>How can we build a more equal economy? In Innovation for the Masses: How to Share the Benefits of the High-Tech Economy (U California Press, 2024), Neil Lee, a Professor of Economic Geography at the London School of Economics, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development,
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>436</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Neil Lee</itunes:subtitle>
      <itunes:summary>How can we build a more equal economy? In Innovation for the Masses: How to Share the Benefits of the High-Tech Economy (U California Press, 2024), Neil Lee, a Professor of Economic Geography at the London School of Economics, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development,
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we build a more equal economy? In<em> </em><a href="https://bookshop.org/a/12343/9780520394889"><em>Innovation for the Masses: How to Share the Benefits of the High-Tech Economy</em></a> (U California Press, 2024), <a href="https://twitter.com/ndrlee">Neil Lee,</a> a <a href="https://www.lse.ac.uk/geography-and-environment/people/academic-staff/neil-lee">Professor of Economic Geography at the London School of Economics</a>, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development,</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2232</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c1381a6a-d02a-11ee-8e9e-2b7596317b47]]></guid>
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    </item>
    <item>
      <title>Todd McGowan, "Emancipation After Hegel: Achieving a Contradictory Revolution" (Columbia UP, 2019)</title>
      <description>An Interview with Todd McGowan about his recent Emancipation After Hegel: Achieving a Contradictory Revolution (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. Emancipation After Hegel also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai.
Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Todd McGowan</itunes:subtitle>
      <itunes:summary>An Interview with Todd McGowan about his recent Emancipation After Hegel: Achieving a Contradictory Revolution (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. Emancipation After Hegel also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai.
Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An Interview with <a href="https://www.uvm.edu/cas/english/profiles/todd-mcgowan">Todd McGowan</a> about his recent <a href="http://www.amazon.com/dp/0231192703/?tag=newbooinhis-20"><em>Emancipation After Hegel: Achieving a Contradictory Revolution</em></a> (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. <em>Emancipation After Hegel</em> also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai.</p><p><em>Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3021</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Hamza Hamouchene and Katie Sandwell, "Dismantling Green Colonialism: Energy and Climate Justice in the Arab Region" (Pluto Press, 2023)</title>
      <description>Just in Time - the urgent need for a just transition in the Arab region. The newly published book Dismantling Green Colonialism: Energy and Climate justice in the Arab Region (Pluto Press, 2023) edited by Hamza Hamouchene and Katie Sandwell questions the development of sustainable energy production in the middle eastern and north African region. Positioning itself as part of a wider discussion of just transition, it provides wonderful insight into the colonial and capitalist narratives used to legitimise projects coming from the Global North. Furthermore, it highlights the fact that there is a need to deconstruct environmental orientalism to tackle questions of power at a local, regional, and international level.
Hamza Hamouchene is a researcher, activist and the programme coordinator for Africa at the Transnational Institute, based in the UK. Originally from Algeria, he brings wide understanding of climate and social justice. 
Sarah Vogelsanger is a master student at SOAS in "Environment, Politics, and Development" and passionate about feminist approaches to social justice and political ecology. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hamza Hamouchene</itunes:subtitle>
      <itunes:summary>Just in Time - the urgent need for a just transition in the Arab region. The newly published book Dismantling Green Colonialism: Energy and Climate justice in the Arab Region (Pluto Press, 2023) edited by Hamza Hamouchene and Katie Sandwell questions the development of sustainable energy production in the middle eastern and north African region. Positioning itself as part of a wider discussion of just transition, it provides wonderful insight into the colonial and capitalist narratives used to legitimise projects coming from the Global North. Furthermore, it highlights the fact that there is a need to deconstruct environmental orientalism to tackle questions of power at a local, regional, and international level.
Hamza Hamouchene is a researcher, activist and the programme coordinator for Africa at the Transnational Institute, based in the UK. Originally from Algeria, he brings wide understanding of climate and social justice. 
Sarah Vogelsanger is a master student at SOAS in "Environment, Politics, and Development" and passionate about feminist approaches to social justice and political ecology. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Just in Time - the urgent need for a just transition in the Arab region. The newly published book <a href="https://bookshop.org/a/12343/9780745349213"><em>Dismantling Green Colonialism: Energy and Climate justice in the Arab Region</em></a> (Pluto Press, 2023) edited by Hamza Hamouchene and Katie Sandwell questions the development of sustainable energy production in the middle eastern and north African region. Positioning itself as part of a wider discussion of just transition, it provides wonderful insight into the colonial and capitalist narratives used to legitimise projects coming from the Global North. Furthermore, it highlights the fact that there is a need to deconstruct environmental orientalism to tackle questions of power at a local, regional, and international level.</p><p>Hamza Hamouchene is a researcher, activist and the programme coordinator for Africa at the Transnational Institute, based in the UK. Originally from Algeria, he brings wide understanding of climate and social justice. </p><p><em>Sarah Vogelsanger is a master student at SOAS in "Environment, Politics, and Development" and passionate about feminist approaches to social justice and political ecology. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f5710362-cc35-11ee-b57d-730bc5613a77]]></guid>
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    </item>
    <item>
      <title>Criticism</title>
      <description>In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world.
Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you’re keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we’re excited to have him back on High Theory to tell us about his investigations.
In the episode he offers a recuperative reading of Mark Twain’s acerbic take on critics in his late notebooks: “The critic’s symbol should be the tumble-bug; he deposits his egg in somebody else’s dung, otherwise he could not hatch it.” (see p. 392 of this Harper &amp; Brothers, 1935 edition of Twain’s Collected Works, on archive.org). He references Jacques Derrida’s book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty’s Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt’s earlier episode with us on Economics.
Matt Seybold is Associate Professor of American Literature &amp; Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature &amp; Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics &amp; Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold.
The image for this episode was made by Saronik Bosu in 2024.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0700d252-cb81-11ee-829d-6f52c1fb42db/image/9778ba.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Matt Seybold</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world.
Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you’re keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we’re excited to have him back on High Theory to tell us about his investigations.
In the episode he offers a recuperative reading of Mark Twain’s acerbic take on critics in his late notebooks: “The critic’s symbol should be the tumble-bug; he deposits his egg in somebody else’s dung, otherwise he could not hatch it.” (see p. 392 of this Harper &amp; Brothers, 1935 edition of Twain’s Collected Works, on archive.org). He references Jacques Derrida’s book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty’s Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt’s earlier episode with us on Economics.
Matt Seybold is Associate Professor of American Literature &amp; Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature &amp; Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics &amp; Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold.
The image for this episode was made by Saronik Bosu in 2024.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world.</p><p>Matt is the host of the <a href="https://marktwainstudies.com/the-american-vandal-podcast/">American Vandal Podcast</a> at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, <a href="https://marktwainstudies.com/category/the-american-vandal/criticism-ltd/">Criticism, LTD</a>, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty <a href="https://theamericanvandal.substack.com/">substack newsletter</a> with the transcripts from Criticism, LTD, if you’re keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we’re excited to have him back on High Theory to tell us about his investigations.</p><p>In the episode he offers a recuperative reading of Mark Twain’s acerbic take on critics in his late notebooks: “The critic’s symbol should be the tumble-bug; he deposits his egg in somebody else’s dung, otherwise he could not hatch it.” (see p. 392 of this Harper &amp; Brothers, 1935 edition of Twain’s <a href="https://ia601300.us.archive.org/27/items/completeworksofm22twai/completeworksofm22twai.pdf"><em>Collected Works</em></a>, on archive.org). He references Jacques Derrida’s book, <a href="https://nupress.northwestern.edu/9780810107885/limited-inc/"><em>Limited Inc</em></a> (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty’s <a href="https://www.sup.org/books/title/?id=34022"><em>Future of Decline: Anglo-American Culture at Its Limits</em></a> (Stanford UP, 2022) and our episode with Jed on the <a href="http://hightheory.net/2023/06/15/rhetoric-of-decline/">Rhetoric of Decline</a>. You can also take a listen back to Matt’s earlier episode with us on <a href="https://hightheory.net/2021/08/14/economics/">Economics</a>.</p><p><a href="https://mattseybold.com/">Matt Seybold</a> is Associate Professor of American Literature &amp; Mark Twain Studies at <a href="https://www.elmira.edu/academics/programs/english-literature/faculty">Elmira College</a>, as well as Resident Scholar at the <a href="https://marktwainstudies.com/about/cmts-staff/">Center For Mark Twain Studies</a>. He is the executive producer and host of the <a href="https://marktwainstudies.com/the-american-vandal-podcast/">American Vandal Podcast</a>, and founding editor of <a href="https://marktwainstudies.com/">MarkTwainStudies.org</a>. He is co-editor (with Michelle Chihara) of of the<a href="https://www.routledge.com/The-Routledge-Companion-to-Literature-and-Economics/Seybold-Chihara/p/book/9781138190870"> <em>Routledge Companion to Literature &amp; Economics</em></a> (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “<a href="https://academic.oup.com/alh/issue/31/4">Economics &amp; Literary Studies in The New Gilded Age</a>.” Recent articles can be found in the <a href="https://www.psupress.org/journals/jnls_MTA.html"><em>Mark Twain Annual</em></a><em>,</em><a href="https://liverpooluniversitypress.co.uk/products/80885"> </a><a href="https://journals.ku.edu/amerstud/index"><em>American Studies</em></a><em>, </em><a href="https://www.psupress.org/Journals/jnls_Reception.html"><em>Reception</em></a><em>, </em>and<a href="https://lareviewofbooks.org/contributor/matt-seybold/"> <em>Los Angeles Review of</em> <em>Books</em></a>. He tweets (or exes?) <a href="https://twitter.com/MEASeybold?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">@MEASeybold</a>.</p><p>The image for this episode was made by Saronik Bosu in 2024.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kareem Khubchandani, "Decolonize Drag" (OR Books, 2023)</title>
      <description>Kareem Khubchandani’s book Decolonize Drag (OR Books, 2024) explores the intricate interplay among gender, colonialism, and drag performance. It illustrates how gender serves as a tool of colonial governance, stifling diverse forms of expression, while also delving into how contemporary drag both mirrors and disrupts these entrenched institutional hierarchies. Through the lens of select performers, Khubchandani unveils how they use their art to satirize, deconstruct, and resist colonialism and the manifestations of white supremacy embedded within society. Central to the narrative is Khubchandani’s drag alter ego, LaWhore Vagistan, whose firsthand experiences shed light on encounters with depoliticized iterations of drag that fall short of its transformative potential, leaving her disheartened and bewildered. Decolonize Drag advocates for the proliferation of more inclusive and accessible avenues for gender expression while also contemplating how the meaning and impact of drag evolve across different social and geographical contexts.
As an educator, scholar, and performer, Dr. Kareem Khubchandani channels his expertise and passion within feminist, queer, and trans aesthetics, with a focus on South Asia and its diaspora. Khubchandani is an associate professor in theatre, dance, and performance studies at Tufts University.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kareem Khubchandani</itunes:subtitle>
      <itunes:summary>Kareem Khubchandani’s book Decolonize Drag (OR Books, 2024) explores the intricate interplay among gender, colonialism, and drag performance. It illustrates how gender serves as a tool of colonial governance, stifling diverse forms of expression, while also delving into how contemporary drag both mirrors and disrupts these entrenched institutional hierarchies. Through the lens of select performers, Khubchandani unveils how they use their art to satirize, deconstruct, and resist colonialism and the manifestations of white supremacy embedded within society. Central to the narrative is Khubchandani’s drag alter ego, LaWhore Vagistan, whose firsthand experiences shed light on encounters with depoliticized iterations of drag that fall short of its transformative potential, leaving her disheartened and bewildered. Decolonize Drag advocates for the proliferation of more inclusive and accessible avenues for gender expression while also contemplating how the meaning and impact of drag evolve across different social and geographical contexts.
As an educator, scholar, and performer, Dr. Kareem Khubchandani channels his expertise and passion within feminist, queer, and trans aesthetics, with a focus on South Asia and its diaspora. Khubchandani is an associate professor in theatre, dance, and performance studies at Tufts University.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kareem Khubchandani’s book <a href="https://bookshop.org/a/12343/9781682193952"><em>Decolonize Drag</em> </a>(OR Books, 2024) explores the intricate interplay among gender, colonialism, and drag performance. It illustrates how gender serves as a tool of colonial governance, stifling diverse forms of expression, while also delving into how contemporary drag both mirrors and disrupts these entrenched institutional hierarchies. Through the lens of select performers, Khubchandani unveils how they use their art to satirize, deconstruct, and resist colonialism and the manifestations of white supremacy embedded within society. Central to the narrative is Khubchandani’s drag alter ego, LaWhore Vagistan, whose firsthand experiences shed light on encounters with depoliticized iterations of drag that fall short of its transformative potential, leaving her disheartened and bewildered. <em>Decolonize Drag</em> advocates for the proliferation of more inclusive and accessible avenues for gender expression while also contemplating how the meaning and impact of drag evolve across different social and geographical contexts.</p><p>As an educator, scholar, and performer, Dr. Kareem Khubchandani channels his expertise and passion within feminist, queer, and trans aesthetics, with a focus on South Asia and its diaspora. Khubchandani is an associate professor in theatre, dance, and performance studies at Tufts University.</p><p><em>Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2278</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[84aaf126-caa3-11ee-a15b-ef5f222f8893]]></guid>
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    <item>
      <title>Josh Fernandez, "The Hands That Crafted the Bomb: The Making of a Lifelong Antifascist" (PM Press, 2024)</title>
      <description>Today I talked to Josh Fernandez about his new memoir The Hands That Crafted the Bomb: The Making of a Lifelong Antifascist (PM Press, 2024).
Josh Fernandez is a community college professor in Northern California who finds himself under investigation for “soliciting students for potentially dangerous activities” after starting an antifascist club on campus.
As Fernandez spends the year defending his job, he reflects on a life lived in protest of the status quo, swept up in chaos and rage, from his childhood in Boston dealing with a mentally ill father and a new family to a move to Davis, California, where, in the basement shows of the early ’90s, Nazi boneheads proliferated the music scene, looking for heads to crack. His crew’s first attempts at an antifascist group fall short when a member dies in a knife fight.
A born antiauthoritarian, filled with an untamable rage, Fernandez rails against the system and aggressively chooses the path of most resistance. This leads to long spates of living in his car, strung out on drugs, and robbing the whiteboys coming home from the clubs at night. He eventually realizes that his rage needs an outlet and finds relief for his existential dread in the form of running. And fighting Nazis. Fernandez cobbles together a life for himself as a writing professor, a facilitator of a self-defense collective, a boots-on-the-ground participant in Antifa work, and a proud father of two children he unapologetically raises to question authority.
Josh Fernandez is an antiracist organizer, a father, a runner, a fighter, an English professor, and a writer whose stories have appeared in Spin, the Sacramento Bee, the Hard Times, and several alternative news weeklies. He lives in Sacramento, CA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Josh Fernandez</itunes:subtitle>
      <itunes:summary>Today I talked to Josh Fernandez about his new memoir The Hands That Crafted the Bomb: The Making of a Lifelong Antifascist (PM Press, 2024).
Josh Fernandez is a community college professor in Northern California who finds himself under investigation for “soliciting students for potentially dangerous activities” after starting an antifascist club on campus.
As Fernandez spends the year defending his job, he reflects on a life lived in protest of the status quo, swept up in chaos and rage, from his childhood in Boston dealing with a mentally ill father and a new family to a move to Davis, California, where, in the basement shows of the early ’90s, Nazi boneheads proliferated the music scene, looking for heads to crack. His crew’s first attempts at an antifascist group fall short when a member dies in a knife fight.
A born antiauthoritarian, filled with an untamable rage, Fernandez rails against the system and aggressively chooses the path of most resistance. This leads to long spates of living in his car, strung out on drugs, and robbing the whiteboys coming home from the clubs at night. He eventually realizes that his rage needs an outlet and finds relief for his existential dread in the form of running. And fighting Nazis. Fernandez cobbles together a life for himself as a writing professor, a facilitator of a self-defense collective, a boots-on-the-ground participant in Antifa work, and a proud father of two children he unapologetically raises to question authority.
Josh Fernandez is an antiracist organizer, a father, a runner, a fighter, an English professor, and a writer whose stories have appeared in Spin, the Sacramento Bee, the Hard Times, and several alternative news weeklies. He lives in Sacramento, CA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Josh Fernandez about his new memoir <a href="https://bookshop.org/a/12343/9798887440231"><em>The Hands That Crafted the Bomb: The Making of a Lifelong Antifascist</em></a> (PM Press, 2024).</p><p>Josh Fernandez is a community college professor in Northern California who finds himself under investigation for “soliciting students for potentially dangerous activities” after starting an antifascist club on campus.</p><p>As Fernandez spends the year defending his job, he reflects on a life lived in protest of the status quo, swept up in chaos and rage, from his childhood in Boston dealing with a mentally ill father and a new family to a move to Davis, California, where, in the basement shows of the early ’90s, Nazi boneheads proliferated the music scene, looking for heads to crack. His crew’s first attempts at an antifascist group fall short when a member dies in a knife fight.</p><p>A born antiauthoritarian, filled with an untamable rage, Fernandez rails against the system and aggressively chooses the path of most resistance. This leads to long spates of living in his car, strung out on drugs, and robbing the whiteboys coming home from the clubs at night. He eventually realizes that his rage needs an outlet and finds relief for his existential dread in the form of running. And fighting Nazis. Fernandez cobbles together a life for himself as a writing professor, a facilitator of a self-defense collective, a boots-on-the-ground participant in Antifa work, and a proud father of two children he unapologetically raises to question authority.</p><p><a href="https://blog.pmpress.org/authors-artists-comrades/josh-fernandez/">Josh Fernandez</a> is an antiracist organizer, a father, a runner, a fighter, an English professor, and a writer whose stories have appeared in <em>Spin</em>, the <em>Sacramento Bee</em>, the<em> Hard Times</em>, and several alternative news weeklies. He lives in Sacramento, CA.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2644</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>James L. Gibson and Michael J. Nelson, "Judging Inequality: State Supreme Courts and the Inequality Crisis" (Russell Sage, 2021)</title>
      <description>Soaring levels of political, legal, economic, and social inequality have been documented by social scientists – but the public conversation and scholarship on inequality has not examined the role of state law and state courts in establishing policies that significantly affect inequality. Political scientists James L. Gibson and Michael J. Nelson analyze their original database of nearly 6,000 decisions made by over 900 judges on 50 state supreme courts over a quarter century to demonstrate how state high courts craft policy. The fifty state supreme courts shape American inequality in two ways: through substantive policy decisions that fail to advance equality and by rulings favoring more privileged litigants (typically known as "upperdogs"). 
The book focuses on court-made public policy on issues including educational equity and adequacy, LGBTQ+ rights, and worker's rights. The conventional wisdom assumes that courts protect underdogs from majorities but Gibson and Nelson demonstrate that judges most often favor dominant political elites and coalitions. As such, courts are unlikely to serve as an independent force against the rise of inequality in the United States.
James Gibson is the Sidney W. Souers Professor of Government at Washington University in Saint Louis. His research interests are in Law and Politics, Comparative Politics, and American Politics.
Michael Nelson is a Professor of Political Science at Penn State University. He studies judicial politics and U.S. state politics, especially public attitudes toward law and courts, judicial behavior, and the politics of court reform. Michael was a guest on the New Books Network for the The Elevator Effect, a book he co-wrote with Morgan Hazelton and Rachael K. Hinkle in 2023.
In the podcast, we mention Dr. Gibson’s brand new article regarding the Dobbs abortion case: “Losing legitimacy: The challenges of the Dobbs ruling to conventional legitimacy theory” from the American Journal of Political Science.
Daniela Lavergne served as the editorial assistant for this podcast.
﻿Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James L. Gibson and Michael J. Nelson</itunes:subtitle>
      <itunes:summary>Soaring levels of political, legal, economic, and social inequality have been documented by social scientists – but the public conversation and scholarship on inequality has not examined the role of state law and state courts in establishing policies that significantly affect inequality. Political scientists James L. Gibson and Michael J. Nelson analyze their original database of nearly 6,000 decisions made by over 900 judges on 50 state supreme courts over a quarter century to demonstrate how state high courts craft policy. The fifty state supreme courts shape American inequality in two ways: through substantive policy decisions that fail to advance equality and by rulings favoring more privileged litigants (typically known as "upperdogs"). 
The book focuses on court-made public policy on issues including educational equity and adequacy, LGBTQ+ rights, and worker's rights. The conventional wisdom assumes that courts protect underdogs from majorities but Gibson and Nelson demonstrate that judges most often favor dominant political elites and coalitions. As such, courts are unlikely to serve as an independent force against the rise of inequality in the United States.
James Gibson is the Sidney W. Souers Professor of Government at Washington University in Saint Louis. His research interests are in Law and Politics, Comparative Politics, and American Politics.
Michael Nelson is a Professor of Political Science at Penn State University. He studies judicial politics and U.S. state politics, especially public attitudes toward law and courts, judicial behavior, and the politics of court reform. Michael was a guest on the New Books Network for the The Elevator Effect, a book he co-wrote with Morgan Hazelton and Rachael K. Hinkle in 2023.
In the podcast, we mention Dr. Gibson’s brand new article regarding the Dobbs abortion case: “Losing legitimacy: The challenges of the Dobbs ruling to conventional legitimacy theory” from the American Journal of Political Science.
Daniela Lavergne served as the editorial assistant for this podcast.
﻿Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Soaring levels of political, legal, economic, and social inequality have been documented by social scientists – but the public conversation and scholarship on inequality has not examined the role of state law and state courts in establishing policies that significantly affect inequality. Political scientists James L. Gibson and Michael J. Nelson analyze their original database of nearly 6,000 decisions made by over 900 judges on 50 state supreme courts over a quarter century to demonstrate how state high courts craft policy. The fifty state supreme courts shape American inequality in two ways: through substantive policy decisions that fail to advance equality and by rulings favoring more privileged litigants (typically known as "upperdogs"). </p><p>The book focuses on court-made public policy on issues including educational equity and adequacy, LGBTQ+ rights, and worker's rights. The conventional wisdom assumes that courts protect underdogs from majorities but Gibson and Nelson demonstrate that judges most often favor dominant political elites and coalitions. As such, courts are unlikely to serve as an independent force against the rise of inequality in the United States.</p><p><a href="https://polisci.wustl.edu/people/james-l-gibson">James Gibson</a> is the Sidney W. Souers Professor of Government at Washington University in Saint Louis. His research interests are in Law and Politics, Comparative Politics, and American Politics.</p><p><a href="https://mjnelson.org/">Michael Nelson</a> is a Professor of Political Science at Penn State University. He studies judicial politics and U.S. state politics, especially public attitudes toward law and courts, judicial behavior, and the politics of court reform. Michael was a guest on the New Books Network for the <a href="https://newbooksnetwork.com/the-elevator-effect#entry:256018@1:url"><em>The Elevator Effect</em></a>, a book he co-wrote with Morgan Hazelton and Rachael K. Hinkle in 2023.</p><p>In the podcast, we mention Dr. Gibson’s brand new article regarding the <em>Dobbs </em>abortion case: “<a href="http://doi.org/10.1111/ajps.12834">Losing legitimacy: The challenges of the Dobbs ruling to conventional legitimacy theory</a>” from the <em>American Journal of Political Science</em>.</p><p>Daniela Lavergne served as the editorial assistant for this podcast.</p><p><em>﻿</em><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is a Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3538</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lehasa Moloi, "Developing Africa?: New Horizons with Afrocentricity" (Anthem Press, 2024)</title>
      <description>Developing Africa? New Horizons with Afrocentricity (Anthem Press, 2024) is written for those who are interested in theoretical debates as they relate to the field of Development Studies. It is aimed at academics and all those who work in the field of development, politicians, policy-makers and civil servants who need to familiarize themselves with key historical development debates, especially those relevant to Africa. The book takes an Afrocentric intellectual standpoint, grounded in the theory of Afrocentricity, in its interrogation of the idea and processes of development in Africa. It also adopts an historical approach in its interrogation of the idea of African development as a by-product of political deliberations. This book is about how the discourse of development as a field of study needs to be re-oriented towards African-based epistemologies to dismantle coloniality, in opposition to the historical embeddedness of development discourse in Eurocentrism.
This book contests the limitation of the modern African understanding of Africa’s journey with development to the period of the aftermath of World War II, to be specific, to President Harry S. Truman’s 1949 Point Four programme. Instead, the book argues that, that journey should be understood holistically. By this, I mean that Africa’s engagement with development did not begin with the politics of the Euro-North American political bloc – the story of African development must take into consideration Africa’s classical civilization, namely, the Nile Valley civilization and its contributions to human civilization. Such an approach provides a more holistic interrogation and casts light on how Africa’s history of greatness continues to be an inspiration even in modern times. Such an approach rejects the many reductionist lies and half-truths that undergird the modernist paradigm which seeks to portray African people as dependent beneficiaries of the colonial Euro-modernity framework. This framework has undermined the humanity of non-Western people in general, and Africans in particular. The book pursues the tradition of decolonial epistemic reflections grounded on Afrocentricity as its theoretical thrust to oppose discourses that are riddled with a racist agenda towards those in the Global South, especially in Africa to enable endogeneity. In the spirit of the pursuit for cognitive justice in the 21st century, this book argues that the discourse of development must be decolonized from hegemonic Eurocentric propaganda and needs to be framed from the viewpoint of those who have been seen as being on the receiving end, those projected as “backwards” from a Eurocentric perspective.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lehasa Moloi</itunes:subtitle>
      <itunes:summary>Developing Africa? New Horizons with Afrocentricity (Anthem Press, 2024) is written for those who are interested in theoretical debates as they relate to the field of Development Studies. It is aimed at academics and all those who work in the field of development, politicians, policy-makers and civil servants who need to familiarize themselves with key historical development debates, especially those relevant to Africa. The book takes an Afrocentric intellectual standpoint, grounded in the theory of Afrocentricity, in its interrogation of the idea and processes of development in Africa. It also adopts an historical approach in its interrogation of the idea of African development as a by-product of political deliberations. This book is about how the discourse of development as a field of study needs to be re-oriented towards African-based epistemologies to dismantle coloniality, in opposition to the historical embeddedness of development discourse in Eurocentrism.
This book contests the limitation of the modern African understanding of Africa’s journey with development to the period of the aftermath of World War II, to be specific, to President Harry S. Truman’s 1949 Point Four programme. Instead, the book argues that, that journey should be understood holistically. By this, I mean that Africa’s engagement with development did not begin with the politics of the Euro-North American political bloc – the story of African development must take into consideration Africa’s classical civilization, namely, the Nile Valley civilization and its contributions to human civilization. Such an approach provides a more holistic interrogation and casts light on how Africa’s history of greatness continues to be an inspiration even in modern times. Such an approach rejects the many reductionist lies and half-truths that undergird the modernist paradigm which seeks to portray African people as dependent beneficiaries of the colonial Euro-modernity framework. This framework has undermined the humanity of non-Western people in general, and Africans in particular. The book pursues the tradition of decolonial epistemic reflections grounded on Afrocentricity as its theoretical thrust to oppose discourses that are riddled with a racist agenda towards those in the Global South, especially in Africa to enable endogeneity. In the spirit of the pursuit for cognitive justice in the 21st century, this book argues that the discourse of development must be decolonized from hegemonic Eurocentric propaganda and needs to be framed from the viewpoint of those who have been seen as being on the receiving end, those projected as “backwards” from a Eurocentric perspective.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781839990823"><em>Developing Africa? New Horizons with Afrocentricity</em></a> (Anthem Press, 2024) is written for those who are interested in theoretical debates as they relate to the field of Development Studies. It is aimed at academics and all those who work in the field of development, politicians, policy-makers and civil servants who need to familiarize themselves with key historical development debates, especially those relevant to Africa. The book takes an Afrocentric intellectual standpoint, grounded in the theory of Afrocentricity, in its interrogation of the idea and processes of development in Africa. It also adopts an historical approach in its interrogation of the idea of African development as a by-product of political deliberations. This book is about how the discourse of development as a field of study needs to be re-oriented towards African-based epistemologies to dismantle coloniality, in opposition to the historical embeddedness of development discourse in Eurocentrism.</p><p>This book contests the limitation of the modern African understanding of Africa’s journey with development to the period of the aftermath of World War II, to be specific, to President Harry S. Truman’s 1949 Point Four programme. Instead, the book argues that, that journey should be understood holistically. By this, I mean that Africa’s engagement with development did not begin with the politics of the Euro-North American political bloc – the story of African development must take into consideration Africa’s classical civilization, namely, the Nile Valley civilization and its contributions to human civilization. Such an approach provides a more holistic interrogation and casts light on how Africa’s history of greatness continues to be an inspiration even in modern times. Such an approach rejects the many reductionist lies and half-truths that undergird the modernist paradigm which seeks to portray African people as dependent beneficiaries of the colonial Euro-modernity framework. This framework has undermined the humanity of non-Western people in general, and Africans in particular. The book pursues the tradition of decolonial epistemic reflections grounded on Afrocentricity as its theoretical thrust to oppose discourses that are riddled with a racist agenda towards those in the Global South, especially in Africa to enable endogeneity. In the spirit of the pursuit for cognitive justice in the 21st century, this book argues that the discourse of development must be decolonized from hegemonic Eurocentric propaganda and needs to be framed from the viewpoint of those who have been seen as being on the receiving end, those projected as “backwards” from a Eurocentric perspective.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2333</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Devin Griffiths and Deanna Kreisel, "After Darwin: Literature, Theory, and Criticism in the Twenty-First Century" (Cambridge UP, 2022)</title>
      <description>Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence.
• Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin
• Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought
• Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics
Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities.
Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 10 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>278</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Devin Griffiths and Deanna Kreisel</itunes:subtitle>
      <itunes:summary>Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence.
• Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin
• Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought
• Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics
Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities.
Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. <a href="https://bookshop.org/a/12343/9781009181150"><em>After Darwin: Literature, Theory, and Criticism in the Twenty-First Century</em></a> (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence.</p><p>• Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin</p><p>• Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought</p><p>• Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics</p><p>Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities.</p><p>Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2642</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Steven High, "Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class" (McGill-Queen's UP, 2022)</title>
      <description>Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. 
In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.
Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steven High</itunes:subtitle>
      <itunes:summary>Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. 
In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.
Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. </p><p>In <a href="https://bookshop.org/a/12343/9780228010753"><em>Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class</em></a> (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition.</p><p>Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University.</p><p><em>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found </em><a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Calvin John Smiley, "Purgatory Citizenship: Reentry, Race, and Abolition" (U California Press, 2023)</title>
      <description>In Purgatory Citizenship: Reentry, Race, and Abolition (University of California Press, 2023), Calvin John Smiley explores the lives of people who were formerly incarcerated and the many daunting challenges they face. Those being released from prison must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious.
Calvin John Smiley is an Associate Professor of Sociology at Hunter College, City University of New York.
Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
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      <pubDate>Wed, 07 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Calvin John Smiley</itunes:subtitle>
      <itunes:summary>In Purgatory Citizenship: Reentry, Race, and Abolition (University of California Press, 2023), Calvin John Smiley explores the lives of people who were formerly incarcerated and the many daunting challenges they face. Those being released from prison must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious.
Calvin John Smiley is an Associate Professor of Sociology at Hunter College, City University of New York.
Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780520385986"><em>Purgatory Citizenship: Reentry, Race, and Abolition</em></a> (University of California Press, 2023), Calvin John Smiley explores the lives of people who were formerly incarcerated and the many daunting challenges they face. Those being released from prison must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious.</p><p>Calvin John Smiley is an Associate Professor of Sociology at Hunter College, City University of New York.</p><p><em>Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3897</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a35c4730-c52d-11ee-8616-d3d3ba63d62d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5665231476.mp3?updated=1707251880" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nick Romeo, "The Alternative: How to Build a Just Economy" (PublicAffairs, 2024)</title>
      <description>Winners Take All meets Nickel and Dimed: a provocative debunking of accepted wisdom, providing the pathway to a sustainable, survivable economy.
Confronted by the terrifying trends of the early twenty-first century - widening inequality, environmental destruction, and the immiseration of millions of workers around the world - many economists and business leaders still preach dogmas that lack evidence and create political catastrophe: Private markets are always more efficient than public ones; investment capital flows efficiently to necessary projects; massive inequality is the unavoidable side effect of economic growth; people are selfish and will only behave well with the right incentives.
But a growing number of people - academic economists, business owners, policy entrepreneurs, and ordinary people - are rejecting these myths and reshaping economies around the world to reflect ethical and social values. Though they differ in approach, all share a vision of the economy as a place of moral action and accountability. Journalist Nick Romeo has spent years covering the world's most innovative economic and policy ideas for The New Yorker. In The Alternative: How to Build a Just Economy (PublicAffairs, 2024), Romeo takes us on an extraordinary journey through the unforgettable stories and successes of people working to build economies that are more equal, just, and livable.
Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Romeo</itunes:subtitle>
      <itunes:summary>Winners Take All meets Nickel and Dimed: a provocative debunking of accepted wisdom, providing the pathway to a sustainable, survivable economy.
Confronted by the terrifying trends of the early twenty-first century - widening inequality, environmental destruction, and the immiseration of millions of workers around the world - many economists and business leaders still preach dogmas that lack evidence and create political catastrophe: Private markets are always more efficient than public ones; investment capital flows efficiently to necessary projects; massive inequality is the unavoidable side effect of economic growth; people are selfish and will only behave well with the right incentives.
But a growing number of people - academic economists, business owners, policy entrepreneurs, and ordinary people - are rejecting these myths and reshaping economies around the world to reflect ethical and social values. Though they differ in approach, all share a vision of the economy as a place of moral action and accountability. Journalist Nick Romeo has spent years covering the world's most innovative economic and policy ideas for The New Yorker. In The Alternative: How to Build a Just Economy (PublicAffairs, 2024), Romeo takes us on an extraordinary journey through the unforgettable stories and successes of people working to build economies that are more equal, just, and livable.
Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Winners Take All</em> meets <em>Nickel and Dimed</em>: a provocative debunking of accepted wisdom, providing the pathway to a sustainable, survivable economy.</p><p>Confronted by the terrifying trends of the early twenty-first century - widening inequality, environmental destruction, and the immiseration of millions of workers around the world - many economists and business leaders still preach dogmas that lack evidence and create political catastrophe: Private markets are always more efficient than public ones; investment capital flows efficiently to necessary projects; massive inequality is the unavoidable side effect of economic growth; people are selfish and will only behave well with the right incentives.</p><p>But a growing number of people - academic economists, business owners, policy entrepreneurs, and ordinary people - are rejecting these myths and reshaping economies around the world to reflect ethical and social values. Though they differ in approach, all share a vision of the economy as a place of moral action and accountability. Journalist Nick Romeo has spent years covering the world's most innovative economic and policy ideas for <em>The New Yorker</em>. In <a href="https://bookshop.org/a/12343/9781541701595"><em>The Alternative: How to Build a Just Economy</em></a> (PublicAffairs, 2024), Romeo takes us on an extraordinary journey through the unforgettable stories and successes of people working to build economies that are more equal, just, and livable.</p><p><a href="https://www.linkedin.com/in/stephenpimpare/"><em>Stephen Pimpare</em></a><em> is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1758</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5aa5eec2-c51b-11ee-b160-9fe5a5c53332]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8357380129.mp3?updated=1707243587" length="0" type="audio/mpeg"/>
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    <item>
      <title>Courtney Brannon Donoghue, "The Value Gap: Female-Driven Films from Pitch to Premiere" (U Texas Press, 2023)</title>
      <description>Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. 
Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 04 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Courtney Brannon Donoghue</itunes:subtitle>
      <itunes:summary>Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. 
Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. </p><p>Courtney Brannon Donoghue's book <a href="https://bookshop.org/a/12343/9781477327302"><em>The Value Gap: Female-Driven Films from Pitch to Premiere</em></a><em> </em>(U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, <em>The Value Gap</em> challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.</p><p><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1772301951.mp3?updated=1706988825" length="0" type="audio/mpeg"/>
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    <item>
      <title>Eglė Rindzevičiūtė, "The Will to Predict: Orchestrating the Future Through Science" (Cornell UP, 2023)</title>
      <description>Can we predict the future? In The Will to Predict: Orchestrating the Future Through Science (Cornell UP, 2023), Eglė Rindzevičiūtė, an Associate Professor of Criminology and Sociology at Kingston University, tells the story of Soviet and Post-Soviet attempts to order economy and society using a variety of scientific and management techniques. The analysis is wide ranging, demonstrating the contemporary importance, as well as the historical context, of prediction and its associated intellectual and governmental champions. Rich with details, as well as accessible and fascinating, the book is essential reading across history and the social sciences, as well as for anyone interested in how we know the past present and future of the modern world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 04 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>435</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eglė Rindzevičiūtė</itunes:subtitle>
      <itunes:summary>Can we predict the future? In The Will to Predict: Orchestrating the Future Through Science (Cornell UP, 2023), Eglė Rindzevičiūtė, an Associate Professor of Criminology and Sociology at Kingston University, tells the story of Soviet and Post-Soviet attempts to order economy and society using a variety of scientific and management techniques. The analysis is wide ranging, demonstrating the contemporary importance, as well as the historical context, of prediction and its associated intellectual and governmental champions. Rich with details, as well as accessible and fascinating, the book is essential reading across history and the social sciences, as well as for anyone interested in how we know the past present and future of the modern world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can we predict the future? In <a href="https://bookshop.org/a/12343/9781501769771"><em>The Will to Predict: Orchestrating the Future Through Science</em></a><em> </em>(Cornell UP, 2023), <a href="https://twitter.com/eglerin">Eglė Rindzevičiūtė,</a> an <a href="https://www.kingston.ac.uk/staff/profile/dr-egle-rindzeviciute-52/">Associate Professor of Criminology and Sociology at Kingston University</a>, tells the story of Soviet and Post-Soviet attempts to order economy and society using a variety of scientific and management techniques. The analysis is wide ranging, demonstrating the contemporary importance, as well as the historical context, of prediction and its associated intellectual and governmental champions. Rich with details, as well as accessible and fascinating, the book is essential reading across history and the social sciences, as well as for anyone interested in how we know the past present and future of the modern world.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[68483e2e-c2ad-11ee-bcb0-e3038d0b0a49]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8024837195.mp3?updated=1706976833" length="0" type="audio/mpeg"/>
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      <title>George Fisher, "Beware Euphoria: The Moral Roots and Racial Myths of America's War on Drugs" (Oxford UP, 2024)</title>
      <description>George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. Beware Euphoria is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with George Fisher</itunes:subtitle>
      <itunes:summary>George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. Beware Euphoria is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book <a href="https://global.oup.com/academic/product/beware-euphoria-9780197688489"><em>Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War</em></a>, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. <em>Beware Euphoria </em>is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth.</p><p><a href="http://www.emilydufton.com/"><em>Emily Dufton</em></a><em> is the author of</em><a href="https://bookshop.org/a/12343/9780465096169"><em> Grass Roots: The Rise and Fall and Rise of Marijuana in America </em></a><em>(Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3786</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8420519705.mp3?updated=1707311996" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chrystin Ondersma, "Dignity Not Debt: An Abolitionist Approach to Economic Justice" (U California Press, 2024)</title>
      <description>American households have a debt problem. The problem is not, as often claimed, that Americans recklessly take on too much debt. The problem is that US debt policies have no basis in reality. Weaving together the histories and trends of US debt policy with her own family story, Chrystin Ondersma debunks the myths that have long governed debt policy, like the belief that debt leads to prosperity or the claim that bad debt is the result of bad choices, both of which nest in the overarching myth of a free market unhindered by government interference and accessible to all. 
In Dignity Not Debt: An Abolitionist Approach to Economic Justice (U California Press, 2024), Ondersma offers a compelling, flexible, and reality-based taxonomy rooted in the internationally recognized principle of human dignity. Ondersma's new categories of debt--grounded in abolitionist principles--revolutionize how policymakers are able to think about debt, which will in turn revolutionize the American debt landscape itself.
﻿Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chrystin Ondersma</itunes:subtitle>
      <itunes:summary>American households have a debt problem. The problem is not, as often claimed, that Americans recklessly take on too much debt. The problem is that US debt policies have no basis in reality. Weaving together the histories and trends of US debt policy with her own family story, Chrystin Ondersma debunks the myths that have long governed debt policy, like the belief that debt leads to prosperity or the claim that bad debt is the result of bad choices, both of which nest in the overarching myth of a free market unhindered by government interference and accessible to all. 
In Dignity Not Debt: An Abolitionist Approach to Economic Justice (U California Press, 2024), Ondersma offers a compelling, flexible, and reality-based taxonomy rooted in the internationally recognized principle of human dignity. Ondersma's new categories of debt--grounded in abolitionist principles--revolutionize how policymakers are able to think about debt, which will in turn revolutionize the American debt landscape itself.
﻿Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>American households have a debt problem. The problem is not, as often claimed, that Americans recklessly take on too much debt. The problem is that US debt policies have no basis in reality. Weaving together the histories and trends of US debt policy with her own family story, Chrystin Ondersma debunks the myths that have long governed debt policy, like the belief that debt leads to prosperity or the claim that bad debt is the result of bad choices, both of which nest in the overarching myth of a free market unhindered by government interference and accessible to all. </p><p>In <a href="https://bookshop.org/a/12343/9780520391475"><em>Dignity Not Debt: An Abolitionist Approach to Economic Justice</em></a><em> </em>(U California Press, 2024), Ondersma offers a compelling, flexible, and reality-based taxonomy rooted in the internationally recognized principle of human dignity. Ondersma's new categories of debt--grounded in abolitionist principles--revolutionize how policymakers are able to think about debt, which will in turn revolutionize the American debt landscape itself.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/stephenpimpare/"><em>Stephen Pimpare</em></a><em> is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1697</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e13b551c-c142-11ee-8951-57572172fc31]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2295127821.mp3?updated=1706820562" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education</title>
      <description>Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why.
Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women's Studies Quarterly, and the Journal of Economics, Race, and Policy.
Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:

Black Women, Ivory Tower discussion guide

Microaggressions in the Classroom

The Academic Life discussion of the book Presumed Incompetent Two


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 01 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Jasmine L. Harris</itunes:subtitle>
      <itunes:summary>Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why.
Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women's Studies Quarterly, and the Journal of Economics, Race, and Policy.
Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:

Black Women, Ivory Tower discussion guide

Microaggressions in the Classroom

The Academic Life discussion of the book Presumed Incompetent Two


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781506489834"><em>Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education</em></a> (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. <em>Black Women, Ivory</em> <em>Tower </em>explores why.</p><p>Our guest is: <a href="https://newbooksnetwork.com/admin/entries/episodes/Dr.%20Jasmine%20L.%20Harris">Dr. Jasmine L. Harris</a>, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the <em>Washington Post</em>, <em>Chicago Tribune</em>, <em>Houston Chronicle</em>, <em>Boston Globe</em>, <em>Baltimore Sun</em>, <em>Women's Studies Quarterly</em>, and the <em>Journal of Economics, Race, and Policy</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also be interested in:</p><ul>
<li><a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.broadleafbooks.com%2Fmedia%2Fdownloads%2FBlack_Women_Ivory_Tower_Discussion_Guide.pdf&amp;data=05%7C01%7CMeyerL%401517.media%7C3d51e2d6044d46f4e98208dbc0ec098d%7Cc38896fb36a144c0bd568f74f7816d23%7C1%7C0%7C638315892233119066%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=7Pk6SlKLB8f3UrjSaERpSyfvkPLKusiPOF81kxNQYoQ%3D&amp;reserved=0"><em>Black Women, Ivory Tower </em>discussion guide</a></li>
<li><a href="https://newbooksnetwork.com/admin/entries/episodes/Microaggressions%20in%20the%20Classroom">Microaggressions in the Classroom</a></li>
<li><a href="https://newbooksnetwork.com/how-to-deal-with-structural-inequality#entry:39410@1:url">The Academic Life discussion of the book Presumed Incompetent Two</a></li>
</ul><p><br></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived <a href="https://newbooksnetwork.com/category/academic-partners/academic-life">here.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3383</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa22d7e8-bfa9-11ee-b48b-fb665c33670b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1726539175.mp3?updated=1706645111" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alberto Toscano, "Late Fascism: Race, Capitalism and the Politics of Crisis" (Verso, 2023)</title>
      <description>In a world shaken by ecological, economic and political crises, the forces of authoritarianism and reaction seem to have the upper hand. How should we name, map and respond to this state of affairs?
The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the ‘Great Replacement’ to campaigns against critical race theory and ‘gender ideology’, today’s global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies.
Drawing especially on Black radical and anti-colonial theories of fascism, Alberto Toscano’s Late Fascism: Race, Capitalism, and the Politics of Crisis (Verso, 2023) makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a mutable process, one anchored in racial and colonial capitalism, which both predates and survives its crystallization in Mussolini’s Italy and Hitler’s Germany. It is a threat that continues to evolve in the present day.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>434</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alberto Toscano</itunes:subtitle>
      <itunes:summary>In a world shaken by ecological, economic and political crises, the forces of authoritarianism and reaction seem to have the upper hand. How should we name, map and respond to this state of affairs?
The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the ‘Great Replacement’ to campaigns against critical race theory and ‘gender ideology’, today’s global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies.
Drawing especially on Black radical and anti-colonial theories of fascism, Alberto Toscano’s Late Fascism: Race, Capitalism, and the Politics of Crisis (Verso, 2023) makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a mutable process, one anchored in racial and colonial capitalism, which both predates and survives its crystallization in Mussolini’s Italy and Hitler’s Germany. It is a threat that continues to evolve in the present day.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a world shaken by ecological, economic and political crises, the forces of authoritarianism and reaction seem to have the upper hand. How should we name, map and respond to this state of affairs?</p><p>The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the ‘Great Replacement’ to campaigns against critical race theory and ‘gender ideology’, today’s global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies.</p><p>Drawing especially on Black radical and anti-colonial theories of fascism, Alberto Toscano’s <a href="https://bookshop.org/a/12343/9781839760204"><em>Late Fascism: Race, Capitalism, and the Politics of Crisis</em></a><em> </em>(Verso, 2023) makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a mutable process, one anchored in racial and colonial capitalism, which both predates and survives its crystallization in Mussolini’s Italy and Hitler’s Germany. It is a threat that continues to evolve in the present day.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3340</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bb3be2d0-bedd-11ee-981d-43045e13e82e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3148105526.mp3?updated=1706557780" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David M. Henkin, "The Week: A History of the Unnatural Rhythms that Made Us who We are" (Yale UP, 2021)</title>
      <description>The Week: A History of the Unnatural Rhythms that Made Us who We are (Yale UP, 2021) is an investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live.
We take the seven-day week for granted, rarely asking what anchors it or what it does to us. Yet weeks are not dictated by the natural order. They are, in fact, an artificial construction of the modern world.
With meticulous archival research that draws on a wide array of sources―including newspapers, restaurant menus, theater schedules, marriage records, school curricula, folklore, housekeeping guides, courtroom testimony, and diaries―David Henkin reveals how our current devotion to weekly rhythms emerged in the United States during the first half of the nineteenth century. Reconstructing how weekly patterns insinuated themselves into the social practices and mental habits of Americans, Henkin argues that the week is more than just a regimen of rest days or breaks from work, but a dominant organizational principle of modern society. Ultimately, the seven-day week shapes our understanding and experience of time.
David M. Henkin is Margaret Byrne Professor of History at the University of California, Berkeley. His previous books include The Postal Age, City Reading, and (with Rebecca McLennan) Becoming America: A History for the 21st Century. He lives in San Francisco, CA, and Bozeman, MT.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1408</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David M. Henkin</itunes:subtitle>
      <itunes:summary>The Week: A History of the Unnatural Rhythms that Made Us who We are (Yale UP, 2021) is an investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live.
We take the seven-day week for granted, rarely asking what anchors it or what it does to us. Yet weeks are not dictated by the natural order. They are, in fact, an artificial construction of the modern world.
With meticulous archival research that draws on a wide array of sources―including newspapers, restaurant menus, theater schedules, marriage records, school curricula, folklore, housekeeping guides, courtroom testimony, and diaries―David Henkin reveals how our current devotion to weekly rhythms emerged in the United States during the first half of the nineteenth century. Reconstructing how weekly patterns insinuated themselves into the social practices and mental habits of Americans, Henkin argues that the week is more than just a regimen of rest days or breaks from work, but a dominant organizational principle of modern society. Ultimately, the seven-day week shapes our understanding and experience of time.
David M. Henkin is Margaret Byrne Professor of History at the University of California, Berkeley. His previous books include The Postal Age, City Reading, and (with Rebecca McLennan) Becoming America: A History for the 21st Century. He lives in San Francisco, CA, and Bozeman, MT.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780300271157"><em>The Week: A History of the Unnatural Rhythms that Made Us who We are</em></a><em> </em>(Yale UP, 2021) is an investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live.</p><p>We take the seven-day week for granted, rarely asking what anchors it or what it does to us. Yet weeks are not dictated by the natural order. They are, in fact, an artificial construction of the modern world.</p><p>With meticulous archival research that draws on a wide array of sources―including newspapers, restaurant menus, theater schedules, marriage records, school curricula, folklore, housekeeping guides, courtroom testimony, and diaries―David Henkin reveals how our current devotion to weekly rhythms emerged in the United States during the first half of the nineteenth century. Reconstructing how weekly patterns insinuated themselves into the social practices and mental habits of Americans, Henkin argues that the week is more than just a regimen of rest days or breaks from work, but a dominant organizational principle of modern society. Ultimately, the seven-day week shapes our understanding and experience of time.</p><p>David M. Henkin is Margaret Byrne Professor of History at the University of California, Berkeley. His previous books include The Postal Age, City Reading, and (with Rebecca McLennan) Becoming America: A History for the 21st Century. He lives in San Francisco, CA, and Bozeman, MT.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3493</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7fcb0818-bd46-11ee-acc6-b3ffaf5b3111]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2279244202.mp3?updated=1706382617" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Damien Sojoyner, "Against the Carceral Archive: The Art of Black Liberatory Practice" (Fordham UP, 2023)</title>
      <description>Against the Carceral Archive: The Art of Black Liberatory Practice (Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the Southern California Library (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s.
Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst.
Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 28 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Damien Sojoyner</itunes:subtitle>
      <itunes:summary>Against the Carceral Archive: The Art of Black Liberatory Practice (Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the Southern California Library (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s.
Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst.
Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781531503772"><em>Against the Carceral Archive: The Art of Black Liberatory Practice</em></a><em> </em>(Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the <a href="https://www.socallib.org/">Southern California Library</a> (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s.</p><p>Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst.</p><p>Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6895abbe-bc95-11ee-8bac-e3592cdb6d93]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1490375933.mp3?updated=1706306487" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ankhi Mukherjee and Ato Quayson, "Decolonizing the English Literary Curriculum" (Cambridge UP, 2023)</title>
      <description>George Floyd's death on May 25th 2020 marked a watershed in reactions to anti-Black racism in the United States and elsewhere. Intense demonstrations around the world followed. Within literary studies, the demonstrations accelerated the scrutiny of the literary curriculum, the need to diversify the curriculum, and the need to incorporate more Black writers. 
Decolonizing the English Literary Curriculum (Cambridge UP, 2023), jointly edited by Professor Ankhi Mukherjee and Professor Ato Quayson, is a major collection that aims to address these issues from a global perspective. An international team of leading scholars illustrate the necessity and advantages of reform from specific decolonial perspectives, with evidence-based arguments from classroom contexts, as well as establishing new critical agendas. The significance of Decolonizing the English Literary Curriculum lies in the complete overhaul it proposes for the study of English literature. It reconnects English studies, the humanities, and the modern, international university to issues of racial and social justice.
Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 28 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>274</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ankhi Mukherjee and Ato Quayson</itunes:subtitle>
      <itunes:summary>George Floyd's death on May 25th 2020 marked a watershed in reactions to anti-Black racism in the United States and elsewhere. Intense demonstrations around the world followed. Within literary studies, the demonstrations accelerated the scrutiny of the literary curriculum, the need to diversify the curriculum, and the need to incorporate more Black writers. 
Decolonizing the English Literary Curriculum (Cambridge UP, 2023), jointly edited by Professor Ankhi Mukherjee and Professor Ato Quayson, is a major collection that aims to address these issues from a global perspective. An international team of leading scholars illustrate the necessity and advantages of reform from specific decolonial perspectives, with evidence-based arguments from classroom contexts, as well as establishing new critical agendas. The significance of Decolonizing the English Literary Curriculum lies in the complete overhaul it proposes for the study of English literature. It reconnects English studies, the humanities, and the modern, international university to issues of racial and social justice.
Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>George Floyd's death on May 25th 2020 marked a watershed in reactions to anti-Black racism in the United States and elsewhere. Intense demonstrations around the world followed. Within literary studies, the demonstrations accelerated the scrutiny of the literary curriculum, the need to diversify the curriculum, and the need to incorporate more Black writers. </p><p><a href="https://bookshop.org/a/12343/9781009299961"><em>Decolonizing the English Literary Curriculum</em></a> (Cambridge UP, 2023), jointly edited by Professor Ankhi Mukherjee and Professor Ato Quayson, is a major collection that aims to address these issues from a global perspective. An international team of leading scholars illustrate the necessity and advantages of reform from specific decolonial perspectives, with evidence-based arguments from classroom contexts, as well as establishing new critical agendas. The significance of <em>Decolonizing the English Literary Curriculum</em> lies in the complete overhaul it proposes for the study of English literature. It reconnects English studies, the humanities, and the modern, international university to issues of racial and social justice.</p><p><em>Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3621</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e75dabe-bc7e-11ee-bc99-9f103c92bb9b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6643184761.mp3?updated=1706296671" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gregor Gall, "Mick Lynch: The Making of a Working-Class Hero " (Manchester UP, 2024)</title>
      <description>In the summer of 2022, the little-known leader of a small union became a ‘working-class hero’. Facing down media pundits who thought they could walk all over him, he offered a robust critique of the government and provided workers with an authentic voice. At a time when the Labour Party was unable to articulate a credible alternative to the Tories, Mick Lynch spoke for the working class.
Where did Lynch come from? How did he develop the skills and traits that make him such an effective spokesperson and leader? Gregor Gall's biography Mick Lynch: The Making of a Working-Class Hero (Manchester UP, 2024) explores his family and social background and his rise to the top of the RMT union, which culminated in election as General Secretary in 2021. Considering his persona and politics, this book asks what quality singles out Lynch as a working-class hero compared to other union leaders and, more broadly, what leadership means for working people and for the left.
If we want better leaders at every level, the case of Mick Lynch holds the key.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 27 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>244</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gregor Gall</itunes:subtitle>
      <itunes:summary>In the summer of 2022, the little-known leader of a small union became a ‘working-class hero’. Facing down media pundits who thought they could walk all over him, he offered a robust critique of the government and provided workers with an authentic voice. At a time when the Labour Party was unable to articulate a credible alternative to the Tories, Mick Lynch spoke for the working class.
Where did Lynch come from? How did he develop the skills and traits that make him such an effective spokesperson and leader? Gregor Gall's biography Mick Lynch: The Making of a Working-Class Hero (Manchester UP, 2024) explores his family and social background and his rise to the top of the RMT union, which culminated in election as General Secretary in 2021. Considering his persona and politics, this book asks what quality singles out Lynch as a working-class hero compared to other union leaders and, more broadly, what leadership means for working people and for the left.
If we want better leaders at every level, the case of Mick Lynch holds the key.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the summer of 2022, the little-known leader of a small union became a ‘working-class hero’. Facing down media pundits who thought they could walk all over him, he offered a robust critique of the government and provided workers with an authentic voice. At a time when the Labour Party was unable to articulate a credible alternative to the Tories, Mick Lynch spoke for the working class.</p><p>Where did Lynch come from? How did he develop the skills and traits that make him such an effective spokesperson and leader? Gregor Gall's biography <a href="https://bookshop.org/a/12343/9781526173096"><em>Mick Lynch: The Making of a Working-Class Hero</em> </a>(Manchester UP, 2024) explores his family and social background and his rise to the top of the RMT union, which culminated in election as General Secretary in 2021. Considering his persona and politics, this book asks what quality singles out Lynch as a working-class hero compared to other union leaders and, more broadly, what leadership means for working people and for the left.</p><p>If we want better leaders at every level, the case of Mick Lynch holds the key.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3791</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[41ad6c5a-bc6b-11ee-8b29-e70b0c08855c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2348435654.mp3?updated=1706288825" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caleb Wellum, "Energizing Neoliberalism: The 1970s Energy Crisis and the Making of Modern America" (Johns Hopkins UP, 2023)</title>
      <description>How the 1970s energy crisis facilitated a neoliberal shift in US political culture.
In Energizing Neoliberalism: The 1970s Energy Crisis and the Making of Modern America (Johns Hopkins UP, 2023), Caleb Wellum offers a provocative account of how the 1970s energy crisis helped to recreate postwar America. Rather than think of the crisis as the obvious outcome of the decade's "oil shocks," Wellum unpacks the cultural construction of a crisis of energy across different sectors of society, from presidents, policy experts, and environmentalists to filmmakers, economists, and oil futures traders. He shows how the dominant meanings ascribed to the 1970s energy crisis helped to energize neoliberal visions of renewed abundance and power through free market values and approaches to energy.
Deeply researched in federal archives, expert discourse, and popular culture, Energizing Neoliberalism demonstrates the central role that energy crisis narratives played in America's neoliberal turn. Wellum traces the roots of the crisis to the consumption practices and cultural narratives spawned by the petrocultural politics of Cold War capitalism. In a series of illuminating case studies—including 1970s energy conservation debates, popular car films, and the creation of oil futures trading—Wellum chronicles the consolidation of a neoliberal capitalist order in the United States through an energy politics marked by anxious futurity, petro-populist sentiment, and financialized energy markets. He shows how experiences of energy shortages and fears of future energy crises unsettled American national identity and power yet also informed Reagan-era confidence in free markets and US global leadership.
In taking a cultural approach to the 1970s energy crisis, Wellum offers a challenging meditation on the status of "crisis" in modern history, contemporary life, and critical thought and how we rely on crises to make sense of the world.
Caleb Wellum is an assistant professor of US history at the University of Toronto, Mississauga.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 26 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>433</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caleb Wellum</itunes:subtitle>
      <itunes:summary>How the 1970s energy crisis facilitated a neoliberal shift in US political culture.
In Energizing Neoliberalism: The 1970s Energy Crisis and the Making of Modern America (Johns Hopkins UP, 2023), Caleb Wellum offers a provocative account of how the 1970s energy crisis helped to recreate postwar America. Rather than think of the crisis as the obvious outcome of the decade's "oil shocks," Wellum unpacks the cultural construction of a crisis of energy across different sectors of society, from presidents, policy experts, and environmentalists to filmmakers, economists, and oil futures traders. He shows how the dominant meanings ascribed to the 1970s energy crisis helped to energize neoliberal visions of renewed abundance and power through free market values and approaches to energy.
Deeply researched in federal archives, expert discourse, and popular culture, Energizing Neoliberalism demonstrates the central role that energy crisis narratives played in America's neoliberal turn. Wellum traces the roots of the crisis to the consumption practices and cultural narratives spawned by the petrocultural politics of Cold War capitalism. In a series of illuminating case studies—including 1970s energy conservation debates, popular car films, and the creation of oil futures trading—Wellum chronicles the consolidation of a neoliberal capitalist order in the United States through an energy politics marked by anxious futurity, petro-populist sentiment, and financialized energy markets. He shows how experiences of energy shortages and fears of future energy crises unsettled American national identity and power yet also informed Reagan-era confidence in free markets and US global leadership.
In taking a cultural approach to the 1970s energy crisis, Wellum offers a challenging meditation on the status of "crisis" in modern history, contemporary life, and critical thought and how we rely on crises to make sense of the world.
Caleb Wellum is an assistant professor of US history at the University of Toronto, Mississauga.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How the 1970s energy crisis facilitated a neoliberal shift in US political culture.</p><p>In <a href="https://bookshop.org/a/12343/9781421447186"><em>Energizing Neoliberalism: The 1970s Energy Crisis and the Making of Modern America</em></a> (Johns Hopkins UP, 2023), Caleb Wellum offers a provocative account of how the 1970s energy crisis helped to recreate postwar America. Rather than think of the crisis as the obvious outcome of the decade's "oil shocks," Wellum unpacks the cultural construction of a crisis of energy across different sectors of society, from presidents, policy experts, and environmentalists to filmmakers, economists, and oil futures traders. He shows how the dominant meanings ascribed to the 1970s energy crisis helped to energize neoliberal visions of renewed abundance and power through free market values and approaches to energy.</p><p>Deeply researched in federal archives, expert discourse, and popular culture, Energizing Neoliberalism demonstrates the central role that energy crisis narratives played in America's neoliberal turn. Wellum traces the roots of the crisis to the consumption practices and cultural narratives spawned by the petrocultural politics of Cold War capitalism. In a series of illuminating case studies—including 1970s energy conservation debates, popular car films, and the creation of oil futures trading—Wellum chronicles the consolidation of a neoliberal capitalist order in the United States through an energy politics marked by anxious futurity, petro-populist sentiment, and financialized energy markets. He shows how experiences of energy shortages and fears of future energy crises unsettled American national identity and power yet also informed Reagan-era confidence in free markets and US global leadership.</p><p>In taking a cultural approach to the 1970s energy crisis, Wellum offers a challenging meditation on the status of "crisis" in modern history, contemporary life, and critical thought and how we rely on crises to make sense of the world.</p><p>Caleb Wellum is an assistant professor of US history at the University of Toronto, Mississauga.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3423</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[40430cc0-bb9a-11ee-bcb2-576ad07c0d80]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3126053480.mp3?updated=1706199020" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Beth Driscoll and Claire Squires, "The Frankfurt Kabuff Critical Edition" (Wilfrid Laurier UP, 2023)</title>
      <description>How do fiction and research intersect? In The Frankfurt Kabuff Critical Edition (Wilfrid Laurier University Press 2023), Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne and Claire Squires a Professor in Publishing Studies at the University of Stirling, reflect on Blaire Squiscoll’s The Frankfurt Kabuff, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book’s footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller!
Find out more about the writing partnership of Blaire Squiscoll and their philosophy of Ullapoolism and the Ullapoolism manifesto.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>432</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Beth Driscoll and Claire Squires</itunes:subtitle>
      <itunes:summary>How do fiction and research intersect? In The Frankfurt Kabuff Critical Edition (Wilfrid Laurier University Press 2023), Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne and Claire Squires a Professor in Publishing Studies at the University of Stirling, reflect on Blaire Squiscoll’s The Frankfurt Kabuff, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book’s footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller!
Find out more about the writing partnership of Blaire Squiscoll and their philosophy of Ullapoolism and the Ullapoolism manifesto.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do fiction and research intersect? In <a href="https://bookshop.org/a/12343/9781771125987"><em>The Frankfurt Kabuff Critical Edition</em></a><em> </em>(Wilfrid Laurier University Press 2023),<em> </em><a href="https://twitter.com/beth_driscoll">Beth Driscoll</a>, an <a href="https://findanexpert.unimelb.edu.au/profile/158568-beth-driscoll">Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne</a> and <a href="https://twitter.com/ClaireSquires">Claire Squires</a> a <a href="https://www.stir.ac.uk/people/255796">Professor in Publishing Studies at the University of Stirling,</a> reflect on Blaire Squiscoll’s <em>The Frankfurt Kabuff</em>, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book’s footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller!</p><p>Find out more about the writing partnership of <a href="https://twitter.com/blairesquiscoll">Blaire Squiscoll</a> and their philosophy of <a href="https://ullapoolism.wordpress.com/">Ullapoolism</a> and the <a href="https://asapjournal.com/the-ullapoolism-manifesto-beth-driscoll-and-claire-squires/">Ullapoolism manifesto</a>.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2438</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c7ada620-b960-11ee-8917-d7ea804ac06c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2525318746.mp3?updated=1705956320" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Zionism and the Left: A Discussion with Author and Cultural Critic Susie Linfield</title>
      <description>“How has it come to this? How has ‘Zionist’…become the dirtiest word to the international Left?” Susie Linfield poses that ripe question at the outset of her book, The Lions’ Den: Zionism and the Left from Hannah Arendt to Noam Chomsky (Yale University Press, 2019). In the podcast, our discussion focuses on three prominent figures examined in The Lions’ Den: Isaac Deutscher, I.F. Stone, and Fred Halliday. And we explore present-day sentiments about Zionism among the Left amid the Gaza-Israel conflict. What’s needed in thinking about Zionism and about Israel, Linfield asserts in the conclusion to her provocative and timely book, is “realism,” not “pathology.”
﻿Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports) will be published in January.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>“How has it come to this? How has ‘Zionist’…become the dirtiest word to the international Left?” Susie Linfield poses that ripe question at the outset of her book, The Lions’ Den: Zionism and the Left from Hannah Arendt to Noam Chomsky (Yale University Press, 2019). In the podcast, our discussion focuses on three prominent figures examined in The Lions’ Den: Isaac Deutscher, I.F. Stone, and Fred Halliday. And we explore present-day sentiments about Zionism among the Left amid the Gaza-Israel conflict. What’s needed in thinking about Zionism and about Israel, Linfield asserts in the conclusion to her provocative and timely book, is “realism,” not “pathology.”
﻿Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports) will be published in January.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“How has it come to this? How has ‘Zionist’…become the dirtiest word to the international Left?” Susie Linfield poses that ripe question at the outset of her book, <a href="https://bookshop.org/a/12343/9780300251845"><em>The Lions’ Den: Zionism and the Left from Hannah Arendt to Noam Chomsky</em></a><em> </em>(Yale University Press, 2019). In the podcast, our discussion focuses on three prominent figures examined in <em>The Lions’ Den: </em>Isaac Deutscher, I.F. Stone, and Fred Halliday. And we explore present-day sentiments about Zionism among the Left amid the Gaza-Israel conflict. What’s needed in thinking about Zionism and about Israel, Linfield asserts in the conclusion to her provocative and timely book, is “realism,” not “pathology.”</p><p><em>﻿Veteran journalist </em><strong><em>Paul Starobin </em></strong><em>is a former Moscow bureau chief for Business Week and a former contributing editor of </em><a href="https://www.theatlantic.com/author/paul-starobin/"><em>The Atlantic</em></a><em>. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, </em><a href="https://www.amazon.com/Putins-Exiles-Their-Better-Russia/dp/B0C9K6S9DP/"><em>Putin’s Exiles: Their Fight for a Better Russia</em></a><em> (Columbia Global Reports) will be published in January.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3933</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kareem R. Muhammad, "The Fight for Black Empowerment in the USA: America’s Last Hope" (Routledge, 2023)</title>
      <description>Dr. Kareem Muhammad has a new book that focuses on the role of Black voters in the United States – specifically in their power as participants in democracy. In many ways, this is a “love story to the Black community” in the U.S. The book traces the sustained electoral power of Black voters, and teases at the fissures within this significant bloc of voters. Muhammad pays particular attention to what it looks like when policies that are important to Black voters are passed and implemented, and how this process reflects the coalition strength of this particular voting bloc. The research also notes that, historically, the Black vote has not really been taken into consideration as an important and vital bloc of voters, and thus less attention is paid to these voters by either party. But the research also notes that the Black vote is, in fact, decisive in supporting a political coalition that then puts into place policies and legislation that this community of voters wants to see established—like Reconstruction, like the Civil Rights agenda in the 1960s, like the efforts to protect democracy now.
The Fight for Black Empowerment in the USA: America’s Last Hope (Routledge, 2023) focuses on just that—the power that individuals have, especially when grouped together, to impact elections, political agendas, and elected officials in office. But this pursuit, of political power and strength within the African American community, is also set in the historical and contemporary context of white supremacy in the United States. This is important to understand since it also highlights what Muhammad refers to as “the bounds of power” within the U.S. It is vitally important to understand the contours of power and what that means and how it is constituted in order to explore empowerment, especially black empowerment. The impetus behind the research and the book was to see if there was collaboration between the black voting bloc and the elected officials they have supported in the contemporary period, specifically the Democratic party and Democratic presidents. But one of the key findings in the research is that there are also gendered differences within the African American community and among African American voters in regard to support and engagement. Diving into popular culture, Muhammad traces these divides, highlighting the sexism, homophobia, and patriarchy that often comes through these cultural artifacts. The research also exposes the discomfort and resentment that some men have with the increased power and influence of black women. 
The Fight for Black Empowerment in the USA: America’s Last Hope is a complex analysis, including an assessment of political power in the United States, understandings of how culture interacts with positions within communities, tensions around gender and power, and the collaborations between different political entities, voting blocs, and elected officials. The concluding ideas highlight the particularly vital role that Black Americans, especially Black women, have in protecting democracy in the United States, especially as part of the Democratic Party coalition.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>697</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kareem R. Muhammad</itunes:subtitle>
      <itunes:summary>Dr. Kareem Muhammad has a new book that focuses on the role of Black voters in the United States – specifically in their power as participants in democracy. In many ways, this is a “love story to the Black community” in the U.S. The book traces the sustained electoral power of Black voters, and teases at the fissures within this significant bloc of voters. Muhammad pays particular attention to what it looks like when policies that are important to Black voters are passed and implemented, and how this process reflects the coalition strength of this particular voting bloc. The research also notes that, historically, the Black vote has not really been taken into consideration as an important and vital bloc of voters, and thus less attention is paid to these voters by either party. But the research also notes that the Black vote is, in fact, decisive in supporting a political coalition that then puts into place policies and legislation that this community of voters wants to see established—like Reconstruction, like the Civil Rights agenda in the 1960s, like the efforts to protect democracy now.
The Fight for Black Empowerment in the USA: America’s Last Hope (Routledge, 2023) focuses on just that—the power that individuals have, especially when grouped together, to impact elections, political agendas, and elected officials in office. But this pursuit, of political power and strength within the African American community, is also set in the historical and contemporary context of white supremacy in the United States. This is important to understand since it also highlights what Muhammad refers to as “the bounds of power” within the U.S. It is vitally important to understand the contours of power and what that means and how it is constituted in order to explore empowerment, especially black empowerment. The impetus behind the research and the book was to see if there was collaboration between the black voting bloc and the elected officials they have supported in the contemporary period, specifically the Democratic party and Democratic presidents. But one of the key findings in the research is that there are also gendered differences within the African American community and among African American voters in regard to support and engagement. Diving into popular culture, Muhammad traces these divides, highlighting the sexism, homophobia, and patriarchy that often comes through these cultural artifacts. The research also exposes the discomfort and resentment that some men have with the increased power and influence of black women. 
The Fight for Black Empowerment in the USA: America’s Last Hope is a complex analysis, including an assessment of political power in the United States, understandings of how culture interacts with positions within communities, tensions around gender and power, and the collaborations between different political entities, voting blocs, and elected officials. The concluding ideas highlight the particularly vital role that Black Americans, especially Black women, have in protecting democracy in the United States, especially as part of the Democratic Party coalition.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Kareem Muhammad has a new book that focuses on the role of Black voters in the United States – specifically in their power as participants in democracy. In many ways, this is a “love story to the Black community” in the U.S. The book traces the sustained electoral power of Black voters, and teases at the fissures within this significant bloc of voters. Muhammad pays particular attention to what it looks like when policies that are important to Black voters are passed and implemented, and how this process reflects the coalition strength of this particular voting bloc. The research also notes that, historically, the Black vote has not really been taken into consideration as an important and vital bloc of voters, and thus less attention is paid to these voters by either party. But the research also notes that the Black vote is, in fact, decisive in supporting a political coalition that then puts into place policies and legislation that this community of voters wants to see established—like Reconstruction, like the Civil Rights agenda in the 1960s, like the efforts to protect democracy now.</p><p><a href="https://bookshop.org/a/12343/9781032208442"><em>The Fight for Black Empowerment in the USA: America’s Last Hope</em></a> (Routledge, 2023) focuses on just that—the power that individuals have, especially when grouped together, to impact elections, political agendas, and elected officials in office. But this pursuit, of political power and strength within the African American community, is also set in the historical and contemporary context of white supremacy in the United States. This is important to understand since it also highlights what Muhammad refers to as “the bounds of power” within the U.S. It is vitally important to understand the contours of power and what that means and how it is constituted in order to explore empowerment, especially black empowerment. The impetus behind the research and the book was to see if there was collaboration between the black voting bloc and the elected officials they have supported in the contemporary period, specifically the Democratic party and Democratic presidents. But one of the key findings in the research is that there are also gendered differences within the African American community and among African American voters in regard to support and engagement. Diving into popular culture, Muhammad traces these divides, highlighting the sexism, homophobia, and patriarchy that often comes through these cultural artifacts. The research also exposes the discomfort and resentment that some men have with the increased power and influence of black women. </p><p><a href="https://bookshop.org/a/12343/9781032208442"><em>The Fight for Black Empowerment in the USA: America’s Last Hope</em></a> is a complex analysis, including an assessment of political power in the United States, understandings of how culture interacts with positions within communities, tensions around gender and power, and the collaborations between different political entities, voting blocs, and elected officials. The concluding ideas highlight the particularly vital role that Black Americans, especially Black women, have in protecting democracy in the United States, especially as part of the Democratic Party coalition.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the </em><a href="https://newbooksnetwork.com/hosts/profile/a7ac4af9-1306-463f-baf9-00f1f4187dfd"><em>New Books in Political Science</em></a><em> channel at the New Books Network. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book, </em><a href="https://www.kentuckypress.com/9780813141015/women-and-the-white-house/"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012). She can be reached </em><a href="https://bsky.app/profile/gorenlj.bsky.social"><em>@gorenlj.bsky.social</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3502</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Guido Parietti, "On the Concept of Power: Possibility, Necessity, Politics" (Oxford UP, 2022)</title>
      <description>In On the Concept of Power: Possibility, Necessity, Politics (Oxford UP, 2022), Guido Parietti proposes a more proper definition of power--as the condition of having available possibilities and representing them as such--and examines its implications for the study of politics, both empirical and normative. By neglecting the category of possibility, significant portions of political science and philosophy become incapable of conceptualizing power, and therefore politics. Specifically, Parietti asserts that the main failure of political science is in obscuring power's correspondence to the category of possibility in favor of causality and probability; political philosophy, on the other hand, tends to prioritize various forms of a teleologically oriented normativity. All these approaches end up discarding possibility in favor of oriented potentialities, ultimately anchored to various forms of necessity, and are therefore incapable of properly conceptualizing power in accordance with its meaning in ordinary language. 
Bringing together different disciplinary discourses, On the Concept of Power concludes by examining the conditions for power to have an actual referent; in other words, for politics to appear in our world. In this original and ambitious critique of the prevailing approaches to political theory and political science, Parietti examines what it means to have power and what may endanger our access to and exercise of it.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>431</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Guido Parietti</itunes:subtitle>
      <itunes:summary>In On the Concept of Power: Possibility, Necessity, Politics (Oxford UP, 2022), Guido Parietti proposes a more proper definition of power--as the condition of having available possibilities and representing them as such--and examines its implications for the study of politics, both empirical and normative. By neglecting the category of possibility, significant portions of political science and philosophy become incapable of conceptualizing power, and therefore politics. Specifically, Parietti asserts that the main failure of political science is in obscuring power's correspondence to the category of possibility in favor of causality and probability; political philosophy, on the other hand, tends to prioritize various forms of a teleologically oriented normativity. All these approaches end up discarding possibility in favor of oriented potentialities, ultimately anchored to various forms of necessity, and are therefore incapable of properly conceptualizing power in accordance with its meaning in ordinary language. 
Bringing together different disciplinary discourses, On the Concept of Power concludes by examining the conditions for power to have an actual referent; in other words, for politics to appear in our world. In this original and ambitious critique of the prevailing approaches to political theory and political science, Parietti examines what it means to have power and what may endanger our access to and exercise of it.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780197607480"><em>On the Concept of Power: Possibility, Necessity, Politics</em></a> (Oxford UP, 2022), Guido Parietti proposes a more proper definition of power--as the condition of having available possibilities and representing them as such--and examines its implications for the study of politics, both empirical and normative. By neglecting the category of possibility, significant portions of political science and philosophy become incapable of conceptualizing power, and therefore politics. Specifically, Parietti asserts that the main failure of political science is in obscuring power's correspondence to the category of possibility in favor of causality and probability; political philosophy, on the other hand, tends to prioritize various forms of a teleologically oriented normativity. All these approaches end up discarding possibility in favor of oriented potentialities, ultimately anchored to various forms of necessity, and are therefore incapable of properly conceptualizing power in accordance with its meaning in ordinary language. </p><p>Bringing together different disciplinary discourses, <em>On the Concept of Power</em> concludes by examining the conditions for power to have an actual referent; in other words, for politics to appear in our world. In this original and ambitious critique of the prevailing approaches to political theory and political science, Parietti examines what it means to have power and what may endanger our access to and exercise of it.</p><p><a href="https://arthistory.uic.edu/profiles/rafie-kaveh/"><em>Kaveh Rafie</em></a><em> is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4835</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Black and Queer on Campus</title>
      <description>Today’s book is: Black and Queer on Campus (NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. Black and Queer on Campus sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students.
Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of Behind the Laughs: Community and Inequality in Comedy; Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop; and Black and Queer on Campus. He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR.
Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:

This discussion of the book Gay on God's Campus

This discussion of the book Black Boy Out of Time

This conversation about writing the book Brown and Gay in LA


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A DIscussion with Michael P. Jeffries</itunes:subtitle>
      <itunes:summary>Today’s book is: Black and Queer on Campus (NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. Black and Queer on Campus sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students.
Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of Behind the Laughs: Community and Inequality in Comedy; Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop; and Black and Queer on Campus. He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR.
Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also be interested in:

This discussion of the book Gay on God's Campus

This discussion of the book Black Boy Out of Time

This conversation about writing the book Brown and Gay in LA


Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781479803910"><em>Black and Queer on Campus </em></a>(NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. <em>Black and Queer on Campus</em> sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students.</p><p>Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of <em>Behind the Laughs: Community and Inequality in Comedy</em>; <em>Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop</em>; and <em>Black and Queer on Campus. </em>He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also be interested in:</p><ul>
<li><a href="https://newbooksnetwork.com/jonathan-coley#entry:188028@1:url">This discussion of the book Gay on God's Campus</a></li>
<li><a href="https://newbooksnetwork.com/writing-beyond-a-limited-narrative#entry:154535@1:url">This discussion of the book Black Boy Out of Time</a></li>
<li><a href="https://newbooksnetwork.com/brown-and-gay-in-la-a-discussion-with-anthony-christian-ocampo#entry:275609@1:url">This conversation about writing the book Brown and Gay in LA</a></li>
</ul><p><br></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived <a href="https://newbooksnetwork.com/category/academic-partners/academic-life">here.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2875</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5956305709.mp3?updated=1705439958" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Gac, "Born in Blood: Violence and the Making of America" (Cambridge UP, 2023)</title>
      <description>Scott Gac's Born in Blood: Violence and the Making of America (Cambridge UP, 2023) investigates one of history's most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Gac</itunes:subtitle>
      <itunes:summary>Scott Gac's Born in Blood: Violence and the Making of America (Cambridge UP, 2023) investigates one of history's most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Scott Gac's <a href="https://bookshop.org/a/12343/9781316511886"><em>Born in Blood: Violence and the Making of America</em></a> (Cambridge UP, 2023) investigates one of history's most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2341</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cbfe5a3c-a42d-11ee-a1ec-030e5c102ad6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4625533472.mp3?updated=1703620957" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Gowder, "The Networked Leviathan: For Democratic Platforms" (Cambridge UP, 2023)</title>
      <description>Governments and consumers expect internet platform companies to regulate their users to prevent fraud, stop misinformation, and avoid violence. Yet, so far, they've failed to do so. The inability of platforms like Facebook, Google, and Amazon to govern their users has led to stolen elections, refused vaccines, counterfeit N95s in a pandemic, and even genocide. Such failures stem from these companies' inability to manage the complexity of their userbases, products, and their own incentives under the eyes of internal and external constituencies. 
In The Networked Leviathan: For Democratic Platforms (Cambridge UP, 2023), Paul Gowder argues that countries should adapt the institutional tools developed in political science for platform governance to democratize major platforms. Democratic institutions allow knowledgeable actors to freely share and apply their understanding of the problems they face while leaders more readily recruit third parties to help manage their decision-making capacity. 
This book is also available open access on Cambridge Core.
Paul Gowder is Professor of Law and Associate Dean of Research and Intellectual Life at Northwestern University's Pritzker School of Law and a Founding Fellow of the Integrity Institute. He is the author of The Rule of Law in the Real World and The Rule of Law in the United States: An Unfinished Project of Black Liberation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Gowder</itunes:subtitle>
      <itunes:summary>Governments and consumers expect internet platform companies to regulate their users to prevent fraud, stop misinformation, and avoid violence. Yet, so far, they've failed to do so. The inability of platforms like Facebook, Google, and Amazon to govern their users has led to stolen elections, refused vaccines, counterfeit N95s in a pandemic, and even genocide. Such failures stem from these companies' inability to manage the complexity of their userbases, products, and their own incentives under the eyes of internal and external constituencies. 
In The Networked Leviathan: For Democratic Platforms (Cambridge UP, 2023), Paul Gowder argues that countries should adapt the institutional tools developed in political science for platform governance to democratize major platforms. Democratic institutions allow knowledgeable actors to freely share and apply their understanding of the problems they face while leaders more readily recruit third parties to help manage their decision-making capacity. 
This book is also available open access on Cambridge Core.
Paul Gowder is Professor of Law and Associate Dean of Research and Intellectual Life at Northwestern University's Pritzker School of Law and a Founding Fellow of the Integrity Institute. He is the author of The Rule of Law in the Real World and The Rule of Law in the United States: An Unfinished Project of Black Liberation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Governments and consumers expect internet platform companies to regulate their users to prevent fraud, stop misinformation, and avoid violence. Yet, so far, they've failed to do so. The inability of platforms like Facebook, Google, and Amazon to govern their users has led to stolen elections, refused vaccines, counterfeit N95s in a pandemic, and even genocide. Such failures stem from these companies' inability to manage the complexity of their userbases, products, and their own incentives under the eyes of internal and external constituencies. </p><p>In <a href="https://bookshop.org/a/12343/9781108971904"><em>The Networked Leviathan: For Democratic Platforms</em></a> (Cambridge UP, 2023), Paul Gowder argues that countries should adapt the institutional tools developed in political science for platform governance to democratize major platforms. Democratic institutions allow knowledgeable actors to freely share and apply their understanding of the problems they face while leaders more readily recruit third parties to help manage their decision-making capacity. </p><p>This book is also <a href="https://www.cambridge.org/core/services/aop-cambridge-core/content/view/E6D492A6BECB37DC9D19799244882FCC/9781108838627AR.pdf/The_Networked_Leviathan.pdf?event-type=FTLA">available open access</a> on Cambridge Core.</p><p><a href="https://gowder.io/">Paul Gowder</a> is Professor of Law and Associate Dean of Research and Intellectual Life at Northwestern University's <a href="https://www.law.northwestern.edu/">Pritzker School of Law</a> and a Founding Fellow of the <a href="https://integrityinstitute.org/">Integrity Institute</a>. He is the author of <a href="https://rulelaw.net/"><em>The Rule of Law in the Real World</em></a> and <a href="https://rulelaw.us/"><em>The Rule of Law in the United States: An Unfinished Project of Black Liberation</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3775</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[42734b90-b316-11ee-b1f2-7f06bebe9258]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6386120739.mp3?updated=1705262689" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aimee Loiselle, "Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class" (UNC Press, 2023)</title>
      <description>In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism. 
While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.
Aimee Loiselle is assistant professor of history at Central Connecticut State University.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aimee Loiselle</itunes:subtitle>
      <itunes:summary>In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism. 
While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class (University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.
Aimee Loiselle is assistant professor of history at Central Connecticut State University.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources--union records, industry reports, film scripts, and oral histories--Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and their labor activism. </p><p>While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle's <a href="https://bookshop.org/a/12343/9781469676128"><em>Beyond Norma Rae: How Puerto Rican and Southern White Women Fought for a Place in the American Working Class</em></a><em> </em>(University of North Carolina Press, 2023) demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.</p><p>Aimee Loiselle is assistant professor of history at Central Connecticut State University.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3345</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4847cb54-b2f3-11ee-a82f-9363f4078a58]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2579499265.mp3?updated=1705247498" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexandra Filindra, "Race, Rights, and Rifles: The Origins of the NRA and Contemporary Gun Culture" (U Chicago Press, 2023)</title>
      <description>The United States has more guns than people and more gun violence than any Western democracy. Scholars in diverse fields interrogate why 21st century Americans support gun ownership and valorize vigilantism even as they fear gun violence. Many question how the NRA – National Rifle Association – has successfully lobbied for radical gun laws that most Americans don’t support. 
In Race, Rights, and Rifles: The Origins of the NRA and Contemporary Gun Culture (U Chicago Press, 2023), Dr. Alexandra Filindra highlights political culture. She argues that the NRA depends upon political narratives that can be traced back to the American Revolution. Rather than focus on the constitution, Lockean liberalism, rule of law, or individual rights, she argues that the American Revolution depended upon classical republican ideals – especially the martial virtue of the citizen-soldier – that became foundational to American democracy. American gun culture fuses the republican citizen-soldier with White male supremacy to create what Filindra calls ascriptive martial republicanism. Her book demonstrates how the militarized understandings of political membership prominent in NRA narratives and embraced by many White Americans fit within this broader revolutionary ideology.
Even as contemporary NRA narratives embrace 18th and 19th century versions of ascriptive martial republicanism, the NRA radically decouples political virtue and military service by associating virtue with the consumer act of purchasing a firearm. Rather than emphasizing military service or preparedness, consumer choice defines the politically virtuous citizen.
White Amerians embrace this combination of civic republicanism and White male supremacy but Filindra’s research shows that they also hold a competing form of republicanism (inclusive republicanism) that includes a commitment to peaceful political engagement, civic forms of voluntarism and participation, and a strong belief in multiculturalism.
In the podcast, Susan mentions previous podcasts on Katherine Franke’s Repair: Redeeming the Promise of Abolition and Drew McKevitt’s Gun Country: Gun Capitalism, Culture, and Control in Cold War America.
Dr. Alexandra Filindra is an Associate Professor of Political Science and Psychology at the University of Illinois Chicago. She specializes in American gun politics, immigration policy, race and ethnic politics, public opinion, and political psychology.
George Lobis served as the editorial assistant for this podcast.
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>699</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexandra Filindra</itunes:subtitle>
      <itunes:summary>The United States has more guns than people and more gun violence than any Western democracy. Scholars in diverse fields interrogate why 21st century Americans support gun ownership and valorize vigilantism even as they fear gun violence. Many question how the NRA – National Rifle Association – has successfully lobbied for radical gun laws that most Americans don’t support. 
In Race, Rights, and Rifles: The Origins of the NRA and Contemporary Gun Culture (U Chicago Press, 2023), Dr. Alexandra Filindra highlights political culture. She argues that the NRA depends upon political narratives that can be traced back to the American Revolution. Rather than focus on the constitution, Lockean liberalism, rule of law, or individual rights, she argues that the American Revolution depended upon classical republican ideals – especially the martial virtue of the citizen-soldier – that became foundational to American democracy. American gun culture fuses the republican citizen-soldier with White male supremacy to create what Filindra calls ascriptive martial republicanism. Her book demonstrates how the militarized understandings of political membership prominent in NRA narratives and embraced by many White Americans fit within this broader revolutionary ideology.
Even as contemporary NRA narratives embrace 18th and 19th century versions of ascriptive martial republicanism, the NRA radically decouples political virtue and military service by associating virtue with the consumer act of purchasing a firearm. Rather than emphasizing military service or preparedness, consumer choice defines the politically virtuous citizen.
White Amerians embrace this combination of civic republicanism and White male supremacy but Filindra’s research shows that they also hold a competing form of republicanism (inclusive republicanism) that includes a commitment to peaceful political engagement, civic forms of voluntarism and participation, and a strong belief in multiculturalism.
In the podcast, Susan mentions previous podcasts on Katherine Franke’s Repair: Redeeming the Promise of Abolition and Drew McKevitt’s Gun Country: Gun Capitalism, Culture, and Control in Cold War America.
Dr. Alexandra Filindra is an Associate Professor of Political Science and Psychology at the University of Illinois Chicago. She specializes in American gun politics, immigration policy, race and ethnic politics, public opinion, and political psychology.
George Lobis served as the editorial assistant for this podcast.
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The United States has more guns than people and more gun violence than any Western democracy. Scholars in diverse fields interrogate <em>why</em> 21st century Americans support gun ownership and valorize vigilantism even as they fear gun violence. Many question how the NRA – National Rifle Association – has successfully lobbied for radical gun laws that most Americans don’t support. </p><p>In <a href="https://bookshop.org/a/12343/9780226828763"><em>Race, Rights, and Rifles: The Origins of the NRA and Contemporary Gun Culture</em></a> (U Chicago Press, 2023), Dr. Alexandra Filindra highlights political culture. She argues that the NRA depends upon political narratives that can be traced back to the American Revolution. Rather than focus on the constitution, Lockean liberalism, rule of law, or individual rights, she argues that the American Revolution depended upon classical republican ideals – especially the martial virtue of the citizen-soldier – that became foundational to American democracy. American gun culture fuses the republican citizen-soldier with White male supremacy to create what Filindra calls <em>ascriptive martial republicanism</em>. Her book demonstrates how the militarized understandings of political membership prominent in NRA narratives and embraced by many White Americans fit within this broader revolutionary ideology.</p><p>Even as contemporary NRA narratives embrace 18th and 19th century versions of ascriptive martial republicanism, the NRA radically decouples political virtue and military service by associating virtue with the <em>consumer</em> act of purchasing a firearm. Rather than emphasizing military service or preparedness, consumer choice defines the politically virtuous citizen.</p><p>White Amerians embrace this combination of civic republicanism and White male supremacy but Filindra’s research shows that they also hold a competing form of republicanism (<em>inclusive republicanism</em>) that includes a commitment to peaceful political engagement, civic forms of voluntarism and participation, and a strong belief in multiculturalism.</p><p>In the podcast, Susan mentions previous podcasts on Katherine Franke’s <a href="https://newbooksnetwork.com/katherine-franke-repair-redeeming-the-promise-of-abolition-haymarket-books-2020/"><em>Repair: Redeeming the Promise of Abolition</em></a> and Drew McKevitt’s <a href="https://newbooksnetwork.com/gun-country#entry:271737@1:url"><em>Gun Country: Gun Capitalism, Culture, and Control in Cold War America</em></a>.</p><p><a href="https://alexandra-filindra.com/?cmp_bypass=1aa5793e69456ddd85c3e2de9ee84e9d">Dr. Alexandra Filindra</a> is an Associate Professor of Political Science and Psychology at the University of Illinois Chicago. She specializes in American gun politics, immigration policy, race and ethnic politics, public opinion, and political psychology.</p><p>George Lobis served as the editorial assistant for this podcast.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is a Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3007</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0f9bcd18-b2e5-11ee-adba-07fd39ea55f1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9960333792.mp3?updated=1705240803" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Justine Nolan and Martijn Boersma, "Addressing Modern Slavery" (UNSW Press, 2019)</title>
      <description>Before you left your house this morning, chances are that you used products and consumed goods that were produced by modern slavery. From the coffee you drink, to the clothes and shoes that you wear, to the phone that you use, modern slavery is a pervasive global problem that encroaches into the daily lives of all of us. 
In Addressing Modern Slavery (UNSW Press, 2019), Professor Justine Nolan and Associate Professor Martijn Boersma provide a comprehensive and accessible account of the role of businesses, governments and consumers in the proliferation of modern slavery. They address both the gaps in protection of workers in the global supply chain, and what more can be done to protect the dignity and human rights who are denied the chance to earn a decent living. In today's conversation, we spoke about the emergence of corporate social conscience, the work that laws can do, the role that civil society can play, and a need for better enforcement mechanisms which will adequately address modern slavery. This is a really important book about a global phenomenon that is unsustainable. A must read for businesses, governments and consumers. 
Professor Justine Nolan is the Director of the Australian Human Rights Institute and a Professor in the Faculty of Law and Justice at UNSW Sydney. Her research focuses on the intersection of business and human rights, in particular, supply chain responsibility for human rights and modern slavery.
Dr. Martijn Boersma is an Associate Professor at the University of Notre Dame Australia and an Adjunct Fellow at the University of Technology Business School. His research focuses on the intersection of business and society, and includes areas such as labour standards in supply chains; corporate governance and social responsibility; gender diversity in corporate leadership; modern slavery; and employment and industrial relations.
﻿Jane Richards is a Lecturer in Law at York Law School, UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 14 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>208</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Justine Nolan and Martijn Boersma</itunes:subtitle>
      <itunes:summary>Before you left your house this morning, chances are that you used products and consumed goods that were produced by modern slavery. From the coffee you drink, to the clothes and shoes that you wear, to the phone that you use, modern slavery is a pervasive global problem that encroaches into the daily lives of all of us. 
In Addressing Modern Slavery (UNSW Press, 2019), Professor Justine Nolan and Associate Professor Martijn Boersma provide a comprehensive and accessible account of the role of businesses, governments and consumers in the proliferation of modern slavery. They address both the gaps in protection of workers in the global supply chain, and what more can be done to protect the dignity and human rights who are denied the chance to earn a decent living. In today's conversation, we spoke about the emergence of corporate social conscience, the work that laws can do, the role that civil society can play, and a need for better enforcement mechanisms which will adequately address modern slavery. This is a really important book about a global phenomenon that is unsustainable. A must read for businesses, governments and consumers. 
Professor Justine Nolan is the Director of the Australian Human Rights Institute and a Professor in the Faculty of Law and Justice at UNSW Sydney. Her research focuses on the intersection of business and human rights, in particular, supply chain responsibility for human rights and modern slavery.
Dr. Martijn Boersma is an Associate Professor at the University of Notre Dame Australia and an Adjunct Fellow at the University of Technology Business School. His research focuses on the intersection of business and society, and includes areas such as labour standards in supply chains; corporate governance and social responsibility; gender diversity in corporate leadership; modern slavery; and employment and industrial relations.
﻿Jane Richards is a Lecturer in Law at York Law School, UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Before you left your house this morning, chances are that you used products and consumed goods that were produced by modern slavery. From the coffee you drink, to the clothes and shoes that you wear, to the phone that you use, modern slavery is a pervasive global problem that encroaches into the daily lives of all of us. </p><p>In <a href="https://bookshop.org/a/12343/9781742236438"><em>Addressing Modern Slavery </em></a>(UNSW Press, 2019),<em> </em>Professor Justine Nolan and Associate Professor Martijn Boersma provide a comprehensive and accessible account of the role of businesses, governments and consumers in the proliferation of modern slavery. They address both the gaps in protection of workers in the global supply chain, and what more can be done to protect the dignity and human rights who are denied the chance to earn a decent living. In today's conversation, we spoke about the emergence of corporate social conscience, the work that laws can do, the role that civil society can play, and a need for better enforcement mechanisms which will adequately address modern slavery. This is a really important book about a global phenomenon that is unsustainable. A must read for businesses, governments and consumers. </p><p><a href="https://www.unsw.edu.au/staff/justine-nolan">Professor Justine Nolan</a> is the Director of the <a href="https://www.humanrights.unsw.edu.au/">Australian Human Rights Institute</a> and a Professor in the Faculty of Law and Justice at UNSW Sydney. Her research focuses on the intersection of business and human rights, in particular, supply chain responsibility for human rights and modern slavery.</p><p><a href="https://profiles.uts.edu.au/Martijn.Boersma">Dr. Martijn Boersma</a> is an Associate Professor at the University of Notre Dame Australia and an Adjunct Fellow at the University of Technology Business School. His research focuses on the intersection of business and society, and includes areas such as labour standards in supply chains; corporate governance and social responsibility; gender diversity in corporate leadership; modern slavery; and employment and industrial relations.</p><p><em>﻿Jane Richards is a Lecturer in Law at York Law School, UK.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4290</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3b3c96c8-b196-11ee-aed5-3b99d956777b]]></guid>
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    </item>
    <item>
      <title>Kathryn Mathers, "White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation" (Routledge, 2022)</title>
      <description>In White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation (Routledge, 2022), Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.
Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.
This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.
Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 14 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>430</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathryn Mathers</itunes:subtitle>
      <itunes:summary>In White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation (Routledge, 2022), Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.
Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.
This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.
Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032112275"><em>White Saviorism and Popular Culture: Imagined Africa as a Space for American Salvation</em></a><em> </em>(Routledge, 2022)<em>, </em>Kathryn Mathers interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century.</p><p>Through close readings of multiple mediated sites where Americans imagine Africa, <em>White Saviorism and Popular Culture</em> examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to <em>Black Panther</em> and <em>Black is King</em>, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa.</p><p>This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.</p><p><em>Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4809</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[027650ce-b22a-11ee-86bf-3f6982df310b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6944409009.mp3?updated=1705161294" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hajar Yazdiha, "The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement" (Princeton UP, 2023)</title>
      <description>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women's rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement (Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.
In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King's Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.
Powerful and persuasive, The Struggle for the People's King demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hajar Yazdiha</itunes:subtitle>
      <itunes:summary>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women's rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement (Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.
In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King's Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.
Powerful and persuasive, The Struggle for the People's King demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the post-civil rights era, wide-ranging groups have made civil rights claims that echo those made by Black civil rights activists of the 1960s, from people with disabilities to women's rights activists and LGBTQ coalitions. Increasingly since the 1980s, white, right-wing social movements, from family values coalitions to the alt-right, now claim the collective memory of civil rights to portray themselves as the newly oppressed minorities. <a href="https://bookshop.org/a/12343/9780691246475"><em>The Struggle for the People’s King: How Politics Transforms the Memory of the Civil Rights Movement</em></a><em> </em>(Princeton UP, 2023) reveals how, as these powerful groups remake collective memory toward competing political ends, they generate offshoots of remembrance that distort history and threaten the very foundations of multicultural democracy.</p><p>In the revisionist memories of white conservatives, gun rights activists are the new Rosa Parks, antiabortion activists are freedom riders, and antigay groups are the defenders of Martin Luther King's Christian vision. Drawing on a wealth of evidence ranging from newspaper articles and organizational documents to television transcripts, press releases, and focus groups, Hajar Yazdiha documents the consequential reimagining of the civil rights movement in American political culture from 1980 to today. She shows how the public memory of King and civil rights has transformed into a vacated, sanitized collective memory that evades social reality and perpetuates racial inequality.</p><p>Powerful and persuasive, <em>The Struggle for the People's King</em> demonstrates that these oppositional uses of memory fracture our collective understanding of who we are, how we got here, and where we go next.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1832</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5027216517.mp3?updated=1704999566" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sandro R. Barros et al., "The Dissidence of Reinaldo Arenas: Queering Literature, Politics, and the Activist Curriculum" (U Florida Press, 2022)</title>
      <description>Focusing on the didactic nature of the work of Reinaldo Arenas, The Dissidence of Reinaldo Arenas: Queering Literature, Politics, and the Activist Curriculum (U Florida Press, 2022) demonstrates the Cuban writer’s influence as public pedagogue, mentor, and social activist whose teaching on resistance to normative ideologies resonates in societies past, present, and future. Through a multidisciplinary approach bridging educational, historiographic, and literary perspectives, The Dissidence of Reinaldo Arenas illuminates how Arenas’s work remains a cutting-edge source of inspiration for today’s audiences, particularly LGBTQI readers. It shows how Arenas’s aesthetics contain powerful insights for exploring dissensus whether in the context of Cuba, broader Pan-American and Latinx-U.S. queer movements of social justice, or transnational citizenship politics. Carefully dissecting Arenas’s themes against the backdrop of his political activity, this book presents the writer’s poetry, novels, and plays as a curriculum of dissidence that provides models for socially engaged intellectual activism.
Sandro R. Barros, assistant professor in the Curriculum, Instruction, and Teacher Education program at Michigan State University, is the author of Competing Truths in Contemporary Latin American Literature: Narrating Otherness, Marginality, and the Politics of Representation. 
Rafael Ocasio is Charles A. Dana Professor of Spanish at Agnes Scott College. He is the author of A Gay Cuban Activist in Exile: Reinaldo Arenas and Cuba’s Political and Sexual Outlaw: Reinaldo Arenas. 
Angela L. Willis is professor of Hispanic studies and Latin American studies at Davidson College.
Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sandro R. Barros, Rafael Ocasio and Angela L. Willis</itunes:subtitle>
      <itunes:summary>Focusing on the didactic nature of the work of Reinaldo Arenas, The Dissidence of Reinaldo Arenas: Queering Literature, Politics, and the Activist Curriculum (U Florida Press, 2022) demonstrates the Cuban writer’s influence as public pedagogue, mentor, and social activist whose teaching on resistance to normative ideologies resonates in societies past, present, and future. Through a multidisciplinary approach bridging educational, historiographic, and literary perspectives, The Dissidence of Reinaldo Arenas illuminates how Arenas’s work remains a cutting-edge source of inspiration for today’s audiences, particularly LGBTQI readers. It shows how Arenas’s aesthetics contain powerful insights for exploring dissensus whether in the context of Cuba, broader Pan-American and Latinx-U.S. queer movements of social justice, or transnational citizenship politics. Carefully dissecting Arenas’s themes against the backdrop of his political activity, this book presents the writer’s poetry, novels, and plays as a curriculum of dissidence that provides models for socially engaged intellectual activism.
Sandro R. Barros, assistant professor in the Curriculum, Instruction, and Teacher Education program at Michigan State University, is the author of Competing Truths in Contemporary Latin American Literature: Narrating Otherness, Marginality, and the Politics of Representation. 
Rafael Ocasio is Charles A. Dana Professor of Spanish at Agnes Scott College. He is the author of A Gay Cuban Activist in Exile: Reinaldo Arenas and Cuba’s Political and Sexual Outlaw: Reinaldo Arenas. 
Angela L. Willis is professor of Hispanic studies and Latin American studies at Davidson College.
Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Focusing on the didactic nature of the work of Reinaldo Arenas, <a href="https://bookshop.org/a/12343/9781683402589"><em>The Dissidence of Reinaldo Arenas: Queering Literature, Politics, and the Activist Curriculum</em></a> (U Florida Press, 2022) demonstrates the Cuban writer’s influence as public pedagogue, mentor, and social activist whose teaching on resistance to normative ideologies resonates in societies past, present, and future. Through a multidisciplinary approach bridging educational, historiographic, and literary perspectives, <em>The Dissidence of Reinaldo Arenas</em> illuminates how Arenas’s work remains a cutting-edge source of inspiration for today’s audiences, particularly LGBTQI readers. It shows how Arenas’s aesthetics contain powerful insights for exploring dissensus whether in the context of Cuba, broader Pan-American and Latinx-U.S. queer movements of social justice, or transnational citizenship politics. Carefully dissecting Arenas’s themes against the backdrop of his political activity, this book presents the writer’s poetry, novels, and plays as a curriculum of dissidence that provides models for socially engaged intellectual activism.</p><p><strong>Sandro R. Barros</strong>, assistant professor in the Curriculum, Instruction, and Teacher Education program at Michigan State University, is the author of <em>Competing Truths in Contemporary Latin American Literature: Narrating Otherness, Marginality, and the Politics of Representation</em>. </p><p><strong>Rafael Ocasio</strong> is Charles A. Dana Professor of Spanish at Agnes Scott College. He is the author of <em>A Gay Cuban Activist in Exile: Reinaldo Arenas</em> and <em>Cuba’s Political and Sexual Outlaw: Reinaldo Arenas</em>. </p><p><strong>Angela L. Willis</strong> is professor of Hispanic studies and Latin American studies at Davidson College.</p><p><em>Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3470</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9f8ff86e-ad94-11ee-b156-7fde8ad538c2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5674031391.mp3?updated=1704657132" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melanie Joy, "How to End Injustice Everywhere" (Lantern, 2023)</title>
      <description>In this eye-opening and compelling work, psychologist Melanie Joy reveals the common denominator driving all forms of injustice. The mentality that drives us to oppress and abuse humans is the same mentality that drives us to oppress and abuse nonhumans and the environment, as well as those in our own groups working for justice.
How to End Injustice Everywhere: Understanding the Common Denominator Driving All Injustices, to Create a Better World for Humans, Animals, and the Planet (Lantern Publishing &amp; Media, 2023) offers a fascinating examination of the psychology and structure of unjust systems and behaviors. It also offers practical tools to help raise awareness of these systems and dynamics, reduce infighting, and build more resilient and impactful justice movements.
Melanie Joy, PhD, is a Harvard-educated psychologist, celebrated speaker, and the author of seven books, including the bestselling Why We Love Dogs, Eat Pigs, and Wear Cows; and Getting Relationships Right: How to Build Resilience and Thrive in Life, Love, and Work. Melanie’s work has been featured in major media outlets around the world, and she has received a number of awards, including the Ahimsa Award – previously given to the Dalai Lama and Nelson Mandela – for her work on global nonviolence. Melanie has given talks and trainings in over 50 countries, and she is also the founding president of the international NGO Beyond Carnism.
Kyle Johannsen is a Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 08 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melanie Joy</itunes:subtitle>
      <itunes:summary>In this eye-opening and compelling work, psychologist Melanie Joy reveals the common denominator driving all forms of injustice. The mentality that drives us to oppress and abuse humans is the same mentality that drives us to oppress and abuse nonhumans and the environment, as well as those in our own groups working for justice.
How to End Injustice Everywhere: Understanding the Common Denominator Driving All Injustices, to Create a Better World for Humans, Animals, and the Planet (Lantern Publishing &amp; Media, 2023) offers a fascinating examination of the psychology and structure of unjust systems and behaviors. It also offers practical tools to help raise awareness of these systems and dynamics, reduce infighting, and build more resilient and impactful justice movements.
Melanie Joy, PhD, is a Harvard-educated psychologist, celebrated speaker, and the author of seven books, including the bestselling Why We Love Dogs, Eat Pigs, and Wear Cows; and Getting Relationships Right: How to Build Resilience and Thrive in Life, Love, and Work. Melanie’s work has been featured in major media outlets around the world, and she has received a number of awards, including the Ahimsa Award – previously given to the Dalai Lama and Nelson Mandela – for her work on global nonviolence. Melanie has given talks and trainings in over 50 countries, and she is also the founding president of the international NGO Beyond Carnism.
Kyle Johannsen is a Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this eye-opening and compelling work, psychologist Melanie Joy reveals the common denominator driving all forms of injustice. The mentality that drives us to oppress and abuse humans is the same mentality that drives us to oppress and abuse nonhumans and the environment, as well as those in our own groups working for justice.</p><p><a href="https://bookshop.org/a/12343/9781590566862"><em>How to End Injustice Everywhere: Understanding the Common Denominator Driving All Injustices, to Create a Better World for Humans, Animals, and the Planet</em> </a>(Lantern Publishing &amp; Media, 2023) offers a fascinating examination of the psychology and structure of unjust systems and behaviors. It also offers practical tools to help raise awareness of these systems and dynamics, reduce infighting, and build more resilient and impactful justice movements.</p><p><a href="https://www.melaniejoy.org/">Melanie Joy</a>, PhD, is a Harvard-educated psychologist, celebrated speaker, and the author of seven books, including the bestselling <em>Why We Love Dogs, Eat Pigs, and Wear Cows</em>; and <em>Getting Relationships Right: How to Build Resilience and Thrive in Life, Love, and Work</em>. Melanie’s work has been featured in major media outlets around the world, and she has received a number of awards, including the Ahimsa Award – previously given to the Dalai Lama and Nelson Mandela – for her work on global nonviolence. Melanie has given talks and trainings in over 50 countries, and she is also the founding president of the international NGO Beyond Carnism.</p><p><a href="https://sites.google.com/view/kyle-johannsen/"><em>Kyle Johannsen</em></a><em> is a Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent book is </em><a href="https://bookshop.org/a/12343/9780367275709"><em>Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering</em></a><em> (Routledge, 2021).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4492</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Christopher R. Martin, "No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class" (Cornell UP, 2019)</title>
      <description>Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so.
The damning indictment of the mainstream media that flows through No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class (Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In No Longer Newsworthy, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites.
Now, with our fractured society and news media, Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.
 Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 07 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher R. Martin</itunes:subtitle>
      <itunes:summary>Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so.
The damning indictment of the mainstream media that flows through No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class (Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In No Longer Newsworthy, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites.
Now, with our fractured society and news media, Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.
 Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so.</p><p>The damning indictment of the mainstream media that flows through <a href="https://bookshop.org/a/12343/9781501735257"><em>No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class</em></a><em> </em>(Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In <em>No Longer Newsworthy</em>, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites.</p><p>Now, with our fractured society and news media, Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.</p><p><em> Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2844</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Leigh Claire La Berge, "Marx for Cats: A Radical Bestiary" (Duke UP, 2023)</title>
      <description>At the outset of Marx for Cats: A Radical Bestiary (Duke UP, 2023), Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism’s feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration.
Arya Rani is a PhD candidate in Film Studies at the University of Texas at Dallas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>429</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leigh Claire La Berge</itunes:subtitle>
      <itunes:summary>At the outset of Marx for Cats: A Radical Bestiary (Duke UP, 2023), Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism’s feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration.
Arya Rani is a PhD candidate in Film Studies at the University of Texas at Dallas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At the outset of <a href="https://www.dukeupress.edu/marx-for-cats"><em>Marx for Cats: A Radical Bestiary</em></a><em> </em>(Duke UP, 2023), Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism’s feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration.</p><p><em>Arya Rani is a PhD candidate in Film Studies at the University of Texas at Dallas.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2243</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f395c0aa-ab33-11ee-8b16-dbec0f7b5a5f]]></guid>
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    </item>
    <item>
      <title>120 A Roundup Conversation About Indian and Israeli Ethnonationalism</title>
      <description>Ajantha Subramanian and Lori Allen turn from hosts to interlocutors in an episode that ties a bow on our Violent Majorities conversations about Indian (episode 1) and Israeli (episode 2) ethnonationalism. The three friends discuss commonalities between Balmurli Natrajan’s charting of the "slippery slope towards a multiculturalism of caste" and Natasha Roth-Rowland's description of the "territorial maximalism" that has been central to Zionism. The role of overseas communities loomed large, as did the roots of ethnonationalism in the fascism of the 1920s, which survived, transmuted or merely masked over the subsequent bloody century, as other ideologies (Communism and perhaps cosmopolitan liberalism among them) waxed before waning.
The conversation also examines the current-day shared playbook of the long-distance far-right ideologies of Zionism and Hindutva. And it concludes with a reflection on the suitability of the term fascism to describe such organizations and their historical forebears as well as other contemporary movements.
Mentioned in the episode

Snigdha Poonam’s recent book Dreamers investigates the “angry young men” engaged in Hindutvite attacks, including those who are economically and educationally marginalized, as well as those who resent what they see as their wrongful decline from privilege.

Yuval Abraham’s “The IDF unit turning ‘Hilltop Youth” Settlers into Soldiers” is an investigation into how Israeli settlers from violent outposts are being inducted into a new military unit responsible for severe abuses of Palestinians across the West Bank. (However, in describing Israel’s “hilltop youth” as coming from “lower rungs,” Lori feels she may have overstated their marginalization. Although one report describes Israel’s hilltop youth as young men recruited from unstable homes, others point to the Israeli state’s unwillingness to stop them.)

Daniel Kupfert Heller, Jabotinsky's Children, on the rise of the transnational youth movement, Betar. A correction: Jabotinsky was from Odessa (modern Ukraine), but much of his support was in Poland.


RSS (Rashtriya Swayamsevak Sangh) as the first institutionalization of the Hindutva project and a living remnant of 1920s fascism.

The BJP (Bharatiya Janata Party) arises as the political wing of the RSS and comes to prominence around the destruction of the Ayodhya Mosque.


Lori's interview with Zachary Lockman in MERIP about historical changes in American Jewish attitudes towards Zionism.

Ajantha refers to the argument in Natasha Roth-Rowland's recent dissertation ("'Not One Inch of Retreat': The Transnational Jewish Far Right, 1929-1996"), that the turn towards Zionism is linked in the US with a turn away from Communism as another transnational movement, waning as Zionism was waxing.

Lori mentions the grim effects of the redefinition of anti-Semitism put forward in 2016 by the International Holocaust Remembrance Association (IHRA), one response to which is the 2020 Jerusalem Declaration on Antisemitism.


Azad Essa, Hostile Homelands discusses Zionist support of Hindutva activism and lobbying in the US. One group that has modelled its congressional activism on that of the American Jewish Committee and AIPAC is the Hindu American Foundation.

Ajantha mentions Hindutvites repurposing their online Islamophobia in support of Israel after Hamas’s October 7th military operation.


Alberto Toscano, “The Long Shadow of Racial Fascism” discusses radical Black thinkers who have argued that racial slavery was a form of American fascism.

Robert Paxton’s “The Five Stages of Fascism” makes the case that the KKK may be the earliest fascist organization.

Recallable Books

Alain Brossat and Sylvie Klingard, Revolutionary Yiddishland: A History of Jewish Radicalism.

Joshua Cohen The Netanyahus (John spoke with Cohen about the novel in Recall This Book 110)

Susan Bayly's Saints, Goddesses and Kings.

Christophe Jaffrelot, Modi's India.

Read transcript here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Ajantha Subramanian and Lori Allen (JP)</itunes:subtitle>
      <itunes:summary>Ajantha Subramanian and Lori Allen turn from hosts to interlocutors in an episode that ties a bow on our Violent Majorities conversations about Indian (episode 1) and Israeli (episode 2) ethnonationalism. The three friends discuss commonalities between Balmurli Natrajan’s charting of the "slippery slope towards a multiculturalism of caste" and Natasha Roth-Rowland's description of the "territorial maximalism" that has been central to Zionism. The role of overseas communities loomed large, as did the roots of ethnonationalism in the fascism of the 1920s, which survived, transmuted or merely masked over the subsequent bloody century, as other ideologies (Communism and perhaps cosmopolitan liberalism among them) waxed before waning.
The conversation also examines the current-day shared playbook of the long-distance far-right ideologies of Zionism and Hindutva. And it concludes with a reflection on the suitability of the term fascism to describe such organizations and their historical forebears as well as other contemporary movements.
Mentioned in the episode

Snigdha Poonam’s recent book Dreamers investigates the “angry young men” engaged in Hindutvite attacks, including those who are economically and educationally marginalized, as well as those who resent what they see as their wrongful decline from privilege.

Yuval Abraham’s “The IDF unit turning ‘Hilltop Youth” Settlers into Soldiers” is an investigation into how Israeli settlers from violent outposts are being inducted into a new military unit responsible for severe abuses of Palestinians across the West Bank. (However, in describing Israel’s “hilltop youth” as coming from “lower rungs,” Lori feels she may have overstated their marginalization. Although one report describes Israel’s hilltop youth as young men recruited from unstable homes, others point to the Israeli state’s unwillingness to stop them.)

Daniel Kupfert Heller, Jabotinsky's Children, on the rise of the transnational youth movement, Betar. A correction: Jabotinsky was from Odessa (modern Ukraine), but much of his support was in Poland.


RSS (Rashtriya Swayamsevak Sangh) as the first institutionalization of the Hindutva project and a living remnant of 1920s fascism.

The BJP (Bharatiya Janata Party) arises as the political wing of the RSS and comes to prominence around the destruction of the Ayodhya Mosque.


Lori's interview with Zachary Lockman in MERIP about historical changes in American Jewish attitudes towards Zionism.

Ajantha refers to the argument in Natasha Roth-Rowland's recent dissertation ("'Not One Inch of Retreat': The Transnational Jewish Far Right, 1929-1996"), that the turn towards Zionism is linked in the US with a turn away from Communism as another transnational movement, waning as Zionism was waxing.

Lori mentions the grim effects of the redefinition of anti-Semitism put forward in 2016 by the International Holocaust Remembrance Association (IHRA), one response to which is the 2020 Jerusalem Declaration on Antisemitism.


Azad Essa, Hostile Homelands discusses Zionist support of Hindutva activism and lobbying in the US. One group that has modelled its congressional activism on that of the American Jewish Committee and AIPAC is the Hindu American Foundation.

Ajantha mentions Hindutvites repurposing their online Islamophobia in support of Israel after Hamas’s October 7th military operation.


Alberto Toscano, “The Long Shadow of Racial Fascism” discusses radical Black thinkers who have argued that racial slavery was a form of American fascism.

Robert Paxton’s “The Five Stages of Fascism” makes the case that the KKK may be the earliest fascist organization.

Recallable Books

Alain Brossat and Sylvie Klingard, Revolutionary Yiddishland: A History of Jewish Radicalism.

Joshua Cohen The Netanyahus (John spoke with Cohen about the novel in Recall This Book 110)

Susan Bayly's Saints, Goddesses and Kings.

Christophe Jaffrelot, Modi's India.

Read transcript here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.gc.cuny.edu/people/ajantha-subramanian">Ajantha Subramanian</a> and <a href="https://loriallen.blog/lori-allen-biography/">Lori Allen </a>turn from hosts to interlocutors in an episode that ties a bow on our Violent Majorities conversations about <a href="https://newbooksnetwork.com/the-culturalization-of-caste-in-india#entry:277150@1:url">Indian</a> (episode 1) and <a href="https://newbooksnetwork.com/violent-majorities-indian-and-israeli-ethnonationalism-natasha-roth-rowland-with-lori-ajantha#entry:278703@1:url">Israeli</a> (episode 2) ethnonationalism. The three friends discuss commonalities between <a href="https://recallthisbook.org/2023/12/07/118-violent-majorities-indian-and-israeli-ethnonationalism-episode-1-balmurli-natrajan-with-lori-allen-and-ajantha-subramanian/">Balmurli Natrajan</a>’s charting of the "slippery slope towards a multiculturalism of caste" and <a href="https://recallthisbook.org/2023/12/14/119-violent-majorities-indian-and-israeli-ethnonationalism-episode-2-natasha-roth-rowland-with-lori-ajantha/">Natasha Roth-Rowland</a>'s description of the "territorial maximalism" that has been central to Zionism. The role of overseas communities loomed large, as did the roots of ethnonationalism in the fascism of the 1920s, which survived, transmuted or merely masked over the subsequent bloody century, as other ideologies (Communism and perhaps cosmopolitan liberalism among them) waxed before waning.</p><p>The conversation also examines the current-day shared playbook of the long-distance far-right ideologies of Zionism and Hindutva. And it concludes with a reflection on the suitability of the term fascism to describe such organizations and their historical forebears as well as other contemporary movements.</p><p>Mentioned in the episode</p><ul>
<li>Snigdha Poonam’s recent book <a href="https://www.hurstpublishers.com/book/dreamers/">Dreamers</a> investigates the “angry young men” engaged in Hindutvite attacks, including those who are economically and educationally marginalized, as well as those who resent what they see as their wrongful decline from privilege.</li>
<li>Yuval Abraham’s “The IDF unit turning ‘Hilltop Youth” Settlers into Soldiers” is an investigation into how Israeli settlers from violent outposts are being inducted into a new military unit responsible for severe abuses of Palestinians across the West Bank. (However, in describing Israel’s “hilltop youth” as coming from “lower rungs,” Lori feels she may have overstated their marginalization. Although one report describes Israel’s hilltop youth as young men recruited from unstable homes, others point to the Israeli state’s unwillingness to stop them.)</li>
<li>Daniel Kupfert Heller,<a href="https://press.princeton.edu/books/hardcover/9780691174754/jabotinskys-children"> Jabotinsky's Children</a>, on the rise of the transnational youth movement, Betar. A correction: Jabotinsky was from Odessa (modern Ukraine), but much of his support was in Poland.</li>
<li>
<a href="https://en.wikipedia.org/wiki/Rashtriya_Swayamsevak_Sangh">RSS</a> (Rashtriya Swayamsevak Sangh) as the first institutionalization of the Hindutva project and a living remnant of 1920s fascism.</li>
<li>The <a href="https://en.wikipedia.org/wiki/Bharatiya_Janata_Party">BJP</a> (Bharatiya Janata Party) arises as the political wing of the RSS and comes to prominence around the destruction of the Ayodhya Mosque.</li>
<li>
<a href="https://merip.org/2022/10/changing-attitudes-towards-zionism-among-american-jews-an-interview-with-zachary-lockman/">Lori's interview with Zachary Lockman in MERIP</a> about historical changes in American Jewish attitudes towards Zionism.</li>
<li>Ajantha refers to the argument in Natasha Roth-Rowland's recent <a href="https://libraetd.lib.virginia.edu/public_view/4q77fs475">dissertation</a> ("'Not One Inch of Retreat': The Transnational Jewish Far Right, 1929-1996"), that the turn towards Zionism is linked in the US with a turn away from Communism as another transnational movement, waning as Zionism was waxing.</li>
<li>Lori mentions the <a href="https://elsc.support/news/breaking-new-report-reveals-human-rights-violations-resulting-from-ihra-definition-of-antisemitism">grim effects</a> of the redefinition of anti-Semitism put forward in 2016 by the <a href="https://www.holocaustremembrance.com/resources/working-definitions-charters/working-definition-antisemitism">International Holocaust Remembrance Association</a> (IHRA), one response to which is the 2020 <a href="https://jerusalemdeclaration.org/">Jerusalem Declaration on Antisemitism</a>.</li>
<li>
<a href="https://www.plutobooks.com/author/azad-essa">Azad Essa</a>, <a href="https://www.plutobooks.com/9780745345017/hostile-homelands/">Hostile Homelands</a> discusses Zionist support of Hindutva activism and lobbying in the US. One group that has <a href="https://jewishcurrents.org/the-hindu-nationalists-using-the-pro-israel-playbook">modelled its congressional activism</a> on that of the American Jewish Committee and AIPAC is the <a href="https://www.hinduamerican.org/">Hindu American Foundation</a>.</li>
<li>Ajantha mentions Hindutvites <a href="https://www.theatlantic.com/international/archive/2023/10/india-hindu-extremist-disinformation-israel-hamas/675771/">repurposing</a> their <a href="https://www.aljazeera.com/news/2023/10/16/analysis-why-is-so-much-anti-palestinian-disinformation-coming-from-india">online</a> <a href="https://thewire.in/communalism/how-pro-bjp-whatsapp-facebook-groups-are-using-the-israel-hamas-war-to-stoke-islamophobia">Islamophobia</a> in support of Israel after Hamas’s October 7th military operation.</li>
<li>
<a href="https://www.bostonreview.net/articles/long-shadow-racial-fascism/">Alberto Toscano</a>, “The Long Shadow of Racial Fascism” discusses radical Black thinkers who have argued that racial slavery was a form of American fascism.</li>
<li>Robert Paxton’s “<a href="https://www.jstor.org/stable/10.1086/235001">The Five Stages of Fascism</a>” makes the case that the KKK may be the earliest fascist organization.</li>
</ul><p>Recallable Books</p><ul>
<li>Alain Brossat and Sylvie Klingard, <a href="https://www.versobooks.com/products/254-revolutionary-yiddishland">Revolutionary Yiddishland</a>: A History of Jewish Radicalism.</li>
<li>Joshua Cohen <a href="https://www.amazon.com/Netanyahus-Account-Ultimately-Negligible-Episode/dp/1681376075">The Netanyahus</a> (John spoke with Cohen about the novel in <a href="https://recallthisbook.org/2023/08/04/110-novel-dialogue-joshua-cohen-jp-eugene-sheppard/">Recall This Book 110</a>)</li>
<li>Susan Bayly's <a href="https://www.cambridge.org/core/books/saints-goddesses-and-kings/6BBEDFBD80EE9366315BFECBC235F80A">Saints, Goddesses and Kings</a>.</li>
<li>Christophe Jaffrelot, <a href="https://press.princeton.edu/books/hardcover/9780691206806/modis-india">Modi's India</a>.</li>
</ul><p><a href="https://recallthisbookorg.files.wordpress.com/2024/01/rtb-120-lori-ajantha-roundup-transcript-12.23.pdf">Read transcript here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2872</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Abdullahi Ahmed An-Naim, "Decolonizing Human Rights" (Cambridge UP, 2021)</title>
      <description>In his extensive body of work, Professor Abdullahi Ahmed An-Naim challenges both historical interpretations of Islamic Sharia and neo-colonial understanding of human rights. To advance the rationale of scholarship for social change, An-Naim proposes advancing the universality of human rights through internal discourse within Islamic and African societies and cross-cultural dialogue among human cultures. This book proposes a transformation from human rights organized around a state determined practice to one that is focused on a people-centric approach that empowers individuals to decide how human rights will be understood and integrated into their communities. Decolonizing Human Rights (Cambridge UP, 2021) aims to illustrate the decisive role of human agency on the subject of change, without implying that Islamic or any other society are exceptionally disposed to politically motivated violence and consequent profound political instability.
﻿Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Abdullahi Ahmed An-Naim</itunes:subtitle>
      <itunes:summary>In his extensive body of work, Professor Abdullahi Ahmed An-Naim challenges both historical interpretations of Islamic Sharia and neo-colonial understanding of human rights. To advance the rationale of scholarship for social change, An-Naim proposes advancing the universality of human rights through internal discourse within Islamic and African societies and cross-cultural dialogue among human cultures. This book proposes a transformation from human rights organized around a state determined practice to one that is focused on a people-centric approach that empowers individuals to decide how human rights will be understood and integrated into their communities. Decolonizing Human Rights (Cambridge UP, 2021) aims to illustrate the decisive role of human agency on the subject of change, without implying that Islamic or any other society are exceptionally disposed to politically motivated violence and consequent profound political instability.
﻿Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his extensive body of work, Professor Abdullahi Ahmed An-Naim challenges both historical interpretations of Islamic Sharia and neo-colonial understanding of human rights. To advance the rationale of scholarship for social change, An-Naim proposes advancing the universality of human rights through internal discourse within Islamic and African societies and cross-cultural dialogue among human cultures. This book proposes a transformation from human rights organized around a state determined practice to one that is focused on a people-centric approach that empowers individuals to decide how human rights will be understood and integrated into their communities. <a href="https://bookshop.org/a/12343/9781108417136"><em>Decolonizing Human Rights</em></a> (Cambridge UP, 2021) aims to illustrate the decisive role of human agency on the subject of change, without implying that Islamic or any other society are exceptionally disposed to politically motivated violence and consequent profound political instability.</p><p><em>﻿</em><a href="https://independent.academia.edu/KirkMeighoo"><em>Kirk Meighoo</em></a><em> is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Robert R. Janes, "Museums and Societal Collapse: The Museum as Lifeboat" (Routledge, 2023)</title>
      <description>Who do you turn to at the brink of the apocalypse? What might help us to mitigate the financial, commercial, political, social, and cultural collapse for which we may be heading?
Museums and Societal Collapse: The Museum as Lifeboat (Routledge, 2023) proposes an unlikely hero in this narrative. Robert Janes’ text explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society with the threat of collapse.
Arguing that societal collapse is underway, but that total collapse is not inevitable, Janes maintains that museums are well-positioned to mitigate and adapt to the disruptions of societal collapse. As institutions of the commons, belonging to and affecting the public at large, he contends that museums are both responsible and capable of contributing to the durability and well-being of individuals, families, and communities, and enhancing societal resilience in the face of critical issues confronting our species.

The Museum COP at Tate

Museum pressure groups: The Empathetic Museum, Museum as Progress, Museum Human.

The Australian Museum’s mission statement



Phipps Conservatory, Pittsburgh

Museum of Homelessness

Horniman Museum


Robert R. Janes is an independent scholar whose work draws on his many year’s experience as a museum director. He is the editor emeritus of the Museum Management and Curatoriship journal, a visiting scholar at the School of Museum Studies at the University of Leicester, and the founder of the Coalition of Museums for Climate Justice. He is the author of multiple books on the social role of museums.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Who do you turn to at the brink of the apocalypse? What might help us to mitigate the financial, commercial, political, social, and cultural collapse for which we may be heading?
Museums and Societal Collapse: The Museum as Lifeboat (Routledge, 2023) proposes an unlikely hero in this narrative. Robert Janes’ text explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society with the threat of collapse.
Arguing that societal collapse is underway, but that total collapse is not inevitable, Janes maintains that museums are well-positioned to mitigate and adapt to the disruptions of societal collapse. As institutions of the commons, belonging to and affecting the public at large, he contends that museums are both responsible and capable of contributing to the durability and well-being of individuals, families, and communities, and enhancing societal resilience in the face of critical issues confronting our species.

The Museum COP at Tate

Museum pressure groups: The Empathetic Museum, Museum as Progress, Museum Human.

The Australian Museum’s mission statement



Phipps Conservatory, Pittsburgh

Museum of Homelessness

Horniman Museum


Robert R. Janes is an independent scholar whose work draws on his many year’s experience as a museum director. He is the editor emeritus of the Museum Management and Curatoriship journal, a visiting scholar at the School of Museum Studies at the University of Leicester, and the founder of the Coalition of Museums for Climate Justice. He is the author of multiple books on the social role of museums.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who do you turn to at the brink of the apocalypse? What might help us to mitigate the financial, commercial, political, social, and cultural collapse for which we may be heading?</p><p><a href="https://bookshop.org/a/12343/9781032382241"><em>Museums and Societal Collapse: The Museum as Lifeboat </em></a>(Routledge, 2023) proposes an unlikely hero in this narrative. Robert Janes’ text explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society with the threat of collapse.</p><p>Arguing that societal collapse is underway, but that total collapse is not inevitable, Janes maintains that museums are well-positioned to mitigate and adapt to the disruptions of societal collapse. As institutions of the commons, belonging to and affecting the public at large, he contends that museums are both responsible and capable of contributing to the durability and well-being of individuals, families, and communities, and enhancing societal resilience in the face of critical issues confronting our species.</p><ul>
<li>The <a href="https://www.nationalmuseums.org.uk/climate-crisis/uk-museum-cop/">Museum COP</a> at Tate</li>
<li>Museum pressure groups: <a href="http://empatheticmuseum.weebly.com/">The Empathetic Museum</a>, <a href="https://museumprogress.com/">Museum as Progress</a>, <a href="https://www.museumhuman.com/">Museum Human</a>.</li>
<li>The Australian Museum’s <a href="https://australian.museum/about/organisation/">mission statement</a>
</li>
<li>
<a href="https://www.phipps.conservatory.org/">Phipps Conservatory</a>, Pittsburgh</li>
<li><a href="https://museumofhomelessness.org/">Museum of Homelessness</a></li>
<li><a href="https://www.horniman.ac.uk/">Horniman Museum</a></li>
</ul><p><br></p><p>Robert R. Janes is an independent scholar whose work draws on his many year’s experience as a museum director. He is the editor emeritus of the <a href="https://www.tandfonline.com/journals/rmmc20">Museum Management and Curatoriship</a> journal, a visiting scholar at the School of Museum Studies at the University of Leicester, and the founder of the Coalition of Museums for Climate Justice. He is the author of multiple <a href="https://www.routledge.com/authors/i7863-robert-r-janes">books</a> on the social role of museums.</p><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3474</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aefd0c9a-a8c3-11ee-9494-f36e2f877d6e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5884235728.mp3?updated=1704127453" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick Ffrench, "Roland Barthes and Film: Myth, Eroticism and Poetics" (Bloomsbury, 2019)</title>
      <description>Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury), Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory.
Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in "leaving the cinema" - disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance - he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.
Bill Schaffer is a semi-retired lecturer in Film Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patrick Ffrench</itunes:subtitle>
      <itunes:summary>Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury), Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory.
Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in "leaving the cinema" - disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance - he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.
Bill Schaffer is a semi-retired lecturer in Film Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In <a href="https://bookshop.org/a/12343/9781788310659"><em>Roland Barthes and Film: Myth, Eroticism and Poetics</em></a> (Bloomsbury), Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory.</p><p>Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book <em>Camera Lucida</em>, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in "leaving the cinema" - disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance - he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.</p><p><em>Bill Schaffer is a semi-retired lecturer in Film Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4532</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8661d57e-a80d-11ee-a9d3-77469e4a2505]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3838874920.mp3?updated=1704048681" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hongwei Bao, “Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China” (NIAS Press, 2018)</title>
      <description>Hongwei Bao’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base, Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 31 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hongwei Bao</itunes:subtitle>
      <itunes:summary>Hongwei Bao’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base, Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.nottingham.ac.uk/clas/people/hongwei.bao">Hongwei Bao</a>’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity <em>tongzhi</em>, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QipyCx_FBvaifYSEVdyc5KwAAAFkLGvHZwEAAAFKAd8hKEY/http://www.amazon.com/dp/8776942368/ref=as_at?creativeASIN=8776942368&amp;linkCode=w61&amp;imprToken=9dhEQJI9.8HalVSb5nreUg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Queer Comrades: Gay Identity and </em>Tongzhi<em> Activism in Postsocialist China</em></a> (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2651</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74829]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3220119383.mp3?updated=1703966339" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jason Read, "The Politics of Transindividuality" (Haymarket Books, 2017)</title>
      <description>Many major political questions today revolve around questions of human nature; what sort of people we are and what sort of people we're capable of being constitute both the goals and limits of the sort of society we can and ought to try and create. Jason Read's The Politics of Transindividuality (Haymarket Books, 2017) looks at a number of figures who've used trandindividuality to explore the ways in which our social context generates various forms of subjectivity, and how those forms of subjectivity can in turn generate the society they occupy. The book covers a variety of figures in topics, going as far back as Spinoza, Hegel and Marx before turning to contemporary thinkers such as Balibar, Simondon, Virno and Lazzarrato, and interrogates the sort of people we are being made into.
Jason Read is a professor of philosophy at the University of Southern Maine. In addition toThe Politics of Transindividuality, he is also the author of The Micro-Politics of Capital: Marx on the Prehistory of the Present (SUNY, 2003).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 31 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason Read</itunes:subtitle>
      <itunes:summary>Many major political questions today revolve around questions of human nature; what sort of people we are and what sort of people we're capable of being constitute both the goals and limits of the sort of society we can and ought to try and create. Jason Read's The Politics of Transindividuality (Haymarket Books, 2017) looks at a number of figures who've used trandindividuality to explore the ways in which our social context generates various forms of subjectivity, and how those forms of subjectivity can in turn generate the society they occupy. The book covers a variety of figures in topics, going as far back as Spinoza, Hegel and Marx before turning to contemporary thinkers such as Balibar, Simondon, Virno and Lazzarrato, and interrogates the sort of people we are being made into.
Jason Read is a professor of philosophy at the University of Southern Maine. In addition toThe Politics of Transindividuality, he is also the author of The Micro-Politics of Capital: Marx on the Prehistory of the Present (SUNY, 2003).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Many major political questions today revolve around questions of human nature; what sort of people we are and what sort of people we're capable of being constitute both the goals and limits of the sort of society we can and ought to try and create. <a href="https://usm.maine.edu/phi/jason-read">Jason Read</a>'s <a href="http://www.amazon.com/dp/1608466965/?tag=newbooinhis-20"><em>The Politics of Transindividuality</em></a> (Haymarket Books, 2017) looks at a number of figures who've used trandindividuality to explore the ways in which our social context generates various forms of subjectivity, and how those forms of subjectivity can in turn generate the society they occupy. The book covers a variety of figures in topics, going as far back as Spinoza, Hegel and Marx before turning to contemporary thinkers such as Balibar, Simondon, Virno and Lazzarrato, and interrogates the sort of people we are being made into.</p><p>Jason Read is a professor of philosophy at the University of Southern Maine. In addition to<em>The Politics of Transindividuality, he is also the author of</em> <em>The Micro-Politics of Capital: Marx on the Prehistory of the Present </em>(SUNY, 2003).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4540</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8330de8-2047-11ea-8042-03832007362c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1763957196.mp3?updated=1703963104" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Briggs, "Taking Children: A History of American Terror" (U California Press, 2020)</title>
      <description>Laura Briggs’s Taking Children: A History of American Terror (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.
Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.
Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 31 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Briggs</itunes:subtitle>
      <itunes:summary>Laura Briggs’s Taking Children: A History of American Terror (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.
Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.
Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Laura Briggs’s <a href="https://bookshop.org/a/12343/9780520343672"><em>Taking Children: A History of American Terror</em></a> (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.</p><p>Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.</p><p>Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[16a6c822-a73e-11ee-b1e0-6b63aa9d04de]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8844199181.mp3?updated=1703960577" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Annie McClanahan, "Dead Pledges: Debt, Crisis, and Twenty-First Century Culture" (Stanford UP, 2016)</title>
      <description>When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan’s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live.
Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annie McClanahan</itunes:subtitle>
      <itunes:summary>When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was Annie McClanahan’s Dead Pledges: Debt, Crisis, and Twenty-First Century Culture (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the LA Review of Books notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” Dead Pledges is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live.
Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When teaching a public course called “The Age of Debt” this winter break, I had the strange realization that one of the the most successful readings in that course, the one which most clearly explained the 2008 crisis and the financialized economy, was written by an English professor. It was <a href="https://www.faculty.uci.edu/profile.cfm?faculty_id=6264">Annie McClanahan</a>’s <a href="http://www.amazon.com/dp/1503606589/?tag=newbooinhis-20"><em>Dead Pledges: Debt, Crisis, and Twenty-First Century Culture</em></a> (Stanford University Press, 2016). The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts. As a review in the <em>LA Review of Books</em> notes, McClanahan has resurrected and repurposed the rich tradition of Marxist literary criticism which brought us Raymond Williams, analyzing post-crisis literature, photography, and cinema as cultural texts registering “a new ‘crisis subjectivity’ in the wake of the mortgage meltdown’s shattering revelations.” <em>Dead Pledges</em> is a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live.</p><p><em>Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90f78690-7eec-11e9-9da9-43599377c25b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4714203600.mp3?updated=1703628861" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>D. B. Maroon, "Black Lives, American Love: Essays on Race and Resilience" (Lawrence Hill Books, 2023)</title>
      <description>In this hard-hitting collection of essays, D.B. Maroon presents a personal biography of America, Blackness, and racial politics with unflinching style, and delivers a relentless truth-telling on some of the country’s fiercest debates and most profound challenges.
From the birthplace of the Black Lives Matter movement to the murders of unarmed Black people, this essay collection invites readers to ask questions as much as it asks for accountability. Moving through debates on the 1619 Project to the rippling impact of resurgent white nationalism, the golden thread of each essay is the hopeful continuance of the Black community, as well as a call to greater truth as the first step toward reconciliation.
Intersectional, personal, and ultimately centered on truth, love, and perseverance, Black Lives, American Love: Essays on Race and Resilience (Lawrence Hill Books, 2023) details and tends to the fractures in American culture. It is a meditation on how we can all do more to secure America’s vastly beautiful possibilities for all its citizens, rather than a few.
D. B. Maroon is an expert on American culture, an anthropologist, and CEO of an urban research institute. Her essays have been published in The Themed Space: Locating Culture, Nation, and Self and Spirited: Affirming the Soul and Black Gay/Lesbian Identity. A committed public scholar, she's appeared in Bustle, Shape, Healthline, and Women's Health. She holds a PhD in anthropology from UC Santa Cruz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>430</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with D. B. Maroon</itunes:subtitle>
      <itunes:summary>In this hard-hitting collection of essays, D.B. Maroon presents a personal biography of America, Blackness, and racial politics with unflinching style, and delivers a relentless truth-telling on some of the country’s fiercest debates and most profound challenges.
From the birthplace of the Black Lives Matter movement to the murders of unarmed Black people, this essay collection invites readers to ask questions as much as it asks for accountability. Moving through debates on the 1619 Project to the rippling impact of resurgent white nationalism, the golden thread of each essay is the hopeful continuance of the Black community, as well as a call to greater truth as the first step toward reconciliation.
Intersectional, personal, and ultimately centered on truth, love, and perseverance, Black Lives, American Love: Essays on Race and Resilience (Lawrence Hill Books, 2023) details and tends to the fractures in American culture. It is a meditation on how we can all do more to secure America’s vastly beautiful possibilities for all its citizens, rather than a few.
D. B. Maroon is an expert on American culture, an anthropologist, and CEO of an urban research institute. Her essays have been published in The Themed Space: Locating Culture, Nation, and Self and Spirited: Affirming the Soul and Black Gay/Lesbian Identity. A committed public scholar, she's appeared in Bustle, Shape, Healthline, and Women's Health. She holds a PhD in anthropology from UC Santa Cruz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this hard-hitting collection of essays, D.B. Maroon presents a personal biography of America, Blackness, and racial politics with unflinching style, and delivers a relentless truth-telling on some of the country’s fiercest debates and most profound challenges.</p><p>From the birthplace of the Black Lives Matter movement to the murders of unarmed Black people, this essay collection invites readers to ask questions as much as it asks for accountability. Moving through debates on the 1619 Project to the rippling impact of resurgent white nationalism, the golden thread of each essay is the hopeful continuance of the Black community, as well as a call to greater truth as the first step toward reconciliation.</p><p>Intersectional, personal, and ultimately centered on truth, love, and perseverance, <a href="https://bookshop.org/a/12343/9781641609326"><em>Black Lives, American Love: Essays on Race and Resilience</em></a> (Lawrence Hill Books, 2023) details and tends to the fractures in American culture. It is a meditation on how we can all do more to secure America’s vastly beautiful possibilities for all its citizens, rather than a few.</p><p>D. B. Maroon is an expert on American culture, an anthropologist, and CEO of an urban research institute. Her essays have been published in <em>The Themed Space: Locating Culture, Nation, and Self </em>and <em>Spirited: Affirming the Soul and Black Gay/Lesbian Identity</em>. A committed public scholar, she's appeared in <em>Bustle</em>, <em>Shape</em>, Healthline, and <em>Women's Health</em>. She holds a PhD in anthropology from UC Santa Cruz.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cb5ad5a0-a28f-11ee-bb3b-4b101c58d5e4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7753363211.mp3?updated=1703446328" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicole Seymour, "Glitter" (Bloombury, 2022)</title>
      <description>Glitter (Bloomsbury, 2022) by Dr. Nicole Seymour reveals the complexity of an object often dismissed as frivolous. Dr. Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.
Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicole Seymour</itunes:subtitle>
      <itunes:summary>Glitter (Bloomsbury, 2022) by Dr. Nicole Seymour reveals the complexity of an object often dismissed as frivolous. Dr. Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.
Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501373763"><em>Glitter</em></a> (Bloomsbury, 2022) by Dr. Nicole Seymour reveals the complexity of an object often dismissed as frivolous. Dr. Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.</p><p>Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1656</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1b62abc4-a4d7-11ee-a635-e72d730e5bb6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4150025341.mp3?updated=1703695887" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Courtwright, "The Age of Addiction: How Bad Habits Became Big Business" (Harvard UP, 2019)</title>
      <description>We are living in an age of addiction, from compulsive gaming and binge eating to pornography and opioid abuse. Today I talked with historian David Courtwright about the global nature of pleasure, vice, and capitalism. His new book is called The Age of Addiction: How Bad Habits Became Big Business (Harvard University Press, 2019). During our discussion, Courtwright walks us through the emergence of the worldwide commodification of vice and shares his views on "limbic capitalism," the network of competitive businesses targeting the brain pathways responsible for feeling, motivation, and long-term memory. The book is equally interesting and disturbing. And Courtwright offers timely recommendations about how we can understand and address the Age of Addiction. Coming from one of the world's leading experts on the history of drugs and addiction, this important work raises stimulating and sobering questions about consumption and free will.
Courtwright is the author of Forces of Habit: Drugs and the Making of the Modern World (Harvard University Press, 2001) as well as Dark Paradise: A History of Opiate Addiction in America (Harvard University Press, 1982).
Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Courtwright</itunes:subtitle>
      <itunes:summary>We are living in an age of addiction, from compulsive gaming and binge eating to pornography and opioid abuse. Today I talked with historian David Courtwright about the global nature of pleasure, vice, and capitalism. His new book is called The Age of Addiction: How Bad Habits Became Big Business (Harvard University Press, 2019). During our discussion, Courtwright walks us through the emergence of the worldwide commodification of vice and shares his views on "limbic capitalism," the network of competitive businesses targeting the brain pathways responsible for feeling, motivation, and long-term memory. The book is equally interesting and disturbing. And Courtwright offers timely recommendations about how we can understand and address the Age of Addiction. Coming from one of the world's leading experts on the history of drugs and addiction, this important work raises stimulating and sobering questions about consumption and free will.
Courtwright is the author of Forces of Habit: Drugs and the Making of the Modern World (Harvard University Press, 2001) as well as Dark Paradise: A History of Opiate Addiction in America (Harvard University Press, 1982).
Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are living in an age of addiction, from compulsive gaming and binge eating to pornography and opioid abuse. Today I talked with historian <a href="https://davidcourtwright.domains.unf.edu/">David Courtwright</a> about the global nature of pleasure, vice, and capitalism. His new book is called <a href="http://www.amazon.com/dp/0674737377/?tag=newbooinhis-20"><em>The Age of Addiction: How Bad Habits Became Big Business</em></a> (Harvard University Press, 2019). During our discussion, Courtwright walks us through the emergence of the worldwide commodification of vice and shares his views on "limbic capitalism," the network of competitive businesses targeting the brain pathways responsible for feeling, motivation, and long-term memory. The book is equally interesting and disturbing. And Courtwright offers timely recommendations about how we can understand and address the Age of Addiction. Coming from one of the world's leading experts on the history of drugs and addiction, this important work raises stimulating and sobering questions about consumption and free will.</p><p>Courtwright is the author of <em>Forces of Habit: Drugs and the Making of the Modern World</em> (Harvard University Press, 2001) as well as <em>Dark Paradise: A History of Opiate Addiction in America</em> (Harvard University Press, 1982).</p><p><a href="https://apps.pharmacy.wisc.edu/sopdir/lucas_richert/"><em>Lucas Richert</em></a><em> is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6b3cb166-a27b-11ee-b60a-6fd6295b404c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3455428778.mp3?updated=1703436284" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)</title>
      <description>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bryan McCann</itunes:subtitle>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, Dr. <a href="https://www.geneseo.edu/communication/lee-pierce">Lee Pierce</a> (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews <a href="https://www.lsu.edu/hss/cmst/people/faculty/BMccann.php">Bryan McCann</a> (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism <a href="http://www.amazon.com/dp/0817319484/?tag=newbooinhis-20"><em>The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era</em></a> (University of Alabama Press, 2017). <em>The Mark of Criminality </em>positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3770</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a1cefbba-a273-11ee-ba78-b782570a8db2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5275680513.mp3?updated=1703432663" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stuart Elden, “Foucault: The Birth of Power” (Polity Press, 2017)</title>
      <description>How did Foucault become a public, political intellectual? In Foucault: The Birth of Power (Polity Press, 2017), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick, follows up his book on Foucault’s Last Decade with research on Foucault’s work from the late 1960s to the middle 1970s. As with Foucault’s work at the time, the book is focused on the emergence of a new understanding of power, alongside detailed engagements with archival materials and the recently published College De France lecture series. The book offers an alternative reading to traditional periodisations of Foucault’s work, suggesting engagements with ancient Greece, ‘repressive’ theories of power, and his public political work, can be rethought to add nuance and depth to current understandings of Foucault’s theories of the ‘productive’ nature of power and the practice of his scholarship. The book is part of Elden’s broader project on Foucault much of which is detailed on his Progressive Geographies blog. The rich and detailed text will be of interest to social theorists, Foucault scholars, and anyone interested in how best to understand the meaning of power.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stuart Elden</itunes:subtitle>
      <itunes:summary>How did Foucault become a public, political intellectual? In Foucault: The Birth of Power (Polity Press, 2017), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick, follows up his book on Foucault’s Last Decade with research on Foucault’s work from the late 1960s to the middle 1970s. As with Foucault’s work at the time, the book is focused on the emergence of a new understanding of power, alongside detailed engagements with archival materials and the recently published College De France lecture series. The book offers an alternative reading to traditional periodisations of Foucault’s work, suggesting engagements with ancient Greece, ‘repressive’ theories of power, and his public political work, can be rethought to add nuance and depth to current understandings of Foucault’s theories of the ‘productive’ nature of power and the practice of his scholarship. The book is part of Elden’s broader project on Foucault much of which is detailed on his Progressive Geographies blog. The rich and detailed text will be of interest to social theorists, Foucault scholars, and anyone interested in how best to understand the meaning of power.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did Foucault become a public, political intellectual? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Ql-0F5a5hw-GHIh_nCN6v0EAAAFfkeVThgEAAAFKAVt_k-k/http://www.amazon.com/dp/1509507264/ref=as_at?creativeASIN=1509507264&amp;linkCode=w61&amp;imprToken=rpioQ2ICRU4LHMLDrG1m4g&amp;slotNum=0&amp;tag=newbooinhis-20">Foucault: The Birth of Power </a>(<a href="http://politybooks.com/bookdetail/?isbn=9781509507252">Polity Press</a>, 2017), <a href="https://twitter.com/StuartElden">Stuart Elden</a>, <a href="https://warwick.ac.uk/fac/soc/pais/people/elden/">Professor of Political Theory and Geography at the University of Warwick</a>, follows up his book on <a href="http://newbooksnetwork.com/stuart-elden-foucaults-last-decade-polity-press-2016/">Foucault’s Last Decade</a> with research on Foucault’s work from the late 1960s to the middle 1970s. As with Foucault’s work at the time, the book is focused on the emergence of a new understanding of power, alongside detailed engagements with archival materials and the recently published College De France lecture series. The book offers an alternative reading to traditional periodisations of Foucault’s work, suggesting engagements with ancient Greece, ‘repressive’ theories of power, and his public political work, can be rethought to add nuance and depth to current understandings of Foucault’s theories of the ‘productive’ nature of power and the practice of his scholarship. The book is part of Elden’s broader project on Foucault much of which is detailed on his <a href="https://progressivegeographies.com">Progressive Geographies</a> blog. The rich and detailed text will be of interest to social theorists, Foucault scholars, and anyone interested in how best to understand the meaning of power.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2771</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68150]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4338934008.mp3?updated=1703433854" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jafari S. Allen, "There's a Disco Ball Between Us: A Theory of Black Gay Life" (Duke UP, 2022)</title>
      <description>In There's a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 25 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>299</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jafari S. Allen,</itunes:subtitle>
      <itunes:summary>In There's a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/theres-a-disco-ball-between-us"><em>There's a Disco Ball Between Us: A Theory of Black Gay Life</em></a><em> </em>(Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.</p><p><em>﻿</em><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3931</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>James M. Lawson Jr. et al., "Revolutionary Nonviolence: Organizing for Freedom" (U California Press, 2022)</title>
      <description>A persuasive account of the philosophy and power of nonviolence organizing, and a resource for building and sustaining effective social movements.
Despite the rich history of nonviolent philosophy, many people today are unfamiliar with the basic principles and practices of nonviolence––even as these concepts have guided so many direct-action movements to overturn forms of racial apartheid, military and police violence, and dictatorships around the world. Revolutionary Nonviolence: Organizing for Freedom (U California Press, 2022) is a crucial resource on the long history of nonviolent philosophy through the teachings of Rev. James M. Lawson Jr., one of the great practitioners of revolution through deliberate and sustained nonviolence. His ongoing work demonstrates how we can overcome violence and oppression through organized direct action, presenting a powerful roadmap for a new generation of activists.
Rev. Lawson’s work as a theologian, pastor, and social-change activist has inspired hope and liberation for more than sixty years. To hear and see him speak is to experience the power of the prophetic tradition in the African American and social gospel. In Revolutionary Nonviolence, Michael K. Honey and Kent Wong reflect on Rev. Lawson's talks and dialogues, from his speeches at the Nashville sit-in movement in 1960 to his lectures in the current UCLA curriculum. This volume provides a comprehensive introduction to Rev. Lawson's teachings on how to center nonviolence in successfully organizing for change.
James M. Lawson Jr. is a Methodist minister who taught nonviolent theory and practice to help launch the 1960s Nashville lunch counter sit-ins, the Freedom Rides, the Memphis sanitation strike, and worker and immigrant rights movements in Los Angeles. He continues to energize leaders and activists and inspire social change movements in the United States today.

Michael K. Honey is Haley Professor of Humanities at the University of Washington Tacoma. He is the author of five award-winning books on labor, the freedom movement, and Martin Luther King; the editor of King’s labor speeches; the past president of the Labor and Working-Class History Association; and a former civil liberties and community organizer in the South.

Kent Wong is director of the UCLA Labor Center, a union attorney, and a labor activist. He has taught a course on nonviolence with Rev. James Lawson Jr. for the past twenty years and has published books on the labor movement, immigrant rights, and the Asian American community.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 24 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kent Wong</itunes:subtitle>
      <itunes:summary>A persuasive account of the philosophy and power of nonviolence organizing, and a resource for building and sustaining effective social movements.
Despite the rich history of nonviolent philosophy, many people today are unfamiliar with the basic principles and practices of nonviolence––even as these concepts have guided so many direct-action movements to overturn forms of racial apartheid, military and police violence, and dictatorships around the world. Revolutionary Nonviolence: Organizing for Freedom (U California Press, 2022) is a crucial resource on the long history of nonviolent philosophy through the teachings of Rev. James M. Lawson Jr., one of the great practitioners of revolution through deliberate and sustained nonviolence. His ongoing work demonstrates how we can overcome violence and oppression through organized direct action, presenting a powerful roadmap for a new generation of activists.
Rev. Lawson’s work as a theologian, pastor, and social-change activist has inspired hope and liberation for more than sixty years. To hear and see him speak is to experience the power of the prophetic tradition in the African American and social gospel. In Revolutionary Nonviolence, Michael K. Honey and Kent Wong reflect on Rev. Lawson's talks and dialogues, from his speeches at the Nashville sit-in movement in 1960 to his lectures in the current UCLA curriculum. This volume provides a comprehensive introduction to Rev. Lawson's teachings on how to center nonviolence in successfully organizing for change.
James M. Lawson Jr. is a Methodist minister who taught nonviolent theory and practice to help launch the 1960s Nashville lunch counter sit-ins, the Freedom Rides, the Memphis sanitation strike, and worker and immigrant rights movements in Los Angeles. He continues to energize leaders and activists and inspire social change movements in the United States today.

Michael K. Honey is Haley Professor of Humanities at the University of Washington Tacoma. He is the author of five award-winning books on labor, the freedom movement, and Martin Luther King; the editor of King’s labor speeches; the past president of the Labor and Working-Class History Association; and a former civil liberties and community organizer in the South.

Kent Wong is director of the UCLA Labor Center, a union attorney, and a labor activist. He has taught a course on nonviolence with Rev. James Lawson Jr. for the past twenty years and has published books on the labor movement, immigrant rights, and the Asian American community.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A persuasive account of the philosophy and power of nonviolence organizing, and a resource for building and sustaining effective social movements.</p><p>Despite the rich history of nonviolent philosophy, many people today are unfamiliar with the basic principles and practices of nonviolence––even as these concepts have guided so many direct-action movements to overturn forms of racial apartheid, military and police violence, and dictatorships around the world. <a href="https://bookshop.org/a/12343/9780520387843"><em>Revolutionary Nonviolence: Organizing for Freedom</em></a><em> </em>(U California Press, 2022) is a crucial resource on the long history of nonviolent philosophy through the teachings of Rev. James M. Lawson Jr., one of the great practitioners of revolution through deliberate and sustained nonviolence. His ongoing work demonstrates how we can overcome violence and oppression through organized direct action, presenting a powerful roadmap for a new generation of activists.</p><p>Rev. Lawson’s work as a theologian, pastor, and social-change activist has inspired hope and liberation for more than sixty years. To hear and see him speak is to experience the power of the prophetic tradition in the African American and social gospel. In <em>Revolutionary Nonviolence,</em> Michael K. Honey and Kent Wong reflect on Rev. Lawson's talks and dialogues, from his speeches at the Nashville sit-in movement in 1960 to his lectures in the current UCLA curriculum. This volume provides a comprehensive introduction to Rev. Lawson's teachings on how to center nonviolence in successfully organizing for change.</p><p>James M. Lawson Jr. is a Methodist minister who taught nonviolent theory and practice to help launch the 1960s Nashville lunch counter sit-ins, the Freedom Rides, the Memphis sanitation strike, and worker and immigrant rights movements in Los Angeles. He continues to energize leaders and activists and inspire social change movements in the United States today.</p><p><br></p><p>Michael K. Honey is Haley Professor of Humanities at the University of Washington Tacoma. He is the author of five award-winning books on labor, the freedom movement, and Martin Luther King; the editor of King’s labor speeches; the past president of the Labor and Working-Class History Association; and a former civil liberties and community organizer in the South.</p><p><br></p><p>Kent Wong is director of the UCLA Labor Center, a union attorney, and a labor activist. He has taught a course on nonviolence with Rev. James Lawson Jr. for the past twenty years and has published books on the labor movement, immigrant rights, and the Asian American community.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1097</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8988421157.mp3?updated=1703345889" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Shank Cruz, "Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature" (Penn State UP, 2023)</title>
      <description>Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature (Penn State UP, 2023) is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature’s role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times.
In this book, Cruz theorizes theapoetics―a feminist reading strategy that reveals the Divine via literature based on lived experiences―and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz’s analysis focuses on Mennonite literature―including Sofia Samatar’s short story collection Tender and Miriam Toew’s novel Women Talking―but also examines a non-Mennonite text, Samuel R. Delany’s novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions.
Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz’s arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society.
Daniel Shank Cruz (they/multitudes) is a queer, disabled boricua who grew up in New York City and Lancaster, Pennsylvania. Multitudes is the author of Queering Mennonite Literature: Archives, Activism, and the Search for Community, also published by Penn State University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 24 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>271</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Shank Cruz</itunes:subtitle>
      <itunes:summary>Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature (Penn State UP, 2023) is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature’s role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times.
In this book, Cruz theorizes theapoetics―a feminist reading strategy that reveals the Divine via literature based on lived experiences―and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz’s analysis focuses on Mennonite literature―including Sofia Samatar’s short story collection Tender and Miriam Toew’s novel Women Talking―but also examines a non-Mennonite text, Samuel R. Delany’s novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions.
Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz’s arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society.
Daniel Shank Cruz (they/multitudes) is a queer, disabled boricua who grew up in New York City and Lancaster, Pennsylvania. Multitudes is the author of Queering Mennonite Literature: Archives, Activism, and the Search for Community, also published by Penn State University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.psupress.org/books/titles/978-0-271-09564-6.html"><em>Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature</em></a><em> </em>(Penn State UP, 2023) is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature’s role in society should be, and argues that when we read literature <em>theapoetically</em>, we can glean a relational ethic that teaches us how to act in our difficult times.</p><p>In this book, Cruz theorizes theapoetics―a feminist reading strategy that reveals the Divine via literature based on lived experiences―and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz’s analysis focuses on Mennonite literature―including Sofia Samatar’s short story collection <em>Tender </em>and Miriam Toew’s novel <em>Women Talking</em>―but also examines a non-Mennonite text, Samuel R. Delany’s novel <em>The Mad Man</em>, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions.</p><p>Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz’s arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society.</p><p>Daniel Shank Cruz (they/multitudes) is a queer, disabled boricua who grew up in New York City and Lancaster, Pennsylvania. Multitudes is the author of <em>Queering Mennonite Literature: Archives, Activism, and the Search for Community</em>, also published by Penn State University Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2635</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af0c54f8-a197-11ee-b174-97e0f990d0e0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6614951697.mp3?updated=1703338898" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bernard Forjwuor, "Critique of Political Decolonization" (Oxford UP, 2023)</title>
      <description>What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved?
In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms.
Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice.
Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 17 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bernard Forjwuor</itunes:subtitle>
      <itunes:summary>What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved?
In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms.
Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice.
Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved?</p><p>In <a href="https://bookshop.org/a/12343/9780198871842"><em>Critique of Political Decolonization</em></a><em> </em>(Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms.</p><p>Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice.</p><p>Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3070</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5479694a-9c2e-11ee-8c56-fbeff3790665]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6291695333.mp3?updated=1702743830" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Violent Majorities: Indian and Israeli Ethnonationalism. Episode 2</title>
      <description>Natasha Roth-Rowland is a writer and researcher at Diaspora Alliance, a former editor at +972 Magazine, and an expert on the Jewish far right. She joins anthropologists Lori Allen and Ajantha Subramanian midway through a three-part RTB series, "Violent Majorities: Indian and Israeli Ethnonationalism." Listen to episode 1 here.
The three discuss the transnational formation of the Jewish far right over the 20th and 21st centuries, the gradual movement of far right actors into the heart of the Israeli state, and the shared investment in territorial maximalism, racial supremacy, and natalism across the Zionist ideological spectrum.
Coming up next in RTB 120: Lori and Ajantha sit down with John to synthesize what Murli and Natasha had to say about Ethnonationalism in Indian and in Israel.
Mentioned in the episode

Ben Shitrit, Lihi. Righteous Transgressions: Women’s Activism on the Israeli and Palestinian Religious Right. Princeton, NJ: Princeton University Press, 2016.

El-Or, Tamar, and Gideon Aran. “Giving Birth to a Settlement: Maternal Thinking and Political Action of Jewish Women on the West Bank.” Gender and Society 9, no. 1 (February 1995): 60-78.

Neuman, Tamara. “Maternal ‘Anti-Politics’ in the Formation of Hebron’s Jewish Enclave.”

Journal of Palestine Studies 33, no. 2 (Winter 2004): 51-70.

Neuman, Tamara. Settling Hebron: Jewish Fundamentalism in a Palestinian City. Philadelphia: University of Pennsylvania Press, 2018.

Krampf, Arie. The Israeli Path to Neoliberalism: The State, Continuity, and Change. New York, NY: Routledge, 2018.


Read and Listen here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Natasha Roth-Rowland, Lori Allen, and Ajantha Subramanian</itunes:subtitle>
      <itunes:summary>Natasha Roth-Rowland is a writer and researcher at Diaspora Alliance, a former editor at +972 Magazine, and an expert on the Jewish far right. She joins anthropologists Lori Allen and Ajantha Subramanian midway through a three-part RTB series, "Violent Majorities: Indian and Israeli Ethnonationalism." Listen to episode 1 here.
The three discuss the transnational formation of the Jewish far right over the 20th and 21st centuries, the gradual movement of far right actors into the heart of the Israeli state, and the shared investment in territorial maximalism, racial supremacy, and natalism across the Zionist ideological spectrum.
Coming up next in RTB 120: Lori and Ajantha sit down with John to synthesize what Murli and Natasha had to say about Ethnonationalism in Indian and in Israel.
Mentioned in the episode

Ben Shitrit, Lihi. Righteous Transgressions: Women’s Activism on the Israeli and Palestinian Religious Right. Princeton, NJ: Princeton University Press, 2016.

El-Or, Tamar, and Gideon Aran. “Giving Birth to a Settlement: Maternal Thinking and Political Action of Jewish Women on the West Bank.” Gender and Society 9, no. 1 (February 1995): 60-78.

Neuman, Tamara. “Maternal ‘Anti-Politics’ in the Formation of Hebron’s Jewish Enclave.”

Journal of Palestine Studies 33, no. 2 (Winter 2004): 51-70.

Neuman, Tamara. Settling Hebron: Jewish Fundamentalism in a Palestinian City. Philadelphia: University of Pennsylvania Press, 2018.

Krampf, Arie. The Israeli Path to Neoliberalism: The State, Continuity, and Change. New York, NY: Routledge, 2018.


Read and Listen here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://twitter.com/NatashaRoth01">Natasha Roth-Rowland</a> is a writer and researcher at Diaspora Alliance, a former editor at +<a href="https://www.972mag.com/writer/natashar/">972 Magazine</a>, and an expert on the Jewish far right. She joins anthropologists <a href="https://loriallen.blog/">Lori Allen</a> and <a href="https://www.gc.cuny.edu/people/ajantha-subramanian">Ajantha Subramanian</a> midway through a three-part RTB series, "Violent Majorities: Indian and Israeli Ethnonationalism." <a href="https://recallthisbook.org/2023/12/07/118-violent-majorities-indian-and-israeli-ethnonationalism-episode-1-balmurli-natrajan-with-lori-allen-and-ajantha-subramanian/">Listen to episode 1 here</a>.</p><p>The three discuss the transnational formation of the Jewish far right over the 20th and 21st centuries, the gradual movement of far right actors into the heart of the Israeli state, and the shared investment in territorial maximalism, racial supremacy, and natalism across the Zionist ideological spectrum.</p><p>Coming up next in RTB 120: Lori and Ajantha sit down with John to synthesize what Murli and Natasha had to say about Ethnonationalism in Indian and in Israel.</p><p>Mentioned in the episode</p><ul>
<li>Ben Shitrit, Lihi. <a href="https://press.princeton.edu/books/hardcover/9780691164564/righteous-transgressions">Righteous Transgressions: Women’s Activism on the Israeli and Palestinian Religious Right</a>. Princeton, NJ: Princeton University Press, 2016.</li>
<li>El-Or, Tamar, and Gideon Aran. “<a href="https://www.jstor.org/stable/189598">Giving Birth to a Settlement: Maternal Thinking and Political Action of Jewish Women on the West Bank</a>.” Gender and Society 9, no. 1 (February 1995): 60-78.</li>
<li>Neuman, Tamara. “<a href="https://www.tandfonline.com/doi/abs/10.1525/jps.2004.33.2.51">Maternal ‘Anti-Politics’ in the Formation of Hebron’s Jewish Enclave</a>.”</li>
<li>Journal of Palestine Studies 33, no. 2 (Winter 2004): 51-70.</li>
<li>Neuman, Tamara. <a href="https://www.jstor.org/stable/j.ctv16t6mfw">Settling Hebron: Jewish Fundamentalism in a Palestinian City</a>. Philadelphia: University of Pennsylvania Press, 2018.</li>
<li>Krampf, Arie. <a href="https://www.routledge.com/The-Israeli-Path-to-Neoliberalism-The-State-Continuity-and-Change/Krampf/p/book/9780367593339">The Israeli Path to Neoliberalism: The State, Continuity, and Change</a>. New York, NY: Routledge, 2018.</li>
</ul><p><br></p><p><a href="https://recallthisbookorg.files.wordpress.com/2023/12/rtb-119-roth-rowlandson.pdf">Read</a> and Listen here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2981</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d7380646-99e2-11ee-9a85-47957d84459a]]></guid>
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    </item>
    <item>
      <title>Russell T. McCutcheon, "Critics Not Caretakers: Redescribing the Public Study of Religion" (Routledge, 2023)</title>
      <description>Russell T. McCutcheon's essay collection Critics Not Caretakers: Redescribing the Public Study of Religion (Routledge, 2023) argues that the study of religion must be rethought as an ordinary aspect of social, historical existence, a stance that makes the scholar of religion a critic of cultural and historical practices rather than a caretaker of religious tradition or a font of timeless wisdom and deep meaning.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>314</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Russell T. McCutcheon</itunes:subtitle>
      <itunes:summary>Russell T. McCutcheon's essay collection Critics Not Caretakers: Redescribing the Public Study of Religion (Routledge, 2023) argues that the study of religion must be rethought as an ordinary aspect of social, historical existence, a stance that makes the scholar of religion a critic of cultural and historical practices rather than a caretaker of religious tradition or a font of timeless wisdom and deep meaning.
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Russell T. McCutcheon's essay collection <a href="https://bookshop.org/a/12343/9781032467924"><em>Critics Not Caretakers: Redescribing the Public Study of Religion</em></a> (Routledge, 2023) argues that the study of religion must be rethought as an ordinary aspect of social, historical existence, a stance that makes the scholar of religion a critic of cultural and historical practices rather than a caretaker of religious tradition or a font of timeless wisdom and deep meaning.</p><p><em>Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see </em><a href="https://rajbalkaran.com/"><em>rajbalkaran.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2734</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8448d688-96ac-11ee-bb82-a3ba2b7b459e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2717748267.mp3?updated=1702139041" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julian Go, "Policing Empires: Militarization, Race, and the Imperial Boomerang in Britain and the US" (Oxford UP, 2023)</title>
      <description>The police response to protests erupting on America's streets in recent years has made the militarization of policing painfully transparent. Yet, properly demilitarizing the police requires a deeper understanding of its historical development, causes, and social logics. 
Policing Empires: Militarization, Race, and the Imperial Boomerang in Britain and the US (Oxford UP, 2023) offers a postcolonial historical sociology of police militarization in Britain and the United States to aid that effort. Julian Go tracks when, why, and how British and US police departments have adopted military tactics, tools, and technologies for domestic use. Go reveals that police militarization has occurred since the very founding of modern policing in the nineteenth century into the present, and that it is an effect of the "imperial boomerang." Policing Empires thereby unlocks the dirty secret of police militarization: Police have brought imperial practices home to militarize themselves in response to perceived racialized threats from minority and immigrant populations.
Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julian Go</itunes:subtitle>
      <itunes:summary>The police response to protests erupting on America's streets in recent years has made the militarization of policing painfully transparent. Yet, properly demilitarizing the police requires a deeper understanding of its historical development, causes, and social logics. 
Policing Empires: Militarization, Race, and the Imperial Boomerang in Britain and the US (Oxford UP, 2023) offers a postcolonial historical sociology of police militarization in Britain and the United States to aid that effort. Julian Go tracks when, why, and how British and US police departments have adopted military tactics, tools, and technologies for domestic use. Go reveals that police militarization has occurred since the very founding of modern policing in the nineteenth century into the present, and that it is an effect of the "imperial boomerang." Policing Empires thereby unlocks the dirty secret of police militarization: Police have brought imperial practices home to militarize themselves in response to perceived racialized threats from minority and immigrant populations.
Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The police response to protests erupting on America's streets in recent years has made the militarization of policing painfully transparent. Yet, properly demilitarizing the police requires a deeper understanding of its historical development, causes, and social logics. </p><p><a href="https://bookshop.org/a/12343/9780197621660"><em>Policing Empires: Militarization, Race, and the Imperial Boomerang in Britain and the US</em></a><em> </em>(Oxford UP, 2023) offers a postcolonial historical sociology of police militarization in Britain and the United States to aid that effort. Julian Go tracks when, why, and how British and US police departments have adopted military tactics, tools, and technologies for domestic use. Go reveals that police militarization has occurred since the very founding of modern policing in the nineteenth century into the present, and that it is an effect of the "imperial boomerang." <em>Policing Empires</em> thereby unlocks the dirty secret of police militarization: Police have brought imperial practices home to militarize themselves in response to perceived racialized threats from minority and immigrant populations.</p><p><em>Jeffrey Lamson is a PhD student in world history at Northeastern University. His research focuses on the history of police technology, its relationship to the history of police reform, and its place at the intersection of U.S. domestic policing and global counterinsurgency.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3217</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a5f2d062-97a2-11ee-8c2a-df80da4b22dd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5714308596.mp3?updated=1702244176" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Regina Lee Blaszczyk and David Suisman, "Capitalism and the Senses" (U Pennsylvania Press, 2023)</title>
      <description>Regina Lee Blaszczyk and David Suisman's Capitalism and the Senses (U Pennsylvania Press, 2023) is the first edited volume to explore how the forces of capitalism are entangled with everyday sensory experience. If the senses have a history, as Karl Marx wrote, then that history is inseparable from the development of capitalism, which has both taken advantage of the senses and influenced how sensory experience has changed over time.
This pioneering collection shows how seeing, hearing, tasting, smelling, and touching have both shaped and been shaped by commercial interests from the turn of the twentieth century to our own time. From the manipulation of taste and texture in the food industry to the careful engineering of the feel of artificial fabrics, capitalist enterprises have worked to commodify the senses in a wide variety of ways. Drawing on history, anthropology, geography, and other fields, the volume’s essays analyze not only where this effort has succeeded but also where the senses have resisted control and the logic of markets. The result is an innovative ensemble that demonstrates how the drive to exploit sensorial experience for profit became a defining feature of capitalist modernity and establishes the senses as an important dimension of the history of capitalism.
Contributors: Nicholas Anderman, Regina Lee Blaszczyk, Jessica P. Clark, Ai Hisano, Lisa Jacobson, Sven Kube, Grace Lees-Maffei, Ingemar Pettersson, David Suisman, Ana María Ulloa, Nicole Welk-Joerger.
Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. For more information, visit robinsteiner.net.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Suisman</itunes:subtitle>
      <itunes:summary>Regina Lee Blaszczyk and David Suisman's Capitalism and the Senses (U Pennsylvania Press, 2023) is the first edited volume to explore how the forces of capitalism are entangled with everyday sensory experience. If the senses have a history, as Karl Marx wrote, then that history is inseparable from the development of capitalism, which has both taken advantage of the senses and influenced how sensory experience has changed over time.
This pioneering collection shows how seeing, hearing, tasting, smelling, and touching have both shaped and been shaped by commercial interests from the turn of the twentieth century to our own time. From the manipulation of taste and texture in the food industry to the careful engineering of the feel of artificial fabrics, capitalist enterprises have worked to commodify the senses in a wide variety of ways. Drawing on history, anthropology, geography, and other fields, the volume’s essays analyze not only where this effort has succeeded but also where the senses have resisted control and the logic of markets. The result is an innovative ensemble that demonstrates how the drive to exploit sensorial experience for profit became a defining feature of capitalist modernity and establishes the senses as an important dimension of the history of capitalism.
Contributors: Nicholas Anderman, Regina Lee Blaszczyk, Jessica P. Clark, Ai Hisano, Lisa Jacobson, Sven Kube, Grace Lees-Maffei, Ingemar Pettersson, David Suisman, Ana María Ulloa, Nicole Welk-Joerger.
Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. For more information, visit robinsteiner.net.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Regina Lee Blaszczyk and David Suisman's<a href="https://bookshop.org/a/12343/9781512824209"><em> Capitalism and the Senses</em></a><em> </em>(U Pennsylvania Press, 2023) is the first edited volume to explore how the forces of capitalism are entangled with everyday sensory experience. If the senses have a history, as Karl Marx wrote, then that history is inseparable from the development of capitalism, which has both taken advantage of the senses and influenced how sensory experience has changed over time.</p><p>This pioneering collection shows how seeing, hearing, tasting, smelling, and touching have both shaped and been shaped by commercial interests from the turn of the twentieth century to our own time. From the manipulation of taste and texture in the food industry to the careful engineering of the feel of artificial fabrics, capitalist enterprises have worked to commodify the senses in a wide variety of ways. Drawing on history, anthropology, geography, and other fields, the volume’s essays analyze not only where this effort has succeeded but also where the senses have resisted control and the logic of markets. The result is an innovative ensemble that demonstrates how the drive to exploit sensorial experience for profit became a defining feature of capitalist modernity and establishes the senses as an important dimension of the history of capitalism.</p><p>Contributors: Nicholas Anderman, Regina Lee Blaszczyk, Jessica P. Clark, Ai Hisano, Lisa Jacobson, Sven Kube, Grace Lees-Maffei, Ingemar Pettersson, David Suisman, Ana María Ulloa, Nicole Welk-Joerger.</p><p><em>Robin Steiner is an economic anthropologist based in Miami, FL. His published work explores economic development, labor and citizenship in Oman and the Arab Gulf. He teaches in the Department of Global and Sociocultural Studies at Florida International University. For more information, visit </em><a href="http://robinsteiner.net/"><em>robinsteiner.net</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3288</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4f37197a-96c8-11ee-968e-87df69a92e34]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK4593689144.mp3?updated=1702151662" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Munsterhjelm, "Forensic Colonialism: Genetics and the Capture of Indigenous Peoples" (McGill-Queen's UP, 2023)</title>
      <description>Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude. 
In Forensic Colonialism: Genetics and the Capture of Indigenous Peoples (McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies. 
Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics.
Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 10 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>360</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Munsterhjelm</itunes:subtitle>
      <itunes:summary>Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude. 
In Forensic Colonialism: Genetics and the Capture of Indigenous Peoples (McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies. 
Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics.
Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples' genetic material and a subsequent ongoing genetic servitude. </p><p>In <a href="https://bookshop.org/a/12343/9780228016892"><em>Forensic Colonialism: Genetics and the Capture of Indigenous Peoples</em></a><em> </em>(McGill-Queen's UP, 2023), Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks' use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies. </p><p>Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies. Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics.</p><p><a href="https://www.linkedin.com/in/melek-firat-altay/"><em>Melek Firat Altay</em></a><em> is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1995</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a0ebf4e2-9697-11ee-8959-5b9adec5f723]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1614818898.mp3?updated=1702129352" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tom Özden-Schilling, "The Ends of Research: Indigenous and Settler Science After the War in the Woods" (Duke UP, 2023)</title>
      <description>In The Ends of Research: Indigenous and Settler Science after the War in the Woods (Duke University Press, 2023) by Dr. Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the “War in the Woods,” a period of anti-logging blockades in Canada in the late twentieth century.
Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest British Columbia, Dr. Özden-Schilling examines these researchers’ lasting investments and the ways they struggle to continue their work long after the loss of government funding. He charts their use of planning documents, Indigenous territory maps, land use plots, reports, and other documents that help them to not only survive institutional restructuring but to hold onto the practices that they hope will enable future researchers to continue their work. He also shows how their lives and aspirations shape and are shaped by decades-long battles over resource extraction and Indigenous land claims.
By focusing on researchers’ experiences and personal attachments, Dr. Özden-Schilling illustrates the complex relationships between researchers and rural histories of conservation, environmental conflict, resource extraction, and the long-term legacies of scientific research.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 09 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tom Özden-Schilling</itunes:subtitle>
      <itunes:summary>In The Ends of Research: Indigenous and Settler Science after the War in the Woods (Duke University Press, 2023) by Dr. Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the “War in the Woods,” a period of anti-logging blockades in Canada in the late twentieth century.
Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest British Columbia, Dr. Özden-Schilling examines these researchers’ lasting investments and the ways they struggle to continue their work long after the loss of government funding. He charts their use of planning documents, Indigenous territory maps, land use plots, reports, and other documents that help them to not only survive institutional restructuring but to hold onto the practices that they hope will enable future researchers to continue their work. He also shows how their lives and aspirations shape and are shaped by decades-long battles over resource extraction and Indigenous land claims.
By focusing on researchers’ experiences and personal attachments, Dr. Özden-Schilling illustrates the complex relationships between researchers and rural histories of conservation, environmental conflict, resource extraction, and the long-term legacies of scientific research.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/the-ends-of-research"><em>The Ends of Research: Indigenous and Settler Science after the War in the Woods</em></a> (Duke University Press, 2023) by Dr. Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the “War in the Woods,” a period of anti-logging blockades in Canada in the late twentieth century.</p><p>Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest British Columbia, Dr. Özden-Schilling examines these researchers’ lasting investments and the ways they struggle to continue their work long after the loss of government funding. He charts their use of planning documents, Indigenous territory maps, land use plots, reports, and other documents that help them to not only survive institutional restructuring but to hold onto the practices that they hope will enable future researchers to continue their work. He also shows how their lives and aspirations shape and are shaped by decades-long battles over resource extraction and Indigenous land claims.</p><p>By focusing on researchers’ experiences and personal attachments, Dr. Özden-Schilling illustrates the complex relationships between researchers and rural histories of conservation, environmental conflict, resource extraction, and the long-term legacies of scientific research.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4877</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Self Help</title>
      <description>In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy.
In the episode, she references Alondra Nelson’s book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy’s Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings.
Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator.
In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian.
Our conversation is based Angela’s new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory.
Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field(link is external) (U of Iowa P, 2018). Her full-length books of poetry include Middle Time(link is external) (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 07 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Angela Hume</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy.
In the episode, she references Alondra Nelson’s book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy’s Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings.
Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator.
In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian.
Our conversation is based Angela’s new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory.
Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field(link is external) (U of Iowa P, 2018). Her full-length books of poetry include Middle Time(link is external) (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy.</p><p>In the episode, she references Alondra Nelson’s book <a href="https://www.upress.umn.edu/book-division/books/body-and-soul"><em>Body and Soul: The Black Panther Party and the Fight against Medical Discrimination</em></a> (Minnesota UP, 2013); Michelle Murphy’s <a href="https://www.dukeupress.edu/seizing-the-means-of-reproduction"><em>Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience</em></a> (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; <a href="https://aidaccess.org/en/">AidAccess</a> which provides mail order medication assisted abortion; and <a href="https://myanetwork.org/">MYA Network</a>, a group of clinicians seeking to expand abortion access in primary care settings.</p><p>Angela suggested we include three links that everyone should have at their fingertips, <a href="https://www.plancpills.org/">PlanC</a> (<a href="https://www.plancpills.org/">plancpills.org</a>) which helps people access abortion pills, <a href="https://aidaccess.org/en/">AidAccess</a> (<a href="https://aidaccess.org/en/">aidaccess.org</a>) the pill fulfillment service described above, and <a href="https://www.ineedana.com/">I Need an A</a> (<a href="https://www.ineedana.com/">ineedana.com</a>), a clinic locator.</p><p>In our longer conversation, she also named the <a href="https://keepourclinics.org/">Keep Our Clinics</a> campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in <a href="https://www.theguardian.com/books/2023/nov/27/deep-care-book-abortion"><em>The Guardian</em></a><em>.</em></p><p>Our conversation is based Angela’s new book, <a href="https://www.akpress.org/deep-care.html"><em>Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open</em>(link is external)</a> (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read <a href="https://post45.org/2023/06/from-deep-care-the-radical-activists-who-provided-abortions-defied-the-law-and-fought-to-keep-clinics-open/">an excerpt</a> from the book in the <em>Post45 </em>contemporaries collection “<a href="https://post45.org/sections/contemporaries-essays/abortion-now-abortion-forever/">Abortion Now, Abortion Forever</a>,” which was the starting point for our conversation on High Theory.</p><p><a href="https://linktr.ee/angelahume">Angela Hume</a> is a feminist historian, critic, and poet, who teaches at <a href="https://writing.berkeley.edu/people/angela-hume">UC Berkeley</a>. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond <em>Deep Care, </em>Angela is co-editor of <a href="https://uipress.uiowa.edu/books/ecopoetics"><em>Ecopoetics: Essays in the Field</em>(link is external)</a> (U of Iowa P, 2018). Her full-length books of poetry include <a href="https://press.uchicago.edu/ucp/books/book/distributed/M/bo43347921.html"><em>Middle Time</em>(link is external)</a> (Omnidawn, 2016) and <a href="https://press.uchicago.edu/ucp/books/book/distributed/I/bo124043052.html"><em>Interventions for Women</em></a> (Omnidawn, 2021).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
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      <itunes:duration>1180</itunes:duration>
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    </item>
    <item>
      <title>Violent Majorities, Indian and Israeli Ethnonationalism. Episode 1</title>
      <description>"The Slippery Slope to a Multiculturalism of Caste"
Professor Balmurli Natrajan has long studied questions of caste, nationalism and fascism in the Indian context: his many works include a 2011 book, The Culturalization of Caste in India. He joins anthropologists Lori Allen and Ajantha Subramanian to kick off a three-part RTB series, "Violent Majorities: Indian and Israeli Ethnonationalism."
The three discuss the ideological bases of Indian ethnonationalism, including its historical links to European fascism, the role of caste as both a conduit and impediment to suturing a Hindu majority, the overlaps and differences between the mobilization work of the Hindu Right in India and the U.S., and possibilities for countering India's slide towards fascism.
Mentioned in the episode:
-B. R. Ambedkar, The Annihilation of Caste, Verso, 2014 [1936].
-Zaheer Baber, "Religious nationalism, violence and the Hindutva movement in India," Dialectical Anthropology 25(1): 61–76, 2000.
-Meera Nanda, The God Market: How Globalization is Making India More Hindu, NYU Press, 2011.
-Christophe Jaffrelot on Radikaal podcast, August 28, 2022.
-Christophe Jaffrelot, The Hindu Nationalist Movement in India, Columbia University Press, 1996.
-Christophe Jaffrelot, Modi's India: Hindu Nationalism and the Rise of Ethnic Democracy, Princeton University Press, 2021.
-Jairus Banaji, "Fascism as a Mass-Movement: Translator's Introduction," Historical Materialism 20.1, 2012: 133-143.
-Arthur Rosenberg, "Fascism as a Mass Movement," Historical Materialism 20.1 (2012) [1934]: 144-189.
-Stuart Hall, "The Great Moving Right Show," Marxism Today, January 1979.
-Snigdha Poonam, Dreamers: How Young Indians are Changing the World, Harvard University Press, 2018.
-Thomas Blom Hansen, Wages of Violence: Naming and Identity in Postcolonial Bombay, Princeton University Press, 2001. (edited)
Read and Listen to the episode here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 07 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Balmurli Natrajan (with Lori Allen and Ajantha Subramanian)</itunes:subtitle>
      <itunes:summary>"The Slippery Slope to a Multiculturalism of Caste"
Professor Balmurli Natrajan has long studied questions of caste, nationalism and fascism in the Indian context: his many works include a 2011 book, The Culturalization of Caste in India. He joins anthropologists Lori Allen and Ajantha Subramanian to kick off a three-part RTB series, "Violent Majorities: Indian and Israeli Ethnonationalism."
The three discuss the ideological bases of Indian ethnonationalism, including its historical links to European fascism, the role of caste as both a conduit and impediment to suturing a Hindu majority, the overlaps and differences between the mobilization work of the Hindu Right in India and the U.S., and possibilities for countering India's slide towards fascism.
Mentioned in the episode:
-B. R. Ambedkar, The Annihilation of Caste, Verso, 2014 [1936].
-Zaheer Baber, "Religious nationalism, violence and the Hindutva movement in India," Dialectical Anthropology 25(1): 61–76, 2000.
-Meera Nanda, The God Market: How Globalization is Making India More Hindu, NYU Press, 2011.
-Christophe Jaffrelot on Radikaal podcast, August 28, 2022.
-Christophe Jaffrelot, The Hindu Nationalist Movement in India, Columbia University Press, 1996.
-Christophe Jaffrelot, Modi's India: Hindu Nationalism and the Rise of Ethnic Democracy, Princeton University Press, 2021.
-Jairus Banaji, "Fascism as a Mass-Movement: Translator's Introduction," Historical Materialism 20.1, 2012: 133-143.
-Arthur Rosenberg, "Fascism as a Mass Movement," Historical Materialism 20.1 (2012) [1934]: 144-189.
-Stuart Hall, "The Great Moving Right Show," Marxism Today, January 1979.
-Snigdha Poonam, Dreamers: How Young Indians are Changing the World, Harvard University Press, 2018.
-Thomas Blom Hansen, Wages of Violence: Naming and Identity in Postcolonial Bombay, Princeton University Press, 2001. (edited)
Read and Listen to the episode here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"The Slippery Slope to a Multiculturalism of Caste"</p><p>Professor <a href="https://wpconnect.wpunj.edu/directories/faculty/default.cfm?user=natrajanb">Balmurli Natrajan</a> has long studied questions of caste, nationalism and fascism in the Indian context: his many works include a 2011 book, <a href="https://www.routledge.com/The-Culturalization-of-Caste-in-India-Identity-and-Inequality-in-a-Multicultural/Natrajan/p/book/9780415857864#:~:text=Challenging%20dominant%20social%20theories%20of,demands%20of%20capitalism%20and%20democracy."><em>The Culturalization of Caste in India</em>.</a> He joins anthropologists <a href="https://loriallen.blog/">Lori Allen</a> and <a href="https://www.gc.cuny.edu/people/ajantha-subramanian">Ajantha Subramanian</a> to kick off a three-part RTB series, "Violent Majorities: Indian and Israeli Ethnonationalism."</p><p>The three discuss the ideological bases of Indian ethnonationalism, including its historical links to European fascism, the role of caste as both a conduit and impediment to suturing a Hindu majority, the overlaps and differences between the mobilization work of the Hindu Right in India and the U.S., and possibilities for countering India's slide towards fascism.</p><p>Mentioned in the episode:</p><p>-B. R. Ambedkar, <a href="https://www.versobooks.com/products/75-annihilation-of-caste">The Annihilation of Caste</a>, Verso, 2014 [1936].</p><p>-Zaheer Baber, "<a href="https://www.jstor.org/stable/29790624">Religious nationalism, violence and the Hindutva movement in India</a>," Dialectical Anthropology 25(1): 61–76, 2000.</p><p>-Meera Nanda, <a href="https://nyupress.org/9781583672495/the-god-market/">The God Market</a>: How Globalization is Making India More Hindu, NYU Press, 2011.</p><p>-Christophe <a href="https://soundcloud.com/radikaalpodcast/70-christophe-jaffrelot-on-modis-india">Jaffrelot on Radikaal podcast</a>, August 28, 2022.</p><p>-Christophe Jaffrelot, <a href="https://cup.columbia.edu/book/the-hindu-nationalist-movement-in-india/9780231103350">The Hindu Nationalist Movement in India</a>, Columbia University Press, 1996.</p><p>-Christophe Jaffrelot, <a href="https://press.princeton.edu/books/hardcover/9780691206806/modis-india">Modi's India: Hindu Nationalism and the Rise of Ethnic Democracy</a>, Princeton University Press, 2021.</p><p>-Jairus Banaji, <a href="https://web.archive.org/web/20170331021931/http:/eprints.soas.ac.uk/13648/1/HIMA_020_01_133-143-1.pdf">"Fascism as a Mass-Movement: Translator's Introduction," </a><em>Historical Materialism</em> 20.1, 2012: 133-143.</p><p>-Arthur Rosenberg, <a href="https://cominsitu.files.wordpress.com/2020/10/arthur-rosenberg-translated-by-jairus-banaji-fascism-as-a-mass-movement-three-essays-collective-2013-1934.pdf">"Fascism as a Mass Movement," </a><em>Historical Materialism</em> 20.1 (2012) [1934]: 144-189.</p><p>-Stuart Hall, <a href="https://f.hypotheses.org/wp-content/blogs.dir/744/files/2012/03/Great-Moving-Right-ShowHALL.pdf">"The Great Moving Right Show," </a><em>Marxism Today</em>, January 1979.</p><p>-Snigdha Poonam, <a href="https://www.hup.harvard.edu/books/9780674988170">Dreamers: How Young Indians are Changing the World</a>, Harvard University Press, 2018.</p><p>-Thomas Blom Hansen, <a href="https://press.princeton.edu/books/ebook/9780691188621/wages-of-violence">Wages of Violence: Naming and Identity in Postcolonial Bombay</a>, Princeton University Press, 2001. (edited)</p><p><a href="https://recallthisbookorg.files.wordpress.com/2023/12/transcript-rtb-118-natrajan-final.pdf">Read</a> and Listen to the episode here</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3095</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1fa25878-9457-11ee-ba8c-6b1f527bef8b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6379076726.mp3?updated=1701881757" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James A. Chamberlain, "Undoing Work, Rethinking Community: A Critique of the Social Function of Work" (ILR Press, 2018)</title>
      <description>This revolutionary book presents a new conception of community and the struggle against capitalism. In Undoing Work, Rethinking Community: A Critique of the Social Function of Work (ILR Press, 2018), James A. Chamberlain argues that paid work and the civic duty to perform it substantially undermines freedom and justice. Chamberlain believes that to seize back our time and transform our society, we must abandon the deep-seated view that community is constructed by work, whether paid or not.
Chamberlain focuses on the regimes of flexibility and the unconditional basic income, arguing that while both offer prospects for greater freedom and justice, they also incur the risk of shoring up the work society rather than challenging it. To transform the work society, he shows that we must also reconfigure the place of paid work in our lives and rethink the meaning of community at a deeper level. Throughout, he speaks to a broad readership, and his focus on freedom and social justice will interest scholars and activists alike. Chamberlain offers a range of strategies that will allow us to uncouple our deepest human values from the notion that worth is generated only through labor.
James a Chamberlain is an Associate Professor of Political Science at Mississippi State University, where he specialize in political theory. Chamberlain engages with both ‘continental’ and ‘analytic’ traditions of political philosophy, as well as relevant work in the social sciences and humanities. Building on the work we will discuss today his current and recent research focuses on migration and borders.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>428</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James A. Chamberlain</itunes:subtitle>
      <itunes:summary>This revolutionary book presents a new conception of community and the struggle against capitalism. In Undoing Work, Rethinking Community: A Critique of the Social Function of Work (ILR Press, 2018), James A. Chamberlain argues that paid work and the civic duty to perform it substantially undermines freedom and justice. Chamberlain believes that to seize back our time and transform our society, we must abandon the deep-seated view that community is constructed by work, whether paid or not.
Chamberlain focuses on the regimes of flexibility and the unconditional basic income, arguing that while both offer prospects for greater freedom and justice, they also incur the risk of shoring up the work society rather than challenging it. To transform the work society, he shows that we must also reconfigure the place of paid work in our lives and rethink the meaning of community at a deeper level. Throughout, he speaks to a broad readership, and his focus on freedom and social justice will interest scholars and activists alike. Chamberlain offers a range of strategies that will allow us to uncouple our deepest human values from the notion that worth is generated only through labor.
James a Chamberlain is an Associate Professor of Political Science at Mississippi State University, where he specialize in political theory. Chamberlain engages with both ‘continental’ and ‘analytic’ traditions of political philosophy, as well as relevant work in the social sciences and humanities. Building on the work we will discuss today his current and recent research focuses on migration and borders.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This revolutionary book presents a new conception of community and the struggle against capitalism. In <a href="https://bookshop.org/a/12343/9781501714863"><em>Undoing Work, Rethinking Community: A Critique of the Social Function of Work</em></a><em> </em>(ILR Press, 2018), James A. Chamberlain argues that paid work and the civic duty to perform it substantially undermines freedom and justice. Chamberlain believes that to seize back our time and transform our society, we must abandon the deep-seated view that community is constructed by work, whether paid or not.</p><p>Chamberlain focuses on the regimes of flexibility and the unconditional basic income, arguing that while both offer prospects for greater freedom and justice, they also incur the risk of shoring up the work society rather than challenging it. To transform the work society, he shows that we must also reconfigure the place of paid work in our lives and rethink the meaning of community at a deeper level. Throughout, he speaks to a broad readership, and his focus on freedom and social justice will interest scholars and activists alike. Chamberlain offers a range of strategies that will allow us to uncouple our deepest human values from the notion that worth is generated only through labor.</p><p>James a Chamberlain is an Associate Professor of Political Science at Mississippi State University, where he specialize in political theory. Chamberlain engages with both ‘continental’ and ‘analytic’ traditions of political philosophy, as well as relevant work in the social sciences and humanities. Building on the work we will discuss today his current and recent research focuses on migration and borders.</p><p><a href="https://oakland.edu/cj/faculty/discenna"><em>Tom Discenna</em></a><em> is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2746</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Shelly Kagan, "How to Count Animals, More Or Less" (Oxford UP, 2019)</title>
      <description>Most people agree that animals count morally, but how exactly should we take animals into account? A prominent stance in contemporary ethical discussions is that animals have the same moral status that people do, and so in moral deliberation the similar interests of animals and people should be given the very same consideration. 
In How to Count Animals, More Or Less (Oxford UP, 2019), Shelly Kagan sets out and defends a hierarchical approach in which people count more than animals do and some animals count more than others. For the most part, moral theories have not been developed in such a way as to take account of differences in status. By arguing for a hierarchical account of morality - and exploring what status sensitive principles might look like - Kagan reveals just how much work needs to be done to arrive at an adequate view of our duties toward animals, and of morality more generally.
Shelly Kagan is the Clark Professor of Philosophy at Yale, where he has taught since 1995. He was an undergraduate at Wesleyan University and received his PhD in philosophy from Princeton University in 1982. Before coming to Yale, Professor Kagan taught at the University of Pittsburgh and at the University of Illinois at Chicago. He is the author of The Limits of Morality, Normative Ethics, and The Geometry of Desert. The videos of his undergraduate class on death (available online) have been popular around the world, and the book based on the course, Death, was a national bestseller in South Korea.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shelly Kagan</itunes:subtitle>
      <itunes:summary>Most people agree that animals count morally, but how exactly should we take animals into account? A prominent stance in contemporary ethical discussions is that animals have the same moral status that people do, and so in moral deliberation the similar interests of animals and people should be given the very same consideration. 
In How to Count Animals, More Or Less (Oxford UP, 2019), Shelly Kagan sets out and defends a hierarchical approach in which people count more than animals do and some animals count more than others. For the most part, moral theories have not been developed in such a way as to take account of differences in status. By arguing for a hierarchical account of morality - and exploring what status sensitive principles might look like - Kagan reveals just how much work needs to be done to arrive at an adequate view of our duties toward animals, and of morality more generally.
Shelly Kagan is the Clark Professor of Philosophy at Yale, where he has taught since 1995. He was an undergraduate at Wesleyan University and received his PhD in philosophy from Princeton University in 1982. Before coming to Yale, Professor Kagan taught at the University of Pittsburgh and at the University of Illinois at Chicago. He is the author of The Limits of Morality, Normative Ethics, and The Geometry of Desert. The videos of his undergraduate class on death (available online) have been popular around the world, and the book based on the course, Death, was a national bestseller in South Korea.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most people agree that animals count morally, but how exactly should we take animals into account? A prominent stance in contemporary ethical discussions is that animals have the same moral status that people do, and so in moral deliberation the similar interests of animals and people should be given the very same consideration. </p><p>In <a href="https://bookshop.org/a/12343/9780198829676"><em>How to Count Animals, More Or Less </em></a>(Oxford UP, 2019), Shelly Kagan sets out and defends a hierarchical approach in which people count more than animals do and some animals count more than others. For the most part, moral theories have not been developed in such a way as to take account of differences in status. By arguing for a hierarchical account of morality - and exploring what status sensitive principles might look like - Kagan reveals just how much work needs to be done to arrive at an adequate view of our duties toward animals, and of morality more generally.</p><p>Shelly Kagan is the Clark Professor of Philosophy at Yale, where he has taught since 1995. He was an undergraduate at Wesleyan University and received his PhD in philosophy from Princeton University in 1982. Before coming to Yale, Professor Kagan taught at the University of Pittsburgh and at the University of Illinois at Chicago. He is the author of <em>The Limits of Morality</em>, <em>Normative Ethics</em>, and <em>The Geometry of Desert</em>. The videos of his undergraduate class on death (available online) have been popular around the world, and the book based on the course, <em>Death</em>, was a national bestseller in South Korea.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Simon Joyce, "LGBT Victorians: Sexuality and Gender in the Nineteenth-Century Archives" (Oxford UP, 2022)</title>
      <description>It has been decades since Michel Foucault urged us to rethink "the repressive hypothesis" and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term "Victorian" still has largely negative connotations. LGBT Victorians: Sexuality and Gender in the Nineteenth-Century Archives (Oxford UP, 2022) argues for re-visiting the period's thinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneously in coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening our present LGBTQ+ coalition.
LGBT Victorians draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range of individuals (including Anne Lister, and the defendants in the "Fanny and Stella" trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender and sexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity.
Simon Joyce is Professor of English, College of William and Mary. He holds a BA and MA from the University of Sussex and a PhD from the University of Buffalo. He is a Professor of English at the College of William and Mary in Virginia, where he teaches Victorian and modernist literature from Britain and Ireland and LGBTQI+ Studies.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simon Joyce</itunes:subtitle>
      <itunes:summary>It has been decades since Michel Foucault urged us to rethink "the repressive hypothesis" and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term "Victorian" still has largely negative connotations. LGBT Victorians: Sexuality and Gender in the Nineteenth-Century Archives (Oxford UP, 2022) argues for re-visiting the period's thinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneously in coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening our present LGBTQ+ coalition.
LGBT Victorians draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range of individuals (including Anne Lister, and the defendants in the "Fanny and Stella" trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender and sexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity.
Simon Joyce is Professor of English, College of William and Mary. He holds a BA and MA from the University of Sussex and a PhD from the University of Buffalo. He is a Professor of English at the College of William and Mary in Virginia, where he teaches Victorian and modernist literature from Britain and Ireland and LGBTQI+ Studies.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It has been decades since Michel Foucault urged us to rethink "the repressive hypothesis" and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term "Victorian" still has largely negative connotations. <a href="https://bookshop.org/a/12343/9780192858399"><em>LGBT Victorians: Sexuality and Gender in the Nineteenth-Century Archives</em></a><em> </em>(Oxford UP, 2022) argues for re-visiting the period's thinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneously in coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening our present LGBTQ+ coalition.</p><p><em>LGBT Victorians</em> draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range of individuals (including Anne Lister, and the defendants in the "Fanny and Stella" trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender and sexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity.</p><p>Simon Joyce is Professor of English, College of William and Mary. H<em>e</em> holds a BA and MA from the University of Sussex and a PhD from the University of Buffalo. He is a Professor of English at the College of William and Mary in Virginia, where he teaches Victorian and modernist literature from Britain and Ireland and LGBTQI+ Studies.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4474</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Monica Huerta, "The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism" (NYU Press, 2023)</title>
      <description>The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism (NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.
The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.
The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>358</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Monica Huerta</itunes:subtitle>
      <itunes:summary>The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism (NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.
The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.
The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. <a href="https://bookshop.org/a/12343/9781479812424"><em>The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism</em></a><em> </em>(NYU Press, 2023) slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.</p><p>The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.</p><p><em>The Unintended</em> proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4437</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Chhaya Kolavalli, "Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City" (U Georgia Press, 2023)</title>
      <description>Chhaya Kolavalli's book Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects.
Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.
Well-Intentioned Whiteness shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 02 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chhaya Kolavalli</itunes:subtitle>
      <itunes:summary>Chhaya Kolavalli's book Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects.
Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.
Well-Intentioned Whiteness shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Chhaya Kolavalli's book <a href="https://bookshop.org/a/12343/9780820364094"><em>Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City</em></a> (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects.</p><p>Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.</p><p><em>Well-Intentioned Whiteness</em> shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1769</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Deepak Bhargava and Stephanie Luce, "Practical Radicals: Seven Strategies to Change the World" (The New Press, 2023)</title>
      <description>In the tradition of Saul Alinsky’s Rules for Radicals and Sun Tzu’s The Art of War, Deepak Bhargava and Stephanie Luce’s Practical Radicals: Seven Strategies to Change the World (The New Press, 2023) offers winning strategies, history, and theory for a new generation of activists. Based on interviews with leading organizers, this groundbreaking book describes seven strategies to bring about transformative change. It incorporates stories of organizations and movements that have won, including Make the Road NY, the St. Paul Federation of Educators, the welfare rights movement, the Working Families Party, New Georgia Project, Occupy Wall Street, 350.org, the Fight for 15, and Gay Men’s Health Crisis. Two overarching case studies anchor the book: the brilliant techniques used by enslaved people and their allies to end slavery, and the sinister but effective ways elites imposed our current system. Practical Radicals offers insights on strategy used by business, military, and political elites, addresses the challenges of overcoming conflict within organizations and movements, and concludes with a discussion of how our movements must adapt to meet new challenges in the twenty-first century. 
A book for activists, organizers, and anyone hoping to win the fight for a better society, Practical Radicals is a deeply informed resource designed to help us win on the big issues of our time.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Deepak Bhargava and Stephanie Luce</itunes:subtitle>
      <itunes:summary>In the tradition of Saul Alinsky’s Rules for Radicals and Sun Tzu’s The Art of War, Deepak Bhargava and Stephanie Luce’s Practical Radicals: Seven Strategies to Change the World (The New Press, 2023) offers winning strategies, history, and theory for a new generation of activists. Based on interviews with leading organizers, this groundbreaking book describes seven strategies to bring about transformative change. It incorporates stories of organizations and movements that have won, including Make the Road NY, the St. Paul Federation of Educators, the welfare rights movement, the Working Families Party, New Georgia Project, Occupy Wall Street, 350.org, the Fight for 15, and Gay Men’s Health Crisis. Two overarching case studies anchor the book: the brilliant techniques used by enslaved people and their allies to end slavery, and the sinister but effective ways elites imposed our current system. Practical Radicals offers insights on strategy used by business, military, and political elites, addresses the challenges of overcoming conflict within organizations and movements, and concludes with a discussion of how our movements must adapt to meet new challenges in the twenty-first century. 
A book for activists, organizers, and anyone hoping to win the fight for a better society, Practical Radicals is a deeply informed resource designed to help us win on the big issues of our time.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the tradition of Saul Alinsky’s <em>Rules for Radicals</em> and Sun Tzu’s <em>The Art of War</em>, Deepak Bhargava and Stephanie Luce’s <a href="https://bookshop.org/a/12343/9781620978214"><em>Practical Radicals: Seven Strategies to Change the World</em></a><em> </em>(The New Press, 2023) offers winning strategies, history, and theory for a new generation of activists. Based on interviews with leading organizers, this groundbreaking book describes seven strategies to bring about transformative change. It incorporates stories of organizations and movements that have won, including Make the Road NY, the St. Paul Federation of Educators, the welfare rights movement, the Working Families Party, New Georgia Project, Occupy Wall Street, 350.org, the Fight for 15, and Gay Men’s Health Crisis. Two overarching case studies anchor the book: the brilliant techniques used by enslaved people and their allies to end slavery, and the sinister but effective ways elites imposed our current system. Practical Radicals offers insights on strategy used by business, military, and political elites, addresses the challenges of overcoming conflict within organizations and movements, and concludes with a discussion of how our movements must adapt to meet new challenges in the twenty-first century. </p><p>A book for activists, organizers, and anyone hoping to win the fight for a better society, <em>Practical Radicals</em> is a deeply informed resource designed to help us win on the big issues of our time.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1819</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Russ Castronovo, "American Insecurity and the Origins of Vulnerability" (Princeton UP, 2023)</title>
      <description>An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy.
For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. American Insecurity and the Origins of Vulnerability (Princeton UP, 2023) probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. 
Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. 
Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, American Insecurity and the Origins of Vulnerability sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Russ Castronovo</itunes:subtitle>
      <itunes:summary>An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy.
For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. American Insecurity and the Origins of Vulnerability (Princeton UP, 2023) probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. 
Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. 
Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, American Insecurity and the Origins of Vulnerability sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An incisive critique that examines the origins of contemporary American ideas about surveillance, terrorism, and white supremacy.</p><p>For more than three centuries, Americans have pursued strategies of security that routinely make them feel vulnerable, unsafe, and insecure. <a href="https://bookshop.org/a/12343/9780691249841"><em>American Insecurity and the Origins of Vulnerability</em></a> (Princeton UP, 2023) probes this paradox by examining American attachments to the terror of the sublime, the fear of uncertainty, and the anxieties produced by unending racial threat. </p><p>Challenging conventional approaches that leave questions of security to policy experts, Russ Castronovo turns to literature, philosophy, and political theory to show how security provides an organizing principle for collective life in ways that both enhance freedom and limit it. His incisive critique ranges from frontier violence and white racial anxiety to insurgent Black print culture and other forms of early American terror, uncovering the hidden logic of insecurity that structures modern approaches to national defense, counterterrorism, cybersecurity, surveillance, and privacy. </p><p>Drawing on examples from fiction, journalism, tracts, and pamphlets, Castronovo uncovers the deep affective attachments that Americans have had since the founding to the sources of fear and insecurity that make them feel unsafe. Timely and urgent, <em>American Insecurity and the Origins of Vulnerability</em> sheds critical light on how and why the fundamental political desire for security promotes unease alongside assurance and fixates on risk and danger while clamoring for safety.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4397</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3668064107.mp3?updated=1701207184" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jürgen Zimmerer, "Memory Wars: New German Historical Consciousness" (Reclam Verlag, 2023)</title>
      <description>Erinnerungskämpfe: Neues deutsches Geschichtsbewusstsein (Ditzingen: Reclam, 2023) is a new, provocative volume on German memory cultures and politics edited by Jürgen Zimmerer. What can be loosely translated as Memory Wars: New German Historical Consciousness is a collection of chapters that lay bare a mosaic of a diverse German memory landscape as well as the major debates and turning points by which it is continuously shaped. It is subdivided in five sections together encompassing 23 chapters and covers German Empire and colonialism, National Socialism and the Second World War, the Holocaust and multidirectional memory, East/West Germany and reunification, and, finally, today's Berlin Republic. This volume gains in relevance by the day and shows how the German past(s) and the way they are debated, commemorated, and weaponized today and by whom has real-life, if not existential, consequences. It is far from an exclusively German matter. Memory Wars: New German Historical Consciousness is of interest for all those who critically engage with the instrumentalization of memory in ongoing cultural wars in other national contexts as well, such as the heated debates and rightwing attacks in the United States and elsewhere surrounding fields such as Critical Race Theory, Gender or Queer Studies that emerge out of the White Supremacist backlash and the concomitant increase in racism, trans- and homophobia.
Jürgen Zimmerer is Professor of Global History and the head of the research center “Hamburg’s (post-)colonial legacy” at the University of Hamburg. He served as the founding president of the International Network of Genocide Scholars for twelve years until 2017 and was the Senior Editor of the Journal of Genocide from 2005 to 2011. His research interests include German Colonialism, Comparative Genocide studies, Colonialism and the Holocaust, and Environmental Violence and Genocide and, for the specific German context, his work has been crucial in revealing the deep connections between the Holocaust and German colonialism – up until that point two German histories of violence hegemonically thought of as ontologically different, if thought together at all. His publications include German Rule, African Subjects: State Aspirations and the Reality of Power in Colonial Namibia (2021) and From Windhoek to Auschwitz? Reflections on the Relationship between Colonialism and National Socialism forthcoming in English in 2024.
Miriam Chorley-Schulz is an Assistant Professor and Mokin Fellow of Holocaust Studies at the University of Oregon and the co-founder of the EU-funded project We Refugees. Digital Archive on Refugeedom, Past and Present. She holds a Ph.D. in Yiddish Studies from Columbia University and is the author of Der Beginn des Untergangs: Die Zerstörung der jüdischen Gemeinden in Polen und das Vermächtnis des Wilnaer Komitees (Berlin: Metropol, 2016) which was awarded the “Hosenfeld/Szpilman Memorial Award.”
Henriette Sölter is a communications and PR consultant with expertise on the interface of contemporary art and culture, international perennial formats, and strategic institutional positioning. She has worked with institutions such as documenta, Berlin Biennale for Contemporary Art, and Haus der Kulturen der Welt (HKW), is a member of Bergen Assembly's executive board and is part of the New Patrons network for citizen-commissioned art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Nov 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jürgen Zimmerer</itunes:subtitle>
      <itunes:summary>Erinnerungskämpfe: Neues deutsches Geschichtsbewusstsein (Ditzingen: Reclam, 2023) is a new, provocative volume on German memory cultures and politics edited by Jürgen Zimmerer. What can be loosely translated as Memory Wars: New German Historical Consciousness is a collection of chapters that lay bare a mosaic of a diverse German memory landscape as well as the major debates and turning points by which it is continuously shaped. It is subdivided in five sections together encompassing 23 chapters and covers German Empire and colonialism, National Socialism and the Second World War, the Holocaust and multidirectional memory, East/West Germany and reunification, and, finally, today's Berlin Republic. This volume gains in relevance by the day and shows how the German past(s) and the way they are debated, commemorated, and weaponized today and by whom has real-life, if not existential, consequences. It is far from an exclusively German matter. Memory Wars: New German Historical Consciousness is of interest for all those who critically engage with the instrumentalization of memory in ongoing cultural wars in other national contexts as well, such as the heated debates and rightwing attacks in the United States and elsewhere surrounding fields such as Critical Race Theory, Gender or Queer Studies that emerge out of the White Supremacist backlash and the concomitant increase in racism, trans- and homophobia.
Jürgen Zimmerer is Professor of Global History and the head of the research center “Hamburg’s (post-)colonial legacy” at the University of Hamburg. He served as the founding president of the International Network of Genocide Scholars for twelve years until 2017 and was the Senior Editor of the Journal of Genocide from 2005 to 2011. His research interests include German Colonialism, Comparative Genocide studies, Colonialism and the Holocaust, and Environmental Violence and Genocide and, for the specific German context, his work has been crucial in revealing the deep connections between the Holocaust and German colonialism – up until that point two German histories of violence hegemonically thought of as ontologically different, if thought together at all. His publications include German Rule, African Subjects: State Aspirations and the Reality of Power in Colonial Namibia (2021) and From Windhoek to Auschwitz? Reflections on the Relationship between Colonialism and National Socialism forthcoming in English in 2024.
Miriam Chorley-Schulz is an Assistant Professor and Mokin Fellow of Holocaust Studies at the University of Oregon and the co-founder of the EU-funded project We Refugees. Digital Archive on Refugeedom, Past and Present. She holds a Ph.D. in Yiddish Studies from Columbia University and is the author of Der Beginn des Untergangs: Die Zerstörung der jüdischen Gemeinden in Polen und das Vermächtnis des Wilnaer Komitees (Berlin: Metropol, 2016) which was awarded the “Hosenfeld/Szpilman Memorial Award.”
Henriette Sölter is a communications and PR consultant with expertise on the interface of contemporary art and culture, international perennial formats, and strategic institutional positioning. She has worked with institutions such as documenta, Berlin Biennale for Contemporary Art, and Haus der Kulturen der Welt (HKW), is a member of Bergen Assembly's executive board and is part of the New Patrons network for citizen-commissioned art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.reclam.de/detail/978-3-15-011454-4/Erinnerungskaempfe"><em>Erinnerungskämpfe: Neues deutsches Geschichtsbewusstsein</em></a><em> </em>(Ditzingen: Reclam, 2023) is a new, provocative volume on German memory cultures and politics edited by Jürgen Zimmerer. What can be loosely translated as <em>Memory Wars: New German Historical Consciousness</em> is a collection of chapters that lay bare a mosaic of a diverse German memory landscape as well as the major debates and turning points by which it is continuously shaped. It is subdivided in five sections together encompassing 23 chapters and covers German Empire and colonialism, National Socialism and the Second World War, the Holocaust and multidirectional memory, East/West Germany and reunification, and, finally, today's Berlin Republic. This volume gains in relevance by the day and shows how the German past(s) and the way they are debated, commemorated, and weaponized today and by whom has real-life, if not existential, consequences. It is far from an exclusively German matter. <em>Memory Wars: New German Historical Consciousness</em> is of interest for all those who critically engage with the instrumentalization of memory in ongoing cultural wars in other national contexts as well, such as the heated debates and rightwing attacks in the United States and elsewhere surrounding fields such as Critical Race Theory, Gender or Queer Studies that emerge out of the White Supremacist backlash and the concomitant increase in racism, trans- and homophobia.</p><p><a href="https://www.geschichte.uni-hamburg.de/arbeitsbereiche/globalgeschichte/personen/zimmerer.html">Jürgen Zimmerer</a> is Professor of Global History and the head of the research center “Hamburg’s (post-)colonial legacy” at the University of Hamburg. He served as the founding president of the International Network of Genocide Scholars for twelve years until 2017 and was the Senior Editor of the <em>Journal of Genocide</em> from 2005 to 2011. His research interests include German Colonialism, Comparative Genocide studies, Colonialism and the Holocaust, and Environmental Violence and Genocide and, for the specific German context, his work has been crucial in revealing the deep connections between the Holocaust and German colonialism – up until that point two German histories of violence hegemonically thought of as ontologically different, if thought together at all. His publications include <a href="https://www.berghahnbooks.com/title/ZimmererGerman#:~:text=In%20this%20now%2Dclassic%20study,the%20profound%20immiseration%20of%20the"><em>German Rule, African Subjects: State Aspirations and the Reality of Power in Colonial Namibia</em></a> (2021) and <a href="https://www.degruyter.com/document/doi/10.1515/9783110754513/html#:~:text=About%20this%20book&amp;text=the%20twentieth%20century.-,From%20Windhoek%20to%20Auschwitz%3F,of%20departure%20for%20comparative%20observation."><em>From Windhoek to Auschwitz? Reflections on the Relationship between Colonialism and National Socialism</em></a> forthcoming in English in 2024.</p><p><a href="https://uoregon.academia.edu/MiriamChorleySchulz">Miriam Chorley-Schulz</a> is an Assistant Professor and Mokin Fellow of Holocaust Studies at the University of Oregon and the co-founder of the EU-funded project <a href="https://en.we-refugees-archive.org/"><em>We Refugees. Digital Archive on Refugeedom, Past and Present</em></a>. She holds a Ph.D. in Yiddish Studies from Columbia University and is the author of <a href="https://metropol-verlag.de/produkt/miriam-schulz-der-beginn-des-untergangs/"><em>Der Beginn des Untergangs: Die Zerstörung der jüdischen Gemeinden in Polen und das Vermächtnis des Wilnaer Komitees</em></a> (Berlin: Metropol, 2016) which was awarded the “Hosenfeld/Szpilman Memorial Award.”</p><p>Henriette Sölter is a communications and PR consultant with expertise on the interface of contemporary art and culture, international perennial formats, and strategic institutional positioning. She has worked with institutions such as <a href="https://documenta-fifteen.de/en/">documenta</a>, <a href="https://www.berlinbiennale.de/en/">Berlin Biennale for Contemporary Art</a>, and <a href="https://www.hkw.de/en/">Haus der Kulturen der Welt</a> (HKW), is a member of <a href="https://en.bergenassembly.no/">Bergen Assembly</a>'s executive board and is part of the <a href="https://www.neueauftraggeber.de/en/">New Patrons</a> network for citizen-commissioned art.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3692</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[de15b054-8bdb-11ee-87cc-a7b9b7c3d0ff]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8290595282.mp3?updated=1700949145" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vid Simoniti, "Artists Remake the World: A Contemporary Art Manifesto" (Yale UP, 2023)</title>
      <description>Artists Remake the World: A Contemporary Art Manifesto (Yale UP, 2023) puts forward an account of contemporary art’s political ambitions and potential. Surveying such innovations as evidence-driven art, socially engaged art, and ecological art, the book explores how artists have attempted to offer bold solutions to the world’s problems.
Simoniti systematises the perspectives of contemporary art as a force for political and social change. At its best, he argues, contemporary art allows us to imagine utopias and presents us with hard truths, which mainstream political discourse cannot yet articulate. Covering subjects such as climate change, social justice, and global inequality, Artists Remake the World offers a philosophy of contemporary art as an experimental branch of politics.
Vid Simoniti is a Lecturer in Philosophy of Art at the University of Liverpool. He is the co-editor, with James Fox, of Art and knowledge after 1900.


Ryan Trecartin, P.opular S.ky (section ish), 2009.


My conversation with Fuller and Weizman on Forensic Architecture and Investigative Aesthetics.


﻿
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vid Simoniti</itunes:subtitle>
      <itunes:summary>Artists Remake the World: A Contemporary Art Manifesto (Yale UP, 2023) puts forward an account of contemporary art’s political ambitions and potential. Surveying such innovations as evidence-driven art, socially engaged art, and ecological art, the book explores how artists have attempted to offer bold solutions to the world’s problems.
Simoniti systematises the perspectives of contemporary art as a force for political and social change. At its best, he argues, contemporary art allows us to imagine utopias and presents us with hard truths, which mainstream political discourse cannot yet articulate. Covering subjects such as climate change, social justice, and global inequality, Artists Remake the World offers a philosophy of contemporary art as an experimental branch of politics.
Vid Simoniti is a Lecturer in Philosophy of Art at the University of Liverpool. He is the co-editor, with James Fox, of Art and knowledge after 1900.


Ryan Trecartin, P.opular S.ky (section ish), 2009.


My conversation with Fuller and Weizman on Forensic Architecture and Investigative Aesthetics.


﻿
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780300266290"><em>Artists Remake the World: A Contemporary Art Manifesto</em></a><em> </em>(Yale UP, 2023) puts forward an account of contemporary art’s political ambitions and potential. Surveying such innovations as evidence-driven art, socially engaged art, and ecological art, the book explores how artists have attempted to offer bold solutions to the world’s problems.</p><p>Simoniti systematises the perspectives of contemporary art as a force for political and social change. At its best, he argues, contemporary art allows us to imagine utopias and presents us with hard truths, which mainstream political discourse cannot yet articulate. Covering subjects such as climate change, social justice, and global inequality, <em>Artists Remake the World</em> offers a philosophy of contemporary art as an experimental branch of politics.</p><p><a href="https://www.vidsimoniti.com/">Vid Simoniti</a> is a Lecturer in Philosophy of Art at the University of Liverpool. He is the co-editor, with James Fox, of <em>Art and knowledge after 1900</em>.</p><ul>
<li>
<a href="https://www.youtube.com/watch?v=bN23M7GDVeo">Ryan Trecartin, <em>P.opular S.ky (section ish)</em></a>, 2009.</li>
<li>
<a href="https://petitpoi.net/investigative-aesthetics/">My conversation with Fuller and Weizman</a> on <em>Forensic Architecture </em>and <em>Investigative Aesthetics.</em>
</li>
</ul><p><em>﻿</em></p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[edaaba76-8e03-11ee-a284-6f05dd7b612e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3492232661.mp3?updated=1701186295" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Astra Taylor, "The Age of Insecurity: Coming Together as Things Fall Apart" (House of Anansi Press, 2023)</title>
      <description>These days, everyone feels insecure. We are financially stressed and emotionally overwhelmed. The status quo isn’t working for anyone, even those who appear to have it all. What is going on?
In The Age of Insecurity (House of Anansi Press, 2023), author and activist Astra Taylor exposes how seemingly disparate crises—rising inequality and declining mental health, the ecological emergency, and the threat of authoritarianism—originate from a social order built on insecurity. From home ownership and education to the wellness industry and policing, many of the institutions and systems that promise to make us more secure actually undermine us.
Mixing social critique, memoir, history, political analysis, and philosophy, this genre-bending book rethinks both insecurity and security from the ground up. By facing our existential insecurity and embracing our vulnerability, Taylor argues, we can begin to develop more caring, inclusive, and sustainable forms of security to help us better weather the challenges ahead. The Age of Insecurity will transform how you understand yourself and society—while illuminating a path toward meaningful change.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>427</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Astra Taylor</itunes:subtitle>
      <itunes:summary>These days, everyone feels insecure. We are financially stressed and emotionally overwhelmed. The status quo isn’t working for anyone, even those who appear to have it all. What is going on?
In The Age of Insecurity (House of Anansi Press, 2023), author and activist Astra Taylor exposes how seemingly disparate crises—rising inequality and declining mental health, the ecological emergency, and the threat of authoritarianism—originate from a social order built on insecurity. From home ownership and education to the wellness industry and policing, many of the institutions and systems that promise to make us more secure actually undermine us.
Mixing social critique, memoir, history, political analysis, and philosophy, this genre-bending book rethinks both insecurity and security from the ground up. By facing our existential insecurity and embracing our vulnerability, Taylor argues, we can begin to develop more caring, inclusive, and sustainable forms of security to help us better weather the challenges ahead. The Age of Insecurity will transform how you understand yourself and society—while illuminating a path toward meaningful change.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>These days, everyone feels insecure. We are financially stressed and emotionally overwhelmed. The status quo isn’t working for anyone, even those who appear to have it all. What is going on?</p><p>In <a href="https://bookshop.org/a/12343/9781487011932"><em>The Age of Insecurity</em></a><em> </em>(House of Anansi Press, 2023), author and activist Astra Taylor exposes how seemingly disparate crises—rising inequality and declining mental health, the ecological emergency, and the threat of authoritarianism—originate from a social order built on insecurity. From home ownership and education to the wellness industry and policing, many of the institutions and systems that promise to make us more secure actually undermine us.</p><p>Mixing social critique, memoir, history, political analysis, and philosophy, this genre-bending book rethinks both insecurity and security from the ground up. By facing our existential insecurity and embracing our vulnerability, Taylor argues, we can begin to develop more caring, inclusive, and sustainable forms of security to help us better weather the challenges ahead. <em>The Age of Insecurity</em> will transform how you understand yourself and society—while illuminating a path toward meaningful change.</p><p><em>Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3692</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6951cb56-8bd4-11ee-922c-87fc5e85eadb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK2849450550.mp3?updated=1700945793" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samuel Clowes Huneke, "A Queer Theory of the State" (Floating Opera Press, 2023)</title>
      <description>Queer theory has often been hesitant to align itself with a politics of the state, approaching it with a negative or pragmatic framework. A Queer Theory of the State (Floating Opera Press, 2023) expands an earlier online essay from The Point by historian Samuel Huneke to offer a more optimistic perspective. Rather than eschew political engagement with democratic theorizing, Huneke asks how queer theory can wed its critically anti-normative impulses to the empirical need for a state. In answering this question, Huneke shows how the state is an integral component of a politics that seeks to subvert and undo the oppression of queer lives.
Lea Greenberg is an editor, translator, and scholar of German and Jewish studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>427</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samuel Clowes Huneke</itunes:subtitle>
      <itunes:summary>Queer theory has often been hesitant to align itself with a politics of the state, approaching it with a negative or pragmatic framework. A Queer Theory of the State (Floating Opera Press, 2023) expands an earlier online essay from The Point by historian Samuel Huneke to offer a more optimistic perspective. Rather than eschew political engagement with democratic theorizing, Huneke asks how queer theory can wed its critically anti-normative impulses to the empirical need for a state. In answering this question, Huneke shows how the state is an integral component of a politics that seeks to subvert and undo the oppression of queer lives.
Lea Greenberg is an editor, translator, and scholar of German and Jewish studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Queer theory has often been hesitant to align itself with a politics of the state, approaching it with a negative or pragmatic framework.<a href="https://bookshop.org/a/12343/9783982389462"> <em>A Queer Theory of the State</em></a> (Floating Opera Press, 2023) expands an <a href="https://thepointmag.com/politics/toward-a-queer-theory-of-the-state/">earlier online essay</a> from <em>The Point</em> by historian Samuel Huneke to offer a more optimistic perspective. Rather than eschew political engagement with democratic theorizing, Huneke asks how queer theory can wed its critically anti-normative impulses to the empirical need for a state. In answering this question, Huneke shows how the state is an integral component of a politics that seeks to subvert and undo the oppression of queer lives.</p><p><a href="http://linkedin.com/in/lea-h-greenberg-b23836201"><em>Lea Greenberg</em></a><em> is an editor, translator, and scholar of German and Jewish studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7d4d7d86-8b01-11ee-9054-3ba5a2cbed07]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8647070469.mp3?updated=1700855653" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Rushton, "The Moral Foundations of Public Funding for the Arts" (Palgrave Macmillan, 2023)</title>
      <description>Should governments fund the arts? In The Moral Foundations of Public Funding for the Arts (Palgrave Macmillan, 2023), Michael Rushton, Co-Director of the Center for Cultural Affairs and a Professor at the O’Neill School of Public and Environmental Affairs at Indiana University, explores a variety of frameworks for thinking about this question, from liberal and egalitarian justifications, through to communitarian, conservative, and multiculturalist ideas. The book outlines the economic method for thinking about the arts, and uses this as a starting point to understand what various political philosophies might tell policymakers and the public today. A rich and deep intervention on a pressing social and governmental question, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in arts and cultural policy. Prof Rushton blogs at both Substack and Artsjournal and you can read open access papers covering some of the key ideas in the book here and here.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 25 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>425</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Rushton</itunes:subtitle>
      <itunes:summary>Should governments fund the arts? In The Moral Foundations of Public Funding for the Arts (Palgrave Macmillan, 2023), Michael Rushton, Co-Director of the Center for Cultural Affairs and a Professor at the O’Neill School of Public and Environmental Affairs at Indiana University, explores a variety of frameworks for thinking about this question, from liberal and egalitarian justifications, through to communitarian, conservative, and multiculturalist ideas. The book outlines the economic method for thinking about the arts, and uses this as a starting point to understand what various political philosophies might tell policymakers and the public today. A rich and deep intervention on a pressing social and governmental question, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in arts and cultural policy. Prof Rushton blogs at both Substack and Artsjournal and you can read open access papers covering some of the key ideas in the book here and here.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Should governments fund the arts? In <a href="https://bookshop.org/a/12343/9783031351051"><em>The Moral Foundations of Public Funding for the Arts</em></a> (Palgrave Macmillan, 2023), <a href="https://oneill.indiana.edu/faculty-research/directory/profiles/faculty/full-time/rushton-michael.html">Michael Rushton</a>, <a href="https://culturalaffairs.indiana.edu/">Co-Director of the Center for Cultural Affairs and a Professor at the O’Neill School of Public and Environmental Affairs at Indiana University</a>, explores a variety of frameworks for thinking about this question, from liberal and egalitarian justifications, through to communitarian, conservative, and multiculturalist ideas. The book outlines the economic method for thinking about the arts, and uses this as a starting point to understand what various political philosophies might tell policymakers and the public today. A rich and deep intervention on a pressing social and governmental question, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in arts and cultural policy. Prof Rushton blogs at both<a href="https://michaelrushton.substack.com/"> Substack</a> and<a href="https://www.artsjournal.com/worth/"> Artsjournal</a> and you can read open access papers covering some of the key ideas in the book <a href="https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4398308">here</a> and <a href="https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4126290">here</a>.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2721</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[03baf1ae-8978-11ee-99f3-dbcc80157ac7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6777264356.mp3?updated=1700740705" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jennifer Maclure, "The Feeling of Letting Die: Necroeconomics and Victorian Fiction" (Ohio State UP, 2023)</title>
      <description>In The Feeling of Letting Die: Necroeconomics and Victorian Fiction (Ohio State UP, 2023), Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism’s death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows.
Utilizing Achille Mbembe’s theorization of necropolitics, MacLure uses the term “necroeconomics,” positioning Victorian authors—even those who were deeply committed to liberal capitalism—as hyperaware of capitalism’s death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Dieshows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 25 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>268</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Maclure</itunes:subtitle>
      <itunes:summary>In The Feeling of Letting Die: Necroeconomics and Victorian Fiction (Ohio State UP, 2023), Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism’s death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows.
Utilizing Achille Mbembe’s theorization of necropolitics, MacLure uses the term “necroeconomics,” positioning Victorian authors—even those who were deeply committed to liberal capitalism—as hyperaware of capitalism’s death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Dieshows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814214855"><em>The Feeling of Letting Die: Necroeconomics and Victorian Fiction</em></a><em> (Ohio State UP, 2023), </em>Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism’s death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows.</p><p>Utilizing Achille Mbembe’s theorization of necropolitics, MacLure uses the term “necroeconomics,” positioning Victorian authors—even those who were deeply committed to liberal capitalism—as hyperaware of capitalism’s death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, <em>The Feeling of Letting Die</em>shows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3805</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[34e97884-8a06-11ee-b722-673d3a58bbc9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1539674486.mp3?updated=1700747404" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah E. Stoller, "Inventing the Working Parent: Work, Gender, and Feminism in Neoliberal Britain" (MIT Press, 2023)</title>
      <description>Sarah E. Stoller, Inventing the Working Parent: Work, Gender, and Feminism in Neoliberal Britain (MIT Press, 2023) is the first historical examination of working parenthood in the late twentieth century--and how the concepts of "family-friendly" work culture and "work-life balance" came to be.
Since the 1980s, families across the developed West have lived through a revolution on a scale unprecedented since industrialization. With more mothers than ever before in paid work and the rise of the middle-class, dual-income household, we have entered a new era in the history of everyday life: the era of the working parent. In Inventing the Working Parent, Stoller charts the politics that shaped the creation of the phenomenon of working parenthood in Britain as it arose out of a new culture of work.
Stoller begins with the first sustained efforts by feminists to mobilize politically on behalf of working parents in the late 1970s and concludes in the context of an emerging national political agenda for working families with the rise of New Labour in the 1990s. She explores how and why the notion of working parenthood emerged as a powerful new political claim and identity category and addresses how feminists used the concept of working parenthood to advocate for new organizational policies and practices. Lastly, Stoller shows how neoliberal capitalism under Margaret Thatcher and subsequent New Labour governments made a family's ability to survive on one income nearly impossible--with significant consequences for individual experience, the gendered division of labor, and intimate life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah E. Stoller</itunes:subtitle>
      <itunes:summary>Sarah E. Stoller, Inventing the Working Parent: Work, Gender, and Feminism in Neoliberal Britain (MIT Press, 2023) is the first historical examination of working parenthood in the late twentieth century--and how the concepts of "family-friendly" work culture and "work-life balance" came to be.
Since the 1980s, families across the developed West have lived through a revolution on a scale unprecedented since industrialization. With more mothers than ever before in paid work and the rise of the middle-class, dual-income household, we have entered a new era in the history of everyday life: the era of the working parent. In Inventing the Working Parent, Stoller charts the politics that shaped the creation of the phenomenon of working parenthood in Britain as it arose out of a new culture of work.
Stoller begins with the first sustained efforts by feminists to mobilize politically on behalf of working parents in the late 1970s and concludes in the context of an emerging national political agenda for working families with the rise of New Labour in the 1990s. She explores how and why the notion of working parenthood emerged as a powerful new political claim and identity category and addresses how feminists used the concept of working parenthood to advocate for new organizational policies and practices. Lastly, Stoller shows how neoliberal capitalism under Margaret Thatcher and subsequent New Labour governments made a family's ability to survive on one income nearly impossible--with significant consequences for individual experience, the gendered division of labor, and intimate life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sarah E. Stoller,<a href="https://bookshop.org/a/12343/9780262546102"> <em>Inventing the Working Parent: Work, Gender, and Feminism in Neoliberal Britain</em></a><em> </em>(MIT Press, 2023) is the first historical examination of working parenthood in the late twentieth century--and how the concepts of "family-friendly" work culture and "work-life balance" came to be.</p><p>Since the 1980s, families across the developed West have lived through a revolution on a scale unprecedented since industrialization. With more mothers than ever before in paid work and the rise of the middle-class, dual-income household, we have entered a new era in the history of everyday life: the era of the working parent. In <em>Inventing the Working Parent</em>, Stoller charts the politics that shaped the creation of the phenomenon of working parenthood in Britain as it arose out of a new culture of work.</p><p>Stoller begins with the first sustained efforts by feminists to mobilize politically on behalf of working parents in the late 1970s and concludes in the context of an emerging national political agenda for working families with the rise of New Labour in the 1990s. She explores how and why the notion of working parenthood emerged as a powerful new political claim and identity category and addresses how feminists used the concept of working parenthood to advocate for new organizational policies and practices. Lastly, Stoller shows how neoliberal capitalism under Margaret Thatcher and subsequent New Labour governments made a family's ability to survive on one income nearly impossible--with significant consequences for individual experience, the gendered division of labor, and intimate life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2454</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d5d02e6e-88b7-11ee-9032-3fdcf8e0d53b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK5578533394.mp3?updated=1700603871" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ian Smith, "Black Shakespeare: Reading and Misreading Race" (Cambridge UP, 2022)</title>
      <description>In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).
Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ian Smith</itunes:subtitle>
      <itunes:summary>In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).
Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.
John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781009224086"><em>Black Shakespeare: Reading and Misreading Race </em></a>(Cambridge University Press, 2022), Ian Smith urges readers of <em>Othello</em>, <em>The Merchant of Venice</em>, and <em>Hamlet</em> to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, <em>Black Shakespeare</em> is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).</p><p>Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, <em>Race and Rhetoric in the Renaissance: Barbarian Errors</em> (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in </em><a href="https://earlytheatre.org/earlytheatre/article/view/4996/"><em>Early Theatre</em></a><em>, </em><a href="https://muse.jhu.edu/issue/48219"><em>Studies in Philology</em></a><em>, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4070</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c1c325e-8887-11ee-993a-7fd2f35835bf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3673206579.mp3?updated=1700583496" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lydia Zvyagintseva and Mary Greenshields, "Land in Libraries: Toward a Materialist Conception of Education" (Library Juice Press, 2022)</title>
      <description>The question of land is largely absent in libraries. Deeply committed to the neoliberal project as a guiding ideology of the profession, libraries exist at once as ahistorical, atheoretical, and landless institutions in their understanding of themselves, their work, and their impact on people.
Land in Libraries: Toward a Materialist Conception of Education (Library Juice Press, 2023) seeks to contribute to the growing body of work on libraries and the anthropocene, decolonization, and climate change through writing in theory and practice. This edited volume explores both non-metaphorical (actual, material) as well as conceptual perspectives on land. Contributions to this book center land as a foundational category underpinning social relations, as a necessity for the function and reproduction of capitalism, and as a place where we work and learn together. Fundamentally, we live on the land and how we live in relation to the land matters to how we understand ourselves as individuals and a society.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lydia Zvyagintseva and Mary Greenshields</itunes:subtitle>
      <itunes:summary>The question of land is largely absent in libraries. Deeply committed to the neoliberal project as a guiding ideology of the profession, libraries exist at once as ahistorical, atheoretical, and landless institutions in their understanding of themselves, their work, and their impact on people.
Land in Libraries: Toward a Materialist Conception of Education (Library Juice Press, 2023) seeks to contribute to the growing body of work on libraries and the anthropocene, decolonization, and climate change through writing in theory and practice. This edited volume explores both non-metaphorical (actual, material) as well as conceptual perspectives on land. Contributions to this book center land as a foundational category underpinning social relations, as a necessity for the function and reproduction of capitalism, and as a place where we work and learn together. Fundamentally, we live on the land and how we live in relation to the land matters to how we understand ourselves as individuals and a society.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The question of land is largely absent in libraries. Deeply committed to the neoliberal project as a guiding ideology of the profession, libraries exist at once as ahistorical, atheoretical, and landless institutions in their understanding of themselves, their work, and their impact on people.</p><p><a href="https://bookshop.org/a/12343/9781634001397"><em>Land in Libraries: Toward a Materialist Conception of Education</em></a><em> </em>(Library Juice Press, 2023) seeks to contribute to the growing body of work on libraries and the anthropocene, decolonization, and climate change through writing in theory and practice. This edited volume explores both non-metaphorical (actual, material) as well as conceptual perspectives on land. Contributions to this book center land as a foundational category underpinning social relations, as a necessity for the function and reproduction of capitalism, and as a place where we work and learn together. Fundamentally, we live on the land and how we live in relation to the land matters to how we understand ourselves as individuals and a society.</p><p><a href="https://linktr.ee/jenhoyer">Jen Hoyer</a> is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4193016a-8941-11ee-90f2-b7016bd0754b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6111225409.mp3?updated=1700662871" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Le Blanc, "Lenin: Responding to Catastrophe, Forging Revolution" (Pluto Press, 2023)</title>
      <description>Returning to the New Books Network today is Paul Le Blanc, here to discuss his new book Lenin: Responding to Catastrophe, Forging Revolution (Pluto Press, 2023). The book deals with Lenin’s life and thought, looking at his ideas in their original context. Starting from his early development and thoughts on the importance of the vanguard, through the revolutions of 1917 and to his political mistakes and attempt at course-correction in the final years of his life, Le Blanc’s study is an accessible and informative survey for students and activists wondering what lessons Lenin might have to offer us today.
Paul Le Blanc is a professor of history at La Roche University. He is the author of numerous books on labor, class struggle and radical political movements, including Revolutionary Collective, which we discussed last year. He has also helped edit some volumes of the ongoing Collected Works of Rosa Luxemburg.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>256</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Le Blanc</itunes:subtitle>
      <itunes:summary>Returning to the New Books Network today is Paul Le Blanc, here to discuss his new book Lenin: Responding to Catastrophe, Forging Revolution (Pluto Press, 2023). The book deals with Lenin’s life and thought, looking at his ideas in their original context. Starting from his early development and thoughts on the importance of the vanguard, through the revolutions of 1917 and to his political mistakes and attempt at course-correction in the final years of his life, Le Blanc’s study is an accessible and informative survey for students and activists wondering what lessons Lenin might have to offer us today.
Paul Le Blanc is a professor of history at La Roche University. He is the author of numerous books on labor, class struggle and radical political movements, including Revolutionary Collective, which we discussed last year. He has also helped edit some volumes of the ongoing Collected Works of Rosa Luxemburg.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Returning to the New Books Network today is Paul Le Blanc, here to discuss his new book <a href="https://bookshop.org/a/12343/9780745348346"><em>Lenin: Responding to Catastrophe, Forging Revolution</em></a><em> </em>(Pluto Press, 2023). The book deals with Lenin’s life and thought, looking at his ideas in their original context. Starting from his early development and thoughts on the importance of the vanguard, through the revolutions of 1917 and to his political mistakes and attempt at course-correction in the final years of his life, Le Blanc’s study is an accessible and informative survey for students and activists wondering what lessons Lenin might have to offer us today.</p><p>Paul Le Blanc is a professor of history at La Roche University. He is the author of numerous books on labor, class struggle and radical political movements, including <a href="https://newbooksnetwork.com/revolutionary-collective#entry:145900@1:url"><em>Revolutionary Collective</em></a>, which we discussed last year. He has also helped edit some volumes of the ongoing <a href="https://newbooksnetwork.com/the-letters-of-rosa-luxemburg#entry:55627@1:url"><em>Collected Works of Rosa Luxemburg</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5530</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[561b29e2-8729-11ee-8652-c3ec2f607516]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK9778216644.mp3?updated=1700432802" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Biko Mandela Gray and Ryan J. Johnson, "Phenomenology of Black Spirit" (Edinburgh UP, 2023)</title>
      <description>In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis.
This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis.
While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black.
﻿Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>428</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Biko Mandela Gray and Ryan J. Johnson</itunes:subtitle>
      <itunes:summary>In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis.
This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis.
While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black.
﻿Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781399510974"><em>Phenomenology of Black Spirit</em></a> (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's <em>Phenomenology of Spirit</em> and Black Thought from Frederick Douglass to Angela Davis.</p><p>This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis.</p><p>While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, <em>the whiteness, </em>both explicit and implicit, of<em> Hegelianism itself</em> is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black.</p><p><em>﻿</em><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3152</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8029e024-8883-11ee-993f-3fb6c3a4d6ea]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK1386915327.mp3?updated=1700582340" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Economic Enchantments</title>
      <description>Anat Rosenberg, Kristof Smeyers, and Astrid Van den Bossche discuss the fresh historiographies of capitalism offered by studies of enchantment and magical thinking. They talk about their research network for scholars interested in the historical role of enchantment as a tool, structure, or foundation for the organization and the development of modern markets, economic institutions, and economic relationships.
Anat Rosenberg is a senior lecturer at the Harry Radzyner Law School, Reichman University, Israel. Her work concerns the cultural legal history of capitalism, liberalism and consumption in Britain, and methodologies of law and the humanities. She is author of Liberalizing Contracts: Nineteenth Century Promises Through Literature, Law and History (Routledge, 2017), and The Rise of Mass Advertising: Law, Enchantment and the Cultural Boundaries of British Modernity (Oxford UP, 2022).
Kristof Smeyers is a Postdoctoral Fellow at the Ruusbroec Institute, University of Antwerp. His research interests are magic, the supernatural and the occult, and their connections to the histories of religion, science and folklore, as well as their historiography and their archive history.
Astrid Van den Bossche is Lecturer in Digital Marketing and Communications at the Department of Digital Humanities, King’s College London. She is particularly interested in scepticism and humour as forms of engagement with promotional culture, and the application of computational methods in historical studies.
Image: Public Domain Image of Great Market Hall, Budapest
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/84ce1150-826a-11ee-86ed-df7b9ee1e8ec/image/28eb94.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Anat Rosenberg, Kristof Smeyers, and Astrid Van den Bossche</itunes:subtitle>
      <itunes:summary>Anat Rosenberg, Kristof Smeyers, and Astrid Van den Bossche discuss the fresh historiographies of capitalism offered by studies of enchantment and magical thinking. They talk about their research network for scholars interested in the historical role of enchantment as a tool, structure, or foundation for the organization and the development of modern markets, economic institutions, and economic relationships.
Anat Rosenberg is a senior lecturer at the Harry Radzyner Law School, Reichman University, Israel. Her work concerns the cultural legal history of capitalism, liberalism and consumption in Britain, and methodologies of law and the humanities. She is author of Liberalizing Contracts: Nineteenth Century Promises Through Literature, Law and History (Routledge, 2017), and The Rise of Mass Advertising: Law, Enchantment and the Cultural Boundaries of British Modernity (Oxford UP, 2022).
Kristof Smeyers is a Postdoctoral Fellow at the Ruusbroec Institute, University of Antwerp. His research interests are magic, the supernatural and the occult, and their connections to the histories of religion, science and folklore, as well as their historiography and their archive history.
Astrid Van den Bossche is Lecturer in Digital Marketing and Communications at the Department of Digital Humanities, King’s College London. She is particularly interested in scepticism and humour as forms of engagement with promotional culture, and the application of computational methods in historical studies.
Image: Public Domain Image of Great Market Hall, Budapest
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anat Rosenberg, Kristof Smeyers, and Astrid Van den Bossche discuss the fresh historiographies of capitalism offered by studies of enchantment and magical thinking. They talk about their <a href="https://economic-enchantments.net/">research network</a> for scholars interested in the historical role of enchantment as a tool, structure, or foundation for the organization and the development of modern markets, economic institutions, and economic relationships.</p><p><a href="https://www.runi.ac.il/en/faculty/arosenberg/"><strong>Anat Rosenberg</strong></a> is a senior lecturer at the Harry Radzyner Law School, Reichman University, Israel. Her work concerns the cultural legal history of capitalism, liberalism and consumption in Britain, and methodologies of law and the humanities. She is author of <a href="https://bookshop.org/a/12343/9780367150839"><em>Liberalizing Contracts: Nineteenth Century Promises Through Literature, Law and History</em></a> (Routledge, 2017), and <a href="https://bookshop.org/a/12343/9780192858917"><em>The Rise of Mass Advertising: Law, Enchantment and the Cultural Boundaries of British Modernity</em></a> (Oxford UP, 2022).</p><p><a href="https://www.uantwerpen.be/en/staff/kristof-smeyers_16210/"><strong>Kristof Smeyers</strong></a> is a Postdoctoral Fellow at the Ruusbroec Institute, University of Antwerp. His research interests are magic, the supernatural and the occult, and their connections to the histories of religion, science and folklore, as well as their historiography and their archive history.</p><p><a href="https://kclpure.kcl.ac.uk/portal/astrid.vandenbossche.html"><strong>Astrid Van den Bossche</strong></a> is Lecturer in Digital Marketing and Communications at the Department of Digital Humanities, King’s College London. She is particularly interested in scepticism and humour as forms of engagement with promotional culture, and the application of computational methods in historical studies.</p><p>Image: Public Domain Image of Great Market Hall, Budapest</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1263</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[84ce1150-826a-11ee-86ed-df7b9ee1e8ec]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6099607306.mp3?updated=1699910640" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrea Jamison, "Decentering Whiteness in Libraries: A Framework for Inclusive Collection Management Practices" (Rowman &amp; Littlefield, 2023)</title>
      <description>Decentering Whiteness in Libraries: A Framework for Inclusive Collection Management Practices (Rowman &amp; Littlefield, 2023) serves as a "how to" guide for evaluating and crafting collection development policies that will help create equity in library collections. In this book, Andrea Jamison not only contextualizes the need for inclusive collection development policies but provides user-friendly tables, guides, and sample policies.
This episode discusses why the history of inequality in libraries matters to our work today and what we can learn from it; how the Library Bill of Rights can be used as an advocacy tool; how we can evaluate and create diverse collection management policies; where to get started with putting policy into practice; and more.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrea Jamison</itunes:subtitle>
      <itunes:summary>Decentering Whiteness in Libraries: A Framework for Inclusive Collection Management Practices (Rowman &amp; Littlefield, 2023) serves as a "how to" guide for evaluating and crafting collection development policies that will help create equity in library collections. In this book, Andrea Jamison not only contextualizes the need for inclusive collection development policies but provides user-friendly tables, guides, and sample policies.
This episode discusses why the history of inequality in libraries matters to our work today and what we can learn from it; how the Library Bill of Rights can be used as an advocacy tool; how we can evaluate and create diverse collection management policies; where to get started with putting policy into practice; and more.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781538162910"><em>Decentering Whiteness in Libraries: A Framework for Inclusive Collection Management Practices</em></a> (Rowman &amp; Littlefield, 2023) serves as a "how to" guide for evaluating and crafting collection development policies that will help create equity in library collections. In this book, Andrea Jamison not only contextualizes the need for inclusive collection development policies but provides user-friendly tables, guides, and sample policies.</p><p>This episode discusses why the history of inequality in libraries matters to our work today and what we can learn from it; how the Library Bill of Rights can be used as an advocacy tool; how we can evaluate and create diverse collection management policies; where to get started with putting policy into practice; and more.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2839</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ed9a763c-86fd-11ee-bfd0-7be56ed80125]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK8152523371.mp3?updated=1700415482" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leonard Grob and John K. Roth, "Warnings: The Holocaust, Ukraine, and Endangered American Democracy" (Cascade Books, 2023)</title>
      <description>Old friends--one a Jew, the other a Christian--Leonard (Lenny) Grob and John K. Roth are philosophers who have long studied the Holocaust. That experience makes us anxious about democracy, because we are also Americans living in perilous times. The 2020s remind us of the 1930s when Nazis destroyed democracy in Germany. Carnage followed. In the 2020s, Donald Trump and his followers endanger democracy in the United States. With Vladimir Putin's ruthless assault against Ukraine compounding the difficulties, democracy must not be taken for granted. Americans love democracy--except when we don't. That division and conflict mean that democracy will be on the ballot in the 2024 American elections. 
Probing the prospects, Warnings: The Holocaust, Ukraine, and Endangered American Democracy (Cascade Books, 2023) features exchanges between us that underscore the most urgent threats to democracy in the United States and show how to resist them. What's most needed is ethical patriotism that urges us Americans to be our best selves. Our best selves defend liberal democracy; they strive for inclusive pluralism. Our best selves resist decisions and policies like those that led to the Holocaust or genocidal war in Ukraine or conspiracies to overturn fair and free elections in the United States. Our best selves reject antisemitism and racism; they oppose hypocrisy and autocracy. Our best selves hold lying leaders accountable. Our best selves believe that, against all odds, democracy can win out if we never give up trying to be our best.
﻿Jeff Bachman is an associate professor at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>203</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John K. Roth</itunes:subtitle>
      <itunes:summary>Old friends--one a Jew, the other a Christian--Leonard (Lenny) Grob and John K. Roth are philosophers who have long studied the Holocaust. That experience makes us anxious about democracy, because we are also Americans living in perilous times. The 2020s remind us of the 1930s when Nazis destroyed democracy in Germany. Carnage followed. In the 2020s, Donald Trump and his followers endanger democracy in the United States. With Vladimir Putin's ruthless assault against Ukraine compounding the difficulties, democracy must not be taken for granted. Americans love democracy--except when we don't. That division and conflict mean that democracy will be on the ballot in the 2024 American elections. 
Probing the prospects, Warnings: The Holocaust, Ukraine, and Endangered American Democracy (Cascade Books, 2023) features exchanges between us that underscore the most urgent threats to democracy in the United States and show how to resist them. What's most needed is ethical patriotism that urges us Americans to be our best selves. Our best selves defend liberal democracy; they strive for inclusive pluralism. Our best selves resist decisions and policies like those that led to the Holocaust or genocidal war in Ukraine or conspiracies to overturn fair and free elections in the United States. Our best selves reject antisemitism and racism; they oppose hypocrisy and autocracy. Our best selves hold lying leaders accountable. Our best selves believe that, against all odds, democracy can win out if we never give up trying to be our best.
﻿Jeff Bachman is an associate professor at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Old friends--one a Jew, the other a Christian--Leonard (Lenny) Grob and John K. Roth are philosophers who have long studied the Holocaust. That experience makes us anxious about democracy, because we are also Americans living in perilous times. The 2020s remind us of the 1930s when Nazis destroyed democracy in Germany. Carnage followed. In the 2020s, Donald Trump and his followers endanger democracy in the United States. With Vladimir Putin's ruthless assault against Ukraine compounding the difficulties, democracy must not be taken for granted. Americans love democracy--except when we don't. That division and conflict mean that democracy will be on the ballot in the 2024 American elections. </p><p>Probing the prospects, <a href="https://bookshop.org/a/12343/9781666743968"><em>Warnings: The Holocaust, Ukraine, and Endangered American Democracy</em></a><em> </em>(Cascade Books, 2023) features exchanges between us that underscore the most urgent threats to democracy in the United States and show how to resist them. What's most needed is ethical patriotism that urges us Americans to be our best selves. Our best selves defend liberal democracy; they strive for inclusive pluralism. Our best selves resist decisions and policies like those that led to the Holocaust or genocidal war in Ukraine or conspiracies to overturn fair and free elections in the United States. Our best selves reject antisemitism and racism; they oppose hypocrisy and autocracy. Our best selves hold lying leaders accountable. Our best selves believe that, against all odds, democracy can win out if we never give up trying to be our best.</p><p><em>﻿</em><a href="https://www.american.edu/sis/faculty/bachman.cfm"><em>Jeff Bachman</em></a><em> is an associate professor at American University’s School of International Service in Washington, DC.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3987</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[15ed99d8-8628-11ee-b2cb-63901bd0a5b1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK3049475805.mp3?updated=1700322647" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Cutrone, "The Death of the Millennial Left: Interventions: 2006-2022" (Sublation Media, 2023)</title>
      <description>In The Death of the Millennial Left: Interventions: 2006-2022 (Sublation Media, 2023), Chris Cutrone investigates how and why the Millennial Left did not take up the task of socialism for the their time and relegated themselves to the shadows of the GenX Left and the New Left before them.
The Millennial Left, facing the War on Terror, the Great Recession, the Arab Spring and the Occupy movement, and the Black Lives Matter protests, as well as the Presidencies of Obama and Trump and the political discontents expressed by them and by Bernie Sanders, Brexit and Jeremy Corbyn, SYRIZA, et al, was tasked with the struggle for socialism in the core of global capital. It failed to even attempt this task. In the essays collected here, spanning the Millennial generation's many agonies, Chris Cutrone cuts through the accumulated legacy of failures that the Millennials inherited from the Left of the 20th century and that blocked their view of the socialist politics needed to turn the crisis of neoliberal capitalism into a struggle to overcome capitalism. A critique of the history of the recent and current Left, the book is also a lesson in politics: the politics marking the 21st century and the absence of Marxism informing the Left as much as the Right. It is essential reading for anybody interested in a socialist politics of freedom. 
Chris Cutrone teaches Critical Theory at the School of the Art Institute of Chicago and the Institute for Clinical Social Work. He completed his PhD on Adorno's Marxism at the University of Chicago, where he taught for many years in the Social Sciences Core Curriculum, and is the original lead organizer and chief pedagogue of the Platypus Affiliated Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 19 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Cutrone</itunes:subtitle>
      <itunes:summary>In The Death of the Millennial Left: Interventions: 2006-2022 (Sublation Media, 2023), Chris Cutrone investigates how and why the Millennial Left did not take up the task of socialism for the their time and relegated themselves to the shadows of the GenX Left and the New Left before them.
The Millennial Left, facing the War on Terror, the Great Recession, the Arab Spring and the Occupy movement, and the Black Lives Matter protests, as well as the Presidencies of Obama and Trump and the political discontents expressed by them and by Bernie Sanders, Brexit and Jeremy Corbyn, SYRIZA, et al, was tasked with the struggle for socialism in the core of global capital. It failed to even attempt this task. In the essays collected here, spanning the Millennial generation's many agonies, Chris Cutrone cuts through the accumulated legacy of failures that the Millennials inherited from the Left of the 20th century and that blocked their view of the socialist politics needed to turn the crisis of neoliberal capitalism into a struggle to overcome capitalism. A critique of the history of the recent and current Left, the book is also a lesson in politics: the politics marking the 21st century and the absence of Marxism informing the Left as much as the Right. It is essential reading for anybody interested in a socialist politics of freedom. 
Chris Cutrone teaches Critical Theory at the School of the Art Institute of Chicago and the Institute for Clinical Social Work. He completed his PhD on Adorno's Marxism at the University of Chicago, where he taught for many years in the Social Sciences Core Curriculum, and is the original lead organizer and chief pedagogue of the Platypus Affiliated Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9798986788463"><em>The Death of the Millennial Left: Interventions: 2006-2022</em></a> (Sublation Media, 2023), Chris Cutrone investigates how and why the Millennial Left did not take up the task of socialism for the their time and relegated themselves to the shadows of the GenX Left and the New Left before them.</p><p>The Millennial Left, facing the War on Terror, the Great Recession, the Arab Spring and the Occupy movement, and the Black Lives Matter protests, as well as the Presidencies of Obama and Trump and the political discontents expressed by them and by Bernie Sanders, Brexit and Jeremy Corbyn, SYRIZA, et al, was tasked with the struggle for socialism in the core of global capital. It failed to even attempt this task. In the essays collected here, spanning the Millennial generation's many agonies, Chris Cutrone cuts through the accumulated legacy of failures that the Millennials inherited from the Left of the 20th century and that blocked their view of the socialist politics needed to turn the crisis of neoliberal capitalism into a struggle to overcome capitalism. A critique of the history of the recent and current Left, the book is also a lesson in politics: the politics marking the 21st century and the absence of Marxism informing the Left as much as the Right. It is essential reading for anybody interested in a socialist politics of freedom. </p><p>Chris Cutrone teaches Critical Theory at the School of the Art Institute of Chicago and the Institute for Clinical Social Work. He completed his PhD on Adorno's Marxism at the University of Chicago, where he taught for many years in the Social Sciences Core Curriculum, and is the original lead organizer and chief pedagogue of the <a href="https://platypus1917.org/category/platypus-review-authors/chris-cutrone/">Platypus Affiliated Society</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3802</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[62d1f18a-858e-11ee-9ed6-7ba4fbcce318]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK7291408765.mp3?updated=1700256512" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Harry Harootunian, "Archaism and Actuality: Japan and the Global Fascist Imaginary" (Duke UP, 2023)</title>
      <description>In Archaism and Actuality: Japan and the Global Fascist Imaginary (Duke UP, 2023) eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci’s notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan’s capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 19 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Harry Harootunian</itunes:subtitle>
      <itunes:summary>In Archaism and Actuality: Japan and the Global Fascist Imaginary (Duke UP, 2023) eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci’s notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan’s capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478025221"><em>Archaism and Actuality: Japan and the Global Fascist Imaginary</em></a><em> </em>(Duke UP, 2023) eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci’s notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan’s capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With <em>Archaism and Actuality</em>, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2947</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6358507845.mp3?updated=1700231466" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Plantationocene</title>
      <description>In this episode of High Theory, Neil Safier talks with us about the Plantationocene, a geological epoch that traces the effects of climate change to the historical systems of human and nonhuman environmental exploitation known as plantation agriculture. It is another name for the world we currently inhabit.
In the episode, Neil describes how Donna Harraway and Anna Tsing invented the term Plantationocene in response to another recent term Anthropocene. Sources to check out include Donna Haraway’s essay, “Anthropocene, Capitalocene, Plantationcene, Chthulucene: Making Kin” Environmental Humanities 6 no. 1 (2015): 159-165. doi: 10.1215/22011919-3615934, and Paul Crutzen, “The ‘Anthropocene’” Earth Systems Science in the Anthropocene ed. Eckhart Ehlers and Thomas Krafft (Springer, 2006) pp. 13-18. He references B.F. Skinner’s novel Walden Two (MacMillan, 1962) at the end of our conversation.
Neil Safier is Associate Professor in the Department of History at Brown University where he currently serves as Director of the Center for Latin American and Caribbean Studies of the Watson Institute for International Affairs. He studies the history of science, agriculture, and other forms of knowledge-making in the late-eighteenth-century Atlantic world, focusing on the plantation cultures of the Caribbean and Brazil. He was recently the director of the John Carter Brown Library, at Brown University, and many years ago, when he was more optimistic about the current global epoch, he managed grants for the Sierra Club Foundation in San Francisco, California. He is the author of Measuring the New World: Enlightenment Science and South America (U Chicago, 2008) and is cooking up two new projects, on the historical connections between natural science and plantation agriculture in the Amazon River basin and the global history of collecting.
The image for this week comes from Neil’s research on the history of plantation agriculture. This drawing of a plantation from Hispaniola (Saint-Domingue) was reproduced in José Mariano da Conceição Velozo's Fazendeiro do Brazil Tome III Part II (Lisbon, 1799), in the volume dedicated to coffee production.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c0f6bb18-83ec-11ee-93c5-ab16a384c667/image/ecea19.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Neil Safier</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Neil Safier talks with us about the Plantationocene, a geological epoch that traces the effects of climate change to the historical systems of human and nonhuman environmental exploitation known as plantation agriculture. It is another name for the world we currently inhabit.
In the episode, Neil describes how Donna Harraway and Anna Tsing invented the term Plantationocene in response to another recent term Anthropocene. Sources to check out include Donna Haraway’s essay, “Anthropocene, Capitalocene, Plantationcene, Chthulucene: Making Kin” Environmental Humanities 6 no. 1 (2015): 159-165. doi: 10.1215/22011919-3615934, and Paul Crutzen, “The ‘Anthropocene’” Earth Systems Science in the Anthropocene ed. Eckhart Ehlers and Thomas Krafft (Springer, 2006) pp. 13-18. He references B.F. Skinner’s novel Walden Two (MacMillan, 1962) at the end of our conversation.
Neil Safier is Associate Professor in the Department of History at Brown University where he currently serves as Director of the Center for Latin American and Caribbean Studies of the Watson Institute for International Affairs. He studies the history of science, agriculture, and other forms of knowledge-making in the late-eighteenth-century Atlantic world, focusing on the plantation cultures of the Caribbean and Brazil. He was recently the director of the John Carter Brown Library, at Brown University, and many years ago, when he was more optimistic about the current global epoch, he managed grants for the Sierra Club Foundation in San Francisco, California. He is the author of Measuring the New World: Enlightenment Science and South America (U Chicago, 2008) and is cooking up two new projects, on the historical connections between natural science and plantation agriculture in the Amazon River basin and the global history of collecting.
The image for this week comes from Neil’s research on the history of plantation agriculture. This drawing of a plantation from Hispaniola (Saint-Domingue) was reproduced in José Mariano da Conceição Velozo's Fazendeiro do Brazil Tome III Part II (Lisbon, 1799), in the volume dedicated to coffee production.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Neil Safier talks with us about the Plantationocene, a geological epoch that traces the effects of climate change to the historical systems of human and nonhuman environmental exploitation known as plantation agriculture. It is another name for the world we currently inhabit.</p><p>In the episode, Neil describes how Donna Harraway and Anna Tsing invented the term Plantationocene in response to another recent term Anthropocene. Sources to check out include Donna Haraway’s essay, “Anthropocene, Capitalocene, Plantationcene, Chthulucene: Making Kin” <em>Environmental Humanities </em>6 no. 1 (2015): 159-165. doi: <a href="https://doi.org/10.1215/22011919-3615934">10.1215/22011919-3615934</a>, and Paul Crutzen, “<a href="https://link.springer.com/chapter/10.1007/3-540-26590-2_3">The ‘Anthropocene’</a>” <em>Earth Systems Science in the Anthropocene </em>ed. Eckhart Ehlers and Thomas Krafft (Springer, 2006) pp. 13-18. He references B.F. Skinner’s novel <a href="https://archive.org/details/waldentwo0000bfsk_p2w0"><em>Walden Two </em></a>(MacMillan, 1962) at the end of our conversation.</p><p>Neil Safier is Associate Professor in the Department of History at Brown University where he currently serves as Director of the Center for Latin American and Caribbean Studies of the Watson Institute for International Affairs. He studies the history of science, agriculture, and other forms of knowledge-making in the late-eighteenth-century Atlantic world, focusing on the plantation cultures of the Caribbean and Brazil. He was recently the director of the John Carter Brown Library, at Brown University, and many years ago, when he was more optimistic about the current global epoch, he managed grants for the Sierra Club Foundation in San Francisco, California. He is the author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/M/bo5704190.html"><em>Measuring the New World: Enlightenment Science and South America </em></a>(U Chicago, 2008) and is cooking up two new projects, on the historical connections between natural science and plantation agriculture in the Amazon River basin and the global history of collecting.</p><p>The image for this week comes from Neil’s research on the history of plantation agriculture. This drawing of a plantation from Hispaniola (Saint-Domingue) was reproduced in José Mariano da Conceição Velozo's<em> Fazendeiro do Brazil</em> Tome III Part II (Lisbon, 1799), in the volume dedicated to coffee production.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1117</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0f6bb18-83ec-11ee-93c5-ab16a384c667]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBNK6214948519.mp3?updated=1700076304" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charisse Burden-Stelly, "Black Scare/Red Scare: Theorizing Capitalist Racism in the United States" (U Chicago Press, 2023)</title>
      <description>In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In Black Scare / Red Scare: Theorizing Capitalist Racism in the United States (U Chicago Press, 2023), Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa.
Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red Scare: US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats.
Black Scare / Red Scare illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.
@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>427</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Charisse Burden-Stelly</itunes:subtitle>
      <itunes:summary>In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In Black Scare / Red Scare: Theorizing Capitalist Racism in the United States (U Chicago Press, 2023), Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa.
Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red Scare: US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats.
Black Scare / Red Scare illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.
@amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In <a href="https://bookshop.org/a/12343/9780226830155"><em>Black Scare / Red Scare: Theorizing Capitalist Racism in the United States</em></a><em> </em>(U Chicago Press, 2023), Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa.</p><p>Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red Scare: US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats.</p><p><em>Black Scare / Red Scare</em> illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.</p><p><a href="https://twitter.com/AmandaJoyceHall"><em>@amandajoycehall</em></a><em> is a postdoctoral fellow at Northwestern University in the Department of African American Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2773</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Beatriz Nascimento, "The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento" (Princeton UP, 2023)</title>
      <description>Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil's Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.
The Dialectic Is in the Sea traces the development of Nascimento's thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento's work. This engaging collection includes an essay by Bethânia Gomes, Nascimento's only daughter, who shares illuminating and uniquely personal insights into her mother's life and career.
This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Nov 2023 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christen A. Smith, Bethânia Gomes, and Archie Davies</itunes:subtitle>
      <itunes:summary>Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil's Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.
The Dialectic Is in the Sea traces the development of Nascimento's thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento's work. This engaging collection includes an essay by Bethânia Gomes, Nascimento's only daughter, who shares illuminating and uniquely personal insights into her mother's life and career.
This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Beatriz Nascimento (1942-1995) was a poet, historian, artist, and political leader in Brazil's Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. <a href="https://bookshop.org/a/12343/9780691241203"><em>The Dialectic Is in the Sea: The Black Radical Thought of Beatriz Nascimento</em></a><em> </em>(Princeton UP, 2023) is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.</p><p><em>The Dialectic Is in the Sea</em> traces the development of Nascimento's thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento's work. This engaging collection includes an essay by Bethânia Gomes, Nascimento's only daughter, who shares illuminating and uniquely personal insights into her mother's life and career.</p><p>This is an interview with Christen A. Smith, Bethânia Gomes and Archie Davies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2906</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>David Myer Temin, "Remapping Sovereignty: Decolonization and Self-Determination in North American Indigenous Political Thought" (U Chicago Press, 2023)</title>
      <description>Accounts of decolonization routinely neglect Indigenous societies in North America and Australasia, yet Native communities have made unique contributions to anticolonial thought and activism. David Myer Temin's book Remapping Sovereignty: Decolonization and Self-Determination in North American Indigenous Political Thought (U Chicago Press, 2023) examines how twentieth-century Indigenous activists in North America debated questions of decolonization and self-determination, developing distinctive conceptual approaches that both resonate with and reformulate key strands in other civil rights and global decolonization movements. In contrast to decolonization projects that envisioned liberation through national independence, Indigenous theorists emphasized the self-determination of peoples against sovereign states and articulated a visionary politics of decolonization as care for the earth. Temin traces the interplay between anticolonial thought and practice across key indigenous thinkers. He shows how these insights broaden the political and intellectual horizons open to us today with respect to climate justice.
Lachlan McNamee is a Lecturer of Politics at Monash University. His area of expertise is the comparative politics of settler colonialism, empire, and political violence with a regional focus on the Asia-Pacific.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Myer Temin</itunes:subtitle>
      <itunes:summary>Accounts of decolonization routinely neglect Indigenous societies in North America and Australasia, yet Native communities have made unique contributions to anticolonial thought and activism. David Myer Temin's book Remapping Sovereignty: Decolonization and Self-Determination in North American Indigenous Political Thought (U Chicago Press, 2023) examines how twentieth-century Indigenous activists in North America debated questions of decolonization and self-determination, developing distinctive conceptual approaches that both resonate with and reformulate key strands in other civil rights and global decolonization movements. In contrast to decolonization projects that envisioned liberation through national independence, Indigenous theorists emphasized the self-determination of peoples against sovereign states and articulated a visionary politics of decolonization as care for the earth. Temin traces the interplay between anticolonial thought and practice across key indigenous thinkers. He shows how these insights broaden the political and intellectual horizons open to us today with respect to climate justice.
Lachlan McNamee is a Lecturer of Politics at Monash University. His area of expertise is the comparative politics of settler colonialism, empire, and political violence with a regional focus on the Asia-Pacific.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Accounts of decolonization routinely neglect Indigenous societies in North America and Australasia, yet Native communities have made unique contributions to anticolonial thought and activism. David Myer Temin's book<em> </em><a href="https://bookshop.org/a/12343/9780226827261"><em>Remapping Sovereignty: Decolonization and Self-Determination in North American Indigenous Political Thought</em></a><em> </em>(U Chicago Press, 2023) examines how twentieth-century Indigenous activists in North America debated questions of decolonization and self-determination, developing distinctive conceptual approaches that both resonate with and reformulate key strands in other civil rights and global decolonization movements. In contrast to decolonization projects that envisioned liberation through national independence, Indigenous theorists emphasized the self-determination of peoples against sovereign states and articulated a visionary politics of decolonization as care for the earth.<em> </em>Temin traces the interplay between anticolonial thought and practice across key indigenous thinkers. He shows how these insights broaden the political and intellectual horizons open to us today with respect to climate justice.</p><p><a href="http://www.lachlanmcnamee.com/"><em>Lachlan McNamee</em></a><em> is a Lecturer of Politics at Monash University. His area of expertise is the comparative politics of settler colonialism, empire, and political violence with a regional focus on the Asia-Pacific.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[022f50ba-8198-11ee-a181-ef4bb5c4b9ef]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3210801690.mp3?updated=1699820696" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Musab Younis, "On the Scale of the World: The Formation of Black Anticolonial Thought" (U California Press, 2022)</title>
      <description>On the Scale of the World: The Formation of Black Anticolonial Thought (U California Press, 2022) examines the reverberations of anticolonial ideas that spread across the Atlantic between the two world wars. From the 1920s to the 1940s, Black intellectuals in Europe, Africa, and the Caribbean established theories of colonialism and racism as structures that must be understood, and resisted, on a global scale. In this richly textured book, Musab Younis gathers the work of writers and poets, journalists and editors, historians and political theorists whose insights speak urgently to contemporary movements for liberation.
Bringing together literary and political texts from Nigeria, Ghana, Sierra Leone, France, the United States, and elsewhere, Younis excavates a vibrant and understudied tradition of international political thought. From the British and French colonial occupations of West Africa to the struggles of African Americans, the hypocrisy of French promises of 'assimilation, ' and the many-sided attacks on the sovereignties of Haiti, Liberia, and Ethiopia, On the Scale of the World shows how racialized imperialism provoked critical responses across the interwar Black Atlantic. By transcending the boundaries of any single imperial system, these counternarratives of global order enabled new ways of thinking about race, nation, and empire.
﻿Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Musab Younis</itunes:subtitle>
      <itunes:summary>On the Scale of the World: The Formation of Black Anticolonial Thought (U California Press, 2022) examines the reverberations of anticolonial ideas that spread across the Atlantic between the two world wars. From the 1920s to the 1940s, Black intellectuals in Europe, Africa, and the Caribbean established theories of colonialism and racism as structures that must be understood, and resisted, on a global scale. In this richly textured book, Musab Younis gathers the work of writers and poets, journalists and editors, historians and political theorists whose insights speak urgently to contemporary movements for liberation.
Bringing together literary and political texts from Nigeria, Ghana, Sierra Leone, France, the United States, and elsewhere, Younis excavates a vibrant and understudied tradition of international political thought. From the British and French colonial occupations of West Africa to the struggles of African Americans, the hypocrisy of French promises of 'assimilation, ' and the many-sided attacks on the sovereignties of Haiti, Liberia, and Ethiopia, On the Scale of the World shows how racialized imperialism provoked critical responses across the interwar Black Atlantic. By transcending the boundaries of any single imperial system, these counternarratives of global order enabled new ways of thinking about race, nation, and empire.
﻿Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520389168"><em>On the Scale of the World: The Formation of Black Anticolonial Thought</em></a><em> </em>(U California Press, 2022) examines the reverberations of anticolonial ideas that spread across the Atlantic between the two world wars. From the 1920s to the 1940s, Black intellectuals in Europe, Africa, and the Caribbean established theories of colonialism and racism as structures that must be understood, and resisted, on a global scale. In this richly textured book, Musab Younis gathers the work of writers and poets, journalists and editors, historians and political theorists whose insights speak urgently to contemporary movements for liberation.</p><p>Bringing together literary and political texts from Nigeria, Ghana, Sierra Leone, France, the United States, and elsewhere, Younis excavates a vibrant and understudied tradition of international political thought. From the British and French colonial occupations of West Africa to the struggles of African Americans, the hypocrisy of French promises of 'assimilation, ' and the many-sided attacks on the sovereignties of Haiti, Liberia, and Ethiopia, <em>On the Scale of the World </em>shows how racialized imperialism provoked critical responses across the interwar Black Atlantic. By transcending the boundaries of any single imperial system, these counternarratives of global order enabled new ways of thinking about race, nation, and empire.</p><p><em>﻿Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at </em><a href="http://elisaprosperetti.net/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2903</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Elizabeth Anderson, "Hijacked: How Neoliberalism Turned the Work Ethic against Workers and How Workers Can Take It Back" (Cambridge UP, 2023)</title>
      <description>What is the work ethic? Does it justify policies that promote the wealth and power of the One Percent at workers' expense? Or does it advance policies that promote workers' dignity and standing? Hijacked: How Neoliberalism Turned the Work Ethic against Workers and How Workers Can Take It Back (Cambridge UP, 2023) explores how the history of political economy has been a contest between these two ideas about whom the work ethic is supposed to serve. Today's neoliberal ideology deploys the work ethic on behalf of the One Percent. However, workers and their advocates have long used the work ethic on behalf of ordinary people. By exposing the ideological roots of contemporary neoliberalism as a perversion of the seventeenth-century Protestant work ethic, Elizabeth Anderson shows how we can reclaim the original goals of the work ethic, and uplift ourselves again. Hijacked persuasively and powerfully demonstrates how ideas inspired by the work ethic informed debates among leading political economists of the past, and how these ideas can help us today. 
Elizabeth Anderson is the Max Mendel Shaye Professor of Public Philosophy, Politics, and Economics at University of Michigan. She is the author of Value in Ethics and Economics (1995), The Imperative of Integration (2010), and Private Government: How Employers Rule Our Lives (and Why We Don't Talk about It) (2017). She is a MacArthur Fellow and Fellow of the American Academy of Arts and Sciences. In 2019, The New Yorker described her as 'a champion of the view that equality and freedom are mutually dependent [...] Anderson may be the philosopher best suited to this awkward moment in American life.'
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elizabeth Anderson</itunes:subtitle>
      <itunes:summary>What is the work ethic? Does it justify policies that promote the wealth and power of the One Percent at workers' expense? Or does it advance policies that promote workers' dignity and standing? Hijacked: How Neoliberalism Turned the Work Ethic against Workers and How Workers Can Take It Back (Cambridge UP, 2023) explores how the history of political economy has been a contest between these two ideas about whom the work ethic is supposed to serve. Today's neoliberal ideology deploys the work ethic on behalf of the One Percent. However, workers and their advocates have long used the work ethic on behalf of ordinary people. By exposing the ideological roots of contemporary neoliberalism as a perversion of the seventeenth-century Protestant work ethic, Elizabeth Anderson shows how we can reclaim the original goals of the work ethic, and uplift ourselves again. Hijacked persuasively and powerfully demonstrates how ideas inspired by the work ethic informed debates among leading political economists of the past, and how these ideas can help us today. 
Elizabeth Anderson is the Max Mendel Shaye Professor of Public Philosophy, Politics, and Economics at University of Michigan. She is the author of Value in Ethics and Economics (1995), The Imperative of Integration (2010), and Private Government: How Employers Rule Our Lives (and Why We Don't Talk about It) (2017). She is a MacArthur Fellow and Fellow of the American Academy of Arts and Sciences. In 2019, The New Yorker described her as 'a champion of the view that equality and freedom are mutually dependent [...] Anderson may be the philosopher best suited to this awkward moment in American life.'
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the work ethic? Does it justify policies that promote the wealth and power of the One Percent at workers' expense? Or does it advance policies that promote workers' dignity and standing?<a href="https://bookshop.org/a/12343/9781009275439"> <em>Hijacked: How Neoliberalism Turned the Work Ethic against Workers and How Workers Can Take It Back</em></a> (Cambridge UP, 2023) explores how the history of political economy has been a contest between these two ideas about whom the work ethic is supposed to serve. Today's neoliberal ideology deploys the work ethic on behalf of the One Percent. However, workers and their advocates have long used the work ethic on behalf of ordinary people. By exposing the ideological roots of contemporary neoliberalism as a perversion of the seventeenth-century Protestant work ethic, Elizabeth Anderson shows how we can reclaim the original goals of the work ethic, and uplift ourselves again. Hijacked persuasively and powerfully demonstrates how ideas inspired by the work ethic informed debates among leading political economists of the past, and how these ideas can help us today. </p><p>Elizabeth Anderson is the Max Mendel Shaye Professor of Public Philosophy, Politics, and Economics at University of Michigan. She is the author of Value in Ethics and Economics (1995), The Imperative of Integration (2010), and Private Government: How Employers Rule Our Lives (and Why We Don't Talk about It) (2017). She is a MacArthur Fellow and Fellow of the American Academy of Arts and Sciences. In 2019, The New Yorker described her as 'a champion of the view that equality and freedom are mutually dependent [...] Anderson may be the philosopher best suited to this awkward moment in American life.'</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3394</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9653aaea-80b0-11ee-afc8-c78995780641]]></guid>
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    <item>
      <title>Cecilia Márquez, "Making the Latino South: A History of Racial Formation" (UNC Press, 2023)</title>
      <description>The presence of Latinx people in the American South has long confounded the region's persistent racial binaries. In Making the Latino South: A History of Racial Formation (UNC Press, 2023), Cecilia Márquez uses social and cultural history methods to assess the racial logics that have shaped the Latinx experience in the region since the middle of the twentieth century. Structuring her argument around several major themes that frequently signpost the history of the South and of race relations in the United States--the rise of an increasingly mobile middle class, the civil rights movement and fight over school integration, the growth global connection of the region's economy, and political conflict over immigration--Márquez reveals how Latinx people in the South have confronted both whiteness and antiblackness, and how cultural boundaries to exclude Black people from full participation in the life of the region and nation have been essential to the construction of Latinx as a category.
﻿Anna E. Lindner (Ph.D., Communication) is an Assistant Professor of Teaching at Wayne State University. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 12 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cecilia Márquez</itunes:subtitle>
      <itunes:summary>The presence of Latinx people in the American South has long confounded the region's persistent racial binaries. In Making the Latino South: A History of Racial Formation (UNC Press, 2023), Cecilia Márquez uses social and cultural history methods to assess the racial logics that have shaped the Latinx experience in the region since the middle of the twentieth century. Structuring her argument around several major themes that frequently signpost the history of the South and of race relations in the United States--the rise of an increasingly mobile middle class, the civil rights movement and fight over school integration, the growth global connection of the region's economy, and political conflict over immigration--Márquez reveals how Latinx people in the South have confronted both whiteness and antiblackness, and how cultural boundaries to exclude Black people from full participation in the life of the region and nation have been essential to the construction of Latinx as a category.
﻿Anna E. Lindner (Ph.D., Communication) is an Assistant Professor of Teaching at Wayne State University. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The presence of Latinx people in the American South has long confounded the region's persistent racial binaries. In <a href="https://bookshop.org/a/12343/9781469676050"><em>Making the Latino South: A History of Racial Formation</em></a> (UNC Press, 2023), Cecilia Márquez uses social and cultural history methods to assess the racial logics that have shaped the Latinx experience in the region since the middle of the twentieth century. Structuring her argument around several major themes that frequently signpost the history of the South and of race relations in the United States--the rise of an increasingly mobile middle class, the civil rights movement and fight over school integration, the growth global connection of the region's economy, and political conflict over immigration--Márquez reveals how Latinx people in the South have confronted both whiteness and antiblackness, and how cultural boundaries to exclude Black people from full participation in the life of the region and nation have been essential to the construction of Latinx as a category.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/anna-lindner-b86a16a6/"><em>Anna E. Lindner</em></a><em> (Ph.D., Communication) is an Assistant Professor of Teaching at Wayne State University. </em><a href="https://twitter.com/annaeliselin"><em>On Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2907</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Caroline Levine, "The Activist Humanist: Form and Method in the Climate Crisis" (Princeton UP, 2023)</title>
      <description>W. H. Auden once said, “Poetry makes nothing happen.” Auden’s quote has been used for so many purposes, it might be worth remembering what he meant. Auden’s line is importantly from a poem memorializing W.B. Yeats, a politician and a poet. Auden meant that despite Yeats’s poetry, “Ireland [still] has her madness and her weather still.” Yeats’s poetry didn’t stop suffering. But Auden acknowledges that poetry is a “way of happening” that survives and persists. Today’s guest, Caroline Levine, has written a brilliant new book The Activist Humanist: Form and Method in the Climate Crisis (Princeton UP, 2023). As I read the book, I began asking myself in the manner of Auden: “Does literary criticism make nothing happen? What kind of something might attention to social forms within aesthetic criticism make happen?”
I am excited to talk to Caroline Levine is David and Kathleen Ryan Professor of Humanities at Cornell University. Previously, she was Professor of English at the University of Wisconsin-Madison. She is the author of Forms: Whole, Rhythm, Hierarchy, Network (2015), which won the winner of the James Russell Lowell Prize from the Modern Language Association, as well as The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003) and Provoking Democracy: Why We Need the Arts (2007).
John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>261</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caroline Levine</itunes:subtitle>
      <itunes:summary>W. H. Auden once said, “Poetry makes nothing happen.” Auden’s quote has been used for so many purposes, it might be worth remembering what he meant. Auden’s line is importantly from a poem memorializing W.B. Yeats, a politician and a poet. Auden meant that despite Yeats’s poetry, “Ireland [still] has her madness and her weather still.” Yeats’s poetry didn’t stop suffering. But Auden acknowledges that poetry is a “way of happening” that survives and persists. Today’s guest, Caroline Levine, has written a brilliant new book The Activist Humanist: Form and Method in the Climate Crisis (Princeton UP, 2023). As I read the book, I began asking myself in the manner of Auden: “Does literary criticism make nothing happen? What kind of something might attention to social forms within aesthetic criticism make happen?”
I am excited to talk to Caroline Levine is David and Kathleen Ryan Professor of Humanities at Cornell University. Previously, she was Professor of English at the University of Wisconsin-Madison. She is the author of Forms: Whole, Rhythm, Hierarchy, Network (2015), which won the winner of the James Russell Lowell Prize from the Modern Language Association, as well as The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003) and Provoking Democracy: Why We Need the Arts (2007).
John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>W. H. Auden once said, “Poetry makes nothing happen.” Auden’s quote has been used for so many purposes, it might be worth remembering what he meant. Auden’s line is importantly from a poem memorializing W.B. Yeats, a politician and a poet. Auden meant that despite Yeats’s poetry, “Ireland [still] has her madness and her weather still.” Yeats’s poetry didn’t stop suffering. But Auden acknowledges that poetry is a “way of happening” that survives and persists. Today’s guest, Caroline Levine, has written a brilliant new book <a href="https://bookshop.org/a/12343/9780691250816"><em>The Activist Humanist: Form and Method in the Climate Crisis</em></a><em> </em>(Princeton UP, 2023). As I read the book, I began asking myself in the manner of Auden: “Does literary criticism make nothing happen? What kind of something might attention to social forms within aesthetic criticism make happen?”</p><p>I am excited to talk to Caroline Levine is David and Kathleen Ryan Professor of Humanities at Cornell University. Previously, she was Professor of English at the University of Wisconsin-Madison. She is the author of <em>Forms: Whole, Rhythm, Hierarchy, Network</em> (2015), which won the winner of the James Russell Lowell Prize from the Modern Language Association, as well as <em>The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt</em> (2003) and <em>Provoking Democracy: Why We Need the Arts</em> (2007).</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the </em><a href="https://muse.jhu.edu/article/786734"><em>Journal for Early Modern Culture Studies</em></a><em>, Early Theatre, Studies in Philology, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4915</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2dacd96a-7b26-11ee-b737-9f70d0196d84]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8066400119.mp3?updated=1699113027" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathleen Mcphillips and Naomi Goldenberg, "The End of Religion: Feminist Reappraisals of the State" (Routledge, 2020)</title>
      <description>Feminist theory has enhanced and expanded the agency, influence, status and contributions of women throughout the globe. However, feminist critical analysis has not yet examined how the assumption that religion is natural, timeless, universal and omnipresent supports sexist and race-based oppression. 
Kathleen Mcphillips and Naomi Goldenberg edited volume The End of Religion: Feminist Reappraisals of the State (Routledge, 2020) proposes radical new thinking about religion in order to better comprehend and confront the systematic disempowerment of women and marginalized groups. Utilising feminist and post-colonial analysis of access, equity and violence, contributors draw on recent critical theory to collapse accepted boundaries between religion and secularity with the aim of understanding that religion is a technology of governance in its function, meaning and history. The volume includes case studies focusing on how the category of religion is deployed to perpetuate male hegemony and racist inequities in Australia, Mexico, the United States, Britain and Canada. This trenchant feminist critique and academic analysis will be of key interest to scholars and students of Religion, Sociology, Political Science and Gender Studies.
Naomi Goldenberg is professor of Classics and Religious Studies at the University of Ottawa. Her publications include Resurrecting the Body (Crossroad Publishing, 1993), The End of God (University of Ottawa Press, 1981), and Changing the Gods (Beacon Press, 1979).
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>212</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Naomi Goldenberg</itunes:subtitle>
      <itunes:summary>Feminist theory has enhanced and expanded the agency, influence, status and contributions of women throughout the globe. However, feminist critical analysis has not yet examined how the assumption that religion is natural, timeless, universal and omnipresent supports sexist and race-based oppression. 
Kathleen Mcphillips and Naomi Goldenberg edited volume The End of Religion: Feminist Reappraisals of the State (Routledge, 2020) proposes radical new thinking about religion in order to better comprehend and confront the systematic disempowerment of women and marginalized groups. Utilising feminist and post-colonial analysis of access, equity and violence, contributors draw on recent critical theory to collapse accepted boundaries between religion and secularity with the aim of understanding that religion is a technology of governance in its function, meaning and history. The volume includes case studies focusing on how the category of religion is deployed to perpetuate male hegemony and racist inequities in Australia, Mexico, the United States, Britain and Canada. This trenchant feminist critique and academic analysis will be of key interest to scholars and students of Religion, Sociology, Political Science and Gender Studies.
Naomi Goldenberg is professor of Classics and Religious Studies at the University of Ottawa. Her publications include Resurrecting the Body (Crossroad Publishing, 1993), The End of God (University of Ottawa Press, 1981), and Changing the Gods (Beacon Press, 1979).
This episode’s host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Feminist theory has enhanced and expanded the agency, influence, status and contributions of women throughout the globe. However, feminist critical analysis has not yet examined how the assumption that religion is natural, timeless, universal and omnipresent supports sexist and race-based oppression. </p><p>Kathleen Mcphillips and Naomi Goldenberg edited volume <a href="https://bookshop.org/a/12343/9781472470430"><em>The End of Religion: Feminist Reappraisals of the State</em></a> (Routledge, 2020) proposes radical new thinking about religion in order to better comprehend and confront the systematic disempowerment of women and marginalized groups. Utilising feminist and post-colonial analysis of access, equity and violence, contributors draw on recent critical theory to collapse accepted boundaries between religion and secularity with the aim of understanding that religion is a technology of governance in its function, meaning and history. The volume includes case studies focusing on how the category of religion is deployed to perpetuate male hegemony and racist inequities in Australia, Mexico, the United States, Britain and Canada. This trenchant feminist critique and academic analysis will be of key interest to scholars and students of Religion, Sociology, Political Science and Gender Studies.</p><p>Naomi Goldenberg is professor of Classics and Religious Studies at the University of Ottawa. Her publications include Resurrecting the Body (Crossroad Publishing, 1993), The End of God (University of Ottawa Press, 1981), and Changing the Gods (Beacon Press, 1979).</p><p><em>This episode’s host, </em><a href="https://twitter.com/jakebarrett25"><em>Jacob Barrett</em></a><em>, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his </em><a href="https://thereluctantamericanist.com/"><em>website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2706</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR9104092696.mp3?updated=1699039358" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nancy Lindisfarne and Jonathan Neale, "Why Men?: A Human History of Violence and Inequality" (Hurst, 2023)</title>
      <description>How did humans, a species that evolved to be cooperative and egalitarian, develop societies of enforced inequality? Why did our ancestors create patriarchal power and warfare? Did it have to be this way? These are some of the key questions that Dr. Nancy Lindisfarne and Dr. Jonathan Neale grapple with in Why Men? A Human History of Violence and Inequality (Hurst, 2023).
Elites have always called hierarchy and violence unavoidable facts of human nature. Evolution, they claim, has caused men to fight, and people—starting with men and women—to have separate, unequal roles. But that is bad science.
Why Men? tells a smarter story of humanity, from early behaviours to contemporary cultures. From bonobo sex and prehistoric childcare to human sacrifice, Joan of Arc, Darwinism and Abu Ghraib, this fascinating, fun and important book reveals that humans adapted to live equally, yet the earliest class societies suppressed this with invented ideas of difference. Ever since, these distortions have caused female, queer and minority suffering. But our deeply human instincts towards equality have endured.
This book is not about what men and women are or do. It’s about the privileges humans claim, how they rationalise them, and how we unpick those ideas about our roots. It will change how you see injustice, violence and even yourself.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Nov 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nancy Lindisfarne and Jonathan Neale</itunes:subtitle>
      <itunes:summary>How did humans, a species that evolved to be cooperative and egalitarian, develop societies of enforced inequality? Why did our ancestors create patriarchal power and warfare? Did it have to be this way? These are some of the key questions that Dr. Nancy Lindisfarne and Dr. Jonathan Neale grapple with in Why Men? A Human History of Violence and Inequality (Hurst, 2023).
Elites have always called hierarchy and violence unavoidable facts of human nature. Evolution, they claim, has caused men to fight, and people—starting with men and women—to have separate, unequal roles. But that is bad science.
Why Men? tells a smarter story of humanity, from early behaviours to contemporary cultures. From bonobo sex and prehistoric childcare to human sacrifice, Joan of Arc, Darwinism and Abu Ghraib, this fascinating, fun and important book reveals that humans adapted to live equally, yet the earliest class societies suppressed this with invented ideas of difference. Ever since, these distortions have caused female, queer and minority suffering. But our deeply human instincts towards equality have endured.
This book is not about what men and women are or do. It’s about the privileges humans claim, how they rationalise them, and how we unpick those ideas about our roots. It will change how you see injustice, violence and even yourself.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did humans, a species that evolved to be cooperative and egalitarian, develop societies of enforced inequality? Why did our ancestors create patriarchal power and warfare? Did it have to be this way? These are some of the key questions that Dr. Nancy Lindisfarne and Dr. Jonathan Neale grapple with in <a href="https://www.hurstpublishers.com/book/why-men/"><em>Why Men? A Human History of Violence and Inequality</em></a> (Hurst, 2023).</p><p>Elites have always called hierarchy and violence unavoidable facts of human nature. Evolution, they claim, has caused men to fight, and people—starting with men and women—to have separate, unequal roles. But that is bad science.</p><p>Why Men? tells a smarter story of humanity, from early behaviours to contemporary cultures. From bonobo sex and prehistoric childcare to human sacrifice, Joan of Arc, Darwinism and Abu Ghraib, this fascinating, fun and important book reveals that humans adapted to live equally, yet the earliest class societies suppressed this with invented ideas of difference. Ever since, these distortions have caused female, queer and minority suffering. But our deeply human instincts towards equality have endured.</p><p>This book is not about what men and women are or do. It’s about the privileges humans claim, how they rationalise them, and how we unpick those ideas about our roots. It will change how you see injustice, violence and even yourself.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> forthcoming book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4476</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Daniele Lorenzini, "The Force of Truth: Critique, Genealogy, and Truth-Telling in Michel Foucault" (U Chicago Press, 2023)</title>
      <description>A groundbreaking examination of Michel Foucault’s history of truth.
Many blame Michel Foucault for our post-truth and conspiracy-laden society. In this provocative work, Daniele Lorenzini argues that such criticism fundamentally misunderstands the philosopher’s project. Foucault did not question truth itself but what Lorenzini calls “the force of truth,” or how some truth claims are given the power to govern our conduct while others are not. This interest, Lorenzini shows, drove Foucault to articulate a new ethics and politics of truth-telling precisely in order to evade the threat of relativism. The Force of Truth explores this neglected dimension of Foucault’s project by putting his writings on regimes of truth and parrhesia in conversation with early analytic philosophy and by drawing out the “possibilizing” elements of Foucault’s genealogies that remain vital for practicing critique today.
﻿Dr. Richard Grijalva is an ACLS Emerging Voices Postdoctoral Fellow with the Center for Mexican American Studies (CMAS) at the University of Texas at Austin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 Nov 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>422</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniele Lorenzini</itunes:subtitle>
      <itunes:summary>A groundbreaking examination of Michel Foucault’s history of truth.
Many blame Michel Foucault for our post-truth and conspiracy-laden society. In this provocative work, Daniele Lorenzini argues that such criticism fundamentally misunderstands the philosopher’s project. Foucault did not question truth itself but what Lorenzini calls “the force of truth,” or how some truth claims are given the power to govern our conduct while others are not. This interest, Lorenzini shows, drove Foucault to articulate a new ethics and politics of truth-telling precisely in order to evade the threat of relativism. The Force of Truth explores this neglected dimension of Foucault’s project by putting his writings on regimes of truth and parrhesia in conversation with early analytic philosophy and by drawing out the “possibilizing” elements of Foucault’s genealogies that remain vital for practicing critique today.
﻿Dr. Richard Grijalva is an ACLS Emerging Voices Postdoctoral Fellow with the Center for Mexican American Studies (CMAS) at the University of Texas at Austin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A groundbreaking examination of Michel Foucault’s history of truth.</p><p>Many blame Michel Foucault for our post-truth and conspiracy-laden society. In this provocative work, Daniele Lorenzini argues that such criticism fundamentally misunderstands the philosopher’s project. Foucault did not question truth itself but what Lorenzini calls “the force of truth,” or how some truth claims are given the power to govern our conduct while others are not. This interest, Lorenzini shows, drove Foucault to articulate a new ethics and politics of truth-telling precisely in order to evade the threat of relativism. <em>The Force of Truth</em> explores this neglected dimension of Foucault’s project by putting his writings on regimes of truth and <em>parrhesia </em>in conversation with early analytic philosophy and by drawing out the “possibilizing” elements of Foucault’s genealogies that remain vital for practicing critique today.</p><p><em>﻿</em><a href="https://ragrijalva.net/"><em>Dr. Richard Grijalva</em></a><em> is an ACLS Emerging Voices Postdoctoral Fellow with the Center for Mexican American Studies (CMAS) at the University of Texas at Austin.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be15f400-75a9-11ee-b1c8-57044afa3bc5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3083662466.mp3?updated=1698509791" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Henrik Fürst and Erik Nylander, "The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools" (Palgrave MacMillan, 2023)</title>
      <description>Is art education worthwhile? In The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools (Palgrave MacMillan, 2023), Henrik Fürst, Associate Professor in the Department of Education at Stockholm University and Erik Nylander, Associate Professor in Education at Linköping University, explore this question using the case study of a unique form of educational institution in Sweden. Drawing on a project that examined questions of admissions, teaching, assessments, students’ experiences, and the value and values of art itself, the research delivers a comprehensive picture of why and how art education matters. Rich in detail and offering more general reflections on the importance of the arts, the book is essential reading across the social sciences and humanities, as well as for those interested in defending arts education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>420</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Henrik Fürst and Erik Nylander</itunes:subtitle>
      <itunes:summary>Is art education worthwhile? In The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools (Palgrave MacMillan, 2023), Henrik Fürst, Associate Professor in the Department of Education at Stockholm University and Erik Nylander, Associate Professor in Education at Linköping University, explore this question using the case study of a unique form of educational institution in Sweden. Drawing on a project that examined questions of admissions, teaching, assessments, students’ experiences, and the value and values of art itself, the research delivers a comprehensive picture of why and how art education matters. Rich in detail and offering more general reflections on the importance of the arts, the book is essential reading across the social sciences and humanities, as well as for those interested in defending arts education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is art education worthwhile? In <a href="https://bookshop.org/a/12343/9783031140600"><em>The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools</em></a> (Palgrave MacMillan, 2023), Henrik Fürst, Associate Professor in the Department of Education at Stockholm University and <a href="https://twitter.com/erikgustavus">Erik Nylander</a>, Associate Professor in Education at Linköping University, explore this question using the case study of a unique form of educational institution in Sweden. Drawing on a project that examined questions of admissions, teaching, assessments, students’ experiences, and the value and values of art itself, the research delivers a comprehensive picture of why and how art education matters. Rich in detail and offering more general reflections on the importance of the arts, the book is essential reading across the social sciences and humanities, as well as for those interested in defending arts education.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2337</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[04f071c2-72a1-11ee-8af9-537a656963cd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR9686090539.mp3?updated=1698176606" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frederick V. Engram, "Black Liberation Through Action and Resistance: MOVE" (Rowman &amp; Littlefield, 2023)</title>
      <description>Black Liberation through Action and Resistance: MOVE (Rowman &amp; Littlefield, 2023) serves as a call to action for Black millennials and co-conspirators who are immersed in the work of Black liberation or want to begin their own journey toward anti-racism. Its central mission is to provide additional context to an ongoing discussion regarding Black liberation and proper allyship. The theory behind MOVE challenges anti-Blackness, patriarchy, white supremacy, and misogynoir ideologies aimed at the continued oppression of the descendants of the American enslaved.
Dr. Frederick V. Engram Jr. is an assistant professor of higher education at Fairleigh Dickinson University. His research focuses on understanding how African Americans comprehend anti-Black racism in higher education and the criminal justice system.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>425</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frederick V. Engram</itunes:subtitle>
      <itunes:summary>Black Liberation through Action and Resistance: MOVE (Rowman &amp; Littlefield, 2023) serves as a call to action for Black millennials and co-conspirators who are immersed in the work of Black liberation or want to begin their own journey toward anti-racism. Its central mission is to provide additional context to an ongoing discussion regarding Black liberation and proper allyship. The theory behind MOVE challenges anti-Blackness, patriarchy, white supremacy, and misogynoir ideologies aimed at the continued oppression of the descendants of the American enslaved.
Dr. Frederick V. Engram Jr. is an assistant professor of higher education at Fairleigh Dickinson University. His research focuses on understanding how African Americans comprehend anti-Black racism in higher education and the criminal justice system.
Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://rowman.com/ISBN/9780761874164/Black-Liberation-through-Action-and-Resistance-MOVE"><em>Black Liberation through Action and Resistance: MOVE</em></a> (Rowman &amp; Littlefield, 2023) serves as a call to action for Black millennials and co-conspirators who are immersed in the work of Black liberation or want to begin their own journey toward anti-racism. Its central mission is to provide additional context to an ongoing discussion regarding Black liberation and proper allyship. The theory behind MOVE challenges anti-Blackness, patriarchy, white supremacy, and misogynoir ideologies aimed at the continued oppression of the descendants of the American enslaved.</p><p>Dr. Frederick V. Engram Jr. is an assistant professor of higher education at Fairleigh Dickinson University. His research focuses on understanding how African Americans comprehend anti-Black racism in higher education and the criminal justice system.</p><p><em>Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2315</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[875ec7b4-7425-11ee-96e4-9f8d083f43f4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8419239716.mp3?updated=1698341997" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Claire Jean Kim, "Asian Americans in an Anti-Black World" (Cambridge UP, 2023)</title>
      <description>Where do Asian Americans fit into the U.S. racial order? How do we understand anti-Asian racism in relation to structural anti-Blackness? Are Asian Americans subordinated comparably to Black people or permitted adjacency to whiteness? For Dr. Claire Jean Kim, the police murder of George Floyd and the surge in anti-Asian hate during the COVID-19 pandemic make these questions urgent – and the answers may alter the US racial order.
In Asian Americans in an Anti-Black World (Cambridge UP, 2023), Dr. Kim argues that understanding US racial dynamics requires careful analysis of two forces: anti-Blackness and white supremacy. Dr. Kim’s meticulously researched book treats White supremacy and anti-Blackness as “kinetic forces or energy flows that have shaped and been shaped by the structural regimes of slavery, colonialism, capitalism, settler colonialism, and empire across the globe.” White supremacy lifts up one group as it pushes down all others. Anti-Blackness “abjects Blackness and elevates not-Blackness.” Based on her detailed analysis of law, history, and politics, Dr. Kim demonstrates how Asian Americans are “dynamically constituted as not-white, but above all not-Black” – and that Not-Blackness is a “vital form of property in an anti-Black world.” The construction of Asian Americans as not-white but above all not-Black has determined their positionality for nearly two centuries. Asian Americans are “dynamically positioned and weaponized by the U.S. state as it seeks to preserve structural anti-Blackness.” How Asian Americans choose to respond to their not-Black status will help to define racial politics in the U.S. in the twenty-first century. Can “Asian Americanness be reimagined as a force that destabilizes, rather than stabilizes, an anti-Black world?
Dr. Claire Jean Kim is Professor of Political Science and Asian American Studies at University of California, Irvine, where she teaches classes on race, politics, and human-animal studies. She is the author of two previous award-winning books, Bitter Fruit: The Politics of Black-Korean Conflict in New York City (Yale University Press, 2000) and Dangerous Crossings: Race, Species, and Nature in a Multicultural Age (Cambridge University Press, 2015).
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>682</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Claire Jean Kim</itunes:subtitle>
      <itunes:summary>Where do Asian Americans fit into the U.S. racial order? How do we understand anti-Asian racism in relation to structural anti-Blackness? Are Asian Americans subordinated comparably to Black people or permitted adjacency to whiteness? For Dr. Claire Jean Kim, the police murder of George Floyd and the surge in anti-Asian hate during the COVID-19 pandemic make these questions urgent – and the answers may alter the US racial order.
In Asian Americans in an Anti-Black World (Cambridge UP, 2023), Dr. Kim argues that understanding US racial dynamics requires careful analysis of two forces: anti-Blackness and white supremacy. Dr. Kim’s meticulously researched book treats White supremacy and anti-Blackness as “kinetic forces or energy flows that have shaped and been shaped by the structural regimes of slavery, colonialism, capitalism, settler colonialism, and empire across the globe.” White supremacy lifts up one group as it pushes down all others. Anti-Blackness “abjects Blackness and elevates not-Blackness.” Based on her detailed analysis of law, history, and politics, Dr. Kim demonstrates how Asian Americans are “dynamically constituted as not-white, but above all not-Black” – and that Not-Blackness is a “vital form of property in an anti-Black world.” The construction of Asian Americans as not-white but above all not-Black has determined their positionality for nearly two centuries. Asian Americans are “dynamically positioned and weaponized by the U.S. state as it seeks to preserve structural anti-Blackness.” How Asian Americans choose to respond to their not-Black status will help to define racial politics in the U.S. in the twenty-first century. Can “Asian Americanness be reimagined as a force that destabilizes, rather than stabilizes, an anti-Black world?
Dr. Claire Jean Kim is Professor of Political Science and Asian American Studies at University of California, Irvine, where she teaches classes on race, politics, and human-animal studies. She is the author of two previous award-winning books, Bitter Fruit: The Politics of Black-Korean Conflict in New York City (Yale University Press, 2000) and Dangerous Crossings: Race, Species, and Nature in a Multicultural Age (Cambridge University Press, 2015).
Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Where do Asian Americans fit into the U.S. racial order? How do we understand anti-Asian racism in relation to structural anti-Blackness? Are Asian Americans subordinated comparably to Black people or permitted adjacency to whiteness? For Dr. Claire Jean Kim, the police murder of George Floyd and the surge in anti-Asian hate during the COVID-19 pandemic make these questions urgent – and the answers may alter the US racial order.</p><p>In <a href="https://bookshop.org/a/12343/9781009222259"><em>Asian Americans in an Anti-Black World</em></a> (Cambridge UP, 2023), Dr. Kim argues that understanding US racial dynamics requires careful analysis of two forces: anti-Blackness and white supremacy. Dr. Kim’s meticulously researched book treats White supremacy and anti-Blackness as “kinetic forces or energy flows that have shaped and been shaped by the structural regimes of slavery, colonialism, capitalism, settler colonialism, and empire across the globe.” White supremacy lifts up one group as it pushes down all others. Anti-Blackness “abjects Blackness and elevates not-Blackness.” Based on her detailed analysis of law, history, and politics, Dr. Kim demonstrates how Asian Americans are “dynamically constituted as <em>not-white, but above all not-Black</em>” – and that Not-Blackness is a “vital form of property in an anti-Black world.” The construction of Asian Americans as not-white but above all not-Black has determined their positionality for nearly two centuries. Asian Americans are “dynamically positioned and weaponized by the U.S. state as it seeks to preserve structural anti-Blackness.” How Asian Americans choose to respond to their not-Black status will help to define racial politics in the U.S. in the twenty-first century. Can “Asian Americanness be reimagined as a force that destabilizes, rather than stabilizes, an anti-Black world?</p><p>Dr. <a href="https://www.faculty.uci.edu/profile/?facultyId=2453">Claire Jean Kim</a> is Professor of Political Science and Asian American Studies at University of California, Irvine, where she teaches classes on race, politics, and human-animal studies. She is the author of two previous award-winning books, <em>Bitter Fruit: The Politics of Black-Korean Conflict in New York City</em> (Yale University Press, 2000) and <em>Dangerous Crossings: Race, Species, and Nature in a Multicultural Age</em> (Cambridge University Press, 2015).</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is a Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3929</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b9dafbc-727a-11ee-a506-8709e816f1b5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5076931019.mp3?updated=1698158565" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Mayorga, "Urban Specters: The Everyday Harms of Racial Capitalism" (UNC Press, 2023)</title>
      <description>Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents' interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. 
In Urban Specters: The Everyday Harms of Racial Capitalism (UNC Press, 2023), much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people. Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.
Richard E. Ocejo is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 29 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>320</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Mayorga</itunes:subtitle>
      <itunes:summary>Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents' interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. 
In Urban Specters: The Everyday Harms of Racial Capitalism (UNC Press, 2023), much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people. Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.
Richard E. Ocejo is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Racial capitalism, invisible but threaded throughout the world, shapes our lives. Focusing on the experiences of white, Black, and Latinx residents of Cincinnati, Sarah Mayorga argues that residents' interpretations of their circumstances, what she calls urban specters, are often partial recognitions of the exploitation and dehumanization produced by racial capitalism. </p><p>In <a href="https://bookshop.org/a/12343/9781469674933">Urban Specters: The Everyday Harms of Racial Capitalism</a> (UNC Press, 2023), much scholarly work on racial capitalism has necessarily focused on historical, theoretical, and macro-level accounts. Mayorga takes these vital insights and applies them to two contemporary working-class neighborhoods, centering the lives of working-class and poor people. Using data from interviews with 117 residents, Mayorga maps how racial capitalism creates the everyday harms people know all too well. Chronic underdevelopment, private property, and policing, she shows, have produced these harms. In this enlightening book, Mayorga identifies small windows into abolitionist possibilities that create different types of relations, ones based on care and connection. This is a guide for anyone trying to understand urban inequality, but also more importantly, for how we might create a different world.</p><p><a href="https://www.linkedin.com/in/richard-e-ocejo-42187a120/"><em>Richard E. Ocejo</em></a><em> is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2671</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[81e14b24-741e-11ee-be1a-23a0c1340e0c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2437616018.mp3?updated=1698338969" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simone Varriale, "Coloniality and Meritocracy in Unequal EU Migrations: Intersecting Inequalities in Post-2008 Italian Migration" (Bristol UP, 2023)</title>
      <description>How do migrants make sense of migration? In Coloniality and Meritocracy in unequal EU migrations: Intersecting Inequalities in Post-2008 Italian Migration (Bristol UP, 2023), Simone Varriale, Lecturer in Sociology at Loughborough University, explores the experiences of Italian migrants to Britain to critique notions of meritocracy. Combining a rich set of interview data with a deep understanding of theories of colonialism, and inequality, the book rethinks the recent history of migration in the EU. The book challenges existing narratives of both who is a migrant and the meaning of migration, as well as critiquing stereotypes associated with Northern and Southern Europe. The book is essential reading across the social sciences and humanities, as well as for anyone wishing to understand inequality and migration today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 29 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>421</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simone Varriale</itunes:subtitle>
      <itunes:summary>How do migrants make sense of migration? In Coloniality and Meritocracy in unequal EU migrations: Intersecting Inequalities in Post-2008 Italian Migration (Bristol UP, 2023), Simone Varriale, Lecturer in Sociology at Loughborough University, explores the experiences of Italian migrants to Britain to critique notions of meritocracy. Combining a rich set of interview data with a deep understanding of theories of colonialism, and inequality, the book rethinks the recent history of migration in the EU. The book challenges existing narratives of both who is a migrant and the meaning of migration, as well as critiquing stereotypes associated with Northern and Southern Europe. The book is essential reading across the social sciences and humanities, as well as for anyone wishing to understand inequality and migration today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do migrants make sense of migration? In <a href="https://bookshop.org/a/12343/9781529222708"><em>Coloniality and Meritocracy in unequal EU migrations: Intersecting Inequalities in Post-2008 Italian Migration</em></a> (Bristol UP, 2023), <a href="https://twitter.com/franklyMrS">Simone Varriale</a>, <a href="https://www.lboro.ac.uk/subjects/social-policy-studies/staff/simone-varriale/">Lecturer in Sociology at Loughborough University</a>, explores the experiences of Italian migrants to Britain to critique notions of meritocracy. Combining a rich set of interview data with a deep understanding of theories of colonialism, and inequality, the book rethinks the recent history of migration in the EU. The book challenges existing narratives of both who is a migrant and the meaning of migration, as well as critiquing stereotypes associated with Northern and Southern Europe. The book is essential reading across the social sciences and humanities, as well as for anyone wishing to understand inequality and migration today.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2301</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[85c66f80-72ac-11ee-9ce1-276733310dfa]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7739495553.mp3?updated=1698180366" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James V. Fenelon, "Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790" (Routledge, 2023)</title>
      <description>In this interview James Fenelon discusses his new book entitled Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790, recently published with Routledge (2023).
The book traces 500 years of European-American colonization and racialized dominance, expanding our common assumptions about the ways racialization was used to build capitalism and the modern world-system. Professor Fenelon draws on personal experience and the agency of understudied Native (and African) resistance leaders, to weave a story too often hidden or distorted in the annals of the academy, that remains invisible at many universities and historical societies. 
Fenelon identifies three epochs of racial constructions, colonialism, and capitalism that created the USA. Indigenous nations, the first to be racialized on a global scale, African peoples, enslaved and brought to the Americas, and European immigrants. It offers a sweeping analysis of the forces driving the invasion, occupation, and exploitation of Native America and the significance of labor in American history provided by Indigenous people, Africans, and immigrants, specifically the Irish. Indian, Black and Irish makes major contributions toward a deeper understanding of where Supremacy and Sovereignty originated from, and how our modern world has used these socio-political constructions, to build global hegemony that now threatens our very existence through wars and climate change. It will be a vital resource to those studying history, colonialism, race and racism, labor history, and indigenous peoples.
James Fenelon is Professor of Sociology and Director of the Center for Indigenous Peoples Studies at California State University, San Bernardino. He is also currently the Lang Visiting Professor for Issues of Social Change at Swarthmore College. His books include Redskins? Sports Mascots, Indian Nations and White Racism, Indigenous Peoples and Globalization (with Thomas D. Hall), and Culturicide, Resistance and Survival of the Lakota (Sioux Nation).
Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790, is published with Routledge
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 28 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James V. Fenelon</itunes:subtitle>
      <itunes:summary>In this interview James Fenelon discusses his new book entitled Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790, recently published with Routledge (2023).
The book traces 500 years of European-American colonization and racialized dominance, expanding our common assumptions about the ways racialization was used to build capitalism and the modern world-system. Professor Fenelon draws on personal experience and the agency of understudied Native (and African) resistance leaders, to weave a story too often hidden or distorted in the annals of the academy, that remains invisible at many universities and historical societies. 
Fenelon identifies three epochs of racial constructions, colonialism, and capitalism that created the USA. Indigenous nations, the first to be racialized on a global scale, African peoples, enslaved and brought to the Americas, and European immigrants. It offers a sweeping analysis of the forces driving the invasion, occupation, and exploitation of Native America and the significance of labor in American history provided by Indigenous people, Africans, and immigrants, specifically the Irish. Indian, Black and Irish makes major contributions toward a deeper understanding of where Supremacy and Sovereignty originated from, and how our modern world has used these socio-political constructions, to build global hegemony that now threatens our very existence through wars and climate change. It will be a vital resource to those studying history, colonialism, race and racism, labor history, and indigenous peoples.
James Fenelon is Professor of Sociology and Director of the Center for Indigenous Peoples Studies at California State University, San Bernardino. He is also currently the Lang Visiting Professor for Issues of Social Change at Swarthmore College. His books include Redskins? Sports Mascots, Indian Nations and White Racism, Indigenous Peoples and Globalization (with Thomas D. Hall), and Culturicide, Resistance and Survival of the Lakota (Sioux Nation).
Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790, is published with Routledge
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this interview James Fenelon discusses his new book entitled <a href="https://bookshop.org/a/12343/9781032324487"><em>Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790</em></a>, recently published with Routledge (2023).</p><p>The book traces 500 years of European-American colonization and racialized dominance, expanding our common assumptions about the ways racialization was used to build capitalism and the modern world-system. Professor Fenelon draws on personal experience and the agency of understudied Native (and African) resistance leaders, to weave a story too often hidden or distorted in the annals of the academy, that remains invisible at many universities and historical societies. </p><p>Fenelon identifies three epochs of racial constructions, colonialism, and capitalism that created the USA. Indigenous nations, the first to be racialized on a global scale, African peoples, enslaved and brought to the Americas, and European immigrants. It offers a sweeping analysis of the forces driving the invasion, occupation, and exploitation of Native America and the significance of labor in American history provided by Indigenous people, Africans, and immigrants, specifically the Irish. <em>Indian, Black and Irish</em> makes major contributions toward a deeper understanding of where Supremacy and Sovereignty originated from, and how our modern world has used these socio-political constructions, to build global hegemony that now threatens our very existence through wars and climate change. It will be a vital resource to those studying history, colonialism, race and racism, labor history, and indigenous peoples.</p><p>James Fenelon is Professor of Sociology and Director of the Center for Indigenous Peoples Studies at California State University, San Bernardino. He is also currently the Lang Visiting Professor for Issues of Social Change at Swarthmore College. His books include <em>Redskins? Sports Mascots, Indian Nations and White Racism</em>, <em>Indigenous Peoples and Globalization </em>(with Thomas D. Hall), and <em>Culturicide, Resistance and Survival of the Lakota (Sioux Nation)</em>.</p><p><em>Indian, Black and Irish: Indigenous Nations, African Peoples, European Invasions, 1492-1790</em>, is published with Routledge</p><p><em>Aidan Beatty is a lecturer in the history department at Carnegie Mellon University</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2289</itunes:duration>
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    <item>
      <title>Pat Thomson and Christine Hall, "Schools and Cultural Citizenship: Arts Education for Life" (Routledge, 2023)</title>
      <description>Why study the arts in school? In Schools and Cultural Citizenship: Arts Education for Life (Routledge, 2023), Pat Thomson, Professor of Education at the University of Nottingham and Christine Hall, Emeritus Professor and former Head of Education at the University of Nottingham, examine this question by introducing findings from the Tracking Arts Learning and Engagement (TALE) Project. The book reflects on perspectives of teachers, students, school managers, and arts organisations as to how “arts rich” schools are constituted and what is needed for them to survive and thrive. The book is offers deep theoretical and empirical insights, and will be accessible and essential reading across the arts and humanities, the social sciences, and for anyone interested in the value of arts education.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 28 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>419</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Pat Thomson</itunes:subtitle>
      <itunes:summary>Why study the arts in school? In Schools and Cultural Citizenship: Arts Education for Life (Routledge, 2023), Pat Thomson, Professor of Education at the University of Nottingham and Christine Hall, Emeritus Professor and former Head of Education at the University of Nottingham, examine this question by introducing findings from the Tracking Arts Learning and Engagement (TALE) Project. The book reflects on perspectives of teachers, students, school managers, and arts organisations as to how “arts rich” schools are constituted and what is needed for them to survive and thrive. The book is offers deep theoretical and empirical insights, and will be accessible and essential reading across the arts and humanities, the social sciences, and for anyone interested in the value of arts education.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why study the arts in school? In <a href="https://bookshop.org/a/12343/9780367553388"><em>Schools and Cultural Citizenship: Arts Education for Life</em></a><em> </em>(Routledge, 2023),<em> </em><a href="https://twitter.com/ThomsonPat">Pat Thomson</a>, <a href="https://patthomson.net/">Professor of Education</a> at <a href="https://www.nottingham.ac.uk/education/people/patricia.thomson">the University of Nottingham</a> and <a href="https://uk.linkedin.com/in/christine-hall-808b5b5">Christine Hall</a>, <a href="https://www.researchgate.net/profile/Christine-Hall-13">Emeritus Professor and former Head of Education at the University of Nottingham,</a> examine this question by introducing findings from the <a href="https://researchtale.net/">Tracking Arts Learning and Engagement (TALE)</a> Project. The book reflects on perspectives of teachers, students, school managers, and arts organisations as to how “arts rich” schools are constituted and what is needed for them to survive and thrive. The book is offers deep theoretical and empirical insights, and will be accessible and essential reading across the arts and humanities, the social sciences, and for anyone interested in the value of arts education.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2741</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a69b080-729c-11ee-8a2a-fbf55eca0d81]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR1863684488.mp3?updated=1698173500" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Arjun Shankar, "Brown Saviors and Their Others: Race, Caste, Labor, and the Global Politics of Help in India" (Duke UP, 2023)</title>
      <description>In Brown Saviors and Their Others: Race, Caste, Labor, and the Global Politics of Help in India (Duke UP, 2023), Arjun Shankar draws from his ethnographic work with an educational NGO to investigate the practices of “brown saviors”—globally mobile, dominant-caste, liberal Indian and Indian diasporic technocrats who drive India’s help economy. Shankar argues that these brown saviors actually reproduce many of the racialized values and ideologies associated with who and how to help that have been passed down from the colonial period, while masking other operations of power behind the racial politics of global brownness. In India, these operations of power center largely on the transnational labor politics of caste. Ever attentive to moments of discomfort and complicity, Shankar develops a method of “nervous ethnography” to uncover the global racial hierarchies, graded caste stratifications, urban/rural distinctions, and digital panaceas that shape the politics of help in India. Through nervous critique, Shankar introduces a framework for the study of the global help economies that reckons with the ongoing legacies of racial and caste capitalism.
Arjun Shankar is Assistant Professor of Culture and Politics at Georgetown University.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 28 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>262</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Arjun Shankar</itunes:subtitle>
      <itunes:summary>In Brown Saviors and Their Others: Race, Caste, Labor, and the Global Politics of Help in India (Duke UP, 2023), Arjun Shankar draws from his ethnographic work with an educational NGO to investigate the practices of “brown saviors”—globally mobile, dominant-caste, liberal Indian and Indian diasporic technocrats who drive India’s help economy. Shankar argues that these brown saviors actually reproduce many of the racialized values and ideologies associated with who and how to help that have been passed down from the colonial period, while masking other operations of power behind the racial politics of global brownness. In India, these operations of power center largely on the transnational labor politics of caste. Ever attentive to moments of discomfort and complicity, Shankar develops a method of “nervous ethnography” to uncover the global racial hierarchies, graded caste stratifications, urban/rural distinctions, and digital panaceas that shape the politics of help in India. Through nervous critique, Shankar introduces a framework for the study of the global help economies that reckons with the ongoing legacies of racial and caste capitalism.
Arjun Shankar is Assistant Professor of Culture and Politics at Georgetown University.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/brown-saviors-and-their-others"><em>Brown Saviors and Their Others: Race, Caste, Labor, and the Global Politics of Help in India</em></a><em> </em>(Duke UP, 2023), Arjun Shankar draws from his ethnographic work with an educational NGO to investigate the practices of “brown saviors”—globally mobile, dominant-caste, liberal Indian and Indian diasporic technocrats who drive India’s help economy. Shankar argues that these brown saviors actually reproduce many of the racialized values and ideologies associated with who and how to help that have been passed down from the colonial period, while masking other operations of power behind the racial politics of global brownness. In India, these operations of power center largely on the transnational labor politics of caste. Ever attentive to moments of discomfort and complicity, Shankar develops a method of “nervous ethnography” to uncover the global racial hierarchies, graded caste stratifications, urban/rural distinctions, and digital panaceas that shape the politics of help in India. Through nervous critique, Shankar introduces a framework for the study of the global help economies that reckons with the ongoing legacies of racial and caste capitalism.</p><p>Arjun Shankar is Assistant Professor of Culture and Politics at Georgetown University.</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter </em><a href="https://twitter.com/alizearican"><em>@alizearican</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4204</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Norman Solomon, "War Made Invisible: How America Hides the Human Toll of Its Military Machine" (New Press, 2023)</title>
      <description>More than twenty years ago, 9/11 and the war in Afghanistan set into motion a hugely consequential shift in America’s foreign policy: a perpetual state of war that is almost entirely invisible to the American public. War Made Invisible: How America Hides the Human Toll of Its Military Machine (New Press, 2023), by the journalist and political analyst Norman Solomon, exposes how this happened, and what its consequences are, from military and civilian casualties to drained resources at home.
From Iraq through Afghanistan and Syria and on to little-known deployments in a range of countries around the globe, the United States has been at perpetual war for at least the past two decades. Yet many of these forays remain off the radar of average Americans. Compliant journalists add to the smokescreen by providing narrow coverage of military engagements and by repeating the military’s talking points. Meanwhile, the increased use of high technology, air power, and remote drones has put distance between soldiers and the civilians who die. Back at home, Solomon argues, the cloak of invisibility masks massive Pentagon budgets that receive bipartisan approval even as policy makers struggle to fund the domestic agenda.
Necessary, timely, and unflinching, War Made Invisible is an eloquent moral call for counting the true costs of war.
﻿Jeff Bachman is an associate professor at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 28 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>202</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Norman Solomon</itunes:subtitle>
      <itunes:summary>More than twenty years ago, 9/11 and the war in Afghanistan set into motion a hugely consequential shift in America’s foreign policy: a perpetual state of war that is almost entirely invisible to the American public. War Made Invisible: How America Hides the Human Toll of Its Military Machine (New Press, 2023), by the journalist and political analyst Norman Solomon, exposes how this happened, and what its consequences are, from military and civilian casualties to drained resources at home.
From Iraq through Afghanistan and Syria and on to little-known deployments in a range of countries around the globe, the United States has been at perpetual war for at least the past two decades. Yet many of these forays remain off the radar of average Americans. Compliant journalists add to the smokescreen by providing narrow coverage of military engagements and by repeating the military’s talking points. Meanwhile, the increased use of high technology, air power, and remote drones has put distance between soldiers and the civilians who die. Back at home, Solomon argues, the cloak of invisibility masks massive Pentagon budgets that receive bipartisan approval even as policy makers struggle to fund the domestic agenda.
Necessary, timely, and unflinching, War Made Invisible is an eloquent moral call for counting the true costs of war.
﻿Jeff Bachman is an associate professor at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>More than twenty years ago, 9/11 and the war in Afghanistan set into motion a hugely consequential shift in America’s foreign policy: a perpetual state of war that is almost entirely invisible to the American public. <a href="https://bookshop.org/a/12343/9781620977910"><em>War Made Invisible: How America Hides the Human Toll of Its Military Machine</em></a><em> </em>(New Press, 2023), by the journalist and political analyst Norman Solomon, exposes how this happened, and what its consequences are, from military and civilian casualties to drained resources at home.</p><p>From Iraq through Afghanistan and Syria and on to little-known deployments in a range of countries around the globe, the United States has been at perpetual war for at least the past two decades. Yet many of these forays remain off the radar of average Americans. Compliant journalists add to the smokescreen by providing narrow coverage of military engagements and by repeating the military’s talking points. Meanwhile, the increased use of high technology, air power, and remote drones has put distance between soldiers and the civilians who die. Back at home, Solomon argues, the cloak of invisibility masks massive Pentagon budgets that receive bipartisan approval even as policy makers struggle to fund the domestic agenda.</p><p>Necessary, timely, and unflinching, <em>War Made Invisible</em> is an eloquent moral call for counting the true costs of war.</p><p><em>﻿</em><a href="https://www.american.edu/sis/faculty/bachman.cfm"><em>Jeff Bachman</em></a><em> is an associate professor at American University’s School of International Service in Washington, DC.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3946</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Nick Riemer, "Boycott Theory and the Struggle for Palestine: Universities, Intellectualism and Liberation" (Rowman &amp; Littlefield, 2022)</title>
      <description>The academic boycott of Israel, a branch of the pro-Palestinian Boycott, Divestment and Sanctions (BDS) campaign, is one of the richest—and most divisive—topics in the politics of knowledge today. In Boycott Theory and the Struggle for Palestine: Universities, Intellectualism and Liberation (Rowman &amp; Littlefield, 2022), Nick Riemer addresses the most fundamental questions raised by the call to sever ties with Israeli universities, and offers fresh arguments for doing so. More than a narrow study of the boycott campaign, the book details how academic BDS relates to a range of live controversies in progressive politics on questions such as disruptive protest, silencing and free speech, the real-world consequences of intellectual work, the rise of the far right, and the nature of grassroots campaigning.
Written for open-minded readers, the book presents the fullest justification for the academic boycott yet given, considering BDS efforts on campuses around the world. The opening chapters explore the fundamentals of the academic boycott campaign, detailing the conditions on the ground in Palestinian and Israeli higher education and analyzing debates over the boycott and its adoption or resistance in the west. The later chapters contextualize the boycott with respect to broader questions about the links between theory and practice in political change. Directly rebutting the arguments of BDS’s opponents, Boycott Theory and the Struggle for Palestine demonstrates the political and intellectual soundness of a controversial and often misrepresented campaign. In defending an original view of the differences between reflecting on politics and doing it in the specific context of the liberation of Palestine, the book’s arguments will have a resonance for many wider debates beyond the context of either universities or the Middle East.
Nick Riemer is senior lecturer in the Department of English at the University of Sydney. As a Palestine solidarity activist, Riemer has published widely in both academic and popular outlets and been criticized openly by conservative media. In addition to his Palestine solidarity work, his political activity includes long-term, close involvement both with the Australian National Tertiary Education Union and with the Refugee Action Coalition in Sydney, a grassroots refugee rights group. He has written for The Guardian, Jacobin, Al Jazeera English, The Australian, The Sydney Morning Herald and many other publications.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Riemer</itunes:subtitle>
      <itunes:summary>The academic boycott of Israel, a branch of the pro-Palestinian Boycott, Divestment and Sanctions (BDS) campaign, is one of the richest—and most divisive—topics in the politics of knowledge today. In Boycott Theory and the Struggle for Palestine: Universities, Intellectualism and Liberation (Rowman &amp; Littlefield, 2022), Nick Riemer addresses the most fundamental questions raised by the call to sever ties with Israeli universities, and offers fresh arguments for doing so. More than a narrow study of the boycott campaign, the book details how academic BDS relates to a range of live controversies in progressive politics on questions such as disruptive protest, silencing and free speech, the real-world consequences of intellectual work, the rise of the far right, and the nature of grassroots campaigning.
Written for open-minded readers, the book presents the fullest justification for the academic boycott yet given, considering BDS efforts on campuses around the world. The opening chapters explore the fundamentals of the academic boycott campaign, detailing the conditions on the ground in Palestinian and Israeli higher education and analyzing debates over the boycott and its adoption or resistance in the west. The later chapters contextualize the boycott with respect to broader questions about the links between theory and practice in political change. Directly rebutting the arguments of BDS’s opponents, Boycott Theory and the Struggle for Palestine demonstrates the political and intellectual soundness of a controversial and often misrepresented campaign. In defending an original view of the differences between reflecting on politics and doing it in the specific context of the liberation of Palestine, the book’s arguments will have a resonance for many wider debates beyond the context of either universities or the Middle East.
Nick Riemer is senior lecturer in the Department of English at the University of Sydney. As a Palestine solidarity activist, Riemer has published widely in both academic and popular outlets and been criticized openly by conservative media. In addition to his Palestine solidarity work, his political activity includes long-term, close involvement both with the Australian National Tertiary Education Union and with the Refugee Action Coalition in Sydney, a grassroots refugee rights group. He has written for The Guardian, Jacobin, Al Jazeera English, The Australian, The Sydney Morning Herald and many other publications.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The academic boycott of Israel, a branch of the pro-Palestinian Boycott, Divestment and Sanctions (BDS) campaign, is one of the richest—and most divisive—topics in the politics of knowledge today. In <a href="https://rowman.com/ISBN/9781538175866/Boycott-Theory-and-the-Struggle-for-Palestine-Universities-Intellectualism-and-Liberation"><em>Boycott Theory and the Struggle for Palestine: Universities, Intellectualism and Liberation</em></a> (Rowman &amp; Littlefield, 2022), Nick Riemer addresses the most fundamental questions raised by the call to sever ties with Israeli universities, and offers fresh arguments for doing so. More than a narrow study of the boycott campaign, the book details how academic BDS relates to a range of live controversies in progressive politics on questions such as disruptive protest, silencing and free speech, the real-world consequences of intellectual work, the rise of the far right, and the nature of grassroots campaigning.</p><p>Written for open-minded readers, the book presents the fullest justification for the academic boycott yet given, considering BDS efforts on campuses around the world. The opening chapters explore the fundamentals of the academic boycott campaign, detailing the conditions on the ground in Palestinian and Israeli higher education and analyzing debates over the boycott and its adoption or resistance in the west. The later chapters contextualize the boycott with respect to broader questions about the links between theory and practice in political change. Directly rebutting the arguments of BDS’s opponents, Boycott Theory and the Struggle for Palestine demonstrates the political and intellectual soundness of a controversial and often misrepresented campaign. In defending an original view of the differences between reflecting on politics and doing it in the specific context of the liberation of Palestine, the book’s arguments will have a resonance for many wider debates beyond the context of either universities or the Middle East.</p><p>Nick Riemer is senior lecturer in the Department of English at the University of Sydney. As a Palestine solidarity activist, Riemer has published widely in both academic and popular outlets and been criticized openly by conservative media. In addition to his Palestine solidarity work, his political activity includes long-term, close involvement both with the Australian National Tertiary Education Union and with the Refugee Action Coalition in Sydney, a grassroots refugee rights group. He has written for The Guardian, Jacobin, Al Jazeera English, The Australian, The Sydney Morning Herald and many other publications.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3643</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6229210563.mp3?updated=1697912347" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicole Nguyen, "Terrorism on Trial: Political Violence and Abolitionist Futures" (U Minnesota Press, 2023)</title>
      <description>Rather than functioning as a final arbiter of justice, U.S. domestic courts are increasingly seen as counterterrorism tools that can incapacitate terrorists, maintain national security operations domestically, and produce certain narratives of conflict. Terrorism on Trial: Political Violence and Abolitionist Futures (University of Minnesota Press, 2023) by Dr. Nicole Nguyen examines the contemporary role that these courts play in the global war on terror and their use as a weapon of war: hunting, criminalising, and punishing entire communities in the name of national security.
Dr. Nguyen advocates for a rethinking of popular understandings of political violence and its root causes, encouraging readers to consider anti-imperial abolitionist alternatives to the criminalization, prosecution, and incarceration of individuals marked as real or perceived terrorists. She exposes how dominant academic discourses, geographical imaginations, and social processes have shaped terrorism prosecutions, as well as how our fundamental misunderstanding of terrorism has led to punitive responses that do little to address the true sources of violence, such as military interventions, colonial occupations, and tyrannical regimes. Nguyen also explores how these criminal proceedings bear on the lives of defendants and families, seeking to understand how legal processes unevenly criminalise and disempower communities of colour.
A retheorization of terrorism as political violence, Terrorism on Trial invites readers to carefully consider the role of power and politics in the making of armed resistance, addressing the root causes of political violence, with a goal of building toward a less violent and more liberatory world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>201</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicole Nguyen</itunes:subtitle>
      <itunes:summary>Rather than functioning as a final arbiter of justice, U.S. domestic courts are increasingly seen as counterterrorism tools that can incapacitate terrorists, maintain national security operations domestically, and produce certain narratives of conflict. Terrorism on Trial: Political Violence and Abolitionist Futures (University of Minnesota Press, 2023) by Dr. Nicole Nguyen examines the contemporary role that these courts play in the global war on terror and their use as a weapon of war: hunting, criminalising, and punishing entire communities in the name of national security.
Dr. Nguyen advocates for a rethinking of popular understandings of political violence and its root causes, encouraging readers to consider anti-imperial abolitionist alternatives to the criminalization, prosecution, and incarceration of individuals marked as real or perceived terrorists. She exposes how dominant academic discourses, geographical imaginations, and social processes have shaped terrorism prosecutions, as well as how our fundamental misunderstanding of terrorism has led to punitive responses that do little to address the true sources of violence, such as military interventions, colonial occupations, and tyrannical regimes. Nguyen also explores how these criminal proceedings bear on the lives of defendants and families, seeking to understand how legal processes unevenly criminalise and disempower communities of colour.
A retheorization of terrorism as political violence, Terrorism on Trial invites readers to carefully consider the role of power and politics in the making of armed resistance, addressing the root causes of political violence, with a goal of building toward a less violent and more liberatory world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rather than functioning as a final arbiter of justice, U.S. domestic courts are increasingly seen as counterterrorism tools that can incapacitate terrorists, maintain national security operations domestically, and produce certain narratives of conflict. <a href="https://bookshop.org/a/12343/9781517914394"><em>Terrorism on Trial: Political Violence and Abolitionist Futures</em></a> (University of Minnesota Press, 2023) by Dr. Nicole Nguyen examines the contemporary role that these courts play in the global war on terror and their use as a weapon of war: hunting, criminalising, and punishing entire communities in the name of national security.</p><p>Dr. Nguyen advocates for a rethinking of popular understandings of political violence and its root causes, encouraging readers to consider anti-imperial abolitionist alternatives to the criminalization, prosecution, and incarceration of individuals marked as real or perceived terrorists. She exposes how dominant academic discourses, geographical imaginations, and social processes have shaped terrorism prosecutions, as well as how our fundamental misunderstanding of terrorism has led to punitive responses that do little to address the true sources of violence, such as military interventions, colonial occupations, and tyrannical regimes. Nguyen also explores how these criminal proceedings bear on the lives of defendants and families, seeking to understand how legal processes unevenly criminalise and disempower communities of colour.</p><p>A retheorization of terrorism as political violence, <em>Terrorism on Trial</em> invites readers to carefully consider the role of power and politics in the making of armed resistance, addressing the root causes of political violence, with a goal of building toward a less violent and more liberatory world.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Denise D. Meringolo, "Radical Roots: Public History and a Tradition of Social Justice Activism" (Amherst College Press, 2021)</title>
      <description>Uncovering a radical tradition at the heart of public history within the United States, Radical Roots: Public History and a Tradition of Social Justice Activism (Amherst College Press, 2021) redefines our sense of the past and future of public historical practice. Its editor, Denise D. Meringolo proposes an alternative and more radical understanding of public history’s beginnings that has been marginalized in prior studies of the past of the historian profession. Reflecting on this radical past, Radical Roots’ contributors discuss the history, ethics, and power of public history, theorizing a model of public history that is future focused, committed to advancing social justice, and deeply committed to creating a more inclusive public record.
Sections on museum practices, oral history, grassroots preservation, and community-based learning offer an array of local case studies and examples, from the early-twentieth-century to the present day. Throughout, the contributors to Radical Roots reflect on their experiences in public history with candor, self-reflection, and humility. This contemporary and engaging volume provides critical lessons to all those interested in mobilizing public history towards social justice and equality.
This book is available open access here. 
Denise D. Meringolo is the Vice-President/President-Elect of the National Council on Public History and a scholar-practitioner in the field of public history working at the University of Maryland, Baltimore County. Her book Museums, Monuments, and National Parks: Toward a New Genealogy of Public History (published in 2012) won the 2013 National Council on Public History prize for the best book in the field.
Thomas Cryer is a PhD Student in American History at University College London, where he studies race, nationhood, and memory through the life, scholarship, and activism of the historian John Hope Franklin.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Denise D. Meringolo</itunes:subtitle>
      <itunes:summary>Uncovering a radical tradition at the heart of public history within the United States, Radical Roots: Public History and a Tradition of Social Justice Activism (Amherst College Press, 2021) redefines our sense of the past and future of public historical practice. Its editor, Denise D. Meringolo proposes an alternative and more radical understanding of public history’s beginnings that has been marginalized in prior studies of the past of the historian profession. Reflecting on this radical past, Radical Roots’ contributors discuss the history, ethics, and power of public history, theorizing a model of public history that is future focused, committed to advancing social justice, and deeply committed to creating a more inclusive public record.
Sections on museum practices, oral history, grassroots preservation, and community-based learning offer an array of local case studies and examples, from the early-twentieth-century to the present day. Throughout, the contributors to Radical Roots reflect on their experiences in public history with candor, self-reflection, and humility. This contemporary and engaging volume provides critical lessons to all those interested in mobilizing public history towards social justice and equality.
This book is available open access here. 
Denise D. Meringolo is the Vice-President/President-Elect of the National Council on Public History and a scholar-practitioner in the field of public history working at the University of Maryland, Baltimore County. Her book Museums, Monuments, and National Parks: Toward a New Genealogy of Public History (published in 2012) won the 2013 National Council on Public History prize for the best book in the field.
Thomas Cryer is a PhD Student in American History at University College London, where he studies race, nationhood, and memory through the life, scholarship, and activism of the historian John Hope Franklin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Uncovering a radical tradition at the heart of public history within the United States, <a href="https://www.fulcrum.org/concern/monographs/rf55z988p"><em>Radical Roots: Public History and a Tradition of Social Justice Activism</em></a><em> </em>(Amherst College Press, 2021) redefines our sense of the past and future of public historical practice. Its editor, Denise D. Meringolo proposes an alternative and more radical understanding of public history’s beginnings that has been marginalized in prior studies of the past of the historian profession. Reflecting on this radical past, <em>Radical Roots’ </em>contributors discuss the history, ethics, and power of public history, theorizing a model of public history that is future focused, committed to advancing social justice, and deeply committed to creating a more inclusive public record.</p><p>Sections on museum practices, oral history, grassroots preservation, and community-based learning offer an array of local case studies and examples, from the early-twentieth-century to the present day. Throughout, the contributors to <em>Radical Roots</em> reflect on their experiences in public history with candor, self-reflection, and humility. This contemporary and engaging volume provides critical lessons to all those interested in mobilizing public history towards social justice and equality.</p><p>This book is available open access <a href="https://www.fulcrum.org/concern/monographs/rf55z988p">here</a>. </p><p>Denise D. Meringolo is the Vice-President/President-Elect of the National Council on Public History and a scholar-practitioner in the field of public history working at the University of Maryland, Baltimore County. Her book <em>Museums, Monuments, and National Parks: Toward a New Genealogy of Public History</em> (published in 2012) won the 2013 National Council on Public History prize for the best book in the field.</p><p><a href="https://www.ucl.ac.uk/americas/research/research-students/thomas-cryer"><em>Thomas Cryer</em></a><em> is a PhD Student in American History at University College London, where he studies race, nationhood, and memory through the life, scholarship, and activism of the historian John Hope Franklin.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3569</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Decolonizing Praxis</title>
      <description>In this episode of High Theory, Erin Pineda talks about decolonizing praxis. Black American activists in the 1950s and 1960s used strategies of civil disobedience and nonviolent direct action as part of a broader anticolonial movement, and reading their story in an international context can help us rethink the narrative of the US civil rights movement enshrined in American political theory.
In the episode Erin references Jack Halberstam’s concept of “low theory” which derives from the work of Stuart Hall, and appears in the book, The Queer Art of Failure (Duke UP 2011). She also references several mainstream liberal political philosophers who set the terms of the debate about “civil disobedience” in the US academy in the 1970s, John Rawls Theory of Justice (Harvard UP, 1971), Hugo Bedau, “On Civil Disobedience” (Journal of Philosophy 58, no. 21 (1961): 653-665) and Carl Cohen, Civil Disobedience: Conscience, Tactics, and the Law (Columbia University Press, 1971). Pineda writes against this tradition. The American activists she studies developed a different set of theoretical commitments to civil disobedience that are a bit less polite, and have a bit more potential for actual revolution.
Erin Pineda is the Phyllis Cohen Rappaport ’68 New Century Term Professor of Government at Smith College. She teaches courses in the history of political thought, democratic theory, race and politics, social movements and American political thought. Her research interests include the politics of protest and social movements, Black political thought, race and politics, radical democracy and 20th-century American political development. If you want to learn more about the topics she discusses in this episode, read her book! It’s called Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement (Oxford UP, 2021).
The image for this episode is a famous photograph of Black student Elizabeth Eckford being jeered by white student Hazel Bryan as she attempts to enter Little Rock Central High School, taken by Will Counts on 4 September 1957, one of the more famous images of school desegregation from the US Civil Rights Movement. This digital version came from wikimedia commons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9f19fd06-70fb-11ee-8b99-6fd9025d2994/image/b7422a.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Erin R. Pineda</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Erin Pineda talks about decolonizing praxis. Black American activists in the 1950s and 1960s used strategies of civil disobedience and nonviolent direct action as part of a broader anticolonial movement, and reading their story in an international context can help us rethink the narrative of the US civil rights movement enshrined in American political theory.
In the episode Erin references Jack Halberstam’s concept of “low theory” which derives from the work of Stuart Hall, and appears in the book, The Queer Art of Failure (Duke UP 2011). She also references several mainstream liberal political philosophers who set the terms of the debate about “civil disobedience” in the US academy in the 1970s, John Rawls Theory of Justice (Harvard UP, 1971), Hugo Bedau, “On Civil Disobedience” (Journal of Philosophy 58, no. 21 (1961): 653-665) and Carl Cohen, Civil Disobedience: Conscience, Tactics, and the Law (Columbia University Press, 1971). Pineda writes against this tradition. The American activists she studies developed a different set of theoretical commitments to civil disobedience that are a bit less polite, and have a bit more potential for actual revolution.
Erin Pineda is the Phyllis Cohen Rappaport ’68 New Century Term Professor of Government at Smith College. She teaches courses in the history of political thought, democratic theory, race and politics, social movements and American political thought. Her research interests include the politics of protest and social movements, Black political thought, race and politics, radical democracy and 20th-century American political development. If you want to learn more about the topics she discusses in this episode, read her book! It’s called Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement (Oxford UP, 2021).
The image for this episode is a famous photograph of Black student Elizabeth Eckford being jeered by white student Hazel Bryan as she attempts to enter Little Rock Central High School, taken by Will Counts on 4 September 1957, one of the more famous images of school desegregation from the US Civil Rights Movement. This digital version came from wikimedia commons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Erin Pineda talks about decolonizing praxis. Black American activists in the 1950s and 1960s used strategies of civil disobedience and nonviolent direct action as part of a broader anticolonial movement, and reading their story in an international context can help us rethink the narrative of the US civil rights movement enshrined in American political theory.</p><p>In the episode Erin references Jack Halberstam’s concept of “low theory” which derives from the work of Stuart Hall, and appears in the book, <a href="https://www.dukeupress.edu/the-queer-art-of-failure"><em>The Queer Art of Failure</em></a> (Duke UP 2011). She also references several mainstream liberal political philosophers who set the terms of the debate about “civil disobedience” in the US academy in the 1970s, John Rawls <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674000780"><em>Theory of Justice</em></a> (Harvard UP, 1971), Hugo Bedau, “<a href="https://www.jstor.org/stable/2023542">On Civil Disobedience</a>” (<em>Journal of Philosophy </em>58, no. 21 (1961): 653-665) and Carl Cohen, <a href="https://dp.la/item/820603a37a1cb66a64e671113cca4da1"><em>Civil Disobedience: Conscience, Tactics, and the Law</em></a> (Columbia University Press, 1971). Pineda writes against this tradition. The American activists she studies developed a different set of theoretical commitments to civil disobedience that are a bit less polite, and have a bit more potential for actual revolution.</p><p><a href="https://www.smith.edu/people/erin-pineda">Erin Pineda</a> is the Phyllis Cohen Rappaport ’68 New Century Term Professor of Government at Smith College. She teaches courses in the history of political thought, democratic theory, race and politics, social movements and American political thought. Her research interests include the politics of protest and social movements, Black political thought, race and politics, radical democracy and 20th-century American political development. If you want to learn more about the topics she discusses in this episode, read her book! It’s called <a href="https://bookshop.org/a/12343/9780197526439"><em>Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement</em></a> (Oxford UP, 2021).</p><p>The image for this episode is a famous photograph of Black student Elizabeth Eckford being jeered by white student Hazel Bryan as she attempts to enter Little Rock Central High School, taken by Will Counts on 4 September 1957, one of the more famous images of school desegregation from the US Civil Rights Movement. This digital version came from <a href="https://commons.wikimedia.org/wiki/File:Elizabeth_Eckford.jpg">wikimedia commons</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9f19fd06-70fb-11ee-8b99-6fd9025d2994]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7795763868.mp3?updated=1697993599" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sonja K. Pieck, "Mnemonic Ecologies: Memory and Nature Conservation along the Former Iron Curtain" (MIT Press, 2023)</title>
      <description>The first book-length scholarly treatment of Germany's largest conservation project, the Green Belt, Mnemonic Ecologies: Memory and Nature Conservation along the Former Iron Curtain (MIT Press, 2023) by Dr. Sonja Pieck presents a new interdisciplinary approach: that effective restoration and conservation of wounded land must merge ecology with memory. Since the Cold War's end in 1989, German conservationists have transformed the once-militarised border between East and West Germany into an extensive protected area. Yet as forests, meadows, and wetlands replace fences, minefields, and guard towers, ecological recovery must reckon with the pain of the borderlands' brutal past. The lessons gained by conservationists here, Pieck argues, have profound practical and ethical implications far beyond Germany.
Can conservation help heal both ecological and societal wounds? How might conservation honor difficult socioecological pasts? Deeply researched and evocatively written, this beautiful, interdisciplinary investigation into the legacy of war and nature's resurgence blends environmental history, ethics, geography, and politics with ecology and memory studies. Amid our rampant biodiversity crisis, Mnemonic Ecologies shows why conservation must include humanized landscapes in its purview, thus helping to craft a new conservation ethos that is collaborative, empathetic, and more sensitive to the connections between humans and the places they inhabit.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 22 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sonja K. Pieck</itunes:subtitle>
      <itunes:summary>The first book-length scholarly treatment of Germany's largest conservation project, the Green Belt, Mnemonic Ecologies: Memory and Nature Conservation along the Former Iron Curtain (MIT Press, 2023) by Dr. Sonja Pieck presents a new interdisciplinary approach: that effective restoration and conservation of wounded land must merge ecology with memory. Since the Cold War's end in 1989, German conservationists have transformed the once-militarised border between East and West Germany into an extensive protected area. Yet as forests, meadows, and wetlands replace fences, minefields, and guard towers, ecological recovery must reckon with the pain of the borderlands' brutal past. The lessons gained by conservationists here, Pieck argues, have profound practical and ethical implications far beyond Germany.
Can conservation help heal both ecological and societal wounds? How might conservation honor difficult socioecological pasts? Deeply researched and evocatively written, this beautiful, interdisciplinary investigation into the legacy of war and nature's resurgence blends environmental history, ethics, geography, and politics with ecology and memory studies. Amid our rampant biodiversity crisis, Mnemonic Ecologies shows why conservation must include humanized landscapes in its purview, thus helping to craft a new conservation ethos that is collaborative, empathetic, and more sensitive to the connections between humans and the places they inhabit.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The first book-length scholarly treatment of Germany's largest conservation project, the Green Belt, <a href="https://bookshop.org/a/12343/9780262546164"><em>Mnemonic Ecologies: Memory and Nature Conservation along the Former Iron Curtain</em></a> (MIT Press, 2023) by Dr. Sonja Pieck presents a new interdisciplinary approach: that effective restoration and conservation of wounded land must merge ecology with memory. Since the Cold War's end in 1989, German conservationists have transformed the once-militarised border between East and West Germany into an extensive protected area. Yet as forests, meadows, and wetlands replace fences, minefields, and guard towers, ecological recovery must reckon with the pain of the borderlands' brutal past. The lessons gained by conservationists here, Pieck argues, have profound practical and ethical implications far beyond Germany.</p><p>Can conservation help heal both ecological and societal wounds? How might conservation honor difficult socioecological pasts? Deeply researched and evocatively written, this beautiful, interdisciplinary investigation into the legacy of war and nature's resurgence blends environmental history, ethics, geography, and politics with ecology and memory studies. Amid our rampant biodiversity crisis, Mnemonic Ecologies shows why conservation must include humanized landscapes in its purview, thus helping to craft a new conservation ethos that is collaborative, empathetic, and more sensitive to the connections between humans and the places they inhabit.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3154</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4796973749.mp3?updated=1697574504" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Noa Shaindlinger, "Displacement and Erasure in Palestine: The Politics of Hope" (Edinburgh UP, 2023)</title>
      <description>Noa Shaindlinger's Displacement and Erasure in Palestine: The Politics of Hop (Edinburgh UP, 2023) explores the ways in which Palestinians negotiate physical and symbolic erasures by producing their own archives and historical narratives. With a focus on the city of Jaffa and its displaced Palestinian population, Noa Shaindlinger argues that the Israeli state ‘buried’ histories of mass expulsions and spatial appropriations. Based on a wide-variety of sources, this book brings together archival, literary, ethnographic and oral research to engage with ideas of settler colonialism and the production of history, violence and memory, refugee-hood and diaspora.
Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 22 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>239</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Noa Shaindlinger</itunes:subtitle>
      <itunes:summary>Noa Shaindlinger's Displacement and Erasure in Palestine: The Politics of Hop (Edinburgh UP, 2023) explores the ways in which Palestinians negotiate physical and symbolic erasures by producing their own archives and historical narratives. With a focus on the city of Jaffa and its displaced Palestinian population, Noa Shaindlinger argues that the Israeli state ‘buried’ histories of mass expulsions and spatial appropriations. Based on a wide-variety of sources, this book brings together archival, literary, ethnographic and oral research to engage with ideas of settler colonialism and the production of history, violence and memory, refugee-hood and diaspora.
Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Noa Shaindlinger's <a href="https://bookshop.org/a/12343/9781474489720"><em>Displacement and Erasure in Palestine: The Politics of Hop</em></a> (Edinburgh UP, 2023) explores the ways in which Palestinians negotiate physical and symbolic erasures by producing their own archives and historical narratives. With a focus on the city of Jaffa and its displaced Palestinian population, Noa Shaindlinger argues that the Israeli state ‘buried’ histories of mass expulsions and spatial appropriations. Based on a wide-variety of sources, this book brings together archival, literary, ethnographic and oral research to engage with ideas of settler colonialism and the production of history, violence and memory, refugee-hood and diaspora.</p><p><em>Roberto Mazza is currently an independent scholar. He is the host of the </em><a href="https://shows.acast.com/jerusalemunplugged"><em>Jerusalem Unplugged Podcast</em></a><em> and to discuss and propose a book for interview can be reached at </em><a href="mailto:robbymazza@gmail.com"><em>robbymazza@gmail.com</em></a><em>. Twitter and IG: @robbyref Website: </em><a href="http://www.robertomazza.org/"><em>www.robertomazza.org</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[01a014d4-6f61-11ee-9284-bf9643a8aa18]]></guid>
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    </item>
    <item>
      <title>Kevin Passmore, "Fascism: A Very Short Introduction" (Oxford UP, 2014)</title>
      <description>What is fascism? Is it revolutionary? Or is it reactionary? Can it be both?
Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society?
In Fascism: A Very Short Introduction (Oxford UP, 2014), Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world--tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I -including fascist regimes in Italy and Germany -and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002.
Dr. Kevin Passmore is a Reader in History at Cardiff University. His The Right in the Third Republic was published by OUP in November 2012. He has continued to publish widely on fascism since publication of the VSI in 2002, but has also written on the history of the social sciences and historical writing.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 22 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>418</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin Passmore</itunes:subtitle>
      <itunes:summary>What is fascism? Is it revolutionary? Or is it reactionary? Can it be both?
Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society?
In Fascism: A Very Short Introduction (Oxford UP, 2014), Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world--tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I -including fascist regimes in Italy and Germany -and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002.
Dr. Kevin Passmore is a Reader in History at Cardiff University. His The Right in the Third Republic was published by OUP in November 2012. He has continued to publish widely on fascism since publication of the VSI in 2002, but has also written on the history of the social sciences and historical writing.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is fascism? Is it revolutionary? Or is it reactionary? Can it be both?</p><p>Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society?</p><p>In <a href="https://bookshop.org/a/12343/9780199685363"><em>Fascism: A Very Short Introduction</em></a><em> </em>(Oxford UP, 2014), Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world--tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I -including fascist regimes in Italy and Germany -and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002.</p><p>Dr. Kevin Passmore is a Reader in History at Cardiff University. His The Right in the Third Republic was published by OUP in November 2012. He has continued to publish widely on fascism since publication of the VSI in 2002, but has also written on the history of the social sciences and historical writing.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2628</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ea7f93ae-6f76-11ee-9f75-7bd6a61e6a4a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6063739942.mp3?updated=1697893857" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Grant H. Kester, "The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde" (Duke UP, 2023)</title>
      <description>In The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde (Duke UP, 2023), Grant Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy—the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society—through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as the basis for understanding the nature of art and the shifting relationship between art and revolutionary praxis. He shows that dominant discourses of aesthetic autonomy reproduce the very forms of bourgeois liberalism that autonomy discourse itself claims to challenge. Analyzing avant-garde art and political movements in Russia, India, Latin America, and elsewhere, Kester retheorizes the aesthetic beyond autonomy. Ultimately, Kester demonstrates that the question of aesthetic autonomy has ramifications that extend beyond art to encompass the nature of political transformation and forms of anticolonial resistance that challenge the Eurocentric concept of “Man,” upon which the aesthetic itself often depends.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Grant H. Kester</itunes:subtitle>
      <itunes:summary>In The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde (Duke UP, 2023), Grant Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy—the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society—through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as the basis for understanding the nature of art and the shifting relationship between art and revolutionary praxis. He shows that dominant discourses of aesthetic autonomy reproduce the very forms of bourgeois liberalism that autonomy discourse itself claims to challenge. Analyzing avant-garde art and political movements in Russia, India, Latin America, and elsewhere, Kester retheorizes the aesthetic beyond autonomy. Ultimately, Kester demonstrates that the question of aesthetic autonomy has ramifications that extend beyond art to encompass the nature of political transformation and forms of anticolonial resistance that challenge the Eurocentric concept of “Man,” upon which the aesthetic itself often depends.
Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478020424"><em>The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde</em></a> (Duke UP, 2023), Grant Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy—the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society—through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as the basis for understanding the nature of art and the shifting relationship between art and revolutionary praxis. He shows that dominant discourses of aesthetic autonomy reproduce the very forms of bourgeois liberalism that autonomy discourse itself claims to challenge. Analyzing avant-garde art and political movements in Russia, India, Latin America, and elsewhere, Kester retheorizes the aesthetic beyond autonomy. Ultimately, Kester demonstrates that the question of aesthetic autonomy has ramifications that extend beyond art to encompass the nature of political transformation and forms of anticolonial resistance that challenge the Eurocentric concept of “Man,” upon which the aesthetic itself often depends.</p><p><a href="https://arthistory.uic.edu/profiles/rafie-kaveh/"><em>Kaveh Rafie</em></a><em> is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4631</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a599773c-6d1e-11ee-9120-6b0cb5421cba]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4050537608.mp3?updated=1697570317" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Radical Imagination in Reactionary Times</title>
      <description>Professors Alex Khasnabish and Max Haiven are authors of a book called The Radical Imagination: Social Movement Research in the Age of Austerity (Bloomsbury, 2014). Their book examines how social movements imagine (and build) radical new futures. Additionally, the book critically intervenes in broader social movement theory, and suggests new approaches for scholar-activists.
As part of a recent episode of Darts and Letters, “Mutual Aid &amp; the Anarchist Radical Imagination,” we spoke to Alex and Max about how these ideas help us make sense of autonomous and anarchist-styled movement building. However, we had a much broader conversation about the book, its legacy, and how we should understand it today. That longer conversation is here.
We cover: the history of social movement theory, how it (mis)understands prefigurative politics, and how to make sense of the burgeoning far right. In a time where reactionary movements offer radical visions – space colonization, transhumanist enhancement, life extension, and more – how are we to make sense of the radical imagination? Do they have a kind of new reactionary radical imagination, or is it more of the same? We discuss.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>318</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Alex Khasnabish and Max Haiven</itunes:subtitle>
      <itunes:summary>Professors Alex Khasnabish and Max Haiven are authors of a book called The Radical Imagination: Social Movement Research in the Age of Austerity (Bloomsbury, 2014). Their book examines how social movements imagine (and build) radical new futures. Additionally, the book critically intervenes in broader social movement theory, and suggests new approaches for scholar-activists.
As part of a recent episode of Darts and Letters, “Mutual Aid &amp; the Anarchist Radical Imagination,” we spoke to Alex and Max about how these ideas help us make sense of autonomous and anarchist-styled movement building. However, we had a much broader conversation about the book, its legacy, and how we should understand it today. That longer conversation is here.
We cover: the history of social movement theory, how it (mis)understands prefigurative politics, and how to make sense of the burgeoning far right. In a time where reactionary movements offer radical visions – space colonization, transhumanist enhancement, life extension, and more – how are we to make sense of the radical imagination? Do they have a kind of new reactionary radical imagination, or is it more of the same? We discuss.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Professors Alex Khasnabish and Max Haiven are authors of a book called<em> </em><a href="https://bookshop.org/a/12343/9781780329017"><em>The Radical Imagination: Social Movement Research in the Age of Austerity</em></a><em> </em>(Bloomsbury, 2014). Their book examines how social movements imagine (and build) radical new futures. Additionally, the book critically intervenes in broader social movement theory, and suggests new approaches for scholar-activists.</p><p>As part of a recent episode of <em>Darts and Letters, </em>“<a href="https://dartsandletters.ca/2023/10/06/ep85-mutual-aid-the-anarchist-radical-imagination-ft-elif-genc-payton-mcdonald-max-haiven-alex-khasnabish/">Mutual Aid &amp; the Anarchist Radical Imagination</a>,” we spoke to Alex and Max about how these ideas help us make sense of autonomous and anarchist-styled movement building. However, we had a much broader conversation about the book, its legacy, and how we should understand it today. That longer conversation is here.</p><p>We cover: the history of social movement theory, how it (mis)understands prefigurative politics, and how to make sense of the burgeoning far right. In a time where reactionary movements offer radical visions – space colonization, transhumanist enhancement, life extension, and more – how are we to make sense of the radical imagination? Do they have a kind of <em>new </em>reactionary radical imagination, or is it more of the same? We discuss.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3984</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8003996932.mp3?updated=1697829037" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexandre Baril, "Undoing Suicidism: A Trans, Queer, Crip Approach to Rethinking (Assisted) Suicide" (Temple UP, 2023)</title>
      <description>Note: This episode contains a discussion of suicide. A list of resources is available below. 
In Undoing Suicidism: A Trans, Queer, Crip Approach to Rethinking (Assisted) Suicide (Temple UP, 2023), Alexandre Baril argues that suicidal people are oppressed by what he calls structural suicidism, a hidden oppression that, until now, has been unnamed and under-theorized. Each year, suicidism and its preventionist script and strategies reproduce violence and cause additional harm and death among suicidal people through forms of criminalization, incarceration, discrimination, stigmatization, and pathologization. This is particularly true for marginalized groups experiencing multiple oppressions, including queer, trans, disabled, or Mad people.
Undoing Suicidism questions the belief that the best way to help suicidal people is through the logic of prevention. Alexandre Baril presents the thought-provoking argument that supporting assisted suicide for suicidal people could better prevent unnecessary deaths. Offering a new queercrip model of (assisted) suicide, he invites us to imagine what could happen if we started thinking about (assisted) suicide from an anti-suicidist and intersectional framework. Baril provides a radical reconceptualization of (assisted) suicide and invaluable reflections for academics, activists, practitioners, and policymakers.
An open access edition of Undoing Suicidism, made available by the Faculty of Social Sciences at the University of Ottawa, is available here.
Alexandre Baril (abaril@uOttawa.ca) is Associate Professor at the University of Ottawa. His work is situated at the crossroads of gender, queer, trans, disability/crip/Mad studies, critical gerontology and critical suicidology. His commitment to equity has earned him awards for his involvement in queer, trans and disabled communities, including the Canadian Disability Studies Association Tanis Doe Francophone Award, and the Equity, Diversity and Inclusion President’s Award at the University of Ottawa. A prolific author who won the Young Researcher Award from the Faculty of Social Sciences at the University of Ottawa (2023), he has given over 200 presentations at the international level and has over 80 publications.
Resources:
SAFE HOTLINES and ONLINE SUPPORT GROUPS:

Trans LifeLine (trans/non-binary): 1-877-330-6366 (Canada) and 1-877-565-8860 (USA)


Autisme Soutien: Online support for autistic people (French Canada)

BlackLine (BIPOC): 1-800-604-5841 (USA)

REGULAR HOTLINES (might trace your call and contact emergency services):

Talk Suicide Canada: 1-833-456-4566

Suicide.ca (Québec): 1-866-APPELLE

The Hope for Wellness Helpline (Indigenous people in Canada): 1-855-242-3310

The Samaritains (USA): 1-212-673-3000


A full transcript of the interview is available for accessibility.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexandre Baril</itunes:subtitle>
      <itunes:summary>Note: This episode contains a discussion of suicide. A list of resources is available below. 
In Undoing Suicidism: A Trans, Queer, Crip Approach to Rethinking (Assisted) Suicide (Temple UP, 2023), Alexandre Baril argues that suicidal people are oppressed by what he calls structural suicidism, a hidden oppression that, until now, has been unnamed and under-theorized. Each year, suicidism and its preventionist script and strategies reproduce violence and cause additional harm and death among suicidal people through forms of criminalization, incarceration, discrimination, stigmatization, and pathologization. This is particularly true for marginalized groups experiencing multiple oppressions, including queer, trans, disabled, or Mad people.
Undoing Suicidism questions the belief that the best way to help suicidal people is through the logic of prevention. Alexandre Baril presents the thought-provoking argument that supporting assisted suicide for suicidal people could better prevent unnecessary deaths. Offering a new queercrip model of (assisted) suicide, he invites us to imagine what could happen if we started thinking about (assisted) suicide from an anti-suicidist and intersectional framework. Baril provides a radical reconceptualization of (assisted) suicide and invaluable reflections for academics, activists, practitioners, and policymakers.
An open access edition of Undoing Suicidism, made available by the Faculty of Social Sciences at the University of Ottawa, is available here.
Alexandre Baril (abaril@uOttawa.ca) is Associate Professor at the University of Ottawa. His work is situated at the crossroads of gender, queer, trans, disability/crip/Mad studies, critical gerontology and critical suicidology. His commitment to equity has earned him awards for his involvement in queer, trans and disabled communities, including the Canadian Disability Studies Association Tanis Doe Francophone Award, and the Equity, Diversity and Inclusion President’s Award at the University of Ottawa. A prolific author who won the Young Researcher Award from the Faculty of Social Sciences at the University of Ottawa (2023), he has given over 200 presentations at the international level and has over 80 publications.
Resources:
SAFE HOTLINES and ONLINE SUPPORT GROUPS:

Trans LifeLine (trans/non-binary): 1-877-330-6366 (Canada) and 1-877-565-8860 (USA)


Autisme Soutien: Online support for autistic people (French Canada)

BlackLine (BIPOC): 1-800-604-5841 (USA)

REGULAR HOTLINES (might trace your call and contact emergency services):

Talk Suicide Canada: 1-833-456-4566

Suicide.ca (Québec): 1-866-APPELLE

The Hope for Wellness Helpline (Indigenous people in Canada): 1-855-242-3310

The Samaritains (USA): 1-212-673-3000


A full transcript of the interview is available for accessibility.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Note: This episode contains a discussion of suicide. A list of resources is available below. </strong></p><p>In <a href="https://bookshop.org/a/12343/9781439924075"><em>Undoing Suicidism: A Trans, Queer, Crip Approach to Rethinking (Assisted) Suicide</em></a> (Temple UP, 2023), Alexandre Baril argues that suicidal people are oppressed by what he calls structural suicidism, a hidden oppression that, until now, has been unnamed and under-theorized. Each year, suicidism and its preventionist script and strategies reproduce violence and cause additional harm and death among suicidal people through forms of criminalization, incarceration, discrimination, stigmatization, and pathologization. This is particularly true for marginalized groups experiencing multiple oppressions, including queer, trans, disabled, or Mad people.</p><p>Undoing Suicidism questions the belief that the best way to help suicidal people is through the logic of prevention. Alexandre Baril presents the thought-provoking argument that supporting assisted suicide for suicidal people could better prevent unnecessary deaths. Offering a new queercrip model of (assisted) suicide, he invites us to imagine what could happen if we started thinking about (assisted) suicide from an anti-suicidist and intersectional framework. Baril provides a radical reconceptualization of (assisted) suicide and invaluable reflections for academics, activists, practitioners, and policymakers.</p><p>An <a href="https://temple.manifoldapp.org/projects/undoing-suicidism">open access edition of Undoing Suicidism</a>, made available by the Faculty of Social Sciences at the University of Ottawa, is available <a href="https://temple.manifoldapp.org/projects/undoing-suicidism">here</a>.</p><p>Alexandre Baril (abaril@uOttawa.ca) is Associate Professor at the University of Ottawa. His work is situated at the crossroads of gender, queer, trans, disability/crip/Mad studies, critical gerontology and critical suicidology. His commitment to equity has earned him awards for his involvement in queer, trans and disabled communities, including the Canadian Disability Studies Association Tanis Doe Francophone Award, and the Equity, Diversity and Inclusion President’s Award at the University of Ottawa. A prolific author who won the Young Researcher Award from the Faculty of Social Sciences at the University of Ottawa (2023), he has given over 200 presentations at the international level and has over 80 publications.</p><p>Resources:</p><p>SAFE HOTLINES and ONLINE SUPPORT GROUPS:</p><ul>
<li>Trans LifeLine (trans/non-binary): 1-877-330-6366 (Canada) and 1-877-565-8860 (USA)</li>
<li>
<a href="https://autismesoutien.ca/">Autisme Soutien</a>: Online support for autistic people (French Canada)</li>
<li>BlackLine (BIPOC): 1-800-604-5841 (USA)</li>
</ul><p>REGULAR HOTLINES (might trace your call and contact emergency services):</p><ul>
<li>Talk Suicide Canada: 1-833-456-4566</li>
<li>Suicide.ca (Québec): 1-866-APPELLE</li>
<li>The Hope for Wellness Helpline (Indigenous people in Canada): 1-855-242-3310</li>
<li>The Samaritains (USA): 1-212-673-3000</li>
</ul><p><br></p><p>A full <a href="https://d8q167itd1z7d.cloudfront.net/craft3/Undoing-Suicidism-Transcript.pdf">transcript</a> of the interview is available for accessibility.</p><p><a href="https://cjarrard717.wixsite.com/website"><em>Clayton Jarrard</em></a><em> is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the </em><a href="https://open.spotify.com/show/0X98h0FENG1hptiHFA1o5b?si=183b40d21ac94919/"><em>Un/Livable Cultures podcast</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4048</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ebe8c542-6c35-11ee-bdcb-cb6866aae3a4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7200531455.mp3?updated=1697469080" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Incarceration: A Discussion with Colleen P. Eren</title>
      <description>The United States has long been associated with a very harsh criminal justice system with, in some cases, people serving long sentence for minor crimes. But attempts to reform the system have proven very difficult. In her new book Reform Nation: The First Step Act and the Movement to End Mass Incarceration (Stanford UP, 2023), Colleen P. Eren explains why. Listen to her in conversation with Owen Bennett Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The United States has long been associated with a very harsh criminal justice system with, in some cases, people serving long sentence for minor crimes. But attempts to reform the system have proven very difficult. In her new book Reform Nation: The First Step Act and the Movement to End Mass Incarceration (Stanford UP, 2023), Colleen P. Eren explains why. Listen to her in conversation with Owen Bennett Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The United States has long been associated with a very harsh criminal justice system with, in some cases, people serving long sentence for minor crimes. But attempts to reform the system have proven very difficult. In her new book <a href="https://bookshop.org/a/12343/9781503636736"><em>Reform Nation: The First Step Act and the Movement to End Mass Incarceration</em></a> (Stanford UP, 2023), Colleen P. Eren explains why. Listen to her in conversation with Owen Bennett Jones.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2433</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[43b4e482-6b86-11ee-a32c-2b30068acc62]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4093213117.mp3?updated=1697394050" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mukti Lakhi Mangharam, "Freedom Inc.: Gendered Capitalism in New Indian Literature and Culture" (Bloomsbury, 2023)</title>
      <description>While globalization is often credited with the eradication of 'traditional' constraints tied to gender and caste, in reality the opening up of the Indian economy in the 1990s has led to a decline in freedom for many female, Dalit, and lower class Indians. This book explores the contraction of what it means to be free in post-liberalization India, examining how global capitalism has exacerbated existing inequalities based on traditional femininities and masculinities, while also creating new hierarchies.
Mukti Lakhi Mangharam's book Freedom Inc.: Gendered Capitalism in New Indian Literature and Culture (Bloomsbury, 2023) argues that post-1990s literature and culture frequently represents and reinforces the equation of free-market capitalism with individual freedom within the new 'idea of India.' However, many texts often also challenge this logic by pointing to more expansive horizons of autonomy for the gendered self. Through readings of texts as diverse as Dalit women's life-writing, pop fiction, realist novels, self-help, regional film, and Netflix TV shows, Mukti Mangharam investigates how notions like 'free trade,' 'entrepreneurship,' and 'self-help' are experienced, embodied, and challenged by disadvantaged peoples, and by women differently than men. In the process, Freedom Inc. explores how different literary forms illuminate alternative and buried pathways to fuller freedoms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>253</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mukti Lakhi Mangharam</itunes:subtitle>
      <itunes:summary>While globalization is often credited with the eradication of 'traditional' constraints tied to gender and caste, in reality the opening up of the Indian economy in the 1990s has led to a decline in freedom for many female, Dalit, and lower class Indians. This book explores the contraction of what it means to be free in post-liberalization India, examining how global capitalism has exacerbated existing inequalities based on traditional femininities and masculinities, while also creating new hierarchies.
Mukti Lakhi Mangharam's book Freedom Inc.: Gendered Capitalism in New Indian Literature and Culture (Bloomsbury, 2023) argues that post-1990s literature and culture frequently represents and reinforces the equation of free-market capitalism with individual freedom within the new 'idea of India.' However, many texts often also challenge this logic by pointing to more expansive horizons of autonomy for the gendered self. Through readings of texts as diverse as Dalit women's life-writing, pop fiction, realist novels, self-help, regional film, and Netflix TV shows, Mukti Mangharam investigates how notions like 'free trade,' 'entrepreneurship,' and 'self-help' are experienced, embodied, and challenged by disadvantaged peoples, and by women differently than men. In the process, Freedom Inc. explores how different literary forms illuminate alternative and buried pathways to fuller freedoms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While globalization is often credited with the eradication of 'traditional' constraints tied to gender and caste, in reality the opening up of the Indian economy in the 1990s has led to a decline in freedom for many female, Dalit, and lower class Indians. This book explores the contraction of what it means to be free in post-liberalization India, examining how global capitalism has exacerbated existing inequalities based on traditional femininities and masculinities, while also creating new hierarchies.</p><p>Mukti Lakhi Mangharam's book <em>Freedom Inc.: Gendered Capitalism in New Indian Literature and Culture </em>(Bloomsbury, 2023) argues that post-1990s literature and culture frequently represents and reinforces the equation of free-market capitalism with individual freedom within the new 'idea of India.' However, many texts often also challenge this logic by pointing to more expansive horizons of autonomy for the gendered self. Through readings of texts as diverse as Dalit women's life-writing, pop fiction, realist novels, self-help, regional film, and Netflix TV shows, Mukti Mangharam investigates how notions like 'free trade,' 'entrepreneurship,' and 'self-help' are experienced, embodied, and challenged by disadvantaged peoples, and by women differently than men. In the process, <em>Freedom Inc.</em> explores how different literary forms illuminate alternative and buried pathways to fuller freedoms.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d87f8dec-6b63-11ee-accf-8f61924ceb59]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6462536695.mp3?updated=1697379216" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Orisanmi Burton, "Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt" (U California Press, 2023)</title>
      <description>Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt (University of California Press, 2023) boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance within and beyond prison walls.
Burton goes beyond the state records that other histories have relied on for the story of Attica and expands that archive, drawing on oral history and applying Black radical theory in ways that center the intellectual and political goals of the incarcerated people who led the struggle. Packed with little-known insights from the prison movement, the Black Panther Party, and the Black Liberation Army, Tip of the Spear promises to transform our understanding of prisons—not only as sites of race war and class war, of counterinsurgency and genocide, but also as sources of defiant Black life, revolutionary consciousness, and abolitionist possibility.
This interview was conducted by Dr. Jesi Faust whose research focuses on the gendered and racialized structures of Spanish colonialism in Morocco and the Philippines, their connections to contemporary imperialism and counterinsurgency, and indigenous resistance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>416</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Orisanmi Burton</itunes:subtitle>
      <itunes:summary>Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt (University of California Press, 2023) boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance within and beyond prison walls.
Burton goes beyond the state records that other histories have relied on for the story of Attica and expands that archive, drawing on oral history and applying Black radical theory in ways that center the intellectual and political goals of the incarcerated people who led the struggle. Packed with little-known insights from the prison movement, the Black Panther Party, and the Black Liberation Army, Tip of the Spear promises to transform our understanding of prisons—not only as sites of race war and class war, of counterinsurgency and genocide, but also as sources of defiant Black life, revolutionary consciousness, and abolitionist possibility.
This interview was conducted by Dr. Jesi Faust whose research focuses on the gendered and racialized structures of Spanish colonialism in Morocco and the Philippines, their connections to contemporary imperialism and counterinsurgency, and indigenous resistance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520396319"><em>Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt</em></a> (University of California Press, 2023) boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance within and beyond prison walls.</p><p>Burton goes beyond the state records that other histories have relied on for the story of Attica and expands that archive, drawing on oral history and applying Black radical theory in ways that center the intellectual and political goals of the incarcerated people who led the struggle. Packed with little-known insights from the prison movement, the Black Panther Party, and the Black Liberation Army, Tip of the Spear promises to transform our understanding of prisons—not only as sites of race war and class war, of counterinsurgency and genocide, but also as sources of defiant Black life, revolutionary consciousness, and abolitionist possibility.</p><p><em>This interview was conducted by Dr. Jesi Faust whose research focuses on the gendered and racialized structures of Spanish colonialism in Morocco and the Philippines, their connections to contemporary imperialism and counterinsurgency, and indigenous resistance.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3173</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[204b7ca2-6b5b-11ee-adc6-939bfb9e3b7a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8993112088.mp3?updated=1697376095" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Margaret Hillenbrand, "On the Edge: Feeling Precarious in China" (Columbia UP, 2023)</title>
      <description>Margaret Hillenbrand’s On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China’s exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China’s economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers’ experience of civic suspension and their class others’ fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy. 
Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture’s capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff’s edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest.
Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 14 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margaret Hillenbrand</itunes:subtitle>
      <itunes:summary>Margaret Hillenbrand’s On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China’s exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China’s economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers’ experience of civic suspension and their class others’ fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy. 
Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture’s capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff’s edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest.
Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Margaret Hillenbrand’s <a href="https://bookshop.org/a/12343/9780231212151"><em>On the Edge: Feeling Precarious in China</em></a><em> </em>(Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China’s exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China’s economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers’ experience of civic suspension and their class others’ fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy. </p><p>Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture’s capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff’s edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest.</p><p><em>Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2779</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3218530553.mp3?updated=1696968947" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Txt</title>
      <description>In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text?
In the full interview, Matthew recommended Tim Maughan’s novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel’s Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis.
Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more.
Because we are hoping to encourage the text apocalypse, we made today’s image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva’s AI interface.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a348b482-69c9-11ee-acd9-cb0abadeb84f/image/0b4069.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Matthew Kirschenbaum</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text?
In the full interview, Matthew recommended Tim Maughan’s novel Infinite Detail (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel’s Station Eleven (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis.
Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more.
Because we are hoping to encourage the text apocalypse, we made today’s image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva’s AI interface.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text?</p><p>In the full interview, Matthew recommended Tim Maughan’s novel <a href="https://us.macmillan.com/books/9780374175412/infinitedetail"><em>Infinite Detail</em></a> (Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel’s <a href="https://www.emilymandel.com/station-eleven"><em>Station Eleven</em></a> (Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “<a href="https://dl.acm.org/doi/10.1145/3442188.3445922">On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?</a>” FAccT '21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the <a href="https://en.wikipedia.org/wiki/Dead_Internet_theory">dead internet theory </a>and the <a href="https://en.wikipedia.org/wiki/Gray_goo">gray goo hypothesis</a>.</p><p>Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674417076"><em>Track Changes: A Literary History of Word Processing</em></a> (Harvard UP 2016) and <a href="https://mitpress.mit.edu/9780262517409/mechanisms/"><em>Mechanisms: New Media and the Forensic Imagination</em></a> (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs <a href="https://english.umd.edu/research-innovation/booklab">BookLab</a>, a makerspace, studio, library, and press devoted to what is surely our discipline's most iconic artifact, the codex book. See<a href="http://www.mkirschenbaum.net/"> mkirschenbaum.net</a> or follow him on Twitter (or X?) as @mkirschenbaum for more.</p><p>Because we are hoping to encourage the text apocalypse, we made today’s image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva’s AI interface.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6868081065.mp3?updated=1697202825" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mutual Aid and the Anarchist Radical Imagination</title>
      <description>This episode of Darts and Letters examines the theory and practice of anti-statist organizing.
There’s a story you can tell about the post-Occupy left gravitating towards a more state-oriented kind of politics, exemplified by the enthusiasm around Bernie Sanders, The Squad, and others. However, this misses autonomous and anarchist-inflected (and sometimes, explicitly anarchist) social movements that have brought enormous energy, and enormous change–from the movement for black lives, to organizing for Indigenous sovereignty, and so much more. In this episode, we look at the Kurdish movement, and mutual aid experiments across North America.
First, we look at the work of the late libertarian socialist Murray Bookchin. Bookchin broke with Marxism, and later anarchism, and eventually developed an idiosyncratic ecological and revolutionary theory that said radical democracy could be achieved at the municipal level. This Vermont-based theorist has been enormously influential, including in an area formerly known as Rojava. There, the Kurdish people are making these ideas their own, and developing a radical feminist democracy–while fighting to survive. We speak with Elif Genc about these ideas, and about how the Kurdish diaspora implements them within Canada.
Next, what is mutual aid? Peter Kropotkin’s Mutual Aid: A Factory of Evolution (1902) examines how cooperation and reciprocity are core to nature. To anarchists, this should be generalized to radical political program, and a radically new way of living. Darts and Letters producer Marc Apollonio speaks to Payton McDonald about how the theory and practice of mutual aid drives many social movements across North America. Payton is co-directing a four-part documentary series called the Elements of Mutual Aid: Experiments Towards Liberation.
Finally, how do social movement scholars understand (or misunderstand) autonomous social movements? There’s a tendency to dismiss movements that do not make clear tangible demands, and deliver pragmatic policy victories (see: Occupy). However, Max Haiven and Alex Khasnabish say that this misses something key to radical social movements: their radical imagination. These movements do not want to just improve this system, they want to imagine, and create (or prefigure), a different system. We discuss their book the Radical Imagination: Social Movement Research in the Age of Austerity, the blind spots of social movement theory, and whether there might be a new style of organizing emerging that is somewhere between the the statist and the anti-statist.
This episode received support from the Social Sciences and Humanities Research Council of Canada. It’s part of our mini-series that we are producing which looks at the radical imagination, in all its hopeful and its sometimes troubling manifestations. The scholarly leads are Professors Alex Khasnabish at Mount Saint Vincent University and Max Haiven at Lakehead University. They are providing research support and consulting to this series. For a full list of credits of Cited Media staff, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>With Elif Genc, Payton McDonald, Max Haiven, and Alex Khasnabish</itunes:subtitle>
      <itunes:summary>This episode of Darts and Letters examines the theory and practice of anti-statist organizing.
There’s a story you can tell about the post-Occupy left gravitating towards a more state-oriented kind of politics, exemplified by the enthusiasm around Bernie Sanders, The Squad, and others. However, this misses autonomous and anarchist-inflected (and sometimes, explicitly anarchist) social movements that have brought enormous energy, and enormous change–from the movement for black lives, to organizing for Indigenous sovereignty, and so much more. In this episode, we look at the Kurdish movement, and mutual aid experiments across North America.
First, we look at the work of the late libertarian socialist Murray Bookchin. Bookchin broke with Marxism, and later anarchism, and eventually developed an idiosyncratic ecological and revolutionary theory that said radical democracy could be achieved at the municipal level. This Vermont-based theorist has been enormously influential, including in an area formerly known as Rojava. There, the Kurdish people are making these ideas their own, and developing a radical feminist democracy–while fighting to survive. We speak with Elif Genc about these ideas, and about how the Kurdish diaspora implements them within Canada.
Next, what is mutual aid? Peter Kropotkin’s Mutual Aid: A Factory of Evolution (1902) examines how cooperation and reciprocity are core to nature. To anarchists, this should be generalized to radical political program, and a radically new way of living. Darts and Letters producer Marc Apollonio speaks to Payton McDonald about how the theory and practice of mutual aid drives many social movements across North America. Payton is co-directing a four-part documentary series called the Elements of Mutual Aid: Experiments Towards Liberation.
Finally, how do social movement scholars understand (or misunderstand) autonomous social movements? There’s a tendency to dismiss movements that do not make clear tangible demands, and deliver pragmatic policy victories (see: Occupy). However, Max Haiven and Alex Khasnabish say that this misses something key to radical social movements: their radical imagination. These movements do not want to just improve this system, they want to imagine, and create (or prefigure), a different system. We discuss their book the Radical Imagination: Social Movement Research in the Age of Austerity, the blind spots of social movement theory, and whether there might be a new style of organizing emerging that is somewhere between the the statist and the anti-statist.
This episode received support from the Social Sciences and Humanities Research Council of Canada. It’s part of our mini-series that we are producing which looks at the radical imagination, in all its hopeful and its sometimes troubling manifestations. The scholarly leads are Professors Alex Khasnabish at Mount Saint Vincent University and Max Haiven at Lakehead University. They are providing research support and consulting to this series. For a full list of credits of Cited Media staff, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode of Darts and Letters examines the theory and practice of anti-statist organizing.</p><p>There’s a story you can tell about the post-Occupy left gravitating towards a more state-oriented kind of politics, exemplified by the enthusiasm around Bernie Sanders, The Squad, and others. However, this misses autonomous and anarchist-inflected (and sometimes, explicitly anarchist) social movements that have brought enormous energy, and enormous change–from the movement for black lives, to organizing for Indigenous sovereignty, and so much more. In this episode, we look at the Kurdish movement, and mutual aid experiments across North America.</p><p>First, we look at the work of the late libertarian socialist Murray Bookchin. Bookchin broke with Marxism, and later anarchism, and eventually developed an idiosyncratic ecological and revolutionary theory that said radical democracy could be achieved at the municipal level. This Vermont-based theorist has been enormously influential, including in an area formerly known as Rojava. There, the Kurdish people are making these ideas their own, and developing a radical feminist democracy–while fighting to survive. We speak with <a href="https://twitter.com/elifgenc2284?lang=en">Elif Genc</a> about these ideas, and about how the Kurdish diaspora implements them within Canada.</p><p>Next, what is mutual aid? Peter Kropotkin’s <em>Mutual Aid: A Factory of Evolution </em>(1902) examines how cooperation and reciprocity are core to nature. To anarchists, this should be generalized to radical political program, and a radically new way of living. <em>Darts and Letters</em> producer <a href="https://twitter.com/marcapollonio?lang=en">Marc Apollonio</a> speaks to Payton McDonald about how the theory and practice of mutual aid drives many social movements across North America. Payton is co-directing a four-part documentary series called <a href="https://theelementsofmutualaid.com/"><em>the Elements of Mutual Aid: Experiments Towards Liberation</em></a>.</p><p>Finally, how do social movement scholars understand (or misunderstand) autonomous social movements? There’s a tendency to dismiss movements that do not make clear tangible demands, and deliver pragmatic policy victories (see: Occupy). However, Max Haiven and Alex Khasnabish say that this misses something key to radical social movements: their radical imagination. These movements do not want to just <em>improve</em> this system, they want to imagine, and create (or prefigure), a different system. We discuss their book<a href="https://fernwoodpublishing.ca/book/the-radical-imagination"> <em>the Radical Imagination: Social Movement Research in the Age of Austerity</em></a>, the blind spots of social movement theory, and whether there might be a new style of organizing emerging that is somewhere between the the statist and the anti-statist.</p><p>This episode received support from the Social Sciences and Humanities Research Council of Canada. It’s part of our <a href="https://dartsandletters.ca/category/theory/mini-series-the-radical-imagination/">mini-series</a> that we are producing which looks at the radical imagination, in all its hopeful and its sometimes troubling manifestations. The scholarly leads are Professors <a href="https://www.msvu.ca/academics/bachelor-of-arts-ba/sociology-anthropology/meet-our-department/soan-faculty-profile-9/">Alex Khasnabish</a> at Mount Saint Vincent University and <a href="https://twitter.com/maxhaiven?lang=en">Max Haiven</a> at Lakehead University. They are providing research support and consulting to this series. For a full list of credits of Cited Media staff, visit our <a href="https://dartsandletters.ca/about-us/">about page</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ee3646bc-6532-11ee-a18a-3f2bb126ba7f]]></guid>
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    </item>
    <item>
      <title>Paraska Tolan-Szkilnik, "Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future" (Stanford UP, 2023)</title>
      <description>Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.
Paraska Tolan-Szkilnik's book Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.
Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>236</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paraska Tolan-Szkilnik</itunes:subtitle>
      <itunes:summary>Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.
Paraska Tolan-Szkilnik's book Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.
Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the <em>Journées Cinématographiques de Carthage</em>; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.</p><p>Paraska Tolan-Szkilnik's book <a href="https://bookshop.org/a/12343/9781503634824"><em>Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future</em></a> (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.</p><p>Paraska Tolan-Szkilnik is Assistant Professor of History at Suffolk University.</p><p><em>Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2534</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>John Arena, "Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark" (U Minnesota Press, 2023)</title>
      <description>Exploring the role of identitarian politics in the privatization of Newark’s public school system In Expelling Public Schools, John Arena explores the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country—from the vantage point of elites advancing the pro-privatization agenda and their grassroots challengers. Analyzing the unsuccessful effort of Cory Booker—Newark’s leading pro-privatization activist and mayor—to generate popular support for the agenda, and Booker’s rival and ultimate successor Ras Baraka’s eventual galvanization of the charter movement, Arena argues that Baraka’s black radical politics cloaked a revanchist agenda of privatization. 
John Arena's book Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark (U Minnesota Press, 2023) reveals the political rise of Booker and Baraka, their one-time rivalry and subsequent alliance, and what this particular case study illuminates about contemporary post–civil rights Black politics. Ultimately, Expelling Public Schools is a critique of Black urban regime politics and the way in which antiracist messaging obscures real class divisions, interests, and ideological diversity.
Laura Beth Kelly is an assistant professor of Educational Studies at Rhodes College in Memphis, Tennessee.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>220</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Arena</itunes:subtitle>
      <itunes:summary>Exploring the role of identitarian politics in the privatization of Newark’s public school system In Expelling Public Schools, John Arena explores the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country—from the vantage point of elites advancing the pro-privatization agenda and their grassroots challengers. Analyzing the unsuccessful effort of Cory Booker—Newark’s leading pro-privatization activist and mayor—to generate popular support for the agenda, and Booker’s rival and ultimate successor Ras Baraka’s eventual galvanization of the charter movement, Arena argues that Baraka’s black radical politics cloaked a revanchist agenda of privatization. 
John Arena's book Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark (U Minnesota Press, 2023) reveals the political rise of Booker and Baraka, their one-time rivalry and subsequent alliance, and what this particular case study illuminates about contemporary post–civil rights Black politics. Ultimately, Expelling Public Schools is a critique of Black urban regime politics and the way in which antiracist messaging obscures real class divisions, interests, and ideological diversity.
Laura Beth Kelly is an assistant professor of Educational Studies at Rhodes College in Memphis, Tennessee.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Exploring the role of identitarian politics in the privatization of Newark’s public school system In Expelling Public Schools, John Arena explores the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country—from the vantage point of elites advancing the pro-privatization agenda and their grassroots challengers. Analyzing the unsuccessful effort of Cory Booker—Newark’s leading pro-privatization activist and mayor—to generate popular support for the agenda, and Booker’s rival and ultimate successor Ras Baraka’s eventual galvanization of the charter movement, Arena argues that Baraka’s black radical politics cloaked a revanchist agenda of privatization. </p><p>John Arena's book <a href="https://bookshop.org/a/12343/9781517913687"><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></a><em> </em>(U Minnesota Press, 2023) reveals the political rise of Booker and Baraka, their one-time rivalry and subsequent alliance, and what this particular case study illuminates about contemporary post–civil rights Black politics. Ultimately, <em>Expelling Public Schools</em> is a critique of Black urban regime politics and the way in which antiracist messaging obscures real class divisions, interests, and ideological diversity.</p><p><a href="https://www.rhodes.edu/bio/laura-kelly"><em>Laura Beth Kelly</em></a><em> is an assistant professor of Educational Studies at Rhodes College in Memphis, Tennessee.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2675</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Aurelian Craiutu, "Why Not Moderation?: Letters to Young Radicals" (Cambridge UP, 2023)</title>
      <description>Moderation is often presented as a simple virtue for lukewarm and indecisive minds, searching for a fuzzy center between the extremes. Not surprisingly, many politicians do not want to be labelled 'moderates' for fear of losing elections. Why Not Moderation?: Letters to Young Radicals (Cambridge UP, 2023) challenges this conventional image and shows that moderation is a complex virtue with a rich tradition and unexplored radical sides. Through a series of imaginary letters between a passionate moderate and two young radicals, the book outlines the distinctive political vision undergirding moderation and makes a case for why we need this virtue today in America. Drawing on clearly written and compelling sources, Craiutu offers an opportunity to rethink moderation and participate in the important public debate on what kind of society we want to live in. His book reminds us that we cannot afford to bargain away the liberal civilization and open society we have inherited from our forefathers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aurelian Craiutu</itunes:subtitle>
      <itunes:summary>Moderation is often presented as a simple virtue for lukewarm and indecisive minds, searching for a fuzzy center between the extremes. Not surprisingly, many politicians do not want to be labelled 'moderates' for fear of losing elections. Why Not Moderation?: Letters to Young Radicals (Cambridge UP, 2023) challenges this conventional image and shows that moderation is a complex virtue with a rich tradition and unexplored radical sides. Through a series of imaginary letters between a passionate moderate and two young radicals, the book outlines the distinctive political vision undergirding moderation and makes a case for why we need this virtue today in America. Drawing on clearly written and compelling sources, Craiutu offers an opportunity to rethink moderation and participate in the important public debate on what kind of society we want to live in. His book reminds us that we cannot afford to bargain away the liberal civilization and open society we have inherited from our forefathers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Moderation is often presented as a simple virtue for lukewarm and indecisive minds, searching for a fuzzy center between the extremes. Not surprisingly, many politicians do not want to be labelled 'moderates' for fear of losing elections. <a href="https://bookshop.org/a/12343/9781108494953"><em>Why Not Moderation?: Letters to Young Radicals</em></a> (Cambridge UP, 2023) challenges this conventional image and shows that moderation is a complex virtue with a rich tradition and unexplored radical sides. Through a series of imaginary letters between a passionate moderate and two young radicals, the book outlines the distinctive political vision undergirding moderation and makes a case for why we need this virtue today in America. Drawing on clearly written and compelling sources, Craiutu offers an opportunity to rethink moderation and participate in the important public debate on what kind of society we want to live in. His book reminds us that we cannot afford to bargain away the liberal civilization and open society we have inherited from our forefathers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[169f4c08-6398-11ee-b4a9-e397561c47fe]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5748424102.mp3?updated=1696521599" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tariq D. Khan, "The Republic Shall be Kept Clean: How Settler Colonial Violence Shaped Antileft Repression" (U Illinois Press, 2023)</title>
      <description>The Republic Will Be Kept Clean: How Settler Colonial Violence Shaped Antileft Repression (University of Illinois Press, 2023) by Dr. Tariq D. Khan examines the long relationship between America’s colonising wars and virulent anticommunism.
The colonising wars against Native Americans created the template for anticommunist repression in the United States. Dr. Khan’s analysis reveals bloodshed and class war as foundational aspects of capitalist domination and vital elements of the nation’s long history of internal repression and social control. Dr. Khan shows how the state wielded the tactics, weapons, myths, and ideology refined in America’s colonising wars to repress anarchists, labour unions, and a host of others labelled as alien, multi-racial, multi-ethnic urban rabble. The ruling classes considered radicals of all stripes to be anticolonial insurgents. As Dr. Khan charts the decades of red scares that began in the 1840s, he reveals how capitalists and government used much-practised counterinsurgency rhetoric and tactics against the movements they perceived and vilified as “anarchist.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1369</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tariq D. Khan</itunes:subtitle>
      <itunes:summary>The Republic Will Be Kept Clean: How Settler Colonial Violence Shaped Antileft Repression (University of Illinois Press, 2023) by Dr. Tariq D. Khan examines the long relationship between America’s colonising wars and virulent anticommunism.
The colonising wars against Native Americans created the template for anticommunist repression in the United States. Dr. Khan’s analysis reveals bloodshed and class war as foundational aspects of capitalist domination and vital elements of the nation’s long history of internal repression and social control. Dr. Khan shows how the state wielded the tactics, weapons, myths, and ideology refined in America’s colonising wars to repress anarchists, labour unions, and a host of others labelled as alien, multi-racial, multi-ethnic urban rabble. The ruling classes considered radicals of all stripes to be anticolonial insurgents. As Dr. Khan charts the decades of red scares that began in the 1840s, he reveals how capitalists and government used much-practised counterinsurgency rhetoric and tactics against the movements they perceived and vilified as “anarchist.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780252087431"><em>The Republic Will Be Kept Clean: How Settler Colonial Violence Shaped Antileft Repression</em></a> (University of Illinois Press, 2023) by Dr. Tariq D. Khan examines the long relationship between America’s colonising wars and virulent anticommunism.</p><p>The colonising wars against Native Americans created the template for anticommunist repression in the United States. Dr. Khan’s analysis reveals bloodshed and class war as foundational aspects of capitalist domination and vital elements of the nation’s long history of internal repression and social control. Dr. Khan shows how the state wielded the tactics, weapons, myths, and ideology refined in America’s colonising wars to repress anarchists, labour unions, and a host of others labelled as alien, multi-racial, multi-ethnic urban rabble. The ruling classes considered radicals of all stripes to be anticolonial insurgents. As Dr. Khan charts the decades of red scares that began in the 1840s, he reveals how capitalists and government used much-practised counterinsurgency rhetoric and tactics against the movements they perceived and vilified as “anarchist.”</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3085</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rachel O'Dwyer, "Tokens: The Future of Money in the Age of the Platform" (Verso, 2023)</title>
      <description>Platform capitalism is coming for the money in your pocket. Wherever you look, money is being re-placed by tokens. Digital platforms are issuing new kinds of money-like things: phone credit, shares, gift vouchers, game tokens, customer data--the list goes on. But what does it mean when online platforms become the new banks? What new types of control and discrimination emerge when money is tied to specific apps or actions, politics or identities?
Tokens opens up this new and expanding world. Exploring the history of extra-monetary economies, Rachel O'Dwyer shows that private and grassroots tokens have always haunted the real economy. But as the large tech platforms issue new money-like instruments, tokens are suddenly everywhere. Amazon's Turk workers are getting paid in gift cards. Online streamers trade in wishlists. Foreign remittances are sent via phone credit. Bitcoin, gift cards, NFTs, customer data, and game tokens are the new money in an evolving economy. It is a development challenging the balance of power between online empires and the state. Tokens may offer a flexible even subversive route to compensation. But for the platforms themselves they can be a means of amassing frightening new powers. An essential read for anyone concerned with digital money, inequality, and the future of the economy.
Long-listed by the Financial Times' Best Business Books of 2023 even before publication, Rochel O'Dower's Tokens: The Future of Money in the Age of the Platform (Verso, 2023) tackles the proliferation of alternatives to central bank-issued money through an enagaging and easy-to-access narrative.
Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 08 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rachel O'Dwyer</itunes:subtitle>
      <itunes:summary>Platform capitalism is coming for the money in your pocket. Wherever you look, money is being re-placed by tokens. Digital platforms are issuing new kinds of money-like things: phone credit, shares, gift vouchers, game tokens, customer data--the list goes on. But what does it mean when online platforms become the new banks? What new types of control and discrimination emerge when money is tied to specific apps or actions, politics or identities?
Tokens opens up this new and expanding world. Exploring the history of extra-monetary economies, Rachel O'Dwyer shows that private and grassroots tokens have always haunted the real economy. But as the large tech platforms issue new money-like instruments, tokens are suddenly everywhere. Amazon's Turk workers are getting paid in gift cards. Online streamers trade in wishlists. Foreign remittances are sent via phone credit. Bitcoin, gift cards, NFTs, customer data, and game tokens are the new money in an evolving economy. It is a development challenging the balance of power between online empires and the state. Tokens may offer a flexible even subversive route to compensation. But for the platforms themselves they can be a means of amassing frightening new powers. An essential read for anyone concerned with digital money, inequality, and the future of the economy.
Long-listed by the Financial Times' Best Business Books of 2023 even before publication, Rochel O'Dower's Tokens: The Future of Money in the Age of the Platform (Verso, 2023) tackles the proliferation of alternatives to central bank-issued money through an enagaging and easy-to-access narrative.
Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Platform capitalism is coming for the money in your pocket. Wherever you look, money is being re-placed by tokens. Digital platforms are issuing new kinds of money-like things: phone credit, shares, gift vouchers, game tokens, customer data--the list goes on. But what does it mean when online platforms become the new banks? What new types of control and discrimination emerge when money is tied to specific apps or actions, politics or identities?</p><p>Tokens opens up this new and expanding world. Exploring the history of extra-monetary economies, Rachel O'Dwyer shows that private and grassroots tokens have always haunted the real economy. But as the large tech platforms issue new money-like instruments, tokens are suddenly everywhere. Amazon's Turk workers are getting paid in gift cards. Online streamers trade in wishlists. Foreign remittances are sent via phone credit. Bitcoin, gift cards, NFTs, customer data, and game tokens are the new money in an evolving economy. It is a development challenging the balance of power between online empires and the state. Tokens may offer a flexible even subversive route to compensation. But for the platforms themselves they can be a means of amassing frightening new powers. An essential read for anyone concerned with digital money, inequality, and the future of the economy.</p><p>Long-listed by the Financial Times' <a href="https://ig.ft.com/sites/business-book-award/books/2023/longlist/tokens-by-rachel-odwyer/">Best Business Books of 2023</a> even before publication, Rochel O'Dower's <a href="https://bookshop.org/a/12343/9781839768347"><em>Tokens: The Future of Money in the Age of the Platform</em></a><em> </em>(Verso, 2023) tackles the proliferation of alternatives to central bank-issued money through an enagaging and easy-to-access narrative.</p><p><a href="https://www.northumbria.ac.uk/about-us/our-staff/b/bernardo-batiz-lazo/"><em>Bernardo Batiz-Lazo</em></a><em> is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[83fc707a-6210-11ee-94b3-43ee44abc1e4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3035187673.mp3?updated=1696362123" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephanie R. Larson, "What It Feels Like: Visceral Rhetoric and the Politics of Rape Culture" (Pennsylvania State UP, 2021)</title>
      <description>What it feels like: Visceral Rhetoric and the Politics of Rape Culture (Penn State Press, 2021) by Dr. Stephanie Larson interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Dr. Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice.
Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Dr. Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by systems of power—patriarchy, white supremacy, ableism, and heteronormativity. Interrogating how these systems work to propagate masculine commitments to “science” and “hard evidence,” Dr. Larson finds that US culture holds a general mistrust of testimony by women, stereotyping it as “emotional.” But she also gives us hope for change, arguing that testimonies grounded in the bodily, material expression of violation are necessary for giving voice to victims of sexual violence and presenting, accurately, the scale of these crimes. Larson makes a case for visceral rhetorics, theorizing them as powerful forms of communication and persuasion.
Demonstrating the communicative power of bodily feeling, Dr. Larson challenges the long-held commitment to detached, distant, rationalized discourses of sexual harassment and rape. Timely and poignant, the book offers a much-needed corrective to our legal and political discourses.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 08 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>416</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephanie R. Larson</itunes:subtitle>
      <itunes:summary>What it feels like: Visceral Rhetoric and the Politics of Rape Culture (Penn State Press, 2021) by Dr. Stephanie Larson interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Dr. Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice.
Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Dr. Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by systems of power—patriarchy, white supremacy, ableism, and heteronormativity. Interrogating how these systems work to propagate masculine commitments to “science” and “hard evidence,” Dr. Larson finds that US culture holds a general mistrust of testimony by women, stereotyping it as “emotional.” But she also gives us hope for change, arguing that testimonies grounded in the bodily, material expression of violation are necessary for giving voice to victims of sexual violence and presenting, accurately, the scale of these crimes. Larson makes a case for visceral rhetorics, theorizing them as powerful forms of communication and persuasion.
Demonstrating the communicative power of bodily feeling, Dr. Larson challenges the long-held commitment to detached, distant, rationalized discourses of sexual harassment and rape. Timely and poignant, the book offers a much-needed corrective to our legal and political discourses.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780271091440"><em>What it feels like: Visceral Rhetoric and the Politics of Rape Culture</em></a> (Penn State Press, 2021) by Dr. Stephanie Larson interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Dr. Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice.</p><p>Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Dr. Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by systems of power—patriarchy, white supremacy, ableism, and heteronormativity. Interrogating how these systems work to propagate masculine commitments to “science” and “hard evidence,” Dr. Larson finds that US culture holds a general mistrust of testimony by women, stereotyping it as “emotional.” But she also gives us hope for change, arguing that testimonies grounded in the bodily, material expression of violation are necessary for giving voice to victims of sexual violence and presenting, accurately, the scale of these crimes. Larson makes a case for visceral rhetorics, theorizing them as powerful forms of communication and persuasion.</p><p>Demonstrating the communicative power of bodily feeling, Dr. Larson challenges the long-held commitment to detached, distant, rationalized discourses of sexual harassment and rape. Timely and poignant, the book offers a much-needed corrective to our legal and political discourses.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2846</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3c47b488-62fb-11ee-97fe-23e271204e0e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6285772834.mp3?updated=1696454961" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua May, "Neuroethics: Agency in the Age of Brain Science" (Oxford UP, 2023)</title>
      <description>Is free will an illusion? Is addiction a brain disease? Should we enhance our brains beyond normal? Neuroethics: Agency in the Age of Brain Science (Oxford UP, 2023) blends philosophical analysis with modern brain science to address these and other critical questions through captivating cases. The result is a nuanced view of human agency as surprisingly diverse and flexible. With a lively and accessible writing style, Neuroethics is an indispensable resource for students and scholars in both the sciences and humanities.
Joshua May is Associate Professor of Philosophy and Psychology at the University of Alabama at Birmingham. He is the author of Regard for Reason in the Moral Mind (Oxford University Press, 2018) and co-editor of Agency in Mental Disorder (Oxford University Press, 2022).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua May</itunes:subtitle>
      <itunes:summary>Is free will an illusion? Is addiction a brain disease? Should we enhance our brains beyond normal? Neuroethics: Agency in the Age of Brain Science (Oxford UP, 2023) blends philosophical analysis with modern brain science to address these and other critical questions through captivating cases. The result is a nuanced view of human agency as surprisingly diverse and flexible. With a lively and accessible writing style, Neuroethics is an indispensable resource for students and scholars in both the sciences and humanities.
Joshua May is Associate Professor of Philosophy and Psychology at the University of Alabama at Birmingham. He is the author of Regard for Reason in the Moral Mind (Oxford University Press, 2018) and co-editor of Agency in Mental Disorder (Oxford University Press, 2022).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is free will an illusion? Is addiction a brain disease? Should we enhance our brains beyond normal? <a href="https://bookshop.org/a/12343/9780197648094"><em>Neuroethics: Agency in the Age of Brain Science</em></a> (Oxford UP, 2023) blends philosophical analysis with modern brain science to address these and other critical questions through captivating cases. The result is a nuanced view of human agency as surprisingly diverse and flexible. With a lively and accessible writing style, <em>Neuroethics</em> is an indispensable resource for students and scholars in both the sciences and humanities.</p><p>Joshua May is Associate Professor of Philosophy and Psychology at the University of Alabama at Birmingham. He is the author of Regard for Reason in the Moral Mind (Oxford University Press, 2018) and co-editor of Agency in Mental Disorder (Oxford University Press, 2022).</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3313</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dd9af94e-5f04-11ee-bb05-fb5f507f3cc7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR9028208322.mp3?updated=1696018729" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sharon Patricia Holland, "an other: a black feminist consideration of animal life" (Duke UP, 2023)</title>
      <description>In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.
Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022.
Callie Smith, PhD. is a museum educator and poet based in Louisiana.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sharon Patricia Holland</itunes:subtitle>
      <itunes:summary>In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.
Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022.
Callie Smith, PhD. is a museum educator and poet based in Louisiana.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/an-other"><em>an other: a black feminist examination of animal life</em></a> (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.</p><p><a href="https://americanstudies.unc.edu/sharon-p-holland/">Sharon P. Holland</a> (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022.</p><p><em>Callie Smith, PhD. is a museum educator and poet based in Louisiana.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4177</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2585544648.mp3?updated=1696330927" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Visibility</title>
      <description>In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides!
In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich’s 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa’s Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images.
Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out!
Because the amazing images Margaret talks about were drawn recently, they’re still in copyright. Our image this week is from Gladys Parker’s comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/af96f04c-645f-11ee-9f10-4349e4dd53da/image/eced2b.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Margaret Galvan</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides!
In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich’s 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa’s Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images.
Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out!
Because the amazing images Margaret talks about were drawn recently, they’re still in copyright. Our image this week is from Gladys Parker’s comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides!</p><p>In the episode, she discusses the photography of <a href="https://www.moma.org/artists/7532">Nan Goldin</a> and queer comic books in the 1980s. She quotes Adrienne Rich’s 1980 essay “<a href="https://posgrado.unam.mx/musica/lecturas/Maus/viernes/AdrienneRichCompulsoryHeterosexuality.pdf">Compulsory Heterosexuality and Lesbian Existence</a>.” She also references <a href="https://sunypress.edu/Books/T/This-Bridge-Called-My-Back-Fourth-Edition"><em>This Bridge Called My Back: Writings By Radical Women of Color</em></a><em>, </em>and Gloria Anzaldúa’s <a href="https://www.auntlute.com/borderlands"><em>Borderlands/La Frontera</em></a><em>. </em>At the end of the episode she references the Lesbian Avengers, who have <a href="http://www.lesbianavengers.com/images.shtml">amazing images</a>.</p><p><a href="https://margaretgalvan.org/">Margaret Galvan</a> is an assistant professor of English at the <a href="https://english.ufl.edu/margaret-galvan/">University of Florida</a>. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book <a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><em>In Visible Archives: Queer and Feminist Visual Culture in the 1980s</em></a>, is out this fall from<a href="https://www.upress.umn.edu/"> University of Minnesota Press</a>‘s<a href="https://manifold.umn.edu/project/in-visible-archives-of-the-1980s"> Manifold Scholarship Series</a>. You should go check it out!</p><p>Because the amazing images Margaret talks about were drawn recently, they’re still in copyright. Our image this week is from Gladys Parker’s comic <a href="https://en.wikipedia.org/wiki/Mopsy"><em>Mopsy</em></a> which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>981</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>S. D. Chrostowska, "Utopia in the Age of Survival: Between Myth and Politics" (Stanford UP, 2021)</title>
      <description>A pathbreaking exploration of the fate of utopia in our troubled times, this book shows how the historically intertwined endeavors of utopia and critique might be leveraged in response to humanity's looming existential challenges.
Utopia in the Age of Survival: Between Myth and Politics (Stanford UP, 2021) makes the case that critical social theory needs to reinstate utopia as a speculative myth. At the same time the left must reassume utopia as an action-guiding hypothesis—that is, as something still possible. S. D. Chrostowska looks to the vibrant, visionary mid-century resurgence of embodied utopian longings and projections in Surrealism, the Situationist International, and critical theorists writing in their wake, reconstructing utopia's link to survival through to the earliest, most radical phase of the French environmental movement. Survival emerges as the organizing concept for a variety of democratic political forms that center the corporeality of desire in social movements contesting the expanding management of life by state institutions across the globe.
Vigilant and timely, balancing fine-tuned analysis with broad historical overview to map the utopian impulse across contemporary cultural and political life, Chrostowska issues an urgent report on the vitality of utopia.
S.D. Chrostowska is Professor of Humanities and Social &amp; Political Thought at York University. She is the author of Literature on Trial: The Emergence of Critical Discourse in Germany, Poland, and Russia, 1700-1800 (2012), among other titles.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>415</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with S. D. Chrostowska</itunes:subtitle>
      <itunes:summary>A pathbreaking exploration of the fate of utopia in our troubled times, this book shows how the historically intertwined endeavors of utopia and critique might be leveraged in response to humanity's looming existential challenges.
Utopia in the Age of Survival: Between Myth and Politics (Stanford UP, 2021) makes the case that critical social theory needs to reinstate utopia as a speculative myth. At the same time the left must reassume utopia as an action-guiding hypothesis—that is, as something still possible. S. D. Chrostowska looks to the vibrant, visionary mid-century resurgence of embodied utopian longings and projections in Surrealism, the Situationist International, and critical theorists writing in their wake, reconstructing utopia's link to survival through to the earliest, most radical phase of the French environmental movement. Survival emerges as the organizing concept for a variety of democratic political forms that center the corporeality of desire in social movements contesting the expanding management of life by state institutions across the globe.
Vigilant and timely, balancing fine-tuned analysis with broad historical overview to map the utopian impulse across contemporary cultural and political life, Chrostowska issues an urgent report on the vitality of utopia.
S.D. Chrostowska is Professor of Humanities and Social &amp; Political Thought at York University. She is the author of Literature on Trial: The Emergence of Critical Discourse in Germany, Poland, and Russia, 1700-1800 (2012), among other titles.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A pathbreaking exploration of the fate of utopia in our troubled times, this book shows how the historically intertwined endeavors of utopia and critique might be leveraged in response to humanity's looming existential challenges.</p><p><a href="https://bookshop.org/a/12343/9781503629981"><em>Utopia in the Age of Survival: Between Myth and Politics</em></a> (Stanford UP, 2021) makes the case that critical social theory needs to reinstate utopia as a speculative myth. At the same time the left must reassume utopia as an action-guiding hypothesis—that is, as something still possible. S. D. Chrostowska looks to the vibrant, visionary mid-century resurgence of embodied utopian longings and projections in Surrealism, the Situationist International, and critical theorists writing in their wake, reconstructing utopia's link to survival through to the earliest, most radical phase of the French environmental movement. Survival emerges as the organizing concept for a variety of democratic political forms that center the corporeality of desire in social movements contesting the expanding management of life by state institutions across the globe.</p><p>Vigilant and timely, balancing fine-tuned analysis with broad historical overview to map the utopian impulse across contemporary cultural and political life, Chrostowska issues an urgent report on the vitality of utopia.</p><p>S.D. Chrostowska is Professor of Humanities and Social &amp; Political Thought at York University. She is the author of Literature on Trial: The Emergence of Critical Discourse in Germany, Poland, and Russia, 1700-1800 (2012), among other titles.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>John Guillory Professes Criticism (JP, Nick Dames)</title>
      <description>John Guillory (NYU English author of the pathbreaking Cultural Capital) is here to discuss his amazing new Professing Criticism: Essays on the Organization of Literary Study (U Chicago Press, 2022)
He speaks with John and with Nick Dames, co-editor of Public Books, Professor of Humanities at Columbia and most recently author of The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton 2023). The gap between criticism and scholarship looms large, as does the utility of Panofsky's 1940 distinction between "monuments" and "documents." they ask what sorts of cultural documents achieve aesthetic memorability, for good or for ill.
Mentioned in the episode:

W. B Yeats, "Monuments of unageing intellect"; a line from "Sailing to Byzantium" (1933).

George Eliot, in Middlemarch (1871-2): "Would it not be rash to conclude that there was no passion behind those [Samuel Daniels] sonnets to Delia which strike us [nowadays] as the thin music of a mandolin?"

Hannah Arendt, Lectures of Kant's Political Philosophy (1982) on judgment, and how general categories can be brought to bear on particulars.

Willa Cather, The Professor's House (1925)

Randall Jarrell, Pictures from an Institution: A Comedy (1954; John has a short "B-Side" appreciation in Public Books).

Elaine Hadley, Living Liberalism


Pierre Bourdieu, Distinction



Alvin Gouldner , The Future of Intellectuals and the Rise of the New Class (1979)


Listen and Read here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>John Guillory (NYU English author of the pathbreaking Cultural Capital) is here to discuss his amazing new Professing Criticism: Essays on the Organization of Literary Study (U Chicago Press, 2022)
He speaks with John and with Nick Dames, co-editor of Public Books, Professor of Humanities at Columbia and most recently author of The Chapter: A Segmented History from Antiquity to the Twenty-First Century (Princeton 2023). The gap between criticism and scholarship looms large, as does the utility of Panofsky's 1940 distinction between "monuments" and "documents." they ask what sorts of cultural documents achieve aesthetic memorability, for good or for ill.
Mentioned in the episode:

W. B Yeats, "Monuments of unageing intellect"; a line from "Sailing to Byzantium" (1933).

George Eliot, in Middlemarch (1871-2): "Would it not be rash to conclude that there was no passion behind those [Samuel Daniels] sonnets to Delia which strike us [nowadays] as the thin music of a mandolin?"

Hannah Arendt, Lectures of Kant's Political Philosophy (1982) on judgment, and how general categories can be brought to bear on particulars.

Willa Cather, The Professor's House (1925)

Randall Jarrell, Pictures from an Institution: A Comedy (1954; John has a short "B-Side" appreciation in Public Books).

Elaine Hadley, Living Liberalism


Pierre Bourdieu, Distinction



Alvin Gouldner , The Future of Intellectuals and the Rise of the New Class (1979)


Listen and Read here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://as.nyu.edu/faculty/john-guillory.html">John Guillory</a> (NYU English author of the pathbreaking <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo3634644.html"><em>Cultural Capital</em></a>) is here to discuss his amazing new <a href="https://bookshop.org/a/12343/9780226821306"><em>Professing Criticism: Essays on the Organization of Literary Study</em></a> (U Chicago Press, 2022)</p><p>He speaks with John and with <a href="https://english.columbia.edu/content/nicholas-dames">Nick Dames</a>, co-editor of <a href="http://publicbooks.org/"><em>Public Books</em></a>, Professor of Humanities at Columbia and most recently author of <a href="https://press.princeton.edu/books/hardcover/9780691135199/the-chapter"><em>The Chapter: A Segmented History from Antiquity to the Twenty-First Century</em> (Princeton 2023)</a>. The gap between criticism and scholarship looms large, as does the utility of <a href="https://en.wikipedia.org/wiki/Erwin_Panofsky">Panofsky</a>'s 1940 distinction between "monuments" and "documents." they ask what sorts of cultural documents achieve aesthetic memorability, for good or for ill.</p><p>Mentioned in the episode:</p><ul>
<li>W. B Yeats, "Monuments of unageing intellect"; a line from "<a href="https://www.poetryfoundation.org/poems/43291/sailing-to-byzantium">Sailing to Byzantium</a>" (1933).</li>
<li>George Eliot, in <a href="https://www.gutenberg.org/ebooks/145"><em>Middlemarch</em></a> (1871-2): "Would it not be rash to conclude that there was no passion behind those [Samuel Daniels] sonnets to Delia which strike us [nowadays] as the thin music of a mandolin?"</li>
<li>Hannah Arendt, <a href="https://press.uchicago.edu/ucp/books/book/chicago/L/bo5961567.html"><em>Lectures of Kant's Political Philosophy </em></a>(1982) on judgment, and how general categories can be brought to bear on particulars.</li>
<li>Willa Cather, <a href="https://en.wikipedia.org/wiki/The_Professor%27s_House">The Professor's House</a> (1925)</li>
<li>Randall Jarrell,<a href="https://en.wikipedia.org/wiki/Pictures_from_an_Institution"> Pictures from an Institution: A Comedy </a>(1954; John has <a href="https://www.publicbooks.org/b-sides-randall-jarrells-pictures-from-an-institution/">a short "B-Side" appreciation</a> in Public Books).</li>
<li>Elaine Hadley, <a href="https://press.uchicago.edu/ucp/books/book/chicago/L/bo8627890.html"><em>Living Liberalism</em></a>
</li>
<li>Pierre Bourdieu,<a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674212770"> <em>Distinction</em></a>
</li>
<li>
<a href="https://en.wikipedia.org/wiki/Alvin_Gouldner">Alvin Gouldner</a> , <a href="https://www.amazon.com/Future-Intellectuals-Rise-New-Class/dp/0816493588">The Future of Intellectuals and the Rise of the New Class</a> (1979)</li>
</ul><p><br></p><p>Listen and <a href="https://recallthisbookorg.files.wordpress.com/2023/10/rtb-guillory-dames-professing-transcript-9.23.pdf">Read</a> here.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2503</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4305509475.mp3?updated=1696442857" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maxine Berg and Pat Hudson, "Slavery, Capitalism and the Industrial Revolution" (Polity, 2023)</title>
      <description>In their remarkable new book Slavery, Capitalism, and the Industrial Revolution (Polity, 2023), Professor Maxine Berg and Professor Pat Hudson “follow the money” to document in revealing detail the role of slavery in the making of Britain’s industrial revolution. Slavery was not just a source of wealth for a narrow circle of slave owners who built grand country houses and filled them with luxuries. The forces set in motion by the slave and plantation trades seeped into almost every aspect of the economy and society.
In textile mills, iron and copper smelting, steam power, and financial institutions, slavery played a crucial part. Things we might think far removed from the taint of slavery, like 18th century fashions for indigo- patterned cloth, sweet tea, snuff boxes, mahogany furniture, ceramics and silverware, were intimately connected. Even London’s role as a centre for global finance was partly determined by the slave trade as insurance, financial trading and mortgage markets were developed in the City to promote distant and risky investments in enslaved people.
The result is a bold and unflinching account of how Britain became a global superpower, and how the legacy of slavery persists. Acknowledging Britain’s role in slavery is not just about toppling statues and renaming streets. We urgently need to come to terms with slavery’s inextricable links with Western capitalism, and the ways in which many of us continue to benefit from slavery to this day.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1368</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maxine Berg and Pat Hudson</itunes:subtitle>
      <itunes:summary>In their remarkable new book Slavery, Capitalism, and the Industrial Revolution (Polity, 2023), Professor Maxine Berg and Professor Pat Hudson “follow the money” to document in revealing detail the role of slavery in the making of Britain’s industrial revolution. Slavery was not just a source of wealth for a narrow circle of slave owners who built grand country houses and filled them with luxuries. The forces set in motion by the slave and plantation trades seeped into almost every aspect of the economy and society.
In textile mills, iron and copper smelting, steam power, and financial institutions, slavery played a crucial part. Things we might think far removed from the taint of slavery, like 18th century fashions for indigo- patterned cloth, sweet tea, snuff boxes, mahogany furniture, ceramics and silverware, were intimately connected. Even London’s role as a centre for global finance was partly determined by the slave trade as insurance, financial trading and mortgage markets were developed in the City to promote distant and risky investments in enslaved people.
The result is a bold and unflinching account of how Britain became a global superpower, and how the legacy of slavery persists. Acknowledging Britain’s role in slavery is not just about toppling statues and renaming streets. We urgently need to come to terms with slavery’s inextricable links with Western capitalism, and the ways in which many of us continue to benefit from slavery to this day.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their remarkable new book <a href="https://bookshop.org/a/12343/9781509552689"><em>Slavery, Capitalism, and the Industrial Revolution</em></a> (Polity, 2023), Professor Maxine Berg and Professor Pat Hudson “follow the money” to document in revealing detail the role of slavery in the making of Britain’s industrial revolution. Slavery was not just a source of wealth for a narrow circle of slave owners who built grand country houses and filled them with luxuries. The forces set in motion by the slave and plantation trades seeped into almost every aspect of the economy and society.</p><p>In textile mills, iron and copper smelting, steam power, and financial institutions, slavery played a crucial part. Things we might think far removed from the taint of slavery, like 18th century fashions for indigo- patterned cloth, sweet tea, snuff boxes, mahogany furniture, ceramics and silverware, were intimately connected. Even London’s role as a centre for global finance was partly determined by the slave trade as insurance, financial trading and mortgage markets were developed in the City to promote distant and risky investments in enslaved people.</p><p>The result is a bold and unflinching account of how Britain became a global superpower, and how the legacy of slavery persists. Acknowledging Britain’s role in slavery is not just about toppling statues and renaming streets. We urgently need to come to terms with slavery’s inextricable links with Western capitalism, and the ways in which many of us continue to benefit from slavery to this day.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5752</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b412127c-5ec5-11ee-a0d3-dfed62f47a9c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7135390491.mp3?updated=1695992577" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Naisargi N. Davé, "Indifference: On the Praxis of Interspecies Being" (Duke UP, 2023)</title>
      <description>In Indifference: On the Praxis of Interspecies Being (Duke UP, 2023), Naisargi N. Davé examines the complex worlds of animalists and animalism in India. Through ethnographic fieldwork with animal healers, animal activists, farmers, laborers, transporters, and animals themselves, and moving across animal shelters and dairy farms to city streets and abattoirs, Davé shows how human-animal relations often manifest through care and violence. More surprisingly, what Davé also finds animating interspecies relationality in India is an ethic of indifference---that is, an orientation of mutual regard rather than curiosity, love, desire, or animus. For Davé, indifference is a respect for others in their otherness that allows human and nonhuman animals to flourish in immanent encounters. Indifference, then, becomes the basis for an interspecies ethics and a method of care and practice in everyday life. With indifference, Davé describes both a mode of relationality in the world and a scholarly approach: seeking what is possible when we approach ethico-political concepts with indifference rather than commitment or antagonism. Moments of indifference, Davé contends, offer the promise of otherwise worlds.
Shraddha Chatterjee is a postdoctoral Visiting Scholar at University of Houston, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Oct 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Naisargi N. Davé</itunes:subtitle>
      <itunes:summary>In Indifference: On the Praxis of Interspecies Being (Duke UP, 2023), Naisargi N. Davé examines the complex worlds of animalists and animalism in India. Through ethnographic fieldwork with animal healers, animal activists, farmers, laborers, transporters, and animals themselves, and moving across animal shelters and dairy farms to city streets and abattoirs, Davé shows how human-animal relations often manifest through care and violence. More surprisingly, what Davé also finds animating interspecies relationality in India is an ethic of indifference---that is, an orientation of mutual regard rather than curiosity, love, desire, or animus. For Davé, indifference is a respect for others in their otherness that allows human and nonhuman animals to flourish in immanent encounters. Indifference, then, becomes the basis for an interspecies ethics and a method of care and practice in everyday life. With indifference, Davé describes both a mode of relationality in the world and a scholarly approach: seeking what is possible when we approach ethico-political concepts with indifference rather than commitment or antagonism. Moments of indifference, Davé contends, offer the promise of otherwise worlds.
Shraddha Chatterjee is a postdoctoral Visiting Scholar at University of Houston, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478020158"><em>Indifference: On the Praxis of Interspecies Being </em></a>(Duke UP, 2023), Naisargi N. Davé examines the complex worlds of animalists and animalism in India. Through ethnographic fieldwork with animal healers, animal activists, farmers, laborers, transporters, and animals themselves, and moving across animal shelters and dairy farms to city streets and abattoirs, Davé shows how human-animal relations often manifest through care and violence. More surprisingly, what Davé also finds animating interspecies relationality in India is an ethic of indifference---that is, an orientation of mutual regard rather than curiosity, love, desire, or animus. For Davé, indifference is a respect for others in their otherness that allows human and nonhuman animals to flourish in immanent encounters. Indifference, then, becomes the basis for an interspecies ethics and a method of care and practice in everyday life. With indifference, Davé describes both a mode of relationality in the world and a scholarly approach: seeking what is possible when we approach ethico-political concepts with indifference rather than commitment or antagonism. Moments of indifference, Davé contends, offer the promise of otherwise worlds.</p><p><em>Shraddha Chatterjee is a postdoctoral Visiting Scholar at University of Houston, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4358</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a927f1f4-5e3b-11ee-91e5-d3bed3b3580d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4541397865.mp3?updated=1695933427" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melanie Williams, "A Taste of Honey" (Bloomsbury, 2023)</title>
      <description>What makes a film a classic? In A Taste of Honey (Bloomsbury, 2023), published as part of the BFI Film Classics series, Melanie Williams, a Professor of Film and Television Studies in the School of Art, Media and American Studies at the University of East Anglia, tells the story of the films production and reception. The book explores the key themes of the film situating ideas of class, gender, race, and sexuality in both a historical context as well as thinking through the contemporary and continuing relevance of the film. Adding new insights to an overview of the existing critical responses, the book will be of interest across the arts and humanities, as well as for anyone interested in one of British cinema’s most important films.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 01 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>413</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melanie Williams</itunes:subtitle>
      <itunes:summary>What makes a film a classic? In A Taste of Honey (Bloomsbury, 2023), published as part of the BFI Film Classics series, Melanie Williams, a Professor of Film and Television Studies in the School of Art, Media and American Studies at the University of East Anglia, tells the story of the films production and reception. The book explores the key themes of the film situating ideas of class, gender, race, and sexuality in both a historical context as well as thinking through the contemporary and continuing relevance of the film. Adding new insights to an overview of the existing critical responses, the book will be of interest across the arts and humanities, as well as for anyone interested in one of British cinema’s most important films.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What makes a film a classic? In <a href="https://bookshop.org/a/12343/9781839021558"><em>A Taste of Honey</em></a> (Bloomsbury, 2023), published as part of the BFI Film Classics series, <a href="https://twitter.com/BritFilmMelanie">Melanie Williams</a>, a <a href="https://research-portal.uea.ac.uk/en/persons/melanie-williams">Professor of Film and Television Studies in the School of Art, Media and American Studies at the University of East Anglia</a>, tells the story of the films production and reception. The book explores the key themes of the film situating ideas of class, gender, race, and sexuality in both a historical context as well as thinking through the contemporary and continuing relevance of the film. Adding new insights to an overview of the existing critical responses, the book will be of interest across the arts and humanities, as well as for anyone interested in one of British cinema’s most important films.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2306</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ad5e3b72-5ca9-11ee-ac81-c7bcbbcffce2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR1094438339.mp3?updated=1695760078" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin F. Adler and Donald W. Burnes, "When We Walk By: Forgotten Humanity, Broken Systems, and the Role We Can Each Play in Ending Homelessness in America" (North Atlantic Books, 2023)</title>
      <description>Think about the last time that you saw or interacted with an unhoused person. What did you do? What did you say? Did you offer money or a smile, or did you avert your gaze? 
When We Walk By: Forgotten Humanity, Broken Systems, and the Role We Can Each Play in Ending Homelessness in America (North Atlantic Books, 2023) takes an urgent look at homelessness in America, showing us what we lose—in ourselves and as a society—when we choose to walk past and ignore our neighbors in shelters, insecure housing, or on the streets. And it brilliantly shows what we stand to gain when we embrace our humanity and move toward evidence-based people-first, community-driven solutions, offering social analysis, economic and political histories, and the real stories of unhoused people. Authors Kevin F. Adler and Donald W. Burnes, with Amanda Banh and Andrijana Bilbija, recast chronic homelessness in the U.S. as a byproduct of twin crises: our social services systems are failing, and so is our humanity. A necessary, deeply humanizing read that goes beyond theory and policy analysis to offer engaged solutions with compassion and heart, When We Walk By is a must-read for anyone who cares about homelessness, housing solutions, and their own humanity.
Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 01 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin F. Adler</itunes:subtitle>
      <itunes:summary>Think about the last time that you saw or interacted with an unhoused person. What did you do? What did you say? Did you offer money or a smile, or did you avert your gaze? 
When We Walk By: Forgotten Humanity, Broken Systems, and the Role We Can Each Play in Ending Homelessness in America (North Atlantic Books, 2023) takes an urgent look at homelessness in America, showing us what we lose—in ourselves and as a society—when we choose to walk past and ignore our neighbors in shelters, insecure housing, or on the streets. And it brilliantly shows what we stand to gain when we embrace our humanity and move toward evidence-based people-first, community-driven solutions, offering social analysis, economic and political histories, and the real stories of unhoused people. Authors Kevin F. Adler and Donald W. Burnes, with Amanda Banh and Andrijana Bilbija, recast chronic homelessness in the U.S. as a byproduct of twin crises: our social services systems are failing, and so is our humanity. A necessary, deeply humanizing read that goes beyond theory and policy analysis to offer engaged solutions with compassion and heart, When We Walk By is a must-read for anyone who cares about homelessness, housing solutions, and their own humanity.
Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Think about the last time that you saw or interacted with an unhoused person. What did you do? What did you say? Did you offer money or a smile, or did you avert your gaze? </p><p><a href="https://bookshop.org/a/12343/9781623178840"><em>When We Walk By: Forgotten Humanity, Broken Systems, and the Role We Can Each Play in Ending Homelessness in America</em></a><em> </em>(North Atlantic Books, 2023) takes an urgent look at homelessness in America, showing us what we lose—in ourselves and as a society—when we choose to walk past and ignore our neighbors in shelters, insecure housing, or on the streets. And it brilliantly shows what we stand to gain when we embrace our humanity and move toward evidence-based people-first, community-driven solutions, offering social analysis, economic and political histories, and the real stories of unhoused people. Authors Kevin F. Adler and Donald W. Burnes, with Amanda Banh and Andrijana Bilbija, recast chronic homelessness in the U.S. as a byproduct of twin crises: our social services systems are failing, and so is our humanity. A necessary, deeply humanizing read that goes beyond theory and policy analysis to offer engaged solutions with compassion and heart, When We Walk By is a must-read for anyone who cares about homelessness, housing solutions, and their own humanity.</p><p><a href="https://www.linkedin.com/in/stephenpimpare/"><em>Stephen Pimpare</em></a><em> is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1806</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Joo Ok Kim, "Warring Genealogies: Race, Kinship, and the Korean War" (Temple UP, 2022)</title>
      <description>“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War. 
Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020).
﻿Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 30 Sep 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joo Ok Kim</itunes:subtitle>
      <itunes:summary>“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, Warring Genealogies: Race, Kinship, and the Korean War (Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War. 
Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020).
﻿Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“[W]hat is our relationship to the Korean War and to the affinities” of different institutions that produce knowledge about the Korean War? (130) In her book, <a href="https://bookshop.org/a/12343/9781439920589"><em>Warring Genealogies: Race, Kinship, and the Korean War</em></a><em> </em>(Temple UP, 2022), Joo Ok Kim “conceptualizes racialized formations of kinship emerging from the Korean War as a problem of knowledge” (4). Through a close reading of Chicanx and Asian American cultural productions as well as archives produced by white penitentiary prisoners and the United Daughters of the Confederacy, Joo Ok considers how Chicanx and Korean diasporic works critique white supremacist expressions of kinship that emerge from the official memorialization about the war. Further critiquing the division in disciplines and periodization in academia that forecloses discussions about colonialism spanning multiple geographic locations and temporalities, Joo Ok examines how queer hermeneutic helps us to reconsider “minor” and humble instances of kinships between Asian-Latino cultural productions. This book will be a wonderful addition to any interdisciplinary scholarship that critically thinks about US militarism, knowledge production, and the Korean War, as well as anyone who is interested in learning more about the Korean War. </p><p>Joo Ok Kim is an assistant professor of cultural studies at UCSD, and her research and teaching interests include transpacific critique, literatures and cultures of the Korean War, and United States multiethnic literature and culture. Her selected publications include Warring Genealogies: Race, Kinship, and the Korean War (Temple University Press, 2022), which is part of Critical Race, Indigeneity, and Relationality Series, and contributions to “Keywords for Comics Studies” (2021), a special issue of Verge: Studies in Global Asias, and a special issue of MELUS: Multi-Ethnic Literature of the United States (2020).</p><p><em>﻿Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3023</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[520f69f6-5edb-11ee-9337-ffc80fdb886e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3482856565.mp3?updated=1696001083" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael D. Smith, "The Abundant University: Remaking Higher Education for a Digital World" (MIT Press, 2023)</title>
      <description>For too long, our system of higher education has been defined by scarcity: scarcity in enrollment, scarcity in instruction, and scarcity in credentials. In addition to failing students professionally, this system has exacerbated social injustice and socioeconomic stratification across the globe. In The Abundant University, Michael D. Smith argues that the only way to create a financially and morally sustainable higher education system is by embracing digital technologies for enrolling, instructing, and credentialing students—the same technologies that we have seen create abundance in access to resources in industry after industry.
The Abundant University: Remaking Higher Education for a Digital World (MIT Press, 2023) explains how we got our current system, why it’s such an expensive, inefficient mess, and how a system based on exclusivity cannot foster inclusivity. Smith challenges the resistance to digital technologies that we have already seen among numerous institutions, citing the examples of faculty resistance toward digital learning platforms. While acknowledging the understandable self-preservation instinct of our current system of residential education, Smith makes a case for how technology can engender greater educational opportunity and create changes that will benefit students, employers, and society as a whole.
Smith, the J. Erik Johnson Chaired Professor of Information Technology and Marketing at Carnegie Mellon University, argues that American higher education is subject to market forces just like any other industry. Forbes says, “With a straightforward, conversational style, Smith succeeds in portraying the current problems bearing down on higher education and offering a set of bold solutions for a future where he envisions a college education becoming ‘more open, flexible, inclusive, and lower-priced.’ The Abundant University is a provocative book that should be read by higher ed insiders as well as those in the general public who care about expanding the reach and the impact of higher education.”
John Emrich has worked for decades in corporate finance, investment management, and corporate strategy. He has a podcast about the investment advisory industry called Kick the Dogma.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael D. Smith</itunes:subtitle>
      <itunes:summary>For too long, our system of higher education has been defined by scarcity: scarcity in enrollment, scarcity in instruction, and scarcity in credentials. In addition to failing students professionally, this system has exacerbated social injustice and socioeconomic stratification across the globe. In The Abundant University, Michael D. Smith argues that the only way to create a financially and morally sustainable higher education system is by embracing digital technologies for enrolling, instructing, and credentialing students—the same technologies that we have seen create abundance in access to resources in industry after industry.
The Abundant University: Remaking Higher Education for a Digital World (MIT Press, 2023) explains how we got our current system, why it’s such an expensive, inefficient mess, and how a system based on exclusivity cannot foster inclusivity. Smith challenges the resistance to digital technologies that we have already seen among numerous institutions, citing the examples of faculty resistance toward digital learning platforms. While acknowledging the understandable self-preservation instinct of our current system of residential education, Smith makes a case for how technology can engender greater educational opportunity and create changes that will benefit students, employers, and society as a whole.
Smith, the J. Erik Johnson Chaired Professor of Information Technology and Marketing at Carnegie Mellon University, argues that American higher education is subject to market forces just like any other industry. Forbes says, “With a straightforward, conversational style, Smith succeeds in portraying the current problems bearing down on higher education and offering a set of bold solutions for a future where he envisions a college education becoming ‘more open, flexible, inclusive, and lower-priced.’ The Abundant University is a provocative book that should be read by higher ed insiders as well as those in the general public who care about expanding the reach and the impact of higher education.”
John Emrich has worked for decades in corporate finance, investment management, and corporate strategy. He has a podcast about the investment advisory industry called Kick the Dogma.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For too long, our system of higher education has been defined by scarcity: scarcity in enrollment, scarcity in instruction, and scarcity in credentials. In addition to failing students professionally, this system has exacerbated social injustice and socioeconomic stratification across the globe. In <em>The Abundant University</em>, Michael D. Smith argues that the only way to create a financially and morally sustainable higher education system is by embracing digital technologies for enrolling, instructing, and credentialing students—the same technologies that we have seen create abundance in access to resources in industry after industry.</p><p><a href="https://bookshop.org/a/12343/9780262048552"><em>The Abundant University: Remaking Higher Education for a Digital World</em></a><em> </em>(MIT Press, 2023) explains how we got our current system, why it’s such an expensive, inefficient mess, and how a system based on exclusivity cannot foster inclusivity. Smith challenges the resistance to digital technologies that we have already seen among numerous institutions, citing the examples of faculty resistance toward digital learning platforms. While acknowledging the understandable self-preservation instinct of our current system of residential education, Smith makes a case for how technology can engender greater educational opportunity and create changes that will benefit students, employers, and society as a whole.</p><p>Smith, the J. Erik Johnson Chaired Professor of Information Technology and Marketing at Carnegie Mellon University, argues that American higher education is subject to market forces just like any other industry. Forbes says, “With a straightforward, conversational style, Smith succeeds in portraying the current problems bearing down on higher education and offering a set of bold solutions for a future where he envisions a college education becoming ‘more open, flexible, inclusive, and lower-priced.’ <em>The Abundant University</em> is a provocative book that should be read by higher ed insiders as well as those in the general public who care about expanding the reach and the impact of higher education.”</p><p><em>John Emrich has worked for decades in corporate finance, investment management, and corporate strategy. He has a podcast about the investment advisory industry called</em> <a href="https://www.ktdpod.com/podcasts">Kick the Dogma</a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3585</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Michael D. Gordin, "Pseudoscience: A Very Short Introduction" (Oxford UP, 2023)</title>
      <description>Everyone has heard of the term "pseudoscience," typically used to describe something that looks like science, but is somehow false, misleading, or unproven. Many would be able to agree on a list of things that fall under its umbrella - astrology, phrenology, UFOlogy, creationism, and eugenics might come to mind. But defining what makes these fields “pseudo” is a far more complex issue. It has proved impossible to come up with a simple criterion that enables us to differentiate pseudoscience from genuine science. Given the virulence of contemporary disputes over the denial of climate change and anti-vaccination movements - both of which display allegations of “pseudoscience” on all sides - there is a clear need to better understand issues of scientific demarcation.
Pseudoscience: A Very Short Introduction (Oxford UP, 2023) explores the philosophical and historical attempts to address this problem of demarcation. This book argues that by understanding doctrines that are often seen as antithetical to science, we can learn a great deal about how science operated in the past and does today. This exploration raises several questions: How does a doctrine become demonized as pseudoscientific? Who has the authority to make these pronouncements? How is the status of science shaped by political or cultural contexts? How does pseudoscience differ from scientific fraud?
Pseudoscience: A Very Short Introduction both answers these questions and guides readers along a bewildering array of marginalized doctrines, looking at parapsychology (ESP), Lysenkoism, scientific racism, and alchemy, among others, to better understand the struggle to define what science is and is not, and how the controversies have shifted over the centuries. Pseudoscience: A Very Short Introduction provides a historical tour through many of these fringe fields in order to provide tools to think deeply about scientific controversies both in the past and in our present.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael D. Gordin</itunes:subtitle>
      <itunes:summary>Everyone has heard of the term "pseudoscience," typically used to describe something that looks like science, but is somehow false, misleading, or unproven. Many would be able to agree on a list of things that fall under its umbrella - astrology, phrenology, UFOlogy, creationism, and eugenics might come to mind. But defining what makes these fields “pseudo” is a far more complex issue. It has proved impossible to come up with a simple criterion that enables us to differentiate pseudoscience from genuine science. Given the virulence of contemporary disputes over the denial of climate change and anti-vaccination movements - both of which display allegations of “pseudoscience” on all sides - there is a clear need to better understand issues of scientific demarcation.
Pseudoscience: A Very Short Introduction (Oxford UP, 2023) explores the philosophical and historical attempts to address this problem of demarcation. This book argues that by understanding doctrines that are often seen as antithetical to science, we can learn a great deal about how science operated in the past and does today. This exploration raises several questions: How does a doctrine become demonized as pseudoscientific? Who has the authority to make these pronouncements? How is the status of science shaped by political or cultural contexts? How does pseudoscience differ from scientific fraud?
Pseudoscience: A Very Short Introduction both answers these questions and guides readers along a bewildering array of marginalized doctrines, looking at parapsychology (ESP), Lysenkoism, scientific racism, and alchemy, among others, to better understand the struggle to define what science is and is not, and how the controversies have shifted over the centuries. Pseudoscience: A Very Short Introduction provides a historical tour through many of these fringe fields in order to provide tools to think deeply about scientific controversies both in the past and in our present.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Everyone has heard of the term "pseudoscience," typically used to describe something that looks like science, but is somehow false, misleading, or unproven. Many would be able to agree on a list of things that fall under its umbrella - astrology, phrenology, UFOlogy, creationism, and eugenics might come to mind. But defining what makes these fields “pseudo” is a far more complex issue. It has proved impossible to come up with a simple criterion that enables us to differentiate pseudoscience from genuine science. Given the virulence of contemporary disputes over the denial of climate change and anti-vaccination movements - both of which display allegations of “pseudoscience” on all sides - there is a clear need to better understand issues of scientific demarcation.</p><p><a href="https://bookshop.org/a/12343/9780190944421"><em>Pseudoscience: A Very Short Introduction</em></a><em> </em>(Oxford UP, 2023) explores the philosophical and historical attempts to address this problem of demarcation. This book argues that by understanding doctrines that are often seen as antithetical to science, we can learn a great deal about how science operated in the past and does today. This exploration raises several questions: How does a doctrine become demonized as pseudoscientific? Who has the authority to make these pronouncements? How is the status of science shaped by political or cultural contexts? How does pseudoscience differ from scientific fraud?</p><p><em>Pseudoscience: A Very Short</em> Introduction both answers these questions and guides readers along a bewildering array of marginalized doctrines, looking at parapsychology (ESP), Lysenkoism, scientific racism, and alchemy, among others, to better understand the struggle to define what science is and is not, and how the controversies have shifted over the centuries. Pseudoscience: A Very Short Introduction provides a historical tour through many of these fringe fields in order to provide tools to think deeply about scientific controversies both in the past and in our present.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3897</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Alda Balthrop-Lewis, "Thoreau's Religion: Walden Woods, Social Justice, and the Politics of Asceticism" (Cambridge UP, 2021)</title>
      <description>Balthrop-Lewis's Thoreau's Religion: Walden Woods, Social Justice, and the Politics of Asceticism (Cambridge UP, 2021) presents a ground-breaking interpretation of Henry David Thoreau's most famous book, Walden. Rather than treating Walden Woods as a lonely wilderness, Balthrop-Lewis demonstrates that Thoreau's ascetic life was a form of religious practice dedicated to cultivating a just, multispecies community. The book makes an important contribution to scholarship in religious studies, political theory, English, environmental studies, and critical theory by offering the first sustained reading of Thoreau's religiously motivated politics. In Balthrop-Lewis's vision, practices of renunciation like Thoreau's can contribute to reforming social and political life. This book transforms Thoreau's image, making him a vital source for a world beset by inequality and climate change. Balthrop-Lewis argues for an environmental politics in which ecological flourishing is impossible without economic and social justice.
Alda Balthrop-Lewis is a Research Fellow at the Institute for Religion and Critical Inquiry at Australian Catholic University, Melbourne. She holds a Ph.D. in Religion from Princeton University and has taught Religious Studies at Brown University. Her research, which focuses on religious ethics and the circulation of ideas among theological, artistic, and popular idioms, has appeared in the Journal of the American Academy of Religion and the Journal of Religious Ethics.
Ilana Maymind is a lecturer at the Religious Studies Department at Chapman University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 25 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>172</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alda Balthrop-Lewis</itunes:subtitle>
      <itunes:summary>Balthrop-Lewis's Thoreau's Religion: Walden Woods, Social Justice, and the Politics of Asceticism (Cambridge UP, 2021) presents a ground-breaking interpretation of Henry David Thoreau's most famous book, Walden. Rather than treating Walden Woods as a lonely wilderness, Balthrop-Lewis demonstrates that Thoreau's ascetic life was a form of religious practice dedicated to cultivating a just, multispecies community. The book makes an important contribution to scholarship in religious studies, political theory, English, environmental studies, and critical theory by offering the first sustained reading of Thoreau's religiously motivated politics. In Balthrop-Lewis's vision, practices of renunciation like Thoreau's can contribute to reforming social and political life. This book transforms Thoreau's image, making him a vital source for a world beset by inequality and climate change. Balthrop-Lewis argues for an environmental politics in which ecological flourishing is impossible without economic and social justice.
Alda Balthrop-Lewis is a Research Fellow at the Institute for Religion and Critical Inquiry at Australian Catholic University, Melbourne. She holds a Ph.D. in Religion from Princeton University and has taught Religious Studies at Brown University. Her research, which focuses on religious ethics and the circulation of ideas among theological, artistic, and popular idioms, has appeared in the Journal of the American Academy of Religion and the Journal of Religious Ethics.
Ilana Maymind is a lecturer at the Religious Studies Department at Chapman University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Balthrop-Lewis's <a href="https://bookshop.org/a/12343/9781108799676"><em>Thoreau's Religion: Walden Woods, Social Justice, and the Politics of Asceticism</em></a><em> </em>(Cambridge UP, 2021) presents a ground-breaking interpretation of Henry David Thoreau's most famous book, <em>Walden.</em> Rather than treating Walden Woods as a lonely wilderness, Balthrop-Lewis demonstrates that Thoreau's ascetic life was a form of religious practice dedicated to cultivating a just, multispecies community. The book makes an important contribution to scholarship in religious studies, political theory, English, environmental studies, and critical theory by offering the first sustained reading of Thoreau's religiously motivated politics. In Balthrop-Lewis's vision, practices of renunciation like Thoreau's can contribute to reforming social and political life. This book transforms Thoreau's image, making him a vital source for a world beset by inequality and climate change. Balthrop-Lewis argues for an environmental politics in which ecological flourishing is impossible without economic and social justice.</p><p>Alda Balthrop-Lewis is a Research Fellow at the Institute for Religion and Critical Inquiry at Australian Catholic University, Melbourne. She holds a Ph.D. in Religion from Princeton University and has taught Religious Studies at Brown University. Her research, which focuses on religious ethics and the circulation of ideas among theological, artistic, and popular idioms, has appeared in the Journal of the American Academy of Religion and the Journal of Religious Ethics.</p><p><a href="https://www.linkedin.com/in/ilana-maymind-81bb52239/"><em>Ilana Maymind</em></a><em> is a lecturer at the Religious Studies Department at Chapman University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2311</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f1fbe00c-5a12-11ee-ad08-ab95cce99550]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6286028765.mp3?updated=1695475247" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>C. J. Pascoe, "Nice Is Not Enough: Inequality and the Limits of Kindness at American High" (U California Press, 2023)</title>
      <description>Nice is not enough: Inequality and the Limits of Kindness at American High (University of California Press, 2023) by Dr. C. J. Pascoe is a provocative story of contemporary high school that argues that a shallow culture of kindness can do more lasting harm than good.
Based on two years of research, Nice Is Not Enough shares striking dispatches from one high school's "regime of kindness" to underline how the culture operates as a band-aid on persistent inequalities. Through incisive storytelling and thoughtful engagement with students, this brilliant study by Dr. Pascoe exposes uncomfortable truths about American politics and our reliance on individual solutions instead of profound systemic change.
Nice Is Not Enough brings readers into American High, a middle- and working-class high school characterized by acceptance, connection, and kindness—a place where, a prominent sign states, "there is no room for hate." Here, inequality is narrowly understood as a problem of individual merit, meanness, effort, or emotion rather than a structural issue requiring deeper intervention. Surface-level sensitivity allows American High to avoid "political" topics related to social inequality based on race, sex, gender, or class. Being nice to each other, Dr. Pascoe reveals, does not serve these students or solve the broader issues we face; however, a true politics of care just might.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>309</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with C. J. Pascoe</itunes:subtitle>
      <itunes:summary>Nice is not enough: Inequality and the Limits of Kindness at American High (University of California Press, 2023) by Dr. C. J. Pascoe is a provocative story of contemporary high school that argues that a shallow culture of kindness can do more lasting harm than good.
Based on two years of research, Nice Is Not Enough shares striking dispatches from one high school's "regime of kindness" to underline how the culture operates as a band-aid on persistent inequalities. Through incisive storytelling and thoughtful engagement with students, this brilliant study by Dr. Pascoe exposes uncomfortable truths about American politics and our reliance on individual solutions instead of profound systemic change.
Nice Is Not Enough brings readers into American High, a middle- and working-class high school characterized by acceptance, connection, and kindness—a place where, a prominent sign states, "there is no room for hate." Here, inequality is narrowly understood as a problem of individual merit, meanness, effort, or emotion rather than a structural issue requiring deeper intervention. Surface-level sensitivity allows American High to avoid "political" topics related to social inequality based on race, sex, gender, or class. Being nice to each other, Dr. Pascoe reveals, does not serve these students or solve the broader issues we face; however, a true politics of care just might.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520276437"><em>Nice is not enough: Inequality and the Limits of Kindness at American High</em></a> (University of California Press, 2023) by Dr. C. J. Pascoe is a provocative story of contemporary high school that argues that a shallow culture of kindness can do more lasting harm than good.</p><p>Based on two years of research, <em>Nice Is Not Enough</em> shares striking dispatches from one high school's "regime of kindness" to underline how the culture operates as a band-aid on persistent inequalities. Through incisive storytelling and thoughtful engagement with students, this brilliant study by Dr. Pascoe exposes uncomfortable truths about American politics and our reliance on individual solutions instead of profound systemic change.</p><p><em>Nice Is Not Enough</em> brings readers into American High, a middle- and working-class high school characterized by acceptance, connection, and kindness—a place where, a prominent sign states, "there is no room for hate." Here, inequality is narrowly understood as a problem of individual merit, meanness, effort, or emotion rather than a structural issue requiring deeper intervention. Surface-level sensitivity allows American High to avoid "political" topics related to social inequality based on race, sex, gender, or class. Being nice to each other, Dr. Pascoe reveals, does not serve these students or solve the broader issues we face; however, a true politics of care just might.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3216</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7662805667.mp3?updated=1695069404" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathrin Eitel, "Recycling Infrastructures in Cambodia: Circularity, Waste, and Urban Life in Phnom Penh" (Routledge, 2022)</title>
      <description>Kathrin Eitel's book Recycling Infrastructures in Cambodia: Circularity, Waste, and Urban Life in Phnom Penh (Routledge, 2022) examines the recycling infrastructure in Phnom Penh, Cambodia. It considers the circular flows of waste and practices through 'infracycles', maintenance practices that tinker with the social and capitalist order, and postcolonial ways of doing politics that co-constitute predominant waste fantasies from which naturecultures ooze out, shaping urban life in their own way.
In this context, socially marginalized waste pickers contest the capitalist system by creating tropes about freedom, labor autonomy, and the will to survive. In this regard, they are also meddling about a new social order that represents the fine line Cambodia is sashaying between tradition and modernity. Waste fantasies that are a result of environmental problematizations, however, perpetuate postcolonial ways of doing politics by exuding notions of waste as detached from its sociocultural context. But ultimately, waste slips through the cracks of these dominant imaginaries and global waste reduction models enacting new versions of what waste and the city is, providing opportunities for another future waste policy.
This book is a unique contribution to the field of infrastructure studies emphasizing the importance of perceiving infrastructure as circular in smaller 'infracycles', rather than linear. It will be of interest to researchers in the field of environmental anthropology, science and technology studies, urban studies, and Southeast Asian studies.
The Introduction of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Kathrin Eitel is a Postdoctoral Fellow in the Department of Social Anthropology and Cultural Studies at the University of Zurich.
Professor Michele Ford is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kathrin Eitel</itunes:subtitle>
      <itunes:summary>Kathrin Eitel's book Recycling Infrastructures in Cambodia: Circularity, Waste, and Urban Life in Phnom Penh (Routledge, 2022) examines the recycling infrastructure in Phnom Penh, Cambodia. It considers the circular flows of waste and practices through 'infracycles', maintenance practices that tinker with the social and capitalist order, and postcolonial ways of doing politics that co-constitute predominant waste fantasies from which naturecultures ooze out, shaping urban life in their own way.
In this context, socially marginalized waste pickers contest the capitalist system by creating tropes about freedom, labor autonomy, and the will to survive. In this regard, they are also meddling about a new social order that represents the fine line Cambodia is sashaying between tradition and modernity. Waste fantasies that are a result of environmental problematizations, however, perpetuate postcolonial ways of doing politics by exuding notions of waste as detached from its sociocultural context. But ultimately, waste slips through the cracks of these dominant imaginaries and global waste reduction models enacting new versions of what waste and the city is, providing opportunities for another future waste policy.
This book is a unique contribution to the field of infrastructure studies emphasizing the importance of perceiving infrastructure as circular in smaller 'infracycles', rather than linear. It will be of interest to researchers in the field of environmental anthropology, science and technology studies, urban studies, and Southeast Asian studies.
The Introduction of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Kathrin Eitel is a Postdoctoral Fellow in the Department of Social Anthropology and Cultural Studies at the University of Zurich.
Professor Michele Ford is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kathrin Eitel's book <a href="https://bookshop.org/a/12343/9781032154664"><em>Recycling Infrastructures in Cambodia: Circularity, Waste, and Urban Life in Phnom Penh</em></a><em> </em>(Routledge, 2022) examines the recycling infrastructure in Phnom Penh, Cambodia. It considers the circular flows of waste and practices through 'infracycles', maintenance practices that tinker with the social and capitalist order, and postcolonial ways of doing politics that co-constitute predominant waste fantasies from which naturecultures ooze out, shaping urban life in their own way.</p><p>In this context, socially marginalized waste pickers contest the capitalist system by creating tropes about freedom, labor autonomy, and the will to survive. In this regard, they are also meddling about a new social order that represents the fine line Cambodia is sashaying between tradition and modernity. Waste fantasies that are a result of environmental problematizations, however, perpetuate postcolonial ways of doing politics by exuding notions of waste as detached from its sociocultural context. But ultimately, waste slips through the cracks of these dominant imaginaries and global waste reduction models enacting new versions of what waste and the city is, providing opportunities for another future waste policy.</p><p>This book is a unique contribution to the field of infrastructure studies emphasizing the importance of perceiving infrastructure as circular in smaller 'infracycles', rather than linear. It will be of interest to researchers in the field of environmental anthropology, science and technology studies, urban studies, and Southeast Asian studies.</p><p>The Introduction of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.</p><p>Kathrin Eitel is a Postdoctoral Fellow in the Department of Social Anthropology and Cultural Studies at the University of Zurich.</p><p><em>Professor </em><a href="https://www.sydney.edu.au/arts/about/our-people/academic-staff/michele-ford.html"><em>Michele Ford</em></a><em> is the Director of the Sydney Southeast Asia Centre, a university-wide multidisciplinary center at the University of Sydney, Australia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2860</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Takeo Rivera, "Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity" (Oxford UP, 2022)</title>
      <description>There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022)
Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Takeo Rivera</itunes:subtitle>
      <itunes:summary>There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022)
Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book <a href="https://bookshop.org/a/12343/9780197557495"><em>Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity</em></a> (Oxford UP, 2022)</p><p><em>Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter </em><a href="https://twitter.com/TheJuliaHLee"><em>@thejuliahlee</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3725</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tanya Maria Golash-Boza, "Before Gentrification: The Creation of DC's Racial Wealth Gap" (U California Press, 2023)</title>
      <description>This book shows how a century of redlining, disinvestment, and the War on Drugs wreaked devastation on Black people and paved the way for gentrification in Washington, DC. In Before Gentrification: The Creation of DC's Racial Wealth Gap (U California Press, 2023), Tanya Maria Golash-Boza tracks the cycles of state abandonment and punishment that have shaped the city, revealing how policies and policing work to displace and decimate the Black middle class.
Through the stories of those who have lost their homes and livelihoods, Golash-Boza explores how DC came to be the nation's "murder capital" and incarceration capital, and why it is now a haven for wealthy White people. This troubling history makes clear that the choice to use prisons and policing to solve problems faced by Black communities in the twentieth century--instead of investing in schools, community centers, social services, health care, and violence prevention--is what made gentrification possible in the twenty-first. Before Gentrification unveils a pattern of anti-Blackness and racial capitalism in DC that has implications for all US cities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tanya Maria Golash-Boza</itunes:subtitle>
      <itunes:summary>This book shows how a century of redlining, disinvestment, and the War on Drugs wreaked devastation on Black people and paved the way for gentrification in Washington, DC. In Before Gentrification: The Creation of DC's Racial Wealth Gap (U California Press, 2023), Tanya Maria Golash-Boza tracks the cycles of state abandonment and punishment that have shaped the city, revealing how policies and policing work to displace and decimate the Black middle class.
Through the stories of those who have lost their homes and livelihoods, Golash-Boza explores how DC came to be the nation's "murder capital" and incarceration capital, and why it is now a haven for wealthy White people. This troubling history makes clear that the choice to use prisons and policing to solve problems faced by Black communities in the twentieth century--instead of investing in schools, community centers, social services, health care, and violence prevention--is what made gentrification possible in the twenty-first. Before Gentrification unveils a pattern of anti-Blackness and racial capitalism in DC that has implications for all US cities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This book shows how a century of redlining, disinvestment, and the War on Drugs wreaked devastation on Black people and paved the way for gentrification in Washington, DC. In <a href="https://bookshop.org/a/12343/9780520391178"><em>Before Gentrification: The Creation of DC's Racial Wealth Gap</em></a> (U California Press, 2023), Tanya Maria Golash-Boza tracks the cycles of state abandonment and punishment that have shaped the city, revealing how policies and policing work to displace and decimate the Black middle class.</p><p>Through the stories of those who have lost their homes and livelihoods, Golash-Boza explores how DC came to be the nation's "murder capital" and incarceration capital, and why it is now a haven for wealthy White people. This troubling history makes clear that the choice to use prisons and policing to solve problems faced by Black communities in the twentieth century--instead of investing in schools, community centers, social services, health care, and violence prevention--is what made gentrification possible in the twenty-first. <em>Before Gentrification</em> unveils a pattern of anti-Blackness and racial capitalism in DC that has implications for all US cities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2736</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Global Inequality: Are We Really Measuring What We Should Be Measuring?</title>
      <description>In this episode of International Horizons, RBI director John Torpey interviewed Jayati Ghosh, professor of economics at the University of Massachusetts at Amherst, about different debates surrounding inequality. Ghosh criticizes the flaws in some inequality indicators that are focusing only on measuring how the poor are doing and not on how the rich are getting richer, or other indicators that exaggerate the performance of the poorest vis-a-vis the richest. Other indicators such as nutrition are misleading, she argues, because governments are focusing on what people are eating and not on the outcomes such as body mass index, anemia or diabetes. Moreover, some governments are using statistical legerdemain to enhance their apparent performance. Finally, Professor Ghosh discusses her research on the COVID pandemic and the way pharmaceutical companies deliberately slowed down the process of spreading the vaccine for their own gain. She argues that COVID revealed and accentuated massive inequalities between countries of the Global North and Global South and that the recent increase in grain prices was not caused by the war on Ukraine but by the ability of global agribusiness to manipulate prices.
International Horizons is a podcast of the Ralph Bunche Institute for International Studies that brings scholarly expertise to bear on our understanding of international issues. John Torpey, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jayati Gosh</itunes:subtitle>
      <itunes:summary>In this episode of International Horizons, RBI director John Torpey interviewed Jayati Ghosh, professor of economics at the University of Massachusetts at Amherst, about different debates surrounding inequality. Ghosh criticizes the flaws in some inequality indicators that are focusing only on measuring how the poor are doing and not on how the rich are getting richer, or other indicators that exaggerate the performance of the poorest vis-a-vis the richest. Other indicators such as nutrition are misleading, she argues, because governments are focusing on what people are eating and not on the outcomes such as body mass index, anemia or diabetes. Moreover, some governments are using statistical legerdemain to enhance their apparent performance. Finally, Professor Ghosh discusses her research on the COVID pandemic and the way pharmaceutical companies deliberately slowed down the process of spreading the vaccine for their own gain. She argues that COVID revealed and accentuated massive inequalities between countries of the Global North and Global South and that the recent increase in grain prices was not caused by the war on Ukraine but by the ability of global agribusiness to manipulate prices.
International Horizons is a podcast of the Ralph Bunche Institute for International Studies that brings scholarly expertise to bear on our understanding of international issues. John Torpey, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of International Horizons, RBI director John Torpey interviewed <a href="https://peri.umass.edu/economists/jayatighosh">Jayati Ghosh</a>, professor of economics at the University of Massachusetts at Amherst, about different debates surrounding inequality. Ghosh criticizes the flaws in some inequality indicators that are focusing only on measuring how the poor are doing and not on how the rich are getting richer, or other indicators that exaggerate the performance of the poorest vis-a-vis the richest. Other indicators such as nutrition are misleading, she argues, because governments are focusing on what people are eating and not on the outcomes such as body mass index, anemia or diabetes. Moreover, some governments are using statistical legerdemain to enhance their apparent performance. Finally, Professor Ghosh discusses her research on the COVID pandemic and the way pharmaceutical companies deliberately slowed down the process of spreading the vaccine for their own gain. She argues that COVID revealed and accentuated massive inequalities between countries of the Global North and Global South and that the recent increase in grain prices was not caused by the war on Ukraine but by the ability of global agribusiness to manipulate prices.</p><p><em>International Horizons is a podcast of the </em><a href="http://ralphbuncheinstitute.org/"><em>Ralph Bunche Institute for International Studies</em></a><em> that brings scholarly expertise to bear on our understanding of international issues. </em><a href="https://www.gc.cuny.edu/people/john-torpey"><em>John Torpey</em></a><em>, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2592</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lenora Hanson, "The Romantic Rhetoric of Accumulation" (Stanford UP, 2022)</title>
      <description>Lenora Hanson's The Romantic Rhetoric of Accumulation (Stanford UP, 2022) provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism.
Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession.
Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.
Lenora Hanson is Assistant Professor of English at New York University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>252</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lenora Hanson</itunes:subtitle>
      <itunes:summary>Lenora Hanson's The Romantic Rhetoric of Accumulation (Stanford UP, 2022) provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism.
Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession.
Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.
Lenora Hanson is Assistant Professor of English at New York University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lenora Hanson's <a href="https://bookshop.org/a/12343/9781503633940"><em>The Romantic Rhetoric of Accumulation</em></a> (Stanford UP, 2022) provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism.</p><p>Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession.</p><p>Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.</p><p>Lenora Hanson is Assistant Professor of English at New York University.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ebea9496-5496-11ee-bf2f-53ecf9702ad7]]></guid>
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    </item>
    <item>
      <title>The Future of Anarchism: A Discussion with Ruth Kinna</title>
      <description>50 years ago, anarchism was written off by some as a set of outdated idealistic ideas that had no contemporary relevance. Then came protests at events such as World Trade Organisation meetings – protests by people who either described themselves as anarchists or were so described by the media. It all gave rise the question "Has anarchism actually got a future?" To answer this question, Ruth Kinna has written The Government of No One: The Theory and Practice of Anarchism (Pelican Publishing, 2020). Listen to her on conversation with Owen Bennett-Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 16 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>50 years ago, anarchism was written off by some as a set of outdated idealistic ideas that had no contemporary relevance. Then came protests at events such as World Trade Organisation meetings – protests by people who either described themselves as anarchists or were so described by the media. It all gave rise the question "Has anarchism actually got a future?" To answer this question, Ruth Kinna has written The Government of No One: The Theory and Practice of Anarchism (Pelican Publishing, 2020). Listen to her on conversation with Owen Bennett-Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>50 years ago, anarchism was written off by some as a set of outdated idealistic ideas that had no contemporary relevance. Then came protests at events such as World Trade Organisation meetings – protests by people who either described themselves as anarchists or were so described by the media. It all gave rise the question "Has anarchism actually got a future?" To answer this question, Ruth Kinna has written <a href="https://bookshop.org/a/12343/9780141984667"><em>The Government of No One: The Theory and Practice of Anarchism</em></a> (Pelican Publishing, 2020). Listen to her on conversation with Owen Bennett-Jones.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2113</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3dba93a-524e-11ee-8a12-8b2c62063a05]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5752040006.mp3?updated=1694620952" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Margaret Galvan, "In Visible Archives: Queer and Feminist Visual Culture in the 1980s" (U Minnesota Press, 2023)</title>
      <description>In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin.
Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 16 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margaret Galvan</itunes:subtitle>
      <itunes:summary>In In Visible Archives: Queer and Feminist Visual Culture in the 1980s (U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin.
Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in In Visible Archives demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781517903244"><em>In Visible Archives: Queer and Feminist Visual Culture in the 1980s</em></a><em> </em>(U Minnesota Press, 2023), Margaret Galvan explores a number of feminist and cultural touchstones—the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks—and examines how visual culture interacts with these pivotal moments. She goes deep into the records to bring together a decade’s worth of research in grassroots and university archives that include comics, collages, photographs, drawings, and other image-text media produced by women, including Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin.</p><p>Through all of this, Galvan documents the community networks that produced visual culture, analyzing how this material provided a vital space for women artists to theorize and visualize their own bodies and sexualities. The art highlighted in <em>In Visible Archives</em> demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities, thus serving as blueprints for future activism and advocacy—work that is urgent now more than ever as LGBTQ+ and women’s rights face challenges and restrictions across the nation.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3124</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b01bcbd0-5246-11ee-8005-8775ee2b2181]]></guid>
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    </item>
    <item>
      <title>Charlotte Lydia Riley, "Imperial Island: A History of Empire in Modern Britain " (Penguin, 2023)</title>
      <description>Can Britain escape from being a nation trapped in its past? In Imperial Island: A History of Empire in Modern Britain (Penguin, 2023), Charlotte Lydia Riley, an Associate Professor of History in the Department of History at the University of Southampton, and co-host of the Tomorrow Never Knows podcast explores the history of Britain as an imperial nation, both at home and abroad. The book shows how it is impossible to separate the history of post-war Britain from the history of empire, even as contemporary politics demands we misremember or deliberately forget. Moving chronologically from the 1940s to the present, but drawing on a wealth of themes and ideas, the book makes a compelling case for rethinking British, and global, identities in light of a reckoning with the role of empire in shaping society. An important historical and popular intervention, the book will be read widely beyond arts and humanities, and is essential reading for anyone keen to better understand the history of both Britain and the world today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>412</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Charlotte Lydia Riley</itunes:subtitle>
      <itunes:summary>Can Britain escape from being a nation trapped in its past? In Imperial Island: A History of Empire in Modern Britain (Penguin, 2023), Charlotte Lydia Riley, an Associate Professor of History in the Department of History at the University of Southampton, and co-host of the Tomorrow Never Knows podcast explores the history of Britain as an imperial nation, both at home and abroad. The book shows how it is impossible to separate the history of post-war Britain from the history of empire, even as contemporary politics demands we misremember or deliberately forget. Moving chronologically from the 1940s to the present, but drawing on a wealth of themes and ideas, the book makes a compelling case for rethinking British, and global, identities in light of a reckoning with the role of empire in shaping society. An important historical and popular intervention, the book will be read widely beyond arts and humanities, and is essential reading for anyone keen to better understand the history of both Britain and the world today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can Britain escape from being a nation trapped in its past? In<a href="https://www.penguin.co.uk/books/442125/imperial-island-by-riley-charlotte-lydia/9781847926432"> <em>Imperial Island: A History of Empire in Modern Britain</em></a> (Penguin, 2023), <a href="https://twitter.com/lottelydia">Charlotte Lydia Riley</a>, an <a href="https://www.southampton.ac.uk/people/5xfhx8/doctor-charlotte-lydia-riley">Associate Professor of History in the Department of History at the University of Southampton</a>, and co-host of the <a href="https://www.tomorrowneverknowspod.com/">Tomorrow Never Knows podcast</a> explores the history of Britain as an imperial nation, both at home and abroad. The book shows how it is impossible to separate the history of post-war Britain from the history of empire, even as contemporary politics demands we misremember or deliberately forget. Moving chronologically from the 1940s to the present, but drawing on a wealth of themes and ideas, the book makes a compelling case for rethinking British, and global, identities in light of a reckoning with the role of empire in shaping society. An important historical and popular intervention, the book will be read widely beyond arts and humanities, and is essential reading for anyone keen to better understand the history of both Britain and the world today.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[152f877a-5196-11ee-92f3-1fe857fb4750]]></guid>
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    </item>
    <item>
      <title>Christopher Paul Harris, "To Build a Black Future: The Radical Politics of Joy, Pain, and Care" (Princeton UP, 2023)</title>
      <description>When #BlackLivesMatter emerged in 2013, it animated the most consequential Black-led mobilization since the civil rights and Black power era. Today, the hashtag turned rallying cry is but one expression of a radical reorientation toward Black politics, protest, and political thought. To Build a Black Future: The Radical Politics of Joy, Pain, and Care (Princeton UP, 2023) examines the spirit and significance of this insurgency, offering a revelatory account of a new political culture--responsive to pain, suffused with joy, and premised on care--emerging from the centuries-long arc of Black rebellion, a tradition that traces back to the Black slave.
Drawing on his own experiences as an activist and organizer, Christopher Paul Harris takes readers inside the Movement for Black Lives (M4BL) to chart the propulsive trajectory of Black politics and thought from the Middle Passage to the present historical moment. Carefully attending to the social forces that produce Black struggle and the contradictions that arise within it, Harris illustrates how M4BL gives voice to an abolitionist praxis that bridges the past, present, and future, outlining a political project at once directed inward to the Black community while issuing an outward challenge to the world.
Essential reading for the age of #BlackLivesMatter, this visionary and provocative book reveals how the radical politics of joy, pain, and care, in sharp contrast to liberal political thought, can build a Black future that transcends ideology and pushes the boundaries of our political imagination.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher Paul Harris</itunes:subtitle>
      <itunes:summary>When #BlackLivesMatter emerged in 2013, it animated the most consequential Black-led mobilization since the civil rights and Black power era. Today, the hashtag turned rallying cry is but one expression of a radical reorientation toward Black politics, protest, and political thought. To Build a Black Future: The Radical Politics of Joy, Pain, and Care (Princeton UP, 2023) examines the spirit and significance of this insurgency, offering a revelatory account of a new political culture--responsive to pain, suffused with joy, and premised on care--emerging from the centuries-long arc of Black rebellion, a tradition that traces back to the Black slave.
Drawing on his own experiences as an activist and organizer, Christopher Paul Harris takes readers inside the Movement for Black Lives (M4BL) to chart the propulsive trajectory of Black politics and thought from the Middle Passage to the present historical moment. Carefully attending to the social forces that produce Black struggle and the contradictions that arise within it, Harris illustrates how M4BL gives voice to an abolitionist praxis that bridges the past, present, and future, outlining a political project at once directed inward to the Black community while issuing an outward challenge to the world.
Essential reading for the age of #BlackLivesMatter, this visionary and provocative book reveals how the radical politics of joy, pain, and care, in sharp contrast to liberal political thought, can build a Black future that transcends ideology and pushes the boundaries of our political imagination.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When #BlackLivesMatter emerged in 2013, it animated the most consequential Black-led mobilization since the civil rights and Black power era. Today, the hashtag turned rallying cry is but one expression of a radical reorientation toward Black politics, protest, and political thought. <a href="https://bookshop.org/a/12343/9780691219066"><em>To Build a Black Future: The Radical Politics of Joy, Pain, and Care</em></a><em> </em>(Princeton UP, 2023) examines the spirit and significance of this insurgency, offering a revelatory account of a new political culture--responsive to pain, suffused with joy, and premised on care--emerging from the centuries-long arc of Black rebellion, a tradition that traces back to the Black slave.</p><p>Drawing on his own experiences as an activist and organizer, Christopher Paul Harris takes readers inside the Movement for Black Lives (M4BL) to chart the propulsive trajectory of Black politics and thought from the Middle Passage to the present historical moment. Carefully attending to the social forces that produce Black struggle and the contradictions that arise within it, Harris illustrates how M4BL gives voice to an abolitionist praxis that bridges the past, present, and future, outlining a political project at once directed inward to the Black community while issuing an outward challenge to the world.</p><p>Essential reading for the age of #BlackLivesMatter, this visionary and provocative book reveals how the radical politics of joy, pain, and care, in sharp contrast to liberal political thought, can build a Black future that transcends ideology and pushes the boundaries of our political imagination.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1983</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d3e7479c-51ab-11ee-8308-775e778ab197]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2551986086.mp3?updated=1694550754" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Leal, "Dreams in Double Time: On Race, Freedom, and Bebop" (Duke UP, 2023)</title>
      <description>In Dreams in Double Time: On Race, Freedom, and Bebop (Duke UP, 2023), Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew.

"Dreams of Autumn" on Spotify.

"Dreams of Autumn on Apple Music.

Nathan Smith is a PhD candidate in Music Theory at Yale University Email: nathan.smith@yale.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>201</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Leal</itunes:subtitle>
      <itunes:summary>In Dreams in Double Time: On Race, Freedom, and Bebop (Duke UP, 2023), Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew.

"Dreams of Autumn" on Spotify.

"Dreams of Autumn on Apple Music.

Nathan Smith is a PhD candidate in Music Theory at Yale University Email: nathan.smith@yale.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/dreams-in-double-time"><em>Dreams in Double Time: On Race, Freedom, and Bebop</em></a> (Duke UP, 2023), Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made it possible for those like Araki, Salinas, and Wing who grappled daily with state-sanctioned violence to challenge a racially supremacist, imperial nation, all while hearing and making the world anew.</p><ul>
<li>"Dreams of Autumn" on <a href="https://open.spotify.com/album/6sAfHyLBnmxqEEMQuGe0O5?si=pB1u9617TaKtHrIocI4T-w">Spotify</a>.</li>
<li>"Dreams of Autumn on Apple <a href="https://music.apple.com/us/album/dreams-of-autumn-feat-jason-galbraith/1692380241?i=1692380242">Music</a>.</li>
</ul><p><em>Nathan Smith is a PhD candidate in Music Theory at Yale University Email: </em><a href="mailto:nathan.smith@yale.edu"><em>nathan.smith@yale.edu</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4744</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[51f5a4ba-518b-11ee-9e91-f7da7693693e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2863876490.mp3?updated=1694537374" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew McManus, "The Political Right and Equality: Turning Back the Tide of Egalitarian Modernity" (Routledge, 2023)</title>
      <description>McManus presents an intellectual history of the conservative and reactionary tradition, stretching from Aristotle and Filmer to Alexander Dugin and Patrick Deneen.
Providing a comprehensive critical genealogy of the intellectual political right, McManus traces its core to a nostalgia for the hierarchical cosmos of antiquarian and scholastic thinking. The yearning for a shared vision of the universe where each part of reality has its place maps onto the conservative admiration for orderly political and social stratification. It stamps even the more moderate forms of liberal conservatism which emerged in the aftermath of the revolutionary 18th century, as the political right struggled to accept and later master first the politics of liberal capitalism and later universal suffrage. In its most radical forms this nostalgia for an orderly and hierarchical existence can harden into a resentment at the perceived shallowness of liberal modernity. McManus argues for those who support the project of modernity to commit themselves to better understanding the depth of the political right’s critiques, many of which expose uncomfortable but solvable problems with the quest for equality and freedom.
While there are a lot of competing explanations for the contemporary rise of right-wing forces, Matt McManus’ new book suggests that it is hostility to equality that actually unites the right. Zeroing in on key intellectuals and writers, McManus, in a sharply written text, offers a compelling explanation for the disproportionate intensity of right-wing grievance politics
Matthew McManus is a Lecturer in Political Science at the University of Michigan. He is a contributor to Jacobin and Quillette online magazines.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>411</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew McManus</itunes:subtitle>
      <itunes:summary>McManus presents an intellectual history of the conservative and reactionary tradition, stretching from Aristotle and Filmer to Alexander Dugin and Patrick Deneen.
Providing a comprehensive critical genealogy of the intellectual political right, McManus traces its core to a nostalgia for the hierarchical cosmos of antiquarian and scholastic thinking. The yearning for a shared vision of the universe where each part of reality has its place maps onto the conservative admiration for orderly political and social stratification. It stamps even the more moderate forms of liberal conservatism which emerged in the aftermath of the revolutionary 18th century, as the political right struggled to accept and later master first the politics of liberal capitalism and later universal suffrage. In its most radical forms this nostalgia for an orderly and hierarchical existence can harden into a resentment at the perceived shallowness of liberal modernity. McManus argues for those who support the project of modernity to commit themselves to better understanding the depth of the political right’s critiques, many of which expose uncomfortable but solvable problems with the quest for equality and freedom.
While there are a lot of competing explanations for the contemporary rise of right-wing forces, Matt McManus’ new book suggests that it is hostility to equality that actually unites the right. Zeroing in on key intellectuals and writers, McManus, in a sharply written text, offers a compelling explanation for the disproportionate intensity of right-wing grievance politics
Matthew McManus is a Lecturer in Political Science at the University of Michigan. He is a contributor to Jacobin and Quillette online magazines.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>McManus presents an intellectual history of the conservative and reactionary tradition, stretching from Aristotle and Filmer to Alexander Dugin and Patrick Deneen.</p><p>Providing a comprehensive critical genealogy of the intellectual political right, McManus traces its core to a nostalgia for the hierarchical cosmos of antiquarian and scholastic thinking. The yearning for a shared vision of the universe where each part of reality has its place maps onto the conservative admiration for orderly political and social stratification. It stamps even the more moderate forms of liberal conservatism which emerged in the aftermath of the revolutionary 18th century, as the political right struggled to accept and later master first the politics of liberal capitalism and later universal suffrage. In its most radical forms this nostalgia for an orderly and hierarchical existence can harden into a resentment at the perceived shallowness of liberal modernity. McManus argues for those who support the project of modernity to commit themselves to better understanding the depth of the political right’s critiques, many of which expose uncomfortable but solvable problems with the quest for equality and freedom.</p><p>While there are a lot of competing explanations for the contemporary rise of right-wing forces, Matt McManus’ new book suggests that it is hostility to equality that actually unites the right. Zeroing in on key intellectuals and writers, McManus, in a sharply written text, offers a compelling explanation for the disproportionate intensity of right-wing grievance politics</p><p>Matthew McManus is a Lecturer in Political Science at the University of Michigan. He is a contributor to Jacobin and Quillette online magazines.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[339a2e5c-5021-11ee-a2a0-efbc538174cc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4365450374.mp3?updated=1694382157" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michèle Lamont, "Seeing Others: How Recognition Works-And How It Can Heal a Divided World" (Atria, 2023)</title>
      <description>How can we challenge and change inequalities? In Seeing Others: How Recognition Works— and How It Can Heal a Divided World (Atria, 2023), Michele Lamont, Professor of Sociology and African and African American Studies and the Robert I. Goldman Professor of European Studies, at Harvard University, explores this question by empirically substantiating the concept of recognition. Using a huge range of case studies, interview data, as well as wealth of cross-disciplinary research, the book shows the problems of our unequal societies and the people, and ideas, that can contribute to solving them. It looks at art, politics, media and culture, as well as social policy and generational conflicts, all of which show how individuals and social groups need and can give recognition to each other. An accessible as well as detailed analysis, the book is essential reading across the humanities and social sciences, as well as for anyone who wants to make a better world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>410</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michèle Lamont</itunes:subtitle>
      <itunes:summary>How can we challenge and change inequalities? In Seeing Others: How Recognition Works— and How It Can Heal a Divided World (Atria, 2023), Michele Lamont, Professor of Sociology and African and African American Studies and the Robert I. Goldman Professor of European Studies, at Harvard University, explores this question by empirically substantiating the concept of recognition. Using a huge range of case studies, interview data, as well as wealth of cross-disciplinary research, the book shows the problems of our unequal societies and the people, and ideas, that can contribute to solving them. It looks at art, politics, media and culture, as well as social policy and generational conflicts, all of which show how individuals and social groups need and can give recognition to each other. An accessible as well as detailed analysis, the book is essential reading across the humanities and social sciences, as well as for anyone who wants to make a better world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we challenge and change inequalities? In <a href="https://bookshop.org/a/12343/9781982153786"><em>Seeing Others: How Recognition Works— and How It Can Heal a Divided World</em></a> (Atria, 2023), <a href="https://twitter.com/mlamont6">Michele Lamont,</a> <a href="https://sociology.fas.harvard.edu/people/michele-lamont">Professor of Sociology and African and African American Studies and the Robert I. Goldman Professor of European Studies, at Harvard University</a>, explores this question by empirically substantiating the concept of recognition. Using a huge range of case studies, interview data, as well as wealth of cross-disciplinary research, the book shows the problems of our unequal societies and the people, and ideas, that can contribute to solving them. It looks at art, politics, media and culture, as well as social policy and generational conflicts, all of which show how individuals and social groups need and can give recognition to each other. An accessible as well as detailed analysis, the book is essential reading across the humanities and social sciences, as well as for anyone who wants to make a better world.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2213</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[785d67f2-4e78-11ee-b197-8bff87e8a707]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5063027183.mp3?updated=1694200218" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Darity et al., "The Black Reparations Project: A Handbook for Racial Justice" (U California Press, 2023)</title>
      <description>A surge in interest in black reparations is taking place in America on a scale not seen since the Reconstruction Era. The Black Reparations Project: A Handbook for Racial Justice (U California Press, 2023) gathers an accomplished interdisciplinary team of scholars--members of the Reparations Planning Committee--who have considered the issues pertinent to making reparations happen. This book will be an essential resource in the national conversation going forward.
The first section of The Black Reparations Project crystallizes the rationale for reparations, cataloguing centuries of racial repression, discrimination, violence, mass incarceration, and the immense black-white wealth gap. Drawing on the contributors' expertise in economics, history, law, public policy, public health, and education, the second section unfurls direct guidance for building and implementing a reparations program, including draft legislation that addresses how the program should be financed and how claimants can be identified and compensated. Rigorous and comprehensive, The Black Reparations Project will motivate, guide, and speed the final leg of the journey for justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>404</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A surge in interest in black reparations is taking place in America on a scale not seen since the Reconstruction Era. The Black Reparations Project: A Handbook for Racial Justice (U California Press, 2023) gathers an accomplished interdisciplinary team of scholars--members of the Reparations Planning Committee--who have considered the issues pertinent to making reparations happen. This book will be an essential resource in the national conversation going forward.
The first section of The Black Reparations Project crystallizes the rationale for reparations, cataloguing centuries of racial repression, discrimination, violence, mass incarceration, and the immense black-white wealth gap. Drawing on the contributors' expertise in economics, history, law, public policy, public health, and education, the second section unfurls direct guidance for building and implementing a reparations program, including draft legislation that addresses how the program should be financed and how claimants can be identified and compensated. Rigorous and comprehensive, The Black Reparations Project will motivate, guide, and speed the final leg of the journey for justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A surge in interest in black reparations is taking place in America on a scale not seen since the Reconstruction Era. <a href="https://bookshop.org/a/12343/9780520383814"><em>The Black Reparations Project: A Handbook for Racial Justice</em></a><em> </em>(U California Press, 2023) gathers an accomplished interdisciplinary team of scholars--members of the Reparations Planning Committee--who have considered the issues pertinent to making reparations happen. This book will be an essential resource in the national conversation going forward.</p><p>The first section of <em>The Black Reparations Project</em> crystallizes the rationale for reparations, cataloguing centuries of racial repression, discrimination, violence, mass incarceration, and the immense black-white wealth gap. Drawing on the contributors' expertise in economics, history, law, public policy, public health, and education, the second section unfurls direct guidance for building and implementing a reparations program, including draft legislation that addresses how the program should be financed and how claimants can be identified and compensated. Rigorous and comprehensive, <em>The Black Reparations Project </em>will motivate, guide, and speed the final leg of the journey for justice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2264</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0deeb268-4ff4-11ee-ad7c-2b14266c4a96]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR9791865802.mp3?updated=1694362266" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Better Way to Buy Books</title>
      <description>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Andy Hunter, Founder and CEO, Bookshop.org</itunes:subtitle>
      <itunes:summary>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. 
Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, <a href="https://bookshop.org/">Bookshop.org</a> has already raised more than $27,000,000. In this interview, <a href="https://www.linkedin.com/in/andy-hunter-64484224/">Andy Hunter</a>, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities. </p><p>Andy Hunter is CEO and Founder of Bookshop.org. He also co-created <a href="https://lithub.com/">Literary Hub</a>.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1964</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3ecc9804-50b3-11ee-98c4-e36f4fe833ba]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6139116716.mp3?updated=1694441399" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vincent W. Lloyd, "Black Dignity: The Struggle Against Domination" (Yale UP, 2022)</title>
      <description>This radical work by one of the leading young scholars of Black thought delineates a new concept of Black dignity, yet one with a long history in Black writing and action. Previously in the West, dignity has been seen in two ways: as something inherent in one’s station in life, whether acquired or conferred by birth; or more recently as an essential condition and right common to all of humanity.
In what might be called a work of observational philosophy—an effort to describe the philosophy underlying the Black Lives Matter movement—Vincent W. Lloyd defines dignity as something performative, not an essential quality but an action: struggle against domination. Without struggle, there is no dignity. 
In Black Dignity: The Struggle Against Domination (Yale UP, 2022), Lloyd defines anti-Blackness as an inescapable condition of American life, and the slave’s struggle against the master as the “primal scene” of domination and resistance. Exploring the way Black writers such as Frederick Douglass, Langston Hughes, and Audre Lorde have dealt with themes such as Black rage, Black love, and Black magic, Lloyd posits that Black dignity is the paradigm of all dignity and, more audaciously, that Black philosophy is the starting point of all philosophy.
Vincent W. Lloyd is associate professor of theology and religious studies at Villanova University. His previous books include Black Natural Law and the coedited Race and Secularism in America. He coedits the journal Political Theology.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 09 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>402</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vincent W. Lloyd</itunes:subtitle>
      <itunes:summary>This radical work by one of the leading young scholars of Black thought delineates a new concept of Black dignity, yet one with a long history in Black writing and action. Previously in the West, dignity has been seen in two ways: as something inherent in one’s station in life, whether acquired or conferred by birth; or more recently as an essential condition and right common to all of humanity.
In what might be called a work of observational philosophy—an effort to describe the philosophy underlying the Black Lives Matter movement—Vincent W. Lloyd defines dignity as something performative, not an essential quality but an action: struggle against domination. Without struggle, there is no dignity. 
In Black Dignity: The Struggle Against Domination (Yale UP, 2022), Lloyd defines anti-Blackness as an inescapable condition of American life, and the slave’s struggle against the master as the “primal scene” of domination and resistance. Exploring the way Black writers such as Frederick Douglass, Langston Hughes, and Audre Lorde have dealt with themes such as Black rage, Black love, and Black magic, Lloyd posits that Black dignity is the paradigm of all dignity and, more audaciously, that Black philosophy is the starting point of all philosophy.
Vincent W. Lloyd is associate professor of theology and religious studies at Villanova University. His previous books include Black Natural Law and the coedited Race and Secularism in America. He coedits the journal Political Theology.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This radical work by one of the leading young scholars of Black thought delineates a new concept of Black dignity, yet one with a long history in Black writing and action. Previously in the West, dignity has been seen in two ways: as something inherent in one’s station in life, whether acquired or conferred by birth; or more recently as an essential condition and right common to all of humanity.</p><p>In what might be called a work of observational philosophy—an effort to describe the philosophy underlying the Black Lives Matter movement—Vincent W. Lloyd defines dignity as something performative, not an essential quality but an action: struggle against domination. Without struggle, there is no dignity. </p><p>In <a href="https://bookshop.org/a/12343/9780300253672"><em>Black Dignity: The Struggle Against Domination</em></a> (Yale UP, 2022), Lloyd defines anti-Blackness as an inescapable condition of American life, and the slave’s struggle against the master as the “primal scene” of domination and resistance. Exploring the way Black writers such as Frederick Douglass, Langston Hughes, and Audre Lorde have dealt with themes such as Black rage, Black love, and Black magic, Lloyd posits that Black dignity is the paradigm of all dignity and, more audaciously, that Black philosophy is the starting point of all philosophy.</p><p>Vincent W. Lloyd is associate professor of theology and religious studies at Villanova University. His previous books include Black Natural Law and the coedited Race and Secularism in America. He coedits the journal Political Theology.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3620</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Shai M. Dromi and Samuel D. Stabler, "Moral Minefields: How Sociologists Debate Good Science" (U Chicago Press, 2023)</title>
      <description>Where does morality fit into contemporary social science? In Moral Minefields: How Sociologists Debate Good Science (U Chicago Press, 2023), ﻿Shai Dromi, an Associate Senior Lecturer at the Department of Sociology at Harvard University and Samuel Stabler Associate Teaching Professor of Sociology at Pennsylvania State University, draw on pragmatist theory to offer insights as to how sociology can avoid moral myopia and be value pluralistic. The book offers rich case studies of key fields and debates, including sociology of religion, race and inequality, nationalism and cosmopolitanism, and fertility and work, all showing how values and morals shape the practice of research. The book makes a significant contribution to both sociology and the social sciences more generally, and will be essential reading for both academics and anyone interested in the values of contemporary research.
﻿Dave O'Brien is Professor of Cultural and Creative Industries at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>409</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shai M. Dromi and Samuel D. Stabler</itunes:subtitle>
      <itunes:summary>Where does morality fit into contemporary social science? In Moral Minefields: How Sociologists Debate Good Science (U Chicago Press, 2023), ﻿Shai Dromi, an Associate Senior Lecturer at the Department of Sociology at Harvard University and Samuel Stabler Associate Teaching Professor of Sociology at Pennsylvania State University, draw on pragmatist theory to offer insights as to how sociology can avoid moral myopia and be value pluralistic. The book offers rich case studies of key fields and debates, including sociology of religion, race and inequality, nationalism and cosmopolitanism, and fertility and work, all showing how values and morals shape the practice of research. The book makes a significant contribution to both sociology and the social sciences more generally, and will be essential reading for both academics and anyone interested in the values of contemporary research.
﻿Dave O'Brien is Professor of Cultural and Creative Industries at the University of Manchester.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Where does morality fit into contemporary social science? In <a href="https://bookshop.org/a/12343/9780226828183"><em>Moral Minefields: How Sociologists Debate Good Science</em></a><em> </em>(U Chicago Press, 2023),<em> </em>﻿<a href="https://twitter.com/DromiShai">Shai Dromi,</a> an <a href="http://www.shaidromi.com/">Associate Senior Lecturer</a> at the <a href="https://sociology.fas.harvard.edu/people/shai-dromi">Department of Sociology at Harvard University</a> and <a href="https://twitter.com/heavenwasblue">Samuel Stabler</a> <a href="https://sociology.la.psu.edu/people/samuel-stabler/">Associate Teaching Professor of Sociology at Pennsylvania State University</a>, draw on pragmatist theory to offer insights as to how sociology can avoid moral myopia and be value pluralistic. The book offers rich case studies of key fields and debates, including sociology of religion, race and inequality, nationalism and cosmopolitanism, and fertility and work, all showing how values and morals shape the practice of research. The book makes a significant contribution to both sociology and the social sciences more generally, and will be essential reading for both academics and anyone interested in the values of contemporary research.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries at the University of Manchester.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3032</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e45544e8-4c2a-11ee-a101-23efdb41f43f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7653706930.mp3?updated=1693946519" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kenneth J. Saltman, "The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers" (MIT Press, 2022)</title>
      <description>Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem.
Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification?
In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains.
This book is available open access here.
Joao Souto-Maior is a postdoc at the New York University’s Institute of Human Development and Social Change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kenneth J. Saltman</itunes:subtitle>
      <itunes:summary>Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem.
Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification?
In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains.
This book is available open access here.
Joao Souto-Maior is a postdoc at the New York University’s Institute of Human Development and Social Change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, conspiracy theories run rampant, attacks on facts have become commonplace, and systemic inequities are on the rise as individual and collective agency unravels. <a href="https://bookshop.org/a/12343/9780262544368"><em>The Alienation of Fact: Digital Educational Privatization, AI, and the False Promise of Bodies and Numbers</em></a> (MIT Press, 2022) explains the educational, technological, and ideological preconditions for these contemporary crises of truth and agency and explores the contradictions and competing visions for the future of education that lie at the center of the problem.</p><p>Schools are increasingly reimagined as businesses, and high-stakes standardized testing and curricula, for-profit charter schools, and the rise of educational AI put capital and technology at the center of education. Yet even as our society demands measure, data, and facts, politicians and news outlets regularly make unfounded assertions. How should we make sense of the contradictions between the demand for radical data-driven empiricism and the flight from evidence, argument, or theoretical justification?</p><p>In this critical investigation of the new digital directions of educational privatization—AI education, adaptive learning technology, biometrics, the quantification of play and social emotional learning—and the politics of the body, Saltman shows how the false certainty of bodies and numbers replaces deliberative and thoughtful agency in a time of increasing precarity. A distinctive contribution to scholarship on public school privatization and educational technology, politics, policy, pedagogy, and theory, The Alienation of Fact is a spirited call for democratic education that values creating a society of “thinking people” over capitalistic gains.</p><p>This book is available open access <a href="https://direct.mit.edu/books/oa-monograph/5497/The-Alienation-of-FactDigital-Educational">here</a>.</p><p><a href="https://joaosoutomaior.com/"><em>Joao Souto-Maior</em></a><em> is a postdoc at the New York University’s Institute of Human Development and Social Change.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2294</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Helen Hester and Nick Srnicek, "After Work: A History of the Home and the Fight for Free Time" (Verso, 2023)</title>
      <description>Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you're confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on.
In After Work: A History of the Home and the Fight for Free Time (Verso, 2023), Dr. Helen Hester and Dr. Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals.
Charting the trajectory of our domestic spaces over the past century, Dr. Hester and Dr. Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1353</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nick Srnicek</itunes:subtitle>
      <itunes:summary>Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you're confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on.
In After Work: A History of the Home and the Fight for Free Time (Verso, 2023), Dr. Helen Hester and Dr. Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals.
Charting the trajectory of our domestic spaces over the past century, Dr. Hester and Dr. Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you're confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on.</p><p>In <a href="https://bookshop.org/a/12343/9781786633071"><em>After Work: A History of the Home and the Fight for Free Time</em></a> (Verso, 2023), Dr. Helen Hester and Dr. Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals.</p><p>Charting the trajectory of our domestic spaces over the past century, Dr. Hester and Dr. Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2717</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Al Davidoff, "Unionizing the Ivory Tower: Cornell Workers' Fifteen-Year Fight for Justice and a Living Wage" (ILR Press, 2023)</title>
      <description>Unionizing the Ivory Tower: Cornell Workers' Fifteen-Year Fight for Justice and a Living Wage (ILR Press, 2023) chronicles how a thousand low-paid custodians, cooks, and gardeners succeeded in organizing a union at Cornell University. Al Davidoff, the Cornell student leader who became a custodian and the union's first president, tells the extraordinary story of these ordinary workers with passion, sensitivity, and wit.
His memoir reveals how they took on the dominant power in the community, built a strong organization, and waged multiple strikes and campaigns for livable wages and their dignity. Their strategies and tactics were creative and feisty, founded on worker participation and ownership.
The union's commitment to fairness, equity, and economic justice also engaged these workers—mostly rural, white, and conservative—at the intersections of racism, sexism, classism, and homophobia. Davidoff's story demonstrates how a fighting union can activate today's working class to oppose antidemocratic and white supremacist forces.
Al Davidoff is co-founder of the National Labor Leadership Initiative and the Director of Organizational and Leadership Development for US labor's global arm at the Solidarity Center.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>214</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Al Davidoff</itunes:subtitle>
      <itunes:summary>Unionizing the Ivory Tower: Cornell Workers' Fifteen-Year Fight for Justice and a Living Wage (ILR Press, 2023) chronicles how a thousand low-paid custodians, cooks, and gardeners succeeded in organizing a union at Cornell University. Al Davidoff, the Cornell student leader who became a custodian and the union's first president, tells the extraordinary story of these ordinary workers with passion, sensitivity, and wit.
His memoir reveals how they took on the dominant power in the community, built a strong organization, and waged multiple strikes and campaigns for livable wages and their dignity. Their strategies and tactics were creative and feisty, founded on worker participation and ownership.
The union's commitment to fairness, equity, and economic justice also engaged these workers—mostly rural, white, and conservative—at the intersections of racism, sexism, classism, and homophobia. Davidoff's story demonstrates how a fighting union can activate today's working class to oppose antidemocratic and white supremacist forces.
Al Davidoff is co-founder of the National Labor Leadership Initiative and the Director of Organizational and Leadership Development for US labor's global arm at the Solidarity Center.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501769801"><em>Unionizing the Ivory Tower: Cornell Workers' Fifteen-Year Fight for Justice and a Living Wage</em></a><em> </em>(ILR Press, 2023) chronicles how a thousand low-paid custodians, cooks, and gardeners succeeded in organizing a union at Cornell University. Al Davidoff, the Cornell student leader who became a custodian and the union's first president, tells the extraordinary story of these ordinary workers with passion, sensitivity, and wit.</p><p>His memoir reveals how they took on the dominant power in the community, built a strong organization, and waged multiple strikes and campaigns for livable wages and their dignity. Their strategies and tactics were creative and feisty, founded on worker participation and ownership.</p><p>The union's commitment to fairness, equity, and economic justice also engaged these workers—mostly rural, white, and conservative—at the intersections of racism, sexism, classism, and homophobia. Davidoff's story demonstrates how a fighting union can activate today's working class to oppose antidemocratic and white supremacist forces.</p><p>Al Davidoff is co-founder of the National Labor Leadership Initiative and the Director of Organizational and Leadership Development for US labor's global arm at the Solidarity Center.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3481</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Marisa Holmes, "Organizing Occupy Wall Street: This is Just Practice" (Palgrave Macmillan, 2023)</title>
      <description>Organizing Occupy Wall Street: This is Just Practice (Palgrave Macmillan, 2023) is the first study of the processes and structures of the Occupy Wall Street movement, written from the perspective of a core organizer who was involved from the inception to the end. While much has been written on OWS, few books have focused on how the movement was organized. Marisa Holmes, an organizer of OWS in New York City, aims to fill this gap by deriving the theory from the practice and analyzing a broad range of original primary sources, from collective statements, structure documents, meeting minutes, and live tweets, to hundreds of hours of footage from the OWS Media Working Group archive. In doing so, she reveals how the movement was organized in practice, which experiments were most successful, and what future generations can learn.
Marisa Holmes is an organizer, filmmaker, writer, and educator based in Brooklyn, NY. She is the director of two non-fiction feature films, All Day All Week: An Occupy Wall Street Story, which captures the occupation at Zuccotti Park, and After the Revolution, a non-linear narrative of the post-2011 context in North Africa. In addition, she has authored numerous short films and articles. Her work has appeared in Truthout, Paris-Luttes, Nawaat, PBS, and Al Jazeera, and We Are Many: Reflections on Movement Strategy from Occupation to Liberation. She teaches courses on social movements and media at Rutgers University and Fordham University.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 26 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marisa Holmes</itunes:subtitle>
      <itunes:summary>Organizing Occupy Wall Street: This is Just Practice (Palgrave Macmillan, 2023) is the first study of the processes and structures of the Occupy Wall Street movement, written from the perspective of a core organizer who was involved from the inception to the end. While much has been written on OWS, few books have focused on how the movement was organized. Marisa Holmes, an organizer of OWS in New York City, aims to fill this gap by deriving the theory from the practice and analyzing a broad range of original primary sources, from collective statements, structure documents, meeting minutes, and live tweets, to hundreds of hours of footage from the OWS Media Working Group archive. In doing so, she reveals how the movement was organized in practice, which experiments were most successful, and what future generations can learn.
Marisa Holmes is an organizer, filmmaker, writer, and educator based in Brooklyn, NY. She is the director of two non-fiction feature films, All Day All Week: An Occupy Wall Street Story, which captures the occupation at Zuccotti Park, and After the Revolution, a non-linear narrative of the post-2011 context in North Africa. In addition, she has authored numerous short films and articles. Her work has appeared in Truthout, Paris-Luttes, Nawaat, PBS, and Al Jazeera, and We Are Many: Reflections on Movement Strategy from Occupation to Liberation. She teaches courses on social movements and media at Rutgers University and Fordham University.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9789811989469"><em>Organizing Occupy Wall Street: This is Just Practice</em></a> (Palgrave Macmillan, 2023) is the first study of the processes and structures of the Occupy Wall Street movement, written from the perspective of a core organizer who was involved from the inception to the end. While much has been written on OWS, few books have focused on how the movement was organized. Marisa Holmes, an organizer of OWS in New York City, aims to fill this gap by deriving the theory from the practice and analyzing a broad range of original primary sources, from collective statements, structure documents, meeting minutes, and live tweets, to hundreds of hours of footage from the OWS Media Working Group archive. In doing so, she reveals how the movement was organized in practice, which experiments were most successful, and what future generations can learn.</p><p>Marisa Holmes is an organizer, filmmaker, writer, and educator based in Brooklyn, NY. She is the director of two non-fiction feature films, <em>All Day All Week: An Occupy Wall Street Story</em>, which captures the occupation at Zuccotti Park, and <em>After the Revolution</em>, a non-linear narrative of the post-2011 context in North Africa. In addition, she has authored numerous short films and articles. Her work has appeared in Truthout, Paris-Luttes, Nawaat, PBS, and Al Jazeera, and <em>We Are Many: Reflections on Movement Strategy from Occupation to Liberation</em>. She teaches courses on social movements and media at Rutgers University and Fordham University.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2659</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[15ae30b4-4374-11ee-a6c7-2b4b3a05ec11]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2446239432.mp3?updated=1692988124" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Juliana Hu Pegues, "Space-Time Colonialism: Alaska's Indigenous and Asian Entanglements" (UNC Press, 2021)</title>
      <description>As the enduring "last frontier," Alaska proves an indispensable context for examining the form and function of American colonialism, particularly in the shift from western continental expansion to global empire. In this richly theorized work, Juliana Hu Pegues evaluates four key historical periods in U.S.-Alaskan history: the Alaskan purchase, the Gold Rush, the emergence of salmon canneries, and the World War II era. In each, Hu Pegues recognizes colonial and racial entanglements between Alaska Native peoples and Asian immigrants. In the midst of this complex interplay, the American colonial project advanced by differentially racializing and gendering Indigenous and Asian peoples, constructing Asian immigrants as "out of place" and Alaska Natives as "out of time." Counter to this space-time colonialism, Native and Asian peoples created alternate modes of meaning and belonging through their literature, photography, political organizing, and sociality.
Offering an intersectional approach to U.S. empire, Indigenous dispossession, and labor exploitation, Space-Time Colonialism: Alaska's Indigenous and Asian Entanglements (UNC Press, 2021) makes clear that Alaska is essential to understanding both U.S. imperial expansion and the machinations of settler colonialism.
Juliana Hu Pegues is associate professor in the Department of Literatures in English at Cornell University.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.
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      <pubDate>Fri, 25 Aug 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Juliana Hu Pegues</itunes:subtitle>
      <itunes:summary>As the enduring "last frontier," Alaska proves an indispensable context for examining the form and function of American colonialism, particularly in the shift from western continental expansion to global empire. In this richly theorized work, Juliana Hu Pegues evaluates four key historical periods in U.S.-Alaskan history: the Alaskan purchase, the Gold Rush, the emergence of salmon canneries, and the World War II era. In each, Hu Pegues recognizes colonial and racial entanglements between Alaska Native peoples and Asian immigrants. In the midst of this complex interplay, the American colonial project advanced by differentially racializing and gendering Indigenous and Asian peoples, constructing Asian immigrants as "out of place" and Alaska Natives as "out of time." Counter to this space-time colonialism, Native and Asian peoples created alternate modes of meaning and belonging through their literature, photography, political organizing, and sociality.
Offering an intersectional approach to U.S. empire, Indigenous dispossession, and labor exploitation, Space-Time Colonialism: Alaska's Indigenous and Asian Entanglements (UNC Press, 2021) makes clear that Alaska is essential to understanding both U.S. imperial expansion and the machinations of settler colonialism.
Juliana Hu Pegues is associate professor in the Department of Literatures in English at Cornell University.
Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the enduring "last frontier," Alaska proves an indispensable context for examining the form and function of American colonialism, particularly in the shift from western continental expansion to global empire. In this richly theorized work, Juliana Hu Pegues evaluates four key historical periods in U.S.-Alaskan history: the Alaskan purchase, the Gold Rush, the emergence of salmon canneries, and the World War II era. In each, Hu Pegues recognizes colonial and racial entanglements between Alaska Native peoples and Asian immigrants. In the midst of this complex interplay, the American colonial project advanced by differentially racializing and gendering Indigenous and Asian peoples, constructing Asian immigrants as "out of place" and Alaska Natives as "out of time." Counter to this space-time colonialism, Native and Asian peoples created alternate modes of meaning and belonging through their literature, photography, political organizing, and sociality.</p><p>Offering an intersectional approach to U.S. empire, Indigenous dispossession, and labor exploitation, <a href="https://bookshop.org/a/12343/9781469656182"><em>Space-Time Colonialism: Alaska's Indigenous and Asian Entanglements</em></a><em> </em>(UNC Press, 2021) makes clear that Alaska is essential to understanding both U.S. imperial expansion and the machinations of settler colonialism.</p><p>Juliana Hu Pegues is associate professor in the Department of Literatures in English at Cornell University.</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter </em><a href="https://twitter.com/alizearican"><em>@alizearican</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3405</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christina Heatherton, "Arise!: Global Radicalism in the Era of the Mexican Revolution" (U California Press, 2022)</title>
      <description>The Mexican Revolution was a global event that catalyzed international radicals in unexpected sites and struggles. Tracing the paths of figures like Black American artist Elizabeth Catlett, Indian anti-colonial activist M.N. Roy, Mexican revolutionary leader Ricardo Flores Magón, Okinawan migrant organizer Paul Shinsei Kōchi, and Soviet feminist Alexandra Kollontai, Arise!: Global Radicalism in the Era of the Mexican Revolution (U California Press, 2022) reveals how activists around the world found inspiration and solidarity in revolutionary Mexico.
From art collectives and farm worker strikes to prison "universities," Arise! reconstructs how this era's radical organizers found new ways to fight global capitalism. Drawing on prison records, surveillance data, memoirs, oral histories, visual art, and a rich trove of untapped sources, Christina Heatherton considers how disparate revolutionary traditions merged in unanticipated alliances. From her unique vantage point, she charts the remarkable impact of the Mexican Revolution as radicals in this critical era forged an anti-racist internationalism from below.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 25 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christina Heatherton</itunes:subtitle>
      <itunes:summary>The Mexican Revolution was a global event that catalyzed international radicals in unexpected sites and struggles. Tracing the paths of figures like Black American artist Elizabeth Catlett, Indian anti-colonial activist M.N. Roy, Mexican revolutionary leader Ricardo Flores Magón, Okinawan migrant organizer Paul Shinsei Kōchi, and Soviet feminist Alexandra Kollontai, Arise!: Global Radicalism in the Era of the Mexican Revolution (U California Press, 2022) reveals how activists around the world found inspiration and solidarity in revolutionary Mexico.
From art collectives and farm worker strikes to prison "universities," Arise! reconstructs how this era's radical organizers found new ways to fight global capitalism. Drawing on prison records, surveillance data, memoirs, oral histories, visual art, and a rich trove of untapped sources, Christina Heatherton considers how disparate revolutionary traditions merged in unanticipated alliances. From her unique vantage point, she charts the remarkable impact of the Mexican Revolution as radicals in this critical era forged an anti-racist internationalism from below.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Mexican Revolution was a global event that catalyzed international radicals in unexpected sites and struggles. Tracing the paths of figures like Black American artist Elizabeth Catlett, Indian anti-colonial activist M.N. Roy, Mexican revolutionary leader Ricardo Flores Magón, Okinawan migrant organizer Paul Shinsei Kōchi, and Soviet feminist Alexandra Kollontai, <a href="https://bookshop.org/a/12343/9780520287877"><em>Arise!: Global Radicalism in the Era of the Mexican Revolution</em></a><em> (</em>U California Press, 2022) reveals how activists around the world found inspiration and solidarity in revolutionary Mexico.</p><p>From art collectives and farm worker strikes to prison "universities," <em>Arise!</em> reconstructs how this era's radical organizers found new ways to fight global capitalism. Drawing on prison records, surveillance data, memoirs, oral histories, visual art, and a rich trove of untapped sources, Christina Heatherton considers how disparate revolutionary traditions merged in unanticipated alliances. From her unique vantage point, she charts the remarkable impact of the Mexican Revolution as radicals in this critical era forged an anti-racist internationalism from below.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3698</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97f401b4-42a4-11ee-965b-13bbd7621a91]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6545241675.mp3?updated=1692899585" length="0" type="audio/mpeg"/>
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    <item>
      <title>Travis Holloway, "How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene" (Stanford UP, 2022)</title>
      <description>the near universal disappearance of shared social enterprise: the ruling class builds walls and lunar shuttles, while the rest of us contend with the atrophy of institutional integrity and the utter abdication of providing even minimal shelter from looming disaster.
The irony of the Anthropocene era is that, in a neoliberal culture of the self, it is forcing us to consider ourselves as a collective again. For those of us who are not wealthy enough to start a colony on Mars or isolate ourselves from the world, the Anthropocene ends the fantasy of sheer individualism and worldlessness once and for all. It introduces a profound sense of time and events after the so-called "end of history" and an entirely new approach to solidarity.
How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene (Stanford UP, 2022) is a hopeful exploration of how we might inherit the name "Anthropocene," renarrate it, and revise our way of life or thought in view of it. In his book on time, art, and politics in an era of escalating climate change, Holloway takes up difficult, unanswered questions in recent work by Donna Haraway, Kathryn Yusoff, Bruno Latour, Dipesh Chakrabarty, and Isabelle Stengers, sketching a path toward a radical form of democracy―a zoocracy, or, a rule of all of the living.
Travis Holloway is Assistant Professor of Philosophy at SUNY Farmingdale and a poet and former Goldwater Fellow in Creative Writing at NYU.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>408</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Travis Holloway</itunes:subtitle>
      <itunes:summary>the near universal disappearance of shared social enterprise: the ruling class builds walls and lunar shuttles, while the rest of us contend with the atrophy of institutional integrity and the utter abdication of providing even minimal shelter from looming disaster.
The irony of the Anthropocene era is that, in a neoliberal culture of the self, it is forcing us to consider ourselves as a collective again. For those of us who are not wealthy enough to start a colony on Mars or isolate ourselves from the world, the Anthropocene ends the fantasy of sheer individualism and worldlessness once and for all. It introduces a profound sense of time and events after the so-called "end of history" and an entirely new approach to solidarity.
How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene (Stanford UP, 2022) is a hopeful exploration of how we might inherit the name "Anthropocene," renarrate it, and revise our way of life or thought in view of it. In his book on time, art, and politics in an era of escalating climate change, Holloway takes up difficult, unanswered questions in recent work by Donna Haraway, Kathryn Yusoff, Bruno Latour, Dipesh Chakrabarty, and Isabelle Stengers, sketching a path toward a radical form of democracy―a zoocracy, or, a rule of all of the living.
Travis Holloway is Assistant Professor of Philosophy at SUNY Farmingdale and a poet and former Goldwater Fellow in Creative Writing at NYU.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>the near universal disappearance of shared social enterprise: the ruling class builds walls and lunar shuttles, while the rest of us contend with the atrophy of institutional integrity and the utter abdication of providing even minimal shelter from looming disaster.</p><p>The irony of the Anthropocene era is that, in a neoliberal culture of the self, it is forcing us to consider ourselves as a collective again. For those of us who are not wealthy enough to start a colony on Mars or isolate ourselves from the world, the Anthropocene ends the fantasy of sheer individualism and worldlessness once and for all. It introduces a profound sense of time and events after the so-called "end of history" and an entirely new approach to solidarity.</p><p><a href="https://bookshop.org/a/12343/9781503633339"><em>How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene</em></a> (Stanford UP, 2022) is a hopeful exploration of how we might inherit the name "Anthropocene," renarrate it, and revise our way of life or thought in view of it. In his book on time, art, and politics in an era of escalating climate change, Holloway takes up difficult, unanswered questions in recent work by Donna Haraway, Kathryn Yusoff, Bruno Latour, Dipesh Chakrabarty, and Isabelle Stengers, sketching a path toward a radical form of democracy―a zoocracy, or, a rule of all of the living.</p><p>Travis Holloway is Assistant Professor of Philosophy at SUNY Farmingdale and a poet and former Goldwater Fellow in Creative Writing at NYU.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3074</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mary Edwards, "Sartre’s Existential Psychoanalysis: Knowing Others" (Bloomsbury, 2022)</title>
      <description>Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works.
This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre’s Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre’s output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 19 Aug 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Edwards</itunes:subtitle>
      <itunes:summary>Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works.
This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre’s Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre’s output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works.</p><p>This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book <a href="https://bookshop.org/a/12343/9781350331075"><em>Sartre’s Existential Psychoanalysis: Knowing Others</em></a><em> </em>(Bloomsbury, 2022). Working through Sartre’s output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6466</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Renyi Hong, "Passionate Work: Endurance after the Good Life" (Duke UP, 2022)</title>
      <description>In Passionate Work: Endurance after the Good Life (Duke UP, 2022), Renyi Hong theorizes the notion of being "passionate about your work" as an affective project that encourages people to endure economically trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. 
Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong demonstrates how passion can emerge in instances that would not typically be understood as passionate. Gamification numbs crippling boredom by keeping call center workers in an unthinking, suspensive state, pursuing even the most banal tasks in hope of career advancement. Coworking spaces marketed toward freelancers combat loneliness and disconnection at the precise moment when middle-class sureties are profoundly threatened. Ultimately, Hong argues, the ideal of passionate work sustains a condition of cruel optimism in which passion is offered as the solution for the injustices of contemporary capitalism.
Hong is assistant professor in the Department of Communications and New Media at the National University of Singapore. He is interested in labor and its relationships with affect, technology and capitalism. His works can be found in Social Text, New Media &amp; Society, European Journal of Cultural Studies, among others.
﻿Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>209</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Renyi Hong</itunes:subtitle>
      <itunes:summary>In Passionate Work: Endurance after the Good Life (Duke UP, 2022), Renyi Hong theorizes the notion of being "passionate about your work" as an affective project that encourages people to endure economically trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. 
Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong demonstrates how passion can emerge in instances that would not typically be understood as passionate. Gamification numbs crippling boredom by keeping call center workers in an unthinking, suspensive state, pursuing even the most banal tasks in hope of career advancement. Coworking spaces marketed toward freelancers combat loneliness and disconnection at the precise moment when middle-class sureties are profoundly threatened. Ultimately, Hong argues, the ideal of passionate work sustains a condition of cruel optimism in which passion is offered as the solution for the injustices of contemporary capitalism.
Hong is assistant professor in the Department of Communications and New Media at the National University of Singapore. He is interested in labor and its relationships with affect, technology and capitalism. His works can be found in Social Text, New Media &amp; Society, European Journal of Cultural Studies, among others.
﻿Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478015598"><em>Passionate Work: Endurance after the Good Life</em></a> (Duke UP, 2022), Renyi Hong theorizes the notion of being "passionate about your work" as an affective project that encourages people to endure economically trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. </p><p>Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong demonstrates how passion can emerge in instances that would not typically be understood as passionate. Gamification numbs crippling boredom by keeping call center workers in an unthinking, suspensive state, pursuing even the most banal tasks in hope of career advancement. Coworking spaces marketed toward freelancers combat loneliness and disconnection at the precise moment when middle-class sureties are profoundly threatened. Ultimately, Hong argues, the ideal of passionate work sustains a condition of cruel optimism in which passion is offered as the solution for the injustices of contemporary capitalism.</p><p>Hong is assistant professor in the Department of Communications and New Media at the National University of Singapore. He is interested in labor and its relationships with affect, technology and capitalism. His works can be found in Social Text, New Media &amp; Society, European Journal of Cultural Studies, among others.</p><p><em>﻿Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2923</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3789582181.mp3?updated=1692298315" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hans Kundnani, "Eurowhiteness: Culture, Empire and Race in the European Project" (Hurst, 2023)</title>
      <description>"Today’s 'pro-Europeans' would be horrified at the suggestion that their idea of Europe had anything to do with whiteness. In fact, many would find the attempt to link the two baffling and outrageous," writes Hans Kundnani in Eurowhiteness: Culture, Empire and Race in the European Project (Hurst, 2023).
Yet, he does so - taking the reader on a historical journey through the development of European identity from Christendom to the coincidence of the Enlightenment and the development of colonialism to the pan-European movement that grew out of the first world war and peace project (or was it?) that emerged from the second.
Not only is pro-Europeanism “analogous to nationalism - something like nationalism but on a larger, continental scale," Kundani argues, but the EU itself has “become a vehicle for imperial amnesia" thereby promoting and privileging “whiteness”.
Hans Kundnani is a fellow at the Open Society Foundations Workshop, an associate scholar at the Royal Institute of International Affairs (Chatham House), and a visiting scholar at the Robert L. Heilbroner Center for Capitalism Studies at The New School for Social Research. From 2018-22, he was a full-time researcher at Chatham House, including as director of the Europe Programme. Before that, he was a researcher at the German Marshall Fund, the Transatlantic Academy, and the European Council on Foreign Relations. In 2014, he published The Paradox of German Power.
*The author's own book recommendations are Eurafrica: The Untold History of European Integration and Colonialism by Peo Hansen and Stefan Jonsson (Bloomsbury Academic, 2015) and The Lonely Londoners by Sam Selvon (Penguin Modern Classics, 2006 - first published in 1956)
Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 17 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hans Kundnani</itunes:subtitle>
      <itunes:summary>"Today’s 'pro-Europeans' would be horrified at the suggestion that their idea of Europe had anything to do with whiteness. In fact, many would find the attempt to link the two baffling and outrageous," writes Hans Kundnani in Eurowhiteness: Culture, Empire and Race in the European Project (Hurst, 2023).
Yet, he does so - taking the reader on a historical journey through the development of European identity from Christendom to the coincidence of the Enlightenment and the development of colonialism to the pan-European movement that grew out of the first world war and peace project (or was it?) that emerged from the second.
Not only is pro-Europeanism “analogous to nationalism - something like nationalism but on a larger, continental scale," Kundani argues, but the EU itself has “become a vehicle for imperial amnesia" thereby promoting and privileging “whiteness”.
Hans Kundnani is a fellow at the Open Society Foundations Workshop, an associate scholar at the Royal Institute of International Affairs (Chatham House), and a visiting scholar at the Robert L. Heilbroner Center for Capitalism Studies at The New School for Social Research. From 2018-22, he was a full-time researcher at Chatham House, including as director of the Europe Programme. Before that, he was a researcher at the German Marshall Fund, the Transatlantic Academy, and the European Council on Foreign Relations. In 2014, he published The Paradox of German Power.
*The author's own book recommendations are Eurafrica: The Untold History of European Integration and Colonialism by Peo Hansen and Stefan Jonsson (Bloomsbury Academic, 2015) and The Lonely Londoners by Sam Selvon (Penguin Modern Classics, 2006 - first published in 1956)
Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"Today’s 'pro-Europeans' would be horrified at the suggestion that their idea of Europe had anything to do with whiteness. In fact, many would find the attempt to link the two baffling and outrageous," writes Hans Kundnani in <a href="https://bookshop.org/p/books/eurowhiteness-kundnani/20124625?ean=9781787389328"><em>Eurowhiteness: Culture, Empire and Race in the European Project </em></a>(Hurst, 2023).</p><p>Yet, he does so - taking the reader on a historical journey through the development of European identity from Christendom to the coincidence of the Enlightenment and the development of colonialism to the pan-European movement that grew out of the first world war and peace project (or was it?) that emerged from the second.</p><p>Not only is pro-Europeanism “analogous to nationalism - something like nationalism but on a larger, continental scale," Kundani argues, but the EU itself has “become a vehicle for imperial amnesia" thereby promoting and privileging “whiteness”.</p><p>Hans Kundnani is a fellow at the Open Society Foundations Workshop, an associate scholar at the Royal Institute of International Affairs (Chatham House), and a visiting scholar at the Robert L. Heilbroner Center for Capitalism Studies at The New School for Social Research. From 2018-22, he was a full-time researcher at Chatham House, including as director of the Europe Programme. Before that, he was a researcher at the German Marshall Fund, the Transatlantic Academy, and the European Council on Foreign Relations. In 2014, he published <em>The Paradox of German Power</em>.</p><p>*The author's own book recommendations are <em>Eurafrica: The Untold History of European Integration and Colonialism</em> by Peo Hansen and Stefan Jonsson (Bloomsbury Academic, 2015) and <em>The Lonely Londoners</em> by Sam Selvon (Penguin Modern Classics, 2006 - first published in 1956)</p><p><a href="https://timgwynnjones.com/"><em>Tim Gwynn Jones</em></a><em> is an economic and political-risk analyst at Medley Advisors, who also writes the </em><a href="https://twentyfourtwo.substack.com/"><em>twenty4two</em></a><em> newsletter on Substack and hosts the </em><a href="https://podcasts.apple.com/us/podcast/in-the-room/id1646625087?uo=4"><em>In The Room</em></a><em> podcast series.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fea8bc66-393e-11ee-8de1-536e06eca823]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8253661302.mp3?updated=1691865965" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ramzi Fawaz, "The New Mutants: Superheroes and the Radical Imagination of American Comics" (NYU Press, 2016)</title>
      <description>Today’s guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi’s recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott.
A bit about the book: 
n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes.
In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 17 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ramzi Fawaz</itunes:subtitle>
      <itunes:summary>Today’s guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, The New Mutants: Superheroes and the Radical Imagination of American Comics is his first book. In 2022, Ramzi published Queer Forms, for which he was interviewed by Lilly Goren for the New Books in Political Science channel. He is also the co-editor of Keywords for Comics Studies, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi’s recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in Social Text; and wrote the introduction to “Queer About Comics,” a special issue of American Literature, with Darieck Scott.
A bit about the book: 
n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes.
In The New Mutants: Superheroes and the Radical Imagination of American Comics (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s guest is Ramzi Fawaz, the Romnes Professor of English at the University of Wisconsin-Madison. Published by NYU Press in 2016, <em>The New Mutants: Superheroes and the Radical Imagination of American Comics </em>is his first book. In 2022, Ramzi published <em>Queer Forms</em>, for which he was <a href="https://newbooksnetwork.com/queer-forms#entry:188212@1:url">interviewed by Lilly Goren</a> for the New Books in Political Science channel. He is also the co-editor of <em>Keywords for Comics Studies</em>, with Deborah Whaley and Shelley Streeby, both with NYU Press. Ramzi’s recently published articles include “Legions of Superheroes: Diversity, Multiplicity, and Collective Action Against Genocide in the Superhero Comic Book,” in <em>Social Text</em>; and wrote the introduction to “Queer About Comics,” a special issue of <em>American Literature</em>, with Darieck Scott.</p><p>A bit about the book: </p><p>n 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes.</p><p>In <a href="https://bookshop.org/a/12343/9781479823086"><em>The New Mutants: Superheroes and the Radical Imagination of American Comics</em></a> (NYU Press, 2016), Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies--including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants--alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the </em><a href="https://muse.jhu.edu/article/786734"><em>Journal for Early Modern Culture Studies</em></a><em>, Early Theatre, Studies in Philology, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5038</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1e1862a0-3c4f-11ee-a258-af5afa74753d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3776478903.mp3?updated=1692203559" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Skinner-Thompson, "Privacy at the Margins" (Cambridge UP, 2021)</title>
      <description>Limited legal protections for privacy leave minority communities vulnerable to concrete injuries and violence when their information is exposed. In Privacy at the Margins (Cambridge UP, 2021), Scott Skinner-Thompson highlights why privacy is of acute importance for marginalized groups. He explains how privacy can serve as a form of expressive resistance to government and corporate surveillance regimes - furthering equality goals - and demonstrates why efforts undertaken by vulnerable groups (queer folks, women, and racial and religious minorities) to protect their privacy should be entitled to constitutional protection under the First Amendment and related equality provisions. By examining the ways even limited privacy can enrich and enhance our lives at the margins in material ways, this work shows how privacy can be transformed from a liberal affectation to a legal tool of liberation from oppression.
﻿Jake Chanenson, CS Ph.D. at UChicago
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>352</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Skinner-Thompson</itunes:subtitle>
      <itunes:summary>Limited legal protections for privacy leave minority communities vulnerable to concrete injuries and violence when their information is exposed. In Privacy at the Margins (Cambridge UP, 2021), Scott Skinner-Thompson highlights why privacy is of acute importance for marginalized groups. He explains how privacy can serve as a form of expressive resistance to government and corporate surveillance regimes - furthering equality goals - and demonstrates why efforts undertaken by vulnerable groups (queer folks, women, and racial and religious minorities) to protect their privacy should be entitled to constitutional protection under the First Amendment and related equality provisions. By examining the ways even limited privacy can enrich and enhance our lives at the margins in material ways, this work shows how privacy can be transformed from a liberal affectation to a legal tool of liberation from oppression.
﻿Jake Chanenson, CS Ph.D. at UChicago
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Limited legal protections for privacy leave minority communities vulnerable to concrete injuries and violence when their information is exposed. In <a href="https://bookshop.org/a/12343/9781316632635"><em>Privacy at the Margins</em></a> (Cambridge UP, 2021), Scott Skinner-Thompson highlights why privacy is of acute importance for marginalized groups. He explains how privacy can serve as a form of expressive resistance to government and corporate surveillance regimes - furthering equality goals - and demonstrates why efforts undertaken by vulnerable groups (queer folks, women, and racial and religious minorities) to protect their privacy should be entitled to constitutional protection under the First Amendment and related equality provisions. By examining the ways even limited privacy can enrich and enhance our lives at the margins in material ways, this work shows how privacy can be transformed from a liberal affectation to a legal tool of liberation from oppression.</p><p><em>﻿Jake Chanenson, CS Ph.D. at UChicago</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1340</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b8526594-3bac-11ee-b64b-a393b3998440]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7216777745.mp3?updated=1692132271" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Keith A. Mayes, "The Unteachables: Disability Rights and the Invention of Black Special Education" (U Minnesota Press, 2023)</title>
      <description>The Unteachables: Disability Rights and the Invention of Black Special Education (U Minnesota Press, 2023) examines the overrepresentation of Black students in special education over the course of the twentieth century. As African American children integrated predominantly white schools, many were disproportionately labeled educable mentally retarded (EMR), learning disabled (LD), and emotionally behavioral disordered (EBD). Keith A. Mayes charts the evolution of disability categories and how these labels kept Black learners segregated in American classrooms.
The civil rights and the educational disability rights movements, Mayes shows, have both collaborated and worked at cross-purposes since the beginning of school desegregation. Disability rights advocates built upon the opportunity provided by the civil rights movement to make claims about student invisibility at the level of intellectual and cognitive disabilities. Although special education ostensibly included children from all racial groups, educational disability rights advocates focused on the needs of white disabled students, while school systems used disability discourses to malign and marginalize Black students.
From the 1940s to the present, social science researchers, policymakers, school administrators, and teachers have each contributed to the overrepresentation of Black students in special education. Excavating the deep-seated racism embedded in both the public school system and public policy, The Unteachables explores the discriminatory labeling of Black students, and how it indelibly contributed to special education disproportionality, to student discipline and push-out practices, and to the school-to-prison pipeline effect.
Joao Souto-Maior is a postdoc at the New York University’s Institute of Human Development and Social Change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 13 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>207</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Keith A. Mayes</itunes:subtitle>
      <itunes:summary>The Unteachables: Disability Rights and the Invention of Black Special Education (U Minnesota Press, 2023) examines the overrepresentation of Black students in special education over the course of the twentieth century. As African American children integrated predominantly white schools, many were disproportionately labeled educable mentally retarded (EMR), learning disabled (LD), and emotionally behavioral disordered (EBD). Keith A. Mayes charts the evolution of disability categories and how these labels kept Black learners segregated in American classrooms.
The civil rights and the educational disability rights movements, Mayes shows, have both collaborated and worked at cross-purposes since the beginning of school desegregation. Disability rights advocates built upon the opportunity provided by the civil rights movement to make claims about student invisibility at the level of intellectual and cognitive disabilities. Although special education ostensibly included children from all racial groups, educational disability rights advocates focused on the needs of white disabled students, while school systems used disability discourses to malign and marginalize Black students.
From the 1940s to the present, social science researchers, policymakers, school administrators, and teachers have each contributed to the overrepresentation of Black students in special education. Excavating the deep-seated racism embedded in both the public school system and public policy, The Unteachables explores the discriminatory labeling of Black students, and how it indelibly contributed to special education disproportionality, to student discipline and push-out practices, and to the school-to-prison pipeline effect.
Joao Souto-Maior is a postdoc at the New York University’s Institute of Human Development and Social Change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517910273"><em>The Unteachables: Disability Rights and the Invention of Black Special Education</em></a> (U Minnesota Press, 2023) examines the overrepresentation of Black students in special education over the course of the twentieth century. As African American children integrated predominantly white schools, many were disproportionately labeled educable mentally retarded (EMR), learning disabled (LD), and emotionally behavioral disordered (EBD). Keith A. Mayes charts the evolution of disability categories and how these labels kept Black learners segregated in American classrooms.</p><p>The civil rights and the educational disability rights movements, Mayes shows, have both collaborated and worked at cross-purposes since the beginning of school desegregation. Disability rights advocates built upon the opportunity provided by the civil rights movement to make claims about student invisibility at the level of intellectual and cognitive disabilities. Although special education ostensibly included children from all racial groups, educational disability rights advocates focused on the needs of white disabled students, while school systems used disability discourses to malign and marginalize Black students.</p><p>From the 1940s to the present, social science researchers, policymakers, school administrators, and teachers have each contributed to the overrepresentation of Black students in special education. Excavating the deep-seated racism embedded in both the public school system and public policy, <em>The Unteachables</em> explores the discriminatory labeling of Black students, and how it indelibly contributed to special education disproportionality, to student discipline and push-out practices, and to the school-to-prison pipeline effect.</p><p><a href="https://joaosoutomaior.com/"><em>Joao Souto-Maior</em></a><em> is a postdoc at the New York University’s Institute of Human Development and Social Change.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9869ec54-3939-11ee-b13a-871fe38cba93]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5369125926.mp3?updated=1691863429" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Zahi Zalloua, "Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality" (Bloomsbury, 2023)</title>
      <description>Zahi Zalloua provides the first examination of Palestinian identity from the perspective of Indigeneity and Critical Black Studies. Examining the Palestinian question through the lens of settler colonialism and Indigeneity, this timely book warns against the liberal approach to Palestinian Indigeneity, which reinforces cultural domination, and urgently argues for the universal nature of the Palestinian struggle.
Foregrounding Palestinian Indigeneity reframes the Palestinian-Israeli conflict as a problem of wrongful dispossession, a historical harm that continues to be inflicted on the population under the brutal Occupation of the West Bank and Gaza. At the same time, in a global context marked by liberal democratic ideology, such an approach leads either to liberal tolerance – the minority is permitted to exist so long as their culture can be contained within the majority order – or racial separatism, that is, appeals for national independence typically embodied in the two-state solution.
Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality (2023 Bloomsbury Publishing PLC) not only insists that any analysis of Indigeneity's purchase must keep this problem of translation in mind, but also that we must recast the Palestinian struggle as a universal one. As demonstrated by the Palestinian support for such movements as Black Lives Matter, and the reciprocal support Palestinians receive from BLM activists, the Palestinian cause fosters a solidarity of the excluded. This solidarity underscores the interlocking, global struggles for emancipation from racial domination and economic exploitation.
Drawing on key Palestinian voices, including Edward Said and Larissa Sansour, as well as a wide range of influential philosophers such as Slavoj Žižek, Frantz Fanon and Achille Mbembe, Zalloua brings together the Palestinian question, Indigeneity and Critical Black Studies to develop a transformative, anti-racist vision of the world.
Zahi is Cushing Eells Professor of Philosophy and Literature, and Director of Indigeneity, Race, and Ethnicity Studies at Whitman College, USA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>406</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Zahi Zalloua</itunes:subtitle>
      <itunes:summary>Zahi Zalloua provides the first examination of Palestinian identity from the perspective of Indigeneity and Critical Black Studies. Examining the Palestinian question through the lens of settler colonialism and Indigeneity, this timely book warns against the liberal approach to Palestinian Indigeneity, which reinforces cultural domination, and urgently argues for the universal nature of the Palestinian struggle.
Foregrounding Palestinian Indigeneity reframes the Palestinian-Israeli conflict as a problem of wrongful dispossession, a historical harm that continues to be inflicted on the population under the brutal Occupation of the West Bank and Gaza. At the same time, in a global context marked by liberal democratic ideology, such an approach leads either to liberal tolerance – the minority is permitted to exist so long as their culture can be contained within the majority order – or racial separatism, that is, appeals for national independence typically embodied in the two-state solution.
Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality (2023 Bloomsbury Publishing PLC) not only insists that any analysis of Indigeneity's purchase must keep this problem of translation in mind, but also that we must recast the Palestinian struggle as a universal one. As demonstrated by the Palestinian support for such movements as Black Lives Matter, and the reciprocal support Palestinians receive from BLM activists, the Palestinian cause fosters a solidarity of the excluded. This solidarity underscores the interlocking, global struggles for emancipation from racial domination and economic exploitation.
Drawing on key Palestinian voices, including Edward Said and Larissa Sansour, as well as a wide range of influential philosophers such as Slavoj Žižek, Frantz Fanon and Achille Mbembe, Zalloua brings together the Palestinian question, Indigeneity and Critical Black Studies to develop a transformative, anti-racist vision of the world.
Zahi is Cushing Eells Professor of Philosophy and Literature, and Director of Indigeneity, Race, and Ethnicity Studies at Whitman College, USA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Zahi Zalloua provides the first examination of Palestinian identity from the perspective of Indigeneity and Critical Black Studies. Examining the Palestinian question through the lens of settler colonialism and Indigeneity, this timely book warns against the liberal approach to Palestinian Indigeneity, which reinforces cultural domination, and urgently argues for the universal nature of the Palestinian struggle.</p><p>Foregrounding Palestinian Indigeneity reframes the Palestinian-Israeli conflict as a problem of wrongful dispossession, a historical harm that continues to be inflicted on the population under the brutal Occupation of the West Bank and Gaza. At the same time, in a global context marked by liberal democratic ideology, such an approach leads either to liberal tolerance – the minority is permitted to exist so long as their culture can be contained within the majority order – or racial separatism, that is, appeals for national independence typically embodied in the two-state solution.</p><p><a href="https://bookshop.org/a/12343/9781350290198"><em>Solidarity and the Palestinian Cause: Indigeneity, Blackness, and the Promise of Universality</em></a><em> </em>(2023 Bloomsbury Publishing PLC) not only insists that any analysis of Indigeneity's purchase must keep this problem of translation in mind, but also that we must recast the Palestinian struggle as a universal one. As demonstrated by the Palestinian support for such movements as Black Lives Matter, and the reciprocal support Palestinians receive from BLM activists, the Palestinian cause fosters a solidarity of the excluded. This solidarity underscores the interlocking, global struggles for emancipation from racial domination and economic exploitation.</p><p>Drawing on key Palestinian voices, including Edward Said and Larissa Sansour, as well as a wide range of influential philosophers such as Slavoj Žižek, Frantz Fanon and Achille Mbembe, Zalloua brings together the Palestinian question, Indigeneity and Critical Black Studies to develop a transformative, anti-racist vision of the world.</p><p>Zahi is Cushing Eells Professor of Philosophy and Literature, and Director of Indigeneity, Race, and Ethnicity Studies at Whitman College, USA.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3817</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Michael J. Diamond, "Ruptures in the American Psyche: Containing Destructive Populism in Perilous Times" (Phoenix Publishing, 2022)</title>
      <description>Michael J. Diamond's book Ruptures in the American Psyche: Containing Destructive Populism in Perilous Times (Phoenix Publishing, 2022) describes Trumpism: the strong allegiance to former President Donald Trump that is in evidence among a sizable portion of the US population. How did Trump come to be elected in 2016, and who supported him during his presidential tenure - and why? How is it that he continues to hold cult-like status, exerting a strong influence not only on many individuals but also on numerous elected officials, despite his defeat in 2020? Why does his character continue to be an object of fascination even among anti-Trumpists, and why will Trumpism continue to play a major role in the American sociopolitical landscape even now he has left the presidential stage? 
Diamond ponders these questions through the lenses of American history and culture, political theory, social phenomena, group dynamics, and psychoanalysis. In exploring the relationship between large-group regression, cultism, destructive populism, delusional thinking, conspiratorial beliefs, authoritarianism, and leadership characterised by narcissism and paranoia, psychoanalytic ideas pertaining to group dynamics, malignant regression, and leadership are brought into play. Prominent psychoanalytic thinkers who have addressed these topics and whose work usefully contributes to the discussion include Bion, Freud, Fromm, Bollas, Kernberg, Lifton, Rosenfeld, and Volkan, as well as Bleger, Jaques, and several more recent Kleinian/Bionian-influenced analysts.
Most important, the book makes use of these understandings to reestablish a sufficiently containing frame that strengthens the body politics' nonpathological elements in order to come to grips with these disturbing factors. Whatever their political beliefs, psychoanalysts in the US and worldwide will find much to think about in reading this book's application of their discipline to today's sociopolitical environment. In addition, the book's insights extend beyond arguments targeting a strictly psychoanalytic audience in order to reach social and political thinkers, as well as activists, who are deeply concerned about dangers threatening the very foundations of democracy in the US and worldwide. And finally, the thoughtful lay person will appreciate the accessibility to all these fields that the book provides, and will come away with a much deeper understanding of just what motivates us to take a stand for or against a given political figure. In short, conceptual tools are provided that lead to greater understanding as well as effective strategies and tactics for containment of destructive forces - largely unconscious ones - that imperil our society.
﻿Karyne Messina is a licensed psychologist and psychoanalyst at the Washington Baltimore Center for Psychoanalysis and am on the medical staff of Suburban Hospital in Bethesda, Maryland. She is the author of Resurgence of Populism: A Psychoanalytic Study of Projective Identification, Blame Shifting and the Corruption of Democracy (Routledge, 2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>214</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael J. Diamond</itunes:subtitle>
      <itunes:summary>Michael J. Diamond's book Ruptures in the American Psyche: Containing Destructive Populism in Perilous Times (Phoenix Publishing, 2022) describes Trumpism: the strong allegiance to former President Donald Trump that is in evidence among a sizable portion of the US population. How did Trump come to be elected in 2016, and who supported him during his presidential tenure - and why? How is it that he continues to hold cult-like status, exerting a strong influence not only on many individuals but also on numerous elected officials, despite his defeat in 2020? Why does his character continue to be an object of fascination even among anti-Trumpists, and why will Trumpism continue to play a major role in the American sociopolitical landscape even now he has left the presidential stage? 
Diamond ponders these questions through the lenses of American history and culture, political theory, social phenomena, group dynamics, and psychoanalysis. In exploring the relationship between large-group regression, cultism, destructive populism, delusional thinking, conspiratorial beliefs, authoritarianism, and leadership characterised by narcissism and paranoia, psychoanalytic ideas pertaining to group dynamics, malignant regression, and leadership are brought into play. Prominent psychoanalytic thinkers who have addressed these topics and whose work usefully contributes to the discussion include Bion, Freud, Fromm, Bollas, Kernberg, Lifton, Rosenfeld, and Volkan, as well as Bleger, Jaques, and several more recent Kleinian/Bionian-influenced analysts.
Most important, the book makes use of these understandings to reestablish a sufficiently containing frame that strengthens the body politics' nonpathological elements in order to come to grips with these disturbing factors. Whatever their political beliefs, psychoanalysts in the US and worldwide will find much to think about in reading this book's application of their discipline to today's sociopolitical environment. In addition, the book's insights extend beyond arguments targeting a strictly psychoanalytic audience in order to reach social and political thinkers, as well as activists, who are deeply concerned about dangers threatening the very foundations of democracy in the US and worldwide. And finally, the thoughtful lay person will appreciate the accessibility to all these fields that the book provides, and will come away with a much deeper understanding of just what motivates us to take a stand for or against a given political figure. In short, conceptual tools are provided that lead to greater understanding as well as effective strategies and tactics for containment of destructive forces - largely unconscious ones - that imperil our society.
﻿Karyne Messina is a licensed psychologist and psychoanalyst at the Washington Baltimore Center for Psychoanalysis and am on the medical staff of Suburban Hospital in Bethesda, Maryland. She is the author of Resurgence of Populism: A Psychoanalytic Study of Projective Identification, Blame Shifting and the Corruption of Democracy (Routledge, 2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michael J. Diamond's book <a href="https://bookshop.org/a/12343/9781800131279"><em>Ruptures in the American Psyche: Containing Destructive Populism in Perilous Times</em></a><em> </em>(Phoenix Publishing, 2022) describes Trumpism: the strong allegiance to former President Donald Trump that is in evidence among a sizable portion of the US population. How did Trump come to be elected in 2016, and who supported him during his presidential tenure - and why? How is it that he continues to hold cult-like status, exerting a strong influence not only on many individuals but also on numerous elected officials, despite his defeat in 2020? Why does his character continue to be an object of fascination even among anti-Trumpists, and why will Trumpism continue to play a major role in the American sociopolitical landscape even now he has left the presidential stage? </p><p>Diamond ponders these questions through the lenses of American history and culture, political theory, social phenomena, group dynamics, and psychoanalysis. In exploring the relationship between large-group regression, cultism, destructive populism, delusional thinking, conspiratorial beliefs, authoritarianism, and leadership characterised by narcissism and paranoia, psychoanalytic ideas pertaining to group dynamics, malignant regression, and leadership are brought into play. Prominent psychoanalytic thinkers who have addressed these topics and whose work usefully contributes to the discussion include Bion, Freud, Fromm, Bollas, Kernberg, Lifton, Rosenfeld, and Volkan, as well as Bleger, Jaques, and several more recent Kleinian/Bionian-influenced analysts.</p><p>Most important, the book makes use of these understandings to reestablish a sufficiently containing frame that strengthens the body politics' nonpathological elements in order to come to grips with these disturbing factors. Whatever their political beliefs, psychoanalysts in the US and worldwide will find much to think about in reading this book's application of their discipline to today's sociopolitical environment. In addition, the book's insights extend beyond arguments targeting a strictly psychoanalytic audience in order to reach social and political thinkers, as well as activists, who are deeply concerned about dangers threatening the very foundations of democracy in the US and worldwide. And finally, the thoughtful lay person will appreciate the accessibility to all these fields that the book provides, and will come away with a much deeper understanding of just what motivates us to take a stand for or against a given political figure. In short, conceptual tools are provided that lead to greater understanding as well as effective strategies and tactics for containment of destructive forces - largely unconscious ones - that imperil our society.</p><p><em>﻿</em><a href="https://karyne-messina.com/"><em>Karyne Messina</em></a><em> is a licensed psychologist and psychoanalyst at the Washington Baltimore Center for Psychoanalysis and am on the medical staff of Suburban Hospital in Bethesda, Maryland. She is the author of </em><a href="https://bookshop.org/a/12343/9781032064512"><em>Resurgence of Populism: A Psychoanalytic Study of Projective Identification, Blame Shifting and the Corruption of Democracy</em></a><em> (Routledge, 2022).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4118</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9837de9a-37ad-11ee-9846-6fdedafcb6e2]]></guid>
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    </item>
    <item>
      <title>Cory Doctorow, "The Internet Con: How to Seize the Means of Computation" (Verso, 2023)</title>
      <description>Big Tech locked us into their systems by making their platforms hard to leave by design. The impossibility of staying connected to people on their platforms after you delete your account has nothing to do with technological limitations: it's an intentional business strategy.
In The Internet Con: How to Seize the Means of Computation (Verso, 2023), Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users leave platforms, remix their media, and reconfigure their devices without corporate permission.
This book comes out September 5, 2023. See seizethemeansofcomputation.org for book details.
Note: Cory mentioned that the book website is seizethemeansofcommunication.org it is actually seizethemeansofcomputation.org.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>350</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cory Doctorow</itunes:subtitle>
      <itunes:summary>Big Tech locked us into their systems by making their platforms hard to leave by design. The impossibility of staying connected to people on their platforms after you delete your account has nothing to do with technological limitations: it's an intentional business strategy.
In The Internet Con: How to Seize the Means of Computation (Verso, 2023), Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users leave platforms, remix their media, and reconfigure their devices without corporate permission.
This book comes out September 5, 2023. See seizethemeansofcomputation.org for book details.
Note: Cory mentioned that the book website is seizethemeansofcommunication.org it is actually seizethemeansofcomputation.org.
Jake Chanenson is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Big Tech locked us into their systems by making their platforms hard to leave by design. The impossibility of staying connected to people on their platforms after you delete your account has nothing to do with technological limitations: it's an intentional business strategy.</p><p>In <a href="https://bookshop.org/a/12343/9781804291245"><em>The Internet Con: How to Seize the Means of Computation</em></a><em> </em>(Verso, 2023), Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users leave platforms, remix their media, and reconfigure their devices without corporate permission.</p><p>This book comes out September 5, 2023. See <a href="https://newbooksnetwork.com/admin/entries/episodes/seizethemeansofcomputation.org">seizethemeansofcomputation.org</a> for book details.</p><p>Note: Cory mentioned that the book website is seizethemeansof<em>communication</em>.org it is actually seizethemeansof<u>computation</u>.org.</p><p><a href="https://jakec007.github.io/"><em>Jake Chanenson</em></a><em> is a computer science Ph.D. student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s </em>work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2432</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08b56928-3630-11ee-abdf-e75a07914b8e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2754553376.mp3?updated=1691529229" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wendy A. Woloson, "Crap: A History of Cheap Stuff in America" (U Chicago Press, 2020)</title>
      <description>Why are our lives filled with so much stuff? In Crap: A History of Cheap Stuff in America (U Chicago Press, 2023), Wendy Woloson, Professor and Chair in the Department of History at Rutgers University, tells the history of these objects and things, from the early years of peddlers through to modern gadgets, and everything in between. In telling this story the book tells a history of America itself, looking at the rise of consumerism, advertising, television, and corporate life, as well as tracking changes in morals, sentiments, humour, and personal habits. Packed with brilliant details, and sweeping in scope, the book will be widely read across the humanities and social sciences, as well as by anyone seeking to understand the modern world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>405</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wendy A. Woloson</itunes:subtitle>
      <itunes:summary>Why are our lives filled with so much stuff? In Crap: A History of Cheap Stuff in America (U Chicago Press, 2023), Wendy Woloson, Professor and Chair in the Department of History at Rutgers University, tells the history of these objects and things, from the early years of peddlers through to modern gadgets, and everything in between. In telling this story the book tells a history of America itself, looking at the rise of consumerism, advertising, television, and corporate life, as well as tracking changes in morals, sentiments, humour, and personal habits. Packed with brilliant details, and sweeping in scope, the book will be widely read across the humanities and social sciences, as well as by anyone seeking to understand the modern world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why are our lives filled with so much stuff? In <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo44254507.html"><em>Crap: A History of Cheap Stuff in America</em></a> (U Chicago Press, 2023), Wendy Woloson, <a href="https://sites.rutgers.edu/wendy-woloson/">Professor and Chair in the Department of History at Rutgers University</a>, tells the history of these objects and things, from the early years of peddlers through to modern gadgets, and everything in between. In telling this story the book tells a history of America itself, looking at the rise of consumerism, advertising, television, and corporate life, as well as tracking changes in morals, sentiments, humour, and personal habits. Packed with brilliant details, and sweeping in scope, the book will be widely read across the humanities and social sciences, as well as by anyone seeking to understand the modern world.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2656</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3a112d3a-3537-11ee-a149-e7281d383616]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR1637387799.mp3?updated=1691422829" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth Humphrys, "How Labour Built Neoliberalism: Australia's Accord, the Labour Movement and the Neoliberal Project" (Haymarket, 2019)</title>
      <description>Why do we always assume it was the New Right that was at the centre of constructing neoliberalism? How might corporatism have advanced neoliberalism? And, more controversially, were the trade unions only victims of neoliberal change, or did they play a more contradictory role? In How Labour Built Neoliberalism: Australia’s Accord, the Labour Movement and the Neoliberal Project (Haymarket 2019), Elizabeth Humphrys examines the role of the Labour Party and trade unions in constructing neoliberalism in Australia, and the implications of this for understanding neoliberalism's global advance. These questions are central to understanding the present condition of the labour movement and its prospects for the future.
Dr Elizabeth Humphrys is a political economist and the Head Of Discipline, Social And Political Sciences at University of Technology Sydney. She is interested in the impact of economic crisis and climate change on workers, and how workplaces can be made safer and more equitable. She takes a multidisciplinary approach, also drawing on sociology and history, to develop policy and strategies for social change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elizabeth Humphrys</itunes:subtitle>
      <itunes:summary>Why do we always assume it was the New Right that was at the centre of constructing neoliberalism? How might corporatism have advanced neoliberalism? And, more controversially, were the trade unions only victims of neoliberal change, or did they play a more contradictory role? In How Labour Built Neoliberalism: Australia’s Accord, the Labour Movement and the Neoliberal Project (Haymarket 2019), Elizabeth Humphrys examines the role of the Labour Party and trade unions in constructing neoliberalism in Australia, and the implications of this for understanding neoliberalism's global advance. These questions are central to understanding the present condition of the labour movement and its prospects for the future.
Dr Elizabeth Humphrys is a political economist and the Head Of Discipline, Social And Political Sciences at University of Technology Sydney. She is interested in the impact of economic crisis and climate change on workers, and how workplaces can be made safer and more equitable. She takes a multidisciplinary approach, also drawing on sociology and history, to develop policy and strategies for social change.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do we always assume it was the New Right that was at the centre of constructing neoliberalism? How might corporatism have advanced neoliberalism? And, more controversially, were the trade unions only victims of neoliberal change, or did they play a more contradictory role? In <a href="https://bookshop.org/a/12343/9781642590685"><em>How Labour Built Neoliberalism: Australia’s Accord, the Labour Movement and the Neoliberal Project</em></a><em> </em>(Haymarket 2019), Elizabeth Humphrys examines the role of the Labour Party and trade unions in constructing neoliberalism in Australia, and the implications of this for understanding neoliberalism's global advance. These questions are central to understanding the present condition of the labour movement and its prospects for the future.</p><p>Dr Elizabeth Humphrys is a political economist and the Head Of Discipline, Social And Political Sciences at University of Technology Sydney. She is interested in the impact of economic crisis and climate change on workers, and how workplaces can be made safer and more equitable. She takes a multidisciplinary approach, also drawing on sociology and history, to develop policy and strategies for social change.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[889bbfb4-355b-11ee-954a-8705ccfda973]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8669970391.mp3?updated=1691438190" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frank Jacob, "Wallerstein 2.0: Thinking and Applying World-Systems Theory in the 21st Century" (Transcript Publishing, 2022)</title>
      <description>Immanuel Wallerstein's world-systems theory can help to better understand and describe developments of the 21st century. The contributors of Wallerstein 2.0: Thinking and Applying World-Systems Theory in the 21st Century (Transcript Publishing, 2023) address ways to reread Wallerstein's theoretical thoughts in the humanities and social sciences. The presented interdisciplinary approach of this anthology intends to highlight the broader value of Wallerstein's ideas, even almost five decades after the famous sociologist and economic historian first expressed them.
Frank Jacob is a professor of global history at Nord Universitet, Norway.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frank Jacob</itunes:subtitle>
      <itunes:summary>Immanuel Wallerstein's world-systems theory can help to better understand and describe developments of the 21st century. The contributors of Wallerstein 2.0: Thinking and Applying World-Systems Theory in the 21st Century (Transcript Publishing, 2023) address ways to reread Wallerstein's theoretical thoughts in the humanities and social sciences. The presented interdisciplinary approach of this anthology intends to highlight the broader value of Wallerstein's ideas, even almost five decades after the famous sociologist and economic historian first expressed them.
Frank Jacob is a professor of global history at Nord Universitet, Norway.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Immanuel Wallerstein's world-systems theory can help to better understand and describe developments of the 21st century. The contributors of <a href="https://www.transcript-publishing.com/978-3-8376-6044-9/wallerstein-2.0/?number=978-3-8394-6044-3&amp;c=413000085"><em>Wallerstein 2.0: Thinking and Applying World-Systems Theory in the 21st Century</em></a><em> </em>(Transcript Publishing, 2023) address ways to reread Wallerstein's theoretical thoughts in the humanities and social sciences. The presented interdisciplinary approach of this anthology intends to highlight the broader value of Wallerstein's ideas, even almost five decades after the famous sociologist and economic historian first expressed them.</p><p>Frank Jacob is a professor of global history at Nord Universitet, Norway.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a2da56e-354f-11ee-a85d-b7137dfdb395]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5398814878.mp3?updated=1732046622" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip Roscoe, "How to Build a Stock Exchange: The Past, Present and Future of Finance" (Bristol UP, 2023)</title>
      <description>Why does the financial sector matter? In How to Build a Stock Exchange: The Past, Present and Future of Finance (Bristol UP, 2023), Philip Roscoe, a Professor of Management at the University of St Andrews, explores the history of the London Stock Exchange as part of a broader examination of the role of finance in the modern world. Richly detailed, including personal reflections as well as interviews and historical analysis, the book covers the technologies, personalities, and key events that have made London, and the financial industry, globally powerful today. The book is essential reading across the social sciences and humanities, and you can hear Philip’s podcast series that accompanies the book here.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>404</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip Roscoe</itunes:subtitle>
      <itunes:summary>Why does the financial sector matter? In How to Build a Stock Exchange: The Past, Present and Future of Finance (Bristol UP, 2023), Philip Roscoe, a Professor of Management at the University of St Andrews, explores the history of the London Stock Exchange as part of a broader examination of the role of finance in the modern world. Richly detailed, including personal reflections as well as interviews and historical analysis, the book covers the technologies, personalities, and key events that have made London, and the financial industry, globally powerful today. The book is essential reading across the social sciences and humanities, and you can hear Philip’s podcast series that accompanies the book here.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does the financial sector matter? In <a href="https://bookshop.org/a/12343/9781529224320"><em>How to Build a Stock Exchange: The Past, Present and Future of Finance</em></a><em> </em>(Bristol UP, 2023), <a href="https://twitter.com/philip_roscoe">Philip Roscoe</a>, a <a href="https://philiproscoe.net/">Professor of Management</a> at the <a href="https://www.st-andrews.ac.uk/management/people/pjr10/">University of St Andrews</a>, explores the history of the London Stock Exchange as part of a broader examination of the role of finance in the modern world. Richly detailed, including personal reflections as well as interviews and historical analysis, the book covers the technologies, personalities, and key events that have made London, and the financial industry, globally powerful today. The book is essential reading across the social sciences and humanities, and you can hear Philip’s podcast series that accompanies the book <a href="https://philiproscoe.net/podcast-archive/">here</a>.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[93bf4fd2-3489-11ee-abd2-d7c425dfe213]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7026709635.mp3?updated=1691348209" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Falguni A. Sheth, "Unruly Women: Race, Neocolonialism, and the Hijab" (Oxford UP, 2022)</title>
      <description>In Unruly Women: Race, Neocolonialism, and the Hijab (Oxford UP, 2022), Falguni Sheth explores the multiple ways that liberalism is understood and exploited, and liberalism’s origin as a project of British colonialism and as a legacy of settler colonialism in the U.S. The “unruly women” in the author’s title are, in liberalism, women who do not conform or who are not “suitably feminist”—like Muslim women who veil or Black women who, really, simply exist. Falguni argues that certain key terms, such as professionalism, dismissiveness, excruciation, ontopolitics, and address are crucial to our understanding of the ways that women of color are treated in legal cases and in the broader culture as well as our understanding of the psychic violence that liberalism and colonialism perpetuate on women of color.
In our interview today, we discuss liberalism as a problem in theory, too, and not just in practice and its connections to the prejudice and discrimination faced by different groups of women of color. We also talk about the ways that feminism is defined by liberal and radical western feminists, the limitations of such understandings; specific supreme court and other legal cases involving discrimination against Muslim women; and the author explains the significance of political theory, liberal feminist theory, and theories of power to her arguments in the book overall.
Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at haqqani_s@mercer.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>310</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Falguni A. Sheth</itunes:subtitle>
      <itunes:summary>In Unruly Women: Race, Neocolonialism, and the Hijab (Oxford UP, 2022), Falguni Sheth explores the multiple ways that liberalism is understood and exploited, and liberalism’s origin as a project of British colonialism and as a legacy of settler colonialism in the U.S. The “unruly women” in the author’s title are, in liberalism, women who do not conform or who are not “suitably feminist”—like Muslim women who veil or Black women who, really, simply exist. Falguni argues that certain key terms, such as professionalism, dismissiveness, excruciation, ontopolitics, and address are crucial to our understanding of the ways that women of color are treated in legal cases and in the broader culture as well as our understanding of the psychic violence that liberalism and colonialism perpetuate on women of color.
In our interview today, we discuss liberalism as a problem in theory, too, and not just in practice and its connections to the prejudice and discrimination faced by different groups of women of color. We also talk about the ways that feminism is defined by liberal and radical western feminists, the limitations of such understandings; specific supreme court and other legal cases involving discrimination against Muslim women; and the author explains the significance of political theory, liberal feminist theory, and theories of power to her arguments in the book overall.
Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at haqqani_s@mercer.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780197547144"><em>Unruly Women: Race, Neocolonialism, and the Hijab</em></a> (Oxford UP, 2022), Falguni Sheth explores the multiple ways that liberalism is understood and exploited, and liberalism’s origin as a project of British colonialism and as a legacy of settler colonialism in the U.S. The “unruly women” in the author’s title are, in liberalism, women who do not conform or who are not “suitably feminist”—like Muslim women who veil or Black women who, really, simply exist. Falguni argues that certain key terms, such as professionalism, dismissiveness, excruciation, ontopolitics, and address are crucial to our understanding of the ways that women of color are treated in legal cases and in the broader culture as well as our understanding of the psychic violence that liberalism and colonialism perpetuate on women of color.</p><p>In our interview today, we discuss liberalism as a problem in theory, too, and not just in practice and its connections to the prejudice and discrimination faced by different groups of women of color. We also talk about the ways that feminism is defined by liberal and radical western feminists, the limitations of such understandings; specific supreme court and other legal cases involving discrimination against Muslim women; and the author explains the significance of political theory, liberal feminist theory, and theories of power to her arguments in the book overall.</p><p><em>Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She can be reached at </em><a href="mailto:haqqani_s@mercer.edu"><em>haqqani_s@mercer.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2453</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8b49436-320b-11ee-809a-77a26be38b14]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2624163570.mp3?updated=1691074014" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Crossley and Robert J. Myles, "Jesus: A Life in Class Conflict" (Zero Books, 2023)</title>
      <description>Alongside their collective acumen in traditional historical-critical and social-scientific approaches to the New Testament, James Crossley and Robert J. Myles bring a worthwhile dose of historical materialist criticism to historical Jesus scholarship in Jesus: A Life in Class Conflict (Zero Books/John Hunt Publishing, 2023). And while the Jesus they reconstruct from the various sources available for analysis may not evolve him into a Marxist or a modern socialist, Crossley and Myles regard the evidence for deprivation among the Judean/Galilean peasantry too significant to ignore, such that “revolutionary millenarianism” takes hold among these lower classes who yearned for a great reversal of material conditions and fortunes under a soon-to-be-revealed theocratic reign installing the “Jesus party” (that they occasionally, in a nod to the traditions of Marxist scholarship, refer to as a politburo) atop the forthcoming kingdom of God. This pair of scholars joined the New Books Network recently to discuss their “historical materialist Jesus” and their fresh contributions—from Jesus’s “mission to the rich” to his “preferential option for death”—to the ongoing quest to sift reliable historical data about the earliest Jesus movement from the outwardly theological gospels that remain our best sources for his life.
James Crossley (Ph.D., University of Nottingham, 2002) is Professor of Religion, Politics and Culture at MF Oslo and the Academic Director of the Centre for the Critical Study of Apocalyptic and Millenarian Movements (CenSAMM). He has published widely on Christian origins and religion in English political history, including Spectres of John Ball: The Peasants’ Revolt in English Political History, 1381–2020 (Equinox, 2022).
Robert J. Myles (Ph.D., University of Auckland, 2013) is Senior Lecturer in New Testament at the University of Divinity in Australia. Originally from Aotearoa New Zealand, he is currently Executive Editor of the Journal for the Study of the Historical Jesus. Among his publications are The Homeless Jesus in the Gospel of Matthew (Sheffield Phoenix Press, 2014) and the edited volume Class Struggle in the New Testament (Lexington/Fortress Academic, 2019).
Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, please see his website at https://www.robheaton.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Crossley and Robert J. Myles</itunes:subtitle>
      <itunes:summary>Alongside their collective acumen in traditional historical-critical and social-scientific approaches to the New Testament, James Crossley and Robert J. Myles bring a worthwhile dose of historical materialist criticism to historical Jesus scholarship in Jesus: A Life in Class Conflict (Zero Books/John Hunt Publishing, 2023). And while the Jesus they reconstruct from the various sources available for analysis may not evolve him into a Marxist or a modern socialist, Crossley and Myles regard the evidence for deprivation among the Judean/Galilean peasantry too significant to ignore, such that “revolutionary millenarianism” takes hold among these lower classes who yearned for a great reversal of material conditions and fortunes under a soon-to-be-revealed theocratic reign installing the “Jesus party” (that they occasionally, in a nod to the traditions of Marxist scholarship, refer to as a politburo) atop the forthcoming kingdom of God. This pair of scholars joined the New Books Network recently to discuss their “historical materialist Jesus” and their fresh contributions—from Jesus’s “mission to the rich” to his “preferential option for death”—to the ongoing quest to sift reliable historical data about the earliest Jesus movement from the outwardly theological gospels that remain our best sources for his life.
James Crossley (Ph.D., University of Nottingham, 2002) is Professor of Religion, Politics and Culture at MF Oslo and the Academic Director of the Centre for the Critical Study of Apocalyptic and Millenarian Movements (CenSAMM). He has published widely on Christian origins and religion in English political history, including Spectres of John Ball: The Peasants’ Revolt in English Political History, 1381–2020 (Equinox, 2022).
Robert J. Myles (Ph.D., University of Auckland, 2013) is Senior Lecturer in New Testament at the University of Divinity in Australia. Originally from Aotearoa New Zealand, he is currently Executive Editor of the Journal for the Study of the Historical Jesus. Among his publications are The Homeless Jesus in the Gospel of Matthew (Sheffield Phoenix Press, 2014) and the edited volume Class Struggle in the New Testament (Lexington/Fortress Academic, 2019).
Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, please see his website at https://www.robheaton.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alongside their collective acumen in traditional historical-critical and social-scientific approaches to the New Testament, James Crossley and Robert J. Myles bring a worthwhile dose of historical materialist criticism to historical Jesus scholarship in <a href="https://www.johnhuntpublishing.com/zer0-books/our-books/jesus-life-class-conflict"><em>Jesus: A Life in Class Conflict</em></a> (Zero Books/John Hunt Publishing, 2023). And while the Jesus they reconstruct from the various sources available for analysis may not evolve him into a Marxist or a modern socialist, Crossley and Myles regard the evidence for deprivation among the Judean/Galilean peasantry too significant to ignore, such that “revolutionary millenarianism” takes hold among these lower classes who yearned for a great reversal of material conditions and fortunes under a soon-to-be-revealed theocratic reign installing the “Jesus party” (that they occasionally, in a nod to the traditions of Marxist scholarship, refer to as a <em>politburo</em>) atop the forthcoming kingdom of God. This pair of scholars joined the New Books Network recently to discuss their “historical materialist Jesus” and their fresh contributions—from Jesus’s “mission to the rich” to his “preferential option for death”—to the ongoing quest to sift reliable historical data about the earliest Jesus movement from the outwardly theological gospels that remain our best sources for his life.</p><p>James Crossley (Ph.D., University of Nottingham, 2002) is Professor of Religion, Politics and Culture at MF Oslo and the Academic Director of the Centre for the Critical Study of Apocalyptic and Millenarian Movements (CenSAMM). He has published widely on Christian origins and religion in English political history, including <em>Spectres of John Ball: The Peasants’ Revolt in English Political History, 1381–2020</em> (Equinox, 2022).</p><p>Robert J. Myles (Ph.D., University of Auckland, 2013) is Senior Lecturer in New Testament at the University of Divinity in Australia. Originally from Aotearoa New Zealand, he is currently Executive Editor of the <em>Journal for the Study of the Historical Jesus</em>. Among his publications are <em>The Homeless Jesus in the Gospel of Matthew </em>(Sheffield Phoenix Press, 2014) and the edited volume <em>Class Struggle in the New Testament</em> (Lexington/Fortress Academic, 2019).</p><p><em>Rob Heaton (Ph.D., University of Denver, 2019) hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored </em><a href="https://rowman.com/ISBN/9781666921861/The-Shepherd-of-Hermas-as-Scriptura-Non-Grata-From-Popularity-in-Early-Christianity-to-Exclusion-from-the-New-Testament-Canon"><em>The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon</em></a><em> (Lexington Books, 2023). For more about Rob and his work, please see his website at </em><a href="https://www.robheaton.com/"><em>https://www.robheaton.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5917</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f470bea8-2ee7-11ee-8a19-ef60571b47cb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2705086316.mp3?updated=1690728538" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Highmore, "Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain" (Manchester UP, 2023)</title>
      <description>How did the rise of consumerism impact Britain? In Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023), Ben Highmore, a Professor of Cultural Studies in the School of Media, Arts and Humanities at the University of Sussex, explores this question by telling the story of key British institutions and cultural habits. The book uses a wealth of different sources, including newspapers, lifestyle magazines, shopping catalogues, plays, books, and television programmes, as well as architecture and design, in order to think through key forms of social identity and the structures of feeling underpinning social change. The book is a rich, deep, and fascinating examination of how taste patterns and practices made modern Britain, and how modern Britain made tastes. It will be essential reading across the arts humanities and social sciences, as well as for anyone interested in understanding the recent history of culture in the UK.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 31 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>403</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Highmore</itunes:subtitle>
      <itunes:summary>How did the rise of consumerism impact Britain? In Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023), Ben Highmore, a Professor of Cultural Studies in the School of Media, Arts and Humanities at the University of Sussex, explores this question by telling the story of key British institutions and cultural habits. The book uses a wealth of different sources, including newspapers, lifestyle magazines, shopping catalogues, plays, books, and television programmes, as well as architecture and design, in order to think through key forms of social identity and the structures of feeling underpinning social change. The book is a rich, deep, and fascinating examination of how taste patterns and practices made modern Britain, and how modern Britain made tastes. It will be essential reading across the arts humanities and social sciences, as well as for anyone interested in understanding the recent history of culture in the UK.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did the rise of consumerism impact Britain? In <a href="https://bookshop.org/a/12343/9781526108821"><em>Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain</em></a> (Manchester UP, 2023), <a href="https://twitter.com/BenHighmore">Ben Highmore,</a> a <a href="https://profiles.sussex.ac.uk/p185339-ben-highmore">Professor of Cultural Studies in the School of Media, Arts and Humanities at the University of Sussex</a>, explores this question by telling the story of key British institutions and cultural habits. The book uses a wealth of different sources, including newspapers, lifestyle magazines, shopping catalogues, plays, books, and television programmes, as well as architecture and design, in order to think through key forms of social identity and the structures of feeling underpinning social change. The book is a rich, deep, and fascinating examination of how taste patterns and practices made modern Britain, and how modern Britain made tastes. It will be essential reading across the arts humanities and social sciences, as well as for anyone interested in understanding the recent history of culture in the UK.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2620</itunes:duration>
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    <item>
      <title>Blair Kelley, "Black Folk: The Roots of the Black Working Class" (LIveright, 2023)</title>
      <description>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. 
In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.
Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.
Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.
Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press.
Dr. Kelley mentions Dr. Tera W. Hunter’s To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War, Duke University’s Behind the Veil oral history project, and Philip R. Rubio’s There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 31 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>666</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Blair Kelley</itunes:subtitle>
      <itunes:summary>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. 
In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.
Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.
Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.
Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press.
Dr. Kelley mentions Dr. Tera W. Hunter’s To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War, Duke University’s Behind the Veil oral history project, and Philip R. Rubio’s There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the <em>white </em>working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. </p><p>In <a href="https://bookshop.org/a/12343/9781631496554"><em>Black Folk: The Roots of the Black Working Class</em> </a>(LIveright, 2023<em>), </em>Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.</p><p>Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.</p><p>Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, <em>Black Folk</em> celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” <em>Black Folk</em> looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.</p><p><a href="https://www.profblmkelley.com/">Dr. Blair LM Kelley</a> is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of <a href="https://bookshop.org/p/books/right-to-ride-streetcar-boycotts-and-african-american-citizenship-in-the-era-of-plessy-v-ferguson-blair-l-m-kelley/10090103"><em>Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson</em></a> from the University of North Carolina Press.</p><p>Dr. Kelley mentions Dr. Tera W. Hunter’s <a href="https://bookshop.org/p/books/to-joy-my-freedom-southern-black-women-s-lives-and-labors-after-the-civil-war-tera-w-hunter/6726921?gclid=Cj0KCQjwwvilBhCFARIsADvYi7KdjrVy3RX86sASEF8xzlk8qYccLxCHgFIeAXN7FgDdJ_kt_oemwTkaAil4EALw_wcB"><em>To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War</em></a>, Duke University’s <a href="https://repository.duke.edu/dc/behindtheveil"><em>Behind the Veil</em></a> oral history project, and Philip R. Rubio’s <a href="https://bookshop.org/p/books/there-s-always-work-at-the-post-office-african-american-postal-workers-and-the-fight-for-jobs-justice-and-equality-philip-f-rubio/10083852"><em>There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR9794477527.mp3?updated=1690482254" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jade E. Davis, "The Other Side of Empathy" (Duke UP, 2023)</title>
      <description>In The Other Side of Empathy (Duke UP, 2023), Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy.
Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves.
In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jade E. Davis</itunes:subtitle>
      <itunes:summary>In The Other Side of Empathy (Duke UP, 2023), Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy.
Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves.
In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/the-other-side-of-empathy"><em>The Other Side of Empathy</em></a><em> </em>(Duke UP, 2023), Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy.</p><p>Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves.</p><p>In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2762</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18889086-2e25-11ee-bef6-1f5895a9c84d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5005525278.mp3?updated=1690644893" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Manfred B. Steger and Ravi K. Roy, "Neoliberalism: A Very Short Introduction" (Oxford UP, 2021)</title>
      <description>Anchored in the principles of free-market economics, neoliberalism emerged in the 1990s as the world's most dominant economic paradigm. It has been associated with political leaders from Ronald Reagan, Margaret Thatcher, and Bill Clinton, to Tony Blair, Barack Obama, and Manmohan Singh. Neoliberalism even penetrated deeply into communist China's powerful economic system. However, the 2008 Global Financial Crisis and the related European Sovereign Debt Crisis triggered a decade of economic volatility and insecurity that boosted the fortunes of the 1 per cent while saddling the 99 per cent with stagnant wages and precarious work. As a result of this Great Recession, neoliberalism fortunes have waned considerably. This downward trend further accelerated with the recent surge of national populism around the world that brought to power outspoken critics of neoliberalism like Donald Trump, Boris Johnson, Jair Bolsonaro, and Narendra Modi. Is neoliberalism doomed or will it regain its former glory? And what are the major types of neoliberalism, and how did they evolve over the decades? 
Responding to these crucial questions, Neoliberalism: A Very Short Introduction (Oxford UP, 2021) explores the considerable variations of neoliberalism around the world, and discusses the origins, evolution, and core ideas of neoliberalism. This new edition brings the story of neoliberalism up to date, and asks whether new versions of neoliberalism might succeed in drowning out the rising tide of national populism and its nostalgic longing for a return to territorial sovereignty and national greatness. 
Manfred B. Steger is a professor at the University of Hawaii at Manoa.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>402</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Manfred B. Steger</itunes:subtitle>
      <itunes:summary>Anchored in the principles of free-market economics, neoliberalism emerged in the 1990s as the world's most dominant economic paradigm. It has been associated with political leaders from Ronald Reagan, Margaret Thatcher, and Bill Clinton, to Tony Blair, Barack Obama, and Manmohan Singh. Neoliberalism even penetrated deeply into communist China's powerful economic system. However, the 2008 Global Financial Crisis and the related European Sovereign Debt Crisis triggered a decade of economic volatility and insecurity that boosted the fortunes of the 1 per cent while saddling the 99 per cent with stagnant wages and precarious work. As a result of this Great Recession, neoliberalism fortunes have waned considerably. This downward trend further accelerated with the recent surge of national populism around the world that brought to power outspoken critics of neoliberalism like Donald Trump, Boris Johnson, Jair Bolsonaro, and Narendra Modi. Is neoliberalism doomed or will it regain its former glory? And what are the major types of neoliberalism, and how did they evolve over the decades? 
Responding to these crucial questions, Neoliberalism: A Very Short Introduction (Oxford UP, 2021) explores the considerable variations of neoliberalism around the world, and discusses the origins, evolution, and core ideas of neoliberalism. This new edition brings the story of neoliberalism up to date, and asks whether new versions of neoliberalism might succeed in drowning out the rising tide of national populism and its nostalgic longing for a return to territorial sovereignty and national greatness. 
Manfred B. Steger is a professor at the University of Hawaii at Manoa.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anchored in the principles of free-market economics, neoliberalism emerged in the 1990s as the world's most dominant economic paradigm. It has been associated with political leaders from Ronald Reagan, Margaret Thatcher, and Bill Clinton, to Tony Blair, Barack Obama, and Manmohan Singh. Neoliberalism even penetrated deeply into communist China's powerful economic system. However, the 2008 Global Financial Crisis and the related European Sovereign Debt Crisis triggered a decade of economic volatility and insecurity that boosted the fortunes of the 1 per cent while saddling the 99 per cent with stagnant wages and precarious work. As a result of this Great Recession, neoliberalism fortunes have waned considerably. This downward trend further accelerated with the recent surge of national populism around the world that brought to power outspoken critics of neoliberalism like Donald Trump, Boris Johnson, Jair Bolsonaro, and Narendra Modi. Is neoliberalism doomed or will it regain its former glory? And what are the major types of neoliberalism, and how did they evolve over the decades? </p><p>Responding to these crucial questions, <a href="https://bookshop.org/a/12343/9780198849674"><em>Neoliberalism: A Very Short Introduction</em></a> (Oxford UP, 2021) explores the considerable variations of neoliberalism around the world, and discusses the origins, evolution, and core ideas of neoliberalism. This new edition brings the story of neoliberalism up to date, and asks whether new versions of neoliberalism might succeed in drowning out the rising tide of national populism and its nostalgic longing for a return to territorial sovereignty and national greatness. </p><p>Manfred B. Steger is a professor at the University of Hawaii at Manoa.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4009</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87f6a18c-2d5e-11ee-83b4-4fac25733230]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6293546722.mp3?updated=1690560166" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marzia Milazzo, "Colorblind Tools: Global Technologies of Racial Power" (Northwestern UP, 2022)</title>
      <description>In Colorblind Tools: Global Technologies of Racial Power (Northwestern UP, 2022), Marzia Milazzo offers a transnational account of anti-Blackness and white supremacy that pushes against the dominant emphasis on historical change pervading current racial theory. This emphasis on change, she contends, misses critical lessons from the past.
Bringing together a capacious archive of texts on race produced in Brazil, Cuba, Mexico, Panama, the United States, and South Africa from multiple disciplines and genres, Milazzo uncovers transnational continuities in structural racism and white supremacist discourse from the inception of colonial modernity to the present. In the process, she traces the global workings of what she calls colorblind tools: technologies and strategies that at once camouflage and reproduce white domination. Whether examining Rijno van der Riet's defense of slavery in the Cape Colony, discourses of racial mixture in Latin American eugenics and their reverberations in contemporary scholarship, the pitfalls of white "antiracism," or Chicana indigenist aesthetics, Milazzo illustrates how white people collectively disavow racism to maintain power across national boundaries, and how anti-Black and colonial logics can be reproduced even in some decolonial literatures. Milazzo's groundbreaking study proves that colorblindness is not new, nor is it a subtype of racist ideology or a hallmark of our era. It is a constitutive technology of racism—a tool the master cannot do without.
Omari Averette-Phillips is a History Educator and an Independent scholar based in Southern California. He can be reached at omariaverette@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 29 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>390</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marzia Milazzo</itunes:subtitle>
      <itunes:summary>In Colorblind Tools: Global Technologies of Racial Power (Northwestern UP, 2022), Marzia Milazzo offers a transnational account of anti-Blackness and white supremacy that pushes against the dominant emphasis on historical change pervading current racial theory. This emphasis on change, she contends, misses critical lessons from the past.
Bringing together a capacious archive of texts on race produced in Brazil, Cuba, Mexico, Panama, the United States, and South Africa from multiple disciplines and genres, Milazzo uncovers transnational continuities in structural racism and white supremacist discourse from the inception of colonial modernity to the present. In the process, she traces the global workings of what she calls colorblind tools: technologies and strategies that at once camouflage and reproduce white domination. Whether examining Rijno van der Riet's defense of slavery in the Cape Colony, discourses of racial mixture in Latin American eugenics and their reverberations in contemporary scholarship, the pitfalls of white "antiracism," or Chicana indigenist aesthetics, Milazzo illustrates how white people collectively disavow racism to maintain power across national boundaries, and how anti-Black and colonial logics can be reproduced even in some decolonial literatures. Milazzo's groundbreaking study proves that colorblindness is not new, nor is it a subtype of racist ideology or a hallmark of our era. It is a constitutive technology of racism—a tool the master cannot do without.
Omari Averette-Phillips is a History Educator and an Independent scholar based in Southern California. He can be reached at omariaverette@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780810145269"><em>Colorblind Tools: Global Technologies of Racial Power</em></a><em> </em>(Northwestern UP, 2022), Marzia Milazzo offers a transnational account of anti-Blackness and white supremacy that pushes against the dominant emphasis on historical change pervading current racial theory. This emphasis on change, she contends, misses critical lessons from the past.</p><p>Bringing together a capacious archive of texts on race produced in Brazil, Cuba, Mexico, Panama, the United States, and South Africa from multiple disciplines and genres, Milazzo uncovers transnational continuities in structural racism and white supremacist discourse from the inception of colonial modernity to the present. In the process, she traces the global workings of what she calls <em>colorblind tools</em>: technologies and strategies that at once camouflage and reproduce white domination. Whether examining Rijno van der Riet's defense of slavery in the Cape Colony, discourses of racial mixture in Latin American eugenics and their reverberations in contemporary scholarship, the pitfalls of white "antiracism," or Chicana indigenist aesthetics, Milazzo illustrates how white people collectively disavow racism to maintain power across national boundaries, and how anti-Black and colonial logics can be reproduced even in some decolonial literatures. Milazzo's groundbreaking study proves that colorblindness is not new, nor is it a subtype of racist ideology or a hallmark of our era. It is a constitutive technology of racism—a tool the master cannot do without.</p><p><em>Omari Averette-Phillips is a History Educator and an Independent scholar based in Southern California. He can be reached at omariaverette@gmail.com</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2988</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[a6ea7398-2cb9-11ee-b4cb-8ba760b672b4]]></guid>
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      <title>Rob Eschmann,, "When the Hood Comes Off: Racism and Resistance in the Digital Age" (U California Press, 2023)</title>
      <description>From cell phone footage of police killing unarmed Black people to leaked racist messages and even comments from friends and family on social media, online communication exposes how racism operates in a world that pretends to be colorblind. In When the Hood Comes Off: Racism and Resistance in the Digital Age (U California Press, 2023), Rob Eschmann blends rigorous research and engaging personal narrative to examine the effects of online racism on communities of color and society, and the unexpected ways that digital technologies enable innovative everyday tools of antiracist resistance.
Drawing on a wealth of data, including interviews with students of Color around the country and analyses of millions of social media posts over the past decade, Eschmann investigates the influence of online communication on face-to-face interactions. When the Hood Comes Off highlights the power of the internet as an organizing tool, and shows that online racism can be a profound wake-up call. How will we respond?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 29 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>391</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rob Eschmann</itunes:subtitle>
      <itunes:summary>From cell phone footage of police killing unarmed Black people to leaked racist messages and even comments from friends and family on social media, online communication exposes how racism operates in a world that pretends to be colorblind. In When the Hood Comes Off: Racism and Resistance in the Digital Age (U California Press, 2023), Rob Eschmann blends rigorous research and engaging personal narrative to examine the effects of online racism on communities of color and society, and the unexpected ways that digital technologies enable innovative everyday tools of antiracist resistance.
Drawing on a wealth of data, including interviews with students of Color around the country and analyses of millions of social media posts over the past decade, Eschmann investigates the influence of online communication on face-to-face interactions. When the Hood Comes Off highlights the power of the internet as an organizing tool, and shows that online racism can be a profound wake-up call. How will we respond?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From cell phone footage of police killing unarmed Black people to leaked racist messages and even comments from friends and family on social media, online communication exposes how racism operates in a world that pretends to be colorblind. In <a href="https://bookshop.org/a/12343/9780520379725"><em>When the Hood Comes Off: Racism and Resistance in the Digital Age</em></a> (U California Press, 2023), Rob Eschmann blends rigorous research and engaging personal narrative to examine the effects of online racism on communities of color and society, and the unexpected ways that digital technologies enable innovative everyday tools of antiracist resistance.</p><p>Drawing on a wealth of data, including interviews with students of Color around the country and analyses of millions of social media posts over the past decade, Eschmann investigates the influence of online communication on face-to-face interactions. <em>When the Hood Comes Off</em> highlights the power of the internet as an organizing tool, and shows that online racism can be a profound wake-up call. How will we respond?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4337</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Benjamin Studebaker, "The Chronic Crisis of American Democracy: The Way Is Shut" (Palgrave MacMillan, 2023)</title>
      <description>Today I talked to Benjamin Studebaker about his new book The Chronic Crisis of American Democracy: The Way Is Shut (Palgrave MacMillan, 2023)
American democracy is in crisis. The economic system is slowly subjecting Americans of nearly all income levels and backgrounds to enormous amounts of stress. The United States lacks the state capacity required to alleviate this stress, and politicians increasingly find that if they promise to solve economic problems, they are likely to disappoint voters. Instead, they encourage voters to blame each other.
The crisis cannot be solved, the economy cannot be set right, and democracy cannot be saved. But American democracy cannot be killed, either. Americans can’t imagine any compelling alternative political systems. And so, American democracy continues on, in a deeply unsatisfying way. Americans invent ever-more elaborate coping mechanisms in a desperate bid to go on. But it becomes increasingly clear that the way is shut. The American political system was made by those who are dead, and the dead keep it.
Benjamin Studebaker speaks to Pierre d’Alancaisez about the runaway effects of globalisation, the false hope industry, cultural non-politics, and the very unlikely get-out scenarios.
Benjamin Studebaker is a political theorist whose work focuses on notions of legitimacy. He hosts the podcasts Political Theory 101.

The equality/equity meme

The 1619 Project


No Labels, the ‘commonsense majority’ party


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>401</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benjamin Studebaker</itunes:subtitle>
      <itunes:summary>Today I talked to Benjamin Studebaker about his new book The Chronic Crisis of American Democracy: The Way Is Shut (Palgrave MacMillan, 2023)
American democracy is in crisis. The economic system is slowly subjecting Americans of nearly all income levels and backgrounds to enormous amounts of stress. The United States lacks the state capacity required to alleviate this stress, and politicians increasingly find that if they promise to solve economic problems, they are likely to disappoint voters. Instead, they encourage voters to blame each other.
The crisis cannot be solved, the economy cannot be set right, and democracy cannot be saved. But American democracy cannot be killed, either. Americans can’t imagine any compelling alternative political systems. And so, American democracy continues on, in a deeply unsatisfying way. Americans invent ever-more elaborate coping mechanisms in a desperate bid to go on. But it becomes increasingly clear that the way is shut. The American political system was made by those who are dead, and the dead keep it.
Benjamin Studebaker speaks to Pierre d’Alancaisez about the runaway effects of globalisation, the false hope industry, cultural non-politics, and the very unlikely get-out scenarios.
Benjamin Studebaker is a political theorist whose work focuses on notions of legitimacy. He hosts the podcasts Political Theory 101.

The equality/equity meme

The 1619 Project


No Labels, the ‘commonsense majority’ party


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Benjamin Studebaker about his new book <a href="https://bookshop.org/a/12343/9783031282126"><em>The Chronic Crisis of American Democracy: The Way Is Shut</em></a> (Palgrave MacMillan, 2023)</p><p>American democracy is in crisis. The economic system is slowly subjecting Americans of nearly all income levels and backgrounds to enormous amounts of stress. The United States lacks the state capacity required to alleviate this stress, and politicians increasingly find that if they promise to solve economic problems, they are likely to disappoint voters. Instead, they encourage voters to blame each other.</p><p>The crisis cannot be solved, the economy cannot be set right, and democracy cannot be saved. But American democracy cannot be killed, either. Americans can’t imagine any compelling alternative political systems. And so, American democracy continues on, in a deeply unsatisfying way. Americans invent ever-more elaborate coping mechanisms in a desperate bid to go on. But it becomes increasingly clear that the way is shut. The American political system was made by those who are dead, and the dead keep it.</p><p>Benjamin Studebaker speaks to Pierre d’Alancaisez about the runaway effects of globalisation, the false hope industry, cultural non-politics, and the very unlikely get-out scenarios.</p><p><a href="https://benjaminstudebaker.com/">Benjamin Studebaker</a> is a political theorist whose work focuses on notions of legitimacy. He hosts the podcasts <a href="https://podcasts.apple.com/gb/podcast/political-theory-101/id1499271317">Political Theory 101</a>.</p><ul>
<li><a href="https://www.nzdoctor.co.nz/sites/default/files/styles/free_crop_body_with_image/public/2020-02/Equality%20Equity%20CR%20Interaction%20Institute%20for%20Social%20Change.%20Artist%20Angus%20Maguire.jpg?h=e5766404&amp;itok=WJmy_k-i">The equality/equity meme</a></li>
<li><a href="https://www.nytimes.com/interactive/2019/08/14/magazine/1619-america-slavery.html">The 1619 Project</a></li>
<li>
<a href="https://www.nolabels.org/"><em>No Labels</em></a>, the ‘commonsense majority’ party</li>
</ul><p><br></p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4042</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4696197522.mp3?updated=1690391433" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Penelope Ingram, "Imperiled Whiteness: How Hollywood and Media Make Race in 'Postracial' America" (UP of Mississippi, 2023)</title>
      <description>In Imperiled Whiteness: How Hollywood and Media Make Race in "Postracial" America (University Press of Mississippi, 2023), Penelope Ingram examines the role played by media in the resurgence of white nationalism and neo-Nazi movements in the Obama-to-Trump era. As politicians on the right stoked anxieties about whites “losing ground” and “being left behind,” media platforms turned whiteness into a commodity that was packaged and disseminated to a white populace. Reading popular film and television franchises (Planet of the Apes, Star Trek, and The Walking Dead) through political flashpoints, such as debates over immigration reform, gun control, and Black Lives Matter protests, Ingram reveals how media cultivated feelings of white vulnerability and loss among white consumers. By exploring the convergence of entertainment, news, and social media in a digital networked environment, Ingram demonstrates how media’s renewed attention to “imperiled whiteness” enabled and sanctioned the return of overt white supremacy exhibited by alt-right groups in the “Unite the Right” rally in Charlottesville in 2017 and the Capitol riots in 2021.
Anna E. Lindner received her doctorate in Communication from Wayne State University. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>400</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Penelope Ingram</itunes:subtitle>
      <itunes:summary>In Imperiled Whiteness: How Hollywood and Media Make Race in "Postracial" America (University Press of Mississippi, 2023), Penelope Ingram examines the role played by media in the resurgence of white nationalism and neo-Nazi movements in the Obama-to-Trump era. As politicians on the right stoked anxieties about whites “losing ground” and “being left behind,” media platforms turned whiteness into a commodity that was packaged and disseminated to a white populace. Reading popular film and television franchises (Planet of the Apes, Star Trek, and The Walking Dead) through political flashpoints, such as debates over immigration reform, gun control, and Black Lives Matter protests, Ingram reveals how media cultivated feelings of white vulnerability and loss among white consumers. By exploring the convergence of entertainment, news, and social media in a digital networked environment, Ingram demonstrates how media’s renewed attention to “imperiled whiteness” enabled and sanctioned the return of overt white supremacy exhibited by alt-right groups in the “Unite the Right” rally in Charlottesville in 2017 and the Capitol riots in 2021.
Anna E. Lindner received her doctorate in Communication from Wayne State University. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496845504"><em>Imperiled Whiteness: How Hollywood and Media Make Race in "Postracial" America</em></a> (University Press of Mississippi, 2023), Penelope Ingram examines the role played by media in the resurgence of white nationalism and neo-Nazi movements in the Obama-to-Trump era. As politicians on the right stoked anxieties about whites “losing ground” and “being left behind,” media platforms turned whiteness into a commodity that was packaged and disseminated to a white populace. Reading popular film and television franchises (<em>Planet of the Apes</em>, <em>Star Trek</em>, and <em>The Walking Dead</em>) through political flashpoints, such as debates over immigration reform, gun control, and Black Lives Matter protests, Ingram reveals how media cultivated feelings of white vulnerability and loss among white consumers. By exploring the convergence of entertainment, news, and social media in a digital networked environment, Ingram demonstrates how media’s renewed attention to “imperiled whiteness” enabled and sanctioned the return of overt white supremacy exhibited by alt-right groups in the “Unite the Right” rally in Charlottesville in 2017 and the Capitol riots in 2021.</p><p><a href="https://www.linkedin.com/in/anna-lindner-b86a16a6/"><em>Anna E. Lindner</em></a><em> received her doctorate in Communication from Wayne State University. </em><a href="https://twitter.com/annaeliselin"><em>On Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3356</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7562480128.mp3?updated=1690301903" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Shew and Kimberly Garchar, "Philosophy for Girls: An Invitation to the Life of Thought" (Oxford UP, 2020)</title>
      <description>Melissa Shew and Kimberly Garchar's book Philosophy for Girls: An Invitation to the Life of Thought (Oxford UP, 2020) empowers its readers by exploring enduring, challenging, and timely philosophical issues in new essays written by expert women philosophers. The book will inspire and entice these philosophers' younger counterparts, curious readers of all genders, and all who support equity in philosophy.
If asked to envision a philosopher, people might imagine a bearded man, probably Greek, perhaps in a toga, pontificating about abstract ideas. Or they might think of that same man in the Enlightenment, gripping a quill pen and pouring universal truths onto a page. They may even call to mind a much more modern man, wearing a black sweater and smoking a cigarette in a Paris café, expressing existential angst in a new novel or essay.
What people are unlikely to picture, though, is a woman. Women have historically been excluded from the discipline of philosophy and remain largely marginalized in contemporary textbooks and anthologies. The under-representation of women in secondary and post-secondary curricula makes it harder for young women to see themselves as future philosophers. In fact, it makes it harder for all people to engage the valuable contributions that women have made and continue to make to intellectual thought. While some progress has been made in building a more inclusive world of philosophy, especially in the last fifty years, important work remains to be done.
Philosophy for Girls helps correct the pervasive and problematic omission of women from philosophy. Divided into four sections that connect to major, primary fields in philosophy (metaphysics, epistemology, social and political philosophy, and ethics), this anthology is unique: chapters are all written by women, and each chapter opens with an anecdote about a girl or woman from mythology, history, art, literature, or science to introduce chapter topics. Further, nearly all primary and secondary sources used in the chapters are written by women philosophers. The book is written in a rigorous, academic spirit but in lively and engaging prose, making serious philosophical insights accessible to readers who are new to philosophy.
This book appeals to a wide audience. Individual readers will find value in these pages--especially girls and women ages 16-24, as well as university and high school educators and students who want a change from standard anthologies that include few or no women. The book's contributors both represent and map the diverse landscape of philosophy, highlighting its engagement with themes of gender and equity. In doing so, they encourage philosophers current and future philosophers to explore new territory and further develop the topography of the field.
Philosophy for Girls is a rigorous yet accessible entry-point to philosophical contemplation designed to inspire a new generation of philosophers.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>399</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa Shew and Kimberly Garchar</itunes:subtitle>
      <itunes:summary>Melissa Shew and Kimberly Garchar's book Philosophy for Girls: An Invitation to the Life of Thought (Oxford UP, 2020) empowers its readers by exploring enduring, challenging, and timely philosophical issues in new essays written by expert women philosophers. The book will inspire and entice these philosophers' younger counterparts, curious readers of all genders, and all who support equity in philosophy.
If asked to envision a philosopher, people might imagine a bearded man, probably Greek, perhaps in a toga, pontificating about abstract ideas. Or they might think of that same man in the Enlightenment, gripping a quill pen and pouring universal truths onto a page. They may even call to mind a much more modern man, wearing a black sweater and smoking a cigarette in a Paris café, expressing existential angst in a new novel or essay.
What people are unlikely to picture, though, is a woman. Women have historically been excluded from the discipline of philosophy and remain largely marginalized in contemporary textbooks and anthologies. The under-representation of women in secondary and post-secondary curricula makes it harder for young women to see themselves as future philosophers. In fact, it makes it harder for all people to engage the valuable contributions that women have made and continue to make to intellectual thought. While some progress has been made in building a more inclusive world of philosophy, especially in the last fifty years, important work remains to be done.
Philosophy for Girls helps correct the pervasive and problematic omission of women from philosophy. Divided into four sections that connect to major, primary fields in philosophy (metaphysics, epistemology, social and political philosophy, and ethics), this anthology is unique: chapters are all written by women, and each chapter opens with an anecdote about a girl or woman from mythology, history, art, literature, or science to introduce chapter topics. Further, nearly all primary and secondary sources used in the chapters are written by women philosophers. The book is written in a rigorous, academic spirit but in lively and engaging prose, making serious philosophical insights accessible to readers who are new to philosophy.
This book appeals to a wide audience. Individual readers will find value in these pages--especially girls and women ages 16-24, as well as university and high school educators and students who want a change from standard anthologies that include few or no women. The book's contributors both represent and map the diverse landscape of philosophy, highlighting its engagement with themes of gender and equity. In doing so, they encourage philosophers current and future philosophers to explore new territory and further develop the topography of the field.
Philosophy for Girls is a rigorous yet accessible entry-point to philosophical contemplation designed to inspire a new generation of philosophers.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Melissa Shew and Kimberly Garchar's book <a href="https://bookshop.org/a/12343/9780190072926"><em>Philosophy for Girls: An Invitation to the Life of Thought </em></a>(Oxford UP, 2020) empowers its readers by exploring enduring, challenging, and timely philosophical issues in new essays written by expert women philosophers. The book will inspire and entice these philosophers' younger counterparts, curious readers of all genders, and all who support equity in philosophy.</p><p>If asked to envision a philosopher, people might imagine a bearded man, probably Greek, perhaps in a toga, pontificating about abstract ideas. Or they might think of that same man in the Enlightenment, gripping a quill pen and pouring universal truths onto a page. They may even call to mind a much more modern man, wearing a black sweater and smoking a cigarette in a Paris café, expressing existential angst in a new novel or essay.</p><p>What people are unlikely to picture, though, is a woman. Women have historically been excluded from the discipline of philosophy and remain largely marginalized in contemporary textbooks and anthologies. The under-representation of women in secondary and post-secondary curricula makes it harder for young women to see themselves as future philosophers. In fact, it makes it harder for all people to engage the valuable contributions that women have made and continue to make to intellectual thought. While some progress has been made in building a more inclusive world of philosophy, especially in the last fifty years, important work remains to be done.</p><p><em>Philosophy for Girls</em> helps correct the pervasive and problematic omission of women from philosophy. Divided into four sections that connect to major, primary fields in philosophy (metaphysics, epistemology, social and political philosophy, and ethics), this anthology is unique: chapters are all written by women, and each chapter opens with an anecdote about a girl or woman from mythology, history, art, literature, or science to introduce chapter topics. Further, nearly all primary and secondary sources used in the chapters are written by women philosophers. The book is written in a rigorous, academic spirit but in lively and engaging prose, making serious philosophical insights accessible to readers who are new to philosophy.</p><p>This book appeals to a wide audience. Individual readers will find value in these pages--especially girls and women ages 16-24, as well as university and high school educators and students who want a change from standard anthologies that include few or no women. The book's contributors both represent and map the diverse landscape of philosophy, highlighting its engagement with themes of gender and equity. In doing so, they encourage philosophers current and future philosophers to explore new territory and further develop the topography of the field.</p><p><em>Philosophy for Girls</em> is a rigorous yet accessible entry-point to philosophical contemplation designed to inspire a new generation of philosophers.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4318</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ismay Milford, "African Activists in a Decolonising World: The Making of an Anticolonial Culture, 1952-1966" (Cambridge UP, 2023)</title>
      <description>As wars of liberation in Africa and Asia shook the post-war world, a cohort of activists from East and Central Africa, specifically the region encompassing present-day Malawi, Zambia, Uganda and mainland Tanzania, asked what role they could play in the global anticolonial landscape. 
In African Activists in a Decolonising World: The Making of an Anticolonial Culture, 1952-1966 (Cambridge UP, 2023), Ismay Milford presents a social and intellectual history of decolonisation and anticolonialism in the 1950s and 1960s. Drawing on multi-archival research, she brings together their trajectories for the first time, reconstructing the anticolonial culture that underpinned their journeys to Delhi, Cairo, London, Accra and beyond. Forming committees and publishing pamphlets, these activists worked with pan-African and Afro-Asian solidarity projects, Cold War student internationals, spiritual internationalists and diverse pressure groups. Milford argues that a focus on their everyday labour and knowledge production highlights certain limits of transnational and international activism, opening up a critical - albeit less heroic - perspective on the global history of anticolonial work and thought.
﻿Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1339</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ismay Milford</itunes:subtitle>
      <itunes:summary>As wars of liberation in Africa and Asia shook the post-war world, a cohort of activists from East and Central Africa, specifically the region encompassing present-day Malawi, Zambia, Uganda and mainland Tanzania, asked what role they could play in the global anticolonial landscape. 
In African Activists in a Decolonising World: The Making of an Anticolonial Culture, 1952-1966 (Cambridge UP, 2023), Ismay Milford presents a social and intellectual history of decolonisation and anticolonialism in the 1950s and 1960s. Drawing on multi-archival research, she brings together their trajectories for the first time, reconstructing the anticolonial culture that underpinned their journeys to Delhi, Cairo, London, Accra and beyond. Forming committees and publishing pamphlets, these activists worked with pan-African and Afro-Asian solidarity projects, Cold War student internationals, spiritual internationalists and diverse pressure groups. Milford argues that a focus on their everyday labour and knowledge production highlights certain limits of transnational and international activism, opening up a critical - albeit less heroic - perspective on the global history of anticolonial work and thought.
﻿Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As wars of liberation in Africa and Asia shook the post-war world, a cohort of activists from East and Central Africa, specifically the region encompassing present-day Malawi, Zambia, Uganda and mainland Tanzania, asked what role they could play in the global anticolonial landscape. </p><p>In <a href="https://bookshop.org/a/12343/9781009276993"><em>African Activists in a Decolonising World: The Making of an Anticolonial Culture, 1952-1966</em></a> (Cambridge UP, 2023), Ismay Milford presents a social and intellectual history of decolonisation and anticolonialism in the 1950s and 1960s. Drawing on multi-archival research, she brings together their trajectories for the first time, reconstructing the anticolonial culture that underpinned their journeys to Delhi, Cairo, London, Accra and beyond. Forming committees and publishing pamphlets, these activists worked with pan-African and Afro-Asian solidarity projects, Cold War student internationals, spiritual internationalists and diverse pressure groups. Milford argues that a focus on their everyday labour and knowledge production highlights certain limits of transnational and international activism, opening up a critical - albeit less heroic - perspective on the global history of anticolonial work and thought.</p><p><em>﻿Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2998</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>50 Years after Martin Jay's "The Dialectical Imagination"</title>
      <description>After 50 years of the publication of The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950, Martin Jay is interviewed by his Chinese translator SUN Yizhou (孙一洲), discussing the book, generational and globalized critical theories and methodology of intellectual history. The 2nd Chinese edition of the book will be published by Shanghai Literature &amp; Art Publishing House (上海文艺出版社) in 2023, the year marks the 100th anniversary of the Institute for Social Research. 
You can find a transcript of the interview here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>398</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martin Jay</itunes:subtitle>
      <itunes:summary>After 50 years of the publication of The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950, Martin Jay is interviewed by his Chinese translator SUN Yizhou (孙一洲), discussing the book, generational and globalized critical theories and methodology of intellectual history. The 2nd Chinese edition of the book will be published by Shanghai Literature &amp; Art Publishing House (上海文艺出版社) in 2023, the year marks the 100th anniversary of the Institute for Social Research. 
You can find a transcript of the interview here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After 50 years of the publication of <a href="https://bookshop.org/a/12343/9780520204232"><em>The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950</em></a>, Martin Jay is interviewed by his Chinese translator SUN Yizhou (孙一洲), discussing the book, generational and globalized critical theories and methodology of intellectual history. The 2nd Chinese edition of the book will be published by Shanghai Literature &amp; Art Publishing House (上海文艺出版社) in 2023, the year marks the 100th anniversary of the Institute for Social Research. </p><p>You can find a transcript of the interview <a href="https://d8q167itd1z7d.cloudfront.net/craft3/50_Years_after_The_Dialectical_Imaginati.pdf">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6788</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c952c908-2953-11ee-a7b2-a3738588807b]]></guid>
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    </item>
    <item>
      <title>Cathy-Mae Karelse, "Disrupting White Mindfulness: Race and Racism in the Wellbeing Industry" (Manchester UP, 2023)</title>
      <description>Disrupting White Mindfulness: Race and Racism in the Wellbeing Industry (Manchester UP, 2023) offers a timely commentary on the dominant narratives that shape the mindfulness industry - whiteness, postracialism and neoliberalism. Its positioning as ‘apolitical’ forges institutions that fit comfortably into increasingly divided societies. The race-gender profile of these institutions reveals a White, middle-class profile of decision-makers, educators and staff that is mirrored in its audiences. Mechanisms that recycle the industry’s whiteness include corporatist pedagogies, edicts of authority, disengagement with difference and inappropriate uses of mindfulness that distance People of the Global Majority. A growing emergent movement focused on a justice-infused mindfulness and liberatory wellbeing decolonises mindfulness and de-centres whiteness. Its premise in indigenous, global South, queer knowledges leverages difference to produce multiple solutions focused on liberation. There is room for White Mindfulness to change.
Dr. Cathy-Mae Karelse (she/her) is a scholar-practitioner, changemaker and public speaker on issues of race, difference and belonging. She received a PhD from the School of Oriental and African Studies, University of London in 2019. Cathy-Mae is trained in numerous transformation approaches with 20+ years of experience in deep systems change that addresses the underlying social norms and narratives that keep institutionalised discrimination in place. Her work addresses all landscapes: the inner, outer and in-between. Cathy-Mae is currently the DEI Lead at The Mindfulness Initiative and holds the position of Systems Change Lead at Resilience Capital Ventures. She works on policy and change programmes globally.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 23 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>397</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cathy-Mae Karelse</itunes:subtitle>
      <itunes:summary>Disrupting White Mindfulness: Race and Racism in the Wellbeing Industry (Manchester UP, 2023) offers a timely commentary on the dominant narratives that shape the mindfulness industry - whiteness, postracialism and neoliberalism. Its positioning as ‘apolitical’ forges institutions that fit comfortably into increasingly divided societies. The race-gender profile of these institutions reveals a White, middle-class profile of decision-makers, educators and staff that is mirrored in its audiences. Mechanisms that recycle the industry’s whiteness include corporatist pedagogies, edicts of authority, disengagement with difference and inappropriate uses of mindfulness that distance People of the Global Majority. A growing emergent movement focused on a justice-infused mindfulness and liberatory wellbeing decolonises mindfulness and de-centres whiteness. Its premise in indigenous, global South, queer knowledges leverages difference to produce multiple solutions focused on liberation. There is room for White Mindfulness to change.
Dr. Cathy-Mae Karelse (she/her) is a scholar-practitioner, changemaker and public speaker on issues of race, difference and belonging. She received a PhD from the School of Oriental and African Studies, University of London in 2019. Cathy-Mae is trained in numerous transformation approaches with 20+ years of experience in deep systems change that addresses the underlying social norms and narratives that keep institutionalised discrimination in place. Her work addresses all landscapes: the inner, outer and in-between. Cathy-Mae is currently the DEI Lead at The Mindfulness Initiative and holds the position of Systems Change Lead at Resilience Capital Ventures. She works on policy and change programmes globally.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781526162069"><em>Disrupting White Mindfulness: Race and Racism in the Wellbeing Industry</em></a><em> </em>(Manchester UP, 2023) offers a timely commentary on the dominant narratives that shape the mindfulness industry - whiteness, postracialism and neoliberalism. Its positioning as ‘apolitical’ forges institutions that fit comfortably into increasingly divided societies. The race-gender profile of these institutions reveals a White, middle-class profile of decision-makers, educators and staff that is mirrored in its audiences. Mechanisms that recycle the industry’s whiteness include corporatist pedagogies, edicts of authority, disengagement with difference and inappropriate uses of mindfulness that distance People of the Global Majority. A growing emergent movement focused on a justice-infused mindfulness and liberatory wellbeing decolonises mindfulness and de-centres whiteness. Its premise in indigenous, global South, queer knowledges leverages difference to produce multiple solutions focused on liberation. There is room for White Mindfulness to change.</p><p>Dr. Cathy-Mae Karelse (she/her) is a scholar-practitioner, changemaker and public speaker on issues of race, difference and belonging. She received a PhD from the School of Oriental and African Studies, University of London in 2019. Cathy-Mae is trained in numerous transformation approaches with 20+ years of experience in deep systems change that addresses the underlying social norms and narratives that keep institutionalised discrimination in place. Her work addresses all landscapes: the inner, outer and in-between. Cathy-Mae is currently the DEI Lead at <a href="https://www.themindfulnessinitiative.org/">The Mindfulness Initiative</a> and holds the position of Systems Change Lead at <a href="https://www.resiliencecapitalventures.com/">Resilience Capital Ventures</a>. She works on policy and change programmes globally.</p><p><a href="https://cjarrard717.wixsite.com/website"><em>Clayton Jarrard</em></a><em> is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the </em><a href="https://open.spotify.com/show/0X98h0FENG1hptiHFA1o5b?si=183b40d21ac94919/"><em>Un/Livable Cultures podcast</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5723</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Tarek Younis, "The Muslim, State, and Mind: Psychology in Times of Islamophobia" (Sage, 2022)</title>
      <description>Mental health is positioned as the cure-all for society’s discontents, from pandemics to terrorism. But psychology and psychiatry are not apolitical, and neither are Muslims. This book unpacks where the politics of the psy-disciplines and the politics of Muslims overlap, demonstrating how psychological theories and practices serve State interests and perpetuate inequality—especially racism and Islamophobia. Viewing the psy-disciplines from the margins, The Muslim, State, and Mind: Psychology in Times of Islamophobia (Sage, 2022) illustrates how these necessarily serve the State in the production of loyal, low-risk and productive citizens, offering a modern discussion of three paradigms underlying the psy-disciplines: neoliberalism, security and the politics of mental health.
Dr Tarek Younis is a Senior Lecturer in Psychology at Middlesex University, and a registered psychologist. He researches and writes on Islamophobia, racism in mental health, the securitisation of clinical settings and the politics of psychology; and teaches on the impact of culture, religion, globalisation and security policies on mental health interventions.
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email, Mastodon or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 23 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>207</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tarek Younis</itunes:subtitle>
      <itunes:summary>Mental health is positioned as the cure-all for society’s discontents, from pandemics to terrorism. But psychology and psychiatry are not apolitical, and neither are Muslims. This book unpacks where the politics of the psy-disciplines and the politics of Muslims overlap, demonstrating how psychological theories and practices serve State interests and perpetuate inequality—especially racism and Islamophobia. Viewing the psy-disciplines from the margins, The Muslim, State, and Mind: Psychology in Times of Islamophobia (Sage, 2022) illustrates how these necessarily serve the State in the production of loyal, low-risk and productive citizens, offering a modern discussion of three paradigms underlying the psy-disciplines: neoliberalism, security and the politics of mental health.
Dr Tarek Younis is a Senior Lecturer in Psychology at Middlesex University, and a registered psychologist. He researches and writes on Islamophobia, racism in mental health, the securitisation of clinical settings and the politics of psychology; and teaches on the impact of culture, religion, globalisation and security policies on mental health interventions.
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email, Mastodon or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mental health is positioned as the cure-all for society’s discontents, from pandemics to terrorism. But psychology and psychiatry are not apolitical, and neither are Muslims. This book unpacks where the politics of the psy-disciplines and the politics of Muslims overlap, demonstrating how psychological theories and practices serve State interests and perpetuate inequality—especially racism and Islamophobia. Viewing the psy-disciplines from the margins, <a href="https://bookshop.org/a/12343/9781529790184"><em>The Muslim, State, and Mind: Psychology in Times of Islamophobia</em></a> (Sage, 2022) illustrates how these necessarily serve the State in the production of loyal, low-risk and productive citizens, offering a modern discussion of three paradigms underlying the psy-disciplines: neoliberalism, security and the politics of mental health.</p><p><a href="https://www.tarekyounis.org/about.html">Dr Tarek Younis</a> is a Senior Lecturer in Psychology at Middlesex University, and a registered psychologist. He researches and writes on Islamophobia, racism in mental health, the securitisation of clinical settings and the politics of psychology; and teaches on the impact of culture, religion, globalisation and security policies on mental health interventions.</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold/"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by </em><a href="mailto:cgold@ucl.ac.uk"><em>email</em></a><em>, </em><a href="https://mastodon.social/@catrionagold"><em>Mastodon</em></a> <em>or </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Thomas Piketty on Capitalism and Inequality (Adaner Usmani, JP)</title>
      <description>Is Thomas Piketty the world’s most famous economic historian ? A superstar enemy of plutocratic capitalism who wrote a pathbreaking bestseller, Capital in the 21st Century? Or simply a debonair and generous French intellectual happy to talk redistributive justice? Join this 2020 conversation with John and Adaner Usmani (star of RTB’s episode 44: Racism as idea, Racism as Power Relation) to find out.
Why did we invite him? John thinks nobody is better than Piketty at mapping and explaining the nature and origin of the glaring and growing inequality that everywhere defines wealth distribution in the 21st century—both between societies and within them. His recent magnum opus, Capital and Ideology. ask what sorts of stories societies (and individuals within those societies) tell themselves so as to tolerate such inequality—and the poverty and misery it produces. Or even to see that inequality as part of the natural order of things.
Why did he accept our invitation? A mystery, but who are we to look a gift economist in the mouth?
Mentioned in the Episode
Philip Larkin, “Why aren’t they screaming?” (from the poem “The Old Fools”)
Bonus: Here is John’s question about his favorite writer, the one Adaner teased him for not asking:
“Mr. Piketty, you are interested in hinge points where people cease being captivated by one ideology and begin seeing differently (might one also say, begin being captivated by another ideology?) In 2014, Ursula le Guin said:
‘We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.‘
Can I ask how that resonates with your argument about the rapid changeability of economic paradigms–and moral paradigms for justifying inequality–in Capital and Ideology? “
Read transcript here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas Piketty</itunes:subtitle>
      <itunes:summary>Is Thomas Piketty the world’s most famous economic historian ? A superstar enemy of plutocratic capitalism who wrote a pathbreaking bestseller, Capital in the 21st Century? Or simply a debonair and generous French intellectual happy to talk redistributive justice? Join this 2020 conversation with John and Adaner Usmani (star of RTB’s episode 44: Racism as idea, Racism as Power Relation) to find out.
Why did we invite him? John thinks nobody is better than Piketty at mapping and explaining the nature and origin of the glaring and growing inequality that everywhere defines wealth distribution in the 21st century—both between societies and within them. His recent magnum opus, Capital and Ideology. ask what sorts of stories societies (and individuals within those societies) tell themselves so as to tolerate such inequality—and the poverty and misery it produces. Or even to see that inequality as part of the natural order of things.
Why did he accept our invitation? A mystery, but who are we to look a gift economist in the mouth?
Mentioned in the Episode
Philip Larkin, “Why aren’t they screaming?” (from the poem “The Old Fools”)
Bonus: Here is John’s question about his favorite writer, the one Adaner teased him for not asking:
“Mr. Piketty, you are interested in hinge points where people cease being captivated by one ideology and begin seeing differently (might one also say, begin being captivated by another ideology?) In 2014, Ursula le Guin said:
‘We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.‘
Can I ask how that resonates with your argument about the rapid changeability of economic paradigms–and moral paradigms for justifying inequality–in Capital and Ideology? “
Read transcript here
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is <a href="http://piketty.pse.ens.fr/en/">Thomas Piketty</a> the world’s most famous economic historian ? A superstar enemy of plutocratic capitalism who wrote a pathbreaking bestseller, <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674430006"><em>Capital in the 21st Century</em></a>? Or simply a debonair and generous French intellectual happy to talk redistributive justice? Join this 2020 conversation with John and <a href="https://scholar.harvard.edu/adaner-usmani">Adaner Usmani</a> (star of <a href="https://recallthisbook.org/2020/10/01/44-adaner-usmani-racism-as-idea-racism-as-power-relation-ef-jp/">RTB’s episode 44: Racism as idea, Racism as Power Relation</a>) to find out.</p><p>Why did we invite him? John thinks nobody is better than Piketty at mapping and explaining the nature and origin of the glaring and growing inequality that everywhere defines wealth distribution in the 21st century—both between societies and within them. His recent magnum opus, <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674980822"><em>Capital and Ideology</em></a>. ask what sorts of stories societies (and individuals within those societies) tell themselves so as to tolerate such inequality—and the poverty and misery it produces. Or even to see that inequality as part of the natural order of things.</p><p>Why did he accept our invitation? A mystery, but who are we to look a gift economist in the mouth?</p><p><strong><em>Mentioned in the Episode</em></strong></p><ul><li>Philip Larkin, “<a href="https://www.oatridge.co.uk/poems/p/philip-larkin-old-fools.php#:~:text=Watching%20the%20light%20move%3F,Why%20aren't%20they%20screaming%3F&amp;text=How%20can%20they%20ignore%20it%3F">Why aren’t they screaming?</a>” (from the poem “The Old Fools”)</li></ul><p><strong>Bonus: </strong>Here is John’s question about his favorite writer, the one Adaner teased him for not asking:</p><p>“Mr. Piketty, you are interested in hinge points where people cease being captivated by one ideology and begin seeing differently (might one also say, begin being captivated by another ideology?) In 2014, <strong>Ursula le Guin</strong> said:</p><p><a href="https://thetyee.ca/Video/2018/02/14/Ursula-Le-Guin-Art-Words-Business-Books/"><em>‘We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.</em>‘</a></p><p>Can I ask how that resonates with your argument about the rapid changeability of economic paradigms–and moral paradigms for justifying inequality–in<em> Capital and Ideology? “</em></p><p><a href="https://recallthisbookorg.files.wordpress.com/2021/02/rtb-51-recall-this-buck-3-thomas-piketty-on-inequality-and-ideology-2nd-edits.pdf">Read transcript here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dc6dfce2-264c-11ee-956a-a328d2b5133e]]></guid>
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    <item>
      <title>Penny M. Von Eschen, "Paradoxes of Nostalgia: Cold War Triumphalism and Global Disorder Since 1989" (Duke UP, 2022)</title>
      <description>In Paradoxes of Nostalgia: Cold War Triumphalism and Global Disorder since 1989 (Duke University Press, 2022) Dr. Penny M. Von Eschen offers a sweeping examination of the cold war’s afterlife and the lingering shadows it casts over geopolitics, journalism, and popular culture. She shows how myriad forms of nostalgia across the globe—from those that posit a mythic national past to those critical of neoliberalism that remember a time when people believed in the possibility of a collective good—indelibly shape the post-cold war era.
When Western triumphalism moved into the global South and former Eastern bloc spaces, many articulated a powerful sense of loss and a longing for stability. Innovatively bringing together diplomatic archives, museums, films, and video games, Dr. Von Eschen shows that as the United States continuously sought new enemies for its unipolar world, cold war triumphalism fueled the ascendancy of xenophobic right-wing nationalism and the embrace of authoritarian sensibilities in the United States and beyond. Ultimately, she demonstrates that triumphalist claims that capitalism and military might won the cold war distort the past and disfigure the present, undermining democratic values and institutions.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Penny M. Von Eschen</itunes:subtitle>
      <itunes:summary>In Paradoxes of Nostalgia: Cold War Triumphalism and Global Disorder since 1989 (Duke University Press, 2022) Dr. Penny M. Von Eschen offers a sweeping examination of the cold war’s afterlife and the lingering shadows it casts over geopolitics, journalism, and popular culture. She shows how myriad forms of nostalgia across the globe—from those that posit a mythic national past to those critical of neoliberalism that remember a time when people believed in the possibility of a collective good—indelibly shape the post-cold war era.
When Western triumphalism moved into the global South and former Eastern bloc spaces, many articulated a powerful sense of loss and a longing for stability. Innovatively bringing together diplomatic archives, museums, films, and video games, Dr. Von Eschen shows that as the United States continuously sought new enemies for its unipolar world, cold war triumphalism fueled the ascendancy of xenophobic right-wing nationalism and the embrace of authoritarian sensibilities in the United States and beyond. Ultimately, she demonstrates that triumphalist claims that capitalism and military might won the cold war distort the past and disfigure the present, undermining democratic values and institutions.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478015604"><em>Paradoxes of Nostalgia: Cold War Triumphalism and Global Disorder since 1989</em></a> (Duke University Press, 2022) Dr. Penny M. Von Eschen offers a sweeping examination of the cold war’s afterlife and the lingering shadows it casts over geopolitics, journalism, and popular culture. She shows how myriad forms of nostalgia across the globe—from those that posit a mythic national past to those critical of neoliberalism that remember a time when people believed in the possibility of a collective good—indelibly shape the post-cold war era.</p><p>When Western triumphalism moved into the global South and former Eastern bloc spaces, many articulated a powerful sense of loss and a longing for stability. Innovatively bringing together diplomatic archives, museums, films, and video games, Dr. Von Eschen shows that as the United States continuously sought new enemies for its unipolar world, cold war triumphalism fueled the ascendancy of xenophobic right-wing nationalism and the embrace of authoritarian sensibilities in the United States and beyond. Ultimately, she demonstrates that triumphalist claims that capitalism and military might won the cold war distort the past and disfigure the present, undermining democratic values and institutions.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[72efeda4-25aa-11ee-8590-f72d02edac9d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR9721479630.mp3?updated=1732047069" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne Phillips, "Unconditional Equals" (Princeton UP, 2021)</title>
      <description>For centuries, ringing declarations about all men being created equal appealed to a shared human nature as the reason to consider ourselves equals. But appeals to natural equality invited gradations of natural difference, and the ambiguity at the heart of “nature” enabled generations to write of people as equal by nature while barely noticing the exclusion of those marked as inferior by their gender, race, or class. Despite what we commonly tell ourselves, these exclusions and gradations continue today. In Unconditional Equals (Princeton UP, 2021), political philosopher Anne Phillips challenges attempts to justify equality by reference to a shared human nature, arguing that justification turns into conditions and ends up as exclusion. Rejecting the logic of justification, she calls instead for a genuinely unconditional equality.
Drawing on political, feminist, and postcolonial theory, Unconditional Equals argues that we should understand equality not as something grounded in shared characteristics but as something people enact when they refuse to be considered inferiors. At a time when the supposedly shared belief in human equality is so patently not shared, the book makes a powerful case for seeing equality as a commitment we make to ourselves and others, and a claim we make on others when they deny us our status as equals.
Anne Phillips is the Graham Wallas Professor of Political Science at the London School of Economics, where she previously directed the LSE Gender Institute. Her books include Engendering Democracy; The Politics of Presence; Which Equalities Matter?; Multiculturalism without Culture (Princeton); Our Body, Whose Property? (Princeton); and The Politics of the Human.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>396</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anne Phillips</itunes:subtitle>
      <itunes:summary>For centuries, ringing declarations about all men being created equal appealed to a shared human nature as the reason to consider ourselves equals. But appeals to natural equality invited gradations of natural difference, and the ambiguity at the heart of “nature” enabled generations to write of people as equal by nature while barely noticing the exclusion of those marked as inferior by their gender, race, or class. Despite what we commonly tell ourselves, these exclusions and gradations continue today. In Unconditional Equals (Princeton UP, 2021), political philosopher Anne Phillips challenges attempts to justify equality by reference to a shared human nature, arguing that justification turns into conditions and ends up as exclusion. Rejecting the logic of justification, she calls instead for a genuinely unconditional equality.
Drawing on political, feminist, and postcolonial theory, Unconditional Equals argues that we should understand equality not as something grounded in shared characteristics but as something people enact when they refuse to be considered inferiors. At a time when the supposedly shared belief in human equality is so patently not shared, the book makes a powerful case for seeing equality as a commitment we make to ourselves and others, and a claim we make on others when they deny us our status as equals.
Anne Phillips is the Graham Wallas Professor of Political Science at the London School of Economics, where she previously directed the LSE Gender Institute. Her books include Engendering Democracy; The Politics of Presence; Which Equalities Matter?; Multiculturalism without Culture (Princeton); Our Body, Whose Property? (Princeton); and The Politics of the Human.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For centuries, ringing declarations about all men being created equal appealed to a shared human nature as the reason to consider ourselves equals. But appeals to natural equality invited gradations of natural difference, and the ambiguity at the heart of “nature” enabled generations to write of people as equal by nature while barely noticing the exclusion of those marked as inferior by their gender, race, or class. Despite what we commonly tell ourselves, these exclusions and gradations continue today. In <a href="https://bookshop.org/a/12343/9780691226163"><em>Unconditional Equals</em></a> (Princeton UP, 2021), political philosopher Anne Phillips challenges attempts to justify equality by reference to a shared human nature, arguing that justification turns into conditions and ends up as exclusion. Rejecting the logic of justification, she calls instead for a genuinely unconditional equality.</p><p>Drawing on political, feminist, and postcolonial theory, <em>Unconditional Equals</em> argues that we should understand equality not as something grounded in shared characteristics but as something people enact when they refuse to be considered inferiors. At a time when the supposedly shared belief in human equality is so patently not shared, the book makes a powerful case for seeing equality as a commitment we make to ourselves and others, and a claim we make on others when they deny us our status as equals.</p><p>Anne Phillips is the Graham Wallas Professor of Political Science at the London School of Economics, where she previously directed the LSE Gender Institute. Her books include Engendering Democracy; The Politics of Presence; Which Equalities Matter?; Multiculturalism without Culture (Princeton); Our Body, Whose Property? (Princeton); and The Politics of the Human.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3494</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e676888c-24b5-11ee-beed-e71ac39ebf67]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8423893498.mp3?updated=1689613826" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Margareta von Oswald and Jonas Tinius, "Awkward Archives: Ethnographic Drafts for a Modular Curriculum" (Archive Books, 2022)</title>
      <description>Awkward Archives: Ethnographic Drafts for a Modular Curriculum (Archive Books, 2022) proposes a manual for academic teaching and learning contexts. An ethnographic research approach is confronted with the demands of archival research as both disciplines challenge their inner logics and epistemologies. Through fieldwork and ethnographic tools and methods, both analogue and digital, the editors take various contemporary archival sites in Berlin as case studies to elaborate on controversial concepts in Western thought. Presenting as such a modular curriculum on archives in their awkwardness—with the tensions, discomfort and antagonisms they pose.
With case studies on Haus der Kulturen der Welt, the Hahne-Niehoff Archive and the Museum für Naturkunde Berlin, among others
This book is available open access 

here. 
Adam Bobeck is a PhD candidate in Sociocultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margareta von Oswald and Jonas Tinius</itunes:subtitle>
      <itunes:summary>Awkward Archives: Ethnographic Drafts for a Modular Curriculum (Archive Books, 2022) proposes a manual for academic teaching and learning contexts. An ethnographic research approach is confronted with the demands of archival research as both disciplines challenge their inner logics and epistemologies. Through fieldwork and ethnographic tools and methods, both analogue and digital, the editors take various contemporary archival sites in Berlin as case studies to elaborate on controversial concepts in Western thought. Presenting as such a modular curriculum on archives in their awkwardness—with the tensions, discomfort and antagonisms they pose.
With case studies on Haus der Kulturen der Welt, the Hahne-Niehoff Archive and the Museum für Naturkunde Berlin, among others
This book is available open access 

here. 
Adam Bobeck is a PhD candidate in Sociocultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.archivebooks.org/wp-content/uploads/2023/01/Awkward-Archives.pdf"><em>Awkward Archives: Ethnographic Drafts for a Modular Curriculum</em></a><em> </em>(Archive Books, 2022) proposes a manual for academic teaching and learning contexts. An ethnographic research approach is confronted with the demands of archival research as both disciplines challenge their inner logics and epistemologies. Through fieldwork and ethnographic tools and methods, both analogue and digital, the editors take various contemporary archival sites in Berlin as case studies to elaborate on controversial concepts in Western thought. Presenting as such a modular curriculum on archives in their <em>awkwardness</em>—with the tensions, discomfort and antagonisms they pose.</p><p>With case studies on Haus der Kulturen der Welt, the Hahne-Niehoff Archive and the Museum für Naturkunde Berlin, among others</p><p>This book is available open access </p><p><br></p><p><a href="https://www.archivebooks.org/wp-content/uploads/2023/01/Awkward-Archives.pdf">here</a>. </p><p><em>Adam Bobeck is a PhD candidate in Sociocultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3032</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5715dd06-24d7-11ee-b04b-0f1ab0d2a54a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8981205590.mp3?updated=1689621924" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica D. Klanderud, "Struggle for the Street: Social Networks and the Struggle for Civil Rights in Pittsburgh" (UNC Press, 2023)</title>
      <description>Cities are nothing without the streets—the arteries through which goods, people, and ideas flow. Neighborhood by neighborhood, block by block, the city streets are where politics begins. In Struggle for the Street: Social Networks and the Struggle for Civil Rights in Pittsburgh (UNC Press, 2023), Jessica D. Klanderud documents the development of class-based visions of political, social, and economic equality in Pittsburgh's African American community between World War I and the early 1970s. Klanderud emphasizes how middle-class and working-class African Americans struggled over the appropriate uses and dominant meanings of street spaces in their neighborhoods as they collectively struggled to define equality.
In chapters that move from one community to the next, Klanderud tracks the transformation of tactics over time with a streets-eye view that reveals the coalescing alliances between neighbors and through space. Drawing on oral histories of neighborhood residents, Black newspapers, and papers from the NAACP and Urban League, this study reveals complex class negotiations in the struggle for civil rights at the street level.
Jessica D. Klanderud is associate professor of African and African American studies and history at Berea College.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>395</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessica D. Klanderud</itunes:subtitle>
      <itunes:summary>Cities are nothing without the streets—the arteries through which goods, people, and ideas flow. Neighborhood by neighborhood, block by block, the city streets are where politics begins. In Struggle for the Street: Social Networks and the Struggle for Civil Rights in Pittsburgh (UNC Press, 2023), Jessica D. Klanderud documents the development of class-based visions of political, social, and economic equality in Pittsburgh's African American community between World War I and the early 1970s. Klanderud emphasizes how middle-class and working-class African Americans struggled over the appropriate uses and dominant meanings of street spaces in their neighborhoods as they collectively struggled to define equality.
In chapters that move from one community to the next, Klanderud tracks the transformation of tactics over time with a streets-eye view that reveals the coalescing alliances between neighbors and through space. Drawing on oral histories of neighborhood residents, Black newspapers, and papers from the NAACP and Urban League, this study reveals complex class negotiations in the struggle for civil rights at the street level.
Jessica D. Klanderud is associate professor of African and African American studies and history at Berea College.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cities are nothing without the streets—the arteries through which goods, people, and ideas flow. Neighborhood by neighborhood, block by block, the city streets are where politics begins. In <a href="https://bookshop.org/a/12343/9781469673714"><em>Struggle for the Street: Social Networks and the Struggle for Civil Rights in Pittsburgh</em></a><em> </em>(UNC Press, 2023), Jessica D. Klanderud documents the development of class-based visions of political, social, and economic equality in Pittsburgh's African American community between World War I and the early 1970s. Klanderud emphasizes how middle-class and working-class African Americans struggled over the appropriate uses and dominant meanings of street spaces in their neighborhoods as they collectively struggled to define equality.</p><p>In chapters that move from one community to the next, Klanderud tracks the transformation of tactics over time with a streets-eye view that reveals the coalescing alliances between neighbors and through space. Drawing on oral histories of neighborhood residents, Black newspapers, and papers from the NAACP and Urban League, this study reveals complex class negotiations in the struggle for civil rights at the street level.</p><p>Jessica D. Klanderud is associate professor of African and African American studies and history at Berea College.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3727</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ead8dcc8-23ec-11ee-b67e-373f46d75a04]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4478867181.mp3?updated=1689522131" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samuel Issacharoff, "Democracy Unmoored: Populism and the Corruption of Popular Sovereignty" (Oxford UP, 2023)</title>
      <description>The 2016 election of Donald Trump focused people's minds on populism, and most of the attention paid to the subject since has been on the threat it poses to wealthy democracies. In Democracy Unmoored, Samuel Issacharoff takes a far wider-angle view of the phenomenon, covering countries from across the globe: Brazil, Poland, Argentina, Turkey, India, Hungary, Venezuela, and more. Just as importantly, he focuses on populism's attack on the institutions of governance. 
Democracy requires two critical features: first, a commitment to repeat play such that political actors understand that what goes around comes around; and, second, institutional constraints so that the majority can prevail, albeit not by too much. Democracies must avoid the doomsday scenario in which the contending parties see the next election as the final choice between salvation and perdition. Issacharoff shows how populist governance undermines each of these two critical underpinnings of stable democracy, first by compressing the time horizon to the immediate, and second by eroding institutional constraints on strongman rule. At the same time, Issacharoff highlights the fact that ascendent populists were pushing in an open door as they found democracies in states of disrepair in the post-2008 world. Electorates around the world had come to see institutional democratic party systems as cabals of elites working against "the people," which anti-institutionalist populists took advantage of in country after country. Global in coverage and featuring a powerful explanation of the true threat populism represents to democracy, this book will be essential reading for anyone who cares about the survival of democratic institutions.
Samuel Issacharoff is the Reiss Professor of Constitutional Law at New York University School of Law. He is a leading figure in the study of democracy, constitutions, and the courts, and the author of Fragile Democracies: Contested Power in the Era of Constitutional Courts. He is a leading figure in the law of democracy in the U.S. and has written scores of articles on democratic challenges around the world. He served as a senior legal advisor to the presidential campaigns of Barack Obama and is long experienced as an appellate advocate in American courts. He is a member of the American Academy of Arts and Sciences.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 15 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>394</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samuel Issacharoff</itunes:subtitle>
      <itunes:summary>The 2016 election of Donald Trump focused people's minds on populism, and most of the attention paid to the subject since has been on the threat it poses to wealthy democracies. In Democracy Unmoored, Samuel Issacharoff takes a far wider-angle view of the phenomenon, covering countries from across the globe: Brazil, Poland, Argentina, Turkey, India, Hungary, Venezuela, and more. Just as importantly, he focuses on populism's attack on the institutions of governance. 
Democracy requires two critical features: first, a commitment to repeat play such that political actors understand that what goes around comes around; and, second, institutional constraints so that the majority can prevail, albeit not by too much. Democracies must avoid the doomsday scenario in which the contending parties see the next election as the final choice between salvation and perdition. Issacharoff shows how populist governance undermines each of these two critical underpinnings of stable democracy, first by compressing the time horizon to the immediate, and second by eroding institutional constraints on strongman rule. At the same time, Issacharoff highlights the fact that ascendent populists were pushing in an open door as they found democracies in states of disrepair in the post-2008 world. Electorates around the world had come to see institutional democratic party systems as cabals of elites working against "the people," which anti-institutionalist populists took advantage of in country after country. Global in coverage and featuring a powerful explanation of the true threat populism represents to democracy, this book will be essential reading for anyone who cares about the survival of democratic institutions.
Samuel Issacharoff is the Reiss Professor of Constitutional Law at New York University School of Law. He is a leading figure in the study of democracy, constitutions, and the courts, and the author of Fragile Democracies: Contested Power in the Era of Constitutional Courts. He is a leading figure in the law of democracy in the U.S. and has written scores of articles on democratic challenges around the world. He served as a senior legal advisor to the presidential campaigns of Barack Obama and is long experienced as an appellate advocate in American courts. He is a member of the American Academy of Arts and Sciences.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 2016 election of Donald Trump focused people's minds on populism, and most of the attention paid to the subject since has been on the threat it poses to wealthy democracies. In Democracy Unmoored, Samuel Issacharoff takes a far wider-angle view of the phenomenon, covering countries from across the globe: Brazil, Poland, Argentina, Turkey, India, Hungary, Venezuela, and more. Just as importantly, he focuses on populism's attack on the institutions of governance. </p><p>Democracy requires two critical features: first, a commitment to repeat play such that political actors understand that what goes around comes around; and, second, institutional constraints so that the majority can prevail, albeit not by too much. Democracies must avoid the doomsday scenario in which the contending parties see the next election as the final choice between salvation and perdition. Issacharoff shows how populist governance undermines each of these two critical underpinnings of stable democracy, first by compressing the time horizon to the immediate, and second by eroding institutional constraints on strongman rule. At the same time, Issacharoff highlights the fact that ascendent populists were pushing in an open door as they found democracies in states of disrepair in the post-2008 world. Electorates around the world had come to see institutional democratic party systems as cabals of elites working against "the people," which anti-institutionalist populists took advantage of in country after country. Global in coverage and featuring a powerful explanation of the true threat populism represents to democracy, this book will be essential reading for anyone who cares about the survival of democratic institutions.</p><p>Samuel Issacharoff is the Reiss Professor of Constitutional Law at New York University School of Law. He is a leading figure in the study of democracy, constitutions, and the courts, and the author of <em>Fragile Democracies: Contested Power in the Era of Constitutional Courts</em>. He is a leading figure in the law of democracy in the U.S. and has written scores of articles on democratic challenges around the world. He served as a senior legal advisor to the presidential campaigns of Barack Obama and is long experienced as an appellate advocate in American courts. He is a member of the American Academy of Arts and Sciences.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3348</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Stephen Bright and James Kwak, "The Fear of Too Much Justice: Race, Poverty, and the Persistence of Inequality in the Criminal Courts" (The New Press, 2023)</title>
      <description>Glenn Ford, a Black man, spent thirty years on Louisiana’s death row for a crime he did not commit. He was released in 2014—and given twenty dollars—when prosecutors admitted they did not have a case against him.
Ford’s trial was a travesty. One of his court-appointed lawyers specialized in oil and gas law and had never tried a case. The other had been out of law school for only two years. They had no funds for investigation or experts. The prosecution struck all the Black prospective jurors to get the all-white jury that sentenced Ford to death.
In The Fear of Too Much Justice: Race, Poverty, and the Persistence of Inequality in the Criminal Courts (The New Press, 2023), legendary death penalty lawyer Stephen B. Bright and legal scholar James Kwak offer a heart-wrenching overview of how the criminal legal system fails to live up to the values of equality and justice. The book ranges from poor people squeezed for cash by private probation companies because of trivial violations to people executed in violation of the Constitution despite overwhelming evidence of intellectual disability or mental illness. They also show examples from around the country of places that are making progress toward justice.
With a foreword by Bryan Stevenson, who worked for Bright at the Southern Center for Human Rights and credits him for “[breaking] down the issues with the death penalty simply but persuasively,” The Fear of Too Much Justice offers a timely, trenchant, firsthand critique of our criminal courts and points the way toward a more just future.

Omari Averette-Phillips is a History Educator and an Independent Scholar based in Southern California. He can be reached at omariaverette@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 15 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>389</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stephen Bright and James Kwak</itunes:subtitle>
      <itunes:summary>Glenn Ford, a Black man, spent thirty years on Louisiana’s death row for a crime he did not commit. He was released in 2014—and given twenty dollars—when prosecutors admitted they did not have a case against him.
Ford’s trial was a travesty. One of his court-appointed lawyers specialized in oil and gas law and had never tried a case. The other had been out of law school for only two years. They had no funds for investigation or experts. The prosecution struck all the Black prospective jurors to get the all-white jury that sentenced Ford to death.
In The Fear of Too Much Justice: Race, Poverty, and the Persistence of Inequality in the Criminal Courts (The New Press, 2023), legendary death penalty lawyer Stephen B. Bright and legal scholar James Kwak offer a heart-wrenching overview of how the criminal legal system fails to live up to the values of equality and justice. The book ranges from poor people squeezed for cash by private probation companies because of trivial violations to people executed in violation of the Constitution despite overwhelming evidence of intellectual disability or mental illness. They also show examples from around the country of places that are making progress toward justice.
With a foreword by Bryan Stevenson, who worked for Bright at the Southern Center for Human Rights and credits him for “[breaking] down the issues with the death penalty simply but persuasively,” The Fear of Too Much Justice offers a timely, trenchant, firsthand critique of our criminal courts and points the way toward a more just future.

Omari Averette-Phillips is a History Educator and an Independent Scholar based in Southern California. He can be reached at omariaverette@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Glenn Ford, a Black man, spent thirty years on Louisiana’s death row for a crime he did not commit. He was released in 2014—and given twenty dollars—when prosecutors admitted they did not have a case against him.</p><p>Ford’s trial was a travesty. One of his court-appointed lawyers specialized in oil and gas law and had never tried a case. The other had been out of law school for only two years. They had no funds for investigation or experts. The prosecution struck all the Black prospective jurors to get the all-white jury that sentenced Ford to death.</p><p>In <a href="https://bookshop.org/a/12343/9781620970256"><em>The Fear of Too Much Justice: Race, Poverty, and the Persistence of Inequality in the Criminal Courts</em></a> (The New Press, 2023), legendary death penalty lawyer Stephen B. Bright and legal scholar James Kwak offer a heart-wrenching overview of how the criminal legal system fails to live up to the values of equality and justice. The book ranges from poor people squeezed for cash by private probation companies because of trivial violations to people executed in violation of the Constitution despite overwhelming evidence of intellectual disability or mental illness. They also show examples from around the country of places that are making progress toward justice.</p><p>With a foreword by Bryan Stevenson, who worked for Bright at the Southern Center for Human Rights and credits him for “[breaking] down the issues with the death penalty simply but persuasively,” <em>The Fear of Too Much Justice</em> offers a timely, trenchant, firsthand critique of our criminal courts and points the way toward a more just future.</p><p><br></p><p><em>Omari Averette-Phillips is a History Educator and an Independent Scholar based in Southern California. He can be reached at omariaverette@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2644</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d834aa62-226a-11ee-9fc4-4f6718a01f58]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5377870913.mp3?updated=1689359458" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nour Halabi, "Radical Hospitality: American Policy, Media, and Immigration" (Rutgers UP, 2022)</title>
      <description>How should we understand contemporary migration policy? In Radical Hospitality: American Policy, Media, and Immigration (Rutgers UP, 2022), Nour Halabi, an Interdisciplinary Fellow at the University of Aberdeen, explores this question by blending history, media studies, and a range of critical theory to introduce the idea of radical hospitality. Using detailed historical and contemporary case studies- from the 1880s and the Chinese Exclusion Act, through the 1920s and the National Origins Act, up to the 2000s and the Muslim travel ban- the book offers both a rethink of the history of immigration as well as a radical call for a new approach. Rich in detail and broad in scope, the book is essential reading for anyone wishing to see a better world for migrants everywhere.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>393</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nour Halabi</itunes:subtitle>
      <itunes:summary>How should we understand contemporary migration policy? In Radical Hospitality: American Policy, Media, and Immigration (Rutgers UP, 2022), Nour Halabi, an Interdisciplinary Fellow at the University of Aberdeen, explores this question by blending history, media studies, and a range of critical theory to introduce the idea of radical hospitality. Using detailed historical and contemporary case studies- from the 1880s and the Chinese Exclusion Act, through the 1920s and the National Origins Act, up to the 2000s and the Muslim travel ban- the book offers both a rethink of the history of immigration as well as a radical call for a new approach. Rich in detail and broad in scope, the book is essential reading for anyone wishing to see a better world for migrants everywhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand contemporary migration policy? In <a href="https://bookshop.org/a/12343/9781978827721"><em>Radical Hospitality: American Policy, Media, and Immigration</em></a><em> </em>(Rutgers UP, 2022),<em> </em><a href="https://twitter.com/noor_halabi">Nour Halabi,</a> <a href="https://abdn.pure.elsevier.com/en/persons/nour-halabi">an Interdisciplinary Fellow at the University of Aberdeen</a>, explores this question by blending history, media studies, and a range of critical theory to introduce the idea of radical hospitality. Using detailed historical and contemporary case studies- from the 1880s and the Chinese Exclusion Act, through the 1920s and the National Origins Act, up to the 2000s and the Muslim travel ban- the book offers both a rethink of the history of immigration as well as a radical call for a new approach. Rich in detail and broad in scope, the book is essential reading for anyone wishing to see a better world for migrants everywhere.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2341</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35202064-20e8-11ee-8b22-ffe3ff426f77]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR1762372198.mp3?updated=1689190021" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Logan Smilges, "Crip Negativity" (U of Minnesota Press, 2023)</title>
      <description>In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what’s gone wrong and what we can do to fix it.
Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible.
J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022).
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with J. Logan Smilges</itunes:subtitle>
      <itunes:summary>In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what’s gone wrong and what we can do to fix it.
Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible.
J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022).
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In <a href="https://bookshop.org/a/12343/9781517915582"><em>Crip Negativity</em></a><em> </em>(U of Minnesota Press, 2023), J. Logan Smilges shows us what’s gone wrong and what we can do to fix it.</p><p>Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible.</p><p>J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of <em>Queer Silence: On Disability and Rhetorical Absence</em> (Minnesota, 2022).</p><p><a href="https://cjarrard717.wixsite.com/website"><em>Clayton Jarrard</em></a><em> is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the </em><a href="https://open.spotify.com/show/0X98h0FENG1hptiHFA1o5b?si=183b40d21ac94919/"><em>Un/Livable Cultures podcast</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3261</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2406d08a-2029-11ee-a3e8-8f1d5a120d9c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3207738011.mp3?updated=1689107537" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily Flitter, "The White Wall: How Big Finance Bankrupts Black America" (Atria/One Signal Publishers, 2022)</title>
      <description>In 2018, Emily Flitter received a tip that Morgan Stanley had fired a Black employee without cause. Flitter had been searching for a way to investigate the deep-rooted racism in the American financial industry, and that one tip lit the sparkplug for a three-year journey through the shocking yet normalized corruption in our financial institutions.
Examining local insurance agencies and corporate titans like JPMorgan Chase, BlackRock, and Wells Fargo and reveals the practices that have kept the racial wealth gap practically as wide as it was during the Jim Crow era. Flitter exposes hiring and layoff policies designed to keep Black employees from advancing to high levels; racial profiling of customers in internal emails between bank tellers; major insurers refusing to pay Black policyholders’ claims; and the systematic denial of funding to Black entrepreneurs. She also gives a voice to victims, from single mothers to professional athletes to employees themselves: people who were scammed, lied to, and defrauded by the systems they trusted with their money, and silenced when they attempted to speak out and seek reform.
Flitter connects the dots between data, history, legal scholarship, and powerful personal stories to provide a “must-read wake-up call” (Valerie Red-Horse Mohl, president of KNOWN Holdings) about what it means to bank while Black. As America continues to confront systemic racism and pave a path forward, The White Wall: How Big Finance Bankrupts Black America (Atria/One Signal Publishers, 2022) is an essential examination of one of its most caustic contributors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>299</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Flitter</itunes:subtitle>
      <itunes:summary>In 2018, Emily Flitter received a tip that Morgan Stanley had fired a Black employee without cause. Flitter had been searching for a way to investigate the deep-rooted racism in the American financial industry, and that one tip lit the sparkplug for a three-year journey through the shocking yet normalized corruption in our financial institutions.
Examining local insurance agencies and corporate titans like JPMorgan Chase, BlackRock, and Wells Fargo and reveals the practices that have kept the racial wealth gap practically as wide as it was during the Jim Crow era. Flitter exposes hiring and layoff policies designed to keep Black employees from advancing to high levels; racial profiling of customers in internal emails between bank tellers; major insurers refusing to pay Black policyholders’ claims; and the systematic denial of funding to Black entrepreneurs. She also gives a voice to victims, from single mothers to professional athletes to employees themselves: people who were scammed, lied to, and defrauded by the systems they trusted with their money, and silenced when they attempted to speak out and seek reform.
Flitter connects the dots between data, history, legal scholarship, and powerful personal stories to provide a “must-read wake-up call” (Valerie Red-Horse Mohl, president of KNOWN Holdings) about what it means to bank while Black. As America continues to confront systemic racism and pave a path forward, The White Wall: How Big Finance Bankrupts Black America (Atria/One Signal Publishers, 2022) is an essential examination of one of its most caustic contributors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2018, Emily Flitter received a tip that Morgan Stanley had fired a Black employee without cause. Flitter had been searching for a way to investigate the deep-rooted racism in the American financial industry, and that one tip lit the sparkplug for a three-year journey through the shocking yet normalized corruption in our financial institutions.</p><p>Examining local insurance agencies and corporate titans like JPMorgan Chase, BlackRock, and Wells Fargo and reveals the practices that have kept the racial wealth gap practically as wide as it was during the Jim Crow era. Flitter exposes hiring and layoff policies designed to keep Black employees from advancing to high levels; racial profiling of customers in internal emails between bank tellers; major insurers refusing to pay Black policyholders’ claims; and the systematic denial of funding to Black entrepreneurs. She also gives a voice to victims, from single mothers to professional athletes to employees themselves: people who were scammed, lied to, and defrauded by the systems they trusted with their money, and silenced when they attempted to speak out and seek reform.</p><p>Flitter connects the dots between data, history, legal scholarship, and powerful personal stories to provide a “must-read wake-up call” (Valerie Red-Horse Mohl, president of KNOWN Holdings) about what it means to bank while Black. As America continues to confront systemic racism and pave a path forward, <a href="https://bookshop.org/a/12343/9781982183240"><em>The White Wall: How Big Finance Bankrupts Black America</em></a><em> </em>(Atria/One Signal Publishers, 2022) is an essential examination of one of its most caustic contributors.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3290</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7fb6f286-1f5a-11ee-a423-b3006b143a2c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR1338939771.mp3?updated=1689018562" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Keisha Ray, "Black Health: The Social, Political, and Cultural Determinants of Black People's Health" (Oxford UP, 2023)</title>
      <description>Why do American Black people generally have worse health than American White people? To answer this question, Keisha Ray's book Black Health: The Social, Political, and Cultural Determinants of Black People's Health (Oxford UP, 2023) dispels any notion that Black people have inferior bodies that are inherently susceptible to disease. This is simply false racial science used to justify White supremacy and Black inferiority. A genuine investigation into the status of Black people's health requires us to acknowledge that race has always been a powerful social category that gives access to the resources we need for health and wellbeing to some people, while withholding them from other people. 
Systemic racism, oppression, and White supremacy in American institutions have largely been the perpetrators of differing social power and access to resources for Black people. It is these systemic inequities that create the social conditions needed for poor health outcomes for Black people to persist. An examination of social inequities reveals that is no accident that Black people have poorer health than White people. Black Health provides a succinct discussion of Black people's health, including the social, political, and at times cultural determinants of their health. Using real stories from Black people, Ray examines the ways in which Black people's multiple identities--social, cultural, and political--intersect with American institutions--such as housing, education, environmentalism, and health care--to facilitate their poor outcomes in pregnancy and birth, pain management, sleep, and cardiovascular disease.
﻿Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 08 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>204</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Keisha Ray</itunes:subtitle>
      <itunes:summary>Why do American Black people generally have worse health than American White people? To answer this question, Keisha Ray's book Black Health: The Social, Political, and Cultural Determinants of Black People's Health (Oxford UP, 2023) dispels any notion that Black people have inferior bodies that are inherently susceptible to disease. This is simply false racial science used to justify White supremacy and Black inferiority. A genuine investigation into the status of Black people's health requires us to acknowledge that race has always been a powerful social category that gives access to the resources we need for health and wellbeing to some people, while withholding them from other people. 
Systemic racism, oppression, and White supremacy in American institutions have largely been the perpetrators of differing social power and access to resources for Black people. It is these systemic inequities that create the social conditions needed for poor health outcomes for Black people to persist. An examination of social inequities reveals that is no accident that Black people have poorer health than White people. Black Health provides a succinct discussion of Black people's health, including the social, political, and at times cultural determinants of their health. Using real stories from Black people, Ray examines the ways in which Black people's multiple identities--social, cultural, and political--intersect with American institutions--such as housing, education, environmentalism, and health care--to facilitate their poor outcomes in pregnancy and birth, pain management, sleep, and cardiovascular disease.
﻿Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do American Black people generally have worse health than American White people? To answer this question, Keisha Ray's book <a href="https://bookshop.org/a/12343/9780197620274"><em>Black Health: The Social, Political, and Cultural Determinants of Black People's Health</em></a><em> </em>(Oxford UP, 2023) dispels any notion that Black people have inferior bodies that are inherently susceptible to disease. This is simply false racial science used to justify White supremacy and Black inferiority. A genuine investigation into the status of Black people's health requires us to acknowledge that race has always been a powerful social category that gives access to the resources we need for health and wellbeing to some people, while withholding them from other people. </p><p>Systemic racism, oppression, and White supremacy in American institutions have largely been the perpetrators of differing social power and access to resources for Black people. It is these systemic inequities that create the social conditions needed for poor health outcomes for Black people to persist. An examination of social inequities reveals that is no accident that Black people have poorer health than White people. Black Health provides a succinct discussion of Black people's health, including the social, political, and at times cultural determinants of their health. Using real stories from Black people, Ray examines the ways in which Black people's multiple identities--social, cultural, and political--intersect with American institutions--such as housing, education, environmentalism, and health care--to facilitate their poor outcomes in pregnancy and birth, pain management, sleep, and cardiovascular disease.</p><p><em>﻿</em><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2148</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af5de730-1cfb-11ee-9a19-f3a403264b48]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR1447772720.mp3?updated=1688758203" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marcos González Hernando and Gerry Mitchell, "Uncomfortably Off: Why Higher-Income Earners Should Care about Inequality" (Policy Press, 2023)</title>
      <description>How can we build a better social and political settlement? In Uncomfortably Off: Why the Top 10% of Earners Should Care about Inequality (Policy Press, 2023), Marcos González Hernando an Honorary Research Fellow at the UCL Social Research Institute and Postdoctoral Researcher at Universidad Diego Portale, and Gerry Mitchell a freelance policy researcher, combine a wealth of quantitative analysis with detailed fieldwork interviews to understand the top 10% of contemporary society. Broadening the focus of inequality research away from just a focus on the 1%, the book shows how the top 10%’s self-perceptions and views of society, politics, work and of the future are intertwined with our current social crises. Offering a bracing critique, as well as a framework for change, the book is essential reading across academic social science and for anyone interested in creating a better society.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 08 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>392</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marcos González Hernando and Gerry Mitchell</itunes:subtitle>
      <itunes:summary>How can we build a better social and political settlement? In Uncomfortably Off: Why the Top 10% of Earners Should Care about Inequality (Policy Press, 2023), Marcos González Hernando an Honorary Research Fellow at the UCL Social Research Institute and Postdoctoral Researcher at Universidad Diego Portale, and Gerry Mitchell a freelance policy researcher, combine a wealth of quantitative analysis with detailed fieldwork interviews to understand the top 10% of contemporary society. Broadening the focus of inequality research away from just a focus on the 1%, the book shows how the top 10%’s self-perceptions and views of society, politics, work and of the future are intertwined with our current social crises. Offering a bracing critique, as well as a framework for change, the book is essential reading across academic social science and for anyone interested in creating a better society.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we build a better social and political settlement? In <a href="https://bookshop.org/a/12343/9781447367512"><em>Uncomfortably Off: Why the Top 10% of Earners Should Care about Inequality</em></a> (Policy Press, 2023), <a href="https://twitter.com/MarcosGHernando">Marcos González Hernando</a> an <a href="https://linktr.ee/marcosgh">Honorary Research Fellow at the UCL Social Research Institute and Postdoctoral Researcher at Universidad Diego Portale</a>, and <a href="https://twitter.com/GerryMitchell2">Gerry Mitchell</a> <a href="https://linktr.ee/gerrymitchell">a freelance policy researcher</a>, combine a wealth of quantitative analysis with detailed fieldwork interviews to understand the top 10% of contemporary society. Broadening the focus of inequality research away from just a focus on the 1%, the book shows how the top 10%’s self-perceptions and views of society, politics, work and of the future are intertwined with our current social crises. Offering a bracing critique, as well as a framework for change, the book is essential reading across academic social science and for anyone interested in creating a better society.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[09ff7962-1aa2-11ee-b231-a390bfa53abb]]></guid>
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    <item>
      <title>Robin Steedman, "Creative Hustling: Women Making and Distributing Films from Nairobi" (MIT Press, 2023)</title>
      <description>What is the future of the global creative economy? In Creative Hustling: Women Making and Distributing Films from Nairobi (MIT Press, 2023), Robin Steedman, a postdoc in the Department of Management, Society and Communication at Copenhagen Business School, offers a detailed analysis of the struggles and successes of women in Kenya’s capital city. The book draws on detailed fieldwork in Nairobi and an in-depth knowledge of the international film industry to explain how gender, class, and racial inequalities operate both at the local and global scale. Blending analysis of key films and directors with significant theoretical contributions such as the idea of creative hustling itself, the book is essential reading across media and cultural studies as well as social science and humanities, as well as for anyone interested in understanding how film and TV works.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>391</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robin Steedman</itunes:subtitle>
      <itunes:summary>What is the future of the global creative economy? In Creative Hustling: Women Making and Distributing Films from Nairobi (MIT Press, 2023), Robin Steedman, a postdoc in the Department of Management, Society and Communication at Copenhagen Business School, offers a detailed analysis of the struggles and successes of women in Kenya’s capital city. The book draws on detailed fieldwork in Nairobi and an in-depth knowledge of the international film industry to explain how gender, class, and racial inequalities operate both at the local and global scale. Blending analysis of key films and directors with significant theoretical contributions such as the idea of creative hustling itself, the book is essential reading across media and cultural studies as well as social science and humanities, as well as for anyone interested in understanding how film and TV works.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of the global creative economy? In <a href="https://bookshop.org/a/12343/9780262544832"><em>Creative Hustling: Women Making and Distributing Films from Nairobi </em></a>(MIT Press, 2023), Robin Steedman, <a href="https://www.cbs.dk/en/research/departments-and-centres/department-of-management-society-and-communication/staff/rstmsc">a postdoc in the Department of Management, Society and Communication at Copenhagen Business School</a>, offers a detailed analysis of the struggles and successes of women in Kenya’s capital city. The book draws on detailed fieldwork in Nairobi and an in-depth knowledge of the international film industry to explain how gender, class, and racial inequalities operate both at the local and global scale. Blending analysis of key films and directors with significant theoretical contributions such as the idea of creative hustling itself, the book is essential reading across media and cultural studies as well as social science and humanities, as well as for anyone interested in understanding how film and TV works.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2222</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a80d5b32-1a9e-11ee-bb5d-6356e771be9a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR9450814975.mp3?updated=1688498658" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Maxwell Kennel, "Ontologies of Violence: Deconstruction, Pacifism, and Displacement" (Brill, 2023)</title>
      <description>Ontologies of Violence: Deconstruction, Pacifism, and Displacement (Brill, 2023) provides a new paradigm for understanding the concept of violence through comparative interpretations of French philosopher Jacques Derrida, philosophical theologians in the Mennonite pacifist tradition, and Grace M. Jantzen's feminist philosophy of religion. By drawing out and challenging the remarkably similar priorities shared by its three sources, and by challenging the assumption that differences necessarily lead to displacement, Ontologies of Violence provides a critical theory of violence by treating it as a diagnostic concept that implies the violation of value-laden boundaries.
Maxwell Kennel is Senior Research Associate in the Centre for Social Accountability at NOSM University.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>390</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maxwell Kennel</itunes:subtitle>
      <itunes:summary>Ontologies of Violence: Deconstruction, Pacifism, and Displacement (Brill, 2023) provides a new paradigm for understanding the concept of violence through comparative interpretations of French philosopher Jacques Derrida, philosophical theologians in the Mennonite pacifist tradition, and Grace M. Jantzen's feminist philosophy of religion. By drawing out and challenging the remarkably similar priorities shared by its three sources, and by challenging the assumption that differences necessarily lead to displacement, Ontologies of Violence provides a critical theory of violence by treating it as a diagnostic concept that implies the violation of value-laden boundaries.
Maxwell Kennel is Senior Research Associate in the Centre for Social Accountability at NOSM University.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9789004546431"><em>Ontologies of Violence: Deconstruction, Pacifism, and Displacement</em></a><em> </em>(Brill, 2023) provides a new paradigm for understanding the concept of violence through comparative interpretations of French philosopher Jacques Derrida, philosophical theologians in the Mennonite pacifist tradition, and Grace M. Jantzen's feminist philosophy of religion. By drawing out and challenging the remarkably similar priorities shared by its three sources, and by challenging the assumption that differences necessarily lead to displacement, <em>Ontologies of Violence</em> provides a critical theory of violence by treating it as a diagnostic concept that implies the violation of value-laden boundaries.</p><p>Maxwell Kennel is Senior Research Associate in the Centre for Social Accountability at NOSM University.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[763fdf32-19de-11ee-9bbc-9b306de337d5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4212781371.mp3?updated=1688415896" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Banet-Weiser and Kathryn C. Higgins, "Believability: Sexual Violence, Media, and the Politics of Doubt" (Polity Press, 2023)</title>
      <description>Who is believed in our mediated world? In Believability: Sexual Violence, Media and the Politics of Doubt (Polity Press, 2023),  Sarah Banet-Weiser, Distinguished Professor at the University of Pennsylvania’s Annenberg School for Communication and Professor of Communication at the University of Southern California’s Annenberg School for Communication and Journalism, and Kathryn Claire Higgins, Postdoctoral Fellow at the University of Pennsylvania’s Annenberg Center for Collaborative Communication, examine this question by introducing the conception of an economy of believability governing who is, and who is not, believed or doubted. Written in the wake of #MeToo, the book engages directly with key contexts such as post-truth and the commodification of sexual violence. Thinking through questions of race and class, the analysis ranges widely, covering representations of sexual violence in fiction and non-fiction media, contemporary controversies and court cases, and the backlash from men in positions of power. The book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand ongoing gender inequalities in media and in society.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>387</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Banet-Weiser and Kathryn C. Higgins</itunes:subtitle>
      <itunes:summary>Who is believed in our mediated world? In Believability: Sexual Violence, Media and the Politics of Doubt (Polity Press, 2023),  Sarah Banet-Weiser, Distinguished Professor at the University of Pennsylvania’s Annenberg School for Communication and Professor of Communication at the University of Southern California’s Annenberg School for Communication and Journalism, and Kathryn Claire Higgins, Postdoctoral Fellow at the University of Pennsylvania’s Annenberg Center for Collaborative Communication, examine this question by introducing the conception of an economy of believability governing who is, and who is not, believed or doubted. Written in the wake of #MeToo, the book engages directly with key contexts such as post-truth and the commodification of sexual violence. Thinking through questions of race and class, the analysis ranges widely, covering representations of sexual violence in fiction and non-fiction media, contemporary controversies and court cases, and the backlash from men in positions of power. The book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand ongoing gender inequalities in media and in society.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who is believed in our mediated world? In <a href="https://bookshop.org/a/12343/9781509553815"><em>Believability: Sexual Violence, Media and the Politics of Doubt</em></a><em> </em>(Polity Press, 2023),<em> </em> <a href="https://twitter.com/sbanetweiser">Sarah Banet-Weiser</a>, <a href="https://www.asc.upenn.edu/people/faculty/sarah-banet-weiser-phd">Distinguished Professor at the University of Pennsylvania’s Annenberg School for Communication and Professor of Communication at the University of Southern California’s Annenberg School for Communication and Journalism</a>, and <a href="https://twitter.com/kat_hig">Kathryn Claire Higgins</a>, <a href="https://www.kchiggins.com/">Postdoctoral Fellow</a> at the University of Pennsylvania’s <a href="https://www.asc.upenn.edu/people/faculty/kathryn-claire-higgins-phd">Annenberg Center for Collaborative Communication</a>, examine this question by introducing the conception of an economy of believability governing who is, and who is not, believed or doubted. Written in the wake of #MeToo, the book engages directly with key contexts such as post-truth and the commodification of sexual violence. Thinking through questions of race and class, the analysis ranges widely, covering representations of sexual violence in fiction and non-fiction media, contemporary controversies and court cases, and the backlash from men in positions of power. The book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand ongoing gender inequalities in media and in society.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4d676478-11d6-11ee-8b26-57360afc2ff9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR3055586104.mp3?updated=1687533240" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jack Metzgar, "Bridging the Divide: Working-Class Culture in a Middle-Class Society" (ILR Press, 2021)</title>
      <description>In Bridging the Divide: Working-Class Culture in a Middle-Class Society (ILR Press, 2021), Jack Metzgar attempts to determine the differences between working-class and middle-class cultures in the United States. Drawing on a wide range of multidisciplinary sources, Metzgar writes as a now middle-class professional with a working-class upbringing, explaining the various ways the two cultures conflict and complement each other, illustrated by his own lived experiences.
Set in a historical framework that reflects on how both class cultures developed, adapted, and survived through decades of historical circumstances, Metzgar challenges professional middle-class views of both the working-class and themselves. In the end, he argues for the creation of a cross-class coalition of what he calls "standard-issue professionals" with both hard-living and settled-living working people and outlines some policies that could help promote such a unification if the two groups had a better understanding of their differences and how to use those differences to their advantage.
Bridging the Divide mixes personal stories and theoretical concepts to give us a compelling look inside the current complex position of the working-class in American culture and a view of what it could be in the future.
John Lepley is a union activist in Pittsburgh, Pennsylvania and can be reached at jwalterlepley@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 03 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1332</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jack Metzgar</itunes:subtitle>
      <itunes:summary>In Bridging the Divide: Working-Class Culture in a Middle-Class Society (ILR Press, 2021), Jack Metzgar attempts to determine the differences between working-class and middle-class cultures in the United States. Drawing on a wide range of multidisciplinary sources, Metzgar writes as a now middle-class professional with a working-class upbringing, explaining the various ways the two cultures conflict and complement each other, illustrated by his own lived experiences.
Set in a historical framework that reflects on how both class cultures developed, adapted, and survived through decades of historical circumstances, Metzgar challenges professional middle-class views of both the working-class and themselves. In the end, he argues for the creation of a cross-class coalition of what he calls "standard-issue professionals" with both hard-living and settled-living working people and outlines some policies that could help promote such a unification if the two groups had a better understanding of their differences and how to use those differences to their advantage.
Bridging the Divide mixes personal stories and theoretical concepts to give us a compelling look inside the current complex position of the working-class in American culture and a view of what it could be in the future.
John Lepley is a union activist in Pittsburgh, Pennsylvania and can be reached at jwalterlepley@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501760310"><em>Bridging the Divide: Working-Class Culture in a Middle-Class Society</em></a> (ILR Press, 2021), Jack Metzgar attempts to determine the differences between working-class and middle-class cultures in the United States. Drawing on a wide range of multidisciplinary sources, Metzgar writes as a now middle-class professional with a working-class upbringing, explaining the various ways the two cultures conflict and complement each other, illustrated by his own lived experiences.</p><p>Set in a historical framework that reflects on how both class cultures developed, adapted, and survived through decades of historical circumstances, Metzgar challenges professional middle-class views of both the working-class and themselves. In the end, he argues for the creation of a cross-class coalition of what he calls "standard-issue professionals" with both hard-living and settled-living working people and outlines some policies that could help promote such a unification if the two groups had a better understanding of their differences and how to use those differences to their advantage.</p><p>Bridging the Divide mixes personal stories and theoretical concepts to give us a compelling look inside the current complex position of the working-class in American culture and a view of what it could be in the future.</p><p><em>John Lepley is a union activist in Pittsburgh, Pennsylvania and can be reached at </em><a href="mailto:jwalterlepley@gmail.com"><em>jwalterlepley@gmail.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3396</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be44f104-1782-11ee-be93-fbbf54d94e7d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5189501026.mp3?updated=1688156511" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)</title>
      <description>Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind.
Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin’s short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art.
Adrian Rifkin speaks to Pierre d’Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature.

Adrain’s performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017


The White Pube 🎨🖌️🐀

Jeffrey Steele

Robert Motherwell

Artangel

Afterall

Allan Sekula’s Fish Story


Elizabeth Price

Anne Tallentire

Hanne Darboven

Hans Eysenck


Adrian Rifkin is a writer and art historian engaged in contemporary art, film, classical and popular music, canonical and mass imagery, literature and pornography. Until recently he was Professor of Art Writing at Goldsmiths. He is the author of Street Noises: Studies in Parisian Pleasure, 1900-40, and Ingres Then, and Now. His collected essays appeared as Communards and Other Cultural Histories and his work was the subject of the anthology Inter-disciplinary Encounters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 02 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrian Rifkin</itunes:subtitle>
      <itunes:summary>Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind.
Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin’s short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art.
Adrian Rifkin speaks to Pierre d’Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature.

Adrain’s performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017


The White Pube 🎨🖌️🐀

Jeffrey Steele

Robert Motherwell

Artangel

Afterall

Allan Sekula’s Fish Story


Elizabeth Price

Anne Tallentire

Hanne Darboven

Hans Eysenck


Adrian Rifkin is a writer and art historian engaged in contemporary art, film, classical and popular music, canonical and mass imagery, literature and pornography. Until recently he was Professor of Art Writing at Goldsmiths. He is the author of Street Noises: Studies in Parisian Pleasure, 1900-40, and Ingres Then, and Now. His collected essays appeared as Communards and Other Cultural Histories and his work was the subject of the anthology Inter-disciplinary Encounters.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind.</em></p><p><em>Future Imperfect: The Past Between My Fingers..</em>. (2021), Adrian Rifkin’s short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art.</p><p>Adrian Rifkin speaks to Pierre d’Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature.</p><ul>
<li>Adrain’s performance <a href="https://www.youtube.com/watch?v=3EMAl77sy44"><em>Hypotheses and Loving Contradictions</em></a> at Haus der Kunst, 2017</li>
<li>
<a href="https://www.thewhitepube.co.uk/">The White Pube</a> 🎨🖌️🐀</li>
<li><a href="https://www.tate.org.uk/art/artists/jeffrey-steele-1989">Jeffrey Steele</a></li>
<li><a href="https://www.levygorvy.com/exhibitions/robert-motherwell-elegy-to-the-spanish-republic/">Robert Motherwell</a></li>
<li><a href="https://www.artangel.org.uk/">Artangel</a></li>
<li><a href="https://www.afterall.org/">Afterall</a></li>
<li>Allan Sekula’s <a href="https://www.tate.org.uk/research/tate-papers/18/production-in-view-allan-sekulas-fish-story-and-the-thawing-of-postmodernism"><em>Fish Story</em></a>
</li>
<li><a href="https://elizabethprice.site/">Elizabeth Price</a></li>
<li><a href="https://annetallentire.info/">Anne Tallentire</a></li>
<li><a href="https://www.artnet.com/artists/hanne-darboven/">Hanne Darboven</a></li>
<li><a href="https://en.wikipedia.org/wiki/Hans_Eysenck">Hans Eysenck</a></li>
</ul><p><br></p><p><a href="http://gai-savoir.net/">Adrian Rifkin</a> is a writer and art historian engaged in contemporary art, film, classical and popular music, canonical and mass imagery, literature and pornography. Until recently he was Professor of Art Writing at Goldsmiths. He is the author of <em>Street Noises: Studies in Parisian Pleasure, 1900-40</em>, and <em>Ingres Then, and Now</em>. His collected essays appeared as <a href="https://www.google.co.uk/books/edition/Communards_and_Other_Cultural_Histories/89KYDQAAQBAJ"><em>Communards and Other Cultural Histories</em></a> and his work was the subject of the anthology <a href="https://www.google.co.uk/books/edition/Inter_disciplinary_Encounters/5_1NzAEACAAJ?hl=en"><em>Inter-disciplinary Encounters</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4818</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ricardo Tranjan, "The Tenant Class" (Between the Lines, 2023)</title>
      <description>Today I talked to Ricardo Tranjan about his book The Tenant Class (Between the Lines, 2023).
It’s well known and almost taken for granted that we live in the midst of a “housing crisis”—soaring rent, persistently low vacancy rate, and deteriorating quality of existing housing stock plague renters throughout Canada. But if a crisis is defined by being sudden and often short-term, by being largely incidental and without malicious intent, and by a tendency to produce broad social solidarity, Ricardo Tranjan argues that the present housing situation is anything but a “crisis.” Instead, Tranjan persuasively shows that what the tenant class—those who must rent living space from those who own it—are facing are heightened conditions of exploitation. More than this, though, Tranjan also shows how tenants are organizing in solidarity with one another and against the landlords who profit off their very existence. Towards the end of the episode, Tranjan shines a spot light on two tenant organizing campaigns in Toronto, listeners can learn more and support these tenants by following these links: York South Weston Tenant Union at 33 King Street and Thorncliffe Park Tenants’ Rent Strike: 
Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 02 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ricardo Tranjan</itunes:subtitle>
      <itunes:summary>Today I talked to Ricardo Tranjan about his book The Tenant Class (Between the Lines, 2023).
It’s well known and almost taken for granted that we live in the midst of a “housing crisis”—soaring rent, persistently low vacancy rate, and deteriorating quality of existing housing stock plague renters throughout Canada. But if a crisis is defined by being sudden and often short-term, by being largely incidental and without malicious intent, and by a tendency to produce broad social solidarity, Ricardo Tranjan argues that the present housing situation is anything but a “crisis.” Instead, Tranjan persuasively shows that what the tenant class—those who must rent living space from those who own it—are facing are heightened conditions of exploitation. More than this, though, Tranjan also shows how tenants are organizing in solidarity with one another and against the landlords who profit off their very existence. Towards the end of the episode, Tranjan shines a spot light on two tenant organizing campaigns in Toronto, listeners can learn more and support these tenants by following these links: York South Weston Tenant Union at 33 King Street and Thorncliffe Park Tenants’ Rent Strike: 
Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Ricardo Tranjan about his book <a href="https://bookshop.org/a/12343/9781771136228"><em>The Tenant Class</em></a> (Between the Lines, 2023).</p><p>It’s well known and almost taken for granted that we live in the midst of a “housing crisis”—soaring rent, persistently low vacancy rate, and deteriorating quality of existing housing stock plague renters throughout Canada. But if a crisis is defined by being sudden and often short-term, by being largely incidental and without malicious intent, and by a tendency to produce broad social solidarity, Ricardo Tranjan argues that the present housing situation is anything but a “crisis.” Instead, Tranjan persuasively shows that what the tenant class—those who must rent living space from those who own it—are facing are heightened conditions of exploitation. More than this, though, Tranjan also shows how tenants are organizing in solidarity with one another and against the landlords who profit off their very existence. Towards the end of the episode, Tranjan shines a spot light on two tenant organizing campaigns in Toronto, listeners can learn more and support these tenants by following these links: <a href="https://www.tenantunion.ca/33king">York South Weston Tenant Union</a> at 33 King Street and <a href="https://www.gofundme.com/f/thorncliffe-park-tenants-rent-strike-fund">Thorncliffe Park Tenants’ Rent Strike</a>: </p><p><em>Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at </em><a href="https://philhenderson.carrd.co/"><em>his personal website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4056</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6707caaa-1788-11ee-98f6-9f5b51736444]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR8271091262.mp3?updated=1688159052" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Why Do So Many Young People Think the Unabomber was Right?</title>
      <description>Darts and Letters is creating a new podcast, Academic Edgelords.
This is a scholarly podcast about scholarly provocateurs. This is a leftist podcast that takes a second look at their peer-reviewed work, and tries to see if there’s anything we might learn from arguing with them. We are hosted by: Victor Bruzzone, Gordon Katic, Matt McManus, and Ethan Xavier (AKA “Mouthy Infidel”).
On this episode, we introduce our show by reading the ultimate academic edgelord: Ted Kacynski, who just died. This domestic terrorist was also a real scholar, with a few peer-reviewed works in mathematics. We read his manifesto: Industrial Society and its Future.
Why has the Kaczynski become so popular with young people? He is just one extreme proponent of an anti-civilizational political theory called anarcho-primitivism. Few call themselves anarcho-primitivists, yet the basic ideas have become widespread, thanks to worsening environmental degradation and the ongoing techlash. You probably saw some anarcho-primitive thinking on Twitter right after Kaczynski died; many people lamented his death, and praised his arguments.
What makes his thinking appealing to some? What does it get right about technology, and what does it get very wrong? We also discuss the broader anarcho-primitivist tradition, with the help of Chamsy el-Ojeili and Dylan Taylor's critical but generous review article from April, 2020, “the Future in the Past”: Anarcho-primitivism and the Critique of Civilization Today," in Rethinking Marxism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 30 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Darts and Letters is creating a new podcast, Academic Edgelords.
This is a scholarly podcast about scholarly provocateurs. This is a leftist podcast that takes a second look at their peer-reviewed work, and tries to see if there’s anything we might learn from arguing with them. We are hosted by: Victor Bruzzone, Gordon Katic, Matt McManus, and Ethan Xavier (AKA “Mouthy Infidel”).
On this episode, we introduce our show by reading the ultimate academic edgelord: Ted Kacynski, who just died. This domestic terrorist was also a real scholar, with a few peer-reviewed works in mathematics. We read his manifesto: Industrial Society and its Future.
Why has the Kaczynski become so popular with young people? He is just one extreme proponent of an anti-civilizational political theory called anarcho-primitivism. Few call themselves anarcho-primitivists, yet the basic ideas have become widespread, thanks to worsening environmental degradation and the ongoing techlash. You probably saw some anarcho-primitive thinking on Twitter right after Kaczynski died; many people lamented his death, and praised his arguments.
What makes his thinking appealing to some? What does it get right about technology, and what does it get very wrong? We also discuss the broader anarcho-primitivist tradition, with the help of Chamsy el-Ojeili and Dylan Taylor's critical but generous review article from April, 2020, “the Future in the Past”: Anarcho-primitivism and the Critique of Civilization Today," in Rethinking Marxism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Darts and Letters </em>is creating a new podcast, <a href="https://academicedgelords.com/"><em>Academic Edgelords</em></a><em>.</em></p><p>This is a scholarly podcast about scholarly provocateurs. This is a leftist podcast that takes a second look at their peer-reviewed work, and tries to see if there’s anything we might learn from arguing with them. We are hosted by: Victor Bruzzone, Gordon Katic, Matt McManus, and Ethan Xavier (AKA “Mouthy Infidel”).</p><p>On this episode, we introduce our show by reading the ultimate academic edgelord: Ted Kacynski, who just died. This domestic terrorist was also a real scholar, with a few peer-reviewed works in mathematics. We read his manifesto: <a href="https://www.washingtonpost.com/wp-srv/national/longterm/unabomber/manifesto.text.htm">Industrial Society and its Future</a>.</p><p>Why has the Kaczynski become so <a href="https://nymag.com/intelligencer/2018/12/the-unabomber-ted-kaczynski-new-generation-of-acolytes.html">popular with young people</a>? He is just one extreme proponent of an anti-civilizational political theory called anarcho-primitivism. Few call themselves anarcho-primitivists, yet the basic ideas have become widespread, thanks to worsening environmental degradation and the ongoing techlash<em>. </em>You probably saw some anarcho-primitive thinking on Twitter right after Kaczynski died; many people lamented his death, and praised his arguments.</p><p>What makes his thinking appealing to some? What does it get right about technology, and what does it get very wrong? We also discuss the broader anarcho-primitivist tradition, with the help of Chamsy el-Ojeili and Dylan Taylor's critical but generous review article from April, 2020, “<a href="https://www.tandfonline.com/doi/full/10.1080/08935696.2020.1727256">the Future in the Past”: Anarcho-primitivism and the Critique of Civilization Today</a>," in <em>Rethinking Marxism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4562</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[047659b2-1759-11ee-b14e-57747c90adc7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR1630140798.mp3?updated=1688138706" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel R. Smith, "The Fall and Rise of the English Upper Class: Houses, Kinship and Capital Since 1945" (Manchester UP, 2023)</title>
      <description>Who are the English upper class? In The Fall and Rise of the English Upper Class: Houses, Kinship and Capital Since 1945 (Manchester UP, 2023) Daniel Smith, a lecturer in sociology at Cardiff University, offers an analysis of the role and power of the upper class in English society. Drawing on, and critiquing, sociology, anthropology, literary and cultural studies, and psychoanalysis, the book uses a vast range of methods and examples to tell the story of the continued dominance of English elites. With examples ranging from fashion and bookshops, through fee-paying schools, to memoirs and money, the book is essential reading across the social sciences and humanities, and for anyone interested in understanding Britain’s current social, economic, and cultural crisis.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>389</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel R. Smith</itunes:subtitle>
      <itunes:summary>Who are the English upper class? In The Fall and Rise of the English Upper Class: Houses, Kinship and Capital Since 1945 (Manchester UP, 2023) Daniel Smith, a lecturer in sociology at Cardiff University, offers an analysis of the role and power of the upper class in English society. Drawing on, and critiquing, sociology, anthropology, literary and cultural studies, and psychoanalysis, the book uses a vast range of methods and examples to tell the story of the continued dominance of English elites. With examples ranging from fashion and bookshops, through fee-paying schools, to memoirs and money, the book is essential reading across the social sciences and humanities, and for anyone interested in understanding Britain’s current social, economic, and cultural crisis.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who are the English upper class? In <a href="https://bookshop.org/a/12343/9781526157010"><em>The Fall and Rise of the English Upper Class: Houses, Kinship and Capital Since 1945</em></a><em> </em>(Manchester UP, 2023) <a href="https://twitter.com/DrDanielRSmith">Daniel Smith,</a> <a href="https://profiles.cardiff.ac.uk/staff/smithd34">a lecturer in sociology at Cardiff University</a>, offers an analysis of the role and power of the upper class in English society. Drawing on, and critiquing, sociology, anthropology, literary and cultural studies, and psychoanalysis, the book uses a vast range of methods and examples to tell the story of the continued dominance of English elites. With examples ranging from fashion and bookshops, through fee-paying schools, to memoirs and money, the book is essential reading across the social sciences and humanities, and for anyone interested in understanding Britain’s current social, economic, and cultural crisis.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2932</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[53c1c946-1201-11ee-a8fd-8f24b883a13c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2563782759.mp3?updated=1687551496" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Muhammad Knight, "Sufi Deleuze: Secretions of Islamic Atheism" (Fordham UP, 2023)</title>
      <description>“There is always an atheism to be extracted from a religion,” Deleuze and Guattari write in their final collaboration, What Is Philosophy? Their claim that Christianity “secretes” atheism “more than any other religion,” however, reflects the limits of their archive. Theological projects seeking to engage Deleuze remain embedded within Christian theologies and intellectual histories; whether they embrace, resist, or negotiate with Deleuze’s atheism, the atheism in question remains one extracted from Christian theology, a Christian atheism. In Sufi Deleuze, Michael Muhammad Knight offers an intervention, engaging Deleuzian questions and themes from within Islamic tradition.
Even if Deleuze did not think of himself as a theologian, Knight argues, to place Deleuze in conversation with Islam is a project of comparative theology and faces the challenge of any comparative theology: It seemingly demands that complex, internally diverse traditions can speak as coherent, monolithic wholes. To start from such a place would not only defy Islam’s historical multiplicity but also betray Deleuze’s model of the assemblage, which requires attention to not only the organizing and stabilizing tendencies within a structure but also the points at which a structure resists organization, its internal heterogeneity, and unpredictable “lines of flight.”
A Deleuzian approach to Islamic theology would first have to affirm that there is no such thing as a universal “Islamic theology” that can speak for all Muslims in all historical settings, but rather a multiplicity of power struggles between major and minor forces that contest each other over authenticity, authority, and the making of “orthodoxy.” The discussions in Sufi Deleuze: Secretions of Islamic Atheism (Fordham UP, 2023) thus highlight Islam’s extraordinary range of possibilities, not only making use of canonically privileged materials such as the Qur’an and major hadith collections, but also exploring a variety of marginalized resources found throughout Islam that challenge the notion of a singular “mainstream” interpretive tradition. To say it in Deleuze’s vocabulary, Islam is a rhizome.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>386</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Muhammad Knight</itunes:subtitle>
      <itunes:summary>“There is always an atheism to be extracted from a religion,” Deleuze and Guattari write in their final collaboration, What Is Philosophy? Their claim that Christianity “secretes” atheism “more than any other religion,” however, reflects the limits of their archive. Theological projects seeking to engage Deleuze remain embedded within Christian theologies and intellectual histories; whether they embrace, resist, or negotiate with Deleuze’s atheism, the atheism in question remains one extracted from Christian theology, a Christian atheism. In Sufi Deleuze, Michael Muhammad Knight offers an intervention, engaging Deleuzian questions and themes from within Islamic tradition.
Even if Deleuze did not think of himself as a theologian, Knight argues, to place Deleuze in conversation with Islam is a project of comparative theology and faces the challenge of any comparative theology: It seemingly demands that complex, internally diverse traditions can speak as coherent, monolithic wholes. To start from such a place would not only defy Islam’s historical multiplicity but also betray Deleuze’s model of the assemblage, which requires attention to not only the organizing and stabilizing tendencies within a structure but also the points at which a structure resists organization, its internal heterogeneity, and unpredictable “lines of flight.”
A Deleuzian approach to Islamic theology would first have to affirm that there is no such thing as a universal “Islamic theology” that can speak for all Muslims in all historical settings, but rather a multiplicity of power struggles between major and minor forces that contest each other over authenticity, authority, and the making of “orthodoxy.” The discussions in Sufi Deleuze: Secretions of Islamic Atheism (Fordham UP, 2023) thus highlight Islam’s extraordinary range of possibilities, not only making use of canonically privileged materials such as the Qur’an and major hadith collections, but also exploring a variety of marginalized resources found throughout Islam that challenge the notion of a singular “mainstream” interpretive tradition. To say it in Deleuze’s vocabulary, Islam is a rhizome.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“There is always an atheism to be extracted from a religion,” Deleuze and Guattari write in their final collaboration, <em>What Is Philosophy?</em> Their claim that Christianity “secretes” atheism “more than any other religion,” however, reflects the limits of their archive. Theological projects seeking to engage Deleuze remain embedded within Christian theologies and intellectual histories; whether they embrace, resist, or negotiate with Deleuze’s atheism, the atheism in question remains one extracted from Christian theology, a Christian atheism. In Sufi Deleuze, Michael Muhammad Knight offers an intervention, engaging Deleuzian questions and themes from within Islamic tradition.</p><p>Even if Deleuze did not think of himself as a theologian, Knight argues, to place Deleuze in conversation with Islam is a project of comparative theology and faces the challenge of any comparative theology: It seemingly demands that complex, internally diverse traditions can speak as coherent, monolithic wholes. To start from such a place would not only defy Islam’s historical multiplicity but also betray Deleuze’s model of the assemblage, which requires attention to not only the organizing and stabilizing tendencies within a structure but also the points at which a structure resists organization, its internal heterogeneity, and unpredictable “lines of flight.”</p><p>A Deleuzian approach to Islamic theology would first have to affirm that there is no such thing as a universal “Islamic theology” that can speak for all Muslims in all historical settings, but rather a multiplicity of power struggles between major and minor forces that contest each other over authenticity, authority, and the making of “orthodoxy.” The discussions in <a href="https://bookshop.org/a/12343/9781531501808"><em>Sufi Deleuze: Secretions of Islamic Atheism</em></a> (Fordham UP, 2023) thus highlight Islam’s extraordinary range of possibilities, not only making use of canonically privileged materials such as the Qur’an and major hadith collections, but also exploring a variety of marginalized resources found throughout Islam that challenge the notion of a singular “mainstream” interpretive tradition. To say it in Deleuze’s vocabulary, Islam is a rhizome.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2390</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f2ecfb26-0e00-11ee-ab55-ff49d4e291ef]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2585085413.mp3?updated=1687111311" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sara Salman, "The Shaming State: How the U.S. Treats Citizens in Need" (NYU Press, 2023)</title>
      <description>The Shaming State: How the U.S. Treats Citizens in Need (NYU Press, 2023) argues that Americans have been abandoned by a government that has relinquished its duties of care toward its citizens. Sara Salman describes a government that withholds care in times of need and instead shames the very citizens it claims to serve, both poor and middle class. She argues that the state does so by emphasizing personal responsibility, thus tacitly blaming the needy for relying on state programs. This blame is pervasive in the American cultural imagination, existing in political discourse and internalized by Americans. This book explores how shaming is exhibited by state and political institutions by showing the ways in which the state withholds care, and how people who need that care are humiliated for failing to be self-sufficient.
The Shaming State investigates the vanishing horizon of social rights in the United States and the dwindling of government support to both lower- and middle-class people. Focusing on Iraqi refugees and white home-owning New Yorkers, Salman demonstrates how both groups were faced with immense difficulty and humiliation when searching for access to assistance programs maintained by the government. Looking at the long-range trends, she argues that the last forty years have made the United States a market fundamentalist country, where the government does not offer unified aid and increasingly asks citizens to assume personal responsibility in the face of uncontrollable disasters. Whether it was Hurricane Katrina almost two decades ago or the ongoing COVID-19 pandemic, the indifferent and stagnant response by the American government not only amplified the consequences of these disasters but also increased hostility towards the vulnerable groups who needed help. Ultimately, The Shaming State tells stories of abandonment, loss, shame, and rage experienced by Americans and how the government has let them down time and time again.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sara Salman</itunes:subtitle>
      <itunes:summary>The Shaming State: How the U.S. Treats Citizens in Need (NYU Press, 2023) argues that Americans have been abandoned by a government that has relinquished its duties of care toward its citizens. Sara Salman describes a government that withholds care in times of need and instead shames the very citizens it claims to serve, both poor and middle class. She argues that the state does so by emphasizing personal responsibility, thus tacitly blaming the needy for relying on state programs. This blame is pervasive in the American cultural imagination, existing in political discourse and internalized by Americans. This book explores how shaming is exhibited by state and political institutions by showing the ways in which the state withholds care, and how people who need that care are humiliated for failing to be self-sufficient.
The Shaming State investigates the vanishing horizon of social rights in the United States and the dwindling of government support to both lower- and middle-class people. Focusing on Iraqi refugees and white home-owning New Yorkers, Salman demonstrates how both groups were faced with immense difficulty and humiliation when searching for access to assistance programs maintained by the government. Looking at the long-range trends, she argues that the last forty years have made the United States a market fundamentalist country, where the government does not offer unified aid and increasingly asks citizens to assume personal responsibility in the face of uncontrollable disasters. Whether it was Hurricane Katrina almost two decades ago or the ongoing COVID-19 pandemic, the indifferent and stagnant response by the American government not only amplified the consequences of these disasters but also increased hostility towards the vulnerable groups who needed help. Ultimately, The Shaming State tells stories of abandonment, loss, shame, and rage experienced by Americans and how the government has let them down time and time again.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781479814541"><em>The Shaming State: How the U.S. Treats Citizens in Need</em></a><em> </em>(NYU Press, 2023) argues that Americans have been abandoned by a government that has relinquished its duties of care toward its citizens. Sara Salman describes a government that withholds care in times of need and instead shames the very citizens it claims to serve, both poor and middle class. She argues that the state does so by emphasizing personal responsibility, thus tacitly blaming the needy for relying on state programs. This blame is pervasive in the American cultural imagination, existing in political discourse and internalized by Americans. This book explores how shaming is exhibited by state and political institutions by showing the ways in which the state withholds care, and how people who need that care are humiliated for failing to be self-sufficient.</p><p><em>The Shaming State</em> investigates the vanishing horizon of social rights in the United States and the dwindling of government support to both lower- and middle-class people. Focusing on Iraqi refugees and white home-owning New Yorkers, Salman demonstrates how both groups were faced with immense difficulty and humiliation when searching for access to assistance programs maintained by the government. Looking at the long-range trends, she argues that the last forty years have made the United States a market fundamentalist country, where the government does not offer unified aid and increasingly asks citizens to assume personal responsibility in the face of uncontrollable disasters. Whether it was Hurricane Katrina almost two decades ago or the ongoing COVID-19 pandemic, the indifferent and stagnant response by the American government not only amplified the consequences of these disasters but also increased hostility towards the vulnerable groups who needed help. Ultimately, <em>The Shaming State</em> tells stories of abandonment, loss, shame, and rage experienced by Americans and how the government has let them down time and time again.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3258</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Marcello Musto, "The Last Years of Karl Marx: An Intellectual Biography" (Stanford UP, 2020)</title>
      <description>In the last years of his life, Karl Marx expanded his research in new directions-studying recent anthropological discoveries, analyzing communal forms of ownership in precapitalist societies, supporting the populist movement in Russia, and expressing critiques of colonial oppression in India, Ireland, Algeria, and Egypt. Between 1881 and 1883, he also traveled beyond Europe for the first and only time. Focusing on these last years of Marx's life, this book dispels two key misrepresentations of his work: that Marx ceased to write late in life, and that he was a Eurocentric and economic thinker fixated on class conflict alone. 
With The Last Years of Karl Marx: An Intellectual Biography (Stanford UP, 2020), Marcello Musto claims a renewed relevance for the late work of Marx, highlighting unpublished or previously neglected writings, many of which remain unavailable in English. Readers are invited to reconsider Marx's critique of European colonialism, his ideas on non-Western societies, and his theories on the possibility of revolution in noncapitalist countries. From Marx's late manuscripts, notebooks, and letters emerge an author markedly different from the one represented by many of his contemporary critics and followers alike. As Marx currently experiences a significant rediscovery, this volume fills a gap in the popularly accepted biography and suggests an innovative reassessment of some of his key concepts.

Marcello Musto is a professor of sociology, and the founding director of the Laboratory for Alternative Theories, at York University in Canada.

David Norman Smith. Professor of Sociology, University of Kansas. His work focuses on the intersection between political sociology, political psychology, and political economy

Peter Hudis is Professor of Philosophy and Humanities at Oakton Community College and author of Marx's Concept of the Alternative to Capitalism

Sean Sayers is Professor Emeritus of Philosophy at the University of Kent, He has published extensively on topics in Marxist and Hegelian philosophy.


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Jun 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Marcello Musto, Peter Hudis, Sean Sayers, and David Norman Smith</itunes:subtitle>
      <itunes:summary>In the last years of his life, Karl Marx expanded his research in new directions-studying recent anthropological discoveries, analyzing communal forms of ownership in precapitalist societies, supporting the populist movement in Russia, and expressing critiques of colonial oppression in India, Ireland, Algeria, and Egypt. Between 1881 and 1883, he also traveled beyond Europe for the first and only time. Focusing on these last years of Marx's life, this book dispels two key misrepresentations of his work: that Marx ceased to write late in life, and that he was a Eurocentric and economic thinker fixated on class conflict alone. 
With The Last Years of Karl Marx: An Intellectual Biography (Stanford UP, 2020), Marcello Musto claims a renewed relevance for the late work of Marx, highlighting unpublished or previously neglected writings, many of which remain unavailable in English. Readers are invited to reconsider Marx's critique of European colonialism, his ideas on non-Western societies, and his theories on the possibility of revolution in noncapitalist countries. From Marx's late manuscripts, notebooks, and letters emerge an author markedly different from the one represented by many of his contemporary critics and followers alike. As Marx currently experiences a significant rediscovery, this volume fills a gap in the popularly accepted biography and suggests an innovative reassessment of some of his key concepts.

Marcello Musto is a professor of sociology, and the founding director of the Laboratory for Alternative Theories, at York University in Canada.

David Norman Smith. Professor of Sociology, University of Kansas. His work focuses on the intersection between political sociology, political psychology, and political economy

Peter Hudis is Professor of Philosophy and Humanities at Oakton Community College and author of Marx's Concept of the Alternative to Capitalism

Sean Sayers is Professor Emeritus of Philosophy at the University of Kent, He has published extensively on topics in Marxist and Hegelian philosophy.


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the last years of his life, Karl Marx expanded his research in new directions-studying recent anthropological discoveries, analyzing communal forms of ownership in precapitalist societies, supporting the populist movement in Russia, and expressing critiques of colonial oppression in India, Ireland, Algeria, and Egypt. Between 1881 and 1883, he also traveled beyond Europe for the first and only time. Focusing on these last years of Marx's life, this book dispels two key misrepresentations of his work: that Marx ceased to write late in life, and that he was a Eurocentric and economic thinker fixated on class conflict alone. </p><p>With <a href="https://bookshop.org/a/12343/9781503612525"><em>The Last Years of Karl Marx: An Intellectual Biography</em></a><em> </em>(Stanford UP, 2020), Marcello Musto claims a renewed relevance for the late work of Marx, highlighting unpublished or previously neglected writings, many of which remain unavailable in English. Readers are invited to reconsider Marx's critique of European colonialism, his ideas on non-Western societies, and his theories on the possibility of revolution in noncapitalist countries. From Marx's late manuscripts, notebooks, and letters emerge an author markedly different from the one represented by many of his contemporary critics and followers alike. As Marx currently experiences a significant rediscovery, this volume fills a gap in the popularly accepted biography and suggests an innovative reassessment of some of his key concepts.</p><ul>
<li>Marcello Musto is a professor of sociology, and the founding director of the Laboratory for Alternative Theories, at York University in Canada.</li>
<li>David Norman Smith. Professor of Sociology, University of Kansas. His work focuses on the intersection between political sociology, political psychology, and political economy</li>
<li>Peter Hudis is Professor of Philosophy and Humanities at Oakton Community College and author of Marx's Concept of the Alternative to Capitalism</li>
<li>Sean Sayers is Professor Emeritus of Philosophy at the University of Kent, He has published extensively on topics in Marxist and Hegelian philosophy.</li>
</ul><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7654</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af19e6ac-1355-11ee-84ae-277f7070fb70]]></guid>
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    </item>
    <item>
      <title>Yvette Taylor, "Working-Class Queers: Time, Place, and Politics" (Pluto Press, 2022)</title>
      <description>What is the relationship between class and sexuality? In Working-Class Queers: Time, Place and Politics (Pluto Press, 2023), Yvette Taylor, Professor of Education at the University of Strathclyde, explores the lives of working-class queers to tell the story of the past twenty years in the UK and beyond. Reflecting on her own biography as a researcher, the book brings in analysis of a range of research projects, giving insights into the impact of Brexit, austerity, and the pandemic on working-class queers. The book also deals with themes of migration and race, alongside offering a challenge to rethink our contemporary understandings of class. Attentive to the task of teaching, and building a canon of key texts, Taylor’s approach offers much for the classroom as well as for research. A hugely significant intervention on the study of both class and sexuality, the book will be essential reading across the social sciences and humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 24 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>388</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yvette Taylor</itunes:subtitle>
      <itunes:summary>What is the relationship between class and sexuality? In Working-Class Queers: Time, Place and Politics (Pluto Press, 2023), Yvette Taylor, Professor of Education at the University of Strathclyde, explores the lives of working-class queers to tell the story of the past twenty years in the UK and beyond. Reflecting on her own biography as a researcher, the book brings in analysis of a range of research projects, giving insights into the impact of Brexit, austerity, and the pandemic on working-class queers. The book also deals with themes of migration and race, alongside offering a challenge to rethink our contemporary understandings of class. Attentive to the task of teaching, and building a canon of key texts, Taylor’s approach offers much for the classroom as well as for research. A hugely significant intervention on the study of both class and sexuality, the book will be essential reading across the social sciences and humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the relationship between class and sexuality? In <a href="https://bookshop.org/a/12343/9780745341026"><em>Working-Class Queers: Time, Place and Politics</em></a><em> </em>(Pluto Press, 2023), <a href="https://twitter.com/YvetteTaylor0">Yvette Taylor,</a> <a href="https://www.strath.ac.uk/staff/tayloryvetteprofessor/">Professor of Education at the University of Strathclyde</a>, explores the lives of working-class queers to tell the story of the past twenty years in the UK and beyond. Reflecting on her own biography as a researcher, the book brings in analysis of a range of research projects, giving insights into the impact of Brexit, austerity, and the pandemic on working-class queers. The book also deals with themes of migration and race, alongside offering a challenge to rethink our contemporary understandings of class. Attentive to the task of teaching, and building a canon of key texts, Taylor’s approach offers much for the classroom as well as for research. A hugely significant intervention on the study of both class and sexuality, the book will be essential reading across the social sciences and humanities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2509</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c2654e4-11da-11ee-a924-a35c19dce07d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR5735925895.mp3?updated=1687534892" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexandra Dane, "White Literary Taste Production in Contemporary Book Culture" (Cambridge UP, 2023)</title>
      <description>Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. White Literary Taste Production in Contemporary Book Culture (Cambridge UP, 2023) argues that contemporary book culture is structured by practice that operates according to a White taste logic.
By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, Alexandra Dane examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes are explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 17 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexandra Dane</itunes:subtitle>
      <itunes:summary>Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. White Literary Taste Production in Contemporary Book Culture (Cambridge UP, 2023) argues that contemporary book culture is structured by practice that operates according to a White taste logic.
By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, Alexandra Dane examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes are explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. <a href="https://bookshop.org/a/12343/9781009234245"><em>White Literary Taste Production in Contemporary Book Culture</em></a><em> </em>(Cambridge UP, 2023) argues that contemporary book culture is structured by practice that operates according to a White taste logic.</p><p>By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, Alexandra Dane examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes are explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.</p><p><a href="https://linktr.ee/jenhoyer"><em>Jen Hoyer</em></a><em> is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2018</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[46dc001c-0bac-11ee-943c-7b278fa7e092]]></guid>
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    </item>
    <item>
      <title>Deborah Stevenson, "Cultural Policy Beyond the Economy: Value, Work and the Social" (Edward Elgar, 2023)</title>
      <description>What is the future for cultural policy? In Cultural Policy Beyond the Economy: Work, Value, and the Social (Edward Elgar, 2023),  Deborah Stevenson, Professor of Sociology and Urban Cultural Research in the Institute for Culture and Society at Western Sydney University, analyses key trends on themes in contemporary cultural policy. The book covers the rise of wellbeing, the dominance of economics, sustainable development, cultural work, inequalities in cultural tastes, and cultural value. Introducing the concept of the art world complex as a frame for both understanding and defending cultural policy, the analysis sets a new agenda for the study of cultural policy. Theoretically rich and packed with empirical examples, the book will be essential reading across arts, humanities, and social sciences, as well as anyone interested in culture today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>385</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Deborah Stevenson</itunes:subtitle>
      <itunes:summary>What is the future for cultural policy? In Cultural Policy Beyond the Economy: Work, Value, and the Social (Edward Elgar, 2023),  Deborah Stevenson, Professor of Sociology and Urban Cultural Research in the Institute for Culture and Society at Western Sydney University, analyses key trends on themes in contemporary cultural policy. The book covers the rise of wellbeing, the dominance of economics, sustainable development, cultural work, inequalities in cultural tastes, and cultural value. Introducing the concept of the art world complex as a frame for both understanding and defending cultural policy, the analysis sets a new agenda for the study of cultural policy. Theoretically rich and packed with empirical examples, the book will be essential reading across arts, humanities, and social sciences, as well as anyone interested in culture today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future for cultural policy? In <a href="https://www.e-elgar.com/shop/gbp/cultural-policy-beyond-the-economy-9781788974660.html"><em>Cultural Policy Beyond the Economy: Work, Value, and the Social</em></a> (Edward Elgar, 2023),  <a href="https://twitter.com/dm_stevenson">Deborah Stevenson</a>, <a href="https://www.westernsydney.edu.au/ics/people/researchers/deborah_stevenson">Professor of Sociology and Urban Cultural Research in the Institute for Culture and Society at Western Sydney University,</a> analyses key trends on themes in contemporary cultural policy. The book covers the rise of wellbeing, the dominance of economics, sustainable development, cultural work, inequalities in cultural tastes, and cultural value. Introducing the concept of the art world complex as a frame for both understanding and defending cultural policy, the analysis sets a new agenda for the study of cultural policy. Theoretically rich and packed with empirical examples, the book will be essential reading across arts, humanities, and social sciences, as well as anyone interested in culture today.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2672</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[71db3664-0af0-11ee-9014-0f018e025431]]></guid>
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    </item>
    <item>
      <title>Allan E. S. Lumba, "Monetary Authorities: Capitalism and Decolonization in the American Colonial Philippines" (Duke UP, 2022)</title>
      <description>Monetary Authorities: Capitalism and Decolonization in the American Colonial Philippines (Duke UP, 2022) investigates the ways in which racial and class hierarchies shaped the monetary policy and banking systems in the Philippines. Combining historical research and normative arguments calling for unconditional decolonization, Allan E. S. Lumba advances a powerful account of how the logics and practices of racial capitalism advanced the United States’ ‘counter-decolonization’ efforts in the Philippines.
In this podcast, Lumba shares the book’s back story, his theoretical inspirations that informed his core arguments, and the importance of understanding the global capitalist order from the perspective of postcolonial nations.
Allan E. S. Lumba is a Global American Studies postdoctoral fellow at Harvard University's Charles Warren Center and visiting faculty in the Department of History. He has also served as resident fellow at the Newberry Library in Chicago and University of Michigan's Bentley Library. His teaching experience and interests spans across myriad fields, including: Southeast Asian history, Asian American and Ethnic studies, U.S. in the World, and Comparative World history.
The open access edition of this book is available here.
Like this interview? You may also be interested in:

Martin Edwards, The IMF, the WTO &amp; the Politics of Economic Surveillance (Routledge 2018)

Jakob Feinig, Moral Economies of Money: Politics and the Monetary Constitution of Society (Stanford University Press 2022)


Nicole Curato is a Professor of Sociology in the Centre for Deliberative Democracy and Global Governance at the University of Canberra. She co-hosts the New Books in Southeast Asia Studies channel.
This episode was created in collaboration with Erron C. Medina of the Development Studies Program of Ateneo De Manila University and Nicole Anne Revita.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Allan E. S. Lumba</itunes:subtitle>
      <itunes:summary>Monetary Authorities: Capitalism and Decolonization in the American Colonial Philippines (Duke UP, 2022) investigates the ways in which racial and class hierarchies shaped the monetary policy and banking systems in the Philippines. Combining historical research and normative arguments calling for unconditional decolonization, Allan E. S. Lumba advances a powerful account of how the logics and practices of racial capitalism advanced the United States’ ‘counter-decolonization’ efforts in the Philippines.
In this podcast, Lumba shares the book’s back story, his theoretical inspirations that informed his core arguments, and the importance of understanding the global capitalist order from the perspective of postcolonial nations.
Allan E. S. Lumba is a Global American Studies postdoctoral fellow at Harvard University's Charles Warren Center and visiting faculty in the Department of History. He has also served as resident fellow at the Newberry Library in Chicago and University of Michigan's Bentley Library. His teaching experience and interests spans across myriad fields, including: Southeast Asian history, Asian American and Ethnic studies, U.S. in the World, and Comparative World history.
The open access edition of this book is available here.
Like this interview? You may also be interested in:

Martin Edwards, The IMF, the WTO &amp; the Politics of Economic Surveillance (Routledge 2018)

Jakob Feinig, Moral Economies of Money: Politics and the Monetary Constitution of Society (Stanford University Press 2022)


Nicole Curato is a Professor of Sociology in the Centre for Deliberative Democracy and Global Governance at the University of Canberra. She co-hosts the New Books in Southeast Asia Studies channel.
This episode was created in collaboration with Erron C. Medina of the Development Studies Program of Ateneo De Manila University and Nicole Anne Revita.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478018186"><em>Monetary Authorities: Capitalism and Decolonization in the American Colonial Philippines</em></a><em> </em>(Duke UP, 2022)<em> </em>investigates the ways in which racial and class hierarchies shaped the monetary policy and banking systems in the Philippines. Combining historical research and normative arguments calling for unconditional decolonization, Allan E. S. Lumba advances a powerful account of how the logics and practices of racial capitalism advanced the United States’ ‘counter-decolonization’ efforts in the Philippines.</p><p>In this podcast, Lumba shares the book’s back story, his theoretical inspirations that informed his core arguments, and the importance of understanding the global capitalist order from the perspective of postcolonial nations.</p><p><strong>Allan E. S. Lumba </strong>is a Global American Studies postdoctoral fellow at Harvard University's Charles Warren Center and visiting faculty in the Department of History. He has also served as resident fellow at the Newberry Library in Chicago and University of Michigan's Bentley Library. His teaching experience and interests spans across myriad fields, including: Southeast Asian history, Asian American and Ethnic studies, U.S. in the World, and Comparative World history.</p><p>The open access edition of this book is available <a href="https://library.oapen.org/viewer/web/viewer.html?file=/bitstream/handle/20.500.12657/58913/9781478092582.pdf?sequence=1&amp;isAllowed=y">here</a>.</p><p><em>Like this interview? You may also be interested in:</em></p><ul>
<li>Martin Edwards, <a href="https://newbooksnetwork.com/martin-edwards-the-imf-the-wto-and-the-politics-of-economic-surveillance-routledge-2018#entry:7989@1:url"><em>The IMF, the WTO &amp; the Politics of Economic Surveillance</em></a> (Routledge 2018)</li>
<li>Jakob Feinig, <a href="https://newbooksnetwork.com/moral-economies-of-money-2#entry:176085@1:url"><em>Moral Economies of Money: Politics and the Monetary Constitution of Society</em></a> (Stanford University Press 2022)</li>
</ul><p><br></p><p><em>Nicole Curato is a Professor of Sociology in the Centre for Deliberative Democracy and Global Governance at the University of Canberra. She co-hosts the New Books in Southeast Asia Studies channel.</em></p><p><em>This episode was created in collaboration with Erron C. Medina of the Development Studies Program of Ateneo De Manila University and Nicole Anne Revita.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[81ba25c4-deac-11ed-91f6-fb7fd3c90787]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1456984054.mp3?updated=1681907242" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Moon-Ho Jung, "Menace to Empire: Anticolonial Solidarities and the Transpacific Origins of the US Security State" (U California Press, 2022)</title>
      <description>As the American imperial project in the Pacific World grew at the end of the nineteenth century, so too did the American security and intelligence state, argues Dr. Moon-Ho Jung in Menace to Empire: Anticolonial Solidarities and the Transpacific Origins of the US Security State (U California Press, 2022). Jung, Harry Bridges Endowed Chair of Labor Studies and professor of history at the University of Washington, connects the American Pacific coast to Hawai'i, the Philippines, Japan, and Korea, as American officials perceived threats to American hegemony and white supremacy anywhere anticolonial activism could be found. Under the guise of "sedition," the United States grew its security apparatus in response to perceived threats of radicalism, not primarily from Europe, but from Pacific regions which were increasingly agitating against American empire building. Jung asks readers to shift their perspective when thinking about American anti-communism, and consider connections between the American West and the wider Pacific as part of one, larger, intellectual and political whole.
﻿Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Moon-Ho Jung</itunes:subtitle>
      <itunes:summary>As the American imperial project in the Pacific World grew at the end of the nineteenth century, so too did the American security and intelligence state, argues Dr. Moon-Ho Jung in Menace to Empire: Anticolonial Solidarities and the Transpacific Origins of the US Security State (U California Press, 2022). Jung, Harry Bridges Endowed Chair of Labor Studies and professor of history at the University of Washington, connects the American Pacific coast to Hawai'i, the Philippines, Japan, and Korea, as American officials perceived threats to American hegemony and white supremacy anywhere anticolonial activism could be found. Under the guise of "sedition," the United States grew its security apparatus in response to perceived threats of radicalism, not primarily from Europe, but from Pacific regions which were increasingly agitating against American empire building. Jung asks readers to shift their perspective when thinking about American anti-communism, and consider connections between the American West and the wider Pacific as part of one, larger, intellectual and political whole.
﻿Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the American imperial project in the Pacific World grew at the end of the nineteenth century, so too did the American security and intelligence state, argues Dr. Moon-Ho Jung in <a href="https://bookshop.org/a/12343/9780520267480"><em>Menace to Empire: Anticolonial Solidarities and the Transpacific Origins of the US Security State</em></a> (U California Press, 2022). Jung, Harry Bridges Endowed Chair of Labor Studies and professor of history at the University of Washington, connects the American Pacific coast to Hawai'i, the Philippines, Japan, and Korea, as American officials perceived threats to American hegemony and white supremacy anywhere anticolonial activism could be found. Under the guise of "sedition," the United States grew its security apparatus in response to perceived threats of radicalism, not primarily from Europe, but from Pacific regions which were increasingly agitating against American empire building. Jung asks readers to shift their perspective when thinking about American anti-communism, and consider connections between the American West and the wider Pacific as part of one, larger, intellectual and political whole.</p><p><em>﻿</em><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[abfaffda-0a11-11ee-a848-53e970404830]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR4038506856.mp3?updated=1686678561" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samuel J. Redman, "The Museum: A Short History of Crisis and Resilience" (NYU Press, 2022)</title>
      <description>On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum’s castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last— disaster to upend a museum in the United States. Beset by challenges ranging from pandemic and war to fire and economic uncertainty, museums have sought ways to emerge from crisis periods stronger than before, occasionally carving important new paths forward in the process.
The Museum: A Short History of Crisis and Resilience (NYU Press, 2022) explores the concepts of the multiple “crises” of the museums, and these historic institutions attempts to dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty.
Samuel J. Redman speaks to Pierre d'Alancaisez about the fires, floods, wars, and existential crises that have redefined what museums do and how they think of themselves and their public, asking challenging questions about American cultural life. Not deterred by these institutions' tendency to forgot their even recent past, Redman argues that cultural institutions can, and should, use their history to construe their future identity.
Samuel J. Redman is Associate Professor in the Department of History at the University of Massachusetts Amherst and the author of Bone Rooms: From Scientific Racism to Human Prehistory in Museums and Prophets and Ghosts: The Story of Salvage Anthropology.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samuel J. Redman</itunes:subtitle>
      <itunes:summary>On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum’s castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last— disaster to upend a museum in the United States. Beset by challenges ranging from pandemic and war to fire and economic uncertainty, museums have sought ways to emerge from crisis periods stronger than before, occasionally carving important new paths forward in the process.
The Museum: A Short History of Crisis and Resilience (NYU Press, 2022) explores the concepts of the multiple “crises” of the museums, and these historic institutions attempts to dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty.
Samuel J. Redman speaks to Pierre d'Alancaisez about the fires, floods, wars, and existential crises that have redefined what museums do and how they think of themselves and their public, asking challenging questions about American cultural life. Not deterred by these institutions' tendency to forgot their even recent past, Redman argues that cultural institutions can, and should, use their history to construe their future identity.
Samuel J. Redman is Associate Professor in the Department of History at the University of Massachusetts Amherst and the author of Bone Rooms: From Scientific Racism to Human Prehistory in Museums and Prophets and Ghosts: The Story of Salvage Anthropology.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum’s castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last— disaster to upend a museum in the United States. Beset by challenges ranging from pandemic and war to fire and economic uncertainty, museums have sought ways to emerge from crisis periods stronger than before, occasionally carving important new paths forward in the process.</p><p><a href="https://bookshop.org/a/12343/9781479809332"><em>The Museum: A Short History of Crisis and Resilience</em></a> (NYU Press, 2022) explores the concepts of the multiple “crises” of the museums, and these historic institutions attempts to dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty.</p><p><a href="https://www.umass.edu/history/member/samuel-j-redman">Samuel J. Redman</a> speaks to Pierre d'Alancaisez about the fires, floods, wars, and existential crises that have redefined what museums do and how they think of themselves and their public, asking challenging questions about American cultural life. Not deterred by these institutions' tendency to forgot their even recent past, Redman argues that cultural institutions can, and should, use their history to construe their future identity.</p><p><a href="https://twitter.com/samueljredman">Samuel J. Redman</a> is Associate Professor in the Department of History at the University of Massachusetts Amherst and the author of <em>Bone Rooms: From Scientific Racism to Human Prehistory in Museums</em> and <em>Prophets and Ghosts: The Story of Salvage Anthropology</em>.</p><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3716</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e8fe24a0-095a-11ee-88b9-231d8057d210]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR9594403421.mp3?updated=1686600034" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Malini Ranganathan et al., "Corruption Plots: Stories, Ethics, and Publics of the Late Capitalist City" (Cornell UP, 2023)</title>
      <description>Corruption Plots: Stories, Ethics, and Publics of the Late Capitalist City (Cornell UP, 2023) illuminates how corruption is fundamental to global storytelling about how states and elites abuse entrusted power in late capitalism. The millennial city of the global South is a charged setting for allegations of corruption, with skyscrapers, land grabs, and slum evictions invoking outrage at deepening economic polarization. Drawing on ethnography in Bengaluru and Mumbai and a cross-section of literary and cinematic stories from cities around the world, Malini Ranganathan, David L. Pike, and Sapana Doshi pay close attention to the racial, caste, class, and gender locations of the narrators, spaces, and publics imagined to be harmed by corruption. Corruption Plots demonstrates how corruption talk is leveraged to make sense of unequal spatial change and used opportunistically by those who are themselves implicated in wrongdoing. Offering a wide-ranging analysis of urban worlds, the authors reveal the ethical, spatial, and political stakes of storytelling and how vital it is to examine the corruption plot in all its contradictions.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Malini Ranganathan</itunes:subtitle>
      <itunes:summary>Corruption Plots: Stories, Ethics, and Publics of the Late Capitalist City (Cornell UP, 2023) illuminates how corruption is fundamental to global storytelling about how states and elites abuse entrusted power in late capitalism. The millennial city of the global South is a charged setting for allegations of corruption, with skyscrapers, land grabs, and slum evictions invoking outrage at deepening economic polarization. Drawing on ethnography in Bengaluru and Mumbai and a cross-section of literary and cinematic stories from cities around the world, Malini Ranganathan, David L. Pike, and Sapana Doshi pay close attention to the racial, caste, class, and gender locations of the narrators, spaces, and publics imagined to be harmed by corruption. Corruption Plots demonstrates how corruption talk is leveraged to make sense of unequal spatial change and used opportunistically by those who are themselves implicated in wrongdoing. Offering a wide-ranging analysis of urban worlds, the authors reveal the ethical, spatial, and political stakes of storytelling and how vital it is to examine the corruption plot in all its contradictions.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501768750"><em>Corruption Plots: Stories, Ethics, and Publics of the Late Capitalist City</em></a> (Cornell UP, 2023) illuminates how corruption is fundamental to global storytelling about how states and elites abuse entrusted power in late capitalism. The millennial city of the global South is a charged setting for allegations of corruption, with skyscrapers, land grabs, and slum evictions invoking outrage at deepening economic polarization. Drawing on ethnography in Bengaluru and Mumbai and a cross-section of literary and cinematic stories from cities around the world, Malini Ranganathan, David L. Pike, and Sapana Doshi pay close attention to the racial, caste, class, and gender locations of the narrators, spaces, and publics imagined to be harmed by corruption. <em>Corruption Plots</em> demonstrates how corruption talk is leveraged to make sense of unequal spatial change and used opportunistically by those who are themselves implicated in wrongdoing. Offering a wide-ranging analysis of urban worlds, the authors reveal the ethical, spatial, and political stakes of storytelling and how vital it is to examine the corruption plot in all its contradictions.</p><p><a href="https://www.snehanna.com/"><em>Sneha Annavarapu</em></a><em> is Assistant Professor of Urban Studies at Yale-NUS College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4817</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[24a10132-0891-11ee-999d-67ca7fe94470]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7180920593.mp3?updated=1686563790" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Rhetoric of Decline</title>
      <description>In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America’s empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess.
The basis of our conversation is Jed’s recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It’s a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn’t usually your cup of tea.
Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Jed Esty</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America’s empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess.
The basis of our conversation is Jed’s recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It’s a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn’t usually your cup of tea.
Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America’s empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess.</p><p>The basis of our conversation is Jed’s recent book <a href="https://bookshop.org/a/12343/9781503633315"><em>The Future of Decline: Anglo-American Culture at Its Limits</em></a> (Stanford UP, 2022). It’s a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn’t usually your cup of tea.</p><p>Jed Esty is the Vartan Gregorian Professor of English at the <a href="https://www.english.upenn.edu/people/jed-esty">University of Pennsylvania</a>, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of <a href="https://global.oup.com/academic/product/unseasonable-youth-9780199307234?cc=us&amp;lang=en&amp;"><em>Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development</em></a> (Oxford 2012) and <a href="https://press.princeton.edu/books/paperback/9780691115498/a-shrinking-island"><em>A Shrinking Island: Modernism and National Culture in England</em></a> (Princeton 2004).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1159</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1a438a92-0950-11ee-a689-87e95607d496]]></guid>
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    </item>
    <item>
      <title>Maitrayee Chaudhuri and Manish Thakur, "Doing Theory: Locations, Hierarchies and Disjunctions" (Orient Blackswan, 2018)</title>
      <description>We live in times where theory is often understood as irrelevant in the real world. It appears to have no practical results. This has been further complicated in a post-fact world, where our ‘identities’ and ‘perception’ have become the final judges of truth. Sociology/social anthropology, in contrast, rests on a fundamental distinction between commonsense and theoretically informed knowledge. It teaches us to get rid of ‘perceptions’ and alerts us to go beyond taken-for-granted ideas. The paradox is that although theory is taught as a mandatory paper in sociology, it is either reduced to a topic in the syllabi or used as ceremonial citations. Emphasizing that theories emerge in specific historical contexts and are embedded in economic, political, social, cultural, institutional and intellectual processes, this edited volume Doing Theory: Locations, Hierarchies and Disjunctions (Orient Blackswan, 2018) by Maitrayee Chaudhuri and Manish Thakur takes a new approach by highlighting the sociological paths through which theories travel and are adopted by institutions in different parts of the country.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 11 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>293</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maitrayee Chaudhuri</itunes:subtitle>
      <itunes:summary>We live in times where theory is often understood as irrelevant in the real world. It appears to have no practical results. This has been further complicated in a post-fact world, where our ‘identities’ and ‘perception’ have become the final judges of truth. Sociology/social anthropology, in contrast, rests on a fundamental distinction between commonsense and theoretically informed knowledge. It teaches us to get rid of ‘perceptions’ and alerts us to go beyond taken-for-granted ideas. The paradox is that although theory is taught as a mandatory paper in sociology, it is either reduced to a topic in the syllabi or used as ceremonial citations. Emphasizing that theories emerge in specific historical contexts and are embedded in economic, political, social, cultural, institutional and intellectual processes, this edited volume Doing Theory: Locations, Hierarchies and Disjunctions (Orient Blackswan, 2018) by Maitrayee Chaudhuri and Manish Thakur takes a new approach by highlighting the sociological paths through which theories travel and are adopted by institutions in different parts of the country.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We live in times where theory is often understood as irrelevant in the real world. It appears to have no practical results. This has been further complicated in a post-fact world, where our ‘identities’ and ‘perception’ have become the final judges of truth. Sociology/social anthropology, in contrast, rests on a fundamental distinction between commonsense and theoretically informed knowledge. It teaches us to get rid of ‘perceptions’ and alerts us to go beyond taken-for-granted ideas. The paradox is that although theory is taught as a mandatory paper in sociology, it is either reduced to a topic in the syllabi or used as ceremonial citations. Emphasizing that theories emerge in specific historical contexts and are embedded in economic, political, social, cultural, institutional and intellectual processes, this edited volume <a href="https://www.amazon.com/Doing-Theory-Locations-Hierarchies-Disjunctions/dp/9352873645"><em>Doing Theory: Locations, Hierarchies and Disjunctions</em></a><em> </em>(Orient Blackswan, 2018) by Maitrayee Chaudhuri and Manish Thakur takes a new approach by highlighting the sociological paths through which theories travel and are adopted by institutions in different parts of the country.</p><p><em>Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2549</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)</title>
      <description>What are the latest developments in the sociology of the arts? In Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception (Palgrave MacMillan, 2023), Arturo Rodríguez Morató, a Professor of Sociology and current Director of the CECUPS (Center for the Study of Culture, Politics and Society) at the University of Barcelona, and Alvaro Santana-Acuña, an Associate Professor of Sociology at Whitman College, bring together 12 leading researchers to present new empirical and theoretical breakthroughs within the field. The book has a huge range of case studies and approaches, from architectural competitions and graffiti to The Beatles, opera, and football shirts. Drawing on Spanish-speaking scholarship, the book broadens the global basis for the sociology of art, and is essential reading across the humanities and social sciences.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 11 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>384</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Arturo Rodríguez Morató and Alvaro Santana-Acuña</itunes:subtitle>
      <itunes:summary>What are the latest developments in the sociology of the arts? In Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception (Palgrave MacMillan, 2023), Arturo Rodríguez Morató, a Professor of Sociology and current Director of the CECUPS (Center for the Study of Culture, Politics and Society) at the University of Barcelona, and Alvaro Santana-Acuña, an Associate Professor of Sociology at Whitman College, bring together 12 leading researchers to present new empirical and theoretical breakthroughs within the field. The book has a huge range of case studies and approaches, from architectural competitions and graffiti to The Beatles, opera, and football shirts. Drawing on Spanish-speaking scholarship, the book broadens the global basis for the sociology of art, and is essential reading across the humanities and social sciences.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the latest developments in the sociology of the arts? In <a href="https://bookshop.org/a/12343/9783031113048"><em>Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception</em></a><em> </em>(Palgrave MacMillan, 2023), <a href="https://www.ub.edu/school-sociology/miembros/rodriguez-arturo/">Arturo Rodríguez Morató, a Professor of Sociology</a> and current Director of the <a href="http://www.ub.edu/cecups/en/membres/Arturo%20Rodr%C3%ADguez%20Morat%C3%B3">CECUPS (Center for the Study of Culture, Politics and Society)</a> at the University of Barcelona, and <a href="https://twitter.com/santana_alvaro">Alvaro Santana-Acuña</a>, an <a href="https://www.whitman.edu/academics/majors-and-minors/sociology/faculty/alvaro-santana-acuna">Associate Professor of Sociology at Whitman College</a>, bring together 12 leading researchers to present new empirical and theoretical breakthroughs within the field. The book has a huge range of case studies and approaches, from architectural competitions and graffiti to The Beatles, opera, and football shirts. Drawing on Spanish-speaking scholarship, the book broadens the global basis for the sociology of art, and is essential reading across the humanities and social sciences.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3824</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Graham Harman and Christopher Witmore, "Objects Untimely: Object-Oriented Philosophy and Archaeology" (Polity Press, 2023)</title>
      <description>Objects generate time; time does not generate or change objects. That is the central thesis of this book by the philosopher Graham Harman and the archaeologist Christopher Witmore, who defend radical positions in their respective fields.
Against a current and pervasive conviction that reality consists of an unceasing flux - a view associated in philosophy with New Materialism - object-oriented ontology asserts that objects of all varieties are the bedrock of reality from which time emerges. And against the narrative convictions of time as the course of historical events, the objects and encounters associated with archaeology push back against the very temporal delimitations which defined the field and its objects ever since its professionalization in the nineteenth century.
In a study ranging from the ruins of ancient Corinth, Mycenae, and Troy to debates over time from Aristotle and al-Ash'ari through Henri Bergson and Alfred North Whitehead, the authors draw on alternative conceptions of time as retroactive, percolating, topological, cyclical, and generational, as consisting of countercurrents or of a surface tension between objects and their own qualities. Objects Untimely: Object-Oriented Philosophy and Archaeology (Polity Press, 2023) invites us to reconsider the modern notion of objects as inert matter serving as a receptacle for human categories.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 10 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Graham Harman and Christopher Witmore</itunes:subtitle>
      <itunes:summary>Objects generate time; time does not generate or change objects. That is the central thesis of this book by the philosopher Graham Harman and the archaeologist Christopher Witmore, who defend radical positions in their respective fields.
Against a current and pervasive conviction that reality consists of an unceasing flux - a view associated in philosophy with New Materialism - object-oriented ontology asserts that objects of all varieties are the bedrock of reality from which time emerges. And against the narrative convictions of time as the course of historical events, the objects and encounters associated with archaeology push back against the very temporal delimitations which defined the field and its objects ever since its professionalization in the nineteenth century.
In a study ranging from the ruins of ancient Corinth, Mycenae, and Troy to debates over time from Aristotle and al-Ash'ari through Henri Bergson and Alfred North Whitehead, the authors draw on alternative conceptions of time as retroactive, percolating, topological, cyclical, and generational, as consisting of countercurrents or of a surface tension between objects and their own qualities. Objects Untimely: Object-Oriented Philosophy and Archaeology (Polity Press, 2023) invites us to reconsider the modern notion of objects as inert matter serving as a receptacle for human categories.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Objects generate time; time does not generate or change objects. That is the central thesis of this book by the philosopher Graham Harman and the archaeologist Christopher Witmore, who defend radical positions in their respective fields.</p><p>Against a current and pervasive conviction that reality consists of an unceasing flux - a view associated in philosophy with New Materialism - object-oriented ontology asserts that objects of all varieties are the bedrock of reality from which time emerges. And against the narrative convictions of time as the course of historical events, the objects and encounters associated with archaeology push back against the very temporal delimitations which defined the field and its objects ever since its professionalization in the nineteenth century.</p><p>In a study ranging from the ruins of ancient Corinth, Mycenae, and Troy to debates over time from Aristotle and al-Ash'ari through Henri Bergson and Alfred North Whitehead, the authors draw on alternative conceptions of time as retroactive, percolating, topological, cyclical, and generational, as consisting of countercurrents or of a surface tension between objects and their own qualities. <a href="https://bookshop.org/a/12343/9781509556557"><em>Objects Untimely: Object-Oriented Philosophy and Archaeology</em></a> (Polity Press, 2023) invites us to reconsider the modern notion of objects as inert matter serving as a receptacle for human categories.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3858</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7140315089.mp3?updated=1686324452" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua St. Pierre, "Cheap Talk: Disability and the Politics of Communication" (U MIchigan Press, 2022)</title>
      <description>In Cheap Talk: Disability and the Politics of Communication (U Michigan Press, 2022), Joshua St. Pierre flips the script on communication disability, positioning the unruly, disabled speaker at the center of analysis to challenge the belief that more communication is unquestionably good. Working with Gilles Deleuze's suggestion that "[w]e don't suffer these days from any lack of communication, but rather from all the forces making us say things when we've nothing much to say," St. Pierre brings together the unlikely trio of the dysfluent speaker, the talking head, and the troll to show how speech is made cheap--and produced and repaired within human bodies--to meet the inhuman needs of capital. The book explores how technologies, like social media and the field of speech-language pathology, create smooth sites of contact that are exclusionary for disabled speakers and looks to the political possibilities of disabled voices to "de-face" the power of speech now entwined with capital.
﻿Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua St. Pierre</itunes:subtitle>
      <itunes:summary>In Cheap Talk: Disability and the Politics of Communication (U Michigan Press, 2022), Joshua St. Pierre flips the script on communication disability, positioning the unruly, disabled speaker at the center of analysis to challenge the belief that more communication is unquestionably good. Working with Gilles Deleuze's suggestion that "[w]e don't suffer these days from any lack of communication, but rather from all the forces making us say things when we've nothing much to say," St. Pierre brings together the unlikely trio of the dysfluent speaker, the talking head, and the troll to show how speech is made cheap--and produced and repaired within human bodies--to meet the inhuman needs of capital. The book explores how technologies, like social media and the field of speech-language pathology, create smooth sites of contact that are exclusionary for disabled speakers and looks to the political possibilities of disabled voices to "de-face" the power of speech now entwined with capital.
﻿Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780472055340"><em>Cheap Talk: Disability and the Politics of Communication</em></a> (U Michigan Press, 2022), Joshua St. Pierre flips the script on communication disability, positioning the unruly, disabled speaker at the center of analysis to challenge the belief that more communication is unquestionably good. Working with Gilles Deleuze's suggestion that "[w]e don't suffer these days from any lack of communication, but rather from all the forces making us say things when we've nothing much to say," St. Pierre brings together the unlikely trio of the dysfluent speaker, the talking head, and the troll to show how speech is made cheap--and produced and repaired within human bodies--to meet the inhuman needs of capital. The book explores how technologies, like social media and the field of speech-language pathology, create smooth sites of contact that are exclusionary for disabled speakers and looks to the political possibilities of disabled voices to "de-face" the power of speech now entwined with capital.</p><p><em>﻿</em><a href="https://arts-sciences.buffalo.edu/history/graduate/GraduateHistoryAssociation/GradStudentProfiles/ShuWan.html"><em>Shu Wan</em></a><em> is currently matriculated as a doctoral student in history at the University at Buffalo.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2455</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[92d7fb82-0239-11ee-89be-577185f3dfbd]]></guid>
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    </item>
    <item>
      <title>Doug Enaa Greene, "Stalinism and the Dialectics of Saturn: Anticommunism, Marxism, and the Fate of the Soviet Union" (Lexington, 2023)</title>
      <description>As capitalism’s popularity wanes and socialism’s popularity increases, there remains a massive shadow cast by the history of actually existing socialism, Stalin being the primary pillar. His violent rule in the form of secret police, staged trials, forced confessions and suppression of liberation for workers both in the USSR and internationally are regularly brought up as the inevitable endpoint of any political progress, socialist or otherwise. Environmental protections, affordable housing, universal healthcare or even a guarantee of a modest living wage and social safety net today; gulags tomorrow. This is the ‘dialectic of Saturn,’ a phrase that points back to Greek mythology in which Saturn devours his own children. This idea has been applied for over a century now to discuss and discredit revolutionary politics, whether from reactionaries seeking to protect private property, or even self-described socialists unable to imagine things playing out any other way.
But was Stalinism the inevitable product of the Russian Revolution? And are all revolutions doomed to eventually turn on themselves, losing all the gains they might make in a self-destructive race to the bottom of Saturn’s stomach? Douglas Greene argues that this dialectic is really a pseudo-dialectic, a false narrative that has been imposed for over a century in his new book Stalinism and the Dialectics of Saturn: Anticommunism, Marxism, and the Fate of the Soviet Union (Lexington Books, 2023). 
Taking the dialectics of Saturn head on, he spends the first several chapters surveying the ways in which this narrative has been developed and applied, taking on a massive collection of figures, from the Frankfurt School to Winston Churchill and back to Domenico Losurdo, showing how a repressive totalitarianism is seen as the inevitable horizon of any revolutionary activity. The book then turns to the thought of Leon Trotsky, who offered a critique of Stalinism that managed to walk the tightrope of maintaining a materialist critique of Stalin that nevertheless continued to believe in revolutionary possibility.
Thoroughly researched and covering a vast swathe of historical and theoretical territory, the book not only tries to recover a lost political ideal, but brings to the forefront burning theoretical questions over the nature of history and reason, and whether or not we can ever escape our current moment in search of a new one, a topic that has been present in much of Greene’s writings, along with his collaborator Harrison Fluss, who contributed the foreword. Some of these related writings include:

Marx and the Communist Enlightenment

Enlightenment Betrayed: Jonathan Israel, Marxism, and the Enlightenment Legacy

Douglas Greene is an independent Marxist historian. His previous books are Communist Insurgent: Blanqui’s Poltics of Revolution and A Failure of Vision: Michael Harrington and the Limits of Democratic Soclialism. His writing has appeared in a number of outlets, including Left Voice, Monthly Review Online and Counterpunch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>172</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Doug Enaa Greene</itunes:subtitle>
      <itunes:summary>As capitalism’s popularity wanes and socialism’s popularity increases, there remains a massive shadow cast by the history of actually existing socialism, Stalin being the primary pillar. His violent rule in the form of secret police, staged trials, forced confessions and suppression of liberation for workers both in the USSR and internationally are regularly brought up as the inevitable endpoint of any political progress, socialist or otherwise. Environmental protections, affordable housing, universal healthcare or even a guarantee of a modest living wage and social safety net today; gulags tomorrow. This is the ‘dialectic of Saturn,’ a phrase that points back to Greek mythology in which Saturn devours his own children. This idea has been applied for over a century now to discuss and discredit revolutionary politics, whether from reactionaries seeking to protect private property, or even self-described socialists unable to imagine things playing out any other way.
But was Stalinism the inevitable product of the Russian Revolution? And are all revolutions doomed to eventually turn on themselves, losing all the gains they might make in a self-destructive race to the bottom of Saturn’s stomach? Douglas Greene argues that this dialectic is really a pseudo-dialectic, a false narrative that has been imposed for over a century in his new book Stalinism and the Dialectics of Saturn: Anticommunism, Marxism, and the Fate of the Soviet Union (Lexington Books, 2023). 
Taking the dialectics of Saturn head on, he spends the first several chapters surveying the ways in which this narrative has been developed and applied, taking on a massive collection of figures, from the Frankfurt School to Winston Churchill and back to Domenico Losurdo, showing how a repressive totalitarianism is seen as the inevitable horizon of any revolutionary activity. The book then turns to the thought of Leon Trotsky, who offered a critique of Stalinism that managed to walk the tightrope of maintaining a materialist critique of Stalin that nevertheless continued to believe in revolutionary possibility.
Thoroughly researched and covering a vast swathe of historical and theoretical territory, the book not only tries to recover a lost political ideal, but brings to the forefront burning theoretical questions over the nature of history and reason, and whether or not we can ever escape our current moment in search of a new one, a topic that has been present in much of Greene’s writings, along with his collaborator Harrison Fluss, who contributed the foreword. Some of these related writings include:

Marx and the Communist Enlightenment

Enlightenment Betrayed: Jonathan Israel, Marxism, and the Enlightenment Legacy

Douglas Greene is an independent Marxist historian. His previous books are Communist Insurgent: Blanqui’s Poltics of Revolution and A Failure of Vision: Michael Harrington and the Limits of Democratic Soclialism. His writing has appeared in a number of outlets, including Left Voice, Monthly Review Online and Counterpunch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As capitalism’s popularity wanes and socialism’s popularity increases, there remains a massive shadow cast by the history of actually existing socialism, Stalin being the primary pillar. His violent rule in the form of secret police, staged trials, forced confessions and suppression of liberation for workers both in the USSR and internationally are regularly brought up as the inevitable endpoint of any political progress, socialist or otherwise. Environmental protections, affordable housing, universal healthcare or even a guarantee of a modest living wage and social safety net today; gulags tomorrow. This is the ‘dialectic of Saturn,’ a phrase that points back to Greek mythology in which Saturn devours his own children. This idea has been applied for over a century now to discuss and discredit revolutionary politics, whether from reactionaries seeking to protect private property, or even self-described socialists unable to imagine things playing out any other way.</p><p>But was Stalinism the inevitable product of the Russian Revolution? And are all revolutions doomed to eventually turn on themselves, losing all the gains they might make in a self-destructive race to the bottom of Saturn’s stomach? Douglas Greene argues that this dialectic is really a pseudo-dialectic, a false narrative that has been imposed for over a century in his new book<em> </em><a href="https://bookshop.org/a/12343/9781666930894"><em>Stalinism and the Dialectics of Saturn: Anticommunism, Marxism, and the Fate of the Soviet Union</em></a> (Lexington Books, 2023). </p><p>Taking the dialectics of Saturn head on, he spends the first several chapters surveying the ways in which this narrative has been developed and applied, taking on a massive collection of figures, from the Frankfurt School to Winston Churchill and back to Domenico Losurdo, showing how a repressive totalitarianism is seen as the inevitable horizon of any revolutionary activity. The book then turns to the thought of Leon Trotsky, who offered a critique of Stalinism that managed to walk the tightrope of maintaining a materialist critique of Stalin that nevertheless continued to believe in revolutionary possibility.</p><p>Thoroughly researched and covering a vast swathe of historical and theoretical territory, the book not only tries to recover a lost political ideal, but brings to the forefront burning theoretical questions over the nature of history and reason, and whether or not we can ever escape our current moment in search of a new one, a topic that has been present in much of Greene’s writings, along with his collaborator Harrison Fluss, who contributed the foreword. Some of these related writings include:</p><ul>
<li><a href="https://www.leftvoice.org/marx-and-the-communist-enlightenment/">Marx and the Communist Enlightenment</a></li>
<li><a href="https://www.leftvoice.org/enlightenment-betrayed-jonathan-israel-marxism-and-the-enlightenment-legacy/">Enlightenment Betrayed: Jonathan Israel, Marxism, and the Enlightenment Legacy</a></li>
</ul><p>Douglas Greene is an independent Marxist historian. His previous books are <em>Communist Insurgent: Blanqui’s Poltics of Revolution</em> and <a href="https://newbooksnetwork.com/failure-of-vision-a-michael-harrington-and-the-limits-of-democratic-socialism#entry:177461@1:url"><em>A Failure of Vision: Michael Harrington and the Limits of Democratic Soclialism</em></a>. His writing has appeared in a number of outlets, including <em>Left Voice</em>, <em>Monthly Review Online</em> and <em>Counterpunch</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3419</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cbc79480-0571-11ee-91ca-2bd939de21fc]]></guid>
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    </item>
    <item>
      <title>Mark R. Warren, "Willful Defiance: The Movement to Dismantle the School-to-Prison Pipeline" (Oxford UP, 2021)</title>
      <description>The story of how Black and Brown parents, students and members of low-income communities of color organized to dismantle the school-to-prison pipeline in their local schools and built a movement that spread across the country. 
In Willful Defiance: The Movement to Dismantle the School-to-Prison Pipeline (Oxford UP, 2021), Mark R. Warren documents how Black and Brown parents, students, and low-income communities of color organized to dismantle the school-to-prison pipeline in their local schools and built an intersectional movement that spread across the country. Examining organizing processes in Mississippi, Los Angeles, Chicago, and other localities, he shows how relatively small groups of community members built the power to win policy changes to reduce suspensions and expulsions by combining deep local organizing with resources from the national movement. As a result, over the course of twenty years, the movement to combat the school-to-prison pipeline resulted in falling suspension rates across the country and began to make gains in reducing police presence in schools, especially in places where there have been sustained organizing and advocacy efforts. In documenting the struggle organizers waged to build national alliances led by community groups and people most impacted by injustice rather than Washington-based professional advocates, Warren offers a new model for movements that operate simultaneously at local, state and national levels, while primarily oriented to support and spread local organizing. In doing so, he argues for the need to rethink national social justice movements as interconnected local struggles whose victories are lifted and spread, In the end, the book highlights lessons from the school-to-prison pipeline movement for organizers, educators, policymakers and a broader public seeking to transform deep-seated and systemic racism in public schools and the broader society.
This episode's host, Laura Kelly, is an assistant professor of Educational Studies at Rhodes College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark R. Warren</itunes:subtitle>
      <itunes:summary>The story of how Black and Brown parents, students and members of low-income communities of color organized to dismantle the school-to-prison pipeline in their local schools and built a movement that spread across the country. 
In Willful Defiance: The Movement to Dismantle the School-to-Prison Pipeline (Oxford UP, 2021), Mark R. Warren documents how Black and Brown parents, students, and low-income communities of color organized to dismantle the school-to-prison pipeline in their local schools and built an intersectional movement that spread across the country. Examining organizing processes in Mississippi, Los Angeles, Chicago, and other localities, he shows how relatively small groups of community members built the power to win policy changes to reduce suspensions and expulsions by combining deep local organizing with resources from the national movement. As a result, over the course of twenty years, the movement to combat the school-to-prison pipeline resulted in falling suspension rates across the country and began to make gains in reducing police presence in schools, especially in places where there have been sustained organizing and advocacy efforts. In documenting the struggle organizers waged to build national alliances led by community groups and people most impacted by injustice rather than Washington-based professional advocates, Warren offers a new model for movements that operate simultaneously at local, state and national levels, while primarily oriented to support and spread local organizing. In doing so, he argues for the need to rethink national social justice movements as interconnected local struggles whose victories are lifted and spread, In the end, the book highlights lessons from the school-to-prison pipeline movement for organizers, educators, policymakers and a broader public seeking to transform deep-seated and systemic racism in public schools and the broader society.
This episode's host, Laura Kelly, is an assistant professor of Educational Studies at Rhodes College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story of how Black and Brown parents, students and members of low-income communities of color organized to dismantle the school-to-prison pipeline in their local schools and built a movement that spread across the country. </p><p>In <a href="https://bookshop.org/a/12343/9780197611517"><em>Willful Defiance: The Movement to Dismantle the School-to-Prison Pipeline</em></a> (Oxford UP, 2021), Mark R. Warren documents how Black and Brown parents, students, and low-income communities of color organized to dismantle the school-to-prison pipeline in their local schools and built an intersectional movement that spread across the country. Examining organizing processes in Mississippi, Los Angeles, Chicago, and other localities, he shows how relatively small groups of community members built the power to win policy changes to reduce suspensions and expulsions by combining deep local organizing with resources from the national movement. As a result, over the course of twenty years, the movement to combat the school-to-prison pipeline resulted in falling suspension rates across the country and began to make gains in reducing police presence in schools, especially in places where there have been sustained organizing and advocacy efforts. In documenting the struggle organizers waged to build national alliances led by community groups and people most impacted by injustice rather than Washington-based professional advocates, Warren offers a new model for movements that operate simultaneously at local, state and national levels, while primarily oriented to support and spread local organizing. In doing so, he argues for the need to rethink national social justice movements as interconnected local struggles whose victories are lifted and spread, In the end, the book highlights lessons from the school-to-prison pipeline movement for organizers, educators, policymakers and a broader public seeking to transform deep-seated and systemic racism in public schools and the broader society.</p><p><em>This episode's host, Laura Kelly, is an assistant professor of Educational Studies at Rhodes College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2072</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Philip Kitcher, "What's the Use of Philosophy?' (Oxford UP, 2023)</title>
      <description>In What's the Use of Philosophy? (Oxford UP, 2023), Philip Kitcher here grapples with an essential philosophical question: what the point of philosophy is, and what it should and can be. Kitcher's portrait of the discipline is not a familiar defense of the importance of philosophy or the humanities writ large. Rather, he is deeply critical of philosophy as it is practiced today, a practice focused on narrow technical questions that are far removed from the concerns of human life. He provides a penetrating diagnosis of why exactly contemporary philosophy has come to suffer this crisis, showing how it suffers from various syndromes that continue to push it further into irrelevance. Then, taking up ideas from William James and John Dewey, Kitcher provides a positive roadmap for the future of philosophy: first, as a discipline that can provide clarity to other kinds of human inquiry, such as religion or science; and second, bringing order to people's notions of the world, dispelling confusion in favor of clarity, and helping us think through our biggest human questions and dilemmas. Kitcher concludes with a letter to young philosophers who wonder how they can align their aspirations with the hyper-professionalism expected of them.
Philip Kitcher has taught for nearly half a century at several American Universities, most recently at Columbia University in the City of New York. His work has been honored with a number of awards, including the Rescher Medal for systematic philosophy, and the Hempel Award for lifetime achievement in the Philosophy of Science. He is a Fellow of the American Academy of Arts and Sciences, a Member of the American Philosophical Society, a Fellow of the British Academy, and an Honorary Fellow of Christ's College, Cambridge.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 05 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>383</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip Kitcher</itunes:subtitle>
      <itunes:summary>In What's the Use of Philosophy? (Oxford UP, 2023), Philip Kitcher here grapples with an essential philosophical question: what the point of philosophy is, and what it should and can be. Kitcher's portrait of the discipline is not a familiar defense of the importance of philosophy or the humanities writ large. Rather, he is deeply critical of philosophy as it is practiced today, a practice focused on narrow technical questions that are far removed from the concerns of human life. He provides a penetrating diagnosis of why exactly contemporary philosophy has come to suffer this crisis, showing how it suffers from various syndromes that continue to push it further into irrelevance. Then, taking up ideas from William James and John Dewey, Kitcher provides a positive roadmap for the future of philosophy: first, as a discipline that can provide clarity to other kinds of human inquiry, such as religion or science; and second, bringing order to people's notions of the world, dispelling confusion in favor of clarity, and helping us think through our biggest human questions and dilemmas. Kitcher concludes with a letter to young philosophers who wonder how they can align their aspirations with the hyper-professionalism expected of them.
Philip Kitcher has taught for nearly half a century at several American Universities, most recently at Columbia University in the City of New York. His work has been honored with a number of awards, including the Rescher Medal for systematic philosophy, and the Hempel Award for lifetime achievement in the Philosophy of Science. He is a Fellow of the American Academy of Arts and Sciences, a Member of the American Philosophical Society, a Fellow of the British Academy, and an Honorary Fellow of Christ's College, Cambridge.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780197657249"><em>What's the Use of Philosophy?</em></a> (Oxford UP, 2023), Philip Kitcher here grapples with an essential philosophical question: what the point of philosophy is, and what it should and can be. Kitcher's portrait of the discipline is not a familiar defense of the importance of philosophy or the humanities writ large. Rather, he is deeply critical of philosophy as it is practiced today, a practice focused on narrow technical questions that are far removed from the concerns of human life. He provides a penetrating diagnosis of why exactly contemporary philosophy has come to suffer this crisis, showing how it suffers from various syndromes that continue to push it further into irrelevance. Then, taking up ideas from William James and John Dewey, Kitcher provides a positive roadmap for the future of philosophy: first, as a discipline that can provide clarity to other kinds of human inquiry, such as religion or science; and second, bringing order to people's notions of the world, dispelling confusion in favor of clarity, and helping us think through our biggest human questions and dilemmas. Kitcher concludes with a letter to young philosophers who wonder how they can align their aspirations with the hyper-professionalism expected of them.</p><p>Philip Kitcher has taught for nearly half a century at several American Universities, most recently at Columbia University in the City of New York. His work has been honored with a number of awards, including the Rescher Medal for systematic philosophy, and the Hempel Award for lifetime achievement in the Philosophy of Science. He is a Fellow of the American Academy of Arts and Sciences, a Member of the American Philosophical Society, a Fellow of the British Academy, and an Honorary Fellow of Christ's College, Cambridge.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3080</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ab00f6c0-0223-11ee-af1b-2f1143bf172f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR7938203994.mp3?updated=1685807219" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jen Ross, "Digital Futures for Learning: Speculative Methods and Pedagogies" (Routledge, 2022)</title>
      <description>What is the future of education? In Digital Futures for Learning: Speculative Methods and Pedagogies (Routledge, 2022), Jen Ross, a senior lecturer in digital education at the University of Edinburgh, analyses the way ideas about the future are produced and become accepted in education (and in society). This analysis is the basis for offering radical alternatives. In the educational context, the book reflects on four research projects that demonstrate the power of particular approaches- speculative methods- to engaging with digital pedagogy and research. The book has a rich theoretical engagement with a range of social and educational theory, as well as giving detailed practical guidance for educators. The detailed guidance for researchers and teachers who want to make alternative digital futures make the book essential reading for anyone interested in the future of education.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 04 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>382</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jen Ross</itunes:subtitle>
      <itunes:summary>What is the future of education? In Digital Futures for Learning: Speculative Methods and Pedagogies (Routledge, 2022), Jen Ross, a senior lecturer in digital education at the University of Edinburgh, analyses the way ideas about the future are produced and become accepted in education (and in society). This analysis is the basis for offering radical alternatives. In the educational context, the book reflects on four research projects that demonstrate the power of particular approaches- speculative methods- to engaging with digital pedagogy and research. The book has a rich theoretical engagement with a range of social and educational theory, as well as giving detailed practical guidance for educators. The detailed guidance for researchers and teachers who want to make alternative digital futures make the book essential reading for anyone interested in the future of education.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of education? In <a href="https://bookshop.org/a/12343/9781032058122"><em>Digital Futures for Learning: Speculative Methods and Pedagogies</em></a> (Routledge, 2022), <a href="https://twitter.com/jar">Jen Ross</a>, a senior lecturer in <a href="http://jenrossity.net/blog/">digital education</a> at the <a href="https://www.ed.ac.uk/profile/jen-ross">University of Edinburgh</a>, analyses the way ideas about the future are produced and become accepted in education (and in society). This analysis is the basis for offering radical alternatives. In the educational context, the book reflects on four research projects that demonstrate the power of particular approaches- speculative methods- to engaging with digital pedagogy and research. The book has a rich theoretical engagement with a range of social and educational theory, as well as giving detailed practical guidance for educators. The detailed guidance for researchers and teachers who want to make alternative digital futures make the book essential reading for anyone interested in the future of education.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2291</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9eebcc3c-0185-11ee-913a-8f4b6c230403]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR6480310281.mp3?updated=1685738892" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Big Finance: A Discussion with Anastasia Nesvetailova</title>
      <description>How common is financial malpractice in big, well known financial companies? Is it so common that it should really be seen as a business model more than an occasional aberration by rogue traders? These are questions posed by Ronen Palan and Anastasia Nesvetailova in their book Sabotage: The Business of Finance (PublicAffairs, 2020). Listen to Owen Bennett-Jones discuss the future of big finance with Anastasia Nesvetailova.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How common is financial malpractice in big, well known financial companies? Is it so common that it should really be seen as a business model more than an occasional aberration by rogue traders? These are questions posed by Ronen Palan and Anastasia Nesvetailova in their book Sabotage: The Business of Finance (PublicAffairs, 2020). Listen to Owen Bennett-Jones discuss the future of big finance with Anastasia Nesvetailova.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How common is financial malpractice in big, well known financial companies? Is it so common that it should really be seen as a business model more than an occasional aberration by rogue traders? These are questions posed by <a href="https://www.city.ac.uk/about/people/academics/ronen-palan">Ronen Palan</a> and <a href="https://www.city.ac.uk/about/people/academics/anastasia-nesvetailova">Anastasia Nesvetailova</a> in their book <a href="https://bookshop.org/a/12343/9781610399685"><em>Sabotage: The Business of Finance</em></a> (PublicAffairs, 2020). Listen to Owen Bennett-Jones discuss the future of big finance with Anastasia Nesvetailova.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2603</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e0ecd5d2-017a-11ee-bf4e-1f34670efb00]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NSR2953690867.mp3?updated=1685734243" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lorenzo Costaguta, "Workers of All Colors Unite: Race and the Origins of American Socialism" (U Illinois Press, 2023)</title>
      <description>As the United States transformed into an industrial superpower, American socialists faced the vexing question of how to approach race. Lorenzo Costaguta balances intellectual and institutional history to illuminate the clash between two major points of view. On one side, some believed labor should accept and apply the ascendant tenets of scientific theories of race. But others stood with International Workingmen's Association leaders J. P. McDonnell and F. A. Sorge in rejecting the idea that racial and ethnic division influenced worker-employer relations, arguing instead that class played the preeminent role.
In Workers of All Colors Unite: Race and the Origins of American Socialism (U Illinois Press, 2023), Costaguta charts the socialist movement's journey through the conflict and down a path that ultimately abandoned scientific racism in favor of an internationalist class-focused American socialism. As he shows, the shift had a paradoxical effect: while distancing American socialism from the most hideous forms of white supremacism, it made the movement blind to the racist nature of American capitalism. The position that emerged out of the Gilded Age became American socialism's most common approach to race in the twentieth century and beyond.
Omari Averette-Phillips is a History educator and independent scholar based in Southern California. He can be reached at omariaverette@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>386</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lorenzo Costaguta</itunes:subtitle>
      <itunes:summary>As the United States transformed into an industrial superpower, American socialists faced the vexing question of how to approach race. Lorenzo Costaguta balances intellectual and institutional history to illuminate the clash between two major points of view. On one side, some believed labor should accept and apply the ascendant tenets of scientific theories of race. But others stood with International Workingmen's Association leaders J. P. McDonnell and F. A. Sorge in rejecting the idea that racial and ethnic division influenced worker-employer relations, arguing instead that class played the preeminent role.
In Workers of All Colors Unite: Race and the Origins of American Socialism (U Illinois Press, 2023), Costaguta charts the socialist movement's journey through the conflict and down a path that ultimately abandoned scientific racism in favor of an internationalist class-focused American socialism. As he shows, the shift had a paradoxical effect: while distancing American socialism from the most hideous forms of white supremacism, it made the movement blind to the racist nature of American capitalism. The position that emerged out of the Gilded Age became American socialism's most common approach to race in the twentieth century and beyond.
Omari Averette-Phillips is a History educator and independent scholar based in Southern California. He can be reached at omariaverette@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the United States transformed into an industrial superpower, American socialists faced the vexing question of how to approach race. Lorenzo Costaguta balances intellectual and institutional history to illuminate the clash between two major points of view. On one side, some believed labor should accept and apply the ascendant tenets of scientific theories of race. But others stood with International Workingmen's Association leaders J. P. McDonnell and F. A. Sorge in rejecting the idea that racial and ethnic division influenced worker-employer relations, arguing instead that class played the preeminent role.</p><p>In <a href="https://bookshop.org/a/12343/9780252044922"><em>Workers of All Colors Unite: Race and the Origins of American Socialism</em></a> (U Illinois Press, 2023), Costaguta charts the socialist movement's journey through the conflict and down a path that ultimately abandoned scientific racism in favor of an internationalist class-focused American socialism. As he shows, the shift had a paradoxical effect: while distancing American socialism from the most hideous forms of white supremacism, it made the movement blind to the racist nature of American capitalism. The position that emerged out of the Gilded Age became American socialism's most common approach to race in the twentieth century and beyond.</p><p><em>Omari Averette-Phillips is a History educator and independent scholar based in Southern California. He can be reached at omariaverette@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3003</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Orly Lobel, "The Equality Machine: Harnessing Digital Technology for a Brighter, More Inclusive Future" (PublicAffairs, 2022)</title>
      <description>The fear of algorithmic decision-making and surveillance capitalism dominate today's tech policy discussions. But instead of simply criticizing big data and automation, we can harness technology to correct discrimination, historical exclusions, and subvert long-standing stereotypes.
Orly Lobel is the author of The Equality Machine: Harnessing Digital Technology for a Brighter, More Inclusive Future and Warren Distinguished Professor of Law at the University of San Diego School of Law. Lobel is one of the nation's foremost legal experts on labor and employment law. She is also one of the nation's top-cited young legal scholars.
Orly and Greg discuss how collecting more data and adding more inputs into decision algorithms may be beneficial to expose disparities in current frameworks in the real world, and help us to right past injustices and ongoing inequities.
Gregory LaBlanc is a lifelong educator with degrees in History, PPE, Business, and Law, Greg currently teaches at Berkeley, Stanford, and HEC Paris. He has taught in multiple disciplines, from Engineering to Economics, from Biology to Business, from Psychology to Philosophy. He is the host of the unSILOed podcast. unSILOed is produced by University FM.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Orly Lobel</itunes:subtitle>
      <itunes:summary>The fear of algorithmic decision-making and surveillance capitalism dominate today's tech policy discussions. But instead of simply criticizing big data and automation, we can harness technology to correct discrimination, historical exclusions, and subvert long-standing stereotypes.
Orly Lobel is the author of The Equality Machine: Harnessing Digital Technology for a Brighter, More Inclusive Future and Warren Distinguished Professor of Law at the University of San Diego School of Law. Lobel is one of the nation's foremost legal experts on labor and employment law. She is also one of the nation's top-cited young legal scholars.
Orly and Greg discuss how collecting more data and adding more inputs into decision algorithms may be beneficial to expose disparities in current frameworks in the real world, and help us to right past injustices and ongoing inequities.
Gregory LaBlanc is a lifelong educator with degrees in History, PPE, Business, and Law, Greg currently teaches at Berkeley, Stanford, and HEC Paris. He has taught in multiple disciplines, from Engineering to Economics, from Biology to Business, from Psychology to Philosophy. He is the host of the unSILOed podcast. unSILOed is produced by University FM.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The fear of algorithmic decision-making and surveillance capitalism dominate today's tech policy discussions. But instead of simply criticizing big data and automation, we can harness technology to correct discrimination, historical exclusions, and subvert long-standing stereotypes.</p><p>Orly Lobel is the author of <a href="https://bookshop.org/a/12343/9781541774759"><em>The Equality Machine: Harnessing Digital Technology for a Brighter, More Inclusive Future</em></a> and Warren Distinguished Professor of Law at the University of San Diego School of Law. Lobel is one of the nation's foremost legal experts on labor and employment law. She is also one of the nation's top-cited young legal scholars.</p><p>Orly and Greg discuss how collecting more data and adding more inputs into decision algorithms may be beneficial to expose disparities in current frameworks in the real world, and help us to right past injustices and ongoing inequities.</p><p><a href="https://www.linkedin.com/in/lablanc/"><em>Gregory LaBlanc</em></a><em> is a lifelong educator with degrees in History, PPE, Business, and Law, Greg currently teaches at Berkeley, Stanford, and HEC Paris. He has taught in multiple disciplines, from Engineering to Economics, from Biology to Business, from Psychology to Philosophy. He is the host of the </em><a href="https://www.unsiloedpodcast.com/"><em>unSILOed</em></a><em> podcast. unSILOed is produced by </em><a href="https://university.fm/"><em>University FM</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3179</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e820151e-fd68-11ed-b53b-afddec4caa9f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6625927788.mp3?updated=1685286453" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Daniel Elam, "World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics" (Fordham UP, 2020)</title>
      <description>World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics (Fordham UP, 2020) recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism.
Framed by a suggestive reading of the surprising affinities between Frantz Fanon’s political writings and Erich Auerbach’s philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty.
Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.
Dr. J. Daniel Elam is Assistant Professor at the University of Hong Kong.
﻿Gargi Binju is a researcher at the University of Tübingen.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with J. Daniel Elam</itunes:subtitle>
      <itunes:summary>World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics (Fordham UP, 2020) recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism.
Framed by a suggestive reading of the surprising affinities between Frantz Fanon’s political writings and Erich Auerbach’s philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty.
Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.
Dr. J. Daniel Elam is Assistant Professor at the University of Hong Kong.
﻿Gargi Binju is a researcher at the University of Tübingen.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780823289806"><em>World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics</em></a><em> </em>(Fordham UP, 2020) recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism.</p><p>Framed by a suggestive reading of the surprising affinities between Frantz Fanon’s political writings and Erich Auerbach’s philological project, <em>World Literature for the Wretched of the Earth</em> foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty.</p><p>Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.</p><p>Dr. J. Daniel Elam is Assistant Professor at the University of Hong Kong.</p><p><em>﻿Gargi Binju is a researcher at the University of Tübingen.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3316</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ashok Gopal, "A Part Apart: The Life and Thought of B. R. Ambedkar" (Navayana, 2023)</title>
      <description>Bhimrao Ramji Ambedkar (1891–1956) is perhaps the most iconised historical figure in India. Born into a caste deemed ‘unfit for human association’, he came to define what it means to be human. How and why did Ambedkar, who revered and cited the Gita till the 1930s, turn against Hinduism? What were his quarrels with Gandhi and Savarkar? Why did he come to see himself as Moses? How did the lessons learnt at Columbia University impact the struggle for water in Mahad in 1927 and the drafting of the Constitution of India in 1950? Having declared in 1935 that he will not die as a Hindu, why did Ambedkar toil on the Hindu Code Bill? What made him a votary of Western individualism and yet put faith in the collective ethical way of life suggested by Buddhism? Why is it wrong to see Ambedkar as an apologist for colonialism? From which streams of thought did Ambedkar brew his philosophies? Who were the thinkers he turned to in his library of fifty thousand books? What did this life of the mind cost him and his intimates? What of his first wife, Ramabai, while he was busy with the chalval?
A Part Apart: The Life and Thought of B. R. Ambedkar (Navayana, 2023) is a rigorous effort at both asking questions and answering as many as one can about B. R. Ambedkar. Ashok Gopal undertakes a mission without parallel: reading the bulk of Ambedkar’s writings, speeches and letters in Marathi and English, and what Ambedkar himself would have read. This is the story of the unrelenting toil and struggle that went into the making of Ambedkar legend.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ashok Gopal</itunes:subtitle>
      <itunes:summary>Bhimrao Ramji Ambedkar (1891–1956) is perhaps the most iconised historical figure in India. Born into a caste deemed ‘unfit for human association’, he came to define what it means to be human. How and why did Ambedkar, who revered and cited the Gita till the 1930s, turn against Hinduism? What were his quarrels with Gandhi and Savarkar? Why did he come to see himself as Moses? How did the lessons learnt at Columbia University impact the struggle for water in Mahad in 1927 and the drafting of the Constitution of India in 1950? Having declared in 1935 that he will not die as a Hindu, why did Ambedkar toil on the Hindu Code Bill? What made him a votary of Western individualism and yet put faith in the collective ethical way of life suggested by Buddhism? Why is it wrong to see Ambedkar as an apologist for colonialism? From which streams of thought did Ambedkar brew his philosophies? Who were the thinkers he turned to in his library of fifty thousand books? What did this life of the mind cost him and his intimates? What of his first wife, Ramabai, while he was busy with the chalval?
A Part Apart: The Life and Thought of B. R. Ambedkar (Navayana, 2023) is a rigorous effort at both asking questions and answering as many as one can about B. R. Ambedkar. Ashok Gopal undertakes a mission without parallel: reading the bulk of Ambedkar’s writings, speeches and letters in Marathi and English, and what Ambedkar himself would have read. This is the story of the unrelenting toil and struggle that went into the making of Ambedkar legend.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bhimrao Ramji Ambedkar (1891–1956) is perhaps the most iconised historical figure in India. Born into a caste deemed ‘unfit for human association’, he came to define what it means to be human. How and why did Ambedkar, who revered and cited the Gita till the 1930s, turn against Hinduism? What were his quarrels with Gandhi and Savarkar? Why did he come to see himself as Moses? How did the lessons learnt at Columbia University impact the struggle for water in Mahad in 1927 and the drafting of the Constitution of India in 1950? Having declared in 1935 that he will not die as a Hindu, why did Ambedkar toil on the Hindu Code Bill? What made him a votary of Western individualism and yet put faith in the collective ethical way of life suggested by Buddhism? Why is it wrong to see Ambedkar as an apologist for colonialism? From which streams of thought did Ambedkar brew his philosophies? Who were the thinkers he turned to in his library of fifty thousand books? What did this life of the mind cost him and his intimates? What of his first wife, Ramabai, while he was busy with the <em>chalval</em>?</p><p><a href="https://www.amazon.in/Part-Apart-Life-Thought-Ambedkar/dp/8195838510"><em>A Part Apart: The Life and Thought of B. R. Ambedkar</em></a> (Navayana, 2023) is a rigorous effort at both asking questions and answering as many as one can about B. R. Ambedkar. Ashok Gopal undertakes a mission without parallel: reading the bulk of Ambedkar’s writings, speeches and letters in Marathi and English, and what Ambedkar himself would have read. This is the story of the unrelenting toil and struggle that went into the making of Ambedkar legend.</p><p><em>Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2175</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Learning for Liberation: The Life and Legacy of Paulo Freire </title>
      <description>Paulo Freire offers activists and academics everywhere a lesson in what it means to be a radical intellectual. He is known as the founder of critical pedagogy, which asks teachers and learners to understand and resist their own oppression. His subversive books have been banned and burned in many countries, including his native Brazil, where the military dictatorship of the 1960s imprisoned and then exiled him.
On this episode, we learn about Freire's life and the basics of his foundational text, Pedagogy of the Oppressed, with help from professor emeritus John Portelli. Then, we explore how Freire's legacy is still shaping our ideas of teaching and learning today. Academic/activist/artist Deborah Barndt takes us to York University's faculty of Environmental and Urban Change, which is rooted in the work of Freirean scholars. Next, we learn about how Freire's pedagogy is put into practice to advocate for disabled learners, with Marc Castrodale, a teacher, disability officer, and scholar of critical disability and Mad studies. Finally, social worker Sharon Steinhauer tells us the story of the University at Blue Quills, and how an act of Indigenous resurgence led to the beginning of a network of decolonial universities in Canada. 
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Paulo Freire offers activists and academics everywhere a lesson in what it means to be a radical intellectual. He is known as the founder of critical pedagogy, which asks teachers and learners to understand and resist their own oppression. His subversive books have been banned and burned in many countries, including his native Brazil, where the military dictatorship of the 1960s imprisoned and then exiled him.
On this episode, we learn about Freire's life and the basics of his foundational text, Pedagogy of the Oppressed, with help from professor emeritus John Portelli. Then, we explore how Freire's legacy is still shaping our ideas of teaching and learning today. Academic/activist/artist Deborah Barndt takes us to York University's faculty of Environmental and Urban Change, which is rooted in the work of Freirean scholars. Next, we learn about how Freire's pedagogy is put into practice to advocate for disabled learners, with Marc Castrodale, a teacher, disability officer, and scholar of critical disability and Mad studies. Finally, social worker Sharon Steinhauer tells us the story of the University at Blue Quills, and how an act of Indigenous resurgence led to the beginning of a network of decolonial universities in Canada. 
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paulo Freire offers activists and academics everywhere a lesson in what it means to be a radical intellectual. He is known as the founder of critical pedagogy, which asks teachers and learners to understand and resist their own oppression. His subversive books have been banned and burned in many countries, including his native Brazil, where the military dictatorship of the 1960s imprisoned and then exiled him.</p><p>On this episode, we learn about Freire's life and the basics of his foundational text, <em>Pedagogy of the Oppressed</em>, with help from professor emeritus<a href="https://john-peter-portelli.com/"> John Portelli</a>. Then, we explore how Freire's legacy is still shaping our ideas of teaching and learning today. Academic/activist/artist<a href="https://www.deborahbarndt.com/site/academic/"> Deborah Barndt</a> takes us to York University's faculty of Environmental and Urban Change, which is rooted in the work of Freirean scholars. Next, we learn about how Freire's pedagogy is put into practice to advocate for disabled learners, with<a href="https://www.sheffield.ac.uk/ihuman/who-we-are/mark-castrodale"> Marc Castrodale</a>, a teacher, disability officer, and scholar of critical disability and Mad studies. Finally, social worker Sharon Steinhauer tells us the story of the<a href="https://www.bluequills.ca/"> University at Blue Quills</a>, and how an act of Indigenous resurgence led to the beginning of a network of decolonial universities in Canada. </p><p>SUPPORT THE SHOW</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>ABOUT THE SHOW</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[89185118-fbe6-11ed-a54c-3b1928a107c1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4945533172.mp3?updated=1685120801" length="0" type="audio/mpeg"/>
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    <item>
      <title>Kenji Yoshino and David Glasgow, "Say the Right Thing: How to Talk About Identity, Diversity, and Justice" (Atria Books, 2023)</title>
      <description>In the current period of social and political unrest, conversations about identity are becoming more frequent and more difficult. On subjects like critical race theory, gender equity in the workplace, and LGBTQ-inclusive classrooms, many of us are understandably fearful of saying the wrong thing. That fear can sometimes prevent us from speaking up at all, depriving people from marginalized groups of support and stalling progress toward a more just and inclusive society.
Kenji Yoshino and David Glasgow, founders of the Meltzer Center for Diversity, Inclusion, and Belonging at NYU School of Law, are here to show potential allies that these conversations don't have to be so overwhelming. Through stories drawn from contexts as varied as social media posts, dinner party conversations, and workplace disputes, they offer seven user-friendly principles that teach skills such as how to avoid common conversational pitfalls, engage in respectful disagreement, offer authentic apologies, and better support people in our lives who experience bias.
Research-backed, accessible, and uplifting, Say the Right Thing: How to Talk About Identity, Diversity, and Justice (Atria Books, 2023) charts a pathway out of cancel culture toward more meaningful and empathetic dialogue on issues of identity. It also gives us the practical tools to do good in our spheres of influence. Whether managing diverse teams at work, navigating issues of inclusion at college, or challenging biased comments at a family barbecue, Yoshino and Glasgow help us move from unconsciously hurting people to consciously helping them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 28 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Glasgow</itunes:subtitle>
      <itunes:summary>In the current period of social and political unrest, conversations about identity are becoming more frequent and more difficult. On subjects like critical race theory, gender equity in the workplace, and LGBTQ-inclusive classrooms, many of us are understandably fearful of saying the wrong thing. That fear can sometimes prevent us from speaking up at all, depriving people from marginalized groups of support and stalling progress toward a more just and inclusive society.
Kenji Yoshino and David Glasgow, founders of the Meltzer Center for Diversity, Inclusion, and Belonging at NYU School of Law, are here to show potential allies that these conversations don't have to be so overwhelming. Through stories drawn from contexts as varied as social media posts, dinner party conversations, and workplace disputes, they offer seven user-friendly principles that teach skills such as how to avoid common conversational pitfalls, engage in respectful disagreement, offer authentic apologies, and better support people in our lives who experience bias.
Research-backed, accessible, and uplifting, Say the Right Thing: How to Talk About Identity, Diversity, and Justice (Atria Books, 2023) charts a pathway out of cancel culture toward more meaningful and empathetic dialogue on issues of identity. It also gives us the practical tools to do good in our spheres of influence. Whether managing diverse teams at work, navigating issues of inclusion at college, or challenging biased comments at a family barbecue, Yoshino and Glasgow help us move from unconsciously hurting people to consciously helping them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the current period of social and political unrest, conversations about identity are becoming more frequent and more difficult. On subjects like critical race theory, gender equity in the workplace, and LGBTQ-inclusive classrooms, many of us are understandably fearful of saying the wrong thing. That fear can sometimes prevent us from speaking up at all, depriving people from marginalized groups of support and stalling progress toward a more just and inclusive society.</p><p>Kenji Yoshino and David Glasgow, founders of the Meltzer Center for Diversity, Inclusion, and Belonging at NYU School of Law, are here to show potential allies that these conversations don't have to be so overwhelming. Through stories drawn from contexts as varied as social media posts, dinner party conversations, and workplace disputes, they offer seven user-friendly principles that teach skills such as how to avoid common conversational pitfalls, engage in respectful disagreement, offer authentic apologies, and better support people in our lives who experience bias.</p><p>Research-backed, accessible, and uplifting, <a href="https://bookshop.org/a/12343/9781982181383"><em>Say the Right Thing: How to Talk About Identity, Diversity, and Justice </em></a>(Atria Books, 2023) charts a pathway out of cancel culture toward more meaningful and empathetic dialogue on issues of identity. It also gives us the practical tools to do good in our spheres of influence. Whether managing diverse teams at work, navigating issues of inclusion at college, or challenging biased comments at a family barbecue, Yoshino and Glasgow help us move from unconsciously hurting people to consciously helping them.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f52d411a-fb14-11ed-b2d0-cfb3850ab312]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5072070915.mp3?updated=1685034305" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)</title>
      <description>How can sociology help us understand art and music? In The Cultural Sociology of Art and Music: New Directions and New Discoveries (Palgrave MacMillan, 2022), the editor Lisa McCormick, a senior lecturer in sociology at the University of Edinburgh, draws together the latest research in cultural sociology that examines art and music. Global in scope, and eclectic in choice of subjects and methods, the book is united by the shared approach of the strong programme in cultural sociology. As a result, the book offers a cultural approach to cultural objects, setting new agendas and explaining controversies. The range of topics, both historical and contemporary, make the book essential reading across both arts and humanities and social sciences, as well as for anyone interested in art and music!
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 28 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>380</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lisa McCormick</itunes:subtitle>
      <itunes:summary>How can sociology help us understand art and music? In The Cultural Sociology of Art and Music: New Directions and New Discoveries (Palgrave MacMillan, 2022), the editor Lisa McCormick, a senior lecturer in sociology at the University of Edinburgh, draws together the latest research in cultural sociology that examines art and music. Global in scope, and eclectic in choice of subjects and methods, the book is united by the shared approach of the strong programme in cultural sociology. As a result, the book offers a cultural approach to cultural objects, setting new agendas and explaining controversies. The range of topics, both historical and contemporary, make the book essential reading across both arts and humanities and social sciences, as well as for anyone interested in art and music!
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can sociology help us understand art and music? In <a href="https://bookshop.org/a/12343/9783031114199"><em>The Cultural Sociology of Art and Music: New Directions and New Discoveries</em></a> (Palgrave MacMillan, 2022), the editor <a href="https://twitter.com/llhmc/">Lisa McCormick,</a> a <a href="https://www.sps.ed.ac.uk/staff/lisa-mccormick">senior lecturer in sociology at the University of Edinburgh</a>, draws together the latest research in cultural sociology that examines art and music. Global in scope, and eclectic in choice of subjects and methods, the book is united by the shared approach of the strong programme in cultural sociology. As a result, the book offers a cultural approach to cultural objects, setting new agendas and explaining controversies. The range of topics, both historical and contemporary, make the book essential reading across both arts and humanities and social sciences, as well as for anyone interested in art and music!</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2715</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Scott Timcke, "The Political Economy of Fortune and Misfortune: Prospects for Prosperity in Our Times" (Bristol UP, 2023)</title>
      <description>Luck greatly influences a person's quality of life. Yet little of our politics looks at how institutions can amplify good or bad luck that widens social inequality. But societies can change their fortune. Too often debates about inequality focus on the accuracy of data or modelling while missing the greater point about ethics and exploitation. In the wake of growing disparity between the 1% and other classes, The Political Economy of Fortune and Misfortune: Prospects for Prosperity in Our Times (Bristol University Press, 2023) combines philosophical insights with social theory to offer a much-needed political economy of life chances. Scott Timcke advances new thought on the role luck plays in redistributive justice in 21st century capitalism.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 25 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>290</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Timcke</itunes:subtitle>
      <itunes:summary>Luck greatly influences a person's quality of life. Yet little of our politics looks at how institutions can amplify good or bad luck that widens social inequality. But societies can change their fortune. Too often debates about inequality focus on the accuracy of data or modelling while missing the greater point about ethics and exploitation. In the wake of growing disparity between the 1% and other classes, The Political Economy of Fortune and Misfortune: Prospects for Prosperity in Our Times (Bristol University Press, 2023) combines philosophical insights with social theory to offer a much-needed political economy of life chances. Scott Timcke advances new thought on the role luck plays in redistributive justice in 21st century capitalism.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Luck greatly influences a person's quality of life. Yet little of our politics looks at how institutions can amplify good or bad luck that widens social inequality. But societies can change their fortune. Too often debates about inequality focus on the accuracy of data or modelling while missing the greater point about ethics and exploitation. In the wake of growing disparity between the 1% and other classes, <a href="https://bookshop.org/a/12343/9781529221756"><em>The Political Economy of Fortune and Misfortune: Prospects for Prosperity in Our Times</em></a><em> </em>(Bristol University Press, 2023) combines philosophical insights with social theory to offer a much-needed political economy of life chances. <a href="https://researchictafrica.net/author/scott-timcke/">Scott Timcke</a> advances new thought on the role luck plays in redistributive justice in 21st century capitalism.</p><p><a href="https://newbooksnetwork.com/hosts/profile/af43960f-eb1c-452b-a784-ba3dae90949f"><em>Michael O. Johnston, Ph.D.</em></a><em> is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2207</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Party</title>
      <description>Sheila Liming talks about the party, social gatherings that occasion joy and dread and various emotions in between. The party is both a pause and an acceleration in the life-work continuum, it can deaden political motivation and engender fresh politics. We discuss the horrible parties in The Office and the wonderful parties in Small Axe, among other things.
Sheila Liming is Associate Professor at Champlain College in Burlington, VT, where she teaches classes in American literature, writing, and media. She is the author, most recently, of Hanging Out: The Radical Power of Killing Time (Melville House, 2023), and also of the books Office (Bloomsbury, 2020) and What a Library Means to a Woman (Minnesota UP, 2020). Her writing has appeared in publications like the The New York Review of Books, The Atlantic, Lapham's Quarterly, LitHub, The Globe and Mail, and The Los Angeles Review of Books, and elsewhere. 
Image: © 2023 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Sheila Liming</itunes:subtitle>
      <itunes:summary>Sheila Liming talks about the party, social gatherings that occasion joy and dread and various emotions in between. The party is both a pause and an acceleration in the life-work continuum, it can deaden political motivation and engender fresh politics. We discuss the horrible parties in The Office and the wonderful parties in Small Axe, among other things.
Sheila Liming is Associate Professor at Champlain College in Burlington, VT, where she teaches classes in American literature, writing, and media. She is the author, most recently, of Hanging Out: The Radical Power of Killing Time (Melville House, 2023), and also of the books Office (Bloomsbury, 2020) and What a Library Means to a Woman (Minnesota UP, 2020). Her writing has appeared in publications like the The New York Review of Books, The Atlantic, Lapham's Quarterly, LitHub, The Globe and Mail, and The Los Angeles Review of Books, and elsewhere. 
Image: © 2023 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sheila Liming talks about the party, social gatherings that occasion joy and dread and various emotions in between. The party is both a pause and an acceleration in the life-work continuum, it can deaden political motivation and engender fresh politics. We discuss the horrible parties in <em>The Office </em>and the wonderful parties in <em>Small Axe</em>, among other things.</p><p>Sheila Liming is Associate Professor at Champlain College in Burlington, VT, where she teaches classes in American literature, writing, and media. She is the author, most recently, of <a href="https://www.mhpbooks.com/books/hanging-out/"><em>Hanging Out: The Radical Power of Killing Time</em></a> (Melville House, 2023), and also of the books <a href="https://www.bloomsbury.com/us/office-9781501348679/"><em>Office</em></a> (Bloomsbury, 2020) and <a href="https://www.upress.umn.edu/book-division/books/what-a-library-means-to-a-woman"><em>What a Library Means to a Woman</em></a> (Minnesota UP, 2020). Her writing has appeared in publications like the <em>The New York Review of Books</em>, <em>The Atlantic</em>, <em>Lapham's Quarterly</em>, <em>LitHub</em>, <em>The Globe and Mail</em>, and <em>The Los Angeles Review of Books, </em>and elsewhere. </p><p>Image: © 2023 Saronik Bosu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1033</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Alyson K. Spurgas and Zoe Meleo Erwin, "Decolonize Self-Care" (OR Books, 2022)</title>
      <description>For twentieth-century feminists, it was a rallying cry for bodily autonomy and political power. For influencers and lifestyle brands, it’s buying fancy nutrition and body products at a premium. And it has now infiltrated nearly every food, leisure, and pop-culture space as a hugely lucrative industry.
What is it? To quote a million memes: it’s called self-care.
In Decolonize Self-Care (OR Books, 2023), Alyson K. Spurgas and Zoë Meleo-Erwin deliver a comprehensive sociological analysis and scathing critique of the term’s capitalist, racist undertones. Decolonizing self-care, they argue, requires a full reckoning with the exclusionary, appropriative nature of most of the wellness industry, but this education is only the first step in the process. We must commit to new models of care and well-being that allow for health, pleasure, and community—for everyone.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>289</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alyson K. Spurgas and Zoe Meleo Erwin</itunes:subtitle>
      <itunes:summary>For twentieth-century feminists, it was a rallying cry for bodily autonomy and political power. For influencers and lifestyle brands, it’s buying fancy nutrition and body products at a premium. And it has now infiltrated nearly every food, leisure, and pop-culture space as a hugely lucrative industry.
What is it? To quote a million memes: it’s called self-care.
In Decolonize Self-Care (OR Books, 2023), Alyson K. Spurgas and Zoë Meleo-Erwin deliver a comprehensive sociological analysis and scathing critique of the term’s capitalist, racist undertones. Decolonizing self-care, they argue, requires a full reckoning with the exclusionary, appropriative nature of most of the wellness industry, but this education is only the first step in the process. We must commit to new models of care and well-being that allow for health, pleasure, and community—for everyone.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For twentieth-century feminists, it was a rallying cry for bodily autonomy and political power. For influencers and lifestyle brands, it’s buying fancy nutrition and body products at a premium. And it has now infiltrated nearly every food, leisure, and pop-culture space as a hugely lucrative industry.</p><p>What is it? To quote a million memes: it’s called self-care.</p><p>In <a href="https://bookshop.org/a/12343/9781682193358"><em>Decolonize Self-Care</em></a> (OR Books, 2023), <a href="https://internet3.trincoll.edu/facProfiles/Default.aspx?fid=1480461">Alyson K. Spurgas</a> and <a href="https://www.zoemeleoerwin.com/">Zoë Meleo-Erwin</a> deliver a comprehensive sociological analysis and scathing critique of the term’s capitalist, racist undertones. Decolonizing self-care, they argue, requires a full reckoning with the exclusionary, appropriative nature of most of the wellness industry, but this education is only the first step in the process. We must commit to new models of care and well-being that allow for health, pleasure, and community—for everyone.</p><p><a href="https://newbooksnetwork.com/hosts/profile/af43960f-eb1c-452b-a784-ba3dae90949f"><em>Michael O. Johnston, Ph.D.</em></a><em> is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2765</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Science and Politics of Landing on Earth</title>
      <description>The philosopher Bruno Latour (We Have Never Been Modern, Laboratory Life, Science in Action) and Eugene Richardson, physician, anthropologist, and author of Epidemic Illusions discuss COVID, colonialism and Critical Zones.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 21 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/36bf1b72-f7bd-11ed-8f57-7b17b33fe440/image/3_MITPpodcastrichardson669vd.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Eugene Richardson and Bruno Latour</itunes:subtitle>
      <itunes:summary>The philosopher Bruno Latour (We Have Never Been Modern, Laboratory Life, Science in Action) and Eugene Richardson, physician, anthropologist, and author of Epidemic Illusions discuss COVID, colonialism and Critical Zones.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The philosopher <a href="http://www.bruno-latour.fr/">Bruno Latour</a> (<em>We Have Never Been Modern, Laboratory Life, Science in Action</em>) and <a href="https://twitter.com/Real_Ironist">Eugene Richardson</a>, physician, anthropologist, and author of <a href="https://mitpress.mit.edu/books/epidemic-illusions"><em>Epidemic Illusions</em></a> discuss COVID, colonialism and <a href="https://mitpress.mit.edu/books/critical-zones"><em>Critical Zones</em></a><em>.</em></p><p>Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/75186e9c-1872-3d73-9492-c297eecdad3a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9110682163.mp3?updated=1677012115" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Adeyemi, "Contemporary Art from Nigeria in the Global Markets: Trending in the Margins" (Palgrave MacMillan, 2022)</title>
      <description>How does the art market work? In Contemporary Art from Nigeria in the Global Markets: Trending in the Margins (Palgrave Macmillan, 2022), Jonathan Adeyemi, who holds a PhD from, and was formerly Associate Lecturer in Arts Management and Cultural Policy at, Queen’s University Belfast, explores the unequal power dynamics of contemporary at by focusing on the case study of Nigeria. The book draws on a wealth of historical and theoretical knowledge, alongside detailed engagements with art history, sociology, and cultural policy themes, to show how and why contemporary artists from Nigeria are not afforded the same status as their western counterparts. An important addition across a range of academic fields, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in art today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 21 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>379</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Adeyemi</itunes:subtitle>
      <itunes:summary>How does the art market work? In Contemporary Art from Nigeria in the Global Markets: Trending in the Margins (Palgrave Macmillan, 2022), Jonathan Adeyemi, who holds a PhD from, and was formerly Associate Lecturer in Arts Management and Cultural Policy at, Queen’s University Belfast, explores the unequal power dynamics of contemporary at by focusing on the case study of Nigeria. The book draws on a wealth of historical and theoretical knowledge, alongside detailed engagements with art history, sociology, and cultural policy themes, to show how and why contemporary artists from Nigeria are not afforded the same status as their western counterparts. An important addition across a range of academic fields, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in art today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the art market work? In <a href="https://bookshop.org/a/12343/9783031175336"><em>Contemporary Art from Nigeria in the Global Markets: Trending in the Margins</em></a> (Palgrave Macmillan, 2022), <a href="https://twitter.com/jonathanadeyemi">Jonathan Adeyemi</a>, who holds a <a href="https://pure.qub.ac.uk/en/studentTheses/trending-in-the-margins">PhD from, and was formerly Associate Lecturer in Arts Management and Cultural Policy at, Queen’s University Belfast</a>, explores the unequal power dynamics of contemporary at by focusing on the case study of Nigeria. The book draws on a wealth of historical and theoretical knowledge, alongside detailed engagements with art history, sociology, and cultural policy themes, to show how and why contemporary artists from Nigeria are not afforded the same status as their western counterparts. An important addition across a range of academic fields, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in art today.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2139</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1ee3b930-f426-11ed-838d-ffe74a97e3c4]]></guid>
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    <item>
      <title>Full Version: Lauren Fournier and McKenzie Wark on Autotheory</title>
      <description>An extended conversation between Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism and writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 20 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/22dddfda-f5b0-11ed-a5e7-bb3601042d4d/image/1_MITPpodcastfourniera1w84.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview Lauren Fournier and McKenzie Wark</itunes:subtitle>
      <itunes:summary>An extended conversation between Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism and writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An extended conversation between <a href="https://www.instagram.com/lgfournier/?hl=en">Lauren Fournier</a>, writer, independent curator, artist, and author of <a href="https://mitpress.mit.edu/books/autotheory-feminist-practice-art-writing-and-criticism">Autotheory as Feminist Practice in Art, Writing, and Criticism</a> and writer, educator and philosopher <a href="https://twitter.com/mckenziewark">McKenzie Wark</a> (A Hacker Manifesto, Gamer Theory, Capital Is Dead, <a href="https://mitpress.mit.edu/books/reverse-cowgirl">Reverse Cowgirl</a>.)</p><p>Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5728</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Infrastructural Brutalism: Art and the Necropolitics of Infrastructure</title>
      <description>Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism.
In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures.
Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world.
The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 20 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/dab89fb0-f712-11ed-aa8d-97634f5f17ef/image/MITPpodcasttruscello65k81.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Michael Truscello</itunes:subtitle>
      <itunes:summary>Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism.
In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures.
Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world.
The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michael Truscello, author of <a href="https://mitpress.mit.edu/books/infrastructural-brutalism"><em>Infrastructural Brutalism: Art and the Necropolitics of Infrastructure</em></a>, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism.</p><p>In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures.</p><p>Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world.</p><p>The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.</p><p>Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2891</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Autotheory as Feminist Practice in Art, Writing, and Criticism</title>
      <description>Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)
In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/70df8afe-f5af-11ed-a04c-6f05d5a2c1eb/image/MITPpodcastfournierbqppw.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Lauren Fournier and McKenzie Wark</itunes:subtitle>
      <itunes:summary>Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.)
In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing.
Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.instagram.com/lgfournier/?hl=en">Lauren Fournier</a>, writer, independent curator, artist, and author of <a href="https://mitpress.mit.edu/books/autotheory-feminist-practice-art-writing-and-criticism"><em>Autotheory as Feminist Practice in Art, Writing, and Criticism</em></a> discusses her forthcoming book with writer, educator and philosopher <a href="https://twitter.com/mckenziewark">McKenzie Wark</a> (A Hacker Manifesto, Gamer Theory, Capital Is Dead, <a href="https://mitpress.mit.edu/books/reverse-cowgirl">Reverse Cowgirl</a>.)</p><p>In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.</p><p>Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 <em>I Love Dick</em> marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work <em>Food for the Spirit</em> as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's <em>The Argonauts</em>; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing.</p><p>Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2655</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/03ad1ca3-318d-3164-9e5e-d262fce575c4]]></guid>
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    </item>
    <item>
      <title>Mark Paul, "The Ends of Freedom: Reclaiming America's Lost Promise of Economic Rights" (U Chicago Press, 2023)</title>
      <description>Since the Founding, Americans have debated the true meaning of freedom. For some, freedom meant the provision of life's necessities, those basic conditions for the "pursuit of happiness." For others, freedom meant the civil and political rights enumerated in the Bill of Rights and unfettered access to the marketplace--nothing more. As Mark Paul explains, the latter interpretation--thanks in large part to a particularly influential cadre of economists--has all but won out among policymakers, with dire repercussions for American society: rampant inequality, endemic poverty, and an economy built to benefit the few at the expense of the many.
In The Ends of Freedom: Reclaiming America's Lost Promise of Economic Rights (University of Chicago Press, 2023), Paul shows how economic rights--rights to necessities like housing, employment, and health care--have been a part of the American conversation since the Revolutionary War and were a cornerstone of both the New Deal and the Civil Rights Movement. Their recuperation, he argues, would at long last make good on the promise of America's founding documents. By drawing on FDR's proposed Economic Bill of Rights, Paul outlines a comprehensive policy program to achieve a more capacious and enduring version of American freedom. Among the rights he enumerates are the right to a good job, the right to an education, the right to banking and financial services, and the right to a healthy environment.
Replete with discussions of some of today's most influential policy ideas--from Medicare for All to a federal job guarantee to the Green New Deal--The Ends of Freedom is a timely and urgent call to reclaim the idea of freedom from its captors on the political right--to ground America's next era in the country's progressive history and carve a path toward a more economically dynamic and equitable nation.
Mark Paul is an assistant professor of economics at the Bloustein School of Planning and Public Policy at Rutgers University.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Paul</itunes:subtitle>
      <itunes:summary>Since the Founding, Americans have debated the true meaning of freedom. For some, freedom meant the provision of life's necessities, those basic conditions for the "pursuit of happiness." For others, freedom meant the civil and political rights enumerated in the Bill of Rights and unfettered access to the marketplace--nothing more. As Mark Paul explains, the latter interpretation--thanks in large part to a particularly influential cadre of economists--has all but won out among policymakers, with dire repercussions for American society: rampant inequality, endemic poverty, and an economy built to benefit the few at the expense of the many.
In The Ends of Freedom: Reclaiming America's Lost Promise of Economic Rights (University of Chicago Press, 2023), Paul shows how economic rights--rights to necessities like housing, employment, and health care--have been a part of the American conversation since the Revolutionary War and were a cornerstone of both the New Deal and the Civil Rights Movement. Their recuperation, he argues, would at long last make good on the promise of America's founding documents. By drawing on FDR's proposed Economic Bill of Rights, Paul outlines a comprehensive policy program to achieve a more capacious and enduring version of American freedom. Among the rights he enumerates are the right to a good job, the right to an education, the right to banking and financial services, and the right to a healthy environment.
Replete with discussions of some of today's most influential policy ideas--from Medicare for All to a federal job guarantee to the Green New Deal--The Ends of Freedom is a timely and urgent call to reclaim the idea of freedom from its captors on the political right--to ground America's next era in the country's progressive history and carve a path toward a more economically dynamic and equitable nation.
Mark Paul is an assistant professor of economics at the Bloustein School of Planning and Public Policy at Rutgers University.
Caleb Zakarin is the Assistant Editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the Founding, Americans have debated the true meaning of freedom. For some, freedom meant the provision of life's necessities, those basic conditions for the "pursuit of happiness." For others, freedom meant the civil and political rights enumerated in the Bill of Rights and unfettered access to the marketplace--nothing more. As Mark Paul explains, the latter interpretation--thanks in large part to a particularly influential cadre of economists--has all but won out among policymakers, with dire repercussions for American society: rampant inequality, endemic poverty, and an economy built to benefit the few at the expense of the many.</p><p>In <a href="https://bookshop.org/a/12343/9780226792965"><em>The Ends of Freedom: Reclaiming America's Lost Promise of Economic Rights</em></a><em> </em>(University of Chicago Press, 2023), Paul shows how economic rights--rights to necessities like housing, employment, and health care--have been a part of the American conversation since the Revolutionary War and were a cornerstone of both the New Deal and the Civil Rights Movement. Their recuperation, he argues, would at long last make good on the promise of America's founding documents. By drawing on FDR's proposed Economic Bill of Rights, Paul outlines a comprehensive policy program to achieve a more capacious and enduring version of American freedom. Among the rights he enumerates are the right to a good job, the right to an education, the right to banking and financial services, and the right to a healthy environment.</p><p>Replete with discussions of some of today's most influential policy ideas--from Medicare for All to a federal job guarantee to the Green New Deal--<em>The Ends of Freedom </em>is a timely and urgent call to reclaim the idea of freedom from its captors on the political right--to ground America's next era in the country's progressive history and carve a path toward a more economically dynamic and equitable nation.</p><p>Mark Paul is an assistant professor of economics at the Bloustein School of Planning and Public Policy at Rutgers University.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3052</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9dec1fe-f1ab-11ed-ba24-f774cf24c742]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5784013996.mp3?updated=1683996061" length="0" type="audio/mpeg"/>
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    <item>
      <title>Claire Provost and Matt Kennard, "Silent Coup: How Corporations Overthrew Democracy" (Bloomsbury, 2023)</title>
      <description>As European empires crumbled in the 20th century, the power structures that had dominated the world for centuries were up for renegotiation. Yet instead of a rebirth for democracy, what emerged was a silent coup – namely, the unstoppable rise of global corporate power.
Exposing the origins of this epic power grab as well as its present-day consequences, Silent Coup: How Corporations Overthrew Democracy (Bloomsbury, 2023) by Claire Provost &amp; Matt Kennard is the result of two investigative journalist's reports from 30 countries around the world. It provides an explosive guide to the rise of a corporate empire that now dictates how resources are allocated, how territories are governed, and how justice is defined.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Claire Provost</itunes:subtitle>
      <itunes:summary>As European empires crumbled in the 20th century, the power structures that had dominated the world for centuries were up for renegotiation. Yet instead of a rebirth for democracy, what emerged was a silent coup – namely, the unstoppable rise of global corporate power.
Exposing the origins of this epic power grab as well as its present-day consequences, Silent Coup: How Corporations Overthrew Democracy (Bloomsbury, 2023) by Claire Provost &amp; Matt Kennard is the result of two investigative journalist's reports from 30 countries around the world. It provides an explosive guide to the rise of a corporate empire that now dictates how resources are allocated, how territories are governed, and how justice is defined.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As European empires crumbled in the 20th century, the power structures that had dominated the world for centuries were up for renegotiation. Yet instead of a rebirth for democracy, what emerged was a silent coup – namely, the unstoppable rise of global corporate power.</p><p>Exposing the origins of this epic power grab as well as its present-day consequences, <a href="https://bookshop.org/a/12343/9781350269989"><em>Silent Coup: How Corporations Overthrew Democracy</em></a><em> </em>(Bloomsbury, 2023) by Claire Provost &amp; Matt Kennard is the result of two investigative journalist's reports from 30 countries around the world. It provides an explosive guide to the rise of a corporate empire that now dictates how resources are allocated, how territories are governed, and how justice is defined.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[573bfc06-f19d-11ed-9f4f-0fb22ac46d9f]]></guid>
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    </item>
    <item>
      <title>Ailton Krenak, "Life Is Not Useful" (Polity Press, 2023)</title>
      <description>Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization’ in Life is not Useful  (Polity, 2023), which is translated by Jamille Pinheiro Dias &amp; Alex Brostoff. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity’s place on this Earth. For many centuries, Brazil’s Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities. 
At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak’s clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal’ is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized’ world insists on giving life a purpose but life is not ‘useful’ and ‘civilization’ is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth.
﻿Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jamille Pinheiro Dias and Alex Brostoff</itunes:subtitle>
      <itunes:summary>Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization’ in Life is not Useful  (Polity, 2023), which is translated by Jamille Pinheiro Dias &amp; Alex Brostoff. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity’s place on this Earth. For many centuries, Brazil’s Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities. 
At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak’s clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal’ is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized’ world insists on giving life a purpose but life is not ‘useful’ and ‘civilization’ is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth.
﻿Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Indigenous thinker and leader, Ailton Krenak, exposes the destructive tendencies of our ‘civilization’ in <a href="https://www.politybooks.com/bookdetail?book_slug=life-is-not-useful--9781509554041"><em>Life is not Useful</em>  (Polity, 2023)</a>, which is translated by <a href="https://www.jamillepinheirodias.com/">Jamille Pinheiro Dias</a> &amp; <a href="https://www.kenyon.edu/directory/alex-brostoff/">Alex Brostoff</a>. The problematic symptoms of our modernity include rampant consumerism, environmental devastation, and a narrow and restricted understanding of humanity’s place on this Earth. For many centuries, Brazil’s Indigenous peoples have bravely faced threats of total annihilation and, in extremely adverse conditions, have reinvented their lives and communities. </p><p>At a time when the COVID-19 pandemic has forced the rest of the world to reconsider its lifestyle, Ailton Krenak’s clear and urgent thinking emerges with newfound impact and offers a vital perspective on the enormous challenges we face today: the ravages of the pandemic and the devastation caused by global warming, to name just two. Krenak questions the value of going back to normal when ‘normal’ is a vision of humanity divorced from nature, actively destroying the planet and digging deep trenches of inequality between peoples and societies. The ‘civilized’ world insists on giving life a purpose but life is not ‘useful’ and ‘civilization’ is not destiny. We must learn to embrace the joy of living life to its fullest, and inhabit the stillness that comes with not always being useful. In the wake of the pandemic, we have an opportunity to create deep and meaningful change in the way we live: this, more than ever, is a time to listen to voices that are one with the body of the Earth.</p><p><em>﻿</em><a href="https://twitter.com/TakeshiMorisato"><em>Takeshi Morisato</em></a><em> is philosopher and sometimes academic. He is the editor of the </em><a href="https://ejjp-journal.org/"><em>European Journal of Japanese Philosophy</em></a><em>. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3180</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ma Vang, "History on the Run: Secrecy, Fugitivity, and Hmong Refugee Epistemologies" (Duke UP, 2021)</title>
      <description>In this episode we discuss how secrecy structures both official knowledge and refugee epistemologies about militarism and forced migration as found in Ma Vang’s book History on the Run: Secrecy, Fugitivity, and Hmong Refugee Epistemologies (Duke University Press, 2021).
During its secret war in Laos (1961–1975), the United States recruited proxy soldiers among the Hmong people. Following the war, many of these Hmong soldiers migrated to the United States with refugee status. In History on the Run Ma Vang examines the experiences of Hmong refugees in the United States to theorize refugee histories and secrecy, in particular those of the Hmong. Vang conceptualizes these histories as fugitive histories, as they move and are carried by people who move. Charting the incomplete archives of the war made secret through redacted US state documents, ethnography, film, and literature, Vang shows how Hmong refugees tell their stories in ways that exist separately from narratives of U.S. empire and that cannot be traditionally archived. In so doing, Vang outlines a methodology for writing histories that foreground refugee epistemologies despite systematic attempts to silence those histories.
How do we engage with the elusiveness of histories that are systematically kept secret? How does centering the refugee’s story and refusals complicate and create histories on the run? Find out in our conversation!.
Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 14 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ma Vang</itunes:subtitle>
      <itunes:summary>In this episode we discuss how secrecy structures both official knowledge and refugee epistemologies about militarism and forced migration as found in Ma Vang’s book History on the Run: Secrecy, Fugitivity, and Hmong Refugee Epistemologies (Duke University Press, 2021).
During its secret war in Laos (1961–1975), the United States recruited proxy soldiers among the Hmong people. Following the war, many of these Hmong soldiers migrated to the United States with refugee status. In History on the Run Ma Vang examines the experiences of Hmong refugees in the United States to theorize refugee histories and secrecy, in particular those of the Hmong. Vang conceptualizes these histories as fugitive histories, as they move and are carried by people who move. Charting the incomplete archives of the war made secret through redacted US state documents, ethnography, film, and literature, Vang shows how Hmong refugees tell their stories in ways that exist separately from narratives of U.S. empire and that cannot be traditionally archived. In so doing, Vang outlines a methodology for writing histories that foreground refugee epistemologies despite systematic attempts to silence those histories.
How do we engage with the elusiveness of histories that are systematically kept secret? How does centering the refugee’s story and refusals complicate and create histories on the run? Find out in our conversation!.
Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode we discuss how secrecy structures both official knowledge and refugee epistemologies about militarism and forced migration as found in Ma Vang’s book <a href="https://bookshop.org/a/12343/9781478011316"><em>History on the Run: Secrecy, Fugitivity, and Hmong Refugee Epistemologies</em> </a>(Duke University Press, 2021).</p><p>During its secret war in Laos (1961–1975), the United States recruited proxy soldiers among the Hmong people. Following the war, many of these Hmong soldiers migrated to the United States with refugee status. In <em>History on the Run</em> Ma Vang examines the experiences of Hmong refugees in the United States to theorize refugee histories and secrecy, in particular those of the Hmong. Vang conceptualizes these histories as fugitive histories, as they move and are carried by people who move. Charting the incomplete archives of the war made secret through redacted US state documents, ethnography, film, and literature, Vang shows how Hmong refugees tell their stories in ways that exist separately from narratives of U.S. empire and that cannot be traditionally archived. In so doing, Vang outlines a methodology for writing histories that foreground refugee epistemologies despite systematic attempts to silence those histories.</p><p>How do we engage with the elusiveness of histories that are systematically kept secret? How does centering the refugee’s story and refusals complicate and create histories on the run? Find out in our conversation!.</p><p><a href="https://www.donnadanderson.com/"><em>Donna Doan Anderson</em></a><em> (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3343</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9cc45680-ef70-11ed-aeee-033ed1ec45da]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5294601358.mp3?updated=1683750493" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Atkinson and Helen W. Kennedy, "Secret Cinema and the Immersive Experience Industry" (Manchester UP, 2022)</title>
      <description>What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 13 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>378</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Atkinson and Helen W. Kennedy</itunes:subtitle>
      <itunes:summary>What is the future of media? In Secret Cinema and the Immersive Experience Industry (Manchester UP, 2022), Sarah Atkinson, a Professor of Screen Media at Kings College London, and Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham, explore the rise of immersive experiences using the detailed case study of Secret Cinema. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as Back To The Future, Casino Royale, and Stranger Things, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of media? In <a href="https://bookshop.org/a/12343/9781526140173"><em>Secret Cinema and the Immersive Experience Industry</em></a><em> </em>(Manchester UP, 2022)<em>,</em> <a href="https://www.kcl.ac.uk/people/sarah-atkinson">Sarah Atkinson, a Professor of Screen Media at Kings College London</a>, and <a href="https://www.nottingham.ac.uk/clas/departments/culturalmediaandvisualstudies/people/helen.kennedy">Helen W Kennedy, Professor of Creative and Cultural Industries, at the University of Nottingham</a>, explore the rise of immersive experiences using the detailed case study of <a href="https://www.secretcinema.com/en_GB">Secret Cinema</a>. The book offers both a rich and extensive history of Secret Cinema, as well as analysis of the evolution of key trends in media production and consumption more generally. The book covers the key performances, including mainstream hits such as <em>Back To The Future</em>,<em> Casino Royale</em>, and <em>Stranger Things</em>, as well as the companies evolution and smaller projects. As live experiences and media industries evolve in the post-pandemic era, the book will be essential reading across media and cultural studies, as well as across humanities and social sciences, and for anyone interested in the future of media and live performance industries.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2957</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[303a894e-ef48-11ed-8357-b7fd8db6351b]]></guid>
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    </item>
    <item>
      <title>Sharon Hecker and Raffaele Bedarida, "Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today" (Bloomsbury, 2022)</title>
      <description>On the centenary of the fascist party's ascent to power in Italy, Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. 
Curating Fascism treats fascism as both a historical moment and a major paradigm through which critics, curators, and the public at large have defined the present moment. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. 
Sharon Hecker and Raffaele Bedarida speak to Pierre d'Alancaisez about the role which post-war exhibitions played in shaping our understandings of Italian Modernist art's relationship with Fascism, their contested curatorial and art historical strategies, and the continuing difficulty of reading political signs in aesthetics. 


Post Zang Tumb Tuuum at Fondazione Prada

Maaza Mengiste's Project 3541


On 'fascism' in contemporary art: Larne Abse Gogarty. ‘The Art Right’. Art Monthly, April 2017. Read and weep.
Sharon Hecker is an art historian and curator specializing in modern and contemporary Italian art. She is the author of A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, and co-editor of Postwar Italian Art History: Untying the Knot and Lead in Modern and Contemporary Art . For her work on Italian art, Hecker has received fellowships from the Getty, Fulbright, and Mellon Foundations.
Raffaele Bedarida is Associate Professor of Art History at Cooper Union, USA. An art historian specializing in transnational modernism and politics, Bedarida focuses on cultural diplomacy, migration, and cultural exchange between Italy and the United States. He is the author of Corrado Cagli: La pittura, l’esilio, L’America and Exhibiting Italian Art in the United States from Futurism to Arte Povera. Bedarida has received fellowships from the Center for Italian Modern Art and the Terra Foundation for American Art.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 13 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sharon Hecker and Raffaele Bedarida</itunes:subtitle>
      <itunes:summary>On the centenary of the fascist party's ascent to power in Italy, Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. 
Curating Fascism treats fascism as both a historical moment and a major paradigm through which critics, curators, and the public at large have defined the present moment. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. 
Sharon Hecker and Raffaele Bedarida speak to Pierre d'Alancaisez about the role which post-war exhibitions played in shaping our understandings of Italian Modernist art's relationship with Fascism, their contested curatorial and art historical strategies, and the continuing difficulty of reading political signs in aesthetics. 


Post Zang Tumb Tuuum at Fondazione Prada

Maaza Mengiste's Project 3541


On 'fascism' in contemporary art: Larne Abse Gogarty. ‘The Art Right’. Art Monthly, April 2017. Read and weep.
Sharon Hecker is an art historian and curator specializing in modern and contemporary Italian art. She is the author of A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, and co-editor of Postwar Italian Art History: Untying the Knot and Lead in Modern and Contemporary Art . For her work on Italian art, Hecker has received fellowships from the Getty, Fulbright, and Mellon Foundations.
Raffaele Bedarida is Associate Professor of Art History at Cooper Union, USA. An art historian specializing in transnational modernism and politics, Bedarida focuses on cultural diplomacy, migration, and cultural exchange between Italy and the United States. He is the author of Corrado Cagli: La pittura, l’esilio, L’America and Exhibiting Italian Art in the United States from Futurism to Arte Povera. Bedarida has received fellowships from the Center for Italian Modern Art and the Terra Foundation for American Art.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the centenary of the fascist party's ascent to power in Italy, <a href="https://bookshop.org/a/12343/9781350229457"><em>Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today</em></a><em> </em>(Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian <em>ventennio</em>. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. </p><p><em>Curating Fascism</em> treats fascism as both a historical moment and a major paradigm through which critics, curators, and the public at large have defined the present moment. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. </p><p>Sharon Hecker and Raffaele Bedarida speak to Pierre d'Alancaisez about the role which post-war exhibitions played in shaping our understandings of Italian Modernist art's relationship with Fascism, their contested curatorial and art historical strategies, and the continuing difficulty of reading political signs in aesthetics. </p><ul>
<li>
<a href="https://www.fondazioneprada.org/project/post-zang-tumb-tuuum-art-life-politics-italia-1918-1943/?lang=en">Post Zang Tumb Tuuum</a> at Fondazione Prada</li>
<li>Maaza Mengiste's <a href="https://www.project3541.com/">Project 3541</a>
</li>
</ul><p>On 'fascism' in contemporary art: Larne Abse Gogarty. ‘The Art Right’. <em>Art Monthly</em>, April 2017. Read and weep.</p><p><a href="https://sharonhecker.com/">Sharon Hecker</a> is an art historian and curator specializing in modern and contemporary Italian art. She is the author of <em>A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture</em>, and co-editor of <em>Postwar Italian Art History: Untying the Knot</em> and <em>Lead in Modern and Contemporary Art</em> . For her work on Italian art, Hecker has received fellowships from the Getty, Fulbright, and Mellon Foundations.</p><p><a href="https://cooper.edu/academics/people/raffaele-bedarida">Raffaele Bedarida</a> is Associate Professor of Art History at Cooper Union, USA. An art historian specializing in transnational modernism and politics, Bedarida focuses on cultural diplomacy, migration, and cultural exchange between Italy and the United States. He is the author of <em>Corrado Cagli: La pittura, l’esilio, L’America</em> and <em>Exhibiting Italian Art in the United States from Futurism to Arte Povera</em>. Bedarida has received fellowships from the Center for Italian Modern Art and the Terra Foundation for American Art.</p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3679</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6357c5b6-eea4-11ed-952a-0354fa012703]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3426243959.mp3?updated=1683662926" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Global Asia</title>
      <description>Cheryl Narumi Naruse talks about the transformation of Singapore over the past decades into a site of postcolonial promise, with economic prosperity and cultural soft power. She discusses a range of texts ranging from official state documents to the immensely popular book and movie adaptation of Crazy Rich Asians, which bear witness to and contribute to this change.
Cheryl Narumi Naruse (nah-roo-seh) is Assistant Professor of English and the Andrew W. Mellon Assistant Professor of the Humanities at Tulane University. Her research and teaching interests include contemporary Anglophone literatures and cultures (particularly those from Southeast Asia and the Pacific Islands), diasporic Asian and Asian American literature, postcolonial theory, cultures of capitalism, and genre studies. Her first book, Becoming Global Asia: Contemporary Genres of Postcolonial Capitalism in Singapore is forthcoming from University of California Press in 2023. She is also working on a second monograph which explores the illegibility of Singapore/Malaysia—as the comparatively “cold” Southeast nations in the context of the Vietnam War—in Asian American and postcolonial studies. 
Image: © 2023 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 May 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/12d061c4-f107-11ed-ab32-87e8f1cf46e2/image/e0a243.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Cheryl Narumi Naruse</itunes:subtitle>
      <itunes:summary>Cheryl Narumi Naruse talks about the transformation of Singapore over the past decades into a site of postcolonial promise, with economic prosperity and cultural soft power. She discusses a range of texts ranging from official state documents to the immensely popular book and movie adaptation of Crazy Rich Asians, which bear witness to and contribute to this change.
Cheryl Narumi Naruse (nah-roo-seh) is Assistant Professor of English and the Andrew W. Mellon Assistant Professor of the Humanities at Tulane University. Her research and teaching interests include contemporary Anglophone literatures and cultures (particularly those from Southeast Asia and the Pacific Islands), diasporic Asian and Asian American literature, postcolonial theory, cultures of capitalism, and genre studies. Her first book, Becoming Global Asia: Contemporary Genres of Postcolonial Capitalism in Singapore is forthcoming from University of California Press in 2023. She is also working on a second monograph which explores the illegibility of Singapore/Malaysia—as the comparatively “cold” Southeast nations in the context of the Vietnam War—in Asian American and postcolonial studies. 
Image: © 2023 Saronik Bosu
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cheryl Narumi Naruse talks about the transformation of Singapore over the past decades into a site of postcolonial promise, with economic prosperity and cultural soft power. She discusses a range of texts ranging from official state documents to the immensely popular book and movie adaptation of <em>Crazy Rich Asians</em>, which bear witness to and contribute to this change.</p><p><a href="https://liberalarts.tulane.edu/departments/english/people/faculty-staff/cheryl-naruse">Cheryl Narumi Naruse</a> (nah-roo-seh) is Assistant Professor of English and the Andrew W. Mellon Assistant Professor of the Humanities at Tulane University. Her research and teaching interests include contemporary Anglophone literatures and cultures (particularly those from Southeast Asia and the Pacific Islands), diasporic Asian and Asian American literature, postcolonial theory, cultures of capitalism, and genre studies. Her first book, <a href="https://nam11.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.ucpress.edu%2Fbook%2F9780520396661%2Fbecoming-global-asia&amp;data=05%7C01%7Camccullough1%40tulane.edu%7Cb327a32976fe48c0f52208db40735dfd%7C9de9818325d94b139fc34de5489c1f3b%7C0%7C0%7C638174636460684503%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=WxjPKnLUlQASJFJxXtniiSHAzS918VM5jw44oR6fXAI%3D&amp;reserved=0"><em>Becoming Global Asia: Contemporary Genres of Postcolonial Capitalism in Singapore</em></a> is forthcoming from University of California Press in 2023. She is also working on a second monograph which explores the illegibility of Singapore/Malaysia—as the comparatively “cold” Southeast nations in the context of the Vietnam War—in Asian American and postcolonial studies. </p><p>Image: © 2023 Saronik Bosu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jacqueline Mondros and Joan Minieri, "Organizing for Power and Empowerment: The Fight for Democracy" (Columbia UP, 2023)</title>
      <description>Jacqueline Mondros and Joan Minieri's book Organizing for Power and Empowerment: The Fight for Democracy (Columbia UP, 2023) draws on extensive research to portray how social-action organizations have evolved over the past twenty-five years, building power in the struggle for social and economic justice. It explores how organizers increasingly target corporate influence and attacks on democracy. Their strategies and theories of change confront racial, gender, and economic inequity and fight pervasive intersectional injustice. The book tells the stories of a variety of geographically and racially diverse organizations and features the voices and experiences of more than forty organizers working across a range of issues. The organizers describe campaigns that activate people around issues that matter in their daily lives--work schedules, bail reform, schools, voting, and affordable housing--and connect them to broader topics such as racial justice, immigration, climate change, criminal justice, and workers' rights. They share their thoughts on building community organizations and empowering ordinary citizens to become leaders. 
The book underscores the leadership of Black Americans, other people of color, women, and LGBTQ+ people as they lead campaigns to address the disparate effects of inequality faced by their communities. It provides detailed analysis of new organizational structures and change strategies, including electoral activism, statewide organizing, and community-labor coalitions. This book sheds important new light on foundational organizing practices and the challenges and opportunities for progressive social action today.
Stephen Pimpare is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jacqueline Mondros and Joan Minieri</itunes:subtitle>
      <itunes:summary>Jacqueline Mondros and Joan Minieri's book Organizing for Power and Empowerment: The Fight for Democracy (Columbia UP, 2023) draws on extensive research to portray how social-action organizations have evolved over the past twenty-five years, building power in the struggle for social and economic justice. It explores how organizers increasingly target corporate influence and attacks on democracy. Their strategies and theories of change confront racial, gender, and economic inequity and fight pervasive intersectional injustice. The book tells the stories of a variety of geographically and racially diverse organizations and features the voices and experiences of more than forty organizers working across a range of issues. The organizers describe campaigns that activate people around issues that matter in their daily lives--work schedules, bail reform, schools, voting, and affordable housing--and connect them to broader topics such as racial justice, immigration, climate change, criminal justice, and workers' rights. They share their thoughts on building community organizations and empowering ordinary citizens to become leaders. 
The book underscores the leadership of Black Americans, other people of color, women, and LGBTQ+ people as they lead campaigns to address the disparate effects of inequality faced by their communities. It provides detailed analysis of new organizational structures and change strategies, including electoral activism, statewide organizing, and community-labor coalitions. This book sheds important new light on foundational organizing practices and the challenges and opportunities for progressive social action today.
Stephen Pimpare is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jacqueline Mondros and Joan Minieri's book <a href="https://bookshop.org/a/12343/9780231189453"><em>Organizing for Power and Empowerment: The Fight for Democracy</em></a> (Columbia UP, 2023) draws on extensive research to portray how social-action organizations have evolved over the past twenty-five years, building power in the struggle for social and economic justice. It explores how organizers increasingly target corporate influence and attacks on democracy. Their strategies and theories of change confront racial, gender, and economic inequity and fight pervasive intersectional injustice. The book tells the stories of a variety of geographically and racially diverse organizations and features the voices and experiences of more than forty organizers working across a range of issues. The organizers describe campaigns that activate people around issues that matter in their daily lives--work schedules, bail reform, schools, voting, and affordable housing--and connect them to broader topics such as racial justice, immigration, climate change, criminal justice, and workers' rights. They share their thoughts on building community organizations and empowering ordinary citizens to become leaders. </p><p>The book underscores the leadership of Black Americans, other people of color, women, and LGBTQ+ people as they lead campaigns to address the disparate effects of inequality faced by their communities. It provides detailed analysis of new organizational structures and change strategies, including electoral activism, statewide organizing, and community-labor coalitions. This book sheds important new light on foundational organizing practices and the challenges and opportunities for progressive social action today.</p><p><a href="https://www.linkedin.com/in/stephenpimpare/"><em>Stephen Pimpare</em></a><em> is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1945</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eed0c6be-edd8-11ed-aba9-230ef7401e21]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2609046369.mp3?updated=1683627120" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laurie Parsons, "Carbon Colonialism: How Rich Countries Export Climate Breakdown" (Manchester UP, 2023)</title>
      <description>Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book Carbon Colonialism: How Rich Countries Export Climate Breakdown (Manchester UP, 2023) opens our eyes. 
Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Outsourcing climate breakdown explores the murky practices of exporting a country's environmental impact. A world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is notonly a technical problem, but a problem of cultural and political systems and structures - from nationalism to economic logic - deeply embedded in our society.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laurie Parsons</itunes:subtitle>
      <itunes:summary>Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book Carbon Colonialism: How Rich Countries Export Climate Breakdown (Manchester UP, 2023) opens our eyes. 
Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Outsourcing climate breakdown explores the murky practices of exporting a country's environmental impact. A world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is notonly a technical problem, but a problem of cultural and political systems and structures - from nationalism to economic logic - deeply embedded in our society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Climate change is devastating the planet, and globalisation is hiding it. Laurie Parsons's book <a href="https://bookshop.org/a/12343/9781526169181"><em>Carbon Colonialism: How Rich Countries Export Climate Breakdown</em></a> (Manchester UP, 2023) opens our eyes. </p><p>Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world's most vulnerable communities. Are we being deceived? Outsourcing climate breakdown explores the murky practices of exporting a country's environmental impact. A world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world's poorest countries continue to expand and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is notonly a technical problem, but a problem of cultural and political systems and structures - from nationalism to economic logic - deeply embedded in our society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[68eda41a-ec2d-11ed-8d1b-e7a568b4a364]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7717912312.mp3?updated=1683392860" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carceral Capitalism</title>
      <description>Conor Rose reads from Jackie Wang's Carceral Capitalism. This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash.
In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible.
Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/fbeaa43c-eb4e-11ed-84f3-3b7cbb8c9978/image/_collid_books_covers_0_isbn_9781635900026_type__bee3l.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A reading by Conor Rose</itunes:subtitle>
      <itunes:summary>Conor Rose reads from Jackie Wang's Carceral Capitalism. This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash.
In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on RoboCop, techno-policing, and the aesthetic problem of making invisible forms of power legible.
Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Conor Rose reads from Jackie Wang's <a href="https://bookshop.org/a/12343/9781635900026"><em>Carceral Capitalism</em></a><em>.</em> This extract, taken from the opening of the book, offers insight into the Black Lives Matter movement as well as new forms of predatory policing, informed by the 2008 financial crash.</p><p>In this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, "Against Innocence," as well as essays on <em>RoboCop</em>, techno-policing, and the aesthetic problem of making invisible forms of power legible.</p><p>Wang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1449</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/0546a12d-001b-588f-83f4-5d62104826b9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5371055414.mp3?updated=1677005962" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elisabeth B. Armstrong, "Bury the Corpse of Colonialism: The Revolutionary Feminist Conference of 1949" (U California Press, 2023)</title>
      <description>In 1949, women from across the world traveled to Beijing for the Asian Women’s Conference to discuss how to combat the dual threats of colonial rule and a new post-war global imperialism. These activists developed a groundbreaking political strategy, which assigned different roles to women living in colonial nations and those still colonized, arguing that both had a part to place in creating a more just global peace. 
In Bury the Corpse of Colonialism: The Revolutionary Feminist Conference of 1949 (University of California Press, 2023), Elisabeth Armstrong looks more closely at the lives of the women who attended the conference. Their backgrounds in anticolonial struggles helped shape the work of the umbrella organization—the Women’s International Democratic Federation—that supported the convening. The book profiles a range of women from Indonesia, Vietnam, the United States, France, India, Iraq, and China among others, who had been involved in armed revolution, antifascist resistance, and leftist party politics worldwide. In the preparations and travel that led to the conference they butted heads, but also built lasting friendships with each other through their activism. Their collective efforts helped create a framework for internationalist solidarity for women’s emancipation in a world structured through militarism, capitalism, patriarchy, and the seeming impossibility of justice.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 08 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elisabeth B. Armstrong</itunes:subtitle>
      <itunes:summary>In 1949, women from across the world traveled to Beijing for the Asian Women’s Conference to discuss how to combat the dual threats of colonial rule and a new post-war global imperialism. These activists developed a groundbreaking political strategy, which assigned different roles to women living in colonial nations and those still colonized, arguing that both had a part to place in creating a more just global peace. 
In Bury the Corpse of Colonialism: The Revolutionary Feminist Conference of 1949 (University of California Press, 2023), Elisabeth Armstrong looks more closely at the lives of the women who attended the conference. Their backgrounds in anticolonial struggles helped shape the work of the umbrella organization—the Women’s International Democratic Federation—that supported the convening. The book profiles a range of women from Indonesia, Vietnam, the United States, France, India, Iraq, and China among others, who had been involved in armed revolution, antifascist resistance, and leftist party politics worldwide. In the preparations and travel that led to the conference they butted heads, but also built lasting friendships with each other through their activism. Their collective efforts helped create a framework for internationalist solidarity for women’s emancipation in a world structured through militarism, capitalism, patriarchy, and the seeming impossibility of justice.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1949, women from across the world traveled to Beijing for the Asian Women’s Conference to discuss how to combat the dual threats of colonial rule and a new post-war global imperialism. These activists developed a groundbreaking political strategy, which assigned different roles to women living in colonial nations and those still colonized, arguing that both had a part to place in creating a more just global peace. </p><p>In <a href="https://bookshop.org/a/12343/9780520390904"><em>Bury the Corpse of Colonialism: The Revolutionary Feminist Conference of 1949</em></a> (University of California Press, 2023), Elisabeth Armstrong looks more closely at the lives of the women who attended the conference. Their backgrounds in anticolonial struggles helped shape the work of the umbrella organization—the Women’s International Democratic Federation—that supported the convening. The book profiles a range of women from Indonesia, Vietnam, the United States, France, India, Iraq, and China among others, who had been involved in armed revolution, antifascist resistance, and leftist party politics worldwide. In the preparations and travel that led to the conference they butted heads, but also built lasting friendships with each other through their activism. Their collective efforts helped create a framework for internationalist solidarity for women’s emancipation in a world structured through militarism, capitalism, patriarchy, and the seeming impossibility of justice.</p><p><a href="https://twitter.com/rcturk"><em>Rebecca Turkington</em></a><em> is a PhD Candidate in History at Cambridge University studying transnational women’s networks.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3165</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8599606562.mp3?updated=1682963172" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daron Acemoglu and Simon Johnson, "Power and Progress: Our Thousand-Year Struggle Over Technology and Prosperity" (PublicAffairs, 2023)</title>
      <description>Power and Progress: Our Thousand-Year Struggle Over Technology and Prosperity (PublicAffairs, 2023) is a groundbreaking work by bestselling authors Daron Acemoglu and Simon Johnson, in which they challenge conventional wisdom about the role of technology in driving prosperity. The authors argue that technology is not a neutral force working in the public interest but is shaped by the interests and beliefs of the powerful. Those who control technology are the ones who benefit from it, leaving the rest of society with the illusion of progress.
The authors provide a historical account of how technological choices have shaped the course of history, from the appropriation of the economic surplus of the Middle Ages by an ecclesiastical elite to the making of vast fortunes from digital technologies today, while millions of people are pushed towards poverty. The authors emphasize that technological progress can either serve the narrow interests of an elite or become the foundation for widespread prosperity.
The book presents a manifesto for building a better society by using the tremendous digital advances of the last half century to create useful and empowering tools, rather than marginalizing most people through automated work and political passivity. The authors argue that to achieve the true potential of innovation, we need to ensure that technology is creating new jobs and opportunities for everyone. The book offers a vision to reimagine and reshape the path of technology, ensuring that it leads to true shared prosperity.
Power and Progress offers a fresh perspective on how technology shapes our lives and highlights the need for a more democratic approach to technological progress. The book provides a compelling argument that the path of technology is not predetermined but can be brought under control to ensure that it benefits everyone, not just a few powerful individuals or corporations. The authors provide an insightful analysis of the power dynamics that underlie technological progress, and their manifesto for a better society is a call to action for policymakers, business leaders, and individuals alike.
Javier Mejia is an economist at Stanford University who specializes in the intersection of social networks and economic history. His research interests also include entrepreneurship and political economy, with a particular focus on Latin America and the Middle East. He holds a Ph.D. in Economics from Los Andes University. Mejia has previously been a Postdoctoral Associate and Lecturer at New York University-Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is also a frequent contributor to various news outlets, currently serving as an op-ed columnist for Forbes Magazine.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 07 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simon Johnson</itunes:subtitle>
      <itunes:summary>Power and Progress: Our Thousand-Year Struggle Over Technology and Prosperity (PublicAffairs, 2023) is a groundbreaking work by bestselling authors Daron Acemoglu and Simon Johnson, in which they challenge conventional wisdom about the role of technology in driving prosperity. The authors argue that technology is not a neutral force working in the public interest but is shaped by the interests and beliefs of the powerful. Those who control technology are the ones who benefit from it, leaving the rest of society with the illusion of progress.
The authors provide a historical account of how technological choices have shaped the course of history, from the appropriation of the economic surplus of the Middle Ages by an ecclesiastical elite to the making of vast fortunes from digital technologies today, while millions of people are pushed towards poverty. The authors emphasize that technological progress can either serve the narrow interests of an elite or become the foundation for widespread prosperity.
The book presents a manifesto for building a better society by using the tremendous digital advances of the last half century to create useful and empowering tools, rather than marginalizing most people through automated work and political passivity. The authors argue that to achieve the true potential of innovation, we need to ensure that technology is creating new jobs and opportunities for everyone. The book offers a vision to reimagine and reshape the path of technology, ensuring that it leads to true shared prosperity.
Power and Progress offers a fresh perspective on how technology shapes our lives and highlights the need for a more democratic approach to technological progress. The book provides a compelling argument that the path of technology is not predetermined but can be brought under control to ensure that it benefits everyone, not just a few powerful individuals or corporations. The authors provide an insightful analysis of the power dynamics that underlie technological progress, and their manifesto for a better society is a call to action for policymakers, business leaders, and individuals alike.
Javier Mejia is an economist at Stanford University who specializes in the intersection of social networks and economic history. His research interests also include entrepreneurship and political economy, with a particular focus on Latin America and the Middle East. He holds a Ph.D. in Economics from Los Andes University. Mejia has previously been a Postdoctoral Associate and Lecturer at New York University-Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is also a frequent contributor to various news outlets, currently serving as an op-ed columnist for Forbes Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781541702530"><em>Power and Progress: Our Thousand-Year Struggle Over Technology and Prosperity</em></a> (PublicAffairs, 2023) is a groundbreaking work by bestselling authors Daron Acemoglu and Simon Johnson, in which they challenge conventional wisdom about the role of technology in driving prosperity. The authors argue that technology is not a neutral force working in the public interest but is shaped by the interests and beliefs of the powerful. Those who control technology are the ones who benefit from it, leaving the rest of society with the illusion of progress.</p><p>The authors provide a historical account of how technological choices have shaped the course of history, from the appropriation of the economic surplus of the Middle Ages by an ecclesiastical elite to the making of vast fortunes from digital technologies today, while millions of people are pushed towards poverty. The authors emphasize that technological progress can either serve the narrow interests of an elite or become the foundation for widespread prosperity.</p><p>The book presents a manifesto for building a better society by using the tremendous digital advances of the last half century to create useful and empowering tools, rather than marginalizing most people through automated work and political passivity. The authors argue that to achieve the true potential of innovation, we need to ensure that technology is creating new jobs and opportunities for everyone. The book offers a vision to reimagine and reshape the path of technology, ensuring that it leads to true shared prosperity.</p><p><em>Power and Progress</em> offers a fresh perspective on how technology shapes our lives and highlights the need for a more democratic approach to technological progress. The book provides a compelling argument that the path of technology is not predetermined but can be brought under control to ensure that it benefits everyone, not just a few powerful individuals or corporations. The authors provide an insightful analysis of the power dynamics that underlie technological progress, and their manifesto for a better society is a call to action for policymakers, business leaders, and individuals alike.</p><p><em>Javier Mejia is an economist at Stanford University who specializes in the intersection of social networks and economic history. His research interests also include entrepreneurship and political economy, with a particular focus on Latin America and the Middle East. He holds a Ph.D. in Economics from Los Andes University. Mejia has previously been a Postdoctoral Associate and Lecturer at New York University-Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is also a frequent contributor to various news outlets, currently serving as an op-ed columnist for Forbes Magazine.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2613</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[99f12c72-e772-11ed-a1e1-534ba5695f69]]></guid>
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    <item>
      <title>Sarrah Kassem, "Work and Alienation in the Platform Economy: Amazon and the Power of Organization" (Bristol UP, 2023)</title>
      <description>How have platforms transforming the world of work? In Work and Alienation in the Platform Economy: Amazon and the Power of Organisation (Bristol UP, 2023), Sarrah Kassem, a Lecturer and Research Associate in the field of Political Economy at the Institute of Political Science at the University of Tübingen, uses a case study of Amazon to explore issues of alienation and resistance in contemporary working life. The book adapts and develops key Marxist inspired theories to chart the rise of the platforms, and Amazon’s role within this set of both digital and physical industries. Examining warehouses, MTurk, and the broader gig economy, the book offers strategies for resistance and solidarity as well as detailed analysis. It will be essential reading across the social sciences, as well as for anyone interested in work and labour today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 06 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>377</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarrah Kassem</itunes:subtitle>
      <itunes:summary>How have platforms transforming the world of work? In Work and Alienation in the Platform Economy: Amazon and the Power of Organisation (Bristol UP, 2023), Sarrah Kassem, a Lecturer and Research Associate in the field of Political Economy at the Institute of Political Science at the University of Tübingen, uses a case study of Amazon to explore issues of alienation and resistance in contemporary working life. The book adapts and develops key Marxist inspired theories to chart the rise of the platforms, and Amazon’s role within this set of both digital and physical industries. Examining warehouses, MTurk, and the broader gig economy, the book offers strategies for resistance and solidarity as well as detailed analysis. It will be essential reading across the social sciences, as well as for anyone interested in work and labour today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How have platforms transforming the world of work? In <a href="https://bookshop.org/a/12343/9781529226546"><em>Work and Alienation in the Platform Economy: Amazon and the Power of Organisation</em></a> (Bristol UP, 2023), <a href="https://twitter.com/kassemsarrah">Sarrah Kassem</a>, a <a href="https://uni-tuebingen.de/en/faculties/faculty-of-economics-and-social-sciences/subjects/department-of-social-sciences/political-science/institute/people/political-economy-professor-bieling/staff/sarrah-kassem/">Lecturer and Research Associate in the field of Political Economy at the Institute of Political Science at the University of Tübingen</a>, uses a case study of Amazon to explore issues of alienation and resistance in contemporary working life. The book adapts and develops key Marxist inspired theories to chart the rise of the platforms, and Amazon’s role within this set of both digital and physical industries. Examining warehouses, MTurk, and the broader gig economy, the book offers strategies for resistance and solidarity as well as detailed analysis. It will be essential reading across the social sciences, as well as for anyone interested in work and labour today.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2811</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sita Balani, "Deadly and Slick: Sexual Modernity and the Making of Race" (Verso, 2023)</title>
      <description>If race is increasingly understood to be socially constructed, why does it continue to seem like a physiological reality? In Deadly and Slick: Sexual Modernity and the Making of Race (Verso, 2023), Sita Balani argues that the trickery of race comes down to how it is embedded in everyday life through the domain we take to be most intimate and essential: sexuality. Modernity inaugurates a new political subject made legible as an individual through the nuclear family, sexual adventure and the pursuit of romantic love. By examining the regulation of sexual life at Britain's borders, in colonial India, and through the functioning of the welfare state, marriage laws, education, and counterterrorism, Balani reveals that sexuality has become fatally intertwined with the making of race.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 May 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>376</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sita Balani</itunes:subtitle>
      <itunes:summary>If race is increasingly understood to be socially constructed, why does it continue to seem like a physiological reality? In Deadly and Slick: Sexual Modernity and the Making of Race (Verso, 2023), Sita Balani argues that the trickery of race comes down to how it is embedded in everyday life through the domain we take to be most intimate and essential: sexuality. Modernity inaugurates a new political subject made legible as an individual through the nuclear family, sexual adventure and the pursuit of romantic love. By examining the regulation of sexual life at Britain's borders, in colonial India, and through the functioning of the welfare state, marriage laws, education, and counterterrorism, Balani reveals that sexuality has become fatally intertwined with the making of race.
Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If race is increasingly understood to be socially constructed, why does it continue to seem like a physiological reality? In <a href="https://bookshop.org/a/12343/9781839761027"><em>Deadly and Slick: Sexual Modernity and the Making of Race</em></a><em> </em>(Verso, 2023), Sita Balani argues that the trickery of race comes down to how it is embedded in everyday life through the domain we take to be most intimate and essential: sexuality. Modernity inaugurates a new political subject made legible as an individual through the nuclear family, sexual adventure and the pursuit of romantic love. By examining the regulation of sexual life at Britain's borders, in colonial India, and through the functioning of the welfare state, marriage laws, education, and counterterrorism, Balani reveals that sexuality has become fatally intertwined with the making of race.</p><p><em>Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2901</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bf7a2f80-e780-11ed-bf8b-03266e174e14]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1675999649.mp3?updated=1682878235" length="0" type="audio/mpeg"/>
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    <item>
      <title>Eva Haifa Giraud, "What Comes After Entanglement?: Activism, Anthropocentrism, and an Ethics of Exclusion" (Duke UP, 2019)</title>
      <description>By foregrounding the ways that human existence is bound together with the lives of other entities, contemporary cultural theorists have sought to move beyond an anthropocentric worldview. Yet as Eva Haifa Giraud contends in What Comes After Entanglement?: Activism, Anthropocentrism, and an Ethics of Exclusion (Duke UP, 2019), for all their conceptual power in implicating humans in ecologically damaging practices, these theories can undermine scope for political action. Drawing inspiration from activist projects between the 1980s and the present that range from anticapitalist media experiments and vegan food activism to social media campaigns against animal research, Giraud explores possibilities for action while fleshing out the tensions between theory and practice. Rather than an activist ethics based solely on relationality and entanglement, Giraud calls for what she describes as an ethics of exclusion, which would attend to the entities, practices, and ways of being that are foreclosed when other entangled realities are realized. Such an ethics of exclusion emphasizes foreclosures in the context of human entanglement in order to foster the conditions for people to create meaningful political change.
Dr Eva Haifa Giraud (@evahaifa_) is Senior Lecturer in Digital Media &amp; Society in the Department of Sociological Studies, University of Sheffield. Her latest book is Veganism: Politics, Practice and Theory(Bloomsbury Academic, 2021).
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email, Mastodon or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>375</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eva Haifa Giraud</itunes:subtitle>
      <itunes:summary>By foregrounding the ways that human existence is bound together with the lives of other entities, contemporary cultural theorists have sought to move beyond an anthropocentric worldview. Yet as Eva Haifa Giraud contends in What Comes After Entanglement?: Activism, Anthropocentrism, and an Ethics of Exclusion (Duke UP, 2019), for all their conceptual power in implicating humans in ecologically damaging practices, these theories can undermine scope for political action. Drawing inspiration from activist projects between the 1980s and the present that range from anticapitalist media experiments and vegan food activism to social media campaigns against animal research, Giraud explores possibilities for action while fleshing out the tensions between theory and practice. Rather than an activist ethics based solely on relationality and entanglement, Giraud calls for what she describes as an ethics of exclusion, which would attend to the entities, practices, and ways of being that are foreclosed when other entangled realities are realized. Such an ethics of exclusion emphasizes foreclosures in the context of human entanglement in order to foster the conditions for people to create meaningful political change.
Dr Eva Haifa Giraud (@evahaifa_) is Senior Lecturer in Digital Media &amp; Society in the Department of Sociological Studies, University of Sheffield. Her latest book is Veganism: Politics, Practice and Theory(Bloomsbury Academic, 2021).
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email, Mastodon or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By foregrounding the ways that human existence is bound together with the lives of other entities, contemporary cultural theorists have sought to move beyond an anthropocentric worldview. Yet as Eva Haifa Giraud contends in <a href="https://bookshop.org/a/12343/9781478006251"><em>What Comes After Entanglement?: Activism, Anthropocentrism, and an Ethics of Exclusion</em></a> (Duke UP, 2019), for all their conceptual power in implicating humans in ecologically damaging practices, these theories can undermine scope for political action. Drawing inspiration from activist projects between the 1980s and the present that range from anticapitalist media experiments and vegan food activism to social media campaigns against animal research, Giraud explores possibilities for action while fleshing out the tensions between theory and practice. Rather than an activist ethics based solely on relationality and entanglement, Giraud calls for what she describes as an ethics of exclusion, which would attend to the entities, practices, and ways of being that are foreclosed when other entangled realities are realized. Such an ethics of exclusion emphasizes foreclosures in the context of human entanglement in order to foster the conditions for people to create meaningful political change.</p><p><a href="https://www.sheffield.ac.uk/socstudies/people/academic-staff/eva-haifa-giraud">Dr Eva Haifa Giraud</a> <a href="https://twitter.com/evahaifa_">(@evahaifa_</a>) is Senior Lecturer in Digital Media &amp; Society in the Department of Sociological Studies, University of Sheffield. Her latest book is <em>Veganism: Politics, Practice and Theory</em>(Bloomsbury Academic, 2021).</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold/"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by </em><a href="mailto:cgold@ucl.ac.uk"><em>email</em></a><em>, </em><a href="https://mastodon.social/@catrionagold"><em>Mastodon</em></a> <em>or </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2302</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Reece Jones, "White Borders: The History of Race and Immigration in the United States from Chinese Exclusion to the Border Wall" (Beacon Press, 2021)</title>
      <description>Recent racist anti-immigration policies, from the border wall to the Muslim ban, have left many Americans wondering: How did we get here? In White Borders: The History of Race and Immigration in the United States from Chinese Exclusion to the Border Wall (Beacon Press, 2021), Dr. Reece Jones reveals the painful answer: although the US is often mythologized as a nation of immigrants, it has a long history of immigration restrictions that are rooted in the racist fear of the “great replacement” of whites with non-white newcomers. After the arrival of the first slave ship in 1619, the colonies that became the United States were based on the dual foundation of open immigration for whites from Northern Europe and the racial exclusion of slaves from Africa, Native Americans, and, eventually, immigrants from other parts of the world.
Jones' scholarship shines through his extensive research of the United States’ racist and xenophobic underbelly. He connects past and present to uncover the link between the Chinese Exclusion laws of the 1880s, the “Keep America American” nativism of the 1920s, and the “Build the Wall” chants initiated by former president Donald Trump in 2016. Along the way, we meet a bizarre cast of anti-immigration characters, such as John Tanton, Cordelia Scaife May, and Stephen Miller, who pushed fringe ideas about “white genocide” and “race suicide” into mainstream political discourse. Through gripping stories and in-depth analysis of major immigration cases, Jones explores the connections between anti-immigration hate groups and the Republican Party. What is laid bare after his examination is not just the intersection between white supremacy and anti-immigration bias but also the lasting impacts this perfect storm of hatred has had on United States law.
Nicole Trujillo-Pagán is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>221</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Reece Jones</itunes:subtitle>
      <itunes:summary>Recent racist anti-immigration policies, from the border wall to the Muslim ban, have left many Americans wondering: How did we get here? In White Borders: The History of Race and Immigration in the United States from Chinese Exclusion to the Border Wall (Beacon Press, 2021), Dr. Reece Jones reveals the painful answer: although the US is often mythologized as a nation of immigrants, it has a long history of immigration restrictions that are rooted in the racist fear of the “great replacement” of whites with non-white newcomers. After the arrival of the first slave ship in 1619, the colonies that became the United States were based on the dual foundation of open immigration for whites from Northern Europe and the racial exclusion of slaves from Africa, Native Americans, and, eventually, immigrants from other parts of the world.
Jones' scholarship shines through his extensive research of the United States’ racist and xenophobic underbelly. He connects past and present to uncover the link between the Chinese Exclusion laws of the 1880s, the “Keep America American” nativism of the 1920s, and the “Build the Wall” chants initiated by former president Donald Trump in 2016. Along the way, we meet a bizarre cast of anti-immigration characters, such as John Tanton, Cordelia Scaife May, and Stephen Miller, who pushed fringe ideas about “white genocide” and “race suicide” into mainstream political discourse. Through gripping stories and in-depth analysis of major immigration cases, Jones explores the connections between anti-immigration hate groups and the Republican Party. What is laid bare after his examination is not just the intersection between white supremacy and anti-immigration bias but also the lasting impacts this perfect storm of hatred has had on United States law.
Nicole Trujillo-Pagán is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Recent racist anti-immigration policies, from the border wall to the Muslim ban, have left many Americans wondering: How did we get here? In<em> </em><a href="https://bookshop.org/a/12343/9780807054062"><em>White Borders: The History of Race and Immigration in the United States from Chinese Exclusion to the Border Wall</em></a> (Beacon Press, 2021), <a href="http://www2.hawaii.edu/~reecej/">Dr. Reece Jones</a> reveals the painful answer: although the US is often mythologized as a nation of immigrants, it has a long history of immigration restrictions that are rooted in the racist fear of the “great replacement” of whites with non-white newcomers. After the arrival of the first slave ship in 1619, the colonies that became the United States were based on the dual foundation of open immigration for whites from Northern Europe and the racial exclusion of slaves from Africa, Native Americans, and, eventually, immigrants from other parts of the world.</p><p>Jones' scholarship shines through his extensive research of the United States’ racist and xenophobic underbelly. He connects past and present to uncover the link between the Chinese Exclusion laws of the 1880s, the “Keep America American” nativism of the 1920s, and the “Build the Wall” chants initiated by former president Donald Trump in 2016. Along the way, we meet a bizarre cast of anti-immigration characters, such as John Tanton, Cordelia Scaife May, and Stephen Miller, who pushed fringe ideas about “white genocide” and “race suicide” into mainstream political discourse. Through gripping stories and in-depth analysis of major immigration cases, Jones explores the connections between anti-immigration hate groups and the Republican Party. What is laid bare after his examination is not just the intersection between white supremacy and anti-immigration bias but also the lasting impacts this perfect storm of hatred has had on United States law.</p><p><a href="https://www.linkedin.com/in/nicole-trujillo-pagan/"><em>Nicole Trujillo-Pagán</em></a><em> is a sociologist and Associate Professor at Wayne State University who studies race, the Latina/o/x population, and socio-spatial mobility. You can follow her on Twitter @BorderStruggles.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3538</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5504a404-e6aa-11ed-81d2-cfe7a12282de]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5149262150.mp3?updated=1682785909" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cedric Johnson, "After Black Lives Matter:  Policing and Anti-Capitalist Struggle" (Verso, 2023)</title>
      <description>The historic uprising in the wake of the murder of George Floyd transformed the way Americans and the world think about race and policing. Why did it achieve so little in the way of substantive reforms? After Black Lives Matter: Policing and Anti-Capitalist Struggle (Verso, 2023) argues that the failure to leave an institutional residue was not simply due to the mercurial and reactive character of the protests. Rather, the core of the movement itself failed to locate the central racial injustice that underpins the crisis of policing: socio-economic inequality.
For Johnson, the anti-capitalist and downwardly redistributive politics expressed by different Black Lives Matter elements has too often been drowned out in the flood of black wealth creation, fetishism of Jim Crow black entrepreneurship, corporate diversity initiatives, and a quixotic reparations demand. None of these political tendencies addresses the fundamental problem underlying mass incarceration. That is the turn from welfare to domestic warfare as the chief means of regulating the excluded and oppressed. Johnson sees the way forward in building popular democratic power to advance public works and public goods. Rather than abolishing police, After Black Lives Matter argues for abolishing the conditions of alienation and exploitation contemporary policing exists to manage.
Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>382</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cedric Johnson</itunes:subtitle>
      <itunes:summary>The historic uprising in the wake of the murder of George Floyd transformed the way Americans and the world think about race and policing. Why did it achieve so little in the way of substantive reforms? After Black Lives Matter: Policing and Anti-Capitalist Struggle (Verso, 2023) argues that the failure to leave an institutional residue was not simply due to the mercurial and reactive character of the protests. Rather, the core of the movement itself failed to locate the central racial injustice that underpins the crisis of policing: socio-economic inequality.
For Johnson, the anti-capitalist and downwardly redistributive politics expressed by different Black Lives Matter elements has too often been drowned out in the flood of black wealth creation, fetishism of Jim Crow black entrepreneurship, corporate diversity initiatives, and a quixotic reparations demand. None of these political tendencies addresses the fundamental problem underlying mass incarceration. That is the turn from welfare to domestic warfare as the chief means of regulating the excluded and oppressed. Johnson sees the way forward in building popular democratic power to advance public works and public goods. Rather than abolishing police, After Black Lives Matter argues for abolishing the conditions of alienation and exploitation contemporary policing exists to manage.
Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The historic uprising in the wake of the murder of George Floyd transformed the way Americans and the world think about race and policing. Why did it achieve so little in the way of substantive reforms? <a href="https://bookshop.org/a/12343/9781804291672"><em>After Black Lives Matter: Policing and Anti-Capitalist Struggle</em></a> (Verso, 2023) argues that the failure to leave an institutional residue was not simply due to the mercurial and reactive character of the protests. Rather, the core of the movement itself failed to locate the central racial injustice that underpins the crisis of policing: socio-economic inequality.</p><p>For Johnson, the anti-capitalist and downwardly redistributive politics expressed by different Black Lives Matter elements has too often been drowned out in the flood of black wealth creation, fetishism of Jim Crow black entrepreneurship, corporate diversity initiatives, and a quixotic reparations demand. None of these political tendencies addresses the fundamental problem underlying mass incarceration. That is the turn from welfare to domestic warfare as the chief means of regulating the excluded and oppressed. Johnson sees the way forward in building popular democratic power to advance public works and public goods. Rather than abolishing police, <em>After Black Lives Matter</em> argues for abolishing the conditions of alienation and exploitation contemporary policing exists to manage.</p><p><em>Omari Averette-Phillips is a graduate student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3960</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Semiotext(e): The Theory Press</title>
      <description>Best known for its introduction of French theory to American readers, Semiotext(e) has been one of America's most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession. 
In this interview Chris Kraus and Hedi El Kholti, who run Semitext(e) alongside Sylvère Lotringer, discuss the history of the press. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9ef9fb3a-e9d5-11ed-b380-57ffc8f1334a/image/WEBHOMEPAGE2-011.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Chris Kraus and Hedi El Kholti</itunes:subtitle>
      <itunes:summary>Best known for its introduction of French theory to American readers, Semiotext(e) has been one of America's most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession. 
In this interview Chris Kraus and Hedi El Kholti, who run Semitext(e) alongside Sylvère Lotringer, discuss the history of the press. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Best known for its introduction of French theory to American readers, <a href="https://mitpress.mit.edu/books/distribution/semiotexte">Semiotext(e)</a> has been one of America's most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession. </p><p>In this interview <a href="https://mitpress.mit.edu/contributors/chris-kraus">Chris Kraus</a> and <a href="https://mitpress.mit.edu/contributors/hedi-el-kholti">Hedi El Kholti</a>, who run Semitext(e) alongside Sylvère Lotringer, discuss the history of the press. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2760</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[mitpress.podbean.com/d46d7fda-3193-572b-bac5-40eddc924980]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3424083591.mp3?updated=1677004968" length="0" type="audio/mpeg"/>
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    <item>
      <title>Philip Ewell, "On Music Theory, and Making Music More Welcoming for Everyone" (U Michigan Press, 2023)</title>
      <description>On Music Theory and Making Music More Welcoming for Everyone (University of Michigan Press, 2023) by Philip Ewell is an unflinching look at white supremacy and the academy, specifically in the discipline of music theory, although Ewell’s insights and arguments can apply just as well to all music studies and most, if not all, other academic fields. Using meticulous research and his own experiences, Ewell documents the results of music theory’s white racial frame. He shows how the power traditionally wielded by white, cisgender men in academia is supported by the methodologies, the pedagogy, and the very music that most music specialists study, perform, and teach, and how this white racial frame makes it difficult for anyone else to feel comfortable, much less succeed in the field. Ultimately, the book brings attention to the myriad ways that people are excluded, denigrated, and marginalized by deeply entrenched beliefs, analytical methods, and systems in music theory. Ewell reminds readers that there is a difference between diversity work and antiracism, and how important it is to recognize when “solutions” are actually supporting the very racial injustices they purport to reform. Although the problem is too complex for easy answers, Ewell ends the book with some strategies to begin to subvert music’s white racial frame and make “music more welcoming for everyone.”
﻿Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip Ewell</itunes:subtitle>
      <itunes:summary>On Music Theory and Making Music More Welcoming for Everyone (University of Michigan Press, 2023) by Philip Ewell is an unflinching look at white supremacy and the academy, specifically in the discipline of music theory, although Ewell’s insights and arguments can apply just as well to all music studies and most, if not all, other academic fields. Using meticulous research and his own experiences, Ewell documents the results of music theory’s white racial frame. He shows how the power traditionally wielded by white, cisgender men in academia is supported by the methodologies, the pedagogy, and the very music that most music specialists study, perform, and teach, and how this white racial frame makes it difficult for anyone else to feel comfortable, much less succeed in the field. Ultimately, the book brings attention to the myriad ways that people are excluded, denigrated, and marginalized by deeply entrenched beliefs, analytical methods, and systems in music theory. Ewell reminds readers that there is a difference between diversity work and antiracism, and how important it is to recognize when “solutions” are actually supporting the very racial injustices they purport to reform. Although the problem is too complex for easy answers, Ewell ends the book with some strategies to begin to subvert music’s white racial frame and make “music more welcoming for everyone.”
﻿Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780472075027"><em>On Music Theory and Making Music More Welcoming for Everyone</em></a><em> </em>(University of Michigan Press, 2023) by Philip Ewell is an unflinching look at white supremacy and the academy, specifically in the discipline of music theory, although Ewell’s insights and arguments can apply just as well to all music studies and most, if not all, other academic fields. Using meticulous research and his own experiences, Ewell documents the results of music theory’s white racial frame. He shows how the power traditionally wielded by white, cisgender men in academia is supported by the methodologies, the pedagogy, and the very music that most music specialists study, perform, and teach, and how this white racial frame makes it difficult for anyone else to feel comfortable, much less succeed in the field. Ultimately, the book brings attention to the myriad ways that people are excluded, denigrated, and marginalized by deeply entrenched beliefs, analytical methods, and systems in music theory. Ewell reminds readers that there is a difference between diversity work and antiracism, and how important it is to recognize when “solutions” are actually supporting the very racial injustices they purport to reform. Although the problem is too complex for easy answers, Ewell ends the book with some strategies to begin to subvert music’s white racial frame and make “music more welcoming for everyone.”</p><p><em>﻿</em><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3571</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3763825112.mp3?updated=1682715106" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jo Littler, "Left Feminisms: Conversations on the Personal and Political" (Lawrence Wishart, 2023)</title>
      <description>What is the history and future of feminism? In Left Feminisms: Conversations on the Personal and Political (Lawrence Wishart, 2023), Jo Littler, Professor of Social Analysis and Cultural Politics at City, University of London, collects almost a decade of interviews with key thinkers in contemporary feminism. United by a shared left feminist perspective, interviewees including Nancy Fraser, Akwugo Emejulu, Sheila Rowbotham, Hilary Wainwright, Wendy Brown and Angela McRobbie, reflect on their work and thought in conversations that cover politics and praxis as much as theoretical interventions and academic work. The book also engages with earlier career feminists, such as Finn Mackay and Sophia Siddiqui, alongside those focused on feminism in the global south, such as Veronica Gago. Showing the breadth of left feminism, as well as the themes and ideas that unite a genuinely diverse range of interviewees, the book is essential reading across arts, humanities, and social sciences, as well as for anyone interested in the key issue of gender in contemporary society.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>374</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jo Littler</itunes:subtitle>
      <itunes:summary>What is the history and future of feminism? In Left Feminisms: Conversations on the Personal and Political (Lawrence Wishart, 2023), Jo Littler, Professor of Social Analysis and Cultural Politics at City, University of London, collects almost a decade of interviews with key thinkers in contemporary feminism. United by a shared left feminist perspective, interviewees including Nancy Fraser, Akwugo Emejulu, Sheila Rowbotham, Hilary Wainwright, Wendy Brown and Angela McRobbie, reflect on their work and thought in conversations that cover politics and praxis as much as theoretical interventions and academic work. The book also engages with earlier career feminists, such as Finn Mackay and Sophia Siddiqui, alongside those focused on feminism in the global south, such as Veronica Gago. Showing the breadth of left feminism, as well as the themes and ideas that unite a genuinely diverse range of interviewees, the book is essential reading across arts, humanities, and social sciences, as well as for anyone interested in the key issue of gender in contemporary society.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the history and future of feminism? In <a href="https://lwbooks.co.uk/product/left-feminisms"><em>Left Feminisms: Conversations on the Personal and Political</em></a> (Lawrence Wishart, 2023), <a href="https://twitter.com/littler_jo">Jo Littler,</a> <a href="https://www.city.ac.uk/about/people/academics/jo-littler">Professor of Social Analysis and Cultural Politics at City, University of London</a>, collects almost a decade of interviews with key thinkers in contemporary feminism. United by a shared left feminist perspective, interviewees including Nancy Fraser, Akwugo Emejulu, Sheila Rowbotham, Hilary Wainwright, Wendy Brown and Angela McRobbie, reflect on their work and thought in conversations that cover politics and praxis as much as theoretical interventions and academic work. The book also engages with earlier career feminists, such as Finn Mackay and Sophia Siddiqui, alongside those focused on feminism in the global south, such as Veronica Gago. Showing the breadth of left feminism, as well as the themes and ideas that unite a genuinely diverse range of interviewees, the book is essential reading across arts, humanities, and social sciences, as well as for anyone interested in the key issue of gender in contemporary society.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2098</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>K. N. Sunandan, "Caste, Knowledge, and Power: Ways of Knowing in Twentieth Century Malabar" (Cambridge UP, 2022)</title>
      <description>Caste, Knowledge, and Power: Ways of Knowing in Twentieth-Century Malabar (Cambridge UP, 2023) investigates the transformations of caste practices in twentieth century India and the role of knowledge in this transformation and in the continuing of these oppressive practices. The author situates the domination and subordination in the domain of knowledge production in India not just in the emergence of colonial modernity but in the formation of colonial–Brahminical modernity. It engages less with the marginalization of the oppressed castes in the modern institutions of knowledge production which has already been discussed widely in the scholarship. Rather, the author focuses on how the modern colonial–Brahminical concept of knowledge invalidated many other forms of knowing practices and how historically caste domination transformed from the claims of superiority in acharam (ritual hierarchy) to the claims of superiority in possession of knowledge.
K. N. Sunandan is Assistant Professor at Azim Premji University, Bangalore. His areas of interest are history of caste, history of knowledge production, colonialism and knowledge, and history and sociology of science.
Sanjukta Poddar (she/her/hers) is Assistant Professor in Modern South Asian Studies at Leiden University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 30 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with K. N. Sunandan</itunes:subtitle>
      <itunes:summary>Caste, Knowledge, and Power: Ways of Knowing in Twentieth-Century Malabar (Cambridge UP, 2023) investigates the transformations of caste practices in twentieth century India and the role of knowledge in this transformation and in the continuing of these oppressive practices. The author situates the domination and subordination in the domain of knowledge production in India not just in the emergence of colonial modernity but in the formation of colonial–Brahminical modernity. It engages less with the marginalization of the oppressed castes in the modern institutions of knowledge production which has already been discussed widely in the scholarship. Rather, the author focuses on how the modern colonial–Brahminical concept of knowledge invalidated many other forms of knowing practices and how historically caste domination transformed from the claims of superiority in acharam (ritual hierarchy) to the claims of superiority in possession of knowledge.
K. N. Sunandan is Assistant Professor at Azim Premji University, Bangalore. His areas of interest are history of caste, history of knowledge production, colonialism and knowledge, and history and sociology of science.
Sanjukta Poddar (she/her/hers) is Assistant Professor in Modern South Asian Studies at Leiden University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781009273121"><em>Caste, Knowledge, and Power: Ways of Knowing in Twentieth-Century Malabar</em></a><em> </em>(Cambridge UP, 2023) investigates the transformations of caste practices in twentieth century India and the role of knowledge in this transformation and in the continuing of these oppressive practices. The author situates the domination and subordination in the domain of knowledge production in India not just in the emergence of colonial modernity but in the formation of colonial–Brahminical modernity. It engages less with the marginalization of the oppressed castes in the modern institutions of knowledge production which has already been discussed widely in the scholarship. Rather, the author focuses on how the modern colonial–Brahminical concept of knowledge invalidated many other forms of knowing practices and how historically caste domination transformed from the claims of superiority in acharam (ritual hierarchy) to the claims of superiority in possession of knowledge.</p><p>K. N. Sunandan is Assistant Professor at Azim Premji University, Bangalore. His areas of interest are history of caste, history of knowledge production, colonialism and knowledge, and history and sociology of science.</p><p><a href="https://www.universiteitleiden.nl/en/staffmembers/sanjukta-poddar#tab-1"><em>Sanjukta Poddar</em></a><em> (she/her/hers) is Assistant Professor in Modern South Asian Studies at Leiden University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)</title>
      <description>In Uncommon Sense: Aesthetics after Marcuse (MIT Press, 2022), Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse, an original member of the Frankfurt School and icon of the New Left, while also acknowledging his philosophical limits. This account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with anti-capitalist activism.
Craig Leonard speaks to Pierre d’Alancaisez about anti-art, habit, the practice of defamiliarisation, a subversion of common sense. Leonard brings forward Marcuse’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism.
Craig Leonard‘s research and teaching interests include artist publications, sound art, performance and sculpture. His recent exhibitions include Central Art Garage (Ottawa), Darling Green (New York) and Double Happiness (Toronto). He is associate professor of art at NSCAD.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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      <pubDate>Sat, 29 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Craig Leonard</itunes:subtitle>
      <itunes:summary>In Uncommon Sense: Aesthetics after Marcuse (MIT Press, 2022), Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse, an original member of the Frankfurt School and icon of the New Left, while also acknowledging his philosophical limits. This account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with anti-capitalist activism.
Craig Leonard speaks to Pierre d’Alancaisez about anti-art, habit, the practice of defamiliarisation, a subversion of common sense. Leonard brings forward Marcuse’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism.
Craig Leonard‘s research and teaching interests include artist publications, sound art, performance and sculpture. His recent exhibitions include Central Art Garage (Ottawa), Darling Green (New York) and Double Happiness (Toronto). He is associate professor of art at NSCAD.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780262544467"><em>Uncommon Sense: Aesthetics after Marcuse</em></a><em> </em>(MIT Press, 2022), Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse, an original member of the Frankfurt School and icon of the New Left, while also acknowledging his philosophical limits. This account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with anti-capitalist activism.</p><p>Craig Leonard speaks to Pierre d’Alancaisez about anti-art, habit, the practice of defamiliarisation, a subversion of common sense. Leonard brings forward Marcuse’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism.</p><p><a href="http://craigleonard.xyz/">Craig Leonard</a>‘s research and teaching interests include artist publications, sound art, performance and sculpture. His recent exhibitions include Central Art Garage (Ottawa), Darling Green (New York) and Double Happiness (Toronto). He is associate professor of art at NSCAD.</p><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3293</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Macs Smith, "Paris and the Parasite: Noise, Health, and Politics in the Media City" (MIT Press, 2021)</title>
      <description>The social consequences of anti-parasitic urbanism, as efforts to expunge supposedly biological parasites penalize those viewed as social parasites. According to French philosopher Michel Serres, ordered systems are founded on the pathologization of parasites, which can never be fully expelled. 
In Paris and the Parasite: Noise, Health, and Politics in the Media City (MIT Press, 2021), Macs Smith extends Serres's approach to Paris as a mediatic city, asking what organisms, people, and forms of interference constitute its parasites. Drawing on French poststructuralist theory and philosophy, media theory, the philosophy of science, and an array of literary and cultural sources, he examines Paris and its parasites from the early nineteenth century to today, focusing on the contemporary city. In so doing, he reveals the social consequences of anti-parasitic urbanism.
Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 29 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Macs Smith</itunes:subtitle>
      <itunes:summary>The social consequences of anti-parasitic urbanism, as efforts to expunge supposedly biological parasites penalize those viewed as social parasites. According to French philosopher Michel Serres, ordered systems are founded on the pathologization of parasites, which can never be fully expelled. 
In Paris and the Parasite: Noise, Health, and Politics in the Media City (MIT Press, 2021), Macs Smith extends Serres's approach to Paris as a mediatic city, asking what organisms, people, and forms of interference constitute its parasites. Drawing on French poststructuralist theory and philosophy, media theory, the philosophy of science, and an array of literary and cultural sources, he examines Paris and its parasites from the early nineteenth century to today, focusing on the contemporary city. In so doing, he reveals the social consequences of anti-parasitic urbanism.
Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The social consequences of anti-parasitic urbanism, as efforts to expunge supposedly biological parasites penalize those viewed as social parasites. According to French philosopher Michel Serres, ordered systems are founded on the pathologization of parasites, which can never be fully expelled. </p><p>In <a href="https://bookshop.org/a/12343/9780262045544"><em>Paris and the Parasite: Noise, Health, and Politics in the Media City</em></a> (MIT Press, 2021), Macs Smith extends Serres's approach to Paris as a mediatic city, asking what organisms, people, and forms of interference constitute its parasites. Drawing on French poststructuralist theory and philosophy, media theory, the philosophy of science, and an array of literary and cultural sources, he examines Paris and its parasites from the early nineteenth century to today, focusing on the contemporary city. In so doing, he reveals the social consequences of anti-parasitic urbanism.</p><p><a href="https://rll.wustl.edu/people/salvador-lopez-rivera"><em>Salvador Lopez Rivera</em></a><em> is a PhD candidate in French language and literature at Washington University in St. Louis.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4032</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ed48afb2-e2e0-11ed-9e07-3f8d58138d8c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8565952388.mp3?updated=1682369590" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Computer Graphics</title>
      <description>In this episode of High Theory, Bernard Dionysius Geoghegan talks with us about computer graphics. Emerging from tools for sailing and warmaking, like sea charts and radar, modern computer graphics are technologies of mapping and managing risk. They seem intent on absorbing the human sensorium into the machine.
In the episode Bernard refers to computer graphics as “techniques of addressing,” a term he attributes to Ranjodh Singh Dhaliwal. He also uses the term “operational images” which comes from the work of Harun Farocki, and talks about SAGE, the US Government’s Cold War era Semi-Automatic Ground Environment Air Defense System. Bernard references Paul Edward’s book A Vast Machine: Computer Models, Climate Data, and the Politics of Global Warming (MIT Press, 2013). He also mentions the German scholar Christoph Borbach who has written on auditory computer interfaces, and American disability studies scholar Mara Mills, who has written on the Deaf history of computing. He was kind enough to give us an extensive bibliography on this topic, which is posted below.
Bernard Dionysius Geoghegan is a reader in the History and Theory of Digital Media at King’s College London. He has a brand new book out on the cybernetic history of French theory, called Code: From Information Theory to French Theory (Duke UP, 2023). Kim met him when he came to give a talk at the Stanford Humanities Center in January 2023. He wore denim and had a slightly manic affect. People came all the way from Berkeley to hear what he had to say, which is quite impressive in the Bay Area.
This week’s image is a radar loop of the December 16 2007 Eastern North America winter storm, found on Wikimedia Commons. The loop runs from Saturday Morning at 7 AM (Dec 15) to Sunday Night at 7 PM (Dec 16). The image is in the public domain because it was made by someone who works for the National Weather Service.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/caff702e-e4f9-11ed-99d9-07856d578220/image/b79aef.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Bernard Dionysius Geoghegan</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Bernard Dionysius Geoghegan talks with us about computer graphics. Emerging from tools for sailing and warmaking, like sea charts and radar, modern computer graphics are technologies of mapping and managing risk. They seem intent on absorbing the human sensorium into the machine.
In the episode Bernard refers to computer graphics as “techniques of addressing,” a term he attributes to Ranjodh Singh Dhaliwal. He also uses the term “operational images” which comes from the work of Harun Farocki, and talks about SAGE, the US Government’s Cold War era Semi-Automatic Ground Environment Air Defense System. Bernard references Paul Edward’s book A Vast Machine: Computer Models, Climate Data, and the Politics of Global Warming (MIT Press, 2013). He also mentions the German scholar Christoph Borbach who has written on auditory computer interfaces, and American disability studies scholar Mara Mills, who has written on the Deaf history of computing. He was kind enough to give us an extensive bibliography on this topic, which is posted below.
Bernard Dionysius Geoghegan is a reader in the History and Theory of Digital Media at King’s College London. He has a brand new book out on the cybernetic history of French theory, called Code: From Information Theory to French Theory (Duke UP, 2023). Kim met him when he came to give a talk at the Stanford Humanities Center in January 2023. He wore denim and had a slightly manic affect. People came all the way from Berkeley to hear what he had to say, which is quite impressive in the Bay Area.
This week’s image is a radar loop of the December 16 2007 Eastern North America winter storm, found on Wikimedia Commons. The loop runs from Saturday Morning at 7 AM (Dec 15) to Sunday Night at 7 PM (Dec 16). The image is in the public domain because it was made by someone who works for the National Weather Service.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Bernard Dionysius Geoghegan talks with us about computer graphics. Emerging from tools for sailing and warmaking, like sea charts and radar, modern computer graphics are technologies of mapping and managing risk. They seem intent on absorbing the human sensorium into the machine.</p><p>In the episode Bernard refers to computer graphics as “techniques of addressing,” a term he attributes to <a href="https://english.nd.edu/people/ranjodh-singh-dhaliwal/">Ranjodh Singh Dhaliwal</a>. He also uses the term “operational images” which comes from the work of <a href="https://operationalimages.cz/">Harun Farocki</a>, and talks about SAGE, the US Government’s Cold War era <a href="https://www.ll.mit.edu/about/history/sage-semi-automatic-ground-environment-air-defense-system">Semi-Automatic Ground Environment Air Defense System</a>. Bernard references Paul Edward’s book <a href="https://mitpress.mit.edu/9780262518635/a-vast-machine/">A Vast Machine: Computer Models, Climate Data, and the Politics of Global Warming</a> (MIT Press, 2013). He also mentions the German scholar Christoph Borbach who has written on <a href="https://interfacecritique.net/journal/borb/">auditory computer interfaces</a>, and American disability studies scholar <a href="http://maramills.org/">Mara Mills</a>, who has written on the Deaf history of computing. He was kind enough to give us an extensive bibliography on this topic, which is posted below.</p><p><a href="http://www.bernardg.com/">Bernard Dionysius Geoghegan</a> is a reader in the History and Theory of Digital Media at <a href="https://www.kcl.ac.uk/people/bernard-geoghegan">King’s College London</a>. He has a brand new book out on the cybernetic history of French theory, called <a href="https://www.dukeupress.edu/code">Code: From Information Theory to French Theory</a> (Duke UP, 2023). Kim met him when he came to give a talk at the Stanford Humanities Center in January 2023. He wore denim and had a slightly manic affect. People came all the way from Berkeley to hear what he had to say, which is quite impressive in the Bay Area.</p><p>This week’s image is a radar loop of the December 16 2007 Eastern North America winter storm, found on <a href="https://commons.wikimedia.org/wiki/File:Radar_loop_Dec_16_storm.gif">Wikimedia Commons</a>. The loop runs from Saturday Morning at 7 AM (Dec 15) to Sunday Night at 7 PM (Dec 16). The image is in the public domain because it was made by someone who works for the National Weather Service.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>977</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[caff702e-e4f9-11ed-99d9-07856d578220]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6450064770.mp3?updated=1682599786" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christina Dunbar-Hester, "Oil Beach: How Toxic Infrastructure Threatens Life in the Ports of Los Angeles and Beyond" (U Chicago Press, 2023)</title>
      <description>How can we stop infrastructure from damaging the planet? In Oil Beach: How Toxic Infrastructure Threatens Life in the Ports of Los Angeles and Beyond (U Chicago Press, 2023), Christina Dunbar-Hester, an associate professor in the University of Southern California’s Annenberg School for Communication, explores the history of the San Pedro Bay area to tell the story of oil’s impact on LA. The book offers a rich and detailed engagement with a variety of case study examples, including wildlife, international trading, conservation, the military, the local and national governments, and the ports of LA and Long Beach. Offering a radical call for transspecies supply chain justice and creaturely sovereignty, the book is essential reading for anyone interested in how to rethink our polluted places and warming world.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>373</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christina Dunbar-Hester</itunes:subtitle>
      <itunes:summary>How can we stop infrastructure from damaging the planet? In Oil Beach: How Toxic Infrastructure Threatens Life in the Ports of Los Angeles and Beyond (U Chicago Press, 2023), Christina Dunbar-Hester, an associate professor in the University of Southern California’s Annenberg School for Communication, explores the history of the San Pedro Bay area to tell the story of oil’s impact on LA. The book offers a rich and detailed engagement with a variety of case study examples, including wildlife, international trading, conservation, the military, the local and national governments, and the ports of LA and Long Beach. Offering a radical call for transspecies supply chain justice and creaturely sovereignty, the book is essential reading for anyone interested in how to rethink our polluted places and warming world.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we stop infrastructure from damaging the planet? In <a href="https://bookshop.org/a/12343/9780226819716"><em>Oil Beach: How Toxic Infrastructure Threatens Life in the Ports of Los Angeles and Beyond</em></a> (U Chicago Press, 2023), <a href="https://twitter.com/scrivenix">Christina Dunbar-Hester</a>, an <a href="https://annenberg.usc.edu/faculty/christina-dunbar-hester">associate professor in the University of Southern California’s Annenberg School for Communication</a>, explores the history of the San Pedro Bay area to tell the story of oil’s impact on LA. The book offers a rich and detailed engagement with a variety of case study examples, including wildlife, international trading, conservation, the military, the local and national governments, and the ports of LA and Long Beach. Offering a radical call for transspecies supply chain justice and creaturely sovereignty, the book is essential reading for anyone interested in how to rethink our polluted places and warming world.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b2070752-e13f-11ed-97a2-0b21a6efd024]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3734627977.mp3?updated=1682190620" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wendy Lynne Lee, "This is Environmental Ethics: An Introduction" (John Wiley &amp; Sons, 2022)</title>
      <description>Wendy Lynne Lee's This is Environmental Ethics: An Introduction (John Wiley &amp; Sons, 2022) provides students and scholars with a comprehensive introduction to the growing field of environmental philosophy and ethics.
Mitigating the effects of climate change will require global cooperation and lasting commitment. Of the many disciplines addressing the ecological crisis, philosophy is perhaps best suited to develop the conceptual foundations of a viable and sustainable environmental ethic. This is Environmental Ethics provides an expansive overview of the key theories underpinning contemporary discussions of our moral responsibilities to non-human nature and living creatures.
Adopting a critical approach, author Wendy Lynne Lee closely examines major moral theories to discern which ethic provides the compass needed to navigate the social, political, and economic challenges of potentially catastrophic environmental transformation, not only, but especially the climate crisis. Lee argues that the ethic ultimately adopted must make the welfare of non-human animals and plant life a priority in our moral decision-making, recognizing that ecological conditions form the existential conditions of all life on the planet. Throughout the text, detailed yet accessible chapters demonstrate why philosophy is relevant and useful in the face of an uncertain environmental future.
This is Environmental Ethics is essential reading for undergraduate students in courses on philosophy, geography, environmental studies, feminist theory, ecology, human and animal rights, and social justice, as well as an excellent graduate-level introduction to the key theories and thinkers of environmental philosophy.
Wendy Lynne Lee is a professor of Philosophy at Bloomsburg University. Lee has published about 45 scholarly essays in her areas of expertise—philosophy of language (particularly later Wittgenstein), philosophy of mind/brain, feminist theory, theory of sexual identity, post-Marxian theory, nonhuman animal welfare, ecological aesthetics, aesthetic phenomenology, and philosophy of ecology. Her previous work includes the book Eco-Nihilism: The Philosophical Geopolitics of the Climate Change Apocalypse (Lexington 2017).
Özlem Yılmaz is a philosopher of science, with a focus on issues related to plant biology.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wendy Lynne Lee</itunes:subtitle>
      <itunes:summary>Wendy Lynne Lee's This is Environmental Ethics: An Introduction (John Wiley &amp; Sons, 2022) provides students and scholars with a comprehensive introduction to the growing field of environmental philosophy and ethics.
Mitigating the effects of climate change will require global cooperation and lasting commitment. Of the many disciplines addressing the ecological crisis, philosophy is perhaps best suited to develop the conceptual foundations of a viable and sustainable environmental ethic. This is Environmental Ethics provides an expansive overview of the key theories underpinning contemporary discussions of our moral responsibilities to non-human nature and living creatures.
Adopting a critical approach, author Wendy Lynne Lee closely examines major moral theories to discern which ethic provides the compass needed to navigate the social, political, and economic challenges of potentially catastrophic environmental transformation, not only, but especially the climate crisis. Lee argues that the ethic ultimately adopted must make the welfare of non-human animals and plant life a priority in our moral decision-making, recognizing that ecological conditions form the existential conditions of all life on the planet. Throughout the text, detailed yet accessible chapters demonstrate why philosophy is relevant and useful in the face of an uncertain environmental future.
This is Environmental Ethics is essential reading for undergraduate students in courses on philosophy, geography, environmental studies, feminist theory, ecology, human and animal rights, and social justice, as well as an excellent graduate-level introduction to the key theories and thinkers of environmental philosophy.
Wendy Lynne Lee is a professor of Philosophy at Bloomsburg University. Lee has published about 45 scholarly essays in her areas of expertise—philosophy of language (particularly later Wittgenstein), philosophy of mind/brain, feminist theory, theory of sexual identity, post-Marxian theory, nonhuman animal welfare, ecological aesthetics, aesthetic phenomenology, and philosophy of ecology. Her previous work includes the book Eco-Nihilism: The Philosophical Geopolitics of the Climate Change Apocalypse (Lexington 2017).
Özlem Yılmaz is a philosopher of science, with a focus on issues related to plant biology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wendy Lynne Lee's <a href="https://www.wiley.com/en-us/This+is+Environmental+Ethics:+An+Introduction-p-9781119122708"><em>This is Environmental Ethics: An Introduction</em></a> (John Wiley &amp; Sons, 2022) provides students and scholars with a comprehensive introduction to the growing field of environmental philosophy and ethics.</p><p>Mitigating the effects of climate change will require global cooperation and lasting commitment. Of the many disciplines addressing the ecological crisis, philosophy is perhaps best suited to develop the conceptual foundations of a viable and sustainable environmental ethic<em>. This is Environmental Ethics </em>provides an expansive overview of the key theories underpinning contemporary discussions of our moral responsibilities to non-human nature and living creatures.</p><p>Adopting a critical approach, author Wendy Lynne Lee closely examines major moral theories to discern which ethic provides the compass needed to navigate the social, political, and economic challenges of potentially catastrophic environmental transformation, not only, but especially the climate crisis. Lee argues that the ethic ultimately adopted must make the welfare of non-human animals and plant life a priority in our moral decision-making, recognizing that ecological conditions form the existential conditions of all life on the planet. Throughout the text, detailed yet accessible chapters demonstrate why philosophy is relevant and useful in the face of an uncertain environmental future.</p><p><em>This is Environmental Ethics </em>is essential reading for undergraduate students in courses on philosophy, geography, environmental studies, feminist theory, ecology, human and animal rights, and social justice, as well as an excellent graduate-level introduction to the key theories and thinkers of environmental philosophy.</p><p><a href="https://www.bloomu.edu/people-directory/wendy-lee">Wendy Lynne Lee</a> is a professor of Philosophy at Bloomsburg University. Lee has published about 45 scholarly essays in her areas of expertise—philosophy of language (particularly later Wittgenstein), philosophy of mind/brain, feminist theory, theory of sexual identity, post-Marxian theory, nonhuman animal welfare, ecological aesthetics, aesthetic phenomenology, and philosophy of ecology. Her previous work includes the book <em>Eco-Nihilism: The Philosophical Geopolitics of the Climate Change Apocalypse</em> (Lexington 2017).</p><p><a href="https://ozlemmyilmaz.wordpress.com/"><em>Özlem Yılmaz</em></a><em> is a philosopher of science, with a focus on issues related to plant biology.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2231</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4874193223.mp3?updated=1682183725" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brett Christophers, "Our Lives in Their Portfolios: Why Asset Managers Own the World" (Verso, 2023)</title>
      <description>Banks have taken a backseat since the global financial crisis over a decade ago. Today, our new financial masters are asset managers, like Blackstone and BlackRock. And they don't just own financial assets. The roads we drive on; the pipes that supply our drinking water; the farmland that provides our food; energy systems for electricity and heat; hospitals, schools, and even the homes in which many of us live-all now swell asset managers' bulging investment portfolios.
As the owners of more and more of the basic building blocks of everyday life, asset managers shape the lives of each and every one of us in profound and disturbing ways. In Our Lives in Their Portfolios: Why Asset Managers Own the World (Verso, 2023)﻿, Brett Christophers peels back the veil on "asset manager society." Asset managers, he shows, are unlike traditional owners of housing and other essential infrastructure. Buying and selling these life-supporting assets at a dizzying pace, the crux of their business model is not long-term investment and careful custodianship but making quick profits for themselves and the investors that back them.
In asset manager society, the natural and built environments that sustain us become one more vehicle for siphoning money from the many to the few.
Brett Christophers is a professor in the Department of Human Geography and the Institute for Housing and Urban Research at Uppsala University in Sweden. His previous books include The New Enclosure: The Appropriation of Public Land in Neoliberal Britain (2019) and Rentier Capitalism: Who Owns the Economy, and Who Pays for It?  (2020). 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brett Christophers</itunes:subtitle>
      <itunes:summary>Banks have taken a backseat since the global financial crisis over a decade ago. Today, our new financial masters are asset managers, like Blackstone and BlackRock. And they don't just own financial assets. The roads we drive on; the pipes that supply our drinking water; the farmland that provides our food; energy systems for electricity and heat; hospitals, schools, and even the homes in which many of us live-all now swell asset managers' bulging investment portfolios.
As the owners of more and more of the basic building blocks of everyday life, asset managers shape the lives of each and every one of us in profound and disturbing ways. In Our Lives in Their Portfolios: Why Asset Managers Own the World (Verso, 2023)﻿, Brett Christophers peels back the veil on "asset manager society." Asset managers, he shows, are unlike traditional owners of housing and other essential infrastructure. Buying and selling these life-supporting assets at a dizzying pace, the crux of their business model is not long-term investment and careful custodianship but making quick profits for themselves and the investors that back them.
In asset manager society, the natural and built environments that sustain us become one more vehicle for siphoning money from the many to the few.
Brett Christophers is a professor in the Department of Human Geography and the Institute for Housing and Urban Research at Uppsala University in Sweden. His previous books include The New Enclosure: The Appropriation of Public Land in Neoliberal Britain (2019) and Rentier Capitalism: Who Owns the Economy, and Who Pays for It?  (2020). 
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Banks have taken a backseat since the global financial crisis over a decade ago. Today, our new financial masters are asset managers, like Blackstone and BlackRock. And they don't just own financial assets. The roads we drive on; the pipes that supply our drinking water; the farmland that provides our food; energy systems for electricity and heat; hospitals, schools, and even the homes in which many of us live-all now swell asset managers' bulging investment portfolios.</p><p>As the owners of more and more of the basic building blocks of everyday life, asset managers shape the lives of each and every one of us in profound and disturbing ways. In <a href="https://bookshop.org/a/12343/9781839768989"><em>Our Lives in Their Portfolios: Why Asset Managers Own the World</em> </a>(Verso, 2023)﻿, Brett Christophers peels back the veil on "asset manager society." Asset managers, he shows, are unlike traditional owners of housing and other essential infrastructure. Buying and selling these life-supporting assets at a dizzying pace, the crux of their business model is not long-term investment and careful custodianship but making quick profits for themselves and the investors that back them.</p><p>In asset manager society, the natural and built environments that sustain us become one more vehicle for siphoning money from the many to the few.</p><p>Brett Christophers is a professor in the Department of Human Geography and the Institute for Housing and Urban Research at Uppsala University in Sweden. His previous books include <em>The New Enclosure: The Appropriation of Public Land in Neoliberal Britain</em> (2019) and <em>Rentier Capitalism: Who Owns the Economy, and Who Pays for It?  </em>(2020). </p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4331</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ba829f62-def2-11ed-968a-0f946eb548d0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3586842907.mp3?updated=1681936998" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Susan Stryker and Dylan McCarthy Blackston, "The Transgender Studies Reader Remix" (Routledge, 2022)</title>
      <description>Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Susan Stryker and Dylan McCarthy Blackston about The Transgender Studies Reader Remix (Routledge, 2023). This is a book that’s as big as it is rich. It brings together 50 previously published articles that track both the history and the current directions in the interdisciplinary field of transgender studies. The reader shows the conversations taking place not only within transgender studies but also between transgender studies and such fields as feminist theory, queer theory, Black studies, history, biopolitics, and the posthumanities. In our conversation, editors Stryker and Blackston gives us a sense of this range and also the crucial issues that inform the creation of the reader itself and the importance of transgender studies as a field. Blackston is an Assistant Professor of Gender, Women’s, and Sexuality Studies in the Department of Interdisciplinary Studies at Appalachian State University. Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona, founding co-editor of TSQ: Transgender Studies Quarterly, founding co-editor of Duke University Press’s ASTERISK book series, and co-editor of Routledge’s two previous transgender studies readers. And here’s our conversation.
Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan Stryker and Dylan McCarthy Blackston</itunes:subtitle>
      <itunes:summary>Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Susan Stryker and Dylan McCarthy Blackston about The Transgender Studies Reader Remix (Routledge, 2023). This is a book that’s as big as it is rich. It brings together 50 previously published articles that track both the history and the current directions in the interdisciplinary field of transgender studies. The reader shows the conversations taking place not only within transgender studies but also between transgender studies and such fields as feminist theory, queer theory, Black studies, history, biopolitics, and the posthumanities. In our conversation, editors Stryker and Blackston gives us a sense of this range and also the crucial issues that inform the creation of the reader itself and the importance of transgender studies as a field. Blackston is an Assistant Professor of Gender, Women’s, and Sexuality Studies in the Department of Interdisciplinary Studies at Appalachian State University. Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona, founding co-editor of TSQ: Transgender Studies Quarterly, founding co-editor of Duke University Press’s ASTERISK book series, and co-editor of Routledge’s two previous transgender studies readers. And here’s our conversation.
Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Susan Stryker and Dylan McCarthy Blackston about <a href="https://bookshop.org/a/12343/9781032062471"><em>The Transgender Studies Reader Remix</em></a> (Routledge, 2023). This is a book that’s as big as it is rich. It brings together 50 previously published articles that track both the history and the current directions in the interdisciplinary field of transgender studies. The reader shows the conversations taking place not only within transgender studies but also between transgender studies and such fields as feminist theory, queer theory, Black studies, history, biopolitics, and the posthumanities. In our conversation, editors Stryker and Blackston gives us a sense of this range and also the crucial issues that inform the creation of the reader itself and the importance of transgender studies as a field. Blackston is an Assistant Professor of Gender, Women’s, and Sexuality Studies in the Department of Interdisciplinary Studies at Appalachian State University. Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona, founding co-editor of <em>TSQ: Transgender Studies Quarterly</em>, founding co-editor of Duke University Press’s ASTERISK book series, and co-editor of Routledge’s two previous transgender studies readers. And here’s our conversation.</p><p><em>Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at </em><a href="mailto:eric@ericlemay.org"><em>eric@ericlemay.org</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5108485202.mp3?updated=1681916550" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kerri Lynn Stone, "Panes of the Glass Ceiling: The Unspoken Beliefs Behind the Law's Failure to Help Women Achieve Professional Parity" (Cambridge UP, 2022)</title>
      <description>More than fifty years of civil rights legislation and movements have not ended employment discrimination. Kerri Lynn Stone's Panes of the Glass Ceiling: The Unspoken Beliefs Behind the Law's Failure to Help Women Achieve Professional Parity (Cambridge UP, 2022) reframes the discourse about the "glass ceiling" that women face with respect to workplace inequality. It explores the unspoken, societally held beliefs that underlie and engender workplace behaviour and failures of the law, policy, and human nature that contribute "panes" and ("pains") to the "glass ceiling." Each chapter identifies an "unspoken belief" and connects it with failures of law, policy, and human nature. It then describes the resulting harm and shows how this belief is not imagined or operating in a vacuum, but is pervasive throughout popular culture and society. By giving voice to previously unvoiced - even taboo - beliefs, we can better address and confront them and the problems they cause.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>224</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kerri Lynn Stone</itunes:subtitle>
      <itunes:summary>More than fifty years of civil rights legislation and movements have not ended employment discrimination. Kerri Lynn Stone's Panes of the Glass Ceiling: The Unspoken Beliefs Behind the Law's Failure to Help Women Achieve Professional Parity (Cambridge UP, 2022) reframes the discourse about the "glass ceiling" that women face with respect to workplace inequality. It explores the unspoken, societally held beliefs that underlie and engender workplace behaviour and failures of the law, policy, and human nature that contribute "panes" and ("pains") to the "glass ceiling." Each chapter identifies an "unspoken belief" and connects it with failures of law, policy, and human nature. It then describes the resulting harm and shows how this belief is not imagined or operating in a vacuum, but is pervasive throughout popular culture and society. By giving voice to previously unvoiced - even taboo - beliefs, we can better address and confront them and the problems they cause.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>More than fifty years of civil rights legislation and movements have not ended employment discrimination. Kerri Lynn Stone's <a href="https://bookshop.org/a/12343/9781108446464"><em>Panes of the Glass Ceiling: The Unspoken Beliefs Behind the Law's Failure to Help Women Achieve Professional Parity</em></a> (Cambridge UP, 2022) reframes the discourse about the "glass ceiling" that women face with respect to workplace inequality. It explores the unspoken, societally held beliefs that underlie and engender workplace behaviour and failures of the law, policy, and human nature that contribute "panes" and ("pains") to the "glass ceiling." Each chapter identifies an "unspoken belief" and connects it with failures of law, policy, and human nature. It then describes the resulting harm and shows how this belief is not imagined or operating in a vacuum, but is pervasive throughout popular culture and society. By giving voice to previously unvoiced - even taboo - beliefs, we can better address and confront them and the problems they cause.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2877</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a1039d94-dbc7-11ed-9044-17e5caed5cb1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1631565151.mp3?updated=1681589061" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Graham Harman, "The Graham Harman Reader" (Zero Books, 2023)</title>
      <description>'Overcoming the war of religion between analytics and continentals with a brand-new metaphysical insight, Graham Harman has restored to philosophy its greatness and value.'
-Maurizio Ferraris, Italian continental philosopher and author of the Manifesto of New Realism
The Graham Harman Reader (Zero Books, 2023) is the essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. The writings in this volume are split into seven chapters. The first concerns Harman's resistance to both downward and upward reductionism. The second chapter contains works that develop the specific fourfold structure of Object-Oriented Ontology. In the third, we find Harman's novel arguments for why causal relations between two entities can only be indirect. The fourth chapter discusses why aesthetics deserves to be called first philosophy. The fifth chapter contains Harman's underrated contributions to ethics and politics, and the sixth deals with epistemology, mind, and science. A concluding seventh chapter contains several previously unpublished writings not available anywhere else. Written in Harman's typical clear and witty style, the Reader is an essential resource for veteran readers of Harman and newcomers alike.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>373</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Graham Harman</itunes:subtitle>
      <itunes:summary>'Overcoming the war of religion between analytics and continentals with a brand-new metaphysical insight, Graham Harman has restored to philosophy its greatness and value.'
-Maurizio Ferraris, Italian continental philosopher and author of the Manifesto of New Realism
The Graham Harman Reader (Zero Books, 2023) is the essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. The writings in this volume are split into seven chapters. The first concerns Harman's resistance to both downward and upward reductionism. The second chapter contains works that develop the specific fourfold structure of Object-Oriented Ontology. In the third, we find Harman's novel arguments for why causal relations between two entities can only be indirect. The fourth chapter discusses why aesthetics deserves to be called first philosophy. The fifth chapter contains Harman's underrated contributions to ethics and politics, and the sixth deals with epistemology, mind, and science. A concluding seventh chapter contains several previously unpublished writings not available anywhere else. Written in Harman's typical clear and witty style, the Reader is an essential resource for veteran readers of Harman and newcomers alike.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>'Overcoming the war of religion between analytics and continentals with a brand-new metaphysical insight, Graham Harman has restored to philosophy its greatness and value.'</p><p>-Maurizio Ferraris, Italian continental philosopher and author of the<em> Manifesto of New Realism</em></p><p><a href="https://bookshop.org/a/12343/9781803412405"><em>The Graham Harman Reader</em></a> (Zero Books, 2023) is the essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. The writings in this volume are split into seven chapters. The first concerns Harman's resistance to both downward and upward reductionism. The second chapter contains works that develop the specific fourfold structure of Object-Oriented Ontology. In the third, we find Harman's novel arguments for why causal relations between two entities can only be indirect. The fourth chapter discusses why aesthetics deserves to be called first philosophy. The fifth chapter contains Harman's underrated contributions to ethics and politics, and the sixth deals with epistemology, mind, and science. A concluding seventh chapter contains several previously unpublished writings not available anywhere else. Written in Harman's typical clear and witty style, the Reader is an essential resource for veteran readers of Harman and newcomers alike.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3503</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8216875375.mp3?updated=1681331704" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cristina Mejia Visperas, "Skin Theory: Visual Culture and the Postwar Prison Laboratory" (NYU, 2022)</title>
      <description>An abolitionist approach to STS and the history of the life sciences: this is the model that Cristina Mejia Visperas offers in her book, Skin Theory: Visual Culture and the Postwar Prison Laboratory (NYU 2022). By now, scientists’ experiments on captive men at Philadelphia’s Holmesburg Prison are well known, thanks to the brave and important testimony of former captive-subjects in books like Allen Hornblum’s Acres of Skin. Building on this documentary work, Visperas turns attention to the prison experiments’ “optical rationality,” the way of seeing images that came out of a space that was simultaneously prison and laboratory. For Visperas, skin is a scientific apparatus and a metaphor for what science makes visible—and what it leaves as a void, namely, the endurance of anti-Black racism in the US, from slavery to mass incarceration. At its core, the book asks “What is the relationship between science and the project of freedom?”—and it hopes towards a reparative bioethics that dismantles scientific racism and the prison nation that it upholds.
This interview was a collaborative effort among Professor Laura Stark and graduate students at Vanderbilt University in the seminar “Critical Bioethics.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cristina Mejia Visperas</itunes:subtitle>
      <itunes:summary>An abolitionist approach to STS and the history of the life sciences: this is the model that Cristina Mejia Visperas offers in her book, Skin Theory: Visual Culture and the Postwar Prison Laboratory (NYU 2022). By now, scientists’ experiments on captive men at Philadelphia’s Holmesburg Prison are well known, thanks to the brave and important testimony of former captive-subjects in books like Allen Hornblum’s Acres of Skin. Building on this documentary work, Visperas turns attention to the prison experiments’ “optical rationality,” the way of seeing images that came out of a space that was simultaneously prison and laboratory. For Visperas, skin is a scientific apparatus and a metaphor for what science makes visible—and what it leaves as a void, namely, the endurance of anti-Black racism in the US, from slavery to mass incarceration. At its core, the book asks “What is the relationship between science and the project of freedom?”—and it hopes towards a reparative bioethics that dismantles scientific racism and the prison nation that it upholds.
This interview was a collaborative effort among Professor Laura Stark and graduate students at Vanderbilt University in the seminar “Critical Bioethics.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An abolitionist approach to STS and the history of the life sciences: this is the model that <a href="https://annenberg.usc.edu/faculty/cristina-m-visperas">Cristina Mejia Visperas</a> offers in her book, <a href="https://bookshop.org/a/12343/9781479810789"><em>Skin Theory: Visual Culture and the Postwar Prison Laboratory</em></a> (NYU 2022). By now, scientists’ experiments on captive men at Philadelphia’s Holmesburg Prison are well known, thanks to the brave and important testimony of former captive-subjects in books like Allen Hornblum’s <em>Acres of Skin</em>. Building on this documentary work, Visperas turns attention to the prison experiments’ “optical rationality,” the way of seeing images that came out of a space that was simultaneously prison and laboratory. For Visperas, skin is a scientific apparatus and a metaphor for what science makes visible—and what it leaves as a void, namely, the endurance of anti-Black racism in the US, from slavery to mass incarceration. At its core, the book asks “What is the relationship between science and the project of freedom?”—and it hopes towards a reparative bioethics that dismantles scientific racism and the prison nation that it upholds.</p><p><em>This interview was a collaborative effort among Professor </em><a href="http://www.laura-stark.com/"><em>Laura Stark</em></a><em> and graduate students at Vanderbilt University in the seminar “Critical Bioethics.” Please email Laura with any feedback on the interview or questions about how to design </em><a href="https://www.researchgate.net/publication/286403980_Can_New_Media_Save_the_Book"><em>collaborative interview projects</em></a><em> for the classroom.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3392</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Simon(e) van Saarloos, "Against Ageism: A Queer Manifesto" (Emily Carr UP, 2023)</title>
      <description>Against Ageism: A Queer Manifesto starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye.
"Age! What is good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society's generational hang-ups as well as visiting, in some more personal moments, their own."
-Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation and Full Surrogacy Now: Feminism Against Family
Simon(e) van Saarloos is the author of Take ‘em Down (Publication Studio Guelph) and Playing Monogamy (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast.
Lani Hanna is a doctoral candidate in Feminist Studies at University of California Santa Cruz. Her dissertation considers the strategies and tactics of queer, transfeminist, and left political counter-institutional archives that operate as community gathering spaces to survive against displacement in gentrifying cities. She lives in Oakland and is a part of the Bay Area Anarchist Bookfair and Interference Archive Collective in Brooklyn.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Against Ageism: A Queer Manifesto starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye.
"Age! What is good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society's generational hang-ups as well as visiting, in some more personal moments, their own."
-Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation and Full Surrogacy Now: Feminism Against Family
Simon(e) van Saarloos is the author of Take ‘em Down (Publication Studio Guelph) and Playing Monogamy (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast.
Lani Hanna is a doctoral candidate in Feminist Studies at University of California Santa Cruz. Her dissertation considers the strategies and tactics of queer, transfeminist, and left political counter-institutional archives that operate as community gathering spaces to survive against displacement in gentrifying cities. She lives in Oakland and is a part of the Bay Area Anarchist Bookfair and Interference Archive Collective in Brooklyn.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://libby.ecuad.ca/reflector/against-ageism-a-queer-manifesto-by-simone-van-saarloos/"><em>Against Ageism: A Queer Manifesto</em></a> starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye.</p><p>"Age! What is good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society's generational hang-ups as well as visiting, in some more personal moments, their own."</p><p>-Sophie Lewis, author of <em>Abolish the Family: A Manifesto for Care and Liberation</em> and <em>Full Surrogacy Now: Feminism Against Family</em></p><p>Simon(e) van Saarloos is the author of <em>Take ‘em Down </em>(Publication Studio Guelph) and <em>Playing Monogamy</em> (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast.</p><p><em>Lani Hanna is a doctoral candidate in Feminist Studies at University of California Santa Cruz. Her dissertation considers the strategies and tactics of queer, transfeminist, and left political counter-institutional archives that operate as community gathering spaces to survive against displacement in gentrifying cities. She lives in Oakland and is a part of the Bay Area Anarchist Bookfair and Interference Archive Collective in Brooklyn.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4599</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Amy Edwards, "Are We Rich Yet? The Rise of Mass Investment Culture in Contemporary Britain" (U California Press, 2022)</title>
      <description>How did British society become financialised? In Are We Rich Yet? The Rise of Mass Investment Culture in Contemporary Britain (U California Press, 2022), Dr Amy Edwards, a senior lecturer in the Department of History at the University of Bristol, analyses the cultural, social, and economic history of the 1980s to understand how British society became a nation of investors. The book ranges from well-known examples, such as Yuppies and privatisation of national utilities, through to everyday examples of share shops and investment clubs. Linking the analysis to broader trends in British and in financial history, alongside issues of class and gender, the book is essential reading across the humanities and social sciences, as well as for anyone interested in why money is so important to contemporary life.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>371</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy Edwards</itunes:subtitle>
      <itunes:summary>How did British society become financialised? In Are We Rich Yet? The Rise of Mass Investment Culture in Contemporary Britain (U California Press, 2022), Dr Amy Edwards, a senior lecturer in the Department of History at the University of Bristol, analyses the cultural, social, and economic history of the 1980s to understand how British society became a nation of investors. The book ranges from well-known examples, such as Yuppies and privatisation of national utilities, through to everyday examples of share shops and investment clubs. Linking the analysis to broader trends in British and in financial history, alongside issues of class and gender, the book is essential reading across the humanities and social sciences, as well as for anyone interested in why money is so important to contemporary life.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did British society become financialised? In <a href="https://bookshop.org/a/12343/9780520385467"><em>Are We Rich Yet? The Rise of Mass Investment Culture in Contemporary Britain</em></a><em> </em>(U California Press, 2022), <a href="https://twitter.com/amy_edwards__">Dr Amy Edwards,</a> a <a href="https://research-information.bris.ac.uk/en/persons/amy-edwards">senior lecturer</a> in the <a href="https://www.bristol.ac.uk/history/">Department of History at the University of Bristol</a>, analyses the cultural, social, and economic history of the 1980s to understand how British society became a nation of investors. The book ranges from well-known examples, such as Yuppies and privatisation of national utilities, through to everyday examples of share shops and investment clubs. Linking the analysis to broader trends in British and in financial history, alongside issues of class and gender, the book is essential reading across the humanities and social sciences, as well as for anyone interested in why money is so important to contemporary life.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c616882-d62c-11ed-b7e5-cb2492d469b0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2064757882.mp3?updated=1680972878" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd McGowan, "Enjoyment Right &amp; Left" (Sublation Media, 2022)</title>
      <description>Today I talked to Todd McGowan about his book Enjoyment Right &amp; Left (Sublation Media, 2022).
While understanding the psychic structure of pleasure and desire might seem to be unrelated to grasping our current political crisis, Todd McGowan argues that the intrinsically excessive nature of enjoyment is critically important to this effort. In a world that appears completely divided between right and left, McGowan calls for a universal form of enjoyment that unites people in an egalitarian project. Todd McGowan's previous books include Emancipation After Hegel, Capitalism and Desire, and The Impossible David Lynch, among others. He teaches theory and film at the University of Vermont. 
Cody Skahan (cas12@hi.is) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, anarchism, cultural studies, anime studies, and applying theory through praxis. Cody co-hosts a social theory and anthropology podcast with two of his friends called Un/livable Cultures available wherever you get podcasts and has a blog at where he is trying to write more rather than just only read and talk about books.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>370</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Todd McGowan</itunes:subtitle>
      <itunes:summary>Today I talked to Todd McGowan about his book Enjoyment Right &amp; Left (Sublation Media, 2022).
While understanding the psychic structure of pleasure and desire might seem to be unrelated to grasping our current political crisis, Todd McGowan argues that the intrinsically excessive nature of enjoyment is critically important to this effort. In a world that appears completely divided between right and left, McGowan calls for a universal form of enjoyment that unites people in an egalitarian project. Todd McGowan's previous books include Emancipation After Hegel, Capitalism and Desire, and The Impossible David Lynch, among others. He teaches theory and film at the University of Vermont. 
Cody Skahan (cas12@hi.is) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, anarchism, cultural studies, anime studies, and applying theory through praxis. Cody co-hosts a social theory and anthropology podcast with two of his friends called Un/livable Cultures available wherever you get podcasts and has a blog at where he is trying to write more rather than just only read and talk about books.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Todd McGowan about his book <a href="https://bookshop.org/a/12343/9798986788401"><em>Enjoyment Right &amp; Left</em></a><em> </em>(Sublation Media, 2022).</p><p>While understanding the psychic structure of pleasure and desire might seem to be unrelated to grasping our current political crisis, Todd McGowan argues that the intrinsically excessive nature of enjoyment is critically important to this effort. In a world that appears completely divided between right and left, McGowan calls for a universal form of enjoyment that unites people in an egalitarian project. Todd McGowan's previous books include <em>Emancipation After Hegel, Capitalism and Desire</em>, and <em>The Impossible David Lynch</em>, among others. He teaches theory and film at the University of Vermont. </p><p><em>Cody Skahan (cas12@hi.is) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, anarchism, cultural studies, anime studies, and applying theory through praxis. Cody co-hosts a social theory and anthropology podcast with two of his friends called </em><a href="https://unlivablecultures.wordpress.com/"><em>Un/livable Cultures</em></a><em> available wherever you get podcasts and has a </em><a href="https://codyskahan.wordpress.com/"><em>blog</em></a><em> at where he is trying to write more rather than just only read and talk about books.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3913</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3416452285.mp3?updated=1680968640" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helen Small, "The Function of Cynicism at the Present Time" (Oxford UP, 2020)</title>
      <description>Cynicism is usually seen as a provocative mode of dissent from conventional moral thought, casting doubt on the motives that guide right conduct. When critics today complain that it is ubiquitous but lacks the serious bite of classical Cynicism, they express concern that it can now only be corrosively negative. The Function of Cynicism at the Present Time (Oxford UP, 2020) takes a more balanced view. Re-evaluating the role of cynicism in literature, cultural criticism, and philosophy from 1840 to the present, it treats cynic confrontationalism as a widely-employed credibility-check on the promotion of moral ideals--with roots in human psychology.
Helen Small investigates how writers have engaged with Cynic traditions of thought, and later more gestural styles of cynicism, to re-calibrate dominant moral values, judgements of taste, and political agreements. The argument develops through a series of cynic challenges to accepted moral thinking: Friedrich Nietzsche on morality; Thomas Carlyle v. J. S. Mill on the permissible limits of moral provocation; Arnold on the freedom of criticism; George Eliot and Ford Madox Ford on cosmopolitanism; Bertrand Russell, John Dewey, and Laura Kipnis on the conditions of work in the university. The Function of Cynicism treats topics of present-day public concern: abrasive styles of public argument; debasing challenges to conventional morality; free speech, moral controversialism; the authority of reason and the limits of that authority; nationalism and resistance to nationalism; and liberty of expression as a core principle of the university.
Helen Small is Merton Professor of English Language and Literature at the University of Oxford. She is the author of The Value of the Humanities (OUP, 2013) and The Long Life (OUP, 2007) (winner of the Truman Capote Prize for Literary Criticism (2008) and the British Academy's Rose Mary Crawshay Prize (2008)), and editor of The Public Intellectual (Blackwell, 2002). She has written widely on literature and philosophy, nineteenth-century fiction and public moralism, and the relationship between the Humanities, Sciences, and Social Sciences.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helen Small</itunes:subtitle>
      <itunes:summary>Cynicism is usually seen as a provocative mode of dissent from conventional moral thought, casting doubt on the motives that guide right conduct. When critics today complain that it is ubiquitous but lacks the serious bite of classical Cynicism, they express concern that it can now only be corrosively negative. The Function of Cynicism at the Present Time (Oxford UP, 2020) takes a more balanced view. Re-evaluating the role of cynicism in literature, cultural criticism, and philosophy from 1840 to the present, it treats cynic confrontationalism as a widely-employed credibility-check on the promotion of moral ideals--with roots in human psychology.
Helen Small investigates how writers have engaged with Cynic traditions of thought, and later more gestural styles of cynicism, to re-calibrate dominant moral values, judgements of taste, and political agreements. The argument develops through a series of cynic challenges to accepted moral thinking: Friedrich Nietzsche on morality; Thomas Carlyle v. J. S. Mill on the permissible limits of moral provocation; Arnold on the freedom of criticism; George Eliot and Ford Madox Ford on cosmopolitanism; Bertrand Russell, John Dewey, and Laura Kipnis on the conditions of work in the university. The Function of Cynicism treats topics of present-day public concern: abrasive styles of public argument; debasing challenges to conventional morality; free speech, moral controversialism; the authority of reason and the limits of that authority; nationalism and resistance to nationalism; and liberty of expression as a core principle of the university.
Helen Small is Merton Professor of English Language and Literature at the University of Oxford. She is the author of The Value of the Humanities (OUP, 2013) and The Long Life (OUP, 2007) (winner of the Truman Capote Prize for Literary Criticism (2008) and the British Academy's Rose Mary Crawshay Prize (2008)), and editor of The Public Intellectual (Blackwell, 2002). She has written widely on literature and philosophy, nineteenth-century fiction and public moralism, and the relationship between the Humanities, Sciences, and Social Sciences.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cynicism is usually seen as a provocative mode of dissent from conventional moral thought, casting doubt on the motives that guide right conduct. When critics today complain that it is ubiquitous but lacks the serious bite of classical Cynicism, they express concern that it can now only be corrosively negative. <a href="https://bookshop.org/a/12343/9780198861935"><em>The Function of Cynicism at the Present Time</em></a> (Oxford UP, 2020) takes a more balanced view. Re-evaluating the role of cynicism in literature, cultural criticism, and philosophy from 1840 to the present, it treats cynic confrontationalism as a widely-employed credibility-check on the promotion of moral ideals--with roots in human psychology.</p><p>Helen Small investigates how writers have engaged with Cynic traditions of thought, and later more gestural styles of cynicism, to re-calibrate dominant moral values, judgements of taste, and political agreements. The argument develops through a series of cynic challenges to accepted moral thinking: Friedrich Nietzsche on morality; Thomas Carlyle v. J. S. Mill on the permissible limits of moral provocation; Arnold on the freedom of criticism; George Eliot and Ford Madox Ford on cosmopolitanism; Bertrand Russell, John Dewey, and Laura Kipnis on the conditions of work in the university. <em>The Function of Cynicism</em> treats topics of present-day public concern: abrasive styles of public argument; debasing challenges to conventional morality; free speech, moral controversialism; the authority of reason and the limits of that authority; nationalism and resistance to nationalism; and liberty of expression as a core principle of the university.</p><p>Helen Small is Merton Professor of English Language and Literature at the University of Oxford. She is the author of The Value of the Humanities (OUP, 2013) and The Long Life (OUP, 2007) (winner of the Truman Capote Prize for Literary Criticism (2008) and the British Academy's Rose Mary Crawshay Prize (2008)), and editor of The Public Intellectual (Blackwell, 2002). She has written widely on literature and philosophy, nineteenth-century fiction and public moralism, and the relationship between the Humanities, Sciences, and Social Sciences.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3466</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[15a0bb42-cfd8-11ed-95a4-931021147418]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7779850338.mp3?updated=1680276408" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stuart Elden, "The Archaeology of Foucault" (Polity, 2022)</title>
      <description>How did Foucault’s thought develop in the 1960s? In The Archaeology of Foucault (Polity, 2022) Stuart Elden, a professor of Political Theory and Geography at the University of Warwick, completes the series of intellectual biographies of Foucault he began with Foucault's Last Decade. Drawing on a wealth of previously unpublished and unavailable material, the book charts Foucault’s career from the end of his doctoral studies to his election to chair the Collège de France. In addition to considering key texts including Birth of the Clinic, The Order of Things, and The Archaeology of Knowledge, the book discusses his work as a literary and artistic critics, key shifts in his politics, and his teaching career. The final text in a remarkable and brilliant series, the book is essential reading for anyone interested in Foucault. You can hear previous episodes Foucault's Last Decade, Foucault: The Birth of Power and The Early Foucault on the New Books Network, and Prof Elden blogs at Progressive Geographies.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>368</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stuart Elden</itunes:subtitle>
      <itunes:summary>How did Foucault’s thought develop in the 1960s? In The Archaeology of Foucault (Polity, 2022) Stuart Elden, a professor of Political Theory and Geography at the University of Warwick, completes the series of intellectual biographies of Foucault he began with Foucault's Last Decade. Drawing on a wealth of previously unpublished and unavailable material, the book charts Foucault’s career from the end of his doctoral studies to his election to chair the Collège de France. In addition to considering key texts including Birth of the Clinic, The Order of Things, and The Archaeology of Knowledge, the book discusses his work as a literary and artistic critics, key shifts in his politics, and his teaching career. The final text in a remarkable and brilliant series, the book is essential reading for anyone interested in Foucault. You can hear previous episodes Foucault's Last Decade, Foucault: The Birth of Power and The Early Foucault on the New Books Network, and Prof Elden blogs at Progressive Geographies.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did Foucault’s thought develop in the 1960s? In <a href="https://bookshop.org/a/12343/9781509545353"><em>The Archaeology of Foucault</em> </a>(Polity, 2022) <a href="https://twitter.com/StuartElden">Stuart Elden,</a> a professor of <a href="https://warwick.ac.uk/fac/soc/pais/people/elden/">Political Theory and Geography at the University of Warwick</a>, completes the series of intellectual biographies of Foucault he began with <em>Foucault's Last Decade</em>. Drawing on a wealth of previously unpublished and unavailable material, the book charts Foucault’s career from the end of his doctoral studies to his election to chair the Collège de France. In addition to considering key texts including <em>Birth of the Clinic</em>, <em>The Order of Things</em>, and <em>The Archaeology of Knowledge, </em>the book discusses his work as a literary and artistic critics, key shifts in his politics, and his teaching career. The final text in a remarkable and brilliant series, the book is essential reading for anyone interested in Foucault. You can hear previous episodes <a href="https://newbooksnetwork.com/stuart-elden-foucaults-last-decade-polity-press-2016#entry:14133@1:url"><em>Foucault's Last Decade</em></a><em>, </em><a href="https://newbooksnetwork.com/stuart-elden-foucault-the-birth-of-power-polity-press-2017#entry:12367@1:url"><em>Foucault: The Birth of Power</em></a> and <a href="https://newbooksnetwork.com/the-early-foucault#entry:131671@1:url"><em>The Early Foucault</em></a> on the New Books Network, and Prof Elden blogs at <a href="https://progressivegeographies.com/">Progressive Geographies.</a></p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2922</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5998595766.mp3?updated=1680210017" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Branson, "Practical Anarchism: A Guide for Daily Life" (Pluto Press, 2022)</title>
      <description>You may not realise it, but you are probably already practicing anarchism in your daily life. From relationships to school, work, art, even the way you organise your time, anarchism can help you find fulfilment, empathy and liberation in the everyday.
From the small questions such as 'Why should I steal?' to the big ones like 'How do I love?', Scott Branson shows that anarchism isn’t only something we do when we react to the news, protest or even riot. With practical examples enriched by history and theory, these tips will empower you to break free from the consumerist trappings of our world.
Anarchism is not just for white men, but for everyone. In reading Practical Anarchism: A Guide for Daily Life (Pluto Press, 2022), you can detach from patriarchal masculinity, norms of family, gender, sexuality, racialisation, individual responsibility and the destruction of our planet, and replace them with ideas of sustainable living, with ties of mutual aid, and the horizon of collective liberation.
Scott Branson is a queer and trans writer, translator, teacher, artist, and anarchist organiser, living in Western North Carolina. They translated Guy Hocquenghem's second book, Gay Liberation After May 68, as well as Jacques Lesage De La Haye’s The Abolition of Prison, and co-edited Surviving the Future: Abolitionist Queer Strategies. They are also a frequent co-host on the anarchist podcast The Final Straw Radio.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>369</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Branson</itunes:subtitle>
      <itunes:summary>You may not realise it, but you are probably already practicing anarchism in your daily life. From relationships to school, work, art, even the way you organise your time, anarchism can help you find fulfilment, empathy and liberation in the everyday.
From the small questions such as 'Why should I steal?' to the big ones like 'How do I love?', Scott Branson shows that anarchism isn’t only something we do when we react to the news, protest or even riot. With practical examples enriched by history and theory, these tips will empower you to break free from the consumerist trappings of our world.
Anarchism is not just for white men, but for everyone. In reading Practical Anarchism: A Guide for Daily Life (Pluto Press, 2022), you can detach from patriarchal masculinity, norms of family, gender, sexuality, racialisation, individual responsibility and the destruction of our planet, and replace them with ideas of sustainable living, with ties of mutual aid, and the horizon of collective liberation.
Scott Branson is a queer and trans writer, translator, teacher, artist, and anarchist organiser, living in Western North Carolina. They translated Guy Hocquenghem's second book, Gay Liberation After May 68, as well as Jacques Lesage De La Haye’s The Abolition of Prison, and co-edited Surviving the Future: Abolitionist Queer Strategies. They are also a frequent co-host on the anarchist podcast The Final Straw Radio.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>You may not realise it, but you are probably already practicing anarchism in your daily life. From relationships to school, work, art, even the way you organise your time, anarchism can help you find fulfilment, empathy and liberation in the everyday.</p><p>From the small questions such as 'Why should I steal?' to the big ones like 'How do I love?', Scott Branson shows that anarchism isn’t only something we do when we react to the news, protest or even riot. With practical examples enriched by history and theory, these tips will empower you to break free from the consumerist trappings of our world.</p><p>Anarchism is not just for white men, but for everyone. In reading <a href="https://bookshop.org/a/12343/9780745344928"><em>Practical Anarchism: A Guide for Daily Life</em></a> (Pluto Press, 2022), you can detach from patriarchal masculinity, norms of family, gender, sexuality, racialisation, individual responsibility and the destruction of our planet, and replace them with ideas of sustainable living, with ties of mutual aid, and the horizon of collective liberation.</p><p>Scott Branson is a queer and trans writer, translator, teacher, artist, and anarchist organiser, living in Western North Carolina. They translated Guy Hocquenghem's second book, Gay Liberation After May 68, as well as Jacques Lesage De La Haye’s The Abolition of Prison, and co-edited Surviving the Future: Abolitionist Queer Strategies. They are also a frequent co-host on the anarchist podcast The Final Straw Radio.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3999</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5000490812.mp3?updated=1680271197" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mauro Resmini, "Italian Political Cinema: Figure of the Long '68" (U Minnesota Press, 2023)</title>
      <description>Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68.
Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.
A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.
Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mauro Resmini</itunes:subtitle>
      <itunes:summary>Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68.
Italian Political Cinema: Figure of the Long '68 (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.
A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.
Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68.</p><p><a href="https://bookshop.org/a/12343/9781517911386"><em>Italian Political Cinema: Figure of the Long '68</em></a> (U Minnesota Press, 2023) conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian.</p><p>A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.</p><p>Mauro Resmini is associate professor of cinema and media studies and Italian at the University of Maryland, College Park.</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4438</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Foluke Adebisi, "Decolonisation and Legal Knowledge: Reflections on Power and Possibility" (Bristol UP, 2023)</title>
      <description>Folúkẹ́ Adébísí’s Decolonisation and Legal Knowledge: Reflections on Power and Possibility (Bristol UP, 2023) details the ways in which the law is heavily implicated in creating, maintaining, and reproducing racialized hierarchies which bring about and preserve acute global disparities and injustices. This essential book provides an examination of the meanings of decolonization and explores how this examination can inform teaching, researching, and practicing of law. Furthermore, the book explores the ways in which the foundations of law are entangled in colonial thought and in its [re]production of ideas of commodification of bodies and space-time. Thus, it is an exploration of the ways in which we can use theories and praxes of decolonization to produce legal knowledge for flourishing futures.
Kendall Dinniene is a fourth year English PhD student at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 02 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>367</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Foluke Adebisi</itunes:subtitle>
      <itunes:summary>Folúkẹ́ Adébísí’s Decolonisation and Legal Knowledge: Reflections on Power and Possibility (Bristol UP, 2023) details the ways in which the law is heavily implicated in creating, maintaining, and reproducing racialized hierarchies which bring about and preserve acute global disparities and injustices. This essential book provides an examination of the meanings of decolonization and explores how this examination can inform teaching, researching, and practicing of law. Furthermore, the book explores the ways in which the foundations of law are entangled in colonial thought and in its [re]production of ideas of commodification of bodies and space-time. Thus, it is an exploration of the ways in which we can use theories and praxes of decolonization to produce legal knowledge for flourishing futures.
Kendall Dinniene is a fourth year English PhD student at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Folúkẹ́ Adébísí’s <a href="https://bookshop.org/a/12343/9781529219371"><em>Decolonisation and Legal Knowledge: Reflections on Power and Possibility</em></a><em> </em>(Bristol UP, 2023) details the ways in which the law is heavily implicated in creating, maintaining, and reproducing racialized hierarchies which bring about and preserve acute global disparities and injustices. This essential book provides an examination of the meanings of decolonization and explores how this examination can inform teaching, researching, and practicing of law. Furthermore, the book explores the ways in which the foundations of law are entangled in colonial thought and in its [re]production of ideas of commodification of bodies and space-time. Thus, it is an exploration of the ways in which we can use theories and praxes of decolonization to produce legal knowledge for flourishing futures.</p><p><a href="https://www.smu.edu/Dedman/Academics/Departments/English/People/Graduate-Students/KendallMeador"><em>Kendall Dinniene</em></a><em> is a fourth year English PhD student at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3523</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[243afd34-cd8a-11ed-bd0c-538c38ee784b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9884224455.mp3?updated=1680023616" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Colleen Lye and Christopher Nealon, "After Marx: Literature, Theory, and Value in the Twenty-First Century" (Cambridge UP, 2022)</title>
      <description>Colleen Lye and Christopher Nealon's edited volume After Marx: Literature, Theory, and Value in the Twenty-First Century (Cambridge UP, 2022) demonstrates the importance of Marxist literary and cultural criticism for an era of intersectional politics and economic decline. The volume includes fresh approaches to reading poetry, fiction, film and drama, from Shakespeare to contemporary literature, and shows how Marxist literary criticism improves our understanding of racial capitalism, feminist politics, colonialism, deindustrialization, high-tech labor, ecological crisis, and other issues. A key innovation of the volume's essays is how they attend to Marx's theory of value. For Marx, capitalist value demands a range of different kinds of labor as well as unemployment. This book shows the importance of Marxist approaches to literature that reach beyond simply demonstrating the revolutionary potential or the political consciousness of a 19th-century-style industrial working class. After Marx makes an argument for the twenty-first century interconnectedness of widely different literary genres, and far-flung political struggles.
The featured speakers in this podcast include:

Colleen Lye and Christopher Nealon: Marxist Literary Study and the General Law of Capitalist Accumulation

Nikhil Pal Singh: Black Marxism and the Antinomies of Racial Capitalism

Mark Steven: Screening Insurrection: Marx, Cinema, Revolution

Joshua Clover: The Irreconcilable: Marx after Literature

Juliana Spahr: Literature and the State

Jasper Bernes: Poetry and Revolution


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 31 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>366</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Colleen Lye and Christopher Nealon's edited volume After Marx: Literature, Theory, and Value in the Twenty-First Century (Cambridge UP, 2022) demonstrates the importance of Marxist literary and cultural criticism for an era of intersectional politics and economic decline. The volume includes fresh approaches to reading poetry, fiction, film and drama, from Shakespeare to contemporary literature, and shows how Marxist literary criticism improves our understanding of racial capitalism, feminist politics, colonialism, deindustrialization, high-tech labor, ecological crisis, and other issues. A key innovation of the volume's essays is how they attend to Marx's theory of value. For Marx, capitalist value demands a range of different kinds of labor as well as unemployment. This book shows the importance of Marxist approaches to literature that reach beyond simply demonstrating the revolutionary potential or the political consciousness of a 19th-century-style industrial working class. After Marx makes an argument for the twenty-first century interconnectedness of widely different literary genres, and far-flung political struggles.
The featured speakers in this podcast include:

Colleen Lye and Christopher Nealon: Marxist Literary Study and the General Law of Capitalist Accumulation

Nikhil Pal Singh: Black Marxism and the Antinomies of Racial Capitalism

Mark Steven: Screening Insurrection: Marx, Cinema, Revolution

Joshua Clover: The Irreconcilable: Marx after Literature

Juliana Spahr: Literature and the State

Jasper Bernes: Poetry and Revolution


Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Colleen Lye and Christopher Nealon's edited volume <a href="https://bookshop.org/a/12343/9781108489287"><em>After Marx: Literature, Theory, and Value in the Twenty-First Century</em></a> (Cambridge UP, 2022) demonstrates the importance of Marxist literary and cultural criticism for an era of intersectional politics and economic decline. The volume includes fresh approaches to reading poetry, fiction, film and drama, from Shakespeare to contemporary literature, and shows how Marxist literary criticism improves our understanding of racial capitalism, feminist politics, colonialism, deindustrialization, high-tech labor, ecological crisis, and other issues. A key innovation of the volume's essays is how they attend to Marx's theory of value. For Marx, capitalist value demands a range of different kinds of labor as well as unemployment. This book shows the importance of Marxist approaches to literature that reach beyond simply demonstrating the revolutionary potential or the political consciousness of a 19th-century-style industrial working class. After Marx makes an argument for the twenty-first century interconnectedness of widely different literary genres, and far-flung political struggles.</p><p>The featured speakers in this podcast include:</p><ol>
<li>Colleen Lye and Christopher Nealon: Marxist Literary Study and the General Law of Capitalist Accumulation</li>
<li>Nikhil Pal Singh: Black Marxism and the Antinomies of Racial Capitalism</li>
<li>Mark Steven: Screening Insurrection: Marx, Cinema, Revolution</li>
<li>Joshua Clover: The Irreconcilable: Marx after Literature</li>
<li>Juliana Spahr: Literature and the State</li>
<li>Jasper Bernes: Poetry and Revolution</li>
</ol><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9542470073.mp3?updated=1679744147" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Good Enough Life</title>
      <description>Today’s book is: The Good-Enough Life (Princeton UP, 2022) by Avram Alpert. We live in a world oriented toward greatness, one in which we feel compelled to be among the wealthiest, most powerful, and most famous. This book explains why no one truly benefits from this competitive social order, and reveals how another way of life is possible—a good-enough life for all. Dr. Alpert shows how our obsession with greatness results in stress and anxiety, damage to our relationships, widespread political and economic inequality, and destruction of the natural world. He describes how to move beyond greatness to create a society in which everyone flourishes. By competing less with each other, each of us can find renewed meaning and purpose, have our material and emotional needs met, and begin to lead more leisurely lives. Alpert makes no false utopian promises, however. Life can never be more than good enough because there will always be accidents and tragedies beyond our control, which is why we must stop dividing the world into winners and losers and ensure that there is a fair share of decency and sufficiency to go around.
Visionary and provocative, The Good-Enough Life demonstrates how we can work together to cultivate a good-enough life for all instead of tearing ourselves apart in a race to the top of the social pyramid.
Our guest is: Dr. Avram Alpert, a writer and teacher. He is currently a research fellow at The New Institute, Hamburg. He previously taught at Princeton and Rutgers Universities. He is the author of three books, most recently The Good Enough Life. His work has appeared in publications such as the New York Times, the Washington Post, and Aeon.
Our host is: Dr. Christina Gessler, a historian of women and gender.
Listeners to this episode may also be interested in:


A Partial Enlightenment: What Modern Literature and Buddhism Can Teach Us about Living Well without Perfection, by Avram Alpert


Global Origins of the Modern Self, from Montaigne to Suzuki, by Avram Alpert

How to Human: An Incomplete Manual for Living in a Mess-up World, by Alice Connor

Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving, by Celeste Headlee


Find the Good, by Heather Lende


A Wonderful Life: Insights on Finding a Meaningful Existence, by Frank Martela

Podcast on making a meaningful life

Podcast on belonging and the science of creating connection and bridging divides

Podcast on the knowledge unlocked by facing failure

Podcast on the benefits of doing less, and stressing less


Welcome to The Academic Life! Join us each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Avram Alpert</itunes:subtitle>
      <itunes:summary>Today’s book is: The Good-Enough Life (Princeton UP, 2022) by Avram Alpert. We live in a world oriented toward greatness, one in which we feel compelled to be among the wealthiest, most powerful, and most famous. This book explains why no one truly benefits from this competitive social order, and reveals how another way of life is possible—a good-enough life for all. Dr. Alpert shows how our obsession with greatness results in stress and anxiety, damage to our relationships, widespread political and economic inequality, and destruction of the natural world. He describes how to move beyond greatness to create a society in which everyone flourishes. By competing less with each other, each of us can find renewed meaning and purpose, have our material and emotional needs met, and begin to lead more leisurely lives. Alpert makes no false utopian promises, however. Life can never be more than good enough because there will always be accidents and tragedies beyond our control, which is why we must stop dividing the world into winners and losers and ensure that there is a fair share of decency and sufficiency to go around.
Visionary and provocative, The Good-Enough Life demonstrates how we can work together to cultivate a good-enough life for all instead of tearing ourselves apart in a race to the top of the social pyramid.
Our guest is: Dr. Avram Alpert, a writer and teacher. He is currently a research fellow at The New Institute, Hamburg. He previously taught at Princeton and Rutgers Universities. He is the author of three books, most recently The Good Enough Life. His work has appeared in publications such as the New York Times, the Washington Post, and Aeon.
Our host is: Dr. Christina Gessler, a historian of women and gender.
Listeners to this episode may also be interested in:


A Partial Enlightenment: What Modern Literature and Buddhism Can Teach Us about Living Well without Perfection, by Avram Alpert


Global Origins of the Modern Self, from Montaigne to Suzuki, by Avram Alpert

How to Human: An Incomplete Manual for Living in a Mess-up World, by Alice Connor

Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving, by Celeste Headlee


Find the Good, by Heather Lende


A Wonderful Life: Insights on Finding a Meaningful Existence, by Frank Martela

Podcast on making a meaningful life

Podcast on belonging and the science of creating connection and bridging divides

Podcast on the knowledge unlocked by facing failure

Podcast on the benefits of doing less, and stressing less


Welcome to The Academic Life! Join us each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9780691204352"><em>The Good-Enough Life</em></a><em> </em>(Princeton UP, 2022) by Avram Alpert. We live in a world oriented toward greatness, one in which we feel compelled to be among the wealthiest, most powerful, and most famous. This book explains why no one truly benefits from this competitive social order, and reveals how another way of life is possible—a good-enough life for all. Dr. Alpert shows how our obsession with greatness results in stress and anxiety, damage to our relationships, widespread political and economic inequality, and destruction of the natural world. He describes how to move beyond greatness to create a society in which everyone flourishes. By competing less with each other, each of us can find renewed meaning and purpose, have our material and emotional needs met, and begin to lead more leisurely lives. Alpert makes no false utopian promises, however. Life can never be more than good enough because there will always be accidents and tragedies beyond our control, which is why we must stop dividing the world into winners and losers and ensure that there is a fair share of decency and sufficiency to go around.</p><p>Visionary and provocative, <em>The Good-Enough Life</em> demonstrates how we can work together to cultivate a good-enough life for all instead of tearing ourselves apart in a race to the top of the social pyramid.</p><p>Our guest is: Dr. Avram Alpert, a writer and teacher. He is currently a research fellow at The New Institute, Hamburg. He previously taught at Princeton and Rutgers Universities. He is the author of three books, most recently <em>The Good Enough Life</em>. His work has appeared in publications such as the <em>New York Times</em>, the <em>Washington Post</em>, and <em>Aeon</em>.</p><p>Our host is: Dr. Christina Gessler, a historian of women and gender.</p><p>Listeners to this episode may also be interested in:</p><ul>
<li>
<em>A Partial Enlightenment: What Modern Literature and Buddhism Can Teach Us about Living Well without Perfection, </em>by Avram Alpert</li>
<li>
<em>Global Origins of the Modern Self, from Montaigne to Suzuki,</em> by Avram Alpert</li>
<li><em>How to Human: An Incomplete Manual for Living in a Mess-up World, by Alice Connor</em></li>
<li><em>Do Nothing: How to Break Away from Overworking, Overdoing, and Underliving, by Celeste Headlee</em></li>
<li>
<em>Find the Good</em>, by Heather Lende</li>
<li>
<em>A Wonderful Life: Insights on Finding a Meaningful Existence,</em> by Frank Martela</li>
<li><a href="https://newbooksnetwork.com/how-to-stop-chasing-happiness-and-make-a-meaningful-life-instead#entry:42069@1:url">Podcast on making a meaningful life</a></li>
<li><a href="https://newbooksnetwork.com/belonging-the-science-of-creating-connection-and-bridging-divides#entry:186456@1:url">Podcast on belonging and the science of creating connection and bridging divides</a></li>
<li><a href="https://newbooksnetwork.com/samuel-west-on-the-museum-of-failure#entry:122125@1:url">Podcast on the knowledge unlocked by facing failure</a></li>
<li><a href="https://newbooksnetwork.com/need-a-break-from-overworking-and-underliving#entry:118161@1:url">Podcast on the benefits of doing less, and stressing less</a></li>
</ul><p><br></p><p>Welcome to The Academic Life! Join us each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3985</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7fffb43a-87ac-11ed-a8c8-27946aab76a3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6705420556.mp3?updated=1672340946" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacob A. C. Remes and Andy Horowitz, "Critical Disaster Studies" (U Pennsylvania Press, 2021)</title>
      <description>This book announces the new, interdisciplinary field of critical disaster studies. Unlike most existing approaches to disaster, critical disaster studies begins with the idea that disasters are not objective facts, but rather are interpretive fictions--and they shape the way people see the world. By questioning the concept of disaster itself, critical disaster studies reveals the stakes of defining people or places as vulnerable, resilient, or at risk.
As social constructs, disaster, vulnerability, resilience, and risk shape and are shaped by contests over power. Managers and technocrats often herald the goals of disaster response and recovery as objective, quantifiable, or self-evident. In reality, the goals are subjective, and usually contested. Critical disaster studies attends to the ways powerful people often use claims of technocratic expertise to maintain power. Moreover, rather than existing as isolated events, disasters take place over time. People commonly imagine disasters to be unexpected and sudden, making structural conditions appear contingent, widespread conditions appear local, and chronic conditions appear acute. By placing disasters in broader contexts, critical disaster studies peels away that veneer.
With chapters by scholars of five continents and seven disciplines, Critical Disaster Studies (U Pennsylvania Press, 2021) asks how disasters come to be known as disasters, how disasters are used as tools of governance and politics, and how people imagine and anticipate disasters. The volume will be of interest to scholars of disaster in any discipline and especially to those teaching the growing number of courses on disaster studies.
﻿Anna Levy researches and teaches on emergency, crisis, and development practice &amp; politics at Fordham &amp; New York Universities. She is the founder and principal of Jafsadi.works, a research collective focused on advancing structural and participatory accountability in non-profit, movement, multilateral, city, and policy strategies. You can follow her @politicoyuntura.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jacob A. C. Remes and Andy Horowitz</itunes:subtitle>
      <itunes:summary>This book announces the new, interdisciplinary field of critical disaster studies. Unlike most existing approaches to disaster, critical disaster studies begins with the idea that disasters are not objective facts, but rather are interpretive fictions--and they shape the way people see the world. By questioning the concept of disaster itself, critical disaster studies reveals the stakes of defining people or places as vulnerable, resilient, or at risk.
As social constructs, disaster, vulnerability, resilience, and risk shape and are shaped by contests over power. Managers and technocrats often herald the goals of disaster response and recovery as objective, quantifiable, or self-evident. In reality, the goals are subjective, and usually contested. Critical disaster studies attends to the ways powerful people often use claims of technocratic expertise to maintain power. Moreover, rather than existing as isolated events, disasters take place over time. People commonly imagine disasters to be unexpected and sudden, making structural conditions appear contingent, widespread conditions appear local, and chronic conditions appear acute. By placing disasters in broader contexts, critical disaster studies peels away that veneer.
With chapters by scholars of five continents and seven disciplines, Critical Disaster Studies (U Pennsylvania Press, 2021) asks how disasters come to be known as disasters, how disasters are used as tools of governance and politics, and how people imagine and anticipate disasters. The volume will be of interest to scholars of disaster in any discipline and especially to those teaching the growing number of courses on disaster studies.
﻿Anna Levy researches and teaches on emergency, crisis, and development practice &amp; politics at Fordham &amp; New York Universities. She is the founder and principal of Jafsadi.works, a research collective focused on advancing structural and participatory accountability in non-profit, movement, multilateral, city, and policy strategies. You can follow her @politicoyuntura.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This book announces the new, interdisciplinary field of critical disaster studies. Unlike most existing approaches to disaster, critical disaster studies begins with the idea that disasters are not objective facts, but rather are interpretive fictions--and they shape the way people see the world. By questioning the concept of disaster itself, critical disaster studies reveals the stakes of defining people or places as vulnerable, resilient, or at risk.</p><p>As social constructs, disaster, vulnerability, resilience, and risk shape and are shaped by contests over power. Managers and technocrats often herald the goals of disaster response and recovery as objective, quantifiable, or self-evident. In reality, the goals are subjective, and usually contested. Critical disaster studies attends to the ways powerful people often use claims of technocratic expertise to maintain power. Moreover, rather than existing as isolated events, disasters take place over time. People commonly imagine disasters to be unexpected and sudden, making structural conditions appear contingent, widespread conditions appear local, and chronic conditions appear acute. By placing disasters in broader contexts, critical disaster studies peels away that veneer.</p><p>With chapters by scholars of five continents and seven disciplines, <a href="https://bookshop.org/a/12343/9780812224825"><em>Critical Disaster Studies</em></a><em> </em>(U Pennsylvania Press, 2021) asks how disasters come to be known as disasters, how disasters are used as tools of governance and politics, and how people imagine and anticipate disasters. The volume will be of interest to scholars of disaster in any discipline and especially to those teaching the growing number of courses on disaster studies.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/anna-levy-8860a5b/"><em>Anna Levy</em></a><em> researches and teaches on emergency, crisis, and development practice &amp; politics at Fordham &amp; New York Universities. She is the founder and principal of </em><a href="https://jafsadi.works/"><em>Jafsadi.works</em></a><em>, a research collective focused on advancing structural and participatory accountability in non-profit, movement, multilateral, city, and policy strategies. You can follow her @politicoyuntura.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ravi Malhotra and Benjamin Isitt, eds., "Class Warrior: The Selected Works of E. T. Kingsley" (Athabasca UP, 2022)</title>
      <description>The socialist activist E. T. Kingsley occupies an odd place in the history of labor and the left. Often mentioned due to his prolific life of speaking, writing, traveling and organizing, he has still generally remained wrapped in obscurity, leaving little in the way of a paper trail for us to understand who he actually is. Fortunately, Benjamin Isitt and Ravi Malhotra have been working to correct this. Following up their coauthored biography of him, they have now put out an anthology of writings and speeches of Kingsley from the late 19th and early 20th century: Class Warrior: The Selected Works of E. T. Kingsley (Athabasca UP, 2022).
While the entries tend to be short, their polemical nature and reflection on current events open up a window to the labor struggles of the Pacific Northwest a century ago, allowing us to see a new angle on, and perhaps develop a new appreciation of our history.
Ravi Malhotra is a professor in the faculty of law at the University of Ottawa.
Benjamin Isitt is a historian, author, and legal scholar in British Columbia.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ravi Malhotra</itunes:subtitle>
      <itunes:summary>The socialist activist E. T. Kingsley occupies an odd place in the history of labor and the left. Often mentioned due to his prolific life of speaking, writing, traveling and organizing, he has still generally remained wrapped in obscurity, leaving little in the way of a paper trail for us to understand who he actually is. Fortunately, Benjamin Isitt and Ravi Malhotra have been working to correct this. Following up their coauthored biography of him, they have now put out an anthology of writings and speeches of Kingsley from the late 19th and early 20th century: Class Warrior: The Selected Works of E. T. Kingsley (Athabasca UP, 2022).
While the entries tend to be short, their polemical nature and reflection on current events open up a window to the labor struggles of the Pacific Northwest a century ago, allowing us to see a new angle on, and perhaps develop a new appreciation of our history.
Ravi Malhotra is a professor in the faculty of law at the University of Ottawa.
Benjamin Isitt is a historian, author, and legal scholar in British Columbia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The socialist activist E. T. Kingsley occupies an odd place in the history of labor and the left. Often mentioned due to his prolific life of speaking, writing, traveling and organizing, he has still generally remained wrapped in obscurity, leaving little in the way of a paper trail for us to understand who he actually is. Fortunately, Benjamin Isitt and Ravi Malhotra have been working to correct this. Following up <a href="https://newbooksnetwork.com/able-to-lead#entry:142141@1:url">their coauthored biography of him</a>, they have now put out an anthology of writings and speeches of Kingsley from the late 19th and early 20th century: <a href="https://bookshop.org/a/12343/9781778290046"><em>Class Warrior: The Selected Works of E. T. Kingsley</em></a> (Athabasca UP, 2022).</p><p>While the entries tend to be short, their polemical nature and reflection on current events open up a window to the labor struggles of the Pacific Northwest a century ago, allowing us to see a new angle on, and perhaps develop a new appreciation of our history.</p><p>Ravi Malhotra is a professor in the faculty of law at the University of Ottawa.</p><p>Benjamin Isitt is a historian, author, and legal scholar in British Columbia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b2425b20-c7f1-11ed-b0a7-1f9875e2219c]]></guid>
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    <item>
      <title>Leslie M. Alexander, "Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States" (U Illinois Press, 2022)</title>
      <description>The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander's study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti's place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti's people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom. A bold exploration of Black internationalism's origins, Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States (U Illinois Press, 2022) links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.
Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>360</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leslie M. Alexander</itunes:subtitle>
      <itunes:summary>The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander's study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti's place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti's people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom. A bold exploration of Black internationalism's origins, Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States (U Illinois Press, 2022) links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.
Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander's study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti's place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti's people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom. A bold exploration of Black internationalism's origins, <a href="https://bookshop.org/a/12343/9780252086908"><em>Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States</em></a> (U Illinois Press, 2022) links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.</p><p><a href="https://www.linkedin.com/in/anna-lindner-b86a16a6/"><em>Anna E. Lindner</em></a><em> is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. </em><a href="https://twitter.com/annaeliselin"><em>On Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3852</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4164109c-b79d-11ed-a468-ebcfc9ba295f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9139156485.mp3?updated=1677612823" length="0" type="audio/mpeg"/>
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    <item>
      <title>Kristin Hass, "Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices" (Beacon Press, 2022)</title>
      <description>Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices (Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.
Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. Blunt Instruments helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.
Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kristin Hass</itunes:subtitle>
      <itunes:summary>Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices (Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.
Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. Blunt Instruments helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.
Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780807006719"><em>Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices</em></a><em> </em>(Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.</p><p>Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. <em>Blunt Instruments</em> helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.</p><p>Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.</p><p><a href="https://twitter.com/jenhoyer">Jen Hoyer </a>is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a> and a volunteer at<a href="https://interferencearchive.org/"> Interference Archive</a>. Jen edits for <a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a> and organizes with the <a href="https://tpscollective.org/">TPS Collective</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3641</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8202572811.mp3?updated=1679347680" length="0" type="audio/mpeg"/>
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      <title>Jill Jarvis, "Decolonizing Memory: Algeria and the Politics of Testimony" (Duke UP, 2021)</title>
      <description>In Decolonizing Memory: Algeria and the Politics of Testimony (Duke UP, 2021), Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jill Jarvis</itunes:subtitle>
      <itunes:summary>In Decolonizing Memory: Algeria and the Politics of Testimony (Duke UP, 2021), Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478014102"><em>Decolonizing Memory: Algeria and the Politics of Testimony</em></a> (Duke UP, 2021), Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3940</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4d072eb8-c731-11ed-bb45-3bb9649eb4af]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5806875682.mp3?updated=1679325419" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>E. Cram, "Violent Inheritance: Sexuality, Land, and Energy in Making the North American West" (U California Press, 2022)</title>
      <description>Violent Inheritance: Sexuality, Land, and Energy in Making the North American West (U California Press, 2022) deepens the analysis of settler colonialism's endurance in the North American West and how infrastructures that ground sexual modernity are both reproduced and challenged by publics who have inherited them. E Cram redefines sexual modernity through extractivism, wherein sexuality functions to extract value from life including land, air, minerals, and bodies. Analyzing struggles over memory cultures through the region's land use controversies at the turn of and well into the twentieth century, Cram unpacks the consequences of western settlement and the energy regimes that fueled it. Transfusing queer eco-criticism with archival and ethnographic research, Cram reconstructs the linkages—"land lines"—between infrastructure, violence, sexuality, and energy and shows how racialized sexual knowledges cultivated settler colonial cultures of both innervation and enervation. From the residential school system to elite health seekers desiring the "electric" climates of the Rocky Mountains to the wartime incarceration of Japanese Americans, Cram demonstrates how the environment promised to some individuals access to vital energy and to others the exhaustion of populations through state violence and racial capitalism. Grappling with these land lines, Cram insists, helps interrogate regimes of value and build otherwise unrealized connections between queer studies and the environmental and energy humanities.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy, and community efforts. His scholarly engagement spans the subject areas of cultural anthropology, queer studies, disability and mad studies, and religious studies. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 25 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with E. Cram</itunes:subtitle>
      <itunes:summary>Violent Inheritance: Sexuality, Land, and Energy in Making the North American West (U California Press, 2022) deepens the analysis of settler colonialism's endurance in the North American West and how infrastructures that ground sexual modernity are both reproduced and challenged by publics who have inherited them. E Cram redefines sexual modernity through extractivism, wherein sexuality functions to extract value from life including land, air, minerals, and bodies. Analyzing struggles over memory cultures through the region's land use controversies at the turn of and well into the twentieth century, Cram unpacks the consequences of western settlement and the energy regimes that fueled it. Transfusing queer eco-criticism with archival and ethnographic research, Cram reconstructs the linkages—"land lines"—between infrastructure, violence, sexuality, and energy and shows how racialized sexual knowledges cultivated settler colonial cultures of both innervation and enervation. From the residential school system to elite health seekers desiring the "electric" climates of the Rocky Mountains to the wartime incarceration of Japanese Americans, Cram demonstrates how the environment promised to some individuals access to vital energy and to others the exhaustion of populations through state violence and racial capitalism. Grappling with these land lines, Cram insists, helps interrogate regimes of value and build otherwise unrealized connections between queer studies and the environmental and energy humanities.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy, and community efforts. His scholarly engagement spans the subject areas of cultural anthropology, queer studies, disability and mad studies, and religious studies. 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520379473"><em>Violent Inheritance: Sexuality, Land, and Energy in Making the North American West</em></a><em> </em>(U California Press, 2022) deepens the analysis of settler colonialism's endurance in the North American West and how infrastructures that ground sexual modernity are both reproduced and challenged by publics who have inherited them. E Cram redefines sexual modernity through extractivism, wherein sexuality functions to extract value from life including land, air, minerals, and bodies. Analyzing struggles over memory cultures through the region's land use controversies at the turn of and well into the twentieth century, Cram unpacks the consequences of western settlement and the energy regimes that fueled it. Transfusing queer eco-criticism with archival and ethnographic research, Cram reconstructs the linkages—"land lines"—between infrastructure, violence, sexuality, and energy and shows how racialized sexual knowledges cultivated settler colonial cultures of both<em> innervation</em> and <em>enervation</em>. From the residential school system to elite health seekers desiring the "electric" climates of the Rocky Mountains to the wartime incarceration of Japanese Americans, Cram demonstrates how the environment promised to some individuals access to vital energy and to others the exhaustion of populations through state violence and racial capitalism. Grappling with these land lines, Cram insists, helps interrogate regimes of value and build otherwise unrealized connections between queer studies and the environmental and energy humanities.</p><p><em>Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy, and community efforts. His scholarly engagement spans the subject areas of cultural anthropology, queer studies, disability and mad studies, and religious studies. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5130</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4626524028.mp3?updated=1679337168" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>ACLA 2023</title>
      <description>This episode of High Theory is based upon a conference paper Saronik and Kim wrote for the American Comparative Literature Association Conference in 2023. It departs from our usual conversational style, in that we take turns reading sections of the paper aloud. But we could all do with a dose of formality, right?
The paper we read is titled, “How Will Critique Save the World?: Popular Theory and Public Humanities” and it talks about the method wars on Twitter, the cameo appearance of Baudrillard’s Simulacra and Simulation in The Matrix, alt-right conspiracy theory, and the academic job market. For a full transcript of the episode, with references, see our website: hightheory.net/2023/03/19/acla2023/
The image accompanying this episode was made by Saronik Bosu. Don’t use it without asking him.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/d4c1b7c0-c8f2-11ed-aef1-3b5b3a16ee4d/image/10bbe8.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>How Will Critique Save the World?: Popular Theory and Public Humanities</itunes:subtitle>
      <itunes:summary>This episode of High Theory is based upon a conference paper Saronik and Kim wrote for the American Comparative Literature Association Conference in 2023. It departs from our usual conversational style, in that we take turns reading sections of the paper aloud. But we could all do with a dose of formality, right?
The paper we read is titled, “How Will Critique Save the World?: Popular Theory and Public Humanities” and it talks about the method wars on Twitter, the cameo appearance of Baudrillard’s Simulacra and Simulation in The Matrix, alt-right conspiracy theory, and the academic job market. For a full transcript of the episode, with references, see our website: hightheory.net/2023/03/19/acla2023/
The image accompanying this episode was made by Saronik Bosu. Don’t use it without asking him.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode of High Theory is based upon a conference paper Saronik and Kim wrote for the American Comparative Literature Association Conference in 2023. It departs from our usual conversational style, in that we take turns reading sections of the paper aloud. But we could all do with a dose of formality, right?</p><p>The paper we read is titled, “How Will Critique Save the World?: Popular Theory and Public Humanities” and it talks about the method wars on Twitter, the cameo appearance of Baudrillard’s <em>Simulacra and Simulation </em>in <em>The Matrix, </em>alt-right conspiracy theory, and the academic job market. For a full transcript of the episode, with references, see our website: <a href="http://hightheory.net/2023/03/19/acla2023/">hightheory.net/2023/03/19/acla2023/</a></p><p>The image accompanying this episode was made by Saronik Bosu. Don’t use it without asking him.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>971</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d4c1b7c0-c8f2-11ed-aef1-3b5b3a16ee4d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8972301207.mp3?updated=1679517981" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd McGowan, "Capitalism and Desire: The Psychic Cost of Free Markets" (Columbia UP, 2016)</title>
      <description>If you have ever gotten excited over buying a new object only to feel let down once you acquire it, then today’s discussion will be relevant to you. My guest is Todd McGowan, author of the book Capitalism and Desire: The Psychic Cost of Free Markets (2016, Columbia University Press). We discuss his critique of capitalism as a system that encourages us to forever chase satisfactions that never come. And we explore his suggestion that true satisfaction lies in the wanting, not the acquiring. It’s a fascinating conversation that will radically change the way you approach everyday consumption and how you think about your own satisfaction.
Todd McGowan is professor of film studies at the University of Vermont. He is the author of several other books, including Enjoying What We Don’t Have: The Political Project of Psychoanalysis (2013, University of Nebraska Press), Only a Joke Can Save Us: A Theory of Comedy (2017, Northwestern University Press), and Universality and Identity Politics (2020, Columbia University Press). He is also co-host, along with Ryan Engley, of the podcast Why Theory.
Eugenio Duarte, Ph.D. is a psychoanalyst and clinical psychologist practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is a contributing author to the books Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge) and Patriarchy and its Discontents: Psychoanalytic Perspectives (2023, Routledge) and has published on issues of gender, sexuality, and sexual abuse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Todd McGowan</itunes:subtitle>
      <itunes:summary>If you have ever gotten excited over buying a new object only to feel let down once you acquire it, then today’s discussion will be relevant to you. My guest is Todd McGowan, author of the book Capitalism and Desire: The Psychic Cost of Free Markets (2016, Columbia University Press). We discuss his critique of capitalism as a system that encourages us to forever chase satisfactions that never come. And we explore his suggestion that true satisfaction lies in the wanting, not the acquiring. It’s a fascinating conversation that will radically change the way you approach everyday consumption and how you think about your own satisfaction.
Todd McGowan is professor of film studies at the University of Vermont. He is the author of several other books, including Enjoying What We Don’t Have: The Political Project of Psychoanalysis (2013, University of Nebraska Press), Only a Joke Can Save Us: A Theory of Comedy (2017, Northwestern University Press), and Universality and Identity Politics (2020, Columbia University Press). He is also co-host, along with Ryan Engley, of the podcast Why Theory.
Eugenio Duarte, Ph.D. is a psychoanalyst and clinical psychologist practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is a contributing author to the books Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge) and Patriarchy and its Discontents: Psychoanalytic Perspectives (2023, Routledge) and has published on issues of gender, sexuality, and sexual abuse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you have ever gotten excited over buying a new object only to feel let down once you acquire it, then today’s discussion will be relevant to you. My guest is Todd McGowan, author of the book <a href="https://bookshop.org/a/12343/9780231178723"><em>Capitalism and Desire: The Psychic Cost of Free Markets</em></a> (2016, Columbia University Press). We discuss his critique of capitalism as a system that encourages us to forever chase satisfactions that never come. And we explore his suggestion that true satisfaction lies in the wanting, not the acquiring. It’s a fascinating conversation that will radically change the way you approach everyday consumption and how you think about your own satisfaction.</p><p>Todd McGowan is professor of film studies at the University of Vermont. He is the author of several other books, including <a href="https://www.nebraskapress.unl.edu/nebraska-paperback/9780803245112/">Enjoying What We Don’t Have: The Political Project of Psychoanalysis</a> (2013, University of Nebraska Press), <a href="https://nupress.northwestern.edu/9780810135802/only-a-joke-can-save-us/">Only a Joke Can Save Us: A Theory of Comedy</a> (2017, Northwestern University Press), and <a href="https://newbooksnetwork.com/admin/entries/episodes/Universality%20and%20Identity%20Politics%20%7C%20Columbia%20University%20Press%20https:/cup.columbia.edu/book/universality-and-identity-politics/9780231197700">Universality and Identity Politics</a> (2020, Columbia University Press). He is also co-host, along with Ryan Engley, of the podcast <a href="https://podcasts.apple.com/us/podcast/why-theory/id1299863834">Why Theory</a>.</p><p><a href="http://www.eugenioduartephd.com/"><em>Eugenio Duarte</em></a><em>, Ph.D. is a psychoanalyst and clinical psychologist practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is a contributing author to the books </em><a href="https://www.routledge.com/Introduction-to-Contemporary-Psychoanalysis-Defining-terms-and-building/Charles/p/book/9781138749887"><em>Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges</em></a><em> (2018, Routledge) and </em><a href="https://www.routledge.com/Patriarchy-and-Its-Discontents-Psychoanalytic-Perspectives/Petrucelli-Schoen-Snider/p/book/9781032201207"><em>Patriarchy and its Discontents: Psychoanalytic Perspectives</em></a><em> (2023, Routledge) and has published on issues of gender, sexuality, and sexual abuse.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2529</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0679bc36-c58d-11ed-ba86-77f160259ec6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2300441732.mp3?updated=1679144694" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Houston Jones, "Visual Culture and the Forensic: Culture, Memory, Ethics" (Routledge, 2022)</title>
      <description>The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist.
And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn’t true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it
Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence.
David Houston Jones speaks to Pierre d’Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects.

Angela Strassheim’s Evidence


Melanie Pullen’s Crime Scenes, Hugo’s Camera


The death of Alan Kurdi and Ai WeiWei’s restaging of the scene

Kathryn Smith’s Incident Room: Jacoba ‘Bubbles’ Shroeder, 1949-2012

Luc Delahaye

Horace Vernet

Trevor Paglen’s Autonomy Cube


Laura Poitras’ Citizenfour


Julian Charrière’s Blue Fossil Entropic Stories, 2013

Simon Norkfolk’s When I am Laid in Earth


Cory Arcangel’s Data Diaries, 2003

Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture


Josef Mengele’s bones used in forensic identification



Forensic Architecture‘s investigations


Interview with Toby Green and Thomas Fazi on The Covid Consensus.


David Houston Jones is Professor of French and Visual Culture at the University of Exeter.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Houston Jones</itunes:subtitle>
      <itunes:summary>The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist.
And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn’t true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it
Visual Culture and the Forensic: Culture, Memory, Ethics (Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence.
David Houston Jones speaks to Pierre d’Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects.

Angela Strassheim’s Evidence


Melanie Pullen’s Crime Scenes, Hugo’s Camera


The death of Alan Kurdi and Ai WeiWei’s restaging of the scene

Kathryn Smith’s Incident Room: Jacoba ‘Bubbles’ Shroeder, 1949-2012

Luc Delahaye

Horace Vernet

Trevor Paglen’s Autonomy Cube


Laura Poitras’ Citizenfour


Julian Charrière’s Blue Fossil Entropic Stories, 2013

Simon Norkfolk’s When I am Laid in Earth


Cory Arcangel’s Data Diaries, 2003

Interview with Eyal Weizmann and Matthew Keenan on Forensic Aesthetics and the practice of Forensic Architecture


Josef Mengele’s bones used in forensic identification



Forensic Architecture‘s investigations


Interview with Toby Green and Thomas Fazi on The Covid Consensus.


David Houston Jones is Professor of French and Visual Culture at the University of Exeter.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The relationship between images and truth has a complicated history. In the Western tradition, the Kantian settlement on aesthetic judgment as detached from external interests gave rise to artistic production of images that were read with epistemic authority. But the advent of modernity has at once shaken this certainty and reinforced it. No sooner than we reckoned with the singular history painting and illustrated magazines, we have landed in a mass-media world where any possible image can and does exist.</p><p>And the more we are surrounded by images, the greater claims they make. Photographs are not only routinely used to convey news, they are used to establish what is and isn’t true. The crime scene photograph is now as likely to be used in a court of law as in a newspaper infographic explainer. The artifact is at once the evidentiary carrier of truth and a visualisation used to confirm it. It creates meaning and it argues for it</p><p><a href="https://bookshop.org/a/12343/9780367420932"><em>Visual Culture and the Forensic: Culture, Memory, Ethics</em></a><em> </em>(Routledge, 2022) bridges practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example, in performance and installation art, or photography. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence.</p><p>David Houston Jones speaks to Pierre d’Alancaisez about the evidentiary and forensic burden of art and photography, the artifice of crime imaging, the visual traces of data, and the ontology of data and objects.</p><ul>
<li>Angela Strassheim’s <a href="http://www.angelastrassheim.com/evidence"><em>Evidence</em></a>
</li>
<li>Melanie Pullen’s <a href="https://www.melaniepullen.com/crime-scenes"><em>Crime Scenes</em></a>, <em>Hugo’s Camera</em>
</li>
<li>The <a href="https://en.wikipedia.org/wiki/Death_of_Alan_Kurdi">death</a> of Alan Kurdi and Ai WeiWei’s <a href="https://www.bbc.co.uk/news/world-europe-35457936">restaging</a> of the scene</li>
<li>Kathryn Smith’s <a href="https://www.goodman-gallery.com/exhibitions/280"><em>Incident Room: Jacoba ‘Bubbles’ Shroeder</em></a>, 1949-2012</li>
<li><a href="https://www.tate.org.uk/art/artists/luc-delahaye-14771">Luc Delahaye</a></li>
<li><a href="https://en.wikipedia.org/wiki/Carle_Vernet">Horace Vernet</a></li>
<li>Trevor Paglen’s <a href="https://paglen.studio/2020/04/09/autonomy-cube/"><em>Autonomy Cube</em></a>
</li>
<li>Laura Poitras’ <a href="https://www.imdb.com/title/tt4044364/reference/"><em>Citizenfour</em></a>
</li>
<li>Julian Charrière’s <a href="https://www.julian-charriere.net/projects/the-blue-fossil-entropic-stories"><em>Blue Fossil Entropic Stories</em></a>, 2013</li>
<li>Simon Norkfolk’s <a href="https://www.simonnorfolk.com/when-i-am-laid-in-earth"><em>When I am Laid in Earth</em></a>
</li>
<li>Cory Arcangel’s <a href="https://coryarcangel.com/things-i-made/2003-002-data-diaries.html"><em>Data Diaries</em></a>, 2003</li>
<li>Interview with Eyal Weizmann and Matthew Keenan on <a href="https://petitpoi.net/investigative-aesthetics/"><em>Forensic Aesthetics</em></a> and the practice of <em>Forensic Architecture</em>
</li>
<li>Josef Mengele’s bones <a href="https://www.theguardian.com/science/2017/jan/11/josef-mengele-bones-brazil-forensic-medicine">used in forensic identification</a>
</li>
<li>
<em>Forensic Architecture</em>‘s <a href="https://forensic-architecture.org/">investigations</a>
</li>
<li>Interview with Toby Green and Thomas Fazi on <a href="https://petitpoi.net/toby-green-thomas-fazi-the-covid-consensus/"><em>The Covid Consensus</em></a>.</li>
</ul><p><br></p><p><a href="https://modernlanguages.exeter.ac.uk/staff/dhjones/">David Houston Jones</a> is Professor of French and Visual Culture at the University of Exeter.</p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4070</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[acb2643e-c4bd-11ed-bff4-e370da8e93aa]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6969056145.mp3?updated=1679055880" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leigh Goodmark, "Imperfect Victims: Criminalized Survivors and the Promise of Abolition Feminism" (U California Press, 2023)</title>
      <description>Leigh Goodmark’s new book, Imperfect Victims: Criminalized Survivors and the Promise of Abolition Feminism (U California Press, 2023), uses the stories of individual criminalized survivors of gender based violence to illuminate the ways that the criminal legal system perpetuates violence against the very women, transgender people, and gender non-conforming people it claims to protect. Leigh argues that reform is not the answer to this problem, and that instead of limiting our efforts and imaginations to the pursuit of reforms that ultimately expand the reach of the criminal legal system, we should invest in abolition feminism and a world of non-carceral supports and resources like housing, healthcare, and education instead of arrest, prosecution, and incarceration.
Kendall Dinniene is a fourth year English PhD student at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>365</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leigh Goodmark</itunes:subtitle>
      <itunes:summary>Leigh Goodmark’s new book, Imperfect Victims: Criminalized Survivors and the Promise of Abolition Feminism (U California Press, 2023), uses the stories of individual criminalized survivors of gender based violence to illuminate the ways that the criminal legal system perpetuates violence against the very women, transgender people, and gender non-conforming people it claims to protect. Leigh argues that reform is not the answer to this problem, and that instead of limiting our efforts and imaginations to the pursuit of reforms that ultimately expand the reach of the criminal legal system, we should invest in abolition feminism and a world of non-carceral supports and resources like housing, healthcare, and education instead of arrest, prosecution, and incarceration.
Kendall Dinniene is a fourth year English PhD student at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Leigh Goodmark’s new book,<a href="https://bookshop.org/a/12343/9780520391109"> <em>Imperfect Victims: Criminalized Survivors and the Promise of Abolition Feminism</em></a> (U California Press, 2023), uses the stories of individual criminalized survivors of gender based violence to illuminate the ways that the criminal legal system perpetuates violence against the very women, transgender people, and gender non-conforming people it claims to protect. Leigh argues that reform is not the answer to this problem, and that instead of limiting our efforts and imaginations to the pursuit of reforms that ultimately expand the reach of the criminal legal system, we should invest in abolition feminism and a world of non-carceral supports and resources like housing, healthcare, and education instead of arrest, prosecution, and incarceration.</p><p><a href="https://www.smu.edu/Dedman/Academics/Departments/English/People/Graduate-Students/KendallMeador"><em>Kendall Dinniene</em></a><em> is a fourth year English PhD student at Southern Methodist University in Dallas, Texas. Their research examines how contemporary American authors respond to anti-fatness in their work.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3497</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Max Kaiser, "Jewish Antifascism and the False Promise of Settler Colonialism" (Palgrave MacMillan, 2022)</title>
      <description>Max Kaiser's book Jewish Antifascism and the False Promise of Settler Colonialism (Palgrave MacMillan, 2022) takes a timely look at histories of radical Jewish movements, their modes of Holocaust memorialisation, and their relationships with broader anti-colonial and anti-racist struggles. Its primary focus is Australia, where Jewish antifascism was a major political and cultural force in Jewish communities in the 1940s and early 1950s. This cultural and intellectual history of Jewish antifascism utilises a transnational lens to provide an exploration of a Jewish antifascist ideology that took hold in the middle of the twentieth century across Jewish communities worldwide. It argues that Jewish antifascism offered an alternate path for Jewish politics that was foreclosed by mutually reinforcing ideologies of settler colonialism, both in Palestine and Australia.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>383</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Max Kaiser</itunes:subtitle>
      <itunes:summary>Max Kaiser's book Jewish Antifascism and the False Promise of Settler Colonialism (Palgrave MacMillan, 2022) takes a timely look at histories of radical Jewish movements, their modes of Holocaust memorialisation, and their relationships with broader anti-colonial and anti-racist struggles. Its primary focus is Australia, where Jewish antifascism was a major political and cultural force in Jewish communities in the 1940s and early 1950s. This cultural and intellectual history of Jewish antifascism utilises a transnational lens to provide an exploration of a Jewish antifascist ideology that took hold in the middle of the twentieth century across Jewish communities worldwide. It argues that Jewish antifascism offered an alternate path for Jewish politics that was foreclosed by mutually reinforcing ideologies of settler colonialism, both in Palestine and Australia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Max Kaiser's book <a href="https://bookshop.org/a/12343/9783031101229"><em>Jewish Antifascism and the False Promise of Settler Colonialism</em></a> (Palgrave MacMillan, 2022) takes a timely look at histories of radical Jewish movements, their modes of Holocaust memorialisation, and their relationships with broader anti-colonial and anti-racist struggles. Its primary focus is Australia, where Jewish antifascism was a major political and cultural force in Jewish communities in the 1940s and early 1950s. This cultural and intellectual history of Jewish antifascism utilises a transnational lens to provide an exploration of a Jewish antifascist ideology that took hold in the middle of the twentieth century across Jewish communities worldwide. It argues that Jewish antifascism offered an alternate path for Jewish politics that was foreclosed by mutually reinforcing ideologies of settler colonialism, both in Palestine and Australia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Nadia Abu El-Haj, "Combat Trauma: Imaginaries of War and Citizenship in Post-9/11 America" (Verso, 2022)</title>
      <description>One of the most recognizable tropes in American society in the past few decades is the scarred war veteran, returning from foreign lands with wounds both visible and invisible. His experiences are incomprehensible to those who’ve not served, but we owe him everything, and it is our duty as American citizens to honor him with nonjudgmental empathy so that he might eventually heal and reintegrate into the national community. But this narrative, this response to combat is neither natural or the only possible way of dealing with the issue. In fact, my guest Nadia Abu El-Haj argues that it is a distinctly apolitical interpretation, one that works as a cover for the politics of American empire in her new book Combat Trauma: Imaginaries of War and Citizenship in Post-9/11 America (Verso, 2022).
Beginning her narrative in the 1960’s and 70’s with the war in Vietnam, El-Haj traces PTSD back to it’s roots as a response to extreme circumstances. In the soldiers being studied, psychologists found men who were shattered by their experiences, struggling to process them and move on when they returned home. However, key to their understanding was a sense of guilt and complicity in the war. They might’ve been damaged and in need of care to move forward with their lives, but they were still guilty of immoral and criminal acts. The diagnosis was then not just an individualized pathology but part of a broader political critique, and part of the healing process involved engaging in activism to fight the very systems the soldiers had been participants of.
Fast forward a few decades, and this political angle has almost been entirely erased. Instead, soldiers returning from Iraq and Afghanistan are no longer perpetrators but victims who bear a burden we all must honor them for. This new discourse around trauma buries the possibility of political dissent, leaving us unable to understand the decisions that produced the trauma in the first place, but also focuses so heavily on the traumatized soldier that civilians caught in the crossfire almost never factor in our understanding, in spite of the fact that they are the most numerous victims of wars in the last several decades. This combination has produced a toxic form of militarism, one incapable of sustained political critique, which helps explain why the wars in Iraq, Afghanistan and elsewhere have been able to go on so long.
Combining fields and disciplines and tying numerous disparate threads together, El-Haj’s work is a devastatingly urgent, eye-opening critique of a society that has long lost it’s capacity for critical self-reflection. It reveals many ideological traps and mazes many have been lost in, and even if it cannot bring about a more peaceful world on its own, it can point the way towards a more critical one.
Nadia Abu El-Haj is a professor of anthropology at Barnard College. She is also the author of The Genealogical Science: The Search for Jewish Origins and the Politics of Epistemology and Facts on the Ground: Archaeological Practice and Territorial Self-Fashioning in Israeli Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>364</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nadia Abu El-Haj</itunes:subtitle>
      <itunes:summary>One of the most recognizable tropes in American society in the past few decades is the scarred war veteran, returning from foreign lands with wounds both visible and invisible. His experiences are incomprehensible to those who’ve not served, but we owe him everything, and it is our duty as American citizens to honor him with nonjudgmental empathy so that he might eventually heal and reintegrate into the national community. But this narrative, this response to combat is neither natural or the only possible way of dealing with the issue. In fact, my guest Nadia Abu El-Haj argues that it is a distinctly apolitical interpretation, one that works as a cover for the politics of American empire in her new book Combat Trauma: Imaginaries of War and Citizenship in Post-9/11 America (Verso, 2022).
Beginning her narrative in the 1960’s and 70’s with the war in Vietnam, El-Haj traces PTSD back to it’s roots as a response to extreme circumstances. In the soldiers being studied, psychologists found men who were shattered by their experiences, struggling to process them and move on when they returned home. However, key to their understanding was a sense of guilt and complicity in the war. They might’ve been damaged and in need of care to move forward with their lives, but they were still guilty of immoral and criminal acts. The diagnosis was then not just an individualized pathology but part of a broader political critique, and part of the healing process involved engaging in activism to fight the very systems the soldiers had been participants of.
Fast forward a few decades, and this political angle has almost been entirely erased. Instead, soldiers returning from Iraq and Afghanistan are no longer perpetrators but victims who bear a burden we all must honor them for. This new discourse around trauma buries the possibility of political dissent, leaving us unable to understand the decisions that produced the trauma in the first place, but also focuses so heavily on the traumatized soldier that civilians caught in the crossfire almost never factor in our understanding, in spite of the fact that they are the most numerous victims of wars in the last several decades. This combination has produced a toxic form of militarism, one incapable of sustained political critique, which helps explain why the wars in Iraq, Afghanistan and elsewhere have been able to go on so long.
Combining fields and disciplines and tying numerous disparate threads together, El-Haj’s work is a devastatingly urgent, eye-opening critique of a society that has long lost it’s capacity for critical self-reflection. It reveals many ideological traps and mazes many have been lost in, and even if it cannot bring about a more peaceful world on its own, it can point the way towards a more critical one.
Nadia Abu El-Haj is a professor of anthropology at Barnard College. She is also the author of The Genealogical Science: The Search for Jewish Origins and the Politics of Epistemology and Facts on the Ground: Archaeological Practice and Territorial Self-Fashioning in Israeli Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the most recognizable tropes in American society in the past few decades is the scarred war veteran, returning from foreign lands with wounds both visible and invisible. His experiences are incomprehensible to those who’ve not served, but we owe him everything, and it is our duty as American citizens to honor him with nonjudgmental empathy so that he might eventually heal and reintegrate into the national community. But this narrative, this response to combat is neither natural or the only possible way of dealing with the issue. In fact, my guest Nadia Abu El-Haj argues that it is a distinctly apolitical interpretation, one that works as a cover for the politics of American empire in her new book <a href="https://bookshop.org/a/12343/9781788738422"><em>Combat Trauma: Imaginaries of War and Citizenship in Post-9/11 America</em></a><em> </em>(Verso, 2022).</p><p>Beginning her narrative in the 1960’s and 70’s with the war in Vietnam, El-Haj traces PTSD back to it’s roots as a response to extreme circumstances. In the soldiers being studied, psychologists found men who were shattered by their experiences, struggling to process them and move on when they returned home. However, key to their understanding was a sense of guilt and complicity in the war. They might’ve been damaged and in need of care to move forward with their lives, but they were still guilty of immoral and criminal acts. The diagnosis was then not just an individualized pathology but part of a broader political critique, and part of the healing process involved engaging in activism to fight the very systems the soldiers had been participants of.</p><p>Fast forward a few decades, and this political angle has almost been entirely erased. Instead, soldiers returning from Iraq and Afghanistan are no longer perpetrators but victims who bear a burden we all must honor them for. This new discourse around trauma buries the possibility of political dissent, leaving us unable to understand the decisions that produced the trauma in the first place, but also focuses so heavily on the traumatized soldier that civilians caught in the crossfire almost never factor in our understanding, in spite of the fact that they are the most numerous victims of wars in the last several decades. This combination has produced a toxic form of militarism, one incapable of sustained political critique, which helps explain why the wars in Iraq, Afghanistan and elsewhere have been able to go on so long.</p><p>Combining fields and disciplines and tying numerous disparate threads together, El-Haj’s work is a devastatingly urgent, eye-opening critique of a society that has long lost it’s capacity for critical self-reflection. It reveals many ideological traps and mazes many have been lost in, and even if it cannot bring about a more peaceful world on its own, it can point the way towards a more critical one.</p><p><em>Nadia Abu El-Haj is a professor of anthropology at Barnard College. She is also the author of </em><a href="https://press.uchicago.edu/ucp/books/book/chicago/G/bo12456289.html"><em>The Genealogical Science: The Search for Jewish Origins and the Politics of Epistemology</em></a><em> and </em><a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo3622177.html"><em>Facts on the Ground: Archaeological Practice and Territorial Self-Fashioning in Israeli Society</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
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      <itunes:duration>4690</itunes:duration>
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      <title>Gediminas Lesutis, "The Politics of Precarity: Spaces of Extractivism, Violence, and Suffering" (Routledge, 2021)</title>
      <description>Based on critical theory and ethnographic research, Gediminas Lesutis' book The Politics of Precarity: Spaces of Extractivism, Violence, and Suffering (Routledge, 2021) explores how intensifying geographies of extractive capitalism shape human lives and transformative politics in marginal areas of the global economy. Engaging the work of Judith Butler, Henri Lefebvre, and Jacques Rancière with ethnographic research on social and political effects of mining-induced dispossession in Mozambique, in the book Lesutis theorises how precarity unfolds as a spatially constituted condition of everyday life given over to the violence of capital. Going beyond labour relations, or governance of life in liberal democracies, that are typically explored in the literature on precarity, the book shows how dispossessed people are subjected to structural, symbolic, and direct modalities of violence; this simultaneously constitutes their suffering and ceaseless desire, however implausible, to be included into abstract space of extractivism. 
As a result, despite the multifarious violence that it engenders, extractive capital accumulation is sustained even in the margins, historically excluded from contingently lived imaginaries of a "good life" promised by capitalism. Presenting this theorisation of precarity as a framework on, and a critique of, the contemporary politics of (un)liveability, the book speaks to key debates about precarity, dispossession, resistance, extractivism, and development in several disciplines, especially political geography, IPE, global politics, and critical theory. It will also be of interest to scholars in development studies, critical political economy, and African politics.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>363</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gediminas Lesutis</itunes:subtitle>
      <itunes:summary>Based on critical theory and ethnographic research, Gediminas Lesutis' book The Politics of Precarity: Spaces of Extractivism, Violence, and Suffering (Routledge, 2021) explores how intensifying geographies of extractive capitalism shape human lives and transformative politics in marginal areas of the global economy. Engaging the work of Judith Butler, Henri Lefebvre, and Jacques Rancière with ethnographic research on social and political effects of mining-induced dispossession in Mozambique, in the book Lesutis theorises how precarity unfolds as a spatially constituted condition of everyday life given over to the violence of capital. Going beyond labour relations, or governance of life in liberal democracies, that are typically explored in the literature on precarity, the book shows how dispossessed people are subjected to structural, symbolic, and direct modalities of violence; this simultaneously constitutes their suffering and ceaseless desire, however implausible, to be included into abstract space of extractivism. 
As a result, despite the multifarious violence that it engenders, extractive capital accumulation is sustained even in the margins, historically excluded from contingently lived imaginaries of a "good life" promised by capitalism. Presenting this theorisation of precarity as a framework on, and a critique of, the contemporary politics of (un)liveability, the book speaks to key debates about precarity, dispossession, resistance, extractivism, and development in several disciplines, especially political geography, IPE, global politics, and critical theory. It will also be of interest to scholars in development studies, critical political economy, and African politics.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Based on critical theory and ethnographic research, Gediminas Lesutis' book <a href="https://bookshop.org/a/12343/9781032014227"><em>The Politics of Precarity: Spaces of Extractivism, Violence, and Suffering</em></a> (Routledge, 2021) explores how intensifying geographies of extractive capitalism shape human lives and transformative politics in marginal areas of the global economy. Engaging the work of Judith Butler, Henri Lefebvre, and Jacques Rancière with ethnographic research on social and political effects of mining-induced dispossession in Mozambique, in the book Lesutis theorises how precarity unfolds as a spatially constituted condition of everyday life given over to the violence of capital. Going beyond labour relations, or governance of life in liberal democracies, that are typically explored in the literature on precarity, the book shows how dispossessed people are subjected to structural, symbolic, and direct modalities of violence; this simultaneously constitutes their suffering and ceaseless desire, however implausible, to be included into abstract space of extractivism. </p><p>As a result, despite the multifarious violence that it engenders, extractive capital accumulation is sustained even in the margins, historically excluded from contingently lived imaginaries of a "good life" promised by capitalism. Presenting this theorisation of <em>precarity</em> as a framework on, and a critique of, the contemporary politics of (un)liveability, the book speaks to key debates about precarity, dispossession, resistance, extractivism, and development in several disciplines, especially political geography, IPE, global politics, and critical theory. It will also be of interest to scholars in development studies, critical political economy, and African politics.</p><p><a href="https://www.shraddhachatterjee.com/"><em>Shraddha Chatterjee</em></a><em> is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5179</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Daniel L. Hatcher, "Injustice, Inc.: How America's Justice System Commodifies Children and the Poor" (U California Press, 2023)</title>
      <description>Injustice, Inc.: How America's Justice System Commodifies Children and the Poor (U California Press, 2023) exposes the ways in which justice systems exploit America's history of racial and economic inequality to generate revenue on a massive scale. With searing legal analysis, Daniel L. Hatcher uncovers how courts, prosecutors, police, probation departments, and detention facilities are abandoning ethics to churn vulnerable children and adults into unconstitutional factory-like operations.
Hatcher reveals stark details of revenue schemes and reflects on the systemic racialized harm of the injustice enterprise. He details how these corporatized institutions enter contracts to make money removing children from their homes, extort fines and fees, collaborate with debt collectors, seize property, incentivize arrests and evictions, enforce unpaid child labor, maximize occupancy in detention and "treatment" centers, and more. Injustice, Inc. underscores the need to unravel these predatory operations, which have escaped public scrutiny for too long.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel L. Hatcher</itunes:subtitle>
      <itunes:summary>Injustice, Inc.: How America's Justice System Commodifies Children and the Poor (U California Press, 2023) exposes the ways in which justice systems exploit America's history of racial and economic inequality to generate revenue on a massive scale. With searing legal analysis, Daniel L. Hatcher uncovers how courts, prosecutors, police, probation departments, and detention facilities are abandoning ethics to churn vulnerable children and adults into unconstitutional factory-like operations.
Hatcher reveals stark details of revenue schemes and reflects on the systemic racialized harm of the injustice enterprise. He details how these corporatized institutions enter contracts to make money removing children from their homes, extort fines and fees, collaborate with debt collectors, seize property, incentivize arrests and evictions, enforce unpaid child labor, maximize occupancy in detention and "treatment" centers, and more. Injustice, Inc. underscores the need to unravel these predatory operations, which have escaped public scrutiny for too long.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520396050"><em>Injustice, Inc.: How America's Justice System Commodifies Children and the Poor</em></a><em> </em>(U California Press, 2023) exposes the ways in which justice systems exploit America's history of racial and economic inequality to generate revenue on a massive scale. With searing legal analysis, Daniel L. Hatcher uncovers how courts, prosecutors, police, probation departments, and detention facilities are abandoning ethics to churn vulnerable children and adults into unconstitutional factory-like operations.</p><p>Hatcher reveals stark details of revenue schemes and reflects on the systemic racialized harm of the injustice enterprise. He details how these corporatized institutions enter contracts to make money removing children from their homes, extort fines and fees, collaborate with debt collectors, seize property, incentivize arrests and evictions, enforce unpaid child labor, maximize occupancy in detention and "treatment" centers, and more. <em>Injustice, Inc.</em> underscores the need to unravel these predatory operations, which have escaped public scrutiny for too long.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3772</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9373ea0-c35e-11ed-b631-d7a1b38bc655]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7437294927.mp3?updated=1678905215" length="0" type="audio/mpeg"/>
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    <item>
      <title>Chrisanthi Giotis, "Borderland: Decolonizing the Words of War" (Oxford UP, 2022)</title>
      <description>Every two seconds a person is displaced, caught in one of the more than 40 active conflicts around the world that show no sign of ending. Since 1994, there has been ongoing war in the Democratic Republic of Congo, which has uprooted millions of people and resulted in the deaths of millions more. In the West, we have entered a political era where our border policies are underpinned by unending wars. At this critical juncture, how can journalists, especially those engaged in foreign correspondence, tell these stories? How can they make connections across time and space, and across politics, economics, environments, and crucially, people? Given its colonial history, are these connections possible for the profession of foreign correspondence?
In Borderland: Decolonising the Words of War (Oxford University Press, 2022), Dr. Chrisanthi Giotis argues that decolonization is possible and necessary for the development of a truly global, public sphere. New global narratives need to meaningfully include the voices, and knowledge, of those with the least power who are caught in resource-fuelled wars. Drawing on insights from postcolonial studies, international relations, development studies, and philosophy, which are brought to life through auto-ethnographic descriptions and analysis of "behind-the-scenes" events, Giotis introduces new reporting techniques for foreign correspondents. Borderland argues that decolonized reporting techniques will help journalists—and their audiences—move beyond the sociohistorical and political myopia that prevents us from communicating and understanding the reality of a complex world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chrisanthi Giotis</itunes:subtitle>
      <itunes:summary>Every two seconds a person is displaced, caught in one of the more than 40 active conflicts around the world that show no sign of ending. Since 1994, there has been ongoing war in the Democratic Republic of Congo, which has uprooted millions of people and resulted in the deaths of millions more. In the West, we have entered a political era where our border policies are underpinned by unending wars. At this critical juncture, how can journalists, especially those engaged in foreign correspondence, tell these stories? How can they make connections across time and space, and across politics, economics, environments, and crucially, people? Given its colonial history, are these connections possible for the profession of foreign correspondence?
In Borderland: Decolonising the Words of War (Oxford University Press, 2022), Dr. Chrisanthi Giotis argues that decolonization is possible and necessary for the development of a truly global, public sphere. New global narratives need to meaningfully include the voices, and knowledge, of those with the least power who are caught in resource-fuelled wars. Drawing on insights from postcolonial studies, international relations, development studies, and philosophy, which are brought to life through auto-ethnographic descriptions and analysis of "behind-the-scenes" events, Giotis introduces new reporting techniques for foreign correspondents. Borderland argues that decolonized reporting techniques will help journalists—and their audiences—move beyond the sociohistorical and political myopia that prevents us from communicating and understanding the reality of a complex world.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every two seconds a person is displaced, caught in one of the more than 40 active conflicts around the world that show no sign of ending. Since 1994, there has been ongoing war in the Democratic Republic of Congo, which has uprooted millions of people and resulted in the deaths of millions more. In the West, we have entered a political era where our border policies are underpinned by unending wars. At this critical juncture, how can journalists, especially those engaged in foreign correspondence, tell these stories? How can they make connections across time and space, and across politics, economics, environments, and crucially, people? Given its colonial history, are these connections possible for the profession of foreign correspondence?</p><p>In <a href="https://bookshop.org/a/12343/9780197565803"><em>Borderland: Decolonising the Words of War</em></a> (Oxford University Press, 2022), Dr. Chrisanthi Giotis argues that decolonization is possible and necessary for the development of a truly global, public sphere. New global narratives need to meaningfully include the voices, and knowledge, of those with the least power who are caught in resource-fuelled wars. Drawing on insights from postcolonial studies, international relations, development studies, and philosophy, which are brought to life through auto-ethnographic descriptions and analysis of "behind-the-scenes" events, Giotis introduces new reporting techniques for foreign correspondents. Borderland argues that decolonized reporting techniques will help journalists—and their audiences—move beyond the sociohistorical and political myopia that prevents us from communicating and understanding the reality of a complex world.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3576</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Nicholas Brown, "Autonomy: The Social Ontology of Art under Capitalism" (Duke UP, 2019)</title>
      <description>In Autonomy: The Social Ontology of Art under Capitalism (Duke University Press, 2019), Nicholas Brown offers a fresh perspective on aesthetic autonomy and its political value, one of the great debates of the twentieth century. The monograph illustrates the viability of the modernist project in the era after postmodernism while offering one illuminating reading after another of contemporary examples in novels, photography, sculpture, popular music, TV, or movies. Brown defends art as a liberatory force in an age dominated by markets. By exploring the nuances of artistic production, Autonomy is a feast of delicious and insightful appraisals of artwork—with surprising turns and twists—within a larger context of the dialectics between art and market.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 19 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Brown</itunes:subtitle>
      <itunes:summary>In Autonomy: The Social Ontology of Art under Capitalism (Duke University Press, 2019), Nicholas Brown offers a fresh perspective on aesthetic autonomy and its political value, one of the great debates of the twentieth century. The monograph illustrates the viability of the modernist project in the era after postmodernism while offering one illuminating reading after another of contemporary examples in novels, photography, sculpture, popular music, TV, or movies. Brown defends art as a liberatory force in an age dominated by markets. By exploring the nuances of artistic production, Autonomy is a feast of delicious and insightful appraisals of artwork—with surprising turns and twists—within a larger context of the dialectics between art and market.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478001591"><em>Autonomy: The Social Ontology of Art under Capitalism</em></a><em> </em>(Duke University Press, 2019), Nicholas Brown offers a fresh perspective on aesthetic autonomy and its political value, one of the great debates of the twentieth century. The monograph illustrates the viability of the modernist project in the era after postmodernism while offering one illuminating reading after another of contemporary examples in novels, photography, sculpture, popular music, TV, or movies. Brown defends art as a liberatory force in an age dominated by markets. By exploring the nuances of artistic production, <em>Autonomy</em> is a feast of delicious and insightful appraisals of artwork—with surprising turns and twists—within a larger context of the dialectics between art and market.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4104</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Michael Walzer, "The Struggle for a Decent Politics: On 'Liberal' As an Adjective" (Yale UP, 2023)</title>
      <description>The national purpose of the American state is to realize and then sustain the democracy and the equality that was the promise of our founding. I believe that requires perennial struggle and … groups like Black Lives Matter are an essential part of that struggle … Those are the social movements I hope to join, support, and that I hope will always be qualified by the adjective ‘liberal’.
– Michael Walzer, NBN interview (2023)
In the 1990 collection What is Justice? Classic and Contemporary Readings edited by Solomon and Murphy and published by Oxford, teachers had a textbook to help introduce students to a broad cross-section of political thinkers ranging from Hobbes to Hegel to Hayek to Mill, Nozick, Rawls, Sandel, Taylor and Walzer among others. It is worth mentioning because Michael Walzer insists he is not a formal philosopher, does not in fact, deserve to be grouped with the likes of a Dewey or a Hegel, as Richard Rorty had done in the introduction of his 1999 collection of essays in Philosophy and Social Hope:
‘Recently Michael Walzer, a political philosopher best known for his earlier work, Spheres of Justice, has come to Hegel’s and Dewey’s defense. In his more recent book Thick and Thin, Walzer argues that we should not think of the customs and institutions of particular societies as accidental accretions around a common core of universal moral rationality, the transcultural moral law. Rather, we should think of the thick set of customs and institutions as prior, and as what commands moral allegiance.’
Rorty’s broader point remains as relevant as arguably, the positions of the political philosophers as collected in the Solomon and Murphy reader mentioned above, What is Justice?, which also recognized the appeal of Walzer’s ‘very different approach’ to the Rawls’ paradigmatic A Theory of Justice. That same collection also shares Nozick’s critical response to Rawls - mentioned because of the well-known course, ‘Capitalism and Socialism’, that Robert Nozick and Michael Walzer taught together at Harvard.
A former student, the Washington Post columnist, Brookings senior fellow, and policy professor E.J. Dionne once said: it was one of the best courses he ever took, adding, it was Michael Walzer ‘who very much shaped my view’.
A short list of Professor Walzer’s book titles include Just and Unjust Wars, Spheres of Justice - A Defense of Pluralism and Equality, The Company of Critics, Thick and Thin - Moral Argument at Home and Abroad, On Toleration, Politics and Passion, The Jewish Political Tradition, The Paradox of Liberation: Secular Revolutions and Religious Counterrevolutions, A Foreign Policy for the Left, as well as a published conversation - Justice is Steady Work: A Conversation on Political Theory - published by Polity in 2020.
This interview focuses primarily on his latest book, The Struggle for a Decent Politics: On “Liberal” as an Adjective (2023, Yale University Press) which does much to clarify a simple, yet crucial distinction, between liberal and illiberal sensibilities underlying the pluralism, populism, and polarization today.
Michael Walzer is professor emeritus at the Institute for Advanced Study in Princeton, and editor emeritus at Dissent magazine. Professor Walzer studied on a Fulbright Fellowship at Cambridge and completed his PhD in government at Harvard University.
Keith Krueger can be reached at keithNBn@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 18 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Walzer</itunes:subtitle>
      <itunes:summary>The national purpose of the American state is to realize and then sustain the democracy and the equality that was the promise of our founding. I believe that requires perennial struggle and … groups like Black Lives Matter are an essential part of that struggle … Those are the social movements I hope to join, support, and that I hope will always be qualified by the adjective ‘liberal’.
– Michael Walzer, NBN interview (2023)
In the 1990 collection What is Justice? Classic and Contemporary Readings edited by Solomon and Murphy and published by Oxford, teachers had a textbook to help introduce students to a broad cross-section of political thinkers ranging from Hobbes to Hegel to Hayek to Mill, Nozick, Rawls, Sandel, Taylor and Walzer among others. It is worth mentioning because Michael Walzer insists he is not a formal philosopher, does not in fact, deserve to be grouped with the likes of a Dewey or a Hegel, as Richard Rorty had done in the introduction of his 1999 collection of essays in Philosophy and Social Hope:
‘Recently Michael Walzer, a political philosopher best known for his earlier work, Spheres of Justice, has come to Hegel’s and Dewey’s defense. In his more recent book Thick and Thin, Walzer argues that we should not think of the customs and institutions of particular societies as accidental accretions around a common core of universal moral rationality, the transcultural moral law. Rather, we should think of the thick set of customs and institutions as prior, and as what commands moral allegiance.’
Rorty’s broader point remains as relevant as arguably, the positions of the political philosophers as collected in the Solomon and Murphy reader mentioned above, What is Justice?, which also recognized the appeal of Walzer’s ‘very different approach’ to the Rawls’ paradigmatic A Theory of Justice. That same collection also shares Nozick’s critical response to Rawls - mentioned because of the well-known course, ‘Capitalism and Socialism’, that Robert Nozick and Michael Walzer taught together at Harvard.
A former student, the Washington Post columnist, Brookings senior fellow, and policy professor E.J. Dionne once said: it was one of the best courses he ever took, adding, it was Michael Walzer ‘who very much shaped my view’.
A short list of Professor Walzer’s book titles include Just and Unjust Wars, Spheres of Justice - A Defense of Pluralism and Equality, The Company of Critics, Thick and Thin - Moral Argument at Home and Abroad, On Toleration, Politics and Passion, The Jewish Political Tradition, The Paradox of Liberation: Secular Revolutions and Religious Counterrevolutions, A Foreign Policy for the Left, as well as a published conversation - Justice is Steady Work: A Conversation on Political Theory - published by Polity in 2020.
This interview focuses primarily on his latest book, The Struggle for a Decent Politics: On “Liberal” as an Adjective (2023, Yale University Press) which does much to clarify a simple, yet crucial distinction, between liberal and illiberal sensibilities underlying the pluralism, populism, and polarization today.
Michael Walzer is professor emeritus at the Institute for Advanced Study in Princeton, and editor emeritus at Dissent magazine. Professor Walzer studied on a Fulbright Fellowship at Cambridge and completed his PhD in government at Harvard University.
Keith Krueger can be reached at keithNBn@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>The national purpose of the American state is to realize and then sustain the democracy and the equality that was the promise of our founding. I believe that requires perennial struggle and … groups like Black Lives Matter are an essential part of that struggle … Those are the social movements I hope to join, support, and that I hope will always be qualified by the adjective ‘liberal’.</em></p><p><strong>– Michael Walzer, NBN interview (2023)</strong></p><p>In the 1990 collection <em>What is Justice? Classic and Contemporary Readings</em> edited by Solomon and Murphy and published by Oxford, teachers had a textbook to help introduce students to a broad cross-section of political thinkers ranging from Hobbes to Hegel to Hayek to Mill, Nozick, Rawls, Sandel, Taylor and Walzer among others. It is worth mentioning because Michael Walzer insists he is not a formal philosopher, does not in fact, deserve to be grouped with the likes of a Dewey or a Hegel, as Richard Rorty had done in the introduction of his 1999 collection of essays in <em>Philosophy and Social Hope</em>:</p><p>‘Recently Michael Walzer, a political philosopher best known for his earlier work, <em>Spheres of Justice</em>, has come to Hegel’s and Dewey’s defense. In his more recent book <em>Thick and Thin</em>, Walzer argues that we should not think of the customs and institutions of particular societies as accidental accretions around a common core of universal moral rationality, the transcultural moral law. Rather, we should think of the thick set of customs and institutions as prior, and as what commands moral allegiance.’</p><p>Rorty’s broader point remains as relevant as arguably, the positions of the political philosophers as collected in the Solomon and Murphy reader mentioned above, <em>What is Justice?</em>, which also recognized the appeal of Walzer’s ‘very different approach’ to the Rawls’ paradigmatic <em>A Theory of Justice</em>. That same collection also shares Nozick’s critical response to Rawls - mentioned because of the well-known course, ‘Capitalism and Socialism’, that Robert Nozick and Michael Walzer taught together at Harvard.</p><p>A former student, the Washington Post columnist, Brookings senior fellow, and policy professor E.J. Dionne once said: it was one of the best courses he ever took, adding, it was Michael Walzer ‘who very much shaped my view’.</p><p>A short list of Professor Walzer’s book titles include <em>Just and Unjust Wars</em>, <em>Spheres of Justice - A Defense of Pluralism and Equality</em>, <em>The Company of Critics</em>, <em>Thick and Thin - Moral Argument at Home and Abroad</em>, <em>On Toleration</em>, <em>Politics and Passion</em>, <em>The Jewish Political Tradition</em>, <em>The Paradox of Liberation: Secular Revolutions and Religious Counterrevolutions</em>, <em>A Foreign Policy for the Left</em>, as well as a published conversation - <em>Justice is Steady Work: A Conversation on Political Theory</em> - published by Polity in 2020.</p><p>This interview focuses primarily on his latest book, <a href="https://bookshop.org/a/12343/9780300267235"><em>The Struggle for a Decent Politics: On “Liberal” as an Adjective</em></a> (2023, Yale University Press) which does much to clarify a simple, yet crucial distinction, between liberal and illiberal sensibilities underlying the pluralism, populism, and polarization today.</p><p>Michael Walzer is professor emeritus at the Institute for Advanced Study in Princeton, and editor emeritus at <em>Dissent</em> magazine. Professor Walzer studied on a Fulbright Fellowship at Cambridge and completed his PhD in government at Harvard University.</p><p><em>Keith Krueger can be reached at keithNBn@gmail.com</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2921</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mejdulene Bernard Shomali, "Between Banat: Queer Arab Critique and Transnational Arab Archives" (Duke UP, 2023)</title>
      <description>In Between Banat: Queer Arab Critique and Transnational Arab Archives (Duke UP, 2023), Mejdulene Bernard Shomali examines homoeroticism and non-normative sexualities between Arab women in transnational Arab literature, art, and film. 
Moving from The Thousand and One Nights and the Golden Era of Egyptian cinema to contemporary novels, autobiographical writing, and prints and graphic novels that imagine queer Arab futures, Shomali uses what she calls queer Arab critique to locate queer desire amid heteronormative imperatives. Showing how systems of heteropatriarchy and Arab nationalisms foreclose queer Arab women’s futures, she draws on the transliterated term “banat”—the Arabic word for girls—to refer to women, femmes, and nonbinary people who disrupt stereotypical and Orientalist representations of the “Arab woman.” By attending to Arab women’s narration of desire and identity, queer Arab critique substantiates queer Arab histories while challenging Orientalist and Arab national paradigms that erase queer subjects. In this way, Shomali frames queerness and Arabness as relational and transnational subject formations and contends that prioritizing transnational collectivity over politics of authenticity, respectability, and inclusion can help lead toward queer freedom.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mejdulene Bernard Shomali</itunes:subtitle>
      <itunes:summary>In Between Banat: Queer Arab Critique and Transnational Arab Archives (Duke UP, 2023), Mejdulene Bernard Shomali examines homoeroticism and non-normative sexualities between Arab women in transnational Arab literature, art, and film. 
Moving from The Thousand and One Nights and the Golden Era of Egyptian cinema to contemporary novels, autobiographical writing, and prints and graphic novels that imagine queer Arab futures, Shomali uses what she calls queer Arab critique to locate queer desire amid heteronormative imperatives. Showing how systems of heteropatriarchy and Arab nationalisms foreclose queer Arab women’s futures, she draws on the transliterated term “banat”—the Arabic word for girls—to refer to women, femmes, and nonbinary people who disrupt stereotypical and Orientalist representations of the “Arab woman.” By attending to Arab women’s narration of desire and identity, queer Arab critique substantiates queer Arab histories while challenging Orientalist and Arab national paradigms that erase queer subjects. In this way, Shomali frames queerness and Arabness as relational and transnational subject formations and contends that prioritizing transnational collectivity over politics of authenticity, respectability, and inclusion can help lead toward queer freedom.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478019275"><em>Between Banat: Queer Arab Critique and Transnational Arab Archives</em></a><em> </em>(Duke UP, 2023), Mejdulene Bernard Shomali examines homoeroticism and non-normative sexualities between Arab women in transnational Arab literature, art, and film. </p><p>Moving from <em>The Thousand and One Nights</em> and the Golden Era of Egyptian cinema to contemporary novels, autobiographical writing, and prints and graphic novels that imagine queer Arab futures, Shomali uses what she calls queer Arab critique to locate queer desire amid heteronormative imperatives. Showing how systems of heteropatriarchy and Arab nationalisms foreclose queer Arab women’s futures, she draws on the transliterated term “banat”—the Arabic word for girls—to refer to women, femmes, and nonbinary people who disrupt stereotypical and Orientalist representations of the “Arab woman.” By attending to Arab women’s narration of desire and identity, queer Arab critique substantiates queer Arab histories while challenging Orientalist and Arab national paradigms that erase queer subjects. In this way, Shomali frames queerness and Arabness as relational and transnational subject formations and contends that prioritizing transnational collectivity over politics of authenticity, respectability, and inclusion can help lead toward queer freedom.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
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      <itunes:duration>2814</itunes:duration>
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    </item>
    <item>
      <title>Book Talk 58: Vivian Gornick on Emma Goldman</title>
      <description>What Is to Be Done?
In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can’t dance, I don’t want to be in your revolution.”
Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman’s progression as an anarchist and feminist. Goldman’s feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman’s radical political program and their resonance in our time.
Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Vivian Gornick</itunes:subtitle>
      <itunes:summary>What Is to Be Done?
In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can’t dance, I don’t want to be in your revolution.”
Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman’s progression as an anarchist and feminist. Goldman’s feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman’s radical political program and their resonance in our time.
Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What Is to Be Done?</p><p>In her luminous biography <a href="https://bookshop.org/a/12343/9780300137262"><em>Emma Goldman: Revolution as a Way of Life</em></a> (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can’t dance, I don’t want to be in your revolution.”</p><p>Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for <em>Fierce Attachments </em>(1987) and <em>The Romance of American Communism </em>(1977), recounts Goldman’s progression as an anarchist and feminist. Goldman’s feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman’s radical political program and their resonance in our time.</p><p>Gornick also wrote an original preface for a new Goldman reader from Warbler Press, <a href="https://warblerpress.com/the-essential-emma-goldman-anarchism-feminism-liberation/"><em>The Essential Emma Goldman—Anarchism, Feminism, Liberation</em> </a>(2022).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3790</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jessica Wilson, "It's Always Been Ours: Rewriting the Story of Black Women's Bodies" (Hachette Go, 2023)</title>
      <description>In It's Always Been Ours: Rewriting the Story of Black Women's Bodies (Hachette Go, 2023) eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy's hold on us and reimagine the ways we think about, discuss, and tend to our bodies.
A narrative that spans the year of racial reckoning (that wasn't), It's Always Been Ours is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture's fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs.
With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. It's Always Been Ours is a love letter that celebrates Black women's bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>370</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessica Wilson</itunes:subtitle>
      <itunes:summary>In It's Always Been Ours: Rewriting the Story of Black Women's Bodies (Hachette Go, 2023) eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy's hold on us and reimagine the ways we think about, discuss, and tend to our bodies.
A narrative that spans the year of racial reckoning (that wasn't), It's Always Been Ours is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture's fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs.
With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. It's Always Been Ours is a love letter that celebrates Black women's bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780306827693"><em>It's Always Been Ours: Rewriting the Story of Black Women's Bodies </em></a>(Hachette Go, 2023) eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy's hold on us and reimagine the ways we think about, discuss, and tend to our bodies.</p><p>A narrative that spans the year of racial reckoning (that wasn't), <em>It's Always Been Ours</em> is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture's fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs.</p><p>With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. <em>It's Always Been Ours</em> is a love letter that celebrates Black women's bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3367</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cef60caa-c033-11ed-a9a2-27a88b75bf87]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2351203339.mp3?updated=1678556864" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary Flanagan and Mikael Jakobsson, "Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games" (MIT Press, 2023)</title>
      <description>Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games (MIT Press, 2023) by Dr. Mary Flanagan &amp; Dr. Mikael Jakobsson is a striking analysis of popular board games' roots in imperialist reasoning—and why the future of play depends on reckoning with it.
Board games conjure up images of innocuously enriching entertainment: family game nights, childhood pastimes, cooperative board games centered around resource management and strategic play. Yet in Playing Oppression, Dr. Flanagan and Dr. Jakobsson apply the incisive frameworks of postcolonial theory to a broad historical survey of board games to show how these seemingly benign entertainments reinforce the logic of imperialism.
Through this lens, the commercialized version of Snakes and Ladders takes shape as the British Empire's distortion of Gyan Chaupar (an Indian game of spiritual knowledge), and early twentieth-century “trading games” that fêted French colonialism are exposed for how they conveniently sanitized its brutality while also relying on crudely racist imagery. These games' most explicitly abhorrent features may no longer be visible, but their legacy still lingers in the contemporary Eurogame tendency to exalt (and incentivize) cycles of exploration, expansion, exploitation, and extermination.
An essential addition to any player's bookshelf, Playing Oppression deftly analyzes this insidious violence and proposes a path forward with board games that challenge colonialist thinking and embrace a much broader cultural imagination.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>362</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Flanagan and Mikael Jakobsson</itunes:subtitle>
      <itunes:summary>Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games (MIT Press, 2023) by Dr. Mary Flanagan &amp; Dr. Mikael Jakobsson is a striking analysis of popular board games' roots in imperialist reasoning—and why the future of play depends on reckoning with it.
Board games conjure up images of innocuously enriching entertainment: family game nights, childhood pastimes, cooperative board games centered around resource management and strategic play. Yet in Playing Oppression, Dr. Flanagan and Dr. Jakobsson apply the incisive frameworks of postcolonial theory to a broad historical survey of board games to show how these seemingly benign entertainments reinforce the logic of imperialism.
Through this lens, the commercialized version of Snakes and Ladders takes shape as the British Empire's distortion of Gyan Chaupar (an Indian game of spiritual knowledge), and early twentieth-century “trading games” that fêted French colonialism are exposed for how they conveniently sanitized its brutality while also relying on crudely racist imagery. These games' most explicitly abhorrent features may no longer be visible, but their legacy still lingers in the contemporary Eurogame tendency to exalt (and incentivize) cycles of exploration, expansion, exploitation, and extermination.
An essential addition to any player's bookshelf, Playing Oppression deftly analyzes this insidious violence and proposes a path forward with board games that challenge colonialist thinking and embrace a much broader cultural imagination.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780262047913"><em>Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games</em></a> (MIT Press, 2023) by Dr. Mary Flanagan &amp; Dr. Mikael Jakobsson is a striking analysis of popular board games' roots in imperialist reasoning—and why the future of play depends on reckoning with it.</p><p>Board games conjure up images of innocuously enriching entertainment: family game nights, childhood pastimes, cooperative board games centered around resource management and strategic play. Yet in Playing Oppression, Dr. Flanagan and Dr. Jakobsson apply the incisive frameworks of postcolonial theory to a broad historical survey of board games to show how these seemingly benign entertainments reinforce the logic of imperialism.</p><p>Through this lens, the commercialized version of Snakes and Ladders takes shape as the British Empire's distortion of Gyan Chaupar (an Indian game of spiritual knowledge), and early twentieth-century “trading games” that fêted French colonialism are exposed for how they conveniently sanitized its brutality while also relying on crudely racist imagery. These games' most explicitly abhorrent features may no longer be visible, but their legacy still lingers in the contemporary Eurogame tendency to exalt (and incentivize) cycles of exploration, expansion, exploitation, and extermination.</p><p>An essential addition to any player's bookshelf, Playing Oppression deftly analyzes this insidious violence and proposes a path forward with board games that challenge colonialist thinking and embrace a much broader cultural imagination.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2908</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[df334186-bd28-11ed-8d33-83880e38fa7b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1628777490.mp3?updated=1678222694" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Nonviolence: A Conversation with Julie M. Norman</title>
      <description>Ever since Mahatma Gandhi and Martin Luther King, non-violent resistance has held a special place in the public imagination. What can be better after all than forcing political change without the violence that so often accompanies it. But the Gandhi and King stories are so powerful they can perhaps crowd out other aspects of non-violent resistance. Many of these aspects have been explored by Julie M. Norman of University College London. Listen to her in conversation with Owen Bennett-Jones.
﻿Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ever since Mahatma Gandhi and Martin Luther King, non-violent resistance has held a special place in the public imagination. What can be better after all than forcing political change without the violence that so often accompanies it. But the Gandhi and King stories are so powerful they can perhaps crowd out other aspects of non-violent resistance. Many of these aspects have been explored by Julie M. Norman of University College London. Listen to her in conversation with Owen Bennett-Jones.
﻿Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ever since Mahatma Gandhi and Martin Luther King, non-violent resistance has held a special place in the public imagination. What can be better after all than forcing political change without the violence that so often accompanies it. But the Gandhi and King stories are so powerful they can perhaps crowd out other aspects of non-violent resistance. Many of these aspects have been explored by <a href="https://www.ucl.ac.uk/political-science/people/academic-teaching-and-research-staff/dr-julie-norman">Julie M. Norman</a> of University College London. Listen to her in conversation with Owen Bennett-Jones.</p><p><em>﻿</em><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2351</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d2d19714-c046-11ed-bb14-1f0c4e55ebb9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8807381383.mp3?updated=1678564835" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessa Lingel, "The Gentrification of the Internet: How to Reclaim Our Digital Freedom" (U California Press, 2023)</title>
      <description>The internet has become a battleground. Although it was unlikely to live up to the hype and hopes of the 1990s, only the most skeptical cynics could have predicted the World Wide Web as we know it today: commercial, isolating, and full of, even fueled by, bias. This was not inevitable. 
The Gentrification of the Internet: How to Reclaim Our Digital Freedom (U California Press, 2023) argues that much like our cities, the internet has become gentrified, dominated by the interests of business and capital rather than the interests of the people who use it. Jessa Lingel uses the politics and debates of gentrification to diagnose the massive, systemic problems blighting our contemporary internet: erosions of privacy and individual ownership, small businesses wiped out by wealthy corporations, the ubiquitous paywall. But there are still steps we can take to reclaim the heady possibilities of the early internet. Lingel outlines actions that internet activists and everyday users can take to defend and secure more protections for the individual and to carve out more spaces of freedom for the people—not businesses—online.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 12 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jessa Lingel</itunes:subtitle>
      <itunes:summary>The internet has become a battleground. Although it was unlikely to live up to the hype and hopes of the 1990s, only the most skeptical cynics could have predicted the World Wide Web as we know it today: commercial, isolating, and full of, even fueled by, bias. This was not inevitable. 
The Gentrification of the Internet: How to Reclaim Our Digital Freedom (U California Press, 2023) argues that much like our cities, the internet has become gentrified, dominated by the interests of business and capital rather than the interests of the people who use it. Jessa Lingel uses the politics and debates of gentrification to diagnose the massive, systemic problems blighting our contemporary internet: erosions of privacy and individual ownership, small businesses wiped out by wealthy corporations, the ubiquitous paywall. But there are still steps we can take to reclaim the heady possibilities of the early internet. Lingel outlines actions that internet activists and everyday users can take to defend and secure more protections for the individual and to carve out more spaces of freedom for the people—not businesses—online.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The internet has become a battleground. Although it was unlikely to live up to the hype and hopes of the 1990s, only the most skeptical cynics could have predicted the World Wide Web as we know it today: commercial, isolating, and full of, even fueled by, bias. This was not inevitable. </p><p><a href="https://bookshop.org/a/12343/9780520395565"><em>The Gentrification of the Internet: How to Reclaim Our Digital Freedom</em></a> (U California Press, 2023) argues that much like our cities, the internet has become gentrified, dominated by the interests of business and capital rather than the interests of the people who use it. Jessa Lingel uses the politics and debates of gentrification to diagnose the massive, systemic problems blighting our contemporary internet: erosions of privacy and individual ownership, small businesses wiped out by wealthy corporations, the ubiquitous paywall. But there are still steps we can take to reclaim the heady possibilities of the early internet. Lingel outlines actions that internet activists and everyday users can take to defend and secure more protections for the individual and to carve out more spaces of freedom for the people—not businesses—online.</p><p><a href="https://twitter.com/jenhoyer"><em>Jen Hoyer </em></a><em>is Technical Services and Electronic Resources Librarian at</em><a href="http://www.citytech.cuny.edu/"><em> CUNY New York City College of Technology</em></a><em> and a volunteer at</em><a href="https://interferencearchive.org/"><em> Interference Archive</em></a><em>. Jen edits for </em><a href="http://partnershipjournal.ca/"><em>Partnership Journal</em></a><em> and organizes with the </em><a href="https://tpscollective.org/"><em>TPS Collective</em></a><em>. She is co-author of</em><a href="https://www.abc-clio.com/products/a6435p/"><em> What Primary Sources Teach: Lessons for Every Classroom</em></a><em> and</em><a href="https://litwinbooks.com/books/6722/"><em> The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1780</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b3fc6c98-bd34-11ed-86a2-9b21f51c7d62]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3114751589.mp3?updated=1678227121" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Toby Green and Thomas Fazi, "The Covid Consensus: The Global Assault on Democracy and the Poor—A Critique from the Left" (Hurst, 2023)</title>
      <description>During the first months of the pandemic, governments worldwide agreed that ‘following the science’ with hard lockdowns and vaccine mandates was the best way to preserve life. But evidence is mounting that ‘the science’ was all politics and time reveals the horrific human and economic cost of these policies.
The Covid Consensus: The Global Assault on Democracy and the Poor—A Critique from the Left (Hurst, 2023) provides an internationalist-left perspective on the world’s Covid-19 response, which has had devastating consequences for democratic rights and the poor worldwide. As the fortunes of the richest soared, nationwide shutdowns devastated small businesses, the working classes, and the Global South’s informal economies.
Toby Green and Thomas Fazi argue that these policies grossly exacerbated existing trends of inequality, mediatisation and surveillance, with grave implications for the future. Rich in human detail, The Covid Consensus tackles head-on the refusal of the global political class and mainstream media to report the true extent of the erosion of democratic processes and the socioeconomic assault on the poor.
Toby Green and Thomas Fazi speak to Pierre d’Alancaisez about the emergence of a global consensus, the abject failure of the left to hold power to account, and the sometimes fine line between critique and conspiracy theorising.
Richard Seymour’s critique of the book on Politics, Theory, Other.
Toby Green is Professor of African History at King’s College London, and author of A Fistful of Shells and The Rise of the Trans-Atlantic Slave Trade in Western Africa.
Thomas Fazi is the author and co-author of several books on economic and political issues, including Reclaiming the State. His article with Toby Green for UnHerd, The Left’s Covid Failure, was translated into ten languages. He is a regular contributor to Compact.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 12 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Toby Green and Thomas Fazi</itunes:subtitle>
      <itunes:summary>During the first months of the pandemic, governments worldwide agreed that ‘following the science’ with hard lockdowns and vaccine mandates was the best way to preserve life. But evidence is mounting that ‘the science’ was all politics and time reveals the horrific human and economic cost of these policies.
The Covid Consensus: The Global Assault on Democracy and the Poor—A Critique from the Left (Hurst, 2023) provides an internationalist-left perspective on the world’s Covid-19 response, which has had devastating consequences for democratic rights and the poor worldwide. As the fortunes of the richest soared, nationwide shutdowns devastated small businesses, the working classes, and the Global South’s informal economies.
Toby Green and Thomas Fazi argue that these policies grossly exacerbated existing trends of inequality, mediatisation and surveillance, with grave implications for the future. Rich in human detail, The Covid Consensus tackles head-on the refusal of the global political class and mainstream media to report the true extent of the erosion of democratic processes and the socioeconomic assault on the poor.
Toby Green and Thomas Fazi speak to Pierre d’Alancaisez about the emergence of a global consensus, the abject failure of the left to hold power to account, and the sometimes fine line between critique and conspiracy theorising.
Richard Seymour’s critique of the book on Politics, Theory, Other.
Toby Green is Professor of African History at King’s College London, and author of A Fistful of Shells and The Rise of the Trans-Atlantic Slave Trade in Western Africa.
Thomas Fazi is the author and co-author of several books on economic and political issues, including Reclaiming the State. His article with Toby Green for UnHerd, The Left’s Covid Failure, was translated into ten languages. He is a regular contributor to Compact.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the first months of the pandemic, governments worldwide agreed that ‘following the science’ with hard lockdowns and vaccine mandates was the best way to preserve life. But evidence is mounting that ‘the science’ was all politics and time reveals the horrific human and economic cost of these policies.</p><p><a href="https://bookshop.org/a/12343/9781787388413"><em>The Covid Consensus: The Global Assault on Democracy and the Poor—A Critique from the Left</em></a><em> </em>(Hurst, 2023) provides an internationalist-left perspective on the world’s Covid-19 response, which has had devastating consequences for democratic rights and the poor worldwide. As the fortunes of the richest soared, nationwide shutdowns devastated small businesses, the working classes, and the Global South’s informal economies.</p><p>Toby Green and Thomas Fazi argue that these policies grossly exacerbated existing trends of inequality, mediatisation and surveillance, with grave implications for the future. Rich in human detail, <em>The Covid Consensus </em>tackles head-on the refusal of the global political class and mainstream media to report the true extent of the erosion of democratic processes and the socioeconomic assault on the poor.</p><p>Toby Green and Thomas Fazi speak to Pierre d’Alancaisez about the emergence of a global consensus, the abject failure of the left to hold power to account, and the sometimes fine line between critique and conspiracy theorising.</p><p>Richard Seymour’s critique of the book on <a href="https://www.versobooks.com/blogs/5561-politics-theory-other-on-the-lockdown-sceptics-w-richard-seymour"><em>Politics, Theory, Other</em></a>.</p><p><a href="https://www.kcl.ac.uk/people/toby-green">Toby Green</a> is Professor of African History at King’s College London, and author of<em> </em><a href="https://newbooksnetwork.com/toby-green-a-fistful-of-shells-west-africa-from-the-rise-of-the-slave-trade-to-the-age-of-revolution-u-chicago-press-2019#entry:8615@1:url"><em>A Fistful of Shells</em></a> and <a href="https://newbooksnetwork.com/toby-green-the-rise-of-the-trans-atlantic-slave-trade-in-western-africa-1300-1589-cambridge-up-2011-5#entry:17207@1:url"><em>The Rise of the Trans-Atlantic Slave Trade in Western Africa</em></a><em>.</em></p><p><a href="https://thomasfazi.net/">Thomas Fazi</a> is the author and co-author of several books on economic and political issues, including <em>Reclaiming the State</em>. His article with Toby Green for UnHerd, <a href="https://unherd.com/2021/11/the-lefts-covid-failure/"><em>The Left’s Covid Failure</em></a>, was translated into ten languages. He is a regular contributor to <a href="https://compactmag.com/columnist/thomas-fazi"><em>Compact</em></a>.</p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4358</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)</title>
      <description>How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.
Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries.
 Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 12 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kelsey Klotz</itunes:subtitle>
      <itunes:summary>How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.
Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries.
 Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.</p><p><a href="https://bookshop.org/a/12343/9780197525074"><em>Dave Brubeck and the Performance of Whiteness</em></a><em> </em>(Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, <em>Dave Brubeck and the Performance of Whiteness</em> listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries.</p><p><em> Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4176</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4207092051.mp3?updated=1678024817" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seeing Truth in the Lab</title>
      <description>Max Liboiron founder of Environmental Action Research (CLEAR), a feminist, anti-colonial laboratory talks about making better science and how they aren’t interested in dismantling the masters house (because who cares about that place) but they definitely are taking those tools.
Learn more about the Seeing Truth exhibition at our website.
Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod
Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Professor Max Liboiron on Taking Control and Leveraging Science for Justice</itunes:subtitle>
      <itunes:summary>Max Liboiron founder of Environmental Action Research (CLEAR), a feminist, anti-colonial laboratory talks about making better science and how they aren’t interested in dismantling the masters house (because who cares about that place) but they definitely are taking those tools.
Learn more about the Seeing Truth exhibition at our website.
Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod
Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Max Liboiron founder of Environmental Action Research (CLEAR), a feminist, anti-colonial laboratory talks about making better science and how they aren’t interested in dismantling the masters house (because who cares about that place) but they definitely are taking those tools.</p><p>Learn more about the Seeing Truth exhibition at <a href="https://futureoftruth.uconn.edu/seeing-truth">our website</a>.</p><p>Follow us on Twitter <a href="https://twitter.com/whyarguepod">@WhyArguePod</a> and on Instagram <a href="https://instagram.com/whywearguepod">@WhyWeArguePod</a></p><p><a href="https://art.uconn.edu/person/alexis-boylan/"><em>Alexis L. Boylan</em></a><em> is the director of academic affairs of the </em><a href="https://humanities.uconn.edu/"><em>University of Connecticut Humanities Institute</em></a><em> (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2100</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a4bf641a-95b6-11ed-a2f6-373da3cf3781]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6395766837.mp3?updated=1673884890" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Can we Engage in Public Scholarship with Feminist and Accessible Communication?</title>
      <description>Today’s book is: Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. Engage in Public Scholarship provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship.
Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab. She is the author of Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication (Concordia University Press, 2022), and Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022). Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in Feminist Studies, Feminist Media Studies, and Digital Humanities Quarterly. Dr. Ketchum was named one of the 100 Brilliant Women in AI Ethics for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work.
Listeners to this episode may also be interested in:


A Primer for Teaching Digital History: 10 Design Principles by Jennifer Guiliano

Roopika Risam and Jennifer Guiliano, editors, Reviews in Digital Humanities

This podcast episode on Hope for the Humanities PhD

This podcast episode on new ways of launching an online conference

This episode on exploring public-facing humanities at historic sites


Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex D. Ketchum</itunes:subtitle>
      <itunes:summary>Today’s book is: Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. Engage in Public Scholarship provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship.
Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab. She is the author of Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication (Concordia University Press, 2022), and Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022). Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in Feminist Studies, Feminist Media Studies, and Digital Humanities Quarterly. Dr. Ketchum was named one of the 100 Brilliant Women in AI Ethics for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work.
Listeners to this episode may also be interested in:


A Primer for Teaching Digital History: 10 Design Principles by Jennifer Guiliano

Roopika Risam and Jennifer Guiliano, editors, Reviews in Digital Humanities

This podcast episode on Hope for the Humanities PhD

This podcast episode on new ways of launching an online conference

This episode on exploring public-facing humanities at historic sites


Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9781988111353"><em>Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication</em></a>, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. <em>Engage in Public Scholarship</em> provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship.</p><p>Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the <a href="http://www.justfeministtechandscholarshiplab.com/p/about.html">Just Feminist Tech and Scholarship Lab.</a> She is the author of <a href="https://www.concordia.ca/press/engage.html#order"><em>Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication</em></a> (Concordia University Press, 2022), and <a href="https://www.concordia.ca/press/ingredients.html"><em>Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022)</em></a>. Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in <em>Feminist Studies</em>, <em>Feminist Media Studies</em>, and <em>Digital Humanities Quarterly</em>. Dr. Ketchum was named one of the <a href="https://100brilliantwomeninaiethics.com/the-list/of-2021/">100 Brilliant Women in AI Ethics</a> for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work.</p><p>Listeners to this episode may also be interested in:</p><ul>
<li>
<a href="https://www.dukeupress.edu/a-primer-for-teaching-digital-history"><em>A Primer for Teaching Digital History: 10 Design Principles</em> </a>by Jennifer Guiliano</li>
<li>Roopika Risam and Jennifer Guiliano, editors, <a href="https://reviewsindh.pubpub.org/"><em>Reviews in Digital Humanitie</em></a>s</li>
<li><a href="https://newbooksnetwork.com/hope-for-the-humanities-phd#entry:166912@1:url">This podcast episode on Hope for the Humanities PhD</a></li>
<li><a href="https://newbooksnetwork.com/courtney-thompson#entry:167638@1:url">This podcast episode on new ways of launching an online conference</a></li>
<li><a href="https://newbooksnetwork.com/exploring-public-facing-humanities#entry:133571@1:url">This episode on exploring public-facing humanities at historic sites</a></li>
</ul><p><br></p><p>Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3437</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64a75288-86b7-11ed-a1a4-bbe67af90bdb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1221156505.mp3?updated=1672235871" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicola Rollock, "The Racial Code: Tales of Resistance and Survival" (Penguin, 2022)</title>
      <description>Why do racial inequalities persist? In The Racial Code: Tales of Resistance and Survival (Penguin, 2023), Nicola Rollock, a Professor of Social Policy &amp; Race at King’s College London, examines the often hidden and subtle rules that underpin the long-term existence of racism. The book draws on a huge range of qualitative and quantitative data to craft individual narratives that illustrate the operation of the racial code. In doing so, the book offers an clear overview of the lived experience of racism, across a variety of social and professional settings. In addition, the book is interspersed with interludes that add further intensity to the already rich analysis of how racism operates. Featuring deeply developed research that is also instantly accessible, the book is essential reading for every academic as well as anyone interested in understanding racism in society today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 05 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>361</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicola Rollock</itunes:subtitle>
      <itunes:summary>Why do racial inequalities persist? In The Racial Code: Tales of Resistance and Survival (Penguin, 2023), Nicola Rollock, a Professor of Social Policy &amp; Race at King’s College London, examines the often hidden and subtle rules that underpin the long-term existence of racism. The book draws on a huge range of qualitative and quantitative data to craft individual narratives that illustrate the operation of the racial code. In doing so, the book offers an clear overview of the lived experience of racism, across a variety of social and professional settings. In addition, the book is interspersed with interludes that add further intensity to the already rich analysis of how racism operates. Featuring deeply developed research that is also instantly accessible, the book is essential reading for every academic as well as anyone interested in understanding racism in society today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do racial inequalities persist? In <a href="https://www.penguin.co.uk/authors/284993/nicola-rollock?tab=penguin-books"><em>The Racial Code: Tales of Resistance and Survival</em></a> (Penguin, 2023), <a href="https://twitter.com/NicolaRollock/">Nicola Rollock</a>, a <a href="https://nicolarollock.com/">Professor of Social Policy &amp; Race</a> at <a href="https://www.kcl.ac.uk/people/nicola-rollock">King’s College London</a>, examines the often hidden and subtle rules that underpin the long-term existence of racism. The book draws on a huge range of qualitative and quantitative data to craft individual narratives that illustrate the operation of the racial code. In doing so, the book offers an clear overview of the lived experience of racism, across a variety of social and professional settings. In addition, the book is interspersed with interludes that add further intensity to the already rich analysis of how racism operates. Featuring deeply developed research that is also instantly accessible, the book is essential reading for every academic as well as anyone interested in understanding racism in society today.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c57b6e98-ba04-11ed-a258-4f4bfc2d95e1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4167899545.mp3?updated=1677877156" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey Herlihy-Mera, "Decolonizing American Spanish: Eurocentrism and the Limits of Foreignness in the Imperial Ecosystem" (U Pittsburgh Press, 2022)</title>
      <description>Jeffrey joins the podcast to discuss the prevalence of English in the academic ecosystem and in research publishing. Jeffrey critiques the lackadaisical approach US institutions take towards Spanish language content and research and makes a strong argument to follow the Puerto-Rican model which sees greater opportunity, equality, and sophistication in multilingual academic research. About his book:
Despite a pronounced shift away from Eurocentrism in Spanish and Hispanic studies departments in US universities, many implicit and explicit vestiges of coloniality remain firmly in place. While certain national and linguistic expressions are privileged, others are silenced with predictable racial and gendered results. 
Decolonizing American Spanish: Eurocentrism and the Limits of Foreignness in the Imperial Ecosystem (U Pittsburgh Press, 2022) challenges not only the hegemony of Spain and its colonial pedagogies, but also the characterization of Spanish as a foreign language in the United States. By foregrounding Latin American cultures and local varieties of Spanish and reconceptualizing the foreign as domestic, Jeffrey Herlihy-Mera works to create new conceptual maps, revise inherited ones, and institutionalize marginalized and silenced voices and their stories. Considering the University of Puerto Rico as a point of context, this book brings attention to how translingual solidarity and education, a commitment to social transformation, and the engagement of student voices in their own languages can reinvent colonized education.
Jeffrey Herlihy-Mera is Professor at the University of Puerto Rico in Mayaguez.
Avi Staiman is the founder and CEO of Academic Language Experts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 04 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeffrey Herlihy-Mera</itunes:subtitle>
      <itunes:summary>Jeffrey joins the podcast to discuss the prevalence of English in the academic ecosystem and in research publishing. Jeffrey critiques the lackadaisical approach US institutions take towards Spanish language content and research and makes a strong argument to follow the Puerto-Rican model which sees greater opportunity, equality, and sophistication in multilingual academic research. About his book:
Despite a pronounced shift away from Eurocentrism in Spanish and Hispanic studies departments in US universities, many implicit and explicit vestiges of coloniality remain firmly in place. While certain national and linguistic expressions are privileged, others are silenced with predictable racial and gendered results. 
Decolonizing American Spanish: Eurocentrism and the Limits of Foreignness in the Imperial Ecosystem (U Pittsburgh Press, 2022) challenges not only the hegemony of Spain and its colonial pedagogies, but also the characterization of Spanish as a foreign language in the United States. By foregrounding Latin American cultures and local varieties of Spanish and reconceptualizing the foreign as domestic, Jeffrey Herlihy-Mera works to create new conceptual maps, revise inherited ones, and institutionalize marginalized and silenced voices and their stories. Considering the University of Puerto Rico as a point of context, this book brings attention to how translingual solidarity and education, a commitment to social transformation, and the engagement of student voices in their own languages can reinvent colonized education.
Jeffrey Herlihy-Mera is Professor at the University of Puerto Rico in Mayaguez.
Avi Staiman is the founder and CEO of Academic Language Experts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jeffrey joins the podcast to discuss the prevalence of English in the academic ecosystem and in research publishing. Jeffrey critiques the lackadaisical approach US institutions take towards Spanish language content and research and makes a strong argument to follow the Puerto-Rican model which sees greater opportunity, equality, and sophistication in multilingual academic research. About his book:</p><p>Despite a pronounced shift away from Eurocentrism in Spanish and Hispanic studies departments in US universities, many implicit and explicit vestiges of coloniality remain firmly in place. While certain national and linguistic expressions are privileged, others are silenced with predictable racial and gendered results. </p><p><a href="https://bookshop.org/a/12343/9780822947264"><em>Decolonizing American Spanish: Eurocentrism and the Limits of Foreignness in the Imperial Ecosystem</em></a><em> </em>(U Pittsburgh Press, 2022) challenges not only the hegemony of Spain and its colonial pedagogies, but also the characterization of Spanish as a foreign language in the United States. By foregrounding Latin American cultures and local varieties of Spanish and reconceptualizing the foreign as domestic, Jeffrey Herlihy-Mera works to create new conceptual maps, revise inherited ones, and institutionalize marginalized and silenced voices and their stories. Considering the University of Puerto Rico as a point of context, this book brings attention to how translingual solidarity and education, a commitment to social transformation, and the engagement of student voices in their own languages can reinvent colonized education.</p><p>Jeffrey Herlihy-Mera is Professor at the University of Puerto Rico in Mayaguez.</p><p><a href="https://www.linkedin.com/in/avi-staiman-academic-language-experts/"><em>Avi Staiman</em></a><em> is the founder and CEO of </em><a href="https://www.aclang.com/"><em>Academic Language Experts</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2207</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5500832383.mp3?updated=1677504963" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Damien M. Sojoyner, "Joy and Pain: A Story of Black Life and Liberation in Five Albums" (U California Press, 2022)</title>
      <description>This highly original story reflects on how the carceral state shapes daily life for young Black people--and how Black Americans resist, find joy, and cultivate new visions for the future. Joy and Pain: A Story of Black Life and Liberation in Five Albums (University of California Press, 2022) is about a young man, Marley, and a particular place, the Southern California Library--an archive of radical and progressive movements and a community organization where the author meets Marley. 
Taking music as its thematic undercurrent, the book is structured as a "record collection." Each of the five "albums" relates Marley's personal encounters with everyday aspects of the carceral state through an ethnographic A side and then offers deeper context through an anthropological and archival B side. In telling Marley's story, Damien M. Sojoyner depicts the overwhelming nature of Black precarity in the twenty-first century through the lenses of housing, education, health care, social services, and juvenile detention facilities. But Black life is not defined by precarity; it must embrace social visions of radical freedom that allow the cultivation of a life of joy beyond systems of oppression. In Joy and Pain, we see how Marley's experience intersects with history and the contemporary political moment--Black knowledge production, Black liberation movements, community-based organizing--to imagine expansive futures.
Damien Sojoyner is Associate Professor of Anthropology at the University of California, Irvine. He is the author of First Strike: Educational Enclosures in Black Los Angeles. 
Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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      <pubDate>Wed, 01 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Damien M. Sojoyner</itunes:subtitle>
      <itunes:summary>This highly original story reflects on how the carceral state shapes daily life for young Black people--and how Black Americans resist, find joy, and cultivate new visions for the future. Joy and Pain: A Story of Black Life and Liberation in Five Albums (University of California Press, 2022) is about a young man, Marley, and a particular place, the Southern California Library--an archive of radical and progressive movements and a community organization where the author meets Marley. 
Taking music as its thematic undercurrent, the book is structured as a "record collection." Each of the five "albums" relates Marley's personal encounters with everyday aspects of the carceral state through an ethnographic A side and then offers deeper context through an anthropological and archival B side. In telling Marley's story, Damien M. Sojoyner depicts the overwhelming nature of Black precarity in the twenty-first century through the lenses of housing, education, health care, social services, and juvenile detention facilities. But Black life is not defined by precarity; it must embrace social visions of radical freedom that allow the cultivation of a life of joy beyond systems of oppression. In Joy and Pain, we see how Marley's experience intersects with history and the contemporary political moment--Black knowledge production, Black liberation movements, community-based organizing--to imagine expansive futures.
Damien Sojoyner is Associate Professor of Anthropology at the University of California, Irvine. He is the author of First Strike: Educational Enclosures in Black Los Angeles. 
Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This highly original story reflects on how the carceral state shapes daily life for young Black people--and how Black Americans resist, find joy, and cultivate new visions for the future. <a href="https://bookshop.org/a/12343/9780520390423"><em>Joy and Pain: A Story of Black Life and Liberation in Five Albums</em></a> (University of California Press, 2022) is about a young man, Marley, and a particular place, the Southern California Library--an archive of radical and progressive movements and a community organization where the author meets Marley. </p><p>Taking music as its thematic undercurrent, the book is structured as a "record collection." Each of the five "albums" relates Marley's personal encounters with everyday aspects of the carceral state through an ethnographic A side and then offers deeper context through an anthropological and archival B side. In telling Marley's story, Damien M. Sojoyner depicts the overwhelming nature of Black precarity in the twenty-first century through the lenses of housing, education, health care, social services, and juvenile detention facilities. But Black life is not defined by precarity; it must embrace social visions of radical freedom that allow the cultivation of a life of joy beyond systems of oppression. In Joy and Pain, we see how Marley's experience intersects with history and the contemporary political moment--Black knowledge production, Black liberation movements, community-based organizing--to imagine expansive futures.</p><p>Damien Sojoyner is Associate Professor of Anthropology at the University of California, Irvine. He is the author of First Strike: Educational Enclosures in Black Los Angeles. </p><p><em>Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4662</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Helena Hansen et al., "Whiteout: How Racial Capitalism Changed the Color of Opioids in America" (U California Press, 2023)</title>
      <description>In the past two decades, media images of the surprisingly white “new face” of the US opioid crisis abounded. But why was the crisis so white? Some argued that skyrocketing overdoses were “deaths of despair” signaling deeper socioeconomic anguish in white communities. Whiteout: How Racial Capitalism Changed the Color of Opioids in America (U California Press, 2023) makes the counterintuitive case that the opioid crisis was the product of white racial privilege as well as despair.
Anchored by interviews, data, and riveting firsthand narratives from three leading experts—an addiction psychiatrist, a policy advocate, and a drug historian—Whiteout reveals how a century of structural racism in drug policy, and in profit-oriented medical industries led to mass white overdose deaths. The authors implicate racially segregated health care systems, the racial assumptions of addiction scientists, and relaxed regulation of pharmaceutical marketing to white consumers. Whiteout is an unflinching account of how racial capitalism is toxic for all Americans.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helena Hansen, Jules Netherland, and David Herzberg</itunes:subtitle>
      <itunes:summary>In the past two decades, media images of the surprisingly white “new face” of the US opioid crisis abounded. But why was the crisis so white? Some argued that skyrocketing overdoses were “deaths of despair” signaling deeper socioeconomic anguish in white communities. Whiteout: How Racial Capitalism Changed the Color of Opioids in America (U California Press, 2023) makes the counterintuitive case that the opioid crisis was the product of white racial privilege as well as despair.
Anchored by interviews, data, and riveting firsthand narratives from three leading experts—an addiction psychiatrist, a policy advocate, and a drug historian—Whiteout reveals how a century of structural racism in drug policy, and in profit-oriented medical industries led to mass white overdose deaths. The authors implicate racially segregated health care systems, the racial assumptions of addiction scientists, and relaxed regulation of pharmaceutical marketing to white consumers. Whiteout is an unflinching account of how racial capitalism is toxic for all Americans.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the past two decades, media images of the surprisingly white “new face” of the US opioid crisis abounded. But why was the crisis so white? Some argued that skyrocketing overdoses were “deaths of despair” signaling deeper socioeconomic anguish in white communities. <a href="https://bookshop.org/a/12343/9780520384057"><em>Whiteout: How Racial Capitalism Changed the Color of Opioids in America</em></a><em> </em>(U California Press, 2023) makes the counterintuitive case that the opioid crisis was the product of white racial privilege as well as despair.</p><p>Anchored by interviews, data, and riveting firsthand narratives from three leading experts—an addiction psychiatrist, a policy advocate, and a drug historian—<em>Whiteout</em> reveals how a century of structural racism in drug policy, and in profit-oriented medical industries led to mass white overdose deaths. The authors implicate racially segregated health care systems, the racial assumptions of addiction scientists, and relaxed regulation of pharmaceutical marketing to white consumers. <em>Whiteout</em> is an unflinching account of how racial capitalism is toxic for all Americans.</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5561</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[74f8f504-b47c-11ed-b5b2-27573b7107ef]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1747754327.mp3?updated=1677268688" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frances Howard, "Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference" (Policy Press, 2022)</title>
      <description>How can the arts make the world a better place? In Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference (Policy Press, 2022), Frances Howard, a Senior Lecturer in Social Work, Care and Community at Nottingham Trent University, analyses the opportunities for social change and social justice offered by youth arts programmes. The book combines a detailed ethnography of a youth arts programme in the UK, along with rich and detailed comparative case studies. Drawing on a wealth of cross- and interdisciplinary theoretical frameworks, the book is both a critique and defence of the possibilities offered by engagement with the arts. The book will be essential reading across arts, humanities and social sciences, as well as for anyone with an interest in the arts.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>359</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frances Howard</itunes:subtitle>
      <itunes:summary>How can the arts make the world a better place? In Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference (Policy Press, 2022), Frances Howard, a Senior Lecturer in Social Work, Care and Community at Nottingham Trent University, analyses the opportunities for social change and social justice offered by youth arts programmes. The book combines a detailed ethnography of a youth arts programme in the UK, along with rich and detailed comparative case studies. Drawing on a wealth of cross- and interdisciplinary theoretical frameworks, the book is both a critique and defence of the possibilities offered by engagement with the arts. The book will be essential reading across arts, humanities and social sciences, as well as for anyone with an interest in the arts.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can the arts make the world a better place? In <a href="https://bookshop.org/a/12343/9781447357100"><em>Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference </em></a>(Policy Press, 2022), <a href="https://twitter.com/FHowardNG">Frances Howard</a>, a <a href="https://www.ntu.ac.uk/staff-profiles/social-sciences/frances-howard">Senior Lecturer in Social Work, Care and Community at Nottingham Trent University,</a> analyses the opportunities for social change and social justice offered by youth arts programmes. The book combines a detailed ethnography of a youth arts programme in the UK, along with rich and detailed comparative case studies. Drawing on a wealth of cross- and interdisciplinary theoretical frameworks, the book is both a critique and defence of the possibilities offered by engagement with the arts. The book will be essential reading across arts, humanities and social sciences, as well as for anyone with an interest in the arts.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2424</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2bf08962-b3c3-11ed-98c1-e7b529ebdb58]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7267238387.mp3?updated=1677189237" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary Crossley, "Embodied Injustice: Race, Disability, and Health" (Cambridge UP, 2022)</title>
      <description>Black people and people with disabilities in the United States are distinctively disadvantaged in their encounters with the health care system. These groups also share harsh histories of medical experimentation, eugenic sterilizations, and health care discrimination. Yet the similarities in inequities experienced by Black people and disabled people and the harms endured by people who are both Black and disabled have been largely unexplored. To fill this gap, Embodied Injustice: Race, Disability, and Health (Cambridge UP, 2022) uses an interdisciplinary approach, weaving health research with social science, critical approaches, and personal stories to portray the devastating effects of health injustice in America.
Author Mary Crossley takes stock of the sometimes-vexed relationship between racial justice and disability rights advocates and interrogates how higher disability prevalence among Black Americans reflects unjust social structures. By suggesting reforms to advance health equity for disabled people, Black people, and disabled Black people, this book lays a crucial foundation for intersectional, cross-movement advocacy to advance health justice in America.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Crossley</itunes:subtitle>
      <itunes:summary>Black people and people with disabilities in the United States are distinctively disadvantaged in their encounters with the health care system. These groups also share harsh histories of medical experimentation, eugenic sterilizations, and health care discrimination. Yet the similarities in inequities experienced by Black people and disabled people and the harms endured by people who are both Black and disabled have been largely unexplored. To fill this gap, Embodied Injustice: Race, Disability, and Health (Cambridge UP, 2022) uses an interdisciplinary approach, weaving health research with social science, critical approaches, and personal stories to portray the devastating effects of health injustice in America.
Author Mary Crossley takes stock of the sometimes-vexed relationship between racial justice and disability rights advocates and interrogates how higher disability prevalence among Black Americans reflects unjust social structures. By suggesting reforms to advance health equity for disabled people, Black people, and disabled Black people, this book lays a crucial foundation for intersectional, cross-movement advocacy to advance health justice in America.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Black people and people with disabilities in the United States are distinctively disadvantaged in their encounters with the health care system. These groups also share harsh histories of medical experimentation, eugenic sterilizations, and health care discrimination. Yet the similarities in inequities experienced by Black people and disabled people and the harms endured by people who are both Black and disabled have been largely unexplored. To fill this gap, <a href="https://bookshop.org/a/12343/9781108820608"><em>Embodied Injustice: Race, Disability, and Health</em></a><em> </em>(Cambridge UP, 2022) uses an interdisciplinary approach, weaving health research with social science, critical approaches, and personal stories to portray the devastating effects of health injustice in America.</p><p>Author Mary Crossley takes stock of the sometimes-vexed relationship between racial justice and disability rights advocates and interrogates how higher disability prevalence among Black Americans reflects unjust social structures. By suggesting reforms to advance health equity for disabled people, Black people, and disabled Black people, this book lays a crucial foundation for intersectional, cross-movement advocacy to advance health justice in America.</p><p><em>Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3789</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ebd633a-b2f7-11ed-9d55-ef81618e2d5a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3968231933.mp3?updated=1677101529" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bernard D. Geoghegan, "Code: From Information Theory to French Theory" (Duke UP, 2023)</title>
      <description>Bernard Dionysius Geoghegan traces the shared intellectual and political history of computer scientists, cyberneticists, anthropologists, linguists, and theorists across the humanities as they developed a communication and computational-based theory that grasped culture and society in terms of codes.
In Code: From Information Theory to French Theory (Duke UP, 2023), Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis casts light on how media-practical research forged common epistemic cause in programs that stretched from 1930s interwar computing at MIT and eugenics to the proliferation of seminars and laboratories in 1960s Paris. This mobilization ushered forth new fields of study such as structural anthropology, family therapy, and literary semiology while forming enduring intellectual affinities between the humanities and informatics. With Code, Geoghegan offers a new history of French theory and the digital humanities as transcontinental and political endeavors linking interwar colonial ethnography in Dutch Bali to French sciences in the throes of Cold War-era decolonization and modernization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 25 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bernard D. Geoghegan</itunes:subtitle>
      <itunes:summary>Bernard Dionysius Geoghegan traces the shared intellectual and political history of computer scientists, cyberneticists, anthropologists, linguists, and theorists across the humanities as they developed a communication and computational-based theory that grasped culture and society in terms of codes.
In Code: From Information Theory to French Theory (Duke UP, 2023), Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis casts light on how media-practical research forged common epistemic cause in programs that stretched from 1930s interwar computing at MIT and eugenics to the proliferation of seminars and laboratories in 1960s Paris. This mobilization ushered forth new fields of study such as structural anthropology, family therapy, and literary semiology while forming enduring intellectual affinities between the humanities and informatics. With Code, Geoghegan offers a new history of French theory and the digital humanities as transcontinental and political endeavors linking interwar colonial ethnography in Dutch Bali to French sciences in the throes of Cold War-era decolonization and modernization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bernard Dionysius Geoghegan traces the shared intellectual and political history of computer scientists, cyberneticists, anthropologists, linguists, and theorists across the humanities as they developed a communication and computational-based theory that grasped culture and society in terms of codes.</p><p>In <a href="https://www.dukeupress.edu/code"><em>Code: From Information Theory to French Theory</em></a><em> </em>(Duke UP, 2023), Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis casts light on how media-practical research forged common epistemic cause in programs that stretched from 1930s interwar computing at MIT and eugenics to the proliferation of seminars and laboratories in 1960s Paris. This mobilization ushered forth new fields of study such as structural anthropology, family therapy, and literary semiology while forming enduring intellectual affinities between the humanities and informatics. With <em>Code</em>, Geoghegan offers a new history of French theory and the digital humanities as transcontinental and political endeavors linking interwar colonial ethnography in Dutch Bali to French sciences in the throes of Cold War-era decolonization and modernization.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2984</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b3a1006e-b15a-11ed-8931-ffbda81d867a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4968927517.mp3?updated=1676923939" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Democratic Capitalism: A Discussion with Martin Wolf</title>
      <description>Does China show that capitalism works better without democracy? What can be done to secure the future of open societies in which there is wealth, tolerance and stability. Martin Wolf - associate editor of the Financial Times and its chief economist - has been thinking about these big questions for his book The Crisis of Democratic Capitalism (Penguin, 2023). Listen to him in conversation with Owen Bennett Jones.
﻿Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martin Wolf</itunes:subtitle>
      <itunes:summary>Does China show that capitalism works better without democracy? What can be done to secure the future of open societies in which there is wealth, tolerance and stability. Martin Wolf - associate editor of the Financial Times and its chief economist - has been thinking about these big questions for his book The Crisis of Democratic Capitalism (Penguin, 2023). Listen to him in conversation with Owen Bennett Jones.
﻿Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does China show that capitalism works better without democracy? What can be done to secure the future of open societies in which there is wealth, tolerance and stability. Martin Wolf - associate editor of the Financial Times and its chief economist - has been thinking about these big questions for his book <a href="https://bookshop.org/a/12343/9780735224216"><em>The Crisis of Democratic Capitalism</em></a> (Penguin, 2023). Listen to him in conversation with Owen Bennett Jones.</p><p><em>﻿</em><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2638</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Patricia Saldarriaga and Emy Manini, "Infected Empires: Decolonizing Zombies" (Rutgers UP, 2022)</title>
      <description>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.
Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.
Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.
Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>638</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patricia Saldarriaga and Emy Manini</itunes:subtitle>
      <itunes:summary>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.
Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.
Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.
Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and <a href="https://bookshop.org/a/12343/9781978826786"><em>Infected Empires: Decolonizing Zombies</em></a><em> </em>(Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.</p><p>Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially <em>dead</em> labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.</p><p>Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should <em>not</em> look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.</p><p><em>Infected Empires: Decolonizing Zombies</em> explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3028</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>David H. Price, "The American Surveillance State: How the US Spies on Dissent" (Pluto Press, 2022)</title>
      <description>When the possibility of wiretapping first became known to Americans they were outraged. Now, in our post-9/11 world, it's accepted that corporations are vested with human rights, and government agencies and corporations use computers to monitor our private lives. In The American Surveillance State: How the US Spies on Dissent (Pluto Press, 2022), David H. Price pulls back the curtain to reveal how the FBI and other government agencies have always functioned as the secret police of American capitalism up to today, where they luxuriate in a near-limitless NSA surveillance of all.
Price looks through a roster of campaigns by law enforcement, intelligence agencies, and corporations to understand how we got here. Starting with J. Edgar Hoover and the early FBI's alignment with business, his access to 15,000 pages of never-before-seen FBI files shines a light on the surveillance of Edward Said, Andre Gunder Frank and Alexander Cockburn, Native American communists, and progressive factory owners.
Price uncovers patterns of FBI monitoring and harassing of activists and public figures, providing the vital means for us to understand how these new frightening surveillance operations are weaponized by powerful governmental agencies that remain largely shrouded in secrecy.
David H. Price is Professor of Anthropology at Saint Martin’s University’s Department of Society and Social Justice. He is the author of a number of books on the FBI and CIA, and has written articles for The Nation, Monthly Review, CounterPunch, Guardian and Le Monde. His work has been translated into five languages.

Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David H. Price</itunes:subtitle>
      <itunes:summary>When the possibility of wiretapping first became known to Americans they were outraged. Now, in our post-9/11 world, it's accepted that corporations are vested with human rights, and government agencies and corporations use computers to monitor our private lives. In The American Surveillance State: How the US Spies on Dissent (Pluto Press, 2022), David H. Price pulls back the curtain to reveal how the FBI and other government agencies have always functioned as the secret police of American capitalism up to today, where they luxuriate in a near-limitless NSA surveillance of all.
Price looks through a roster of campaigns by law enforcement, intelligence agencies, and corporations to understand how we got here. Starting with J. Edgar Hoover and the early FBI's alignment with business, his access to 15,000 pages of never-before-seen FBI files shines a light on the surveillance of Edward Said, Andre Gunder Frank and Alexander Cockburn, Native American communists, and progressive factory owners.
Price uncovers patterns of FBI monitoring and harassing of activists and public figures, providing the vital means for us to understand how these new frightening surveillance operations are weaponized by powerful governmental agencies that remain largely shrouded in secrecy.
David H. Price is Professor of Anthropology at Saint Martin’s University’s Department of Society and Social Justice. He is the author of a number of books on the FBI and CIA, and has written articles for The Nation, Monthly Review, CounterPunch, Guardian and Le Monde. His work has been translated into five languages.

Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the possibility of wiretapping first became known to Americans they were outraged. Now, in our post-9/11 world, it's accepted that corporations are vested with human rights, and government agencies and corporations use computers to monitor our private lives. In <a href="https://bookshop.org/a/12343/9780745346014"><em>The American Surveillance State: How the US Spies on Dissent</em></a> (Pluto Press, 2022), David H. Price pulls back the curtain to reveal how the FBI and other government agencies have always functioned as the secret police of American capitalism up to today, where they luxuriate in a near-limitless NSA surveillance of all.</p><p>Price looks through a roster of campaigns by law enforcement, intelligence agencies, and corporations to understand how we got here. Starting with J. Edgar Hoover and the early FBI's alignment with business, his access to 15,000 pages of never-before-seen FBI files shines a light on the surveillance of Edward Said, Andre Gunder Frank and Alexander Cockburn, Native American communists, and progressive factory owners.</p><p>Price uncovers patterns of FBI monitoring and harassing of activists and public figures, providing the vital means for us to understand how these new frightening surveillance operations are weaponized by powerful governmental agencies that remain largely shrouded in secrecy.</p><p><a href="https://www.stmartin.edu/directory/faculty-staff-directory/david-price-phd">David H. Price</a> is Professor of Anthropology at Saint Martin’s University’s Department of Society and Social Justice. He is the author of a number of books on the FBI and CIA, and has written articles for <em>The Nation</em>, <em>Monthly Review</em>, <em>CounterPunch</em>, <em>Guardian </em>and <em>Le Monde.</em> His work has been translated into five languages.</p><p><br></p><p><a href="https://www.ncl.ac.uk/gps/staff/profile/denizyonucu.html"><em>Deniz Yonucu</em></a><em> is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, </em><a href="https://www.cornellpress.cornell.edu/book/9781501762161/police-provocation-politics/#bookTabs=1"><em>Police, Provocation, Politics Counterinsurgency in Istanbul</em></a><em> (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7f04a238-b138-11ed-a1a6-13a9e97e299d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5676798070.mp3?updated=1725397781" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shannon Philip, "Becoming Young Men in a New India: Masculinities, Gender Relations and Violence in the Postcolony" (Cambridge UP, 2022)</title>
      <description>Shannon Philip's book Becoming Young Men in a New India: Masculinities, Gender Relations and Violence in the Postcolony (Cambridge UP, 2022) tells the gendered story of a changing India through the lives of its young middle class men. Through time spent ethnographically 'hanging-out' with young men in gyms, bars, clubs, trains and gay cruising grounds in India, this book critically reveals Indian men's violence towards women in various city spaces and also shows the many classed and masculine entitlements and challenges that they experience. The book lays bare the often secretive and hidden social worlds of young Indian men and critically analyses the impact young men's actions and identities have not just for themselves, but for the many women they encounter. In this way, it puts forward a critical queer-feminist perspective of men and masculinities in postcolonial India where the politics of class, gender, sexuality, violence and urban spaces come together.
Dr. Shannon Philip is Lecturer in the Department of Sociology at the University of East Anglia and was previously a Postdoctoral Research Associate at the Department of Sociology, University of Cambridge.
Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>222</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shannon Philip</itunes:subtitle>
      <itunes:summary>Shannon Philip's book Becoming Young Men in a New India: Masculinities, Gender Relations and Violence in the Postcolony (Cambridge UP, 2022) tells the gendered story of a changing India through the lives of its young middle class men. Through time spent ethnographically 'hanging-out' with young men in gyms, bars, clubs, trains and gay cruising grounds in India, this book critically reveals Indian men's violence towards women in various city spaces and also shows the many classed and masculine entitlements and challenges that they experience. The book lays bare the often secretive and hidden social worlds of young Indian men and critically analyses the impact young men's actions and identities have not just for themselves, but for the many women they encounter. In this way, it puts forward a critical queer-feminist perspective of men and masculinities in postcolonial India where the politics of class, gender, sexuality, violence and urban spaces come together.
Dr. Shannon Philip is Lecturer in the Department of Sociology at the University of East Anglia and was previously a Postdoctoral Research Associate at the Department of Sociology, University of Cambridge.
Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Shannon Philip's book <a href="https://bookshop.org/a/12343/9781009158718"><em>Becoming Young Men in a New India: Masculinities, Gender Relations and Violence in the Postcolony</em></a><em> </em>(Cambridge UP, 2022) tells the gendered story of a changing India through the lives of its young middle class men. Through time spent ethnographically 'hanging-out' with young men in gyms, bars, clubs, trains and gay cruising grounds in India, this book critically reveals Indian men's violence towards women in various city spaces and also shows the many classed and masculine entitlements and challenges that they experience. The book lays bare the often secretive and hidden social worlds of young Indian men and critically analyses the impact young men's actions and identities have not just for themselves, but for the many women they encounter. In this way, it puts forward a critical queer-feminist perspective of men and masculinities in postcolonial India where the politics of class, gender, sexuality, violence and urban spaces come together.</p><p>Dr. Shannon Philip is Lecturer in the Department of Sociology at the University of East Anglia and was previously a Postdoctoral Research Associate at the Department of Sociology, University of Cambridge.</p><p><a href="https://in.linkedin.com/in/sohini-chatterjee-763b39110"><em>Sohini Chatterjee</em></a><em> is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2204</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>David Bond, "Negative Ecologies: Fossil Fuels and the Discovery of the Environment" (U California Press, 2022)</title>
      <description>So much of what we know of clean water, clean air, and now a stable climate rests on how fossil fuels first disrupted them. Negative Ecologies: Fossil Fuels and the Discovery of the Environment (U California Press, 2022) is a bold reappraisal of the outsized role fossil fuels have played in making the environment visible, factual, and politically operable in North America. Following stories of hydrocarbon harm that lay the groundwork for environmental science and policy, this book brings into clear focus the dialectic between the negative ecologies of fossil fuels and the ongoing discovery of the environment. Exploring iconic sites of the oil economy, ranging from leaky Caribbean refineries to deepwater oil spills, from the petrochemical fallout of plastics manufacturing to the extractive frontiers of Canada, Negative Ecologies documents the upheavals, injuries, and disasters that have long accompanied fossil fuels and the manner in which our solutions have often been less about confronting the cause than managing the effects. This history of our present promises to re-situate scholarly understandings of fossil fuels and renovate environmental critique today. David Bond challenges us to consider what forms of critical engagement may now be needed to both confront the deleterious properties of fossil fuels and envision ways of living beyond them.
David Bond is the Associate Director of the Center for the Advancement of Public Action and teaches on the environment and public action. Trained as an anthropologist, Bond studies oil spills and their imprint on environmental science and governance. His work shows how toxic disruptions can fix vital relations with new forms of knowledge and care.
Cody Skahan (cas12@hi.is) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, queer theory, anarchism, cultural studies, anime, media and applying theory through praxis. Cody has a blog here where he is trying to write more rather than just only read and talk about books.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Bond</itunes:subtitle>
      <itunes:summary>So much of what we know of clean water, clean air, and now a stable climate rests on how fossil fuels first disrupted them. Negative Ecologies: Fossil Fuels and the Discovery of the Environment (U California Press, 2022) is a bold reappraisal of the outsized role fossil fuels have played in making the environment visible, factual, and politically operable in North America. Following stories of hydrocarbon harm that lay the groundwork for environmental science and policy, this book brings into clear focus the dialectic between the negative ecologies of fossil fuels and the ongoing discovery of the environment. Exploring iconic sites of the oil economy, ranging from leaky Caribbean refineries to deepwater oil spills, from the petrochemical fallout of plastics manufacturing to the extractive frontiers of Canada, Negative Ecologies documents the upheavals, injuries, and disasters that have long accompanied fossil fuels and the manner in which our solutions have often been less about confronting the cause than managing the effects. This history of our present promises to re-situate scholarly understandings of fossil fuels and renovate environmental critique today. David Bond challenges us to consider what forms of critical engagement may now be needed to both confront the deleterious properties of fossil fuels and envision ways of living beyond them.
David Bond is the Associate Director of the Center for the Advancement of Public Action and teaches on the environment and public action. Trained as an anthropologist, Bond studies oil spills and their imprint on environmental science and governance. His work shows how toxic disruptions can fix vital relations with new forms of knowledge and care.
Cody Skahan (cas12@hi.is) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, queer theory, anarchism, cultural studies, anime, media and applying theory through praxis. Cody has a blog here where he is trying to write more rather than just only read and talk about books.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>So much of what we know of clean water, clean air, and now a stable climate rests on how fossil fuels first disrupted them. <a href="https://bookshop.org/a/12343/9780520386785"><em>Negative Ecologies: Fossil Fuels and the Discovery of the Environment </em></a>(U California Press, 2022) is a bold reappraisal of the outsized role fossil fuels have played in making the environment visible, factual, and politically operable in North America. Following stories of hydrocarbon harm that lay the groundwork for environmental science and policy, this book brings into clear focus the dialectic between the negative ecologies of fossil fuels and the ongoing discovery of the environment. Exploring iconic sites of the oil economy, ranging from leaky Caribbean refineries to deepwater oil spills, from the petrochemical fallout of plastics manufacturing to the extractive frontiers of Canada,<em> Negative Ecologies</em> documents the upheavals, injuries, and disasters that have long accompanied fossil fuels and the manner in which our solutions have often been less about confronting the cause than managing the effects. This history of our present promises to re-situate scholarly understandings of fossil fuels and renovate environmental critique today. David Bond challenges us to consider what forms of critical engagement may now be needed to both confront the deleterious properties of fossil fuels and envision ways of living beyond them.</p><p>David Bond is the Associate Director of the Center for the Advancement of Public Action and teaches on the environment and public action. Trained as an anthropologist, Bond studies oil spills and their imprint on environmental science and governance. His work shows how toxic disruptions can fix vital relations with new forms of knowledge and care.</p><p><em>Cody Skahan (</em><a href="mailto:cas12@hi.is"><em>cas12@hi.is</em></a><em>) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, queer theory, anarchism, cultural studies, anime, media and applying theory through praxis. Cody has a blog </em><a href="https://codyskahan.wordpress.com/"><em>here</em></a><em> where he is trying to write more rather than just only read and talk about books.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3855</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b46fc36-afa5-11ed-adf5-b30de87ad69b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3347628240.mp3?updated=1676736468" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Bongie, trans. and ed., "The Colonial System Unveiled by Baron de Vastey" (Liverpool UP, 2014)</title>
      <description>Long neglected in mainstream history books, the Haitian Revolution (1791-1804) is now being claimed across a range of academic disciplines as an event of world-historical importance. The former slaves' victory over their French masters and the creation of the independent nation of Haiti in 1804 is being newly heralded not only as a seminal moment in the transnational formation of the 'black Atlantic' but as the most far-reaching manifestation of 'Radical Enlightenment'. 
The best known Haitian writer to emerge in the years after the revolution is Baron de Vastey (1781-1820), who authored over ten books and pamphlets between 1814 and his murder in 1820. His first and most incendiary work, Le système colonial dévoilé (1814), provides a moving invocation of the horrors of slavery in pre-revolutionary Saint-Domingue. Its trailblazing critique of colonialism anticipates by over a hundred years the anticolonial politics (and poetics) of Césaire, Fanon, and Sartre. Translated here for the first time by Chris Bongie, The Colonial System Unveiled by Baron de Vastey (Liverpool UP, 2014) will be compulsory reading for scholars across the humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Bongie</itunes:subtitle>
      <itunes:summary>Long neglected in mainstream history books, the Haitian Revolution (1791-1804) is now being claimed across a range of academic disciplines as an event of world-historical importance. The former slaves' victory over their French masters and the creation of the independent nation of Haiti in 1804 is being newly heralded not only as a seminal moment in the transnational formation of the 'black Atlantic' but as the most far-reaching manifestation of 'Radical Enlightenment'. 
The best known Haitian writer to emerge in the years after the revolution is Baron de Vastey (1781-1820), who authored over ten books and pamphlets between 1814 and his murder in 1820. His first and most incendiary work, Le système colonial dévoilé (1814), provides a moving invocation of the horrors of slavery in pre-revolutionary Saint-Domingue. Its trailblazing critique of colonialism anticipates by over a hundred years the anticolonial politics (and poetics) of Césaire, Fanon, and Sartre. Translated here for the first time by Chris Bongie, The Colonial System Unveiled by Baron de Vastey (Liverpool UP, 2014) will be compulsory reading for scholars across the humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Long neglected in mainstream history books, the Haitian Revolution (1791-1804) is now being claimed across a range of academic disciplines as an event of world-historical importance. The former slaves' victory over their French masters and the creation of the independent nation of Haiti in 1804 is being newly heralded not only as a seminal moment in the transnational formation of the 'black Atlantic' but as the most far-reaching manifestation of 'Radical Enlightenment'. </p><p>The best known Haitian writer to emerge in the years after the revolution is Baron de Vastey (1781-1820), who authored over ten books and pamphlets between 1814 and his murder in 1820. His first and most incendiary work, <em>Le système colonial dévoilé</em> (1814), provides a moving invocation of the horrors of slavery in pre-revolutionary Saint-Domingue. Its trailblazing critique of colonialism anticipates by over a hundred years the anticolonial politics (and poetics) of Césaire, Fanon, and Sartre. Translated here for the first time by Chris Bongie, <a href="https://www.amazon.com/Colonial-System-Unveiled-Baron-Vastey/dp/1781383049"><em>The Colonial System Unveiled by Baron de Vastey</em></a> (Liverpool UP, 2014) will be compulsory reading for scholars across the humanities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5984</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6a73a1a0-ae01-11ed-a68c-6f2574f6281b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9715236341.mp3?updated=1676556062" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Mirzoeff, "White Sight: Visual Politics and Practices of Whiteness" (MIT Press, 2023)</title>
      <description>From the author of How to See the World comes a new history of white supremacist ways of seeing—and a strategy for dismantling them. White supremacy is not only perpetuated by laws and police but also by visual culture and distinctive ways of seeing. 
Nicholas Mirzoeff argues that this form of “white sight” has a history. By understanding that it was not always a common practice, we can devise better ways to dismantle it. Spanning centuries across this wide-ranging text, Mirzoeff connects Renaissance innovations—from the invention of perspective and the erection of Apollo statues as monuments to (white) beauty and power to the rise of racial capitalism dependent on slave labor—with the ever-expanding surveillance technologies of the twenty-first century to show that white sight creates an oppressively racializing world, in which subjects who do not appear as white are under constant threat of violence. Analyzing recent events like the George Floyd protests and the Central Park birdwatching incident, Mirzoeff suggests that we are experiencing a general crisis of white supremacy that presents both opportunities and threats to social justice. If we do not seize this moment to dismantle white sight, then white supremacy might surge back stronger than ever. To that end, he highlights activist interventions to strike the power of the white heteropatriarchal gaze. White Sight: Visual Politics and Practices of Whiteness (MIT Press, 2023) is a vital handbook and call to action for anyone who refuses to live under white-dominated systems and is determined to find a just way to see the world.
Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 19 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>358</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Mirzoeff,</itunes:subtitle>
      <itunes:summary>From the author of How to See the World comes a new history of white supremacist ways of seeing—and a strategy for dismantling them. White supremacy is not only perpetuated by laws and police but also by visual culture and distinctive ways of seeing. 
Nicholas Mirzoeff argues that this form of “white sight” has a history. By understanding that it was not always a common practice, we can devise better ways to dismantle it. Spanning centuries across this wide-ranging text, Mirzoeff connects Renaissance innovations—from the invention of perspective and the erection of Apollo statues as monuments to (white) beauty and power to the rise of racial capitalism dependent on slave labor—with the ever-expanding surveillance technologies of the twenty-first century to show that white sight creates an oppressively racializing world, in which subjects who do not appear as white are under constant threat of violence. Analyzing recent events like the George Floyd protests and the Central Park birdwatching incident, Mirzoeff suggests that we are experiencing a general crisis of white supremacy that presents both opportunities and threats to social justice. If we do not seize this moment to dismantle white sight, then white supremacy might surge back stronger than ever. To that end, he highlights activist interventions to strike the power of the white heteropatriarchal gaze. White Sight: Visual Politics and Practices of Whiteness (MIT Press, 2023) is a vital handbook and call to action for anyone who refuses to live under white-dominated systems and is determined to find a just way to see the world.
Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the author of <em>How to See the World</em> comes a new history of white supremacist ways of seeing—and a strategy for dismantling them. White supremacy is not only perpetuated by laws and police but also by visual culture and distinctive ways of seeing. </p><p>Nicholas Mirzoeff argues that this form of “white sight” has a history. By understanding that it was not always a common practice, we can devise better ways to dismantle it. Spanning centuries across this wide-ranging text, Mirzoeff connects Renaissance innovations—from the invention of perspective and the erection of Apollo statues as monuments to (white) beauty and power to the rise of racial capitalism dependent on slave labor—with the ever-expanding surveillance technologies of the twenty-first century to show that white sight creates an oppressively racializing world, in which subjects who do not appear as white are under constant threat of violence. Analyzing recent events like the George Floyd protests and the Central Park birdwatching incident, Mirzoeff suggests that we are experiencing a general crisis of white supremacy that presents both opportunities and threats to social justice. If we do not seize this moment to dismantle white sight, then white supremacy might surge back stronger than ever. To that end, he highlights activist interventions to strike the power of the white heteropatriarchal gaze. <a href="https://bookshop.org/a/12343/9780262047678">White Sight: Visual Politics and Practices of Whiteness</a> (MIT Press, 2023) is a vital handbook and call to action for anyone who refuses to live under white-dominated systems and is determined to find a just way to see the world.</p><p><a href="https://www.linkedin.com/in/anna-lindner-b86a16a6/"><em>Anna E. Lindner</em></a><em> is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. </em><a href="https://twitter.com/annaeliselin"><em>On Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e28d320a-ac94-11ed-b1e8-837c20763e6c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4916092282.mp3?updated=1676400271" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helen Yaffe, "We Are Cuba!: How a Revolutionary People Have Survived in a Post-Soviet World" (Yale UP, 2020)</title>
      <description>In the aftermath of the fall of the Soviet Union, Cuba faced the start of a crisis that decimated its economy. Helen Yaffe examines the astonishing developments that took place during and beyond this period. Drawing on archival research and interviews with Cuban leaders, thinkers, and activists, We Are Cuba!: How a Revolutionary People Have Survived in a Post-Soviet World (Yale UP, 2020) tells for the first time the remarkable story of how Cuba survived while the rest of the Soviet bloc crumbled.
Yaffe shows how Cuba has been gradually introducing select market reforms. While the government claims that these are necessary to sustain its socialist system, many others believe they herald a return to capitalism. Examining key domestic initiatives including the creation of one of the world’s leading biotechnological industries, its energy revolution, and medical internationalism alongside recent economic reforms, Yaffe shows why the revolution will continue post-Castro.
This is a fresh, compelling account of Cuba’s socialist revolution and the challenges it faces today.
Helen Yaffe is a senior lecturer in economic and social history at the University of Glasgow. Her teaching focuses on Latin American and Cuban development. Since 1995, she has spent time living and researching in Cuba. Her doctoral thesis was adapted for publication as Che Guevara: The Economics of Revolution in 2009 and she is the co-author of Youth Activism and Solidarity: The Non-stop Picket- Against Apartheid, 2017. She regularly provides commentary on Cuba for the mainstream media.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>355</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helen Yaffe</itunes:subtitle>
      <itunes:summary>In the aftermath of the fall of the Soviet Union, Cuba faced the start of a crisis that decimated its economy. Helen Yaffe examines the astonishing developments that took place during and beyond this period. Drawing on archival research and interviews with Cuban leaders, thinkers, and activists, We Are Cuba!: How a Revolutionary People Have Survived in a Post-Soviet World (Yale UP, 2020) tells for the first time the remarkable story of how Cuba survived while the rest of the Soviet bloc crumbled.
Yaffe shows how Cuba has been gradually introducing select market reforms. While the government claims that these are necessary to sustain its socialist system, many others believe they herald a return to capitalism. Examining key domestic initiatives including the creation of one of the world’s leading biotechnological industries, its energy revolution, and medical internationalism alongside recent economic reforms, Yaffe shows why the revolution will continue post-Castro.
This is a fresh, compelling account of Cuba’s socialist revolution and the challenges it faces today.
Helen Yaffe is a senior lecturer in economic and social history at the University of Glasgow. Her teaching focuses on Latin American and Cuban development. Since 1995, she has spent time living and researching in Cuba. Her doctoral thesis was adapted for publication as Che Guevara: The Economics of Revolution in 2009 and she is the co-author of Youth Activism and Solidarity: The Non-stop Picket- Against Apartheid, 2017. She regularly provides commentary on Cuba for the mainstream media.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the aftermath of the fall of the Soviet Union, Cuba faced the start of a crisis that decimated its economy. Helen Yaffe examines the astonishing developments that took place during and beyond this period. Drawing on archival research and interviews with Cuban leaders, thinkers, and activists, <a href="https://yalebooks.yale.edu/book/9780300230031/we-are-cuba/"><em>We Are Cuba!: How a Revolutionary People Have Survived in a Post-Soviet World </em></a>(Yale UP, 2020) tells for the first time the remarkable story of how Cuba survived while the rest of the Soviet bloc crumbled.</p><p>Yaffe shows how Cuba has been gradually introducing select market reforms. While the government claims that these are necessary to sustain its socialist system, many others believe they herald a return to capitalism. Examining key domestic initiatives including the creation of one of the world’s leading biotechnological industries, its energy revolution, and medical internationalism alongside recent economic reforms, Yaffe shows why the revolution will continue post-Castro.</p><p>This is a fresh, compelling account of Cuba’s socialist revolution and the challenges it faces today.</p><p>Helen Yaffe is a senior lecturer in economic and social history at the University of Glasgow. Her teaching focuses on Latin American and Cuban development. Since 1995, she has spent time living and researching in Cuba. Her doctoral thesis was adapted for publication as <em>Che Guevara: The Economics of Revolution</em> in 2009 and she is the co-author of <em>Youth Activism and Solidarity: The Non-stop Picket- Against Apartheid</em>, 2017. She regularly provides commentary on Cuba for the mainstream media.</p><p><br></p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6644</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6842c770-a88f-11ed-bab2-97d207b0d786]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8009794712.mp3?updated=1675958777" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Victor Roy, "Capitalizing a Cure: How Finance Controls the Price and Value of Medicines" (U California Press, 2023)</title>
      <description>Capitalizing a Cure: How Finance Controls the Price and Value of Medicines (U California Press, 2023) takes readers into the struggle over a medical breakthrough to investigate the power of finance over business, biomedicine, and public health. When curative treatments for hepatitis C launched in 2013, sticker shock over their prices intensified the global debate over access to new medicines. Weaving historical research with insights from political economy and science and technology studies, Victor Roy demystifies an oft-missed dynamic in this debate: the reach of financialized capitalism into how medicines are made, priced, and valued.

Roy’s account moves between public and private labs, Wall Street and corporate board rooms, and public health meetings and health centers to trace the ways in which curative medicines became financial assets dominated by strategies of speculation and extraction at the expense of access and care. Provocative and sobering, this book illuminates the harmful impact of allowing financial markets to determine who heals and who suffers and points to the necessary work of building more equitable futures.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Victor Roy</itunes:subtitle>
      <itunes:summary>Capitalizing a Cure: How Finance Controls the Price and Value of Medicines (U California Press, 2023) takes readers into the struggle over a medical breakthrough to investigate the power of finance over business, biomedicine, and public health. When curative treatments for hepatitis C launched in 2013, sticker shock over their prices intensified the global debate over access to new medicines. Weaving historical research with insights from political economy and science and technology studies, Victor Roy demystifies an oft-missed dynamic in this debate: the reach of financialized capitalism into how medicines are made, priced, and valued.

Roy’s account moves between public and private labs, Wall Street and corporate board rooms, and public health meetings and health centers to trace the ways in which curative medicines became financial assets dominated by strategies of speculation and extraction at the expense of access and care. Provocative and sobering, this book illuminates the harmful impact of allowing financial markets to determine who heals and who suffers and points to the necessary work of building more equitable futures.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520388710"><em>Capitalizing a Cure: How Finance Controls the Price and Value of Medicines</em></a> (U California Press, 2023) takes readers into the struggle over a medical breakthrough to investigate the power of finance over business, biomedicine, and public health. When curative treatments for hepatitis C launched in 2013, sticker shock over their prices intensified the global debate over access to new medicines. Weaving historical research with insights from political economy and science and technology studies, Victor Roy demystifies an oft-missed dynamic in this debate: the reach of financialized capitalism into how medicines are made, priced, and valued.</p><p><br></p><p>Roy’s account moves between public and private labs, Wall Street and corporate board rooms, and public health meetings and health centers to trace the ways in which curative medicines became financial assets dominated by strategies of speculation and extraction at the expense of access and care. Provocative and sobering, this book illuminates the harmful impact of allowing financial markets to determine who heals and who suffers and points to the necessary work of building more equitable futures.</p><p><em>Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3068</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[23490a58-aa15-11ed-b3d1-37ac09e86ec9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3163996437.mp3?updated=1676124838" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Peters and Don Wells, "Canadian Labour Policy and Politics" (UBC Press, 2022)</title>
      <description>For many, the COVID-19 pandemic has awakened them to the dangers attendant to a lot of the working conditions in society today—for others, it has made what they already knew to be the dangers of their workplaces and of a tattered social safety net all the more perilous. In Canadian Labour Policy and Politics (UBC Press, 2022) co-editors John Peters and Don Wells bring together a number of field-leading scholars in Canadian Labour Studies to situate the social abandonment of workers in both its longue durée and in its most acute contemporary manifestations. Most importantly, though, they also highlight the growing capacities of community unionism, as a strategy for building worker power across the multiple intersections of race, gender, nationality, (dis)ability, in order to challenge corporate power and build democratic alternatives. I sit down with co-editor Don Wells to discuss this rich and deeply accessible text.
Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Don Wells</itunes:subtitle>
      <itunes:summary>For many, the COVID-19 pandemic has awakened them to the dangers attendant to a lot of the working conditions in society today—for others, it has made what they already knew to be the dangers of their workplaces and of a tattered social safety net all the more perilous. In Canadian Labour Policy and Politics (UBC Press, 2022) co-editors John Peters and Don Wells bring together a number of field-leading scholars in Canadian Labour Studies to situate the social abandonment of workers in both its longue durée and in its most acute contemporary manifestations. Most importantly, though, they also highlight the growing capacities of community unionism, as a strategy for building worker power across the multiple intersections of race, gender, nationality, (dis)ability, in order to challenge corporate power and build democratic alternatives. I sit down with co-editor Don Wells to discuss this rich and deeply accessible text.
Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For many, the COVID-19 pandemic has awakened them to the dangers attendant to a lot of the working conditions in society today—for others, it has made what they already knew to be the dangers of their workplaces and of a tattered social safety net all the more perilous. In <a href="https://bookshop.org/a/12343/9780774866057"><em>Canadian Labour Policy and Politics</em></a> (UBC Press, 2022) co-editors John Peters and Don Wells bring together a number of field-leading scholars in Canadian Labour Studies to situate the social abandonment of workers in both its longue durée and in its most acute contemporary manifestations. Most importantly, though, they also highlight the growing capacities of community unionism, as a strategy for building worker power across the multiple intersections of race, gender, nationality, (dis)ability, in order to challenge corporate power and build democratic alternatives. I sit down with co-editor Don Wells to discuss this rich and deeply accessible text.</p><p><em>Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at </em><a href="https://philhenderson.carrd.co/"><em>his personal website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3363</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49866d3a-a986-11ed-b3d1-5f2f071711d6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8298253963.mp3?updated=1676063587" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Making Meaning Episode 14: The Challenge of Choice</title>
      <link>https://ministryofideas.org/</link>
      <description>The vast range of choices we can make about our lives is one of the great blessings of modernity. But that very freedom makes it hard to know what to believe or where we belong. Even more difficult is that capitalism is constantly shaping our values and perceptions towards its own ethos. Perhaps there is a way out through making our worlds smaller.
Guest: 
Paul Froese is a Professor of Sociology at Baylor University and the Director of the Baylor Religion Surveys. He is the author of three books, his most recent is On Purpose: How We Create the Meaning of Life.
Making Meaning is a limited series from Ministry of Ideas that explores how life can be lived more meaningfully. Featuring meditations by some of the world’s most sensitive and insightful thinkers, Making Meaning will give you fresh perspective and encouragement to live with greater intention and fullness. Making Meaning is produced by Jack Pombriant and Zachary Davis. Artwork by Dan Pecci. Learn more at ministryofideas.org and find us on Twitter @ministryofideas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/771dfada-893b-11ed-a384-33332f3e01f8/image/paul-froese.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Meaning and 'Freedom'</itunes:subtitle>
      <itunes:summary>The vast range of choices we can make about our lives is one of the great blessings of modernity. But that very freedom makes it hard to know what to believe or where we belong. Even more difficult is that capitalism is constantly shaping our values and perceptions towards its own ethos. Perhaps there is a way out through making our worlds smaller.
Guest: 
Paul Froese is a Professor of Sociology at Baylor University and the Director of the Baylor Religion Surveys. He is the author of three books, his most recent is On Purpose: How We Create the Meaning of Life.
Making Meaning is a limited series from Ministry of Ideas that explores how life can be lived more meaningfully. Featuring meditations by some of the world’s most sensitive and insightful thinkers, Making Meaning will give you fresh perspective and encouragement to live with greater intention and fullness. Making Meaning is produced by Jack Pombriant and Zachary Davis. Artwork by Dan Pecci. Learn more at ministryofideas.org and find us on Twitter @ministryofideas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The vast range of choices we can make about our lives is one of the great blessings of modernity. But that very freedom makes it hard to know what to believe or where we belong. Even more difficult is that capitalism is constantly shaping our values and perceptions towards its own ethos. Perhaps there is a way out through making our worlds smaller.</p><p>Guest: </p><p><a href="https://www.baylor.edu/sociology/index.php?id=953133">Paul Froese</a> is a Professor of Sociology at Baylor University and the Director of the Baylor Religion Surveys. He is the author of three books, his most recent is <em>On Purpose: How We Create the Meaning of Life</em>.</p><p><a href="https://www.ministryofideas.org/meaning"><em>Making Meaning</em></a><em> is a limited series from </em><a href="https://www.ministryofideas.org/about"><em>Ministry of Ideas</em></a><em> that explores how life can be lived more meaningfully. Featuring meditations by some of the world’s most sensitive and insightful thinkers, Making Meaning will give you fresh perspective and encouragement to live with greater intention and fullness. Making Meaning is produced by </em><a href="https://www.jackpombriant.com/"><em>Jack Pombriant </em></a><em>and </em><a href="https://www.zacharystevendavis.com/"><em>Zachary Davis</em></a><em>. Artwork by </em><a href="https://www.danpecci.com/"><em>Dan Pecci</em></a><em>. Learn more at </em><a href="https://www.ministryofideas.org/"><em>ministryofideas.org</em></a><em> and find us on Twitter </em><a href="https://twitter.com/ministryofideas"><em>@ministryofideas.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>682</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[13432e87-d5ec-4078-9531-85372535ad37]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2021816599.mp3?updated=1672417061" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marnia Lazreg, "Foucault's Orient: The Conundrum of Cultural Difference, From Tunisia to Japan" (Berghahn Books, 2020)</title>
      <description>Foucault lived in Tunisia for two years and travelled to Japan and Iran more than once. Yet throughout his critical scholarship, he insisted that the cultures of the “Orient” constitute the “limit” of Western rationality. 
Using archival research supplemented by interviews with key scholars in Tunisia, Japan and France, Marnia Lazreg's Foucault's Orient: The Conundrum of Cultural Difference, From Tunisia to Japan (Berghahn Books, 2020) examines the philosophical sources, evolution as well as contradictions of Foucault’s experience with non-Western cultures. Beyond tracing Foucault’s journey into the world of otherness, the book reveals the personal, political as well as methodological effects of a radical conception of cultural difference that extolled the local over the cosmopolitan.
I asked Marnia how young philosophers should read Foucault's texts and also how she has integrated his concepts into her excellent sociological research that focuses on the world outside the "West." Her insightful advice should be taken into account when approaching any works of Foucault today. 
Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Feb 2023 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>357</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marnia Lazreg</itunes:subtitle>
      <itunes:summary>Foucault lived in Tunisia for two years and travelled to Japan and Iran more than once. Yet throughout his critical scholarship, he insisted that the cultures of the “Orient” constitute the “limit” of Western rationality. 
Using archival research supplemented by interviews with key scholars in Tunisia, Japan and France, Marnia Lazreg's Foucault's Orient: The Conundrum of Cultural Difference, From Tunisia to Japan (Berghahn Books, 2020) examines the philosophical sources, evolution as well as contradictions of Foucault’s experience with non-Western cultures. Beyond tracing Foucault’s journey into the world of otherness, the book reveals the personal, political as well as methodological effects of a radical conception of cultural difference that extolled the local over the cosmopolitan.
I asked Marnia how young philosophers should read Foucault's texts and also how she has integrated his concepts into her excellent sociological research that focuses on the world outside the "West." Her insightful advice should be taken into account when approaching any works of Foucault today. 
Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Foucault lived in Tunisia for two years and travelled to Japan and Iran more than once. Yet throughout his critical scholarship, he insisted that the cultures of the “Orient” constitute the “limit” of Western rationality. </p><p>Using archival research supplemented by interviews with key scholars in Tunisia, Japan and France, <a href="https://www.hunter.cuny.edu/sociology/faculty/marnia-lazreg">Marnia Lazreg</a>'s <a href="https://bookshop.org/a/12343/9781789208177"><em>Foucault's Orient: The Conundrum of Cultural Difference, From Tunisia to Japan</em></a><em> </em>(Berghahn Books, 2020) examines the philosophical sources, evolution as well as contradictions of Foucault’s experience with non-Western cultures. Beyond tracing Foucault’s journey into the world of otherness, the book reveals the personal, political as well as methodological effects of a radical conception of cultural difference that extolled the local over the cosmopolitan.</p><p>I asked Marnia how young philosophers should read Foucault's texts and also how she has integrated his concepts into her excellent sociological research that focuses on the world outside the "West." Her insightful advice should be taken into account when approaching any works of Foucault today. </p><p><a href="https://twitter.com/TakeshiMorisato"><em>Takeshi Morisato</em></a><em> is philosopher and sometimes academic. He is the editor of the </em><a href="https://ejjp-journal.org/"><em>European Journal of Japanese Philosophy</em></a><em>. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3193</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1e393b1c-a98b-11ed-bc49-330cb94a635c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5246959244.mp3?updated=1676065646" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of the Liberal Order: A Discussion with James E. Cronin</title>
      <description>Has the liberal order been taken for granted? The post war consensus and the impact of the cold war may have helped establish a way of doing politics that in fact was on less secure foundations that it seemed. That’s the view of Professor James E Cronin of Boston College who has written Fragile Victory: The Making and Unmaking of the Liberal Order (Yale University Press, 2023)  – listen to him in conversation with Owen Bennett-Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Has the liberal order been taken for granted? The post war consensus and the impact of the cold war may have helped establish a way of doing politics that in fact was on less secure foundations that it seemed. That’s the view of Professor James E Cronin of Boston College who has written Fragile Victory: The Making and Unmaking of the Liberal Order (Yale University Press, 2023)  – listen to him in conversation with Owen Bennett-Jones.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Has the liberal order been taken for granted? The post war consensus and the impact of the cold war may have helped establish a way of doing politics that in fact was on less secure foundations that it seemed. That’s the view of Professor James E Cronin of Boston College who has written <a href="https://bookshop.org/a/12343/9780300247855"><em>Fragile Victory: The Making and Unmaking of the Liberal Order</em></a> (Yale University Press, 2023)  – listen to him in conversation with Owen Bennett-Jones.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3ec10598-ad66-11ed-9d78-93a2075466c1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1210887640.mp3?updated=1676488272" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip Nel, "Was the Cat in the Hat Black?: The Hidden Racism of Children's Literature, and the Need for Diverse Books" (Oxford UP, 2017)</title>
      <description>Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people.
Was the Cat in the Hat Black?: The Hidden Racism of Children's Literature, and the Need for Diverse Books (Oxford UP, 2017) presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.
Philip Nel is University Distinguished Professor of English at Kansas State University. His many books include Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature (UP Mississippi, 2012), Tales for Little Rebels: A Collection of Radical Children's Literature (NYU Press, 2008, co-edited with Julia Mickenberg), The Annotated Cat: Under the Hats of Seuss and His Cats (Random House, 2007), and Dr. Seuss: American Icon (Continuum, 2004).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>356</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip Nel</itunes:subtitle>
      <itunes:summary>Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people.
Was the Cat in the Hat Black?: The Hidden Racism of Children's Literature, and the Need for Diverse Books (Oxford UP, 2017) presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.
Philip Nel is University Distinguished Professor of English at Kansas State University. His many books include Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature (UP Mississippi, 2012), Tales for Little Rebels: A Collection of Radical Children's Literature (NYU Press, 2008, co-edited with Julia Mickenberg), The Annotated Cat: Under the Hats of Seuss and His Cats (Random House, 2007), and Dr. Seuss: American Icon (Continuum, 2004).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people.</p><p><a href="https://bookshop.org/a/12343/9780190932879"><em>Was the Cat in the Hat Black?: The Hidden Racism of Children's Literature, and the Need for Diverse Books</em></a> (Oxford UP, 2017) presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.</p><p>Philip Nel is University Distinguished Professor of English at Kansas State University. His many books include Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature (UP Mississippi, 2012), Tales for Little Rebels: A Collection of Radical Children's Literature (NYU Press, 2008, co-edited with Julia Mickenberg), The Annotated Cat: Under the Hats of Seuss and His Cats (Random House, 2007), and Dr. Seuss: American Icon (Continuum, 2004).</p><p><a href="https://www.youtube.com/user/a48266/videos"><em>Morteza Hajizadeh</em></a><em> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube channel.</em></a><em>﻿</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2915</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1441d194-a97e-11ed-a720-3303c1c46085]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2002695986.mp3?updated=1676060016" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Historians Examine Thomas Piketty’s Capital and Ideology</title>
      <description>Andrew Popp, a professor of history at Copenhagen Business School, and Jonathan Coopersmith, a professor (retired) of history at Texas A&amp;M, talk about a recent special issue they edited in the journal History Compass with Peoples &amp; Things host, Lee Vinsel. The special issue brought together a number of business historians to assess the historical arguments of Thomas Piketty’s 2019 book, Capital and Ideology, which argues that societies have developed a number of ideologies to justify inequality. While largely sympathetic to Piketty’s aims, the historians involved prod and criticize aspects of his argument and evidence. Popp, Coopersmith, and Vinsel also discuss the need for more historians, particularly business historians, to focus on the history of inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7328029a-95e8-11ed-8b64-4f3b2afb486e/image/16838854-1626891934583-2290bd0101d88.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Andrew Popp and Jonathan Coopersmith </itunes:subtitle>
      <itunes:summary>Andrew Popp, a professor of history at Copenhagen Business School, and Jonathan Coopersmith, a professor (retired) of history at Texas A&amp;M, talk about a recent special issue they edited in the journal History Compass with Peoples &amp; Things host, Lee Vinsel. The special issue brought together a number of business historians to assess the historical arguments of Thomas Piketty’s 2019 book, Capital and Ideology, which argues that societies have developed a number of ideologies to justify inequality. While largely sympathetic to Piketty’s aims, the historians involved prod and criticize aspects of his argument and evidence. Popp, Coopersmith, and Vinsel also discuss the need for more historians, particularly business historians, to focus on the history of inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Andrew Popp, a professor of history at Copenhagen Business School, and Jonathan Coopersmith, a professor (retired) of history at Texas A&amp;M, talk about a recent special issue they edited in the journal History Compass with Peoples &amp; Things host, Lee Vinsel. The special issue brought together a number of business historians to assess the historical arguments of Thomas Piketty’s 2019 book, Capital and Ideology, which argues that societies have developed a number of ideologies to justify inequality. While largely sympathetic to Piketty’s aims, the historians involved prod and criticize aspects of his argument and evidence. Popp, Coopersmith, and Vinsel also discuss the need for more historians, particularly business historians, to focus on the history of inequality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4467</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dc7b3125-3715-4480-8494-93d8e69c5852]]></guid>
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    <item>
      <title>Piro Rexhepi, "White Enclosures: Racial Capitalism and Coloniality Along the Balkan Route" (Duke UP, 2022)</title>
      <description>In White Enclosures: Racial Capitalism and Coloniality Along the Balkan Route (Duke UP, 2022), Piro Rexhepi explores the overlapping postsocialist and postcolonial border regimes in the Balkans that are designed to protect whiteness and exclude Muslim, Roma, and migrant communities. Rather than focusing on present crises to the exclusion of the histories that have gotten us to this point, Rexhepi takes a wide lens to understand how different mechanisms and regimes of exclusion are historically intertwined. This book makes a bold and important intervention against 'colorblindness' and white assimilation in the region, pushing us instead to disturb hierarchies of power by forging solidarities with those who are most excluded and marginalized by the Euro-American colonial project. 
Piro Rexhepi is a researcher based in London. He received his PhD in Politics from the University of Strathclyde. His new review essay, co-authored with Harun Buljina and Dženita Karić, is "Feel-good Orientalism and the Question of Dignity," is available to read on The Maydan. You can follow him on Twitter @pirorexhepi.
Dino Kadich is a PhD candidate in Geography at the University of Cambridge. You can follow him on Twitter @dinokadich.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 12 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Piro Rexhepi</itunes:subtitle>
      <itunes:summary>In White Enclosures: Racial Capitalism and Coloniality Along the Balkan Route (Duke UP, 2022), Piro Rexhepi explores the overlapping postsocialist and postcolonial border regimes in the Balkans that are designed to protect whiteness and exclude Muslim, Roma, and migrant communities. Rather than focusing on present crises to the exclusion of the histories that have gotten us to this point, Rexhepi takes a wide lens to understand how different mechanisms and regimes of exclusion are historically intertwined. This book makes a bold and important intervention against 'colorblindness' and white assimilation in the region, pushing us instead to disturb hierarchies of power by forging solidarities with those who are most excluded and marginalized by the Euro-American colonial project. 
Piro Rexhepi is a researcher based in London. He received his PhD in Politics from the University of Strathclyde. His new review essay, co-authored with Harun Buljina and Dženita Karić, is "Feel-good Orientalism and the Question of Dignity," is available to read on The Maydan. You can follow him on Twitter @pirorexhepi.
Dino Kadich is a PhD candidate in Geography at the University of Cambridge. You can follow him on Twitter @dinokadich.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/white-enclosures"><em>White Enclosures: Racial Capitalism and Coloniality Along the Balkan Route</em></a> (Duke UP, 2022), Piro Rexhepi explores the overlapping postsocialist and postcolonial border regimes in the Balkans that are designed to protect whiteness and exclude Muslim, Roma, and migrant communities. Rather than focusing on present crises to the exclusion of the histories that have gotten us to this point, Rexhepi takes a wide lens to understand how different mechanisms and regimes of exclusion are historically intertwined. This book makes a bold and important intervention against 'colorblindness' and white assimilation in the region, pushing us instead to disturb hierarchies of power by forging solidarities with those who are most excluded and marginalized by the Euro-American colonial project. </p><p>Piro Rexhepi is a researcher based in London. He received his PhD in Politics from the University of Strathclyde. His new review essay, co-authored with Harun Buljina and Dženita Karić, is <a href="https://themaydan.com/2023/02/feel-good-orientalism-and-the-question-of-dignity/">"Feel-good Orientalism and the Question of Dignity," is available to read on <em>The Maydan</em>. </a>You can follow him on Twitter <a href="https://twitter.com/pirorexhepi">@pirorexhepi</a>.</p><p><em>Dino Kadich is a PhD candidate in Geography at the University of Cambridge. You can follow him on Twitter </em><a href="http://twitter.com/dinokadich"><em>@dinokadich</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4282</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0fd377f0-a700-11ed-895f-532c7bd987a7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3887244196.mp3?updated=1675785892" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chantelle Gray, "Anarchism After Deleuze and Guattari: Fabulating Futures" (Bloomsbury, 2022)</title>
      <description>Deleuze and Guattari never identified as anarchists, nor do they seem to know much about its historical development or continued praxis. Yet their individual and collective work belies this apparent and wilful oversight through a steady consideration of revolutionary subjectivity and active political experimentation.
In Anarchism After Deleuze and Guattari: Fabulating Futures (Bloomsbury, 2022). Chantelle Gray argues that while we cannot - and should not - attempt to call them anarchists, their work resonates with core anarchist principles such as prefiguration, careful experimentation and emergent strategies aimed at creating a feeling that life is worth living. This involves paying attention to both joyous affects and sad passions, which necessitates the affirmation of all of chance and, from that, fabulating new modes of existence. By bringing together the philosophy of Deleuze and Guattari with the theory and practices of anarchism, this book demonstrates that fabulating the future is nothing short of a noetic act, making reasonable something which initially was senseless.
Chantelle Gray is an Associate Professor in the School of Philosophy at North-West University, South Africa.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 11 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>354</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chantelle Gray</itunes:subtitle>
      <itunes:summary>Deleuze and Guattari never identified as anarchists, nor do they seem to know much about its historical development or continued praxis. Yet their individual and collective work belies this apparent and wilful oversight through a steady consideration of revolutionary subjectivity and active political experimentation.
In Anarchism After Deleuze and Guattari: Fabulating Futures (Bloomsbury, 2022). Chantelle Gray argues that while we cannot - and should not - attempt to call them anarchists, their work resonates with core anarchist principles such as prefiguration, careful experimentation and emergent strategies aimed at creating a feeling that life is worth living. This involves paying attention to both joyous affects and sad passions, which necessitates the affirmation of all of chance and, from that, fabulating new modes of existence. By bringing together the philosophy of Deleuze and Guattari with the theory and practices of anarchism, this book demonstrates that fabulating the future is nothing short of a noetic act, making reasonable something which initially was senseless.
Chantelle Gray is an Associate Professor in the School of Philosophy at North-West University, South Africa.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Deleuze and Guattari never identified as anarchists, nor do they seem to know much about its historical development or continued praxis. Yet their individual and collective work belies this apparent and wilful oversight through a steady consideration of revolutionary subjectivity and active political experimentation.</p><p>In <a href="https://bookshop.org/a/12343/9781350132399"><em>Anarchism After Deleuze and Guattari: Fabulating Futures</em></a><em> </em>(Bloomsbury, 2022). Chantelle Gray argues that while we cannot - and should not - attempt to call them anarchists, their work resonates with core anarchist principles such as prefiguration, careful experimentation and emergent strategies aimed at creating a feeling that life is worth living. This involves paying attention to both joyous affects and sad passions, which necessitates the affirmation of all of chance and, from that, fabulating new modes of existence. By bringing together the philosophy of Deleuze and Guattari with the theory and practices of anarchism, this book demonstrates that fabulating the future is nothing short of a noetic act, making reasonable something which initially was senseless.</p><p>Chantelle Gray is an Associate Professor in the School of Philosophy at North-West University, South Africa.</p><p><em>Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4010</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5456562972.mp3?updated=1675716063" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jennifer Clary-Lemon and David M. Grant, "Decolonial Conversations in Posthuman and New Material Rhetorics"  (Ohio State UP, 2022)</title>
      <description>Decolonial Conversations in Posthuman and New Material Rhetorics (Ohio State UP, 2022) brings together emerging and established voices at the nexus of new materialist and decolonial rhetorics to advance a new direction for rhetorical scholarship on materiality. In part a response to those seeking answers about the relevance of new material and posthuman thought to cultural rhetorics, this collection initiates bold conversations at the pressure points between nature and culture, Indigenous and non-Indigenous, knowing and being, and across culturally different ontologies. It thus relies on a tapestry of both accepted and marginalized discourses in order to respond to frustrations of erasure and otherness prevalent in the fields of rhetoric, writing, and communication—and offers solutions to move these fields forward. With diverse contributions, including compelling pieces from leading Indigenous scholars, these essays draw from political, cultural, and natural life to present innovative projects that consider material rhetorics, our planet, and human beings as necessarily interwoven and multiple.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 11 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>204</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Clary-Lemon and David M. Grant</itunes:subtitle>
      <itunes:summary>Decolonial Conversations in Posthuman and New Material Rhetorics (Ohio State UP, 2022) brings together emerging and established voices at the nexus of new materialist and decolonial rhetorics to advance a new direction for rhetorical scholarship on materiality. In part a response to those seeking answers about the relevance of new material and posthuman thought to cultural rhetorics, this collection initiates bold conversations at the pressure points between nature and culture, Indigenous and non-Indigenous, knowing and being, and across culturally different ontologies. It thus relies on a tapestry of both accepted and marginalized discourses in order to respond to frustrations of erasure and otherness prevalent in the fields of rhetoric, writing, and communication—and offers solutions to move these fields forward. With diverse contributions, including compelling pieces from leading Indigenous scholars, these essays draw from political, cultural, and natural life to present innovative projects that consider material rhetorics, our planet, and human beings as necessarily interwoven and multiple.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780814258446"><em>Decolonial Conversations in Posthuman and New Material Rhetorics</em></a><em> </em>(Ohio State UP, 2022) brings together emerging and established voices at the nexus of new materialist and decolonial rhetorics to advance a new direction for rhetorical scholarship on materiality. In part a response to those seeking answers about the relevance of new material and posthuman thought to cultural rhetorics, this collection initiates bold conversations at the pressure points between nature and culture, Indigenous and non-Indigenous, knowing and being, and across culturally different ontologies. It thus relies on a tapestry of both accepted and marginalized discourses in order to respond to frustrations of erasure and otherness prevalent in the fields of rhetoric, writing, and communication—and offers solutions to move these fields forward. With diverse contributions, including compelling pieces from leading Indigenous scholars, these essays draw from political, cultural, and natural life to present innovative projects that consider material rhetorics, our planet, and human beings as necessarily interwoven and multiple.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2304</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c4b6b1c-a5a1-11ed-a550-27c6051cf686]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3491675958.mp3?updated=1675635097" length="0" type="audio/mpeg"/>
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    <item>
      <title>Hannah Noel, "Deflective Whiteness: Coopting Black and Latinx Identity Politics" (Ohio State UP, 2022)</title>
      <description>In Deflective Whiteness: Coopting Black and Latinx Identity Politics (Ohio State UP, 2022), Hannah Noel repositions Whiteness studies in relation to current discussions around racialized animus and White victimhood, demonstrating how White supremacy adapts its discursive strategies by cannibalizing the language and rhetoric of Black and Latinx social justice movements. Analyzing a wide-ranging collection of cultural objects—memes, oration, music, advertisements, and news coverage—Noel shows how White deflection sustains and reproduces structures of inequality and injustice.
White deflection offers a script for how social justice rhetoric and the emotions of victimization are appropriated to conjure a hegemonic White identity. Using derivative language, deflection claims Whiteness as the aggrieved social status. Through case studies of cultural moments and archives including Twitter, country music, the Black Lives Matter movement, and more, Deflective Whiteness exposes the various forms of tacit White supremacy that operate under the alibi of injury and that ultimately serve to deepen racial inequities. By understanding how, where, and why White deflection is used, Noel argues, scholars and social justice advocates can trace, tag, and deconstruct covert White supremacy at its rhetorical foundations.
Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>357</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hannah Noel</itunes:subtitle>
      <itunes:summary>In Deflective Whiteness: Coopting Black and Latinx Identity Politics (Ohio State UP, 2022), Hannah Noel repositions Whiteness studies in relation to current discussions around racialized animus and White victimhood, demonstrating how White supremacy adapts its discursive strategies by cannibalizing the language and rhetoric of Black and Latinx social justice movements. Analyzing a wide-ranging collection of cultural objects—memes, oration, music, advertisements, and news coverage—Noel shows how White deflection sustains and reproduces structures of inequality and injustice.
White deflection offers a script for how social justice rhetoric and the emotions of victimization are appropriated to conjure a hegemonic White identity. Using derivative language, deflection claims Whiteness as the aggrieved social status. Through case studies of cultural moments and archives including Twitter, country music, the Black Lives Matter movement, and more, Deflective Whiteness exposes the various forms of tacit White supremacy that operate under the alibi of injury and that ultimately serve to deepen racial inequities. By understanding how, where, and why White deflection is used, Noel argues, scholars and social justice advocates can trace, tag, and deconstruct covert White supremacy at its rhetorical foundations.
Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814258545"><em>Deflective Whiteness: Coopting Black and Latinx Identity Politics</em></a> (Ohio State UP, 2022), Hannah Noel repositions Whiteness studies in relation to current discussions around racialized animus and White victimhood, demonstrating how White supremacy adapts its discursive strategies by cannibalizing the language and rhetoric of Black and Latinx social justice movements. Analyzing a wide-ranging collection of cultural objects—memes, oration, music, advertisements, and news coverage—Noel shows how White deflection sustains and reproduces structures of inequality and injustice.</p><p>White deflection offers a script for how social justice rhetoric and the emotions of victimization are appropriated to conjure a hegemonic White identity. Using derivative language, deflection claims Whiteness as the aggrieved social status. Through case studies of cultural moments and archives including Twitter, country music, the Black Lives Matter movement, and more, Deflective Whiteness exposes the various forms of tacit White supremacy that operate under the alibi of injury and that ultimately serve to deepen racial inequities. By understanding how, where, and why White deflection is used, Noel argues, scholars and social justice advocates can trace, tag, and deconstruct covert White supremacy at its rhetorical foundations.</p><p><em>Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3015</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Dianne M. Stewart, "Black Women, Black Love: America's War on African-American Marriage" (Seal Press, 2020)</title>
      <description>According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis.
Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners.
Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries.
﻿Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>356</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dianne M. Stewart</itunes:subtitle>
      <itunes:summary>According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis.
Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners.
Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries.
﻿Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to the 2010 US census, more than seventy percent of Black women in America are unmarried. <a href="https://bookshop.org/a/12343/9781580058186"><em>Black Women, Black Love: America's War on African-American Marriage</em></a><em> </em>(Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis.</p><p>Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners.</p><p>Prodigiously researched and deeply felt, <em>Black Women, Black Love </em>reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries.</p><p><em>﻿</em><a href="https://cla.auburn.edu/directory/mickell-j-carter/"><em>Mickell Carter</em></a><em> is a doctoral student in the department of history at Auburn University. She can be reached at </em><a href="mailto:mzc0152@auburn.edu"><em>mzc0152@auburn.edu</em></a><em> and on twitter @MickellCarter</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Martin Scott and Kate Wright, "Humanitarian Journalists: Covering Crises from a Boundary Zone" (Routledge, 2022)</title>
      <description>How can the news better reflect important global issues? In Humanitarian Journalists Covering Crises from a Boundary Zone (Routledge, 2022), Drs Martin Scott, an Associate Professor in Media &amp; Development at the University of East Anglia and Kate Wright, Senior Lecturer and Chancellor's Fellow in Media and Communication at the University of Edinburgh, and Prof Mel Bunce, a Professor of International Journalism at City University of London, explore the context that shapes the lives and practices of humanitarian journalists. The book uses rich case study materials, detailed interview data, and a framework drawing on field theory to analyses how humanitarian journalists exist between the journalistic and humanitarian fields. This comes at a cost to them, as well as offering significant positives for both their activities and for news itself. Accessible, and available open access here, the book is essential reading across media studies, humanities, and social sciences, as well as for anyone concerned about the need for a better system for reporting the news.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>354</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martin Scott and Kate Wright</itunes:subtitle>
      <itunes:summary>How can the news better reflect important global issues? In Humanitarian Journalists Covering Crises from a Boundary Zone (Routledge, 2022), Drs Martin Scott, an Associate Professor in Media &amp; Development at the University of East Anglia and Kate Wright, Senior Lecturer and Chancellor's Fellow in Media and Communication at the University of Edinburgh, and Prof Mel Bunce, a Professor of International Journalism at City University of London, explore the context that shapes the lives and practices of humanitarian journalists. The book uses rich case study materials, detailed interview data, and a framework drawing on field theory to analyses how humanitarian journalists exist between the journalistic and humanitarian fields. This comes at a cost to them, as well as offering significant positives for both their activities and for news itself. Accessible, and available open access here, the book is essential reading across media studies, humanities, and social sciences, as well as for anyone concerned about the need for a better system for reporting the news.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can the news better reflect important global issues? In <a href="https://bookshop.org/a/12343/9781032407678"><em>Humanitarian Journalists Covering Crises from a Boundary Zone</em></a> (Routledge, 2022), Drs <a href="https://twitter.com/martinscott2010">Martin Scott</a>, an <a href="https://research-portal.uea.ac.uk/en/persons/martin-scott">Associate Professor in Media &amp; Development at the University of East Anglia</a> and <a href="https://twitter.com/newsprof1">Kate Wright</a>, <a href="https://www.sps.ed.ac.uk/staff/kate-wright">Senior Lecturer and Chancellor's Fellow in Media and Communication at the University of Edinburgh</a>, and <a href="https://twitter.com/meljbunce">Prof Mel Bunce</a>, a <a href="https://www.city.ac.uk/about/people/academics/mel-bunce">Professor of International Journalism at City University of London,</a> explore the context that shapes the lives and practices of humanitarian journalists. The book uses rich case study materials, detailed interview data, and a framework drawing on field theory to analyses how humanitarian journalists exist between the journalistic and humanitarian fields. This comes at a cost to them, as well as offering significant positives for both their activities and for news itself. Accessible, and available <a href="https://www.taylorfrancis.com/books/oa-mono/10.4324/9781003356806/humanitarian-journalists-martin-scott-kate-wright-mel-bunce">open access here,</a> the book is essential reading across media studies, humanities, and social sciences, as well as for anyone concerned about the need for a better system for reporting the news.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2144</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Leslie Bow, "Racist Love: Asian Abstraction and the Pleasures of Fantasy" (Duke UP, 2022)</title>
      <description>In Racist Love: Asian Abstraction and the Pleasures of Fantasy (Duke UP, 2022), Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire. Conceptualizing these feelings as “racist love,” she explores how race is abstracted and then projected onto Asianized objects. Bow shows how anthropomorphic objects and images such as cartoon animals in children’s books, home décor and cute tchotchkes, contemporary visual art, and artificially intelligent robots function as repositories of seemingly positive feelings and attachment to Asianness. 
At the same time, Bow demonstrates that these Asianized proxies reveal how fetishistic attraction and pleasure serve as a source of anti-Asian bias and violence. By outlining how attraction to popular representations of Asianness cloaks racial resentment and fears of globalization, Bow provides a new means of understanding the ambivalence surrounding Asians in the United States while offering a theory of the psychological, affective, and symbolic dynamics of racist love in contemporary America.
﻿Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leslie Bow</itunes:subtitle>
      <itunes:summary>In Racist Love: Asian Abstraction and the Pleasures of Fantasy (Duke UP, 2022), Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire. Conceptualizing these feelings as “racist love,” she explores how race is abstracted and then projected onto Asianized objects. Bow shows how anthropomorphic objects and images such as cartoon animals in children’s books, home décor and cute tchotchkes, contemporary visual art, and artificially intelligent robots function as repositories of seemingly positive feelings and attachment to Asianness. 
At the same time, Bow demonstrates that these Asianized proxies reveal how fetishistic attraction and pleasure serve as a source of anti-Asian bias and violence. By outlining how attraction to popular representations of Asianness cloaks racial resentment and fears of globalization, Bow provides a new means of understanding the ambivalence surrounding Asians in the United States while offering a theory of the psychological, affective, and symbolic dynamics of racist love in contemporary America.
﻿Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/racist-love"><em>Racist Love: Asian Abstraction and the Pleasures of Fantasy</em></a><em> </em>(Duke UP, 2022)<em>,</em> Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire. Conceptualizing these feelings as “racist love,” she explores how race is abstracted and then projected onto Asianized objects. Bow shows how anthropomorphic objects and images such as cartoon animals in children’s books, home décor and cute tchotchkes, contemporary visual art, and artificially intelligent robots function as repositories of seemingly positive feelings and attachment to Asianness. </p><p>At the same time, Bow demonstrates that these Asianized proxies reveal how fetishistic attraction and pleasure serve as a source of anti-Asian bias and violence. By outlining how attraction to popular representations of Asianness cloaks racial resentment and fears of globalization, Bow provides a new means of understanding the ambivalence surrounding Asians in the United States while offering a theory of the psychological, affective, and symbolic dynamics of racist love in contemporary America.</p><p><em>﻿</em><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2960</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e2599064-a337-11ed-93bd-336746d627e0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7060059549.mp3?updated=1675369944" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bruce Kuklick, "Fascism Comes to America: A Century of Obsession in Politics and Culture" (U Chicago Press, 2022)</title>
      <description>From the time Mussolini took power in Italy in 1922, Americans have been obsessed with and brooded over the meaning of fascism and how it might migrate to the United States. Fascism Comes to America: A Century of Obsession in Politics and Culture (U Chicago Press, 2022) examines how we have viewed fascism overseas and its implications for our own country. Bruce Kuklick explores the rhetoric of politicians, who have used the language of fascism to smear opponents, and he looks at the discussions of pundits, the analyses of academics, and the displays of fascism in popular culture, including fiction, radio, TV, theater, and film. Kuklick argues that fascism has little informational meaning in the United States, but instead, it is used to denigrate or insult. For example, every political position has been besmirched as fascist. As a result, the term does not describe a phenomenon so much as it denounces what one does not like. Finally, in displaying fascism for most Americans, entertainment--and most importantly film--has been crucial in conveying to citizens what fascism is about. Fascism Comes to America has been enhanced by many illustrations that exhibit how fascism was absorbed into the US public consciousness.
Bruce Kuklick is the Nichols Professor of American History, Emeritus, at the University of Pennsylvania. He is most recently the author of Death in the Congo: Murdering Patrice Lumumba written with Emmanuel Gerard, and The Fighting Sullivans.
﻿Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bruce Kuklick</itunes:subtitle>
      <itunes:summary>From the time Mussolini took power in Italy in 1922, Americans have been obsessed with and brooded over the meaning of fascism and how it might migrate to the United States. Fascism Comes to America: A Century of Obsession in Politics and Culture (U Chicago Press, 2022) examines how we have viewed fascism overseas and its implications for our own country. Bruce Kuklick explores the rhetoric of politicians, who have used the language of fascism to smear opponents, and he looks at the discussions of pundits, the analyses of academics, and the displays of fascism in popular culture, including fiction, radio, TV, theater, and film. Kuklick argues that fascism has little informational meaning in the United States, but instead, it is used to denigrate or insult. For example, every political position has been besmirched as fascist. As a result, the term does not describe a phenomenon so much as it denounces what one does not like. Finally, in displaying fascism for most Americans, entertainment--and most importantly film--has been crucial in conveying to citizens what fascism is about. Fascism Comes to America has been enhanced by many illustrations that exhibit how fascism was absorbed into the US public consciousness.
Bruce Kuklick is the Nichols Professor of American History, Emeritus, at the University of Pennsylvania. He is most recently the author of Death in the Congo: Murdering Patrice Lumumba written with Emmanuel Gerard, and The Fighting Sullivans.
﻿Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the time Mussolini took power in Italy in 1922, Americans have been obsessed with and brooded over the meaning of fascism and how it might migrate to the United States. <a href="https://bookshop.org/a/12343/9780226821467"><em>Fascism Comes to America: A Century of Obsession in Politics and Culture</em></a><em> </em>(U Chicago Press, 2022) examines how we have viewed fascism overseas and its implications for our own country. Bruce Kuklick explores the rhetoric of politicians, who have used the language of fascism to smear opponents, and he looks at the discussions of pundits, the analyses of academics, and the displays of fascism in popular culture, including fiction, radio, TV, theater, and film. Kuklick argues that fascism has little informational meaning in the United States, but instead, it is used to denigrate or insult. For example, every political position has been besmirched as fascist. As a result, the term does not describe a phenomenon so much as it denounces what one does not like. Finally, in displaying fascism for most Americans, entertainment--and most importantly film--has been crucial in conveying to citizens what fascism is about. <em>Fascism Comes to America</em> has been enhanced by many illustrations that exhibit how fascism was absorbed into the US public consciousness.</p><p>Bruce Kuklick is the Nichols Professor of American History, Emeritus, at the University of Pennsylvania. He is most recently the author of <em>Death in the Congo: Murdering Patrice Lumumba</em> written with Emmanuel Gerard, and <em>The Fighting Sullivans</em>.</p><p><em>﻿Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Robert J. Dostal, "Gadamer's Hermeneutics: Between Phenomenology and Dialectic" (Northwestern UP, 2022)</title>
      <description>In Gadamer’s Hermeneutics: Between Phenomenology and Dialectic (Northwestern University Press, 2022), Robert J. Dostal provides a comprehensive and critical account of Hans-Georg Gadamer’s hermeneutical philosophy, arguing that Gadamer’s enterprise is rooted in the thesis that “being that can be understood is language.” He defends Gadamer against charges of linguistic idealism and emphasizes language’s relationship to understanding, though he criticizes Gadamer for too often ignoring the role of the prelinguistic in our experience. Dostal goes on to explain the concept of the "inner word" for Gadamer’s account of language.
The book situates Gadamer’s hermeneutics in three important ways: in relation to the contestability of the legacy of the Enlightenment project; in relation to the work of his mentor, Martin Heidegger; and in relation to Gadamer’s reading of Plato and Aristotle. Dostal explores both Gadamer’s claim on the Enlightenment and his ambivalence toward it. He considers Gadamer’s dependence on Heidegger’s accomplishment while pointing out the ways in which Gadamer charted his own course, rejecting his teacher’s reading of Plato and his antihumanism. Dostal points out notable differences in the philosophers’ politics as well. Finally, Dostal mediates between Gadamer’s hermeneutics and what might be called philological hermeneutics. His analysis defends the civic humanism that is the culmination of the philosopher’s hermeneutics, a humanism defined by moral education, common sense, judgment, and taste. Supporters and critics of Gadamer’s philosophy will learn much from this major achievement.
ROBERT J. DOSTAL is the Rufus M. Jones Professor of Philosophy at Bryn Mawr College. He is the editor of The Cambridge Companion to Gadamer.
﻿Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert J. Dostal</itunes:subtitle>
      <itunes:summary>In Gadamer’s Hermeneutics: Between Phenomenology and Dialectic (Northwestern University Press, 2022), Robert J. Dostal provides a comprehensive and critical account of Hans-Georg Gadamer’s hermeneutical philosophy, arguing that Gadamer’s enterprise is rooted in the thesis that “being that can be understood is language.” He defends Gadamer against charges of linguistic idealism and emphasizes language’s relationship to understanding, though he criticizes Gadamer for too often ignoring the role of the prelinguistic in our experience. Dostal goes on to explain the concept of the "inner word" for Gadamer’s account of language.
The book situates Gadamer’s hermeneutics in three important ways: in relation to the contestability of the legacy of the Enlightenment project; in relation to the work of his mentor, Martin Heidegger; and in relation to Gadamer’s reading of Plato and Aristotle. Dostal explores both Gadamer’s claim on the Enlightenment and his ambivalence toward it. He considers Gadamer’s dependence on Heidegger’s accomplishment while pointing out the ways in which Gadamer charted his own course, rejecting his teacher’s reading of Plato and his antihumanism. Dostal points out notable differences in the philosophers’ politics as well. Finally, Dostal mediates between Gadamer’s hermeneutics and what might be called philological hermeneutics. His analysis defends the civic humanism that is the culmination of the philosopher’s hermeneutics, a humanism defined by moral education, common sense, judgment, and taste. Supporters and critics of Gadamer’s philosophy will learn much from this major achievement.
ROBERT J. DOSTAL is the Rufus M. Jones Professor of Philosophy at Bryn Mawr College. He is the editor of The Cambridge Companion to Gadamer.
﻿Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780810144507"><em>Gadamer’s Hermeneutics: Between Phenomenology and Dialectic</em></a><em> </em>(Northwestern University Press, 2022), Robert J. Dostal provides a comprehensive and critical account of Hans-Georg Gadamer’s hermeneutical philosophy, arguing that Gadamer’s enterprise is rooted in the thesis that “being that can be understood is language.” He defends Gadamer against charges of linguistic idealism and emphasizes language’s relationship to understanding, though he criticizes Gadamer for too often ignoring the role of the prelinguistic in our experience. Dostal goes on to explain the concept of the "inner word" for Gadamer’s account of language.</p><p>The book situates Gadamer’s hermeneutics in three important ways: in relation to the contestability of the legacy of the Enlightenment project; in relation to the work of his mentor, Martin Heidegger; and in relation to Gadamer’s reading of Plato and Aristotle. Dostal explores both Gadamer’s claim on the Enlightenment and his ambivalence toward it. He considers Gadamer’s dependence on Heidegger’s accomplishment while pointing out the ways in which Gadamer charted his own course, rejecting his teacher’s reading of Plato and his antihumanism. Dostal points out notable differences in the philosophers’ politics as well. Finally, Dostal mediates between Gadamer’s hermeneutics and what might be called philological hermeneutics. His analysis defends the civic humanism that is the culmination of the philosopher’s hermeneutics, a humanism defined by moral education, common sense, judgment, and taste. Supporters and critics of Gadamer’s philosophy will learn much from this major achievement.</p><p>ROBERT J. DOSTAL is the Rufus M. Jones Professor of Philosophy at Bryn Mawr College. He is the editor of <em>The Cambridge Companion to Gadamer</em>.</p><p><em>﻿Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Making Meaning Episode 3: The Weight of the World</title>
      <description>The ideology of capitalism, which drives us to find happiness in endless exertion and economic gain, dulls our emotions and blinds us to the source of our most abundant meaning—relationships and solidarity with other people.
Guest: 
Kathryn Lofton is a scholar of religion and has written extensively about capitalism, popular culture, and the secular. She’s the author of three books: Oprah: The Gospel of an Icon; Consuming Religion; and Woman’s Work: An Anthology of African-American Women’s Historical Writings. Lofton earned her PhD in Religious Studies from the University of North Carolina at Chapel Hill in 2005. She has taught at Yale since 2009.
Making Meaning is a limited series from Ministry of Ideas that explores how life can be lived more meaningfully. Featuring meditations by some of the world’s most sensitive and insightful thinkers, Making Meaning will give you fresh perspective and encouragement to live with greater intention and fullness. Making Meaning is produced by Jack Pombriant and Zachary Davis. Artwork by Dan Pecci. Learn more at ministryofideas.org and find us on Twitter @ministryofideas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 06 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ee7e6b74-8935-11ed-9688-57f5b4eb39d3/image/katie-lofton.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Capitalism and Meaning</itunes:subtitle>
      <itunes:summary>The ideology of capitalism, which drives us to find happiness in endless exertion and economic gain, dulls our emotions and blinds us to the source of our most abundant meaning—relationships and solidarity with other people.
Guest: 
Kathryn Lofton is a scholar of religion and has written extensively about capitalism, popular culture, and the secular. She’s the author of three books: Oprah: The Gospel of an Icon; Consuming Religion; and Woman’s Work: An Anthology of African-American Women’s Historical Writings. Lofton earned her PhD in Religious Studies from the University of North Carolina at Chapel Hill in 2005. She has taught at Yale since 2009.
Making Meaning is a limited series from Ministry of Ideas that explores how life can be lived more meaningfully. Featuring meditations by some of the world’s most sensitive and insightful thinkers, Making Meaning will give you fresh perspective and encouragement to live with greater intention and fullness. Making Meaning is produced by Jack Pombriant and Zachary Davis. Artwork by Dan Pecci. Learn more at ministryofideas.org and find us on Twitter @ministryofideas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The ideology of capitalism, which drives us to find happiness in endless exertion and economic gain, dulls our emotions and blinds us to the source of our most abundant meaning—relationships and solidarity with other people.</p><p>Guest: </p><p><a href="https://religiousstudies.yale.edu/people/kathryn-lofton">Kathryn Lofton</a> is a scholar of religion and has written extensively about capitalism, popular culture, and the secular. She’s the author of three books: Oprah: The Gospel of an Icon; Consuming Religion; and Woman’s Work: An Anthology of African-American Women’s Historical Writings. Lofton earned her PhD in Religious Studies from the University of North Carolina at Chapel Hill in 2005. She has taught at Yale since 2009.</p><p><a href="https://www.ministryofideas.org/meaning"><em>Making Meaning</em></a><em> is a limited series from</em><a href="https://www.ministryofideas.org/about"><em> Ministry of Ideas</em></a><em> that explores how life can be lived more meaningfully. Featuring meditations by some of the world’s most sensitive and insightful thinkers, Making Meaning will give you fresh perspective and encouragement to live with greater intention and fullness. Making Meaning is produced by</em><a href="https://www.jackpombriant.com/"><em> Jack Pombriant</em></a><em> and</em><a href="https://www.zacharystevendavis.com/"><em> Zachary Davis</em></a><em>. Artwork by</em><a href="https://www.danpecci.com/"><em> Dan Pecci</em></a><em>. Learn more at </em><a href="https://www.ministryofideas.org/"><em>ministryofideas.org</em></a><em> and find us on Twitter</em><a href="https://twitter.com/ministryofideas"><em> @ministryofideas</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>462</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d17006a2-9280-421f-a6bf-fbd126e0993d]]></guid>
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    </item>
    <item>
      <title>Lesley Higgins and Marie-Christine Leps, "Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje" (Academic Studies Press, 2022)</title>
      <description>Lesley Higgins and Marie-Christine Leps's book Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje (Academic Studies Press, 2022) demonstrates how world fiction by Woolf, Foucault, and Ondaatje counters biopolitics with aesthetic and political-biopoetic-strategies producing transhistorical, transnational experiences offered to the reader for collective responsibility. It defines and explores heterotopic processes fostering a slant perspective that is feminist, materialist, anti-racist, and anti-war.
Dr. Iqra Shagufta Cheema writes and teaches about digital cultures, transnational feminisms, postcolonial literatures, global cinema, and inclusive pedagogy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 06 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>201</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lesley Higgins</itunes:subtitle>
      <itunes:summary>Lesley Higgins and Marie-Christine Leps's book Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje (Academic Studies Press, 2022) demonstrates how world fiction by Woolf, Foucault, and Ondaatje counters biopolitics with aesthetic and political-biopoetic-strategies producing transhistorical, transnational experiences offered to the reader for collective responsibility. It defines and explores heterotopic processes fostering a slant perspective that is feminist, materialist, anti-racist, and anti-war.
Dr. Iqra Shagufta Cheema writes and teaches about digital cultures, transnational feminisms, postcolonial literatures, global cinema, and inclusive pedagogy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lesley Higgins and Marie-Christine Leps's book <a href="https://bookshop.org/a/12343/9781644699959"><em>Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje</em></a> (Academic Studies Press, 2022) demonstrates how world fiction by Woolf, Foucault, and Ondaatje counters biopolitics with aesthetic and political-biopoetic-strategies producing transhistorical, transnational experiences offered to the reader for collective responsibility. It defines and explores heterotopic processes fostering a slant perspective that is feminist, materialist, anti-racist, and anti-war.</p><p><a href="https://www.linkedin.com/in/iqra-s-cheema/"><em>Dr. Iqra Shagufta Cheema</em></a><em> writes and teaches about digital cultures, transnational feminisms, postcolonial literatures, global cinema, and inclusive pedagogy.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8e175542-95a2-11ed-be8c-1f41397f21e4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3130983324.mp3?updated=1673887873" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Where is the Left? The Rise and Decline of Social Democratic Movements</title>
      <description>This week on International Horizons, David Abraham from the University of Miami discusses the origins of social democratic parties in Europe and the parallels with similar movements in the US. Following his teacher Adam Przeworski, Abraham argues that Keynesianism boosted social democracy by convincing people that the state could manage economic growth. For a time, the iron curtain heightened solidarity in the West, including among social democrats. More recently, social democratic politics has been tempered by liberal movements focusing on “diversity” rather than on class inequality. While noting that there are troublesome signs of growing authoritarianism around the world, Abraham argues that the Trump movement is not comparable with historical fascism.
International Horizons is a podcast of the Ralph Bunche Institute for International Studies that brings scholarly expertise to bear on our understanding of international issues. John Torpey, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 06 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with David Abraham</itunes:subtitle>
      <itunes:summary>This week on International Horizons, David Abraham from the University of Miami discusses the origins of social democratic parties in Europe and the parallels with similar movements in the US. Following his teacher Adam Przeworski, Abraham argues that Keynesianism boosted social democracy by convincing people that the state could manage economic growth. For a time, the iron curtain heightened solidarity in the West, including among social democrats. More recently, social democratic politics has been tempered by liberal movements focusing on “diversity” rather than on class inequality. While noting that there are troublesome signs of growing authoritarianism around the world, Abraham argues that the Trump movement is not comparable with historical fascism.
International Horizons is a podcast of the Ralph Bunche Institute for International Studies that brings scholarly expertise to bear on our understanding of international issues. John Torpey, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This week on International Horizons, David Abraham from the University of Miami discusses the origins of social democratic parties in Europe and the parallels with similar movements in the US. Following his teacher Adam Przeworski, Abraham argues that Keynesianism boosted social democracy by convincing people that the state could manage economic growth. For a time, the iron curtain heightened solidarity in the West, including among social democrats. More recently, social democratic politics has been tempered by liberal movements focusing on “diversity” rather than on class inequality. While noting that there are troublesome signs of growing authoritarianism around the world, Abraham argues that the Trump movement is not comparable with historical fascism.</p><p><em>International Horizons is a podcast of the </em><a href="http://ralphbuncheinstitute.org/"><em>Ralph Bunche Institute for International Studies</em></a><em> that brings scholarly expertise to bear on our understanding of international issues. </em><a href="https://www.gc.cuny.edu/people/john-torpey"><em>John Torpey</em></a><em>, the host of the podcast and director of the Ralph Bunche Institute, holds conversations with prominent scholars and figures in state-of-the-art international issues in our weekly episodes.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2561</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1a52a722-a639-11ed-a6d4-4721fc0d626a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2747547014.mp3?updated=1675699976" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Boesel, "In Kierkegaard's Garden with the Poppy Blooms: Why Derrida Doesn't Read Kierkegaard When He Reads Kierkegaard" (Fortress Academic, 2021)</title>
      <description>The philosophy of deconstruction, most famously pushed forward by Jacques Derrida, has left an undeniable dent on contemporary thought, and even religion has found itself in deconstruction’s sights, with Church, faith and even God put under philosophical scrutiny. But is this a one-way street, or is there something faith might teach deconstruction? This way of framing the relation is itself questionable, since deconstruction itself is an indifferent, impersonal force, something that simply happens as part of reality, but this gives it a certain seduction for theorists who don’t simply want to bear witness to it’s work but to master it as a tool, wielding it as they please, unwittingly falling into the very sort of traps deconstruction often unravels.
This is one of the main ideas Chris Boesel wants to remind us of with his new book, In Kierkegaard’s Garden With the Poppy Blooms: Why Derrida Doesn’t Read Kierkegaard When He Reads Kierkegaard (Fortress Academic, 2021). Written as part academic monograph, part dialogue between a philosophy professor and theology student, the book stages a confrontation between Kierkegaard’s Fear and Trembling and Derrida’s The Gift of Death, where he claims to draw deconstructive lessons from Abraham’s famous ‘leap of faith’, although Boesel finds the lessons he draws questionable. In fact, Boesel contends, Derrida doesn’t seem to have read the text at all! Derrida, renowned for his capacity to find the smallest cracks on the margins and in between the lines of philosophical and literary texts, blatantly misses many of the actual points Kierkegaard was trying to make, and in doing so illustrates the uniqueness of Kierkegaard’s inquiries into the nature of faith and subjectivity. In critically analyzing Derrida’s work, Boesel finds opportunity to remind us of what deconstruction can (and can’t!) do in animating commitments for justice, while also suggesting that a Kierkegaardian faith may offer a more productive possibility for thinking through those same commitments.
Chris Boesel is an associate professor of theology at Drew University. His other publications include Reading Karl Barth: Theology That Cuts Both Ways and Risking Proclamation, Respecting Difference: Christian Faith, Imperialistic Discourse, and Abraham.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 06 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>353</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Boesel</itunes:subtitle>
      <itunes:summary>The philosophy of deconstruction, most famously pushed forward by Jacques Derrida, has left an undeniable dent on contemporary thought, and even religion has found itself in deconstruction’s sights, with Church, faith and even God put under philosophical scrutiny. But is this a one-way street, or is there something faith might teach deconstruction? This way of framing the relation is itself questionable, since deconstruction itself is an indifferent, impersonal force, something that simply happens as part of reality, but this gives it a certain seduction for theorists who don’t simply want to bear witness to it’s work but to master it as a tool, wielding it as they please, unwittingly falling into the very sort of traps deconstruction often unravels.
This is one of the main ideas Chris Boesel wants to remind us of with his new book, In Kierkegaard’s Garden With the Poppy Blooms: Why Derrida Doesn’t Read Kierkegaard When He Reads Kierkegaard (Fortress Academic, 2021). Written as part academic monograph, part dialogue between a philosophy professor and theology student, the book stages a confrontation between Kierkegaard’s Fear and Trembling and Derrida’s The Gift of Death, where he claims to draw deconstructive lessons from Abraham’s famous ‘leap of faith’, although Boesel finds the lessons he draws questionable. In fact, Boesel contends, Derrida doesn’t seem to have read the text at all! Derrida, renowned for his capacity to find the smallest cracks on the margins and in between the lines of philosophical and literary texts, blatantly misses many of the actual points Kierkegaard was trying to make, and in doing so illustrates the uniqueness of Kierkegaard’s inquiries into the nature of faith and subjectivity. In critically analyzing Derrida’s work, Boesel finds opportunity to remind us of what deconstruction can (and can’t!) do in animating commitments for justice, while also suggesting that a Kierkegaardian faith may offer a more productive possibility for thinking through those same commitments.
Chris Boesel is an associate professor of theology at Drew University. His other publications include Reading Karl Barth: Theology That Cuts Both Ways and Risking Proclamation, Respecting Difference: Christian Faith, Imperialistic Discourse, and Abraham.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The philosophy of deconstruction, most famously pushed forward by Jacques Derrida, has left an undeniable dent on contemporary thought, and even religion has found itself in deconstruction’s sights, with Church, faith and even God put under philosophical scrutiny. But is this a one-way street, or is there something faith might teach deconstruction? This way of framing the relation is itself questionable, since deconstruction itself is an indifferent, impersonal force, something that simply happens as part of reality, but this gives it a certain seduction for theorists who don’t simply want to bear witness to it’s work but to master it as a tool, wielding it as they please, unwittingly falling into the very sort of traps deconstruction often unravels.</p><p>This is one of the main ideas Chris Boesel wants to remind us of with his new book, <a href="https://bookshop.org/a/12343/9781978706514"><em>In Kierkegaard’s Garden With the Poppy Blooms: Why Derrida Doesn’t Read Kierkegaard When He Reads Kierkegaard</em> </a>(Fortress Academic, 2021). Written as part academic monograph, part dialogue between a philosophy professor and theology student, the book stages a confrontation between Kierkegaard’s <em>Fear and Trembling</em> and Derrida’s <em>The Gift of Death</em>, where he claims to draw deconstructive lessons from Abraham’s famous ‘leap of faith’, although Boesel finds the lessons he draws questionable. In fact, Boesel contends, Derrida doesn’t seem to have read the text at all! Derrida, renowned for his capacity to find the smallest cracks on the margins and in between the lines of philosophical and literary texts, blatantly misses many of the actual points Kierkegaard was trying to make, and in doing so illustrates the uniqueness of Kierkegaard’s inquiries into the nature of faith and subjectivity. In critically analyzing Derrida’s work, Boesel finds opportunity to remind us of what deconstruction can (and can’t!) do in animating commitments for justice, while also suggesting that a Kierkegaardian faith may offer a more productive possibility for thinking through those same commitments.</p><p>Chris Boesel is an associate professor of theology at Drew University. His other publications include <em>Reading Karl Barth: Theology That Cuts Both Ways</em> and <em>Risking Proclamation, Respecting Difference: Christian Faith, Imperialistic Discourse, and Abraham</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7482</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ec782296-a22d-11ed-afb0-f3f91b1c41cd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5341945744.mp3?updated=1675256367" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christiaan De Beukelaer, "Trade Winds: A Voyage to a Sustainable Future for Shipping" (Manchester UP, 2023)</title>
      <description>How can we build greener infrastructure in the face of the global climate emergency? In Trade Winds: A Voyage to a Sustainable Future for Shipping (Manchester UP, 2023), Christiaan De Beukelaer, a Senior Lecturer in Culture and Climate at the University of Melbourne intertwines an indepth analysis of modern shipping, with a memoir of being aboard a sailing ship during the 2020 pandemic. The book is a fascinating read, with both an extensive critique of the failures of the global shipping and trade system to be sustainable, as well as offering moving insights into a unique experience of a very different form of 2020’s lockdown. Concluding with both the return to land, and a detailed consideration of how shipping, trade, and the world might adapt to the climate crisis, the book is essential reading for anyone interested in a sustainable future for the planet.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 05 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>352</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christiaan De Beukelaer</itunes:subtitle>
      <itunes:summary>How can we build greener infrastructure in the face of the global climate emergency? In Trade Winds: A Voyage to a Sustainable Future for Shipping (Manchester UP, 2023), Christiaan De Beukelaer, a Senior Lecturer in Culture and Climate at the University of Melbourne intertwines an indepth analysis of modern shipping, with a memoir of being aboard a sailing ship during the 2020 pandemic. The book is a fascinating read, with both an extensive critique of the failures of the global shipping and trade system to be sustainable, as well as offering moving insights into a unique experience of a very different form of 2020’s lockdown. Concluding with both the return to land, and a detailed consideration of how shipping, trade, and the world might adapt to the climate crisis, the book is essential reading for anyone interested in a sustainable future for the planet.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we build greener infrastructure in the face of the global climate emergency? In <a href="https://bookshop.org/a/12343/9781526163097"><em>Trade Winds: A Voyage to a Sustainable Future for Shipping</em></a><em> </em>(Manchester UP, 2023), <a href="https://christiaan.debeukelaer.net/">Christiaan De Beukelaer</a>, a <a href="https://findanexpert.unimelb.edu.au/profile/749374-christiaan-de-beukelaer">Senior Lecturer in Culture and Climate at the University of Melbourne</a> intertwines an indepth analysis of modern shipping, with a memoir of being aboard a sailing ship during the 2020 pandemic. The book is a fascinating read, with both an extensive critique of the failures of the global shipping and trade system to be sustainable, as well as offering moving insights into a unique experience of a very different form of 2020’s lockdown. Concluding with both the return to land, and a detailed consideration of how shipping, trade, and the world might adapt to the climate crisis, the book is essential reading for anyone interested in a sustainable future for the planet.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2879</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[74dd65d4-a1ab-11ed-93cd-a30ce2083bed]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8268778872.mp3?updated=1675683906" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gyan Prakash and Jeremy Adelman, "Inventing the Third World: In Search of Freedom for the Postwar Global South" (Bloomsbury, 2022)</title>
      <description>What is the Third World? The term has essentially been scrubbed from our collective consciousness. What once used to be something concrete seems to have vanished into thin air. Today, the Third World seems to be “a closed chapter in world history.” But my guests today are determined that it not remain so. In their new edited volume, Inventing the Third World: In Search of Freedom for the Postwar Global South, historians Gyan Prakash, Jeremy Adelman, and their collaborators argue that the multiple and overlapping projects of the Third World offer an alternative globalism to neoliberal globalization. Characterized, fundamentally, by the search for freedom from imperial domination, a focus on the Third World helps reframe our understanding of the second half of the twentieth century.
Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 05 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1296</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gyan Prakash and Jeremy Adelman</itunes:subtitle>
      <itunes:summary>What is the Third World? The term has essentially been scrubbed from our collective consciousness. What once used to be something concrete seems to have vanished into thin air. Today, the Third World seems to be “a closed chapter in world history.” But my guests today are determined that it not remain so. In their new edited volume, Inventing the Third World: In Search of Freedom for the Postwar Global South, historians Gyan Prakash, Jeremy Adelman, and their collaborators argue that the multiple and overlapping projects of the Third World offer an alternative globalism to neoliberal globalization. Characterized, fundamentally, by the search for freedom from imperial domination, a focus on the Third World helps reframe our understanding of the second half of the twentieth century.
Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the Third World? The term has essentially been scrubbed from our collective consciousness. What once used to be something concrete seems to have vanished into thin air. Today, the Third World seems to be “a closed chapter in world history.” But my guests today are determined that it not remain so. In their new edited volume, <em>Inventing the Third World: In Search of Freedom for the Postwar Global South,</em> historians Gyan Prakash, Jeremy Adelman, and their collaborators argue that the multiple and overlapping projects of the Third World offer an alternative globalism to neoliberal globalization. Characterized, fundamentally, by the search for freedom from imperial domination, a focus on the Third World helps reframe our understanding of the second half of the twentieth century.</p><p><em>Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at </em><a href="http://elisaprosperetti.net/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3636</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4cc02d06-a0d5-11ed-b9e6-e700bedb273b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6409650284.mp3?updated=1675107257" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sennett and Foucault on Sexuality and Solitude (1979)</title>
      <description>In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Richard Sennett and Michel Foucault</itunes:subtitle>
      <itunes:summary>In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4041</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[54116084-9e73-11ed-ac84-23f024e392a3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5311270825.mp3?updated=1674847032" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Discordia Revisited: The Concordia Netanyahu Riot of 2002</title>
      <description>20 years ago at Concordia University in Montreal pro-Palestinian protestors clashed with police over whether Benjamin Netanyahu should be allowed to speak on campus. Windows were smashed, arrests were made, the talk was cancelled.
The fallout from that day defined how the school year proceeded, with heated council debates, media stunts, lawsuits, explosions, and a contentious student election.
This was captured in the film Discordia (2004), and while the fight had no influence over the conflict in the middle east, it was a major moment in the lives of those involved, so we tracked them down.
Henry Kissinger once said "the reason that university politics is so vicious is because the stakes are so small." Was he right? We investigate what university politics means, and how it has evolved in the two decades since Discordia.
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>20 years ago at Concordia University in Montreal pro-Palestinian protestors clashed with police over whether Benjamin Netanyahu should be allowed to speak on campus. Windows were smashed, arrests were made, the talk was cancelled.
The fallout from that day defined how the school year proceeded, with heated council debates, media stunts, lawsuits, explosions, and a contentious student election.
This was captured in the film Discordia (2004), and while the fight had no influence over the conflict in the middle east, it was a major moment in the lives of those involved, so we tracked them down.
Henry Kissinger once said "the reason that university politics is so vicious is because the stakes are so small." Was he right? We investigate what university politics means, and how it has evolved in the two decades since Discordia.
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
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        <![CDATA[<p>20 years ago at Concordia University in Montreal pro-Palestinian protestors clashed with police over whether Benjamin Netanyahu should be allowed to speak on campus. Windows were smashed, arrests were made, the talk was cancelled.</p><p>The fallout from that day defined how the school year proceeded, with heated council debates, media stunts, lawsuits, explosions, and a contentious student election.</p><p>This was captured in the film <a href="https://www.nfb.ca/film/discordia/">Discordia</a> (2004), and while the fight had no influence over the conflict in the middle east, it was a major moment in the lives of those involved, so we tracked them down.</p><p>Henry Kissinger once said "the reason that university politics is so vicious is because the stakes are so small." Was he right? We investigate what university politics means, and how it has evolved in the two decades since Discordia.</p><p>SUPPORT THE SHOW</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>ABOUT THE SHOW</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4605</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Alexandre I. R. White, "Epidemic Orientalism: Race, Capital, and the Governance of Infectious Disease" (Stanford UP, 2023)</title>
      <description>For many residents of Western nations, COVID-19 was the first time they experienced the effects of an uncontrolled epidemic. This is in part due to a series of little-known regulations that have aimed to protect the global north from epidemic threats for the last two centuries, starting with International Sanitary Conferences in 1851 and culminating in the present with the International Health Regulations, which organize epidemic responses through the World Health Organization. Unlike other equity-focused global health initiatives, their mission—to establish "the maximum protections from infectious disease with the minimum effect on trade and traffic"—has remained the same since their founding. 
In Epidemic Orientalism: Race, Capital, and the Governance of Infectious Disease (Stanford UP, 2023), Alexandre White reveals the Western capitalist interests, racism and xenophobia, and political power plays underpinning the regulatory efforts that came out of the project to manage the international spread of infectious disease. He examines how these regulations are formatted; how their framers conceive of epidemic spread; and the types of bodies and spaces it is suggested that these regulations map onto. Proposing a modified reinterpretation of Edward Said's concept of orientalism, White invites us to consider "epidemic orientalism" as a framework within which to explore the imperial and colonial roots of modern epidemic disease control.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1294</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexandre I. R. White</itunes:subtitle>
      <itunes:summary>For many residents of Western nations, COVID-19 was the first time they experienced the effects of an uncontrolled epidemic. This is in part due to a series of little-known regulations that have aimed to protect the global north from epidemic threats for the last two centuries, starting with International Sanitary Conferences in 1851 and culminating in the present with the International Health Regulations, which organize epidemic responses through the World Health Organization. Unlike other equity-focused global health initiatives, their mission—to establish "the maximum protections from infectious disease with the minimum effect on trade and traffic"—has remained the same since their founding. 
In Epidemic Orientalism: Race, Capital, and the Governance of Infectious Disease (Stanford UP, 2023), Alexandre White reveals the Western capitalist interests, racism and xenophobia, and political power plays underpinning the regulatory efforts that came out of the project to manage the international spread of infectious disease. He examines how these regulations are formatted; how their framers conceive of epidemic spread; and the types of bodies and spaces it is suggested that these regulations map onto. Proposing a modified reinterpretation of Edward Said's concept of orientalism, White invites us to consider "epidemic orientalism" as a framework within which to explore the imperial and colonial roots of modern epidemic disease control.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For many residents of Western nations, COVID-19 was the first time they experienced the effects of an uncontrolled epidemic. This is in part due to a series of little-known regulations that have aimed to protect the global north from epidemic threats for the last two centuries, starting with International Sanitary Conferences in 1851 and culminating in the present with the International Health Regulations, which organize epidemic responses through the World Health Organization. Unlike other equity-focused global health initiatives, their mission—to establish "the maximum protections from infectious disease with the minimum effect on trade and traffic"—has remained the same since their founding. </p><p>In <a href="https://bookshop.org/a/12343/9781503630260"><em>Epidemic Orientalism: Race, Capital, and the Governance of Infectious Disease</em></a><em> </em>(Stanford UP, 2023), Alexandre White reveals the Western capitalist interests, racism and xenophobia, and political power plays underpinning the regulatory efforts that came out of the project to manage the international spread of infectious disease. He examines how these regulations are formatted; how their framers conceive of epidemic spread; and the types of bodies and spaces it is suggested that these regulations map onto. Proposing a modified reinterpretation of Edward Said's concept of orientalism, White invites us to consider "epidemic orientalism" as a framework within which to explore the imperial and colonial roots of modern epidemic disease control.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Matthew Galway, "The Emergence of Global Maoism: China's Red Evangelism and the Cambodian Communist Movement, 1949-1979" (Cornell UP, 2022)</title>
      <description>How do ideas manifest outside of their place of origin, and how do they change once they do? The Emergence of Global Maoism: China’s Red Evangelism and the Cambodian Communist Movement, 1949–1979 (Cornell University Press, 2022) by Matthew Galway examines how ideological systems become localized, both in the indigenization of Marxism-Leninism by Mao Zedong and, more significantly, the indigenization of Maoism by the Communist Party of Kampuchea. Galway carefully investigates how Maoism was received, adapted, utilized, and ultimately rejected in Cambodia, examining in particular the different ways Paris-educated CPK leaders Pol Pot, Hou Yuon, and Hu Nim approached and interpreted Mao's writings and ideas. This intellectual history is wonderfully rich, theoretically grounded in Edward Said’s "traveling theory" model and filled with close readings of little-known, complex texts. The Emergence of Global Maoism is a necessary read for those interested in the history of modern China, Cambodia, and global Maoism, as well as for anyone who has ever wondered what a historian might do with an economics dissertation (the answer: see chapter four).
In addition to seeking out The Emergence of Global Maoism, interested listeners should also have a look at “Peasant Worker Communist Spy: A Chinese Intelligence Agent Looks Back at His Time in Cambodia,” a portrait of a CCP intelligence agent in Cambodia, as well as Experiments with Marxism-Leninism in Cold War Southeast Asia (ANU Press, 2022) edited by Matthew Galway and Marc H. Opper, with chapters on the adoption of Marxism in the Dutch East Indies, Maoism in the Philippines, and the Chinese Communist Party in Laos, among other fascinating case studies of experiments with Marxism-Leninism in Southeast Asia.
Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Jan 2023 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>480</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Galway</itunes:subtitle>
      <itunes:summary>How do ideas manifest outside of their place of origin, and how do they change once they do? The Emergence of Global Maoism: China’s Red Evangelism and the Cambodian Communist Movement, 1949–1979 (Cornell University Press, 2022) by Matthew Galway examines how ideological systems become localized, both in the indigenization of Marxism-Leninism by Mao Zedong and, more significantly, the indigenization of Maoism by the Communist Party of Kampuchea. Galway carefully investigates how Maoism was received, adapted, utilized, and ultimately rejected in Cambodia, examining in particular the different ways Paris-educated CPK leaders Pol Pot, Hou Yuon, and Hu Nim approached and interpreted Mao's writings and ideas. This intellectual history is wonderfully rich, theoretically grounded in Edward Said’s "traveling theory" model and filled with close readings of little-known, complex texts. The Emergence of Global Maoism is a necessary read for those interested in the history of modern China, Cambodia, and global Maoism, as well as for anyone who has ever wondered what a historian might do with an economics dissertation (the answer: see chapter four).
In addition to seeking out The Emergence of Global Maoism, interested listeners should also have a look at “Peasant Worker Communist Spy: A Chinese Intelligence Agent Looks Back at His Time in Cambodia,” a portrait of a CCP intelligence agent in Cambodia, as well as Experiments with Marxism-Leninism in Cold War Southeast Asia (ANU Press, 2022) edited by Matthew Galway and Marc H. Opper, with chapters on the adoption of Marxism in the Dutch East Indies, Maoism in the Philippines, and the Chinese Communist Party in Laos, among other fascinating case studies of experiments with Marxism-Leninism in Southeast Asia.
Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do ideas manifest outside of their place of origin, and how do they change once they do? <a href="https://www.cornellpress.cornell.edu/book/9781501761829/the-emergence-of-global-maoism/#bookTabs=1"><em>The Emergence of Global Maoism: China’s Red Evangelism and the Cambodian Communist Movement, 1949–1979</em></a><em> </em>(Cornell University Press, 2022) by Matthew Galway examines how ideological systems become localized, both in the indigenization of Marxism-Leninism by Mao Zedong and, more significantly, the indigenization of Maoism by the Communist Party of Kampuchea. Galway carefully investigates how Maoism was received, adapted, utilized, and ultimately rejected in Cambodia, examining in particular the different ways Paris-educated CPK leaders Pol Pot, Hou Yuon, and Hu Nim approached and interpreted Mao's writings and ideas. This intellectual history is wonderfully rich, theoretically grounded in Edward Said’s "traveling theory" model and filled with close readings of little-known, complex texts. <em>The Emergence of Global Maoism </em>is a necessary read for those interested in the history of modern China, Cambodia, and global Maoism, as well as for anyone who has ever wondered what a historian might do with an economics dissertation (the answer: <em>see chapter four</em>).</p><p>In addition to seeking out <em>The Emergence of Global Maoism</em>, interested listeners should also have a look at “<a href="https://madeinchinajournal.com/2022/07/29/peasant-worker-communist-spy-a-chinese-intelligence-agent-looks-back-at-his-time-in-cambodia/">Peasant Worker Communist Spy: A Chinese Intelligence Agent Looks Back at His Time in Cambodia</a>,” a portrait of a CCP intelligence agent in Cambodia, as well as <a href="https://press.anu.edu.au/publications/series/asian-studies/experiments-marxism-leninism-cold-war-southeast-asia"><em>Experiments with Marxism-Leninism in Cold War Southeast Asia </em></a>(ANU Press, 2022) edited by Matthew Galway and Marc H. Opper, with chapters on the adoption of Marxism in the Dutch East Indies, Maoism in the Philippines, and the Chinese Communist Party in Laos, among other fascinating case studies of experiments with Marxism-Leninism in Southeast Asia.</p><p><em>Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3798</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kaelen Wilson-Goldie, "Beautiful, Gruesome, and True: Artists at Work in the Face of War" (Columbia Global Reports, 2022)</title>
      <description>Art has a long history of engaging with conflict and violence. From the antiquities, through Goya, to Guernica, our museums are filled with depictions of battles, pogroms, uprisings, and their suppression. Not all of these stories are told from the perspective of the victors.
Many contemporary creatives have continued this tradition. While the position of the official war artist seems to have gone out of fashion, conflict hasn’t. Artists are compelled to document the violence and conflict that for some is the matter of the everyday.
Kaelan Wilson-Goldie's Beautiful, Gruesome, and True: Artists at Work in the Face of War (Columbia Global Reports, 2022) is an account of the lives and practices of three such artists Teresa Margolles, Amar Kanwar, and the collective Abounadorra. The documents which these practices produce have found their way into the mainstream contemporary art world, for better, or often worse.
Kaelan Wilson-Goldie speaks about the implicit contracts artists enter with their communities, the art world's exploitative interest in conflict, and the role of aesthetic expression in mediating, if not ameliorating conflict.
Kaelen Wilson-Goldie is a writer and critic who contributes regularly to Artforum, Aperture, and Afterall, among other publications. She is the author of Etel Adnan, a monographic study on the paintings of the Lebanese-American poet Etel Adnan, and a contributor to numerous books on modern and contemporary art, including Art Cities of the Future: 21st-Century Avant-Gardes and Huguette Caland: Everything Takes the Shape of a Person. She lives in New York City and Beirut.
Teresa Margolles was born in Culiacán, Mexico, and is a conceptual artist known for incorporating the physical memory of conflict and pain into her work.


Documentation of Margolles' pavilion in in Venice in 2009,

Her works at Mor Charpenter and Peter Kilchmann,

Her Fourth Plinth proposal for London.

Abounaddara is an anonymous collective known for producing more than 400 short films chronicling the uprising and civil war in Syria.

Abounaddara at Documenta 14,


The Right to the Image (in Arabic)


The Islamic State for Dummies - Part One, 2014.

Amar Kanwar was born in New Delhi, India, and has distinguished himself through films and multi‐media works which explore the politics of power, violence and justice.

Amar Kanwar's The Season Outside, 1997,

and Many Faces of Madness, 2000.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 29 Jan 2023 00:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kaelen Wilson-Goldie</itunes:subtitle>
      <itunes:summary>Art has a long history of engaging with conflict and violence. From the antiquities, through Goya, to Guernica, our museums are filled with depictions of battles, pogroms, uprisings, and their suppression. Not all of these stories are told from the perspective of the victors.
Many contemporary creatives have continued this tradition. While the position of the official war artist seems to have gone out of fashion, conflict hasn’t. Artists are compelled to document the violence and conflict that for some is the matter of the everyday.
Kaelan Wilson-Goldie's Beautiful, Gruesome, and True: Artists at Work in the Face of War (Columbia Global Reports, 2022) is an account of the lives and practices of three such artists Teresa Margolles, Amar Kanwar, and the collective Abounadorra. The documents which these practices produce have found their way into the mainstream contemporary art world, for better, or often worse.
Kaelan Wilson-Goldie speaks about the implicit contracts artists enter with their communities, the art world's exploitative interest in conflict, and the role of aesthetic expression in mediating, if not ameliorating conflict.
Kaelen Wilson-Goldie is a writer and critic who contributes regularly to Artforum, Aperture, and Afterall, among other publications. She is the author of Etel Adnan, a monographic study on the paintings of the Lebanese-American poet Etel Adnan, and a contributor to numerous books on modern and contemporary art, including Art Cities of the Future: 21st-Century Avant-Gardes and Huguette Caland: Everything Takes the Shape of a Person. She lives in New York City and Beirut.
Teresa Margolles was born in Culiacán, Mexico, and is a conceptual artist known for incorporating the physical memory of conflict and pain into her work.


Documentation of Margolles' pavilion in in Venice in 2009,

Her works at Mor Charpenter and Peter Kilchmann,

Her Fourth Plinth proposal for London.

Abounaddara is an anonymous collective known for producing more than 400 short films chronicling the uprising and civil war in Syria.

Abounaddara at Documenta 14,


The Right to the Image (in Arabic)


The Islamic State for Dummies - Part One, 2014.

Amar Kanwar was born in New Delhi, India, and has distinguished himself through films and multi‐media works which explore the politics of power, violence and justice.

Amar Kanwar's The Season Outside, 1997,

and Many Faces of Madness, 2000.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Art has a long history of engaging with conflict and violence. From the antiquities, through Goya, to Guernica, our museums are filled with depictions of battles, pogroms, uprisings, and their suppression. Not all of these stories are told from the perspective of the victors.</p><p>Many contemporary creatives have continued this tradition. While the position of the official war artist seems to have gone out of fashion, conflict hasn’t. Artists are compelled to document the violence and conflict that for some is the matter of the everyday.</p><p>Kaelan Wilson-Goldie's <a href="https://bookshop.org/a/12343/9781735913728"><em>Beautiful, Gruesome, and True: Artists at Work in the Face of War</em></a><em> </em>(Columbia Global Reports, 2022) is an account of the lives and practices of three such artists Teresa Margolles, Amar Kanwar, and the collective Abounadorra. The documents which these practices produce have found their way into the mainstream contemporary art world, for better, or often worse.</p><p>Kaelan Wilson-Goldie speaks about the implicit contracts artists enter with their communities, the art world's exploitative interest in conflict, and the role of aesthetic expression in mediating, if not ameliorating conflict.</p><p>Kaelen Wilson-Goldie is a writer and critic who contributes regularly to <em>Artforum</em>, <em>Aperture</em>, and <em>Afterall</em>, among other publications. She is the author of <em>Etel Adnan</em>, a monographic study on the paintings of the Lebanese-American poet Etel Adnan, and a contributor to numerous books on modern and contemporary art, including <em>Art Cities of the Future: 21st-Century Avant-Gardes</em> and <em>Huguette Caland: Everything Takes the Shape of a Person</em>. She lives in New York City and Beirut.</p><p><a href="https://artsandculture.google.com/story/teresa-margolles-biennale-of-sydney/5AWRp10LLfJYeQ?hl=en">Teresa Margolles</a> was born in Culiacán, Mexico, and is a conceptual artist known for incorporating the physical memory of conflict and pain into her work.</p><ul>
<li>
<a href="https://vimeo.com/69195492">Documentation</a> of Margolles' pavilion in in Venice in 2009,</li>
<li>Her works at <a href="https://www.mor-charpentier.com/artist/teresa-margolles/">Mor Charpenter</a> and <a href="https://www.peterkilchmann.com/artists/teresa-margolles">Peter Kilchmann</a>,</li>
<li>Her Fourth Plinth <a href="https://www.theguardian.com/artanddesign/2021/jul/05/faces-of-850-trans-people-to-follow-anticolonial-rebel-on-fourth-plinth">proposal</a> for London.</li>
</ul><p><a href="https://vimeo.com/user6924378">Abounaddara</a> is an anonymous collective known for producing more than 400 short films chronicling the uprising and civil war in Syria.</p><ul>
<li>Abounaddara at <a href="https://www.documenta14.de/en/artists/949/abounaddara">Documenta 14</a>,</li>
<li>
<a href="http://www.abounaddara.com/THE_RIGHT_TO_THE_IMAGE.pdf"><em>The Right to the Image</em></a> (in Arabic)</li>
<li>
<a href="https://vimeo.com/81176892"><em>The Islamic State for Dummies - Part One</em></a>, 2014.</li>
</ul><p><a href="https://amarkanwar.com/home/">Amar Kanwar</a> was born in New Delhi, India, and has distinguished himself through films and multi‐media works which explore the politics of power, violence and justice.</p><ul>
<li>Amar Kanwar's <a href="https://www.youtube.com/watch?v=r5WllkBLG7o"><em>The Season Outside</em></a>, 1997,</li>
<li>and <a href="https://www.youtube.com/watch?v=FKQUyThMQ-g"><em>Many Faces of Madness</em></a>, 2000.</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3743</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8194635415.mp3?updated=1674929051" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Corey Lee Wrenn, "Animals in Irish Society: Interspecies Oppression and Vegan Liberation in Britain's First Colony" (SUNY Press, 2021)</title>
      <description>Irish vegan studies are poised for increasing relevance as climate change threatens the legitimacy and longevity of animal agriculture and widespread health problems related to animal product consumption disrupt long held nutritional ideologies. Already a top producer of greenhouse gas emissions in the European Union, Ireland has committed to expanding animal agriculture despite impending crisis. The nexus of climate change, public health, and animal welfare present a challenge to the hegemony of the Irish state and neoliberal European governance. Efforts to resist animal rights and environmentalism highlight the struggle to sustain economic structures of inequality in a society caught between a colonialist past and a globalized future. 
Animals in Irish Society: Interspecies Oppression and Vegan Liberation in Britain's First Colony (SUNY Press, 2021) explores the vegan Irish epistemology, one that can be traced along its history of animism, agrarianism, ascendency, adaptation, and activism. From its zoomorphic pagan roots to its legacy of vegetarianism, Ireland has been more receptive to the interests of other animals than is currently acknowledged. More than a land of "meat" and potatoes, Ireland is a relevant, if overlooked, contributor to Western vegan thought.
Corey Lee Wrenn is Lecturer in Sociology at the University of Kent. She is the author of several books, including A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave Macmillan, 2016) and Piecemeal Protest: Animal Rights in the Age of Nonprofits (University of Michigan Press, 2019). 
Kyle Johannsen is a philosophy instructor at Trent University and Wilfrid Laurier University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 28 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Corey Lee Wrenn</itunes:subtitle>
      <itunes:summary>Irish vegan studies are poised for increasing relevance as climate change threatens the legitimacy and longevity of animal agriculture and widespread health problems related to animal product consumption disrupt long held nutritional ideologies. Already a top producer of greenhouse gas emissions in the European Union, Ireland has committed to expanding animal agriculture despite impending crisis. The nexus of climate change, public health, and animal welfare present a challenge to the hegemony of the Irish state and neoliberal European governance. Efforts to resist animal rights and environmentalism highlight the struggle to sustain economic structures of inequality in a society caught between a colonialist past and a globalized future. 
Animals in Irish Society: Interspecies Oppression and Vegan Liberation in Britain's First Colony (SUNY Press, 2021) explores the vegan Irish epistemology, one that can be traced along its history of animism, agrarianism, ascendency, adaptation, and activism. From its zoomorphic pagan roots to its legacy of vegetarianism, Ireland has been more receptive to the interests of other animals than is currently acknowledged. More than a land of "meat" and potatoes, Ireland is a relevant, if overlooked, contributor to Western vegan thought.
Corey Lee Wrenn is Lecturer in Sociology at the University of Kent. She is the author of several books, including A Rational Approach to Animal Rights: Extensions in Abolitionist Theory (Palgrave Macmillan, 2016) and Piecemeal Protest: Animal Rights in the Age of Nonprofits (University of Michigan Press, 2019). 
Kyle Johannsen is a philosophy instructor at Trent University and Wilfrid Laurier University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Irish vegan studies are poised for increasing relevance as climate change threatens the legitimacy and longevity of animal agriculture and widespread health problems related to animal product consumption disrupt long held nutritional ideologies. Already a top producer of greenhouse gas emissions in the European Union, Ireland has committed to expanding animal agriculture despite impending crisis. The nexus of climate change, public health, and animal welfare present a challenge to the hegemony of the Irish state and neoliberal European governance. Efforts to resist animal rights and environmentalism highlight the struggle to sustain economic structures of inequality in a society caught between a colonialist past and a globalized future. </p><p><a href="https://bookshop.org/a/12343/9781438484358"><em>Animals in Irish Society: Interspecies Oppression and Vegan Liberation in Britain's First Colony</em></a><em> </em>(SUNY Press, 2021) explores the vegan Irish epistemology, one that can be traced along its history of animism, agrarianism, ascendency, adaptation, and activism. From its zoomorphic pagan roots to its legacy of vegetarianism, Ireland has been more receptive to the interests of other animals than is currently acknowledged. More than a land of "meat" and potatoes, Ireland is a relevant, if overlooked, contributor to Western vegan thought.</p><p><a href="https://www.coreyleewrenn.com/">Corey Lee Wrenn</a> is Lecturer in Sociology at the University of Kent. She is the author of several books, including <a href="https://link.springer.com/book/10.1057/9781137434654">A Rational Approach to Animal Rights: Extensions in Abolitionist Theory </a>(Palgrave Macmillan, 2016) and <a href="https://www.press.umich.edu/11301514/piecemeal_protest">Piecemeal Protest: Animal Rights in the Age of Nonprofits</a> (University of Michigan Press, 2019). </p><p><a href="https://sites.google.com/view/kyle-johannsen/"><em>Kyle Johannsen</em></a><em> is a philosophy instructor at Trent University and Wilfrid Laurier University. His most recent book is </em><a href="https://www.routledge.com/Wild-Animal-Ethics-The-Moral-and-Political-Problem-of-Wild-Animal-Suffering/Johannsen/p/book/9780367275709"><em>Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering</em></a><em> (Routledge, 2021).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4960</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f58048ba-9db8-11ed-b129-0335db9b0a87]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4870406591.mp3?updated=1674765833" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frank Wolff, "Yiddish Revolutionaries in Migration: The Transnational History of the Jewish Labour Bund" (Haymarket Books, 2021)</title>
      <description>Frank Wolff's ground-breaking Yiddish Revolutionaries in Migration: The Transnational History of the Jewish Labour Bund (Haymarket Books, 2021) investigates how this social movement transformed itself from one of the most important revolutionary protagonists in early twentieth-century Russia to a socialist institution of secular Jewish life and yidishkayt for Jews in North and South America. By following thousands of activists’ paths from the shtetlekh of Eastern Europe to the working-class Yiddish neighborhoods of New York and Buenos Aires, Wolff traces the patterns of activism and networks that connected these revolutionaries on both sides of the Atlantic, resulting in a richly detailed social history of this seminal transnational movement.
Frank Wolff is a senior researcher in Modern and Contemporary History at the University of Osnabrück and a board member of the Institute for Migration Research and Intercultural Studies with a focus on historical border regimes, Jewish history and law in social history, and on approaches to the mediation of history/public history. Starting in the summer, he will lead a research group on border studies at the Center for Interdisciplinary Study at Bielefeld University.
Miriam Chorley-Schulz (neé Schulz) holds a Ph.D. in Yiddish Studies from Columbia University. She is an incoming Assistant Professor and Mokin Fellow in Holocaust Studies at the University of Oregon and currently works as the Ray D. Wolfe Postdoctoral Fellow at the Anne Tanenbaum Centre for Jewish Studies and the Centre for Diaspora and Transnational Studies at the University of Toronto. Miriam is the co-founder of the EU-funded project We Refugees. Digital Archive on Refugeedom, Past and Present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>350</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frank Wolff</itunes:subtitle>
      <itunes:summary>Frank Wolff's ground-breaking Yiddish Revolutionaries in Migration: The Transnational History of the Jewish Labour Bund (Haymarket Books, 2021) investigates how this social movement transformed itself from one of the most important revolutionary protagonists in early twentieth-century Russia to a socialist institution of secular Jewish life and yidishkayt for Jews in North and South America. By following thousands of activists’ paths from the shtetlekh of Eastern Europe to the working-class Yiddish neighborhoods of New York and Buenos Aires, Wolff traces the patterns of activism and networks that connected these revolutionaries on both sides of the Atlantic, resulting in a richly detailed social history of this seminal transnational movement.
Frank Wolff is a senior researcher in Modern and Contemporary History at the University of Osnabrück and a board member of the Institute for Migration Research and Intercultural Studies with a focus on historical border regimes, Jewish history and law in social history, and on approaches to the mediation of history/public history. Starting in the summer, he will lead a research group on border studies at the Center for Interdisciplinary Study at Bielefeld University.
Miriam Chorley-Schulz (neé Schulz) holds a Ph.D. in Yiddish Studies from Columbia University. She is an incoming Assistant Professor and Mokin Fellow in Holocaust Studies at the University of Oregon and currently works as the Ray D. Wolfe Postdoctoral Fellow at the Anne Tanenbaum Centre for Jewish Studies and the Centre for Diaspora and Transnational Studies at the University of Toronto. Miriam is the co-founder of the EU-funded project We Refugees. Digital Archive on Refugeedom, Past and Present.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Frank Wolff's ground-breaking <a href="https://bookshop.org/a/12343/9781642596069"><em>Yiddish Revolutionaries in Migration: The Transnational History of the Jewish Labour Bund</em></a> (Haymarket Books, 2021) investigates how this social movement transformed itself from one of the most important revolutionary protagonists in early twentieth-century Russia to a socialist institution of secular Jewish life and <em>yidishkayt</em> for Jews in North and South America. By following thousands of activists’ paths from the shtetlekh of Eastern Europe to the working-class Yiddish neighborhoods of New York and Buenos Aires, Wolff traces the patterns of activism and networks that connected these revolutionaries on both sides of the Atlantic, resulting in a richly detailed social history of this seminal transnational movement.</p><p><a href="https://migrantknowledge.org/member/frank-wolff/">Frank Wolff</a> is a senior researcher in Modern and Contemporary History at the University of Osnabrück and a board member of the Institute for Migration Research and Intercultural Studies with a focus on historical border regimes, Jewish history and law in social history, and on approaches to the mediation of history/public history. Starting in the summer, he will lead a research group on border studies at the Center for Interdisciplinary Study at Bielefeld University.</p><p><a href="https://utoronto.academia.edu/MiriamChorleySchulz"><em>Miriam Chorley-Schulz</em></a><em> (neé Schulz) holds a Ph.D. in Yiddish Studies from Columbia University. She is an incoming Assistant Professor and Mokin Fellow in Holocaust Studies at the University of Oregon and currently works as the Ray D. Wolfe Postdoctoral Fellow at the Anne Tanenbaum Centre for Jewish Studies and the Centre for Diaspora and Transnational Studies at the University of Toronto. Miriam is the co-founder of the EU-funded project </em><a href="https://en.we-refugees-archive.org/"><em>We Refugees. Digital Archive on Refugeedom, Past and Present</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4612</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6f5e2b7c-99bb-11ed-9987-3f63cc457dcb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2078175042.mp3?updated=1674326962" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Podcast Series: Hell on Earth--The 30 Years War and the Violent Birth of Capitalism</title>
      <description>Hell on Earth: The 30 Years War and the Violent Birth of Capitalism is a new 10-part series from the creators of Hell of Presidents — one of Entertainment Weekly’s best podcasts of 2021 — and Chapo Trap House, the political podcast that they claim has made more people angrier than any other podcast. Hell on Earth tells the story of the Thirty Years War, 1618–1648. Including the long crisis of the 17th century, the birth of Protestantism and the collapse of Catholic Christendom, and ultimately, “the gleaming T-800 Terminator skeleton of capitalism emerging from the rotting corpse of feudalism”. In addition to tales of lurid violence from a bygone age, of hot death on the battlefield, and cool palace intrigue, Christman and Wade explore climate change, financial collapse, moral panics, speculative bubbles, pandemic, crisis in institutional legitimacy, of conspiracy theories driving policy, and an information revolution that changes the way everyday people relate to their political leaders. Sound familiar? This is the birth of modernity.
Chris Wade is a podcast producer who produces Chapo Trap House, Hell of Presidents, And Introducing, and Infinite Cast. He's also produced and directed short films, music festivals, and many years ago written for Slate.com.
Matt Christman is the co-author of The Chapo Guide to Revolution and co-hosts the podcast series Hingepoints, about crucial turning points in history, and Hell of Presidents, about American presidents. He’s most well-known for his work with the Chapo Trap House podcast, but he’s also done a number of these history series as well as his almost daily Grillstream in which he muses about history, Marxist theory, and all sorts of fun stuff.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 22 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Chris Wade and Matt Christman</itunes:subtitle>
      <itunes:summary>Hell on Earth: The 30 Years War and the Violent Birth of Capitalism is a new 10-part series from the creators of Hell of Presidents — one of Entertainment Weekly’s best podcasts of 2021 — and Chapo Trap House, the political podcast that they claim has made more people angrier than any other podcast. Hell on Earth tells the story of the Thirty Years War, 1618–1648. Including the long crisis of the 17th century, the birth of Protestantism and the collapse of Catholic Christendom, and ultimately, “the gleaming T-800 Terminator skeleton of capitalism emerging from the rotting corpse of feudalism”. In addition to tales of lurid violence from a bygone age, of hot death on the battlefield, and cool palace intrigue, Christman and Wade explore climate change, financial collapse, moral panics, speculative bubbles, pandemic, crisis in institutional legitimacy, of conspiracy theories driving policy, and an information revolution that changes the way everyday people relate to their political leaders. Sound familiar? This is the birth of modernity.
Chris Wade is a podcast producer who produces Chapo Trap House, Hell of Presidents, And Introducing, and Infinite Cast. He's also produced and directed short films, music festivals, and many years ago written for Slate.com.
Matt Christman is the co-author of The Chapo Guide to Revolution and co-hosts the podcast series Hingepoints, about crucial turning points in history, and Hell of Presidents, about American presidents. He’s most well-known for his work with the Chapo Trap House podcast, but he’s also done a number of these history series as well as his almost daily Grillstream in which he muses about history, Marxist theory, and all sorts of fun stuff.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://hellonearth.chapotraphouse.com/views/podcast/"><em>Hell on Earth: The 30 Years War and the Violent Birth of Capitalism</em></a> is a new 10-part series from the creators of <em>Hell of Presidents</em> — one of <em>Entertainment Weekly</em>’s best podcasts of 2021 — and <em>Chapo Trap House</em>, the political podcast that they claim has made more people angrier than any other podcast. <a href="https://www.patreon.com/chapotraphouse"><em>Hell on Earth</em></a> tells the story of the Thirty Years War, 1618–1648. Including the long crisis of the 17th century, the birth of Protestantism and the collapse of Catholic Christendom, and ultimately, “the gleaming T-800 Terminator skeleton of capitalism emerging from the rotting corpse of feudalism”. In addition to tales of lurid violence from a bygone age, of hot death on the battlefield, and cool palace intrigue, Christman and Wade explore climate change, financial collapse, moral panics, speculative bubbles, pandemic, crisis in institutional legitimacy, of conspiracy theories driving policy, and an information revolution that changes the way everyday people relate to their political leaders. Sound familiar? This is the birth of modernity.</p><p><a href="http://thechriswade.com/about">Chris Wade</a> is a podcast producer who produces <em>Chapo Trap House</em>, <em>Hell of Presidents</em>, <em>And Introducing</em>, and <em>Infinite Cast</em>. He's also produced and directed short films, music festivals, and many years ago written for Slate.com.</p><p>Matt Christman is the co-author of <a href="https://newbooksnetwork.com/the-chapo-guide-to-revolution#entry:46995@1:url"><em>The Chapo Guide to Revolution</em></a> and co-hosts the podcast series <a href="https://newbooksnetwork.com/the-chapo-guide-to-revolution#entry:46995@1:url"><em>Hingepoints</em></a>, about crucial turning points in history, and <em>Hell of Presidents</em>, about American presidents. He’s most well-known for his work with the <em>Chapo Trap House</em> podcast, but he’s also done a number of these history series as well as his almost daily <em>Grillstream</em> in which he muses about history, Marxist theory, and all sorts of fun stuff.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5108</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[24f17d26-98c3-11ed-8bba-673d322a2cbb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2368706584.mp3?updated=1674220377" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karyne E. Messina, "Resurgence of Global Populism: A Psychoanalytic Study of Projective Identification, Blame-Shifting and the Corruption of Democracy" (Routledge, 2022)</title>
      <description>Resurgence of Global Populism: A Psychoanalytic Study of Projective Identification, Blame-Shifting and the Corruption of Democracy (Routledge, 2022) provides a psychoanalytic perspective to the global implications of the populist movement in the U.S. and its relationship to other parts of the world, particularly focusing on the presidency and legacy of Donald Trump.
The book explores Trump's use of psychological form of manipulation known as projective identification and how his use of this defense mechanism has influenced global institutions, political discourse, and quality of life in the long term. Messina explores the correlation between Trump's rhetoric and an increase in reported racism and prejudiced violence worldwide, disintegration of global values, and a radicalized political climate. She analyzes the dynamics between Trump and his supporters, political opponents, and successors, considers the COVID-19 pandemic as a study of Trump's views of the world, and considers the roles of social and television media. The book concludes with an explanation of antidotes to projective identification, including thoughtful debate and meaningful discussions and scripted dialogues for global healing.
This insightful book will be of interest to psychoanalysts and psychotherapists, academics and students of political psychology and political movements, and readers interested in a deeper analysis of populism and political dynamics.
﻿Ashis Roy is a psychoanalyst practicing in Delhi.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Jan 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karyne E. Messina</itunes:subtitle>
      <itunes:summary>Resurgence of Global Populism: A Psychoanalytic Study of Projective Identification, Blame-Shifting and the Corruption of Democracy (Routledge, 2022) provides a psychoanalytic perspective to the global implications of the populist movement in the U.S. and its relationship to other parts of the world, particularly focusing on the presidency and legacy of Donald Trump.
The book explores Trump's use of psychological form of manipulation known as projective identification and how his use of this defense mechanism has influenced global institutions, political discourse, and quality of life in the long term. Messina explores the correlation between Trump's rhetoric and an increase in reported racism and prejudiced violence worldwide, disintegration of global values, and a radicalized political climate. She analyzes the dynamics between Trump and his supporters, political opponents, and successors, considers the COVID-19 pandemic as a study of Trump's views of the world, and considers the roles of social and television media. The book concludes with an explanation of antidotes to projective identification, including thoughtful debate and meaningful discussions and scripted dialogues for global healing.
This insightful book will be of interest to psychoanalysts and psychotherapists, academics and students of political psychology and political movements, and readers interested in a deeper analysis of populism and political dynamics.
﻿Ashis Roy is a psychoanalyst practicing in Delhi.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032064512"><em>Resurgence of Global Populism: A Psychoanalytic Study of Projective Identification, Blame-Shifting and the Corruption of Democracy</em></a><em> </em>(Routledge, 2022) provides a psychoanalytic perspective to the global implications of the populist movement in the U.S. and its relationship to other parts of the world, particularly focusing on the presidency and legacy of Donald Trump.</p><p>The book explores Trump's use of psychological form of manipulation known as projective identification and how his use of this defense mechanism has influenced global institutions, political discourse, and quality of life in the long term. Messina explores the correlation between Trump's rhetoric and an increase in reported racism and prejudiced violence worldwide, disintegration of global values, and a radicalized political climate. She analyzes the dynamics between Trump and his supporters, political opponents, and successors, considers the COVID-19 pandemic as a study of Trump's views of the world, and considers the roles of social and television media. The book concludes with an explanation of antidotes to projective identification, including thoughtful debate and meaningful discussions and scripted dialogues for global healing.</p><p>This insightful book will be of interest to psychoanalysts and psychotherapists, academics and students of political psychology and political movements, and readers interested in a deeper analysis of populism and political dynamics.</p><p><em>﻿</em><a href="https://www.linkedin.com/mwlite/in/ashis-roy-ph-d-46883410a"><em>Ashis Roy</em></a><em> is a psychoanalyst practicing in Delhi.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2860</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5265f25a-97fb-11ed-bfd1-3f6588677e85]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1993770691.mp3?updated=1674134575" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Myth of Modernity: Is There a Bigger Picture?</title>
      <link>https://ministryofideas.org/</link>
      <description>Many think modernity is about the rise of science, the spread of democracy and capitalism, or the decline of religion or superstition. But those stories ignore the bigger picture about colonialism and race.
Guests:
Mayra Rivera, professor of Religion and Latinx Studies at Harvard University.
Jared Hickman, professor of English at Johns Hopkins University. Author of the book, Black Prometheus: Race and Radicalism in the Age of Atlantic Slavery.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8a6aaa64-8929-11ed-bb53-0f98cf29e4de/image/1541706927artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Mayra Rivera and Jered Hickman</itunes:subtitle>
      <itunes:summary>Many think modernity is about the rise of science, the spread of democracy and capitalism, or the decline of religion or superstition. But those stories ignore the bigger picture about colonialism and race.
Guests:
Mayra Rivera, professor of Religion and Latinx Studies at Harvard University.
Jared Hickman, professor of English at Johns Hopkins University. Author of the book, Black Prometheus: Race and Radicalism in the Age of Atlantic Slavery.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Many think modernity is about the rise of science, the spread of democracy and capitalism, or the decline of religion or superstition. But those stories ignore the bigger picture about colonialism and race.</p><p>Guests:</p><p>Mayra Rivera, professor of Religion and Latinx Studies at Harvard University.</p><p>Jared Hickman, professor of English at Johns Hopkins University. Author of the book, Black Prometheus: Race and Radicalism in the Age of Atlantic Slavery.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2076</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[135dab3b-bad9-41df-89d9-8964825c091e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2349098335.mp3?updated=1672613250" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hil Malatino, "Side Affects: On Being Trans and Feeling Bad" (U Minnesota Press, 2022)</title>
      <description>Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>304</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hil Malatino</itunes:subtitle>
      <itunes:summary>Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In <a href="https://bookshop.org/a/12343/9781517912093"><em>Side Affects: On Being Trans and Feeling Bad</em></a><em> </em>(University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings.</p><p><a href="https://clas.ucdenver.edu/philosophy/sarah-tyson"><em>Sarah Tyson</em></a><em> is an associate professor of philosophy at the University of Colorado, Denver.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3751</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff51b42c-90fd-11ed-9796-371c1f511656]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6125133630.mp3?updated=1673366158" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Thought of Ivan Illich</title>
      <description>Author L. M. Sacasas talks about the life, thought, and legacy of the Catholic priest, philosopher, and social critic Ivan Illich with Peoples &amp; Things host Lee Vinsel. Sacasas and Vinsel discuss Illich’s critiques of bureaucracy, technology, scale, and expertise and how these critiques apply to medicine, education, our credential society, and life with media technologies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/48bbe6c4-9062-11ed-b93f-77ece4991bc6/image/16838854-1626891930864-a679ab0095eac.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with L. M. Sacasas</itunes:subtitle>
      <itunes:summary>Author L. M. Sacasas talks about the life, thought, and legacy of the Catholic priest, philosopher, and social critic Ivan Illich with Peoples &amp; Things host Lee Vinsel. Sacasas and Vinsel discuss Illich’s critiques of bureaucracy, technology, scale, and expertise and how these critiques apply to medicine, education, our credential society, and life with media technologies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Author L. M. Sacasas talks about the life, thought, and legacy of the Catholic priest, philosopher, and social critic Ivan Illich with Peoples &amp; Things host Lee Vinsel. Sacasas and Vinsel discuss Illich’s critiques of bureaucracy, technology, scale, and expertise and how these critiques apply to medicine, education, our credential society, and life with media technologies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5095</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d4123343-6024-423d-b9d4-13038a5a8ab7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2518313008.mp3?updated=1673299344" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of the European Left</title>
      <description>Why is it so hard for left wing parties in the West to win elections? Some such as the UK Labour Party have headed to the centre. The history of Labour since 1979 tells the story – their record goes lost, lost, lost, lost, Blair, Blair, Blair, lost, lost, lost, lost. But what does heading the centre consist of? And are their alternative strategies? Listen to Owen Bennett Jones discuss leftist parties and what they need to do to win with Eunice Goes of the Richmond American International University.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eunice Goes</itunes:subtitle>
      <itunes:summary>Why is it so hard for left wing parties in the West to win elections? Some such as the UK Labour Party have headed to the centre. The history of Labour since 1979 tells the story – their record goes lost, lost, lost, lost, Blair, Blair, Blair, lost, lost, lost, lost. But what does heading the centre consist of? And are their alternative strategies? Listen to Owen Bennett Jones discuss leftist parties and what they need to do to win with Eunice Goes of the Richmond American International University.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is it so hard for left wing parties in the West to win elections? Some such as the UK Labour Party have headed to the centre. The history of Labour since 1979 tells the story – their record goes lost, lost, lost, lost, Blair, Blair, Blair, lost, lost, lost, lost. But what does heading the centre consist of? And are their alternative strategies? Listen to Owen Bennett Jones discuss leftist parties and what they need to do to win with <a href="https://www.richmond.ac.uk/school-of-communications-arts-social-sciences/dr-eunice-goes/">Eunice Goes</a> of the Richmond American International University.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2878</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db13d2b4-973a-11ed-827f-a7338ee5325b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6573470078.mp3?updated=1674051220" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steffen Mau, "Sorting Machines: The Reinvention of the Border in the 21st Century" (Polity Press, 2022)</title>
      <description>It is commonly thought that, thanks to globalization, nation-state borders are becoming increasingly porous. In Sorting Machines: The Reinvention of the Border in the 21st Century (Polity, 2022) Steffen Mau shows that this view is misleading: borders are not getting more permeable in the era of globalization, but rather are being turned into powerful sorting machines. Today they fulfill their separation function better and more effectively than ever. While the cross-border movement of people has steadily increased in recent decades, a counter-development has taken place at the same time: in many places, new deterrent walls and militarized border crossings are being created. Borders have also become increasingly selective. Supported by digitalization, they have been upgraded to smart borders, and border control has expanded spatially on a massive scale, even becoming a global enterprise that is detached from territory. 
Steffen Mau shows how the new sorting machines create mobility and immobility at the same time: for some travellers, borders open like department-store doors, but for others they remain closed more firmly than ever. While a small circle of privileged people are allowed to travel almost everywhere today, the vast majority of the world’s population continues to be systematically excluded. Nowhere is the Janus face of globalization more evident than at the borders of the 21st century.
Originally published in German in 2021, this new English edition was translated by Nicola Barfoot.
Steffen Mau is Professor of Macrosociology at the Humboldt University of Berlin. His recent works include The Metric Society: On the Quantification of the Social (2019) and Inequality, Marketization and the Majority Class: Why Did the European Middle Classes Accept Neo-Liberalism? (2015).
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email, Mastodon or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>350</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Steffen Mau</itunes:subtitle>
      <itunes:summary>It is commonly thought that, thanks to globalization, nation-state borders are becoming increasingly porous. In Sorting Machines: The Reinvention of the Border in the 21st Century (Polity, 2022) Steffen Mau shows that this view is misleading: borders are not getting more permeable in the era of globalization, but rather are being turned into powerful sorting machines. Today they fulfill their separation function better and more effectively than ever. While the cross-border movement of people has steadily increased in recent decades, a counter-development has taken place at the same time: in many places, new deterrent walls and militarized border crossings are being created. Borders have also become increasingly selective. Supported by digitalization, they have been upgraded to smart borders, and border control has expanded spatially on a massive scale, even becoming a global enterprise that is detached from territory. 
Steffen Mau shows how the new sorting machines create mobility and immobility at the same time: for some travellers, borders open like department-store doors, but for others they remain closed more firmly than ever. While a small circle of privileged people are allowed to travel almost everywhere today, the vast majority of the world’s population continues to be systematically excluded. Nowhere is the Janus face of globalization more evident than at the borders of the 21st century.
Originally published in German in 2021, this new English edition was translated by Nicola Barfoot.
Steffen Mau is Professor of Macrosociology at the Humboldt University of Berlin. His recent works include The Metric Society: On the Quantification of the Social (2019) and Inequality, Marketization and the Majority Class: Why Did the European Middle Classes Accept Neo-Liberalism? (2015).
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email, Mastodon or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is commonly thought that, thanks to globalization, nation-state borders are becoming increasingly porous. In <a href="https://bookshop.org/a/12343/9781509554355"><em>Sorting Machines: The Reinvention of the Border in the 21st Century</em></a> (Polity, 2022) Steffen Mau shows that this view is misleading: borders are not getting more permeable in the era of globalization, but rather are being turned into powerful sorting machines. Today they fulfill their separation function better and more effectively than ever. While the cross-border movement of people has steadily increased in recent decades, a counter-development has taken place at the same time: in many places, new deterrent walls and militarized border crossings are being created. Borders have also become increasingly selective. Supported by digitalization, they have been upgraded to smart borders, and border control has expanded spatially on a massive scale, even becoming a global enterprise that is detached from territory. </p><p>Steffen Mau shows how the new sorting machines create mobility and immobility at the same time: for some travellers, borders open like department-store doors, but for others they remain closed more firmly than ever. While a small circle of privileged people are allowed to travel almost everywhere today, the vast majority of the world’s population continues to be systematically excluded. Nowhere is the Janus face of globalization more evident than at the borders of the 21st century.</p><p>Originally published in German in 2021, this new English edition was translated by Nicola Barfoot.</p><p><a href="https://www.sowi.hu-berlin.de/en/lehrbereiche-en/makro-en/mitarbeiter-en/prof-dr-steffen-mau">Steffen Mau</a> is Professor of Macrosociology at the Humboldt University of Berlin. His recent works include <em>The Metric Society: On the Quantification of the Social </em>(2019) and <em>Inequality, Marketization and the Majority Class: Why Did the European Middle Classes Accept Neo-Liberalism? </em>(2015).</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold/"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by </em><a href="mailto:cgold@ucl.ac.uk"><em>email</em></a><em>, </em><a href="https://mastodon.social/@catrionagold"><em>Mastodon</em></a><em> or </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2496</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[648c1060-969b-11ed-b07d-0b1ba6f01999]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4428564320.mp3?updated=1673983721" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Ovetz, "We the Elites: Why the US Constitution Serves the Few" (Pluto Press, 2022)</title>
      <description>We have been ruled long enough. It is time to govern ourselves. If we are to get past the Constitution and all systems based on constitutions, we need to move past the nation state as the means by which we are governed from above.
– Robert Ovetz, We the Elites (2022, p. 167)
Written by 55 of the richest white men of early America, and signed by only 39 of them, the constitution is the sacred text of American nationalism. Popular perceptions of it are mired in idolatry, myth, and misinformation - many Americans have opinions on the constitution but have no idea what’s in it.
The misplaced faith of social movements in the constitution as a framework for achieving justice actually obstructs social change - incessant lengthy election cycles, staggered terms, and legislative sessions have kept social movements trapped in a redundant loop. This stymies progress on issues like labor rights, public health, and climate change, projecting the American people and the rest of the world towards destruction.
Robert Ovetz’s reading of the constitution shows that the system isn’t broken. Far from it. It works as it was designed.
From the introduction:
‘The Framers genius was in designing a virtually unchangeable system that provides the people with a semblance of participation and allows a few to select some representatives while the rest of us relinquish the power to self-govern. How and why they did that, why it still functions in that same way, and why we need to move past it is the focus of this book.’
Professor Ovetz is a senior lecturer in political science and public administration at San Jose State University and a lecturer in sociology at the University of California, Berkeley. His first book, When Workers Shot Back: Class Conflict from 1877 to 1924, was published in 2018 by Brill/Haymarket Books. His second book was an edited volume in 2020 entitled, Workers’ Inquiry and Global Class Struggle: Strategies, Tactics, Objectives also published by Pluto Press.
Sydney Business School at Shanghai University - can be reached at keith.krueger1@uts.edu.au or keithNBn@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert Ovetz</itunes:subtitle>
      <itunes:summary>We have been ruled long enough. It is time to govern ourselves. If we are to get past the Constitution and all systems based on constitutions, we need to move past the nation state as the means by which we are governed from above.
– Robert Ovetz, We the Elites (2022, p. 167)
Written by 55 of the richest white men of early America, and signed by only 39 of them, the constitution is the sacred text of American nationalism. Popular perceptions of it are mired in idolatry, myth, and misinformation - many Americans have opinions on the constitution but have no idea what’s in it.
The misplaced faith of social movements in the constitution as a framework for achieving justice actually obstructs social change - incessant lengthy election cycles, staggered terms, and legislative sessions have kept social movements trapped in a redundant loop. This stymies progress on issues like labor rights, public health, and climate change, projecting the American people and the rest of the world towards destruction.
Robert Ovetz’s reading of the constitution shows that the system isn’t broken. Far from it. It works as it was designed.
From the introduction:
‘The Framers genius was in designing a virtually unchangeable system that provides the people with a semblance of participation and allows a few to select some representatives while the rest of us relinquish the power to self-govern. How and why they did that, why it still functions in that same way, and why we need to move past it is the focus of this book.’
Professor Ovetz is a senior lecturer in political science and public administration at San Jose State University and a lecturer in sociology at the University of California, Berkeley. His first book, When Workers Shot Back: Class Conflict from 1877 to 1924, was published in 2018 by Brill/Haymarket Books. His second book was an edited volume in 2020 entitled, Workers’ Inquiry and Global Class Struggle: Strategies, Tactics, Objectives also published by Pluto Press.
Sydney Business School at Shanghai University - can be reached at keith.krueger1@uts.edu.au or keithNBn@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>We have been ruled long enough. It is time to govern ourselves. If we are to get past the Constitution and all systems based on constitutions, we need to move past the nation state as the means by which we are governed from above.</em></p><p>– Robert Ovetz, <a href="https://bookshop.org/a/12343/9780745344737"><em>We the Elites</em></a> (2022, p. 167)</p><p>Written by 55 of the richest white men of early America, and signed by only 39 of them, the constitution is the sacred text of American nationalism. Popular perceptions of it are mired in idolatry, myth, and misinformation - many Americans have opinions on the constitution but have no idea what’s in it.</p><p>The misplaced faith of social movements in the constitution as a framework for achieving justice actually obstructs social change - incessant lengthy election cycles, staggered terms, and legislative sessions have kept social movements trapped in a redundant loop. This stymies progress on issues like labor rights, public health, and climate change, projecting the American people and the rest of the world towards destruction.</p><p>Robert Ovetz’s reading of the constitution shows that the system isn’t broken. Far from it. It works as it was designed.</p><p>From the introduction:</p><p>‘The Framers genius was in designing a virtually unchangeable system that provides the people with a semblance of participation and allows a few to select some representatives while the rest of us relinquish the power to self-govern. How and why they did that, why it still functions in that same way, and why we need to move past it is the focus of this book.’</p><p>Professor Ovetz is a senior lecturer in political science and public administration at San Jose State University and a lecturer in sociology at the University of California, Berkeley. His first book, <em>When Workers Shot Back: Class Conflict from 1877 to 1924</em>, was published in 2018 by Brill/Haymarket Books. His second book was an edited volume in 2020 entitled, <em>Workers’ Inquiry and Global Class Struggle: Strategies, Tactics, Objectives</em> also published by Pluto Press.</p><p><em>Sydney Business School at Shanghai University - can be reached at keith.krueger1@uts.edu.au or keithNBn@gmail.com</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4212</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[68ddc548-9513-11ed-aca4-cf7b0d30ceac]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9046817181.mp3?updated=1673814645" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Joseph Roberto, "The Coming of the American Behemoth: The Origins of Fascism in the United States, 1920-1940" (Monthly Review Press, 2018)</title>
      <description>The election of Donald Trump in 2016 shocked and appalled a number of people, forcing a critical reevaluation of what was possible, and what we ought to be vigilant about. A debate soon emerged about whether Trump represented the possibility of fascism in the United States. This debate centered around the ways in which fascism has often presented itself; the rhetoric and aesthetics in particular, often at the expense of examining the underlying economic form. Against this tendency, Michael Joseph Roberto has emerged with a corrective, The Coming of the American Behemoth: The Origins of Fascism in the United States, 1920-1940 (Monthly Review Press, 2018), arguing that fascism is not composed of moral relics of the past but is a distinctly modern movement, tied inherently to the nature of capitalism.
Turning to the United States in the roaring 20’s and depressed 30’s, Roberto has several interlinked tasks. Primary to the book is reframing our understanding of fascism as a reaction against revolutionary working class politics. It is an attempt by the bourgeois to maintain order in society via use of the state or various cultural apparatuses such as advertising to maintain political discipline. The United States, being the most advanced capitalist country in the world, is not only not immune to this sort of movement, but is uniquely vulnerable, and that vulnerability has not gone away in our times. To argue this, Roberto not only examines Marx’s Capital, but a whole series of texts written in the period he’s examining to show that his conclusions are not terribly new; they’ve simply been forgotten. The result is a study that combines history, economics and cultural analysis to produce a much-needed corrective to our understanding of what fascism is and how we might fight it.
Michael Joseph Roberto is a retired history professor. He has also worked as a journalist and political activist in North Carolina. His writing has appeared in a number of places, including The Monthly Review and Socialism and Democracy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>349</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Joseph Roberto</itunes:subtitle>
      <itunes:summary>The election of Donald Trump in 2016 shocked and appalled a number of people, forcing a critical reevaluation of what was possible, and what we ought to be vigilant about. A debate soon emerged about whether Trump represented the possibility of fascism in the United States. This debate centered around the ways in which fascism has often presented itself; the rhetoric and aesthetics in particular, often at the expense of examining the underlying economic form. Against this tendency, Michael Joseph Roberto has emerged with a corrective, The Coming of the American Behemoth: The Origins of Fascism in the United States, 1920-1940 (Monthly Review Press, 2018), arguing that fascism is not composed of moral relics of the past but is a distinctly modern movement, tied inherently to the nature of capitalism.
Turning to the United States in the roaring 20’s and depressed 30’s, Roberto has several interlinked tasks. Primary to the book is reframing our understanding of fascism as a reaction against revolutionary working class politics. It is an attempt by the bourgeois to maintain order in society via use of the state or various cultural apparatuses such as advertising to maintain political discipline. The United States, being the most advanced capitalist country in the world, is not only not immune to this sort of movement, but is uniquely vulnerable, and that vulnerability has not gone away in our times. To argue this, Roberto not only examines Marx’s Capital, but a whole series of texts written in the period he’s examining to show that his conclusions are not terribly new; they’ve simply been forgotten. The result is a study that combines history, economics and cultural analysis to produce a much-needed corrective to our understanding of what fascism is and how we might fight it.
Michael Joseph Roberto is a retired history professor. He has also worked as a journalist and political activist in North Carolina. His writing has appeared in a number of places, including The Monthly Review and Socialism and Democracy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The election of Donald Trump in 2016 shocked and appalled a number of people, forcing a critical reevaluation of what was possible, and what we ought to be vigilant about. A debate soon emerged about whether Trump represented the possibility of fascism in the United States. This debate centered around the ways in which fascism has often presented itself; the rhetoric and aesthetics in particular, often at the expense of examining the underlying economic form. Against this tendency, Michael Joseph Roberto has emerged with a corrective, <a href="https://bookshop.org/a/12343/9781583677315"><em>The Coming of the American Behemoth: The Origins of Fascism in the United States, 1920-1940</em></a><em> </em>(Monthly Review Press, 2018), arguing that fascism is not composed of moral relics of the past but is a distinctly modern movement, tied inherently to the nature of capitalism.</p><p>Turning to the United States in the roaring 20’s and depressed 30’s, Roberto has several interlinked tasks. Primary to the book is reframing our understanding of fascism as a reaction against revolutionary working class politics. It is an attempt by the bourgeois to maintain order in society via use of the state or various cultural apparatuses such as advertising to maintain political discipline. The United States, being the most advanced capitalist country in the world, is not only not immune to this sort of movement, but is uniquely vulnerable, and that vulnerability has not gone away in our times. To argue this, Roberto not only examines Marx’s <em>Capital</em>, but a whole series of texts written in the period he’s examining to show that his conclusions are not terribly new; they’ve simply been forgotten. The result is a study that combines history, economics and cultural analysis to produce a much-needed corrective to our understanding of what fascism is and how we might fight it.</p><p>Michael Joseph Roberto is a retired history professor. He has also worked as a journalist and political activist in North Carolina. His writing has appeared in a number of places, including <em>The Monthly Review</em> and <em>Socialism and Democracy</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5384</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[05e8e246-9505-11ed-9fe3-43e98815ce97]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7747740377.mp3?updated=1673809358" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric A. Stanley, "Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable" (Duke UP, 2021)</title>
      <description>Content note: This episode contains discussions of suicide, as well as allusions to graphic anti-LGBTQ+ and anti-Black violence
Advances in LGBTQ rights in the recent past—marriage equality, the repeal of Don't Ask, Don't Tell, and the expansion of hate crimes legislation—have been accompanied by a rise in attacks against trans, queer and/or gender-nonconforming people of color. In Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable (Duke UP, 2021), theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans/queer violence in which inclusion and recognition are forms of harm rather than remedies to it. In calling for trans/queer organizing and worldmaking beyond these forms, Stanley points to abolitionist ways of life that might offer livable futures.
Dr. Eric A. Stanley is an associate professor in the Department of Gender and Women’s Studies at the University of California, Berkeley.
Rine Vieth is a researcher studying how the UK Immigration and Asylum tribunals consider claims of belief, how claims of religious belief are evidenced, and the role of faith communities in asylum-seeker support.
Links referenced in the episode: 

LGBT Books to Prisoners project

Ashley Diamond fundraiser


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eric A. Stanley</itunes:subtitle>
      <itunes:summary>Content note: This episode contains discussions of suicide, as well as allusions to graphic anti-LGBTQ+ and anti-Black violence
Advances in LGBTQ rights in the recent past—marriage equality, the repeal of Don't Ask, Don't Tell, and the expansion of hate crimes legislation—have been accompanied by a rise in attacks against trans, queer and/or gender-nonconforming people of color. In Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable (Duke UP, 2021), theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans/queer violence in which inclusion and recognition are forms of harm rather than remedies to it. In calling for trans/queer organizing and worldmaking beyond these forms, Stanley points to abolitionist ways of life that might offer livable futures.
Dr. Eric A. Stanley is an associate professor in the Department of Gender and Women’s Studies at the University of California, Berkeley.
Rine Vieth is a researcher studying how the UK Immigration and Asylum tribunals consider claims of belief, how claims of religious belief are evidenced, and the role of faith communities in asylum-seeker support.
Links referenced in the episode: 

LGBT Books to Prisoners project

Ashley Diamond fundraiser


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Content note: This episode contains discussions of suicide, as well as allusions to graphic anti-LGBTQ+ and anti-Black violence</em></p><p>Advances in LGBTQ rights in the recent past—marriage equality, the repeal of Don't Ask, Don't Tell, and the expansion of hate crimes legislation—have been accompanied by a rise in attacks against trans, queer and/or gender-nonconforming people of color. In <a href="https://bookshop.org/a/12343/9781478013303"><em>Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable</em></a><em> </em>(Duke UP, 2021), theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans/queer violence in which inclusion and recognition are forms of harm rather than remedies to it. In calling for trans/queer organizing and worldmaking beyond these forms, Stanley points to abolitionist ways of life that might offer livable futures.</p><p><a href="https://ericastanley.net/">Dr. Eric A. Stanley</a> is an associate professor in the Department of Gender and Women’s Studies at the University of California, Berkeley.</p><p><a href="https://rinevieth.carrd.co/"><em>Rine Vieth</em></a><em> is a researcher studying how the UK Immigration and Asylum tribunals consider claims of belief, how claims of religious belief are evidenced, and the role of faith communities in asylum-seeker support.</em></p><p><strong>Links referenced in the episode: </strong></p><ul>
<li><a href="https://lgbtbookstoprisoners.org/">LGBT Books to Prisoners project</a></li>
<li><a href="https://www.gofundme.com/f/ruhwne-free-ashley-diamond">Ashley Diamond fundraiser</a></li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e643edf6-94ef-11ed-bbee-8faa5cc7d9f8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5609237478.mp3?updated=1673799827" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carwil Bjork-James, "The Sovereign Street: Making Revolution in Urban Bolivia" (U Arizona Press, 2020)</title>
      <description>In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. The Sovereign Street documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011. 
Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city. 
Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, The Sovereign Street: Making Revolution in Urban Bolivia (U Arizona Press, 2020) offers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.
Brad Wright is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 15 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carwil Bjork-James</itunes:subtitle>
      <itunes:summary>In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. The Sovereign Street documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011. 
Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city. 
Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, The Sovereign Street: Making Revolution in Urban Bolivia (U Arizona Press, 2020) offers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.
Brad Wright is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. <em>The Sovereign Street</em> documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011. </p><p>Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city. </p><p>Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, <a href="https://bookshop.org/a/12343/9780816540150"><em>The Sovereign Street: Making Revolution in Urban Bolivia</em></a><em> </em>(U Arizona Press, 2020) offers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.</p><p><a href="https://kennesaw.academia.edu/BradWright/CurriculumVitae"><em>Brad Wright</em></a><em> is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3158</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d5fa3e0-9450-11ed-960a-e7f29fd57d34]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4709317176.mp3?updated=1673731077" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Bilton et al., "Creativities: The What, How, Where, Who and Why of the Creative Process" (Edward Elgar, 2022)</title>
      <description>How does creativity work? In Creativities: The What, How, Where, Who and Why of the Creative Process (Edward Elgar, 2022), Chris Bilton, a Reader at University of Warwick’s Centre for Cultural and Media Policy Studies, Stephen Cummings, Professor of Strategy and Innovation at Victoria University Wellington, and dt ogilvie, Professor of Urban Entrepreneurship at the Rochester Institute of Technology, use a combination of theoretical analysis and detailed case studies to explain creativity. Using global examples from a diverse range of business, individual, and organisational settings, the book ranges from to critical analysis of creative business scandals such as Weinstein and #MeToo. It will be essential reading across creative industries and management studies, with valuable insights for social science and humanities scholars too.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 15 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>348</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Bilton</itunes:subtitle>
      <itunes:summary>How does creativity work? In Creativities: The What, How, Where, Who and Why of the Creative Process (Edward Elgar, 2022), Chris Bilton, a Reader at University of Warwick’s Centre for Cultural and Media Policy Studies, Stephen Cummings, Professor of Strategy and Innovation at Victoria University Wellington, and dt ogilvie, Professor of Urban Entrepreneurship at the Rochester Institute of Technology, use a combination of theoretical analysis and detailed case studies to explain creativity. Using global examples from a diverse range of business, individual, and organisational settings, the book ranges from to critical analysis of creative business scandals such as Weinstein and #MeToo. It will be essential reading across creative industries and management studies, with valuable insights for social science and humanities scholars too.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does creativity work? In <a href="https://www.e-elgar.com/shop/gbp/creativities-9781788979474.html"><em>Creativities: The What, How, Where, Who and Why of the Creative Process</em></a> (Edward Elgar, 2022), <a href="https://warwick.ac.uk/fac/arts/scapvc/ccmps/staff/bilton">Chris Bilton</a>, a Reader at University of Warwick’s Centre for Cultural and Media Policy Studies, <a href="https://people.wgtn.ac.nz/stephen.cummings">Stephen Cummings</a>, Professor of Strategy and Innovation at Victoria University Wellington, and <a href="https://www.rit.edu/directory/dtobbu-dr-dt-ogilvie">dt ogilvie</a>, Professor of Urban Entrepreneurship at the Rochester Institute of Technology, use a combination of theoretical analysis and detailed case studies to explain creativity. Using global examples from a diverse range of business, individual, and organisational settings, the book ranges from to critical analysis of creative business scandals such as Weinstein and #MeToo. It will be essential reading across creative industries and management studies, with valuable insights for social science and humanities scholars too.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2374</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1b88f8a4-92bf-11ed-9308-1f972b9ab28a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3969889049.mp3?updated=1673559186" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Inequality: A Discussion with Mike Savage</title>
      <description>Most people in developed countries think inequality is increasing. And most would also agree that in terms of the global poor, the last 20 years have seen vast improvements with hundreds of millions living much better lives than their parents. These are some of the themes Professor Mike Savage addresses in his book The Return of Inequality: Social change and the Weight of the Past (Harvard UP, 2021).
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Most people in developed countries think inequality is increasing. And most would also agree that in terms of the global poor, the last 20 years have seen vast improvements with hundreds of millions living much better lives than their parents. These are some of the themes Professor Mike Savage addresses in his book The Return of Inequality: Social change and the Weight of the Past (Harvard UP, 2021).
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most people in developed countries think inequality is increasing. And most would also agree that in terms of the global poor, the last 20 years have seen vast improvements with hundreds of millions living much better lives than their parents. These are some of the themes Professor Mike Savage addresses in his book <a href="https://bookshop.org/a/12343/9780674988071"><em>The Return of Inequality: Social change and the Weight of the Past</em></a> (Harvard UP, 2021).</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c387833e-92b7-11ed-a7de-8b8b6f5e2fe4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8613926897.mp3?updated=1673555356" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Wolin, "Heidegger in Ruins: Between Philosophy and Ideology" (Yale UP, 2023)</title>
      <description>What does it mean when a radical understanding of National Socialism is inextricably embedded in the work of the twentieth century's most important philosopher? Martin Heidegger's sympathies for the conservative revolution and National Socialism have long been well known. As the rector of the University of Freiburg in the early 1930s, he worked hard to reshape the university in accordance with National Socialist policies. He also engaged in an all-out struggle to become the movement's philosophical preceptor, "to lead the leader." Yet for years, Heidegger's defenders have tried to separate his political beliefs from his philosophical doctrines. They argued, in effect, that he was good at philosophy but bad at politics. But with the 2014 publication of Heidegger's "Black Notebooks," it has become clear that he embraced a far more radical vision of the conservative revolution than previously suspected. His dissatisfaction with National Socialism, it turns out, was mainly that it did not go far enough. 
The notebooks show that far from being separated from Nazism, Heidegger's philosophy was suffused with it. In Heidegger in Ruins: Between Philosophy and Ideology (Yale University Press, 2022), Richard Wolin explores what the notebooks mean for our understanding of arguably the most important philosopher of the twentieth century, and of his ideas--and why his legacy remains radically compromised.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does it mean when a radical understanding of National Socialism is inextricably embedded in the work of the twentieth century's most important philosopher? Martin Heidegger's sympathies for the conservative revolution and National Socialism have long been well known. As the rector of the University of Freiburg in the early 1930s, he worked hard to reshape the university in accordance with National Socialist policies. He also engaged in an all-out struggle to become the movement's philosophical preceptor, "to lead the leader." Yet for years, Heidegger's defenders have tried to separate his political beliefs from his philosophical doctrines. They argued, in effect, that he was good at philosophy but bad at politics. But with the 2014 publication of Heidegger's "Black Notebooks," it has become clear that he embraced a far more radical vision of the conservative revolution than previously suspected. His dissatisfaction with National Socialism, it turns out, was mainly that it did not go far enough. 
The notebooks show that far from being separated from Nazism, Heidegger's philosophy was suffused with it. In Heidegger in Ruins: Between Philosophy and Ideology (Yale University Press, 2022), Richard Wolin explores what the notebooks mean for our understanding of arguably the most important philosopher of the twentieth century, and of his ideas--and why his legacy remains radically compromised.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean when a radical understanding of National Socialism is inextricably embedded in the work of the twentieth century's most important philosopher? Martin Heidegger's sympathies for the conservative revolution and National Socialism have long been well known. As the rector of the University of Freiburg in the early 1930s, he worked hard to reshape the university in accordance with National Socialist policies. He also engaged in an all-out struggle to become the movement's philosophical preceptor, "to lead the leader." Yet for years, Heidegger's defenders have tried to separate his political beliefs from his philosophical doctrines. They argued, in effect, that he was good at philosophy but bad at politics. But with the 2014 publication of Heidegger's "Black Notebooks," it has become clear that he embraced a far more radical vision of the conservative revolution than previously suspected. His dissatisfaction with National Socialism, it turns out, was mainly that it did not go far enough. </p><p>The notebooks show that far from being separated from Nazism, Heidegger's philosophy was suffused with it. In <a href="https://bookshop.org/a/12343/9780300233186"><em>Heidegger in Ruins: Between Philosophy and Ideology</em></a> (Yale University Press, 2022), <a href="https://www.gc.cuny.edu/people/richard-wolin">Richard Wolin</a> explores what the notebooks mean for our understanding of arguably the most important philosopher of the twentieth century, and of his ideas--and why his legacy remains radically compromised.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6791</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[71ea31f4-8306-11ed-9653-b755f45f27ee]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1234849684.mp3?updated=1671830383" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Demeritocracy: Should We Still Believe in Meritocracy?</title>
      <link>https://ministryofideas.org/</link>
      <description>Total faith in meritocracy leads to the dangerous belief that all social winners and losers are wholly deserving. Instead, we need an economy of grace.
Guests

Victor Tan Chen, assistant professor of sociology at Virginia Commonwealth University and author of Cut Loose: Jobless and Hopeless in an Unfair Economy


Thomas Frank, author of What’s the Matter with Kansas? and Listen, Liberal



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      <pubDate>Tue, 10 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/19ed94b2-8920-11ed-8436-57fc4cc01e20/image/1513623194artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Victor Tan Chen and Thomas Frank</itunes:subtitle>
      <itunes:summary>Total faith in meritocracy leads to the dangerous belief that all social winners and losers are wholly deserving. Instead, we need an economy of grace.
Guests

Victor Tan Chen, assistant professor of sociology at Virginia Commonwealth University and author of Cut Loose: Jobless and Hopeless in an Unfair Economy


Thomas Frank, author of What’s the Matter with Kansas? and Listen, Liberal



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Total faith in meritocracy leads to the dangerous belief that all social winners and losers are wholly deserving. Instead, we need an economy of grace.</p><p>Guests</p><ul>
<li>Victor Tan Chen, assistant professor of sociology at Virginia Commonwealth University and author of <em>Cut Loose: Jobless and Hopeless in an Unfair Economy</em>
</li>
<li>Thomas Frank, author of <em>What’s the Matter with Kansas?</em> and <em>Listen, Liberal</em>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b939d954-f674-44e1-90b3-7689929ba029]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1696783497.mp3?updated=1672612022" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philippe-Richard Marius, "The Unexceptional Case of Haiti: Race and Class Privilege in Postcolonial Bourgeois Society" (UP of Mississippi, 2022)</title>
      <description>In The Unexceptional Case of Haiti: Race and Class Privilege in Postcolonial Bourgeois Society (University Press of Mississippi, 2022), Philippe-Richard Marius recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of color/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through his ethnography, class emerges as the principal site of social organization among Haitians, notwithstanding the country’s global prominence as a “Black Republic.” It is class, and not color or race, that primarily produces distinctive Haitian socioeconomic formations.
When Marius arrived in Port-au-Prince to begin fieldwork for this monograph, to him and to legions of people worldwide, Haiti was axiomatically the first Black Republic. Descendants of Africans did in fact create the Haitian nation-state on January 1, 1804, as the outcome of a slave uprising that defeated white supremacy in the French colony of Saint-Domingue. Haiti’s Founding Founders, as colonial natives, were nonetheless to varying degrees Latinized subjects of the Atlantic. They envisioned freedom differently than the African-born former slaves, who sought to replicate African nonstate societies. Haiti’s Founders indeed first defeated native Africans’ armies before they defeated the French. Not surprisingly, problematic vestiges of colonialism carried over to the independent nation. 
Marius interrogates Haitian Black nationalism without diminishing the colossal achievement of the enslaved people of Saint-Domingue in destroying slavery in the colony, then the Napoleonic army sent to restore it. Providing clarity on the uses of race, color, and nation in sociopolitical and economic organization in Haiti and other postcolonial bourgeois societies, Marius produces a provocative characterization of the Haitian nation-state that rejects the Black Republic paradigm.
Philippe-Richard Marius is assistant professor in the Department of Sociology and Anthropology at the College of Staten Island (CUNY). Marius has conducted extensive fieldwork in Haiti. He is writer, producer, and codirector of the film A City Called Heaven.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 08 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philippe-Richard Marius</itunes:subtitle>
      <itunes:summary>In The Unexceptional Case of Haiti: Race and Class Privilege in Postcolonial Bourgeois Society (University Press of Mississippi, 2022), Philippe-Richard Marius recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of color/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through his ethnography, class emerges as the principal site of social organization among Haitians, notwithstanding the country’s global prominence as a “Black Republic.” It is class, and not color or race, that primarily produces distinctive Haitian socioeconomic formations.
When Marius arrived in Port-au-Prince to begin fieldwork for this monograph, to him and to legions of people worldwide, Haiti was axiomatically the first Black Republic. Descendants of Africans did in fact create the Haitian nation-state on January 1, 1804, as the outcome of a slave uprising that defeated white supremacy in the French colony of Saint-Domingue. Haiti’s Founding Founders, as colonial natives, were nonetheless to varying degrees Latinized subjects of the Atlantic. They envisioned freedom differently than the African-born former slaves, who sought to replicate African nonstate societies. Haiti’s Founders indeed first defeated native Africans’ armies before they defeated the French. Not surprisingly, problematic vestiges of colonialism carried over to the independent nation. 
Marius interrogates Haitian Black nationalism without diminishing the colossal achievement of the enslaved people of Saint-Domingue in destroying slavery in the colony, then the Napoleonic army sent to restore it. Providing clarity on the uses of race, color, and nation in sociopolitical and economic organization in Haiti and other postcolonial bourgeois societies, Marius produces a provocative characterization of the Haitian nation-state that rejects the Black Republic paradigm.
Philippe-Richard Marius is assistant professor in the Department of Sociology and Anthropology at the College of Staten Island (CUNY). Marius has conducted extensive fieldwork in Haiti. He is writer, producer, and codirector of the film A City Called Heaven.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.upress.state.ms.us/Books/T/The-Unexceptional-Case-of-Haiti"><em>The Unexceptional Case of Haiti: Race and Class Privilege in Postcolonial Bourgeois Society</em></a><em> </em>(University Press of Mississippi, 2022), <a href="http://www.brooklyn.cuny.edu/web/academics/centers/hsi/executive-committee/marius.php">Philippe-Richard Marius</a> recasts the world-historical significance of the Saint-Domingue Revolution to investigate the twinned significance of color/race and class in the reproduction of privilege and inequality in contemporary Haiti. Through his ethnography, class emerges as the principal site of social organization among Haitians, notwithstanding the country’s global prominence as a “Black Republic.” It is class, and not color or race, that primarily produces distinctive Haitian socioeconomic formations.</p><p>When Marius arrived in Port-au-Prince to begin fieldwork for this monograph, to him and to legions of people worldwide, Haiti was axiomatically the first Black Republic. Descendants of Africans did in fact create the Haitian nation-state on January 1, 1804, as the outcome of a slave uprising that defeated white supremacy in the French colony of Saint-Domingue. Haiti’s Founding Founders, as colonial natives, were nonetheless to varying degrees Latinized subjects of the Atlantic. They envisioned freedom differently than the African-born former slaves, who sought to replicate African nonstate societies. Haiti’s Founders indeed first defeated native Africans’ armies before they defeated the French. Not surprisingly, problematic vestiges of colonialism carried over to the independent nation. </p><p>Marius interrogates Haitian Black nationalism without diminishing the colossal achievement of the enslaved people of Saint-Domingue in destroying slavery in the colony, then the Napoleonic army sent to restore it. Providing clarity on the uses of race, color, and nation in sociopolitical and economic organization in Haiti and other postcolonial bourgeois societies, Marius produces a provocative characterization of the Haitian nation-state that rejects the Black Republic paradigm.</p><p>Philippe-Richard Marius is assistant professor in the Department of Sociology and Anthropology at the College of Staten Island (CUNY). Marius has conducted extensive fieldwork in Haiti. He is writer, producer, and codirector of the film <em>A City Called Heaven</em>.</p><p><em>Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5281</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[844f2584-8e8c-11ed-b046-27d870c3bda0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8816134513.mp3?updated=1673097408" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neoliberalism and Higher Education</title>
      <description>This episode is a roundtable discussion on the influence of the neoliberal project on higher education. Our guests are Professor Emeritus Frank Fear from Michigan State University, Professor Claire Polster from the University of Regina, and Professor Ruben Martinez from Michigan State University. The conversation is wide-ranging across topics such as the quantification of higher education and the concept of students as customers.
John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 08 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Frank Fear, Claire Polster, and Ruben Martinez</itunes:subtitle>
      <itunes:summary>This episode is a roundtable discussion on the influence of the neoliberal project on higher education. Our guests are Professor Emeritus Frank Fear from Michigan State University, Professor Claire Polster from the University of Regina, and Professor Ruben Martinez from Michigan State University. The conversation is wide-ranging across topics such as the quantification of higher education and the concept of students as customers.
John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode is a roundtable discussion on the influence of the neoliberal project on higher education. Our guests are Professor Emeritus Frank Fear from Michigan State University, Professor Claire Polster from the University of Regina, and Professor Ruben Martinez from Michigan State University. The conversation is wide-ranging across topics such as the quantification of higher education and the concept of students as customers.</p><p><a href="https://johnkaag.com/"><em>John Kaag</em></a><em> is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. </em><a href="https://liberalarts.utexas.edu/rs/faculty/jt27"><em>John W. Traphagan</em></a><em>, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3933</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fab8db90-8e85-11ed-bc70-032cced901ad]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2528249465.mp3?updated=1673288694" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Hudis, "Frantz Fanon: Philosopher of the Barricades" (Pluto Press, 2015)</title>
      <description>Frantz Fanon (1925-1961) was a Caribbean and African psychiatrist, philosopher and revolutionary whose works, including Black Skin, White Masks and The Wretched of the Earth are hugely influential in the fields of post-colonial studies, critical theory, and post-Marxism. His legacy remains with us today, having inspired movements in Palestine, Sri Lanka, the US and South Africa.
Frantz Fanon: Philosopher of the Barricades (Pluto Press, 2015) is a critical biography of his extraordinary life. Peter Hudis draws on the expanse of his life and work - from his upbringing in Martinique and early intellectual influences to his mature efforts to fuse psychoanalysis and philosophy and contributions to the anti-colonial struggle in Algeria - to counter the monolithic assumption that Fanon's contribution to modern thought is defined by the advocacy of violence.
Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>206</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with  Peter Hudis</itunes:subtitle>
      <itunes:summary>Frantz Fanon (1925-1961) was a Caribbean and African psychiatrist, philosopher and revolutionary whose works, including Black Skin, White Masks and The Wretched of the Earth are hugely influential in the fields of post-colonial studies, critical theory, and post-Marxism. His legacy remains with us today, having inspired movements in Palestine, Sri Lanka, the US and South Africa.
Frantz Fanon: Philosopher of the Barricades (Pluto Press, 2015) is a critical biography of his extraordinary life. Peter Hudis draws on the expanse of his life and work - from his upbringing in Martinique and early intellectual influences to his mature efforts to fuse psychoanalysis and philosophy and contributions to the anti-colonial struggle in Algeria - to counter the monolithic assumption that Fanon's contribution to modern thought is defined by the advocacy of violence.
Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Frantz Fanon (1925-1961) was a Caribbean and African psychiatrist, philosopher and revolutionary whose works, including Black Skin, White Masks and The Wretched of the Earth are hugely influential in the fields of post-colonial studies, critical theory, and post-Marxism. His legacy remains with us today, having inspired movements in Palestine, Sri Lanka, the US and South Africa.</p><p><a href="https://bookshop.org/a/12343/9780745336251"><em>Frantz Fanon: Philosopher of the Barricades</em></a> (Pluto Press, 2015) is a critical biography of his extraordinary life. Peter Hudis draws on the expanse of his life and work - from his upbringing in Martinique and early intellectual influences to his mature efforts to fuse psychoanalysis and philosophy and contributions to the anti-colonial struggle in Algeria - to counter the monolithic assumption that Fanon's contribution to modern thought is defined by the advocacy of violence.</p><p><em>Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4369</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[120b60e8-8d3b-11ed-b3e9-23263b85b4a0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2073790897.mp3?updated=1672952461" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carlos Alberto Sánchez, "A Sense of Brutality. Philosophy after Narco-Culture" (Amherst College Press, 2020)</title>
      <description>Contemporary popular culture is riddled with references to Mexican drug cartels, narcos, and drug trafficking. In the United States, documentary filmmakers, journalists, academics, and politicians have taken note of the increasing threats to our security coming from a subculture that appears to feed on murder and brutality while being fed by a romanticism about power and capital. 
Carlos Alberto Sánchez uses Mexican narco-culture as a point of departure for thinking about the nature and limits of violence, culture, and personhood. A Sense of Brutality. Philosophy after Narco-Culture (Amherst College Press, 2020) argues that violent cultural modalities, of which narco-culture is but one, call into question our understanding of "violence" as a concept. The reality of narco-violence suggests that "violence" itself is insufficient to capture it, that we need to redeploy and reconceptualize "brutality" as a concept that better captures this reality. Brutality is more than violence, other to cruelty, and distinct from horror and terror--all concepts that are normally used interchangeably with brutality, but which, as the analysis suggests, ought not to be. In narco-culture, the normalization of brutality into everyday life is a condition upon which the absolute erasure or derealization of people is made possible
This book is available open access here.
Host Pamela Fuentes historian and editor of New Books Network en español.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>343</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carlos Alberto Sánchez</itunes:subtitle>
      <itunes:summary>Contemporary popular culture is riddled with references to Mexican drug cartels, narcos, and drug trafficking. In the United States, documentary filmmakers, journalists, academics, and politicians have taken note of the increasing threats to our security coming from a subculture that appears to feed on murder and brutality while being fed by a romanticism about power and capital. 
Carlos Alberto Sánchez uses Mexican narco-culture as a point of departure for thinking about the nature and limits of violence, culture, and personhood. A Sense of Brutality. Philosophy after Narco-Culture (Amherst College Press, 2020) argues that violent cultural modalities, of which narco-culture is but one, call into question our understanding of "violence" as a concept. The reality of narco-violence suggests that "violence" itself is insufficient to capture it, that we need to redeploy and reconceptualize "brutality" as a concept that better captures this reality. Brutality is more than violence, other to cruelty, and distinct from horror and terror--all concepts that are normally used interchangeably with brutality, but which, as the analysis suggests, ought not to be. In narco-culture, the normalization of brutality into everyday life is a condition upon which the absolute erasure or derealization of people is made possible
This book is available open access here.
Host Pamela Fuentes historian and editor of New Books Network en español.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Contemporary popular culture is riddled with references to Mexican drug cartels, narcos, and drug trafficking. In the United States, documentary filmmakers, journalists, academics, and politicians have taken note of the increasing threats to our security coming from a subculture that appears to feed on murder and brutality while being fed by a romanticism about power and capital. </p><p>Carlos Alberto Sánchez uses Mexican narco-culture as a point of departure for thinking about the nature and limits of violence, culture, and personhood. <a href="https://bookshop.org/a/12343/9781943208142"><em>A Sense of Brutality. Philosophy after Narco-Culture</em></a><em> </em>(Amherst College Press, 2020) argues that violent cultural modalities, of which narco-culture is but one, call into question our understanding of "violence" as a concept. The reality of narco-violence suggests that "violence" itself is insufficient to capture it, that we need to redeploy and reconceptualize "brutality" as a concept that better captures this reality. Brutality is more than violence, other to cruelty, and distinct from horror and terror--all concepts that are normally used interchangeably with brutality, but which, as the analysis suggests, ought not to be. In narco-culture, the normalization of brutality into everyday life is a condition upon which the absolute erasure or derealization of people is made possible</p><p>This book is available <strong>open access </strong><a href="https://www.fulcrum.org/concern/monographs/6h440v48j?locale=en"><strong>here</strong></a><strong>.</strong></p><p><em>Host Pamela Fuentes historian and editor of </em><a href="https://newbooksnetwork.com/es/"><em>New Books Network en español</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3084</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[307ae688-7fe0-11ed-bc1f-670815e3486b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6843091284.mp3?updated=1671484260" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lesley Higgins and Marie-Christine Leps, "Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje" (Academic Studies Press, 2023)</title>
      <description>After more than a century of genocides and in the midst of a global pandemic, Lesley Higgins and Marie-Christine Leps' book Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje (Academic Studies Press, 2023) focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lesley Higgins and Marie-Christine Leps</itunes:subtitle>
      <itunes:summary>After more than a century of genocides and in the midst of a global pandemic, Lesley Higgins and Marie-Christine Leps' book Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje (Academic Studies Press, 2023) focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After more than a century of genocides and in the midst of a global pandemic, Lesley Higgins and Marie-Christine Leps' book <a href="https://bookshop.org/a/12343/9781644699959"><em>Heterotopic World Fiction: Thinking Beyond Biopolitics with Woolf, Foucault, Ondaatje</em></a> (Academic Studies Press, 2023) focuses on the critique of biopolitics (the government of life through individuals and the general population) and the counterdevelopment of biopoetics (an aesthetics of life elaborating a self as a practice of freedom) realized in texts by Virginia Woolf, Michel Foucault, and Michael Ondaatje. Their world fiction produces transhistorical, transnational experiences offered to the reader for collective responsibility in these critical times. Their books function as heterotopias: spaces and processes that recall and confront regimes of recognized truths to dismantle fixed identities and actualize possibilities for becoming other. Higgins and Leps define and explore a slant, biopoetic perspective that is feminist, materialist, anti-racist, and anti-war.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2335</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6565bb88-8c7a-11ed-a3ce-1f9211c46ae0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9182053804.mp3?updated=1672869071" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>White Balance: How Do Race and Class Intersect?</title>
      <link>https://ministryofideas.org/</link>
      <description>Understanding race in America requires understanding its relationship to class.
Guests

Joshua Bennett, writer and poet

Julian Bourg, Professor of History at Boston College

Nancy Isenberg, author of White Trash



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5258200e-891d-11ed-bbf4-b7ce49bfe52d/image/1509476936artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Joshua Bennett, Julian Bourg, and Nancy Isenberg</itunes:subtitle>
      <itunes:summary>Understanding race in America requires understanding its relationship to class.
Guests

Joshua Bennett, writer and poet

Julian Bourg, Professor of History at Boston College

Nancy Isenberg, author of White Trash



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Understanding race in America requires understanding its relationship to class.</p><p>Guests</p><ul>
<li>Joshua Bennett, writer and poet</li>
<li>Julian Bourg, Professor of History at Boston College</li>
<li>Nancy Isenberg, author of <em>White Trash</em>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[47840e7a-27fc-485c-82e6-a184a15bf03b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3438023522.mp3?updated=1672611917" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>(In)efficiency: Should Efficiency be a Moral Value?</title>
      <link>https://ministryofideas.org/</link>
      <description>Efficiency has moved from a technique for measuring machines to a widely held moral value. But at what cost?
Guests

Jennifer Alexander, Associate Professor at the University of Minnesota and author of The Mantra of Efficiency: From Waterwheel to Social Control


Tom Hodgkinson, founder and editor of The Idler



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4b398188-891c-11ed-bd33-733020e227f4/image/1508986908artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Jennifer Alexander and Tom Hodgkinson</itunes:subtitle>
      <itunes:summary>Efficiency has moved from a technique for measuring machines to a widely held moral value. But at what cost?
Guests

Jennifer Alexander, Associate Professor at the University of Minnesota and author of The Mantra of Efficiency: From Waterwheel to Social Control


Tom Hodgkinson, founder and editor of The Idler



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Efficiency has moved from a technique for measuring machines to a widely held moral value. But at what cost?</p><p><strong>Guests</strong></p><ul>
<li>Jennifer Alexander, Associate Professor at the University of Minnesota and author of <em>The Mantra of Efficiency: From Waterwheel to Social Control</em>
</li>
<li>Tom Hodgkinson, founder and editor of <em>The Idler</em>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1000</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ad39347c-9a4e-495c-877f-29124771fa25]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9314179759.mp3?updated=1672611900" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vanessa A. Bee, "Home Bound: An Uprooted Daughter's Reflections on Belonging" (Astra, 2022)</title>
      <description>Vanessa A. Bee is a consumer protection lawyer with a freelancing habit. Primarily interested in inequality, corporate power, the American Left, and Washington D.C. She also loves a good meandering essay.
Book Recommendations:

Joshua Cohen, The Netanyahus


Hernan Diaz, Trust


Jonathan Escoffery, If I Survive You


Knut Hamsun, Growth of the Soil


﻿
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vanessa A. Bee</itunes:subtitle>
      <itunes:summary>Vanessa A. Bee is a consumer protection lawyer with a freelancing habit. Primarily interested in inequality, corporate power, the American Left, and Washington D.C. She also loves a good meandering essay.
Book Recommendations:

Joshua Cohen, The Netanyahus


Hernan Diaz, Trust


Jonathan Escoffery, If I Survive You


Knut Hamsun, Growth of the Soil


﻿
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Vanessa A. Bee is a consumer protection lawyer with a freelancing habit. Primarily interested in inequality, corporate power, the American Left, and Washington D.C. She also loves a good meandering essay.</p><p><strong>Book Recommendations:</strong></p><ul>
<li>Joshua Cohen, <a href="https://www.buffalostreetbooks.com/book/9781681376073"><em>The Netanyahus</em></a>
</li>
<li>Hernan Diaz, <a href="https://www.buffalostreetbooks.com/book/9780593420317"><em>Trust</em></a>
</li>
<li>Jonathan Escoffery, <a href="https://www.buffalostreetbooks.com/book/9780374605988"><em>If I Survive You</em></a>
</li>
<li>Knut Hamsun, <a href="https://www.buffalostreetbooks.com/book/9780143105107"><em>Growth of the Soil</em></a>
</li>
</ul><p><em>﻿</em></p><p><em>Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2280</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[47924b38-8b96-11ed-8b0b-a70cca0d4174]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8743964197.mp3?updated=1672771714" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gareth Dale, et al., "Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born?" (Haymarket Books, 2021)</title>
      <description>The last several decades have seen a mass consolidation of wealth among a few, the rest of the world left to various degrees of dispossession. On top of this, the revolutionary movements that characterized much of the 19th and 20th centuries have generally disappeared or retreated, reform being the name of the game for most progressives. In spite of this, revolutionary movements and events have actually increased in the last few decades.
This seeming contradiction is one of the animating ideas of the new essay anthology Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born? (Haymarket Books, 2021). A sort of spiritual sequel to the 1987 collection Revolutionary Rehearsals, this book contains several essays on revolutionary movements of the neoliberal era, bookended by more theoretical chapters on the nature of social and political movements. International in scope, the essays start with struggles in Eastern Europe at the end of the Cold War and end with the Arab uprisings in Egypt. In between are essays on South and Sub-Saharan Africa, Indonesia, Bolivia, Argentina and Latin American Pink Tide movements. The bookending essays deal with theoretical questions; the nature of political movements, contexts in which those movements arise and how change can actually be brought about. Grounded in the reality of our dire political situation but animated by the hope that change is always nevertheless a real possibility, the essays here will provide excellent starting points for activists to think critically about their own situations and how they might rise to meet them.
Gareth Dale is Associate Head of the Department of Social and Political Sciences at Brunel University in London. His recent books include Karl Polanyi: A Life on the Left and Reconstructing Karl Polanyi: Excavation and Critique.
Colin Barker was a lifelong activist and author. His many publications included Revolutionary Rehearsals (1987) and Marxism and Social Movements.
Neil Davidson was a lecturer in sociology and political science. His many publications included How Revolutionary Were the Bourgeois Revolutions? and Discovering the Scottish Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 02 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>347</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gareth Dale</itunes:subtitle>
      <itunes:summary>The last several decades have seen a mass consolidation of wealth among a few, the rest of the world left to various degrees of dispossession. On top of this, the revolutionary movements that characterized much of the 19th and 20th centuries have generally disappeared or retreated, reform being the name of the game for most progressives. In spite of this, revolutionary movements and events have actually increased in the last few decades.
This seeming contradiction is one of the animating ideas of the new essay anthology Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born? (Haymarket Books, 2021). A sort of spiritual sequel to the 1987 collection Revolutionary Rehearsals, this book contains several essays on revolutionary movements of the neoliberal era, bookended by more theoretical chapters on the nature of social and political movements. International in scope, the essays start with struggles in Eastern Europe at the end of the Cold War and end with the Arab uprisings in Egypt. In between are essays on South and Sub-Saharan Africa, Indonesia, Bolivia, Argentina and Latin American Pink Tide movements. The bookending essays deal with theoretical questions; the nature of political movements, contexts in which those movements arise and how change can actually be brought about. Grounded in the reality of our dire political situation but animated by the hope that change is always nevertheless a real possibility, the essays here will provide excellent starting points for activists to think critically about their own situations and how they might rise to meet them.
Gareth Dale is Associate Head of the Department of Social and Political Sciences at Brunel University in London. His recent books include Karl Polanyi: A Life on the Left and Reconstructing Karl Polanyi: Excavation and Critique.
Colin Barker was a lifelong activist and author. His many publications included Revolutionary Rehearsals (1987) and Marxism and Social Movements.
Neil Davidson was a lecturer in sociology and political science. His many publications included How Revolutionary Were the Bourgeois Revolutions? and Discovering the Scottish Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The last several decades have seen a mass consolidation of wealth among a few, the rest of the world left to various degrees of dispossession. On top of this, the revolutionary movements that characterized much of the 19th and 20th centuries have generally disappeared or retreated, reform being the name of the game for most progressives. In spite of this, revolutionary movements and events have actually increased in the last few decades.</p><p>This seeming contradiction is one of the animating ideas of the new essay anthology <a href="https://bookshop.org/a/12343/9781642594683"><em>Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born?</em></a><em> </em>(Haymarket Books, 2021). A sort of spiritual sequel to the 1987 collection <em>Revolutionary Rehearsals</em>, this book contains several essays on revolutionary movements of the neoliberal era, bookended by more theoretical chapters on the nature of social and political movements. International in scope, the essays start with struggles in Eastern Europe at the end of the Cold War and end with the Arab uprisings in Egypt. In between are essays on South and Sub-Saharan Africa, Indonesia, Bolivia, Argentina and Latin American Pink Tide movements. The bookending essays deal with theoretical questions; the nature of political movements, contexts in which those movements arise and how change can actually be brought about. Grounded in the reality of our dire political situation but animated by the hope that change is always nevertheless a real possibility, the essays here will provide excellent starting points for activists to think critically about their own situations and how they might rise to meet them.</p><p>Gareth Dale is Associate Head of the Department of Social and Political Sciences at Brunel University in London. His recent books include <em>Karl Polanyi: A Life on the Left</em> and <em>Reconstructing Karl Polanyi: Excavation and Critique</em>.</p><p>Colin Barker was a lifelong activist and author. His many publications included <em>Revolutionary Rehearsals</em> (1987) and <em>Marxism and Social Movements</em>.</p><p>Neil Davidson was a lecturer in sociology and political science. His many publications included <em>How Revolutionary Were the Bourgeois Revolutions?</em> and <em>Discovering the Scottish Revolution</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3998</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e53d35c2-8ab1-11ed-9b09-b7e8d3c4c36b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1891763354.mp3?updated=1672673884" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mairead Sullivan, "Lesbian Death: Desire and Danger Between Feminist and Queer" (U Minnesota Press, 2022)</title>
      <description>The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today.
Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives.
By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death.
Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text
Mairead Sullivan is Associate Professor of Women’s and Gender Studies at Loyola Marymount University.
Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 01 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mairead Sullivan</itunes:subtitle>
      <itunes:summary>The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today.
Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives.
By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death.
Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text
Mairead Sullivan is Associate Professor of Women’s and Gender Studies at Loyola Marymount University.
Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In <a href="https://bookshop.org/a/12343/9781517910020"><em>Lesbian Death: Desire and Danger Between Feminist and Queer</em></a><em> </em>(U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today.</p><p><em>Lesbian Death</em> reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. <em>Lesbian Death </em>examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives.</p><p>By situating the lesbian as a border figure between feminist and queer, <em>Lesbian Death </em>offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death.</p><p><em>Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text</em></p><p>Mairead Sullivan is Associate Professor of Women’s and Gender Studies at Loyola Marymount University.</p><p><a href="https://in.linkedin.com/in/sohini-chatterjee-763b39110"><em>Sohini Chatterjee</em></a><em> is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[45451176-8844-11ed-876b-ff7605272ea7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4498277840.mp3?updated=1672406664" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aaron Moulton, "The Influencing Machine" (Ujazdowski Castle Centre for Contemporary Art, 2022)</title>
      <description>In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros’ Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies.
The Influencing Machine, Aaron Moulton’s exhibition and book traces the network’s history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form’s development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies.
Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory.
The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders?
Aaron Moulton speaks to Pierre d’Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way.
Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost.

The Influencing Machine exhibition at CCA Ujazdowski Castle

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 31 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aaron Moulton</itunes:subtitle>
      <itunes:summary>In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros’ Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies.
The Influencing Machine, Aaron Moulton’s exhibition and book traces the network’s history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form’s development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies.
Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory.
The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders?
Aaron Moulton speaks to Pierre d’Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way.
Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost.

The Influencing Machine exhibition at CCA Ujazdowski Castle

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros’ <em>Open Society Foundation</em>, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies.</p><p><em>The Influencing Machine</em>, Aaron Moulton’s exhibition and book traces the network’s history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form’s development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies.</p><p>Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory.</p><p>The book invites a conversation about the global art world<em>,</em> the role of activism in art<em>,</em> and the power of institutional critique<em>.</em> Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders?</p><p>Aaron Moulton speaks to Pierre d’Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way.</p><p><a href="https://www.instagram.com/aaronkmoulton/">Aaron Multon</a> trained at the RCA, London and was the editor of <em>Flash Art International</em> and a curator at Gagosian Gallery<em>.</em> He founded the Berlin exhibition space Feinkost<em>.</em></p><ul><li>
<a href="https://u-jazdowski.pl/en/programme/exhibitions/maszyna-wplywu"><em>The Influencing Machine</em></a> exhibition at CCA Ujazdowski Castle</li></ul><p><br></p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4909</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[17bc9ac6-8795-11ed-9262-cb2c61ecd957]]></guid>
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    <item>
      <title>Tommie Shelby, "The Idea of Prison Abolition" (Princeton UP, 2022)</title>
      <description>By any reasonable metric, prisons as they exist in the United States and in many other countries are normatively unacceptable. What is the proper moral response to this? Can prisons and the practices surrounding incarceration feasibly be reformed, or should the entire enterprise be abolished? If the latter, then what? If the former, what are the necessary reforms?
In The Idea of Prison Abolition (Princeton UP, 2022), Tommie Shelby undertakes a systematic and critical examination of the arguments in favor of prison abolition. Although he ultimately rejects abolitionism as a philosophical position, he builds from the abolitionist program’s crucial insights a positive view of what it would take to create a prison and incarceration system that is consistent with justice.
Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 30 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>303</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tommie Shelby</itunes:subtitle>
      <itunes:summary>By any reasonable metric, prisons as they exist in the United States and in many other countries are normatively unacceptable. What is the proper moral response to this? Can prisons and the practices surrounding incarceration feasibly be reformed, or should the entire enterprise be abolished? If the latter, then what? If the former, what are the necessary reforms?
In The Idea of Prison Abolition (Princeton UP, 2022), Tommie Shelby undertakes a systematic and critical examination of the arguments in favor of prison abolition. Although he ultimately rejects abolitionism as a philosophical position, he builds from the abolitionist program’s crucial insights a positive view of what it would take to create a prison and incarceration system that is consistent with justice.
Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By any reasonable metric, prisons as they exist in the United States and in many other countries are normatively unacceptable. What is the proper moral response to this? Can prisons and the practices surrounding incarceration feasibly be reformed, or should the entire enterprise be abolished? If the latter, then what? If the former, what are the necessary reforms?</p><p>In <a href="https://bookshop.org/a/12343/9780691229751"><em>The Idea of Prison Abolition</em></a> (Princeton UP, 2022), <a href="https://philosophy.fas.harvard.edu/people/tommie-shelby">Tommie Shelby</a> undertakes a systematic and critical examination of the arguments in favor of prison abolition. Although he ultimately rejects abolitionism as a philosophical position, he builds from the abolitionist program’s crucial insights a positive view of what it would take to create a prison and incarceration system that is consistent with justice.</p><p><a href="https://as.vanderbilt.edu/philosophy/bio/robertb-talisse"><em>Robert Talisse</em></a><em> is the W. Alton Jones Professor of Philosophy at Vanderbilt University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4262</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Abdul Alkalimat, "The Future of Black Studies" (Pluto Press, 2022)</title>
      <description>The marginalisation of Black voices from the academy is a problem in the Western world. But Black Studies, where it exists, is a powerful, boundary-pushing discipline, grown out of struggle and community action. In The Future of Black Studies (Pluto Press, 2022), Abdul Alkalimat, one of the founders of Black Studies in the US, presents a reimagining of the future trends in the study of the Black experience.
Taking Marxism and Black Experientialism, Afro-Futurist and Diaspora frameworks, he projects a radical future for the discipline at this time of social crisis. Choosing cornerstones of culture, such as the music of Sun Ra, the movie Black Panther and the writer Octavia Butler, he looks at the trajectory of Black liberation thought since slavery, including new research on the rise in the comparative study of Black people all over the world.
Turning to look at how digital tools enhance the study of the discipline, this book is a powerful read that will inform and inspire students and activists.
﻿Amanda Joyce Hall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter @amandajoycehall.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>345</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Abdul Alkalimat</itunes:subtitle>
      <itunes:summary>The marginalisation of Black voices from the academy is a problem in the Western world. But Black Studies, where it exists, is a powerful, boundary-pushing discipline, grown out of struggle and community action. In The Future of Black Studies (Pluto Press, 2022), Abdul Alkalimat, one of the founders of Black Studies in the US, presents a reimagining of the future trends in the study of the Black experience.
Taking Marxism and Black Experientialism, Afro-Futurist and Diaspora frameworks, he projects a radical future for the discipline at this time of social crisis. Choosing cornerstones of culture, such as the music of Sun Ra, the movie Black Panther and the writer Octavia Butler, he looks at the trajectory of Black liberation thought since slavery, including new research on the rise in the comparative study of Black people all over the world.
Turning to look at how digital tools enhance the study of the discipline, this book is a powerful read that will inform and inspire students and activists.
﻿Amanda Joyce Hall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter @amandajoycehall.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The marginalisation of Black voices from the academy is a problem in the Western world. But Black Studies, where it exists, is a powerful, boundary-pushing discipline, grown out of struggle and community action. In <a href="https://bookshop.org/a/12343/9780745347004"><em>The Future of Black Studies</em></a> (Pluto Press, 2022), Abdul Alkalimat, one of the founders of Black Studies in the US, presents a reimagining of the future trends in the study of the Black experience.</p><p>Taking Marxism and Black Experientialism, Afro-Futurist and Diaspora frameworks, he projects a radical future for the discipline at this time of social crisis. Choosing cornerstones of culture, such as the music of Sun Ra, the movie <em>Black Panther</em> and the writer Octavia Butler, he looks at the trajectory of Black liberation thought since slavery, including new research on the rise in the comparative study of Black people all over the world.</p><p>Turning to look at how digital tools enhance the study of the discipline, this book is a powerful read that will inform and inspire students and activists.</p><p><em>﻿</em><a href="https://history.yale.edu/people/amanda-joyce-hall"><em>Amanda Joyce Hall</em></a><em> is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter </em><a href="https://twitter.com/AmandaJoyceHall"><em>@amandajoycehall</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5537</itunes:duration>
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    <item>
      <title>Ed Cohen, "On Learning to Heal or, What Medicine Doesn't Know" (Duke UP, 2022)</title>
      <description>At thirteen, Ed Cohen was diagnosed with Crohn’s disease—a chronic, incurable condition that nearly killed him in his early twenties. At his diagnosis, his doctors told him that the best he could hope for would be periods of remission. Unfortunately, doctors never mentioned healing as a possibility. 
In On Learning to Heal or, What Medicine Doesn't Know (Duke UP, 2022), Cohen draws on fifty years of living with Crohn’s to consider how Western medicine’s turn from an “art of healing” toward a “science of medicine” deeply affects both medical practitioners and their patients. He demonstrates that although medicine can now offer many seemingly miraculous therapies, medicine is not and has never been the only way to enhance healing. Exploring his own path to healing, he argues that learning to heal requires us to desire and value healing as a vital possibility. With this book, Cohen advocates reviving healing’s role for all those whose lives are touched by illness.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ed Cohen</itunes:subtitle>
      <itunes:summary>At thirteen, Ed Cohen was diagnosed with Crohn’s disease—a chronic, incurable condition that nearly killed him in his early twenties. At his diagnosis, his doctors told him that the best he could hope for would be periods of remission. Unfortunately, doctors never mentioned healing as a possibility. 
In On Learning to Heal or, What Medicine Doesn't Know (Duke UP, 2022), Cohen draws on fifty years of living with Crohn’s to consider how Western medicine’s turn from an “art of healing” toward a “science of medicine” deeply affects both medical practitioners and their patients. He demonstrates that although medicine can now offer many seemingly miraculous therapies, medicine is not and has never been the only way to enhance healing. Exploring his own path to healing, he argues that learning to heal requires us to desire and value healing as a vital possibility. With this book, Cohen advocates reviving healing’s role for all those whose lives are touched by illness.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At thirteen, Ed Cohen was diagnosed with Crohn’s disease—a chronic, incurable condition that nearly killed him in his early twenties. At his diagnosis, his doctors told him that the best he could hope for would be periods of remission. Unfortunately, doctors never mentioned healing as a possibility. </p><p>In <a href="https://www.dukeupress.edu/on-learning-to-heal"><em>On Learning to Heal or, What Medicine Doesn't Know</em></a><em> </em>(Duke UP, 2022), Cohen draws on fifty years of living with Crohn’s to consider how Western medicine’s turn from an “art of healing” toward a “science of medicine” deeply affects both medical practitioners and their patients. He demonstrates that although medicine can now offer many seemingly miraculous therapies, medicine is not and has never been the only way to enhance healing. Exploring his own path to healing, he argues that learning to heal requires us to desire and value healing as a vital possibility. With this book, Cohen advocates reviving healing’s role for all those whose lives are touched by illness.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4981</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2cc676dc-845f-11ed-92da-bf7ea2c64c6e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6626471992.mp3?updated=1671977944" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Luke Munn, "Automation Is a Myth" (Stanford UP, 2022)</title>
      <description>For some, automation will usher in a labor-free utopia; for others, it signals a disastrous age-to-come. Yet whether seen as dream or nightmare, automation, argues Munn, is ultimately a fable that rests on a set of triple fictions. There is the myth of full autonomy, claiming that machines will take over production and supplant humans. But far from being self-acting, technical solutions are piecemeal; their support and maintenance reveals the immense human labor behind "autonomous" processes. There is the myth of universal automation, with technologies framed as a desituated force sweeping the globe. But this fiction ignores the social, cultural, and geographical forces that shape technologies at a local level. And, there is the myth of automating everyone, the generic figure of "the human" at the heart of automation claims. But labor is socially stratified and so automation's fallout will be highly uneven, falling heavier on some (immigrants, people of color, women) than others. 
In Automation Is a Myth (Stanford UP, 2022), Munn moves from machine minders in China to warehouse pickers in the United States to explore the ways that new technologies do (and don't) reconfigure labor. Combining this rich array of human stories with insights from media and cultural studies, Munn points to a more nuanced, localized, and racialized understanding of the "future of work."
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>346</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Luke Munn</itunes:subtitle>
      <itunes:summary>For some, automation will usher in a labor-free utopia; for others, it signals a disastrous age-to-come. Yet whether seen as dream or nightmare, automation, argues Munn, is ultimately a fable that rests on a set of triple fictions. There is the myth of full autonomy, claiming that machines will take over production and supplant humans. But far from being self-acting, technical solutions are piecemeal; their support and maintenance reveals the immense human labor behind "autonomous" processes. There is the myth of universal automation, with technologies framed as a desituated force sweeping the globe. But this fiction ignores the social, cultural, and geographical forces that shape technologies at a local level. And, there is the myth of automating everyone, the generic figure of "the human" at the heart of automation claims. But labor is socially stratified and so automation's fallout will be highly uneven, falling heavier on some (immigrants, people of color, women) than others. 
In Automation Is a Myth (Stanford UP, 2022), Munn moves from machine minders in China to warehouse pickers in the United States to explore the ways that new technologies do (and don't) reconfigure labor. Combining this rich array of human stories with insights from media and cultural studies, Munn points to a more nuanced, localized, and racialized understanding of the "future of work."
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For some, automation will usher in a labor-free utopia; for others, it signals a disastrous age-to-come. Yet whether seen as dream or nightmare, automation, argues Munn, is ultimately a fable that rests on a set of triple fictions. There is the myth of <em>full autonomy</em>, claiming that machines will take over production and supplant humans. But far from being self-acting, technical solutions are piecemeal; their support and maintenance reveals the immense human labor behind "autonomous" processes. There is the myth of <em>universal automation</em>, with technologies framed as a desituated force sweeping the globe. But this fiction ignores the social, cultural, and geographical forces that shape technologies at a local level. And, there is the myth of <em>automating everyone</em>, the generic figure of "the human" at the heart of automation claims. But labor is socially stratified and so automation's fallout will be highly uneven, falling heavier on some (immigrants, people of color, women) than others. </p><p>In <a href="https://bookshop.org/a/12343/9781503631427"><em>Automation Is a Myth</em></a> (Stanford UP, 2022), Munn moves from machine minders in China to warehouse pickers in the United States to explore the ways that new technologies do (and don't) reconfigure labor. Combining this rich array of human stories with insights from media and cultural studies, Munn points to a more nuanced, localized, and racialized understanding of the "future of work."</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[05d0ca5a-83bf-11ed-b4a6-b3d1d1557e02]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2535082201.mp3?updated=1671909895" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sayan Dey, "Green Academia: Towards Eco-Friendly Education Systems" (Routledge, 2022)</title>
      <description>Green Academia: Towards Eco-Friendly Education Systems (Routledge, 2022) can be read as a systemic long-term counter-intervention strategy against any form of impending pandemics in the post-COVID era and beyond. It argues that anti-nature and capitalistic knowledge systems have contributed to the evolution and growth of COVID-19 across the globe and emphasises the merits of reinstating nature-based and environment-friendly pedagogical and curricular infrastructures in mainstream educational institutions. The volume also explores possible ways of weaving ecology and the environment as a habitual practice of teaching and learning in an intersectional manner with Science and Technology Studies. With detailed case studies of the green schools in Bhutan and similar practices in India, Kenya, and New Zealand, the book argues for different forms of eco-friendly education systems and the possibilities of expanding these local practices to a global stage.
This book will be an essential read for scholars and researchers of sociology, cultural studies, decolonial studies, education, ecology, public policy social anthropology, sustainable development, sociology of education, and political sociology.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>266</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sayan Dey</itunes:subtitle>
      <itunes:summary>Green Academia: Towards Eco-Friendly Education Systems (Routledge, 2022) can be read as a systemic long-term counter-intervention strategy against any form of impending pandemics in the post-COVID era and beyond. It argues that anti-nature and capitalistic knowledge systems have contributed to the evolution and growth of COVID-19 across the globe and emphasises the merits of reinstating nature-based and environment-friendly pedagogical and curricular infrastructures in mainstream educational institutions. The volume also explores possible ways of weaving ecology and the environment as a habitual practice of teaching and learning in an intersectional manner with Science and Technology Studies. With detailed case studies of the green schools in Bhutan and similar practices in India, Kenya, and New Zealand, the book argues for different forms of eco-friendly education systems and the possibilities of expanding these local practices to a global stage.
This book will be an essential read for scholars and researchers of sociology, cultural studies, decolonial studies, education, ecology, public policy social anthropology, sustainable development, sociology of education, and political sociology.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781032126043"><em>Green Academia: Towards Eco-Friendly Education Systems</em></a><em> </em>(Routledge, 2022) can be read as a systemic long-term counter-intervention strategy against any form of impending pandemics in the post-COVID era and beyond. It argues that anti-nature and capitalistic knowledge systems have contributed to the evolution and growth of COVID-19 across the globe and emphasises the merits of reinstating nature-based and environment-friendly pedagogical and curricular infrastructures in mainstream educational institutions. The volume also explores possible ways of weaving ecology and the environment as a habitual practice of teaching and learning in an intersectional manner with Science and Technology Studies. With detailed case studies of the green schools in Bhutan and similar practices in India, Kenya, and New Zealand, the book argues for different forms of eco-friendly education systems and the possibilities of expanding these local practices to a global stage.</p><p>This book will be an essential read for scholars and researchers of sociology, cultural studies, decolonial studies, education, ecology, public policy social anthropology, sustainable development, sociology of education, and political sociology.</p><p><em>Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8e3d1ab8-844d-11ed-8f66-2719f4caf8fb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8641553755.mp3?updated=1672142006" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Partially Examined Life: A Conversation with Wes Alwan</title>
      <description>"The Partially Examined Life" is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it." In this interview, I chat with PEL host, Wes Alwan, about creating one of the longest-running philosophy podcasts. Wes discusses the personal value he's gotten from participating in publically-available debates and discussions. We also talk about the relevance of philosophy today and how to deal with controversial subjects.
Wes Alwan (wes@partiallyexaminedlife.com) also co-hosts the literature and film podcast Subtext, and has a Substack newsletter at wesalwan.com. In graduate school, he focused on ancient philosophy, Kant, and Nietzsche. For his undergraduate degree he attended a small "great books" school in Annapolis, Maryland called St. John's college.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Wes Alwan</itunes:subtitle>
      <itunes:summary>"The Partially Examined Life" is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it." In this interview, I chat with PEL host, Wes Alwan, about creating one of the longest-running philosophy podcasts. Wes discusses the personal value he's gotten from participating in publically-available debates and discussions. We also talk about the relevance of philosophy today and how to deal with controversial subjects.
Wes Alwan (wes@partiallyexaminedlife.com) also co-hosts the literature and film podcast Subtext, and has a Substack newsletter at wesalwan.com. In graduate school, he focused on ancient philosophy, Kant, and Nietzsche. For his undergraduate degree he attended a small "great books" school in Annapolis, Maryland called St. John's college.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"<a href="https://partiallyexaminedlife.com/">The Partially Examined Life</a>" is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it." In this interview, I chat with PEL host, Wes Alwan, about creating one of the longest-running philosophy podcasts. Wes discusses the personal value he's gotten from participating in publically-available debates and discussions. We also talk about the relevance of philosophy today and how to deal with controversial subjects.</p><p>Wes Alwan (wes@partiallyexaminedlife.com) also co-hosts the literature and film podcast Subtext, and has a Substack newsletter at wesalwan.com. In graduate school, he focused on ancient philosophy, Kant, and Nietzsche. For his undergraduate degree he attended a small "great books" school in Annapolis, Maryland called St. John's college.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2481</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9dc63b02-83c3-11ed-950f-97d814cec718]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3285129260.mp3?updated=1671911650" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Naa Oyo A. Kwate, "White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation" (U Minnesota Press, 2023)</title>
      <description>The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. 
In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 25 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Naa Oyo A. Kwate</itunes:subtitle>
      <itunes:summary>The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. 
In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. </p><p>In <a href="https://bookshop.org/a/12343/9781517911096"><em>White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation</em></a><em> </em>(U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. <em>White Burgers, Black Cash</em> investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, <em>White Burgers, Black Cash</em> reveals the inequalities embedded in the closest thing Americans have to a national meal.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2618</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Pedro Lebrón Ortiz, "The Philosophy of Marronage" (Editora Educación Emergente, 2021)</title>
      <description>Pedro Lebrón Ortiz's book The Philosophy of Marronage (Filosofía del cimarronaje) theorizes the broader context behind the notion of "cimarronaje," marronage. Usually conceived of as enslaved peoples' flight from the plantation during colonial times, cimarronaje is an expansive term referring to the mentality of living beyond oppressive societal norms. Lebrón Ortiz synthesizes philosophical notions behind cimarronaje to argue that we can see evidence of cimarronaje that continue today. 
Other praise:
"Comenzar por la experiencia de quienes no pueden librarse de nada –y mucho menos detener otra voluntad que no sea con los recursos de su propia fuerza– es partir de una experiencia totalmente distinta a la descrita habitualmente en los libros de filosofía política. Se trata de comenzar a pensar la libertad desde la perspectiva de quien experimenta el mundo como una molienda y del que no tiene más vínculos con el poder que una cita pautada con la muerte. Para el esclavizado, la libertad está en salir de esa condición impuesta que lo define todo. Es el camino a otro sitio. Una puerta que se abre cuando menos se espera."
-Anayra O. Santory Jorge
"La filosofía del cimarronaje que se elabora en este texto apunta a la necesidad de pensar la filosofía, no a la manera de admiración desinteresada con respecto a las simplicidades y misterios del mundo, sino como escándalo ante las violencias genocidas y las contradicciones profundas del mundo moderno/colonial."
-Nelson Maldonado-Torres
﻿Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 25 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>345</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Pedro Lebrón Ortiz's book The Philosophy of Marronage (Filosofía del cimarronaje) theorizes the broader context behind the notion of "cimarronaje," marronage. Usually conceived of as enslaved peoples' flight from the plantation during colonial times, cimarronaje is an expansive term referring to the mentality of living beyond oppressive societal norms. Lebrón Ortiz synthesizes philosophical notions behind cimarronaje to argue that we can see evidence of cimarronaje that continue today. 
Other praise:
"Comenzar por la experiencia de quienes no pueden librarse de nada –y mucho menos detener otra voluntad que no sea con los recursos de su propia fuerza– es partir de una experiencia totalmente distinta a la descrita habitualmente en los libros de filosofía política. Se trata de comenzar a pensar la libertad desde la perspectiva de quien experimenta el mundo como una molienda y del que no tiene más vínculos con el poder que una cita pautada con la muerte. Para el esclavizado, la libertad está en salir de esa condición impuesta que lo define todo. Es el camino a otro sitio. Una puerta que se abre cuando menos se espera."
-Anayra O. Santory Jorge
"La filosofía del cimarronaje que se elabora en este texto apunta a la necesidad de pensar la filosofía, no a la manera de admiración desinteresada con respecto a las simplicidades y misterios del mundo, sino como escándalo ante las violencias genocidas y las contradicciones profundas del mundo moderno/colonial."
-Nelson Maldonado-Torres
﻿Anna E. Lindner is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pedro Lebrón Ortiz's book <em>The Philosophy of Marronage</em> (<a href="https://pedrolebronortiz.com/books">Filosofía del cimarronaje</a>) theorizes the broader context behind the notion of "<em>cimarronaje</em>," marronage. Usually conceived of as enslaved peoples' flight from the plantation during colonial times, <em>cimarronaje </em>is an expansive term referring to the mentality of living beyond oppressive societal norms. Lebrón Ortiz synthesizes philosophical notions behind <em>cimarronaje</em> to argue that we can see evidence of <em>cimarronaje</em> that continue today. </p><p>Other praise:</p><p>"Comenzar por la experiencia de quienes no pueden librarse de nada –y mucho menos detener otra voluntad que no sea con los recursos de su propia fuerza– es partir de una experiencia totalmente distinta a la descrita habitualmente en los libros de filosofía política. Se trata de comenzar a pensar la libertad desde la perspectiva de quien experimenta el mundo como una molienda y del que no tiene más vínculos con el poder que una cita pautada con la muerte. Para el esclavizado, la libertad está en salir de esa condición impuesta que lo define todo. Es el camino a otro sitio. Una puerta que se abre cuando menos se espera."</p><p>-Anayra O. Santory Jorge</p><p>"La filosofía del cimarronaje que se elabora en este texto apunta a la necesidad de pensar la filosofía, no a la manera de admiración desinteresada con respecto a las simplicidades y misterios del mundo, sino como escándalo ante las violencias genocidas y las contradicciones profundas del mundo moderno/colonial."</p><p>-Nelson Maldonado-Torres</p><p><em>﻿</em><a href="https://www.linkedin.com/in/anna-lindner-b86a16a6/"><em>Anna E. Lindner</em></a><em> is a doctoral candidate in the Department of Communication at Wayne State University in Detroit, Michigan. </em><a href="https://twitter.com/annaeliselin"><em>On Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3292</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[88b0f0a0-83a4-11ed-b7bc-1b402f5f05c8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3544178656.mp3?updated=1672315699" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Emergence of Trotskyism in the United States: Part 3 of 3</title>
      <description>Part 3 of 3.
In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021).
Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.
Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.
As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket.
Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 25 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>342</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bryan D. Palmer</itunes:subtitle>
      <itunes:summary>Part 3 of 3.
In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021).
Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.
Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.
As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket.
Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Part 3 of 3.</strong></p><p>In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, <a href="https://www.pathfinderpress.com/products/history-of-american-trotskyism_1928-1938_report-of-a-participant_by-james-p-cannon"><em>The History of American Trotskyism, 1928-38: Report of a Participant</em></a>. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, <em>James P. Cannon and the Emergence of Trotskyism, 1928-38</em> (Brill, 2021).</p><p>Published as part of the Historical Materialism book series, it starts off right where it’s sequel, <a href="https://newbooksnetwork.com/james-p-cannon-and-the-origins-of-the-american-revolutionary-left-1890-1928#entry:134404@1:url"><em>James P. Cannon and the Origins of the Revolutionary Left, 1890-1928</em></a>, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.</p><p>Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.</p><p>As an entry in the Historical Materialism book series, the book was originally published in hardcover by <a href="https://brill.com/display/title/55848">Brill</a>, with the paperback made available by <a href="https://www.haymarketbooks.org/books/1960-james-p-cannon-and-the-emergence-of-trotskyism-in-the-united-states-1928-38">Haymarket</a>.</p><p>Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of <em>Labour/Le Travail</em>, and has published widely on the history of labour and the revolutionary left. His numerous books include <a href="https://www.haymarketbooks.org/books/1019-marxism-and-historical-practice-vol-i"><em>Marxism and Historical Practice</em></a>, <a href="https://www.haymarketbooks.org/books/605-revolutionary-teamsters"><em>Revolutionary Teamsters</em></a>, <a href="https://monthlyreview.org/product/cultures_of_darkness/"><em>Cultures of Darkness</em></a> and <a href="https://tupress.temple.edu/books/descent-into-discourse"><em>Descent into Discourse</em></a>. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection <em>US Trotskyism, 1928-65</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6764</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8730730464.mp3?updated=1671463845" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Emergence of Trotskyism in the United States: Part 2 of 3</title>
      <description>Part 2 of 3.
In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021).
Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.
Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.
As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket.
Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 24 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>341</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bryan D. Palmer</itunes:subtitle>
      <itunes:summary>Part 2 of 3.
In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021).
Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.
Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.
As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket.
Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Part 2 of 3.</strong></p><p>In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, <a href="https://www.pathfinderpress.com/products/history-of-american-trotskyism_1928-1938_report-of-a-participant_by-james-p-cannon"><em>The History of American Trotskyism, 1928-38: Report of a Participant</em></a>. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, <em>James P. Cannon and the Emergence of Trotskyism, 1928-38</em> (Brill, 2021).</p><p>Published as part of the Historical Materialism book series, it starts off right where it’s sequel, <a href="https://newbooksnetwork.com/james-p-cannon-and-the-origins-of-the-american-revolutionary-left-1890-1928#entry:134404@1:url"><em>James P. Cannon and the Origins of the Revolutionary Left, 1890-1928</em></a>, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.</p><p>Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.</p><p>As an entry in the Historical Materialism book series, the book was originally published in hardcover by <a href="https://brill.com/display/title/55848">Brill</a>, with the paperback made available by <a href="https://www.haymarketbooks.org/books/1960-james-p-cannon-and-the-emergence-of-trotskyism-in-the-united-states-1928-38">Haymarket</a>.</p><p>Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of <em>Labour/Le Travail</em>, and has published widely on the history of labour and the revolutionary left. His numerous books include <a href="https://www.haymarketbooks.org/books/1019-marxism-and-historical-practice-vol-i"><em>Marxism and Historical Practice</em></a>, <a href="https://www.haymarketbooks.org/books/605-revolutionary-teamsters"><em>Revolutionary Teamsters</em></a>, <a href="https://monthlyreview.org/product/cultures_of_darkness/"><em>Cultures of Darkness</em></a> and <a href="https://tupress.temple.edu/books/descent-into-discourse"><em>Descent into Discourse</em></a>. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection <em>US Trotskyism, 1928-65</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5322</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[256d48cc-7fa3-11ed-b318-cfeedd006860]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2047096515.mp3?updated=1671463708" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Emergence of Trotskyism in the United States: Part 1 of 3</title>
      <description>Part 1 of 3.
In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021).
Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.
Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.
As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket.
Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>340</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bryan D. Palmer</itunes:subtitle>
      <itunes:summary>Part 1 of 3.
In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021).
Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.
Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.
As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket.
Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Part 1 of 3.</strong></p><p>In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, <a href="https://www.pathfinderpress.com/products/history-of-american-trotskyism_1928-1938_report-of-a-participant_by-james-p-cannon"><em>The History of American Trotskyism, 1928-38: Report of a Participant</em></a>. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, <em>James P. Cannon and the Emergence of Trotskyism, 1928-38</em> (Brill, 2021).</p><p>Published as part of the Historical Materialism book series, it starts off right where it’s sequel, <a href="https://newbooksnetwork.com/james-p-cannon-and-the-origins-of-the-american-revolutionary-left-1890-1928#entry:134404@1:url"><em>James P. Cannon and the Origins of the Revolutionary Left, 1890-1928</em></a>, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.</p><p>Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.</p><p>As an entry in the Historical Materialism book series, the book was originally published in hardcover by <a href="https://brill.com/display/title/55848">Brill</a>, with the paperback made available by <a href="https://www.haymarketbooks.org/books/1960-james-p-cannon-and-the-emergence-of-trotskyism-in-the-united-states-1928-38">Haymarket</a>.</p><p>Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of <em>Labour/Le Travail</em>, and has published widely on the history of labour and the revolutionary left. His numerous books include <a href="https://www.haymarketbooks.org/books/1019-marxism-and-historical-practice-vol-i"><em>Marxism and Historical Practice</em></a>, <a href="https://www.haymarketbooks.org/books/605-revolutionary-teamsters"><em>Revolutionary Teamsters</em></a>, <a href="https://monthlyreview.org/product/cultures_of_darkness/"><em>Cultures of Darkness</em></a> and <a href="https://tupress.temple.edu/books/descent-into-discourse"><em>Descent into Discourse</em></a>. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection <em>US Trotskyism, 1928-65</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Arya Aryan, "The Post-War Novel and the Death of the Author" (Palgrave Macmillan, 2021)</title>
      <description>Arya Aryan's The Post-War Novel and the Death of the Author (Palgrave Macmillan, 2021) not only discloses and examines different functions and concepts of authorship in fiction and theory from the 1950s and 1960s to the present but it also reveals, at least implicitly, a trajectory of some of the modes and functions of the novel as a genre in the last few decades. It argues that the explicit terms of much of the theoretical and philosophical debate surrounding the concept of authorship in the moment of High Theory in the 1980s had already been engaged, albeit often more implicitly, in literary fictions by writers themselves. This book examines the fortunes of the authorship debate and the conceptualisations and functions of authorship before, during, and after the Death of the Author came to prominence as one of the key foci for the moment of High Theory in the 1980s.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>344</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Arya Aryan</itunes:subtitle>
      <itunes:summary>Arya Aryan's The Post-War Novel and the Death of the Author (Palgrave Macmillan, 2021) not only discloses and examines different functions and concepts of authorship in fiction and theory from the 1950s and 1960s to the present but it also reveals, at least implicitly, a trajectory of some of the modes and functions of the novel as a genre in the last few decades. It argues that the explicit terms of much of the theoretical and philosophical debate surrounding the concept of authorship in the moment of High Theory in the 1980s had already been engaged, albeit often more implicitly, in literary fictions by writers themselves. This book examines the fortunes of the authorship debate and the conceptualisations and functions of authorship before, during, and after the Death of the Author came to prominence as one of the key foci for the moment of High Theory in the 1980s.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Arya Aryan's <a href="https://bookshop.org/a/12343/9783030450564"><em>The Post-War Novel and the Death of the Author</em></a> (Palgrave Macmillan, 2021) not only discloses and examines different functions and concepts of authorship in fiction and theory from the 1950s and 1960s to the present but it also reveals, at least implicitly, a trajectory of some of the modes and functions of the novel as a genre in the last few decades. It argues that the explicit terms of much of the theoretical and philosophical debate surrounding the concept of authorship in the moment of High Theory in the 1980s had already been engaged, albeit often more implicitly, in literary fictions by writers themselves. This book examines the fortunes of the authorship debate and the conceptualisations and functions of authorship before, during, and after the Death of the Author came to prominence as one of the key foci for the moment of High Theory in the 1980s.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2002</itunes:duration>
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    <item>
      <title>Geert Lovink, "Sad by Design: On Platform Nihilism" (Pluto Press, 2019)</title>
      <description>Why is the internet making us so unhappy? Why is it in capital’s interests to cultivate populations that are depressed and desperate rather than driven by the same irrational exuberance that moves money?
Sadness is now a design problem. The highs and lows of melancholy are coded into social media platforms. After all the clicking, browsing, swiping and liking, all we are left with is the flat and empty aftermath of time lost to the app.
Sad by Design: On Platform Nihilism (Pluto Press, 2019) by Geert Lovink offers a critical analysis of the controversies which drive our online media behaviours. Lovink calls for us to embrace the engineered intimacy of social media, messenger apps and selfies because boredom is the first stage of overcoming ‘platform nihilism’.
Geert Lovink speaks to Pierre d'Alancaisez about the frustrations of studying the internet as it evolves from networks to platforms, the politically-contingent notions of online 'communities', and cycles of ideological production and capture.
Geert Lovink is a media theorist and internet critic who has chronicled the development of internet and network cultures as they came of age alongside him. He is the author of Zero Comments, Networks Without a Cause, Social Media Abyss, and most recently Struck on the Platform. He is the founder of the Institute of Network Cultures.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Geert Lovink</itunes:subtitle>
      <itunes:summary>Why is the internet making us so unhappy? Why is it in capital’s interests to cultivate populations that are depressed and desperate rather than driven by the same irrational exuberance that moves money?
Sadness is now a design problem. The highs and lows of melancholy are coded into social media platforms. After all the clicking, browsing, swiping and liking, all we are left with is the flat and empty aftermath of time lost to the app.
Sad by Design: On Platform Nihilism (Pluto Press, 2019) by Geert Lovink offers a critical analysis of the controversies which drive our online media behaviours. Lovink calls for us to embrace the engineered intimacy of social media, messenger apps and selfies because boredom is the first stage of overcoming ‘platform nihilism’.
Geert Lovink speaks to Pierre d'Alancaisez about the frustrations of studying the internet as it evolves from networks to platforms, the politically-contingent notions of online 'communities', and cycles of ideological production and capture.
Geert Lovink is a media theorist and internet critic who has chronicled the development of internet and network cultures as they came of age alongside him. He is the author of Zero Comments, Networks Without a Cause, Social Media Abyss, and most recently Struck on the Platform. He is the founder of the Institute of Network Cultures.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is the internet making us so unhappy? Why is it in capital’s interests to cultivate populations that are depressed and desperate rather than driven by the same irrational exuberance that moves money?</p><p>Sadness is now a design problem. The highs and lows of melancholy are coded into social media platforms. After all the clicking, browsing, swiping and liking, all we are left with is the flat and empty aftermath of time lost to the app.</p><p><a href="https://bookshop.org/a/12343/9780745339344"><em>Sad by Design: On Platform Nihilism</em></a><em> </em>(Pluto Press, 2019) by Geert Lovink offers a critical analysis of the controversies which drive our online media behaviours. Lovink calls for us to embrace the engineered intimacy of social media, messenger apps and selfies because boredom is the first stage of overcoming ‘platform nihilism’.</p><p>Geert Lovink speaks to Pierre d'Alancaisez about the frustrations of studying the internet as it evolves from networks to platforms, the politically-contingent notions of online 'communities', and cycles of ideological production and capture.</p><p>Geert Lovink is a media theorist and internet critic who has chronicled the development of internet and network cultures as they came of age alongside him. He is the author of <em>Zero Comments</em>, <em>Networks Without a Cause</em>, <em>Social Media Abyss</em>, and most recently <em>Struck on the Platform</em>. He is the founder of the <a href="https://networkcultures.org/">Institute of Network Cultures</a>.</p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3390</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jacob Kramer, "The New Freedom and the Radicals: Woodrow Wilson, Progressive Views of Radicalism, and the Origins of Repressive Tolerance" (Temple UP, 2015)</title>
      <description>In The New Freedom and the Radicals: Woodrow Wilson, Progressive Views of Radicalism, and the Origins of Repressive Tolerance (Temple University Press, 2015), Jacob Kramer examines how progressivism emerged at a time of critical transformation in American life. Kramer presents a study of Wilsonian-era politics to convey an understanding of the progressives’ views on radical America.
Jacob Kramer is an Associate Professor of History at Borough of Manhattan Community College.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1289</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jacob Kramer</itunes:subtitle>
      <itunes:summary>In The New Freedom and the Radicals: Woodrow Wilson, Progressive Views of Radicalism, and the Origins of Repressive Tolerance (Temple University Press, 2015), Jacob Kramer examines how progressivism emerged at a time of critical transformation in American life. Kramer presents a study of Wilsonian-era politics to convey an understanding of the progressives’ views on radical America.
Jacob Kramer is an Associate Professor of History at Borough of Manhattan Community College.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781439908389"><em>The New Freedom and the Radicals: Woodrow Wilson, Progressive Views of Radicalism, and the Origins of Repressive Tolerance</em></a> (Temple University Press, 2015), Jacob Kramer examines how progressivism emerged at a time of critical transformation in American life. Kramer presents a study of Wilsonian-era politics to convey an understanding of the progressives’ views on radical America.</p><p>Jacob Kramer is an Associate Professor of History at Borough of Manhattan Community College.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8ea30de-7e31-11ed-b3e1-6ff6feb87f3b]]></guid>
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    </item>
    <item>
      <title>Quito J. Swan, "Pasifika Black: Oceania, Anti-Colonialism, and the African World" (NYU Press, 2022)</title>
      <description>Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. Pasifika Black: Oceania, Anti-Colonialism, and the African World (NYU Press, 2022) is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation.
Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. Pasifika Black features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria's Wole Soyinka, the Nuclear Free and Independent Pacific's Amelia Rokotuivuna, Samoa's Albert Wendt, African American anthropologist Angela Gilliam, the NAACP's Roy Wilkins, West Papua's Ben Tanggahma, New Caledonia's Déwé Gorodey, and Polynesian Panther Will 'Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans.
In a world grappling with the global significance of Black Lives Matter and state-sanctioned violence against Black and Brown bodies, Pasifika Black is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world, and the Global South.
﻿Amanda Joyce Hall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter @amandajoycehall.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>344</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Quito J. Swan</itunes:subtitle>
      <itunes:summary>Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. Pasifika Black: Oceania, Anti-Colonialism, and the African World (NYU Press, 2022) is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation.
Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. Pasifika Black features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria's Wole Soyinka, the Nuclear Free and Independent Pacific's Amelia Rokotuivuna, Samoa's Albert Wendt, African American anthropologist Angela Gilliam, the NAACP's Roy Wilkins, West Papua's Ben Tanggahma, New Caledonia's Déwé Gorodey, and Polynesian Panther Will 'Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans.
In a world grappling with the global significance of Black Lives Matter and state-sanctioned violence against Black and Brown bodies, Pasifika Black is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world, and the Global South.
﻿Amanda Joyce Hall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter @amandajoycehall.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. <a href="https://bookshop.org/a/12343/9781479885084"><em>Pasifika Black: Oceania, Anti-Colonialism, and the African World</em></a><em> </em>(NYU Press, 2022) is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation.</p><p>Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. <em>Pasifika Black </em>features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria's Wole Soyinka, the Nuclear Free and Independent Pacific's Amelia Rokotuivuna, Samoa's Albert Wendt, African American anthropologist Angela Gilliam, the NAACP's Roy Wilkins, West Papua's Ben Tanggahma, New Caledonia's Déwé Gorodey, and Polynesian Panther Will 'Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans.</p><p>In a world grappling with the global significance of Black Lives Matter and state-sanctioned violence against Black and Brown bodies, <em>Pasifika Black</em> is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world, and the Global South.</p><p><em>﻿</em><a href="https://history.yale.edu/people/amanda-joyce-hall"><em>Amanda Joyce Hall</em></a><em> is a postdoctoral fellow at Northwestern University in the Department of African American Studies. She's on Twitter </em><a href="https://twitter.com/AmandaJoyceHall"><em>@amandajoycehall</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5698</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2854739652.mp3?updated=1671214946" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Clara E. Mattei, "The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism" (U Chicago Press, 2022)</title>
      <description>A groundbreaking examination of austerity’s dark intellectual origins. For more than a century, governments facing financial crisis have resorted to the economic policies of austerity—cuts to wages, fiscal spending, and public benefits—as a path to solvency. While these policies have been successful in appeasing creditors, they’ve had devastating effects on social and economic welfare in countries all over the world. Today, as austerity remains a favored policy among troubled states, an important question remains: What if solvency was never really the goal? 
In The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism (University of Chicago Press, 2022), political economist Clara E. Mattei explores the intellectual origins of austerity to uncover its originating motives: the protection of capital—and indeed capitalism—in times of social upheaval from below. Mattei traces modern austerity to its origins in interwar Britain and Italy, revealing how the threat of working-class power in the years after World War I animated a set of top-down economic policies that elevated owners, smothered workers, and imposed a rigid economic hierarchy across their societies. Where these policies “succeeded,” relatively speaking, was in their enrichment of certain parties, including employers and foreign-trade interests, who accumulated power and capital at the expense of labor. Here, Mattei argues, is where the true value of austerity can be observed: its insulation of entrenched privilege and its elimination of all alternatives to capitalism. Drawing on newly uncovered archival material from Britain and Italy, much of it translated for the first time, The Capital Order offers a damning and essential new account of the rise of austerity—and of modern economics—at the levers of contemporary political power.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Clara E. Mattei</itunes:subtitle>
      <itunes:summary>A groundbreaking examination of austerity’s dark intellectual origins. For more than a century, governments facing financial crisis have resorted to the economic policies of austerity—cuts to wages, fiscal spending, and public benefits—as a path to solvency. While these policies have been successful in appeasing creditors, they’ve had devastating effects on social and economic welfare in countries all over the world. Today, as austerity remains a favored policy among troubled states, an important question remains: What if solvency was never really the goal? 
In The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism (University of Chicago Press, 2022), political economist Clara E. Mattei explores the intellectual origins of austerity to uncover its originating motives: the protection of capital—and indeed capitalism—in times of social upheaval from below. Mattei traces modern austerity to its origins in interwar Britain and Italy, revealing how the threat of working-class power in the years after World War I animated a set of top-down economic policies that elevated owners, smothered workers, and imposed a rigid economic hierarchy across their societies. Where these policies “succeeded,” relatively speaking, was in their enrichment of certain parties, including employers and foreign-trade interests, who accumulated power and capital at the expense of labor. Here, Mattei argues, is where the true value of austerity can be observed: its insulation of entrenched privilege and its elimination of all alternatives to capitalism. Drawing on newly uncovered archival material from Britain and Italy, much of it translated for the first time, The Capital Order offers a damning and essential new account of the rise of austerity—and of modern economics—at the levers of contemporary political power.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A groundbreaking examination of austerity’s dark intellectual origins. For more than a century, governments facing financial crisis have resorted to the economic policies of austerity—cuts to wages, fiscal spending, and public benefits—as a path to solvency. While these policies have been successful in appeasing creditors, they’ve had devastating effects on social and economic welfare in countries all over the world. Today, as austerity remains a favored policy among troubled states, an important question remains: What if solvency was never really the goal? </p><p>In <a href="https://bookshop.org/a/12343/9780226818399"><em>The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism</em></a> (University of Chicago Press, 2022), political economist Clara E. Mattei explores the intellectual origins of austerity to uncover its originating motives: the protection of capital—and indeed capitalism—in times of social upheaval from below. Mattei traces modern austerity to its origins in interwar Britain and Italy, revealing how the threat of working-class power in the years after World War I animated a set of top-down economic policies that elevated owners, smothered workers, and imposed a rigid economic hierarchy across their societies. Where these policies “succeeded,” relatively speaking, was in their enrichment of certain parties, including employers and foreign-trade interests, who accumulated power and capital at the expense of labor. Here, Mattei argues, is where the true value of austerity can be observed: its insulation of entrenched privilege and its elimination of all alternatives to capitalism. Drawing on newly uncovered archival material from Britain and Italy, much of it translated for the first time, The Capital Order offers a damning and essential new account of the rise of austerity—and of modern economics—at the levers of contemporary political power.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries</title>
      <description>Many of the creative industries look like an hourglass. On the one side, you have creators; on the other, the rest of us. In the middle, Rebecca Giblin and Cory Doctorow say there's often a 'chokepoint.' Corporate behemoths -- be they streaming apps, publishers, tech giants, or others -- put on the squeeze, exploiting their market power to extract rents, push down wages, and push up costs.
But Cory and Rebecca have solutions to break the stranglehold, and in this episode of Darts and Letters Cory helps Jay explore various chokepoints, from concert tickets to audiobooks, and how we can open up the industries and get workers paid.
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Cory Doctorow</itunes:subtitle>
      <itunes:summary>Many of the creative industries look like an hourglass. On the one side, you have creators; on the other, the rest of us. In the middle, Rebecca Giblin and Cory Doctorow say there's often a 'chokepoint.' Corporate behemoths -- be they streaming apps, publishers, tech giants, or others -- put on the squeeze, exploiting their market power to extract rents, push down wages, and push up costs.
But Cory and Rebecca have solutions to break the stranglehold, and in this episode of Darts and Letters Cory helps Jay explore various chokepoints, from concert tickets to audiobooks, and how we can open up the industries and get workers paid.
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Many of the creative industries look like an hourglass. On the one side, you have creators; on the other, the rest of us. In the middle, Rebecca Giblin and Cory Doctorow say there's often a 'chokepoint.' Corporate behemoths -- be they streaming apps, publishers, tech giants, or others -- put on the squeeze, exploiting their market power to extract rents, push down wages, and push up costs.</p><p>But Cory and Rebecca have solutions to break the stranglehold, and in this episode of Darts and Letters Cory helps Jay explore various chokepoints, from concert tickets to audiobooks, and how we can open up the industries and get workers paid.</p><p>SUPPORT THE SHOW</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>ABOUT THE SHOW</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2999</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a0392d5c-7c90-11ed-aa60-072643563c20]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2516438834.mp3?updated=1671120036" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Pitcher, "Back to the Stone Age: Race and Prehistory in Contemporary Culture" (McGill-Queen's UP, 2022)</title>
      <description>What does Prehistory mean to us now? In Back to the Stone Age: Race and Prehistory in Contemporary Culture (McGill-Queen's UP, 2022), Ben Pitcher, a Reader in Sociology at the University of Westminster, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 18 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>338</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Pitcher</itunes:subtitle>
      <itunes:summary>What does Prehistory mean to us now? In Back to the Stone Age: Race and Prehistory in Contemporary Culture (McGill-Queen's UP, 2022), Ben Pitcher, a Reader in Sociology at the University of Westminster, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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      <content:encoded>
        <![CDATA[<p>What does Prehistory mean to us now? In <a href="https://bookshop.org/a/12343/9780228014515"><em>Back to the Stone Age: Race and Prehistory in Contemporary Culture </em></a>(McGill-Queen's UP, 2022), <a href="https://twitter.com/Pitcher_Ben">Ben Pitcher</a>, a <a href="https://www.benpitcher.com/new-book-back-to-the-stone-age">Reader in Sociology</a> at the <a href="https://www.westminster.ac.uk/about-us/our-people/directory/pitcher-ben">University of Westminster</a>, uses cultural studies to explore both the human past and our contemporary life. The book examines how ideas of the prehistoric speak to contemporary anxieties, political projects, and even diets and food choices. Moreover, many of these versions of the past are the basis for regressive political projects that use Prehistory as part of racist and sexist agendas, agendas that need to be resisted and countered with the ideas discussed in the analysis. Engaging with a huge range of cultural and social theory, as well as examples from museums and heritage sites, archaeology, and even scientific hoaxes, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding the society today.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2888</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6485922647.mp3?updated=1671028652" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Avgi Saketopoulou, "Sexuality Beyond Consent: Risk, Race, Traumatophilia" (NYU Press, 2023)</title>
      <description>Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023) calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future.
Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Avgi Saketopoulou</itunes:subtitle>
      <itunes:summary>Arguing that we have become culturally obsessed with healing trauma, Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023) calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future.
Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, Sexuality Beyond Consent proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Arguing that we have become culturally obsessed with healing trauma, <a href="https://bookshop.org/a/12343/9781479820252"><em>Sexuality Beyond Consent: Risk, Race, Traumatophilia</em></a><em> (NYU Press, 2023)</em> calls attention to what traumatized subjects do with their pain. The erotics of racism offers a paradigmatic example of how what is proximal to violation may become an unexpected site of flourishing. Central to the transformational possibilities of trauma is a queer form of consent, limit consent, that is not about guarding the self but about risking experience. Saketopoulou thereby shows why sexualities beyond consent may be worth risking-and how risk can solicit the future.</p><p>Moving between clinical and cultural case studies, Saketopoulou takes up theatrical and cinematic works such as Slave Play and The Night Porter, to chart how trauma and sexuality join forces to surge through the aesthetic domain. Putting the psychoanalytic theory of Jean Laplanche in conversation with queer of color critique, performance studies, and philosophy, <em>Sexuality Beyond Consent </em>proposes that enduring the strange in ourselves, not to master trauma but to rub up against it, can open us up to encounters with opacity. The book concludes by theorizing currents of sadism that, when pursued ethically, can animate unique forms of interpersonal and social care.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5676</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a5c3c28a-77c9-11ed-a2f4-8742eabfe7d4]]></guid>
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    </item>
    <item>
      <title>Jason Ananda Josephson Storm, "Metamodernism: The Future of Theory" (U Chicago Press, 2021)</title>
      <description>For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.
Metamodernism: The Future of Theory (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication.
Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>249</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason Ananda Josephson Storm</itunes:subtitle>
      <itunes:summary>For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.
Metamodernism: The Future of Theory (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication.
Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls <em>metamodernism</em>.</p><p><a href="https://bookshop.org/a/12343/9780226786650"><em>Metamodernism: The Future of Theory</em></a><em> </em>(U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication.</p><p>Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. <em>Metamodernism </em>is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3378</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6080070293.mp3?updated=1670615117" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara Katz Rothman, "The Biomedical Empire: Lessons Learned from the COVID Pandemic" (Stanford UP, 2021)</title>
      <description>We are all citizens of the Biomedical Empire, though few of us know it, and even fewer understand the extent of its power. In this book, Barbara Katz Rothman clarifies that critiques of biopower and the "medical industrial complex" have not gone far enough, and asserts that the medical industry is nothing short of an imperial power. Factors as fundamental as one's citizenship and sex identity—drivers of our access to basic goods and services—rely on approval and legitimation by biomedicine. Moreover, a vast and powerful global market has risen up around the empire, making it one of the largest economic forces in the world. 
In The Biomedical Empire: Lessons Learned from the COVID Pandemic (Stanford UP, 2021), Katz Rothman shows that biomedicine has the key elements of an imperial power: economic leverage, the faith of its citizens, and governmental rule. She investigates the Western colonial underpinnings of the empire and its rapid intrusion into everyday life, focusing on the realms of birth and death. This provides her with a powerful vantage point from which to critically examine the current moment, when the COVID-19 pandemic has exposed the power structures of the empire in unprecedented ways while sparking the most visible resistance it has ever seen.
Barbara Katz Rothman is Professor of Sociology, at the City University of New York. She has served as President of Sociologists for Women in Society; the Society for the Study of Social Problems, and the Eastern Sociological Society. Her awards include the Jesse Bernard Award of the American Sociological Association, and an award for "Midwifing the Movement" from the Midwives Alliance of North America, and a distinguished Chair in Health Sciences from the Fulbright Association. She is the author of numerous books, most recently A Bun in the Oven: How the Food and Birth Movements Resist Industrialization (2016).
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 11 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>263</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara Katz Rothman</itunes:subtitle>
      <itunes:summary>We are all citizens of the Biomedical Empire, though few of us know it, and even fewer understand the extent of its power. In this book, Barbara Katz Rothman clarifies that critiques of biopower and the "medical industrial complex" have not gone far enough, and asserts that the medical industry is nothing short of an imperial power. Factors as fundamental as one's citizenship and sex identity—drivers of our access to basic goods and services—rely on approval and legitimation by biomedicine. Moreover, a vast and powerful global market has risen up around the empire, making it one of the largest economic forces in the world. 
In The Biomedical Empire: Lessons Learned from the COVID Pandemic (Stanford UP, 2021), Katz Rothman shows that biomedicine has the key elements of an imperial power: economic leverage, the faith of its citizens, and governmental rule. She investigates the Western colonial underpinnings of the empire and its rapid intrusion into everyday life, focusing on the realms of birth and death. This provides her with a powerful vantage point from which to critically examine the current moment, when the COVID-19 pandemic has exposed the power structures of the empire in unprecedented ways while sparking the most visible resistance it has ever seen.
Barbara Katz Rothman is Professor of Sociology, at the City University of New York. She has served as President of Sociologists for Women in Society; the Society for the Study of Social Problems, and the Eastern Sociological Society. Her awards include the Jesse Bernard Award of the American Sociological Association, and an award for "Midwifing the Movement" from the Midwives Alliance of North America, and a distinguished Chair in Health Sciences from the Fulbright Association. She is the author of numerous books, most recently A Bun in the Oven: How the Food and Birth Movements Resist Industrialization (2016).
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are all citizens of the Biomedical Empire, though few of us know it, and even fewer understand the extent of its power. In this book, <a href="http://www.barbarakatzrothman.com/">Barbara Katz Rothman</a> clarifies that critiques of biopower and the "medical industrial complex" have not gone far enough, and asserts that the medical industry is nothing short of an imperial power. Factors as fundamental as one's citizenship and sex identity—drivers of our access to basic goods and services—rely on approval and legitimation by biomedicine. Moreover, a vast and powerful global market has risen up around the empire, making it one of the largest economic forces in the world. </p><p>In <a href="https://bookshop.org/a/12343/9781503628816"><em>The Biomedical Empire: Lessons Learned from the COVID Pandemic</em></a> (Stanford UP, 2021), Katz Rothman shows that biomedicine has the key elements of an imperial power: economic leverage, the faith of its citizens, and governmental rule. She investigates the Western colonial underpinnings of the empire and its rapid intrusion into everyday life, focusing on the realms of birth and death. This provides her with a powerful vantage point from which to critically examine the current moment, when the COVID-19 pandemic has exposed the power structures of the empire in unprecedented ways while sparking the most visible resistance it has ever seen.</p><p><strong>Barbara Katz Rothman</strong> is Professor of Sociology, at the City University of New York. She has served as President of Sociologists for Women in Society; the Society for the Study of Social Problems, and the Eastern Sociological Society. Her awards include the Jesse Bernard Award of the American Sociological Association, and an award for "Midwifing the Movement" from the Midwives Alliance of North America, and a distinguished Chair in Health Sciences from the Fulbright Association. She is the author of numerous books, most recently <em>A Bun in the Oven: How the Food and Birth Movements Resist Industrialization</em> (2016).</p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is the author of Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington, 2022). His general area of study is on media representations of people and place at festivals and celebrations. He is currently working on his next book where he conducted research on an annual canoeing and kayaking event that takes place on the Upper Mississippi River. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2934</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4396232694.mp3?updated=1670535852" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marco Codebò, "Novels of Displacement: Fiction in the Age of Global Capital" (Ohio State UP, 2020)</title>
      <description>In Novels of Displacement: Fiction in the Age of Global Capital (Ohio State UP, 2020), Marco Codebò assesses the state of fiction in our time, an age defined by the combined hegemony of global capital and software. Codebò argues that present-day displacement originates in the dualism of power that pervades our polarized society and in the sweeping deterritorialization that is affecting people, objects, and signs. As the ties between subjectivity and territory break, being in the world means being displaced. Rather than narrating how subjectivity can mark a place, novels of displacement convey the crisis of subjectivity’s connection to place.
Using four works as case studies—Bernardo Carvalho’s Nove noites, Daniel Sada’s Porque parece mentira la verdad nunca se sabe, Zadie Smith’s White Teeth, and Mathias Énard’s Zone—Codebò investigates how globalization, displacement, and technology inform our understanding of subjectivity and one’s place in the world. Coming from different literary traditions—Brazilian-Portuguese, Spanish, English, and French— Novels of Displacement traces the development of displacement caused by organized crime, migration, and war. Ultimately what emerges from this study is evidence of how cultures of untruth damage but do not destroy human agency.
Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 11 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marco Codebò</itunes:subtitle>
      <itunes:summary>In Novels of Displacement: Fiction in the Age of Global Capital (Ohio State UP, 2020), Marco Codebò assesses the state of fiction in our time, an age defined by the combined hegemony of global capital and software. Codebò argues that present-day displacement originates in the dualism of power that pervades our polarized society and in the sweeping deterritorialization that is affecting people, objects, and signs. As the ties between subjectivity and territory break, being in the world means being displaced. Rather than narrating how subjectivity can mark a place, novels of displacement convey the crisis of subjectivity’s connection to place.
Using four works as case studies—Bernardo Carvalho’s Nove noites, Daniel Sada’s Porque parece mentira la verdad nunca se sabe, Zadie Smith’s White Teeth, and Mathias Énard’s Zone—Codebò investigates how globalization, displacement, and technology inform our understanding of subjectivity and one’s place in the world. Coming from different literary traditions—Brazilian-Portuguese, Spanish, English, and French— Novels of Displacement traces the development of displacement caused by organized crime, migration, and war. Ultimately what emerges from this study is evidence of how cultures of untruth damage but do not destroy human agency.
Iqra Shagufta Cheema writes and teaches in the areas of digital cultures, postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="https://bookshop.org/a/12343/9780814214473"> <em>Novels of Displacement: Fiction in the Age of Global Capital</em></a><em> </em>(Ohio State UP, 2020), Marco Codebò assesses the state of fiction in our time, an age defined by the combined hegemony of global capital and software. Codebò argues that present-day displacement originates in the dualism of power that pervades our polarized society and in the sweeping deterritorialization that is affecting people, objects, and signs. As the ties between subjectivity and territory break, being in the world means being displaced. Rather than narrating how subjectivity can mark a place, novels of displacement convey the crisis of subjectivity’s connection to place.</p><p>Using four works as case studies—Bernardo Carvalho’s <em>Nove noites,</em> Daniel Sada’s <em>Porque parece mentira la verdad nunca se sabe,</em> Zadie Smith’s <em>White Teeth,</em> and Mathias Énard’s <em>Zone</em>—Codebò investigates how globalization, displacement, and technology inform our understanding of subjectivity and one’s place in the world. Coming from different literary traditions—Brazilian-Portuguese, Spanish, English, and French—<em> Novels of Displacement</em> traces the development of displacement caused by organized crime, migration, and war. Ultimately what emerges from this study is evidence of how cultures of untruth damage but do not destroy human agency.</p><p><a href="https://www.linkedin.com/in/iqra-s-cheema/"><em>Iqra Shagufta Cheema</em></a><em> writes and teaches in the areas of digital cultures, postcolonial literatures, transnational digital feminisms, gender and sexuality studies, and global south film studies. Follow them on </em><a href="https://twitter.com/so_difoucault"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1972</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[02522082-772a-11ed-8f5a-8f3688a23b19]]></guid>
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    </item>
    <item>
      <title>AJ Withers, "Fight to Win: Inside Poor People's Organizing" (Fernwood, 2021)</title>
      <description>The Ontario Coalition Against Poverty (OCAP) has been one of the leading organizations in the struggle for social justice within Canada for several decades. In the brilliant Fight to Win: Inside Poor People's Organizing (Fernwood Publishing, 2021), author AJ Withers draws on their own experience as an organizer, on interviews with the people with whom OCAP campaigned and with City bureaucrats alike, and on Freedom of Information requests to map the ‘social relations of struggle’ that contour poor people’s organizing in Toronto across a number of campaigns. Offering incisive interventions into theories of the state and bureaucracies, and detailing the work of poor people struggling for epistemic and material justice, Withers’ book is a must-read for those who are interested in what it takes to fight to win.
Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 11 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with AJ Withers</itunes:subtitle>
      <itunes:summary>The Ontario Coalition Against Poverty (OCAP) has been one of the leading organizations in the struggle for social justice within Canada for several decades. In the brilliant Fight to Win: Inside Poor People's Organizing (Fernwood Publishing, 2021), author AJ Withers draws on their own experience as an organizer, on interviews with the people with whom OCAP campaigned and with City bureaucrats alike, and on Freedom of Information requests to map the ‘social relations of struggle’ that contour poor people’s organizing in Toronto across a number of campaigns. Offering incisive interventions into theories of the state and bureaucracies, and detailing the work of poor people struggling for epistemic and material justice, Withers’ book is a must-read for those who are interested in what it takes to fight to win.
Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Ontario Coalition Against Poverty (OCAP) has been one of the leading organizations in the struggle for social justice within Canada for several decades. In the brilliant <a href="https://bookshop.org/a/12343/9781773634814"><em>Fight to Win: Inside Poor People's Organizing</em></a><em> </em>(Fernwood Publishing, 2021), author AJ Withers draws on their own experience as an organizer, on interviews with the people with whom OCAP campaigned and with City bureaucrats alike, and on Freedom of Information requests to map the ‘social relations of struggle’ that contour poor people’s organizing in Toronto across a number of campaigns. Offering incisive interventions into theories of the state and bureaucracies, and detailing the work of poor people struggling for epistemic and material justice, Withers’ book is a must-read for those who are interested in what it takes to fight to win.</p><p><em>Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at </em><a href="https://philhenderson.carrd.co/"><em>his personal website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4473</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[22b45c84-7737-11ed-8738-4327b712cf45]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5179061338.mp3?updated=1670531971" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mathias Thaler, "No Other Planet: Utopian Visions for a Climate-changed World" (Cambridge UP, 2021)</title>
      <description>Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 10 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>336</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mathias Thaler</itunes:subtitle>
      <itunes:summary>Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In <a href="https://bookshop.org/a/12343/9781009015653"><em>No Other Planet: Utopian Visions for a Climate-changed World</em></a><em> </em>(Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4004</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0ae52644-77da-11ed-9d00-730f802b2209]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3452694222.mp3?updated=1670701096" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Max Haiven, "Palm Oil: The Grease of Empire" (Pluto Press, 2022)</title>
      <description>Palm oil is a commodity like no other. Found in half of supermarket products, from food to cosmetics to plastics, it has shaped the world in which we live.
In Palm Oil: The Grease of Empire (Pluto Press, 2022), Max Haiven tells a sweeping story that touches on everything from empire to art, from war to food, and from climate change to racial capitalism. By tracing the global history of this ubiquitous elixir we see how capitalism creates surplus populations: people made dependent on capitalist wages but denied the opportunity to earn them - a proportion of humanity that is growing in our age of racialized and neo-colonial dispossession.
Inspired by revolutionary writers like Eduardo Galeano, Saidiya Hartman, C.L.R. James and Rebecca Solnit, this kaleidoscopic and experimental book seeks to weave a story of the past in the present and the present in the past.
Max Haiven is Canada Research Chair in Culture, Media and Social Justice at Lakehead University in Northwest Ontario and director of the Reimagining Value Action Lab (RiVAL). He writes articles for both academic and general audiences and is the author of the books Crises of Imagination, Crises of Power: Capitalism, Creativity and the Commons, The Radical Imagination: Social Movement Research in the Age of Austerity (with Alex Khasnabish) and Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life. He is currently working on a book titled Art after Money, Money after Art: Creative Strategies Against Financialization.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>335</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Max Haiven</itunes:subtitle>
      <itunes:summary>Palm oil is a commodity like no other. Found in half of supermarket products, from food to cosmetics to plastics, it has shaped the world in which we live.
In Palm Oil: The Grease of Empire (Pluto Press, 2022), Max Haiven tells a sweeping story that touches on everything from empire to art, from war to food, and from climate change to racial capitalism. By tracing the global history of this ubiquitous elixir we see how capitalism creates surplus populations: people made dependent on capitalist wages but denied the opportunity to earn them - a proportion of humanity that is growing in our age of racialized and neo-colonial dispossession.
Inspired by revolutionary writers like Eduardo Galeano, Saidiya Hartman, C.L.R. James and Rebecca Solnit, this kaleidoscopic and experimental book seeks to weave a story of the past in the present and the present in the past.
Max Haiven is Canada Research Chair in Culture, Media and Social Justice at Lakehead University in Northwest Ontario and director of the Reimagining Value Action Lab (RiVAL). He writes articles for both academic and general audiences and is the author of the books Crises of Imagination, Crises of Power: Capitalism, Creativity and the Commons, The Radical Imagination: Social Movement Research in the Age of Austerity (with Alex Khasnabish) and Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life. He is currently working on a book titled Art after Money, Money after Art: Creative Strategies Against Financialization.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Palm oil is a commodity like no other. Found in half of supermarket products, from food to cosmetics to plastics, it has shaped the world in which we live.</p><p>In <a href="https://bookshop.org/a/12343/9780745345826"><em>Palm Oil: The Grease of Empire</em></a> (Pluto Press, 2022), Max Haiven tells a sweeping story that touches on everything from empire to art, from war to food, and from climate change to racial capitalism. By tracing the global history of this ubiquitous elixir we see how capitalism creates surplus populations: people made dependent on capitalist wages but denied the opportunity to earn them - a proportion of humanity that is growing in our age of racialized and neo-colonial dispossession.</p><p>Inspired by revolutionary writers like Eduardo Galeano, Saidiya Hartman, C.L.R. James and Rebecca Solnit, this kaleidoscopic and experimental book seeks to weave a story of the past in the present and the present in the past.</p><p>Max Haiven is Canada Research Chair in Culture, Media and Social Justice at Lakehead University in Northwest Ontario and director of the Reimagining Value Action Lab (RiVAL). He writes articles for both academic and general audiences and is the author of the books Crises of Imagination, Crises of Power: Capitalism, Creativity and the Commons, The Radical Imagination: Social Movement Research in the Age of Austerity (with Alex Khasnabish) and Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life. He is currently working on a book titled Art after Money, Money after Art: Creative Strategies Against Financialization.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3193</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[71711c62-74db-11ed-8b59-27023e10ecbf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8331756366.mp3?updated=1670273021" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara Harris Combs, "Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society" (U Georgia Press, 2022)</title>
      <description>Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society (U Georgia Press, 2022) asserts that anti-Black racism is not better than it used to be; it is just performed in more-nuanced ways. Barbara Harris Combs argues that racism is dynamic, so new theories are needed to help expose it. The Bodies-out-of-Place (BOP) theory she advances in the book offers such a corrective lens. Interrogating several recent racialized events—the Central Park birding incident, the killing of Ahmaud Arbery, sleeping while Black occurrences, and others—Combs demonstrates how the underlying belief that undergirds each encounter is a false presumption that Black bodies in certain contexts are out of place.
Within these examples she illustrates how, even amid professions to color-blindness, fixed attitudes about where Black bodies belong, in what positions, at what time, and with whom still predominate. Combs describes a long historical pattern of White pushback against Black advancement and illuminates how each of the various forms of pushback is aimed at social control and regulation of Black bodies. She describes overt and covert attempts to push Black bodies back into their presumed place in U.S. society. While the pushback takes many forms, each works to paint a narrative to justify, rationalize, and excuse continuing violence against Black bodies. Equally important, Combs celebrates the resilient Black agency that has resisted this subjugation.
Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>340</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara Harris Combs</itunes:subtitle>
      <itunes:summary>Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society (U Georgia Press, 2022) asserts that anti-Black racism is not better than it used to be; it is just performed in more-nuanced ways. Barbara Harris Combs argues that racism is dynamic, so new theories are needed to help expose it. The Bodies-out-of-Place (BOP) theory she advances in the book offers such a corrective lens. Interrogating several recent racialized events—the Central Park birding incident, the killing of Ahmaud Arbery, sleeping while Black occurrences, and others—Combs demonstrates how the underlying belief that undergirds each encounter is a false presumption that Black bodies in certain contexts are out of place.
Within these examples she illustrates how, even amid professions to color-blindness, fixed attitudes about where Black bodies belong, in what positions, at what time, and with whom still predominate. Combs describes a long historical pattern of White pushback against Black advancement and illuminates how each of the various forms of pushback is aimed at social control and regulation of Black bodies. She describes overt and covert attempts to push Black bodies back into their presumed place in U.S. society. While the pushback takes many forms, each works to paint a narrative to justify, rationalize, and excuse continuing violence against Black bodies. Equally important, Combs celebrates the resilient Black agency that has resisted this subjugation.
Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820362366"><em>Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society</em></a><em> </em>(U Georgia Press, 2022) asserts that anti-Black racism is not better than it used to be; it is just performed in more-nuanced ways. Barbara Harris Combs argues that racism is dynamic, so new theories are needed to help expose it. The Bodies-out-of-Place (BOP) theory she advances in the book offers such a corrective lens. Interrogating several recent racialized events—the Central Park birding incident, the killing of Ahmaud Arbery, sleeping while Black occurrences, and others—Combs demonstrates how the underlying belief that undergirds each encounter is a false presumption that Black bodies in certain contexts are out of place.</p><p>Within these examples she illustrates how, even amid professions to color-blindness, fixed attitudes about where Black bodies belong, in what positions, at what time, and with whom still predominate. Combs describes a long historical pattern of White pushback against Black advancement and illuminates how each of the various forms of pushback is aimed at social control and regulation of Black bodies. She describes overt and covert attempts to push Black bodies back into their presumed place in U.S. society. While the pushback takes many forms, each works to paint a narrative to justify, rationalize, and excuse continuing violence against Black bodies. Equally important, Combs celebrates the resilient Black agency that has resisted this subjugation.</p><p><em>Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at </em><a href="mailto:okaverettephillips@ucdavis.edu"><em>okaverettephillips@ucdavis.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3989</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4fcd20d4-731d-11ed-b9fe-4fd0753aeca6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4743832514.mp3?updated=1670081004" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jasmine Calver, "Anti-Fascism, Gender, and International Communism: The Comité Mondial Des Femmes Contre la Guerre et Le Fascisme, 1934-1941" (Routledge, 2022)</title>
      <description>Women played an essential role in the international struggle against fascism during the interwar period, though their work has been neglected in broader historiography. In Anti-Fascism, Gender, and International Communism (Routledge, 2022), Jasmine Calver provides a comprehensive history of the Comité mondial des femmes contre la guerre et le fascisme (the International Committee of Women Against War and Fascism, or CMF), an international women's organization concerned with confronting the impact of fascism on women and children across the globe. Examining the CMF's key figures and campaigns during its short 1934-41 tenure, Calver reveals its place at the forefront of global debates about the threat posed by fascism and imperialism. This book explores how the professional women activists and the working-class women who populated the organization developed a committee which advocated for women on a global scale. CMF campaigns around the Spanish Civil War, rising Nazism in Germany, the Sino-Japanese War, and the Italian invasion of Ethiopia show its international ambitions. Using newly-available sources to assess CMF congresses, correspondence, travels, and publications, Calver uncovers the complexities of its links to the Communist International, and its status as an early Popular Front organization. The book comes at an important time to reevaluate the successes and failures of historical efforts to combat rising fascist movements.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 05 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jasmine Calver</itunes:subtitle>
      <itunes:summary>Women played an essential role in the international struggle against fascism during the interwar period, though their work has been neglected in broader historiography. In Anti-Fascism, Gender, and International Communism (Routledge, 2022), Jasmine Calver provides a comprehensive history of the Comité mondial des femmes contre la guerre et le fascisme (the International Committee of Women Against War and Fascism, or CMF), an international women's organization concerned with confronting the impact of fascism on women and children across the globe. Examining the CMF's key figures and campaigns during its short 1934-41 tenure, Calver reveals its place at the forefront of global debates about the threat posed by fascism and imperialism. This book explores how the professional women activists and the working-class women who populated the organization developed a committee which advocated for women on a global scale. CMF campaigns around the Spanish Civil War, rising Nazism in Germany, the Sino-Japanese War, and the Italian invasion of Ethiopia show its international ambitions. Using newly-available sources to assess CMF congresses, correspondence, travels, and publications, Calver uncovers the complexities of its links to the Communist International, and its status as an early Popular Front organization. The book comes at an important time to reevaluate the successes and failures of historical efforts to combat rising fascist movements.
Rebecca Turkington is a PhD Candidate in History at Cambridge University studying transnational women’s networks.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Women played an essential role in the international struggle against fascism during the interwar period, though their work has been neglected in broader historiography. In <a href="https://bookshop.org/a/12343/9780367720483"><em>Anti-Fascism, Gender, and International Communism</em></a> (Routledge, 2022), Jasmine Calver provides a comprehensive history of the <em>Comité mondial des femmes contre la guerre et le fascisme</em> (the International Committee of Women Against War and Fascism, or CMF), an international women's organization concerned with confronting the impact of fascism on women and children across the globe. Examining the CMF's key figures and campaigns during its short 1934-41 tenure, Calver reveals its place at the forefront of global debates about the threat posed by fascism and imperialism. This book explores how the professional women activists and the working-class women who populated the organization developed a committee which advocated for women on a global scale. CMF campaigns around the Spanish Civil War, rising Nazism in Germany, the Sino-Japanese War, and the Italian invasion of Ethiopia show its international ambitions. Using newly-available sources to assess CMF congresses, correspondence, travels, and publications, Calver uncovers the complexities of its links to the Communist International, and its status as an early Popular Front organization. The book comes at an important time to reevaluate the successes and failures of historical efforts to combat rising fascist movements.</p><p><a href="https://twitter.com/rcturk"><em>Rebecca Turkington</em></a><em> is a PhD Candidate in History at Cambridge University studying transnational women’s networks.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4057</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[354a59e8-7318-11ed-aa0b-833657b59944]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5161984521.mp3?updated=1670078734" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Madeline Lane-McKinley, "Comedy Against Work: Utopian Longing in Dystopian Times" (Common Notions, 2022)</title>
      <description>Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work. 
But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work.
In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy.
Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 04 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Madeline Lane-McKinley</itunes:subtitle>
      <itunes:summary>Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. Comedy Against Work: Utopian Longing in Dystopian Times (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work. 
But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, Comedy Against Work draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work.
In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy.
Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of Blind Field: A Journal of Cultural Inquiry. Her writing has appeared in publications such as Los Angeles Review of Books, Boston Review, The New Inquiry, Entropy, GUTS, and Cultural Politics. She is also the author of the chapbook Dear Z and a contributor to The Museum of Capitalism.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, and The Washington Post. She earned her PhD in Film/Media and America Studies from Yale University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Comedy is so frequently the topic of cultural dialogue, but it is rarely taken seriously as an object of study. <a href="https://bookshop.org/a/12343/9781942173700"><em>Comedy Against Work: Utopian Longing in Dystopian Times</em></a> (Common Notions, 2022) offers a major contribution to theorizing comedy but also thinking about the particular politics of the genre today. Work is a joke and often the butt of our jokes. Madeline Lane-McKinley argues that in comedy, we find ways to endure and cope with the world of work, but also to question the conditions of capitalist life. When work is slowly killing us and destroying the planet and, at the same time, something impossible to imagine life without, Lane-McKinley considers the possibility of comedy as a revolutionary practice. By appealing to laughter we can counteract many of our shared miseries under capitalism, including our relationship to work. </p><p>But to think through these revolutionary aspects of comedy, as a practice, also involves troubling comedy's relationship to the global right turn of the last decade. Stand-up comedy's claims to the artistic freedom of hate speech in comedy represent a fascistic current of our world today, blurring the boundaries between left and "alt" right. Against this current, <em>Comedy Against Work</em> draws from a tradition of feminist critical utopianism, Marxist-feminism, and contemporary cultural criticism to reflect on an anti-fascist poetics of comedy, grounded in a critique of work.</p><p>In this conversation with host Annie Berke, Dr. Lane-McKinley discusses the origins of her project, her decision to include her own story and life in her academic analysis, and the comedic virtuosity of the feminist killjoy.</p><p>Madeline Lane-McKinley is a writer, professor, and Marxist-feminist with a PhD in Literature from the University of California, Santa Cruz. She is a founding member of <em>Blind Field: A Journal of Cultural Inquiry</em>. Her writing has appeared in publications such as <em>Los Angeles Review of Books</em>, <em>Boston Review</em>, <em>The New Inquiry</em>, <em>Entropy</em>, <em>GUTS</em>, and <em>Cultural Politics</em>. She is also the author of the chapbook <em>Dear Z</em> and a contributor to <em>The Museum of Capitalism</em>.</p><p><a href="http://www.annieberke.com/"><em>Annie Berke</em></a><em> is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in </em>Feminist Media Histories, Public Books, Literary Hub, The A.V. Club, <em>and</em> The Washington Post<em>. She earned her PhD in Film/Media and America Studies from Yale University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Irene Hilden, "Absent Presences in the Colonial Archive: Dealing with the Berlin Sound Archive's Acoustic Legacies" (Leuven UP, 2022)</title>
      <description>Dealing with the colonial archive entails acknowledging the inability to know everything, accounting for the archive’s limited and incomplete condition. Dealing with the colonial archive is not merely about stories of the past but also about the history of the present, and how it is interrupted by the past. — Irene Hilden, in conversation with New Books Network.
With a firm commitment to postcolonial scholarship, Absent Presences in the Colonial Archive: Dealing with the Berlin Sound Archive's Acoustic Legacies (Leuven University Press, 2022) presents a historical ethnography of a metropolitan institution that participated in the production and preservation of colonial structures of power and knowledge.
This book examines sound objects and listening practices that render the coloniality of knowledge fragile and inconsistent, revealing the absent presences of colonial subjects who are given little or no place in established national narratives and collective memories. Based on research at the Berlin Sound Archive (Lautarchiv), which consists of an extensive collection of sound recordings compiled for scientific purposes in the first half of the 20th century, Irene Hilden engages with the archive by focusing on recordings produced under colonial conditions.
This publication is available as a free ebook at OAPEN Library, JSTOR, Project Muse, and Open Research Library.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Irene Hilden</itunes:subtitle>
      <itunes:summary>Dealing with the colonial archive entails acknowledging the inability to know everything, accounting for the archive’s limited and incomplete condition. Dealing with the colonial archive is not merely about stories of the past but also about the history of the present, and how it is interrupted by the past. — Irene Hilden, in conversation with New Books Network.
With a firm commitment to postcolonial scholarship, Absent Presences in the Colonial Archive: Dealing with the Berlin Sound Archive's Acoustic Legacies (Leuven University Press, 2022) presents a historical ethnography of a metropolitan institution that participated in the production and preservation of colonial structures of power and knowledge.
This book examines sound objects and listening practices that render the coloniality of knowledge fragile and inconsistent, revealing the absent presences of colonial subjects who are given little or no place in established national narratives and collective memories. Based on research at the Berlin Sound Archive (Lautarchiv), which consists of an extensive collection of sound recordings compiled for scientific purposes in the first half of the 20th century, Irene Hilden engages with the archive by focusing on recordings produced under colonial conditions.
This publication is available as a free ebook at OAPEN Library, JSTOR, Project Muse, and Open Research Library.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dealing with the colonial archive entails acknowledging the inability to know everything, accounting for the archive’s limited and incomplete condition. Dealing with the colonial archive is not merely about stories of the past but also about the history of the present, and how it is interrupted by the past. — Irene Hilden, in conversation with New Books Network.</p><p>With a firm commitment to postcolonial scholarship, <a href="https://bookshop.org/a/12343/9789462703407"><em>Absent Presences in the Colonial Archive: Dealing with the Berlin Sound Archive's Acoustic Legacies</em></a><em> </em>(Leuven University Press, 2022) presents a historical ethnography of a metropolitan institution that participated in the production and preservation of colonial structures of power and knowledge.</p><p>This book examines sound objects and listening practices that render the coloniality of knowledge fragile and inconsistent, revealing the absent presences of colonial subjects who are given little or no place in established national narratives and collective memories. Based on research at the Berlin Sound Archive (<em>Lautarchiv</em>), which consists of an extensive collection of sound recordings compiled for scientific purposes in the first half of the 20th century, Irene Hilden engages with the archive by focusing on recordings produced under colonial conditions.</p><p>This publication is available as a<a href="https://library.oapen.org/handle/20.500.12657/58571"> free ebook</a> at OAPEN Library, JSTOR, Project Muse, and Open Research Library.</p><p><a href="https://twitter.com/jenhoyer">Jen Hoyer </a>is Technical Services and Electronic Resources Librarian at<a href="http://www.citytech.cuny.edu/"> CUNY New York City College of Technology</a> and a volunteer at<a href="https://interferencearchive.org/"> Interference Archive</a>. She is co-author of<a href="https://www.abc-clio.com/products/a6435p/"> <em>What Primary Sources Teach: Lessons for Every Classroom</em></a> and<a href="https://litwinbooks.com/books/6722/"> <em>The Social Movement Archive</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2967</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d51ae81e-70d6-11ed-bf72-37d9ce1bb680]]></guid>
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    </item>
    <item>
      <title>Denise Ferreira Da Silva, "Unpayable Debt" (Sternberg Press, 2022)</title>
      <description>Unpayable Debt (Sternberg Press, 2022) examines the relationships among coloniality, raciality, and global capital from a black feminist “poethical” perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel Kindred, in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, Unpayable Debt relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 03 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Denise Ferreira Da Silva</itunes:subtitle>
      <itunes:summary>Unpayable Debt (Sternberg Press, 2022) examines the relationships among coloniality, raciality, and global capital from a black feminist “poethical” perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel Kindred, in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, Unpayable Debt relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783956795428"><em>Unpayable Debt</em></a><em> </em>(Sternberg Press, 2022) examines the relationships among coloniality, raciality, and global capital from a black feminist “poethical” perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel <em>Kindred</em>, in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, <em>Unpayable Debt</em> relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5bda0444-70f9-11ed-afc3-f7ec1a94cc0b]]></guid>
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    </item>
    <item>
      <title>Mathematical Morality: The Ideology that Justifies Billionaires</title>
      <description>How can billionaires justify the endless accumulation of wealth? Effective altruism. An almost religious philosophical belief. Sam Bankman-Fried, the former CEO and founder of collapsed crypto exchange FTX is a major proponent, as is Elon Musk.
Now, SBF and many in Effective Altruism have also embraced longtermism, a strand of extreme utilitarian thinking that tells us we should worry about the interests of future people -- trillions of future people, 1000s of years into the future, and in planets far away. We examine the complicated moral math of longtermism with Émile P. Torres, a former longtermist who is now one of the movement's sharpest apostates.
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Émile P. Torres</itunes:subtitle>
      <itunes:summary>How can billionaires justify the endless accumulation of wealth? Effective altruism. An almost religious philosophical belief. Sam Bankman-Fried, the former CEO and founder of collapsed crypto exchange FTX is a major proponent, as is Elon Musk.
Now, SBF and many in Effective Altruism have also embraced longtermism, a strand of extreme utilitarian thinking that tells us we should worry about the interests of future people -- trillions of future people, 1000s of years into the future, and in planets far away. We examine the complicated moral math of longtermism with Émile P. Torres, a former longtermist who is now one of the movement's sharpest apostates.
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can billionaires justify the endless accumulation of wealth? Effective altruism. An almost religious philosophical belief. Sam Bankman-Fried, the former CEO and founder of collapsed crypto exchange FTX is a major proponent, as is Elon Musk.</p><p>Now, SBF and many in Effective Altruism have also embraced longtermism, a strand of extreme utilitarian thinking that tells us we should worry about the interests of future people -- trillions of future people, 1000s of years into the future, and in planets far away. We examine the complicated moral math of longtermism with Émile P. Torres, a former longtermist who is now one of the movement's sharpest apostates.</p><p>SUPPORT THE SHOW</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>ABOUT THE SHOW</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2916</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e2e2e3b0-6f56-11ed-bee7-ebc615ddbd2c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5560247703.mp3?updated=1669666002" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Abel, "Permanent Markers: Race, Ancestry, and the Body After the Genome" (UNC Press, 2021)</title>
      <description>Over the past twenty years, DNA ancestry testing has morphed from a niche market into a booming international industry that encourages members of the public to answer difficult questions about their identity by looking to the genome. At a time of intensified interest in issues of race and racism, the burgeoning influence of corporations like AncestryDNA and 23andMe has sparked debates about the commodification of identity, the antiracist potential of genetic science, and the promises and pitfalls of using DNA as a source of "objective" knowledge about the past. 
Permanent Markers: Race, Ancestry, and the Body After the Genome (University of North Carolina Press, 2021) engages these debates by looking at the ways genomic ancestry testing has been used in Brazil and the United States to address the histories and legacies of slavery, from personal genealogical projects to collective racial politics. Reckoning with the struggles of science versus capitalism, "race-blind" versus "race-positive" public policies, and identity fluidity versus embodied experiences of racism, Permanent Markers seeks to explain why those of us in societies that have broadly embraced the social construction of race continue to search for, and find, evidence that our bodies are marked permanently by the past.
Sarah Abel is British Academy Postdoctoral Fellow at the University of Cambridge's Centre of Latin American Studies. 
Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>201</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Abel</itunes:subtitle>
      <itunes:summary>Over the past twenty years, DNA ancestry testing has morphed from a niche market into a booming international industry that encourages members of the public to answer difficult questions about their identity by looking to the genome. At a time of intensified interest in issues of race and racism, the burgeoning influence of corporations like AncestryDNA and 23andMe has sparked debates about the commodification of identity, the antiracist potential of genetic science, and the promises and pitfalls of using DNA as a source of "objective" knowledge about the past. 
Permanent Markers: Race, Ancestry, and the Body After the Genome (University of North Carolina Press, 2021) engages these debates by looking at the ways genomic ancestry testing has been used in Brazil and the United States to address the histories and legacies of slavery, from personal genealogical projects to collective racial politics. Reckoning with the struggles of science versus capitalism, "race-blind" versus "race-positive" public policies, and identity fluidity versus embodied experiences of racism, Permanent Markers seeks to explain why those of us in societies that have broadly embraced the social construction of race continue to search for, and find, evidence that our bodies are marked permanently by the past.
Sarah Abel is British Academy Postdoctoral Fellow at the University of Cambridge's Centre of Latin American Studies. 
Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the past twenty years, DNA ancestry testing has morphed from a niche market into a booming international industry that encourages members of the public to answer difficult questions about their identity by looking to the genome. At a time of intensified interest in issues of race and racism, the burgeoning influence of corporations like AncestryDNA and 23andMe has sparked debates about the commodification of identity, the antiracist potential of genetic science, and the promises and pitfalls of using DNA as a source of "objective" knowledge about the past. </p><p><a href="https://bookshop.org/a/12343/9781469665146"><em>Permanent Markers: Race, Ancestry, and the Body After the Genome</em></a> (University of North Carolina Press, 2021) engages these debates by looking at the ways genomic ancestry testing has been used in Brazil and the United States to address the histories and legacies of slavery, from personal genealogical projects to collective racial politics. Reckoning with the struggles of science versus capitalism, "race-blind" versus "race-positive" public policies, and identity fluidity versus embodied experiences of racism, Permanent Markers seeks to explain why those of us in societies that have broadly embraced the social construction of race continue to search for, and find, evidence that our bodies are marked permanently by the past.</p><p>Sarah Abel is British Academy Postdoctoral Fellow at the University of Cambridge's Centre of Latin American Studies. </p><p><em>Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3878</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[acfa8fe8-69dc-11ed-925f-dbc1afac5340]]></guid>
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    <item>
      <title>Hilan Bensusan, "Indexicalism: The Metaphysics of Paradox" (Edinburgh UP, 2021)</title>
      <description>In Indexicalism: The Metaphysics of Paradox (Edinburgh UP, 2021), Hilan Bensusan clarifies the logic and structure of an essentially situated and indexical metaphysics that is paradoxical and can also be regarded as a chapter in the critique of metaphysics. Bensusan articulates a metaphysical view of the other – both human and non-human, in what Meillassoux calls 'the great outdoors' – that can never be totalised into a single or univocal whole. He develops an innovative account of perception, as a matter of our irreducibly situated relationship to this non-totalisable outdoors. In the book's coda, Bensusan underscores the social-political implications of this radical metaphysics in a postcolonial context in a meditation on the sites of Potosi in the Andes and Yasuni National Park in the Ecuadorian Amazon. Equally at home with analytic and continental philosophy, Bensusan enlists Levinas, Whitehead, Heidegger, Kripke, Deleuze, Derrida, Benso, Harman, Garcia, Cogburn, McDowell and Haraway. He does so in a way that proves to be transformative for crucial aspects of their work, for contemporary approaches to thinking about what it means to be in our world, and for reckoning with the responsibilities that press upon us from the outside.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>334</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hilan Bensusan</itunes:subtitle>
      <itunes:summary>In Indexicalism: The Metaphysics of Paradox (Edinburgh UP, 2021), Hilan Bensusan clarifies the logic and structure of an essentially situated and indexical metaphysics that is paradoxical and can also be regarded as a chapter in the critique of metaphysics. Bensusan articulates a metaphysical view of the other – both human and non-human, in what Meillassoux calls 'the great outdoors' – that can never be totalised into a single or univocal whole. He develops an innovative account of perception, as a matter of our irreducibly situated relationship to this non-totalisable outdoors. In the book's coda, Bensusan underscores the social-political implications of this radical metaphysics in a postcolonial context in a meditation on the sites of Potosi in the Andes and Yasuni National Park in the Ecuadorian Amazon. Equally at home with analytic and continental philosophy, Bensusan enlists Levinas, Whitehead, Heidegger, Kripke, Deleuze, Derrida, Benso, Harman, Garcia, Cogburn, McDowell and Haraway. He does so in a way that proves to be transformative for crucial aspects of their work, for contemporary approaches to thinking about what it means to be in our world, and for reckoning with the responsibilities that press upon us from the outside.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781474480307"><em>Indexicalism: The Metaphysics of Paradox</em></a> (Edinburgh UP, 2021), Hilan Bensusan clarifies the logic and structure of an essentially situated and indexical metaphysics that is paradoxical and can also be regarded as a chapter in the critique of metaphysics. Bensusan articulates a metaphysical view of the other – both human and non-human, in what Meillassoux calls 'the great outdoors' – that can never be totalised into a single or univocal whole. He develops an innovative account of perception, as a matter of our irreducibly situated relationship to this non-totalisable outdoors. In the book's coda, Bensusan underscores the social-political implications of this radical metaphysics in a postcolonial context in a meditation on the sites of Potosi in the Andes and Yasuni National Park in the Ecuadorian Amazon. Equally at home with analytic and continental philosophy, Bensusan enlists Levinas, Whitehead, Heidegger, Kripke, Deleuze, Derrida, Benso, Harman, Garcia, Cogburn, McDowell and Haraway. He does so in a way that proves to be transformative for crucial aspects of their work, for contemporary approaches to thinking about what it means to be in our world, and for reckoning with the responsibilities that press upon us from the outside.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3772</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[208e5696-6f1f-11ed-a08a-63abd53188ac]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4477795700.mp3?updated=1669642209" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Frantz Fanon's "The Wretched of the Earth"</title>
      <link>https://www.writlarge.fm/</link>
      <description>In 1925, on the French occupied island of Martinique, one of the most prominent voices in post colonial theory was born, Frantz Fanon. He was born to parents of both African and French descent, and was brought up in the ways of French culture. For most of Fanon’s life, he identified with French nationality. He even fought for France in WWII. But despite his initial loyalty to France, the French colonizers didn’t see Fanon as equal. In his early adulthood, Fanon began to see colonialism for what it really was. He became a vocal critic of colonialism. In his 1961 text The Wretched of the Earth, Fanon wrote about the psychological effects of colonialism, and the psychological hurdles of decolonization. Manan Ahmed is a historian and associate professor at Columbia University. He is the author of A Book of Conquest: The Chachnama and Muslim Origins in South Asia See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c72a3a62-18ec-11ed-baeb-cbc5c298a8e8/image/wretched.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Manan Ahmed</itunes:subtitle>
      <itunes:summary>In 1925, on the French occupied island of Martinique, one of the most prominent voices in post colonial theory was born, Frantz Fanon. He was born to parents of both African and French descent, and was brought up in the ways of French culture. For most of Fanon’s life, he identified with French nationality. He even fought for France in WWII. But despite his initial loyalty to France, the French colonizers didn’t see Fanon as equal. In his early adulthood, Fanon began to see colonialism for what it really was. He became a vocal critic of colonialism. In his 1961 text The Wretched of the Earth, Fanon wrote about the psychological effects of colonialism, and the psychological hurdles of decolonization. Manan Ahmed is a historian and associate professor at Columbia University. He is the author of A Book of Conquest: The Chachnama and Muslim Origins in South Asia See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1925, on the French occupied island of Martinique, one of the most prominent voices in post colonial theory was born, Frantz Fanon. He was born to parents of both African and French descent, and was brought up in the ways of French culture. For most of Fanon’s life, he identified with French nationality. He even fought for France in WWII. But despite his initial loyalty to France, the French colonizers didn’t see Fanon as equal. In his early adulthood, Fanon began to see colonialism for what it really was. He became a vocal critic of colonialism. In his 1961 text The Wretched of the Earth, Fanon wrote about the psychological effects of colonialism, and the psychological hurdles of decolonization. Manan Ahmed is a historian and associate professor at Columbia University. He is the author of A Book of Conquest: The Chachnama and Muslim Origins in South Asia See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2051</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8699b4e0-ff67-11eb-a096-0f4c44b7f9d2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5917753643.mp3?updated=1656510745" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Multiculturalism: A Discussion with Patti Tamara Lenard and Peter Balint</title>
      <description>What is the best way to achieve societal harmony in a place in which groups of people with different identities are living together. Should minority groups be given exemptions from general policies and laws or is it better to say majority privilege should be removed by finding solutions in which the law applies equally to the minority and the majority. Owen Bennett Jones was joined by co-authors Peter Balint and Patti Lenard who have discussed these issues in Debating Multiculturalism: Should There be Minority Rights? (Oxford UP, 2022).
﻿Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 25 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What is the best way to achieve societal harmony in a place in which groups of people with different identities are living together. Should minority groups be given exemptions from general policies and laws or is it better to say majority privilege should be removed by finding solutions in which the law applies equally to the minority and the majority. Owen Bennett Jones was joined by co-authors Peter Balint and Patti Lenard who have discussed these issues in Debating Multiculturalism: Should There be Minority Rights? (Oxford UP, 2022).
﻿Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the best way to achieve societal harmony in a place in which groups of people with different identities are living together. Should minority groups be given exemptions from general policies and laws or is it better to say majority privilege should be removed by finding solutions in which the law applies equally to the minority and the majority. Owen Bennett Jones was joined by co-authors Peter Balint and Patti Lenard who have discussed these issues in <a href="https://bookshop.org/a/12343/9780197528372"><em>Debating Multiculturalism: Should There be Minority Rights?</em></a> (Oxford UP, 2022).</p><p><em>﻿</em><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3105</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[03c275ce-6c09-11ed-a5b0-cbcc35922da8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8289617572.mp3?updated=1669302244" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marquis Bey, "Cistem Failure: Essays on Blackness and Cisgender" (Duke UP, 2022)</title>
      <description>In Cistem Failure: Essays on Blackness and Cisgender (Duke UP, 2022), Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the The Powerpuff Girls to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus.
Marquis Bey is Assistant Professor of African American Studies and English at Northwestern University and author of several books, most recently Black Trans Feminism, also published by Duke University Press.
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>216</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marquis Bey</itunes:subtitle>
      <itunes:summary>In Cistem Failure: Essays on Blackness and Cisgender (Duke UP, 2022), Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the The Powerpuff Girls to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus.
Marquis Bey is Assistant Professor of African American Studies and English at Northwestern University and author of several books, most recently Black Trans Feminism, also published by Duke University Press.
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478018445"><em>Cistem Failure: Essays on Blackness and Cisgender</em></a><em> </em>(Duke UP, 2022), Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the <em>The Powerpuff Girls</em> to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus.</p><p>Marquis Bey is Assistant Professor of African American Studies and English at Northwestern University and author of several books, most recently <em>Black Trans Feminism</em>, also published by Duke University Press.</p><p><a href="https://in.linkedin.com/in/sohini-chatterjee-763b39110"><em>Sohini Chatterjee</em></a><em> is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2902</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ba3157ac-684f-11ed-8cf1-8b2ad7cdf759]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4400026019.mp3?updated=1668893172" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rebecca Giblin and Cory Doctorow, "Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back" (Beacon Press, 2022)</title>
      <description>Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both.
In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere.
By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.
In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work.
Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rebecca Giblin and Cory Doctorow</itunes:subtitle>
      <itunes:summary>Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both.
In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere.
By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.
In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work.
Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both.</p><p>In <a href="https://bookshop.org/a/12343/9780807007068"><em>Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back</em></a> (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere.</p><p>By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.</p><p>In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work.</p><p>Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2588</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2385e3d8-644c-11ed-857b-17af7a48d71f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6765293232.mp3?updated=1668451920" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Michel Foucault's "Discipline and Punish"</title>
      <link>https://www.writlarge.fm/</link>
      <description>We moderns often tell ourselves a story that goes something like this: The past was barbaric, especially when it came to punishing criminals or persecuting minorities. Legal punishment used to include hanging, chopping off a head, burning at the stake, quartering, stoning, drowning, and crushing. Eventually, we tell ourselves, we learned to be more humane. But the 20th century French philosopher Michel Foucault didn’t believe this story modern people told themselves. He didn’t accept that modern punishment was any more humane than it used to be. In his 1975 text Discipline and Punish, Foucault makes his point by tracing the evolution of punishment and power through history. Camille Robcis is associate professor of French and history at Columbia University. She is the author of The Law of Kinship: Anthropology, Psychoanalysis, and the Family in France.  See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Nov 2022 09:23:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/97f2f136-18eb-11ed-8858-ebc56430da43/image/WL-DisciplinePunish-red.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Camille Robcis</itunes:subtitle>
      <itunes:summary>We moderns often tell ourselves a story that goes something like this: The past was barbaric, especially when it came to punishing criminals or persecuting minorities. Legal punishment used to include hanging, chopping off a head, burning at the stake, quartering, stoning, drowning, and crushing. Eventually, we tell ourselves, we learned to be more humane. But the 20th century French philosopher Michel Foucault didn’t believe this story modern people told themselves. He didn’t accept that modern punishment was any more humane than it used to be. In his 1975 text Discipline and Punish, Foucault makes his point by tracing the evolution of punishment and power through history. Camille Robcis is associate professor of French and history at Columbia University. She is the author of The Law of Kinship: Anthropology, Psychoanalysis, and the Family in France.  See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We moderns often tell ourselves a story that goes something like this: The past was barbaric, especially when it came to punishing criminals or persecuting minorities. Legal punishment used to include hanging, chopping off a head, burning at the stake, quartering, stoning, drowning, and crushing. Eventually, we tell ourselves, we learned to be more humane. But the 20th century French philosopher Michel Foucault didn’t believe this story modern people told themselves. He didn’t accept that modern punishment was any more humane than it used to be. In his 1975 text Discipline and Punish, Foucault makes his point by tracing the evolution of punishment and power through history. Camille Robcis is associate professor of French and history at Columbia University. She is the author of The Law of Kinship: Anthropology, Psychoanalysis, and the Family in France.  See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2318</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a0d60c34-e95d-11eb-bf33-132a794c40cb]]></guid>
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    </item>
    <item>
      <title>Sophie Lewis, "Abolish the Family: A Manifesto for Care and Liberation: A Manifesto for Care and Liberation" (Verso, 2022)</title>
      <description>What if family were not the only place you might hope to feel safe, loved, cared for and accepted? What if we could do better than the family? We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family. Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition.
Abolish the Family: A Manifesto for Care and Liberation: A Manifesto for Care and Liberation (Verso, 2022) traces the history of family abolitionist demands, beginning with nineteenth century utopian socialist and sex radical Charles Fourier, the Communist Manifesto and early-twentieth century Russian family abolitionist Alexandra Kollontai. Turning her attention to the 1960s, Lewis reminds us of the anti-family politics of radical feminists like Shulamith Firestone and the gay liberationists, a tradition she traces to the queer marxists bringing family abolition to the twenty-first century. This exhilarating essay looks at historic rightwing panic about Black families and the violent imposition of the family on indigenous communities, and insists: only by thinking beyond the family can we begin to imagine what might come after.
Sophie Lewis is a freelance writer living in Philadelphia, teaching courses for the Brooklyn Institute for Social Research. Her first book was Full Surrogacy Now: Feminism Against Family, and her essays have appeared in the New York Times, Harper’s, Boston Review, n+1, the London Review of Books and Salvage. Sophie studied English, Politics, Environment and Geography at Oxford, the New School, and Manchester University, and is now an unpaid visiting scholar at the Feminist, Queer and Transgender Studies Center at the University of Pennsylvania.
Oana Uiorean is a Romanian writer and translator. She writes and thinks about communism and feminism while raising children and organising women’s strikes. She curates the book series Bread&amp;Roses on feminist theory and practice for the publisher frACTalia. Her debut novel is Aporia.Dezbărații (frACTalia, 2019). A pamphlet on socialist revolutionary feminism is forthcoming, as well as a book for our comrades the children.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>333</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sophie Lewis</itunes:subtitle>
      <itunes:summary>What if family were not the only place you might hope to feel safe, loved, cared for and accepted? What if we could do better than the family? We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family. Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition.
Abolish the Family: A Manifesto for Care and Liberation: A Manifesto for Care and Liberation (Verso, 2022) traces the history of family abolitionist demands, beginning with nineteenth century utopian socialist and sex radical Charles Fourier, the Communist Manifesto and early-twentieth century Russian family abolitionist Alexandra Kollontai. Turning her attention to the 1960s, Lewis reminds us of the anti-family politics of radical feminists like Shulamith Firestone and the gay liberationists, a tradition she traces to the queer marxists bringing family abolition to the twenty-first century. This exhilarating essay looks at historic rightwing panic about Black families and the violent imposition of the family on indigenous communities, and insists: only by thinking beyond the family can we begin to imagine what might come after.
Sophie Lewis is a freelance writer living in Philadelphia, teaching courses for the Brooklyn Institute for Social Research. Her first book was Full Surrogacy Now: Feminism Against Family, and her essays have appeared in the New York Times, Harper’s, Boston Review, n+1, the London Review of Books and Salvage. Sophie studied English, Politics, Environment and Geography at Oxford, the New School, and Manchester University, and is now an unpaid visiting scholar at the Feminist, Queer and Transgender Studies Center at the University of Pennsylvania.
Oana Uiorean is a Romanian writer and translator. She writes and thinks about communism and feminism while raising children and organising women’s strikes. She curates the book series Bread&amp;Roses on feminist theory and practice for the publisher frACTalia. Her debut novel is Aporia.Dezbărații (frACTalia, 2019). A pamphlet on socialist revolutionary feminism is forthcoming, as well as a book for our comrades the children.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What if family were not the only place you might hope to feel safe, loved, cared for and accepted? What if we could do better than the family? We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family. Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition.</p><p><a href="https://bookshop.org/a/12343/9781839767197"><em>Abolish the Family: A Manifesto for Care and Liberation: A Manifesto for Care and Liberation</em></a><em> </em>(Verso, 2022) traces the history of family abolitionist demands, beginning with nineteenth century utopian socialist and sex radical Charles Fourier, the Communist Manifesto and early-twentieth century Russian family abolitionist Alexandra Kollontai. Turning her attention to the 1960s, Lewis reminds us of the anti-family politics of radical feminists like Shulamith Firestone and the gay liberationists, a tradition she traces to the queer marxists bringing family abolition to the twenty-first century. This exhilarating essay looks at historic rightwing panic about Black families and the violent imposition of the family on indigenous communities, and insists: only by thinking beyond the family can we begin to imagine what might come after.</p><p><strong>Sophie Lewis</strong> is a freelance writer living in Philadelphia, teaching courses for the Brooklyn Institute for Social Research. Her first book was <em>Full Surrogacy Now: Feminism Against Family</em>, and her essays have appeared in the <em>New York Times</em>, <em>Harper’s</em>, <em>Boston Review,</em> <em>n+1</em>, the <em>London Review of Books</em> and <em>Salvage</em>. Sophie studied English, Politics, Environment and Geography at Oxford, the New School, and Manchester University, and is now an unpaid visiting scholar at the Feminist, Queer and Transgender Studies Center at the University of Pennsylvania.</p><p><strong><em>Oana Uiorean</em></strong><em> is a Romanian writer and translator. She writes and thinks about communism and feminism while raising children and organising women’s strikes. She curates the book series Bread&amp;Roses on feminist theory and practice for the publisher frACTalia. Her debut novel is Aporia.Dezbărații (frACTalia, 2019). A pamphlet on socialist revolutionary feminism is forthcoming, as well as a book for our comrades the children.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3563</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ea44bd5c-61e8-11ed-ad2b-d7b58aeaf745]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4639307423.mp3?updated=1668189664" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Louise Ashley, "Highly Discriminating: Why the City Isn't Fair and Diversity Doesn't Work" (Bristol UP, 2022)</title>
      <description>Can we make the finance industry fair? In Highly Discriminating: Why the City Isn’t Fair and Diversity Doesn’t Work (Bristol UP, 2022), Louise Ashley, Associate Professor and IHSS Fellow at Queen Mary University of London’s School of Business and Management, explores the history and practice of social mobility into one of Britain’s key professions. The book offers a history of the City and its evolution from a closed world of gentlemen to a seemingly open meritocracy. At the same time, the book destroys the myth of merit, demonstrating how where people went to school, the place they did a degree, who they know, and how they present themselves still determine who is a success. Offering a critique of the City’s superficial attempts to increase its class, race, and gender diversity, the book is essential reading across the social sciences, as well as for anyone wishing to understand how inequalities continue in contemporary society.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 17 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>332</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Louise Ashley</itunes:subtitle>
      <itunes:summary>Can we make the finance industry fair? In Highly Discriminating: Why the City Isn’t Fair and Diversity Doesn’t Work (Bristol UP, 2022), Louise Ashley, Associate Professor and IHSS Fellow at Queen Mary University of London’s School of Business and Management, explores the history and practice of social mobility into one of Britain’s key professions. The book offers a history of the City and its evolution from a closed world of gentlemen to a seemingly open meritocracy. At the same time, the book destroys the myth of merit, demonstrating how where people went to school, the place they did a degree, who they know, and how they present themselves still determine who is a success. Offering a critique of the City’s superficial attempts to increase its class, race, and gender diversity, the book is essential reading across the social sciences, as well as for anyone wishing to understand how inequalities continue in contemporary society.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can we make the finance industry fair? In <a href="https://bookshop.org/a/12343/9781529227673"><em>Highly Discriminating: Why the City Isn’t Fair and Diversity Doesn’t Work</em></a> (Bristol UP, 2022), <a href="https://twitter.com/drlouiseashley?lang=en">Louise Ashley</a>, <a href="https://www.qmul.ac.uk/busman/staff/academic/profiles/ashleyl.html">Associate Professor and IHSS Fellow at Queen Mary University of London’s School of Business and Management</a>, explores the history and practice of social mobility into one of Britain’s key professions. The book offers a history of the City and its evolution from a closed world of gentlemen to a seemingly open meritocracy. At the same time, the book destroys the myth of merit, demonstrating how where people went to school, the place they did a degree, who they know, and how they present themselves still determine who is a success. Offering a critique of the City’s superficial attempts to increase its class, race, and gender diversity, the book is essential reading across the social sciences, as well as for anyone wishing to understand how inequalities continue in contemporary society.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2383</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[19896d18-5fa2-11ed-9887-cf754c09c8be]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2752116579.mp3?updated=1667939398" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Riché Richardson, "Emancipation's Daughters: Re-Imagining Black Femininity and the National Body" (Duke UP, 2020)</title>
      <description>In Emancipation's Daughters: Re-Imagining Black Femininity and the National Body (Duke UP, 2020), Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 17 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>334</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Riché Richardson</itunes:subtitle>
      <itunes:summary>In Emancipation's Daughters: Re-Imagining Black Femininity and the National Body (Duke UP, 2020), Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478010975"><em>Emancipation's Daughters: Re-Imagining Black Femininity and the National Body</em></a><em> </em>(Duke UP, 2020), Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout <em>Emancipation's Daughters</em>, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.</p><p><a href="https://cla.auburn.edu/directory/mickell-j-carter/"><em>Mickell Carter</em></a><em> is a doctoral student in the department of history at Auburn University. She can be reached at </em><a href="mailto:mzc0152@auburn.edu"><em>mzc0152@auburn.edu</em></a><em> and on twitter @MickellCarter</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3924</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[28db066c-62ab-11ed-bce8-c7b4f166905d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7004968621.mp3?updated=1668272712" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kavita Bhanot and Jeremy Tiang, "Violent Phenomena: 21 Essays on Translation" (Tilted Axis Press, 2022)</title>
      <description>Frantz Fanon wrote in 1961 that 'Decolonisation is always a violent phenomenon,' meaning that the violence of colonialism can only be counteracted in kind. As colonial legacies linger today, what are the ways in which we can disentangle literary translation from its roots in imperial violence? In Violent Phenomena: 21 Essays on Translation (Tilted Axis Press, 2022), twenty-four writers and translators from across the world share their ideas and practices for disrupting and decolonising translation.
﻿Gargi Binju is a researcher at the University of Tübingen.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 17 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kavita Bhanot and Jeremy Tiang</itunes:subtitle>
      <itunes:summary>Frantz Fanon wrote in 1961 that 'Decolonisation is always a violent phenomenon,' meaning that the violence of colonialism can only be counteracted in kind. As colonial legacies linger today, what are the ways in which we can disentangle literary translation from its roots in imperial violence? In Violent Phenomena: 21 Essays on Translation (Tilted Axis Press, 2022), twenty-four writers and translators from across the world share their ideas and practices for disrupting and decolonising translation.
﻿Gargi Binju is a researcher at the University of Tübingen.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Frantz Fanon wrote in 1961 that 'Decolonisation is always a violent phenomenon,' meaning that the violence of colonialism can only be counteracted in kind. As colonial legacies linger today, what are the ways in which we can disentangle literary translation from its roots in imperial violence? In <a href="https://www.tiltedaxispress.com/violent-phenomena"><em>Violent Phenomena: 21 Essays on Translation</em></a> (Tilted Axis Press, 2022), twenty-four writers and translators from across the world share their ideas and practices for disrupting and decolonising translation.</p><p><em>﻿Gargi Binju is a researcher at the University of Tübingen.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2560</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e008042c-62bd-11ed-9015-238b3ee5886e]]></guid>
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    <item>
      <title>Oliver Davis and Tim Dean, "Hatred of Sex" (U Nebraska Press, 2022)</title>
      <description>﻿Hatred of Sex (U Nebraska Press, 2022) links Jacques Rancière’s political philosophy of the constitutive disorder of democracy with Jean Laplanche’s identification of a fundamental perturbation at the heart of human sexuality. Sex is hated as well as desired, Oliver Davis and Tim Dean contend, because sexual intensity impedes coherent selfhood and undermines identity, rendering us all a little more deplorable than we might wish. Davis and Dean explore the consequences of this conflicted dynamic across a range of fields and institutions, including queer studies, attachment theory, the #MeToo movement, and “traumatology,” demonstrating how hatred of sex has been optimized and exploited by neoliberalism. Advancing strong claims about sex, pleasure, power, intersectionality, therapy, and governance, Davis and Dean shed new light on enduring questions of equality at a historical moment when democracy appears ever more precarious.
Matthew Pieknik is a psychoanalyst in private practice in New York City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 17 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Oliver Davis and Tim Dean</itunes:subtitle>
      <itunes:summary>﻿Hatred of Sex (U Nebraska Press, 2022) links Jacques Rancière’s political philosophy of the constitutive disorder of democracy with Jean Laplanche’s identification of a fundamental perturbation at the heart of human sexuality. Sex is hated as well as desired, Oliver Davis and Tim Dean contend, because sexual intensity impedes coherent selfhood and undermines identity, rendering us all a little more deplorable than we might wish. Davis and Dean explore the consequences of this conflicted dynamic across a range of fields and institutions, including queer studies, attachment theory, the #MeToo movement, and “traumatology,” demonstrating how hatred of sex has been optimized and exploited by neoliberalism. Advancing strong claims about sex, pleasure, power, intersectionality, therapy, and governance, Davis and Dean shed new light on enduring questions of equality at a historical moment when democracy appears ever more precarious.
Matthew Pieknik is a psychoanalyst in private practice in New York City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781496230591">﻿<em>Hatred of Sex</em></a><em> </em>(U Nebraska Press, 2022) links Jacques Rancière’s political philosophy of the constitutive disorder of democracy with Jean Laplanche’s identification of a fundamental perturbation at the heart of human sexuality. Sex is hated as well as desired, Oliver Davis and Tim Dean contend, because sexual intensity impedes coherent selfhood and undermines identity, rendering us all a little more deplorable than we might wish. Davis and Dean explore the consequences of this conflicted dynamic across a range of fields and institutions, including queer studies, attachment theory, the #MeToo movement, and “traumatology,” demonstrating how hatred of sex has been optimized and exploited by neoliberalism. Advancing strong claims about sex, pleasure, power, intersectionality, therapy, and governance, Davis and Dean shed new light on enduring questions of equality at a historical moment when democracy appears ever more precarious.</p><p><em>Matthew Pieknik is a psychoanalyst in private practice in New York City.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3998</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18096d76-61ff-11ed-9760-2fb1dd392845]]></guid>
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    </item>
    <item>
      <title>Science Against the People: Anti-Capitalist Science</title>
      <description>It’s difficult to criticise science from the left. Right-wingers attack science and liberals defend it.
Science for the People is a radical movement of scientists and educators who argue that science has always served capitalism, patriarchy, and empire. So, science doesn’t need to be simply defended; it needs to change.
We examine the group’s Vietnam-era origins, with the story of one of its founders, physicist Charles Schwartz. Schwartz’ work initially supported the US war effort, but he became a thorn in the side of the military and scientific establishment for over two decades. However, in the 1980s Science for the People went dormant.
Now it’s back so we speak to a current member, and also the historian who brought them back together. Sigrid Schmalzer is co-editor of a collection of the group’s writing, entitled Science for the People: Documents from America’s Movement of Radical Scientists, 1969-1989. 
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Sigrid Schmaltzer</itunes:subtitle>
      <itunes:summary>It’s difficult to criticise science from the left. Right-wingers attack science and liberals defend it.
Science for the People is a radical movement of scientists and educators who argue that science has always served capitalism, patriarchy, and empire. So, science doesn’t need to be simply defended; it needs to change.
We examine the group’s Vietnam-era origins, with the story of one of its founders, physicist Charles Schwartz. Schwartz’ work initially supported the US war effort, but he became a thorn in the side of the military and scientific establishment for over two decades. However, in the 1980s Science for the People went dormant.
Now it’s back so we speak to a current member, and also the historian who brought them back together. Sigrid Schmalzer is co-editor of a collection of the group’s writing, entitled Science for the People: Documents from America’s Movement of Radical Scientists, 1969-1989. 
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s difficult to criticise science from the left. Right-wingers attack science and liberals defend it.</p><p>Science for the People is a radical movement of scientists and educators who argue that science has always served capitalism, patriarchy, and empire. So, science doesn’t need to be simply defended; it needs to change.</p><p>We examine the group’s Vietnam-era origins, with the story of one of its founders, physicist Charles Schwartz. Schwartz’ work initially supported the US war effort, but he became a thorn in the side of the military and scientific establishment for over two decades. However, in the 1980s Science for the People went dormant.</p><p>Now it’s back so we speak to a current member, and also the historian who brought them back together. Sigrid Schmalzer is co-editor of a collection of the group’s writing, entitled <a href="https://bookshop.org/a/12343/9781625343185"><em>Science for the People: Documents from America’s Movement of Radical Scientists, 1969-1989</em></a><em>.</em> </p><p>SUPPORT THE SHOW</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>ABOUT THE SHOW</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3782</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a3c83d86-6512-11ed-8b95-57b5f7bcf72f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7814749355.mp3?updated=1668537104" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey Bellin, "Mass Incarceration Nation: How the United States Became Addicted to Prisons and Jails and How it Can Recover" (Cambridge UP, 2022)</title>
      <description>The United States imprisons a higher proportion of its population than any other nation. Mass Incarceration Nation offers a novel, in-the-trenches perspective to explain the factors - historical, political, and institutional - that led to the current system of mass imprisonment. Jeffrey Bellin's book Mass Incarceration Nation: How the United States Became Addicted to Prisons and Jails and How it Can Recover (Cambridge UP, 2022) examines the causes and impacts of mass incarceration on both the political and criminal justice systems. With accessible language and straightforward statistical analysis, former prosecutor turned law professor Jeffery Bellin provides a formula for reform to return to the low incarceration rates that characterized the United States prior to the 1970s.
Stephen Pimpare is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 15 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeffrey Bellin</itunes:subtitle>
      <itunes:summary>The United States imprisons a higher proportion of its population than any other nation. Mass Incarceration Nation offers a novel, in-the-trenches perspective to explain the factors - historical, political, and institutional - that led to the current system of mass imprisonment. Jeffrey Bellin's book Mass Incarceration Nation: How the United States Became Addicted to Prisons and Jails and How it Can Recover (Cambridge UP, 2022) examines the causes and impacts of mass incarceration on both the political and criminal justice systems. With accessible language and straightforward statistical analysis, former prosecutor turned law professor Jeffery Bellin provides a formula for reform to return to the low incarceration rates that characterized the United States prior to the 1970s.
Stephen Pimpare is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The United States imprisons a higher proportion of its population than any other nation. Mass Incarceration Nation offers a novel, in-the-trenches perspective to explain the factors - historical, political, and institutional - that led to the current system of mass imprisonment. Jeffrey Bellin's book <a href="https://bookshop.org/a/12343/9781009267540"><em>Mass Incarceration Nation: How the United States Became Addicted to Prisons and Jails and How it Can Recover</em></a> (Cambridge UP, 2022) examines the causes and impacts of mass incarceration on both the political and criminal justice systems. With accessible language and straightforward statistical analysis, former prosecutor turned law professor Jeffery Bellin provides a formula for reform to return to the low incarceration rates that characterized the United States prior to the 1970s.</p><p><a href="https://www.linkedin.com/in/stephenpimpare/"><em>Stephen Pimpare</em></a><em> is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1975</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f07bfada-605f-11ed-b676-fb806de1aac6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6335480716.mp3?updated=1668019877" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Crain, "Profit over Privacy: How Surveillance Advertising Conquered the Internet" (U Minnesota Press, 2021)</title>
      <description>The contemporary internet's de facto business model is one of surveillance. Browser cookies follow us around the web, Amazon targets us with eerily prescient ads, Facebook and Google read our messages and analyze our patterns, and apps record our every move. In Profit over Privacy: How Surveillance Advertising Conquered the Internet (U Minnesota Press, 2021), Matthew Crain gives internet surveillance a much-needed origin story by chronicling the development of its most important historical catalyst: web advertising.
The first institutional and political history of internet advertising, Profit over Privacy uses the 1990s as its backdrop to show how the massive data-collection infrastructure that undergirds the internet today is the result of twenty-five years of technical and political economic engineering. Crain considers the social causes and consequences of the internet's rapid embrace of consumer monitoring, detailing how advertisers and marketers adapted to the existential threat of the internet and marshaled venture capital to develop the now-ubiquitous business model called "surveillance advertising." He draws on a range of primary resources from government, industry, and the press and highlights the political roots of internet advertising to underscore the necessity of political solutions to reign in unaccountable commercial surveillance.
The dominant business model on the internet, surveillance advertising is the result of political choices--not the inevitable march of technology. Unlike many other countries, the United States has no internet privacy law. A fascinating prehistory of internet advertising giants like Google and Facebook, Profit over Privacy argues that the internet did not have to turn out this way and that it can be remade into something better.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 15 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Crain</itunes:subtitle>
      <itunes:summary>The contemporary internet's de facto business model is one of surveillance. Browser cookies follow us around the web, Amazon targets us with eerily prescient ads, Facebook and Google read our messages and analyze our patterns, and apps record our every move. In Profit over Privacy: How Surveillance Advertising Conquered the Internet (U Minnesota Press, 2021), Matthew Crain gives internet surveillance a much-needed origin story by chronicling the development of its most important historical catalyst: web advertising.
The first institutional and political history of internet advertising, Profit over Privacy uses the 1990s as its backdrop to show how the massive data-collection infrastructure that undergirds the internet today is the result of twenty-five years of technical and political economic engineering. Crain considers the social causes and consequences of the internet's rapid embrace of consumer monitoring, detailing how advertisers and marketers adapted to the existential threat of the internet and marshaled venture capital to develop the now-ubiquitous business model called "surveillance advertising." He draws on a range of primary resources from government, industry, and the press and highlights the political roots of internet advertising to underscore the necessity of political solutions to reign in unaccountable commercial surveillance.
The dominant business model on the internet, surveillance advertising is the result of political choices--not the inevitable march of technology. Unlike many other countries, the United States has no internet privacy law. A fascinating prehistory of internet advertising giants like Google and Facebook, Profit over Privacy argues that the internet did not have to turn out this way and that it can be remade into something better.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The contemporary internet's de facto business model is one of surveillance. Browser cookies follow us around the web, Amazon targets us with eerily prescient ads, Facebook and Google read our messages and analyze our patterns, and apps record our every move. In <a href="https://bookshop.org/a/12343/9781517905057"><em>Profit over Privacy: How Surveillance Advertising Conquered the Internet </em></a>(U Minnesota Press, 2021), Matthew Crain gives internet surveillance a much-needed origin story by chronicling the development of its most important historical catalyst: web advertising.</p><p>The first institutional and political history of internet advertising, <em>Profit over Privacy</em> uses the 1990s as its backdrop to show how the massive data-collection infrastructure that undergirds the internet today is the result of twenty-five years of technical and political economic engineering. Crain considers the social causes and consequences of the internet's rapid embrace of consumer monitoring, detailing how advertisers and marketers adapted to the existential threat of the internet and marshaled venture capital to develop the now-ubiquitous business model called "surveillance advertising." He draws on a range of primary resources from government, industry, and the press and highlights the political roots of internet advertising to underscore the necessity of political solutions to reign in unaccountable commercial surveillance.</p><p>The dominant business model on the internet, surveillance advertising is the result of political choices--not the inevitable march of technology. Unlike many other countries, the United States has no internet privacy law. A fascinating prehistory of internet advertising giants like Google and Facebook, <em>Profit over Privacy</em> argues that the internet did not have to turn out this way and that it can be remade into something better.</p><p><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2478</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[712a7f2a-620a-11ed-b170-43206a5b25c2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9620766564.mp3?updated=1668203148" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Therí Alyce Pickens, "Black Madness :: Mad Blackness" (Duke UP, 2019)</title>
      <description>In Black Madness :: Mad Blackness (Duke UP, 2019), Therí Alyce Pickens rethinks the relationship between Blackness and disability, unsettling the common theorization that they are mutually constitutive. Pickens shows how Black speculative and science fiction authors such as Octavia Butler, Nalo Hopkinson, and Tananarive Due craft new worlds that reimagine the intersection of Blackness and madness. These creative writer-theorists formulate new parameters for thinking through Blackness and madness. Pickens considers Butler's Fledgling as an archive of Black madness that demonstrates how race and ability shape subjectivity while constructing the building blocks for antiracist and anti-ableist futures. She examines how Hopkinson's Midnight Robber theorizes mad Blackness and how Due's African Immortals series contests dominant definitions of the human. The theorizations of race and disability that emerge from these works, Pickens demonstrates, challenge the paradigms of subjectivity that white supremacy and ableism enforce, thereby pointing to the potential for new forms of radical politics.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives that bridge research, policy, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>331</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Therí Alyce Pickens</itunes:subtitle>
      <itunes:summary>In Black Madness :: Mad Blackness (Duke UP, 2019), Therí Alyce Pickens rethinks the relationship between Blackness and disability, unsettling the common theorization that they are mutually constitutive. Pickens shows how Black speculative and science fiction authors such as Octavia Butler, Nalo Hopkinson, and Tananarive Due craft new worlds that reimagine the intersection of Blackness and madness. These creative writer-theorists formulate new parameters for thinking through Blackness and madness. Pickens considers Butler's Fledgling as an archive of Black madness that demonstrates how race and ability shape subjectivity while constructing the building blocks for antiracist and anti-ableist futures. She examines how Hopkinson's Midnight Robber theorizes mad Blackness and how Due's African Immortals series contests dominant definitions of the human. The theorizations of race and disability that emerge from these works, Pickens demonstrates, challenge the paradigms of subjectivity that white supremacy and ableism enforce, thereby pointing to the potential for new forms of radical politics.
Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives that bridge research, policy, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478004042"><em>Black Madness :: Mad Blackness</em></a> (Duke UP, 2019), Therí Alyce Pickens rethinks the relationship between Blackness and disability, unsettling the common theorization that they are mutually constitutive. Pickens shows how Black speculative and science fiction authors such as Octavia Butler, Nalo Hopkinson, and Tananarive Due craft new worlds that reimagine the intersection of Blackness and madness. These creative writer-theorists formulate new parameters for thinking through Blackness and madness. Pickens considers Butler's Fledgling as an archive of Black madness that demonstrates how race and ability shape subjectivity while constructing the building blocks for antiracist and anti-ableist futures. She examines how Hopkinson's Midnight Robber theorizes mad Blackness and how Due's African Immortals series contests dominant definitions of the human. The theorizations of race and disability that emerge from these works, Pickens demonstrates, challenge the paradigms of subjectivity that white supremacy and ableism enforce, thereby pointing to the potential for new forms of radical politics.</p><p><a href="https://cjarrard717.wixsite.com/website"><em>Clayton Jarrard</em></a><em> is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives that bridge research, policy, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3734</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66571f1e-5e94-11ed-bb42-63365761f93d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8742845738.mp3?updated=1667823615" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Igor Shoikhedbrod, "Revisiting Marx’s Critique of Liberalism: Rethinking Justice, Legality and Rights" (Palgrave Macmillan, 2021)</title>
      <description>Is Marx relevant today, after the collapse of communism in Eastern Europe? Is Marx’s political theory compatible with individual rights? You will be surprised to learn that the answers are yes and yes. Revisiting Marx’s Critique of Liberalism: Rethinking Justice, Legality and Rights (Palgrave Macmillan, 2021) offers a theoretical reconstruction of Karl Marx’s new materialist understanding of justice, legality, and rights through the vantage point of his widely invoked but generally misunderstood critique of liberalism. Igor Shoikhedbrod begins his book by reconstructing Marx’s conception of justice and rights through close textual interpretation and extrapolation. The central thesis of the book is, firstly, that Marx regards justice as an essential feature of any society, including the emancipated society of the future; and secondly, that standards of justice and right undergo transformation throughout history. In our discussion, the author tracks the enduring legacy of Marx’s critique of liberal justice by examining how Marx still speaks to our time. The Marx that emerges from this book is therefore a thoroughly modern thinker whose insights shed valuable light on some of the most pressing challenges confronting liberal democracies today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>156</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Igor Shoikhedbrod</itunes:subtitle>
      <itunes:summary>Is Marx relevant today, after the collapse of communism in Eastern Europe? Is Marx’s political theory compatible with individual rights? You will be surprised to learn that the answers are yes and yes. Revisiting Marx’s Critique of Liberalism: Rethinking Justice, Legality and Rights (Palgrave Macmillan, 2021) offers a theoretical reconstruction of Karl Marx’s new materialist understanding of justice, legality, and rights through the vantage point of his widely invoked but generally misunderstood critique of liberalism. Igor Shoikhedbrod begins his book by reconstructing Marx’s conception of justice and rights through close textual interpretation and extrapolation. The central thesis of the book is, firstly, that Marx regards justice as an essential feature of any society, including the emancipated society of the future; and secondly, that standards of justice and right undergo transformation throughout history. In our discussion, the author tracks the enduring legacy of Marx’s critique of liberal justice by examining how Marx still speaks to our time. The Marx that emerges from this book is therefore a thoroughly modern thinker whose insights shed valuable light on some of the most pressing challenges confronting liberal democracies today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is Marx relevant today, after the collapse of communism in Eastern Europe? Is Marx’s political theory compatible with individual rights? You will be surprised to learn that the answers are yes and yes. <a href="https://bookshop.org/a/12343/9783030301972"><em>Revisiting Marx’s Critique of Liberalism: Rethinking Justice, Legality and Rights</em></a> (Palgrave Macmillan, 2021) offers a theoretical reconstruction of Karl Marx’s new materialist understanding of justice, legality, and rights through the vantage point of his widely invoked but generally misunderstood critique of liberalism. Igor Shoikhedbrod begins his book by reconstructing Marx’s conception of justice and rights through close textual interpretation and extrapolation. The central thesis of the book is, firstly, that Marx regards justice as an essential feature of any society, including the emancipated society of the future; and secondly, that standards of justice and right undergo transformation throughout history. In our discussion, the author tracks the enduring legacy of Marx’s critique of liberal justice by examining how Marx still speaks to our time. The Marx that emerges from this book is therefore a thoroughly modern thinker whose insights shed valuable light on some of the most pressing challenges confronting liberal democracies today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3335</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[843ae180-5eb9-11ed-9ecc-d36aef57b6ac]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1798469912.mp3?updated=1667838757" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bradley Onishi, "Preparing for War: The Extremist History of White Christian Nationalism--And What Comes Next" (Broadleaf Books, 2023)</title>
      <description>The insurrection at the US Capitol on January 6, 2021, was not a blip or an aberration. It was the logical outcome of years of a White evangelical subculture's preparation for war. Religion scholar and former insider Bradley Onishi maps the origins of White Christian nationalism and traces its offshoots in Preparing for War: The Extremist History of White Christian Nationalism--And What Comes Next (Broadleaf Books, 2023).
Combining his own experiences in the youth groups and prayer meetings of the 1990s with an immersive look at the steady blending of White grievance politics with evangelicalism, Onishi crafts an engrossing account of the years-long campaign of White Christian nationalism that led to January 6. How did the rise of what Onishi calls the New Religious Right, between 1960 and 2015, give birth to violent White Christian nationalism during the Trump presidency and beyond? What propelled some of the most conservative religious communities in the country--communities of which Onishi was once a part--to ignite a cold civil war?
Through chapters on White supremacy and segregationist theologies, conspiracy theories, the Christian-school movement, purity culture, and the right-wing media ecosystem, Onishi pulls back the curtain on a subculture that birthed a movement and has taken a dangerous turn. In taut and unsparing prose, Onishi traces the migration of many White Christians to Idaho, Montana, and Wyoming in what is known as the American Redoubt. Learning the troubling history of the New Religious Right and the longings and logic of White Christian nationalism is deeply alarming. It is also critical for preserving the shape of our democracy for years to come.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 10 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>247</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bradley Onishi</itunes:subtitle>
      <itunes:summary>The insurrection at the US Capitol on January 6, 2021, was not a blip or an aberration. It was the logical outcome of years of a White evangelical subculture's preparation for war. Religion scholar and former insider Bradley Onishi maps the origins of White Christian nationalism and traces its offshoots in Preparing for War: The Extremist History of White Christian Nationalism--And What Comes Next (Broadleaf Books, 2023).
Combining his own experiences in the youth groups and prayer meetings of the 1990s with an immersive look at the steady blending of White grievance politics with evangelicalism, Onishi crafts an engrossing account of the years-long campaign of White Christian nationalism that led to January 6. How did the rise of what Onishi calls the New Religious Right, between 1960 and 2015, give birth to violent White Christian nationalism during the Trump presidency and beyond? What propelled some of the most conservative religious communities in the country--communities of which Onishi was once a part--to ignite a cold civil war?
Through chapters on White supremacy and segregationist theologies, conspiracy theories, the Christian-school movement, purity culture, and the right-wing media ecosystem, Onishi pulls back the curtain on a subculture that birthed a movement and has taken a dangerous turn. In taut and unsparing prose, Onishi traces the migration of many White Christians to Idaho, Montana, and Wyoming in what is known as the American Redoubt. Learning the troubling history of the New Religious Right and the longings and logic of White Christian nationalism is deeply alarming. It is also critical for preserving the shape of our democracy for years to come.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The insurrection at the US Capitol on January 6, 2021, was not a blip or an aberration. It was the logical outcome of years of a White evangelical subculture's preparation for war. Religion scholar and former insider Bradley Onishi maps the origins of White Christian nationalism and traces its offshoots in <a href="https://bookshop.org/a/12343/9781506482163"><em>Preparing for War: The Extremist History of White Christian Nationalism--And What Comes Next</em> </a>(Broadleaf Books, 2023).</p><p>Combining his own experiences in the youth groups and prayer meetings of the 1990s with an immersive look at the steady blending of White grievance politics with evangelicalism, Onishi crafts an engrossing account of the years-long campaign of White Christian nationalism that led to January 6. How did the rise of what Onishi calls the New Religious Right, between 1960 and 2015, give birth to violent White Christian nationalism during the Trump presidency and beyond? What propelled some of the most conservative religious communities in the country--communities of which Onishi was once a part--to ignite a cold civil war?</p><p>Through chapters on White supremacy and segregationist theologies, conspiracy theories, the Christian-school movement, purity culture, and the right-wing media ecosystem, Onishi pulls back the curtain on a subculture that birthed a movement and has taken a dangerous turn. In taut and unsparing prose, Onishi traces the migration of many White Christians to Idaho, Montana, and Wyoming in what is known as the American Redoubt. Learning the troubling history of the New Religious Right and the longings and logic of White Christian nationalism is deeply alarming. It is also critical for preserving the shape of our democracy for years to come.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3036</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d02d6dfa-5de3-11ed-9e2e-8fd2295c3fb0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2592594219.mp3?updated=1667747459" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neta Yodovich, "Women Negotiating Feminism and Science Fiction Fandom: The Case of the 'Good' Fan" (Palgrave Macmillan, 2022)</title>
      <description>How do women balance feminist identities whilst being science fiction fans? In Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan (Palgrave MacMillan, 2022), Neta Yodovich, a postdoctoral researcher at the University of Haifa’s department of Sociology, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>329</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Neta Yodovich</itunes:subtitle>
      <itunes:summary>How do women balance feminist identities whilst being science fiction fans? In Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan (Palgrave MacMillan, 2022), Neta Yodovich, a postdoctoral researcher at the University of Haifa’s department of Sociology, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do women balance feminist identities whilst being science fiction fans? In <a href="https://bookshop.org/a/12343/9783031040788"><em>Women Negotiating Feminism and Science Fiction Fandom: The Case of the “Good” Fan</em></a><em> </em>(Palgrave MacMillan, 2022), <a href="https://twitter.com/NYodovich">Neta Yodovich,</a> a <a href="https://soc.hevra.haifa.ac.il/index.php/he/?option=com_content&amp;view=article&amp;id=279">postdoctoral researcher at the University of Haifa’s department of Sociology</a>, explores the lived experience of feminist women who are sci-fi fans. The book shows their commitments to being both feminists and part of the sci-fi community, even where they face hostility and gatekeeping, personal ambivalences, and the reality of sci-fi as a problematic genre. Adopting an intersectional perspective, the book shows how race, age, and gender all play a role in the way feminist women interpret some of the biggest sci-fi franchises, as well as how they think about iconic characters. Crucially the analysis foregrounds the agency of feminist women sci-fi fans, demonstrating how they are challenging and changing the genre and its fan community for the better. Theoretically and empirically rich and deep, the book is essential reading across humanities and social sciences, as well as for anyone interested in fandom!</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6fdfac9c-5c3a-11ed-9609-7ff85ac1f569]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4907396791.mp3?updated=1667565066" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helen De Cruz ed. "Philosophy Illustrated: Forty-Two Thought Experiments to Broaden your Mind" (Oxford UP, 2021)</title>
      <description>Thought experiments are tools philosophers and scientists use to investigate how things are, without actually having to go out and experiment in the real world. Philosophy Illustrated: Forty-Two Thought Experiments to Broaden your Mind (Oxford UP, 2021) presents forty-two philosophical thought experiments. Each thought experiment is illustrated by De Cruz and is summarized in one or two paragraphs, which is followed by a brief exploration of its significance. Each thought experiment also includes a longer (approximately 2-page) reflection, written by a philosopher who is a specialist in the field. De Cruz's unique illustrations serve as visual and accessible starting points for classroom discussions in Intro to Philosophy courses.
The featured philosophers in this podcast include:

Pictures as philosophy, by Helen De Cruz

Skywalk. Original thought experiment by Tamar Gendler

The creationist teacher. Original thought experiment by Jennifer Lackey

The drowning child. Original thought experiment by Peter Singer

Splitting the bill at a restaurant. Original thought experiment by David Christensen. Reflection by David Christensen

Red square. Original thought experiment by Arthur Danto. Reflection by Alex King

Becoming a vampire. Original thought experiment by L.A. Paul

The impartial caretaker. Original thought experiment by Mozi. Reflection by Hui-chieh Loy

Seeing color for the first time. Original thought experiment by Ibn Tufayl. Reflection by Eric Schliesser

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>330</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Thought experiments are tools philosophers and scientists use to investigate how things are, without actually having to go out and experiment in the real world. Philosophy Illustrated: Forty-Two Thought Experiments to Broaden your Mind (Oxford UP, 2021) presents forty-two philosophical thought experiments. Each thought experiment is illustrated by De Cruz and is summarized in one or two paragraphs, which is followed by a brief exploration of its significance. Each thought experiment also includes a longer (approximately 2-page) reflection, written by a philosopher who is a specialist in the field. De Cruz's unique illustrations serve as visual and accessible starting points for classroom discussions in Intro to Philosophy courses.
The featured philosophers in this podcast include:

Pictures as philosophy, by Helen De Cruz

Skywalk. Original thought experiment by Tamar Gendler

The creationist teacher. Original thought experiment by Jennifer Lackey

The drowning child. Original thought experiment by Peter Singer

Splitting the bill at a restaurant. Original thought experiment by David Christensen. Reflection by David Christensen

Red square. Original thought experiment by Arthur Danto. Reflection by Alex King

Becoming a vampire. Original thought experiment by L.A. Paul

The impartial caretaker. Original thought experiment by Mozi. Reflection by Hui-chieh Loy

Seeing color for the first time. Original thought experiment by Ibn Tufayl. Reflection by Eric Schliesser

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thought experiments are tools philosophers and scientists use to investigate how things are, without actually having to go out and experiment in the real world. <a href="https://bookshop.org/a/12343/9780190080532"><em>Philosophy Illustrated: Forty-Two Thought Experiments to Broaden your Mind</em></a><em> </em>(Oxford UP, 2021) presents forty-two philosophical thought experiments. Each thought experiment is illustrated by De Cruz and is summarized in one or two paragraphs, which is followed by a brief exploration of its significance. Each thought experiment also includes a longer (approximately 2-page) reflection, written by a philosopher who is a specialist in the field. De Cruz's unique illustrations serve as visual and accessible starting points for classroom discussions in Intro to Philosophy courses.</p><p>The featured philosophers in this podcast include:</p><ol>
<li>Pictures as philosophy, by Helen De Cruz</li>
<li>Skywalk. Original thought experiment by Tamar Gendler</li>
<li>The creationist teacher. Original thought experiment by Jennifer Lackey</li>
<li>The drowning child. Original thought experiment by Peter Singer</li>
<li>Splitting the bill at a restaurant. Original thought experiment by David Christensen. Reflection by David Christensen</li>
<li>Red square. Original thought experiment by Arthur Danto. Reflection by Alex King</li>
<li>Becoming a vampire. Original thought experiment by L.A. Paul</li>
<li>The impartial caretaker. Original thought experiment by Mozi. Reflection by Hui-chieh Loy</li>
<li>Seeing color for the first time. Original thought experiment by Ibn Tufayl. Reflection by Eric Schliesser</li>
</ol><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7296</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ffb1a510-5dec-11ed-afef-d7d65b8ba8d7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9833739161.mp3?updated=1667752206" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Edward Said's "Orientalism"</title>
      <link>https://www.writlarge.fm/</link>
      <description>Beginning in the 17th century, European countries began colonizing countries east of Europe. They imposed their own ideas over local cultures and extracted free labor and resources. One way that European colonizers justified this exploitation was through an academic discipline called Orientalism. In 1978, Edward Said, a professor of literature at Columbia University, published a book of the same name, Orientalism. In his critique, he challenged Europeans’ construction of the so-called “East,” laid bare the biases of Orientalist study, and transformed the course of humanities scholarship. Stathis Gourgouris is a professor of classics, English, and comparative literature at Columbia University. He is the author of books such as Dream Nation: Enlightenment, Colonization, and the Institution of Modern Greece and Does Literature Think?: Literature as Theory for an Antimythical Era. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/1a242606-18e8-11ed-9758-77c6de834ad9/image/Orientalism.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Stathis Gourgouris</itunes:subtitle>
      <itunes:summary>Beginning in the 17th century, European countries began colonizing countries east of Europe. They imposed their own ideas over local cultures and extracted free labor and resources. One way that European colonizers justified this exploitation was through an academic discipline called Orientalism. In 1978, Edward Said, a professor of literature at Columbia University, published a book of the same name, Orientalism. In his critique, he challenged Europeans’ construction of the so-called “East,” laid bare the biases of Orientalist study, and transformed the course of humanities scholarship. Stathis Gourgouris is a professor of classics, English, and comparative literature at Columbia University. He is the author of books such as Dream Nation: Enlightenment, Colonization, and the Institution of Modern Greece and Does Literature Think?: Literature as Theory for an Antimythical Era. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Beginning in the 17th century, European countries began colonizing countries east of Europe. They imposed their own ideas over local cultures and extracted free labor and resources. One way that European colonizers justified this exploitation was through an academic discipline called Orientalism. In 1978, Edward Said, a professor of literature at Columbia University, published a book of the same name, Orientalism. In his critique, he challenged Europeans’ construction of the so-called “East,” laid bare the biases of Orientalist study, and transformed the course of humanities scholarship. Stathis Gourgouris is a professor of classics, English, and comparative literature at Columbia University. He is the author of books such as Dream Nation: Enlightenment, Colonization, and the Institution of Modern Greece and Does Literature Think?: Literature as Theory for an Antimythical Era. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2034</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[381dfb8a-b25c-11eb-95c8-7bf4945ed5ea]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8714094913.mp3?updated=1656511211" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Željka Matijasević, "The Borderline Culture: Intensity, Jouissance, and Death" (Lexington, 2021)</title>
      <description>Borderline personality disorder is no longer a secret. Many people who are not therapists know what it is and see it as a fitting description for their personal experience. But what does it mean for someone to be “borderline”? Is it something one is or that one has? Perhaps most importantly, where does it come from? The prevailing view in psychological circles has long been that it stems from traumatic experiences and problematic internal psychological patterns. But is it possible that society actually makes certain people “borderline?” 
These and other questions are taken up in my interview with Željka Matijašević, author of the new book The Borderline Culture: Intensity, Jouissance, and Death (2021, Rowman &amp; Littlefield). She advances a compelling argument that perhaps our fast-paced, capitalist society bears some responsibility for the creation of borderline states, with its proclivity towards intensity and promotion of insatiable consumption, both features with striking resemblance to borderline states. This interview is for anyone wanting to better understand the borderline phenomenon.
Željka Matijašević is full professor of comparative literature at the Department of Comparative Literature, Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She holds and MPhil and Ph.D. in psychoanalytic studies from the University of Cambridge, UK. Her prior books include Lacan: The Persistence of the Dialectics (2005); Structuring the Unconscious: Freud and Lacan (2006); An Introduction to Psychoanalysis: Oedipus, Hamlet, Jekyll/Hyde (2011); The Century of the Fragile Self: Psychoanalysis, Culture, and Society (2016); and Drama, Drama (2020). She is a member of La Fondation Européenne pour la Psychoanalyse and the Croatian Writers’ Society.
Eugenio Duarte, Ph.D. is a psychoanalyst and clinical psychologist practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge) and has published on issues of gender, sexuality, and sexual abuse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Željka Matijasević</itunes:subtitle>
      <itunes:summary>Borderline personality disorder is no longer a secret. Many people who are not therapists know what it is and see it as a fitting description for their personal experience. But what does it mean for someone to be “borderline”? Is it something one is or that one has? Perhaps most importantly, where does it come from? The prevailing view in psychological circles has long been that it stems from traumatic experiences and problematic internal psychological patterns. But is it possible that society actually makes certain people “borderline?” 
These and other questions are taken up in my interview with Željka Matijašević, author of the new book The Borderline Culture: Intensity, Jouissance, and Death (2021, Rowman &amp; Littlefield). She advances a compelling argument that perhaps our fast-paced, capitalist society bears some responsibility for the creation of borderline states, with its proclivity towards intensity and promotion of insatiable consumption, both features with striking resemblance to borderline states. This interview is for anyone wanting to better understand the borderline phenomenon.
Željka Matijašević is full professor of comparative literature at the Department of Comparative Literature, Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She holds and MPhil and Ph.D. in psychoanalytic studies from the University of Cambridge, UK. Her prior books include Lacan: The Persistence of the Dialectics (2005); Structuring the Unconscious: Freud and Lacan (2006); An Introduction to Psychoanalysis: Oedipus, Hamlet, Jekyll/Hyde (2011); The Century of the Fragile Self: Psychoanalysis, Culture, and Society (2016); and Drama, Drama (2020). She is a member of La Fondation Européenne pour la Psychoanalyse and the Croatian Writers’ Society.
Eugenio Duarte, Ph.D. is a psychoanalyst and clinical psychologist practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge) and has published on issues of gender, sexuality, and sexual abuse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Borderline personality disorder is no longer a secret. Many people who are not therapists know what it is and see it as a fitting description for their personal experience. But what does it mean for someone to be “borderline”? Is it something one is or that one has? Perhaps most importantly, where does it come from? The prevailing view in psychological circles has long been that it stems from traumatic experiences and problematic internal psychological patterns. But is it possible that society actually makes certain people “borderline?” </p><p>These and other questions are taken up in my interview with Željka Matijašević, author of the new book The Borderline Culture: Intensity, Jouissance, and Death (2021, Rowman &amp; Littlefield). She advances a compelling argument that perhaps our fast-paced, capitalist society bears some responsibility for the creation of borderline states, with its proclivity towards intensity and promotion of insatiable consumption, both features with striking resemblance to borderline states. This interview is for anyone wanting to better understand the borderline phenomenon.</p><p>Željka Matijašević is full professor of comparative literature at the Department of Comparative Literature, Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She holds and MPhil and Ph.D. in psychoanalytic studies from the University of Cambridge, UK. Her prior books include Lacan: The Persistence of the Dialectics (2005); Structuring the Unconscious: Freud and Lacan (2006); An Introduction to Psychoanalysis: Oedipus, Hamlet, Jekyll/Hyde (2011); The Century of the Fragile Self: Psychoanalysis, Culture, and Society (2016); and Drama, Drama (2020). She is a member of La Fondation Européenne pour la Psychoanalyse and the Croatian Writers’ Society.</p><p><a href="http://www.eugenioduartephd.com/"><em>Eugenio Duarte</em></a><em>, Ph.D. is a psychoanalyst and clinical psychologist practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book </em><a href="https://www.routledge.com/Introduction-to-Contemporary-Psychoanalysis-Defining-terms-and-building/Charles/p/book/9781138749887"><em>Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges</em></a><em> (2018, Routledge) and has published on issues of gender, sexuality, and sexual abuse.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2213</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e405b2c-5845-11ed-b2c8-8b288950df40]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8213619143.mp3?updated=1667129451" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Can We Square the Circle? Universalism Versus Communitarianism</title>
      <description>The political Left has long faced tension regarding its universalistic commitments and those to the nation it inhabits. The dilemma is captured succinctly in the Declaration of the Rights of Man and Citizen that articulated leftist or progressive devotion to both man in the historic collective sense of human beings, as well as to the fellow members of a particular political community at the time of the French Revolution. That older tension persists at the same time that the left has increasingly today become associated with identity politics and such phenomena. So how can the Left square this circle between universalism and its own national community?
In this episode of International Horizons, Emmanuel Dalle Mulle and Ivan Serrano authors of “Universalism Within: The Tension between Universalism and Community in Progressive Ideology”, discuss the concept and importance of universalism and how it is closely related to the conception of nation-states, creating a tension of values where the clashes between educated and non-educated translate into right-wing politics. Moreover, they explain the relationship between identity politics and universalism, and how the working class has shifted within politics in Europe and the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Emmanuel Dalle Mulle and Ivan Serrano</itunes:subtitle>
      <itunes:summary>The political Left has long faced tension regarding its universalistic commitments and those to the nation it inhabits. The dilemma is captured succinctly in the Declaration of the Rights of Man and Citizen that articulated leftist or progressive devotion to both man in the historic collective sense of human beings, as well as to the fellow members of a particular political community at the time of the French Revolution. That older tension persists at the same time that the left has increasingly today become associated with identity politics and such phenomena. So how can the Left square this circle between universalism and its own national community?
In this episode of International Horizons, Emmanuel Dalle Mulle and Ivan Serrano authors of “Universalism Within: The Tension between Universalism and Community in Progressive Ideology”, discuss the concept and importance of universalism and how it is closely related to the conception of nation-states, creating a tension of values where the clashes between educated and non-educated translate into right-wing politics. Moreover, they explain the relationship between identity politics and universalism, and how the working class has shifted within politics in Europe and the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The political Left has long faced tension regarding its universalistic commitments and those to the nation it inhabits. The dilemma is captured succinctly in the Declaration of the Rights of Man and Citizen that articulated leftist or progressive devotion to both man in the historic collective sense of human beings, as well as to the fellow members of a particular political community at the time of the French Revolution. That older tension persists at the same time that the left has increasingly today become associated with identity politics and such phenomena. So how can the Left square this circle between universalism and its own national community?</p><p>In this episode of International Horizons, Emmanuel Dalle Mulle and Ivan Serrano authors of “<a href="https://onlinelibrary.wiley.com/doi/full/10.1111/nana.12867">Universalism Within: The Tension between Universalism and Community in Progressive Ideology</a><em>”, </em>discuss the concept and importance of universalism and how it is closely related to the conception of nation-states, creating a tension of values where the clashes between educated and non-educated translate into right-wing politics. Moreover, they explain the relationship between identity politics and universalism, and how the working class has shifted within politics in Europe and the United States.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2824</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb900778-5ea1-11ed-b706-1b3449b95473]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1083228735.mp3?updated=1667828620" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Caute, "Red List: MI5 and British Intellectuals in the Twentieth Century" (Verso, 2022)</title>
      <description>In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists. 
Yet in Red List: MI5 and British Intellectuals in the Twentieth Century (Verso, 2022), David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>328</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Caute</itunes:subtitle>
      <itunes:summary>In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists. 
Yet in Red List: MI5 and British Intellectuals in the Twentieth Century (Verso, 2022), David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists. </p><p>Yet in <a href="https://bookshop.org/a/12343/9781839762451"><em>Red List: MI5 and British Intellectuals in the Twentieth Century</em></a> (Verso, 2022), David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others.</p><p><br></p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1833</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e89c95d2-57bc-11ed-8bcd-57cc6c7c13f3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7739742737.mp3?updated=1667070913" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Graham Harman, "Architecture and Objects" (U Minnesota Press, 2022)</title>
      <description>Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.
Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”
Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>326</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Graham Harman</itunes:subtitle>
      <itunes:summary>Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.
Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”
Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. <a href="https://bookshop.org/a/12343/9781517908539"><em>Architecture and Objects</em></a><em> </em>(U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.</p><p>Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”</p><p>Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[31a99f7a-5620-11ed-9ac2-6bf6b49ca859]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9726116824.mp3?updated=1666894005" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Rehberg, "Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt'" (Routledge, 2022)</title>
      <description>It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.
Peter Rehberg’s book Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt' (Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine Butt which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.
Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, Butt‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.
Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at Schwules Museum, Berlin.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Rehberg</itunes:subtitle>
      <itunes:summary>It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.
Peter Rehberg’s book Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt' (Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine Butt which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.
Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, Butt‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.
Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at Schwules Museum, Berlin.
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.</p><p>Peter Rehberg’s book <a href="https://bookshop.org/a/12343/9781032044613"><em>Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt'</em></a><em> (</em>Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine <em>Butt</em> which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.</p><p>Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, <em>Butt</em>‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.</p><p>Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at <a href="https://www.schwulesmuseum.de/">Schwules Museum</a>, Berlin.</p><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4074</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f6ffa456-56ff-11ed-a83c-bf92ab00812f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1453261890.mp3?updated=1666989781" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aufhebunga Bunga and Global Politics</title>
      <description>Aufhebunga Bunga is the global politics podcast at the End of the End of History. In this episode, Alex Hochuli, George Hoare, and Philip Cunliffe talk about their work as academics and political commentators. Their podcast, also known as Bunga Cast, is a funny and fascinating examination of populist and illiberal developments around the world.


Alex Hochuli 

George Hoare

Philip Cunliffe


Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Alex Hochuli, George Hoare and Philip Cunliffe</itunes:subtitle>
      <itunes:summary>Aufhebunga Bunga is the global politics podcast at the End of the End of History. In this episode, Alex Hochuli, George Hoare, and Philip Cunliffe talk about their work as academics and political commentators. Their podcast, also known as Bunga Cast, is a funny and fascinating examination of populist and illiberal developments around the world.


Alex Hochuli 

George Hoare

Philip Cunliffe


Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bungacast.com/">Aufhebunga Bunga</a> is the global politics podcast at the End of the End of History. In this episode, Alex Hochuli, George Hoare, and Philip Cunliffe talk about their work as academics and political commentators. Their podcast, also known as Bunga Cast, is a funny and fascinating examination of populist and illiberal developments around the world.</p><ul>
<li>
<a href="http://twitter.com/alex__1789">Alex Hochuli</a> </li>
<li><a href="http://twitter.com/gtbho">George Hoare</a></li>
<li><a href="https://twitter.com/thephilippics">Philip Cunliffe</a></li>
</ul><p><br></p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3570</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[24f11ba4-56d0-11ed-8dc7-eb8b055c26d2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2165596980.mp3?updated=1666970897" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vivek Chibber, "Confronting Capitalism: How the World Works and How to Change It" (Verso, 2022)</title>
      <description>Why is our society so unequal? Why, despite their small numbers, do the rich dominate policy and politics even in democratic countries? Why is it so difficult for working people to organize around common interests? How do we begin to build a more equal and democratic society?
In Confronting Capitalism: How the World Works and How to Change It (Verso, 2022)﻿, Vivek Chibber provides a clear and accessible map of how capitalism works, how it limits the power of working and oppressed people, and how to overcome those limits. The capitalist economy generates incredible wealth but also injustice. Those who own the factories, hotels, and farms always have an advantage over the people who rely on that ownership class for their livelihoods. This inequality in power and income is reflected in the operation of the state, where capitalists are able to exert their will even under relatively democratic conditions. The most important reason is that states depend on the employment and profits from capitalist enterprise for both finances and legitimacy. Every meaningful victory for working people has been won through collective struggle but collective action is very difficult to coordinate. In the final section of the book, Chibber walks the reader through some of the historical attempts to build socialism and presents a vision of how we might, perhaps against the odds, build a socialist future.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>326</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vivek Chibber</itunes:subtitle>
      <itunes:summary>Why is our society so unequal? Why, despite their small numbers, do the rich dominate policy and politics even in democratic countries? Why is it so difficult for working people to organize around common interests? How do we begin to build a more equal and democratic society?
In Confronting Capitalism: How the World Works and How to Change It (Verso, 2022)﻿, Vivek Chibber provides a clear and accessible map of how capitalism works, how it limits the power of working and oppressed people, and how to overcome those limits. The capitalist economy generates incredible wealth but also injustice. Those who own the factories, hotels, and farms always have an advantage over the people who rely on that ownership class for their livelihoods. This inequality in power and income is reflected in the operation of the state, where capitalists are able to exert their will even under relatively democratic conditions. The most important reason is that states depend on the employment and profits from capitalist enterprise for both finances and legitimacy. Every meaningful victory for working people has been won through collective struggle but collective action is very difficult to coordinate. In the final section of the book, Chibber walks the reader through some of the historical attempts to build socialism and presents a vision of how we might, perhaps against the odds, build a socialist future.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is our society so unequal? Why, despite their small numbers, do the rich dominate policy and politics even in democratic countries? Why is it so difficult for working people to organize around common interests? How do we begin to build a more equal and democratic society?</p><p>In <a href="https://bookshop.org/a/12343/9781839762703"><em>Confronting Capitalism: How the World Works and How to Change It</em></a> (Verso, 2022)﻿, Vivek Chibber provides a clear and accessible map of how capitalism works, how it limits the power of working and oppressed people, and how to overcome those limits. The capitalist economy generates incredible wealth but also injustice. Those who own the factories, hotels, and farms always have an advantage over the people who rely on that ownership class for their livelihoods. This inequality in power and income is reflected in the operation of the state, where capitalists are able to exert their will even under relatively democratic conditions. The most important reason is that states depend on the employment and profits from capitalist enterprise for both finances and legitimacy. Every meaningful victory for working people has been won through collective struggle but collective action is very difficult to coordinate. In the final section of the book, Chibber walks the reader through some of the historical attempts to build socialism and presents a vision of how we might, perhaps against the odds, build a socialist future.</p><p><br></p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4182</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3df39142-57b4-11ed-a759-4fa80307f9a3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4973365238.mp3?updated=1667067495" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Salter, "Sensing Machines: How Sensors Shape Our Everyday Life" (MIT Press, 2022)</title>
      <description>Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations.
Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 01 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chris Salter</itunes:subtitle>
      <itunes:summary>Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations.
Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In <a href="https://bookshop.org/a/12343/9780262046602"><em>Sensing Machines: How Sensors Shape Our Everyday Life</em></a><em> </em>(MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations.</p><p>Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4414</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64f0a1b2-588c-11ed-bb32-abe1ec221d6d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7050856031.mp3?updated=1667160121" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Darts Transit Commission: Silicon Valley’s Car Culture</title>
      <description>Paris Marx is one of the sharpest modern writers on Silicon Valley and transit. We have been talking a lot lately about the idea of techno-utopian thinking, but we’re coming to a somewhat surprising conclusion: there isn’t as much of it as there used to be. Our Silicon Valley tech bros have quite a curtailed vision. If they do have a utopia, it is a utopia of sustaining the unsustainable, of paving over the continent to keep everyone in their cars.
With Paris we’ll traverse the intellectual history of hippies-turned-arch-capitalists, and focus especially on their ideas for transportation policy. Do they have a radical vision for a different transportation future, or is it a vision of maintaining the status quo? Marx is author of the book Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation, out now from Verso Books.
SUPPORT THE SHOW
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If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 31 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Conversation with Paris Marx</itunes:subtitle>
      <itunes:summary>Paris Marx is one of the sharpest modern writers on Silicon Valley and transit. We have been talking a lot lately about the idea of techno-utopian thinking, but we’re coming to a somewhat surprising conclusion: there isn’t as much of it as there used to be. Our Silicon Valley tech bros have quite a curtailed vision. If they do have a utopia, it is a utopia of sustaining the unsustainable, of paving over the continent to keep everyone in their cars.
With Paris we’ll traverse the intellectual history of hippies-turned-arch-capitalists, and focus especially on their ideas for transportation policy. Do they have a radical vision for a different transportation future, or is it a vision of maintaining the status quo? Marx is author of the book Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation, out now from Verso Books.
SUPPORT THE SHOW
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
ABOUT THE SHOW
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paris Marx is one of the sharpest modern writers on Silicon Valley and transit. We have been talking a lot lately about the idea of techno-utopian thinking, but we’re coming to a somewhat surprising conclusion: there isn’t as much of it as there used to be. Our Silicon Valley tech bros have quite a curtailed vision. If they do have a utopia, it is a utopia of sustaining the unsustainable, of paving over the continent to keep everyone in their cars.</p><p>With Paris we’ll traverse the intellectual history of hippies-turned-arch-capitalists, and focus especially on their ideas for transportation policy. Do they have a radical vision for a different transportation future, or is it a vision of maintaining the status quo? Marx is author of the book Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation, out now from Verso Books.</p><p>SUPPORT THE SHOW</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>ABOUT THE SHOW</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2782</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[42d49278-593b-11ed-b0c6-37893a168f69]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6038547523.mp3?updated=1667235552" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Red Cat</title>
      <description>In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022.
Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com
In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans’s Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese’s Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022).
Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 31 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>100</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/577a200c-590f-11ed-97ae-8ba5c50041dd/image/c630d0.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Leigh Claire La Berge</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022.
Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com
In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans’s Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese’s Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022).
Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022.</p><p>Her book <em>Marx for Cats: A Radical Bestiary </em>will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at <a href="https://vimeo.com/marxforcats">marxforcats.com</a></p><p>In the episode she references <a href="https://archive.org/details/in.ernet.dli.2015.100084/page/n11/mode/2up"><em>The Social Contract</em></a> by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans’s <a href="https://www.versobooks.com/books/2036-red-rosa"><em>Red Rosa: A Graphic Biography of Rosa Luxemburg</em></a> (Verso 2015) and Drew Pendergrass and Troy Vettese’s <a href="https://www.versobooks.com/books/3818-half-earth-socialism"><em>Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics</em></a> (Verso, 2022).</p><p><a href="https://twitter.com/marxforcats">Leigh Claire La Berge</a> is an <a href="https://www.bmcc.cuny.edu/faculty/leigh-laberge/">Associate Professor of English at BMCC CUNY</a>, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include <a href="https://academic.oup.com/book/6384"><em>Scandals and Abstraction: Financial Fiction of the Long 1980s</em></a> (Oxford, 2014) and <a href="https://www.dukeupress.edu/wages-against-artwork"><em>Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art</em></a> (Duke, 2019).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>991</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[577a200c-590f-11ed-97ae-8ba5c50041dd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5643505793.mp3?updated=1667215888" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bartholomew Ryan, "Kierkegaard's Indirect Politics: Interludes with Lukács, Schmitt, Benjamin and Adorno" (Brill, 2014)</title>
      <description>In 1848, as political movements and events were sweeping Europe and Marx and Engels penned their famous Communist Manifesto, Kierkegaard wrote in a letter: “No, politics is not for me. To follow politics, even if only domestic politics, is nowadays an impossibility, for me, at any rate. I love to focus my attention on lesser things, in which one may sometimes encounter exactly the same.” This negation of politics (and it’s negation) is the starting point for Bartholomew Ryan with his book Kierkegaard’s Indirect Politics: Interludes with Lukacs, Schmitt, Benjamin and Adorno (Brill, 2014), which looks at Kierkegaard’s own thinking and it’s effect on several more explicitly political thinkers. Kierkegaard’s own politics are somewhat ambivalent, and one might struggle to fit them onto today’s political landscape, but Ryan has a different project in mind. Instead, Kierkegaard’s elusiveness, ambiguity and cultivation of the single individual in all their inner psychological and spiritual richness are shown to be inspiring for thinking politics and history in new ways. In the four figures Ryan looks at Kierkegaard’s presence in all their thinking, both explicit and implicit, emerging with a sophisticated form of inwardness capable of standing against despair, despotism and reification.
Bartholomew Ryan is a philosophy research fellow at the NOVA Institute of Philosophy at the NOVA University Lisbon, where he works at the intersection of literature and philosophy. He is a coeditor of several books; Fernando Pessoa and Philosophy: Countless Lives Inhabit Us (2021), Faces of the Self: Autobiography, Confession, Therapy (2019), Nietzsche and Pessoa: Ensaios (2016), and Nietzsche and the Problem of Subjectivity (2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bartholomew Ryan</itunes:subtitle>
      <itunes:summary>In 1848, as political movements and events were sweeping Europe and Marx and Engels penned their famous Communist Manifesto, Kierkegaard wrote in a letter: “No, politics is not for me. To follow politics, even if only domestic politics, is nowadays an impossibility, for me, at any rate. I love to focus my attention on lesser things, in which one may sometimes encounter exactly the same.” This negation of politics (and it’s negation) is the starting point for Bartholomew Ryan with his book Kierkegaard’s Indirect Politics: Interludes with Lukacs, Schmitt, Benjamin and Adorno (Brill, 2014), which looks at Kierkegaard’s own thinking and it’s effect on several more explicitly political thinkers. Kierkegaard’s own politics are somewhat ambivalent, and one might struggle to fit them onto today’s political landscape, but Ryan has a different project in mind. Instead, Kierkegaard’s elusiveness, ambiguity and cultivation of the single individual in all their inner psychological and spiritual richness are shown to be inspiring for thinking politics and history in new ways. In the four figures Ryan looks at Kierkegaard’s presence in all their thinking, both explicit and implicit, emerging with a sophisticated form of inwardness capable of standing against despair, despotism and reification.
Bartholomew Ryan is a philosophy research fellow at the NOVA Institute of Philosophy at the NOVA University Lisbon, where he works at the intersection of literature and philosophy. He is a coeditor of several books; Fernando Pessoa and Philosophy: Countless Lives Inhabit Us (2021), Faces of the Self: Autobiography, Confession, Therapy (2019), Nietzsche and Pessoa: Ensaios (2016), and Nietzsche and the Problem of Subjectivity (2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1848, as political movements and events were sweeping Europe and Marx and Engels penned their famous <em>Communist Manifesto</em>, Kierkegaard wrote in a letter: “No, politics is not for me. To follow politics, even if only domestic politics, is nowadays an impossibility, for me, at any rate. I love to focus my attention on lesser things, in which one may sometimes encounter exactly the same.” This negation of politics (and it’s negation) is the starting point for Bartholomew Ryan with his book <a href="https://brill.com/view/title/31303"><em>Kierkegaard’s Indirect Politics: Interludes with Lukacs, Schmitt, Benjamin and Adorno</em></a> (Brill, 2014), which looks at Kierkegaard’s own thinking and it’s effect on several more explicitly political thinkers. Kierkegaard’s own politics are somewhat ambivalent, and one might struggle to fit them onto today’s political landscape, but Ryan has a different project in mind. Instead, Kierkegaard’s elusiveness, ambiguity and cultivation of the single individual in all their inner psychological and spiritual richness are shown to be inspiring for thinking politics and history in new ways. In the four figures Ryan looks at Kierkegaard’s presence in all their thinking, both explicit and implicit, emerging with a sophisticated form of inwardness capable of standing against despair, despotism and reification.</p><p>Bartholomew Ryan is a philosophy research fellow at the NOVA Institute of Philosophy at the NOVA University Lisbon, where he works at the intersection of literature and philosophy. He is a coeditor of several books; <em>Fernando Pessoa and Philosophy: Countless Lives Inhabit Us</em> (2021), <em>Faces of the Self: Autobiography, Confession, Therapy</em> (2019), <em>Nietzsche and Pessoa: Ensaios</em> (2016), and <em>Nietzsche and the Problem of Subjectivity</em> (2015).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5051</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4c5e9d40-50b0-11ed-a2a9-5b6602174715]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1424889457.mp3?updated=1666298035" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andreas Malm, "How to Blow Up a Pipeline" (Verso, 2021)</title>
      <description>The science on climate change has been clear for a very long time now. Yet despite decades of appeals, mass street protests, petition campaigns, and peaceful demonstrations, we are still facing a booming fossil fuel industry, rising seas, rising emission levels, and a rising temperature. With the stakes so high, why haven’t we moved beyond peaceful protest?
Offering a counter-history of how mass popular change has occurred, from the democratic revolutions overthrowing dictators to the movement against apartheid and for women’s suffrage, Malm argues that the strategic acceptance of property destruction and violence has been the only route for revolutionary change. In How to Blow Up a Pipeline (Verso, 2021), Malm offers us an incisive discussion of the politics and ethics of pacifism and violence, democracy and social change, strategy and tactics, and a movement compelled by both the heart and the mind. Here is how we fight in a world on fire.
Jimena Ledgard is a journalist, writer and researcher from Lima, Peru. You can find her on Twitter at www.twitter.com/jimedylan
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andreas Malm</itunes:subtitle>
      <itunes:summary>The science on climate change has been clear for a very long time now. Yet despite decades of appeals, mass street protests, petition campaigns, and peaceful demonstrations, we are still facing a booming fossil fuel industry, rising seas, rising emission levels, and a rising temperature. With the stakes so high, why haven’t we moved beyond peaceful protest?
Offering a counter-history of how mass popular change has occurred, from the democratic revolutions overthrowing dictators to the movement against apartheid and for women’s suffrage, Malm argues that the strategic acceptance of property destruction and violence has been the only route for revolutionary change. In How to Blow Up a Pipeline (Verso, 2021), Malm offers us an incisive discussion of the politics and ethics of pacifism and violence, democracy and social change, strategy and tactics, and a movement compelled by both the heart and the mind. Here is how we fight in a world on fire.
Jimena Ledgard is a journalist, writer and researcher from Lima, Peru. You can find her on Twitter at www.twitter.com/jimedylan
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The science on climate change has been clear for a very long time now. Yet despite decades of appeals, mass street protests, petition campaigns, and peaceful demonstrations, we are still facing a booming fossil fuel industry, rising seas, rising emission levels, and a rising temperature. With the stakes so high, why haven’t we moved beyond peaceful protest?</p><p>Offering a counter-history of how mass popular change has occurred, from the democratic revolutions overthrowing dictators to the movement against apartheid and for women’s suffrage, Malm argues that the strategic acceptance of property destruction and violence has been the only route for revolutionary change. In <a href="https://bookshop.org/a/12343/9781839760259"><em>How to Blow Up a Pipeline</em></a><em> </em>(Verso, 2021), Malm offers us an incisive discussion of the politics and ethics of pacifism and violence, democracy and social change, strategy and tactics, and a movement compelled by both the heart and the mind. Here is how we fight in a world on fire.</p><p><em>Jimena Ledgard is a journalist, writer and researcher from Lima, Peru. You can find her on Twitter at www.twitter.com/jimedylan</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1870</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Halloween Special: Jacques Derrida’s Cat</title>
      <description>Saronik talks with Kim about Jacques Derrida’s cat.
Derrida writes about his cat, who makes him rather anxious, in “The Animal That Therefore I Am (More to Follow)” trans. David Wills, Critical Inquiry 28, no. 2 (Winter 2002): 369-418. https://www.jstor.org/stable/1344276
Image: “Beatrix or Bea or BeaBea is a tiny cat living her tiny cat life.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Saronik talks with Kim about Jacques Derrida’s cat.
Derrida writes about his cat, who makes him rather anxious, in “The Animal That Therefore I Am (More to Follow)” trans. David Wills, Critical Inquiry 28, no. 2 (Winter 2002): 369-418. https://www.jstor.org/stable/1344276
Image: “Beatrix or Bea or BeaBea is a tiny cat living her tiny cat life.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Saronik talks with Kim about Jacques Derrida’s cat.</p><p>Derrida writes about his cat, who makes him rather anxious, in “The Animal That Therefore I Am (More to Follow)” trans. David Wills, <em>Critical Inquiry</em> 28, no. 2 (Winter 2002): 369-418. <a href="https://www.jstor.org/stable/1344276">https://www.jstor.org/stable/1344276</a></p><p>Image: “Beatrix or Bea or BeaBea is a tiny cat living her tiny cat life.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>747</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[568755cc-a2ce-11ec-ade3-a70e77a5bbcb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8097160176.mp3?updated=1646232728" length="0" type="audio/mpeg"/>
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    <item>
      <title>Saskia Warren, "British Muslim Women in the Cultural and Creative Industries" (Edinburgh UP, 2022)</title>
      <description>Why is religion important in understanding creative industries? In British Muslim Women in the Cultural and Creative Industries (Edinburgh University Press, 2022), Saskia Warren, a Senior Lecturer in Human Geography at the University of Manchester, presents an analysis of the fashion, digital media, and visual arts industries to show, for the first time, the centrality of faith and religion to any intersectional analysis of contemporary cultural production and consumption. The book uses in depth interviews, as well as a rich and detailed understanding of institutions and trends, to map the unique experiences of British Muslim women. Offering insights as to the barriers and exclusions, as well as the successes and forms of resistance, experienced by this community, the book is essential reading across social sciences and the humanities, as well as for anyone interested in understanding how culture is made today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>325</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Saskia Warren</itunes:subtitle>
      <itunes:summary>Why is religion important in understanding creative industries? In British Muslim Women in the Cultural and Creative Industries (Edinburgh University Press, 2022), Saskia Warren, a Senior Lecturer in Human Geography at the University of Manchester, presents an analysis of the fashion, digital media, and visual arts industries to show, for the first time, the centrality of faith and religion to any intersectional analysis of contemporary cultural production and consumption. The book uses in depth interviews, as well as a rich and detailed understanding of institutions and trends, to map the unique experiences of British Muslim women. Offering insights as to the barriers and exclusions, as well as the successes and forms of resistance, experienced by this community, the book is essential reading across social sciences and the humanities, as well as for anyone interested in understanding how culture is made today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is religion important in understanding creative industries? In <a href="https://bookshop.org/a/12343/9781474459310"><em>British Muslim Women in the Cultural and Creative Industries</em></a> (Edinburgh University Press, 2022)<em>,</em> <a href="https://twitter.com/saskiawarren1?lang=en">Saskia Warren</a>, a <a href="https://www.research.manchester.ac.uk/portal/saskia.warren.html">Senior Lecturer in Human Geography at the University of Manchester</a>, presents an analysis of the fashion, digital media, and visual arts industries to show, for the first time, the centrality of faith and religion to any intersectional analysis of contemporary cultural production and consumption. The book uses in depth interviews, as well as a rich and detailed understanding of institutions and trends, to map the unique experiences of British Muslim women. Offering insights as to the barriers and exclusions, as well as the successes and forms of resistance, experienced by this community, the book is essential reading across social sciences and the humanities, as well as for anyone interested in understanding how culture is made today.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2572</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76c8c35c-5304-11ed-935f-a7168a57b31d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4092344953.mp3?updated=1666551925" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kyle Stevens, "The Oxford Handbook of Film Theory" (Oxford UP, 2022)</title>
      <description>Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, The Oxford Handbook of Film Theory (Oxford UP, 2022), edited by Kyle Stevens, narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.
Kyle Stevens is the author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism. His work has appeared in Critical Inquiry, Cultural Critique, Journal of Cinema and Media Studies, Adaptation, Critical Quarterly, New Review of Film and Television Studies, World Picture, and several edited collections. He is Associate Professor of Film Studies at Appalachian State University.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kyle Stevens</itunes:subtitle>
      <itunes:summary>Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, The Oxford Handbook of Film Theory (Oxford UP, 2022), edited by Kyle Stevens, narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.
Kyle Stevens is the author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism. His work has appeared in Critical Inquiry, Cultural Critique, Journal of Cinema and Media Studies, Adaptation, Critical Quarterly, New Review of Film and Television Studies, World Picture, and several edited collections. He is Associate Professor of Film Studies at Appalachian State University.
﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, <a href="https://bookshop.org/a/12343/9780190873929"><em>The Oxford Handbook of Film Theory</em></a> (Oxford UP, 2022), edited by Kyle Stevens, narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.</p><p>Kyle Stevens is the author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism. His work has appeared in Critical Inquiry, Cultural Critique, Journal of Cinema and Media Studies, Adaptation, Critical Quarterly, New Review of Film and Television Studies, World Picture, and several edited collections. He is Associate Professor of Film Studies at Appalachian State University.</p><p><em>﻿Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3794</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Adrian Hon, "You've Been Played: How Corporations, Governments, and Schools Use Games to Control Us All" (Basic Books, 2022)Adrian Hon, "You've Been Played: How Corporations, Governments, and Schools Use Games to Control Us All" (Basic Books, 2022)</title>
      <description>Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet.
Points, badges, and leaderboards are creeping into every aspect of modern life. In You’ve Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations, schools, and governments use games and gamification as tools for profit and coercion. These are games that we often have no choice but to play, where losing has heavy penalties. You’ve Been Played is a scathing indictment of a tech-driven world that wants to convince us that misery is fun, and a call to arms for anyone who hopes to preserve their dignity and autonomy.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrian Hon</itunes:subtitle>
      <itunes:summary>Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet.
Points, badges, and leaderboards are creeping into every aspect of modern life. In You’ve Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations, schools, and governments use games and gamification as tools for profit and coercion. These are games that we often have no choice but to play, where losing has heavy penalties. You’ve Been Played is a scathing indictment of a tech-driven world that wants to convince us that misery is fun, and a call to arms for anyone who hopes to preserve their dignity and autonomy.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet.</p><p>Points, badges, and leaderboards are creeping into every aspect of modern life. In You’ve Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations, schools, and governments use games and gamification as tools for profit and coercion. These are games that we often have no choice but to play, where losing has heavy penalties. You’ve Been Played is a scathing indictment of a tech-driven world that wants to convince us that misery is fun, and a call to arms for anyone who hopes to preserve their dignity and autonomy.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2613</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8326439276.mp3?updated=1695655404" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ahmed White, "Under the Iron Heel: The Wobblies and the Capitalist War on Radical Workers" (U California Press, 2022)</title>
      <description>In 1917, the Industrial Workers of the World was rapidly gaining strength and members. Within a decade, this radical union was effectively destroyed, the victim of the most remarkable campaign of legal repression and vigilantism in American history. Under the Iron Heel is the first comprehensive account of this campaign.
Founded in 1905, the IWW offered to the millions of workers aggrieved by industrial capitalism the promise of a better world. But its growth, coinciding with World War I and the Russian Revolution and driven by uncompromising militancy, was seen by powerful capitalists and government officials as an existential threat that had to be eliminated. In Under the Iron Heel: The Wobblies and the Capitalist War on Radical Workers (U California Press, 2022), Ahmed White documents the torrent of legal persecution and extralegal, sometimes lethal violence that shattered the IWW. In so doing, he reveals the remarkable courage of those who faced this campaign, lays bare the origins of the profoundly unequal and conflicted nation we know today, and uncovers disturbing truths about the law, political repression, and the limits of free speech and association in class society.
Ahmed White teaches labor and criminal law at the University of Colorado Boulder and is author of The Last Great Strike: Little Steel, the CIO, and the Struggle for Labor Rights in New Deal America.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>202</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ahmed White</itunes:subtitle>
      <itunes:summary>In 1917, the Industrial Workers of the World was rapidly gaining strength and members. Within a decade, this radical union was effectively destroyed, the victim of the most remarkable campaign of legal repression and vigilantism in American history. Under the Iron Heel is the first comprehensive account of this campaign.
Founded in 1905, the IWW offered to the millions of workers aggrieved by industrial capitalism the promise of a better world. But its growth, coinciding with World War I and the Russian Revolution and driven by uncompromising militancy, was seen by powerful capitalists and government officials as an existential threat that had to be eliminated. In Under the Iron Heel: The Wobblies and the Capitalist War on Radical Workers (U California Press, 2022), Ahmed White documents the torrent of legal persecution and extralegal, sometimes lethal violence that shattered the IWW. In so doing, he reveals the remarkable courage of those who faced this campaign, lays bare the origins of the profoundly unequal and conflicted nation we know today, and uncovers disturbing truths about the law, political repression, and the limits of free speech and association in class society.
Ahmed White teaches labor and criminal law at the University of Colorado Boulder and is author of The Last Great Strike: Little Steel, the CIO, and the Struggle for Labor Rights in New Deal America.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1917, the Industrial Workers of the World was rapidly gaining strength and members. Within a decade, this radical union was effectively destroyed, the victim of the most remarkable campaign of legal repression and vigilantism in American history. Under the Iron Heel is the first comprehensive account of this campaign.</p><p>Founded in 1905, the IWW offered to the millions of workers aggrieved by industrial capitalism the promise of a better world. But its growth, coinciding with World War I and the Russian Revolution and driven by uncompromising militancy, was seen by powerful capitalists and government officials as an existential threat that had to be eliminated. In <a href="https://bookshop.org/a/12343/9780520382404"><em>Under the Iron Heel: The Wobblies and the Capitalist War on Radical Workers</em></a> (U California Press, 2022), Ahmed White documents the torrent of legal persecution and extralegal, sometimes lethal violence that shattered the IWW. In so doing, he reveals the remarkable courage of those who faced this campaign, lays bare the origins of the profoundly unequal and conflicted nation we know today, and uncovers disturbing truths about the law, political repression, and the limits of free speech and association in class society.</p><p><strong>Ahmed White </strong>teaches labor and criminal law at the University of Colorado Boulder and is author of <em>The Last Great Strike: Little Steel, the CIO, and the Struggle for Labor Rights in New Deal America</em>.</p><p><strong><em>Jackson Reinhardt </em></strong><em>is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4310</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Álvaro Sevilla-Buitrago, "Against the Commons: A Radical History of Urban Planning" (U Minnesota Press, 2022)</title>
      <description>Characterized by shared, self-managed access to food, housing, and basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, Against the Commons: A Radical History of Urban Planning (University of Minnesota Press, 2022) provides a radical counter history of urban planning that explores how capitalism and spatial politics have evolved to address this challenge. Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. 
In this episode, channel host Tayeba Batool talks with Dr. Álvaro Sevilla-Buitrago on the book's argument about the ways through which urbanization shapes the social fabric of places and territories. The conversation touches upon the impact of planning and design initiatives on working-class communities and popular strata, and the various, multiple, and incremental modes of dispossession that are implicated in struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries. We hear from Dr. Sevilla-Buitrago about the possibilities and alternates to a post-capitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.
Dr. Álvaro Sevilla-Buitrago is an Associate Professor of Urban Planning at the School of Architecture, Universidad Politécnica de Madrid. Tayeba Batool is a PhD Candidate in Anthropology at the University of Pennsylvania.
Tayeba Batool is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Álvaro Sevilla-Buitrago</itunes:subtitle>
      <itunes:summary>Characterized by shared, self-managed access to food, housing, and basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, Against the Commons: A Radical History of Urban Planning (University of Minnesota Press, 2022) provides a radical counter history of urban planning that explores how capitalism and spatial politics have evolved to address this challenge. Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. 
In this episode, channel host Tayeba Batool talks with Dr. Álvaro Sevilla-Buitrago on the book's argument about the ways through which urbanization shapes the social fabric of places and territories. The conversation touches upon the impact of planning and design initiatives on working-class communities and popular strata, and the various, multiple, and incremental modes of dispossession that are implicated in struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries. We hear from Dr. Sevilla-Buitrago about the possibilities and alternates to a post-capitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.
Dr. Álvaro Sevilla-Buitrago is an Associate Professor of Urban Planning at the School of Architecture, Universidad Politécnica de Madrid. Tayeba Batool is a PhD Candidate in Anthropology at the University of Pennsylvania.
Tayeba Batool is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Characterized by shared, self-managed access to food, housing, and basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, <a href="https://bookshop.org/a/12343/9781517911751"><em>Against the Commons: A Radical History of Urban Planning</em></a><em> </em>(University of Minnesota Press, 2022) provides a radical counter history of urban planning that explores how capitalism and spatial politics have evolved to address this challenge. Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. </p><p>In this episode, channel host Tayeba Batool talks with Dr. Álvaro Sevilla-Buitrago on the book's argument about the ways through which urbanization shapes the social fabric of places and territories. The conversation touches upon the impact of planning and design initiatives on working-class communities and popular strata, and the various, multiple, and incremental modes of dispossession that are implicated in struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries. We hear from Dr. Sevilla-Buitrago about the possibilities and alternates to a post-capitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.</p><p>Dr. Álvaro Sevilla-Buitrago is an Associate Professor of Urban Planning at the School of Architecture, Universidad Politécnica de Madrid. Tayeba Batool is a PhD Candidate in Anthropology at the University of Pennsylvania.</p><p><a href="https://anthropology.sas.upenn.edu/people/tayeba-batool"><em>Tayeba Batool </em></a><em>is a PhD Candidate in the Department of Anthropology at the University of Pennsylvania.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3638</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af8fb068-4bfe-11ed-81d6-abe8c3b4b8f1]]></guid>
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    </item>
    <item>
      <title>Josh Bowsher, "The Informational Logic of Human Rights" (Edinburgh UP, 2022)</title>
      <description>What happens to the cultural politics of human rights when atrocities are rendered calculable, abuses are transformed into data, and victims become vectors? As human rights organizations have increasingly embraced information technologies this ‘datafication’ of rights has become both a reality and a pressing concern, one inextricably tangled up with questions regarding the broader political valences of human rights.
In The Informational Logic of Human Rights (Edinburgh UP, 2022), Josh Bowsher resituates recent critiques of human rights within ongoing theoretical discussions concerning informational capitalism, digital culture and the politics of data.
Critically analysing the contemporary human rights movement as an informational politics, Bowsher provides a new conceptual agenda for both exploring and overcoming the limits of human rights in an era shaped by the data flows, network infrastructures and informational logic of late capitalism.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>324</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Josh Bowsher</itunes:subtitle>
      <itunes:summary>What happens to the cultural politics of human rights when atrocities are rendered calculable, abuses are transformed into data, and victims become vectors? As human rights organizations have increasingly embraced information technologies this ‘datafication’ of rights has become both a reality and a pressing concern, one inextricably tangled up with questions regarding the broader political valences of human rights.
In The Informational Logic of Human Rights (Edinburgh UP, 2022), Josh Bowsher resituates recent critiques of human rights within ongoing theoretical discussions concerning informational capitalism, digital culture and the politics of data.
Critically analysing the contemporary human rights movement as an informational politics, Bowsher provides a new conceptual agenda for both exploring and overcoming the limits of human rights in an era shaped by the data flows, network infrastructures and informational logic of late capitalism.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens to the cultural politics of human rights when atrocities are rendered calculable, abuses are transformed into data, and victims become vectors? As human rights organizations have increasingly embraced information technologies this ‘datafication’ of rights has become both a reality and a pressing concern, one inextricably tangled up with questions regarding the broader political valences of human rights.</p><p>In <a href="https://bookshop.org/a/12343/9781399509909"><em>The Informational Logic of Human Rights</em></a><em> </em>(Edinburgh UP, 2022), Josh Bowsher resituates recent critiques of human rights within ongoing theoretical discussions concerning informational capitalism, digital culture and the politics of data.</p><p>Critically analysing the contemporary human rights movement as an informational politics, Bowsher provides a new conceptual agenda for both exploring and overcoming the limits of human rights in an era shaped by the data flows, network infrastructures and informational logic of late capitalism.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3044</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c25597fe-4a3b-11ed-ae87-5fcbd64a1fc6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1631441359.mp3?updated=1665586217" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cameron Awkward-Rich, "The Terrible We: Thinking with Trans Maladjustment" (Duke UP, 2022)</title>
      <description>In The Terrible We: Thinking with Trans Maladjustment (Duke UP, 2022), Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development.
The Terrible We is the Duke University Press Scholars of Color First Book Award recipient
Cameron Awkward-Rich is Assistant Professor of Women, Gender, Sexuality Studies at the University of Massachusetts, Amherst, and author of Dispatch and Sympathetic Little Monster.
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cameron Awkward-Rich</itunes:subtitle>
      <itunes:summary>In The Terrible We: Thinking with Trans Maladjustment (Duke UP, 2022), Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development.
The Terrible We is the Duke University Press Scholars of Color First Book Award recipient
Cameron Awkward-Rich is Assistant Professor of Women, Gender, Sexuality Studies at the University of Massachusetts, Amherst, and author of Dispatch and Sympathetic Little Monster.
Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/the-terrible-we"><em>The Terrible We: Thinking with Trans Maladjustment </em></a>(Duke UP, 2022), Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development.</p><p><em>The Terrible We</em> is the Duke University Press Scholars of Color First Book Award recipient</p><p>Cameron Awkward-Rich is Assistant Professor of Women, Gender, Sexuality Studies at the University of Massachusetts, Amherst, and author of <em>Dispatch</em> and <em>Sympathetic Little Monster</em>.</p><p><a href="https://in.linkedin.com/in/sohini-chatterjee-763b39110"><em>Sohini Chatterjee</em></a><em> is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3442</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Arcia Tecun et al., "Towards a Grammar of Race in Aotearoa New Zealand (Bridget Williams Books, 2022)</title>
      <description>A search for new ways to talk about race in Aotearoa New Zealand brought together this powerful group of scholars, writers, and activists. For these authors, attempts to confront racism and racial violence often stall against a failure to see how power works through race, across our modern social worlds. The result is a country where racism is all too often left unnamed and unchecked, voices are erased, the colonial past ignored and silence passes for understanding.
By 'bringing what is unspoken into focus', Towards a Grammar of Race in Aotearoa New Zealand (Bridget Williams Books, 2022) seeks to articulate and confront ideas of race in Aotearoa New Zealand – an exploration that includes racial capitalism, colonialism, white supremacy, and anti-Blackness. A recurring theme across the book is the inescapable entanglement of local and global manifestations of race.
Each of the contributors brings their own experiences and insights to the complexities of life in a racialised society, and together their words make an important contribution to our shared and future lives on these shores.
Contributors to this book: Pounamu Jade Aikman, Faisal Al-Asaad, Mahdis Azarmandi, Simon Barber, Garrick Cooper, Morgan Godfery, Kassie Hartendorp, Guled Mire, Tze Ming Mok, Adele Norris, Nathan Rew, Vera Seyra, Beth Teklezgi, Selome Teklezgi and Patrick Thomsen.
Arcia Tecun (a.k.a. Daniel Hernandez) is a storyteller (film maker, podcaster) and Pouako (Lecturer) at Waipapa Taumata Rau (University of Auckland) in ethnomusicology and social-cultural anthropology. His research and teaching interests include Indigeneity, race, class, gender, religion, food, and popular culture/music in Oceania and the Americas.
Lana Lopesi is an author, art critic, editor and multidisciplinary researcher based in Tāmaki Makaurau. In September, she became an Assistant Professor Pacific Islander Studies in the department of Indigenous, Race and Ethnic Studies at the University of Oregon.
Anisha Sankar is a Chennai-born, Te Awakairangi-raised South Indian Tamil living in Pōneke. She is currently working on her PhD, which studies the contradictions of colonial capitalism.
Key Point About the Book:
• Arrives at a time of burgeoning questions around race, identity, and power
• Provides readers with new ways of thinking and talking about race in Aotearoa New Zealand
• Addresses New Zealand’s local connections to global and international discussions of race
Ed Amon has a Master of Indigenous Studies from the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Arcia Tecun</itunes:subtitle>
      <itunes:summary>A search for new ways to talk about race in Aotearoa New Zealand brought together this powerful group of scholars, writers, and activists. For these authors, attempts to confront racism and racial violence often stall against a failure to see how power works through race, across our modern social worlds. The result is a country where racism is all too often left unnamed and unchecked, voices are erased, the colonial past ignored and silence passes for understanding.
By 'bringing what is unspoken into focus', Towards a Grammar of Race in Aotearoa New Zealand (Bridget Williams Books, 2022) seeks to articulate and confront ideas of race in Aotearoa New Zealand – an exploration that includes racial capitalism, colonialism, white supremacy, and anti-Blackness. A recurring theme across the book is the inescapable entanglement of local and global manifestations of race.
Each of the contributors brings their own experiences and insights to the complexities of life in a racialised society, and together their words make an important contribution to our shared and future lives on these shores.
Contributors to this book: Pounamu Jade Aikman, Faisal Al-Asaad, Mahdis Azarmandi, Simon Barber, Garrick Cooper, Morgan Godfery, Kassie Hartendorp, Guled Mire, Tze Ming Mok, Adele Norris, Nathan Rew, Vera Seyra, Beth Teklezgi, Selome Teklezgi and Patrick Thomsen.
Arcia Tecun (a.k.a. Daniel Hernandez) is a storyteller (film maker, podcaster) and Pouako (Lecturer) at Waipapa Taumata Rau (University of Auckland) in ethnomusicology and social-cultural anthropology. His research and teaching interests include Indigeneity, race, class, gender, religion, food, and popular culture/music in Oceania and the Americas.
Lana Lopesi is an author, art critic, editor and multidisciplinary researcher based in Tāmaki Makaurau. In September, she became an Assistant Professor Pacific Islander Studies in the department of Indigenous, Race and Ethnic Studies at the University of Oregon.
Anisha Sankar is a Chennai-born, Te Awakairangi-raised South Indian Tamil living in Pōneke. She is currently working on her PhD, which studies the contradictions of colonial capitalism.
Key Point About the Book:
• Arrives at a time of burgeoning questions around race, identity, and power
• Provides readers with new ways of thinking and talking about race in Aotearoa New Zealand
• Addresses New Zealand’s local connections to global and international discussions of race
Ed Amon has a Master of Indigenous Studies from the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A search for new ways to talk about race in Aotearoa New Zealand brought together this powerful group of scholars, writers, and activists. For these authors, attempts to confront racism and racial violence often stall against a failure to see how power works through race, across our modern social worlds. The result is a country where racism is all too often left unnamed and unchecked, voices are erased, the colonial past ignored and silence passes for understanding.</p><p>By 'bringing what is unspoken into focus', <a href="https://www.bwb.co.nz/books/grammar-of-race/"><em>Towards a Grammar of Race in Aotearoa New Zealand</em></a> (Bridget Williams Books, 2022) seeks to articulate and confront ideas of race in Aotearoa New Zealand – an exploration that includes racial capitalism, colonialism, white supremacy, and anti-Blackness. A recurring theme across the book is the inescapable entanglement of local and global manifestations of race.</p><p>Each of the contributors brings their own experiences and insights to the complexities of life in a racialised society, and together their words make an important contribution to our shared and future lives on these shores.</p><p>Contributors to this book: Pounamu Jade Aikman, Faisal Al-Asaad, Mahdis Azarmandi, Simon Barber, Garrick Cooper, Morgan Godfery, Kassie Hartendorp, Guled Mire, Tze Ming Mok, Adele Norris, Nathan Rew, Vera Seyra, Beth Teklezgi, Selome Teklezgi and Patrick Thomsen.</p><p><strong>Arcia Tecun</strong> (a.k.a. Daniel Hernandez) is a storyteller (film maker, podcaster) and Pouako (Lecturer) at Waipapa Taumata Rau (University of Auckland) in ethnomusicology and social-cultural anthropology. His research and teaching interests include Indigeneity, race, class, gender, religion, food, and popular culture/music in Oceania and the Americas.</p><p><strong>Lana Lopesi</strong> is an author, art critic, editor and multidisciplinary researcher based in Tāmaki Makaurau. In September, she became an Assistant Professor Pacific Islander Studies in the department of Indigenous, Race and Ethnic Studies at the University of Oregon.</p><p><strong>Anisha Sankar</strong> is a Chennai-born, Te Awakairangi-raised South Indian Tamil living in Pōneke. She is currently working on her PhD, which studies the contradictions of colonial capitalism.</p><p><strong>Key Point About the Book:</strong></p><p>• Arrives at a time of burgeoning questions around race, identity, and power</p><p>• Provides readers with new ways of thinking and talking about race in Aotearoa New Zealand</p><p>• Addresses New Zealand’s local connections to global and international discussions of race</p><p><em>Ed Amon has a Master of Indigenous Studies from the University of Auckland, New Zealand. He is a columnist at his local paper: Hibiscus Matters, and a Stand-up Comedian. His main interests are indigenous studies, politics, history, and cricket. Follow him on twitter </em><a href="https://twitter.com/edamoned"><em>@edamoned</em></a><em> or email him at </em><a href="mailto:edamonnz@gmail.com"><em>edamonnz@gmail.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3336</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4866b8c8-48cf-11ed-81e5-0381bf5aa0d2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3895996547.mp3?updated=1665434620" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Arthur Bradley, "Unbearable Life: A Genealogy of Political Erasure" (Columbia UP, 2019)</title>
      <description>In ancient Rome, any citizen who had brought disgrace upon the state could be subject to a judgment believed to be worse than death: damnatio memoriae, condemnation of memory. The Senate would decree that every trace of the citizen's existence be removed from the city as if they had never existed in the first place. Once reserved for individuals, damnatio memoriae in different forms now extends to social classes, racial and ethnic groups, and even entire peoples. In modern times, the condemned go by different names-"enemies of the people;" the "missing," the "disappeared," "ghost" detainees in "black sites"-but they are subject to the same fate of political erasure. 
Arthur Bradley explores the power to render life unlived from ancient Rome through the War on Terror. He argues that sovereignty is the power to decide what counts as being alive and what does not: to make life "unbearable," unrecognized as having lived or died. In readings of Augustine, Shakespeare, Hobbes, Robespierre, Schmitt, and Benjamin, Bradley asks: What is the "life" of this unbearable life? How does it change and endure across sovereign time and space, from empires to republics, from kings to presidents? To what extent can it be resisted or lived otherwise? A profoundly interdisciplinary and ambitious work, Unbearable Life rethinks sovereignty, biopolitics, and political theology to find the radical potential of a life that neither lives or dies.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>323</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Arthur Bradley</itunes:subtitle>
      <itunes:summary>In ancient Rome, any citizen who had brought disgrace upon the state could be subject to a judgment believed to be worse than death: damnatio memoriae, condemnation of memory. The Senate would decree that every trace of the citizen's existence be removed from the city as if they had never existed in the first place. Once reserved for individuals, damnatio memoriae in different forms now extends to social classes, racial and ethnic groups, and even entire peoples. In modern times, the condemned go by different names-"enemies of the people;" the "missing," the "disappeared," "ghost" detainees in "black sites"-but they are subject to the same fate of political erasure. 
Arthur Bradley explores the power to render life unlived from ancient Rome through the War on Terror. He argues that sovereignty is the power to decide what counts as being alive and what does not: to make life "unbearable," unrecognized as having lived or died. In readings of Augustine, Shakespeare, Hobbes, Robespierre, Schmitt, and Benjamin, Bradley asks: What is the "life" of this unbearable life? How does it change and endure across sovereign time and space, from empires to republics, from kings to presidents? To what extent can it be resisted or lived otherwise? A profoundly interdisciplinary and ambitious work, Unbearable Life rethinks sovereignty, biopolitics, and political theology to find the radical potential of a life that neither lives or dies.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In ancient Rome, any citizen who had brought disgrace upon the state could be subject to a judgment believed to be worse than death: damnatio memoriae, condemnation of memory. The Senate would decree that every trace of the citizen's existence be removed from the city as if they had never existed in the first place. Once reserved for individuals, damnatio memoriae in different forms now extends to social classes, racial and ethnic groups, and even entire peoples. In modern times, the condemned go by different names-"enemies of the people;" the "missing," the "disappeared," "ghost" detainees in "black sites"-but they are subject to the same fate of political erasure. </p><p>Arthur Bradley explores the power to render life unlived from ancient Rome through the War on Terror. He argues that sovereignty is the power to decide what counts as being alive and what does not: to make life "unbearable," unrecognized as having lived or died. In readings of Augustine, Shakespeare, Hobbes, Robespierre, Schmitt, and Benjamin, Bradley asks: What is the "life" of this unbearable life? How does it change and endure across sovereign time and space, from empires to republics, from kings to presidents? To what extent can it be resisted or lived otherwise? A profoundly interdisciplinary and ambitious work, Unbearable Life rethinks sovereignty, biopolitics, and political theology to find the radical potential of a life that neither lives or dies.</p><p><br></p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4989</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Asim Sajjad Akhter, "The Struggle for Hegemony in Pakistan: Fear, Desire and Revolutionary Horizons" (Pluto Press, 2022)</title>
      <description>The collapse of neoliberal hegemony in the western world following the financial crash of 2007-8 and subsequent rise of right-wing authoritarian personalities has been described as a crisis of 'the political' in western societies. But the crisis must be seen as global, rather than focusing on the west alone.
Pakistan is experiencing rapid financialisation and rapacious capture of natural resources, overseen by the country's military establishment and state bureaucracy. Under their watch, trading and manufacturing interests, property developers and a plethora of mafias have monopolised the provision of basic needs like housing, water and food, whilst also feeding conspicuous consumption by a captive middle-class.
In The Struggle for Hegemony in Pakistan: Fear, Desire and Revolutionary Horizons (Pluto Press, 2022), Aasim Sajjad Akhtar explores neoliberal Pakistan, looking at digital technology in enhancing mass surveillance, commodification, and atomisation, as well as resistance to the state and capital. Presenting a new interpretation of our global political-economic moment, he argues for an emancipatory political horizon embodied by the 'classless' subject.
Iqra Shagufta Cheema teaches and writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Asim Sajjad Akhter</itunes:subtitle>
      <itunes:summary>The collapse of neoliberal hegemony in the western world following the financial crash of 2007-8 and subsequent rise of right-wing authoritarian personalities has been described as a crisis of 'the political' in western societies. But the crisis must be seen as global, rather than focusing on the west alone.
Pakistan is experiencing rapid financialisation and rapacious capture of natural resources, overseen by the country's military establishment and state bureaucracy. Under their watch, trading and manufacturing interests, property developers and a plethora of mafias have monopolised the provision of basic needs like housing, water and food, whilst also feeding conspicuous consumption by a captive middle-class.
In The Struggle for Hegemony in Pakistan: Fear, Desire and Revolutionary Horizons (Pluto Press, 2022), Aasim Sajjad Akhtar explores neoliberal Pakistan, looking at digital technology in enhancing mass surveillance, commodification, and atomisation, as well as resistance to the state and capital. Presenting a new interpretation of our global political-economic moment, he argues for an emancipatory political horizon embodied by the 'classless' subject.
Iqra Shagufta Cheema teaches and writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The collapse of neoliberal hegemony in the western world following the financial crash of 2007-8 and subsequent rise of right-wing authoritarian personalities has been described as a crisis of 'the political' in western societies. But the crisis must be seen as global, rather than focusing on the west alone.</p><p>Pakistan is experiencing rapid financialisation and rapacious capture of natural resources, overseen by the country's military establishment and state bureaucracy. Under their watch, trading and manufacturing interests, property developers and a plethora of mafias have monopolised the provision of basic needs like housing, water and food, whilst also feeding conspicuous consumption by a captive middle-class.</p><p>In <a href="https://bookshop.org/a/12343/9780745346663"><em>The Struggle for Hegemony in Pakistan: Fear, Desire and Revolutionary Horizons</em></a> (Pluto Press, 2022), Aasim Sajjad Akhtar explores neoliberal Pakistan, looking at digital technology in enhancing mass surveillance, commodification, and atomisation, as well as resistance to the state and capital. Presenting a new interpretation of our global political-economic moment, he argues for an emancipatory political horizon embodied by the 'classless' subject.</p><p><a href="https://www.linkedin.com/in/iqra-s-cheema/"><em>Iqra Shagufta Cheema</em></a><em> teaches and writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at </em><a href="mailto:IqraSCheema@gmail.com"><em>IqraSCheema@gmail.com</em></a><em> or </em><a href="https://twitter.com/so_difoucault"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9073276994.mp3?updated=1665840392" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robin McCoy Brooks, "Psychoanalysis, Catastrophe, and Social Action" (Routledge, 2021)</title>
      <description>Robin McCoy Brooks' book Psychoanalysis, Catastrophe, and Social Action (Routledge, 2021) uses psychoanalytic theory to explore how political subjectivity comes about within the context of global catastrophe, via the emergence of collective individuations through trans-subjectivity. Serving as a jumping-off point to address the structural linkage between collective catastrophe, subject, group, and political transformation, trans-subjectivity is the central tenet of the book, conceptualized as a psyche-social dynamic that initiates social transformation and which may be enhanced in the clinical setting.
Each chapter investigates a distinct manifestation of trans-subjectivity in relation to various real-world events as they manifest clinically in the analytic couple and within group processes. The author builds her conceptual arguments through a psyche/social reading of Kristeva's theory of signifiance (sublimation), Lacan's 1945 essay on collective logic, Heidegger's secular reading of the apostle Paul's Christian revolution, and Zizek, Badiou and Jung's conception of the neighbor within a differentiated humanity. The book features clinical illustrations, an auto-ethnographic study of the emergence of an AIDS clinic, an accounting of trans-subjectivity in Black revolutionary events in the U.S., and an examination of some expressions of care that arose in response to the COVID-19 pandemic.
Psychoanalysis, Catastrophe &amp; Social Action is important reading for psychoanalysts, psycho-dynamic based therapists, psychologists, group therapists, philosophers and political activists.
﻿Roy Barsness is a Clinical Psychoanalytic Psychologist, Founder and Executive Director of the Post-Graduate Program in Relationally-Focused Psychodynamic Therapy; Professor at the Seattle School of Theology and Psychology and have been in clinical practice for 30+ years.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robin McCoy Brooks</itunes:subtitle>
      <itunes:summary>Robin McCoy Brooks' book Psychoanalysis, Catastrophe, and Social Action (Routledge, 2021) uses psychoanalytic theory to explore how political subjectivity comes about within the context of global catastrophe, via the emergence of collective individuations through trans-subjectivity. Serving as a jumping-off point to address the structural linkage between collective catastrophe, subject, group, and political transformation, trans-subjectivity is the central tenet of the book, conceptualized as a psyche-social dynamic that initiates social transformation and which may be enhanced in the clinical setting.
Each chapter investigates a distinct manifestation of trans-subjectivity in relation to various real-world events as they manifest clinically in the analytic couple and within group processes. The author builds her conceptual arguments through a psyche/social reading of Kristeva's theory of signifiance (sublimation), Lacan's 1945 essay on collective logic, Heidegger's secular reading of the apostle Paul's Christian revolution, and Zizek, Badiou and Jung's conception of the neighbor within a differentiated humanity. The book features clinical illustrations, an auto-ethnographic study of the emergence of an AIDS clinic, an accounting of trans-subjectivity in Black revolutionary events in the U.S., and an examination of some expressions of care that arose in response to the COVID-19 pandemic.
Psychoanalysis, Catastrophe &amp; Social Action is important reading for psychoanalysts, psycho-dynamic based therapists, psychologists, group therapists, philosophers and political activists.
﻿Roy Barsness is a Clinical Psychoanalytic Psychologist, Founder and Executive Director of the Post-Graduate Program in Relationally-Focused Psychodynamic Therapy; Professor at the Seattle School of Theology and Psychology and have been in clinical practice for 30+ years.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robin McCoy Brooks' book<em> </em><a href="https://bookshop.org/a/12343/9780367683153"><em>Psychoanalysis, Catastrophe, and Social Action</em></a> (Routledge, 2021) uses psychoanalytic theory to explore how political subjectivity comes about within the context of global catastrophe, via the emergence of collective individuations through trans-subjectivity. Serving as a jumping-off point to address the structural linkage between collective catastrophe, subject, group, and political transformation, trans-subjectivity is the central tenet of the book, conceptualized as a psyche-social dynamic that initiates social transformation and which may be enhanced in the clinical setting.</p><p>Each chapter investigates a distinct manifestation of trans-subjectivity in relation to various real-world events as they manifest clinically in the analytic couple and within group processes. The author builds her conceptual arguments through a psyche/social reading of Kristeva's theory of signifiance (sublimation), Lacan's 1945 essay on collective logic, Heidegger's secular reading of the apostle Paul's Christian revolution, and Zizek, Badiou and Jung's conception of the neighbor within a differentiated humanity. The book features clinical illustrations, an auto-ethnographic study of the emergence of an AIDS clinic, an accounting of trans-subjectivity in Black revolutionary events in the U.S., and an examination of some expressions of care that arose in response to the COVID-19 pandemic.</p><p><em>Psychoanalysis, Catastrophe &amp; Social Action</em> is important reading for psychoanalysts, psycho-dynamic based therapists, psychologists, group therapists, philosophers and political activists.</p><p><em>﻿</em><a href="https://roybarsness.com/"><em>Roy Barsness</em></a><em> is a Clinical Psychoanalytic Psychologist, Founder and Executive Director of the Post-Graduate Program in Relationally-Focused Psychodynamic Therapy; Professor at the Seattle School of Theology and Psychology and have been in clinical practice for 30+ years.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3513</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4307838973.mp3?updated=1665425657" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julie Sze, "Environmental Justice in a Moment of Danger" (U California Press, 2020)</title>
      <description>“Let this book immerse you in the many worlds of environmental justice.”—Naomi Klein
We are living in a precarious environmental and political moment. In the United States and in the world, environmental injustices have manifested across racial and class divides in devastatingly disproportionate ways. What does this moment of danger mean for the environment and for justice? What can we learn from environmental justice struggles? Environmental Justice in a Moment of Danger (U California Press, 2020) examines mobilizations and movements, from protests at Standing Rock to activism in Puerto Rico in the wake of Hurricane Maria. Environmental justice movements fight, survive, love, and create in the face of violence that challenges the conditions of life itself. Exploring dispossession, deregulation, privatization, and inequality, this book is the essential primer on environmental justice, packed with cautiously hopeful stories for the future.
Julie Sze is Professor of American Studies and Founding Director of the Environmental Justice Project at the University of California, Davis. She has authored and edited three books and numerous articles on environmental justice and inequality, culture and environment, and urban and community health and activism.
Padmapriya Vidhya-Govindarajan is a doctoral candidate at the Department of Media, Culture and Communication at NYU Steinhardt. Her research interests lie at the intersection of environmental justice, digital and film cultures, and community media-use practices.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julie Sze</itunes:subtitle>
      <itunes:summary>“Let this book immerse you in the many worlds of environmental justice.”—Naomi Klein
We are living in a precarious environmental and political moment. In the United States and in the world, environmental injustices have manifested across racial and class divides in devastatingly disproportionate ways. What does this moment of danger mean for the environment and for justice? What can we learn from environmental justice struggles? Environmental Justice in a Moment of Danger (U California Press, 2020) examines mobilizations and movements, from protests at Standing Rock to activism in Puerto Rico in the wake of Hurricane Maria. Environmental justice movements fight, survive, love, and create in the face of violence that challenges the conditions of life itself. Exploring dispossession, deregulation, privatization, and inequality, this book is the essential primer on environmental justice, packed with cautiously hopeful stories for the future.
Julie Sze is Professor of American Studies and Founding Director of the Environmental Justice Project at the University of California, Davis. She has authored and edited three books and numerous articles on environmental justice and inequality, culture and environment, and urban and community health and activism.
Padmapriya Vidhya-Govindarajan is a doctoral candidate at the Department of Media, Culture and Communication at NYU Steinhardt. Her research interests lie at the intersection of environmental justice, digital and film cultures, and community media-use practices.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Let this book immerse you in the many worlds of environmental justice.”—Naomi Klein</p><p>We are living in a precarious environmental and political moment. In the United States and in the world, environmental injustices have manifested across racial and class divides in devastatingly disproportionate ways. What does this moment of danger mean for the environment and for justice? What can we learn from environmental justice struggles? <a href="https://bookshop.org/a/12343/9780520300743"><em>Environmental Justice in a Moment of Danger</em></a> (U California Press, 2020) examines mobilizations and movements, from protests at Standing Rock to activism in Puerto Rico in the wake of Hurricane Maria. Environmental justice movements fight, survive, love, and create in the face of violence that challenges the conditions of life itself. Exploring dispossession, deregulation, privatization, and inequality, this book is the essential primer on environmental justice, packed with cautiously hopeful stories for the future.</p><p><strong>Julie Sze</strong> is Professor of American Studies and Founding Director of the Environmental Justice Project at the University of California, Davis. She has authored and edited three books and numerous articles on environmental justice and inequality, culture and environment, and urban and community health and activism.</p><p><em>Padmapriya Vidhya-Govindarajan is a doctoral candidate at the Department of Media, Culture and Communication at NYU Steinhardt. Her research interests lie at the intersection of environmental justice, digital and film cultures, and community media-use practices.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3665</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90ed4614-4598-11ed-9f96-5334084177dd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7373682175.mp3?updated=1665075913" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bhaskar Sunkara, "The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality" (Basic Books, 2020)</title>
      <description>In The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality (Basic Books, 2020), Bhaskar Sunkara explores socialism's history since the mid-1800s and presents a realistic vision for its future. With the stunning popularity of Bernie Sanders and Alexandria Ocasio-Cortez, Americans are embracing the class politics of socialism. But what, exactly, is socialism? And what would a socialist system in America look like? The editor of Jacobin magazine, Sunkara shows that socialism, though often seen primarily as an economic system, in fact offers the means to fight all forms of oppression, including racism and sexism. The ultimate goal is not Soviet-style planning, but to win rights to healthcare, education, and housing, and to create new democratic institutions in workplaces and communities. A primer on socialism for the 21st century, this is a book for anyone seeking an end to the vast inequities of our age.
Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bhaskar Sunkara</itunes:subtitle>
      <itunes:summary>In The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality (Basic Books, 2020), Bhaskar Sunkara explores socialism's history since the mid-1800s and presents a realistic vision for its future. With the stunning popularity of Bernie Sanders and Alexandria Ocasio-Cortez, Americans are embracing the class politics of socialism. But what, exactly, is socialism? And what would a socialist system in America look like? The editor of Jacobin magazine, Sunkara shows that socialism, though often seen primarily as an economic system, in fact offers the means to fight all forms of oppression, including racism and sexism. The ultimate goal is not Soviet-style planning, but to win rights to healthcare, education, and housing, and to create new democratic institutions in workplaces and communities. A primer on socialism for the 21st century, this is a book for anyone seeking an end to the vast inequities of our age.
Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781541647107"><em>The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality</em></a><em> </em>(Basic Books, 2020), Bhaskar Sunkara explores socialism's history since the mid-1800s and presents a realistic vision for its future. With the stunning popularity of Bernie Sanders and Alexandria Ocasio-Cortez, Americans are embracing the class politics of socialism. But what, exactly, is socialism? And what would a socialist system in America look like? The editor of <em>Jacobin</em> magazine, Sunkara shows that socialism, though often seen primarily as an economic system, in fact offers the means to fight all forms of oppression, including racism and sexism. The ultimate goal is not Soviet-style planning, but to win rights to healthcare, education, and housing, and to create new democratic institutions in workplaces and communities. A primer on socialism for the 21st century, this is a book for anyone seeking an end to the vast inequities of our age.</p><p><a href="https://independent.academia.edu/KirkMeighoo"><em>Kirk Meighoo</em></a><em> is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3915</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9b82bb86-470a-11ed-821e-8f85f8022f8e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3330300553.mp3?updated=1724878825" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rafico Ruiz, "Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier" (Duke UP, 2021)</title>
      <description>From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support resource extraction of fisheries off Labrador's coast. 
In Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier (Duke UP, 2021), Rafico Ruiz engages with the Grenfell Mission to theorize how settler colonialism establishes itself through what he calls infrastructural mediation—the ways in which colonial lifeworlds, subjectivities, and affects come into being through the creation and maintenance of infrastructures. Drawing on archival documents, maps, interviews with municipal officials, teachers, and residents, as well as his field photography, Ruiz shows how the mission's infrastructural mediation—from its attempts to restructure the local economy to the aerial surveying and mapping of the coastline—responded to the colony's environmental conditions in ways that expanded the bounds of the settler frontier. By tracing the mission's history and the mechanisms that enabled its functioning, Ruiz complicates understandings of mediation and infrastructure while expanding current debates surrounding settler colonialism and extractive capitalism.
Rafico Ruiz is the Associate Director of Research at the Canadian Centre for Architecture. He holds an ad personam PhD in the History and Theory of Architecture and Communication Studies from McGill University. He is the author of Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier and the co-editor with Melody Jue of Saturation: An Elemental Politics.
Padmapriya Vidhya-Govindarajan is a doctoral candidate at the Department of Media, Culture and Communication at NYU Steinhardt. Her research interests lie at the intersection of environmental justice, digital and film cultures, and community media-use practices.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rafico Ruiz</itunes:subtitle>
      <itunes:summary>From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support resource extraction of fisheries off Labrador's coast. 
In Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier (Duke UP, 2021), Rafico Ruiz engages with the Grenfell Mission to theorize how settler colonialism establishes itself through what he calls infrastructural mediation—the ways in which colonial lifeworlds, subjectivities, and affects come into being through the creation and maintenance of infrastructures. Drawing on archival documents, maps, interviews with municipal officials, teachers, and residents, as well as his field photography, Ruiz shows how the mission's infrastructural mediation—from its attempts to restructure the local economy to the aerial surveying and mapping of the coastline—responded to the colony's environmental conditions in ways that expanded the bounds of the settler frontier. By tracing the mission's history and the mechanisms that enabled its functioning, Ruiz complicates understandings of mediation and infrastructure while expanding current debates surrounding settler colonialism and extractive capitalism.
Rafico Ruiz is the Associate Director of Research at the Canadian Centre for Architecture. He holds an ad personam PhD in the History and Theory of Architecture and Communication Studies from McGill University. He is the author of Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier and the co-editor with Melody Jue of Saturation: An Elemental Politics.
Padmapriya Vidhya-Govindarajan is a doctoral candidate at the Department of Media, Culture and Communication at NYU Steinhardt. Her research interests lie at the intersection of environmental justice, digital and film cultures, and community media-use practices.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support resource extraction of fisheries off Labrador's coast. </p><p>In <a href="https://bookshop.org/a/12343/9781478008507"><em>Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier</em></a><em> </em>(Duke UP, 2021), Rafico Ruiz engages with the Grenfell Mission to theorize how settler colonialism establishes itself through what he calls infrastructural mediation—the ways in which colonial lifeworlds, subjectivities, and affects come into being through the creation and maintenance of infrastructures. Drawing on archival documents, maps, interviews with municipal officials, teachers, and residents, as well as his field photography, Ruiz shows how the mission's infrastructural mediation—from its attempts to restructure the local economy to the aerial surveying and mapping of the coastline—responded to the colony's environmental conditions in ways that expanded the bounds of the settler frontier. By tracing the mission's history and the mechanisms that enabled its functioning, Ruiz complicates understandings of mediation and infrastructure while expanding current debates surrounding settler colonialism and extractive capitalism.</p><p>Rafico Ruiz is the Associate Director of Research at the Canadian Centre for Architecture. He holds an ad personam PhD in the History and Theory of Architecture and Communication Studies from McGill University. He is the author of <em>Slow Disturbance: Infrastructural Mediation on the Settler Colonial Resource Frontier</em> and the co-editor with Melody Jue of <em>Saturation: An Elemental Politics</em>.</p><p><em>Padmapriya Vidhya-Govindarajan is a doctoral candidate at the Department of Media, Culture and Communication at NYU Steinhardt. Her research interests lie at the intersection of environmental justice, digital and film cultures, and community media-use practices.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3375</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Geert Lovink, "Stuck on the Platform: Reclaiming the Internet" (Valiz, 2022)</title>
      <description>We’re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you’re too fried to log out of Facebook? We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump.
Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week.
Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Geert Lovink</itunes:subtitle>
      <itunes:summary>We’re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you’re too fried to log out of Facebook? We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump.
Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week.
Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you’re too fried to log out of Facebook? We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms.<em> </em><a href="https://bookshop.org/a/12343/9789493246089"><em>Stuck on the Platform: Reclaiming the Internet</em></a><em> </em>(Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump.</p><p>Geert Lovink is a Dutch media theorist, internet critic and author of <em>Uncanny Networks</em> (2002), <em>Dark Fiber </em>(2002), <em>My First Recession</em> (2003), <em>Zero Comments </em>(2007), <em>Networks Without a Cause</em> (2012), <em>Social Media Abyss</em> (2016), <em>Organisation after Social Media</em> (with Ned Rossiter, 2018) and <em>Sad by Design </em>(2019). In 2004 he founded the <a href="https://www.networkcultures.org/">Institute of Network Cultures</a> at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week.</p><p><em>Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews </em><a href="https://www.getrevue.co/profile/reubenniewen"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3572</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6072349a-4660-11ed-ae93-47b99ad09601]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2793515203.mp3?updated=1665162116" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ramzi Fawaz, "Queer Forms" (NYU Press, 2022)</title>
      <description>Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, Queer Forms (NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others.
The thrust of the work that Fawaz is doing in Queer Forms ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. Queer Forms provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>624</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ramzi Fawaz</itunes:subtitle>
      <itunes:summary>Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, Queer Forms (NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others.
The thrust of the work that Fawaz is doing in Queer Forms ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. Queer Forms provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, <a href="https://bookshop.org/a/12343/9781479829828"><em>Queer Forms</em></a><em> </em>(NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others.</p><p>The thrust of the work that Fawaz is doing in <em>Queer Forms</em> ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. <em>Queer Forms</em> provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3636</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Nissim Mannathukkaren, "Communism, Subaltern Studies and Postcolonial Theory: The Left in South India" (Routledge Chapman &amp; Hall, 2021)</title>
      <description>Nissim Mannathukkaren's book Communism, Subaltern Studies and Postcolonial Theory: The Left in South India (Routledge Chapman &amp; Hall, 2021) is a thematic history of the communist movement in Kerala, the first major region (in terms of population) in the world to democratically elect a communist government. It analyzes the nature of the transformation brought about by the communist movement in Kerala, and what its implications could be for other postcolonial societies. The volume engages with the key theoretical concepts in postcolonial theory and Subaltern Studies, and contributes to the debate between Marxism and postcolonial theory, especially its recent articulations.
The volume presents a fresh empirical engagement with theoretical critiques of Subaltern Studies and postcolonial theory, in the context of their decades-long scholarship in India. It discusses important thematic moments in Kerala’s communist history which include — the processes by which it established its hegemony, its cultural interventions, the institution of land reforms and workers’ rights, and the democratic decentralization project, and, ultimately, communism’s incomplete national-popular and its massive failures with regard to the caste question.
A significant contribution to scholarship on democracy and modernity in the Global South, this volume will be of great interest to scholars and researchers of politics, specifically political theory, democracy and political participation, political sociology, development studies, postcolonial theory, Subaltern Studies, Global South Studies, and South Asia Studies.
Irene Promodh is a PhD student in sociocultural anthropology at the University of Michigan, Ann Arbor.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nissim Mannathukkaren</itunes:subtitle>
      <itunes:summary>Nissim Mannathukkaren's book Communism, Subaltern Studies and Postcolonial Theory: The Left in South India (Routledge Chapman &amp; Hall, 2021) is a thematic history of the communist movement in Kerala, the first major region (in terms of population) in the world to democratically elect a communist government. It analyzes the nature of the transformation brought about by the communist movement in Kerala, and what its implications could be for other postcolonial societies. The volume engages with the key theoretical concepts in postcolonial theory and Subaltern Studies, and contributes to the debate between Marxism and postcolonial theory, especially its recent articulations.
The volume presents a fresh empirical engagement with theoretical critiques of Subaltern Studies and postcolonial theory, in the context of their decades-long scholarship in India. It discusses important thematic moments in Kerala’s communist history which include — the processes by which it established its hegemony, its cultural interventions, the institution of land reforms and workers’ rights, and the democratic decentralization project, and, ultimately, communism’s incomplete national-popular and its massive failures with regard to the caste question.
A significant contribution to scholarship on democracy and modernity in the Global South, this volume will be of great interest to scholars and researchers of politics, specifically political theory, democracy and political participation, political sociology, development studies, postcolonial theory, Subaltern Studies, Global South Studies, and South Asia Studies.
Irene Promodh is a PhD student in sociocultural anthropology at the University of Michigan, Ann Arbor.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nissim Mannathukkaren's book <a href="https://bookshop.org/a/12343/9781138056794"><em>Communism, Subaltern Studies and Postcolonial Theory: The Left in South India</em></a> (Routledge Chapman &amp; Hall, 2021) is a thematic history of the communist movement in Kerala, the first major region (in terms of population) in the world to democratically elect a communist government. It analyzes the nature of the transformation brought about by the communist movement in Kerala, and what its implications could be for other postcolonial societies. The volume engages with the key theoretical concepts in postcolonial theory and Subaltern Studies, and contributes to the debate between Marxism and postcolonial theory, especially its recent articulations.</p><p>The volume presents a fresh empirical engagement with theoretical critiques of Subaltern Studies and postcolonial theory, in the context of their decades-long scholarship in India. It discusses important thematic moments in Kerala’s communist history which include — the processes by which it established its hegemony, its cultural interventions, the institution of land reforms and workers’ rights, and the democratic decentralization project, and, ultimately, communism’s incomplete national-popular and its massive failures with regard to the caste question.</p><p>A significant contribution to scholarship on democracy and modernity in the Global South, this volume will be of great interest to scholars and researchers of politics, specifically political theory, democracy and political participation, political sociology, development studies, postcolonial theory, Subaltern Studies, Global South Studies, and South Asia Studies.</p><p><em>Irene Promodh is a PhD student in sociocultural anthropology at the University of Michigan, Ann Arbor.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4172</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Bruce Robbins, "Criticism and Politics: A Polemical Introduction" (Stanford UP, 2022)</title>
      <description>What is criticism for? Over the past few decades, violent disagreements over that question in the academy have burst into the news media. These conflicts have renewed the Culture Wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions. Does a concern with race, gender, and sexuality, with unacknowledged power and privilege, with identity, give present critics the right to criticize the great works of the past? If we have learned to see those works in terms of historical differences rather than universal truths, how is it that they speak to us at all? In the study of the world's cultures, there is more than one way to avoid being Eurocentric; which way should we choose? 
Re-examining key thinkers since 1970, including Walter Benjamin, Michel Foucault, Judith Butler, Edward Said, Hortense Spillers, Fredric Jameson, and Stuart Hall, Bruce Robbins' book Criticism and Politics: A Polemical Introduction (Stanford UP, 2022) offers both a non-specialist introduction to recent cultural theory and a strong new interpretation of how this theory applies to the everyday issue of what cultural critics do and how they should feel about what they do.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bruce Robbins</itunes:subtitle>
      <itunes:summary>What is criticism for? Over the past few decades, violent disagreements over that question in the academy have burst into the news media. These conflicts have renewed the Culture Wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions. Does a concern with race, gender, and sexuality, with unacknowledged power and privilege, with identity, give present critics the right to criticize the great works of the past? If we have learned to see those works in terms of historical differences rather than universal truths, how is it that they speak to us at all? In the study of the world's cultures, there is more than one way to avoid being Eurocentric; which way should we choose? 
Re-examining key thinkers since 1970, including Walter Benjamin, Michel Foucault, Judith Butler, Edward Said, Hortense Spillers, Fredric Jameson, and Stuart Hall, Bruce Robbins' book Criticism and Politics: A Polemical Introduction (Stanford UP, 2022) offers both a non-specialist introduction to recent cultural theory and a strong new interpretation of how this theory applies to the everyday issue of what cultural critics do and how they should feel about what they do.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is criticism for? Over the past few decades, violent disagreements over that question in the academy have burst into the news media. These conflicts have renewed the Culture Wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions. Does a concern with race, gender, and sexuality, with unacknowledged power and privilege, with identity, give present critics the right to criticize the great works of the past? If we have learned to see those works in terms of historical differences rather than universal truths, how is it that they speak to us at all? In the study of the world's cultures, there is more than one way to avoid being Eurocentric; which way should we choose? </p><p>Re-examining key thinkers since 1970, including Walter Benjamin, Michel Foucault, Judith Butler, Edward Said, Hortense Spillers, Fredric Jameson, and Stuart Hall, Bruce Robbins' book <a href="https://bookshop.org/a/12343/9781503633209"><em>Criticism and Politics: A Polemical Introduction</em></a> (Stanford UP, 2022) offers both a non-specialist introduction to recent cultural theory and a strong new interpretation of how this theory applies to the everyday issue of what cultural critics do and how they should feel about what they do.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3788</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christopher Lukman, "Control Machines: Toward a Dispositive Theory of Computer Games" (Lit Verlag, 2022)</title>
      <description>Today I talked to Christopher Lukman about his new book Control Machines: Toward a Dispositive Theory of Computer Games (Lit Verlag, 2022).
In light of its immense popularity, a critical examination of the medium of the videogame is due. This particular anthology – Control Machines. Computergames and the theory of the dispositifs – works on a theory of the 'dispositif' of the videogame and is thus dedicated to the connections between knowledge and power.
The medium of the videogame is looked at in its complicity with neoliberalism and the control society as well as in its media-technological conditionality and its qualities of self-reflection and self-criticism.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher Lukman</itunes:subtitle>
      <itunes:summary>Today I talked to Christopher Lukman about his new book Control Machines: Toward a Dispositive Theory of Computer Games (Lit Verlag, 2022).
In light of its immense popularity, a critical examination of the medium of the videogame is due. This particular anthology – Control Machines. Computergames and the theory of the dispositifs – works on a theory of the 'dispositif' of the videogame and is thus dedicated to the connections between knowledge and power.
The medium of the videogame is looked at in its complicity with neoliberalism and the control society as well as in its media-technological conditionality and its qualities of self-reflection and self-criticism.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Christopher Lukman about his new book <em>Control Machines: Toward a Dispositive Theory of Computer Games</em> (Lit Verlag, 2022).</p><p>In light of its immense popularity, a critical examination of the medium of the videogame is due. This particular anthology – Control Machines. Computergames and the theory of the dispositifs – works on a theory of the 'dispositif' of the videogame and is thus dedicated to the connections between knowledge and power.</p><p>The medium of the videogame is looked at in its complicity with neoliberalism and the control society as well as in its media-technological conditionality and its qualities of self-reflection and self-criticism.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1828</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[581a32d0-4740-11ed-aa14-23ca17575fe3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9210744818.mp3?updated=1665258172" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Asha Rogers, "State Sponsored Literature: Britain and Cultural Diversity After 1945" (Oxford UP, 2020)</title>
      <description>How does the state support writers? In State Sponsored Literature: Britain and Cultural Diversity after 1945 (Oxford UP, 2020), Asha Rogers, Senior Lecturer in Contemporary Postcolonial Literature at the University of Birmingham, explores the history of authors, institutions, and governments approach to literature in a changing, imperial and post-imperial, Britain. The book uses a wealth of examples, from key organisations such as the British Council and the Arts Council of Great Britain, through case studies of key authors such as Salman Rushdie, to concepts such as multiculturalism and cultural diversity. Making a significant contribution to English literature and cultural policy, the book will be essential reading across the arts and humanities and social sciences, as well as for anyone interested in the relationship between governments and literature.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>322</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Asha Rogers</itunes:subtitle>
      <itunes:summary>How does the state support writers? In State Sponsored Literature: Britain and Cultural Diversity after 1945 (Oxford UP, 2020), Asha Rogers, Senior Lecturer in Contemporary Postcolonial Literature at the University of Birmingham, explores the history of authors, institutions, and governments approach to literature in a changing, imperial and post-imperial, Britain. The book uses a wealth of examples, from key organisations such as the British Council and the Arts Council of Great Britain, through case studies of key authors such as Salman Rushdie, to concepts such as multiculturalism and cultural diversity. Making a significant contribution to English literature and cultural policy, the book will be essential reading across the arts and humanities and social sciences, as well as for anyone interested in the relationship between governments and literature.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the state support writers? In <em>State Sponsored Literature: Britain and Cultural Diversity after 1945 </em>(Oxford UP, 2020), <a href="https://twitter.com/asha_pb">Asha Rogers</a>, <a href="https://statesponsoredliterature.com/">Senior Lecturer in Contemporary Postcolonial Literature</a> at the <a href="https://www.birmingham.ac.uk/staff/profiles/english/rogers-asha.aspx">University of Birmingham</a>, explores the history of authors, institutions, and governments approach to literature in a changing, imperial and post-imperial, Britain. The book uses a wealth of examples, from key organisations such as the British Council and the Arts Council of Great Britain, through case studies of key authors such as Salman Rushdie, to concepts such as multiculturalism and cultural diversity. Making a significant contribution to English literature and cultural policy, the book will be essential reading across the arts and humanities and social sciences, as well as for anyone interested in the relationship between governments and literature.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2568</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e5a12d4-41bf-11ed-bca7-8bb688b7875d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6386256047.mp3?updated=1664653349" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Neocleous, "A Critical Theory of Police Power: The Fabrication of the Social Order" (Verso, 2021)</title>
      <description>A Critical Theory of Police Power: The Fabrication of Social Order (Verso, 2021) offers a critical look at policing and the power of the state, examining the relationship between our ideas of order and wider social and political issues.
First published in 2000, this new edition of Mark Neocleous' influential book features a new introduction which helpfully situates this ever-relevant text in the context of contemporary struggles over police and policing.
Neocleous argues for an expanded concept of police, able to account for the range of institutions through which policing takes place. These institutions are concerned not just with the maintenance and reproduction of order, but with its very fabrication, especially the fabrication of a social order founded on wage labour. By situating the police power in relation to both capital and the state and at the heart of the politics of security, the book opens up into an understanding of the ways in which the state administers civil society and fabricates order through law and the ideology of crime. The discretionary violence of the police on the street is thereby connected to the wider administrative powers of the state, and the thud of the truncheon to the dull compulsion of economic relations.
Content warning: the last 2 minutes of the interview include a brief discussion of Mark's current work on suicide.
Listeners who enjoyed this interview may enjoy my recent interviews with Mark on his most recent book The Politics of Immunity, with undercover police ("Spycop") victims Helen Steel and Alison about Deep Deception, and with counterterrorism scholar Rizwaan Sabir about The Suspect.
Mark Neocleous is Professor of the Critique of Political Economy at Brunel University in London, and is well-known for his work on police power and security. His recent books include The Universal Adversary: Security, Capital and 'The Enemies of All Mankind' (2016); War Power, Police Power (2014); and the newly-reissued A Critical Theory of Police Power: The Fabrication of Social Order (2021).

Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>321</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Neocleous</itunes:subtitle>
      <itunes:summary>A Critical Theory of Police Power: The Fabrication of Social Order (Verso, 2021) offers a critical look at policing and the power of the state, examining the relationship between our ideas of order and wider social and political issues.
First published in 2000, this new edition of Mark Neocleous' influential book features a new introduction which helpfully situates this ever-relevant text in the context of contemporary struggles over police and policing.
Neocleous argues for an expanded concept of police, able to account for the range of institutions through which policing takes place. These institutions are concerned not just with the maintenance and reproduction of order, but with its very fabrication, especially the fabrication of a social order founded on wage labour. By situating the police power in relation to both capital and the state and at the heart of the politics of security, the book opens up into an understanding of the ways in which the state administers civil society and fabricates order through law and the ideology of crime. The discretionary violence of the police on the street is thereby connected to the wider administrative powers of the state, and the thud of the truncheon to the dull compulsion of economic relations.
Content warning: the last 2 minutes of the interview include a brief discussion of Mark's current work on suicide.
Listeners who enjoyed this interview may enjoy my recent interviews with Mark on his most recent book The Politics of Immunity, with undercover police ("Spycop") victims Helen Steel and Alison about Deep Deception, and with counterterrorism scholar Rizwaan Sabir about The Suspect.
Mark Neocleous is Professor of the Critique of Political Economy at Brunel University in London, and is well-known for his work on police power and security. His recent books include The Universal Adversary: Security, Capital and 'The Enemies of All Mankind' (2016); War Power, Police Power (2014); and the newly-reissued A Critical Theory of Police Power: The Fabrication of Social Order (2021).

Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781788735209"><em>A Critical Theory of Police Power: The Fabrication of Social Order</em></a> (Verso, 2021) offers a critical look at policing and the power of the state, examining the relationship between our ideas of order and wider social and political issues.</p><p>First published in 2000, this new edition of Mark Neocleous' influential book features a new introduction which helpfully situates this ever-relevant text in the context of contemporary struggles over police and policing.</p><p>Neocleous argues for an expanded concept of police, able to account for the range of institutions through which policing takes place. These institutions are concerned not just with the maintenance and reproduction of order, but with its very fabrication, especially the fabrication of a social order founded on wage labour. By situating the police power in relation to both capital and the state and at the heart of the politics of security, the book opens up into an understanding of the ways in which the state administers civil society and fabricates order through law and the ideology of crime. The discretionary violence of the police on the street is thereby connected to the wider administrative powers of the state, and the thud of the truncheon to the dull compulsion of economic relations.</p><p><em>Content warning:</em> the last 2 minutes of the interview include a brief discussion of Mark's current work on suicide.</p><p>Listeners who enjoyed this interview may enjoy my recent interviews with Mark on his most recent book <a href="https://newbooksnetwork.com/the-politics-of-immunity#entry:145505@1:url"><em>The Politics of Immunity</em></a>, with undercover police ("Spycop") victims Helen Steel and Alison about <a href="https://newbooksnetwork.com/deep-deception#entry:145511@1:url"><em>Deep Deception</em></a>, and with counterterrorism scholar Rizwaan Sabir about <a href="https://newbooksnetwork.com/shadows-of-suspicion#entry:154938@1:url"><em>The Suspect</em></a><em>.</em></p><p><a href="https://www.brunel.ac.uk/people/mark-neocleous">Mark Neocleous</a> is Professor of the Critique of Political Economy at Brunel University in London, and is well-known for his work on police power and security. His recent books include The Universal Adversary: Security, Capital and 'The Enemies of All Mankind' (2016); War Power, Police Power (2014); and the newly-reissued A Critical Theory of Police Power: The Fabrication of Social Order (2021).</p><p><br></p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold/"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by </em><a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a><em> or on </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3367</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[149f8814-419d-11ed-b595-e3664c61b627]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5682671062.mp3?updated=1664638526" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam Elliott-Cooper, "Black Resistance to British Policing" (Manchester UP, 2021)</title>
      <description>As police racism unsettles Britain's tolerant self-image, Black Resistance to British Policing (Manchester UP, 2021) details the activism that made movements like Black Lives Matter possible. Adam Elliott-Cooper analyses racism beyond prejudice and the interpersonal - arguing that black resistance confronts a global system of racial classification, exploitation and violence.
Imperial cultures and policies, as well as colonial war and policing highlight connections between these histories and contemporary racisms. But this is a book about resistance, considering black liberation movements in the 20th century while utilising a decade of activist research covering spontaneous rebellion, campaigns and protest in the 21st century. Drawing connections between histories of resistance and different kinds of black struggle against policing is vital, it is argued, if we are to challenge the cutting edge of police and prison power which harnesses new and dangerous forms of surveillance, violence and criminalisation.
Black Resistance to British Policing is a must read for all those who are interested in the history of the British Empire, its enduring legacies, and anti-colonial and anti-racist resistance.
Adam Elliot-Cooper is a Lecturer (Assistant Professor) in Public and Social Policy at Queen Mary University of London. He is also co-author of Empire’s Endgame: Racism and the British State (Pluto Press, 2021). He sits on the board of The Monitoring Group, an anti-racist organisation challenging state racisms and racial violence.

Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Elliott-Cooper</itunes:subtitle>
      <itunes:summary>As police racism unsettles Britain's tolerant self-image, Black Resistance to British Policing (Manchester UP, 2021) details the activism that made movements like Black Lives Matter possible. Adam Elliott-Cooper analyses racism beyond prejudice and the interpersonal - arguing that black resistance confronts a global system of racial classification, exploitation and violence.
Imperial cultures and policies, as well as colonial war and policing highlight connections between these histories and contemporary racisms. But this is a book about resistance, considering black liberation movements in the 20th century while utilising a decade of activist research covering spontaneous rebellion, campaigns and protest in the 21st century. Drawing connections between histories of resistance and different kinds of black struggle against policing is vital, it is argued, if we are to challenge the cutting edge of police and prison power which harnesses new and dangerous forms of surveillance, violence and criminalisation.
Black Resistance to British Policing is a must read for all those who are interested in the history of the British Empire, its enduring legacies, and anti-colonial and anti-racist resistance.
Adam Elliot-Cooper is a Lecturer (Assistant Professor) in Public and Social Policy at Queen Mary University of London. He is also co-author of Empire’s Endgame: Racism and the British State (Pluto Press, 2021). He sits on the board of The Monitoring Group, an anti-racist organisation challenging state racisms and racial violence.

Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As police racism unsettles Britain's tolerant self-image, <a href="https://bookshop.org/a/12343/9781526157072"><em>Black Resistance to British Policing</em></a> (Manchester UP, 2021) details the activism that made movements like Black Lives Matter possible. Adam Elliott-Cooper analyses racism beyond prejudice and the interpersonal - arguing that black resistance confronts a global system of racial classification, exploitation and violence.</p><p>Imperial cultures and policies, as well as colonial war and policing highlight connections between these histories and contemporary racisms. But this is a book about resistance, considering black liberation movements in the 20th century while utilising a decade of activist research covering spontaneous rebellion, campaigns and protest in the 21st century. Drawing connections between histories of resistance and different kinds of black struggle against policing is vital, it is argued, if we are to challenge the cutting edge of police and prison power which harnesses new and dangerous forms of surveillance, violence and criminalisation.</p><p><em>Black Resistance to British Policing</em> is a must read for all those who are interested in the history of the British Empire, its enduring legacies, and anti-colonial and anti-racist resistance.</p><p><a href="https://www.qmul.ac.uk/politics/staff/profiles/elliottcooperadam.html">Adam Elliot-Cooper</a> is a Lecturer (Assistant Professor) in Public and Social Policy at Queen Mary University of London. He is also co-author of <a href="https://www.plutobooks.com/9780745342047/empires-endgame/">Empire’s Endgame: Racism and the British State</a> (Pluto Press, 2021). He sits on the board of The Monitoring Group, an anti-racist organisation challenging state racisms and racial violence.</p><p><br></p><p><a href="https://www.ncl.ac.uk/gps/staff/profile/denizyonucu.html"><em>Deniz Yonucu</em></a><em> is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, </em><a href="https://www.cornellpress.cornell.edu/book/9781501762161/police-provocation-politics/#bookTabs=1"><em>Police, Provocation, Politics Counterinsurgency in Istanbul</em></a><em> (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3553</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ba313516-3f4a-11ed-aa6b-8f60f9bc277f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3457606670.mp3?updated=1736098872" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>C. Thi Nguyen, "Games: Agency as Art" (Oxford UP, 2020)</title>
      <description>Games are a unique art form. Games work in the medium of agency. Game designers tell us who to be and what to care about during the game. Game designers sculpt alternate agencies, and game players submerge themselves in those alternate agencies. Thus, the fact that we play games demonstrates the fluidity of our own agency. We can throw ourselves, for a little while, into a different and temporary motivations.
This volume presents a new theory of games which insists on their unique value. In Games: Agency as Art (Oxford UP, 2020)﻿, C. Thi Nguyen argues that games are an integral part our systems of communication and our art. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. When we play games, we can pursue a goal, not for its own value, but for the value of the struggle. Thus, playing games involves a motivational inversion from normal life. We adopt an interest in winning temporarily, so we can experience the beauty of the struggle. Games offer us a temporary experience of life under utterly clear values, in a world engineered to fit to our abilities and goals.

Games also let us to experience forms of agency we might never have developed on our own. Games, it turns out, are a special technique for communication. They are a technology that lets us record and transmit forms of agency. Our games form a "library of agency" and we can explore that library to develop our autonomy. Games use temporary restrictions to force us into new postures of agency.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with C. Thi Nguyen</itunes:subtitle>
      <itunes:summary>Games are a unique art form. Games work in the medium of agency. Game designers tell us who to be and what to care about during the game. Game designers sculpt alternate agencies, and game players submerge themselves in those alternate agencies. Thus, the fact that we play games demonstrates the fluidity of our own agency. We can throw ourselves, for a little while, into a different and temporary motivations.
This volume presents a new theory of games which insists on their unique value. In Games: Agency as Art (Oxford UP, 2020)﻿, C. Thi Nguyen argues that games are an integral part our systems of communication and our art. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. When we play games, we can pursue a goal, not for its own value, but for the value of the struggle. Thus, playing games involves a motivational inversion from normal life. We adopt an interest in winning temporarily, so we can experience the beauty of the struggle. Games offer us a temporary experience of life under utterly clear values, in a world engineered to fit to our abilities and goals.

Games also let us to experience forms of agency we might never have developed on our own. Games, it turns out, are a special technique for communication. They are a technology that lets us record and transmit forms of agency. Our games form a "library of agency" and we can explore that library to develop our autonomy. Games use temporary restrictions to force us into new postures of agency.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Games are a unique art form. Games work in the medium of agency. Game designers tell us who to be and what to care about during the game. Game designers sculpt alternate agencies, and game players submerge themselves in those alternate agencies. Thus, the fact that we play games demonstrates the fluidity of our own agency. We can throw ourselves, for a little while, into a different and temporary motivations.</p><p>This volume presents a new theory of games which insists on their unique value. In <a href="https://bookshop.org/a/12343/9781517911614"><em>Games: Agency as Art</em></a> (Oxford UP, 2020)﻿, C. Thi Nguyen argues that games are an integral part our systems of communication and our art. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. When we play games, we can pursue a goal, not for its own value, but for the value of the struggle. Thus, playing games involves a motivational inversion from normal life. We adopt an interest in winning temporarily, so we can experience the beauty of the struggle. Games offer us a temporary experience of life under utterly clear values, in a world engineered to fit to our abilities and goals.</p><p><br></p><p>Games also let us to experience forms of agency we might never have developed on our own. Games, it turns out, are a special technique for communication. They are a technology that lets us record and transmit forms of agency. Our games form a "library of agency" and we can explore that library to develop our autonomy. Games use temporary restrictions to force us into new postures of agency.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3435</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e6c96f84-40f4-11ed-b8d4-6fa831b02372]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5981282109.mp3?updated=1664566160" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Clémentine Deliss, "The Metabolic Museum" (Hatje Cantz, 2020)</title>
      <description>In The Metabolic Museum (Hatje Cantz, 2020), Clémentine Deliss, a curator, researcher, and former director of the Frankfurt Weltkulturen Museum, explores possible functions for anthropological museums in a postcolonial culture. Anthropological museums in Europe, as products of imperialism, have been compelled to legitimate themselves because the very basis of their exhibitions, the history of their collections, came about all too often through colonial appropriation and outright theft.
In this book, Deliss addresses this reality for enthographic or world culture museums in Europe, exploring the possible futures for these institutions. Connecting to reflections on her own work as the director of the Frankfurt Weltkulturen Museum with discussions of filmmakers, artists and authors to argue for an entity she calls the Metabolic Museum―an interventionist laboratory that opens up the potential of anthropological collections for the future.
Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Metabolic Museum (Hatje Cantz, 2020), Clémentine Deliss, a curator, researcher, and former director of the Frankfurt Weltkulturen Museum, explores possible functions for anthropological museums in a postcolonial culture. Anthropological museums in Europe, as products of imperialism, have been compelled to legitimate themselves because the very basis of their exhibitions, the history of their collections, came about all too often through colonial appropriation and outright theft.
In this book, Deliss addresses this reality for enthographic or world culture museums in Europe, exploring the possible futures for these institutions. Connecting to reflections on her own work as the director of the Frankfurt Weltkulturen Museum with discussions of filmmakers, artists and authors to argue for an entity she calls the Metabolic Museum―an interventionist laboratory that opens up the potential of anthropological collections for the future.
Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9783775747806"><em>The Metabolic Museum</em></a><em> </em>(Hatje Cantz, 2020), Clémentine Deliss, a curator, researcher, and former director of the Frankfurt Weltkulturen Museum, explores possible functions for anthropological museums in a postcolonial culture. Anthropological museums in Europe, as products of imperialism, have been compelled to legitimate themselves because the very basis of their exhibitions, the history of their collections, came about all too often through colonial appropriation and outright theft.</p><p>In this book, Deliss addresses this reality for enthographic or world culture museums in Europe, exploring the possible futures for these institutions. Connecting to reflections on her own work as the director of the Frankfurt Weltkulturen Museum with discussions of filmmakers, artists and authors to argue for an entity she calls the Metabolic Museum―an interventionist laboratory that opens up the potential of anthropological collections for the future.</p><p><em>Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4398</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18e90188-3dca-11ed-88ad-6b272561127e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7747848578.mp3?updated=1664217457" length="0" type="audio/mpeg"/>
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    <item>
      <title>Standpoint Theory</title>
      <description>Soham Sen talks about standpoint theory, a method of understanding the ways in which individual and collective experience influence public discourses. He begins from its origins in the civil rights movement and in the innovations of feminist thought, and follows it up with a discussion of its efficacy in understanding contemporary media.
Soham Sen is pursuing his Masters in the Department of Communication Studies and is the Assistant Course Director of Public Speaking at the College of Media &amp; Communication. His area of research includes border rhetoric and negotiation of immigrant identity , postcolonialism, and performance studies.
Image: © 2022 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7c7271c8-4331-11ed-8dfd-e7ba84cad2ed/image/HTP_Standpoint_Theory_image.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Soham Sen</itunes:subtitle>
      <itunes:summary>Soham Sen talks about standpoint theory, a method of understanding the ways in which individual and collective experience influence public discourses. He begins from its origins in the civil rights movement and in the innovations of feminist thought, and follows it up with a discussion of its efficacy in understanding contemporary media.
Soham Sen is pursuing his Masters in the Department of Communication Studies and is the Assistant Course Director of Public Speaking at the College of Media &amp; Communication. His area of research includes border rhetoric and negotiation of immigrant identity , postcolonialism, and performance studies.
Image: © 2022 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Soham Sen talks about standpoint theory, a method of understanding the ways in which individual and collective experience influence public discourses. He begins from its origins in the civil rights movement and in the innovations of feminist thought, and follows it up with a discussion of its efficacy in understanding contemporary media.</p><p><a href="https://www.depts.ttu.edu/comc/faculty/faculty/ssen.php">Soham Sen</a> is pursuing his Masters in the Department of Communication Studies and is the Assistant Course Director of Public Speaking at the College of Media &amp; Communication. His area of research includes border rhetoric and negotiation of immigrant identity , postcolonialism, and performance studies.</p><p>Image: © 2022 Saronik Bosu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1034</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7c7271c8-4331-11ed-8dfd-e7ba84cad2ed]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6488144193.mp3?updated=1664811663" length="0" type="audio/mpeg"/>
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    <item>
      <title>NBN Classic: Dominik Finkelde, "Excessive Subjectivity: Kant, Hegel, Lacan and the Foundations of Ethics" (Columbia UP, 2017)</title>
      <description>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
How are we to conceive of acts that suddenly expose the injustice of the current order? This is a question that has puzzled philosophers for centuries, and it’s the question that animates Dominik Finkelde’s book ​Excessive Subjectivity: Kant, Hegel, Lacan, and the Foundation of Ethics (Columbia University Press, 2017). The book looks at these three major thinkers, and the ways they saw subjects as being immersed in a particular set of ethical orientations, but also always with a subtle but profound potential to do something beyond what they might’ve thought possible. Dominik Finkelde is a professor of contemporary political philosophy and epistemology at the Munich School of Philosophy, and is also the author of ​Zizek Between Lacan and Hegel and Benjamin Reads Proust.​
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 02 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How are we to conceive of acts that suddenly expose the injustice of the current order?</itunes:subtitle>
      <itunes:summary>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
How are we to conceive of acts that suddenly expose the injustice of the current order? This is a question that has puzzled philosophers for centuries, and it’s the question that animates Dominik Finkelde’s book ​Excessive Subjectivity: Kant, Hegel, Lacan, and the Foundation of Ethics (Columbia University Press, 2017). The book looks at these three major thinkers, and the ways they saw subjects as being immersed in a particular set of ethical orientations, but also always with a subtle but profound potential to do something beyond what they might’ve thought possible. Dominik Finkelde is a professor of contemporary political philosophy and epistemology at the Munich School of Philosophy, and is also the author of ​Zizek Between Lacan and Hegel and Benjamin Reads Proust.​
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.</em></p><p>How are we to conceive of acts that suddenly expose the injustice of the current order? This is a question that has puzzled philosophers for centuries, and it’s the question that animates <a href="https://en.wikipedia.org/wiki/Dominik_Finkelde">Dominik Finkelde</a>’s book ​<a href="https://www.amazon.com/dp/0231173180/?tag=newbooinhis-20"><em>Excessive Subjectivity: Kant, Hegel, Lacan, and the Foundation of Ethics</em></a> (Columbia University Press, 2017). The book looks at these three major thinkers, and the ways they saw subjects as being immersed in a particular set of ethical orientations, but also always with a subtle but profound potential to do something beyond what they might’ve thought possible. Dominik Finkelde is a professor of contemporary political philosophy and epistemology at the Munich School of Philosophy, and is also the author of ​Zizek Between Lacan and Hegel and Benjamin Reads Proust.​</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4606</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[95686c30-8c9c-11ea-b4ae-b7605c1ee1cd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8523925988.mp3?updated=1664559645" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>NBN Classic: Jonathan Erickson, "Imagination in the Western Psyche: From Ancient Greece to Modern Neuroscience" (Routledge, 2019)</title>
      <description>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
Imagination is one of the most important elements of being human, but is most often assumed we know what it is, while rarely being analyzed. Here with me today is Jonathan Erickson to discuss his recent book Imagination in the Western Psyche: From Ancient Greece to Modern Neuroscience (Routledge, 2019). The book looks at various theories of imagination through history, and then looks at what neuroscience can tell us about the functioning of imagination, as well as looking at what the functioning of imagination can tell us about neuroscience.
Jonathan Erickson is a writer and educator, and holds a BA in English literature from UC Berkeley and a PhD in depth psychology from the Pacifica Graduate Institute in California.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 01 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Imagination is one of the most important elements of being human, but is most often assumed we know what it is,..</itunes:subtitle>
      <itunes:summary>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
Imagination is one of the most important elements of being human, but is most often assumed we know what it is, while rarely being analyzed. Here with me today is Jonathan Erickson to discuss his recent book Imagination in the Western Psyche: From Ancient Greece to Modern Neuroscience (Routledge, 2019). The book looks at various theories of imagination through history, and then looks at what neuroscience can tell us about the functioning of imagination, as well as looking at what the functioning of imagination can tell us about neuroscience.
Jonathan Erickson is a writer and educator, and holds a BA in English literature from UC Berkeley and a PhD in depth psychology from the Pacifica Graduate Institute in California.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.</em></p><p>Imagination is one of the most important elements of being human, but is most often assumed we know what it is, while rarely being analyzed. Here with me today is <a href="https://www.psychologytoday.com/us/therapists/jonathan-erickson-phd-certified-coach-portland-or/244364">Jonathan Erickson</a> to discuss his recent book <a href="http://www.amazon.com/dp/0367205165/?tag=newbooinhis-20"><em>Imagination in the Western Psyche: From Ancient Greece to Modern Neuroscience</em></a> (Routledge, 2019). The book looks at various theories of imagination through history, and then looks at what neuroscience can tell us about the functioning of imagination, as well as looking at what the functioning of imagination can tell us about neuroscience.</p><p>Jonathan Erickson is a writer and educator, and holds a BA in English literature from UC Berkeley and a PhD in depth psychology from the Pacifica Graduate Institute in California.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d99e8f90-33a2-11ea-b424-ffb9479bd72c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2643408839.mp3?updated=1664559544" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)</title>
      <description>In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jean-Thomas Tremblay</itunes:subtitle>
      <itunes:summary>In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478018865"><em>Breathing Aesthetics</em></a> (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3820</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db6b6e76-3c12-11ed-979f-6fa43bd9e0e6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2429396830.mp3?updated=1664029159" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alex Williams and Jeremy Gilbert, "Hegemony Now: How Big Tech and Wall Street Won the World (And How We Win it Back)" (Verso, 2022)</title>
      <description>Today power is in the hands of Wall Street and Silicon Valley. How do we understand this transformation in power? And what can we do about it?
We cannot change anything until we have a better understanding of how power works, who holds it, and why that matters. Through upgrading the concept of hegemony—understanding the importance of passive consent; the complexity of political interests; and the structural force of technology—Jeremy Gilbert and Alex Williams offer us an updated theory of power for the twenty-first century.
Alex Williams and Jeremy Gilbert book Hegemony Now: How Big Tech and Wall Street Won the World (And How We Win it Back) (Verso, 2022) explores how these forces came to control our world. The authors show how they have shaped the direction of politics and government as well as the neoliberal economy to benefit their own interests. However, this dominance is under threat. Following the 2008 financial crisis, a new order emerged in which the digital platform is the central new technology of both production and power. This offers new opportunities for counter hegemonic strategies to win back power. Hegemony Now outlines a dynamic socialist strategy for the twenty-first century.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>319</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex Williams and Jeremy Gilbert</itunes:subtitle>
      <itunes:summary>Today power is in the hands of Wall Street and Silicon Valley. How do we understand this transformation in power? And what can we do about it?
We cannot change anything until we have a better understanding of how power works, who holds it, and why that matters. Through upgrading the concept of hegemony—understanding the importance of passive consent; the complexity of political interests; and the structural force of technology—Jeremy Gilbert and Alex Williams offer us an updated theory of power for the twenty-first century.
Alex Williams and Jeremy Gilbert book Hegemony Now: How Big Tech and Wall Street Won the World (And How We Win it Back) (Verso, 2022) explores how these forces came to control our world. The authors show how they have shaped the direction of politics and government as well as the neoliberal economy to benefit their own interests. However, this dominance is under threat. Following the 2008 financial crisis, a new order emerged in which the digital platform is the central new technology of both production and power. This offers new opportunities for counter hegemonic strategies to win back power. Hegemony Now outlines a dynamic socialist strategy for the twenty-first century.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today power is in the hands of Wall Street and Silicon Valley. How do we understand this transformation in power? And what can we do about it?</p><p>We cannot change anything until we have a better understanding of how power works, who holds it, and why that matters. Through upgrading the concept of hegemony—understanding the importance of passive consent; the complexity of political interests; and the structural force of technology—Jeremy Gilbert and Alex Williams offer us an updated theory of power for the twenty-first century.</p><p>Alex Williams and Jeremy Gilbert book <a href="https://bookshop.org/a/12343/9781786633149"><em>Hegemony Now: How Big Tech and Wall Street Won the World (And How We Win it Back)</em></a> (Verso, 2022) explores how these forces came to control our world. The authors show how they have shaped the direction of politics and government as well as the neoliberal economy to benefit their own interests. However, this dominance is under threat. Following the 2008 financial crisis, a new order emerged in which the digital platform is the central new technology of both production and power. This offers new opportunities for counter hegemonic strategies to win back power. <em>Hegemony Now</em> outlines a dynamic socialist strategy for the twenty-first century.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Charisse Burden-Stelly and Jodi Dean, "Organize, Fight, Win: Black Communist Women's Political Writing" (Verso, 2022)</title>
      <description>Black Communist women throughout the early to mid-twentieth century fought for and led mass campaigns in the service of building collective power in the fight for liberation. Through concrete materialist analysis of the conditions of Black workers, these women argued that racial and economic equality can only be achieved by overthrowing capitalism.
The first collection of its kind, Organize, Fight, Win: Black Communist Women's Political Writing (Verso, 2022) brings together three decades of Black Communist women’s political writings. In doing so, it highlights the link between Communism and Black liberation. Likewise, it makes clear how Black women fundamentally shaped, and were shaped by, Communist praxis in the twentieth century.
Organize, Fight, Win includes writings from card-carrying Communists like Dorothy Burnham, Williana Burroughs, Grace P. Campbell, Alice Childress, Marvel Cooke, Esther Cooper Jackson, Thelma Dale Perkins, Vicki Garvin, Yvonne Gregory, Claudia Jones, Maude White Katz, and Louise Thompson Patterson, and writings by those who organized alongside the Communist Party, like Ella Baker, Charlotta Bass, Thyra Edwards, Lorraine Hansberry, and Dorothy Hunton.
In this interview, I spoke with the editors of this collection, Charisse Burden-Stelly and Jodi Dean. 
Charisse Burden-Stelly (@blackleftaf) is Associate Professor of Africana Studies and Political Science at Wayne State University. She is the author, with Gerald Horne, of W. E. B. Du Bois: A Life in American History.
Jodi Dean (@Jodi7768) is a professor in the Political Science Department at Hobart and William Smith Colleges in Geneva, New York. She has written or edited thirteen books, including recent Verso title Comrade: An Essay on Political Belonging.

Catriona Gold (@cat__gold) is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in governing Cold War travel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>318</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Charisse Burden-Stelly and Jodi Dean</itunes:subtitle>
      <itunes:summary>Black Communist women throughout the early to mid-twentieth century fought for and led mass campaigns in the service of building collective power in the fight for liberation. Through concrete materialist analysis of the conditions of Black workers, these women argued that racial and economic equality can only be achieved by overthrowing capitalism.
The first collection of its kind, Organize, Fight, Win: Black Communist Women's Political Writing (Verso, 2022) brings together three decades of Black Communist women’s political writings. In doing so, it highlights the link between Communism and Black liberation. Likewise, it makes clear how Black women fundamentally shaped, and were shaped by, Communist praxis in the twentieth century.
Organize, Fight, Win includes writings from card-carrying Communists like Dorothy Burnham, Williana Burroughs, Grace P. Campbell, Alice Childress, Marvel Cooke, Esther Cooper Jackson, Thelma Dale Perkins, Vicki Garvin, Yvonne Gregory, Claudia Jones, Maude White Katz, and Louise Thompson Patterson, and writings by those who organized alongside the Communist Party, like Ella Baker, Charlotta Bass, Thyra Edwards, Lorraine Hansberry, and Dorothy Hunton.
In this interview, I spoke with the editors of this collection, Charisse Burden-Stelly and Jodi Dean. 
Charisse Burden-Stelly (@blackleftaf) is Associate Professor of Africana Studies and Political Science at Wayne State University. She is the author, with Gerald Horne, of W. E. B. Du Bois: A Life in American History.
Jodi Dean (@Jodi7768) is a professor in the Political Science Department at Hobart and William Smith Colleges in Geneva, New York. She has written or edited thirteen books, including recent Verso title Comrade: An Essay on Political Belonging.

Catriona Gold (@cat__gold) is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in governing Cold War travel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Black Communist women throughout the early to mid-twentieth century fought for and led mass campaigns in the service of building collective power in the fight for liberation. Through concrete materialist analysis of the conditions of Black workers, these women argued that racial and economic equality can only be achieved by overthrowing capitalism.</p><p>The first collection of its kind, <a href="https://bookshop.org/a/12343/9781839764974"><em>Organize, Fight, Win: Black Communist Women's Political Writing</em></a><em> </em>(Verso, 2022) brings together three decades of Black Communist women’s political writings. In doing so, it highlights the link between Communism and Black liberation. Likewise, it makes clear how Black women fundamentally shaped, and were shaped by, Communist praxis in the twentieth century.</p><p><em>Organize, Fight, Win</em> includes writings from card-carrying Communists like Dorothy Burnham, Williana Burroughs, Grace P. Campbell, Alice Childress, Marvel Cooke, Esther Cooper Jackson, Thelma Dale Perkins, Vicki Garvin, Yvonne Gregory, Claudia Jones, Maude White Katz, and Louise Thompson Patterson, and writings by those who organized alongside the Communist Party, like Ella Baker, Charlotta Bass, Thyra Edwards, Lorraine Hansberry, and Dorothy Hunton.</p><p>In this interview, I spoke with the editors of this collection, Charisse Burden-Stelly and Jodi Dean. </p><p><a href="https://www.charisseburdenstelly.com/">Charisse Burden-Stelly</a> (<a href="https://twitter.com/blackleftaf">@blackleftaf</a>) is Associate Professor of Africana Studies and Political Science at Wayne State University. She is the author, with Gerald Horne, of <em>W. E. B. Du Bois: A Life in American History</em>.</p><p><a href="https://www2.hws.edu/academics/political-science/faculty/faculty-biography/?facultyID=95">Jodi Dean</a> (<a href="https://twitter.com/Jodi7768">@Jodi7768</a>) is a professor in the Political Science Department at Hobart and William Smith Colleges in Geneva, New York. She has written or edited thirteen books, including recent Verso title <em>Comrade: An Essay on Political Belonging.</em></p><p><br></p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold"><em>Catriona Gold</em></a> (<a href="https://twitter.com/cat__gold">@cat__gold</a>) <em>is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in governing Cold War travel.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2680</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fc4c38a0-39c4-11ed-8066-3b338534b2ee]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3154691059.mp3?updated=1663776282" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David P. Thomas and Veldon Coburn, "Capitalism and Dispossession: Corporate Canada at Home and Abroad" (Fernwood, 2021)</title>
      <description>Many Canadians think of their country as a paragon of liberal democratic values at home, and a moderating force on the world stage—not so, argues the compelling new edited collection from Fernwood Publishing, Capitalism and Dispossession: Corporate Canada at Home and Abroad. In this conversation with co-editors, Dr. David P Thomas and Dr. Veldon Coburn, we discuss the book’s numerous case studies of how the Canadian state, and the corporate actors to which it delegates authority, are central actors within a system of global capitalism that is premised on processes of accumulation by dispossession in order to reproduce itself.
Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David P. Thomas and Veldon Coburn</itunes:subtitle>
      <itunes:summary>Many Canadians think of their country as a paragon of liberal democratic values at home, and a moderating force on the world stage—not so, argues the compelling new edited collection from Fernwood Publishing, Capitalism and Dispossession: Corporate Canada at Home and Abroad. In this conversation with co-editors, Dr. David P Thomas and Dr. Veldon Coburn, we discuss the book’s numerous case studies of how the Canadian state, and the corporate actors to which it delegates authority, are central actors within a system of global capitalism that is premised on processes of accumulation by dispossession in order to reproduce itself.
Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Many Canadians think of their country as a paragon of liberal democratic values at home, and a moderating force on the world stage—not so, argues the compelling new edited collection from Fernwood Publishing, <a href="https://bookshop.org/a/12343/9781773634784"><em>Capitalism and Dispossession: Corporate Canada at Home and Abroad</em></a>. In this conversation with co-editors, Dr. David P Thomas and Dr. Veldon Coburn, we discuss the book’s numerous case studies of how the Canadian state, and the corporate actors to which it delegates authority, are central actors within a system of global capitalism that is premised on processes of accumulation by dispossession in order to reproduce itself.</p><p><em>Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at </em><a href="https://philhenderson.carrd.co/"><em>his personal website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5817</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[406274da-39ae-11ed-b72a-8b58a79f43db]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5216595760.mp3?updated=1663766840" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Writing/Reading the Bible in Postcolonial Perspective</title>
      <description>The intricacies of imperialism and colonialism within the context of the Bible are nuanced and varied. Understanding the legacy of European Imperialism requires careful reflection of the Bible’s affinity with the empire and concentration of power. In this episode of Humanities Matter, Dr. Steed Vernyl Davidson, author of Writing/Reading the Bible in Postcolonial Perspective (Brill, 2017) elaborates on the ambiguities of the Bible as an anti-imperial tool and his work in tracing the evolution of the Bible from its production in ancient empires to its role in the development of modern imperialism.
The book sets the context within which further exploration of postcolonial biblical critical work can take place and lays out the challenges of intersectional work with queer studies, terrorism studies, technology, and ecological studies as future tasks.
Summary: A discussion on the interpretations of the Bible as a tool of colonialism and imperialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Steed Vernyl Davidson</itunes:subtitle>
      <itunes:summary>The intricacies of imperialism and colonialism within the context of the Bible are nuanced and varied. Understanding the legacy of European Imperialism requires careful reflection of the Bible’s affinity with the empire and concentration of power. In this episode of Humanities Matter, Dr. Steed Vernyl Davidson, author of Writing/Reading the Bible in Postcolonial Perspective (Brill, 2017) elaborates on the ambiguities of the Bible as an anti-imperial tool and his work in tracing the evolution of the Bible from its production in ancient empires to its role in the development of modern imperialism.
The book sets the context within which further exploration of postcolonial biblical critical work can take place and lays out the challenges of intersectional work with queer studies, terrorism studies, technology, and ecological studies as future tasks.
Summary: A discussion on the interpretations of the Bible as a tool of colonialism and imperialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The intricacies of imperialism and colonialism within the context of the Bible are nuanced and varied. Understanding the legacy of European Imperialism requires careful reflection of the Bible’s affinity with the empire and concentration of power. In this episode of Humanities Matter, Dr. Steed Vernyl Davidson, author of <a href="https://brill.com/search?f_0=author&amp;q_0=Steed+Vernyl+Davidson"><em>Writing/Reading the Bible in Postcolonial Perspective</em></a> (Brill, 2017)<em> </em>elaborates on the ambiguities of the Bible as an anti-imperial tool and his work in tracing the evolution of the Bible from its production in ancient empires to its role in the development of modern imperialism.</p><p>The book sets the context within which further exploration of postcolonial biblical critical work can take place and lays out the challenges of intersectional work with queer studies, terrorism studies, technology, and ecological studies as future tasks.</p><p><em>Summary: A discussion on the interpretations of the Bible as a tool of colonialism and imperialism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1410</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3b6ee7da-3dda-11ed-aecf-5336baea25ca]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8717691329.mp3?updated=1664802875" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samo Tomšič, "The Labour of Enjoyment: Towards a Critique of Libidinal Economy" (Walther Konig Verlag, 2019)</title>
      <description>Enjoyment appears as purely private matter, but this is by far not the case. Ever since Aristotle the philosophical social critique is tormented by the question, whether the libidinal tendencies of human subjects allow the construction of a just political-economic order. It seemed at first that in modernity this problem had been overcome. Economic liberalism and utilitarianism argued that egoistic private interests and social justice were directly linked and that capitalism united libidinal and political economy in the best possible manner. But the political-economic panorama soon turned out significantly more complex and contradictory. Tomšič’s book The Labour of Enjoyment: Towards a Critique of Libidinal Economy (Walther Konig Verlag, 2020) recalls central Marxian and Freudian insights and circumscribes the political stakes of psychoanalysis under the general banner of a Critique of Libidinal Economy.
Samo Tomšič is interim professor of philosophy in Hamburg at the University of Fine Arts.
﻿Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here﻿.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>320</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samo Tomšič</itunes:subtitle>
      <itunes:summary>Enjoyment appears as purely private matter, but this is by far not the case. Ever since Aristotle the philosophical social critique is tormented by the question, whether the libidinal tendencies of human subjects allow the construction of a just political-economic order. It seemed at first that in modernity this problem had been overcome. Economic liberalism and utilitarianism argued that egoistic private interests and social justice were directly linked and that capitalism united libidinal and political economy in the best possible manner. But the political-economic panorama soon turned out significantly more complex and contradictory. Tomšič’s book The Labour of Enjoyment: Towards a Critique of Libidinal Economy (Walther Konig Verlag, 2020) recalls central Marxian and Freudian insights and circumscribes the political stakes of psychoanalysis under the general banner of a Critique of Libidinal Economy.
Samo Tomšič is interim professor of philosophy in Hamburg at the University of Fine Arts.
﻿Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here﻿.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Enjoyment appears as purely private matter, but this is by far not the case. Ever since Aristotle the philosophical social critique is tormented by the question, whether the libidinal tendencies of human subjects allow the construction of a just political-economic order. It seemed at first that in modernity this problem had been overcome. Economic liberalism and utilitarianism argued that egoistic private interests and social justice were directly linked and that capitalism united libidinal and political economy in the best possible manner. But the political-economic panorama soon turned out significantly more complex and contradictory. Tomšič’s book <a href="https://bookshop.org/a/12343/9783941360563"><em>The Labour of Enjoyment: Towards a Critique of Libidinal Economy</em></a> (Walther Konig Verlag, 2020) recalls central Marxian and Freudian insights and circumscribes the political stakes of psychoanalysis under the general banner of a Critique of Libidinal Economy.</p><p>Samo Tomšič is interim professor of philosophy in Hamburg at the University of Fine Arts.</p><p><em>﻿Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews </em><a href="https://www.getrevue.co/profile/reubenniewen"><em>here</em></a>﻿.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4526</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[724409e2-39ee-11ed-8af7-5b7e7bc10457]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2015970557.mp3?updated=1663794663" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Digital Lethargy</title>
      <description>In this episode of High Theory, Tung-Hui Hu talks with Júlia Irion Martins about Digital Lethargy, as part of our High Theory in STEM series. As a modern ailment, digital lethargy is a societal pathology, like earlier forms of acedia, otium, and neurasthenia, but also a disease of performing selfhood within the disposable identities of contemporary, digital service work. In this episode, Tung-Hui Hu makes the argument that digital lethargy helps us turn away from the demand to constantly “be ourselves” and see the potential of quieter, more ordinary forms of survival in the digital age such as collective inaction.
In the episode he discusses Heike Geissler’s Seasonal Associate (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire). He also references the film Sleeping Beauty (dir. Julia Leigh, 2011), Douglas A. Blackmon’s Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II (Anchor, 2008), Heike Geissler’s Seasonal Associate (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire), and Cathy Park Hong’s Minor Feelings: An Asian American Reckoning (Penguin Random House, 2020). Other mentions include the artist Aria Dean and scholar Achille Mbembe.
Tung-Hui Hu is a poet and scholar. His new website has the best domain ending: tunghui.hu He is a 2022-23 Rome Prize Fellow in Literature at the American Academy in Rome and an associate professor of English at the University of Michigan. His book on this topic, Digital Lethargy: Dispatches from an Age of Disconnection (MIT Press, 2022), will be published on October 4
This week’s image was made by Saronik Bosu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/964b5e42-3e73-11ed-a05b-47d54e51d572/image/HighTheory_DigitalLethargyImage.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Tung-Hui Hu and Júlia Irion</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Tung-Hui Hu talks with Júlia Irion Martins about Digital Lethargy, as part of our High Theory in STEM series. As a modern ailment, digital lethargy is a societal pathology, like earlier forms of acedia, otium, and neurasthenia, but also a disease of performing selfhood within the disposable identities of contemporary, digital service work. In this episode, Tung-Hui Hu makes the argument that digital lethargy helps us turn away from the demand to constantly “be ourselves” and see the potential of quieter, more ordinary forms of survival in the digital age such as collective inaction.
In the episode he discusses Heike Geissler’s Seasonal Associate (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire). He also references the film Sleeping Beauty (dir. Julia Leigh, 2011), Douglas A. Blackmon’s Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II (Anchor, 2008), Heike Geissler’s Seasonal Associate (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire), and Cathy Park Hong’s Minor Feelings: An Asian American Reckoning (Penguin Random House, 2020). Other mentions include the artist Aria Dean and scholar Achille Mbembe.
Tung-Hui Hu is a poet and scholar. His new website has the best domain ending: tunghui.hu He is a 2022-23 Rome Prize Fellow in Literature at the American Academy in Rome and an associate professor of English at the University of Michigan. His book on this topic, Digital Lethargy: Dispatches from an Age of Disconnection (MIT Press, 2022), will be published on October 4
This week’s image was made by Saronik Bosu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Tung-Hui Hu talks with Júlia Irion Martins about Digital Lethargy, as part of our High Theory in STEM series. As a modern ailment, digital lethargy is a societal pathology, like earlier forms of acedia, otium, and neurasthenia, but also a disease of performing selfhood within the disposable identities of contemporary, digital service work. In this episode, Tung-Hui Hu makes the argument that digital lethargy helps us turn away from the demand to constantly “be ourselves” and see the potential of quieter, more ordinary forms of survival in the digital age such as collective inaction.</p><p>In the episode he discusses Heike Geissler’s <a href="https://mitpress.mit.edu/9781635900361/seasonal-associate/"><em>Seasonal Associate</em></a> (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire). He also references the film <a href="https://www.imdb.com/title/tt1588398/"><em>Sleeping Beauty</em></a> (dir. Julia Leigh, 2011), Douglas A. Blackmon’s <a href="https://www.penguinrandomhouse.com/books/14301/slavery-by-another-name-by-douglas-a-blackmon/"><em>Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II</em></a> (Anchor, 2008), Heike Geissler’s <a href="https://mitpress.mit.edu/9781635900361/seasonal-associate/"><em>Seasonal Associate</em></a> (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire), and Cathy Park Hong’s <a href="http://www.randomhousebooks.com/books/605371/"><em>Minor Feelings: An Asian American Reckoning </em></a>(Penguin Random House, 2020). Other mentions include the artist Aria Dean and scholar Achille Mbembe.</p><p>Tung-Hui Hu is a poet and scholar. His new website has the best domain ending: <a href="https://www.tunghui.hu/">tunghui.hu</a> He is a 2022-23 Rome Prize Fellow in Literature at the American Academy in Rome and an associate professor of English at the University of Michigan. His book on this topic, <a href="https://mitpress.mit.edu/9780262047111/digital-lethargy/"><em>Digital Lethargy: Dispatches from an Age of Disconnection</em></a> (MIT Press, 2022), will be published on October 4</p><p>This week’s image was made by Saronik Bosu.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>948</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2905ea0e-3e74-11ed-8882-434600d9ee48]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6648155443.mp3?updated=1664290585" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gregory Sholette, "The Art of Activism and the Activism of Art" (Lund Humphries, 2021)</title>
      <description>Since the global financial crash of 2008, artists have become increasingly engaged in a wide range of cultural activism targeted against capitalism, political authoritarianism, colonial legacies, gentrification, but also in opposition to their own exploitation. They have also absorbed and reflected forms of protest within their art practice itself. The Art of Activism and the Activism of Art (Lund Humphries, 2021) maps, critiques, and celebrates activist art, exploring its current urgency alongside the processes which have given rise to activism by artists, and activist forms of art.
Gregory Sholette speaks to Pierre d'Alancaisez about the vanishing distinctions between art, art activism, and traditional political activism, and the political dimensions of culture in a hyper-aestheticised world that is indicative of a broader crisis of capitalism. Sholette describes a new wave of activist art taking place not only within community-based protest groups, as it has for decades, but amongst professionally trained artists many of whom refuse to respect the conventional borders separating painting from protest, or art from utility.
Gregory Sholette is an artist, writer, and activist. He has participated in, documented, and written about activist art for over forty years. He is the co-convenor of the school Social Practice Queens, a pioneering programme training artists to become social and political activists.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gregory Sholette</itunes:subtitle>
      <itunes:summary>Since the global financial crash of 2008, artists have become increasingly engaged in a wide range of cultural activism targeted against capitalism, political authoritarianism, colonial legacies, gentrification, but also in opposition to their own exploitation. They have also absorbed and reflected forms of protest within their art practice itself. The Art of Activism and the Activism of Art (Lund Humphries, 2021) maps, critiques, and celebrates activist art, exploring its current urgency alongside the processes which have given rise to activism by artists, and activist forms of art.
Gregory Sholette speaks to Pierre d'Alancaisez about the vanishing distinctions between art, art activism, and traditional political activism, and the political dimensions of culture in a hyper-aestheticised world that is indicative of a broader crisis of capitalism. Sholette describes a new wave of activist art taking place not only within community-based protest groups, as it has for decades, but amongst professionally trained artists many of whom refuse to respect the conventional borders separating painting from protest, or art from utility.
Gregory Sholette is an artist, writer, and activist. He has participated in, documented, and written about activist art for over forty years. He is the co-convenor of the school Social Practice Queens, a pioneering programme training artists to become social and political activists.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the global financial crash of 2008, artists have become increasingly engaged in a wide range of cultural activism targeted against capitalism, political authoritarianism, colonial legacies, gentrification, but also in opposition to their own exploitation. They have also absorbed and reflected forms of protest within their art practice itself. <a href="https://bookshop.org/a/12343/9781848224414"><em>The Art of Activism and the Activism of Art</em></a> (Lund Humphries, 2021) maps, critiques, and celebrates activist art, exploring its current urgency alongside the processes which have given rise to activism by artists, and activist forms of art.</p><p>Gregory Sholette speaks to Pierre d'Alancaisez about the vanishing distinctions between art, art activism, and traditional political activism, and the political dimensions of culture in a hyper-aestheticised world that is indicative of a broader crisis of capitalism. Sholette describes a new wave of activist art taking place not only within community-based protest groups, as it has for decades, but amongst professionally trained artists many of whom refuse to respect the conventional borders separating painting from protest, or art from utility.</p><p><a href="http://www.gregorysholette.com/"><em>Gregory Sholette</em></a><em> is an artist, writer, and activist. He has participated in, documented, and written about activist art for over forty years. He is the co-convenor of the school </em><a href="http://www.socialpracticequeens.org/"><em>Social Practice Queens</em></a><em>, a pioneering programme training artists to become social and political activists.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[41036456-3c30-11ed-9611-97955c5abb96]]></guid>
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    </item>
    <item>
      <title>Juan Pablo Pardo-Guerra, "The Quantified Scholar: How Research Evaluations Transformed the British Social Sciences" (Columbia UP, 2022)</title>
      <description>How do metrics and quantification shape social science? In The Quantified Scholar: How Research Evaluations Transformed the British Social Sciences (Columbia UP, 2022), Juan Pablo Pardo-Guerra, an Associate Professor in sociology at the University of California, San Diego, explores this question using a case study of British academia. The book combines a rich array of quantitative and qualitative analysis, demonstrating the transformation of working conditions, institutional contexts, and research areas since the introduction of a metrics and quantification regime during the 1980s. Highlighting the complexity and ambivalences of metrics and quantification, as well as the uneven distribution of positive and negative impacts, the book offers essential reading for every academic, irrespective of the nation or institution in which they work. It also will be important for those seeing to better understand the role of metrics and markets in contemporary life.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>316</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Juan Pablo Pardo-Guerra</itunes:subtitle>
      <itunes:summary>How do metrics and quantification shape social science? In The Quantified Scholar: How Research Evaluations Transformed the British Social Sciences (Columbia UP, 2022), Juan Pablo Pardo-Guerra, an Associate Professor in sociology at the University of California, San Diego, explores this question using a case study of British academia. The book combines a rich array of quantitative and qualitative analysis, demonstrating the transformation of working conditions, institutional contexts, and research areas since the introduction of a metrics and quantification regime during the 1980s. Highlighting the complexity and ambivalences of metrics and quantification, as well as the uneven distribution of positive and negative impacts, the book offers essential reading for every academic, irrespective of the nation or institution in which they work. It also will be important for those seeing to better understand the role of metrics and markets in contemporary life.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do metrics and quantification shape social science? In <em>The Quantified Scholar: How Research Evaluations Transformed the British Social Sciences </em>(Columbia UP, 2022), <a href="https://twitter.com/pardoguerra">Juan Pablo Pardo-Guerra</a>, an <a href="https://pardoguerra.org/">Associate Professor in sociology</a> at the <a href="https://sociology.ucsd.edu/people/faculty/faculty%20members/juan-pardo-guerra.html">University of California, San Diego</a>, explores this question using a case study of British academia. The book combines a rich array of quantitative and qualitative analysis, demonstrating the transformation of working conditions, institutional contexts, and research areas since the introduction of a metrics and quantification regime during the 1980s. Highlighting the complexity and ambivalences of metrics and quantification, as well as the uneven distribution of positive and negative impacts, the book offers essential reading for every academic, irrespective of the nation or institution in which they work. It also will be important for those seeing to better understand the role of metrics and markets in contemporary life.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2540</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[88b8e1bc-3781-11ed-8329-43f246a42325]]></guid>
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    </item>
    <item>
      <title>NBN Classic: Theodor Adorno, "The Authoritarian Personality" (Verso, 2019)</title>
      <description>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
70 years ago, the philosopher Theodore Adorno and a team of scholars released a massive book titled The Authoritarian Personality (Verso, 2019), which attempted to map the psychological and emotional dynamics of those who might find themselves seduced by authoritarianism.
The book synthesized both empirical psychology and sociology, relying on massive sets of data, with psychoanalytic models of personality so as to approach their subjects with a set of deep hermeneutic tools. The result is a book that is both both data-driven and speculative, and covers a vast swatch of theoretical territory.
It was recently republished by Verso books, with a new introduction by Peter Gordon.
Charles Clavey, a lecturer in social studies at Harvard University, whose research focuses on critical theory and the history of authoritarianism. His writing has appeared in a number of places including Modern Intellectual History, The LA Review of Books and The Chronicle of Higher Education.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 25 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Adorno and his colleagues attempted to map the psychological and emotional dynamics of those who might find themselves seduced by authoritarianism...</itunes:subtitle>
      <itunes:summary>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
70 years ago, the philosopher Theodore Adorno and a team of scholars released a massive book titled The Authoritarian Personality (Verso, 2019), which attempted to map the psychological and emotional dynamics of those who might find themselves seduced by authoritarianism.
The book synthesized both empirical psychology and sociology, relying on massive sets of data, with psychoanalytic models of personality so as to approach their subjects with a set of deep hermeneutic tools. The result is a book that is both both data-driven and speculative, and covers a vast swatch of theoretical territory.
It was recently republished by Verso books, with a new introduction by Peter Gordon.
Charles Clavey, a lecturer in social studies at Harvard University, whose research focuses on critical theory and the history of authoritarianism. His writing has appeared in a number of places including Modern Intellectual History, The LA Review of Books and The Chronicle of Higher Education.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.</em></p><p>70 years ago, the philosopher Theodore Adorno and a team of scholars released a massive book titled <a href="https://www.amazon.com/Authoritarian-Personality-Theodor-Adorno/dp/1788731646/?tag=newbooinhis-20"><em>The Authoritarian Personality</em></a> (Verso, 2019), which attempted to map the psychological and emotional dynamics of those who might find themselves seduced by authoritarianism.</p><p>The book synthesized both empirical psychology and sociology, relying on massive sets of data, with psychoanalytic models of personality so as to approach their subjects with a set of deep hermeneutic tools. The result is a book that is both both data-driven and speculative, and covers a vast swatch of theoretical territory.</p><p>It was recently republished by Verso books, with a new introduction by Peter Gordon.</p><p><a href="https://scholar.harvard.edu/clavey/home">Charles Clavey</a>, a lecturer in social studies at Harvard University, whose research focuses on critical theory and the history of authoritarianism. His writing has appeared in a number of places including <em>Modern Intellectual History, The LA Review of Books </em>and <em>The Chronicle of Higher Education.</em></p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4464</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff02f092-b001-11ea-b9a0-4722ec11c70b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1651921291.mp3?updated=1663953594" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>NBN Classic: Zahi Zalloua, "​Žižek on Race: Towards an Anti-Racist Future​" (Bloomsbury, 2020)</title>
      <description>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
The Slovenian philosopher and cultural critic Slavoj Žižek’s prolific quips on various cultural and political issues around race and related issues, found either in short YouTube clips or lengthy books have gained a lot of attention, much of it admittedly confused and occasionally offended and frustrated. Part of this is likely due to Žižek’s style, which tends to jump around in a blur of philosophical and cultural references, sometimes obscuring what his actual point is. However, his eclectic style shouldn’t deter us from trying to use Žižek’s theories of fantasy and ideology to understand the racial dimensions of our current political situation. This is the project set out by Zahi Zalloua, with his new book ​Žižek on Race: Towards an Anti-Racist Future​ (Bloomsbury, 2020), which seeks to use Žižekian philosophy to arrive at more complicated, but also more productive and emancipatory visions of racial oppression and emancipation might look like.
Zahi Zalloua is the Cushing Eells professor of Philosophy and Literature, and Professor of French and Interdisciplinary Studies at Whitman College. He is also the author of ​Continental Philosophy and the Palestinian Question: Beyond the Jew and the Greek​, as well as ​Theory’s Autoimmunity: Skepticism, Literature and Philosophy​.
Stephen Dozeman is a freelance writer.Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 25 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>158</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Zalloua uses Žižekian philosophy to arrive at more complicated, but also more productive and emancipatory visions of racial oppression and emancipation might look like...</itunes:subtitle>
      <itunes:summary>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
The Slovenian philosopher and cultural critic Slavoj Žižek’s prolific quips on various cultural and political issues around race and related issues, found either in short YouTube clips or lengthy books have gained a lot of attention, much of it admittedly confused and occasionally offended and frustrated. Part of this is likely due to Žižek’s style, which tends to jump around in a blur of philosophical and cultural references, sometimes obscuring what his actual point is. However, his eclectic style shouldn’t deter us from trying to use Žižek’s theories of fantasy and ideology to understand the racial dimensions of our current political situation. This is the project set out by Zahi Zalloua, with his new book ​Žižek on Race: Towards an Anti-Racist Future​ (Bloomsbury, 2020), which seeks to use Žižekian philosophy to arrive at more complicated, but also more productive and emancipatory visions of racial oppression and emancipation might look like.
Zahi Zalloua is the Cushing Eells professor of Philosophy and Literature, and Professor of French and Interdisciplinary Studies at Whitman College. He is also the author of ​Continental Philosophy and the Palestinian Question: Beyond the Jew and the Greek​, as well as ​Theory’s Autoimmunity: Skepticism, Literature and Philosophy​.
Stephen Dozeman is a freelance writer.Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.</em></p><p>The Slovenian philosopher and cultural critic Slavoj Žižek’s prolific quips on various cultural and political issues around race and related issues, found either in short YouTube clips or lengthy books have gained a lot of attention, much of it admittedly confused and occasionally offended and frustrated. Part of this is likely due to Žižek’s style, which tends to jump around in a blur of philosophical and cultural references, sometimes obscuring what his actual point is. However, his eclectic style shouldn’t deter us from trying to use Žižek’s theories of fantasy and ideology to understand the racial dimensions of our current political situation. This is the project set out by <a href="https://www.whitman.edu/academics/departments-and-programs/french/french-faculty-and-staff/zahi-zalloua">Zahi Zalloua</a>, with his new book ​<a href="http://www.amazon.com/dp/135009420X/?tag=newbooinhis-20"><em>Žižek on Race: Towards an Anti-Racist Future</em>​</a> (Bloomsbury, 2020), which seeks to use Žižekian philosophy to arrive at more complicated, but also more productive and emancipatory visions of racial oppression and emancipation might look like.</p><p><a href="https://www.whitman.edu/academics/departments-and-programs/french/french-faculty-and-staff/zahi-zalloua">Zahi Zalloua</a> is the Cushing Eells professor of Philosophy and Literature, and Professor of French and Interdisciplinary Studies at Whitman College. He is also the author of <em>​Continental Philosophy and the Palestinian Question: Beyond the Jew and the Greek</em>​, as well as ​<em>Theory’s Autoimmunity: Skepticism, Literature and Philosophy</em>​.</p><p><em>Stephen Dozeman is a freelance writer.Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2397</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b59021e-6845-11ea-964d-ab9593b764c2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7941235766.mp3?updated=1663953526" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>NBN Classic: Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)</title>
      <description>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 24 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does the world of book reviews work?</itunes:subtitle>
      <itunes:summary>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.</em></p><p>How does the world of book reviews work? In <a href="http://www.amazon.com/dp/069116746X/?tag=newbooinhis-20"><em>Inside the Critics’ Circle: Book Reviewing in Uncertain Times </em></a>(Princeton University Press, 2020), <a href="https://twitter.com/ChongSOC">Phillipa Chong</a>, <a href="https://www.phillipachong.com/">assistant professor in sociology</a> at <a href="https://socialsciences.mcmaster.ca/people/chong-phillipa">McMaster University</a>, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[91887b7e-534d-11ea-879f-0796d76e9b05]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3977239920.mp3?updated=1663953394" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>NBN Classic: Adrian Johnston, "A New German Idealism: Hegel, Žižek and Dialectical Materialism" (Columbia UP, 2018)</title>
      <description>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
In 2012, the world-renowned philosopher, psychoanalyst and cultural critic Slavoj Žižek released his 1000-page tome ​Less Than Nothing​, following it up afterwards with its shorter reformulation ​Absolute Recoil​ in 2014. The works contained his usual use of movie-references, historical and political events and jokes to engage in some substantial philosophical formulations, particularly in dialogue with Hegel and Lacan. In these books, Žižek forged a new developed a number of innovative approaches to various philosophical questions, from quantum mechanics to contemporary political movements. Adrian Johnston’s most recent book on Žižek, A New German Idealism: Hegel, Žižek and Dialectical Materialism​ (Columbia University Press, 2018) traces a number of these various developments in detail, salvaging the key philosophical themes while also offering several criticisms and developments of his own.
Adrian Johnston is Distinguished Professor in and Chair of the Department of Philosophy at the University of New Mexico and is a faculty member at the Emory Psychoanalytic Institute in Atlanta. His many books include ​Žižek’s Ontology: A Transcendental Materialist Theory of Subjectivity​ (2008) and ​Badiou, ​Žižek and Political Transformations: The Cadence of Change (2009)​. With Slavoj ​Žižek and Todd McGowan, he is a co-editor of the book series ​Diaeresis​, all from Northwestern University Press.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 24 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Johnston traces the development of Žižek's recent thought in detail, salvaging the key philosophical themes while also offering several criticisms and developments of his own...</itunes:subtitle>
      <itunes:summary>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
In 2012, the world-renowned philosopher, psychoanalyst and cultural critic Slavoj Žižek released his 1000-page tome ​Less Than Nothing​, following it up afterwards with its shorter reformulation ​Absolute Recoil​ in 2014. The works contained his usual use of movie-references, historical and political events and jokes to engage in some substantial philosophical formulations, particularly in dialogue with Hegel and Lacan. In these books, Žižek forged a new developed a number of innovative approaches to various philosophical questions, from quantum mechanics to contemporary political movements. Adrian Johnston’s most recent book on Žižek, A New German Idealism: Hegel, Žižek and Dialectical Materialism​ (Columbia University Press, 2018) traces a number of these various developments in detail, salvaging the key philosophical themes while also offering several criticisms and developments of his own.
Adrian Johnston is Distinguished Professor in and Chair of the Department of Philosophy at the University of New Mexico and is a faculty member at the Emory Psychoanalytic Institute in Atlanta. His many books include ​Žižek’s Ontology: A Transcendental Materialist Theory of Subjectivity​ (2008) and ​Badiou, ​Žižek and Political Transformations: The Cadence of Change (2009)​. With Slavoj ​Žižek and Todd McGowan, he is a co-editor of the book series ​Diaeresis​, all from Northwestern University Press.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.</em></p><p>In 2012, the world-renowned philosopher, psychoanalyst and cultural critic Slavoj Žižek released his 1000-page tome ​<em>Less Than Nothing</em>​, following it up afterwards with its shorter reformulation ​<em>Absolute Recoil​</em> in 2014. The works contained his usual use of movie-references, historical and political events and jokes to engage in some substantial philosophical formulations, particularly in dialogue with Hegel and Lacan. In these books, Žižek forged a new developed a number of innovative approaches to various philosophical questions, from quantum mechanics to contemporary political movements. <a href="https://philosophy.unm.edu/people/faculty/profile/adrian-johnston.html">Adrian Johnston</a>’s most recent book on Žižek, <a href="http://www.amazon.com/dp/023118395X/?tag=newbooinhis-20"><em>A New German Idealism: Hegel, Žižek and Dialectical Materialism</em></a>​ (Columbia University Press, 2018) traces a number of these various developments in detail, salvaging the key philosophical themes while also offering several criticisms and developments of his own.</p><p>Adrian Johnston is Distinguished Professor in and Chair of the Department of Philosophy at the University of New Mexico and is a faculty member at the Emory Psychoanalytic Institute in Atlanta. His many books include ​<em>Žižek’s Ontology: A Transcendental Materialist Theory of Subjectivity</em>​ (2008) and <em>​Badiou, ​Žižek and Political Transformations: The Cadence of Change</em> (2009)​. With Slavoj ​Žižek and Todd McGowan, he is a co-editor of the book series ​Diaeresis​, all from Northwestern University Press.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7122</itunes:duration>
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    <item>
      <title>On Karl Marx's "The Communist Manifesto"</title>
      <link>https://www.writlarge.fm/</link>
      <description>1848 was the Year of Revolutions in Europe. It was also the year that Karl Marx and Friedrich Engels published The Communist Manifesto, proposing a new, classless society. As revolutions erupted across the globe, many turned to the ideals of Communism to replace old and fast-crumbling feudal systems. But Communism didn’t take off everywhere. Harvard professor Louis Menand explains the successes and failures of Marx &amp; Engels’ vision since the publication of the manifesto. Louis Menand is the Lee Simpkins Family Professor or Arts and Sciences and the Anne T. and Robert M. Bass Professor of English at Harvard, where he also holds the title Harvard College Professor, in recognition of his teaching. He is the author of books such as The Marketplace of Ideas: Reform and Resistance in the American University and The Metaphysical Club, which won the Pulitzer Prize for History. He is a staff writer at The New Yorker. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Join the conversation on the Lyceum app.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/f2497958-18db-11ed-a108-43bf0807e4ab/image/uploads_2F1606227304984-fbfao51fzh-4d89137fe2df305f46d3865c9160f2f5_2F34.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Louis Menand</itunes:subtitle>
      <itunes:summary>1848 was the Year of Revolutions in Europe. It was also the year that Karl Marx and Friedrich Engels published The Communist Manifesto, proposing a new, classless society. As revolutions erupted across the globe, many turned to the ideals of Communism to replace old and fast-crumbling feudal systems. But Communism didn’t take off everywhere. Harvard professor Louis Menand explains the successes and failures of Marx &amp; Engels’ vision since the publication of the manifesto. Louis Menand is the Lee Simpkins Family Professor or Arts and Sciences and the Anne T. and Robert M. Bass Professor of English at Harvard, where he also holds the title Harvard College Professor, in recognition of his teaching. He is the author of books such as The Marketplace of Ideas: Reform and Resistance in the American University and The Metaphysical Club, which won the Pulitzer Prize for History. He is a staff writer at The New Yorker. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Join the conversation on the Lyceum app.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>1848 was the Year of Revolutions in Europe. It was also the year that Karl Marx and Friedrich Engels published The Communist Manifesto, proposing a new, classless society. As revolutions erupted across the globe, many turned to the ideals of Communism to replace old and fast-crumbling feudal systems. But Communism didn’t take off everywhere. Harvard professor Louis Menand explains the successes and failures of Marx &amp; Engels’ vision since the publication of the manifesto. Louis Menand is the Lee Simpkins Family Professor or Arts and Sciences and the Anne T. and Robert M. Bass Professor of English at Harvard, where he also holds the title Harvard College Professor, in recognition of his teaching. He is the author of books such as The Marketplace of Ideas: Reform and Resistance in the American University and The Metaphysical Club, which won the Pulitzer Prize for History. He is a staff writer at The New Yorker. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Join the conversation on the Lyceum app.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1855</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[805c0094-2e5f-11eb-870e-8f56a1ba1cc3]]></guid>
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    <item>
      <title>Yarimar Bonilla ed. et al., "Trouillot Remixed: The Michel-Rolph Trouillot Reader" (Duke UP, 2021)</title>
      <description>Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing. 
Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Greg Beckett</itunes:subtitle>
      <itunes:summary>Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing. 
Trouillot Remixed: The Michel-Rolph Trouillot Reader (Duke UP, 2021) offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing. </p><p><a href="https://www.dukeupress.edu/trouillot-remixed"><em>Trouillot Remixed: The Michel-Rolph Trouillot Reader</em></a> (Duke UP, 2021<em>)</em> offers a representative cross section of his work that includes his most famous writings and lesser-known and harder-to-find texts essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3892</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d0d58a3e-35fd-11ed-82a2-e72ef138edaf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7252695189.mp3?updated=1663361251" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Doug Greene, "Failure of Vision: Michael Harrington and the Limits of Democratic Socialism" (Zero Books, 2022)</title>
      <description>The Democratic Socialists of America have exploded in the last few years, going from just a couple thousand members to close to a hundred thousand. This was from a combination of factors; two insurgent presidential campaigns by Bernie Sanders, a proto-fascistic movement coalescing around Donald Trump, the specter of climate change, a worldwide pandemic, general increasing economic inequality and a general sense that this world is bad but a better one might be possible. But what exactly is the underlying political philosophy of this organization? Is it actually for socialism, or capitalism with a stronger safety net? Is it a subsection of the Democratic party, or an independent movement? And how does it see political and historical change actually happening?
In order to answer these questions, my guest Doug Greene has written a biography of the organizations founder, Michael Harrington. Starting with his early life in Jesuit education, Greene tracks Harrington’s political development through the 1950’s all the way up to 1982 when he founded DSA. Along the way, Harrington developed a conception of political change that would happen within the Democratic party, a conception that still clearly animates the approach of many on the left today. Written as a comradely critique, Failure of Vision: Michael Harrington and the Limits of Democratic Socialism (Zero Books, 2022) manages to give a genealogy of many of the tensions that still run through the contemporary left, and offers a sobering assessment of what can actually be accomplished when playing by realism’s rules.
Doug Greene is a freelance writer and historian in Boston. He is also the author of Communist Insurgent: Blanqui’s Politics of Revolution. His writing has also appeared in a number of outlets, including Left Voice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>315</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Doug Greene</itunes:subtitle>
      <itunes:summary>The Democratic Socialists of America have exploded in the last few years, going from just a couple thousand members to close to a hundred thousand. This was from a combination of factors; two insurgent presidential campaigns by Bernie Sanders, a proto-fascistic movement coalescing around Donald Trump, the specter of climate change, a worldwide pandemic, general increasing economic inequality and a general sense that this world is bad but a better one might be possible. But what exactly is the underlying political philosophy of this organization? Is it actually for socialism, or capitalism with a stronger safety net? Is it a subsection of the Democratic party, or an independent movement? And how does it see political and historical change actually happening?
In order to answer these questions, my guest Doug Greene has written a biography of the organizations founder, Michael Harrington. Starting with his early life in Jesuit education, Greene tracks Harrington’s political development through the 1950’s all the way up to 1982 when he founded DSA. Along the way, Harrington developed a conception of political change that would happen within the Democratic party, a conception that still clearly animates the approach of many on the left today. Written as a comradely critique, Failure of Vision: Michael Harrington and the Limits of Democratic Socialism (Zero Books, 2022) manages to give a genealogy of many of the tensions that still run through the contemporary left, and offers a sobering assessment of what can actually be accomplished when playing by realism’s rules.
Doug Greene is a freelance writer and historian in Boston. He is also the author of Communist Insurgent: Blanqui’s Politics of Revolution. His writing has also appeared in a number of outlets, including Left Voice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Democratic Socialists of America have exploded in the last few years, going from just a couple thousand members to close to a hundred thousand. This was from a combination of factors; two insurgent presidential campaigns by Bernie Sanders, a proto-fascistic movement coalescing around Donald Trump, the specter of climate change, a worldwide pandemic, general increasing economic inequality and a general sense that this world is bad but a better one might be possible. But what exactly is the underlying political philosophy of this organization? Is it actually for socialism, or capitalism with a stronger safety net? Is it a subsection of the Democratic party, or an independent movement? And how does it see political and historical change actually happening?</p><p>In order to answer these questions, my guest Doug Greene has written a biography of the organizations founder, Michael Harrington. Starting with his early life in Jesuit education, Greene tracks Harrington’s political development through the 1950’s all the way up to 1982 when he founded DSA. Along the way, Harrington developed a conception of political change that would happen within the Democratic party, a conception that still clearly animates the approach of many on the left today. Written as a comradely critique, <a href="https://bookshop.org/a/12343/9781789047233"><em>Failure of Vision: Michael Harrington and the Limits of Democratic Socialism</em></a> (Zero Books, 2022) manages to give a genealogy of many of the tensions that still run through the contemporary left, and offers a sobering assessment of what can actually be accomplished when playing by realism’s rules.</p><p><em>Doug Greene is a freelance writer and historian in Boston. He is also the author of Communist Insurgent: Blanqui’s Politics of Revolution. His writing has also appeared in a number of outlets, including Left Voice.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3688883144.mp3?updated=1663508906" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Olúfemi Táíwò, "Against Decolonization: Taking African Agency Seriously" (Hurst, 2022)</title>
      <description>Decolonisation has lost its way. Originally a struggle to escape the West’s direct political and economic control, it has become a catch-all idea, often for performing ‘morality’ or ‘authenticity’. In Against Decolonization: Taking African Agency Seriously (Hurst, 2022), Olúfẹ́mi Táíwò fiercely rejects the indiscriminate application of ‘decolonisation’ to everything from literature, language and philosophy to sociology, psychology and medicine.
Olúfẹ́mi Táíwò speaks to Pierre d’Alancaisez about the project of ‘decolonisation’ as intellectually unsound and unrealistic. Táíwò rejects decolonisation’s conflation of modernity with coloniality and takes to task the decolonisers’ confused attempts at undoing of global society’s foundations.
He argues that the decolonisation industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa. Worst of all, today’s movement attacks its own cause: ‘decolonisers’ themselves are disregarding, infantilising and imposing values on contemporary African thinkers.
This much-needed intervention questions whether today’s ‘decolonisation’ truly serves African empowerment. Táíwò’s is a bold challenge to respect African intellectuals as innovative adaptors, appropriators and synthesisers of ideas they have always seen as universally relevant.
Olúfẹ́mi Táíwò is Professor of African Political Thought and Chair at the Africana Studies and Research Center, Cornell University. His writings have been translated into French, Italian, German and Portuguese. His book How Colonialism Preempted Modernity in Africa won the Frantz Fanon Award in 2015.
NBN interview with Olúfẹ́mi on Africa Must Be Modern
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>314</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Olúfemi Táíwò</itunes:subtitle>
      <itunes:summary>Decolonisation has lost its way. Originally a struggle to escape the West’s direct political and economic control, it has become a catch-all idea, often for performing ‘morality’ or ‘authenticity’. In Against Decolonization: Taking African Agency Seriously (Hurst, 2022), Olúfẹ́mi Táíwò fiercely rejects the indiscriminate application of ‘decolonisation’ to everything from literature, language and philosophy to sociology, psychology and medicine.
Olúfẹ́mi Táíwò speaks to Pierre d’Alancaisez about the project of ‘decolonisation’ as intellectually unsound and unrealistic. Táíwò rejects decolonisation’s conflation of modernity with coloniality and takes to task the decolonisers’ confused attempts at undoing of global society’s foundations.
He argues that the decolonisation industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa. Worst of all, today’s movement attacks its own cause: ‘decolonisers’ themselves are disregarding, infantilising and imposing values on contemporary African thinkers.
This much-needed intervention questions whether today’s ‘decolonisation’ truly serves African empowerment. Táíwò’s is a bold challenge to respect African intellectuals as innovative adaptors, appropriators and synthesisers of ideas they have always seen as universally relevant.
Olúfẹ́mi Táíwò is Professor of African Political Thought and Chair at the Africana Studies and Research Center, Cornell University. His writings have been translated into French, Italian, German and Portuguese. His book How Colonialism Preempted Modernity in Africa won the Frantz Fanon Award in 2015.
NBN interview with Olúfẹ́mi on Africa Must Be Modern
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Decolonisation has lost its way. Originally a struggle to escape the West’s direct political and economic control, it has become a catch-all idea, often for performing ‘morality’ or ‘authenticity’. In <a href="https://bookshop.org/a/12343/9781787386921"><em>Against Decolonization: Taking African Agency Seriously</em></a> (Hurst, 2022), Olúfẹ́mi Táíwò fiercely rejects the indiscriminate application of ‘decolonisation’ to everything from literature, language and philosophy to sociology, psychology and medicine.</p><p>Olúfẹ́mi Táíwò speaks to Pierre d’Alancaisez about the project of ‘decolonisation’ as intellectually unsound and unrealistic. Táíwò rejects decolonisation’s conflation of modernity with coloniality and takes to task the decolonisers’ confused attempts at undoing of global society’s foundations.</p><p>He argues that the decolonisation industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa. Worst of all, today’s movement attacks its own cause: ‘decolonisers’ themselves are disregarding, infantilising and imposing values on contemporary African thinkers.</p><p>This much-needed intervention questions whether today’s ‘decolonisation’ truly serves African empowerment. Táíwò’s is a bold challenge to respect African intellectuals as innovative adaptors, appropriators and synthesisers of ideas they have always seen as universally relevant.</p><p>Olúfẹ́mi Táíwò is Professor of African Political Thought and Chair at the Africana Studies and Research Center, Cornell University. His writings have been translated into French, Italian, German and Portuguese. His book <em>How Colonialism Preempted Modernity in Africa</em> won the Frantz Fanon Award in 2015.</p><ul><li><a href="https://newbooksnetwork.com/olufemi-taiow-africa-must-be-modern-a-manifesto-indiana-up-2014#entry:16839@1:url">NBN interview with Olúfẹ́mi on <em>Africa Must Be Modern</em></a></li></ul><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3869</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[df3047c4-374f-11ed-9251-876cd59fa0de]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7809062831.mp3?updated=1663506669" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paula Serafini, "Creating Worlds Otherwise: Art, Collective Action, And (Post)Extractivism" (Vanderbilt UP, 2022)</title>
      <description>How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>317</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paula Serafini</itunes:subtitle>
      <itunes:summary>How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are art and social justice intertwined? In <a href="https://www.vanderbiltuniversitypress.com/9780826504555/creating-worlds-otherwise/"><em>Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism</em></a> <a href="https://twitter.com/lokitsch">Paula Serafini</a>, a <a href="https://www.qmul.ac.uk/busman/staff/academic/profiles/serafinip.html">Lecturer in Creative and Cultural Industries at Queen Mary University of London</a>, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[437a583a-3829-11ed-9efc-4fa160653de3]]></guid>
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    <item>
      <title>Kim Q. Hall, "Queering Philosophy" (Rowman &amp; Littlefield, 2022)</title>
      <description>Why isn’t there a queer subfield in philosophy? How has institutionalized philosophy continued to develop without a recognized specialization in queer philosophy? What would it mean to care queerly for philosophy? And how might that change not only the field, but the possibilities for living? These are just some of the questions raised by Kim Q. Hall in Queering Philosophy (Rowman &amp; Littlefield, 2022). Hall diagnoses philosophy’s straight habits and shows how an intersectional approach to queering philosophy can allow us to practice philosophy otherwise. By building a promiscuous archive to think along with many questioners of dominate norms, Hall argues for a pursuit of wisdom that is relational, experimental, and attuned to other ways of life.
﻿Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>294</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kim Q. Hall</itunes:subtitle>
      <itunes:summary>Why isn’t there a queer subfield in philosophy? How has institutionalized philosophy continued to develop without a recognized specialization in queer philosophy? What would it mean to care queerly for philosophy? And how might that change not only the field, but the possibilities for living? These are just some of the questions raised by Kim Q. Hall in Queering Philosophy (Rowman &amp; Littlefield, 2022). Hall diagnoses philosophy’s straight habits and shows how an intersectional approach to queering philosophy can allow us to practice philosophy otherwise. By building a promiscuous archive to think along with many questioners of dominate norms, Hall argues for a pursuit of wisdom that is relational, experimental, and attuned to other ways of life.
﻿Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why isn’t there a queer subfield in philosophy? How has institutionalized philosophy continued to develop without a recognized specialization in queer philosophy? What would it mean to care queerly for philosophy? And how might that change not only the field, but the possibilities for living? These are just some of the questions raised by Kim Q. Hall in <a href="https://bookshop.org/a/12343/9781786609427"><em>Queering Philosophy</em></a><em> </em>(Rowman &amp; Littlefield, 2022). Hall diagnoses philosophy’s straight habits and shows how an intersectional approach to queering philosophy can allow us to practice philosophy otherwise. By building a promiscuous archive to think along with many questioners of dominate norms, Hall argues for a pursuit of wisdom that is relational, experimental, and attuned to other ways of life.</p><p><em>﻿</em><a href="https://clas.ucdenver.edu/philosophy/sarah-tyson"><em>Sarah Tyson</em></a><em> is an associate professor of philosophy at the University of Colorado, Denver.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3552</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be16bd46-313e-11ed-bdf6-cb91c5882165]]></guid>
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    <item>
      <title>Nancy Fraser, "Cannibal Capitalism: How our System is Devouring Democracy, Care, and the Planet and What We Can Do About It" (Verso, 2022)</title>
      <description>Capital is currently cannibalizing every sphere of life–guzzling wealth from nature and racialized populations, sucking up our ability to care for each other, and gutting the practice of politics. In Cannibal Capitalism: How our System is Devouring Democracy, Care, and the Planet and What We Can Do About It (Verso, 2022), leading Marxist feminist theorist Nancy Fraser charts the voracious appetite of capital, tracking it from crisis point to crisis point, from ecological devastation to the collapse of democracy, from racial violence to the devaluing of care work. These crisis points all come to a head in Covid-19, which Fraser argues can help us envision the resistance we need to end the feeding frenzy.
What we need, she argues, is a wide-ranging socialist movement that can recognize the rapaciousness of capital - and starve it to death.
Nancy Fraser is Henry and Louise A. Loeb Professor of Philosophy and Politics at the New School for Social Research. She is the author of Fortunes of Feminism and The Old is Dying and the New Cannot be Born, and co-author of Capitalism: A Conversation and Feminism for the 99%.
Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nancy Fraser</itunes:subtitle>
      <itunes:summary>Capital is currently cannibalizing every sphere of life–guzzling wealth from nature and racialized populations, sucking up our ability to care for each other, and gutting the practice of politics. In Cannibal Capitalism: How our System is Devouring Democracy, Care, and the Planet and What We Can Do About It (Verso, 2022), leading Marxist feminist theorist Nancy Fraser charts the voracious appetite of capital, tracking it from crisis point to crisis point, from ecological devastation to the collapse of democracy, from racial violence to the devaluing of care work. These crisis points all come to a head in Covid-19, which Fraser argues can help us envision the resistance we need to end the feeding frenzy.
What we need, she argues, is a wide-ranging socialist movement that can recognize the rapaciousness of capital - and starve it to death.
Nancy Fraser is Henry and Louise A. Loeb Professor of Philosophy and Politics at the New School for Social Research. She is the author of Fortunes of Feminism and The Old is Dying and the New Cannot be Born, and co-author of Capitalism: A Conversation and Feminism for the 99%.
Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Capital is currently cannibalizing every sphere of life–guzzling wealth from nature and racialized populations, sucking up our ability to care for each other, and gutting the practice of politics. In <a href="https://bookshop.org/a/12343/9781839761232"><em>Cannibal Capitalism: How our System is Devouring Democracy, Care, and the Planet and What We Can Do About It</em></a> (Verso, 2022), leading Marxist feminist theorist Nancy Fraser charts the voracious appetite of capital, tracking it from crisis point to crisis point, from ecological devastation to the collapse of democracy, from racial violence to the devaluing of care work. These crisis points all come to a head in Covid-19, which Fraser argues can help us envision the resistance we need to end the feeding frenzy.</p><p>What we need, she argues, is a wide-ranging socialist movement that can recognize the rapaciousness of capital - and starve it to death.</p><p>Nancy Fraser is Henry and Louise A. Loeb Professor of Philosophy and Politics at the New School for Social Research. She is the author of <em>Fortunes of Feminism</em> and <em>The Old is Dying and the New Cannot be Born</em>, and co-author of <em>Capitalism: A Conversation</em> and <em>Feminism for the 99%</em>.</p><p><em>Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c075f888-3033-11ed-b70e-dfdf5caa41ad]]></guid>
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    <item>
      <title>Lara Sheehi and Stephen Sheehi, "Psychoanalysis Under Occupation: Practicing Resistance in Palestine" (Routledge, 2021)</title>
      <description>On this episode, J.J. Mull interviews co-authors Lara and Stephen Sheehi about their book, Psychoanalysis Under Occupation: Practicing Resistance in Palestine (Routledge, 2021). As they discuss in the interview, the book represents years of research, engagement, and relationship-building with and alongside psychoanalytically oriented Palestinian clinicians working throughout historic Palestine. These relationships and solidarities form the base from which the authors start to think about the intersection of psychoanalysis, decoloniality, and liberatory practice.
﻿J.J. Mull is a poet, training clinician, and fellow in the Program for Psychotherapy at Cambridge Health Alliance. Originally from the west coast, he currently lives and bikes in Somerville, MA. He can be reached at: jay.c.mull@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lara Sheehi and Stephen Sheehi</itunes:subtitle>
      <itunes:summary>On this episode, J.J. Mull interviews co-authors Lara and Stephen Sheehi about their book, Psychoanalysis Under Occupation: Practicing Resistance in Palestine (Routledge, 2021). As they discuss in the interview, the book represents years of research, engagement, and relationship-building with and alongside psychoanalytically oriented Palestinian clinicians working throughout historic Palestine. These relationships and solidarities form the base from which the authors start to think about the intersection of psychoanalysis, decoloniality, and liberatory practice.
﻿J.J. Mull is a poet, training clinician, and fellow in the Program for Psychotherapy at Cambridge Health Alliance. Originally from the west coast, he currently lives and bikes in Somerville, MA. He can be reached at: jay.c.mull@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, J.J. Mull interviews co-authors Lara and Stephen Sheehi about their book, <a href="https://bookshop.org/a/12343/9781138596207"><em>Psychoanalysis Under Occupation: Practicing Resistance in Palestine</em></a> (Routledge, 2021). As they discuss in the interview, the book represents years of research, engagement, and relationship-building with and alongside psychoanalytically oriented Palestinian clinicians working throughout historic Palestine. These relationships and solidarities form the base from which the authors start to think about the intersection of psychoanalysis, decoloniality, and liberatory practice.</p><p><em>﻿J.J. Mull is a poet, training clinician, and fellow in the Program for Psychotherapy at Cambridge Health Alliance. Originally from the west coast, he currently lives and bikes in Somerville, MA. He can be reached at: jay.c.mull@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4615</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d55ad908-32b3-11ed-b8a1-17ff0a88e46f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8736069317.mp3?updated=1662998601" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Raúl Pérez, "The Souls of White Jokes: How Racist Humor Fuels White Supremacy" (Stanford UP, 2022)</title>
      <description>Having a "good" sense of humor generally means being able to take a joke without getting offended—laughing even at a taboo thought or at another's expense. The insinuation is that laughter eases social tension and creates solidarity in an overly politicized social world. But do the stakes change when the jokes are racist? In The Souls of White Jokes: How Racist Humor Fuels White Supremacy (Stanford UP, 2022), Raúl Pérez argues that we must genuinely confront this unsettling question in order to fully understand the persistence of anti-black racism and white supremacy in American society today.
W.E.B. Du Bois's prescient essay "The Souls of White Folk" was one of the first to theorize whiteness as a social and political construct based on a feeling of superiority over racialized others—a kind of racial contempt. Pérez extends this theory to the study of humor, connecting theories of racial formation to parallel ideas about humor stemming from laughter at another's misfortune. Critically synthesizing scholarship on race, humor, and emotions, he uncovers a key function of humor as a tool for producing racial alienation, dehumanization, exclusion, and even violence. Pérez tracks this use of humor from blackface minstrelsy to contemporary contexts, including police culture, politics, and far-right extremists. Rather than being harmless fun, this humor plays a central role in reinforcing and mobilizing racist ideology and power under the guise of amusement.
The Souls of White Jokes exposes this malicious side of humor, while also revealing a new facet of racism today. Though it can be comforting to imagine racism as coming from racial hatred and anger, the terrifying reality is that it is tied up in seemingly benign, even joyful, everyday interactions as well— and for racism to be eradicated we must face this truth.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>246</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Raúl Pérez</itunes:subtitle>
      <itunes:summary>Having a "good" sense of humor generally means being able to take a joke without getting offended—laughing even at a taboo thought or at another's expense. The insinuation is that laughter eases social tension and creates solidarity in an overly politicized social world. But do the stakes change when the jokes are racist? In The Souls of White Jokes: How Racist Humor Fuels White Supremacy (Stanford UP, 2022), Raúl Pérez argues that we must genuinely confront this unsettling question in order to fully understand the persistence of anti-black racism and white supremacy in American society today.
W.E.B. Du Bois's prescient essay "The Souls of White Folk" was one of the first to theorize whiteness as a social and political construct based on a feeling of superiority over racialized others—a kind of racial contempt. Pérez extends this theory to the study of humor, connecting theories of racial formation to parallel ideas about humor stemming from laughter at another's misfortune. Critically synthesizing scholarship on race, humor, and emotions, he uncovers a key function of humor as a tool for producing racial alienation, dehumanization, exclusion, and even violence. Pérez tracks this use of humor from blackface minstrelsy to contemporary contexts, including police culture, politics, and far-right extremists. Rather than being harmless fun, this humor plays a central role in reinforcing and mobilizing racist ideology and power under the guise of amusement.
The Souls of White Jokes exposes this malicious side of humor, while also revealing a new facet of racism today. Though it can be comforting to imagine racism as coming from racial hatred and anger, the terrifying reality is that it is tied up in seemingly benign, even joyful, everyday interactions as well— and for racism to be eradicated we must face this truth.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Having a "good" sense of humor generally means being able to take a joke without getting offended—laughing even at a taboo thought or at another's expense. The insinuation is that laughter eases social tension and creates solidarity in an overly politicized social world. But do the stakes change when the jokes are racist? In <a href="https://bookshop.org/a/12343/9781503632332"><em>The Souls of White Jokes: How Racist Humor Fuels White Supremacy</em></a><em> </em>(Stanford UP, 2022), Raúl Pérez argues that we must genuinely confront this unsettling question in order to fully understand the persistence of anti-black racism and white supremacy in American society today.</p><p>W.E.B. Du Bois's prescient essay "The Souls of White Folk" was one of the first to theorize whiteness as a social and political construct based on a feeling of superiority over racialized others—a kind of racial contempt. Pérez extends this theory to the study of humor, connecting theories of racial formation to parallel ideas about humor stemming from laughter at another's misfortune. Critically synthesizing scholarship on race, humor, and emotions, he uncovers a key function of humor as a tool for producing racial alienation, dehumanization, exclusion, and even violence. Pérez tracks this use of humor from blackface minstrelsy to contemporary contexts, including police culture, politics, and far-right extremists. Rather than being harmless fun, this humor plays a central role in reinforcing and mobilizing racist ideology and power under the guise of amusement.</p><p><em>The Souls of White Jokes</em> exposes this malicious side of humor, while also revealing a new facet of racism today. Though it can be comforting to imagine racism as coming from racial hatred and anger, the terrifying reality is that it is tied up in seemingly benign, even joyful, everyday interactions as well— and for racism to be eradicated we must face this truth.</p><p><em>﻿</em><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5430</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa066ad4-3686-11ed-90b7-9f48216fa59b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7859747685.mp3?updated=1663419405" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neferti X. M. Tadiar, "Remaindered Life" (Duke UP, 2022)</title>
      <description>In Remaindered Life Neferti X. M. Tadiar offers a new conceptual vocabulary and framework for rethinking the dynamics of a global capitalism maintained through permanent imperial war. Tracking how contemporary capitalist accumulation depends on producing life-times of disposability, Tadiar focuses on what she terms remaindered life—practices of living that exceed the distinction between life worth living and life worth expending. Through this heuristic, Tadiar reinterprets the global significance and genealogy of the surplus life-making practices of migrant domestic and service workers, refugees fleeing wars and environmental disasters, criminalized communities, urban slum dwellers, and dispossessed Indigenous people. She also examines artists and filmmakers in the Global South who render forms of various living in the midst of disposability. Retelling the story of globalization from the side of those who reach beyond dominant protocols of living, Tadiar demonstrates how attending to remaindered life can open up another horizon of possibility for a radical remaking of our present global mode of life.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Neferti X. M. Tadiar</itunes:subtitle>
      <itunes:summary>In Remaindered Life Neferti X. M. Tadiar offers a new conceptual vocabulary and framework for rethinking the dynamics of a global capitalism maintained through permanent imperial war. Tracking how contemporary capitalist accumulation depends on producing life-times of disposability, Tadiar focuses on what she terms remaindered life—practices of living that exceed the distinction between life worth living and life worth expending. Through this heuristic, Tadiar reinterprets the global significance and genealogy of the surplus life-making practices of migrant domestic and service workers, refugees fleeing wars and environmental disasters, criminalized communities, urban slum dwellers, and dispossessed Indigenous people. She also examines artists and filmmakers in the Global South who render forms of various living in the midst of disposability. Retelling the story of globalization from the side of those who reach beyond dominant protocols of living, Tadiar demonstrates how attending to remaindered life can open up another horizon of possibility for a radical remaking of our present global mode of life.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478017769"><em>Remaindered Life</em></a> Neferti X. M. Tadiar offers a new conceptual vocabulary and framework for rethinking the dynamics of a global capitalism maintained through permanent imperial war. Tracking how contemporary capitalist accumulation depends on producing life-times of disposability, Tadiar focuses on what she terms remaindered life—practices of living that exceed the distinction between life worth living and life worth expending. Through this heuristic, Tadiar reinterprets the global significance and genealogy of the surplus life-making practices of migrant domestic and service workers, refugees fleeing wars and environmental disasters, criminalized communities, urban slum dwellers, and dispossessed Indigenous people. She also examines artists and filmmakers in the Global South who render forms of various living in the midst of disposability. Retelling the story of globalization from the side of those who reach beyond dominant protocols of living, Tadiar demonstrates how attending to remaindered life can open up another horizon of possibility for a radical remaking of our present global mode of life.</p><p><a href="https://www.shraddhachatterjee.com/"><em>Shraddha Chatterjee</em></a><em> is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3592</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a5ccf830-31df-11ed-bfae-5f874a99bfa4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9942878992.mp3?updated=1662907959" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charles William Johns, "Object Oriented Dialectics: Hegel, Heidegger, Harman" (Mimesis International, 2022)</title>
      <description>In Object Oriented Dialectics: Hegel, Heidegger, Harman (Mimesis, 2022), Johns, in the style of Derrida, looks over the absence or spectre of the signifier ‘dialectic’ in both Martin Heidegger and Graham Harman’s work, arguing that such a negation of the term turns out to be more of an intentional repression than any passive act of neglection. Johns insists that such repression finds its way into their writing as an alternative interpretation of their core concepts altogether. Less a Hegelian critique of such thinkers and more a Heideggerian and Harmanian resuscitation of the dialectic in Hegel as a realist method capable of integration into contemporary philosophy, this book will be invaluable to anyone interested in the crossroads of contemporary strands of idealism, materialism and realism and the place of the dialectical method today.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>313</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Charles William Johns</itunes:subtitle>
      <itunes:summary>In Object Oriented Dialectics: Hegel, Heidegger, Harman (Mimesis, 2022), Johns, in the style of Derrida, looks over the absence or spectre of the signifier ‘dialectic’ in both Martin Heidegger and Graham Harman’s work, arguing that such a negation of the term turns out to be more of an intentional repression than any passive act of neglection. Johns insists that such repression finds its way into their writing as an alternative interpretation of their core concepts altogether. Less a Hegelian critique of such thinkers and more a Heideggerian and Harmanian resuscitation of the dialectic in Hegel as a realist method capable of integration into contemporary philosophy, this book will be invaluable to anyone interested in the crossroads of contemporary strands of idealism, materialism and realism and the place of the dialectical method today.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9788869773914"><em>Object Oriented Dialectics: Hegel, Heidegger, Harman</em></a> (Mimesis, 2022), Johns, in the style of Derrida, looks over the absence or spectre of the signifier ‘dialectic’ in both Martin Heidegger and Graham Harman’s work, arguing that such a negation of the term turns out to be more of an intentional repression than any passive act of neglection. Johns insists that such repression finds its way into their writing as an alternative interpretation of their core concepts altogether. Less a Hegelian critique of such thinkers and more a Heideggerian and Harmanian resuscitation of the dialectic in Hegel as a realist method capable of integration into contemporary philosophy, this book will be invaluable to anyone interested in the crossroads of contemporary strands of idealism, materialism and realism and the place of the dialectical method today.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c19a5680-2eeb-11ed-8cb3-4f37d8d882d2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3224829173.mp3?updated=1662583226" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amber M. Trotter, "Psychoanalysis as a Subversive Phenomenon: Social Change, Virtue Ethics, and Analytic Theory" (Lexington Books, 2020) </title>
      <description>“Perhaps psychoanalysis survives because it obstinately carries a torch of wild freedom and reverence for the unknowable in a world of rational epistemology and increasingly rigid sociopolitical control. Psychoanalysis does not scream its sociopolitical agenda, waving signs and shouting slogans, but may be a fundamentally political project nonetheless, and one of a subversive nature.”
In her book Psychoanalysis as a Subversive Phenomenon: Social Change, Virtue Ethics, and Analytic Theory (Lexington Books, 2020) Amber Trotter teases out the radical legacy of psychoanalysis. Contrary to some attempts in the field to tone down the disruptive potential of psychoanalysis to make it respectable, she champions psychoanalysis as a force of radical change of the individual and collective psychic functioning. A central question of the book seems to be why psychoanalysis rarely delivers on its subversive promise. How might the discipline need to develop to counter its hypermarginalization and position it in optimal and generative marginality to urgent issues of ethics and politics? Among other pertinent issues, I read the book as a plea for solidarity within the field to help bringing about this development.
﻿Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amber M. Trotter</itunes:subtitle>
      <itunes:summary>“Perhaps psychoanalysis survives because it obstinately carries a torch of wild freedom and reverence for the unknowable in a world of rational epistemology and increasingly rigid sociopolitical control. Psychoanalysis does not scream its sociopolitical agenda, waving signs and shouting slogans, but may be a fundamentally political project nonetheless, and one of a subversive nature.”
In her book Psychoanalysis as a Subversive Phenomenon: Social Change, Virtue Ethics, and Analytic Theory (Lexington Books, 2020) Amber Trotter teases out the radical legacy of psychoanalysis. Contrary to some attempts in the field to tone down the disruptive potential of psychoanalysis to make it respectable, she champions psychoanalysis as a force of radical change of the individual and collective psychic functioning. A central question of the book seems to be why psychoanalysis rarely delivers on its subversive promise. How might the discipline need to develop to counter its hypermarginalization and position it in optimal and generative marginality to urgent issues of ethics and politics? Among other pertinent issues, I read the book as a plea for solidarity within the field to help bringing about this development.
﻿Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“<em>Perhaps psychoanalysis survives because it obstinately carries a torch of wild freedom and reverence for the unknowable in a world of rational epistemology and increasingly rigid sociopolitical control. Psychoanalysis does not scream its sociopolitical agenda, waving signs and shouting slogans, but may be a fundamentally political project nonetheless, and one of a subversive nature.</em>”</p><p>In her book <a href="https://bookshop.org/a/12343/9781498573320"><em>Psychoanalysis as a Subversive Phenomenon: Social Change, Virtue Ethics, and Analytic Theory</em></a> (Lexington Books, 2020) Amber Trotter teases out the radical legacy of psychoanalysis. Contrary to some attempts in the field to tone down the disruptive potential of psychoanalysis to make it respectable, she champions psychoanalysis as a force of radical change of the individual and collective psychic functioning. A central question of the book seems to be why psychoanalysis rarely delivers on its subversive promise. How might the discipline need to develop to counter its hypermarginalization and position it in optimal and generative marginality to urgent issues of ethics and politics? Among other pertinent issues, I read the book as a plea for solidarity within the field to help bringing about this development.</p><p><em>﻿Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3599</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[42ea6546-2ebe-11ed-9742-233ae6475ddc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4240747763.mp3?updated=1662563470" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Finding Your Purpose</title>
      <description>This episode is the edited version of a live event held on June 17 2022 to celebrate the launch of Finding Your Purpose: a Higher Calling Workbook for Justice-Oriented Scholars in an Unjust World.
Higher Calling is a project for everyone who decided to become a scholar because they believed in the mission of higher education, and specifically, for everyone who saw participating in and working for higher education as a way to turn the pursuit of justice into a career. It aims to help you understand how to better align a career in academia with your sense of purpose; how to recognize when your purposes are no longer served by academia; how to pursue scholarly purpose outside of an academic career; and when and how to fight back against the broken system which is higher education in the United States.
At times, one may wonder if the compromises are too great, the labor conditions untenable, or the barriers to doing meaningful work too high. This project aims to help you navigate these moments alone and in community through essays, exercises, and rituals.
You can download the workbook here.
Speakers:


Hannah Alpert-Abrams organizes the Visionary Futures Collective, and writes about labor, technology, and higher education.


Matt Cohen is a professor of English and scholar of Early American literature at the University of Nebraska, Lincoln.


Sonya Donaldson is a professor of English and scholar of Africana studies at New Jersey City University.


Quinn Dombrowski is an academic technology specialist and digital humanist at Stanford University.


Carter Hogan is a writer and new trans folk musician based in Austin, Texas.

Image: © 2022 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/22ed2e5a-3377-11ed-a715-63d72661b0f1/image/HTP_Finding_Your_Purpose_image.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion of Justice-Oriented Scholarship in an Unjust World</itunes:subtitle>
      <itunes:summary>This episode is the edited version of a live event held on June 17 2022 to celebrate the launch of Finding Your Purpose: a Higher Calling Workbook for Justice-Oriented Scholars in an Unjust World.
Higher Calling is a project for everyone who decided to become a scholar because they believed in the mission of higher education, and specifically, for everyone who saw participating in and working for higher education as a way to turn the pursuit of justice into a career. It aims to help you understand how to better align a career in academia with your sense of purpose; how to recognize when your purposes are no longer served by academia; how to pursue scholarly purpose outside of an academic career; and when and how to fight back against the broken system which is higher education in the United States.
At times, one may wonder if the compromises are too great, the labor conditions untenable, or the barriers to doing meaningful work too high. This project aims to help you navigate these moments alone and in community through essays, exercises, and rituals.
You can download the workbook here.
Speakers:


Hannah Alpert-Abrams organizes the Visionary Futures Collective, and writes about labor, technology, and higher education.


Matt Cohen is a professor of English and scholar of Early American literature at the University of Nebraska, Lincoln.


Sonya Donaldson is a professor of English and scholar of Africana studies at New Jersey City University.


Quinn Dombrowski is an academic technology specialist and digital humanist at Stanford University.


Carter Hogan is a writer and new trans folk musician based in Austin, Texas.

Image: © 2022 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode is the edited version of a live event held on June 17 2022 to celebrate the launch of <em>Finding Your Purpose: a Higher Calling Workbook for Justice-Oriented Scholars in an Unjust World.</em></p><p>Higher Calling is a project for everyone who decided to become a scholar because they believed in the mission of higher education, and specifically, for everyone who saw participating in and working for higher education as a way to turn the pursuit of justice into a career. It aims to help you understand how to better align a career in academia with your sense of purpose; how to recognize when your purposes are no longer served by academia; how to pursue scholarly purpose outside of an academic career; and when and how to fight back against the broken system which is higher education in the United States.</p><p>At times, one may wonder if the compromises are too great, the labor conditions untenable, or the barriers to doing meaningful work too high. This project aims to help you navigate these moments alone and in community through essays, exercises, and rituals.</p><p>You can download the workbook<a href="https://halperta.com/shalperta%20press/purpose/"> here</a>.</p><p>Speakers:</p><ul>
<li>
<a href="http://halperta.com/">Hannah Alpert-Abrams</a> organizes the <a href="https://visionary-futures-collective.github.io/">Visionary Futures Collective</a>, and writes about labor, technology, and higher education.</li>
<li>
<a href="https://www.unl.edu/english/matt-cohen">Matt Cohen</a> is a professor of English and scholar of Early American literature at the University of Nebraska, Lincoln.</li>
<li>
<a href="https://ach.org/blog/2021/09/17/portraits-in-dh-dr-sonya-donaldson/">Sonya Donaldson</a> is a professor of English and scholar of Africana studies at New Jersey City University.</li>
<li>
<a href="https://quinndombrowski.com/about/">Quinn Dombrowski</a> is an academic technology specialist and digital humanist at Stanford University.</li>
<li>
<a href="https://www.creekbedcarter.com/">Carter Hogan</a> is a writer and new trans folk musician based in Austin, Texas.</li>
</ul><p>Image: © 2022 Saronik Bosu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2682</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8554ecd6-3377-11ed-b351-03409ba19b8e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5033907445.mp3?updated=1663082684" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)</title>
      <description>Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.
What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.
Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.
Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places.

Kara Walker, A Subtlety, 2014

Manaf Halbouni, Monument, 2017

Warren Kanders controversy at the Whitney


Triple Chaser by Forensic Architecture

My conversations with and on Forensic Architecture


Wolfgang Tillmans and his anti-Brexit campaign


Ren Hang


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Gamso</itunes:subtitle>
      <itunes:summary>Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.
What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.
Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.
Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places.

Kara Walker, A Subtlety, 2014

Manaf Halbouni, Monument, 2017

Warren Kanders controversy at the Whitney


Triple Chaser by Forensic Architecture

My conversations with and on Forensic Architecture


Wolfgang Tillmans and his anti-Brexit campaign


Ren Hang


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781941332689"><em>Art After Liberalism</em></a><em> </em>(Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.</p><p>What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.</p><p>Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.</p><p><a href="https://www.nicholas-gamso.com/">Nicholas Gamso</a> is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at <a href="https://placesjournal.org/"><em>Places</em></a><em>.</em></p><ul>
<li><a href="https://creativetime.org/projects/karawalker/">Kara Walker, <em>A Subtlety</em>, 2014</a></li>
<li><a href="https://learngerman.dw.com/en/monument-to-aleppo-opens-to-protests-in-dresden/a-37445794">Manaf Halbouni, <em>Monument</em>, 2017</a></li>
<li><a href="https://www.nytimes.com/2019/07/25/arts/whitney-warren-kanders-resigns.html">Warren Kanders controversy at the Whitney</a></li>
<li>
<a href="https://forensic-architecture.org/investigation/triple-chaser"><em>Triple Chaser</em></a> by Forensic Architecture</li>
<li><a href="https://petitpoi.net/tag/forensic-architecture/">My conversations with and on <em>Forensic Architecture</em></a></li>
<li>
<a href="https://tillmans.co.uk/">Wolfgang Tillmans</a> and his <a href="https://tillmans.co.uk/campaign-eu">anti-Brexit campaign</a>
</li>
<li><a href="https://www.itsliquid.com/renhang-photography.html">Ren Hang</a></li>
</ul><p><br></p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5011</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4ed04534-2d28-11ed-8e3d-4f37b89b5f98]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8766252715.mp3?updated=1662390050" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Danielle J. Lindemann, "True Story: What Reality TV Says About Us" (FSG, 2022)</title>
      <description>Why is reality TV important? In True Story: What Reality TV Says About Us (FSG, 2022), Danielle J. Lindemann, an Associate Professor of Sociology at Lehigh University, uses a sociological lens to examine the meaning and role of reality TV in contemporary society. In doing so, the analysis demonstrates how reality TV reinforces often narrow and conservative stereotypes about families, gender, class, race, and sexuality. At the same time, the book shows how reality TV can offer representations for excluded communities and is not consumed uncritically by audiences, even as reality TV is reflective of broader social inequalities. Drawing on classical and contemporary sociological theories and frameworks, the book uses a huge range of examples, from some of the early reality TV classics, through the huge hits, to the niche and less well-known shows that both reflect and shape how life is shown on TV. The book is essential reading across the social sciences and arts and humanities, as well as for anyone interested in television!
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>312</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Danielle J. Lindemann</itunes:subtitle>
      <itunes:summary>Why is reality TV important? In True Story: What Reality TV Says About Us (FSG, 2022), Danielle J. Lindemann, an Associate Professor of Sociology at Lehigh University, uses a sociological lens to examine the meaning and role of reality TV in contemporary society. In doing so, the analysis demonstrates how reality TV reinforces often narrow and conservative stereotypes about families, gender, class, race, and sexuality. At the same time, the book shows how reality TV can offer representations for excluded communities and is not consumed uncritically by audiences, even as reality TV is reflective of broader social inequalities. Drawing on classical and contemporary sociological theories and frameworks, the book uses a huge range of examples, from some of the early reality TV classics, through the huge hits, to the niche and less well-known shows that both reflect and shape how life is shown on TV. The book is essential reading across the social sciences and arts and humanities, as well as for anyone interested in television!
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is reality TV important? In <a href="https://bookshop.org/a/12343/9780374279028"><em>True Story: What Reality TV Says About Us</em></a><em> </em>(FSG, 2022), <a href="https://twitter.com/djlindee">Danielle J. Lindemann</a>, an <a href="https://daniellelindemann.com/">Associate Professor of Sociology</a> at <a href="https://socanthro.cas.lehigh.edu/content/danielle-lindemann">Lehigh University</a>, uses a sociological lens to examine the meaning and role of reality TV in contemporary society. In doing so, the analysis demonstrates how reality TV reinforces often narrow and conservative stereotypes about families, gender, class, race, and sexuality. At the same time, the book shows how reality TV can offer representations for excluded communities and is not consumed uncritically by audiences, even as reality TV is reflective of broader social inequalities. Drawing on classical and contemporary sociological theories and frameworks, the book uses a huge range of examples, from some of the early reality TV classics, through the huge hits, to the niche and less well-known shows that both reflect and shape how life is shown on TV. The book is essential reading across the social sciences and arts and humanities, as well as for anyone interested in television!</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2dd8508c-2d2e-11ed-a8a5-8789e5a71cec]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1880726405.mp3?updated=1662393508" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pew Research Center: Analyzing the Evangelical Right</title>
      <description>You’ve seen hilarious videos of the evangelicals for Trump. You might be inclined to ignore them, mock their excesses, or dismiss their threat. But the evangelical right is a force to be reckoned with, even with Trump on his way out. So, who are these evangelicals? What do they believe?
For years, evangelicals have been plotting a political course, a far-right “theology” that includes Christian nationalism and spiritual warfare. It’s paying off. And we need to understand why it works, and for whom.
This is one of the first-ever episodes of Darts and Letters, originally released in late 2020. In it, you’ll hear the beginnings of one of our main subjects of study:the political philosophies of radical right-wing movements.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>You’ve seen hilarious videos of the evangelicals for Trump. You might be inclined to ignore them, mock their excesses, or dismiss their threat. But the evangelical right is a force to be reckoned with, even with Trump on his way out. So, who are these evangelicals? What do they believe?
For years, evangelicals have been plotting a political course, a far-right “theology” that includes Christian nationalism and spiritual warfare. It’s paying off. And we need to understand why it works, and for whom.
This is one of the first-ever episodes of Darts and Letters, originally released in late 2020. In it, you’ll hear the beginnings of one of our main subjects of study:the political philosophies of radical right-wing movements.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>You’ve seen hilarious videos of the evangelicals for Trump. You might be inclined to ignore them, mock their excesses, or dismiss their threat. But the evangelical right is a force to be reckoned with, even with Trump on his way out. So, who are these evangelicals? What do they believe?</p><p>For years, evangelicals have been plotting a political course, a far-right “theology” that includes Christian nationalism and spiritual warfare. It’s paying off. And we need to understand why it works, and for whom.</p><p>This is one of the first-ever episodes of Darts and Letters, originally released in late 2020. In it, you’ll hear the beginnings of one of our main subjects of study:the political philosophies of radical right-wing movements.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5715</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lorgia García Peña, "Translating Blackness: Latinx Colonialities in Global Perspective" (Duke UP, 2022)</title>
      <description>In Translating Blackness: Latinx Colonialities in Global Perspective (Duke University Press, 2022), Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.
Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lorgia García Peña</itunes:subtitle>
      <itunes:summary>In Translating Blackness: Latinx Colonialities in Global Perspective (Duke University Press, 2022), Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.
Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478016038"><em>Translating Blackness: Latinx Colonialities in Global Perspective</em></a><em> </em>(Duke University Press, 2022),<em> </em>Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force. Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, García Peña argues that Black Latinidad is a social, cultural, and political formation—rather than solely a site of identity—through which we can understand both oppression and resistance. She takes up the intellectual and political genealogy of Black Latinidad in the works of Frederick Douglass, Gregorio Luperón, and Arthur Schomburg. She also considers the lives of Black Latina women living in the diaspora, such as Black Dominicana guerrillas who migrated throughout the diaspora after the 1965 civil war and Black immigrant and second-generation women like Mercedes Frías and Milagros Guzmán organizing in Italy with other oppressed communities. In demonstrating that analyses of Black Latinidad must include Latinx people and cultures throughout the diaspora, García Peña shows how the vaivén—or, coming and going—at the heart of migrant life reveals that the nation is not a sufficient rubric from which to understand human lived experiences.</p><p><a href="https://www.linkedin.com/in/anna-lindner-b86a16a6/"><em>Anna E. Lindner</em></a><em> is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. </em><a href="https://twitter.com/annaeliselin"><em>On Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3221</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1317393981.mp3?updated=1662230171" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Twisted Science of Great Replacement Theory</title>
      <description>On May 14, 2022, a shooter opened fire in a supermarket in Buffalo, New York. Ten people were killed, an additional three injured.
The suspect in the Buffalo shooting had a manifesto, as mass shooters often do. However, this one was different. It was littered with references to peer-reviewed scientific research that, he purports, supports his white supremacist beliefs. It’s part of a broader far right subculture, with ‘journal clubs’ and the like, in which research is read closely and appropriated, says population geneticist Jed Carlson. What are scientists to make of it?
Plus, there’s a much wider intellectual history of race science and the right. Mitch Thompson of Press Progress details this ‘scholarly’ work, much of it CanCon, and how it undergirds conservative austerity politics.
On this episode of Darts and Letters, our producer Marc Apollonio takes over the mic to speak to Jed and Mitch about great replacement theory, race science, and right-wing thought.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On May 14, 2022, a shooter opened fire in a supermarket in Buffalo, New York. Ten people were killed, an additional three injured.
The suspect in the Buffalo shooting had a manifesto, as mass shooters often do. However, this one was different. It was littered with references to peer-reviewed scientific research that, he purports, supports his white supremacist beliefs. It’s part of a broader far right subculture, with ‘journal clubs’ and the like, in which research is read closely and appropriated, says population geneticist Jed Carlson. What are scientists to make of it?
Plus, there’s a much wider intellectual history of race science and the right. Mitch Thompson of Press Progress details this ‘scholarly’ work, much of it CanCon, and how it undergirds conservative austerity politics.
On this episode of Darts and Letters, our producer Marc Apollonio takes over the mic to speak to Jed and Mitch about great replacement theory, race science, and right-wing thought.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On May 14, 2022, a shooter opened fire in a supermarket in Buffalo, New York. Ten people were killed, an additional three injured.</p><p>The suspect in the Buffalo shooting had a manifesto, as mass shooters often do. However, this one was different. It was littered with references to peer-reviewed scientific research that, he purports, supports his white supremacist beliefs. It’s part of a broader far right subculture, with ‘journal clubs’ and the like, in which research is read closely and appropriated, says population geneticist Jed Carlson. What are scientists to make of it?</p><p>Plus, there’s a much wider intellectual history of race science and the right. Mitch Thompson of Press Progress details this ‘scholarly’ work, much of it CanCon, and how it undergirds conservative austerity politics.</p><p>On this episode of Darts and Letters, our producer Marc Apollonio takes over the mic to speak to Jed and Mitch about great replacement theory, race science, and right-wing thought.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2805</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3374821970.mp3?updated=1662212390" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adrian Little, "Temporal Politics: Contested Pasts, Uncertain Futures" (Edinburgh UP, 2022)</title>
      <description>In Temporal Politics: Contested Pasts, Uncertain Futures (Edinburgh UP, 2022), Adrian Little demonstrates how different conceptions of past, present and future contribute to the nature of political conflict in the world today. Reacting against narratives of political disillusionment and apathy, he focuses on how a new understanding of political temporality can inform our approach to political problems. He forms his argument around three major cases in which the nature of past, present and future is contested: Indigenous politics in settler colonies; the politics of bordering and migration; and debates over the future of democracy.
Little shows how to rethink ways in which we can act on intractable issues in politics beyond philosophical analysis. In doing so, he brings together a theory of temporality with a model of political action derived from process philosophy to reinvigorate temporal understandings of the problems that political actors face.
Prof. Adrian Little is Pro Vice-Chancellor at the University of Melbourne.   
Gargi Binju is a researcher at the University of Tübingen.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>311</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrian Little</itunes:subtitle>
      <itunes:summary>In Temporal Politics: Contested Pasts, Uncertain Futures (Edinburgh UP, 2022), Adrian Little demonstrates how different conceptions of past, present and future contribute to the nature of political conflict in the world today. Reacting against narratives of political disillusionment and apathy, he focuses on how a new understanding of political temporality can inform our approach to political problems. He forms his argument around three major cases in which the nature of past, present and future is contested: Indigenous politics in settler colonies; the politics of bordering and migration; and debates over the future of democracy.
Little shows how to rethink ways in which we can act on intractable issues in politics beyond philosophical analysis. In doing so, he brings together a theory of temporality with a model of political action derived from process philosophy to reinvigorate temporal understandings of the problems that political actors face.
Prof. Adrian Little is Pro Vice-Chancellor at the University of Melbourne.   
Gargi Binju is a researcher at the University of Tübingen.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781399504645"><em>Temporal Politics: Contested Pasts, Uncertain Futures</em></a> (Edinburgh UP, 2022), Adrian Little demonstrates how different conceptions of past, present and future contribute to the nature of political conflict in the world today. Reacting against narratives of political disillusionment and apathy, he focuses on how a new understanding of political temporality can inform our approach to political problems. He forms his argument around three major cases in which the nature of past, present and future is contested: Indigenous politics in settler colonies; the politics of bordering and migration; and debates over the future of democracy.</p><p>Little shows how to rethink ways in which we can act on intractable issues in politics beyond philosophical analysis. In doing so, he brings together a theory of temporality with a model of political action derived from process philosophy to reinvigorate temporal understandings of the problems that political actors face.</p><p>Prof. Adrian Little is Pro Vice-Chancellor at the University of Melbourne.   </p><p><em>Gargi Binju is a researcher at the University of Tübingen.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2352</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[823b3a08-2bbd-11ed-871d-d7ea870ea7a0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8576935845.mp3?updated=1662233492" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neoliberalism</title>
      <description>In this episode, Troy Vettese talks with us about neoliberalism. It turns out the neoliberals aren’t actually a secret cabal of dastardly villains, but a group of right wing public intellectuals who want to be taken seriously by the academic establishment, and who have been remarkably successful in reshaping the world in their image.
In the episode, Troy references the work of Quinn Slobodian, Philip Mirowski, and Dieter Plehwe on the history of neoliberalism. They have written a book together on the Nine Lives of Neoliberalism (Verso, 2020). He also points out that the Mont Pelerin Society, the “secret society” of the neoliberals, which isn’t so secret at all, has a website: www.montpelerin.org
Troy recently co-authored a book with Drew Pendergrass called Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). They also made a game, in collaboration with some super cool game designers, where you can make your own plan to avoid ecological catastrophe. You can find it at play.half.earth.
Eco-Marxists are a rare breed. Troy Vettese is an environmental historian, who writes about animal studies and energy history in addition to penning proposals to save the world. He received his PhD in 2019 from NYU and is currently a Max Weber Postdoctoral Fellow at the European University Institute. He also has very curly hair.
This episode’s image is a diagram in ISOTYPE, a picture language popularized by a socialist planner named Otto Neurath, who appears in the book and the episode. It is taken from a statistical world atlas made by Neurath, held by the David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries, and available in a digital form through archive.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a28e4c40-2dee-11ed-bdcd-df773059479d/image/HighTheory_NeoliberalismImage.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Conversation with Troy Vettese</itunes:subtitle>
      <itunes:summary>In this episode, Troy Vettese talks with us about neoliberalism. It turns out the neoliberals aren’t actually a secret cabal of dastardly villains, but a group of right wing public intellectuals who want to be taken seriously by the academic establishment, and who have been remarkably successful in reshaping the world in their image.
In the episode, Troy references the work of Quinn Slobodian, Philip Mirowski, and Dieter Plehwe on the history of neoliberalism. They have written a book together on the Nine Lives of Neoliberalism (Verso, 2020). He also points out that the Mont Pelerin Society, the “secret society” of the neoliberals, which isn’t so secret at all, has a website: www.montpelerin.org
Troy recently co-authored a book with Drew Pendergrass called Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). They also made a game, in collaboration with some super cool game designers, where you can make your own plan to avoid ecological catastrophe. You can find it at play.half.earth.
Eco-Marxists are a rare breed. Troy Vettese is an environmental historian, who writes about animal studies and energy history in addition to penning proposals to save the world. He received his PhD in 2019 from NYU and is currently a Max Weber Postdoctoral Fellow at the European University Institute. He also has very curly hair.
This episode’s image is a diagram in ISOTYPE, a picture language popularized by a socialist planner named Otto Neurath, who appears in the book and the episode. It is taken from a statistical world atlas made by Neurath, held by the David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries, and available in a digital form through archive.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Troy Vettese talks with us about neoliberalism. It turns out the neoliberals aren’t actually a secret cabal of dastardly villains, but a group of right wing public intellectuals who want to be taken seriously by the academic establishment, and who have been remarkably successful in reshaping the world in their image.</p><p>In the episode, Troy references the work of <a href="https://www.wellesley.edu/history/faculty/slobodian">Quinn Slobodian</a>, <a href="https://reilly.nd.edu/people/faculty/philip-mirowski/">Philip Mirowski</a>, and <a href="https://www.wzb.eu/en/persons/dieter-plehwe">Dieter Plehwe</a> on the history of neoliberalism. They have written a book together on the <a href="https://www.versobooks.com/books/3075-nine-lives-of-neoliberalism"><em>Nine Lives of Neoliberalism</em></a> (Verso, 2020). He also points out that the Mont Pelerin Society, the “secret society” of the neoliberals, which isn’t so secret at all, has a website: <a href="https://www.montpelerin.org/">www.montpelerin.org</a></p><p>Troy recently co-authored a book with <a href="http://www.drewpendergrass.com/">Drew Pendergrass</a> called <a href="https://www.versobooks.com/books/3818-half-earth-socialism"><em>Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics</em></a> (Verso, 2022). They also made a game, in collaboration with some super cool game designers, where you can make your own plan to avoid ecological catastrophe. You can find it at <a href="https://play.half.earth/">play.half.earth</a>.</p><p>Eco-Marxists are a rare breed. <a href="https://www.eui.eu/people?id=troy-vettese">Troy Vettese</a> is an environmental historian, who writes about animal studies and energy history in addition to penning proposals to save the world. He received his PhD in 2019 from NYU and is currently a Max Weber Postdoctoral Fellow at the European University Institute. He also has very curly hair.</p><p>This episode’s image is a diagram in <a href="https://en.wikipedia.org/wiki/Isotype_(picture_language)">ISOTYPE</a>, a picture language popularized by a socialist planner named Otto Neurath, who appears in the book and the episode. It is taken from a statistical world atlas made by Neurath, held by the David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries, and available in a digital form through <a href="https://archive.org/details/dr_wohndichte-in-grostdten--einige-weltstdte-die-deutschen-grostdte-ber-14080075">archive.org</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1240</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a28e4c40-2dee-11ed-bdcd-df773059479d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6188523527.mp3?updated=1662473929" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Liz Bucar, "Stealing My Religion: Not Just Any Cultural Appropriation" (Harvard UP, 2022)</title>
      <description>Liz Bucar is the Director of Sacred Writes, Professor of Religion, and Dean’s Leadership Fellow at Northeastern University. Bucar is an expert in comparative religious ethics who has published on topics ranging from gender reassignment surgery to the global politics of modest clothing. Bucar’s current book, Stealing My Religion: Not Just Any Cultural Appropriation (Harvard University Press, 2022), is on the ethics of religious appropriation. She is also the author of award-winning Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017). Bucar’s public scholarship includes bylines in The Atlantic, The Los Angeles Times, Teen Vogue, and Zocalo Public Square as well as several podcasts. She has a PhD in religious ethics from the University of Chicago’s Divinity School. Follow her on Twitter @BucarLiz.
You can find an NBN podcast with Bucar talking about Pious Fashion here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>244</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Liz Bucar is the Director of Sacred Writes, Professor of Religion, and Dean’s Leadership Fellow at Northeastern University. Bucar is an expert in comparative religious ethics who has published on topics ranging from gender reassignment surgery to the global politics of modest clothing. Bucar’s current book, Stealing My Religion: Not Just Any Cultural Appropriation (Harvard University Press, 2022), is on the ethics of religious appropriation. She is also the author of award-winning Pious Fashion: How Muslim Women Dress (Harvard University Press, 2017). Bucar’s public scholarship includes bylines in The Atlantic, The Los Angeles Times, Teen Vogue, and Zocalo Public Square as well as several podcasts. She has a PhD in religious ethics from the University of Chicago’s Divinity School. Follow her on Twitter @BucarLiz.
You can find an NBN podcast with Bucar talking about Pious Fashion here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.lizbucar.com/">Liz Bucar</a> is the Director of Sacred Writes, Professor of Religion, and Dean’s Leadership Fellow at Northeastern University. Bucar is an expert in comparative religious ethics who has published on topics ranging from gender reassignment surgery to the global politics of modest clothing. Bucar’s current book, <a href="https://bookshop.org/a/12343/9780674987036"><em>Stealing My Religion: Not Just Any Cultural Appropriation</em></a> (Harvard University Press, 2022), is on the ethics of religious appropriation. She is also the author of award-winning <a href="https://bucar.hcommons.org/pious-fashion/"><em>Pious Fashion: How Muslim Women Dress </em></a>(Harvard University Press, 2017). Bucar’s public scholarship includes bylines in <a href="https://www.theatlantic.com/international/archive/2018/02/muslim-women-fashion-political-influence/550256/"><em>The Atlantic</em></a><em>, </em><a href="http://www.latimes.com/opinion/op-ed/la-oe-bucar-muslim-fashion-20171001-story.html"><em>The Los Angeles Times</em></a>, <a href="https://www.teenvogue.com/contributor/liz-bucar"><em>Teen Vogue</em></a>, and <a href="http://www.zocalopublicsquare.org/2018/02/14/iranian-women-turn-pious-fashion-radar-dissent/ideas/essay/"><em>Zocalo Public Square</em></a> as well as several <a href="https://bucar.hcommons.org/listen/">podcasts</a>. She has a PhD in religious ethics from the University of Chicago’s Divinity School. Follow her on Twitter <a href="https://twitter.com/bucarliz?lang=en">@BucarLiz</a>.</p><p>You can find an NBN podcast with Bucar talking about Pious Fashion <a href="https://newbooksnetwork.com/141-on-pious-fashion-and-muslim-women#entry:133672@1:url">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2680</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4e306cfa-24ac-11ed-9f13-178e8fb77bfc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7264722750.mp3?updated=1661456350" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erin James, "Narrative in the Anthropocene"  (Ohio State UP, 2022)</title>
      <description>In Narrative in the Anthropocene (Ohio State UP, 2022), Erin James poses two complementary questions: What can narrative teach us about our current geological epoch, defined and marked by the irrevocable activity of humans on the Earth’s geology and ecosystems? and What can our current geological epoch teach us about narrative? Drawing from a wide range of sources—including Jane Austen’s Mansfield Park,Maria Popova’s collective biography Figuring, Richard McGuire’s graphic novel Here,Indigenous and Afrofuturist speculative fiction, and more—James argues that a richer understanding of the forms and functions of narrative in the Anthropocene provides us with invaluable insight into how stories shape our world. At the same time, she contends that the Anthropocene alters the very nature of narrative. Throughout her exploration of these themes, James lays the groundwork for an “Anthropocene narrative theory,” introducing new modes of reading narrative in the Anthropocene; new categories of narrative time, space, narration, and narrativity; and a new definition of narrative itself as a cognitive and rhetorical tool for purposeful worldbuilding.
Prof. Erin James teaches world literatures in English, Critical Theory and literatures of the Climate Crisis at the University of Idaho.
Gargi Binju is a researcher at the University of Tübingen.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 05 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erin James</itunes:subtitle>
      <itunes:summary>In Narrative in the Anthropocene (Ohio State UP, 2022), Erin James poses two complementary questions: What can narrative teach us about our current geological epoch, defined and marked by the irrevocable activity of humans on the Earth’s geology and ecosystems? and What can our current geological epoch teach us about narrative? Drawing from a wide range of sources—including Jane Austen’s Mansfield Park,Maria Popova’s collective biography Figuring, Richard McGuire’s graphic novel Here,Indigenous and Afrofuturist speculative fiction, and more—James argues that a richer understanding of the forms and functions of narrative in the Anthropocene provides us with invaluable insight into how stories shape our world. At the same time, she contends that the Anthropocene alters the very nature of narrative. Throughout her exploration of these themes, James lays the groundwork for an “Anthropocene narrative theory,” introducing new modes of reading narrative in the Anthropocene; new categories of narrative time, space, narration, and narrativity; and a new definition of narrative itself as a cognitive and rhetorical tool for purposeful worldbuilding.
Prof. Erin James teaches world literatures in English, Critical Theory and literatures of the Climate Crisis at the University of Idaho.
Gargi Binju is a researcher at the University of Tübingen.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780814215074"><em>Narrative in the Anthropocene</em></a><em> </em>(Ohio State UP, 2022)<em>,</em> Erin James poses two complementary questions: What can narrative teach us about our current geological epoch, defined and marked by the irrevocable activity of humans on the Earth’s geology and ecosystems? and What can our current geological epoch teach us about narrative? Drawing from a wide range of sources—including Jane Austen’s <em>Mansfield Park,</em>Maria Popova’s collective biography <em>Figuring,</em> Richard McGuire’s graphic novel <em>Here,</em>Indigenous and Afrofuturist speculative fiction, and more—James argues that a richer understanding of the forms and functions of narrative in the Anthropocene provides us with invaluable insight into how stories shape our world. At the same time, she contends that the Anthropocene alters the very nature of narrative. Throughout her exploration of these themes, James lays the groundwork for an “Anthropocene narrative theory,” introducing new modes of reading narrative in the Anthropocene; new categories of narrative time, space, narration, and narrativity; and a new definition of narrative itself as a cognitive and rhetorical tool for purposeful worldbuilding.</p><p>Prof. Erin James teaches world literatures in English, Critical Theory and literatures of the Climate Crisis at the University of Idaho.</p><p><em>Gargi Binju is a researcher at the University of Tübingen.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2548</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[98ea0f56-2bbb-11ed-96fd-eb7b07756336]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6414765048.mp3?updated=1662233158" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul A. Silverstein, "Postcolonial France: The Question of Race and the Future of the Republic" (Pluto Press, 2018)</title>
      <description>France is a bellwether for the postcolonial anxieties and populist politics emerging across the world today. Postcolonial France: The Question of Race and the Future of the Republic (Pluto Press, 2018) explores the dynamics and dilemmas of the present moment of crisis and hope in France, through an exploration of recent moral panics.
Taking stock of the tensions as they have emerged over the last quarter of a century, Paul Silverstein looks at urban racial violence, female Islamic dress and male public prayer, anti-system gangster rap, and sporting performances in and around which debates over France's multicultural future have arisen. It traces these conflicts to the unresolved tensions of an imperial project, the present-day effects of which are still felt by many.
Despite the barriers, which include neo-nationalist racism and Islamophobia, French citizens of various backgrounds have found ways to build flourishing lives. Silverstein shows how they have responded to urban marginalisation, police violence and institutional discrimination in remarkably creative ways.
Paul Silverstein is Professor of Anthropology at Reed College, USA. He is author of Postcolonial France (Pluto, 2018) and Algeria in France: Transpolitics, Race and Nation (Indiana UP, 2004). He writes on identity politics, postcoloniality, and diasporic popular culture in France and North Africa.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul A. Silverstein</itunes:subtitle>
      <itunes:summary>France is a bellwether for the postcolonial anxieties and populist politics emerging across the world today. Postcolonial France: The Question of Race and the Future of the Republic (Pluto Press, 2018) explores the dynamics and dilemmas of the present moment of crisis and hope in France, through an exploration of recent moral panics.
Taking stock of the tensions as they have emerged over the last quarter of a century, Paul Silverstein looks at urban racial violence, female Islamic dress and male public prayer, anti-system gangster rap, and sporting performances in and around which debates over France's multicultural future have arisen. It traces these conflicts to the unresolved tensions of an imperial project, the present-day effects of which are still felt by many.
Despite the barriers, which include neo-nationalist racism and Islamophobia, French citizens of various backgrounds have found ways to build flourishing lives. Silverstein shows how they have responded to urban marginalisation, police violence and institutional discrimination in remarkably creative ways.
Paul Silverstein is Professor of Anthropology at Reed College, USA. He is author of Postcolonial France (Pluto, 2018) and Algeria in France: Transpolitics, Race and Nation (Indiana UP, 2004). He writes on identity politics, postcoloniality, and diasporic popular culture in France and North Africa.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>France is a bellwether for the postcolonial anxieties and populist politics emerging across the world today. <a href="https://bookshop.org/a/12343/9780745337746"><em>Postcolonial France: The Question of Race and the Future of the Republic</em></a> (Pluto Press, 2018) explores the dynamics and dilemmas of the present moment of crisis and hope in France, through an exploration of recent moral panics.</p><p>Taking stock of the tensions as they have emerged over the last quarter of a century, Paul Silverstein looks at urban racial violence, female Islamic dress and male public prayer, anti-system gangster rap, and sporting performances in and around which debates over France's multicultural future have arisen. It traces these conflicts to the unresolved tensions of an imperial project, the present-day effects of which are still felt by many.</p><p>Despite the barriers, which include neo-nationalist racism and Islamophobia, French citizens of various backgrounds have found ways to build flourishing lives. Silverstein shows how they have responded to urban marginalisation, police violence and institutional discrimination in remarkably creative ways.</p><p>Paul Silverstein is Professor of Anthropology at Reed College, USA. He is author of <em>Postcolonial France</em> (Pluto, 2018) and <em>Algeria in France: Transpolitics, Race and Nation</em> (Indiana UP, 2004). He writes on identity politics, postcoloniality, and diasporic popular culture in France and North Africa.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4420</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6428128909.mp3?updated=1661458146" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philipp Felsch, "The Summer of Theory: History of a Rebellion, 1960-1990" (Polity Press, 2021)</title>
      <description>'Theory' - a magical glow has emanated from this word since the sixties. Theory was more than just a succession of ideas: it was an article of faith, a claim to truth, a lifestyle. It spread among its adherents in cheap paperbacks and triggered heated debates in seminar rooms and cafés. The Frankfurt School, Structuralism, Post-Structuralism, Adorno, Derrida, Foucault: these and others were the exotic schools and thinkers whose ideas were being devoured by young minds. But where did the fascination for dangerous thoughts come from?
In The Summer of Theory: History of a Rebellion, 1960-1990 (Polity Press, 2021), Philipp Felsch follows the hopes and dreams of a generation that entered the jungle of difficult texts. His setting is West Germany in the decades from the 1960s to the 1990s: in a world frozen in the Cold War, movement only came from big ideas. It was the time of apocalyptic master thinkers, upsetting reading experiences and glamorous incomprehensibility. As the German publisher Suhrkamp published Adorno's Minima Moralia and other High Theory works of the Frankfurt School, a small publisher in West Berlin, Merve Verlag, provided readers with a steady stream of the subversive new theory coming out of France.
By following the adventures of the publishers who provided the books and the reading communities that consumed and debated them, Philipp Felsch tells the remarkable story of an intellectual revolt when the German Left fell in love with Theory.
Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 01 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>147</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philipp Felsch</itunes:subtitle>
      <itunes:summary>'Theory' - a magical glow has emanated from this word since the sixties. Theory was more than just a succession of ideas: it was an article of faith, a claim to truth, a lifestyle. It spread among its adherents in cheap paperbacks and triggered heated debates in seminar rooms and cafés. The Frankfurt School, Structuralism, Post-Structuralism, Adorno, Derrida, Foucault: these and others were the exotic schools and thinkers whose ideas were being devoured by young minds. But where did the fascination for dangerous thoughts come from?
In The Summer of Theory: History of a Rebellion, 1960-1990 (Polity Press, 2021), Philipp Felsch follows the hopes and dreams of a generation that entered the jungle of difficult texts. His setting is West Germany in the decades from the 1960s to the 1990s: in a world frozen in the Cold War, movement only came from big ideas. It was the time of apocalyptic master thinkers, upsetting reading experiences and glamorous incomprehensibility. As the German publisher Suhrkamp published Adorno's Minima Moralia and other High Theory works of the Frankfurt School, a small publisher in West Berlin, Merve Verlag, provided readers with a steady stream of the subversive new theory coming out of France.
By following the adventures of the publishers who provided the books and the reading communities that consumed and debated them, Philipp Felsch tells the remarkable story of an intellectual revolt when the German Left fell in love with Theory.
Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>'Theory' - a magical glow has emanated from this word since the sixties. Theory was more than just a succession of ideas: it was an article of faith, a claim to truth, a lifestyle. It spread among its adherents in cheap paperbacks and triggered heated debates in seminar rooms and cafés. The Frankfurt School, Structuralism, Post-Structuralism, Adorno, Derrida, Foucault: these and others were the exotic schools and thinkers whose ideas were being devoured by young minds. But where did the fascination for dangerous thoughts come from?</p><p>In <a href="https://bookshop.org/a/12343/9781509539857"><em>The Summer of Theory: History of a Rebellion, 1960-1990</em></a><em> </em>(Polity Press, 2021), Philipp Felsch follows the hopes and dreams of a generation that entered the jungle of difficult texts. His setting is West Germany in the decades from the 1960s to the 1990s: in a world frozen in the Cold War, movement only came from big ideas. It was the time of apocalyptic master thinkers, upsetting reading experiences and glamorous incomprehensibility. As the German publisher Suhrkamp published Adorno's Minima Moralia and other High Theory works of the Frankfurt School, a small publisher in West Berlin, Merve Verlag, provided readers with a steady stream of the subversive new theory coming out of France.</p><p>By following the adventures of the publishers who provided the books and the reading communities that consumed and debated them, Philipp Felsch tells the remarkable story of an intellectual revolt when the German Left fell in love with Theory.</p><p><a href="https://independent.academia.edu/KirkMeighoo"><em>Kirk Meighoo</em></a><em> is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3669</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[40a460f2-231a-11ed-bea9-67e283c78691]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2490287290.mp3?updated=1661283105" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anthony Downey, "Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)" (Sternberg Press, 2020)</title>
      <description>In 2008, the artist Renzo Martens released his controversial film Episode 3: Enjoy Poverty filmed in the Democratic Republic of Congo. The film portrayed the artist as a colonial explorer travelling around the Congo’s plantations with the naiveté of the cartoon character Tintin. Martens encounters poverty, hunger, and abuse, all the while narrating the way in which these experiences enrich him as a western observer.
In a manner now familiar in mainstream critical culture, the film was labelled as 'problematic'. Martens’ work and method were critiqued widely by an array of commentators. Some have changed their mind in light of Martens’ further work. Others - and I know this from speaking with an editor of a prominent art magazine - won’t come anywhere near it even twelve years on "for fear of inadvertently promoting the Martens' practice".
Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty) (Sternberg Press, 2020), a volume edited by Anthony Downey brings together a range of responses to Enjoy Poverty, some dating from 2008, others more recent. It contains essays by the likes of Dan Fox, Ana Teixeira Pinto, Artur Zmijewski, TJ Demos, JJ Charlesworth, Ariella Aisha Azoulay, JA Koster, and Gregory Sholette. The book explores the limits of artistic practice as critique, challenging both Martens and the writers.
Because it would be impossible to speak to them and because I already interviewed Anthony Downy not long ago, I invited Renzo Martens, the subject of the book and its critiques to join me.

Watch Episode III: Enjoy Poverty


Institute of Human Activities

The Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC)

CATPC at Sculpture Center


Article in The New Yorker


The Balot NFT


My interview with Anthony Downey


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 01 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anthony Downey</itunes:subtitle>
      <itunes:summary>In 2008, the artist Renzo Martens released his controversial film Episode 3: Enjoy Poverty filmed in the Democratic Republic of Congo. The film portrayed the artist as a colonial explorer travelling around the Congo’s plantations with the naiveté of the cartoon character Tintin. Martens encounters poverty, hunger, and abuse, all the while narrating the way in which these experiences enrich him as a western observer.
In a manner now familiar in mainstream critical culture, the film was labelled as 'problematic'. Martens’ work and method were critiqued widely by an array of commentators. Some have changed their mind in light of Martens’ further work. Others - and I know this from speaking with an editor of a prominent art magazine - won’t come anywhere near it even twelve years on "for fear of inadvertently promoting the Martens' practice".
Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty) (Sternberg Press, 2020), a volume edited by Anthony Downey brings together a range of responses to Enjoy Poverty, some dating from 2008, others more recent. It contains essays by the likes of Dan Fox, Ana Teixeira Pinto, Artur Zmijewski, TJ Demos, JJ Charlesworth, Ariella Aisha Azoulay, JA Koster, and Gregory Sholette. The book explores the limits of artistic practice as critique, challenging both Martens and the writers.
Because it would be impossible to speak to them and because I already interviewed Anthony Downy not long ago, I invited Renzo Martens, the subject of the book and its critiques to join me.

Watch Episode III: Enjoy Poverty


Institute of Human Activities

The Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC)

CATPC at Sculpture Center


Article in The New Yorker


The Balot NFT


My interview with Anthony Downey


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2008, the artist Renzo Martens released his controversial film <em>Episode 3: Enjoy Poverty</em> filmed in the Democratic Republic of Congo. The film portrayed the artist as a colonial explorer travelling around the Congo’s plantations with the naiveté of the cartoon character Tintin. Martens encounters poverty, hunger, and abuse, all the while narrating the way in which these experiences enrich him as a western observer.</p><p>In a manner now familiar in mainstream critical culture, the film was labelled as 'problematic'. Martens’ work and method were critiqued widely by an array of commentators. Some have changed their mind in light of Martens’ further work. Others - and I know this from speaking with an editor of a prominent art magazine - won’t come anywhere near it even twelve years on "for fear of inadvertently promoting the Martens' practice".</p><p><a href="https://bookshop.org/a/12343/9783956795053"><em>Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)</em></a><em> </em>(Sternberg Press, 2020), a volume edited by Anthony Downey brings together a range of responses to <em>Enjoy Poverty</em>, some dating from 2008, others more recent. It contains essays by the likes of Dan Fox, Ana Teixeira Pinto, Artur Zmijewski, TJ Demos, <a href="http://www.jjcharlesworth.com/">JJ Charlesworth</a>, Ariella Aisha Azoulay, JA Koster, and Gregory Sholette. The book explores the limits of artistic practice as critique, challenging both Martens and the writers.</p><p>Because it would be impossible to speak to them and because I already interviewed Anthony Downy not long ago, I invited Renzo Martens, the subject of the book and its critiques to join me.</p><ul>
<li>Watch <a href="http://video.enjoypoverty.com/"><em>Episode III: Enjoy Poverty</em></a>
</li>
<li><a href="https://www.humanactivities.org/en/">Institute of Human Activities</a></li>
<li><a href="https://catpc.org/">The Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC)</a></li>
<li>CATPC at <a href="https://www.sculpture-center.org/exhibitions/3421/cercle-d-art-des-travailleurs-de-plantation-congolaise-congolese-plantation-workers-art-league">Sculpture<em> Center</em></a>
</li>
<li>Article in <a href="https://www.newyorker.com/magazine/2022/07/25/can-an-artists-collective-in-africa-repair-a-colonial-legacy">The New Yorker</a>
</li>
<li>The <a href="https://balot.org/">Balot NFT</a>
</li>
<li><a href="https://newbooksnetwork.com/heba-y-amin-the-generals-stork-sternberg-press-2020#entry:56205@1:url">My interview with Anthony Downey</a></li>
</ul><p><br></p><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4959</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6430796413.mp3?updated=1661543795" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leslie Kern, "Gentrification is Inevitable and Other Lies" (Verso, 2022)</title>
      <description>What does gentrification look like? Can we even agree that it is a process that replaces one community with another? It is a question of class? Or of economic opportunity? Who does it affect the most? Is there any way to combat it? In Gentrification is Inevitable and Other Lies (Verso, 2022), Leslie Kern travels from Toronto, New York, London, Paris, and San Francisco and scrutinises the myth and lies that surround this most urgent urban crisis of our times.
First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, this devastating process of displacement now can be found in every city and most neighbourhoods. Beyond the Yoga studio, farmer’s market and tattoo parlour, gentrification is more than a metaphor, but impacts the most vulnerable communities. Kern proposes an intersectional way of looking at the crisis that seek to reveal the violence based on class, race, gender, and sexuality. She argues that gentrification is not natural. That it cannot be understood in economic terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is a continuation of the settler colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing, and broken communities.
But if gentrification is not inevitable, what can we do to stop the tide? In response, Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>310</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leslie Kern</itunes:subtitle>
      <itunes:summary>What does gentrification look like? Can we even agree that it is a process that replaces one community with another? It is a question of class? Or of economic opportunity? Who does it affect the most? Is there any way to combat it? In Gentrification is Inevitable and Other Lies (Verso, 2022), Leslie Kern travels from Toronto, New York, London, Paris, and San Francisco and scrutinises the myth and lies that surround this most urgent urban crisis of our times.
First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, this devastating process of displacement now can be found in every city and most neighbourhoods. Beyond the Yoga studio, farmer’s market and tattoo parlour, gentrification is more than a metaphor, but impacts the most vulnerable communities. Kern proposes an intersectional way of looking at the crisis that seek to reveal the violence based on class, race, gender, and sexuality. She argues that gentrification is not natural. That it cannot be understood in economic terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is a continuation of the settler colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing, and broken communities.
But if gentrification is not inevitable, what can we do to stop the tide? In response, Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does gentrification look like? Can we even agree that it is a process that replaces one community with another? It is a question of class? Or of economic opportunity? Who does it affect the most? Is there any way to combat it? In <a href="https://bookshop.org/a/12343/9781839767548"><em>Gentrification is Inevitable and Other Lies</em></a><em> </em>(Verso, 2022), Leslie Kern travels from Toronto, New York, London, Paris, and San Francisco and scrutinises the myth and lies that surround this most urgent urban crisis of our times.</p><p>First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, this devastating process of displacement now can be found in every city and most neighbourhoods. Beyond the Yoga studio, farmer’s market and tattoo parlour, gentrification is more than a metaphor, but impacts the most vulnerable communities. Kern proposes an intersectional way of looking at the crisis that seek to reveal the violence based on class, race, gender, and sexuality. She argues that gentrification is not natural. That it cannot be understood in economic terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is a continuation of the settler colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing, and broken communities.</p><p>But if gentrification is not inevitable, what can we do to stop the tide? In response, Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3029</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[da9eb1bc-23d8-11ed-965a-ab701ef4aabe]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7415680287.mp3?updated=1661365702" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Property Technology</title>
      <description>In this episode of High Theory, Erin McElroy talks with Nathan Kim about Property Technology. This is the first episode in the High Theory in STEM series, that tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective.
Not only is “property technology” a term for digital tools and other methods used by landlords to track and dispossess tenants, but property itself is a technology. In the episode, Nathan references Erin’s article “Property as Technology,” in which they write that "property itself has long served as a technology of racial dispossession, constituting a palimpsest for the contemporary gentrifying moment." You can read the whole article here: McElroy, Erin. "Property as technology: temporal entanglements of race, space, and displacement." City 24, no. 1-2 (2020): 112-129. &lt;https://www.tandfonline.com/doi/abs/10.1080/13604813.2020.1739910&gt;
Erin McElroy is an assistant professor in American Studies at UT Austin, a co-founder of the Anti-Eviction Mapping Project, and an editor of the Radical Housing Journal. They are fighting the good fight. We hope you do too.
This week’s image was made by Saronik Bosu for this episode.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/f742534c-2873-11ed-b44a-cb2d3c6c44d6/image/PropertyTechnology.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Erin McElroy and Nathan Kim</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Erin McElroy talks with Nathan Kim about Property Technology. This is the first episode in the High Theory in STEM series, that tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective.
Not only is “property technology” a term for digital tools and other methods used by landlords to track and dispossess tenants, but property itself is a technology. In the episode, Nathan references Erin’s article “Property as Technology,” in which they write that "property itself has long served as a technology of racial dispossession, constituting a palimpsest for the contemporary gentrifying moment." You can read the whole article here: McElroy, Erin. "Property as technology: temporal entanglements of race, space, and displacement." City 24, no. 1-2 (2020): 112-129. &lt;https://www.tandfonline.com/doi/abs/10.1080/13604813.2020.1739910&gt;
Erin McElroy is an assistant professor in American Studies at UT Austin, a co-founder of the Anti-Eviction Mapping Project, and an editor of the Radical Housing Journal. They are fighting the good fight. We hope you do too.
This week’s image was made by Saronik Bosu for this episode.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Erin McElroy talks with Nathan Kim about Property Technology. This is the first episode in the High Theory in STEM series, that tackles topics in science, technology, engineering, and medicine from a highly theoretical perspective.</p><p>Not only is “property technology” a term for digital tools and other methods used by landlords to track and dispossess tenants, but property itself is a technology. In the episode, Nathan references Erin’s article “Property as Technology,” in which they write that "property itself has long served as a technology of racial dispossession, constituting a palimpsest for the contemporary gentrifying moment." You can read the whole article here: McElroy, Erin. "<a href="https://www.tandfonline.com/doi/abs/10.1080/13604813.2020.1739910">Property as technology: temporal entanglements of race, space, and displacement</a>." <em>City</em> 24, no. 1-2 (2020): 112-129. &lt;<a href="https://www.tandfonline.com/doi/abs/10.1080/13604813.2020.1739910">https://www.tandfonline.com/doi/abs/10.1080/13604813.2020.1739910</a>&gt;</p><p><a href="https://unequalcities.org/erin-mcelroy/">Erin McElroy</a> is an assistant professor in American Studies at UT Austin, a co-founder of the <a href="https://antievictionmap.com/">Anti-Eviction Mapping Project</a>, and an editor of the <a href="https://radicalhousingjournal.org/"><em>Radical Housing Journal</em></a>. They are fighting the good fight. We hope you do too.</p><p>This week’s image was made by Saronik Bosu for this episode.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f742534c-2873-11ed-b44a-cb2d3c6c44d6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3030012868.mp3?updated=1661871475" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Jill Fellows and Lisa Smith, "Gender, Sex, and Tech!: An Intersectional Feminist Guide" (Canadian Scholars, 2022)</title>
      <description>In this timely collection, gender, sex, and technology are explored through an intersectional and interdisciplinary lens. Gender, Sex, and Tech!: An Intersectional Feminist Guide (Canadian Scholars, 2022) provides insight into the ways that technology affects, and is affected by, cultural perceptions of gender and sex. Through an examination of a range of past and present issues, the text highlights our relationships to technology and illustrates how gendered relations are shaped and transformed through social and technological innovations. Contributors bring to the fore feminist, decolonizing, and anti-racist methods to examine our everyday uses of technology, from the mundane to the surreal to the playful to the devastating. Original research and scholarship is skillfully grounded in real-world scenarios like revenge pornography, gender bias in artificial intelligence, menstrual tracking, online dating, and the COVID-19 pandemic, inviting students to take a closer look at technological transformations and their impact on gendered lived experience and to consider how the benefits of technology are inequitably shared within society. Centring Canadian scholars and Canadian perspectives without losing sight of the broader global connection, Gender, Sex, and Tech! is bursting with timely and of-the-moment content, making this collection a must-read for courses focused on gender and technology.
Dr. Iqra Shagufta Cheema writes and teaches about transnational feminisms, Global South #MeToos, postmodernist postcolonial literatures, transnational feminisms, and global cinema.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>210</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Jill Fellows and Lisa Smith</itunes:subtitle>
      <itunes:summary>In this timely collection, gender, sex, and technology are explored through an intersectional and interdisciplinary lens. Gender, Sex, and Tech!: An Intersectional Feminist Guide (Canadian Scholars, 2022) provides insight into the ways that technology affects, and is affected by, cultural perceptions of gender and sex. Through an examination of a range of past and present issues, the text highlights our relationships to technology and illustrates how gendered relations are shaped and transformed through social and technological innovations. Contributors bring to the fore feminist, decolonizing, and anti-racist methods to examine our everyday uses of technology, from the mundane to the surreal to the playful to the devastating. Original research and scholarship is skillfully grounded in real-world scenarios like revenge pornography, gender bias in artificial intelligence, menstrual tracking, online dating, and the COVID-19 pandemic, inviting students to take a closer look at technological transformations and their impact on gendered lived experience and to consider how the benefits of technology are inequitably shared within society. Centring Canadian scholars and Canadian perspectives without losing sight of the broader global connection, Gender, Sex, and Tech! is bursting with timely and of-the-moment content, making this collection a must-read for courses focused on gender and technology.
Dr. Iqra Shagufta Cheema writes and teaches about transnational feminisms, Global South #MeToos, postmodernist postcolonial literatures, transnational feminisms, and global cinema.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this timely collection, gender, sex, and technology are explored through an intersectional and interdisciplinary lens. <a href="https://canadianscholars.ca/book/gender-sex-and-tech/"><em>Gender, Sex, and Tech!: An Intersectional Feminist Guide</em></a> (Canadian Scholars, 2022) provides insight into the ways that technology affects, and is affected by, cultural perceptions of gender and sex. Through an examination of a range of past and present issues, the text highlights our relationships to technology and illustrates how gendered relations are shaped and transformed through social and technological innovations. Contributors bring to the fore feminist, decolonizing, and anti-racist methods to examine our everyday uses of technology, from the mundane to the surreal to the playful to the devastating. Original research and scholarship is skillfully grounded in real-world scenarios like revenge pornography, gender bias in artificial intelligence, menstrual tracking, online dating, and the COVID-19 pandemic, inviting students to take a closer look at technological transformations and their impact on gendered lived experience and to consider how the benefits of technology are inequitably shared within society. Centring Canadian scholars and Canadian perspectives without losing sight of the broader global connection, Gender, Sex, and Tech! is bursting with timely and of-the-moment content, making this collection a must-read for courses focused on gender and technology.</p><p><a href="https://www.linkedin.com/in/iqra-s-cheema/"><em>Dr. Iqra Shagufta Cheema</em></a><em> writes and teaches about transnational feminisms, Global South #MeToos, postmodernist postcolonial literatures, transnational feminisms, and global cinema.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2984</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[09c858ec-22e1-11ed-93ec-8b026ca65385]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7765265772.mp3?updated=1661258979" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kareem Rabie, "Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank" (Duke UP, 2021)</title>
      <description>In 2008, Palestinian Prime Minister Salam Fayyad invited international investors to the first-ever Palestine Investment Conference, which was designed to jump-start the process of integrating Palestine into the global economy. As Fayyad described the conference, Palestine is “throwing a party, and the whole world is invited.”
In Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank (Duke UP, 2021), Kareem Rabie examines how the conference and Fayyad's rhetoric represented a wider shift in economic and political practice in ways that oriented state-scale Palestinian politics toward neoliberal globalization rather than a diplomatic two-state solution. Rabie demonstrates that private firms, international aid organizations, and the Palestinian government in the West Bank focused on large-scale private housing development in an effort toward state-scale economic stability and market building.
This approach reflected the belief that a thriving private economy would lead to a free and functioning Palestinian state. Yet, as Rabie contends, these investment-based policies have maintained the status quo of occupation and Palestine's subordinate and suspended political and economic relationship with Israel.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 26 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kareem Rabie</itunes:subtitle>
      <itunes:summary>In 2008, Palestinian Prime Minister Salam Fayyad invited international investors to the first-ever Palestine Investment Conference, which was designed to jump-start the process of integrating Palestine into the global economy. As Fayyad described the conference, Palestine is “throwing a party, and the whole world is invited.”
In Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank (Duke UP, 2021), Kareem Rabie examines how the conference and Fayyad's rhetoric represented a wider shift in economic and political practice in ways that oriented state-scale Palestinian politics toward neoliberal globalization rather than a diplomatic two-state solution. Rabie demonstrates that private firms, international aid organizations, and the Palestinian government in the West Bank focused on large-scale private housing development in an effort toward state-scale economic stability and market building.
This approach reflected the belief that a thriving private economy would lead to a free and functioning Palestinian state. Yet, as Rabie contends, these investment-based policies have maintained the status quo of occupation and Palestine's subordinate and suspended political and economic relationship with Israel.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2008, Palestinian Prime Minister Salam Fayyad invited international investors to the first-ever Palestine Investment Conference, which was designed to jump-start the process of integrating Palestine into the global economy. As Fayyad described the conference, Palestine is “throwing a party, and the whole world is invited.”</p><p>In<em> </em><a href="https://bookshop.org/a/12343/9781478014096"><em>Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank</em></a> (Duke UP, 2021), Kareem Rabie examines how the conference and Fayyad's rhetoric represented a wider shift in economic and political practice in ways that oriented state-scale Palestinian politics toward neoliberal globalization rather than a diplomatic two-state solution. Rabie demonstrates that private firms, international aid organizations, and the Palestinian government in the West Bank focused on large-scale private housing development in an effort toward state-scale economic stability and market building.</p><p>This approach reflected the belief that a thriving private economy would lead to a free and functioning Palestinian state. Yet, as Rabie contends, these investment-based policies have maintained the status quo of occupation and Palestine's subordinate and suspended political and economic relationship with Israel.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3692</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d442121c-20a6-11ed-9aa7-138338181b3d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8845421141.mp3?updated=1661014053" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ruben Espinosa, "Shakespeare on the Shades of Racism" (Routledge, 2021)</title>
      <description>In Shakespeare on the Shades of Racism (Routledge, 2021), Ruben Espinosa explores the works of the early modern dramatist in the context of Trump-era immigration policies, anti-Black police violence, and the enduring legacy of white supremacy in American life. Espinosa is Professor of English at Arizona State University. He is the author of the previous monograph, Masculinity and Marian Efficacy in Shakespeare’s England, and the co-editor of the collection Shakespeare and Immigration, both available through Routledge. Shakespeare on the Shades of Race, an urgent new book that offers an important critique of racism and white supremacy to bear on As You Like It, The Tempest and Othello, alongside Luis Alberto Urrea’s The Devil’s Highway, Toni Morrison’s Desdemona, and Keith Hamilton Cobb’s American Moor.
John Yargo is Visiting Assistant Professor of English at Boston College. He recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 26 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>172</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Shakespeare on the Shades of Racism (Routledge, 2021), Ruben Espinosa explores the works of the early modern dramatist in the context of Trump-era immigration policies, anti-Black police violence, and the enduring legacy of white supremacy in American life. Espinosa is Professor of English at Arizona State University. He is the author of the previous monograph, Masculinity and Marian Efficacy in Shakespeare’s England, and the co-editor of the collection Shakespeare and Immigration, both available through Routledge. Shakespeare on the Shades of Race, an urgent new book that offers an important critique of racism and white supremacy to bear on As You Like It, The Tempest and Othello, alongside Luis Alberto Urrea’s The Devil’s Highway, Toni Morrison’s Desdemona, and Keith Hamilton Cobb’s American Moor.
John Yargo is Visiting Assistant Professor of English at Boston College. He recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780367183004"><em>Shakespeare on the Shades of Racism</em></a><em> </em>(Routledge, 2021), Ruben Espinosa explores the works of the early modern dramatist in the context of Trump-era immigration policies, anti-Black police violence, and the enduring legacy of white supremacy in American life. Espinosa is Professor of English at Arizona State University. He is the author of the previous monograph, <em>Masculinity and Marian Efficacy in Shakespeare’s England</em>, and the co-editor of the collection <em>Shakespeare and Immigration</em>, both available through Routledge. <em>Shakespeare on the Shades of Race</em>, an urgent new book that offers an important critique of racism and white supremacy to bear on <em>As You Like It</em>, <em>The Tempest</em> and <em>Othello</em>, alongside Luis Alberto Urrea’s <em>The Devil’s Highway</em>, Toni Morrison’s <em>Desdemona</em>, and Keith Hamilton Cobb’s <em>American Moor</em>.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is Visiting Assistant Professor of English at Boston College. He recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the </em><a href="https://muse.jhu.edu/article/786734"><em>Journal for Early Modern Culture Studies</em></a><em>, Early Theatre, Studies in Philology, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3465</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[42202824-1fca-11ed-8bf9-93bb8cbb17e6]]></guid>
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    </item>
    <item>
      <title>Paul Adler, "No Globalization Without Representation: U.S. Activists and World Inequality" (U Pennsylvania Press, 2021)</title>
      <description>Paul Adler's No Globalization Without Representation: U.S. Activists and World Inequality (U Pennsylvania Press, 2021) is a history of the hardworking but understudied public interest progressives who waged a war from within the system against neoliberal globalization during the last decades of the twentieth century. At a time of Cold War polarization and increasing rejection of social and economic rights as motivating discourses by the left and the right, these activists mobilized around a project of fairness and economic equality. Faced with an increasingly globalized economy and political system, US-based public interest progressives built new models for transnational activism in coalition with activist groups around the globe. From boycotting Nestlé in the 1970s to lobbying against NAFTA to the "Battle of Seattle" protests against the World Trade Organization in the 1990s, No Globalization Without Representation is the story of how consumer and environmental activists became significant players in U.S. and world politics at the end of the twentieth century.
Of interest to scholars of transnational activism, neoliberalism, and public policy, this book offers important insights into the political struggles that helped shape the conflicts and political visions of the twenty-first century.
Paul Adler is Assistant Professor of History at Colorado College.
﻿Elena McGrath is an Assistant Professor of History at Union College
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 26 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Adler</itunes:subtitle>
      <itunes:summary>Paul Adler's No Globalization Without Representation: U.S. Activists and World Inequality (U Pennsylvania Press, 2021) is a history of the hardworking but understudied public interest progressives who waged a war from within the system against neoliberal globalization during the last decades of the twentieth century. At a time of Cold War polarization and increasing rejection of social and economic rights as motivating discourses by the left and the right, these activists mobilized around a project of fairness and economic equality. Faced with an increasingly globalized economy and political system, US-based public interest progressives built new models for transnational activism in coalition with activist groups around the globe. From boycotting Nestlé in the 1970s to lobbying against NAFTA to the "Battle of Seattle" protests against the World Trade Organization in the 1990s, No Globalization Without Representation is the story of how consumer and environmental activists became significant players in U.S. and world politics at the end of the twentieth century.
Of interest to scholars of transnational activism, neoliberalism, and public policy, this book offers important insights into the political struggles that helped shape the conflicts and political visions of the twenty-first century.
Paul Adler is Assistant Professor of History at Colorado College.
﻿Elena McGrath is an Assistant Professor of History at Union College
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paul Adler's <a href="https://bookshop.org/a/12343/9780812253177"><em>No Globalization Without Representation: U.S. Activists and World Inequality</em></a><em> </em>(U Pennsylvania Press, 2021) is a history of the hardworking but understudied public interest progressives who waged a war from within the system against neoliberal globalization during the last decades of the twentieth century. At a time of Cold War polarization and increasing rejection of social and economic rights as motivating discourses by the left and the right, these activists mobilized around a project of fairness and economic equality. Faced with an increasingly globalized economy and political system, US-based public interest progressives built new models for transnational activism in coalition with activist groups around the globe. From boycotting Nestlé in the 1970s to lobbying against NAFTA to the "Battle of Seattle" protests against the World Trade Organization in the 1990s, <em>No Globalization Without Representation</em> is the story of how consumer and environmental activists became significant players in U.S. and world politics at the end of the twentieth century.</p><p>Of interest to scholars of transnational activism, neoliberalism, and public policy, this book offers important insights into the political struggles that helped shape the conflicts and political visions of the twenty-first century.</p><p>Paul Adler is Assistant Professor of History at Colorado College.</p><p><a href="https://www.union.edu/history/faculty-staff/elena-mcgrath"><em>﻿Elena McGrath</em></a><em> is an Assistant Professor of History at Union College</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7d62ab6c-1f1d-11ed-a349-632705a3da3a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8903945120.mp3?updated=1660845796" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Enter the Zuckerverse: On the Metaverse and its Corporatization</title>
      <description>The term “metaverse” was coined in a 1993 science fiction novel. Since then, it’s grown from a dystopian literary concept to a reality that corporations want to sell you. Strap on some VR goggles and escape your tired analog life! Except that the systemic issues we already have seem to be creeping into the metaverse, too.
As the lines between virtuality and physicality continue to blur, companies like Mark Zuckerberg’s Meta are setting their sights on virtual worlds. It’s a new frontier, full of potential – and full of our valuable data. Metaverses like Second Life or World of Warcraft can be positive and even game-changing experiences on the individual level, but when it comes to navigating a virtual society with a capitalist backdrop…things get a bit dicey.
On this episode, guest host and producer Ren Bangert explores the metaverse. First, we hear a love story from the glory days of Second Life, told to us by Sandrine Han – a scholar of virtual worlds and a long-time Second Lifer. Then, writer and game developer Ian Bogost takes us on a deep dive into the corporatization of the metaverse. We’ll hear how the metaverse has grown from a dystopian warning from science fiction to a sinister data-mining reality – and how even the shiniest of tech utopias are still functioning under the same old capitalism.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 25 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The term “metaverse” was coined in a 1993 science fiction novel. Since then, it’s grown from a dystopian literary concept to a reality that corporations want to sell you. Strap on some VR goggles and escape your tired analog life! Except that the systemic issues we already have seem to be creeping into the metaverse, too.
As the lines between virtuality and physicality continue to blur, companies like Mark Zuckerberg’s Meta are setting their sights on virtual worlds. It’s a new frontier, full of potential – and full of our valuable data. Metaverses like Second Life or World of Warcraft can be positive and even game-changing experiences on the individual level, but when it comes to navigating a virtual society with a capitalist backdrop…things get a bit dicey.
On this episode, guest host and producer Ren Bangert explores the metaverse. First, we hear a love story from the glory days of Second Life, told to us by Sandrine Han – a scholar of virtual worlds and a long-time Second Lifer. Then, writer and game developer Ian Bogost takes us on a deep dive into the corporatization of the metaverse. We’ll hear how the metaverse has grown from a dystopian warning from science fiction to a sinister data-mining reality – and how even the shiniest of tech utopias are still functioning under the same old capitalism.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The term “metaverse” was coined in a 1993 science fiction novel. Since then, it’s grown from a dystopian literary concept to a reality that corporations want to sell you. Strap on some VR goggles and escape your tired analog life! Except that the systemic issues we already have seem to be creeping into the metaverse, too.</p><p>As the lines between virtuality and physicality continue to blur, companies like Mark Zuckerberg’s Meta are setting their sights on virtual worlds. It’s a new frontier, full of potential – and full of our valuable data. Metaverses like Second Life or World of Warcraft can be positive and even game-changing experiences on the individual level, but when it comes to navigating a virtual society with a capitalist backdrop…things get a bit dicey.</p><p>On this episode, guest host and producer Ren Bangert explores the metaverse. First, we hear a love story from the glory days of Second Life, told to us by Sandrine Han – a scholar of virtual worlds and a long-time Second Lifer. Then, writer and game developer Ian Bogost takes us on a deep dive into the corporatization of the metaverse. We’ll hear how the metaverse has grown from a dystopian warning from science fiction to a sinister data-mining reality – and how even the shiniest of tech utopias are still functioning under the same old capitalism.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9e27e84-20c8-11ed-9929-133133a8fe42]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8971072605.mp3?updated=1661027094" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Rhodes, "After the Fall: Being American in the World We've Made" (Random House, 2021)</title>
      <description>Ben Rhodes visited dozens of countries, meeting with politicians and activists confronting the same nationalism and authoritarianism that are tearing America apart. Along the way, he discusses the growing authoritarianism of Vladimir Putin, and his aggression towards Ukraine, with the foremost opposition leader in Russia, who was subsequently poisoned and imprisoned; he profiled Hong Kong protesters who saw their movement snuffed out by China under Xi Jinping, and America itself reached the precipice of losing democracy before giving itself a fragile second chance. The characters and issues that Rhodes illuminates in After the Fall: The Rise of Authoritarianism in the World We've Made (Random House, 2021) paint a picture that shows us where we are today—from Barack Obama to a rising generation of international leaders; from the authoritarian playbook endangering democracy to the flood of disinformation enabling authoritarianism. Ultimately, Rhodes writes personally and powerfully about finding hope in the belief that looking squarely at where America has gone wrong can make clear how essential it is to fight for what America is supposed to be, for our own country and the entire world.
Ben Rhodes is the author of the New York Times bestseller The World as It Is, co-host of Pod Save the World, a contributor for NBC News and MSNBC, and an adviser to former president Barack Obama.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Rhodes</itunes:subtitle>
      <itunes:summary>Ben Rhodes visited dozens of countries, meeting with politicians and activists confronting the same nationalism and authoritarianism that are tearing America apart. Along the way, he discusses the growing authoritarianism of Vladimir Putin, and his aggression towards Ukraine, with the foremost opposition leader in Russia, who was subsequently poisoned and imprisoned; he profiled Hong Kong protesters who saw their movement snuffed out by China under Xi Jinping, and America itself reached the precipice of losing democracy before giving itself a fragile second chance. The characters and issues that Rhodes illuminates in After the Fall: The Rise of Authoritarianism in the World We've Made (Random House, 2021) paint a picture that shows us where we are today—from Barack Obama to a rising generation of international leaders; from the authoritarian playbook endangering democracy to the flood of disinformation enabling authoritarianism. Ultimately, Rhodes writes personally and powerfully about finding hope in the belief that looking squarely at where America has gone wrong can make clear how essential it is to fight for what America is supposed to be, for our own country and the entire world.
Ben Rhodes is the author of the New York Times bestseller The World as It Is, co-host of Pod Save the World, a contributor for NBC News and MSNBC, and an adviser to former president Barack Obama.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ben Rhodes visited dozens of countries, meeting with politicians and activists confronting the same nationalism and authoritarianism that are tearing America apart. Along the way, he discusses the growing authoritarianism of Vladimir Putin, and his aggression towards Ukraine, with the foremost opposition leader in Russia, who was subsequently poisoned and imprisoned; he profiled Hong Kong protesters who saw their movement snuffed out by China under Xi Jinping, and America itself reached the precipice of losing democracy before giving itself a fragile second chance. The characters and issues that Rhodes illuminates in <a href="https://bookshop.org/a/12343/9781984856074"><em>After the Fall: The Rise of Authoritarianism in the World We've Made</em></a><em> </em>(Random House, 2021) paint a picture that shows us where we are today—from Barack Obama to a rising generation of international leaders; from the authoritarian playbook endangering democracy to the flood of disinformation enabling authoritarianism. Ultimately, Rhodes writes personally and powerfully about finding hope in the belief that looking squarely at where America has gone wrong can make clear how essential it is to fight for what America is supposed to be, for our own country and the entire world.</p><p>Ben Rhodes is the author of the <em>New York Times</em> bestseller <em>The World as It Is, </em>co-host of <em>Pod Save the World, </em>a contributor for NBC News and MSNBC, and an adviser to former president Barack Obama.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[914a8f10-1da0-11ed-9dd1-bfd010451e45]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2041610128.mp3?updated=1660681652" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gamify Everything: Turning Work Into Play . . . for Better and for Worse</title>
      <description>Setting goals for the new year? Learning a language? Going for a run? Delivering food? Picking packages off a warehouse shelf for delivery? There’s a game for that. Or, at least, a gamified system designed to nudge you in a series of pre-programmed directions in the service of the state, techno-capitalist overlords, or any number of other groups and entities that chart the course of our hyper-connected, cutting-edge, dystopian 21st century lives. On this episode of Darts and Letters, guest host Jay Cockburn and our guests take us through the gamification of…everything.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Setting goals for the new year? Learning a language? Going for a run? Delivering food? Picking packages off a warehouse shelf for delivery? There’s a game for that. Or, at least, a gamified system designed to nudge you in a series of pre-programmed directions in the service of the state, techno-capitalist overlords, or any number of other groups and entities that chart the course of our hyper-connected, cutting-edge, dystopian 21st century lives. On this episode of Darts and Letters, guest host Jay Cockburn and our guests take us through the gamification of…everything.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Setting goals for the new year? Learning a language? Going for a run? Delivering food? Picking packages off a warehouse shelf for delivery? There’s a game for that. Or, at least, a gamified system designed to nudge you in a series of pre-programmed directions in the service of the state, techno-capitalist overlords, or any number of other groups and entities that chart the course of our hyper-connected, cutting-edge, dystopian 21st century lives. On this episode of Darts and Letters, guest host Jay Cockburn and our guests take us through the gamification of…everything.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3087</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[38c87e4e-20c8-11ed-940d-4741f715d70a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3943818036.mp3?updated=1661027088" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alfie Bown, "Dream Lovers: The Gamification of Relationships" (Pluto Press, 2022)</title>
      <description>We are in the middle of a 'desirevolution' - a fundamental and political transformation of the way we desire as human beings. Perhaps as always, new technologies - with their associated and inherited political biases - are organising and mapping the future. What we don’t seem to notice is that the primary way in which our lives are being transformed is through the manipulation and control of desire itself.
Our very impulses, drives and urges are 'gamified' to suit particular economic and political agendas, changing the way we relate to everything from lovers and friends to food and politicians. Digital technologies are transforming the subject at the deepest level of desire – re-mapping its libidinal economy - in ways never before imagined possible. From sexbots to smart condoms, fitbits to VR simulators and AI to dating algorithms, the 'love industries' are at the heart of the future smart city and the social fabric of everyday life.
Alfie Bown's Dream Lovers: The Gamification of Relationships (Pluto Press, 2022) considers these emergent technologies and what they mean for the future of love, desire, work and capitalism.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>325</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alfie Bown</itunes:subtitle>
      <itunes:summary>We are in the middle of a 'desirevolution' - a fundamental and political transformation of the way we desire as human beings. Perhaps as always, new technologies - with their associated and inherited political biases - are organising and mapping the future. What we don’t seem to notice is that the primary way in which our lives are being transformed is through the manipulation and control of desire itself.
Our very impulses, drives and urges are 'gamified' to suit particular economic and political agendas, changing the way we relate to everything from lovers and friends to food and politicians. Digital technologies are transforming the subject at the deepest level of desire – re-mapping its libidinal economy - in ways never before imagined possible. From sexbots to smart condoms, fitbits to VR simulators and AI to dating algorithms, the 'love industries' are at the heart of the future smart city and the social fabric of everyday life.
Alfie Bown's Dream Lovers: The Gamification of Relationships (Pluto Press, 2022) considers these emergent technologies and what they mean for the future of love, desire, work and capitalism.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are in the middle of a 'desirevolution' - a fundamental and political transformation of the way we desire as human beings. Perhaps as always, new technologies - with their associated and inherited political biases - are organising and mapping the future. What we don’t seem to notice is that the primary way in which our lives are being transformed is through the manipulation and control of desire itself.</p><p>Our very impulses, drives and urges are 'gamified' to suit particular economic and political agendas, changing the way we relate to everything from lovers and friends to food and politicians. Digital technologies are transforming the subject at the deepest level of desire – re-mapping its libidinal economy - in ways never before imagined possible. From sexbots to smart condoms, fitbits to VR simulators and AI to dating algorithms, the 'love industries' are at the heart of the future smart city and the social fabric of everyday life.</p><p>Alfie Bown's <a href="https://bookshop.org/a/12343/9780745344874"><em>Dream Lovers: The Gamification of Relationships</em></a> (Pluto Press, 2022) considers these emergent technologies and what they mean for the future of love, desire, work and capitalism.</p><p><a href="https://beacons.ai/rudolfinderst"><em>Rudolf Inderst</em></a><em> is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3510</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff8b7994-1e6d-11ed-9119-e71d0f0cd9de]]></guid>
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    </item>
    <item>
      <title>Mathew Lawrence and Adrienne Buller, "Owning the Future: Power and Property in an Age of Crisis" (Verso, 2022)</title>
      <description>Adrienne Buller (The Value of a Whale) and Mathew Lawrence (Planet on Fire) have penned a radical manifesto for the transformation of post-pandemic politics: Owning the Future: Power and Property in an Age of Crisis (Verso, 2022).
The question of ownership is the critical fault line of our times. During the pandemic this issue has only become more divisive. Since March 2020 we have witnessed the extraordinary growth of asset manager capitalism and the explosive concentration of wealth within the hands of the already super-rich. This new oligarchy controls every part of our social and economics lives. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time - from the fallout of the pandemic to ecological collapse - at their roots. Building from this insight, the authors argue the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs. Against the new oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit. In place of environmental devastation, a new agenda of decommodification - of both nature and needs - with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future, and building a better world.
Adrienne Buller is Director of Research at the UK-based think tank Common Wealth. 
Mathew Lawrence is Common Wealth's founder and director.
Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mathew Lawrence and Adrienne Buller</itunes:subtitle>
      <itunes:summary>Adrienne Buller (The Value of a Whale) and Mathew Lawrence (Planet on Fire) have penned a radical manifesto for the transformation of post-pandemic politics: Owning the Future: Power and Property in an Age of Crisis (Verso, 2022).
The question of ownership is the critical fault line of our times. During the pandemic this issue has only become more divisive. Since March 2020 we have witnessed the extraordinary growth of asset manager capitalism and the explosive concentration of wealth within the hands of the already super-rich. This new oligarchy controls every part of our social and economics lives. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time - from the fallout of the pandemic to ecological collapse - at their roots. Building from this insight, the authors argue the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs. Against the new oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit. In place of environmental devastation, a new agenda of decommodification - of both nature and needs - with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future, and building a better world.
Adrienne Buller is Director of Research at the UK-based think tank Common Wealth. 
Mathew Lawrence is Common Wealth's founder and director.
Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Adrienne Buller (<em>The Value of a Whale</em>) and Mathew Lawrence (<em>Planet on Fire</em>) have penned a radical manifesto for the transformation of post-pandemic politics: <a href="https://bookshop.org/a/12343/9781839765803"><em>Owning the Future: Power and Property in an Age of Crisis</em></a> (Verso, 2022).</p><p>The question of ownership is the critical fault line of our times. During the pandemic this issue has only become more divisive. Since March 2020 we have witnessed the extraordinary growth of asset manager capitalism and the explosive concentration of wealth within the hands of the already super-rich. This new oligarchy controls every part of our social and economics lives. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time - from the fallout of the pandemic to ecological collapse - at their roots. Building from this insight, the authors argue the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs. Against the new oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit. In place of environmental devastation, a new agenda of decommodification - of both nature and needs - with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future, and building a better world.</p><p>Adrienne Buller is Director of Research at the UK-based think tank Common Wealth. </p><p>Mathew Lawrence is Common Wealth's founder and director.</p><p><em>Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2458</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b8d9f7e4-1e60-11ed-9393-d776bd1cbc50]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9967995479.mp3?updated=1660764227" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Reality TV</title>
      <description>In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV.
In the episode she talks about the genesis of the genre in Candid Camera, An American Family, COPS and America’s Most Wanted, before the watershed moment of The Real World in the 1990s. She references the work of June Deery, and Pier Dominguez on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “Jersey Shore: Ironic Viewing.” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires.
Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre &amp; narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in Television &amp; New Media and New Review of Film &amp; Television, and her public writing has appeared in Post45 Contemporaries, Novel Dialogue, Avidly: A Channel of the L.A. Review of Books, and elsewhere.
The image for this episode was made by Saronik Bosu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9c8cd306-230e-11ed-aa3b-a7195f413f90/image/HighTheory_RealityTV_Image.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Olivia Stowell</itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV.
In the episode she talks about the genesis of the genre in Candid Camera, An American Family, COPS and America’s Most Wanted, before the watershed moment of The Real World in the 1990s. She references the work of June Deery, and Pier Dominguez on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “Jersey Shore: Ironic Viewing.” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires.
Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre &amp; narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in Television &amp; New Media and New Review of Film &amp; Television, and her public writing has appeared in Post45 Contemporaries, Novel Dialogue, Avidly: A Channel of the L.A. Review of Books, and elsewhere.
The image for this episode was made by Saronik Bosu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV.</p><p>In the episode she talks about the genesis of the genre in <em>Candid Camera</em>, <em>An American Family</em>, <em>COPS</em> and <em>America’s Most Wanted, </em>before the watershed moment of <em>The Real World </em>in the 1990s. She references the work of <a href="https://faculty.rpi.edu/node/34540">June Deery</a>, and <a href="https://www.academia.edu/es/14859881/_Im_Very_Rich_Bitch_The_Melodramatic_Money_Shot_and_the_Excess_of_Racialized_Gendered_Affect_in_the_Real_Housewives_Docusoaps">Pier Dominguez</a> on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “<a href="https://dhjhkxawhe8q4.cloudfront.net/nyupress-wp/wp-content/uploads/2020/03/31141640/Jersey-Shore_Douglas_HTWTV.pdf"><em>Jersey Shore</em>: Ironic Viewing.</a>” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires.</p><p>Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre &amp; narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in <em>Television &amp; New Media</em> and <em>New Review of Film &amp; Television</em>, and her public writing has appeared in <em>Post45 Contemporaries</em>, <em>Novel Dialogue</em>, <em>Avidly: A Channel of the L.A. Review of Books</em>, and elsewhere.</p><p>The image for this episode was made by Saronik Bosu.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[55c844a4-230f-11ed-a236-dfa50f52892e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5408102812.mp3?updated=1661279189" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karen Archey, "After Institutions" (Les presses du réel, 2022)</title>
      <description>Faced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. Simultaneously, they have assumed the role of institutional arbiter in issues of social justice and accountability. The canon of Institutional Critique has responded to the social embeddedness of art institutions by looking at the inner workings of such organisations and has found them wanting.
In After Institutions, Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements, looking beyond what cultural institutions were to what they are and what they might become.
Karen Archey speaks to Pierre d’Alancaisez about the histories and futures of Institutional Critique, the museum’s neoliberal catch-22, and about an exhibition that didn’t happen.
Karen Archey is Curator of Contemporary Art at Stedelijk Museum Amsterdam. Formerly based in Berlin and New York, she worked earlier as an independent curator, editor, and art critic, writing for publications such as Artforum and frieze.

Lawrence Weiner, A Square Removal from a Rug in Use, 1969

Mel Bochner, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art, 1966

Seth Siegelaub, The Xerox Book, 1968

Hans Haacke, Condenstation Cube, 1963-68


Steyerl, Hito. ‘The Institution of Critique’. In Art and Contemporary Critical Practice: Reinventing Institutional Critique, edited by Gerald Raunig and Gene Ray, 13–20. London: MayFlyBooks, 2009

Mario García Torres, Preliminary Sketches for the Past and the Future (Stedelijk Museum), 2007

Isa Genzken, Ohr (Ear), 1980

Josh Kline

Park McArthur, Ramps

﻿
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karen Archey</itunes:subtitle>
      <itunes:summary>Faced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. Simultaneously, they have assumed the role of institutional arbiter in issues of social justice and accountability. The canon of Institutional Critique has responded to the social embeddedness of art institutions by looking at the inner workings of such organisations and has found them wanting.
In After Institutions, Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements, looking beyond what cultural institutions were to what they are and what they might become.
Karen Archey speaks to Pierre d’Alancaisez about the histories and futures of Institutional Critique, the museum’s neoliberal catch-22, and about an exhibition that didn’t happen.
Karen Archey is Curator of Contemporary Art at Stedelijk Museum Amsterdam. Formerly based in Berlin and New York, she worked earlier as an independent curator, editor, and art critic, writing for publications such as Artforum and frieze.

Lawrence Weiner, A Square Removal from a Rug in Use, 1969

Mel Bochner, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art, 1966

Seth Siegelaub, The Xerox Book, 1968

Hans Haacke, Condenstation Cube, 1963-68


Steyerl, Hito. ‘The Institution of Critique’. In Art and Contemporary Critical Practice: Reinventing Institutional Critique, edited by Gerald Raunig and Gene Ray, 13–20. London: MayFlyBooks, 2009

Mario García Torres, Preliminary Sketches for the Past and the Future (Stedelijk Museum), 2007

Isa Genzken, Ohr (Ear), 1980

Josh Kline

Park McArthur, Ramps

﻿
﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Faced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. Simultaneously, they have assumed the role of institutional arbiter in issues of social justice and accountability. The canon of Institutional Critique has responded to the social embeddedness of art institutions by looking at the inner workings of such organisations and has found them wanting.</p><p>In <em>After Institutions</em>, Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements, looking beyond what cultural institutions were to what they are and what they might become.</p><p>Karen Archey speaks to Pierre d’Alancaisez about the histories and futures of Institutional Critique, the museum’s neoliberal catch-22, and about an exhibition that didn’t happen.</p><p><a href="http://www.karenarchey.com/">Karen Archey</a> is Curator of Contemporary Art at Stedelijk Museum Amsterdam. Formerly based in Berlin and New York, she worked earlier as an independent curator, editor, and art critic, writing for publications such as <em>Artforum </em>and <em>frieze</em>.</p><ul>
<li><a href="https://www.mumok.at/en/square-removal-rug-use">Lawrence Weiner, <em>A Square Removal from a Rug in Use</em>, 1969</a></li>
<li><a href="https://book-as-exhibition.org/Mel-Bochner_Working-Drawings">Mel Bochner, <em>Working Drawings</em> <em>and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art,</em> 1966</a></li>
<li><a href="https://book-as-exhibition.org/Seth-Siegeulab-Xerox-Book">Seth Siegelaub, <em>The Xerox Book</em>, 1968</a></li>
<li><a href="https://www.macba.cat/en/art-artists/artists/haacke-hans/condensation-cube">Hans Haacke, <em>Condenstation Cube</em>, 1963-68</a></li>
<li>
<a href="https://mayflybooks.org/art-and-contemporary-critical-practice-reinventing-institutional-critique/">Steyerl, Hito. ‘The Institution of Critique’</a>. In <em>Art and Contemporary Critical Practice: Reinventing Institutional Critique</em>, edited by Gerald Raunig and Gene Ray, 13–20. London: MayFlyBooks, 2009</li>
<li><a href="https://www.stedelijk.nl/en/collection/89980-mario-garcia-torres-preliminary-sketches-from-the-past-and-for-the-future-(stedelijk-museum)">Mario García Torres, <em>Preliminary Sketches for the Past and the Future (Stedelijk Museum)</em>, 2007</a></li>
<li><a href="https://www.artsy.net/artwork/isa-genzken-ohr-ear">Isa Genzken, <em>Ohr (Ear)</em>, 1980</a></li>
<li><a href="https://47canal.us/artists/josh-kline">Josh Kline</a></li>
<li><a href="https://www.moussemagazine.it/magazine/park-mcarthur-essexstreet/">Park McArthur, <em>Ramps</em></a></li>
</ul><p><em>﻿</em></p><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4125</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[338600a0-2082-11ed-b745-3b36747655ff]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7885242649.mp3?updated=1660999472" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simon Truwant, "Cassirer and Heidegger in Davos: The Philosophical Arguments" (Cambridge UP, 2022)</title>
      <description>The 1929 encounter between Ernst Cassirer and Martin Heidegger in Davos, Switzerland is considered one of the most important intellectual debates of the twentieth century and a founding moment of continental philosophy. At the same time, many commentators have questioned the philosophical profundity and coherence of the actual debate. In Cassirer and Heidegger in Davos: The Philosophical Arguments (Cambridge UP, 2022), the first comprehensive philosophical analysis of the Davos debate, Simon Truwant challenges these critiques. He argues that Cassirer and Heidegger's disagreement about the meaning of Kant's philosophy is motivated by their different views about the human condition, which in turn are motivated by their opposing conceptions of what the task of philosophy ultimately should be. Truwant shows that Cassirer and Heidegger share a grand philosophical concern: to comprehend and aid the human being's capacity to orient itself in and towards the world.
Simon Truwant is FWO Postdoctoral Fellow at KU Leuven. He is the editor of Interpreting Cassirer: Critical Essays and has published articles in journals including Idealistic Studies, and International Journal of Philosophical Studies.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simon Truwant</itunes:subtitle>
      <itunes:summary>The 1929 encounter between Ernst Cassirer and Martin Heidegger in Davos, Switzerland is considered one of the most important intellectual debates of the twentieth century and a founding moment of continental philosophy. At the same time, many commentators have questioned the philosophical profundity and coherence of the actual debate. In Cassirer and Heidegger in Davos: The Philosophical Arguments (Cambridge UP, 2022), the first comprehensive philosophical analysis of the Davos debate, Simon Truwant challenges these critiques. He argues that Cassirer and Heidegger's disagreement about the meaning of Kant's philosophy is motivated by their different views about the human condition, which in turn are motivated by their opposing conceptions of what the task of philosophy ultimately should be. Truwant shows that Cassirer and Heidegger share a grand philosophical concern: to comprehend and aid the human being's capacity to orient itself in and towards the world.
Simon Truwant is FWO Postdoctoral Fellow at KU Leuven. He is the editor of Interpreting Cassirer: Critical Essays and has published articles in journals including Idealistic Studies, and International Journal of Philosophical Studies.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1929 encounter between Ernst Cassirer and Martin Heidegger in Davos, Switzerland is considered one of the most important intellectual debates of the twentieth century and a founding moment of continental philosophy. At the same time, many commentators have questioned the philosophical profundity and coherence of the actual debate. In <a href="https://bookshop.org/a/12343/9781316519882"><em>Cassirer and Heidegger in Davos: The Philosophical Arguments</em></a> (Cambridge UP, 2022), the first comprehensive philosophical analysis of the Davos debate, Simon Truwant challenges these critiques. He argues that Cassirer and Heidegger's disagreement about the meaning of Kant's philosophy is motivated by their different views about the human condition, which in turn are motivated by their opposing conceptions of what the task of philosophy ultimately should be. Truwant shows that Cassirer and Heidegger share a grand philosophical concern: to comprehend and aid the human being's capacity to orient itself in and towards the world.</p><p>Simon Truwant is FWO Postdoctoral Fellow at KU Leuven. He is the editor of <em>Interpreting Cassirer: Critical Essays</em> and has published articles in journals including Idealistic Studies, and International Journal of Philosophical Studies.</p><p><em>Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3530</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[62d57d6c-1c96-11ed-a87b-33dd6f53b2b9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5650874464.mp3?updated=1660567318" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Selene Wendt, "Beyond the Door of No Return: Confronting Hidden Colonial Histories Through Contemporary Art" (Skira, 2021)</title>
      <description>In Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art (Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle.
Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Selene Wendt</itunes:subtitle>
      <itunes:summary>In Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art (Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle.
Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9788857245607"><em>Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art</em></a> (Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle.</p><p><em>Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3875</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ae7c9b50-1a67-11ed-b72a-d3ddc59b2242]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6957668810.mp3?updated=1661168983" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Antonio C. Cuyler, "Access, Diversity, Equity and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the US" (Routledge, 2020)</title>
      <description>Where are the success stories for people of color in opera? In Access, Diversity, Equity, and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the U.S. (Routledge, 2021), Antonio Cuyler, Director of the MA Program &amp; Associate Professor of Arts Administration at Florida State University (FSU), and Visiting Associate Professor of Theatre &amp; Drama at the University of Michigan, explores the careers of six leading figures in the American opera industry, and in doing so creates important theoretical insights and practical lessons about success and struggle in the arts. The book combines detailed interview data with a deep understanding of arts management and cultural policy as a field, along with a personal commitment to transforming opera to make it both an open and a sustainable genre. The book is essential reading across arts and humanities and social sciences, as well as for anyone interested in opera and the arts!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>309</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Antonio C. Cuyler</itunes:subtitle>
      <itunes:summary>Where are the success stories for people of color in opera? In Access, Diversity, Equity, and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the U.S. (Routledge, 2021), Antonio Cuyler, Director of the MA Program &amp; Associate Professor of Arts Administration at Florida State University (FSU), and Visiting Associate Professor of Theatre &amp; Drama at the University of Michigan, explores the careers of six leading figures in the American opera industry, and in doing so creates important theoretical insights and practical lessons about success and struggle in the arts. The book combines detailed interview data with a deep understanding of arts management and cultural policy as a field, along with a personal commitment to transforming opera to make it both an open and a sustainable genre. The book is essential reading across arts and humanities and social sciences, as well as for anyone interested in opera and the arts!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Where are the success stories for people of color in opera? In <a href="https://bookshop.org/a/12343/9780367557881"><em>Access, Diversity, Equity, and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the U.S.</em></a> (Routledge, 2021), <a href="https://cuylerconsulting.com/">Antonio Cuyler</a>, <a href="https://arted.fsu.edu/antonio-c-cuyler/">Director of the MA Program &amp; Associate Professor of Arts Administration at Florida State University (FSU),</a> and <a href="https://smtd.umich.edu/about/faculty-profiles/antonio-cuyler/">Visiting Associate Professor of Theatre &amp; Drama at the University of Michigan</a>, explores the careers of six leading figures in the American opera industry, and in doing so creates important theoretical insights and practical lessons about success and struggle in the arts. The book combines detailed interview data with a deep understanding of arts management and cultural policy as a field, along with a personal commitment to transforming opera to make it both an open and a sustainable genre. The book is essential reading across arts and humanities and social sciences, as well as for anyone interested in opera and the arts!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2880</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8f89ed18-19b5-11ed-b83e-1fa3f945af8a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2083576578.mp3?updated=1660250978" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Pavilion: When Canadians First Had to Confront the Country’s Genocidal Story</title>
      <description>Expo 1967 was the centrepiece of Canada’s 100th birthday. Amid the crowds and the pageantry, one building stood out: The Indians of Canada Pavilion.
This was more than a tall glass tipi. It revealed (at least partly) Canada's sordid colonial history, and it challenged the myth of Canada being a peace-loving and tolerant society. We tell the surprising story of the historical experts who put this thing together, and the public's reaction to their work
This episode was produced in May 2020 as part of Darts and Letters predecessor, Cited. Polly Leger is the co-host alongside regular host and editor Gordon Katic. This was before the wave of discoveries of unmarked graves across Canada as horrific as the descriptions of residential schools are in this episode… the reality is worse, and we made this show before all that additional evidence had been discovered.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Expo 1967 was the centrepiece of Canada’s 100th birthday. Amid the crowds and the pageantry, one building stood out: The Indians of Canada Pavilion.
This was more than a tall glass tipi. It revealed (at least partly) Canada's sordid colonial history, and it challenged the myth of Canada being a peace-loving and tolerant society. We tell the surprising story of the historical experts who put this thing together, and the public's reaction to their work
This episode was produced in May 2020 as part of Darts and Letters predecessor, Cited. Polly Leger is the co-host alongside regular host and editor Gordon Katic. This was before the wave of discoveries of unmarked graves across Canada as horrific as the descriptions of residential schools are in this episode… the reality is worse, and we made this show before all that additional evidence had been discovered.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Expo 1967 was the centrepiece of Canada’s 100th birthday. Amid the crowds and the pageantry, one building stood out: The Indians of Canada Pavilion.</p><p>This was more than a tall glass tipi. It revealed (at least partly) Canada's sordid colonial history, and it challenged the myth of Canada being a peace-loving and tolerant society. We tell the surprising story of the historical experts who put this thing together, and the public's reaction to their work</p><p>This episode was produced in May 2020 as part of Darts and Letters predecessor, <em>Cited</em>. Polly Leger is the co-host alongside regular host and editor Gordon Katic. This was before the wave of discoveries of unmarked graves across Canada as horrific as the descriptions of residential schools are in this episode… the reality is worse, and we made this show before all that additional evidence had been discovered.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3311</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Rochelle DuFord, "Solidarity in Conflict: A Democratic Theory" (Stanford UP, 2022)</title>
      <description>Of all the concepts that form the constellation of modern political thought, surely “solidarity” is a strong candidate for the most challenging. At once influential and undertheorized, the concept of solidarity appears to function across a startling range of discourses.
– Max Pensky, The Ends of Solidarity (2008)
This book is intended to serve as a contemporary response to the pessimism about contemporary political life that is both overwhelming and demotivating. Far from giving in to that dire picture of our collective lives, it challenges readers to see themselves as potential members of solidarity organizations, to build society when forces attempt to undermine it, and to take the critical but hopeful stance that, though things may not end well, we must continue hoping that they might. Taking this stance seriously requires that we spend much more time focusing on those who actually attempt to realize democratic nonexclusion through conflict, agitation, and the collective project of building and sustaining our world.
– Rochelle Duford, Solidarity in Conflict: A Democratic Theory (2022)
Democracy has become disentangled from our ordinary lives. Mere cooperation or ethical consumption now often stands in for a robust concept of solidarity that structures the entirety of sociality and forms the basis of democratic culture. How did democracy become something that is done only at ballot boxes and what role can solidarity play in reviving it?
In Solidarity in Conflict: A Democratic Theory (Stanford UP, 2022), Rochelle DuFord presents a theory of solidarity fit for developing democratic life and a complementary theory of democracy that emerges from a society typified by solidarity. DuFord argues that solidarity is best understood as a set of relations, one agonistic and one antagonistic: the solidarity groups' internal organization and its interactions with the broader world.
Such a picture of solidarity develops through careful consideration of the conflicts endemic to social relations and solidarity organizations. Examining men's rights groups, labor organizing's role in recognitional protections for LGBTQ members of society, and the debate over trans inclusion in feminist praxis, DuFord explores how conflict, in these contexts, becomes the locus of solidarity's democratic functions and thereby critiques democratic theorizing for having become either overly idealized or overly focused on building and maintaining stability.
Working in the tradition of the Frankfurt School, DuFord makes a provocative case that the conflict generated by solidarity organizations can address a variety of forms of domination, oppression, and exploitation while building a democratic society.
Nathan Rochelle Duford is assistant professor of philosophy at the University of Hartford, and is currently working on an essay on political epistemology as well as a book proposal investigating the idea of sex, gender and sexuality in the early Frankfurt School.
Keith Krueger lectures at the SILC Business School in Shanghai University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rochelle DuFord</itunes:subtitle>
      <itunes:summary>Of all the concepts that form the constellation of modern political thought, surely “solidarity” is a strong candidate for the most challenging. At once influential and undertheorized, the concept of solidarity appears to function across a startling range of discourses.
– Max Pensky, The Ends of Solidarity (2008)
This book is intended to serve as a contemporary response to the pessimism about contemporary political life that is both overwhelming and demotivating. Far from giving in to that dire picture of our collective lives, it challenges readers to see themselves as potential members of solidarity organizations, to build society when forces attempt to undermine it, and to take the critical but hopeful stance that, though things may not end well, we must continue hoping that they might. Taking this stance seriously requires that we spend much more time focusing on those who actually attempt to realize democratic nonexclusion through conflict, agitation, and the collective project of building and sustaining our world.
– Rochelle Duford, Solidarity in Conflict: A Democratic Theory (2022)
Democracy has become disentangled from our ordinary lives. Mere cooperation or ethical consumption now often stands in for a robust concept of solidarity that structures the entirety of sociality and forms the basis of democratic culture. How did democracy become something that is done only at ballot boxes and what role can solidarity play in reviving it?
In Solidarity in Conflict: A Democratic Theory (Stanford UP, 2022), Rochelle DuFord presents a theory of solidarity fit for developing democratic life and a complementary theory of democracy that emerges from a society typified by solidarity. DuFord argues that solidarity is best understood as a set of relations, one agonistic and one antagonistic: the solidarity groups' internal organization and its interactions with the broader world.
Such a picture of solidarity develops through careful consideration of the conflicts endemic to social relations and solidarity organizations. Examining men's rights groups, labor organizing's role in recognitional protections for LGBTQ members of society, and the debate over trans inclusion in feminist praxis, DuFord explores how conflict, in these contexts, becomes the locus of solidarity's democratic functions and thereby critiques democratic theorizing for having become either overly idealized or overly focused on building and maintaining stability.
Working in the tradition of the Frankfurt School, DuFord makes a provocative case that the conflict generated by solidarity organizations can address a variety of forms of domination, oppression, and exploitation while building a democratic society.
Nathan Rochelle Duford is assistant professor of philosophy at the University of Hartford, and is currently working on an essay on political epistemology as well as a book proposal investigating the idea of sex, gender and sexuality in the early Frankfurt School.
Keith Krueger lectures at the SILC Business School in Shanghai University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Of all the concepts that form the constellation of modern political thought, surely “solidarity” is a strong candidate for the most challenging. At once influential and undertheorized, the concept of solidarity appears to function across a startling range of discourses.</em></p><p>– Max Pensky, <em>The Ends of Solidarity</em> (2008)</p><p><em>This book is intended to serve as a contemporary response to the pessimism about contemporary political life that is both overwhelming and demotivating. Far from giving in to that dire picture of our collective lives, it challenges readers to see themselves as potential members of solidarity organizations, to build society when forces attempt to undermine it, and to take the critical but hopeful stance that, though things may not end well, we must continue hoping that they might. Taking this stance seriously requires that we spend much more time focusing on those who actually attempt to realize democratic nonexclusion through conflict, agitation, and the collective project of building and sustaining our world.</em></p><p>– Rochelle Duford, <em>Solidarity in Conflict: A Democratic Theory</em> (2022)</p><p>Democracy has become disentangled from our ordinary lives. Mere cooperation or ethical consumption now often stands in for a robust concept of solidarity that structures the entirety of sociality and forms the basis of democratic culture. How did democracy become something that is done only at ballot boxes and what role can solidarity play in reviving it?</p><p>In <a href="https://www.sup.org/books/title/?id=33817&amp;bottom_ref=subject"><em>Solidarity in Conflict: A Democratic Theory</em></a><em> </em>(Stanford UP, 2022), Rochelle DuFord presents a theory of solidarity fit for developing democratic life and a complementary theory of democracy that emerges from a society typified by solidarity. DuFord argues that solidarity is best understood as a set of relations, one agonistic and one antagonistic: the solidarity groups' internal organization and its interactions with the broader world.</p><p>Such a picture of solidarity develops through careful consideration of the conflicts endemic to social relations and solidarity organizations. Examining men's rights groups, labor organizing's role in recognitional protections for LGBTQ members of society, and the debate over trans inclusion in feminist praxis, DuFord explores how conflict, in these contexts, becomes the locus of solidarity's democratic functions and thereby critiques democratic theorizing for having become either overly idealized or overly focused on building and maintaining stability.</p><p>Working in the tradition of the Frankfurt School, DuFord makes a provocative case that the conflict generated by solidarity organizations can address a variety of forms of domination, oppression, and exploitation while building a democratic society.</p><p><a href="https://rhduford.wordpress.com/">Nathan Rochelle Duford</a> is assistant professor of philosophy at the University of Hartford, and is currently working on an essay on political epistemology as well as a book proposal investigating the idea of sex, gender and sexuality in the early Frankfurt School.</p><p><em>Keith Krueger lectures at the SILC Business School in Shanghai University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3971</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6d0f8c0e-1bd9-11ed-848b-2ffcdbc4cfdb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1506923650.mp3?updated=1660487367" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carmen Martínez Novo, "Undoing Multiculturalism: Resource Extraction and Indigenous Rights in Ecuador" (U Pittsburgh Press, 2021)</title>
      <description>President Rafael Correa (2007-2017) led the Ecuadoran Citizens’ Revolution that claimed to challenge the tenets of neoliberalism and the legacies of colonialism. The Correa administration promised to advance Indigenous and Afro-descendant rights and redistribute resources to the most vulnerable. In many cases, these promises proved to be hollow.
Using two decades of ethnographic research, Undoing Multiculturalism: Resource Extraction and Indigenous Rights in Ecuador (University of Pittsburgh Press, 2021) by Dr. Carmen Martínez Novo examines why these intentions did not become a reality, and how the Correa administration undermined the progress of Indigenous people. A main complication was pursuing independence from multilateral organizations in the context of skyrocketing commodity prices, which caused a new reliance on natural resource extraction. Indigenous, Afro-descendant, and other organized groups resisted the expansion of extractive industries into their territories because they threatened their livelihoods and safety. As the Citizens’ Revolution and other “Pink Tide” governments struggled to finance budgets and maintain power, they watered down subnational forms of self-government, slowed down land redistribution, weakened the politicized cultural identities that gave strength to social movements, and reversed other fundamental gains of the multicultural era.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carmen Martínez Novo</itunes:subtitle>
      <itunes:summary>President Rafael Correa (2007-2017) led the Ecuadoran Citizens’ Revolution that claimed to challenge the tenets of neoliberalism and the legacies of colonialism. The Correa administration promised to advance Indigenous and Afro-descendant rights and redistribute resources to the most vulnerable. In many cases, these promises proved to be hollow.
Using two decades of ethnographic research, Undoing Multiculturalism: Resource Extraction and Indigenous Rights in Ecuador (University of Pittsburgh Press, 2021) by Dr. Carmen Martínez Novo examines why these intentions did not become a reality, and how the Correa administration undermined the progress of Indigenous people. A main complication was pursuing independence from multilateral organizations in the context of skyrocketing commodity prices, which caused a new reliance on natural resource extraction. Indigenous, Afro-descendant, and other organized groups resisted the expansion of extractive industries into their territories because they threatened their livelihoods and safety. As the Citizens’ Revolution and other “Pink Tide” governments struggled to finance budgets and maintain power, they watered down subnational forms of self-government, slowed down land redistribution, weakened the politicized cultural identities that gave strength to social movements, and reversed other fundamental gains of the multicultural era.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>President Rafael Correa (2007-2017) led the Ecuadoran Citizens’ Revolution that claimed to challenge the tenets of neoliberalism and the legacies of colonialism. The Correa administration promised to advance Indigenous and Afro-descendant rights and redistribute resources to the most vulnerable. In many cases, these promises proved to be hollow.</p><p>Using two decades of ethnographic research, <a href="https://bookshop.org/a/12343/9780822946632"><em>Undoing Multiculturalism: Resource Extraction and Indigenous Rights in Ecuador</em></a> (University of Pittsburgh Press, 2021) by Dr. Carmen Martínez Novo examines why these intentions did not become a reality, and how the Correa administration undermined the progress of Indigenous people. A main complication was pursuing independence from multilateral organizations in the context of skyrocketing commodity prices, which caused a new reliance on natural resource extraction. Indigenous, Afro-descendant, and other organized groups resisted the expansion of extractive industries into their territories because they threatened their livelihoods and safety. As the Citizens’ Revolution and other “Pink Tide” governments struggled to finance budgets and maintain power, they watered down subnational forms of self-government, slowed down land redistribution, weakened the politicized cultural identities that gave strength to social movements, and reversed other fundamental gains of the multicultural era.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4282</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ac2b208-1b35-11ed-877f-8ba488114827]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9655381145.mp3?updated=1660416848" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Linda Connolly and Tina O’Toole, "Documenting Irish Feminisms: The Second Wave" (Arlen House, 2022)</title>
      <description>Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick.
In this interview, they discuss their well-known text Documenting Irish Feminisms, first published in 2005 and now re-released.
Documenting Irish Feminisms: The Second Wave (Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies.
Aidan Beatty is a historian at the Honors College of the University of Pittsburgh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Linda Connolly and Tina O’Toole</itunes:subtitle>
      <itunes:summary>Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick.
In this interview, they discuss their well-known text Documenting Irish Feminisms, first published in 2005 and now re-released.
Documenting Irish Feminisms: The Second Wave (Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies.
Aidan Beatty is a historian at the Honors College of the University of Pittsburgh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Linda Connolly is a professor of sociology at Maynooth University, with research focusing on gender, Irish society, family studies, migration, and Irish studies. Dr Tina O'Toole is a literary scholar with research expertise in Irish and diasporic writing, gender studies, and the history of sexualities; she is a senior lecturer at the University of Limerick.</p><p>In this interview, they discuss their well-known text <em>Documenting Irish Feminisms</em>, first published in 2005 and now re-released.</p><p><a href="https://bookshop.org/a/12343/9781851322367"><em>Documenting Irish Feminisms: The Second Wave</em></a><em> </em>(Arlen House, 2022) is a wide-ranging volume that traces the development of second-wave feminism in Ireland. The work draws upon a diversity of rare primary sources, including documents, photos, and publications. Connolly and O’Toole explore several themes in Irish feminist politics from the 1970s to the 1990s, including the emergence of pioneering feminist groups and organizations; reproductive rights and activism; the legal system and the state; the development of cultural projects; feminism and Northern Ireland; lesbian activism; and class and education. This book is an invaluable resource in the fields of history, sociology, politics, Irish studies, and women’s studies.</p><p><em>Aidan Beatty is a historian at the Honors College of the University of Pittsburgh.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3268</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Normalization</title>
      <description>In this episode of High Theory, Gëzim Visoka and Nicolas Lemay-Hebert tell us about normalization in international relations. Their research applies Foucault’s social theories of the normal and abnormal to the objects of political science: states, international organizations, and practices of intervention.
In the episode (and in their book) Gëzim and Nicolas reference Foucault’s Lectures at the College de France on the Abnormal (printed in English by Verso and Macmillan). They discuss three exemplary figures from Foucault’s work on the abnormal: the monster, the incorrigible, and the onanist. Each one has a corresponding figure in international politics.
Their new book Normalization in World Politics is available as an open access text from Michigan University Press. That means you can read it for free! Check it out, and learn all about the ways we produce, impose, and maintain normal and abnormal affairs in the international order.
Gëzim Visoka is an Associate Professor of Peace and Conflict Studies at Dublin City University, whose research focuses on peacebuilding and statebuilding, transitional justice, global governance, foreign policy, and diplomatic recognition. Nicolas Lemay-Hébert is an Associate Professor of International Relations at the Australian National University. He works on interventions: local resistance to political interventions, the political economy of interventions, and mapping political interventions.
This week’s image is a 1689 world map, Nova totius terrarum orbis tabula Amstelodami, ex officina G. a Schagen (1682), t'Amsterdam Gedruckt by G. van Schagen, by de Nieuwe Haerlemmer Sluys. It was originally made in using copper engraving, then much later digitized and made available to the public on Wikimedia Commons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Aug 2022 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/02400200-1d69-11ed-8639-effafe768571/image/1186px-World_Map_1689.JPG?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An Discussion with Gëzim Visoka and Nicolas Lemay-Hebert </itunes:subtitle>
      <itunes:summary>In this episode of High Theory, Gëzim Visoka and Nicolas Lemay-Hebert tell us about normalization in international relations. Their research applies Foucault’s social theories of the normal and abnormal to the objects of political science: states, international organizations, and practices of intervention.
In the episode (and in their book) Gëzim and Nicolas reference Foucault’s Lectures at the College de France on the Abnormal (printed in English by Verso and Macmillan). They discuss three exemplary figures from Foucault’s work on the abnormal: the monster, the incorrigible, and the onanist. Each one has a corresponding figure in international politics.
Their new book Normalization in World Politics is available as an open access text from Michigan University Press. That means you can read it for free! Check it out, and learn all about the ways we produce, impose, and maintain normal and abnormal affairs in the international order.
Gëzim Visoka is an Associate Professor of Peace and Conflict Studies at Dublin City University, whose research focuses on peacebuilding and statebuilding, transitional justice, global governance, foreign policy, and diplomatic recognition. Nicolas Lemay-Hébert is an Associate Professor of International Relations at the Australian National University. He works on interventions: local resistance to political interventions, the political economy of interventions, and mapping political interventions.
This week’s image is a 1689 world map, Nova totius terrarum orbis tabula Amstelodami, ex officina G. a Schagen (1682), t'Amsterdam Gedruckt by G. van Schagen, by de Nieuwe Haerlemmer Sluys. It was originally made in using copper engraving, then much later digitized and made available to the public on Wikimedia Commons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of High Theory, Gëzim Visoka and Nicolas Lemay-Hebert tell us about normalization in international relations. Their research applies Foucault’s social theories of the normal and abnormal to the objects of political science: states, international organizations, and practices of intervention.</p><p>In the episode (and in their book) Gëzim and Nicolas reference Foucault’s Lectures at the College de France on the Abnormal (printed in English by <a href="https://www.versobooks.com/books/2275-abnormal">Verso</a> and <a href="https://us.macmillan.com/books/9780312424053/abnormal">Macmillan</a>). They discuss three exemplary figures from Foucault’s work on the abnormal: the monster, the incorrigible, and the onanist. Each one has a corresponding figure in international politics.</p><p>Their new book <a href="https://www.fulcrum.org/concern/monographs/1n79h6560"><em>Normalization in World Politics</em></a> is available as an open access text from Michigan University Press. That means you can read it for free! Check it out, and learn all about the ways we produce, impose, and maintain normal and abnormal affairs in the international order.</p><p><a href="https://www.dcu.ie/lawandgovernment/people/gezim-visoka">Gëzim Visoka</a> is an Associate Professor of Peace and Conflict Studies at Dublin City University, whose research focuses on peacebuilding and statebuilding, transitional justice, global governance, foreign policy, and diplomatic recognition. <a href="https://researchprofiles.anu.edu.au/en/persons/nicolas-lemay-hebert">Nicolas Lemay-Hébert</a> is an Associate Professor of International Relations at the Australian National University. He works on interventions: local resistance to political interventions, the political economy of interventions, and mapping political interventions.</p><p>This week’s image is a 1689 world map, <em>Nova totius terrarum orbis tabula Amstelodami</em>, ex officina G. a Schagen (1682), t'Amsterdam Gedruckt by G. van Schagen, by de Nieuwe Haerlemmer Sluys. It was originally made in using copper engraving, then much later digitized and made available to the public on Wikimedia Commons.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1346</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a319c68-1d69-11ed-a960-a775afe9fc3c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1258853474.mp3?updated=1660657537" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paris Marx, "Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation" (Verso, 2022)</title>
      <description>In Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation (Verso, 2022), Paris Marx identifies two convergent forces in the 20th century: the growth of the climate killing automobile industry and the rise of Silicon Valley with its California Ideology (a hypocritical self-rationalization). Their narrative shows how these two forces merged in the early 21st century with less-than-ideal, even deadly, results. Marx challenges many of the tech industry’s myths, misrepresentations, and lies and offers some suggestions for how we can build a better world. While Road to Nowhere is a book about our current crisis it situates our this mess in its historical context. Marx illustrates how many of the most problematic aspects of automobility are the consequences of specific policy decisions, often made in the interest of capital and not the social good. Marx is not shy about naming names, specifically calling out Elon Musk and Über.
Paris Marx is Canadian tech critic and host of the award-winning Tech Won’t Save Us podcast. Their work has been published in Business Insider, NBC News, CBC News, Jacobin, and Tribune. And just this week, they published a piece in Time Magazine on Elon Musk. Paris earned a Master’s degree in urban geography from McGill University, researching Silicon Valley’s efforts to transform how we move.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1254</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paris Marx</itunes:subtitle>
      <itunes:summary>In Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation (Verso, 2022), Paris Marx identifies two convergent forces in the 20th century: the growth of the climate killing automobile industry and the rise of Silicon Valley with its California Ideology (a hypocritical self-rationalization). Their narrative shows how these two forces merged in the early 21st century with less-than-ideal, even deadly, results. Marx challenges many of the tech industry’s myths, misrepresentations, and lies and offers some suggestions for how we can build a better world. While Road to Nowhere is a book about our current crisis it situates our this mess in its historical context. Marx illustrates how many of the most problematic aspects of automobility are the consequences of specific policy decisions, often made in the interest of capital and not the social good. Marx is not shy about naming names, specifically calling out Elon Musk and Über.
Paris Marx is Canadian tech critic and host of the award-winning Tech Won’t Save Us podcast. Their work has been published in Business Insider, NBC News, CBC News, Jacobin, and Tribune. And just this week, they published a piece in Time Magazine on Elon Musk. Paris earned a Master’s degree in urban geography from McGill University, researching Silicon Valley’s efforts to transform how we move.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781839765889"><em>Road to Nowhere: What Silicon Valley Gets Wrong about the Future of Transportation</em></a><em> </em>(Verso, 2022), Paris Marx identifies two convergent forces in the 20th century: the growth of the climate killing automobile industry and the rise of Silicon Valley with its California Ideology (a hypocritical self-rationalization). Their narrative shows how these two forces merged in the early 21st century with less-than-ideal, even deadly, results. Marx challenges many of the tech industry’s myths, misrepresentations, and lies and offers some suggestions for how we can build a better world. While <em>Road to Nowhere </em>is a book about our current crisis it situates our this mess in its historical context. Marx illustrates how many of the most problematic aspects of automobility are the consequences of specific policy decisions, often made in the interest of capital and not the social good. Marx is not shy about naming names, specifically calling out Elon Musk and Über.</p><p>Paris Marx is Canadian tech critic and host of the award-winning <em>Tech Won’t Save Us</em> podcast. Their work has been published in <em>Business Insider</em>, NBC News, CBC News, <em>Jacobin</em>, and <em>Tribune</em>. And just this week, they published a piece in <em>Time Magazine</em> on Elon Musk. Paris earned a Master’s degree in urban geography from McGill University, researching Silicon Valley’s efforts to transform how we move.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5857</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e4cbee76-1b3a-11ed-b137-f35485ec7190]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9012748251.mp3?updated=1660418079" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Plague Robbers--Nothing Spreads Like Greed: The Pandemic Profiteers Who Made the Crisis Worse</title>
      <description>Has the pandemic taught us anything? As we look forward and imagine what the future might look like, we like to think ‘next time will be different.’ But, if we don’t take a serious look back, it won’t. Not as long as the people who made this pandemic so bad face zero consequences. In this episode of Darts and Letters, John Nichols says it’s time for a COVID reckoning. His new book is Coronavirus Criminals and Pandemic Profiteers: Accountability for Those Who Caused the Crisis. Nichols, who is also national affairs correspondent of the Nation, retraces his reporting – revealing how so many suffered while others made out like gangbusters. Plus, we ask: could it have been different?
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Nichols</itunes:subtitle>
      <itunes:summary>Has the pandemic taught us anything? As we look forward and imagine what the future might look like, we like to think ‘next time will be different.’ But, if we don’t take a serious look back, it won’t. Not as long as the people who made this pandemic so bad face zero consequences. In this episode of Darts and Letters, John Nichols says it’s time for a COVID reckoning. His new book is Coronavirus Criminals and Pandemic Profiteers: Accountability for Those Who Caused the Crisis. Nichols, who is also national affairs correspondent of the Nation, retraces his reporting – revealing how so many suffered while others made out like gangbusters. Plus, we ask: could it have been different?
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Has the pandemic taught us anything? As we look forward and imagine what the future might look like, we like to think ‘next time will be different.’ But, if we don’t take a serious look back, it won’t. Not as long as the people who made this pandemic so bad face zero consequences. In this episode of Darts and Letters, John Nichols says it’s time for a COVID reckoning. His new book is <a href="https://bookshop.org/a/12343/9781839763779"><em>Coronavirus Criminals and Pandemic Profiteers: Accountability for Those Who Caused the Crisis</em></a>. Nichols, who is also national affairs correspondent of the Nation, retraces his reporting – revealing how so many suffered while others made out like gangbusters. Plus, we ask: could it have been different?</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a4084270-1c0e-11ed-8356-1bf969906818]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7114696049.mp3?updated=1660508676" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Modifying Maize: How Genetically Modified Corn Changed Science, Academia and Indigenous Rights in Mexico (Part 1 of 2)</title>
      <description>This is part 1 of a 2-part series from Cited - the predecessor of Darts and Letters.
When genetically modified corn was found in the highlands of Mexico, Indigenous campesino groups took to the streets to protect their cultural heritage, setting off a 20-year legal saga. The battle brought Indigenous rights, scientific methods, academic freedom, and law and trade into the mix. It’s a fascinating and eternally relevant story. You’ll hear from scientists, activists, farmers and more. In an era when food security, environmental protections, and Indigenous rights are as crucial and as fraught as ever before, this story is closer to home than you might think.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This is part 1 of a 2-part series from Cited - the predecessor of Darts and Letters.
When genetically modified corn was found in the highlands of Mexico, Indigenous campesino groups took to the streets to protect their cultural heritage, setting off a 20-year legal saga. The battle brought Indigenous rights, scientific methods, academic freedom, and law and trade into the mix. It’s a fascinating and eternally relevant story. You’ll hear from scientists, activists, farmers and more. In an era when food security, environmental protections, and Indigenous rights are as crucial and as fraught as ever before, this story is closer to home than you might think.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is part 1 of a 2-part series from Cited - the predecessor of Darts and Letters.</p><p>When genetically modified corn was found in the highlands of Mexico, Indigenous campesino groups took to the streets to protect their cultural heritage, setting off a 20-year legal saga. The battle brought Indigenous rights, scientific methods, academic freedom, and law and trade into the mix. It’s a fascinating and eternally relevant story. You’ll hear from scientists, activists, farmers and more. In an era when food security, environmental protections, and Indigenous rights are as crucial and as fraught as ever before, this story is closer to home than you might think.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3334</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4497cabe-1690-11ed-8b08-5719829dc3bb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6205530871.mp3?updated=1659903286" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Colonial Lens: Analyzing Decolonization, Reconciliation, and Colonialism in Academia</title>
      <description>Scholars want to decolonize everything, and universities say they are doing the hard work of reconciliation with Indigenous peoples. But is anything really being done, or is it all for show?
In this episode, we approach these questions through three words that are common inside and outside of academia: decolonize, reconciliation, and colonialism.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
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      <pubDate>Wed, 10 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Scholars want to decolonize everything, and universities say they are doing the hard work of reconciliation with Indigenous peoples. But is anything really being done, or is it all for show?
In this episode, we approach these questions through three words that are common inside and outside of academia: decolonize, reconciliation, and colonialism.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Scholars want to decolonize everything, and universities say they are doing the hard work of reconciliation with Indigenous peoples. But is anything really being done, or is it all for show?</p><p>In this episode, we approach these questions through three words that are common inside and outside of academia: decolonize, reconciliation, and colonialism.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3709</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[70e9a098-168f-11ed-9f76-77db3ab878a8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4019589807.mp3?updated=1659903185" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Letters from Herzl: Settler Colonialism at work in Palestine</title>
      <description>Today’s episode originally aired in May of 2021, while violence was erupting all along the Gaza Strip. Israeli airstrikes had left over 200 Palestinians and a dozen Israelis dead. It was (and is) a continuation of a story of violent settler colonialism. And yet media and academic censorship has consistently silenced or punished those who speak out in support of Palestinians. In the face of that, many radical academics simply remain silent.
In an age where ‘decolonization’ has become an academic buzzword, we must ask: will we stand by our purported ideals? On this episode, host Gordon Katic says “colonialism is not a metaphor” as he dives into settler colonialism and the costs of resistance, criticizing Israel, and speaking up for Palestine.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Aug 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today’s episode originally aired in May of 2021, while violence was erupting all along the Gaza Strip. Israeli airstrikes had left over 200 Palestinians and a dozen Israelis dead. It was (and is) a continuation of a story of violent settler colonialism. And yet media and academic censorship has consistently silenced or punished those who speak out in support of Palestinians. In the face of that, many radical academics simply remain silent.
In an age where ‘decolonization’ has become an academic buzzword, we must ask: will we stand by our purported ideals? On this episode, host Gordon Katic says “colonialism is not a metaphor” as he dives into settler colonialism and the costs of resistance, criticizing Israel, and speaking up for Palestine.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
——————-ABOUT THE SHOW——————
For a full list of credits, contact information, and more, visit our about page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s episode originally aired in May of 2021, while violence was erupting all along the Gaza Strip. Israeli airstrikes had left over 200 Palestinians and a dozen Israelis dead. It was (and is) a continuation of a story of violent settler colonialism. And yet media and academic censorship has consistently silenced or punished those who speak out in support of Palestinians. In the face of that, many radical academics simply remain silent.</p><p>In an age where ‘decolonization’ has become an academic buzzword, we must ask: will we stand by our purported ideals? On this episode, host Gordon Katic says “colonialism is not a metaphor” as he dives into settler colonialism and the costs of resistance, criticizing Israel, and speaking up for Palestine.</p><p>—————————-SUPPORT THE SHOW—————————-</p><p>You can support the show for free by following or subscribing on <a href="https://open.spotify.com/show/0ySUyzsY8DLsMg63qQbENM?si=31d20a0af00f4b93">Spotify,</a> <a href="https://podcasts.apple.com/ca/podcast/darts-and-letters/id1540893288">Apple Podcasts</a>, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.</p><p>If you want to do a little more we would love it if you chip in. You can find us on <a href="https://www.patreon.com/dartsandletters">patreon.com/dartsandletters</a>. Patrons get content early, and occasionally there’s bonus material on there too.</p><p>——————-ABOUT THE SHOW——————</p><p>For a full list of credits, contact information, and more, <a href="https://dartsandletters.ca/about-us/">visit our about page.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4907</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ea0cebf2-168e-11ed-bd53-ff39a33f377f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1698493214.mp3?updated=1659903095" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nasar Meer, "The Cruel Optimism of Racial Justice" (Policy Press, 2022)</title>
      <description>Why are societies still not offering racial equality? In The Cruel Optimism of Racial Justice (Policy Press, 2022), Nasar Meer, a professor of Race, Identity and Citizenship in the School of Social and Political Sciences and director of RACE.ED at the University of Edinburgh, explores the past, present, and future of the struggle for racial justice. In a wide-ranging text, informed by social, cultural, and political theory, the recent history of racial equality policy is juxtaposed with the impact of the Covid-19 pandemic, to analyse the successes and the failures of struggles to make society racially just. Offering a major theoretical and practical contribution, the book is essential reading across humanities and social sciences, as well as for activists and anyone interested in changing society for the better.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 08 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>307</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nasar Meer</itunes:subtitle>
      <itunes:summary>Why are societies still not offering racial equality? In The Cruel Optimism of Racial Justice (Policy Press, 2022), Nasar Meer, a professor of Race, Identity and Citizenship in the School of Social and Political Sciences and director of RACE.ED at the University of Edinburgh, explores the past, present, and future of the struggle for racial justice. In a wide-ranging text, informed by social, cultural, and political theory, the recent history of racial equality policy is juxtaposed with the impact of the Covid-19 pandemic, to analyse the successes and the failures of struggles to make society racially just. Offering a major theoretical and practical contribution, the book is essential reading across humanities and social sciences, as well as for activists and anyone interested in changing society for the better.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why are societies still not offering racial equality? In <a href="https://bookshop.org/a/12343/9781447363026"><em>The Cruel Optimism of Racial Justice</em></a><em> </em>(Policy Press, 2022), <a href="https://twitter.com/nasarmeer">Nasar Meer</a>, a <a href="http://www.nasarmeer.com/">professor of Race, Identity and Citizenship</a> in the <a href="https://www.sps.ed.ac.uk/staff/nasar-meer">School of Social and Political Sciences</a> and director of <a href="https://www.race.ed.ac.uk/">RACE.ED</a> at the University of Edinburgh, explores the past, present, and future of the struggle for racial justice. In a wide-ranging text, informed by social, cultural, and political theory, the recent history of racial equality policy is juxtaposed with the impact of the Covid-19 pandemic, to analyse the successes and the failures of struggles to make society racially just. Offering a major theoretical and practical contribution, the book is essential reading across humanities and social sciences, as well as for activists and anyone interested in changing society for the better.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2833</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[497b9d98-1263-11ed-a982-7fc1836d4fbb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9128692823.mp3?updated=1659446112" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Heide Hinrichs and Jo-Ey Tang, "Shelf Documents: Art Library as Practice" (Royal Academy of Fine Arts in Antwerp, 2021)</title>
      <description>How can a library change the world? How can an art library change the art school or the gallery? Or even an art practice? In Shelf Documents: Art Library as Practice (Royal Academy of Fine Arts in Antwerp, 2021), artists, writers, curators, teachers, and librarians reflect on how they can use the beloved library as a source of inspiration or a field of action.
In thinking about diversity in collections, the publication proposes art libraries as sites of intersubjective communion. shelf documents is rooted in a collaborative book acquisition project, initiated by the artist Heide Hinrichs at the Royal Academy of Fine Arts in Antwerp, in which her group integrated over 200 new titles in art libraries as a way to fill gaps, to amplify voices, and seek out the self-initiated or the overlooked.
Heide Hinrichs, Elizabeth Haines, and Jo-ey Tang speak to Pierre d’Alancaisez about working with institutions, working slowly, and working together to interfere with the permanence of libraries.
Heide Hinrichs is an artist who works with found and existing materials. For the first Kathmandu Triennale, she developed the project On Some of the Birds of Nepal. In 2018, she published Silent Sisters/Stille Schwestern, an unauthorised German translation of Theresa Hak Kyng Cha’s novel Dictee.
Elizabeth Haines is a historian and Vice-Chancellor’s Fellow at the University of Bristol. Her interdisciplinary interest in the materiality of knowledge productions draws on her education in fine arts.
Jo-ey Tang is an artist, curator, and writer. He was previously the director of exhibitions at the Beeler Galery at Columbus College of Art &amp; Design and is currently the director of Kadist, San Francisco.
The list of books involved in the project is available at second-shelf.org.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heide Hinrichs and Jo-Ey Tang</itunes:subtitle>
      <itunes:summary>How can a library change the world? How can an art library change the art school or the gallery? Or even an art practice? In Shelf Documents: Art Library as Practice (Royal Academy of Fine Arts in Antwerp, 2021), artists, writers, curators, teachers, and librarians reflect on how they can use the beloved library as a source of inspiration or a field of action.
In thinking about diversity in collections, the publication proposes art libraries as sites of intersubjective communion. shelf documents is rooted in a collaborative book acquisition project, initiated by the artist Heide Hinrichs at the Royal Academy of Fine Arts in Antwerp, in which her group integrated over 200 new titles in art libraries as a way to fill gaps, to amplify voices, and seek out the self-initiated or the overlooked.
Heide Hinrichs, Elizabeth Haines, and Jo-ey Tang speak to Pierre d’Alancaisez about working with institutions, working slowly, and working together to interfere with the permanence of libraries.
Heide Hinrichs is an artist who works with found and existing materials. For the first Kathmandu Triennale, she developed the project On Some of the Birds of Nepal. In 2018, she published Silent Sisters/Stille Schwestern, an unauthorised German translation of Theresa Hak Kyng Cha’s novel Dictee.
Elizabeth Haines is a historian and Vice-Chancellor’s Fellow at the University of Bristol. Her interdisciplinary interest in the materiality of knowledge productions draws on her education in fine arts.
Jo-ey Tang is an artist, curator, and writer. He was previously the director of exhibitions at the Beeler Galery at Columbus College of Art &amp; Design and is currently the director of Kadist, San Francisco.
The list of books involved in the project is available at second-shelf.org.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can a library change the world? How can an art library change the art school or the gallery? Or even an art practice? In <a href="https://www.ideabooks.nl/9783942214384-shelf-documents-art-library-as-practice-reprinted"><em>Shelf Documents: Art Library as Practice</em></a><em> </em>(Royal Academy of Fine Arts in Antwerp, 2021), artists, writers, curators, teachers, and librarians reflect on how they can use the beloved library as a source of inspiration or a field of action.</p><p>In thinking about diversity in collections, the publication proposes art libraries as sites of intersubjective communion. <em>shelf documents</em> is rooted in a collaborative book acquisition project, initiated by the artist Heide Hinrichs at the Royal Academy of Fine Arts in Antwerp, in which her group integrated over 200 new titles in art libraries as a way to fill gaps, to amplify voices, and seek out the self-initiated or the overlooked.</p><p>Heide Hinrichs, Elizabeth Haines, and Jo-ey Tang speak to Pierre d’Alancaisez about working with institutions, working slowly, and working together to interfere with the permanence of libraries.</p><p><a href="http://www.4h-club.org/index.html">Heide Hinrichs</a> is an artist who works with found and existing materials. For the first Kathmandu Triennale, she developed the project <a href="http://www.4h-club.org/birds2.html"><em>On Some of the Birds of Nepal</em></a>. In 2018, she published <em>Silent Sisters/Stille Schwestern</em>, an unauthorised German translation of Theresa Hak Kyng Cha’s novel <em>Dictee</em>.</p><p>Elizabeth Haines is a historian and Vice-Chancellor’s Fellow at the University of Bristol. Her interdisciplinary interest in the materiality of knowledge productions draws on her education in fine arts.</p><p><a href="http://www.jo-eytang.com/">Jo-ey Tang</a> is an artist, curator, and writer. He was previously the director of exhibitions at the Beeler Galery at Columbus College of Art &amp; Design and is currently the director of Kadist, San Francisco.</p><p>The list of books involved in the project is available at <a href="https://second-shelf.org/">second-shelf.org</a>.</p><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3358</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5325f3ce-1002-11ed-b523-2bf1d2db20ef]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6235768668.mp3?updated=1659184188" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Itay Lotem, "The Memory of Colonialism in Britain and France: The Sins of Silence" (Palgrave MacMillan, 2021)</title>
      <description>In The Memory of Colonialism in Britain and France: The Sins of Silence (Palgrave MacMillan, 2021), Itay Lotem explores the remembering of empire in Britain and France. By comparing these two former colonial powers, the author tells two distinct stories about coming to terms with the legacies of colonialism, the role of silence and the breaking thereof. Focusing on memory as an ongoing, politicized public debate, the book examines the afterlife of colonial history as an element of political and social discourse that depends on actors’ goals and priorities.
Itay Lotem earned his Ph.D at the University of London, Queen Mary and is currently a senior lecturer in French Studies at the University of Westminster.
﻿Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1245</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Itay Lotem</itunes:subtitle>
      <itunes:summary>In The Memory of Colonialism in Britain and France: The Sins of Silence (Palgrave MacMillan, 2021), Itay Lotem explores the remembering of empire in Britain and France. By comparing these two former colonial powers, the author tells two distinct stories about coming to terms with the legacies of colonialism, the role of silence and the breaking thereof. Focusing on memory as an ongoing, politicized public debate, the book examines the afterlife of colonial history as an element of political and social discourse that depends on actors’ goals and priorities.
Itay Lotem earned his Ph.D at the University of London, Queen Mary and is currently a senior lecturer in French Studies at the University of Westminster.
﻿Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9783030637187"><em>The Memory of Colonialism in Britain and France: The Sins of Silence</em></a><em> </em>(Palgrave MacMillan, 2021), Itay Lotem explores the remembering of empire in Britain and France. By comparing these two former colonial powers, the author tells two distinct stories about coming to terms with the legacies of colonialism, the role of silence and the breaking thereof. Focusing on memory as an ongoing, politicized public debate, the book examines the afterlife of colonial history as an element of political and social discourse that depends on actors’ goals and priorities.</p><p>Itay Lotem earned his Ph.D at the University of London, Queen Mary and is currently a senior lecturer in French Studies at the University of Westminster.</p><p><em>﻿</em><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6449</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1490540996.mp3?updated=1658998362" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lindsay Pérez Huber and Susana M. Muñoz, "Why They Hate Us: How Racist Rhetoric Impacts Education" (Teachers College Press, 2021)</title>
      <description>Why They Hate Us: How Racist Rhetoric Impacts Education (Teachers College Press, 2021) examines how racist political rhetoric has created damaging and dangerous conditions for Students of Color in schools and higher education institutions throughout the United States. The authors show how the election of the 45th president has resulted in a defining moment in U.S. history where racist discourses, reinforced by ideologies of white supremacy, have affected the educational experiences of our most vulnerable students. This volume situates the rhetoric of the Trump presidency within a broader historical narrative and provides recommendations for those who seek to advocate for anti-racism and social justice. As we enter the uncharted waters of a global pandemic and national racial reckoning, this will be invaluable reading for scholars, educators, and administrators who want to be part of the solution.
Dr. Lindsay Pérez Huber is a professor of education at California State University-Long Beach as well as a visiting scholar at the UCLA Center for Critical Race Studies. Her research analyzes racial inequities in education, the impact on marginalized urban students of color, and how students and their communities respond to those inequities through strategies of resistance. Dr. Susana Muñoz is an associate professor of education at Colorado State University. Her research focuses on issues of access, equity, and college persistence for undocumented Latina/o students.
Autumn Wilke works in higher education as an ADA coordinator and diversity officer and is also an author and doctoral candidate with research/topics related to disability and higher education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lindsay Pérez Huber and Susana M. Muñoz</itunes:subtitle>
      <itunes:summary>Why They Hate Us: How Racist Rhetoric Impacts Education (Teachers College Press, 2021) examines how racist political rhetoric has created damaging and dangerous conditions for Students of Color in schools and higher education institutions throughout the United States. The authors show how the election of the 45th president has resulted in a defining moment in U.S. history where racist discourses, reinforced by ideologies of white supremacy, have affected the educational experiences of our most vulnerable students. This volume situates the rhetoric of the Trump presidency within a broader historical narrative and provides recommendations for those who seek to advocate for anti-racism and social justice. As we enter the uncharted waters of a global pandemic and national racial reckoning, this will be invaluable reading for scholars, educators, and administrators who want to be part of the solution.
Dr. Lindsay Pérez Huber is a professor of education at California State University-Long Beach as well as a visiting scholar at the UCLA Center for Critical Race Studies. Her research analyzes racial inequities in education, the impact on marginalized urban students of color, and how students and their communities respond to those inequities through strategies of resistance. Dr. Susana Muñoz is an associate professor of education at Colorado State University. Her research focuses on issues of access, equity, and college persistence for undocumented Latina/o students.
Autumn Wilke works in higher education as an ADA coordinator and diversity officer and is also an author and doctoral candidate with research/topics related to disability and higher education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780807764985"><em>Why They Hate Us: How Racist Rhetoric Impacts Education</em></a> (Teachers College Press, 2021) examines how racist political rhetoric has created damaging and dangerous conditions for Students of Color in schools and higher education institutions throughout the United States. The authors show how the election of the 45th president has resulted in a defining moment in U.S. history where racist discourses, reinforced by ideologies of white supremacy, have affected the educational experiences of our most vulnerable students. This volume situates the rhetoric of the Trump presidency within a broader historical narrative and provides recommendations for those who seek to advocate for anti-racism and social justice. As we enter the uncharted waters of a global pandemic and national racial reckoning, this will be invaluable reading for scholars, educators, and administrators who want to be part of the solution.</p><p>Dr. Lindsay Pérez Huber is a professor of education at California State University-Long Beach as well as a visiting scholar at the UCLA Center for Critical Race Studies. Her research analyzes racial inequities in education, the impact on marginalized urban students of color, and how students and their communities respond to those inequities through strategies of resistance. Dr. Susana Muñoz is an associate professor of education at Colorado State University. Her research focuses on issues of access, equity, and college persistence for undocumented Latina/o students.</p><p><a href="https://www.grinnell.edu/user/wilkeaut"><em>Autumn Wilke</em></a><em> works in higher education as an ADA coordinator and diversity officer and is also an author and doctoral candidate with research/topics related to disability and higher education.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2266</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[884d9dc0-0db1-11ed-a77d-77f0097d7521]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6629934707.mp3?updated=1658929544" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tema Milstein and José Castro-Sotomayor, "Routledge Handbook of Ecocultural Identity" (Routledge, 2020)</title>
      <description>The Routledge Handbook of Ecocultural Identity (Routledge, 2020) brings the ecological turn to sociocultural understandings of self. Tema Milstein and José Castro-Sotomayor introduce a broad, insightful assembly of original theory and research on planetary positionalities in flux in the Anthropocene – or what in this Handbook cultural ecologist David Abram presciently renames the Humilocene, a new “epoch of humility.” Forty international authors craft a kaleidoscopic lens, focusing on the following key interdisciplinary inquiries:
Part I illuminates identity as always ecocultural, expanding dominant understandings of who we are and how our ways of identifying engender earthly outcomes.
Part II examines ways ecocultural identities are fostered and how difference and spaces of interaction can be sources of environmental conviviality.
Part III illustrates consequential ways the media sphere informs, challenges, and amplifies particular ecocultural identities.
Part IV delves into the constitutive power of ecocultural identities and illuminates ways ecological forces shape the political sphere.
Part V demonstrates multiple and unspooling ways in which ecocultural identities can evolve and transform to recall ways forward to reciprocal surviving and thriving.
The Routledge Handbook of Ecocultural Identity provides an essential resource for scholars, teachers, students, protectors, and practitioners interested in ecological and sociocultural regeneration.
The Routledge Handbook of Ecocultural Identity has been awarded the 2020 Book Award from the National Communication Association's (USA) Environmental Communication Division.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tema Milstein</itunes:subtitle>
      <itunes:summary>The Routledge Handbook of Ecocultural Identity (Routledge, 2020) brings the ecological turn to sociocultural understandings of self. Tema Milstein and José Castro-Sotomayor introduce a broad, insightful assembly of original theory and research on planetary positionalities in flux in the Anthropocene – or what in this Handbook cultural ecologist David Abram presciently renames the Humilocene, a new “epoch of humility.” Forty international authors craft a kaleidoscopic lens, focusing on the following key interdisciplinary inquiries:
Part I illuminates identity as always ecocultural, expanding dominant understandings of who we are and how our ways of identifying engender earthly outcomes.
Part II examines ways ecocultural identities are fostered and how difference and spaces of interaction can be sources of environmental conviviality.
Part III illustrates consequential ways the media sphere informs, challenges, and amplifies particular ecocultural identities.
Part IV delves into the constitutive power of ecocultural identities and illuminates ways ecological forces shape the political sphere.
Part V demonstrates multiple and unspooling ways in which ecocultural identities can evolve and transform to recall ways forward to reciprocal surviving and thriving.
The Routledge Handbook of Ecocultural Identity provides an essential resource for scholars, teachers, students, protectors, and practitioners interested in ecological and sociocultural regeneration.
The Routledge Handbook of Ecocultural Identity has been awarded the 2020 Book Award from the National Communication Association's (USA) Environmental Communication Division.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The <a href="https://bookshop.org/a/12343/9781032336275"><em>Routledge Handbook of Ecocultural Identity</em></a> (Routledge, 2020) brings the ecological turn to sociocultural understandings of self. Tema Milstein and José Castro-Sotomayor introduce a broad, insightful assembly of original theory and research on planetary positionalities in flux in the Anthropocene – or what in this Handbook cultural ecologist David Abram presciently renames the Humilocene, a new “epoch of humility.” Forty international authors craft a kaleidoscopic lens, focusing on the following key interdisciplinary inquiries:</p><p>Part I illuminates identity as always ecocultural, expanding dominant understandings of who we are and how our ways of identifying engender earthly outcomes.</p><p>Part II examines ways ecocultural identities are fostered and how difference and spaces of interaction can be sources of environmental conviviality.</p><p>Part III illustrates consequential ways the media sphere informs, challenges, and amplifies particular ecocultural identities.</p><p>Part IV delves into the constitutive power of ecocultural identities and illuminates ways ecological forces shape the political sphere.</p><p>Part V demonstrates multiple and unspooling ways in which ecocultural identities can evolve and transform to recall ways forward to reciprocal surviving and thriving.</p><p>The Routledge Handbook of Ecocultural Identity provides an essential resource for scholars, teachers, students, protectors, and practitioners interested in ecological and sociocultural regeneration.</p><p>The Routledge Handbook of Ecocultural Identity has been awarded the 2020 Book Award from the National Communication Association's (USA) Environmental Communication Division.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2952</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cafa93cc-0e87-11ed-b5e8-67ab3af6ff6f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1291274551.mp3?updated=1659021656" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Laurison, "Producing Politics: Inside the Exclusive Campaign World Where the Privileged Few Shape Politics for All of Us" (Beacon Press, 2022)</title>
      <description>Who runs American politics? In Producing Politics: Inside the Exclusive Campaign World Where the Privileged Few Shape Politics for All of Us (Beacon Press, 2022), Daniel Laurison, an associate professor of sociology at Swarthmore College, explores the hidden world of campaign professionals to offer a new sociological perspective on how contemporary politics works. The book explores how ‘politicos’ get their jobs, how they judge work and worth, and the importance of their actions to political campaigns, showing the inequalities at the heart of the profession. Alongside new theorisations of campaigning and of politics itself, the book offers essential reading across social sciences and arts and humanities, as well as to anyone interested in politics today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>307</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Laurison</itunes:subtitle>
      <itunes:summary>Who runs American politics? In Producing Politics: Inside the Exclusive Campaign World Where the Privileged Few Shape Politics for All of Us (Beacon Press, 2022), Daniel Laurison, an associate professor of sociology at Swarthmore College, explores the hidden world of campaign professionals to offer a new sociological perspective on how contemporary politics works. The book explores how ‘politicos’ get their jobs, how they judge work and worth, and the importance of their actions to political campaigns, showing the inequalities at the heart of the profession. Alongside new theorisations of campaigning and of politics itself, the book offers essential reading across social sciences and arts and humanities, as well as to anyone interested in politics today.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who runs American politics? In <a href="https://bookshop.org/a/12343/9780807025062"><em>Producing Politics: Inside the Exclusive Campaign World Where the Privileged Few Shape Politics for All of Us</em></a><em> </em>(Beacon Press, 2022), <a href="https://twitter.com/Daniel_Laurison">Daniel Laurison</a>, <a href="https://daniellaurison.com/">an associate professor of sociology</a> at <a href="https://www.swarthmore.edu/profile/daniel-laurison">Swarthmore College</a>, explores the hidden world of campaign professionals to offer a new sociological perspective on how contemporary politics works. The book explores how ‘politicos’ get their jobs, how they judge work and worth, and the importance of their actions to political campaigns, showing the inequalities at the heart of the profession. Alongside new theorisations of campaigning and of politics itself, the book offers essential reading across social sciences and arts and humanities, as well as to anyone interested in politics today.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2481</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b25b809a-0c22-11ed-8b35-0b55233226c7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5139169338.mp3?updated=1658758611" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hawa Allan, "Insurrection: Rebellion, Civil Rights, and the Paradoxical State of Black Citizenship" (Norton, 2022)</title>
      <description>The little-known and under-studied 1807 Insurrection Act was passed to give the president the ability to deploy federal military forces to fend off lawlessness and rebellion, but it soon became much more than the sum of its parts. Its power is integrally linked to the perceived threat of black American equity in what lawyer and critic Hawa Allan demonstrates is a dangerous paradox. While the Act was initially used to repress rebellion against slavery, during Reconstruction it was invoked by President Grant to quell white-supremacist uprisings in the South. During the civil rights movement, it enabled the protection of black students who attended previously segregated educational institutions. Most recently, the Insurrection Act has been the vehicle for presidents to call upon federal troops to suppress so-called “race riots” like those in Los Angeles in 1992, and for them to threaten to do so in other cases of racial justice activism. Yet when the US Capitol was stormed in January 2021, the impulse to restore law and order and counter insurrectionary threats to the republic lay dormant.
Allan’s distinctly literary voice underscores her paradigm-shifting reflections on the presence of fear and silence in history and their shadowy impact on the law. Throughout, she draws revealing insight from her own experiences as one of the only black girls in her leafy Long Island suburb, as a black lawyer at a predominantly white firm during a visit from presidential candidate Barack Obama, and as a thinker about the use and misuse of appeals to law and order.
Elegant and profound, deeply researched and intensely felt, Insurrection: Rebellion, Civil Rights, and the Paradoxical State of Black Citizenship (Norton, 2022) is necessary reading in our reckoning with structural racism, government power, and protest in the United States.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>315</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hawa Allan</itunes:subtitle>
      <itunes:summary>The little-known and under-studied 1807 Insurrection Act was passed to give the president the ability to deploy federal military forces to fend off lawlessness and rebellion, but it soon became much more than the sum of its parts. Its power is integrally linked to the perceived threat of black American equity in what lawyer and critic Hawa Allan demonstrates is a dangerous paradox. While the Act was initially used to repress rebellion against slavery, during Reconstruction it was invoked by President Grant to quell white-supremacist uprisings in the South. During the civil rights movement, it enabled the protection of black students who attended previously segregated educational institutions. Most recently, the Insurrection Act has been the vehicle for presidents to call upon federal troops to suppress so-called “race riots” like those in Los Angeles in 1992, and for them to threaten to do so in other cases of racial justice activism. Yet when the US Capitol was stormed in January 2021, the impulse to restore law and order and counter insurrectionary threats to the republic lay dormant.
Allan’s distinctly literary voice underscores her paradigm-shifting reflections on the presence of fear and silence in history and their shadowy impact on the law. Throughout, she draws revealing insight from her own experiences as one of the only black girls in her leafy Long Island suburb, as a black lawyer at a predominantly white firm during a visit from presidential candidate Barack Obama, and as a thinker about the use and misuse of appeals to law and order.
Elegant and profound, deeply researched and intensely felt, Insurrection: Rebellion, Civil Rights, and the Paradoxical State of Black Citizenship (Norton, 2022) is necessary reading in our reckoning with structural racism, government power, and protest in the United States.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The little-known and under-studied 1807 Insurrection Act was passed to give the president the ability to deploy federal military forces to fend off lawlessness and rebellion, but it soon became much more than the sum of its parts. Its power is integrally linked to the perceived threat of black American equity in what lawyer and critic Hawa Allan demonstrates is a dangerous paradox. While the Act was initially used to repress rebellion against slavery, during Reconstruction it was invoked by President Grant to quell white-supremacist uprisings in the South. During the civil rights movement, it enabled the protection of black students who attended previously segregated educational institutions. Most recently, the Insurrection Act has been the vehicle for presidents to call upon federal troops to suppress so-called “race riots” like those in Los Angeles in 1992, and for them to threaten to do so in other cases of racial justice activism. Yet when the US Capitol was stormed in January 2021, the impulse to restore law and order and counter insurrectionary threats to the republic lay dormant.</p><p>Allan’s distinctly literary voice underscores her paradigm-shifting reflections on the presence of fear and silence in history and their shadowy impact on the law. Throughout, she draws revealing insight from her own experiences as one of the only black girls in her leafy Long Island suburb, as a black lawyer at a predominantly white firm during a visit from presidential candidate Barack Obama, and as a thinker about the use and misuse of appeals to law and order.</p><p>Elegant and profound, deeply researched and intensely felt, <a href="https://bookshop.org/a/12343/9781324003038"><em>Insurrection: Rebellion, Civil Rights, and the Paradoxical State of Black Citizenship</em></a><em> </em>(Norton, 2022)<em> </em>is necessary reading in our reckoning with structural racism, government power, and protest in the United States.</p><p><em>﻿</em><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3787</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[341af262-09f5-11ed-b5ee-53abc3da9c9a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8918174617.mp3?updated=1658518934" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christof Dejung et al., "The Global Bourgeoisie: The Rise of the Middle Classes in the Age of Empire" (Princeton UP, 2019)</title>
      <description>While the nineteenth century has been described as the golden age of the European bourgeoisie, the emergence of the middle class and bourgeois culture was by no means exclusive to Europe. The Global Bourgeoisie: The Rise of the Middle Classes in the Age of Empire (Princeton UP, 2019) explores the rise of the middle classes around the world during the age of empire. Bringing together eminent scholars, this landmark essay collection compares middle-class formation in various regions, highlighting differences and similarities, and assesses the extent to which bourgeois growth was tied to the increasing exchange of ideas and goods. The contributors indicate that the middle class was from its very beginning, even in Europe, the result of international connections and entanglements. Essays are grouped into six thematic sections: the political history of middle-class formation, the impact of imperial rule on the colonial middle class, the role of capitalism, the influence of religion, the obstacles to the middle class beyond the Western and colonial world, and, lastly, reflections on the creation of bourgeois cultures and global social history. Placing the establishment of middle-class society into historical context, this book shows how the triumph or destabilization of bourgeois values can shape the liberal world order.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>306</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christof Dejung</itunes:subtitle>
      <itunes:summary>While the nineteenth century has been described as the golden age of the European bourgeoisie, the emergence of the middle class and bourgeois culture was by no means exclusive to Europe. The Global Bourgeoisie: The Rise of the Middle Classes in the Age of Empire (Princeton UP, 2019) explores the rise of the middle classes around the world during the age of empire. Bringing together eminent scholars, this landmark essay collection compares middle-class formation in various regions, highlighting differences and similarities, and assesses the extent to which bourgeois growth was tied to the increasing exchange of ideas and goods. The contributors indicate that the middle class was from its very beginning, even in Europe, the result of international connections and entanglements. Essays are grouped into six thematic sections: the political history of middle-class formation, the impact of imperial rule on the colonial middle class, the role of capitalism, the influence of religion, the obstacles to the middle class beyond the Western and colonial world, and, lastly, reflections on the creation of bourgeois cultures and global social history. Placing the establishment of middle-class society into historical context, this book shows how the triumph or destabilization of bourgeois values can shape the liberal world order.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While the nineteenth century has been described as the golden age of the European bourgeoisie, the emergence of the middle class and bourgeois culture was by no means exclusive to Europe. <a href="https://bookshop.org/a/12343/9780691177342"><em>The Global Bourgeoisie: The Rise of the Middle Classes in the Age of Empire</em></a> (Princeton UP, 2019) explores the rise of the middle classes around the world during the age of empire. Bringing together eminent scholars, this landmark essay collection compares middle-class formation in various regions, highlighting differences and similarities, and assesses the extent to which bourgeois growth was tied to the increasing exchange of ideas and goods. The contributors indicate that the middle class was from its very beginning, even in Europe, the result of international connections and entanglements. Essays are grouped into six thematic sections: the political history of middle-class formation, the impact of imperial rule on the colonial middle class, the role of capitalism, the influence of religion, the obstacles to the middle class beyond the Western and colonial world, and, lastly, reflections on the creation of bourgeois cultures and global social history. Placing the establishment of middle-class society into historical context, this book shows how the triumph or destabilization of bourgeois values can shape the liberal world order.</p><p><br></p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3232</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e963726e-0a92-11ed-89e2-73e807422611]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6293470055.mp3?updated=1658586892" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Steinhoff, "Automation and Autonomy: Labour, Capital and Machines in the Artificial Intelligence Industry" (Palgrave Macmillan, 2021)</title>
      <description>Automation and Autonomy: Labour, Capital and Machines in the Artificial Intelligence Industry (Palgrave Macmillan, 2021) argues that Marxist theory is essential for understanding the contemporary industrialization of the form of artificial intelligence (AI) called machine learning. It includes a political economic history of AI, tracking how it went from a fringe research interest for a handful of scientists in the 1950s to a centerpiece of cybernetic capital fifty years later. It also includes a political economic study of the scale, scope and dynamics of the contemporary AI industry as well as a labour process analysis of commercial machine learning software production, based on interviews with workers and management in AI companies around the world, ranging from tiny startups to giant technology firms. On the basis of this study, Steinhoff develops a Marxist analysis to argue that the popular theory of immaterial labour, which holds that information technologies increase the autonomy of workers from capital, tending towards a post-capitalist economy, does not adequately describe the situation of high-tech digital labour today. In the AI industry, digital labour remains firmly under the control of capital. Steinhoff argues that theories discerning therein an emergent autonomy of labour are in fact witnessing labour’s increasing automation.
James Steinhoff is a Postdoctoral Fellow at the University of Toronto, Canada.
﻿Reuben Niewenhuis works as a software developer for a warehouse automation company. He double majored in computer science and philosophy at Calvin University. In addition to philosophical theory, he is interested in interdisciplinary topics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>304</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Steinhoff</itunes:subtitle>
      <itunes:summary>Automation and Autonomy: Labour, Capital and Machines in the Artificial Intelligence Industry (Palgrave Macmillan, 2021) argues that Marxist theory is essential for understanding the contemporary industrialization of the form of artificial intelligence (AI) called machine learning. It includes a political economic history of AI, tracking how it went from a fringe research interest for a handful of scientists in the 1950s to a centerpiece of cybernetic capital fifty years later. It also includes a political economic study of the scale, scope and dynamics of the contemporary AI industry as well as a labour process analysis of commercial machine learning software production, based on interviews with workers and management in AI companies around the world, ranging from tiny startups to giant technology firms. On the basis of this study, Steinhoff develops a Marxist analysis to argue that the popular theory of immaterial labour, which holds that information technologies increase the autonomy of workers from capital, tending towards a post-capitalist economy, does not adequately describe the situation of high-tech digital labour today. In the AI industry, digital labour remains firmly under the control of capital. Steinhoff argues that theories discerning therein an emergent autonomy of labour are in fact witnessing labour’s increasing automation.
James Steinhoff is a Postdoctoral Fellow at the University of Toronto, Canada.
﻿Reuben Niewenhuis works as a software developer for a warehouse automation company. He double majored in computer science and philosophy at Calvin University. In addition to philosophical theory, he is interested in interdisciplinary topics.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783030716882"><em>Automation and Autonomy: Labour, Capital and Machines in the Artificial Intelligence Industry</em></a> (Palgrave Macmillan, 2021) argues that Marxist theory is essential for understanding the contemporary industrialization of the form of artificial intelligence (AI) called machine learning. It includes a political economic history of AI, tracking how it went from a fringe research interest for a handful of scientists in the 1950s to a centerpiece of cybernetic capital fifty years later. It also includes a political economic study of the scale, scope and dynamics of the contemporary AI industry as well as a labour process analysis of commercial machine learning software production, based on interviews with workers and management in AI companies around the world, ranging from tiny startups to giant technology firms. On the basis of this study, Steinhoff develops a Marxist analysis to argue that the popular theory of immaterial labour, which holds that information technologies increase the autonomy of workers from capital, tending towards a post-capitalist economy, does not adequately describe the situation of high-tech digital labour today. In the AI industry, digital labour remains firmly under the control of capital. Steinhoff argues that theories discerning therein an emergent autonomy of labour are in fact witnessing labour’s increasing automation.</p><p>James Steinhoff is a Postdoctoral Fellow at the University of Toronto, Canada.</p><p><em>﻿Reuben Niewenhuis works as a software developer for a warehouse automation company. He double majored in computer science and philosophy at Calvin University. In addition to philosophical theory, he is interested in interdisciplinary topics.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[283603e8-083c-11ed-98ed-0f33f07f4179]]></guid>
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    <item>
      <title>Heejung Chung, "The Flexibility Paradox: Why Flexible Working Leads To (Self-)Exploitation" (Polity Press, 2022)</title>
      <description>Why are we working harder? In The Flexibility Paradox: Why Flexible Working Leads To (Self-)Exploitation (Polity Press, 2022), Heejung Chung, a professor of sociology and social policy at the University of Kent, looks a contemporary employment practices to tell the story of the rise of flexible working and its impact on workers, individuals, and families. The book sets out the paradox that even though flexible working seems to offer more control over work, it leads to a worse work/life balance and makes more demands on staff. The paradox is also not evenly distributed, and the book pays close attention to the importance of gender in understanding how flexible work interacts with domestic labour to impact on women’s lives. Packed with rich, cross-national data, along with analysis of the impact of the Covid-19 pandemic, the book is essential across social science disciplines and for anyone interested in contemporary working life!
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>304</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heejung Chung</itunes:subtitle>
      <itunes:summary>Why are we working harder? In The Flexibility Paradox: Why Flexible Working Leads To (Self-)Exploitation (Polity Press, 2022), Heejung Chung, a professor of sociology and social policy at the University of Kent, looks a contemporary employment practices to tell the story of the rise of flexible working and its impact on workers, individuals, and families. The book sets out the paradox that even though flexible working seems to offer more control over work, it leads to a worse work/life balance and makes more demands on staff. The paradox is also not evenly distributed, and the book pays close attention to the importance of gender in understanding how flexible work interacts with domestic labour to impact on women’s lives. Packed with rich, cross-national data, along with analysis of the impact of the Covid-19 pandemic, the book is essential across social science disciplines and for anyone interested in contemporary working life!
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why are we working harder? In <a href="https://bookshop.org/a/12343/9781447354772"><em>The Flexibility Paradox: Why Flexible Working Leads To (Self-)Exploitation</em></a> (Polity Press, 2022), <a href="https://twitter.com/HeejungChung">Heejung Chung</a>, a <a href="https://www.kent.ac.uk/social-policy-sociology-social-research/people/570/chung-heejung">professor of sociology and social</a> <a href="https://www.kent.ac.uk/social-policy-sociology-social-research/people/570/chung-heejung">policy at the University of Kent,</a> looks a contemporary employment practices to tell the story of the rise of flexible working and its impact on workers, individuals, and families. The book sets out the paradox that even though flexible working seems to offer more control over work, it leads to a worse work/life balance and makes more demands on staff. The paradox is also not evenly distributed, and the book pays close attention to the importance of gender in understanding how flexible work interacts with domestic labour to impact on women’s lives. Packed with rich, cross-national data, along with analysis of the impact of the Covid-19 pandemic, the book is essential across social science disciplines and for anyone interested in contemporary working life!</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2360</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08158918-0773-11ed-b34d-83000714be06]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1514740938.mp3?updated=1658246358" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Bérubé and Jennifer Ruth, "It's Not Free Speech: Race, Democracy, and the Future of Academic Freedom" (Johns Hopkins UP, 2022)</title>
      <description>The protests of summer 2020 led to long-overdue reassessments of the legacy of racism and white supremacy in both American academe and cultural life more generally. But while universities have been willing to rename some buildings and schools or grapple with their role in the slave trade, no one has yet asked the most uncomfortable question: Does academic freedom extend to racist professors?
It's Not Free Speech: Race, Democracy, and the Future of Academic Freedom (Johns Hopkins University Press, 2022) considers the ideal of academic freedom in the wake of the activism inspired by outrageous police brutality, white supremacy, and the #MeToo movement. Arguing that academic freedom must be rigorously distinguished from freedom of speech, Michael Bérubé and Jennifer Ruth take aim at explicit defenses of colonialism and theories of white supremacy—theories that have no intellectual legitimacy whatsoever. Approaching this question from two angles—one, the question of when a professor's intramural or extramural speech calls into question his or her fitness to serve, and two, the question of how to manage the simmering tension between the academic freedom of faculty and the antidiscrimination initiatives of campus offices of diversity, equity, and inclusion—they argue that the democracy-destroying potential of social media makes it very difficult to uphold the traditional liberal view that the best remedy for hate speech is more speech.
In recent years, those with traditional liberal ideals have had very limited effectiveness in responding to the resurgence of white supremacism in American life. It is time, Bérubé and Ruth write, to ask whether that resurgence requires us to rethink the parameters and practices of academic freedom. Touching as well on contingent faculty, whose speech is often inadequately protected, It's Not Free Speech insists that we reimagine shared governance to augment both academic freedom and antidiscrimination initiatives on campuses. 
Michael Bérubé (interviewed here) is Edwin Erle Sparks Professor of Literature at Pennsylvania State University; Jennifer Ruth is a professor of film at Portland State University. Both have served in various roles within the American Association of University Professors, and also coauthored The Humanities, Higher Education, and Academic Freedom: Three Necessary Arguments (2015).
Catriona Gold is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in the Cold War. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 25 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Bérubé</itunes:subtitle>
      <itunes:summary>The protests of summer 2020 led to long-overdue reassessments of the legacy of racism and white supremacy in both American academe and cultural life more generally. But while universities have been willing to rename some buildings and schools or grapple with their role in the slave trade, no one has yet asked the most uncomfortable question: Does academic freedom extend to racist professors?
It's Not Free Speech: Race, Democracy, and the Future of Academic Freedom (Johns Hopkins University Press, 2022) considers the ideal of academic freedom in the wake of the activism inspired by outrageous police brutality, white supremacy, and the #MeToo movement. Arguing that academic freedom must be rigorously distinguished from freedom of speech, Michael Bérubé and Jennifer Ruth take aim at explicit defenses of colonialism and theories of white supremacy—theories that have no intellectual legitimacy whatsoever. Approaching this question from two angles—one, the question of when a professor's intramural or extramural speech calls into question his or her fitness to serve, and two, the question of how to manage the simmering tension between the academic freedom of faculty and the antidiscrimination initiatives of campus offices of diversity, equity, and inclusion—they argue that the democracy-destroying potential of social media makes it very difficult to uphold the traditional liberal view that the best remedy for hate speech is more speech.
In recent years, those with traditional liberal ideals have had very limited effectiveness in responding to the resurgence of white supremacism in American life. It is time, Bérubé and Ruth write, to ask whether that resurgence requires us to rethink the parameters and practices of academic freedom. Touching as well on contingent faculty, whose speech is often inadequately protected, It's Not Free Speech insists that we reimagine shared governance to augment both academic freedom and antidiscrimination initiatives on campuses. 
Michael Bérubé (interviewed here) is Edwin Erle Sparks Professor of Literature at Pennsylvania State University; Jennifer Ruth is a professor of film at Portland State University. Both have served in various roles within the American Association of University Professors, and also coauthored The Humanities, Higher Education, and Academic Freedom: Three Necessary Arguments (2015).
Catriona Gold is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in the Cold War. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The protests of summer 2020 led to long-overdue reassessments of the legacy of racism and white supremacy in both American academe and cultural life more generally. But while universities have been willing to rename some buildings and schools or grapple with their role in the slave trade, no one has yet asked the most uncomfortable question: Does academic freedom extend to racist professors?</p><p><a href="https://bookshop.org/a/12343/9781421443874"><em>It's Not Free Speech: Race, Democracy, and the Future of Academic Freedom</em></a><em> </em>(Johns Hopkins University Press, 2022) considers the ideal of academic freedom in the wake of the activism inspired by outrageous police brutality, white supremacy, and the #MeToo movement. Arguing that academic freedom must be rigorously distinguished from freedom of speech, Michael Bérubé and Jennifer Ruth take aim at explicit defenses of colonialism and theories of white supremacy—theories that have no intellectual legitimacy whatsoever. Approaching this question from two angles—one, the question of when a professor's intramural or extramural speech calls into question his or her fitness to serve, and two, the question of how to manage the simmering tension between the academic freedom of faculty and the antidiscrimination initiatives of campus offices of diversity, equity, and inclusion—they argue that the democracy-destroying potential of social media makes it very difficult to uphold the traditional liberal view that the best remedy for hate speech is more speech.</p><p>In recent years, those with traditional liberal ideals have had very limited effectiveness in responding to the resurgence of white supremacism in American life. It is time, Bérubé and Ruth write, to ask whether that resurgence requires us to rethink the parameters and practices of academic freedom. Touching as well on contingent faculty, whose speech is often inadequately protected, <em>It's Not Free Speech</em> insists that we reimagine shared governance to augment both academic freedom and antidiscrimination initiatives on campuses. </p><p><a href="https://english.la.psu.edu/directory/mfb12/">Michael Bérubé</a> (interviewed here) is Edwin Erle Sparks Professor of Literature at Pennsylvania State University; <a href="https://www.pdx.edu/profile/jennifer-ruth">Jennifer Ruth</a> is a professor of film at Portland State University. Both have served in various roles within the American Association of University Professors, and also coauthored <em>The Humanities, Higher Education, and Academic Freedom: Three Necessary Arguments </em>(2015).</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold"><em>Catriona Gold</em></a> <em>is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in the Cold War. She can be reached by</em> <a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a> <em>or on</em> <a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dd586b0c-069e-11ed-9159-e3bb6ef643be]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7935746191.mp3?updated=1658151996" length="0" type="audio/mpeg"/>
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      <title>Jason Resnikoff, "Labor's End: How the Promise of Automation Degraded Work" (U Illinois Press, 2021)</title>
      <description>Labor's End: How the Promise of Automation Degraded Work (U Illinois Press, 2021) traces the discourse around automation from its origins in the factory to its wide-ranging implications in political and social life. As Jason Resnikoff shows, the term automation expressed the conviction that industrial progress meant the inevitable abolition of manual labor from industry. But the real substance of the term reflected industry's desire to hide an intensification of human work--and labor's loss of power and protection--behind magnificent machinery and a starry-eyed faith in technological revolution. The rhetorical power of the automation ideology revealed and perpetuated a belief that the idea of freedom was incompatible with the activity of work. From there, political actors ruled out the workplace as a site of politics while some of labor's staunchest allies dismissed sped-up tasks, expanded workloads, and incipient deindustrialization in the name of technological progress.
A forceful intellectual history, Labor's End challenges entrenched assumptions about automation's transformation of the American workplace.
Jason Resnifoff is Assistant Professor of Contemporary History at the University of Groningen (Rijksuniversiteit Groningen) in the Netherlands.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason Resnikoff</itunes:subtitle>
      <itunes:summary>Labor's End: How the Promise of Automation Degraded Work (U Illinois Press, 2021) traces the discourse around automation from its origins in the factory to its wide-ranging implications in political and social life. As Jason Resnikoff shows, the term automation expressed the conviction that industrial progress meant the inevitable abolition of manual labor from industry. But the real substance of the term reflected industry's desire to hide an intensification of human work--and labor's loss of power and protection--behind magnificent machinery and a starry-eyed faith in technological revolution. The rhetorical power of the automation ideology revealed and perpetuated a belief that the idea of freedom was incompatible with the activity of work. From there, political actors ruled out the workplace as a site of politics while some of labor's staunchest allies dismissed sped-up tasks, expanded workloads, and incipient deindustrialization in the name of technological progress.
A forceful intellectual history, Labor's End challenges entrenched assumptions about automation's transformation of the American workplace.
Jason Resnifoff is Assistant Professor of Contemporary History at the University of Groningen (Rijksuniversiteit Groningen) in the Netherlands.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780252086298"><em>Labor's End: How the Promise of Automation Degraded Work</em></a><em> </em>(U Illinois Press, 2021) traces the discourse around automation from its origins in the factory to its wide-ranging implications in political and social life. As Jason Resnikoff shows, the term <em>automation</em> expressed the conviction that industrial progress meant the inevitable abolition of manual labor from industry. But the real substance of the term reflected industry's desire to hide an intensification of human work--and labor's loss of power and protection--behind magnificent machinery and a starry-eyed faith in technological revolution. The rhetorical power of the automation ideology revealed and perpetuated a belief that the idea of freedom was incompatible with the activity of work. From there, political actors ruled out the workplace as a site of politics while some of labor's staunchest allies dismissed sped-up tasks, expanded workloads, and incipient deindustrialization in the name of technological progress.</p><p>A forceful intellectual history, <em>Labor's End</em> challenges entrenched assumptions about automation's transformation of the American workplace.</p><p>Jason Resnifoff is Assistant Professor of Contemporary History at the University of Groningen (Rijksuniversiteit Groningen) in the Netherlands.</p><p><em>Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3413</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Maxwell Kennel, "Postsecular History: Political Theology and the Politics of Time" (Palgrave Macmillan, 2021)</title>
      <description>In this thought provoking book entitled PostSecular History:Political Theology and The Politics of Time (Palgrave Macmillan, 2021), Max Kennel explores how contemporary approaches to the meaning of time and history follow patterns that are simultaneously political and theological. Even after postsecular critiques of Christianity, religion, and secularity, many influential ways of dividing time and history continue to be formed by providential narratives that mediate between experience and expectation in movements from promise to fulfilment. In response to persistent theological influences within ostensibly secular ways of understanding time and history, Postsecular History revisits and revises the concept of periodization by tracing powerful efforts to divide time into past, present, and future, and by critiquing historical partitions between the Reformation and Enlightenment. Developing a postsecular critique of theopolitical periodization in six chapters, Postsecular History questions how relations of possession, novelty, freedom, and instrumentality implied in the prefix ‘post’ are reproduced in postsecular discourses and the field of political theology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Maxwell Kennel</itunes:subtitle>
      <itunes:summary>In this thought provoking book entitled PostSecular History:Political Theology and The Politics of Time (Palgrave Macmillan, 2021), Max Kennel explores how contemporary approaches to the meaning of time and history follow patterns that are simultaneously political and theological. Even after postsecular critiques of Christianity, religion, and secularity, many influential ways of dividing time and history continue to be formed by providential narratives that mediate between experience and expectation in movements from promise to fulfilment. In response to persistent theological influences within ostensibly secular ways of understanding time and history, Postsecular History revisits and revises the concept of periodization by tracing powerful efforts to divide time into past, present, and future, and by critiquing historical partitions between the Reformation and Enlightenment. Developing a postsecular critique of theopolitical periodization in six chapters, Postsecular History questions how relations of possession, novelty, freedom, and instrumentality implied in the prefix ‘post’ are reproduced in postsecular discourses and the field of political theology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this thought provoking book entitled <a href="https://bookshop.org/a/12343/9783030857578"><em>PostSecular History:Political Theology and The Politics of Time</em></a> (Palgrave Macmillan, 2021), Max Kennel explores how contemporary approaches to the meaning of time and history follow patterns that are simultaneously political and theological. Even after postsecular critiques of Christianity, religion, and secularity, many influential ways of dividing time and history continue to be formed by providential narratives that mediate between experience and expectation in movements from promise to fulfilment. In response to persistent theological influences within ostensibly secular ways of understanding time and history, <em>Postsecular History</em> revisits and revises the concept of periodization by tracing powerful efforts to divide time into past, present, and future, and by critiquing historical partitions between the Reformation and Enlightenment. Developing a postsecular critique of theopolitical periodization in six chapters, <em>Postsecular History</em> questions how relations of possession, novelty, freedom, and instrumentality implied in the prefix ‘post’ are reproduced in postsecular discourses and the field of political theology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1708</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[11fb4072-0529-11ed-9ed5-1fa4d10f0e34]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5031426815.mp3?updated=1657991369" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erika Balsom and Hila Peleg, "Feminist Worldmaking and the Moving Image" (MIT Press, 2022)</title>
      <description>Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it.
The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.
The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erika Balsom</itunes:subtitle>
      <itunes:summary>Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it.
The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.
The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Erika Balsom and Hila Peleg's edited volume <a href="https://bookshop.org/a/12343/9780262544528"><em>Feminist Worldmaking and the Moving Image</em></a> (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it.</p><p>The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.</p><p>The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2556</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49ab3960-0217-11ed-9ccf-dfdc10fe929e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1757231578.mp3?updated=1657653896" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alice Crary and Lori Gruen, "Animal Crisis: A New Critical Theory" (Polity, 2022)</title>
      <description>As we lose more individual animals and entire species to catastrophic climate change, habitat destruction, toxic dumping, and other human activities, it becomes increasingly difficult to register the full scope of the crisis. In Animal Crisis: A New Critical Theory (Polity Press, 2022), Alice Crary and Lori Gruen reinvigorate the discourse of animal ethics with a critical theoretical approach that gives us new ways of thinking about what is owed to animals. By theorizing the links between human and non-human animal liberation, they offer ways of understanding why it can be so hard to see, hear, or feel the value and dignity of the animals right in front of us. Offering practices of interspecies solidarity, Crary and Gruen show us that we can transform the crisis we are in, but we must dismantle human supremacism to even connect with the need.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>289</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alice Crary and Lori Gruen</itunes:subtitle>
      <itunes:summary>As we lose more individual animals and entire species to catastrophic climate change, habitat destruction, toxic dumping, and other human activities, it becomes increasingly difficult to register the full scope of the crisis. In Animal Crisis: A New Critical Theory (Polity Press, 2022), Alice Crary and Lori Gruen reinvigorate the discourse of animal ethics with a critical theoretical approach that gives us new ways of thinking about what is owed to animals. By theorizing the links between human and non-human animal liberation, they offer ways of understanding why it can be so hard to see, hear, or feel the value and dignity of the animals right in front of us. Offering practices of interspecies solidarity, Crary and Gruen show us that we can transform the crisis we are in, but we must dismantle human supremacism to even connect with the need.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As we lose more individual animals and entire species to catastrophic climate change, habitat destruction, toxic dumping, and other human activities, it becomes increasingly difficult to register the full scope of the crisis. In <a href="https://bookshop.org/a/12343/9781509549689"><em>Animal Crisis: A New Critical Theory</em></a><em> </em>(Polity Press, 2022), Alice Crary and Lori Gruen reinvigorate the discourse of animal ethics with a critical theoretical approach that gives us new ways of thinking about what is owed to animals. By theorizing the links between human and non-human animal liberation, they offer ways of understanding why it can be so hard to see, hear, or feel the value and dignity of the animals right in front of us. Offering practices of interspecies solidarity, Crary and Gruen show us that we can transform the crisis we are in, but we must dismantle human supremacism to even connect with the need.</p><p><a href="https://clas.ucdenver.edu/philosophy/sarah-tyson"><em>Sarah Tyson</em></a><em> is an associate professor of philosophy at the University of Colorado, Denver.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[72243148-ffb6-11ec-83f4-0f36cac5ef80]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4327922637.mp3?updated=1657392380" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Black Trans Feminism</title>
      <description>Marquis Bey talks about the radical and abolitionist project of Black Trans Feminism. Rather than an identity formation, it is a politics and modality of being that vitiates the limits of subjectivity. Black Trans Feminism finds joy in irreverence, just like we try to do on High Theory.
You can recalibrate your understanding of the subject by reading Marquis’s forthcoming book Black Trans Feminism, published by Duke University Press. Released next week! On February 25th.
In the episode Marquis references a wonderful quote from Saidiya Hartman, that “A Black revolution makes everyone freer than they actually want to be.” It’s a hard quote to find, but it appears in Frank Wilderson’s interview with C.S. Soong, “Blacks and the Master/Slave Relation” in Afropessimism: An Introduction (Racked &amp; Dispatched, 2017).
Marquis is Assistant Professor of African American Studies and English at Northwestern University. They also serve as Faculty Affiliate and Advisory Board Member in Gender &amp; Sexuality Studies and Advisory Board Faculty Member in Critical Theory.
This week’s image was provided by Marquis.
Music used in promotional material: ‘Semiacoustic’ by Pk Jazz Collective
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/57656c98-98d5-11ec-8fbd-cbd133f3469a/image/HT_BlackTransFeminism.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Marquis Bey</itunes:subtitle>
      <itunes:summary>Marquis Bey talks about the radical and abolitionist project of Black Trans Feminism. Rather than an identity formation, it is a politics and modality of being that vitiates the limits of subjectivity. Black Trans Feminism finds joy in irreverence, just like we try to do on High Theory.
You can recalibrate your understanding of the subject by reading Marquis’s forthcoming book Black Trans Feminism, published by Duke University Press. Released next week! On February 25th.
In the episode Marquis references a wonderful quote from Saidiya Hartman, that “A Black revolution makes everyone freer than they actually want to be.” It’s a hard quote to find, but it appears in Frank Wilderson’s interview with C.S. Soong, “Blacks and the Master/Slave Relation” in Afropessimism: An Introduction (Racked &amp; Dispatched, 2017).
Marquis is Assistant Professor of African American Studies and English at Northwestern University. They also serve as Faculty Affiliate and Advisory Board Member in Gender &amp; Sexuality Studies and Advisory Board Faculty Member in Critical Theory.
This week’s image was provided by Marquis.
Music used in promotional material: ‘Semiacoustic’ by Pk Jazz Collective
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marquis Bey talks about the radical and abolitionist project of Black Trans Feminism. Rather than an identity formation, it is a politics and modality of being that vitiates the limits of subjectivity. Black Trans Feminism finds joy in irreverence, just like we try to do on High Theory.</p><p>You can recalibrate your understanding of the subject by reading Marquis’s forthcoming book <a href="https://www.dukeupress.edu/black-trans-feminism"><em>Black Trans Feminism</em></a>, published by Duke University Press. Released next week! On February 25th.</p><p>In the episode Marquis references a wonderful quote from Saidiya Hartman, that “A Black revolution makes everyone freer than they actually want to be.” It’s a hard quote to find, but it appears in Frank Wilderson’s interview with C.S. Soong, “Blacks and the Master/Slave Relation” in <a href="https://monoskop.org/images/f/f2/Wilderson_III_Frank_B_et_al_Afropessimism_2017.pdf"><em>Afropessimism: An Introduction </em></a>(Racked &amp; Dispatched, 2017).</p><p>Marquis is Assistant Professor of African American Studies and English at <a href="https://afam.northwestern.edu/people/faculty/marquis-bey.html">Northwestern University</a>. They also serve as Faculty Affiliate and Advisory Board Member in Gender &amp; Sexuality Studies and Advisory Board Faculty Member in Critical Theory.</p><p>This week’s image was provided by Marquis.</p><p>Music used in promotional material: ‘Semiacoustic’ by Pk Jazz Collective</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1045</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7652c980-a306-11ec-b0c9-f7a9d5f0fa8d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4859877116.mp3?updated=1646168514" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melanie Bell, "Movie Workers: The Women Who Made British Cinema" (U Illinois Press, 2021)</title>
      <description>Where are the women in the history of British cinema? In Movie Workers: The Women Who Made British Cinema (U Illinois Press, 2021), Melanie Bell, a Professor of Film History at the University of Leeds, answers this question with a fascinating and compelling narrative telling the forgotten history of women as workers in the film industry. Drawing on union records and oral histories, as well as a wealth of historical knowledge and analysis, the book highlights women’s key contributions from the 1930s to the end of the 1980s, demonstrating the ongoing importance of women’s struggles, and their triumphs, to the film industry today. The book is essential reading across arts, humanities, and social sciences, as well as for anyone who has ever watched a film and wondered about how it was made!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>303</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melanie Bell</itunes:subtitle>
      <itunes:summary>Where are the women in the history of British cinema? In Movie Workers: The Women Who Made British Cinema (U Illinois Press, 2021), Melanie Bell, a Professor of Film History at the University of Leeds, answers this question with a fascinating and compelling narrative telling the forgotten history of women as workers in the film industry. Drawing on union records and oral histories, as well as a wealth of historical knowledge and analysis, the book highlights women’s key contributions from the 1930s to the end of the 1980s, demonstrating the ongoing importance of women’s struggles, and their triumphs, to the film industry today. The book is essential reading across arts, humanities, and social sciences, as well as for anyone who has ever watched a film and wondered about how it was made!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Where are the women in the history of British cinema? In <a href="https://bookshop.org/a/12343/9780252085864"><em>Movie Workers: The Women Who Made British Cinema</em></a><em> </em>(U Illinois Press, 2021), <a href="https://twitter.com/drmelaniebell">Melanie Bell</a>, a <a href="https://ahc.leeds.ac.uk/media/staff/191/professor-melanie-bell">Professor of Film History at the University of Leeds</a>, answers this question with a fascinating and compelling narrative telling the forgotten history of women as workers in the film industry. Drawing on union records and oral histories, as well as a wealth of historical knowledge and analysis, the book highlights women’s key contributions from the 1930s to the end of the 1980s, demonstrating the ongoing importance of women’s struggles, and their triumphs, to the film industry today. The book is essential reading across arts, humanities, and social sciences, as well as for anyone who has ever watched a film and wondered about how it was made!</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2240</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[48ce5494-015b-11ed-9411-dfc435d3dcaf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2503067171.mp3?updated=1657573618" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Asim Qureshi, "I Refuse to Condemn: Resisting Racism in Times of National Security" (Manchester UP, 2020)</title>
      <description>In times of heightened national security, scholars and activists from the communities under suspicion often attempt to alert the public to the more complex stories behind the headlines. But when they raise questions about the government, military and police policy, these individuals are routinely shut down and accused of being terrorist sympathizers or apologists. In such environments, there is immense pressure to condemn what society at large fears. 
I Refuse to Condemn: Resisting Racism in Times of National Security (Manchester University Press, 2021) explains how the expectation to condemn has emerged, tracking it against the normalization of racism, and explores how writers manage to subvert expectations as part of their commitment to anti-racism. In my conversation with the collection’s editor, Asim Qureshi, Research Director of CAGE, an independent advocacy organization, we discuss the culture of condemnation and the presumption of guilt, its psychological and physiological impacts, issues of trauma, white supremacy and racism as a system of power, structural racism’s relationship to national security, Prevent and countering violent extremism programs, cultural representation, the role of artists and performers, the afterlife of one’s work or art, and advocacy to dismantle anti-Muslim racism.
﻿Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>276</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Asim Qureshi</itunes:subtitle>
      <itunes:summary>In times of heightened national security, scholars and activists from the communities under suspicion often attempt to alert the public to the more complex stories behind the headlines. But when they raise questions about the government, military and police policy, these individuals are routinely shut down and accused of being terrorist sympathizers or apologists. In such environments, there is immense pressure to condemn what society at large fears. 
I Refuse to Condemn: Resisting Racism in Times of National Security (Manchester University Press, 2021) explains how the expectation to condemn has emerged, tracking it against the normalization of racism, and explores how writers manage to subvert expectations as part of their commitment to anti-racism. In my conversation with the collection’s editor, Asim Qureshi, Research Director of CAGE, an independent advocacy organization, we discuss the culture of condemnation and the presumption of guilt, its psychological and physiological impacts, issues of trauma, white supremacy and racism as a system of power, structural racism’s relationship to national security, Prevent and countering violent extremism programs, cultural representation, the role of artists and performers, the afterlife of one’s work or art, and advocacy to dismantle anti-Muslim racism.
﻿Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In times of heightened national security, scholars and activists from the communities under suspicion often attempt to alert the public to the more complex stories behind the headlines. But when they raise questions about the government, military and police policy, these individuals are routinely shut down and accused of being terrorist sympathizers or apologists. In such environments, there is immense pressure to condemn what society at large fears. </p><p><a href="https://bookshop.org/a/12343/9781526151476"><em>I Refuse to Condemn: Resisting Racism in Times of National Security</em></a> (Manchester University Press, 2021) explains how the expectation to condemn has emerged, tracking it against the normalization of racism, and explores how writers manage to subvert expectations as part of their commitment to anti-racism. In my conversation with the collection’s editor, <a href="https://twitter.com/asimcp">Asim Qureshi</a>, Research Director of CAGE, an independent advocacy organization, we discuss the culture of condemnation and the presumption of guilt, its psychological and physiological impacts, issues of trauma, white supremacy and racism as a system of power, structural racism’s relationship to national security, Prevent and countering violent extremism programs, cultural representation, the role of artists and performers, the afterlife of one’s work or art, and advocacy to dismantle anti-Muslim racism.</p><p><em>﻿</em><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3790</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dd1a6b12-043d-11ed-847f-4b4bceecdeff]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6542771924.mp3?updated=1657890345" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Wirls, "The Senate: From White Supremacy to Governmental Gridlock" (U Virginia Press, 2021)</title>
      <description>Daniel Wirls, Professor of Politics at the University of California-Santa Cruz, has a new book that continues his research stream on the United States’ Senate. Wirls’ previous book on the Senate, The Invention of the United States Senate (Johns Hopkins University Press, 2004), written with his brother, Stephen Wirls, explains the historical basis for the Senate, especially in context of the broader American constitutional system as established in 1787.
This new book, The Senate: From White Supremacy to Governmental Gridlock (U Virginia Press, 2021), interrogates the general understanding of the U.S. Senate within the constitutional system and the way that we have come to consider the role of the Senate. Wirls explains what he has dubbed “Senate exceptionalism” which is connected to the more expansive notion of American exceptionalism—this is the notion that the U.S. Senate was a unique and special creation within the constitutional system, and that it reflects the greatest ideals of democratic governance. Wirls’ analysis might suggest otherwise, since the book explores the structure of the Senate and how it actually undermines the democratic conception of “one person=one vote.” The idea of the Senate, and its role in preventing the tyranny of the majority—one of the goals ascribed to the new system established in 1787—is more problematic than the violation of democratic norms.
One of the fascinating threads woven through The Senate: From White Supremacy to Governmental Gridlock is the concept of the Senate and how this concept has become embedded in our understanding of the role of this half of the U.S. Congress. Wirls’ argument with regard to Senate exceptionalism is connected to the narrative about the Senate itself, as the “world’s greatest deliberative body” when it sits in a murky position between the states and the people within the federal system. Senators understand, some of the time, that they represent the people of their respective states, but in so doing, they represent those voters in a dramatic violation of the notion of equal representation, since the states themselves have vastly different population totals and demographics, whereas each state has the same number of U.S. senators. Senators also see themselves, at times, as representing the states as distinct entities. Senators selectively determine if they want to represent the people or the state in different instances. The peculiarity of the filibuster only contributes to the heroic narrative about the Senate, since the filibuster was a creation of the Senate itself (it is not in the Constitution), and the changes in the filibuster and the evolution of those reforms have only made the inequality of representation in the Senate more acute. In a sense, the filibuster or the threat of a filibuster has essentially given a few members of the U.S. Senate a very powerful veto over legislation and reform.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Please use the code 10WIRLS if purchasing the book from the University of Virginia Press for 30% any format of the book until 30 September 2022.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>612</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Wirls</itunes:subtitle>
      <itunes:summary>Daniel Wirls, Professor of Politics at the University of California-Santa Cruz, has a new book that continues his research stream on the United States’ Senate. Wirls’ previous book on the Senate, The Invention of the United States Senate (Johns Hopkins University Press, 2004), written with his brother, Stephen Wirls, explains the historical basis for the Senate, especially in context of the broader American constitutional system as established in 1787.
This new book, The Senate: From White Supremacy to Governmental Gridlock (U Virginia Press, 2021), interrogates the general understanding of the U.S. Senate within the constitutional system and the way that we have come to consider the role of the Senate. Wirls explains what he has dubbed “Senate exceptionalism” which is connected to the more expansive notion of American exceptionalism—this is the notion that the U.S. Senate was a unique and special creation within the constitutional system, and that it reflects the greatest ideals of democratic governance. Wirls’ analysis might suggest otherwise, since the book explores the structure of the Senate and how it actually undermines the democratic conception of “one person=one vote.” The idea of the Senate, and its role in preventing the tyranny of the majority—one of the goals ascribed to the new system established in 1787—is more problematic than the violation of democratic norms.
One of the fascinating threads woven through The Senate: From White Supremacy to Governmental Gridlock is the concept of the Senate and how this concept has become embedded in our understanding of the role of this half of the U.S. Congress. Wirls’ argument with regard to Senate exceptionalism is connected to the narrative about the Senate itself, as the “world’s greatest deliberative body” when it sits in a murky position between the states and the people within the federal system. Senators understand, some of the time, that they represent the people of their respective states, but in so doing, they represent those voters in a dramatic violation of the notion of equal representation, since the states themselves have vastly different population totals and demographics, whereas each state has the same number of U.S. senators. Senators also see themselves, at times, as representing the states as distinct entities. Senators selectively determine if they want to represent the people or the state in different instances. The peculiarity of the filibuster only contributes to the heroic narrative about the Senate, since the filibuster was a creation of the Senate itself (it is not in the Constitution), and the changes in the filibuster and the evolution of those reforms have only made the inequality of representation in the Senate more acute. In a sense, the filibuster or the threat of a filibuster has essentially given a few members of the U.S. Senate a very powerful veto over legislation and reform.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Please use the code 10WIRLS if purchasing the book from the University of Virginia Press for 30% any format of the book until 30 September 2022.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Daniel Wirls, Professor of Politics at the University of California-Santa Cruz, has a new book that continues his research stream on the United States’ Senate. Wirls’ previous book on the Senate, <a href="https://www.press.jhu.edu/books/title/2671/invention-united-states-senate"><em>The Invention of the United States Senate</em></a> (Johns Hopkins University Press, 2004), written with his brother, Stephen Wirls, explains the historical basis for the Senate, especially in context of the broader American constitutional system as established in 1787.</p><p>This new book, <a href="https://bookshop.org/a/12343/9780813946900"><em>The Senate: From White Supremacy to Governmental Gridlock</em></a><em> (U Virginia Press, 2021)</em>, interrogates the general understanding of the U.S. Senate within the constitutional system and the way that we have come to consider the role of the Senate. Wirls explains what he has dubbed “Senate exceptionalism” which is connected to the more expansive notion of American exceptionalism—this is the notion that the U.S. Senate was a unique and special creation within the constitutional system, and that it reflects the greatest ideals of democratic governance. Wirls’ analysis might suggest otherwise, since the book explores the structure of the Senate and how it actually undermines the democratic conception of “one person=one vote.” The idea of the Senate, and its role in preventing the tyranny of the majority—one of the goals ascribed to the new system established in 1787—is more problematic than the violation of democratic norms.</p><p>One of the fascinating threads woven through <a href="https://www.upress.virginia.edu/title/5694"><em>The Senate: From White Supremacy to Governmental Gridlock</em></a> is the <em>concept</em> of the Senate and how this concept has become embedded in our understanding of the role of this half of the U.S. Congress. Wirls’ argument with regard to Senate exceptionalism is connected to the narrative about the Senate itself, as the “world’s greatest deliberative body” when it sits in a murky position between the states and the people within the federal system. Senators understand, some of the time, that they represent the people of their respective states, but in so doing, they represent those voters in a dramatic violation of the notion of equal representation, since the states themselves have vastly different population totals and demographics, whereas each state has the same number of U.S. senators. Senators also see themselves, at times, as representing the states as distinct entities. Senators selectively determine if they want to represent the people or the state in different instances. The peculiarity of the filibuster only contributes to the heroic narrative about the Senate, since the filibuster was a creation of the Senate itself (it is not in the <em>Constitution</em>), and the changes in the filibuster and the evolution of those reforms have only made the inequality of representation in the Senate more acute. In a sense, the filibuster or the threat of a filibuster has essentially given a few members of the U.S. Senate a very powerful veto over legislation and reform.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p><em>Please use the code 10WIRLS if purchasing the book from the University of Virginia Press for 30% any format of the book until 30 September 2022.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3091</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2624781640.mp3?updated=1657801418" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicole Erin Morse, "Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art" (Duke UP, 2022)</title>
      <description>In Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Duke University Press, 2022) Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.
Daniela Meneses Sala is Peruvian Academic and Journalist. She holds an MSc in Gender (Sexuality) from the London School of Economics and Political Science. In October, she is starting a PhD in Latin American Studies at Cambridge University, funded by the Harding Distinguished Postgraduate Scholars Programme.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicole Erin Morse</itunes:subtitle>
      <itunes:summary>In Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art (Duke University Press, 2022) Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.
Daniela Meneses Sala is Peruvian Academic and Journalist. She holds an MSc in Gender (Sexuality) from the London School of Economics and Political Science. In October, she is starting a PhD in Latin American Studies at Cambridge University, funded by the Harding Distinguished Postgraduate Scholars Programme.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478015512"><em>Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art</em></a><em> </em>(Duke University Press, 2022) Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.</p><p><em>Daniela Meneses Sala is Peruvian Academic and Journalist. She holds an MSc in Gender (Sexuality) from the London School of Economics and Political Science. In October, she is starting a PhD in Latin American Studies at Cambridge University, funded by the Harding Distinguished Postgraduate Scholars Programme.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3811</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jed Esty, "The Future of Decline: Anglo-American Culture at Its Limits" (Stanford Briefs, 2022)</title>
      <description>As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime? 
Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jed Esty</itunes:subtitle>
      <itunes:summary>As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime? 
Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime? </p><p>Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. <a href="https://bookshop.org/a/12343/9781503633315">The Future of Decline: Anglo-American Culture at Its Limits</a> (Stanford Briefs, 2022) is a guide to finding them.</p><p><em>﻿</em><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3830</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Penny Jane Burke et al., "Gender in an Era of Post-truth Populism: Pedagogies, Challenges and Strategies" (Bloomsbury, 2022)</title>
      <description>Why does gender matter in our troubled global times? In Gender in an Era of Post-truth Populism: Pedagogies, Challenges and Strategies (Bloomsbury, 2022), the editors Penny Jane Burke, Rosalind Gill, Akane Kanai, and Julia Coffey have assembled a collection of interventions that seek to think through the relationship between the populism that seems to dominate many nation’s contemporary politics and the continuing need for feminist perspectives. The chapters range from feminist philosophical and theoretical reflections on the meaning of truth, through empirical work on digital feminism, to considerations on the role and purpose of education and the university. Across 11 chapters, with an agenda setting introduction, the book is essential reading for all in the humanities and social sciences, as well as for anyone seeking to understand the current post-truth populist crisis and how to intervene for change.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>302</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Penny Jane Burke and Julia Coffey</itunes:subtitle>
      <itunes:summary>Why does gender matter in our troubled global times? In Gender in an Era of Post-truth Populism: Pedagogies, Challenges and Strategies (Bloomsbury, 2022), the editors Penny Jane Burke, Rosalind Gill, Akane Kanai, and Julia Coffey have assembled a collection of interventions that seek to think through the relationship between the populism that seems to dominate many nation’s contemporary politics and the continuing need for feminist perspectives. The chapters range from feminist philosophical and theoretical reflections on the meaning of truth, through empirical work on digital feminism, to considerations on the role and purpose of education and the university. Across 11 chapters, with an agenda setting introduction, the book is essential reading for all in the humanities and social sciences, as well as for anyone seeking to understand the current post-truth populist crisis and how to intervene for change.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does gender matter in our troubled global times? In <a href="https://bookshop.org/a/12343/9781350194595"><em>Gender in an Era of Post-truth Populism: Pedagogies, Challenges and Strategies</em></a><em> </em>(Bloomsbury, 2022), the editors <a href="https://www.newcastle.edu.au/profile/pennyjane-burke">Penny Jane Burke</a>, <a href="https://www.city.ac.uk/about/people/academics/ros-gill">Rosalind Gill</a>, <a href="https://research.monash.edu/en/persons/akane-kanai">Akane Kanai</a>, and <a href="https://www.newcastle.edu.au/profile/julia-coffey#profile-careeroffey">Julia Coffey</a> have assembled a collection of interventions that seek to think through the relationship between the populism that seems to dominate many nation’s contemporary politics and the continuing need for feminist perspectives. The chapters range from feminist philosophical and theoretical reflections on the meaning of truth, through empirical work on digital feminism, to considerations on the role and purpose of education and the university. Across 11 chapters, with an agenda setting introduction, the book is essential reading for all in the humanities and social sciences, as well as for anyone seeking to understand the current post-truth populist crisis and how to intervene for change.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2880</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ben Davis, "Art in the After-Culture: Capitalist Crisis and Cultural Strategy" (Haymarket Books, 2022)</title>
      <description>It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism’s dysfunction.
Art in the After-Culture: Capitalist Crisis and Cultural Strategy (Haymarket Books, 2022), art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"—a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>301</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ben Davis</itunes:subtitle>
      <itunes:summary>It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism’s dysfunction.
Art in the After-Culture: Capitalist Crisis and Cultural Strategy (Haymarket Books, 2022), art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"—a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism’s dysfunction.</p><p>Art in the <a href="https://bookshop.org/a/12343/9781642594621"><em>After-Culture: Capitalist Crisis and Cultural Strategy</em></a> (Haymarket Books, 2022), art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"—a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5309</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Helen Morgan, "The Work of Whiteness: A Psychoanalytic Perspective" (Routledge, 2021)</title>
      <description>'Whiteness' is a politically constructed category which needs to be understood and dismantled because the system of racism so embedded within our society harms us all. It has profound implications for human psychology, an understanding of which is essential for supporting the movement for change. Helen Morgan's The Work of Whiteness: A Psychoanalytic Perspective (Routledge, 2021)explores these implications from a psychoanalytic and Jungian analytic perspective. 
The 'fragility' of whiteness, the colour-blind approach and the silencing process of disavowal as they develop in the childhood of white liberal families are considered as means of maintaining white privilege and racism. A critique of the colonial roots of psychoanalytic theories of Freud and Jung leads to questioning the de-linking of the individual from society in modern day analytic thinking. The concept of the cultural complex is suggested as a useful means of connecting the individual and the social. Examples from the author's clinical practice as well as from public life are used to illustrate the argument. 
Relatively few black people join the psychoanalytic profession and those who do describe training and membership as a difficult and painful process. How racism operates in clinical work, supervision and our institutions is explored, and whilst it can seem an intractable problem, proposals are given for ways forward. This book will be of great importance to psychoanalysts, psychotherapists, social workers and all those with an interest in the role of white privilege on mental health.
Philip Lance, Ph.D. is a psychoanalyst in private practice in Los Angeles. He can be reached at PhilipJLance@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Helen Morgan</itunes:subtitle>
      <itunes:summary>'Whiteness' is a politically constructed category which needs to be understood and dismantled because the system of racism so embedded within our society harms us all. It has profound implications for human psychology, an understanding of which is essential for supporting the movement for change. Helen Morgan's The Work of Whiteness: A Psychoanalytic Perspective (Routledge, 2021)explores these implications from a psychoanalytic and Jungian analytic perspective. 
The 'fragility' of whiteness, the colour-blind approach and the silencing process of disavowal as they develop in the childhood of white liberal families are considered as means of maintaining white privilege and racism. A critique of the colonial roots of psychoanalytic theories of Freud and Jung leads to questioning the de-linking of the individual from society in modern day analytic thinking. The concept of the cultural complex is suggested as a useful means of connecting the individual and the social. Examples from the author's clinical practice as well as from public life are used to illustrate the argument. 
Relatively few black people join the psychoanalytic profession and those who do describe training and membership as a difficult and painful process. How racism operates in clinical work, supervision and our institutions is explored, and whilst it can seem an intractable problem, proposals are given for ways forward. This book will be of great importance to psychoanalysts, psychotherapists, social workers and all those with an interest in the role of white privilege on mental health.
Philip Lance, Ph.D. is a psychoanalyst in private practice in Los Angeles. He can be reached at PhilipJLance@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>'Whiteness' is a politically constructed category which needs to be understood and dismantled because the system of racism so embedded within our society harms us all. It has profound implications for human psychology, an understanding of which is essential for supporting the movement for change. Helen Morgan's <a href="https://bookshop.org/a/12343/9780367218362"><em>The Work of Whiteness: A Psychoanalytic Perspective</em></a> (Routledge, 2021)explores these implications from a psychoanalytic and Jungian analytic perspective. </p><p>The 'fragility' of whiteness, the colour-blind approach and the silencing process of disavowal as they develop in the childhood of white liberal families are considered as means of maintaining white privilege and racism. A critique of the colonial roots of psychoanalytic theories of Freud and Jung leads to questioning the de-linking of the individual from society in modern day analytic thinking. The concept of the cultural complex is suggested as a useful means of connecting the individual and the social. Examples from the author's clinical practice as well as from public life are used to illustrate the argument. </p><p>Relatively few black people join the psychoanalytic profession and those who do describe training and membership as a difficult and painful process. How racism operates in clinical work, supervision and our institutions is explored, and whilst it can seem an intractable problem, proposals are given for ways forward. This book will be of great importance to psychoanalysts, psychotherapists, social workers and all those with an interest in the role of white privilege on mental health.</p><p><a href="https://therapists.psychologytoday.com/rms/228002"><em>Philip Lance,</em></a><em> Ph.D. is a psychoanalyst in private practice in Los Angeles. He can be reached at </em><a href="mailto:philipjlance@gmail.com"><em>PhilipJLance@gmail.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3156</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7bbc28e2-fad3-11ec-9ab0-c3c509b9f5ce]]></guid>
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    </item>
    <item>
      <title>Adrienne Buller, "The Value of a Whale: On the Illusions of Green Capitalism" (Manchester UP, 2022)</title>
      <description>In this searing and insightful critique, Adrienne Buller examines the fatal biases that have shaped the response of our governing institutions to climate and environmental breakdown, and asks: are the 'solutions' being proposed really solutions? Tracing the intricate connections between financial power, economic injustice and ecological crisis, she exposes the myopic economism and market-centric thinking presently undermining a future where all life can flourish. 
The Value of a Whale: On the Illusions of Green Capitalism (Manchester UP, 2022) examines what is wrong with mainstream climate and environmental governance, from carbon pricing and offset markets to 'green growth', the commodification of nature and the growing influence of the finance industry on environmental policy. In doing so, it exposes the self-defeating logic of a response to these challenges based on creating new opportunities for profit, and a refusal to grapple with the inequalities and injustices that have created them. Both honest and optimistic, The Value of a Whale asks us - in the face of crisis - what we really value.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adrienne Buller</itunes:subtitle>
      <itunes:summary>In this searing and insightful critique, Adrienne Buller examines the fatal biases that have shaped the response of our governing institutions to climate and environmental breakdown, and asks: are the 'solutions' being proposed really solutions? Tracing the intricate connections between financial power, economic injustice and ecological crisis, she exposes the myopic economism and market-centric thinking presently undermining a future where all life can flourish. 
The Value of a Whale: On the Illusions of Green Capitalism (Manchester UP, 2022) examines what is wrong with mainstream climate and environmental governance, from carbon pricing and offset markets to 'green growth', the commodification of nature and the growing influence of the finance industry on environmental policy. In doing so, it exposes the self-defeating logic of a response to these challenges based on creating new opportunities for profit, and a refusal to grapple with the inequalities and injustices that have created them. Both honest and optimistic, The Value of a Whale asks us - in the face of crisis - what we really value.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this searing and insightful critique, Adrienne Buller examines the fatal biases that have shaped the response of our governing institutions to climate and environmental breakdown, and asks: are the 'solutions' being proposed really solutions? Tracing the intricate connections between financial power, economic injustice and ecological crisis, she exposes the myopic economism and market-centric thinking presently undermining a future where all life can flourish. </p><p><a href="https://bookshop.org/a/12343/9781526162632"><em>The Value of a Whale: On the Illusions of Green Capitalism</em></a> (Manchester UP, 2022) examines what is wrong with mainstream climate and environmental governance, from carbon pricing and offset markets to 'green growth', the commodification of nature and the growing influence of the finance industry on environmental policy. In doing so, it exposes the self-defeating logic of a response to these challenges based on creating new opportunities for profit, and a refusal to grapple with the inequalities and injustices that have created them. Both honest and optimistic, <em>The Value of a Whale</em> asks us - in the face of crisis - what we really value.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2866</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8177c32e-f635-11ec-bd6b-4f853ff494b7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7188831194.mp3?updated=1656347503" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mattin, "Social Dissonance" (MIT Press, 2022)</title>
      <description>We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.
Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse.
The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today.
Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation.
Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide.
He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel.

Information on the Social Dissonance concert at Documenta 14

A video recording of one of the performances

Social Discipline podcast

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mattin</itunes:subtitle>
      <itunes:summary>We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.
Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse.
The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today.
Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation.
Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide.
He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel.

Information on the Social Dissonance concert at Documenta 14

A video recording of one of the performances

Social Discipline podcast

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.</p><p>Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse.</p><p>The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today.</p><p>Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score <em>Social Dissonance</em>, in which the audience is the instrument and the legacy of the Marxist theory of alienation.</p><p><a href="http://mattin.org/">Mattin</a> is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide.</p><p>He has performed in festivals such as <em>Performa</em> and <em>Club Transmediale</em> and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast <em>Social Discipline</em>. Mattin took part in 2017 in documenta14 in Athens and Kassel.</p><ul>
<li><a href="https://www.documenta14.de/en/artists/13587/mattin">Information on the <em>Social Dissonance </em>concert at Documenta 14</a></li>
<li><a href="https://archive.org/details/SocialDissonanceKassel090617004">A video recording of one of the performances</a></li>
<li><a href="https://soundcloud.com/socialdiscipline/sd-34"><em>Social Discipline</em> podcast</a></li>
</ul><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3584</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b463cce0-f6e6-11ec-a64a-5bd65e232183]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5462197367.mp3?updated=1656423908" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Max Ajl, "A People's Green New Deal" (Pluto Press, 2021)</title>
      <description>The idea of a Green New Deal was launched into popular consciousness by US Congressperson Alexandria Ocasio-Cortez in 2018. It has become a watchword in the current era of global climate crisis. But what – and for whom – is the Green New Deal? In this concise and urgent book, Max Ajl provides an overview of the various mainstream Green New Deals. Critically engaging with their proponents, ideological underpinnings and limitations, he goes on to sketch out a radical alternative: a 'People's Green New Deal' committed to decommodification, working-class power, anti-imperialism and agro-ecology. Ajl diagnoses the roots of the current socio-ecological crisis as emerging from a world-system dominated by the logics of capitalism and imperialism. Resolving this crisis, he argues, requires nothing less than an infrastructural and agricultural transformation in the Global North, and the industrial convergence between North and South. As the climate crisis deepens and the literature on the subject grows, A People's Green New Deal (Pluto Press, 2021) contributes a distinctive perspective to the debate.
Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project on ecology and agriculture in post-independence Lebanon at the University of Leeds and this work are supported by the UK Arts &amp; Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts &amp; Humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Max Ajl</itunes:subtitle>
      <itunes:summary>The idea of a Green New Deal was launched into popular consciousness by US Congressperson Alexandria Ocasio-Cortez in 2018. It has become a watchword in the current era of global climate crisis. But what – and for whom – is the Green New Deal? In this concise and urgent book, Max Ajl provides an overview of the various mainstream Green New Deals. Critically engaging with their proponents, ideological underpinnings and limitations, he goes on to sketch out a radical alternative: a 'People's Green New Deal' committed to decommodification, working-class power, anti-imperialism and agro-ecology. Ajl diagnoses the roots of the current socio-ecological crisis as emerging from a world-system dominated by the logics of capitalism and imperialism. Resolving this crisis, he argues, requires nothing less than an infrastructural and agricultural transformation in the Global North, and the industrial convergence between North and South. As the climate crisis deepens and the literature on the subject grows, A People's Green New Deal (Pluto Press, 2021) contributes a distinctive perspective to the debate.
Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project on ecology and agriculture in post-independence Lebanon at the University of Leeds and this work are supported by the UK Arts &amp; Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts &amp; Humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The idea of a Green New Deal was launched into popular consciousness by US Congressperson Alexandria Ocasio-Cortez in 2018. It has become a watchword in the current era of global climate crisis. But what – and for whom – is the Green New Deal? In this concise and urgent book, Max Ajl provides an overview of the various mainstream Green New Deals. Critically engaging with their proponents, ideological underpinnings and limitations, he goes on to sketch out a radical alternative: a 'People's Green New Deal' committed to decommodification, working-class power, anti-imperialism and agro-ecology. Ajl diagnoses the roots of the current socio-ecological crisis as emerging from a world-system dominated by the logics of capitalism and imperialism. Resolving this crisis, he argues, requires nothing less than an infrastructural and agricultural transformation in the Global North, and the industrial convergence between North and South. As the climate crisis deepens and the literature on the subject grows,<a href="https://bookshop.org/a/12343/9780745341750"> <em>A People's Green New Deal</em></a><em> </em>(Pluto Press, 2021) contributes a distinctive perspective to the debate.</p><p><em>Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project on ecology and agriculture in post-independence Lebanon at the University of Leeds and this work are supported by the UK Arts &amp; Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts &amp; Humanities.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2893</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5abaa0c4-f6f0-11ec-9213-7b68762b4e6a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2964554164.mp3?updated=1657051983" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elisabeth R. Anker, "Ugly Freedoms" (Duke UP, 2022)</title>
      <description>In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>307</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elisabeth R. Anker</itunes:subtitle>
      <itunes:summary>In Ugly Freedoms (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478017783"><em>Ugly Freedoms</em></a> (Duke UP, 2022), Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture <em>A Subtlety, Or the Marvelous Sugar Baby</em> reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in <em>The Wire</em> blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3719</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97356546-eda6-11ec-a163-3b57bb7bb223]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3842063938.mp3?updated=1655409680" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stefanie K. Dunning, "Black to Nature: Pastoral Return and African American Culture" (UP of Mississippi, 2021)</title>
      <description>In Black to Nature: Pastoral Return and African American Culture (﻿University Press of Mississippi, 2021), author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s Lemonade to Jesmyn Ward’s Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition.
Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stefanie K. Dunning</itunes:subtitle>
      <itunes:summary>In Black to Nature: Pastoral Return and African American Culture (﻿University Press of Mississippi, 2021), author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s Lemonade to Jesmyn Ward’s Salvage the Bones. These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition.
Black to Nature thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781496832931"><em>Black to Nature: Pastoral Return and African American Culture</em></a><em> </em>(﻿University Press of Mississippi, 2021), author Stefanie K. Dunning considers both popular and literary texts that range from Beyoncé’s<em> Lemonade </em>to Jesmyn Ward’s <em>Salvage the Bones. </em>These key works restage Black women in relation to nature. Dunning argues that depictions of protagonists who return to pastoral settings contest the violent and racist history that incentivized Black disavowal of the natural world. Dunning offers an original theoretical paradigm for thinking through race and nature by showing that diverse constructions of nature in these texts are deployed as a means of rescrambling the teleology of the Western progress narrative. In a series of fascinating close readings of contemporary Black texts, she reveals how a range of artists evoke nature to suggest that interbeing with nature signals a call for what Jared Sexton calls “the dream of Black Studies”—abolition.</p><p><em>Black to Nature </em>thus offers nuanced readings that advance an emerging body of critical and creative work at the nexus of Blackness, gender, and nature. Written in a clear, approachable, and multilayered style that aims to be as poignant as nature itself, the volume offers a unique combination of theoretical breadth, narrative beauty, and broader perspective that suggests it will be a foundational text in a new critical turn towards framing nature within a cultural studies context.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[82d7a7d6-f246-11ec-b91d-5b152f24f63e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1047466136.mp3?updated=1655915011" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Roberto J. González, "War Virtually: The Quest to Automate Conflict, Militarize Data, and Predict the Future" (U California Press, 2022)</title>
      <description>A critical look at how the US military is weaponizing technology and data for new kinds of warfare—and why we must resist. War Virtually: The Quest to Automate Conflict, Militarize Data, and Predict the Future (University of California Press, 2022) is the story of how scientists, programmers, and engineers are racing to develop data-driven technologies for fighting virtual wars, both at home and abroad. In this landmark book, Roberto J. González gives us a lucid and gripping account of what lies behind the autonomous weapons, robotic systems, predictive modeling software, advanced surveillance programs, and psyops techniques that are transforming the nature of military conflict. González, a cultural anthropologist, takes a critical approach to the techno-utopian view of these advancements and their dubious promise of a less deadly and more efficient warfare.
With clear, accessible prose, this book exposes the high-tech underpinnings of contemporary military operations—and the cultural assumptions they're built on. Chapters cover automated battlefield robotics; social scientists' involvement in experimental defense research; the blurred line between political consulting and propaganda in the internet era; and the military's use of big data to craft new counterinsurgency methods based on predicting conflict. González also lays bare the processes by which the Pentagon and US intelligence agencies have quietly joined forces with Big Tech, raising an alarming prospect: that someday Google, Amazon, and other Silicon Valley firms might merge with some of the world's biggest defense contractors. War Virtually takes an unflinching look at an algorithmic future—where new military technologies threaten democratic governance and human survival.
Dr. Gonzalez is Professor and Chair of the San Jose State University Anthropology Department. He has authored four books including Connected: How a Mexican Village Built Its Own Cell Phone Network and Militarizing Culture: Essays on the Warfare State. You can learn more about his work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Roberto J. González</itunes:subtitle>
      <itunes:summary>A critical look at how the US military is weaponizing technology and data for new kinds of warfare—and why we must resist. War Virtually: The Quest to Automate Conflict, Militarize Data, and Predict the Future (University of California Press, 2022) is the story of how scientists, programmers, and engineers are racing to develop data-driven technologies for fighting virtual wars, both at home and abroad. In this landmark book, Roberto J. González gives us a lucid and gripping account of what lies behind the autonomous weapons, robotic systems, predictive modeling software, advanced surveillance programs, and psyops techniques that are transforming the nature of military conflict. González, a cultural anthropologist, takes a critical approach to the techno-utopian view of these advancements and their dubious promise of a less deadly and more efficient warfare.
With clear, accessible prose, this book exposes the high-tech underpinnings of contemporary military operations—and the cultural assumptions they're built on. Chapters cover automated battlefield robotics; social scientists' involvement in experimental defense research; the blurred line between political consulting and propaganda in the internet era; and the military's use of big data to craft new counterinsurgency methods based on predicting conflict. González also lays bare the processes by which the Pentagon and US intelligence agencies have quietly joined forces with Big Tech, raising an alarming prospect: that someday Google, Amazon, and other Silicon Valley firms might merge with some of the world's biggest defense contractors. War Virtually takes an unflinching look at an algorithmic future—where new military technologies threaten democratic governance and human survival.
Dr. Gonzalez is Professor and Chair of the San Jose State University Anthropology Department. He has authored four books including Connected: How a Mexican Village Built Its Own Cell Phone Network and Militarizing Culture: Essays on the Warfare State. You can learn more about his work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A critical look at how the US military is weaponizing technology and data for new kinds of warfare—and why we must resist. <a href="https://bookshop.org/a/12343/9780520384767"><em>War Virtually: The Quest to Automate Conflict, Militarize Data, and Predict the Future</em></a> (University of California Press, 2022) is the story of how scientists, programmers, and engineers are racing to develop data-driven technologies for fighting virtual wars, both at home and abroad. In this landmark book, Roberto J. González gives us a lucid and gripping account of what lies behind the autonomous weapons, robotic systems, predictive modeling software, advanced surveillance programs, and psyops techniques that are transforming the nature of military conflict. González, a cultural anthropologist, takes a critical approach to the techno-utopian view of these advancements and their dubious promise of a less deadly and more efficient warfare.</p><p>With clear, accessible prose, this book exposes the high-tech underpinnings of contemporary military operations—and the cultural assumptions they're built on. Chapters cover automated battlefield robotics; social scientists' involvement in experimental defense research; the blurred line between political consulting and propaganda in the internet era; and the military's use of big data to craft new counterinsurgency methods based on predicting conflict. González also lays bare the processes by which the Pentagon and US intelligence agencies have quietly joined forces with Big Tech, raising an alarming prospect: that someday Google, Amazon, and other Silicon Valley firms might merge with some of the world's biggest defense contractors. <em>War Virtually</em> takes an unflinching look at an algorithmic future—where new military technologies threaten democratic governance and human survival.</p><p>Dr. Gonzalez is Professor and Chair of the San Jose State University Anthropology Department. He has authored four books including <em>Connected: How a Mexican Village Built Its Own Cell Phone Network </em>and <em>Militarizing Culture: Essays on the Warfare State</em>. You can learn more about his work <a href="https://www.sjsu.edu/anthropology/about-us/people/faculty/gonzalez.php">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3735</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2279904277.mp3?updated=1655916183" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kuba Szreder, "The ABC of the Projectariat: Living and Working in a Precarious Art World" (Manchester UP, 2021)</title>
      <description>Labour has taken an about-turn. From Adam Smith’s proposal for specialisation which saw the factory line reorganised so that each worker needed to understand only a small aspect of the production process, many industries now rely on access to specialised skills and resources that are commanded at-hoc in discrete, time- and output-bound chunks.
This is the logic of projects. The workforce no longer dedicates itself to the making of a singular commodity, as it was the case with Smith, but bids for discrete pieces of work when those are in demand. In some industries, for example, in the art world, the workforce is also charged with building the demand for their work by initiating the project which would then employ them.
The ABC of the Projectariat: Living and Working in a Precarious Art World (Manchester UP, 2021) by Kuba Szreder contributes new thinking on and practical responses to the widespread problem of precarious labour in contemporary art. It is both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. Kuba Szreder speaks to Pierre d’Alancaisez about the artistic project, and the effects of projectarisation on workers’ solidarity, communal governance, and the precarity of artistic activity.
Kuba Szreder is a lecturer in the department of art theory at the Academy of Fine Arts in Warsaw. He combines his research with independent curatorial practice. His previous publications include Joy Forever: Political Economy of Social Creativity (2011) and Art Factory: Division of Labor and Distribution of Resources in the Field of Contemporary Art in Poland (2014). In 2018, together with Kathrin Böhm, he initiated Centre for Plausible Economies, a cluster devoted to reimagining economies of contemporary art and using artistic imagination to redraw the economy at large.

A report on the Free/Slow University of Warsaw


Pierre’s interview with François Matarasso on community art

Pierre’s essay on the social artist’s absorption into the professional-managerial class


Kuba’s work with Kathrin Böhm (Company Drinks/myvillages) on the Centre for Plausible Economies, which contributed to Documenta 15


A New Books Network Interview with Dave O’Brien et al on Culture is Bad for You

Pierre’s review of Sam Friedman’s and Daniel Laurison’s The Class Ceiling


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kuba Szreder</itunes:subtitle>
      <itunes:summary>Labour has taken an about-turn. From Adam Smith’s proposal for specialisation which saw the factory line reorganised so that each worker needed to understand only a small aspect of the production process, many industries now rely on access to specialised skills and resources that are commanded at-hoc in discrete, time- and output-bound chunks.
This is the logic of projects. The workforce no longer dedicates itself to the making of a singular commodity, as it was the case with Smith, but bids for discrete pieces of work when those are in demand. In some industries, for example, in the art world, the workforce is also charged with building the demand for their work by initiating the project which would then employ them.
The ABC of the Projectariat: Living and Working in a Precarious Art World (Manchester UP, 2021) by Kuba Szreder contributes new thinking on and practical responses to the widespread problem of precarious labour in contemporary art. It is both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. Kuba Szreder speaks to Pierre d’Alancaisez about the artistic project, and the effects of projectarisation on workers’ solidarity, communal governance, and the precarity of artistic activity.
Kuba Szreder is a lecturer in the department of art theory at the Academy of Fine Arts in Warsaw. He combines his research with independent curatorial practice. His previous publications include Joy Forever: Political Economy of Social Creativity (2011) and Art Factory: Division of Labor and Distribution of Resources in the Field of Contemporary Art in Poland (2014). In 2018, together with Kathrin Böhm, he initiated Centre for Plausible Economies, a cluster devoted to reimagining economies of contemporary art and using artistic imagination to redraw the economy at large.

A report on the Free/Slow University of Warsaw


Pierre’s interview with François Matarasso on community art

Pierre’s essay on the social artist’s absorption into the professional-managerial class


Kuba’s work with Kathrin Böhm (Company Drinks/myvillages) on the Centre for Plausible Economies, which contributed to Documenta 15


A New Books Network Interview with Dave O’Brien et al on Culture is Bad for You

Pierre’s review of Sam Friedman’s and Daniel Laurison’s The Class Ceiling


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Labour has taken an about-turn. From Adam Smith’s proposal for specialisation which saw the factory line reorganised so that each worker needed to understand only a small aspect of the production process, many industries now rely on access to specialised skills and resources that are commanded at-hoc in discrete, time- and output-bound chunks.</p><p>This is the logic of projects. The workforce no longer dedicates itself to the making of a singular commodity, as it was the case with Smith, but bids for discrete pieces of work when those are in demand. In some industries, for example, in the art world, the workforce is also charged with building the demand for their work by initiating the project which would then employ them.</p><p><a href="https://bookshop.org/a/12343/9781526161321"><em>The ABC of the Projectariat: Living and Working in a Precarious Art World</em></a><em> </em>(Manchester UP, 2021) by Kuba Szreder contributes new thinking on and practical responses to the widespread problem of precarious labour in contemporary art. It is both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. Kuba Szreder speaks to Pierre d’Alancaisez about the artistic project, and the effects of projectarisation on workers’ solidarity, communal governance, and the precarity of artistic activity.</p><p>Kuba Szreder is a lecturer in the department of art theory at the Academy of Fine Arts in Warsaw. He combines his research with independent curatorial practice. His previous publications include <em>Joy Forever: Political Economy of Social Creativity </em>(2011) and <em>Art Factory: Division of Labor and Distribution of Resources in the Field of Contemporary Art in Poland </em>(2014). In 2018, together with Kathrin Böhm, he initiated Centre for Plausible Economies, a cluster devoted to reimagining economies of contemporary art and using artistic imagination to redraw the economy at large.</p><ul>
<li>A report on the <a href="https://www.transformativeartproduction.net/wp-content/uploads/2015/08/The_Art_Factory_Report_by_FSUW.pdf">Free/Slow University of Warsaw</a>
</li>
<li><a href="https://petitpoi.net/a-restless-art/">Pierre’s interview with François Matarasso on community art</a></li>
<li>Pierre’s <a href="https://petitpoi.net/the-discreet-charm-of-the-artistic-elite/">essay on the social artist’s absorption into the professional-managerial class</a>
</li>
<li>Kuba’s work with Kathrin Böhm (Company Drinks/myvillages) on the <a href="https://companydrinks.info/whats-on/economy/">Centre for Plausible Economies</a>, which contributed to <a href="https://documenta-fifteen.de/en/composting-knowledge/">Documenta 15</a>
</li>
<li><a href="https://newbooksnetwork.com/dave-obrien-culture-is-bad-for-you-inequality-in-the-cultural-and-creative-industries-manchester-up-2020#entry:32335@1:url">A New Books Network Interview with Dave O’Brien et al on <em>Culture is Bad for You</em></a></li>
<li><a href="https://petitpoi.net/review-the-class-ceiling/">Pierre’s review of Sam Friedman’s and Daniel Laurison’s <em>The Class Ceiling</em></a></li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4444</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Rae Lynn Schwartz-DuPre, "Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism" (UP of Mississippi, 2021)</title>
      <description>In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children’s literature—Curious George. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city’s zoo, Curious George became a symbol of curiosity, adventure, and exploration. In Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism (University Press of Mississippi, 2021), author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism.
Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children’s criticisms, science and technology studies, and nostalgia, Schwartz-DuPre’s critical reading explains the dismissal of the monkey’s 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a “deficient” version of the Holocaust while performing model US immigrant. Curious George’s twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, Curious about George illuminates the danger of contemporary zero-sum identity politics, the colonization of marginalized identities, and racist knowledge production. Importantly, it demonstrates the ways in which popular culture can be harnessed both to promote colonial benevolence and to present possibilities for resistance.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rae Lynn Schwartz-DuPre</itunes:subtitle>
      <itunes:summary>In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children’s literature—Curious George. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city’s zoo, Curious George became a symbol of curiosity, adventure, and exploration. In Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism (University Press of Mississippi, 2021), author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism.
Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children’s criticisms, science and technology studies, and nostalgia, Schwartz-DuPre’s critical reading explains the dismissal of the monkey’s 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a “deficient” version of the Holocaust while performing model US immigrant. Curious George’s twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, Curious about George illuminates the danger of contemporary zero-sum identity politics, the colonization of marginalized identities, and racist knowledge production. Importantly, it demonstrates the ways in which popular culture can be harnessed both to promote colonial benevolence and to present possibilities for resistance.
﻿Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children’s literature—<em>Curious George</em>. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city’s zoo, Curious George became a symbol of curiosity, adventure, and exploration. In <a href="https://www.upress.state.ms.us/Books/C/Curious-about-George"><em>Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism</em></a><em> </em>(University Press of Mississippi, 2021), author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism.</p><p>Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children’s criticisms, science and technology studies, and nostalgia, Schwartz-DuPre’s critical reading explains the dismissal of the monkey’s 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a “deficient” version of the Holocaust while performing model US immigrant. Curious George’s twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, <em>Curious about George</em> illuminates the danger of contemporary zero-sum identity politics, the colonization of marginalized identities, and racist knowledge production. Importantly, it demonstrates the ways in which popular culture can be harnessed both to promote colonial benevolence and to present possibilities for resistance.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3571</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2840213e-f261-11ec-8ac3-6354031d2200]]></guid>
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    </item>
    <item>
      <title>Ruth Wilson Gilmore, "Abolition Geography: Essays Towards Liberation" (Verso, 2022)</title>
      <description>Gathering together Ruth Wilson Gilmore’s work from over three decades, Abolition Geography: Essays Toward Liberation (Verso, 2022) presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.
Edited and introduced by Brenna Bhandar and Alberto Toscano, Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an “anti-state state” that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.
In this interview, we spent time unpacking how the book came to be, its focus, and its central concept: abolition geography. Among other things, we discussed the meaning and merits of taking a specifically geographical approach to abolition, Ruthie’s activist and intellectual influences, and the role of scholars in bringing about a more just world.
Ruth Wilson Gilmore is Professor of Earth and Environmental Sciences and American Studies at the Graduate Center of the City University of New York, where she is also Director of the Center for Place, Culture, and Politics. She is also the author of Golden Gulag and Opposition in Globalizing California.
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ruth Wilson Gilmore</itunes:subtitle>
      <itunes:summary>Gathering together Ruth Wilson Gilmore’s work from over three decades, Abolition Geography: Essays Toward Liberation (Verso, 2022) presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.
Edited and introduced by Brenna Bhandar and Alberto Toscano, Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an “anti-state state” that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.
In this interview, we spent time unpacking how the book came to be, its focus, and its central concept: abolition geography. Among other things, we discussed the meaning and merits of taking a specifically geographical approach to abolition, Ruthie’s activist and intellectual influences, and the role of scholars in bringing about a more just world.
Ruth Wilson Gilmore is Professor of Earth and Environmental Sciences and American Studies at the Graduate Center of the City University of New York, where she is also Director of the Center for Place, Culture, and Politics. She is also the author of Golden Gulag and Opposition in Globalizing California.
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gathering together Ruth Wilson Gilmore’s work from over three decades, <a href="https://bookshop.org/a/12343/9781839761706"><em>Abolition Geography: Essays Toward Liberation</em></a> (Verso, 2022) presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.</p><p>Edited and introduced by <a href="https://allard.ubc.ca/about-us/our-people/brenna-bhandar">Brenna Bhandar</a> and <a href="https://www.gold.ac.uk/sociology/staff/toscano/">Alberto Toscano</a>, <em>Abolition Geography</em> moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an “anti-state state” that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.</p><p>In this interview, we spent time unpacking how the book came to be, its focus, and its central concept: abolition geography. Among other things, we discussed the meaning and merits of taking a specifically geographical approach to abolition, Ruthie’s activist and intellectual influences, and the role of scholars in bringing about a more just world.</p><p><a href="https://www.gc.cuny.edu/people/ruth-wilson-gilmore">Ruth Wilson Gilmore</a> is Professor of Earth and Environmental Sciences and American Studies at the Graduate Center of the City University of New York, where she is also Director of the Center for Place, Culture, and Politics. She is also the author of <em>Golden Gulag</em> and <em>Opposition in Globalizing California</em>.</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold/"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3383</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4da90196-ee49-11ec-bebe-1b32d6d115da]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3012474365.mp3?updated=1656337307" length="0" type="audio/mpeg"/>
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    <item>
      <title>Alan Lane, "The Club on the Edge of Town: A Pandemic Memoir" (Salamander Street, 2022)</title>
      <description>What happened to arts organisations during the pandemic? In The Club on the Edge of Town: A Pandemic Memoir (Salamander Street, 2022), Alan Lane, Artistic Director of SlungLow, a theatre company based in Leeds in the North of England, explores this question by telling the story of the theatre company and the community in 2020. Beginning from the decision to partner with Britain’s oldest working men’s club, through the lockdown, to the pivot to serving the local area by becoming ‘a non means tested self-referral food bank’, the book captures the heroic efforts of a community to survive whilst still being artists and making art. By telling the story of The Holbeck during the pandemic, the book raises profound questions about how we organise society and its welfare state, alongside the nature of art and culture. It will be essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding why and how the arts matter to society.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>298</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alan Lane</itunes:subtitle>
      <itunes:summary>What happened to arts organisations during the pandemic? In The Club on the Edge of Town: A Pandemic Memoir (Salamander Street, 2022), Alan Lane, Artistic Director of SlungLow, a theatre company based in Leeds in the North of England, explores this question by telling the story of the theatre company and the community in 2020. Beginning from the decision to partner with Britain’s oldest working men’s club, through the lockdown, to the pivot to serving the local area by becoming ‘a non means tested self-referral food bank’, the book captures the heroic efforts of a community to survive whilst still being artists and making art. By telling the story of The Holbeck during the pandemic, the book raises profound questions about how we organise society and its welfare state, alongside the nature of art and culture. It will be essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding why and how the arts matter to society.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happened to arts organisations during the pandemic? In <a href="https://bookshop.org/a/12343/9781914228414"><em>The Club on the Edge of Town: A Pandemic Memoir</em></a> (Salamander Street, 2022), <a href="https://twitter.com/slunglowalan">Alan Lane</a>, Artistic Director of <a href="https://www.slunglow.org/">SlungLow, a theatre company based in Leeds in the North of England</a>, explores this question by telling the story of the theatre company and the community in 2020. Beginning from the decision to partner with Britain’s oldest working men’s club, through the lockdown, to the pivot to serving the local area by becoming ‘a non means tested self-referral food bank’, the book captures the heroic efforts of a community to survive whilst still being artists and making art. By telling the story of The Holbeck during the pandemic, the book raises profound questions about how we organise society and its welfare state, alongside the nature of art and culture. It will be essential reading across the arts, humanities, and social sciences, as well as for anyone interested in understanding why and how the arts matter to society.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2486</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a6dda5ee-ece8-11ec-b509-4b0e7cd48aa2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8325653793.mp3?updated=1655325148" length="0" type="audio/mpeg"/>
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    <item>
      <title>Joni Schwartz and John R. Chaney, "Gifts from the Dark: Learning from the Incarceration Experience" (Lexington Books, 2022)</title>
      <description>While in no way supporting the systemic injustices and disparities of mass incarceration, in Gifts from the Dark: Learning from the Incarceration Experience (Lexington Books, 2021), Joni Schwartz and John Chaney argue that we have much to learn from those who have been and are in prison. Schwartz and Chaney profile the contributions of literary giants, social activists, entrepreneurs, and other talented individuals who, despite the disorienting dilemma of incarceration, are models of adult transformative learning that positively impact the world. In focusing upon how men and women have chosen the worst moments of their lives as a baseline not to define, but to refine themselves, Gifts from the Dark promises to alter the limited mindset of incarceration as a solely one-dimensional, deficit event.
Joni Schwartz is professor of humanities at the City University of New York – LaGuardia Community College and adjunct professor at John Jay College of Criminal Justice Graduate Studies Program.
John Chaney is assistant professor and director of Criminal Justice programs for City University of New York -- LaGuardia Community College.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joni Schwartz and John R. Chaney</itunes:subtitle>
      <itunes:summary>While in no way supporting the systemic injustices and disparities of mass incarceration, in Gifts from the Dark: Learning from the Incarceration Experience (Lexington Books, 2021), Joni Schwartz and John Chaney argue that we have much to learn from those who have been and are in prison. Schwartz and Chaney profile the contributions of literary giants, social activists, entrepreneurs, and other talented individuals who, despite the disorienting dilemma of incarceration, are models of adult transformative learning that positively impact the world. In focusing upon how men and women have chosen the worst moments of their lives as a baseline not to define, but to refine themselves, Gifts from the Dark promises to alter the limited mindset of incarceration as a solely one-dimensional, deficit event.
Joni Schwartz is professor of humanities at the City University of New York – LaGuardia Community College and adjunct professor at John Jay College of Criminal Justice Graduate Studies Program.
John Chaney is assistant professor and director of Criminal Justice programs for City University of New York -- LaGuardia Community College.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While in no way supporting the systemic injustices and disparities of mass incarceration, in <a href="https://bookshop.org/a/12343/9781498591720"><em>Gifts from the Dark: Learning from the Incarceration Experience</em></a> (Lexington Books, 2021), Joni Schwartz and John Chaney argue that we have much to learn from those who have been and are in prison. Schwartz and Chaney profile the contributions of literary giants, social activists, entrepreneurs, and other talented individuals who, despite the disorienting dilemma of incarceration, are models of adult transformative learning that positively impact the world. In focusing upon how men and women have chosen the worst moments of their lives as a baseline not to define, but to refine themselves, <em>Gifts from the Dark</em> promises to alter the limited mindset of incarceration as a solely one-dimensional, deficit event.</p><p>Joni Schwartz is professor of humanities at the City University of New York – LaGuardia Community College and adjunct professor at John Jay College of Criminal Justice Graduate Studies Program.</p><p>John Chaney is assistant professor and director of Criminal Justice programs for City University of New York -- LaGuardia Community College.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3400</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb053c40-ec25-11ec-836c-6bfda3c5137c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8067276281.mp3?updated=1655241140" length="0" type="audio/mpeg"/>
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      <title>Mark Andrejevic, "Automated Media" (Routledge, 2019)</title>
      <description>In this era of pervasive automation, Mark Andrejevic provides an original framework for tracing the logical trajectory of automated media and their social, political, and cultural consequences.
Automated Media (Routledge, 2019) explores the cascading logic of automation, which develops from the information collection process through to data processing and, finally, automated decision making. It argues that pervasive digital monitoring combines with algorithmic decision making and machine learning to create new forms of power and control that pose challenges to democratic forms of accountability and individual autonomy alike. Andrejevic provides an overview of the implications of these developments for the fate of human experience, describing the "bias of automation" through the logics of pre-emption, operationalism, and "framelessness."
Automated Media is a fascinating and groundbreaking new volume: a must-read for students and researchers of critical media studies interested in the intersections of media, technology, and the digital economy.
Mark Andrejevic is Professor of Media Studies at Monash University where he heads the Automated Society Working Group in the School of Media, Film and Journalism. He is the author of Infoglut: How Too Much Information Is Changing the Way We Think and Know, iSpy: Surveillance and Power in the Interactive Era; and Reality TV: The Work of Being Watched, as well as numerous journal articles and book chapters on surveillance, popular culture, and digital media.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>297</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Andrejevic</itunes:subtitle>
      <itunes:summary>In this era of pervasive automation, Mark Andrejevic provides an original framework for tracing the logical trajectory of automated media and their social, political, and cultural consequences.
Automated Media (Routledge, 2019) explores the cascading logic of automation, which develops from the information collection process through to data processing and, finally, automated decision making. It argues that pervasive digital monitoring combines with algorithmic decision making and machine learning to create new forms of power and control that pose challenges to democratic forms of accountability and individual autonomy alike. Andrejevic provides an overview of the implications of these developments for the fate of human experience, describing the "bias of automation" through the logics of pre-emption, operationalism, and "framelessness."
Automated Media is a fascinating and groundbreaking new volume: a must-read for students and researchers of critical media studies interested in the intersections of media, technology, and the digital economy.
Mark Andrejevic is Professor of Media Studies at Monash University where he heads the Automated Society Working Group in the School of Media, Film and Journalism. He is the author of Infoglut: How Too Much Information Is Changing the Way We Think and Know, iSpy: Surveillance and Power in the Interactive Era; and Reality TV: The Work of Being Watched, as well as numerous journal articles and book chapters on surveillance, popular culture, and digital media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this era of pervasive automation, Mark Andrejevic provides an original framework for tracing the logical trajectory of automated media and their social, political, and cultural consequences.</p><p><a href="https://bookshop.org/a/12343/9780367196592"><em>Automated Media</em></a> (Routledge, 2019) explores the cascading logic of automation, which develops from the information collection process through to data processing and, finally, automated decision making. It argues that pervasive digital monitoring combines with algorithmic decision making and machine learning to create new forms of power and control that pose challenges to democratic forms of accountability and individual autonomy alike. Andrejevic provides an overview of the implications of these developments for the fate of human experience, describing the "bias of automation" through the logics of pre-emption, operationalism, and "framelessness."</p><p>Automated Media is a fascinating and groundbreaking new volume: a must-read for students and researchers of critical media studies interested in the intersections of media, technology, and the digital economy.</p><p><strong>Mark Andrejevic</strong> is Professor of Media Studies at Monash University where he heads the Automated Society Working Group in the School of Media, Film and Journalism. He is the author of <em>Infoglut: How Too Much Information Is Changing the Way We Think and Know, iSpy: Surveillance and Power in the Interactive Era; </em>and<em> Reality TV: The Work of Being Watched</em>, as well as numerous journal articles and book chapters on surveillance, popular culture, and digital media.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6494</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[60878a94-ecaa-11ec-b428-8b5d7a6a1677]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6428799076.mp3?updated=1655308982" length="0" type="audio/mpeg"/>
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    <item>
      <title>Bianca C. Williams et al., "Plantation Politics and Campus Rebellions: Power, Diversity, and the Emancipatory Struggle in Higher Education" (SUNY Press, 2021)</title>
      <description>Plantation Politics and Campus Rebellions: Power, Diversity, and the Emancipatory Struggle in Higher Education (SUNY Press, 2021) provides a multidisciplinary exploration of the contemporary university's entanglement with the history of slavery and settler colonialism in the United States. Inspired by more than a hundred student-led protests during the Movement for Black Lives, contributors examine how campus rebellions—and university responses to them—expose the racialized inequities at the core of higher education. Plantation politics are embedded in the everyday workings of universities—in not only the physical structures and spaces of academic institutions, but in its recruitment and attainment strategies, hiring practices, curriculum, and notions of sociality, safety, and community. The book is comprised of three sections that highlight how white supremacy shapes campus communities and classrooms; how current diversity and inclusion initiatives perpetuate inequality; and how students, staff, and faculty practice resistance in the face of institutional and legislative repression. Each chapter interrogates a connection between the academy and the plantation, exploring how Black people and their labor are viewed as simultaneously essential and disruptive to university cultures and economies. The volume is an indispensable read for students, faculty, student affairs professionals, and administrators invested in learning more about how power operates within education and imagining emancipatory futures.
﻿Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>308</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bianca C. Williams and Frank A. Tuitt</itunes:subtitle>
      <itunes:summary>Plantation Politics and Campus Rebellions: Power, Diversity, and the Emancipatory Struggle in Higher Education (SUNY Press, 2021) provides a multidisciplinary exploration of the contemporary university's entanglement with the history of slavery and settler colonialism in the United States. Inspired by more than a hundred student-led protests during the Movement for Black Lives, contributors examine how campus rebellions—and university responses to them—expose the racialized inequities at the core of higher education. Plantation politics are embedded in the everyday workings of universities—in not only the physical structures and spaces of academic institutions, but in its recruitment and attainment strategies, hiring practices, curriculum, and notions of sociality, safety, and community. The book is comprised of three sections that highlight how white supremacy shapes campus communities and classrooms; how current diversity and inclusion initiatives perpetuate inequality; and how students, staff, and faculty practice resistance in the face of institutional and legislative repression. Each chapter interrogates a connection between the academy and the plantation, exploring how Black people and their labor are viewed as simultaneously essential and disruptive to university cultures and economies. The volume is an indispensable read for students, faculty, student affairs professionals, and administrators invested in learning more about how power operates within education and imagining emancipatory futures.
﻿Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781438482682"><em>Plantation Politics and Campus Rebellions: Power, Diversity, and the Emancipatory Struggle in Higher Education</em></a><em> </em>(SUNY Press, 2021) provides a multidisciplinary exploration of the contemporary university's entanglement with the history of slavery and settler colonialism in the United States. Inspired by more than a hundred student-led protests during the Movement for Black Lives, contributors examine how campus rebellions—and university responses to them—expose the racialized inequities at the core of higher education. Plantation politics are embedded in the everyday workings of universities—in not only the physical structures and spaces of academic institutions, but in its recruitment and attainment strategies, hiring practices, curriculum, and notions of sociality, safety, and community. The book is comprised of three sections that highlight how white supremacy shapes campus communities and classrooms; how current diversity and inclusion initiatives perpetuate inequality; and how students, staff, and faculty practice resistance in the face of institutional and legislative repression. Each chapter interrogates a connection between the academy and the plantation, exploring how Black people and their labor are viewed as simultaneously essential and disruptive to university cultures and economies. The volume is an indispensable read for students, faculty, student affairs professionals, and administrators invested in learning more about how power operates within education and imagining emancipatory futures.</p><p><em>﻿</em><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4414</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1534304975.mp3?updated=1655557095" length="0" type="audio/mpeg"/>
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    <item>
      <title>Dayna Bowen Matthew, "Just Health: Treating Structural Racism to Heal America" (NYU Press, 2022)</title>
      <description>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book Just Health: Treating Structural Racism to Heal America (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.
Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>610</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dayna Bowen Matthew</itunes:subtitle>
      <itunes:summary>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book Just Health: Treating Structural Racism to Heal America (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.
Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the United States, systemic racism is embedded in policies and practices, thereby structuring American society to perpetuate inequality and all of the symptoms and results of that inequality. Racial, social, and class inequities and the public health crises in the United States are deeply intertwined, their roots and manifestations continually pressuring each other. This has been both illuminated and exacerbated since 2020, with the Movement for Black Lives (BLM) and the disproportionate effects of the COVID-19 pandemic on historically disadvantaged groups within the U.S. Dr. Dayna Bowen Matthew, Dean of the George Washington University Law School, explores and unpacks the public health crisis that is racism in her new book <a href="https://bookshop.org/a/12343/9781479802661"><em>Just Health: Treating Structural Racism to Heal America</em></a> (NYU Press, 2022)﻿. She describes how structural inequality undermines the interests of a thriving nation and the steps we can take to undo the pervasive nature of inequality to create more equitable and just systems.</p><p>Dr. Bowen Matthew describes her personal relationship with the concepts of structural inequality and racism in the public health system, opening with a heart-wrenching ode to her father’s experience with poverty and prejudice, which ultimately led to his premature death. Through her family’s story, she explains how structural inequality is perpetuated on a large-enough scale and with a powerful-enough scope so as to virtually guarantee social outcomes that reflect predetermined hierarchies based on race and/or class, hierarchies that remain consistent across generations. These disproportionate outcomes are often dismissed as due to comorbidities without the attention paid to social factors are the primary cause of comorbidities, because oppression in its many forms blocks equitable access to the social determinants of health. These social determinants include, but are not limited to, clean and safe housing, adequate education, nutritious food and fresh water, access to recreational spaces, and mental health services. Individuals who lack these, through no fault of their own, are then obligated to accept disproportionate care, illness, and disturbingly shorter life spans then are the norm for many Americans and are much closer to life spans in impoverished countries. Dr. Bowen Matthew presents evidence of discrimination in housing, education, employment, and the criminal justice system, detailing how law has played a central role in erecting disproportionate access to the social determinants of health, and therefore is a requisite tool for dismantling it. She provides a clear path to undoing structural racism and providing an equitable society to all, encouraging health providers, law makers, and citizens all to fight to dismantle the hurdles that many patients face because of the zip code in which they live.</p><p><em>Emma R. Handschke assisted in the production of this podcast.</em></p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2813</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Joseph A. Boone, "The Homoerotics of Orientalism" (Columbia UP, 2014)</title>
      <description>One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism.
To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today.
A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism (Columbia UP, 2014) draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.
Joseph Allen Boone is a professor of English and gender studies at the University of Southern California and the author of Libidinal Currents: Sexuality and the Shaping of Modernism and Tradition Counter Tradition: Love and the Form of Fiction. He has received fellowships from the Guggenheim Foundation, the National Humanities Center, the Huntington, the Stanford Humanity Center, and the American Council of Learned Societies and has been in residency at the Liguria Center at Bogliasco, the Rockefeller-Bellagio Center, and the Valparaiso Foundation.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>299</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joseph A. Boone</itunes:subtitle>
      <itunes:summary>One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism.
To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today.
A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism (Columbia UP, 2014) draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.
Joseph Allen Boone is a professor of English and gender studies at the University of Southern California and the author of Libidinal Currents: Sexuality and the Shaping of Modernism and Tradition Counter Tradition: Love and the Form of Fiction. He has received fellowships from the Guggenheim Foundation, the National Humanities Center, the Huntington, the Stanford Humanity Center, and the American Council of Learned Societies and has been in residency at the Liguria Center at Bogliasco, the Rockefeller-Bellagio Center, and the Valparaiso Foundation.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism.</p><p>To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today.</p><p>A contribution to studies in visual culture as well as literary and social history, <a href="https://bookshop.org/a/12343/9780231151115"><em>The Homoerotics of Orientalism</em></a> (Columbia UP, 2014) draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.</p><p>Joseph Allen Boone is a professor of English and gender studies at the University of Southern California and the author of Libidinal Currents: Sexuality and the Shaping of Modernism and Tradition Counter Tradition: Love and the Form of Fiction. He has received fellowships from the Guggenheim Foundation, the National Humanities Center, the Huntington, the Stanford Humanity Center, and the American Council of Learned Societies and has been in residency at the Liguria Center at Bogliasco, the Rockefeller-Bellagio Center, and the Valparaiso Foundation.</p><p><br></p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4212</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7ca79746-ef1b-11ec-8039-8b702976d5a7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1462962753.mp3?updated=1655566995" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Crary, "Scorched Earth: Beyond the Digital Age to a Post-Capitalist World" (Verso, 2022)</title>
      <description>In this uncompromising essay, Jonathan Crary presents the obvious but unsayable reality: our ‘digital age’ is synonymous with the disastrous terminal stage of global capitalism and its financialisation of social existence, mass impoverishment, ecocide, and military terror. Scorched Earth: Beyond the Digital Age to a Post-Capitalist World (Verso, 2022) surveys the wrecking of a living world by the internet complex and its devastation of communities and their capacities for mutual support.
This polemic by the author of 24/7 dismantles the presumption that social media could be an instrument of radical change and contends that the networks and platforms of transnational corporations are intrinsically incompatible with a habitable earth or with the human interdependence needed to build egalitarian post-capitalist forms of life.
Dr. Jonathan Crary is the Meyer Schapiro Professor of Modern Art and Theory at Columbia University in the Art history and Archeology Department. He is a prolific art and culture critic and is the co-founder (and co-editor) of Zone Books. Professor Crary has been the recipient of Guggenheim, Getty, Mellon, and National Endowment for the Arts Fellowships and has been a member of the Institute for Advanced Study in Princeton. In 2005, his teaching and mentoring were recognized with a Distinguished Columbia Faculty Award. Dr. Crary is also the author of Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, Suspensions of Perception: Attention, Spectacle and Modern Culture (winner of the 2001 Lionel Trilling Book Award), and 24/7 (a finalist for the 2016 Terzani International Literary Prize).
Cody Skahan (cskahan@ksu.edu) is an anthropologist by training, starting an MA program in Anthropology at the University of Iceland in August 2022 as a Leifur Eriksson Fellow. His work focuses on the intersections of queerness, environmentalisms, and tourism in Iceland. Cody has a blog here  where he sometimes writes about Games User Research and will totally, 100% in the future post the podcast and other projects he is working on.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>300</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Crary</itunes:subtitle>
      <itunes:summary>In this uncompromising essay, Jonathan Crary presents the obvious but unsayable reality: our ‘digital age’ is synonymous with the disastrous terminal stage of global capitalism and its financialisation of social existence, mass impoverishment, ecocide, and military terror. Scorched Earth: Beyond the Digital Age to a Post-Capitalist World (Verso, 2022) surveys the wrecking of a living world by the internet complex and its devastation of communities and their capacities for mutual support.
This polemic by the author of 24/7 dismantles the presumption that social media could be an instrument of radical change and contends that the networks and platforms of transnational corporations are intrinsically incompatible with a habitable earth or with the human interdependence needed to build egalitarian post-capitalist forms of life.
Dr. Jonathan Crary is the Meyer Schapiro Professor of Modern Art and Theory at Columbia University in the Art history and Archeology Department. He is a prolific art and culture critic and is the co-founder (and co-editor) of Zone Books. Professor Crary has been the recipient of Guggenheim, Getty, Mellon, and National Endowment for the Arts Fellowships and has been a member of the Institute for Advanced Study in Princeton. In 2005, his teaching and mentoring were recognized with a Distinguished Columbia Faculty Award. Dr. Crary is also the author of Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, Suspensions of Perception: Attention, Spectacle and Modern Culture (winner of the 2001 Lionel Trilling Book Award), and 24/7 (a finalist for the 2016 Terzani International Literary Prize).
Cody Skahan (cskahan@ksu.edu) is an anthropologist by training, starting an MA program in Anthropology at the University of Iceland in August 2022 as a Leifur Eriksson Fellow. His work focuses on the intersections of queerness, environmentalisms, and tourism in Iceland. Cody has a blog here  where he sometimes writes about Games User Research and will totally, 100% in the future post the podcast and other projects he is working on.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this uncompromising essay, Jonathan Crary presents the obvious but unsayable reality: our ‘digital age’ is synonymous with the disastrous terminal stage of global capitalism and its financialisation of social existence, mass impoverishment, ecocide, and military terror. <a href="https://bookshop.org/a/12343/9781784784447"><em>Scorched Earth: Beyond the Digital Age to a Post-Capitalist World </em></a>(Verso, 2022) surveys the wrecking of a living world by the internet complex and its devastation of communities and their capacities for mutual support.</p><p>This polemic by the author of <em>24/7</em> dismantles the presumption that social media could be an instrument of radical change and contends that the networks and platforms of transnational corporations are intrinsically incompatible with a habitable earth or with the human interdependence needed to build egalitarian post-capitalist forms of life.</p><p>Dr. Jonathan Crary is the Meyer Schapiro Professor of Modern Art and Theory at Columbia University in the Art history and Archeology Department. He is a prolific art and culture critic and is the co-founder (and co-editor) of Zone Books. Professor Crary has been the recipient of Guggenheim, Getty, Mellon, and National Endowment for the Arts Fellowships and has been a member of the Institute for Advanced Study in Princeton. In 2005, his teaching and mentoring were recognized with a Distinguished Columbia Faculty Award. Dr. Crary is also the author of <em>Techniques of the Observer: On Vision and Modernity in the Nineteenth Century</em>, <em>Suspensions of Perception: Attention, Spectacle and Modern Culture (winner of the 2001 Lionel Trilling Book Award), </em>and <em>24/7</em> (a finalist for the 2016 Terzani International Literary Prize).</p><p><em>Cody Skahan (cskahan@ksu.edu) is an anthropologist by training, starting an MA program in Anthropology at the University of Iceland in August 2022 as a Leifur Eriksson Fellow. His work focuses on the intersections of queerness, environmentalisms, and tourism in Iceland. Cody has a blog </em><a href="https://codyskahan.wordpress.com/"><em>here</em></a><em>  where he sometimes writes about Games User Research and will totally, 100% in the future post the podcast and other projects he is working on.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3924</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7793b1a4-efd9-11ec-801d-0315aae20c76]]></guid>
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    </item>
    <item>
      <title>Care Ethics</title>
      <link>https://hightheory.net/podcast/care-ethics/</link>
      <description>Merel Visse and Inge van Nistelrooij talk with Kim about Care Ethics.
Over the course of the episode, we discuss works by many care ethicists and other philosophically inclined thinkers. Prominent among these is Joan Tronto, whose book Caring Democracy: Markets, Equality, and Justice (NYU Press, 2013) offers a political approach to the practice of care. Also discussed are Carol Gilligan’s In a Different Voice: Psychological Theory and Women’s Development (Harvard UP, 1982; useful excerpt available here) and Francois Jullien’s The Silent Transformations (trans. Krysztof Fijalkowski and Michael Richardson, Seagull Books / Chicago UP, 2011).
Several of Merel and Inge’s publications are discussed in the episode as well. You can read their co-authored article, “Me? The invisible call of responsibility and its promise for care ethics: a phenomenological view” in Medicine, Health Care and Philosophy (2019) 22: 275–285. Full lists of publications are available for Inge here and Merel here.
Both our guests are members of the Care Ethics Group at the University of Humanistic Studies in Utrecht, the Netherlands. Inge van Nistelrooij is an Associate Professor of Care Ethics at the University of Humanistic Studies and an endowed professor of Dialogical Self Theory (DST) at Radboud University in Nijmegen, the Netherlands. Merel Visse is the Director of the Medical and Health Humanities Program at Drew University in Madison, New Jersey and an associate professor in Care Ethics at the University of Humanistic Studies.
This week’s image is an undated painting titled “Resting” by Amrita Sher-Gil (1913-1941).
Music used in promotional material: ‘Peace of the Night’ by Crowander
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/af96db7e-a2fb-11ec-b07b-a72800ccd112/image/32715842470_1b1b537a16_b.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Merel Visse and Inge van Nistelrooij</itunes:subtitle>
      <itunes:summary>Merel Visse and Inge van Nistelrooij talk with Kim about Care Ethics.
Over the course of the episode, we discuss works by many care ethicists and other philosophically inclined thinkers. Prominent among these is Joan Tronto, whose book Caring Democracy: Markets, Equality, and Justice (NYU Press, 2013) offers a political approach to the practice of care. Also discussed are Carol Gilligan’s In a Different Voice: Psychological Theory and Women’s Development (Harvard UP, 1982; useful excerpt available here) and Francois Jullien’s The Silent Transformations (trans. Krysztof Fijalkowski and Michael Richardson, Seagull Books / Chicago UP, 2011).
Several of Merel and Inge’s publications are discussed in the episode as well. You can read their co-authored article, “Me? The invisible call of responsibility and its promise for care ethics: a phenomenological view” in Medicine, Health Care and Philosophy (2019) 22: 275–285. Full lists of publications are available for Inge here and Merel here.
Both our guests are members of the Care Ethics Group at the University of Humanistic Studies in Utrecht, the Netherlands. Inge van Nistelrooij is an Associate Professor of Care Ethics at the University of Humanistic Studies and an endowed professor of Dialogical Self Theory (DST) at Radboud University in Nijmegen, the Netherlands. Merel Visse is the Director of the Medical and Health Humanities Program at Drew University in Madison, New Jersey and an associate professor in Care Ethics at the University of Humanistic Studies.
This week’s image is an undated painting titled “Resting” by Amrita Sher-Gil (1913-1941).
Music used in promotional material: ‘Peace of the Night’ by Crowander
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Merel Visse and Inge van Nistelrooij talk with Kim about Care Ethics.</p><p>Over the course of the episode, we discuss works by many care ethicists and other philosophically inclined thinkers. Prominent among these is Joan Tronto, whose book <a href="https://nyupress.org/9780814782781/caring-democracy/"><em>Caring Democracy: Markets, Equality, and Justice</em></a> (NYU Press, 2013) offers a political approach to the practice of care. Also discussed are Carol Gilligan’s <em>I</em><a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674970960"><em>n a Different Voice: Psychological Theory and Women’s Development </em></a>(Harvard UP, 1982; useful excerpt available <a href="http://ww3.haverford.edu/psychology/ddavis/p109g/gilligan.jake-amy.html">here</a>) and Francois Jullien’s <a href="https://press.uchicago.edu/ucp/books/book/distributed/S/bo11454188.html"><em>The Silent Transformations</em></a> (trans. Krysztof Fijalkowski and Michael Richardson, Seagull Books / Chicago UP, 2011).</p><p>Several of Merel and Inge’s publications are discussed in the episode as well. You can read their co-authored article, “Me? The invisible call of responsibility and its promise for care ethics: a phenomenological view” in <a href="https://link.springer.com/epdf/10.1007/s11019-018-9873-7?author_access_token=9uhqeQ-F-E6sGAKSNzewcPe4RwlQNchNByi7wbcMAY5ADLUnhhGLe9oScZT5eceZj8Tm-ZpgxLm_1GJFIJBI6Y8W5RjEEnESbM2qutP5bB0RZC759XmSpE1roBYreAsyK-NUA5D5bP0WmZ2nE6l2vA%3D%3D"><em>Medicine</em>, <em>Health Care and Philosophy</em></a> (2019) 22: 275–285. Full lists of publications are available for <a href="https://ingevannistelrooij.com/publications/">Inge here</a> and <a href="https://merel494390146.wordpress.com/books-articles/">Merel here</a>.</p><p>Both our guests are members of the <a href="https://www.uvh.nl/university-of-humanistic-studies/research/chair-groups-and-research-projects/care-ethics/introduction">Care Ethics Group</a> at the University of Humanistic Studies in Utrecht, the Netherlands. I<a href="https://ingevannistelrooij.com/">nge van Nistelrooij</a> is an Associate Professor of Care Ethics at the University of Humanistic Studies and an endowed professor of Dialogical Self Theory (DST) at Radboud University in Nijmegen, the Netherlands. <a href="http://www.merelvisse.com/">Merel Visse</a> is the Director of the <a href="http://www.drew.edu/caspersen/medical-health-humanities/">Medical and Health Humanities</a> Program at Drew University in Madison, New Jersey and an associate professor in Care Ethics at the University of Humanistic Studies.</p><p>This week’s image is an undated painting titled “Resting” by <a href="https://en.wikipedia.org/wiki/Amrita_Sher-Gil">Amrita Sher-Gil</a> (1913-1941).</p><p>Music used in promotional material: ‘Peace of the Night’ by Crowander</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>902</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://hightheory.net/?post_type=podcast&p=406]]></guid>
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    <item>
      <title>Fandom</title>
      <link>https://hightheory.net/podcast/fandom/</link>
      <description>andré carrington talks about the origins of contemporary fandoms, race and gender as its determinants, and its emancipatory potential in the face of cooption by big media conglomerates. Besides andrés book Speculative Blackness, references are made, among other things, to the work of Carolyn Dinshaw, and the popular fandoms of Doctor Who, Star Wars, and Star Trek.
andré carrington is a scholar of race, gender, and genre in Black and American cultural production, and author of Speculative Blackness: The Future of Race in Science Fiction. He is Associate Professor of English at the University of California-Riverside. carrington’s writing appears in journals (American Literature, Souls, and Lateral), books (After Queer Studies: Literature, Theory, and Sexuality in the 21st Century, The Blacker the Ink), and blogs (Black Perspectives). With Abigail De Kosnik, he co-edited a special issue of Transformative Works &amp; Cultures journal on Fans of Color/Fandoms of Color.
Image: “Girl Reading Mickey Mouse and the Submarine Pirates Comic Book” by Charles “Teenie” Harris, in Pittsburgh, 1947
Music used in promotional material: ‘Funky Garden’ by Ketsa
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      <pubDate>Fri, 17 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/71cbb65c-a2fb-11ec-8b56-6bd3eedec7cd/image/dp-481963-22.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with andré carrington</itunes:subtitle>
      <itunes:summary>andré carrington talks about the origins of contemporary fandoms, race and gender as its determinants, and its emancipatory potential in the face of cooption by big media conglomerates. Besides andrés book Speculative Blackness, references are made, among other things, to the work of Carolyn Dinshaw, and the popular fandoms of Doctor Who, Star Wars, and Star Trek.
andré carrington is a scholar of race, gender, and genre in Black and American cultural production, and author of Speculative Blackness: The Future of Race in Science Fiction. He is Associate Professor of English at the University of California-Riverside. carrington’s writing appears in journals (American Literature, Souls, and Lateral), books (After Queer Studies: Literature, Theory, and Sexuality in the 21st Century, The Blacker the Ink), and blogs (Black Perspectives). With Abigail De Kosnik, he co-edited a special issue of Transformative Works &amp; Cultures journal on Fans of Color/Fandoms of Color.
Image: “Girl Reading Mickey Mouse and the Submarine Pirates Comic Book” by Charles “Teenie” Harris, in Pittsburgh, 1947
Music used in promotional material: ‘Funky Garden’ by Ketsa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>andré carrington talks about the origins of contemporary fandoms, race and gender as its determinants, and its emancipatory potential in the face of cooption by big media conglomerates. Besides andrés book <em>Speculative Blackness,</em> references are made, among other things, to the work of Carolyn Dinshaw, and the popular fandoms of Doctor Who, Star Wars, and Star Trek.</p><p>andré carrington is a scholar of race, gender, and genre in Black and American cultural production, and author of <a href="https://www.upress.umn.edu/book-division/books/speculative-blackness"><em>Speculative Blackness: The Future of Race in Science Fiction</em></a>. He is Associate Professor of English at the University of California-Riverside. carrington’s writing appears in journals (<a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__read.dukeupress.edu_american-2Dliterature_article-2Dabstract_90_2_221_134537_Desiring-2DBlackness-2DA-2DQueer-2DOrientation-2Dto-2DMarvel-2Ds-3FredirectedFrom-3Dfulltext&amp;d=DwMFaQ&amp;c=slrrB7dE8n7gBJbeO0g-IQ&amp;r=PQpupTuqy5f4twIS3u2BTA&amp;m=KwNkm43HivRvU0NKw_-hfhLVFrBVttcHheBVw7n63zw&amp;s=https://read.dukeupress.edu/american-literature/article-abstract/90/2/221/134537/Desiring-Blackness-A-Queer-Orientation-to-Marvel-s?redirectedFrom=fulltext&amp;e="><em>American Literature</em></a>, <a href="https://www.pin1.harvard.edu/cas/login?service=https%3A%2F%2Fkey-idp.iam.harvard.edu%2Fidp%2FAuthn%2FExternal%3Fconversation%3De2s1%26entityId%3Dezp-prod1.hul.harvard.edu%2Flts%2Fezproxyprod%2Fsp"><em>Souls</em></a>, and <a href="https://csalateral.org/issue/6-1/minor-miracles-novelty-aya-of-yopougon-carrington/"><em>Lateral</em></a>), books (<a href="https://www.cambridge.org/core/books/after-queer-studies/9CFD275200E8F6E37EC27EDFBC838D6A"><em>After Queer Studies: Literature, Theory, and Sexuality in the 21st Century</em></a><em>, </em><a href="https://www.rutgersuniversitypress.org/the-blacker-the-ink/9780813572338"><em>The Blacker the Ink</em></a><em>), </em>and blogs (<a href="https://www.aaihs.org/crossover-convergence-and-the-cultural-politics-of-black-comics/"><em>Black Perspectives</em></a>)<em>.</em> With <a href="https://twitter.com/de_kosnik?lang=en">Abigail De Kosnik</a>, he co-edited a special issue of <a href="https://journal.transformativeworks.org/index.php/twc/issue/view/52"><em>Transformative Works &amp; Cultures</em></a> journal on Fans of Color/Fandoms of Color.</p><p>Image: “Girl Reading <em>Mickey Mouse and the Submarine Pirates</em> Comic Book” by Charles “Teenie” Harris, in Pittsburgh, 1947</p><p>Music used in promotional material: ‘Funky Garden’ by Ketsa</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1137</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=401]]></guid>
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      <title>Matthew T. Huber, "Climate Change as Class War: Building Socialism on a Warming Planet" (Verso, 2022)</title>
      <description>The climate crisis is not primarily a problem of ‘believing science’ or individual ‘carbon footprints’ – it is a class problem rooted in who owns, controls and profits from material production. As such, it will take a class struggle to solve. In Climate Change as Class War: Building Socialism on a Warming Planet (Verso, 2022), Matthew T. Huber argues that the carbon-intensive capitalist class must be confronted for producing climate change. Yet, the narrow and unpopular roots of climate politics in the professional class is not capable of building a movement up to this challenge. For an alternative strategy, he proposes climate politics that appeals to the vast majority of society: the working class. Huber evaluates the Green New Deal as a first attempt to channel working class material and ecological interests and advocates building union power in the very energy system we need to dramatically transform. In the end, as in classical socialist movements of the early 20th Century, winning the climate struggle will need to be internationalist based on a form of planetary working class solidarity.
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      <pubDate>Fri, 17 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew T. Huber</itunes:subtitle>
      <itunes:summary>The climate crisis is not primarily a problem of ‘believing science’ or individual ‘carbon footprints’ – it is a class problem rooted in who owns, controls and profits from material production. As such, it will take a class struggle to solve. In Climate Change as Class War: Building Socialism on a Warming Planet (Verso, 2022), Matthew T. Huber argues that the carbon-intensive capitalist class must be confronted for producing climate change. Yet, the narrow and unpopular roots of climate politics in the professional class is not capable of building a movement up to this challenge. For an alternative strategy, he proposes climate politics that appeals to the vast majority of society: the working class. Huber evaluates the Green New Deal as a first attempt to channel working class material and ecological interests and advocates building union power in the very energy system we need to dramatically transform. In the end, as in classical socialist movements of the early 20th Century, winning the climate struggle will need to be internationalist based on a form of planetary working class solidarity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The climate crisis is not primarily a problem of ‘believing science’ or individual ‘carbon footprints’ – it is a class problem rooted in who owns, controls and profits from material production. As such, it will take a class struggle to solve. In <a href="https://bookshop.org/a/12343/9781788733885"><em>Climate Change as Class War: Building Socialism on a Warming Planet</em></a> (Verso, 2022), Matthew T. Huber argues that the carbon-intensive capitalist class must be confronted for producing climate change. Yet, the narrow and unpopular roots of climate politics in the professional class is not capable of building a movement up to this challenge. For an alternative strategy, he proposes climate politics that appeals to the vast majority of society: the working class. Huber evaluates the Green New Deal as a first attempt to channel working class material and ecological interests and advocates building union power in the very energy system we need to dramatically transform. In the end, as in classical socialist movements of the early 20th Century, winning the climate struggle will need to be internationalist based on a form of planetary working class solidarity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2698</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1e03e582-e7f0-11ec-9abd-3307178809a1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2491975750.mp3?updated=1654778405" length="0" type="audio/mpeg"/>
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    <item>
      <title>Thomas Dixon and Adam Shapiro, "Science and Religion: A Very Short Introduction" Second Edition. (Oxford UP, 2022)</title>
      <description>Debates about science and religion are rarely out of the news. Whether it concerns what's being taught in schools, clashes between religious values and medical recommendations, or questions about how to address our changing global environment, emotions often run high and answers seem intractable. Yet there is much more to science and religion than the clash of extremes. 
As Thomas Dixon and Adam Shapiro show in Science and Religion: A Very Short Introduction (Oxford UP, 2022)﻿, a whole range of views, subtle arguments, and fascinating perspectives can be found on this complex and centuries-old subject. They explore the key philosophical questions that underlie the debate, but also highlight the social, political, and ethical contexts that have made the tensions between science and religion such a fraught and interesting topic in the modern world. In this new edition, Dixon and Shapiro connect historical concepts such as evolution, the heliocentric solar system, and the problem of evil to present-day issues including the politicization of science; debates over mind, body, and identity; and the moral necessity of addressing environmental change. Ranging from medical missionaries to congregations adopting new technologies during a pandemic, from Galileo's astronomy to building the Thirty Meter Telescope, they explore how some of the most complex social issues of our day are rooted in discussions of science and religion.
Adam R. Shapiro is a historian of science and religion. He taught at universities in the U.S., Canada and the U.K. for over a decade before accepting a AAAS Science and Technology Policy Fellowship and shifting to work in public policy and science communication. He is the author of Trying Biology: The Scopes Trial, Textbooks, and the Antievolution Movement in American Schools (2013) as well as several articles on science and religion from the late eighteenth to the twenty-first centuries.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>295</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Shapiro</itunes:subtitle>
      <itunes:summary>Debates about science and religion are rarely out of the news. Whether it concerns what's being taught in schools, clashes between religious values and medical recommendations, or questions about how to address our changing global environment, emotions often run high and answers seem intractable. Yet there is much more to science and religion than the clash of extremes. 
As Thomas Dixon and Adam Shapiro show in Science and Religion: A Very Short Introduction (Oxford UP, 2022)﻿, a whole range of views, subtle arguments, and fascinating perspectives can be found on this complex and centuries-old subject. They explore the key philosophical questions that underlie the debate, but also highlight the social, political, and ethical contexts that have made the tensions between science and religion such a fraught and interesting topic in the modern world. In this new edition, Dixon and Shapiro connect historical concepts such as evolution, the heliocentric solar system, and the problem of evil to present-day issues including the politicization of science; debates over mind, body, and identity; and the moral necessity of addressing environmental change. Ranging from medical missionaries to congregations adopting new technologies during a pandemic, from Galileo's astronomy to building the Thirty Meter Telescope, they explore how some of the most complex social issues of our day are rooted in discussions of science and religion.
Adam R. Shapiro is a historian of science and religion. He taught at universities in the U.S., Canada and the U.K. for over a decade before accepting a AAAS Science and Technology Policy Fellowship and shifting to work in public policy and science communication. He is the author of Trying Biology: The Scopes Trial, Textbooks, and the Antievolution Movement in American Schools (2013) as well as several articles on science and religion from the late eighteenth to the twenty-first centuries.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Debates about science and religion are rarely out of the news. Whether it concerns what's being taught in schools, clashes between religious values and medical recommendations, or questions about how to address our changing global environment, emotions often run high and answers seem intractable. Yet there is much more to science and religion than the clash of extremes. </p><p>As Thomas Dixon and Adam Shapiro show in <a href="https://bookshop.org/a/12343/9780198831020"><em>Science and Religion: A Very Short Introduction</em></a> (Oxford UP, 2022)﻿, a whole range of views, subtle arguments, and fascinating perspectives can be found on this complex and centuries-old subject. They explore the key philosophical questions that underlie the debate, but also highlight the social, political, and ethical contexts that have made the tensions between science and religion such a fraught and interesting topic in the modern world. In this new edition, Dixon and Shapiro connect historical concepts such as evolution, the heliocentric solar system, and the problem of evil to present-day issues including the politicization of science; debates over mind, body, and identity; and the moral necessity of addressing environmental change. Ranging from medical missionaries to congregations adopting new technologies during a pandemic, from Galileo's astronomy to building the Thirty Meter Telescope, they explore how some of the most complex social issues of our day are rooted in discussions of science and religion.</p><p>Adam R. Shapiro is a historian of science and religion. He taught at universities in the U.S., Canada and the U.K. for over a decade before accepting a AAAS Science and Technology Policy Fellowship and shifting to work in public policy and science communication. He is the author of Trying Biology: The Scopes Trial, Textbooks, and the Antievolution Movement in American Schools (2013) as well as several articles on science and religion from the late eighteenth to the twenty-first centuries.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5074</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cf347f06-e71e-11ec-98b5-efd72d9a7dd4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9549944756.mp3?updated=1654688828" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Çigdem Çidam, "In the Street: Democratic Action, Theatricality, and Political Friendship" (Oxford UP, 2021)</title>
      <description>Çigdem Çidam, Associate Professor of Political Science at Union College, has a new book titled In the Street: Democratic Action, Theatricality, and Political Friendship (Oxford UP, 2021) that examines political action by citizens, and how we interpret and discuss that action in context of political structures. The title In the Street is a reference to the seminal French poster from May of 1968 that read “beauty is in the street,” and was adapted by the demonstrators in Turkey decades later, providing one of the many examples of street politics that illustrate the discussion of activism throughout the book. Street politics has many forms, such as protests, demonstrations, and acts of civil disobedience. Often such actions are confined to the binary analysis of successes and failures, only examining how likely an action is to bring about change. The origins of this understanding stem from Jean-Jacques Rousseau’s notion of popular sovereignty, rejection of theatricality, and the idealization of immediacy. Çidam argues that this Rousseauian framework dilutes the value of these actions, forcing them into a reductive duality and failing to acknowledge that movements can fail simply because of the class positions their members are forced to assume. Regardless of their failures, there is an inherent and aesthetic value to these political actions that can last beyond the actions themselves.
Çidam’s alternative framework, developed through dissecting the viewpoints of political theorists Jean-Jacques Rousseau, Antonio Negri, Jurgen Habermas, and Jacques Ranciere, redefines our understanding of the value of political action. In The Street: Democratic Action, Theatricality, and Political Friendship provides new perspectives and understandings of events like Occupy Wall Street, the Gezi uprising in Turkey, and the Black Lives Matter protests of 2020. Çidam explains that “intermediating practices” are opportunities for encounter and engagement among those who are involved in these street actions. This concept is applied to the ways that individuals might find unity with each other within these political actions. Through intermediating practices, individuals become “political friends,” an Aristotelian concept that builds a relationship of unity and equity between people despite their differences as a result of their shared experiences of political action. These concepts must lead us to the conclusion that the driving forces of political action—anger, rage, joy—cannot be reduced to the binary of either success or failure, as Rousseau would have it. In The Streets re-centers the on-the-ground efforts of individuals, focusing on these communal actions rather than their particular outcomes. Çidam concludes that while these moments of political friendship are fleeting, their transience does not denote failure because the rich and creative practices of political actors are naturally valuable. Tune in to hear about Çigdem Çidam’s interpretations of Negri’s, Habermas’, and Ranciere’s unique political conceptions, how a focus on political friendship in the Gezi protests of 2013 helped to formulate her theoretical lenses for this analysis, and how remembrance of these movements can help us struggle against the powers that be for the next historical moment.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Jun 2022 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>698</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Çigdem Çidam</itunes:subtitle>
      <itunes:summary>Çigdem Çidam, Associate Professor of Political Science at Union College, has a new book titled In the Street: Democratic Action, Theatricality, and Political Friendship (Oxford UP, 2021) that examines political action by citizens, and how we interpret and discuss that action in context of political structures. The title In the Street is a reference to the seminal French poster from May of 1968 that read “beauty is in the street,” and was adapted by the demonstrators in Turkey decades later, providing one of the many examples of street politics that illustrate the discussion of activism throughout the book. Street politics has many forms, such as protests, demonstrations, and acts of civil disobedience. Often such actions are confined to the binary analysis of successes and failures, only examining how likely an action is to bring about change. The origins of this understanding stem from Jean-Jacques Rousseau’s notion of popular sovereignty, rejection of theatricality, and the idealization of immediacy. Çidam argues that this Rousseauian framework dilutes the value of these actions, forcing them into a reductive duality and failing to acknowledge that movements can fail simply because of the class positions their members are forced to assume. Regardless of their failures, there is an inherent and aesthetic value to these political actions that can last beyond the actions themselves.
Çidam’s alternative framework, developed through dissecting the viewpoints of political theorists Jean-Jacques Rousseau, Antonio Negri, Jurgen Habermas, and Jacques Ranciere, redefines our understanding of the value of political action. In The Street: Democratic Action, Theatricality, and Political Friendship provides new perspectives and understandings of events like Occupy Wall Street, the Gezi uprising in Turkey, and the Black Lives Matter protests of 2020. Çidam explains that “intermediating practices” are opportunities for encounter and engagement among those who are involved in these street actions. This concept is applied to the ways that individuals might find unity with each other within these political actions. Through intermediating practices, individuals become “political friends,” an Aristotelian concept that builds a relationship of unity and equity between people despite their differences as a result of their shared experiences of political action. These concepts must lead us to the conclusion that the driving forces of political action—anger, rage, joy—cannot be reduced to the binary of either success or failure, as Rousseau would have it. In The Streets re-centers the on-the-ground efforts of individuals, focusing on these communal actions rather than their particular outcomes. Çidam concludes that while these moments of political friendship are fleeting, their transience does not denote failure because the rich and creative practices of political actors are naturally valuable. Tune in to hear about Çigdem Çidam’s interpretations of Negri’s, Habermas’, and Ranciere’s unique political conceptions, how a focus on political friendship in the Gezi protests of 2013 helped to formulate her theoretical lenses for this analysis, and how remembrance of these movements can help us struggle against the powers that be for the next historical moment.
Emma R. Handschke assisted in the production of this podcast.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Çigdem Çidam, Associate Professor of Political Science at Union College, has a new book titled <a href="https://bookshop.org/a/12343/9780190071684"><em>In the Street: Democratic Action, Theatricality, and Political Friendship</em></a><em> </em>(Oxford UP, 2021) that examines political action by citizens, and how we interpret and discuss that action in context of political structures. The title <em>In the Street</em> is a reference to the seminal French poster from May of 1968 that read “beauty is in the street,” and was adapted by the demonstrators in Turkey decades later, providing one of the many examples of street politics that illustrate the discussion of activism throughout the book. Street politics has many forms, such as protests, demonstrations, and acts of civil disobedience. Often such actions are confined to the binary analysis of successes and failures, only examining how likely an action is to bring about change. The origins of this understanding stem from Jean-Jacques Rousseau’s notion of popular sovereignty, rejection of theatricality, and the idealization of immediacy. Çidam argues that this Rousseauian framework dilutes the value of these actions, forcing them into a reductive duality and failing to acknowledge that movements can fail simply because of the class positions their members are forced to assume. Regardless of their failures, there is an inherent and aesthetic value to these political actions that can last beyond the actions themselves.</p><p>Çidam’s alternative framework, developed through dissecting the viewpoints of political theorists Jean-Jacques Rousseau, Antonio Negri, Jurgen Habermas, and Jacques Ranciere, redefines our understanding of the value of political action. <em>In The Street: Democratic Action, Theatricality, and Political Friendship</em> provides new perspectives and understandings of events like Occupy Wall Street, the Gezi uprising in Turkey, and the Black Lives Matter protests of 2020. Çidam explains that “intermediating practices” are opportunities for encounter and engagement among those who are involved in these street actions. This concept is applied to the ways that individuals might find unity with each other within these political actions. Through intermediating practices, individuals become “political friends,” an Aristotelian concept that builds a relationship of unity and equity between people despite their differences as a result of their shared experiences of political action. These concepts must lead us to the conclusion that the driving forces of political action—anger, rage, joy—cannot be reduced to the binary of either success or failure, as Rousseau would have it. <em>In The Streets</em> re-centers the on-the-ground efforts of individuals, focusing on these communal actions rather than their particular outcomes. Çidam concludes that while these moments of political friendship are fleeting, their transience does not denote failure because the rich and creative practices of political actors are naturally valuable. Tune in to hear about Çigdem Çidam’s interpretations of Negri’s, Habermas’, and Ranciere’s unique political conceptions, how a focus on political friendship in the Gezi protests of 2013 helped to formulate her theoretical lenses for this analysis, and how remembrance of these movements can help us struggle against the powers that be for the next historical moment.</p><p><em>Emma R. Handschke assisted in the production of this podcast.</em></p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3514</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[46e16b6c-ed65-11ec-9f03-df1bdcd30839]]></guid>
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    </item>
    <item>
      <title>Theory from the South with Borderlines</title>
      <link>https://hightheory.net/podcast/theory-from-the-south-with-borderlines/</link>
      <description>Olga Verlato and Antara Chakrabarti, contributing editors at Borderlines, talk about the concept of theory from the south, which critiques the notion that theory originating from the global north exhausts the possibilities of critical theoretical understanding.
Olga Verlato is a PhD candidate at New York University in History and Middle Eastern and Islamic studies, and a Contributing Editor for the Middle East at Borderlines. She works on the modern history of Egypt and the Mediterranean, focusing on the impact of multilingual practices and language ideologies on politics, society, and culture.
Antara Chakrabarti is a Doctoral Student in the Sociocultural track of the Dept. of Anthropology in Columbia University. Her research strives to ethnographically and historically understand the intersections of environment, mobilities, and infrastructures in contemporary South Asia. She is a Contributing Editor for South Asia at Borderlines.
Borderlines is a student-run, open-access site mentored by the editors of Comparative Studies of South Asia, Africa and the Middle East (CSSAAME). It seeks to rethink ideas of region and area studies by exploring different categories and histories within and across borderlines that have constructed areas of Africa, the Middle East and South Asia.
Antara and Olga also interview Saronik about High Theory in this episode, about its origins and the work that it does. Find the full transcript of the episode at Borderlines.
Image: “Binoculars” © 2021 Saronik Bosu
Music used in promotional material: ‘Early Rising’ by Dlay
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/76f8f050-a2fa-11ec-afe2-53905ef0657d/image/unnamed-1-scaled.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Olga Verlato and Antara Chakrabarti</itunes:subtitle>
      <itunes:summary>Olga Verlato and Antara Chakrabarti, contributing editors at Borderlines, talk about the concept of theory from the south, which critiques the notion that theory originating from the global north exhausts the possibilities of critical theoretical understanding.
Olga Verlato is a PhD candidate at New York University in History and Middle Eastern and Islamic studies, and a Contributing Editor for the Middle East at Borderlines. She works on the modern history of Egypt and the Mediterranean, focusing on the impact of multilingual practices and language ideologies on politics, society, and culture.
Antara Chakrabarti is a Doctoral Student in the Sociocultural track of the Dept. of Anthropology in Columbia University. Her research strives to ethnographically and historically understand the intersections of environment, mobilities, and infrastructures in contemporary South Asia. She is a Contributing Editor for South Asia at Borderlines.
Borderlines is a student-run, open-access site mentored by the editors of Comparative Studies of South Asia, Africa and the Middle East (CSSAAME). It seeks to rethink ideas of region and area studies by exploring different categories and histories within and across borderlines that have constructed areas of Africa, the Middle East and South Asia.
Antara and Olga also interview Saronik about High Theory in this episode, about its origins and the work that it does. Find the full transcript of the episode at Borderlines.
Image: “Binoculars” © 2021 Saronik Bosu
Music used in promotional material: ‘Early Rising’ by Dlay
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Olga Verlato and Antara Chakrabarti, contributing editors at <a href="https://www.borderlines-cssaame.org/">Borderlines</a>, talk about the concept of theory from the south, which critiques the notion that theory originating from the global north exhausts the possibilities of critical theoretical understanding.</p><p><a href="https://nyu.academia.edu/OVerlato">Olga Verlato</a> is a PhD candidate at New York University in History and Middle Eastern and Islamic studies, and a Contributing Editor for the Middle East at Borderlines. She works on the modern history of Egypt and the Mediterranean, focusing on the impact of multilingual practices and language ideologies on politics, society, and culture.</p><p><a href="https://columbia.academia.edu/AntaraChakrabarti">Antara Chakrabarti</a> is a Doctoral Student in the Sociocultural track of the Dept. of Anthropology in Columbia University. Her research strives to ethnographically and historically understand the intersections of environment, mobilities, and infrastructures in contemporary South Asia. She is a Contributing Editor for South Asia at Borderlines.</p><p><a href="https://www.borderlines-cssaame.org/">Borderlines</a> is a student-run, open-access site mentored by the editors of Comparative Studies of South Asia, Africa and the Middle East (CSSAAME). It seeks to rethink ideas of region and area studies by exploring different categories and histories within and across borderlines that have constructed areas of Africa, the Middle East and South Asia.</p><p><em>Antara and Olga also interview Saronik about High Theory in this episode, about its origins and the work that it does. Find the full </em><a href="https://www.borderlines-cssaame.org/posts/2021/8/7/on-theory-and-the-south-with-saronik-bosu-borderlines-meets-the-high-theory-podcast"><em>transcript</em></a><em> of the episode at Borderlines.</em></p><p>Image: “Binoculars” © 2021 Saronik Bosu</p><p>Music used in promotional material: ‘Early Rising’ by Dlay</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1443</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=392]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5212379931.mp3?updated=1646227401" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Louis M. Maraj, "Black or Right: Anti/Racist Campus Rhetorics" (Utah State UP, 2020)</title>
      <description>Black or Right: Anti/Racist Campus Rhetorics (Utah State University Press, 2020) explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. 
Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.
Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>296</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Louis M. Maraj</itunes:subtitle>
      <itunes:summary>Black or Right: Anti/Racist Campus Rhetorics (Utah State University Press, 2020) explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. 
Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.
Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781646421466"><em>Black or Right: Anti/Racist Campus Rhetorics </em></a>(Utah State University Press, 2020)<strong> </strong>explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. </p><p>Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.</p><p><a href="https://www.linkedin.com/in/anna-lindner-b86a16a6/"><em>Anna E. Lindner</em></a><em> is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. </em><a href="https://twitter.com/annaeliselin"><em>On Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4047</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[501a2eee-e752-11ec-a8f8-c312dec14e83]]></guid>
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    </item>
    <item>
      <title>Decolonial Queerness</title>
      <link>https://hightheory.net/podcast/decolonial-queerness/</link>
      <description>Sandeep Bakshi (@sandeepbak on Twitter) talks to Saronik about understanding queerness and its emancipatory politics through transnational solidarity building, the persistent inclusion of trans and queer epistemological frames in social justice movements, especially in the work done by the Decolonizing Sexualities Network. Sandeep explains this concept and the DSN’s objective by referring to the works of Maria Lugones, Sylvia Tamale and the Fallist movement, and Karma Chávez and Against Equality.
Sandeep Bakshi researches on transnational queer and decolonial enunciation of knowledges. He received his PhD from the School of English, University of Leicester, UK, and is currently employed as an Associate Professor of Postcolonial and Queer Literatures at the University of Paris. He heads the “Gender and Sexuality Studies” research group and coordinates two research seminars, “Peripheral Knowledges” and “Empires, Souths, Sexualities,”. Co-editor of Decolonizing Sexualities: Transnational Perspectives, Critical Interventions (Oxford: Counterpress, 2016) and Decolonial Trajectories, special issue of Interventions (2020), he has published on queer and race problematics in postcolonial literatures and cultures. He is the founder and serves on the board of the Decolonizing Sexualities Network.

Image: Cover of the book Decolonizing Sexualities: Transnational Perspectives, Critical Interventions
Music used in promotional material: “Hear Me Out” by Ketsa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/d5bbe590-a2f8-11ec-96b1-b7fe920a6b65/image/unnamed-1-scaled-e1626522076544.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Sandeep Bakshi</itunes:subtitle>
      <itunes:summary>Sandeep Bakshi (@sandeepbak on Twitter) talks to Saronik about understanding queerness and its emancipatory politics through transnational solidarity building, the persistent inclusion of trans and queer epistemological frames in social justice movements, especially in the work done by the Decolonizing Sexualities Network. Sandeep explains this concept and the DSN’s objective by referring to the works of Maria Lugones, Sylvia Tamale and the Fallist movement, and Karma Chávez and Against Equality.
Sandeep Bakshi researches on transnational queer and decolonial enunciation of knowledges. He received his PhD from the School of English, University of Leicester, UK, and is currently employed as an Associate Professor of Postcolonial and Queer Literatures at the University of Paris. He heads the “Gender and Sexuality Studies” research group and coordinates two research seminars, “Peripheral Knowledges” and “Empires, Souths, Sexualities,”. Co-editor of Decolonizing Sexualities: Transnational Perspectives, Critical Interventions (Oxford: Counterpress, 2016) and Decolonial Trajectories, special issue of Interventions (2020), he has published on queer and race problematics in postcolonial literatures and cultures. He is the founder and serves on the board of the Decolonizing Sexualities Network.

Image: Cover of the book Decolonizing Sexualities: Transnational Perspectives, Critical Interventions
Music used in promotional material: “Hear Me Out” by Ketsa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://larca.u-paris.fr/en/membre/bakshi-sandeep-2/">Sandeep Bakshi</a> (@sandeepbak on Twitter) talks to Saronik about understanding queerness and its emancipatory politics through transnational solidarity building, the persistent inclusion of trans and queer epistemological frames in social justice movements, especially in the work done by the <a href="https://decolonizingsexualities.org/">Decolonizing Sexualities Network</a>. Sandeep explains this concept and the DSN’s objective by referring to the works of Maria Lugones, Sylvia Tamale and the Fallist movement, and Karma Chávez and Against Equality.</p><p>Sandeep Bakshi researches on transnational queer and decolonial enunciation of knowledges. He received his PhD from the School of English, University of Leicester, UK, and is currently employed as an Associate Professor of Postcolonial and Queer Literatures at the University of Paris. He heads the “Gender and Sexuality Studies” research group and coordinates two research seminars, “Peripheral Knowledges” and “Empires, Souths, Sexualities,”. Co-editor of <em>Decolonizing Sexualities: Transnational Perspectives, Critical Interventions</em> (Oxford: Counterpress, 2016) and <a href="https://www.tandfonline.com/doi/full/10.1080/1369801X.2020.1753558"><em>Decolonial Trajectories</em></a>, special issue of <em>Interventions (</em>2020<em>)</em>, he has published on queer and race problematics in postcolonial literatures and cultures. He is the founder and serves on the board of the Decolonizing Sexualities Network.</p><p><br></p><p>Image: Cover of the book <em>Decolonizing Sexualities: Transnational Perspectives, Critical Interventions</em></p><p>Music used in promotional material: “Hear Me Out” by Ketsa</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=379]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3091688486.mp3?updated=1646227696" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Treva B. Lindsey, "America, Goddam: Violence, Black Women, and the Struggle for Justice" (U California Press, 2022)</title>
      <description>Echoing the energy of Nina Simone's searing protest song that inspired the title, this book is a call to action in our collective journey toward just futures.
America, Goddam: Violence, Black Women, and the Struggle for Justice (U California Press, 2022) explores the combined force of anti-Blackness, misogyny, patriarchy, and capitalism in the lives of Black women and girls in the United States today.
Through personal accounts and hard-hitting analysis, Black feminist historian Treva B. Lindsey starkly assesses the forms and legacies of violence against Black women and girls, as well as their demands for justice for themselves and their communities. Combining history, theory, and memoir, America, Goddam renders visible the gender dynamics of anti-Black violence. Black women and girls occupy a unique status of vulnerability to harm and death, while the circumstances and traumas of this violence go underreported and understudied. America, Goddam allows readers to understand

How Black women—who have been both victims of anti-Black violence as well as frontline participants—are rarely the focus of Black freedom movements.

How Black women have led movements demanding justice for Breonna Taylor, Sandra Bland, Toyin Salau, Riah Milton, Aiyana Stanley-Jones, and countless other Black women and girls whose lives have been curtailed by numerous forms of violence.

How across generations and centuries, their refusal to remain silent about violence against them led to Black liberation through organizing and radical politics.


America, Goddam powerfully demonstrates that the struggle for justice begins with reckoning with the pervasiveness of violence against Black women and girls in the United States”
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>303</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Treva B. Lindsey</itunes:subtitle>
      <itunes:summary>Echoing the energy of Nina Simone's searing protest song that inspired the title, this book is a call to action in our collective journey toward just futures.
America, Goddam: Violence, Black Women, and the Struggle for Justice (U California Press, 2022) explores the combined force of anti-Blackness, misogyny, patriarchy, and capitalism in the lives of Black women and girls in the United States today.
Through personal accounts and hard-hitting analysis, Black feminist historian Treva B. Lindsey starkly assesses the forms and legacies of violence against Black women and girls, as well as their demands for justice for themselves and their communities. Combining history, theory, and memoir, America, Goddam renders visible the gender dynamics of anti-Black violence. Black women and girls occupy a unique status of vulnerability to harm and death, while the circumstances and traumas of this violence go underreported and understudied. America, Goddam allows readers to understand

How Black women—who have been both victims of anti-Black violence as well as frontline participants—are rarely the focus of Black freedom movements.

How Black women have led movements demanding justice for Breonna Taylor, Sandra Bland, Toyin Salau, Riah Milton, Aiyana Stanley-Jones, and countless other Black women and girls whose lives have been curtailed by numerous forms of violence.

How across generations and centuries, their refusal to remain silent about violence against them led to Black liberation through organizing and radical politics.


America, Goddam powerfully demonstrates that the struggle for justice begins with reckoning with the pervasiveness of violence against Black women and girls in the United States”
Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Echoing the energy of Nina Simone's searing protest song that inspired the title, this book is a call to action in our collective journey toward just futures.</p><p><a href="https://bookshop.org/a/12343/9780520384491"><em>America, Goddam: Violence, Black Women, and the Struggle for Justice</em></a> (U California Press, 2022) explores the combined force of anti-Blackness, misogyny, patriarchy, and capitalism in the lives of Black women and girls in the United States today.</p><p>Through personal accounts and hard-hitting analysis, Black feminist historian Treva B. Lindsey starkly assesses the forms and legacies of violence against Black women and girls, as well as their demands for justice for themselves and their communities. Combining history, theory, and memoir, <em>America, Goddam</em> renders visible the gender dynamics of anti-Black violence. Black women and girls occupy a unique status of vulnerability to harm and death, while the circumstances and traumas of this violence go underreported and understudied. <em>America, Goddam</em> allows readers to understand</p><ul>
<li>How Black women—who have been both victims of anti-Black violence as well as frontline participants—are rarely the focus of Black freedom movements.</li>
<li>How Black women have led movements demanding justice for Breonna Taylor, Sandra Bland, Toyin Salau, Riah Milton, Aiyana Stanley-Jones, and countless other Black women and girls whose lives have been curtailed by numerous forms of violence.</li>
<li>How across generations and centuries, their refusal to remain silent about violence against them led to Black liberation through organizing and radical politics.</li>
</ul><p><br></p><p><em>America, Goddam</em> powerfully demonstrates that the struggle for justice begins with reckoning with the pervasiveness of violence against Black women and girls in the United States”</p><p><em>Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at </em><a href="mailto:mzc0152@auburn.edu"><em>mzc0152@auburn.edu</em></a><em> and on twitter </em><a href="https://twitter.com/mickellcarter"><em>@MickellCarter</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2891</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dcd2a1ea-e112-11ec-98d0-ff289c0bc295]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5624906174.mp3?updated=1654023605" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catherine Besteman, "Militarized Global Apartheid" (Duke UP, 2020)</title>
      <description>In Militarized Global Apartheid, Catherine Besteman offers a sweeping theorization of the ways in which countries from the global north are reproducing South Africa's apartheid system on a worldwide scale to control the mobility and labor of people from the global south. Exploring the different manifestations of global apartheid, Besteman traces how militarization and securitization reconfigure older forms of white supremacy and deploy them in new contexts to maintain this racialized global order. Whether using the language of security, military intervention, surveillance technologies, or detention centers and other forms of incarceration, these projects reinforce and consolidate the global north's political and economic interests at the expense of the poor, migrants, refugees, Indigenous populations, and people of color. By drawing out how this new form of apartheid functions and pointing to areas of resistance, Besteman opens up new space to theorize potential sources of liberatory politics.
Catherine Besteman is Francis F. Bartlett and Ruth K. Bartlett Professor of Anthropology at Colby College and author of Making Refuge: Somali Bantu Refugees and Lewiston, Maine, published by Duke University Press.
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Catherine Besteman</itunes:subtitle>
      <itunes:summary>In Militarized Global Apartheid, Catherine Besteman offers a sweeping theorization of the ways in which countries from the global north are reproducing South Africa's apartheid system on a worldwide scale to control the mobility and labor of people from the global south. Exploring the different manifestations of global apartheid, Besteman traces how militarization and securitization reconfigure older forms of white supremacy and deploy them in new contexts to maintain this racialized global order. Whether using the language of security, military intervention, surveillance technologies, or detention centers and other forms of incarceration, these projects reinforce and consolidate the global north's political and economic interests at the expense of the poor, migrants, refugees, Indigenous populations, and people of color. By drawing out how this new form of apartheid functions and pointing to areas of resistance, Besteman opens up new space to theorize potential sources of liberatory politics.
Catherine Besteman is Francis F. Bartlett and Ruth K. Bartlett Professor of Anthropology at Colby College and author of Making Refuge: Somali Bantu Refugees and Lewiston, Maine, published by Duke University Press.
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/books/militarized-global-apartheid/9781478011507"><em>Militarized Global Apartheid</em></a><em>,</em> Catherine Besteman offers a sweeping theorization of the ways in which countries from the global north are reproducing South Africa's apartheid system on a worldwide scale to control the mobility and labor of people from the global south. Exploring the different manifestations of global apartheid, Besteman traces how militarization and securitization reconfigure older forms of white supremacy and deploy them in new contexts to maintain this racialized global order. Whether using the language of security, military intervention, surveillance technologies, or detention centers and other forms of incarceration, these projects reinforce and consolidate the global north's political and economic interests at the expense of the poor, migrants, refugees, Indigenous populations, and people of color. By drawing out how this new form of apartheid functions and pointing to areas of resistance, Besteman opens up new space to theorize potential sources of liberatory politics.</p><p>Catherine Besteman is Francis F. Bartlett and Ruth K. Bartlett Professor of Anthropology at Colby College and author of <a href="https://bookshop.org/books/making-refuge-somali-bantu-refugees-and-lewiston-maine/9780822360445">Making Refuge: Somali Bantu Refugees and Lewiston, Maine</a>, published by Duke University Press.</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in </em><a href="https://www.journals.uchicago.edu/doi/10.1086/713112"><em>Current Anthropology</em></a><em>, </em><a href="https://doi.org/10.1111/ciso.12348"><em>City &amp; Society</em></a><em>, </em><a href="https://muse.jhu.edu/article/845949"><em>JOTSA</em></a><em>, </em><a href="https://radicalhousingjournal.org/2020/care-in-tarlabasi-amidst-heightened-inequalities-urban-transformation-and-coronavirus/"><em>Radical Housing Journal</em></a><em>, and </em><a href="https://entanglementsjournal.org/the-ghost-of-karl-marx/"><em>entanglements</em></a><em>. You can find her on Twitter </em><a href="https://twitter.com/alizearican"><em>@alizearican</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2137</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[347d6c66-e359-11ec-9587-e7472dd6f435]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5464414598.mp3?updated=1654273715" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bryan D. Palmer, "James P. Cannon and the Origins of the American Revolutionary Left, 1890-1928" (U Illinois Press, 2010)</title>
      <description>The history of revolutionary politics is rich enough that it includes the full spectrum of inspiration and tragedy. Those with revolutionary aspirations have a number of rocks in their shoes to deal with, perhaps most famously the failure of the Soviet Union and the shadow of Stalinism. Those looking to remain faithful to the spirit of revolutionary Marxism while still seriously reckoning with the tragedies of the past will need to develop new routes, and for that to happen, alternative figures and histories will need to be turned to.
One such figure many have found inspiration in is James P. Cannon, the American activist and agitator, most famous as the leading founder of American Trotskyism, and no one knows his life and times better than Bryan D. Palmer, here to discuss the first entry in his multi-volume biography of Cannon. The volume discussed in this episode, James P. Cannon and the Origins of the American Revolutionary Left, 1890-1928 (U Illinois Press, 2010), covers Cannon’s life from his birth in a small town in Kansas to his expulsion in 1928 from the Communist Party. It’s a story of a small-town local agitator who ends up mired in international controversy, surrounded by factional infighting in his own country but also deeply rooted in the revolutionary degeneration happening in Moscow as Stalin took over the party. In the face of this, Cannon slowly became depressed and disillusioned, in a political fog that wouldn’t be cleared until he stumbled upon a document in 1928 by Leon Trotsky that would point the way towards a revolutionary alternative that neither succumbed to Stalinism or capitalist-capitulation. It’s for this reason that Palmer’s account of Cannon’s life allows him to tell a very different history of communism in the 20th century, one that has been banished and dismissed for too long, and that will no doubt provide inspiration for many in the 21st century.
Originally published in 2007 as part of the Illinois University Press series The Working Class in American History, it won the Wallace K. Ferguson Prize of the Canadian Historical Association. Its sequel, the much longer James P. Cannon and the Emergence of Trotskyism in the United States, 1928-38, was published much more recently and will be discussed in a later episode. In both works Palmer’s command of the vast archives of material are combined with an incredible capacity for storytelling, hitting a sweet spot of rigorous research and compelling historical reading. Anyone interested in the history of Marxism, American labor, class struggle, or simply looking for an alternative to the rot and decay of our current order will find in this book richly rewarding.
Bryan D. Palmer is professor emeritus of history at Trent University. He is the former editor of Labour/Le Travail, and is the author of numerous books on radical social movements and labor history including Revolutionary Teamsters: The Minneapolis Truckers Strike of 1934, Cultures of Darkness: Night Travels in the Histories of Transgression, and Marxism and Historical Practice (2 volumes). He was also a coeditor with Paul Le Blanc and Thomas Bias of the 3-volume document collection US Trotskyism 1928-1965.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>294</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bryan D. Palmer</itunes:subtitle>
      <itunes:summary>The history of revolutionary politics is rich enough that it includes the full spectrum of inspiration and tragedy. Those with revolutionary aspirations have a number of rocks in their shoes to deal with, perhaps most famously the failure of the Soviet Union and the shadow of Stalinism. Those looking to remain faithful to the spirit of revolutionary Marxism while still seriously reckoning with the tragedies of the past will need to develop new routes, and for that to happen, alternative figures and histories will need to be turned to.
One such figure many have found inspiration in is James P. Cannon, the American activist and agitator, most famous as the leading founder of American Trotskyism, and no one knows his life and times better than Bryan D. Palmer, here to discuss the first entry in his multi-volume biography of Cannon. The volume discussed in this episode, James P. Cannon and the Origins of the American Revolutionary Left, 1890-1928 (U Illinois Press, 2010), covers Cannon’s life from his birth in a small town in Kansas to his expulsion in 1928 from the Communist Party. It’s a story of a small-town local agitator who ends up mired in international controversy, surrounded by factional infighting in his own country but also deeply rooted in the revolutionary degeneration happening in Moscow as Stalin took over the party. In the face of this, Cannon slowly became depressed and disillusioned, in a political fog that wouldn’t be cleared until he stumbled upon a document in 1928 by Leon Trotsky that would point the way towards a revolutionary alternative that neither succumbed to Stalinism or capitalist-capitulation. It’s for this reason that Palmer’s account of Cannon’s life allows him to tell a very different history of communism in the 20th century, one that has been banished and dismissed for too long, and that will no doubt provide inspiration for many in the 21st century.
Originally published in 2007 as part of the Illinois University Press series The Working Class in American History, it won the Wallace K. Ferguson Prize of the Canadian Historical Association. Its sequel, the much longer James P. Cannon and the Emergence of Trotskyism in the United States, 1928-38, was published much more recently and will be discussed in a later episode. In both works Palmer’s command of the vast archives of material are combined with an incredible capacity for storytelling, hitting a sweet spot of rigorous research and compelling historical reading. Anyone interested in the history of Marxism, American labor, class struggle, or simply looking for an alternative to the rot and decay of our current order will find in this book richly rewarding.
Bryan D. Palmer is professor emeritus of history at Trent University. He is the former editor of Labour/Le Travail, and is the author of numerous books on radical social movements and labor history including Revolutionary Teamsters: The Minneapolis Truckers Strike of 1934, Cultures of Darkness: Night Travels in the Histories of Transgression, and Marxism and Historical Practice (2 volumes). He was also a coeditor with Paul Le Blanc and Thomas Bias of the 3-volume document collection US Trotskyism 1928-1965.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The history of revolutionary politics is rich enough that it includes the full spectrum of inspiration and tragedy. Those with revolutionary aspirations have a number of rocks in their shoes to deal with, perhaps most famously the failure of the Soviet Union and the shadow of Stalinism. Those looking to remain faithful to the spirit of revolutionary Marxism while still seriously reckoning with the tragedies of the past will need to develop new routes, and for that to happen, alternative figures and histories will need to be turned to.</p><p>One such figure many have found inspiration in is James P. Cannon, the American activist and agitator, most famous as the leading founder of American Trotskyism, and no one knows his life and times better than Bryan D. Palmer, here to discuss the first entry in his multi-volume biography of Cannon. The volume discussed in this episode, <a href="https://bookshop.org/a/12343/9780252077227"><em>James P. Cannon and the Origins of the American Revolutionary Left, 1890-1928</em></a><em> </em>(U Illinois Press, 2010), covers Cannon’s life from his birth in a small town in Kansas to his expulsion in 1928 from the Communist Party. It’s a story of a small-town local agitator who ends up mired in international controversy, surrounded by factional infighting in his own country but also deeply rooted in the revolutionary degeneration happening in Moscow as Stalin took over the party. In the face of this, Cannon slowly became depressed and disillusioned, in a political fog that wouldn’t be cleared until he stumbled upon a document in 1928 by Leon Trotsky that would point the way towards a revolutionary alternative that neither succumbed to Stalinism or capitalist-capitulation. It’s for this reason that Palmer’s account of Cannon’s life allows him to tell a very different history of communism in the 20th century, one that has been banished and dismissed for too long, and that will no doubt provide inspiration for many in the 21st century.</p><p>Originally published in 2007 as part of the Illinois University Press series <a href="https://www.press.uillinois.edu/books/find_books.php?type=series&amp;search=wca"><em>The Working Class in American History</em></a>, it won the Wallace K. Ferguson Prize of the Canadian Historical Association. Its sequel, the much longer <em>James P. Cannon and the Emergence of Trotskyism in the United States, 1928-38</em>, was published much more recently and will be discussed in a later episode. In both works Palmer’s command of the vast archives of material are combined with an incredible capacity for storytelling, hitting a sweet spot of rigorous research and compelling historical reading. Anyone interested in the history of Marxism, American labor, class struggle, or simply looking for an alternative to the rot and decay of our current order will find in this book richly rewarding.</p><p>Bryan D. Palmer is professor emeritus of history at Trent University. He is the former editor of <a href="https://www.lltjournal.ca/index.php/llt"><em>Labour/Le Travail</em></a>, and is the author of numerous books on radical social movements and labor history including <em>Revolutionary Teamsters: The Minneapolis Truckers Strike of 1934</em>, <em>Cultures of Darkness: Night Travels in the Histories of Transgression</em>, and <em>Marxism and Historical Practice</em> (2 volumes). He was also a coeditor with Paul Le Blanc and Thomas Bias of the 3-volume document collection <em>US Trotskyism 1928-1965</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5338</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[210842ac-e2a8-11ec-8a66-371a25e91ade]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1781997528.mp3?updated=1654198081" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Milton Santos, "For a New Geography" (U Minnesota Press, 2021)</title>
      <description>Originally published in 1978 in Portuguese, For a New Geography is a milestone in the history of critical geography and it marked the emergence of its author, Milton Santos (1926–2001), as a major interpreter of geographical thought, a prominent Afro-Brazilian public intellectual, and one of the foremost global theorists of space. Published in the midst of a crisis in geographical thought, For a New Geography functioned as a bridge between geography’s past and its future. In advancing his vision of a geography of action and liberation, Santos begins by turning to the roots of modern geography and its colonial legacies. Moving from a critique of the shortcomings of geography from the field’s foundations as a modern science to the outline of a new field of critical geography, he sets forth both an ontology of space and a methodology for geography. In so doing, he introduces novel theoretical categories to the analysis of space. It is, in short, both a critique of the Northern, Anglo-centric discipline from within and a systematic critique of its flaws and assumptions from outside. Critical geography has developed in the past four decades into a heterogeneous and creative field of inquiry. Though accruing a set of theoretical touchstones in the process, it has become detached from a longer and broader history of geographical thought. For a New Geography reconciles these divergent histories. Arriving in English at a time of renewed interest in alternative geographical traditions and the history of radical geography, it takes its place in the canonical works of critical geography.
Dr Archie Davies is a Leverhulme Early Career Fellow at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Milton Santos</itunes:subtitle>
      <itunes:summary>Originally published in 1978 in Portuguese, For a New Geography is a milestone in the history of critical geography and it marked the emergence of its author, Milton Santos (1926–2001), as a major interpreter of geographical thought, a prominent Afro-Brazilian public intellectual, and one of the foremost global theorists of space. Published in the midst of a crisis in geographical thought, For a New Geography functioned as a bridge between geography’s past and its future. In advancing his vision of a geography of action and liberation, Santos begins by turning to the roots of modern geography and its colonial legacies. Moving from a critique of the shortcomings of geography from the field’s foundations as a modern science to the outline of a new field of critical geography, he sets forth both an ontology of space and a methodology for geography. In so doing, he introduces novel theoretical categories to the analysis of space. It is, in short, both a critique of the Northern, Anglo-centric discipline from within and a systematic critique of its flaws and assumptions from outside. Critical geography has developed in the past four decades into a heterogeneous and creative field of inquiry. Though accruing a set of theoretical touchstones in the process, it has become detached from a longer and broader history of geographical thought. For a New Geography reconciles these divergent histories. Arriving in English at a time of renewed interest in alternative geographical traditions and the history of radical geography, it takes its place in the canonical works of critical geography.
Dr Archie Davies is a Leverhulme Early Career Fellow at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Originally published in 1978 in Portuguese, <a href="https://bookshop.org/a/12343/9781517909086"><em>For a New Geography</em></a> is a milestone in the history of critical geography and it marked the emergence of its author, Milton Santos (1926–2001), as a major interpreter of geographical thought, a prominent Afro-Brazilian public intellectual, and one of the foremost global theorists of space. Published in the midst of a crisis in geographical thought, For a New Geography functioned as a bridge between geography’s past and its future. In advancing his vision of a geography of action and liberation, Santos begins by turning to the roots of modern geography and its colonial legacies. Moving from a critique of the shortcomings of geography from the field’s foundations as a modern science to the outline of a new field of critical geography, he sets forth both an ontology of space and a methodology for geography. In so doing, he introduces novel theoretical categories to the analysis of space. It is, in short, both a critique of the Northern, Anglo-centric discipline from within and a systematic critique of its flaws and assumptions from outside. Critical geography has developed in the past four decades into a heterogeneous and creative field of inquiry. Though accruing a set of theoretical touchstones in the process, it has become detached from a longer and broader history of geographical thought. For a New Geography reconciles these divergent histories. Arriving in English at a time of renewed interest in alternative geographical traditions and the history of radical geography, it takes its place in the canonical works of critical geography.</p><p>Dr Archie Davies is a Leverhulme Early Career Fellow at the University of Sheffield.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3262</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sexual Difference</title>
      <link>https://hightheory.net/podcast/sexual-difference/</link>
      <description>Emma Heaney talks about the social organization of the supposedly biologically derived terms of the sex binary into a hierarchy of persons and qualities. She speaks widely about the work that she and her colleagues are doing, drawing on a tradition of scholarship that includes the work of Luce Irigaray, Hortense Spillers, Cathy J. Cohen and others.
Emma Heaney is a teacher, researcher, and writer living in Queens. Her first book, a study of the medicalization of trans femininity and the uptake of the diagnostic figure in works of twentieth-century literature and philosophy, is The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory (Northwestern, 2017). Her forthcoming second book, Feminism Against Cisness, is an edited collection of essays by Trans Studies scholars who use anti-colonial, Black, and Marxist feminist methods to address the many legacies of the historical emergence of the idea that assigned sex determines sexed experience. Her introduction for that collection, entitled “Sexual Difference Without Cisness” provides the basis for this interview.
Image: © 2021 Saronik Bosu
Music used in promotional material: “Flow” by dustmotes
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/05cc2b9c-a2f3-11ec-9633-6b0eec0fff50/image/unnamed-1.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An Discussion with Emma Heaney</itunes:subtitle>
      <itunes:summary>Emma Heaney talks about the social organization of the supposedly biologically derived terms of the sex binary into a hierarchy of persons and qualities. She speaks widely about the work that she and her colleagues are doing, drawing on a tradition of scholarship that includes the work of Luce Irigaray, Hortense Spillers, Cathy J. Cohen and others.
Emma Heaney is a teacher, researcher, and writer living in Queens. Her first book, a study of the medicalization of trans femininity and the uptake of the diagnostic figure in works of twentieth-century literature and philosophy, is The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory (Northwestern, 2017). Her forthcoming second book, Feminism Against Cisness, is an edited collection of essays by Trans Studies scholars who use anti-colonial, Black, and Marxist feminist methods to address the many legacies of the historical emergence of the idea that assigned sex determines sexed experience. Her introduction for that collection, entitled “Sexual Difference Without Cisness” provides the basis for this interview.
Image: © 2021 Saronik Bosu
Music used in promotional material: “Flow” by dustmotes
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Emma Heaney talks about the social organization of the supposedly biologically derived terms of the sex binary into a hierarchy of persons and qualities. She speaks widely about the work that she and her colleagues are doing, drawing on a tradition of scholarship that includes the work of Luce Irigaray, Hortense Spillers, Cathy J. Cohen and others.</p><p><a href="https://twitter.com/riislover667?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Emma Heaney</a> is a teacher, researcher, and writer living in Queens. Her first book, a study of the medicalization of trans femininity and the uptake of the diagnostic figure in works of twentieth-century literature and philosophy, is <a href="https://nupress.northwestern.edu/9780810135543/the-new-woman/">The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory</a> (Northwestern, 2017). Her forthcoming second book, <em>Feminism Against Cisness</em>, is an edited collection of essays by Trans Studies scholars who use anti-colonial, Black, and Marxist feminist methods to address the many legacies of the historical emergence of the idea that assigned sex determines sexed experience. Her introduction for that collection, entitled “Sexual Difference Without Cisness” provides the basis for this interview.</p><p>Image: © 2021 Saronik Bosu</p><p>Music used in promotional material: “Flow” by dustmotes</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1159</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=363]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5326541771.mp3?updated=1646228008" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Citarella, "Politigram and the Post-Left" (Blurb, 2021)</title>
      <description>The internet’s potential to perform political miracles has been a source of both hope and disappointment for many grassroots movements. We remember that the Sanders campaign tried to master the meme to mobilise a young, eager audience. Equally, we ascribe Trump’s electoral victory in 2016 to seemingly leaderless internet misinformation.Many of such events have been the subject of academic study - but research is often slow to keep up with the rapidly changing scene. If a researcher tracing the role of the meme to the politicisation and radicalisation of online communities struggles to keep up what hope does an artist have?
Joshua Citarella’s practice starts with the understanding that it is impossible to predict what the next generation of meme posters will be interested in and whether their memes will reach beyond their tiny echo chambers. What is clear is that mainstream politics, particularly the politics of the left, remains afraid of these unruly communities that can just as easily turn to the dark corners of the demonised alt-right as they are to carry the flag for Bernie.
Joshua Citarella speaks to Pierre d'Alancaisez about researching internet subcultures, playing politics with the extremely online, the multiple meanings of radicalisation, strategies for subverting right-wing content, and the role of art in internet political aesthetics.
Joshua Citarella is an artist, content creator, and researcher. Politigram and the Post-left is one of many projects he has released through self-publishing channels and directly to his supporters.

Joshua on Instagram and Patreon



20 Interviews with meme-posters


Do Not Research, and online internet culture magazine


When Guys Turn 20, Joshua's video series at dis.art

Do Not Research exhibition at Lower Cavity



Interview with Mike Watson on The Memeing of Mark Fisher


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Citarella</itunes:subtitle>
      <itunes:summary>The internet’s potential to perform political miracles has been a source of both hope and disappointment for many grassroots movements. We remember that the Sanders campaign tried to master the meme to mobilise a young, eager audience. Equally, we ascribe Trump’s electoral victory in 2016 to seemingly leaderless internet misinformation.Many of such events have been the subject of academic study - but research is often slow to keep up with the rapidly changing scene. If a researcher tracing the role of the meme to the politicisation and radicalisation of online communities struggles to keep up what hope does an artist have?
Joshua Citarella’s practice starts with the understanding that it is impossible to predict what the next generation of meme posters will be interested in and whether their memes will reach beyond their tiny echo chambers. What is clear is that mainstream politics, particularly the politics of the left, remains afraid of these unruly communities that can just as easily turn to the dark corners of the demonised alt-right as they are to carry the flag for Bernie.
Joshua Citarella speaks to Pierre d'Alancaisez about researching internet subcultures, playing politics with the extremely online, the multiple meanings of radicalisation, strategies for subverting right-wing content, and the role of art in internet political aesthetics.
Joshua Citarella is an artist, content creator, and researcher. Politigram and the Post-left is one of many projects he has released through self-publishing channels and directly to his supporters.

Joshua on Instagram and Patreon



20 Interviews with meme-posters


Do Not Research, and online internet culture magazine


When Guys Turn 20, Joshua's video series at dis.art

Do Not Research exhibition at Lower Cavity



Interview with Mike Watson on The Memeing of Mark Fisher


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The internet’s potential to perform political miracles has been a source of both hope and disappointment for many grassroots movements. We remember that the Sanders campaign tried to master the meme to mobilise a young, eager audience. Equally, we ascribe Trump’s electoral victory in 2016 to seemingly leaderless internet misinformation.Many of such events have been the subject of academic study - but research is often slow to keep up with the rapidly changing scene. If a researcher tracing the role of the meme to the politicisation and radicalisation of online communities struggles to keep up what hope does an artist have?</p><p>Joshua Citarella’s practice starts with the understanding that it is impossible to predict what the next generation of meme posters will be interested in and whether their memes will reach beyond their tiny echo chambers. What is clear is that mainstream politics, particularly the politics of the left, remains afraid of these unruly communities that can just as easily turn to the dark corners of the demonised alt-right as they are to carry the flag for Bernie.</p><p>Joshua Citarella speaks to Pierre d'Alancaisez about researching internet subcultures, playing politics with the extremely online, the multiple meanings of radicalisation, strategies for subverting right-wing content, and the role of art in internet political aesthetics.</p><p><a href="http://joshuacitarella.com/">Joshua Citarella</a> is an artist, content creator, and researcher. <em>Politigram and the Post-left</em> is one of many projects he has released through self-publishing channels and directly to his supporters.</p><ul>
<li>Joshua on <a href="https://www.instagram.com/joshuacitarella/">Instagram</a> and <a href="https://www.patreon.com/joshuacitarella">Patreon</a>
</li>
<li>
<a href="https://www.amazon.co.uk/20-Interviews-Joshua-Citarella/dp/1034279270"><em>20 Interviews</em></a> with meme-posters</li>
<li>
<a href="https://donotresearch.net/authors/joshua-citarella"><em>Do Not Research</em></a>, and online internet culture magazine</li>
<li>
<a href="https://dis.art/series/when-guys-turn-20"><em>When Guys Turn 20</em></a>, Joshua's video series at dis.art</li>
<li>Do Not Research <a href="https://www.lowercavity.space/donotresearch">exhibition at Lower Cavity</a>
</li>
<li>
<a href="https://petitpoi.net/mike-watson-the-memeing-of-mark-fisher/">Interview with Mike Watson</a> on <em>The Memeing of Mark Fisher</em>
</li>
</ul><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3670</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3be61c0e-e021-11ec-a14f-07fc83d6f568]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8188231550.mp3?updated=1653919830" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Le Blanc, "Revolutionary Collective: Comrades, Critics, and Dynamics in the Struggle for Socialism" (Haymarket, 2022)</title>
      <description>Revolutionary politics are experiencing a resurgence in popularity, and a quick look at today’s headlines make it easy to see why. For those dipping their toes in the massive history and theory under the revolutionary umbrella, however, it can be quite intimidating, with shelves upon shelves of massive tomes confronting readers, filled to the brim with dense jargon and obscure theories. Knowing which author and book to start with can throw new readers off.
Fortunately Paul Le Blanc, a lifelong activist and historian of radical politics and movements, has stepped in with a short and accessibly written book that will serve as a refreshing primer to the revolutionary tradition. Revolutionary Collective: Comrades, Critics, and Dynamics in the Struggle for Socialism (Haymarket, 2022) looks at the resurgence of interest in radical politics and offers a series of essays on a number of key figures that will be of immense use to those looking for an onramp to Marxist theory. A number of well-known figures make an appearance, such as Lenin, Trotsky and Gramsci, but a number of lesser-known figures also receive attention, such as Karl Korsch, Daniel Bensaid and Dennis Brutus. What unites all of them for Le Blanc is their participation in a massive conversation, a revolutionary collective dialogue, in which everyone has tried to think critically about our present and in a way that opens up possibilities for a brighter future.
Paul Le Blanc is a lifelong activist and recently retired professor of history at La Roche University in Pittsburgh. He is the author and editor of numerous books on radical politics and labor history, including The Living Flame: The Revolutionary Passion of Rosa Luxemburg, A Short History of the U.S. Working Class: From Colonial Times to the 21st Century and Lenin and the Revolutionary Party, all from Haymarket Books.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 06 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>292</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Le Blanc</itunes:subtitle>
      <itunes:summary>Revolutionary politics are experiencing a resurgence in popularity, and a quick look at today’s headlines make it easy to see why. For those dipping their toes in the massive history and theory under the revolutionary umbrella, however, it can be quite intimidating, with shelves upon shelves of massive tomes confronting readers, filled to the brim with dense jargon and obscure theories. Knowing which author and book to start with can throw new readers off.
Fortunately Paul Le Blanc, a lifelong activist and historian of radical politics and movements, has stepped in with a short and accessibly written book that will serve as a refreshing primer to the revolutionary tradition. Revolutionary Collective: Comrades, Critics, and Dynamics in the Struggle for Socialism (Haymarket, 2022) looks at the resurgence of interest in radical politics and offers a series of essays on a number of key figures that will be of immense use to those looking for an onramp to Marxist theory. A number of well-known figures make an appearance, such as Lenin, Trotsky and Gramsci, but a number of lesser-known figures also receive attention, such as Karl Korsch, Daniel Bensaid and Dennis Brutus. What unites all of them for Le Blanc is their participation in a massive conversation, a revolutionary collective dialogue, in which everyone has tried to think critically about our present and in a way that opens up possibilities for a brighter future.
Paul Le Blanc is a lifelong activist and recently retired professor of history at La Roche University in Pittsburgh. He is the author and editor of numerous books on radical politics and labor history, including The Living Flame: The Revolutionary Passion of Rosa Luxemburg, A Short History of the U.S. Working Class: From Colonial Times to the 21st Century and Lenin and the Revolutionary Party, all from Haymarket Books.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Revolutionary politics are experiencing a resurgence in popularity, and a quick look at today’s headlines make it easy to see why. For those dipping their toes in the massive history and theory under the revolutionary umbrella, however, it can be quite intimidating, with shelves upon shelves of massive tomes confronting readers, filled to the brim with dense jargon and obscure theories. Knowing which author and book to start with can throw new readers off.</p><p>Fortunately Paul Le Blanc, a lifelong activist and historian of radical politics and movements, has stepped in with a short and accessibly written book that will serve as a refreshing primer to the revolutionary tradition. <a href="https://bookshop.org/a/12343/9781642595895"><em>Revolutionary Collective: Comrades, Critics, and Dynamics in the Struggle for Socialism</em></a><em> </em>(Haymarket, 2022) looks at the resurgence of interest in radical politics and offers a series of essays on a number of key figures that will be of immense use to those looking for an onramp to Marxist theory. A number of well-known figures make an appearance, such as Lenin, Trotsky and Gramsci, but a number of lesser-known figures also receive attention, such as Karl Korsch, Daniel Bensaid and Dennis Brutus. What unites all of them for Le Blanc is their participation in a massive conversation, a revolutionary collective dialogue, in which everyone has tried to think critically about our present and in a way that opens up possibilities for a brighter future.</p><p>Paul Le Blanc is a lifelong activist and recently retired professor of history at La Roche University in Pittsburgh. He is the author and editor of numerous books on radical politics and labor history, including <em>The Living Flame: The Revolutionary Passion of Rosa Luxemburg</em>, <em>A Short History of the U.S. Working Class: From Colonial Times to the 21st Century</em> and <em>Lenin and the Revolutionary Party</em>, all from Haymarket Books.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4419</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[24dfcf74-ddff-11ec-936e-bb1950711b1d]]></guid>
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    </item>
    <item>
      <title>Rosalind Galt, "Alluring Monsters: The Pontianak and Cinemas of Decolonization" (Columbia UP, 2021)</title>
      <description>In Alluring Monsters: The Pontianak and Cinemas of Decolonization (Columbia University Press, 2021), film scholar Rosalind Galt offers a cinematic exploration of the pontianak, a female vampire ghost whose origins stem back to pre-Islamic animist tradition but who is continues to be feared and revered in Malay cultures to this day. In the 1950s, the pontianak haunted the screens of late colonial Singapore in a series of popular films that combined appeals to indigenous animism with the affective force of the horror genre. Although the pontianak would disappear from view following the breakdown of the studio system, she would once again wreak havoc in postcolonial Southeast Asian film and society from the early 2000s onwards. In this book, Galt explores the enduring appeal of the Pontianak, framing her as an ambivalent agent of gender subversion, a precolonial figure of disturbance within postcolonial cultures, and a haunting presence that sheds light on a range of questions—surrounding race, religion, nationalism, and modernity—in Malaysia and Singapore. As Alluring Monsters demonstrates, the Pontianak has much to tell us about intersecting issues of decolonisation: femininity and modernity; globalisation and indigeneity; racial identities and nation; Islam and animism; and heritage and environmental destruction.
Jules O’Dwyer is Research Fellow in Film Studies and French at the University of Cambridge.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 06 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rosalind Galt</itunes:subtitle>
      <itunes:summary>In Alluring Monsters: The Pontianak and Cinemas of Decolonization (Columbia University Press, 2021), film scholar Rosalind Galt offers a cinematic exploration of the pontianak, a female vampire ghost whose origins stem back to pre-Islamic animist tradition but who is continues to be feared and revered in Malay cultures to this day. In the 1950s, the pontianak haunted the screens of late colonial Singapore in a series of popular films that combined appeals to indigenous animism with the affective force of the horror genre. Although the pontianak would disappear from view following the breakdown of the studio system, she would once again wreak havoc in postcolonial Southeast Asian film and society from the early 2000s onwards. In this book, Galt explores the enduring appeal of the Pontianak, framing her as an ambivalent agent of gender subversion, a precolonial figure of disturbance within postcolonial cultures, and a haunting presence that sheds light on a range of questions—surrounding race, religion, nationalism, and modernity—in Malaysia and Singapore. As Alluring Monsters demonstrates, the Pontianak has much to tell us about intersecting issues of decolonisation: femininity and modernity; globalisation and indigeneity; racial identities and nation; Islam and animism; and heritage and environmental destruction.
Jules O’Dwyer is Research Fellow in Film Studies and French at the University of Cambridge.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780231201322"><em>Alluring Monsters: The Pontianak and Cinemas of Decolonization</em></a> (Columbia University Press, 2021), film scholar Rosalind Galt offers a cinematic exploration of the pontianak, a female vampire ghost whose origins stem back to pre-Islamic animist tradition but who is continues to be feared and revered in Malay cultures to this day. In the 1950s, the pontianak haunted the screens of late colonial Singapore in a series of popular films that combined appeals to indigenous animism with the affective force of the horror genre. Although the pontianak would disappear from view following the breakdown of the studio system, she would once again wreak havoc in postcolonial Southeast Asian film and society from the early 2000s onwards. In this book, Galt explores the enduring appeal of the Pontianak, framing her as an ambivalent agent of gender subversion, a precolonial figure of disturbance within postcolonial cultures, and a haunting presence that sheds light on a range of questions—surrounding race, religion, nationalism, and modernity—in Malaysia and Singapore. As <em>Alluring Monsters</em> demonstrates, the Pontianak has much to tell us about intersecting issues of decolonisation: femininity and modernity; globalisation and indigeneity; racial identities and nation; Islam and animism; and heritage and environmental destruction.</p><p><em>Jules O’Dwyer is Research Fellow in Film Studies and French at the University of Cambridge.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3334</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[047accdc-de7e-11ec-812f-cfa13bcb8df8]]></guid>
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    </item>
    <item>
      <title>Ryan Watson, "Radical Documentary and Global Crises: Militant Evidence in the Digital Age" (Indiana UP, 2021)</title>
      <description>When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence."
In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations.
Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.
﻿Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 06 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ryan Watson</itunes:subtitle>
      <itunes:summary>When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence."
In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations.
Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.
﻿Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence."</p><p>In <a href="https://bookshop.org/a/12343/9780253058003"><em>Radical Documentary and Global Crises: Militant Evidence in the Digital Age</em></a> (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations.</p><p><em>Radical Documentary and Global Crises</em> re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.</p><p><em>﻿Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3266</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Experimental Life</title>
      <link>https://hightheory.net/podcast/experimental-life/</link>
      <description>Travis Chi Wing Lau talks about the notion that one can experiment on the fundamental conditions and nature of life in order to perfect them. He looks at this idea in diverse literary, scientific, and cultural contexts from the vitality debate and Mary Shelley’s Frankenstein to the perils of the CRISPR technology and Kazuo Ishiguro’s Never Let Me Go.
Travis Chi Wing Lau (he/him/his) is Assistant Professor of English at Kenyon College. His research and teaching focus on eighteenth- and nineteenth-century British literature and culture, health humanities, and disability studies. Alongside his scholarship, Lau frequently writes for venues of public scholarship like Synapsis: A Journal of Health Humanities, Public Books, Lapham’s Quarterly, and The Los Angeles Review of Books. His poetry has appeared in Barren Magazine, Wordgathering, Glass, South Carolina Review, Foglifter, and The New Engagement, as well as in two chapbooks, The Bone Setter (Damaged Goods Press, 2019) and Paring (Finishing Line Press, 2020).
Image: “Experimental Life” © 2021 Saronik Bosu
Music used in promotional material: “Future Life” by Ketsa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2fdaf464-a2f2-11ec-a782-173c45dfda1b/image/Experimental_Life-2-scaled.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Travis Chi Wing Lau</itunes:subtitle>
      <itunes:summary>Travis Chi Wing Lau talks about the notion that one can experiment on the fundamental conditions and nature of life in order to perfect them. He looks at this idea in diverse literary, scientific, and cultural contexts from the vitality debate and Mary Shelley’s Frankenstein to the perils of the CRISPR technology and Kazuo Ishiguro’s Never Let Me Go.
Travis Chi Wing Lau (he/him/his) is Assistant Professor of English at Kenyon College. His research and teaching focus on eighteenth- and nineteenth-century British literature and culture, health humanities, and disability studies. Alongside his scholarship, Lau frequently writes for venues of public scholarship like Synapsis: A Journal of Health Humanities, Public Books, Lapham’s Quarterly, and The Los Angeles Review of Books. His poetry has appeared in Barren Magazine, Wordgathering, Glass, South Carolina Review, Foglifter, and The New Engagement, as well as in two chapbooks, The Bone Setter (Damaged Goods Press, 2019) and Paring (Finishing Line Press, 2020).
Image: “Experimental Life” © 2021 Saronik Bosu
Music used in promotional material: “Future Life” by Ketsa
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://travisclau.com/">Travis Chi Wing Lau</a> talks about the notion that one can experiment on the fundamental conditions and nature of life in order to perfect them. He looks at this idea in diverse literary, scientific, and cultural contexts from the vitality debate and Mary Shelley’s <em>Frankenstein</em> to the perils of the CRISPR technology and Kazuo Ishiguro’s <em>Never Let Me Go</em>.</p><p>Travis Chi Wing Lau (he/him/his) is Assistant Professor of English at Kenyon College. His research and teaching focus on eighteenth- and nineteenth-century British literature and culture, health humanities, and disability studies. Alongside his scholarship, Lau frequently writes for venues of public scholarship like <em>Synapsis: A Journal of Health Humanities</em>, <em>Public Books, Lapham’s Quarterly, </em>and <em>The Los Angeles Review of Books</em>. His poetry has appeared in <em>Barren Magazine, Wordgathering</em>, <em>Glass</em>, <em>South Carolina Review, Foglifter, </em>and<em> The New Engagement, </em>as well as in two chapbooks, <em>The Bone Setter </em>(Damaged Goods Press, 2019) and <em>Paring </em>(Finishing Line Press, 2020).</p><p>Image: “Experimental Life” © 2021 Saronik Bosu</p><p>Music used in promotional material: “Future Life” by Ketsa</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>969</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=354]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2825248686.mp3?updated=1646228184" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Clancy, "Running the Family Firm: How the Monarchy Manages Its Image and Our Money" (Manchester UP, 2021)</title>
      <description>Why does the monarchy matter? In Running the Family Firm: How the Monarchy Manages Its Image and Our Money (Manchester UP, 2021),  Laura Clancy, a Lecturer in Media and Lancaster University, considers the British monarchy in the context of contemporary financialised capitalism, exposing the tensions and contradictions between the public face of royalty and the reality of the infrastructures, labour relations, financial arrangements, and political economies of Britain’s ‘family firm’. The book uses a huge range of examples, from the monarchy’s role in politics and public life, through to the personalities that drive much media coverage. Rich with detailed case studies and analysis, the book is essential reading across the social sciences and humanities, as well as for anyone interested in understanding how power and elites function in Britain today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>293</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Clancy</itunes:subtitle>
      <itunes:summary>Why does the monarchy matter? In Running the Family Firm: How the Monarchy Manages Its Image and Our Money (Manchester UP, 2021),  Laura Clancy, a Lecturer in Media and Lancaster University, considers the British monarchy in the context of contemporary financialised capitalism, exposing the tensions and contradictions between the public face of royalty and the reality of the infrastructures, labour relations, financial arrangements, and political economies of Britain’s ‘family firm’. The book uses a huge range of examples, from the monarchy’s role in politics and public life, through to the personalities that drive much media coverage. Rich with detailed case studies and analysis, the book is essential reading across the social sciences and humanities, as well as for anyone interested in understanding how power and elites function in Britain today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does the monarchy matter? In <a href="https://bookshop.org/a/12343/9781526158758"><em>Running the Family Firm: How the Monarchy Manages Its Image and Our Money</em></a> (Manchester UP, 2021),<em> </em> <a href="https://twitter.com/laura__clancy">Laura Clancy</a>, <a href="https://www.lancaster.ac.uk/sociology/people/laura-clancy2">a Lecturer in Media and Lancaster University</a>, considers the British monarchy in the context of contemporary financialised capitalism, exposing the tensions and contradictions between the public face of royalty and the reality of the infrastructures, labour relations, financial arrangements, and political economies of Britain’s ‘family firm’. The book uses a huge range of examples, from the monarchy’s role in politics and public life, through to the personalities that drive much media coverage. Rich with detailed case studies and analysis, the book is essential reading across the social sciences and humanities, as well as for anyone interested in understanding how power and elites function in Britain today.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18209eee-e01b-11ec-9008-a77d777fd32f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7597626260.mp3?updated=1653917545" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wen Liu, et al., "Reorienting Hong Kong’s Resistance: Leftism, Decoloniality, and Internationalism" (Palgrave MacMillan, 2022)</title>
      <description>In this episode, I talk to two of the editors of Reorienting Hong Kong’s Resistance: Leftism, Decoloniality, and Internationalism (Palgrave MacMillan, 2022), Ellie Tse and JN Chien about this timely and important volume.
The book brings together writing from activists and scholars that examine leftist and decolonial forms of resistance that have emerged from Hong Kong’s contemporary era of protests. Practices such as labor unionism, police abolition, land justice struggles, and other radical expressions of self-governance may not explicitly operate under the banners of leftism and decoloniality. Nevertheless, examining them within these frameworks uncovers historical, transnational, and prefigurative sightlines that can help to contextualize and interpret their impact for Hong Kong’s political future. This collection offers insights not only into Hong Kong's local struggles, but their interconnectedness with global movements as the city remains on the frontlines of international politics.
Wen Liu is assistant research fellow at the Institute of Ethnology, Academia Sinica, in Taiwan. She received her Ph.D. from Critical Social Psychology at the Graduate Center, City University of New York. Broadly interested in issues of race, sexuality, and affect, she has published in journals such as American Quarterly, Feminism &amp; Psychology, Journal of Asian American Studies, and Subjectivity.
JN Chien is a Ph.D. candidate in American Studies and Ethnicity at the University of Southern California researching US-Hong Kong integration in the Cold War transpacific through economic history, labor, migration, and detention in the shadow of multiple imperialisms. His writing has been published in Hong Kong Studies, The Nation, Jacobin, and Lausan.
Christina Chung is a Ph.D. candidate researching the intersections of decolonial feminism and Hong Kong contemporary art at the University of Washington, Seattle. Her writing has been published by Asia Art Archive, College Arts Association Reviews, and in the anthology: Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau and Taiwan (East Slope Publishing, 2017).
Ellie Tse is a Ph.D. student in Cultural and Comparative Studies at the Department of Asian Languages &amp; Cultures at the University of California, Los Angeles. Her research addresses the aftermath of inter-imperial encounters via visual, spatial and architectural practices across the Sinophone Pacific with a focus on Hong Kong.
Clara Iwasaki is an assistant professor of modern Chinese literature at the University of Alberta.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ellie Tse and JN Chien</itunes:subtitle>
      <itunes:summary>In this episode, I talk to two of the editors of Reorienting Hong Kong’s Resistance: Leftism, Decoloniality, and Internationalism (Palgrave MacMillan, 2022), Ellie Tse and JN Chien about this timely and important volume.
The book brings together writing from activists and scholars that examine leftist and decolonial forms of resistance that have emerged from Hong Kong’s contemporary era of protests. Practices such as labor unionism, police abolition, land justice struggles, and other radical expressions of self-governance may not explicitly operate under the banners of leftism and decoloniality. Nevertheless, examining them within these frameworks uncovers historical, transnational, and prefigurative sightlines that can help to contextualize and interpret their impact for Hong Kong’s political future. This collection offers insights not only into Hong Kong's local struggles, but their interconnectedness with global movements as the city remains on the frontlines of international politics.
Wen Liu is assistant research fellow at the Institute of Ethnology, Academia Sinica, in Taiwan. She received her Ph.D. from Critical Social Psychology at the Graduate Center, City University of New York. Broadly interested in issues of race, sexuality, and affect, she has published in journals such as American Quarterly, Feminism &amp; Psychology, Journal of Asian American Studies, and Subjectivity.
JN Chien is a Ph.D. candidate in American Studies and Ethnicity at the University of Southern California researching US-Hong Kong integration in the Cold War transpacific through economic history, labor, migration, and detention in the shadow of multiple imperialisms. His writing has been published in Hong Kong Studies, The Nation, Jacobin, and Lausan.
Christina Chung is a Ph.D. candidate researching the intersections of decolonial feminism and Hong Kong contemporary art at the University of Washington, Seattle. Her writing has been published by Asia Art Archive, College Arts Association Reviews, and in the anthology: Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau and Taiwan (East Slope Publishing, 2017).
Ellie Tse is a Ph.D. student in Cultural and Comparative Studies at the Department of Asian Languages &amp; Cultures at the University of California, Los Angeles. Her research addresses the aftermath of inter-imperial encounters via visual, spatial and architectural practices across the Sinophone Pacific with a focus on Hong Kong.
Clara Iwasaki is an assistant professor of modern Chinese literature at the University of Alberta.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I talk to two of the editors of <a href="https://bookshop.org/a/12343/9789811646584"><em>Reorienting Hong Kong’s Resistance: Leftism, Decoloniality, and Internationalism</em></a> (Palgrave MacMillan, 2022), Ellie Tse and JN Chien about this timely and important volume.</p><p>The book brings together writing from activists and scholars that examine leftist and decolonial forms of resistance that have emerged from Hong Kong’s contemporary era of protests. Practices such as labor unionism, police abolition, land justice struggles, and other radical expressions of self-governance may not explicitly operate under the banners of leftism and decoloniality. Nevertheless, examining them within these frameworks uncovers historical, transnational, and prefigurative sightlines that can help to contextualize and interpret their impact for Hong Kong’s political future. This collection offers insights not only into Hong Kong's local struggles, but their interconnectedness with global movements as the city remains on the frontlines of international politics.</p><p>Wen Liu is assistant research fellow at the Institute of Ethnology, Academia Sinica, in Taiwan. She received her Ph.D. from Critical Social Psychology at the Graduate Center, City University of New York. Broadly interested in issues of race, sexuality, and affect, she has published in journals such as <em>American Quarterly, Feminism &amp; Psychology, Journal of Asian American Studies, and Subjectivity</em>.</p><p>JN Chien is a Ph.D. candidate in American Studies and Ethnicity at the University of Southern California researching US-Hong Kong integration in the Cold War transpacific through economic history, labor, migration, and detention in the shadow of multiple imperialisms. His writing has been published in <em>Hong Kong Studies, The Nation, Jacobin, and Lausan</em>.</p><p>Christina Chung is a Ph.D. candidate researching the intersections of decolonial feminism and Hong Kong contemporary art at the University of Washington, Seattle. Her writing has been published by Asia Art Archive, College Arts Association Reviews, and in the anthology: <em>Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau and Taiwan</em> (East Slope Publishing, 2017).</p><p>Ellie Tse is a Ph.D. student in Cultural and Comparative Studies at the Department of Asian Languages &amp; Cultures at the University of California, Los Angeles. Her research addresses the aftermath of inter-imperial encounters via visual, spatial and architectural practices across the Sinophone Pacific with a focus on Hong Kong.</p><p><em>Clara Iwasaki is an assistant professor of modern Chinese literature at the University of Alberta.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5325</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d5740298-dea3-11ec-a256-67fc1fca4531]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4005951642.mp3?updated=1653756811" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Heather Davis, "Plastic Matter" (Duke UP, 2022)</title>
      <description>Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material—it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter (Duke UP, 2022), Heather Davis traces plastic’s relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic’s materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic’s saturation.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 31 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heather Davis</itunes:subtitle>
      <itunes:summary>Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material—it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter (Duke UP, 2022), Heather Davis traces plastic’s relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic’s materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic’s saturation.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material—it is emblematic of life in the twentieth and twenty-first centuries. In <a href="https://bookshop.org/a/12343/9781478017752"><em>Plastic Matter</em></a><em> </em>(Duke UP, 2022)<em>,</em> Heather Davis traces plastic’s relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic’s materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic’s saturation.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3499</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d9386fe-dd28-11ec-8cd1-23cf9ab236d5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6752962705.mp3?updated=1653593181" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Swift, "The Identity Myth: Why We Need to Embrace Our Differences to Beat Inequality" (Constable &amp; Robinson, 2022)</title>
      <description>In conversations about polarised political issues, phrases like ‘it’s not about race, it’s about class’ have become the perfect way to induce a stalemate. It seems as though the traditional, materialist critique of inequality has been supplanted by a fast-evolving set of reflections on group identity. Mainstream politics makes fast and loose assumptions about the relationship between class and identity, and economic conditions and culture. These assumptions are fodder for the culture wars.
In The Identity Myth: Why We Need to Embrace Our Differences to Beat Inequality (Constable &amp; Robinson, 2022), David Swift covers the four different kinds of identity most susceptible to rhetorical and cultural manipulation – class, race, sex, and age. He considers how the boundaries of identities are policed and how diverse versions of the same identity can be deployed to different ends. Ultimately, it is not that identities are simply more ‘complex’ than they appear. Rather, there are commonalities more important to the creation of solidarity.
David Swift speaks to Pierre d'Alancaisez about the crisis of class and the deceptive allure of identity politics. We talk about the divisive nature of the contested claims of identity and about strategies for regaining control of the narrative. In a powerful call to arms, Swift argues that we must unite against these identity myths and embrace our differences to beat inequality.
David Swift is a historian and writer who specialises in the history and contemporary politics of the British Left. He has written on the state of the Left for The Times, Fabian Review, Progress Online, Jewish Chronicle, and The Critic. He is the author of A Left for Itself, 2019.

The Emily Thornberry white van tweet story,


Gordon Brown's 'bigotgate',


Keir Starmer and 'beergate',

Tomiwa Owolade's essay on Anglican social conservatism in London, 'rooted' in David's work,

Rachel Dolezal is now an artist,

San Francisco school board recall,


White narcissism at a BLM protest.


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 31 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>291</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Swift</itunes:subtitle>
      <itunes:summary>In conversations about polarised political issues, phrases like ‘it’s not about race, it’s about class’ have become the perfect way to induce a stalemate. It seems as though the traditional, materialist critique of inequality has been supplanted by a fast-evolving set of reflections on group identity. Mainstream politics makes fast and loose assumptions about the relationship between class and identity, and economic conditions and culture. These assumptions are fodder for the culture wars.
In The Identity Myth: Why We Need to Embrace Our Differences to Beat Inequality (Constable &amp; Robinson, 2022), David Swift covers the four different kinds of identity most susceptible to rhetorical and cultural manipulation – class, race, sex, and age. He considers how the boundaries of identities are policed and how diverse versions of the same identity can be deployed to different ends. Ultimately, it is not that identities are simply more ‘complex’ than they appear. Rather, there are commonalities more important to the creation of solidarity.
David Swift speaks to Pierre d'Alancaisez about the crisis of class and the deceptive allure of identity politics. We talk about the divisive nature of the contested claims of identity and about strategies for regaining control of the narrative. In a powerful call to arms, Swift argues that we must unite against these identity myths and embrace our differences to beat inequality.
David Swift is a historian and writer who specialises in the history and contemporary politics of the British Left. He has written on the state of the Left for The Times, Fabian Review, Progress Online, Jewish Chronicle, and The Critic. He is the author of A Left for Itself, 2019.

The Emily Thornberry white van tweet story,


Gordon Brown's 'bigotgate',


Keir Starmer and 'beergate',

Tomiwa Owolade's essay on Anglican social conservatism in London, 'rooted' in David's work,

Rachel Dolezal is now an artist,

San Francisco school board recall,


White narcissism at a BLM protest.


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In conversations about polarised political issues, phrases like ‘it’s not about race, it’s about class’ have become the perfect way to induce a stalemate. It seems as though the traditional, materialist critique of inequality has been supplanted by a fast-evolving set of reflections on group identity. Mainstream politics makes fast and loose assumptions about the relationship between class and identity, and economic conditions and culture. These assumptions are fodder for the culture wars.</p><p>In <a href="https://bookshop.org/a/12343/9780349135366"><em>The Identity Myth: Why We Need to Embrace Our Differences to Beat Inequality</em></a><em> </em>(Constable &amp; Robinson, 2022), David Swift covers the four different kinds of identity most susceptible to rhetorical and cultural manipulation – class, race, sex, and age. He considers how the boundaries of identities are policed and how diverse versions of the same identity can be deployed to different ends. Ultimately, it is not that identities are simply more ‘complex’ than they appear. Rather, there are commonalities more important to the creation of solidarity.</p><p>David Swift speaks to Pierre d'Alancaisez about the crisis of class and the deceptive allure of identity politics. We talk about the divisive nature of the contested claims of identity and about strategies for regaining control of the narrative. In a powerful call to arms, Swift argues that we must unite against these identity myths and embrace our differences to beat inequality.</p><p><a href="https://twitter.com/davidswift87?s=21">David Swift</a> is a historian and writer who specialises in the history and contemporary politics of the British Left. He has written on the state of the Left for <em>The Times, Fabian Review, Progress Online</em>, <em>Jewish Chronicle</em>, and<em> The Critic</em>. He is the author of <a href="https://www.johnhuntpublishing.com/zer0-books/our-books/left-for-itself"><em>A Left for Itself</em></a>, 2019.</p><ul>
<li>The Emily Thornberry <a href="https://www.bbc.co.uk/news/uk-politics-30148768">white van tweet</a> story,</li>
<li>
<a href="https://www.independent.co.uk/news/uk/politics/bigotgate-gordon-brown-anniversary-gillian-duffy-transcript-full-read-1957274.html">Gordon Brown's 'bigotgate'</a>,</li>
<li>
<a href="https://www.standard.co.uk/news/politics/keir-starmer-beergate-currygate-boris-johnson-partygate-police-durham-b998231.html">Keir Starmer and 'beergate'</a>,</li>
<li>Tomiwa Owolade's essay on <a href="https://unherd.com/2022/04/the-future-of-anglicanism-is-african/">Anglican social conservatism in London</a>, 'rooted' in David's work,</li>
<li>Rachel Dolezal is now <a href="https://racheldolezal.com/">an artist</a>,</li>
<li>San Francisco <a href="https://www.theatlantic.com/ideas/archive/2022/02/meaning-san-franciscos-school-board-recall/622854/">school board recall</a>,</li>
<li>
<a href="https://twitter.com/jmasseypoet/status/1381791660380684289?s=21&amp;t=sf2E7OGNfkSCeM3G9a3dGA">White narcissism at a BLM protest</a>.</li>
</ul><p><br></p><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4039</itunes:duration>
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    </item>
    <item>
      <title>Pierre Penet and Juan Flores Zendejas, "Sovereign Debt Diplomacies: Rethinking Sovereign Debt from Colonial Empires to Hegemony" (Oxford UP. 2021)</title>
      <description>Pierre Penet and Juan Flores Zendejas' book Sovereign Debt Diplomacies: Rethinking Sovereign Debt from Colonial Empires to Hegemony (Oxford UP. 2021) aims to revisit the meaning of sovereign debt in relation to colonial history and postcolonial developments. It offers three main contributions. The first contribution is historical. The volume historicizes a research field that has so far focused primarily on the post-1980 years. A focus on colonial debt from the 19th century building of colonial empires to the decolonization era in the 1960s-70s fills an important gap in recent debt historiographies. Economic historians have engaged with colonialism only reluctantly or en passant, giving credence to the idea that colonialism is not a development that deserves to be treated on its own. This has led to suboptimal developments in recent scholarship.
The second contribution adds a 'law and society' dimension to studies of debt. The analytical payoff of the exercise is to capture the current developments and functional limits of debt contracting and adjudication in relation to the long-term political and sociological dynamics of sovereignty. Finally, Sovereign Debt Diplomacies imports insights from, and contributes to the body of research currently developed in the Humanities under the label 'colonial and postcolonial studies'. The emphasis on 'history from below' and focus on 'subaltern agency' usefully complement the traditional elite-perspective on financial imperialism favored by the British school of empire history.
Javier Mejia is an economist teaching at Stanford University, whose work focuses on the intersection between social networks and economic history. His interests extend to topics on entrepreneurship and political economy with a geographical specialty in Latin America and the Middle East. He received a Ph.D. in Economics from Los Andes University. He has been a Postdoctoral Associate and Lecturer at New York University--Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is a regular contributor to different news outlets. Currently, he is Forbes Magazine op-ed columnist.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 31 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Pierre Penet and Juan Flores Zendejas' book Sovereign Debt Diplomacies: Rethinking Sovereign Debt from Colonial Empires to Hegemony (Oxford UP. 2021) aims to revisit the meaning of sovereign debt in relation to colonial history and postcolonial developments. It offers three main contributions. The first contribution is historical. The volume historicizes a research field that has so far focused primarily on the post-1980 years. A focus on colonial debt from the 19th century building of colonial empires to the decolonization era in the 1960s-70s fills an important gap in recent debt historiographies. Economic historians have engaged with colonialism only reluctantly or en passant, giving credence to the idea that colonialism is not a development that deserves to be treated on its own. This has led to suboptimal developments in recent scholarship.
The second contribution adds a 'law and society' dimension to studies of debt. The analytical payoff of the exercise is to capture the current developments and functional limits of debt contracting and adjudication in relation to the long-term political and sociological dynamics of sovereignty. Finally, Sovereign Debt Diplomacies imports insights from, and contributes to the body of research currently developed in the Humanities under the label 'colonial and postcolonial studies'. The emphasis on 'history from below' and focus on 'subaltern agency' usefully complement the traditional elite-perspective on financial imperialism favored by the British school of empire history.
Javier Mejia is an economist teaching at Stanford University, whose work focuses on the intersection between social networks and economic history. His interests extend to topics on entrepreneurship and political economy with a geographical specialty in Latin America and the Middle East. He received a Ph.D. in Economics from Los Andes University. He has been a Postdoctoral Associate and Lecturer at New York University--Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is a regular contributor to different news outlets. Currently, he is Forbes Magazine op-ed columnist.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pierre Penet and Juan Flores Zendejas' book <a href="https://bookshop.org/a/12343/9780198866350"><em>Sovereign Debt Diplomacies: Rethinking Sovereign Debt from Colonial Empires to Hegemony</em></a><em> </em>(Oxford UP. 2021) aims to revisit the meaning of sovereign debt in relation to colonial history and postcolonial developments. It offers three main contributions. The first contribution is historical. The volume historicizes a research field that has so far focused primarily on the post-1980 years. A focus on colonial debt from the 19th century building of colonial empires to the decolonization era in the 1960s-70s fills an important gap in recent debt historiographies. Economic historians have engaged with colonialism only reluctantly or <em>en passant</em>, giving credence to the idea that colonialism is not a development that deserves to be treated on its own. This has led to suboptimal developments in recent scholarship.</p><p>The second contribution adds a 'law and society' dimension to studies of debt. The analytical payoff of the exercise is to capture the current developments and functional limits of debt contracting and adjudication in relation to the long-term political and sociological dynamics of sovereignty. Finally, <em>Sovereign Debt Diplomacies</em> imports insights from, and contributes to the body of research currently developed in the Humanities under the label 'colonial and postcolonial studies'. The emphasis on 'history from below' and focus on 'subaltern agency' usefully complement the traditional elite-perspective on financial imperialism favored by the British school of empire history.</p><p><em>Javier Mejia is an economist teaching at Stanford University, whose work focuses on the intersection between social networks and economic history. His interests extend to topics on entrepreneurship and political economy with a geographical specialty in Latin America and the Middle East. He received a Ph.D. in Economics from Los Andes University. He has been a Postdoctoral Associate and Lecturer at New York University--Abu Dhabi and a Visiting Scholar at the University of Bordeaux. He is a regular contributor to different news outlets. Currently, he is Forbes Magazine op-ed columnist.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3353</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6837259165.mp3?updated=1653846837" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yanis Varoufakis, "Another Now: Dispatches from an Alternative Present" (Melville House, 2020)</title>
      <description>What would a fair and equal society look like? In ﻿Another Now: Dispatches from an Alternative Present (Melville House Publishing, 2020), the﻿world-renowned economist and bestselling author Yanis Varoufakis presents his radical and subversive answer. Imagine it is now 2025 and that years earlier, in the wake of the world financial crisis of 2008, a new post-Capitalist society had been born. In this ingenious book, Yanis Varoufakis draws on the greatest thinkers in European culture from Plato to Marx, as well as the great thought-experiments of science fiction, to offer us a dramatic and tantalising glimpse of a brave new world where the principles of democracy, equality and justice are truly embedded in our economy. Through the eyes of three characters - a liberal economist, a radical feminist and a left-wing technologist - we come to see what would be needed to forge such a world but also at what cost. This transformative vision forces each of us to confront the profound questions and trade-offs that underpin all societies- how do we balance freedom with fairness? How do we unleash the best that humanity has to offer without opening the door to the worst? Another Now offers answers to some of the most pressing questions of today. It also challenges us to consider how far we are willing to go in pursuit of our ideals.
Shu Cao Mo 's interests span continental philosophy, existential psychology and history of performance art. She previously served as the Asia representative for a global traveling university. She holds an Ed.M. in Arts in Education from Harvard and a B.A. in Political Philosophy and Theater from Duke. Twitter @Mo2Cao 
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      <pubDate>Mon, 30 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yanis Varoufakis</itunes:subtitle>
      <itunes:summary>What would a fair and equal society look like? In ﻿Another Now: Dispatches from an Alternative Present (Melville House Publishing, 2020), the﻿world-renowned economist and bestselling author Yanis Varoufakis presents his radical and subversive answer. Imagine it is now 2025 and that years earlier, in the wake of the world financial crisis of 2008, a new post-Capitalist society had been born. In this ingenious book, Yanis Varoufakis draws on the greatest thinkers in European culture from Plato to Marx, as well as the great thought-experiments of science fiction, to offer us a dramatic and tantalising glimpse of a brave new world where the principles of democracy, equality and justice are truly embedded in our economy. Through the eyes of three characters - a liberal economist, a radical feminist and a left-wing technologist - we come to see what would be needed to forge such a world but also at what cost. This transformative vision forces each of us to confront the profound questions and trade-offs that underpin all societies- how do we balance freedom with fairness? How do we unleash the best that humanity has to offer without opening the door to the worst? Another Now offers answers to some of the most pressing questions of today. It also challenges us to consider how far we are willing to go in pursuit of our ideals.
Shu Cao Mo 's interests span continental philosophy, existential psychology and history of performance art. She previously served as the Asia representative for a global traveling university. She holds an Ed.M. in Arts in Education from Harvard and a B.A. in Political Philosophy and Theater from Duke. Twitter @Mo2Cao 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What would a fair and equal society look like? In <em>﻿</em><a href="https://bookshop.org/a/12343/9781612199573"><em>Another Now: Dispatches from an Alternative Present</em></a> (Melville House Publishing, 2020), the﻿world-renowned economist and bestselling author Yanis Varoufakis presents his radical and subversive answer. Imagine it is now 2025 and that years earlier, in the wake of the world financial crisis of 2008, a new post-Capitalist society had been born. In this ingenious book, Yanis Varoufakis draws on the greatest thinkers in European culture from Plato to Marx, as well as the great thought-experiments of science fiction, to offer us a dramatic and tantalising glimpse of a brave new world where the principles of democracy, equality and justice are truly embedded in our economy. Through the eyes of three characters - a liberal economist, a radical feminist and a left-wing technologist - we come to see what would be needed to forge such a world but also at what cost. This transformative vision forces each of us to confront the profound questions and trade-offs that underpin all societies- how do we balance freedom with fairness? How do we unleash the best that humanity has to offer without opening the door to the worst? Another Now offers answers to some of the most pressing questions of today. It also challenges us to consider how far we are willing to go in pursuit of our ideals.</p><p><em>Shu Cao Mo 's interests span continental philosophy, existential psychology and history of performance art. She previously served as the Asia representative for a global traveling university. She holds an Ed.M. in Arts in Education from Harvard and a B.A. in Political Philosophy and Theater from Duke. Twitter @Mo2Cao </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Richard Seymour, "The Disenchanted Earth: Reflections on Ecosocialism and Barbarism" (Indigo Press, 2022)</title>
      <description>In The Disenchanted Earth: Reflections on Ecosocialism &amp; Barbarism (Indigo Press, 2022), Richard Seymour, one of the UK's leading left-wing writers, gives an account of his 'ecological awakening'. 
A search for transcendence, beyond the illusory eternal present. These essays chronicle the kindling of ecological consciousness in a confessed ignoramus. They track the first enchantment of the author, his striving to comprehend the coming catastrophe, and his attempt to formulate a new global sensibility in which we value anew what unconditionally matters.
﻿Nicholas Pritchard is a PhD candidate at the University of Cambridge interested in time and the sea.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>141</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Disenchanted Earth: Reflections on Ecosocialism &amp; Barbarism (Indigo Press, 2022), Richard Seymour, one of the UK's leading left-wing writers, gives an account of his 'ecological awakening'. 
A search for transcendence, beyond the illusory eternal present. These essays chronicle the kindling of ecological consciousness in a confessed ignoramus. They track the first enchantment of the author, his striving to comprehend the coming catastrophe, and his attempt to formulate a new global sensibility in which we value anew what unconditionally matters.
﻿Nicholas Pritchard is a PhD candidate at the University of Cambridge interested in time and the sea.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781911648413"><em>The Disenchanted Earth: Reflections on Ecosocialism &amp; Barbarism</em></a><em> </em>(Indigo Press, 2022), Richard Seymour, one of the UK's leading left-wing writers, gives an account of his 'ecological awakening'. </p><p>A search for transcendence, beyond the illusory eternal present. These essays chronicle the kindling of ecological consciousness in a confessed ignoramus. They track the first enchantment of the author, his striving to comprehend the coming catastrophe, and his attempt to formulate a new global sensibility in which we value anew what unconditionally matters.</p><p><em>﻿Nicholas Pritchard is a PhD candidate at the University of Cambridge interested in time and the sea.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2485</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08ba3c54-d845-11ec-bc40-6f0600306522]]></guid>
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    </item>
    <item>
      <title>Undisciplining</title>
      <link>https://hightheory.net/podcast/undisciplining/</link>
      <description>Kim talks to Amy Wong, Ronjaunee Chatterjee, and Alicia Christoff about ‘Undisciplining’, a term they borrowed from Christina Sharpe’s In the Wake and have used in an article and a journal issue to signify a heuristic that would help bring modes of knowledge and methodologies to Victorian Studies that are unfamiliar or would be considered unnatural, given the regulations of that discipline. References are made to Elaine Freedgood’s Worlds Enough, Zadie Smith’s concept of the ‘neutral universal’, and the work of Brigitte Fielder.
Amy R. Wong lives in Oakland and is assistant professor of English at Dominican University of California, where she teaches courses on literature, film, media theory, and critical race studies. Her essays and reviews have appeared in Narrative, Literature Compass, ASAP Journal, Modern Philology, Studies in the Novel, SEL: Studies in English Literature, Public Books, and Avidly.
Ronjaunee Chatterjee lives in Montreal and teaches feminist, queer, and critical race theory, as well as courses on the 19th century, at Concordia University. Her essays and reviews have appeared in the Los Angeles Review of Books, ASAP Journal, The New Inquiry, French Studies,Victorian Literature and Culture, and other venues.
Alicia Mireles Christoff is associate professor of English at Amherst College. She is the author of Novel Relations: Victorian Fiction and British Psychoanalysis (Princeton University Press, 2019). Her essays have appeared in PMLA, Novel, Victorian Literature and Culture, Public Books, and other venues, and her poems in The Yale Review and Peach Mag.
Image: Fire at the Crystal Palace
Music used in promotional material: ‘Fall Apart’ by Livio Amato
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/1b6115e2-a2f0-11ec-a78d-63e6d74468b5/image/Burning_Crystal_Palace.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Amy Wong, Ronjaunee Chatterjee, and Alicia Christoff</itunes:subtitle>
      <itunes:summary>Kim talks to Amy Wong, Ronjaunee Chatterjee, and Alicia Christoff about ‘Undisciplining’, a term they borrowed from Christina Sharpe’s In the Wake and have used in an article and a journal issue to signify a heuristic that would help bring modes of knowledge and methodologies to Victorian Studies that are unfamiliar or would be considered unnatural, given the regulations of that discipline. References are made to Elaine Freedgood’s Worlds Enough, Zadie Smith’s concept of the ‘neutral universal’, and the work of Brigitte Fielder.
Amy R. Wong lives in Oakland and is assistant professor of English at Dominican University of California, where she teaches courses on literature, film, media theory, and critical race studies. Her essays and reviews have appeared in Narrative, Literature Compass, ASAP Journal, Modern Philology, Studies in the Novel, SEL: Studies in English Literature, Public Books, and Avidly.
Ronjaunee Chatterjee lives in Montreal and teaches feminist, queer, and critical race theory, as well as courses on the 19th century, at Concordia University. Her essays and reviews have appeared in the Los Angeles Review of Books, ASAP Journal, The New Inquiry, French Studies,Victorian Literature and Culture, and other venues.
Alicia Mireles Christoff is associate professor of English at Amherst College. She is the author of Novel Relations: Victorian Fiction and British Psychoanalysis (Princeton University Press, 2019). Her essays have appeared in PMLA, Novel, Victorian Literature and Culture, Public Books, and other venues, and her poems in The Yale Review and Peach Mag.
Image: Fire at the Crystal Palace
Music used in promotional material: ‘Fall Apart’ by Livio Amato
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kim talks to <a href="https://www.dominican.edu/directory-people/amy-r-wong">Amy Wong</a>, <a href="https://www.concordia.ca/artsci/english/faculty.html?fpid=ronjaunee-chatterjee">Ronjaunee Chatterjee</a>, and <a href="https://www.amherst.edu/people/facstaff/achristoff">Alicia Christoff</a> about ‘Undisciplining’, a term they borrowed from Christina Sharpe’s <a href="https://www.dukeupress.edu/in-the-wake"><em>In the Wake</em></a> and have used in an <a href="https://lareviewofbooks.org/article/undisciplining-victorian-studies/">article</a> and a journal <a href="https://www.jstor.org/stable/10.2979/victorianstudies.62.issue-3">issue</a> to signify a heuristic that would help bring modes of knowledge and methodologies to Victorian Studies that are unfamiliar or would be considered unnatural, given the regulations of that discipline. References are made to Elaine Freedgood’s <a href="https://press.princeton.edu/books/hardcover/9780691193304/worlds-enough"><em>Worlds Enough</em></a>, Zadie Smith’s concept of the ‘neutral universal’, and the work of Brigitte Fielder.</p><p>Amy R. Wong lives in Oakland and is assistant professor of English at Dominican University of California, where she teaches courses on literature, film, media theory, and critical race studies. Her essays and reviews have appeared in Narrative<em>, </em>Literature Compass<em>, </em>ASAP Journal<em>, </em>Modern Philology<em>, </em>Studies in the Novel<em>, </em>SEL: Studies in English Literature<em>, </em>Public Books<em>, and </em>Avidly<em>.</em></p><p>Ronjaunee Chatterjee lives in Montreal and teaches feminist, queer, and critical race theory, as well as courses on the 19th century, at Concordia University. Her essays and reviews have appeared in the Los Angeles Review of Books<em>, </em>ASAP Journal<em>, </em>The New Inquiry<em>, </em>French Studies<em>,</em>Victorian Literature and Culture<em>, and other venues.</em></p><p><em>Alicia Mireles Christoff is associate professor of English at Amherst College. She is the author of </em><a href="https://press.princeton.edu/books/hardcover/9780691193106/novel-relations">Novel Relations: Victorian Fiction and British Psychoanalysis</a> (Princeton University Press, 2019). Her essays have appeared in PMLA<em>, </em>Novel<em>, </em>Victorian Literature and Culture<em>, </em>Public Books<em>, and other venues, and her poems in </em>The Yale Review <em>and </em>Peach Mag<em>.</em></p><p>Image: Fire at the Crystal Palace</p><p>Music used in promotional material: ‘Fall Apart’ by Livio Amato</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>914</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=331]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1764960469.mp3?updated=1646228624" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jafari S. Allen, "There's a Disco Ball Between Us: A Theory of Black Gay Life" (Duke UP, 2022)</title>
      <description>In There's a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>299</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In There's a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
﻿Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.dukeupress.edu/theres-a-disco-ball-between-us"><em>There's a Disco Ball Between Us: A Theory of Black Gay Life</em></a><em> </em>(Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.</p><p><em>﻿</em><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3931</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fdee7808-d830-11ec-95e0-4b82eb4d1319]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1327560968.mp3?updated=1703426947" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chiara Bonacchi, "Heritage and Nationalism: Understanding Populism through Big Data" (UCL Press, 2022)</title>
      <description>What are the connections between the past and modern politics? In Heritage and Nationalism: Understanding Populism through Big Data (UCL Press, 2022), Chiara Bonacchi, a Chancellor's Fellow in Heritage, Text and Data Mining and Senior Lecturer in Heritage at History, Classics &amp; Archaeology and Edinburgh Futures Institute at University of Edinburgh, explores the uses of heritage by contemporary populist politics. Drawing on ‘big data’ sources, including Facebook and Twitter, along with a deep theoretical engagement with digital humanities and heritage, the book compares and contrasts key political events in Italy, USA, and the UK to show how the ancient world is deployed by both politicians and audiences. The book is essential reading for both humanities and political science scholars, along with anyone interested in understanding the current populist moment. The book is available open access here.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>290</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Chiara Bonacchi</itunes:subtitle>
      <itunes:summary>What are the connections between the past and modern politics? In Heritage and Nationalism: Understanding Populism through Big Data (UCL Press, 2022), Chiara Bonacchi, a Chancellor's Fellow in Heritage, Text and Data Mining and Senior Lecturer in Heritage at History, Classics &amp; Archaeology and Edinburgh Futures Institute at University of Edinburgh, explores the uses of heritage by contemporary populist politics. Drawing on ‘big data’ sources, including Facebook and Twitter, along with a deep theoretical engagement with digital humanities and heritage, the book compares and contrasts key political events in Italy, USA, and the UK to show how the ancient world is deployed by both politicians and audiences. The book is essential reading for both humanities and political science scholars, along with anyone interested in understanding the current populist moment. The book is available open access here.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the connections between the past and modern politics? In <a href="https://bookshop.org/a/12343/9781787358027"><em>Heritage and Nationalism: Understanding Populism through Big Data</em></a><em> </em>(UCL Press, 2022), <a href="https://twitter.com/chiara_bonacchi">Chiara Bonacchi,</a> a Chancellor's Fellow in Heritage, Text and Data Mining and Senior Lecturer in Heritage at <a href="https://www.ed.ac.uk/history-classics-archaeology/about-us/staff-profiles/chiara-bonacchi">History, Classics &amp; Archaeology</a> and <a href="https://efi.ed.ac.uk/">Edinburgh Futures Institute</a> at University of Edinburgh, explores the uses of heritage by contemporary populist politics. Drawing on ‘big data’ sources, including Facebook and Twitter, along with a deep theoretical engagement with digital humanities and heritage, the book compares and contrasts key political events in Italy, USA, and the UK to show how the ancient world is deployed by both politicians and audiences. The book is essential reading for both humanities and political science scholars, along with anyone interested in understanding the current populist moment. <strong>The book is available open access </strong><a href="https://www.uclpress.co.uk/products/152834"><strong>here.</strong></a></p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2387</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa86941e-d9f9-11ec-a9ce-27969c8742f4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6374017748.mp3?updated=1653243669" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Abolition</title>
      <link>https://hightheory.net/podcast/abolition/</link>
      <description>Leading up to Mayday, the nationwide Day of Refusal, and Abolition May, Saronik talks with Sean Gordon about abolition as an historical movement to end the transatlantic slave trade and a transformative justice movement to abolish prisons and defund the police. The episode focuses on the relationship between absence and presence, destruction and reconstruction, in abolitionist narratives and thought, and makes reference to Angela Davis’s Abolition Democracy: Beyond Empire, Prisons, and Torture (2005), Mariame Kaba’s We Do This ‘Til We Free Us: Abolitionist Organizing and Transforming Justice (2021), Tiffany Lethabo King’s The Black Shoals: Offshore Formations of Black and Native Studies (2019), and works by W. E. B. Du Bois, Ruth Wilson Gilmore, Frank Wilderson, and Jared Sexton. There is no doubt that abolition will save the world.
Sean recently finished his PhD in English and American Studies at the University of Massachusetts Amherst. His research and teaching focus on nineteenth-century American literature, abolition, and the environmental humanities.
You can visit the We Do This ‘Til We Free Us publisher’s website to donate copies of the book to people who are incarcerated.
Image: “A is for Abolition”, one in the series titled Collidescopes by Julia Bernier
Music used in promotional material: “Heartbeat” by ykymr
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/930edce2-a2ef-11ec-b64f-1b10a6c9aa3b/image/A-is-for-Abolition.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Sean Gordon</itunes:subtitle>
      <itunes:summary>Leading up to Mayday, the nationwide Day of Refusal, and Abolition May, Saronik talks with Sean Gordon about abolition as an historical movement to end the transatlantic slave trade and a transformative justice movement to abolish prisons and defund the police. The episode focuses on the relationship between absence and presence, destruction and reconstruction, in abolitionist narratives and thought, and makes reference to Angela Davis’s Abolition Democracy: Beyond Empire, Prisons, and Torture (2005), Mariame Kaba’s We Do This ‘Til We Free Us: Abolitionist Organizing and Transforming Justice (2021), Tiffany Lethabo King’s The Black Shoals: Offshore Formations of Black and Native Studies (2019), and works by W. E. B. Du Bois, Ruth Wilson Gilmore, Frank Wilderson, and Jared Sexton. There is no doubt that abolition will save the world.
Sean recently finished his PhD in English and American Studies at the University of Massachusetts Amherst. His research and teaching focus on nineteenth-century American literature, abolition, and the environmental humanities.
You can visit the We Do This ‘Til We Free Us publisher’s website to donate copies of the book to people who are incarcerated.
Image: “A is for Abolition”, one in the series titled Collidescopes by Julia Bernier
Music used in promotional material: “Heartbeat” by ykymr
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Leading up to Mayday, the nationwide Day of Refusal, and <a href="https://copsoffcampuscoalition.com/abolition-may/">Abolition May</a>, Saronik talks with <a href="https://www.seanashgordon.com/about">Sean Gordon</a> about abolition as an historical movement to end the transatlantic slave trade and a transformative justice movement to abolish prisons and defund the police. The episode focuses on the relationship between absence and presence, destruction and reconstruction, in abolitionist narratives and thought, and makes reference to Angela Davis’s <a href="https://www.akpress.org/abolitiondemocracy.html"><em>Abolition Democracy: Beyond Empire, Prisons, and Torture</em></a> (2005), Mariame Kaba’s <a href="https://www.haymarketbooks.org/books/1664-we-do-this-til-we-free-us">We Do This ‘Til We Free Us: Abolitionist Organizing and Transforming Justice</a> (2021), Tiffany Lethabo King’s <a href="https://www.dukeupress.edu/the-black-shoals"><em>The Black Shoals: Offshore Formations of Black and Native Studies</em></a> (2019), and works by W. E. B. Du Bois, Ruth Wilson Gilmore, Frank Wilderson, and Jared Sexton. There is no doubt that abolition will save the world.</p><p>Sean recently finished his PhD in English and American Studies at the University of Massachusetts Amherst. His research and teaching focus on nineteenth-century American literature, abolition, and the environmental humanities.</p><p>You can visit the <em>We Do This ‘Til We Free Us</em> publisher’s website to <a href="https://www.haymarketbooks.org/blogs/275-help-us-donate-copies-of-we-do-this-til-we-free-us">donate copies of the book</a> to people who are incarcerated.</p><p>Image: “A is for Abolition”, one in the series titled <a href="https://www.instagram.com/collide_scopes/">Collidescopes</a> by Julia Bernier</p><p>Music used in promotional material: “Heartbeat” by ykymr</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=327]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8659888197.mp3?updated=1646228713" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jami Rogers, "British Black and Asian Shakespeareans, 1966-2018: Integrating Shakespeare" (Arden Shakespeare, 2022)</title>
      <description>What is the hidden history of performers of colour in in British theatre? In British Black and Asian Shakespeareans: Integrating Shakespeare, 1966–2018 (Arden Shakespeare, 2022), Jami Rogers, an honorary fellow at Department of English at University of Warwick, examines this question with one of the most central parts of British theatre and culture- performances of Shakespeare. The book tells a story of discrimination and barriers to success, whilst celebrating career triumphs and demonstrating the significance of actors, directors, and theatre companies. The book uses archival material including theatre criticism, a new database of performances and performers, and interviews with a range of the British Black and Asian Shakespearian greats. The book will be essential reading across the arts and humanities, as well as for social scientists, and anyone interested in understanding British arts and culture.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>289</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jami Rogers</itunes:subtitle>
      <itunes:summary>What is the hidden history of performers of colour in in British theatre? In British Black and Asian Shakespeareans: Integrating Shakespeare, 1966–2018 (Arden Shakespeare, 2022), Jami Rogers, an honorary fellow at Department of English at University of Warwick, examines this question with one of the most central parts of British theatre and culture- performances of Shakespeare. The book tells a story of discrimination and barriers to success, whilst celebrating career triumphs and demonstrating the significance of actors, directors, and theatre companies. The book uses archival material including theatre criticism, a new database of performances and performers, and interviews with a range of the British Black and Asian Shakespearian greats. The book will be essential reading across the arts and humanities, as well as for social scientists, and anyone interested in understanding British arts and culture.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the hidden history of performers of colour in in British theatre? In <a href="https://bookshop.org/a/12343/9781350112926"><em>British Black and Asian Shakespeareans: Integrating Shakespeare, 1966–2018</em></a> (Arden Shakespeare, 2022), <a href="https://twitter.com/publicradionerd">Jami Rogers</a>, <a href="https://warwick.ac.uk/fac/arts/english/">an honorary fellow at Department of English at University of Warwick</a>, examines this question with one of the most central parts of British theatre and culture- performances of Shakespeare. The book tells a story of discrimination and barriers to success, whilst celebrating career triumphs and demonstrating the significance of actors, directors, and theatre companies. The book uses archival material including theatre criticism, a new database of performances and performers, and interviews with a range of the British Black and Asian Shakespearian greats. The book will be essential reading across the arts and humanities, as well as for social scientists, and anyone interested in understanding British arts and culture.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3047</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2c7e6dd6-d9e9-11ec-8572-c3a957837b69]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3330755999.mp3?updated=1653236272" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)</title>
      <description>For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power?
With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 24 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Farah Nayeri</itunes:subtitle>
      <itunes:summary>For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power?
With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power?</p><p>With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, <a href="https://bookshop.org/a/12343/9781662600555"><em>Takedown: Art and Power in the Digital Age</em></a><em> </em>(Astra Publishing, 2022) provides the necessary tools to navigate the art world.</p><p><a href="http://www.allison-leigh.com/"><em>Allison Leigh</em></a><em> is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5e0d7054-d5de-11ec-91aa-7f8f00741af1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1907792353.mp3?updated=1652791675" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Right to Maim</title>
      <link>https://hightheory.net/podcast/the-right-to-maim/</link>
      <description>Bassam Sidiki talks about the right to maim, the titular concept in Jasbir K. Puar’s book, and the related concept of debility. He explains how these concepts have changed how the field of disability studies orients itself. References are made to Anjuli Fatima Raza Kolb’s new book Epidemic Empire, the work of Anita Ghai, Tommy Orange’s novel There There, Lauren Berlant’s concept of ‘slow death’, and Alexander Weheliye’s Habeas Viscus.
Bassam is a PhD Candidate in English at the University of Michigan, where he studies postcolonial studies, disability studies and health humanities. His scholarship appears or is forthcoming in Journal of Medical Humanities, Literature and Medicine, and Journal of Literary and Cultural Disability Studies. Of particular relevance to this episode is his recent article on the novel Anatomy of a Soldier.
Image: Saronik Bosu
Music used in promotional material: “Rough” by Natus
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 24 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b6e07ff0-a2ee-11ec-8aac-635f52fe8bc0/image/Untitled_Artwork-4-scaled.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Bassam Sidiki</itunes:subtitle>
      <itunes:summary>Bassam Sidiki talks about the right to maim, the titular concept in Jasbir K. Puar’s book, and the related concept of debility. He explains how these concepts have changed how the field of disability studies orients itself. References are made to Anjuli Fatima Raza Kolb’s new book Epidemic Empire, the work of Anita Ghai, Tommy Orange’s novel There There, Lauren Berlant’s concept of ‘slow death’, and Alexander Weheliye’s Habeas Viscus.
Bassam is a PhD Candidate in English at the University of Michigan, where he studies postcolonial studies, disability studies and health humanities. His scholarship appears or is forthcoming in Journal of Medical Humanities, Literature and Medicine, and Journal of Literary and Cultural Disability Studies. Of particular relevance to this episode is his recent article on the novel Anatomy of a Soldier.
Image: Saronik Bosu
Music used in promotional material: “Rough” by Natus
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://lsa.umich.edu/english/people/graduate-students/basidiki.html">Bassam Sidiki</a> talks about the right to maim, the titular concept in Jasbir K. Puar’s <a href="https://www.dukeupress.edu/the-right-to-maim">book</a>, and the related concept of debility. He explains how these concepts have changed how the field of disability studies orients itself. References are made to Anjuli Fatima Raza Kolb’s new book <a href="https://press.uchicago.edu/ucp/books/book/chicago/E/bo63099943.html"><em>Epidemic Empire</em></a>, the work of <a href="https://scholar.google.com/citations?user=XqHR050AAAAJ&amp;hl=en">Anita Ghai</a>, Tommy Orange’s novel <a href="https://www.amazon.com/There-novel-Tommy-Orange/dp/0525520376"><em>There There</em></a>, Lauren Berlant’s concept of <a href="https://www.jstor.org/stable/10.1086/521568?seq=1">‘slow death’</a>, and Alexander Weheliye’s <a href="https://www.dukeupress.edu/habeas-viscus"><em>Habeas Viscus</em></a>.</p><p>Bassam is a PhD Candidate in English at the University of Michigan, where he studies postcolonial studies, disability studies and health humanities. His scholarship appears or is forthcoming in Journal of Medical Humanities, Literature and Medicine, and Journal of Literary and Cultural Disability Studies. Of particular relevance to this episode is his recent <a href="https://muse.jhu.edu/article/781815">article</a> on the novel <a href="https://www.amazon.com/Anatomy-Soldier-novel-Harry-Parker-ebook/dp/B015VACH0Y/ref=sr_1_1?crid=PR2ZOYXSZTLW&amp;dchild=1&amp;keywords=anatomy+of+a+soldier&amp;qid=1618677500&amp;s=books&amp;sprefix=anatomy+of+a+s%2Cstripbooks%2C159&amp;sr=1-1"><em>Anatomy of a Soldier</em></a>.</p><p>Image: Saronik Bosu</p><p>Music used in promotional material: “Rough” by Natus</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>855</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=316]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1663390614.mp3?updated=1646228883" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Neoliberalism: A Conversation with Gary Gerstle</title>
      <description>The word neoliberalism is often used more as an insult than a description of a set of beliefs. And people can be rather hazy about the beliefs it refers to – although the mix generally includes free markets, privatisation and globalisation and high levels of inequality. In his book The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era (Oxford UP, 2022), Professor Gary Gerstle of Cambridge University charts how both rightists and leftists embraced neo liberal ideas which prevailed for some three decades until they were challenged by the populist ethno nationalism of Trump and his imitators. But can ethnonationalism prevail? Professor Gerstle argues its too soon to say whether ethnonationalism will become the new post neoliberal orthodoxy
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <pubDate>Tue, 24 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gary Gerstle</itunes:subtitle>
      <itunes:summary>The word neoliberalism is often used more as an insult than a description of a set of beliefs. And people can be rather hazy about the beliefs it refers to – although the mix generally includes free markets, privatisation and globalisation and high levels of inequality. In his book The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era (Oxford UP, 2022), Professor Gary Gerstle of Cambridge University charts how both rightists and leftists embraced neo liberal ideas which prevailed for some three decades until they were challenged by the populist ethno nationalism of Trump and his imitators. But can ethnonationalism prevail? Professor Gerstle argues its too soon to say whether ethnonationalism will become the new post neoliberal orthodoxy
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The word neoliberalism is often used more as an insult than a description of a set of beliefs. And people can be rather hazy about the beliefs it refers to – although the mix generally includes free markets, privatisation and globalisation and high levels of inequality. In his book <a href="https://bookshop.org/a/12343/9780197519646"><em>The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era</em></a> (Oxford UP, 2022), Professor Gary Gerstle of Cambridge University charts how both rightists and leftists embraced neo liberal ideas which prevailed for some three decades until they were challenged by the populist ethno nationalism of Trump and his imitators. But can ethnonationalism prevail? Professor Gerstle argues its too soon to say whether ethnonationalism will become the new post neoliberal orthodoxy</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3160</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[534f11ca-d13f-11ec-a359-ebf1b5de0bde]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2526967475.mp3?updated=1652280545" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eve Darian-Smith, "Global Burning: Rising Antidemocracy and the Climate Crisis" (Stanford UP, 2022)</title>
      <description>Recent years have seen out-of-control wildfires rage across remote Brazilian rainforests, densely populated California coastlines, and major cities in Australia. What connects these separate events is more than immediate devastation and human loss of life. In Global Burning: Rising Antidemocracy and the Climate Crisis (Stanford UP, 2022), Eve Darian-Smith contends that using fire as a symbolic and literal thread connecting different places around the world allows us to better understand the parallel, and related, trends of the growth of authoritarian politics and climate crises and their interconnected global consequences.
Darian-Smith looks deeply into each of these three cases of catastrophic wildfires and finds key similarities in all of them. As political leaders and big business work together in the pursuit of profits and power, anti-environmentalism has become an essential political tool enabling the rise of extreme right governments and energizing their populist supporters. These are the governments that deny climate science, reject environmental protection laws, and foster exclusionary worldviews that exacerbate climate injustice.
The fires in Australia, Brazil and the United States demand acknowledgment of the global systems of inequality that undergird them, connecting the political erosion of liberal democracy with the corrosion of the environment. Darian-Smith argues that these wildfires are closely linked through capitalism, colonialism, industrialization, and resource extraction. In thinking through wildfires as environmental and political phenomenon, Global Burning challenges readers to confront the interlocking powers that are ensuring our future ecological collapse.
Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eve Darian-Smith</itunes:subtitle>
      <itunes:summary>Recent years have seen out-of-control wildfires rage across remote Brazilian rainforests, densely populated California coastlines, and major cities in Australia. What connects these separate events is more than immediate devastation and human loss of life. In Global Burning: Rising Antidemocracy and the Climate Crisis (Stanford UP, 2022), Eve Darian-Smith contends that using fire as a symbolic and literal thread connecting different places around the world allows us to better understand the parallel, and related, trends of the growth of authoritarian politics and climate crises and their interconnected global consequences.
Darian-Smith looks deeply into each of these three cases of catastrophic wildfires and finds key similarities in all of them. As political leaders and big business work together in the pursuit of profits and power, anti-environmentalism has become an essential political tool enabling the rise of extreme right governments and energizing their populist supporters. These are the governments that deny climate science, reject environmental protection laws, and foster exclusionary worldviews that exacerbate climate injustice.
The fires in Australia, Brazil and the United States demand acknowledgment of the global systems of inequality that undergird them, connecting the political erosion of liberal democracy with the corrosion of the environment. Darian-Smith argues that these wildfires are closely linked through capitalism, colonialism, industrialization, and resource extraction. In thinking through wildfires as environmental and political phenomenon, Global Burning challenges readers to confront the interlocking powers that are ensuring our future ecological collapse.
Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Recent years have seen out-of-control wildfires rage across remote Brazilian rainforests, densely populated California coastlines, and major cities in Australia. What connects these separate events is more than immediate devastation and human loss of life. In <a href="https://bookshop.org/a/12343/9781503631083"><em>Global Burning: Rising Antidemocracy and the Climate Crisis</em></a><em> </em>(Stanford UP, 2022), Eve Darian-Smith contends that using fire as a symbolic and literal thread connecting different places around the world allows us to better understand the parallel, and related, trends of the growth of authoritarian politics and climate crises and their interconnected global consequences.</p><p>Darian-Smith looks deeply into each of these three cases of catastrophic wildfires and finds key similarities in all of them. As political leaders and big business work together in the pursuit of profits and power, anti-environmentalism has become an essential political tool enabling the rise of extreme right governments and energizing their populist supporters. These are the governments that deny climate science, reject environmental protection laws, and foster exclusionary worldviews that exacerbate climate injustice.</p><p>The fires in Australia, Brazil and the United States demand acknowledgment of the global systems of inequality that undergird them, connecting the political erosion of liberal democracy with the corrosion of the environment. Darian-Smith argues that these wildfires are closely linked through capitalism, colonialism, industrialization, and resource extraction. In thinking through wildfires as environmental and political phenomenon, <em>Global Burning</em> challenges readers to confront the interlocking powers that are ensuring our future ecological collapse.</p><p><a href="https://www.american.edu/sis/faculty/bachman.cfm"><em>Jeff Bachman</em></a><em> is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2942</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3b115a8c-d8fb-11ec-9a73-6f83d1601b3c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5814428056.mp3?updated=1653133941" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Autotheory</title>
      <link>https://hightheory.net/podcast/autotheory/</link>
      <description>In this episode Kim speaks with Lauren Fournier about autotheory.
Lauren has recently published a book on the subject, titled Autotheory as Feminist Practice in Art, Writing, and Criticism (MIT Press, 2021). In the episode she points to Maggie Nelson’s book The Argonauts as the book that made the term famous, but refers us to a longer history of autotheoretical feminist writing, including work by Gloria E. Anzaldúa, Audre Lorde, and bell hooks.
She also mentions critical research by Zoe Todd, “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism” and the book I Love Dick, by Chris Kraus.
Lauren is a writer, curator, and artist, who currently holds a SSHRC postdoctoral fellowship in visual studies at the University of Toronto. She is currently co-editing a special issue of ASAP Journal on Autotheory with her colleague Alex Brostoff. Her novella, All My Dicks, is forthcoming with Fiction Advocate.
Image: Art by Sona Safaei-Sooreh
Music used in promotional material: ‘Braided Flower’ by Lee Maddeford
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7683cbd8-a2ee-11ec-8207-cb04b29fe650/image/AutotheoryCropped-e1618166588888.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Lauren Fournier</itunes:subtitle>
      <itunes:summary>In this episode Kim speaks with Lauren Fournier about autotheory.
Lauren has recently published a book on the subject, titled Autotheory as Feminist Practice in Art, Writing, and Criticism (MIT Press, 2021). In the episode she points to Maggie Nelson’s book The Argonauts as the book that made the term famous, but refers us to a longer history of autotheoretical feminist writing, including work by Gloria E. Anzaldúa, Audre Lorde, and bell hooks.
She also mentions critical research by Zoe Todd, “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism” and the book I Love Dick, by Chris Kraus.
Lauren is a writer, curator, and artist, who currently holds a SSHRC postdoctoral fellowship in visual studies at the University of Toronto. She is currently co-editing a special issue of ASAP Journal on Autotheory with her colleague Alex Brostoff. Her novella, All My Dicks, is forthcoming with Fiction Advocate.
Image: Art by Sona Safaei-Sooreh
Music used in promotional material: ‘Braided Flower’ by Lee Maddeford
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Kim speaks with Lauren Fournier about autotheory.</p><p>Lauren has recently published a book on the subject, titled <a href="https://mitpress.mit.edu/books/autotheory-feminist-practice-art-writing-and-criticism"><em>Autotheory as Feminist Practice in Art, Writing, and Criticism</em></a> (MIT Press, 2021). In the episode she points to Maggie Nelson’s book <a href="https://www.graywolfpress.org/books/argonauts"><em>The Argonauts </em></a>as the book that made the term famous, but refers us to a longer history of autotheoretical feminist writing, including work by Gloria E. Anzaldúa, Audre Lorde, and bell hooks.</p><p>She also mentions critical research by Zoe Todd, “<a href="https://doi.org/10.1111/johs.12124">An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism</a>” and the book <a href="https://semiotexte.com/?p=496"><em>I Love Dick</em></a><em>, </em>by Chris Kraus.</p><p><a href="http://www.laurenfournier.net/">Lauren</a> is a writer, curator, and artist, who currently holds a SSHRC postdoctoral fellowship in visual studies at the <a href="https://www.daniels.utoronto.ca/people/sessional-faculty/lauren-fournier-0">University of Toronto</a>. She is currently co-editing a special issue of<a href="https://www.press.jhu.edu/journals/asapjournal"> <em>ASAP Journal</em></a> on Autotheory with her colleague Alex Brostoff. Her novella, <em>All My Dicks,</em> is forthcoming with <a href="https://www.fictionadvocate.com/"><em>Fiction Advocate.</em></a></p><p>Image: Art by <a href="https://sonasafaei.myportfolio.com/">Sona Safaei-Sooreh</a></p><p>Music used in promotional material: ‘Braided Flower’ by Lee Maddeford</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>828</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=304]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6375295463.mp3?updated=1646228978" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Evyn Lê Espiritu Gandhi, "Archipelago of Resettlement: Vietnamese Refugee Settlers and Decolonization Across Guam and Israel-Palestine" (U California Press, 2022)</title>
      <description>“Nước Việt Nam: a home, a cradle, a point of departure” (Gandhi, 1).
The Vietnamese word nước embraces the duality of land and water with an idea of “home.” Through a nuanced examination of the meaning of homeland and politics of belonging, Evyn Lê Espiritu Gandhi proposes nước to understand complex positionalities of refugee settlers on lands sutured through the traumas of US empire, militarization, and settler colonialism. Division in area studies has foreclosed conversations on how histories of settler colonialism and empire bring to light unexpected connections between Indigenous people and settlers across the Pacific and Atlantic oceans. By bringing together Vietnamese refugee settlers in Israel Palestine and Guam, Gandhi asks the difficult question of how we can imagine decolonial futurities when the creation of “home” for refugee settlers was predicated on the settler colonial project of dispossessing Indigenous people. Drawing inspiration from nước that embraces contradictions through relationality, Gandhi charts both the archipelago of US empire and resistance to imagine decolonization based on fraught acknowledgement of histories and relationalities between people, land, and water.
Gandhi's new monograph is a vital read for both scholars and public interested in critical refugee studies, Indigenous studies, settler colonialism, US empire, and archipelagic history. 
Evyn Lê Espiritu Gandhi is an assistant professor of Asian American Studies at the University of California, Los Angeles (Tovaangar). Her interdisciplinary research engages critical refugee studies, settler colonial studies, and transpacific studies. She also hosts a podcast, Distorted Footprints, through her Critical Refugee Studies class.
﻿Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Evyn Lê Espiritu Gandhi</itunes:subtitle>
      <itunes:summary>“Nước Việt Nam: a home, a cradle, a point of departure” (Gandhi, 1).
The Vietnamese word nước embraces the duality of land and water with an idea of “home.” Through a nuanced examination of the meaning of homeland and politics of belonging, Evyn Lê Espiritu Gandhi proposes nước to understand complex positionalities of refugee settlers on lands sutured through the traumas of US empire, militarization, and settler colonialism. Division in area studies has foreclosed conversations on how histories of settler colonialism and empire bring to light unexpected connections between Indigenous people and settlers across the Pacific and Atlantic oceans. By bringing together Vietnamese refugee settlers in Israel Palestine and Guam, Gandhi asks the difficult question of how we can imagine decolonial futurities when the creation of “home” for refugee settlers was predicated on the settler colonial project of dispossessing Indigenous people. Drawing inspiration from nước that embraces contradictions through relationality, Gandhi charts both the archipelago of US empire and resistance to imagine decolonization based on fraught acknowledgement of histories and relationalities between people, land, and water.
Gandhi's new monograph is a vital read for both scholars and public interested in critical refugee studies, Indigenous studies, settler colonialism, US empire, and archipelagic history. 
Evyn Lê Espiritu Gandhi is an assistant professor of Asian American Studies at the University of California, Los Angeles (Tovaangar). Her interdisciplinary research engages critical refugee studies, settler colonial studies, and transpacific studies. She also hosts a podcast, Distorted Footprints, through her Critical Refugee Studies class.
﻿Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>“Nước Việt Nam: a home, a cradle, a point of departure” </em>(Gandhi, 1).</p><p>The Vietnamese word <em>nước </em>embraces the duality of land and water with an idea of “home.” Through a nuanced examination of the meaning of homeland and politics of belonging, Evyn Lê Espiritu Gandhi proposes <em>nước </em>to understand complex positionalities of refugee settlers on lands sutured through the traumas of US empire, militarization, and settler colonialism. Division in area studies has foreclosed conversations on how histories of settler colonialism and empire bring to light unexpected connections between Indigenous people and settlers across the Pacific and Atlantic oceans. By bringing together Vietnamese refugee settlers in Israel Palestine and Guam, Gandhi asks the difficult question of how we can imagine decolonial futurities when the creation of “home” for refugee settlers was predicated on the settler colonial project of dispossessing Indigenous people. Drawing inspiration from <em>nước </em>that embraces contradictions through relationality, Gandhi charts both the archipelago of US empire and resistance to imagine decolonization based on fraught acknowledgement of histories and relationalities between people, land, and water.</p><p>Gandhi's new monograph is a vital read for both scholars and public interested in critical refugee studies, Indigenous studies, settler colonialism, US empire, and archipelagic history. </p><p>Evyn Lê Espiritu Gandhi is an assistant professor of Asian American Studies at the University of California, Los Angeles (Tovaangar). Her interdisciplinary research engages critical refugee studies, settler colonial studies, and transpacific studies. She also hosts a podcast, <a href="https://distortedfootprint.wixsite.com/website">Distorted Footprints</a>, through her Critical Refugee Studies class.</p><p><em>﻿Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3946</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[58bbc644-d789-11ec-973e-73a2c046219d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3746183976.mp3?updated=1652975095" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Military Industrial Complex</title>
      <link>https://hightheory.net/podcast/military-industrial-complex/</link>
      <description>Kim talks to Patrick Deer about the Military Industrial Complex, a term used by US President Dwight D. Eisenhower in a 1961 speech to describe a permanent war economy, and the political, economic, and cultural matrix that sustains it. References are made to James Ledbetter’s book Unwarranted Influence and Seymour Melman’s book The Permanent War Economy.
Patrick Deer is Associate Professor at the Department of English, New York University. He focuses on war culture and war literature, modernism, and contemporary British and American literature and culture, and Anglophone literature and human rights. His book Culture in Camouflage explores the emergence of modern war culture in the first half of the 20th century.
Image: Scene from the film Doctor Strangelove
Music used in promotional material: “Grim Desert Aftermath” by Kevin Bryce.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/f14df330-a2ed-11ec-932f-4baad4d5bb0a/image/6746810897_0c2e0d7e40_b.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Patrick Deer</itunes:subtitle>
      <itunes:summary>Kim talks to Patrick Deer about the Military Industrial Complex, a term used by US President Dwight D. Eisenhower in a 1961 speech to describe a permanent war economy, and the political, economic, and cultural matrix that sustains it. References are made to James Ledbetter’s book Unwarranted Influence and Seymour Melman’s book The Permanent War Economy.
Patrick Deer is Associate Professor at the Department of English, New York University. He focuses on war culture and war literature, modernism, and contemporary British and American literature and culture, and Anglophone literature and human rights. His book Culture in Camouflage explores the emergence of modern war culture in the first half of the 20th century.
Image: Scene from the film Doctor Strangelove
Music used in promotional material: “Grim Desert Aftermath” by Kevin Bryce.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kim talks to <a href="https://as.nyu.edu/content/nyu-as/as/faculty/patrick-deer.html">Patrick Deer</a> about the Military Industrial Complex, a term used by US President Dwight D. Eisenhower in a 1961 <a href="https://avalon.law.yale.edu/20th_century/eisenhower001.asp">speech</a> to describe a permanent war economy, and the political, economic, and cultural matrix that sustains it. References are made to James Ledbetter’s book <a href="https://yalebooks.yale.edu/book/9780300177626/unwarranted-influence"><em>Unwarranted Influence</em></a> and Seymour Melman’s book <a href="https://archive.org/details/permanentwarecon0000melm"><em>The Permanent War Economy</em></a>.</p><p>Patrick Deer is Associate Professor at the Department of English, New York University. He focuses on war culture and war literature, modernism, and contemporary British and American literature and culture, and Anglophone literature and human rights. His book <a href="https://global.oup.com/academic/product/culture-in-camouflage-9780199239887?cc=us&amp;lang=en&amp;"><em>Culture in Camouflage</em> </a>explores the emergence of modern war culture in the first half of the 20th century.</p><p>Image: Scene from the film <a href="https://www.imdb.com/title/tt0057012/"><em>Doctor Strangelove</em></a></p><p>Music used in promotional material: “Grim Desert Aftermath” by Kevin Bryce.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=299]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4770113686.mp3?updated=1646229056" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anamik Saha, "Race, Culture and Media" (Sage, 2021)</title>
      <description>In Race, Culture and Media (Sage, 2021), Anamik Saha provides an account of the role that media plays in both circulating and shaping ideas about race and racism in the contemporary world. Saha argues that we need to move beyond a focus on representation to engage with how media makes race. As Anamik describes in our interview, alongside providing a much-needed summary of existing work on the media, race and racism, the book also breaks new ground theoretically. By synthesising approaches from postcolonial studies, critical political economy and cultural studies, Saha puts forward an approach he calls ‘postcolonial cultural economy’, one which attends to the specific conjunctural context within which race is made and contested; the intertwined, but separate, forces of capitalism and racism; and which gives equal importance to the role that media production, texts, and consumption as forces which shape race and racisms. With case studies and key themes, ranging from the European migration ‘crisis’ of the mid-2010s to Black Twitter anchoring its analysis, this is an invaluable textbook for students and researchers working in the fields of critical media studies, cultural studies, internet studies and beyond.
﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anamik Saha</itunes:subtitle>
      <itunes:summary>In Race, Culture and Media (Sage, 2021), Anamik Saha provides an account of the role that media plays in both circulating and shaping ideas about race and racism in the contemporary world. Saha argues that we need to move beyond a focus on representation to engage with how media makes race. As Anamik describes in our interview, alongside providing a much-needed summary of existing work on the media, race and racism, the book also breaks new ground theoretically. By synthesising approaches from postcolonial studies, critical political economy and cultural studies, Saha puts forward an approach he calls ‘postcolonial cultural economy’, one which attends to the specific conjunctural context within which race is made and contested; the intertwined, but separate, forces of capitalism and racism; and which gives equal importance to the role that media production, texts, and consumption as forces which shape race and racisms. With case studies and key themes, ranging from the European migration ‘crisis’ of the mid-2010s to Black Twitter anchoring its analysis, this is an invaluable textbook for students and researchers working in the fields of critical media studies, cultural studies, internet studies and beyond.
﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781526419187"><em>Race, Culture and Media</em></a><em> </em>(Sage, 2021), Anamik Saha provides an account of the role that media plays in both circulating and shaping ideas about race and racism in the contemporary world. Saha argues that we need to move beyond a focus on <em>representation </em>to engage with how media <em>makes race. </em>As Anamik describes in our interview, alongside providing a much-needed summary of existing work on the media, race and racism, the book also breaks new ground theoretically. By synthesising approaches from postcolonial studies, critical political economy and cultural studies, Saha puts forward an approach he calls ‘postcolonial cultural economy’, one which attends to the specific conjunctural context within which race is made and contested; the intertwined, but separate, forces of capitalism and racism; and which gives equal importance to the role that media production, texts, and consumption as forces which shape race and racisms. With case studies and key themes, ranging from the European migration ‘crisis’ of the mid-2010s to Black Twitter anchoring its analysis, this is an invaluable textbook for students and researchers working in the fields of critical media studies, cultural studies, internet studies and beyond.</p><p><em>﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c35de7e-d2e5-11ec-827b-032178514437]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1900122791.mp3?updated=1652464690" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher W. Wells, "Environmental Justice in Postwar America: A Documentary Reader" (U Washington Press, 2018)</title>
      <description>In the decades after World War II, the American economy entered a period of prolonged growth that created unprecedented affluence—but these developments came at the cost of a host of new environmental problems. Unsurprisingly, a disproportionate number of them, such as pollution-emitting factories, waste-handling facilities, and big infrastructure projects, ended up in communities dominated by people of color. Constrained by long-standing practices of segregation that limited their housing and employment options, people of color bore an unequal share of postwar America’s environmental burdens.
This reader collects a wide range of primary source documents on the rise and evolution of the environmental justice movement. The documents show how environmentalists in the 1970s recognized the unequal environmental burdens that people of color and low-income Americans had to bear, yet failed to take meaningful action to resolve them. Instead, activism by the affected communities themselves spurred the environmental justice movement of the 1980s and early 1990s. By the turn of the twenty-first century, environmental justice had become increasingly mainstream, and issues like climate justice, food justice, and green-collar jobs had taken their places alongside the protection of wilderness as “environmental” issues.
Christopher W. Wells's book Environmental Justice in Postwar America: A Documentary Reader (U Washington Press, 2018) is a powerful tool for introducing students to the US environmental justice movement and the sometimes tense relationship between environmentalism and social justice.
Brady McCartney is an interdisciplinary environmental studies scholar at the University of Florida.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>108</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher W. Wells</itunes:subtitle>
      <itunes:summary>In the decades after World War II, the American economy entered a period of prolonged growth that created unprecedented affluence—but these developments came at the cost of a host of new environmental problems. Unsurprisingly, a disproportionate number of them, such as pollution-emitting factories, waste-handling facilities, and big infrastructure projects, ended up in communities dominated by people of color. Constrained by long-standing practices of segregation that limited their housing and employment options, people of color bore an unequal share of postwar America’s environmental burdens.
This reader collects a wide range of primary source documents on the rise and evolution of the environmental justice movement. The documents show how environmentalists in the 1970s recognized the unequal environmental burdens that people of color and low-income Americans had to bear, yet failed to take meaningful action to resolve them. Instead, activism by the affected communities themselves spurred the environmental justice movement of the 1980s and early 1990s. By the turn of the twenty-first century, environmental justice had become increasingly mainstream, and issues like climate justice, food justice, and green-collar jobs had taken their places alongside the protection of wilderness as “environmental” issues.
Christopher W. Wells's book Environmental Justice in Postwar America: A Documentary Reader (U Washington Press, 2018) is a powerful tool for introducing students to the US environmental justice movement and the sometimes tense relationship between environmentalism and social justice.
Brady McCartney is an interdisciplinary environmental studies scholar at the University of Florida.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the decades after World War II, the American economy entered a period of prolonged growth that created unprecedented affluence—but these developments came at the cost of a host of new environmental problems. Unsurprisingly, a disproportionate number of them, such as pollution-emitting factories, waste-handling facilities, and big infrastructure projects, ended up in communities dominated by people of color. Constrained by long-standing practices of segregation that limited their housing and employment options, people of color bore an unequal share of postwar America’s environmental burdens.</p><p>This reader collects a wide range of primary source documents on the rise and evolution of the environmental justice movement. The documents show how environmentalists in the 1970s recognized the unequal environmental burdens that people of color and low-income Americans had to bear, yet failed to take meaningful action to resolve them. Instead, activism by the affected communities themselves spurred the environmental justice movement of the 1980s and early 1990s. By the turn of the twenty-first century, environmental justice had become increasingly mainstream, and issues like climate justice, food justice, and green-collar jobs had taken their places alongside the protection of wilderness as “environmental” issues.</p><p>Christopher W. Wells's book <a href="https://bookshop.org/a/12343/9780295743691"><em>Environmental Justice in Postwar America: A Documentary Reader</em></a> (U Washington Press, 2018) is a powerful tool for introducing students to the US environmental justice movement and the sometimes tense relationship between environmentalism and social justice.</p><p><em>Brady McCartney is an interdisciplinary environmental studies scholar at the University of Florida.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3567</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bb57a148-d2d3-11ec-96ad-ef34b81cc47e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5519479446.mp3?updated=1652457234" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alicia Puglionesi, "In Whose Ruins: Power, Possession, and the Landscapes of American Empire" (Scribner, 2022)</title>
      <description>The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future.
In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book’s subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy).
The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they’re etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value.
Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities’ need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify.
Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where’s Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck.
This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma’s the next time you’re in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI.
Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alicia Puglionesi</itunes:subtitle>
      <itunes:summary>The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future.
In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book’s subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy).
The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they’re etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value.
Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities’ need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify.
Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where’s Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck.
This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma’s the next time you’re in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI.
Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The important new book by <a href="https://aliciapuglionesi.com/">Alicia Puglionesi</a>, <a href="https://bookshop.org/a/12343/9781982116750"><em>In Whose Ruins: Power, Possession and the Landscapes of American Empire</em></a><em> </em>(Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future.</p><p><em>In Whose Ruins </em>could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book’s subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy).</p><p>The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they’re etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value.</p><p>Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities’ need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify.</p><p>Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, <em>In Whose Ruins</em>, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where’s Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck.</p><p>This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, <a href="https://www.upress.umn.edu/book-division/books/earthworks-rising"><em>Earthworks Rising</em></a> (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out <a href="https://redemmas.org/">Red Emma</a>’s the next time you’re in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI.</p><p><a href="http://www.laura-stark.com/"><em>Laura Stark</em></a><em> is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3559</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e5c74f9a-d1ee-11ec-acd2-efd20e1ce3f2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3989746941.mp3?updated=1652359029" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mike Watson, "The Memeing of Mark Fisher: How the Frankfurt School Foresaw Capitalist Realism and What to Do about It" (Zero Books, 2021)</title>
      <description>Through his blog K-Punk, Mark Fisher become one of the cult figures of cultural theory after the economic crash of 2008. One of Fisher’s insights, widely taken up by the online memesphere, was that capitalism breeds depression. Mike Watson picks up Fisher’s prognosis when the locked-down pandemic world is mired in a depression that is economic and psychological, and no doubt exacerbated by the transfer of culture and life online.
In the aftermath, The Memeing of Mark Fisher (Zero Books, 2021) revisits the Frankfurt School theorists who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher’s Capitalist Realism, Watson aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age.
Taking in the phenomena of QAnon, twitch streaming, and memes, Watson argues that the dichotomy between culture and political praxis is a false one. As more people have access to the means for theoretical and critical engagement online, he urges the online left to build a real-life cultural and political movement.
Mike Watson speaks to Pierre d’Alancaisez about Mark Fisher’s legacy in critical online spaces, the democracy of memes and their aesthetic warfare, the Acid Left, and how the Frankfurt School thinkers foreshadowed our current moment.
Mike Watson is a theorist, critic and curator who is principally focused on the relationship between culture, new media and politics. He hosts the podcast Theorywave Nights.

Can the Left Learn to Meme?

Mark Fisher’s K-Punk blog archive


K-Punk anthology


Know Your Meme database


Capitalist Realism bed meme

4chan

Wojak meme

Doomer meme


The Acid Left podcast

Mike’s book memed by Academic Fraud


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mike Watson</itunes:subtitle>
      <itunes:summary>Through his blog K-Punk, Mark Fisher become one of the cult figures of cultural theory after the economic crash of 2008. One of Fisher’s insights, widely taken up by the online memesphere, was that capitalism breeds depression. Mike Watson picks up Fisher’s prognosis when the locked-down pandemic world is mired in a depression that is economic and psychological, and no doubt exacerbated by the transfer of culture and life online.
In the aftermath, The Memeing of Mark Fisher (Zero Books, 2021) revisits the Frankfurt School theorists who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher’s Capitalist Realism, Watson aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age.
Taking in the phenomena of QAnon, twitch streaming, and memes, Watson argues that the dichotomy between culture and political praxis is a false one. As more people have access to the means for theoretical and critical engagement online, he urges the online left to build a real-life cultural and political movement.
Mike Watson speaks to Pierre d’Alancaisez about Mark Fisher’s legacy in critical online spaces, the democracy of memes and their aesthetic warfare, the Acid Left, and how the Frankfurt School thinkers foreshadowed our current moment.
Mike Watson is a theorist, critic and curator who is principally focused on the relationship between culture, new media and politics. He hosts the podcast Theorywave Nights.

Can the Left Learn to Meme?

Mark Fisher’s K-Punk blog archive


K-Punk anthology


Know Your Meme database


Capitalist Realism bed meme

4chan

Wojak meme

Doomer meme


The Acid Left podcast

Mike’s book memed by Academic Fraud


﻿Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Through his blog <em>K-Punk</em>, Mark Fisher become one of the cult figures of cultural theory after the economic crash of 2008. One of Fisher’s insights, widely taken up by the online memesphere, was that capitalism breeds depression. Mike Watson picks up Fisher’s prognosis when the locked-down pandemic world is mired in a depression that is economic and psychological, and no doubt exacerbated by the transfer of culture and life online.</p><p>In the aftermath, <a href="https://bookshop.org/a/12343/9781789049336"><em>The Memeing of Mark Fisher</em></a> (Zero Books, 2021) revisits the Frankfurt School theorists who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher’s <em>Capitalist Realism</em>, Watson aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age.</p><p>Taking in the phenomena of QAnon, twitch streaming, and memes, Watson argues that the dichotomy between culture and political praxis is a false one. As more people have access to the means for theoretical and critical engagement online, he urges the online left to build a real-life cultural and political movement.</p><p>Mike Watson speaks to Pierre d’Alancaisez about Mark Fisher’s legacy in critical online spaces, the democracy of memes and their aesthetic warfare, the Acid Left, and how the Frankfurt School thinkers foreshadowed our current moment.</p><p><a href="https://www.mikewatson.fi/">Mike Watson</a> is a theorist, critic and curator who is principally focused on the relationship between culture, new media and politics. He hosts the podcast <a href="https://www.youtube.com/channel/UCVj4V3FHHXFh2vPg0pKgBNA">Theorywave Nights</a>.</p><ul>
<li><a href="https://www.johnhuntpublishing.com/zer0-books/our-books/can-left-learn-meme">Can the Left Learn to Meme?</a></li>
<li>Mark Fisher’s <a href="https://k-punk.org/">K-Punk blog archive</a>
</li>
<li><a href="https://repeaterbooks.com/product/k-punk-the-collected-and-unpublished-writings-of-mark-fisher-2004-2016/">K-Punk anthology</a></li>
<li>
<a href="https://knowyourmeme.com/">Know Your Meme</a> database</li>
<li>
<a href="https://knowyourmeme.com/photos/2174929-capitalist-realism-by-mark-fisher#trending-bar">Capitalist Realism bed</a> meme</li>
<li><a href="https://www.4chan.org/">4chan</a></li>
<li><a href="https://knowyourmeme.com/memes/wojak">Wojak meme</a></li>
<li><a href="https://knowyourmeme.com/memes/doomer">Doomer meme</a></li>
<li>
<a href="https://www.youtube.com/c/theacidleft">The Acid Left</a> podcast</li>
<li>Mike’s book <a href="https://www.amazon.co.uk/Memeing-Mark-Fisher-Academic-Fraud/dp/B09FS2TZ2T/ref=sr_1_2?crid=3RN7J6OKAGAC1&amp;keywords=the+memeing+of+mark+fisher&amp;qid=1652185718&amp;sprefix=the+memeing+of+mark+fisher%2Caps%2C106&amp;sr=8-2">memed by <em>Academic Fraud</em></a>
</li>
</ul><p><em>﻿</em><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4694</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c906d38-d15e-11ec-b94b-af5122e0ec5c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5249591618.mp3?updated=1652296952" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hannah White, "Held in Contempt: What's Wrong with the House of Commons?" (Manchester UP, 2022)</title>
      <description>What is the future for the House of Commons? In Held in Contempt: What’s Wrong with the House of Commons? Hannah White, Deputy Director of the Institute for Government, sets out a critique of the way a key institution at the heart of British democracy is failing to deliver for citizens, staff, and Members alike. Set against the backdrop of Brexit, the Coronavirus pandemic, and various institutional scandals, the book details how the Commons fails in its role of holding government to account; is unrepresentative of the population as a whole; is overly complicated and arcane; and is housed in a building that is no longer fit for purpose. At the heart of the book is a challenge to MPs to reform both their own culture and the Commons itself. Ultimately, the book is a defence of the high standards that the Commons should aspire to and has a range of recommendations to make this happen. It is essential reading for every British citizen, and anyone interested in politics.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>286</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hannah White</itunes:subtitle>
      <itunes:summary>What is the future for the House of Commons? In Held in Contempt: What’s Wrong with the House of Commons? Hannah White, Deputy Director of the Institute for Government, sets out a critique of the way a key institution at the heart of British democracy is failing to deliver for citizens, staff, and Members alike. Set against the backdrop of Brexit, the Coronavirus pandemic, and various institutional scandals, the book details how the Commons fails in its role of holding government to account; is unrepresentative of the population as a whole; is overly complicated and arcane; and is housed in a building that is no longer fit for purpose. At the heart of the book is a challenge to MPs to reform both their own culture and the Commons itself. Ultimately, the book is a defence of the high standards that the Commons should aspire to and has a range of recommendations to make this happen. It is essential reading for every British citizen, and anyone interested in politics.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future for the House of Commons? In <a href="https://manchesteruniversitypress.co.uk/9781526156693/"><em>Held in Contempt: What’s Wrong with the House of Commons?</em></a> <a href="https://twitter.com/DrHannahWhite">Hannah White</a>, <a href="https://www.instituteforgovernment.org.uk/person/hannah-white">Deputy Director of the Institute for Government</a>, sets out a critique of the way a key institution at the heart of British democracy is failing to deliver for citizens, staff, and Members alike. Set against the backdrop of Brexit, the Coronavirus pandemic, and various institutional scandals, the book details how the Commons fails in its role of holding government to account; is unrepresentative of the population as a whole; is overly complicated and arcane; and is housed in a building that is no longer fit for purpose. At the heart of the book is a challenge to MPs to reform both their own culture and the Commons itself. Ultimately, the book is a defence of the high standards that the Commons should aspire to and has a range of recommendations to make this happen. It is essential reading for every British citizen, and anyone interested in politics.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2147</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alienation</title>
      <link>https://hightheory.net/podcast/alienation/</link>
      <description>In this episode Kim talks with Mustafa Yavas about Alienation.
Mustafa quotes Karl Marx’s Economic and Philosophical Manuscripts of 1844. He also references Albert Camus’ books The Stranger and The Myth of Sisyphus, and Charlie Chaplin’s film Modern Times. Towards the end of the episode, he mentions Bertrand Russell’s 1930 article “In Praise of Idleness.”
For listeners interested in reading more on alienation, he recommends Herbert Marcuse’s Eros and Civilization; David Graeber’s Bullshit Jobs, and Rahel Jaeggi’s Alienation. He also suggests three great movies that dwell on the subject: Maren Ade’s Toni Erdmann; Charlie Kaufman’s Anomalisa, and Tolga Karacelik’s Toll Booth.
Mustafa is a postdoctoral scholar in sociology at NYU Abu Dhabi, where he works on work! He is writing a book called White Collar Blues about the transnational Turkish middle class, for which he has recently completed a brilliant book proposal (editors take note!). His previous research focused on boundary processes in social, economic, and political settings, including status homophily in social networks, residential segregation by income, and collective identity formation in social movements.
This week’s image is a 1920 painting of Sisyphus at his futile labor by Franz Stuck. Available on Wikimedia Commons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/1b16186a-a2ed-11ec-8b77-ffaecb0478ee/image/665px-Sisyphus_by_von_Stuck.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Mustafa Yavas</itunes:subtitle>
      <itunes:summary>In this episode Kim talks with Mustafa Yavas about Alienation.
Mustafa quotes Karl Marx’s Economic and Philosophical Manuscripts of 1844. He also references Albert Camus’ books The Stranger and The Myth of Sisyphus, and Charlie Chaplin’s film Modern Times. Towards the end of the episode, he mentions Bertrand Russell’s 1930 article “In Praise of Idleness.”
For listeners interested in reading more on alienation, he recommends Herbert Marcuse’s Eros and Civilization; David Graeber’s Bullshit Jobs, and Rahel Jaeggi’s Alienation. He also suggests three great movies that dwell on the subject: Maren Ade’s Toni Erdmann; Charlie Kaufman’s Anomalisa, and Tolga Karacelik’s Toll Booth.
Mustafa is a postdoctoral scholar in sociology at NYU Abu Dhabi, where he works on work! He is writing a book called White Collar Blues about the transnational Turkish middle class, for which he has recently completed a brilliant book proposal (editors take note!). His previous research focused on boundary processes in social, economic, and political settings, including status homophily in social networks, residential segregation by income, and collective identity formation in social movements.
This week’s image is a 1920 painting of Sisyphus at his futile labor by Franz Stuck. Available on Wikimedia Commons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Kim talks with Mustafa Yavas about Alienation.</p><p>Mustafa quotes Karl Marx’s <a href="https://www.marxists.org/archive/marx/works/1844/manuscripts/preface.htm"><em>Economic and Philosophical Manuscripts of 1844</em></a>. He also references Albert Camus’ books <a href="https://archive.org/details/AlbertCamusTheStranger1967"><em>The Stranger</em></a> and <a href="https://archive.org/details/AlbertCamusTheMythOfSisyphus/mode/2up"><em>The Myth of Sisyphus</em></a>, and Charlie Chaplin’s film <a href="https://www.youtube.com/watch?v=2gLa4wAia9g"><em>Modern Times</em></a><em>. </em>Towards the end of the episode, he mentions Bertrand Russell’s 1930 article “<a href="https://harpers.org/archive/1932/10/in-praise-of-idleness/">In Praise of Idleness</a>.”</p><p>For listeners interested in reading more on alienation, he recommends Herbert Marcuse’s <a href="https://archive.org/details/eroscivilization00marcrich/mode/2up"><em>Eros and Civilization</em>;</a> David Graeber’s <a href="https://www.simonandschuster.com/books/Bullshit-Jobs/David-Graeber/9781501143335"><em>Bullshit Jobs</em></a>, and Rahel Jaeggi’s <a href="http://cup.columbia.edu/book/alienation/9780231151986"><em>Alienation</em></a>. He also suggests three great movies that dwell on the subject: Maren Ade’s <a href="https://www.imdb.com/title/tt4048272/"><em>Toni Erdmann</em></a>; Charlie Kaufman’s <a href="https://www.imdb.com/title/tt2401878/"><em>Anomalisa</em></a>, and Tolga Karacelik’s <a href="https://www.imdb.com/title/tt1753866/"><em>Toll Booth</em></a>.</p><p><a href="https://nyuad.nyu.edu/en/research/postdoctoral-research/researchers/research-bios/mustafa-yavas.html">Mustafa</a> is a postdoctoral scholar in sociology at NYU Abu Dhabi, where he works on work! He is writing a book called <em>White Collar Blues </em>about the transnational Turkish middle class, for which he has recently completed a brilliant book proposal (editors take note!). His previous research focused on boundary processes in social, economic, and political settings, including <a href="https://doi.org/10.1177/0894439313512464">status homophily in social networks</a>, <a href="https://doi.org/10.1080/0022250X.2018.1476858">residential segregation by income</a>, and <a href="https://doi.org/10.1108/S0163-786X20190000043011">collective identity formation in social movements</a>.</p><p>This week’s image is a 1920 painting of Sisyphus at his futile labor by Franz Stuck. Available on <a href="https://commons.wikimedia.org/wiki/File:Sisyphus_by_von_Stuck.jpg">Wikimedia Commons.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>973</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=288]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4370860337.mp3?updated=1646229212" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Irune Gabiola, "Affect, Ecofeminism, and Intersectional Struggles in Latin America: A Tribute to Berta Cáceres" (Peter Lang, 2020)</title>
      <description>In Affect, Ecofeminism, and Intersectional Struggles in Latin America: A Tribute to Berta Cáceres (Peter Lang, 2020), Irune del Rio Gabiola examines the power of affect in structuring decolonizing modes of resistance performed by social movements such as COPINH (Civic Council of Popular and Indigenous Organizations of Honduras). Despite a harsh legacy of colonialism, indigenous communities continue suffering from territorial displacements, dispossession, and human rights abuses due to extractivist projects that are violently destroying their land and, therefore, the environment. In particular, the Lenca communities in Honduras have been negatively affected by Western ideas of progress and development that have historically eliminated ancestral knowledges and indigenous ecological cosmologies while reinforcing Eurocentrism. Nevertheless, by reflecting on and articulating strategies for resisting neoliberalism, COPINH and its cofounder Berta Cáceres' commitment to environmental activism, ecofeminism, and intersectional struggles has contributed affectively and effectively to the production of democratic encounters in pursuit of social justice. In homage to Berta, who was brutally assassinated for her activism in 2016, this book takes the reader on an affective journey departing from the violent affects experienced by the Lencas due to colonial disruption, contemporary industrialization, and criminalization, towards COPINH's political and social intervention fueled by outrage, resistance, transnational solidarity, care, mourning, and hope. In this way, subaltern actors nurture the power to--in line with Brian Massumi's interpretation of affect--transform necropolitics into natality with the aim of creating a fairer and better world
The host, Elize Mazadiego, is a Marie Skłodowska Curie Fellow at the University of Amsterdam and author of Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968 (Brill, 2021). She works on Modern and Contemporary art, with a specialization in Latin American art history. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Irune Gabiola</itunes:subtitle>
      <itunes:summary>In Affect, Ecofeminism, and Intersectional Struggles in Latin America: A Tribute to Berta Cáceres (Peter Lang, 2020), Irune del Rio Gabiola examines the power of affect in structuring decolonizing modes of resistance performed by social movements such as COPINH (Civic Council of Popular and Indigenous Organizations of Honduras). Despite a harsh legacy of colonialism, indigenous communities continue suffering from territorial displacements, dispossession, and human rights abuses due to extractivist projects that are violently destroying their land and, therefore, the environment. In particular, the Lenca communities in Honduras have been negatively affected by Western ideas of progress and development that have historically eliminated ancestral knowledges and indigenous ecological cosmologies while reinforcing Eurocentrism. Nevertheless, by reflecting on and articulating strategies for resisting neoliberalism, COPINH and its cofounder Berta Cáceres' commitment to environmental activism, ecofeminism, and intersectional struggles has contributed affectively and effectively to the production of democratic encounters in pursuit of social justice. In homage to Berta, who was brutally assassinated for her activism in 2016, this book takes the reader on an affective journey departing from the violent affects experienced by the Lencas due to colonial disruption, contemporary industrialization, and criminalization, towards COPINH's political and social intervention fueled by outrage, resistance, transnational solidarity, care, mourning, and hope. In this way, subaltern actors nurture the power to--in line with Brian Massumi's interpretation of affect--transform necropolitics into natality with the aim of creating a fairer and better world
The host, Elize Mazadiego, is a Marie Skłodowska Curie Fellow at the University of Amsterdam and author of Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968 (Brill, 2021). She works on Modern and Contemporary art, with a specialization in Latin American art history. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781433159091"><em>Affect, Ecofeminism, and Intersectional Struggles in Latin America: A Tribute to Berta Cáceres</em></a> (Peter Lang, 2020), Irune del Rio Gabiola examines the power of affect in structuring decolonizing modes of resistance performed by social movements such as COPINH (Civic Council of Popular and Indigenous Organizations of Honduras). Despite a harsh legacy of colonialism, indigenous communities continue suffering from territorial displacements, dispossession, and human rights abuses due to extractivist projects that are violently destroying their land and, therefore, the environment. In particular, the Lenca communities in Honduras have been negatively affected by Western ideas of progress and development that have historically eliminated ancestral knowledges and indigenous ecological cosmologies while reinforcing Eurocentrism. Nevertheless, by reflecting on and articulating strategies for resisting neoliberalism, COPINH and its cofounder Berta Cáceres' commitment to environmental activism, ecofeminism, and intersectional struggles has contributed affectively and effectively to the production of democratic encounters in pursuit of social justice. In homage to Berta, who was brutally assassinated for her activism in 2016, this book takes the reader on an affective journey departing from the violent affects experienced by the Lencas due to colonial disruption, contemporary industrialization, and criminalization, towards COPINH's political and social intervention fueled by outrage, resistance, transnational solidarity, care, mourning, and hope. In this way, subaltern actors nurture the power to--in line with Brian Massumi's interpretation of affect--transform necropolitics into natality with the aim of creating a fairer and better world</p><p><em>The host, </em><a href="https://www.uva.nl/en/profile/m/a/e.m.mazadiego/e.m.mazadiego.html"><em>Elize Mazadiego</em></a><em>, is a Marie Skłodowska Curie Fellow at the University of Amsterdam and author of </em><a href="https://brill.com/view/title/58465"><em>Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968</em></a><em> (Brill, 2021). She works on Modern and Contemporary art, with a specialization in Latin American art history. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa6ae29a-d450-11ec-b50c-3fed6df2b83b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1160995822.mp3?updated=1652950987" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Sterne, "Diminished Faculties: A Political Phenomenology of Impairment" (Duke UP, 2022)</title>
      <description>Diminished Faculties: A Political Phenomenology of Impairment (Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing’, and that ‘everything in the narration of experience is a distortion’, Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology’, Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well’. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. Diminished Faculties is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities’, a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability.
In our interview Jonathan mentions one of his favourite works ‘exhibited’ in the book’s imaginary exhibition, ‘Masque’ by Hodan Youssouf.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>288</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Sterne</itunes:subtitle>
      <itunes:summary>Diminished Faculties: A Political Phenomenology of Impairment (Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing’, and that ‘everything in the narration of experience is a distortion’, Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology’, Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well’. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. Diminished Faculties is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities’, a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability.
In our interview Jonathan mentions one of his favourite works ‘exhibited’ in the book’s imaginary exhibition, ‘Masque’ by Hodan Youssouf.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478017707"><em>Diminished Faculties: A Political Phenomenology of Impairment </em></a>(Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing’, and that ‘everything in the narration of experience is a distortion’, Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology’, Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well’. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. <em>Diminished Faculties </em>is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities’, a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability.</p><p>In our interview Jonathan mentions one of his favourite works ‘exhibited’ in the book’s imaginary exhibition, <a href="https://youtu.be/n4YP3fO_mYI">‘Masque’ by Hodan Youssouf.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4569</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d707490-d2e7-11ec-ae0f-3f8cf9a72670]]></guid>
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    </item>
    <item>
      <title>Heterotopia</title>
      <link>https://hightheory.net/podcast/heterotopia/</link>
      <description>Kim speaks with Amanda Caleb about Michel Foucault’s concept of heterotopia.
Amanda says that the classic definition of “heterotopia” is found in Foucault’s article “Of Other Spaces: Utopias and Heterotopias” (Architecture /Mouvement/Continuité, October, 1984). She also mentions The Birth of the Clinic.
In comparison to Foucault’s heterotopia, we talk a bit about Mikhail Bakhtin’s concepts of the carnivalesque and the chronotope.
If you’re interested in reading more about heterotopias, check out Amanda’s article: “Contested Spaces: The Heterotopias of the Victorian Sickroom” in Humanities vol. 8 no. 2 (April 2019).
Amanda is a professor of English and Medical and Health Humanities at Misericordia University. She also runs a super cool podcast called the Health Humanist. She was kind enough to interview me about a crazy 1978 medical satire called House of God back in November 2020.
This week’s image is Gustave Caillebotte’s Les jardiners (1875). Below is a map of the “Gardens and Pleasure Grounds Baltimore Argyleshire” from The Art &amp; Craft of Garden Making by Thomas Hayton Mawson (London : B.T. Batsford, 1900). We’re feeling gardens this week.
Music used in promotional material: ‘Floating Panther’ by Outrun
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0298d454-a2ec-11ec-8233-8f829f40718e/image/GardenMapSmall.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Amanda Caleb</itunes:subtitle>
      <itunes:summary>Kim speaks with Amanda Caleb about Michel Foucault’s concept of heterotopia.
Amanda says that the classic definition of “heterotopia” is found in Foucault’s article “Of Other Spaces: Utopias and Heterotopias” (Architecture /Mouvement/Continuité, October, 1984). She also mentions The Birth of the Clinic.
In comparison to Foucault’s heterotopia, we talk a bit about Mikhail Bakhtin’s concepts of the carnivalesque and the chronotope.
If you’re interested in reading more about heterotopias, check out Amanda’s article: “Contested Spaces: The Heterotopias of the Victorian Sickroom” in Humanities vol. 8 no. 2 (April 2019).
Amanda is a professor of English and Medical and Health Humanities at Misericordia University. She also runs a super cool podcast called the Health Humanist. She was kind enough to interview me about a crazy 1978 medical satire called House of God back in November 2020.
This week’s image is Gustave Caillebotte’s Les jardiners (1875). Below is a map of the “Gardens and Pleasure Grounds Baltimore Argyleshire” from The Art &amp; Craft of Garden Making by Thomas Hayton Mawson (London : B.T. Batsford, 1900). We’re feeling gardens this week.
Music used in promotional material: ‘Floating Panther’ by Outrun
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kim speaks with Amanda Caleb about Michel Foucault’s concept of heterotopia.</p><p>Amanda says that the classic definition of “heterotopia” is found in Foucault’s article “<a href="https://web.mit.edu/allanmc/www/foucault1.pdf">Of Other Spaces: Utopias and Heterotopias</a>” (<em>Architecture /Mouvement/Continuité</em>, October, 1984). She also mentions <a href="https://www.penguinrandomhouse.com/books/55034/the-birth-of-the-clinic-by-michel-foucault/"><em>The Birth of the Clinic</em></a>.</p><p>In comparison to Foucault’s heterotopia, we talk a bit about Mikhail Bakhtin’s concepts of the <a href="https://en.wikipedia.org/wiki/Carnivalesque">carnivalesque</a> and the <a href="https://en.wikipedia.org/wiki/Chronotope">chronotope</a>.</p><p>If you’re interested in reading more about heterotopias, check out Amanda’s article: “<a href="https://doi.org/10.3390/h8020080">Contested Spaces: The Heterotopias of the Victorian Sickroom</a>” in <em>Humanities </em>vol. 8 no. 2 (April 2019).</p><p>Amanda is a professor of English and Medical and Health Humanities at Misericordia University. She also runs a super cool podcast called the <a href="https://thehealthhumanist.podbean.com/">Health Humanist</a>. She was kind enough to interview me about <a href="https://thehealthhumanist.podbean.com/e/episode-5-the-house-of-god/">a crazy 1978 medical satire called <em>House of God</em></a> back in November 2020.</p><p>This week’s image is Gustave Caillebotte’s <a href="https://commons.wikimedia.org/wiki/File:G._Caillebotte_-_Les_jardiniers.jpg"><em>Les jardiners</em></a> (1875). Below is a map of the “Gardens and Pleasure Grounds Baltimore Argyleshire” from <a href="https://archive.org/details/artcraftofgarden00maws/page/188/mode/1up"><em>The Art &amp; Craft of Garden Making</em></a> by Thomas Hayton Mawson (London : B.T. Batsford, 1900). We’re feeling gardens this week.</p><p>Music used in promotional material: ‘Floating Panther’ by Outrun</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=256]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7940759084.mp3?updated=1646229552" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Banu Subramaniam, "Holy Science: The Biopolitics of Hindu Nationalism" (U of Washington Press, 2019)</title>
      <description>In Holy Science: The Biopolitics of Hindu Nationalism (University of Washington Press, 2019), Banu Subramaniam examines how science and religion have come together to propel a vision of the modern Indian nation, and in particular, a Hindu nationalist vision of India. Subramaniam demonstrates that the politics of gender, race, class, caste, sexuality, and indigeneity are deeply implicated in the projects and narratives of the nation. 
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 12 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Banu Subramaniam</itunes:subtitle>
      <itunes:summary>In Holy Science: The Biopolitics of Hindu Nationalism (University of Washington Press, 2019), Banu Subramaniam examines how science and religion have come together to propel a vision of the modern Indian nation, and in particular, a Hindu nationalist vision of India. Subramaniam demonstrates that the politics of gender, race, class, caste, sexuality, and indigeneity are deeply implicated in the projects and narratives of the nation. 
Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780295745596"><em>Holy Science: The Biopolitics of Hindu Nationalism</em></a> (University of Washington Press, 2019), Banu Subramaniam examines how science and religion have come together to propel a vision of the modern Indian nation, and in particular, a Hindu nationalist vision of India. Subramaniam demonstrates that the politics of gender, race, class, caste, sexuality, and indigeneity are deeply implicated in the projects and narratives of the nation. </p><p><em>Raj Balkaran is a scholar, online educator, and life coach. For information see </em><a href="https://rajbalkaran.com/"><em>rajbalkaran.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2351</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ea9d29ee-bf16-11ec-8f1f-7725a47dc83f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7446538275.mp3?updated=1650247138" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dylan Mulvin, "Proxies: The Cultural Work of Standing In" (MIT Press, 2021)</title>
      <description>What are the hidden histories of how the modern world functions? In Proxies: The Cultural Work of Standing In (MIT Press, 2021), Dylan Mulvin, Assistant Professor in the Department of Media and Communications at LSE explores the objects, places, practices, and people that do the work of standing in. Theorising the ‘proxy’, the book uses case studies of the metric system, the Lena Image, and the Standardized Patient Program to uncover and critique the standards underpinning contemporary communications. The book offers critique and resistance, ultimately pointing the reader to the possibilities of a different world. Available open access, the book is essential reading across the arts and humanities and social sciences, as well as for engineering, computer science, and anyone interested in how society operates. You can also learn more about the book from this short film.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 12 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>283</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dylan Mulvin</itunes:subtitle>
      <itunes:summary>What are the hidden histories of how the modern world functions? In Proxies: The Cultural Work of Standing In (MIT Press, 2021), Dylan Mulvin, Assistant Professor in the Department of Media and Communications at LSE explores the objects, places, practices, and people that do the work of standing in. Theorising the ‘proxy’, the book uses case studies of the metric system, the Lena Image, and the Standardized Patient Program to uncover and critique the standards underpinning contemporary communications. The book offers critique and resistance, ultimately pointing the reader to the possibilities of a different world. Available open access, the book is essential reading across the arts and humanities and social sciences, as well as for engineering, computer science, and anyone interested in how society operates. You can also learn more about the book from this short film.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the hidden histories of how the modern world functions? In <a href="https://bookshop.org/a/12343/9780262045148"><em>Proxies: The Cultural Work of Standing In</em></a><em> </em>(MIT Press, 2021), <a href="https://dylanmulvin.com/about-me/">Dylan Mulvin</a>, <a href="https://www.lse.ac.uk/media-and-communications/people/academic-staff/dylan-mulvin">Assistant Professor in the Department of Media and Communications at LSE</a> explores the objects, places, practices, and people that do the work of standing in. Theorising the ‘proxy’, the book uses case studies of the metric system, the <a href="https://en.wikipedia.org/wiki/Lenna">Lena Image</a>, and the Standardized Patient Program to uncover and critique the standards underpinning contemporary communications. The book offers critique and resistance, ultimately pointing the reader to the possibilities of a different world. <a href="https://dylanmulvin.com/wp-content/uploads/2021/08/Dylan-Mulvin-Proxies-The-Cultural-Work-of-Standing-In.pdf">Available open access</a>, the book is essential reading across the arts and humanities and social sciences, as well as for engineering, computer science, and anyone interested in how society operates. You can also learn more about the book from <a href="https://www.youtube.com/watch?v=PGs705S74e4">this short film</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2733</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9b91c40c-cbe8-11ec-bdbd-8fecf066146d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4013141094.mp3?updated=1651696869" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Neocleous, "The Politics of Immunity: Security and the Policing of Bodies" (Verso, 2022)</title>
      <description>Our contemporary political condition is obsessed with immunity. The immunity of bodies and the body politic; personal immunity and herd immunity; how to immunize the social system against breakdown. The obsession intensifies with every new crisis and the mobilization of yet more powers of war and police, from quarantine to border closures and from vaccination certificates to immunological surveillance. 
Engaging four key concepts with enormous cultural weight – Cell, Self, System and Sovereignty – The Politics of Immunity: Security and the Policing of Bodies (Verso, 2022) moves from philosophical biology to intellectual history and from critical theory to psychoanalysis to expose the politics underpinning the way immunity is imagined. At the heart of this imagination is the way security has come to dominate the whole realm of human experience. From biological cell to political subject, and from physiological system to the social body, immunity folds into security, just as security folds into immunity. The book thus opens into a critique of the violence of security and spells out immunity’s tendency towards self-destruction and death: immunity, like security, can turn its aggression inwards, into the autoimmune disorder. Wide-ranging and polemical, this book lays down a major challenge to the ways in which the immunity of the self and the social are imagined.
In this interview, I spoke with Mark Neocleous about his fascinating and wide-ranging book The Politics of Immunity. We also spent time discussing his previous work on security and police power, the personal context informing this work, and connections with the ongoing UK undercover policing controversy (discussed in my previous interview with the authors of Deep Deception).
Content warning: between 43-45 minutes into the podcast, there is a brief discussion of suicide in the context of Mark's forthcoming work.
Mark Neocleous is Professor of the Critique of Political Economy at Brunel University in London, and is well-known for his influential work on police power and security. His recent books include The Universal Adversary: Security, Capital and 'The Enemies of All Mankind' (2016); War Power, Police Power (2014); and the newly-reissued A Critical Theory of Police Power: The Fabrication of Social Order (2021).
﻿
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 12 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>285</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Neocleous</itunes:subtitle>
      <itunes:summary>Our contemporary political condition is obsessed with immunity. The immunity of bodies and the body politic; personal immunity and herd immunity; how to immunize the social system against breakdown. The obsession intensifies with every new crisis and the mobilization of yet more powers of war and police, from quarantine to border closures and from vaccination certificates to immunological surveillance. 
Engaging four key concepts with enormous cultural weight – Cell, Self, System and Sovereignty – The Politics of Immunity: Security and the Policing of Bodies (Verso, 2022) moves from philosophical biology to intellectual history and from critical theory to psychoanalysis to expose the politics underpinning the way immunity is imagined. At the heart of this imagination is the way security has come to dominate the whole realm of human experience. From biological cell to political subject, and from physiological system to the social body, immunity folds into security, just as security folds into immunity. The book thus opens into a critique of the violence of security and spells out immunity’s tendency towards self-destruction and death: immunity, like security, can turn its aggression inwards, into the autoimmune disorder. Wide-ranging and polemical, this book lays down a major challenge to the ways in which the immunity of the self and the social are imagined.
In this interview, I spoke with Mark Neocleous about his fascinating and wide-ranging book The Politics of Immunity. We also spent time discussing his previous work on security and police power, the personal context informing this work, and connections with the ongoing UK undercover policing controversy (discussed in my previous interview with the authors of Deep Deception).
Content warning: between 43-45 minutes into the podcast, there is a brief discussion of suicide in the context of Mark's forthcoming work.
Mark Neocleous is Professor of the Critique of Political Economy at Brunel University in London, and is well-known for his influential work on police power and security. His recent books include The Universal Adversary: Security, Capital and 'The Enemies of All Mankind' (2016); War Power, Police Power (2014); and the newly-reissued A Critical Theory of Police Power: The Fabrication of Social Order (2021).
﻿
Catriona Gold is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our contemporary political condition is obsessed with immunity. The immunity of bodies and the body politic; personal immunity and herd immunity; how to immunize the social system against breakdown. The obsession intensifies with every new crisis and the mobilization of yet more powers of war and police, from quarantine to border closures and from vaccination certificates to immunological surveillance. </p><p>Engaging four key concepts with enormous cultural weight – Cell, Self, System and Sovereignty – <a href="https://bookshop.org/a/12343/9781839764837"><em>The Politics of Immunity: Security and the Policing of Bodies</em></a><em> </em>(Verso, 2022) moves from philosophical biology to intellectual history and from critical theory to psychoanalysis to expose the politics underpinning the way immunity is imagined. At the heart of this imagination is the way security has come to dominate the whole realm of human experience. From biological cell to political subject, and from physiological system to the social body, immunity folds into security, just as security folds into immunity. The book thus opens into a critique of the violence of security and spells out immunity’s tendency towards self-destruction and death: immunity, like security, can turn its aggression inwards, into the autoimmune disorder. Wide-ranging and polemical, this book lays down a major challenge to the ways in which the immunity of the self and the social are imagined.</p><p>In this interview, I spoke with Mark Neocleous about his fascinating and wide-ranging book <em>The Politics of Immunity</em>. We also spent time discussing his previous work on security and police power, the personal context informing this work, and connections with the ongoing UK undercover policing controversy (discussed in my previous interview with the authors of <em>Deep Deception</em>).</p><p><em>Content warning:</em> between 43-45 minutes into the podcast, there is a brief discussion of suicide in the context of Mark's forthcoming work.</p><p><a href="https://www.brunel.ac.uk/people/mark-neocleous">Mark Neocleous</a> is Professor of the Critique of Political Economy at Brunel University in London, and is well-known for his influential work on police power and security. His recent books include <em>The Universal Adversary: Security, Capital and 'The Enemies of All Mankind' </em>(2016); <em>War Power, Police Power </em>(2014)<em>; </em>and the newly-reissued<em> A Critical Theory of Police Power: The Fabrication of Social Order</em> (2021).</p><p><em>﻿</em></p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold/"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London. She is currently researching the US Passport Office's role in governing Cold War travel, and broadly interested in questions of security, surveillance and mobility. She can be reached by </em><a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a><em> or on </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2912</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a2490bf0-cc8a-11ec-8881-ab061a91fb2b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1280534065.mp3?updated=1651766516" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eve Ng, "Cancel Culture: A Critical Analysis" (Palgrave Macmillan, 2022)</title>
      <description>Eve Ng’s new book Cancel Culture: A Critical Analysis (Palgrave Macmillan, 2022), examines the phenomenon of "cancel culture" from a critical media studies perspective, as both cancel practices (what people and institutional actors do) and cancel discourses (commentary about cancelling). Ng traces multiple lines of origins for cancel practices and discourses, in the domains of Black communicative practices (e.g. cancelling relationship to "dissing"), celebrity and fan cultures, consumer culture (especially around consumer nationalist cancellings), and national politics (U.S. conservative criticisms of cancelling, and nationalist cancelling events in mainland China). Her analysis moves beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, and underscores the different configurations of power associated with “cancel culture” in specific cultural and political contexts.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>283</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eve Ng</itunes:subtitle>
      <itunes:summary>Eve Ng’s new book Cancel Culture: A Critical Analysis (Palgrave Macmillan, 2022), examines the phenomenon of "cancel culture" from a critical media studies perspective, as both cancel practices (what people and institutional actors do) and cancel discourses (commentary about cancelling). Ng traces multiple lines of origins for cancel practices and discourses, in the domains of Black communicative practices (e.g. cancelling relationship to "dissing"), celebrity and fan cultures, consumer culture (especially around consumer nationalist cancellings), and national politics (U.S. conservative criticisms of cancelling, and nationalist cancelling events in mainland China). Her analysis moves beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, and underscores the different configurations of power associated with “cancel culture” in specific cultural and political contexts.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eve Ng’s new book <a href="https://bookshop.org/a/12343/9783030973735"><em>Cancel Culture: A Critical Analysis</em></a><em> </em>(Palgrave Macmillan, 2022), examines the phenomenon of "cancel culture" from a critical media studies perspective, as both cancel practices (what people and institutional actors do) and cancel discourses (commentary about cancelling). Ng traces multiple lines of origins for cancel practices and discourses, in the domains of Black communicative practices (e.g. cancelling relationship to "dissing"), celebrity and fan cultures, consumer culture (especially around consumer nationalist cancellings), and national politics (U.S. conservative criticisms of cancelling, and nationalist cancelling events in mainland China). Her analysis moves beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, and underscores the different configurations of power associated with “cancel culture” in specific cultural and political contexts.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3083</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c32d3278-cc6d-11ec-b8ed-fb7632684e93]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3053993118.mp3?updated=1651754086" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dissensus</title>
      <link>https://hightheory.net/podcast/dissensus/</link>
      <description>Kim talks with Gina about Jacques Rancière’s concept of dissensus.
Gina refers to several major works of philosophy including:
Jacques Rancière’s Dissensus
Immanuel Kant’s Critique of Judgement
Jacques Derrida’s The Truth In Painting
Plato’s Republic
She also takes a small dig at Althusser, in the spirit of Rancière
Gina is a PhD candidate at NYU and an amazing teacher. She studies medieval literature and critical theory. She loves Theodor Adorno and really really hates the dialectic.
This week’s image is an illuminated miniature from a 15th C manuscript held by the British Museum, depicting the “Debate for the Soul.”
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2eaf3cbe-a2eb-11ec-9f94-b7abb0493646/image/debate-for-the-soul-from-bl-stowe-39-f-32v-086574-1024_crop.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Gina Dominick</itunes:subtitle>
      <itunes:summary>Kim talks with Gina about Jacques Rancière’s concept of dissensus.
Gina refers to several major works of philosophy including:
Jacques Rancière’s Dissensus
Immanuel Kant’s Critique of Judgement
Jacques Derrida’s The Truth In Painting
Plato’s Republic
She also takes a small dig at Althusser, in the spirit of Rancière
Gina is a PhD candidate at NYU and an amazing teacher. She studies medieval literature and critical theory. She loves Theodor Adorno and really really hates the dialectic.
This week’s image is an illuminated miniature from a 15th C manuscript held by the British Museum, depicting the “Debate for the Soul.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kim talks with Gina about Jacques Rancière’s concept of dissensus.</p><p>Gina refers to several major works of philosophy including:</p><p>Jacques Rancière’s <a href="https://www.bloomsbury.com/uk/dissensus-9781441119414/"><em>Dissensus</em></a></p><p>Immanuel Kant’s<a href="https://archive.org/details/kantscritiqueofj48433gut"> <em>Critique of Judgement</em></a></p><p>Jacques Derrida’s <a href="https://press.uchicago.edu/ucp/books/book/chicago/T/bo27619982.html"><em>The Truth In Painting</em></a></p><p>Plato’s <a href="https://www.gutenberg.org/files/1497/1497-h/1497-h.htm"><em>Republic</em></a></p><p>She also takes a small dig at <a href="https://en.wikipedia.org/wiki/Louis_Althusser">Althusser</a>, in the spirit of Rancière</p><p>Gina is a PhD candidate at NYU and an amazing teacher. She studies medieval literature and critical theory. She loves Theodor Adorno and really really hates the dialectic.</p><p>This week’s image is an illuminated miniature from a 15th C manuscript <a href="https://www.bl.uk/catalogues/illuminatedmanuscripts/record.asp?MSID=1301&amp;CollID=21&amp;NStart=39">held by the British Museum</a>, depicting the “Debate for the Soul.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>781</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=243]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5793947241.mp3?updated=1646229728" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Deterritorialization</title>
      <link>https://hightheory.net/podcast/deterritorialization/</link>
      <description>Saronik talks to Shweta Krishnan, doctoral candidate in Anthropology at George Washington University.
She speaks about how she uses Giles Deleuze and Félix Guattari’s concept of deterritorialization in her work on the emergent religious discourse of Donyipolo in the Indian states of Arunachal Pradesh and Assam.
Shweta thinks with the geological metaphors and mythological stories of the Mising and Adi tribes, and brings them into conversation with Deleuze and others. Donyipolo (sometimes referred to as Donyipoloism) is an emergent discursive formation shaped by the efforts of the Adi, the Mising and other Tani tribes to revive, reform and improvise their ancestral ethical practices since the 1980s. Donyipolo is the name given to an omniscient and omnipotent force that catalyzes the formation of the material world in Tani cosmologies. Shweta examines how the revivalists reimagine religiosity in and through their efforts to rebuild their relationship with Donyipolo.
Image: photo taken by Shweta on the way to Majuli from Jorhat by boat.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b6286f18-a2ea-11ec-897c-27d1f08cbf01/image/deterr_image.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with Shweta Krishnan</itunes:subtitle>
      <itunes:summary>Saronik talks to Shweta Krishnan, doctoral candidate in Anthropology at George Washington University.
She speaks about how she uses Giles Deleuze and Félix Guattari’s concept of deterritorialization in her work on the emergent religious discourse of Donyipolo in the Indian states of Arunachal Pradesh and Assam.
Shweta thinks with the geological metaphors and mythological stories of the Mising and Adi tribes, and brings them into conversation with Deleuze and others. Donyipolo (sometimes referred to as Donyipoloism) is an emergent discursive formation shaped by the efforts of the Adi, the Mising and other Tani tribes to revive, reform and improvise their ancestral ethical practices since the 1980s. Donyipolo is the name given to an omniscient and omnipotent force that catalyzes the formation of the material world in Tani cosmologies. Shweta examines how the revivalists reimagine religiosity in and through their efforts to rebuild their relationship with Donyipolo.
Image: photo taken by Shweta on the way to Majuli from Jorhat by boat.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Saronik talks to <a href="https://anthropology.columbian.gwu.edu/shweta-krishnan">Shweta Krishnan</a>, doctoral candidate in Anthropology at George Washington University.</p><p>She speaks about how she uses Giles Deleuze and Félix Guattari’s concept of <a href="https://www.upress.umn.edu/book-division/books/a-thousand-plateaus">deterritorialization</a> in her work on the emergent religious discourse of Donyipolo in the Indian states of Arunachal Pradesh and Assam.</p><p>Shweta thinks with the geological metaphors and mythological stories of the Mising and Adi tribes, and brings them into conversation with Deleuze and others. Donyipolo (sometimes referred to as Donyipoloism) is an emergent discursive formation shaped by the efforts of the Adi, the Mising and other Tani tribes to revive, reform and improvise their ancestral ethical practices since the 1980s. Donyipolo is the name given to an omniscient and omnipotent force that catalyzes the formation of the material world in Tani cosmologies. Shweta examines how the revivalists reimagine religiosity in and through their efforts to rebuild their relationship with Donyipolo.</p><p>Image: photo taken by Shweta on the way to Majuli from Jorhat by boat.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1166</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://hightheory.net/?post_type=podcast&p=238]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1180109211.mp3?updated=1646229822" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Problem with Museums: A Conversation with Georgina Adam and Nizan Shaked</title>
      <description>In the past few years, museums of contemporary art have come under a fair deal of scrutiny. Pressures from groups such as Decoloinise This Space or the oxycontin scandal have forced changes to the governance of some of the world’s best-known institutions. At the same time, the work of journalists and museum scholars has revealed that the relationships between trustees, curators, collections, and the public are often far more complex than the narratives of public benefit and private value would have us believe.
Nizan Shaked’s Museums and Wealth: The Politics of Contemporary Art Collections (Bloomsbury, 2022) is a critical analysis of contemporary art collections and the value form. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in ‘public trust’ on behalf of the nation. Shaked argues that the public serves as an alibi for establishing the symbolic value of art, which sustains its monetary value and its markets.
In The Rise and Rise of the Private Art Museum (Lund Humphries, 2022), Adam tracks the phenomenon of the collector’s museum in the 21st century. There are some 400 private art museums around the world, and an astonishing 70% of those devoted to contemporary art were founded in the past 20 years. Although private museums have been accused of being tax-evading vanity projects or ‘tombs for trophies’, the picture is complex and nuanced. Private museums can add greatly to the cultural life of a community, giving a platform to emerging artists, supplying educational programmes and revitalising declining or neglected regions. But their relationship with public institutions can also be problematic.
Are museums purely public affairs? How do private collections serve the greater good? What happens when these missions become confused? Georgina Adam and Nizan Shaked speak to Pierre d’Alancaisez about the 500-year history and the recent rise of the private art museum and consider if even public museums are, in the end, private.
Georgina Adam is a journalist specialising in the art market. She writes for the Financial Times and The Art Newspaper. She is the author of Big Bucks and The Dark Side of the Boom.
Nizan Shaked is a professor of Contemporary Art History, Museum and Curatorial Studies at California State University Long Beach. She is the author of The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art.

Museum Susch

The Fisher collection at SF MoMA

Warren Kanders leaves the board of the Whitney


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Georgina Adam and Nizan Shaked</itunes:subtitle>
      <itunes:summary>In the past few years, museums of contemporary art have come under a fair deal of scrutiny. Pressures from groups such as Decoloinise This Space or the oxycontin scandal have forced changes to the governance of some of the world’s best-known institutions. At the same time, the work of journalists and museum scholars has revealed that the relationships between trustees, curators, collections, and the public are often far more complex than the narratives of public benefit and private value would have us believe.
Nizan Shaked’s Museums and Wealth: The Politics of Contemporary Art Collections (Bloomsbury, 2022) is a critical analysis of contemporary art collections and the value form. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in ‘public trust’ on behalf of the nation. Shaked argues that the public serves as an alibi for establishing the symbolic value of art, which sustains its monetary value and its markets.
In The Rise and Rise of the Private Art Museum (Lund Humphries, 2022), Adam tracks the phenomenon of the collector’s museum in the 21st century. There are some 400 private art museums around the world, and an astonishing 70% of those devoted to contemporary art were founded in the past 20 years. Although private museums have been accused of being tax-evading vanity projects or ‘tombs for trophies’, the picture is complex and nuanced. Private museums can add greatly to the cultural life of a community, giving a platform to emerging artists, supplying educational programmes and revitalising declining or neglected regions. But their relationship with public institutions can also be problematic.
Are museums purely public affairs? How do private collections serve the greater good? What happens when these missions become confused? Georgina Adam and Nizan Shaked speak to Pierre d’Alancaisez about the 500-year history and the recent rise of the private art museum and consider if even public museums are, in the end, private.
Georgina Adam is a journalist specialising in the art market. She writes for the Financial Times and The Art Newspaper. She is the author of Big Bucks and The Dark Side of the Boom.
Nizan Shaked is a professor of Contemporary Art History, Museum and Curatorial Studies at California State University Long Beach. She is the author of The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art.

Museum Susch

The Fisher collection at SF MoMA

Warren Kanders leaves the board of the Whitney


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the past few years, museums of contemporary art have come under a fair deal of scrutiny. Pressures from groups such as <em>Decoloinise This Space</em> or the oxycontin scandal have forced changes to the governance of some of the world’s best-known institutions. At the same time, the work of journalists and museum scholars has revealed that the relationships between trustees, curators, collections, and the public are often far more complex than the narratives of public benefit and private value would have us believe.</p><p>Nizan Shaked’s <a href="https://bookshop.org/a/12343/9781350045767"><em>Museums and Wealth: The Politics of Contemporary Art Collections</em></a> (Bloomsbury, 2022) is a critical analysis of contemporary art collections and the value form. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in ‘public trust’ on behalf of the nation. Shaked argues that the public serves as an alibi for establishing the symbolic value of art, which sustains its monetary value and its markets.</p><p>In <a href="https://bookshop.org/a/12343/9781848223844"><em>The Rise and Rise of the Private Art Museum</em></a> (Lund Humphries, 2022), Adam tracks the phenomenon of the collector’s museum in the 21st century. There are some 400 private art museums around the world, and an astonishing 70% of those devoted to contemporary art were founded in the past 20 years. Although private museums have been accused of being tax-evading vanity projects or ‘tombs for trophies’, the picture is complex and nuanced. Private museums can add greatly to the cultural life of a community, giving a platform to emerging artists, supplying educational programmes and revitalising declining or neglected regions. But their relationship with public institutions can also be problematic.</p><p>Are museums purely public affairs? How do private collections serve the greater good? What happens when these missions become confused? Georgina Adam and Nizan Shaked speak to Pierre d’Alancaisez about the 500-year history and the recent rise of the private art museum and consider if even public museums are, in the end, private.</p><p><a href="https://twitter.com/georginaadam?lang=en">Georgina Adam</a> is a journalist specialising in the art market. She writes for the <a href="https://www.ft.com/stream/d1467bcd-1d63-4270-82e3-0d1e2e3556d5">Financial Times</a> and <a href="https://www.theartnewspaper.com/authors/georgina-adam">The Art Newspaper</a>. She is the author of <em>Big Bucks</em> and <em>The Dark Side of the Boom</em>.</p><p><a href="https://linktr.ee/nizanshaked">Nizan Shaked</a> is a professor of Contemporary Art History, Museum and Curatorial Studies at <a href="https://www.csulb.edu/school-of-art/page/nizan-shaked">California State University Long Beach</a>. She is the author of <em>The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art</em>.</p><ul>
<li><a href="https://www.muzeumsusch.ch/">Museum Susch</a></li>
<li><a href="https://news.artnet.com/art-world/sfmoma-deal-fisher-collection-616160">The Fisher collection at SF MoMA</a></li>
<li><a href="https://www.nytimes.com/2019/07/25/arts/whitney-warren-kanders-resigns.html?action=click&amp;module=RelatedLinks&amp;pgtype=Article">Warren Kanders leaves the board of the Whitney</a></li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4343</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[31c3b02c-cae8-11ec-b35f-8b97b07e2a77]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6751867944.mp3?updated=1651586363" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sangeet Kumar, "The Digital Frontier: Infrastructures of Control on the Global Web" (Indiana UP, 2021)</title>
      <description>In The Digital Frontier: Infrastructures of Control on the Global Web (Indiana University Press, 2021), Sangeet Kumar interrogates the world wide web and the digital ecosystem has spawned to reveal how its conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along with Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation-states.
In analysing this new modality of cultural power in the global digital ecosystem, The Digital Frontier is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sangeet Kumar</itunes:subtitle>
      <itunes:summary>In The Digital Frontier: Infrastructures of Control on the Global Web (Indiana University Press, 2021), Sangeet Kumar interrogates the world wide web and the digital ecosystem has spawned to reveal how its conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along with Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation-states.
In analysing this new modality of cultural power in the global digital ecosystem, The Digital Frontier is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253056498"><em>The Digital Frontier: Infrastructures of Control on the Global Web</em></a> (Indiana University Press, 2021), Sangeet Kumar interrogates the world wide web and the digital ecosystem has spawned to reveal how its conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along with Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation-states.</p><p>In analysing this new modality of cultural power in the global digital ecosystem, <em>The Digital Frontier</em> is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.</p><p><em>Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2723</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5144111e-ca3c-11ec-abe2-e7a961f941da]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6723738471.mp3?updated=1651512569" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Taylor Eggan, "Unsettling Nature: Ecology, Phenomenology, and the Settler Colonial Imagination" (U Virginia Press, 2022)</title>
      <description>In today's NBN Environmental Studies interview, dancer, performer, and literary scholar Dr. Taylor Eggan joins us to speak about his new book Unsettling Nature: Ecology, Phenomenology, and Settler Colonial Imagination (University of Virginia Press, 2022). A text best described as an intellectual bestiary using environmental philosophy, literary theory, settler colonial studies, decolonial theory, and speculative realism, Unsettling Nature addresses logics embedded with ecological homecoming narratives rooted in idealistic notions of getting back to nature. By applying the impressive catalog of critical theory combined with an array of unique literary artifacts, Eggan transports the reader from the American West to Southern Africa, exploring the complex dynamics of colonial homemaking throughout the nineteenth and twentieth centuries. Structured around six chapters and two excursus, Unsettling Nature identifies the root of logics of elimination and erasure within the coloniality of nature, informing contemporary ecological homecoming narratives. Concluding the text by evoking exo-phenomenology, Eggan illustrates how unsettling settler legacies can be performed through "sustained practices of reciprocity and acts of solidarity" to recognize and resolve the uncanny anxieties of alienation and belonging embedded in Western approaches to homemaking and being.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In today's NBN Environmental Studies interview, dancer, performer, and literary scholar Dr. Taylor Eggan joins us to speak about his new book Unsettling Nature: Ecology, Phenomenology, and Settler Colonial Imagination (University of Virginia Press, 2022). A text best described as an intellectual bestiary using environmental philosophy, literary theory, settler colonial studies, decolonial theory, and speculative realism, Unsettling Nature addresses logics embedded with ecological homecoming narratives rooted in idealistic notions of getting back to nature. By applying the impressive catalog of critical theory combined with an array of unique literary artifacts, Eggan transports the reader from the American West to Southern Africa, exploring the complex dynamics of colonial homemaking throughout the nineteenth and twentieth centuries. Structured around six chapters and two excursus, Unsettling Nature identifies the root of logics of elimination and erasure within the coloniality of nature, informing contemporary ecological homecoming narratives. Concluding the text by evoking exo-phenomenology, Eggan illustrates how unsettling settler legacies can be performed through "sustained practices of reciprocity and acts of solidarity" to recognize and resolve the uncanny anxieties of alienation and belonging embedded in Western approaches to homemaking and being.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In today's NBN Environmental Studies interview, dancer, performer, and literary scholar Dr. Taylor Eggan joins us to speak about his new book <a href="https://bookshop.org/a/12343/9780813946849"><em>Unsettling Nature: Ecology, Phenomenology, and Settler Colonial Imagination</em></a> (University of Virginia Press, 2022). A text best described as an intellectual bestiary using environmental philosophy, literary theory, settler colonial studies, decolonial theory, and speculative realism, <em>Unsettling Nature</em> addresses logics embedded with ecological homecoming narratives rooted in idealistic notions of getting back to nature. By applying the impressive catalog of critical theory combined with an array of unique literary artifacts, Eggan transports the reader from the American West to Southern Africa, exploring the complex dynamics of colonial homemaking throughout the nineteenth and twentieth centuries. Structured around six chapters and two excursus, <em>Unsettling Nature</em> identifies the root of logics of elimination and erasure within the coloniality of nature, informing contemporary ecological homecoming narratives. Concluding the text by evoking exo-phenomenology, Eggan illustrates how unsettling settler legacies can be performed through "sustained practices of reciprocity and acts of solidarity" to recognize and resolve the uncanny anxieties of alienation and belonging embedded in Western approaches to homemaking and being.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5650</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8006009465.mp3?updated=1652359046" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)</title>
      <description>Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies’ produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant’ cultural production and dystopian analyses of urban decay.
Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music’ has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital.
At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book:
Actress – Splazsh (2010)
DJ Rashad – Just a Taste Vol. 1 (2011)
Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004)
﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>282</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dhanveer Singh Brar</itunes:subtitle>
      <itunes:summary>Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies’ produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant’ cultural production and dystopian analyses of urban decay.
Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music’ has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital.
At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book:
Actress – Splazsh (2010)
DJ Rashad – Just a Taste Vol. 1 (2011)
Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004)
﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781912685790"><em>Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century</em></a><em> (Goldsmiths Press, 2021) </em>uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies’ produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant’ cultural production and dystopian analyses of urban decay.</p><p>Brar instead theorises these musics as forms of popular experimentalism which are not just <em>inseparable</em> from questions of space, race and class, but are <em>productive</em> of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music’ has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital.</p><p>At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book:</p><p>Actress – <a href="https://actress.bandcamp.com/album/splazsh"><em>Splazsh</em></a> (2010)</p><p>DJ Rashad – <a href="https://www.youtube.com/watch?v=j73kjy-JOaU"><em>Just a Taste Vol. 1</em></a> (2011)</p><p>Slimzee/Wiley/Dizzee Rascal and more – <a href="https://soundcloud.com/getdarker/roll-deep-sidewinder-bonfire-bonanza-2002-dizzee-rascal-wiley-flowdan"><em>Sidewinder</em></a> <a href="https://soundcloud.com/getdarker/roll-deep-wiley-dizzee-rascal-sidewinder-uk-collection-vol-2-swindon-august-2003">sessions</a> (<a href="https://soundcloud.com/djslimzee/sets/dj-slimzee-sidewinder-sets">2002-2004</a>)</p><p><em>﻿Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4044</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3762be1c-c7fd-11ec-ae0d-177f29e3e15d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3181781907.mp3?updated=1651265908" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simon Critchley, "The Faith of the Faithless: Experiments in Political Theology" (Verso, 2014)</title>
      <description>The return to religion has arguably become the dominant theme of contemporary culture. Somehow, the secular age seems to have been replaced by a new era where political action flows directly from theological, indeed cosmic, conflict. The Faith of the Faithless: Experiments in Political Theology (Verso, 2014) lays out the philosophical and political framework of this idea and seeks to find a way beyond it. Should we defend a version of secularism or quietly accept the slide into theism? Or is there another way?
Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz. Find me here: @mehdisanglaji on Musk’s new website grab, formerly known as Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 May 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>600</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simon Critchley</itunes:subtitle>
      <itunes:summary>The return to religion has arguably become the dominant theme of contemporary culture. Somehow, the secular age seems to have been replaced by a new era where political action flows directly from theological, indeed cosmic, conflict. The Faith of the Faithless: Experiments in Political Theology (Verso, 2014) lays out the philosophical and political framework of this idea and seeks to find a way beyond it. Should we defend a version of secularism or quietly accept the slide into theism? Or is there another way?
Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz. Find me here: @mehdisanglaji on Musk’s new website grab, formerly known as Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The return to religion has arguably become the dominant theme of contemporary culture. Somehow, the secular age seems to have been replaced by a new era where political action flows directly from theological, indeed cosmic, conflict. <a href="https://bookshop.org/a/12343/9781781681688"><em>The Faith of the Faithless: Experiments in Political Theology</em></a><em> </em>(Verso, 2014) lays out the philosophical and political framework of this idea and seeks to find a way beyond it. Should we defend a version of secularism or quietly accept the slide into theism? Or is there another way?</p><p><em>Mehdi Sanglaji is writing a PhD thesis on political violence, religion, and all that jazz. Find me here: @mehdisanglaji on Musk’s new website grab, formerly known as Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3608</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[75b9b68e-c730-11ec-b593-d79c1cefd64a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6683439717.mp3?updated=1651178333" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Olúfẹ́mi O. Táíwò, "Elite Capture: How the Powerful Took Over Identity Politics (and Everything Else)" (Haymarket, 2022)</title>
      <description>“Identity politics” is everywhere, polarizing discourse from the campaign trail to the classroom and amplifying antagonisms in the media, both online and off. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponized as a means of closing ranks around ever-narrower conceptions of group interests.
But the trouble, Olúfẹ́mi O. Táíwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, Táíwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture—deployed by political, social, and economic elites in the service of their own interests.
Táíwò’s book Elite Capture: How the Powerful Took Over Identity Politics (and Everything Else) (Haymarket, 2022) both elucidates this complex process and helps us move beyond a binary of “class” vs. “race.” By rejecting elitist identity politics in favor of a constructive politics of radical solidarity, he advances the possibility of organizing across our differences in the urgent struggle for a better world.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>295</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>“Identity politics” is everywhere, polarizing discourse from the campaign trail to the classroom and amplifying antagonisms in the media, both online and off. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponized as a means of closing ranks around ever-narrower conceptions of group interests.
But the trouble, Olúfẹ́mi O. Táíwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, Táíwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture—deployed by political, social, and economic elites in the service of their own interests.
Táíwò’s book Elite Capture: How the Powerful Took Over Identity Politics (and Everything Else) (Haymarket, 2022) both elucidates this complex process and helps us move beyond a binary of “class” vs. “race.” By rejecting elitist identity politics in favor of a constructive politics of radical solidarity, he advances the possibility of organizing across our differences in the urgent struggle for a better world.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Identity politics” is everywhere, polarizing discourse from the campaign trail to the classroom and amplifying antagonisms in the media, both online and off. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponized as a means of closing ranks around ever-narrower conceptions of group interests.</p><p>But the trouble, Olúfẹ́mi O. Táíwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, Táíwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture—deployed by political, social, and economic elites in the service of their own interests.</p><p>Táíwò’s book <a href="https://bookshop.org/a/12343/9781642596885">Elite Capture: How the Powerful Took Over Identity Politics (and Everything Else)</a> (Haymarket, 2022) both elucidates this complex process and helps us move beyond a binary of “class” vs. “race.” By rejecting elitist identity politics in favor of a constructive politics of radical solidarity, he advances the possibility of organizing across our differences in the urgent struggle for a better world.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4125</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3530b91c-c59d-11ec-a631-17f2d54e7328]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4282017919.mp3?updated=1651005660" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marta Puxan-Oliva, "Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel" (Routledge, 2021)</title>
      <description>Marta Puxan-Oliva’s Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel (Routledge, 2021), engages with the intertwined relationship between narrative studies – centering on narrative reliability – racial conflicts and ideologies. Puxan-Oliva argues that the problem of narrative reliability in fiction, often mirrors and makes use of narrative reliability of historical discourse, and therefore urges literary critics to examine the historical context of a work of fiction to “comprehend technical modulations of narrative reliability.” 
Her book offers a crucial contribution to narrative theory by insisting on a need to historicize the field itself to understand how historical discourses give rise to specific cultural and political discourses. In order to illustrate her methodology, Puxan-Oliva analyzes Joseph Conrad’s Lord Jim, James Weldon Johnson’s The Autobiography of an Ex-Colored Man, William Faulkner’s Absalom, Absalom!, Albert Camus’s L’étranger, and Alejo Carpentier’s El reino de este mundo. In each chapter, Puxan-Oliva grapples with a specific issue on the problem of reliability in connection to historical contexts of each literary work. For example, she discusses in depth the role that the voice of persuasion has in Conrad’s Lord Jim, and the implications this has within the larger discourse of British imperialism. When focusing her keen analysis on Faulkner, Puxan-Oliva considers the degrees of reliability in the narrative, and the way the problem of reliability reflects historical discourses in the New South. In her chapter on Camus, she observes how Meursault’s ‘estranging narrative’ makes use of underreporting, which is an “ideological strategy common in colonial discourse”, thereby connecting narrative voice within a broader condition of discordant reliability within French colonial Algeria. To sum up, each chapter in Puxan-Oliva’s book consists of a necessary intervention in narratology, arguing that the field of narrative studies needs to release narrative from its exclusive engagement with the text, divorced from other forces that exert pressure on its formation; instead, Puxan-Oliva is interested in the interconnectedness of texts with political and historical discourses, and their rootedness within broader patterns of cultural production, which, ultimately, is an argument for a cultural narratology that is interested in the “construction of form” and in the very “politics of form”. Ultimately, this book is an important intervention not only within narrative studies and racial conflicts and ideology, but it has crucial implications during a time when various discourses around the globe pose a major challenge to the nature of truth, and how the latter is affected by narrative, narrative form, and how these are shaped by historical and political discourse.
Marta Puxan-Oliva a is Ramón y Cajal senior researcher at the Universitat de les Illes Balears, Spain. 
Eralda L. Lameborshi is an Assistant Professor in the Department of Literature and Languages at the Texas A&amp;M University – Commerce where she teaches world literature and cinema. Her areas of research are World Literature, the historical novel on the Ottoman Empire, world cinema, postcolonial theory, and film theory. She is the recipient of various fellowships and awards like the Hagler Institute for Advanced Study Fellowship, and the Elizabeth Greenwade Qualls ’89 Endowed Fellowship. She is currently working on her book manuscript titled The Islamic Empire and Southeastern European Literature, and articles on the global novel and literatures of migration, immigration, and exile.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marta Puxan-Oliva</itunes:subtitle>
      <itunes:summary>Marta Puxan-Oliva’s Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel (Routledge, 2021), engages with the intertwined relationship between narrative studies – centering on narrative reliability – racial conflicts and ideologies. Puxan-Oliva argues that the problem of narrative reliability in fiction, often mirrors and makes use of narrative reliability of historical discourse, and therefore urges literary critics to examine the historical context of a work of fiction to “comprehend technical modulations of narrative reliability.” 
Her book offers a crucial contribution to narrative theory by insisting on a need to historicize the field itself to understand how historical discourses give rise to specific cultural and political discourses. In order to illustrate her methodology, Puxan-Oliva analyzes Joseph Conrad’s Lord Jim, James Weldon Johnson’s The Autobiography of an Ex-Colored Man, William Faulkner’s Absalom, Absalom!, Albert Camus’s L’étranger, and Alejo Carpentier’s El reino de este mundo. In each chapter, Puxan-Oliva grapples with a specific issue on the problem of reliability in connection to historical contexts of each literary work. For example, she discusses in depth the role that the voice of persuasion has in Conrad’s Lord Jim, and the implications this has within the larger discourse of British imperialism. When focusing her keen analysis on Faulkner, Puxan-Oliva considers the degrees of reliability in the narrative, and the way the problem of reliability reflects historical discourses in the New South. In her chapter on Camus, she observes how Meursault’s ‘estranging narrative’ makes use of underreporting, which is an “ideological strategy common in colonial discourse”, thereby connecting narrative voice within a broader condition of discordant reliability within French colonial Algeria. To sum up, each chapter in Puxan-Oliva’s book consists of a necessary intervention in narratology, arguing that the field of narrative studies needs to release narrative from its exclusive engagement with the text, divorced from other forces that exert pressure on its formation; instead, Puxan-Oliva is interested in the interconnectedness of texts with political and historical discourses, and their rootedness within broader patterns of cultural production, which, ultimately, is an argument for a cultural narratology that is interested in the “construction of form” and in the very “politics of form”. Ultimately, this book is an important intervention not only within narrative studies and racial conflicts and ideology, but it has crucial implications during a time when various discourses around the globe pose a major challenge to the nature of truth, and how the latter is affected by narrative, narrative form, and how these are shaped by historical and political discourse.
Marta Puxan-Oliva a is Ramón y Cajal senior researcher at the Universitat de les Illes Balears, Spain. 
Eralda L. Lameborshi is an Assistant Professor in the Department of Literature and Languages at the Texas A&amp;M University – Commerce where she teaches world literature and cinema. Her areas of research are World Literature, the historical novel on the Ottoman Empire, world cinema, postcolonial theory, and film theory. She is the recipient of various fellowships and awards like the Hagler Institute for Advanced Study Fellowship, and the Elizabeth Greenwade Qualls ’89 Endowed Fellowship. She is currently working on her book manuscript titled The Islamic Empire and Southeastern European Literature, and articles on the global novel and literatures of migration, immigration, and exile.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marta Puxan-Oliva’s <a href="https://bookshop.org/a/12343/9781032093574"><em>Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel</em></a> (Routledge, 2021), engages with the intertwined relationship between narrative studies – centering on narrative reliability – racial conflicts and ideologies. Puxan-Oliva argues that the problem of narrative reliability in fiction, often mirrors and makes use of narrative reliability of historical discourse, and therefore urges literary critics to examine the historical context of a work of fiction to “comprehend technical modulations of narrative reliability.” </p><p>Her book offers a crucial contribution to narrative theory by insisting on a need to historicize the field itself to understand how historical discourses give rise to specific cultural and political discourses. In order to illustrate her methodology, Puxan-Oliva analyzes Joseph Conrad’s <em>Lord Jim, </em>James Weldon Johnson’s <em>The Autobiography of an Ex-Colored Man</em>, William Faulkner’s <em>Absalom, Absalom!</em>, Albert Camus’s <em>L’étranger</em>, and Alejo Carpentier’s <em>El reino de este mundo</em>. In each chapter, Puxan-Oliva grapples with a specific issue on the problem of reliability in connection to historical contexts of each literary work. For example, she discusses in depth the role that the voice of persuasion has in Conrad’s <em>Lord Jim, </em>and the implications this has within the larger discourse of British imperialism. When focusing her keen analysis on Faulkner, Puxan-Oliva considers the degrees of reliability in the narrative, and the way the problem of reliability reflects historical discourses in the New South. In her chapter on Camus, she observes how Meursault’s ‘estranging narrative’ makes use of underreporting, which is an “ideological strategy common in colonial discourse”, thereby connecting narrative voice within a broader condition of discordant reliability within French colonial Algeria. To sum up, each chapter in Puxan-Oliva’s book consists of a necessary intervention in narratology, arguing that the field of narrative studies needs to release narrative from its exclusive engagement with the text, divorced from other forces that exert pressure on its formation; instead, Puxan-Oliva is interested in the interconnectedness of texts with political and historical discourses, and their rootedness within broader patterns of cultural production, which, ultimately, is an argument for a cultural narratology that is interested in the “construction of form” and in the very “politics of form”. Ultimately, this book is an important intervention not only within narrative studies and racial conflicts and ideology, but it has crucial implications during a time when various discourses around the globe pose a major challenge to the nature of truth, and how the latter is affected by narrative, narrative form, and how these are shaped by historical and political discourse.</p><p>Marta Puxan-Oliva a is Ramón y Cajal senior researcher at the Universitat de les Illes Balears, Spain. </p><p><em>Eralda L. Lameborshi is an Assistant Professor in the Department of Literature and Languages at the Texas A&amp;M University – Commerce where she teaches world literature and cinema. Her areas of research are World Literature, the historical novel on the Ottoman Empire, world cinema, postcolonial theory, and film theory. She is the recipient of various fellowships and awards like the Hagler Institute for Advanced Study Fellowship, and the Elizabeth Greenwade Qualls ’89 Endowed Fellowship. She is currently working on her book manuscript titled The Islamic Empire and Southeastern European Literature, and articles on the global novel and literatures of migration, immigration, and exile.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3384</itunes:duration>
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      <title>The Future of Statues: A Conversation with Alex Von Tunzelmann</title>
      <description>What are the rights and wrongs of toppling statues? Sometimes everyone agrees it’s a good idea. After the second world war, for example, the defeat of fascism meant that all over Europe Hitler statues were toppled and destroyed. After the collapse of communism some statues of Stalin actually survived. Just a couple of years ago Black Lives Matter protests led to the hauling down statues of slaveholders and imperialists – for example in the UK a statue of slaver – and philanthropist, Edward Colston was hurled into a harbour. Some argued Colston should be left alone because he was just a man of his time. So, when is it right to tear down a statue and do you need a democratically elected committee to make the decision? A discussion with screenwriter and historian Alex Von Tunzelmann, author of Fallen Idols: Twelve Statues That Made History.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex Von Tunzelmann</itunes:subtitle>
      <itunes:summary>What are the rights and wrongs of toppling statues? Sometimes everyone agrees it’s a good idea. After the second world war, for example, the defeat of fascism meant that all over Europe Hitler statues were toppled and destroyed. After the collapse of communism some statues of Stalin actually survived. Just a couple of years ago Black Lives Matter protests led to the hauling down statues of slaveholders and imperialists – for example in the UK a statue of slaver – and philanthropist, Edward Colston was hurled into a harbour. Some argued Colston should be left alone because he was just a man of his time. So, when is it right to tear down a statue and do you need a democratically elected committee to make the decision? A discussion with screenwriter and historian Alex Von Tunzelmann, author of Fallen Idols: Twelve Statues That Made History.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the rights and wrongs of toppling statues? Sometimes everyone agrees it’s a good idea. After the second world war, for example, the defeat of fascism meant that all over Europe Hitler statues were toppled and destroyed. After the collapse of communism some statues of Stalin actually survived. Just a couple of years ago Black Lives Matter protests led to the hauling down statues of slaveholders and imperialists – for example in the UK a statue of slaver – and philanthropist, Edward Colston was hurled into a harbour. Some argued Colston should be left alone because he was just a man of his time. So, when is it right to tear down a statue and do you need a democratically elected committee to make the decision? A discussion with screenwriter and historian Alex Von Tunzelmann, author of <a href="https://bookshop.org/a/12343/9780063081673"><em>Fallen Idols: Twelve Statues That Made History</em></a>.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2461</itunes:duration>
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      <title>Robert E. Gutsche Jr., "The Future of the Presidency, Journalism, and Democracy: After Trump" (Routledge, 2022)</title>
      <description>In The Future of the Presidency, Journalism, and Democracy: After Trump (Routledge, 2022), Dr. Robert E. Gutsche Jr. examines the effects of Donald Trump’s presidency on journalistic practices, rhetoric, and discourses. Rooted in critical theory and cultural studies, it asks what life may be like without Trump, not only for journalism but also for American society more broadly.
The book places perspectives and tensions around the Trump presidency in one spot, focusing on the underlying ideological forces in tensions around media trust, Trumpism, and the role of journalism in it all. It explores how journalists dealt with racist rhetoric from the White House, relationships between the Office of the President and social media companies, citizens, and journalists themselves, while questioning whether journalism has learned the right lessons for the future. More importantly, chapters on liberal media "bias," the First 100 Days of the Biden Presidency, gender, and race, and how journalists should adopt measures to "reduce harm" hint as to where politics and journalism may go next.
Reshaping the scholarly and public discourse about where we are headed in terms of the presidency and publics, social media, and journalism, this book will be an important resource for scholars and graduate students of journalism, media studies, communication studies, political science, race and ethnic studies and sociology.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
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      <pubDate>Tue, 03 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert E. Gutsche Jr.</itunes:subtitle>
      <itunes:summary>In The Future of the Presidency, Journalism, and Democracy: After Trump (Routledge, 2022), Dr. Robert E. Gutsche Jr. examines the effects of Donald Trump’s presidency on journalistic practices, rhetoric, and discourses. Rooted in critical theory and cultural studies, it asks what life may be like without Trump, not only for journalism but also for American society more broadly.
The book places perspectives and tensions around the Trump presidency in one spot, focusing on the underlying ideological forces in tensions around media trust, Trumpism, and the role of journalism in it all. It explores how journalists dealt with racist rhetoric from the White House, relationships between the Office of the President and social media companies, citizens, and journalists themselves, while questioning whether journalism has learned the right lessons for the future. More importantly, chapters on liberal media "bias," the First 100 Days of the Biden Presidency, gender, and race, and how journalists should adopt measures to "reduce harm" hint as to where politics and journalism may go next.
Reshaping the scholarly and public discourse about where we are headed in terms of the presidency and publics, social media, and journalism, this book will be an important resource for scholars and graduate students of journalism, media studies, communication studies, political science, race and ethnic studies and sociology.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781032070735"><em>The Future of the Presidency, Journalism, and Democracy: After Trump</em></a> (Routledge, 2022), <a href="https://www.lancaster.ac.uk/sociology/people/robert-gutsche-jr">Dr. Robert E. Gutsche Jr.</a> examines the effects of Donald Trump’s presidency on journalistic practices, rhetoric, and discourses. Rooted in critical theory and cultural studies, it asks what life may be like without Trump, not only for journalism but also for American society more broadly.</p><p>The book places perspectives and tensions around the Trump presidency in one spot, focusing on the underlying ideological forces in tensions around media trust, Trumpism, and the role of journalism in it all. It explores how journalists dealt with racist rhetoric from the White House, relationships between the Office of the President and social media companies, citizens, and journalists themselves, while questioning whether journalism has learned the right lessons for the future. More importantly, chapters on liberal media "bias," the First 100 Days of the Biden Presidency, gender, and race, and how journalists should adopt measures to "reduce harm" hint as to where politics and journalism may go next.</p><p>Reshaping the scholarly and public discourse about where we are headed in terms of the presidency and publics, social media, and journalism, this book will be an important resource for scholars and graduate students of journalism, media studies, communication studies, political science, race and ethnic studies and sociology.</p><p><a href="https://profjohnston.weebly.com/"><em>Michael O. Johnston, Ph.D.</em></a><em> is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3161</itunes:duration>
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      <title>Intersectionality</title>
      <description>Saronik interviews Kim about intersectionality, a concept developed by Kimberlé Crenshaw.
Kim references two essays by Crenshaw in the episode: one that she read, and one that our previous podcast guest, Chad Hegelmeyer taught.
“Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” Stanford Law Review 43, no. 6 (July 1991) https://www.jstor.org/stable/1229039 (Kim read this one)
“Demarginalizing the Intersections of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics,” University of Chicago Legal Forum Iss. 1 (1989) https://chicagounbound.uchicago.edu/uclf/vol1989/iss1/8/ (Chad taught this one)
Kim recommends that you read the latter.
This week’s image is a painting by Alma Thomas, titled “Light Blue Nursery” (1968). The image is made available under a Creative Commons license by the Smithsonian American Art Museum.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Kim Adams</itunes:subtitle>
      <itunes:summary>Saronik interviews Kim about intersectionality, a concept developed by Kimberlé Crenshaw.
Kim references two essays by Crenshaw in the episode: one that she read, and one that our previous podcast guest, Chad Hegelmeyer taught.
“Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” Stanford Law Review 43, no. 6 (July 1991) https://www.jstor.org/stable/1229039 (Kim read this one)
“Demarginalizing the Intersections of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics,” University of Chicago Legal Forum Iss. 1 (1989) https://chicagounbound.uchicago.edu/uclf/vol1989/iss1/8/ (Chad taught this one)
Kim recommends that you read the latter.
This week’s image is a painting by Alma Thomas, titled “Light Blue Nursery” (1968). The image is made available under a Creative Commons license by the Smithsonian American Art Museum.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Saronik interviews Kim about intersectionality, a concept developed by Kimberlé Crenshaw.</p><p>Kim references two essays by Crenshaw in the episode: one that she read, and one that our previous podcast guest, Chad Hegelmeyer taught.</p><p>“Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” <em>Stanford Law Review </em>43, no. 6 (July 1991) <a href="https://www.jstor.org/stable/1229039">https://www.jstor.org/stable/1229039</a> (Kim read this one)</p><p>“Demarginalizing the Intersections of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics,” <em>University of Chicago Legal Forum </em>Iss. 1 (1989) <a href="https://chicagounbound.uchicago.edu/uclf/vol1989/iss1/8/">https://chicagounbound.uchicago.edu/uclf/vol1989/iss1/8/</a> (Chad taught this one)</p><p>Kim recommends that you read the latter.</p><p>This week’s image is a painting by Alma Thomas, titled “Light Blue Nursery” (1968). The image is made available under a Creative Commons license by the <a href="https://americanart.si.edu/artwork/light-blue-nursery-24013">Smithsonian American Art Museum</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>714</itunes:duration>
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      <title>Juan Dal Maso, "Hegemony and Class Struggle: Trotsky, Gramsci and Marxism" (Palgrave Macmillan, 2021)</title>
      <description>The Marxist revolutionary Leon Trotsky exerted a powerful influence on the world, even if his historical and theoretical contributions have often been downplayed, and people who wish to be associated with him are few and far between today. There are a number of factors that have contributed to this marginalization, but correcting it will require revisiting his thought in a careful and contextualized manner in order to better understand his ideas, salvage the underlying core and adapt it for the 21st century. 
One person attempting to do this is Juan Dal Maso in his new book Hegemony and Class Struggle: Trotsky, Gramsci and Marxism (Palgrave Macmillan, 2021). Originally written and published in Spanish before being translated by the author for the series Marx, Engels and Marxism, the text spends the first two chapters revisiting Trotsky’s developing thoughts on hegemony, political leadership, party vanguards and bureaucracies, finding a highly dynamic figure whose thought reflected the changing times he was embedded in. Following this, Dal Maso returns to Gramsci’s notebooks, carefully contextualizing the often-critical remarks on Trotsky, cutting past surface appearances to find some key points of overlap in their thoughts on political revolution. The book ends with a series of reflections on the receptions of Trotsky and Gramsci, with one left on the margins of history and political theory, the other theorized to the point where his political commitments have been made to disappear. In all this, Dal Maso encourages us to see these figures in new light, and in doing so develop a Marxist conception of class struggle that can help bring us into the 21st century.
Juan Dal Maso is a freelance researcher and activist in Buenos Aires, Argentina. He is a frequent contributor to Left Voice. He is also a member of the editorial board of Ideas de Izquierda Semanario (Ideas of the Left Weekly) in Argentina, and the author of the following books; El Marxismo de Gramsci (The Marxism of Gramsci, 2016), translated to Italian and Portuguese, and Althusser y Sacristán (Louis Althusser and Manuel Sacristán, 2020) written with Ariel Petruccelli.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>281</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Juan Dal Maso</itunes:subtitle>
      <itunes:summary>The Marxist revolutionary Leon Trotsky exerted a powerful influence on the world, even if his historical and theoretical contributions have often been downplayed, and people who wish to be associated with him are few and far between today. There are a number of factors that have contributed to this marginalization, but correcting it will require revisiting his thought in a careful and contextualized manner in order to better understand his ideas, salvage the underlying core and adapt it for the 21st century. 
One person attempting to do this is Juan Dal Maso in his new book Hegemony and Class Struggle: Trotsky, Gramsci and Marxism (Palgrave Macmillan, 2021). Originally written and published in Spanish before being translated by the author for the series Marx, Engels and Marxism, the text spends the first two chapters revisiting Trotsky’s developing thoughts on hegemony, political leadership, party vanguards and bureaucracies, finding a highly dynamic figure whose thought reflected the changing times he was embedded in. Following this, Dal Maso returns to Gramsci’s notebooks, carefully contextualizing the often-critical remarks on Trotsky, cutting past surface appearances to find some key points of overlap in their thoughts on political revolution. The book ends with a series of reflections on the receptions of Trotsky and Gramsci, with one left on the margins of history and political theory, the other theorized to the point where his political commitments have been made to disappear. In all this, Dal Maso encourages us to see these figures in new light, and in doing so develop a Marxist conception of class struggle that can help bring us into the 21st century.
Juan Dal Maso is a freelance researcher and activist in Buenos Aires, Argentina. He is a frequent contributor to Left Voice. He is also a member of the editorial board of Ideas de Izquierda Semanario (Ideas of the Left Weekly) in Argentina, and the author of the following books; El Marxismo de Gramsci (The Marxism of Gramsci, 2016), translated to Italian and Portuguese, and Althusser y Sacristán (Louis Althusser and Manuel Sacristán, 2020) written with Ariel Petruccelli.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Marxist revolutionary Leon Trotsky exerted a powerful influence on the world, even if his historical and theoretical contributions have often been downplayed, and people who wish to be associated with him are few and far between today. There are a number of factors that have contributed to this marginalization, but correcting it will require revisiting his thought in a careful and contextualized manner in order to better understand his ideas, salvage the underlying core and adapt it for the 21st century. </p><p>One person attempting to do this is Juan Dal Maso in his new book <a href="https://bookshop.org/a/12343/9783030756871"><em>Hegemony and Class Struggle: Trotsky, Gramsci and Marxism</em></a><em> </em>(Palgrave Macmillan, 2021). Originally written and published in Spanish before being translated by the author for the series <a href="https://link.springer.com/series/14812"><em>Marx, Engels and Marxism</em></a>, the text spends the first two chapters revisiting Trotsky’s developing thoughts on hegemony, political leadership, party vanguards and bureaucracies, finding a highly dynamic figure whose thought reflected the changing times he was embedded in. Following this, Dal Maso returns to Gramsci’s notebooks, carefully contextualizing the often-critical remarks on Trotsky, cutting past surface appearances to find some key points of overlap in their thoughts on political revolution. The book ends with a series of reflections on the receptions of Trotsky and Gramsci, with one left on the margins of history and political theory, the other theorized to the point where his political commitments have been made to disappear. In all this, Dal Maso encourages us to see these figures in new light, and in doing so develop a Marxist conception of class struggle that can help bring us into the 21st century.</p><p><em>Juan Dal Maso is a freelance researcher and activist in Buenos Aires, Argentina. He is a frequent contributor to </em><a href="https://www.leftvoice.org/"><em>Left Voice</em></a><em>. He is also a member of the editorial board of Ideas de </em><a href="https://www.laizquierdadiario.com/ideas-de-izquierda"><em>Izquierda Semanario</em></a><em> (Ideas of the Left Weekly) in Argentina, and the author of the following books; El Marxismo de Gramsci (The Marxism of Gramsci, 2016), translated to Italian and Portuguese, and Althusser y Sacristán (Louis Althusser and Manuel Sacristán, 2020) written with Ariel Petruccelli.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3343</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Marlon B. Ross, "Sissy Insurgencies: A Racial Anatomy of Unfit Manliness" (Duke UP, 2022)</title>
      <description>Sissy Insurgencies: A Racial Anatomy of Unfit Manliness (Duke University Press, 2022) by Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how it constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Demonstrating that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy, he also shows how it constitutes a central element in modern understandings of race and gender.
Dr. Marlon B. Ross is professor of English at the University of Virginia, where he has taught since 2001. Before that, he was professor of English and African American &amp; African Studies at the University of Michigan. His interests include a variety of fields related to race, gender, sexuality, and culture. He is also the author of Manning the Race: Reforming Black Men in the Jim Crow Era and The Contours of Masculine Desire: Romanticism and the Rise of Women's Poetry.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marlon B. Ross</itunes:subtitle>
      <itunes:summary>Sissy Insurgencies: A Racial Anatomy of Unfit Manliness (Duke University Press, 2022) by Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how it constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Demonstrating that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy, he also shows how it constitutes a central element in modern understandings of race and gender.
Dr. Marlon B. Ross is professor of English at the University of Virginia, where he has taught since 2001. Before that, he was professor of English and African American &amp; African Studies at the University of Michigan. His interests include a variety of fields related to race, gender, sexuality, and culture. He is also the author of Manning the Race: Reforming Black Men in the Jim Crow Era and The Contours of Masculine Desire: Romanticism and the Rise of Women's Poetry.
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478017837"><em>Sissy Insurgencies: A Racial Anatomy of Unfit Manliness</em></a> (Duke University Press, 2022) by Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how it constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Demonstrating that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy, he also shows how it constitutes a central element in modern understandings of race and gender.</p><p>Dr. Marlon B. Ross is professor of English at the University of Virginia, where he has taught since 2001. Before that, he was professor of English and African American &amp; African Studies at the University of Michigan. His interests include a variety of fields related to race, gender, sexuality, and culture. He is also the author of <em>Manning the Race: Reforming Black Men in the Jim Crow Era</em> and <em>The Contours of Masculine Desire: Romanticism and the Rise of Women's Poetry.</em></p><p><a href="https://www.machadoisabel.com/"><em>Isabel Machado</em></a><em> is a cultural historian whose work often crosses national and disciplinary boundaries.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3580</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e3a25d4c-a799-11ec-9e46-9bd1e1694eb2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1858120732.mp3?updated=1647704427" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary Louise Pratt, "Planetary Longings" (Duke UP, 2022)</title>
      <description>In Planetary Longings (Duke UP, 2022), eminent cultural theorist Mary Louise Pratt posits that the last decade of the twentieth century and the first decades of the twenty-first mark a turning point in the human and planetary condition. Examining the forces of modernity, neoliberalism, coloniality, and indigeneity in their pre- and postmillennial forms, Pratt reflects on the crisis of futurity that accompanies the millennial turn in relation to environmental disaster and to the new forms of thinking it has catalyzed. She turns to 1990s Latin American vernacular culture, literary fiction, and social movements, which simultaneously registered neoliberalism’s devastating effects and pursued alternate ways of knowing and living. Tracing the workings of colonialism alongside the history of anticolonial struggles and Indigenous mobilizations in the Americas, Pratt analyzes indigeneity both as a key index of coloniality, neoliberal extraction, and ecological destruction, and as a source for alternative modes of thought and being. Ultimately, Pratt demonstrates that the changes on either side of the millennium have catalyzed new forms of world-making and knowledge-making in the face of an unknowable and catastrophic future.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>280</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mary Louise Pratt</itunes:subtitle>
      <itunes:summary>In Planetary Longings (Duke UP, 2022), eminent cultural theorist Mary Louise Pratt posits that the last decade of the twentieth century and the first decades of the twenty-first mark a turning point in the human and planetary condition. Examining the forces of modernity, neoliberalism, coloniality, and indigeneity in their pre- and postmillennial forms, Pratt reflects on the crisis of futurity that accompanies the millennial turn in relation to environmental disaster and to the new forms of thinking it has catalyzed. She turns to 1990s Latin American vernacular culture, literary fiction, and social movements, which simultaneously registered neoliberalism’s devastating effects and pursued alternate ways of knowing and living. Tracing the workings of colonialism alongside the history of anticolonial struggles and Indigenous mobilizations in the Americas, Pratt analyzes indigeneity both as a key index of coloniality, neoliberal extraction, and ecological destruction, and as a source for alternative modes of thought and being. Ultimately, Pratt demonstrates that the changes on either side of the millennium have catalyzed new forms of world-making and knowledge-making in the face of an unknowable and catastrophic future.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478018292"><em>Planetary Longings</em></a> (Duke UP, 2022), eminent cultural theorist Mary Louise Pratt posits that the last decade of the twentieth century and the first decades of the twenty-first mark a turning point in the human and planetary condition. Examining the forces of modernity, neoliberalism, coloniality, and indigeneity in their pre- and postmillennial forms, Pratt reflects on the crisis of futurity that accompanies the millennial turn in relation to environmental disaster and to the new forms of thinking it has catalyzed. She turns to 1990s Latin American vernacular culture, literary fiction, and social movements, which simultaneously registered neoliberalism’s devastating effects and pursued alternate ways of knowing and living. Tracing the workings of colonialism alongside the history of anticolonial struggles and Indigenous mobilizations in the Americas, Pratt analyzes indigeneity both as a key index of coloniality, neoliberal extraction, and ecological destruction, and as a source for alternative modes of thought and being. Ultimately, Pratt demonstrates that the changes on either side of the millennium have catalyzed new forms of world-making and knowledge-making in the face of an unknowable and catastrophic future.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4014</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f90b7bcc-bf41-11ec-bf7c-23a3a74b3553]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6822280151.mp3?updated=1650305902" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Border as Method</title>
      <description>Saronik talks to Kim about Sandro Mezzadra and Brett Neilson’s seminal 2013 book Border as Method, Or, the Multiplication of Labor, where they use the concept and ubiquity of border and border-thinking for political innovation.
Other works touched upon are Biju Matthew’s Taxi!: Cabs and Capitalism in New York City, The Communist Manifesto, and Kenichi Omae’s The Borderless World.
The image is from the cover of Taxis as Public Transport: A Bibliography, published in 1979 by the US Department of Transportation.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Kim Adams</itunes:subtitle>
      <itunes:summary>Saronik talks to Kim about Sandro Mezzadra and Brett Neilson’s seminal 2013 book Border as Method, Or, the Multiplication of Labor, where they use the concept and ubiquity of border and border-thinking for political innovation.
Other works touched upon are Biju Matthew’s Taxi!: Cabs and Capitalism in New York City, The Communist Manifesto, and Kenichi Omae’s The Borderless World.
The image is from the cover of Taxis as Public Transport: A Bibliography, published in 1979 by the US Department of Transportation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Saronik talks to Kim about Sandro Mezzadra and Brett Neilson’s seminal 2013 book <em>Border as Method, Or, the Multiplication of Labor</em>, where they use the concept and ubiquity of border and border-thinking for political innovation.</p><p>Other works touched upon are Biju Matthew’s <a href="https://thenewpress.com/books/taxi"><em>Taxi!: Cabs and Capitalism in New York City</em></a>, The Communist Manifesto, and Kenichi Omae’s <a href="https://www.harpercollins.com/products/the-borderless-world-rev-ed-kenichi-ohmae?variant=32154095353890"><em>The Borderless World</em></a>.</p><p>The image is from the cover of <em>Taxis as Public Transport: A Bibliography</em>, published in 1979 by the US Department of Transportation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1110</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c2e3d370-a2cf-11ec-94bc-ef2073f516f9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6193267779.mp3?updated=1646230713" length="0" type="audio/mpeg"/>
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    <item>
      <title>The Future of Race: A Discussion with John McWhorter</title>
      <description>Race is the subject of passionate and increasingly angry debate. But amidst all the talk of unconscious bias it’s an area into which many fear to tread. In this podcast Professor McWhorter of Colombia University outlines his sometimes controversial views on these issues and explains why he wants to debate them in public. His latest book is Woke Racism: How a New Religion Has Betrayed Black America (Portfolio, 2021).
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John McWhorter</itunes:subtitle>
      <itunes:summary>Race is the subject of passionate and increasingly angry debate. But amidst all the talk of unconscious bias it’s an area into which many fear to tread. In this podcast Professor McWhorter of Colombia University outlines his sometimes controversial views on these issues and explains why he wants to debate them in public. His latest book is Woke Racism: How a New Religion Has Betrayed Black America (Portfolio, 2021).
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Race is the subject of passionate and increasingly angry debate. But amidst all the talk of unconscious bias it’s an area into which many fear to tread. In this podcast Professor McWhorter of Colombia University outlines his sometimes controversial views on these issues and explains why he wants to debate them in public. His latest book is <a href="https://bookshop.org/a/12343/9780593423066"><em>Woke Racism: How a New Religion Has Betrayed Black America</em></a> (Portfolio, 2021).</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2388</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[58d6a968-c3bc-11ec-937c-175c002c5371]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6675989465.mp3?updated=1640716209" length="0" type="audio/mpeg"/>
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    <item>
      <title>Settler Colonialism</title>
      <description>Kim talks with Margaret Nash about settler colonialism.
Margaret Nash is an Emeritus Professor in the Graduate School of Education at the University of California Riverside.
You can watch her explain her research on settler colonialism and land grant universities in her talk: “An Unacknowledged Legacy.“
Her recent article “Entangled Pasts: Land-Grant Colleges and American Indian Dispossession” Higher Education Quarterly 59 No. 4 (November 2019) examines the long reach of settler colonialism in US Higher Education.
In the episode, Margaret references a book of political theory by Adam Dahl, titled Empire of the People: Settler Colonialism and the Foundations of Modern Democratic Thought.
The image is taken from the cover of a 1992 booklet on HIV Prevention in Native American Communities
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Margaret Nash</itunes:subtitle>
      <itunes:summary>Kim talks with Margaret Nash about settler colonialism.
Margaret Nash is an Emeritus Professor in the Graduate School of Education at the University of California Riverside.
You can watch her explain her research on settler colonialism and land grant universities in her talk: “An Unacknowledged Legacy.“
Her recent article “Entangled Pasts: Land-Grant Colleges and American Indian Dispossession” Higher Education Quarterly 59 No. 4 (November 2019) examines the long reach of settler colonialism in US Higher Education.
In the episode, Margaret references a book of political theory by Adam Dahl, titled Empire of the People: Settler Colonialism and the Foundations of Modern Democratic Thought.
The image is taken from the cover of a 1992 booklet on HIV Prevention in Native American Communities
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kim talks with Margaret Nash about settler colonialism.</p><p><a href="https://profiles.ucr.edu/app/home/profile/manash">Margaret Nash</a> is an Emeritus Professor in the Graduate School of Education at the University of California Riverside.</p><p>You can watch her explain her research on settler colonialism and land grant universities in her talk: “<a href="https://www.youtube.com/watch?v=tB4fxFSdLQI">An Unacknowledged Legacy.</a>“</p><p>Her recent article “<a href="https://doi.org/10.1017/heq.2019.31">Entangled Pasts: Land-Grant Colleges and American Indian Dispossession</a>” <em>Higher Education Quarterly</em> 59 No. 4 (November 2019) examines the long reach of settler colonialism in US Higher Education.</p><p>In the episode, Margaret references a book of political theory by Adam Dahl, titled <a href="https://kansaspress.ku.edu/978-0-7006-2607-6.html"><em>Empire of the People: Settler Colonialism and the Foundations of Modern Democratic Thought.</em></a></p><p>The image is taken from the cover of a 1992 booklet on <a href="https://commons.wikimedia.org/w/index.php?title=File:HIV_Prevention_in_Native_American_Communities-_A_Manual_for_Native_American_Health_and_Human_Service_Providers_(IA_hivpreventioninn00unse).pdf&amp;page=1"><em>HIV Prevention in Native American Communities</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[711c2b78-a2cf-11ec-9598-47a099bc7dce]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4295775497.mp3?updated=1646231306" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Commodity Fetishism B-Side</title>
      <description>An excerpt from Kim’s conversation with Elaine Freedgood on commodity fetishism that didn’t make it into the original episode.
Elaine references Louis Althusser and Slavoj Žižek on ideology;
Fredric Jameson, The Political Unconscious: Narrative as a Socially Symbolic Act. Cornell UP: 1981; and Claude Levi Strauss’s work on Caduveo body painting (which seems to have been published in the surrealist magazine VVV in 1942 and is very hard to find on the internet — see Luciana Martins ‘Resemblances to archaeological finds’: Guido Boggiani, Claude Lévi-Strauss and Caduveo body painting” Journal of Latin American Cultural Studies, 2014. DOI:10.1080/13569325.2017.1309317.)
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      <pubDate>Wed, 20 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Elaine Freedgood</itunes:subtitle>
      <itunes:summary>An excerpt from Kim’s conversation with Elaine Freedgood on commodity fetishism that didn’t make it into the original episode.
Elaine references Louis Althusser and Slavoj Žižek on ideology;
Fredric Jameson, The Political Unconscious: Narrative as a Socially Symbolic Act. Cornell UP: 1981; and Claude Levi Strauss’s work on Caduveo body painting (which seems to have been published in the surrealist magazine VVV in 1942 and is very hard to find on the internet — see Luciana Martins ‘Resemblances to archaeological finds’: Guido Boggiani, Claude Lévi-Strauss and Caduveo body painting” Journal of Latin American Cultural Studies, 2014. DOI:10.1080/13569325.2017.1309317.)
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An excerpt from Kim’s conversation with Elaine Freedgood on commodity fetishism that didn’t make it into the original episode.</p><p>Elaine references <a href="https://plato.stanford.edu/entries/althusser/">Louis Althusser</a> and <a href="https://en.wikipedia.org/wiki/Slavoj_%C5%BDi%C5%BEek">Slavoj Žižek</a> on ideology;</p><p>Fredric Jameson, <a href="https://www.jstor.org/stable/10.7591/j.ctt1287f8w"><em>The Political Unconscious: Narrative as a Socially Symbolic Act.</em></a> Cornell UP: 1981; and <a href="https://en.wikipedia.org/wiki/Claude_L%C3%A9vi-Strauss">Claude Levi Strauss’s </a>work on Caduveo body painting (which seems to have been published in the surrealist magazine VVV in 1942 and is very hard to find on the internet — see <a href="https://www.semanticscholar.org/author/Luciana-Martins/145842568">Luciana Martins</a> ‘Resemblances to archaeological finds’: Guido Boggiani, Claude Lévi-Strauss and Caduveo body painting” <em>Journal of Latin American Cultural Studies, </em>2014. DOI:<a href="https://doi.org/10.1080/13569325.2017.1309317">10.1080/13569325.2017.1309317</a>.)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc5fd3ee-a2cb-11ec-97a3-a7d038ff7b70]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4069316891.mp3?updated=1646233422" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicole Starosielski, "Media Hot and Cold" (Duke UP, 2021)</title>
      <description>Media Hot and Cold (Duke UP, 2021) attunes the reader to temperature as a crucial but often overlooked terrain of control, communication and contestation. The book skilfully unpacks the complex technical operations of a vast array of heat-based communication technologies in parallel with a close analysis of the cultural and political resonances of these media, taking in early experiments in heat ray technologies, the development of the thermostat, undersea fibre optic cables and torture sweatboxes from the US plantation. Today’s thermal media are framed as politically neutral and scientifically objective technologies of personalised comfort and climate mitigation. However, Starosielski pushes back against this reading, arguing that the manipulation of temperature as a means of coercion and domination has been integral to the construction, normalization and maintenance of unequal relations of power. The book is a timely and significant call for an unflinching analysis of the sociocultural function of temperature in a period of unprecedented thermal volatility.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>279</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicole Starosielski</itunes:subtitle>
      <itunes:summary>Media Hot and Cold (Duke UP, 2021) attunes the reader to temperature as a crucial but often overlooked terrain of control, communication and contestation. The book skilfully unpacks the complex technical operations of a vast array of heat-based communication technologies in parallel with a close analysis of the cultural and political resonances of these media, taking in early experiments in heat ray technologies, the development of the thermostat, undersea fibre optic cables and torture sweatboxes from the US plantation. Today’s thermal media are framed as politically neutral and scientifically objective technologies of personalised comfort and climate mitigation. However, Starosielski pushes back against this reading, arguing that the manipulation of temperature as a means of coercion and domination has been integral to the construction, normalization and maintenance of unequal relations of power. The book is a timely and significant call for an unflinching analysis of the sociocultural function of temperature in a period of unprecedented thermal volatility.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478014546"><em>Media Hot and Cold</em></a><em> </em>(Duke UP, 2021) attunes the reader to temperature as a crucial but often overlooked terrain of control, communication and contestation. The book skilfully unpacks the complex technical operations of a vast array of heat-based communication technologies in parallel with a close analysis of the cultural and political resonances of these media, taking in early experiments in heat ray technologies, the development of the thermostat, undersea fibre optic cables and torture sweatboxes from the US plantation. Today’s thermal media are framed as politically neutral and scientifically objective technologies of personalised comfort and climate mitigation. However, Starosielski pushes back against this reading, arguing that the manipulation of temperature as a means of coercion and domination has been integral to the construction, normalization and maintenance of unequal relations of power. The book is a timely and significant call for an unflinching analysis of the sociocultural function of temperature in a period of unprecedented thermal volatility.</p><p><em>Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3609</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d5d49812-bf20-11ec-a4c2-5b45440c8f5d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4301267021.mp3?updated=1650293406" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nandita Sharma, "Home Rule: National Sovereignty and the Separation of Natives and Migrants" (Duke UP, 2020)</title>
      <description>In today's program, we speak to Nandita Sharma, activist scholar and Professor of Sociology at the University of Hawai'i at Manoa. We talk about Home Rule: National Sovereignty and the Separation of Natives and Migrants (Duke University Press, 2020).
In Home Rule, Sharma brilliantly traces the "historical formation and political separation of Natives and Migrants from the nineteenth century to the present to theorize the portrayal of Migrants as 'colonial invaders.'" She theorizes the Postcolonial New World Order of nation-states wherein the category of the Native (initially referred to as such to demarcate colonized status) has been revitalized and claims to autochthony have become the basis of "true national belonging." In consequence, migrants have been facing exclusion, expulsion, and even extermination. The hardening of nationalisms in the Postcolonial New World Order has contained demands for decolonization, leaving their potential unfulfilled. Sharma forcefully and convincingly shows that the only way forward is by building a common wherein the ruling categories of Native and Migrant are dissolved.
Jochen Schmon is a PhD Student in Politics at the New School for Social Research. You can reach him on Twitter @JohenShmon.
Deren Ertas is a PhD Candidate in the joint program in History and Middle Eastern Studies at Harvard University. You can reach her own Twitter @drnrts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>225</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nandita Sharma</itunes:subtitle>
      <itunes:summary>In today's program, we speak to Nandita Sharma, activist scholar and Professor of Sociology at the University of Hawai'i at Manoa. We talk about Home Rule: National Sovereignty and the Separation of Natives and Migrants (Duke University Press, 2020).
In Home Rule, Sharma brilliantly traces the "historical formation and political separation of Natives and Migrants from the nineteenth century to the present to theorize the portrayal of Migrants as 'colonial invaders.'" She theorizes the Postcolonial New World Order of nation-states wherein the category of the Native (initially referred to as such to demarcate colonized status) has been revitalized and claims to autochthony have become the basis of "true national belonging." In consequence, migrants have been facing exclusion, expulsion, and even extermination. The hardening of nationalisms in the Postcolonial New World Order has contained demands for decolonization, leaving their potential unfulfilled. Sharma forcefully and convincingly shows that the only way forward is by building a common wherein the ruling categories of Native and Migrant are dissolved.
Jochen Schmon is a PhD Student in Politics at the New School for Social Research. You can reach him on Twitter @JohenShmon.
Deren Ertas is a PhD Candidate in the joint program in History and Middle Eastern Studies at Harvard University. You can reach her own Twitter @drnrts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In today's program, we speak to<a href="http://nanditasharma.net/"> Nandita Sharma</a>, activist scholar and Professor of Sociology at the University of Hawai'i at Manoa. We talk about <a href="https://bookshop.org/a/12343/9781478000952"><em>Home Rule: National Sovereignty and the Separation of Natives and Migrants</em></a><em> </em>(Duke University Press, 2020).</p><p>In <em>Home Rule, </em>Sharma brilliantly traces the "historical formation and political separation of Natives and Migrants from the nineteenth century to the present to theorize the portrayal of Migrants as 'colonial invaders.'" She theorizes the Postcolonial New World Order of nation-states wherein the category of the Native (initially referred to as such to demarcate colonized status) has been revitalized and claims to autochthony have become the basis of "true national belonging." In consequence, migrants have been facing exclusion, expulsion, and even extermination. The hardening of nationalisms in the Postcolonial New World Order has contained demands for decolonization, leaving their potential unfulfilled. Sharma forcefully and convincingly shows that the only way forward is by building a common wherein the ruling categories of Native and Migrant are dissolved.</p><p><em>Jochen Schmon is a PhD Student in Politics at the New School for Social Research. You can reach him on Twitter </em><a href="https://twitter.com/JohenShmon"><em>@JohenShmon</em></a><em>.</em></p><p><a href="http://derenertas.com/"><em>Deren Ertas</em></a><em> is a PhD Candidate in the joint program in History and Middle Eastern Studies at Harvard University. You can reach her own Twitter </em><a href="https://twitter.com/drnrts"><em>@drnrts</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3914</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90cbef94-ba8f-11ec-aa27-778c78414983]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5691427610.mp3?updated=1649789171" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gavin Mueller, "Breaking Things at Work: The Luddites Are Right About Why You Hate Your Job" (Verso, 2021)</title>
      <description>In Breaking Things at Work: The Luddites are Right About Why You Hate Your Job (Verso, 2021), Gavin Mueller provides a bracing and wide-ranging study of the fractious relationship between workers and technology under capitalism. Mueller traces the thought and actions of ordinary people past and present – including hackers, dockers, musicians and the titular textile workers - who have recognised that technological ‘progress’ too often comes at the expense of their autonomy and dignity. The book pushes back against visions of machine-driven utopia that have continually re-emerged on both the right and the left, arguing instead that resistance to technology is a key site of struggle throughout modernity, and that a Marxist neo-Luddism is crucial to understanding, and changing, the world today.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>277</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gavin Mueller</itunes:subtitle>
      <itunes:summary>In Breaking Things at Work: The Luddites are Right About Why You Hate Your Job (Verso, 2021), Gavin Mueller provides a bracing and wide-ranging study of the fractious relationship between workers and technology under capitalism. Mueller traces the thought and actions of ordinary people past and present – including hackers, dockers, musicians and the titular textile workers - who have recognised that technological ‘progress’ too often comes at the expense of their autonomy and dignity. The book pushes back against visions of machine-driven utopia that have continually re-emerged on both the right and the left, arguing instead that resistance to technology is a key site of struggle throughout modernity, and that a Marxist neo-Luddism is crucial to understanding, and changing, the world today.
Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781786636775"><em>Breaking Things at Work: The Luddites are Right About Why You Hate Your Job</em></a><em> </em>(Verso, 2021)<em>, </em>Gavin Mueller provides a bracing and wide-ranging study of the fractious relationship between workers and technology under capitalism. Mueller traces the thought and actions of ordinary people past and present – including hackers, dockers, musicians and the titular textile workers - who have recognised that technological ‘progress’ too often comes at the expense of their autonomy and dignity. The book pushes back against visions of machine-driven utopia that have continually re-emerged on both the right and the left, arguing instead that resistance to technology is a key site of struggle throughout modernity, and that a Marxist neo-Luddism is crucial to understanding, and changing, the world today.</p><p><em>Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4410</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4eb2d37c-b8c6-11ec-84f0-0bc9f25519f5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3025255013.mp3?updated=1649593162" length="0" type="audio/mpeg"/>
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    <item>
      <title>Patricia A. Banks, "Black Culture, Inc.: How Ethnic Community Support Pays for Corporate America" (Stanford UP, 2022)</title>
      <description>Why do corporations fund cultural organisations and events? In Black Culture, Inc: How ethnic community support pays for corporate America Patricia Banks, Professor of Sociology at Mount Holyoke College, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>278</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patricia A. Banks</itunes:subtitle>
      <itunes:summary>Why do corporations fund cultural organisations and events? In Black Culture, Inc: How ethnic community support pays for corporate America Patricia Banks, Professor of Sociology at Mount Holyoke College, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today.
﻿Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do corporations fund cultural organisations and events? In <em>Black Culture, Inc: How ethnic community support pays for corporate America</em> <a href="https://twitter.com/patriciaabanks">Patricia Banks</a>, <a href="https://www.mtholyoke.edu/people/patricia-banks">Professor of Sociology at Mount Holyoke College</a>, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today.</p><p><em>﻿</em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2508</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7dc69f32-bcfd-11ec-9b9b-3b048f39b374]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3912896742.mp3?updated=1650056762" length="0" type="audio/mpeg"/>
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    <item>
      <title>The Future of the Far Right in the U.S.: A Discussion with Timothy Snyder</title>
      <description>The events of January 6th 2021 are contested in the US. For some supporters of Donald Trump it was, and remains, a case of a legitimate protest against a rigged election. For opponents of Mr. Trump, it was an attempt to bully Congress through physical intimidation into refusing to validate the correct election result. That so many Americans believe the election was rigged raises questions about the nature of right wing politics in the US. This podcast covers these issues with Professor Timothy Snyder of Yale University.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Timothy Snyder</itunes:subtitle>
      <itunes:summary>The events of January 6th 2021 are contested in the US. For some supporters of Donald Trump it was, and remains, a case of a legitimate protest against a rigged election. For opponents of Mr. Trump, it was an attempt to bully Congress through physical intimidation into refusing to validate the correct election result. That so many Americans believe the election was rigged raises questions about the nature of right wing politics in the US. This podcast covers these issues with Professor Timothy Snyder of Yale University.
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The events of January 6th 2021 are contested in the US. For some supporters of Donald Trump it was, and remains, a case of a legitimate protest against a rigged election. For opponents of Mr. Trump, it was an attempt to bully Congress through physical intimidation into refusing to validate the correct election result. That so many Americans believe the election was rigged raises questions about the nature of right wing politics in the US. This podcast covers these issues with Professor Timothy Snyder of Yale University.</p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2327</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[45394bc2-be53-11ec-8aa9-5fe0c1f5f0ce]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9636324727.mp3?updated=1640715987" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Commodity Fetishism</title>
      <description>Kim talks with Elaine Freedgood about Karl Marx’s concept of commodity fetishism.
The concept comes from:
Karl Marx, Capital Vol. 1, translated by Samuel Moore and Edward Aveling, edited by Frederick Engels, 1887, available on marxists.org
Other texts mentioned:
-Peter Stallybrass, “Marx’s Coat” in Border Fetishisms: Material Objects in Unstable Spaces, edited by Patricia Spyer, Routledge, 1998.
-Rosalind Morris and Daniel Leonard, The Returns of Fetishism: Charles de Brosses and the Afterlives of an Idea. University of Chicago Press, 2017.
In the longer version of our conversation we talked about:
-Tamara Ketabgian, The Lives of Machines: The Industrial Imaginary in Victorian Literature and Culture. University of Michigan Press, 2011.
-Frederick Engels, The Condition of the Working-Class in England in 1844. Translated by ---Florence Kelley Wischnewetzky. London: George Allen and Unwin Ltd., 1852. Internet Archive.
-And Elaine’s book, The Ideas in Things: Fugitive Meaning in the Victorian Novel. University of Chicago Press, 2006.
Elaine is super cool. She studies Victorian Literature and teaches in the English Department at NYU.
Image borrowed from archive.org. If this image is under copyright, please inform us and we will remove it promptly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Elaine Freedgood</itunes:subtitle>
      <itunes:summary>Kim talks with Elaine Freedgood about Karl Marx’s concept of commodity fetishism.
The concept comes from:
Karl Marx, Capital Vol. 1, translated by Samuel Moore and Edward Aveling, edited by Frederick Engels, 1887, available on marxists.org
Other texts mentioned:
-Peter Stallybrass, “Marx’s Coat” in Border Fetishisms: Material Objects in Unstable Spaces, edited by Patricia Spyer, Routledge, 1998.
-Rosalind Morris and Daniel Leonard, The Returns of Fetishism: Charles de Brosses and the Afterlives of an Idea. University of Chicago Press, 2017.
In the longer version of our conversation we talked about:
-Tamara Ketabgian, The Lives of Machines: The Industrial Imaginary in Victorian Literature and Culture. University of Michigan Press, 2011.
-Frederick Engels, The Condition of the Working-Class in England in 1844. Translated by ---Florence Kelley Wischnewetzky. London: George Allen and Unwin Ltd., 1852. Internet Archive.
-And Elaine’s book, The Ideas in Things: Fugitive Meaning in the Victorian Novel. University of Chicago Press, 2006.
Elaine is super cool. She studies Victorian Literature and teaches in the English Department at NYU.
Image borrowed from archive.org. If this image is under copyright, please inform us and we will remove it promptly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kim talks with Elaine Freedgood about Karl Marx’s concept of commodity fetishism.</p><p>The concept comes from:</p><p>Karl Marx, <a href="https://www.marxists.org/archive/marx/works/download/pdf/Capital-Volume-I.pdf"><em>Capital</em> Vol. 1</a>, translated by Samuel Moore and Edward Aveling, edited by Frederick Engels, 1887, available on <a href="https://www.marxists.org/archive/marx/works/download/pdf/Capital-Volume-I.pdf">marxists.org</a></p><p>Other texts mentioned:</p><p>-Peter Stallybrass, “Marx’s Coat” in <a href="https://www.google.com/books/edition/Border_Fetishisms/W_x1OaFOJtUC?hl=en&amp;gbpv=1"><em>Border Fetishisms: Material Objects in Unstable Spaces</em></a><em>, </em>edited by Patricia Spyer, Routledge, 1998.</p><p>-Rosalind Morris and Daniel Leonard, <a href="https://www.google.com/books/edition/The_Returns_of_Fetishism/PnsoDwAAQBAJ?hl=en&amp;gbpv=1&amp;printsec=frontcover"><em>The Returns of Fetishism: Charles de Brosses and the Afterlives of an Idea.</em></a> University of Chicago Press, 2017.</p><p>In the longer version of our conversation we talked about:</p><p>-Tamara Ketabgian, <a href="https://www.press.umich.edu/2526592/lives_of_machines"><em>The Lives of Machines: The Industrial Imaginary in Victorian Literature and Culture. </em></a>University of Michigan Press, 2011.</p><p>-Frederick Engels, <a href="https://archive.org/details/in.ernet.dli.2015.22153"><em>The Condition of the Working-Class in England in 1844. </em></a>Translated by ---Florence Kelley Wischnewetzky. London: George Allen and Unwin Ltd., 1852. Internet Archive.</p><p>-And Elaine’s book,<a href="https://www.google.com/books/edition/The_Ideas_in_Things/_KpjubFB6yoC?hl=en&amp;gbpv=1&amp;printsec=frontcover"> <em>The Ideas in Things: Fugitive Meaning in the Victorian Novel.</em></a> University of Chicago Press, 2006.</p><p>Elaine is super cool. She studies Victorian Literature and <a href="https://as.nyu.edu/english/directory.elaine-freedgood.html">teaches in the English Department at NYU.</a></p><p><a href="https://archive.org/details/manual_Midmark_9A8200_Assembly_Instructions">Image borrowed from archive.org.</a> If this image is under copyright, please inform us and we will remove it promptly.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>760</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[723c64d6-a2cb-11ec-ab50-4f4d4502632f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4613472775.mp3?updated=1646233560" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Sheedy, "Owning the Secular: Religious Symbols, Culture Wars, Western Fragility " (Routledge, 2021)</title>
      <description>In Owning the Secular: Religious Symbols, Culture Wars, Western Fragility (Routledge, 2021), Matt Sheedy, Visiting Assistant Professor at the University of Bonn, Germany, examines three case studies dealing with religious symbols and cultural identity. Drawing on theories of discourse analysis and ideology critique, this study calls attention to an evolution in how secularism, nationalism, and multiculturalism in Europe and North America are debated and understood as competing groups contest and rearrange the meaning of these terms. This is especially true in the digital age as online cultures have transformed how information is spread, how we imagine our communities, build alliances, and produce shared meaning. 
From recent attempts to prohibit religious symbols in public, to Trump’s so-called Muslim bans, to growing disenchantment with the promises of digital media, Owning the Secular turns the lens how nation-states, organizations, and individuals attempt to "own" the secular to manage cultural differences, shore up group identity, and stake a claim to some version of Western values amidst the growing uncertainties of neoliberal capitalism. In our conversation we discussed the secular, secularization, and secularism, the role of social media in contemporary cultural wars, anxieties about veiling practices in secular societies, the use of law in governing religion, the New Atheist movement, ex-Muslims, and how media shapes public understandings of Muslims.
﻿Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>267</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Sheedy</itunes:subtitle>
      <itunes:summary>In Owning the Secular: Religious Symbols, Culture Wars, Western Fragility (Routledge, 2021), Matt Sheedy, Visiting Assistant Professor at the University of Bonn, Germany, examines three case studies dealing with religious symbols and cultural identity. Drawing on theories of discourse analysis and ideology critique, this study calls attention to an evolution in how secularism, nationalism, and multiculturalism in Europe and North America are debated and understood as competing groups contest and rearrange the meaning of these terms. This is especially true in the digital age as online cultures have transformed how information is spread, how we imagine our communities, build alliances, and produce shared meaning. 
From recent attempts to prohibit religious symbols in public, to Trump’s so-called Muslim bans, to growing disenchantment with the promises of digital media, Owning the Secular turns the lens how nation-states, organizations, and individuals attempt to "own" the secular to manage cultural differences, shore up group identity, and stake a claim to some version of Western values amidst the growing uncertainties of neoliberal capitalism. In our conversation we discussed the secular, secularization, and secularism, the role of social media in contemporary cultural wars, anxieties about veiling practices in secular societies, the use of law in governing religion, the New Atheist movement, ex-Muslims, and how media shapes public understandings of Muslims.
﻿Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780367468026"><em>Owning the Secular: Religious Symbols, Culture Wars, Western Fragility</em></a> (Routledge, 2021), <a href="http://www.nas.uni-bonn.de/people/visiting-and-adjunct-scholars-1/matt-sheedy">Matt Sheedy</a>, Visiting Assistant Professor at the University of Bonn, Germany, examines three case studies dealing with religious symbols and cultural identity. Drawing on theories of discourse analysis and ideology critique, this study calls attention to an evolution in how secularism, nationalism, and multiculturalism in Europe and North America are debated and understood as competing groups contest and rearrange the meaning of these terms. This is especially true in the digital age as online cultures have transformed how information is spread, how we imagine our communities, build alliances, and produce shared meaning. </p><p>From recent attempts to prohibit religious symbols in public, to Trump’s so-called Muslim bans, to growing disenchantment with the promises of digital media, <em>Owning the Secular</em> turns the lens how nation-states, organizations, and individuals attempt to "own" the secular to manage cultural differences, shore up group identity, and stake a claim to some version of Western values amidst the growing uncertainties of neoliberal capitalism. In our conversation we discussed the secular, secularization, and secularism, the role of social media in contemporary cultural wars, anxieties about veiling practices in secular societies, the use of law in governing religion, the New Atheist movement, ex-Muslims, and how media shapes public understandings of Muslims.</p><p><em>﻿</em><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3528</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1663e308-bc18-11ec-bb3e-2f2629388354]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6353208678.mp3?updated=1649957691" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Beller, "The World Computer: Derivative Conditions of Racial Capitalism" (Duke UP, 2021)</title>
      <description>In The World Computer: Derivative Conditions of Racial Capitalism (Duke UP, 2021) Jonathan Beller forcefully demonstrates that the history of commodification generates information itself. Out of the omnipresent calculus imposed by commodification, information emerges historically as a new money form. Investigating its subsequent financialization of daily life and colonization of semiotics, Beller situates the development of myriad systems for quantifying the value of people, objects, and affects as endemic to racial capitalism and computation. Built on oppression and genocide, capital and its technical result as computation manifest as racial formations, as do the machines and software of social mediation that feed racial capitalism and run on social difference. Algorithms, derived from for-profit management strategies, conscript all forms of expression-language, image, music, communication-into the calculus of capital such that even protest may turn a profit. Computational media function for the purpose of extraction rather than ameliorating global crises, and financialize every expressive act, converting each utterance into a wager. Repairing this ecology of exploitation, Beller contends, requires decolonizing information and money, and the scripting of futures wagered by the cultural legacies and claims of those in struggle.
﻿Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan Beller</itunes:subtitle>
      <itunes:summary>In The World Computer: Derivative Conditions of Racial Capitalism (Duke UP, 2021) Jonathan Beller forcefully demonstrates that the history of commodification generates information itself. Out of the omnipresent calculus imposed by commodification, information emerges historically as a new money form. Investigating its subsequent financialization of daily life and colonization of semiotics, Beller situates the development of myriad systems for quantifying the value of people, objects, and affects as endemic to racial capitalism and computation. Built on oppression and genocide, capital and its technical result as computation manifest as racial formations, as do the machines and software of social mediation that feed racial capitalism and run on social difference. Algorithms, derived from for-profit management strategies, conscript all forms of expression-language, image, music, communication-into the calculus of capital such that even protest may turn a profit. Computational media function for the purpose of extraction rather than ameliorating global crises, and financialize every expressive act, converting each utterance into a wager. Repairing this ecology of exploitation, Beller contends, requires decolonizing information and money, and the scripting of futures wagered by the cultural legacies and claims of those in struggle.
﻿Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478011163"><em>The World Computer: Derivative Conditions of Racial Capitalism</em></a> (Duke UP, 2021) Jonathan Beller forcefully demonstrates that the history of commodification generates information itself. Out of the omnipresent calculus imposed by commodification, information emerges historically as a new money form. Investigating its subsequent financialization of daily life and colonization of semiotics, Beller situates the development of myriad systems for quantifying the value of people, objects, and affects as endemic to racial capitalism and computation. Built on oppression and genocide, capital and its technical result as computation manifest as racial formations, as do the machines and software of social mediation that feed racial capitalism and run on social difference. Algorithms, derived from for-profit management strategies, conscript all forms of expression-language, image, music, communication-into the calculus of capital such that even protest may turn a profit. Computational media function for the purpose of extraction rather than ameliorating global crises, and financialize every expressive act, converting each utterance into a wager. Repairing this ecology of exploitation, Beller contends, requires decolonizing information and money, and the scripting of futures wagered by the cultural legacies and claims of those in struggle.</p><p><em>﻿</em><a href="https://marcimazzarotto.com/"><em>Marci Mazzarotto</em></a><em> is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3558</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4895014628.mp3?updated=1649597956" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>María Elena García, "Gastropolitics and the Specter of Race: Stories of Capital, Culture, and Coloniality in Peru" (U California Press, 2021)</title>
      <description>In this episode of the New Books in Latin America Podcast, Kenneth Sánchez spoke with Maria Elena García about her wonderful new book Gastropolitics and the Spectre of Race: Stories of Capital, Culture, and Coloniality in Peru published in 2021 by the University of California Press.
In recent years, Peru has transformed from a war-torn country to a global high-end culinary destination. Connecting chefs, state agencies, global capital, and Indigenous producers, this “gastronomic revolution” makes powerful claims: food unites Peruvians, dissolves racial antagonisms, and fuels development. Gastropolitics and the Specter of Race critically evaluates these claims and tracks the emergence of Peruvian gastropolitics, a biopolitical and aesthetic set of practices that reinscribe dominant racial and gendered orders. Through critical readings of high-end menus and ethnographic analysis of culinary festivals, guinea pig production, and national-branding campaigns, this work explores the intersections of race, species, and capital to reveal links between gastronomy and violence in Peru.
María Elena García is an associate professor in the Comparative History of Ideas at the University of Washington in Seattle. García received her PhD in Anthropology at Brown University and has been a Mellon Fellow at Wesleyan University and Tufts University. Her first book, Making Indigenous Citizens: Identities, Development, and Multicultural Activism in Peru (Stanford, 2005) examined Indigenous and intercultural politics in Peru in the immediate aftermath of the war between Sendero Luminoso and the state.
Kenneth Sanchez is a Peruvian journalist that works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He is a host of the New Books in Latin American Studies podcast and the movies &amp; entertainment podcast Segundo Plano. He holds a master’s degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given out by Amnesty International UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with María Elena García</itunes:subtitle>
      <itunes:summary>In this episode of the New Books in Latin America Podcast, Kenneth Sánchez spoke with Maria Elena García about her wonderful new book Gastropolitics and the Spectre of Race: Stories of Capital, Culture, and Coloniality in Peru published in 2021 by the University of California Press.
In recent years, Peru has transformed from a war-torn country to a global high-end culinary destination. Connecting chefs, state agencies, global capital, and Indigenous producers, this “gastronomic revolution” makes powerful claims: food unites Peruvians, dissolves racial antagonisms, and fuels development. Gastropolitics and the Specter of Race critically evaluates these claims and tracks the emergence of Peruvian gastropolitics, a biopolitical and aesthetic set of practices that reinscribe dominant racial and gendered orders. Through critical readings of high-end menus and ethnographic analysis of culinary festivals, guinea pig production, and national-branding campaigns, this work explores the intersections of race, species, and capital to reveal links between gastronomy and violence in Peru.
María Elena García is an associate professor in the Comparative History of Ideas at the University of Washington in Seattle. García received her PhD in Anthropology at Brown University and has been a Mellon Fellow at Wesleyan University and Tufts University. Her first book, Making Indigenous Citizens: Identities, Development, and Multicultural Activism in Peru (Stanford, 2005) examined Indigenous and intercultural politics in Peru in the immediate aftermath of the war between Sendero Luminoso and the state.
Kenneth Sanchez is a Peruvian journalist that works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He is a host of the New Books in Latin American Studies podcast and the movies &amp; entertainment podcast Segundo Plano. He holds a master’s degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given out by Amnesty International UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of the New Books in Latin America Podcast, Kenneth Sánchez spoke with Maria Elena García about her wonderful new book <a href="https://bookshop.org/a/12343/9780520301900"><em>Gastropolitics and the Spectre of Race: Stories of Capital, Culture, and Coloniality in Peru</em></a> published in 2021 by the University of California Press.</p><p>In recent years, Peru has transformed from a war-torn country to a global high-end culinary destination. Connecting chefs, state agencies, global capital, and Indigenous producers, this “gastronomic revolution” makes powerful claims: food unites Peruvians, dissolves racial antagonisms, and fuels development. Gastropolitics and the Specter of Race critically evaluates these claims and tracks the emergence of Peruvian gastropolitics, a biopolitical and aesthetic set of practices that reinscribe dominant racial and gendered orders. Through critical readings of high-end menus and ethnographic analysis of culinary festivals, guinea pig production, and national-branding campaigns, this work explores the intersections of race, species, and capital to reveal links between gastronomy and violence in Peru.</p><p>María Elena García is an associate professor in the Comparative History of Ideas at the University of Washington in Seattle. García received her PhD in Anthropology at Brown University and has been a Mellon Fellow at Wesleyan University and Tufts University. Her first book, Making Indigenous Citizens: Identities, Development, and Multicultural Activism in Peru (Stanford, 2005) examined Indigenous and intercultural politics in Peru in the immediate aftermath of the war between Sendero Luminoso and the state.</p><p><em>Kenneth Sanchez is a Peruvian journalist that works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He is a host of the New Books in Latin American Studies podcast and the movies &amp; entertainment podcast Segundo Plano. He holds a master’s degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given out by Amnesty International UK.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3937</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Intertextuality</title>
      <description>In this episode Kim and Chad talk about Julia Kristeva’s theory of “intertextuality.”
Chad references Chapter 3 of Kristeva’s book Desire in Language: A Semiotic Approach to Literature and Art, Translated by Thomas Gora, Alice Jardine, and Leon S. Roudiez, (Columbia UP 1980).
The last quote (the permanent revolt one) is from Chapter 15, “Europhilia-Europhobia,” of Kristeva’s Intimate Revolt: The Powers and Limits of Psychoanalysis, Translated by Jeanie Herman, (Columbia UP, 2002).
Chad Hegelmeyer is a postdoc in English at NYU. He wrote a dissertation about fact checking! The Capybara still stands, proudly, in place of Chad.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Chad Hegelmeyer</itunes:subtitle>
      <itunes:summary>In this episode Kim and Chad talk about Julia Kristeva’s theory of “intertextuality.”
Chad references Chapter 3 of Kristeva’s book Desire in Language: A Semiotic Approach to Literature and Art, Translated by Thomas Gora, Alice Jardine, and Leon S. Roudiez, (Columbia UP 1980).
The last quote (the permanent revolt one) is from Chapter 15, “Europhilia-Europhobia,” of Kristeva’s Intimate Revolt: The Powers and Limits of Psychoanalysis, Translated by Jeanie Herman, (Columbia UP, 2002).
Chad Hegelmeyer is a postdoc in English at NYU. He wrote a dissertation about fact checking! The Capybara still stands, proudly, in place of Chad.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Kim and Chad talk about Julia Kristeva’s theory of “intertextuality.”</p><p>Chad references Chapter 3 of Kristeva’s book <a href="https://www.google.com/books/edition/Desire_in_Language/d2BaPShWHR8C?hl=en&amp;gbpv=1&amp;pg=PP1&amp;printsec=frontcover"><em>Desire in Language: A Semiotic Approach to Literature and Art</em></a>, Translated by Thomas Gora, Alice Jardine, and Leon S. Roudiez, (Columbia UP 1980).</p><p>The last quote (the permanent revolt one) is from Chapter 15, “Europhilia-Europhobia,” of Kristeva’s <a href="https://www.google.com/books/edition/Intimate_Revolt/xq2MLJAw8koC?hl=en&amp;gbpv=1&amp;pg=PP1&amp;printsec=frontcover"><em>Intimate Revolt: The Powers and Limits of Psychoanalysis</em></a>, Translated by Jeanie Herman, (Columbia UP, 2002).</p><p>Chad Hegelmeyer is a postdoc in English at NYU. He wrote a dissertation about fact checking! The Capybara still stands, proudly, in place of Chad.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>742</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[888a1342-a2ca-11ec-ae5a-33c75c4b231a]]></guid>
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    </item>
    <item>
      <title>Death of the Author</title>
      <description>In this episode, Kim and Saronik discuss Roland Barthes’ essay “The Death of the Author” printed in Image Music Text, translated by Stephen Heath, New York: Hill and Wang, 1977.
The image for this week is plate three from Jules Morel, Manuel d’Anatomie Artistique. Paris: Grand, 1877. Medical Heritage Library Collections on Internet Archive.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, Kim and Saronik discuss Roland Barthes’ essay “The Death of the Author” printed in Image Music Text, translated by Stephen Heath, New York: Hill and Wang, 1977.
The image for this week is plate three from Jules Morel, Manuel d’Anatomie Artistique. Paris: Grand, 1877. Medical Heritage Library Collections on Internet Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Kim and Saronik discuss Roland Barthes’ essay “<a href="http://artsites.ucsc.edu/faculty/Gustafson/FILM%20162.W10/readings/barthes.death.pdf">The Death of the Author</a>” printed in <a href="https://archive.org/details/imagemusictext0000bart"><em>Image Music Text</em></a>, translated by Stephen Heath, New York: Hill and Wang, 1977.</p><p>The image for this week is <a href="https://ia800504.us.archive.org/BookReader/BookReaderImages.php?zip=/22/items/manueldanatomiea00more/manueldanatomiea00more_jp2.zip&amp;file=manueldanatomiea00more_jp2/manueldanatomiea00more_0113.jp2&amp;id=manueldanatomiea00more&amp;scale=2&amp;rotate=0">plate three</a> from<a href="https://archive.org/details/manueldanatomiea00more/page/n111/mode/thumb"> Jules Morel, <em>Manuel d’Anatomie Artistique</em>.</a> Paris: Grand, 1877. Medical Heritage Library Collections on Internet Archive.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>730</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>G. S. Sahota, "Late Colonial Sublime: Neo-Epics and the End of Romanticism" (Northwestern UP, 2018)</title>
      <description>Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime: Neo-Epics and the End of Romanticism (Northwestern UP, 2018) re-constellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization.
By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—Late Colonial Sublime takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies.
G.S. Sahota is associate professor of Literature at UC Santa Cruz, where he holds the Aurora chair in Sikh and Punjab Studies. His first book, Late Colonial Sublime: Neo-Epics and the End of Romanticism (Northwestern University Press, 2018), was awarded the Modern Language Initiative Grant of the Mellon Foundation. He is currently undertaking research toward two separate books (Transposed Minds: Indo-German Cultural Exchange and a Critique of Identity, and The Name of Reason: Sikhism, Secularism, and a Future Philosophy), pursuing a photography project on the gurdwaras of California, composing fragmentary thought-images, and learning Italian.
Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on literary rhetoric and economic thought. He co-hosts the podcast High Theory and is a co-founder of the Postcolonial Anthropocene Research Network.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with G. S. Sahota</itunes:subtitle>
      <itunes:summary>Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime: Neo-Epics and the End of Romanticism (Northwestern UP, 2018) re-constellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization.
By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—Late Colonial Sublime takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies.
G.S. Sahota is associate professor of Literature at UC Santa Cruz, where he holds the Aurora chair in Sikh and Punjab Studies. His first book, Late Colonial Sublime: Neo-Epics and the End of Romanticism (Northwestern University Press, 2018), was awarded the Modern Language Initiative Grant of the Mellon Foundation. He is currently undertaking research toward two separate books (Transposed Minds: Indo-German Cultural Exchange and a Critique of Identity, and The Name of Reason: Sikhism, Secularism, and a Future Philosophy), pursuing a photography project on the gurdwaras of California, composing fragmentary thought-images, and learning Italian.
Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on literary rhetoric and economic thought. He co-hosts the podcast High Theory and is a co-founder of the Postcolonial Anthropocene Research Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, <a href="https://bookshop.org/a/12343/9780810136489"><em>Late Colonial Sublime: Neo-Epics and the End of Romanticism</em></a><em> </em>(Northwestern UP, 2018) re-constellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization.</p><p>By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—<em>Late Colonial Sublime</em> takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies.</p><p>G.S. Sahota is associate professor of Literature at UC Santa Cruz, where he holds the Aurora chair in Sikh and Punjab Studies. His first book, <em>Late Colonial Sublime: Neo-Epics and the End of Romanticism </em>(Northwestern University Press, 2018), was awarded the Modern Language Initiative Grant of the Mellon Foundation. He is currently undertaking research toward two separate books (<em>Transposed Minds: Indo-German Cultural Exchange and a Critique of Identity</em>, and <em>The Name of Reason: Sikhism, Secularism, and a Future Philosophy</em>), pursuing a photography project on the gurdwaras of California, composing fragmentary thought-images, and learning Italian.</p><p><a href="https://www.saronik.com/"><em>Saronik Bosu</em></a><em> (</em><a href="https://twitter.com/SaronikB"><em>@SaronikB</em></a><em> on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on literary rhetoric and economic thought. He co-hosts the podcast </em><a href="http://hightheory.net/"><em>High Theory</em></a><em> and is a co-founder of the </em><a href="http://pococene.com/"><em>Postcolonial Anthropocene Research Network</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2606</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5bab0344-b842-11ec-a06f-cb402082e3c0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8708903814.mp3?updated=1649535814" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James C. Ungureanu, "Science, Religion, and the Protestant Tradition: Retracing the Origins of Conflict" (U Pittsburgh Press, 2019)</title>
      <description>The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Draper (1811–1882) and Andrew Dickson White (1832–1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. 
In Science, Religion, and the Protestant Tradition: Retracing the Origins of Conflict (U Pittsburgh Press, 2019), James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another—a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between “science and religion” were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the “conflict thesis” was just one of the many unintended consequences of the Protestant Reformation.
James C. Ungureanu is a Historian in Residence in the George L. Mosse Program in History at the University of Wisconsin-Madison. He is also an Honorary Research Fellow at the Institute for Advanced Studies in the Humanities (IASH) at the University of Queensland and in the Department of History at the University of Wisconsin-Madison.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>276</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James C. Ungureanu</itunes:subtitle>
      <itunes:summary>The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Draper (1811–1882) and Andrew Dickson White (1832–1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. 
In Science, Religion, and the Protestant Tradition: Retracing the Origins of Conflict (U Pittsburgh Press, 2019), James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another—a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between “science and religion” were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the “conflict thesis” was just one of the many unintended consequences of the Protestant Reformation.
James C. Ungureanu is a Historian in Residence in the George L. Mosse Program in History at the University of Wisconsin-Madison. He is also an Honorary Research Fellow at the Institute for Advanced Studies in the Humanities (IASH) at the University of Queensland and in the Department of History at the University of Wisconsin-Madison.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Draper (1811–1882) and Andrew Dickson White (1832–1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. </p><p>In <a href="https://bookshop.org/a/12343/9780822945819"><em>Science, Religion, and the Protestant Tradition: Retracing the Origins of Conflict</em></a> (U Pittsburgh Press, 2019), James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another—a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between “science and religion” were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the “conflict thesis” was just one of the many unintended consequences of the Protestant Reformation.</p><p><a href="https://jamescungureanu.com/">James C. Ungureanu</a> is a Historian in Residence in the George L. Mosse Program in History at the University of Wisconsin-Madison. He is also an Honorary Research Fellow at the Institute for Advanced Studies in the Humanities (IASH) at the University of Queensland and in the Department of History at the University of Wisconsin-Madison.</p><p><br></p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Autonomous Work of Art</title>
      <description>Kim talks with Pardis about Theodor Adorno’s concept of the autonomous work of art, as articulated in his Aesthetic Theory, and The Dialectic of Enlightenment (with help from Max Horkheimer).
Pardis Dabashi is an assistant professor of English at the University of Nevada, Reno, where she specializes in 20th-Century literature and Film studies. Starbucks Christmas Blend is one of her many guilty pleasures. Adorno would be upset.
Image source: Witches dancing in forest, in the Compedium Maleficarum of Francesco Mario Guazzo, published in 1608. Available on Wikimedia Commons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Pardis Dabashi</itunes:subtitle>
      <itunes:summary>Kim talks with Pardis about Theodor Adorno’s concept of the autonomous work of art, as articulated in his Aesthetic Theory, and The Dialectic of Enlightenment (with help from Max Horkheimer).
Pardis Dabashi is an assistant professor of English at the University of Nevada, Reno, where she specializes in 20th-Century literature and Film studies. Starbucks Christmas Blend is one of her many guilty pleasures. Adorno would be upset.
Image source: Witches dancing in forest, in the Compedium Maleficarum of Francesco Mario Guazzo, published in 1608. Available on Wikimedia Commons.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kim talks with Pardis about Theodor Adorno’s concept of the autonomous work of art, as articulated in his <a href="https://www.google.com/books/edition/Aesthetic_Theory/VQzoDwAAQBAJ?hl=en&amp;gbpv=1&amp;printsec=frontcover"><em>Aesthetic Theory</em></a><em>, </em>and <a href="https://www.google.com/books/edition/Dialectic_of_Enlightenment/lwVjsKcHW7cC?hl=en&amp;gbpv=1&amp;printsec=frontcover"><em>The Dialectic of Enlightenment</em></a> (with help from Max Horkheimer).</p><p>Pardis Dabashi is an assistant professor of English at the University of Nevada, Reno, where she specializes in 20th-Century literature and Film studies. Starbucks Christmas Blend is one of her many guilty pleasures. Adorno would be upset.</p><p>Image source: Witches dancing in forest, in the <em>Compedium Maleficarum</em> of Francesco Mario Guazzo, published in 1608. Available on <a href="https://commons.wikimedia.org/wiki/Category:Compendium_Maleficarum">Wikimedia Commons</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[40fb3ade-a2c9-11ec-b0bd-6f3c32635adc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4245391228.mp3?updated=1646234002" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alice Jardine, "At the Risk of Thinking: An Intellectual Biography of Julia Kristeva" (Bloomsbury, 2020)</title>
      <description>At the Risk of Thinking: An Intellectual Biography of Julia Kristeva (Bloomsbury, 2020) is the first biography of Julia Kristeva--one of the most celebrated intellectuals in the world. Alice Jardine brings Kristeva's work to a broader readership by connecting Kristeva's personal journey, from her childhood in Communist Bulgaria to her adult life as an international public intellectual based in Paris, with the history of her ideas. Informed by extensive interviews with Kristeva herself, this telling of a remarkable woman's life story also draws out the complexities of Kristeva's writing, emphasizing her call for an urgent revival of bold interdisciplinary thinking in order to understand--and to act in--today's world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>275</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alice Jardine</itunes:subtitle>
      <itunes:summary>At the Risk of Thinking: An Intellectual Biography of Julia Kristeva (Bloomsbury, 2020) is the first biography of Julia Kristeva--one of the most celebrated intellectuals in the world. Alice Jardine brings Kristeva's work to a broader readership by connecting Kristeva's personal journey, from her childhood in Communist Bulgaria to her adult life as an international public intellectual based in Paris, with the history of her ideas. Informed by extensive interviews with Kristeva herself, this telling of a remarkable woman's life story also draws out the complexities of Kristeva's writing, emphasizing her call for an urgent revival of bold interdisciplinary thinking in order to understand--and to act in--today's world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501341335"><em>At the Risk of Thinking: An Intellectual Biography of Julia Kristeva</em></a><em> </em>(Bloomsbury, 2020) is the first biography of Julia Kristeva--one of the most celebrated intellectuals in the world. Alice Jardine brings Kristeva's work to a broader readership by connecting Kristeva's personal journey, from her childhood in Communist Bulgaria to her adult life as an international public intellectual based in Paris, with the history of her ideas. Informed by extensive interviews with Kristeva herself, this telling of a remarkable woman's life story also draws out the complexities of Kristeva's writing, emphasizing her call for an urgent revival of bold interdisciplinary thinking in order to understand--and to act in--today's world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3146</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3191564701.mp3?updated=1648657649" length="0" type="audio/mpeg"/>
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    <item>
      <title>Critique</title>
      <description>In this episode Kim and Saronik discuss Bruno Latour’s essay, “Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern.” Critical Inquiry 30 (Winter 2004): 225-248.
Image source:
M. Platen, The New Curative Treatment of Disease: Handbook of Hygienic Rules of Life, Health Culture, and the Cure of Ailments Without the Aid of Drugs… London : Bong &amp; Co., 1893, p. 668
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      <pubDate>Thu, 07 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode Kim and Saronik discuss Bruno Latour’s essay, “Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern.” Critical Inquiry 30 (Winter 2004): 225-248.
Image source:
M. Platen, The New Curative Treatment of Disease: Handbook of Hygienic Rules of Life, Health Culture, and the Cure of Ailments Without the Aid of Drugs… London : Bong &amp; Co., 1893, p. 668
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Kim and Saronik discuss Bruno Latour’s essay, “Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern.” <em>Critical Inquiry </em>30 (Winter 2004): 225-248.</p><p>Image source:</p><p><a href="https://archive.org/details/b21514847_0001/page/668/mode/2up">M. Platen, <em>The New Curative Treatment of Disease: Handbook of Hygienic Rules of Life, Health Culture, and the Cure of Ailments Without the Aid of Drugs…</em> London : Bong &amp; Co., 1893, p. 668</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>720</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[014bebfa-a2c8-11ec-a67e-67da667d67ae]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4502292271.mp3?updated=1646234284" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd R. Clear and Natasha A. Frost, "The Punishment Imperative: The Rise and Failure of Mass Incarceration in America" (NYU Press, 2015)</title>
      <description>Over the last 40 years, the US penal system has grown at an unprecedented rate―five times larger than in the past and grossly out of scale with the rest of the world. In The Punishment Imperative: The Rise and Failure of Mass Incarceration in America (New York University Press, 2013), criminologists Todd Clear and Natasha Frost argue that America’s move to mass incarceration from the 1960s to the early 2000s was more than just a response to crime or a collection of policies adopted in isolation; it was a grand social experiment. Tracing a wide array of trends related to the criminal justice system, this book charts the rise of penal severity in America and speculates that a variety of force have finally come together to bring this great social experiment to an end.
Todd R. Clear is University Professor of Criminal Justice at Rutgers University, Newark. He was also the founder of Rutgers University-Newark’s New Jersey Scholarship and Transformative Education in Prisons (NJ-STEP) consortium.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 07 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Todd R. Clear</itunes:subtitle>
      <itunes:summary>Over the last 40 years, the US penal system has grown at an unprecedented rate―five times larger than in the past and grossly out of scale with the rest of the world. In The Punishment Imperative: The Rise and Failure of Mass Incarceration in America (New York University Press, 2013), criminologists Todd Clear and Natasha Frost argue that America’s move to mass incarceration from the 1960s to the early 2000s was more than just a response to crime or a collection of policies adopted in isolation; it was a grand social experiment. Tracing a wide array of trends related to the criminal justice system, this book charts the rise of penal severity in America and speculates that a variety of force have finally come together to bring this great social experiment to an end.
Todd R. Clear is University Professor of Criminal Justice at Rutgers University, Newark. He was also the founder of Rutgers University-Newark’s New Jersey Scholarship and Transformative Education in Prisons (NJ-STEP) consortium.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the last 40 years, the US penal system has grown at an unprecedented rate―five times larger than in the past and grossly out of scale with the rest of the world. In <a href="https://bookshop.org/a/12343/9781479851690"><em>The Punishment Imperative: The Rise and Failure of Mass Incarceration in America</em></a> (New York University Press, 2013), criminologists Todd Clear and Natasha Frost argue that America’s move to mass incarceration from the 1960s to the early 2000s was more than just a response to crime or a collection of policies adopted in isolation; it was a grand social experiment. Tracing a wide array of trends related to the criminal justice system, this book charts the rise of penal severity in America and speculates that a variety of force have finally come together to bring this great social experiment to an end.</p><p>Todd R. Clear is University Professor of Criminal Justice at Rutgers University, Newark. He was also the founder of Rutgers University-Newark’s New Jersey Scholarship and Transformative Education in Prisons (NJ-STEP) consortium.</p><p><a href="https://zalmannewfield.com/"><em>Schneur Zalman Newfield</em></a><em> is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3878</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Karl Kitching, "Childhood, Religion and School Injustice" (Cork UP, 2020)</title>
      <description>In Childhood, Religion, and School Injustice (Cork University Press, 2020), Dr. Karl Kitching examines how debates about religion and education internationally often presume the neutrality of secular education governance as an irrefutable public good. However, understandings of secular freedom, rights and neutrality in schooling are continuously contested, and social movements have disrupted the notion that there is a uniform public to be educated. Simultaneously, unjust, neoliberal and majoritarian education policies constantly undermine collective notions of what is good and just.
Dr. Kitching presents original empirical research on how religious and secular schools are positioned as competitors for parents’ attention, and shows how inequalities shape parents’ interest in, and access to, both secular and religious schools. Kitching particularly explores how children in urban and rural settings negotiate the joys, pleasures, paradoxes and injustices of schooling and childhood. He outlines ways in which children’s social positions, relationships and encounters with religious and consumer objects inform who they can become, and who and what they value.
Drawing on the above research, Childhood, Religion and School Injustice demonstrates the need to engage with each child’s plurality, and to recognise multiple inequalities experienced by families across schools. Given that the mass privatisation and deregulation of schooling favours majority and advantaged social groups, Kitching argues for the becoming public of school systems and localities. In such a process, majoritarian, narrow self-interest is challenged, unchosen obligations to others are recognised, and collective imaginings of what a ‘good’ childhood is, are publicly engaged.
Dr. Karl Kitching joined the School of Education, University of Birmingham in June 2020 as a Reader in Education Policy. Previously he was a Senior Lecturer in Education, and Director of Equality, Diversity and Inclusion at University College Cork, Ireland.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
carrie-lynn.evans@lit.ulaval.ca
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Karl Kitching</itunes:subtitle>
      <itunes:summary>In Childhood, Religion, and School Injustice (Cork University Press, 2020), Dr. Karl Kitching examines how debates about religion and education internationally often presume the neutrality of secular education governance as an irrefutable public good. However, understandings of secular freedom, rights and neutrality in schooling are continuously contested, and social movements have disrupted the notion that there is a uniform public to be educated. Simultaneously, unjust, neoliberal and majoritarian education policies constantly undermine collective notions of what is good and just.
Dr. Kitching presents original empirical research on how religious and secular schools are positioned as competitors for parents’ attention, and shows how inequalities shape parents’ interest in, and access to, both secular and religious schools. Kitching particularly explores how children in urban and rural settings negotiate the joys, pleasures, paradoxes and injustices of schooling and childhood. He outlines ways in which children’s social positions, relationships and encounters with religious and consumer objects inform who they can become, and who and what they value.
Drawing on the above research, Childhood, Religion and School Injustice demonstrates the need to engage with each child’s plurality, and to recognise multiple inequalities experienced by families across schools. Given that the mass privatisation and deregulation of schooling favours majority and advantaged social groups, Kitching argues for the becoming public of school systems and localities. In such a process, majoritarian, narrow self-interest is challenged, unchosen obligations to others are recognised, and collective imaginings of what a ‘good’ childhood is, are publicly engaged.
Dr. Karl Kitching joined the School of Education, University of Birmingham in June 2020 as a Reader in Education Policy. Previously he was a Senior Lecturer in Education, and Director of Equality, Diversity and Inclusion at University College Cork, Ireland.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
carrie-lynn.evans@lit.ulaval.ca
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781782053880"><em>Childhood, Religion, and School Injustice</em></a> (Cork University Press, 2020), Dr. Karl Kitching examines how debates about religion and education internationally often presume the neutrality of secular education governance as an irrefutable public good. However, understandings of secular freedom, rights and neutrality in schooling are continuously contested, and social movements have disrupted the notion that there is a uniform public to be educated. Simultaneously, unjust, neoliberal and majoritarian education policies constantly undermine collective notions of what is good and just.</p><p>Dr. Kitching presents original empirical research on how religious and secular schools are positioned as competitors for parents’ attention, and shows how inequalities shape parents’ interest in, and access to, both secular and religious schools. Kitching particularly explores how children in urban and rural settings negotiate the joys, pleasures, paradoxes and injustices of schooling and childhood. He outlines ways in which children’s social positions, relationships and encounters with religious and consumer objects inform who they can become, and who and what they value.</p><p>Drawing on the above research, <em>Childhood, Religion and School Injustice</em> demonstrates the need to engage with each child’s plurality, and to recognise multiple inequalities experienced by families across schools. Given that the mass privatisation and deregulation of schooling favours majority and advantaged social groups, Kitching argues for the becoming public of school systems and localities. In such a process, majoritarian, narrow self-interest is challenged, unchosen obligations to others are recognised, and collective imaginings of what a ‘good’ childhood is, are publicly engaged.</p><p><a href="https://www.birmingham.ac.uk/staff/profiles/education/kitching-karl.aspx">Dr. Karl Kitching</a> joined the School of Education, University of Birmingham in June 2020 as a Reader in Education Policy. Previously he was a Senior Lecturer in Education, and Director of Equality, Diversity and Inclusion at University College Cork, Ireland.</p><p><em>Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.</em></p><p><em>carrie-lynn.evans@lit.ulaval.ca</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4241</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Gary Gerstle, "The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era" (Oxford UP, 2022)</title>
      <description>The epochal shift toward neoliberalism–– a web of related policies that, broadly speaking, reduced the footprint of government in society and reassigned economic power to private market forces-that began in the United States and Great Britain in the late 1970s fundamentally changed the world. Today, the word neoliberal is often used to condemn a broad swath of policies, from prizing free-market principles over people to advancing privatization programs in developing nations around the world.
To be sure, neoliberalism has contributed to a number of alarming trends, not least of which has been a massive growth in income inequality. Yet as the eminent historian Gary Gerstle argues in The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era (Oxford University Press, 2022), these indictments fail to reckon with the full contours of what neoliberalism was and why its worldview had such a persuasive hold on both the right and the left for three decades. As he shows, the neoliberal order that emerged in America in the 1970s fused ideas of deregulation with personal freedoms, open borders with cosmopolitanism, and globalization with the promise of increased prosperity for all. Along with tracing how this worldview emerged in America and grew to dominate the world, Gerstle explores the previously unrecognized extent to which its triumph was facilitated by the collapse of the Soviet Union and its communist allies. He is also the first to chart the story of the neoliberal order's fall, originating in the failed reconstruction of Iraq and the Great Recession of the Bush years and culminating in the rise of Trump and a reinvigorated Bernie Sanders-led American left in the 2010s.
An indispensable and sweeping re-interpretation of the last fifty years, this book illuminates how the ideology of neoliberalism became so infused in the daily life of an era, while probing what remains of that ideology and its political programs as America enters an uncertain future.
Gary Gerstle is Paul Mellon Professor of American History Emeritus and Paul Mellon Director of Research at the University of Cambridge. He is the author and editor of more than ten books, including two prizewinners, American Crucible (2017) and Liberty and Coercion (2015).
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1179</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gary Gerstle</itunes:subtitle>
      <itunes:summary>The epochal shift toward neoliberalism–– a web of related policies that, broadly speaking, reduced the footprint of government in society and reassigned economic power to private market forces-that began in the United States and Great Britain in the late 1970s fundamentally changed the world. Today, the word neoliberal is often used to condemn a broad swath of policies, from prizing free-market principles over people to advancing privatization programs in developing nations around the world.
To be sure, neoliberalism has contributed to a number of alarming trends, not least of which has been a massive growth in income inequality. Yet as the eminent historian Gary Gerstle argues in The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era (Oxford University Press, 2022), these indictments fail to reckon with the full contours of what neoliberalism was and why its worldview had such a persuasive hold on both the right and the left for three decades. As he shows, the neoliberal order that emerged in America in the 1970s fused ideas of deregulation with personal freedoms, open borders with cosmopolitanism, and globalization with the promise of increased prosperity for all. Along with tracing how this worldview emerged in America and grew to dominate the world, Gerstle explores the previously unrecognized extent to which its triumph was facilitated by the collapse of the Soviet Union and its communist allies. He is also the first to chart the story of the neoliberal order's fall, originating in the failed reconstruction of Iraq and the Great Recession of the Bush years and culminating in the rise of Trump and a reinvigorated Bernie Sanders-led American left in the 2010s.
An indispensable and sweeping re-interpretation of the last fifty years, this book illuminates how the ideology of neoliberalism became so infused in the daily life of an era, while probing what remains of that ideology and its political programs as America enters an uncertain future.
Gary Gerstle is Paul Mellon Professor of American History Emeritus and Paul Mellon Director of Research at the University of Cambridge. He is the author and editor of more than ten books, including two prizewinners, American Crucible (2017) and Liberty and Coercion (2015).
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The epochal shift toward neoliberalism–– a web of related policies that, broadly speaking, reduced the footprint of government in society and reassigned economic power to private market forces-that began in the United States and Great Britain in the late 1970s fundamentally changed the world. Today, the word neoliberal is often used to condemn a broad swath of policies, from prizing free-market principles over people to advancing privatization programs in developing nations around the world.</p><p>To be sure, neoliberalism has contributed to a number of alarming trends, not least of which has been a massive growth in income inequality. Yet as the eminent historian Gary Gerstle argues in <a href="https://bookshop.org/a/12343/9780197519646"><em>The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era </em></a>(Oxford University Press, 2022), these indictments fail to reckon with the full contours of what neoliberalism was and why its worldview had such a persuasive hold on both the right and the left for three decades. As he shows, the neoliberal order that emerged in America in the 1970s fused ideas of deregulation with personal freedoms, open borders with cosmopolitanism, and globalization with the promise of increased prosperity for all. Along with tracing how this worldview emerged in America and grew to dominate the world, Gerstle explores the previously unrecognized extent to which its triumph was facilitated by the collapse of the Soviet Union and its communist allies. He is also the first to chart the story of the neoliberal order's fall, originating in the failed reconstruction of Iraq and the Great Recession of the Bush years and culminating in the rise of Trump and a reinvigorated Bernie Sanders-led American left in the 2010s.</p><p>An indispensable and sweeping re-interpretation of the last fifty years, this book illuminates how the ideology of neoliberalism became so infused in the daily life of an era, while probing what remains of that ideology and its political programs as America enters an uncertain future.</p><p>Gary Gerstle is Paul Mellon Professor of American History Emeritus and Paul Mellon Director of Research at the University of Cambridge. He is the author and editor of more than ten books, including two prizewinners, American Crucible (2017) and Liberty and Coercion (2015).</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>8208</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c63f210e-b4dc-11ec-b9ba-cb88fd1d55c3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6562287847.mp3?updated=1648735193" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Megan Tobias Neely, "Hedged Out: Inequality and Insecurity on Wall Street" (U of California Press, 2022)</title>
      <description>Is the finance industry fair? In Hedged Out: Inequality and Insecurity on Wall Street ﻿(University of California Press, 2022) Megan Tobias Neely, an assistant professor in the Department of Organisation at Copenhagen Business School, explores this question by asking who is successful, and who is excluded, in hedge funds. Drawing on ethnography and interviews, the book sets out how elite, white, masculinity is the dominant demographic of the industry, along with the importance of patronage relationships in perpetuating inequalities. It also explores the narratives and justifications used to explain the persistence of exclusions, even in the context of an industry that is supposed to reward passion and talent. Closing with a powerful call to transform both the finance industry and the world, the book is essential reading across social science and business, as well as for anyone interested in understanding how inequality persists.
 Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Apr 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>273</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Megan Tobias Neely</itunes:subtitle>
      <itunes:summary>Is the finance industry fair? In Hedged Out: Inequality and Insecurity on Wall Street ﻿(University of California Press, 2022) Megan Tobias Neely, an assistant professor in the Department of Organisation at Copenhagen Business School, explores this question by asking who is successful, and who is excluded, in hedge funds. Drawing on ethnography and interviews, the book sets out how elite, white, masculinity is the dominant demographic of the industry, along with the importance of patronage relationships in perpetuating inequalities. It also explores the narratives and justifications used to explain the persistence of exclusions, even in the context of an industry that is supposed to reward passion and talent. Closing with a powerful call to transform both the finance industry and the world, the book is essential reading across social science and business, as well as for anyone interested in understanding how inequality persists.
 Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is the finance industry fair? In <a href="https://bookshop.org/a/12343/9780520307704"><em>Hedged Out: Inequality and Insecurity on Wall Street</em></a><em> </em>﻿(University of California Press, 2022) <a href="https://twitter.com/mtobiasneely?lang=en">Megan Tobias Neely</a>, <a href="http://www.megantobiasneely.com/">an assistant professor</a> in the <a href="https://www.cbs.dk/en/research/departments-and-centres/department-of-organization/staff/mneioa">Department of Organisation at Copenhagen Business School</a>, explores this question by asking who is successful, and who is excluded, in hedge funds. Drawing on ethnography and interviews, the book sets out how elite, white, masculinity is the dominant demographic of the industry, along with the importance of patronage relationships in perpetuating inequalities. It also explores the narratives and justifications used to explain the persistence of exclusions, even in the context of an industry that is supposed to reward passion and talent. Closing with a powerful call to transform both the finance industry and the world, the book is essential reading across social science and business, as well as for anyone interested in understanding how inequality persists.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2405</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7048475658.mp3?updated=1648167132" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aura</title>
      <description>In this episode Saronik asks Kim about the aura.
The idea comes from Walter Benjamin’s 1935 essay “The Work of Art in the Age of Mechanical Reproduction.”
Besides the central text, the episode references Benjamin’s 1940 essay, “On the Concept of History” in which the Angel of History appears. We also talk about Oscar Wilde’s 1891 essay “The Soul of Man Under Socialism.” And make a passing mention of the British artist Banksy.
The image is a photograph that Kim took of a painting of peaches in an art museum in Amsterdam. She forgets artist and title of the painting, and would welcome reminders from listeners.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode Saronik asks Kim about the aura.
The idea comes from Walter Benjamin’s 1935 essay “The Work of Art in the Age of Mechanical Reproduction.”
Besides the central text, the episode references Benjamin’s 1940 essay, “On the Concept of History” in which the Angel of History appears. We also talk about Oscar Wilde’s 1891 essay “The Soul of Man Under Socialism.” And make a passing mention of the British artist Banksy.
The image is a photograph that Kim took of a painting of peaches in an art museum in Amsterdam. She forgets artist and title of the painting, and would welcome reminders from listeners.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Saronik asks Kim about the aura.</p><p>The idea comes from Walter Benjamin’s 1935 essay “<a href="https://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm">The Work of Art in the Age of Mechanical Reproduction</a>.”</p><p>Besides the central text, the episode references Benjamin’s 1940 essay, “<a href="https://www.marxists.org/reference/archive/benjamin/1940/history.htm">On the Concept of History</a>” in which the <a href="https://en.wikipedia.org/wiki/Angelus_Novus">Angel of History</a> appears. We also talk about Oscar Wilde’s 1891 essay “<a href="https://archive.org/details/soulmanundersoc00wildgoog/page/n6/mode/2up">The Soul of Man Under Socialism.”</a> And make a passing mention of the British artist <a href="https://www.banksy.co.uk/">Banksy</a>.</p><p>The image is a photograph that Kim took of a painting of peaches in an art museum in Amsterdam. She forgets artist and title of the painting, and would welcome reminders from listeners.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>589</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Welcome to High Theory</title>
      <description>Welcome to High Theory!
High Theory is a podcast in which we get high on the substance of theory. And we ask the three standard questions, to each other, and our guests. We invite you to listen and learn, and think critically!
This podcast comes at difficult ideas from the academy with irreverence. Wikipedia says that “critical theory” is “the reflective assessment and critique of society and culture in order to reveal and challenge power structures,” which suggests a rather serious subject, but we think theory is hardly dense and somber and sober. In these times, we need to love, and finding the buzz of curiosity and delight in critical thinking, we want to bring that joy to you.
We aim to distill some solid points from our ramblings. We are looking at theory differently, and making pretty wild connections. Like maybe having and loving a dog will make you a better activist. Or hating on Humbert Humbert might help you sift through fake news. If you have an idea you would like us to talk about, let us know!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Welcome to High Theory!
High Theory is a podcast in which we get high on the substance of theory. And we ask the three standard questions, to each other, and our guests. We invite you to listen and learn, and think critically!
This podcast comes at difficult ideas from the academy with irreverence. Wikipedia says that “critical theory” is “the reflective assessment and critique of society and culture in order to reveal and challenge power structures,” which suggests a rather serious subject, but we think theory is hardly dense and somber and sober. In these times, we need to love, and finding the buzz of curiosity and delight in critical thinking, we want to bring that joy to you.
We aim to distill some solid points from our ramblings. We are looking at theory differently, and making pretty wild connections. Like maybe having and loving a dog will make you a better activist. Or hating on Humbert Humbert might help you sift through fake news. If you have an idea you would like us to talk about, let us know!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to High Theory!</p><p>High Theory is a podcast in which we get high on the substance of theory. And we ask the three standard questions, to each other, and our guests. We invite you to listen and learn, and think critically!</p><p>This podcast comes at difficult ideas from the academy with irreverence. Wikipedia says that “critical theory” is “the reflective assessment and critique of society and culture in order to reveal and challenge power structures,” which suggests a rather serious subject, but we think theory is hardly dense and somber and sober. In these times, we need to love, and finding the buzz of curiosity and delight in critical thinking, we want to bring that joy to you.</p><p>We aim to distill some solid points from our ramblings. We are looking at theory differently, and making pretty wild connections. Like maybe having and loving a dog will make you a better activist. Or hating on Humbert Humbert might help you sift through fake news. If you have an idea you would like us to talk about, let us know!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[359be476-a2c5-11ec-86d1-f7191fd50809]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4418158583.mp3?updated=1646234738" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lene Andersen, "Metamodernity: Meaning and Hope in a Complex World" (Nordic Bildung, 2019)</title>
      <description>So what is metamodernity you may ask, and what does it have to do with systems thinking and cybernetics? Well, I recently had a chance to find out for myself during my conversation with Lene Rachel Andersen about her book Metamodernity: Meaning and Hope in a Complex World (Nordic Bildung, 2019). The short answer is metamodernity is a systems perspective; "it is about seeing the world as a process and not as fixed circumstances, a world in which there are not isolated phenomena but where everything is interconnected and interdependent..." (p. 94). The book's premise is that as our old understandings and the answers we get from them are insufficient, the ways we are used to reacting and behaving do not work well anymore either. Our cultural compass cannot contain and judge the world properly because the challenges we are facing were not a part of our world when we came of age and learned what the world was like.
More than a cultural trend (or 'ism'), metamodernity is a meaning-making code—one that encompasses cultural codes from every epoch of the human experience. Andersen argues that "we need metamodern minds that can relate to the intimate indigenous, the existential premodern, the democratic &amp; scientific modern, and the deconstructing postmodern simultaneously" (p. 128). It is only through this synthesis and adoption of the metamodern code, she stresses, that we'll have the capacity to make good decisions to guide the necessary changes to our current systems and institutions. The 'hyper-modern' alternative is not a good one; think: much an exaggerated version of what will turn out to be mere glimpses of what we're seeing right now—such as rise in authoritarianism, surveillance society, extreme inequality, and of course, climate change.
Metamodernity provides us with a framework for understanding ourselves and our societies in a more complex way. Metamodernity is a way of strengthening local, national, continental, and global cultural heritage among all. It thus has the potential to dismantle the fear of losing one's culture as the global economy as well as the internet and exponential technologies are disrupting our current modes of societal organization and governance. Metamodernity: Meaning and Hope in a Complex World is thought-provoking and a wonderful complement to many of the books I've covered in previous episodes. I hope you enjoy listening to my conversation with Lene, and I invite you to check out the rest of her work at https://www.lenerachelandersen.com/.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lene Andersen</itunes:subtitle>
      <itunes:summary>So what is metamodernity you may ask, and what does it have to do with systems thinking and cybernetics? Well, I recently had a chance to find out for myself during my conversation with Lene Rachel Andersen about her book Metamodernity: Meaning and Hope in a Complex World (Nordic Bildung, 2019). The short answer is metamodernity is a systems perspective; "it is about seeing the world as a process and not as fixed circumstances, a world in which there are not isolated phenomena but where everything is interconnected and interdependent..." (p. 94). The book's premise is that as our old understandings and the answers we get from them are insufficient, the ways we are used to reacting and behaving do not work well anymore either. Our cultural compass cannot contain and judge the world properly because the challenges we are facing were not a part of our world when we came of age and learned what the world was like.
More than a cultural trend (or 'ism'), metamodernity is a meaning-making code—one that encompasses cultural codes from every epoch of the human experience. Andersen argues that "we need metamodern minds that can relate to the intimate indigenous, the existential premodern, the democratic &amp; scientific modern, and the deconstructing postmodern simultaneously" (p. 128). It is only through this synthesis and adoption of the metamodern code, she stresses, that we'll have the capacity to make good decisions to guide the necessary changes to our current systems and institutions. The 'hyper-modern' alternative is not a good one; think: much an exaggerated version of what will turn out to be mere glimpses of what we're seeing right now—such as rise in authoritarianism, surveillance society, extreme inequality, and of course, climate change.
Metamodernity provides us with a framework for understanding ourselves and our societies in a more complex way. Metamodernity is a way of strengthening local, national, continental, and global cultural heritage among all. It thus has the potential to dismantle the fear of losing one's culture as the global economy as well as the internet and exponential technologies are disrupting our current modes of societal organization and governance. Metamodernity: Meaning and Hope in a Complex World is thought-provoking and a wonderful complement to many of the books I've covered in previous episodes. I hope you enjoy listening to my conversation with Lene, and I invite you to check out the rest of her work at https://www.lenerachelandersen.com/.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>So what is metamodernity you may ask, and what does it have to do with systems thinking and cybernetics? Well, I recently had a chance to find out for myself during my conversation with Lene Rachel Andersen about her book <a href="https://www.amazon.com/Metamodernity-Meaning-hope-complex-world-ebook/dp/B07XQ7S5C5"><em>Metamodernity: Meaning and Hope in a Complex World</em></a> (Nordic Bildung, 2019). The short answer is metamodernity is a systems perspective; "it is about seeing the world as a process and not as fixed circumstances, a world in which there are not isolated phenomena but where everything is interconnected and interdependent..." (p. 94). The book's premise is that as our old understandings and the answers we get from them are insufficient, the ways we are used to reacting and behaving do not work well anymore either. Our cultural compass cannot contain and judge the world properly because the challenges we are facing were not a part of our world when we came of age and learned what the world was like.</p><p>More than a cultural trend (or 'ism'), metamodernity is a meaning-making code—one that encompasses cultural codes from every epoch of the human experience. Andersen argues that "we need metamodern minds that can relate to the intimate indigenous, the existential premodern, the democratic &amp; scientific modern, and the deconstructing postmodern simultaneously" (p. 128). It is only through this synthesis and adoption of the metamodern code, she stresses, that we'll have the capacity to make good decisions to guide the necessary changes to our current systems and institutions. The 'hyper-modern' alternative is not a good one; think: much an exaggerated version of what will turn out to be mere glimpses of what we're seeing right now—such as rise in authoritarianism, surveillance society, extreme inequality, and of course, climate change.</p><p>Metamodernity provides us with a framework for understanding ourselves and our societies in a more complex way. Metamodernity is a way of strengthening local, national, continental, and global cultural heritage among all. It thus has the potential to dismantle the fear of losing one's culture as the global economy as well as the internet and exponential technologies are disrupting our current modes of societal organization and governance. Metamodernity<em>: Meaning and Hope in a Complex World </em>is thought-provoking and a wonderful complement to many of the books I've covered in previous episodes. I hope you enjoy listening to my conversation with Lene, and I invite you to check out the rest of her work at <a href="https://www.lenerachelandersen.com/">https://www.lenerachelandersen.com/</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3359</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Abigail Susik, "Surrealist Sabotage and the War on Work" (Manchester UP, 2021)</title>
      <description>According to the definition offered by Tate on the occasion of the exhibition Surrealism Without Borders, Surrealism “aims to revolutionise human experience. It balances a rational vision of life with one that asserts the power of the unconscious and dreams.” Surrealism, therefore, produces images and artefacts that are rooted outside the real and that evade rational description.
For many artists, however, the practice of Surrealist art took on an explicitly political and therefore practical dimensions. In Surrealist Sabotage and the War on Work (Manchester UP, 2021), art historian Abigail Susik argues that many Surrealists tried to transform the work of art into a form of unmanageable anti-work.
Abigail Susik speaks with Pierre d’Alancaisez about what the politics of work meant to the early French Surrealists, the ambiguous labour practices of artists like Simone Breton, and the imagery of typewriters and sewing machines that permeates the work of artists such as Oscar Domínguez. She brings these questions into the present by engaging with the work of the Chicago Surrealists of the 1960s and 70s.
Abigail Susik is Associate Professor of Art History at Willamette University and co-editor of Surrealism and film after 1945.

Man Ray, Séance de rêve éveiillé


Oscar Domínguez, Machine à coudre électro-sexuelle



Surrealism Without Borders at Tate Modern

Abigail’s op-eds in the Washington Post and New York Times


Abigail’s forthcoming book Radical Dreams


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 31 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Abigail Susik</itunes:subtitle>
      <itunes:summary>According to the definition offered by Tate on the occasion of the exhibition Surrealism Without Borders, Surrealism “aims to revolutionise human experience. It balances a rational vision of life with one that asserts the power of the unconscious and dreams.” Surrealism, therefore, produces images and artefacts that are rooted outside the real and that evade rational description.
For many artists, however, the practice of Surrealist art took on an explicitly political and therefore practical dimensions. In Surrealist Sabotage and the War on Work (Manchester UP, 2021), art historian Abigail Susik argues that many Surrealists tried to transform the work of art into a form of unmanageable anti-work.
Abigail Susik speaks with Pierre d’Alancaisez about what the politics of work meant to the early French Surrealists, the ambiguous labour practices of artists like Simone Breton, and the imagery of typewriters and sewing machines that permeates the work of artists such as Oscar Domínguez. She brings these questions into the present by engaging with the work of the Chicago Surrealists of the 1960s and 70s.
Abigail Susik is Associate Professor of Art History at Willamette University and co-editor of Surrealism and film after 1945.

Man Ray, Séance de rêve éveiillé


Oscar Domínguez, Machine à coudre électro-sexuelle



Surrealism Without Borders at Tate Modern

Abigail’s op-eds in the Washington Post and New York Times


Abigail’s forthcoming book Radical Dreams


Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to the definition offered by Tate on the occasion of the exhibition <em>Surrealism Without Borders</em>, Surrealism “aims to revolutionise human experience. It balances a rational vision of life with one that asserts the power of the unconscious and dreams.” Surrealism, therefore, produces images and artefacts that are rooted outside the real and that evade rational description.</p><p>For many artists, however, the practice of Surrealist art took on an explicitly political and therefore practical dimensions. In <a href="https://bookshop.org/a/12343/9781526155016"><em>Surrealist Sabotage and the War on Work</em></a><em> </em>(Manchester UP, 2021), art historian Abigail Susik argues that many Surrealists tried to transform the work of art into a form of unmanageable anti-work.</p><p>Abigail Susik speaks with Pierre d’Alancaisez about what the politics of work meant to the early French Surrealists, the ambiguous labour practices of artists like Simone Breton, and the imagery of typewriters and sewing machines that permeates the work of artists such as Oscar Domínguez. She brings these questions into the present by engaging with the work of the Chicago Surrealists of the 1960s and 70s.</p><p><a href="https://willamette.edu/undergraduate/arth/faculty/susik/index.html">Abigail Susik</a> is Associate Professor of Art History at Willamette University and co-editor of <a href="https://manchesteruniversitypress.co.uk/9781526149985/surrealism-and-film-after-1945/"><em>Surrealism and film after 1945</em></a>.</p><ul>
<li>Man Ray, <a href="http://www.manray-photo.com/catalog/popup_image.php?pID=525"><em>Séance de rêve éveiillé</em></a>
</li>
<li>Oscar Domínguez, <a href="https://www.christies.com/en/lot/lot-5650382"><em>Machine à coudre électro-sexuelle</em></a>
</li>
<li>
<a href="https://www.tate.org.uk/whats-on/tate-modern/surrealism-beyond-borders"><em>Surrealism Without Borders</em></a> at Tate Modern</li>
<li>Abigail’s op-eds in the <a href="https://www.washingtonpost.com/outlook/2022/01/19/can-pandemic-labor-shortage-help-us-envision-world-without-work/"><em>Washington Post</em></a> and <a href="https://www.nytimes.com/2021/12/11/opinion/great-resignation-labor-shortage.html"><em>New York Times</em></a>
</li>
<li>Abigail’s forthcoming book <a href="https://www.psupress.org/books/titles/978-0-271-09135-8.html"><em>Radical Dreams</em></a>
</li>
</ul><p><a href="https://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Alexander Zaitchik, "Owning the Sun: A People's History of Monopoly Medicine from Aspirin to COVID-19 Vaccines" (Counterpoint, 2022)</title>
      <description>Although the dividing line between private life and public responsibilities can never be definite and clear, there is a moral threshold which is crossed both by those who assume power to change the lives of many men through public action and by those who undertake to represent in a public role the will and interests of many other men. A new responsibility, and even a new kind of responsibility, and new moral conflicts, present themselves.
– Stuart Hampshire, foreword to Public and Private Morality (1978)
Hampshire’s thoughts help articulate the inherent tensions underlying an institutionalized system of monopoly medicine that has commandeered the myth of free-market ideology in an ongoing and highly successful effort to profit from pharmaceutical patents generated by U.S. government-funded scientific research. This is the broader thesis of investigative journalist Alexander Zaitchik’s latest book, Owning the Sun: A People’s History of Monopoly Medicine from Aspirin to COVID-19 published by Counterpoint in March of 2022.
Zaitchik highlights the politics and players from founding fathers to the FDA’s Francis Kelsey to Hayek and the Chicago School in an engaging and well-researched narrative laying bare the situational ethics across the professional domains of the pharmaceutical industry, publicly-funded university research, and medicine more broadly while highlighting the public-private tension baked into our ‘free market’ political economy and its reification of knowledge through patent and intellectual property law.
Zaitchik’s narrative deftly outlines how generations of public health and science advocates have attempted to hold the line against pharmaceutical special interests and their allies in government while documenting privatized medicine’s evolution in the U.S. and its globalizing effects. From the controversial arrival of patent-seeking German chemical companies in the late nineteenth century to present-day coordination between industry and philanthropic organizations—including the influential Gates Foundation—that defeated efforts to loosen intellectual property restrictions for countries to produce vaccines against COVID-19. Relevant and smartly written with a disturbing message for everyone who cares about the cost and access of medicine.
Listeners will find the book and Zaitchik’s observations in this interview engaging as well as his 2018 article in The New Republic that previews part of the book’s larger thesis:
Complement and expand the topic focus with these recent NBN segments:
1) Davos Man: How the Billionaires Devoured the World (2022) written by Peter S. Goodman and
interviewed by Caleb Zakarin.
2) Disorder: A History of Reform, Reaction, and Money in American Medicine (2021) written by Peter
S. Swanson and interviewed by Stephen Pimpare.
Alexander Zaitchik is a freelance journalist and contributor to Atlantic magazine, The New Republic, The Nation and Foreign Policy among others, and has authored four books including this latest just published by Counterpoint Press in Berkeley.
Keith Krueger lectures at the SILC Business School in Shanghai University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>141</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexander Zaitchik</itunes:subtitle>
      <itunes:summary>Although the dividing line between private life and public responsibilities can never be definite and clear, there is a moral threshold which is crossed both by those who assume power to change the lives of many men through public action and by those who undertake to represent in a public role the will and interests of many other men. A new responsibility, and even a new kind of responsibility, and new moral conflicts, present themselves.
– Stuart Hampshire, foreword to Public and Private Morality (1978)
Hampshire’s thoughts help articulate the inherent tensions underlying an institutionalized system of monopoly medicine that has commandeered the myth of free-market ideology in an ongoing and highly successful effort to profit from pharmaceutical patents generated by U.S. government-funded scientific research. This is the broader thesis of investigative journalist Alexander Zaitchik’s latest book, Owning the Sun: A People’s History of Monopoly Medicine from Aspirin to COVID-19 published by Counterpoint in March of 2022.
Zaitchik highlights the politics and players from founding fathers to the FDA’s Francis Kelsey to Hayek and the Chicago School in an engaging and well-researched narrative laying bare the situational ethics across the professional domains of the pharmaceutical industry, publicly-funded university research, and medicine more broadly while highlighting the public-private tension baked into our ‘free market’ political economy and its reification of knowledge through patent and intellectual property law.
Zaitchik’s narrative deftly outlines how generations of public health and science advocates have attempted to hold the line against pharmaceutical special interests and their allies in government while documenting privatized medicine’s evolution in the U.S. and its globalizing effects. From the controversial arrival of patent-seeking German chemical companies in the late nineteenth century to present-day coordination between industry and philanthropic organizations—including the influential Gates Foundation—that defeated efforts to loosen intellectual property restrictions for countries to produce vaccines against COVID-19. Relevant and smartly written with a disturbing message for everyone who cares about the cost and access of medicine.
Listeners will find the book and Zaitchik’s observations in this interview engaging as well as his 2018 article in The New Republic that previews part of the book’s larger thesis:
Complement and expand the topic focus with these recent NBN segments:
1) Davos Man: How the Billionaires Devoured the World (2022) written by Peter S. Goodman and
interviewed by Caleb Zakarin.
2) Disorder: A History of Reform, Reaction, and Money in American Medicine (2021) written by Peter
S. Swanson and interviewed by Stephen Pimpare.
Alexander Zaitchik is a freelance journalist and contributor to Atlantic magazine, The New Republic, The Nation and Foreign Policy among others, and has authored four books including this latest just published by Counterpoint Press in Berkeley.
Keith Krueger lectures at the SILC Business School in Shanghai University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Although the dividing line between private life and public responsibilities can never be definite and clear, there is a moral threshold which is crossed both by those who assume power to change the lives of many men through public action and by those who undertake to represent in a public role the will and interests of many other men. A new responsibility, and even a new kind of responsibility, and new moral conflicts, present themselves.</em></p><p>– Stuart Hampshire, foreword to <em>Public and Private Morality </em>(1978)</p><p>Hampshire’s thoughts help articulate the inherent tensions underlying an institutionalized system of monopoly medicine that has commandeered the myth of free-market ideology in an ongoing and highly successful effort to profit from pharmaceutical patents generated by U.S. government-funded scientific research. This is the broader thesis of investigative journalist Alexander Zaitchik’s latest book, <a href="https://bookshop.org/a/12343/9781640095069"><em>Owning the Sun: A People’s History of Monopoly Medicine from Aspirin to COVID-19</em></a> published by Counterpoint in March of 2022.</p><p>Zaitchik highlights the politics and players from founding fathers to the FDA’s Francis Kelsey to Hayek and the Chicago School in an engaging and well-researched narrative laying bare the situational ethics across the professional domains of the pharmaceutical industry, publicly-funded university research, and medicine more broadly while highlighting the public-private tension baked into our ‘free market’ political economy and its reification of knowledge through patent and intellectual property law.</p><p>Zaitchik’s narrative deftly outlines how generations of public health and science advocates have attempted to hold the line against pharmaceutical special interests and their allies in government while documenting privatized medicine’s evolution in the U.S. and its globalizing effects. From the controversial arrival of patent-seeking German chemical companies in the late nineteenth century to present-day coordination between industry and philanthropic organizations—including the influential Gates Foundation—that defeated efforts to loosen intellectual property restrictions for countries to produce vaccines against COVID-19. Relevant and smartly written with a disturbing message for everyone who cares about the cost and access of medicine.</p><p>Listeners will find the book and Zaitchik’s observations in this interview engaging as well as his <a href="https://newrepublic.com/article/149438/big-pharma-captured-one%20percent?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=newsletterreup">2018 article</a> in <em>The New Republic</em> that previews part of the book’s larger thesis:</p><p>Complement and expand the topic focus with these recent NBN segments:</p><p>1) <a href="https://newbooksnetwork.com/davos-man"><em>Davos Man: How the Billionaires Devoured the World</em></a> (2022) written by Peter S. Goodman and</p><p>interviewed by Caleb Zakarin.</p><p>2) <a href="https://newbooksnetwork.com/disorder"><em>Disorder: A History of Reform, Reaction, and Money in American Medicine</em></a> (2021) written by Peter</p><p>S. Swanson and interviewed by Stephen Pimpare.</p><p>Alexander Zaitchik is a freelance journalist and contributor to <em>Atlantic</em> magazine, <em>The New Republic</em>, <em>The Nation</em> and <em>Foreign Policy</em> among others, and has authored four books including this latest just published by Counterpoint Press in Berkeley.</p><p><em>Keith Krueger lectures at the SILC Business School in Shanghai University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fc05324e-ade1-11ec-aa4a-e3c6f34a4e42]]></guid>
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    </item>
    <item>
      <title>Eve Worth, "The Welfare State Generation: Women, Agency and Class in Britain Since 1945" (Bloomsbury, 2022)</title>
      <description>How should we understand the history of post-war Britain? In The Welfare State Generation Women, Agency and Class in Britain since 1945 (Bloomsbury, 2022), Eve Worth, a Research Fellow on the Changing Elites project in the Department of Social Policy and Intervention at the University of Oxford, explores this question by foregrounding the lives of women who grew up, worked, and retired as the first ‘welfare state generation’. The book uses oral history methods to tease out the changing role and changing experiences of the welfare state, along with the role of women in working in and administering that welfare state. It thinks through the sense of autonomy and control, as well as changing perceptions of class identity and feminism, in the lives of women, and thus tells a new story of post-war British history. The book speaks to a huge range of academic audiences and is also essential reading for anyone interested in the history of Britain.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>274</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eve Worth</itunes:subtitle>
      <itunes:summary>How should we understand the history of post-war Britain? In The Welfare State Generation Women, Agency and Class in Britain since 1945 (Bloomsbury, 2022), Eve Worth, a Research Fellow on the Changing Elites project in the Department of Social Policy and Intervention at the University of Oxford, explores this question by foregrounding the lives of women who grew up, worked, and retired as the first ‘welfare state generation’. The book uses oral history methods to tease out the changing role and changing experiences of the welfare state, along with the role of women in working in and administering that welfare state. It thinks through the sense of autonomy and control, as well as changing perceptions of class identity and feminism, in the lives of women, and thus tells a new story of post-war British history. The book speaks to a huge range of academic audiences and is also essential reading for anyone interested in the history of Britain.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the history of post-war Britain? In <a href="https://bookshop.org/a/12343/9781350192065"><em>The Welfare State Generation Women, Agency and Class in Britain since 1945</em></a><em> </em>(Bloomsbury, 2022), <a href="https://twitter.com/evemworth?lang=en-GB">Eve Worth</a>, a <a href="https://www.spi.ox.ac.uk/people/dr-eve-worth">Research Fellow</a> on the <a href="https://www.spi.ox.ac.uk/changing-elites">Changing Elites project in the Department of Social Policy and Intervention at the University of Oxford</a>, explores this question by foregrounding the lives of women who grew up, worked, and retired as the first ‘welfare state generation’. The book uses oral history methods to tease out the changing role and changing experiences of the welfare state, along with the role of women in working in and administering that welfare state. It thinks through the sense of autonomy and control, as well as changing perceptions of class identity and feminism, in the lives of women, and thus tells a new story of post-war British history. The book speaks to a huge range of academic audiences and is also essential reading for anyone interested in the history of Britain.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2495</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ana Yolanda Ramos-Zayas, "Parenting Empires: Class, Whiteness, and the Moral Economy of Privilege in Latin America" (Duke UP, 2020)</title>
      <description>In Parenting Empires: Class, Whiteness, and the Moral Economy of Privilege in Latin America (Duke University Press, 2020), Ana Y. Ramos-Zayas focuses on the parenting practices of Latin American urban elites to analyze how everyday experiences of whiteness, privilege, and inequality reinforce national and hemispheric idioms of anti-corruption and austerity. Ramos-Zayas shows that for upper-class residents in the affluent neighborhoods of Ipanema (Rio de Janeiro) and El Condado (San Juan), parenting is particularly effective in providing moral grounding for neoliberal projects that disadvantage the overwhelmingly poor and racialized people who care for and teach their children. Wealthy parents in Ipanema and El Condado cultivate a liberal cosmopolitanism by living in multicultural city neighborhoods rather than gated suburban communities. Yet as Ramos-Zayas reveals, their parenting strategies, which stress spirituality, empathy, and equality, allow them to preserve and reproduce their white privilege. Defining this moral economy as “parenting empires,” she sheds light on how child-rearing practices permit urban elites in the Global South to sustain and profit from entrenched social and racial hierarchies.
Ana Y. Ramos-Zayas is Professor of American Studies; Ethnicity, Race, and Migration; and Women, Gender, and Sexuality Studies at Yale University.
Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He can be found on Twitter @arman_c.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ana Yolanda Ramos-Zayas</itunes:subtitle>
      <itunes:summary>In Parenting Empires: Class, Whiteness, and the Moral Economy of Privilege in Latin America (Duke University Press, 2020), Ana Y. Ramos-Zayas focuses on the parenting practices of Latin American urban elites to analyze how everyday experiences of whiteness, privilege, and inequality reinforce national and hemispheric idioms of anti-corruption and austerity. Ramos-Zayas shows that for upper-class residents in the affluent neighborhoods of Ipanema (Rio de Janeiro) and El Condado (San Juan), parenting is particularly effective in providing moral grounding for neoliberal projects that disadvantage the overwhelmingly poor and racialized people who care for and teach their children. Wealthy parents in Ipanema and El Condado cultivate a liberal cosmopolitanism by living in multicultural city neighborhoods rather than gated suburban communities. Yet as Ramos-Zayas reveals, their parenting strategies, which stress spirituality, empathy, and equality, allow them to preserve and reproduce their white privilege. Defining this moral economy as “parenting empires,” she sheds light on how child-rearing practices permit urban elites in the Global South to sustain and profit from entrenched social and racial hierarchies.
Ana Y. Ramos-Zayas is Professor of American Studies; Ethnicity, Race, and Migration; and Women, Gender, and Sexuality Studies at Yale University.
Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He can be found on Twitter @arman_c.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478008217"><em>Parenting Empires: Class, Whiteness, and the Moral Economy of Privilege in Latin America</em></a><em> </em>(Duke University Press, 2020), Ana Y. Ramos-Zayas focuses on the parenting practices of Latin American urban elites to analyze how everyday experiences of whiteness, privilege, and inequality reinforce national and hemispheric idioms of anti-corruption and austerity. Ramos-Zayas shows that for upper-class residents in the affluent neighborhoods of Ipanema (Rio de Janeiro) and El Condado (San Juan), parenting is particularly effective in providing moral grounding for neoliberal projects that disadvantage the overwhelmingly poor and racialized people who care for and teach their children. Wealthy parents in Ipanema and El Condado cultivate a liberal cosmopolitanism by living in multicultural city neighborhoods rather than gated suburban communities. Yet as Ramos-Zayas reveals, their parenting strategies, which stress spirituality, empathy, and equality, allow them to preserve and reproduce their white privilege. Defining this moral economy as “parenting empires,” she sheds light on how child-rearing practices permit urban elites in the Global South to sustain and profit from entrenched social and racial hierarchies.</p><p>Ana Y. Ramos-Zayas is Professor of American Studies; Ethnicity, Race, and Migration; and Women, Gender, and Sexuality Studies at Yale University.</p><p><a href="https://scholar.harvard.edu/armanc/home"><em>Armanc Yildiz</em></a><em> is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He can be found on Twitter @arman_c.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2912</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Scott Timcke, "Algorithms and the End of Politics: How Technology Shapes 21st-Century American Life" (Bristol UP, 2021)</title>
      <description>As the US contends with issues of populism and de-democratization, this timely study considers the impacts of digital technologies on the country’s politics and society.
In Algorithms and the End of Politics: How Technology Shapes 21st-Century American Life (Bristol University Press, 2021), Dr. Scott Timcke provides a Marxist analysis of the rise of digital media, social networks and technology giants like Amazon, Apple, Facebook and Microsoft. He looks at the impact of these new platforms and technologies on their users who have made them among the most valuable firms in the world.
Offering bold new thinking across data politics and digital and economic sociology, this is a powerful demonstration of how algorithms have come to shape everyday life and political legitimacy in the US and beyond.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Timcke</itunes:subtitle>
      <itunes:summary>As the US contends with issues of populism and de-democratization, this timely study considers the impacts of digital technologies on the country’s politics and society.
In Algorithms and the End of Politics: How Technology Shapes 21st-Century American Life (Bristol University Press, 2021), Dr. Scott Timcke provides a Marxist analysis of the rise of digital media, social networks and technology giants like Amazon, Apple, Facebook and Microsoft. He looks at the impact of these new platforms and technologies on their users who have made them among the most valuable firms in the world.
Offering bold new thinking across data politics and digital and economic sociology, this is a powerful demonstration of how algorithms have come to shape everyday life and political legitimacy in the US and beyond.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the US contends with issues of populism and de-democratization, this timely study considers the impacts of digital technologies on the country’s politics and society.</p><p>In <a href="https://bookshop.org/a/12343/9781529215311"><em>Algorithms and the End of Politics: How Technology Shapes 21st-Century American Life</em></a> (Bristol University Press, 2021), <a href="http://scotttimcke.blogspot.com/p/about-me.html">Dr. Scott Timcke</a> provides a Marxist analysis of the rise of digital media, social networks and technology giants like Amazon, Apple, Facebook and Microsoft. He looks at the impact of these new platforms and technologies on their users who have made them among the most valuable firms in the world.</p><p>Offering bold new thinking across data politics and digital and economic sociology, this is a powerful demonstration of how algorithms have come to shape everyday life and political legitimacy in the US and beyond.</p><p><a href="https://profjohnston.weebly.com/"><em>Michael O. Johnston, Ph.D.</em></a><em> is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River. You can learn more about Dr. Johnston on his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3238</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Hil Malatino, "Trans Care" (U of Minnesota Press, 2020)</title>
      <description>What does it mean for trans people to show up for one another, to care deeply for one another? How have failures of care shaped trans lives? What care practices have trans subjects and communities cultivated in the wake of widespread transphobia and systemic forms of trans exclusion?
Trans Care (University of Minnesota Press, 2020) is a critical intervention in how care labor and care ethics have been thought, arguing that dominant modes of conceiving and critiquing the politics and distribution of care entrench normative and cis-centric familial structures and gendered arrangements. A serious consideration of trans survival and flourishing requires a radical rethinking of how care operates. Trans Care is the recipient of the Publishing Triangle Award for Trans and Gender-Variant Literature.
Hil Malatino is Assistant Professor in the Department of Women’s, Gender, and Sexuality Studies and a research associate in the Rock Ethics Institute. Dr. Malatino was previously a postdoctoral fellow in the Department of Gender Studies at Indiana University and Assistant Director and Lecturer in Women’s Studies at East Tennessee State University. His first book, Queer Embodiment: Monstrosity, Medical Violence, and Intersex Experience (University of Nebraska Press, 2019) examines the relationship between intersex embodiment, biomedical technologies, and the forms of subjectivity both enabled and constrained by the medicalization of gender non-conformance. His articles can be found in TSQ, Rhizomes, the Journal of Medical Humanities, and Angelaki, as well as in multiple edited volumes.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 25 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hil Malatino</itunes:subtitle>
      <itunes:summary>What does it mean for trans people to show up for one another, to care deeply for one another? How have failures of care shaped trans lives? What care practices have trans subjects and communities cultivated in the wake of widespread transphobia and systemic forms of trans exclusion?
Trans Care (University of Minnesota Press, 2020) is a critical intervention in how care labor and care ethics have been thought, arguing that dominant modes of conceiving and critiquing the politics and distribution of care entrench normative and cis-centric familial structures and gendered arrangements. A serious consideration of trans survival and flourishing requires a radical rethinking of how care operates. Trans Care is the recipient of the Publishing Triangle Award for Trans and Gender-Variant Literature.
Hil Malatino is Assistant Professor in the Department of Women’s, Gender, and Sexuality Studies and a research associate in the Rock Ethics Institute. Dr. Malatino was previously a postdoctoral fellow in the Department of Gender Studies at Indiana University and Assistant Director and Lecturer in Women’s Studies at East Tennessee State University. His first book, Queer Embodiment: Monstrosity, Medical Violence, and Intersex Experience (University of Nebraska Press, 2019) examines the relationship between intersex embodiment, biomedical technologies, and the forms of subjectivity both enabled and constrained by the medicalization of gender non-conformance. His articles can be found in TSQ, Rhizomes, the Journal of Medical Humanities, and Angelaki, as well as in multiple edited volumes.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean for trans people to show up for one another, to care deeply for one another? How have failures of care shaped trans lives? What care practices have trans subjects and communities cultivated in the wake of widespread transphobia and systemic forms of trans exclusion?</p><p><a href="https://bookshop.org/a/12343/9781517911188"><em>Trans Care</em></a><em> </em>(University of Minnesota Press, 2020) is a critical intervention in how care labor and care ethics have been thought, arguing that dominant modes of conceiving and critiquing the politics and distribution of care entrench normative and cis-centric familial structures and gendered arrangements. A serious consideration of trans survival and flourishing requires a radical rethinking of how care operates. Trans Care is the recipient of the Publishing Triangle Award for Trans and Gender-Variant Literature.</p><p>Hil Malatino is Assistant Professor in the Department of Women’s, Gender, and Sexuality Studies and a research associate in the Rock Ethics Institute. Dr. Malatino was previously a postdoctoral fellow in the Department of Gender Studies at Indiana University and Assistant Director and Lecturer in Women’s Studies at East Tennessee State University. His first book, <em>Queer Embodiment: Monstrosity, Medical Violence, and Intersex Experience </em>(University of Nebraska Press, 2019) examines the relationship between intersex embodiment, biomedical technologies, and the forms of subjectivity both enabled and constrained by the medicalization of gender non-conformance. His articles can be found in <em>TSQ, Rhizomes, the Journal of Medical Humanities, </em>and <em>Angelaki</em>, as well as in multiple edited volumes.</p><p><a href="https://in.linkedin.com/in/sohini-chatterjee-763b39110"><em>Sohini Chatterjee</em></a><em> is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2117</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>John Bellamy Foster, "The Return of Nature: Socialism and Ecology" (Monthly Review Press, 2021)</title>
      <description>It is slowly becoming clear that we are heading towards a deep ecological catastrophe. Our societies carbon footprint and its impact have been known for some time, and already we are starting to see the effects in terms of melting ice, warming oceans and more frequent extreme weather. This will contribute to food and water shortages, political unrest and migration crises that we are ill-prepared for.
In a context such as this, it has become urgent that we rethink the natural world and our relationship to it, but knowing where to start is difficult. Fortunately, John Bellamy Foster has stepped forward with just such a book. Picking up where his book Marx’s Ecology left off 20 years ago, The Return of Nature: Socialism and Ecology (Monthly Review Press, 2021) starts with the funerals of both Karl Marx and Charles Darwin, kicking off a story of the many people who worked in their combined shadow. Foster guides us through a century of scientific development in the relatively new field of ecology, showing how many of it’s founders were influenced by the socialist critique of capitalism, and vice-versa. What readers will find are a collection of texts and figures who understood that an economic model that prioritizes profit above all else will eventually have to start asking more of the earth than it can afford to give, incurring long and deep debts that we are now starting to pay. On the one hand, many ecologists have found Marx’s critical analysis of capitalism helpful for thinking dynamically about nature and scientific practice. On the other hand, ecologists have offered socialists a number of theoretical concepts and frameworks for their own thinking. In between are a number of other characters who make their own contributions to discussions on economics and nature, as well as literature, history, epidemiology, race, oppression and emancipation.
The product of several decades of research, this is a book accessibly written but rigorously researched with footnotes meticulously collected for those looking for a jumping off point through various archives. It reveals a hidden history of the relationship between science and sociology, between economics and nature and gives us characters who were able to see the seeds we were sowing, but also an unyielding faith that it doesn’t have to be this way, that a more sustainable world is possible.
John Bellamy Foster is a professor of sociology at the University of Oregon. He is the author of a number of books, including Marx’s Ecology. With The Return of Nature he won the 2020 Isaac Deutscher Memorial prize. He is also the editor and a frequent contributor at the socialist periodical The Monthly Review.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>271</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Bellamy Foster</itunes:subtitle>
      <itunes:summary>It is slowly becoming clear that we are heading towards a deep ecological catastrophe. Our societies carbon footprint and its impact have been known for some time, and already we are starting to see the effects in terms of melting ice, warming oceans and more frequent extreme weather. This will contribute to food and water shortages, political unrest and migration crises that we are ill-prepared for.
In a context such as this, it has become urgent that we rethink the natural world and our relationship to it, but knowing where to start is difficult. Fortunately, John Bellamy Foster has stepped forward with just such a book. Picking up where his book Marx’s Ecology left off 20 years ago, The Return of Nature: Socialism and Ecology (Monthly Review Press, 2021) starts with the funerals of both Karl Marx and Charles Darwin, kicking off a story of the many people who worked in their combined shadow. Foster guides us through a century of scientific development in the relatively new field of ecology, showing how many of it’s founders were influenced by the socialist critique of capitalism, and vice-versa. What readers will find are a collection of texts and figures who understood that an economic model that prioritizes profit above all else will eventually have to start asking more of the earth than it can afford to give, incurring long and deep debts that we are now starting to pay. On the one hand, many ecologists have found Marx’s critical analysis of capitalism helpful for thinking dynamically about nature and scientific practice. On the other hand, ecologists have offered socialists a number of theoretical concepts and frameworks for their own thinking. In between are a number of other characters who make their own contributions to discussions on economics and nature, as well as literature, history, epidemiology, race, oppression and emancipation.
The product of several decades of research, this is a book accessibly written but rigorously researched with footnotes meticulously collected for those looking for a jumping off point through various archives. It reveals a hidden history of the relationship between science and sociology, between economics and nature and gives us characters who were able to see the seeds we were sowing, but also an unyielding faith that it doesn’t have to be this way, that a more sustainable world is possible.
John Bellamy Foster is a professor of sociology at the University of Oregon. He is the author of a number of books, including Marx’s Ecology. With The Return of Nature he won the 2020 Isaac Deutscher Memorial prize. He is also the editor and a frequent contributor at the socialist periodical The Monthly Review.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is slowly becoming clear that we are heading towards a deep ecological catastrophe. Our societies carbon footprint and its impact have been known for some time, and already we are starting to see the effects in terms of melting ice, warming oceans and more frequent extreme weather. This will contribute to food and water shortages, political unrest and migration crises that we are ill-prepared for.</p><p>In a context such as this, it has become urgent that we rethink the natural world and our relationship to it, but knowing where to start is difficult. Fortunately, John Bellamy Foster has stepped forward with just such a book. Picking up where his book <em>Marx’s Ecology</em> left off 20 years ago, <a href="https://bookshop.org/a/12343/9781583679289"><em>The Return of Nature: Socialism and Ecology</em></a> (Monthly Review Press, 2021) starts with the funerals of both Karl Marx and Charles Darwin, kicking off a story of the many people who worked in their combined shadow. Foster guides us through a century of scientific development in the relatively new field of ecology, showing how many of it’s founders were influenced by the socialist critique of capitalism, and vice-versa. What readers will find are a collection of texts and figures who understood that an economic model that prioritizes profit above all else will eventually have to start asking more of the earth than it can afford to give, incurring long and deep debts that we are now starting to pay. On the one hand, many ecologists have found Marx’s critical analysis of capitalism helpful for thinking dynamically about nature and scientific practice. On the other hand, ecologists have offered socialists a number of theoretical concepts and frameworks for their own thinking. In between are a number of other characters who make their own contributions to discussions on economics and nature, as well as literature, history, epidemiology, race, oppression and emancipation.</p><p>The product of several decades of research, this is a book accessibly written but rigorously researched with footnotes meticulously collected for those looking for a jumping off point through various archives. It reveals a hidden history of the relationship between science and sociology, between economics and nature and gives us characters who were able to see the seeds we were sowing, but also an unyielding faith that it doesn’t have to be this way, that a more sustainable world is possible.</p><p>John Bellamy Foster is a professor of sociology at the University of Oregon. He is the author of a number of books, including <em>Marx’s Ecology</em>. With <em>The Return of Nature</em> he won the 2020 Isaac Deutscher Memorial prize. He is also the editor and a frequent contributor at the socialist periodical <a href="https://monthlyreview.org/"><em>The Monthly Review</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5993</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jonathan M. Katz, "Gangsters of Capitalism: Smedley Butler, the Marines, and the Making and Breaking of America's Empire" (St. Martin's Press, 2022)</title>
      <description>Jonathan Katz’s Gangsters of Capitalism: Smedley Butler, the Marines, and the Making and Breaking of America’s Empire (St. Martin’s Press, 2022) tells the story of the birth and maturation of modern American imperialism, and its culmination in an alleged domestic coup attempt in 1934 led by a shadowy capitalist cabal and modeled on foreign interventions. The protagonist, Smedley Butler, is one of the most decorated war heroes in American history, a man with a singular legacy as a soldier that began when an idealistic 16-year-old boy from a privileged Quaker background joined the Marines to avenge the “sinking” of the USS Maine in 1899. From there, the career of the “Fighting Quaker” put Butler on the frontlines of nearly every important venue for the expansion of American formal and informal empire. Especially in the Caribbean―and above all in Haiti―he crushed local resistance and installed US-business friendly regimes and pioneered counterinsurgency and the so-called “banana republics” before bringing those hardnosed imperialist violent suppression tactics home to American shores as the chief of the Philadelphia police. Increasingly cynical, demoralized, and traumatized by what he had seen and done, Butler eventually became a great critic of the empire and imperialism he had devoted his life to, calling himself a “racketeer for capitalism.” As Katz writes, Butler’s “contradictions are America’s,” and these contradictions are on full display in Gangsters of Capitalism as Butler simultaneously killed and conquered for American interests and established despotic and pliable regimes in countries around the globe―Cuba, the Philippines, China, Nicaragua, Panama, Haiti―all while upholding the “principles of equality and fairness.”
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonathan M. Katz</itunes:subtitle>
      <itunes:summary>Jonathan Katz’s Gangsters of Capitalism: Smedley Butler, the Marines, and the Making and Breaking of America’s Empire (St. Martin’s Press, 2022) tells the story of the birth and maturation of modern American imperialism, and its culmination in an alleged domestic coup attempt in 1934 led by a shadowy capitalist cabal and modeled on foreign interventions. The protagonist, Smedley Butler, is one of the most decorated war heroes in American history, a man with a singular legacy as a soldier that began when an idealistic 16-year-old boy from a privileged Quaker background joined the Marines to avenge the “sinking” of the USS Maine in 1899. From there, the career of the “Fighting Quaker” put Butler on the frontlines of nearly every important venue for the expansion of American formal and informal empire. Especially in the Caribbean―and above all in Haiti―he crushed local resistance and installed US-business friendly regimes and pioneered counterinsurgency and the so-called “banana republics” before bringing those hardnosed imperialist violent suppression tactics home to American shores as the chief of the Philadelphia police. Increasingly cynical, demoralized, and traumatized by what he had seen and done, Butler eventually became a great critic of the empire and imperialism he had devoted his life to, calling himself a “racketeer for capitalism.” As Katz writes, Butler’s “contradictions are America’s,” and these contradictions are on full display in Gangsters of Capitalism as Butler simultaneously killed and conquered for American interests and established despotic and pliable regimes in countries around the globe―Cuba, the Philippines, China, Nicaragua, Panama, Haiti―all while upholding the “principles of equality and fairness.”
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jonathan Katz’s <a href="https://bookshop.org/a/12343/9781250135582"><em>Gangsters of Capitalism: Smedley Butler, the Marines, and the Making and Breaking of America’s Empire</em></a> (St. Martin’s Press, 2022) tells the story of the birth and maturation of modern American imperialism, and its culmination in an alleged domestic coup attempt in 1934 led by a shadowy capitalist cabal and modeled on foreign interventions. The protagonist, Smedley Butler, is one of the most decorated war heroes in American history, a man with a singular legacy as a soldier that began when an idealistic 16-year-old boy from a privileged Quaker background joined the Marines to avenge the “sinking” of the <em>USS Maine</em> in 1899. From there, the career of the “Fighting Quaker” put Butler on the frontlines of nearly every important venue for the expansion of American formal and informal empire. Especially in the Caribbean―and above all in Haiti―he crushed local resistance and installed US-business friendly regimes and pioneered counterinsurgency and the so-called “banana republics” before bringing those hardnosed imperialist violent suppression tactics home to American shores as the chief of the Philadelphia police. Increasingly cynical, demoralized, and traumatized by what he had seen and done, Butler eventually became a great critic of the empire and imperialism he had devoted his life to, calling himself a “racketeer for capitalism.” As Katz writes, Butler’s “contradictions are America’s,” and these contradictions are on full display in <em>Gangsters of Capitalism</em> as Butler simultaneously killed and conquered for American interests and established despotic and pliable regimes in countries around the globe―Cuba, the Philippines, China, Nicaragua, Panama, Haiti―all while upholding the “principles of equality and fairness.”</p><p><a href="https://sites.google.com/site/nathanhopson"><em>Nathan Hopson</em></a><em> is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5373</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1077473584.mp3?updated=1647090288" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ravi Malhotra and Benjamin Isitt, "Able to Lead: Disablement, Radicalism, and the Political Life of E. T. Kingsley" (U British Columbia Press, 2021)</title>
      <description>People with disabilities have always struggled to make ends meet. Finding a job you can actually do, a housing situation you can afford that meets your needs, and simply going about the various daily tasks most of us take for granted all compound to make life under capitalism especially challenging. This makes the many disabled people who not only rise to meet their life-circumstances but go beyond them particularly inspiring.
One such figure in this category would be E.T. Kingsley, a socialist activist at the turn of the 20th century. After an injury working on railway lines in Montana left him a double-amputee, Kingsley traveled west, first to California and then eventually to British Columbia where he would work as a political speaker, candidate for office, editor and writer in the radical left.
His life is the focus of the book under discussion today, Able to Lead: Disablement, Radicalism, and the Political Life of E.T. Kingsley (U British Columbia Press, 2021) coauthored by Ravi Malhotra and Benjamin Isitt. Pooling their combined academic backgrounds and intellectual resources, the authors are able to tease out a number of quiet yet profound elements of Kingsley’s life and times, from the legal status of injuries and workers compensation to discussions around freedom of speech and the changing nature of the security-state. In all this contextual discussion, the authors still never allow Kingsley to disappear as a dynamic and passionate activist, one who managed to stand as a unique example of what it means to tirelessly fight for a better world. Drawing from a number of fields, the book will be of interest to a number of people, from labor historians and disability activists to legal scholars and political theorists, showing us that even as we are flung into circumstances not of our choosing, we can still rise above our circumstances and change the world.
Ravi Malhotra is a professor in the Faculty of Law at the University of Ottawa. Benjamin Isitt is a historian and legal scholar based in Victoria, British Columbia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>272</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ravi Malhotra</itunes:subtitle>
      <itunes:summary>People with disabilities have always struggled to make ends meet. Finding a job you can actually do, a housing situation you can afford that meets your needs, and simply going about the various daily tasks most of us take for granted all compound to make life under capitalism especially challenging. This makes the many disabled people who not only rise to meet their life-circumstances but go beyond them particularly inspiring.
One such figure in this category would be E.T. Kingsley, a socialist activist at the turn of the 20th century. After an injury working on railway lines in Montana left him a double-amputee, Kingsley traveled west, first to California and then eventually to British Columbia where he would work as a political speaker, candidate for office, editor and writer in the radical left.
His life is the focus of the book under discussion today, Able to Lead: Disablement, Radicalism, and the Political Life of E.T. Kingsley (U British Columbia Press, 2021) coauthored by Ravi Malhotra and Benjamin Isitt. Pooling their combined academic backgrounds and intellectual resources, the authors are able to tease out a number of quiet yet profound elements of Kingsley’s life and times, from the legal status of injuries and workers compensation to discussions around freedom of speech and the changing nature of the security-state. In all this contextual discussion, the authors still never allow Kingsley to disappear as a dynamic and passionate activist, one who managed to stand as a unique example of what it means to tirelessly fight for a better world. Drawing from a number of fields, the book will be of interest to a number of people, from labor historians and disability activists to legal scholars and political theorists, showing us that even as we are flung into circumstances not of our choosing, we can still rise above our circumstances and change the world.
Ravi Malhotra is a professor in the Faculty of Law at the University of Ottawa. Benjamin Isitt is a historian and legal scholar based in Victoria, British Columbia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>People with disabilities have always struggled to make ends meet. Finding a job you can actually do, a housing situation you can afford that meets your needs, and simply going about the various daily tasks most of us take for granted all compound to make life under capitalism especially challenging. This makes the many disabled people who not only rise to meet their life-circumstances but go beyond them particularly inspiring.</p><p>One such figure in this category would be E.T. Kingsley, a socialist activist at the turn of the 20th century. After an injury working on railway lines in Montana left him a double-amputee, Kingsley traveled west, first to California and then eventually to British Columbia where he would work as a political speaker, candidate for office, editor and writer in the radical left.</p><p>His life is the focus of the book under discussion today, <a href="https://bookshop.org/a/12343/9780774865777"><em>Able to Lead: Disablement, Radicalism, and the Political Life of E.T. Kingsley</em></a> (U British Columbia Press, 2021) coauthored by Ravi Malhotra and Benjamin Isitt. Pooling their combined academic backgrounds and intellectual resources, the authors are able to tease out a number of quiet yet profound elements of Kingsley’s life and times, from the legal status of injuries and workers compensation to discussions around freedom of speech and the changing nature of the security-state. In all this contextual discussion, the authors still never allow Kingsley to disappear as a dynamic and passionate activist, one who managed to stand as a unique example of what it means to tirelessly fight for a better world. Drawing from a number of fields, the book will be of interest to a number of people, from labor historians and disability activists to legal scholars and political theorists, showing us that even as we are flung into circumstances not of our choosing, we can still rise above our circumstances and change the world.</p><p><em>Ravi Malhotra is a professor in the Faculty of Law at the University of Ottawa. Benjamin Isitt is a historian and legal scholar based in Victoria, British Columbia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3459</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d587675a-a7b4-11ec-8cc9-375f8aee8c9b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2917930023.mp3?updated=1647716244" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin Shuster, "How to Measure a World?: A Philosophy of Judaism" (Indiana UP, 2021)</title>
      <description>What can the history of Jewish philosophy teach us about modern life? In How to Measure a World?: A Philosophy of Judaism (Indiana UP, 2021), Martin Shuster, an Associate Professor of Philosophy and Director, Center for Geographies of Justice at Goucher College, explores the history of Jewish philosophy to examine how key thinkers have understood the world. Using a phenomenological approach, the book brings thinkers including Levinas, Maimonides, Adorno, and Cavell into dialogue with a huge range of thinkers and traditions, from Greek and Islamic thought to more contemporary ideas. Thinking about language and discourse, history, pain and suffering, and ultimately, humanity and its relationship to the world, the book will be essential reading for anyone interested in Jewish philosophy and history, as well as for scholars across the arts and humanities.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>270</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Martin Shuster</itunes:subtitle>
      <itunes:summary>What can the history of Jewish philosophy teach us about modern life? In How to Measure a World?: A Philosophy of Judaism (Indiana UP, 2021), Martin Shuster, an Associate Professor of Philosophy and Director, Center for Geographies of Justice at Goucher College, explores the history of Jewish philosophy to examine how key thinkers have understood the world. Using a phenomenological approach, the book brings thinkers including Levinas, Maimonides, Adorno, and Cavell into dialogue with a huge range of thinkers and traditions, from Greek and Islamic thought to more contemporary ideas. Thinking about language and discourse, history, pain and suffering, and ultimately, humanity and its relationship to the world, the book will be essential reading for anyone interested in Jewish philosophy and history, as well as for scholars across the arts and humanities.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can the history of Jewish philosophy teach us about modern life? In <a href="https://bookshop.org/a/12343/9780253054548"><em>How to Measure a World?: A Philosophy of Judaism</em></a><em> </em>(Indiana UP, 2021), <a href="https://www.goucher.edu/learn/academic-centers/geographies-of-justice/faculty/martin-shuster">Martin Shuster, an Associate Professor of Philosophy and Director, Center for Geographies of Justice at Goucher College</a>, explores the history of Jewish philosophy to examine how key thinkers have understood the world. Using a phenomenological approach, the book brings thinkers including Levinas, Maimonides, Adorno, and Cavell into dialogue with a huge range of thinkers and traditions, from Greek and Islamic thought to more contemporary ideas. Thinking about language and discourse, history, pain and suffering, and ultimately, humanity and its relationship to the world, the book will be essential reading for anyone interested in Jewish philosophy and history, as well as for scholars across the arts and humanities.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2368</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f435a0e6-a3da-11ec-9408-3b5070ca803e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2113347084.mp3?updated=1647292773" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natasha Iskander, "Does Skill Make Us Human?: Migrant Workers in 21st-Century Qatar and Beyond" (Princeton UP, 2021)</title>
      <description>Skill—specifically the distinction between the “skilled” and “unskilled”—is generally defined as a measure of ability and training, but Does Skill Make Us Human?: Migrant Workers in 21st-Century Qatar and Beyond (Princeton UP, 2021) shows instead that skill distinctions are used to limit freedom, narrow political rights, and even deny access to imagination and desire. Natasha Iskander takes readers into Qatar’s booming construction industry in the lead-up to the 2022 World Cup, and through her unprecedented look at the experiences of migrant workers, she reveals that skill functions as a marker of social difference powerful enough to structure all aspects of social and economic life.
Through unique access to construction sites in Doha, in-depth research, and interviews, Iskander explores how migrants are recruited, trained, and used. Despite their acquisition of advanced technical skills, workers are commonly described as unskilled and disparaged as “unproductive,” “poor quality,” or simply “bodies.” She demonstrates that skill categories adjudicate personhood, creating hierarchies that shape working conditions, labor recruitment, migration policy, the design of urban spaces, and the reach of global industries. Iskander also discusses how skill distinctions define industry responses to global warming, with employers recruiting migrants from climate-damaged places at lower wages and exposing these workers to Qatar’s extreme heat. She considers how the dehumanizing politics of skill might be undone through tactical solidarity and creative practices.
With implications for immigrant rights and migrant working conditions throughout the world, Does Skill Make Us Human? examines the factors that justify and amplify inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 21 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Natasha Iskander</itunes:subtitle>
      <itunes:summary>Skill—specifically the distinction between the “skilled” and “unskilled”—is generally defined as a measure of ability and training, but Does Skill Make Us Human?: Migrant Workers in 21st-Century Qatar and Beyond (Princeton UP, 2021) shows instead that skill distinctions are used to limit freedom, narrow political rights, and even deny access to imagination and desire. Natasha Iskander takes readers into Qatar’s booming construction industry in the lead-up to the 2022 World Cup, and through her unprecedented look at the experiences of migrant workers, she reveals that skill functions as a marker of social difference powerful enough to structure all aspects of social and economic life.
Through unique access to construction sites in Doha, in-depth research, and interviews, Iskander explores how migrants are recruited, trained, and used. Despite their acquisition of advanced technical skills, workers are commonly described as unskilled and disparaged as “unproductive,” “poor quality,” or simply “bodies.” She demonstrates that skill categories adjudicate personhood, creating hierarchies that shape working conditions, labor recruitment, migration policy, the design of urban spaces, and the reach of global industries. Iskander also discusses how skill distinctions define industry responses to global warming, with employers recruiting migrants from climate-damaged places at lower wages and exposing these workers to Qatar’s extreme heat. She considers how the dehumanizing politics of skill might be undone through tactical solidarity and creative practices.
With implications for immigrant rights and migrant working conditions throughout the world, Does Skill Make Us Human? examines the factors that justify and amplify inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Skill—specifically the distinction between the “skilled” and “unskilled”—is generally defined as a measure of ability and training, but <a href="https://press.princeton.edu/books/paperback/9780691217567/does-skill-make-us-human"><em>Does Skill Make Us Human?: Migrant Workers in 21st-Century Qatar and Beyond</em></a><em> </em>(Princeton UP, 2021)<em> </em>shows instead that skill distinctions are used to limit freedom, narrow political rights, and even deny access to imagination and desire. Natasha Iskander takes readers into Qatar’s booming construction industry in the lead-up to the 2022 World Cup, and through her unprecedented look at the experiences of migrant workers, she reveals that skill functions as a marker of social difference powerful enough to structure all aspects of social and economic life.</p><p>Through unique access to construction sites in Doha, in-depth research, and interviews, Iskander explores how migrants are recruited, trained, and used. Despite their acquisition of advanced technical skills, workers are commonly described as unskilled and disparaged as “unproductive,” “poor quality,” or simply “bodies.” She demonstrates that skill categories adjudicate personhood, creating hierarchies that shape working conditions, labor recruitment, migration policy, the design of urban spaces, and the reach of global industries. Iskander also discusses how skill distinctions define industry responses to global warming, with employers recruiting migrants from climate-damaged places at lower wages and exposing these workers to Qatar’s extreme heat. She considers how the dehumanizing politics of skill might be undone through tactical solidarity and creative practices.</p><p>With implications for immigrant rights and migrant working conditions throughout the world, <em>Does Skill Make Us Human?</em> examines the factors that justify and amplify inequality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3236</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[951e801a-a7c1-11ec-ab0e-f7b3e9e5bf36]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3839700643.mp3?updated=1647721145" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Annie Berke, "Their Own Best Creations: Women Writers in Postwar Television" (U California Press, 2022)</title>
      <description>What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too!
 Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>268</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annie Berke</itunes:subtitle>
      <itunes:summary>What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too!
 Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the hidden history of women in the television industry? In <a href="https://bookshop.org/a/12343/9780520300798"><em>Their Own Best Creations: Women Writers in Postwar Television</em></a><em> </em>(U California Press, 2022), <a href="https://annieberke.com/">Annie Berke</a>, <a href="https://lareviewofbooks.org/contributor/annie-berke/">film editor at the Los Angeles Review of Books</a> and host of the <a href="https://newbooksnetwork.com/hosts/profile/d6c7b7d4-3bf9-48ed-8489-303fa9c432f6">Film channel of the New Books Network podcast</a>, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too!</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3160</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a4d94302-9e5f-11ec-9bf5-a7d6cff2a67c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2965554824.mp3?updated=1646690071" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Melissa Aronczyk and Maria I. Espinoza, "A Strategic Nature: Public Relations and the Politics of American Environmentalism" (Oxford UP, 2021)</title>
      <description>In A Strategic Nature: Public Relations and the Politics of American Environmentalism (Oxford UP, 2021), Melissa Aronczyk and Maria I. Espinoza examine public relations as a social and political force that shapes both our understanding of the environmental crises we now face and our responses to them. Drawing on in-depth interviews, ethnography, and archival research, Aronczyk and Espinoza document the evolution of PR techniques to control public perception of the environment since the beginning of the twentieth century. More than spin or misinformation, PR affects how institutions and individuals conceptualize environmental problems -- from conservation to coal mining to carbon credits. Revealing the linkages of professional strategists, information politics, and environmental standards, A Strategic Nature shows how public relations restricts alternative paths to a sustainable climate future.
Melissa Aronczyk is an associate professor at Rutgers University in the School of Communication &amp; Information. She is the author of Branding the Nation: The Global Business of National Identity (Oxford 2013). Maria I. Espinoza is a PhD candidate in the Sociology department at Rutgers University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 15 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>269</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Melissa Aronczyk</itunes:subtitle>
      <itunes:summary>In A Strategic Nature: Public Relations and the Politics of American Environmentalism (Oxford UP, 2021), Melissa Aronczyk and Maria I. Espinoza examine public relations as a social and political force that shapes both our understanding of the environmental crises we now face and our responses to them. Drawing on in-depth interviews, ethnography, and archival research, Aronczyk and Espinoza document the evolution of PR techniques to control public perception of the environment since the beginning of the twentieth century. More than spin or misinformation, PR affects how institutions and individuals conceptualize environmental problems -- from conservation to coal mining to carbon credits. Revealing the linkages of professional strategists, information politics, and environmental standards, A Strategic Nature shows how public relations restricts alternative paths to a sustainable climate future.
Melissa Aronczyk is an associate professor at Rutgers University in the School of Communication &amp; Information. She is the author of Branding the Nation: The Global Business of National Identity (Oxford 2013). Maria I. Espinoza is a PhD candidate in the Sociology department at Rutgers University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780190055356"><em>A Strategic Nature: Public Relations and the Politics of American Environmentalism</em></a> (Oxford UP, 2021), Melissa Aronczyk and Maria I. Espinoza examine public relations as a social and political force that shapes both our understanding of the environmental crises we now face and our responses to them. Drawing on in-depth interviews, ethnography, and archival research, Aronczyk and Espinoza document the evolution of PR techniques to control public perception of the environment since the beginning of the twentieth century. More than spin or misinformation, PR affects how institutions and individuals conceptualize environmental problems -- from conservation to coal mining to carbon credits. Revealing the linkages of professional strategists, information politics, and environmental standards, A Strategic Nature shows how public relations restricts alternative paths to a sustainable climate future.</p><p><a href="https://melissaaronczyk.com/">Melissa Aronczyk</a> is an associate professor at Rutgers University in the School of Communication &amp; Information. She is the author of <em>Branding the Nation: The Global Business of National Identity</em> (Oxford 2013). Maria I. Espinoza is a PhD candidate in the Sociology department at Rutgers University.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4746</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Asef Bayat, "Revolutionary Life: The Everyday of the Arab Spring" (Harvard UP, 2021)</title>
      <description>Seamlessly blending field research, on-the-ground interviews, and social theory, Asef Bayat shows how the practice of everyday life in Egypt and Tunisia was fundamentally altered by revolutionary activity. Women, young adults, the very poor, and members of the underground queer community can credit the Arab Spring with steps toward equality and freedom.
In Bayat’s telling in Revolutionary Life: The Everyday of the Arab Spring (Harvard University Press, 2021), the Arab Spring emerges as a paradigmatic case of “refolution”―revolution that engenders reform rather than radical change. Both a detailed study and a moving appeal, Revolutionary Life identifies the social gains that were won through resistance.
Mehdi Sanglaji: Political Science; Middle East Studies; working on a PhD thesis, allegedly! Political violence, terrorism, and all in between. 
Find me at mehdi.haydari@gmail.com or @MehdiSanglaji on twitter. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Asef Bayat</itunes:subtitle>
      <itunes:summary>Seamlessly blending field research, on-the-ground interviews, and social theory, Asef Bayat shows how the practice of everyday life in Egypt and Tunisia was fundamentally altered by revolutionary activity. Women, young adults, the very poor, and members of the underground queer community can credit the Arab Spring with steps toward equality and freedom.
In Bayat’s telling in Revolutionary Life: The Everyday of the Arab Spring (Harvard University Press, 2021), the Arab Spring emerges as a paradigmatic case of “refolution”―revolution that engenders reform rather than radical change. Both a detailed study and a moving appeal, Revolutionary Life identifies the social gains that were won through resistance.
Mehdi Sanglaji: Political Science; Middle East Studies; working on a PhD thesis, allegedly! Political violence, terrorism, and all in between. 
Find me at mehdi.haydari@gmail.com or @MehdiSanglaji on twitter. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamlessly blending field research, on-the-ground interviews, and social theory, Asef Bayat shows how the practice of everyday life in Egypt and Tunisia was fundamentally altered by revolutionary activity. Women, young adults, the very poor, and members of the underground queer community can credit the Arab Spring with steps toward equality and freedom.</p><p>In Bayat’s telling in <a href="https://bookshop.org/a/12343/9780674987890"><em>Revolutionary Life: The Everyday of the Arab Spring</em></a> (Harvard University Press, 2021), the Arab Spring emerges as a paradigmatic case of “refolution”―revolution that engenders reform rather than radical change. Both a detailed study and a moving appeal, <em>Revolutionary Life</em> identifies the social gains that were won through resistance.</p><p><em>Mehdi Sanglaji: Political Science; Middle East Studies; working on a PhD thesis, allegedly! Political violence, terrorism, and all in between. </em></p><p><em>Find me at mehdi.haydari@gmail.com or @MehdiSanglaji on twitter. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3784</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b6f35fe0-9be5-11ec-b0b4-c3f28a6ae794]]></guid>
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    </item>
    <item>
      <title>Peter S. Goodman, "Davos Man: How the Billionaire Class Devoured Democracy" (Custom House, 2022)</title>
      <description>Drawing on decades of experience covering the global economy, New York Times' journalist Peter S. Goodman profiles five representative Davos Men-members of the billionaire class-chronicling how their shocking exploitation of the global pandemic has hastened a fifty-year trend of wealth centralization. Alongside this reporting, Goodman delivers textured portraits of those caught in Davos Man's wake, including a former steelworker in the American Midwest, a Bangladeshi migrant in Qatar, a Seattle doctor on the front lines of the fight against COVID, blue-collar workers in the tenements of Buenos Aires, an African immigrant in Sweden, a textile manufacturer in Italy, an Amazon warehouse employee in New York City, and more in his book, Davos Man: How the Billionaires Devoured the World (Custom House, 2022).
Peter S. Goodman is the global economic correspondent for The New York Times, based in New York.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter S. Goodman</itunes:subtitle>
      <itunes:summary>Drawing on decades of experience covering the global economy, New York Times' journalist Peter S. Goodman profiles five representative Davos Men-members of the billionaire class-chronicling how their shocking exploitation of the global pandemic has hastened a fifty-year trend of wealth centralization. Alongside this reporting, Goodman delivers textured portraits of those caught in Davos Man's wake, including a former steelworker in the American Midwest, a Bangladeshi migrant in Qatar, a Seattle doctor on the front lines of the fight against COVID, blue-collar workers in the tenements of Buenos Aires, an African immigrant in Sweden, a textile manufacturer in Italy, an Amazon warehouse employee in New York City, and more in his book, Davos Man: How the Billionaires Devoured the World (Custom House, 2022).
Peter S. Goodman is the global economic correspondent for The New York Times, based in New York.
Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Drawing on decades of experience covering the global economy, New York Times' journalist Peter S. Goodman profiles five representative Davos Men-members of the billionaire class-chronicling how their shocking exploitation of the global pandemic has hastened a fifty-year trend of wealth centralization. Alongside this reporting, Goodman delivers textured portraits of those caught in Davos Man's wake, including a former steelworker in the American Midwest, a Bangladeshi migrant in Qatar, a Seattle doctor on the front lines of the fight against COVID, blue-collar workers in the tenements of Buenos Aires, an African immigrant in Sweden, a textile manufacturer in Italy, an Amazon warehouse employee in New York City, and more in his book, <a href="https://bookshop.org/a/12343/9780063078307"><em>Davos Man: How the Billionaires Devoured the World</em></a> (Custom House, 2022).</p><p>Peter S. Goodman is the global economic correspondent for The New York Times, based in New York.</p><p><em>Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3253</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fdc27918-9bc4-11ec-b139-4779219f9d7d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6590099422.mp3?updated=1646372134" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Poulomi Saha, "An Empire of Touch: Women's Political Labor and the Fabrication of East Bengal" (Columbia UP, 2019)</title>
      <description>Can subalterns speak? Now an iconic question from a prominent postcolonial studies scholar Gayatri Spivak, the question interrogates the in-built assumption about the locatable agency in an individual. Postcolonial studies have grappled with the question of legibility and limitations of archives. In her pathbreaking work, An Empire of Touch: Women's Political Labor and the Fabrication of East Bengal (Columbia UP, 2019), Poulomi Saha disrupts the binaries of nation/individual and agency/silence by arguing that women’s labor is a political one that articulate their relational aspirations through the tactile. In this contemporary moment with neoliberalism’s co-optation of ethnonationalism and an increasing disciplinary turn towards ethnicity as culture, Saha emphasizes the urgency of postcolonialism to prioritize political project in literary critiques and understand the connections between global capital and intimate, material life of women’s labor.
The book is divided into three parts: “Reading the Body Politic,” “The Fetish of Nationalism,” and “International Basket Case.” In the first section, Saha provides a theoretical framework through her reading of Pritilata Waddedar’s body to disrupt the individualistic idea of agency and signify gendered refusal. In the second part, Saha brings Tagore’s understanding of fetish to rethink non-sovereignty as not a loss but rather an enthrallment that allowed women to express their attachment to desh (home). In the third part, Saha problematizes the power of a name by analyzing the production of discourses around birangona (war heroines) and connect the devaluation of clothes to the larger history of development where women’s labor simultaneously turned into an object of empowerment and erasure. Saha’s rich and insightful book will be an important read for scholars who are interested in development, history of labor, and feminist theories.
Poulomi Saha is assistant professor of English at the University of California, Berkeley. Her first book, An Empire of Touch, was awarded the 2020 Harry Levin Prize for Outstanding First Book from the American Comparative Literature Association.
 Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>195</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Poulomi Saha</itunes:subtitle>
      <itunes:summary>Can subalterns speak? Now an iconic question from a prominent postcolonial studies scholar Gayatri Spivak, the question interrogates the in-built assumption about the locatable agency in an individual. Postcolonial studies have grappled with the question of legibility and limitations of archives. In her pathbreaking work, An Empire of Touch: Women's Political Labor and the Fabrication of East Bengal (Columbia UP, 2019), Poulomi Saha disrupts the binaries of nation/individual and agency/silence by arguing that women’s labor is a political one that articulate their relational aspirations through the tactile. In this contemporary moment with neoliberalism’s co-optation of ethnonationalism and an increasing disciplinary turn towards ethnicity as culture, Saha emphasizes the urgency of postcolonialism to prioritize political project in literary critiques and understand the connections between global capital and intimate, material life of women’s labor.
The book is divided into three parts: “Reading the Body Politic,” “The Fetish of Nationalism,” and “International Basket Case.” In the first section, Saha provides a theoretical framework through her reading of Pritilata Waddedar’s body to disrupt the individualistic idea of agency and signify gendered refusal. In the second part, Saha brings Tagore’s understanding of fetish to rethink non-sovereignty as not a loss but rather an enthrallment that allowed women to express their attachment to desh (home). In the third part, Saha problematizes the power of a name by analyzing the production of discourses around birangona (war heroines) and connect the devaluation of clothes to the larger history of development where women’s labor simultaneously turned into an object of empowerment and erasure. Saha’s rich and insightful book will be an important read for scholars who are interested in development, history of labor, and feminist theories.
Poulomi Saha is assistant professor of English at the University of California, Berkeley. Her first book, An Empire of Touch, was awarded the 2020 Harry Levin Prize for Outstanding First Book from the American Comparative Literature Association.
 Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can subalterns speak? Now an iconic question from a prominent postcolonial studies scholar Gayatri Spivak, the question interrogates the in-built assumption about the locatable agency in an individual. Postcolonial studies have grappled with the question of legibility and limitations of archives. In her pathbreaking work, <a href="https://bookshop.org/a/12343/9780231192088"><em>An Empire of Touch: Women's Political Labor and the Fabrication of East Bengal </em></a>(Columbia UP, 2019), Poulomi Saha disrupts the binaries of nation/individual and agency/silence by arguing that women’s labor is a political one that articulate their relational aspirations through the tactile. In this contemporary moment with neoliberalism’s co-optation of ethnonationalism and an increasing disciplinary turn towards ethnicity as culture, Saha emphasizes the urgency of postcolonialism to prioritize political project in literary critiques and understand the connections between global capital and intimate, material life of women’s labor.</p><p>The book is divided into three parts: “Reading the Body Politic,” “The Fetish of Nationalism,” and “International Basket Case.” In the first section, Saha provides a theoretical framework through her reading of Pritilata Waddedar’s body to disrupt the individualistic idea of agency and signify gendered refusal. In the second part, Saha brings Tagore’s understanding of fetish to rethink non-sovereignty as not a loss but rather an enthrallment that allowed women to express their attachment to <em>desh </em>(home). In the third part, Saha problematizes the power of a name by analyzing the production of discourses around <em>birangona </em>(war heroines) and connect the devaluation of clothes to the larger history of development where women’s labor simultaneously turned into an object of empowerment and erasure. Saha’s rich and insightful book will be an important read for scholars who are interested in development, history of labor, and feminist theories.</p><p>Poulomi Saha is assistant professor of English at the University of California, Berkeley. Her first book, <em>An Empire of Touch, </em>was awarded the 2020 Harry Levin Prize for Outstanding First Book from the American Comparative Literature Association.</p><p><em> Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[edbade8a-9cb8-11ec-b265-57d7cd547773]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7196368776.mp3?updated=1647283596" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Myers, "Cedric Robinson: The Time of the Black Radical Tradition" (Polity, 2021)</title>
      <description>Cedric Robinson – political theorist, historian and activist – was one of the greatest black radical thinkers of the twentieth century, whose work resonates deeply with contemporary movements such as Black Lives Matter. In Cedric Robinson: The Time of the Black Radical Tradition (Polity Press, 2021), the first major book to tell the story of Cedric Robinson, Joshua Myers shows how Robinson's work interrogated the foundations of Western political thought, modern capitalism, and the changing meanings of race. Tracing the course of Robinson's journey from his early days as an agitator in the 60s against the US's reactionary foreign policy to his publication of such seminal works within Black Studies as Black Marxism, Myers frames Robinson's mission as one that aimed to understand and practice resistance to "the terms of order." In so doing, Robinson excavated the Black radical tradition as a form of resistance that imagined that life on wholly different terms was possible. As the USA enters the 20s, the need to continue that resistance is as clear as ever, and Robinson's contribution only gains in importance. This book is essential reading for anyone wanting to learn more about it.
Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>282</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Myers</itunes:subtitle>
      <itunes:summary>Cedric Robinson – political theorist, historian and activist – was one of the greatest black radical thinkers of the twentieth century, whose work resonates deeply with contemporary movements such as Black Lives Matter. In Cedric Robinson: The Time of the Black Radical Tradition (Polity Press, 2021), the first major book to tell the story of Cedric Robinson, Joshua Myers shows how Robinson's work interrogated the foundations of Western political thought, modern capitalism, and the changing meanings of race. Tracing the course of Robinson's journey from his early days as an agitator in the 60s against the US's reactionary foreign policy to his publication of such seminal works within Black Studies as Black Marxism, Myers frames Robinson's mission as one that aimed to understand and practice resistance to "the terms of order." In so doing, Robinson excavated the Black radical tradition as a form of resistance that imagined that life on wholly different terms was possible. As the USA enters the 20s, the need to continue that resistance is as clear as ever, and Robinson's contribution only gains in importance. This book is essential reading for anyone wanting to learn more about it.
Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cedric Robinson – political theorist, historian and activist – was one of the greatest black radical thinkers of the twentieth century, whose work resonates deeply with contemporary movements such as Black Lives Matter. In <a href="https://bookshop.org/a/12343/9781509537921"><em>Cedric Robinson: The Time of the Black Radical Tradition</em></a><em> </em>(Polity Press, 2021), the first major book to tell the story of Cedric Robinson, Joshua Myers shows how Robinson's work interrogated the foundations of Western political thought, modern capitalism, and the changing meanings of race. Tracing the course of Robinson's journey from his early days as an agitator in the 60s against the US's reactionary foreign policy to his publication of such seminal works within Black Studies as Black Marxism, Myers frames Robinson's mission as one that aimed to understand and practice resistance to "the terms of order." In so doing, Robinson excavated the Black radical tradition as a form of resistance that imagined that life on wholly different terms was possible. As the USA enters the 20s, the need to continue that resistance is as clear as ever, and Robinson's contribution only gains in importance. This book is essential reading for anyone wanting to learn more about it.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>9408</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6eaac0a2-9b13-11ec-ba09-f3c40371c2f5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6084182068.mp3?updated=1646422582" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julie Froud and Karel Williams, "Foundational Economy: The Infrastructure of Everyday Life" (Manchester UP, 2022)</title>
      <description>I spoke with Prof Julie Froud and Prof Karel Williams about Foundational Economy: The Infrastructure of Everyday Life (Manchester University Press, 2022).
This book originally published in English in 2018 synthesises the collective’s work of the previous five years in developing the foundational approach. It should now be read in conjunction with our The Foundational Approach (2020) guide to current thinking. But the book remains an important source for engaged citizens, active practitioners, and critical academics beyond who want to know more about the foundational economy concept and its relevance to the politics of progressive reform.
The book is relevant to all of Europe and beyond and is available as an accessibly priced paperback in four languages. MUP publishes in English with German and Italian editions available from Suhrkamp and Einaudi. The Portuguese edition was published by Actual Editora and Dutch and Turkish translations are pending. Before you buy the book, do read our introductory chapter on this website which explains the argument of the book here.
The Foundational Economy book explains how the material utilities and providential services matter economically and politically because they are the collectively consumed infrastructure of everyday life, the basis of well-being, and should be citizens' rights. The arguments about citizenship in chapter four of the book were then an important new development in foundational thinking which leads towards the edited 2020 book on The Foundational Economy and Citizenship.
The Foundational Economy book also presents the first history of the foundational economy which began heroically and ends in degradation. In the century after 1880 national and local state action built up the supply of foundational services right across Europe and North America. Since 1980 their systems of provision have been undermined by a malign and neglectful state. Drawing on earlier research by collective members, the book shows how privatisation, outsourcing and market choice import the unsuitable business models of financialized public companies and private equity. Building on this basis, the collective now distinguishes FE1.0 and FE 2.0 in thinking through the Challenge of Foundational Renewal (2020)
The final chapter of the book takes up the political challenge of thinking about how we can have a better future. It does not recommend specific policies but proposes broad principles for re-building the foundational which could mobilise old and new social actors in broad political alliances; ask the citizens what they want; reinvent taxation; lean on intermediary institutions; and do not assume the state is benign and competent. This opens the way to the collective’s subsequent arguments in the When Systems Fail (2020) report about the incapacity of the post administrative state and the need for a careful practice of policy to transition towards transformation.
A great new book that deserves a wide readership.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julie Froud and Karel Williams</itunes:subtitle>
      <itunes:summary>I spoke with Prof Julie Froud and Prof Karel Williams about Foundational Economy: The Infrastructure of Everyday Life (Manchester University Press, 2022).
This book originally published in English in 2018 synthesises the collective’s work of the previous five years in developing the foundational approach. It should now be read in conjunction with our The Foundational Approach (2020) guide to current thinking. But the book remains an important source for engaged citizens, active practitioners, and critical academics beyond who want to know more about the foundational economy concept and its relevance to the politics of progressive reform.
The book is relevant to all of Europe and beyond and is available as an accessibly priced paperback in four languages. MUP publishes in English with German and Italian editions available from Suhrkamp and Einaudi. The Portuguese edition was published by Actual Editora and Dutch and Turkish translations are pending. Before you buy the book, do read our introductory chapter on this website which explains the argument of the book here.
The Foundational Economy book explains how the material utilities and providential services matter economically and politically because they are the collectively consumed infrastructure of everyday life, the basis of well-being, and should be citizens' rights. The arguments about citizenship in chapter four of the book were then an important new development in foundational thinking which leads towards the edited 2020 book on The Foundational Economy and Citizenship.
The Foundational Economy book also presents the first history of the foundational economy which began heroically and ends in degradation. In the century after 1880 national and local state action built up the supply of foundational services right across Europe and North America. Since 1980 their systems of provision have been undermined by a malign and neglectful state. Drawing on earlier research by collective members, the book shows how privatisation, outsourcing and market choice import the unsuitable business models of financialized public companies and private equity. Building on this basis, the collective now distinguishes FE1.0 and FE 2.0 in thinking through the Challenge of Foundational Renewal (2020)
The final chapter of the book takes up the political challenge of thinking about how we can have a better future. It does not recommend specific policies but proposes broad principles for re-building the foundational which could mobilise old and new social actors in broad political alliances; ask the citizens what they want; reinvent taxation; lean on intermediary institutions; and do not assume the state is benign and competent. This opens the way to the collective’s subsequent arguments in the When Systems Fail (2020) report about the incapacity of the post administrative state and the need for a careful practice of policy to transition towards transformation.
A great new book that deserves a wide readership.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I spoke with Prof Julie Froud and Prof Karel Williams about <a href="https://bookshop.org/a/12343/9781526164681"><em>Foundational Economy: The Infrastructure of Everyday Life</em></a> (Manchester University Press, 2022).</p><p>This book originally published in English in 2018 synthesises the collective’s work of the previous five years in developing the foundational approach. It should now be read in conjunction with our <a href="https://foundationaleconomycom.files.wordpress.com/2020/08/fe-approach-2020.pdf">The Foundational Approach </a>(2020) guide to current thinking. But the book remains an important source for engaged citizens, active practitioners, and critical academics beyond who want to know more about the foundational economy concept and its relevance to the politics of progressive reform.</p><p>The book is relevant to all of Europe and beyond and is available as an accessibly priced paperback in four languages. <a href="https://manchesteruniversitypress.co.uk/9781526134004/"><strong>MUP</strong></a> publishes in English with German and Italian editions available from <a href="https://www.suhrkamp.de/autoren/foundational_economy_collective_15254.html"><strong>Suhrkamp</strong></a> and <a href="https://www.einaudi.it/catalogo-libri/problemi-contemporanei/economia-fondamentale-collettivo-per-leconomia-fondamentale-9788806241605/"><strong>Einaudi</strong></a>. The Portuguese edition was published by <a href="https://www.almedina.net/economia-fundamental-as-infraestruturas-do-quotidiano-1603141603.html"><strong>Actual Editora</strong></a> and Dutch and Turkish translations are pending. Before you buy the book, do read our <a href="https://foundationaleconomycom.files.wordpress.com/2018/07/fe-intro.pdf">introductory chapter</a> on this website which explains the argument of the book <a href="https://foundationaleconomycom.files.wordpress.com/2018/07/fe-intro.pdf">here</a>.</p><p>The <a href="https://manchesteruniversitypress.co.uk/9781526134004/">Foundational Economy book</a> explains how the material utilities and providential services matter economically and politically because they are the collectively consumed infrastructure of everyday life, the basis of well-being, and should be citizens' rights. The arguments about citizenship in chapter four of the book were then an important new development in foundational thinking which leads towards the edited 2020 book on <a href="https://foundationaleconomy.com/the-foundational-economy-and-citizenship/">The Foundational Economy and Citizenship</a>.</p><p>The <em>Foundational Economy </em>book also presents the first history of the foundational economy which began heroically and ends in degradation. In the century after 1880 national and local state action built up the supply of foundational services right across Europe and North America. Since 1980 their systems of provision have been undermined by a malign and neglectful state. Drawing on earlier research by collective members, the book shows how privatisation, outsourcing and market choice import the unsuitable business models of financialized public companies and private equity. Building on this basis, the collective now distinguishes FE1.0 and FE 2.0 in thinking through the <a href="https://foundationaleconomycom.files.wordpress.com/2020/08/the-challenge-of-foundational-renewal-presentation-cardiff-2020.pptx">Challenge of Foundational Renewal</a> (2020)</p><p>The final chapter of the book takes up the political challenge of thinking about how we can have a better future. It does not recommend specific policies but proposes broad principles for re-building the foundational which could mobilise old and new social actors in broad political alliances; ask the citizens what they want; reinvent taxation; lean on intermediary institutions; and do not assume the state is benign and competent. This opens the way to the collective’s subsequent arguments in the <a href="https://foundationaleconomycom.files.wordpress.com/2020/08/when-systems-fail-uk-acute-hospitals-and-public-health-after-covid-19.pdf">When Systems Fail </a>(2020) report about the incapacity of the post administrative state and the need for a careful practice of policy to transition towards transformation.</p><p>A great new book that deserves a wide readership.</p><p><a href="https://www.brookes.ac.uk/templates/pages/staff.aspx?uid=p0083293"><em>Andrea Bernardi</em></a><em> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2501</itunes:duration>
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      <title>Tina Sikka, "Sex, Consent and Justice: A New Feminist Framework" (Edinburgh UP, 2021)</title>
      <description>Increasingly fraught debates about sex, consent, feminism, justice, law, and gender relations have taken centre stage in academic, journalistic and social media circles in recent years. This has resulted in myriad new theories, debates and mediated movements including #MeToo and #TimesUp. In Sex, Consent, and Justice: A New Feminist Framework (Edinburgh UP), Tina Sikka explores many of the contradictions and tensions that make up these debates and movements. She looks at those that draw together contemporary understandings of justice, violence, consent, pleasure and desire.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>265</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tina Sikka</itunes:subtitle>
      <itunes:summary>Increasingly fraught debates about sex, consent, feminism, justice, law, and gender relations have taken centre stage in academic, journalistic and social media circles in recent years. This has resulted in myriad new theories, debates and mediated movements including #MeToo and #TimesUp. In Sex, Consent, and Justice: A New Feminist Framework (Edinburgh UP), Tina Sikka explores many of the contradictions and tensions that make up these debates and movements. She looks at those that draw together contemporary understandings of justice, violence, consent, pleasure and desire.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Increasingly fraught debates about sex, consent, feminism, justice, law, and gender relations have taken centre stage in academic, journalistic and social media circles in recent years. This has resulted in myriad new theories, debates and mediated movements including #MeToo and #TimesUp. In<em> </em><a href="https://bookshop.org/a/12343/9781474479202"><em>Sex, Consent, and Justice: A New Feminist Framework</em></a><em> </em>(Edinburgh UP), Tina Sikka explores many of the contradictions and tensions that make up these debates and movements. She looks at those that draw together contemporary understandings of justice, violence, consent, pleasure and desire.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2168</itunes:duration>
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    <item>
      <title>Mark Christian Thompson, "﻿Phenomenal Blackness: ﻿Black Power, Philosophy, and Theory" (U Chicago Press, 2022)</title>
      <description>Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>281</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Christian Thompson</itunes:subtitle>
      <itunes:summary>Mark Christian Thompson's book, Phenomenal Blackness: Black Power, Philosophy, and Theory (University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mark Christian Thompson's book, <a href="https://bookshop.org/a/12343/9780226816418"><em>Phenomenal Blackness: Black Power, Philosophy, and Theory</em></a><em> </em>(University of Chicago Press, 2022) examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3729</itunes:duration>
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    <item>
      <title>Susan Oman, "Understanding Well-being Data: Improving Social and Cultural Policy, Practice and Research" (Palgrave Macmillan, 2021)</title>
      <description>How can we understand well-being? In Understanding Well-being Data: Improving Social and Cultural Policy, Practice and Research (Palgrave Macmillan, 2021), Susan Oman, a Lecturer in Data, AI and Society at the University of Sheffield, explores the history of well-being, the history of measurement, and cultural policy. The book covers a huge range of subjects but is written in a clear and accessible way, making longstanding debates over research methods, happiness, government decision making, and the meaning of culture (and life!). The book also has numerous practical case studies, and is available as an open access download here. It is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in the new science of well-being!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>265</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan Oman</itunes:subtitle>
      <itunes:summary>How can we understand well-being? In Understanding Well-being Data: Improving Social and Cultural Policy, Practice and Research (Palgrave Macmillan, 2021), Susan Oman, a Lecturer in Data, AI and Society at the University of Sheffield, explores the history of well-being, the history of measurement, and cultural policy. The book covers a huge range of subjects but is written in a clear and accessible way, making longstanding debates over research methods, happiness, government decision making, and the meaning of culture (and life!). The book also has numerous practical case studies, and is available as an open access download here. It is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in the new science of well-being!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we understand well-being? In <a href="https://bookshop.org/a/12343/9783030729394"><em>Understanding Well-being Data: Improving Social and Cultural Policy, Practice and Research</em></a><em> </em>(Palgrave Macmillan, 2021)<em>, </em><a href="https://twitter.com/suoman">Susan Oman</a>, a <a href="https://www.sheffield.ac.uk/is/people/academic/susan-oman">Lecturer in Data, AI and Society at the University of Sheffield</a>, explores the history of well-being, the history of measurement, and cultural policy. The book covers a huge range of subjects but is written in a clear and accessible way, making longstanding debates over research methods, happiness, government decision making, and the meaning of culture (and life!). The book also has numerous practical case studies, and is available as an open access <a href="https://link.springer.com/book/10.1007/978-3-030-72937-0">download here</a>. It is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in the new science of well-being!</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2360</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)</title>
      <description>In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show.
Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture.
Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents.
Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art.


Thomas Dworzak’s Taliban studio photographs



Documentary on Eugenie Goldberg’s Open Shutters of Iraq


Execution of Nguyễn Văn Lém, photographed by Eddie Adams

Lisa Barnard

James Bridle’s Dronestagram


Omer Fast’s 5000 feet is the Best


﻿
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julian Stallabrass</itunes:subtitle>
      <itunes:summary>In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show.
Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture.
Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents.
Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art.


Thomas Dworzak’s Taliban studio photographs



Documentary on Eugenie Goldberg’s Open Shutters of Iraq


Execution of Nguyễn Văn Lém, photographed by Eddie Adams

Lisa Barnard

James Bridle’s Dronestagram


Omer Fast’s 5000 feet is the Best


﻿
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show.</p><p>Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In <a href="https://bookshop.org/a/12343/9781538141809"><em>Killing for Show: Photography, War, and the Media in Vietnam and Iraq</em></a> (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture.</p><p>Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents.</p><p><a href="https://courtauld.ac.uk/people/julian-stallabrass/">Julian Stallabrass</a> is an art historian, photographer, curator, and professor at the Courtauld Institute of Art.</p><p><br></p><ul>
<li>Thomas Dworzak’s <a href="https://www.magnumphotos.com/newsroom/taliban-thomas-dworkzak/">Taliban studio photographs</a>
</li>
<li>
<a href="https://www.youtube.com/watch?v=qlIEf4Vt8QE">Documentary</a> on Eugenie Goldberg’s <em>Open Shutters of Iraq</em>
</li>
<li><a href="https://en.wikipedia.org/wiki/Execution_of_Nguy%E1%BB%85n_V%C4%83n_L%C3%A9m#/media/File:Execution_of_Nguyen_Van_Lem.jpg">Execution of Nguyễn Văn Lém, photographed by Eddie Adams</a></li>
<li><a href="http://lisabarnard.co.uk/">Lisa Barnard</a></li>
<li>James Bridle’s <a href="https://jamesbridle.com/works/dronestagram"><em>Dronestagram</em></a>
</li>
<li>Omer Fast’s <a href="https://vimeo.com/34050994"><em>5000 feet is the Best</em></a>
</li>
</ul><p><em>﻿</em></p><p><em> </em><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4115</itunes:duration>
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    <item>
      <title>John Zerzan, "When We Are Human: Notes from the Age of Pandemics" (Feral House, 2021)</title>
      <description>These are dark and darkening times, challenging us to look deeper to grasp the roots and dynamics of the looming civilizational crisis. Chronic illness of the planet calls for radically new thinking if there is to be any hope of renewal. When We Are Human: Notes from the Age of Pandemics (Feral House, 2021) offers thought at a necessary and primal level. All previous civilizations have failed, and now there's just one global civilization, which is starkly, grandly failing. To deny or avoid this fact is to remain in the sphere of the superficial, the irrelevant. The physical environment is reaching the catastrophe stage as the seas warm, rise, acidify, and fill with plastics. Icebergs ahead and floating past beachgoers idly watching the planet die. So much is failing, so much is interrelated in the technosphere of ever-greater dependence and estrangement. Social existence, now strangely isolated, is beset by mass shootings, rising suicide rates, slipping longevity, loneliness, anxiety, and the maddening stream of lies and concocted politics. Zerzan trains his passionate focus on several fields of discourse: anthropology, history, philosophy, technology, psychology, and the spiritual. Points of light that become a kaleidoscope refracting new insights and contributing an overall picture of late civilization.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John Zerzan</itunes:subtitle>
      <itunes:summary>These are dark and darkening times, challenging us to look deeper to grasp the roots and dynamics of the looming civilizational crisis. Chronic illness of the planet calls for radically new thinking if there is to be any hope of renewal. When We Are Human: Notes from the Age of Pandemics (Feral House, 2021) offers thought at a necessary and primal level. All previous civilizations have failed, and now there's just one global civilization, which is starkly, grandly failing. To deny or avoid this fact is to remain in the sphere of the superficial, the irrelevant. The physical environment is reaching the catastrophe stage as the seas warm, rise, acidify, and fill with plastics. Icebergs ahead and floating past beachgoers idly watching the planet die. So much is failing, so much is interrelated in the technosphere of ever-greater dependence and estrangement. Social existence, now strangely isolated, is beset by mass shootings, rising suicide rates, slipping longevity, loneliness, anxiety, and the maddening stream of lies and concocted politics. Zerzan trains his passionate focus on several fields of discourse: anthropology, history, philosophy, technology, psychology, and the spiritual. Points of light that become a kaleidoscope refracting new insights and contributing an overall picture of late civilization.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>These are dark and darkening times, challenging us to look deeper to grasp the roots and dynamics of the looming civilizational crisis. Chronic illness of the planet calls for radically new thinking if there is to be any hope of renewal. <a href="https://bookshop.org/a/12343/9781627311120"><em>When We Are Human: Notes from the Age of Pandemics</em></a> (Feral House, 2021) offers thought at a necessary and primal level. All previous civilizations have failed, and now there's just one global civilization, which is starkly, grandly failing. To deny or avoid this fact is to remain in the sphere of the superficial, the irrelevant. The physical environment is reaching the catastrophe stage as the seas warm, rise, acidify, and fill with plastics. Icebergs ahead and floating past beachgoers idly watching the planet die. So much is failing, so much is interrelated in the technosphere of ever-greater dependence and estrangement. Social existence, now strangely isolated, is beset by mass shootings, rising suicide rates, slipping longevity, loneliness, anxiety, and the maddening stream of lies and concocted politics. Zerzan trains his passionate focus on several fields of discourse: anthropology, history, philosophy, technology, psychology, and the spiritual. Points of light that become a kaleidoscope refracting new insights and contributing an overall picture of late civilization.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3497</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67a82b0e-965a-11ec-bb66-972e18f8b4b5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9494770595.mp3?updated=1645807947" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Myisha Cherry, "The Case for Rage: Why Anger Is Essential to Anti-Racist Struggle" (Oxford UP, 2021)</title>
      <description>According to a broad consensus among philosophers across the ages, anger is regrettable, counterproductive, and bad. It is something to be overcome or suppressed, something that involves an immoral drive for revenge or a naïve commitment to cosmic justice. Anger is said to involve a corruption of the person – it “eats away” at them, or plunges them into madness.
Maybe anger has been under-appreciated. Perhaps we have failed to make the right distinctions between different varieties of anger – thereby overlooking kinds that are productive and appropriate. In The Case for Rage: Why Anger is Essential to Anti-Racist Struggle (Oxford University Press 2021), Myisha Cherry argues that we need to give anger a chance. After identifying distinct forms of anger, she defends a kind of anger she calls Lordean Rage, which she argues is central to antiracist social progress.
Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 01 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>276</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Myisha Cherry</itunes:subtitle>
      <itunes:summary>According to a broad consensus among philosophers across the ages, anger is regrettable, counterproductive, and bad. It is something to be overcome or suppressed, something that involves an immoral drive for revenge or a naïve commitment to cosmic justice. Anger is said to involve a corruption of the person – it “eats away” at them, or plunges them into madness.
Maybe anger has been under-appreciated. Perhaps we have failed to make the right distinctions between different varieties of anger – thereby overlooking kinds that are productive and appropriate. In The Case for Rage: Why Anger is Essential to Anti-Racist Struggle (Oxford University Press 2021), Myisha Cherry argues that we need to give anger a chance. After identifying distinct forms of anger, she defends a kind of anger she calls Lordean Rage, which she argues is central to antiracist social progress.
Robert Talisse is the W. Alton Jones Professor of Philosophy at Vanderbilt University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to a broad consensus among philosophers across the ages, anger is regrettable, counterproductive, and bad. It is something to be overcome or suppressed, something that involves an immoral drive for revenge or a naïve commitment to cosmic justice. Anger is said to involve a corruption of the person – it “eats away” at them, or plunges them into madness.</p><p>Maybe anger has been under-appreciated. Perhaps we have failed to make the right distinctions between different <em>varieties </em>of anger – thereby overlooking kinds that are productive and appropriate. In <a href="https://global.oup.com/academic/product/the-case-for-rage-9780197557341?cc=us&amp;lang=en&amp;"><em>The Case for Rage: Why Anger is Essential to Anti-Racist Struggle</em></a> (Oxford University Press 2021)<em>, </em><a href="https://www.myishacherry.org/"><em>Myisha Cherry</em></a><em> argues that we need to give anger a chance. </em>After identifying distinct forms of anger, she defends a kind of anger she calls Lordean Rage, which she argues is central to antiracist social progress.</p><p><a href="https://as.vanderbilt.edu/philosophy/bio/robertb-talisse"><em>Robert Talisse</em></a><em> is the W. Alton Jones Professor of Philosophy at Vanderbilt University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3972</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[da58fdca-971a-11ec-8796-abe4492b1266]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5261039042.mp3?updated=1645890754" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carl Rhodes, "Woke Capitalism: How Corporate Morality is Sabotaging Democracy" (Policy Press, 2021)</title>
      <description>Today I talked to Carl Rhodes about his book Woke Capitalism: How Corporate Morality is Sabotaging Democracy (Policy Press, 2021).
When Milton Friedman published Capitalism and Freedom in 1962, whose freedom was he referring to? When you know the answer is corporations, you can begin to understand both what neoliberalism was all about and why today Woke Capitalism may not be so much a harbinger of socialism as it is a way to distract the conversation from real economic reforms. That’s indeed the take of Carl Rhodes, whose book explores the plutocracy that America and otherwise democratic countries are at risk of becoming if they haven’t gotten there already. Abraham Lincoln’s Gettysburg Address famously included the pledge that government “of the people, by the people, and for the people” shall not perish. Rhodes is warning, in effect, that the world of George Orwell’s Animal Farm in which some pigs are more equal than others may be now dangerously closer to the truth.
Carl Rhodes is Professor of Organization Studies at the University of Technology Sydney. There he researches the ethical and democratic dimensions of business and work. Carl regularly writes for the mainstream and independent press alike on issues related to ethics, policy, and the economy.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carl Rhodes</itunes:subtitle>
      <itunes:summary>Today I talked to Carl Rhodes about his book Woke Capitalism: How Corporate Morality is Sabotaging Democracy (Policy Press, 2021).
When Milton Friedman published Capitalism and Freedom in 1962, whose freedom was he referring to? When you know the answer is corporations, you can begin to understand both what neoliberalism was all about and why today Woke Capitalism may not be so much a harbinger of socialism as it is a way to distract the conversation from real economic reforms. That’s indeed the take of Carl Rhodes, whose book explores the plutocracy that America and otherwise democratic countries are at risk of becoming if they haven’t gotten there already. Abraham Lincoln’s Gettysburg Address famously included the pledge that government “of the people, by the people, and for the people” shall not perish. Rhodes is warning, in effect, that the world of George Orwell’s Animal Farm in which some pigs are more equal than others may be now dangerously closer to the truth.
Carl Rhodes is Professor of Organization Studies at the University of Technology Sydney. There he researches the ethical and democratic dimensions of business and work. Carl regularly writes for the mainstream and independent press alike on issues related to ethics, policy, and the economy.
Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Carl Rhodes about his book <a href="https://bookshop.org/a/12343/9781529211665"><em>Woke Capitalism: How Corporate Morality is Sabotaging Democracy</em></a> (Policy Press, 2021).</p><p>When Milton Friedman published <em>Capitalism and Freedom</em> in 1962, whose freedom was he referring to? When you know the answer is corporations, you can begin to understand both what neoliberalism was all about and why today Woke Capitalism may not be so much a harbinger of socialism as it is a way to distract the conversation from real economic reforms. That’s indeed the take of Carl Rhodes, whose book explores the plutocracy that America and otherwise democratic countries are at risk of becoming if they haven’t gotten there already. Abraham Lincoln’s Gettysburg Address famously included the pledge that government “of the people, by the people, and for the people” shall not perish. Rhodes is warning, in effect, that the world of George Orwell’s <em>Animal Farm</em> in which some pigs are more equal than others may be now dangerously closer to the truth.</p><p>Carl Rhodes is Professor of Organization Studies at the University of Technology Sydney. There he researches the ethical and democratic dimensions of business and work. Carl regularly writes for the mainstream and independent press alike on issues related to ethics, policy, and the economy.</p><p><em>Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (</em><a href="https://www.sensorylogic.com/"><em>https://www.sensorylogic.com</em></a><em>). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill’s EQ Spotlight” blog, visit </em><a href="https://emotionswizard.com/"><em>https://emotionswizard.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1745</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[617e9432-81d5-11ec-84b0-7b9cdbeea306]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5997345244.mp3?updated=1645106779" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicole M. Guidotti-Hernández, "Archiving Mexican Masculinities in Diaspora" (Duke UP, 2021)</title>
      <description>Nicole M. Guidotti-Hernández once again engages in the fearless work of challenging structures of domination. In her most recent book, Archiving Mexican Masculinities in Diaspora (Duke University Press, 2021), Profesora Guidotti-Hernández theorizes through the idea of the masculinized Mexican subject and leads us to the possibilities of historicizing how masculinities are archived and to what degree their intimacies, desires, and emotions emerge in both private collections and public institutions. By taking a Latinx feminist and queer reading of two of the most well-known stories in Mexican History in the United States (the Flores Magón brothers and the Bracero Program), she provides us with an affective history of Mexican masculinities in diaspora. Guidotti-Hernández declares early on that “...migration and separation…altered gender relations and expressions of gender” (2). This critical understanding provides her with a foundation on which to unravel the rest of her manuscript.
Dr. Nicole Guidotti-Hernández first came into contact with the highly-curated archives of these two historical flashpoints and saw what other scholars and public audiences were supposed to see, but, she writes, “Yet I also saw something else that was harder to put into words” (12-13). By exemplifying rigorous interdisciplinary research, she puts into words how migration structured and created feelings. Mexican men’s intimacies, emotions, and desires, as a result of separation, influenced their lives as political and economic subjects. Over 16 chapters and 290 pages, Guidotti-Hernández offers field-shifting contributions to Latinx Studies, histories of migration and labor, and Gender and Sexuality. Readers interested in Latinx feminist and queer approaches to history, and those interested in the history of Mexicans in the United States, should immediately get their copy of Archiving Mexican Masculinities in Diaspora.
Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicole M. Guidotti-Hernández</itunes:subtitle>
      <itunes:summary>Nicole M. Guidotti-Hernández once again engages in the fearless work of challenging structures of domination. In her most recent book, Archiving Mexican Masculinities in Diaspora (Duke University Press, 2021), Profesora Guidotti-Hernández theorizes through the idea of the masculinized Mexican subject and leads us to the possibilities of historicizing how masculinities are archived and to what degree their intimacies, desires, and emotions emerge in both private collections and public institutions. By taking a Latinx feminist and queer reading of two of the most well-known stories in Mexican History in the United States (the Flores Magón brothers and the Bracero Program), she provides us with an affective history of Mexican masculinities in diaspora. Guidotti-Hernández declares early on that “...migration and separation…altered gender relations and expressions of gender” (2). This critical understanding provides her with a foundation on which to unravel the rest of her manuscript.
Dr. Nicole Guidotti-Hernández first came into contact with the highly-curated archives of these two historical flashpoints and saw what other scholars and public audiences were supposed to see, but, she writes, “Yet I also saw something else that was harder to put into words” (12-13). By exemplifying rigorous interdisciplinary research, she puts into words how migration structured and created feelings. Mexican men’s intimacies, emotions, and desires, as a result of separation, influenced their lives as political and economic subjects. Over 16 chapters and 290 pages, Guidotti-Hernández offers field-shifting contributions to Latinx Studies, histories of migration and labor, and Gender and Sexuality. Readers interested in Latinx feminist and queer approaches to history, and those interested in the history of Mexicans in the United States, should immediately get their copy of Archiving Mexican Masculinities in Diaspora.
Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nicole M. Guidotti-Hernández once again engages in the fearless work of challenging structures of domination. In her most recent book, <a href="https://bookshop.org/a/12343/9781478014157"><em>Archiving Mexican Masculinities in Diaspora</em></a> (Duke University Press, 2021), Profesora Guidotti-Hernández theorizes through the idea of the masculinized Mexican subject and leads us to the possibilities of historicizing how masculinities are archived and to what degree their intimacies, desires, and emotions emerge in both private collections and public institutions. By taking a Latinx feminist and queer reading of two of the most well-known stories in Mexican History in the United States (the Flores Magón brothers and the Bracero Program), she provides us with an affective history of Mexican masculinities in diaspora. Guidotti-Hernández declares early on that “...migration and separation…altered gender relations and expressions of gender” (2). This critical understanding provides her with a foundation on which to unravel the rest of her manuscript.</p><p>Dr. Nicole Guidotti-Hernández first came into contact with the highly-curated archives of these two historical flashpoints and saw what other scholars and public audiences were supposed to see, but, she writes, “Yet I also saw something else that was harder to put into words” (12-13). By exemplifying rigorous interdisciplinary research, she puts into words how migration structured and created feelings. Mexican men’s intimacies, emotions, and desires, as a result of separation, influenced their lives as political and economic subjects. Over 16 chapters and 290 pages, Guidotti-Hernández offers field-shifting contributions to Latinx Studies, histories of migration and labor, and Gender and Sexuality. Readers interested in Latinx feminist and queer approaches to history, and those interested in the history of Mexicans in the United States, should immediately get their copy of <em>Archiving Mexican Masculinities in Diaspora</em>.</p><p><em>Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4549</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0032009e-8fed-11ec-87c3-97713417a71c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8100898418.mp3?updated=1645053119" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of the Apocalyptic Right in the U.S.: A Discussion with Benjamin R. Teitelbaum</title>
      <description>How did Steve Bannon come to believe the strange things he believes?
The influential, former Trump aid, began as a Democrat-supporting Naval officer with an interest in Buddhism and transcendental meditation. He is now an anti-globalist, sympathizer of “Traditionalists” who look forward to a cataclysmic moment which will lead to a golden age of elitist, hierarchical, spiritual rule promoting long-lost essential truths. He uses the pseudonym "Alec Guinness." And Bannon believes in something akin to “the force” in Star Wars. How did Bannon undergo this transformation? 
In this episode, Owen Bennett-Jones sits down with Benjamin Teitelbaum, author of War for Eternity: Inside Bannon's Far-Right Circle of Global Power Brokers (Dey Street Books, 2020) to find out how Bannon became Bannon. 
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benjamin R. Teitelbaum</itunes:subtitle>
      <itunes:summary>How did Steve Bannon come to believe the strange things he believes?
The influential, former Trump aid, began as a Democrat-supporting Naval officer with an interest in Buddhism and transcendental meditation. He is now an anti-globalist, sympathizer of “Traditionalists” who look forward to a cataclysmic moment which will lead to a golden age of elitist, hierarchical, spiritual rule promoting long-lost essential truths. He uses the pseudonym "Alec Guinness." And Bannon believes in something akin to “the force” in Star Wars. How did Bannon undergo this transformation? 
In this episode, Owen Bennett-Jones sits down with Benjamin Teitelbaum, author of War for Eternity: Inside Bannon's Far-Right Circle of Global Power Brokers (Dey Street Books, 2020) to find out how Bannon became Bannon. 
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did Steve Bannon come to believe the strange things he believes?</p><p>The influential, former Trump aid, began as a Democrat-supporting Naval officer with an interest in Buddhism and transcendental meditation. He is now an anti-globalist, sympathizer of “Traditionalists” who look forward to a cataclysmic moment which will lead to a golden age of elitist, hierarchical, spiritual rule promoting long-lost essential truths. He uses the pseudonym "Alec Guinness." And Bannon believes in something akin to “the force” in Star Wars. How did Bannon undergo this transformation? </p><p>In this episode, Owen Bennett-Jones sits down with Benjamin Teitelbaum, author of <a href="https://bookshop.org/a/12343/9780062978455"><em>War for Eternity: Inside Bannon's Far-Right Circle of Global Power Brokers</em></a> (Dey Street Books, 2020) to find out how Bannon became Bannon. </p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3607</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[26e4b59a-931e-11ec-adc2-3756145028b9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5447056752.mp3?updated=1645451723" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Boarder Giles, "A Mass Conspiracy to Feed People: Food Not Bombs and the World-Class Waste of Global Cities" (Duke UP, 2021)</title>
      <description>In A Mass Conspiracy to Feed People: Food Not Bombs and the World-Class Waste of Global Cities (Duke UP, 2021), David Boarder Giles explores the ways in which capitalism simultaneously manufactures waste and scarcity. Illustrating how communities of marginalized people and discarded things gather and cultivate political possibilities, Giles documents the work of Food Not Bombs (FNB), a global movement of grassroots soup kitchens that recover wasted grocery surpluses and redistribute them to those in need. He explores FNB's urban contexts: the global cities in which late-capitalist economies and unsustainable consumption precipitate excess, inequality, food waste, and hunger. Beginning in urban dumpsters, Giles traces the logic by which perfectly edible commodities are nonetheless thrown out—an act that manufactures food scarcity—to the social order of “world-class” cities, the pathways of discarded food as it circulates through the FNB kitchen, and the anticapitalist political movements the kitchen represents. Describing the mutual entanglement of global capitalism and anticapitalist transgression, Giles captures those emergent forms of generosity, solidarity, and resistance that spring from the global city's marginalized residents. 
David Boarder Giles is a Lecturer in Anthropology at the School of Humanities and Social Sciences at Deakin university, Australia. His writes about waste, cities, and social movements. He is also one of the producers of Conversations in Anthropology.
Blog: https://dhboardergiles.wordpress.com/
Twitter: @DHBoarderGiles

Amir Sayadabdi is Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Boarder Giles</itunes:subtitle>
      <itunes:summary>In A Mass Conspiracy to Feed People: Food Not Bombs and the World-Class Waste of Global Cities (Duke UP, 2021), David Boarder Giles explores the ways in which capitalism simultaneously manufactures waste and scarcity. Illustrating how communities of marginalized people and discarded things gather and cultivate political possibilities, Giles documents the work of Food Not Bombs (FNB), a global movement of grassroots soup kitchens that recover wasted grocery surpluses and redistribute them to those in need. He explores FNB's urban contexts: the global cities in which late-capitalist economies and unsustainable consumption precipitate excess, inequality, food waste, and hunger. Beginning in urban dumpsters, Giles traces the logic by which perfectly edible commodities are nonetheless thrown out—an act that manufactures food scarcity—to the social order of “world-class” cities, the pathways of discarded food as it circulates through the FNB kitchen, and the anticapitalist political movements the kitchen represents. Describing the mutual entanglement of global capitalism and anticapitalist transgression, Giles captures those emergent forms of generosity, solidarity, and resistance that spring from the global city's marginalized residents. 
David Boarder Giles is a Lecturer in Anthropology at the School of Humanities and Social Sciences at Deakin university, Australia. His writes about waste, cities, and social movements. He is also one of the producers of Conversations in Anthropology.
Blog: https://dhboardergiles.wordpress.com/
Twitter: @DHBoarderGiles

Amir Sayadabdi is Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478014416"><em>A Mass Conspiracy to Feed People: Food Not Bombs and the World-Class Waste of Global Cities</em></a> (Duke UP, 2021), David Boarder Giles explores the ways in which capitalism simultaneously manufactures waste and scarcity. Illustrating how communities of marginalized people and discarded things gather and cultivate political possibilities, Giles documents the work of Food Not Bombs (FNB), a global movement of grassroots soup kitchens that recover wasted grocery surpluses and redistribute them to those in need. He explores FNB's urban contexts: the global cities in which late-capitalist economies and unsustainable consumption precipitate excess, inequality, food waste, and hunger. Beginning in urban dumpsters, Giles traces the logic by which perfectly edible commodities are nonetheless thrown out—an act that manufactures food scarcity—to the social order of “world-class” cities, the pathways of discarded food as it circulates through the FNB kitchen, and the anticapitalist political movements the kitchen represents. Describing the mutual entanglement of global capitalism and anticapitalist transgression, Giles captures those emergent forms of generosity, solidarity, and resistance that spring from the global city's marginalized residents. </p><p><a href="https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.deakin.edu.au%2Fabout-deakin%2Fpeople%2Fdavid-giles&amp;data=04%7C01%7Camir.sayadabdi%40vuw.ac.nz%7C74cec16bc0f842fe2b0308d9f0377f76%7Ccfe63e236951427e8683bb84dcf1d20c%7C0%7C0%7C637804943478553300%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=omvyH8Z9R0VTbHIWWGbIB4vGTrA0035TqOtsfNQG%2BFo%3D&amp;reserved=0">David Boarder Giles</a> is a Lecturer in Anthropology at the School of Humanities and Social Sciences at Deakin university, Australia. His writes about waste, cities, and social movements. He is also one of the producers of <a href="https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsoundcloud.com%2Fanthro-convo&amp;data=04%7C01%7Camir.sayadabdi%40vuw.ac.nz%7C74cec16bc0f842fe2b0308d9f0377f76%7Ccfe63e236951427e8683bb84dcf1d20c%7C0%7C0%7C637804943478553300%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=5UZRWfDfOASpPfgjsLWFCKbknbGCM05YRzVZigTmcJ0%3D&amp;reserved=0"><em>Conversations in Anthropology</em></a>.</p><p>Blog: <a href="https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdhboardergiles.wordpress.com%2F&amp;data=04%7C01%7Camir.sayadabdi%40vuw.ac.nz%7C74cec16bc0f842fe2b0308d9f0377f76%7Ccfe63e236951427e8683bb84dcf1d20c%7C0%7C0%7C637804943478553300%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=D%2BVmTgN8uW05vefePWvtSktAG3g%2FhQ3Ev8i4OiqXtl8%3D&amp;reserved=0">https://dhboardergiles.wordpress.com/</a></p><p>Twitter: @DHBoarderGiles</p><p><br></p><p><a href="https://people.wgtn.ac.nz/amir.sayadabdi"><em>Amir Sayadabdi</em></a><em> is Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4289</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18dd7508-8fff-11ec-9a01-6bdd91b7a43c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7549833428.mp3?updated=1645109087" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Teresa Kulawik and Zhanna Kravchenko, "Borderlands in European Gender Studies: Beyond the East-West Frontier" (Routledge, 2020)</title>
      <description>Challenging persistent geopolitical asymmetries in feminist knowledge production, this collection depicts collisions between concepts and lived experiences, between academic feminism and political activism, between the West as generalizable and the East as the concrete Other. Borderlands in European Gender Studies (Routledge, 2020) narrows the gap between cultural analysis and social theory, addressing feminist theory’s epistemological foundations and its capacity to confront the legacies of colonialism and socialism. The contributions demonstrate the enduring worth of feminist concepts for critical analysis, conceptualize resistance to multiple forms of oppression, and identify the implications of the decoupling of cultural and social feminist critique for the analysis of gender relations in a post-socialist space.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Teresa Kulawik, Zhanna Kravchenko, and contributors</itunes:subtitle>
      <itunes:summary>Challenging persistent geopolitical asymmetries in feminist knowledge production, this collection depicts collisions between concepts and lived experiences, between academic feminism and political activism, between the West as generalizable and the East as the concrete Other. Borderlands in European Gender Studies (Routledge, 2020) narrows the gap between cultural analysis and social theory, addressing feminist theory’s epistemological foundations and its capacity to confront the legacies of colonialism and socialism. The contributions demonstrate the enduring worth of feminist concepts for critical analysis, conceptualize resistance to multiple forms of oppression, and identify the implications of the decoupling of cultural and social feminist critique for the analysis of gender relations in a post-socialist space.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Challenging persistent geopolitical asymmetries in feminist knowledge production, this collection depicts collisions between concepts and lived experiences, between academic feminism and political activism, between the West as generalizable and the East as the concrete Other. <a href="https://bookshop.org/a/12343/9780367258962"><em>Borderlands in European Gender Studies</em></a><em> </em>(Routledge, 2020)<em> </em>narrows the gap between cultural analysis and social theory, addressing feminist theory’s epistemological foundations and its capacity to confront the legacies of colonialism and socialism. The contributions demonstrate the enduring worth of feminist concepts for critical analysis, conceptualize resistance to multiple forms of oppression, and identify the implications of the decoupling of cultural and social feminist critique for the analysis of gender relations in a post-socialist space.</p><p><em>Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5176</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1318331c-8ea9-11ec-94b9-e7d6e7c55cee]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8327494286.mp3?updated=1644961902" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Devenney, "Towards an Improper Politics" (Edinburgh UP, 2020)</title>
      <description>Historically, discourses of racial, civilizational, and sexual difference have inevitably been entangled with, shaped by, and constitutive of institutions that divide up the land and allocate rights of access and use. Yet, traditionally, political theorists and social scientists have thought of property as an exclusively economic category, and of property rights as institutions that reflect a deeper ‘objective’ balance of power between class forces. This economistic understanding of property has not only served to erase the racialized, colonial, and gendered foundations of capitalism, but it has also led contemporary political and social theorists interested in identity and new social movements to abandon the critique of property.
In his recent book Towards an Improper Politics (Edinburgh University Press, 2020), my guest Mark Devenney argues that “property belies any crude distinction between the economic and the political.” Instead, he emphasizes that political orders always link the ability to appropriate land, labor, and commodities with discourses that delimit proper modes of being. He argues for an ‘improper’ politics that challenges both the distribution of property and the norms of propriety that serve to justify inequality.
Mark Devenney is a professor at the University of Brighton.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 21 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mark Devenney</itunes:subtitle>
      <itunes:summary>Historically, discourses of racial, civilizational, and sexual difference have inevitably been entangled with, shaped by, and constitutive of institutions that divide up the land and allocate rights of access and use. Yet, traditionally, political theorists and social scientists have thought of property as an exclusively economic category, and of property rights as institutions that reflect a deeper ‘objective’ balance of power between class forces. This economistic understanding of property has not only served to erase the racialized, colonial, and gendered foundations of capitalism, but it has also led contemporary political and social theorists interested in identity and new social movements to abandon the critique of property.
In his recent book Towards an Improper Politics (Edinburgh University Press, 2020), my guest Mark Devenney argues that “property belies any crude distinction between the economic and the political.” Instead, he emphasizes that political orders always link the ability to appropriate land, labor, and commodities with discourses that delimit proper modes of being. He argues for an ‘improper’ politics that challenges both the distribution of property and the norms of propriety that serve to justify inequality.
Mark Devenney is a professor at the University of Brighton.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Historically, discourses of racial, civilizational, and sexual difference have inevitably been entangled with, shaped by, and constitutive of institutions that divide up the land and allocate rights of access and use. Yet, traditionally, political theorists and social scientists have thought of property as an exclusively economic category, and of property rights as institutions that reflect a deeper ‘objective’ balance of power between class forces. This economistic understanding of property has not only served to erase the racialized, colonial, and gendered foundations of capitalism, but it has also led contemporary political and social theorists interested in identity and new social movements to abandon the critique of property.</p><p>In his recent book <a href="https://bookshop.org/a/12343/9781474454032"><em>Towards an Improper Politics</em></a> (Edinburgh University Press, 2020), my guest Mark Devenney argues that “property belies any crude distinction between the economic and the political.” Instead, he emphasizes that political orders always link the ability to appropriate land, labor, and commodities with discourses that delimit proper modes of being. He argues for an ‘improper’ politics that challenges both the distribution of property and the norms of propriety that serve to justify inequality.</p><p><em>Mark Devenney is a professor at the University of Brighton.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5294</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7b1be4e-8c38-11ec-8afd-5bf57f528dcf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5124081281.mp3?updated=1732046509" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Irmgard Emmelhainz, "Toxic Loves, Impossible Futures: Feminist Living as Resistance" (Vanderbilt UP, 2022)</title>
      <description>Toxic Loves, Impossible Futures: Feminist Living as Resistance (Vanderbilt UP, 2022) is an homage to a constellation of women writers, feminists, and creators whose voices draw a map of our current global political-environmental crisis and the interlinked massive violence, enabled by the denigration of life and human relationships. In a world in which "a woman's voice" exists in bodies called on to occupy important positions in corporations, government, and cultural and academic institutions, to work in factories, and to join the army—but whose bodies are systematically rendered vulnerable by gender violence and by the double burden imposed on them to perform both productive and reproductive labor—Emmelhainz asks: What is the task of thought and form in contemporary feminist-situated knowledge? 
Toxic Loves, Impossible Futures is a collection of essays rethinking feminist issues in the current context of the production of redundant populations, the omnipresence of the technosphere and environmental devastation, toxic relationships, toxic nationalisms, and more. These reflections and dialogues are an urgent attempt to resist the present in the company of the voices of women like bell hooks, Sara Ahmed, Leslie Jamison, Lina Meruane, Leanne Betasamosake Simpson, Chris Kraus, Alaíde Foppa, Lorena Wolffer, Sayak Valencia, Pip Day, Veronica Gonzalez Peña, Eimear McBride, Simone de Beauvoir, Elena Poniatowska, Susan Sontag, Margaret Randall, Simone Weil, Arundhati Roy, Marta Lamas, Paul B. Preciado, Dawn Marie Paley, Raquel Gutiérrez, Sara Eliassen, and Silvia Gruner. Toxic Loves, Impossible Futures continues the discussion on how to undo misogyny and dismantle heteropatriarchy's sublimating and denigrating tricks against women, which are intrinsically linked to colonialism and violence against the Earth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>263</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Irmgard Emmelhainz</itunes:subtitle>
      <itunes:summary>Toxic Loves, Impossible Futures: Feminist Living as Resistance (Vanderbilt UP, 2022) is an homage to a constellation of women writers, feminists, and creators whose voices draw a map of our current global political-environmental crisis and the interlinked massive violence, enabled by the denigration of life and human relationships. In a world in which "a woman's voice" exists in bodies called on to occupy important positions in corporations, government, and cultural and academic institutions, to work in factories, and to join the army—but whose bodies are systematically rendered vulnerable by gender violence and by the double burden imposed on them to perform both productive and reproductive labor—Emmelhainz asks: What is the task of thought and form in contemporary feminist-situated knowledge? 
Toxic Loves, Impossible Futures is a collection of essays rethinking feminist issues in the current context of the production of redundant populations, the omnipresence of the technosphere and environmental devastation, toxic relationships, toxic nationalisms, and more. These reflections and dialogues are an urgent attempt to resist the present in the company of the voices of women like bell hooks, Sara Ahmed, Leslie Jamison, Lina Meruane, Leanne Betasamosake Simpson, Chris Kraus, Alaíde Foppa, Lorena Wolffer, Sayak Valencia, Pip Day, Veronica Gonzalez Peña, Eimear McBride, Simone de Beauvoir, Elena Poniatowska, Susan Sontag, Margaret Randall, Simone Weil, Arundhati Roy, Marta Lamas, Paul B. Preciado, Dawn Marie Paley, Raquel Gutiérrez, Sara Eliassen, and Silvia Gruner. Toxic Loves, Impossible Futures continues the discussion on how to undo misogyny and dismantle heteropatriarchy's sublimating and denigrating tricks against women, which are intrinsically linked to colonialism and violence against the Earth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780826502445"><em>Toxic Loves, Impossible Futures: Feminist Living as Resistance</em></a> (Vanderbilt UP, 2022) is an homage to a constellation of women writers, feminists, and creators whose voices draw a map of our current global political-environmental crisis and the interlinked massive violence, enabled by the denigration of life and human relationships. In a world in which "a woman's voice" exists in bodies called on to occupy important positions in corporations, government, and cultural and academic institutions, to work in factories, and to join the army—but whose bodies are systematically rendered vulnerable by gender violence and by the double burden imposed on them to perform both productive and reproductive labor—Emmelhainz asks: What is the task of thought and form in contemporary feminist-situated knowledge? </p><p><em>Toxic Loves, Impossible Futures</em> is a collection of essays rethinking feminist issues in the current context of the production of redundant populations, the omnipresence of the technosphere and environmental devastation, toxic relationships, toxic nationalisms, and more. These reflections and dialogues are an urgent attempt to resist the present in the company of the voices of women like bell hooks, Sara Ahmed, Leslie Jamison, Lina Meruane, Leanne Betasamosake Simpson, Chris Kraus, Alaíde Foppa, Lorena Wolffer, Sayak Valencia, Pip Day, Veronica Gonzalez Peña, Eimear McBride, Simone de Beauvoir, Elena Poniatowska, Susan Sontag, Margaret Randall, Simone Weil, Arundhati Roy, Marta Lamas, Paul B. Preciado, Dawn Marie Paley, Raquel Gutiérrez, Sara Eliassen, and Silvia Gruner. Toxic Loves, Impossible Futures continues the discussion on how to undo misogyny and dismantle heteropatriarchy's sublimating and denigrating tricks against women, which are intrinsically linked to colonialism and violence against the Earth.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ad8745aa-8c06-11ec-8261-67ca38135ffb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2011919056.mp3?updated=1644672932" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kyle T. Mays, "An Afro-Indigenous History of the United States" (Beacon Press, 2021)</title>
      <description>Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Kyle T. Mays, an Afro-Indigenous historian, argues that the foundations of the US are rooted in anti-blackness and settler colonialism, and that these parallel oppressions continue into the present. 
In An Afro-Indigenous History of the United States (Beacon Press, 2021), he explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays shows how Black and Indigenous peoples’ calls for justice have consistently sought to uproot white supremacy. Using a wide array of key texts and pop culture touchstones, Mays also covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the appropriation of Black culture.
John Cable is assistant professor of history at Abraham Baldwin Agricultural College in Tifton, Georgia. He earned the Ph.D. in history at Florida State University in 2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>108</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kyle T. Mays</itunes:subtitle>
      <itunes:summary>Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Kyle T. Mays, an Afro-Indigenous historian, argues that the foundations of the US are rooted in anti-blackness and settler colonialism, and that these parallel oppressions continue into the present. 
In An Afro-Indigenous History of the United States (Beacon Press, 2021), he explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays shows how Black and Indigenous peoples’ calls for justice have consistently sought to uproot white supremacy. Using a wide array of key texts and pop culture touchstones, Mays also covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the appropriation of Black culture.
John Cable is assistant professor of history at Abraham Baldwin Agricultural College in Tifton, Georgia. He earned the Ph.D. in history at Florida State University in 2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Kyle T. Mays, an Afro-Indigenous historian, argues that the foundations of the US are rooted in anti-blackness and settler colonialism, and that these parallel oppressions continue into the present. </p><p>In<a href="https://bookshop.org/a/12343/9780807011683"> <em>An Afro-Indigenous History of the United States</em></a> (Beacon Press, 2021), he explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays shows how Black and Indigenous peoples’ calls for justice have consistently sought to uproot white supremacy. Using a wide array of key texts and pop culture touchstones, Mays also covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the appropriation of Black culture.</p><p><em>John Cable is assistant professor of history at Abraham Baldwin Agricultural College in Tifton, Georgia. He earned the Ph.D. in history at Florida State University in 2020.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2279</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5808e996-8c22-11ec-898f-fb21e71f34e1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1223520120.mp3?updated=1644684151" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Keller Easterling, "Medium Design: Knowing How to Work on the World" (Verso, 2021)</title>
      <description>How do we formulate alternative approaches to the world’s unresponsive or intractable dilemmas, from climate change, to inequality, to concentrations of authoritarian power? Keller Easterling argues that the search for singular solutions is a mistake. Instead, she offers the perspective of medium design, one that considers not only separate objects, ideas and events but also the space between them. This background matrix with all its latent potentials is profoundly underexploited in a culture that is good at naming things but not so good at seeing how they connect and interact.
In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design: Knowing How to Work on the World (Verso, 2021) looks not to new technologies for innovation but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but rather put them together in productive combinations. And it offers forms of activism for modulating power and temperament in organisations of all kinds.
Keller Easterling speaks to Pierre d'Alancaisez about thinking in a world where 'nothing works', the paradoxical possibilities for solving concurrent problems, and the chances of winning games rigged by the Superbug.
Keller Easterling is a designer, writer, and the Enid Storm Dwyer Professor of Architecture at Yale. She is the author of Extrastatecraft: The Power of Infrastructure Space (Verso, 2014) and numerous other books and articles. Easterling was a 2019 United States Artist Fellow in Architecture and Design, and the recipient of the 2019 Blueprint Award for Critical Thinking.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 17 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Keller Easterling</itunes:subtitle>
      <itunes:summary>How do we formulate alternative approaches to the world’s unresponsive or intractable dilemmas, from climate change, to inequality, to concentrations of authoritarian power? Keller Easterling argues that the search for singular solutions is a mistake. Instead, she offers the perspective of medium design, one that considers not only separate objects, ideas and events but also the space between them. This background matrix with all its latent potentials is profoundly underexploited in a culture that is good at naming things but not so good at seeing how they connect and interact.
In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design: Knowing How to Work on the World (Verso, 2021) looks not to new technologies for innovation but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but rather put them together in productive combinations. And it offers forms of activism for modulating power and temperament in organisations of all kinds.
Keller Easterling speaks to Pierre d'Alancaisez about thinking in a world where 'nothing works', the paradoxical possibilities for solving concurrent problems, and the chances of winning games rigged by the Superbug.
Keller Easterling is a designer, writer, and the Enid Storm Dwyer Professor of Architecture at Yale. She is the author of Extrastatecraft: The Power of Infrastructure Space (Verso, 2014) and numerous other books and articles. Easterling was a 2019 United States Artist Fellow in Architecture and Design, and the recipient of the 2019 Blueprint Award for Critical Thinking.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do we formulate alternative approaches to the world’s unresponsive or intractable dilemmas, from climate change, to inequality, to concentrations of authoritarian power? Keller Easterling argues that the search for singular solutions is a mistake. Instead, she offers the perspective of medium design, one that considers not only separate objects, ideas and events but also the space between them. This background matrix with all its latent potentials is profoundly underexploited in a culture that is good at naming things but not so good at seeing how they connect and interact.</p><p>In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, <a href="https://bookshop.org/a/12343/9781788739320"><em>Medium Design: Knowing How to Work on the World </em></a>(Verso, 2021) looks not to new technologies for innovation but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but rather put them together in productive combinations. And it offers forms of activism for modulating power and temperament in organisations of all kinds.</p><p>Keller Easterling speaks to Pierre d'Alancaisez about thinking in a world where 'nothing works', the paradoxical possibilities for solving concurrent problems, and the chances of winning games rigged by the Superbug.</p><p><a href="http://kellereasterling.com/">Keller Easterling</a> is a designer, writer, and the Enid Storm Dwyer Professor of Architecture at Yale. She is the<em> author of Extrastatecraft: The Power of Infrastructure Space </em>(Verso, 2014) and numerous other books and articles. Easterling was a 2019 United States Artist Fellow in Architecture and Design, and the recipient of the 2019 Blueprint Award for Critical Thinking.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2990</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[851ec722-8d9c-11ec-861c-f3e4968c8c1a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4199960406.mp3?updated=1644789453" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vânia Penha-Lopes, "The Presidential Elections of Trump and Bolsonaro, Whiteness, and the Nation" (Lexington Books, 2021)</title>
      <description>The Presidential Elections of Trump and Bolsonaro, Whiteness, and the Nation (Lexington Books, 2021) is a sociological analysis of the similarities between the elections of Donald Trump and Jair Bolsonaro, based on biographies, academic sources, newspaper, television, and internet reports published in the United States and Brazil between 2014 and 2021. The author argues that the success of each candidate reflects the racially hierarchical structure of their societies and the strength of the ideology of White supremacy to maintain that structure despite efforts to dismantle it. Regardless of class and gender, Whites responded to Trump's nativist call to exclude undesirable immigrants, especially Mexicans and Muslims, both of whom are racialized as non-White.In Brazil, the country with the largest population of African descent outside of Africa and the largest miscegenation rates in the world, the votes for Bolsonaro pointed to the social wish to achieve Whiteness and thus eliminate (or at least abate) the insecurity that comes from a belief in the racial inferiority of non-Whites. The author suggests that the results of the presidential elections reflect Whites' fear of losing ground after decades of gains by minorities, women, and the poor in both countries.
Dr. Penha-Lopes will have a book launch with the Columbia Global Center in Rio de Janeiro on Feb.11, 2022. Check the Center's Youtube page to view the event. 
Vânia Penha-Lopes is a Professor of Sociology at Bloomfield College, co-chair of the Brazil Seminar at Columbia University (2008-present), and was a member of the executive committee of the Brazilian Studies Association-BRASA (2010-14).
Reighan Gillam is an assistant professor in the Department of Anthropology at the University of Southern California. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Vânia Penha-Lopes</itunes:subtitle>
      <itunes:summary>The Presidential Elections of Trump and Bolsonaro, Whiteness, and the Nation (Lexington Books, 2021) is a sociological analysis of the similarities between the elections of Donald Trump and Jair Bolsonaro, based on biographies, academic sources, newspaper, television, and internet reports published in the United States and Brazil between 2014 and 2021. The author argues that the success of each candidate reflects the racially hierarchical structure of their societies and the strength of the ideology of White supremacy to maintain that structure despite efforts to dismantle it. Regardless of class and gender, Whites responded to Trump's nativist call to exclude undesirable immigrants, especially Mexicans and Muslims, both of whom are racialized as non-White.In Brazil, the country with the largest population of African descent outside of Africa and the largest miscegenation rates in the world, the votes for Bolsonaro pointed to the social wish to achieve Whiteness and thus eliminate (or at least abate) the insecurity that comes from a belief in the racial inferiority of non-Whites. The author suggests that the results of the presidential elections reflect Whites' fear of losing ground after decades of gains by minorities, women, and the poor in both countries.
Dr. Penha-Lopes will have a book launch with the Columbia Global Center in Rio de Janeiro on Feb.11, 2022. Check the Center's Youtube page to view the event. 
Vânia Penha-Lopes is a Professor of Sociology at Bloomfield College, co-chair of the Brazil Seminar at Columbia University (2008-present), and was a member of the executive committee of the Brazilian Studies Association-BRASA (2010-14).
Reighan Gillam is an assistant professor in the Department of Anthropology at the University of Southern California. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781793611307"><em>The Presidential Elections of Trump and Bolsonaro, Whiteness, and the Nation</em></a> (Lexington Books, 2021) is a sociological analysis of the similarities between the elections of Donald Trump and Jair Bolsonaro, based on biographies, academic sources, newspaper, television, and internet reports published in the United States and Brazil between 2014 and 2021. The author argues that the success of each candidate reflects the racially hierarchical structure of their societies and the strength of the ideology of White supremacy to maintain that structure despite efforts to dismantle it. Regardless of class and gender, Whites responded to Trump's nativist call to exclude undesirable immigrants, especially Mexicans and Muslims, both of whom are racialized as non-White.In Brazil, the country with the largest population of African descent outside of Africa and the largest miscegenation rates in the world, the votes for Bolsonaro pointed to the social wish to achieve Whiteness and thus eliminate (or at least abate) the insecurity that comes from a belief in the racial inferiority of non-Whites. The author suggests that the results of the presidential elections reflect Whites' fear of losing ground after decades of gains by minorities, women, and the poor in both countries.</p><p>Dr. Penha-Lopes will have a book launch with the Columbia Global Center in Rio de Janeiro on Feb.11, 2022. Check the Center's Youtube page to view the event. </p><p>Vânia Penha-Lopes is a Professor of Sociology at Bloomfield College, co-chair of the Brazil Seminar at Columbia University (2008-present), and was a member of the executive committee of the Brazilian Studies Association-BRASA (2010-14).</p><p><em>Reighan Gillam is an assistant professor in the Department of Anthropology at the University of Southern California. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2692</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[057f0764-8b41-11ec-b32a-d3cf40391e41]]></guid>
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    </item>
    <item>
      <title>Nina Power, "What Do Men Want?: Masculinity and Its Discontents" (Penguin, 2022)</title>
      <description>Something is definitely up with men. From millions online who engage with the manosphere to the #metoo backlash, from Men's Rights activists and incels to spiralling suicide rates, it's easy to see that, while men still rule the world, masculinity is in crisis. Feminism has gone some way towards dismantling the patriarchy, but how can we hold on to the best aspects of our metaphorical Father?
Nina Power, author of What Do Men Want?: Masculinity and Its Discontents (Penguin, 2022), speaks to Pierre d'Alancaisez about the challenge of accepting biological differences and the potential for men and women living well in a world where capitalism has replaced the values - family, religion, service, and honour - that used to give our lives meaning.
Nina Power is a philosopher, critic, and cultural theorist. She is the author of One Dimensional Woman, a co-host of The Lack, and she publishes a newsletter on Substack.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>262</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nina Power</itunes:subtitle>
      <itunes:summary>Something is definitely up with men. From millions online who engage with the manosphere to the #metoo backlash, from Men's Rights activists and incels to spiralling suicide rates, it's easy to see that, while men still rule the world, masculinity is in crisis. Feminism has gone some way towards dismantling the patriarchy, but how can we hold on to the best aspects of our metaphorical Father?
Nina Power, author of What Do Men Want?: Masculinity and Its Discontents (Penguin, 2022), speaks to Pierre d'Alancaisez about the challenge of accepting biological differences and the potential for men and women living well in a world where capitalism has replaced the values - family, religion, service, and honour - that used to give our lives meaning.
Nina Power is a philosopher, critic, and cultural theorist. She is the author of One Dimensional Woman, a co-host of The Lack, and she publishes a newsletter on Substack.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Something is definitely up with men. From millions online who engage with the manosphere to the #metoo backlash, from Men's Rights activists and incels to spiralling suicide rates, it's easy to see that, while men still rule the world, masculinity is in crisis. Feminism has gone some way towards dismantling the patriarchy, but how can we hold on to the best aspects of our metaphorical Father?</p><p>Nina Power, author of <a href="https://www.amazon.com/What-Men-Want-Masculinity-Discontents-ebook/dp/B08WZM16B2"><em>What Do Men Want?: Masculinity and Its Discontents</em></a><em> </em>(Penguin, 2022)<em>,</em> speaks to Pierre d'Alancaisez about the challenge of accepting biological differences and the potential for men and women living well in a world where capitalism has replaced the values - family, religion, service, and honour - that used to give our lives meaning.</p><p>Nina Power is a philosopher, critic, and cultural theorist. She is the author of <a href="https://www.johnhuntpublishing.com/zer0-books/our-books/one-dimensional-woman"><em>One Dimensional Woman</em></a>, a co-host of <a href="https://podcasts.apple.com/gb/podcast/the-lack/id1561070699"><em>The Lack</em></a><em>,</em> and she publishes a newsletter on <a href="https://ninapower.substack.com/">Substack</a>.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3657</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bd9257ec-8831-11ec-8ca6-7f149040ca2d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9400697627.mp3?updated=1644251458" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Himani Bannerji, "The Ideological Condition: Selected Essays on History, Race and Gender" (Brill, 2020)</title>
      <description>How should we understand identity? What sort of politics are needed to address various forms of oppression and marginalization? Are knowledge and practice untainted by ideological obfuscation possible? These questions and many more are what animate my guest today, Himani Bannerji, here to discuss her book The Ideological Condition: Selected Essays on History, Race and Gender (Brill, 2020). Clocking in at close to 800 pages and spanning several decades of research and writing, this volume brings a number of themes together.
Following Marx, Bannerji argues that social inquiry and critique must start with everyday life as it is lived, with the various social formations and relations generating various forms of consciousness. From this rather humble starting point, Bannerji is poised to enter into a productive dialogue with various other thinkers, particularly Lukacs, Gramsci and Dorothy Smith. She is also able to tackle questions of education, economics, race, gender, narrative, history, colonialism and emancipation. Tying these threads together is no easy task, but in working her way through an assortment of different themes and thinkers, Bannerji helps clarify the ways in which disparate elements of reality are tied to one another and cannot be understood in isolation. Readers will find this book to be overflowing with insights, and endlessly clarifying in the struggle to understand who we are, what we know, and what we can do.
Shortlisted for the Isaac Deutscher Memorial Prize, the book was published as part of the Historical Materialism book series, and was published first by Brill and then by Haymarket.
Himani Bannerji is professor emeritus of sociology at York University. Her publications include Demography and Democracy: Essays on Nationalism, Gender and Ideology, Inventing Subjects: Studies in Hegemony, Patriarchy and Colonialism, The Dark Side of the Nation: Essays on Multiculturalism, Nationalism and Racism and Thinking Through: Essays on Feminism, Marxism and Anti-Racism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>261</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Himani Bannerji</itunes:subtitle>
      <itunes:summary>How should we understand identity? What sort of politics are needed to address various forms of oppression and marginalization? Are knowledge and practice untainted by ideological obfuscation possible? These questions and many more are what animate my guest today, Himani Bannerji, here to discuss her book The Ideological Condition: Selected Essays on History, Race and Gender (Brill, 2020). Clocking in at close to 800 pages and spanning several decades of research and writing, this volume brings a number of themes together.
Following Marx, Bannerji argues that social inquiry and critique must start with everyday life as it is lived, with the various social formations and relations generating various forms of consciousness. From this rather humble starting point, Bannerji is poised to enter into a productive dialogue with various other thinkers, particularly Lukacs, Gramsci and Dorothy Smith. She is also able to tackle questions of education, economics, race, gender, narrative, history, colonialism and emancipation. Tying these threads together is no easy task, but in working her way through an assortment of different themes and thinkers, Bannerji helps clarify the ways in which disparate elements of reality are tied to one another and cannot be understood in isolation. Readers will find this book to be overflowing with insights, and endlessly clarifying in the struggle to understand who we are, what we know, and what we can do.
Shortlisted for the Isaac Deutscher Memorial Prize, the book was published as part of the Historical Materialism book series, and was published first by Brill and then by Haymarket.
Himani Bannerji is professor emeritus of sociology at York University. Her publications include Demography and Democracy: Essays on Nationalism, Gender and Ideology, Inventing Subjects: Studies in Hegemony, Patriarchy and Colonialism, The Dark Side of the Nation: Essays on Multiculturalism, Nationalism and Racism and Thinking Through: Essays on Feminism, Marxism and Anti-Racism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand identity? What sort of politics are needed to address various forms of oppression and marginalization? Are knowledge and practice untainted by ideological obfuscation possible? These questions and many more are what animate my guest today, Himani Bannerji, here to discuss her book <a href="https://bookshop.org/a/12343/9789004441613"><em>The Ideological Condition: Selected Essays on History, Race and Gender</em></a><em> </em>(Brill, 2020). Clocking in at close to 800 pages and spanning several decades of research and writing, this volume brings a number of themes together.</p><p>Following Marx, Bannerji argues that social inquiry and critique must start with everyday life as it is lived, with the various social formations and relations generating various forms of consciousness. From this rather humble starting point, Bannerji is poised to enter into a productive dialogue with various other thinkers, particularly Lukacs, Gramsci and Dorothy Smith. She is also able to tackle questions of education, economics, race, gender, narrative, history, colonialism and emancipation. Tying these threads together is no easy task, but in working her way through an assortment of different themes and thinkers, Bannerji helps clarify the ways in which disparate elements of reality are tied to one another and cannot be understood in isolation. Readers will find this book to be overflowing with insights, and endlessly clarifying in the struggle to understand who we are, what we know, and what we can do.</p><p>Shortlisted for the Isaac Deutscher Memorial Prize, the book was published as part of the <a href="https://www.historicalmaterialism.org/">Historical Materialism</a> book series, and was published first by <a href="https://brill.com/view/title/59057">Brill</a> and then by <a href="https://www.haymarketbooks.org/books/1749-the-ideological-condition">Haymarket</a>.</p><p>Himani Bannerji is professor emeritus of sociology at York University. Her publications include <em>Demography and Democracy: Essays on Nationalism, Gender and Ideology</em>, <em>Inventing Subjects: Studies in Hegemony, Patriarchy and Colonialism</em>, <em>The Dark Side of the Nation: Essays on Multiculturalism, Nationalism and Racism</em> and <em>Thinking Through: Essays on Feminism, Marxism and Anti-Racism</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>8674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d6ae0086-869d-11ec-bad1-0392b6b27f6c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1265086232.mp3?updated=1644078446" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mimi Sheller, "Island Futures: Caribbean Survival in the Anthropocene" (Duke UP, 2020)</title>
      <description>In Island Futures: Caribbean Survival in the Anthropocene (Duke UP, 2020), Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region during a time of climate catastrophe. Drawing on fieldwork on postearthquake reconstruction in Haiti, flooding on the Haitian-Dominican border, and recent hurricanes, Sheller shows how ecological vulnerability and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics. Because foreigners are largely ignorant of Haiti's political, cultural, and economic contexts, especially the historical role of the United States, their efforts to help often exacerbate inequities. Caribbean survival under ever-worsening environmental and political conditions, Sheller contends, demands radical alternatives to the pervasive neocolonialism, racial capitalism, and US military domination that have perpetuated what she calls the "coloniality of climate." Sheller insists that alternative projects for Haitian reconstruction, social justice, and climate resilience-and the sustainability of the entire region-must be grounded in radical Caribbean intellectual traditions that call for deeper transformations of transnational economies, ecologies, and human relations writ large.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 10 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mimi Sheller</itunes:subtitle>
      <itunes:summary>In Island Futures: Caribbean Survival in the Anthropocene (Duke UP, 2020), Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region during a time of climate catastrophe. Drawing on fieldwork on postearthquake reconstruction in Haiti, flooding on the Haitian-Dominican border, and recent hurricanes, Sheller shows how ecological vulnerability and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics. Because foreigners are largely ignorant of Haiti's political, cultural, and economic contexts, especially the historical role of the United States, their efforts to help often exacerbate inequities. Caribbean survival under ever-worsening environmental and political conditions, Sheller contends, demands radical alternatives to the pervasive neocolonialism, racial capitalism, and US military domination that have perpetuated what she calls the "coloniality of climate." Sheller insists that alternative projects for Haitian reconstruction, social justice, and climate resilience-and the sustainability of the entire region-must be grounded in radical Caribbean intellectual traditions that call for deeper transformations of transnational economies, ecologies, and human relations writ large.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478011187"><em>Island Futures: Caribbean Survival in the Anthropocene</em></a><em> </em>(Duke UP, 2020), Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region during a time of climate catastrophe. Drawing on fieldwork on postearthquake reconstruction in Haiti, flooding on the Haitian-Dominican border, and recent hurricanes, Sheller shows how ecological vulnerability and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics. Because foreigners are largely ignorant of Haiti's political, cultural, and economic contexts, especially the historical role of the United States, their efforts to help often exacerbate inequities. Caribbean survival under ever-worsening environmental and political conditions, Sheller contends, demands radical alternatives to the pervasive neocolonialism, racial capitalism, and US military domination that have perpetuated what she calls the "coloniality of climate." Sheller insists that alternative projects for Haitian reconstruction, social justice, and climate resilience-and the sustainability of the entire region-must be grounded in radical Caribbean intellectual traditions that call for deeper transformations of transnational economies, ecologies, and human relations writ large.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5291</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[43c3bdf2-867e-11ec-8f8f-1791e550ce5d]]></guid>
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    </item>
    <item>
      <title>Corinne Fowler, "Green Unpleasant Land: Creative Responses to Rural England's Colonial Connections" (Peepal Tree Press, 2021)</title>
      <description>In Green Unpleasant Land: Creative Responses to Rural England's Colonial Connections (PeePal Tree Press, 2021), Dr. Corinne Fowler explores the repressed history of rural England's links to transatlantic enslavement and the East India Company.
“Historical and literary ideas about the countryside have shifted significantly in the last three decades. For a long time now, historians, social geographers and archaeologists have recognised that English rural landscapes are readable, showing up such things as Bronze Age forts and Roman roads. The countryside was not, until recently, considered to reveal much about the British empire. Nor was the empire seen as having much to do with enclosure, rural poverty or rural industry. All that has changed.”
Combining essays, poems and stories, the book details the colonial links of country houses, moorlands, woodlands, village pubs and graveyards. Dr. Fowler, who herself comes from a family of slave-owners, argues that Britain's cultural and economic legacy is not simply expressed by chinoiserie, statues, monuments, galleries, warehouses and stately homes. This is a shared history: Britons' ancestors either profited from empire or were impoverished by it. The legacy of empire is expressed by potent language, literary culture and lasting ideas, not least about the countryside. “The book sets out to explore the connections between historical studies and imaginative literary attempts to rethink English rurality. It demonstrates how Black British and British Asian writers (who are inevitably also readers) have addressed and challenged a sense of rural exclusion within the context of shifting sensibilities about the countryside in writing from the sixteenth-century to the present.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Corinne Fowler</itunes:subtitle>
      <itunes:summary>In Green Unpleasant Land: Creative Responses to Rural England's Colonial Connections (PeePal Tree Press, 2021), Dr. Corinne Fowler explores the repressed history of rural England's links to transatlantic enslavement and the East India Company.
“Historical and literary ideas about the countryside have shifted significantly in the last three decades. For a long time now, historians, social geographers and archaeologists have recognised that English rural landscapes are readable, showing up such things as Bronze Age forts and Roman roads. The countryside was not, until recently, considered to reveal much about the British empire. Nor was the empire seen as having much to do with enclosure, rural poverty or rural industry. All that has changed.”
Combining essays, poems and stories, the book details the colonial links of country houses, moorlands, woodlands, village pubs and graveyards. Dr. Fowler, who herself comes from a family of slave-owners, argues that Britain's cultural and economic legacy is not simply expressed by chinoiserie, statues, monuments, galleries, warehouses and stately homes. This is a shared history: Britons' ancestors either profited from empire or were impoverished by it. The legacy of empire is expressed by potent language, literary culture and lasting ideas, not least about the countryside. “The book sets out to explore the connections between historical studies and imaginative literary attempts to rethink English rurality. It demonstrates how Black British and British Asian writers (who are inevitably also readers) have addressed and challenged a sense of rural exclusion within the context of shifting sensibilities about the countryside in writing from the sixteenth-century to the present.”
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>Green Unpleasant Land: Creative Responses to Rural England's Colonial Connections</em> (PeePal Tree Press, 2021), Dr. Corinne Fowler explores the repressed history of rural England's links to transatlantic enslavement and the East India Company.</p><p>“Historical and literary ideas about the countryside have shifted significantly in the last three decades. For a long time now, historians, social geographers and archaeologists have recognised that English rural landscapes are readable, showing up such things as Bronze Age forts and Roman roads. The countryside was not, until recently, considered to reveal much about the British empire. Nor was the empire seen as having much to do with enclosure, rural poverty or rural industry. All that has changed.”</p><p>Combining essays, poems and stories, the book details the colonial links of country houses, moorlands, woodlands, village pubs and graveyards. Dr. Fowler, who herself comes from a family of slave-owners, argues that Britain's cultural and economic legacy is not simply expressed by chinoiserie, statues, monuments, galleries, warehouses and stately homes. This is a shared history: Britons' ancestors either profited from empire or were impoverished by it. The legacy of empire is expressed by potent language, literary culture and lasting ideas, not least about the countryside. “The book sets out to explore the connections between historical studies and imaginative literary attempts to rethink English rurality. It demonstrates how Black British and British Asian writers (who are inevitably also readers) have addressed and challenged a sense of rural exclusion within the context of shifting sensibilities about the countryside in writing from the sixteenth-century to the present.”</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[060bb078-8430-11ec-b6b4-17e7c17b54d4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2137123941.mp3?updated=1643810645" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katie Rios, "This Is America: Race, Gender, and Politics in America's Musical Landscape" (Lexington Books, 2021)</title>
      <description>“This is America”: Race Gender and Politics in America’s Musical Landscape by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to Hamilton. The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katie Rios</itunes:subtitle>
      <itunes:summary>“This is America”: Race Gender and Politics in America’s Musical Landscape by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to Hamilton. The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater.
Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781793619167"><em>“This is America”: Race Gender and Politics in America’s Musical Landscape</em></a><em> </em>by Katie Rios (Lexington Books, 2021) examines an eclectic mix of different artists and cultural products, from Laurie Anderson and Childish Gambino to <em>Hamilton. </em>The artists Rios studies confront problems of race and gender that have deep roots in American history, often by championing social movements that have recently swept the nation such as #MeToo and #BlackLivesMatter. While a musicologist by training, Rios is concerned with more than the sonic signifiers of political dissent and resistance. She finds a shared language of cultural and political critique in a wide array of music, videos, dance, visual arts, and theater.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em> is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3508</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4c0dd40a-8441-11ec-90d7-2b8c0ca3349b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4390377933.mp3?updated=1643817924" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth Anderson, "Private Government: How Employers Rule Our Lives (and Why We Don't Talk about It) (Princeton UP, 2019)</title>
      <description>One in four American workers says their workplace is a "dictatorship." Yet that number almost certainly would be higher if we recognized employers for what they are-private governments with sweeping authoritarian power over our lives. Many employers minutely regulate workers' speech, clothing, and manners on the job, and employers often extend their authority to the off-duty lives of workers, who can be fired for their political speech, recreational activities, diet, and almost anything else employers care to govern. In Private Government: How Employers Rule Our Lives (and Why We Don't Talk about It) (Princeton UP, 2019), Elizabeth Anderson examines why, despite all this, we continue to talk as if free markets make workers free, and she proposes a better way to think about the workplace, opening up space for discovering how workers can enjoy real freedom.
Elizabeth Anderson is Arthur F. Thurnau Professor and John Dewey Distinguished University Professor of Philosophy and Women's Studies at the University of Michigan and specializes in political philosophy, ethics, and feminist philosophy. She is the author of The Imperative of Integration, and Value in Ethics and Economics.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Feb 2022 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>156</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elizabeth Anderson</itunes:subtitle>
      <itunes:summary>One in four American workers says their workplace is a "dictatorship." Yet that number almost certainly would be higher if we recognized employers for what they are-private governments with sweeping authoritarian power over our lives. Many employers minutely regulate workers' speech, clothing, and manners on the job, and employers often extend their authority to the off-duty lives of workers, who can be fired for their political speech, recreational activities, diet, and almost anything else employers care to govern. In Private Government: How Employers Rule Our Lives (and Why We Don't Talk about It) (Princeton UP, 2019), Elizabeth Anderson examines why, despite all this, we continue to talk as if free markets make workers free, and she proposes a better way to think about the workplace, opening up space for discovering how workers can enjoy real freedom.
Elizabeth Anderson is Arthur F. Thurnau Professor and John Dewey Distinguished University Professor of Philosophy and Women's Studies at the University of Michigan and specializes in political philosophy, ethics, and feminist philosophy. She is the author of The Imperative of Integration, and Value in Ethics and Economics.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One in four American workers says their workplace is a "dictatorship." Yet that number almost certainly would be higher if we recognized employers for what they are-private governments with sweeping authoritarian power over our lives. Many employers minutely regulate workers' speech, clothing, and manners on the job, and employers often extend their authority to the off-duty lives of workers, who can be fired for their political speech, recreational activities, diet, and almost anything else employers care to govern. In <a href="https://bookshop.org/a/12343/9780691192246"><em>Private Government: How Employers Rule Our Lives (and Why We Don't Talk about It)</em></a> (Princeton UP, 2019), Elizabeth Anderson examines why, despite all this, we continue to talk as if free markets make workers free, and she proposes a better way to think about the workplace, opening up space for discovering how workers can enjoy real freedom.</p><p>Elizabeth Anderson is Arthur F. Thurnau Professor and John Dewey Distinguished University Professor of Philosophy and Women's Studies at the University of Michigan and specializes in political philosophy, ethics, and feminist philosophy. She is the author of <a href="https://www.google.com/books/edition/The_Imperative_of_Integration/MmmYDwAAQBAJ?hl=en&amp;sa=X&amp;ved=2ahUKEwjQ5MaixND1AhWklYkEHQi0CRcQiqUDegQIBhAC"><em>The Imperative of Integration</em>, and <em>Value in Ethics and Economics</em>.</a></p><p><em>Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3b451c24-8071-11ec-af7a-c787c867ac1f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7808765718.mp3?updated=1643398712" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>3.1 On Being Unmoored: Chang-rae Lee Charts Fiction with Anne Anlin Cheng</title>
      <description>Season three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton.
The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae’s latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it’s often around a table) and about the specters of other, better worlds that haunt Chang-rae’s fictions. He discusses his relationship to his own work and the benefits of taking an “orbital view” on his writing. Chang-rae also offers a tantalizing glimpse into his current project, a semi-autobiographical novel about Korean-American immigrants in 1970s New York. In response to a brand new signature question for the podcast this season, Chang-rae reveals the talent he wishes he could suddenly have... one that Anne already possesses!
Mentioned in this Episode


Crazy Rich Asians, Dir. Jon M. Chu (2018)


Parasite, Dir. Bong Joon-ho (2019)

Friedrich Nietzsche, Ecce Homo: How One Becomes What One Is



Aarthi Vadde is Associate Professor of English at Duke University. Email: aarthi.vadde@duke.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Chang-rae Lee and Anne Anlin Cheng</itunes:subtitle>
      <itunes:summary>Season three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton.
The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae’s latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it’s often around a table) and about the specters of other, better worlds that haunt Chang-rae’s fictions. He discusses his relationship to his own work and the benefits of taking an “orbital view” on his writing. Chang-rae also offers a tantalizing glimpse into his current project, a semi-autobiographical novel about Korean-American immigrants in 1970s New York. In response to a brand new signature question for the podcast this season, Chang-rae reveals the talent he wishes he could suddenly have... one that Anne already possesses!
Mentioned in this Episode


Crazy Rich Asians, Dir. Jon M. Chu (2018)


Parasite, Dir. Bong Joon-ho (2019)

Friedrich Nietzsche, Ecce Homo: How One Becomes What One Is



Aarthi Vadde is Associate Professor of English at Duke University. Email: aarthi.vadde@duke.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Season three of Novel Dialogue launches in partnership with <a href="https://www.publicbooks.org/">Public Books</a> and introduces some fresh new voices into the mix. John and Aarthi welcome <a href="https://www.ithaca.edu/faculty/cholmes">Chris Holmes</a>, <a href="https://chss.rowan.edu/departments/english/facultystaff/hyde_emily.html">Emily Hyde</a>, <a href="https://english.fas.harvard.edu/people/tara-k-menon">Tara Menon</a>, and <a href="https://sarahwasserman.com/">Sarah Wasserman</a> into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist <a href="https://www.penguinrandomhouse.com/authors/230002/chang-rae-lee/">Chang-rae Lee</a> and <a href="https://english.princeton.edu/people/anne-cheng">Anne Anlin Cheng</a>, renowned scholar of American literature and visual culture at Princeton.</p><p>The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae’s latest novel, <a href="https://www.penguinrandomhouse.com/books/318762/my-year-abroad-by-chang-rae-lee/"><em>My Year Abroad</em></a>, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it’s often around a table) and about the specters of other, better worlds that haunt Chang-rae’s fictions. He discusses his relationship to his own work and the benefits of taking an “orbital view” on his writing. Chang-rae also offers a tantalizing glimpse into his current project, a semi-autobiographical novel about Korean-American immigrants in 1970s New York. In response to a brand new signature question for the podcast this season, Chang-rae reveals the talent he wishes he could suddenly have... one that Anne already possesses!</p><p>Mentioned in this Episode</p><ul>
<li>
<a href="https://www.imdb.com/title/tt3104988/"><em>Crazy Rich Asians</em></a>, Dir. Jon M. Chu (2018)</li>
<li>
<a href="https://www.imdb.com/title/tt6751668/"><em>Parasite</em></a>, Dir. Bong Joon-ho (2019)</li>
<li>Friedrich Nietzsche, <a href="http://www.nietzschesource.org/#eKGWB/EH"><em>Ecce Homo: How One Becomes What One Is</em></a>
</li>
</ul><p><br></p><p><a href="https://scholars.duke.edu/person/aarthi.vadde">Aarthi Vadde</a> is Associate Professor of English at Duke University. Email: <a href="mailto:aarthi.vadde@duke.edu">aarthi.vadde@duke.edu</a>. <a href="https://www.brandeis.edu/english/faculty/plotz.html">John Plotz</a> is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the <a href="https://sites.google.com/brandeis.edu/brandeisjusticeinitiative/home">Brandeis Educational Justice Initiative</a>. Email: <a href="mailto:plotz@brandeis.edu">plotz@brandeis.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2241</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fa178368-8453-11ec-91d9-e382c0669e44]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3033207095.mp3?updated=1643825570" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simon Critchley, "Bald: 35 Philosophical Short Cuts" (Yale UP, 2021)</title>
      <description>Bald: 35 Philosophical Short Cuts (Yale UP, 2021) brings together thirty-five essays, originally published in the Times, on a wide range of topics, from the dimensions of Plato’s academy and the mysteries of Eleusis to Philip K. Dick, Mormonism, money, and the joy and pain of Liverpool Football Club fans. Simon Critchley has been a strong voice in popular philosophy for more than a decade. In an engaging and jargon‑free style, Critchley writes with honesty about the state of the world as he offers philosophically-informed and insightful considerations of happiness, violence, and faith. Stripped of inaccessible academic armatures, these short pieces bring philosophy out of the ivory tower and demonstrate an exciting new way to think in public.
Simon Critchley is the Hans Jonas Professor of Philosophy at the New School for Social Research and the moderator of the New York Times’ Stone column. He is a board member of the Onassis Foundation, and his most recent book is Tragedy, the Greeks, and Us. He lives in Brooklyn, NY.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Simon Critchley</itunes:subtitle>
      <itunes:summary>Bald: 35 Philosophical Short Cuts (Yale UP, 2021) brings together thirty-five essays, originally published in the Times, on a wide range of topics, from the dimensions of Plato’s academy and the mysteries of Eleusis to Philip K. Dick, Mormonism, money, and the joy and pain of Liverpool Football Club fans. Simon Critchley has been a strong voice in popular philosophy for more than a decade. In an engaging and jargon‑free style, Critchley writes with honesty about the state of the world as he offers philosophically-informed and insightful considerations of happiness, violence, and faith. Stripped of inaccessible academic armatures, these short pieces bring philosophy out of the ivory tower and demonstrate an exciting new way to think in public.
Simon Critchley is the Hans Jonas Professor of Philosophy at the New School for Social Research and the moderator of the New York Times’ Stone column. He is a board member of the Onassis Foundation, and his most recent book is Tragedy, the Greeks, and Us. He lives in Brooklyn, NY.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780300255966"><em>Bald: 35 Philosophical Short Cuts</em></a> (Yale UP, 2021) brings together thirty-five essays, originally published in the Times, on a wide range of topics, from the dimensions of Plato’s academy and the mysteries of Eleusis to Philip K. Dick, Mormonism, money, and the joy and pain of Liverpool Football Club fans. Simon Critchley has been a strong voice in popular philosophy for more than a decade. In an engaging and jargon‑free style, Critchley writes with honesty about the state of the world as he offers philosophically-informed and insightful considerations of happiness, violence, and faith. Stripped of inaccessible academic armatures, these short pieces bring philosophy out of the ivory tower and demonstrate an exciting new way to think in public.</p><p>Simon Critchley is the Hans Jonas Professor of Philosophy at the New School for Social Research and the moderator of the New York Times’ Stone column. He is a board member of the Onassis Foundation, and his most recent book is Tragedy, the Greeks, and Us. He lives in Brooklyn, NY.</p><p><em>Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. </em><a href="https://www.youtube.com/user/a48266/videos"><em>YouTube Channel</em></a><em>. </em><a href="https://twitter.com/TalkArtCulture"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3927</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Paul Gowder, "The Rule of Law in the United States: An Unfinished Project of Black Liberation" (Hart Publishing, 2021)</title>
      <description>In The Rule of Law in the United States: An Unfinished Project of Black Liberation (Hart, 2021), Dr. Paul Gowder focuses on examining the ideals of the American rule of law by asking: how do we interpret its history and the goals of its constitutional framers to see the rule of law ambitions its foundational institutions express? The book considers those constitutional institutions as inextricable from the problem of race in the United States and the tensions between the rule of law as a protector of property rights and the rule of law as a restrictor on arbitrary power and a guarantor of legal equality. In that context, it explores the distinctive role of Black liberation movements in developing the American rule of law. Finally, it considers the extent to which the American rule of law is compromised at its frontiers, and the extent that those compromises undermine legal protections Americans enjoy in the interior. It asks how America reflects the legal contradictions of capitalism and empire outside its borders, and the impact of those contradictions on its external goals.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Paul Gowder</itunes:subtitle>
      <itunes:summary>In The Rule of Law in the United States: An Unfinished Project of Black Liberation (Hart, 2021), Dr. Paul Gowder focuses on examining the ideals of the American rule of law by asking: how do we interpret its history and the goals of its constitutional framers to see the rule of law ambitions its foundational institutions express? The book considers those constitutional institutions as inextricable from the problem of race in the United States and the tensions between the rule of law as a protector of property rights and the rule of law as a restrictor on arbitrary power and a guarantor of legal equality. In that context, it explores the distinctive role of Black liberation movements in developing the American rule of law. Finally, it considers the extent to which the American rule of law is compromised at its frontiers, and the extent that those compromises undermine legal protections Americans enjoy in the interior. It asks how America reflects the legal contradictions of capitalism and empire outside its borders, and the impact of those contradictions on its external goals.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781509939992"><em>The Rule of Law in the United States: An Unfinished Project of Black Liberation</em></a><em> </em>(Hart, 2021), Dr. Paul Gowder focuses on examining the ideals of the American rule of law by asking: how do we interpret its history and the goals of its constitutional framers to see the rule of law ambitions its foundational institutions express? The book considers those constitutional institutions as inextricable from the problem of race in the United States and the tensions between the rule of law as a protector of property rights and the rule of law as a restrictor on arbitrary power and a guarantor of legal equality. In that context, it explores the distinctive role of Black liberation movements in developing the American rule of law. Finally, it considers the extent to which the American rule of law is compromised at its frontiers, and the extent that those compromises undermine legal protections Americans enjoy in the interior. It asks how America reflects the legal contradictions of capitalism and empire outside its borders, and the impact of those contradictions on its external goals.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3620</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Margareta von Oswald and Jonas Tinius, "Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial" (Leuven UP, 2020)</title>
      <description>How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised 'elsewhere' and 'otherwise'. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland - and through conversations that expand these geographies and genealogies of contemporary exhibition making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful.
Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial (Leuven UP, 2020) charts new ground by analysing the convergences of museums, curatorial practice, and Europe's reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies.
Free ebook available at OAPEN Library, JSTOR and ProjectMuse.
Margareta von Oswald is a research fellow at the Centre for Anthropological Research on Museums and Heritage (also known as CARMAH), at the Institute of European Ethnology of the Humboldt-Universität in Berlin. Jonas Tinius is also an associated research fellow at the Centre for Anthropological Research on Museums and Heritage at the Institute of European Ethnology of the Humboldt-Universität in Berlin.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 31 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margareta von Oswald and Jonas Tinius</itunes:subtitle>
      <itunes:summary>How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised 'elsewhere' and 'otherwise'. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland - and through conversations that expand these geographies and genealogies of contemporary exhibition making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful.
Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial (Leuven UP, 2020) charts new ground by analysing the convergences of museums, curatorial practice, and Europe's reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies.
Free ebook available at OAPEN Library, JSTOR and ProjectMuse.
Margareta von Oswald is a research fellow at the Centre for Anthropological Research on Museums and Heritage (also known as CARMAH), at the Institute of European Ethnology of the Humboldt-Universität in Berlin. Jonas Tinius is also an associated research fellow at the Centre for Anthropological Research on Museums and Heritage at the Institute of European Ethnology of the Humboldt-Universität in Berlin.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised 'elsewhere' and 'otherwise'. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland - and through conversations that expand these geographies and genealogies of contemporary exhibition making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful.</p><p><a href="https://bookshop.org/a/12343/9789462702189"><em>Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial</em></a><em> </em>(Leuven UP, 2020) charts new ground by analysing the convergences of museums, curatorial practice, and Europe's reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies.</p><p>Free ebook available at OAPEN Library, JSTOR and ProjectMuse.</p><p>Margareta von Oswald is a research fellow at the Centre for Anthropological Research on Museums and Heritage (also known as CARMAH), at the Institute of European Ethnology of the Humboldt-Universität in Berlin. Jonas Tinius is also an associated research fellow at the Centre for Anthropological Research on Museums and Heritage at the Institute of European Ethnology of the Humboldt-Universität in Berlin.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3302</itunes:duration>
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      <title>Kerry L. Haynie et al., "Race, Gender, and Political Representation: Toward a More Intersectional Approach" (Oxford UP, 2020)</title>
      <description>How do gender and race interact to affect the election, behavior, and impact of all individuals – raced women and gendered minorities alike? According to our authors, “what we know depends mightily on how we go about obtaining that knowledge.” Political scientists have often assumed that there are no gender differences among minority representatives, and no racial differences among female representatives. Race, Gender, and Political Representation: Toward a More Intersectional Approach (Oxford UP, 2020)examines HOW and to what extent political representation is simultaneously gendered and raced in the context of late 20th and early 21st century US state legislatures. Haynie, Reingold, and Widner examine how gender and race interact to affect the election, behavior, and impact of individual state legislators. The analysis – and their substantive findings – demonstrate how intersectionality, as a critical epistemology, compels us to re-evaluate the study of gender, race, and representation. Without critically evaluating single-axis women-and-politics and race-and-ethnic-politics theories about descriptive representation, we miss the differences in obstacles to election, substantive policy contributions, or policy leadership styles among White women, men of color, and women of color. The book aims to both give us a more nuanced understanding of representation and an intersectional “tool kit” that others can use to answer critical political questions. Winner of the 2021 Richard Fenno, Jr. Prize for the best book in Legislative Studies.
Dr. Kerry L. Haynie is Professor and Chair of Political Science and Professor of African and African American Studies at Duke University. His many books and articles interrogate how the underlying theory, structures, and practices of American political institutions affect African Americans’ and women’s efforts to organize and exert influence on the political system.
Dr. Beth Reingold is an Associate Professor of Political Science and Women’s, Gender, and Sexuality Studies at Emory University. Her previous books and articles engage questions about the complex relationships between gender, race, ethnicity, and political representation, primarily in and around legislative institutions in U.S. states.
Dr. Kirsten Widner is an Assistant Professor of Political Science at the University of Tennessee at Knoxville. As a lawyer, she represented children in the child welfare and juvenile justice systems, and taught in the public policy and legislative advocacy clinics at Emory Law School. She helped advocate for laws in Georgia to address child abuse, human trafficking, and adoption. As a political scientist she focuses on how laws and policies that affect marginalized groups are made with a particular interest in the political representation of people without the right to vote – children, noncitizens, and people disenfranchised due to criminal convictions or mental incapacity. Her work has been published in both political science journals and law reviews.
Thank you to Nadia E. Brown for suggesting the book and Daniella Campos, the senior editorial assistant for New Books in Political Science.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 31 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>578</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kerry L. Haynie, Beth Reingold, and Kirsten Widner</itunes:subtitle>
      <itunes:summary>How do gender and race interact to affect the election, behavior, and impact of all individuals – raced women and gendered minorities alike? According to our authors, “what we know depends mightily on how we go about obtaining that knowledge.” Political scientists have often assumed that there are no gender differences among minority representatives, and no racial differences among female representatives. Race, Gender, and Political Representation: Toward a More Intersectional Approach (Oxford UP, 2020)examines HOW and to what extent political representation is simultaneously gendered and raced in the context of late 20th and early 21st century US state legislatures. Haynie, Reingold, and Widner examine how gender and race interact to affect the election, behavior, and impact of individual state legislators. The analysis – and their substantive findings – demonstrate how intersectionality, as a critical epistemology, compels us to re-evaluate the study of gender, race, and representation. Without critically evaluating single-axis women-and-politics and race-and-ethnic-politics theories about descriptive representation, we miss the differences in obstacles to election, substantive policy contributions, or policy leadership styles among White women, men of color, and women of color. The book aims to both give us a more nuanced understanding of representation and an intersectional “tool kit” that others can use to answer critical political questions. Winner of the 2021 Richard Fenno, Jr. Prize for the best book in Legislative Studies.
Dr. Kerry L. Haynie is Professor and Chair of Political Science and Professor of African and African American Studies at Duke University. His many books and articles interrogate how the underlying theory, structures, and practices of American political institutions affect African Americans’ and women’s efforts to organize and exert influence on the political system.
Dr. Beth Reingold is an Associate Professor of Political Science and Women’s, Gender, and Sexuality Studies at Emory University. Her previous books and articles engage questions about the complex relationships between gender, race, ethnicity, and political representation, primarily in and around legislative institutions in U.S. states.
Dr. Kirsten Widner is an Assistant Professor of Political Science at the University of Tennessee at Knoxville. As a lawyer, she represented children in the child welfare and juvenile justice systems, and taught in the public policy and legislative advocacy clinics at Emory Law School. She helped advocate for laws in Georgia to address child abuse, human trafficking, and adoption. As a political scientist she focuses on how laws and policies that affect marginalized groups are made with a particular interest in the political representation of people without the right to vote – children, noncitizens, and people disenfranchised due to criminal convictions or mental incapacity. Her work has been published in both political science journals and law reviews.
Thank you to Nadia E. Brown for suggesting the book and Daniella Campos, the senior editorial assistant for New Books in Political Science.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do gender and race interact to affect the election, behavior, and impact of all individuals – raced women and gendered minorities alike? According to our authors, “what we know depends mightily on how we go about obtaining that knowledge.” Political scientists have often assumed that there are no gender differences among minority representatives, and no racial differences among female representatives. <a href="https://bookshop.org/a/12343/9780197502174"><em>Race, Gender, and Political Representation: Toward a More Intersectional Approach</em></a><em> </em>(Oxford UP, 2020)examines HOW and to what extent political representation is simultaneously gendered and raced in the context of late 20th and early 21st century US state legislatures. Haynie, Reingold, and Widner examine how gender and race interact to affect the election, behavior, and impact of individual state legislators. The analysis – and their substantive findings – demonstrate how intersectionality, as a critical epistemology, compels us to re-evaluate the study of gender, race, and representation. Without critically evaluating single-axis women-and-politics and race-and-ethnic-politics theories about descriptive representation, we miss the differences in obstacles to election, substantive policy contributions, or policy leadership styles among White women, men of color, and women of color. The book aims to both give us a more nuanced understanding of representation and an intersectional “tool kit” that others can use to answer critical political questions. Winner of the 2021 Richard Fenno, Jr. Prize for the best book in Legislative Studies.</p><p><a href="https://scholars.duke.edu/person/klhaynie">Dr. Kerry L. Haynie </a>is Professor and Chair of Political Science and Professor of African and African American Studies at Duke University. His many books and articles interrogate how the underlying theory, structures, and practices of American political institutions affect African Americans’ and women’s efforts to organize and exert influence on the political system.</p><p><a href="http://wgss.emory.edu/home/people/biography/reingold-beth.html">Dr. Beth Reingold</a> is an Associate Professor of Political Science and Women’s, Gender, and Sexuality Studies at Emory University. Her previous books and articles engage questions about the complex relationships between gender, race, ethnicity, and political representation, primarily in and around legislative institutions in U.S. states.</p><p><a href="https://polisci.utk.edu/faculty/widner/">Dr. Kirsten Widner</a> is an Assistant Professor of Political Science at the University of Tennessee at Knoxville. As a lawyer, she represented children in the child welfare and juvenile justice systems, and taught in the public policy and legislative advocacy clinics at Emory Law School. She helped advocate for laws in Georgia to address child abuse, human trafficking, and adoption. As a political scientist she focuses on how laws and policies that affect marginalized groups are made with a particular interest in the political representation of people without the right to vote – children, noncitizens, and people disenfranchised due to criminal convictions or mental incapacity. Her work has been published in both political science journals and law reviews.</p><p>Thank you to Nadia E. Brown for suggesting the book and Daniella Campos, the senior editorial assistant for New Books in Political Science.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4414</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4081524225.mp3?updated=1643645076" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Grant Tavinor, "The Aesthetics of Virtual Reality" (Routledge, 2021)</title>
      <description>When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world.
Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved.
But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve.
The Aesthetics of Virtual Reality (Routledge, 2021) is the first book to present an aesthetics of virtual reality media. It situates virtual reality media in terms of the philosophy of the arts, comparing them to more familiar media such as painting, film and photography.
Grant Tavinor speaks to Pierre d’Alancaisez about some of the fundamental features of virtual reality, the implications of working in a picturing medium, as well as the challenges that VR poses to the philosophy of the arts and ethics.
Grant Tavinor is Senior Lecturer in Philosophy at Lincoln University, New Zealand. He has published widely on the aesthetics of videogames, virtual worlds, digital media ethics, and the philosophy of technology.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Grant Tavinor</itunes:subtitle>
      <itunes:summary>When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world.
Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved.
But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve.
The Aesthetics of Virtual Reality (Routledge, 2021) is the first book to present an aesthetics of virtual reality media. It situates virtual reality media in terms of the philosophy of the arts, comparing them to more familiar media such as painting, film and photography.
Grant Tavinor speaks to Pierre d’Alancaisez about some of the fundamental features of virtual reality, the implications of working in a picturing medium, as well as the challenges that VR poses to the philosophy of the arts and ethics.
Grant Tavinor is Senior Lecturer in Philosophy at Lincoln University, New Zealand. He has published widely on the aesthetics of videogames, virtual worlds, digital media ethics, and the philosophy of technology.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world.</p><p>Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved.</p><p>But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve.</p><p><a href="https://bookshop.org/a/12343/9780367619251"><em>The Aesthetics of Virtual Reality</em></a> (Routledge, 2021) is the first book to present an aesthetics of virtual reality media. It situates virtual reality media in terms of the philosophy of the arts, comparing them to more familiar media such as painting, film and photography.</p><p>Grant Tavinor speaks to Pierre d’Alancaisez about some of the fundamental features of virtual reality, the implications of working in a picturing medium, as well as the challenges that VR poses to the philosophy of the arts and ethics.</p><p>Grant Tavinor is Senior Lecturer in Philosophy at Lincoln University, New Zealand. He has published widely on the aesthetics of videogames, virtual worlds, digital media ethics, and the philosophy of technology.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3084</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Oishik Sircar, "Violent Modernities: Cultural Lives of Law in the New India" (Oxford UP, 2021)</title>
      <description>Law and violence are thought to share an antithetical relationship in postcolonial modernity. Violence is considered the other of law, lawlessness is understood to produce violence, and law is invoked and deployed to undo the violence of lawlessness. 
Oishik Sircar's book Violent Modernities: Cultural Lives of Law in the New India (Oxford UP, 2021) uses a critical legal perspective to show that law and violence in the New India share a deep intimacy, where one symbiotically feeds the other. Researched and written between 2008 and 2018, the chapters study the cultural sites of literature, cinema, people's movements, popular media and the university to illustrate how law's promises of emancipation and performances of violence live a life of entangled contradictions. The book foregrounds reparative and ethical accounts where law does not only inhabit courtrooms, legislations and judgments, but also lives in the quotidian and minor practices of disobediences, uncertainties, vulnerabilities, double binds and failures. When the cultural lives of law are reimagined as such, the book argues, the violence at the foundations of modern law in the postcolony begins to unravel.
Sebastián Rojas Cabal is a Ph.D. student in the Sociology Department at Princeton University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>209</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Oishik Sircar</itunes:subtitle>
      <itunes:summary>Law and violence are thought to share an antithetical relationship in postcolonial modernity. Violence is considered the other of law, lawlessness is understood to produce violence, and law is invoked and deployed to undo the violence of lawlessness. 
Oishik Sircar's book Violent Modernities: Cultural Lives of Law in the New India (Oxford UP, 2021) uses a critical legal perspective to show that law and violence in the New India share a deep intimacy, where one symbiotically feeds the other. Researched and written between 2008 and 2018, the chapters study the cultural sites of literature, cinema, people's movements, popular media and the university to illustrate how law's promises of emancipation and performances of violence live a life of entangled contradictions. The book foregrounds reparative and ethical accounts where law does not only inhabit courtrooms, legislations and judgments, but also lives in the quotidian and minor practices of disobediences, uncertainties, vulnerabilities, double binds and failures. When the cultural lives of law are reimagined as such, the book argues, the violence at the foundations of modern law in the postcolony begins to unravel.
Sebastián Rojas Cabal is a Ph.D. student in the Sociology Department at Princeton University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Law and violence are thought to share an antithetical relationship in postcolonial modernity. Violence is considered the other of law, lawlessness is understood to produce violence, and law is invoked and deployed to undo the violence of lawlessness. </p><p>Oishik Sircar's book <a href="https://bookshop.org/a/12343/9780190127923"><em>Violent Modernities: Cultural Lives of Law in the New India</em></a> (Oxford UP, 2021) uses a critical legal perspective to show that law and violence in the New India share a deep intimacy, where one symbiotically feeds the other. Researched and written between 2008 and 2018, the chapters study the cultural sites of literature, cinema, people's movements, popular media and the university to illustrate how law's promises of emancipation and performances of violence live a life of entangled contradictions. The book foregrounds reparative and ethical accounts where law does not only inhabit courtrooms, legislations and judgments, but also lives in the quotidian and minor practices of disobediences, uncertainties, vulnerabilities, double binds and failures. When the cultural lives of law are reimagined as such, the book argues, the violence at the foundations of modern law in the postcolony begins to unravel.</p><p><em>Sebastián Rojas Cabal is a Ph.D. student in the Sociology Department at Princeton University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4138</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8f083a04-7a30-11ec-98fc-ef4f2ca1dde2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5779054652.mp3?updated=1642714673" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Neil Vallelly, "Futilitarianism: Neoliberalism and the Production of Uselessness" (MIT Press, 2021)</title>
      <description>If maximizing utility leads to the greatest happiness of the greatest number of people, as utilitarianism has always proposed, then why is it that as many of us currently maximize our utility--by working endlessly, undertaking further education and training, relentlessly marketing and selling ourselves--we are met with the steady worsening of collective social and economic conditions? In Futilitarianism: Neoliberalism and the Production of Uselessness (MIT Press, 2021), social and political theorist Neil Vallelly eloquently tells the story of how neoliberalism transformed the relationship between utility maximization and the common good.
Drawing on a vast array of contemporary examples, from self-help literature and marketing jargon to political speeches and governmental responses to the COVID-19 pandemic, Vallelly coins several terms--including the futilitarian condition, homo futilitus, and semio-futility--to demonstrate that in the neoliberal decades, the practice of utility maximization traps us in useless and repetitive behaviors that foreclose the possibility of collective happiness.
This urgent and provocative book chimes with the mood of the time by at once mapping the historical relationship between utilitarianism and capitalism, developing an original framework for understanding neoliberalism, and recounting the lived experience of uselessness in the early twenty-first century. At a time of epoch-defining disasters, from climate emergencies to deadly pandemics, countering the futility of neoliberal existence is essential to building an egalitarian, sustainable, and hopeful future.
Neil Vallelly is a political and social theorist based at the University of Otago, New Zealand. His research has appeared in journals such as Rethinking Marxism, Angelaki, and Poetics Today, and magazines, including New Internationalist and ROAR. In 2022, he will take up a two-year Rutherford Foundation Postdoctoral Fellowship at Otago, working on a history of capitalism and migrant detention. An Italian translation of Futilitarianism will be published in March 2022.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>154</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Neil Vallelly</itunes:subtitle>
      <itunes:summary>If maximizing utility leads to the greatest happiness of the greatest number of people, as utilitarianism has always proposed, then why is it that as many of us currently maximize our utility--by working endlessly, undertaking further education and training, relentlessly marketing and selling ourselves--we are met with the steady worsening of collective social and economic conditions? In Futilitarianism: Neoliberalism and the Production of Uselessness (MIT Press, 2021), social and political theorist Neil Vallelly eloquently tells the story of how neoliberalism transformed the relationship between utility maximization and the common good.
Drawing on a vast array of contemporary examples, from self-help literature and marketing jargon to political speeches and governmental responses to the COVID-19 pandemic, Vallelly coins several terms--including the futilitarian condition, homo futilitus, and semio-futility--to demonstrate that in the neoliberal decades, the practice of utility maximization traps us in useless and repetitive behaviors that foreclose the possibility of collective happiness.
This urgent and provocative book chimes with the mood of the time by at once mapping the historical relationship between utilitarianism and capitalism, developing an original framework for understanding neoliberalism, and recounting the lived experience of uselessness in the early twenty-first century. At a time of epoch-defining disasters, from climate emergencies to deadly pandemics, countering the futility of neoliberal existence is essential to building an egalitarian, sustainable, and hopeful future.
Neil Vallelly is a political and social theorist based at the University of Otago, New Zealand. His research has appeared in journals such as Rethinking Marxism, Angelaki, and Poetics Today, and magazines, including New Internationalist and ROAR. In 2022, he will take up a two-year Rutherford Foundation Postdoctoral Fellowship at Otago, working on a history of capitalism and migrant detention. An Italian translation of Futilitarianism will be published in March 2022.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If maximizing utility leads to the greatest happiness of the greatest number of people, as utilitarianism has always proposed, then why is it that as many of us currently maximize our utility--by working endlessly, undertaking further education and training, relentlessly marketing and selling ourselves--we are met with the steady worsening of collective social and economic conditions? In <a href="https://bookshop.org/a/12343/9781912685905"><em>Futilitarianism: Neoliberalism and the Production of Uselessness</em></a><em> </em>(MIT Press, 2021), social and political theorist Neil Vallelly eloquently tells the story of how neoliberalism transformed the relationship between utility maximization and the common good.</p><p>Drawing on a vast array of contemporary examples, from self-help literature and marketing jargon to political speeches and governmental responses to the COVID-19 pandemic, Vallelly coins several terms--including the futilitarian condition, homo futilitus, and semio-futility--to demonstrate that in the neoliberal decades, the practice of utility maximization traps us in useless and repetitive behaviors that foreclose the possibility of collective happiness.</p><p>This urgent and provocative book chimes with the mood of the time by at once mapping the historical relationship between utilitarianism and capitalism, developing an original framework for understanding neoliberalism, and recounting the lived experience of uselessness in the early twenty-first century. At a time of epoch-defining disasters, from climate emergencies to deadly pandemics, countering the futility of neoliberal existence is essential to building an egalitarian, sustainable, and hopeful future.</p><p>Neil Vallelly is a political and social theorist based at the University of Otago, New Zealand. His research has appeared in journals such as <em>Rethinking Marxism</em>, <em>Angelaki</em>, and <em>Poetics Today</em>, and magazines, including <em>New Internationalist </em>and <em>ROAR</em>. In 2022, he will take up a two-year Rutherford Foundation Postdoctoral Fellowship at Otago, working on a history of capitalism and migrant detention. An Italian translation of <em>Futilitarianism </em>will be published in March 2022.</p><p><em>Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3412</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ffb81dde-785d-11ec-8799-9fc8e8d0ceb1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1089216193.mp3?updated=1642511057" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shani Orgad and Rosalind Gill, "Confidence Culture" (Duke UP, 2022)</title>
      <description>In Confidence Culture (Duke UP, 2022), Shani Orgad and Rosalind Gill argue that imperatives directed at women to “love your body” and “believe in yourself” imply that psychological blocks rather than entrenched social injustices hold women back. Interrogating the prominence of confidence in contemporary discourse about body image, workplace, relationships, motherhood, and international development, Orgad and Gill draw on Foucault’s notion of technologies of self to demonstrate how “confidence culture” demands of women near-constant introspection and vigilance in the service of self-improvement. They argue that while confidence messaging may feel good, it does not address structural and systemic oppression. Rather, confidence culture suggests that women—along with people of color, the disabled, and other marginalized groups—are responsible for their own conditions. Rejecting confidence culture’s remaking of feminism along individualistic and neoliberal lines, Orgad and Gill explore alternative articulations of feminism that go beyond the confidence imperative.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>258</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shani Orgad and Rosalind Gill</itunes:subtitle>
      <itunes:summary>In Confidence Culture (Duke UP, 2022), Shani Orgad and Rosalind Gill argue that imperatives directed at women to “love your body” and “believe in yourself” imply that psychological blocks rather than entrenched social injustices hold women back. Interrogating the prominence of confidence in contemporary discourse about body image, workplace, relationships, motherhood, and international development, Orgad and Gill draw on Foucault’s notion of technologies of self to demonstrate how “confidence culture” demands of women near-constant introspection and vigilance in the service of self-improvement. They argue that while confidence messaging may feel good, it does not address structural and systemic oppression. Rather, confidence culture suggests that women—along with people of color, the disabled, and other marginalized groups—are responsible for their own conditions. Rejecting confidence culture’s remaking of feminism along individualistic and neoliberal lines, Orgad and Gill explore alternative articulations of feminism that go beyond the confidence imperative.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478017608"><em>Confidence Culture</em></a><em> </em>(Duke UP, 2022), Shani Orgad and Rosalind Gill argue that imperatives directed at women to “love your body” and “believe in yourself” imply that psychological blocks rather than entrenched social injustices hold women back. Interrogating the prominence of confidence in contemporary discourse about body image, workplace, relationships, motherhood, and international development, Orgad and Gill draw on Foucault’s notion of technologies of self to demonstrate how “confidence culture” demands of women near-constant introspection and vigilance in the service of self-improvement. They argue that while confidence messaging may feel good, it does not address structural and systemic oppression. Rather, confidence culture suggests that women—along with people of color, the disabled, and other marginalized groups—are responsible for their own conditions. Rejecting confidence culture’s remaking of feminism along individualistic and neoliberal lines, Orgad and Gill explore alternative articulations of feminism that go beyond the confidence imperative.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af9a08e0-762c-11ec-874b-df3066e07f1b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5703354779.mp3?updated=1642270206" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Jane Cervenak, "Black Gathering: Art, Ecology, Ungiven Life" (Duke UP, 2021)</title>
      <description>In Black Gathering: Art, Ecology, Ungiven Life (Duke UP, 2021), Dr. Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>274</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sarah Jane Cervenak</itunes:subtitle>
      <itunes:summary>In Black Gathering: Art, Ecology, Ungiven Life (Duke UP, 2021), Dr. Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478014478"><em>Black Gathering: Art, Ecology, Ungiven Life</em></a><em> </em>(Duke UP, 2021), Dr. Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3396</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[79c6183e-7623-11ec-9088-93447b193d74]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9528016517.mp3?updated=1642352569" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Traci Brynne Voyles, "The Settler Sea: California's Salton Sea and the Consequences of Colonialism" (U Nebraska Press, 2021)</title>
      <description>The Salton Sea is a kaleidoscope. To some people, it's a waste land, a place of death only suitable for a dumping ground. For others, it's a clarion call, a warning for what humanity faces in our anthropogenically climate changed future. For still others, it's simply home. In The Settler Sea: California's Salton Sea and the Consequences of Colonialism (U Nebraska Press, 2021) Dr. Traci Brynne Voyles, associate professor of women's and gender studies at the University of Oklahoma, argues that the this place has defied people's expectations and attempts at control for hundreds of years, and that the key to understanding the Salton Sea (and indeed, all environments) is to recognize that they never just mean one thing. Part environmental history, part work of environmental justice studies, The Settler Sea tackles topics as diverse as damming, geology, and the history of birding in southern California - it is a book as wide ranging and hard to pin down as contentious sea at its center.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Traci Brynne Voyles</itunes:subtitle>
      <itunes:summary>The Salton Sea is a kaleidoscope. To some people, it's a waste land, a place of death only suitable for a dumping ground. For others, it's a clarion call, a warning for what humanity faces in our anthropogenically climate changed future. For still others, it's simply home. In The Settler Sea: California's Salton Sea and the Consequences of Colonialism (U Nebraska Press, 2021) Dr. Traci Brynne Voyles, associate professor of women's and gender studies at the University of Oklahoma, argues that the this place has defied people's expectations and attempts at control for hundreds of years, and that the key to understanding the Salton Sea (and indeed, all environments) is to recognize that they never just mean one thing. Part environmental history, part work of environmental justice studies, The Settler Sea tackles topics as diverse as damming, geology, and the history of birding in southern California - it is a book as wide ranging and hard to pin down as contentious sea at its center.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Salton Sea is a kaleidoscope. To some people, it's a waste land, a place of death only suitable for a dumping ground. For others, it's a clarion call, a warning for what humanity faces in our anthropogenically climate changed future. For still others, it's simply home. In <a href="https://bookshop.org/a/12343/9781496216731"><em>The Settler Sea: California's Salton Sea and the Consequences of Colonialism</em></a><em> </em>(U Nebraska Press, 2021) Dr. Traci Brynne Voyles, associate professor of women's and gender studies at the University of Oklahoma, argues that the this place has defied people's expectations and attempts at control for hundreds of years, and that the key to understanding the Salton Sea (and indeed, all environments) is to recognize that they never just mean one thing. Part environmental history, part work of environmental justice studies, <em>The Settler Sea </em>tackles topics as diverse as damming, geology, and the history of birding in southern California - it is a book as wide ranging and hard to pin down as contentious sea at its center.</p><p><em>Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4856</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8e5e592-749b-11ec-bd28-f7763f190d96]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6513936603.mp3?updated=1642097711" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Terri Givens, "Radical Empathy: Finding a Path to Bridging Racial Divides" (Policy Press, 2021)</title>
      <description>Structural racism has impacted the lives of African Americans in the United States since before the country’s founding. Although the country has made some progress towards a more equal society, political developments in the 21st century have shown that deep divides remain. The persistence of inequality is an indicator of the stubborn resilience of the institutions that maintain white supremacy. To bridge our divides, renowned political scientist Terri Givens calls for ‘radical empathy’ - moving beyond an understanding of others’ lives and pain to understand the origins of our biases, including internalized oppression. In Radical Empathy: Finding a Path to Bridging Racial Divides (Policy Press, 2021), she offers practical steps to call out racism and bring about radical social change.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>182</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Terri Givens</itunes:subtitle>
      <itunes:summary>Structural racism has impacted the lives of African Americans in the United States since before the country’s founding. Although the country has made some progress towards a more equal society, political developments in the 21st century have shown that deep divides remain. The persistence of inequality is an indicator of the stubborn resilience of the institutions that maintain white supremacy. To bridge our divides, renowned political scientist Terri Givens calls for ‘radical empathy’ - moving beyond an understanding of others’ lives and pain to understand the origins of our biases, including internalized oppression. In Radical Empathy: Finding a Path to Bridging Racial Divides (Policy Press, 2021), she offers practical steps to call out racism and bring about radical social change.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Structural racism has impacted the lives of African Americans in the United States since before the country’s founding. Although the country has made some progress towards a more equal society, political developments in the 21st century have shown that deep divides remain. The persistence of inequality is an indicator of the stubborn resilience of the institutions that maintain white supremacy. To bridge our divides, renowned political scientist Terri Givens calls for ‘radical empathy’ - moving beyond an understanding of others’ lives and pain to understand the origins of our biases, including internalized oppression. In <a href="https://bookshop.org/a/12343/9781447357247"><em>Radical Empathy: Finding a Path to Bridging Racial Divides</em></a> (Policy Press, 2021), she offers practical steps to call out racism and bring about radical social change.</p><p><em>Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9e1587c2-76ed-11ec-8ac2-c728701b430e]]></guid>
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    </item>
    <item>
      <title>Amy Holdsworth, "On Living with Television" (Duke UP, 2021)</title>
      <description>How should we understand the role of television in everyday life? In On Living with Television (Duke UP, 2021), Amy Holdsworth, a Senior Lecturer in Theatre, Film &amp; Television Studies at the University of Glasgow uses an autobiographical and autoethnographic approach to understand an object that has ‘always been there’ in many people’s lives. The book combines analysis of programmes, including In the night garden, Man vs food and Last Tango in Halifax, with rich theoretical reflections from television studies, cultural studies, and beyond. Exploring ideas of time, home, and care, the book will be essential reading across the humanities, as well as for anyone watching television!
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>257</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amy Holdsworth</itunes:subtitle>
      <itunes:summary>How should we understand the role of television in everyday life? In On Living with Television (Duke UP, 2021), Amy Holdsworth, a Senior Lecturer in Theatre, Film &amp; Television Studies at the University of Glasgow uses an autobiographical and autoethnographic approach to understand an object that has ‘always been there’ in many people’s lives. The book combines analysis of programmes, including In the night garden, Man vs food and Last Tango in Halifax, with rich theoretical reflections from television studies, cultural studies, and beyond. Exploring ideas of time, home, and care, the book will be essential reading across the humanities, as well as for anyone watching television!
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the role of television in everyday life? In <em>On Living with Television</em> (Duke UP, 2021), <a href="https://twitter.com/akholdsworth">Amy Holdsworth,</a> a <a href="https://www.gla.ac.uk/schools/cca/staff/amyholdsworth/">Senior Lecturer in Theatre, Film &amp; Television Studies at the University of Glasgow</a> uses an autobiographical and autoethnographic approach to understand an object that has ‘always been there’ in many people’s lives. The book combines analysis of programmes, including <em>In the night garden, Man vs food</em> and <em>Last Tango in Halifax, </em>with rich theoretical reflections from television studies, cultural studies, and beyond. Exploring ideas of time, home, and care, the book will be essential reading across the humanities, as well as for anyone watching television!</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2065</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8191c268-7478-11ec-b852-376d38fad52a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1734109669.mp3?updated=1642082741" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sanjukta Sunderason, "Partisan Aesthetics: Modern Art and India's Long Decolonization" (Stanford UP, 2020)</title>
      <description>In Partisan Aesthetics: Modern Art and India's Long Decolonization (Stanford UP, 2020), Sanjukta Sunderason explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, she argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents.
Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sanjukta Sunderason</itunes:subtitle>
      <itunes:summary>In Partisan Aesthetics: Modern Art and India's Long Decolonization (Stanford UP, 2020), Sanjukta Sunderason explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, she argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents.
Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781503611948"><em>Partisan Aesthetics: Modern Art and India's Long Decolonization</em></a> (Stanford UP, 2020), Sanjukta Sunderason explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art <em>became</em> political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, she argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents.</p><p><em>Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3861</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2e15762a-7473-11ec-b8b5-f743c58bebcc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3423470256.mp3?updated=1642079994" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Timothy Brennan, "Places of Mind: A Life of Edward Said" (FSG, 2021)</title>
      <description>Timothy Brennan is Professor of Comparative Literature, Cultural Studies, and English at the University of Minnesota. He is the author of several seminal books in literary studies, including Borrowed Light: Vico, Hegel, and the Colonies, published by Stanford University Press in 2014, Secular Devotion: Afro-Latin Music and Imperial Jazz published by Verso in 2008, and Wars of Position: The Cultural Politics of Left and Right published by Columbia University Press in 2006, among others. In this episode we talk to him about his recent book Places of Mind: A Life of Edward Said published by Farrar, Straus, and Giroux in March 2021.
Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan's Places of Mind is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan's masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, and eloquent advocate of literature's dramatic effects on politics and civic life.

Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writing, and Said's drafts of novels and personal letters, Places of the Mind captures Said's intellectual breadth and influence in an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.
Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Timothy Brennan</itunes:subtitle>
      <itunes:summary>Timothy Brennan is Professor of Comparative Literature, Cultural Studies, and English at the University of Minnesota. He is the author of several seminal books in literary studies, including Borrowed Light: Vico, Hegel, and the Colonies, published by Stanford University Press in 2014, Secular Devotion: Afro-Latin Music and Imperial Jazz published by Verso in 2008, and Wars of Position: The Cultural Politics of Left and Right published by Columbia University Press in 2006, among others. In this episode we talk to him about his recent book Places of Mind: A Life of Edward Said published by Farrar, Straus, and Giroux in March 2021.
Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan's Places of Mind is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan's masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, and eloquent advocate of literature's dramatic effects on politics and civic life.

Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writing, and Said's drafts of novels and personal letters, Places of the Mind captures Said's intellectual breadth and influence in an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.
Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Timothy Brennan is Professor of Comparative Literature, Cultural Studies, and English at the University of Minnesota. He is the author of several seminal books in literary studies, including <em>Borrowed Light: Vico, Hegel, and the Colonies, </em>published by Stanford University Press in 2014, <em>Secular Devotion: Afro-Latin Music and Imperial Jazz </em>published by Verso in 2008, and <em>Wars of Position: The Cultural Politics of Left and Right </em>published by Columbia University Press in 2006, among others. In this episode we talk to him about his recent book <a href="https://bookshop.org/a/12343/9780374146535"><em>Places of Mind: A Life of Edward Said</em></a><em> </em>published by Farrar, Straus, and Giroux in March 2021.</p><p>Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan's <em>Places of Mind</em> is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan's masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, and eloquent advocate of literature's dramatic effects on politics and civic life.</p><p><br></p><p>Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writing, and Said's drafts of novels and personal letters, <em>Places of the Mind</em> captures Said's intellectual breadth and influence in an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.</p><p><em>Bryant Scott is a professor in the Liberal Arts Department at Texas A&amp;M University at Qatar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3294</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff58ff0c-716e-11ec-b7b0-ef1f48a707b1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7384567848.mp3?updated=1641748303" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gil Z. Hochberg, "Becoming Palestine: Toward an Archival Imagination of the Future" (Duke UP, 2021)</title>
      <description>In Becoming Palestine: Toward an Archival Imagination of the Future (Duke UP, 2021), Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.
Gil Hochberg is Ransford Professor of Hebrew and Comparative Literature, and Middle East Studies at Columbia University and Chair of MESAAS.
Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative solidarities, refugee care, and displacement in Turkey and the Middle East.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gil Z. Hochberg</itunes:subtitle>
      <itunes:summary>In Becoming Palestine: Toward an Archival Imagination of the Future (Duke UP, 2021), Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.
Gil Hochberg is Ransford Professor of Hebrew and Comparative Literature, and Middle East Studies at Columbia University and Chair of MESAAS.
Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative solidarities, refugee care, and displacement in Turkey and the Middle East.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478013884"><em>Becoming Palestine: Toward an Archival Imagination of the Future</em></a><em> </em>(Duke UP, 2021), Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential.</p><p>Gil Hochberg is Ransford Professor of Hebrew and Comparative Literature, and Middle East Studies at Columbia University and Chair of MESAAS.</p><p><em>Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative solidarities, refugee care, and displacement in Turkey and the Middle East.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3031</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5706247807.mp3?updated=1641676661" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Miranda Campbell, "Reimagining the Creative Industries: Youth Creative Work, Communities of Care" (Routledge, 2021)</title>
      <description>How can we make creative industries fair and inclusive? In Reimagining the Creative Industries: Youth Creative Work, Communities of Care (Routledge, 2021), Miranda Campbell, an associate professor in the School of Creative Industries at Ryerson University, explores this question theoretically and empirically to present a new vision for both young creative workers and creative production itself. Drawing on ideas of ordinariness and the everyday, along with the need for care and inclusivity, the book is critical of current creative industry practice at corporate level, whilst offering new models and new methods for making culture. With examples from a range of art and cultural forms, the book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for creative practitioners everywhere.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>256</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Miranda Campbell</itunes:subtitle>
      <itunes:summary>How can we make creative industries fair and inclusive? In Reimagining the Creative Industries: Youth Creative Work, Communities of Care (Routledge, 2021), Miranda Campbell, an associate professor in the School of Creative Industries at Ryerson University, explores this question theoretically and empirically to present a new vision for both young creative workers and creative production itself. Drawing on ideas of ordinariness and the everyday, along with the need for care and inclusivity, the book is critical of current creative industry practice at corporate level, whilst offering new models and new methods for making culture. With examples from a range of art and cultural forms, the book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for creative practitioners everywhere.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we make creative industries fair and inclusive? In <a href="https://bookshop.org/a/12343/9780367468156"><em>Reimagining the Creative Industries: Youth Creative Work, Communities of Care</em></a><em> </em>(Routledge, 2021), <a href="https://twitter.com/mirandacampmtl">Miranda Campbell</a>, <a href="https://www.ryerson.ca/creativeindustries/people/faculty/mcampbell/">an associate professor in the School of Creative Industries at Ryerson University</a>, explores this question theoretically and empirically to present a new vision for both young creative workers and creative production itself. Drawing on ideas of ordinariness and the everyday, along with the need for care and inclusivity, the book is critical of current creative industry practice at corporate level, whilst offering new models and new methods for making culture. With examples from a range of art and cultural forms, the book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for creative practitioners everywhere.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2596</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9e4feb50-709a-11ec-8897-435f4fc12567]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7538966986.mp3?updated=1641657689" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexander Etkind, "Nature′s Evil: A Cultural History of Natural Resources" (Polity Press, 2021)</title>
      <description>In Nature′s Evil: A Cultural History of Natural Resources (Polity Press, 2021), Alexander Etkind views the history of humankind through the prism of natural resources – how we acquire them, use them, value them, trade them, exploit them. History needs a cast of characters, and in this story the leading actors are peat and hemp, grain and iron, fur and oil, each with its own tale to tell.
The uneven spread of available resources was the prime mover for trade, which in turn led to the accumulation of wealth, the growth of inequality and the proliferation of evil. Different sorts of raw material have different political implications and give rise to different social institutions. When a country switches its reliance from one commodity to another, this often leads to wars and revolutions. But none of these crises goes to waste – they all lead to dramatic changes in the relations between matter, labour and the state.
Our world is the result of a fragile pact between people and nature. As we stand on the verge of climate catastrophe, nature has joined us in our struggle to distinguish between good and evil. And since we have failed to change the world, now is the moment to understand how it works.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 10 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alexander Etkind</itunes:subtitle>
      <itunes:summary>In Nature′s Evil: A Cultural History of Natural Resources (Polity Press, 2021), Alexander Etkind views the history of humankind through the prism of natural resources – how we acquire them, use them, value them, trade them, exploit them. History needs a cast of characters, and in this story the leading actors are peat and hemp, grain and iron, fur and oil, each with its own tale to tell.
The uneven spread of available resources was the prime mover for trade, which in turn led to the accumulation of wealth, the growth of inequality and the proliferation of evil. Different sorts of raw material have different political implications and give rise to different social institutions. When a country switches its reliance from one commodity to another, this often leads to wars and revolutions. But none of these crises goes to waste – they all lead to dramatic changes in the relations between matter, labour and the state.
Our world is the result of a fragile pact between people and nature. As we stand on the verge of climate catastrophe, nature has joined us in our struggle to distinguish between good and evil. And since we have failed to change the world, now is the moment to understand how it works.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781509547586"><em>Nature′s Evil: A Cultural History of Natural Resources</em></a> (Polity Press, 2021), Alexander Etkind views the history of humankind through the prism of natural resources – how we acquire them, use them, value them, trade them, exploit them. History needs a cast of characters, and in this story the leading actors are peat and hemp, grain and iron, fur and oil, each with its own tale to tell.</p><p>The uneven spread of available resources was the prime mover for trade, which in turn led to the accumulation of wealth, the growth of inequality and the proliferation of evil. Different sorts of raw material have different political implications and give rise to different social institutions. When a country switches its reliance from one commodity to another, this often leads to wars and revolutions. But none of these crises goes to waste – they all lead to dramatic changes in the relations between matter, labour and the state.</p><p>Our world is the result of a fragile pact between people and nature. As we stand on the verge of climate catastrophe, nature has joined us in our struggle to distinguish between good and evil. And since we have failed to change the world, now is the moment to understand how it works.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at </em><a href="mailto:galina.limorenko@epfl.ch"><em>galina.limorenko@epfl.ch</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4791</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c850d298-6e56-11ec-9b8c-2bfb6d673d1f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8386311188.mp3?updated=1641408389" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kris Sealey, "Creolizing the Nation" (Northwestern UP, 2020)</title>
      <description>Can the concept of the nation be a resource for liberatory political struggle? Are the dangers of nationalism simply too great? In Creolizing the Nation (Northwestern UP, 2020), Kris F. Sealey argues that creolization offers theoretical resources for imagining the possibilities of decolonial nations. Such new imaginings are made possible by the ways creolization allows us to think subjectivity, community, and history inventively. Sealey draws our focus to everyday practices of sabotage and jostling that deserve our attention. She creates conversations between the work of Édouard Glissant, Frantz Fanon, Gloria Anzaldúa, María Lugones, and Mariana Ortega to theorize identity and community in terms of difference, flux, and ambiguity. Sealey gives us errant possibilities. Creolizing the Nation was just awarded the Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 10 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>272</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kris Sealey</itunes:subtitle>
      <itunes:summary>Can the concept of the nation be a resource for liberatory political struggle? Are the dangers of nationalism simply too great? In Creolizing the Nation (Northwestern UP, 2020), Kris F. Sealey argues that creolization offers theoretical resources for imagining the possibilities of decolonial nations. Such new imaginings are made possible by the ways creolization allows us to think subjectivity, community, and history inventively. Sealey draws our focus to everyday practices of sabotage and jostling that deserve our attention. She creates conversations between the work of Édouard Glissant, Frantz Fanon, Gloria Anzaldúa, María Lugones, and Mariana Ortega to theorize identity and community in terms of difference, flux, and ambiguity. Sealey gives us errant possibilities. Creolizing the Nation was just awarded the Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can the concept of the nation be a resource for liberatory political struggle? Are the dangers of nationalism simply too great? In <a href="https://bookshop.org/a/12343/9780810142350"><em>Creolizing the Nation</em></a><em> </em>(Northwestern UP, 2020), Kris F. Sealey argues that creolization offers theoretical resources for imagining the possibilities of decolonial nations. Such new imaginings are made possible by the ways creolization allows us to think subjectivity, community, and history inventively. Sealey draws our focus to everyday practices of sabotage and jostling that deserve our attention. She creates conversations between the work of Édouard Glissant, Frantz Fanon, Gloria Anzaldúa, María Lugones, and Mariana Ortega to theorize identity and community in terms of difference, flux, and ambiguity. Sealey gives us errant possibilities. <em>Creolizing the Nation </em>was just awarded the Nicolás Cristóbal Guillén Batista Outstanding Book Award by the Caribbean Philosophical Association.</p><p><a href="https://clas.ucdenver.edu/philosophy/sarah-tyson"><em>Sarah Tyson</em></a><em> is an associate professor of philosophy at the University of Colorado, Denver.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3353</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2f34c79e-6f24-11ec-bf02-5f5a1c21321f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6309067669.mp3?updated=1641839869" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elizabeth A. Povinelli, "Between Gaia and Ground: Four Axioms of Existence and the Ancestral Catastrophe of Late Liberalism" (Duke UP, 2021)</title>
      <description>In Between Gaia and Ground: Four Axioms of Existence and the Ancestral Catastrophe of Late Liberalism (Duke UP, 2021),  Elizabeth A. Povinelli theorizes the climatic, environmental, viral, and social catastrophe present as an ancestral catastrophe through which that Indigenous and colonized peoples have been suffering for centuries. In this way, the violence and philosophies the West relies on now threaten the West itself. Engaging with the work of Glissant, Deleuze and Guattari, Césaire, and Arendt, Povinelli highlights four axioms of existence-the entanglement of existence, the unequal distribution of power, the collapse of the event as essential to political thought, and the legacies of racial and colonial histories. She traces these axioms' inspiration in anticolonial struggles against the dispossession and extraction that have ruined the lived conditions for many on the planet. By examining the dynamic and unfolding forms of late liberal violence, Povinelli attends to a vital set of questions about changing environmental conditions, the legacies of violence, and the limits of inherited Western social theory. Between Gaia and Ground also includes a glossary of the keywords and concepts that Povinelli has developed throughout her work.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Elizabeth A. Povinelli</itunes:subtitle>
      <itunes:summary>In Between Gaia and Ground: Four Axioms of Existence and the Ancestral Catastrophe of Late Liberalism (Duke UP, 2021),  Elizabeth A. Povinelli theorizes the climatic, environmental, viral, and social catastrophe present as an ancestral catastrophe through which that Indigenous and colonized peoples have been suffering for centuries. In this way, the violence and philosophies the West relies on now threaten the West itself. Engaging with the work of Glissant, Deleuze and Guattari, Césaire, and Arendt, Povinelli highlights four axioms of existence-the entanglement of existence, the unequal distribution of power, the collapse of the event as essential to political thought, and the legacies of racial and colonial histories. She traces these axioms' inspiration in anticolonial struggles against the dispossession and extraction that have ruined the lived conditions for many on the planet. By examining the dynamic and unfolding forms of late liberal violence, Povinelli attends to a vital set of questions about changing environmental conditions, the legacies of violence, and the limits of inherited Western social theory. Between Gaia and Ground also includes a glossary of the keywords and concepts that Povinelli has developed throughout her work.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478014577"><em>Between Gaia and Ground: Four Axioms of Existence and the Ancestral Catastrophe of Late Liberalism</em></a><em> </em>(Duke UP, 2021),<em> </em> Elizabeth A. Povinelli theorizes the climatic, environmental, viral, and social catastrophe present as an ancestral catastrophe through which that Indigenous and colonized peoples have been suffering for centuries. In this way, the violence and philosophies the West relies on now threaten the West itself. Engaging with the work of Glissant, Deleuze and Guattari, Césaire, and Arendt, Povinelli highlights four axioms of existence-the entanglement of existence, the unequal distribution of power, the collapse of the event as essential to political thought, and the legacies of racial and colonial histories. She traces these axioms' inspiration in anticolonial struggles against the dispossession and extraction that have ruined the lived conditions for many on the planet. By examining the dynamic and unfolding forms of late liberal violence, Povinelli attends to a vital set of questions about changing environmental conditions, the legacies of violence, and the limits of inherited Western social theory. <em>Between Gaia and Ground</em> also includes a glossary of the keywords and concepts that Povinelli has developed throughout her work.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3483</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[674cf786-6d8b-11ec-877c-b3bbf25fb26c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9307555123.mp3?updated=1641321138" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anna Watkins Fisher, "The Play in the System: The Art of Parasitical Resistance" (Duke UP, 2020)</title>
      <description>What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures.
Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself.


Ubermorgen, Amazon Noir



Núria Güell, Stateless by Choice, Humanitarian Aid


Marina Abramović, The Artist is Present


Ann Liv Young archive.org capture, Sheryl Is Present


Lauren Barri Holstein

Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor.
The Play in the System is available as an open-source download.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anna Watkins Fisher</itunes:subtitle>
      <itunes:summary>What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures.
Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself.


Ubermorgen, Amazon Noir



Núria Güell, Stateless by Choice, Humanitarian Aid


Marina Abramović, The Artist is Present


Ann Liv Young archive.org capture, Sheryl Is Present


Lauren Barri Holstein

Anna Watkins Fisher is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor.
The Play in the System is available as an open-source download.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In <a href="https://bookshop.org/a/12343/9781478009702"><em>The Play in the System: The Art of Parasitical Resistance</em></a> (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace <em>parasitism</em>, a tactic of complicity that effect subversion from within hegemonic structures.</p><p>Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself.</p><ul>
<li>
<a href="https://www.ubermorgen.com/UM/index.html">Ubermorgen</a>, <a href="https://www.amazon-noir.com/"><em>Amazon Noir</em></a>
</li>
<li>
<a href="https://www.nuriaguell.com/">Núria Güell</a>, <a href="https://www.nuriaguell.com/portfolio/apatrida-por-voluntad-propia/"><em>Stateless by Choice</em></a>, <a href="https://www.nuriaguell.com/portfolio/ayuda-humanitaria/"><em>Humanitarian Aid</em></a>
</li>
<li>Marina Abramović, <a href="https://www.youtube.com/watch?v=HvcQ39OBzzo"><em>The Artist is Present</em></a>
</li>
<li>Ann Liv Young <a href="https://web.archive.org/web/20160304170958/http://annlivyoung.com/">archive.org capture</a>, <a href="https://www.artforum.com/interviews/ann-liv-young-talks-about-sherry-29687"><em>Sheryl Is Prese</em>nt</a>
</li>
<li><a href="https://www.thefamousomg.com/">Lauren Barri Holstein</a></li>
</ul><p><a href="http://www.annawatkinsfisher.com/">Anna Watkins Fisher</a> is a cultural and media theorist whose research spans the fields of digital studies, performance studies, visual culture, environmental humanities, and critical theory. She is an associate professor in the Department of American Culture at the University of Michigan, Ann Arbor.</p><p><em>The Play in the System</em> is available as an <a href="https://library.oapen.org/handle/20.500.12657/42579">open-source download</a>.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3764</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97d6c6a8-6b32-11ec-bc51-8f93247e6ecb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4532609341.mp3?updated=1641062994" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>71 Jennifer Egan with Ivan Kreilkamp: Fiction as Streaming, Genre as Portal (Novel Dialogue crossover, JP)</title>
      <description>This week on Recall this Book, another delightful crossover episode from our sister podcast Novel Dialogue, which puts scholars and writers together to discuss the making of novels and what to make of them. (If you want to hear more, RtB 53 featured Nobel Orhan Pamuk, RtB 54 brought in Helen Garner, and in RtB 72 we haveCaryl Phillips). Who better to chat with John and Jennifer Egan--prolific and prize-winning American novelist--than Ivan Kreilkamp? The distinguished Indiana Victorianist showed his Egan expertise last year in his witty book, A Visit from the Goon Squad Reread.
Jennifer Egan © Pieter M. van Hattem
Their conversation ranges widely over Egan’s oeuvre–not to mention 18th and 19th century literature. Trollope, Richardson and Fielding are praised and compared to modern phenomena like TikTok and gamers streaming (including gamers streaming chess, a very special instance of getting inside someone else’s thought process). The PowerPoint chapter in Goon Squad gets special treatment, and tantalizing details from Egan’s forthcoming novel, The Candy House (April, 2022) make an appearance. Egan discusses her authorial impulse towards camouflage, her play with genre’s relationship to specialized lingos and argots–and the way a genre’s norms and structure can function like a “lifeline” and also a “portal.”
Mentioned in the Episode

Jennifer Egan: Visit from the Goon Squad; Look at Me; Manhattan Beach; The Keep


Samuel Richardson: Clarissa; Pamela


Henry Fielding, Shamela


Herman Melville, Moby Dick


Patrick O’Brian (e.g. Master and Commander)

Alfred Hitchcock, Lifeboat


Read the transcript here.
 Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion with Jennifer Egan with Ivan Kreilkamp</itunes:subtitle>
      <itunes:summary>This week on Recall this Book, another delightful crossover episode from our sister podcast Novel Dialogue, which puts scholars and writers together to discuss the making of novels and what to make of them. (If you want to hear more, RtB 53 featured Nobel Orhan Pamuk, RtB 54 brought in Helen Garner, and in RtB 72 we haveCaryl Phillips). Who better to chat with John and Jennifer Egan--prolific and prize-winning American novelist--than Ivan Kreilkamp? The distinguished Indiana Victorianist showed his Egan expertise last year in his witty book, A Visit from the Goon Squad Reread.
Jennifer Egan © Pieter M. van Hattem
Their conversation ranges widely over Egan’s oeuvre–not to mention 18th and 19th century literature. Trollope, Richardson and Fielding are praised and compared to modern phenomena like TikTok and gamers streaming (including gamers streaming chess, a very special instance of getting inside someone else’s thought process). The PowerPoint chapter in Goon Squad gets special treatment, and tantalizing details from Egan’s forthcoming novel, The Candy House (April, 2022) make an appearance. Egan discusses her authorial impulse towards camouflage, her play with genre’s relationship to specialized lingos and argots–and the way a genre’s norms and structure can function like a “lifeline” and also a “portal.”
Mentioned in the Episode

Jennifer Egan: Visit from the Goon Squad; Look at Me; Manhattan Beach; The Keep


Samuel Richardson: Clarissa; Pamela


Henry Fielding, Shamela


Herman Melville, Moby Dick


Patrick O’Brian (e.g. Master and Commander)

Alfred Hitchcock, Lifeboat


Read the transcript here.
 Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This week on <em>Recall this Book,</em> another delightful crossover episode from our sister podcast <a href="http://noveldialogue.org/">Novel Dialogue</a>, which puts scholars and writers together to discuss the making of novels and what to make of them. (If you want to hear more, <a href="https://recallthisbook.org/2021/04/08/53-crossover-month-2-novel-dialogue-orhan-pamuk-bruce-robbins-jp/">RtB 53 </a>featured Nobel Orhan Pamuk, <a href="https://recallthisbook.org/2021/04/22/54-crossover-month-3-novel-dialogue-with-helen-garner-elizabeth-mcmahon-jp/">RtB 54</a> brought in Helen Garner, and in RtB 72 we haveCaryl Phillips). Who better to chat with John and <a href="https://jenniferegan.com/">Jennifer Egan</a>--prolific and prize-winning American novelist--than<a href="https://english.indiana.edu/about/faculty/kreilkamp-ivan.html"> Ivan Kreilkamp</a>? The distinguished Indiana Victorianist showed his Egan expertise last year in his witty book, <a href="https://cup.columbia.edu/book/a-visit-from-the-goon-squad-reread/9780231187114#:~:text=Jennifer%20Egan%20described%20her%20Pulitzer,of%20Proust%20and%20The%20Sopranos.&amp;text=He%20considers%20what%20the%20novel's,digitization%20makes%20older%20technologies%20obsolete."><em>A Visit from the Goon Squad Reread</em></a>.</p><p>Jennifer Egan © Pieter M. van Hattem</p><p>Their conversation ranges widely over Egan’s oeuvre–not to mention 18th and 19th century literature. Trollope, Richardson and Fielding are praised and compared to modern phenomena like TikTok and gamers streaming (including gamers streaming chess, a very special instance of getting inside someone else’s thought process). <a href="http://jenniferegan.com/excerpt/a-visit-from-the-goon-squad/">The PowerPoint chapter in <em>Goon Squad</em></a> gets special treatment, and tantalizing details from Egan’s <a href="https://www.simonandschuster.com/books/The-Candy-House/Jennifer-Egan/9781476716763">forthcoming novel, <em>The Candy House</em></a> (April, 2022) make an appearance. Egan discusses her authorial impulse towards camouflage, her play with genre’s relationship to specialized lingos and argots–and the way a genre’s norms and structure can function like a “lifeline” and also a “portal.”</p><p><strong>Mentioned in the Episode</strong></p><ul>
<li>Jennifer Egan: <a href="http://jenniferegan.com/books/a-visit-from-the-goon-squad/"><em>Visit from the Goon Squad</em></a>; <a href="http://jenniferegan.com/books/look-at-me/"><em>Look at Me</em></a>; <a href="http://jenniferegan.com/books/manhattan-beach/"><em>Manhattan Beach</em></a>; <a href="http://jenniferegan.com/books/the-keep/"><em>The Keep</em></a>
</li>
<li>Samuel Richardson: <a href="https://en.wikipedia.org/wiki/Clarissa"><em>Clarissa</em></a>; <a href="https://en.wikipedia.org/wiki/Pamela;_or,_Virtue_Rewarded"><em>Pamela</em></a>
</li>
<li>Henry Fielding, <a href="https://en.wikipedia.org/wiki/An_Apology_for_the_Life_of_Mrs._Shamela_Andrews"><em>Shamela</em></a>
</li>
<li>Herman Melville, <a href="https://www.gutenberg.org/files/2701/2701-h/2701-h.htm"><em>Moby Dick</em></a>
</li>
<li>Patrick O’Brian (e.g. <a href="https://en.wikipedia.org/wiki/Master_and_Commander"><em>Master and Commander</em></a>)</li>
<li>Alfred Hitchcock, <a href="https://en.wikipedia.org/wiki/Lifeboat_(1944_film)"><em>Lifeboat</em></a>
</li>
</ul><p><a href="https://recallthisbook.org/transcripts-of-the-episodes/">Read the transcript here</a>.</p><p><em> </em><a href="https://elizabeth-ferry.com/"><em>Elizabeth Ferry</em></a><em> is Professor of Anthropology at Brandeis University. Email: </em><a href="mailto:ferry@brandeis.edu"><em>ferry@brandeis.edu</em></a><em>. </em><a href="https://www.brandeis.edu/english/faculty/plotz.html"><em>John Plotz</em></a><em> is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the </em><a href="https://sites.google.com/brandeis.edu/brandeisjusticeinitiative/home"><em>Brandeis Educational Justice Initiative</em></a><em>. Email: </em><a href="mailto:plotz@brandeis.edu"><em>plotz@brandeis.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2223</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bffb0444-6d73-11ec-8ed6-6ffe269ef872]]></guid>
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    </item>
    <item>
      <title>Laurie R. Lambert, "Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution" (U Virginia Press, 2020)</title>
      <description>My conversation with Laurie Lambert, author of Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution (University of Virginia Press, 2020). This book asks us to rethink the Grenadan Revolution through the literature of authors including Merle Collins, Dionne Brand, Derek Walcott and others. Lambert's attention to gender offers new narratives through which to consider the relationships between violence, memory, trauma, and colonialism. We talk about her writing process and methods, and about the broader implications of her book to Caribbean historiography. 
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laurie R. Lambert</itunes:subtitle>
      <itunes:summary>My conversation with Laurie Lambert, author of Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution (University of Virginia Press, 2020). This book asks us to rethink the Grenadan Revolution through the literature of authors including Merle Collins, Dionne Brand, Derek Walcott and others. Lambert's attention to gender offers new narratives through which to consider the relationships between violence, memory, trauma, and colonialism. We talk about her writing process and methods, and about the broader implications of her book to Caribbean historiography. 
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>My conversation with Laurie Lambert, author of <a href="https://bookshop.org/a/12343/9780813944265"><em>Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution</em></a> (University of Virginia Press, 2020). This book asks us to rethink the Grenadan Revolution through the literature of authors including Merle Collins, Dionne Brand, Derek Walcott and others. Lambert's attention to gender offers new narratives through which to consider the relationships between violence, memory, trauma, and colonialism. We talk about her writing process and methods, and about the broader implications of her book to Caribbean historiography. </p><p><a href="https://www.albany.edu/lacs/faculty/alejandra-bronfman"><em>Alejandra Bronfman</em></a><em> is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2587</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aba37006-6c9e-11ec-a246-3b467e5bf640]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1478252230.mp3?updated=1641219056" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mabel Moraña, "Philosophy and Criticism in Latin America: From Mariátegui to Sloterdijk" (Cambria Press, 2020)</title>
      <description>Mabel Moraña's book Philosophy and Criticism in Latin America: From Mariátegui to Sloterdijk (Cambria Press, 2020) explores the complex relationships between the fields of philosophy and criticism, focusing on methodological, ideological and cultural aspects in which European canonical reflection connects, in many cases conflictively, with Latin American thought. Philosophy and criticism analyzes aspects of the work of influential modern thinkers (Benjamin, Foucault, Bourdieu, Sloterdijk) vis a vis the proposals of representative authors of Latin American philosophy (Mariátegui, Dussel, Bartra, Echeverría), trying to discover convergences and challenges between both slopes. Likewise, this volume focuses on crucial issues of our time: the crisis of humanism, the strategies of biopolitics, the problems of scarcity, violence, the critique of modernity, the world of affections, and the challenges of globalization. The marked profile of Latin American thought is thus imprinting its brand in current debates, revealing the thriving force of intellectual currents that resist epistemic domination in search of renewed forms of collective emancipation.
Daniela Gutierrez Flores is a PhD candidate in Hispanic and Luso-Brazilian Studies at the University of Chicago Romance Languages and Literatures department. Follow her on Twitter @danielagtz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Mabel Moraña</itunes:subtitle>
      <itunes:summary>Mabel Moraña's book Philosophy and Criticism in Latin America: From Mariátegui to Sloterdijk (Cambria Press, 2020) explores the complex relationships between the fields of philosophy and criticism, focusing on methodological, ideological and cultural aspects in which European canonical reflection connects, in many cases conflictively, with Latin American thought. Philosophy and criticism analyzes aspects of the work of influential modern thinkers (Benjamin, Foucault, Bourdieu, Sloterdijk) vis a vis the proposals of representative authors of Latin American philosophy (Mariátegui, Dussel, Bartra, Echeverría), trying to discover convergences and challenges between both slopes. Likewise, this volume focuses on crucial issues of our time: the crisis of humanism, the strategies of biopolitics, the problems of scarcity, violence, the critique of modernity, the world of affections, and the challenges of globalization. The marked profile of Latin American thought is thus imprinting its brand in current debates, revealing the thriving force of intellectual currents that resist epistemic domination in search of renewed forms of collective emancipation.
Daniela Gutierrez Flores is a PhD candidate in Hispanic and Luso-Brazilian Studies at the University of Chicago Romance Languages and Literatures department. Follow her on Twitter @danielagtz.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mabel Moraña's book <a href="https://bookshop.org/a/12343/9781621965428"><em>Philosophy and Criticism in Latin America: From Mariátegui to Sloterdijk</em></a> (Cambria Press, 2020) explores the complex relationships between the fields of philosophy and criticism, focusing on methodological, ideological and cultural aspects in which European canonical reflection connects, in many cases conflictively, with Latin American thought. Philosophy and criticism analyzes aspects of the work of influential modern thinkers (Benjamin, Foucault, Bourdieu, Sloterdijk) vis a vis the proposals of representative authors of Latin American philosophy (Mariátegui, Dussel, Bartra, Echeverría), trying to discover convergences and challenges between both slopes. Likewise, this volume focuses on crucial issues of our time: the crisis of humanism, the strategies of biopolitics, the problems of scarcity, violence, the critique of modernity, the world of affections, and the challenges of globalization. The marked profile of Latin American thought is thus imprinting its brand in current debates, revealing the thriving force of intellectual currents that resist epistemic domination in search of renewed forms of collective emancipation.</p><p><a href="https://rll.uchicago.edu/daniela-gutierrez-flores"><em>Daniela Gutierrez Flores</em></a><em> is a PhD candidate in Hispanic and Luso-Brazilian Studies at the University of Chicago Romance Languages and Literatures department. Follow her on Twitter </em><a href="https://twitter.com/danielagtz"><em>@danielagtz</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ignacio M. Sanchez Prado, "Strategic Occidentalism: On Mexican Fiction, the Neoliberal Book Market, and the Question of World Literature" (Northwestern UP, 2018)</title>
      <description>Ignacio M. Sánchez Prado is Professor of Spanish, Latin American Studies, and Film and Media Studies at Washington University in St. Louis. His areas of research include Latin American intellectual history, neoliberal culture, world literary theory, and Mexican cultural studies. He is the author and editor of several books, including Screening Neoliberalism: Mexican Cinema 1988-2012 and most recently Strategic Occidentalism: On Mexican Fiction, The Neoliberal Book Market, and the Question of World Literature (Northwestern UP, 2018).
Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture.
In the course of this analysis, engages with theories of world literature, proposing that “world literature” is a construction produced at various levels, including the national, that must be studied from its material conditions of production in specific sites. In particular, he argues that Mexican writers have engaged in a “strategic Occidentalism” in which their idiosyncratic connections with world literature have responded to dynamics different from those identified by world-systems or diffusionist theorists.

Strategic Occidentalism identifies three scenes in which a cosmopolitan aesthetics in Mexican world literature has been produced: Sergio Pitol’s translation of Eastern European and marginal British modernist literature; the emergence of the Crack group as a polemic against the legacies of magical realism; and the challenges of writers like Carmen Boullosa, Cristina Rivera Garza, and Ana García Bergua to the roles traditionally assigned to Latin American writers in world literature.
Bryant Scott is a professor of English in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ignacio M. Sanchez Prado</itunes:subtitle>
      <itunes:summary>Ignacio M. Sánchez Prado is Professor of Spanish, Latin American Studies, and Film and Media Studies at Washington University in St. Louis. His areas of research include Latin American intellectual history, neoliberal culture, world literary theory, and Mexican cultural studies. He is the author and editor of several books, including Screening Neoliberalism: Mexican Cinema 1988-2012 and most recently Strategic Occidentalism: On Mexican Fiction, The Neoliberal Book Market, and the Question of World Literature (Northwestern UP, 2018).
Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture.
In the course of this analysis, engages with theories of world literature, proposing that “world literature” is a construction produced at various levels, including the national, that must be studied from its material conditions of production in specific sites. In particular, he argues that Mexican writers have engaged in a “strategic Occidentalism” in which their idiosyncratic connections with world literature have responded to dynamics different from those identified by world-systems or diffusionist theorists.

Strategic Occidentalism identifies three scenes in which a cosmopolitan aesthetics in Mexican world literature has been produced: Sergio Pitol’s translation of Eastern European and marginal British modernist literature; the emergence of the Crack group as a polemic against the legacies of magical realism; and the challenges of writers like Carmen Boullosa, Cristina Rivera Garza, and Ana García Bergua to the roles traditionally assigned to Latin American writers in world literature.
Bryant Scott is a professor of English in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ignacio M. Sánchez Prado is Professor of Spanish, Latin American Studies, and Film and Media Studies at Washington University in St. Louis. His areas of research include Latin American intellectual history, neoliberal culture, world literary theory, and Mexican cultural studies. He is the author and editor of several books, including <em>Screening Neoliberalism: Mexican Cinema 1988-2012 </em>and most recently <a href="https://bookshop.org/a/12343/9780810137554"><em>Strategic Occidentalism: On Mexican Fiction, The Neoliberal Book Market, and the Question of World Literature</em></a><em> </em>(Northwestern UP, 2018).</p><p><em>Strategic Occidentalism</em> examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture.</p><p>In the course of this analysis, engages with theories of world literature, proposing that “world literature” is a construction produced at various levels, including the national, that must be studied from its material conditions of production in specific sites. In particular, he argues that Mexican writers have engaged in a “strategic Occidentalism” in which their idiosyncratic connections with world literature have responded to dynamics different from those identified by world-systems or diffusionist theorists.</p><p><br></p><p><em>Strategic Occidentalism</em> identifies three scenes in which a cosmopolitan aesthetics in Mexican world literature has been produced: Sergio Pitol’s translation of Eastern European and marginal British modernist literature; the emergence of the Crack group as a polemic against the legacies of magical realism; and the challenges of writers like Carmen Boullosa, Cristina Rivera Garza, and Ana García Bergua to the roles traditionally assigned to Latin American writers in world literature.</p><p><em>Bryant Scott is a professor of English in the Liberal Arts Department at Texas A&amp;M University at Qatar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3357</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4f512f6e-69a6-11ec-badc-339ab826d7a0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6076188711.mp3?updated=1640892786" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carol Diehl, "Banksy: Completed" (MIT Press, 2021)</title>
      <description>Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With Banksy: Completed (MIT Press, 2021), artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit Through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall.
Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York “residency” or his notorious Dismaland of 2015, a full-scale dystopian “family theme park unsuitable for children” dedicated to the failure of capitalism. Banksy's work, Diehl shows, is a synthesis of conceptual art, social commentary, and political protest, played out not in museums but where it can have the most effect—on the street, in the real world. The questions Banksy raises about the uses of public and private property, the role of the global corporatocracy, the never-ending wars, and the gap between artworks as luxury goods and as vehicles of social expression, have never been more relevant.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carol Diehl</itunes:subtitle>
      <itunes:summary>Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With Banksy: Completed (MIT Press, 2021), artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit Through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall.
Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York “residency” or his notorious Dismaland of 2015, a full-scale dystopian “family theme park unsuitable for children” dedicated to the failure of capitalism. Banksy's work, Diehl shows, is a synthesis of conceptual art, social commentary, and political protest, played out not in museums but where it can have the most effect—on the street, in the real world. The questions Banksy raises about the uses of public and private property, the role of the global corporatocracy, the never-ending wars, and the gap between artworks as luxury goods and as vehicles of social expression, have never been more relevant.
Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With <a href="https://bookshop.org/a/12343/9780262046244"><em>Banksy: Completed</em></a> (MIT Press, 2021), artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, <em>Exit Through the Gift Shop</em>, Diehl proves unequivocally that there's more to Banksy than the painting on the wall.</p><p>Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York “residency” or his notorious <em>Dismaland</em> of 2015, a full-scale dystopian “family theme park unsuitable for children” dedicated to the failure of capitalism. Banksy's work, Diehl shows, is a synthesis of conceptual art, social commentary, and political protest, played out not in museums but where it can have the most effect—on the street, in the real world. The questions Banksy raises about the uses of public and private property, the role of the global corporatocracy, the never-ending wars, and the gap between artworks as luxury goods and as vehicles of social expression, have never been more relevant.</p><p><em>Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at </em><a href="mailto:galina.limorenko@epfl.ch"><em>galina.limorenko@epfl.ch</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2941</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Andrew Zitcer, "Practicing Cooperation: Mutual Aid Beyond Capitalism" (U Minnesota Press, 2021)</title>
      <description>Have you ever stopped to think about your local grocery cooperative and what makes it different than, say Safeway or Giant or Whole Foods? That is, if you have a grocery cooperative in your neighborhood – they are neither ubiquitous nor evenly distributed. They do, however, offer perhaps the most visible model of how economic practices can exist outside the central dogma of capitalism.
In Practicing Cooperation: Mutual Aid Beyond Capitalism (U Minnesota Press, 2021), Andrew Zitcer uses the travails and triumphs of four non-traditional organizations to create a compelling argument for a better, more equitable way to organize social and economic practices. His portraits of two grocery co-ops and a dance collective in Philadelphia, as well as a national acupuncture multistakeholder cooperative, ground his theory in the real world where ordinary people sweat, argue, stock shelves, heal each other, and make art. But his interlocutors have an underlying passion – to create a place where cooperation, rather than competition, is the guiding principle. This approach to social practice has deep implications for the creation of a more equitable and just society. Zitcer’s personal immersion in his research yields a “loving critique” of his four case studies and offers a realistic optimism for our post-pandemic world.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>255</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrew Zitcer</itunes:subtitle>
      <itunes:summary>Have you ever stopped to think about your local grocery cooperative and what makes it different than, say Safeway or Giant or Whole Foods? That is, if you have a grocery cooperative in your neighborhood – they are neither ubiquitous nor evenly distributed. They do, however, offer perhaps the most visible model of how economic practices can exist outside the central dogma of capitalism.
In Practicing Cooperation: Mutual Aid Beyond Capitalism (U Minnesota Press, 2021), Andrew Zitcer uses the travails and triumphs of four non-traditional organizations to create a compelling argument for a better, more equitable way to organize social and economic practices. His portraits of two grocery co-ops and a dance collective in Philadelphia, as well as a national acupuncture multistakeholder cooperative, ground his theory in the real world where ordinary people sweat, argue, stock shelves, heal each other, and make art. But his interlocutors have an underlying passion – to create a place where cooperation, rather than competition, is the guiding principle. This approach to social practice has deep implications for the creation of a more equitable and just society. Zitcer’s personal immersion in his research yields a “loving critique” of his four case studies and offers a realistic optimism for our post-pandemic world.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Have you ever stopped to think about your local grocery cooperative and what makes it different than, say Safeway or Giant or Whole Foods? That is, if you have a grocery cooperative in your neighborhood – they are neither ubiquitous nor evenly distributed. They do, however, offer perhaps the most visible model of how economic practices can exist outside the central dogma of capitalism.</p><p>In <a href="https://bookshop.org/a/12343/9781517909796"><em>Practicing Cooperation: Mutual Aid Beyond Capitalism</em></a><em> </em>(U Minnesota Press, 2021), Andrew Zitcer uses the travails and triumphs of four non-traditional organizations to create a compelling argument for a better, more equitable way to organize social and economic practices. His portraits of two grocery co-ops and a dance collective in Philadelphia, as well as a national acupuncture multistakeholder cooperative, ground his theory in the real world where ordinary people sweat, argue, stock shelves, heal each other, and make art. But his interlocutors have an underlying passion – to create a place where cooperation, rather than competition, is the guiding principle. This approach to social practice has deep implications for the creation of a more equitable and just society. Zitcer’s personal immersion in his research yields a “loving critique” of his four case studies and offers a realistic optimism for our post-pandemic world.</p><p><em>Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[23626ffe-6293-11ec-b37d-bf12fe35a72e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9862309397.mp3?updated=1640115040" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ian Almond, "World Literature Decentered: Beyond the 'West' Through Turkey, Mexico and Bengal" (Routledge, 2021)</title>
      <description>Ian Almond is Professor of World Literature at Georgetown University in Qatar, and author of six books, including Two Faiths, One Banner: When Muslims Marched with Christians across Europe’s Battlegrounds, published in 2011 by Harvard University Press and The Thought of Nirad C. Chaudhuri: Islam, Empire and Loss published by Cambridge University Press in 2015. His work has been translated into thirteen languages. 
His most recent work, World Literature Decentered: Beyond the West through Turkey, Mexico and Bengal, was published in 2021 by Routledge. World Literature Decentered offers a unique departure from world literature as it has been understood, theorized, and anthologized. It asks: what would world literature look like if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet,” World Literature Decentered is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizing them, but by actively providing an alternative. Looking at a series of themes across three literatures (Mexico, Turkey and Bengal), the book examines hotels, melancholy, orientalism, femicide and the ghost story in a series of literary traditions outside the “West”. The non-West, the book argues, is no fringe group or token minority in need of attention – on the contrary, it constitutes the overwhelming majority of this world.
Bryant Scott is a professor of English in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Dec 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ian Almond</itunes:subtitle>
      <itunes:summary>Ian Almond is Professor of World Literature at Georgetown University in Qatar, and author of six books, including Two Faiths, One Banner: When Muslims Marched with Christians across Europe’s Battlegrounds, published in 2011 by Harvard University Press and The Thought of Nirad C. Chaudhuri: Islam, Empire and Loss published by Cambridge University Press in 2015. His work has been translated into thirteen languages. 
His most recent work, World Literature Decentered: Beyond the West through Turkey, Mexico and Bengal, was published in 2021 by Routledge. World Literature Decentered offers a unique departure from world literature as it has been understood, theorized, and anthologized. It asks: what would world literature look like if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet,” World Literature Decentered is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizing them, but by actively providing an alternative. Looking at a series of themes across three literatures (Mexico, Turkey and Bengal), the book examines hotels, melancholy, orientalism, femicide and the ghost story in a series of literary traditions outside the “West”. The non-West, the book argues, is no fringe group or token minority in need of attention – on the contrary, it constitutes the overwhelming majority of this world.
Bryant Scott is a professor of English in the Liberal Arts Department at Texas A&amp;M University at Qatar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ian Almond is Professor of World Literature at Georgetown University in Qatar, and author of six books, including <em>Two Faiths, One Banner: When Muslims Marched with Christians across Europe’s Battlegrounds</em>, published in 2011 by Harvard University Press and <em>The Thought of Nirad C. Chaudhuri: Islam, Empire and Loss</em> published by Cambridge University Press in 2015. His work has been translated into thirteen languages. </p><p>His most recent work, <a href="https://bookshop.org/a/12343/9780367683375"><em>World Literature Decentered: Beyond the West through Turkey, Mexico and Bengal</em></a>, was published in 2021 by Routledge. <em>World Literature Decentered</em> offers a unique departure from world literature as it has been understood, theorized, and anthologized. It asks: what would world literature look like if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet,” <em>World Literature Decentered</em> is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizing them, but by actively providing an alternative. Looking at a series of themes across three literatures (Mexico, Turkey and Bengal), the book examines hotels, melancholy, orientalism, femicide and the ghost story in a series of literary traditions outside the “West”. The non-West, the book argues, is no fringe group or token minority in need of attention – on the contrary, it constitutes the overwhelming majority of this world.</p><p><em>Bryant Scott is a professor of English in the Liberal Arts Department at Texas A&amp;M University at Qatar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0d7ea730-61d9-11ec-baba-ef131f2a4adb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1270953307.mp3?updated=1640034711" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Noreen Giffney, "The Culture-Breast in Psychoanalysis: Cultural Experiences and the Clinic" (Routledge, 2021)</title>
      <description>The Culture-Breast in Psychoanalysis: Cultural Experiences and the Clinic (Routledge, 2021) introduces "the culture-breast," a new clinical concept, to explore the central importance played by cultural objects in the psychical lives of patients and psychoanalytic clinical practitioners inside and outside the consulting room. Bringing together clinical writings from psychoanalysis and cultural objects from the applied fields of film, art, literature and music, the book also makes an argument for the usefulness of encounters with cultural objects as "non-clinical case studies" in the training and further professional development of psychoanalysts and psychotherapists. Through its engagement with psychosocial studies, the text, furthermore, interrogates, challenges and offers a way through a hierarchical split that has become established in psychoanalysis between "clinical psychoanalysis" and "applied psychoanalysis."
Noreen Giffney is a psychoanalytic psychotherapist, a psychosocial theorist and the director of Psychoanalysis +, an international, interdisciplinary initiative that brings together clinical, artistic and academic approaches to, and applications of, psychoanalysis. She has published and lectured extensively on psychoanalysis, psychosocial studies and critical theory. She works as a psychoanalytic psychotherapist in private practice in County Donegal and as a lecturer in counselling at Ulster University.
 Philip Lance, Ph.D. is a psychoanalyst in private practice in Los Angeles. He can be reached at PhilipJLance@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Noreen Giffney</itunes:subtitle>
      <itunes:summary>The Culture-Breast in Psychoanalysis: Cultural Experiences and the Clinic (Routledge, 2021) introduces "the culture-breast," a new clinical concept, to explore the central importance played by cultural objects in the psychical lives of patients and psychoanalytic clinical practitioners inside and outside the consulting room. Bringing together clinical writings from psychoanalysis and cultural objects from the applied fields of film, art, literature and music, the book also makes an argument for the usefulness of encounters with cultural objects as "non-clinical case studies" in the training and further professional development of psychoanalysts and psychotherapists. Through its engagement with psychosocial studies, the text, furthermore, interrogates, challenges and offers a way through a hierarchical split that has become established in psychoanalysis between "clinical psychoanalysis" and "applied psychoanalysis."
Noreen Giffney is a psychoanalytic psychotherapist, a psychosocial theorist and the director of Psychoanalysis +, an international, interdisciplinary initiative that brings together clinical, artistic and academic approaches to, and applications of, psychoanalysis. She has published and lectured extensively on psychoanalysis, psychosocial studies and critical theory. She works as a psychoanalytic psychotherapist in private practice in County Donegal and as a lecturer in counselling at Ulster University.
 Philip Lance, Ph.D. is a psychoanalyst in private practice in Los Angeles. He can be reached at PhilipJLance@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781138312500"><em>The Culture-Breast in Psychoanalysis: Cultural Experiences and the Clinic</em></a> (Routledge, 2021) introduces "the culture-breast," a new clinical concept, to explore the central importance played by cultural objects in the psychical lives of patients and psychoanalytic clinical practitioners inside and outside the consulting room. Bringing together clinical writings from psychoanalysis and cultural objects from the applied fields of film, art, literature and music, the book also makes an argument for the usefulness of encounters with cultural objects as "non-clinical case studies" in the training and further professional development of psychoanalysts and psychotherapists. Through its engagement with psychosocial studies, the text, furthermore, interrogates, challenges and offers a way through a hierarchical split that has become established in psychoanalysis between "clinical psychoanalysis" and "applied psychoanalysis."</p><p>Noreen Giffney is a psychoanalytic psychotherapist, a psychosocial theorist and the director of Psychoanalysis +, an international, interdisciplinary initiative that brings together clinical, artistic and academic approaches to, and applications of, psychoanalysis. She has published and lectured extensively on psychoanalysis, psychosocial studies and critical theory. She works as a psychoanalytic psychotherapist in private practice in County Donegal and as a lecturer in counselling at Ulster University.</p><p><em> </em><a href="https://therapists.psychologytoday.com/rms/228002"><em>Philip Lance,</em></a><em> Ph.D. is a psychoanalyst in private practice in Los Angeles. He can be reached at </em><a href="mailto:philipjlance@gmail.com"><em>PhilipJLance@gmail.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3621</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[016c2438-60d8-11ec-87ca-b7796e5f9bb4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3130430561.mp3?updated=1639924329" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gabriel Yoran, "The Interfact: On Structure and Compatibility in Object-Oriented Ontology" (Open Humanities Press, 2021)</title>
      <description>Objects in object-oriented ontology (OOO) are mysterious and inexhaustible entities. But since OOO grants ontological priority to objects, it should have an easy time referring to objects. But this is not the case.
In The Interfact: On Structure and Compatibility in Object-Oriented Ontology (Open Humanities Press, 2021), Yoran researches the question of how OOO refers to an object’s haecceity, its “thisness.” He starts with an investigation into OOO’s eponymous practice, object-oriented programming (OOP) and identifies not just a plethora of parallels, but finds OOP’s concept of interfaces (as structured ways of object confrontation in time) a promising tool to describe both the rift between all objects and their relative stability.
Yoran then extends Harman’s fourfold diagrams to reflect the linkages between fourfolds, revealing that objects necessarily are parts of other objects. This phenomenon, which he calls out-of-phase objects, reveals links to Simondon’s notion of compatibilisation.
Yoran argues that objects are necessarily integrated into a fabric of interconnected fourfolds as well as component-compound relations. This structure solves the problem of object identification, by recognizing the object-fourfolds as overlaps, a mutually stabilizing structure which allows for reproducible object confrontation in time, or facts.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>254</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gabriel Yoran</itunes:subtitle>
      <itunes:summary>Objects in object-oriented ontology (OOO) are mysterious and inexhaustible entities. But since OOO grants ontological priority to objects, it should have an easy time referring to objects. But this is not the case.
In The Interfact: On Structure and Compatibility in Object-Oriented Ontology (Open Humanities Press, 2021), Yoran researches the question of how OOO refers to an object’s haecceity, its “thisness.” He starts with an investigation into OOO’s eponymous practice, object-oriented programming (OOP) and identifies not just a plethora of parallels, but finds OOP’s concept of interfaces (as structured ways of object confrontation in time) a promising tool to describe both the rift between all objects and their relative stability.
Yoran then extends Harman’s fourfold diagrams to reflect the linkages between fourfolds, revealing that objects necessarily are parts of other objects. This phenomenon, which he calls out-of-phase objects, reveals links to Simondon’s notion of compatibilisation.
Yoran argues that objects are necessarily integrated into a fabric of interconnected fourfolds as well as component-compound relations. This structure solves the problem of object identification, by recognizing the object-fourfolds as overlaps, a mutually stabilizing structure which allows for reproducible object confrontation in time, or facts.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Objects in object-oriented ontology (OOO) are mysterious and inexhaustible entities. But since OOO grants ontological priority to objects, it should have an easy time referring to objects. But this is not the case.</p><p>In <a href="https://bookshop.org/a/12343/9781785420993"><em>The Interfact: On Structure and Compatibility in Object-Oriented Ontology</em></a><em> </em>(Open Humanities Press, 2021), Yoran researches the question of how OOO refers to an object’s haecceity, its “thisness.” He starts with an investigation into OOO’s eponymous practice, object-oriented programming (OOP) and identifies not just a plethora of parallels, but finds OOP’s concept of interfaces (as structured ways of object confrontation in time) a promising tool to describe both the rift between all objects and their relative stability.</p><p>Yoran then extends Harman’s fourfold diagrams to reflect the linkages between fourfolds, revealing that objects necessarily are parts of other objects. This phenomenon, which he calls out-of-phase objects, reveals links to Simondon’s notion of compatibilisation.</p><p>Yoran argues that objects are necessarily integrated into a fabric of interconnected fourfolds as well as component-compound relations. This structure solves the problem of object identification, by recognizing the object-fourfolds as overlaps, a mutually stabilizing structure which allows for reproducible object confrontation in time, or facts.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2878</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[523ffcca-5f7c-11ec-a68a-9f80630ad5f0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9859515180.mp3?updated=1639775443" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel M. Knight, "Vertiginous Life: An Anthropology of Time and the Unforeseen" (Berghahn Books, 2021)</title>
      <description>Vertiginous Life: An Anthropology of Time and the Unforeseen (Berghahn Books, 2021) provides a theory of the intense temporal disorientation brought about by life in crisis. In the whirlpool of unforeseen social change, people experience confusion as to where and when they belong on timelines of previously unquestioned pasts and futures. Through individual stories from crisis Greece, this book explores the everyday affects of vertigo: nausea, dizziness, breathlessness, the sense of falling, and unknowingness of Self. Being lost in time, caught in the spin-cycle of crisis, people reflect on belonging to modern Europe, neoliberal promises of accumulation, defeated futures, and the existential dilemmas of life held captive in the uncanny elsewhen.
Daniel M. Knight is Reader in the Department of Social Anthropology and Director of the Centre for Cosmopolitan Studies at the University of St Andrews, Scotland. He is author of History, Time, and Economic Crisis in Central Greece (Palgrave, 2015) and co-author of The Anthropology of the Future (Cambridge, 2019, with Rebecca Bryant).
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel M. Knight</itunes:subtitle>
      <itunes:summary>Vertiginous Life: An Anthropology of Time and the Unforeseen (Berghahn Books, 2021) provides a theory of the intense temporal disorientation brought about by life in crisis. In the whirlpool of unforeseen social change, people experience confusion as to where and when they belong on timelines of previously unquestioned pasts and futures. Through individual stories from crisis Greece, this book explores the everyday affects of vertigo: nausea, dizziness, breathlessness, the sense of falling, and unknowingness of Self. Being lost in time, caught in the spin-cycle of crisis, people reflect on belonging to modern Europe, neoliberal promises of accumulation, defeated futures, and the existential dilemmas of life held captive in the uncanny elsewhen.
Daniel M. Knight is Reader in the Department of Social Anthropology and Director of the Centre for Cosmopolitan Studies at the University of St Andrews, Scotland. He is author of History, Time, and Economic Crisis in Central Greece (Palgrave, 2015) and co-author of The Anthropology of the Future (Cambridge, 2019, with Rebecca Bryant).
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781800731936"><em>Vertiginous Life: An Anthropology of Time and the Unforeseen</em></a><em> </em>(Berghahn Books, 2021) provides a theory of the intense temporal disorientation brought about by life in crisis. In the whirlpool of unforeseen social change, people experience confusion as to where and when they belong on timelines of previously unquestioned pasts and futures. Through individual stories from crisis Greece, this book explores the everyday affects of vertigo: nausea, dizziness, breathlessness, the sense of falling, and unknowingness of Self. Being lost in time, caught in the spin-cycle of crisis, people reflect on belonging to modern Europe, neoliberal promises of accumulation, defeated futures, and the existential dilemmas of life held captive in the uncanny elsewhen.</p><p>Daniel M. Knight is Reader in the Department of Social Anthropology and Director of the Centre for Cosmopolitan Studies at the University of St Andrews, Scotland. He is author of <em>History, Time, and Economic Crisis in Central Greece</em> (Palgrave, 2015) and co-author of <em>The Anthropology of the Future</em> (Cambridge, 2019, with Rebecca Bryant).</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in </em><a href="https://www.journals.uchicago.edu/doi/10.1086/713112"><em>Current Anthropology</em></a><em>, </em><a href="https://doi.org/10.1111/ciso.12348"><em>City &amp; Society</em></a><em>, </em><a href="https://radicalhousingjournal.org/2020/care-in-tarlabasi-amidst-heightened-inequalities-urban-transformation-and-coronavirus/"><em>Radical Housing Journal</em></a><em>, and </em><a href="https://entanglementsjournal.org/the-ghost-of-karl-marx/"><em>entanglements: experiments in multimodal ethnography</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9967b506-5f82-11ec-8326-ab06b45632ef]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8282902615.mp3?updated=1639777917" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michel Foucault, "Intolerable: Writings from Michel Foucault and the Prisons Information Group (1970-1980)" (U of Minnesota Press, 2021)</title>
      <description>Intolerable: Writings from Michel Foucault and the Prisons Information Group (1970-1980) (University of Minnesota Press, 2021), edited by Kevin Thompson and Perry Zurn, is a groundbreaking collection of writings by Michel Foucault and the Prisons Information Group documenting their efforts to expose France's inhumane treatment of prisoners
Founded by Michel Foucault and others in 1970-71, the Prisons Information Group (GIP) circulated information about the inhumane conditions within the French prison system. Intolerable makes available for the first time in English a fully annotated compilation of materials produced by the GIP during its brief but influential existence, including an exclusive new interview with GIP member Hélène Cixous and writings by Gilles Deleuze and Jean Genet.
These archival documents--public announcements, manifestos, reports, pamphlets, interventions, press conference statements, interviews, and round table discussions--trace the GIP's establishment in post-1968 political turmoil, the new models of social activism it pioneered, the prison revolts it supported across France, and the retrospective assessments that followed its denouement. At the same time, Intolerable offers a rich, concrete exploration of Foucault's concept of resistance, providing a new understanding of the arc of his intellectual development and the genesis of his most influential book, Discipline and Punish.
Presenting the account of France's most vibrant prison resistance movement in its own words and on its own terms, this significant and relevant collection also connects the approach and activities of the GIP to radical prison resistance movements today.
Kevin Thompson is professor of philosophy at DePaul University. He is author of Hegel’s Theory of Normativity.
Perry Zurn is assistant professor of philosophy at American University. He is coeditor of Curiosity Studies: A New Ecology of Knowledge (Minnesota, 2020) and Active Intolerance: Michel Foucault, the Prisons Information Group, and the Future of Abolition.
Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Perry Zurn and Kevin Thompson</itunes:subtitle>
      <itunes:summary>Intolerable: Writings from Michel Foucault and the Prisons Information Group (1970-1980) (University of Minnesota Press, 2021), edited by Kevin Thompson and Perry Zurn, is a groundbreaking collection of writings by Michel Foucault and the Prisons Information Group documenting their efforts to expose France's inhumane treatment of prisoners
Founded by Michel Foucault and others in 1970-71, the Prisons Information Group (GIP) circulated information about the inhumane conditions within the French prison system. Intolerable makes available for the first time in English a fully annotated compilation of materials produced by the GIP during its brief but influential existence, including an exclusive new interview with GIP member Hélène Cixous and writings by Gilles Deleuze and Jean Genet.
These archival documents--public announcements, manifestos, reports, pamphlets, interventions, press conference statements, interviews, and round table discussions--trace the GIP's establishment in post-1968 political turmoil, the new models of social activism it pioneered, the prison revolts it supported across France, and the retrospective assessments that followed its denouement. At the same time, Intolerable offers a rich, concrete exploration of Foucault's concept of resistance, providing a new understanding of the arc of his intellectual development and the genesis of his most influential book, Discipline and Punish.
Presenting the account of France's most vibrant prison resistance movement in its own words and on its own terms, this significant and relevant collection also connects the approach and activities of the GIP to radical prison resistance movements today.
Kevin Thompson is professor of philosophy at DePaul University. He is author of Hegel’s Theory of Normativity.
Perry Zurn is assistant professor of philosophy at American University. He is coeditor of Curiosity Studies: A New Ecology of Knowledge (Minnesota, 2020) and Active Intolerance: Michel Foucault, the Prisons Information Group, and the Future of Abolition.
Kirk Meighoo is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517902353"><em>Intolerable: Writings from Michel Foucault and the Prisons Information Group (1970-1980)</em> </a>(University of Minnesota Press, 2021), edited by Kevin Thompson and Perry Zurn, is a groundbreaking collection of writings by Michel Foucault and the Prisons Information Group documenting their efforts to expose France's inhumane treatment of prisoners</p><p>Founded by Michel Foucault and others in 1970-71, the Prisons Information Group (GIP) circulated information about the inhumane conditions within the French prison system. <em>Intolerable</em> makes available for the first time in English a fully annotated compilation of materials produced by the GIP during its brief but influential existence, including an exclusive new interview with GIP member Hélène Cixous and writings by Gilles Deleuze and Jean Genet.</p><p>These archival documents--public announcements, manifestos, reports, pamphlets, interventions, press conference statements, interviews, and round table discussions--trace the GIP's establishment in post-1968 political turmoil, the new models of social activism it pioneered, the prison revolts it supported across France, and the retrospective assessments that followed its denouement. At the same time, <em>Intolerable</em> offers a rich, concrete exploration of Foucault's concept of resistance, providing a new understanding of the arc of his intellectual development and the genesis of his most influential book, <em>Discipline and Punish</em>.</p><p>Presenting the account of France's most vibrant prison resistance movement in its own words and on its own terms, this significant and relevant collection also connects the approach and activities of the GIP to radical prison resistance movements today.</p><p><a href="https://las.depaul.edu/academics/philosophy/faculty/Pages/kevin-thompson.aspx">Kevin Thompson</a> is professor of philosophy at DePaul University. He is author of Hegel’s Theory of Normativity.</p><p><a href="https://www.american.edu/cas/faculty/pzurn.cfm">Perry Zurn</a> is assistant professor of philosophy at American University. He is coeditor of Curiosity Studies: A New Ecology of Knowledge (Minnesota, 2020) and Active Intolerance: Michel Foucault, the Prisons Information Group, and the Future of Abolition.</p><p><a href="https://independent.academia.edu/KirkMeighoo"><em>Kirk Meighoo</em></a><em> is Public Relations Officer for the United National Congress, the Official Opposition in Trinidad and Tobago. His career has spanned media, academia, and politics for three decades.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4016</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Shelley L. Koch, "Gender and Food: A Critical Look at the Food System" (Rowman and Littlefield, 2019)</title>
      <description>Gender and Food: A Critical Look at the Food System (Rowman and Littlefield, 2019) synthesizes existing theoretical and empirical research on food, gender, and intersectionality to offer students and scholars a framework from which to understand how gender is central to the production, distribution, and consumption of food.
Shelley L. Koch is professor of sociology at Emory &amp; Henry College. She is the author of A Theory of Grocery Shopping: Food, Choice, and Conflict and co-editor of Food, Masculinities and Home: Interdisciplinary Perspectives. Her areas of specialization include gender, food studies, the environment, and consumer society. She also teaches in courses in the Women and Gender Studies and Food Studies programs. She received the HOPE Award in 2018 for her work on sustainable local food systems, and tends a garden and raises chickens in Washington County.
Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shelley L. Koch</itunes:subtitle>
      <itunes:summary>Gender and Food: A Critical Look at the Food System (Rowman and Littlefield, 2019) synthesizes existing theoretical and empirical research on food, gender, and intersectionality to offer students and scholars a framework from which to understand how gender is central to the production, distribution, and consumption of food.
Shelley L. Koch is professor of sociology at Emory &amp; Henry College. She is the author of A Theory of Grocery Shopping: Food, Choice, and Conflict and co-editor of Food, Masculinities and Home: Interdisciplinary Perspectives. Her areas of specialization include gender, food studies, the environment, and consumer society. She also teaches in courses in the Women and Gender Studies and Food Studies programs. She received the HOPE Award in 2018 for her work on sustainable local food systems, and tends a garden and raises chickens in Washington County.
Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781442257733"><em>Gender and Food: A Critical Look at the Food System</em></a> (Rowman and Littlefield, 2019) synthesizes existing theoretical and empirical research on food, gender, and intersectionality to offer students and scholars a framework from which to understand how gender is central to the production, distribution, and consumption of food.</p><p><a href="https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.ehc.edu%2Flive%2Fprofiles%2F380-shelley-koch&amp;data=04%7C01%7Camir.sayadabdi%40vuw.ac.nz%7C5ae4bcc2bdf346dec39508d9ba5c62f5%7Ccfe63e236951427e8683bb84dcf1d20c%7C0%7C0%7C637745728293393734%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=n4TbKfMS2%2F%2Bwlm%2BNEUcSngGW5HlqnHtPjXwNe%2F2pXvA%3D&amp;reserved=0">Shelley L. Koch</a> is professor of sociology at Emory &amp; Henry College. She is the author of <a href="https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.bloomsbury.com%2Fus%2Ftheory-of-grocery-shopping-9780857851512%2F&amp;data=04%7C01%7Camir.sayadabdi%40vuw.ac.nz%7C5ae4bcc2bdf346dec39508d9ba5c62f5%7Ccfe63e236951427e8683bb84dcf1d20c%7C0%7C0%7C637745728293393734%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=7UcO3Fd2Ma%2Fa%2BpwBCXnJ%2BunD4pwqg60%2FuWzyY3G48kQ%3D&amp;reserved=0"><em>A Theory of Grocery Shopping: Food, Choice, and Conflict</em></a> and co-editor of <a href="https://apc01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.bloomsbury.com%2Fus%2Ffood-masculinities-and-home-9781474262323%2F&amp;data=04%7C01%7Camir.sayadabdi%40vuw.ac.nz%7C5ae4bcc2bdf346dec39508d9ba5c62f5%7Ccfe63e236951427e8683bb84dcf1d20c%7C0%7C0%7C637745728293393734%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&amp;sdata=S%2BeYhSFzmKtloyO6BJsVoOJoG5UT%2BX%2BKTbPH%2FsDcZF0%3D&amp;reserved=0"><em>Food, Masculinities and Home: Interdisciplinary Perspectives</em></a>. Her areas of specialization include gender, food studies, the environment, and consumer society. She also teaches in courses in the Women and Gender Studies and Food Studies programs. She received the HOPE Award in 2018 for her work on sustainable local food systems, and tends a garden and raises chickens in Washington County.</p><p><a href="https://people.wgtn.ac.nz/amir.sayadabdi"><em>Amir Sayadabdi</em></a><em> is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2026</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[527527f8-591c-11ec-8f75-7349f095c80a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1735873489.mp3?updated=1639074340" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bogdan Popa, "De-Centering Queer Theory: Communist Sexuality in the Flow During and After the Cold War" (Manchester UP, 2021)</title>
      <description>Bogdan Popa’s De-Centering Queer Theory: Communist Sexuality in the Flow During and After the Cold War (Manchester University Press, 2021) seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>253</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bogdan Popa</itunes:subtitle>
      <itunes:summary>Bogdan Popa’s De-Centering Queer Theory: Communist Sexuality in the Flow During and After the Cold War (Manchester University Press, 2021) seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.
Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bogdan Popa’s <a href="https://bookshop.org/a/12343/9781526156952"><em>De-Centering Queer Theory: Communist Sexuality in the Flow During and After the Cold War</em> </a>(Manchester University Press, 2021) seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.</p><p><em>Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3348</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5406041097.mp3?updated=1639226471" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>2.7 The Novel of Revolutionary Ideas: Viet Thanh Nguyen and Colleen Lye</title>
      <description>Viet Thanh Nguyen, author of the Pulitzer Prize winning The Sympathizer and its sequel The Committed, joins esteemed scholar Colleen Lye of UC-Berkeley for a candid discussion about the Asian-American novel and the role of literature and theory in radical social movements. Colleen is drawn to the mix of philosophy and suspense in Viet's work and wonders if he considers himself a member of the theory generation (those writers for whom literary theory is not just a way of reading texts but an impetus to create new literary forms for grappling with ideas). Viet, schooled in deconstruction and postcolonial theory, accepts the designation with a caveat: If he is a novelist of ideas, then he is a novelist of revolutionary ideas. Inspired by Fanon's anticolonialism and Gayatri Spivak's concept of the double bind, Viet's defiantly politicizing aesthetic looks to place the colonial subject, particularly the Vietnamese refugee, at the center of multiple stories of American and French imperialism.
Colleen and Viet reflect on the role of academic training in Viet's transformation from Asian-Americanist scholar into Asian-American novelist and discuss the peculiarities of immigrant Asian identity in terms of language. Mother tongues, bilingualism, orphaned language, and adopted language all become metaphors for how Asian-American writers must balance the loss of heritage and weight of expectation with the call to self-invention. Plus, Viet reveals the not-so-wholesome treats that enabled him to complete The Sympathizer!
Mentioned in the Episode

Frantz Fanon, Black Skin, White Masks

Jean-Paul Sartre


Nicholas Dames, "The Theory Generation"


Maxine Hong Kingston, Woman Warrior


John Okada, No-No Boy

Cathy J. Schlund-Vials, Flashpoints for Asian-American Studies

W.E.B. DuBois, Double Consciousness

Gayatri Chakravorty Spivak, Double Bind

Ocean Vuong


Transcript Available Here: https://noveldialogue.org/transcripts/
Aarthi Vadde is Associate Professor of English at Duke University. Email: aarthi.vadde@duke.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Viet Thanh Nguyen and Colleen Lye</itunes:subtitle>
      <itunes:summary>Viet Thanh Nguyen, author of the Pulitzer Prize winning The Sympathizer and its sequel The Committed, joins esteemed scholar Colleen Lye of UC-Berkeley for a candid discussion about the Asian-American novel and the role of literature and theory in radical social movements. Colleen is drawn to the mix of philosophy and suspense in Viet's work and wonders if he considers himself a member of the theory generation (those writers for whom literary theory is not just a way of reading texts but an impetus to create new literary forms for grappling with ideas). Viet, schooled in deconstruction and postcolonial theory, accepts the designation with a caveat: If he is a novelist of ideas, then he is a novelist of revolutionary ideas. Inspired by Fanon's anticolonialism and Gayatri Spivak's concept of the double bind, Viet's defiantly politicizing aesthetic looks to place the colonial subject, particularly the Vietnamese refugee, at the center of multiple stories of American and French imperialism.
Colleen and Viet reflect on the role of academic training in Viet's transformation from Asian-Americanist scholar into Asian-American novelist and discuss the peculiarities of immigrant Asian identity in terms of language. Mother tongues, bilingualism, orphaned language, and adopted language all become metaphors for how Asian-American writers must balance the loss of heritage and weight of expectation with the call to self-invention. Plus, Viet reveals the not-so-wholesome treats that enabled him to complete The Sympathizer!
Mentioned in the Episode

Frantz Fanon, Black Skin, White Masks

Jean-Paul Sartre


Nicholas Dames, "The Theory Generation"


Maxine Hong Kingston, Woman Warrior


John Okada, No-No Boy

Cathy J. Schlund-Vials, Flashpoints for Asian-American Studies

W.E.B. DuBois, Double Consciousness

Gayatri Chakravorty Spivak, Double Bind

Ocean Vuong


Transcript Available Here: https://noveldialogue.org/transcripts/
Aarthi Vadde is Associate Professor of English at Duke University. Email: aarthi.vadde@duke.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://vietnguyen.info/author-viet-thanh-nguyen">Viet Thanh Nguyen,</a> author of the Pulitzer Prize winning <em>The Sympathizer</em> and its sequel <em>The Committed</em>, joins esteemed scholar <a href="https://english.berkeley.edu/users/51">Colleen Lye </a>of UC-Berkeley for a candid discussion about the Asian-American novel and the role of literature and theory in radical social movements. Colleen is drawn to the mix of philosophy and suspense in Viet's work and wonders if he considers himself a member of the theory generation (those writers for whom literary theory is not just a way of reading texts but an impetus to create new literary forms for grappling with ideas). Viet, schooled in deconstruction and postcolonial theory, accepts the designation with a caveat: If he is a novelist of ideas, then he is a novelist of revolutionary ideas. Inspired by Fanon's anticolonialism and Gayatri Spivak's concept of the double bind, Viet's defiantly politicizing aesthetic looks to place the colonial subject, particularly the Vietnamese refugee, at the center of multiple stories of American and French imperialism.</p><p>Colleen and Viet reflect on the role of academic training in Viet's transformation from Asian-Americanist scholar into Asian-American novelist and discuss the peculiarities of immigrant Asian identity in terms of language. Mother tongues, bilingualism, orphaned language, and adopted language all become metaphors for how Asian-American writers must balance the loss of heritage and weight of expectation with the call to self-invention. Plus, Viet reveals the not-so-wholesome treats that enabled him to complete <em>The Sympathizer</em>!</p><p>Mentioned in the Episode</p><ul>
<li><a href="https://en.wikipedia.org/wiki/Black_Skin,_White_Masks">Frantz Fanon, Black Skin, White Masks</a></li>
<li><a href="https://en.wikipedia.org/wiki/Jean-Paul_Sartre">Jean-Paul Sartre</a></li>
<li>
<a href="http://www.nplusonemag.com/issue-14/reviews/the-theory-generation/">Nicholas Dames, "The Theory Generation</a>"</li>
<li>
<a href="https://en.wikipedia.org/wiki/Maxine_Hong_Kingston">Maxine Hon</a><a href="https://en.wikipedia.org/wiki/The_Woman_Warrior">g Kingston, Woman Warrior</a>
</li>
<li><a href="https://uwapress.uw.edu/book/9780295994048/no-no-boy/">John Okada, <em>No-No Boy</em></a></li>
<li><a href="https://www.fordhampress.com/9780823278619/flashpoints-for-asian-american-studies/">Cathy J. Schlund-Vials, <em>Flashpoints for Asian-American Studies</em></a></li>
<li><a href="https://plato.stanford.edu/entries/double-consciousness/">W.E.B. DuBois, <em>Double Consciousness</em></a></li>
<li><a href="https://politicsandculture.org/2012/09/25/occupy-education-an-interview-with-gayatri-chakravorty-spivak/">Gayatri Chakravorty Spivak, Double Bind</a></li>
<li><a href="https://en.wikipedia.org/wiki/Ocean_Vuong">Ocean Vuong</a></li>
</ul><p><br></p><p>Transcript Available Here: <a href="https://noveldialogue.org/transcripts/">https://noveldialogue.org/transcripts/</a></p><p><a href="https://scholars.duke.edu/person/aarthi.vadde"><em>Aarthi Vadde</em></a><em> is Associate Professor of English at Duke University. Email: </em><a href="mailto:aarthi.vadde@duke.edu"><em>aarthi.vadde@duke.edu</em></a><em>. </em><a href="https://www.brandeis.edu/english/faculty/plotz.html"><em>John Plotz</em></a><em> is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the </em><a href="https://sites.google.com/brandeis.edu/brandeisjusticeinitiative/home"><em>Brandeis Educational Justice Initiative</em></a><em>. Email: </em><a href="mailto:plotz@brandeis.edu"><em>plotz@brandeis.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2800</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[72013c1c-5dd4-11ec-b4c3-4b0cd9a5e467]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4329010345.mp3?updated=1639592812" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erin Cech, "The Trouble with Passion: How Searching for Fulfillment at Work Fosters Inequality" (U California Press, 2021)</title>
      <description>Should we love work? In The Trouble with Passion: How Searching for Fulfillment at Work Fosters Inequality (U California Press, 2021), Erin Cech, an Associate Professor of Sociology at the University of Michigan, demonstrates how having passion for work fosters and reinforces a wide range of social inequalities. Drawing on extensive fieldwork and data analysis, the book combines qualitative and quantitative data to elaborate and theorise ‘the passion principle’ that underpins how the more advantaged justify the inequalities associated with education and the labour market. Alongside revealing who benefits, and who suffers, from the ideology that people must be passionate about work, the book gives strategies and ideas on how to challenge and change the passion principle. The book will be essential reading across academia and for anyone interested in contemporary working life.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erin Cech</itunes:subtitle>
      <itunes:summary>Should we love work? In The Trouble with Passion: How Searching for Fulfillment at Work Fosters Inequality (U California Press, 2021), Erin Cech, an Associate Professor of Sociology at the University of Michigan, demonstrates how having passion for work fosters and reinforces a wide range of social inequalities. Drawing on extensive fieldwork and data analysis, the book combines qualitative and quantitative data to elaborate and theorise ‘the passion principle’ that underpins how the more advantaged justify the inequalities associated with education and the labour market. Alongside revealing who benefits, and who suffers, from the ideology that people must be passionate about work, the book gives strategies and ideas on how to challenge and change the passion principle. The book will be essential reading across academia and for anyone interested in contemporary working life.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Should we love work? In <a href="https://bookshop.org/a/12343/9780520303232"><em>The Trouble with Passion: How Searching for Fulfillment at Work Fosters Inequality</em></a><em> (U California Press, 2021),</em> <a href="https://twitter.com/CechErin">Erin Cech</a>, an <a href="https://lsa.umich.edu/soc/people/faculty/erin-cech.html">Associate Professor of Sociology at the University of Michigan</a>, demonstrates how having passion for work fosters and reinforces a wide range of social inequalities. Drawing on extensive fieldwork and data analysis, the book combines qualitative and quantitative data to elaborate and theorise ‘the passion principle’ that underpins how the more advantaged justify the inequalities associated with education and the labour market. Alongside revealing who benefits, and who suffers, from the ideology that people must be passionate about work, the book gives strategies and ideas on how to challenge and change the passion principle. The book will be essential reading across academia and for anyone interested in contemporary working life.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2316</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d2a9d110-59be-11ec-a979-17a8d1fdb444]]></guid>
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    </item>
    <item>
      <title>Matthew H. Brown, "Indirect Subjects: Nollywood's Local Address" (Duke UP, 2021)</title>
      <description>In Indirect Subjects: Nollywood's Local Address (Duke UP, 2021), Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries like Nollywood can sustain capitalism by isolating ordinary African people, whose labor and consumption fuel it, from its exclusive privileges.
In addition to further our understanding of Nollywood, Indirect Subjects makes important theoretical contributions to the fields of media studies, cultural history, and the study of global capitalism.
Dr. Matthew Brown is an Assistant Professor in the The Department of African Cultural Studies at the University of Wisconsin-Madison.
Sara Katz is a postdoctoral associate in the history department at Duke University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew H. Brown</itunes:subtitle>
      <itunes:summary>In Indirect Subjects: Nollywood's Local Address (Duke UP, 2021), Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries like Nollywood can sustain capitalism by isolating ordinary African people, whose labor and consumption fuel it, from its exclusive privileges.
In addition to further our understanding of Nollywood, Indirect Subjects makes important theoretical contributions to the fields of media studies, cultural history, and the study of global capitalism.
Dr. Matthew Brown is an Assistant Professor in the The Department of African Cultural Studies at the University of Wisconsin-Madison.
Sara Katz is a postdoctoral associate in the history department at Duke University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478014195"><em>Indirect Subjects: Nollywood's Local Address</em></a> (Duke UP, 2021), Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries like Nollywood can sustain capitalism by isolating ordinary African people, whose labor and consumption fuel it, from its exclusive privileges.</p><p>In addition to further our understanding of Nollywood, <em>Indirect Subjects</em> makes important theoretical contributions to the fields of media studies, cultural history, and the study of global capitalism.</p><p>Dr. Matthew Brown is an Assistant Professor in the The Department of African Cultural Studies at the University of Wisconsin-Madison.</p><p><em>Sara Katz is a postdoctoral associate in the history department at Duke University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5853</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0361283e-5844-11ec-9628-4354587806d1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2476224990.mp3?updated=1638981443" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kate Rigby, "Reclaiming Romanticism: Towards an Ecopoetics of Decolonisation" (Bloomsbury, 2020)</title>
      <description>The earliest environmental criticism took its inspiration from the Romantic poets and their immersion in the natural world. Today the “romanticising” of nature has come to be viewed with suspicion. Written by one of the leading ecocritics writing today, Kate Rigby's book Reclaiming Romanticism: Towards an Ecopoetics of Decolonisation (Bloomsbury, 2020) rediscovers the importance of the European Romantic tradition to the ways that writers and critics engage with the environment in the Anthropocene era. Exploring the work of such poets as Wordsworth, Shelley and Clare, the book discovers a rich vein of Romantic ecomaterialism and brings these canonical poets into dialogue with contemporary American and Australian poets and artists. Kate Rigby demonstrates the ways in which Romantic ecopoetics responds to postcolonial challenges and environmental peril to offer a collaborative artistic practice for an era of human-non-human cohabitation and kinship.
Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project at the University of Leeds and this work are supported by the UK Arts &amp; Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts &amp; Humanities. A Syrian multinational, he studied at Yale and earned a certificate in beekeeping from SOILS Permaculture Association Lebanon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kate Rigby</itunes:subtitle>
      <itunes:summary>The earliest environmental criticism took its inspiration from the Romantic poets and their immersion in the natural world. Today the “romanticising” of nature has come to be viewed with suspicion. Written by one of the leading ecocritics writing today, Kate Rigby's book Reclaiming Romanticism: Towards an Ecopoetics of Decolonisation (Bloomsbury, 2020) rediscovers the importance of the European Romantic tradition to the ways that writers and critics engage with the environment in the Anthropocene era. Exploring the work of such poets as Wordsworth, Shelley and Clare, the book discovers a rich vein of Romantic ecomaterialism and brings these canonical poets into dialogue with contemporary American and Australian poets and artists. Kate Rigby demonstrates the ways in which Romantic ecopoetics responds to postcolonial challenges and environmental peril to offer a collaborative artistic practice for an era of human-non-human cohabitation and kinship.
Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project at the University of Leeds and this work are supported by the UK Arts &amp; Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts &amp; Humanities. A Syrian multinational, he studied at Yale and earned a certificate in beekeeping from SOILS Permaculture Association Lebanon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The earliest environmental criticism took its inspiration from the Romantic poets and their immersion in the natural world. Today the “romanticising” of nature has come to be viewed with suspicion. Written by one of the leading ecocritics writing today, Kate Rigby's book <a href="https://bookshop.org/a/12343/9781350243262"><em>Reclaiming Romanticism: Towards an Ecopoetics of Decolonisation</em></a> (Bloomsbury, 2020) rediscovers the importance of the European Romantic tradition to the ways that writers and critics engage with the environment in the Anthropocene era. Exploring the work of such poets as Wordsworth, Shelley and Clare, the book discovers a rich vein of Romantic ecomaterialism and brings these canonical poets into dialogue with contemporary American and Australian poets and artists. Kate Rigby demonstrates the ways in which Romantic ecopoetics responds to postcolonial challenges and environmental peril to offer a collaborative artistic practice for an era of human-non-human cohabitation and kinship.</p><p><em>Eyad Houssami makes theatre and has participated in the revitalization of an ancient organic farm in southern Lebanon. He is editor of the Arabic-English book Doomed by Hope: Essays on Arab Theatre (Pluto/Dar Al Adab) and was editor-at-large of Portal 9, a bilingual literary and academic journal about urbanism. His doctoral research project at the University of Leeds and this work are supported by the UK Arts &amp; Humanities Research Council (grant number AH/R012733/1) through the White Rose College of the Arts &amp; Humanities. A Syrian multinational, he studied at Yale and earned a certificate in beekeeping from SOILS Permaculture Association Lebanon.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4397</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c7eef9fc-5762-11ec-a1b6-dfd5ec10e05f]]></guid>
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    </item>
    <item>
      <title>Noémi Tousignant, "Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal" (Duke UP, 2018)</title>
      <description>What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant’s book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.”
Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.”
The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book’s broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa.
The book is based on Tousignant’s field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies.
The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process.
Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History &amp; Theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>301</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Noémi Tousignant</itunes:subtitle>
      <itunes:summary>What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant’s book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.”
Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.”
The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book’s broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa.
The book is based on Tousignant’s field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies.
The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process.
Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History &amp; Theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant’s book, <a href="https://bookshop.org/a/12343/9780822371243"><em>Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal</em></a><em> </em>(Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.”</p><p>Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.”</p><p>The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book’s broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa.</p><p>The book is based on Tousignant’s field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies.</p><p>The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine &amp; the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process.</p><p><a href="http://history.nih.gov/about/stark.html"><em>Laura Stark</em></a><em> is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal </em><a href="https://www.facebook.com/HistoryandTheory"><em>History &amp; Theory</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2768</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[69bbfb5e-58ee-11ec-a4c2-9b6ede6800d8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2489547861.mp3?updated=1639054637" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey S. Bachman, "Cultural Genocide: Law, Politics, and Global Manifestations" (Routledge, 2019)</title>
      <description>Jeffrey Bachman's edited volume Cultural Genocide: Law, Politics, and Global Manifestations (Routledge, 2019) asks where the boundaries between genocide and other kinds of mass atrocity violence rest and what the stakes are in locating them here rather than there.
Bachman, Senior Professorial Lecturer at the American University and a co-host of this podcast, has assembled a wide-ranging set of scholars to consider how and why the label 'cultural genocide' has been so contentious over the past decades. Bachman's own essay (co-written with Lauren Carasik) explains how and why the term was eliminated from early drafts of the UN Convention on the Prevention and Punishment of Genocide. Other essays range from theoretical examinations to contemporary case studies to inquiries about redress and reconciliation. Many highlight little known conflicts or disputes. Collectively, they will challenge the reader to reconsider earlier understandings of genocide and its causes and consequences.
Kelly McFall is Professor of History and Director of the Honors Program at Newman University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jeffrey S. Bachman</itunes:subtitle>
      <itunes:summary>Jeffrey Bachman's edited volume Cultural Genocide: Law, Politics, and Global Manifestations (Routledge, 2019) asks where the boundaries between genocide and other kinds of mass atrocity violence rest and what the stakes are in locating them here rather than there.
Bachman, Senior Professorial Lecturer at the American University and a co-host of this podcast, has assembled a wide-ranging set of scholars to consider how and why the label 'cultural genocide' has been so contentious over the past decades. Bachman's own essay (co-written with Lauren Carasik) explains how and why the term was eliminated from early drafts of the UN Convention on the Prevention and Punishment of Genocide. Other essays range from theoretical examinations to contemporary case studies to inquiries about redress and reconciliation. Many highlight little known conflicts or disputes. Collectively, they will challenge the reader to reconsider earlier understandings of genocide and its causes and consequences.
Kelly McFall is Professor of History and Director of the Honors Program at Newman University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jeffrey Bachman's edited volume <a href="https://bookshop.org/a/12343/9780815380078"><em>Cultural Genocide: Law, Politics, and Global Manifestations</em></a> (Routledge, 2019) asks where the boundaries between genocide and other kinds of mass atrocity violence rest and what the stakes are in locating them here rather than there.</p><p>Bachman, Senior Professorial Lecturer at the American University and a co-host of this podcast, has assembled a wide-ranging set of scholars to consider how and why the label 'cultural genocide' has been so contentious over the past decades. Bachman's own essay (co-written with Lauren Carasik) explains how and why the term was eliminated from early drafts of the UN Convention on the Prevention and Punishment of Genocide. Other essays range from theoretical examinations to contemporary case studies to inquiries about redress and reconciliation. Many highlight little known conflicts or disputes. Collectively, they will challenge the reader to reconsider earlier understandings of genocide and its causes and consequences.</p><p><em>Kelly McFall is Professor of History and Director of the Honors Program at Newman University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3748</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3711932-51db-11ec-9fd1-27fb8a04e57a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3580852277.mp3?updated=1638276631" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicole Nguyen, "Suspect Communities: Anti-Muslim Racism and the Domestic War on Terror" (U Minnesota Press, 2019)</title>
      <description>Suspect Communities: Anti-Muslim Racism and the Domestic War on Terror (University of Minnesota Press, 2019) is a powerful reassessment of the U.S. government’s “countering violent extremism” (CVE) program that has arisen in major cities across the United States since 2011. Drawing on an interpretive qualitative study, Nicole Nguyen, Associate Professor at the University of Illinois-Chicago, examines how the concept behind CVE—aimed at combating homegrown terrorism by engaging Muslim community members, teachers, and religious leaders in monitoring and reporting on young people—has been operationalized through the everyday work of CVE actors, from high-level national security workers to local community members, with significant penalties for the communities themselves. By undertaking this analysis, Nicole Nguyen offers a vital window into the inner workings of the U.S. security state and the devastating impact of the CVE program on local communities. In our conversation we discussed counterterrorism policy, radicalization theories, national security trainings and conferences, the difference between anti-Muslim racism and Islamophobia, public objections to CVE, activist resistance, how and why Muslims participate in policing communities, targeting Muslim youth, and the role of schools and teachers.
 Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>253</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicole Nguyen</itunes:subtitle>
      <itunes:summary>Suspect Communities: Anti-Muslim Racism and the Domestic War on Terror (University of Minnesota Press, 2019) is a powerful reassessment of the U.S. government’s “countering violent extremism” (CVE) program that has arisen in major cities across the United States since 2011. Drawing on an interpretive qualitative study, Nicole Nguyen, Associate Professor at the University of Illinois-Chicago, examines how the concept behind CVE—aimed at combating homegrown terrorism by engaging Muslim community members, teachers, and religious leaders in monitoring and reporting on young people—has been operationalized through the everyday work of CVE actors, from high-level national security workers to local community members, with significant penalties for the communities themselves. By undertaking this analysis, Nicole Nguyen offers a vital window into the inner workings of the U.S. security state and the devastating impact of the CVE program on local communities. In our conversation we discussed counterterrorism policy, radicalization theories, national security trainings and conferences, the difference between anti-Muslim racism and Islamophobia, public objections to CVE, activist resistance, how and why Muslims participate in policing communities, targeting Muslim youth, and the role of schools and teachers.
 Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517906405"><em>Suspect Communities: Anti-Muslim Racism and the Domestic War on Terror</em></a> (University of Minnesota Press, 2019) is a powerful reassessment of the U.S. government’s “countering violent extremism” (CVE) program that has arisen in major cities across the United States since 2011. Drawing on an interpretive qualitative study, <a href="https://education.uic.edu/profiles/nicole-nguyen/">Nicole Nguyen</a>, Associate Professor at the University of Illinois-Chicago, examines how the concept behind CVE—aimed at combating homegrown terrorism by engaging Muslim community members, teachers, and religious leaders in monitoring and reporting on young people—has been operationalized through the everyday work of CVE actors, from high-level national security workers to local community members, with significant penalties for the communities themselves. By undertaking this analysis, Nicole Nguyen offers a vital window into the inner workings of the U.S. security state and the devastating impact of the CVE program on local communities. In our conversation we discussed counterterrorism policy, radicalization theories, national security trainings and conferences, the difference between anti-Muslim racism and Islamophobia, public objections to CVE, activist resistance, how and why Muslims participate in policing communities, targeting Muslim youth, and the role of schools and teachers.</p><p><em> </em><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2829</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08c10074-5452-11ec-a518-1fe5e6782667]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8169676283.mp3?updated=1638547328" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Till F. Paasche and James Derrick Sidaway, "Transecting Securityscapes: Dispatches from Cambodia, Iraq, and Mozambique" (U Georgia Press, 2021)</title>
      <description>In this interview, I speak with Till F. Paasche and James D. Sidaway about their new book, Transecting Securityscapes: Dispatches from Cambodia, Iraq, and Mozambique (University of Georgia Press, 2021). In addition to the book's methodological and theoretical contributions, we also discussed the extensive field research and important personal experiences informing this project.
This is an innovative book on the everyday life of security, told via an examination of three sites: Cambodia, the Kurdistan region of Iraq, and Mozambique. The authors' study of how security is enacted differently in these three sites, taking account of the rich layers of context and culture, enables comparative reflections on diversity and commonality in "securityscapes."
The book puts into practice a diverse and contextual approach to security that contrasts with the aerial, big-picture view taken by many geopolitics scholars. In applying this grounded approach, Paasche and Sidaway develop a method of urban and territorial transects, combined with other methods and modes of encounter. The book draws on a broad range of traditions, but it speaks mostly to political geography, urban studies, and international relations research on geopolitics, stressing the need for ethnographic, embodied, affective, and place-based approaches to conflict. The result is a sustained theoretical critique of abstract research on geopolitical conflict and security-mainstream as well as academic-that pretends to be able to know and analyze conflict "from above."
Please note: the second half of this podcast includes discussion of combat, death and loss.
Till F. Paasche is Associate Professor of political geography at Soran University.
James D. Sidaway is Professor of political geography at the National University of Singapore.
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Dec 2021 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Till F. Paasche and James Derrick Sidaway</itunes:subtitle>
      <itunes:summary>In this interview, I speak with Till F. Paasche and James D. Sidaway about their new book, Transecting Securityscapes: Dispatches from Cambodia, Iraq, and Mozambique (University of Georgia Press, 2021). In addition to the book's methodological and theoretical contributions, we also discussed the extensive field research and important personal experiences informing this project.
This is an innovative book on the everyday life of security, told via an examination of three sites: Cambodia, the Kurdistan region of Iraq, and Mozambique. The authors' study of how security is enacted differently in these three sites, taking account of the rich layers of context and culture, enables comparative reflections on diversity and commonality in "securityscapes."
The book puts into practice a diverse and contextual approach to security that contrasts with the aerial, big-picture view taken by many geopolitics scholars. In applying this grounded approach, Paasche and Sidaway develop a method of urban and territorial transects, combined with other methods and modes of encounter. The book draws on a broad range of traditions, but it speaks mostly to political geography, urban studies, and international relations research on geopolitics, stressing the need for ethnographic, embodied, affective, and place-based approaches to conflict. The result is a sustained theoretical critique of abstract research on geopolitical conflict and security-mainstream as well as academic-that pretends to be able to know and analyze conflict "from above."
Please note: the second half of this podcast includes discussion of combat, death and loss.
Till F. Paasche is Associate Professor of political geography at Soran University.
James D. Sidaway is Professor of political geography at the National University of Singapore.
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this interview, I speak with Till F. Paasche and James D. Sidaway about their new book, <a href="https://bookshop.org/a/12343/9780820360607"><em>Transecting Securityscapes: Dispatches from Cambodia, Iraq, and Mozambique</em></a> (University of Georgia Press, 2021). In addition to the book's methodological and theoretical contributions, we also discussed the extensive field research and important personal experiences informing this project.</p><p>This is an innovative book on the everyday life of security, told via an examination of three sites: Cambodia, the Kurdistan region of Iraq, and Mozambique. The authors' study of how security is enacted differently in these three sites, taking account of the rich layers of context and culture, enables comparative reflections on diversity and commonality in "securityscapes."</p><p>The book puts into practice a diverse and contextual approach to security that contrasts with the aerial, big-picture view taken by many geopolitics scholars. In applying this grounded approach, Paasche and Sidaway develop a method of urban and territorial transects, combined with other methods and modes of encounter. The book draws on a broad range of traditions, but it speaks mostly to political geography, urban studies, and international relations research on geopolitics, stressing the need for ethnographic, embodied, affective, and place-based approaches to conflict. The result is a sustained theoretical critique of abstract research on geopolitical conflict and security-mainstream as well as academic-that pretends to be able to know and analyze conflict "from above."</p><p>Please note: the second half of this podcast includes discussion of combat, death and loss.</p><p><a href="https://scholar.google.com/citations?user=fPOT-1YAAAAJ">Till F. Paasche</a> is Associate Professor of political geography at Soran University.</p><p><a href="https://profile.nus.edu.sg/fass/geojds/">James D. Sidaway</a> is Professor of political geography at the National University of Singapore.</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold"><em>Catriona Gold</em></a> <em>is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by</em> <a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a> <em>or on</em> <a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4079</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9431a46-4efb-11ec-aaea-b70dbdf4acb7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8174549155.mp3?updated=1637960500" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kim Charnley, "Sociopolitical Aesthetics: Art, Crisis and Neoliberalism" (Bloomsbury, 2021)</title>
      <description>Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics. Kim Charnley's Sociopolitical Aesthetics: Art, Crisis and Neoliberalism (Bloomsbury, 2021) traces key currents of theory and practice, mapping them against the dominant experience of the last decade: crisis.
Drawing upon leading artists and theorists within this field – including Hito Steyerl, Marina Vishmidt, Art &amp; Language, Gregory Sholette, John Roberts and Dave Beech – Sociopolitical Aesthetics argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
Kim Charnley speaks to Pierre d'Alancaisez about the political punditry of Artist Taxi Driver and the political sloganeering of Tim Etchells, the limits of institutional sociality in the work of Tania Bruguera, the various guises of institutional critique, and what these developments owe to the conceptual art practices of the 1970s.
Dr Kim Charnley is an art historian and theorist at the Open University.
The works we discuss:

Chunky Mark / Artist Taxi Driver on YouTube, Twitter


Tim Etchells, Revolution


Tania Bruguera, 10,148,451 at Tate Modern


Mark Storor's work with The Heart of Glass

Andrea Fraser on institutionnel critique

Hito Steyerl, November, 2014, Is the Museum a Battlefield, 2013


Art &amp; Language, The Fox, 1975-76


 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kim Charnley</itunes:subtitle>
      <itunes:summary>Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics. Kim Charnley's Sociopolitical Aesthetics: Art, Crisis and Neoliberalism (Bloomsbury, 2021) traces key currents of theory and practice, mapping them against the dominant experience of the last decade: crisis.
Drawing upon leading artists and theorists within this field – including Hito Steyerl, Marina Vishmidt, Art &amp; Language, Gregory Sholette, John Roberts and Dave Beech – Sociopolitical Aesthetics argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
Kim Charnley speaks to Pierre d'Alancaisez about the political punditry of Artist Taxi Driver and the political sloganeering of Tim Etchells, the limits of institutional sociality in the work of Tania Bruguera, the various guises of institutional critique, and what these developments owe to the conceptual art practices of the 1970s.
Dr Kim Charnley is an art historian and theorist at the Open University.
The works we discuss:

Chunky Mark / Artist Taxi Driver on YouTube, Twitter


Tim Etchells, Revolution


Tania Bruguera, 10,148,451 at Tate Modern


Mark Storor's work with The Heart of Glass

Andrea Fraser on institutionnel critique

Hito Steyerl, November, 2014, Is the Museum a Battlefield, 2013


Art &amp; Language, The Fox, 1975-76


 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics. Kim Charnley's <a href="https://bookshop.org/a/12343/9781350008731"><em>Sociopolitical Aesthetics: Art, Crisis and Neoliberalism</em></a><em> </em>(Bloomsbury, 2021) traces key currents of theory and practice, mapping them against the dominant experience of the last decade: crisis.</p><p>Drawing upon leading artists and theorists within this field – including Hito Steyerl, Marina Vishmidt, Art &amp; Language, Gregory Sholette, John Roberts and Dave Beech – <em>Sociopolitical Aesthetics</em> argues for a new interpretation of the relationship between socially-engaged art and neoliberalism. Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent. As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.</p><p>Kim Charnley speaks to Pierre d'Alancaisez about the political punditry of Artist Taxi Driver and the political sloganeering of Tim Etchells, the limits of institutional sociality in the work of Tania Bruguera, the various guises of institutional critique, and what these developments owe to the conceptual art practices of the 1970s.</p><p><a href="https://www.open.ac.uk/research/people/kc9679">Dr Kim Charnley</a> is an art historian and theorist at the Open University.</p><p>The works we discuss:</p><ul>
<li>Chunky Mark / Artist Taxi Driver on <a href="https://www.youtube.com/user/chunkymark">YouTube</a>, <a href="https://twitter.com/chunkymark">Twitter</a>
</li>
<li>Tim Etchells, <a href="https://timetchells.com/projects/revolution/">Revolution</a>
</li>
<li>Tania Bruguera, <a href="https://www.tate.org.uk/whats-on/tate-modern/exhibition/hyundai-commission-tania-bruguera"><em>10,148,451</em> at Tate Modern</a>
</li>
<li><a href="https://www.heartofglass.org.uk/about/collaborators/mark-storor-1">Mark Storor's work with The Heart of Glass</a></li>
<li><a href="https://www.artforum.com/print/200507/from-the-critique-of-institutions-to-an-institution-of-critique-9407">Andrea Fraser on institutionnel critique</a></li>
<li>Hito Steyerl, <a href="https://vimeo.com/88484604"><em>November</em>, 2014</a>, <a href="https://vimeo.com/76011774"><em>Is the Museum a Battlefield</em>, 2013</a>
</li>
<li>Art &amp; Language, <a href="https://www.ubu.com/historical/fox/index.html"><em>The Fox,</em> 1975-76</a>
</li>
</ul><p><em> </em><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a782fd32-4d60-11ec-bd62-43507f7b6633]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3401332238.mp3?updated=1637783990" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nishant Shahani, "Pink Revolutions: Globalization, Hindutva, and Queer Triangles in Contemporary India" (Northwestern UP, 2021)</title>
      <description>Pink Revolutions: Globalization, Hindutva, and Queer Triangles in Contemporary India (Northwestern UP, 2021) describes how queer politics in India occupies an uneasy position between the forces of neoliberal globalization, on the one hand, and the nationalist Hindu fundamentalism that has emerged since the 1990s, on the other. While neoliberal forces use queerness to highlight India’s democratic credentials and stature within a globalized world, nationalist voices claim that queer movements in the country pose a threat to Indian national identity. Nishant Shahani argues that this tension implicates queer politics within messy entanglements and knotted ideological triangulations, geometries of power in which local understandings of “authentic” nationalism brush up against global agendas of multinational capital.
Eschewing structures of absolute complicity or abject alterity, Pink Revolutions pays attention to the logics of triangulation in various contexts: gay tourism, university campus politics, diasporic cultural productions, and AIDS activism. The book articulates a framework through which queer politics can challenge rather than participate in neoliberal imperatives, an approach that will interest scholars engaged with queer studies and postcolonial scholarship, as well as activists and academics wrestling with global capitalism and right-wing regimes around the world.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nishant Shahani</itunes:subtitle>
      <itunes:summary>Pink Revolutions: Globalization, Hindutva, and Queer Triangles in Contemporary India (Northwestern UP, 2021) describes how queer politics in India occupies an uneasy position between the forces of neoliberal globalization, on the one hand, and the nationalist Hindu fundamentalism that has emerged since the 1990s, on the other. While neoliberal forces use queerness to highlight India’s democratic credentials and stature within a globalized world, nationalist voices claim that queer movements in the country pose a threat to Indian national identity. Nishant Shahani argues that this tension implicates queer politics within messy entanglements and knotted ideological triangulations, geometries of power in which local understandings of “authentic” nationalism brush up against global agendas of multinational capital.
Eschewing structures of absolute complicity or abject alterity, Pink Revolutions pays attention to the logics of triangulation in various contexts: gay tourism, university campus politics, diasporic cultural productions, and AIDS activism. The book articulates a framework through which queer politics can challenge rather than participate in neoliberal imperatives, an approach that will interest scholars engaged with queer studies and postcolonial scholarship, as well as activists and academics wrestling with global capitalism and right-wing regimes around the world.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780810143623"><em>Pink Revolutions: Globalization, Hindutva, and Queer Triangles in Contemporary India</em></a> (Northwestern UP, 2021) describes how queer politics in India occupies an uneasy position between the forces of neoliberal globalization, on the one hand, and the nationalist Hindu fundamentalism that has emerged since the 1990s, on the other. While neoliberal forces use queerness to highlight India’s democratic credentials and stature within a globalized world, nationalist voices claim that queer movements in the country pose a threat to Indian national identity. Nishant Shahani argues that this tension implicates queer politics within messy entanglements and knotted ideological triangulations, geometries of power in which local understandings of “authentic” nationalism brush up against global agendas of multinational capital.</p><p>Eschewing structures of absolute complicity or abject alterity, Pink Revolutions pays attention to the logics of triangulation in various contexts: gay tourism, university campus politics, diasporic cultural productions, and AIDS activism. The book articulates a framework through which queer politics can challenge rather than participate in neoliberal imperatives, an approach that will interest scholars engaged with queer studies and postcolonial scholarship, as well as activists and academics wrestling with global capitalism and right-wing regimes around the world.</p><p><em>Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2527</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[79d1a656-4dfe-11ec-bcee-93aa37eee3c1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5146419381.mp3?updated=1637851798" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Margaret D. Jacobs, "After One Hundred Winters: In Search of Reconciliation on America's Stolen Lands" (Princeton UP, 2021)</title>
      <description>After One Hundred Winters: In Search of Reconciliation on America's Stolen Lands (Princeton UP, 2021) confronts the harsh truth that the United States was founded on the violent dispossession of Indigenous people and asks what reconciliation might mean in light of this haunted history. In this timely and urgent book, settler historian Margaret Jacobs tells the stories of the individuals and communities who are working together to heal historical wounds—and reveals how much we have to gain by learning from our history instead of denying it. Jacobs traces the brutal legacy of systemic racial injustice to Indigenous people that has endured since the nation’s founding. Explaining how early attempts at reconciliation succeeded only in robbing tribal nations of their land and forcing their children into abusive boarding schools, she shows that true reconciliation must emerge through Indigenous leadership and sustained relationships between Indigenous and non-Indigenous people that are rooted in specific places and histories. In the absence of an official apology and a federal Truth and Reconciliation Commission, ordinary people are creating a movement for transformative reconciliation that puts Indigenous land rights, sovereignty, and values at the forefront. With historical sensitivity and an eye to the future, Jacobs urges us to face our past and learn from it, and once we have done so, to redress past abuses. Drawing on dozens of interviews, After One Hundred Winters reveals how Indigenous people and settlers in America today, despite their troubled history, are finding unexpected gifts in reconciliation.
Brady McCartney is a scholar of religion, history, and environmental studies at the University of Florida.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Margaret D. Jacobs</itunes:subtitle>
      <itunes:summary>After One Hundred Winters: In Search of Reconciliation on America's Stolen Lands (Princeton UP, 2021) confronts the harsh truth that the United States was founded on the violent dispossession of Indigenous people and asks what reconciliation might mean in light of this haunted history. In this timely and urgent book, settler historian Margaret Jacobs tells the stories of the individuals and communities who are working together to heal historical wounds—and reveals how much we have to gain by learning from our history instead of denying it. Jacobs traces the brutal legacy of systemic racial injustice to Indigenous people that has endured since the nation’s founding. Explaining how early attempts at reconciliation succeeded only in robbing tribal nations of their land and forcing their children into abusive boarding schools, she shows that true reconciliation must emerge through Indigenous leadership and sustained relationships between Indigenous and non-Indigenous people that are rooted in specific places and histories. In the absence of an official apology and a federal Truth and Reconciliation Commission, ordinary people are creating a movement for transformative reconciliation that puts Indigenous land rights, sovereignty, and values at the forefront. With historical sensitivity and an eye to the future, Jacobs urges us to face our past and learn from it, and once we have done so, to redress past abuses. Drawing on dozens of interviews, After One Hundred Winters reveals how Indigenous people and settlers in America today, despite their troubled history, are finding unexpected gifts in reconciliation.
Brady McCartney is a scholar of religion, history, and environmental studies at the University of Florida.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780691224336"><em>After One Hundred Winters: In Search of Reconciliation on America's Stolen Lands</em></a><em> </em>(Princeton UP, 2021) confronts the harsh truth that the United States was founded on the violent dispossession of Indigenous people and asks what reconciliation might mean in light of this haunted history. In this timely and urgent book, settler historian Margaret Jacobs tells the stories of the individuals and communities who are working together to heal historical wounds—and reveals how much we have to gain by learning from our history instead of denying it. Jacobs traces the brutal legacy of systemic racial injustice to Indigenous people that has endured since the nation’s founding. Explaining how early attempts at reconciliation succeeded only in robbing tribal nations of their land and forcing their children into abusive boarding schools, she shows that true reconciliation must emerge through Indigenous leadership and sustained relationships between Indigenous and non-Indigenous people that are rooted in specific places and histories. In the absence of an official apology and a federal Truth and Reconciliation Commission, ordinary people are creating a movement for transformative reconciliation that puts Indigenous land rights, sovereignty, and values at the forefront. With historical sensitivity and an eye to the future, Jacobs urges us to face our past and learn from it, and once we have done so, to redress past abuses. Drawing on dozens of interviews, <em>After One Hundred Winters</em> reveals how Indigenous people and settlers in America today, despite their troubled history, are finding unexpected gifts in reconciliation.</p><p><em>Brady McCartney is a scholar of religion, history, and environmental studies at the University of Florida.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3875</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[48c6d012-4c8d-11ec-b0a2-2b7ccc5a064e]]></guid>
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    </item>
    <item>
      <title>Eva von Redecker, "Praxis and Revolution: A Theory of Social Transformation" (Columbia UP, 2021)</title>
      <description>The concept of revolution marks the ultimate horizon of modern politics. It is instantiated by sites of both hope and horror. Within progressive thought, “revolution” often perpetuates entrenched philosophical problems: a teleological philosophy of history, economic reductionism, and normative paternalism. At a time of resurgent uprisings, how can revolution be re-conceptualized to grasp the dynamics of social transformation and disentangle revolutionary practice from authoritarian usurpation?
Eva von Redecker reconsiders critical theory’s understanding of radical change in order to offer a bold new account of how revolution occurs. She argues that revolutions are not singular events but extended processes: beginning from the interstices of society, they succeed by gradually re-articulating social structures toward a new paradigm. Developing a theoretical account of social transformation, Praxis and Revolution incorporates a wide range of insights, from the Frankfurt School to queer theory and intersectionality. Its revised materialism furnishes prefigurative politics with their social conditions and performative critique with its collective force.
Von Redecker revisits the French Revolution to show how change arises from struggle in everyday social practice. She illustrates the argument through rich literary examples—a ménage à trois inside a prison, a radical knitting circle, a queer affinity group, and petitioners pleading with the executioner—that forge a feminist, open-ended model of revolution.
Praxis and Revolution: A Theory of Social Transformation (Columbia UP, 2021) urges readers not only to understand revolutions differently but also to situate them elsewhere: in collective contexts that aim to storm manifold Bastilles—but from within.
Eva von Redecker is a German critical theorist and public philosopher, currently based at the University of Verona as the recipient of a Marie Skłodowska-Curie fellowship. She was previously a research associate at Humboldt University of Berlin and she has also taught at Goethe University Frankfurt and the New School.
Lucy Duggan is a writer and translator. She is the author of the novel Tendrils (2014).
Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative economies, refugee care, and migration in Turkey.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>251</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eva von Redecker</itunes:subtitle>
      <itunes:summary>The concept of revolution marks the ultimate horizon of modern politics. It is instantiated by sites of both hope and horror. Within progressive thought, “revolution” often perpetuates entrenched philosophical problems: a teleological philosophy of history, economic reductionism, and normative paternalism. At a time of resurgent uprisings, how can revolution be re-conceptualized to grasp the dynamics of social transformation and disentangle revolutionary practice from authoritarian usurpation?
Eva von Redecker reconsiders critical theory’s understanding of radical change in order to offer a bold new account of how revolution occurs. She argues that revolutions are not singular events but extended processes: beginning from the interstices of society, they succeed by gradually re-articulating social structures toward a new paradigm. Developing a theoretical account of social transformation, Praxis and Revolution incorporates a wide range of insights, from the Frankfurt School to queer theory and intersectionality. Its revised materialism furnishes prefigurative politics with their social conditions and performative critique with its collective force.
Von Redecker revisits the French Revolution to show how change arises from struggle in everyday social practice. She illustrates the argument through rich literary examples—a ménage à trois inside a prison, a radical knitting circle, a queer affinity group, and petitioners pleading with the executioner—that forge a feminist, open-ended model of revolution.
Praxis and Revolution: A Theory of Social Transformation (Columbia UP, 2021) urges readers not only to understand revolutions differently but also to situate them elsewhere: in collective contexts that aim to storm manifold Bastilles—but from within.
Eva von Redecker is a German critical theorist and public philosopher, currently based at the University of Verona as the recipient of a Marie Skłodowska-Curie fellowship. She was previously a research associate at Humboldt University of Berlin and she has also taught at Goethe University Frankfurt and the New School.
Lucy Duggan is a writer and translator. She is the author of the novel Tendrils (2014).
Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative economies, refugee care, and migration in Turkey.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The concept of revolution marks the ultimate horizon of modern politics. It is instantiated by sites of both hope and horror. Within progressive thought, “revolution” often perpetuates entrenched philosophical problems: a teleological philosophy of history, economic reductionism, and normative paternalism. At a time of resurgent uprisings, how can revolution be re-conceptualized to grasp the dynamics of social transformation and disentangle revolutionary practice from authoritarian usurpation?</p><p>Eva von Redecker reconsiders critical theory’s understanding of radical change in order to offer a bold new account of how revolution occurs. She argues that revolutions are not singular events but extended processes: beginning from the interstices of society, they succeed by gradually re-articulating social structures toward a new paradigm. Developing a theoretical account of social transformation, <em>Praxis and Revolution</em> incorporates a wide range of insights, from the Frankfurt School to queer theory and intersectionality. Its revised materialism furnishes prefigurative politics with their social conditions and performative critique with its collective force.</p><p>Von Redecker revisits the French Revolution to show how change arises from struggle in everyday social practice. She illustrates the argument through rich literary examples—a ménage à trois inside a prison, a radical knitting circle, a queer affinity group, and petitioners pleading with the executioner—that forge a feminist, open-ended model of revolution.</p><p><a href="https://bookshop.org/a/12343/9780231198226"><em>Praxis and Revolution: A Theory of Social Transformation</em></a> (Columbia UP, 2021) urges readers not only to understand revolutions differently but also to situate them elsewhere: in collective contexts that aim to storm manifold Bastilles—but from within.</p><p>Eva von Redecker is a German critical theorist and public philosopher, currently based at the University of Verona as the recipient of a Marie Skłodowska-Curie fellowship. She was previously a research associate at Humboldt University of Berlin and she has also taught at Goethe University Frankfurt and the New School.</p><p>Lucy Duggan is a writer and translator. She is the author of the novel <em>Tendrils</em> (2014).</p><p><em>Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative economies, refugee care, and migration in Turkey.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3775</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kevin Bruyneel, "Settler Memory: The Disavowal of Indigeneity and the Politics of Race in the United States" (UNC Press, 2021)</title>
      <description>Kevin Bruyneel confronts the chronic displacement of Indigeneity in the politics and discourse around race in American political theory and culture, arguing that the ongoing influence of settler-colonialism has undermined efforts to understand Indigenous politics while also hindering conversation around race itself. By reexamining major episodes, texts, writers, and memories of the political past from the seventeenth century to the present, Bruyneel reveals the power of settler memory at work in the persistent disavowal of Indigeneity. 
In Settler Memory: The Disavowal of Indigeneity and the Politics of Race in the United States (University of North Carolina Press, 2021), he also shows how Indigenous and Black intellectuals have understood ties between racism and white settler memory, even as the settler dimensions of whiteness are frequently erased in our discourse about race, whether in conflicts over Indian mascotry or the white nationalist underpinnings of Trumpism.
Envisioning a new political future, Bruyneel challenges readers to refuse settler memory and consider a third reconstruction that can meaningfully link antiracism and anticolonialism.
John Cable will begin a teaching appointment at Abraham Baldwin Agricultural College in January 2022. He earned the Ph.D. in history at Florida State University in 2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin Bruyneel</itunes:subtitle>
      <itunes:summary>Kevin Bruyneel confronts the chronic displacement of Indigeneity in the politics and discourse around race in American political theory and culture, arguing that the ongoing influence of settler-colonialism has undermined efforts to understand Indigenous politics while also hindering conversation around race itself. By reexamining major episodes, texts, writers, and memories of the political past from the seventeenth century to the present, Bruyneel reveals the power of settler memory at work in the persistent disavowal of Indigeneity. 
In Settler Memory: The Disavowal of Indigeneity and the Politics of Race in the United States (University of North Carolina Press, 2021), he also shows how Indigenous and Black intellectuals have understood ties between racism and white settler memory, even as the settler dimensions of whiteness are frequently erased in our discourse about race, whether in conflicts over Indian mascotry or the white nationalist underpinnings of Trumpism.
Envisioning a new political future, Bruyneel challenges readers to refuse settler memory and consider a third reconstruction that can meaningfully link antiracism and anticolonialism.
John Cable will begin a teaching appointment at Abraham Baldwin Agricultural College in January 2022. He earned the Ph.D. in history at Florida State University in 2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kevin Bruyneel confronts the chronic displacement of Indigeneity in the politics and discourse around race in American political theory and culture, arguing that the ongoing influence of settler-colonialism has undermined efforts to understand Indigenous politics while also hindering conversation around race itself. By reexamining major episodes, texts, writers, and memories of the political past from the seventeenth century to the present, Bruyneel reveals the power of settler memory at work in the persistent disavowal of Indigeneity. </p><p>In <a href="https://bookshop.org/a/12343/9781469665238"><em>Settler Memory: The Disavowal of Indigeneity and the Politics of Race in the United States</em></a><em> </em>(University of North Carolina Press, 2021), he also shows how Indigenous and Black intellectuals have understood ties between racism and white settler memory, even as the settler dimensions of whiteness are frequently erased in our discourse about race, whether in conflicts over Indian mascotry or the white nationalist underpinnings of Trumpism.</p><p>Envisioning a new political future, Bruyneel challenges readers to refuse settler memory and consider a third reconstruction that can meaningfully link antiracism and anticolonialism.</p><p><em>John Cable will begin a teaching appointment at Abraham Baldwin Agricultural College in January 2022. He earned the Ph.D. in history at Florida State University in 2020.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3073</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f400a91a-4b9f-11ec-87e7-0f037f2f0492]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9240353085.mp3?updated=1637591187" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rana M. Jaleel, "The Work of Rape" (Duke UP, 2021)</title>
      <description>In The Work of Rape (Duke UP, 2021), Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States.
Work of Rape is the recipient of Duke University Press Scholars of Color First Book Award.
Rana M. Jaleel is Associate Professor in the Department of Gender, Sexuality, and Women's Studies at the University of California, Davis, where she is also the Faculty Advisor for the Sexuality Studies Minor.
 Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rana M. Jaleel</itunes:subtitle>
      <itunes:summary>In The Work of Rape (Duke UP, 2021), Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States.
Work of Rape is the recipient of Duke University Press Scholars of Color First Book Award.
Rana M. Jaleel is Associate Professor in the Department of Gender, Sexuality, and Women's Studies at the University of California, Davis, where she is also the Faculty Advisor for the Sexuality Studies Minor.
 Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478014508"><em>The Work of Rape</em></a><em> </em>(Duke UP, 2021), Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States.</p><p><em>Work of Rape</em> is the recipient of Duke University Press Scholars of Color First Book Award.</p><p>Rana M. Jaleel is Associate Professor in the Department of Gender, Sexuality, and Women's Studies at the University of California, Davis, where she is also the Faculty Advisor for the Sexuality Studies Minor.</p><p><em> </em><a href="https://in.linkedin.com/in/sohini-chatterjee-763b39110"><em>Sohini Chatterjee</em></a><em> is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2071</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Matt Christman and Daniel Bessner, "Hinge Points: A Podcast About Historical Contingency"</title>
      <description>How do we balance the importance of individual human agency with our understanding of larger socio-economic structures? How do we explore crucial “what ifs” in history? How do we make this stuff accessible to a wider audience? These are the questions central to Daniel Bessner and Matt Christman’s new podcast mini-series “Hinge Points”. In this conversation we talk historical turning points, history podcasting, and Marx. Indeed, the conversation seemed to be guided by the famous line from “The Eighteenth Brumaire of Louis Napoleon”: “Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past.” The same could be said for history podcasts. “Hinge Points” can be found on the “Chapo Trap House” Patreon page and other podcast sites.
Matt Christman is best known for his work on “Chapo Trap House”, a political humor podcast. He also posts almost daily vlogs where he reflects on history. He co-authored the Chapo Guide to Revolution with his fellow Chapo Trap House hosts. Matt and I chatted about that book previously on the New Books Network.
Daniel Bessner, an intellectual historian of U.S. foreign relations, is the author of Democracy in Exile: Hans Speier and the Rise of the Defense Intellectual (Cornell, 2018) and co-editor, with Nicolas Guilhot, of The Decisionist Imagination: Sovereignty, Social Science, and Democracy in the Twentieth Century (Berghahn, 2019). He currently holds the Joff Hanauer Honors Professorship in Western Civilization at the University of Washington. He is also a Non-Resident Fellow at the Quincy Institute for Responsible Statecraft and a Contributing Editor at Jacobin. In 2019-2020, he served as a foreign policy advisor to Bernie Sanders’ presidential campaign. In addition to his scholarly articles, he has published in The New York Times, The Washington Post, The Guardian, and other venues. Daniel Bessner also co-hosts the “American Prestige” podcast with Derek Davison.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Christman and Daniel Bessner</itunes:subtitle>
      <itunes:summary>How do we balance the importance of individual human agency with our understanding of larger socio-economic structures? How do we explore crucial “what ifs” in history? How do we make this stuff accessible to a wider audience? These are the questions central to Daniel Bessner and Matt Christman’s new podcast mini-series “Hinge Points”. In this conversation we talk historical turning points, history podcasting, and Marx. Indeed, the conversation seemed to be guided by the famous line from “The Eighteenth Brumaire of Louis Napoleon”: “Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past.” The same could be said for history podcasts. “Hinge Points” can be found on the “Chapo Trap House” Patreon page and other podcast sites.
Matt Christman is best known for his work on “Chapo Trap House”, a political humor podcast. He also posts almost daily vlogs where he reflects on history. He co-authored the Chapo Guide to Revolution with his fellow Chapo Trap House hosts. Matt and I chatted about that book previously on the New Books Network.
Daniel Bessner, an intellectual historian of U.S. foreign relations, is the author of Democracy in Exile: Hans Speier and the Rise of the Defense Intellectual (Cornell, 2018) and co-editor, with Nicolas Guilhot, of The Decisionist Imagination: Sovereignty, Social Science, and Democracy in the Twentieth Century (Berghahn, 2019). He currently holds the Joff Hanauer Honors Professorship in Western Civilization at the University of Washington. He is also a Non-Resident Fellow at the Quincy Institute for Responsible Statecraft and a Contributing Editor at Jacobin. In 2019-2020, he served as a foreign policy advisor to Bernie Sanders’ presidential campaign. In addition to his scholarly articles, he has published in The New York Times, The Washington Post, The Guardian, and other venues. Daniel Bessner also co-hosts the “American Prestige” podcast with Derek Davison.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do we balance the importance of individual human agency with our understanding of larger socio-economic structures? How do we explore crucial “what ifs” in history? How do we make this stuff accessible to a wider audience? These are the questions central to Daniel Bessner and Matt Christman’s new podcast mini-series “<a href="https://soundcloud.com/chapo-trap-house/hinge-points-episode-1-social-democratic-party-poopers">Hinge Points</a>”. In this conversation we talk historical turning points, history podcasting, and Marx. Indeed, the conversation seemed to be guided by the famous line from “The Eighteenth Brumaire of Louis Napoleon”: “Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past.” The same could be said for history podcasts. “Hinge Points” can be found on the “Chapo Trap House” Patreon page and other podcast sites.</p><p>Matt Christman is best known for his work on “Chapo Trap House”, a political humor podcast. He also posts almost daily vlogs where he reflects on history. He co-authored the <em>Chapo Guide to Revolution</em> with his fellow Chapo Trap House hosts. Matt and I <a href="https://newbooksnetwork.com/the-chapo-guide-to-revolution">chatted about that book previously</a> on the New Books Network.</p><p>Daniel Bessner, an intellectual historian of U.S. foreign relations, is the author of <em>Democracy in Exile: Hans Speier and the Rise of the Defense Intellectual</em> (Cornell, 2018) and co-editor, with Nicolas Guilhot, of <em>The Decisionist Imagination: Sovereignty, Social Science, and Democracy in the Twentieth Century</em> (Berghahn, 2019). He currently holds the Joff Hanauer Honors Professorship in Western Civilization at the University of Washington. He is also a Non-Resident Fellow at the Quincy Institute for Responsible Statecraft and a Contributing Editor at <em>Jacobin</em>. In 2019-2020, he served as a foreign policy advisor to Bernie Sanders’ presidential campaign. In addition to his scholarly articles, he has published in <em>The New York Times</em>, <em>The Washington Post</em>, <em>The Guardian</em>, and other venues. Daniel Bessner also co-hosts the “American Prestige” podcast with Derek Davison.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3063</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[22afb9f2-470b-11ec-a357-378972be0e21]]></guid>
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    <item>
      <title>Joshua Sbicca, "Food Justice Now!: Deepening the Roots of Social Struggle" (U Minnesota Press, 2018)</title>
      <description>Food Justice Now: Deepening the Roots of Social Struggle (University of Minnesota Press, 2018) charts a path from food activism to social justice activism that integrates the two. In an engrossing, historically grounded, and ethnographically rich narrative, Joshua Sbicca argues that food justice is more than a myopic focus on food, allowing scholars and activists alike to investigate the causes behind inequities and evaluate and implement political strategies to overcome them.
Joshua Sbicca is associate professor of sociology at Colorado State University. His research focuses on food as a site of economic, political, and social struggle. His recent work studies food systems and cultures and social movements at intersections of carcerality, gentrification, and racial capitalism. Underlying these interests is an ongoing engagement with how activists and scholars articulate and practice food justice and what this means for building broad based social movements.
Website: http://joshuasbicca.com/
Twitter: @joshsbicca
Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Sbicca</itunes:subtitle>
      <itunes:summary>Food Justice Now: Deepening the Roots of Social Struggle (University of Minnesota Press, 2018) charts a path from food activism to social justice activism that integrates the two. In an engrossing, historically grounded, and ethnographically rich narrative, Joshua Sbicca argues that food justice is more than a myopic focus on food, allowing scholars and activists alike to investigate the causes behind inequities and evaluate and implement political strategies to overcome them.
Joshua Sbicca is associate professor of sociology at Colorado State University. His research focuses on food as a site of economic, political, and social struggle. His recent work studies food systems and cultures and social movements at intersections of carcerality, gentrification, and racial capitalism. Underlying these interests is an ongoing engagement with how activists and scholars articulate and practice food justice and what this means for building broad based social movements.
Website: http://joshuasbicca.com/
Twitter: @joshsbicca
Amir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517904012"><em>Food Justice Now: Deepening the Roots of Social Struggle</em></a> (University of Minnesota Press, 2018) charts a path from food activism to social justice activism that integrates the two. In an engrossing, historically grounded, and ethnographically rich narrative, Joshua Sbicca argues that food justice is more than a myopic focus on food, allowing scholars and activists alike to investigate the causes behind inequities and evaluate and implement political strategies to overcome them.</p><p><a href="https://www.libarts.colostate.edu/people/jsbicca/">Joshua Sbicca</a> is associate professor of sociology at Colorado State University. His research focuses on food as a site of economic, political, and social struggle. His recent work studies food systems and cultures and social movements at intersections of carcerality, gentrification, and racial capitalism. Underlying these interests is an ongoing engagement with how activists and scholars articulate and practice food justice and what this means for building broad based social movements.</p><p>Website: http://joshuasbicca.com/</p><p>Twitter: @joshsbicca</p><p><a href="https://people.wgtn.ac.nz/amir.sayadabdi"><em>Amir Sayadabdi</em></a><em> is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5925ec66-4703-11ec-9fe2-abd341a3802d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6502242686.mp3?updated=1637084698" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christos Tombras, "Discourse Ontology: Body and the Construction of a World, from Heidegger through Lacan" (Palgrave Macmillan, 2019)</title>
      <description>We interview Dr. Christos Tombras, a supervising psychoanalyst with a Lacanian orientation, practicing in London. Dr. Tombras is a member of the Centre for Freudian Analysis and Research, UK, and lectures, runs workshops and facilitates reading groups. His main research interest is in a dialogue between continental philosophy and psychoanalysis. He has published in both English and Greek.
We discussed his book Discourse Ontology: Body and the Construction of a World, from Heidegger Through Lacan (Palgrave Macmillan, 2019). Lacan studied both Freud (of course) and Heidegger. Heidegger not only critiqued the scientific worldview, but he also specifically criticized Freud’s work. Tombras provides a synthesis of (Lacan’s return to) Freud and Heidegger, a discourse ontology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christos Tombras</itunes:subtitle>
      <itunes:summary>We interview Dr. Christos Tombras, a supervising psychoanalyst with a Lacanian orientation, practicing in London. Dr. Tombras is a member of the Centre for Freudian Analysis and Research, UK, and lectures, runs workshops and facilitates reading groups. His main research interest is in a dialogue between continental philosophy and psychoanalysis. He has published in both English and Greek.
We discussed his book Discourse Ontology: Body and the Construction of a World, from Heidegger Through Lacan (Palgrave Macmillan, 2019). Lacan studied both Freud (of course) and Heidegger. Heidegger not only critiqued the scientific worldview, but he also specifically criticized Freud’s work. Tombras provides a synthesis of (Lacan’s return to) Freud and Heidegger, a discourse ontology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We interview Dr. Christos Tombras, a supervising psychoanalyst with a Lacanian orientation, practicing in London. Dr. Tombras is a member of the Centre for Freudian Analysis and Research, UK, and lectures, runs workshops and facilitates reading groups. His main research interest is in a dialogue between continental philosophy and psychoanalysis. He has published in both English and Greek.</p><p>We discussed his book<a href="https://bookshop.org/a/12343/9783030136642"> <em>Discourse Ontology: Body and the Construction of a World, from Heidegger Through Lacan</em></a><em> </em>(Palgrave Macmillan, 2019)<em>. </em>Lacan studied both Freud (of course) and Heidegger. Heidegger not only critiqued the scientific worldview, but he also specifically criticized Freud’s work. Tombras provides a synthesis of (Lacan’s return to) Freud and Heidegger, a discourse ontology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3413</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e4976816-4711-11ec-8d61-930829066b56]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7504508453.mp3?updated=1637090922" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gila Ashtor, "Homo Psyche: On Queer Theory and Erotophobia" (Fordham UP, 2021)</title>
      <description>In this episode, I interview Gila Ashtor, a practicing psychoanalyst and critical theorist, about her new book, Homo Psyche: On Queer Theory and Erotophobia (Fordham University Press, 2021). This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations.
Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>250</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gila Ashtor</itunes:subtitle>
      <itunes:summary>In this episode, I interview Gila Ashtor, a practicing psychoanalyst and critical theorist, about her new book, Homo Psyche: On Queer Theory and Erotophobia (Fordham University Press, 2021). This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations.
Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I interview Gila Ashtor, a practicing psychoanalyst and critical theorist, about her new book, <a href="https://bookshop.org/a/12343/9780823294152"><em>Homo Psyche: On Queer Theory and Erotophobia</em></a><em> </em>(Fordham University Press, 2021). This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations.</p><p>Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.</p><p><em>Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on </em><a href="https://twitter.com/poeticdweller"><em>Twitter</em></a><em> or send him an </em><a href="mailto:britton.edelen@duke.edu"><em>email.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4292</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[429b53a2-462f-11ec-a964-930002715843]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8323399154.mp3?updated=1636993650" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Garrison, "Reconsidering the Life of Power: Ritual, Body, and Art in Critical Theory and Chinese Philosophy" (SUNY Press, 2021)</title>
      <description>Reconsidering the Life of Power: Ritual, Body, and Art in Critical Theory and Chinese Philosophy by James Garrison (SUNY Press 2021), argues that the tradition of Confucian philosophy can provide resources for theorists like Judith Butler and Michel Foucault in understanding what it is to be a subject in the social world. Garrison’s interlocutors are intercultural, from Confucius to Kant, Arendt to Butler, Hegel to Nietzsche. His book argues that Confucianism offers a relational, discursive, bodily, and ritualistic conception of the self. Through philosophers like Mencius, Xún Zǐ, and Lǐ Zéhòu, Confucianism’s emphasis on embodied aesthetic experiences presents new ways of thinking about how human beings can resist passivity in the face of society and instead learn how to consciously and bodily gain purposeful self-awareness.
 Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with James Garrison</itunes:subtitle>
      <itunes:summary>Reconsidering the Life of Power: Ritual, Body, and Art in Critical Theory and Chinese Philosophy by James Garrison (SUNY Press 2021), argues that the tradition of Confucian philosophy can provide resources for theorists like Judith Butler and Michel Foucault in understanding what it is to be a subject in the social world. Garrison’s interlocutors are intercultural, from Confucius to Kant, Arendt to Butler, Hegel to Nietzsche. His book argues that Confucianism offers a relational, discursive, bodily, and ritualistic conception of the self. Through philosophers like Mencius, Xún Zǐ, and Lǐ Zéhòu, Confucianism’s emphasis on embodied aesthetic experiences presents new ways of thinking about how human beings can resist passivity in the face of society and instead learn how to consciously and bodily gain purposeful self-awareness.
 Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781438482118"><em>Reconsidering the Life of Power: Ritual, Body, and Art in Critical Theory and Chinese Philosophy</em></a> by James Garrison (SUNY Press 2021), argues that the tradition of Confucian philosophy can provide resources for theorists like Judith Butler and Michel Foucault in understanding what it is to be a subject in the social world. Garrison’s interlocutors are intercultural, from Confucius to Kant, Arendt to Butler, Hegel to Nietzsche. His book argues that Confucianism offers a relational, discursive, bodily, and ritualistic conception of the self. Through philosophers like Mencius, Xún Zǐ, and Lǐ Zéhòu, Confucianism’s emphasis on embodied aesthetic experiences presents new ways of thinking about how human beings can resist passivity in the face of society and instead learn how to consciously and bodily gain purposeful self-awareness.</p><p><em> Malcolm Keating is Assistant Professor of Philosophy at </em><a href="http://www.yale-nus.edu.sg/"><em>Yale-NUS College</em></a><em>. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of </em><a href="https://www.bloomsbury.com/uk/language-meaning-and-use-in-indian-philosophy-9781350060760/"><em>Language, Meaning, and Use in Indian Philosophy</em></a><em> (Bloomsbury Press, 2019) and host of the podcast </em><a href="http://www.sutrasandstuff.com/"><em>Sutras (and stuff)</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3980</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[07232ff2-eaea-11eb-9734-d77d62f1d9f2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8837552079.mp3?updated=1626957824" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joel Whitebook, "Freud: An Intellectual Biography" (Cambridge UP, 2017)</title>
      <description>We interview Dr. Joel Whitebook, philosopher and psychoanalyst about his book Freud: An Intellectual Biography (Cambridge UP, 2017). Dr. Whitebook works in Critical Theory in the tradition of the Frankfurt School, developing that tradition with his clinical and philosophical knowledge of recent advances in psychoanalytic theory.
The life and work of Sigmund Freud continue to fascinate general and professional readers alike. Joel Whitebook here presents the first major biography of Freud since the last century, taking into account recent developments in psychoanalytic theory and practice, gender studies, philosophy, cultural theory, and more. Offering a radically new portrait of the creator of psychoanalysis, this book explores the man in all his complexity alongside an interpretation of his theories that cuts through the stereotypes that surround him. The development of Freud's thinking is addressed not only in the context of his personal life, but also in that of society and culture at large, while the impact of his thinking on subsequent issues of psychoanalysis, philosophy, and social theory is fully examined. Whitebook demonstrates that declarations of Freud's obsolescence are premature, and, with his clear and engaging style, brings this vivid figure to life in compelling and readable fashion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joel Whitebook</itunes:subtitle>
      <itunes:summary>We interview Dr. Joel Whitebook, philosopher and psychoanalyst about his book Freud: An Intellectual Biography (Cambridge UP, 2017). Dr. Whitebook works in Critical Theory in the tradition of the Frankfurt School, developing that tradition with his clinical and philosophical knowledge of recent advances in psychoanalytic theory.
The life and work of Sigmund Freud continue to fascinate general and professional readers alike. Joel Whitebook here presents the first major biography of Freud since the last century, taking into account recent developments in psychoanalytic theory and practice, gender studies, philosophy, cultural theory, and more. Offering a radically new portrait of the creator of psychoanalysis, this book explores the man in all his complexity alongside an interpretation of his theories that cuts through the stereotypes that surround him. The development of Freud's thinking is addressed not only in the context of his personal life, but also in that of society and culture at large, while the impact of his thinking on subsequent issues of psychoanalysis, philosophy, and social theory is fully examined. Whitebook demonstrates that declarations of Freud's obsolescence are premature, and, with his clear and engaging style, brings this vivid figure to life in compelling and readable fashion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We interview Dr. Joel Whitebook, philosopher and psychoanalyst about his book<a href="https://bookshop.org/a/12343/9780521864183"> <em>Freud: An Intellectual Biography</em></a><em> </em>(Cambridge UP, 2017). Dr. Whitebook works in Critical Theory in the tradition of the Frankfurt School, developing that tradition with his clinical and philosophical knowledge of recent advances in psychoanalytic theory.</p><p>The life and work of Sigmund Freud continue to fascinate general and professional readers alike. Joel Whitebook here presents the first major biography of Freud since the last century, taking into account recent developments in psychoanalytic theory and practice, gender studies, philosophy, cultural theory, and more. Offering a radically new portrait of the creator of psychoanalysis, this book explores the man in all his complexity alongside an interpretation of his theories that cuts through the stereotypes that surround him. The development of Freud's thinking is addressed not only in the context of his personal life, but also in that of society and culture at large, while the impact of his thinking on subsequent issues of psychoanalysis, philosophy, and social theory is fully examined. Whitebook demonstrates that declarations of Freud's obsolescence are premature, and, with his clear and engaging style, brings this vivid figure to life in compelling and readable fashion.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3326</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cf4a7fa6-4253-11ec-9a93-8b1ec5e43d61]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1285499268.mp3?updated=1736099555" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Shapiro and J-A. McNeish, "Our Extractive Age: Expressions of Violence and Resistance" (Routledge, 2021)</title>
      <description>Judith Shapiro and John-Andrew McNeish's book Our Extractive Age: Expressions of Violence and Resistance (Routledge, 2021) emphasizes how the spectrum of violence associated with natural resource extraction permeates contemporary collective life.
Chronicling the increasing rates of brutal suppression of local environmental and labor activists in rural and urban sites of extraction, this volume also foregrounds related violence in areas we might not expect, such as infrastructural developments, protected areas for nature conservation, and even geoengineering in the name of carbon mitigation. Contributors argue that extractive violence is not an accident or side effect, but rather a core logic of the 21st Century planetary experience. Acknowledgement is made not only of the visible violence involved in the securitization of extractive enclaves, but also of the symbolic and structural violence that the governance, economics, and governmentality of extraction have produced. Extractive violence is shown not only to be a spectacular event, but an extended dynamic that can be silent, invisible, and gradual. The volume also recognizes that much of the new violence of extraction has become cloaked in the discourse of "green development," "green building," and efforts to mitigate the planetary environmental crisis through totalizing technologies. Ironically, green technologies and other contemporary efforts to tackle environmental ills often themselves depend on the continuance of social exploitation and the contaminating practices of non-renewable extraction. But as this volume shows, resistance is also as multi-scalar and heterogeneous as the violence it inspires.
Dr Marc Hudson is a research fellow in the politics of industrial decarbonisation policy at the Science Policy Research Unit, University of Sussex, UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Judith Shapiro and John-Andrew McNeish</itunes:subtitle>
      <itunes:summary>Judith Shapiro and John-Andrew McNeish's book Our Extractive Age: Expressions of Violence and Resistance (Routledge, 2021) emphasizes how the spectrum of violence associated with natural resource extraction permeates contemporary collective life.
Chronicling the increasing rates of brutal suppression of local environmental and labor activists in rural and urban sites of extraction, this volume also foregrounds related violence in areas we might not expect, such as infrastructural developments, protected areas for nature conservation, and even geoengineering in the name of carbon mitigation. Contributors argue that extractive violence is not an accident or side effect, but rather a core logic of the 21st Century planetary experience. Acknowledgement is made not only of the visible violence involved in the securitization of extractive enclaves, but also of the symbolic and structural violence that the governance, economics, and governmentality of extraction have produced. Extractive violence is shown not only to be a spectacular event, but an extended dynamic that can be silent, invisible, and gradual. The volume also recognizes that much of the new violence of extraction has become cloaked in the discourse of "green development," "green building," and efforts to mitigate the planetary environmental crisis through totalizing technologies. Ironically, green technologies and other contemporary efforts to tackle environmental ills often themselves depend on the continuance of social exploitation and the contaminating practices of non-renewable extraction. But as this volume shows, resistance is also as multi-scalar and heterogeneous as the violence it inspires.
Dr Marc Hudson is a research fellow in the politics of industrial decarbonisation policy at the Science Policy Research Unit, University of Sussex, UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Judith Shapiro and John-Andrew McNeish's book <a href="https://bookshop.org/a/12343/9780367650520"><em>Our Extractive Age: Expressions of Violence and Resistance</em></a> (Routledge, 2021) emphasizes how the spectrum of violence associated with natural resource extraction permeates contemporary collective life.</p><p>Chronicling the increasing rates of brutal suppression of local environmental and labor activists in rural and urban sites of extraction, this volume also foregrounds related violence in areas we might not expect, such as infrastructural developments, protected areas for nature conservation, and even geoengineering in the name of carbon mitigation. Contributors argue that extractive violence is not an accident or side effect, but rather a core logic of the 21st Century planetary experience. Acknowledgement is made not only of the visible violence involved in the securitization of extractive enclaves, but also of the symbolic and structural violence that the governance, economics, and governmentality of extraction have produced. Extractive violence is shown not only to be a spectacular event, but an extended dynamic that can be silent, invisible, and gradual. The volume also recognizes that much of the new violence of extraction has become cloaked in the discourse of "green development," "green building," and efforts to mitigate the planetary environmental crisis through totalizing technologies. Ironically, green technologies and other contemporary efforts to tackle environmental ills often themselves depend on the continuance of social exploitation and the contaminating practices of non-renewable extraction. But as this volume shows, resistance is also as multi-scalar and heterogeneous as the violence it inspires.</p><p><em>Dr Marc Hudson is a research fellow in the politics of industrial decarbonisation policy at the Science Policy Research Unit, University of Sussex, UK.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2902</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ac39d122-4228-11ec-a1b4-f389c8a3da20]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2689775255.mp3?updated=1636550576" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yair Wallach, "A City in Fragments: Urban Texts in Modern Jerusalem" (Stanford UP, 2020)</title>
      <description>In the mid-nineteenth century, Jerusalem was rich with urban texts inscribed in marble, gold, and cloth, investing holy sites with divine meaning. Ottoman modernization and British colonial rule transformed the city; new texts became a key means to organize society and subjectivity. Stone inscriptions, pilgrims' graffiti, and sacred banners gave way to street markers, shop signs, identity papers, and visiting cards that each sought to define and categorize urban space and people.
A City in Fragments: Urban Texts in Modern Jerusalem (Stanford UP, 2020) tells the modern history of a city overwhelmed by its religious and symbolic significance. Yair Wallach walked the streets of Jerusalem to consider the graffiti, logos, inscriptions, official signs, and ephemera that transformed the city over the late nineteenth and early twentieth centuries. As these urban texts became a tool in the service of capitalism, nationalism, and colonialism, the affinities of Arabic and Hebrew were forgotten and these sister-languages found themselves locked in a bitter war. Looking at the writing of—and literally on—Jerusalem, Wallach offers a creative and expansive history of the city, a fresh take on modern urban texts, and a new reading of the Israel/Palestine conflict through its material culture.
Avery Weinman is a PhD student in History at the University of California, Los Angeles. She researches Jewish history in the modern Middle East and North Africa, with emphasis on Sephardi and Mizrahi radicals in British Mandatory Palestine. She can be reached at averyweinman@ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yair Wallach</itunes:subtitle>
      <itunes:summary>In the mid-nineteenth century, Jerusalem was rich with urban texts inscribed in marble, gold, and cloth, investing holy sites with divine meaning. Ottoman modernization and British colonial rule transformed the city; new texts became a key means to organize society and subjectivity. Stone inscriptions, pilgrims' graffiti, and sacred banners gave way to street markers, shop signs, identity papers, and visiting cards that each sought to define and categorize urban space and people.
A City in Fragments: Urban Texts in Modern Jerusalem (Stanford UP, 2020) tells the modern history of a city overwhelmed by its religious and symbolic significance. Yair Wallach walked the streets of Jerusalem to consider the graffiti, logos, inscriptions, official signs, and ephemera that transformed the city over the late nineteenth and early twentieth centuries. As these urban texts became a tool in the service of capitalism, nationalism, and colonialism, the affinities of Arabic and Hebrew were forgotten and these sister-languages found themselves locked in a bitter war. Looking at the writing of—and literally on—Jerusalem, Wallach offers a creative and expansive history of the city, a fresh take on modern urban texts, and a new reading of the Israel/Palestine conflict through its material culture.
Avery Weinman is a PhD student in History at the University of California, Los Angeles. She researches Jewish history in the modern Middle East and North Africa, with emphasis on Sephardi and Mizrahi radicals in British Mandatory Palestine. She can be reached at averyweinman@ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the mid-nineteenth century, Jerusalem was rich with urban texts inscribed in marble, gold, and cloth, investing holy sites with divine meaning. Ottoman modernization and British colonial rule transformed the city; new texts became a key means to organize society and subjectivity. Stone inscriptions, pilgrims' graffiti, and sacred banners gave way to street markers, shop signs, identity papers, and visiting cards that each sought to define and categorize urban space and people.</p><p><a href="https://bookshop.org/a/12343/9781503611139"><em>A City in Fragments: Urban Texts in Modern Jerusalem</em></a> (Stanford UP, 2020) tells the modern history of a city overwhelmed by its religious and symbolic significance. Yair Wallach walked the streets of Jerusalem to consider the graffiti, logos, inscriptions, official signs, and ephemera that transformed the city over the late nineteenth and early twentieth centuries. As these urban texts became a tool in the service of capitalism, nationalism, and colonialism, the affinities of Arabic and Hebrew were forgotten and these sister-languages found themselves locked in a bitter war. Looking at the writing of—and literally on—Jerusalem, Wallach offers a creative and expansive history of the city, a fresh take on modern urban texts, and a new reading of the Israel/Palestine conflict through its material culture.</p><p><a href="https://history.ucla.edu/grads/avery-weinman"><em>Avery Weinman</em></a><em> is a PhD student in History at the University of California, Los Angeles. She researches Jewish history in the modern Middle East and North Africa, with emphasis on Sephardi and Mizrahi radicals in British Mandatory Palestine. She can be reached at </em><a href="mailto:averyweinman@ucla.edu"><em>averyweinman@ucla.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[27fdf69e-415c-11ec-a195-07540cc8c953]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7104433247.mp3?updated=1636462921" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julia Bahner, "Sexual Citizenship and Disability: Understanding Sexual Support in Policy, Practice and Theory" (Routledge, 2021)</title>
      <description>What does ‘sexual citizenship’ mean in practice for people with mobility impairments who may need professional support to engage in sexual activity? Sexual Citizenship and Disability: Understanding Sexual Support in Policy, Practice and Theory (Routledge, 2021) explores this subject through empirical investigation based on case studies conducted in four countries – Sweden, England, Australia and the Netherlands – and develops the abstract notion of ‘sexual citizenship’ to make it practically relevant to disabled people, professionals in disability services and policy-makers. Through a cross-national approach, it demonstrates the variability of how sexual rights are understood and their culturally specific nature. It also shows how the personal is indeed political: states’ different policy approaches change the outcomes for disabled people in terms of support to explore and express their sexualities. By proposing a model of sexual facilitation that can be used in policy development, to better cater to disabled service users’ needs as well as furthering the theoretical understanding of sexual rights and sexual citizenship, this book will be of interest to professionals in disability services and policy-makers as well as academics and students working in the following subject areas: Disability Studies, Sociology, Social Policy, Sexuality Studies/Sexology, Social Work, Nursing, Occupational Therapy and Public Health.
Julia Bahner is a postdoctoral fellow at the School of Social Work, Lund University, Sweden, and was formerly Marie Curie Individual Fellow at the Centre for Disability Studies, School of Sociology, University of Leeds, UK. She holds a PhD in social work and has worked extensively with disabled people’s organisations, sexual rights organisations and disability service organisations to develop better policies and practices around sexuality, disability and support.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Julia Bahner</itunes:subtitle>
      <itunes:summary>What does ‘sexual citizenship’ mean in practice for people with mobility impairments who may need professional support to engage in sexual activity? Sexual Citizenship and Disability: Understanding Sexual Support in Policy, Practice and Theory (Routledge, 2021) explores this subject through empirical investigation based on case studies conducted in four countries – Sweden, England, Australia and the Netherlands – and develops the abstract notion of ‘sexual citizenship’ to make it practically relevant to disabled people, professionals in disability services and policy-makers. Through a cross-national approach, it demonstrates the variability of how sexual rights are understood and their culturally specific nature. It also shows how the personal is indeed political: states’ different policy approaches change the outcomes for disabled people in terms of support to explore and express their sexualities. By proposing a model of sexual facilitation that can be used in policy development, to better cater to disabled service users’ needs as well as furthering the theoretical understanding of sexual rights and sexual citizenship, this book will be of interest to professionals in disability services and policy-makers as well as academics and students working in the following subject areas: Disability Studies, Sociology, Social Policy, Sexuality Studies/Sexology, Social Work, Nursing, Occupational Therapy and Public Health.
Julia Bahner is a postdoctoral fellow at the School of Social Work, Lund University, Sweden, and was formerly Marie Curie Individual Fellow at the Centre for Disability Studies, School of Sociology, University of Leeds, UK. She holds a PhD in social work and has worked extensively with disabled people’s organisations, sexual rights organisations and disability service organisations to develop better policies and practices around sexuality, disability and support.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does ‘sexual citizenship’ mean in practice for people with mobility impairments who may need professional support to engage in sexual activity? <a href="https://bookshop.org/a/12343/9781032083285"><em>Sexual Citizenship and Disability: Understanding Sexual Support in Policy, Practice and Theory</em></a> (Routledge, 2021) explores this subject through empirical investigation based on case studies conducted in four countries – Sweden, England, Australia and the Netherlands – and develops the abstract notion of ‘sexual citizenship’ to make it practically relevant to disabled people, professionals in disability services and policy-makers. Through a cross-national approach, it demonstrates the variability of how sexual rights are understood and their culturally specific nature. It also shows how the personal is indeed political: states’ different policy approaches change the outcomes for disabled people in terms of support to explore and express their sexualities. By proposing a model of sexual facilitation that can be used in policy development, to better cater to disabled service users’ needs as well as furthering the theoretical understanding of sexual rights and sexual citizenship, this book will be of interest to professionals in disability services and policy-makers as well as academics and students working in the following subject areas: Disability Studies, Sociology, Social Policy, Sexuality Studies/Sexology, Social Work, Nursing, Occupational Therapy and Public Health.</p><p>Julia Bahner<strong> </strong>is a postdoctoral fellow at the School of Social Work, Lund University, Sweden, and was formerly Marie Curie Individual Fellow at the Centre for Disability Studies, School of Sociology, University of Leeds, UK. She holds a PhD in social work and has worked extensively with disabled people’s organisations, sexual rights organisations and disability service organisations to develop better policies and practices around sexuality, disability and support.</p><p><a href="https://in.linkedin.com/in/sohini-chatterjee-763b39110"><em>Sohini Chatterjee</em></a><em> is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2539</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9150037872.mp3?updated=1636379843" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katja Praznik, "Art Work: Invisible Labour and the Legacy of Yugoslav Socialism" (U Toronto Press, 2021)</title>
      <description>In Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (U Toronto Press, 2021), Katja Praznik counters the Western understanding of art – as a passion for self-expression and an activity done out of love – and instead builds a case for understanding art as a form of invisible labour. Focusing on the experiences of art workers and the history of labour regulation in the arts in socialist Yugoslavia, Praznik unpacks the contradiction at the heart of artistic production, and shines a light on how the economic reality of creative work has often been obscured by the mystification of artistic endeavour.
Drawing on Marxist-feminist analysis, the book demonstrates the value of recognising that artistic labour is ultimately a category of work. In this way, Praznik offers a strategic framework for enhancing our understanding of the struggle for equity in the world of institutionalised art production.
Katja Praznik is Associate Professor within the Arts Management Program at the University at Buffalo.
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katja Praznik</itunes:subtitle>
      <itunes:summary>In Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (U Toronto Press, 2021), Katja Praznik counters the Western understanding of art – as a passion for self-expression and an activity done out of love – and instead builds a case for understanding art as a form of invisible labour. Focusing on the experiences of art workers and the history of labour regulation in the arts in socialist Yugoslavia, Praznik unpacks the contradiction at the heart of artistic production, and shines a light on how the economic reality of creative work has often been obscured by the mystification of artistic endeavour.
Drawing on Marxist-feminist analysis, the book demonstrates the value of recognising that artistic labour is ultimately a category of work. In this way, Praznik offers a strategic framework for enhancing our understanding of the struggle for equity in the world of institutionalised art production.
Katja Praznik is Associate Professor within the Arts Management Program at the University at Buffalo.
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781487508418"><em>Art Work: Invisible Labour and the Legacy of Yugoslav Socialism</em></a><em> </em>(U Toronto Press, 2021), Katja Praznik counters the Western understanding of art – as a passion for self-expression and an activity done out of love – and instead builds a case for understanding art as a form of invisible labour. Focusing on the experiences of art workers and the history of labour regulation in the arts in socialist Yugoslavia, Praznik unpacks the contradiction at the heart of artistic production, and shines a light on how the economic reality of creative work has often been obscured by the mystification of artistic endeavour.</p><p>Drawing on Marxist-feminist analysis, the book demonstrates the value of recognising that artistic labour is ultimately a category of work. In this way, Praznik offers a strategic framework for enhancing our understanding of the struggle for equity in the world of institutionalised art production.</p><p><a href="http://www.buffalo.edu/cas/arts_management/who-we-are/praznik.html">Katja Praznik</a> is Associate Professor within the Arts Management Program at the University at Buffalo.</p><p><em>Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3528</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[199ca87a-3e3c-11ec-a761-937d2aeaf851]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4331429464.mp3?updated=1636119035" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Samuel Moyn, "Humane: How the United States Abandoned Peace and Reinvented War" (FSG, 2021)</title>
      <description>Geographic and temporal limits have typically contained modern wars—rulers can ask their populace to risk lives and treasure for so long before losing legitimacy. But wars have also been horrifyingly unlimited in cruelty. Over the course of the past two decades, American activists and government officials have sought to make war less cruel and more humane. The consequence of this, Samuel Moyn argues in his well-reasoned and polemical book Humane: How the United States Abandoned Peace and Reinvented War, has been the elimination of those earlier geographic and temporal guardrails on war. And the evidence isn’t hard to find. The contemporary US military may leave a smaller body count than it did during, say, the Vietnam War, but it has also entered the third decade of a War on Terror across a so-called “global battlefield.” This scope is unprecedented.
Humane: How the United States Abandoned Peace and Reinvented War (FSG, 2021) is a book about war and peace, specifically about how Americans have “made a moral choice to prioritize humane war,” rather than a “peaceful globe.” And, as the United States wraps up its occupation of Afghanistan but continues to pursue its global War on Terror, this is a choice that Americans need to grapple with. In my conversation with Moyn, we discuss everything from Tolstoy’s critique of humane war and the rise of the peace movement to the Obama administration’s role in smashing the geographic and temporal limits of war.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1095</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Samuel Moyn</itunes:subtitle>
      <itunes:summary>Geographic and temporal limits have typically contained modern wars—rulers can ask their populace to risk lives and treasure for so long before losing legitimacy. But wars have also been horrifyingly unlimited in cruelty. Over the course of the past two decades, American activists and government officials have sought to make war less cruel and more humane. The consequence of this, Samuel Moyn argues in his well-reasoned and polemical book Humane: How the United States Abandoned Peace and Reinvented War, has been the elimination of those earlier geographic and temporal guardrails on war. And the evidence isn’t hard to find. The contemporary US military may leave a smaller body count than it did during, say, the Vietnam War, but it has also entered the third decade of a War on Terror across a so-called “global battlefield.” This scope is unprecedented.
Humane: How the United States Abandoned Peace and Reinvented War (FSG, 2021) is a book about war and peace, specifically about how Americans have “made a moral choice to prioritize humane war,” rather than a “peaceful globe.” And, as the United States wraps up its occupation of Afghanistan but continues to pursue its global War on Terror, this is a choice that Americans need to grapple with. In my conversation with Moyn, we discuss everything from Tolstoy’s critique of humane war and the rise of the peace movement to the Obama administration’s role in smashing the geographic and temporal limits of war.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Geographic and temporal limits have typically contained modern wars—rulers can ask their populace to risk lives and treasure for so long before losing legitimacy. But wars have also been horrifyingly unlimited in cruelty. Over the course of the past two decades, American activists and government officials have sought to make war less cruel and more humane. The consequence of this, <a href="https://campuspress.yale.edu/samuelmoyn/">Samuel Moyn</a> argues in his well-reasoned and polemical book <em>Humane: How the United States Abandoned Peace and Reinvented War</em>, has been the elimination of those earlier geographic and temporal guardrails on war. And the evidence isn’t hard to find. The contemporary US military may leave a smaller body count than it did during, say, the Vietnam War, but it has also entered the third decade of a War on Terror across a so-called “global battlefield.” This scope is unprecedented.</p><p><a href="https://bookshop.org/a/12343/9780374173708"><em>Humane: How the United States Abandoned Peace and Reinvented War</em></a> (FSG, 2021) is a book about war and peace, specifically about how Americans have “made a moral choice to prioritize humane war,” rather than a “peaceful globe.” And, as the United States wraps up its occupation of Afghanistan but continues to pursue its global War on Terror, this is a choice that Americans need to grapple with. In my conversation with Moyn, we discuss everything from Tolstoy’s critique of humane war and the rise of the peace movement to the Obama administration’s role in smashing the geographic and temporal limits of war.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3650</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7e76961e-3d58-11ec-b652-1fbfb6aa041c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8798459473.mp3?updated=1636046147" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sima Shakhsari, "Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan" (Duke UP, 2020)</title>
      <description>In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan (Duke UP, 2020), the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disciplined and regulated populations. Analyzing online and off-line ethnography, Shakhsari provides an account of digital citizenship that raises questions about the internet's relationship to political engagement, militarism, and democracy.
Sima Shakhsari is Associate Professor in the Department of Gender, Women &amp; Sexualities Studies at the University of Minnesota. They are interested in transnational feminist theory, transnational sexuality studies, non-Eurocentric queer and transgender studies, Middle East studies, empire, militarism, neoliberal governmentality, biopolitics, digital media, refugees, diasporas, and political anthropology. They earned their PhD in Cultural and Social Anthropology at Stanford University and have held postdoctoral positions at the University of Pennsylvania’s Wolf Humanities Center and the Women’s and Gender Studies Department at the University of Houston. Before joining UMN, they were Assistant Professor of Gender, Sexuality, and Women’s Studies at Wellesley College.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sima Shakhsari</itunes:subtitle>
      <itunes:summary>In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan (Duke UP, 2020), the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disciplined and regulated populations. Analyzing online and off-line ethnography, Shakhsari provides an account of digital citizenship that raises questions about the internet's relationship to political engagement, militarism, and democracy.
Sima Shakhsari is Associate Professor in the Department of Gender, Women &amp; Sexualities Studies at the University of Minnesota. They are interested in transnational feminist theory, transnational sexuality studies, non-Eurocentric queer and transgender studies, Middle East studies, empire, militarism, neoliberal governmentality, biopolitics, digital media, refugees, diasporas, and political anthropology. They earned their PhD in Cultural and Social Anthropology at Stanford University and have held postdoctoral positions at the University of Pennsylvania’s Wolf Humanities Center and the Women’s and Gender Studies Department at the University of Houston. Before joining UMN, they were Assistant Professor of Gender, Sexuality, and Women’s Studies at Wellesley College.
Sohini Chatterjee is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in <a href="https://bookshop.org/a/12343/9781478006657"><em>Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan</em></a><em> </em>(Duke UP, 2020), the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disciplined and regulated populations. Analyzing online and off-line ethnography, Shakhsari provides an account of digital citizenship that raises questions about the internet's relationship to political engagement, militarism, and democracy.</p><p>Sima Shakhsari is Associate Professor in the Department of Gender, Women &amp; Sexualities Studies at the University of Minnesota. They are interested in transnational feminist theory, transnational sexuality studies, non-Eurocentric queer and transgender studies, Middle East studies, empire, militarism, neoliberal governmentality, biopolitics, digital media, refugees, diasporas, and political anthropology. They earned their PhD in Cultural and Social Anthropology at Stanford University and have held postdoctoral positions at the University of Pennsylvania’s Wolf Humanities Center and the Women’s and Gender Studies Department at the University of Houston. Before joining UMN, they were Assistant Professor of Gender, Sexuality, and Women’s Studies at Wellesley College.</p><p><a href="https://in.linkedin.com/in/sohini-chatterjee-763b39110"><em>Sohini Chatterjee</em></a><em> is a PhD Student in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in South Asian Popular Culture and Fat Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3856</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Michelle Téllez, "Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect" (U Arizona Press, 2021)</title>
      <description>Near Tijuana, Baja California, the autonomous community of Maclovio Rojas demonstrates what is possible for urban place-based political movements. More than a community, Maclovio Rojas is a women-led social movement that works for economic and political autonomy to address issues of health, education, housing, nutrition, and security.
Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect (U Arizona Press, 2021) tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography by Michelle Téllez demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor. Téllez shows that in creating the community of Maclovio Rojas, residents have challenged prescriptive notions of nation and belonging. Through women’s active participation and leadership, a women’s political subjectivity has emerged—Maclovianas. These border women both contest and invoke their citizenship as they struggle to have their land rights recognized, and they transform traditional political roles into that of agency and responsibility.
This book highlights the U.S.-Mexico borderlands as a space of resistance, conviviality, agency, and creative community building where transformative politics can take place. It shows hope, struggle, and possibility in the context of gendered violences of racial capitalism on the Mexican side of the U.S.-Mexico border.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michelle Téllez</itunes:subtitle>
      <itunes:summary>Near Tijuana, Baja California, the autonomous community of Maclovio Rojas demonstrates what is possible for urban place-based political movements. More than a community, Maclovio Rojas is a women-led social movement that works for economic and political autonomy to address issues of health, education, housing, nutrition, and security.
Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect (U Arizona Press, 2021) tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography by Michelle Téllez demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor. Téllez shows that in creating the community of Maclovio Rojas, residents have challenged prescriptive notions of nation and belonging. Through women’s active participation and leadership, a women’s political subjectivity has emerged—Maclovianas. These border women both contest and invoke their citizenship as they struggle to have their land rights recognized, and they transform traditional political roles into that of agency and responsibility.
This book highlights the U.S.-Mexico borderlands as a space of resistance, conviviality, agency, and creative community building where transformative politics can take place. It shows hope, struggle, and possibility in the context of gendered violences of racial capitalism on the Mexican side of the U.S.-Mexico border.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Near Tijuana, Baja California, the autonomous community of Maclovio Rojas demonstrates what is possible for urban place-based political movements. More than a community, Maclovio Rojas is a women-led social movement that works for economic and political autonomy to address issues of health, education, housing, nutrition, and security.</p><p><a href="https://bookshop.org/a/12343/9780816542475"><em>Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect</em></a><em> </em>(U Arizona Press, 2021) tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography by Michelle Téllez demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor. Téllez shows that in creating the community of Maclovio Rojas, residents have challenged prescriptive notions of nation and belonging. Through women’s active participation and leadership, a women’s political subjectivity has emerged—Maclovianas. These border women both contest and invoke their citizenship as they struggle to have their land rights recognized, and they transform traditional political roles into that of agency and responsibility.</p><p>This book highlights the U.S.-Mexico borderlands as a space of resistance, conviviality, agency, and creative community building where transformative politics can take place. It shows hope, struggle, and possibility in the context of gendered violences of racial capitalism on the Mexican side of the U.S.-Mexico border.</p><p><a href="https://history.byu.edu/directory/david-james-gonzales"><em>David-James Gonzales</em></a><em> (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3687</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5382433643.mp3?updated=1636043275" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Luke Clements, "Clustered Injustice and The Level Green" (Legal Action Group, 2020)</title>
      <description>In Clustered Injustice and The Level Green (Legal Action Group, 2020), Professor Luke Clements tackles the problem of the way in which "our legal system generates and exacerbates disadvantage." Examining the interconnectedness of disadvantage faced by many minorities - such as people who are homeless, Roma, Gypsies and Travelling people, disabled people, those within the criminal justice system, people who are chronically poor and more - he makes an argument that law segregates individuals' problems into isolated incidences, but rather than solving problems, this segregation exacerbates disadvantage. Injustice is clustered, it is interconnected and law, policy and bureaucracies'  failure to recognise this keeps people in positions of relative disadvantage and limits their opportunities to flourish in their own conception of the good life. 
However, it is not all bad news. building on a wealth of professional experience and theoretical insight, Luke offers a roadmap for reform. He seeks to imagine a better system which would be better not just for those who face disadvantage, but for all members of the community. 
Luke is the Cerebra Professor of Law and Social Justice at the School of Law, Leeds University. He practised as a solicitor between 1981 and 2021 and in that capacity had conduct of a number of cases before the European Commission and Court of Human Rights. In 1996 he was the solicitor who took the first Roma case to reach the Strasbourg Court Buckley v. UK (1996)
Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 08 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>141</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Luke Clements</itunes:subtitle>
      <itunes:summary>In Clustered Injustice and The Level Green (Legal Action Group, 2020), Professor Luke Clements tackles the problem of the way in which "our legal system generates and exacerbates disadvantage." Examining the interconnectedness of disadvantage faced by many minorities - such as people who are homeless, Roma, Gypsies and Travelling people, disabled people, those within the criminal justice system, people who are chronically poor and more - he makes an argument that law segregates individuals' problems into isolated incidences, but rather than solving problems, this segregation exacerbates disadvantage. Injustice is clustered, it is interconnected and law, policy and bureaucracies'  failure to recognise this keeps people in positions of relative disadvantage and limits their opportunities to flourish in their own conception of the good life. 
However, it is not all bad news. building on a wealth of professional experience and theoretical insight, Luke offers a roadmap for reform. He seeks to imagine a better system which would be better not just for those who face disadvantage, but for all members of the community. 
Luke is the Cerebra Professor of Law and Social Justice at the School of Law, Leeds University. He practised as a solicitor between 1981 and 2021 and in that capacity had conduct of a number of cases before the European Commission and Court of Human Rights. In 1996 he was the solicitor who took the first Roma case to reach the Strasbourg Court Buckley v. UK (1996)
Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.lag.org.uk/shop/book-title/208819/clustered-injustice-and-the-level-green"><em>Clustered Injustice and The Level Green</em></a><em> </em>(Legal Action Group, 2020), <a href="https://essl.leeds.ac.uk/law/staff/184/professor-luke-clements">Professor Luke Clements</a> tackles the problem of the way in which "our legal system generates and exacerbates disadvantage." Examining the interconnectedness of disadvantage faced by many minorities - such as people who are homeless, Roma, Gypsies and Travelling people, disabled people, those within the criminal justice system, people who are chronically poor and more - he makes an argument that law segregates individuals' problems into isolated incidences, but rather than solving problems, this segregation exacerbates disadvantage. Injustice is clustered, it is interconnected and law, policy and bureaucracies'  failure to recognise this keeps people in positions of relative disadvantage and limits their opportunities to flourish in their own conception of the good life. </p><p>However, it is not all bad news. building on a wealth of professional experience and theoretical insight, Luke offers a roadmap for reform. He seeks to imagine a better system which would be better not just for those who face disadvantage, but for all members of the community. </p><p><a href="http://www.lukeclements.co.uk/">Luke</a> is the Cerebra Professor of Law and Social Justice at the School of Law, Leeds University. He practised as a solicitor between 1981 and 2021 and in that capacity had conduct of a number of cases before the European Commission and Court of Human Rights. In 1996 he was the solicitor who took the first Roma case to reach the Strasbourg Court <a href="http://www.errc.org/article/the-european-court-of-human-rights-turns-down-the-first-case/1482"><em>Buckley v. UK</em></a> (1996)</p><p><a href="https://twitter.com/janerichardshk?lang=en"><em>Jane Richards</em></a><em> is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4279</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2016903585.mp3?updated=1636034227" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jovan Scott Lewis, "Scammer's Yard: The Crime of Black Repair in Jamaica" (U Minnesota Press, 2020)</title>
      <description>There is romance in stealing from the rich to give to the poor, but how does that change when those perceived rich are elderly white North Americans and the poor are young Black Jamaicans? In this innovative ethnography, Jovan Scott Lewis tells the story of Omar, Junior, and Dwayne. Young and poor, they strive to make a living in Montego Bay, where call centers and tourism are the two main industries in the struggling economy. Their experience of grinding poverty and drastically limited opportunity leads them to conclude that scamming is the best means of gaining wealth and advancement. Otherwise, they are doomed to live in “sufferation”—an inescapable poverty that breeds misery, frustration, and vexation.
In the Jamaican lottery scam run by these men, targets are told they have qualified for a large loan or award if they pay taxes or transfer fees. When the fees are paid, the award never arrives, netting the scammers tens of thousands of U.S. dollars. Through interviews, historical sources, song lyrics, and court testimonies, Lewis examines how these scammers justify their deceit, discovering an ethical narrative that reformulates ideas of crime and transgression and their relationship to race, justice, and debt.
Scammer's Yard: The Crime of Black Repair in Jamaica (U Minnesota Press, 2020) describes how these young men, seeking to overcome inequality and achieve autonomy, come to view crime as a form of liberation. Their logic raises unsettling questions about a world economy that relegates postcolonial populations to deprivation even while expecting them to follow the rules of capitalism that exacerbate their dispossession. In this groundbreaking account, Lewis asks whether true reparation for the legacy of colonialism is to be found only through radical—even criminal—means.
Jovan Scott Lewis is Associate Professor and Chair of Geography at the University of California, Berkeley.
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jovan Scott Lewis</itunes:subtitle>
      <itunes:summary>There is romance in stealing from the rich to give to the poor, but how does that change when those perceived rich are elderly white North Americans and the poor are young Black Jamaicans? In this innovative ethnography, Jovan Scott Lewis tells the story of Omar, Junior, and Dwayne. Young and poor, they strive to make a living in Montego Bay, where call centers and tourism are the two main industries in the struggling economy. Their experience of grinding poverty and drastically limited opportunity leads them to conclude that scamming is the best means of gaining wealth and advancement. Otherwise, they are doomed to live in “sufferation”—an inescapable poverty that breeds misery, frustration, and vexation.
In the Jamaican lottery scam run by these men, targets are told they have qualified for a large loan or award if they pay taxes or transfer fees. When the fees are paid, the award never arrives, netting the scammers tens of thousands of U.S. dollars. Through interviews, historical sources, song lyrics, and court testimonies, Lewis examines how these scammers justify their deceit, discovering an ethical narrative that reformulates ideas of crime and transgression and their relationship to race, justice, and debt.
Scammer's Yard: The Crime of Black Repair in Jamaica (U Minnesota Press, 2020) describes how these young men, seeking to overcome inequality and achieve autonomy, come to view crime as a form of liberation. Their logic raises unsettling questions about a world economy that relegates postcolonial populations to deprivation even while expecting them to follow the rules of capitalism that exacerbate their dispossession. In this groundbreaking account, Lewis asks whether true reparation for the legacy of colonialism is to be found only through radical—even criminal—means.
Jovan Scott Lewis is Associate Professor and Chair of Geography at the University of California, Berkeley.
Alize Arıcan is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There is romance in stealing from the rich to give to the poor, but how does that change when those perceived rich are elderly white North Americans and the poor are young Black Jamaicans? In this innovative ethnography, Jovan Scott Lewis tells the story of Omar, Junior, and Dwayne. Young and poor, they strive to make a living in Montego Bay, where call centers and tourism are the two main industries in the struggling economy. Their experience of grinding poverty and drastically limited opportunity leads them to conclude that scamming is the best means of gaining wealth and advancement. Otherwise, they are doomed to live in “sufferation”—an inescapable poverty that breeds misery, frustration, and vexation.</p><p>In the Jamaican lottery scam run by these men, targets are told they have qualified for a large loan or award if they pay taxes or transfer fees. When the fees are paid, the award never arrives, netting the scammers tens of thousands of U.S. dollars. Through interviews, historical sources, song lyrics, and court testimonies, Lewis examines how these scammers justify their deceit, discovering an ethical narrative that reformulates ideas of crime and transgression and their relationship to race, justice, and debt.</p><p><a href="https://bookshop.org/a/12343/9781517909987"><em>Scammer's Yard: The Crime of Black Repair in Jamaica</em></a> (U Minnesota Press, 2020) describes how these young men, seeking to overcome inequality and achieve autonomy, come to view crime as a form of liberation. Their logic raises unsettling questions about a world economy that relegates postcolonial populations to deprivation even while expecting them to follow the rules of capitalism that exacerbate their dispossession. In this groundbreaking account, Lewis asks whether true reparation for the legacy of colonialism is to be found only through radical—even criminal—means.</p><p>Jovan Scott Lewis is Associate Professor and Chair of Geography at the University of California, Berkeley.</p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is a Postdoctoral Associate at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in </em><a href="https://www.journals.uchicago.edu/doi/10.1086/713112"><em>Current Anthropology</em></a><em>, </em><a href="https://doi.org/10.1111/ciso.12348"><em>City &amp; Society</em></a><em>, </em><a href="https://radicalhousingjournal.org/2020/care-in-tarlabasi-amidst-heightened-inequalities-urban-transformation-and-coronavirus/"><em>Radical Housing Journal</em></a><em>, and </em><a href="https://entanglementsjournal.org/the-ghost-of-karl-marx/"><em>entanglements: experiments in multimodal ethnography</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3419</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d73f04a0-3828-11ec-9a2b-23f7790d9e11]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8809572731.mp3?updated=1635450967" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Habiba Ibrahim, "Black Age: Oceanic Lifespans and the Time of Black Life" (NYU Press, 2021)</title>
      <description>Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression—particularly against Black children— concern the victim “appearing” as a threat. But why and how is the perceived “appearance” of Black persons so completely separated from common perceptions of age and time?
Black Age: Oceanic Lifespans and the Time of Black Life (NYU Press, 2021) posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age—through nearly four centuries of subjugation— has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.

Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when “all the women”—all the canonically feminized adults—“are white”? How does a “slave” become a “man” when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of “human time.”
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>259</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Habiba Ibrahim</itunes:subtitle>
      <itunes:summary>Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression—particularly against Black children— concern the victim “appearing” as a threat. But why and how is the perceived “appearance” of Black persons so completely separated from common perceptions of age and time?
Black Age: Oceanic Lifespans and the Time of Black Life (NYU Press, 2021) posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age—through nearly four centuries of subjugation— has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.

Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when “all the women”—all the canonically feminized adults—“are white”? How does a “slave” become a “man” when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of “human time.”
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression—particularly against Black children— concern the victim “appearing” as a threat. But why and how is the perceived “appearance” of Black persons so completely separated from common perceptions of age and time?</p><p><a href="https://bookshop.org/a/12343/9781479810888"><em>Black Age: Oceanic Lifespans and the Time of Black Life</em></a> (NYU Press, 2021) posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age—through nearly four centuries of subjugation— has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.</p><p><br></p><p>Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when “all the women”—all the canonically feminized adults—“are white”? How does a “slave” become a “man” when adulthood is foreclosed to Black subjects of any gender? <em>Black Age</em> tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of “human time.”</p><p><em>Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3947</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ruby Hamad, "White Tears/Brown Scars: How White Feminism Betrays Women of Color" (Catapult, 2020)</title>
      <description>Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, Ruby Hamad's White Tears/Brown Scars: How White Feminism Betrays Women of Color (Catapult, 2020) is a breakthrough work of history and cultural criticism. The book reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. 
Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of the experiences of women of color. Discussing subjects as varied as The Hunger Games, Alexandria Ocasio–Cortez, the viral BBQ Becky video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront. 
Connect with Ruby Hamad (she/hers) @rubyhamadwriter on Instagram and click here to read Ruby's breakaway opinion piece for The Guardian.
Connect with your host Lee Pierce (they/them) @rhetoriclee on Instagram and Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ruby Hamad</itunes:subtitle>
      <itunes:summary>Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, Ruby Hamad's White Tears/Brown Scars: How White Feminism Betrays Women of Color (Catapult, 2020) is a breakthrough work of history and cultural criticism. The book reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. 
Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of the experiences of women of color. Discussing subjects as varied as The Hunger Games, Alexandria Ocasio–Cortez, the viral BBQ Becky video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront. 
Connect with Ruby Hamad (she/hers) @rubyhamadwriter on Instagram and click here to read Ruby's breakaway opinion piece for The Guardian.
Connect with your host Lee Pierce (they/them) @rhetoriclee on Instagram and Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling <em>How to be an Antiracis</em>t, Ruby Hamad's <a href="https://bookshop.org/a/12343/9781948226745"><em>White Tears/Brown Scars: How White Feminism Betrays Women of Color</em></a> (Catapult, 2020) is a breakthrough work of history and cultural criticism. The book reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. </p><p>Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of the experiences of women of color. Discussing subjects as varied as The Hunger Games, Alexandria Ocasio–Cortez, the viral BBQ Becky video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront. </p><p>Connect with Ruby Hamad (she/hers) @rubyhamadwriter on Instagram and <a href="https://www.theguardian.com/commentisfree/2018/may/08/how-white-women-use-strategic-tears-to-avoid-accountability">click here</a> to read Ruby's breakaway opinion piece for <em>The Guardian.</em></p><p><em>Connect with your host </em><a href="http://leempierce.com/"><em>Lee Pierce</em></a><em> (they/them) @rhetoriclee on Instagram and Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3690</itunes:duration>
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    <item>
      <title>Hsuan L. Hsu, "The Smell of Risk: Environmental Disparities and Olfactory Aesthetics" (NYU Press, 2020)</title>
      <description>Our sense of smell is a uniquely visceral—and personal—form of experience. As Hsuan L. Hsu points out, smell has long been spurned by Western aesthetics as a lesser sense for its qualities of subjectivity, volatility, and materiality. But it is these very qualities that make olfaction a vital tool for sensing and staging environmental risk and inequality. Unlike the other senses, smell extends across space and reaches into our bodies. Hsu traces how writers, artists, and activists have deployed these embodied, biochemical qualities of smell in their efforts to critique and reshape modernity’s olfactory disparities. 
Hsuan L. Hsu's The Smell of Risk: Environmental Disparities and Olfactory Aesthetics (NYU Press, 2020) outlines the many ways that our differentiated atmospheres unevenly distribute environmental risk. Reading everything from nineteenth-century detective fiction and naturalist novels to contemporary performance art and memoir, Hsu takes up modernity’s differentiated atmospheres as a subject worth sniffing out. From the industrial revolution to current-day environmental crises, Hsu uses ecocriticism, geography, and critical race studies to, for example, explore Latinx communities exposed to freeway exhaust and pesticides, Asian diasporic artists’ response to racialized discourse about Asiatic odors, and the devastation settler colonialism has reaped on Indigenous smellscapes. In each instance, Hsu demonstrates the violence that air maintenance, control, and conditioning enacts on the poor and the marginalized. From nineteenth-century miasma theory theory to the synthetic chemicals that pervade twenty-first century air, Hsu takes smell at face value to offer an evocative retelling of urbanization, public health, and environmental violence.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hsuan L. Hsu</itunes:subtitle>
      <itunes:summary>Our sense of smell is a uniquely visceral—and personal—form of experience. As Hsuan L. Hsu points out, smell has long been spurned by Western aesthetics as a lesser sense for its qualities of subjectivity, volatility, and materiality. But it is these very qualities that make olfaction a vital tool for sensing and staging environmental risk and inequality. Unlike the other senses, smell extends across space and reaches into our bodies. Hsu traces how writers, artists, and activists have deployed these embodied, biochemical qualities of smell in their efforts to critique and reshape modernity’s olfactory disparities. 
Hsuan L. Hsu's The Smell of Risk: Environmental Disparities and Olfactory Aesthetics (NYU Press, 2020) outlines the many ways that our differentiated atmospheres unevenly distribute environmental risk. Reading everything from nineteenth-century detective fiction and naturalist novels to contemporary performance art and memoir, Hsu takes up modernity’s differentiated atmospheres as a subject worth sniffing out. From the industrial revolution to current-day environmental crises, Hsu uses ecocriticism, geography, and critical race studies to, for example, explore Latinx communities exposed to freeway exhaust and pesticides, Asian diasporic artists’ response to racialized discourse about Asiatic odors, and the devastation settler colonialism has reaped on Indigenous smellscapes. In each instance, Hsu demonstrates the violence that air maintenance, control, and conditioning enacts on the poor and the marginalized. From nineteenth-century miasma theory theory to the synthetic chemicals that pervade twenty-first century air, Hsu takes smell at face value to offer an evocative retelling of urbanization, public health, and environmental violence.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our sense of smell is a uniquely visceral—and personal—form of experience. As Hsuan L. Hsu points out, smell has long been spurned by Western aesthetics as a lesser sense for its qualities of subjectivity, volatility, and materiality. But it is these very qualities that make olfaction a vital tool for sensing and staging environmental risk and inequality. Unlike the other senses, smell extends across space and reaches into our bodies. Hsu traces how writers, artists, and activists have deployed these embodied, biochemical qualities of smell in their efforts to critique and reshape modernity’s olfactory disparities. </p><p>Hsuan L. Hsu's <a href="https://bookshop.org/a/12343/9781479810093"><em>The Smell of Risk: Environmental Disparities and Olfactory Aesthetics</em></a> (NYU Press, 2020) outlines the many ways that our differentiated atmospheres unevenly distribute environmental risk. Reading everything from nineteenth-century detective fiction and naturalist novels to contemporary performance art and memoir, Hsu takes up modernity’s differentiated atmospheres as a subject worth sniffing out. From the industrial revolution to current-day environmental crises, Hsu uses ecocriticism, geography, and critical race studies to, for example, explore Latinx communities exposed to freeway exhaust and pesticides, Asian diasporic artists’ response to racialized discourse about Asiatic odors, and the devastation settler colonialism has reaped on Indigenous smellscapes. In each instance, Hsu demonstrates the violence that air maintenance, control, and conditioning enacts on the poor and the marginalized. From nineteenth-century miasma theory theory to the synthetic chemicals that pervade twenty-first century air, Hsu takes smell at face value to offer an evocative retelling of urbanization, public health, and environmental violence.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2998</itunes:duration>
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    <item>
      <title>Barbara Grabher, "Doing Gender in Events: Feminist Perspectives in Critical Event Studies" (Routledge, 2021)</title>
      <description>Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events.
Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria.
Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design &amp; Architecture at the University of Johannesburg.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara Grabher</itunes:subtitle>
      <itunes:summary>Exploring the relationship between gender and events, Doing Gender in Events: Feminist Perspectives in Critical Event Studies (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events.
Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria.
Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design &amp; Architecture at the University of Johannesburg.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Exploring the relationship between gender and events, <a href="https://bookshop.org/a/12343/9780367639754"><em>Doing Gender in Events: Feminist Perspectives in Critical Event Studies</em></a> (Routledge, 2021) delivers an ethnographic analysis of the celebration of gender equality in the context of the culture-led event. Drawing upon Critical Event Studies, Anthropology of the Festive, and Gender Studies, it provides a comprehensive understanding of the entangled, conceptual entities of gender and events. Through a gendered analysis of the Hull UK City of Culture 2017, it expands epistemological perspectives relevant to the study of events.</p><p>Dr. Barbara Grabher investigates the intersections of Gender, Urban and Critical Event Studies. She currently works as a postdoctoral researcher in the Institute of Geography and Regional Sciences at the University of Graz, Austria.</p><p><em>Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design &amp; Architecture at the University of Johannesburg.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Daniel Andrés López, "Lukács: Praxis and the Absolute" (Haymarket Books, 2020)</title>
      <description>The Hungarian Marxist philosopher George Lukács has long occupied a complicated place in the Marxist canon of thinkers, both his lived and theoretical practice subject to much critical commentary and debate. While History and Class Consciousness is considered to be a classic of critical sociology, it has also often been held at arms length by Marxists, many of whom find it’s use of Hegelian speculative philosophy unhelpful, while others find the overemphasis on praxis at the expense of other forms of life and inquiry reductive. In spite of these hesitations, the text has maintained a canonical status for a century now, leaving philosophers on the left with a difficult set of questions about how to read it and what to do with it.
Stepping into this difficult terrain is Daniel Andres Lopez with his massive book Lukács: Praxis and the Absolute (Haymarket Books, 2020). Lopez’s work reconstructs Lukács’ thought of the 1920’s by putting it back into it’s tumultuous context, allowing us not only to get a close look at the theory, but it’s purpose in maintaining political, historical and philosophical clarity in a world filled with war, revolution and upheaval. Much like our current moment, Lukács occupied a time where everything seemed possible, but translating the infinite possibilities into concrete realities was a formidable challenge, and would require not only the courage to step into physical danger, but also political confusion. Nothing in this moment was guaranteed, so rigorous philosophical speculation was required, and Lukács stepped in to provide communists with a rigorous theoretical framework.
However, this book goes well beyond simply reconstructing Lukács theoretical output. Rather than be satisfied with writing a straightforward commentary, this book is interested in wrestling with Lukács’ successes as well as his limitations. To that effect, Lopez works through a number of critiques of Lukács, both of others as well as his own. This allows him to explore various other questions on the margins of Lukács’ work about the relation between philosophical theory and political practice, and the role of critical thinking in emancipatory movements. The scope and rigor of the text, as well as the various questions and themes it addresses, will make this an incredible resource not just for newcomers to Lukács, or those seasoned in his thought, but for all those interested in learning how to think, and how to translate that thinking into action.
Published as part of the Historical Materialism book series.
Daniel Andres Lopez is an honorary research associate with the Thesis Eleven Forum for Social and Political Theory. His work has appeared in a number of places, including the journal Historical Materialism. He is an editor at Jacobin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 23 Oct 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>249</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Andrés López</itunes:subtitle>
      <itunes:summary>The Hungarian Marxist philosopher George Lukács has long occupied a complicated place in the Marxist canon of thinkers, both his lived and theoretical practice subject to much critical commentary and debate. While History and Class Consciousness is considered to be a classic of critical sociology, it has also often been held at arms length by Marxists, many of whom find it’s use of Hegelian speculative philosophy unhelpful, while others find the overemphasis on praxis at the expense of other forms of life and inquiry reductive. In spite of these hesitations, the text has maintained a canonical status for a century now, leaving philosophers on the left with a difficult set of questions about how to read it and what to do with it.
Stepping into this difficult terrain is Daniel Andres Lopez with his massive book Lukács: Praxis and the Absolute (Haymarket Books, 2020). Lopez’s work reconstructs Lukács’ thought of the 1920’s by putting it back into it’s tumultuous context, allowing us not only to get a close look at the theory, but it’s purpose in maintaining political, historical and philosophical clarity in a world filled with war, revolution and upheaval. Much like our current moment, Lukács occupied a time where everything seemed possible, but translating the infinite possibilities into concrete realities was a formidable challenge, and would require not only the courage to step into physical danger, but also political confusion. Nothing in this moment was guaranteed, so rigorous philosophical speculation was required, and Lukács stepped in to provide communists with a rigorous theoretical framework.
However, this book goes well beyond simply reconstructing Lukács theoretical output. Rather than be satisfied with writing a straightforward commentary, this book is interested in wrestling with Lukács’ successes as well as his limitations. To that effect, Lopez works through a number of critiques of Lukács, both of others as well as his own. This allows him to explore various other questions on the margins of Lukács’ work about the relation between philosophical theory and political practice, and the role of critical thinking in emancipatory movements. The scope and rigor of the text, as well as the various questions and themes it addresses, will make this an incredible resource not just for newcomers to Lukács, or those seasoned in his thought, but for all those interested in learning how to think, and how to translate that thinking into action.
Published as part of the Historical Materialism book series.
Daniel Andres Lopez is an honorary research associate with the Thesis Eleven Forum for Social and Political Theory. His work has appeared in a number of places, including the journal Historical Materialism. He is an editor at Jacobin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Hungarian Marxist philosopher George Lukács has long occupied a complicated place in the Marxist canon of thinkers, both his lived and theoretical practice subject to much critical commentary and debate. While <em>History and Class Consciousness</em> is considered to be a classic of critical sociology, it has also often been held at arms length by Marxists, many of whom find it’s use of Hegelian speculative philosophy unhelpful, while others find the overemphasis on praxis at the expense of other forms of life and inquiry reductive. In spite of these hesitations, the text has maintained a canonical status for a century now, leaving philosophers on the left with a difficult set of questions about how to read it and what to do with it.</p><p>Stepping into this difficult terrain is Daniel Andres Lopez with his massive book <a href="https://bookshop.org/a/12343/9781642593426"><em>Lukács: Praxis and the Absolute</em></a><em> </em>(Haymarket Books, 2020). Lopez’s work reconstructs Lukács’ thought of the 1920’s by putting it back into it’s tumultuous context, allowing us not only to get a close look at the theory, but it’s purpose in maintaining political, historical and philosophical clarity in a world filled with war, revolution and upheaval. Much like our current moment, Lukács occupied a time where everything seemed possible, but translating the infinite possibilities into concrete realities was a formidable challenge, and would require not only the courage to step into physical danger, but also political confusion. Nothing in this moment was guaranteed, so rigorous philosophical speculation was required, and Lukács stepped in to provide communists with a rigorous theoretical framework.</p><p>However, this book goes well beyond simply reconstructing Lukács theoretical output. Rather than be satisfied with writing a straightforward commentary, this book is interested in wrestling with Lukács’ successes as well as his limitations. To that effect, Lopez works through a number of critiques of Lukács, both of others as well as his own. This allows him to explore various other questions on the margins of Lukács’ work about the relation between philosophical theory and political practice, and the role of critical thinking in emancipatory movements. The scope and rigor of the text, as well as the various questions and themes it addresses, will make this an incredible resource not just for newcomers to Lukács, or those seasoned in his thought, but for all those interested in learning how to think, and how to translate that thinking into action.</p><p>Published as part of the <a href="https://www.haymarketbooks.org/series_collections/1-historical-materialism">Historical Materialism book series</a>.</p><p>Daniel Andres Lopez is an honorary research associate with the Thesis Eleven Forum for Social and Political Theory. His work has appeared in a number of places, including the journal <em>Historical Materialism</em>. He is an editor at <em>Jacobin</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6812</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Adesola Akinleye, "(Re:) Claiming Ballet" (Intellect Books, 2021)</title>
      <description>(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form’s rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.” 
With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance.
For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adesola Akinleye</itunes:subtitle>
      <itunes:summary>(Re:) Claiming Ballet (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form’s rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.” 
With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance.
For her choreographic work, Akinleye has been awarded ADAD Trailblazer, Bonnie Bird, New Choreography Award and One Dance UK Champion Trailblazer. For her work in community dance and education she was awarded Woman of the year in Community Dance by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (FHEA), Royal Society of Arts (RSA). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified Gyrotonic® and Gyrokinesis® instructor.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789383614"><em>(Re:) Claiming Ballet</em></a> (Intellect Books, 2021) by Dr. Adesola Akinleye explores the history of movement through ballet, representation, and the future of dance. Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form’s rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.” </p><p>With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, <em>(Re:) Claiming Ballet</em> will appeal to academics, researchers, and scholars; dance professionals and practitioners; and anyone interested in the intersection of race, class, gender, and dance.</p><p>For her choreographic work, Akinleye has been awarded <em>ADAD Trailblazer</em>, <em>Bonnie Bird</em>, <em>New Choreography Award</em> and <em>One Dance UK Champion Trailblazer</em>. For her work in community dance and education she was awarded <em>Woman of the year in Community Dance</em> by the Town of Islip, New York. She is a Fellow of the Higher Education Academy (<a href="https://www.advance-he.ac.uk/fellowship/fellowship">FHEA</a>), Royal Society of Arts (<a href="https://www.thersa.org/">RSA</a>). She holds a PhD from Canterbury Christ Church University, and MA (distinction) in work-based learning Dance in Community and education (2007), and an MA in Film (distinction) 2020 from Middlesex University. Akinleye is also a certified <a href="https://www.gyrotonic.com/about/gyrotonic-method/">Gyrotonic</a>® and <a href="https://www.gyrotonic.com/about/gyrokinesis-method/">Gyrokinesis</a>® instructor.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1213</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49c1717e-2da8-11ec-a719-3f1c52593d36]]></guid>
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    <item>
      <title>Emma Dowling, "The Care Crisis: What Caused It and How Can We End It?" (Verso, 2021)</title>
      <description>What is the future of care? In The Care Crisis: What Caused It and How Can We End It? (Verso, 2021),  Emma Dowling, an assistant professor at the Department of Sociology, University of Vienna, introduces the extent of the global crisis of care. Drawing on a feminist perspective, the book thinks through the multiple ways that care is rendered invisible in contemporary society, subject to a public storm of privatisation and austerity. The crisis is exacerbated by broader social trends, from the monitoring and exploitation of precarious workers to the individualisation of self-care. Most crucially, the book offers ways to properly value care, democratising and de-financialising this most important part of society. The book is essential reading.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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      <pubDate>Thu, 21 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emma Dowling</itunes:subtitle>
      <itunes:summary>What is the future of care? In The Care Crisis: What Caused It and How Can We End It? (Verso, 2021),  Emma Dowling, an assistant professor at the Department of Sociology, University of Vienna, introduces the extent of the global crisis of care. Drawing on a feminist perspective, the book thinks through the multiple ways that care is rendered invisible in contemporary society, subject to a public storm of privatisation and austerity. The crisis is exacerbated by broader social trends, from the monitoring and exploitation of precarious workers to the individualisation of self-care. Most crucially, the book offers ways to properly value care, democratising and de-financialising this most important part of society. The book is essential reading.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of care? In <a href="https://bookshop.org/a/12343/9781786630346"><em>The Care Crisis: What Caused It and How Can We End It?</em></a><em> </em>(Verso, 2021),<em> </em> <a href="https://ufind.univie.ac.at/en/person.html?id=37333">Emma Dowling</a>, an assistant professor at the Department of Sociology, University of Vienna, introduces the extent of the global crisis of care. Drawing on a feminist perspective, the book thinks through the multiple ways that care is rendered invisible in contemporary society, subject to a public storm of privatisation and austerity. The crisis is exacerbated by broader social trends, from the monitoring and exploitation of precarious workers to the individualisation of self-care. Most crucially, the book offers ways to properly value care, democratising and de-financialising this most important part of society. The book is essential reading.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2263</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3d8a4c80-2d05-11ec-b77c-6b33264eff87]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2175420708.mp3?updated=1634845732" length="0" type="audio/mpeg"/>
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    <item>
      <title>Rebecca L. Stein, "Screen Shots: State Violence on Camera in Israel and Palestine" (Stanford UP, 2021)</title>
      <description>In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots: State Violence on Camera in Israel and Palestine (Stanford UP, 2021) studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down.
Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.
Mathew Gagné in an independent writer, scholar, and educator, currently teaching in the Department of Anthropology at the University of Toronto Mississauga.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rebecca L. Stein</itunes:subtitle>
      <itunes:summary>In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots: State Violence on Camera in Israel and Palestine (Stanford UP, 2021) studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down.
Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.
Mathew Gagné in an independent writer, scholar, and educator, currently teaching in the Department of Anthropology at the University of Toronto Mississauga.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. <a href="https://bookshop.org/a/12343/9781503628021"><em>Screen Shots: State Violence on Camera in Israel and Palestine</em></a><em> </em>(Stanford UP, 2021) studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down.</p><p>Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.</p><p><a href="https://www.mathewgagne.com/"><em>Mathew Gagné</em></a><em> in an independent writer, scholar, and educator, currently teaching in the Department of Anthropology at the University of Toronto Mississauga.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3671</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9599254977.mp3?updated=1634143496" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Fuller, "Investigative Aesthetics: Conflicts and Commons in the Politics of Truth" (Verso, 2021)</title>
      <description>Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power.
Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense.
Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia.
Matthew Fuller is a Professor of Cultural Studies at Goldsmiths, University of London. He is the author of Media Ecologies, and with Andrew Goffey, Evil Media.
Eyal Weizman is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London. He is the author of Hollow Land, The Least of All Possible Evils, and Forensic Architecture: Violence at the Threshold of Detectability.


Forensic Architecture investigation archive.

Investigation: The Bombing of Rafah, 2015

Investigation: The Killing of Mark Duggan, 2020


ICA London exhibiiton.

Investigation: Triple-Chaser, 2019


Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland.


Kanders divests from his arms production holdings.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Fuller</itunes:subtitle>
      <itunes:summary>Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power.
Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense.
Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia.
Matthew Fuller is a Professor of Cultural Studies at Goldsmiths, University of London. He is the author of Media Ecologies, and with Andrew Goffey, Evil Media.
Eyal Weizman is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London. He is the author of Hollow Land, The Least of All Possible Evils, and Forensic Architecture: Violence at the Threshold of Detectability.


Forensic Architecture investigation archive.

Investigation: The Bombing of Rafah, 2015

Investigation: The Killing of Mark Duggan, 2020


ICA London exhibiiton.

Investigation: Triple-Chaser, 2019


Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland.


Kanders divests from his arms production holdings.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, journalists, legal professionals, activists, and artists challenge the state's monopoly on investigation and the production of narratives of truth. They probe corruption, human rights violations, environmental crimes, and technological domination. Organisations such as WikiLeaks, Bellingcat, or Forensic Architecture pore over open-source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what Fuller and Weizman call 'investigative aesthetics': the mobilisation of sensibilities associated with art, architecture, and other such practices in order to challenge power.</p><p><em>Investigative Aesthetics</em> draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense.</p><p>Matthew Fuller and Eyal Weizman speak to Pierre d'Alancaisez about the logics behind Forensic Architecture and the evidentiary turn: the aesthetics of distributed sensing, the investigative commons, and the condition of hyperaesthesia.</p><p>Matthew Fuller is a Professor of Cultural Studies at <a href="https://www.gold.ac.uk/media-communications/staff/m-fuller/">Goldsmiths</a>, University of London. He is the author of <em>Media Ecologies</em>, and with Andrew Goffey, <em>Evil Media</em>.</p><p><a href="https://forensic-architecture.org/about/team/member/eyal-weizman">Eyal Weizman</a> is the founder and director of Forensic Architecture and Professor of Spatial and Visual Cultures at <a href="https://www.gold.ac.uk/visual-cultures/w-eizman/">Goldsmiths</a>, University of London. He is the author of <em>Hollow Land</em>, <em>The Least of All Possible Evils</em>, and<em> Forensic Architecture: Violence at the Threshold of Detectability</em>.</p><ul>
<li>
<a href="https://forensic-architecture.org/">Forensic Architecture</a> investigation archive.</li>
<li>Investigation: <a href="https://forensic-architecture.org/investigation/the-bombing-of-rafah"><em>The Bombing of Rafah</em></a>, 2015</li>
<li>Investigation: <a href="https://forensic-architecture.org/investigation/the-killing-of-mark-duggan"><em>The</em> <em>Killing of Mark</em> <em>Duggan</em></a>, 2020</li>
<li>
<a href="https://www.ica.art/exhibitions/war-inna-babylon">ICA London exhibiiton</a>.</li>
<li>Investigation: <a href="https://forensic-architecture.org/investigation/triple-chaser"><em>Triple-Chaser</em></a>, 2019</li>
<li>
<a href="https://hyperallergic.com/473702/whitney-tear-gas-manufacturer-is-revealed/">Protests surrounding the Whitney Museum's trustee Warren Kanders' involvement with Safariland</a>.</li>
<li>
<a href="https://www.nytimes.com/2020/06/09/arts/design/tear-gas-warren-kanders.html?smid=tw-share">Kanders divests from his arms production holdings</a>.</li>
</ul><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4655</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Catherine Knight Steele, "Digital Black Feminism" (NYU Press, 2021)</title>
      <description>How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>257</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Catherine Knight Steele</itunes:subtitle>
      <itunes:summary>How have Black women lead a digital revolution? In Digital Black Feminism (NYU Press, 2021), Catherine Knight Steele, an assistant professor of communication at the University of Maryland, places digital Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How have Black women lead a digital revolution? In <a href="https://bookshop.org/a/12343/9781479808380"><em>Digital Black Feminism</em></a><em> </em>(NYU Press, 2021), <a href="https://twitter.com/SteeleCat717">Catherine Knight Steele</a>, an <a href="https://www.catherineknightsteele.com/">assistant professor of communication at the University of Maryland,</a> places <em>digital</em> Black feminism within the longer-term context of Black feminism and Black women’s experiences in America. The book considers examples from the Black feminist blogosphere and offers a comparative analysis of early Black feminist pioneers and key contemporary voices. Posing questions as to the dangers of commodification and the limits of the digital sphere, as well as celebrating Black feminist success, the book is essential reading across the humanities and social sciences and for anyone interested in digital life today.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2117</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[915ec2d0-276c-11ec-b556-ebbdcacb6fb2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7444673060.mp3?updated=1633611352" length="0" type="audio/mpeg"/>
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    <item>
      <title>Graham Harman, "Skirmishes: With Friends, Enemies, and Neutrals" (Punctum Books, 2020)</title>
      <description>One of the fifty most influential living philosophers, a “self-promoting charlatan” (Brian Leiter), and the orchestrator of an “online orgy of stupidity” (Ray Brassier). In Skirmishes: With Friends, Enemies, and Neutrals (Punctum Books, 2020), Graham Harman responds with flair and wit to some of his best-known critics and fellow travelers. Pulling no punches, Harman gives a masterclass in philosophical argumentation by dissecting, analyzing, and countering their criticism, be it from the Husserlian, Heideggerian, or Derridean corner. At the same time, Skirmishes provides an excellent introduction to the hottest debates in Speculative Realism and Object-Oriented Ontology, a speculative style of philosophy long foreclosed by the biases of mainstream continental thought, but which has turned in recent years into one of the most encompassing philosophies of our time, with a major impact on the arts, humanities, and architecture.
Part One considers four prominent books on speculative realism. In dialogue with Tom Sparrow’s The End of Phenomenology, Harman expresses agreement with Sparrow’s critique while taking issue with Lee Braver’s “transgressive realism” as not realist enough. Turning to Steven Shaviro’s The Universe of Things, Harman defends his own object-oriented model against Shaviro’s brand of process philosophy, while also engaging in side-debate with Levi R. Bryant’s distinction between virtual proper being and local manifestations. In the third chapter, on Peter Gratton’s Speculative Realism: Problems and Prospects, Harman opposes the author’s attempt to use Derridean notions of time and difference against Speculative Realism, in what amounts to his most extensive engagement with Derrida to date. Chapter Four gives us Harman’s response to Peter Wolfendale’s massive polemic in Object-Oriented Philosophy, which he shows is based on a failed criticism of Harman’s reading of Heidegger and a grumpy commitment to rationalist kitsch.
Part Two responds to a series of briefer criticisms of object-oriented ontology. When Alberto Toscano accuses Harman and Bruno Latour of “neo-monadological” and anti-scientific thinking, Harman responds that the philosophical factors pushing Leibniz into monadology are still valid today. When Christopher Norris mocks Harman for seeing merit in the occasionalist school, he shows why Norris’s middle-of-the-road scientific realism misses the point. In response to Dan Zahavi’s contention that phenomenology has little to learn from speculative realism, Harman exposes the holes in Zahavi’s reasoning. In a final response, Harman gives a point-by-point answer to Stephen Mulhall’s critical foray in the London Review of Books. Amidst these lively debates, Harman sheds new light on what he regards as the central bias of philosophical modernism, which he terms the taxonomical standpoint. It is a book sure to provoke lively controversy among both friends and foes of object-oriented thought.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Graham Harman</itunes:subtitle>
      <itunes:summary>One of the fifty most influential living philosophers, a “self-promoting charlatan” (Brian Leiter), and the orchestrator of an “online orgy of stupidity” (Ray Brassier). In Skirmishes: With Friends, Enemies, and Neutrals (Punctum Books, 2020), Graham Harman responds with flair and wit to some of his best-known critics and fellow travelers. Pulling no punches, Harman gives a masterclass in philosophical argumentation by dissecting, analyzing, and countering their criticism, be it from the Husserlian, Heideggerian, or Derridean corner. At the same time, Skirmishes provides an excellent introduction to the hottest debates in Speculative Realism and Object-Oriented Ontology, a speculative style of philosophy long foreclosed by the biases of mainstream continental thought, but which has turned in recent years into one of the most encompassing philosophies of our time, with a major impact on the arts, humanities, and architecture.
Part One considers four prominent books on speculative realism. In dialogue with Tom Sparrow’s The End of Phenomenology, Harman expresses agreement with Sparrow’s critique while taking issue with Lee Braver’s “transgressive realism” as not realist enough. Turning to Steven Shaviro’s The Universe of Things, Harman defends his own object-oriented model against Shaviro’s brand of process philosophy, while also engaging in side-debate with Levi R. Bryant’s distinction between virtual proper being and local manifestations. In the third chapter, on Peter Gratton’s Speculative Realism: Problems and Prospects, Harman opposes the author’s attempt to use Derridean notions of time and difference against Speculative Realism, in what amounts to his most extensive engagement with Derrida to date. Chapter Four gives us Harman’s response to Peter Wolfendale’s massive polemic in Object-Oriented Philosophy, which he shows is based on a failed criticism of Harman’s reading of Heidegger and a grumpy commitment to rationalist kitsch.
Part Two responds to a series of briefer criticisms of object-oriented ontology. When Alberto Toscano accuses Harman and Bruno Latour of “neo-monadological” and anti-scientific thinking, Harman responds that the philosophical factors pushing Leibniz into monadology are still valid today. When Christopher Norris mocks Harman for seeing merit in the occasionalist school, he shows why Norris’s middle-of-the-road scientific realism misses the point. In response to Dan Zahavi’s contention that phenomenology has little to learn from speculative realism, Harman exposes the holes in Zahavi’s reasoning. In a final response, Harman gives a point-by-point answer to Stephen Mulhall’s critical foray in the London Review of Books. Amidst these lively debates, Harman sheds new light on what he regards as the central bias of philosophical modernism, which he terms the taxonomical standpoint. It is a book sure to provoke lively controversy among both friends and foes of object-oriented thought.
Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the fifty most influential living philosophers, a “self-promoting charlatan” (Brian Leiter), and the orchestrator of an “online orgy of stupidity” (Ray Brassier). In<em> </em><a href="https://bookshop.org/a/12343/9781953035202"><em>Skirmishes: With Friends, Enemies, and Neutrals</em></a><em> </em>(Punctum Books, 2020), Graham Harman responds with flair and wit to some of his best-known critics and fellow travelers. Pulling no punches, Harman gives a masterclass in philosophical argumentation by dissecting, analyzing, and countering their criticism, be it from the Husserlian, Heideggerian, or Derridean corner. At the same time, <em>Skirmishes</em> provides an excellent introduction to the hottest debates in Speculative Realism and Object-Oriented Ontology, a speculative style of philosophy long foreclosed by the biases of mainstream continental thought, but which has turned in recent years into one of the most encompassing philosophies of our time, with a major impact on the arts, humanities, and architecture.</p><p>Part One considers four prominent books on speculative realism. In dialogue with Tom Sparrow’s <em>The End of Phenomenology,</em> Harman expresses agreement with Sparrow’s critique while taking issue with Lee Braver’s “transgressive realism” as not realist enough. Turning to Steven Shaviro’s<em> The Universe of Things,</em> Harman defends his own object-oriented model against Shaviro’s brand of process philosophy, while also engaging in side-debate with Levi R. Bryant’s distinction between virtual proper being and local manifestations. In the third chapter, on Peter Gratton’s <em>Speculative Realism: Problems and Prospects,</em> Harman opposes the author’s attempt to use Derridean notions of time and difference against Speculative Realism, in what amounts to his most extensive engagement with Derrida to date. Chapter Four gives us Harman’s response to Peter Wolfendale’s massive polemic in <em>Object-Oriented Philosophy,</em> which he shows is based on a failed criticism of Harman’s reading of Heidegger and a grumpy commitment to rationalist <em>kitsch</em>.</p><p>Part Two responds to a series of briefer criticisms of object-oriented ontology. When Alberto Toscano accuses Harman and Bruno Latour of “neo-monadological” and anti-scientific thinking, Harman responds that the philosophical factors pushing Leibniz into monadology are still valid today. When Christopher Norris mocks Harman for seeing merit in the occasionalist school, he shows why Norris’s middle-of-the-road scientific realism misses the point. In response to Dan Zahavi’s contention that phenomenology has little to learn from speculative realism, Harman exposes the holes in Zahavi’s reasoning. In a final response, Harman gives a point-by-point answer to Stephen Mulhall’s critical foray in the<em> London Review of Books.</em> Amidst these lively debates, Harman sheds new light on what he regards as the central bias of philosophical modernism, which he terms the taxonomical standpoint. It is a book sure to provoke lively controversy among both friends and foes of object-oriented thought.</p><p><em>Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”.</em> <em>For more about his work, see www.adambobeck.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3873</itunes:duration>
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    </item>
    <item>
      <title>Peter Mitchell, "Imperial Nostalgia: How the British Conquered Themselves" (Manchester UP, 2020)</title>
      <description>With Imperial Nostalgia: How the British Conquered Themselves (Manchester UP, 2020) Peter Mitchell offers a “history of the present”. That is to say, it is not a narrative of how we got to where we are, but rather a sustained reflection on how history shapes and interacts with our current world. Mitchell also engages the uses history for contemporary political purposes. Mitchell argues that memories of empire are at the root almost every aspect of Britain’s culture wars. From battles over statues to skirmishes within hallowed Oxbridge halls he argues that imperial nostalgia infects British politics.
Dr. Mitchell earned his doctorate at Queen Mary, University of London in 2014. His dissertation was on the India Office records and the historiography of the early modern British Empire. In addition to Imperial Nostalgia, he is the co-author of Ruling the World: Freedom, Civilization and Liberalism in the Nineteenth Century British Empire with Alan Lester and Kate Boehme also with Cambridge University Press, 2021. Peter Mitchell is currently an Oral History and Public Engagement Officer with the University of Manchester working on “NHS: Voices of Covid-19” (funded by the AHRC and in partnership with the British Library Oral History Archive).
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1085</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Mitchell</itunes:subtitle>
      <itunes:summary>With Imperial Nostalgia: How the British Conquered Themselves (Manchester UP, 2020) Peter Mitchell offers a “history of the present”. That is to say, it is not a narrative of how we got to where we are, but rather a sustained reflection on how history shapes and interacts with our current world. Mitchell also engages the uses history for contemporary political purposes. Mitchell argues that memories of empire are at the root almost every aspect of Britain’s culture wars. From battles over statues to skirmishes within hallowed Oxbridge halls he argues that imperial nostalgia infects British politics.
Dr. Mitchell earned his doctorate at Queen Mary, University of London in 2014. His dissertation was on the India Office records and the historiography of the early modern British Empire. In addition to Imperial Nostalgia, he is the co-author of Ruling the World: Freedom, Civilization and Liberalism in the Nineteenth Century British Empire with Alan Lester and Kate Boehme also with Cambridge University Press, 2021. Peter Mitchell is currently an Oral History and Public Engagement Officer with the University of Manchester working on “NHS: Voices of Covid-19” (funded by the AHRC and in partnership with the British Library Oral History Archive).
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With <a href="https://bookshop.org/a/12343/9781526146205"><em>Imperial Nostalgia: How the British Conquered Themselves</em></a> (Manchester UP, 2020) Peter Mitchell offers a “history of the present”. That is to say, it is not a narrative of how we got to where we are, but rather a sustained reflection on how history shapes and interacts with our current world. Mitchell also engages the uses history for contemporary political purposes. Mitchell argues that memories of empire are at the root almost every aspect of Britain’s culture wars. From battles over statues to skirmishes within hallowed Oxbridge halls he argues that imperial nostalgia infects British politics.</p><p>Dr. Mitchell earned his doctorate at Queen Mary, University of London in 2014. His dissertation was on the India Office records and the historiography of the early modern British Empire. In addition to <em>Imperial Nostalgia</em>, he is the co-author of <em>Ruling the World: Freedom, Civilization and Liberalism in the Nineteenth Century British Empire</em> with Alan Lester and Kate Boehme also with Cambridge University Press, 2021. Peter Mitchell is currently an Oral History and Public Engagement Officer with the University of Manchester working on “NHS: Voices of Covid-19” (funded by the AHRC and in partnership with the British Library Oral History Archive).</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4946</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[24d8fd72-26ce-11ec-8ab6-ab92ce2f73ad]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2595193154.mp3?updated=1633542930" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erica R. Edwards, "The Other Side of Terror: Black Women and the Culture of US Empire" (NYU Press, 2021)</title>
      <description>Dr. Erica R. Edwards's The Other Side of Terror: Black Women and the Culture of US Empire (New York University, 2021) reveals the troubling intimacy between Black women and the making of US global power. 
The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 14 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>256</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erica R. Edwards</itunes:subtitle>
      <itunes:summary>Dr. Erica R. Edwards's The Other Side of Terror: Black Women and the Culture of US Empire (New York University, 2021) reveals the troubling intimacy between Black women and the making of US global power. 
The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Erica R. Edwards's <a href="https://bookshop.org/a/12343/9781479808434"><em>The Other Side of Terror: Black Women and the Culture of US Empire</em></a><em> </em>(New York University, 2021) reveals the troubling intimacy between Black women and the making of US global power. </p><p>The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.</p><p><em>Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelledmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3577</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Michelle Caswell, "Urgent Archives: Enacting Liberatory Memory Work" (Routledge, 2021)</title>
      <description>Today I talked to Michelle Caswell about her new book Urgent Archives: Enacting Liberatory Memory Work (Routledge, 2021).
What is the place of archives in our society? In archival studies, an answer to this question often presents an idea of linear, progressive temporality. A common trope goes: We learn history to have a better future. That is why history, and archives as a site of historical evidence, is important. In her thoughtful, groundbreaking work, a feminist archival studies scholar Caswell challenges the white imaginary of linear, progressive time embedded in our conception of archives. Pointing out how community archives from different ethnic communities across the US present cyclical temporalities where oppressions repeat, Caswell emphasizes the importance of activating the archives for their liberatory potential in the present. Over a year has passed since the murder of George Floyd and the beginning of the global pandemic that has highlighted not only structural inequality, but also an ongoing material and symbolic annihilation of Black Americans. As Michelle Caswell argues in her book, imagining liberatory memory work is an urgent project that needs to happen in the now.
In the introduction, Caswell begins with the question of the liberatory potential of community archives. Chapter 1 outlines the cyclical conception of time in critique of chronoviolence of white, dominant linear temporality. In chapter 2, Caswell draws from four focus groups to show how different ethnic groups use community archives to address repetitive oppressions by constructing corollary records. Chapter 3 focuses on her work with the South Asian American Digital Archives (SAADA) and the road to discovering the importance of liberatory activation. In Chapter 4, Caswell pushes back against the idea of archivists as passive technicians and repositions them as liberatory memory workers. In the conclusion, Liberation Now! Caswell emphasizes the need to disrupt the dominant narrative on future by embracing the joy of advocacy in the present. Urgent Archives will be an excellent resource for anyone who is interested in critically re-evaluating archives in academia and beyond.
In the interview, Caswell recommends following two readings to the listeners:
SAADA. Our Stories: An Introduction to South Asian America. Philadelphia: SAADA, 2021.
"The Chronopolitics of Racial Time," Time &amp; Society, Special Issue: The Social Life of Time, 29, no. 2 (May 2020): 297-317. 
Michelle Caswell is an Associate Professor in the Department of Information Studies at the University of California, Los Angeles, and the co-founder of the South Asian American Digital Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1087</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michelle Caswell</itunes:subtitle>
      <itunes:summary>Today I talked to Michelle Caswell about her new book Urgent Archives: Enacting Liberatory Memory Work (Routledge, 2021).
What is the place of archives in our society? In archival studies, an answer to this question often presents an idea of linear, progressive temporality. A common trope goes: We learn history to have a better future. That is why history, and archives as a site of historical evidence, is important. In her thoughtful, groundbreaking work, a feminist archival studies scholar Caswell challenges the white imaginary of linear, progressive time embedded in our conception of archives. Pointing out how community archives from different ethnic communities across the US present cyclical temporalities where oppressions repeat, Caswell emphasizes the importance of activating the archives for their liberatory potential in the present. Over a year has passed since the murder of George Floyd and the beginning of the global pandemic that has highlighted not only structural inequality, but also an ongoing material and symbolic annihilation of Black Americans. As Michelle Caswell argues in her book, imagining liberatory memory work is an urgent project that needs to happen in the now.
In the introduction, Caswell begins with the question of the liberatory potential of community archives. Chapter 1 outlines the cyclical conception of time in critique of chronoviolence of white, dominant linear temporality. In chapter 2, Caswell draws from four focus groups to show how different ethnic groups use community archives to address repetitive oppressions by constructing corollary records. Chapter 3 focuses on her work with the South Asian American Digital Archives (SAADA) and the road to discovering the importance of liberatory activation. In Chapter 4, Caswell pushes back against the idea of archivists as passive technicians and repositions them as liberatory memory workers. In the conclusion, Liberation Now! Caswell emphasizes the need to disrupt the dominant narrative on future by embracing the joy of advocacy in the present. Urgent Archives will be an excellent resource for anyone who is interested in critically re-evaluating archives in academia and beyond.
In the interview, Caswell recommends following two readings to the listeners:
SAADA. Our Stories: An Introduction to South Asian America. Philadelphia: SAADA, 2021.
"The Chronopolitics of Racial Time," Time &amp; Society, Special Issue: The Social Life of Time, 29, no. 2 (May 2020): 297-317. 
Michelle Caswell is an Associate Professor in the Department of Information Studies at the University of California, Los Angeles, and the co-founder of the South Asian American Digital Archive.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Michelle Caswell about her new book <a href="https://bookshop.org/a/12343/9780367427276"><em>Urgent Archives: Enacting Liberatory Memory Work</em></a> (Routledge, 2021).</p><p>What is the place of archives in our society? In archival studies, an answer to this question often presents an idea of linear, progressive temporality. A common trope goes: <em>We learn history to have a better future. That is why history, and archives as a site of historical evidence, is important. </em>In her thoughtful, groundbreaking work, a feminist archival studies scholar Caswell challenges the white imaginary of linear, progressive time embedded in our conception of archives. Pointing out how community archives from different ethnic communities across the US present cyclical temporalities where oppressions repeat, Caswell emphasizes the importance of activating the archives for their liberatory potential <em>in the present. </em>Over a year has passed since the murder of George Floyd and the beginning of the global pandemic that has highlighted not only structural inequality, but also an ongoing material and symbolic annihilation of Black Americans. As Michelle Caswell argues in her book, imagining liberatory memory work is an urgent project that needs to happen <em>in the now.</em></p><p>In the introduction, Caswell begins with the question of the liberatory potential of community archives. Chapter 1 outlines the cyclical conception of time in critique of chronoviolence of white, dominant linear temporality. In chapter 2, Caswell draws from four focus groups to show how different ethnic groups use community archives to address repetitive oppressions by constructing corollary records. Chapter 3 focuses on her work with the South Asian American Digital Archives (SAADA) and the road to discovering the importance of liberatory activation. In Chapter 4, Caswell pushes back against the idea of archivists as passive technicians and repositions them as liberatory memory workers. In the conclusion, <em>Liberation Now!</em> Caswell emphasizes the need to disrupt the dominant narrative on future by embracing the joy of advocacy in the present. <em>Urgent Archives </em>will be an excellent resource for anyone who is interested in critically re-evaluating archives in academia and beyond.</p><p>In the interview, Caswell recommends following two readings to the listeners:</p><p>SAADA. <em>Our Stories: An Introduction to South Asian America</em>. Philadelphia: SAADA, 2021.</p><p>"The Chronopolitics of Racial Time," <em>Time &amp; Society</em>, Special Issue: The Social Life of Time, 29, no. 2 (May 2020): 297-317. </p><p>Michelle Caswell is an Associate Professor in the Department of Information Studies at the University of California, Los Angeles, and the co-founder of the South Asian American Digital Archive.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3347</itunes:duration>
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      <title>Alana Jelinek, "Between Discipline and a Hard Place: The Value of Contemporary Art" (Bloomsbury, 2020)</title>
      <description>Some fields have an easier time describing themselves than others. "History is the study of past events." "Biology is the study of living organisms." But art? Is art a discipline? Is it a practice? Who gets to answer this most fundamental of questions, and why do we prefer not to try? Between Discipline and a Hard Place, written from the perspective of a practising artist, proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is.
Between Discipline and a Hard Place is a passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world.
Alana Jelinek speaks to Pierre d'Alancaisez about a disciplined and disciplinary approach to thinking about art and its value outside the current preoccupation with economic considerations and the great potential of interdisciplinary working.
Alana Jelinek is an artist and a researcher at the University of Hertfordshire.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alana Jelinek</itunes:subtitle>
      <itunes:summary>Some fields have an easier time describing themselves than others. "History is the study of past events." "Biology is the study of living organisms." But art? Is art a discipline? Is it a practice? Who gets to answer this most fundamental of questions, and why do we prefer not to try? Between Discipline and a Hard Place, written from the perspective of a practising artist, proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is.
Between Discipline and a Hard Place is a passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world.
Alana Jelinek speaks to Pierre d'Alancaisez about a disciplined and disciplinary approach to thinking about art and its value outside the current preoccupation with economic considerations and the great potential of interdisciplinary working.
Alana Jelinek is an artist and a researcher at the University of Hertfordshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Some fields have an easier time describing themselves than others. "History is the study of past events." "Biology is the study of living organisms." But art? Is art a discipline? Is it a practice? Who gets to answer this most fundamental of questions, and why do we prefer not to try? <em>Between Discipline and a Hard Place</em>, written from the perspective of a practising artist, proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is.</p><p><em>Between Discipline and a Hard Place</em> is a passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world.</p><p>Alana Jelinek speaks to Pierre d'Alancaisez about a disciplined and disciplinary approach to thinking about art and its value outside the current preoccupation with economic considerations and the great potential of interdisciplinary working.</p><p><a href="https://alanajelinek.com/">Alana Jelinek</a> is an artist and a researcher at the University of Hertfordshire.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3434</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b5a1b1a4-253f-11ec-9126-2f768eb2c1f1]]></guid>
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      <title>Terence Renaud, "New Lefts: The Making of a Radical Tradition" (Princeton UP, 2021)</title>
      <description>In the 1960s, the radical youth of Western Europe’s New Left rebelled against the democratic welfare state and their parents’ antiquated politics of reform. It was not the first time an upstart leftist movement was built on the ruins of the old. New Lefts: The Making of a Radical Tradition (Princeton University Press, 2021) traces the history of neoleftism from its antifascist roots in the first half of the twentieth century, to its postwar reconstruction in the 1950s, to its explosive reinvention by the 1960s counterculture. Terence Renaud demonstrates why the left in Europe underwent a series of internal revolts against the organizational forms of established parties and unions. He describes how small groups of militant youth such as New Beginning in Germany tried to sustain grassroots movements without reproducing the bureaucratic, hierarchical, and supposedly obsolete structures of Social Democracy and Communism. Neoleftist militants experimented with alternative modes of organization such as councils, assemblies, and action committees. However, Renaud reveals that these same militants, decades later, often came to defend the very institutions they had opposed in their youth. Providing vital historical perspective on the challenges confronting leftists today, this book tells the story of generations of antifascists, left socialists, and anti-authoritarians who tried to build radical democratic alternatives to capitalism and kindle hope in reactionary times.
Mathias Fuelling is a doctoral candidate in History at Temple University, working on a political history of Czechoslovakia in the immediate post-WWII years. He can be found on Twitter at https://twitter.com/bucephalus424
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      <pubDate>Wed, 13 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Terence Ranaud</itunes:subtitle>
      <itunes:summary>In the 1960s, the radical youth of Western Europe’s New Left rebelled against the democratic welfare state and their parents’ antiquated politics of reform. It was not the first time an upstart leftist movement was built on the ruins of the old. New Lefts: The Making of a Radical Tradition (Princeton University Press, 2021) traces the history of neoleftism from its antifascist roots in the first half of the twentieth century, to its postwar reconstruction in the 1950s, to its explosive reinvention by the 1960s counterculture. Terence Renaud demonstrates why the left in Europe underwent a series of internal revolts against the organizational forms of established parties and unions. He describes how small groups of militant youth such as New Beginning in Germany tried to sustain grassroots movements without reproducing the bureaucratic, hierarchical, and supposedly obsolete structures of Social Democracy and Communism. Neoleftist militants experimented with alternative modes of organization such as councils, assemblies, and action committees. However, Renaud reveals that these same militants, decades later, often came to defend the very institutions they had opposed in their youth. Providing vital historical perspective on the challenges confronting leftists today, this book tells the story of generations of antifascists, left socialists, and anti-authoritarians who tried to build radical democratic alternatives to capitalism and kindle hope in reactionary times.
Mathias Fuelling is a doctoral candidate in History at Temple University, working on a political history of Czechoslovakia in the immediate post-WWII years. He can be found on Twitter at https://twitter.com/bucephalus424
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the 1960s, the radical youth of Western Europe’s New Left rebelled against the democratic welfare state and their parents’ antiquated politics of reform. It was not the first time an upstart leftist movement was built on the ruins of the old. <a href="https://bookshop.org/a/12343/9780691220819"><em>New Lefts: The Making of a Radical Tradition</em></a> (Princeton University Press, 2021) traces the history of neoleftism from its antifascist roots in the first half of the twentieth century, to its postwar reconstruction in the 1950s, to its explosive reinvention by the 1960s counterculture. Terence Renaud demonstrates why the left in Europe underwent a series of internal revolts against the organizational forms of established parties and unions. He describes how small groups of militant youth such as New Beginning in Germany tried to sustain grassroots movements without reproducing the bureaucratic, hierarchical, and supposedly obsolete structures of Social Democracy and Communism. Neoleftist militants experimented with alternative modes of organization such as councils, assemblies, and action committees. However, Renaud reveals that these same militants, decades later, often came to defend the very institutions they had opposed in their youth. Providing vital historical perspective on the challenges confronting leftists today, this book tells the story of generations of antifascists, left socialists, and anti-authoritarians who tried to build radical democratic alternatives to capitalism and kindle hope in reactionary times.</p><p><em>Mathias Fuelling is a doctoral candidate in History at Temple University, working on a political history of Czechoslovakia in the immediate post-WWII years. He can be found on Twitter at </em><a href="https://twitter.com/bucephalus424"><em>https://twitter.com/bucephalus424</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4232</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Christopher Phelps and Robin Vandome, "Marxism and America: New Appraisals" (Manchester UP, 2021)</title>
      <description>If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New Appraisals (Manchester University Press, 2021) sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle.
I was joined for this interview by editors Christopher Phelps and Robin Vandome (both University of Nottingham), and contributors Mara Keire (Oxford University) and Andrew Hartman (Illinois State University). 
We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you enjoy our conversation as much as we enjoyed recording it!
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher Phelps, Robin Vandome, Mara Keire, and Andrew Hartman</itunes:subtitle>
      <itunes:summary>If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New Appraisals (Manchester University Press, 2021) sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle.
I was joined for this interview by editors Christopher Phelps and Robin Vandome (both University of Nottingham), and contributors Mara Keire (Oxford University) and Andrew Hartman (Illinois State University). 
We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you enjoy our conversation as much as we enjoyed recording it!
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? <em>Marxism and America: New Appraisals </em>(Manchester University Press, 2021)<em> </em>sheds new light on that question in essays engaging sexuality, gender, race, nationalism, class, memory, and much more, from the Civil War era through to 21st century cultures of activism. This book is an invaluable resource for historians and theorists of US political struggle.</p><p>I was joined for this interview by editors <a href="https://www.nottingham.ac.uk/clas/departments/american/people/christopher.phelps">Christopher Phelps</a> and <a href="https://www.nottingham.ac.uk/CLAS/people/robin.vandome">Robin Vandome</a> (both University of Nottingham), and contributors <a href="https://www.history.ox.ac.uk/people/dr-mara-keire#/">Mara Keire</a> (Oxford University) and <a href="https://history.illinoisstate.edu/faculty_staff/profile.php?ulid=ahartma">Andrew Hartman</a> (Illinois State University). </p><p>We discussed the impetus behind the book and its broader scholarly context, before turning to Mara's chapter ("Class, commodity, consumption: theorizing sexual violence during the feminist sex wars of the 1980s") and finally Andrew's chapter ("Rethinking Karl Marx: American liberalism from the New Deal to the Cold War"). We hope you enjoy our conversation as much as we enjoyed recording it!</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by </em><a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a><em> or on </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Teun Voeten, "Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty" (2020)</title>
      <description>With an estimated 250,000 people killed in 15 years, the Mexican drug war is the most violent conflict in the Western world. It shows no sign of abating. In Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty (2020), Dr Teun A. Voeten analyzes the dynamics of the violence. He argues it is a new type of war called hybrid warfare: multidimensional, elusive and unpredictable, fought at different levels, with different intensities with multiple goals. The war ISIS has declared against the West is another example of hybrid warfare.
Voeten interprets drug cartels as ultra-capitalist predatory corporations thriving in a neoliberal, globalized economy. They use similar branding and marketing strategies as legitimate business. He also looks at the anthropological, individual level and explains how people can become killers. Voeten compares Mexican sicarios, West African child soldiers and Western jihadis and sees the same logic of cruelty that facilitates perpetrating 'inhumane' acts that are in fact very human.
Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Teun Voeten</itunes:subtitle>
      <itunes:summary>With an estimated 250,000 people killed in 15 years, the Mexican drug war is the most violent conflict in the Western world. It shows no sign of abating. In Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty (2020), Dr Teun A. Voeten analyzes the dynamics of the violence. He argues it is a new type of war called hybrid warfare: multidimensional, elusive and unpredictable, fought at different levels, with different intensities with multiple goals. The war ISIS has declared against the West is another example of hybrid warfare.
Voeten interprets drug cartels as ultra-capitalist predatory corporations thriving in a neoliberal, globalized economy. They use similar branding and marketing strategies as legitimate business. He also looks at the anthropological, individual level and explains how people can become killers. Voeten compares Mexican sicarios, West African child soldiers and Western jihadis and sees the same logic of cruelty that facilitates perpetrating 'inhumane' acts that are in fact very human.
Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With an estimated 250,000 people killed in 15 years, the Mexican drug war is the most violent conflict in the Western world. It shows no sign of abating. In <a href="https://bookshop.org/a/12343/9781664134157"><em>Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty</em></a> (2020), Dr Teun A. Voeten analyzes the dynamics of the violence. He argues it is a new type of war called hybrid warfare: multidimensional, elusive and unpredictable, fought at different levels, with different intensities with multiple goals. The war ISIS has declared against the West is another example of hybrid warfare.</p><p>Voeten interprets drug cartels as ultra-capitalist predatory corporations thriving in a neoliberal, globalized economy. They use similar branding and marketing strategies as legitimate business. He also looks at the anthropological, individual level and explains how people can become killers. Voeten compares Mexican sicarios, West African child soldiers and Western jihadis and sees the same logic of cruelty that facilitates perpetrating 'inhumane' acts that are in fact very human.</p><p><em>Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2552</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sheldon George and Derek Hook, "Lacan and Race: Racism, Identity, and Psychoanalytic Theory" (Routledge, 2021)</title>
      <description>Derek Hook and Sheldon George's Lacan and Race: Racism, Identity and Psychoanalysis (Routledge, 2021) is a path-breaking edited volume that draws upon Lacanian psychoanalytic theory to examine the conscious and unconscious forces underlying race as a social formation. In my conversation with Derek and Sheldon, touching on the main themes of the volume, we explore the problems with popular psychological conceptualisations of racism, the promises and pitfalls of bringing Lacanian concepts like jouissance to bear on historical phenomena, and the possibility of a Lacanian anti-racist politics. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Derek Hook and Sheldon George's Lacan and Race: Racism, Identity and Psychoanalysis (Routledge, 2021) is a path-breaking edited volume that draws upon Lacanian psychoanalytic theory to examine the conscious and unconscious forces underlying race as a social formation. In my conversation with Derek and Sheldon, touching on the main themes of the volume, we explore the problems with popular psychological conceptualisations of racism, the promises and pitfalls of bringing Lacanian concepts like jouissance to bear on historical phenomena, and the possibility of a Lacanian anti-racist politics. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Derek Hook and Sheldon George's <a href="https://bookshop.org/a/12343/9780367345976"><em>Lacan and Race: Racism, Identity and Psychoanalysis</em></a> (Routledge, 2021) is a path-breaking edited volume that draws upon Lacanian psychoanalytic theory to examine the conscious and unconscious forces underlying race as a social formation. In my conversation with Derek and Sheldon, touching on the main themes of the volume, we explore the problems with popular psychological conceptualisations of racism, the promises and pitfalls of bringing Lacanian concepts like jouissance to bear on historical phenomena, and the possibility of a Lacanian anti-racist politics. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4669</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[561ec9ba-2157-11ec-9cd6-03e7c9bcadb4]]></guid>
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      <title>Working Class History Collective, "Working Class History: Everyday Acts of Resistance &amp; Rebellion" (PM Press, 2020)</title>
      <description>Personally, I hate the This-Day-in-History genre. Far too often it is some Great-Man-History trope, representing a rather archaic way of thinking about history. However, I love the social media accounts of Working Class History. For the past few years, this anonymous collective have been using FaceBook, Twitter, and Instagram to tell the stories of strikes, anti-fascist resistance, and profiles of people who tried to create a better world. One of the things I love about the project is that it is not narrowly “class based”, in that World Class History engages feminism, LBGTQ+ liberation, and a range of liberation movements. If many of the vignettes are tragic as there are far too many martyrs for social justice, they are always inspirational. Working Class History reminds us that we are not alone in our diverse struggles against the hegemonic power of capital and the forces of reaction.
Today I’m speaking with John of Working Class History, a member of this collective of activists. While none of the group are professional historians, they have published a book: Working Class History: Everyday Acts of Resistance and Rebellion with a forward by Noam Chomsky, published by PM Press in 2020. You can follow the work of this anonymous collective on all the major social media platforms.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1081</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John of the Working Class History Collective</itunes:subtitle>
      <itunes:summary>Personally, I hate the This-Day-in-History genre. Far too often it is some Great-Man-History trope, representing a rather archaic way of thinking about history. However, I love the social media accounts of Working Class History. For the past few years, this anonymous collective have been using FaceBook, Twitter, and Instagram to tell the stories of strikes, anti-fascist resistance, and profiles of people who tried to create a better world. One of the things I love about the project is that it is not narrowly “class based”, in that World Class History engages feminism, LBGTQ+ liberation, and a range of liberation movements. If many of the vignettes are tragic as there are far too many martyrs for social justice, they are always inspirational. Working Class History reminds us that we are not alone in our diverse struggles against the hegemonic power of capital and the forces of reaction.
Today I’m speaking with John of Working Class History, a member of this collective of activists. While none of the group are professional historians, they have published a book: Working Class History: Everyday Acts of Resistance and Rebellion with a forward by Noam Chomsky, published by PM Press in 2020. You can follow the work of this anonymous collective on all the major social media platforms.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Personally, I hate the This-Day-in-History genre. Far too often it is some Great-Man-History trope, representing a rather archaic way of thinking about history. However, I love the social media accounts of Working Class History. For the past few years, this anonymous collective have been using FaceBook, Twitter, and Instagram to tell the stories of strikes, anti-fascist resistance, and profiles of people who tried to create a better world. One of the things I love about the project is that it is not narrowly “class based”, in that World Class History engages feminism, LBGTQ+ liberation, and a range of liberation movements. If many of the vignettes are tragic as there are far too many martyrs for social justice, they are always inspirational. Working Class History reminds us that we are not alone in our diverse struggles against the hegemonic power of capital and the forces of reaction.</p><p>Today I’m speaking with John of Working Class History, a member of this collective of activists. While none of the group are professional historians, they have published a book: <a href="https://bookshop.org/a/12343/9781629638232"><em>Working Class History: Everyday Acts of Resistance and Rebellion</em></a><em> </em>with a forward by Noam Chomsky, published by PM Press in 2020. You can follow the work of this anonymous collective on all the major social media platforms.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4643</itunes:duration>
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    <item>
      <title>Ted Stolze, "Becoming Marxist: Studies in Philosophy, Struggle, and Endurance" (Haymarket, 2020)</title>
      <description>Marxism is having a moment; higher workloads, stagnating wages, rising costs of living, a new economic crisis every few years, a warming climate and now almost two years of a worldwide pandemic have all led to a number of people across the world, especially younger people, to self-identify with ideas once thought to be in the dustbin of history. But while people may find Marx’s theories helpful for understanding what’s happening, turning these interpretations into sustained commitments is another thing. What’s more, Marx’s works often turn out to be less definitive than is often imagined, giving us rigorous methods of inquiry that we then need to develop and adapt to other fields. Being a Marxist then is not simply about adopting a particular series of propositions, but a way of interpreting and engaging with the world.
This is one of the animating ideas for my guest today, Ted Stolze, here to discuss his essay collection Becoming Marxist: Studies in Philosophy, Struggle, and Endurance (Haymarket Books, 2020). While Marx occupies a central place throughout the essays, readers will find engagements with a variety of figures, going back as far as Aristotle or the Apostle Paul, all the way up to the present with essays on Zizek and Deleuze. In between these poles are studies of Hobbes, Spinoza, Hegel and many other early modern thinkers. Throughout the essays, Stolze puts Marxist practice in dialogue with philosophy and vice-versa, showing us how political struggle demands philosophical inquiry, not simply for the purpose of political and tactical clarity, but for the same reasons people have turned to philosophy for several millennia now. Socrates famously said the unexamined life is not worth living, kicking off an entire tradition of self-examination. It’s this tradition Stolze believes activists and organizers ought to draw on today to better understand what it might mean to become Marxist.
Published as part of the Historical Materialism book series.
Ted Stolze holds an M.A. in religion and a PhD in philosophy. He is an associate professor of philosophy at Cerritos College. He is the coeditor of The New Spinoza and has published numerous articles on philosophy, politics and religion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 07 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>246</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ted Stolze</itunes:subtitle>
      <itunes:summary>Marxism is having a moment; higher workloads, stagnating wages, rising costs of living, a new economic crisis every few years, a warming climate and now almost two years of a worldwide pandemic have all led to a number of people across the world, especially younger people, to self-identify with ideas once thought to be in the dustbin of history. But while people may find Marx’s theories helpful for understanding what’s happening, turning these interpretations into sustained commitments is another thing. What’s more, Marx’s works often turn out to be less definitive than is often imagined, giving us rigorous methods of inquiry that we then need to develop and adapt to other fields. Being a Marxist then is not simply about adopting a particular series of propositions, but a way of interpreting and engaging with the world.
This is one of the animating ideas for my guest today, Ted Stolze, here to discuss his essay collection Becoming Marxist: Studies in Philosophy, Struggle, and Endurance (Haymarket Books, 2020). While Marx occupies a central place throughout the essays, readers will find engagements with a variety of figures, going back as far as Aristotle or the Apostle Paul, all the way up to the present with essays on Zizek and Deleuze. In between these poles are studies of Hobbes, Spinoza, Hegel and many other early modern thinkers. Throughout the essays, Stolze puts Marxist practice in dialogue with philosophy and vice-versa, showing us how political struggle demands philosophical inquiry, not simply for the purpose of political and tactical clarity, but for the same reasons people have turned to philosophy for several millennia now. Socrates famously said the unexamined life is not worth living, kicking off an entire tradition of self-examination. It’s this tradition Stolze believes activists and organizers ought to draw on today to better understand what it might mean to become Marxist.
Published as part of the Historical Materialism book series.
Ted Stolze holds an M.A. in religion and a PhD in philosophy. He is an associate professor of philosophy at Cerritos College. He is the coeditor of The New Spinoza and has published numerous articles on philosophy, politics and religion.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marxism is having a moment; higher workloads, stagnating wages, rising costs of living, a new economic crisis every few years, a warming climate and now almost two years of a worldwide pandemic have all led to a number of people across the world, especially younger people, to self-identify with ideas once thought to be in the dustbin of history. But while people may find Marx’s theories helpful for understanding what’s happening, turning these interpretations into sustained commitments is another thing. What’s more, Marx’s works often turn out to be less definitive than is often imagined, giving us rigorous methods of inquiry that we then need to develop and adapt to other fields. Being a Marxist then is not simply about adopting a particular series of propositions, but a way of interpreting and engaging with the world.</p><p>This is one of the animating ideas for my guest today, Ted Stolze, here to discuss his essay collection <a href="https://bookshop.org/a/12343/9781642591897"><em>Becoming Marxist: Studies in Philosophy, Struggle, and Endurance</em></a> (Haymarket Books, 2020). While Marx occupies a central place throughout the essays, readers will find engagements with a variety of figures, going back as far as Aristotle or the Apostle Paul, all the way up to the present with essays on Zizek and Deleuze. In between these poles are studies of Hobbes, Spinoza, Hegel and many other early modern thinkers. Throughout the essays, Stolze puts Marxist practice in dialogue with philosophy and vice-versa, showing us how political struggle demands philosophical inquiry, not simply for the purpose of political and tactical clarity, but for the same reasons people have turned to philosophy for several millennia now. Socrates famously said the unexamined life is not worth living, kicking off an entire tradition of self-examination. It’s this tradition Stolze believes activists and organizers ought to draw on today to better understand what it might mean to become Marxist.</p><p>Published as part of the <a href="https://www.haymarketbooks.org/series_collections/1-historical-materialism">Historical Materialism book series</a>.</p><p>Ted Stolze holds an M.A. in religion and a PhD in philosophy. He is an associate professor of philosophy at Cerritos College. He is the coeditor of <em>The New Spinoza</em> and has published numerous articles on philosophy, politics and religion.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5253</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Milton Santos, "The Nature of Space" (Duke UP, 2021)</title>
      <description>﻿The Nature of Space (Duke UP, 2021) is a translation (by Brenda Baletti﻿) of pioneering geographer Milton Santos' A Natureza do Espaço, originally published in Brazil in 1996. The book offers a theory of human space based on relationships between time and ontology, producing a system of ideas that can catalyze a descriptive and interpretive system of geography. Santos argues that when geographers consider the inseparability of time and space, they can then transcend fragmented realities and partial truths without trying to philosophize or theorize their way around them. Based on these premises, The Nature of Space seeks to examine the role of space, defined as indissoluble systems of objects and systems of actions in social processes, and provide a geographic contribution to the production of a critical social theory
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brenda Baletti</itunes:subtitle>
      <itunes:summary>﻿The Nature of Space (Duke UP, 2021) is a translation (by Brenda Baletti﻿) of pioneering geographer Milton Santos' A Natureza do Espaço, originally published in Brazil in 1996. The book offers a theory of human space based on relationships between time and ontology, producing a system of ideas that can catalyze a descriptive and interpretive system of geography. Santos argues that when geographers consider the inseparability of time and space, they can then transcend fragmented realities and partial truths without trying to philosophize or theorize their way around them. Based on these premises, The Nature of Space seeks to examine the role of space, defined as indissoluble systems of objects and systems of actions in social processes, and provide a geographic contribution to the production of a critical social theory
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.dukeupress.edu/the-nature-of-space"><em>﻿The Nature of Space</em></a> (Duke UP, 2021) is a translation (by Brenda Baletti﻿) of pioneering geographer Milton Santos' <em>A Natureza do Espaço</em>, originally published in Brazil in 1996. The book offers a theory of human space based on relationships between time and ontology, producing a system of ideas that can catalyze a descriptive and interpretive system of geography. Santos argues that when geographers consider the inseparability of time and space, they can then transcend fragmented realities and partial truths without trying to philosophize or theorize their way around them. Based on these premises, <em>The Nature of Space</em> seeks to examine the role of space, defined as indissoluble systems of objects and systems of actions in social processes, and provide a geographic contribution to the production of a critical social theory</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2460</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a8a0ee8-209e-11ec-bf60-d7c086f283ee]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5675293955.mp3?updated=1632862704" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Henning Trüper, "Orientalism, Philology, and the Illegibility of the Modern World" (Bloomsbury, 2020)</title>
      <description>At the turn of the nineteenth century, European philologists were engaged in the study of Semitic languages and Indology, breaking with the past in many ways. To understand this period, Henning Trüper argues for the importance of a broad-ranging investigation into the production of scholarly knowledge, focusing especially on Semitic Orientalism, as a way to understand the deep epistemological crisis facing the field. 
In Orientalism, Philology, and the Illegibility of the Modern World (Bloomsbury Academic Press 2020), he argues that nineteenth century philologists, in their efforts to establish the explication of linguistic meanings as scientific, prioritized certain semantic language games over others, in particular referential ones. Exploring the tensions which arise between “philology of the real” (Realphilologie) and “philology of words” (Wortphilologie) Trüper uncovers the patchwork of methods which philologists employed in an attempt to construct a universal science—concluding that these practices have reverberating implications for the humanities even in the twentieth century and beyond.
Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>100</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Henning Trüper</itunes:subtitle>
      <itunes:summary>At the turn of the nineteenth century, European philologists were engaged in the study of Semitic languages and Indology, breaking with the past in many ways. To understand this period, Henning Trüper argues for the importance of a broad-ranging investigation into the production of scholarly knowledge, focusing especially on Semitic Orientalism, as a way to understand the deep epistemological crisis facing the field. 
In Orientalism, Philology, and the Illegibility of the Modern World (Bloomsbury Academic Press 2020), he argues that nineteenth century philologists, in their efforts to establish the explication of linguistic meanings as scientific, prioritized certain semantic language games over others, in particular referential ones. Exploring the tensions which arise between “philology of the real” (Realphilologie) and “philology of words” (Wortphilologie) Trüper uncovers the patchwork of methods which philologists employed in an attempt to construct a universal science—concluding that these practices have reverberating implications for the humanities even in the twentieth century and beyond.
Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At the turn of the nineteenth century, European philologists were engaged in the study of Semitic languages and Indology, breaking with the past in many ways. To understand this period, Henning Trüper argues for the importance of a broad-ranging investigation into the production of scholarly knowledge, focusing especially on Semitic Orientalism, as a way to understand the deep epistemological crisis facing the field. </p><p>In <a href="https://bookshop.org/a/12343/9781350246782"><em>Orientalism, Philology, and the Illegibility of the Modern World</em></a><em> </em>(Bloomsbury Academic Press 2020), he argues that nineteenth century philologists, in their efforts to establish the explication of linguistic meanings as scientific, prioritized certain semantic language games over others, in particular referential ones. Exploring the tensions which arise between “philology of the real” (<em>Realphilologie</em>) and “philology of words” (<em>Wortphilologie</em>) Trüper uncovers the patchwork of methods which philologists employed in an attempt to construct a universal science—concluding that these practices have reverberating implications for the humanities even in the twentieth century and beyond.</p><p><em>Malcolm Keating is Assistant Professor of Philosophy at </em><a href="http://www.yale-nus.edu.sg/"><em>Yale-NUS College</em></a><em>. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of </em><a href="https://www.bloomsbury.com/uk/language-meaning-and-use-in-indian-philosophy-9781350060760/"><em>Language, Meaning, and Use in Indian Philosophy</em></a><em> (Bloomsbury Press, 2019) and host of the podcast </em><a href="http://www.sutrasandstuff.com/"><em>Sutras (and stuff)</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4181</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lorenzo Veracini, "The World Turned Inside Out: Settler Colonialism As a Political Idea" (Verso, 2021)</title>
      <description>Many would rather change worlds than change the world. The settlement of communities in 'empty lands' somewhere else has often been proposed as a solution to growing contradictions. While the lands were never empty, sometimes these communities failed miserably, and sometimes they prospered and grew until they became entire countries. 
Building on a growing body of transnational and interdisciplinary research on the political imaginaries of settler colonialism as a specific mode of domination, Lorenzo Veracini's The World Turned Inside Out: Settler Colonialism As a Political Idea (Verso, 2021) uncovers and critiques an autonomous, influential, and coherent political tradition - a tradition still relevant today. It follows the ideas and the projects (and the failures) of those who left or planned to leave growing and chaotic cities and challenging and confusing new economic circumstances, those who wanted to protect endangered nationalities, and those who intended to pre-empt forthcoming revolutions of all sorts, including civil and social wars. They displaced, and moved to other islands and continents, beyond the settled regions, to rural districts and to secluded suburbs, to communes and intentional communities, and to cyberspace. This book outlines the global history of a resilient political idea: to seek change somewhere else as an alternative to embracing (or resisting) transformation where one is.
Lorenzo Veracini teaches history and politics at Swinburne University of Technology, Melbourne. He has authored Israel and Settler Society, Settler Colonialism, The Settler Colonial Present (2015), and co-edited The Routledge Handbook of the History of Settler Colonialism. He is Founding Editor of Settler Colonial Studies
Thomas Kingston is currently a Huayu Enrichment Scholar, studying Mandarin Chinese at National Taiwan University, as he finds himself in post MPhil and pre PhD limbo. He holds an MA in Pacific Asian Studies from SOAS, University of London and an MPhil in Philosophy from Renmin University of China. His research interests focus on the political and intellectual histories of nationalism(s), imaginaries and colonialism in the East and Southeast Asian context. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lorenzo Veracini</itunes:subtitle>
      <itunes:summary>Many would rather change worlds than change the world. The settlement of communities in 'empty lands' somewhere else has often been proposed as a solution to growing contradictions. While the lands were never empty, sometimes these communities failed miserably, and sometimes they prospered and grew until they became entire countries. 
Building on a growing body of transnational and interdisciplinary research on the political imaginaries of settler colonialism as a specific mode of domination, Lorenzo Veracini's The World Turned Inside Out: Settler Colonialism As a Political Idea (Verso, 2021) uncovers and critiques an autonomous, influential, and coherent political tradition - a tradition still relevant today. It follows the ideas and the projects (and the failures) of those who left or planned to leave growing and chaotic cities and challenging and confusing new economic circumstances, those who wanted to protect endangered nationalities, and those who intended to pre-empt forthcoming revolutions of all sorts, including civil and social wars. They displaced, and moved to other islands and continents, beyond the settled regions, to rural districts and to secluded suburbs, to communes and intentional communities, and to cyberspace. This book outlines the global history of a resilient political idea: to seek change somewhere else as an alternative to embracing (or resisting) transformation where one is.
Lorenzo Veracini teaches history and politics at Swinburne University of Technology, Melbourne. He has authored Israel and Settler Society, Settler Colonialism, The Settler Colonial Present (2015), and co-edited The Routledge Handbook of the History of Settler Colonialism. He is Founding Editor of Settler Colonial Studies
Thomas Kingston is currently a Huayu Enrichment Scholar, studying Mandarin Chinese at National Taiwan University, as he finds himself in post MPhil and pre PhD limbo. He holds an MA in Pacific Asian Studies from SOAS, University of London and an MPhil in Philosophy from Renmin University of China. His research interests focus on the political and intellectual histories of nationalism(s), imaginaries and colonialism in the East and Southeast Asian context. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Many would rather change worlds than change the world. The settlement of communities in 'empty lands' somewhere else has often been proposed as a solution to growing contradictions. While the lands were never empty, sometimes these communities failed miserably, and sometimes they prospered and grew until they became entire countries. </p><p>Building on a growing body of transnational and interdisciplinary research on the political imaginaries of settler colonialism as a specific mode of domination, Lorenzo Veracini's <a href="https://bookshop.org/a/12343/9781839763823"><em>The World Turned Inside Out: Settler Colonialism As a Political Idea</em></a> (Verso, 2021) uncovers and critiques an autonomous, influential, and coherent political tradition - a tradition still relevant today. It follows the ideas and the projects (and the failures) of those who left or planned to leave growing and chaotic cities and challenging and confusing new economic circumstances, those who wanted to protect endangered nationalities, and those who intended to pre-empt forthcoming revolutions of all sorts, including civil and social wars. They displaced, and moved to other islands and continents, beyond the settled regions, to rural districts and to secluded suburbs, to communes and intentional communities, and to cyberspace. This book outlines the global history of a resilient political idea: to seek change somewhere else as an alternative to embracing (or resisting) transformation where one is.</p><p><a href="https://www.swinburne.edu.au/research/our-research/access-our-research/find-a-researcher-or-supervisor/researcher-profile/?id=lveracini">Lorenzo Veracini</a> teaches history and politics at Swinburne University of Technology, Melbourne. He has authored <em>Israel and Settler Society</em>, <em>Settler Colonialism</em>, <em>The Settler Colonial Present</em> (2015), and co-edited <em>The</em> <em>Routledge Handbook of the History of Settler Colonialism</em>. He is Founding Editor of <em>Settler Colonial Studies</em></p><p><a href="http://www.thomasekingston.com/"><em>Thomas Kingston</em></a><em> is currently a Huayu Enrichment Scholar, studying Mandarin Chinese at National Taiwan University, as he finds himself in post MPhil and pre PhD limbo. He holds an MA in Pacific Asian Studies from SOAS, University of London and an MPhil in Philosophy from Renmin University of China. His research interests focus on the political and intellectual histories of nationalism(s), imaginaries and colonialism in the East and Southeast Asian context. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Hannah Turner, "Cataloguing Culture: Legacies of Colonialism in Museum Documentation" (UBC Press, 2020)</title>
      <description>How does colonialism still shape museums today? In Cataloguing Culture: Legacies of Colonialism in Museum Documentation (UBC Press, 2020), Hannah Turner, an assistant professor in the School of Information at the University of British Columbia, reveals the complex history of cataloguing museum collections. Using a case study of The Smithsonian, the book details the material practices that underpin the contested collections of the National Museum of Natural History. Turner’s research charts the early uses of ledgers and record books, through the use of drawings, card catalogues, and typed records, to computerisation of the collections’ records. The analysis has important implications for contemporary debates over repatriation of collections, and the book is powerful illustration of the importance of understanding the long shadow of colonial practices and knowledges on the contemporary institution. Cataloguing Culture is essential reading for practitioners and academics, as well as for anyone interested in the past, and the future, of museums.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
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      <pubDate>Tue, 05 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>245</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hannah Turner</itunes:subtitle>
      <itunes:summary>How does colonialism still shape museums today? In Cataloguing Culture: Legacies of Colonialism in Museum Documentation (UBC Press, 2020), Hannah Turner, an assistant professor in the School of Information at the University of British Columbia, reveals the complex history of cataloguing museum collections. Using a case study of The Smithsonian, the book details the material practices that underpin the contested collections of the National Museum of Natural History. Turner’s research charts the early uses of ledgers and record books, through the use of drawings, card catalogues, and typed records, to computerisation of the collections’ records. The analysis has important implications for contemporary debates over repatriation of collections, and the book is powerful illustration of the importance of understanding the long shadow of colonial practices and knowledges on the contemporary institution. Cataloguing Culture is essential reading for practitioners and academics, as well as for anyone interested in the past, and the future, of museums.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does colonialism still shape museums today? In <a href="https://bookshop.org/a/12343/9780774863926"><em>Cataloguing Culture: Legacies of Colonialism in Museum Documentation</em></a> (UBC Press, 2020), <a href="https://twitter.com/hannahtrnr">Hannah Turner</a>, an <a href="https://hannahtrnr.com/">assistant professor</a> in the <a href="https://slais.ubc.ca/profile/hannah-turner/">School of Information at the University of British Columbia</a>, reveals the complex history of cataloguing museum collections. Using a case study of The Smithsonian, the book details the material practices that underpin the contested collections of the National Museum of Natural History. Turner’s research charts the early uses of ledgers and record books, through the use of drawings, card catalogues, and typed records, to computerisation of the collections’ records. The analysis has important implications for contemporary debates over repatriation of collections, and the book is powerful illustration of the importance of understanding the long shadow of colonial practices and knowledges on the contemporary institution. <em>Cataloguing Culture</em> is essential reading for practitioners and academics, as well as for anyone interested in the past, and the future, of museums.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2500</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dea0d38a-1fd3-11ec-a9fa-17843713bb88]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4200065914.mp3?updated=1632776385" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jason Ānanda Josephson Storm, "Metamodernism: The Future of Theory" (U Chicago Press, 2021)</title>
      <description>For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.
Metamodernism: The Future of Theory (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication.
Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.
Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>244</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jason Ānanda Josephson Storm</itunes:subtitle>
      <itunes:summary>For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.
Metamodernism: The Future of Theory (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication.
Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.
Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ānanda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.</p><p><a href="https://bookshop.org/a/12343/9780226786650"><em>Metamodernism: The Future of Theory</em></a> (U Chicago Press, 2021) works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication.</p><p>Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.</p><p><a href="https://nehu.academia.edu/TiatemsuLongkumer?from_navbar=true"><em>Tiatemsu Longkumer</em></a><em> is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4652</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5694499101.mp3?updated=1632578289" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Preiss, "Just Work for All: The American Dream in the 21st Century" (Taylor &amp; Francis, 2020)</title>
      <description>This is a book about the American Dream: how to understand this central principle of American public philosophy, the ways in which it is threatened by a number of winner-take-all economic trends, and how to make it a reality for workers and their families in the 21st century. Integrating political philosophy and the history of political thought with recent work in economics, political science, and sociology, Joshua Preiss' book Just Work for All: The American Dream in the 21st Century (Taylor &amp; Francis, 2020) calls for renewed political and policy commitment to "just work."
Such a commitment is essential to combat the negative moral externalities of an economy where the fruits of growth are increasingly claimed by a relatively small portion of the population: slower growth, rising inequality, declining absolute mobility, dying communities, the erosion of social solidarity, lack of faith in political leaders and institutions, exploding debt, ethnic and nationalist backlash, widespread hopelessness, and the rapid rise in what economists Angus Deaton and Anne Case call deaths of despair.
Covid-19 threatens to pour gasoline on these winner-take-all fires, further concentrating economic and political power in the hands of those best suited to withstand (and even profit from) the pandemic-driven economic crisis. In this book, the author provides a model for understanding the American Dream and making it a reality in a post-Covid-19 economy.
A tour de force, this book is essential reading for scholars and researchers of political philosophy, political economy, political theory, and economics, as well as for the layperson trying to make sense of the post-pandemic world.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Joshua Preiss</itunes:subtitle>
      <itunes:summary>This is a book about the American Dream: how to understand this central principle of American public philosophy, the ways in which it is threatened by a number of winner-take-all economic trends, and how to make it a reality for workers and their families in the 21st century. Integrating political philosophy and the history of political thought with recent work in economics, political science, and sociology, Joshua Preiss' book Just Work for All: The American Dream in the 21st Century (Taylor &amp; Francis, 2020) calls for renewed political and policy commitment to "just work."
Such a commitment is essential to combat the negative moral externalities of an economy where the fruits of growth are increasingly claimed by a relatively small portion of the population: slower growth, rising inequality, declining absolute mobility, dying communities, the erosion of social solidarity, lack of faith in political leaders and institutions, exploding debt, ethnic and nationalist backlash, widespread hopelessness, and the rapid rise in what economists Angus Deaton and Anne Case call deaths of despair.
Covid-19 threatens to pour gasoline on these winner-take-all fires, further concentrating economic and political power in the hands of those best suited to withstand (and even profit from) the pandemic-driven economic crisis. In this book, the author provides a model for understanding the American Dream and making it a reality in a post-Covid-19 economy.
A tour de force, this book is essential reading for scholars and researchers of political philosophy, political economy, political theory, and economics, as well as for the layperson trying to make sense of the post-pandemic world.
Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is a book about the American Dream: how to understand this central principle of American public philosophy, the ways in which it is threatened by a number of winner-take-all economic trends, and how to make it a reality for workers and their families in the 21st century. Integrating political philosophy and the history of political thought with recent work in economics, political science, and sociology, Joshua Preiss' book <a href="https://bookshop.org/a/12343/9780367640507"><em>Just Work for All: The American Dream in the 21st Century</em></a> (Taylor &amp; Francis, 2020) calls for renewed political and policy commitment to "just work."</p><p>Such a commitment is essential to combat the negative moral externalities of an economy where the fruits of growth are increasingly claimed by a relatively small portion of the population: slower growth, rising inequality, declining absolute mobility, dying communities, the erosion of social solidarity, lack of faith in political leaders and institutions, exploding debt, ethnic and nationalist backlash, widespread hopelessness, and the rapid rise in what economists Angus Deaton and Anne Case call deaths of despair.</p><p>Covid-19 threatens to pour gasoline on these winner-take-all fires, further concentrating economic and political power in the hands of those best suited to withstand (and even profit from) the pandemic-driven economic crisis. In this book, the author provides a model for understanding the American Dream and making it a reality in a post-Covid-19 economy.</p><p>A tour de force, this book is essential reading for scholars and researchers of political philosophy, political economy, political theory, and economics, as well as for the layperson trying to make sense of the post-pandemic world.</p><p><em>Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3923</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3873907206.mp3?updated=1632417192" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Linda Steele, "Disability, Criminal Justice and Law: Reconsidering Court Diversion" (Routledge, 2020)</title>
      <description>With a focus on the court diversion of disabled people, Disability, Criminal Justice and Law: Reconsidering Court Diversion (Routledge 2020) undertakes a theoretical and empirical examination of how law is complicit in debilitating disabled people. In our post-institutionalisation era, diversion of disabled people from the court process is often assumed to be humane, therapeutic and socially just. However, in this work, Dr. Linda Steele draws on Foucauldian theory of biopolitics, critical legal and political theory, and critical disability theory to show that court diversion perpetuates oppression against disabled people. She shows how criminal law and mental health systems are complicit in the coercion and control of disabled bodies, of whom may not even be convicted. The normative function of court diversion is to reinforce boundaries which are at the core of jurisdiction, legal personhood and sovereignty. Steele critiques the United Nations Convention on the Rights of Persons with Disabilities to show that it does not deal with the complexities of court diversion, suggesting that the CRPD is of limited use in its abilities to challenge carceral control and legal and settler colonial violence. 
Dr. Linda Steele is a Senior Lecturer in Law at the University of Technology, Sydney. She researches the intersections of disability, law and social justice. Prior to a career in academia, Dr. Steele was a solicitor with the Intellectual Disability Rights Service.
﻿Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK.  
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Linda Steele</itunes:subtitle>
      <itunes:summary>With a focus on the court diversion of disabled people, Disability, Criminal Justice and Law: Reconsidering Court Diversion (Routledge 2020) undertakes a theoretical and empirical examination of how law is complicit in debilitating disabled people. In our post-institutionalisation era, diversion of disabled people from the court process is often assumed to be humane, therapeutic and socially just. However, in this work, Dr. Linda Steele draws on Foucauldian theory of biopolitics, critical legal and political theory, and critical disability theory to show that court diversion perpetuates oppression against disabled people. She shows how criminal law and mental health systems are complicit in the coercion and control of disabled bodies, of whom may not even be convicted. The normative function of court diversion is to reinforce boundaries which are at the core of jurisdiction, legal personhood and sovereignty. Steele critiques the United Nations Convention on the Rights of Persons with Disabilities to show that it does not deal with the complexities of court diversion, suggesting that the CRPD is of limited use in its abilities to challenge carceral control and legal and settler colonial violence. 
Dr. Linda Steele is a Senior Lecturer in Law at the University of Technology, Sydney. She researches the intersections of disability, law and social justice. Prior to a career in academia, Dr. Steele was a solicitor with the Intellectual Disability Rights Service.
﻿Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK.  
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With a focus on the court diversion of disabled people, <a href="https://www.routledge.com/Disability-Criminal-Justice-and-Law-Reconsidering-Court-Diversion/Steele/p/book/9780815375265"><em>Disability, Criminal Justice and Law: Reconsidering Court Diversion</em></a><em> </em>(Routledge 2020)<em> </em>undertakes a theoretical and empirical examination of how law is complicit in debilitating disabled people. In our post-institutionalisation era, diversion of disabled people from the court process is often assumed to be humane, therapeutic and socially just. However, in this work, Dr. Linda Steele draws on Foucauldian theory of biopolitics, critical legal and political theory, and critical disability theory to show that court diversion perpetuates oppression against disabled people. She shows how criminal law and mental health systems are complicit in the coercion and control of disabled bodies, of whom may not even be convicted. The normative function of court diversion is to reinforce boundaries which are at the core of jurisdiction, legal personhood and sovereignty. Steele critiques the United Nations Convention on the Rights of Persons with Disabilities to show that it does not deal with the complexities of court diversion, suggesting that the CRPD is of limited use in its abilities to challenge carceral control and legal and settler colonial violence. </p><p><a href="https://profiles.uts.edu.au/Linda.Steele">Dr. Linda Steele</a> is a Senior Lecturer in Law at the University of Technology, Sydney. She researches the intersections of disability, law and social justice. Prior to a career in academia, Dr. Steele was a solicitor with the Intellectual Disability Rights Service.</p><p><em>﻿</em><a href="https://twitter.com/janerichardshk?lang=en"><em>Jane Richards</em></a><em> is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK.</em>  </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3953</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[85813084-1bb8-11ec-b126-07329a8a396c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6760123471.mp3?updated=1632324467" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Erin Y. Huang, "Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility" (Duke UP, 2020)</title>
      <description>Erin Y. Huang’s Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility (Duke UP, 2020) is an expansive and ambitious book that explores the affective territory of “neoliberal post-socialist China” as it manifests in contemporary Chinese (language) cinema. Pushing beyond the geographic boundaries of the PRC and the confines of art cinema, Huang’s book reads the post-socialist condition as it manifests in Hong Kong, Taiwan, and across a variety of film genres. The term urban horror, derived from Engels’ writings on the industrial factory and theoretically developed in Huang’s book in conversation with Merleau-Ponty, Lefebvre, and Rancière, defines a “sociopolitical public affect that exceeds comprehension.” This affect, Huang argues, reappears in Chinese cinemas within and beyond the People’s Republic. 
In so doing, urban horror rehearses potential revolutionary dissent and resistance in the era of neoliberal post-socialism as it unfolds spaces beyond familiar post-socialist locales. As she works to address the changing grounds of China’s contemporary sociopolitical aesthetics, Huang considers the shifting meanings of the image as it travels between various genres and media materialities, including the intriguing “feminist blockbuster” and immersive cinema experiences. In the following interview, we discuss the questions that frame Huang’s inquiry and delve into the chapters that make up the body of her book. Readers and listeners should look forward not only to hearing about Huang’s elegant theoretical framing, but also to the compelling and lively close readings that showcase her argument across an exciting spectrum of Chinese media products.
Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Sep 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Erin Y. Huang</itunes:subtitle>
      <itunes:summary>Erin Y. Huang’s Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility (Duke UP, 2020) is an expansive and ambitious book that explores the affective territory of “neoliberal post-socialist China” as it manifests in contemporary Chinese (language) cinema. Pushing beyond the geographic boundaries of the PRC and the confines of art cinema, Huang’s book reads the post-socialist condition as it manifests in Hong Kong, Taiwan, and across a variety of film genres. The term urban horror, derived from Engels’ writings on the industrial factory and theoretically developed in Huang’s book in conversation with Merleau-Ponty, Lefebvre, and Rancière, defines a “sociopolitical public affect that exceeds comprehension.” This affect, Huang argues, reappears in Chinese cinemas within and beyond the People’s Republic. 
In so doing, urban horror rehearses potential revolutionary dissent and resistance in the era of neoliberal post-socialism as it unfolds spaces beyond familiar post-socialist locales. As she works to address the changing grounds of China’s contemporary sociopolitical aesthetics, Huang considers the shifting meanings of the image as it travels between various genres and media materialities, including the intriguing “feminist blockbuster” and immersive cinema experiences. In the following interview, we discuss the questions that frame Huang’s inquiry and delve into the chapters that make up the body of her book. Readers and listeners should look forward not only to hearing about Huang’s elegant theoretical framing, but also to the compelling and lively close readings that showcase her argument across an exciting spectrum of Chinese media products.
Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Erin Y. Huang’s <a href="https://bookshop.org/a/12343/9781478006794"><em>Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility</em></a> (Duke UP, 2020) is an expansive and ambitious book that explores the affective territory of “neoliberal post-socialist China” as it manifests in contemporary Chinese (language) cinema. Pushing beyond the geographic boundaries of the PRC and the confines of art cinema, Huang’s book reads the post-socialist condition as it manifests in Hong Kong, Taiwan, and across a variety of film genres. The term urban horror, derived from Engels’ writings on the industrial factory and theoretically developed in Huang’s book in conversation with Merleau-Ponty, Lefebvre, and Rancière, defines a “sociopolitical public affect that exceeds comprehension.” This affect, Huang argues, reappears in Chinese cinemas within and beyond the People’s Republic. </p><p>In so doing, urban horror rehearses potential revolutionary dissent and resistance in the era of neoliberal post-socialism as it unfolds spaces beyond familiar post-socialist locales. As she works to address the changing grounds of China’s contemporary sociopolitical aesthetics, Huang considers the shifting meanings of the image as it travels between various genres and media materialities, including the intriguing “feminist blockbuster” and immersive cinema experiences. In the following interview, we discuss the questions that frame Huang’s inquiry and delve into the chapters that make up the body of her book. Readers and listeners should look forward not only to hearing about Huang’s elegant theoretical framing, but also to the compelling and lively close readings that showcase her argument across an exciting spectrum of Chinese media products.</p><p><em>Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5173</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7788354769.mp3?updated=1632594192" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Muhammad Umar Faruque, "Sculpting the Self: Islam, Selfhood, and Human Flourishing" (U Michigan Press, 2021)</title>
      <description>In his painstakingly researched and splendid new book Sculpting the Self: Islam, Selfhood, and Human Flourishing (U Michigan Press, 2021), Muhammad Faruque charts and examines the multiplicity of ways in which the self and its moral flourishing have been discussed, debated, and examined in the Muslim intellectual tradition. The remarkable aspect of this book though is that he does so in close and extensive conversation with understandings of the self in Western philosophy, Indic thought, and even neuroscience. Philosophically dense but yet eminently accessible, this book is a landmark publication in the fields of Islamic Studies and the study of religion more broadly.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>246</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Muhammad Umar Faruque</itunes:subtitle>
      <itunes:summary>In his painstakingly researched and splendid new book Sculpting the Self: Islam, Selfhood, and Human Flourishing (U Michigan Press, 2021), Muhammad Faruque charts and examines the multiplicity of ways in which the self and its moral flourishing have been discussed, debated, and examined in the Muslim intellectual tradition. The remarkable aspect of this book though is that he does so in close and extensive conversation with understandings of the self in Western philosophy, Indic thought, and even neuroscience. Philosophically dense but yet eminently accessible, this book is a landmark publication in the fields of Islamic Studies and the study of religion more broadly.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his painstakingly researched and splendid new book <a href="https://bookshop.org/a/12343/9780472132621"><em>Sculpting the Self: Islam, Selfhood, and Human Flourishing</em></a><em> </em>(U Michigan Press, 2021), Muhammad Faruque charts and examines the multiplicity of ways in which the self and its moral flourishing have been discussed, debated, and examined in the Muslim intellectual tradition. The remarkable aspect of this book though is that he does so in close and extensive conversation with understandings of the self in Western philosophy, Indic thought, and even neuroscience. Philosophically dense but yet eminently accessible, this book is a landmark publication in the fields of Islamic Studies and the study of religion more broadly.</p><p><em>SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book </em><a href="https://undpress.nd.edu/9780268106690/defending-muhammad-in-modernity/"><em>Defending Muhammad in Modernity</em></a> (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 <a href="https://www.academia.edu/42966087/AIPS_2020_Book_Prize_Announcement-Defending_Muhammad_in_Modernity">Book Prize</a> and was selected as a <a href="https://undpressnews.nd.edu/news/defending-muhammad-in-modernity-is-a-finalist-for-the-american-academy-of-religion-award-for-excellence-analytical-descriptive-studies/#.YUJWOGZu30M.twitter">finalist</a> for the 2021 American Academy of Religion Book Award. <em>His other academic publications are available </em><a href="https://fandm.academia.edu/SheraliTareen"><em>here</em></a><em>. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4082</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8033857308.mp3?updated=1632410386" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Forces of Production, Climate Change, and Canadian Fossil Capitalism</title>
      <description>As we see in the news every day, climate change is already upon us. The climate crisis is no longer a bridge to be crossed in the future. It must be dealt with today.
In this first episode of our new themed series Survival by Degrees, Dr. Nicolas Graham describes the influence of fossil fuels in sustaining our unending quest for economic growth and profit. He also highlights the drastic changes needed along production lines to become eco-friendly. He talks about these in the context of his book “Forces of Production, Climate Change, and Canadian Fossil Capitalism,” published by Brill.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicolas Graham</itunes:subtitle>
      <itunes:summary>As we see in the news every day, climate change is already upon us. The climate crisis is no longer a bridge to be crossed in the future. It must be dealt with today.
In this first episode of our new themed series Survival by Degrees, Dr. Nicolas Graham describes the influence of fossil fuels in sustaining our unending quest for economic growth and profit. He also highlights the drastic changes needed along production lines to become eco-friendly. He talks about these in the context of his book “Forces of Production, Climate Change, and Canadian Fossil Capitalism,” published by Brill.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As we see in the news every day, climate change is already upon us. The climate crisis is no longer a bridge to be crossed in the future. It must be dealt with today.</p><p>In this first episode of our new themed series <em>Survival by Degrees</em>, Dr. Nicolas Graham describes the influence of fossil fuels in sustaining our unending quest for economic growth and profit. He also highlights the drastic changes needed along production lines to become eco-friendly. He talks about these in the context of his book “<a href="https://brill.com/view/title/59222">Forces of Production, Climate Change, and Canadian Fossil Capitalism</a>,” published by Brill.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1418</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3f17dffa-e59b-11ec-95d2-7fb38ba39add]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8279524558.mp3?updated=1654452444" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gonzalo Lizarralde, "Unnatural Disasters: Why Most Responses to Risk and Climate Change Fail But Some Succeed" (Columbia UP, 2021)</title>
      <description>Unnatural Disasters: Why Most Responses to Risk and Climate Change Fail But Some Succeed (Columbia UP, 2021) offers a new perspective on our most pressing environmental and social challenges, revealing the gaps between abstract concepts like sustainability, resilience, and innovation and the real-world experiences of people living at risk. Gonzalo Lizarralde explains how the causes of disasters are not natural but all too human: inequality, segregation, marginalization, colonialism, neoliberalism, racism, and unrestrained capitalism. He tells the stories of Latin American migrants, Haitian earthquake survivors, Canadian climate activists, African slum dwellers, and other people resisting social and environmental injustices around the world. Lizarralde shows that most reconstruction and risk-reduction efforts exacerbate social inequalities. Some responses do produce meaningful changes, but they are rarely the ones powerful leaders have in mind.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gonzalo Lizarralde</itunes:subtitle>
      <itunes:summary>Unnatural Disasters: Why Most Responses to Risk and Climate Change Fail But Some Succeed (Columbia UP, 2021) offers a new perspective on our most pressing environmental and social challenges, revealing the gaps between abstract concepts like sustainability, resilience, and innovation and the real-world experiences of people living at risk. Gonzalo Lizarralde explains how the causes of disasters are not natural but all too human: inequality, segregation, marginalization, colonialism, neoliberalism, racism, and unrestrained capitalism. He tells the stories of Latin American migrants, Haitian earthquake survivors, Canadian climate activists, African slum dwellers, and other people resisting social and environmental injustices around the world. Lizarralde shows that most reconstruction and risk-reduction efforts exacerbate social inequalities. Some responses do produce meaningful changes, but they are rarely the ones powerful leaders have in mind.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780231198103"><em>Unnatural Disasters: Why Most Responses to Risk and Climate Change Fail But Some Succeed</em></a><em> </em>(Columbia UP, 2021) offers a new perspective on our most pressing environmental and social challenges, revealing the gaps between abstract concepts like sustainability, resilience, and innovation and the real-world experiences of people living at risk. Gonzalo Lizarralde explains how the causes of disasters are not natural but all too human: inequality, segregation, marginalization, colonialism, neoliberalism, racism, and unrestrained capitalism. He tells the stories of Latin American migrants, Haitian earthquake survivors, Canadian climate activists, African slum dwellers, and other people resisting social and environmental injustices around the world. Lizarralde shows that most reconstruction and risk-reduction efforts exacerbate social inequalities. Some responses do produce meaningful changes, but they are rarely the ones powerful leaders have in mind.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2723</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0eac24ba-1667-11ec-bc0e-37cdfda05867]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3223697060.mp3?updated=1768548467" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Firmin DeBrabander, "Life after Privacy: Reclaiming Democracy in a Surveillance Society" (Cambridge UP, 2020)</title>
      <description>As governments and corporations mine our “entrenched culture of sharing” to invade privacy (down to Target creating an algorithm to figure out which shoppers are in the 2nd trimester of pregnancy) what happens to democracy? Can democracy survive with no (or very little privacy)? What if the citizenry cares little about privacy and or is unwilling to protect it? If surveillance is here to stay what are the prospects for individual autonomy? citizenship? democratic discussion and deliberation? Life after Privacy: Reclaiming Democracy in a Surveillance Society (Cambridge UP, 2020) argues that we should not focus on protecting individual privacy; privacy is NOT “our best hope” for ensuring a “democratic future.” Instead, we should channel Hannah Arendt and focus on the public realm and how it supports political freedom.
Dr. Firmin DeBrabander is a Professor of Philosophy at Maryland Institute College of Art and the author of two previous books: Do Guns Make Us Free?: Democracy and the Armed Society (Yale University Press, 2015), and Spinoza and the Stoics: Power, Politics and the Passions (Bloomsbury Press, 2007). He writes social and political commentary for the New York Times, Washington Post, LA Times, Chicago Tribune, Boston Globe, Baltimore Sun, Salon, The Atlantic and The New Republic.
Daniella Campos assisted with this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>550</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Firmin DeBrabander</itunes:subtitle>
      <itunes:summary>As governments and corporations mine our “entrenched culture of sharing” to invade privacy (down to Target creating an algorithm to figure out which shoppers are in the 2nd trimester of pregnancy) what happens to democracy? Can democracy survive with no (or very little privacy)? What if the citizenry cares little about privacy and or is unwilling to protect it? If surveillance is here to stay what are the prospects for individual autonomy? citizenship? democratic discussion and deliberation? Life after Privacy: Reclaiming Democracy in a Surveillance Society (Cambridge UP, 2020) argues that we should not focus on protecting individual privacy; privacy is NOT “our best hope” for ensuring a “democratic future.” Instead, we should channel Hannah Arendt and focus on the public realm and how it supports political freedom.
Dr. Firmin DeBrabander is a Professor of Philosophy at Maryland Institute College of Art and the author of two previous books: Do Guns Make Us Free?: Democracy and the Armed Society (Yale University Press, 2015), and Spinoza and the Stoics: Power, Politics and the Passions (Bloomsbury Press, 2007). He writes social and political commentary for the New York Times, Washington Post, LA Times, Chicago Tribune, Boston Globe, Baltimore Sun, Salon, The Atlantic and The New Republic.
Daniella Campos assisted with this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As governments and corporations mine our “entrenched culture of sharing” to invade privacy (down to Target creating an algorithm to figure out which shoppers are in the 2nd trimester of pregnancy) what happens to democracy? Can democracy survive with no (or very little privacy)? What if the citizenry cares little about privacy and or is unwilling to protect it? If surveillance is here to stay what are the prospects for individual autonomy? citizenship? democratic discussion and deliberation? <a href="https://bookshop.org/a/12343/9781108811910"><em>Life after Privacy: Reclaiming Democracy in a Surveillance Society </em></a>(Cambridge UP, 2020) argues that we should not focus on protecting individual privacy; privacy is NOT “our best hope” for ensuring a “democratic future.” Instead, we should channel Hannah Arendt and focus on the public realm and how it supports political freedom.</p><p><a href="https://www.mica.edu/undergraduate-majors-minors/humanistic-studies-major/firmin-debrabander/">Dr. Firmin DeBrabander </a>is a Professor of Philosophy at Maryland Institute College of Art and the author of two previous books: <a href="https://bookshop.org/books/do-guns-make-us-free-democracy-and-the-armed-society/9780300208931"><em>Do Guns Make Us Free?: Democracy and the Armed Society</em></a> (Yale University Press, 2015), and <a href="https://bookshop.org/books/spinoza-and-the-stoics-power-politics-and-the-passions/9780826421814"><em>Spinoza and the Stoics: Power, Politics and the Passions</em></a> (Bloomsbury Press, 2007). He writes social and political commentary for the New York Times, Washington Post, LA Times, Chicago Tribune, Boston Globe, Baltimore Sun, Salon, The Atlantic and The New Republic.</p><p>Daniella Campos assisted with this podcast.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6bd5f5dc-10d4-11ec-a0e1-5fe20debad0a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3619939715.mp3?updated=1631126756" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alan Shandro, "Lenin and the Logic of Hegemony: Political Practice and Theory in the Class Struggle" (Haymarket Books, 2015)</title>
      <description>Few figures stand as prominently in Marxist theory and history as V.I. Lenin. The revolutionary who played a pivotal role in one of the most important events in world history has received reverence, damnation, and everything in between, but much of that response depends on deep misunderstandings of both what he thought and what he did. This misunderstanding was deep enough that even he took notice of it at several points, remarking that readers tended to take his theories out of their context and misunderstanding the underlying points. Understanding Lenin, then, will not just mean rereading his work, but understanding the world Lenin was working in, the what’s impossible to understand without considering the where’s, when’s and why’s.
To that effect, Alan Shandro has stepped in with a book that seeks to do just that. Lenin and the Logic of Hegemony: Political Practice and Theory in the Class Struggle (Haymarket Books, 2015) is a sustained attempt to reread Lenin in light of Gramsci’s oft-ignored remark that Lenin was one of his biggest influences in developing his own theories of hegemony. The book spends the first couple chapters contextualizing Lenin by looking at some of his contemporaries, particularly Kautsky, Bernstein and Plekhanov, before turning to Lenin’s own works, and reading through them slowly and meticulously. The result is a study that works its way from Lenin’s writings in the 1890’s all the way to the end of his life in the 1920’s, giving us the ability to see Lenin’s development of ontological and epistemological themes that run throughout his life and work. While Shandro is not always easy to read, the book has a number of crucial insights for political organizers, and will repay serious effort. Many books have been written on Lenin over the years, but few have bothered to study his own work so meticulously and thoroughly.
Published as part of the Historical Materialism book series.
Alan Shandro is a professor of political theory, previously at Laurentian University, and is currently a visiting professor at York. He is on the editorial board for Science &amp; Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>243</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alan Shandro</itunes:subtitle>
      <itunes:summary>Few figures stand as prominently in Marxist theory and history as V.I. Lenin. The revolutionary who played a pivotal role in one of the most important events in world history has received reverence, damnation, and everything in between, but much of that response depends on deep misunderstandings of both what he thought and what he did. This misunderstanding was deep enough that even he took notice of it at several points, remarking that readers tended to take his theories out of their context and misunderstanding the underlying points. Understanding Lenin, then, will not just mean rereading his work, but understanding the world Lenin was working in, the what’s impossible to understand without considering the where’s, when’s and why’s.
To that effect, Alan Shandro has stepped in with a book that seeks to do just that. Lenin and the Logic of Hegemony: Political Practice and Theory in the Class Struggle (Haymarket Books, 2015) is a sustained attempt to reread Lenin in light of Gramsci’s oft-ignored remark that Lenin was one of his biggest influences in developing his own theories of hegemony. The book spends the first couple chapters contextualizing Lenin by looking at some of his contemporaries, particularly Kautsky, Bernstein and Plekhanov, before turning to Lenin’s own works, and reading through them slowly and meticulously. The result is a study that works its way from Lenin’s writings in the 1890’s all the way to the end of his life in the 1920’s, giving us the ability to see Lenin’s development of ontological and epistemological themes that run throughout his life and work. While Shandro is not always easy to read, the book has a number of crucial insights for political organizers, and will repay serious effort. Many books have been written on Lenin over the years, but few have bothered to study his own work so meticulously and thoroughly.
Published as part of the Historical Materialism book series.
Alan Shandro is a professor of political theory, previously at Laurentian University, and is currently a visiting professor at York. He is on the editorial board for Science &amp; Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few figures stand as prominently in Marxist theory and history as V.I. Lenin. The revolutionary who played a pivotal role in one of the most important events in world history has received reverence, damnation, and everything in between, but much of that response depends on deep misunderstandings of both what he thought and what he did. This misunderstanding was deep enough that even he took notice of it at several points, remarking that readers tended to take his theories out of their context and misunderstanding the underlying points. Understanding Lenin, then, will not just mean rereading his work, but understanding the world Lenin was working in, the <em>what</em>’s impossible to understand without considering the <em>where</em>’s, <em>when</em>’s and <em>why</em>’s.</p><p>To that effect, Alan Shandro has stepped in with a book that seeks to do just that. <a href="https://bookshop.org/a/12343/9781608464838"><em>Lenin and the Logic of Hegemony: Political Practice and Theory in the Class Struggle</em></a><em> </em>(Haymarket Books, 2015) is a sustained attempt to reread Lenin in light of Gramsci’s oft-ignored remark that Lenin was one of his biggest influences in developing his own theories of hegemony. The book spends the first couple chapters contextualizing Lenin by looking at some of his contemporaries, particularly Kautsky, Bernstein and Plekhanov, before turning to Lenin’s own works, and reading through them slowly and meticulously. The result is a study that works its way from Lenin’s writings in the 1890’s all the way to the end of his life in the 1920’s, giving us the ability to see Lenin’s development of ontological and epistemological themes that run throughout his life and work. While Shandro is not always easy to read, the book has a number of crucial insights for political organizers, and will repay serious effort. Many books have been written on Lenin over the years, but few have bothered to study his own work so meticulously and thoroughly.</p><p>Published as part of the <a href="https://www.historicalmaterialism.org/"><em>Historical Materialism</em></a> book series.</p><p><em>Alan Shandro is a professor of political theory, previously at Laurentian University, and is currently a visiting professor at York. He is on the editorial board for Science &amp; Society.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6502</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Minna Salami, "Sensuous Knowledge: A Black Feminist Approach for Everyone" (Amistad, 2021)</title>
      <description>Minna Salami's book Sensuous Knowledge: A Black Feminist Approach for Everyone (Amistad/HarperCollins, 2021) is a collection of thought provoking essays that explore questions central to how we see ourselves, our history, and our world.
-What does it mean to be oppressed?
-What does it mean to be liberated?
-Why do women choose to follow authority even when they can be autonomous?
-What is the cost of compromising one’s true self?
-What narratives particularly subjugate women and people of African heritage?
-What kind of narrative can heal and empower?
As she considers these questions, Salami offers fresh insights on key cultural issues that impact women’s lives, including power, beauty, and knowledge. She also examines larger subjects, such as Afrofuturism, radical Black feminism, and gender politics, all with a historical outlook that is also future oriented. Combining a storyteller’s narrative playfulness and a social critic’s intellectual rigor, Salami draws upon a range of traditions and ideologies, feminist theory, popular culture—including insights from Ms. Lauryn Hill, Beyoncé, Audre Lorde, Toni Morrison, and others—science, philosophy, African myths and origin stories, and her own bold personal narrative to establish a language for change and self-liberation.
Sensuous Knowledge inspires reflection and challenge us to formulate or own views. Using ancestral knowledge to steer us toward freedom, Salami reveals the ways that women have protested over the years in large and small ways—models that inspire and empower us to define our own sense of womanhood today.
In this riveting meditation, Salami ask women to break free of the prison made by ingrained male centric biases, and build a house themselves—a home that can nurture us all.
Learn more about author Minna Salami at the MsAfropolitan blog.
 Lee M. Pierce (she/they) is an Assistant Professor at SUNY Geneseo specializing in rhetoric, race, and U.S. political culture. They also host the Media &amp; Communications and Language channels for New Books Network and their own podcast titled RhetoricLee Speaking.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Minna Salami</itunes:subtitle>
      <itunes:summary>Minna Salami's book Sensuous Knowledge: A Black Feminist Approach for Everyone (Amistad/HarperCollins, 2021) is a collection of thought provoking essays that explore questions central to how we see ourselves, our history, and our world.
-What does it mean to be oppressed?
-What does it mean to be liberated?
-Why do women choose to follow authority even when they can be autonomous?
-What is the cost of compromising one’s true self?
-What narratives particularly subjugate women and people of African heritage?
-What kind of narrative can heal and empower?
As she considers these questions, Salami offers fresh insights on key cultural issues that impact women’s lives, including power, beauty, and knowledge. She also examines larger subjects, such as Afrofuturism, radical Black feminism, and gender politics, all with a historical outlook that is also future oriented. Combining a storyteller’s narrative playfulness and a social critic’s intellectual rigor, Salami draws upon a range of traditions and ideologies, feminist theory, popular culture—including insights from Ms. Lauryn Hill, Beyoncé, Audre Lorde, Toni Morrison, and others—science, philosophy, African myths and origin stories, and her own bold personal narrative to establish a language for change and self-liberation.
Sensuous Knowledge inspires reflection and challenge us to formulate or own views. Using ancestral knowledge to steer us toward freedom, Salami reveals the ways that women have protested over the years in large and small ways—models that inspire and empower us to define our own sense of womanhood today.
In this riveting meditation, Salami ask women to break free of the prison made by ingrained male centric biases, and build a house themselves—a home that can nurture us all.
Learn more about author Minna Salami at the MsAfropolitan blog.
 Lee M. Pierce (she/they) is an Assistant Professor at SUNY Geneseo specializing in rhetoric, race, and U.S. political culture. They also host the Media &amp; Communications and Language channels for New Books Network and their own podcast titled RhetoricLee Speaking.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Minna Salami's book <a href="https://bookshop.org/a/12343/9781094116310"><em>Sensuous Knowledge: A Black Feminist Approach for Everyone</em></a><em> </em>(Amistad/HarperCollins, 2021)<em> </em>is a collection of thought provoking essays that explore questions central to how we see ourselves, our history, and our world.</p><p>-What does it mean to be oppressed?</p><p>-What does it mean to be liberated?</p><p>-Why do women choose to follow authority even when they can be autonomous?</p><p>-What is the cost of compromising one’s true self?</p><p>-What narratives particularly subjugate women and people of African heritage?</p><p>-What kind of narrative can heal and empower?</p><p>As she considers these questions, Salami offers fresh insights on key cultural issues that impact women’s lives, including power, beauty, and knowledge. She also examines larger subjects, such as Afrofuturism, radical Black feminism, and gender politics, all with a historical outlook that is also future oriented. Combining a storyteller’s narrative playfulness and a social critic’s intellectual rigor, Salami draws upon a range of traditions and ideologies, feminist theory, popular culture—including insights from Ms. Lauryn Hill, Beyoncé, Audre Lorde, Toni Morrison, and others—science, philosophy, African myths and origin stories, and her own bold personal narrative to establish a language for change and self-liberation.</p><p><em>Sensuous Knowledge</em> inspires reflection and challenge us to formulate or own views. Using ancestral knowledge to steer us toward freedom, Salami reveals the ways that women have protested over the years in large and small ways—models that inspire and empower us to define our own sense of womanhood today.</p><p>In this riveting meditation, Salami ask women to break free of the prison made by ingrained male centric biases, and build a house themselves—a home that can nurture us all.</p><p><a href="https://www.harpercollins.com/products/sensuous-knowledge-minna-salami?variant=32126649008162">Learn more</a> about author Minna Salami at the MsAfropolitan blog.</p><p><em> Lee M. Pierce (she/they) is an Assistant Professor at SUNY Geneseo specializing in rhetoric, race, and U.S. political culture. They also host the Media &amp; Communications and Language channels for New Books Network and their own podcast titled RhetoricLee Speaking.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3606</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6958f432-13d9-11ec-adf0-5b90be0028d4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7945714473.mp3?updated=1631458684" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ginetta Candelario on Feminism, Race, and Transnationalism</title>
      <description>Welcome to The Academic Life. You are smart and capable, but you aren’t an island and neither are we. So we are reaching across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN.
In this episode you’ll hear about: Dr. Ginetta Candelario’s path from journalism-major-hopeful to sociologist, how her family history shaped her intellectual questions, what inspired her to return to Smith after campus racism drove her out, a model for building an intentional community, editing a journal dedicated to the scholarship and voices of women of color, and a discussion of Meridians: 20th Anniversary Reader.
Our guest is: Dr. Ginetta Candelario, who is a faculty affiliate of the Latin American and Latina/o Studies Program, the Study of Women and Gender Program, and the Community Engagement and Social Change Concentration at Smith College. She is the founding vice president of the National Latin@ Studies Association, and a founding executive committee member of the New England Consortium for Latina/o Studies, and was appointed by the American Sociological Association to its Committee on Professional Ethics for 2017–20 and to the Finance Committee for 2021-2024. Dr. Candelario is widely published, serves on editorial boards, and is a peer reviewer. Her research interests include Dominican history and society, with a focus on national identity formation and women’s history; Blackness in the Americas; Latin American, Caribbean and Latina feminisms; Latina/o communities (particularly Cuban, Dominican and Puerto Rican); U.S. beauty culture; and museum studies. She has been a Fulbright Scholar in the Dominican Republic twice, and has been the editor of Meridians: feminism, race, transnationalism since July 2017.
Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life podcasts. She is a historian of women and gender.
Listeners to this episode may be interested in:

Dr. Candelario’s Ted Talk


Meridians’ materials referenced in the podcast

Meridians' portal for submissions



Cien años de feminismos dominicanos, 1865-1965. Tomo I: El fuego detrás de las ruinas, 1865-1931. Co-edited by Ginetta Candalario, April J. Mayes, and Elizabeth Manley, Santo Domingo, Dominican Republic: Archivo General de la Nación, 2016.


Black Behind the Ears: Dominican Racial Identity from Museums to Beauty Shops, Durham: Duke University Press, December 2007.


Salome by Julia Alvarez


Almanac of the Dead by Leslie Marmon Silko


Democracy in Chains by Nancy McClean

YouTube recording of the Meridians’ 20th anniversary celebration talks



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ginetta Candelario</itunes:subtitle>
      <itunes:summary>Welcome to The Academic Life. You are smart and capable, but you aren’t an island and neither are we. So we are reaching across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN.
In this episode you’ll hear about: Dr. Ginetta Candelario’s path from journalism-major-hopeful to sociologist, how her family history shaped her intellectual questions, what inspired her to return to Smith after campus racism drove her out, a model for building an intentional community, editing a journal dedicated to the scholarship and voices of women of color, and a discussion of Meridians: 20th Anniversary Reader.
Our guest is: Dr. Ginetta Candelario, who is a faculty affiliate of the Latin American and Latina/o Studies Program, the Study of Women and Gender Program, and the Community Engagement and Social Change Concentration at Smith College. She is the founding vice president of the National Latin@ Studies Association, and a founding executive committee member of the New England Consortium for Latina/o Studies, and was appointed by the American Sociological Association to its Committee on Professional Ethics for 2017–20 and to the Finance Committee for 2021-2024. Dr. Candelario is widely published, serves on editorial boards, and is a peer reviewer. Her research interests include Dominican history and society, with a focus on national identity formation and women’s history; Blackness in the Americas; Latin American, Caribbean and Latina feminisms; Latina/o communities (particularly Cuban, Dominican and Puerto Rican); U.S. beauty culture; and museum studies. She has been a Fulbright Scholar in the Dominican Republic twice, and has been the editor of Meridians: feminism, race, transnationalism since July 2017.
Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life podcasts. She is a historian of women and gender.
Listeners to this episode may be interested in:

Dr. Candelario’s Ted Talk


Meridians’ materials referenced in the podcast

Meridians' portal for submissions



Cien años de feminismos dominicanos, 1865-1965. Tomo I: El fuego detrás de las ruinas, 1865-1931. Co-edited by Ginetta Candalario, April J. Mayes, and Elizabeth Manley, Santo Domingo, Dominican Republic: Archivo General de la Nación, 2016.


Black Behind the Ears: Dominican Racial Identity from Museums to Beauty Shops, Durham: Duke University Press, December 2007.


Salome by Julia Alvarez


Almanac of the Dead by Leslie Marmon Silko


Democracy in Chains by Nancy McClean

YouTube recording of the Meridians’ 20th anniversary celebration talks



Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to The Academic Life. You are smart and capable, but you aren’t an island and neither are we. So we are reaching across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN.</p><p>In this episode you’ll hear about: Dr. Ginetta Candelario’s path from journalism-major-hopeful to sociologist, how her family history shaped her intellectual questions, what inspired her to return to Smith after campus racism drove her out, a model for building an intentional community, editing a journal dedicated to the scholarship and voices of women of color, and a discussion of <em>Meridians: 20th Anniversary Reader</em>.</p><p>Our guest is: Dr. Ginetta Candelario, who is a faculty affiliate of the Latin American and Latina/o Studies Program, the Study of Women and Gender Program, and the Community Engagement and Social Change Concentration at Smith College. She is the founding vice president of the National Latin@ Studies Association, and a founding executive committee member of the New England Consortium for Latina/o Studies, and was appointed by the American Sociological Association to its Committee on Professional Ethics for 2017–20 and to the Finance Committee for 2021-2024. Dr. Candelario is widely published, serves on editorial boards, and is a peer reviewer. Her research interests include Dominican history and society, with a focus on national identity formation and women’s history; Blackness in the Americas; Latin American, Caribbean and Latina feminisms; Latina/o communities (particularly Cuban, Dominican and Puerto Rican); U.S. beauty culture; and museum studies. She has been a Fulbright Scholar in the Dominican Republic twice, and has been the editor of <a href="https://sophia.smith.edu/meridians/"><em>Meridians: feminism, race, transnationalism</em></a> since July 2017.</p><p>Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life podcasts. She is a historian of women and gender.</p><p>Listeners to this episode may be interested in:</p><ul>
<li>Dr. Candelario’s <a href="https://www.youtube.com/watch?v=UxbbBrbwTJs">Ted Talk</a>
</li>
<li>Meridians’ <a href="https://sophia.smith.edu/meridians/on-the-line/">materials</a> referenced in the podcast</li>
<li>Meridians' <a href="https://sophia.smith.edu/meridians/submissions/">portal for submissions</a>
</li>
<li>
<em>Cien años de feminismos dominicanos, 1865-1965.</em> Tomo I: <em>El fuego detrás de las ruinas, 1865-1931.</em> Co-edited by Ginetta Candalario, April J. Mayes, and Elizabeth Manley, Santo Domingo, Dominican Republic: Archivo General de la Nación, 2016.</li>
<li>
<em>Black Behind the Ears: Dominican Racial Identity from Museums to Beauty Shops</em>, Durham: Duke University Press, December 2007.</li>
<li>
<em>Salome</em> by Julia Alvarez</li>
<li>
<em>Almanac of the Dead</em> by Leslie Marmon Silko</li>
<li>
<em>Democracy in Chains</em> by Nancy McClean</li>
<li>YouTube recording of the <a href="https://www.youtube.com/channel/UC7nhTOQ_xB9OpI6ZrK8xDVA/playlists?view=50&amp;sort=dd&amp;shelf_id=3">Meridians’ 20th anniversary celebration talks</a>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8053212575.mp3?updated=1629837830" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily Erikson, "Trade and Nation: How Companies and Politics Reshaped Economic Thought" (Columbia UP, 2021)</title>
      <description>How can ideas from sociology help us understand history and economics? In Trade and Nation: How Companies and Politics Reshaped Economic Thought (Columbia UP, 2021), Emily Erikson, Associate Professor of Sociology at Yale and Academic Director of the Fox International Fellowship, explores the major shift, which occurred during the seventeenth century, in the history and philosophy of economics. The book combines computational methods from sociology with a detailed and close engagement with historical sources and the philosophy of economics. It demonstrates how a key set of merchants proved highly influential in setting the terms of economics, in the context of the specific conditions and institutional settings in England during the period. The book also offers comparative analysis, adding depth to the numerous methods of testing its core hypothesis about what really drove the changes in economics. Clearly written, and deeply engaging, the book is essential reading for scholars in economics and the social sciences, as well as in history and the humanities.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emily Erikson</itunes:subtitle>
      <itunes:summary>How can ideas from sociology help us understand history and economics? In Trade and Nation: How Companies and Politics Reshaped Economic Thought (Columbia UP, 2021), Emily Erikson, Associate Professor of Sociology at Yale and Academic Director of the Fox International Fellowship, explores the major shift, which occurred during the seventeenth century, in the history and philosophy of economics. The book combines computational methods from sociology with a detailed and close engagement with historical sources and the philosophy of economics. It demonstrates how a key set of merchants proved highly influential in setting the terms of economics, in the context of the specific conditions and institutional settings in England during the period. The book also offers comparative analysis, adding depth to the numerous methods of testing its core hypothesis about what really drove the changes in economics. Clearly written, and deeply engaging, the book is essential reading for scholars in economics and the social sciences, as well as in history and the humanities.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can ideas from sociology help us understand history and economics? In <a href="https://bookshop.org/a/12343/9780231184359"><em>Trade and Nation: How Companies and Politics Reshaped Economic Thought </em></a>(Columbia UP, 2021), <a href="https://twitter.com/emily_erikson">Emily Erikson</a>, <a href="https://sociology.yale.edu/people/emily-erikson">Associate Professor of Sociology at Yale and Academic Director of the Fox International Fellowship</a>, explores the major shift, which occurred during the seventeenth century, in the history and philosophy of economics. The book combines computational methods from sociology with a detailed and close engagement with historical sources and the philosophy of economics. It demonstrates how a key set of merchants proved highly influential in setting the terms of economics, in the context of the specific conditions and institutional settings in England during the period. The book also offers comparative analysis, adding depth to the numerous methods of testing its core hypothesis about what really drove the changes in economics. Clearly written, and deeply engaging, the book is essential reading for scholars in economics and the social sciences, as well as in history and the humanities.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3887e120-1266-11ec-918f-2b488775cd06]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4694420454.mp3?updated=1631299657" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rachel Zolf, "No One's Witness: A Monstrous Poetics" (Duke UP, 2021)</title>
      <description>In this episode, I interview Rachel Zolf—a poet whose “interdisciplinary practice explores questions about history, knowledge, subjectivity, responsibility, and the limits of language, meaning, and the human”—about their new book, No One’s Witness: A Monstrous Poetics, published by Duke University Press.
In the text (which is both an essay in the etymological sense of an attempt as well as a longform poem, a making), Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“Niemand / zeugt für den / Zeugen. [No one / bears witness for the / witness.]”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness articulates the Nazi holocaust as part of a constellation of horror that includes the trans-Atlantic slave trade, Israeli occupation of Palestine, and settler-colonial practices across the globe Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps, and language. Zolf’s No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rachel Zolf</itunes:subtitle>
      <itunes:summary>In this episode, I interview Rachel Zolf—a poet whose “interdisciplinary practice explores questions about history, knowledge, subjectivity, responsibility, and the limits of language, meaning, and the human”—about their new book, No One’s Witness: A Monstrous Poetics, published by Duke University Press.
In the text (which is both an essay in the etymological sense of an attempt as well as a longform poem, a making), Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“Niemand / zeugt für den / Zeugen. [No one / bears witness for the / witness.]”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness articulates the Nazi holocaust as part of a constellation of horror that includes the trans-Atlantic slave trade, Israeli occupation of Palestine, and settler-colonial practices across the globe Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps, and language. Zolf’s No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I interview Rachel Zolf—a poet whose “interdisciplinary practice explores questions about history, knowledge, subjectivity, responsibility, and the limits of language, meaning, and the human”—about their new book, <a href="https://bookshop.org/a/12343/9781478013334"><em>No One’s Witness: A Monstrous Poetics</em></a>, published by Duke University Press.</p><p>In the text (which is both an essay in the etymological sense of an attempt as well as a longform poem, a making), Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“<em>Niemand </em>/ <em>zeugt für den </em>/ <em>Zeugen. </em>[No one / bears witness for the / witness.]”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, <em>No One's Witness</em> articulates the Nazi holocaust as part of a constellation of horror that includes the trans-Atlantic slave trade, Israeli occupation of Palestine, and settler-colonial practices across the globe Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, <em>No One's Witness</em> interrogates the limits and thresholds of witnessing, its dangerous perhaps, and language. Zolf’s No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.</p><p><em>Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on </em><a href="https://twitter.com/poeticdweller"><em>Twitter</em></a><em> or send him an </em><a href="mailto:britton.edelen@duke.edu"><em>email.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4498</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[029931fc-09cb-11ec-a86b-5fe56df9b058]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4032516684.mp3?updated=1630353049" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alex Hochuli et al., "The End of the End of History: Politics in the Twenty-First Century" (Zero Books, 2021)</title>
      <description>We live in strange times. Politics around the world seem to be transforming into something new and often frightening. But this process has a history. In 1989, the bi-polar certainties of the Cold War gave way to a neo-liberal consensus, what Francis Fukuyama termed “the End of History”. Yet with BREXIT and Trump in 2016, the End of History seemed to be coming to an end itself. The current COVID crisis has only accelerated this process. To make sense of this Gramscian interregnum and its great variety of morbid symptoms, Alex Hochuli, George Hoare, and Philip Cunliffe started the Aufhebunga Bunga podcast in April 2017. Billing itself as the “global political podcast at the end of the end of history”, the podcast offers theoretically informed and often provocative analysis and commentary. The podcast has led to a book, The End of the End of History: Politics in the Twenty-First Century, out with Zero Books in 2021.
In our discussion, these three scholars lay out their defense of the concept of the End of History, discuss post-politics and anti-politics, and explain how politics are back. They also diagnose the pandemic of Neoliberal Order Breakdown Syndrome and explain which demographic groups are most susceptible to NOBS. Drawing from the recent history of the USA and UK, as well as Italy and Brazil, Hochuli, Hoare, and Cunliffe offer an analysis of our world and make some bleak predictions for what is to come in terms of future ideological formations.
Alex Hochuli is a writer and translator living in Sao Paolo, Brazil, George Hoare is a political consultant in London, and Philip Cunliffe is a Senior Lecturer at the University of Kent.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1065</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alex Hochuli, George Hoare, and Philip Cunliffe</itunes:subtitle>
      <itunes:summary>We live in strange times. Politics around the world seem to be transforming into something new and often frightening. But this process has a history. In 1989, the bi-polar certainties of the Cold War gave way to a neo-liberal consensus, what Francis Fukuyama termed “the End of History”. Yet with BREXIT and Trump in 2016, the End of History seemed to be coming to an end itself. The current COVID crisis has only accelerated this process. To make sense of this Gramscian interregnum and its great variety of morbid symptoms, Alex Hochuli, George Hoare, and Philip Cunliffe started the Aufhebunga Bunga podcast in April 2017. Billing itself as the “global political podcast at the end of the end of history”, the podcast offers theoretically informed and often provocative analysis and commentary. The podcast has led to a book, The End of the End of History: Politics in the Twenty-First Century, out with Zero Books in 2021.
In our discussion, these three scholars lay out their defense of the concept of the End of History, discuss post-politics and anti-politics, and explain how politics are back. They also diagnose the pandemic of Neoliberal Order Breakdown Syndrome and explain which demographic groups are most susceptible to NOBS. Drawing from the recent history of the USA and UK, as well as Italy and Brazil, Hochuli, Hoare, and Cunliffe offer an analysis of our world and make some bleak predictions for what is to come in terms of future ideological formations.
Alex Hochuli is a writer and translator living in Sao Paolo, Brazil, George Hoare is a political consultant in London, and Philip Cunliffe is a Senior Lecturer at the University of Kent.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We live in strange times. Politics around the world seem to be transforming into something new and often frightening. But this process has a history. In 1989, the bi-polar certainties of the Cold War gave way to a neo-liberal consensus, what Francis Fukuyama termed “the End of History”. Yet with BREXIT and Trump in 2016, the End of History seemed to be coming to an end itself. The current COVID crisis has only accelerated this process. To make sense of this Gramscian interregnum and its great variety of morbid symptoms, Alex Hochuli, George Hoare, and Philip Cunliffe started the <a href="https://aufhebungabunga.podbean.com/">Aufhebunga Bunga</a> podcast in April 2017. Billing itself as the “global political podcast at the end of the end of history”, the podcast offers theoretically informed and often provocative analysis and commentary. The podcast has led to a book, <a href="https://bookshop.org/a/12343/9781789045239"><em>The End of the End of History: Politics in the Twenty-First Century</em></a>, out with Zero Books in 2021<strong>.</strong></p><p>In our discussion, these three scholars lay out their defense of the concept of the End of History, discuss post-politics and anti-politics, and explain how politics are back. They also diagnose the pandemic of Neoliberal Order Breakdown Syndrome and explain which demographic groups are most susceptible to NOBS. Drawing from the recent history of the USA and UK, as well as Italy and Brazil, Hochuli, Hoare, and Cunliffe offer an analysis of our world and make some bleak predictions for what is to come in terms of future ideological formations.</p><p><a href="https://alexhochuli.xyz/">Alex Hochuli</a> is a writer and translator living in Sao Paolo, Brazil, <a href="https://georgehoare.medium.com/">George Hoare</a> is a political consultant in London, and Philip Cunliffe is a Senior Lecturer at the University of Kent.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d115040a-05d1-11ec-b0dc-633cc62d40ec]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8590281195.mp3?updated=1630756356" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amelia Jones, "In Between Subjects: A Critical Genealogy of Queer Performance" (Routledge, 2020)</title>
      <description>In Between Subjects: A Critical Genealogy of Queer Performance (Routledge, 2021) is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. The book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity.
Dr. Amelia Jones is Robert A. Day Professor and Vice Dean of Academics and Research at the Roski School of Art &amp; Design at the University of Southern California. Her recent publications include Seeing Differently: A History and Theory of Identification and Visual Arts and Otherwise: Imagining Queer Feminist Art Histories, co-edited with Erin Silver. The catalogue Queer Communion: Ron Athey, which she co-edited with Andy Campbell, and which accompanies a retrospective of Athey’s work at Participant Inc. (New York) and ICA (Los Angeles), was listed among “Best Art Books 2020” in the New York Times.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Amelia Jones</itunes:subtitle>
      <itunes:summary>In Between Subjects: A Critical Genealogy of Queer Performance (Routledge, 2021) is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. The book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity.
Dr. Amelia Jones is Robert A. Day Professor and Vice Dean of Academics and Research at the Roski School of Art &amp; Design at the University of Southern California. Her recent publications include Seeing Differently: A History and Theory of Identification and Visual Arts and Otherwise: Imagining Queer Feminist Art Histories, co-edited with Erin Silver. The catalogue Queer Communion: Ron Athey, which she co-edited with Andy Campbell, and which accompanies a retrospective of Athey’s work at Participant Inc. (New York) and ICA (Los Angeles), was listed among “Best Art Books 2020” in the New York Times.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<em> </em><a href="https://bookshop.org/a/12343/9780367533762"><em>Between Subjects: A Critical Genealogy of Queer Performance</em></a> (Routledge, 2021) is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases. The book traces how and why "queer" and "performativity" seem to belong together in so many discussions around identity, popular modes of gender display, and performance art. Drawing on art history and performance studies but also on feminist, queer, and sexuality studies, and postcolonial, indigenous, and critical race theoretical frameworks, it seeks to denaturalize these assumptions by questioning the US-centrism and white-dominance of discourses around queer performance or performativity.</p><p>Dr. Amelia Jones is Robert A. Day Professor and Vice Dean of Academics and Research at the Roski School of Art &amp; Design at the University of Southern California. Her recent publications include <em>Seeing Differently: A History and Theory of Identification</em> and V<em>isual Arts and Otherwise: Imagining Queer Feminist Art Histories</em>, co-edited with Erin Silver. The catalogue <em>Queer Communion: Ron Athey</em>, which she co-edited with Andy Campbell, and which accompanies a retrospective of Athey’s work at Participant Inc. (New York) and ICA (Los Angeles), was listed among “Best Art Books 2020” in the New York Times.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2934</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[acfb2488-0756-11ec-8574-274cb364af84]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7660358443.mp3?updated=1630083138" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher R. Martin, "No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class" (Cornell UP, 2019)</title>
      <description>Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so.
The damning indictment of the mainstream media that flows through No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class (Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In No Longer Newsworthy, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites.
Now, with our fractured society and news media, Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.
 Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christopher R. Martin</itunes:subtitle>
      <itunes:summary>Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so.
The damning indictment of the mainstream media that flows through No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class (Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In No Longer Newsworthy, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites.
Now, with our fractured society and news media, Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.
 Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Until the recent political shift pushed workers back into the media spotlight, the mainstream media had largely ignored this significant part of American society in favor of the moneyed upscale consumer for more than four decades. Christopher R. Martin now reveals why and how the media lost sight of the American working class and the effects of it doing so.</p><p>The damning indictment of the mainstream media that flows through <a href="https://bookshop.org/a/12343/9781501735257"><em>No Longer Newsworthy: How the Mainstream Media Abandoned the Working Class</em></a><em> </em>(Cornell UP, 2019) is a wakeup call about the critical role of the media in telling news stories about labor unions, workers, and working-class readers. As Martin charts the decline of labor reporting from the late 1960s onwards, he reveals the shift in news coverage as the mainstream media abandoned labor in favor of consumer and business interests. When newspapers, especially, wrote off working-class readers as useless for their business model, the American worker became invisible. In <em>No Longer Newsworthy</em>, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites.</p><p>Now, with our fractured society and news media, Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.</p><p><em> Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2844</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ac72be40-0517-11ec-b3f1-8ff1f3af3af8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9621800572.mp3?updated=1704573765" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hannah McCann, "Queering Femininity: Sexuality, Feminism and the Politics of Presentation" (Routledge, 2019)</title>
      <description>In Queering Femininity: Sexuality, Feminism and the Politics of Presentation (Routledge, 2019), Hannah McCann asks, “how can we consider femininity in a way that best attends to people’s experiences of, and attachment to, feminine styles?” McCann takes readers through popular and scholarly feminist commentary to understand, and critique, how embodied feminine styles are comprehended as effects of an oppressive system which also plays a significant role in upholding and perpetuating this system. Instead of positing that femininity is necessarily empowering or essentially good, McCann insists that femininity is neither inherently disempowering, nor it is necessarily bad. McCann contests the idea that those who appear, embody or perform femininity are not “cultural dupes labouring under false-consciousness” but are agentic in their own right as they navigate life and negotiate with power structures and navigate life and their own becoming in it. There is acknowledgement in the book about the messiness of gender and recognition of the fact that masculinity and femininity are rarely coherent and uniformly expressed or articulated.
McCann uses the term “femininity” to illustrate “style of the body” or appearance, which is a “non-inevitable normative descriptor” that demands attention to more complexity than what is accrued to norms and descriptions. It considers how femininity as a “bodily property” has been conceived of in feminist discourse and how such conception figures in the lives of those who inhabit such styles and the identities that accompany them. It does not dismiss femininity as irrelevant, and does not reject its embodies styles, even as it does not place emphasis on representation as exclusively having the power to bring about political transformation. McCann enquires, “What can the body as feminine do? And What might utopian femininity” look like, while prefacing it with the statement that these questions can be asked instead of feminine embodiments being rendered intelligible only as oppressed. McCann explores queer femininity with attention to her conviction that “feminine styles and accoutrements deserve attention outside of evaluations of their presumed representational significance.”
Dr. Hannah McCann is Senior Lecturer in Cultural Studies in the School of Culture and Communication at the University of Melbourne. Her research in critical femininity studies explores feminist discourse on femininity, queer femme LGBTQ+ communities, beauty culture, and queer fangirls. She has published in various journals including European Journal of Women’s Studies, Women’s Studies Quarterly, and Signs: Journal of Women in Culture and Society. Her monograph Queering Femininity: Sexuality, Feminism and the Politics of Presentation was published with Routledge in 2018, and her co-authored textbook Queer Theory Now: From Foundations to Futures with Red Globe Press in 2020.
Sohini Chatterjee is PhD Student in the Department of Gender, Sexuality, and Women’s Studies at Western University. She works on queer cultural studies, trans and queer activism, and resistance movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hannah McCann</itunes:subtitle>
      <itunes:summary>In Queering Femininity: Sexuality, Feminism and the Politics of Presentation (Routledge, 2019), Hannah McCann asks, “how can we consider femininity in a way that best attends to people’s experiences of, and attachment to, feminine styles?” McCann takes readers through popular and scholarly feminist commentary to understand, and critique, how embodied feminine styles are comprehended as effects of an oppressive system which also plays a significant role in upholding and perpetuating this system. Instead of positing that femininity is necessarily empowering or essentially good, McCann insists that femininity is neither inherently disempowering, nor it is necessarily bad. McCann contests the idea that those who appear, embody or perform femininity are not “cultural dupes labouring under false-consciousness” but are agentic in their own right as they navigate life and negotiate with power structures and navigate life and their own becoming in it. There is acknowledgement in the book about the messiness of gender and recognition of the fact that masculinity and femininity are rarely coherent and uniformly expressed or articulated.
McCann uses the term “femininity” to illustrate “style of the body” or appearance, which is a “non-inevitable normative descriptor” that demands attention to more complexity than what is accrued to norms and descriptions. It considers how femininity as a “bodily property” has been conceived of in feminist discourse and how such conception figures in the lives of those who inhabit such styles and the identities that accompany them. It does not dismiss femininity as irrelevant, and does not reject its embodies styles, even as it does not place emphasis on representation as exclusively having the power to bring about political transformation. McCann enquires, “What can the body as feminine do? And What might utopian femininity” look like, while prefacing it with the statement that these questions can be asked instead of feminine embodiments being rendered intelligible only as oppressed. McCann explores queer femininity with attention to her conviction that “feminine styles and accoutrements deserve attention outside of evaluations of their presumed representational significance.”
Dr. Hannah McCann is Senior Lecturer in Cultural Studies in the School of Culture and Communication at the University of Melbourne. Her research in critical femininity studies explores feminist discourse on femininity, queer femme LGBTQ+ communities, beauty culture, and queer fangirls. She has published in various journals including European Journal of Women’s Studies, Women’s Studies Quarterly, and Signs: Journal of Women in Culture and Society. Her monograph Queering Femininity: Sexuality, Feminism and the Politics of Presentation was published with Routledge in 2018, and her co-authored textbook Queer Theory Now: From Foundations to Futures with Red Globe Press in 2020.
Sohini Chatterjee is PhD Student in the Department of Gender, Sexuality, and Women’s Studies at Western University. She works on queer cultural studies, trans and queer activism, and resistance movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780367370862"><em>Queering Femininity: Sexuality, Feminism and the Politics of Presentation</em></a> (Routledge, 2019)<em>, </em>Hannah McCann asks, “how can we consider femininity in a way that best attends to people’s experiences of, and attachment to, feminine styles?” McCann takes readers through popular and scholarly feminist commentary to understand, and critique, how embodied feminine styles are comprehended as effects of an oppressive system which also plays a significant role in upholding and perpetuating this system. Instead of positing that femininity is necessarily empowering or essentially good, McCann insists that femininity is neither inherently disempowering, nor it is necessarily bad. McCann contests the idea that those who appear, embody or perform femininity are not “cultural dupes labouring under false-consciousness” but are agentic in their own right as they navigate life and negotiate with power structures and navigate life and their own becoming in it. There is acknowledgement in the book about the messiness of gender and recognition of the fact that masculinity and femininity are rarely coherent and uniformly expressed or articulated.</p><p>McCann uses the term “femininity” to illustrate “style of the body” or appearance, which is a “non-inevitable normative descriptor” that demands attention to more complexity than what is accrued to norms and descriptions. It considers how femininity as a “bodily property” has been conceived of in feminist discourse and how such conception figures in the lives of those who inhabit such styles and the identities that accompany them. It does not dismiss femininity as irrelevant, and does not reject its embodies styles, even as it does not place emphasis on representation as exclusively having the power to bring about political transformation. McCann enquires, “What can the body as feminine do? And What might utopian femininity” look like, while prefacing it with the statement that these questions can be asked instead of feminine embodiments being rendered intelligible only as oppressed. McCann explores queer femininity with attention to her conviction that “feminine styles and accoutrements deserve attention outside of evaluations of their presumed representational significance.”</p><p>Dr. Hannah McCann is Senior Lecturer in Cultural Studies in the School of Culture and Communication at the University of Melbourne. Her research in critical femininity studies explores feminist discourse on femininity, queer femme LGBTQ+ communities, beauty culture, and queer fangirls. She has published in various journals including <em>European Journal of Women’s Studies, Women’s Studies Quarterly,</em> and<em> Signs: Journal of Women in Culture and Society</em>. Her monograph <em>Queering Femininity: Sexuality, Feminism and the Politics of Presentation</em> was published with Routledge in 2018, and her co-authored textbook <em>Queer Theory Now: From Foundations to Futures</em> with Red Globe Press in 2020.</p><p><em>Sohini Chatterjee is PhD Student in the Department of Gender, Sexuality, and Women’s Studies at Western University. She works on queer cultural studies, trans and queer activism, and resistance movements.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1784</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[106a8804-feb7-11eb-830c-bb25492fd1c5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3341699890.mp3?updated=1629135035" length="0" type="audio/mpeg"/>
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    <item>
      <title>Barrett Holmes Pitner, "The Crime Without a Name: Combatting Ethnocide and the Erasure of Culture in America" (Counterpoint, 2021)</title>
      <description>Can new language reshape our understanding of the past and expand the possibilities of the future? The Crime Without a Name: Combatting Ethnocide and the Erasure of Culture in America (Counterpoint, 2021) follows Pitner’s journey to identify and remedy the linguistic void in how we discuss race and culture in the United States. Ethnocide, first coined in 1944 by Jewish exile Raphael Lemkin (who also coined the term “genocide”), describes the systemic erasure of a people’s ancestral culture. For Black Americans, who have endured this atrocity for generations, this erasure dates back to the transatlantic slave trade and reached new resonance in a post-Trump world.
Just as the concept of genocide radically reshaped our perception of human rights in the twentieth century, reframing discussions about race and culture in terms of ethnocide can change the way we understand our diverse and rapidly evolving racial and political climate in a time of increased visibility around police brutality and systemic racism. The Crime Without a Name traces the historical origins of ethnocide in the United States, examines the personal, lived consequences of existing within an ongoing erasure, and offers ways for readers to combat and overcome our country’s ethnocidal foundation.
 Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barrett Holmes Pitner</itunes:subtitle>
      <itunes:summary>Can new language reshape our understanding of the past and expand the possibilities of the future? The Crime Without a Name: Combatting Ethnocide and the Erasure of Culture in America (Counterpoint, 2021) follows Pitner’s journey to identify and remedy the linguistic void in how we discuss race and culture in the United States. Ethnocide, first coined in 1944 by Jewish exile Raphael Lemkin (who also coined the term “genocide”), describes the systemic erasure of a people’s ancestral culture. For Black Americans, who have endured this atrocity for generations, this erasure dates back to the transatlantic slave trade and reached new resonance in a post-Trump world.
Just as the concept of genocide radically reshaped our perception of human rights in the twentieth century, reframing discussions about race and culture in terms of ethnocide can change the way we understand our diverse and rapidly evolving racial and political climate in a time of increased visibility around police brutality and systemic racism. The Crime Without a Name traces the historical origins of ethnocide in the United States, examines the personal, lived consequences of existing within an ongoing erasure, and offers ways for readers to combat and overcome our country’s ethnocidal foundation.
 Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can new language reshape our understanding of the past and expand the possibilities of the future? <a href="https://bookshop.org/a/12343/9781640094840"><em>The Crime Without a Name: Combatting Ethnocide and the Erasure of Culture in America</em></a> (Counterpoint, 2021) follows Pitner’s journey to identify and remedy the linguistic void in how we discuss race and culture in the United States. Ethnocide, first coined in 1944 by Jewish exile Raphael Lemkin (who also coined the term “genocide”), describes the systemic erasure of a people’s ancestral culture. For Black Americans, who have endured this atrocity for generations, this erasure dates back to the transatlantic slave trade and reached new resonance in a post-Trump world.</p><p>Just as the concept of genocide radically reshaped our perception of human rights in the twentieth century, reframing discussions about race and culture in terms of ethnocide can change the way we understand our diverse and rapidly evolving racial and political climate in a time of increased visibility around police brutality and systemic racism. <em>The Crime Without a Name</em> traces the historical origins of ethnocide in the United States, examines the personal, lived consequences of existing within an ongoing erasure, and offers ways for readers to combat and overcome our country’s ethnocidal foundation.</p><p><em> </em><a href="https://www.american.edu/sis/faculty/bachman.cfm"><em>Jeff Bachman</em></a><em> is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3695</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8a07577a-fcfd-11eb-a3de-1bce8048bcfb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4645342433.mp3?updated=1631033208" length="0" type="audio/mpeg"/>
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    <item>
      <title>Matthew Flisfeder, "Algorithmic Desire: Toward a New Structuralist Theory of Social Media" (Northwestern UP, 2021)</title>
      <description>One of the most fundamental aspects of modern life is that much of it is lived on and through social media. We create profiles, post pictures, update stories, and even find new careers and lovers on various sites and apps. But is all this good for us? Our always-online way of living has been called into question for quite some time now, with many people, young and old, finding themselves burned out and disconnected in a world with no shortage of connections. So what does this prevalence of social media mean for our society at large?
This question is one of the starting points for my guest today, Matthew Flisfeder, in his new book Algorithmic Desire: Toward a New Structuralist Theory of Social Media (Northwestern UP, 2021). While he is curious about the affects of social media on society, he also spends much of the book trying to flip the question around and ask: what does the structure of our society mean for social media? Flisfeder is interested in thinking of social media in it’s social, political and economic context, seeing the form our current social media takes as a gateway into broader social and economic structures. This broad Marxist vision is brought together with the theories of subjectivity developed in recent critical theory, particularly of Slavoj Žižek, to better understand both the ways social media hooks us into exploitative mechanisms, but it also gives us some offramps for possible resistance. Flisfeder is no luddite; not only is he himself an enthusiastic user of social media, but his critique here is meant as a course-correction rather than an all-out condemnation. If social media today produces alienation rather than true connection, then what does that tell us about society more broadly? And, more provocatively, what does it mean for broader social critique to take the social in social media seriously?
Matthew Flisfeder is an associate professor of rhetoric and communications at the University of Winnipeg. He is also the author of Postmodern Theory and Bladerunner and The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film. You can follow him on Twitter.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Flisfeder</itunes:subtitle>
      <itunes:summary>One of the most fundamental aspects of modern life is that much of it is lived on and through social media. We create profiles, post pictures, update stories, and even find new careers and lovers on various sites and apps. But is all this good for us? Our always-online way of living has been called into question for quite some time now, with many people, young and old, finding themselves burned out and disconnected in a world with no shortage of connections. So what does this prevalence of social media mean for our society at large?
This question is one of the starting points for my guest today, Matthew Flisfeder, in his new book Algorithmic Desire: Toward a New Structuralist Theory of Social Media (Northwestern UP, 2021). While he is curious about the affects of social media on society, he also spends much of the book trying to flip the question around and ask: what does the structure of our society mean for social media? Flisfeder is interested in thinking of social media in it’s social, political and economic context, seeing the form our current social media takes as a gateway into broader social and economic structures. This broad Marxist vision is brought together with the theories of subjectivity developed in recent critical theory, particularly of Slavoj Žižek, to better understand both the ways social media hooks us into exploitative mechanisms, but it also gives us some offramps for possible resistance. Flisfeder is no luddite; not only is he himself an enthusiastic user of social media, but his critique here is meant as a course-correction rather than an all-out condemnation. If social media today produces alienation rather than true connection, then what does that tell us about society more broadly? And, more provocatively, what does it mean for broader social critique to take the social in social media seriously?
Matthew Flisfeder is an associate professor of rhetoric and communications at the University of Winnipeg. He is also the author of Postmodern Theory and Bladerunner and The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film. You can follow him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the most fundamental aspects of modern life is that much of it is lived on and through social media. We create profiles, post pictures, update stories, and even find new careers and lovers on various sites and apps. But is all this good for us? Our always-online way of living has been called into question for quite some time now, with many people, young and old, finding themselves burned out and disconnected in a world with no shortage of connections. So what does this prevalence of social media mean for our society at large?</p><p>This question is one of the starting points for my guest today, Matthew Flisfeder, in his new book <a href="https://bookshop.org/a/12343/9780810143333"><em>Algorithmic Desire: Toward a New Structuralist Theory of Social Media</em></a><em> </em>(Northwestern UP, 2021). While he is curious about the affects of social media on society, he also spends much of the book trying to flip the question around and ask: what does the structure of our society mean for social media? Flisfeder is interested in thinking of social media in it’s social, political and economic context, seeing the form our current social media takes as a gateway into broader social and economic structures. This broad Marxist vision is brought together with the theories of subjectivity developed in recent critical theory, particularly of Slavoj Žižek, to better understand both the ways social media hooks us into exploitative mechanisms, but it also gives us some offramps for possible resistance. Flisfeder is no luddite; not only is he himself an enthusiastic user of social media, but his critique here is meant as a course-correction rather than an all-out condemnation. If social media today produces alienation rather than true connection, then what does that tell us about society more broadly? And, more provocatively, what does it mean for broader social critique to take the <em>social</em> in <em>social media</em> seriously?</p><p>Matthew Flisfeder is an associate professor of rhetoric and communications at the University of Winnipeg. He is also the author of <em>Postmodern Theory and Bladerunner</em> and <em>The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film</em>. You can follow him on <a href="https://twitter.com/MattFlisfeder">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5193</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[35de9698-ff52-11eb-821a-838301c8fcb9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5993220381.mp3?updated=1629775353" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lynne Huffer, "Foucault`s Strange Eros" (Columbia UP, 2020)</title>
      <description>Lynne Huffer, the Samuel Candler Dobbs Professor of Womens and Gender Studies at Emory University to speaks widely about the body of her work, including her her new book, Foucault’s Strange Eros, out in 2020 with Columbia University Press. 
What is the strange eros that haunts Foucault’s writing? In this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault’s poetic archival method offers a way to counter the disciplining of speech.
At the heart of this method is a conception of the archive as Sapphic: the past’s remains are, like Sappho’s verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault’s antiprison activism, and Monique Wittig’s Sapphic materialism. Through these encounters, Foucault’s Strange Eros conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. Foucault’s Strange Eros hints at the self-hollowing speech of an eros that opens a space for the strange.
 Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lynne Huffer</itunes:subtitle>
      <itunes:summary>Lynne Huffer, the Samuel Candler Dobbs Professor of Womens and Gender Studies at Emory University to speaks widely about the body of her work, including her her new book, Foucault’s Strange Eros, out in 2020 with Columbia University Press. 
What is the strange eros that haunts Foucault’s writing? In this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault’s poetic archival method offers a way to counter the disciplining of speech.
At the heart of this method is a conception of the archive as Sapphic: the past’s remains are, like Sappho’s verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault’s antiprison activism, and Monique Wittig’s Sapphic materialism. Through these encounters, Foucault’s Strange Eros conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. Foucault’s Strange Eros hints at the self-hollowing speech of an eros that opens a space for the strange.
 Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://wgss.emory.edu/home/people/biography/huffer-lynne.html">Lynne Huffer</a>, the Samuel Candler Dobbs Professor of Womens and Gender Studies at Emory University to speaks widely about the body of her work, including her her new book,<a href="https://bookshop.org/books/foucault-s-strange-eros/9780231197151"> </a><a href="https://bookshop.org/a/12343/9780231197151"><em>Foucault’s Strange Eros</em></a>, out in 2020 with Columbia University Press. </p><p>What is the strange eros that haunts Foucault’s writing? In this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault’s poetic archival method offers a way to counter the disciplining of speech.</p><p>At the heart of this method is a conception of the archive as Sapphic: the past’s remains are, like Sappho’s verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault’s antiprison activism, and Monique Wittig’s Sapphic materialism. Through these encounters, <em>Foucault’s Strange Eros</em> conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. <em>Foucault’s Strange Eros</em> hints at the self-hollowing speech of an eros that opens a space for the strange.</p><p><em> </em><a href="https://www.sit.edu/sit_faculty/jana-byars-phd/"><em>Jana Byars</em></a><em> is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[51d6f3fc-fba8-11eb-a3a3-3b67fd271ed3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5230538359.mp3?updated=1628798798" length="0" type="audio/mpeg"/>
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    <item>
      <title>Stanley Mirvis, "The Jews of Eighteenth-Century Jamaica" (Yale UP, 2020)</title>
      <description>Stanley Mirvis' The Jews of Eighteenth-Century Jamaica: A Testamentary History of a Diaspora in Transition (Yale University Press, 2020) offers an in-depth look at the Portuguese Jews of Jamaica and their connections to broader European and Atlantic trade networks. Based on last wills and testaments composed by Jamaican Jews between 1673 and 1815, this book explores the social and familial experiences of one of the most critical yet understudied nodes of the Atlantic Portuguese Jewish Diaspora. Stanley Mirvis examines how Jamaica's Jews worked as traders, planters, pen keepers, physicians, fishermen, and metalworkers, and reveals how they remained both rooted in local Jamaican contexts as well as part of the larger Atlantic Jewish Diasporic community and networks.  
R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1057</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stanley Mirvis</itunes:subtitle>
      <itunes:summary>Stanley Mirvis' The Jews of Eighteenth-Century Jamaica: A Testamentary History of a Diaspora in Transition (Yale University Press, 2020) offers an in-depth look at the Portuguese Jews of Jamaica and their connections to broader European and Atlantic trade networks. Based on last wills and testaments composed by Jamaican Jews between 1673 and 1815, this book explores the social and familial experiences of one of the most critical yet understudied nodes of the Atlantic Portuguese Jewish Diaspora. Stanley Mirvis examines how Jamaica's Jews worked as traders, planters, pen keepers, physicians, fishermen, and metalworkers, and reveals how they remained both rooted in local Jamaican contexts as well as part of the larger Atlantic Jewish Diasporic community and networks.  
R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stanley Mirvis' <a href="https://bookshop.org/a/12343/9780300238815"><em>The Jews of Eighteenth-Century Jamaica: A Testamentary History of a Diaspora in Transition </em></a>(Yale University Press, 2020) offers an in-depth look at the Portuguese Jews of Jamaica and their connections to broader European and Atlantic trade networks. Based on last wills and testaments composed by Jamaican Jews between 1673 and 1815, this book explores the social and familial experiences of one of the most critical yet understudied nodes of the Atlantic Portuguese Jewish Diaspora. Stanley Mirvis examines how Jamaica's Jews worked as traders, planters, pen keepers, physicians, fishermen, and metalworkers, and reveals how they remained both rooted in local Jamaican contexts as well as part of the larger Atlantic Jewish Diasporic community and networks.  </p><p><em>R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3493</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[80a9c99a-fb88-11eb-b3dd-53a7e3747cbb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2297001513.mp3?updated=1628784428" length="0" type="audio/mpeg"/>
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    <item>
      <title>Tom Mould, "Overthrowing the Queen: Telling Stories of Welfare in America" (Indiana UP, 2020)</title>
      <description>It is a familiar story: A recipient of public assistance funds is caught buying expensive steaks, seafood, or other luxury foods with food stamps at the grocery store. Or they wear designer clothes and drive extravagant cars, belying the need for government assistance. Or they game the system in order to buy drugs or alcohol. Or they continue to bear multiple children in the belief that it will increase the amount of government aid they receive so that they can avoid working. Tinged with racial dog whistles and demonizations of poverty, these stories are often circulated as factual accounts of welfare fraud when they seem to operate more closely as contemporary legends – circulated stories with recurring motifs that seem as if they might have actually happened, but its veracity or falseness can be difficult to verify. Contemporary legends often include the caveat of the story happening to a “friend of a friend” though in the case of welfare legends, they often include first-person accounts. While the specific details of contemporary welfare legends are often not verified, the stories themselves are taken as accurate accounts and can impact public policy.
In Overthrowing The Queen: Telling Stories of Welfare In America (Indiana University Press, 2020), Dr. Tom Mould explores these stories about welfare in the context of contemporary legends and their influence on our perceptions of public assistance. In our conversation, he explains the origins of the “welfare queen” stereotype and its connection to a singular woman who defrauded public assistance programs in the 1970s and whose story was thereafter frequently recounted in racially coded terms by Ronald Reagan during his 1976 presidential campaign. We discuss the deep connection that welfare legends have to the idea of the American Dream, often serving as counternarrative or an embodiment of the fears about its attainability. Stereotypes about welfare recipients are so deeply embedded in the American consciousness that recipients feel as they must recount their stories as exceptions to the stereotype.
Such stories about people who defraud government assistance programs are compelling and memorable because they confirm preconceived biases about recipients. We talk about why such stories spread so easily and how they are spread. While contemporary legends are often told in third person, welfare legends are also told in the first person, but as Dr. Mould explains, the stereotypes are so strong that the tellers may have internalized specific details into eyewitness accounts in a move that makes for a more compelling narrative. However, even genuine eyewitness accounts do not provide the entire story – the circumstances that surround the purchase of what may be perceived come across as luxury items (perhaps a special occasion?) or why someone is driving an expensive car (a remnant from a life before falling upon difficult times?). He suggests that we take a “doubt-centered approach” when we hear such stories where we ask ourselves about the parts that may raise doubt - is it factually true? Is our interpretation true? Can this one story be generalizable to all stories about welfare recipients? Such an approach is an important addition to our understanding of how legend works. As our conversation continues, Dr. Mould suggests ways that we can and should counter the welfare legends, and why it is important to reclaim the terms “welfare” as a positive term rather than one that connotes fraud and laziness.  
Dr. Tom Mould is Professor of History and Anthropology at Butler University in Indianapolis, Indiana.
Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tom Mould</itunes:subtitle>
      <itunes:summary>It is a familiar story: A recipient of public assistance funds is caught buying expensive steaks, seafood, or other luxury foods with food stamps at the grocery store. Or they wear designer clothes and drive extravagant cars, belying the need for government assistance. Or they game the system in order to buy drugs or alcohol. Or they continue to bear multiple children in the belief that it will increase the amount of government aid they receive so that they can avoid working. Tinged with racial dog whistles and demonizations of poverty, these stories are often circulated as factual accounts of welfare fraud when they seem to operate more closely as contemporary legends – circulated stories with recurring motifs that seem as if they might have actually happened, but its veracity or falseness can be difficult to verify. Contemporary legends often include the caveat of the story happening to a “friend of a friend” though in the case of welfare legends, they often include first-person accounts. While the specific details of contemporary welfare legends are often not verified, the stories themselves are taken as accurate accounts and can impact public policy.
In Overthrowing The Queen: Telling Stories of Welfare In America (Indiana University Press, 2020), Dr. Tom Mould explores these stories about welfare in the context of contemporary legends and their influence on our perceptions of public assistance. In our conversation, he explains the origins of the “welfare queen” stereotype and its connection to a singular woman who defrauded public assistance programs in the 1970s and whose story was thereafter frequently recounted in racially coded terms by Ronald Reagan during his 1976 presidential campaign. We discuss the deep connection that welfare legends have to the idea of the American Dream, often serving as counternarrative or an embodiment of the fears about its attainability. Stereotypes about welfare recipients are so deeply embedded in the American consciousness that recipients feel as they must recount their stories as exceptions to the stereotype.
Such stories about people who defraud government assistance programs are compelling and memorable because they confirm preconceived biases about recipients. We talk about why such stories spread so easily and how they are spread. While contemporary legends are often told in third person, welfare legends are also told in the first person, but as Dr. Mould explains, the stereotypes are so strong that the tellers may have internalized specific details into eyewitness accounts in a move that makes for a more compelling narrative. However, even genuine eyewitness accounts do not provide the entire story – the circumstances that surround the purchase of what may be perceived come across as luxury items (perhaps a special occasion?) or why someone is driving an expensive car (a remnant from a life before falling upon difficult times?). He suggests that we take a “doubt-centered approach” when we hear such stories where we ask ourselves about the parts that may raise doubt - is it factually true? Is our interpretation true? Can this one story be generalizable to all stories about welfare recipients? Such an approach is an important addition to our understanding of how legend works. As our conversation continues, Dr. Mould suggests ways that we can and should counter the welfare legends, and why it is important to reclaim the terms “welfare” as a positive term rather than one that connotes fraud and laziness.  
Dr. Tom Mould is Professor of History and Anthropology at Butler University in Indianapolis, Indiana.
Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is a familiar story: A recipient of public assistance funds is caught buying expensive steaks, seafood, or other luxury foods with food stamps at the grocery store. Or they wear designer clothes and drive extravagant cars, belying the need for government assistance. Or they game the system in order to buy drugs or alcohol. Or they continue to bear multiple children in the belief that it will increase the amount of government aid they receive so that they can avoid working. Tinged with racial dog whistles and demonizations of poverty, these stories are often circulated as factual accounts of welfare fraud when they seem to operate more closely as contemporary legends – circulated stories with recurring motifs that seem as if they might have actually happened, but its veracity or falseness can be difficult to verify. Contemporary legends often include the caveat of the story happening to a “friend of a friend” though in the case of welfare legends, they often include first-person accounts. While the specific details of contemporary welfare legends are often not verified, the stories themselves are taken as accurate accounts and can impact public policy.</p><p>In <a href="https://bookshop.org/a/12343/9780253048035"><em>Overthrowing The Queen: Telling Stories of Welfare In America</em></a><em> </em>(Indiana University Press, 2020)<em>,</em> Dr. Tom Mould explores these stories about welfare in the context of contemporary legends and their influence on our perceptions of public assistance. In our conversation, he explains the origins of the “welfare queen” stereotype and its connection to a singular woman who defrauded public assistance programs in the 1970s and whose story was thereafter frequently recounted in racially coded terms by Ronald Reagan during his 1976 presidential campaign. We discuss the deep connection that welfare legends have to the idea of the American Dream, often serving as counternarrative or an embodiment of the fears about its attainability. Stereotypes about welfare recipients are so deeply embedded in the American consciousness that recipients feel as they must recount their stories as exceptions to the stereotype.</p><p>Such stories about people who defraud government assistance programs are compelling and memorable because they confirm preconceived biases about recipients. We talk about why such stories spread so easily and how they are spread. While contemporary legends are often told in third person, welfare legends are also told in the first person, but as Dr. Mould explains, the stereotypes are so strong that the tellers may have internalized specific details into eyewitness accounts in a move that makes for a more compelling narrative. However, even genuine eyewitness accounts do not provide the entire story – the circumstances that surround the purchase of what may be perceived come across as luxury items (perhaps a special occasion?) or why someone is driving an expensive car (a remnant from a life before falling upon difficult times?). He suggests that we take a “doubt-centered approach” when we hear such stories where we ask ourselves about the parts that may raise doubt - is it factually true? Is our interpretation true? Can this one story be generalizable to all stories about welfare recipients? Such an approach is an important addition to our understanding of how legend works. As our conversation continues, Dr. Mould suggests ways that we can and should counter the welfare legends, and why it is important to reclaim the terms “welfare” as a positive term rather than one that connotes fraud and laziness.  </p><p><a href="https://www.butler.edu/directory/user/tmould">Dr. Tom Mould</a> is Professor of History and Anthropology at Butler University in Indianapolis, Indiana.</p><p><em>Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[662aef64-f902-11eb-a65c-5f73884225b5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7130316783.mp3?updated=1628507607" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carol Anderson, "The Second: Race and Guns in a Fatally Unequal America" (Bloomsbury, 2021) </title>
      <description>Throughout American history to the twenty-first century, regardless of the laws, court decisions, and changing political environment, the Second Amendment has consistently meant this: That the second a Black person exercises this right, the second they pick up a gun to protect themselves (or the second that they don't), their life--as surely as Philando Castile's, Tamir Rice's, Alton Sterling's--may be snatched away in that single, fatal second. 
In The Second: Race and Guns in a Fatally Unequal America (Bloomsbury, 2021) historian Carol Anderson powerfully illuminates the history and impact of the Second Amendment, how it was designed, and how it has consistently been constructed to keep African Americans powerless and vulnerable. The Second is neither a “pro-gun” nor an “anti-gun” book; the lens is the citizenship rights and human rights of African Americans.
Through compelling historical narrative merging into the unfolding events of today, Anderson's penetrating investigation shows that the Second Amendment is not about guns but about anti-Blackness, shedding shocking new light on another dimension of racism in America.
Dr. Carol Anderson is the Charles Howard Candler Professor and Chair of African American Studies at Emory University. She is the author of One Person, No Vote, longlisted for the National Book Award and a finalist for the PEN/John Kenneth Galbraith Award; White Rage, a New York Times bestseller and winner of the National Book Critics Circle Award; Bourgeois Radicals; and Eyes off the Prize. She was named a Guggenheim Fellow for Constitutional Studies. She lives in Atlanta, Georgia. Connect on Twitter @ProfCAnderson
Dr. Lee Pierce (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>250</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Throughout American history to the twenty-first century, regardless of the laws, court decisions, and changing political environment, the Second Amendment has consistently meant this: That the second a Black person exercises this right, the second they pick up a gun to protect themselves (or the second that they don't), their life--as surely as Philando Castile's, Tamir Rice's, Alton Sterling's--may be snatched away in that single, fatal second. 
In The Second: Race and Guns in a Fatally Unequal America (Bloomsbury, 2021) historian Carol Anderson powerfully illuminates the history and impact of the Second Amendment, how it was designed, and how it has consistently been constructed to keep African Americans powerless and vulnerable. The Second is neither a “pro-gun” nor an “anti-gun” book; the lens is the citizenship rights and human rights of African Americans.
Through compelling historical narrative merging into the unfolding events of today, Anderson's penetrating investigation shows that the Second Amendment is not about guns but about anti-Blackness, shedding shocking new light on another dimension of racism in America.
Dr. Carol Anderson is the Charles Howard Candler Professor and Chair of African American Studies at Emory University. She is the author of One Person, No Vote, longlisted for the National Book Award and a finalist for the PEN/John Kenneth Galbraith Award; White Rage, a New York Times bestseller and winner of the National Book Critics Circle Award; Bourgeois Radicals; and Eyes off the Prize. She was named a Guggenheim Fellow for Constitutional Studies. She lives in Atlanta, Georgia. Connect on Twitter @ProfCAnderson
Dr. Lee Pierce (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Throughout American history to the twenty-first century, regardless of the laws, court decisions, and changing political environment, the Second Amendment has consistently meant this: That the second a Black person exercises this right, the second they pick up a gun to protect themselves (or the second that they don't), their life--as surely as Philando Castile's, Tamir Rice's, Alton Sterling's--may be snatched away in that single, fatal second. </p><p>In <a href="https://bookshop.org/a/12343/9781635574258"><em>The Second: Race and Guns in a Fatally Unequal America</em></a><em> </em>(Bloomsbury, 2021) historian Carol Anderson powerfully illuminates the history and impact of the Second Amendment, how it was designed, and how it has consistently been constructed to keep African Americans powerless and vulnerable. <em>The Second</em> is neither a “pro-gun” nor an “anti-gun” book; the lens is the citizenship rights and human rights of African Americans.</p><p>Through compelling historical narrative merging into the unfolding events of today, Anderson's penetrating investigation shows that the Second Amendment is not about guns but about anti-Blackness, shedding shocking new light on another dimension of racism in America.</p><p><a href="https://www.professorcarolanderson.org/">Dr. Carol Anderson </a>is the Charles Howard Candler Professor and Chair of African American Studies at Emory University. She is the author of <em>One Person, No Vote</em>, longlisted for the National Book Award and a finalist for the PEN/John Kenneth Galbraith Award; <em>White Rage</em>, a <em>New York Times</em> bestseller and winner of the National Book Critics Circle Award; <em>Bourgeois Radicals</em>; and <em>Eyes off the Prize</em>. She was named a Guggenheim Fellow for Constitutional Studies. She lives in Atlanta, Georgia. Connect on Twitter @ProfCAnderson</p><p><a href="https://leempierce.com/"><em>Dr. Lee Pierce</em></a><em> (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast </em><a href="https://rhetoricleespeaking.podbean.com/"><em>RhetoricLee Speaking</em></a><em>. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4479ad5c-f906-11eb-baaa-a759c5f8baac]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9078280275.mp3?updated=1628509290" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrea J. Pitts, "Nos/Otras: Gloria E. Anzaldúa, Multiplicitous Agency, and Resistance" (SUNY Press, 2021)</title>
      <description>How can we think together multiplicity and agency? How can we resist oppression and build transformative political coalitions while attending to the ambivalences and incommensurabilities born of the collective conditions for action, meaning making, and self-understanding? In Nos/Otras: Gloria E. Anzaldúa, Multiplicitous Agency, and Resistance (SUNY Press, 2021), Andrea J. Pitts engages the work of Gloria Anzaldúa and her many readers to give us a framework for consistently returning to these questions as central to struggle for collective flourishing. As part of asking these questions, Pitts delves into critiques arising from disability, critical trans, and Indigenous studies and activism. Pitts provokes us to think ever anew about what is possible between us.
 Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>261</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Andrea J. Pitts</itunes:subtitle>
      <itunes:summary>How can we think together multiplicity and agency? How can we resist oppression and build transformative political coalitions while attending to the ambivalences and incommensurabilities born of the collective conditions for action, meaning making, and self-understanding? In Nos/Otras: Gloria E. Anzaldúa, Multiplicitous Agency, and Resistance (SUNY Press, 2021), Andrea J. Pitts engages the work of Gloria Anzaldúa and her many readers to give us a framework for consistently returning to these questions as central to struggle for collective flourishing. As part of asking these questions, Pitts delves into critiques arising from disability, critical trans, and Indigenous studies and activism. Pitts provokes us to think ever anew about what is possible between us.
 Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we think together multiplicity and agency? How can we resist oppression and build transformative political coalitions while attending to the ambivalences and incommensurabilities born of the collective conditions for action, meaning making, and self-understanding? In <a href="https://bookshop.org/a/12343/9781438484839"><em>Nos/Otras: Gloria E. Anzaldúa, Multiplicitous Agency, and Resistance</em></a><em> </em>(SUNY Press, 2021), Andrea J. Pitts engages the work of Gloria Anzaldúa and her many readers to give us a framework for consistently returning to these questions as central to struggle for collective flourishing. As part of asking these questions, Pitts delves into critiques arising from disability, critical trans, and Indigenous studies and activism. Pitts provokes us to think ever anew about what is possible between us.</p><p><em> </em><a href="https://clas.ucdenver.edu/philosophy/sarah-tyson"><em>Sarah Tyson</em></a><em> is an associate professor of philosophy at the University of Colorado, Denver.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3691</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90bebaa6-fd00-11eb-8c53-1743b6832a2d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4766449620.mp3?updated=1628946639" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicola J. Smith, "Capitalism's Sexual History" (Oxford UP, 2020)</title>
      <description>As ongoing controversies over commercial sex attest, the relationship between capitalism and sexuality is deeply contentious. Economic and sexual practices are assumed to be not only separable but antithetical, hence why paid sex is so often criminalized and morally condemned. Yet, while sexuality is highly politicized in moral terms, it has largely been overlooked in the discipline devoted to the study of global capitalism, international political economy (IPE). Likewise, the prevailing field in sexuality studies, queer theory, has frequently sidelined questions of political economy. Nicola J. Smith's Capitalism's Sexual History (Oxford UP, 2020) calls for critical scholarship to challenge the dichotomy as it not only structures disciplinary debates but is part and parcel of capitalism itself. By exposing the historical mechanisms through which the economy/sexuality dichotomy has been constituted, the book opens up new space for critical inquiry into the intersections between sex, work, and economic and sexual injustice.
Nicola Smith is senior lecturer at the University of Birmingham, and a political economist working on feminist and queer theory, neoliberalism and austerity, sex work and reproductive labour, and the history of the British body politic.
Victoria Holt is a PhD student and a sex worker activist. Her research explores sex workers' experiences of domestic violence.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicola J. Smith</itunes:subtitle>
      <itunes:summary>As ongoing controversies over commercial sex attest, the relationship between capitalism and sexuality is deeply contentious. Economic and sexual practices are assumed to be not only separable but antithetical, hence why paid sex is so often criminalized and morally condemned. Yet, while sexuality is highly politicized in moral terms, it has largely been overlooked in the discipline devoted to the study of global capitalism, international political economy (IPE). Likewise, the prevailing field in sexuality studies, queer theory, has frequently sidelined questions of political economy. Nicola J. Smith's Capitalism's Sexual History (Oxford UP, 2020) calls for critical scholarship to challenge the dichotomy as it not only structures disciplinary debates but is part and parcel of capitalism itself. By exposing the historical mechanisms through which the economy/sexuality dichotomy has been constituted, the book opens up new space for critical inquiry into the intersections between sex, work, and economic and sexual injustice.
Nicola Smith is senior lecturer at the University of Birmingham, and a political economist working on feminist and queer theory, neoliberalism and austerity, sex work and reproductive labour, and the history of the British body politic.
Victoria Holt is a PhD student and a sex worker activist. Her research explores sex workers' experiences of domestic violence.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As ongoing controversies over commercial sex attest, the relationship between capitalism and sexuality is deeply contentious. Economic and sexual practices are assumed to be not only separable but antithetical, hence why paid sex is so often criminalized and morally condemned. Yet, while sexuality is highly politicized in moral terms, it has largely been overlooked in the discipline devoted to the study of global capitalism, international political economy (IPE). Likewise, the prevailing field in sexuality studies, queer theory, has frequently sidelined questions of political economy. Nicola J. Smith's <a href="https://bookshop.org/a/12343/9780197545195"><em>Capitalism's Sexual History</em></a> (Oxford UP, 2020) calls for critical scholarship to challenge the dichotomy as it not only structures disciplinary debates but is part and parcel of capitalism itself. By exposing the historical mechanisms through which the economy/sexuality dichotomy has been constituted, the book opens up new space for critical inquiry into the intersections between sex, work, and economic and sexual injustice.</p><p>Nicola Smith is senior lecturer at the University of Birmingham, and a political economist working on feminist and queer theory, neoliberalism and austerity, sex work and reproductive labour, and the history of the British body politic.</p><p><em>Victoria Holt is a PhD student and a sex worker activist. Her research explores sex workers' experiences of domestic violence.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3768</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6f403608-f9d0-11eb-bd3f-1302b21c9597]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1182172015.mp3?updated=1628596074" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hannah Wohl, "Bound by Creativity: How Contemporary Art Is Created and Judged" (U Chicago Press, 2021)</title>
      <description>What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone.
Hannah Wohl speaks with Pierre d’Alancaisez about Bound by Creativity: How Contemporary Art Is Created and Judged (U Chicago Press, 2021), her ethnographic study of the New York contemporary art scene that reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions and how aesthetic judgment evolves between artist studios, galleries, art fairs, and collectors’ houses.
We mention Paula Cooper Gallery and the work of artists Lucky DeBellevue and Gina Beavers. The Armory Show takes place in NY in early September 2021.
Hannah Wohl is an assistant professor in sociology at University of California, Santa Barbara.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hannah Wohl</itunes:subtitle>
      <itunes:summary>What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone.
Hannah Wohl speaks with Pierre d’Alancaisez about Bound by Creativity: How Contemporary Art Is Created and Judged (U Chicago Press, 2021), her ethnographic study of the New York contemporary art scene that reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions and how aesthetic judgment evolves between artist studios, galleries, art fairs, and collectors’ houses.
We mention Paula Cooper Gallery and the work of artists Lucky DeBellevue and Gina Beavers. The Armory Show takes place in NY in early September 2021.
Hannah Wohl is an assistant professor in sociology at University of California, Santa Barbara.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone.</p><p>Hannah Wohl speaks with Pierre d’Alancaisez about <a href="https://bookshop.org/a/12343/9780226784694"><em>Bound by Creativity: How Contemporary Art Is Created and Judged</em></a><em> </em>(U Chicago Press, 2021), her ethnographic study of the New York contemporary art scene that reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions and how aesthetic judgment evolves between artist studios, galleries, art fairs, and collectors’ houses.</p><p>We mention <a href="https://www.paulacoopergallery.com/">Paula Cooper Gallery</a> and the work of artists <a href="http://www.luckydebellevue.com/">Lucky DeBellevue</a> and <a href="https://www.moma.org/calendar/exhibitions/5034">Gina Beavers</a>. <a href="https://www.thearmoryshow.com/">The Armory Show</a> takes place in NY in early September 2021.</p><p><a href="http://hannahwohl.com/">Hannah Wohl</a> is an assistant professor in sociology at University of California, Santa Barbara.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9d42a8de-f37b-11eb-a1f8-5b860c676dc3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1748256129.mp3?updated=1627900024" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patricia Bickers, "The Ends of Art Criticism" (Lund Humphries Publishers, 2021)</title>
      <description>Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore.
Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview.
Some of the works mentioned in the conversation:

The Freeze exhibitions


That Jerry Saltz tweet


Richard Serra, Weight and Measure



Danielle Brathwaite-Shirley, Black Trans Archive


Pilvi Takala, The Trainee


Cameron Rowland, 3 &amp; 4 Will. IV c. 73


The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2


A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patricia Bickers</itunes:subtitle>
      <itunes:summary>Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore.
Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview.
Some of the works mentioned in the conversation:

The Freeze exhibitions


That Jerry Saltz tweet


Richard Serra, Weight and Measure



Danielle Brathwaite-Shirley, Black Trans Archive


Pilvi Takala, The Trainee


Cameron Rowland, 3 &amp; 4 Will. IV c. 73


The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2


A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, <a href="https://bookshop.org/a/12343/9781848224261"><em>The Ends of Art Criticism</em></a><em> </em>(Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore.</p><p>Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of <a href="http://www.artmonthly.co.uk/">Art Monthly</a>, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview.</p><p>Some of the works mentioned in the conversation:</p><ul>
<li>The <a href="https://en.wikipedia.org/wiki/Freeze_(art_exhibition)"><em>Freeze</em> exhibitions</a>
</li>
<li>That Jerry Saltz <a href="https://twitter.com/jerrysaltz/status/1353732519225675779">tweet</a>
</li>
<li>Richard Serra, <em>Weight </em><a href="https://brooklynrail.org/2017/12/artseen/Measuring-the-Weight-with-Richard-Serra"><em>and Measure</em></a>
</li>
<li>
<a href="https://www.daniellebrathwaiteshirley.com/">Danielle Brathwaite-Shirley</a>, <a href="https://blacktransarchive.com/"><em>Black Trans Archive</em></a>
</li>
<li>Pilvi Takala, <a href="https://pilvitakala.com/the-trainee">The Trainee</a>
</li>
<li>Cameron Rowland, <a href="https://www.ica.art/exhibitions/cameron-rowland">3 &amp; 4 Will. IV c. 73</a>
</li>
<li>The Art Monthly <em>Talking Art</em> anthology of artist interviews: <a href="https://www.cornerhousepublications.org/publications/talking-art-volume-1-2nd-edition/">Volume 1</a>, <a href="https://www.cornerhousepublications.org/publications/talking-art-2/">Volume 2</a>
</li>
</ul><p>A bonus episode with an extra 20 minutes from the conversation is available <a href="http://petitpoi.net/patricia-bickers-the-ends-of-art-criticism/">on Pierre’s website</a>.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3873</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f7011a0a-eed4-11eb-a8f3-af4457ae171b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9297239449.mp3?updated=1627388569" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kanika Batra, "Worlding Postcolonial Sexualities: Publics, Counterpublics, Human Rights" (Routledge, 2021)</title>
      <description>Worlding Postcolonial Sexualities: Publics, Counterpublics, Human Rights (Routledge, 2021) demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance.
The book's comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impacting the status of women and sexual minorities; a marked increase in sexual violence; piecemeal reproductive freedoms and sexual choice under neoliberalism; the emergence and management of the HIV/AIDS crisis; precariousness of lesbian and transgender concerns within feminist and LGBTQ+ movements; and Non-Governmental Organizations as major actors articulating sexual rights as human rights. This methodologically innovative work is based on archival historical research, analyses of national and international policy documents, close readings of activist publications, and conversations with activists and founding editors.
This is an important intervention in the field of gender and sexuality studies and is the winner of the 2020 Feminist Futures, Subversive Histories prize in partnership with the NWSA. The book is key reading for scholars and students in gender, sexuality, comparative literature, and postcolonial studies.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 05 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kanika Batra</itunes:subtitle>
      <itunes:summary>Worlding Postcolonial Sexualities: Publics, Counterpublics, Human Rights (Routledge, 2021) demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance.
The book's comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impacting the status of women and sexual minorities; a marked increase in sexual violence; piecemeal reproductive freedoms and sexual choice under neoliberalism; the emergence and management of the HIV/AIDS crisis; precariousness of lesbian and transgender concerns within feminist and LGBTQ+ movements; and Non-Governmental Organizations as major actors articulating sexual rights as human rights. This methodologically innovative work is based on archival historical research, analyses of national and international policy documents, close readings of activist publications, and conversations with activists and founding editors.
This is an important intervention in the field of gender and sexuality studies and is the winner of the 2020 Feminist Futures, Subversive Histories prize in partnership with the NWSA. The book is key reading for scholars and students in gender, sexuality, comparative literature, and postcolonial studies.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367772109"><em>Worlding Postcolonial Sexualities: Publics, Counterpublics, Human Right</em></a><em>s </em>(Routledge, 2021) demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance.</p><p>The book's comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impacting the status of women and sexual minorities; a marked increase in sexual violence; piecemeal reproductive freedoms and sexual choice under neoliberalism; the emergence and management of the HIV/AIDS crisis; precariousness of lesbian and transgender concerns within feminist and LGBTQ+ movements; and Non-Governmental Organizations as major actors articulating sexual rights as human rights. This methodologically innovative work is based on archival historical research, analyses of national and international policy documents, close readings of activist publications, and conversations with activists and founding editors.</p><p>This is an important intervention in the field of gender and sexuality studies and is the winner of the 2020 Feminist Futures, Subversive Histories prize in partnership with the NWSA. The book is key reading for scholars and students in gender, sexuality, comparative literature, and postcolonial studies.</p><p><a href="https://twitter.com/rs643_rachel"><em>Rachel Stuart</em></a><em> is a sex work researcher whose primary interest is the lived experiences of sex workers.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4063</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cae99318-ec93-11eb-bfeb-2741d3c1b407]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1334568786.mp3?updated=1627140955" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Malcolm James, "Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos" (Bloomsbury, 2020)</title>
      <description>How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Studies at the University of Sussex, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>240</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Malcolm James</itunes:subtitle>
      <itunes:summary>How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Studies at the University of Sussex, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can music change the world? In <a href="https://bookshop.org/a/12343/9781501320729"><em>Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos</em></a><em> </em>(Bloomsbury, 2020), <a href="https://twitter.com/mookron">Malcolm James</a>, <a href="https://profiles.sussex.ac.uk/p355671-malcolm-james/about">Senior Lecturer in Media and Cultural Studies at the University of Sussex</a>, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2163</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[930d0ca0-ebd4-11eb-a74d-db81d7947cec]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3122000152.mp3?updated=1627058963" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frans-Willem Korsten, "Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption" (Hart Publishing, 2021)</title>
      <description>Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption (Hart Publishing, 2021) looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. Such calls may have their positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it.
Frans-Willem Korsten speaks with Pierre d'Alancaisez about art that attempts to support - or disturb - law in pursuit of justice. He discusses Milo Rau's The Congo Tribunal, Valeria Luiselli's novel Lost Children Archive, the practice of Forensic Architecture, and Nicolas Winding Refn's film Only God Forgives. Through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light.
Frans-Willem Korsten holds the chair in “Literature and Society” at the Erasmus School of Philosophy and works at the Leiden University Centre for the Arts in Society in the Netherlands.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frans-Willem Korsten</itunes:subtitle>
      <itunes:summary>Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption (Hart Publishing, 2021) looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. Such calls may have their positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it.
Frans-Willem Korsten speaks with Pierre d'Alancaisez about art that attempts to support - or disturb - law in pursuit of justice. He discusses Milo Rau's The Congo Tribunal, Valeria Luiselli's novel Lost Children Archive, the practice of Forensic Architecture, and Nicolas Winding Refn's film Only God Forgives. Through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light.
Frans-Willem Korsten holds the chair in “Literature and Society” at the Erasmus School of Philosophy and works at the Leiden University Centre for the Arts in Society in the Netherlands.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781509944347"><em>Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption</em></a><em> </em>(Hart Publishing, 2021) looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. Such calls may have their positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it.</p><p>Frans-Willem Korsten speaks with Pierre d'Alancaisez about art that attempts to support - or disturb - law in pursuit of justice. He discusses Milo Rau's <a href="http://www.the-congo-tribunal.com/"><em>The Congo Tribunal</em></a>, Valeria Luiselli's novel <em>Lost Children Archive</em>, the practice of <a href="https://forensic-architecture.org/">Forensic Architecture</a>, and Nicolas Winding Refn's film <em>Only God Forgives</em>. Through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light.</p><p>Frans-Willem Korsten holds the chair in “Literature and Society” at the Erasmus School of Philosophy and works at the Leiden University Centre for the Arts in Society in the Netherlands.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f4d1528a-eae3-11eb-9948-d77a37c9c135]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6389653003.mp3?updated=1626955208" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Annemarie Mol, "Eating in Theory" (Duke UP, 2021)</title>
      <description>As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory (Duke UP, 2021), Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate--and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence.
Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>238</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Annemarie Mol</itunes:subtitle>
      <itunes:summary>As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory (Duke UP, 2021), Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate--and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence.
Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In <a href="https://bookshop.org/a/12343/9781478011415"><em>Eating in Theory</em></a><em> </em>(Duke UP, 2021), Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate--and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence.</p><p><a href="https://uni-tuebingen.academia.edu/KaiWortmann"><em>Kai Wortman</em></a><em> is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3198</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[86f5f9b8-e30f-11eb-9c95-af2ad8f967f5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4951199303.mp3?updated=1626352827" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marcello Tarì, "There Is No Unhappy Revolution: The Communism of Destitution" (Common Notions, 2021)</title>
      <description>The Marxist philosopher Theodor Adorno once quipped that much of his work was written without practical applications in mind, and that the constant demand for immediate practical relevance felt like being asked by occupied forces to present one’s papers. While hyperbolic, the frustration is real among many progressive activists and intellectuals, and also points to a real problem within political engagement, with how the need to act right now sometimes can cloud judgment. Against this grain, some occasionally step up in encouraging us to step back and collect ourselves and our thoughts. One such writer is the topic of this episode, Marcello Tari, whose recent book There Is No Unhappy Revolution: The Communism of Destitution (Common Notions, 2021) recently became the first of his translated into English.
Written from and for a scattered and confused left, the book has a style resembling the more esoteric and messianic figures in the lefts history, most notably Walter Benjamin, who appears throughout the books footnotes. In a series of chapters that wander through a number of disparate topics, it slowly develops a few key themes around late capitalism, violence, oppression, revolution and temporality, although a simple definition or analysis of any one of these elements in isolation never comes; instead they are developed and intertwined in various ways as a way of understanding the social and psychological knots we’re caught in. Easy fixes don’t come easy here either; instead Tari’s goal is in many ways to cultivate our sensitivity to our current political predicament, to speak to comrades in a way that generates a productive confusion that might help us think more critically about what’s needed.
In the discussion that follows, Tari was unable to join us, but I was instead joined by two artists, Ayreen and Rene, who have known Tari for some time and proved careful and patient guides through the text. My typical formula for working through texts with guests broke down here; with every question I asked if they could define a term, or explain a passage, and every time they would take various detours through topics and themes I hadn’t expected, only to eventually come back to my initial question, but with a newfound angle into it I hadn’t picked up on during my own reading of the book. As a result, I left the conversation feeling like I was finally able to read the book, and I appreciate their willingness to sit with me on it. This book was challenging to read, and is even more challenging to describe, but it should be of interest to anyone engaged in contemporary political struggle.
Tari is a self-described ‘barefoot’ researcher of contemporary political movements and struggles, and has published works in both French and Italian. He is also the translator of The Invisible Committee’s The Coming Insurrection.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>239</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A Discussion of "There Is No Unhappy Revolution"</itunes:subtitle>
      <itunes:summary>The Marxist philosopher Theodor Adorno once quipped that much of his work was written without practical applications in mind, and that the constant demand for immediate practical relevance felt like being asked by occupied forces to present one’s papers. While hyperbolic, the frustration is real among many progressive activists and intellectuals, and also points to a real problem within political engagement, with how the need to act right now sometimes can cloud judgment. Against this grain, some occasionally step up in encouraging us to step back and collect ourselves and our thoughts. One such writer is the topic of this episode, Marcello Tari, whose recent book There Is No Unhappy Revolution: The Communism of Destitution (Common Notions, 2021) recently became the first of his translated into English.
Written from and for a scattered and confused left, the book has a style resembling the more esoteric and messianic figures in the lefts history, most notably Walter Benjamin, who appears throughout the books footnotes. In a series of chapters that wander through a number of disparate topics, it slowly develops a few key themes around late capitalism, violence, oppression, revolution and temporality, although a simple definition or analysis of any one of these elements in isolation never comes; instead they are developed and intertwined in various ways as a way of understanding the social and psychological knots we’re caught in. Easy fixes don’t come easy here either; instead Tari’s goal is in many ways to cultivate our sensitivity to our current political predicament, to speak to comrades in a way that generates a productive confusion that might help us think more critically about what’s needed.
In the discussion that follows, Tari was unable to join us, but I was instead joined by two artists, Ayreen and Rene, who have known Tari for some time and proved careful and patient guides through the text. My typical formula for working through texts with guests broke down here; with every question I asked if they could define a term, or explain a passage, and every time they would take various detours through topics and themes I hadn’t expected, only to eventually come back to my initial question, but with a newfound angle into it I hadn’t picked up on during my own reading of the book. As a result, I left the conversation feeling like I was finally able to read the book, and I appreciate their willingness to sit with me on it. This book was challenging to read, and is even more challenging to describe, but it should be of interest to anyone engaged in contemporary political struggle.
Tari is a self-described ‘barefoot’ researcher of contemporary political movements and struggles, and has published works in both French and Italian. He is also the translator of The Invisible Committee’s The Coming Insurrection.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Marxist philosopher Theodor Adorno once quipped that much of his work was written without practical applications in mind, and that the constant demand for immediate practical relevance felt like being asked by occupied forces to present one’s papers. While hyperbolic, the frustration is real among many progressive activists and intellectuals, and also points to a real problem within political engagement, with how the need to act right now sometimes can cloud judgment. Against this grain, some occasionally step up in encouraging us to step back and collect ourselves and our thoughts. One such writer is the topic of this episode, Marcello Tari, whose recent book <a href="https://bookshop.org/a/12343/9781942173168"><em>There Is No Unhappy Revolution: The Communism of Destitution</em></a><em> </em>(Common Notions, 2021) recently became the first of his translated into English.</p><p>Written from and for a scattered and confused left, the book has a style resembling the more esoteric and messianic figures in the lefts history, most notably Walter Benjamin, who appears throughout the books footnotes. In a series of chapters that wander through a number of disparate topics, it slowly develops a few key themes around late capitalism, violence, oppression, revolution and temporality, although a simple definition or analysis of any one of these elements in isolation never comes; instead they are developed and intertwined in various ways as a way of understanding the social and psychological knots we’re caught in. Easy fixes don’t come easy here either; instead Tari’s goal is in many ways to cultivate our sensitivity to our current political predicament, to speak to comrades in a way that generates a productive confusion that might help us think more critically about what’s needed.</p><p>In the discussion that follows, Tari was unable to join us, but I was instead joined by two artists, Ayreen and Rene, who have known Tari for some time and proved careful and patient guides through the text. My typical formula for working through texts with guests broke down here; with every question I asked if they could define a term, or explain a passage, and every time they would take various detours through topics and themes I hadn’t expected, only to eventually come back to my initial question, but with a newfound angle into it I hadn’t picked up on during my own reading of the book. As a result, I left the conversation feeling like I was finally able to read the book, and I appreciate their willingness to sit with me on it. This book was challenging to read, and is even more challenging to describe, but it should be of interest to anyone engaged in contemporary political struggle.</p><p>Tari is a self-described ‘barefoot’ researcher of contemporary political movements and struggles, and has published works in both French and Italian. He is also the translator of The Invisible Committee’s <em>The Coming Insurrection</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4420</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[de1ba242-e4c7-11eb-96ea-1fba6e4527eb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7960252287.mp3?updated=1626284545" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rafia Zakaria, "Against White Feminism: Notes on Disruption" (W. W. Norton, 2021)</title>
      <description>Elite white women have branded feminism, promising an apolitical individual empowerment along with sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity. As Rafia Zakaria expertly argues in Against White Feminism: Notes on Disruption (W. W. Norton, 2021)﻿, those promises have been proven empty and white feminists have leant on their racial privilege and sense of cultural superiority. Drawing on her own experiences as an American Muslim woman, as well as an attorney working on behalf of immigrant women, Zakaria champions a reconstruction of feminism that forges true solidarity by bringing Black and brown voices and goals to the fore.
Ranging from the savior complex of British feminist imperialists to the condescension of the white feminist-led "development industrial complex" and the conflation of sexual liberation as the "sum total of empowerment," Zakaria presents an eye-opening indictment of how whiteness has contributed to a feminist movement that solely serves the interests of upper middle-class white women.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rafia Zakaria</itunes:subtitle>
      <itunes:summary>Elite white women have branded feminism, promising an apolitical individual empowerment along with sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity. As Rafia Zakaria expertly argues in Against White Feminism: Notes on Disruption (W. W. Norton, 2021)﻿, those promises have been proven empty and white feminists have leant on their racial privilege and sense of cultural superiority. Drawing on her own experiences as an American Muslim woman, as well as an attorney working on behalf of immigrant women, Zakaria champions a reconstruction of feminism that forges true solidarity by bringing Black and brown voices and goals to the fore.
Ranging from the savior complex of British feminist imperialists to the condescension of the white feminist-led "development industrial complex" and the conflation of sexual liberation as the "sum total of empowerment," Zakaria presents an eye-opening indictment of how whiteness has contributed to a feminist movement that solely serves the interests of upper middle-class white women.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elite white women have branded feminism, promising an apolitical individual empowerment along with sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity. As Rafia Zakaria expertly argues in <a href="https://bookshop.org/a/12343/9781324006619"><em>Against White Feminism: Notes on Disruption</em></a> (W. W. Norton, 2021)﻿, those promises have been proven empty and white feminists have leant on their racial privilege and sense of cultural superiority. Drawing on her own experiences as an American Muslim woman, as well as an attorney working on behalf of immigrant women, Zakaria champions a reconstruction of feminism that forges true solidarity by bringing Black and brown voices and goals to the fore.</p><p>Ranging from the savior complex of British feminist imperialists to the condescension of the white feminist-led "development industrial complex" and the conflation of sexual liberation as the "sum total of empowerment," Zakaria presents an eye-opening indictment of how whiteness has contributed to a feminist movement that solely serves the interests of upper middle-class white women.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2902</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b20f41a-e4ae-11eb-8a9e-77e21ea6a0d3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9274271142.mp3?updated=1626272523" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lorenzo Fusaro, "Crises and Hegemonic Transitions: From Gramsci's Quaderni to the Contemporary World Economy" (Haymarket Books, 2020)</title>
      <description>Gramsci’s concept of hegemony is often invoked, but usually as a means of cultural critique and analysis. However, my guest Lorenzo Fusaro argues in his recent book Crises and Hegemonic Transitions: From Gramsci's Quaderni to the Contemporary World Economy (Haymarket Books, 2020) that Gramsci’s work is permeated by Marx’s economic critique and his theories of value. Split into two parts, the book is both a critical rereading of Gramsci, followed by a rereading of the last century of economic and political developments. The first half of the book involves a careful rereading of key concepts in Gramsci’s Prison Notebooks, rethinking concepts such as hegemony as being more closely related to the base, instead of simply being superstructural description. Hegemony is not above and beyond economic dynamics and antagonisms, but emerges from them and changes alongside them. This allows for a broadening of the theory conceptually, and also allows him to apply it to international relations, instead of being confined to a particular state. The second half of the book then traces the economic history of the 20th century, starting with the rise of the United States in the international scene in the 1920’s, and following through to its eventual unraveling on the world stage in the present day. And even though the book was first published in 2018, at the end Fusaro offered some speculations on how this reworked theory of hegemony might help us think about the recent COVID crisis and its aftermath. Synthesizing theory, history and economics, this is a book that offers a powerful punch, and will reward readers from a number of different angles, and offers some dynamic theoretical resources for understanding our current crisis, and what might be just around the corner. 
The book was first published by Brill as part of the Historical Materialism book series, and is now available in paperback from Haymarket.
Lorenzo Fusaro received his PhD in international political economy at King's College, London. He is an associate professor of political economy at the Universidad Autonoma Metropolitana in Mexico, and is also one of the editors of Revisiting Gramsci’s Laboratory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lorenzo Fusaro</itunes:subtitle>
      <itunes:summary>Gramsci’s concept of hegemony is often invoked, but usually as a means of cultural critique and analysis. However, my guest Lorenzo Fusaro argues in his recent book Crises and Hegemonic Transitions: From Gramsci's Quaderni to the Contemporary World Economy (Haymarket Books, 2020) that Gramsci’s work is permeated by Marx’s economic critique and his theories of value. Split into two parts, the book is both a critical rereading of Gramsci, followed by a rereading of the last century of economic and political developments. The first half of the book involves a careful rereading of key concepts in Gramsci’s Prison Notebooks, rethinking concepts such as hegemony as being more closely related to the base, instead of simply being superstructural description. Hegemony is not above and beyond economic dynamics and antagonisms, but emerges from them and changes alongside them. This allows for a broadening of the theory conceptually, and also allows him to apply it to international relations, instead of being confined to a particular state. The second half of the book then traces the economic history of the 20th century, starting with the rise of the United States in the international scene in the 1920’s, and following through to its eventual unraveling on the world stage in the present day. And even though the book was first published in 2018, at the end Fusaro offered some speculations on how this reworked theory of hegemony might help us think about the recent COVID crisis and its aftermath. Synthesizing theory, history and economics, this is a book that offers a powerful punch, and will reward readers from a number of different angles, and offers some dynamic theoretical resources for understanding our current crisis, and what might be just around the corner. 
The book was first published by Brill as part of the Historical Materialism book series, and is now available in paperback from Haymarket.
Lorenzo Fusaro received his PhD in international political economy at King's College, London. He is an associate professor of political economy at the Universidad Autonoma Metropolitana in Mexico, and is also one of the editors of Revisiting Gramsci’s Laboratory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gramsci’s concept of hegemony is often invoked, but usually as a means of cultural critique and analysis. However, my guest Lorenzo Fusaro argues in his recent book <a href="https://bookshop.org/a/12343/9781642590418"><em>Crises and Hegemonic Transitions: From Gramsci's Quaderni to the Contemporary World Economy</em></a><em> </em>(Haymarket Books, 2020) that Gramsci’s work is permeated by Marx’s economic critique and his theories of value. Split into two parts, the book is both a critical rereading of Gramsci, followed by a rereading of the last century of economic and political developments. The first half of the book involves a careful rereading of key concepts in Gramsci’s <em>Prison Notebooks</em>, rethinking concepts such as hegemony as being more closely related to the base, instead of simply being superstructural description. Hegemony is not above and beyond economic dynamics and antagonisms, but emerges from them and changes alongside them. This allows for a broadening of the theory conceptually, and also allows him to apply it to international relations, instead of being confined to a particular state. The second half of the book then traces the economic history of the 20th century, starting with the rise of the United States in the international scene in the 1920’s, and following through to its eventual unraveling on the world stage in the present day. And even though the book was first published in 2018, at the end Fusaro offered some speculations on how this reworked theory of hegemony might help us think about the recent COVID crisis and its aftermath. Synthesizing theory, history and economics, this is a book that offers a powerful punch, and will reward readers from a number of different angles, and offers some dynamic theoretical resources for understanding our current crisis, and what might be just around the corner. </p><p>The book was first published by <a href="https://brill.com/view/title/31701">Brill</a> as part of the <a href="https://www.historicalmaterialism.org/index.php/">Historical Materialism</a> book series, and is now available in paperback from <a href="https://www.haymarketbooks.org/books/1389-crises-and-hegemonic-transitions">Haymarket</a>.</p><p>Lorenzo Fusaro received his PhD in international political economy at King's College, London. He is an associate professor of political economy at the Universidad Autonoma Metropolitana in Mexico, and is also one of the editors of <a href="https://www.haymarketbooks.org/books/1566-revisiting-gramsci-s-notebooks"><em>Revisiting Gramsci’s Laboratory</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3681</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[10655606-e30d-11eb-a023-bb8513552a75]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4570292947.mp3?updated=1626093991" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gayle Rogers, "Speculation: A Cultural History from Aristotle to AI" (Columbia UP, 2021)</title>
      <description>In a world that purports to know more about the future than any before it, why do we still need speculation? Insubstantial speculations – from utopian thinking to high-risk stock gambles – often provoke backlash, even when they prove prophetic. Why does this hypothetical way of thinking generate such controversy?
Gayle Rogers, author of Speculation: A Cultural History from Aristotle to AI (Columbia UP, 2021), speaks with Pierre d’Alancaisez about the intellectual history of speculation: from the mirror and the watch tower, the Calvinist reformation, the scientific revolution, through Jane Austen, to the founding of the United States, and the shape of contemporary capitalism – with booms, manias, busts, and bubbles along the way. Unraveling these histories and many other disputes, Rogers argues that what has always been at stake in arguments over speculation, and why it so often appears so threatening, is the authority to produce and control knowledge about the future.
Gayle Rogers is professor and chair of English at the University of Pittsburgh.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gayle Rogers</itunes:subtitle>
      <itunes:summary>In a world that purports to know more about the future than any before it, why do we still need speculation? Insubstantial speculations – from utopian thinking to high-risk stock gambles – often provoke backlash, even when they prove prophetic. Why does this hypothetical way of thinking generate such controversy?
Gayle Rogers, author of Speculation: A Cultural History from Aristotle to AI (Columbia UP, 2021), speaks with Pierre d’Alancaisez about the intellectual history of speculation: from the mirror and the watch tower, the Calvinist reformation, the scientific revolution, through Jane Austen, to the founding of the United States, and the shape of contemporary capitalism – with booms, manias, busts, and bubbles along the way. Unraveling these histories and many other disputes, Rogers argues that what has always been at stake in arguments over speculation, and why it so often appears so threatening, is the authority to produce and control knowledge about the future.
Gayle Rogers is professor and chair of English at the University of Pittsburgh.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a world that purports to know more about the future than any before it, why do we still need speculation? Insubstantial speculations – from utopian thinking to high-risk stock gambles – often provoke backlash, even when they prove prophetic. Why does this hypothetical way of thinking generate such controversy?</p><p>Gayle Rogers, author of <a href="https://bookshop.org/a/12343/9780231200219"><em>Speculation: A Cultural History from Aristotle to AI</em></a> (Columbia UP, 2021), speaks with Pierre d’Alancaisez about the intellectual history of speculation: from the mirror and the watch tower, the Calvinist reformation, the scientific revolution, through Jane Austen, to the founding of the United States, and the shape of contemporary capitalism – with booms, manias, busts, and bubbles along the way. Unraveling these histories and many other disputes, Rogers argues that what has always been at stake in arguments over speculation, and why it so often appears so threatening, is the authority to produce and control knowledge about the future.</p><p><a href="https://twitter.com/grogers_pitt">Gayle Rogers</a> is professor and chair of English at the University of Pittsburgh.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3777</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5b41ae9c-e4a0-11eb-b64e-f7002e9e53b0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4087530942.mp3?updated=1626266460" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Meryl Altman, "Beauvoir in Time" (Brill, 2020)</title>
      <description>Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of The Second Sex within international feminist theory, Altman offers insights into how Beauvoir is still relevant in the age of intersectionality and identity politics.
Meryl Altman is Professor of English and Women's Studies at DePauw University.
Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Meryl Altman</itunes:subtitle>
      <itunes:summary>Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of The Second Sex within international feminist theory, Altman offers insights into how Beauvoir is still relevant in the age of intersectionality and identity politics.
Meryl Altman is Professor of English and Women's Studies at DePauw University.
Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Meryl Altman's new book <a href="https://bookshop.org/a/12343/9789004431201"><em>Beauvoir in Time</em></a><em>,</em> published by Brill Rodopi Press (2020), situates Simone de Beauvoir's <em>The Second Sex </em>(1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of <em>The Second Sex</em> within international feminist theory, Altman offers insights into how Beauvoir is still relevant in the age of intersectionality and identity politics.</p><p>Meryl Altman is Professor of English and Women's Studies at DePauw University.</p><p><a href="http://www.lilianbarger.com/"><em>Lilian Calles Barger</em></a><em> is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4053</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[77d85a60-e0ae-11eb-9ef8-5f4a1aa0a49f]]></guid>
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    </item>
    <item>
      <title>Scott Krzych, "Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria" (Oxford UP, 2021)</title>
      <description>Scott Krzych's book Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria (Oxford University Press, 2021) offers the first scholarly study of contemporary right-wing documentary film and video. Drawing from contemporary work in political theory and psychoanalytic theory, the book identifies what author Scott Krzych describes as the hysterical discourse prolific in conservative documentary in particular, and right-wing media more generally.
In our chat, Scott and I review the development of conservative documentaries and discuss the various frameworks used to present ideas, as well as specific methods used to present information.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Scott Krzych</itunes:subtitle>
      <itunes:summary>Scott Krzych's book Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria (Oxford University Press, 2021) offers the first scholarly study of contemporary right-wing documentary film and video. Drawing from contemporary work in political theory and psychoanalytic theory, the book identifies what author Scott Krzych describes as the hysterical discourse prolific in conservative documentary in particular, and right-wing media more generally.
In our chat, Scott and I review the development of conservative documentaries and discuss the various frameworks used to present ideas, as well as specific methods used to present information.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Scott Krzych's book<em> </em><a href="https://bookshop.org/a/12343/9780197551226"><em>Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria</em></a><em> </em>(Oxford University Press, 2021) offers the first scholarly study of contemporary right-wing documentary film and video. Drawing from contemporary work in political theory and psychoanalytic theory, the book identifies what author Scott Krzych describes as the hysterical discourse prolific in conservative documentary in particular, and right-wing media more generally.</p><p>In our chat, Scott and I review the development of conservative documentaries and discuss the various frameworks used to present ideas, as well as specific methods used to present information.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4457</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9643711e-e0aa-11eb-9d07-bbb676d877ae]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9582073425.mp3?updated=1625831128" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eugene T. Richardson, "Epidemic Illusions: On the Coloniality of Global Public Health" (MIT Press, 2020)</title>
      <description>In Epidemic Illusions: On the Coloniality of Global Public Health (MIT Press, 2020), physician-anthropologist Eugene T. Richardson explores how public health practices—from epidemiological modeling to outbreak containment—help perpetuate global inequities.
This book questions the Global North's "monopoly on truth" in global public health science, making a provocative claim: that public health science manages and maintains global health inequity. Richardson, a physician and anthropologist, examines the conventional public health approach to epidemiology through the lens of a participant-observer, identifying a dogmatic commitment to the quantitative paradigm. This paradigm, he argues, plays a role in causing and perpetrating public health crises. The mechanisms of public health science--and epidemiology in particular--that set public health agendas and claim a monopoly on truth stem from a colonial, racist, and patriarchal system that had its inception in 1492.
Deploying a range of rhetorical tools, including ironism, “redescriptions” of public health crises, Platonic dialogue, flash fiction, allegory, and koan, Richardson describes how epidemiology uses models of disease causation that serve protected affluence (the possessing classes) by setting epistemic limits to the understanding of why some groups live sicker lives than others—limits that sustain predatory accumulation rather than challenge it. Drawing on his clinical work in a variety of epidemics, including Ebola in West Africa and the Democratic Republic of Congo, leishmania in the Sudan, HIV/TB in southern Africa, diphtheria in Bangladesh, and SARS-CoV-2 in the United States, he concludes that the biggest epidemic we currently face is an epidemic of illusions—one that is propagated by the coloniality of knowledge production.
Eugene T. Richardson, MD, PhD, is Assistant Professor of Global Health and Social Medicine at Harvard Medical School, Visiting Faculty at the University of Global Health Equity in Butaro, Rwanda, and Chair of the Lancet Commission on Reparations and Redistributive Justice.
Catriona Gold is a PhD candidate in Geography at University College London. Her current work concerns the politics of travel in Cold War US; she has previously published on US intervention in the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Eugene T. Richardson</itunes:subtitle>
      <itunes:summary>In Epidemic Illusions: On the Coloniality of Global Public Health (MIT Press, 2020), physician-anthropologist Eugene T. Richardson explores how public health practices—from epidemiological modeling to outbreak containment—help perpetuate global inequities.
This book questions the Global North's "monopoly on truth" in global public health science, making a provocative claim: that public health science manages and maintains global health inequity. Richardson, a physician and anthropologist, examines the conventional public health approach to epidemiology through the lens of a participant-observer, identifying a dogmatic commitment to the quantitative paradigm. This paradigm, he argues, plays a role in causing and perpetrating public health crises. The mechanisms of public health science--and epidemiology in particular--that set public health agendas and claim a monopoly on truth stem from a colonial, racist, and patriarchal system that had its inception in 1492.
Deploying a range of rhetorical tools, including ironism, “redescriptions” of public health crises, Platonic dialogue, flash fiction, allegory, and koan, Richardson describes how epidemiology uses models of disease causation that serve protected affluence (the possessing classes) by setting epistemic limits to the understanding of why some groups live sicker lives than others—limits that sustain predatory accumulation rather than challenge it. Drawing on his clinical work in a variety of epidemics, including Ebola in West Africa and the Democratic Republic of Congo, leishmania in the Sudan, HIV/TB in southern Africa, diphtheria in Bangladesh, and SARS-CoV-2 in the United States, he concludes that the biggest epidemic we currently face is an epidemic of illusions—one that is propagated by the coloniality of knowledge production.
Eugene T. Richardson, MD, PhD, is Assistant Professor of Global Health and Social Medicine at Harvard Medical School, Visiting Faculty at the University of Global Health Equity in Butaro, Rwanda, and Chair of the Lancet Commission on Reparations and Redistributive Justice.
Catriona Gold is a PhD candidate in Geography at University College London. Her current work concerns the politics of travel in Cold War US; she has previously published on US intervention in the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780262045605"><em>Epidemic Illusions: On the Coloniality of Global Public Health</em></a><em> </em>(MIT Press, 2020), physician-anthropologist Eugene T. Richardson<em> </em>explores how public health practices—from epidemiological modeling to outbreak containment—help perpetuate global inequities.</p><p>This book questions the Global North's "monopoly on truth" in global public health science, making a provocative claim: that public health science manages and maintains global health inequity. Richardson, a physician and anthropologist, examines the conventional public health approach to epidemiology through the lens of a participant-observer, identifying a dogmatic commitment to the quantitative paradigm. This paradigm, he argues, plays a role in causing and perpetrating public health crises. The mechanisms of public health science--and epidemiology in particular--that set public health agendas and claim a monopoly on truth stem from a colonial, racist, and patriarchal system that had its inception in 1492.</p><p>Deploying a range of rhetorical tools, including ironism, “redescriptions” of public health crises, Platonic dialogue, flash fiction, allegory, and koan, Richardson describes how epidemiology uses models of disease causation that serve protected affluence (the possessing classes) by setting epistemic limits to the understanding of why some groups live sicker lives than others—limits that sustain predatory accumulation rather than challenge it. Drawing on his clinical work in a variety of epidemics, including Ebola in West Africa and the Democratic Republic of Congo, leishmania in the Sudan, HIV/TB in southern Africa, diphtheria in Bangladesh, and SARS-CoV-2 in the United States, he concludes that the biggest epidemic we currently face is an epidemic of illusions—one that is propagated by the coloniality of knowledge production.</p><p>Eugene T. Richardson, MD, PhD, is Assistant Professor of Global Health and Social Medicine at Harvard Medical School, Visiting Faculty at the University of Global Health Equity in Butaro, Rwanda, and Chair of the Lancet Commission on Reparations and Redistributive Justice.</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold"><em>Catriona Gold</em></a><em> is a PhD candidate in Geography at University College London. Her current work concerns the politics of travel in Cold War US; she has previously published on US intervention in the 2013-16 Ebola epidemic. She can be reached by </em><a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a><em> or on </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2640</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[12d55888-df65-11eb-aec1-d749c515e2cc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7655924748.mp3?updated=1625691244" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anna Stenning et al., "Neurodiversity Studies: A New Critical Paradigm" (Routledge, 2020)</title>
      <description>Building on work in feminist studies, queer studies and critical race theory, this volume challenges the universality of propositions about human nature, by questioning the boundaries between predominant neurotypes and 'others', including dyslexics, autistics and ADHDers.
Neurodiversity Studies: A New Critical Paradigm (Routledge, 2020) is the first work of its kind to bring cutting-edge research across disciplines to the concept of neurodiversity. It offers in-depth explorations of the themes of cure/prevention/eugenics; neurodivergent wellbeing; cross-neurotype communication; neurodiversity at work; and challenging brain-bound cognition. It analyses the role of neuro-normativity in theorising agency, and a proposal for a new alliance between the Hearing Voices Movement and neurodiversity. In doing so, we contribute to a cultural imperative to redefine what it means to be human. To this end, we propose a new field of enquiry that finds ways to support the inclusion of neurodivergent perspectives in knowledge production, and which questions the theoretical and mythological assumptions that produce the idea of the neurotypical.
Working at the crossroads between sociology, critical psychology, medical humanities, critical disability studies, and critical autism studies, and sharing theoretical ground with critical race studies and critical queer studies, the proposed new field - neurodiversity studies - will be of interest to people working in all these areas.
Christina Anderson Bosch is faculty at the California State University, Fresno. She is curious about + committed to public, inclusive education in pluralistic societies where critical perspectives on questions of social and ecological justice are valued enough to enact material dignity and metaphysical wellbeing on massive scales.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Anna Stenning and Hanna Bertilsdotter Rosqvist</itunes:subtitle>
      <itunes:summary>Building on work in feminist studies, queer studies and critical race theory, this volume challenges the universality of propositions about human nature, by questioning the boundaries between predominant neurotypes and 'others', including dyslexics, autistics and ADHDers.
Neurodiversity Studies: A New Critical Paradigm (Routledge, 2020) is the first work of its kind to bring cutting-edge research across disciplines to the concept of neurodiversity. It offers in-depth explorations of the themes of cure/prevention/eugenics; neurodivergent wellbeing; cross-neurotype communication; neurodiversity at work; and challenging brain-bound cognition. It analyses the role of neuro-normativity in theorising agency, and a proposal for a new alliance between the Hearing Voices Movement and neurodiversity. In doing so, we contribute to a cultural imperative to redefine what it means to be human. To this end, we propose a new field of enquiry that finds ways to support the inclusion of neurodivergent perspectives in knowledge production, and which questions the theoretical and mythological assumptions that produce the idea of the neurotypical.
Working at the crossroads between sociology, critical psychology, medical humanities, critical disability studies, and critical autism studies, and sharing theoretical ground with critical race studies and critical queer studies, the proposed new field - neurodiversity studies - will be of interest to people working in all these areas.
Christina Anderson Bosch is faculty at the California State University, Fresno. She is curious about + committed to public, inclusive education in pluralistic societies where critical perspectives on questions of social and ecological justice are valued enough to enact material dignity and metaphysical wellbeing on massive scales.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Building on work in feminist studies, queer studies and critical race theory, this volume challenges the universality of propositions about human nature, by questioning the boundaries between predominant neurotypes and 'others', including dyslexics, autistics and ADHDers.</p><p><a href="https://bookshop.org/a/12343/9780367338312"><em>Neurodiversity Studies: A New Critical Paradigm</em></a> (Routledge, 2020) is the first work of its kind to bring cutting-edge research across disciplines to the concept of neurodiversity. It offers in-depth explorations of the themes of cure/prevention/eugenics; neurodivergent wellbeing; cross-neurotype communication; neurodiversity at work; and challenging brain-bound cognition. It analyses the role of neuro-normativity in theorising agency, and a proposal for a new alliance between the Hearing Voices Movement and neurodiversity. In doing so, we contribute to a cultural imperative to redefine what it means to be human. To this end, we propose a new field of enquiry that finds ways to support the inclusion of neurodivergent perspectives in knowledge production, and which questions the theoretical and mythological assumptions that produce the idea of the neurotypical.</p><p>Working at the crossroads between sociology, critical psychology, medical humanities, critical disability studies, and critical autism studies, and sharing theoretical ground with critical race studies and critical queer studies, the proposed new field - neurodiversity studies - will be of interest to people working in all these areas.</p><p><a href="https://www.linkedin.com/in/boschchristina/"><em>Christina Anderson Bosch </em></a><em>is faculty at the California State University, Fresno. She is curious about + committed to public, inclusive education in pluralistic societies where critical perspectives on questions of social and ecological justice are valued enough to enact material dignity and metaphysical wellbeing on massive scales.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3109</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8519676028.mp3?updated=1625677662" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip Butler, "Critical Black Futures: Speculative Theories and Explorations" (Palgrave Macmillan, 2021)</title>
      <description>Critical Black Futures: Speculative Theories and Explorations (Palgrave Macmillan, 2021),  edited by Dr. Philip Butler, imagines worlds, afrofutures, cities, bodies, art and eras that are simultaneously distant, parallel, present, counter, and perpetually materializing. From an exploration of W. E. B. Du Bois’ own afrofuturistic short stories, to trans* super fluid blackness, this volume challenges readers—community leaders, academics, communities, and creatives—to push further into surreal imaginations. Beyond what some might question as the absurd, this book is presented as a speculative space that looks deeply into the foundations of human belief. Diving deep into this notional rabbit hole, each contributor offers a thorough excursion into the imagination to discover ‘what was’, while also providing tools to push further into the ‘not yet’.
 Nicole Powell is a J.D. Candidate in the Critical Race Studies specialization at the UCLA School of Law.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>248</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Philip Butler</itunes:subtitle>
      <itunes:summary>Critical Black Futures: Speculative Theories and Explorations (Palgrave Macmillan, 2021),  edited by Dr. Philip Butler, imagines worlds, afrofutures, cities, bodies, art and eras that are simultaneously distant, parallel, present, counter, and perpetually materializing. From an exploration of W. E. B. Du Bois’ own afrofuturistic short stories, to trans* super fluid blackness, this volume challenges readers—community leaders, academics, communities, and creatives—to push further into surreal imaginations. Beyond what some might question as the absurd, this book is presented as a speculative space that looks deeply into the foundations of human belief. Diving deep into this notional rabbit hole, each contributor offers a thorough excursion into the imagination to discover ‘what was’, while also providing tools to push further into the ‘not yet’.
 Nicole Powell is a J.D. Candidate in the Critical Race Studies specialization at the UCLA School of Law.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9789811578793"><em>Critical Black Futures: Speculative Theories and Explorations</em></a><em> </em>(Palgrave Macmillan, 2021),<em> </em> edited by Dr. Philip Butler, imagines worlds, afrofutures, cities, bodies, art and eras that are simultaneously distant, parallel, present, counter, and perpetually materializing. From an exploration of W. E. B. Du Bois’ own afrofuturistic short stories, to trans* super fluid blackness, this volume challenges readers—community leaders, academics, communities, and creatives—to push further into surreal imaginations. Beyond what some might question as the absurd, this book is presented as a speculative space that looks deeply into the foundations of human belief. Diving deep into this notional rabbit hole, each contributor offers a thorough excursion into the imagination to discover ‘what was’, while also providing tools to push further into the ‘not yet’.</p><p><em> Nicole Powell is a J.D. Candidate in the Critical Race Studies specialization at the UCLA School of Law.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1894</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9802100496.mp3?updated=1625607005" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patricia Gherovici and Christopher Christian, "Psychoanalysis in the Barrios: Race, Class, and the Unconscious" (Routledge, 2018)</title>
      <description>Psychoanalysis began as a politicized form of treatment for people from all walks of life. Yet in the United States, it has become divorced from these roots and transformed into a depoliticized treatment for the most well-to-do, according to my guests, Drs. Patricia Gherovici and Christopher Christian. Their edited book, Psychoanalysis in the Barrios: Race, Class, and the Unconscious (Routledge, 2018), returns psychoanalysis to its social activist origins, with special emphasis on its urgency and usefulness for Latinx patients, including the poor. In our interview, we discuss the possibilities and necessity for bringing psychoanalysts to the barrios, as well as the unique offerings the barrio might have for psychoanalysis.
Patricia Gherovici, Ph.D. is a psychoanalyst in private practice in Philadelphia and New York, an analytic supervisor, and a recipient of the 2020 Sigourney Award for her clinical and scholarly work with Latinx and gender variant communities. Her single-authored books include The Puerto Rican Syndrome (Other Press: 2003) winner of the Gradiva Award and the Boyer Prize, Please Select Your Gender: From the Invention of Hysteria to the Democratizing of Transgenderism (Routledge: 2010) and Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference ​(Routledge: 2017).
Christopher Christian, Ph.D. is a psychoanalyst in private practice in New Haven, CT and co-editor of the book Psychoanalytic Perspectives on Conflict with Morris Eagle and David Wolitzky. He is also co-editor with Michael J. Diamond of the book The Second Century of Psychoanalysis: Evolving Perspectives on Therapeutic Action. He serves as dean of the Institute for Psychoanalytic Training and Research (aka IPTAR), where he is also a supervising and training analyst. And he was co-executive producer of the documentary Psychoanalysis in El Barrio.
Eugenio Duarte, Ph.D. is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge) and has published on issues of gender, sexuality, and sexual abuse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patricia Gherovici and Christopher Christian</itunes:subtitle>
      <itunes:summary>Psychoanalysis began as a politicized form of treatment for people from all walks of life. Yet in the United States, it has become divorced from these roots and transformed into a depoliticized treatment for the most well-to-do, according to my guests, Drs. Patricia Gherovici and Christopher Christian. Their edited book, Psychoanalysis in the Barrios: Race, Class, and the Unconscious (Routledge, 2018), returns psychoanalysis to its social activist origins, with special emphasis on its urgency and usefulness for Latinx patients, including the poor. In our interview, we discuss the possibilities and necessity for bringing psychoanalysts to the barrios, as well as the unique offerings the barrio might have for psychoanalysis.
Patricia Gherovici, Ph.D. is a psychoanalyst in private practice in Philadelphia and New York, an analytic supervisor, and a recipient of the 2020 Sigourney Award for her clinical and scholarly work with Latinx and gender variant communities. Her single-authored books include The Puerto Rican Syndrome (Other Press: 2003) winner of the Gradiva Award and the Boyer Prize, Please Select Your Gender: From the Invention of Hysteria to the Democratizing of Transgenderism (Routledge: 2010) and Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference ​(Routledge: 2017).
Christopher Christian, Ph.D. is a psychoanalyst in private practice in New Haven, CT and co-editor of the book Psychoanalytic Perspectives on Conflict with Morris Eagle and David Wolitzky. He is also co-editor with Michael J. Diamond of the book The Second Century of Psychoanalysis: Evolving Perspectives on Therapeutic Action. He serves as dean of the Institute for Psychoanalytic Training and Research (aka IPTAR), where he is also a supervising and training analyst. And he was co-executive producer of the documentary Psychoanalysis in El Barrio.
Eugenio Duarte, Ph.D. is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge) and has published on issues of gender, sexuality, and sexual abuse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Psychoanalysis began as a politicized form of treatment for people from all walks of life. Yet in the United States, it has become divorced from these roots and transformed into a depoliticized treatment for the most well-to-do, according to my guests, Drs. Patricia Gherovici and Christopher Christian. Their edited book, <a href="https://bookshop.org/a/12343/9781138346406"><em>Psychoanalysis in the Barrios: Race, Class, and the Unconscious</em></a> (Routledge, 2018), returns psychoanalysis to its social activist origins, with special emphasis on its urgency and usefulness for Latinx patients, including the poor. In our interview, we discuss the possibilities and necessity for bringing psychoanalysts to the barrios, as well as the unique offerings the barrio might have for psychoanalysis.</p><p><a href="https://www.patriciagherovici.com/">Patricia Gherovici, Ph.D.</a> is a psychoanalyst in private practice in Philadelphia and New York, an analytic supervisor, and a recipient of the <a href="https://www.sigourneyaward.org/recipients-1">2020 Sigourney Award</a> for her clinical and scholarly work with Latinx and gender variant communities. Her single-authored books include <a href="http://www.amazon.com/Puerto-Rican-Syndrome-Cultural-Studies/dp/1892746751"><em>The Puerto Rican Syndrome</em> </a>(Other Press: 2003) winner of the Gradiva Award and the Boyer Prize, <a href="http://www.amazon.com/Please-Select-Your-Gender-Transgenderism/dp/041580616X/ref=pd_sim_b_3"><em>Please Select Your Gender: From the Invention of Hysteria to the Democratizing of Transgenderism</em></a> (Routledge: 2010) and <a href="http://www.amazon.com/Transgender-Psychoanalysis-Lacanian-Perspective-Difference/dp/1138818682"><em>Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference </em></a>​(Routledge: 2017).</p><p><a href="https://www.chrischristianphd.com/">Christopher Christian, Ph.D.</a> is a psychoanalyst in private practice in New Haven, CT and co-editor of the book <em>Psychoanalytic Perspectives on Conflict</em> with Morris Eagle and David Wolitzky. He is also co-editor with Michael J. Diamond of the book <a href="https://www.amazon.com/Second-Century-Psychoanalysis-Confederation-Psychoanalytic/dp/1855758008/ref=sr_1_1?ie=UTF8&amp;qid=1536432579&amp;sr=8-1&amp;keywords=The+Second+Century+of+Psychoanalysis%3A+Evolving+Perspectives+on+Therapeutic+Action"><em>The Second Century of Psychoanalysis: Evolving Perspectives on Therapeutic Action</em></a>. He serves as dean of the Institute for Psychoanalytic Training and Research (aka IPTAR), where he is also a supervising and training analyst. And he was co-executive producer of the documentary <em>Psychoanalysis in El Barrio.</em></p><p><a href="http://www.eugenioduartephd.com/"><em>Eugenio Duarte</em></a><em>, Ph.D. is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in Psychiatry, Psychoanalysis, and Psychology in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book </em><a href="https://www.routledge.com/Introduction-to-Contemporary-Psychoanalysis-Defining-terms-and-building/Charles/p/book/9781138749887"><em>Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges</em></a><em> (2018, Routledge) and has published on issues of gender, sexuality, and sexual abuse.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2897</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4406305161.mp3?updated=1626730226" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Scott, "For Abolition: Essays on Prisons and Socialist Ethics" (Waterside Press, 2020)</title>
      <description>According to Jonathan Swift (1667-1745) 'Laws are like cobwebs, which may catch small flies, but let wasps and hornets break through.' Connecting the politics of abolition to wider emancipatory struggles for liberation and social justice, David Scott's book For Abolition: Essays on Prisons and Socialist Ethics (Waterside Press, 2020) argues that penal abolitionism should be understood as an important public critical pedagogy and philosophy of hope that can help to reinvigorate democracy and set society on a pathway towards living in a world without prisons. For Abolition draws upon the socialist ethics of dignity, empathy, freedom and paradigm of life to systematically critique imprisonment as a state institution characterised by 'social death'.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>236</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Scott</itunes:subtitle>
      <itunes:summary>According to Jonathan Swift (1667-1745) 'Laws are like cobwebs, which may catch small flies, but let wasps and hornets break through.' Connecting the politics of abolition to wider emancipatory struggles for liberation and social justice, David Scott's book For Abolition: Essays on Prisons and Socialist Ethics (Waterside Press, 2020) argues that penal abolitionism should be understood as an important public critical pedagogy and philosophy of hope that can help to reinvigorate democracy and set society on a pathway towards living in a world without prisons. For Abolition draws upon the socialist ethics of dignity, empathy, freedom and paradigm of life to systematically critique imprisonment as a state institution characterised by 'social death'.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to Jonathan Swift (1667-1745) 'Laws are like cobwebs, which may catch small flies, but let wasps and hornets break through.' Connecting the politics of abolition to wider emancipatory struggles for liberation and social justice, David Scott's book <a href="https://bookshop.org/a/12343/9781909976825"><em>For Abolition: Essays on Prisons and Socialist Ethics</em></a> (Waterside Press, 2020) argues that penal abolitionism should be understood as an important public critical pedagogy and philosophy of hope that can help to reinvigorate democracy and set society on a pathway towards living in a world without prisons. For Abolition draws upon the socialist ethics of dignity, empathy, freedom and paradigm of life to systematically critique imprisonment as a state institution characterised by 'social death'.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4016</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cba31c8-de98-11eb-b3e5-1b2539a80def]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3619131862.mp3?updated=1625603908" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catharina Gabrielsson et al., "Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present" (U Pittsburgh Press, 2020)</title>
      <description>Architecture and urbanism have contributed to one of the most sweeping transformations of our times. Over the past four decades, neoliberalism has been not only a dominant paradigm in politics but a process of bricks and mortar in everyday life. Rather than to ask what a neoliberal architecture looks like, or how architecture represents neoliberalism, this volume examines the multivalent role of architecture and urbanism in geographically variable yet interconnected processes of neoliberal transformation across scales—from China, Turkey, South Africa, Argentina, Mexico, the United States, Britain, Sweden, and Czechoslovakia. Analyzing how buildings and urban projects in different regions since the 1960s have served in the implementation of concrete policies such as privatization, fiscal reform, deregulation, state restructuring, and the expansion of free trade, contributors reveal neoliberalism as a process marked by historical contingency. 
Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present (U Pittsburgh Press, 2020) fundamentally reframes accepted narratives of both neoliberalism and postmodernism by demonstrating how architecture has articulated changing relationships between state, society, and economy since the 1960s.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 14 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Catharina Gabrielsson</itunes:subtitle>
      <itunes:summary>Architecture and urbanism have contributed to one of the most sweeping transformations of our times. Over the past four decades, neoliberalism has been not only a dominant paradigm in politics but a process of bricks and mortar in everyday life. Rather than to ask what a neoliberal architecture looks like, or how architecture represents neoliberalism, this volume examines the multivalent role of architecture and urbanism in geographically variable yet interconnected processes of neoliberal transformation across scales—from China, Turkey, South Africa, Argentina, Mexico, the United States, Britain, Sweden, and Czechoslovakia. Analyzing how buildings and urban projects in different regions since the 1960s have served in the implementation of concrete policies such as privatization, fiscal reform, deregulation, state restructuring, and the expansion of free trade, contributors reveal neoliberalism as a process marked by historical contingency. 
Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present (U Pittsburgh Press, 2020) fundamentally reframes accepted narratives of both neoliberalism and postmodernism by demonstrating how architecture has articulated changing relationships between state, society, and economy since the 1960s.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Architecture and urbanism have contributed to one of the most sweeping transformations of our times. Over the past four decades, neoliberalism has been not only a dominant paradigm in politics but a process of bricks and mortar in everyday life. Rather than to ask what a neoliberal architecture looks like, or how architecture represents neoliberalism, this volume examines the multivalent role of architecture and urbanism in geographically variable yet interconnected processes of neoliberal transformation across scales—from China, Turkey, South Africa, Argentina, Mexico, the United States, Britain, Sweden, and Czechoslovakia. Analyzing how buildings and urban projects in different regions since the 1960s have served in the implementation of concrete policies such as privatization, fiscal reform, deregulation, state restructuring, and the expansion of free trade, contributors reveal neoliberalism as a process marked by historical contingency. </p><p><a href="https://bookshop.org/a/12343/9780822946014"><em>Neoliberalism on the Ground: Architecture and Transformation from the 1960s to the Present</em></a><em> </em>(U Pittsburgh Press, 2020) fundamentally reframes accepted narratives of both neoliberalism and postmodernism by demonstrating how architecture has articulated changing relationships between state, society, and economy since the 1960s.</p><p><em>Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to </em><a href="mailto:btoepfer@toepferarchitecture.com"><em>btoepfer@toepferarchitecture</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9254efb6-d9c9-11eb-9c14-bb836a918527]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8141564010.mp3?updated=1625074729" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Harrison, "Our Civilizing Mission: The Lessons of Colonial Education" (Liverpool UP, 2019)</title>
      <description>Nicholas Harrison's Our Civilizing Mission: The Lessons of Colonial Education (Liverpool UP, 2019) is a fascinating examination of colonial education not just as a facet of colonialism, but as an "example" of education in a broader sense, albeit an "extreme" one. At once a historical study, a series of close readings of texts, ideas, and authors, and a set of intellectual, professional, and political biographies, the book explores and interrogates approaches to the teaching of languages, literatures, and histories within and beyond colonial contexts. 
Centering as educators writers and thinkers essential to our critical understanding of colonialism and postcolonialism literature, the book has implications for how we think about the project of education as a whole, particularly in the Humanities, and especially right now. In chapters that pursue the educational, intellectual, and teaching stories of figures like Edward Said, Mouloud Ferraoun, Assia Djebar, and Albert Memmi, Our Civilizing Mission takes up issues of power and resistance in the definition and interpretation of "canon," pedagogic philosophies and approaches within and beyond classrooms, and the complex relationships between teaching, scholarship, and politics.
Reading this book and speaking with Nick, I was surprised by how much these chapters held for me, not just as a historian and scholar of France and empire, but as a teacher of these things who regularly asks myself questions about my own choices, goals, and approaches to working with students. It is a book I would recommend enthusiastically to anyone interested in the figures mentioned above, in the role that education has played in colonialisms past and present, and in the project of education on a much wider scale. What we do as teachers, why and how we do it, is interrogated here in ways that might surprise, and will certainly enlighten.
I hope listeners will enjoy our conversation!
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Harrison</itunes:subtitle>
      <itunes:summary>Nicholas Harrison's Our Civilizing Mission: The Lessons of Colonial Education (Liverpool UP, 2019) is a fascinating examination of colonial education not just as a facet of colonialism, but as an "example" of education in a broader sense, albeit an "extreme" one. At once a historical study, a series of close readings of texts, ideas, and authors, and a set of intellectual, professional, and political biographies, the book explores and interrogates approaches to the teaching of languages, literatures, and histories within and beyond colonial contexts. 
Centering as educators writers and thinkers essential to our critical understanding of colonialism and postcolonialism literature, the book has implications for how we think about the project of education as a whole, particularly in the Humanities, and especially right now. In chapters that pursue the educational, intellectual, and teaching stories of figures like Edward Said, Mouloud Ferraoun, Assia Djebar, and Albert Memmi, Our Civilizing Mission takes up issues of power and resistance in the definition and interpretation of "canon," pedagogic philosophies and approaches within and beyond classrooms, and the complex relationships between teaching, scholarship, and politics.
Reading this book and speaking with Nick, I was surprised by how much these chapters held for me, not just as a historian and scholar of France and empire, but as a teacher of these things who regularly asks myself questions about my own choices, goals, and approaches to working with students. It is a book I would recommend enthusiastically to anyone interested in the figures mentioned above, in the role that education has played in colonialisms past and present, and in the project of education on a much wider scale. What we do as teachers, why and how we do it, is interrogated here in ways that might surprise, and will certainly enlighten.
I hope listeners will enjoy our conversation!
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nicholas Harrison's <a href="https://bookshop.org/a/12343/9781786941763"><em>Our Civilizing Mission: The Lessons of Colonial Education</em></a> (Liverpool UP, 2019) is a fascinating examination of colonial education not just as a facet of colonialism, but as an "example" of education in a broader sense, albeit an "extreme" one. At once a historical study, a series of close readings of texts, ideas, and authors, and a set of intellectual, professional, and political biographies, the book explores and interrogates approaches to the teaching of languages, literatures, and histories within and beyond colonial contexts. </p><p>Centering <em>as educators</em> writers and thinkers essential to our critical understanding of colonialism and postcolonialism literature, the book has implications for how we think about the project of education as a whole, particularly in the Humanities, and especially right now. In chapters that pursue the educational, intellectual, and <em>teaching</em> stories of figures like Edward Said, Mouloud Ferraoun, Assia Djebar, and Albert Memmi, <em>Our Civilizing Mission </em>takes up issues of power and resistance in the definition and interpretation of "canon," pedagogic philosophies and approaches within and beyond classrooms, and the complex relationships between teaching, scholarship, and politics.</p><p>Reading this book and speaking with Nick, I was surprised by how much these chapters held for me, not just as a historian and scholar of France and empire, but as a <em>teacher</em> of these things who regularly asks myself questions about my own choices, goals, and approaches to working with students. It is a book I would recommend enthusiastically to anyone interested in the figures mentioned above, in the role that education has played in colonialisms past and present, and in the project of education on a much wider scale. What we do as teachers, why and how we do it, is interrogated here in ways that might surprise, and will certainly enlighten.</p><p>I hope listeners will enjoy our conversation!</p><p><em>Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3737</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[647d3f52-d7fe-11eb-b011-abddb46572da]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1389701747.mp3?updated=1624877433" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Walters, "State Secrecy and Security: Refiguring the Covert Imaginary" (Routledge, 2021)</title>
      <description>In State Secrecy and Security: Refiguring the Covert Imaginary (Routledge, 2021), William Walters calls for secrecy to be given a more central place in critical security studies and elevated to become a core concept when theorising power in liberal democracies.
Through investigations into such themes as the mobility of cryptographic secrets, the power of public inquiries, the connection between secrecy and place-making, and the aesthetics of secrecy within immigration enforcement, Walters challenges commonplace understandings of the covert and develops new concepts, methods and themes for secrecy and security research. Walters identifies the covert imaginary as both a limit on our ability to think politics differently and a ground to develop a richer understanding of power.
State Secrecy and Security offers readers a set of thinking tools to better understand the strange powers that hiding, revealing, lying, confessing, professing ignorance and many other operations of secrecy put in motion. It will be a valuable resource for scholars and students of security, secrecy and politics more broadly.
William Walters is Professor of Politics and Faculty of Public Affairs Research Excellence Chair at Carleton University, Ottawa. His current research concerns secrecy, migration and deportation infrastructures. He has published widely in the areas of political sociology, political geography, citizenship studies, security and insecurity, and Foucault studies.
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with William Walters</itunes:subtitle>
      <itunes:summary>In State Secrecy and Security: Refiguring the Covert Imaginary (Routledge, 2021), William Walters calls for secrecy to be given a more central place in critical security studies and elevated to become a core concept when theorising power in liberal democracies.
Through investigations into such themes as the mobility of cryptographic secrets, the power of public inquiries, the connection between secrecy and place-making, and the aesthetics of secrecy within immigration enforcement, Walters challenges commonplace understandings of the covert and develops new concepts, methods and themes for secrecy and security research. Walters identifies the covert imaginary as both a limit on our ability to think politics differently and a ground to develop a richer understanding of power.
State Secrecy and Security offers readers a set of thinking tools to better understand the strange powers that hiding, revealing, lying, confessing, professing ignorance and many other operations of secrecy put in motion. It will be a valuable resource for scholars and students of security, secrecy and politics more broadly.
William Walters is Professor of Politics and Faculty of Public Affairs Research Excellence Chair at Carleton University, Ottawa. His current research concerns secrecy, migration and deportation infrastructures. He has published widely in the areas of political sociology, political geography, citizenship studies, security and insecurity, and Foucault studies.
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781138285439"><em>State Secrecy and Security: Refiguring the Covert Imaginary</em></a><em> </em>(Routledge, 2021), William Walters calls for secrecy to be given a more central place in critical security studies and elevated to become a core concept when theorising power in liberal democracies.</p><p>Through investigations into such themes as the mobility of cryptographic secrets, the power of public inquiries, the connection between secrecy and place-making, and the aesthetics of secrecy within immigration enforcement, Walters challenges commonplace understandings of the covert and develops new concepts, methods and themes for secrecy and security research. Walters identifies the covert imaginary as both a limit on our ability to think politics differently and a ground to develop a richer understanding of power.</p><p><em>State Secrecy and Security</em> offers readers a set of thinking tools to better understand the strange powers that hiding, revealing, lying, confessing, professing ignorance and many other operations of secrecy put in motion. It will be a valuable resource for scholars and students of security, secrecy and politics more broadly.</p><p>William Walters is Professor of Politics and Faculty of Public Affairs Research Excellence Chair at Carleton University, Ottawa. His current research concerns secrecy, migration and deportation infrastructures. He has published widely in the areas of political sociology, political geography, citizenship studies, security and insecurity, and Foucault studies.</p><p><em>Catriona Gold is a </em><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold"><em>PhD candidate</em></a><em> in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by </em><a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a><em> or on </em><a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4482</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c8d017c-d8fe-11eb-97a5-2381c7ca7fcd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5522115836.mp3?updated=1624988540" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Ovetz, "Workers' Inquiry and Global Class Struggle: Strategies, Tactics, Objectives" (Pluto Press, 2021)</title>
      <description>"The point of studying the world – including the past and other’s writings – is not just to understand it but to use that understanding to change it."
– Harry Cleaver (33 Lessons from Capital – On Reading Marx Politically)

Listening to Robert Ovetz explain the origins of his interest in the study of labor and his academic influences I was reminded of the title of the late A.O. Hirschman’s book A Propensity for Self-Subversion – you’ll know what I mean even though Robert uses the phrase ‘suicide pact for my academic career’!
Seriously though, for those unfamiliar with Professor Ovetz’s engaging first book, When Workers Shot Back – Class Conflict from 1877 to 1921, the Hirschman reference is just a hint at the breadth of the professor’s experiences beyond academia that bring much to bear to his insightful and active approach to writing and labor studies. He has worked in politics and as a public policy advocate including as an aide for members of the Texas legislature, executive director of an NGO, and as a campaign director and policy advocate for other non-governmental organizations on debt, development, human rights, and ocean conservation issues. Robert has appeared on NPR, CNN, and the BBC and is currently on the editorial board of the Journal of Labor and Society.
Most recently he edited and contributed to Workers’ Inquiry and Global Class Struggle: Strategies, Tactics, Objectives published by Pluto Press in 2020. We talk about both books and endeavor to connect the theory with the methodology as exemplified in this edited volume of research from both academic and activist contributing authors representing labor studies from nine different countries over multiple industry sectors. In the course of the conversation Robert confirms the relevance and value of a ‘worker’s inquiry’ while broadening our understanding of class composition and struggle both historically and through recent developments with Amazon in our own global gilded age.
Robert Ovetz is a lecturer in Political Science and the graduate program in Public Administration at San Jose State University.
Keith Krueger lectures at the SILC Business School – Shanghai University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert Ovetz</itunes:subtitle>
      <itunes:summary>"The point of studying the world – including the past and other’s writings – is not just to understand it but to use that understanding to change it."
– Harry Cleaver (33 Lessons from Capital – On Reading Marx Politically)

Listening to Robert Ovetz explain the origins of his interest in the study of labor and his academic influences I was reminded of the title of the late A.O. Hirschman’s book A Propensity for Self-Subversion – you’ll know what I mean even though Robert uses the phrase ‘suicide pact for my academic career’!
Seriously though, for those unfamiliar with Professor Ovetz’s engaging first book, When Workers Shot Back – Class Conflict from 1877 to 1921, the Hirschman reference is just a hint at the breadth of the professor’s experiences beyond academia that bring much to bear to his insightful and active approach to writing and labor studies. He has worked in politics and as a public policy advocate including as an aide for members of the Texas legislature, executive director of an NGO, and as a campaign director and policy advocate for other non-governmental organizations on debt, development, human rights, and ocean conservation issues. Robert has appeared on NPR, CNN, and the BBC and is currently on the editorial board of the Journal of Labor and Society.
Most recently he edited and contributed to Workers’ Inquiry and Global Class Struggle: Strategies, Tactics, Objectives published by Pluto Press in 2020. We talk about both books and endeavor to connect the theory with the methodology as exemplified in this edited volume of research from both academic and activist contributing authors representing labor studies from nine different countries over multiple industry sectors. In the course of the conversation Robert confirms the relevance and value of a ‘worker’s inquiry’ while broadening our understanding of class composition and struggle both historically and through recent developments with Amazon in our own global gilded age.
Robert Ovetz is a lecturer in Political Science and the graduate program in Public Administration at San Jose State University.
Keith Krueger lectures at the SILC Business School – Shanghai University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"The point of studying the world – including the past and other’s writings – is not just to understand it but to use that understanding to change it."</p><p><em>– </em>Harry Cleaver<em> (33 Lessons from Capital – On Reading Marx Politically)</em></p><p><br></p><p>Listening to Robert Ovetz explain the origins of his interest in the study of labor and his academic influences I was reminded of the title of the late A.O. Hirschman’s book <em>A Propensity for Self-Subversion</em> – you’ll know what I mean even though Robert uses the phrase ‘suicide pact for my academic career’!</p><p>Seriously though, for those unfamiliar with Professor Ovetz’s engaging first book, <em>When Workers Shot Back – Class Conflict from 1877 to 1921</em>, the Hirschman reference is just a hint at the breadth of the professor’s experiences beyond academia that bring much to bear to his insightful and active approach to writing and labor studies. He has worked in politics and as a public policy advocate including as an aide for members of the Texas legislature, executive director of an NGO, and as a campaign director and policy advocate for other non-governmental organizations on debt, development, human rights, and ocean conservation issues. Robert has appeared on NPR, CNN, and the BBC and is currently on the editorial board of the <em>Journal of Labor and Society</em>.</p><p>Most recently he edited and contributed to <a href="https://bookshop.org/a/12343/9780745340869"><em>Workers’ Inquiry and Global Class Struggle: Strategies, Tactics, Objectives</em></a> published by Pluto Press in 2020. We talk about both books and endeavor to connect the theory with the methodology as exemplified in this edited volume of research from both academic and activist contributing authors representing labor studies from nine different countries over multiple industry sectors. In the course of the conversation Robert confirms the relevance and value of a ‘worker’s inquiry’ while broadening our understanding of class composition and struggle both historically and through recent developments with Amazon in our own global gilded age.</p><p>Robert Ovetz is a lecturer in Political Science and the graduate program in Public Administration at San Jose State University.</p><p><em>Keith Krueger lectures at the SILC Business School – Shanghai University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3810</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[deabbe84-d691-11eb-9da2-9bd10fef0f8c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1624677456.mp3?updated=1624720985" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas D. Mullaney et al., "Your Computer Is on Fire" (MIT Press, 2021)</title>
      <description>This book sounds an alarm: after decades of being lulled into complacency by narratives of technological utopianism and neutrality, people are waking up to the large-scale consequences of Silicon Valley–led technophilia. This book trains a spotlight on the inequality, marginalization, and biases in our technological systems, showing how they are not just minor bugs to be patched, but part and parcel of ideas that assume technology can fix—and control—society.
The essays in Your Computer Is on Fire (MIT Press, 2021) interrogate how our human and computational infrastructures overlap, showing why technologies that centralize power tend to weaken democracy. These practices are often kept out of sight until it is too late to question the costs of how they shape society. From energy-hungry server farms to racist and sexist algorithms, the digital is always IRL, with everything that happens algorithmically or online influencing our offline lives as well. Each essay proposes paths for action to understand and solve technological problems that are often ignored or misunderstood.
﻿Mathew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>290</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Thomas D. Mullaney, Benjamin Peters, Mar Hicks, and Kavita Philip</itunes:subtitle>
      <itunes:summary>This book sounds an alarm: after decades of being lulled into complacency by narratives of technological utopianism and neutrality, people are waking up to the large-scale consequences of Silicon Valley–led technophilia. This book trains a spotlight on the inequality, marginalization, and biases in our technological systems, showing how they are not just minor bugs to be patched, but part and parcel of ideas that assume technology can fix—and control—society.
The essays in Your Computer Is on Fire (MIT Press, 2021) interrogate how our human and computational infrastructures overlap, showing why technologies that centralize power tend to weaken democracy. These practices are often kept out of sight until it is too late to question the costs of how they shape society. From energy-hungry server farms to racist and sexist algorithms, the digital is always IRL, with everything that happens algorithmically or online influencing our offline lives as well. Each essay proposes paths for action to understand and solve technological problems that are often ignored or misunderstood.
﻿Mathew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This book sounds an alarm: after decades of being lulled into complacency by narratives of technological utopianism and neutrality, people are waking up to the large-scale consequences of Silicon Valley–led technophilia. This book trains a spotlight on the inequality, marginalization, and biases in our technological systems, showing how they are not just minor bugs to be patched, but part and parcel of ideas that assume technology can fix—and control—society.</p><p>The essays in <a href="https://bookshop.org/a/12343/9780262539739"><em>Your Computer Is on Fire</em></a> (MIT Press, 2021) interrogate how our human and computational infrastructures overlap, showing why technologies that centralize power tend to weaken democracy. These practices are often kept out of sight until it is too late to question the costs of how they shape society. From energy-hungry server farms to racist and sexist algorithms, the digital is always IRL, with everything that happens algorithmically or online influencing our offline lives as well. Each essay proposes paths for action to understand and solve technological problems that are often ignored or misunderstood.</p><p><em>﻿Mathew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4737</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[57dbdc20-d5cb-11eb-b057-fb86e592606a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8311495245.mp3?updated=1624635720" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sara Rushing, "The Virtues of Vulnerability: Humility, Autonomy, and Citizen-Subjectivity" (Oxford UP, 2020)</title>
      <description>Political Theorist Sara Rushing’s new book, The Virtues of Vulnerability: Humility, Autonomy, and Citizen-Subjectivity (Oxford UP, 2020), examines the very real experiences that individuals have in the context of healthcare, especially healthcare and medical approaches to the most human of all experiences, birth, illness, and death. Rushing’s analysis posits that the corporal bodies that we all inhabit are also sites of politics—not the problem for politics, as others have theorized, but rather a place and space where politics transpires. Instead of beginning an exploration from an abstract position, Rushing starts from her own experiences, since her encounters with birth, death, mourning, and grief engaged her thinking about how we as citizens, as individuals, engage and face medical experiences and all of the settings where these experiences take place. Rushing focuses the theoretical framework around these issues of humility and vulnerability, which is often how we find ourselves in context of these human experiences that engage the “medical-industrial complex.” We often consider humility as a quality associated with a religious bearing but Rushing urges a reconsideration of the concept of humility, as a means to embrace one’s vulnerability and thus move towards a redefined understanding of autonomy. This is the context into whichThe Virtues of Vulnerability then examines three distinct human experiences, birth, illness—in this case, Post-Traumatic Stress Disorder as suffered by American military veterans—and death, exploring how we encounter these life experiences and how politics essentially happens in these medicalized spaces.
A substantial component of the theoretical analysis in The Virtues of Vulnerability is wrestling with the way that choice and freedom are presented within the medical environment but are delimited in what we can actually choose and what we understand and know about these choices as well. This concept of freedom and choice are also connected to the way that neoliberalism frames our experiences, thus we perceive of our autonomy in these medicalized environments through the appearance of choices we get to make, or options provided to us, but often these are actually quite narrow in scope, constrained by the demands of health insurance and healthcare/medical marketplace. Rushing’s analysis gets at these many competing dimensions of healthcare and how it is operationalized, leading the reader to consider how we experience our interactions and how we might reconsider our autonomy within these environments by understanding how our vulnerability and humility can help us work more collaboratively with those who are engaging in this ethics of care with us.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>530</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sara Rushing</itunes:subtitle>
      <itunes:summary>Political Theorist Sara Rushing’s new book, The Virtues of Vulnerability: Humility, Autonomy, and Citizen-Subjectivity (Oxford UP, 2020), examines the very real experiences that individuals have in the context of healthcare, especially healthcare and medical approaches to the most human of all experiences, birth, illness, and death. Rushing’s analysis posits that the corporal bodies that we all inhabit are also sites of politics—not the problem for politics, as others have theorized, but rather a place and space where politics transpires. Instead of beginning an exploration from an abstract position, Rushing starts from her own experiences, since her encounters with birth, death, mourning, and grief engaged her thinking about how we as citizens, as individuals, engage and face medical experiences and all of the settings where these experiences take place. Rushing focuses the theoretical framework around these issues of humility and vulnerability, which is often how we find ourselves in context of these human experiences that engage the “medical-industrial complex.” We often consider humility as a quality associated with a religious bearing but Rushing urges a reconsideration of the concept of humility, as a means to embrace one’s vulnerability and thus move towards a redefined understanding of autonomy. This is the context into whichThe Virtues of Vulnerability then examines three distinct human experiences, birth, illness—in this case, Post-Traumatic Stress Disorder as suffered by American military veterans—and death, exploring how we encounter these life experiences and how politics essentially happens in these medicalized spaces.
A substantial component of the theoretical analysis in The Virtues of Vulnerability is wrestling with the way that choice and freedom are presented within the medical environment but are delimited in what we can actually choose and what we understand and know about these choices as well. This concept of freedom and choice are also connected to the way that neoliberalism frames our experiences, thus we perceive of our autonomy in these medicalized environments through the appearance of choices we get to make, or options provided to us, but often these are actually quite narrow in scope, constrained by the demands of health insurance and healthcare/medical marketplace. Rushing’s analysis gets at these many competing dimensions of healthcare and how it is operationalized, leading the reader to consider how we experience our interactions and how we might reconsider our autonomy within these environments by understanding how our vulnerability and humility can help us work more collaboratively with those who are engaging in this ethics of care with us.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political Theorist Sara Rushing’s new book, <a href="https://bookshop.org/a/12343/9780197516645"><em>The Virtues of Vulnerability: Humility, Autonomy, and Citizen-Subjectivity</em></a> (Oxford UP, 2020), examines the very real experiences that individuals have in the context of healthcare, especially healthcare and medical approaches to the most human of all experiences, birth, illness, and death. Rushing’s analysis posits that the corporal bodies that we all inhabit are also sites of politics—not the problem for politics, as others have theorized, but rather a place and space where politics transpires. Instead of beginning an exploration from an abstract position, Rushing starts from her own experiences, since her encounters with birth, death, mourning, and grief engaged her thinking about how we as citizens, as individuals, engage and face medical experiences and all of the settings where these experiences take place. Rushing focuses the theoretical framework around these issues of humility and vulnerability, which is often how we find ourselves in context of these human experiences that engage the “medical-industrial complex.” We often consider humility as a quality associated with a religious bearing but Rushing urges a reconsideration of the concept of humility, as a means to embrace one’s vulnerability and thus move towards a redefined understanding of autonomy. This is the context into which<em>The Virtues of Vulnerability</em> then examines three distinct human experiences, birth, illness—in this case, Post-Traumatic Stress Disorder as suffered by American military veterans—and death, exploring how we encounter these life experiences and how politics essentially happens in these medicalized spaces.</p><p>A substantial component of the theoretical analysis in <em>The Virtues of Vulnerability</em> is wrestling with the way that choice and freedom are presented within the medical environment but are delimited in what we can actually choose and what we understand and know about these choices as well. This concept of freedom and choice are also connected to the way that neoliberalism frames our experiences, thus we perceive of our autonomy in these medicalized environments through the appearance of choices we get to make, or options provided to us, but often these are actually quite narrow in scope, constrained by the demands of health insurance and healthcare/medical marketplace. Rushing’s analysis gets at these many competing dimensions of healthcare and how it is operationalized, leading the reader to consider how we experience our interactions and how we might reconsider our autonomy within these environments by understanding how our vulnerability and humility can help us work more collaboratively with those who are engaging in this ethics of care with us.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3795980323.mp3?updated=1624795325" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catalina M. de Onís, "Energy Islands: Metaphors of Power, Extractivism, and Justice in Puerto Rico" (U California Press, 2021)</title>
      <description>Energy Islands: Metaphors of Power, Extractivism, and Justice in Puerto Rico (University of California Press, 2021) provides an urgent and nuanced portrait of collective action that resists racial capitalism, colonialism, and climate disruption. Weaving together historical and ethnographic research, this story challenges the master narratives of Puerto Rico as a tourist destination and site of "natural" disasters to demonstrate how fossil fuel economies are inextricably entwined with colonial practices and how local community groups in Puerto Rico have struggled against energy coloniality to mobilize and transform power from the ground up. Catalina M. de Onís documents how these groups work to decenter continental contexts and deconstruct damaging hierarchies that devalue and exploit rural coastal communities. She highlights and collaborates with individuals who refuse the cruel logics of empire by imagining and implementing energy justice and other interconnected radical power transformations. Diving deeply into energy, islands, and power, this book engages various metaphors for alternative world-making.
In our conversation, Dr. de Onís mentions her recent article in the Georgetown Journal of International Affairs, which can be read here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Catalina M. de Onís</itunes:subtitle>
      <itunes:summary>Energy Islands: Metaphors of Power, Extractivism, and Justice in Puerto Rico (University of California Press, 2021) provides an urgent and nuanced portrait of collective action that resists racial capitalism, colonialism, and climate disruption. Weaving together historical and ethnographic research, this story challenges the master narratives of Puerto Rico as a tourist destination and site of "natural" disasters to demonstrate how fossil fuel economies are inextricably entwined with colonial practices and how local community groups in Puerto Rico have struggled against energy coloniality to mobilize and transform power from the ground up. Catalina M. de Onís documents how these groups work to decenter continental contexts and deconstruct damaging hierarchies that devalue and exploit rural coastal communities. She highlights and collaborates with individuals who refuse the cruel logics of empire by imagining and implementing energy justice and other interconnected radical power transformations. Diving deeply into energy, islands, and power, this book engages various metaphors for alternative world-making.
In our conversation, Dr. de Onís mentions her recent article in the Georgetown Journal of International Affairs, which can be read here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780520380622"><em>Energy Islands: Metaphors of Power, Extractivism, and Justice in Puerto Rico</em></a><em> </em>(University of California Press, 2021) provides an urgent and nuanced portrait of collective action that resists racial capitalism, colonialism, and climate disruption. Weaving together historical and ethnographic research, this story challenges the master narratives of Puerto Rico as a tourist destination and site of "natural" disasters to demonstrate how fossil fuel economies are inextricably entwined with colonial practices and how local community groups in Puerto Rico have struggled against energy coloniality to mobilize and transform power from the ground up. Catalina M. de Onís documents how these groups work to decenter continental contexts and deconstruct damaging hierarchies that devalue and exploit rural coastal communities. She highlights and collaborates with individuals who refuse the cruel logics of empire by imagining and implementing energy justice and other interconnected radical power transformations. Diving deeply into energy, islands, and power, this book engages various metaphors for alternative world-making.</p><p>In our conversation, Dr. de Onís mentions her recent article in the <em>Georgetown Journal of International Affairs</em>, which can be read <a href="https://gjia.georgetown.edu/2021/06/21/fuera-luma-puerto-rico-confronts-neoliberal-electricity-system-takeover-amid-ongoing-struggles-for-self-determination/?">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2377</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8e66bc14-d39c-11eb-aef3-df328c2ba1e3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1182258485.mp3?updated=1624395646" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rahul Rao, "Out of Time: The Queer Politics of Postcoloniality" (Oxford UP, 2020)</title>
      <description>Between 2009 and 2014, an anti-homosexuality law circulating in the Ugandan parliament came to be the focus of a global conversation about queer rights. The law attracted attention for the draconian nature of its provisions and for the involvement of US evangelical Christian activists who were said to have lobbied for its passage. Focusing on the Ugandan case, Out of Time: The Queer Politics of Postcoloniality (Oxford UP, 2020) seeks to understand the encounters and entanglements across geopolitical divides that produce and contest contemporary queerphobias. It investigates the impact and memory of the colonial encounter on the politics of sexuality, the politics of religiosity of different Christian denominations, and the political economy of contemporary homophobic moral panics. 
In addition, Out of Time places the Ugandan experience in conversation with contemporaneous developments in India and Britain--three locations that are yoked together by the experience of British imperialism and its afterlives. Intervening in a queer theoretical literature on temporality, Rahul Rao argues that time and space matter differently in the queer politics of postcolonial countries. By employing an intersectional analysis and drawing on a range of sources, Rao offers an original interpretation of why queerness mutates to become a metonym for categories such as nationality, religiosity, race, class, and caste. The book argues that these mutations reveal the deep grammars forged in the violence that founds and reproduces the social institutions in which queer difference struggles to make space for itself.
Dr. Rahul Rao is Reader in Political Theory at SOAS University of London. He is also the author of Out of Third World Protest: Between Home and the World (2010) also published by Oxford University Press. He is a member of the Radical Philosophy collective and blogs at The Disorder of Things. He is currently writing a book about the politics of statues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rahul Rao</itunes:subtitle>
      <itunes:summary>Between 2009 and 2014, an anti-homosexuality law circulating in the Ugandan parliament came to be the focus of a global conversation about queer rights. The law attracted attention for the draconian nature of its provisions and for the involvement of US evangelical Christian activists who were said to have lobbied for its passage. Focusing on the Ugandan case, Out of Time: The Queer Politics of Postcoloniality (Oxford UP, 2020) seeks to understand the encounters and entanglements across geopolitical divides that produce and contest contemporary queerphobias. It investigates the impact and memory of the colonial encounter on the politics of sexuality, the politics of religiosity of different Christian denominations, and the political economy of contemporary homophobic moral panics. 
In addition, Out of Time places the Ugandan experience in conversation with contemporaneous developments in India and Britain--three locations that are yoked together by the experience of British imperialism and its afterlives. Intervening in a queer theoretical literature on temporality, Rahul Rao argues that time and space matter differently in the queer politics of postcolonial countries. By employing an intersectional analysis and drawing on a range of sources, Rao offers an original interpretation of why queerness mutates to become a metonym for categories such as nationality, religiosity, race, class, and caste. The book argues that these mutations reveal the deep grammars forged in the violence that founds and reproduces the social institutions in which queer difference struggles to make space for itself.
Dr. Rahul Rao is Reader in Political Theory at SOAS University of London. He is also the author of Out of Third World Protest: Between Home and the World (2010) also published by Oxford University Press. He is a member of the Radical Philosophy collective and blogs at The Disorder of Things. He is currently writing a book about the politics of statues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between 2009 and 2014, an anti-homosexuality law circulating in the Ugandan parliament came to be the focus of a global conversation about queer rights. The law attracted attention for the draconian nature of its provisions and for the involvement of US evangelical Christian activists who were said to have lobbied for its passage. Focusing on the Ugandan case, <a href="https://bookshop.org/a/12343/9780190865528"><em>Out of Time: The Queer Politics of Postcoloniality</em></a> (Oxford UP, 2020) seeks to understand the encounters and entanglements across geopolitical divides that produce and contest contemporary queerphobias. It investigates the impact and memory of the colonial encounter on the politics of sexuality, the politics of religiosity of different Christian denominations, and the political economy of contemporary homophobic moral panics. </p><p>In addition, <em>Out of Time</em> places the Ugandan experience in conversation with contemporaneous developments in India and Britain--three locations that are yoked together by the experience of British imperialism and its afterlives. Intervening in a queer theoretical literature on temporality, Rahul Rao argues that time and space matter differently in the queer politics of postcolonial countries. By employing an intersectional analysis and drawing on a range of sources, Rao offers an original interpretation of why queerness mutates to become a metonym for categories such as nationality, religiosity, race, class, and caste. The book argues that these mutations reveal the deep grammars forged in the violence that founds and reproduces the social institutions in which queer difference struggles to make space for itself.</p><p>Dr. Rahul Rao is Reader in Political Theory at SOAS University of London. He is also the author of <em>Out of Third World Protest: Between Home and the World</em> (2010) also published by Oxford University Press. He is a member of the <a href="https://www.radicalphilosophy.com/about">Radical Philosophy </a>collective and blogs at <a href="https://thedisorderofthings.com/">The Disorder of Things</a>. He is currently writing a book about the politics of statues.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3294</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Monica Popescu, "At Penpoint: African Literatures, Postcolonial Studies, and the Cold War" (Duke UP, 2020)</title>
      <description>In At Penpoint: African Literatures, Postcolonial Studies, and the Cold War (Duke UP, 2020), Monica Popescu traces the development of African literature during the second half of the twentieth century to address the intertwined effects of the Cold War and decolonization on literary history. Popescu draws on archival materials from the Soviet-sponsored Afro-Asian Writers Association and the CIA-funded Congress for Cultural Freedom alongside considerations of canonical literary works by Ayi Kwei Armah, Ngugi wa Thiong'o, Ousmane Sembène, Pepetela, Nadine Gordimer, and others. She outlines how the tensions between the United States and the Soviet Union played out in the aesthetic and political debates among African writers and intellectuals. These writers decolonized aesthetic canons even as superpowers attempted to shape African cultural production in ways that would advance their ideological and geopolitical goals. Placing African literature at the crossroads of postcolonial theory and studies of the Cold War, Popescu provides a new reassessment of African literature, aesthetics, and knowledge production.
Monica Popescu is Associate Professor and William Dawson Scholar of African Literatures in the Department of English at McGill University. She is the author of South African Literature beyond the Cold War and The Politics of Violence in Post-communist Films.
Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Monica Popescu</itunes:subtitle>
      <itunes:summary>In At Penpoint: African Literatures, Postcolonial Studies, and the Cold War (Duke UP, 2020), Monica Popescu traces the development of African literature during the second half of the twentieth century to address the intertwined effects of the Cold War and decolonization on literary history. Popescu draws on archival materials from the Soviet-sponsored Afro-Asian Writers Association and the CIA-funded Congress for Cultural Freedom alongside considerations of canonical literary works by Ayi Kwei Armah, Ngugi wa Thiong'o, Ousmane Sembène, Pepetela, Nadine Gordimer, and others. She outlines how the tensions between the United States and the Soviet Union played out in the aesthetic and political debates among African writers and intellectuals. These writers decolonized aesthetic canons even as superpowers attempted to shape African cultural production in ways that would advance their ideological and geopolitical goals. Placing African literature at the crossroads of postcolonial theory and studies of the Cold War, Popescu provides a new reassessment of African literature, aesthetics, and knowledge production.
Monica Popescu is Associate Professor and William Dawson Scholar of African Literatures in the Department of English at McGill University. She is the author of South African Literature beyond the Cold War and The Politics of Violence in Post-communist Films.
Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478009405"><em>At Penpoint: African Literatures, Postcolonial Studies, and the Cold War</em></a><em> </em>(Duke UP, 2020), Monica Popescu traces the development of African literature during the second half of the twentieth century to address the intertwined effects of the Cold War and decolonization on literary history. Popescu draws on archival materials from the Soviet-sponsored Afro-Asian Writers Association and the CIA-funded Congress for Cultural Freedom alongside considerations of canonical literary works by Ayi Kwei Armah, Ngugi wa Thiong'o, Ousmane Sembène, Pepetela, Nadine Gordimer, and others. She outlines how the tensions between the United States and the Soviet Union played out in the aesthetic and political debates among African writers and intellectuals. These writers decolonized aesthetic canons even as superpowers attempted to shape African cultural production in ways that would advance their ideological and geopolitical goals. Placing African literature at the crossroads of postcolonial theory and studies of the Cold War, Popescu provides a new reassessment of African literature, aesthetics, and knowledge production.</p><p>Monica Popescu is Associate Professor and William Dawson Scholar of African Literatures in the Department of English at McGill University. She is the author of <em>South African Literature beyond the Cold War</em> and <em>The Politics of Violence in Post-communist Films</em>.</p><p><em>Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Marco Checchi, "The Primacy of Resistance: Power, Opposition and Becoming" (Bloomsbury, 2021)</title>
      <description>What is at the heart of political resistance? Whilst traditional accounts often conceptualise it as a reaction to power, this volume (prioritising remarks by Michel Foucault) invites us to think of resistance as primary. The author proposes a strategic analysis that highlights how our efforts need to be redirected towards a horizon of creation and change. 
In The Primacy of Resistance: Power, Opposition and Becoming (Bloomsbury, 2021), Checchi first establishes a genealogy of two main trajectories of the history of our present: the liberal subject of rights and the neoliberal ideas of human capital and bio-financialisation. The former emerges as a reactive closure of Etienne de la Boétie's discourse on human nature and natural companionship. The other forecloses the creative potential of Autonomist Marxist conceptions of labour, first elaborated by Mario Tronti. The focus of this text then shifts towards contemporary openings. Initially, Checchi proposes an inverted reading of Jacques Rancière's concept of politics as interruption that resonates with Antonio Negri's emphasis on Baruch Spinoza's potential qua resistance. Finally, the author stages a virtual encounter between Gilles Deleuze's ontology of matter and Foucault's account of the primacy of resistance with which the text begins. 
Through this series of explorations, The Primacy of Resistance traces a conceptual trajectory with and beyond Foucault by affirming the affinity between resistance and creation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>89</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Marco Checchi</itunes:subtitle>
      <itunes:summary>What is at the heart of political resistance? Whilst traditional accounts often conceptualise it as a reaction to power, this volume (prioritising remarks by Michel Foucault) invites us to think of resistance as primary. The author proposes a strategic analysis that highlights how our efforts need to be redirected towards a horizon of creation and change. 
In The Primacy of Resistance: Power, Opposition and Becoming (Bloomsbury, 2021), Checchi first establishes a genealogy of two main trajectories of the history of our present: the liberal subject of rights and the neoliberal ideas of human capital and bio-financialisation. The former emerges as a reactive closure of Etienne de la Boétie's discourse on human nature and natural companionship. The other forecloses the creative potential of Autonomist Marxist conceptions of labour, first elaborated by Mario Tronti. The focus of this text then shifts towards contemporary openings. Initially, Checchi proposes an inverted reading of Jacques Rancière's concept of politics as interruption that resonates with Antonio Negri's emphasis on Baruch Spinoza's potential qua resistance. Finally, the author stages a virtual encounter between Gilles Deleuze's ontology of matter and Foucault's account of the primacy of resistance with which the text begins. 
Through this series of explorations, The Primacy of Resistance traces a conceptual trajectory with and beyond Foucault by affirming the affinity between resistance and creation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is at the heart of political resistance? Whilst traditional accounts often conceptualise it as a reaction to power, this volume (prioritising remarks by Michel Foucault) invites us to think of resistance as primary. The author proposes a strategic analysis that highlights how our efforts need to be redirected towards a horizon of creation and change. </p><p>In <a href="https://bookshop.org/a/12343/9781350124455"><em>The Primacy of Resistance: Power, Opposition and Becoming</em></a> (Bloomsbury, 2021), Checchi first establishes a genealogy of two main trajectories of the history of our present: the liberal subject of rights and the neoliberal ideas of human capital and bio-financialisation. The former emerges as a reactive closure of Etienne de la Boétie's discourse on human nature and natural companionship. The other forecloses the creative potential of Autonomist Marxist conceptions of labour, first elaborated by Mario Tronti. The focus of this text then shifts towards contemporary openings. Initially, Checchi proposes an inverted reading of Jacques Rancière's concept of politics as interruption that resonates with Antonio Negri's emphasis on Baruch Spinoza's potential qua resistance. Finally, the author stages a virtual encounter between Gilles Deleuze's ontology of matter and Foucault's account of the primacy of resistance with which the text begins. </p><p>Through this series of explorations, <em>The Primacy of Resistance</em> traces a conceptual trajectory with and beyond Foucault by affirming the affinity between resistance and creation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2286</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3830635771.mp3?updated=1623861998" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caroline Seymour-Jorn, "Creating Spaces of Hope: Young Artists and the New Imagination in Egypt" (AU in Cairo Press, 2021)</title>
      <description>It is now just over a decade since protests in Cairo's Tahrir Square started Egypt's chapter in the events of the Arab Spring. Much has been made in western criticism of art and culture's role in the revolution, but the everyday cultural production of studio artists, graffiti artists, musicians, and writers since has attracted less attention. How have artists responded personally and artistically to the political transformation ? What has social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world?
Caroline Seymour-Jorn speaks with Pierre d'Alancaisez about her many years of research in Cairo that goes beyond the current understandings of creative work solely as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. Caroline suggests that young artists like Hany Rashed or The Choir Project have turned their creative focus increasingly inward, to examine issues having to do with personal relationships, belonging and inclusion, and maintaining hope in harsh social, political and economic circumstances.
Caroline Seymour-Jorn is professor of comparative literature and Arabic translation at the University of Wisconsin-Milwaukee and the author of Cultural Criticism in Egyptian Women's Writing, 2011.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Jun 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caroline Seymour-Jorn</itunes:subtitle>
      <itunes:summary>It is now just over a decade since protests in Cairo's Tahrir Square started Egypt's chapter in the events of the Arab Spring. Much has been made in western criticism of art and culture's role in the revolution, but the everyday cultural production of studio artists, graffiti artists, musicians, and writers since has attracted less attention. How have artists responded personally and artistically to the political transformation ? What has social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world?
Caroline Seymour-Jorn speaks with Pierre d'Alancaisez about her many years of research in Cairo that goes beyond the current understandings of creative work solely as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. Caroline suggests that young artists like Hany Rashed or The Choir Project have turned their creative focus increasingly inward, to examine issues having to do with personal relationships, belonging and inclusion, and maintaining hope in harsh social, political and economic circumstances.
Caroline Seymour-Jorn is professor of comparative literature and Arabic translation at the University of Wisconsin-Milwaukee and the author of Cultural Criticism in Egyptian Women's Writing, 2011.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is now just over a decade since protests in Cairo's Tahrir Square started Egypt's chapter in the events of the Arab Spring. Much has been made in western criticism of art and culture's role in the revolution, but the everyday cultural production of studio artists, graffiti artists, musicians, and writers since has attracted less attention. How have artists responded personally and artistically to the political transformation ? What has social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world?</p><p>Caroline Seymour-Jorn speaks with Pierre d'Alancaisez about her many years of research in Cairo that goes beyond the current understandings of creative work solely as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. Caroline suggests that young artists like <a href="http://www.mashrabiagallery.com/hany-rashed.html">Hany Rashed</a> or <a href="http://www.choirproject.net/">The Choir Project</a> have turned their creative focus increasingly inward, to examine issues having to do with personal relationships, belonging and inclusion, and maintaining hope in harsh social, political and economic circumstances.</p><p>Caroline Seymour-Jorn is professor of comparative literature and Arabic translation at the University of Wisconsin-Milwaukee and the author of <em>Cultural Criticism in Egyptian Women's Writing, </em>2011.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3569</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nuala Morse, "The Museum as a Space of Social Care" (Routledge, 2020)</title>
      <description>What is the future for the museum? In The Museum as a Space of Social Care (Routledge, 2020), Nuala Morse, a Lecturer in Museum Studies at the University of Leicester, rethinks the museum by foregrounding the importance of care, and though the framework of care thinking. Using a detailed ethnographic case study, the book explores participatory practice and community engagement, thinking through the rise of key professions within the museum, along with the auditing and management regimes shaping care by and in the museum. As cultural organisations re-emerge following the impact of the global pandemic, the book provides a starting point to reassess and reimagine the museum, and will be essential reading across arts, humanities, social sciences, and for cultural sector professionals.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nuala Morse</itunes:subtitle>
      <itunes:summary>What is the future for the museum? In The Museum as a Space of Social Care (Routledge, 2020), Nuala Morse, a Lecturer in Museum Studies at the University of Leicester, rethinks the museum by foregrounding the importance of care, and though the framework of care thinking. Using a detailed ethnographic case study, the book explores participatory practice and community engagement, thinking through the rise of key professions within the museum, along with the auditing and management regimes shaping care by and in the museum. As cultural organisations re-emerge following the impact of the global pandemic, the book provides a starting point to reassess and reimagine the museum, and will be essential reading across arts, humanities, social sciences, and for cultural sector professionals.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future for the museum? In <a href="https://bookshop.org/a/12343/9781138207677"><em>The Museum as a Space of Social Care</em></a><em> </em>(Routledge, 2020), <a href="https://twitter.com/nualamorse?lang=en">Nuala Morse,</a> a <a href="https://www2.le.ac.uk/departments/museumstudies/AboutUs/people/DrNualaMorse">Lecturer in Museum Studies at the University of Leicester</a>, rethinks the museum by foregrounding the importance of care, and though the framework of care thinking. Using a detailed ethnographic case study, the book explores participatory practice and community engagement, thinking through the rise of key professions within the museum, along with the auditing and management regimes shaping care by and in the museum. As cultural organisations re-emerge following the impact of the global pandemic, the book provides a starting point to reassess and reimagine the museum, and will be essential reading across arts, humanities, social sciences, and for cultural sector professionals.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2509</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f6bbd89c-cdd6-11eb-aa4e-135724290966]]></guid>
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    </item>
    <item>
      <title>Claire L. Jones, "The Business of Birth Control: Contraception and Commerce in Britain before the Sexual Revolution" (Manchester UP, 2020)</title>
      <description>How does understanding business help us understand sex? In The Business of Birth Control: Contraception and Commerce in Britain before the Sexual Revolution (Manchester UP, 2020), Claire Jones, a Senior Lecturer in the History of Medicine at the University of Kent, explores the intersection of commerce and medicine in the interwar period in Britain, as a way of rethinking both the history of contraception and the history of sex. The book uses new archival research, as well as perspectives from business history, to show changing attitudes and practices of people, clinics, and companies in the era before the contraceptive pill. Charting the rise of a new consumer culture, intertwined with company, technology, and medical history, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in sex!
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>234</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Claire L. Jones</itunes:subtitle>
      <itunes:summary>How does understanding business help us understand sex? In The Business of Birth Control: Contraception and Commerce in Britain before the Sexual Revolution (Manchester UP, 2020), Claire Jones, a Senior Lecturer in the History of Medicine at the University of Kent, explores the intersection of commerce and medicine in the interwar period in Britain, as a way of rethinking both the history of contraception and the history of sex. The book uses new archival research, as well as perspectives from business history, to show changing attitudes and practices of people, clinics, and companies in the era before the contraceptive pill. Charting the rise of a new consumer culture, intertwined with company, technology, and medical history, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in sex!
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does understanding business help us understand sex? In <a href="https://bookshop.org/a/12343/9781526136282"><em>The Business of Birth Control: Contraception and Commerce in Britain before the Sexual Revolution</em></a><em> </em>(Manchester UP, 2020), <a href="https://twitter.com/Claire_L_Jones">Claire Jones</a>, <a href="https://www.kent.ac.uk/history/people/401/jones-claire">a Senior Lecturer in the History of Medicine at the University of Kent</a>, explores the intersection of commerce and medicine in the interwar period in Britain, as a way of rethinking both the history of contraception and the history of sex. The book uses new archival research, as well as perspectives from business history, to show changing attitudes and practices of people, clinics, and companies in the era before the contraceptive pill. Charting the rise of a new consumer culture, intertwined with company, technology, and medical history, the book is essential reading across the arts, humanities, and social sciences, as well as for anyone interested in sex!</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2830</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jane Gallop, "Sexuality, Disability, and Aging: Queer Temporalities of the Phallus" (Duke UP, 2019)</title>
      <description>Drawing on her own experiences with late-onset disability and its impact on her sex life, along with her expertise as a cultural critic, Jane Gallop explores how disability and aging work to undermine one's sense of self. She challenges common conceptions that equate the decline of bodily potential and ability with a permanent and irretrievable loss, arguing that such a loss can be both temporary and positively transformative. With Sexuality, Disability, and Aging: Queer Temporalities of the Phallus (Duke UP, 2019), Gallop explores and celebrates how sexuality transforms and becomes more queer in the lives of the no longer young and the no longer able while at the same time demonstrating how disability can generate new forms of sexual fantasy and erotic possibility.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jane Gallop</itunes:subtitle>
      <itunes:summary>Drawing on her own experiences with late-onset disability and its impact on her sex life, along with her expertise as a cultural critic, Jane Gallop explores how disability and aging work to undermine one's sense of self. She challenges common conceptions that equate the decline of bodily potential and ability with a permanent and irretrievable loss, arguing that such a loss can be both temporary and positively transformative. With Sexuality, Disability, and Aging: Queer Temporalities of the Phallus (Duke UP, 2019), Gallop explores and celebrates how sexuality transforms and becomes more queer in the lives of the no longer young and the no longer able while at the same time demonstrating how disability can generate new forms of sexual fantasy and erotic possibility.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Drawing on her own experiences with late-onset disability and its impact on her sex life, along with her expertise as a cultural critic, Jane Gallop explores how disability and aging work to undermine one's sense of self. She challenges common conceptions that equate the decline of bodily potential and ability with a permanent and irretrievable loss, arguing that such a loss can be both temporary and positively transformative. With<a href="https://bookshop.org/a/12343/9781478001614"> <em>Sexuality, Disability, and Aging: Queer Temporalities of the Phallus</em></a><em> </em>(Duke UP, 2019), Gallop explores and celebrates how sexuality transforms and becomes more queer in the lives of the no longer young and the no longer able while at the same time demonstrating how disability can generate new forms of sexual fantasy and erotic possibility.</p><p><a href="https://www.sit.edu/sit_faculty/jana-byars-phd/"><em>Jana Byars</em></a><em> is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d417c8ec-cb9b-11eb-8d06-d3a639856f1d]]></guid>
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    </item>
    <item>
      <title>C. Owens and S. Swales (Part 2), "Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch" (Routledge, 2019)</title>
      <description>This is part two of a two part interview with Carol Owens and Stephanie Swales about their book Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch (Routledge, 2019)
Taking a deep dive into contemporary Western culture, this book suggests we are all fundamentally ambivalent beings. A great deal has been written about how to love - to be kinder, more empathic, a better person, and so on. But trying to love without dealing with our ambivalence, with our hatred, is often a recipe for failure. Any attempt, therefore, to love our neighbour as ourselves - or even, for that matter, to love ourselves - must recognise that we love where we hate and we hate where we love. Psychoanalysis, beginning with Freud, has claimed that to be in two minds about something or someone is characteristic of human subjectivity. Owens and Swales trace the concept of ambivalence through its various iterations in Freudian and Lacanian psychoanalysis in order to question how the contemporary subject deals with its ambivalence. They argue that experiences of ambivalence are, in present-day cultural life, increasingly excised or foreclosed, and that this foreclosure has symptomatic effects at the individual as well as social level. Owens and Swales examine ambivalence as it is at work in mourning, in matters of sexuality, and in our enjoyment under neoliberalism and capitalism. Above all, the authors consider how today's ambivalent subject relates to the racially, religiously, culturally, or sexually different neighbour as a result of the current societal dictate of complete tolerance of the other. In this vein, Owens and Swales argue that ambivalence about one's own jouissance is at the very roots of xenophobia. Peppered with relevant and stimulating examples from clinical work, film, television, politics, and everyday life, Psychoanalysing Ambivalence breathes new life into an old concept and will appeal to any reader, academic, or clinician with an interest in psychoanalytic ideas.
Carol Owens, Ph.D., is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She edited The Letter: Perspectives in Lacanian Psychoanalysis (2003–2008), Lacanian Psychoanalysis with Babies, Children and Adolescents: Further Notes on the Child (with Stephanie Farrelly Quinn, Routledge, 2017) and Studying Lacan’s Seminars IV and V: From Lack to Desire (with Nadezhda Almqvist, Routledge, 2019). She is the series editor for the newly established Routledge series, Studying Lacan’s Seminars.
Stephanie Swales, Ph.D., is an Associate Professor of Psychology at the University of Dallas, USA, a practicing psychoanalyst, a licensed clinical psychologist, and a clinical supervisor located in Dallas, Texas. Her first book, Perversion: A Lacanian Psychoanalytic Approach to the Subject, was published by Routledge in 2012.
Christopher Russell is a Psychoanalyst in Chelsea, Manhattan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carol Owens and Stephanie Swales</itunes:subtitle>
      <itunes:summary>This is part two of a two part interview with Carol Owens and Stephanie Swales about their book Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch (Routledge, 2019)
Taking a deep dive into contemporary Western culture, this book suggests we are all fundamentally ambivalent beings. A great deal has been written about how to love - to be kinder, more empathic, a better person, and so on. But trying to love without dealing with our ambivalence, with our hatred, is often a recipe for failure. Any attempt, therefore, to love our neighbour as ourselves - or even, for that matter, to love ourselves - must recognise that we love where we hate and we hate where we love. Psychoanalysis, beginning with Freud, has claimed that to be in two minds about something or someone is characteristic of human subjectivity. Owens and Swales trace the concept of ambivalence through its various iterations in Freudian and Lacanian psychoanalysis in order to question how the contemporary subject deals with its ambivalence. They argue that experiences of ambivalence are, in present-day cultural life, increasingly excised or foreclosed, and that this foreclosure has symptomatic effects at the individual as well as social level. Owens and Swales examine ambivalence as it is at work in mourning, in matters of sexuality, and in our enjoyment under neoliberalism and capitalism. Above all, the authors consider how today's ambivalent subject relates to the racially, religiously, culturally, or sexually different neighbour as a result of the current societal dictate of complete tolerance of the other. In this vein, Owens and Swales argue that ambivalence about one's own jouissance is at the very roots of xenophobia. Peppered with relevant and stimulating examples from clinical work, film, television, politics, and everyday life, Psychoanalysing Ambivalence breathes new life into an old concept and will appeal to any reader, academic, or clinician with an interest in psychoanalytic ideas.
Carol Owens, Ph.D., is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She edited The Letter: Perspectives in Lacanian Psychoanalysis (2003–2008), Lacanian Psychoanalysis with Babies, Children and Adolescents: Further Notes on the Child (with Stephanie Farrelly Quinn, Routledge, 2017) and Studying Lacan’s Seminars IV and V: From Lack to Desire (with Nadezhda Almqvist, Routledge, 2019). She is the series editor for the newly established Routledge series, Studying Lacan’s Seminars.
Stephanie Swales, Ph.D., is an Associate Professor of Psychology at the University of Dallas, USA, a practicing psychoanalyst, a licensed clinical psychologist, and a clinical supervisor located in Dallas, Texas. Her first book, Perversion: A Lacanian Psychoanalytic Approach to the Subject, was published by Routledge in 2012.
Christopher Russell is a Psychoanalyst in Chelsea, Manhattan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is <strong>part two of a two part interview</strong> with Carol Owens and Stephanie Swales about their book <a href="https://bookshop.org/a/12343/9781138328457"><em>Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch </em></a>(Routledge, 2019)</p><p>Taking a deep dive into contemporary Western culture, this book suggests we are all fundamentally ambivalent beings. A great deal has been written about how to love - to be kinder, more empathic, a better person, and so on. But trying to love without dealing with our ambivalence, with our hatred, is often a recipe for failure. Any attempt, therefore, to love our neighbour as ourselves - or even, for that matter, to love ourselves - must recognise that we love where we hate and we hate where we love. Psychoanalysis, beginning with Freud, has claimed that to be in two minds about something or someone is characteristic of human subjectivity. Owens and Swales trace the concept of ambivalence through its various iterations in Freudian and Lacanian psychoanalysis in order to question how the contemporary subject deals with its ambivalence. They argue that experiences of ambivalence are, in present-day cultural life, increasingly excised or foreclosed, and that this foreclosure has symptomatic effects at the individual as well as social level. Owens and Swales examine ambivalence as it is at work in mourning, in matters of sexuality, and in our enjoyment under neoliberalism and capitalism. Above all, the authors consider how today's ambivalent subject relates to the racially, religiously, culturally, or sexually different neighbour as a result of the current societal dictate of complete tolerance of the other. In this vein, Owens and Swales argue that ambivalence about one's own jouissance is at the very roots of xenophobia. Peppered with relevant and stimulating examples from clinical work, film, television, politics, and everyday life, <em>Psychoanalysing Ambivalence</em> breathes new life into an old concept and will appeal to any reader, academic, or clinician with an interest in psychoanalytic ideas.</p><p>Carol Owens, Ph.D., is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She edited The Letter: Perspectives in Lacanian Psychoanalysis (2003–2008), Lacanian Psychoanalysis with Babies, Children and Adolescents: Further Notes on the Child (with Stephanie Farrelly Quinn, Routledge, 2017) and Studying Lacan’s Seminars IV and V: From Lack to Desire (with Nadezhda Almqvist, Routledge, 2019). She is the series editor for the newly established Routledge series, Studying Lacan’s Seminars.</p><p>Stephanie Swales, Ph.D., is an Associate Professor of Psychology at the University of Dallas, USA, a practicing psychoanalyst, a licensed clinical psychologist, and a clinical supervisor located in Dallas, Texas. Her first book, Perversion: A Lacanian Psychoanalytic Approach to the Subject, was published by Routledge in 2012.</p><p><em>Christopher Russell is a Psychoanalyst in Chelsea, Manhattan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rocío Zambrana, "Colonial Debts: The Case of Puerto Rico" (Duke UP, 2021)</title>
      <description>What can debt reveal to us about coloniality and its undoing? In Colonial Debts: The Case of Puerto Rico (Duke University Press, 2021), Rocío Zambrana theorizes the way debt has been used as a technique of neoliberal coloniality in Puerto Rico, producing profit from death on the island. With close attention to the material practices of protestors who have fought that destruction of life for the purposes of profit, Zambrana argues that decolonization entails political-economic subversion and transformative interruption of the hierarchies of race, gender, and class that fuel and are sustained by colonization. She shows us how organizing pessimism nourishes hope.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>255</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Rocío Zambrana</itunes:subtitle>
      <itunes:summary>What can debt reveal to us about coloniality and its undoing? In Colonial Debts: The Case of Puerto Rico (Duke University Press, 2021), Rocío Zambrana theorizes the way debt has been used as a technique of neoliberal coloniality in Puerto Rico, producing profit from death on the island. With close attention to the material practices of protestors who have fought that destruction of life for the purposes of profit, Zambrana argues that decolonization entails political-economic subversion and transformative interruption of the hierarchies of race, gender, and class that fuel and are sustained by colonization. She shows us how organizing pessimism nourishes hope.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can debt reveal to us about coloniality and its undoing? In <a href="https://bookshop.org/a/12343/9781478010722"><em>Colonial Debts: The Case of Puerto Rico</em></a><em> </em>(Duke University Press, 2021), Rocío Zambrana theorizes the way debt has been used as a technique of neoliberal coloniality in Puerto Rico, producing profit from death on the island. With close attention to the material practices of protestors who have fought that destruction of life for the purposes of profit, Zambrana argues that decolonization entails political-economic subversion <em>and </em>transformative interruption of the hierarchies of race, gender, and class that fuel and are sustained by colonization. She shows us how organizing pessimism nourishes hope.</p><p><a href="https://clas.ucdenver.edu/philosophy/sarah-tyson"><em>Sarah Tyson</em></a><em> is an associate professor of philosophy at the University of Colorado, Denver.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4178</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7790985069.mp3?updated=1624534160" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Susan Crane, "Nothing Happened: A History" (Stanford UP, 2021)</title>
      <description>The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember.
"Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating.
When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered.
In Nothing Happened: A History (Stanford UP, 2021), Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.
 Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1017</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Susan Crane</itunes:subtitle>
      <itunes:summary>The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember.
"Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating.
When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered.
In Nothing Happened: A History (Stanford UP, 2021), Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.
 Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember.</p><p>"Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating.</p><p>When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered.</p><p>In <a href="https://bookshop.org/a/12343/9781503613478"><em>Nothing Happened: A History</em></a> (Stanford UP, 2021), Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.</p><p><em> </em><a href="https://www.sit.edu/sit_faculty/jana-byars-phd/"><em>Jana Byars</em></a><em> is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3357</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>C. Owens and S. Swales (Part 1), "Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch" (Routledge, 2019)</title>
      <description>This is part one of a two part interview with Carol Owens and Stephanie Swales about their book Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch  (Routledge, 2019)
Taking a deep dive into contemporary Western culture, this book suggests we are all fundamentally ambivalent beings. A great deal has been written about how to love - to be kinder, more empathic, a better person, and so on. But trying to love without dealing with our ambivalence, with our hatred, is often a recipe for failure. Any attempt, therefore, to love our neighbour as ourselves - or even, for that matter, to love ourselves - must recognise that we love where we hate and we hate where we love. Psychoanalysis, beginning with Freud, has claimed that to be in two minds about something or someone is characteristic of human subjectivity. Owens and Swales trace the concept of ambivalence through its various iterations in Freudian and Lacanian psychoanalysis in order to question how the contemporary subject deals with its ambivalence. They argue that experiences of ambivalence are, in present-day cultural life, increasingly excised or foreclosed, and that this foreclosure has symptomatic effects at the individual as well as social level. Owens and Swales examine ambivalence as it is at work in mourning, in matters of sexuality, and in our enjoyment under neoliberalism and capitalism. Above all, the authors consider how today's ambivalent subject relates to the racially, religiously, culturally, or sexually different neighbour as a result of the current societal dictate of complete tolerance of the other. In this vein, Owens and Swales argue that ambivalence about one's own jouissance is at the very roots of xenophobia. Peppered with relevant and stimulating examples from clinical work, film, television, politics, and everyday life, Psychoanalysing Ambivalence breathes new life into an old concept and will appeal to any reader, academic, or clinician with an interest in psychoanalytic ideas.
Carol Owens, Ph.D., is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She edited The Letter: Perspectives in Lacanian Psychoanalysis (2003–2008), Lacanian Psychoanalysis with Babies, Children and Adolescents: Further Notes on the Child (with Stephanie Farrelly Quinn, Routledge, 2017) and Studying Lacan’s Seminars IV and V: From Lack to Desire (with Nadezhda Almqvist, Routledge, 2019). She is the series editor for the newly established Routledge series, Studying Lacan’s Seminars. 
Stephanie Swales, Ph.D., is an Associate Professor of Psychology at the University of Dallas, USA, a practicing psychoanalyst, a licensed clinical psychologist, and a clinical supervisor located in Dallas, Texas. Her first book, Perversion: A Lacanian Psychoanalytic Approach to the Subject, was published by Routledge in 2012.
Christopher Russell is a Psychoanalyst in Chelsea, Manhattan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carol Owens and Stephanie Swales</itunes:subtitle>
      <itunes:summary>This is part one of a two part interview with Carol Owens and Stephanie Swales about their book Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch  (Routledge, 2019)
Taking a deep dive into contemporary Western culture, this book suggests we are all fundamentally ambivalent beings. A great deal has been written about how to love - to be kinder, more empathic, a better person, and so on. But trying to love without dealing with our ambivalence, with our hatred, is often a recipe for failure. Any attempt, therefore, to love our neighbour as ourselves - or even, for that matter, to love ourselves - must recognise that we love where we hate and we hate where we love. Psychoanalysis, beginning with Freud, has claimed that to be in two minds about something or someone is characteristic of human subjectivity. Owens and Swales trace the concept of ambivalence through its various iterations in Freudian and Lacanian psychoanalysis in order to question how the contemporary subject deals with its ambivalence. They argue that experiences of ambivalence are, in present-day cultural life, increasingly excised or foreclosed, and that this foreclosure has symptomatic effects at the individual as well as social level. Owens and Swales examine ambivalence as it is at work in mourning, in matters of sexuality, and in our enjoyment under neoliberalism and capitalism. Above all, the authors consider how today's ambivalent subject relates to the racially, religiously, culturally, or sexually different neighbour as a result of the current societal dictate of complete tolerance of the other. In this vein, Owens and Swales argue that ambivalence about one's own jouissance is at the very roots of xenophobia. Peppered with relevant and stimulating examples from clinical work, film, television, politics, and everyday life, Psychoanalysing Ambivalence breathes new life into an old concept and will appeal to any reader, academic, or clinician with an interest in psychoanalytic ideas.
Carol Owens, Ph.D., is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She edited The Letter: Perspectives in Lacanian Psychoanalysis (2003–2008), Lacanian Psychoanalysis with Babies, Children and Adolescents: Further Notes on the Child (with Stephanie Farrelly Quinn, Routledge, 2017) and Studying Lacan’s Seminars IV and V: From Lack to Desire (with Nadezhda Almqvist, Routledge, 2019). She is the series editor for the newly established Routledge series, Studying Lacan’s Seminars. 
Stephanie Swales, Ph.D., is an Associate Professor of Psychology at the University of Dallas, USA, a practicing psychoanalyst, a licensed clinical psychologist, and a clinical supervisor located in Dallas, Texas. Her first book, Perversion: A Lacanian Psychoanalytic Approach to the Subject, was published by Routledge in 2012.
Christopher Russell is a Psychoanalyst in Chelsea, Manhattan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is <strong>part one of a two part interview</strong> with Carol Owens and Stephanie Swales about their book <a href="https://bookshop.org/a/12343/9781138328457"><em>Psychoanalysing Ambivalence with Freud and Lacan: On and Off the Couch </em></a> (Routledge, 2019)</p><p>Taking a deep dive into contemporary Western culture, this book suggests we are all fundamentally ambivalent beings. A great deal has been written about how to love - to be kinder, more empathic, a better person, and so on. But trying to love without dealing with our ambivalence, with our hatred, is often a recipe for failure. Any attempt, therefore, to love our neighbour as ourselves - or even, for that matter, to love ourselves - must recognise that we love where we hate and we hate where we love. Psychoanalysis, beginning with Freud, has claimed that to be in two minds about something or someone is characteristic of human subjectivity. Owens and Swales trace the concept of ambivalence through its various iterations in Freudian and Lacanian psychoanalysis in order to question how the contemporary subject deals with its ambivalence. They argue that experiences of ambivalence are, in present-day cultural life, increasingly excised or foreclosed, and that this foreclosure has symptomatic effects at the individual as well as social level. Owens and Swales examine ambivalence as it is at work in mourning, in matters of sexuality, and in our enjoyment under neoliberalism and capitalism. Above all, the authors consider how today's ambivalent subject relates to the racially, religiously, culturally, or sexually different neighbour as a result of the current societal dictate of complete tolerance of the other. In this vein, Owens and Swales argue that ambivalence about one's own jouissance is at the very roots of xenophobia. Peppered with relevant and stimulating examples from clinical work, film, television, politics, and everyday life, Psychoanalysing Ambivalence breathes new life into an old concept and will appeal to any reader, academic, or clinician with an interest in psychoanalytic ideas.</p><p>Carol Owens, Ph.D., is a psychoanalyst and psychoanalytic scholar in Dublin, Ireland. She edited The Letter: Perspectives in Lacanian Psychoanalysis (2003–2008), Lacanian Psychoanalysis with Babies, Children and Adolescents: Further Notes on the Child (with Stephanie Farrelly Quinn, Routledge, 2017) and Studying Lacan’s Seminars IV and V: From Lack to Desire (with Nadezhda Almqvist, Routledge, 2019). She is the series editor for the newly established Routledge series, Studying Lacan’s Seminars. </p><p>Stephanie Swales, Ph.D., is an Associate Professor of Psychology at the University of Dallas, USA, a practicing psychoanalyst, a licensed clinical psychologist, and a clinical supervisor located in Dallas, Texas. Her first book, Perversion: A Lacanian Psychoanalytic Approach to the Subject, was published by Routledge in 2012.</p><p><em>Christopher Russell is a Psychoanalyst in Chelsea, Manhattan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3509</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[19d46c62-d1ca-11eb-a483-6319ac776d49]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7859368906.mp3?updated=1624195356" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gemma Commane, "Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity" (Bloomsbury, 2020)</title>
      <description>What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity (Bloomsbury, 2020) explores the social, sexual and political significance of women who are labelled bad or dirty. Through case studies (including Empress Stah, RubberDoll or Doris La Trine), the book challenges the notion that sexual, slutty, bad, or dirty women are not worth listening to.
Gemma Commane speaks to Pierre d'Alancaisez about her study of neo-burlesque, queer performances, and explicit entertainment as sites of power, possibility, and success.
Gemma Commane is Lecturer in Media and Communications at the Birmingham School of Media, Birmingham City University. She is active in research in the fields of media and cultural studies, and gender and sexuality.
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gemma Commane</itunes:subtitle>
      <itunes:summary>What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity (Bloomsbury, 2020) explores the social, sexual and political significance of women who are labelled bad or dirty. Through case studies (including Empress Stah, RubberDoll or Doris La Trine), the book challenges the notion that sexual, slutty, bad, or dirty women are not worth listening to.
Gemma Commane speaks to Pierre d'Alancaisez about her study of neo-burlesque, queer performances, and explicit entertainment as sites of power, possibility, and success.
Gemma Commane is Lecturer in Media and Communications at the Birmingham School of Media, Birmingham City University. She is active in research in the fields of media and cultural studies, and gender and sexuality.
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. <a href="https://bookshop.org/a/12343/9781350185357"><em>Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity</em></a><em> </em>(Bloomsbury, 2020) explores the social, sexual and political significance of women who are labelled bad or dirty. Through case studies (including <a href="http://www.empressstah.com/">Empress Stah</a>, <a href="https://rubberdoll.net/">RubberDoll</a> or <a href="https://burdy.co/featured-act/doris-la-trine/">Doris La Trine</a>), the book challenges the notion that sexual, slutty, bad, or dirty women are not worth listening to.</p><p>Gemma Commane speaks to Pierre d'Alancaisez about her study of neo-burlesque, queer performances, and explicit entertainment as sites of power, possibility, and success.</p><p><a href="https://gemmacommane.wordpress.com/about/">Gemma Commane</a> is Lecturer in Media and Communications at the Birmingham School of Media, Birmingham City University. She is active in research in the fields of media and cultural studies, and gender and sexuality.</p><p><em> </em><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0304490-c614-11eb-b117-27200a55017b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9496336161.mp3?updated=1622907912" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Victoria Canning and Steve Tombs, "From Social Harm to Zemiology: A Critical Introduction" (Routledge, 2021)</title>
      <description>Victoria Canning and Steve Tombs' book From Social Harm to Zemiology: A Critical Introduction (Routledge, 2021) outlines key developments in understanding social harm by setting out its historical foundations and the discussions which have proliferated since. It examines various attempts to conceptualise social harm and highlights key sites of contestation in its relationship to criminology to argue that these act as the basis for an activist zemiology, one directed towards social change for social justice. The past two decades have seen a proliferation of debate related to social harm in and around criminology. From climate catastrophe and a focus on environmental harms, unprecedented deaths generating focus on border harms and the coronavirus pandemic revealing the horror of mass and arguably avoidable deaths across the globe, critical studies in social harm appear ever more pressing.
Drawing on a range of international case studies of cultural, emotional, physical and economic harms, From Social Harm to Zemiology locates the study of social harm in an accessible fashion. In doing so it sets out how a zemiological lens can moves us beyond many of the problematic legacies of criminology. This book rejects criminologies which have disproportionately served to regulate intersectional groups, and which have arguably inflicted as much or more harm by bolstering the very ideologies of control in offering minor reforms that inadvertently expand and strengthen states and corporations. It does this by sketching out the contours, objects, methods and ontologies of a disciplinary framework which rejects commonplace assumptions of 'value freedom'. From Social Harm to Zemiology advocates social change in accordance with groups who are most disenfranchised, and thus often most socially harmed.
An accessible and compelling read, this book is essential reading for all zemiologists, critical criminologists, and those engaged with criminological and social theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>232</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Victoria Canning and Steve Tombs</itunes:subtitle>
      <itunes:summary>Victoria Canning and Steve Tombs' book From Social Harm to Zemiology: A Critical Introduction (Routledge, 2021) outlines key developments in understanding social harm by setting out its historical foundations and the discussions which have proliferated since. It examines various attempts to conceptualise social harm and highlights key sites of contestation in its relationship to criminology to argue that these act as the basis for an activist zemiology, one directed towards social change for social justice. The past two decades have seen a proliferation of debate related to social harm in and around criminology. From climate catastrophe and a focus on environmental harms, unprecedented deaths generating focus on border harms and the coronavirus pandemic revealing the horror of mass and arguably avoidable deaths across the globe, critical studies in social harm appear ever more pressing.
Drawing on a range of international case studies of cultural, emotional, physical and economic harms, From Social Harm to Zemiology locates the study of social harm in an accessible fashion. In doing so it sets out how a zemiological lens can moves us beyond many of the problematic legacies of criminology. This book rejects criminologies which have disproportionately served to regulate intersectional groups, and which have arguably inflicted as much or more harm by bolstering the very ideologies of control in offering minor reforms that inadvertently expand and strengthen states and corporations. It does this by sketching out the contours, objects, methods and ontologies of a disciplinary framework which rejects commonplace assumptions of 'value freedom'. From Social Harm to Zemiology advocates social change in accordance with groups who are most disenfranchised, and thus often most socially harmed.
An accessible and compelling read, this book is essential reading for all zemiologists, critical criminologists, and those engaged with criminological and social theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Victoria Canning and Steve Tombs' book <a href="https://bookshop.org/a/12343/9781138366091"><em>From Social Harm to Zemiology: A Critical Introduction</em></a> (Routledge, 2021) outlines key developments in understanding social harm by setting out its historical foundations and the discussions which have proliferated since. It examines various attempts to conceptualise social harm and highlights key sites of contestation in its relationship to criminology to argue that these act as the basis for an activist zemiology, one directed towards social change for social justice. The past two decades have seen a proliferation of debate related to social harm in and around criminology. From climate catastrophe and a focus on environmental harms, unprecedented deaths generating focus on border harms and the coronavirus pandemic revealing the horror of mass and arguably avoidable deaths across the globe, critical studies in social harm appear ever more pressing.</p><p>Drawing on a range of international case studies of cultural, emotional, physical and economic harms, <em>From Social Harm to Zemiology</em> locates the study of social harm in an accessible fashion. In doing so it sets out how a zemiological lens can moves us beyond many of the problematic legacies of criminology. This book rejects criminologies which have disproportionately served to regulate intersectional groups, and which have arguably inflicted as much or more harm by bolstering the very ideologies of control in offering minor reforms that inadvertently expand and strengthen states and corporations. It does this by sketching out the contours, objects, methods and ontologies of a disciplinary framework which rejects commonplace assumptions of 'value freedom'. <em>From Social Harm to Zemiology </em>advocates social change in accordance with groups who are most disenfranchised, and thus often most socially harmed.</p><p>An accessible and compelling read, this book is essential reading for all zemiologists, critical criminologists, and those engaged with criminological and social theory.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3236</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[40a977aa-c4ab-11eb-b864-9b3e186224de]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9250725463.mp3?updated=1623679960" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John B. Thompson, "Book Wars: The Digital Revolution in Publishing" (Polity, 2021)</title>
      <description>What is the future of the book? In Book Wars: The Digital Revolution in Publishing (Polity, 2021) John Thompson, Professor of Sociology at the University of Cambridge, examines the impact of digital technology on the publishing industry. The book grapples with broad questions of the changing nature of capitalism, the idea of information capital, and offers a detailed engagement with the development of the e-book, the rise of Google and Amazon, and new business models such as crowdfunding. A fascinating study of the past, present, and future of publishing, the book will be essential reading for all New Books Network listeners, and anyone interested in books!
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>230</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with John B. Thompson</itunes:subtitle>
      <itunes:summary>What is the future of the book? In Book Wars: The Digital Revolution in Publishing (Polity, 2021) John Thompson, Professor of Sociology at the University of Cambridge, examines the impact of digital technology on the publishing industry. The book grapples with broad questions of the changing nature of capitalism, the idea of information capital, and offers a detailed engagement with the development of the e-book, the rise of Google and Amazon, and new business models such as crowdfunding. A fascinating study of the past, present, and future of publishing, the book will be essential reading for all New Books Network listeners, and anyone interested in books!
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of the book? In <a href="https://bookshop.org/a/12343/9781509546787"><em>Book Wars: The Digital Revolution in Publishing</em></a><em> (Polity, 2021)</em> <a href="https://www.jesus.cam.ac.uk/people/john-thompson">John Thompson, Professor of Sociology at the University of Cambridge</a>, examines the impact of digital technology on the publishing industry. The book grapples with broad questions of the changing nature of capitalism, the idea of information capital, and offers a detailed engagement with the development of the e-book, the rise of Google and Amazon, and new business models such as crowdfunding. A fascinating study of the past, present, and future of publishing, the book will be essential reading for all New Books Network listeners, and anyone interested in books!</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2779</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3c8e86b2-c23d-11eb-8b88-4f1f0f117eaf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3335163544.mp3?updated=1622486052" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Arditi, "Getting Signed: Record Contracts, Musicians, and Power in Society" (Palgrave Macmillan, 2020)</title>
      <description>How does the record industry work? In Getting Signed: Record Contracts, Musicians, and Power in Society (Palgrave Macmillan, 2020), David Arditi, Associate Professor in Sociology and Anthropology at University of Texas at Arlington, analyses the ideology of getting signed and getting a record contract to show the alienating and exploitative effects of the record industry on musicians and the making of music. The book blends ethnographic fieldwork with critical theoretical analysis, looking at a range of issues in music, from the ‘strained solidarity’ of being in a band, the negative impact of competition and competitiveness in the music industry and in society, to longstanding issues about copyright. The book is essential reading across arts, humanities and the social sciences, as well as for anyone interested in music today.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Arditi</itunes:subtitle>
      <itunes:summary>How does the record industry work? In Getting Signed: Record Contracts, Musicians, and Power in Society (Palgrave Macmillan, 2020), David Arditi, Associate Professor in Sociology and Anthropology at University of Texas at Arlington, analyses the ideology of getting signed and getting a record contract to show the alienating and exploitative effects of the record industry on musicians and the making of music. The book blends ethnographic fieldwork with critical theoretical analysis, looking at a range of issues in music, from the ‘strained solidarity’ of being in a band, the negative impact of competition and competitiveness in the music industry and in society, to longstanding issues about copyright. The book is essential reading across arts, humanities and the social sciences, as well as for anyone interested in music today.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the record industry work? In <em>Getting Signed: Record Contracts, Musicians, and Power in Society</em> (Palgrave Macmillan, 2020), <a href="https://twitter.com/david_arditi">David Arditi</a>, <a href="https://mentis.uta.edu/explore/profile/david-arditi">Associate Professor in Sociology and Anthropology</a> at University of Texas at Arlington, analyses the ideology of getting signed and getting a record contract to show the alienating and exploitative effects of the record industry on musicians and the making of music. The book blends ethnographic fieldwork with critical theoretical analysis, looking at a range of issues in music, from the ‘strained solidarity’ of being in a band, the negative impact of competition and competitiveness in the music industry and in society, to longstanding issues about copyright. The book is essential reading across arts, humanities and the social sciences, as well as for anyone interested in music today.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2584</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[966637d6-c31c-11eb-9502-3f697a263600]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7371027300.mp3?updated=1622582010" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)</title>
      <description>It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions - and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history - and ongoing practice - of the community arts with the recent rise of participatory art, social practice, or outreach and engagement?
François Matarasso speaks to Pierre d'Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper Use or Ornament, ways of supporting cultural democracy through projects like Fun Palaces, and reaching peak culture.
François Matarasso is a community artist, writer, and researcher, and one of the co-creators of the 2020 Rome Charter.
A Restless Art is available as an open-access download here and in print here.
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with François Matarasso</itunes:subtitle>
      <itunes:summary>It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions - and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history - and ongoing practice - of the community arts with the recent rise of participatory art, social practice, or outreach and engagement?
François Matarasso speaks to Pierre d'Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper Use or Ornament, ways of supporting cultural democracy through projects like Fun Palaces, and reaching peak culture.
François Matarasso is a community artist, writer, and researcher, and one of the co-creators of the 2020 Rome Charter.
A Restless Art is available as an open-access download here and in print here.
 Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions - and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history - and ongoing practice - of the community arts with the recent rise of participatory art, social practice, or outreach and engagement?</p><p>François Matarasso speaks to Pierre d'Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper <a href="https://www.artshealthresources.org.uk/wp-content/uploads/2017/01/1997-Matarasso-Use-or-Ornament-The-Social-Impact-of-Participation-in-the-Arts-1.pdf"><em>Use or Ornament</em></a>, ways of supporting cultural democracy through projects like <a href="https://funpalaces.co.uk/">Fun Palaces</a>, and reaching peak culture.</p><p><a href="https://parliamentofdreams.com/">François Matarasso</a> is a community artist, writer, and researcher, and one of the co-creators of the <a href="https://www.2020romecharter.org/">2020 Rome Charter</a>.</p><p>A Restless Art is available as an open-access download <a href="https://arestlessart.com/the-book/download-a-digital-copy/">here</a> and in print <a href="https://www.amazon.com/Restless-Art-2019-participation-Portuguese/dp/1903080207">here</a>.</p><p><em> </em><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Manon Garcia, "We Are Not Born Submissive: How Patriarchy Shapes Women's Lives" (Princeton UP, 2021)</title>
      <description>We are here today with Manon Garcia, the author of We Are Not Born Submissive: How Patriarchy Shapes Women’s Lives, published this year, 2021, by Princeton University Press. The book was originally published in 2018 by Climats as On ne naît pas soumise, on le devient.
This book was a phenomenon and a runaway bestseller when released in France. We are lucky to have outstanding translation from the author herself in English suited to an American and English audience.
What role do women play in the perpetuation of patriarchy? On the one hand, popular media urges women to be independent, outspoken, and career-minded. Yet, this same media glorifies a specific, sometimes voluntary, female submissiveness as a source of satisfaction. In philosophy, even less has been said on why women submit to men and the discussion has been equally contradictory—submission has traditionally been considered a vice or pathology, but female submission has been valorized as innate to women’s nature. Is there a way to explore female submission in all of its complexity—not denying its appeal in certain instances, and not buying into an antifeminist, sexist, or misogynistic perspective?

We Are Not Born Submissive offers the first in-depth philosophical exploration of female submission, focusing on the thinking of Simone de Beauvoir, and more recent work in feminist philosophy, epistemology, and political theory. Manon Garcia argues that to comprehend female submission, we must invert how we examine power and see it from the woman’s point of view. Historically, philosophers, psychoanalysts, and even some radical feminists have conflated femininity and submission. Garcia demonstrates that only through the lens of women’s lived experiences—their economic, social, and political situations—and how women adapt their preferences to maintain their own well-being, can we understand the ways in which gender hierarchies in society shape women’s experiences. Ultimately, she asserts that women do not actively choose submission. Rather, they consent to—and sometimes take pleasure in—what is prescribed to them through social norms within a patriarchy.

Moving beyond the simplistic binary of natural destiny or moral vice, We Are Not Born Submissive takes a sophisticated look at how female submissiveness can be explained.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Manon Garcia</itunes:subtitle>
      <itunes:summary>We are here today with Manon Garcia, the author of We Are Not Born Submissive: How Patriarchy Shapes Women’s Lives, published this year, 2021, by Princeton University Press. The book was originally published in 2018 by Climats as On ne naît pas soumise, on le devient.
This book was a phenomenon and a runaway bestseller when released in France. We are lucky to have outstanding translation from the author herself in English suited to an American and English audience.
What role do women play in the perpetuation of patriarchy? On the one hand, popular media urges women to be independent, outspoken, and career-minded. Yet, this same media glorifies a specific, sometimes voluntary, female submissiveness as a source of satisfaction. In philosophy, even less has been said on why women submit to men and the discussion has been equally contradictory—submission has traditionally been considered a vice or pathology, but female submission has been valorized as innate to women’s nature. Is there a way to explore female submission in all of its complexity—not denying its appeal in certain instances, and not buying into an antifeminist, sexist, or misogynistic perspective?

We Are Not Born Submissive offers the first in-depth philosophical exploration of female submission, focusing on the thinking of Simone de Beauvoir, and more recent work in feminist philosophy, epistemology, and political theory. Manon Garcia argues that to comprehend female submission, we must invert how we examine power and see it from the woman’s point of view. Historically, philosophers, psychoanalysts, and even some radical feminists have conflated femininity and submission. Garcia demonstrates that only through the lens of women’s lived experiences—their economic, social, and political situations—and how women adapt their preferences to maintain their own well-being, can we understand the ways in which gender hierarchies in society shape women’s experiences. Ultimately, she asserts that women do not actively choose submission. Rather, they consent to—and sometimes take pleasure in—what is prescribed to them through social norms within a patriarchy.

Moving beyond the simplistic binary of natural destiny or moral vice, We Are Not Born Submissive takes a sophisticated look at how female submissiveness can be explained.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are here today with Manon Garcia, the author of <a href="https://bookshop.org/a/12343/9780691201825"><em>We Are Not Born Submissive: How Patriarchy Shapes Women’s Lives</em></a><em>, </em>published this year, 2021, by Princeton University Press. The book was originally published in 2018 by Climats as <a href="https://editions.flammarion.com/on-ne-nait-pas-soumise-on-le-devient/9782081439412"><em>On ne naît pas soumise, on le devient</em></a>.</p><p>This book was a phenomenon and a runaway bestseller when released in France. We are lucky to have outstanding translation from the author herself in English suited to an American and English audience.</p><p>What role do women play in the perpetuation of patriarchy? On the one hand, popular media urges women to be independent, outspoken, and career-minded. Yet, this same media glorifies a specific, sometimes voluntary, female submissiveness as a source of satisfaction. In philosophy, even less has been said on why women submit to men and the discussion has been equally contradictory—submission has traditionally been considered a vice or pathology, but female submission has been valorized as innate to women’s nature. Is there a way to explore female submission in all of its complexity—not denying its appeal in certain instances, and not buying into an antifeminist, sexist, or misogynistic perspective?</p><p><br></p><p><em>We Are Not Born Submissive</em> offers the first in-depth philosophical exploration of female submission, focusing on the thinking of Simone de Beauvoir, and more recent work in feminist philosophy, epistemology, and political theory. Manon Garcia argues that to comprehend female submission, we must invert how we examine power and see it from the woman’s point of view. Historically, philosophers, psychoanalysts, and even some radical feminists have conflated femininity and submission. Garcia demonstrates that only through the lens of women’s lived experiences—their economic, social, and political situations—and how women adapt their preferences to maintain their own well-being, can we understand the ways in which gender hierarchies in society shape women’s experiences. Ultimately, she asserts that women do not actively choose submission. Rather, they consent to—and sometimes take pleasure in—what is prescribed to them through social norms within a patriarchy.</p><p><br></p><p>Moving beyond the simplistic binary of natural destiny or moral vice, <em>We Are Not Born Submissive</em> takes a sophisticated look at how female submissiveness can be explained.</p><p><a href="https://www.sit.edu/sit_faculty/jana-byars-phd/"><em>Jana Byars</em></a><em> is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4366</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7240278087.mp3?updated=1622146341" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)</title>
      <description>In Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War (Duke UP, 2021), Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist Fran Ilich, the activist performances of Grupo de Arte Callejero, Etcétera, and International Errorista rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur.
Jennifer Ponce de León is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jennifer Ponce de León</itunes:subtitle>
      <itunes:summary>In Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War (Duke UP, 2021), Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist Fran Ilich, the activist performances of Grupo de Arte Callejero, Etcétera, and International Errorista rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur.
Jennifer Ponce de León is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478011255"><em>Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War</em></a><em> </em>(Duke UP, 2021)<em>,</em> Jennifer Ponce de León examines the roles that art can play in the collective labour of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theatre to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.</p><p>Jennifer Ponce de León speaks with Pierre d'Alancaisez about the counter colonial practice of the artist <a href="https://en.wikipedia.org/wiki/Fran_Ilich">Fran Ilich</a>, the activist performances of <a href="https://grupodeartecallejero.wordpress.com/">Grupo de Arte Callejero</a>, <a href="https://grupoetcetera.wordpress.com/">Etcétera</a>, and <a href="https://www.erroristas.org/es">International Errorista</a> rooted in the political histories of Latin America as a site of resistance in which the boundaries between art and politics blur.</p><p><a href="https://jenniferponcedeleon.wordpress.com/">Jennifer Ponce de León</a> is an assistant professor of English at the University of Pennsylvania and an interdisciplinary scholar whose research focuses on cultural production and antisystemic movements in the Americas since the 1960s.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3832</itunes:duration>
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    </item>
    <item>
      <title>Neil Altman, "White Privilege: Psychoanalytic Perspectives" (Routledge, 2020)</title>
      <description>Neil Altman’s White Privilege: Psychoanalytic Perspectives (Routledge, 2020) is a slip (80 pages including references and the index) of a book that reads as both addendum and antidote to some of the literature aimed at waking white people (Ta-Nahesi-Coates’ “dreamers”) up to the realities of racism. I say antidote as some of that literature (the work of Robin Di Angelo and Ibram X. Kendi come to mind) seems to depend on commands from the super ego to shed the scales from white eyes. On finishing Di Angelo’s White Fragility (which was required reading last summer) I felt both paranoid and ashamed and had to wonder how self-policing was going diminish my racism? Altman’s book intervenes precisely in this potentially deleterious cycle arguing that anti-racist thinking that relies on “should” and “oughts”, are potentially doomed to fail. By attacking the defenses rather than softening them, such efforts run the risk of hardening the racism they set out to transform.
Humans hate. Freud tells us it is our first feeling. Undeniably, hating can fill us with great and solidifying pleasure. Racism is one form of hatred. When acted on, it can and does destroy lives. Fully loaded with white privilege, white people are apt to act on our racism, and also to shudder, deny or dissociate when encountering our racist thoughts and feelings. When confronted with our racism and its impact, with our awareness that we in fact rely on denigrating stereotypes to feel a little better about ourselves, states of mortification (deathliness) emerge that do no one any good. Such a state is a purely narcissistic one where the other has been snuffed out. If you are white, as I am, you have likely found yourself more than once tossing the hot potato of your own racism as far away as from yourself as you can. And some part of you feels weakened by being this way but it is practically an involuntary reflex.
Thinking about this reflex, Altman employs Melanie Klein’s thinking about what it means to be human, which highlights our ineluctable destructiveness. If hate is a human feeling, not one to be gotten rid of but rather one to be accepted and contended with, there may be a way for us to take responsibility for being hurtful, for being racist. Hating hate or hating our racism can maintain the status quo. In fact, hidden hateful feelings seek justification and become reified, rather than being fleeting—as all feelings truly are.
Altman highlights the difference between making reparations based on guilt versus the descent into guiltiness. Guilt implies that one is interested in our impact on others because we know that in living, we will hurt many people along the way. Guiltiness, which we can see in white virtue signaling around racism, has much more to do with returning the self that has harmed to its happy and perfect place without addressing the harm done. While white people are primed, particularly in an American context, to say and do horrible and hurtful racist things, it is the disavowal of the destructiveness that perhaps does, from a psychoanalytic perspective, the most harm in the end. Altman quotes the journalist Leonard Pitts who captures the experience of white negation succinctly, writing, “If people who hate you would stand up and declare it you would not have to go through with your day on guard against the world.”
The refusal to take responsibility for the harm we do—and Altman makes the strong point that whiteness can be defined as an identity that is principally based on dehumanization—keeps white people on the run from reality. When we depend on delusions to shore us up, a part of us knows we are in real bad shape.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Neil Altman</itunes:subtitle>
      <itunes:summary>Neil Altman’s White Privilege: Psychoanalytic Perspectives (Routledge, 2020) is a slip (80 pages including references and the index) of a book that reads as both addendum and antidote to some of the literature aimed at waking white people (Ta-Nahesi-Coates’ “dreamers”) up to the realities of racism. I say antidote as some of that literature (the work of Robin Di Angelo and Ibram X. Kendi come to mind) seems to depend on commands from the super ego to shed the scales from white eyes. On finishing Di Angelo’s White Fragility (which was required reading last summer) I felt both paranoid and ashamed and had to wonder how self-policing was going diminish my racism? Altman’s book intervenes precisely in this potentially deleterious cycle arguing that anti-racist thinking that relies on “should” and “oughts”, are potentially doomed to fail. By attacking the defenses rather than softening them, such efforts run the risk of hardening the racism they set out to transform.
Humans hate. Freud tells us it is our first feeling. Undeniably, hating can fill us with great and solidifying pleasure. Racism is one form of hatred. When acted on, it can and does destroy lives. Fully loaded with white privilege, white people are apt to act on our racism, and also to shudder, deny or dissociate when encountering our racist thoughts and feelings. When confronted with our racism and its impact, with our awareness that we in fact rely on denigrating stereotypes to feel a little better about ourselves, states of mortification (deathliness) emerge that do no one any good. Such a state is a purely narcissistic one where the other has been snuffed out. If you are white, as I am, you have likely found yourself more than once tossing the hot potato of your own racism as far away as from yourself as you can. And some part of you feels weakened by being this way but it is practically an involuntary reflex.
Thinking about this reflex, Altman employs Melanie Klein’s thinking about what it means to be human, which highlights our ineluctable destructiveness. If hate is a human feeling, not one to be gotten rid of but rather one to be accepted and contended with, there may be a way for us to take responsibility for being hurtful, for being racist. Hating hate or hating our racism can maintain the status quo. In fact, hidden hateful feelings seek justification and become reified, rather than being fleeting—as all feelings truly are.
Altman highlights the difference between making reparations based on guilt versus the descent into guiltiness. Guilt implies that one is interested in our impact on others because we know that in living, we will hurt many people along the way. Guiltiness, which we can see in white virtue signaling around racism, has much more to do with returning the self that has harmed to its happy and perfect place without addressing the harm done. While white people are primed, particularly in an American context, to say and do horrible and hurtful racist things, it is the disavowal of the destructiveness that perhaps does, from a psychoanalytic perspective, the most harm in the end. Altman quotes the journalist Leonard Pitts who captures the experience of white negation succinctly, writing, “If people who hate you would stand up and declare it you would not have to go through with your day on guard against the world.”
The refusal to take responsibility for the harm we do—and Altman makes the strong point that whiteness can be defined as an identity that is principally based on dehumanization—keeps white people on the run from reality. When we depend on delusions to shore us up, a part of us knows we are in real bad shape.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Neil Altman’s <a href="https://bookshop.org/a/12343/9780367503505"><em>White Privilege: Psychoanalytic Perspectives</em></a> (Routledge, 2020) is a slip (80 pages including references and the index) of a book that reads as both addendum and antidote to some of the literature aimed at waking white people (Ta-Nahesi-Coates’ “dreamers”) up to the realities of racism. I say antidote as some of that literature (the work of Robin Di Angelo and Ibram X. Kendi come to mind) seems to depend on commands from the super ego to shed the scales from white eyes. On finishing Di Angelo’s White Fragility (which was <strong>required</strong> reading last summer) I felt <em>both</em> paranoid <em>and</em> ashamed and had to wonder how self-policing was going diminish my racism? Altman’s book intervenes precisely in this potentially deleterious cycle arguing that anti-racist thinking that relies on “should” and “oughts”, are potentially doomed to fail. By attacking the defenses rather than softening them, such efforts run the risk of hardening the racism they set out to transform.</p><p>Humans hate. Freud tells us it is our first feeling. Undeniably, hating can fill us with great and solidifying pleasure. Racism is one form of hatred. When acted on, it can and does destroy lives. Fully loaded with white privilege, white people are apt to act on our racism, and also to shudder, deny or dissociate when encountering our racist thoughts and feelings. When confronted with our racism and its impact, with our awareness that we in fact rely on denigrating stereotypes to feel a little better about ourselves, states of mortification (deathliness) emerge that do no one any good. Such a state is a purely narcissistic one where the other has been snuffed out. If you are white, as I am, you have likely found yourself more than once tossing the hot potato of your own racism as far away as from yourself as you can. And some part of you feels weakened by being this way but it is practically an involuntary reflex.</p><p>Thinking about this reflex, Altman employs Melanie Klein’s thinking about what it means to be human, which highlights our ineluctable destructiveness. If hate is a human feeling, not one to be gotten rid of but rather one to be accepted and contended with, there may be a way for us to take responsibility for being hurtful, for being racist. Hating hate or hating our racism can maintain the status quo. In fact, hidden hateful feelings seek justification and become reified, rather than being fleeting—as all feelings truly are.</p><p>Altman highlights the difference between making reparations based on guilt versus the descent into guiltiness. Guilt implies that one is interested in our impact on others because we know that in living, we will hurt many people along the way. Guiltiness, which we can see in white virtue signaling around racism, has much more to do with returning the self that has harmed to its happy and perfect place without addressing the harm done. While white people are primed, particularly in an American context, to say and do horrible and hurtful racist things, it is the disavowal of the destructiveness that perhaps does, from a psychoanalytic perspective, the most harm in the end. Altman quotes the journalist Leonard Pitts who captures the experience of white negation succinctly, writing, “If people who hate you would stand up and declare it you would not have to go through with your day on guard against the world.”</p><p>The refusal to take responsibility for the harm we do—and Altman makes the strong point that whiteness can be defined as an identity that is principally based on dehumanization—keeps white people on the run from reality. When we depend on delusions to shore us up, a part of us knows we are in real bad shape.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3330</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>The Social Constructions of Race: A Discussion with Brigitte Fielder</title>
      <description>Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler05(at)gmail.com or dr.danamalone(at)gmail.com or find us on Twitter: The Academic Life @AcademicLifeNBN.
In this episode you’ll hear about: the importance of expanding the boundaries of academic theory through interdisciplinary studies, why you need to build and acknowledge your own support network, the social construction of race and racism, and a discussion of the book Relative Races.
Our guest is: Dr. Brigitte Fielder, an Associate Professor at the University of Wisconsin-Madison. She is (with Jonathan Senchyne) co-editor of Against a Sharp White Background: Infrastructures of African-American Print and author of Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America. Her work has been published in various journals and edited collections. She is currently writing a book on racialized human-animal relationships in the long nineteenth century, which shows how childhood becomes a key site for (often simultaneous) humanization and racialization.
Our host is: Dr. Christina Gessler, a historian of women and gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Brigette Fielder</itunes:subtitle>
      <itunes:summary>Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler05(at)gmail.com or dr.danamalone(at)gmail.com or find us on Twitter: The Academic Life @AcademicLifeNBN.
In this episode you’ll hear about: the importance of expanding the boundaries of academic theory through interdisciplinary studies, why you need to build and acknowledge your own support network, the social construction of race and racism, and a discussion of the book Relative Races.
Our guest is: Dr. Brigitte Fielder, an Associate Professor at the University of Wisconsin-Madison. She is (with Jonathan Senchyne) co-editor of Against a Sharp White Background: Infrastructures of African-American Print and author of Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America. Her work has been published in various journals and edited collections. She is currently writing a book on racialized human-animal relationships in the long nineteenth century, which shows how childhood becomes a key site for (often simultaneous) humanization and racialization.
Our host is: Dr. Christina Gessler, a historian of women and gender.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler05(at)gmail.com or dr.danamalone(at)gmail.com or find us on Twitter: The Academic Life @AcademicLifeNBN.</p><p>In this episode you’ll hear about: the importance of expanding the boundaries of academic theory through interdisciplinary studies, why you need to build and acknowledge your own support network, the social construction of race and racism, and a discussion of the book Relative Races.</p><p>Our guest is: Dr. Brigitte Fielder, an Associate Professor at the University of Wisconsin-Madison. She is (with Jonathan Senchyne) co-editor of <em>Against a Sharp</em> <em>White Background: Infrastructures of African-American Print </em>and author of <em>Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America</em>. Her work has been published in various journals and edited collections. She is currently writing a book on racialized human-animal relationships in the long nineteenth century, which shows how childhood becomes a key site for (often simultaneous) humanization and racialization.</p><p>Our host is: Dr. Christina Gessler, a historian of women and gender.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3507</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d572cb6c-cf4a-11eb-b09c-1b44df41f067]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4108920948.mp3?updated=1623921177" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hannah Jones, "Violent Ignorance: Confronting Racism and Migration Control" (Zed Books, 2021)</title>
      <description>An elected politician is assassinated in the street by a terrorist associated with extreme political groups, and the national response is to encourage picnics. Thousands of people are held in prison-like conditions without judicial oversight or any time-limit on their sentence. An attempt to re-assert national sovereignty and borders leads thousands of citizens to register for dual citizenship with other countries, some overcoming family associations with genocide in their second country of nationality to do so.
This is life in the UK today. How then are things still continuing as 'normal'? How can we confront these phenomena and why do we so often refuse to? What are the practices that help us to accommodate the unconscionable? How might we contend with the horrors that meet us each day, rather than becoming desensitized to them?
Violent Ignorance: Confronting Racism and Migration Control (Zed Books, 2021) sets out to examine these questions through an understanding of how the past persists in the present, how trauma is silenced or reappears, and how we might reimagine identity and connection in ways that counter - rather than ignore - historic violence. In particular Hannah Jones shows how border controls and enforcement, and its corollary, racism and violence, have shifted over time. Drawing on thinkers from John Berger to Ben Okri, from Audre Lorde to Susan Sontag, the book questions what it means to belong, and discusses how hierarchies of belonging are revealed by what we can see, and what we can ignore.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Hannah Jones</itunes:subtitle>
      <itunes:summary>An elected politician is assassinated in the street by a terrorist associated with extreme political groups, and the national response is to encourage picnics. Thousands of people are held in prison-like conditions without judicial oversight or any time-limit on their sentence. An attempt to re-assert national sovereignty and borders leads thousands of citizens to register for dual citizenship with other countries, some overcoming family associations with genocide in their second country of nationality to do so.
This is life in the UK today. How then are things still continuing as 'normal'? How can we confront these phenomena and why do we so often refuse to? What are the practices that help us to accommodate the unconscionable? How might we contend with the horrors that meet us each day, rather than becoming desensitized to them?
Violent Ignorance: Confronting Racism and Migration Control (Zed Books, 2021) sets out to examine these questions through an understanding of how the past persists in the present, how trauma is silenced or reappears, and how we might reimagine identity and connection in ways that counter - rather than ignore - historic violence. In particular Hannah Jones shows how border controls and enforcement, and its corollary, racism and violence, have shifted over time. Drawing on thinkers from John Berger to Ben Okri, from Audre Lorde to Susan Sontag, the book questions what it means to belong, and discusses how hierarchies of belonging are revealed by what we can see, and what we can ignore.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An elected politician is assassinated in the street by a terrorist associated with extreme political groups, and the national response is to encourage picnics. Thousands of people are held in prison-like conditions without judicial oversight or any time-limit on their sentence. An attempt to re-assert national sovereignty and borders leads thousands of citizens to register for dual citizenship with other countries, some overcoming family associations with genocide in their second country of nationality to do so.</p><p>This is life in the UK today. How then are things still continuing as 'normal'? How can we confront these phenomena and why do we so often refuse to? What are the practices that help us to accommodate the unconscionable? How might we contend with the horrors that meet us each day, rather than becoming desensitized to them?</p><p><a href="https://bookshop.org/a/12343/9781786998637"><em>Violent Ignorance: Confronting Racism and Migration Control</em></a><em> </em>(Zed Books, 2021) sets out to examine these questions through an understanding of how the past persists in the present, how trauma is silenced or reappears, and how we might reimagine identity and connection in ways that counter - rather than ignore - historic violence. In particular Hannah Jones shows how border controls and enforcement, and its corollary, racism and violence, have shifted over time. Drawing on thinkers from John Berger to Ben Okri, from Audre Lorde to Susan Sontag, the book questions what it means to belong, and discusses how hierarchies of belonging are revealed by what we can see, and what we can ignore.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2490</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f81b8a84-b9ae-11eb-a75e-53c483cb5563]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3789570876.mp3?updated=1621545228" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sergio Benvenuto, "Conversations with Lacan: Seven Lectures for Understanding Lacan" (Routledge, 2019)</title>
      <description>Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them.
In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan’s work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future.
This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies.
Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sergio Benvenuto</itunes:subtitle>
      <itunes:summary>Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them.
In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan’s work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future.
This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies.
Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780367148799"><em>Conversations with Lacan: Seven Lectures for Understanding Lacan</em></a> (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them.</p><p>In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan’s work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, <em>après-coup</em>, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future.</p><p>This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies.</p><p><em>Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. </em><a href="mailto:cassandraseltman@gmail.com"><em>cassandraseltman@gmail.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3979</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[da4cad90-c187-11eb-afca-dbcff162f26e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2395755310.mp3?updated=1622407714" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Heather Berg, "Porn Work: Sex, Labor, and Late Capitalism" (UNC Press, 2021)</title>
      <description>Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work: Sex, Labor, and Late Capitalism (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heather Berg</itunes:subtitle>
      <itunes:summary>Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work: Sex, Labor, and Late Capitalism (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. <em>Porn Work</em> takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, <a href="https://bookshop.org/a/12343/9781469661926"><em>Porn Work: Sex, Labor, and Late Capitalism</em></a> (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.</p><p><a href="https://www.kent.ac.uk/social-policy-sociology-social-research/people/2025/stuart-rachel"><em>Rachel Stuart</em></a><em> is a sex work researcher whose primary interest is the lived experiences of sex workers.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4279</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[00580ad8-b8ba-11eb-955f-23d57c3a2dc9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5025962810.mp3?updated=1621439616" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Democracy and Social Critique with Cornel West</title>
      <description>Cornel West is the Dietrich Bonhoeffer Professor at Union Theological Seminary. Professor West is among the nation’s most distinguished philosophers. For several decades running, Cornel West has infused into public life reflections on love, justice, grace, liberation, beauty, dignity, and truth. He can be followed on Twitter at @CornelWest.
The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Future of Truth project.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 01 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7e30d344-1630-11ec-8129-0fac20dbd867/image/WWA_Logo_No_Season.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Cornel West</itunes:subtitle>
      <itunes:summary>Cornel West is the Dietrich Bonhoeffer Professor at Union Theological Seminary. Professor West is among the nation’s most distinguished philosophers. For several decades running, Cornel West has infused into public life reflections on love, justice, grace, liberation, beauty, dignity, and truth. He can be followed on Twitter at @CornelWest.
The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Future of Truth project.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cornel West is the Dietrich Bonhoeffer Professor at Union Theological Seminary. Professor West is among the nation’s most distinguished philosophers. For several decades running, Cornel West has infused into public life reflections on love, justice, grace, liberation, beauty, dignity, and truth. He can be followed on Twitter at @CornelWest.</p><p><em>The "</em><a href="https://humilityandconviction.uconn.edu/why-we-argue/"><em>Why We Argue</em></a><em>" podcast is produced by the </em><a href="https://humanities.uconn.edu/"><em>Humanities Institute</em></a><em> at the University of Connecticut as part of the </em><a href="https://futureoftruth.uconn.edu/"><em>Future of Truth</em></a><em> project.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1808</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[73ae9b44-2d40-4c85-aac8-bcda351e8c4a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4420604367.mp3?updated=1631654937" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bernard E. Harcourt, "Critique and Praxis: A Critical Philosophy of Illusions, Values, and Action" (Columbia UP, 2020)</title>
      <description>Critical philosophy has always challenged the division between theory and practice. At its best, it aims to turn contemplation into emancipation, seeking to transform society in pursuit of equality, autonomy, and human flourishing. Yet today’s critical theory often seems to engage only in critique. These times of crisis demand more. In Critique and Praxis: A Critical Philosophy of Illusions, Values, and Action (Columbia University Press, 2020), Bernard E. Harcourt challenges us to move beyond decades of philosophical detours and to harness critical thought to the need for action. In a time of increasing awareness of economic and social inequality, Harcourt calls on us to make society more equal and just. Charting a vision for political action and social transformation, Harcourt argues that instead of posing the question, “What is to be done?” we must now turn it back onto ourselves and ask, and answer, “What more am I to do?”. The book advocates for a new path forward that constantly challenges each and every one of us to ask what more we can do to realize a society based on equality and justice.
 Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 31 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Bernard E. Harcourt</itunes:subtitle>
      <itunes:summary>Critical philosophy has always challenged the division between theory and practice. At its best, it aims to turn contemplation into emancipation, seeking to transform society in pursuit of equality, autonomy, and human flourishing. Yet today’s critical theory often seems to engage only in critique. These times of crisis demand more. In Critique and Praxis: A Critical Philosophy of Illusions, Values, and Action (Columbia University Press, 2020), Bernard E. Harcourt challenges us to move beyond decades of philosophical detours and to harness critical thought to the need for action. In a time of increasing awareness of economic and social inequality, Harcourt calls on us to make society more equal and just. Charting a vision for political action and social transformation, Harcourt argues that instead of posing the question, “What is to be done?” we must now turn it back onto ourselves and ask, and answer, “What more am I to do?”. The book advocates for a new path forward that constantly challenges each and every one of us to ask what more we can do to realize a society based on equality and justice.
 Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Critical philosophy has always challenged the division between theory and practice. At its best, it aims to turn contemplation into emancipation, seeking to transform society in pursuit of equality, autonomy, and human flourishing. Yet today’s critical theory often seems to engage only in critique. These times of crisis demand more. In <a href="https://bookshop.org/a/12343/9780231195720"><em>Critique and Praxis: A Critical Philosophy of Illusions, Values, and Action</em></a> (Columbia University Press, 2020), Bernard E. Harcourt challenges us to move beyond decades of philosophical detours and to harness critical thought to the need for action. In a time of increasing awareness of economic and social inequality, Harcourt calls on us to make society more equal and just. Charting a vision for political action and social transformation, Harcourt argues that instead of posing the question, “What is to be done?” we must now turn it back onto ourselves and ask, and answer, “What more am I to do?”. The book advocates for a new path forward that constantly challenges each and every one of us to ask what more we can do to realize a society based on equality and justice.</p><p><em> </em><a href="https://uni-tuebingen.academia.edu/KaiWortmann"><em>Kai Wortman</em></a><em> is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4129</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e9cd1964-b4c9-11eb-ad0c-ff13a3a8e2d4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5226898578.mp3?updated=1621007219" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Zahi Zalloua, "Being Posthuman: Ontologies of the Future" (Bloomsbury, 2020)</title>
      <description>The figure of the human looms large of the history of philosophy, from the ancient Greeks speculating about featherless bipeds to contemporary programmers wondering if they can recreate human intelligence with a series of algorithms. Much philosophical thought in the last few decades has involved much speculation about the human subject, even if it was often hostile to the idea that there is such a thing, rather than an odd effect of linguistic and cultural practices. Other critics have pointed out that the idea of a universal human subject has often been used to legitimate and cover up nefarious political ideas and practices.
Still, many thinkers today continue to argue for an ontology that includes a unique place for the human subject. One of these thinkers is my guest today, Zahi Zalloua, here to discuss his new book Being Posthuman: Ontologies of the Future (Bloomsbury, 2020). Written both as an introduction and intervention, it kicks off with a long history of humanism and its critics, which helps set the stage for the four chapters that make up the main book. The first explores cyborgs, and the ways technology is slowly becoming a part of our lives and what that might mean. The second explores animals and our treatment of them, and what our willingness to send them to slaughterhouses and consume them in enormous quantities says about us. The third explores new theoretical frameworks such as Object Oriented Ontology and New Materialism, and the place of the subject in these frameworks. The final chapter looks at race in Afropessimism, and what a true emancipation might look like. In all this, Zalloua combines theoretical frameworks with cultural analysis, giving the book a sense of accessibility and relevance to our current moment (as well as a couple plot-spoilers for Black Mirror and Sorry to Bother You). Those interested in philosophy and critical theory, and particularly the work of Slavoj Žižek will find this to be both an accessible and provocative text.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 31 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>228</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Zahi Zalloua</itunes:subtitle>
      <itunes:summary>The figure of the human looms large of the history of philosophy, from the ancient Greeks speculating about featherless bipeds to contemporary programmers wondering if they can recreate human intelligence with a series of algorithms. Much philosophical thought in the last few decades has involved much speculation about the human subject, even if it was often hostile to the idea that there is such a thing, rather than an odd effect of linguistic and cultural practices. Other critics have pointed out that the idea of a universal human subject has often been used to legitimate and cover up nefarious political ideas and practices.
Still, many thinkers today continue to argue for an ontology that includes a unique place for the human subject. One of these thinkers is my guest today, Zahi Zalloua, here to discuss his new book Being Posthuman: Ontologies of the Future (Bloomsbury, 2020). Written both as an introduction and intervention, it kicks off with a long history of humanism and its critics, which helps set the stage for the four chapters that make up the main book. The first explores cyborgs, and the ways technology is slowly becoming a part of our lives and what that might mean. The second explores animals and our treatment of them, and what our willingness to send them to slaughterhouses and consume them in enormous quantities says about us. The third explores new theoretical frameworks such as Object Oriented Ontology and New Materialism, and the place of the subject in these frameworks. The final chapter looks at race in Afropessimism, and what a true emancipation might look like. In all this, Zalloua combines theoretical frameworks with cultural analysis, giving the book a sense of accessibility and relevance to our current moment (as well as a couple plot-spoilers for Black Mirror and Sorry to Bother You). Those interested in philosophy and critical theory, and particularly the work of Slavoj Žižek will find this to be both an accessible and provocative text.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The figure of the human looms large of the history of philosophy, from the ancient Greeks speculating about featherless bipeds to contemporary programmers wondering if they can recreate human intelligence with a series of algorithms. Much philosophical thought in the last few decades has involved much speculation about the human subject, even if it was often hostile to the idea that there is such a thing, rather than an odd effect of linguistic and cultural practices. Other critics have pointed out that the idea of a universal human subject has often been used to legitimate and cover up nefarious political ideas and practices.</p><p>Still, many thinkers today continue to argue for an ontology that includes a unique place for the human subject. One of these thinkers is my guest today, Zahi Zalloua, here to discuss his new book <a href="https://bookshop.org/a/12343/9781350151086"><em>Being Posthuman: Ontologies of the Future</em></a> (Bloomsbury, 2020). Written both as an introduction and intervention, it kicks off with a long history of humanism and its critics, which helps set the stage for the four chapters that make up the main book. The first explores cyborgs, and the ways technology is slowly becoming a part of our lives and what that might mean. The second explores animals and our treatment of them, and what our willingness to send them to slaughterhouses and consume them in enormous quantities says about us. The third explores new theoretical frameworks such as Object Oriented Ontology and New Materialism, and the place of the subject in these frameworks. The final chapter looks at race in Afropessimism, and what a true emancipation might look like. In all this, Zalloua combines theoretical frameworks with cultural analysis, giving the book a sense of accessibility and relevance to our current moment (as well as a couple plot-spoilers for <em>Black Mirror</em> and <em>Sorry to Bother You</em>). Those interested in philosophy and critical theory, and particularly the work of Slavoj Žižek will find this to be both an accessible and provocative text.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2825</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8bc8394-b4f6-11eb-97f6-db0e469ef7ab]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4309053501.mp3?updated=1621026421" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew Thompson, "Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives" (Liverpool UP, 2020)</title>
      <description>How can we develop solutions to the housing crisis? In Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives (Liverpool UP, 2020), Matthew Thompson, a Leverhulme Early Career Fellow at Heseltine Institute for Public Policy, Practice and Place, University of Liverpool, offers a history of collective alternatives to state and market driven housing in Liverpool, drawing out the practical and theoretical lessons from the rich history of the city. The book uses detailed case studies of key developments, from the original experiments in resistance to ‘slum’ clearances to recent examples from the now famous Homebaked in Anfield and the Granby Community Land Trust, which is home to a Turner Prize winning project. The book is open access and will be essential reading across arts, humanities, and social sciences, as well as for readers interested in housing, the history of Liverpool, and lessons on how to think beyond states and markets to address social issues.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Thompson</itunes:subtitle>
      <itunes:summary>How can we develop solutions to the housing crisis? In Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives (Liverpool UP, 2020), Matthew Thompson, a Leverhulme Early Career Fellow at Heseltine Institute for Public Policy, Practice and Place, University of Liverpool, offers a history of collective alternatives to state and market driven housing in Liverpool, drawing out the practical and theoretical lessons from the rich history of the city. The book uses detailed case studies of key developments, from the original experiments in resistance to ‘slum’ clearances to recent examples from the now famous Homebaked in Anfield and the Granby Community Land Trust, which is home to a Turner Prize winning project. The book is open access and will be essential reading across arts, humanities, and social sciences, as well as for readers interested in housing, the history of Liverpool, and lessons on how to think beyond states and markets to address social issues.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we develop solutions to the housing crisis? In <a href="https://bookshop.org/a/12343/9781789621082"><em>Reconstructing Public Housing: Liverpool's Hidden History of Collective Alternatives </em></a>(Liverpool UP, 2020), <a href="https://twitter.com/mattwthompson">Matthew Thompson</a>, <a href="https://www.liverpool.ac.uk/humanities-and-social-sciences/staff/matthew-william-thompson/">a Leverhulme Early Career Fellow at Heseltine Institute for Public Policy, Practice and Place, University of Liverpool</a>, offers a history of collective alternatives to state and market driven housing in Liverpool, drawing out the practical and theoretical lessons from the rich history of the city. The book uses detailed case studies of key developments, from the original experiments in resistance to ‘slum’ clearances to recent examples from the now famous Homebaked in Anfield and the Granby Community Land Trust, which is home to a Turner Prize winning project. The book is <a href="https://www.liverpooluniversitypress.co.uk/books/isbn/9781789621082/">open access</a> and will be essential reading across arts, humanities, and social sciences, as well as for readers interested in housing, the history of Liverpool, and lessons on how to think beyond states and markets to address social issues.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3471</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[98a787dc-b31a-11eb-9751-97b1441721ff]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2435473173.mp3?updated=1620821916" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ana Honnacker, "Pragmatic Humanism Revisited: An Essay on Making the World a Home" (Palgrave, 2019)</title>
      <description>How can we feel at home in this world? Pragmatic Humanism Revisited: An Essay on Making the World a Home (Palgrave, 2019) offers a humanist re-reading of philosophical pragmatism and explores its potentials for a worldview that relies only on human resources. Thinking along with authors like William James and F.C.S. Schiller, it highlights a humanist strand of pragmatism aimed at fostering human creativity and transformative action. It is grounded in everyday experience and underlines our responsibility to strive for the better. Ana Honnacker traces perspectives on science, religion, and ethics in the light of a pragmatic understanding of humanism. Furthermore, she suggests how to address the existential challenges we face today. Thus, pragmatic humanism is explored as "a philosophy for real human beings".
Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>224</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ana Honnacker</itunes:subtitle>
      <itunes:summary>How can we feel at home in this world? Pragmatic Humanism Revisited: An Essay on Making the World a Home (Palgrave, 2019) offers a humanist re-reading of philosophical pragmatism and explores its potentials for a worldview that relies only on human resources. Thinking along with authors like William James and F.C.S. Schiller, it highlights a humanist strand of pragmatism aimed at fostering human creativity and transformative action. It is grounded in everyday experience and underlines our responsibility to strive for the better. Ana Honnacker traces perspectives on science, religion, and ethics in the light of a pragmatic understanding of humanism. Furthermore, she suggests how to address the existential challenges we face today. Thus, pragmatic humanism is explored as "a philosophy for real human beings".
Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we feel at home in this world? <a href="https://bookshop.org/a/12343/9783030024406"><em>Pragmatic Humanism Revisited: An Essay on Making the World a Home</em></a> (Palgrave, 2019) offers a humanist re-reading of philosophical pragmatism and explores its potentials for a worldview that relies only on human resources. Thinking along with authors like William James and F.C.S. Schiller, it highlights a humanist strand of pragmatism aimed at fostering human creativity and transformative action. It is grounded in everyday experience and underlines our responsibility to strive for the better. Ana Honnacker traces perspectives on science, religion, and ethics in the light of a pragmatic understanding of humanism. Furthermore, she suggests how to address the existential challenges we face today. Thus, pragmatic humanism is explored as "a philosophy for real human beings".</p><p><a href="https://uni-tuebingen.academia.edu/KaiWortmann"><em>Kai Wortman</em></a><em> is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3571</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cf5cc8c-b25c-11eb-a600-179dde36abcb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9442978037.mp3?updated=1620740858" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jon Dean, "The Good Glow: Charity and the Symbolic Power of Doing Good" (Policy Press, 2020)</title>
      <description>Why do people give to charity? In The Good Glow Charity and the Symbolic Power of Doing Good (Policy Press, 2020), Jon Dean, Associate Professor in Politics and Sociology at Sheffield Hallam University offers a new sociology of charity to explain how charities ask and the motivations of donors. The book situates charity in the context of the global and digital age, as well as thinking through the impact of controversies and political agendas on both charitable organisations, individuals, and society more generally. Rich with theoretical and case study detail, the book will be essential reading across the social sciences, as well as for anyone interested in understanding charity.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>225</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jon Dean</itunes:subtitle>
      <itunes:summary>Why do people give to charity? In The Good Glow Charity and the Symbolic Power of Doing Good (Policy Press, 2020), Jon Dean, Associate Professor in Politics and Sociology at Sheffield Hallam University offers a new sociology of charity to explain how charities ask and the motivations of donors. The book situates charity in the context of the global and digital age, as well as thinking through the impact of controversies and political agendas on both charitable organisations, individuals, and society more generally. Rich with theoretical and case study detail, the book will be essential reading across the social sciences, as well as for anyone interested in understanding charity.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do people give to charity? In <a href="https://bookshop.org/a/12343/9781447344902"><em>The Good Glow Charity and the Symbolic Power of Doing Good</em></a> (Policy Press, 2020), <a href="https://twitter.com/JonDeanStuff">Jon Dean</a>, <a href="https://www.shu.ac.uk/about-us/our-people/staff-profiles/jon-dean">Associate Professor in Politics and Sociology at Sheffield Hallam University</a> offers a new sociology of charity to explain how charities ask and the motivations of donors. The book situates charity in the context of the global and digital age, as well as thinking through the impact of controversies and political agendas on both charitable organisations, individuals, and society more generally. Rich with theoretical and case study detail, the book will be essential reading across the social sciences, as well as for anyone interested in understanding charity.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2256</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4b2b8816-b28c-11eb-972b-7b270ba454d8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4870722207.mp3?updated=1620767761" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Heba Y. Amin, "The General's Stork" (Sternberg Press, 2020)</title>
      <description>In 2013, Egyptian authorities detained a migratory stork for espionage. This incident is the focus of Heba Y. Amin’s The General’s Stork, an ongoing project that investigates the politics of aerial surveillance. It is also the subject of the most recent book in the Research/Practice edited by Anthony Downey.
Research/Practice focuses on artistic research and how it contributes to the formation of experimental knowledge systems. Drawing on preliminary material such as diaries, notebooks, audiovisual content, digital and social media, informal communications, and abandoned drafts, the series examines the interdisciplinary research methods that artists employ in their practices. In their often speculative and yet purposeful approach to generating research, what forms of knowledge do artists produce?
Anthony Downey, editor of The General's Stork (Sternberg Press, 2020) speaks with Pierre d'Alancaisez about the work of Heba Y. Amin and her exhibition at the Mosaic Rooms, London, which he curated and the epistemic implications of cartographic imaging and computer vision for our understanding and command of territories. Downey also discusses I'm Good at Love, I'm Good at Hate, It's in Between I Freeze, a volume in the series that follows the artist Michael Rakowitz as he attempts to restage a concert by the singer Leonard Cohen that never took place in the occupied Palestinian territory.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Heba Y. Amin</itunes:subtitle>
      <itunes:summary>In 2013, Egyptian authorities detained a migratory stork for espionage. This incident is the focus of Heba Y. Amin’s The General’s Stork, an ongoing project that investigates the politics of aerial surveillance. It is also the subject of the most recent book in the Research/Practice edited by Anthony Downey.
Research/Practice focuses on artistic research and how it contributes to the formation of experimental knowledge systems. Drawing on preliminary material such as diaries, notebooks, audiovisual content, digital and social media, informal communications, and abandoned drafts, the series examines the interdisciplinary research methods that artists employ in their practices. In their often speculative and yet purposeful approach to generating research, what forms of knowledge do artists produce?
Anthony Downey, editor of The General's Stork (Sternberg Press, 2020) speaks with Pierre d'Alancaisez about the work of Heba Y. Amin and her exhibition at the Mosaic Rooms, London, which he curated and the epistemic implications of cartographic imaging and computer vision for our understanding and command of territories. Downey also discusses I'm Good at Love, I'm Good at Hate, It's in Between I Freeze, a volume in the series that follows the artist Michael Rakowitz as he attempts to restage a concert by the singer Leonard Cohen that never took place in the occupied Palestinian territory.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2013, Egyptian authorities detained a migratory stork for espionage. This incident is the focus of Heba Y. Amin’s <em>The General’s Stork</em>, an ongoing project that investigates the politics of aerial surveillance. It is also the subject of the most recent book in the Research/Practice edited by Anthony Downey.</p><p>Research/Practice focuses on artistic research and how it contributes to the formation of experimental knowledge systems. Drawing on preliminary material such as diaries, notebooks, audiovisual content, digital and social media, informal communications, and abandoned drafts, the series examines the interdisciplinary research methods that artists employ in their practices. In their often speculative and yet purposeful approach to generating research, what forms of knowledge do artists produce?</p><p>Anthony Downey, editor of <a href="https://bookshop.org/a/12343/9783956794780"><em>The General's Stork</em></a><em> </em>(Sternberg Press, 2020) speaks with Pierre d'Alancaisez about the work of <a href="https://www.hebaamin.com/">Heba Y. Amin</a> and her <a href="https://mosaicrooms.org/event/heba-y-amin/">exhibition at the Mosaic Rooms, London</a>, which he curated and the epistemic implications of cartographic imaging and computer vision for our understanding and command of territories. Downey also discusses <a href="https://bookshop.org/books/michael-rakowitz-i-m-good-at-love-i-m-good-at-hate-it-s-in-between-i-freeze/9783956794766"><em>I'm Good at Love, I'm Good at Hate, It's in Between I Freeze</em></a><em>, </em>a volume in the series that follows the artist <a href="http://www.michaelrakowitz.com/im-good-at-love-im-good-at-hate-its-in-between-i-freeze">Michael Rakowitz</a> as he attempts to restage a concert by the singer Leonard Cohen that never took place in the occupied Palestinian territory.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3016</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b52c9386-b179-11eb-a4a8-8bf37935bcbc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7746673550.mp3?updated=1620642433" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Freudenberg, "At What Cost: Modern Capitalism and the Future of Health" (Oxford UP, 2021)</title>
      <description>Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. 
At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Nicholas Freudenberg</itunes:subtitle>
      <itunes:summary>Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. 
At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. </p><p><a href="https://bookshop.org/a/12343/9780190078621"><em>At What Cost: Modern Capitalism and the Future of Health</em></a> (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future.</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1927</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1c961b90-b1a3-11eb-bc30-e39860917488]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8946636515.mp3?updated=1620660138" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gavin Arnall, "Subterranean Fanon: An Underground Theory of Radical Change" (Columbia UP, 2020)</title>
      <description>In this episode, J.J. Mull interviews Gavin Arnall, author of Subterranean Fanon: An Underground Theory of Radical Change (Columbia University Press, 2020). Arnall traces an internal division throughout Fanon’s work between two distinct modes of thinking about change. He contends that there are two Fanons: a dominant Fanon who conceives of change as a dialectical process of becoming and a subterranean Fanon who experiments with an even more explosive underground theory of transformation. In this conversation, Arnall touches on various Fanonian traditions and what they have to tell us about contemporary psychiatric and psychoanalytic practice.
J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>159</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gavin Arnall</itunes:subtitle>
      <itunes:summary>In this episode, J.J. Mull interviews Gavin Arnall, author of Subterranean Fanon: An Underground Theory of Radical Change (Columbia University Press, 2020). Arnall traces an internal division throughout Fanon’s work between two distinct modes of thinking about change. He contends that there are two Fanons: a dominant Fanon who conceives of change as a dialectical process of becoming and a subterranean Fanon who experiments with an even more explosive underground theory of transformation. In this conversation, Arnall touches on various Fanonian traditions and what they have to tell us about contemporary psychiatric and psychoanalytic practice.
J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, J.J. Mull interviews Gavin Arnall, author of <a href="https://bookshop.org/a/12343/9780231193658"><em>Subterranean Fanon: An Underground Theory of Radical Change</em></a><em> </em>(Columbia University Press, 2020). Arnall traces an internal division throughout Fanon’s work between two distinct modes of thinking about change. He contends that there are two Fanons: a dominant Fanon who conceives of change as a dialectical process of becoming and a subterranean Fanon who experiments with an even more explosive underground theory of transformation. In this conversation, Arnall touches on various Fanonian traditions and what they have to tell us about contemporary psychiatric and psychoanalytic practice.</p><p><em>J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at </em><a href="mailto:jmull@smith.edu"><em>jmull@smith.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[02f6da80-af46-11eb-bf45-c77cced09990]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2746031304.mp3?updated=1620400315" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Robin Celikates, "Critique as Social Practice: Critical Theory and Social Self-Understanding" (Rowman and Littlefield, 2018)</title>
      <description>Today I spoke with Robin Celikates about his book Critique as Social Practice: Critical Theory and Social Self-Understanding (Rowman and Littlefield, 2018).
Can critical theory diagnose ideological delusion and false consciousness from above, or does it have to follow the practices of critique ordinary agents engage in? This book argues that we have to move beyond this dichotomy, which has led to a theoretical impasse. Whilst ordinary agents engage in complex forms of everyday critique, it must remain the task of critical theory to provide analysis and critique of social conditions that obstruct the development of reflexive capacities and of their realization in corresponding practices of critique. Only an approach that is at the same time non-paternalistic, pragmatist, and dialogical as well as critical will be able to realize the emancipatory potential of the Frankfurt School tradition of critical theory in radically changing social circumstances. 
 Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robin Celikates</itunes:subtitle>
      <itunes:summary>Today I spoke with Robin Celikates about his book Critique as Social Practice: Critical Theory and Social Self-Understanding (Rowman and Littlefield, 2018).
Can critical theory diagnose ideological delusion and false consciousness from above, or does it have to follow the practices of critique ordinary agents engage in? This book argues that we have to move beyond this dichotomy, which has led to a theoretical impasse. Whilst ordinary agents engage in complex forms of everyday critique, it must remain the task of critical theory to provide analysis and critique of social conditions that obstruct the development of reflexive capacities and of their realization in corresponding practices of critique. Only an approach that is at the same time non-paternalistic, pragmatist, and dialogical as well as critical will be able to realize the emancipatory potential of the Frankfurt School tradition of critical theory in radically changing social circumstances. 
 Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I spoke with Robin Celikates about his book Critique as <a href="https://bookshop.org/a/12343/9781786604620"><em>Social Practice: Critical Theory and Social Self-Understanding</em></a> (Rowman and Littlefield, 2018).</p><p>Can critical theory diagnose ideological delusion and false consciousness from above, or does it have to follow the practices of critique ordinary agents engage in? This book argues that we have to move beyond this dichotomy, which has led to a theoretical impasse. Whilst ordinary agents engage in complex forms of everyday critique, it must remain the task of critical theory to provide analysis and critique of social conditions that obstruct the development of reflexive capacities and of their realization in corresponding practices of critique. Only an approach that is at the same time non-paternalistic, pragmatist, and dialogical as well as critical will be able to realize the emancipatory potential of the Frankfurt School tradition of critical theory in radically changing social circumstances. </p><p><em> </em><a href="https://uni-tuebingen.academia.edu/KaiWortmann"><em>Kai Wortman</em></a><em> is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3920</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[27436bf8-ae9a-11eb-8b0b-fbc41179f020]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6427597352.mp3?updated=1620327023" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Toby Miller, "Violence" (Routledge, 2020)</title>
      <description>What is violence? In Violence Toby Miller, Stuart Hall Professor of Cultural Studies, Universidad Autónoma Metropolitana–Cuajimalpa, Mexico offers a reconsideration of the concept, along with an overview of how the idea matters across a range of disciplines and social settings. The book ranges from a detailed engagement with how we measure violence in historical and modern settings, through to contemporary cultural, media and sporting examples. Rich with examples draw from across the world, the book is essential reading across social science and humanities.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>222</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Toby Miller</itunes:subtitle>
      <itunes:summary>What is violence? In Violence Toby Miller, Stuart Hall Professor of Cultural Studies, Universidad Autónoma Metropolitana–Cuajimalpa, Mexico offers a reconsideration of the concept, along with an overview of how the idea matters across a range of disciplines and social settings. The book ranges from a detailed engagement with how we measure violence in historical and modern settings, through to contemporary cultural, media and sporting examples. Rich with examples draw from across the world, the book is essential reading across social science and humanities.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is violence? In <a href="https://www.routledge.com/Violence/Miller/p/book/9780367197605"><em>Violence</em></a> <a href="https://twitter.com/greencitizen">Toby Miller</a>, <a href="https://www.tobymiller.org/">Stuart Hall Professor of Cultural Studies, Universidad Autónoma Metropolitana–Cuajimalpa, Mexico</a> offers a reconsideration of the concept, along with an overview of how the idea matters across a range of disciplines and social settings. The book ranges from a detailed engagement with how we measure violence in historical and modern settings, through to contemporary cultural, media and sporting examples. Rich with examples draw from across the world, the book is essential reading across social science and humanities.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2716</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8c45b590-ae79-11eb-9f4e-23e6b8075a6c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8650482656.mp3?updated=1620312981" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ellen Helsper, "The Digital Disconnect: The Social Causes and Consequences of Digital Inequalities" (Sage, 2021)</title>
      <description>What are digital inequalities? In The Digital Disconnect: The Social Causes and Consequences of Digital Inequalities (Sage, 2021), Ellen Helsper, a Professor of Digital Inequalities in the Department of Media and Communications at the London School of Economics, explores the unequal nature of our now digital world. The book introduces the corresponding fields theoretical framework, as a way of blending a huge range of empirical and theoretical material that provides the basis for a global analysis of digital’s relationship to economic, social, and cultural inequalities. Clear, engaging, and easy to follow, the book poses important questions as to who is valued in the digital world, as well as offering lessons for how we might address the causes and consequences of digital inequalities. The book will be essential reading across social science and humanities, and for anyone interested in understanding and changing the digital world.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>221</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ellen Helsper</itunes:subtitle>
      <itunes:summary>What are digital inequalities? In The Digital Disconnect: The Social Causes and Consequences of Digital Inequalities (Sage, 2021), Ellen Helsper, a Professor of Digital Inequalities in the Department of Media and Communications at the London School of Economics, explores the unequal nature of our now digital world. The book introduces the corresponding fields theoretical framework, as a way of blending a huge range of empirical and theoretical material that provides the basis for a global analysis of digital’s relationship to economic, social, and cultural inequalities. Clear, engaging, and easy to follow, the book poses important questions as to who is valued in the digital world, as well as offering lessons for how we might address the causes and consequences of digital inequalities. The book will be essential reading across social science and humanities, and for anyone interested in understanding and changing the digital world.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are digital inequalities? In <a href="https://bookshop.org/a/12343/9781526463401"><em>The Digital Disconnect: The Social Causes and Consequences of Digital Inequalities</em></a><em> (Sage, 2021),</em> <a href="https://twitter.com/EllenHel">Ellen Helsper</a>, a <a href="https://www.lse.ac.uk/media-and-communications/people/academic-staff/ellen-helsper">Professor of Digital Inequalities in the Department of Media and Communications at the London School of Economics</a>, explores the unequal nature of our now digital world. The book introduces the corresponding fields theoretical framework, as a way of blending a huge range of empirical and theoretical material that provides the basis for a global analysis of digital’s relationship to economic, social, and cultural inequalities. Clear, engaging, and easy to follow, the book poses important questions as to who is valued in the digital world, as well as offering lessons for how we might address the causes and consequences of digital inequalities. The book will be essential reading across social science and humanities, and for anyone interested in understanding and changing the digital world.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2709</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[50a252b8-ade4-11eb-b008-ab7114d16c03]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7259190900.mp3?updated=1620248735" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>L. Ayu Saraswati, "Pain Generation: Social Media, Feminist Activism, and the Neoliberal Selfie" (NYU Press, 2021)</title>
      <description>Social media has become the front-and-center arena for feminist activism. Responding to and enacting the political potential of pain inflicted in acts of sexual harassment, violence, and abuse, Asian American and Asian Canadian feminist icons such as rupi kaur, Margaret Cho, and Mia Matsumiya have turned to social media to share their stories with the world. But how does such activism reconcile with the platforms on which it is being cultivated, when its radical messaging is at total odds with the neoliberal logic governing social media?
Pain Generation: Social Media, Feminist Activism, and the Neoliberal Selfie (NYU Press, 2021) troubles this phenomenon by articulating a "neoliberal self(ie) gaze" through which these feminist activists see and storify the self on social media as "good" neoliberal subjects who are appealing, inspiring, and entertaining. This book offers a fresh perspective on feminist activism by demonstrating how the problematic neoliberal logic governing digital spaces like Instagram and Twitter limits the possibilities of how one might use social media for feminist activism.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with L. Ayu Saraswati</itunes:subtitle>
      <itunes:summary>Social media has become the front-and-center arena for feminist activism. Responding to and enacting the political potential of pain inflicted in acts of sexual harassment, violence, and abuse, Asian American and Asian Canadian feminist icons such as rupi kaur, Margaret Cho, and Mia Matsumiya have turned to social media to share their stories with the world. But how does such activism reconcile with the platforms on which it is being cultivated, when its radical messaging is at total odds with the neoliberal logic governing social media?
Pain Generation: Social Media, Feminist Activism, and the Neoliberal Selfie (NYU Press, 2021) troubles this phenomenon by articulating a "neoliberal self(ie) gaze" through which these feminist activists see and storify the self on social media as "good" neoliberal subjects who are appealing, inspiring, and entertaining. This book offers a fresh perspective on feminist activism by demonstrating how the problematic neoliberal logic governing digital spaces like Instagram and Twitter limits the possibilities of how one might use social media for feminist activism.
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Social media has become the front-and-center arena for feminist activism. Responding to and enacting the political potential of pain inflicted in acts of sexual harassment, violence, and abuse, Asian American and Asian Canadian feminist icons such as rupi kaur, Margaret Cho, and Mia Matsumiya have turned to social media to share their stories with the world. But how does such activism reconcile with the platforms on which it is being cultivated, when its radical messaging is at total odds with the neoliberal logic governing social media?</p><p><a href="https://bookshop.org/a/12343/9781479808342"><em>Pain Generation: Social Media, Feminist Activism, and the Neoliberal Selfie</em></a><em> </em>(NYU Press, 2021) troubles this phenomenon by articulating a "neoliberal self(ie) gaze" through which these feminist activists see and storify the self on social media as "good" neoliberal subjects who are appealing, inspiring, and entertaining. This book offers a fresh perspective on feminist activism by demonstrating how the problematic neoliberal logic governing digital spaces like Instagram and Twitter limits the possibilities of how one might use social media for feminist activism.</p><p><a href="https://www.kent.ac.uk/social-policy-sociology-social-research/people/2025/stuart-rachel"><em>Rachel Stuart</em></a><em> is a sex work researcher whose primary interest is the lived experiences of sex workers.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4096</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[083f48be-aa8d-11eb-834e-6fc1bd7939ed]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6376780898.mp3?updated=1619881029" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Zoetanya Sujon, "The Social Media Age" (Sage, 2021)</title>
      <description>How has social media shaped contemporary society? In The Social Media Age (Sage, 2021), Zoetanya Sujon, a Senior Lecturer and Programme Director in Communications and Media at London College of Communication, analyses social media, from pre-history through to our more contemporary critical turn. The book considers a wide range of issues and perspectives, from platforms and power, through data and dating, to selfies and surveillance. Packed with a vast range of case study material, including reflections on #BlackLivesMatter, social credit systems in China, and influencer culture on YouTube, the book is essential reading across the arts and humanities, as well as for anyone interested in our current, social media, world.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>220</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Zoetanya Sujon</itunes:subtitle>
      <itunes:summary>How has social media shaped contemporary society? In The Social Media Age (Sage, 2021), Zoetanya Sujon, a Senior Lecturer and Programme Director in Communications and Media at London College of Communication, analyses social media, from pre-history through to our more contemporary critical turn. The book considers a wide range of issues and perspectives, from platforms and power, through data and dating, to selfies and surveillance. Packed with a vast range of case study material, including reflections on #BlackLivesMatter, social credit systems in China, and influencer culture on YouTube, the book is essential reading across the arts and humanities, as well as for anyone interested in our current, social media, world.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has social media shaped contemporary society? In <a href="https://bookshop.org/a/12343/9781526436900"><em>The Social Media Age</em></a><em> </em>(Sage, 2021), <a href="https://twitter.com/jetsumgerl">Zoetanya Sujon</a>, a <a href="https://www.arts.ac.uk/colleges/london-college-of-communication/people/zoetanya-sujon">Senior Lecturer and Programme Director in Communications and Media at London College of Communication</a>, analyses social media, from pre-history through to our more contemporary critical turn. The book considers a wide range of issues and perspectives, from platforms and power, through data and dating, to selfies and surveillance. Packed with a vast range of case study material, including reflections on #BlackLivesMatter, social credit systems in China, and influencer culture on YouTube, the book is essential reading across the arts and humanities, as well as for anyone interested in our current, social media, world.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2535</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Matthew Clair, "Privilege and Punishment: How Race and Class Matter in Criminal Court" (Princeton UP, 2020)</title>
      <description>Privilege and Punishment: How Race and Class Matter in Criminal Court (Princeton UP, 2020) by Matthew Clair is a powerful ethnographic study of the experiences and perspectives of criminal defendants. While many studies have demonstrated the existence of race and class disparities in the criminal justice system, Clair conducted a rare and compelling study that puts heart and emotion into these disparities. As he argues and shows, not only should we care about quantitative inequalities in criminal justice, but "[w]e should [also] be concerned about differences in the quality of the court experience" for so many defendants.
Clair did extensive interviews with and observed criminal defendants, defense lawyers, judges, police officers, and others interact with each other in the Boston court system. What he shows is a system that operates differently for people of privilege compared to people without. While many criminal defendants face struggles of alienation from societal structures, the underprivileged often resort to crime out of necessity, whereas privileged defendants were more likely to enter the system because of pleasure-seeking or to avoid pain. 
Once in courtrooms, underprivileged defendants, especially racial minorities, develop profound mistrust of their court-appointed attorneys. These defendants face, and have often repeatedly been represented by overworked lawyers who often refuse to listen or to develop relationships of trust with their clients, which led many of these defendants to "withdraw," as Clair coins it, from the attorney-client relationship. Some resisted the lawyer or the court: complaining openly about the lack of diligence, asking the court to appoint new counsel, or taking it upon themselves (often with group support) to learn the law and make the arguments their lawyers refused to make. Others developed what Clair calls an attitude of resignation, recognizing the futility of their situation, and essentially giving up the fight. 
The experience is fundamentally different for privileged defendants. These defendants often have broad social circles that include the police or lawyers. Because of those connections, they are able to obtain counsel of their choice. The payment of fees engenders trust in the relationship. These defendants defer to their lawyers, trust their judgment, and feel genuinely satisfied with the representation.
Clair argues that courts punish those defendants who withdraw from their lawyers and reward those who defer to them. He calls on lawyers to develop more trusting relationships with their clients and to work toward a more holistic style of defense that considers more than just the legal issues in the case. He encourages courts to allow defendants to choose their court-appointed attorney and to encourage a more participatory legal system in which defendants are not punished for expressing dissatisfaction with their lawyer. 
Clair's study is replete with compelling and personal examples. The narrative is what makes this study especially moving. Clair gives voice to those who repeatedly tried, but failed to get their lawyers and courts to listen. Because of Clair's work, we can now hear them.
Samuel P. Newton is an Assistant Professor of Law at the University of Idaho.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matthew Clair</itunes:subtitle>
      <itunes:summary>Privilege and Punishment: How Race and Class Matter in Criminal Court (Princeton UP, 2020) by Matthew Clair is a powerful ethnographic study of the experiences and perspectives of criminal defendants. While many studies have demonstrated the existence of race and class disparities in the criminal justice system, Clair conducted a rare and compelling study that puts heart and emotion into these disparities. As he argues and shows, not only should we care about quantitative inequalities in criminal justice, but "[w]e should [also] be concerned about differences in the quality of the court experience" for so many defendants.
Clair did extensive interviews with and observed criminal defendants, defense lawyers, judges, police officers, and others interact with each other in the Boston court system. What he shows is a system that operates differently for people of privilege compared to people without. While many criminal defendants face struggles of alienation from societal structures, the underprivileged often resort to crime out of necessity, whereas privileged defendants were more likely to enter the system because of pleasure-seeking or to avoid pain. 
Once in courtrooms, underprivileged defendants, especially racial minorities, develop profound mistrust of their court-appointed attorneys. These defendants face, and have often repeatedly been represented by overworked lawyers who often refuse to listen or to develop relationships of trust with their clients, which led many of these defendants to "withdraw," as Clair coins it, from the attorney-client relationship. Some resisted the lawyer or the court: complaining openly about the lack of diligence, asking the court to appoint new counsel, or taking it upon themselves (often with group support) to learn the law and make the arguments their lawyers refused to make. Others developed what Clair calls an attitude of resignation, recognizing the futility of their situation, and essentially giving up the fight. 
The experience is fundamentally different for privileged defendants. These defendants often have broad social circles that include the police or lawyers. Because of those connections, they are able to obtain counsel of their choice. The payment of fees engenders trust in the relationship. These defendants defer to their lawyers, trust their judgment, and feel genuinely satisfied with the representation.
Clair argues that courts punish those defendants who withdraw from their lawyers and reward those who defer to them. He calls on lawyers to develop more trusting relationships with their clients and to work toward a more holistic style of defense that considers more than just the legal issues in the case. He encourages courts to allow defendants to choose their court-appointed attorney and to encourage a more participatory legal system in which defendants are not punished for expressing dissatisfaction with their lawyer. 
Clair's study is replete with compelling and personal examples. The narrative is what makes this study especially moving. Clair gives voice to those who repeatedly tried, but failed to get their lawyers and courts to listen. Because of Clair's work, we can now hear them.
Samuel P. Newton is an Assistant Professor of Law at the University of Idaho.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780691194332"><em>Privilege and Punishment: How Race and Class Matter in Criminal Court</em></a><em> </em>(Princeton UP, 2020) by Matthew Clair is a powerful ethnographic study of the experiences and perspectives of criminal defendants. While many studies have demonstrated the existence of race and class disparities in the criminal justice system, Clair conducted a rare and compelling study that puts heart and emotion into these disparities. As he argues and shows, not only should we care about quantitative inequalities in criminal justice, but "[w]e should [also] be concerned about differences in the <em>quality</em> of the court experience" for so many defendants.</p><p>Clair did extensive interviews with and observed criminal defendants, defense lawyers, judges, police officers, and others interact with each other in the Boston court system. What he shows is a system that operates differently for people of privilege compared to people without. While many criminal defendants face struggles of alienation from societal structures, the underprivileged often resort to crime out of necessity, whereas privileged defendants were more likely to enter the system because of pleasure-seeking or to avoid pain. </p><p>Once in courtrooms, underprivileged defendants, especially racial minorities, develop profound mistrust of their court-appointed attorneys. These defendants face, and have often repeatedly been represented by overworked lawyers who often refuse to listen or to develop relationships of trust with their clients, which led many of these defendants to "withdraw," as Clair coins it, from the attorney-client relationship. Some resisted the lawyer or the court: complaining openly about the lack of diligence, asking the court to appoint new counsel, or taking it upon themselves (often with group support) to learn the law and make the arguments their lawyers refused to make. Others developed what Clair calls an attitude of resignation, recognizing the futility of their situation, and essentially giving up the fight. </p><p>The experience is fundamentally different for privileged defendants. These defendants often have broad social circles that include the police or lawyers. Because of those connections, they are able to obtain counsel of their choice. The payment of fees engenders trust in the relationship. These defendants defer to their lawyers, trust their judgment, and feel genuinely satisfied with the representation.</p><p>Clair argues that courts punish those defendants who withdraw from their lawyers and reward those who defer to them. He calls on lawyers to develop more trusting relationships with their clients and to work toward a more holistic style of defense that considers more than just the legal issues in the case. He encourages courts to allow defendants to choose their court-appointed attorney and to encourage a more participatory legal system in which defendants are not punished for expressing dissatisfaction with their lawyer. </p><p>Clair's study is replete with compelling and personal examples. The narrative is what makes this study especially moving. Clair gives voice to those who repeatedly tried, but failed to get their lawyers and courts to listen. Because of Clair's work, we can now hear them.</p><p><em>Samuel P. Newton is an Assistant Professor of Law at the University of Idaho.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3778</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7559678267.mp3?updated=1619809437" length="0" type="audio/mpeg"/>
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    <item>
      <title>Moya Bailey, "Misogynoir Transformed: Black Women’s Digital Resistance" (NYU Press, 2021)</title>
      <description>Where racism and sexism meet—an understanding of anti-Black misogyny. When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. 
In Misogynoir Transformed: Black Women’s Digital Resistance (NYU Press, 2021), Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
Dr. Moya Bailey she/her/hers is Assistant Professor of Africana Studies and Women’s, Gender, and Sexuality Studies at Northeastern University and is currently an MLK Visiting Professor at MIT. Connect with Moya on Instagram @transformisogynoir and on Twitter @moyazb
Dr. Lee Pierce (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee
Also mentioned in this episode is Zakiyyam Iman Jackson's interview with New Books Network about Becoming Human: Matter and Meaning in an Antiblack World
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>70</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Moya Bailey</itunes:subtitle>
      <itunes:summary>Where racism and sexism meet—an understanding of anti-Black misogyny. When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. 
In Misogynoir Transformed: Black Women’s Digital Resistance (NYU Press, 2021), Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
Dr. Moya Bailey she/her/hers is Assistant Professor of Africana Studies and Women’s, Gender, and Sexuality Studies at Northeastern University and is currently an MLK Visiting Professor at MIT. Connect with Moya on Instagram @transformisogynoir and on Twitter @moyazb
Dr. Lee Pierce (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast RhetoricLee Speaking. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee
Also mentioned in this episode is Zakiyyam Iman Jackson's interview with New Books Network about Becoming Human: Matter and Meaning in an Antiblack World
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Where racism and sexism meet—an understanding of anti-Black misogyny. When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. </p><p>In <a href="https://bookshop.org/a/12343/9781479865109"><em>Misogynoir Transformed: Black Women’s Digital Resistance</em></a> (NYU Press, 2021), Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.</p><p><a href="https://www.moyabailey.com/">Dr. Moya Bailey</a> she/her/hers is Assistant Professor of Africana Studies and Women’s, Gender, and Sexuality Studies at Northeastern University and is currently an MLK Visiting Professor at MIT. Connect with Moya on Instagram <a href="https://www.instagram.com/transformisogynoir/?hl=en">@transformisogynoir</a> and on Twitter <a href="https://twitter.com/moyazb?lang=en">@moyazb</a></p><p><a href="https://leempierce.com/">Dr. Lee Pierce</a> (they &amp; she) is Assistant Professor of Rhetorical Communication at State University of New York at Geneseo and host of the podcast <a href="https://rhetoricleespeaking.podbean.com/">RhetoricLee Speaking</a>. Connect with Lee on Twitter, Instagram, and Gmail @rhetoriclee</p><p>Also mentioned in this episode is Zakiyyam Iman Jackson's i<a href="https://newbooksnetwork.com/zakkiyah-imam-jackson-becoming-human-matter-and-meaning-in-an-antiblack-world-nyu-press-2020">nterview with New Books Network</a> about <em>Becoming Human: Matter and Meaning in an Antiblack World</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3728</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eb062602-a297-11eb-84a9-1f99079e1de6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8302666880.mp3?updated=1619006118" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Doron Taussig, "What We Mean by the American Dream: Stories We Tell about Meritocracy" (Cornell UP, 2021)</title>
      <description>Doron Taussig invites us to question the American Dream. Did you earn what you have? Did everyone else? The American Dream is built on the idea that Americans end up, in our working lives, roughly where we deserve to be based on our efforts and abilities—in other words, the United States is supposed to be a meritocracy. When Americans think and talk about our lives, we grapple with this idea, asking how a person got to where he or she is, and whether they earned it. 
In What We Mean by the American Dream: Stories We Tell about Meritocracy (Cornell UP, 2021), Taussig tries to find out how we answer that question. Weaving together interviews with Americans from many walks of life—as well as stories told in American media about prominent figures from politics, sports, and business—What We Mean by the American Dream investigates how Americans think about whether an individual deserves an opportunity, job, termination, paycheck, or fortune. Taussig's frank assessment of the state of the American workforce and its dreams allows him to truly and meaningfully ask the question that underpins so many of our political debates and personal frustrations, did you earn it? By doing so, he sheds new light on what we mean by—and how we can deliver on—the American Dream of today.
Stephen Pimpare is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Doron Taussig</itunes:subtitle>
      <itunes:summary>Doron Taussig invites us to question the American Dream. Did you earn what you have? Did everyone else? The American Dream is built on the idea that Americans end up, in our working lives, roughly where we deserve to be based on our efforts and abilities—in other words, the United States is supposed to be a meritocracy. When Americans think and talk about our lives, we grapple with this idea, asking how a person got to where he or she is, and whether they earned it. 
In What We Mean by the American Dream: Stories We Tell about Meritocracy (Cornell UP, 2021), Taussig tries to find out how we answer that question. Weaving together interviews with Americans from many walks of life—as well as stories told in American media about prominent figures from politics, sports, and business—What We Mean by the American Dream investigates how Americans think about whether an individual deserves an opportunity, job, termination, paycheck, or fortune. Taussig's frank assessment of the state of the American workforce and its dreams allows him to truly and meaningfully ask the question that underpins so many of our political debates and personal frustrations, did you earn it? By doing so, he sheds new light on what we mean by—and how we can deliver on—the American Dream of today.
Stephen Pimpare is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Doron Taussig invites us to question the American Dream. Did you earn what you have? Did everyone else? The American Dream is built on the idea that Americans end up, in our working lives, roughly where we deserve to be based on our efforts and abilities—in other words, the United States is supposed to be a meritocracy. When Americans think and talk about our lives, we grapple with this idea, asking how a person got to where he or she is, and whether they earned it. </p><p>In <a href="https://bookshop.org/a/12343/9781501754685"><em>What We Mean by the American Dream: Stories We Tell about Meritocracy</em></a> (Cornell UP, 2021), Taussig tries to find out how we answer that question. Weaving together interviews with Americans from many walks of life—as well as stories told in American media about prominent figures from politics, sports, and business—<em>What We Mean by the American Dream</em> investigates how Americans think about whether an individual deserves an opportunity, job, termination, paycheck, or fortune. Taussig's frank assessment of the state of the American workforce and its dreams allows him to truly and meaningfully ask the question that underpins so many of our political debates and personal frustrations, did you earn it? By doing so, he sheds new light on what we mean by—and how we can deliver on—the American Dream of today.</p><p><a href="https://www.linkedin.com/in/stephenpimpare/"><em>Stephen Pimpare</em></a><em> is director of the Public Service &amp; Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2707</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ac25b972-a91b-11eb-b5ff-5320bd5cca4a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9121651920.mp3?updated=1619722408" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cristina Beltrán, "Cruelty As Citizenship: How Migrant Suffering Sustains White Democracy" (U Minnesota Press, 2020)</title>
      <description>Cristina Beltrán has written a thoughtful and interrogating analysis of the concept of citizenship, particularly in the United States, and how the history of the United States as a country has shaped an understanding of who gets to be “belong” as a member of this society. The book, Cruelty as Citizenship: How Migrant Suffering Sustains White Democracy is part of the Forerunners book series published by the University of Minnesota Press—this series, as we discuss in our conversation, publishes shorter works that dig into ideas across a broad and interdisciplinary spectrum. And this is precisely what Beltrán has done in this book, in terms of engaging historiography, Cultural Studies, LatinX Studies, political theory, American Studies, and other disciplines to aid her unwrapping of our understanding of immigrants and migrants, and why there is an interest in seeing these groups as “others” and, among certain segments of the population, wanting to make sure they suffer in this exclusionary position. Beltrán takes the reader through both imagined and real spaces in terms of the place of the immigrant and the migrant in the United States, weaving the role of the American frontier, the way that settler-colonialism operated inside the U.S., and an understanding of white identity within all of these contexts.
Cruelty as Citizenship is an accessible exploration of the tensions within the United States that surround our reactions to those coming to this country (forcibly, or by choice) and how racial identity has shaped the varied experiences and responses of those who come to the United States and those who have proceeded them here. As Beltrán noted in our discussion, she had come to this work in an effort to tease out the different political affiliations within the LatinX population in the U.S. What she found was that in order to understand the political responses by LatinX voters, the entire dynamic between different racial groups and the role of racial domination needs to be explored. Thus, Cruelty as Citizenship is the result of digging into the political dynamics within different racial groups in the United States, and getting at the role of white identity, and thus white democracy, within American cultural concepts and expectations of political and state power. Cruelty as Citizenship guides the reader through multiple facets of American history, politics, culture, and ideas about what it is to be American and who has the right to claim this identity as their own.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>523</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cristina Beltrán</itunes:subtitle>
      <itunes:summary>Cristina Beltrán has written a thoughtful and interrogating analysis of the concept of citizenship, particularly in the United States, and how the history of the United States as a country has shaped an understanding of who gets to be “belong” as a member of this society. The book, Cruelty as Citizenship: How Migrant Suffering Sustains White Democracy is part of the Forerunners book series published by the University of Minnesota Press—this series, as we discuss in our conversation, publishes shorter works that dig into ideas across a broad and interdisciplinary spectrum. And this is precisely what Beltrán has done in this book, in terms of engaging historiography, Cultural Studies, LatinX Studies, political theory, American Studies, and other disciplines to aid her unwrapping of our understanding of immigrants and migrants, and why there is an interest in seeing these groups as “others” and, among certain segments of the population, wanting to make sure they suffer in this exclusionary position. Beltrán takes the reader through both imagined and real spaces in terms of the place of the immigrant and the migrant in the United States, weaving the role of the American frontier, the way that settler-colonialism operated inside the U.S., and an understanding of white identity within all of these contexts.
Cruelty as Citizenship is an accessible exploration of the tensions within the United States that surround our reactions to those coming to this country (forcibly, or by choice) and how racial identity has shaped the varied experiences and responses of those who come to the United States and those who have proceeded them here. As Beltrán noted in our discussion, she had come to this work in an effort to tease out the different political affiliations within the LatinX population in the U.S. What she found was that in order to understand the political responses by LatinX voters, the entire dynamic between different racial groups and the role of racial domination needs to be explored. Thus, Cruelty as Citizenship is the result of digging into the political dynamics within different racial groups in the United States, and getting at the role of white identity, and thus white democracy, within American cultural concepts and expectations of political and state power. Cruelty as Citizenship guides the reader through multiple facets of American history, politics, culture, and ideas about what it is to be American and who has the right to claim this identity as their own.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cristina Beltrán has written a thoughtful and interrogating analysis of the concept of citizenship, particularly in the United States, and how the history of the United States as a country has shaped an understanding of who gets to be “belong” as a member of this society. The book, <a href="https://bookshop.org/a/12343/9781517911928"><em>Cruelty as Citizenship: How Migrant Suffering Sustains White Democracy</em></a> is part of the Forerunners book series published by the University of Minnesota Press—this series, as we discuss in our conversation, publishes shorter works that dig into ideas across a broad and interdisciplinary spectrum. And this is precisely what Beltrán has done in this book, in terms of engaging historiography, Cultural Studies, LatinX Studies, political theory, American Studies, and other disciplines to aid her unwrapping of our understanding of immigrants and migrants, and why there is an interest in seeing these groups as “others” and, among certain segments of the population, wanting to make sure they suffer in this exclusionary position. Beltrán takes the reader through both imagined and real spaces in terms of the place of the immigrant and the migrant in the United States, weaving the role of the American frontier, the way that settler-colonialism operated inside the U.S., and an understanding of white identity within all of these contexts.</p><p><em>Cruelty as Citizenship</em> is an accessible exploration of the tensions within the United States that surround our reactions to those coming to this country (forcibly, or by choice) and how racial identity has shaped the varied experiences and responses of those who come to the United States and those who have proceeded them here. As Beltrán noted in our discussion, she had come to this work in an effort to tease out the different political affiliations within the LatinX population in the U.S. What she found was that in order to understand the political responses by LatinX voters, the entire dynamic between different racial groups and the role of racial domination needs to be explored. Thus, <em>Cruelty as Citizenship</em> is the result of digging into the political dynamics within different racial groups in the United States, and getting at the role of white identity, and thus white democracy, within American cultural concepts and expectations of political and state power. <em>Cruelty as Citizenship</em> guides the reader through multiple facets of American history, politics, culture, and ideas about what it is to be American and who has the right to claim this identity as their own.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3249</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6349ab38-b3c9-11eb-a797-13c41df6b2db]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4857232783.mp3?updated=1620896429" length="0" type="audio/mpeg"/>
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    <item>
      <title>Daniel Jose Gaztambide, "A People's History of Psychoanalysis: From Freud to Liberation Psychology" (Lexington Books, 2021)</title>
      <description>In this episode, host J.J. Mull interviews Daniel José Gaztambide about his book, A People’s History of Psychoanalysis: From Freud to Liberation Psychology (Lexington Books, 2021). The project traces a global intellectual lineage spanning from the first generation of analysts in Europe to Harlem, the Caribbean, and finally, to Latin America. Challenging a broader cultural narrative that conceives of psychoanalysis as somehow fundamentally “white” or euro-centric, Gaztambide presents a radical and politicized version of psychoanalytic thought inherited and expanded by thinkers like Frantz Fanon, Paulo Freire and Ignacio Martín-Baró.
J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Daniel Jose Gaztambide</itunes:subtitle>
      <itunes:summary>In this episode, host J.J. Mull interviews Daniel José Gaztambide about his book, A People’s History of Psychoanalysis: From Freud to Liberation Psychology (Lexington Books, 2021). The project traces a global intellectual lineage spanning from the first generation of analysts in Europe to Harlem, the Caribbean, and finally, to Latin America. Challenging a broader cultural narrative that conceives of psychoanalysis as somehow fundamentally “white” or euro-centric, Gaztambide presents a radical and politicized version of psychoanalytic thought inherited and expanded by thinkers like Frantz Fanon, Paulo Freire and Ignacio Martín-Baró.
J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, host J.J. Mull interviews Daniel José Gaztambide about his book, <a href="https://bookshop.org/a/12343/9781498565769"><em>A People’s History of Psychoanalysis: From Freud to Liberation Psychology</em></a><em> (</em>Lexington Books, 2021). The project traces a global intellectual lineage spanning from the first generation of analysts in Europe to Harlem, the Caribbean, and finally, to Latin America. Challenging a broader cultural narrative that conceives of psychoanalysis as somehow fundamentally “white” or euro-centric, Gaztambide presents a radical and politicized version of psychoanalytic thought inherited and expanded by thinkers like Frantz Fanon, Paulo Freire and Ignacio Martín-Baró.</p><p><em>J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at </em><a href="mailto:jmull@smith.edu"><em>jmull@smith.edu</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4160</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f02a500e-a422-11eb-a72e-1fc1a7977026]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3181449785.mp3?updated=1619175769" length="0" type="audio/mpeg"/>
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    <item>
      <title>Tim Jackson, "Post Growth: Life after Capitalism" (Polity, 2021)</title>
      <description>I spoke with Prof. Tim Jackson about his latest book: Post Growth, Life after Capitalism, published by Polity Books in 2021.
The book starts with a reflection on the event of the past few months. The success in 2019 of the school strikes for climate, the attention that Greta Thunberg received even in Davos, and the arrival of the pandemic that changed our priorities. Even the 2009 crisis challenged the degrowth movement when we experienced the consequences of the recession. I have asked how do we keep the focus on sustainability?
This book and his work in general are about the need for a change in our economic paradigms. But we are still tied to old ideas and institutions. Keynes that many progressive politicians and economists frequently refer to, cannot be really claimed to be offering revolutionary ideas for our times. Still, the book mentions an essay by Keynes from 1930 where he appears clearly interested in what should come after the immediate actions (growth) needed to overcome the great depression.
We discussed how the shift in economic paradigm can follow different patterns in the rich nations and in the developing ones. Finally, referring to the final chapter, 'Dolphins in Venice', we talked about what could happen at the end of the pandemic to our cultural and consumption preferences.
Capitalism is broken. The relentless pursuit of more has delivered climate catastrophe, social inequality and financial instability—and left us ill prepared for life in a global pandemic. Weaving together philosophical reflection, economic insight and social vision, Tim Jackson’s passionate and provocative book dares us to imagine a world beyond capitalism—a place where relationship and meaning take precedence over profits and power. Post Growth is both a manifesto for system change and an invitation to rekindle a deeper conversation about the nature of the human condition.
Dr Tim Jackson holds degrees in mathematics (MA, Cambridge), philosophy (MA, Uni Western Ontario) and physics (PhD, St Andrews). He is Director of the Centre for the Understanding of Sustainable Prosperity and Professor of Sustainable Development at the University of Surrey in the UK.
 Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tim Jackson</itunes:subtitle>
      <itunes:summary>I spoke with Prof. Tim Jackson about his latest book: Post Growth, Life after Capitalism, published by Polity Books in 2021.
The book starts with a reflection on the event of the past few months. The success in 2019 of the school strikes for climate, the attention that Greta Thunberg received even in Davos, and the arrival of the pandemic that changed our priorities. Even the 2009 crisis challenged the degrowth movement when we experienced the consequences of the recession. I have asked how do we keep the focus on sustainability?
This book and his work in general are about the need for a change in our economic paradigms. But we are still tied to old ideas and institutions. Keynes that many progressive politicians and economists frequently refer to, cannot be really claimed to be offering revolutionary ideas for our times. Still, the book mentions an essay by Keynes from 1930 where he appears clearly interested in what should come after the immediate actions (growth) needed to overcome the great depression.
We discussed how the shift in economic paradigm can follow different patterns in the rich nations and in the developing ones. Finally, referring to the final chapter, 'Dolphins in Venice', we talked about what could happen at the end of the pandemic to our cultural and consumption preferences.
Capitalism is broken. The relentless pursuit of more has delivered climate catastrophe, social inequality and financial instability—and left us ill prepared for life in a global pandemic. Weaving together philosophical reflection, economic insight and social vision, Tim Jackson’s passionate and provocative book dares us to imagine a world beyond capitalism—a place where relationship and meaning take precedence over profits and power. Post Growth is both a manifesto for system change and an invitation to rekindle a deeper conversation about the nature of the human condition.
Dr Tim Jackson holds degrees in mathematics (MA, Cambridge), philosophy (MA, Uni Western Ontario) and physics (PhD, St Andrews). He is Director of the Centre for the Understanding of Sustainable Prosperity and Professor of Sustainable Development at the University of Surrey in the UK.
 Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I spoke with Prof. Tim Jackson about his latest book: <a href="https://bookshop.org/a/12343/9781509542529"><em>Post Growth, Life after Capitalism</em></a>, published by Polity Books in 2021.</p><p>The book starts with a reflection on the event of the past few months. The success in 2019 of the school strikes for climate, the attention that Greta Thunberg received even in Davos, and the arrival of the pandemic that changed our priorities. Even the 2009 crisis challenged the degrowth movement when we experienced the consequences of the recession. I have asked how do we keep the focus on sustainability?</p><p>This book and his work in general are about the need for a change in our economic paradigms. But we are still tied to old ideas and institutions. Keynes that many progressive politicians and economists frequently refer to, cannot be really claimed to be offering revolutionary ideas for our times. Still, the book mentions an essay by Keynes from 1930 where he appears clearly interested in what should come after the immediate actions (growth) needed to overcome the great depression.</p><p>We discussed how the shift in economic paradigm can follow different patterns in the rich nations and in the developing ones. Finally, referring to the final chapter, 'Dolphins in Venice', we talked about what could happen at the end of the pandemic to our cultural and consumption preferences.</p><p>Capitalism is broken. The relentless pursuit of more has delivered climate catastrophe, social inequality and financial instability—and left us ill prepared for life in a global pandemic. Weaving together philosophical reflection, economic insight and social vision, Tim Jackson’s passionate and provocative book dares us to imagine a world beyond capitalism—a place where relationship and meaning take precedence over profits and power. <em>Post Growth</em> is both a manifesto for system change and an invitation to rekindle a deeper conversation about the nature of the human condition.</p><p>Dr Tim Jackson holds degrees in mathematics (MA, Cambridge), philosophy (MA, Uni Western Ontario) and physics (PhD, St Andrews). He is Director of the Centre for the Understanding of Sustainable Prosperity and Professor of Sustainable Development at the University of Surrey in the UK.</p><p><em> </em><a href="https://www.brookes.ac.uk/templates/pages/staff.aspx?uid=p0083293"><em>Andrea Bernardi</em></a><em> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3060</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[88b9ead2-a2b6-11eb-9529-cf8bb2f4013d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8912830246.mp3?updated=1619019302" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jillian C. York, "Silicon Values: The Future of Free Speech Under Surveillance Capitalism" (Verso Book, 2021)</title>
      <description>What is the impact of surveillance capitalism on our right to free speech? The Internet once promised to be a place of extraordinary freedom beyond the control of money or politics, but today corporations and platforms exercise more control over our ability to access information and share knowledge to a greater extent than any state. From the online calls to arms in the thick of the Arab Spring to the contemporary front line of misinformation, Jillian York charts the war over our digital rights. She looks at both how the big corporations have become unaccountable censors, and the devastating impact it has had on those who have been censored.
In Silicon Values: The Future of Free Speech Under Surveillance Capitalism (Verso Book, 2021), leading campaigner Jillian York, looks at how our rights have become increasingly undermined by the major corporations desire to harvest our personal data and turn it into profit. She also looks at how governments have used the same technology to monitor citizens and threatened our ability to communicate. As a result our daily lives, and private thoughts, are being policed in an unprecedented manner. Who decides the difference between political debate and hate speech? How does this impact on our identity, our ability to create communities and to protest? Who regulates the censors? In response to this threat to our democracy, York proposes a user-powered movement against the platforms that demands change and a new form of ownership over our own data.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jillian C. York</itunes:subtitle>
      <itunes:summary>What is the impact of surveillance capitalism on our right to free speech? The Internet once promised to be a place of extraordinary freedom beyond the control of money or politics, but today corporations and platforms exercise more control over our ability to access information and share knowledge to a greater extent than any state. From the online calls to arms in the thick of the Arab Spring to the contemporary front line of misinformation, Jillian York charts the war over our digital rights. She looks at both how the big corporations have become unaccountable censors, and the devastating impact it has had on those who have been censored.
In Silicon Values: The Future of Free Speech Under Surveillance Capitalism (Verso Book, 2021), leading campaigner Jillian York, looks at how our rights have become increasingly undermined by the major corporations desire to harvest our personal data and turn it into profit. She also looks at how governments have used the same technology to monitor citizens and threatened our ability to communicate. As a result our daily lives, and private thoughts, are being policed in an unprecedented manner. Who decides the difference between political debate and hate speech? How does this impact on our identity, our ability to create communities and to protest? Who regulates the censors? In response to this threat to our democracy, York proposes a user-powered movement against the platforms that demands change and a new form of ownership over our own data.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the impact of surveillance capitalism on our right to free speech? The Internet once promised to be a place of extraordinary freedom beyond the control of money or politics, but today corporations and platforms exercise more control over our ability to access information and share knowledge to a greater extent than any state. From the online calls to arms in the thick of the Arab Spring to the contemporary front line of misinformation, Jillian York charts the war over our digital rights. She looks at both how the big corporations have become unaccountable censors, and the devastating impact it has had on those who have been censored.</p><p>In <a href="https://bookshop.org/a/12343/9781788738804"><em>Silicon Values: The Future of Free Speech Under Surveillance Capitalism</em></a><em> </em>(Verso Book, 2021), leading campaigner Jillian York, looks at how our rights have become increasingly undermined by the major corporations desire to harvest our personal data and turn it into profit. She also looks at how governments have used the same technology to monitor citizens and threatened our ability to communicate. As a result our daily lives, and private thoughts, are being policed in an unprecedented manner. Who decides the difference between political debate and hate speech? How does this impact on our identity, our ability to create communities and to protest? Who regulates the censors? In response to this threat to our democracy, York proposes a user-powered movement against the platforms that demands change and a new form of ownership over our own data.</p><p><a href="https://marcimazzarotto.com/"><em>Marci Mazzarotto</em></a><em> is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3685</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fd6c96b6-a2ae-11eb-a967-97bd452e8c66]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9656613507.mp3?updated=1619016033" length="0" type="audio/mpeg"/>
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    <item>
      <title>Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)</title>
      <description>How should we understand creative work? In Creative Control: The Ambivalence of Work in the Culture Industries (Columbia UP, 2021), Michael Siciliano, an assistant professor of sociology at Queen's University, Canada, explores this question through a comparison of a recording studio and a digital content creation company. The book considers the meaning and practice of ‘creative’ labour, considering its ambivalences, the passions and commitments, as well as the compromises and alienations associated with this area of economy and society. It represents a crucial intervention to the literature on cultural production, as well as offering an important understanding of the impact of digital modes of distribution and production on creative industries. A rich and fascinating comparative ethnography, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>219</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael L. Siciliano</itunes:subtitle>
      <itunes:summary>How should we understand creative work? In Creative Control: The Ambivalence of Work in the Culture Industries (Columbia UP, 2021), Michael Siciliano, an assistant professor of sociology at Queen's University, Canada, explores this question through a comparison of a recording studio and a digital content creation company. The book considers the meaning and practice of ‘creative’ labour, considering its ambivalences, the passions and commitments, as well as the compromises and alienations associated with this area of economy and society. It represents a crucial intervention to the literature on cultural production, as well as offering an important understanding of the impact of digital modes of distribution and production on creative industries. A rich and fascinating comparative ethnography, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand creative work? In <a href="https://bookshop.org/a/12343/9780231193801"><em>Creative Control: The Ambivalence of Work in the Culture Industries</em></a><em> </em>(Columbia UP, 2021), <a href="https://twitter.com/boredom_terror">Michael Siciliano</a>, an <a href="https://www.queensu.ca/sociology/michael-siciliano">assistant professor of sociology at Queen's University, Canada</a>, explores this question through a comparison of a recording studio and a digital content creation company. The book considers the meaning and practice of ‘creative’ labour, considering its ambivalences, the passions and commitments, as well as the compromises and alienations associated with this area of economy and society. It represents a crucial intervention to the literature on cultural production, as well as offering an important understanding of the impact of digital modes of distribution and production on creative industries. A rich and fascinating comparative ethnography, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2a8543fc-a21c-11eb-a01f-9b35d205b574]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3110896295.mp3?updated=1618953506" length="0" type="audio/mpeg"/>
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    <item>
      <title>Domenico Losurdo, "Nietzsche, the Aristocratic Rebel: Intellectual Biography and Critical Balance-Sheet" (Haymarket Books, 2021)</title>
      <description>The 19th century German philosopher Friedrich Nietzsche stands among the canon’s most-cited figures, with aphorisms dotting texts on a variety of topics, and his name evokes strong responses from almost anyone who has ever heard of him. His aphoristic and poetic writing style have made it difficult at times to understand what he meant, although the wealth of commentaries pulling him in a variety of different directions points to the fact that he did mean something. On the political right he has been credited as an influence among many reactionary political movements, but even on the left he is cited as an emancipatory figure, suspicious of the powers that be. Aside from these, his writings on art and psychology have remained influential for many. It would seem then that there are numerous Nietzsche’s one can pull from, and due to the loose nature of his writing, one would seem to be warranted in reading Nietzsche a bit more freely. However, that freedom and flexibility misses that there may in fact be a unifying thread to Nietzsche’s thought, and it may in fact be a much darker thread than many of his apologists have realized.
This is the main argument of the book we’ll be discussing today, Domenico Losurdo’s Nietzsche, The Aristocratic Rebel: Intellectual Biography and Balance Sheet. Originally published about 20 years ago in Italian, it has recently been delivered to English audiences by Gregor Benton and with an introduction by Harrison Fluss as part of the Historical Materialism book series. Clocking in at just over 1000 pages, it is both a literal and figurative bombshell, delivering a rigorous and systematic account of Nietzsche’s thought. A major part of the books length comes from the fact that Losurdo refuses to treat Nietzsche in isolation, and instead spends a large amount of time recreating Nietzsche’s various contexts, 19th century Germany and Europe more broadly, as a way of making the political orientation of Nietzsche’s thought all the more explicit. Through his investigation, Losurdo reveals a Nietzsche who is committed to fighting against the democratic movements happening all around him and being an advocate for a superior elite at the expense of everyone else, whose main purpose in life is to serve them.
Domenico Losurdo was an Italian Marxist historian and philosopher. 
Harrison Fluss received his PhD in philosophy at Stony Brook University. He is a professor at Manhattan College, NYC and wrote the introduction to the English edition of The Aristocratic Rebel.
Daniel Tutt studied at American University and the European Graduate School. He teaches in the philosophy department at George Washington University. He reviewed The Aristocratic Rebel for Historical Materialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>218</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Harrison Fluss, Daniel Tutt, and Ronald Beiner</itunes:subtitle>
      <itunes:summary>The 19th century German philosopher Friedrich Nietzsche stands among the canon’s most-cited figures, with aphorisms dotting texts on a variety of topics, and his name evokes strong responses from almost anyone who has ever heard of him. His aphoristic and poetic writing style have made it difficult at times to understand what he meant, although the wealth of commentaries pulling him in a variety of different directions points to the fact that he did mean something. On the political right he has been credited as an influence among many reactionary political movements, but even on the left he is cited as an emancipatory figure, suspicious of the powers that be. Aside from these, his writings on art and psychology have remained influential for many. It would seem then that there are numerous Nietzsche’s one can pull from, and due to the loose nature of his writing, one would seem to be warranted in reading Nietzsche a bit more freely. However, that freedom and flexibility misses that there may in fact be a unifying thread to Nietzsche’s thought, and it may in fact be a much darker thread than many of his apologists have realized.
This is the main argument of the book we’ll be discussing today, Domenico Losurdo’s Nietzsche, The Aristocratic Rebel: Intellectual Biography and Balance Sheet. Originally published about 20 years ago in Italian, it has recently been delivered to English audiences by Gregor Benton and with an introduction by Harrison Fluss as part of the Historical Materialism book series. Clocking in at just over 1000 pages, it is both a literal and figurative bombshell, delivering a rigorous and systematic account of Nietzsche’s thought. A major part of the books length comes from the fact that Losurdo refuses to treat Nietzsche in isolation, and instead spends a large amount of time recreating Nietzsche’s various contexts, 19th century Germany and Europe more broadly, as a way of making the political orientation of Nietzsche’s thought all the more explicit. Through his investigation, Losurdo reveals a Nietzsche who is committed to fighting against the democratic movements happening all around him and being an advocate for a superior elite at the expense of everyone else, whose main purpose in life is to serve them.
Domenico Losurdo was an Italian Marxist historian and philosopher. 
Harrison Fluss received his PhD in philosophy at Stony Brook University. He is a professor at Manhattan College, NYC and wrote the introduction to the English edition of The Aristocratic Rebel.
Daniel Tutt studied at American University and the European Graduate School. He teaches in the philosophy department at George Washington University. He reviewed The Aristocratic Rebel for Historical Materialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 19th century German philosopher Friedrich Nietzsche stands among the canon’s most-cited figures, with aphorisms dotting texts on a variety of topics, and his name evokes strong responses from almost anyone who has ever heard of him. His aphoristic and poetic writing style have made it difficult at times to understand what he meant, although the wealth of commentaries pulling him in a variety of different directions points to the fact that he did mean <em>something</em>. On the political right he has been credited as an influence among many reactionary political movements, but even on the left he is cited as an emancipatory figure, suspicious of the powers that be. Aside from these, his writings on art and psychology have remained influential for many. It would seem then that there are numerous Nietzsche’s one can pull from, and due to the loose nature of his writing, one would seem to be warranted in reading Nietzsche a bit more freely. However, that freedom and flexibility misses that there may in fact be a unifying thread to Nietzsche’s thought, and it may in fact be a much darker thread than many of his apologists have realized.</p><p>This is the main argument of the book we’ll be discussing today, Domenico Losurdo’s <em>Nietzsche, </em><a href="https://bookshop.org/a/12343/9781642593402"><em>The Aristocratic Rebel: Intellectual Biography and Balance Sheet</em></a>. Originally published about 20 years ago in Italian, it has recently been delivered to English audiences by Gregor Benton and with an introduction by Harrison Fluss as part of the <em>Historical Materialism</em> book series. Clocking in at just over 1000 pages, it is both a literal and figurative bombshell, delivering a rigorous and systematic account of Nietzsche’s thought. A major part of the books length comes from the fact that Losurdo refuses to treat Nietzsche in isolation, and instead spends a large amount of time recreating Nietzsche’s various contexts, 19th century Germany and Europe more broadly, as a way of making the political orientation of Nietzsche’s thought all the more explicit. Through his investigation, Losurdo reveals a Nietzsche who is committed to fighting against the democratic movements happening all around him and being an advocate for a superior elite at the expense of everyone else, whose main purpose in life is to serve them.</p><p>Domenico Losurdo was an Italian Marxist historian and philosopher. </p><p>Harrison Fluss received his PhD in philosophy at Stony Brook University. He is a professor at Manhattan College, NYC and wrote the introduction to the English edition of <em>The Aristocratic Rebel</em>.</p><p>Daniel Tutt studied at American University and the European Graduate School. He teaches in the philosophy department at George Washington University. <a href="https://www.historicalmaterialism.org/book-review/nietzsche-his-time-struggle-against-socratism-and-socialism">He reviewed <em>The Aristocratic Rebel</em> for <em>Historical Materialism</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5185</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0b58a58-a10e-11eb-bf6d-336fecdea90b]]></guid>
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    </item>
    <item>
      <title>Danielle Child, "Working Aesthetics: Labour, Art and Capitalism" (Bloomsbury Academic, 2019)</title>
      <description>Working Aesthetics: Labour, Art and Capitalism (Bloomsbury Academic, 2019) is the story of art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer considered apart from the economic but is heralded as an example of how to work in neoliberal management textbooks.
With the narrowing of work and art visible in galleries and art discourse today, Working Aesthetics takes a step back to ask why labour has become a valid subject for contemporary art and explores what this means for aesthetic culture today.
Danielle Child speaks with Pierre d'Alancaisez about the rise of the art fabricator embodied by the stories of Lippincott, Inc. and Mike Smith Studio, dematerialised labour of Rimini Protokoll, and the digital afterlives of etoy and the brave new world of NFTs.
The opening street scene by Eyre Crowe is here.
Dannielle Child is a senior lecturer at Manchester School of Art.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Danielle Child</itunes:subtitle>
      <itunes:summary>Working Aesthetics: Labour, Art and Capitalism (Bloomsbury Academic, 2019) is the story of art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer considered apart from the economic but is heralded as an example of how to work in neoliberal management textbooks.
With the narrowing of work and art visible in galleries and art discourse today, Working Aesthetics takes a step back to ask why labour has become a valid subject for contemporary art and explores what this means for aesthetic culture today.
Danielle Child speaks with Pierre d'Alancaisez about the rise of the art fabricator embodied by the stories of Lippincott, Inc. and Mike Smith Studio, dematerialised labour of Rimini Protokoll, and the digital afterlives of etoy and the brave new world of NFTs.
The opening street scene by Eyre Crowe is here.
Dannielle Child is a senior lecturer at Manchester School of Art.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350022393"><em>Working Aesthetics: Labour, Art and Capitalism</em></a> (Bloomsbury Academic, 2019) is the story of art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer considered apart from the economic but is heralded as an example of how to work in neoliberal management textbooks.</p><p>With the narrowing of work and art visible in galleries and art discourse today, <em>Working Aesthetics</em> takes a step back to ask why labour has become a valid subject for contemporary art and explores what this means for aesthetic culture today.</p><p>Danielle Child speaks with Pierre d'Alancaisez about the rise of the art fabricator embodied by the stories of Lippincott, Inc. and Mike Smith Studio, dematerialised labour of <a href="https://www.rimini-protokoll.de/website/en/project/call-cutta-in-a-box"><em>Rimini Protokoll</em></a>, and the digital afterlives of <a href="http://www.etoy.com/"><em>etoy</em></a> and the brave new world of NFTs.</p><p>The opening street scene by Eyre Crowe is <a href="https://artuk.org/discover/artworks/the-dinner-hour-wigan-204776">here</a>.</p><p><a href="https://www.art.mmu.ac.uk/profile/dchild">Dannielle Child</a> is a senior lecturer at Manchester School of Art.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3257</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7579321053.mp3?updated=1618646607" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alfred L. Martin, Jr., "The Generic Closet: Black Gayness and the Black-Cast Sitcom" (Indiana UP, 2021)</title>
      <description>How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021),  Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>216</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alfred L. Martin, Jr.</itunes:subtitle>
      <itunes:summary>How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021),  Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do race and sexuality intersect in the American sitcom? In <em>The Generic Closet: Black Gayness and the Black-Cast Sitcom </em>(Indiana University Press, 2021)<em>, </em> <a href="https://twitter.com/AlfredLMartin">Alfred L Martin</a>, an <a href="https://clas.uiowa.edu/commstudies/people/alfred-martin">assistant professor of communication studies at The University of Iowa</a>, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2562</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5468175644.mp3?updated=1618230984" length="0" type="audio/mpeg"/>
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    <item>
      <title>Itay Snir, "Education and Thinking in Continental Philosophy" (Springer, 2020)</title>
      <description>Itay Snir's book Education and Thinking in Continental Philosophy (Springer, 2020) draws on five philosophers from the continental tradition – Theodor Adorno, Hannah Arendt, Gilles Deleuze, Jacques Derrida, and Jacques Rancière – in order to “think about thinking” and offer new and surprising answers to the question: How can we educate students to think creatively and critically? Despite their differences, all of these philosophers challenge the modern understanding of thinking, and offer original, radical perspectives on it. In very different ways, each rejects the modern approach to thinking, as well as the reduction of proper thought to rationality, situating thinking in sociohistorical reality and relating it to political action. Thinking, they argue, is not a natural, automatic activity, and the need to think has become all the more important as political reality seems to exhibit less thinking, or to even celebrate thoughtlessness. Bringing these continental conceptions of thinking to bear on the urgent need to educate young people to think against the current, this book makes a significant contribution to educational theory and political philosophy, one that is particularly relevant in today’s anti-intellectual climate. (The podcast focuses especially on Adorno's thoughts about thinking.)
Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Itay Snir</itunes:subtitle>
      <itunes:summary>Itay Snir's book Education and Thinking in Continental Philosophy (Springer, 2020) draws on five philosophers from the continental tradition – Theodor Adorno, Hannah Arendt, Gilles Deleuze, Jacques Derrida, and Jacques Rancière – in order to “think about thinking” and offer new and surprising answers to the question: How can we educate students to think creatively and critically? Despite their differences, all of these philosophers challenge the modern understanding of thinking, and offer original, radical perspectives on it. In very different ways, each rejects the modern approach to thinking, as well as the reduction of proper thought to rationality, situating thinking in sociohistorical reality and relating it to political action. Thinking, they argue, is not a natural, automatic activity, and the need to think has become all the more important as political reality seems to exhibit less thinking, or to even celebrate thoughtlessness. Bringing these continental conceptions of thinking to bear on the urgent need to educate young people to think against the current, this book makes a significant contribution to educational theory and political philosophy, one that is particularly relevant in today’s anti-intellectual climate. (The podcast focuses especially on Adorno's thoughts about thinking.)
Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Itay Snir's book <a href="https://bookshop.org/a/12343/9783030565251"><em>Education and Thinking in Continental Philosophy</em></a> (Springer, 2020) draws on five philosophers from the continental tradition – Theodor Adorno, Hannah Arendt, Gilles Deleuze, Jacques Derrida, and Jacques Rancière – in order to “think about thinking” and offer new and surprising answers to the question: How can we educate students to think creatively and critically? Despite their differences, all of these philosophers challenge the modern understanding of thinking, and offer original, radical perspectives on it. In very different ways, each rejects the modern approach to thinking, as well as the reduction of proper thought to rationality, situating thinking in sociohistorical reality and relating it to political action. Thinking, they argue, is not a natural, automatic activity, and the need to think has become all the more important as political reality seems to exhibit less thinking, or to even celebrate thoughtlessness. Bringing these continental conceptions of thinking to bear on the urgent need to educate young people to think against the current, this book makes a significant contribution to educational theory and political philosophy, one that is particularly relevant in today’s anti-intellectual climate. (The podcast focuses especially on Adorno's thoughts about thinking.)</p><p><a href="https://uni-tuebingen.academia.edu/KaiWortmann"><em>Kai Wortman</em></a><em> is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3988</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ola Innset, "Reinventing Liberalism: The Politics, Philosophy and Economics of Early Neoliberalism (1920-1947)" (Springer, 2021)</title>
      <description>This year, more than 40 books will be published in English with 'Neoliberal' or 'Neoliberalism' in the title. For many in the academy, these words have become interchangeable with “capitalist”, “laissez-faire”, “fiscally austere” or pretty much anything short of full socialism.
Yet, when it was first coined by self-proclaimed neoliberals on either side of the second world war, the term had a specific meaning that has since been lost in a culture-war of words. By taking us back to neoliberalism’s embryonic debates in 1920s Vienna and a fly-on-the-wall account of the movement’s founding conference in the Swiss Alps in 1947, Ola Innset brings neoliberalism's specific "dual argument" to life. 
Ola Innset is a postdoctoral researcher at the BI Norwegian Business School in Oslo. He has published three other books in Norwegian - the most recent being The Market Turn, a history of neoliberalism in Norway. Reinventing Liberalism: The Politics, Philosophy and Economics of Early Neoliberalism (1920-1947) (Springer, 2021), which is based on a PhD thesis for which he won the 2019 Joseph Dorfman Dissertation Prize from the History of Economics Society, is his first book in English.
*The author's own book recommendations are Family Values: Between Neoliberalism and the New Social Conservatism by Melinda Cooper (Zone Books, 2017) and the Outline trilogy by Rachel Cusk (Faber &amp; Faber, 2018-19).
Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Ola Innset</itunes:subtitle>
      <itunes:summary>This year, more than 40 books will be published in English with 'Neoliberal' or 'Neoliberalism' in the title. For many in the academy, these words have become interchangeable with “capitalist”, “laissez-faire”, “fiscally austere” or pretty much anything short of full socialism.
Yet, when it was first coined by self-proclaimed neoliberals on either side of the second world war, the term had a specific meaning that has since been lost in a culture-war of words. By taking us back to neoliberalism’s embryonic debates in 1920s Vienna and a fly-on-the-wall account of the movement’s founding conference in the Swiss Alps in 1947, Ola Innset brings neoliberalism's specific "dual argument" to life. 
Ola Innset is a postdoctoral researcher at the BI Norwegian Business School in Oslo. He has published three other books in Norwegian - the most recent being The Market Turn, a history of neoliberalism in Norway. Reinventing Liberalism: The Politics, Philosophy and Economics of Early Neoliberalism (1920-1947) (Springer, 2021), which is based on a PhD thesis for which he won the 2019 Joseph Dorfman Dissertation Prize from the History of Economics Society, is his first book in English.
*The author's own book recommendations are Family Values: Between Neoliberalism and the New Social Conservatism by Melinda Cooper (Zone Books, 2017) and the Outline trilogy by Rachel Cusk (Faber &amp; Faber, 2018-19).
Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This year, more than 40 books will be published in English with 'Neoliberal' or 'Neoliberalism' in the title. For many in the academy, these words have become interchangeable with “capitalist”, “laissez-faire”, “fiscally austere” or pretty much anything short of full socialism.</p><p>Yet, when it was first coined by self-proclaimed neoliberals on either side of the second world war, the term had a specific meaning that has since been lost in a culture-war of words. By taking us back to neoliberalism’s embryonic debates in 1920s Vienna and a fly-on-the-wall account of the movement’s founding conference in the Swiss Alps in 1947, Ola Innset brings neoliberalism's specific "dual argument" to life. </p><p>Ola Innset is a postdoctoral researcher at the BI Norwegian Business School in Oslo. He has published three other books in Norwegian - the most recent being <em>The Market Turn</em>, a history of neoliberalism in Norway. <a href="https://bookshop.org/a/12343/9783030388874"><em>Reinventing Liberalism: The Politics, Philosophy and Economics of Early Neoliberalism (1920-1947)</em></a> (Springer, 2021), which is based on a PhD thesis for which he won the 2019 Joseph Dorfman Dissertation Prize from the History of Economics Society, is his first book in English.</p><p>*The author's own book recommendations are <em>Family Values: Between Neoliberalism and the New Social Conservatism </em>by Melinda Cooper (Zone Books, 2017) and the <em>Outline </em>trilogy by Rachel Cusk (Faber &amp; Faber, 2018-19).</p><p><em>Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3086</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4011530450.mp3?updated=1617987380" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Prathama Banerjee, "Elementary Aspects of the Political: Histories from the Global South" (Duke UP, 2020)</title>
      <description>Prathama Banerjee's book Elementary Aspects of the Political: Histories from the Global South (Duke UP, 2020) studies the rise of modern politics in India, between the mid-19th and the mid-20thcenturies, at the cusp of colonial modern, classical Indian, Indo-Persian and regional vernacular ideas. It unpacks the political, following modern common sense, into four elementary aspects – Self, Action, Idea and People – and shows how each element is structured around a conceptual instability, rendering its very elementary status questionable. The political subject is split by the tension between renunciation and realpolitik; action driven by the dialectic between labor and karma, each with its distinctive means-end configuration; the idea torn by its troubled relationships with the economic and the spiritual; and the people forever oscillating between being pure structure, as in the political party, and being pure fiction. Through this account, the book argues that the modern political works by virtue not of any irreducible principle or autonomous logic, a priori identifiable as political, but an unceasing process of differentiation of the political from the non-political – variously imagined at various times as science, religion, society, economics and aesthetics – as also through a simultaneous grounding and delimitation of the political by the specter of the extra-political. The book invites us to go beyond postcolonial and decolonial criticism and engage in the positive and creative task of producing new political theory, inspired by histories and practices from the non-European world.
Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on South Asian economic writing. He is coordinator of the Medical Humanities Working Group at NYU, and of the Postcolonial Anthropocene Research Network. He also co-hosts the podcast High Theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Prathama Banerjee</itunes:subtitle>
      <itunes:summary>Prathama Banerjee's book Elementary Aspects of the Political: Histories from the Global South (Duke UP, 2020) studies the rise of modern politics in India, between the mid-19th and the mid-20thcenturies, at the cusp of colonial modern, classical Indian, Indo-Persian and regional vernacular ideas. It unpacks the political, following modern common sense, into four elementary aspects – Self, Action, Idea and People – and shows how each element is structured around a conceptual instability, rendering its very elementary status questionable. The political subject is split by the tension between renunciation and realpolitik; action driven by the dialectic between labor and karma, each with its distinctive means-end configuration; the idea torn by its troubled relationships with the economic and the spiritual; and the people forever oscillating between being pure structure, as in the political party, and being pure fiction. Through this account, the book argues that the modern political works by virtue not of any irreducible principle or autonomous logic, a priori identifiable as political, but an unceasing process of differentiation of the political from the non-political – variously imagined at various times as science, religion, society, economics and aesthetics – as also through a simultaneous grounding and delimitation of the political by the specter of the extra-political. The book invites us to go beyond postcolonial and decolonial criticism and engage in the positive and creative task of producing new political theory, inspired by histories and practices from the non-European world.
Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on South Asian economic writing. He is coordinator of the Medical Humanities Working Group at NYU, and of the Postcolonial Anthropocene Research Network. He also co-hosts the podcast High Theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Prathama Banerjee's book <a href="https://bookshop.org/a/12343/9781478010906"><em>Elementary Aspects of the Political: Histories from the Global South</em></a> (Duke UP, 2020) studies the rise of modern politics in India, between the mid-19th and the mid-20thcenturies, at the cusp of colonial modern, classical Indian, Indo-Persian and regional vernacular ideas. It unpacks the political, following modern common sense, into four elementary aspects – Self, Action, Idea and People – and shows how each element is structured around a conceptual instability, rendering its very elementary status questionable. The political subject is split by the tension between renunciation and realpolitik; action driven by the dialectic between labor and karma, each with its distinctive means-end configuration; the idea torn by its troubled relationships with the economic and the spiritual; and the people forever oscillating between being pure structure, as in the political party, and being pure fiction. Through this account, the book argues that the modern political works by virtue not of any irreducible principle or autonomous logic, a priori identifiable as political, but an unceasing process of differentiation of the political from the non-political – variously imagined at various times as science, religion, society, economics and aesthetics – as also through a simultaneous grounding and delimitation of the political by the specter of the extra-political. The book invites us to go beyond postcolonial and decolonial criticism and engage in the positive and creative task of producing new political theory, inspired by histories and practices from the non-European world.</p><p><a href="https://www.saronik.com/"><em>Saronik Bosu</em></a><em> (</em><a href="https://twitter.com/SaronikB"><em>@SaronikB</em></a><em> on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on South Asian economic writing. He is coordinator of the Medical Humanities Working Group at NYU, and of the </em><a href="http://pococene.com/"><em>Postcolonial Anthropocene Research Network</em></a><em>. He also co-hosts the podcast </em><a href="http://hightheory.net/"><em>High Theory</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2529</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[141eb87a-9a22-11eb-b4d0-1bb3da157c6f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8901536342.mp3?updated=1618075917" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Candace Fujikane, "Mapping Abundance for a Planetary Future: Kanaka Maoli and Critical Settler Cartography in Hawai'i" (Duke UP, 2021)</title>
      <description>In Mapping Abundance for a Planetary Future: Kanaka Maoli and Critical Settler Cartographies in Hawai'i (Duke University Press, 2021), Candace Fujikane draws upon Hawaiian stories about the land and water and their impact upon Native Hawai'ian struggles to argue that Native economies of abundance provide a foundation for collective work against climate change.
Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital's fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing "wastelands" claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who swim into the mountains, the navigator Māui who fishes up the islands, the deities of snow and mists on Mauna Kea. The laws of these elements are now being violated by toxic waste dumping, leaking military jet fuel tanks, and astronomical-industrial complexes. As Kānaka Maoli and their allies stand as land and water protectors, Fujikane calls for a profound attunement to the elemental forms in order to transform climate events into renewed possibilities for planetary abundance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Candace Fujikane</itunes:subtitle>
      <itunes:summary>In Mapping Abundance for a Planetary Future: Kanaka Maoli and Critical Settler Cartographies in Hawai'i (Duke University Press, 2021), Candace Fujikane draws upon Hawaiian stories about the land and water and their impact upon Native Hawai'ian struggles to argue that Native economies of abundance provide a foundation for collective work against climate change.
Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital's fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing "wastelands" claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who swim into the mountains, the navigator Māui who fishes up the islands, the deities of snow and mists on Mauna Kea. The laws of these elements are now being violated by toxic waste dumping, leaking military jet fuel tanks, and astronomical-industrial complexes. As Kānaka Maoli and their allies stand as land and water protectors, Fujikane calls for a profound attunement to the elemental forms in order to transform climate events into renewed possibilities for planetary abundance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In Mapping Abundance for a <a href="https://bookshop.org/a/12343/9781478011682"><em>Planetary Future: Kanaka Maoli and Critical Settler Cartographies in Hawai'i</em></a><em> </em>(Duke University Press, 2021), Candace Fujikane draws upon Hawaiian stories about the land and water and their impact upon Native Hawai'ian struggles to argue that Native economies of abundance provide a foundation for collective work against climate change.</p><p>Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital's fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing "wastelands" claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who swim into the mountains, the navigator Māui who fishes up the islands, the deities of snow and mists on Mauna Kea. The laws of these elements are now being violated by toxic waste dumping, leaking military jet fuel tanks, and astronomical-industrial complexes. As Kānaka Maoli and their allies stand as land and water protectors, Fujikane calls for a profound attunement to the elemental forms in order to transform climate events into renewed possibilities for planetary abundance.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3761</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5fd75f24-96da-11eb-b188-cf3f4bccb9bb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4555336895.mp3?updated=1617715158" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kas Saghafi, "The World after the End of the World: A Spectro-Poetics" (SUNY Press, 2020)</title>
      <description>In this episode, I interview Kas Saghafi, associate professor of philosophy at the University of Memphis, about his book The World After the End of the World, published through SUNY Press in 2020. In this book, Kas Saghafi argues that the notion of “the end the world” in Derrida’s late work is not a theological or cosmological matter, but a meditation on mourning and the death of the other. He examines this and several other tightly knit motifs in Derrida’s work: mourning, survival, the phantasm, the event, and most significantly, the term salut, which in French means at once greeting and salvation. An underlying concern of The World after the End of the World is whether a discourse on salut (saving, being saved, and salvation) can be dissociated from discourse on religion. Saghafi compares Derrida’s thought along these lines with similar concerns of Jean-Luc Nancy’s. Combining analysis of these themes with reflections on personal loss, this book maintains that, for Derrida, salutation, greeting, and welcoming is resistant to the economy of salvation. This resistance calls for what Derrida refers to as a “spectro-poetics” devoted to and assigned to the other’s singularity.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kas Saghafi</itunes:subtitle>
      <itunes:summary>In this episode, I interview Kas Saghafi, associate professor of philosophy at the University of Memphis, about his book The World After the End of the World, published through SUNY Press in 2020. In this book, Kas Saghafi argues that the notion of “the end the world” in Derrida’s late work is not a theological or cosmological matter, but a meditation on mourning and the death of the other. He examines this and several other tightly knit motifs in Derrida’s work: mourning, survival, the phantasm, the event, and most significantly, the term salut, which in French means at once greeting and salvation. An underlying concern of The World after the End of the World is whether a discourse on salut (saving, being saved, and salvation) can be dissociated from discourse on religion. Saghafi compares Derrida’s thought along these lines with similar concerns of Jean-Luc Nancy’s. Combining analysis of these themes with reflections on personal loss, this book maintains that, for Derrida, salutation, greeting, and welcoming is resistant to the economy of salvation. This resistance calls for what Derrida refers to as a “spectro-poetics” devoted to and assigned to the other’s singularity.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I interview Kas Saghafi, associate professor of philosophy at the University of Memphis, about his book <a href="https://bookshop.org/a/12343/9781438478203"><em>The World After the End of the World</em></a>, published through SUNY Press in 2020. In this book, Kas Saghafi argues that the notion of “the end the world” in Derrida’s late work is not a theological or cosmological matter, but a meditation on mourning and the death of the other. He examines this and several other tightly knit motifs in Derrida’s work: mourning, survival, the phantasm, the event, and most significantly, the term <em>salut</em>, which in French means at once greeting and salvation. An underlying concern of <em>The World after the End of the World</em> is whether a discourse on <em>salut </em>(saving, being saved, and salvation) can be dissociated from discourse on religion. Saghafi compares Derrida’s thought along these lines with similar concerns of Jean-Luc Nancy’s. Combining analysis of these themes with reflections on personal loss, this book maintains that, for Derrida, salutation, greeting, and welcoming is resistant to the economy of salvation. This resistance calls for what Derrida refers to as a “spectro-poetics” devoted to and assigned to the other’s singularity.</p><p><em>Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on </em><a href="https://twitter.com/poeticdweller"><em>Twitter</em></a><em> or send him an </em><a href="mailto:britton.edelen@duke.edu"><em>email.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3990</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f4b3a504-9486-11eb-b85e-9b830d3af35d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3958951197.mp3?updated=1663956611" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Perry Zurn, "Curiosity and Power: The Politics of Inquiry" (U of Minnesota Press, 2021)</title>
      <description>Is curiosity political? Does it have a philosophical lineage? In Curiosity and Power: The Politics of Inquiry (University of Minnesota Press, 2021), Perry Zurn shows, consequentially, yes. He further asks: Who can be curious? How? When? To what effect? What happens when we are curious together? 
Engaged with multiple social movements ranging from the mid-twentieth century to our current time, and thinkers of curiosity from the Ancient world until now, Zurn theorizes the normative and political force of curiosity while providing insight into how it has and can be wielded for transformative collective resistance.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>247</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Perry Zurn</itunes:subtitle>
      <itunes:summary>Is curiosity political? Does it have a philosophical lineage? In Curiosity and Power: The Politics of Inquiry (University of Minnesota Press, 2021), Perry Zurn shows, consequentially, yes. He further asks: Who can be curious? How? When? To what effect? What happens when we are curious together? 
Engaged with multiple social movements ranging from the mid-twentieth century to our current time, and thinkers of curiosity from the Ancient world until now, Zurn theorizes the normative and political force of curiosity while providing insight into how it has and can be wielded for transformative collective resistance.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is curiosity political? Does it have a philosophical lineage? In <a href="https://bookshop.org/a/12343/9781517907198"><em>Curiosity and Power: The Politics of Inquiry</em></a><em> </em>(University of Minnesota Press, 2021), <a href="https://www.american.edu/cas/faculty/pzurn.cfm">Perry Zurn</a> shows, consequentially, yes. He further asks: Who can be curious? How? When? To what effect? What happens when we are curious together? </p><p>Engaged with multiple social movements ranging from the mid-twentieth century to our current time, and thinkers of curiosity from the Ancient world until now, Zurn theorizes the normative and political force of curiosity while providing insight into how it has and can be wielded for transformative collective resistance.</p><p><a href="https://clas.ucdenver.edu/philosophy/sarah-tyson"><em>Sarah Tyson</em></a><em> is an associate professor of philosophy at the University of Colorado, Denver.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3509</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3ed8f13e-9f81-11eb-bd01-df044e0aaa53]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4860008046.mp3?updated=1618650245" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Jean So, "Redlining Culture: A Data History of Racial Inequality and Postwar Fiction" (Columbia UP, 2020)</title>
      <description>What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences. The book is essential reading for anyone interested in race and literature, along with anyone interested in explaining and understanding why race continues to be essential to understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Apr 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An Interview with Richard Jean So</itunes:subtitle>
      <itunes:summary>What is the story of race in American fiction? In Redlining Culture: A Data History of Racial Inequality and Postwar Fiction (Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences. The book is essential reading for anyone interested in race and literature, along with anyone interested in explaining and understanding why race continues to be essential to understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the story of race in American fiction? In <a href="https://bookshop.org/a/12343/9780231197731"><em>Redlining Culture: A Data History of Racial Inequality and Postwar Fiction</em></a><em> </em>(Columbia University Press, 2020), Richard Jean So, an assistant professor of English in the Department of English at McGill University, uses computational and quantitative methods, alongside close textual analysis, to demonstrate the institutional whiteness of the US publishing industry. Even as the rise of multiculturalism has been celebrated in American fiction, So shows how publishing houses, reviewers, prize givers, and audiences still focused on a minority of Minority authors, with little evidence of change during the second half of the twentieth century. Moreover, although as the struggle for recognition seemed to be won within universities, the literary world continued to exclude authors of colour. In addition, the book engages with, and draws inspiration from, the work and career of Toni Morrison, offering findings that will engage across both the humanities and social sciences. The book is essential reading for anyone interested in race and literature, along with anyone interested in explaining and understanding why race continues to be essential to understanding contemporary culture.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien">Dave O'Brien</a> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2788</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90a68292-9289-11eb-8349-6317325f51c1]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1260992957.mp3?updated=1617292357" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael D. Snediker, "Contingent Figure: Chronic Pain and Queer Embodiment" (U Minnesota Press, 2021)</title>
      <description>In this episode, I interview Michael Snediker, professor of English at the University of Houston, about his book, Contingent Figure: Chronic Pain and Queer Embodiment, recently published by University of Minnesota Press. At the intersection of queer theory and disability studies, Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable.
Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes Contingent Figure an exemplary instance of literary theory as a practice of lyric attention. Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael D. Snediker</itunes:subtitle>
      <itunes:summary>In this episode, I interview Michael Snediker, professor of English at the University of Houston, about his book, Contingent Figure: Chronic Pain and Queer Embodiment, recently published by University of Minnesota Press. At the intersection of queer theory and disability studies, Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable.
Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes Contingent Figure an exemplary instance of literary theory as a practice of lyric attention. Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I interview Michael Snediker, professor of English at the University of Houston, about his book, <a href="https://bookshop.org/a/12343/9780816691906"><em>Contingent Figure: Chronic Pain and Queer Embodiment</em></a>, recently published by University of Minnesota Press. At the intersection of queer theory and disability studies, Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable.</p><p>Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, <em>Contingent Figure</em> resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes <em>Contingent Figure</em> an exemplary instance of literary theory as a practice of lyric attention. Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century.</p><p><em>Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on </em><a href="https://twitter.com/poeticdweller"><em>Twitter</em></a><em> or send him an </em><a href="mailto:britton.edelen@duke.edu"><em>email.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4226</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>David Wills, "Prosthesis" (U Minnesota Press, 2021)</title>
      <description>In this episode, I interview David Wills, professor of French Studies at Brown University, about his book, Prosthesis, recently republished for its 25th anniversary by University of Minnesota Press. A landmark work in posthuman thought that analyzes and explores the human body as a technology, the book promotes the idea that the human body is open to supplementation by artificial addenda that operate both internally or externally and engage it in an unceasing arbitration with the environment. Questioning the opposition between animate and inanimate along with the logic of the automatic prioritization of living flesh, Prosthesis undertakes these assumptions by studying thematics of artificiality through the writings of Freud, Derrida, William Gibson, Peter Greenaway, and others.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with David Wills</itunes:subtitle>
      <itunes:summary>In this episode, I interview David Wills, professor of French Studies at Brown University, about his book, Prosthesis, recently republished for its 25th anniversary by University of Minnesota Press. A landmark work in posthuman thought that analyzes and explores the human body as a technology, the book promotes the idea that the human body is open to supplementation by artificial addenda that operate both internally or externally and engage it in an unceasing arbitration with the environment. Questioning the opposition between animate and inanimate along with the logic of the automatic prioritization of living flesh, Prosthesis undertakes these assumptions by studying thematics of artificiality through the writings of Freud, Derrida, William Gibson, Peter Greenaway, and others.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I interview David Wills, professor of French Studies at Brown University, about his book, <a href="https://bookshop.org/a/12343/9781517911553"><em>Prosthesis</em></a>, recently republished for its 25th anniversary by University of Minnesota Press. A landmark work in posthuman thought that analyzes and explores the human body as a technology, the book promotes the idea that the human body is open to supplementation by artificial addenda that operate both internally or externally and engage it in an unceasing arbitration with the environment. Questioning the opposition between animate and inanimate along with the logic of the automatic prioritization of living flesh, <em>Prosthesis</em> undertakes these assumptions by studying thematics of artificiality through the writings of Freud, Derrida, William Gibson, Peter Greenaway, and others.</p><p><em>Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on </em><a href="https://twitter.com/poeticdweller"><em>Twitter</em></a><em> or send him an </em><a href="mailto:britton.edelen@duke.edu"><em>email.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4103</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dana Mills, "Rosa Luxemburg" (Reaktion Books, 2020)</title>
      <description>Political Theorist and activist Dana Mill’s latest new book, Rosa Luxemburg (Reaktion Books, 2020), is part of an extensive series of books published by Reaktion Books, Ltd, which focuses both on the ideas or creations and the lives of many leading cultural figures of the modern period. These volumes are not long, but they are thorough, and they help the reader to understand the historical context in which these thinkers, artists, writers, etc. lived, created, and worked. Mill’s contribution to this series centers on the turbulent life of Rosa Luxemburg, who lived, worked, studied, and advocated in Europe in the late 1800s and into the 1900s. Mills provides a biographical guide to Luxemburg as we learn about her young life growing up in Poland and her move to Zurich to pursue a PhD in Economics. Luxemburg becomes involved in politics in the late 1880s and 1890s, and she is also developing her thinking about economics, politics, exploitation, and nationalism during this same period. As Mills makes clear, Luxemburg quite enjoyed the experience of thinking and engaging ideas, taking on the dialectical arguments that were very much the mode and method of learning and teaching, particularly among those focusing on economics and Marxism. Luxemburg transferred this method of learning and teaching to her own work as a teacher, a very talented teacher in the trade union schools.
Rosa Luxemburg was imprisoned for long stretches of her life—and, as a result of these experiences, she learned quite a lot about what incarceration does to a person, how this form of constraint impacts the individual psyche. This also contributed to her continued thinking about what freedom and equality actually mean to people, how these concepts are dimensions of justice, and how justice may be achieved in a colonial, imperial world marked by nationalism and material inequality. Mills’ biographical analysis incorporates Luxemburg’s murder, which, as Mills notes, is indeed tragic, but does not make Rosa Luxemburg into a tragic figure. Luxemburg was very much the author of her own life story, but she anticipated her murder, which was committed by right-wing fascists who would ultimately become members of the Nazi Party under Hitler. Dana Mills brings Rosa Luxemburg to life, exploring her revolutionary thinking and writing, all while helping the reader get to know Red Rosa, who always took brisk walks, loved reading Goethe’s Faust, regularly corresponded with V.I. Lenin, and continually worked towards an open and just future.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 15 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>515</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dana Mills</itunes:subtitle>
      <itunes:summary>Political Theorist and activist Dana Mill’s latest new book, Rosa Luxemburg (Reaktion Books, 2020), is part of an extensive series of books published by Reaktion Books, Ltd, which focuses both on the ideas or creations and the lives of many leading cultural figures of the modern period. These volumes are not long, but they are thorough, and they help the reader to understand the historical context in which these thinkers, artists, writers, etc. lived, created, and worked. Mill’s contribution to this series centers on the turbulent life of Rosa Luxemburg, who lived, worked, studied, and advocated in Europe in the late 1800s and into the 1900s. Mills provides a biographical guide to Luxemburg as we learn about her young life growing up in Poland and her move to Zurich to pursue a PhD in Economics. Luxemburg becomes involved in politics in the late 1880s and 1890s, and she is also developing her thinking about economics, politics, exploitation, and nationalism during this same period. As Mills makes clear, Luxemburg quite enjoyed the experience of thinking and engaging ideas, taking on the dialectical arguments that were very much the mode and method of learning and teaching, particularly among those focusing on economics and Marxism. Luxemburg transferred this method of learning and teaching to her own work as a teacher, a very talented teacher in the trade union schools.
Rosa Luxemburg was imprisoned for long stretches of her life—and, as a result of these experiences, she learned quite a lot about what incarceration does to a person, how this form of constraint impacts the individual psyche. This also contributed to her continued thinking about what freedom and equality actually mean to people, how these concepts are dimensions of justice, and how justice may be achieved in a colonial, imperial world marked by nationalism and material inequality. Mills’ biographical analysis incorporates Luxemburg’s murder, which, as Mills notes, is indeed tragic, but does not make Rosa Luxemburg into a tragic figure. Luxemburg was very much the author of her own life story, but she anticipated her murder, which was committed by right-wing fascists who would ultimately become members of the Nazi Party under Hitler. Dana Mills brings Rosa Luxemburg to life, exploring her revolutionary thinking and writing, all while helping the reader get to know Red Rosa, who always took brisk walks, loved reading Goethe’s Faust, regularly corresponded with V.I. Lenin, and continually worked towards an open and just future.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Political Theorist and activist Dana Mill’s latest new book, <a href="https://bookshop.org/a/12343/9781789143270"><em>Rosa Luxemburg</em></a> (Reaktion Books, 2020), is part of an extensive series of books published by Reaktion Books, Ltd, which focuses both on the ideas or creations and the lives of many leading cultural figures of the modern period. These volumes are not long, but they are thorough, and they help the reader to understand the historical context in which these thinkers, artists, writers, etc. lived, created, and worked. Mill’s contribution to this series centers on the turbulent life of Rosa Luxemburg, who lived, worked, studied, and advocated in Europe in the late 1800s and into the 1900s. Mills provides a biographical guide to Luxemburg as we learn about her young life growing up in Poland and her move to Zurich to pursue a PhD in Economics. Luxemburg becomes involved in politics in the late 1880s and 1890s, and she is also developing her thinking about economics, politics, exploitation, and nationalism during this same period. As Mills makes clear, Luxemburg quite enjoyed the experience of thinking and engaging ideas, taking on the dialectical arguments that were very much the mode and method of learning and teaching, particularly among those focusing on economics and Marxism. Luxemburg transferred this method of learning and teaching to her own work as a teacher, a very talented teacher in the trade union schools.</p><p>Rosa Luxemburg was imprisoned for long stretches of her life—and, as a result of these experiences, she learned quite a lot about what incarceration does to a person, how this form of constraint impacts the individual psyche. This also contributed to her continued thinking about what freedom and equality actually mean to people, how these concepts are dimensions of justice, and how justice may be achieved in a colonial, imperial world marked by nationalism and material inequality. Mills’ biographical analysis incorporates Luxemburg’s murder, which, as Mills notes, is indeed tragic, but does not make Rosa Luxemburg into a tragic figure. Luxemburg was very much the author of her own life story, but she anticipated her murder, which was committed by right-wing fascists who would ultimately become members of the Nazi Party under Hitler. Dana Mills brings Rosa Luxemburg to life, exploring her revolutionary thinking and writing, all while helping the reader get to know <em>Red Rosa</em>, who always took brisk walks, loved reading Goethe’s <em>Faust</em>, regularly corresponded with V.I. Lenin, and continually worked towards an open and just future.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3050</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4280719817.mp3?updated=1618064438" length="0" type="audio/mpeg"/>
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    <item>
      <title>Morten T. Korsgaard, "Bearing with Strangers: Arendt, Education and the Politics of Inclusion" (Routledge, 2018)</title>
      <description>Bearing with Strangers: Arendt, Education and the Politics of Inclusion (Routledge, 2018) looks at inclusion in education in a new way. By introducing the notion of the instrumental fallacy, it shows how this is not only an inherent feature of inclusive education policies, but also omnipresent in modern educational policy. It engages with schooling through an Arendtian framework, namely as a practice with the aim of mediating between generations. It outlines a didactic and pedagogical theory that presents inclusion not as an aim for education, but as a constitutive feature of the activity of schooling. Drawing on the work of Hannah Arendt, the book offers a novel and critical perspective on inclusive education, as well as a contribution to a growing literature re-engaging didactic and pedagogical conceptions of teaching and the role of the teacher. Schooling is understood as a process of opening the world to the young and of opening the world to the renewal that the new generations offer. The activity of schooling offers the possibility of becoming attentive towards what is common while learning to bear with that which is strange and those who are strangers. The book points to valuable metaphors and ideas - referred to in the book as 'pearls' - that speak to the heart of what schooling and teaching concerns, such as exemplarity, judgement, and enlarged thought.
Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Apr 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An Interview with Morten T. Korsgaard</itunes:subtitle>
      <itunes:summary>Bearing with Strangers: Arendt, Education and the Politics of Inclusion (Routledge, 2018) looks at inclusion in education in a new way. By introducing the notion of the instrumental fallacy, it shows how this is not only an inherent feature of inclusive education policies, but also omnipresent in modern educational policy. It engages with schooling through an Arendtian framework, namely as a practice with the aim of mediating between generations. It outlines a didactic and pedagogical theory that presents inclusion not as an aim for education, but as a constitutive feature of the activity of schooling. Drawing on the work of Hannah Arendt, the book offers a novel and critical perspective on inclusive education, as well as a contribution to a growing literature re-engaging didactic and pedagogical conceptions of teaching and the role of the teacher. Schooling is understood as a process of opening the world to the young and of opening the world to the renewal that the new generations offer. The activity of schooling offers the possibility of becoming attentive towards what is common while learning to bear with that which is strange and those who are strangers. The book points to valuable metaphors and ideas - referred to in the book as 'pearls' - that speak to the heart of what schooling and teaching concerns, such as exemplarity, judgement, and enlarged thought.
Kai Wortman is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/books/bearing-with-strangers-arendt-education-and-the-politics-of-inclusion/9780815378105"><em>Bearing with Strangers: Arendt, Education and the Politics of Inclusion</em></a><em> (Routledge, 2018)</em> looks at inclusion in education in a new way. By introducing the notion of the instrumental fallacy, it shows how this is not only an inherent feature of inclusive education policies, but also omnipresent in modern educational policy. It engages with schooling through an Arendtian framework, namely as a practice with the aim of mediating between generations. It outlines a didactic and pedagogical theory that presents inclusion not as an aim for education, but as a constitutive feature of the activity of schooling. Drawing on the work of Hannah Arendt, the book offers a novel and critical perspective on inclusive education, as well as a contribution to a growing literature re-engaging didactic and pedagogical conceptions of teaching and the role of the teacher. Schooling is understood as a process of opening the world to the young and of opening the world to the renewal that the new generations offer. The activity of schooling offers the possibility of becoming attentive towards what is common while learning to bear with that which is strange and those who are strangers. The book points to valuable metaphors and ideas - referred to in the book as 'pearls' - that speak to the heart of what schooling and teaching concerns, such as exemplarity, judgement, and enlarged thought.</p><p><a href="https://uni-tuebingen.academia.edu/KaiWortmann">Kai Wortman</a> is a PhD candidate at the Institute of Education, University of Tübingen, interested in philosophy of education.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3616</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Frank Ruda, "Abolishing Freedom: A Plea for a Contemporary Use of Fatalism" (U Nebraska Press, 2016)</title>
      <description>Frank Ruda's book Abolishing Freedom. A Plea for a Contemporary Use of Fatalism (University of Nebraska Press 2016) presents a compelling reading of authors diverse as Martin Luther, Descartes, Kant, Hegel, and Freud. They grapple with the limits of human freedom, and obviously so. Because we understand freedom - at least since Aristotle - as a capacity or a capability to choose freely between different options. Expressed with a formulation of Harry Frankfurt: "An action is free only if the agent could have done otherwise." However, Ruda - who is Senior Lecturer in Philosophy at the University of Dundee - shows that this intuitive and classical formulation of freedom of choice is deceptive. It suggests that we can choose the amount of freedom we want to live up to in the same way in which we can choose between tea or coffee. But this is a trivialization of freedom. We do not get up in the morning determined to be more free this week than last week. And one reason for this is that freedom is not at our disposal. As such it touches upon questions of fate and predestination. Philosophers from Luther to Hegel and from Descartes to Freud know this. They conceptualize through the concept of freedom a point of negativity, or – metaphorically speaking – a ground zero of human agency and autonomy. This is why topics such as fatalism, predestination, morality or divine providence, to name just a few, guide the argument of the book: to abolish freedom for the sake of freedom.
The Interview is conducted by Dominik Finkelde SJ, Professor of Philosophy at the Munich School of Philosophy and Sophie Adloff, student of philosophy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>214</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frank Ruda</itunes:subtitle>
      <itunes:summary>Frank Ruda's book Abolishing Freedom. A Plea for a Contemporary Use of Fatalism (University of Nebraska Press 2016) presents a compelling reading of authors diverse as Martin Luther, Descartes, Kant, Hegel, and Freud. They grapple with the limits of human freedom, and obviously so. Because we understand freedom - at least since Aristotle - as a capacity or a capability to choose freely between different options. Expressed with a formulation of Harry Frankfurt: "An action is free only if the agent could have done otherwise." However, Ruda - who is Senior Lecturer in Philosophy at the University of Dundee - shows that this intuitive and classical formulation of freedom of choice is deceptive. It suggests that we can choose the amount of freedom we want to live up to in the same way in which we can choose between tea or coffee. But this is a trivialization of freedom. We do not get up in the morning determined to be more free this week than last week. And one reason for this is that freedom is not at our disposal. As such it touches upon questions of fate and predestination. Philosophers from Luther to Hegel and from Descartes to Freud know this. They conceptualize through the concept of freedom a point of negativity, or – metaphorically speaking – a ground zero of human agency and autonomy. This is why topics such as fatalism, predestination, morality or divine providence, to name just a few, guide the argument of the book: to abolish freedom for the sake of freedom.
The Interview is conducted by Dominik Finkelde SJ, Professor of Philosophy at the Munich School of Philosophy and Sophie Adloff, student of philosophy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Frank Ruda's book <a href="https://bookshop.org/a/12343/9780803284371"><em>Abolishing Freedom. A Plea for a Contemporary Use of Fatalism</em></a> (University of Nebraska Press 2016) presents a compelling reading of authors diverse as Martin Luther, Descartes, Kant, Hegel, and Freud. They grapple with the limits of human freedom, and obviously so. Because we understand freedom - at least since Aristotle - as a capacity or a capability to choose freely between different options. Expressed with a formulation of Harry Frankfurt: "An action is free only if the agent could have done otherwise." However, Ruda - who is Senior Lecturer in Philosophy at the University of Dundee - shows that this intuitive and classical formulation of freedom of choice is deceptive. It suggests that we can choose the amount of freedom we want to live up to in the same way in which we can choose between tea or coffee. But this is a trivialization of freedom. We do not get up in the morning determined to be more free this week than last week. And one reason for this is that freedom is not at our disposal. As such it touches upon questions of fate and predestination. Philosophers from Luther to Hegel and from Descartes to Freud know this. They conceptualize through the concept of freedom a point of negativity, or – metaphorically speaking – a <em>ground zero</em> of human agency and autonomy. This is why topics such as fatalism, predestination, morality or divine providence, to name just a few, guide the argument of the book: to abolish freedom for the sake of freedom.</p><p><em>The Interview is conducted by Dominik Finkelde SJ, Professor of Philosophy at the Munich School of Philosophy and Sophie Adloff, student of philosophy.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4667</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9932967763.mp3?updated=1616790722" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emile Bojesen, "Forms of Education: Rethinking Educational Experience Against and Outside the Humanist Legacy" (Routledge, 2019)</title>
      <description>Emile Bojesen's book Forms of Education: Rethinking Educational Experience Against and Outside the Humanist Legacy (Routledge, 2019) analyses the tenets of the humanist legacy in terms of its educational ethos, examining its contradictions and its limits, as well as the extent of its capture of educational thought. It develops a broader conception of educational experience, which challenges and exceeds the limits of the humanist educational legacy. The book defines education, openly and non-restrictively, as the (de)formation of non-stable subjects, arguing that education does not require specific formations, nor the formation of specific forms, only that form does not cease being formed in the experience of the non-stable subject. Exploding and pluralising what amounts to 'education', this book rethinks what might still be called 'educational experience' against and outside the humanist legacy that confines its meaning. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Emile Bojesen</itunes:subtitle>
      <itunes:summary>Emile Bojesen's book Forms of Education: Rethinking Educational Experience Against and Outside the Humanist Legacy (Routledge, 2019) analyses the tenets of the humanist legacy in terms of its educational ethos, examining its contradictions and its limits, as well as the extent of its capture of educational thought. It develops a broader conception of educational experience, which challenges and exceeds the limits of the humanist educational legacy. The book defines education, openly and non-restrictively, as the (de)formation of non-stable subjects, arguing that education does not require specific formations, nor the formation of specific forms, only that form does not cease being formed in the experience of the non-stable subject. Exploding and pluralising what amounts to 'education', this book rethinks what might still be called 'educational experience' against and outside the humanist legacy that confines its meaning. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Emile Bojesen's book <a href="https://bookshop.org/a/12343/9781138481251"><em>Forms of Education: Rethinking Educational Experience Against and Outside the Humanist Legacy</em></a> (Routledge, 2019) analyses the tenets of the humanist legacy in terms of its educational ethos, examining its contradictions and its limits, as well as the extent of its capture of educational thought. It develops a broader conception of educational experience, which challenges and exceeds the limits of the humanist educational legacy. The book defines education, openly and non-restrictively, as the (de)formation of non-stable subjects, arguing that education does not require specific formations, nor the formation of specific forms, only that form does not cease being formed in the experience of the non-stable subject. Exploding and pluralising what amounts to 'education', this book rethinks what might still be called 'educational experience' against and outside the humanist legacy that confines its meaning. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3777</itunes:duration>
      <guid isPermaLink="false"><![CDATA[3073c5e4-8d9b-11eb-9272-ff333cb79747]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1990462400.mp3?updated=1616698576" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)</title>
      <description>During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.
Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers.
 Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Shannan Clark</itunes:subtitle>
      <itunes:summary>During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.
Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers.
 Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.</p><p><a href="https://www.montclair.edu/profilepages/view_profile.php?username=clarksh">Shannan Clark</a>. author of <a href="https://bookshop.org/a/12343/9780199731626"><em>The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism</em></a> (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers.</p><p><em> </em><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3828</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[222ddbb0-8b1a-11eb-8fca-2b05514b1402]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9879349687.mp3?updated=1735666275" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Drucker, "Warped: Gay Normality and Queer Anti-Capitalism" (Brill, 2015)</title>
      <description>The last several decades have seen tremendous political and cultural strides forward for the LGBTQ+ community with both the legislative and cultural recognition helping many secure a more safe and open lifestyle than possible just a short while ago. However, these advances have raised a number of criticisms and qualifications, and not just from stuffy conservatives either. Many on the radical left have argued that the advances of gay, trans and queer persons is part of a broader attempt by the powers of capital to present an increasingly brutal economic society with a friendlier face, one of diversity and inclusion. This critique has led to a counter-critique of class-reductionism, the treatment of every issue and person from a very basic class-perspective.
Diving right into this debate is my guest today, Peter Drucker, here to discuss his book Warped: Gay Normality and Queer Anti-Capitalism (Brill, 2015). Published as part of the Historical Materialism book series, Drucker's book is unapologetically Marxist in its orientation and presents a massive history of sexual orientations and identity throughout much of human history, with particular focus on gender formations under colonialism, industrialization, and the more recent cases of Fordist and Neoliberal capitalism. However, Drucker also sees things that Marxists could learn from contemporary queer theory and practice as they try to navigate a world that was not designed for them, and as they try to build a better one.
Rich in information and attentive to historical detail, this book is a fascinating combination of history, queer theory and political science that will be helpful to everyone who hopes to someday see a world where we all belong.
Peter Drucker received his PhD in political science at Columbia University. A lifelong activist on the radical left, he has published widely on socialist theory and history, and has also written extensively on LGBTQ+ issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 05 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>213</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Drucker</itunes:subtitle>
      <itunes:summary>The last several decades have seen tremendous political and cultural strides forward for the LGBTQ+ community with both the legislative and cultural recognition helping many secure a more safe and open lifestyle than possible just a short while ago. However, these advances have raised a number of criticisms and qualifications, and not just from stuffy conservatives either. Many on the radical left have argued that the advances of gay, trans and queer persons is part of a broader attempt by the powers of capital to present an increasingly brutal economic society with a friendlier face, one of diversity and inclusion. This critique has led to a counter-critique of class-reductionism, the treatment of every issue and person from a very basic class-perspective.
Diving right into this debate is my guest today, Peter Drucker, here to discuss his book Warped: Gay Normality and Queer Anti-Capitalism (Brill, 2015). Published as part of the Historical Materialism book series, Drucker's book is unapologetically Marxist in its orientation and presents a massive history of sexual orientations and identity throughout much of human history, with particular focus on gender formations under colonialism, industrialization, and the more recent cases of Fordist and Neoliberal capitalism. However, Drucker also sees things that Marxists could learn from contemporary queer theory and practice as they try to navigate a world that was not designed for them, and as they try to build a better one.
Rich in information and attentive to historical detail, this book is a fascinating combination of history, queer theory and political science that will be helpful to everyone who hopes to someday see a world where we all belong.
Peter Drucker received his PhD in political science at Columbia University. A lifelong activist on the radical left, he has published widely on socialist theory and history, and has also written extensively on LGBTQ+ issues.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The last several decades have seen tremendous political and cultural strides forward for the LGBTQ+ community with both the legislative and cultural recognition helping many secure a more safe and open lifestyle than possible just a short while ago. However, these advances have raised a number of criticisms and qualifications, and not just from stuffy conservatives either. Many on the radical left have argued that the advances of gay, trans and queer persons is part of a broader attempt by the powers of capital to present an increasingly brutal economic society with a friendlier face, one of diversity and inclusion. This critique has led to a counter-critique of class-reductionism, the treatment of every issue and person from a very basic class-perspective.</p><p>Diving right into this debate is my guest today, Peter Drucker, here to discuss his book <a href="https://bookshop.org/a/12343/9789004223912"><em>Warped: Gay Normality and Queer Anti-Capitalism</em></a> (Brill, 2015). Published as part of the <a href="https://www.haymarketbooks.org/series_collections/1-historical-materialism"><em>Historical Materialism</em></a> book series, Drucker's book is unapologetically Marxist in its orientation and presents a massive history of sexual orientations and identity throughout much of human history, with particular focus on gender formations under colonialism, industrialization, and the more recent cases of Fordist and Neoliberal capitalism. However, Drucker also sees things that Marxists could learn from contemporary queer theory and practice as they try to navigate a world that was not designed for them, and as they try to build a better one.</p><p>Rich in information and attentive to historical detail, this book is a fascinating combination of history, queer theory and political science that will be helpful to everyone who hopes to someday see a world where we all belong.</p><p><em>Peter Drucker received his PhD in political science at Columbia University. A lifelong activist on the radical left, he has published widely on socialist theory and history, and has also written extensively on LGBTQ+ issues.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4043</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7352798204.mp3?updated=1616702474" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Brim, "Poor Queer Studies: Confronting Elitism in the University" (Duke UP, 2020)</title>
      <description>In Poor Queer Studies: Confronting Elitism in the University (Duke UP, 2020), Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy.
Matt Brim is Associate Professor of Queer Studies in the English Department at the College of Staten Island, City University of New York; author of James Baldwin and the Queer Imagination; and coeditor of Imagining Queer Methods.
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Brim</itunes:subtitle>
      <itunes:summary>In Poor Queer Studies: Confronting Elitism in the University (Duke UP, 2020), Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy.
Matt Brim is Associate Professor of Queer Studies in the English Department at the College of Staten Island, City University of New York; author of James Baldwin and the Queer Imagination; and coeditor of Imagining Queer Methods.
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478008200"><em>Poor Queer Studies: Confronting Elitism in the University</em></a><em> </em>(Duke UP, 2020), Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. <em>Poor Queer Studies</em> is essential for all of those who care about the state of higher education and building a more equitable academy.</p><p>Matt Brim is Associate Professor of Queer Studies in the English Department at the College of Staten Island, City University of New York; author of <em>James Baldwin and the Queer Imagination</em>; and coeditor of <em>Imagining Queer Methods</em>.</p><p><em>John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9e986d46-898a-11eb-a8c7-abac2eb11711]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7023576388.mp3?updated=1724789149" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caroline Ritter, "Imperial Encore: The Cultural Project of the Late British Empire" (UC Press, 2021)</title>
      <description>What role did culture play in the British Empire? In Imperial Encore: The Cultural Project of the Late British Empire Caroline Ritter, an Assistant Professor of History at Texas State University, explores the importance of culture in maintaining Imperial domination, and then in supporting post-Imperial British influence. Using core case studies of key institutions- the British Council, the BBC, and Oxford University Press- the book shows the ongoing legacy of the Imperial cultural project, even if, on the surface, all three institutions have radically changed since the formal end of the British Empire. Rich in historical detail, as well as contemporary relevance, the book will be essential reading across the humanities and social sciences, as well a for anyone interested in the current, and historical, politics of culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Apr 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>212</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caroline Ritter</itunes:subtitle>
      <itunes:summary>What role did culture play in the British Empire? In Imperial Encore: The Cultural Project of the Late British Empire Caroline Ritter, an Assistant Professor of History at Texas State University, explores the importance of culture in maintaining Imperial domination, and then in supporting post-Imperial British influence. Using core case studies of key institutions- the British Council, the BBC, and Oxford University Press- the book shows the ongoing legacy of the Imperial cultural project, even if, on the surface, all three institutions have radically changed since the formal end of the British Empire. Rich in historical detail, as well as contemporary relevance, the book will be essential reading across the humanities and social sciences, as well a for anyone interested in the current, and historical, politics of culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What role did culture play in the British Empire? In <a href="https://www.ucpress.edu/book/9780520375949/imperial-encore#about-book"><em>Imperial Encore: The Cultural Project of the Late British Empire</em></a> <a href="https://www.txstate.edu/history/people/faculty/ritter.html">Caroline Ritter</a>, an Assistant Professor of History at Texas State University, explores the importance of culture in maintaining Imperial domination, and then in supporting post-Imperial British influence. Using core case studies of key institutions- the British Council, the BBC, and Oxford University Press- the book shows the ongoing legacy of the Imperial cultural project, even if, on the surface, all three institutions have radically changed since the formal end of the British Empire. Rich in historical detail, as well as contemporary relevance, the book will be essential reading across the humanities and social sciences, as well a for anyone interested in the current, and historical, politics of culture.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2623</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b76435e0-8821-11eb-864d-674615723bac]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9189994815.mp3?updated=1616097370" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Beshara, "Freud and Said: Contrapuntal Psychoanalysis as Liberation Praxis" (Palgrave MacMillan, 2021)</title>
      <description>Robert Beshara’s Freud and Said: Contrapuntal Psychoanalysis as Liberation Praxis (Palgrave, 2021) is a guide through the textual relationship between the work of Sigmund Freud and Edward Said. It is also a valuable handbook in critical psychology that chronicles many works at the intersection of psychoanalysis and decoloniality from around the world. Beshara urges psychoanalytic practitioners to consider the fundamental role of colonial difference in our psychic lives and demonstrates the importance of accounting for unconscious processes in the study of culture and the work of decolonization.
Between April 1st and July 1st, 2021, a 20% discount is applicable across all formats of the book upon checkout on the Palgrave website. The discount code is FreudSaid20
Vira Sachenko is a researcher of culture and psychoanalysis with interests in intellectual history, (de)coloniality, and constructions of femininity. She can be reached at virasachenko@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robert Beshara</itunes:subtitle>
      <itunes:summary>Robert Beshara’s Freud and Said: Contrapuntal Psychoanalysis as Liberation Praxis (Palgrave, 2021) is a guide through the textual relationship between the work of Sigmund Freud and Edward Said. It is also a valuable handbook in critical psychology that chronicles many works at the intersection of psychoanalysis and decoloniality from around the world. Beshara urges psychoanalytic practitioners to consider the fundamental role of colonial difference in our psychic lives and demonstrates the importance of accounting for unconscious processes in the study of culture and the work of decolonization.
Between April 1st and July 1st, 2021, a 20% discount is applicable across all formats of the book upon checkout on the Palgrave website. The discount code is FreudSaid20
Vira Sachenko is a researcher of culture and psychoanalysis with interests in intellectual history, (de)coloniality, and constructions of femininity. She can be reached at virasachenko@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robert Beshara’s <a href="https://bookshop.org/a/12343/9783030567422"><em>Freud and Said: Contrapuntal Psychoanalysis as Liberation Praxis</em></a><em> </em>(Palgrave, 2021) is a guide through the textual relationship between the work of Sigmund Freud and Edward Said. It is also a valuable handbook in critical psychology that chronicles many works at the intersection of psychoanalysis and decoloniality from around the world. Beshara urges psychoanalytic practitioners to consider the fundamental role of colonial difference in our psychic lives and demonstrates the importance of accounting for unconscious processes in the study of culture and the work of decolonization.</p><p>Between April 1st and July 1st, 2021, a 20% discount is applicable across all formats of the book upon checkout on the <a href="https://www.palgrave.com/us/book/9783030567422">Palgrave</a> website. The discount code is FreudSaid20</p><p><em>Vira Sachenko is a researcher of culture and psychoanalysis with interests in intellectual history, (de)coloniality, and constructions of femininity. She can be reached at virasachenko@gmail.com</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3450</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN6840581169.mp3?updated=1616169666" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Victoria Shmidt and Bernadette N. Jaworsky, "Historicizing Roma in Central Europe: Between Critical Whiteness and Epistemic Injustice" (Routledge 2021).</title>
      <description>In Central Europe, limited success in revisiting the role of science in the segregation of Roma reverberates with the yet-unmet call for contextualizing the impact of ideas on everyday racism. This book attempts to interpret such a gap as a case of epistemic injustice. It underscores the historical role of ideas in race-making and provides analytical lenses for exploring cross-border transfers of whiteness in Central Europe. In the case of Roma, the scientific argument in favor of segregation continues to play an outstanding role due to a long-term focus on the limited educability of Roma. 
In Historicizing Roma in Central Europe: Between Critical Whiteness and Epistemic Injustice (Routledge, 2021), Victoria Shmidt and Bernadette N. Jaworsky trace the long-term interrelation between racializing Roma and the adaptation by Central European scholars of theories legitimizing segregation against those considered non-white, conceived as unable to become educated or "civilized." Along with legitimizing segregation, sterilization and even extermination, theorizing ineducability has laid the groundwork for negating the capacity of Roma as subjects of knowledge. Such negation has hindered practices of identity and quite literally prevented Roma in Central Europe from becoming who they are. This systematic epistemic injustice still echoes in contemporary attempts to historicize Roma in Central Europe. The authors critically investigate contemporary approaches to historicize Roma as reproducing whiteness and inevitably leading to various forms of epistemic injustice. The methodological approach herein conceptualizes critical whiteness as a practice of epistemic justice targeted at providing a sustainable platform for reflecting upon the impact of the past on the contemporary situation of Roma.
Victoria Shmidt brings together the issue of historical roots of segregation with the legacy of colonial and socialist policies in Central Eastern European countries. Since 2019 Victoria leads the project "Race science: Undiscovered Power of building the nations" at the University of Graz.
Bernadette Nadya Jaworsky is associate professor of sociology at Masaryk University, Brno (Czech Republic), and Faculty Fellow at Yale University’s Center for Cultural Sociology. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Victoria Shmidt</itunes:subtitle>
      <itunes:summary>In Central Europe, limited success in revisiting the role of science in the segregation of Roma reverberates with the yet-unmet call for contextualizing the impact of ideas on everyday racism. This book attempts to interpret such a gap as a case of epistemic injustice. It underscores the historical role of ideas in race-making and provides analytical lenses for exploring cross-border transfers of whiteness in Central Europe. In the case of Roma, the scientific argument in favor of segregation continues to play an outstanding role due to a long-term focus on the limited educability of Roma. 
In Historicizing Roma in Central Europe: Between Critical Whiteness and Epistemic Injustice (Routledge, 2021), Victoria Shmidt and Bernadette N. Jaworsky trace the long-term interrelation between racializing Roma and the adaptation by Central European scholars of theories legitimizing segregation against those considered non-white, conceived as unable to become educated or "civilized." Along with legitimizing segregation, sterilization and even extermination, theorizing ineducability has laid the groundwork for negating the capacity of Roma as subjects of knowledge. Such negation has hindered practices of identity and quite literally prevented Roma in Central Europe from becoming who they are. This systematic epistemic injustice still echoes in contemporary attempts to historicize Roma in Central Europe. The authors critically investigate contemporary approaches to historicize Roma as reproducing whiteness and inevitably leading to various forms of epistemic injustice. The methodological approach herein conceptualizes critical whiteness as a practice of epistemic justice targeted at providing a sustainable platform for reflecting upon the impact of the past on the contemporary situation of Roma.
Victoria Shmidt brings together the issue of historical roots of segregation with the legacy of colonial and socialist policies in Central Eastern European countries. Since 2019 Victoria leads the project "Race science: Undiscovered Power of building the nations" at the University of Graz.
Bernadette Nadya Jaworsky is associate professor of sociology at Masaryk University, Brno (Czech Republic), and Faculty Fellow at Yale University’s Center for Cultural Sociology. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In Central Europe, limited success in revisiting the role of science in the segregation of Roma reverberates with the yet-unmet call for contextualizing the impact of ideas on everyday racism. This book attempts to interpret such a gap as a case of epistemic injustice. It underscores the historical role of ideas in race-making and provides analytical lenses for exploring cross-border transfers of whiteness in Central Europe. In the case of Roma, the scientific argument in favor of segregation continues to play an outstanding role due to a long-term focus on the limited educability of Roma. </p><p>In <a href="https://bookshop.org/a/12343/9780367471989"><em>Historicizing Roma in Central Europe: Between Critical Whiteness and Epistemic Injustice</em></a> (Routledge, 2021), Victoria Shmidt and Bernadette N. Jaworsky trace the long-term interrelation between racializing Roma and the adaptation by Central European scholars of theories legitimizing segregation against those considered non-white, conceived as unable to become educated or "civilized." Along with legitimizing segregation, sterilization and even extermination, theorizing ineducability has laid the groundwork for negating the capacity of Roma as subjects of knowledge. Such negation has hindered practices of identity and quite literally prevented Roma in Central Europe from becoming who they are. This systematic epistemic injustice still echoes in contemporary attempts to historicize Roma in Central Europe. The authors critically investigate contemporary approaches to historicize Roma as reproducing whiteness and inevitably leading to various forms of epistemic injustice. The methodological approach herein conceptualizes critical whiteness as a practice of epistemic justice targeted at providing a sustainable platform for reflecting upon the impact of the past on the contemporary situation of Roma.</p><p>Victoria Shmidt brings together the issue of historical roots of segregation with the legacy of colonial and socialist policies in Central Eastern European countries. Since 2019 Victoria leads the project "Race science: Undiscovered Power of building the nations" at the University of Graz.</p><p>Bernadette Nadya Jaworsky is associate professor of sociology at Masaryk University, Brno (Czech Republic), and Faculty Fellow at Yale University’s Center for Cultural Sociology. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3425</itunes:duration>
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    </item>
    <item>
      <title>Banu Gökarıksel, et al., "Feminist Geography Unbound: Discount, Bodies, and Prefigured Futures" (West Virginia UP, 2021)</title>
      <description>Feminist Geography Unbound: Discomfort, Bodies, and Prefigured Futures, edited by Banu Gökarıksel, Michael Hawkins, Christopher Neubert, and Sara Smith (West Virginia University Press, 2021) is a collection of papers by a diverse range of up-and-coming scholars in feminist geography. Addressing topics from Dalit activism to tiny houses to restrictions on transgender bathroom use, the collection challenges the "comfort feminism" promoted by white middle-class feminists and asks us to embrace productive discomfort in scholarship and activism to seek out a better future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Banu Gökarıksel, Michael Hawkins, Christopher Neubert, and Sara Smith</itunes:subtitle>
      <itunes:summary>Feminist Geography Unbound: Discomfort, Bodies, and Prefigured Futures, edited by Banu Gökarıksel, Michael Hawkins, Christopher Neubert, and Sara Smith (West Virginia University Press, 2021) is a collection of papers by a diverse range of up-and-coming scholars in feminist geography. Addressing topics from Dalit activism to tiny houses to restrictions on transgender bathroom use, the collection challenges the "comfort feminism" promoted by white middle-class feminists and asks us to embrace productive discomfort in scholarship and activism to seek out a better future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781949199888"><em>Feminist Geography Unbound: Discomfort, Bodies, and Prefigured Futures</em></a>, edited by Banu Gökarıksel, Michael Hawkins, Christopher Neubert, and Sara Smith (West Virginia University Press, 2021) is a collection of papers by a diverse range of up-and-coming scholars in feminist geography. Addressing topics from Dalit activism to tiny houses to restrictions on transgender bathroom use, the collection challenges the "comfort feminism" promoted by white middle-class feminists and asks us to embrace productive discomfort in scholarship and activism to seek out a better future.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3192</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc43c6de-8762-11eb-b05e-9bd897d77ff9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1070434038.mp3?updated=1616014542" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Saher Selod, "Forever Suspect: Racialized Surveillance of Muslim Americans in the War on Terror" (Rutgers UP, 2018)</title>
      <description>How does a specific American religious identity acquire racial meaning? What happens when we move beyond phenotypes and include clothing, names, and behaviors to the characteristics that inform ethnoracial categorization? Forever Suspect, Racialized Surveillance of Muslim Americans in the War on Terror (Rutgers University Press, 2018) provides a nuanced portrayal of the experiences of South Asian and Arab Muslims in post 9/11 America and the role of racialized state and private citizen surveillance in shaping Muslim lived experiences. 
Saher Selod, an Associate Professor of Sociology at Simmons University, shares with us her story of growing up in Kansas and Texas and how writing this book helped her reclaim her own racialized experiences as the children of Pakistani immigrants to the US. Saher first began this project as a doctoral student at the University of Texas at Austin. As she returned to the dissertation to craft it into a book, she realized that beyond just race, racism and racialization, surveillance was a key recurring theme for the interview respondents. 
In today’s conversation, we explore the nuances of gender, race and surveillance, what it means to “Fly while Muslim”, and the harmful consequences of institutional surveillance laws like “Countering Violent Extremism” (CVE) that came about during the Obama Administration. We also touch on limitations of the book, including the exclusion of Black Muslims from this specific project. Saher’s openness with which she shares how her thinking has evolved over the years since this project first began leads us to discuss the ways in which non-Black Muslim immigrants and American born Muslims enact and maintain white supremacist structures. 
Forever Suspect provides an important and eye opening lens for us to consider how racialized surveillance, in all dimensions and forms, the War on Terror and U.S. Empire building continues to impact Muslim communities in the U.S.
Nafeesa Andrabi is a 4th year Sociology PhD student at UNC-Chapel Hill, a Biosocial Fellow at Carolina Population Center and a National Science Foundation Graduate Research Fellow.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Saher Selod</itunes:subtitle>
      <itunes:summary>How does a specific American religious identity acquire racial meaning? What happens when we move beyond phenotypes and include clothing, names, and behaviors to the characteristics that inform ethnoracial categorization? Forever Suspect, Racialized Surveillance of Muslim Americans in the War on Terror (Rutgers University Press, 2018) provides a nuanced portrayal of the experiences of South Asian and Arab Muslims in post 9/11 America and the role of racialized state and private citizen surveillance in shaping Muslim lived experiences. 
Saher Selod, an Associate Professor of Sociology at Simmons University, shares with us her story of growing up in Kansas and Texas and how writing this book helped her reclaim her own racialized experiences as the children of Pakistani immigrants to the US. Saher first began this project as a doctoral student at the University of Texas at Austin. As she returned to the dissertation to craft it into a book, she realized that beyond just race, racism and racialization, surveillance was a key recurring theme for the interview respondents. 
In today’s conversation, we explore the nuances of gender, race and surveillance, what it means to “Fly while Muslim”, and the harmful consequences of institutional surveillance laws like “Countering Violent Extremism” (CVE) that came about during the Obama Administration. We also touch on limitations of the book, including the exclusion of Black Muslims from this specific project. Saher’s openness with which she shares how her thinking has evolved over the years since this project first began leads us to discuss the ways in which non-Black Muslim immigrants and American born Muslims enact and maintain white supremacist structures. 
Forever Suspect provides an important and eye opening lens for us to consider how racialized surveillance, in all dimensions and forms, the War on Terror and U.S. Empire building continues to impact Muslim communities in the U.S.
Nafeesa Andrabi is a 4th year Sociology PhD student at UNC-Chapel Hill, a Biosocial Fellow at Carolina Population Center and a National Science Foundation Graduate Research Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does a specific American religious identity acquire racial meaning? What happens when we move beyond phenotypes and include clothing, names, and behaviors to the characteristics that inform ethnoracial categorization? <a href="https://bookshop.org/a/12343/9780813588346"><em>Forever Suspect, Racialized Surveillance of Muslim Americans in the War on Terror</em></a> (Rutgers University Press, 2018) provides a nuanced portrayal of the experiences of South Asian and Arab Muslims in post 9/11 America and the role of racialized state and private citizen surveillance in shaping Muslim lived experiences. </p><p><a href="https://www.simmons.edu/academics/faculty/saher-selod">Saher Selod</a>, an Associate Professor of Sociology at Simmons University, shares with us her story of growing up in Kansas and Texas and how writing this book helped her reclaim her own racialized experiences as the children of Pakistani immigrants to the US. Saher first began this project as a doctoral student at the University of Texas at Austin. As she returned to the dissertation to craft it into a book, she realized that beyond just race, racism and racialization, surveillance was a key recurring theme for the interview respondents. </p><p>In today’s conversation, we explore the nuances of gender, race and surveillance, what it means to “Fly while Muslim”, and the harmful consequences of institutional surveillance laws like “Countering Violent Extremism” (CVE) that came about during the Obama Administration. We also touch on limitations of the book, including the exclusion of Black Muslims from this specific project. Saher’s openness with which she shares how her thinking has evolved over the years since this project first began leads us to discuss the ways in which non-Black Muslim immigrants and American born Muslims enact and maintain white supremacist structures. </p><p><em>Forever Suspect</em> provides an important and eye opening lens for us to consider how racialized surveillance, in all dimensions and forms, the War on Terror and U.S. Empire building continues to impact Muslim communities in the U.S.</p><p><a href="https://www.cpc.unc.edu/people/predoctoral-trainees/nafeesa-andrabi/"><em>Nafeesa Andrabi</em></a><em> is a 4th year Sociology PhD student at UNC-Chapel Hill, a Biosocial Fellow at Carolina Population Center and a National Science Foundation Graduate Research Fellow.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3932</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[55395bf4-84dc-11eb-83a3-ab743f3be980]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3714970044.mp3?updated=1615736893" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robbie Shilliam, "Decolonizing Politics: An Introduction" (Polity Press, 2021)</title>
      <description>Robbie Shilliam’s new book for the Polity Press’s “Decolonizing the Curriculum” series explores how the discipline of political science was born of colonialism, and takes us through different ways of reimagining our study of politics. In this conversation, Robbie talks to host Yi Ning Chang not just about reconceptualizing the various subfields, but also about the university, the politics of knowledge production in and beyond the academy, and how decolonizing, for him, is fundamentally about transforming our experience of higher education.
Decolonizing Politics: An Introduction (Polity Press, 2021) argues that political science emerged as a response to the challenges of imperial administration and the demands of colonial rule. While not all political scientists were colonial cheerleaders, their thinking was nevertheless framed by colonial assumptions that influence the study of politics to this day. This book offers students a lens through which to decolonize the main themes and issues of political science - from human nature, rights, and citizenship, to development and global justice. Not content with revealing the colonial legacies that still inform the discipline, the book also introduces students to a wide range of intellectual resources from the (post)colonial world that will help them think through the same themes and issues more expansively. Decolonizing Politics is a much-needed critical guide for students of political science. It shifts the study of political science from the centers of power to its margins, where the majority of humanity lives. Ultimately, the book argues that those who occupy the margins are not powerless. Rather, marginal positions might afford a deeper understanding of politics than can be provided by mainstream approaches.
Yi Ning Chang is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory and race, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at yiningchang@g.harvard.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>211</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Robbie Shilliam</itunes:subtitle>
      <itunes:summary>Robbie Shilliam’s new book for the Polity Press’s “Decolonizing the Curriculum” series explores how the discipline of political science was born of colonialism, and takes us through different ways of reimagining our study of politics. In this conversation, Robbie talks to host Yi Ning Chang not just about reconceptualizing the various subfields, but also about the university, the politics of knowledge production in and beyond the academy, and how decolonizing, for him, is fundamentally about transforming our experience of higher education.
Decolonizing Politics: An Introduction (Polity Press, 2021) argues that political science emerged as a response to the challenges of imperial administration and the demands of colonial rule. While not all political scientists were colonial cheerleaders, their thinking was nevertheless framed by colonial assumptions that influence the study of politics to this day. This book offers students a lens through which to decolonize the main themes and issues of political science - from human nature, rights, and citizenship, to development and global justice. Not content with revealing the colonial legacies that still inform the discipline, the book also introduces students to a wide range of intellectual resources from the (post)colonial world that will help them think through the same themes and issues more expansively. Decolonizing Politics is a much-needed critical guide for students of political science. It shifts the study of political science from the centers of power to its margins, where the majority of humanity lives. Ultimately, the book argues that those who occupy the margins are not powerless. Rather, marginal positions might afford a deeper understanding of politics than can be provided by mainstream approaches.
Yi Ning Chang is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory and race, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at yiningchang@g.harvard.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robbie Shilliam’s new book for the Polity Press’s “Decolonizing the Curriculum” series explores how the discipline of political science was born of colonialism, and takes us through different ways of reimagining our study of politics. In this conversation, Robbie talks to host Yi Ning Chang not just about reconceptualizing the various subfields, but also about the university, the politics of knowledge production in and beyond the academy, and how decolonizing, for him, is fundamentally about transforming our experience of higher education.</p><p><a href="https://bookshop.org/a/12343/9781509539383"><em>Decolonizing Politics: An Introduction</em></a> (Polity Press, 2021) argues that political science emerged as a response to the challenges of imperial administration and the demands of colonial rule. While not all political scientists were colonial cheerleaders, their thinking was nevertheless framed by colonial assumptions that influence the study of politics to this day. This book offers students a lens through which to decolonize the main themes and issues of political science - from human nature, rights, and citizenship, to development and global justice. Not content with revealing the colonial legacies that still inform the discipline, the book also introduces students to a wide range of intellectual resources from the (post)colonial world that will help them think through the same themes and issues more expansively. <em>Decolonizing Politics</em> is a much-needed critical guide for students of political science. It shifts the study of political science from the centers of power to its margins, where the majority of humanity lives. Ultimately, the book argues that those who occupy the margins are not powerless. Rather, marginal positions might afford a deeper understanding of politics than can be provided by mainstream approaches.</p><p><a href="https://histecon.fas.harvard.edu/YiNing_Chang.htm"><em>Yi Ning Chang</em></a><em> is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory and race, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at </em><a href="mailto:yiningchang@g.harvard.edu"><em>yiningchang@g.harvard.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3955</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[60159444-8427-11eb-939e-a7f85d8d8809]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7330155865.mp3?updated=1615659810" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Justin O'Connor and Xin Gu, "Red Creative: Culture and Modernity in China" (Intellect Books, 2020)</title>
      <description>Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.
Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>210</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Justin O'Connor</itunes:subtitle>
      <itunes:summary>Red Creative: Culture and Modernity in China (Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.
Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781789383218"><em>Red Creative: Culture and Modernity in China</em></a><em> </em>(Intellect Books, 2020) is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.</p><p>Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, <em>Red Creative</em> carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2410</itunes:duration>
      <guid isPermaLink="false"><![CDATA[46a5ca72-8415-11eb-9187-cf7905b75cc0]]></guid>
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    <item>
      <title>Aaron G. Jakes, "Egypt's Occupation: Colonial Economism and the Crises of Capitalism" (Stanford UP, 2020)</title>
      <description>The story is a familiar one. In 1882, the British invaded Egypt to secure payment on the country’s crippling foreign debts and quash the movement for fiscal sovereignty and constitutional rule that had formed under the Egyptian military officer Ahmed ‘Urabi Pasha.
The common sense in the critical American academy has long been that the decades of occupation that ensued were a logical extension of Egypt's integration into an increasingly Western dominated global economy: from the 1850s onward, Egypt's economy had exemplified third world dependency, the essence of which was reliance on the export of a primary commodity—cotton. In the name of the free global market, the British ensured that more and more of the country's land would be devoted to supplying cotton to England's industrial mills. In other words, the occupation rested on and reinforced notions of liberal universalism that, in actuality, served as alibis for imperial expansion. Meanwhile, a sellout landed elite acted as complicit in Britain's larger objectives of expanding foreign land ownership.
Surely, this story contains important truths. Yet it doesn't explain certain things. For instance, British administrators and political economists weren't particularly interested in the landed elite—at least not as much as they were in the small landholding Egyptian peasant, or fellah. For another, their very hopes for the fellah made Egypt a target for the relocation of foreign financial capital from Europe—a relocation that led to a decade-long financial boom. With few exceptions, historians of modern Egypt have yet to make sense of these confounding variables.
That is, until now. In Egypt’s Occupation: Colonial Economism and the Crises of Capitalism (Stanford University Press, 2020), Aaron Jakes tells, for the first time, the story of Egypt’s turn-of-the-century financial boom and the crises that ensued. Along the way, Jakes offers a sweeping reinterpretation of both the historical geography of capitalism in Egypt and the role of political-economic thought in struggles that raged over the occupation by tracing the ramifications of what he dubs “colonial economism”: the animating theory of British imperial rule that held Egyptians to be capable of only acting according to their bare material interests.
The result is a work that has been widely regarded as the most important scholarly book about modern Egypt to come out in decades. And as this conversation with the author attests, Egypt’s Occupation is a must-read not only for historians of Egypt, but for anyone invested in understanding the historical imbrication of capitalism with race and empire. Tune in.
Aaron Jakes is Assistant Professor of History and Co-Director of Capitalism Studies at The New School, where he teaches courses on the modern Middle East and South Asia, global environmental history, and the history of capitalism.
Nancy Ko is a PhD student in History at Columbia University, where she works at the intersection of Jewish and Middle East Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Aaron G. Jakes</itunes:subtitle>
      <itunes:summary>The story is a familiar one. In 1882, the British invaded Egypt to secure payment on the country’s crippling foreign debts and quash the movement for fiscal sovereignty and constitutional rule that had formed under the Egyptian military officer Ahmed ‘Urabi Pasha.
The common sense in the critical American academy has long been that the decades of occupation that ensued were a logical extension of Egypt's integration into an increasingly Western dominated global economy: from the 1850s onward, Egypt's economy had exemplified third world dependency, the essence of which was reliance on the export of a primary commodity—cotton. In the name of the free global market, the British ensured that more and more of the country's land would be devoted to supplying cotton to England's industrial mills. In other words, the occupation rested on and reinforced notions of liberal universalism that, in actuality, served as alibis for imperial expansion. Meanwhile, a sellout landed elite acted as complicit in Britain's larger objectives of expanding foreign land ownership.
Surely, this story contains important truths. Yet it doesn't explain certain things. For instance, British administrators and political economists weren't particularly interested in the landed elite—at least not as much as they were in the small landholding Egyptian peasant, or fellah. For another, their very hopes for the fellah made Egypt a target for the relocation of foreign financial capital from Europe—a relocation that led to a decade-long financial boom. With few exceptions, historians of modern Egypt have yet to make sense of these confounding variables.
That is, until now. In Egypt’s Occupation: Colonial Economism and the Crises of Capitalism (Stanford University Press, 2020), Aaron Jakes tells, for the first time, the story of Egypt’s turn-of-the-century financial boom and the crises that ensued. Along the way, Jakes offers a sweeping reinterpretation of both the historical geography of capitalism in Egypt and the role of political-economic thought in struggles that raged over the occupation by tracing the ramifications of what he dubs “colonial economism”: the animating theory of British imperial rule that held Egyptians to be capable of only acting according to their bare material interests.
The result is a work that has been widely regarded as the most important scholarly book about modern Egypt to come out in decades. And as this conversation with the author attests, Egypt’s Occupation is a must-read not only for historians of Egypt, but for anyone invested in understanding the historical imbrication of capitalism with race and empire. Tune in.
Aaron Jakes is Assistant Professor of History and Co-Director of Capitalism Studies at The New School, where he teaches courses on the modern Middle East and South Asia, global environmental history, and the history of capitalism.
Nancy Ko is a PhD student in History at Columbia University, where she works at the intersection of Jewish and Middle East Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story is a familiar one. In 1882, the British invaded Egypt to secure payment on the country’s crippling foreign debts and quash the movement for fiscal sovereignty and constitutional rule that had formed under the Egyptian military officer Ahmed ‘Urabi Pasha.</p><p>The common sense in the critical American academy has long been that the decades of occupation that ensued were a logical extension of Egypt's integration into an increasingly Western dominated global economy: from the 1850s onward, Egypt's economy had exemplified third world dependency, the essence of which was reliance on the export of a primary commodity—cotton. In the name of the free global market, the British ensured that more and more of the country's land would be devoted to supplying cotton to England's industrial mills. In other words, the occupation rested on and reinforced notions of liberal universalism that, in actuality, served as alibis for imperial expansion. Meanwhile, a sellout landed elite acted as complicit in Britain's larger objectives of expanding foreign land ownership.</p><p>Surely, this story contains important truths. Yet it doesn't explain certain things. For instance, British administrators and political economists weren't particularly interested in the landed elite—at least not as much as they were in the small landholding Egyptian peasant, or fellah. For another, their very hopes for the fellah made Egypt a target for the relocation of foreign financial capital from Europe—a relocation that led to a decade-long financial boom. With few exceptions, historians of modern Egypt have yet to make sense of these confounding variables.</p><p>That is, until now. In <a href="https://bookshop.org/a/12343/9781503612617"><em>Egypt’s Occupation: Colonial Economism and the Crises of Capitalism</em></a> (Stanford University Press, 2020), Aaron Jakes tells, for the first time, the story of Egypt’s turn-of-the-century financial boom and the crises that ensued. Along the way, Jakes offers a sweeping reinterpretation of both the historical geography of capitalism in Egypt and the role of political-economic thought in struggles that raged over the occupation by tracing the ramifications of what he dubs “colonial economism”: the animating theory of British imperial rule that held Egyptians to be capable of only acting according to their bare material interests.</p><p>The result is a work that has been widely regarded as the most important scholarly book about modern Egypt to come out in decades. And as this conversation with the author attests, <em>Egypt’s Occupation</em> is a must-read not only for historians of Egypt, but for anyone invested in understanding the historical imbrication of capitalism with race and empire. Tune in.</p><p>Aaron Jakes<strong> </strong>is Assistant Professor of History and Co-Director of Capitalism Studies at The New School, where he teaches courses on the modern Middle East and South Asia, global environmental history, and the history of capitalism.</p><p><em>Nancy Ko is a PhD student in History at Columbia University, where she works at the intersection of Jewish and Middle East Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5954</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d468d7a0-843d-11eb-92a1-979eb83dc0eb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9093689066.mp3?updated=1615668919" length="0" type="audio/mpeg"/>
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    <item>
      <title>Carol J. Adams, "The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory" (Bloomsbury, 2015)</title>
      <description>Today I talked to Carol J. Adams about two of her classic texts that have recently been republished.
The first book we discuss, first published in 1990, is The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, a landmark text in the ongoing debates about animal rights. In the two decades since, the book has inspired controversy and heated debate. The Sexual Politics of Meat argues that what, or more precisely who, we eat is determined by the patriarchal politics of our culture, and that the meanings attached to meat eating are often clustered around virility. We live in a world in which men still have considerable power over women, both in public and in private. Carol Adams argues that gender politics is inextricably related to how we view animals, especially animals who are consumed. Further, she argues that vegetarianism and fighting for animal rights fit perfectly alongside working to improve the lives of disenfranchised and suffering people, under the wide umbrella of compassionate activism.
The second book we discuss, first published in 2004, is The Pornography of Meat. For 30 years, since the publication of her landmark book The Sexual Politics of Meat, Carol J. Adams and her readers have continued to document and hold to account the degrading interplay of language about women, domesticated animals, and meat in advertising, politics, and media. Serving as sequel and visual companion, The Pornography of Meat charts the continued influence of this language and the fight against it. This new edition includes more than 300 images, most of them new, and brings the book up to date to include expressions of misogyny in online media and advertising, the #MeToo movement, and the impact of Donald Trump and white supremacy on our political language. Never has this book--or Adams's analysis--been more relevant.
Carol J. Adams is the author of numerous books, including The Sexual Politics of Meat, Neither Man nor Beast: Feminism and the Defense of Animals, and The Pornography of Meat. She is the co-editor of several pathbreaking anthologies, including most recently Ecofeminism: Feminist Intersections with Other Animals and the Earth (with Lori Gruen). Her work is the subject of two recent anthologies, Defiant Daughters: 21 Women of Art, Activism, Animals, and The Sexual Politics of Meat and The Art of the Animal: 14 Women Artists Explore The Sexual Politics of Meat, in which a new generation of feminists, artists, and activists respond to Adams' groundbreaking work.
Mark Molloy is the reviews editor at MAKE: A Literary Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Carol J. Adams</itunes:subtitle>
      <itunes:summary>Today I talked to Carol J. Adams about two of her classic texts that have recently been republished.
The first book we discuss, first published in 1990, is The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, a landmark text in the ongoing debates about animal rights. In the two decades since, the book has inspired controversy and heated debate. The Sexual Politics of Meat argues that what, or more precisely who, we eat is determined by the patriarchal politics of our culture, and that the meanings attached to meat eating are often clustered around virility. We live in a world in which men still have considerable power over women, both in public and in private. Carol Adams argues that gender politics is inextricably related to how we view animals, especially animals who are consumed. Further, she argues that vegetarianism and fighting for animal rights fit perfectly alongside working to improve the lives of disenfranchised and suffering people, under the wide umbrella of compassionate activism.
The second book we discuss, first published in 2004, is The Pornography of Meat. For 30 years, since the publication of her landmark book The Sexual Politics of Meat, Carol J. Adams and her readers have continued to document and hold to account the degrading interplay of language about women, domesticated animals, and meat in advertising, politics, and media. Serving as sequel and visual companion, The Pornography of Meat charts the continued influence of this language and the fight against it. This new edition includes more than 300 images, most of them new, and brings the book up to date to include expressions of misogyny in online media and advertising, the #MeToo movement, and the impact of Donald Trump and white supremacy on our political language. Never has this book--or Adams's analysis--been more relevant.
Carol J. Adams is the author of numerous books, including The Sexual Politics of Meat, Neither Man nor Beast: Feminism and the Defense of Animals, and The Pornography of Meat. She is the co-editor of several pathbreaking anthologies, including most recently Ecofeminism: Feminist Intersections with Other Animals and the Earth (with Lori Gruen). Her work is the subject of two recent anthologies, Defiant Daughters: 21 Women of Art, Activism, Animals, and The Sexual Politics of Meat and The Art of the Animal: 14 Women Artists Explore The Sexual Politics of Meat, in which a new generation of feminists, artists, and activists respond to Adams' groundbreaking work.
Mark Molloy is the reviews editor at MAKE: A Literary Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Carol J. Adams about two of her classic texts that have recently been republished.</p><p>The first book we discuss, first published in 1990, is <a href="https://bookshop.org/a/12343/9781501312830"><em>The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory</em></a>, a landmark text in the ongoing debates about animal rights. In the two decades since, the book has inspired controversy and heated debate. The Sexual Politics of Meat argues that what, or more precisely who, we eat is determined by the patriarchal politics of our culture, and that the meanings attached to meat eating are often clustered around virility. We live in a world in which men still have considerable power over women, both in public and in private. Carol Adams argues that gender politics is inextricably related to how we view animals, especially animals who are consumed. Further, she argues that vegetarianism and fighting for animal rights fit perfectly alongside working to improve the lives of disenfranchised and suffering people, under the wide umbrella of compassionate activism.</p><p>The second book we discuss, first published in 2004, is <a href="https://bookshop.org/a/12343/9781501364396"><em>The Pornography of Meat</em></a>. For 30 years, since the publication of her landmark book <em>The Sexual Politics of Meat</em>, Carol J. Adams and her readers have continued to document and hold to account the degrading interplay of language about women, domesticated animals, and meat in advertising, politics, and media. Serving as sequel and visual companion, The Pornography of Meat charts the continued influence of this language and the fight against it. This new edition includes more than 300 images, most of them new, and brings the book up to date to include expressions of misogyny in online media and advertising, the #MeToo movement, and the impact of Donald Trump and white supremacy on our political language. Never has this book--or Adams's analysis--been more relevant.</p><p>Carol J. Adams is the author of numerous books, including <em>The Sexual Politics of Meat</em>, <em>Neither Man nor Beast: Feminism and the Defense of Animals</em>, and <em>The Pornography of Meat</em>. She is the co-editor of several pathbreaking anthologies, including most recently <em>Ecofeminism: Feminist Intersections with Other Animals and the Earth</em> (with Lori Gruen). Her work is the subject of two recent anthologies, <em>Defiant Daughters: 21 Women of Art, Activism, Animals</em>, and <em>The Sexual Politics of Meat and The Art of the Animal: 14 Women Artists Explore The Sexual Politics of Meat</em>, in which a new generation of feminists, artists, and activists respond to Adams' groundbreaking work.</p><p>Mark Molloy is the reviews editor at <em>MAKE: A Literary Magazine</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4732</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e170773e-7f77-11eb-a55c-e7a365094fbe]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7615491355.mp3?updated=1615143929" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Benjamin L. McKean, "Disorienting Neoliberalism: Global Justice and the Outer Limit of Freedom" (Oxford UP, 2020)</title>
      <description>Disorienting Neoliberalism: Global Justice and the Outer Limit of Freedom (Oxford UP, 2020) takes on a number of different dimensions of neoliberalism to help readers consider not only how this ideological framework structures our lives, but also to lead us towards the capacity to reorient our thinking and understanding of the world, and politics. Benjamin McKean explores the way that we can try to see beyond the operational framing that neoliberalism provides in order to prompt readers, and, more specifically, political theorists, to a kind of activism. 
McKean’s thesis compels us to think about our political and economic situations in a broader, global perspective, as our consumer experiences are, in fact, global in nature and operation. Disorienting Neoliberalism demystifies the bewildering transnational components of the commodities we interact with on a daily basis, unpacking the way that the transnational supply chain for our goods and services obscures the exploitation and violence inherent in the production of these goods. Because of the promise of freedom through the market as a key attraction for neoliberal thinking, McKean also investigates how much freedom individuals actually have if their entire orientation – in politics and economics – is framed by neoliberalism. We are made to feel powerful as consumers in the market since we can make choices and experience a kind of freedom in this context. But this is based on the conception that the market itself is out of our control and is, itself, disorienting. Thus, we need to reconsider what we think about as our real, actual freedom and how this is contextualized by our experiences and environments. McKean’s analysis asks the reader to try to consider how our freedom is constrained within neoliberalism, and what it is that we need to do to reorient our thinking and our actions to move beyond this framework.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>508</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Benjamin L. McKean</itunes:subtitle>
      <itunes:summary>Disorienting Neoliberalism: Global Justice and the Outer Limit of Freedom (Oxford UP, 2020) takes on a number of different dimensions of neoliberalism to help readers consider not only how this ideological framework structures our lives, but also to lead us towards the capacity to reorient our thinking and understanding of the world, and politics. Benjamin McKean explores the way that we can try to see beyond the operational framing that neoliberalism provides in order to prompt readers, and, more specifically, political theorists, to a kind of activism. 
McKean’s thesis compels us to think about our political and economic situations in a broader, global perspective, as our consumer experiences are, in fact, global in nature and operation. Disorienting Neoliberalism demystifies the bewildering transnational components of the commodities we interact with on a daily basis, unpacking the way that the transnational supply chain for our goods and services obscures the exploitation and violence inherent in the production of these goods. Because of the promise of freedom through the market as a key attraction for neoliberal thinking, McKean also investigates how much freedom individuals actually have if their entire orientation – in politics and economics – is framed by neoliberalism. We are made to feel powerful as consumers in the market since we can make choices and experience a kind of freedom in this context. But this is based on the conception that the market itself is out of our control and is, itself, disorienting. Thus, we need to reconsider what we think about as our real, actual freedom and how this is contextualized by our experiences and environments. McKean’s analysis asks the reader to try to consider how our freedom is constrained within neoliberalism, and what it is that we need to do to reorient our thinking and our actions to move beyond this framework.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780190087807"><em>Disorienting Neoliberalism: Global Justice and the Outer Limit of Freedom</em></a> (Oxford UP, 2020) takes on a number of different dimensions of neoliberalism to help readers consider not only how this ideological framework structures our lives, but also to lead us towards the capacity to reorient our thinking and understanding of the world, and politics. Benjamin McKean explores the way that we can try to see beyond the operational framing that neoliberalism provides in order to prompt readers, and, more specifically, political theorists, to a kind of activism. </p><p>McKean’s thesis compels us to think about our political and economic situations in a broader, global perspective, as our consumer experiences are, in fact, global in nature and operation. <em>Disorienting Neoliberalism</em> demystifies the bewildering transnational components of the commodities we interact with on a daily basis, unpacking the way that the transnational supply chain for our goods and services obscures the exploitation and violence inherent in the production of these goods. Because of the promise of freedom through the market as a key attraction for neoliberal thinking, McKean also investigates how much freedom individuals actually have if their entire orientation – in politics and economics – is framed by neoliberalism. We are made to feel powerful as consumers in the market since we can make choices and experience a kind of freedom in this context. But this is based on the conception that the market itself is out of our control and is, itself, disorienting. Thus, we need to reconsider what we think about as our real, actual freedom and how this is contextualized by our experiences and environments. McKean’s analysis asks the reader to try to consider how our freedom is constrained within neoliberalism, and what it is that we need to do to reorient our thinking and our actions to move beyond this framework.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2793</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c890c87e-8678-11eb-a38e-dbff5f632bf7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1572829163.mp3?updated=1615914084" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gert-Jan van der Heiden, "The Voice of Misery: A Continental Philosophy of Testimony" (SUNY Press, 2020)</title>
      <description>In this episode, I interview Gert-Jan van der Heiden, Professor of Metaphysics and Philosophical Anthropology at Radboud University in Amsterdam, about his book, The Voice of Misery: A Continental Philosophy of Testimony, recently published by SUNY Press. In the book, van der Heiden takes up the question of testimony, which is popular in philosophical discourses today—from analytic epistemological approaches to those that emerge from critical race and feminist theory. While important advances are made in these disciplines, van der Heiden argues that contemporary continental philosophy offers a rich source for another approach to testimony that combines the ontological, epistemological, ethical, and logical elements of testimony in order to more fully understand what occurs in the event of bearing witness.
Beginning with six literary experiments, The Voice of Misery approaches the event of testimony and its connection to language at the limits of what can be expressed: in the silent, the unspeakable, the mute. From this grounding, the text then moves into a more traditionally philosophical investigation of the peculiarity and particularity of testimony in a dazzling dialogue with the most well-known figures of recent continental thought: Jacques Derrida, Jean-François Lyotard, Giorgio Agamben, and Martin Heidegger, amongst others. Ultimately, van der Heiden extrapolates from the thinkers and authors with whom he engages an effective and moving overview of the acts of witnessing and bearing witness, allowing us to better understand how these twinned acts structure our realities.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Gerrit Jan van der Heiden</itunes:subtitle>
      <itunes:summary>In this episode, I interview Gert-Jan van der Heiden, Professor of Metaphysics and Philosophical Anthropology at Radboud University in Amsterdam, about his book, The Voice of Misery: A Continental Philosophy of Testimony, recently published by SUNY Press. In the book, van der Heiden takes up the question of testimony, which is popular in philosophical discourses today—from analytic epistemological approaches to those that emerge from critical race and feminist theory. While important advances are made in these disciplines, van der Heiden argues that contemporary continental philosophy offers a rich source for another approach to testimony that combines the ontological, epistemological, ethical, and logical elements of testimony in order to more fully understand what occurs in the event of bearing witness.
Beginning with six literary experiments, The Voice of Misery approaches the event of testimony and its connection to language at the limits of what can be expressed: in the silent, the unspeakable, the mute. From this grounding, the text then moves into a more traditionally philosophical investigation of the peculiarity and particularity of testimony in a dazzling dialogue with the most well-known figures of recent continental thought: Jacques Derrida, Jean-François Lyotard, Giorgio Agamben, and Martin Heidegger, amongst others. Ultimately, van der Heiden extrapolates from the thinkers and authors with whom he engages an effective and moving overview of the acts of witnessing and bearing witness, allowing us to better understand how these twinned acts structure our realities.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I interview Gert-Jan van der Heiden, Professor of Metaphysics and Philosophical Anthropology at Radboud University in Amsterdam, about his book, <a href="https://bookshop.org/a/12343/9781438477619"><em>The Voice of Misery: A Continental Philosophy of Testimony</em></a>, recently published by SUNY Press. In the book, van der Heiden takes up the question of testimony, which is popular in philosophical discourses today—from analytic epistemological approaches to those that emerge from critical race and feminist theory. While important advances are made in these disciplines, van der Heiden argues that contemporary continental philosophy offers a rich source for another approach to testimony that combines the ontological, epistemological, ethical, and logical elements of testimony in order to more fully understand what occurs in the event of bearing witness.</p><p>Beginning with six literary experiments, <em>The Voice of Misery</em> approaches the event of testimony and its connection to language at the limits of what can be expressed: in the silent, the unspeakable, the mute. From this grounding, the text then moves into a more traditionally philosophical investigation of the peculiarity and particularity of testimony in a dazzling dialogue with the most well-known figures of recent continental thought: Jacques Derrida, Jean-François Lyotard, Giorgio Agamben, and Martin Heidegger, amongst others. Ultimately, van der Heiden extrapolates from the thinkers and authors with whom he engages an effective and moving overview of the acts of witnessing and bearing witness, allowing us to better understand how these twinned acts structure our realities.</p><p><em>Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on </em><a href="https://twitter.com/poeticdweller"><em>Twitter</em></a><em> or send him an </em><a href="mailto:britton.edelen@duke.edu"><em>email.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4130</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b034132-7f6f-11eb-9234-c3f8e3d38798]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1543116788.mp3?updated=1615140284" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>R. A. Judy, "Sentient Flesh: Thinking in Disorder, Poiesis in Black" (Duke UP, 2020)</title>
      <description>In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with R. A. Judy</itunes:subtitle>
      <itunes:summary>In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book <a href="https://bookshop.org/a/12343/9781478011026"><em>Sentient Flesh: Thinking in Disorder, Poiēsis in Black</em></a>, which was published by Duke University Press in 2020. In <em>Sentient Flesh</em> R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive and dominative force of the ontology of racial capitalism that still holds us in thrall.</p><p><em>Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on </em><a href="https://twitter.com/poeticdweller"><em>Twitter</em></a><em> or send him an </em><a href="mailto:britton.edelen@duke.edu"><em>email.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4441</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[159733c0-7944-11eb-8560-933c205982a6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7301226677.mp3?updated=1614626661" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. Fakhry Davids, "Internal Racism: A Psychoanalytic Approach to Race and Difference" (Red Globe, 2011)</title>
      <description>What makes racist feelings and ideas objectionable? In his book Internal Racism: A Psychoanalytic Approach to Race and Difference (Red Globe, 2011), M. Fakhry Davids, a member of the British Psychoanalytical Society, argues that racism, like the impulse to destroy or act on hatred, is an ineluctable part of us all. Borrowing, but also augmenting the work of his fellow neo-Kleinians (particularly John Steiner and Herbert Rosenfeld) on “psychic retreats” and “defensive organizations”, he names the “internal racist organization” as a normal part of the mind, deeming it a non-pathological component of psychic structure.
David’s thinking has a decidedly hopeful tinge. If accepted, it promises to help open up the kinds of conversations clinically and otherwise that can be had about racist feelings. After all, if they are average and expectable, they are human. And what is accepted as human can potentially be talked through and about, which promises to constrain harmful action.
What I love about David’s thinking is that in updating a psychoanalytic model of mind that accounts for racism, he wipes political correctness and the super ego off the table. By placing the “internal racist organization” as an equal player inside of us, alongside the Oedipal, the ego and the id, it becomes something that you just can’t wish away.
That said, if we accept his argument, we do find ourselves contending with the age old problem of the drives, or the paranoid schizoid, wherein managing ourselves in relation to the lure of destructiveness (of which racist feelings play their part) is a life long project. The hope is that if we can come to accept racist thinking as a response to overwhelming and primitive anxieties, (rather than a moral failing), we can see it as a warning sign that internally we are askew. Following David’s, racism can never be expunged (as seems to be the neoliberal fantasy) from the self. In fact, and truly this is the last word, it follows us to the grave.
Tracy D. Morgan: Psychoanalyst, LCSW-R, M.Phil., Editor, New Books in Psychoanalysis. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with M. Fakhry Davids</itunes:subtitle>
      <itunes:summary>What makes racist feelings and ideas objectionable? In his book Internal Racism: A Psychoanalytic Approach to Race and Difference (Red Globe, 2011), M. Fakhry Davids, a member of the British Psychoanalytical Society, argues that racism, like the impulse to destroy or act on hatred, is an ineluctable part of us all. Borrowing, but also augmenting the work of his fellow neo-Kleinians (particularly John Steiner and Herbert Rosenfeld) on “psychic retreats” and “defensive organizations”, he names the “internal racist organization” as a normal part of the mind, deeming it a non-pathological component of psychic structure.
David’s thinking has a decidedly hopeful tinge. If accepted, it promises to help open up the kinds of conversations clinically and otherwise that can be had about racist feelings. After all, if they are average and expectable, they are human. And what is accepted as human can potentially be talked through and about, which promises to constrain harmful action.
What I love about David’s thinking is that in updating a psychoanalytic model of mind that accounts for racism, he wipes political correctness and the super ego off the table. By placing the “internal racist organization” as an equal player inside of us, alongside the Oedipal, the ego and the id, it becomes something that you just can’t wish away.
That said, if we accept his argument, we do find ourselves contending with the age old problem of the drives, or the paranoid schizoid, wherein managing ourselves in relation to the lure of destructiveness (of which racist feelings play their part) is a life long project. The hope is that if we can come to accept racist thinking as a response to overwhelming and primitive anxieties, (rather than a moral failing), we can see it as a warning sign that internally we are askew. Following David’s, racism can never be expunged (as seems to be the neoliberal fantasy) from the self. In fact, and truly this is the last word, it follows us to the grave.
Tracy D. Morgan: Psychoanalyst, LCSW-R, M.Phil., Editor, New Books in Psychoanalysis. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What makes racist feelings and ideas objectionable? In his book <a href="https://bookshop.org/a/12343/9780333964576"><em>Internal Racism: A Psychoanalytic Approach to Race and Difference</em></a> (Red Globe, 2011), M. Fakhry Davids, a member of the British Psychoanalytical Society, argues that racism, like the impulse to destroy or act on hatred, is an ineluctable part of us all. Borrowing, but also augmenting the work of his fellow neo-Kleinians (particularly John Steiner and Herbert Rosenfeld) on “psychic retreats” and “defensive organizations”, he names the “internal racist organization” as a normal part of the mind, deeming it a non-pathological component of psychic structure.</p><p>David’s thinking has a decidedly hopeful tinge. If accepted, it promises to help open up the kinds of conversations clinically and otherwise that can be had about racist feelings. After all, if they are average and expectable, they are human. And what is accepted as human can potentially be talked through and about, which promises to constrain harmful action.</p><p>What I love about David’s thinking is that in updating a psychoanalytic model of mind that accounts for racism, he wipes political correctness and the super ego off the table. By placing the “internal racist organization” as an equal player inside of us, alongside the Oedipal, the ego and the id, it becomes something that you just can’t wish away.</p><p>That said, if we accept his argument, we do find ourselves contending with the age old problem of the drives, or the paranoid schizoid, wherein managing ourselves in relation to the lure of destructiveness (of which racist feelings play their part) is a life long project. The hope is that if we can come to accept racist thinking as a response to overwhelming and primitive anxieties, (rather than a moral failing), we can see it as a warning sign that internally we are askew. Following David’s, racism can never be expunged (as seems to be the neoliberal fantasy) from the self. In fact, and truly this is the last word, it follows us to the grave.</p><p><em>Tracy D. Morgan: Psychoanalyst, LCSW-R, M.Phil., Editor, </em><a href="https://newbooksnetwork.com/category/psychoanalysis#category:1610@1:url"><em>New Books in Psychoanalysis</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3375</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[26af4f80-7ab1-11eb-aa10-c3556cf5e575]]></guid>
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    </item>
    <item>
      <title>Cas Mudde, "The Far Right Today" (Polity, 2019)</title>
      <description>What is the difference between Jean-Marie Le Pen’s National Front and Donald Trump’s election as U.S. president? Why should we understand Trump as part of a dangerous “fourth wave” of radical right politicians? Dr. Cas Mudde’s new book The Far Right Today (Polity, 2019) argues that politicians like Le Pen represented a 20th-century marginalized populist radical right party but Trump (and others across the globe) represent a fourth wave in which the 21st-century radical right parties are normalized and mainstreamed all over the world such that three of the world’s largest democracies (India, the United States, and Brazil) have or have had radical right leaders. It is this normalization that Mudde identifies as crucial to our understanding of the radical right around the globe – and any possible responses available from liberal democracies.
Cas Mudde is the Stanley Wade Shelton UGAF Professor in the School of Public and International Affairs at the University of Georgia and a Professor II in the Center for Research on Extremism (C-REX) at the University of Oslo. Mudde has written numerous scholarly books published in 23 languages (many of which focus on extremism and populism) and regularly publishes in popular outlets such as The Guardian. He hosts Radikaal, a podcast about the radical aspects politics, music, and sports.
Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists recently appeared in the Washington Post’s Monkey Cage and “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” was published in the Journal of Politics (July 2020). Email her comments at sliebell@sju.edu or tweet to @SusanLiebell.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>509</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cas Mudde</itunes:subtitle>
      <itunes:summary>What is the difference between Jean-Marie Le Pen’s National Front and Donald Trump’s election as U.S. president? Why should we understand Trump as part of a dangerous “fourth wave” of radical right politicians? Dr. Cas Mudde’s new book The Far Right Today (Polity, 2019) argues that politicians like Le Pen represented a 20th-century marginalized populist radical right party but Trump (and others across the globe) represent a fourth wave in which the 21st-century radical right parties are normalized and mainstreamed all over the world such that three of the world’s largest democracies (India, the United States, and Brazil) have or have had radical right leaders. It is this normalization that Mudde identifies as crucial to our understanding of the radical right around the globe – and any possible responses available from liberal democracies.
Cas Mudde is the Stanley Wade Shelton UGAF Professor in the School of Public and International Affairs at the University of Georgia and a Professor II in the Center for Research on Extremism (C-REX) at the University of Oslo. Mudde has written numerous scholarly books published in 23 languages (many of which focus on extremism and populism) and regularly publishes in popular outlets such as The Guardian. He hosts Radikaal, a podcast about the radical aspects politics, music, and sports.
Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists recently appeared in the Washington Post’s Monkey Cage and “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” was published in the Journal of Politics (July 2020). Email her comments at sliebell@sju.edu or tweet to @SusanLiebell.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the difference between Jean-Marie Le Pen’s National Front and Donald Trump’s election as U.S. president? Why should we understand Trump as part of a dangerous “fourth wave” of radical right politicians? Dr. <a href="https://works.bepress.com/cas_mudde/">Cas Mudde</a>’s new book <em>The Far Right Today</em> (Polity, 2019) argues that politicians like Le Pen represented a 20th-century marginalized populist radical right party but Trump (and others across the globe) represent a fourth wave in which the 21st-century radical right parties are normalized and mainstreamed all over the world such that three of the world’s largest democracies (India, the United States, and Brazil) have or have had radical right leaders. It is this normalization that Mudde identifies as crucial to our understanding of the radical right around the globe – and any possible responses available from liberal democracies.</p><p>Cas Mudde is the Stanley Wade Shelton UGAF Professor in the School of Public and International Affairs at the University of Georgia and a Professor II in the Center for Research on Extremism (C-REX) at the University of Oslo. Mudde has written numerous scholarly books published in 23 languages (many of which focus on extremism and populism) and regularly publishes in popular outlets such as <em>The Guardian. </em>He hosts <a href="https://www.radikaalpodcast.com/">Radikaal</a>, a podcast about the radical aspects politics, music, and sports.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is an associate professor of political science at Saint Joseph’s University in Philadelphia. </em><a href="https://www.washingtonpost.com/politics/2020/10/21/why-even-diehard-originalists-arent-really-originalists/"><em>Why Diehard Originalists Aren’t Really Originalists</em></a><em> recently appeared in the Washington Post’s Monkey Cage and </em><a href="http://www.journals.uchicago.edu/doi/10.1086/707461"><em>“Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground</em></a><em>” was published in the Journal of Politics (July 2020). Email her comments at </em><a href="mailto:sliebell@sju.edu"><em>sliebell@sju.edu</em></a><em> or tweet to </em><a href="https://twitter.com/SusanLiebell"><em>@SusanLiebell</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3178</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[02119cc6-8111-11eb-a29a-375a23e201b5]]></guid>
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    </item>
    <item>
      <title>Katie Hindmarch-Watson, "Serving a Wired World: London's Telecommunications Workers and the Making of an Information Capital" (U California Press, 2020)</title>
      <description>How did telecommunications shape Victorian London? In Serving a Wired World London's Telecommunications Workers and the Making of an Information Capital Katie Hindmarch-Watson, an Assistant Professor in history at Johns Hopkins University, tells the history of London through the lenses of technology, gender, class, and sexuality. The book offers a rethinking of liberal subjectivity and the city at the end of the nineteenth century, showing how the Victorian obsessions with privacy and respectability intersected with technology to create the urban and social fabric of London. The book also draws on queer history, demonstrating the importance of sex scandals in the Victorian and Edwardian eras for understanding urban, technology, and gender histories. A fascinating read, the book will be an essential text across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>209</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Katie Hindmarch-Watson</itunes:subtitle>
      <itunes:summary>How did telecommunications shape Victorian London? In Serving a Wired World London's Telecommunications Workers and the Making of an Information Capital Katie Hindmarch-Watson, an Assistant Professor in history at Johns Hopkins University, tells the history of London through the lenses of technology, gender, class, and sexuality. The book offers a rethinking of liberal subjectivity and the city at the end of the nineteenth century, showing how the Victorian obsessions with privacy and respectability intersected with technology to create the urban and social fabric of London. The book also draws on queer history, demonstrating the importance of sex scandals in the Victorian and Edwardian eras for understanding urban, technology, and gender histories. A fascinating read, the book will be an essential text across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did telecommunications shape Victorian London? In <a href="https://www.ucpress.edu/book/9780520344730/serving-a-wired-world"><em>Serving a Wired World London's Telecommunications Workers and the Making of an Information Capital</em></a> <a href="https://history.jhu.edu/directory/katie-hindmarch-watson/">Katie Hindmarch-Watson</a>, an Assistant Professor in history at Johns Hopkins University, tells the history of London through the lenses of technology, gender, class, and sexuality. The book offers a rethinking of liberal subjectivity and the city at the end of the nineteenth century, showing how the Victorian obsessions with privacy and respectability intersected with technology to create the urban and social fabric of London. The book also draws on queer history, demonstrating the importance of sex scandals in the Victorian and Edwardian eras for understanding urban, technology, and gender histories. A fascinating read, the book will be an essential text across the humanities and social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2367</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49a84a88-792f-11eb-9787-2b9ea706d6c4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7497659087.mp3?updated=1614453492" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Liat Ben-Moshe, "Decarcerating Disability: Deinstitutionalization and Prison Abolition" (U Minnesota Press, 2020)</title>
      <description>Prison abolition and decarceration are increasingly debated, but it is often without taking into account the largest exodus of people from carceral facilities in the twentieth century: the closure of disability institutions and psychiatric hospitals. Decarcerating Disability (2020, University of Minnesota Press) provides a much-needed corrective, combining a genealogy of deinstitutionalization with critiques of the current prison system.
Liat Ben-Moshe (https://www.liatbenmoshe.com/) provides groundbreaking case studies that show how abolition is not an unattainable goal but rather a reality, and how it plays out in different arenas of incarceration—antipsychiatry, the field of intellectual disabilities, and the fight against the prison-industrial complex. Ben-Moshe discusses a range of topics, including why deinstitutionalization is often wrongly blamed for the rise in incarceration; who resists decarceration and deinstitutionalization, and the coalitions opposing such resistance; and how understanding deinstitutionalization as a form of residential integration makes visible intersections with racial desegregation. By connecting deinstitutionalization with prison abolition, Decarcerating Disability also illuminates some of the limitations of disability rights and inclusion discourses, as well as tactics such as litigation, in securing freedom.
Decarcerating Disability’s rich analysis of lived experience, history, and culture helps to chart a way out of a failing system of incarceration.
 C.J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>279</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Liat Ben-Moshe</itunes:subtitle>
      <itunes:summary>Prison abolition and decarceration are increasingly debated, but it is often without taking into account the largest exodus of people from carceral facilities in the twentieth century: the closure of disability institutions and psychiatric hospitals. Decarcerating Disability (2020, University of Minnesota Press) provides a much-needed corrective, combining a genealogy of deinstitutionalization with critiques of the current prison system.
Liat Ben-Moshe (https://www.liatbenmoshe.com/) provides groundbreaking case studies that show how abolition is not an unattainable goal but rather a reality, and how it plays out in different arenas of incarceration—antipsychiatry, the field of intellectual disabilities, and the fight against the prison-industrial complex. Ben-Moshe discusses a range of topics, including why deinstitutionalization is often wrongly blamed for the rise in incarceration; who resists decarceration and deinstitutionalization, and the coalitions opposing such resistance; and how understanding deinstitutionalization as a form of residential integration makes visible intersections with racial desegregation. By connecting deinstitutionalization with prison abolition, Decarcerating Disability also illuminates some of the limitations of disability rights and inclusion discourses, as well as tactics such as litigation, in securing freedom.
Decarcerating Disability’s rich analysis of lived experience, history, and culture helps to chart a way out of a failing system of incarceration.
 C.J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Prison abolition and decarceration are increasingly debated, but it is often without taking into account the largest exodus of people from carceral facilities in the twentieth century: the closure of disability institutions and psychiatric hospitals. <em>Decarcerating Disability</em> (2020, University of Minnesota Press) provides a much-needed corrective, combining a genealogy of deinstitutionalization with critiques of the current prison system.</p><p>Liat Ben-Moshe (<a href="https://www.liatbenmoshe.com/">https://www.liatbenmoshe.com/</a>) provides groundbreaking case studies that show how abolition is not an unattainable goal but rather a reality, and how it plays out in different arenas of incarceration—antipsychiatry, the field of intellectual disabilities, and the fight against the prison-industrial complex. Ben-Moshe discusses a range of topics, including why deinstitutionalization is often wrongly blamed for the rise in incarceration; who resists decarceration and deinstitutionalization, and the coalitions opposing such resistance; and how understanding deinstitutionalization as a form of residential integration makes visible intersections with racial desegregation. By connecting deinstitutionalization with prison abolition, <em>Decarcerating Disability</em> also illuminates some of the limitations of disability rights and inclusion discourses, as well as tactics such as litigation, in securing freedom.</p><p><em>Decarcerating Disability</em>’s rich analysis of lived experience, history, and culture helps to chart a way out of a failing system of incarceration.</p><p><em> </em><a href="https://cjvalasek.com/"><em>C.J. Valasek</em></a><em> is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California San Diego.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3932</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Peter Hudis, ed., "The Letters Of Rosa Luxemburg" (Verso, 2013)</title>
      <description>Rosa Luxemburg occupies a complex place in our history partly because there are several different Rosa's one can find scattered across the world; the feminist activist, revolutionary Marxist, economist, journalist, essayist literary and critic all have been picked up in coopted by different movements at different times. While this speaks to her versatility as a thinker, writer and person, it also reflects the fragmented way in which her writing has been collected, edited, translated and published. A pamphlet here, an essay there, a book or 2 and several collections of letters but little effort has been made to present her in a thorough, well organized format. Luckily that is changing with the ongoing efforts to publish the entirety of her output in English translation, the vast majority of it being translated now for the first time by Verso. 
Spearheading this project is Peter Hudis and a team of international scholars who are working to collect and translate her work and publish it in a complete collected edition. As of right now they have published a 500-page collection of letters, two volumes of economic writings and a volume of her political writings (all approximately 600 pages) and the series is currently projected to have somewhere between 15 and 20 volumes when complete, although because so much for work is still being discovered in various archives across Europe it may expand beyond that as well. This episode will be a sort of introduction where we discuss the basics of Luxemburg's life, the key themes of her work, and the editorial efforts going on behind the scenes to make this project a reality, but we're hoping to do more episodes exploring each volume in greater depth as they're made available.
Obviously a massive project like this is incredibly time consuming and resource intensive, which is why the people behind it are asking for your help. While some funds have been made available the team is still looking for some extra funding to put towards the translation efforts. The editors are not being paid for the work they do on this; for them it's a labor of love, but the crowdfunding will go to the numerous translators being brought on board. If you are excited and able to help visit the Toledo Translation Fund and contribute to the project.
Peter Hudis is a lifelong activist and is a professor of philosophy and humanities at Oakton Community College. In addition to being the general editor of the Complete Works of Rosa Luxemburg, he is the author of Marx's Concept of the Alternative to Capitalism and Frantz Fanon: Philosopher of the Barricades. He also wrote a new preface to the reprint of J.P. Nettl's biography of Rosa Luxemburg, reprinted in a single volume by Verso in 2019.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter Hudis</itunes:subtitle>
      <itunes:summary>Rosa Luxemburg occupies a complex place in our history partly because there are several different Rosa's one can find scattered across the world; the feminist activist, revolutionary Marxist, economist, journalist, essayist literary and critic all have been picked up in coopted by different movements at different times. While this speaks to her versatility as a thinker, writer and person, it also reflects the fragmented way in which her writing has been collected, edited, translated and published. A pamphlet here, an essay there, a book or 2 and several collections of letters but little effort has been made to present her in a thorough, well organized format. Luckily that is changing with the ongoing efforts to publish the entirety of her output in English translation, the vast majority of it being translated now for the first time by Verso. 
Spearheading this project is Peter Hudis and a team of international scholars who are working to collect and translate her work and publish it in a complete collected edition. As of right now they have published a 500-page collection of letters, two volumes of economic writings and a volume of her political writings (all approximately 600 pages) and the series is currently projected to have somewhere between 15 and 20 volumes when complete, although because so much for work is still being discovered in various archives across Europe it may expand beyond that as well. This episode will be a sort of introduction where we discuss the basics of Luxemburg's life, the key themes of her work, and the editorial efforts going on behind the scenes to make this project a reality, but we're hoping to do more episodes exploring each volume in greater depth as they're made available.
Obviously a massive project like this is incredibly time consuming and resource intensive, which is why the people behind it are asking for your help. While some funds have been made available the team is still looking for some extra funding to put towards the translation efforts. The editors are not being paid for the work they do on this; for them it's a labor of love, but the crowdfunding will go to the numerous translators being brought on board. If you are excited and able to help visit the Toledo Translation Fund and contribute to the project.
Peter Hudis is a lifelong activist and is a professor of philosophy and humanities at Oakton Community College. In addition to being the general editor of the Complete Works of Rosa Luxemburg, he is the author of Marx's Concept of the Alternative to Capitalism and Frantz Fanon: Philosopher of the Barricades. He also wrote a new preface to the reprint of J.P. Nettl's biography of Rosa Luxemburg, reprinted in a single volume by Verso in 2019.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rosa Luxemburg occupies a complex place in our history partly because there are several different Rosa's one can find scattered across the world; the feminist activist, revolutionary Marxist, economist, journalist, essayist literary and critic all have been picked up in coopted by different movements at different times. While this speaks to her versatility as a thinker, writer and person, it also reflects the fragmented way in which her writing has been collected, edited, translated and published. A pamphlet here, an essay there, a book or 2 and several collections of letters but little effort has been made to present her in a thorough, well organized format. Luckily that is changing with the ongoing efforts to publish the entirety of her output in English translation, the vast majority of it being translated now for the first time by Verso. </p><p>Spearheading this project is Peter Hudis and a team of international scholars who are working to collect and translate her work and publish it in a complete collected edition. As of right now they have published a 500-page collection of letters, two volumes of economic writings and a volume of her political writings (all approximately 600 pages) and the series is currently projected to have somewhere between 15 and 20 volumes when complete, although because so much for work is still being discovered in various archives across Europe it may expand beyond that as well. This episode will be a sort of introduction where we discuss the basics of Luxemburg's life, the key themes of her work, and the editorial efforts going on behind the scenes to make this project a reality, but we're hoping to do more episodes exploring each volume in greater depth as they're made available.</p><p>Obviously a massive project like this is incredibly time consuming and resource intensive, which is why the people behind it are asking for your help. While some funds have been made available the team is still looking for some extra funding to put towards the translation efforts. The editors are not being paid for the work they do on this; for them it's a labor of love, but the crowdfunding will go to the numerous translators being brought on board. If you are excited and able to help visit the <a href="https://www.toledotranslationfund.org/complete_works_rosa_luxemburg">Toledo Translation Fund</a> and contribute to the project.</p><p>Peter Hudis is a lifelong activist and is a professor of philosophy and humanities at Oakton Community College. In addition to being the general editor of the <em>Complete Works of Rosa Luxemburg</em>, he is the author of <em>Marx's Concept of the Alternative to Capitalism</em> and <em>Frantz Fanon: Philosopher of the Barricades</em>. He also wrote a new preface to the reprint of J.P. Nettl's biography of Rosa Luxemburg, reprinted in a single volume by Verso in 2019.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3278</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Frances Galt, "Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries" (Bristol UP, 2020)</title>
      <description>How can the history of women’s work in film and TV help address inequality today? In Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries (University of Bristol Press, 2020), Frances Galt, a Teaching Associate in history at Newcastle University, looks at the history of women’s struggles for equality within unions in the screen industry, to show the lessons of how gender equality has progressed and receded since the 1930s. The book draws on a rich blend of archival, oral history, and policy document research, presenting the context for key moments in the fight to support the status of women in the film and television industries. A fascinating history, with crucial lessons for contemporary activism, the book is essential reading across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 05 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>208</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Frances Galt</itunes:subtitle>
      <itunes:summary>How can the history of women’s work in film and TV help address inequality today? In Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries (University of Bristol Press, 2020), Frances Galt, a Teaching Associate in history at Newcastle University, looks at the history of women’s struggles for equality within unions in the screen industry, to show the lessons of how gender equality has progressed and receded since the 1930s. The book draws on a rich blend of archival, oral history, and policy document research, presenting the context for key moments in the fight to support the status of women in the film and television industries. A fascinating history, with crucial lessons for contemporary activism, the book is essential reading across the humanities and social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can the history of women’s work in film and TV help address inequality today? In <a href="https://bookshop.org/a/12343/9781529206296"><em>Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries</em></a><em> </em>(University of Bristol Press, 2020),<em> </em><a href="https://twitter.com/frances_galt?lang=ms">Frances Galt</a>, a Teaching Associate in history at Newcastle University, looks at the history of women’s struggles for equality within unions in the screen industry, to show the lessons of how gender equality has progressed and receded since the 1930s. The book draws on a rich blend of archival, oral history, and policy document research, presenting the context for key moments in the fight to support the status of women in the film and television industries. A fascinating history, with crucial lessons for contemporary activism, the book is essential reading across the humanities and social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2632</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e6d06d8-7455-11eb-9cac-5341b4fa84fa]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8202159982.mp3?updated=1613921045" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Morton Schoolman, "A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics" (Duke UP, 2020)</title>
      <description>Morton Schoolman, Professor in the Rockefeller College of Public Affairs and Policy at the State University of New York at Albany, has published a new book that explores the idea of democratic enlightenment in the United States, and the way that we may want to consider both how to achieve this enlightenment and how we can be guided by our literary and philosophical traditions. Schoolman explains that we need to come to democratic enlightenment through a process of reconciliation, and that this concept of reconciliation is at the heart of the work by Walt Whitman and Theodore Adorno. 
The centerpieces of A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics (Duke UP, 2020) are explications of how Whitman and Adorno each, separately, approach this need and capacity for reconciliation, and how they delineate it in their work, and finally, how it is vitally important to democracy. Schoolman’s reading of Whitman notes that this is what Whitman set out to do with his poetry, to teach or guide the capacity to reconcile identity, especially with all those who are different. Whitman’s work and his reflection on this need for reconciliation was written during the period of Reconstruction, and he saw the need and the means to provide a path towards healing America’s differences through the democratic media of his time, poetry. Theodore Adorno is pursuing a parallel concept in his work, examining modern artwork as the fulcrum for reconciliation, explaining that these images, while they may be static in some form, are, in fact, images in motion—all visual works of art are in motion. Thus, both Adorno and Whitman provide Schoolman with an aesthetic space and definition for the place where democratic reconciliation can and does occur. But Schoolman builds on the foundation provided by these two theorists, himself constructing the place where he thinks it is most likely that citizens will experience and engage with this idea of reconciliation, especially around those who have been othered or prevented from inclusion by American politics and culture. Schoolman centers this space in film, in part because films are accessible by so much of the populace, and because they provide the aesthetic images, not only the narrative framework, to confront and engage democratic reconciliation. A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics is a fascinating and complex exploration of how aesthetic education has an important role in democratic politics, especially in regard to the function of the reconciliation image as a dynamic component of that education.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>505</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Morton Schoolman</itunes:subtitle>
      <itunes:summary>Morton Schoolman, Professor in the Rockefeller College of Public Affairs and Policy at the State University of New York at Albany, has published a new book that explores the idea of democratic enlightenment in the United States, and the way that we may want to consider both how to achieve this enlightenment and how we can be guided by our literary and philosophical traditions. Schoolman explains that we need to come to democratic enlightenment through a process of reconciliation, and that this concept of reconciliation is at the heart of the work by Walt Whitman and Theodore Adorno. 
The centerpieces of A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics (Duke UP, 2020) are explications of how Whitman and Adorno each, separately, approach this need and capacity for reconciliation, and how they delineate it in their work, and finally, how it is vitally important to democracy. Schoolman’s reading of Whitman notes that this is what Whitman set out to do with his poetry, to teach or guide the capacity to reconcile identity, especially with all those who are different. Whitman’s work and his reflection on this need for reconciliation was written during the period of Reconstruction, and he saw the need and the means to provide a path towards healing America’s differences through the democratic media of his time, poetry. Theodore Adorno is pursuing a parallel concept in his work, examining modern artwork as the fulcrum for reconciliation, explaining that these images, while they may be static in some form, are, in fact, images in motion—all visual works of art are in motion. Thus, both Adorno and Whitman provide Schoolman with an aesthetic space and definition for the place where democratic reconciliation can and does occur. But Schoolman builds on the foundation provided by these two theorists, himself constructing the place where he thinks it is most likely that citizens will experience and engage with this idea of reconciliation, especially around those who have been othered or prevented from inclusion by American politics and culture. Schoolman centers this space in film, in part because films are accessible by so much of the populace, and because they provide the aesthetic images, not only the narrative framework, to confront and engage democratic reconciliation. A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics is a fascinating and complex exploration of how aesthetic education has an important role in democratic politics, especially in regard to the function of the reconciliation image as a dynamic component of that education.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Morton Schoolman, Professor in the Rockefeller College of Public Affairs and Policy at the State University of New York at Albany, has published a new book that explores the idea of democratic enlightenment in the United States, and the way that we may want to consider both how to achieve this enlightenment and how we can be guided by our literary and philosophical traditions. Schoolman explains that we need to come to democratic enlightenment through a process of reconciliation, and that this concept of reconciliation is at the heart of the work by Walt Whitman and Theodore Adorno. </p><p>The centerpieces of <a href="https://bookshop.org/a/12343/9781478008033"><em>A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics</em> </a>(Duke UP, 2020) are explications of how Whitman and Adorno each, separately, approach this need and capacity for reconciliation, and how they delineate it in their work, and finally, how it is vitally important to democracy. Schoolman’s reading of Whitman notes that this is what Whitman set out to do with his poetry, to teach or guide the capacity to reconcile identity, especially with all those who are different. Whitman’s work and his reflection on this need for reconciliation was written during the period of Reconstruction, and he saw the need and the means to provide a path towards healing America’s differences through the democratic media of his time, poetry. Theodore Adorno is pursuing a parallel concept in his work, examining modern artwork as the fulcrum for reconciliation, explaining that these images, while they may be static in some form, are, in fact, images in motion—all visual works of art are in motion. Thus, both Adorno and Whitman provide Schoolman with an aesthetic space and definition for the place where democratic reconciliation can and does occur. But Schoolman builds on the foundation provided by these two theorists, himself constructing the place where he thinks it is most likely that citizens will experience and engage with this idea of reconciliation, especially around those who have been othered or prevented from inclusion by American politics and culture. Schoolman centers this space in film, in part because films are accessible by so much of the populace, and because they provide the aesthetic images, not only the narrative framework, to confront and engage democratic reconciliation. <em>A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics </em>is a fascinating and complex exploration of how aesthetic education has an important role in democratic politics, especially in regard to the function of the reconciliation image as a dynamic component of that education.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, </em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"><em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of </em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"><em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at </em><a href="mailto:lgoren@carrollu.edu"><em>lgoren@carrollu.edu</em></a><em> or tweet to </em><a href="https://twitter.com/gorenlj"><em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
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      <itunes:duration>4283</itunes:duration>
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      <title>C. L. Estes and N. B. DiCarlo, "Aging A-Z: Concepts Toward Emancipatory Gerontology" (Routledge, 2019)</title>
      <description>It’s often said that the time in our lives can often pass without us noticing. Old age can come before we realize it, and it brings with it new elements to our own daily lives that we couldn’t have anticipated before. Observed from a distance and growing old can seem like a universal experience, but observed up close, it becomes clear that the different ways people age are as varied and unique as the people themselves, and these differences can come from within and without. Whether you get to live out your twilight years in a comfortable retirement home in the country, or an understaffed inner-city hospital, these experiences will be profoundly different, and likely had different paths that led to them. Viewed in this way, aging is seen not as some eternal experience that is the same for all people, but as a fundamental part of our politics and economic dynamics, for better and for worse. The COVID-crisis of the last year has brought to light how vulnerable our elderly are, how understaffed our care-facilities are, and how much needs to change to provide lives of safety, comfort and dignity to our elders, but in many ways all this crisis has done is exacerbated certain tensions and antagonisms that were already there, barely concealed by the relentless optimism of neoliberal technocrats. Changing these systems will mean rethinking the aging process, and connecting it with broader questions traditionally raised by the fields of critical theory and radical critiques of political economy.
Diving right into this project are my guests today, Carroll Estes and Nicholas DiCarlo, here to discuss their recent publication Aging A-Z: Concepts Toward Emancipatory Gerontology (Routledge 2019). Styled as a sort of dictionary, the book has entries for a number of terms you would expect a book like this to have: Ableism, Home Care and Retirement all make appearances. Readers will be surprised, however, by the number of entries that also make appearances: Climate Change, Colonialism, Epistemology, Leninist Strategy and Praxis all make appearances as well. This book then is incredibly broad in scope, and attempts to force readers to realize the ways in which aging is affected that go beyond one’s immediate concern, bringing a new layer of understanding to the phrase: ‘The personal is political.’ Speaking as someone who has spent the entirety of the COVID-crisis working in elderly care, this book was a joyful revelation to flip through, and should be considered critical reading by anyone impacted by aging.
Carroll Estes has a long and distinguished career in both academia and activism. She is professor emerita of Sociology at the University of California, San Francisco. It was there that she founded the Institute for Health and Aging. She has written numerous books and articles on the politics of aging, including the co-authored The Long Term Care Crisis, which was a 1994 Most Important Book (Choice Magazine). She is also the recipient of numerous academic honors, and is the former president of The Gerontological Society of America (GSA), the American Society on Aging (ASA) and the Association for Gerontology in Higher Education (AGHE).
Nicholas DiCarlo writes about aging and social policy at the Institute for Health and Aging at the University of California, San Francisco. They have a Masters of Social Work, and a private psychotherapy practice in Oakland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>207</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with C. L. Estes and N. B. DiCarlo</itunes:subtitle>
      <itunes:summary>It’s often said that the time in our lives can often pass without us noticing. Old age can come before we realize it, and it brings with it new elements to our own daily lives that we couldn’t have anticipated before. Observed from a distance and growing old can seem like a universal experience, but observed up close, it becomes clear that the different ways people age are as varied and unique as the people themselves, and these differences can come from within and without. Whether you get to live out your twilight years in a comfortable retirement home in the country, or an understaffed inner-city hospital, these experiences will be profoundly different, and likely had different paths that led to them. Viewed in this way, aging is seen not as some eternal experience that is the same for all people, but as a fundamental part of our politics and economic dynamics, for better and for worse. The COVID-crisis of the last year has brought to light how vulnerable our elderly are, how understaffed our care-facilities are, and how much needs to change to provide lives of safety, comfort and dignity to our elders, but in many ways all this crisis has done is exacerbated certain tensions and antagonisms that were already there, barely concealed by the relentless optimism of neoliberal technocrats. Changing these systems will mean rethinking the aging process, and connecting it with broader questions traditionally raised by the fields of critical theory and radical critiques of political economy.
Diving right into this project are my guests today, Carroll Estes and Nicholas DiCarlo, here to discuss their recent publication Aging A-Z: Concepts Toward Emancipatory Gerontology (Routledge 2019). Styled as a sort of dictionary, the book has entries for a number of terms you would expect a book like this to have: Ableism, Home Care and Retirement all make appearances. Readers will be surprised, however, by the number of entries that also make appearances: Climate Change, Colonialism, Epistemology, Leninist Strategy and Praxis all make appearances as well. This book then is incredibly broad in scope, and attempts to force readers to realize the ways in which aging is affected that go beyond one’s immediate concern, bringing a new layer of understanding to the phrase: ‘The personal is political.’ Speaking as someone who has spent the entirety of the COVID-crisis working in elderly care, this book was a joyful revelation to flip through, and should be considered critical reading by anyone impacted by aging.
Carroll Estes has a long and distinguished career in both academia and activism. She is professor emerita of Sociology at the University of California, San Francisco. It was there that she founded the Institute for Health and Aging. She has written numerous books and articles on the politics of aging, including the co-authored The Long Term Care Crisis, which was a 1994 Most Important Book (Choice Magazine). She is also the recipient of numerous academic honors, and is the former president of The Gerontological Society of America (GSA), the American Society on Aging (ASA) and the Association for Gerontology in Higher Education (AGHE).
Nicholas DiCarlo writes about aging and social policy at the Institute for Health and Aging at the University of California, San Francisco. They have a Masters of Social Work, and a private psychotherapy practice in Oakland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s often said that the time in our lives can often pass without us noticing. Old age can come before we realize it, and it brings with it new elements to our own daily lives that we couldn’t have anticipated before. Observed from a distance and growing old can seem like a universal experience, but observed up close, it becomes clear that the different ways people age are as varied and unique as the people themselves, and these differences can come from within and without. Whether you get to live out your twilight years in a comfortable retirement home in the country, or an understaffed inner-city hospital, these experiences will be profoundly different, and likely had different paths that led to them. Viewed in this way, aging is seen not as some eternal experience that is the same for all people, but as a fundamental part of our politics and economic dynamics, for better and for worse. The COVID-crisis of the last year has brought to light how vulnerable our elderly are, how understaffed our care-facilities are, and how much needs to change to provide lives of safety, comfort and dignity to our elders, but in many ways all this crisis has done is exacerbated certain tensions and antagonisms that were already there, barely concealed by the relentless optimism of neoliberal technocrats. Changing these systems will mean rethinking the aging process, and connecting it with broader questions traditionally raised by the fields of critical theory and radical critiques of political economy.</p><p>Diving right into this project are my guests today, Carroll Estes and Nicholas DiCarlo, here to discuss their recent publication <a href="https://bookshop.org/a/12343/9781629584508"><em>Aging A-Z: Concepts Toward Emancipatory Gerontology</em></a> (Routledge 2019). Styled as a sort of dictionary, the book has entries for a number of terms you would expect a book like this to have: <em>Ableism</em>, <em>Home Care</em> and <em>Retirement</em> all make appearances. Readers will be surprised, however, by the number of entries that also make appearances: <em>Climate Change</em>, <em>Colonialism</em>, <em>Epistemology</em>, <em>Leninist Strategy</em> and <em>Praxis</em> all make appearances as well. This book then is incredibly broad in scope, and attempts to force readers to realize the ways in which aging is affected that go beyond one’s immediate concern, bringing a new layer of understanding to the phrase: ‘The personal is political.’ Speaking as someone who has spent the entirety of the COVID-crisis working in elderly care, this book was a joyful revelation to flip through, and should be considered critical reading by anyone impacted by aging.</p><p>Carroll Estes has a long and distinguished career in both academia and activism. She is professor emerita of Sociology at the University of California, San Francisco. It was there that she founded the Institute for Health and Aging. She has written numerous books and articles on the politics of aging, including the co-authored <em>The Long Term Care Crisis</em>, which was a 1994 Most Important Book (Choice Magazine). She is also the recipient of numerous academic honors, and is the former president of The Gerontological Society of America (GSA), the American Society on Aging (ASA) and the Association for Gerontology in Higher Education (AGHE).</p><p>Nicholas DiCarlo writes about aging and social policy at the Institute for Health and Aging at the University of California, San Francisco. They have a Masters of Social Work, and a private psychotherapy practice in Oakland.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4111</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[81d6fa12-7399-11eb-8778-873503062ad7]]></guid>
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    </item>
    <item>
      <title>Dean Blackburn, "Penguin Books and Political Change: Britain's Meritocratic Moment, 1937–1988" (Manchester UP, 2020)</title>
      <description>Why do books and publishing matter to the contemporary history of Britain? In ﻿Penguin Books and Political Change: Britain's Meritocratic Moment, 1937–1988 (Manchester UP, 2020), Dean Blackburn, aLecturer in Modern British History at the University of Nottingham, explores Britain in the twentieth century through the story of Penguin’s ‘Specials’. The book charts the shifting social, political, and intellectual context for the publication of the books, looking at key texts as well as offering a broader framework for understanding the social changes that the books shaped, and were shaped by. In addition, the book adds a fresh perspective on the idea of meritocracy, engaging with directly with the current moment’s critical interrogation of that term. Packed with rich and detailed case studies of 50 years of Penguin books, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in the history of the UK.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>206</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Dean Blackburn</itunes:subtitle>
      <itunes:summary>Why do books and publishing matter to the contemporary history of Britain? In ﻿Penguin Books and Political Change: Britain's Meritocratic Moment, 1937–1988 (Manchester UP, 2020), Dean Blackburn, aLecturer in Modern British History at the University of Nottingham, explores Britain in the twentieth century through the story of Penguin’s ‘Specials’. The book charts the shifting social, political, and intellectual context for the publication of the books, looking at key texts as well as offering a broader framework for understanding the social changes that the books shaped, and were shaped by. In addition, the book adds a fresh perspective on the idea of meritocracy, engaging with directly with the current moment’s critical interrogation of that term. Packed with rich and detailed case studies of 50 years of Penguin books, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in the history of the UK.﻿
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do books and publishing matter to the contemporary history of Britain? In ﻿<a href="https://bookshop.org/a/12343/9781526129284"><em>Penguin Books and Political Change: Britain's Meritocratic Moment, 1937–1988</em></a> (Manchester UP, 2020), <a href="https://www.nottingham.ac.uk/humanities/departments/history/people/dean.blackburn">Dean Blackburn, aLecturer in Modern British History at the University of Nottingham</a>, explores Britain in the twentieth century through the story of Penguin’s ‘Specials’. The book charts the shifting social, political, and intellectual context for the publication of the books, looking at key texts as well as offering a broader framework for understanding the social changes that the books shaped, and were shaped by. In addition, the book adds a fresh perspective on the idea of meritocracy, engaging with directly with the current moment’s critical interrogation of that term. Packed with rich and detailed case studies of 50 years of Penguin books, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in the history of the UK.﻿</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2244</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dbc37eca-6eca-11eb-95f7-0398542dc126]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7762873915.mp3?updated=1613310922" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Lahti and R. Weaver-Hightower, "Cinematic Settlers: The Settler Colonial World in Film" (Routledge, 2020)</title>
      <description>The medium of cinema emerged during the height of Victorian-era European empires, and as a result, settler colonial imperialism has thematically suffused film for well over a century. In Cinematic Settlers: The Settler Colonial World on Film (Routledge, 2020), Drs. Janne Lahti (Academy of Finland Fellow in history, University of Helsinki) and Rebecca Weaver-Hightower (Professor of English, Virginia Tech University) bring together a collection of scholars from a variety of disciplines to examine how film has been used to both justify and, in some cases, push against global systems of settler colonial conquest. The essays in the collection are truly global, stretching from Australia to central Asia to Hawaii, the American West, and beyond, and cover film history from the early twentieth century up to the “final frontier” of early twenty first century science fiction films. Together, Lahti and Weaver-Hightower make a strong case for further settler colonial cultural studies as a means of understanding how entertainment can be a force for resistance or a tool for colonial oppression.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The medium of cinema emerged during the height of Victorian-era European empires, and as a result, settler colonial imperialism has thematically suffused film for well over a century. In Cinematic Settlers: The Settler Colonial World on Film (Routledge, 2020), Drs. Janne Lahti (Academy of Finland Fellow in history, University of Helsinki) and Rebecca Weaver-Hightower (Professor of English, Virginia Tech University) bring together a collection of scholars from a variety of disciplines to examine how film has been used to both justify and, in some cases, push against global systems of settler colonial conquest. The essays in the collection are truly global, stretching from Australia to central Asia to Hawaii, the American West, and beyond, and cover film history from the early twentieth century up to the “final frontier” of early twenty first century science fiction films. Together, Lahti and Weaver-Hightower make a strong case for further settler colonial cultural studies as a means of understanding how entertainment can be a force for resistance or a tool for colonial oppression.
Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The medium of cinema emerged during the height of Victorian-era European empires, and as a result, settler colonial imperialism has thematically suffused film for well over a century. In <a href="https://bookshop.org/a/12343/9780367503833"><em>Cinematic Settlers: The Settler Colonial World on Film</em></a> (Routledge, 2020), Drs. Janne Lahti (Academy of Finland Fellow in history, University of Helsinki) and Rebecca Weaver-Hightower (Professor of English, Virginia Tech University) bring together a collection of scholars from a variety of disciplines to examine how film has been used to both justify and, in some cases, push against global systems of settler colonial conquest. The essays in the collection are truly global, stretching from Australia to central Asia to Hawaii, the American West, and beyond, and cover film history from the early twentieth century up to the “final frontier” of early twenty first century science fiction films. Together, Lahti and Weaver-Hightower make a strong case for further settler colonial cultural studies as a means of understanding how entertainment can be a force for resistance or a tool for colonial oppression.</p><p><a href="https://cas.stthomas.edu/departments/faculty/stephen-hausmann/"><em>Dr. Stephen R. Hausmann</em></a><em> is an assistant professor of history at the University of St. Thomas in Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2977</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bf676ef0-6ebe-11eb-a0df-a363250b517f]]></guid>
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    </item>
    <item>
      <title>Patricia Hill Collins, "Intersectionality as Critical Social Theory" (Duke UP, 2019)</title>
      <description>Is intersectionality a critical social theory? What must intersectionality do to be both critical and a social theory? Must social justice be a guiding normative principle? And what does or should social justice mean in intersectional theory? Patricia Hills Collins explores these questions, and many more, in Intersectionality as Critical Social Theory (Duke University Press, 2019). Engaging a wide range of thinkers, activists, and traditions, including Classical American Pragmatism, the Frankfurt School, and Ida B. Well-Barnett, Collins helps us to reconsider how we think of intersectionality’s history in order to shape its future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Patricia Hill Collins</itunes:subtitle>
      <itunes:summary>Is intersectionality a critical social theory? What must intersectionality do to be both critical and a social theory? Must social justice be a guiding normative principle? And what does or should social justice mean in intersectional theory? Patricia Hills Collins explores these questions, and many more, in Intersectionality as Critical Social Theory (Duke University Press, 2019). Engaging a wide range of thinkers, activists, and traditions, including Classical American Pragmatism, the Frankfurt School, and Ida B. Well-Barnett, Collins helps us to reconsider how we think of intersectionality’s history in order to shape its future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is intersectionality a critical social theory? What must intersectionality do to be both critical <em>and </em>a social theory? Must social justice be a guiding normative principle? And what does or should social justice mean in intersectional theory? Patricia Hills Collins explores these questions, and many more, in <a href="https://bookshop.org/a/12343/9781478006466"><em>Intersectionality as Critical Social Theory</em></a> (Duke University Press, 2019). Engaging a wide range of thinkers, activists, and traditions, including Classical American Pragmatism, the Frankfurt School, and Ida B. Well-Barnett, Collins helps us to reconsider how we think of intersectionality’s history in order to shape its future.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3860</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[86447ad8-6e18-11eb-b03a-83f0175dd302]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN1381307454.mp3?updated=1613233890" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yomaira C. Figueroa-Vásquez, "Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature" (Northwestern UP, 2020)</title>
      <description>Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world.
But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape of decolonizing diasporas – radical Afro-diasporic imaginaries that subvert coloniality and usher in new ways of knowing and being, and interrogate and excavate location and dislocation” (25). By linking the diasporic Afro-Atlantic Hispanophone Caribbean and sub-Saharan Africa to the works of Black, Indigenous, and women of color thinkers, the world of decolonial thought emerges through the pages of Decolonizing Diasporas. It is through the literary poetics and artwork made under conditions of destierro – a theory and methodological formulation set out by the author – which become forces that challenge structures of power that give rise to possibilities of subverting colonial mentalities.
Decolonizing Diaspora reads like a detailed manual for decolonization specifically designed for Afro-Atlantic Hispanophone diasporic subjects on their journey of reimaging and creating other worlds. Each chapter builds on the next. Recognizing the intimate impacts of dictatorship, occupation, and coloniality of gender opens up sites of resistance (Ch. 1) that require faithful witnessing (Ch. 2). Faithful witnessing is a necessary action in Figueroa-Vásquez’s conception of destierro as a decolonial method (Ch.3) and in turn, reveals the condition for demanding reparations and reparations of the imagination (Ch. 4). With an emphasis on decolonial love and relations across difference, the possibilities of Afro-Atlantic resistance and futurities beyond coloniality come into clear view (Ch.5). Even then, Dr. Figueroa-Vásquez guides us back to the Introduction of the book with her last vignette “Relations Again,” in which she underscores the relationships between Equatorial Guinea and the Latinx Caribbean islands of Cuba, Puerto Rico, and the Dominican Republic. The reader has no choice but to begin again.
Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Yomaira C. Figueroa-Vásquez</itunes:subtitle>
      <itunes:summary>Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature (Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world.
But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape of decolonizing diasporas – radical Afro-diasporic imaginaries that subvert coloniality and usher in new ways of knowing and being, and interrogate and excavate location and dislocation” (25). By linking the diasporic Afro-Atlantic Hispanophone Caribbean and sub-Saharan Africa to the works of Black, Indigenous, and women of color thinkers, the world of decolonial thought emerges through the pages of Decolonizing Diasporas. It is through the literary poetics and artwork made under conditions of destierro – a theory and methodological formulation set out by the author – which become forces that challenge structures of power that give rise to possibilities of subverting colonial mentalities.
Decolonizing Diaspora reads like a detailed manual for decolonization specifically designed for Afro-Atlantic Hispanophone diasporic subjects on their journey of reimaging and creating other worlds. Each chapter builds on the next. Recognizing the intimate impacts of dictatorship, occupation, and coloniality of gender opens up sites of resistance (Ch. 1) that require faithful witnessing (Ch. 2). Faithful witnessing is a necessary action in Figueroa-Vásquez’s conception of destierro as a decolonial method (Ch.3) and in turn, reveals the condition for demanding reparations and reparations of the imagination (Ch. 4). With an emphasis on decolonial love and relations across difference, the possibilities of Afro-Atlantic resistance and futurities beyond coloniality come into clear view (Ch.5). Even then, Dr. Figueroa-Vásquez guides us back to the Introduction of the book with her last vignette “Relations Again,” in which she underscores the relationships between Equatorial Guinea and the Latinx Caribbean islands of Cuba, Puerto Rico, and the Dominican Republic. The reader has no choice but to begin again.
Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Yomaira C. Figueroa-Vásquez pens towards decolonial freedom. Her recently published book, <a href="https://bookshop.org/a/12343/9780810142428"><em>Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature</em></a><em> </em>(Northwestern University Press, 2020), uses peripheralized (5) novels, visual/sonic works, poetry, essays, and short stories by diasporic and exiled Afro-Atlantic Hispanophone writers and artists towards “render[ing] legible what these texts offer to subjects who resist ongoing forms of colonialism…” (1). By centering the relationality of Equatorial Guinea, Cuba, Puerto Rico, and the Dominican Republic from the foundations of Ethnic Studies and Women of Color Feminist methodologies, Figueroa-Vásquez holds space for the different ways Afro-descendant peoples are racialized across the Atlantic while simultaneously attending to the anti-Blackness seemingly endemic to the modern world.</p><p>But what does it mean to decolonize? For Figueroa-Vásquez, “In the contexts of the literature outlined in the texts, I pose that the lifeblood of these worlds takes the shape of decolonizing diasporas – radical Afro-diasporic imaginaries that subvert coloniality and usher in new ways of knowing and being, and interrogate and excavate location and dislocation” (25). By linking the diasporic Afro-Atlantic Hispanophone Caribbean and sub-Saharan Africa to the works of Black, Indigenous, and women of color thinkers, the world of decolonial thought emerges through the pages of <em>Decolonizing Diasporas. </em>It is through the literary poetics and artwork made under conditions of <em>destierro</em> – a theory and methodological formulation set out by the author – which become forces that challenge structures of power that give rise to possibilities of subverting colonial mentalities.</p><p><em>Decolonizing Diaspora </em>reads like a detailed manual for decolonization specifically designed for Afro-Atlantic Hispanophone diasporic subjects on their journey of reimaging and creating other worlds. Each chapter builds on the next. Recognizing the intimate impacts of dictatorship, occupation, and coloniality of gender opens up sites of resistance (Ch. 1) that require faithful witnessing (Ch. 2). Faithful witnessing is a necessary action in Figueroa-Vásquez’s conception of <em>destierro</em> as a decolonial method (Ch.3) and in turn, reveals the condition for demanding reparations and reparations of the imagination (Ch. 4). With an emphasis on decolonial love and relations across difference, the possibilities of Afro-Atlantic resistance and futurities beyond coloniality come into clear view (Ch.5). Even then, Dr. Figueroa-Vásquez guides us back to the Introduction of the book with her last vignette “Relations Again,” in which she underscores the relationships between Equatorial Guinea and the Latinx Caribbean islands of Cuba, Puerto Rico, and the Dominican Republic. The reader has no choice but to begin again.</p><p><em>Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Studying LBGT Organizing in China: A Conversation with Caterina Fugazzola</title>
      <description>In today’s episode of Ethnographic Marginalia, Sneha Annavarapu talks with Dr. Caterina Fugazzola, Earl S Johnson Instructor in Sociology at the University of Chicago, about her research on the contemporary tongzhi (LGBT) movement in the People’s Republic of China. Dr. Fugazzola briefly discusses her current book project (under contract with Temple University Press) in which she explains how grassroots groups organizing around sexual identity have achieved significant social change—in terms of visibility, social acceptance, and participation—in virtual absence of public protest, and under conditions of tightening governmental control over civil society groups. But, more pertinently to our special series, our guest tells us about what drew her to the project, and the kinds of dilemmas, issues, and opportunities that marked her fieldwork in the region. For instance, she walks us through what it is like to do ethnographic fieldwork on a cruise ship! We also chat about what it means to do ethnographic observations online and why teaching digital ethnographic methods is a welcome opportunity to rethink our very dated presumptions around physical co-presence in fieldwork being desirable to gather more “authentic” data.
In all, tune in for a very candid, witty, and insightful conversation around fieldwork and for a dose of Dr. Fugazzola’s vivacious and contagious energy for the affordances of digital ethnography.
Learn more about Ethnographic Marginalia here.
Dr. Caterina Fugazzola is is an Earl S. Johnson Instructor in Sociology. Her general interests include social movements, gender and sexuality studies, transnational sociology, and qualitative research methods.
Dr. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Caterina Fugazzola</itunes:subtitle>
      <itunes:summary>In today’s episode of Ethnographic Marginalia, Sneha Annavarapu talks with Dr. Caterina Fugazzola, Earl S Johnson Instructor in Sociology at the University of Chicago, about her research on the contemporary tongzhi (LGBT) movement in the People’s Republic of China. Dr. Fugazzola briefly discusses her current book project (under contract with Temple University Press) in which she explains how grassroots groups organizing around sexual identity have achieved significant social change—in terms of visibility, social acceptance, and participation—in virtual absence of public protest, and under conditions of tightening governmental control over civil society groups. But, more pertinently to our special series, our guest tells us about what drew her to the project, and the kinds of dilemmas, issues, and opportunities that marked her fieldwork in the region. For instance, she walks us through what it is like to do ethnographic fieldwork on a cruise ship! We also chat about what it means to do ethnographic observations online and why teaching digital ethnographic methods is a welcome opportunity to rethink our very dated presumptions around physical co-presence in fieldwork being desirable to gather more “authentic” data.
In all, tune in for a very candid, witty, and insightful conversation around fieldwork and for a dose of Dr. Fugazzola’s vivacious and contagious energy for the affordances of digital ethnography.
Learn more about Ethnographic Marginalia here.
Dr. Caterina Fugazzola is is an Earl S. Johnson Instructor in Sociology. Her general interests include social movements, gender and sexuality studies, transnational sociology, and qualitative research methods.
Dr. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In today’s episode of <a href="https://newbooksnetwork.com/category/ethnographic-marginalia#category:40947@1:url">Ethnographic Marginalia</a>, Sneha Annavarapu talks with Dr. Caterina Fugazzola, Earl S Johnson Instructor in Sociology at the University of Chicago, about her research on the contemporary <em>tongzhi </em>(LGBT) movement in the People’s Republic of China. Dr. Fugazzola briefly discusses her current book project (under contract with Temple University Press) in which she explains how grassroots groups organizing around sexual identity have achieved significant social change—in terms of visibility, social acceptance, and participation—in virtual absence of public protest, and under conditions of tightening governmental control over civil society groups. But, more pertinently to our special series, our guest tells us about what drew her to the project, and the kinds of dilemmas, issues, and opportunities that marked her fieldwork in the region. For instance, she walks us through what it is like to do ethnographic fieldwork on a cruise ship! We also chat about what it means to do ethnographic observations online and why teaching digital ethnographic methods is a welcome opportunity to rethink our very dated presumptions around physical co-presence in fieldwork being desirable to gather more “authentic” data.</p><p>In all, tune in for a very candid, witty, and insightful conversation around fieldwork and for a dose of Dr. Fugazzola’s vivacious and contagious energy for the affordances of digital ethnography.</p><p>Learn more about Ethnographic Marginalia <a href="https://ethnomarginalia.com/">here</a>.</p><p><a href="http://www.cfugazzola.com/">Dr. Caterina Fugazzola</a> is is an Earl S. Johnson Instructor in Sociology. Her general interests include social movements, gender and sexuality studies, transnational sociology, and qualitative research methods.</p><p><a href="http://www.snehanna.com/"><em>Dr. Sneha Annavarapu</em></a><em> is a postdoctoral researcher at the University of Chicago.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2649</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5199970035.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Discrimination Haunts Western Democracy: A Discussion with Michael Hanchard</title>
      <description>As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood.
Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership.
Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, The Spectre ofRace offers important historical context for how democracy generates political difference and inequality.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Feb 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Michael Hanchard</itunes:subtitle>
      <itunes:summary>As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood.
Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership.
Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, The Spectre ofRace offers important historical context for how democracy generates political difference and inequality.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In <a href="https://press.princeton.edu/books/hardcover/9780691177137/the-spectre-of-race"><em>The Spectre of Race: How Discrimination Haunts Western Democracy</em> </a>(Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood.</p><p>Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership.</p><p>Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, <em>The Spectre ofRace</em> offers important historical context for how democracy generates political difference and inequality.</p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Cassandra Falke, "The Phenomenology of Love and Reading" (Bloomsbury Publishing, 2016)</title>
      <description>In this episode, I interview Cassandra Falke, professor of English Literature ad UiT, The Arctic University of Norway, about her book The Phenomenology of Love and Reading (Bloomsbury Publishing, 2016). In the text, Falke situates herself within the current revival of the interest in ethics in literary criticism, which coincides with a rise in neuroscientific discoveries about cognition and emotion that similarly have been incorporated into literary studies. Aware of these recent developments, Falke argues that literary study must ground itself philosophically—rather than just scientifically—in order to speak convincingly about literature’s relationship(s) to our ethical lives. To do this, The Phenomenology of Love and Reading recasts French philosopher Jean-Luc Marion’s articulations of a phenomenology of love onto the event of reading.
The Phenomenology of Love and Reading accepts Jean-Luc Marion's argument that love matters for who we are more than anything—more than cognition and more than being itself. Falke shows through deft readings of both philosophical and literary texts, as well as ruminations on the experience of reading, how the act of reading can strengthen our capacity to love by giving us practice in love´s habits—attention, empathy, and a willingness to be overwhelmed. Confounding our expectations, literature equips us for the confounding events of love, which, Falke suggests, are not rare and fleeting, but rather constitute the most meaningful and durable part of our everyday life.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Feb 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Interview with Cassandra Falke</itunes:subtitle>
      <itunes:summary>In this episode, I interview Cassandra Falke, professor of English Literature ad UiT, The Arctic University of Norway, about her book The Phenomenology of Love and Reading (Bloomsbury Publishing, 2016). In the text, Falke situates herself within the current revival of the interest in ethics in literary criticism, which coincides with a rise in neuroscientific discoveries about cognition and emotion that similarly have been incorporated into literary studies. Aware of these recent developments, Falke argues that literary study must ground itself philosophically—rather than just scientifically—in order to speak convincingly about literature’s relationship(s) to our ethical lives. To do this, The Phenomenology of Love and Reading recasts French philosopher Jean-Luc Marion’s articulations of a phenomenology of love onto the event of reading.
The Phenomenology of Love and Reading accepts Jean-Luc Marion's argument that love matters for who we are more than anything—more than cognition and more than being itself. Falke shows through deft readings of both philosophical and literary texts, as well as ruminations on the experience of reading, how the act of reading can strengthen our capacity to love by giving us practice in love´s habits—attention, empathy, and a willingness to be overwhelmed. Confounding our expectations, literature equips us for the confounding events of love, which, Falke suggests, are not rare and fleeting, but rather constitute the most meaningful and durable part of our everyday life.
Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I interview <a href="https://en.uit.no/ansatte/person?p_document_id=382127">Cassandra Falke</a>, professor of English Literature ad UiT, The Arctic University of Norway, about her book <a href="https://bookshop.org/a/12343/9781628926484"><em>The Phenomenology of Love and Reading</em></a> (Bloomsbury Publishing, 2016). In the text, Falke situates herself within the current revival of the interest in ethics in literary criticism, which coincides with a rise in neuroscientific discoveries about cognition and emotion that similarly have been incorporated into literary studies. Aware of these recent developments, Falke argues that literary study must ground itself philosophically—rather than just scientifically—in order to speak convincingly about literature’s relationship(s) to our ethical lives. To do this, <em>The Phenomenology of Love and Reading</em> recasts French philosopher Jean-Luc Marion’s articulations of a phenomenology of love onto the event of reading.</p><p><em>The Phenomenology of Love and Reading</em> accepts Jean-Luc Marion's argument that love matters for who we are more than anything—more than cognition and more than being itself. Falke shows through deft readings of both philosophical and literary texts, as well as ruminations on the experience of reading, how the act of reading can strengthen our capacity to love by giving us practice in love´s habits—attention, empathy, and a willingness to be overwhelmed. Confounding our expectations, literature equips us for the confounding events of love, which, Falke suggests, are not rare and fleeting, but rather constitute the most meaningful and durable part of our everyday life.</p><p><em>Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on </em><a href="https://twitter.com/poeticdweller"><em>Twitter</em></a><em> or send him an </em><a href="mailto:britton.edelen@duke.edu"><em>email.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3996</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lexi Eikelboom, "Rhythm: A Theological Category" (Oxford UP, 2018)</title>
      <description>Philosophers have long approached the concept of rhythm as a significant tool for understanding the human experience, metaphysics, language, and the arts. In her new study Rhythm: A Theological Category (Oxford University Press, 2018), Lexi Eikelboom argues that theologians have much to gain from rhythm as a conceptual tool. In an interdisciplinary study bringing together prosody, continental philosophy, and Christian theology, Eikelboom maps out a terrain of approaches to rhythm from the synchronic whole or diachronic experience in time. Rhythm, therefore, affords an important lens to understand an oscillation between the harmonious and the interruptions that comprise any human attempts to articulate an encounter with the divine.
Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>127</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lexi Eikelboom</itunes:subtitle>
      <itunes:summary>Philosophers have long approached the concept of rhythm as a significant tool for understanding the human experience, metaphysics, language, and the arts. In her new study Rhythm: A Theological Category (Oxford University Press, 2018), Lexi Eikelboom argues that theologians have much to gain from rhythm as a conceptual tool. In an interdisciplinary study bringing together prosody, continental philosophy, and Christian theology, Eikelboom maps out a terrain of approaches to rhythm from the synchronic whole or diachronic experience in time. Rhythm, therefore, affords an important lens to understand an oscillation between the harmonious and the interruptions that comprise any human attempts to articulate an encounter with the divine.
Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Philosophers have long approached the concept of rhythm as a significant tool for understanding the human experience, metaphysics, language, and the arts. In her new study <a href="https://newbooksnetwork.com/admin/entries/episodes/9780198828839"><em>Rhythm: A Theological Category</em></a> (Oxford University Press, 2018), Lexi Eikelboom argues that theologians have much to gain from rhythm as a conceptual tool. In an interdisciplinary study bringing together prosody, continental philosophy, and Christian theology, Eikelboom maps out a terrain of approaches to rhythm from the synchronic whole or diachronic experience in time. Rhythm, therefore, affords an important lens to understand an oscillation between the harmonious and the interruptions that comprise any human attempts to articulate an encounter with the divine.</p><p><a href="https://www.linkedin.com/in/ryandavidshelton/"><em>Ryan David Shelton</em></a><em> (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sara Salem, "Anticolonial Afterlives in Egypt: The Politics of Hegemony" (Cambridge UP, 2020)</title>
      <description>In this conversation, Sara Salem, author of Anticolonial Afterlives in Egypt: The Politics of Hegemony (Cambridge University Press, 2020), talks to host Yi Ning Chang about temporality, capitalism, and hegemony in her history of Egypt’s two revolutions. From Gamal Abdel Nasser to Gramsci and Fanon, from revolution to the coronavirus pandemic, Sara reflects on the unfinished project of Nasserism, what it has come to mean for Egypt, and what its coming apart tells us about our own moment in history.
Sara Salem’s Anticolonial Afterlives in Egypt: The Politics of Hegemony was published by Cambridge University Press in 2020. This book builds its analysis of the afterlives of Egypt’s moment of decolonisation through an imagined conversation between Antonio Gramsci and Frantz Fanon around questions of anticolonialism, resistance, revolution and liberation. Anticolonial Afterlives argues that the Nasserist project – created by Gamal Abdel Nasser and the Free Officers in 1952 – remains the only instance of hegemony in modern Egyptian history, and that the 2011 revolution signified the end-point of its decline, decades after it was created. Nasserism was made possible in and through local, regional and global anticolonial politics, even as it reproduced colonial ways of governing that reverberate into Egypt’s present. Anticolonial Afterlives explores these tensions through Gramsci and Fanon, foundational theorists of anti-capitalism and anticolonialism, and in doing so engages with some of the problematics around applying Gramsci’s thought in contexts such as Egypt and thinking about Fanon’s writing in relation to anticolonialism today.
Yi Ning Chang is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at yiningchang@g.harvard.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sara Salem</itunes:subtitle>
      <itunes:summary>In this conversation, Sara Salem, author of Anticolonial Afterlives in Egypt: The Politics of Hegemony (Cambridge University Press, 2020), talks to host Yi Ning Chang about temporality, capitalism, and hegemony in her history of Egypt’s two revolutions. From Gamal Abdel Nasser to Gramsci and Fanon, from revolution to the coronavirus pandemic, Sara reflects on the unfinished project of Nasserism, what it has come to mean for Egypt, and what its coming apart tells us about our own moment in history.
Sara Salem’s Anticolonial Afterlives in Egypt: The Politics of Hegemony was published by Cambridge University Press in 2020. This book builds its analysis of the afterlives of Egypt’s moment of decolonisation through an imagined conversation between Antonio Gramsci and Frantz Fanon around questions of anticolonialism, resistance, revolution and liberation. Anticolonial Afterlives argues that the Nasserist project – created by Gamal Abdel Nasser and the Free Officers in 1952 – remains the only instance of hegemony in modern Egyptian history, and that the 2011 revolution signified the end-point of its decline, decades after it was created. Nasserism was made possible in and through local, regional and global anticolonial politics, even as it reproduced colonial ways of governing that reverberate into Egypt’s present. Anticolonial Afterlives explores these tensions through Gramsci and Fanon, foundational theorists of anti-capitalism and anticolonialism, and in doing so engages with some of the problematics around applying Gramsci’s thought in contexts such as Egypt and thinking about Fanon’s writing in relation to anticolonialism today.
Yi Ning Chang is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at yiningchang@g.harvard.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this conversation, Sara Salem, author of <a href="https://bookshop.org/a/12343/9781108491518"><em>Anticolonial Afterlives in Egypt: The Politics of Hegemony</em></a> (Cambridge University Press, 2020), talks to host Yi Ning Chang about temporality, capitalism, and hegemony in her history of Egypt’s two revolutions. From Gamal Abdel Nasser to Gramsci and Fanon, from revolution to the coronavirus pandemic, Sara reflects on the unfinished project of Nasserism, what it has come to mean for Egypt, and what its coming apart tells us about our own moment in history.</p><p>Sara Salem’s <em>Anticolonial Afterlives in Egypt: The Politics of Hegemony</em> was published by Cambridge University Press in 2020. This book builds its analysis of the afterlives of Egypt’s moment of decolonisation through an imagined conversation between Antonio Gramsci and Frantz Fanon around questions of anticolonialism, resistance, revolution and liberation. <em>Anticolonial Afterlives</em> argues that the Nasserist project – created by Gamal Abdel Nasser and the Free Officers in 1952 – remains the only instance of hegemony in modern Egyptian history, and that the 2011 revolution signified the end-point of its decline, decades after it was created. Nasserism was made possible in and through local, regional and global anticolonial politics, even as it reproduced colonial ways of governing that reverberate into Egypt’s present. Anticolonial Afterlives explores these tensions through Gramsci and Fanon, foundational theorists of anti-capitalism and anticolonialism, and in doing so engages with some of the problematics around applying Gramsci’s thought in contexts such as Egypt and <em>thinking about Fanon’s writing in relation to anticolonialism today.</em></p><p><a href="https://histecon.fas.harvard.edu/YiNing_Chang.htm"><em>Yi Ning Chang </em></a><em>is a PhD student in political theory at the Department of Government at Harvard University. She works on the history of contemporary political thought, postcolonial theory, and the global histories of anticolonialism and anti-imperialism in Southeast Asia. Yi Ning can be reached at </em><a href="mailto:yiningchang@g.harvard.edu"><em>yiningchang@g.harvard.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3723</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4d61a284-63e8-11eb-ab47-eb875686394e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9870793637.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Manfred Steger and Ravi Roy, "Neoliberalism: a Very Short Introduction" (Oxford University Press, 2021)</title>
      <description>George Orwell once said that “the word ‘fascism’ has now no meaning except in so far as it signifies ‘something not desirable’”. The word ‘neoliberalism’ knows exactly how it feels.
How did a term coined by a group of anti-authoritarian German economists in the 1930s to label a philosophy that stressed the role of the state in ensuring efficient competition turn into more of an insult than a description 50 years later? Has the nationalist tide that swept through Washington, London, Rome, Brasília, and Budapest brought the neoliberal era to end or helped relaunch its “third wave”? What differentiates neo- from ordo- from classical liberalism?
In this second edition of Neoliberalism: A Very Short Introduction (Oxford University Press, 2021), Manfred Steger and Ravi Roy seek to answer these questions, and retell the history of an idea, its mutations and its future.
Manfred Steger is Professor of Sociology at the University of Hawaiʻi at Mānoa. Ravi Roy is Associate Professor of Political Science and W. Edwards Deming Fellow in Public Affairs at Southern Utah University.
*The authors’ book recommendations are Other People's Money: Masters of the Universe or Servants of the People? by John Kay (Profile Books, 2016) and Imperium by Robert Harris (Arrow, 2009).
Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 08 Feb 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Interview with Manfred Steger and Ravi Roy</itunes:subtitle>
      <itunes:summary>George Orwell once said that “the word ‘fascism’ has now no meaning except in so far as it signifies ‘something not desirable’”. The word ‘neoliberalism’ knows exactly how it feels.
How did a term coined by a group of anti-authoritarian German economists in the 1930s to label a philosophy that stressed the role of the state in ensuring efficient competition turn into more of an insult than a description 50 years later? Has the nationalist tide that swept through Washington, London, Rome, Brasília, and Budapest brought the neoliberal era to end or helped relaunch its “third wave”? What differentiates neo- from ordo- from classical liberalism?
In this second edition of Neoliberalism: A Very Short Introduction (Oxford University Press, 2021), Manfred Steger and Ravi Roy seek to answer these questions, and retell the history of an idea, its mutations and its future.
Manfred Steger is Professor of Sociology at the University of Hawaiʻi at Mānoa. Ravi Roy is Associate Professor of Political Science and W. Edwards Deming Fellow in Public Affairs at Southern Utah University.
*The authors’ book recommendations are Other People's Money: Masters of the Universe or Servants of the People? by John Kay (Profile Books, 2016) and Imperium by Robert Harris (Arrow, 2009).
Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>George Orwell once said that “the word ‘fascism’ has now no meaning except in so far as it signifies ‘something not desirable’”. The word ‘neoliberalism’ knows exactly how it feels.</p><p>How did a term coined by a group of anti-authoritarian German economists in the 1930s to label a philosophy that stressed the role of the state in ensuring efficient competition turn into more of an insult than a description 50 years later? Has the nationalist tide that swept through Washington, London, Rome, Brasília, and Budapest brought the neoliberal era to end or helped relaunch its “third wave”? What differentiates neo- from ordo- from classical liberalism?</p><p>In this second edition of <a href="https://bookshop.org/a/12343/9780198849674"><em>Neoliberalism: A Very Short Introduction</em></a> (Oxford University Press, 2021), Manfred Steger and Ravi Roy seek to answer these questions, and retell the history of an idea, its mutations and its future.</p><p><a href="https://en.wikipedia.org/wiki/Manfred_Steger">Manfred Steger</a> is Professor of Sociology at the University of Hawaiʻi at Mānoa. <a href="https://en.wikipedia.org/wiki/Manfred_Steger">Ravi Roy</a> is Associate Professor of Political Science and W. Edwards Deming Fellow in Public Affairs at Southern Utah University.</p><p>*The authors’ book recommendations are <em>Other People's Money: Masters of the Universe or Servants of the People?</em> by John Kay (Profile Books, 2016) and <em>Imperium</em> by Robert Harris (Arrow, 2009).</p><p><em>Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3083</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[764d03bc-6309-11eb-bd95-1384e3440e0b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8178822516.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonas Staal, "Propaganda Art in the 21st Century" (MIT Press, 2019)</title>
      <description>How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art — whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon — delivers a message. In Propaganda Art in the 21st Century (MIT Press, 2019), Jonas Staal argues that propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propaganda.
Jonas Staal speaks to Pierre d'Alancaisez about his proposal for a new model of emancipatory propaganda art — one that acknowledges the relationship between art and power and takes both an aesthetic and a political position in the practice of world-making.
Jonas Staal is a scholar of propaganda and a self-described propaganda artist. He is the founder of the artistic and political organization New World Summit (2012–ongoing) and the campaign New Unions (2016–ongoing). With BAK, basis voor actuele kunst, Utrecht, he co-founded the New World Academy (2013–16). His most recent project Collectivize Facebook exploring legal ways to return the ownership of data in its many forms to the collective ownership of the users of software platforms.
Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jonas Staal</itunes:subtitle>
      <itunes:summary>How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art — whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon — delivers a message. In Propaganda Art in the 21st Century (MIT Press, 2019), Jonas Staal argues that propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propaganda.
Jonas Staal speaks to Pierre d'Alancaisez about his proposal for a new model of emancipatory propaganda art — one that acknowledges the relationship between art and power and takes both an aesthetic and a political position in the practice of world-making.
Jonas Staal is a scholar of propaganda and a self-described propaganda artist. He is the founder of the artistic and political organization New World Summit (2012–ongoing) and the campaign New Unions (2016–ongoing). With BAK, basis voor actuele kunst, Utrecht, he co-founded the New World Academy (2013–16). His most recent project Collectivize Facebook exploring legal ways to return the ownership of data in its many forms to the collective ownership of the users of software platforms.
Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art — whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon — delivers a message. In <a href="https://bookshop.org/a/12343/9780262042802"><em>Propaganda Art in the 21st Century</em></a> (MIT Press, 2019), Jonas Staal argues that propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propaganda.</p><p>Jonas Staal speaks to Pierre d'Alancaisez about his proposal for a new model of emancipatory propaganda art — one that acknowledges the relationship between art and power and takes both an aesthetic and a political position in the practice of world-making.</p><p>Jonas Staal is a scholar of propaganda and a self-described propaganda artist. He is the founder of the artistic and political organization New World Summit (2012–ongoing) and the campaign New Unions (2016–ongoing). With BAK, basis voor actuele kunst, Utrecht, he co-founded the New World Academy (2013–16). His most recent project <a href="http://collectivize.org/">Collectivize Facebook</a> exploring legal ways to return the ownership of data in its many forms to the collective ownership of the users of software platforms.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3914</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sheldon George, "Trauma and Race: A Lacanian Study of African American Racial Identity" (Baylor UP, 2016)</title>
      <description>In his book, Trauma and Race: A Lacanian Study of African American Racial Identity (Baylor UP, 2016), Sheldon George treats an old idea--that African Americans must transform their relationship to the history of slavery and to their identification with race—in an entirely new way.
What follows is a quite truncated encapsulation of the book’s central argument which I will attempt if only because it struck me as a very original use of Lacanian thought. It also produced something I value very much: the development of fresh ideas for this psychoanalyst to ponder.
George argues that owning human property, slaves, offered a surplus of "jouissance" to slave owners. Meanwhile the enslaved, denuded of family, of history and claims to nationality, were often valued solely for muscle mass and fecundity. Psychically emptied--seen only for their capacity to serve the master's needs, and I want to add, also emptying preemptively, and defensively their psychic lives, enslaved people were forbidden access to being, from which flows, following Lacan, crucial early fantasies of a wholeness that must be shattered if one is to become subjectivized. Fantasies of repletion provide a kind of protective “crested shield" with which to endure the rough first brush with the Symbolic.
Living under a racist, white animating Master Signifier, slaves were often absent of the requisite psychic buffering with which to enter the Symbolic without undue suffering. Barred from the rudiments of being and lacking a constructive Master Signifier from which to generate vitalizing associations, the gaze of the enslaved was horrifyingly riveted to the “very lack that is masked in the Lacanian subject,” (p.21). Here George offers an apt description of what the sociologist of slavery, Orlando Patterson, refers to as "social death."
Rather than celebrate the ways in which the burden of “double consciousness” aided African Americans in generating new linguistic vistas, we find no fan of Henry Louis Gates Jr’s “signifying monkey” here. George declares the project of "resignification" as not going far enough, and crucially, as missing the impact of the unconscious on language. Arguing against a powerful trend in African-American studies to value African-American racial identity as such, George boldly declares, “insistences on race perform a rite, an endless repeated act as a means to commemorate the not very memorable encounter that I call the trauma of slavery.” (p.42) How, George asks, can one have an identity based on insult, negation, and injury? Following his argument, the lure of racial pride loses its force majeur. Suddenly we see it as but papering over a potentially productive encounter with lack. And if it is lack that must be faced so as to open the door to a life driven by enlivening, elusive yet worthwhile desire, at what cost is it avoided?
The idea of having love of the race and “the race man” become rather quickly tragic in George’s intellectual hands. Furthermore, embracing the narrative that “we come from slavery”, like Sethe in Toni Morrison's Beloved, (a novel George writes beautifully about in this text) one is quickly cornered, metonymically, by the suffocating relationship between race and enslavement. The need for the space to metaphorize is undeniable.
To learn more about the work of Sheldon George, please go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sheldon George</itunes:subtitle>
      <itunes:summary>In his book, Trauma and Race: A Lacanian Study of African American Racial Identity (Baylor UP, 2016), Sheldon George treats an old idea--that African Americans must transform their relationship to the history of slavery and to their identification with race—in an entirely new way.
What follows is a quite truncated encapsulation of the book’s central argument which I will attempt if only because it struck me as a very original use of Lacanian thought. It also produced something I value very much: the development of fresh ideas for this psychoanalyst to ponder.
George argues that owning human property, slaves, offered a surplus of "jouissance" to slave owners. Meanwhile the enslaved, denuded of family, of history and claims to nationality, were often valued solely for muscle mass and fecundity. Psychically emptied--seen only for their capacity to serve the master's needs, and I want to add, also emptying preemptively, and defensively their psychic lives, enslaved people were forbidden access to being, from which flows, following Lacan, crucial early fantasies of a wholeness that must be shattered if one is to become subjectivized. Fantasies of repletion provide a kind of protective “crested shield" with which to endure the rough first brush with the Symbolic.
Living under a racist, white animating Master Signifier, slaves were often absent of the requisite psychic buffering with which to enter the Symbolic without undue suffering. Barred from the rudiments of being and lacking a constructive Master Signifier from which to generate vitalizing associations, the gaze of the enslaved was horrifyingly riveted to the “very lack that is masked in the Lacanian subject,” (p.21). Here George offers an apt description of what the sociologist of slavery, Orlando Patterson, refers to as "social death."
Rather than celebrate the ways in which the burden of “double consciousness” aided African Americans in generating new linguistic vistas, we find no fan of Henry Louis Gates Jr’s “signifying monkey” here. George declares the project of "resignification" as not going far enough, and crucially, as missing the impact of the unconscious on language. Arguing against a powerful trend in African-American studies to value African-American racial identity as such, George boldly declares, “insistences on race perform a rite, an endless repeated act as a means to commemorate the not very memorable encounter that I call the trauma of slavery.” (p.42) How, George asks, can one have an identity based on insult, negation, and injury? Following his argument, the lure of racial pride loses its force majeur. Suddenly we see it as but papering over a potentially productive encounter with lack. And if it is lack that must be faced so as to open the door to a life driven by enlivening, elusive yet worthwhile desire, at what cost is it avoided?
The idea of having love of the race and “the race man” become rather quickly tragic in George’s intellectual hands. Furthermore, embracing the narrative that “we come from slavery”, like Sethe in Toni Morrison's Beloved, (a novel George writes beautifully about in this text) one is quickly cornered, metonymically, by the suffocating relationship between race and enslavement. The need for the space to metaphorize is undeniable.
To learn more about the work of Sheldon George, please go here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book, <a href="https://bookshop.org/a/12343/9781602587342"><em>Trauma and Race: A Lacanian Study of African American Racial Identity</em></a> (Baylor UP, 2016), Sheldon George treats an old idea--that African Americans must transform their relationship to the history of slavery and to their identification with race—in an entirely new way.</p><p>What follows is a quite truncated encapsulation of the book’s central argument which I will attempt if only because it struck me as a very original use of Lacanian thought. It also produced something I value very much: the development of fresh ideas for this psychoanalyst to ponder.</p><p>George argues that owning human property, slaves, offered a surplus of "jouissance" to slave owners. Meanwhile the enslaved, denuded of family, of history and claims to nationality, were often valued solely for muscle mass and fecundity. Psychically emptied--seen only for their capacity to serve the master's needs, and I want to add, also emptying preemptively, and defensively their psychic lives, enslaved people were forbidden access to <em>being</em>, from which flows, following Lacan, crucial early fantasies of a wholeness that must be shattered if one is to become subjectivized. Fantasies of repletion provide a kind of protective “crested shield" with which to endure the rough first brush with the Symbolic.</p><p>Living under a racist, white animating Master Signifier, slaves were often absent of the requisite psychic buffering with which to enter the Symbolic without undue suffering. Barred from the rudiments of <em>being </em>and lacking a constructive Master Signifier from which to generate vitalizing associations, the gaze of the enslaved was horrifyingly riveted to the “very lack that is masked in the Lacanian subject,” (p.21). Here George offers an apt description of what the sociologist of slavery, Orlando Patterson, refers to as "social death."</p><p>Rather than celebrate the ways in which the burden of “double consciousness” aided African Americans in generating new linguistic vistas, we find no fan of Henry Louis Gates Jr’s “signifying monkey” here. George declares the project of "resignification" as not going far enough, and crucially, as missing the impact of the unconscious on language. Arguing against a powerful trend in African-American studies to value African-American racial identity as such, George boldly declares, “insistences on race perform a rite, an endless repeated act as a means to commemorate the not very memorable encounter that I call the trauma of slavery.” (p.42) How, George asks, can one have an identity based on insult, negation, and injury? Following his argument, the lure of racial pride loses its force majeur. Suddenly we see it as but papering over a potentially productive encounter with lack. And if it is lack that must be faced so as to open the door to a life driven by enlivening, elusive yet worthwhile desire, at what cost is it avoided?</p><p>The idea of having love of the race and “the race man” become rather quickly tragic in George’s intellectual hands. Furthermore, embracing the narrative that “we come from slavery”, like Sethe in Toni Morrison's Beloved, (a novel George writes beautifully about in this text) one is quickly cornered, metonymically, by the suffocating relationship between race and enslavement. The need for the space to metaphorize is undeniable.</p><p>To learn more about the work of Sheldon George, please go <a href="http://web.simmons.edu/~george1">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3375</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f16c1c6e-632b-11eb-be38-039dcee2f5ca]]></guid>
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    <item>
      <title>Richard Lachmann, "First Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers" (Verso, 2020)</title>
      <description>Being a great power almost seems to invite discussion of decline: whether you are declining, what can be done to prevent or arrest it, and what the consequences of decline might ultimately be. The United States has not managed to escape from any of this analysis, but understanding how imperial and hegemonic decline has played out historically often does not inform these discussions. Is the United States an empire, or it better described as a hegemon? What’s the meaningful difference, especially in the current content of the United States’ global position?
Richard Lachmann’s First-Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers (Verso, 2020) explores these questions. Lachmann examines prior explanations of great power decline and finds them wanting for a variety of different reasons. Lachmann instead focuses on a series of factors that first of all enable hegemony, but also the factors that ultimately cause its collapse. Lachmann examines the cause of the Netherlands and the British Empire before examining how these factor are currently at play in the United States.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>899</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Richard Lachmann</itunes:subtitle>
      <itunes:summary>Being a great power almost seems to invite discussion of decline: whether you are declining, what can be done to prevent or arrest it, and what the consequences of decline might ultimately be. The United States has not managed to escape from any of this analysis, but understanding how imperial and hegemonic decline has played out historically often does not inform these discussions. Is the United States an empire, or it better described as a hegemon? What’s the meaningful difference, especially in the current content of the United States’ global position?
Richard Lachmann’s First-Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers (Verso, 2020) explores these questions. Lachmann examines prior explanations of great power decline and finds them wanting for a variety of different reasons. Lachmann instead focuses on a series of factors that first of all enable hegemony, but also the factors that ultimately cause its collapse. Lachmann examines the cause of the Netherlands and the British Empire before examining how these factor are currently at play in the United States.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Being a great power almost seems to invite discussion of decline: whether you are declining, what can be done to prevent or arrest it, and what the consequences of decline might ultimately be. The United States has not managed to escape from any of this analysis, but understanding how imperial and hegemonic decline has played out historically often does not inform these discussions. Is the United States an empire, or it better described as a hegemon? What’s the meaningful difference, especially in the current content of the United States’ global position?</p><p>Richard Lachmann’s <a href="https://bookshop.org/a/12343/9781788734073"><em>First-Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers</em></a> (Verso, 2020) explores these questions. Lachmann examines prior explanations of great power decline and finds them wanting for a variety of different reasons. Lachmann instead focuses on a series of factors that first of all enable hegemony, but also the factors that ultimately cause its collapse. Lachmann examines the cause of the Netherlands and the British Empire before examining how these factor are currently at play in the United States.</p><p><em>Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3881</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b71e721a-5d80-11eb-9ba5-3b1dd666f4f0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3598744007.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sabrina Mittermeier, "A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms" (Intellect, 2020)</title>
      <description>How should we understand the theme park in our globalised world? In A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms (Intellect, 2020), Dr. Sabrina Mittermeier, a postdoctoral researcher and lecturer in American cultural history at the University of Kassel, Germany, presents a detailed and engaging cultural history of Disneyland’s theme parks to tell the story of this now global phenomenon. The book has detailed case studies of each of the theme parks, from the original Disneyland as a cultural product of the 1950s, through the transcultural space of Tokyo Disneyland, to the authentically Disney, distinctly Chinese theme park in Shanghai. The story of EuroDisney, and DisneyWorld in Florida further develop the book’s argument for the need to understand wealth and class as key drivers for the audience these parks seek to attract. The book will be essential reading across humanities and social science, and for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Sabrina Mittermeier</itunes:subtitle>
      <itunes:summary>How should we understand the theme park in our globalised world? In A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms (Intellect, 2020), Dr. Sabrina Mittermeier, a postdoctoral researcher and lecturer in American cultural history at the University of Kassel, Germany, presents a detailed and engaging cultural history of Disneyland’s theme parks to tell the story of this now global phenomenon. The book has detailed case studies of each of the theme parks, from the original Disneyland as a cultural product of the 1950s, through the transcultural space of Tokyo Disneyland, to the authentically Disney, distinctly Chinese theme park in Shanghai. The story of EuroDisney, and DisneyWorld in Florida further develop the book’s argument for the need to understand wealth and class as key drivers for the audience these parks seek to attract. The book will be essential reading across humanities and social science, and for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the theme park in our globalised world? In <a href="https://bookshop.org/a/12343/9781789383270"><em>A Cultural History of the Disneyland Theme Parks: Middle Class Kingdoms</em></a> (Intellect, 2020), Dr. <a href="https://twitter.com/S_Mittermeier">Sabrina Mittermeier</a>, a <a href="https://uni-kassel.academia.edu/SabrinaMittermeier/CurriculumVitae">postdoctoral researcher and lecturer in American cultural history at the University of Kassel</a>, Germany, presents a detailed and engaging cultural history of Disneyland’s theme parks to tell the story of this now global phenomenon. The book has detailed case studies of each of the theme parks, from the original Disneyland as a cultural product of the 1950s, through the transcultural space of Tokyo Disneyland, to the authentically Disney, distinctly Chinese theme park in Shanghai. The story of EuroDisney, and DisneyWorld in Florida further develop the book’s argument for the need to understand wealth and class as key drivers for the audience these parks seek to attract. The book will be essential reading across humanities and social science, and for anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2250</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dca37e64-5c08-11eb-805d-2f819b9da90e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN5854705850.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lenny Henry and Marcus Ryder, "Access All Areas: The Diversity Manifesto for TV and Beyond" (Faber and Faber, 2021)</title>
      <description>How can we create a more equal media industry? In Access All Areas: The Diversity Manifesto for TV and Beyond, Marcus Ryder and Sir Lenny Henry, both founder members of the The Sir Lenny Henry Centre for Media Diversity at Birmingham City University, tell the story of their work to transform British television and set out an eight point manifesto for change. The book lays out the diversity crisis in the media industry, setting out the numerous barriers confronting those who are labelled as minorities (despite being the majority of the population!) and showing why previous efforts to address the problems have failed. By doing so, the book sets up its alternatives that will create a more just, and thus more diverse, television industry. The book, along with Marcus’ blog, is essential reading for academics and the public, both in the UK and beyond.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>204</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lenny Henry and Marcus Ryder</itunes:subtitle>
      <itunes:summary>How can we create a more equal media industry? In Access All Areas: The Diversity Manifesto for TV and Beyond, Marcus Ryder and Sir Lenny Henry, both founder members of the The Sir Lenny Henry Centre for Media Diversity at Birmingham City University, tell the story of their work to transform British television and set out an eight point manifesto for change. The book lays out the diversity crisis in the media industry, setting out the numerous barriers confronting those who are labelled as minorities (despite being the majority of the population!) and showing why previous efforts to address the problems have failed. By doing so, the book sets up its alternatives that will create a more just, and thus more diverse, television industry. The book, along with Marcus’ blog, is essential reading for academics and the public, both in the UK and beyond.
 Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we create a more equal media industry? In <a href="https://www.faber.co.uk/books/non-fiction/9780571365128-access-all-areas.html"><em>Access All Areas: The Diversity Manifesto for TV and Beyond</em></a>, <a href="https://twitter.com/marcusryder">Marcus Ryder</a> and <a href="https://twitter.com/LennyHenry">Sir Lenny Henry</a>, both founder members of the <a href="https://www.bcu.ac.uk/media/research/sir-lenny-henry-centre-for-media-diversity">The Sir Lenny Henry Centre for Media Diversity at Birmingham City University</a>, tell the story of their work to transform British television and set out an eight point manifesto for change. The book lays out the diversity crisis in the media industry, setting out the numerous barriers confronting those who are labelled as minorities (despite being the majority of the population!) and showing why previous efforts to address the problems have failed. By doing so, the book sets up its alternatives that will create a more just, and thus more diverse, television industry. The book, along with <a href="https://blackonwhitetv.blogspot.com/">Marcus’ blog,</a> is essential reading for academics and the public, both in the UK and beyond.</p><p><em> </em><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2304</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c51e9060-5b6a-11eb-8ddb-8b4eea9d0b5a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3717363363.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leigh Claire La Berge, "Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art" (Duke UP, 2019)</title>
      <description>The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. 
Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor.
Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky.
La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. 
Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Leigh Claire La Berge</itunes:subtitle>
      <itunes:summary>The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. 
Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor.
Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky.
La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. 
Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. </p><p>Leigh Claire La Berge, author of Leigh Claire La Berge,<em> </em><a href="https://bookshop.org/a/12343/9781478004820"><em>Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art</em></a><em> </em>(Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor.</p><p>Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of <a href="https://newbooksnetwork.com/leigh-claire-la-berge-scandals-and-abstraction-financial-fiction-of-the-long-1980s-oxford-up-2014"><em>Scandals and Abstraction</em></a> (about which she spoke on an earlier episode), and co-editor of <em>Reading Capitalist Realism</em>. She's currently working on expanding her project <a href="https://vimeo.com/marxforcats">Marx for Cats</a>, initiated with Caroline Woolard and Or Zubalsky.</p><p>La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. </p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3716</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fd6b8a6c-5b57-11eb-ae51-736e4d9b07a0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3574134850.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter E. Gordon, "Migrants in the Profane: Critical Theory and the Question of Secularization" (Yale UP, 2020)</title>
      <description>A beautifully written exploration of religion's role in a secular, modern politics, by an accomplished scholar of critical theory, Migrants in the Profane: Critical Theory and the Question of Secularization (Yale University Press, 2020) takes its title from an intriguing remark by Theodor W. Adorno, in which he summarized the meaning of Walter Benjamin's image of a celebrated mechanical chess-playing Turk and its hidden religious animus: "Nothing of theological content will persist without being transformed; every content will have to put itself to the test of migrating in the realm of the secular, the profane." In this masterful book, Peter Gordon reflects on Adorno's statement and asks an urgent question: Can religion offer any normative resources for modern political life, or does the appeal to religious concepts stand in conflict with the idea of modern politics as a domain free from religion's influence? In answering this question, he explores the work of three of the Frankfurt School's most esteemed thinkers: Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. His illuminating analysis offers a highly original account of the intertwined histories of religion and secular modernity.
Ryan Tripp is an adjunct for universities and California community colleges.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 26 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>202</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Peter E. Gordon</itunes:subtitle>
      <itunes:summary>A beautifully written exploration of religion's role in a secular, modern politics, by an accomplished scholar of critical theory, Migrants in the Profane: Critical Theory and the Question of Secularization (Yale University Press, 2020) takes its title from an intriguing remark by Theodor W. Adorno, in which he summarized the meaning of Walter Benjamin's image of a celebrated mechanical chess-playing Turk and its hidden religious animus: "Nothing of theological content will persist without being transformed; every content will have to put itself to the test of migrating in the realm of the secular, the profane." In this masterful book, Peter Gordon reflects on Adorno's statement and asks an urgent question: Can religion offer any normative resources for modern political life, or does the appeal to religious concepts stand in conflict with the idea of modern politics as a domain free from religion's influence? In answering this question, he explores the work of three of the Frankfurt School's most esteemed thinkers: Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. His illuminating analysis offers a highly original account of the intertwined histories of religion and secular modernity.
Ryan Tripp is an adjunct for universities and California community colleges.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A beautifully written exploration of religion's role in a secular, modern politics, by an accomplished scholar of critical theory, <a href="https://bookshop.org/a/12343/9780300250763"><em>Migrants in the Profane: Critical Theory and the Question of Secularization</em></a> (Yale University Press, 2020) takes its title from an intriguing remark by Theodor W. Adorno, in which he summarized the meaning of Walter Benjamin's image of a celebrated mechanical chess-playing Turk and its hidden religious animus: "Nothing of theological content will persist without being transformed; every content will have to put itself to the test of migrating in the realm of the secular, the profane." In this masterful book, <a href="https://scholar.harvard.edu/pgordon">Peter Gordon</a> reflects on Adorno's statement and asks an urgent question: Can religion offer any normative resources for modern political life, or does the appeal to religious concepts stand in conflict with the idea of modern politics as a domain free from religion's influence? In answering this question, he explores the work of three of the Frankfurt School's most esteemed thinkers: Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. His illuminating analysis offers a highly original account of the intertwined histories of religion and secular modernity.</p><p><em>Ryan Tripp is an adjunct for universities and California community colleges.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5284</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e02e45b2-58c7-11eb-84a8-6f761471e52d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8264134539.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew McManus, "A Critical Legal Examination of Liberalism and Liberal Rights" (Palgrave, 2020)</title>
      <description>The tradition of political liberalism has a long and complicated history, filled with twists, turns, critiques and responses that have filled books, essays and lectures for several centuries now. Questions of the importance and limitations of individual rights and how to balance different interests have produced no shortage of theoretical conflict as different figures have attempted to make sense of the importance and limits of individuals and their rights. 
Diving right into this debate is Matt McManus, returning again to the New Books Network to discuss his recent book A Critical Legal Examination of Liberalism and Liberal Rights (Palgrave, 2020). Going back as far as Burke, Hobbes, Kant and Locke, and then through critiques of liberalism from both radically progressive and reactionary orientations, the book traces the various ideas of liberalism up to the present in figures such as Habermas, Rawls and MacIntyre. It also posits it’s own understanding of liberalism, which emphasizes every individual's right to self-authorship as a central pillar for developing the liberal project. Crossing the fields of history, philosophy, political theory and law, the book offers a number of interventions across an array of fields, and will be of immense use to those seeking to understand some of the most pressing concerns of our time.
Matt McManus is a professor of politics at Whitman College. He is the author of a number of books, including The Rise of Postmodern Conservatism, and is also one of the coauthors of Myth and Mayhem: A Leftist Critique of Jordan Peterson, both of which we discussed in previous episodes of this podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>201</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Interview with Matthew McManus</itunes:subtitle>
      <itunes:summary>The tradition of political liberalism has a long and complicated history, filled with twists, turns, critiques and responses that have filled books, essays and lectures for several centuries now. Questions of the importance and limitations of individual rights and how to balance different interests have produced no shortage of theoretical conflict as different figures have attempted to make sense of the importance and limits of individuals and their rights. 
Diving right into this debate is Matt McManus, returning again to the New Books Network to discuss his recent book A Critical Legal Examination of Liberalism and Liberal Rights (Palgrave, 2020). Going back as far as Burke, Hobbes, Kant and Locke, and then through critiques of liberalism from both radically progressive and reactionary orientations, the book traces the various ideas of liberalism up to the present in figures such as Habermas, Rawls and MacIntyre. It also posits it’s own understanding of liberalism, which emphasizes every individual's right to self-authorship as a central pillar for developing the liberal project. Crossing the fields of history, philosophy, political theory and law, the book offers a number of interventions across an array of fields, and will be of immense use to those seeking to understand some of the most pressing concerns of our time.
Matt McManus is a professor of politics at Whitman College. He is the author of a number of books, including The Rise of Postmodern Conservatism, and is also one of the coauthors of Myth and Mayhem: A Leftist Critique of Jordan Peterson, both of which we discussed in previous episodes of this podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The tradition of political liberalism has a long and complicated history, filled with twists, turns, critiques and responses that have filled books, essays and lectures for several centuries now. Questions of the importance and limitations of individual rights and how to balance different interests have produced no shortage of theoretical conflict as different figures have attempted to make sense of the importance and limits of individuals and their rights. </p><p>Diving right into this debate is Matt McManus, returning again to the <em>New Books Network </em>to discuss his recent book <a href="https://bookshop.org/a/12343/9783030610241"><em>A Critical Legal Examination of Liberalism and Liberal Rights</em></a><em> </em>(Palgrave, 2020). Going back as far as Burke, Hobbes, Kant and Locke, and then through critiques of liberalism from both radically progressive and reactionary orientations, the book traces the various ideas of liberalism up to the present in figures such as Habermas, Rawls and MacIntyre. It also posits it’s own understanding of liberalism, which emphasizes every individual's right to self-authorship as a central pillar for developing the liberal project. Crossing the fields of history, philosophy, political theory and law, the book offers a number of interventions across an array of fields, and will be of immense use to those seeking to understand some of the most pressing concerns of our time.</p><p>Matt McManus is a professor of politics at Whitman College. He is the author of a number of books, including <em>The Rise of Postmodern Conservatism</em>, and is also one of the coauthors of <em>Myth and Mayhem: A Leftist Critique of Jordan Peterson</em>, both of which we discussed in previous episodes of this podcast.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4746</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8342d7d4-5136-11eb-a72a-2f27dae3e9fd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN9351632976.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christoph Menke, "Critique of Rights" (Polity, 2019)</title>
      <description>Christoph Menke, who is professor of philosophy at the Goethe University in Frankfurt Germany and considered the most important representative of the third generation of the "Frankfurt School of Critical Theory", presents in Critique of Rights (Polity Press 2020) a critical reflection on modern normativity in the so-called "Western world". More specifically: He analyzes “subjective rights”. To have a right means to have a justified and binding claim. Now Menke exposes in his book – which is both a genealogy and an ontology of law – that these “subjective rights”, which mark the birth of bourgeois society, have ambivalent properties. They are not only expressions of individuality and freedom everybody of us enjoys today as the most important achievement that Enlightenment has transferred to us. They also create what Karl Marx called "the entitlement of the egoistic human being, set apart from his fellow human being and from the community”. Private interests become the new natural basis for politics. Contrary to what one might think “subjective rights” do not empower the citizens of a political community but disempower them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Christoph Menke</itunes:subtitle>
      <itunes:summary>Christoph Menke, who is professor of philosophy at the Goethe University in Frankfurt Germany and considered the most important representative of the third generation of the "Frankfurt School of Critical Theory", presents in Critique of Rights (Polity Press 2020) a critical reflection on modern normativity in the so-called "Western world". More specifically: He analyzes “subjective rights”. To have a right means to have a justified and binding claim. Now Menke exposes in his book – which is both a genealogy and an ontology of law – that these “subjective rights”, which mark the birth of bourgeois society, have ambivalent properties. They are not only expressions of individuality and freedom everybody of us enjoys today as the most important achievement that Enlightenment has transferred to us. They also create what Karl Marx called "the entitlement of the egoistic human being, set apart from his fellow human being and from the community”. Private interests become the new natural basis for politics. Contrary to what one might think “subjective rights” do not empower the citizens of a political community but disempower them.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Christoph Menke, who is professor of philosophy at the Goethe University in Frankfurt Germany and considered the most important representative of the third generation of the "Frankfurt School of Critical Theory", presents in <a href="https://bookshop.org/a/12343/9781509520398"><em>Critique of Rights</em></a><em> </em>(Polity Press 2020) a critical reflection on modern normativity in the so-called "Western world". More specifically: He analyzes “subjective rights”. To have a right means to have a justified and binding claim. Now Menke exposes in his book – which is both a genealogy and an ontology of law – that these “subjective rights”, which mark the birth of bourgeois society, have ambivalent properties. They are not only expressions of individuality and freedom everybody of us enjoys today as the most important achievement that Enlightenment has transferred to us. They also create what Karl Marx called "<em>the entitlement of the egoistic human being, set apart from his fellow human being and from the community</em>”. Private interests become the new natural basis for politics. Contrary to what one might think “subjective rights” do not empower the citizens of a political community but disempower them.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5293</itunes:duration>
      <guid isPermaLink="false"><![CDATA[bc8fff08-504b-11eb-9ab1-27bd28e949ea]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8432061917.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tom Holert, "Knowledge Beside Itself: Contemporary Art's Epistemic Politics" (Sternberg Press, 2020)</title>
      <description>What is the role and function of contemporary art in economic and political systems that increasingly manage data and affect? Knowledge Beside Itself: Contemporary Art's Epistemic Politics (Sternberg Press, 2020) delves into the peculiar emphasis placed in recent years, curatorially and institutionally, on notions such as “research” and “knowledge production.”
Tom Holert, author of Knowledge Beside Itself, speaks to Pierre d'Alancaisez about the history of art's fraught relationship with knowledge and its opposition to scientific notions of epistemology, as well as about art's complicity in the "epistemic mammoth" of the knowledge economy.
Holert discusses the work of Natascha Sadr Haghighian and 'The Trainee' by Pilvi Takala which is available to view on Vimeo.
Tom Holert is a writer and curator. In 2015 he cofounded the Harun Farocki Institut in Berlin, a platform for research and production departing from the example set by Farocki. With Anselm Franke he curated the 2018 exhibition “Neolithic Childhood: Art in a False Present, c. 1930” at Haus der Kulturen der Welt, Berlin. “Education Shock,” a research and exhibition project at Haus der Kulturen der Welt on the spatial politics of education in the global 1960s and 1970s will take place in 2021.
Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Tom Holert</itunes:subtitle>
      <itunes:summary>What is the role and function of contemporary art in economic and political systems that increasingly manage data and affect? Knowledge Beside Itself: Contemporary Art's Epistemic Politics (Sternberg Press, 2020) delves into the peculiar emphasis placed in recent years, curatorially and institutionally, on notions such as “research” and “knowledge production.”
Tom Holert, author of Knowledge Beside Itself, speaks to Pierre d'Alancaisez about the history of art's fraught relationship with knowledge and its opposition to scientific notions of epistemology, as well as about art's complicity in the "epistemic mammoth" of the knowledge economy.
Holert discusses the work of Natascha Sadr Haghighian and 'The Trainee' by Pilvi Takala which is available to view on Vimeo.
Tom Holert is a writer and curator. In 2015 he cofounded the Harun Farocki Institut in Berlin, a platform for research and production departing from the example set by Farocki. With Anselm Franke he curated the 2018 exhibition “Neolithic Childhood: Art in a False Present, c. 1930” at Haus der Kulturen der Welt, Berlin. “Education Shock,” a research and exhibition project at Haus der Kulturen der Welt on the spatial politics of education in the global 1960s and 1970s will take place in 2021.
Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the role and function of contemporary art in economic and political systems that increasingly manage data and affect? <a href="https://bookshop.org/a/12343/9783943365979"><em>Knowledge Beside Itself: Contemporary Art's Epistemic Politics</em></a><em> </em>(Sternberg Press, 2020) delves into the peculiar emphasis placed in recent years, curatorially and institutionally, on notions such as “research” and “knowledge production.”</p><p>Tom Holert, author of <em>Knowledge Beside Itself</em>, speaks to Pierre d'Alancaisez about the history of art's fraught relationship with knowledge and its opposition to scientific notions of epistemology, as well as about art's complicity in the "epistemic mammoth" of the knowledge economy.</p><p>Holert discusses the work of Natascha Sadr Haghighian and 'The Trainee' by Pilvi Takala which is <a href="https://vimeo.com/119535540">available to view on Vimeo</a>.</p><p>Tom Holert is a writer and curator. In 2015 he cofounded the Harun Farocki Institut in Berlin, a platform for research and production departing from the example set by Farocki. With Anselm Franke he curated the 2018 exhibition “Neolithic Childhood: Art in a False Present, c. 1930” at Haus der Kulturen der Welt, Berlin. “Education Shock,” a research and exhibition project at Haus der Kulturen der Welt on the spatial politics of education in the global 1960s and 1970s will take place in 2021.</p><p><a href="http://petitpoi.net/"><em>Pierre d’Alancaisez</em></a><em> is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2820</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN4953741625.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Barbara Dennis, "Walking with Strangers: Critical Ethnography and Educational Promise" (Peter Lang, 2020)</title>
      <description>In this episode, I speak with Dr. Barbara Dennis of Indiana University on her new ethnography, Walking with Strangers: Critical Ethnography and Educational Promise, published in 2020 by Peter Lang Press.
Walking with Strangers: Critical Ethnography and Educational Promise features the IU-Unityville Outreach Project and tells the story of a 4-year-long participatory, critical ethnography in a local United States school district. The book speaks into the contemporary conversations around immigration, Deferred Action for Childhood Arrivals (DACA), and the experiences of Dreamers. The project involved a multilingual team of graduate students, educators, community members, and students who together aimed to transform school practices in order to bring about more success with transnational students who were enrolling in the district at an increasing rate. Over the span of several years, what began with a simple request for help, morphed into a rich ethnographic understanding of the complex tensions produced by monocultural and assimilationist ideals when juxtaposed with strangers. A unique and innovative feature about the book lies in that it seamlessly weaves together substantive discussions, methodological practices, and ethical challenges revolving around a transformative, social justice project.
Walking with Strangers has made significant and much-needed contributions to the field of critical and social justice oriented educational research. In particular, it zooms into the complex and localized dynamics among immigrant families and students, predominantly white communities, public schools structured by white culture, and teachers unprepared for educating transnational children. The book not only sheds light on the innovative approaches through which educational researchers and educators could bring positive changes to the school life of marginalized and disadvantaged students, but also candidly reflects on the places where such efforts failed when confronting white privilege and gender oppression.
Barbara Dennis is a peace and social justice activist, and critical educational ethnographer. She is a professor of qualitative inquiry in the Inquiry Methodology program at Indiana University’s, School of Education. She regularly publishes on feminist ethnography, critical participatory ethics, and methodological theory.
Pengfei Zhao is a critical researcher and qualitative research methodologist based at the University of Florida. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Barbara Dennis</itunes:subtitle>
      <itunes:summary>In this episode, I speak with Dr. Barbara Dennis of Indiana University on her new ethnography, Walking with Strangers: Critical Ethnography and Educational Promise, published in 2020 by Peter Lang Press.
Walking with Strangers: Critical Ethnography and Educational Promise features the IU-Unityville Outreach Project and tells the story of a 4-year-long participatory, critical ethnography in a local United States school district. The book speaks into the contemporary conversations around immigration, Deferred Action for Childhood Arrivals (DACA), and the experiences of Dreamers. The project involved a multilingual team of graduate students, educators, community members, and students who together aimed to transform school practices in order to bring about more success with transnational students who were enrolling in the district at an increasing rate. Over the span of several years, what began with a simple request for help, morphed into a rich ethnographic understanding of the complex tensions produced by monocultural and assimilationist ideals when juxtaposed with strangers. A unique and innovative feature about the book lies in that it seamlessly weaves together substantive discussions, methodological practices, and ethical challenges revolving around a transformative, social justice project.
Walking with Strangers has made significant and much-needed contributions to the field of critical and social justice oriented educational research. In particular, it zooms into the complex and localized dynamics among immigrant families and students, predominantly white communities, public schools structured by white culture, and teachers unprepared for educating transnational children. The book not only sheds light on the innovative approaches through which educational researchers and educators could bring positive changes to the school life of marginalized and disadvantaged students, but also candidly reflects on the places where such efforts failed when confronting white privilege and gender oppression.
Barbara Dennis is a peace and social justice activist, and critical educational ethnographer. She is a professor of qualitative inquiry in the Inquiry Methodology program at Indiana University’s, School of Education. She regularly publishes on feminist ethnography, critical participatory ethics, and methodological theory.
Pengfei Zhao is a critical researcher and qualitative research methodologist based at the University of Florida. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I speak with Dr. Barbara Dennis of Indiana University on her new ethnography, <a href="https://www.amazon.com/Walking-Strangers-Ethnography-Educational-Qualitative/dp/1433180235"><em>Walking with Strangers: Critical Ethnography and Educational Promise</em></a>, published in 2020 by Peter Lang Press.</p><p><em>Walking with Strangers: Critical Ethnography and Educational Promise </em>features the IU-Unityville Outreach Project and tells the story of a 4-year-long participatory, critical ethnography in a local United States school district. The book speaks into the contemporary conversations around immigration, Deferred Action for Childhood Arrivals (DACA), and the experiences of Dreamers. The project involved a multilingual team of graduate students, educators, community members, and students who together aimed to transform school practices in order to bring about more success with transnational students who were enrolling in the district at an increasing rate. Over the span of several years, what began with a simple request for help, morphed into a rich ethnographic understanding of the complex tensions produced by monocultural and assimilationist ideals when juxtaposed with strangers. A unique and innovative feature about the book lies in that it seamlessly weaves together substantive discussions, methodological practices, and ethical challenges revolving around a transformative, social justice project.</p><p><em>Walking with Strangers</em> has made significant and much-needed contributions to the field of critical and social justice oriented educational research. In particular, it zooms into the complex and localized dynamics among immigrant families and students, predominantly white communities, public schools structured by white culture, and teachers unprepared for educating transnational children. The book not only sheds light on the innovative approaches through which educational researchers and educators could bring positive changes to the school life of marginalized and disadvantaged students, but also candidly reflects on the places where such efforts failed when confronting white privilege and gender oppression.</p><p><a href="https://education.indiana.edu/about/directory/profiles/dennis-barbara.html">Barbara Dennis</a> is a peace and social justice activist, and critical educational ethnographer. She is a professor of qualitative inquiry in the Inquiry Methodology program at Indiana University’s, School of Education. She regularly publishes on feminist ethnography, critical participatory ethics, and methodological theory.</p><p>Pengfei Zhao is a critical researcher and qualitative research methodologist based at the University of Florida. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[110a0dd4-4bb1-11eb-8cb5-2bcc23c6fb05]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN3501756398.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jemma Deer, "Radical Animism: Reading for the End of the World" (Bloomsbury, 2020)</title>
      <description>Jemma Deer’s Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jemma Deer</itunes:subtitle>
      <itunes:summary>Jemma Deer’s Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jemma Deer’s <a href="https://bookshop.org/a/12343/9781350111158"><em>Radical Animism: Reading for the End of the World</em></a><em> </em>(Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. <em>Radical Animism </em>is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2744</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7ad73ea-4aec-11eb-a14b-bfd577eeaaf6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN7609054681.mp3?updated=1763107226" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Hyun Yi Kang, "Traffic in Asian Women" (Duke UP, 2020)</title>
      <description>Can we ever overcome the epistemological barrier to conceptualizing Asian women not as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, Traffic in Asian Women (Duke University Press, 2020). 
Kang, in conversation with works such as Kuan-Hsing Chen’s Asia as Method: Towards Deimperialization, contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in women,” “sexual slavery,” and “violence against women.” Further, Kang critically analyzes how the contours of human rights and women’s rights discourses as well as political economy shaped compensation, truth disclosure, and memorialization of “comfort women” transnationally. Through the figure of Asian women, Kang critiques the ways in which capitalist and imperialist global governance has shaped international justice and discourses of redress, drawing a boundary in the knowledge production of Asian women in their complexity, nuance, and unknowability. Kang's work is critical for any scholars who are interested in the questions of interdisciplinarity, critical area and empire studies, justice, transnational feminism, critical university studies, cultural production and social movement. 
Laura Hyun Yi Kang is a Professor of Gender and Sexuality Studies at University of California, Irvine. Her previous book, which contends with the problem of disciplinarity, is Compositional Subjects: Enfiguring Asian/American Women (Duke University Press, 2002) and lays out some of the grounds of the discussions that continues in her new book, Traffic in Asian Women. 
Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 07 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Laura Hyun Yi Kang</itunes:subtitle>
      <itunes:summary>Can we ever overcome the epistemological barrier to conceptualizing Asian women not as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, Traffic in Asian Women (Duke University Press, 2020). 
Kang, in conversation with works such as Kuan-Hsing Chen’s Asia as Method: Towards Deimperialization, contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in women,” “sexual slavery,” and “violence against women.” Further, Kang critically analyzes how the contours of human rights and women’s rights discourses as well as political economy shaped compensation, truth disclosure, and memorialization of “comfort women” transnationally. Through the figure of Asian women, Kang critiques the ways in which capitalist and imperialist global governance has shaped international justice and discourses of redress, drawing a boundary in the knowledge production of Asian women in their complexity, nuance, and unknowability. Kang's work is critical for any scholars who are interested in the questions of interdisciplinarity, critical area and empire studies, justice, transnational feminism, critical university studies, cultural production and social movement. 
Laura Hyun Yi Kang is a Professor of Gender and Sexuality Studies at University of California, Irvine. Her previous book, which contends with the problem of disciplinarity, is Compositional Subjects: Enfiguring Asian/American Women (Duke University Press, 2002) and lays out some of the grounds of the discussions that continues in her new book, Traffic in Asian Women. 
Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can we ever overcome the epistemological barrier to conceptualizing Asian women <em>not</em> as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, <a href="https://bookshop.org/a/12343/9781478009665"><em>Traffic in Asian Women</em></a><em> </em>(Duke University Press, 2020). </p><p>Kang, in conversation with works such as Kuan-Hsing Chen’s <em>Asia as Method: Towards Deimperialization, </em>contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in women,” “sexual slavery,” and “violence against women.” Further, Kang critically analyzes how the contours of human rights and women’s rights discourses as well as political economy shaped compensation, truth disclosure, and memorialization of “comfort women” transnationally. Through the figure of Asian women, Kang critiques the ways in which capitalist and imperialist global governance has shaped international justice and discourses of redress, drawing a boundary in the knowledge production of Asian women in their complexity, nuance, and unknowability. Kang's work is critical for any scholars who are interested in the questions of interdisciplinarity, critical area and empire studies, justice, transnational feminism, critical university studies, cultural production and social movement. </p><p>Laura Hyun Yi Kang is a Professor of Gender and Sexuality Studies at University of California, Irvine. Her previous book, which contends with the problem of disciplinarity, is <em>Compositional Subjects: Enfiguring Asian/American Women</em> (Duke University Press, 2002) and lays out some of the grounds of the discussions that continues in her new book, <em>Traffic in Asian Women. </em></p><p><em>Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4541</itunes:duration>
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    <item>
      <title>Jodi Rios, "Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis" (Cornell UP, 2020)</title>
      <description>In Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of blackness to embody freedom in the face of death and to imagine other worlds, other futures” (5). Black Lives and Spatial Matters is a transdisciplinary work that draws from history, ethnography, geography, as well as architecture and design, to show how anti-blackness is produced and contested when Black people occupy space.
Jodi Rios is a scholar, designer, and educator whose work is located at the intersection of physical, social, and political space.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
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      <pubDate>Tue, 05 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>91</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jodi Rios</itunes:subtitle>
      <itunes:summary>In Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of blackness to embody freedom in the face of death and to imagine other worlds, other futures” (5). Black Lives and Spatial Matters is a transdisciplinary work that draws from history, ethnography, geography, as well as architecture and design, to show how anti-blackness is produced and contested when Black people occupy space.
Jodi Rios is a scholar, designer, and educator whose work is located at the intersection of physical, social, and political space.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781501750472"><em>Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis</em></a> (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of blackness to embody freedom in the face of death and to imagine other worlds, other futures” (5). Black Lives and Spatial Matters is a transdisciplinary work that draws from history, ethnography, geography, as well as architecture and design, to show how anti-blackness is produced and contested when Black people occupy space.</p><p>Jodi Rios is a scholar, designer, and educator whose work is located at the intersection of physical, social, and political space.</p><p><em>Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3185</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Regina Rini, "The Ethics of Microaggression" (Routledge, 2020)</title>
      <description>Seemingly fleeting and barely legible insults, slights, and derogations might seem morally insignificant. They’re the byproducts of ordinary thoughtlessness and insensitivity; moreover, insofar as they inflict harm at all, the harm seems miniscule – hurt feelings, disappointment, annoyance, momentary frustration. Aren’t such things as insults and put-downs in the eye of the beholder, anyway? Surely, there are bigger fish to fry.
In The Ethics of Microaggression (Routledge 2021), Regina Rini takes seriously this kind of skeptical stance towards the phenomena of microaggression. Indeed, she finds that a common understanding of microaggression is too vulnerable to skeptical challenge. However, she then develops and defends an alternative conception of microaggression that preserves the experiences of those who suffer microaggression while quelling skeptical objections. Along the way, she also proposes strategies for morally dealing with microaggressors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>237</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Regina Rini</itunes:subtitle>
      <itunes:summary>Seemingly fleeting and barely legible insults, slights, and derogations might seem morally insignificant. They’re the byproducts of ordinary thoughtlessness and insensitivity; moreover, insofar as they inflict harm at all, the harm seems miniscule – hurt feelings, disappointment, annoyance, momentary frustration. Aren’t such things as insults and put-downs in the eye of the beholder, anyway? Surely, there are bigger fish to fry.
In The Ethics of Microaggression (Routledge 2021), Regina Rini takes seriously this kind of skeptical stance towards the phenomena of microaggression. Indeed, she finds that a common understanding of microaggression is too vulnerable to skeptical challenge. However, she then develops and defends an alternative conception of microaggression that preserves the experiences of those who suffer microaggression while quelling skeptical objections. Along the way, she also proposes strategies for morally dealing with microaggressors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seemingly fleeting and barely legible insults, slights, and derogations might seem morally insignificant. They’re the byproducts of ordinary thoughtlessness and insensitivity; moreover, insofar as they inflict harm at all, the harm seems miniscule – hurt feelings, disappointment, annoyance, momentary frustration. Aren’t such things as insults and put-downs in the eye of the beholder, anyway? Surely, there are bigger fish to fry.</p><p>In <a href="https://bookshop.org/a/12343/9781138713123"><em>The Ethics of Microaggression</em></a> (Routledge 2021), <a href="https://reginarini.net/">Regina Rini</a> takes seriously this kind of skeptical stance towards the phenomena of microaggression. Indeed, she finds that a common understanding of microaggression is too vulnerable to skeptical challenge. However, she then develops and defends an alternative conception of microaggression that preserves the experiences of those who suffer microaggression while quelling skeptical objections. Along the way, she also proposes strategies for morally dealing with microaggressors.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3739</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>K. A. Young and M. Schwartz, "Levers of Power: How the 1% Rules and What the 99% Can Do About It" (Verso, 2020)</title>
      <description>It is often assumed that American politics is dominated by financial elites and the 1%, who use their massive wealth to gain power and influence, pushing for legislation that benefits them at the expense of everyone else. The actual mechanics of how this works, however, are often difficult to see and understand, obscured by distortion via the media, politicians, and the stories we often tell ourselves about how political change happens. These narratives often tell us about noble figures who come forward with powerful speeches and pieces of legislation that pushes us forward, as well as figures who sell out and cave to the powers that be. What these narratives often leave out is the broader context that those leaders were in the middle of, not only shaping but being shaped by the organizing that was happening around them. 
Filling in this gap are my guests today, Kevin Young and Michael Schwartz (cowriter Tarun Banerjee was unable to join us), here to discuss their book Levers of Power: How the 1% Rules and What the 99% Can Do About It (Verso, 2020). A work of political theory, sociology and history, this book covers a lot of different areas, but underlying it all is a belief in the importance of mass organizing to resist the power of capital. The first half of the book delivers an insightful and critical look at the Obama presidency, looking at his failures and limitations when it came to healthcare reform, Wall Street regulation and environmental protection, looking to understand the underlying mechanics of his political orientation and how they were insufficient for the tasks at hand. The later chapters of the book then look at various political successes, such as the labor movements during the depression of the 1930's and the struggles for civil rights in the 1960's, analyzing the ways massive organizing efforts were made to apply political and financial pressure and force capital to the bargaining table.
Written with a brilliant combination of academic rigor and accessibility, this is a how-to guide for how to organize movements and challenge power, and will be of interest not just to people who want to understand the world, but who want to change it as well.
Kevin Young is an assistant professor of history at the University of Massachusetts, Amherst, and is also the author of Blood of the Earth: Resource Nationalism, Revolution, and Empire in Bolivia (2017). Michael Schwartz is a distinguished professor emeritus of sociology at Stony Brook University, and is also the author of The War Without End: The Iraq War in Context (2008). Tarun Banerjee is an assistant professor of sociology at the University of Pittsburgh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Kevin Young and Michael Schwartz</itunes:subtitle>
      <itunes:summary>It is often assumed that American politics is dominated by financial elites and the 1%, who use their massive wealth to gain power and influence, pushing for legislation that benefits them at the expense of everyone else. The actual mechanics of how this works, however, are often difficult to see and understand, obscured by distortion via the media, politicians, and the stories we often tell ourselves about how political change happens. These narratives often tell us about noble figures who come forward with powerful speeches and pieces of legislation that pushes us forward, as well as figures who sell out and cave to the powers that be. What these narratives often leave out is the broader context that those leaders were in the middle of, not only shaping but being shaped by the organizing that was happening around them. 
Filling in this gap are my guests today, Kevin Young and Michael Schwartz (cowriter Tarun Banerjee was unable to join us), here to discuss their book Levers of Power: How the 1% Rules and What the 99% Can Do About It (Verso, 2020). A work of political theory, sociology and history, this book covers a lot of different areas, but underlying it all is a belief in the importance of mass organizing to resist the power of capital. The first half of the book delivers an insightful and critical look at the Obama presidency, looking at his failures and limitations when it came to healthcare reform, Wall Street regulation and environmental protection, looking to understand the underlying mechanics of his political orientation and how they were insufficient for the tasks at hand. The later chapters of the book then look at various political successes, such as the labor movements during the depression of the 1930's and the struggles for civil rights in the 1960's, analyzing the ways massive organizing efforts were made to apply political and financial pressure and force capital to the bargaining table.
Written with a brilliant combination of academic rigor and accessibility, this is a how-to guide for how to organize movements and challenge power, and will be of interest not just to people who want to understand the world, but who want to change it as well.
Kevin Young is an assistant professor of history at the University of Massachusetts, Amherst, and is also the author of Blood of the Earth: Resource Nationalism, Revolution, and Empire in Bolivia (2017). Michael Schwartz is a distinguished professor emeritus of sociology at Stony Brook University, and is also the author of The War Without End: The Iraq War in Context (2008). Tarun Banerjee is an assistant professor of sociology at the University of Pittsburgh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is often assumed that American politics is dominated by financial elites and the 1%, who use their massive wealth to gain power and influence, pushing for legislation that benefits them at the expense of everyone else. The actual mechanics of how this works, however, are often difficult to see and understand, obscured by distortion via the media, politicians, and the stories we often tell ourselves about how political change happens. These narratives often tell us about noble figures who come forward with powerful speeches and pieces of legislation that pushes us forward, as well as figures who sell out and cave to the powers that be. What these narratives often leave out is the broader context that those leaders were in the middle of, not only shaping but being shaped by the organizing that was happening around them. </p><p>Filling in this gap are my guests today, Kevin Young and Michael Schwartz (cowriter Tarun Banerjee was unable to join us), here to discuss their book <a href="https://bookshop.org/a/12343/9781788730969"><em>Levers of Power: How the 1% Rules and What the 99% Can Do About It</em></a> (Verso, 2020). A work of political theory, sociology and history, this book covers a lot of different areas, but underlying it all is a belief in the importance of mass organizing to resist the power of capital. The first half of the book delivers an insightful and critical look at the Obama presidency, looking at his failures and limitations when it came to healthcare reform, Wall Street regulation and environmental protection, looking to understand the underlying mechanics of his political orientation and how they were insufficient for the tasks at hand. The later chapters of the book then look at various political successes, such as the labor movements during the depression of the 1930's and the struggles for civil rights in the 1960's, analyzing the ways massive organizing efforts were made to apply political and financial pressure and force capital to the bargaining table.</p><p>Written with a brilliant combination of academic rigor and accessibility, this is a how-to guide for how to organize movements and challenge power, and will be of interest not just to people who want to understand the world, but who want to change it as well.</p><p>Kevin Young is an assistant professor of history at the University of Massachusetts, Amherst, and is also the author of <em>Blood of the Earth: Resource Nationalism, Revolution, and Empire in Bolivia</em> (2017). Michael Schwartz is a distinguished professor emeritus of sociology at Stony Brook University, and is also the author of <em>The War Without End: The Iraq War in Context</em> (2008). Tarun Banerjee is an assistant professor of sociology at the University of Pittsburgh.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7702</itunes:duration>
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    </item>
    <item>
      <title>J. Daniel Elam, "World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics" (Fordham UP, 2020)</title>
      <description>World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics (Fordham University Press, 2020) recovers a genealogy of anticolonial thought that advocates collective inexpertise, unknowing, and unrecognizability. Early twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. To trace this impossible political theory, Elam foregrounds theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise, but as a way rather to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of imperial rule, which prized self-mastery, authority, and sovereignty. Aligning Frantz Fanon’s political writing with Erich Auerbach’s philological project, Elam brings together the histories of comparative literature and anticolonial thought to demonstrate how these early twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.
J. Daniel Elam is an assistant professor in the Department of Comparative Literature at the University of Hong Kong. 
Kelvin Ng hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit.
Zifeng Liu is a PhD candidate in the Africana Studies and Research Center at Cornell University. His dissertation examines Black left feminism and Mao’s China.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with J. Daniel Elam</itunes:subtitle>
      <itunes:summary>World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics (Fordham University Press, 2020) recovers a genealogy of anticolonial thought that advocates collective inexpertise, unknowing, and unrecognizability. Early twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. To trace this impossible political theory, Elam foregrounds theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise, but as a way rather to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of imperial rule, which prized self-mastery, authority, and sovereignty. Aligning Frantz Fanon’s political writing with Erich Auerbach’s philological project, Elam brings together the histories of comparative literature and anticolonial thought to demonstrate how these early twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.
J. Daniel Elam is an assistant professor in the Department of Comparative Literature at the University of Hong Kong. 
Kelvin Ng hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit.
Zifeng Liu is a PhD candidate in the Africana Studies and Research Center at Cornell University. His dissertation examines Black left feminism and Mao’s China.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780823289790"><em>World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics</em></a> (Fordham University Press, 2020) recovers a genealogy of anticolonial thought that advocates collective inexpertise, unknowing, and unrecognizability. Early twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. To trace this impossible political theory, Elam foregrounds theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise, but as a way rather to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of imperial rule, which prized self-mastery, authority, and sovereignty. Aligning Frantz Fanon’s political writing with Erich Auerbach’s philological project, Elam brings together the histories of comparative literature and anticolonial thought to demonstrate how these early twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.</p><p><a href="https://www.complit.hku.hk/index.php/faculty/daniel-elam/">J. Daniel Elam</a> is an assistant professor in the Department of Comparative Literature at the University of Hong Kong. </p><p><a href="https://history.yale.edu/people/kelvin-ng"><em>Kelvin Ng</em></a><em> hosted the episode. He is a Ph.D. student at Yale University, History Department. His research interests broadly lie in the history of imperialism and anti-imperialism in the early-twentieth-century Indian Ocean circuit.</em></p><p><a href="https://africana.cornell.edu/zifeng-liu"><em>Zifeng Liu</em></a><em> is a PhD candidate in the Africana Studies and Research Center at Cornell University. His dissertation examines Black left feminism and Mao’s China.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6290</itunes:duration>
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      <title>Alyson K. Spurgas, "Diagnosing Desire: Biopolitics and Femininity Into the Twenty-First Century" (Ohio State UP, 2020)</title>
      <description>In Diagnosing Desire: Biopolitics and Femininity into the Twenty-First Century, (The Ohio State University Press, 2020), Alyson K. Spurgas, Ph.D. examines the “new science of female sexuality” from a critical, sociological perspective, considering how today’s feminist-identified sex researchers study and manage women with low desire. Diagnosing Desire investigates experimental sex research that measures the disconnect between subjective and genital female arousal, contemporary psychiatric diagnoses for low female desire, new models for understanding women’s sexual response, and cutting-edge treatments for low desire in women—including from the realms of mindfulness and alternative healing.
Spurgas makes the case that, together, all of these technologies create a “feminized responsive desire framework” for understanding women’s sexuality, and that this, in fact, produces women’s sexuality as a complex problem to be solved. The biggest problem, Spurgas argues, is that gendered and sexualized trauma—including as it is produced within techno-scientific medicine itself—is too often ignored in contemporary renderings. Through incisive textual analysis and in-depth qualitative research based on interviews with women with low desire, Spurgas argues for a more radical and communal form of care for feminized—and traumatized—populations, in opposition to biopolitical mandates to individualize and neo-liberalize forms of self-care. Ultimately, this is a book not just about a specific diagnosis or dysfunction but about the material-discursive regimes that produce and regulate femininity.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. More can be found about Michael O. Johnston, Ph.D. by going to his website, Google Scholar, following him on Twitter @ProfessorJohnst, or emailing him at johnstonmo at wmpenn dot edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Alyson K. Spurgas</itunes:subtitle>
      <itunes:summary>In Diagnosing Desire: Biopolitics and Femininity into the Twenty-First Century, (The Ohio State University Press, 2020), Alyson K. Spurgas, Ph.D. examines the “new science of female sexuality” from a critical, sociological perspective, considering how today’s feminist-identified sex researchers study and manage women with low desire. Diagnosing Desire investigates experimental sex research that measures the disconnect between subjective and genital female arousal, contemporary psychiatric diagnoses for low female desire, new models for understanding women’s sexual response, and cutting-edge treatments for low desire in women—including from the realms of mindfulness and alternative healing.
Spurgas makes the case that, together, all of these technologies create a “feminized responsive desire framework” for understanding women’s sexuality, and that this, in fact, produces women’s sexuality as a complex problem to be solved. The biggest problem, Spurgas argues, is that gendered and sexualized trauma—including as it is produced within techno-scientific medicine itself—is too often ignored in contemporary renderings. Through incisive textual analysis and in-depth qualitative research based on interviews with women with low desire, Spurgas argues for a more radical and communal form of care for feminized—and traumatized—populations, in opposition to biopolitical mandates to individualize and neo-liberalize forms of self-care. Ultimately, this is a book not just about a specific diagnosis or dysfunction but about the material-discursive regimes that produce and regulate femininity.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. More can be found about Michael O. Johnston, Ph.D. by going to his website, Google Scholar, following him on Twitter @ProfessorJohnst, or emailing him at johnstonmo at wmpenn dot edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/books/diagnosing-desire-biopolitics-and-femininity-into-the-twenty-first-century/9780814257692"><em>Diagnosing Desire: Biopolitics and Femininity into the Twenty-First Century</em></a>, (The Ohio State University Press, 2020), <a href="https://internet3.trincoll.edu/FacProfiles/Default.aspx?fid=1480461">Alyson K. Spurgas, Ph.D.</a> examines the “new science of female sexuality” from a critical, sociological perspective, considering how today’s feminist-identified sex researchers study and manage women with low desire. <em>Diagnosing Desire</em> investigates experimental sex research that measures the disconnect between subjective and genital female arousal, contemporary psychiatric diagnoses for low female desire, new models for understanding women’s sexual response, and cutting-edge treatments for low desire in women—including from the realms of mindfulness and alternative healing.</p><p>Spurgas makes the case that, together, all of these technologies create a “feminized responsive desire framework” for understanding women’s sexuality, and that this, in fact, <em>produces </em>women’s sexuality as a complex problem to be solved. The biggest problem, Spurgas argues, is that gendered and sexualized trauma—including as it is produced within techno-scientific medicine itself—is too often ignored in contemporary renderings. Through incisive textual analysis and in-depth qualitative research based on interviews with women with low desire, Spurgas argues for a more radical and communal form of care for feminized—and traumatized—populations, in opposition to biopolitical mandates to individualize and neo-liberalize forms of self-care. Ultimately, this is a book not just about a specific diagnosis or dysfunction but about the material-discursive regimes that produce and regulate femininity.</p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “</em><a href="https://link.springer.com/article/10.1007/s12147-020-09266-z"><em>The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant</em></a><em>”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. More can be found about Michael O. Johnston, Ph.D. by going to his </em><a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, following him on Twitter </em><a href="https://twitter.com/professorjohnst?lang=en"><em>@ProfessorJohnst</em></a><em>, or emailing him at johnstonmo at wmpenn dot edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4753</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f646cc36-3c9b-11eb-a981-27c4749943b8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1076861955.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jean Casimir. "The Haitians: A Decolonial History" (UNC Press, 2020)</title>
      <description>In The Haitians: A Decolonial History (UNC Press, 2020), leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915. The Haitians (UNC Press, 2020) also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo--the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompassed consistent reliance on small-scale landholding. Casimir shows how lakou, small plots of land often inhabited by generations of the same family, were and continue to be sites of resistance even in the face of structural disadvantages originating in colonial times, some of which continue to be maintained by the Haitian government with support from outside powers.
 Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>225</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Jean Casimir</itunes:subtitle>
      <itunes:summary>In The Haitians: A Decolonial History (UNC Press, 2020), leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915. The Haitians (UNC Press, 2020) also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo--the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompassed consistent reliance on small-scale landholding. Casimir shows how lakou, small plots of land often inhabited by generations of the same family, were and continue to be sites of resistance even in the face of structural disadvantages originating in colonial times, some of which continue to be maintained by the Haitian government with support from outside powers.
 Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781469660486"><em>The Haitians: A Decolonial History</em></a> (UNC Press, 2020), leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915. The Haitians (UNC Press, 2020) also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's <em>moun andeyo</em>--the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompassed consistent reliance on small-scale landholding. Casimir shows how <em>lakou</em>, small plots of land often inhabited by generations of the same family, were and continue to be sites of resistance even in the face of structural disadvantages originating in colonial times, some of which continue to be maintained by the Haitian government with support from outside powers.</p><p><em> </em><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a third year Ph.D. in History student at Rutgers, the State University of New Jersey.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4731</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[27af1a26-3bd9-11eb-bf26-1f03a57ae0b7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9054233459.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam Fabry, "The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism" (Palgrave, 2019)</title>
      <description>Adam Fabry's book The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism (Palgrave, 2019) explores the political economy of Hungary from the mid-1970s to the present. Widely considered a 'poster boy' of neoliberal transformation in post-communist Eastern Europe until the mid-2000s, Hungary has in recent years developed into a model 'illiberal' regime. Constitutional checks-and-balances are non-functioning; the independent media, trade unions, and civil society groups are constantly attacked by the authorities; there is widespread intolerance against minorities and refugees; and the governing FIDESZ party, led by Prime Minister Viktor Orban, controls all public institutions and increasingly large parts of the country's economy. To make sense of the politico-economical roller coaster that Hungary has experienced in the last four decades, Fabry employs a Marxian political economy approach, emphasising competitive accumulation, class struggle (both between capital and labour, as well as different 'fractions of capital'), and uneven and combined development. The author analyses the neoliberal transformation of the Hungarian political economy and argues that the drift to authoritarianism under the Orb n regime cannot be explained as a case of Hungarian exceptionalism, but rather represents an outcome of the inherent contradictions of the variety of neoliberalism that emerged in Hungary after 1989.
Adam Fabry is a lecturer of Political Economy at the National University of Chilecito (UNdeC), Argentina. He received his PhD from Brunel University under the supervision of Gareth Dale. Adam’s research interests include: international political economy, uneven and combined development, neoliberalism, and the history and politics of the far-right, with a regional focus on Central Eastern Europe and Latin America. His work has been published in international journals, such as Capital &amp; Class, Competition &amp; Change, Historical Materialism. The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism (Palgrave, 2019) is his first monograph.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Adam Fabry</itunes:subtitle>
      <itunes:summary>Adam Fabry's book The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism (Palgrave, 2019) explores the political economy of Hungary from the mid-1970s to the present. Widely considered a 'poster boy' of neoliberal transformation in post-communist Eastern Europe until the mid-2000s, Hungary has in recent years developed into a model 'illiberal' regime. Constitutional checks-and-balances are non-functioning; the independent media, trade unions, and civil society groups are constantly attacked by the authorities; there is widespread intolerance against minorities and refugees; and the governing FIDESZ party, led by Prime Minister Viktor Orban, controls all public institutions and increasingly large parts of the country's economy. To make sense of the politico-economical roller coaster that Hungary has experienced in the last four decades, Fabry employs a Marxian political economy approach, emphasising competitive accumulation, class struggle (both between capital and labour, as well as different 'fractions of capital'), and uneven and combined development. The author analyses the neoliberal transformation of the Hungarian political economy and argues that the drift to authoritarianism under the Orb n regime cannot be explained as a case of Hungarian exceptionalism, but rather represents an outcome of the inherent contradictions of the variety of neoliberalism that emerged in Hungary after 1989.
Adam Fabry is a lecturer of Political Economy at the National University of Chilecito (UNdeC), Argentina. He received his PhD from Brunel University under the supervision of Gareth Dale. Adam’s research interests include: international political economy, uneven and combined development, neoliberalism, and the history and politics of the far-right, with a regional focus on Central Eastern Europe and Latin America. His work has been published in international journals, such as Capital &amp; Class, Competition &amp; Change, Historical Materialism. The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism (Palgrave, 2019) is his first monograph.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Adam Fabry's book <a href="https://bookshop.org/a/12343/9783030105938"><em>The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism</em></a><em> </em>(Palgrave, 2019) explores the political economy of Hungary from the mid-1970s to the present. Widely considered a 'poster boy' of neoliberal transformation in post-communist Eastern Europe until the mid-2000s, Hungary has in recent years developed into a model 'illiberal' regime. Constitutional checks-and-balances are non-functioning; the independent media, trade unions, and civil society groups are constantly attacked by the authorities; there is widespread intolerance against minorities and refugees; and the governing FIDESZ party, led by Prime Minister Viktor Orban, controls all public institutions and increasingly large parts of the country's economy. To make sense of the politico-economical roller coaster that Hungary has experienced in the last four decades, Fabry employs a Marxian political economy approach, emphasising competitive accumulation, class struggle (both between capital and labour, as well as different 'fractions of capital'), and uneven and combined development. The author analyses the neoliberal transformation of the Hungarian political economy and argues that the drift to authoritarianism under the Orb n regime cannot be explained as a case of Hungarian exceptionalism, but rather represents an outcome of the inherent contradictions of the variety of neoliberalism that emerged in Hungary after 1989.</p><p>Adam Fabry is a lecturer of Political Economy at the National University of Chilecito (UNdeC), Argentina. He received his PhD from Brunel University under the supervision of Gareth Dale. Adam’s research interests include: international political economy, uneven and combined development, neoliberalism, and the history and politics of the far-right, with a regional focus on Central Eastern Europe and Latin America. His work has been published in international journals, such as <em>Capital &amp; Class, Competition &amp; Change, Historical Materialism. </em><a href="https://bookshop.org/a/12343/9783030105938"><em>The Political Economy of Hungary: From State Capitalism to Authoritarian Neoliberalism</em></a><em> </em>(Palgrave, 2019) is his first monograph.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3471</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3045659198.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Christman, "The Chapo Guide to Revolution: A Manifesto Against Logic, Facts, and Reason" (Simon &amp; Schuster, 2019)</title>
      <description>Let’s face it, 2020 has been a hell of a year. We could all use a good laugh. But as historians and/or fans of history, we have to read something historically grounded, right? Well, fear not! Felix Biederman, Virgil Texas, Will Menaker, Brendan James, and Matt Christman, those rapscallions from the Chapo Trap House podcast wrote a book, The Chapo Guide to Revolution; A Manifesto Against Logic, Facts, and Reason (Simon &amp; Schuster, 2018), and it’s got a lot of history in it. I sat down with Matt Christman to talk about history, humor, and the hell-world of late capitalism. He offers his critiques of American liberalism and conservatism, as well as discussing how history shapes his thinking and analysis.
Matt Christman co-hosts Chapo Trap House, a hugely popular and rather influential podcast. The Chapo crew includes the above authors (although the traitorous Brendan James was purged for revisionism and replaced with Amber A'Lee Frost). For the uninitiated, Chapo Trap House is a comedic political podcast that has been branded as the “Dirt Bag Left”. With a solid dose of scatological humor and subversive irony, it’s not for everyone, but I find it to be some of today’s smartest and most well-informed political and cultural criticism. On the Chapo podcast and in his other appearances, he displays an impressive command of history, frequently grounding his analysis in historical context. He also put out a few special episodes of Chapo Trap House called “The Inebriated Past”, the best of which offered insightful discussions of topics ranging from fascism to sewer socialism.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>109</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Matt Christman</itunes:subtitle>
      <itunes:summary>Let’s face it, 2020 has been a hell of a year. We could all use a good laugh. But as historians and/or fans of history, we have to read something historically grounded, right? Well, fear not! Felix Biederman, Virgil Texas, Will Menaker, Brendan James, and Matt Christman, those rapscallions from the Chapo Trap House podcast wrote a book, The Chapo Guide to Revolution; A Manifesto Against Logic, Facts, and Reason (Simon &amp; Schuster, 2018), and it’s got a lot of history in it. I sat down with Matt Christman to talk about history, humor, and the hell-world of late capitalism. He offers his critiques of American liberalism and conservatism, as well as discussing how history shapes his thinking and analysis.
Matt Christman co-hosts Chapo Trap House, a hugely popular and rather influential podcast. The Chapo crew includes the above authors (although the traitorous Brendan James was purged for revisionism and replaced with Amber A'Lee Frost). For the uninitiated, Chapo Trap House is a comedic political podcast that has been branded as the “Dirt Bag Left”. With a solid dose of scatological humor and subversive irony, it’s not for everyone, but I find it to be some of today’s smartest and most well-informed political and cultural criticism. On the Chapo podcast and in his other appearances, he displays an impressive command of history, frequently grounding his analysis in historical context. He also put out a few special episodes of Chapo Trap House called “The Inebriated Past”, the best of which offered insightful discussions of topics ranging from fascism to sewer socialism.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Let’s face it, 2020 has been a hell of a year. We could all use a good laugh. But as historians and/or fans of history, we have to read something historically grounded, right? Well, fear not! Felix Biederman, Virgil Texas, Will Menaker, Brendan James, and Matt Christman, those rapscallions from the Chapo Trap House podcast wrote a book, <a href="https://bookshop.org/a/12343/9781501187292"><em>The Chapo Guide to Revolution; A Manifesto Against Logic, Facts, and Reaso</em></a><em>n</em> (Simon &amp; Schuster, 2018), and it’s got a lot of history in it. I sat down with Matt Christman to talk about history, humor, and the hell-world of late capitalism. He offers his critiques of American liberalism and conservatism, as well as discussing how history shapes his thinking and analysis.</p><p>Matt Christman co-hosts Chapo Trap House, a hugely popular and rather influential podcast. The Chapo crew includes the above authors (although the traitorous Brendan James was purged for revisionism and replaced with Amber A'Lee Frost). For the uninitiated, Chapo Trap House is a comedic political podcast that has been branded as the “Dirt Bag Left”. With a solid dose of scatological humor and subversive irony, it’s not for everyone, but I find it to be some of today’s smartest and most well-informed political and cultural criticism. On the Chapo podcast and in his other appearances, he displays an impressive command of history, frequently grounding his analysis in historical context. He also put out a few special episodes of Chapo Trap House called “The Inebriated Past”, the best of which offered insightful discussions of topics ranging from fascism to sewer socialism.</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;">The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</a> (Oxford University Press, 2018)<em>. When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3927</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Isar P. Godreau, "Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico" (U Illinois Press, 2015)</title>
      <description>This is part of our Special Series on Third World Nationalism. In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean.
Today my guest is Isar Godreau, author of Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico (University of Illinois Press, 2015).
The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In Scripts of Blackness, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege whiteness, typecast blackness, and silence charges of racism.

Based on an ethnographic study of the barrio of San Antón in the city of Ponce, Scripts of Blackness examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black.
Mining ethnographic materials and anthropological and historical research, Scripts of Blackness provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Isar Godreau</itunes:subtitle>
      <itunes:summary>This is part of our Special Series on Third World Nationalism. In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean.
Today my guest is Isar Godreau, author of Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico (University of Illinois Press, 2015).
The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In Scripts of Blackness, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege whiteness, typecast blackness, and silence charges of racism.

Based on an ethnographic study of the barrio of San Antón in the city of Ponce, Scripts of Blackness examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black.
Mining ethnographic materials and anthropological and historical research, Scripts of Blackness provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is part of our Special Series on Third World Nationalism. In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean.</p><p>Today my guest is <a href="https://plas.princeton.edu/people/isar-godreau">Isar Godreau</a>, author of <a href="https://bookshop.org/a/12343/9780252038907"><em>Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico</em></a><em> </em>(University of Illinois Press, 2015).</p><p>The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In <em>Scripts of Blackness</em>, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege whiteness, typecast blackness, and silence charges of racism.</p><p><br></p><p>Based on an ethnographic study of the barrio of San Antón in the city of Ponce, <em>Scripts of Blackness </em>examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black.</p><p>Mining ethnographic materials and anthropological and historical research, <em>Scripts of Blackness </em>provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture.</p><p><em>Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the </em><a href="https://podcasts.apple.com/us/podcast/independent-thought-freedom/id1446388269"><em>iTunes Store</em></a><em> or any of your favorite podcast providers. You can also subscribe to his </em><a href="https://www.youtube.com/playlist?list=PLJ5dQ_tSNLwkuyJuq5SfJR-8fOFa3zGze"><em>YouTube channel</em></a><em>. If you are an academic who wants to get heard nationally, please check out his free training at </em><a href="https://becomeapublicintellectual.com/?utm_source=nbn"><em>becomeapublicintellectual.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4480</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[861551aa-38c0-11eb-a7e6-3fb39bae236b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6924288579.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>L. Layton and M. Leavy-Sperounis, "Toward a Social Psychoanalysis: Culture, Character, and Normative Unconscious Processes" (Routledge, 2020)</title>
      <description>In this episode, J.J. Mull interviews Lynne Layton and Marianna Leavy-Sperounis, author and editor respectively of Toward a Social Psychoanalysis: Culture, Character, and Normative Unconscious Processes, published in 2020 by Routledge as a part of their Relational Perspectives Book Series. This text takes part in an intellectual and political lineage that has called for a more radical understanding of psychoanalysis, encompassing a diverse range of thinkers from Frantz Fanon and Pierre Bourdieau to Eric Fromm and Marie Langer. In this compilation of Layton’s work, we’re given a framework for understanding the intersection between structural forces (gender oppression, racial capitalism, white supremacy, etc.) and the clinical encounter. Over the course of this conversation, Layton and Leavy-Sperounis give an account of the ways in which neoliberalism, capitalism, and other systems of domination give rise to particular kinds of subjective possibilities and gesture towards what psychoanalysis as a field might have to learn from contemporary struggles and insurrections.
J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Lynne Layton and Marianna Leavy-Sperounis</itunes:subtitle>
      <itunes:summary>In this episode, J.J. Mull interviews Lynne Layton and Marianna Leavy-Sperounis, author and editor respectively of Toward a Social Psychoanalysis: Culture, Character, and Normative Unconscious Processes, published in 2020 by Routledge as a part of their Relational Perspectives Book Series. This text takes part in an intellectual and political lineage that has called for a more radical understanding of psychoanalysis, encompassing a diverse range of thinkers from Frantz Fanon and Pierre Bourdieau to Eric Fromm and Marie Langer. In this compilation of Layton’s work, we’re given a framework for understanding the intersection between structural forces (gender oppression, racial capitalism, white supremacy, etc.) and the clinical encounter. Over the course of this conversation, Layton and Leavy-Sperounis give an account of the ways in which neoliberalism, capitalism, and other systems of domination give rise to particular kinds of subjective possibilities and gesture towards what psychoanalysis as a field might have to learn from contemporary struggles and insurrections.
J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, J.J. Mull interviews Lynne Layton and Marianna Leavy-Sperounis, author and editor respectively of <a href="https://bookshop.org/a/12343/9780367902049"><em>Toward a Social Psychoanalysis: Culture, Character, and Normative Unconscious Processes</em></a>, published in 2020 by Routledge as a part of their Relational Perspectives Book Series. This text takes part in an intellectual and political lineage that has called for a more radical understanding of psychoanalysis, encompassing a diverse range of thinkers from Frantz Fanon and Pierre Bourdieau to Eric Fromm and Marie Langer. In this compilation of Layton’s work, we’re given a framework for understanding the intersection between structural forces (gender oppression, racial capitalism, white supremacy, etc.) and the clinical encounter. Over the course of this conversation, Layton and Leavy-Sperounis give an account of the ways in which neoliberalism, capitalism, and other systems of domination give rise to particular kinds of subjective possibilities and gesture towards what psychoanalysis as a field might have to learn from contemporary struggles and insurrections.</p><p><em>J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work living in Northampton, MA. He can be reached at jmull@smith.edu. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6f89ea6e-3d47-11eb-8f70-6761889bd8cd]]></guid>
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    </item>
    <item>
      <title>Stuart Elden, "Shakespearean Territories" (U Chicago Press, 2018)</title>
      <description>What can Shakespeare tell us about territory, and what can territory tell us about Shakespeare? 
In Shakespearean Territories (University of Chicago Press, 2018), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick and author of the Progressive Geographies blog, explores both of these questions, drawing on his earlier work theorising territory, as well as an extensive discussion of numerous works of Shakespeare. The book considers a range of subjects associated with the concept of territory, from the geo-politics of King Lear, the idea of sovereignty in King John, and power in Richard II, to questions of the body in Coriolanus, and ideas of calculation and measurement in The Merchant of Venice. Alongside Shakespeare’s relevance for understanding territory, territory offers a framework for alternative readings of Macbeth and Hamlet, and draws attention to often neglected or even completely ignored parts of Henry V. Fascinating and wide ranging, at the intersection of geography and English literature, the book is essential reading across the humanities and social sciences.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Stuart Elden</itunes:subtitle>
      <itunes:summary>What can Shakespeare tell us about territory, and what can territory tell us about Shakespeare? 
In Shakespearean Territories (University of Chicago Press, 2018), Stuart Elden, Professor of Political Theory and Geography at the University of Warwick and author of the Progressive Geographies blog, explores both of these questions, drawing on his earlier work theorising territory, as well as an extensive discussion of numerous works of Shakespeare. The book considers a range of subjects associated with the concept of territory, from the geo-politics of King Lear, the idea of sovereignty in King John, and power in Richard II, to questions of the body in Coriolanus, and ideas of calculation and measurement in The Merchant of Venice. Alongside Shakespeare’s relevance for understanding territory, territory offers a framework for alternative readings of Macbeth and Hamlet, and draws attention to often neglected or even completely ignored parts of Henry V. Fascinating and wide ranging, at the intersection of geography and English literature, the book is essential reading across the humanities and social sciences.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can Shakespeare tell us about territory, and what can territory tell us about Shakespeare? </p><p>In <a href="https://bookshop.org/a/12343/9780226559193"><em>Shakespearean Territories</em></a><em> </em>(University of Chicago Press, 2018)<em>,</em> <a href="https://twitter.com/StuartElden">Stuart Elden</a>, Professor of Political Theory and Geography at the University of Warwick and author of the <a href="https://progressivegeographies.com/">Progressive Geographies blog</a>, explores both of these questions, drawing on his earlier work theorising territory, as well as an extensive discussion of numerous works of Shakespeare. The book considers a range of subjects associated with the concept of territory, from the geo-politics of King Lear, the idea of sovereignty in King John, and power in Richard II, to questions of the body in <em>Coriolanus,</em> and ideas of calculation and measurement in The Merchant of Venice. Alongside Shakespeare’s relevance for understanding territory, territory offers a framework for alternative readings of <em>Macbeth</em> and <em>Hamlet</em>, and draws attention to often neglected or even completely ignored parts of Henry V. Fascinating and wide ranging, at the intersection of geography and English literature, the book is essential reading across the humanities and social sciences.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2601</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa51b32c-37d7-11eb-932d-a7e67a8425a8]]></guid>
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    <item>
      <title>Ashley E. Lucas, "Prison Theatre and the Global Crisis of Incarceration" (Bloomsbury, 2020)</title>
      <description>The world of theater performances is often thought of as being composed of wealthy persons who received elite educations at art institutions all so they could be observed by a small, wealthy elite at exclusive and expensive gatherings. Theater is seen as an insular, elitist practice, for and by a select few. However, this image of theater is deeply misleading, especially as more performances are available for download, and many smaller more open institutions invest more in theater productions. One place that might surprise a lot of people is the popularity of performances staged by incarcerated persons, and presented in behind the walls of prisons. Theater is a social, communal practice, so making it happen within an institution that is not only isolated from the outside world, but is designed to isolate those within, will naturally come with various challenges, and also raises various questions on the nature of both theater and the carceral system. 
These are the questions Ashley Lucas addresses in her recent book Prison Theatre and the Global Crisis of Incarceration (Bloomsbury, 2020). Featuring a combination of her own firsthand experience as a director of prison theater, interviews with those involved in the world prison theater and scholarly research, the book is a unique combination of genres that occupies some very interesting intersections, and is able to explore some very difficult topics, from questions of artistic expression, the nature of community and what hope in a hopeless situation looks like.
Ashley Lucas is an associate professor of Theatre and Drama and the Residential College at the University of Michigan, and is also the former director of the Prison Creative Arts Project.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>One place that might surprise a lot of people is the popularity of performances staged by incarcerated persons...</itunes:subtitle>
      <itunes:summary>The world of theater performances is often thought of as being composed of wealthy persons who received elite educations at art institutions all so they could be observed by a small, wealthy elite at exclusive and expensive gatherings. Theater is seen as an insular, elitist practice, for and by a select few. However, this image of theater is deeply misleading, especially as more performances are available for download, and many smaller more open institutions invest more in theater productions. One place that might surprise a lot of people is the popularity of performances staged by incarcerated persons, and presented in behind the walls of prisons. Theater is a social, communal practice, so making it happen within an institution that is not only isolated from the outside world, but is designed to isolate those within, will naturally come with various challenges, and also raises various questions on the nature of both theater and the carceral system. 
These are the questions Ashley Lucas addresses in her recent book Prison Theatre and the Global Crisis of Incarceration (Bloomsbury, 2020). Featuring a combination of her own firsthand experience as a director of prison theater, interviews with those involved in the world prison theater and scholarly research, the book is a unique combination of genres that occupies some very interesting intersections, and is able to explore some very difficult topics, from questions of artistic expression, the nature of community and what hope in a hopeless situation looks like.
Ashley Lucas is an associate professor of Theatre and Drama and the Residential College at the University of Michigan, and is also the former director of the Prison Creative Arts Project.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The world of theater performances is often thought of as being composed of wealthy persons who received elite educations at art institutions all so they could be observed by a small, wealthy elite at exclusive and expensive gatherings. Theater is seen as an insular, elitist practice, for and by a select few. However, this image of theater is deeply misleading, especially as more performances are available for download, and many smaller more open institutions invest more in theater productions. One place that might surprise a lot of people is the popularity of performances staged by incarcerated persons, and presented in behind the walls of prisons. Theater is a social, communal practice, so making it happen within an institution that is not only isolated from the outside world, but is designed to isolate those within, will naturally come with various challenges, and also raises various questions on the nature of both theater and the carceral system. </p><p>These are the questions Ashley Lucas addresses in her recent book <a href="https://bookshop.org/a/12343/9781408185896"><em>Prison Theatre and the Global Crisis of Incarceration</em></a><em> </em>(Bloomsbury, 2020). Featuring a combination of her own firsthand experience as a director of prison theater, interviews with those involved in the world prison theater and scholarly research, the book is a unique combination of genres that occupies some very interesting intersections, and is able to explore some very difficult topics, from questions of artistic expression, the nature of community and what hope in a hopeless situation looks like.</p><p>Ashley Lucas is an associate professor of Theatre and Drama and the Residential College at the University of Michigan, and is also the former director of the Prison Creative Arts Project.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Richard Seymour, "The Twittering Machine" (Verso, 2020)</title>
      <description>Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience.
The Twittering Machine (Verso, 2020) is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think.
Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into. Social media held out the promise that we could make our own history–to what extent did we choose the nightmare that it has become?
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Former social media executives tell us that the system is an addiction-machine...</itunes:subtitle>
      <itunes:summary>Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience.
The Twittering Machine (Verso, 2020) is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think.
Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into. Social media held out the promise that we could make our own history–to what extent did we choose the nightmare that it has become?
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience.</p><p><a href="https://bookshop.org/a/12343/9781788739283"><em>The Twittering Machine</em></a> (Verso, 2020) is an unflinching view into the calamities of digital life: the circus of online trolling, flourishing alt-right subcultures, pervasive corporate surveillance, and the virtual data mines of Facebook and Google where we spend considerable portions of our free time. In this polemical tour de force, Richard Seymour shows how the digital world is changing the ways we speak, write, and think.</p><p>Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into. Social media held out the promise that we could make our own history–to what extent did we choose the nightmare that it has become?</p><p><a href="https://marcimazzarotto.com/"><em>Marci Mazzarotto</em></a><em> is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Rebecca Harrison, "The Empire Strikes Back" (Bloomsbury, 2020)</title>
      <description>Why does The Empire Strikes Back matter? In BFI Classics Series's The Empire Strikes Back (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with The Empire Strikes Back discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the Star Wars franchise more generally, for example centring the role of women in the history of Empire’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and Star Wars.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Harrison tells the story of the film’s production and reception, and analyses the film’s on-screen representations...</itunes:subtitle>
      <itunes:summary>Why does The Empire Strikes Back matter? In BFI Classics Series's The Empire Strikes Back (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with The Empire Strikes Back discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the Star Wars franchise more generally, for example centring the role of women in the history of Empire’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and Star Wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does <em>The Empire Strikes Back</em> matter? In BFI Classics Series's <a href="https://bookshop.org/a/12343/9781911239970"><em>The Empire Strikes Back</em></a> (Bloomsbury, 2020), Rebecca Harrison, a lecturer in Film and Television Studies at the University of Glasgow, tells the story of the film’s production and reception, and analyses the film’s on-screen representations. The book is framed through the idea of disruption, with <em>The Empire Strikes Back</em> discussed as a film that disrupted the industry, genre and cinematic conventions, and critical expectation. Moreover, the book disrupts conventional narratives of both the film and the <em>Star Wars </em>franchise more generally, for example centring the role of women in the history of <em>Empire</em>’s production. The book is essential reading as both a scholarly text, across and beyond humanities and media studies, and for any general reader interested in cinema and <em>Star Wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2709</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1376532546.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rosemary-Claire Collard, "Animal Traffic: Lively Capital in the Global Exotic Pet Trade" (Duke UP, 2020)</title>
      <description>Parrots and snakes, wild cats and monkeys---exotic pets can now be found everywhere from skyscraper apartments and fenced suburban backyards to roadside petting zoos. In Animal Traffic: Lively Capital in the Global Exotic Pet Trade (Duke UP, 2020) Rosemary-Claire Collard investigates the multibillion-dollar global exotic pet trade and the largely hidden processes through which exotic pets are produced and traded as lively capital. Tracking the capture of animals in biosphere reserves in Mexico, Guatemala, and Belize; their exchange at exotic animal auctions in the United States; and the attempted rehabilitation of former exotic pets at a wildlife center in Guatemala, Collard shows how exotic pets are fetishized both as commodities and as objects. Their capture and sale sever their ties to complex socio-ecological networks in ways that make them appear as if they do not have lives of their own. Collard demonstrates that the enclosure of animals in the exotic pet trade is part of a bioeconomic trend in which life is increasingly commodified and objectified under capitalism. Ultimately, she calls for a “wild life” politics in which animals are no longer enclosed, retain their autonomy, and can live for the sake of themselves.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Collard investigates the multibillion-dollar global exotic pet trade and the largely hidden processes through which exotic pets are produced and traded as lively capital....</itunes:subtitle>
      <itunes:summary>Parrots and snakes, wild cats and monkeys---exotic pets can now be found everywhere from skyscraper apartments and fenced suburban backyards to roadside petting zoos. In Animal Traffic: Lively Capital in the Global Exotic Pet Trade (Duke UP, 2020) Rosemary-Claire Collard investigates the multibillion-dollar global exotic pet trade and the largely hidden processes through which exotic pets are produced and traded as lively capital. Tracking the capture of animals in biosphere reserves in Mexico, Guatemala, and Belize; their exchange at exotic animal auctions in the United States; and the attempted rehabilitation of former exotic pets at a wildlife center in Guatemala, Collard shows how exotic pets are fetishized both as commodities and as objects. Their capture and sale sever their ties to complex socio-ecological networks in ways that make them appear as if they do not have lives of their own. Collard demonstrates that the enclosure of animals in the exotic pet trade is part of a bioeconomic trend in which life is increasingly commodified and objectified under capitalism. Ultimately, she calls for a “wild life” politics in which animals are no longer enclosed, retain their autonomy, and can live for the sake of themselves.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Parrots and snakes, wild cats and monkeys---exotic pets can now be found everywhere from skyscraper apartments and fenced suburban backyards to roadside petting zoos. In <a href="https://bookshop.org/a/12343/9781478010920"><em>Animal Traffic: Lively Capital in the Global Exotic Pet Trade</em> </a>(Duke UP, 2020) Rosemary-Claire Collard investigates the multibillion-dollar global exotic pet trade and the largely hidden processes through which exotic pets are produced and traded as lively capital. Tracking the capture of animals in biosphere reserves in Mexico, Guatemala, and Belize; their exchange at exotic animal auctions in the United States; and the attempted rehabilitation of former exotic pets at a wildlife center in Guatemala, Collard shows how exotic pets are fetishized both as commodities and as objects. Their capture and sale sever their ties to complex socio-ecological networks in ways that make them appear as if they do not have lives of their own. Collard demonstrates that the enclosure of animals in the exotic pet trade is part of a bioeconomic trend in which life is increasingly commodified and objectified under capitalism. Ultimately, she calls for a “wild life” politics in which animals are no longer enclosed, retain their autonomy, and can live for the sake of themselves.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[455526fa-25b9-11eb-b53e-fb2707dee35e]]></guid>
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    </item>
    <item>
      <title>David Newheiser, "Hope in a Secular Age: Deconstruction, Negative Theology and the Future of Faith" (Cambridge UP, 2019)</title>
      <description>In his new book, Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020), David Newheiser argues that hope is the indispensable precondition of religious practice and secular politics. Against dogmatic complacency and despairing resignation, he argues that hope sustains commitments that remain vulnerable to disappointment. The line of thinking goes that, since the discipline of hope is shared by believers and unbelievers alike, its persistence indicates that faith has a future in a secular age.
Drawing on premodern theology and postmodern theory, Newheiser shows that atheism and Christianity have more in common than they often acknowledge. Writing in a clear and engaging style, he develops a new reading of deconstruction and negative theology, arguing that (despite their differences) they share a self-critical hope. By retrieving texts and traditions that are rarely read together, this book offers a major intervention in debates over the place of religion in public life.
David Newheiser is a research fellow in the Institute for Religion and Critical Inquiry at Australian Catholic University. His research draws on Christian thought and continental philosophy to address topics such as neoliberalism, sexuality, atheism, and the arts.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Newheiser argues that hope is the indispensable precondition of religious practice and secular politics...</itunes:subtitle>
      <itunes:summary>In his new book, Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020), David Newheiser argues that hope is the indispensable precondition of religious practice and secular politics. Against dogmatic complacency and despairing resignation, he argues that hope sustains commitments that remain vulnerable to disappointment. The line of thinking goes that, since the discipline of hope is shared by believers and unbelievers alike, its persistence indicates that faith has a future in a secular age.
Drawing on premodern theology and postmodern theory, Newheiser shows that atheism and Christianity have more in common than they often acknowledge. Writing in a clear and engaging style, he develops a new reading of deconstruction and negative theology, arguing that (despite their differences) they share a self-critical hope. By retrieving texts and traditions that are rarely read together, this book offers a major intervention in debates over the place of religion in public life.
David Newheiser is a research fellow in the Institute for Religion and Critical Inquiry at Australian Catholic University. His research draws on Christian thought and continental philosophy to address topics such as neoliberalism, sexuality, atheism, and the arts.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://bookshop.org/a/12343/9781108498661"><em>Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith</em></a> (Cambridge University Press, 2020), David Newheiser argues that hope is the indispensable precondition of religious practice and secular politics. Against dogmatic complacency and despairing resignation, he argues that hope sustains commitments that remain vulnerable to disappointment. The line of thinking goes that, since the discipline of hope is shared by believers and unbelievers alike, its persistence indicates that faith has a future in a secular age.</p><p>Drawing on premodern theology and postmodern theory, Newheiser shows that atheism and Christianity have more in common than they often acknowledge. Writing in a clear and engaging style, he develops a new reading of deconstruction and negative theology, arguing that (despite their differences) they share a self-critical hope. By retrieving texts and traditions that are rarely read together, this book offers a major intervention in debates over the place of religion in public life.</p><p><a href="https://dnewheiser.net/">David Newheiser</a> is a research fellow in the Institute for Religion and Critical Inquiry at Australian Catholic University. His research draws on Christian thought and continental philosophy to address topics such as neoliberalism, sexuality, atheism, and the arts.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5301</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Andrea Jain, "Peace Love Yoga: The Politics of Global Spirituality" (Oxford UP, 2020)</title>
      <description>In Peace Love Yoga: The Politics of Global Spirituality (Oxford University Press, 2020), Andrea Jain examines the interconnectedness between global spirituality and neoliberal capitalism through an examination of the global yoga and self-care industries. Building off her work in Selling Yoga: From Counterculture to Pop Culture (Oxford University Press, 2014), Jain examines how spiritual industries and corporations impart neoliberal spirituality, which she contends is a central component of neoliberal capitalism. In broader terms, Jain’s examination of neoliberal spirituality, and yoga more specifically, provides a rich avenue to analyze and understand the role of religion in contemporary society.
Andrea Jain is Associate Professor of Religious Studies at Indiana University, Indianapolis and the editor of the Journal of the American Academy of Religion.
Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jain examines the interconnectedness between global spirituality and neoliberal capitalism through an examination of the global yoga and self-care industries...</itunes:subtitle>
      <itunes:summary>In Peace Love Yoga: The Politics of Global Spirituality (Oxford University Press, 2020), Andrea Jain examines the interconnectedness between global spirituality and neoliberal capitalism through an examination of the global yoga and self-care industries. Building off her work in Selling Yoga: From Counterculture to Pop Culture (Oxford University Press, 2014), Jain examines how spiritual industries and corporations impart neoliberal spirituality, which she contends is a central component of neoliberal capitalism. In broader terms, Jain’s examination of neoliberal spirituality, and yoga more specifically, provides a rich avenue to analyze and understand the role of religion in contemporary society.
Andrea Jain is Associate Professor of Religious Studies at Indiana University, Indianapolis and the editor of the Journal of the American Academy of Religion.
Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780190888633"><em>Peace Love Yoga: The Politics of Global Spirituality</em></a><em> </em>(Oxford University Press, 2020), Andrea Jain examines the interconnectedness between global spirituality and neoliberal capitalism through an examination of the global yoga and self-care industries. Building off her work in <em>Selling Yoga: From Counterculture to Pop Culture</em> (Oxford University Press, 2014), Jain examines how spiritual industries and corporations impart neoliberal spirituality, which she contends is a central component of neoliberal capitalism. In broader terms, Jain’s examination of neoliberal spirituality, and yoga more specifically, provides a rich avenue to analyze and understand the role of religion in contemporary society.</p><p>Andrea Jain is Associate Professor of Religious Studies at Indiana University, Indianapolis and the editor of the <em>Journal of the American Academy of Religion</em>.</p><p><em>Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2cea87f6-251c-11eb-91a2-1faec2d0c377]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8255591447.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam Kotsko, "Neoliberalism's Demons: On the Political Theology of Late Capital" (Stanford UP, 2018)</title>
      <description>It’s hard to avoid conversations about ‘neoliberalism’ these days. The meaning of the term—indeed its very existence—is hotly contested. Adam Kotsko argues in Neoliberalism’s Demons: On the Political Theology of Late Capital (Stanford University Press, 2018) that self-denial is part of the mystifying agenda of neoliberalism itself. Not only is neoliberalism real, it’s the defining ethos of modernity.
Neoliberalism’s Demons posits we can best understand neoliberalism through the lens of political theology. Kotsko challenges the dichotomy of economics and politics, suggesting that neoliberalism permeates and unites these two. It does so by importing the moral schema of Christianity which creates the conditions for failure for the express purpose of assigning blame to those who fail. Neoliberalism’s Demons is a concise and persuasive account of the political, economic, and moral universe we inhabit, and is therefore essential reading for anyone who seeks to understand their own condition.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>852</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Neoliberalism’s Demons posits we can best understand neoliberalism through the lens of political theology...</itunes:subtitle>
      <itunes:summary>It’s hard to avoid conversations about ‘neoliberalism’ these days. The meaning of the term—indeed its very existence—is hotly contested. Adam Kotsko argues in Neoliberalism’s Demons: On the Political Theology of Late Capital (Stanford University Press, 2018) that self-denial is part of the mystifying agenda of neoliberalism itself. Not only is neoliberalism real, it’s the defining ethos of modernity.
Neoliberalism’s Demons posits we can best understand neoliberalism through the lens of political theology. Kotsko challenges the dichotomy of economics and politics, suggesting that neoliberalism permeates and unites these two. It does so by importing the moral schema of Christianity which creates the conditions for failure for the express purpose of assigning blame to those who fail. Neoliberalism’s Demons is a concise and persuasive account of the political, economic, and moral universe we inhabit, and is therefore essential reading for anyone who seeks to understand their own condition.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s hard to avoid conversations about ‘neoliberalism’ these days. The meaning of the term—indeed its very existence—is hotly contested. Adam Kotsko argues in <a href="https://bookshop.org/a/12343/9781503607125"><em>Neoliberalism’s Demons: On the Political Theology of Late Capital </em></a>(Stanford University Press, 2018) that self-denial is part of the mystifying agenda of neoliberalism itself. Not only is neoliberalism real, it’s the defining ethos of modernity.</p><p><em>Neoliberalism’s Demons</em> posits we can best understand neoliberalism through the lens of political theology. Kotsko challenges the dichotomy of economics and politics, suggesting that neoliberalism permeates and unites these two. It does so by importing the moral schema of Christianity which creates the conditions for failure for the express purpose of assigning blame to those who fail. <em>Neoliberalism’s Demons</em> is a concise and persuasive account of the political, economic, and moral universe we inhabit, and is therefore essential reading for anyone who seeks to understand their own condition.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7d617180-238d-11eb-8621-5fa29ef7e294]]></guid>
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    </item>
    <item>
      <title>Ani Maitra, "Identity, Mediation, and the Cunning of Capital" (Northwestern UP, 2020)</title>
      <description>The politics of identity have played center stage in many political debates in the last few years, and is often seen somewhat pejoratively as an epiphenomenal manifestation of the dynamics of capitalism. Some scholars, however, see this as a reductive mistake, not just for any attempt to organize against capitalism, but also as part of a mistaken understanding of what ‘identity’ is. This is one of the animating ideas of Ani Maitra in his new book Identity, Mediation and the Cunning of Capital (Northwestern University Press, 2020). Utilizing the insights of philosophy, psychoanalysis and critical theory, the book looks at radio transmissions and films dispersed through the Algerian revolution and its aftermath; it examines experimental prose and imagery around Asian-American identity produced by neoliberal academic institutions; and it looks at the orientations on display at an LGBTQ+ film festival in an India struggling to join the world market while still maintaining its own distinct identity. The book is a theoretically-informed world tour that scours the globe in search of the various contexts that mediate us, and the contradictory identities that emerge.
Ani Maitra is an associate professor of film and media studies at Colgate University. He received his PhD at Brown University, and is the author of a number of book chapters and articles.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Nov 2020 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>195</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The politics of identity have played center stage in many political debates in the last few years, and is often seen somewhat pejoratively as an epiphenomenal manifestation of the dynamics of capitalism....</itunes:subtitle>
      <itunes:summary>The politics of identity have played center stage in many political debates in the last few years, and is often seen somewhat pejoratively as an epiphenomenal manifestation of the dynamics of capitalism. Some scholars, however, see this as a reductive mistake, not just for any attempt to organize against capitalism, but also as part of a mistaken understanding of what ‘identity’ is. This is one of the animating ideas of Ani Maitra in his new book Identity, Mediation and the Cunning of Capital (Northwestern University Press, 2020). Utilizing the insights of philosophy, psychoanalysis and critical theory, the book looks at radio transmissions and films dispersed through the Algerian revolution and its aftermath; it examines experimental prose and imagery around Asian-American identity produced by neoliberal academic institutions; and it looks at the orientations on display at an LGBTQ+ film festival in an India struggling to join the world market while still maintaining its own distinct identity. The book is a theoretically-informed world tour that scours the globe in search of the various contexts that mediate us, and the contradictory identities that emerge.
Ani Maitra is an associate professor of film and media studies at Colgate University. He received his PhD at Brown University, and is the author of a number of book chapters and articles.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The politics of identity have played center stage in many political debates in the last few years, and is often seen somewhat pejoratively as an epiphenomenal manifestation of the dynamics of capitalism. Some scholars, however, see this as a reductive mistake, not just for any attempt to organize against capitalism, but also as part of a mistaken understanding of what ‘identity’ is. This is one of the animating ideas of Ani Maitra in his new book <a href="https://bookshop.org/a/12343/9780810141797"><em>Identity, Mediation and the Cunning of Capital</em></a> (Northwestern University Press, 2020). Utilizing the insights of philosophy, psychoanalysis and critical theory, the book looks at radio transmissions and films dispersed through the Algerian revolution and its aftermath; it examines experimental prose and imagery around Asian-American identity produced by neoliberal academic institutions; and it looks at the orientations on display at an LGBTQ+ film festival in an India struggling to join the world market while still maintaining its own distinct identity. The book is a theoretically-informed world tour that scours the globe in search of the various contexts that mediate us, and the contradictory identities that emerge.</p><p>Ani Maitra is an associate professor of film and media studies at Colgate University. He received his PhD at Brown University, and is the author of a number of book chapters and articles.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4535</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[07b60f66-21be-11eb-96a8-3343f6b94b5a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3900182184.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniela Vallega-Neu, "Heidegger's Poietic Writings: From Contributions to Philosophy to the Event" (Indiana UP, 2018)</title>
      <description>Scholarship on the German philosopher Martin Heidegger has traditionally focused on his magnum opus Being and Time and related earlier work, his later essays and lectures often relegated to an ambiguous later period that many consider philosophically insubstantial, or simply too esoteric and obscure to merit any serious engagement. Luckily, that is starting to change, especially with the publication of the Black Notebooks, as well as a number of manuscripts, essays and lectures from this period. These texts are starting to give us insight into Heidegger’s philosophical development, helping us understand old texts in new light, and trace the development of various themes from throughout his life with greater detail.
Joining me to discuss some of these developments is my guest today, Daniela Vellega-Neu, here with her recent book Heidegger’s Poietic Writings: From Contributions to Philosophy to the Event (Indiana University Press, 2018). Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking. She works to unpack key terms, guiding us through difficult translations, and showing us how Heidegger was always trying to do something rather unique in attuning us to hidden philosophical and linguistic baggage. The book follows not only the explicit content of Heidegger’s texts, but also their underlying spirit, partaking in a sustained attempt to cultivate an attuned understanding to ourselves and our history, subtly shifting our attention (and what it even means to be attentive) in the hopes of pointing towards an elusive understanding of being that always remains just beyond our reach.
Daniela Vallega-Neu is a professor of philosophy at the University of Oregon. In addition to Heidegger’s Poietic Writings, she is also the author of The Bodily Dimension in Thinking and Heidegger’s Contributions to Philosophy. She is also one of the co-translators of Indiana University Press’s 2012 translation of Heidegger’s Contributions to Philosophy (of the Event).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking...</itunes:subtitle>
      <itunes:summary>Scholarship on the German philosopher Martin Heidegger has traditionally focused on his magnum opus Being and Time and related earlier work, his later essays and lectures often relegated to an ambiguous later period that many consider philosophically insubstantial, or simply too esoteric and obscure to merit any serious engagement. Luckily, that is starting to change, especially with the publication of the Black Notebooks, as well as a number of manuscripts, essays and lectures from this period. These texts are starting to give us insight into Heidegger’s philosophical development, helping us understand old texts in new light, and trace the development of various themes from throughout his life with greater detail.
Joining me to discuss some of these developments is my guest today, Daniela Vellega-Neu, here with her recent book Heidegger’s Poietic Writings: From Contributions to Philosophy to the Event (Indiana University Press, 2018). Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking. She works to unpack key terms, guiding us through difficult translations, and showing us how Heidegger was always trying to do something rather unique in attuning us to hidden philosophical and linguistic baggage. The book follows not only the explicit content of Heidegger’s texts, but also their underlying spirit, partaking in a sustained attempt to cultivate an attuned understanding to ourselves and our history, subtly shifting our attention (and what it even means to be attentive) in the hopes of pointing towards an elusive understanding of being that always remains just beyond our reach.
Daniela Vallega-Neu is a professor of philosophy at the University of Oregon. In addition to Heidegger’s Poietic Writings, she is also the author of The Bodily Dimension in Thinking and Heidegger’s Contributions to Philosophy. She is also one of the co-translators of Indiana University Press’s 2012 translation of Heidegger’s Contributions to Philosophy (of the Event).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Scholarship on the German philosopher Martin Heidegger has traditionally focused on his magnum opus <em>Being and Time</em> and related earlier work, his later essays and lectures often relegated to an ambiguous later period that many consider philosophically insubstantial, or simply too esoteric and obscure to merit any serious engagement. Luckily, that is starting to change, especially with the publication of the <em>Black Notebooks</em>, as well as a number of manuscripts, essays and lectures from this period. These texts are starting to give us insight into Heidegger’s philosophical development, helping us understand old texts in new light, and trace the development of various themes from throughout his life with greater detail.</p><p>Joining me to discuss some of these developments is my guest today, Daniela Vellega-Neu, here with her recent book <a href="https://bookshop.org/a/12343/9780253032133"><em>Heidegger’s Poietic Writings: From Contributions to Philosophy to the Event</em></a><em> </em>(Indiana University Press, 2018). Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking. She works to unpack key terms, guiding us through difficult translations, and showing us how Heidegger was always trying to do something rather unique in attuning us to hidden philosophical and linguistic baggage. The book follows not only the explicit content of Heidegger’s texts, but also their underlying spirit, partaking in a sustained attempt to cultivate an attuned understanding to ourselves and our history, subtly shifting our attention (and what it even means to be attentive) in the hopes of pointing towards an elusive understanding of being that always remains just beyond our reach.</p><p>Daniela Vallega-Neu is a professor of philosophy at the University of Oregon. In addition to <em>Heidegger’s Poietic Writings</em>, she is also the author of <em>The Bodily Dimension in Thinking</em> and <em>Heidegger’s </em>Contributions to Philosophy. She is also one of the co-translators of Indiana University Press’s 2012 translation of Heidegger’s <em>Contributions to Philosophy (of the Event)</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Eithne Quinn, "A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood" (Columbia UP, 2019)</title>
      <description>What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Quinn explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation....</itunes:subtitle>
      <itunes:summary>What is the history of equal rights in Hollywood? In A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood (Columbia UP, 2019), Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the history of equal rights in Hollywood? In <a href="https://bookshop.org/a/12343/9780231164375"><em>A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood </em></a>(Columbia UP, 2019), <a href="https://twitter.com/emaryq?lang=en">Eithne Quinn</a>, a senior lecturer in American Studies at the University of Manchester, explores the transitional years following the civil rights movement of the 1960s, in order to chart the struggle by Black film makers for rights, recognition and representation. The book combines analysis of on-screen representations, with research on both the production and political economy of Hollywood films. Attentive to questions of gender and race, alongside a critical perspective on Hollywood’s myths of equality and diversity, the book will be essential reading across arts, humanities, and social sciences, as well as for anyone interested in understanding why inequality persists in Hollywood today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2921</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[39ec9bdc-25cc-11eb-8c14-970192305c17]]></guid>
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      <title>David Vine, "The United States of War: A Global History of America's Endless Conflicts, from Columbus to the Islamic State" (U California Press, 2020)</title>
      <description>Since its founding, the United States has been at peace for only eleven years. Across nearly two-and-a-half centuries, that’s a lot of war. In his new book, The United States of War: A Global History of America’s Endless Conflicts, from Columbus to the Islamic State (University of California Press, 2020), 
David Vine tries to figure out why this has been the case. His book is a powerful, broad-sweeping, and, at times, shattering account of the forever wars that the United States continues to fight to this day.
Vine, an anthropologist at American University in Washington, DC, argues that war infrastructure can be a dangerous thing, even if its designers cite defensive purposes. The United States’ 800 military bases abroad today, and its hundreds of military forts that dotted the western frontier in the nineteenth century, have made war more likely by making it easier to think about. But if we build bases, Vine writes, “wars will come.” As ending endless wars have become part of mainstream political discourse, Vine’s book should help jolt these conversations into action.
Dexter Fergie is a doctoral student in US and global history at Northwestern University. His research examines the history of ideas, infrastructure, and international organizations. He can be reached by email at dexter.fergie@u.northwestern.edu or on Twitter @DexterFergie.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>844</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Since its founding, the United States has been at peace for only eleven years...</itunes:subtitle>
      <itunes:summary>Since its founding, the United States has been at peace for only eleven years. Across nearly two-and-a-half centuries, that’s a lot of war. In his new book, The United States of War: A Global History of America’s Endless Conflicts, from Columbus to the Islamic State (University of California Press, 2020), 
David Vine tries to figure out why this has been the case. His book is a powerful, broad-sweeping, and, at times, shattering account of the forever wars that the United States continues to fight to this day.
Vine, an anthropologist at American University in Washington, DC, argues that war infrastructure can be a dangerous thing, even if its designers cite defensive purposes. The United States’ 800 military bases abroad today, and its hundreds of military forts that dotted the western frontier in the nineteenth century, have made war more likely by making it easier to think about. But if we build bases, Vine writes, “wars will come.” As ending endless wars have become part of mainstream political discourse, Vine’s book should help jolt these conversations into action.
Dexter Fergie is a doctoral student in US and global history at Northwestern University. His research examines the history of ideas, infrastructure, and international organizations. He can be reached by email at dexter.fergie@u.northwestern.edu or on Twitter @DexterFergie.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since its founding, the United States has been at peace for only eleven years. Across nearly two-and-a-half centuries, that’s <em>a lot</em> of war. In his new book, <a href="https://bookshop.org/a/12343/9780520300873"><em>The United States of War: A Global History of America’s Endless Conflicts, from Columbus to the Islamic State</em></a> (University of California Press, 2020), </p><p>David Vine tries to figure out why this has been the case. His book is a powerful, broad-sweeping, and, at times, shattering account of the forever wars that the United States continues to fight to this day.</p><p><a href="https://www.davidvine.net/bioandevents.html">Vine</a>, an anthropologist at American University in Washington, DC, argues that war infrastructure can be a dangerous thing, even if its designers cite defensive purposes. The United States’ 800 military bases abroad today, and its hundreds of military forts that dotted the western frontier in the nineteenth century, have made war more likely by making it easier to think about. But if we build bases, Vine writes, “wars will come.” As ending endless wars have become part of mainstream political discourse, Vine’s book should help jolt these conversations into action.</p><p><em>Dexter Fergie is a doctoral student in US and global history at Northwestern University. His research examines the history of ideas, infrastructure, and international organizations. He can be reached by email at </em><a href="mailto:dexter.fergie@u.northwestern.edu"><em>dexter.fergie@u.northwestern.edu</em></a><em> or on Twitter </em><a href="https://twitter.com/DexterFergie"><em>@DexterFergie</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3964</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8eb9f40-1c7a-11eb-82c2-6bf46e083cbd]]></guid>
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    <item>
      <title>Betty Rojtman, "The Fascination with Death in Contemporary French Thought" (Palgrave MacMillan, 2020)</title>
      <description>The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism.
Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be.
Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom.
 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rojtman analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence...</itunes:subtitle>
      <itunes:summary>The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism.
Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be.
Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah.
Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9783030473211"><em>The Fascination with Death in Contemporary French Thought: A Longing for the Abyss</em></a> (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism.</p><p>Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be.</p><p>Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah.</p><p><em>Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at </em><a href="mailto:r.garfinkel@yahoo.com"><em>r.garfinkel@yahoo.com</em></a><em> or tweet </em><a href="https://twitter.com/embracingwisdom?lang=en"><em>@embracingwisdom</em></a><em>.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2560</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lisa Adkins, et al., "The Asset Economy" (Polity, 2020)</title>
      <description>“The key element shaping inequality is no longer the employment relationship but rather whether one is able to buy assets that appreciate at a faster rate than both inflation and wages”.
So argue Lisa Adkins, Martijn Konings and Melinda Cooper in The Asset Economy (Polity Press, 2020), extending the argument in Thomas Piketty’s 2014 best-seller Capital in the Twenty-First Century.
Inheritance, they claim, is no longer a 19th-century-style transmission of property titles after death but a “strategically timed transfer of funds that need to be leveraged and put to work in the speculative logic of the asset economy”. In the Anglo-Saxon economies at least, households are no longer just a unit of subsistence or consumption but a dynamic Minskyan balance-sheet manager.
Lisa Adkins is Head of the School of Social and Political Sciences and Martijn Konings is Professor of Political Economy and Social Theory at the University of Sydney.
Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Inheritance, they claim, is no longer a 19th-century-style transmission of property titles after death but a “strategically timed transfer of funds that need to be leveraged and put to work in the speculative logic of the asset economy”....</itunes:subtitle>
      <itunes:summary>“The key element shaping inequality is no longer the employment relationship but rather whether one is able to buy assets that appreciate at a faster rate than both inflation and wages”.
So argue Lisa Adkins, Martijn Konings and Melinda Cooper in The Asset Economy (Polity Press, 2020), extending the argument in Thomas Piketty’s 2014 best-seller Capital in the Twenty-First Century.
Inheritance, they claim, is no longer a 19th-century-style transmission of property titles after death but a “strategically timed transfer of funds that need to be leveraged and put to work in the speculative logic of the asset economy”. In the Anglo-Saxon economies at least, households are no longer just a unit of subsistence or consumption but a dynamic Minskyan balance-sheet manager.
Lisa Adkins is Head of the School of Social and Political Sciences and Martijn Konings is Professor of Political Economy and Social Theory at the University of Sydney.
Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“The key element shaping inequality is no longer the employment relationship but rather whether one is able to buy assets that appreciate at a faster rate than both inflation and wages”.</p><p>So argue Lisa Adkins, Martijn Konings and Melinda Cooper in <a href="https://bookshop.org/a/12343/9781509543465"><em>The Asset Economy</em></a> (Polity Press, 2020), extending the argument in Thomas Piketty’s 2014 best-seller <em>Capital in the Twenty-First Century</em>.</p><p>Inheritance, they claim, is no longer a 19th-century-style transmission of property titles after death but a “strategically timed transfer of funds that need to be leveraged and put to work in the speculative logic of the asset economy”. In the Anglo-Saxon economies at least, households are no longer just a unit of subsistence or consumption but a dynamic Minskyan balance-sheet manager.</p><p>Lisa Adkins is Head of the School of Social and Political Sciences and Martijn Konings is Professor of Political Economy and Social Theory at the University of Sydney.</p><p><em>Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2007</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christine Hong, "A Violent Peace: Race, U.S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific" (Stanford UP, 2020)</title>
      <description>The image of the US as leading a good war to establish liberal democracy and move towards racial equality dominate the discourses of the Cold War. In her work, A Violent Peace: Race, U.S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific (Stanford University Press, 2020), Christine Hong attempts to debunk the idea of good war and warfare-welfare state that allowed women and racial minorities to participate in national politics by showing how the US government was able to launch total war that blurred the boundaries of home and abroad through the “principle of indistinction.” The supposed blurring of colorline through military desegregation and multilateral, multi-racial alliances hid fortification of the US empire as necropolitical war target broadened through indistinction of civilian, women, and children as possible enemies. The US counterinsurgency eroded democratizing, decolonizing movements abroad based on color lines, and rhetorical racial equality at home was accompanied by increased policing of “high-crime” areas where minorities resided. Hong theorizes a range of struggles such as Black freedom, Asian liberation, and decolonization as “homologous responses to unchecked US war and police power at home and abroad… [The] alignment, participation, and complicity with the US military… blurred the color line, giving a redemptive liberal veneer to US war politics in Asia and the Pacific” (8-9). Through rich analyses of literary texts of Ralph Ellison, Carlos Bulosan, and James Baldwin, Hong examines how POC authors contested the promise of liberal democracy while military-industrial complex and colonial violence sought to erase decolonizing struggles. Hong further draws attention to commercialization of hibakusha’s bodies as well as photographs of Miné Okubo to critique the construction of peace as American property. Hong’s groundbreaking work spans Asian American studies, critical Asian studies, and critical empire studies, challenging us to question the modernity that had been presented to us through seeming homogeneity of American liberal democratic ideals.
Christine Hong is Associate Professor of Literature at University of California, Santa Cruz. Her research interests include transnational Asian American, Korean diaspora, U.S. war and empire, and comparative ethnic studies. She is also a board member of the Critical Ethnic Studies Association, an executive board member of the Korea Policy Institute, a coordinating committee member of the National Campaign to End the Korean War, and a member of the Working Group on Peace and Demilitarization in Asia and the Pacific. She is currently organizing a teaching initiative to end the Korean War.
Da In Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include reproductive justice movement, care labor and migration, affect theory, citizenship, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Christine Hong attempts to debunk the idea of good war and warfare-welfare state that allowed women and racial minorities to participate in national politics by showing how the US government was able to launch total war that blurred the boundaries of home and abroad through the “principle of indistinction.”</itunes:subtitle>
      <itunes:summary>The image of the US as leading a good war to establish liberal democracy and move towards racial equality dominate the discourses of the Cold War. In her work, A Violent Peace: Race, U.S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific (Stanford University Press, 2020), Christine Hong attempts to debunk the idea of good war and warfare-welfare state that allowed women and racial minorities to participate in national politics by showing how the US government was able to launch total war that blurred the boundaries of home and abroad through the “principle of indistinction.” The supposed blurring of colorline through military desegregation and multilateral, multi-racial alliances hid fortification of the US empire as necropolitical war target broadened through indistinction of civilian, women, and children as possible enemies. The US counterinsurgency eroded democratizing, decolonizing movements abroad based on color lines, and rhetorical racial equality at home was accompanied by increased policing of “high-crime” areas where minorities resided. Hong theorizes a range of struggles such as Black freedom, Asian liberation, and decolonization as “homologous responses to unchecked US war and police power at home and abroad… [The] alignment, participation, and complicity with the US military… blurred the color line, giving a redemptive liberal veneer to US war politics in Asia and the Pacific” (8-9). Through rich analyses of literary texts of Ralph Ellison, Carlos Bulosan, and James Baldwin, Hong examines how POC authors contested the promise of liberal democracy while military-industrial complex and colonial violence sought to erase decolonizing struggles. Hong further draws attention to commercialization of hibakusha’s bodies as well as photographs of Miné Okubo to critique the construction of peace as American property. Hong’s groundbreaking work spans Asian American studies, critical Asian studies, and critical empire studies, challenging us to question the modernity that had been presented to us through seeming homogeneity of American liberal democratic ideals.
Christine Hong is Associate Professor of Literature at University of California, Santa Cruz. Her research interests include transnational Asian American, Korean diaspora, U.S. war and empire, and comparative ethnic studies. She is also a board member of the Critical Ethnic Studies Association, an executive board member of the Korea Policy Institute, a coordinating committee member of the National Campaign to End the Korean War, and a member of the Working Group on Peace and Demilitarization in Asia and the Pacific. She is currently organizing a teaching initiative to end the Korean War.
Da In Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include reproductive justice movement, care labor and migration, affect theory, citizenship, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The image of the US as leading a good war to establish liberal democracy and move towards racial equality dominate the discourses of the Cold War. In her work, <a href="https://bookshop.org/a/12343/9781503612914"><em>A Violent Peace: Race, U.S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific</em></a> (Stanford University Press, 2020), Christine Hong attempts to debunk the idea of good war and warfare-welfare state that allowed women and racial minorities to participate in national politics by showing how the US government was able to launch total war that blurred the boundaries of home and abroad through the “principle of indistinction.” The supposed blurring of colorline through military desegregation and multilateral, multi-racial alliances hid fortification of the US empire as necropolitical war target broadened through indistinction of civilian, women, and children as possible enemies. The US counterinsurgency eroded democratizing, decolonizing movements abroad based on color lines, and rhetorical racial equality at home was accompanied by increased policing of “high-crime” areas where minorities resided. Hong theorizes a range of struggles such as Black freedom, Asian liberation, and decolonization as “homologous responses to unchecked US war and police power at home and abroad… [The] alignment, participation, and complicity with the US military… blurred the color line, giving a redemptive liberal veneer to US war politics in Asia and the Pacific” (8-9). Through rich analyses of literary texts of Ralph Ellison, Carlos Bulosan, and James Baldwin, Hong examines how POC authors contested the promise of liberal democracy while military-industrial complex and colonial violence sought to erase decolonizing struggles. Hong further draws attention to commercialization of hibakusha’s bodies as well as photographs of Miné Okubo to critique the construction of peace as American property. Hong’s groundbreaking work spans Asian American studies, critical Asian studies, and critical empire studies, challenging us to question the modernity that had been presented to us through seeming homogeneity of American liberal democratic ideals.</p><p>Christine Hong is Associate Professor of Literature at University of California, Santa Cruz. Her research interests include transnational Asian American, Korean diaspora, U.S. war and empire, and comparative ethnic studies. She is also a board member of the Critical Ethnic Studies Association, an executive board member of the Korea Policy Institute, a coordinating committee member of the National Campaign to End the Korean War, and a member of the Working Group on Peace and Demilitarization in Asia and the Pacific. She is currently organizing a teaching initiative to end the Korean War.</p><p><em>Da In Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include reproductive justice movement, care labor and migration, affect theory, citizenship, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3566</itunes:duration>
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    </item>
    <item>
      <title>K. Yazdani and D. M. Menon, "Capitalisms: Towards a Global History" (Oxford UP, 2020)</title>
      <description>Capitalisms: Towards a Global History (Oxford University Press, 2020), edited by Kaveh Yazdani and Dilip M. Menon, aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space. The authors argue against conventional accounts that locate the origins of capitalism solely within Europe and within the conjuncture of the industrial revolution. The essays emphasize historical conjunctures, flows of commodities, circulation of knowledge and personnel, the role of mercantile capital and small producers and stress throughout the necessity to think beyond present day national boundaries. The volume contends with clichés of Western exceptionalism to make a set of historical arguments about non-Western and interconnected economic developments across the globe, prior to the era of colonialism. It argues fundamentally that the multiple histories of capitalism can be better understood from a truly global perspective.
Dr Kaveh Yazdani is Lecturer (akademischer Rat) in economic history, University of Bielefeld. He teaches economic history at the University of Bielefeld, Germany. His scholarly interests include the 'Great Divergence' debate and the history of South and West Asia between the 17th and 20th centuries. He is the author of India, Modernity and the Great Divergence: Mysore and Gujarat (2017).
Professor Dilip M. Menon is Mellon Chair of Indian Studies, Director of the Centre for Indian Studies in Africa, University of Witwatersrand, South Africa. He is the author of Caste, Nationalism and Communism in South India: Malabar, 1900-1948 (1994).
Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @TimeTravelAllie.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Capitalisms" aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space...</itunes:subtitle>
      <itunes:summary>Capitalisms: Towards a Global History (Oxford University Press, 2020), edited by Kaveh Yazdani and Dilip M. Menon, aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space. The authors argue against conventional accounts that locate the origins of capitalism solely within Europe and within the conjuncture of the industrial revolution. The essays emphasize historical conjunctures, flows of commodities, circulation of knowledge and personnel, the role of mercantile capital and small producers and stress throughout the necessity to think beyond present day national boundaries. The volume contends with clichés of Western exceptionalism to make a set of historical arguments about non-Western and interconnected economic developments across the globe, prior to the era of colonialism. It argues fundamentally that the multiple histories of capitalism can be better understood from a truly global perspective.
Dr Kaveh Yazdani is Lecturer (akademischer Rat) in economic history, University of Bielefeld. He teaches economic history at the University of Bielefeld, Germany. His scholarly interests include the 'Great Divergence' debate and the history of South and West Asia between the 17th and 20th centuries. He is the author of India, Modernity and the Great Divergence: Mysore and Gujarat (2017).
Professor Dilip M. Menon is Mellon Chair of Indian Studies, Director of the Centre for Indian Studies in Africa, University of Witwatersrand, South Africa. He is the author of Caste, Nationalism and Communism in South India: Malabar, 1900-1948 (1994).
Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @TimeTravelAllie.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780199499717"><em>Capitalisms: Towards a Global History</em></a> (Oxford University Press, 2020), edited by Kaveh Yazdani and Dilip M. Menon, aims to decenter work on the history of capitalism by looking at the longue durée from the tenth century; at regions as diverse as Song China, South and South East Asia, Latin America and the Ottoman and Safavid Empires; and exploring the plurality of developments over this extended time and space. The authors argue against conventional accounts that locate the origins of capitalism solely within Europe and within the conjuncture of the industrial revolution. The essays emphasize historical conjunctures, flows of commodities, circulation of knowledge and personnel, the role of mercantile capital and small producers and stress throughout the necessity to think beyond present day national boundaries. The volume contends with clichés of Western exceptionalism to make a set of historical arguments about non-Western and interconnected economic developments across the globe, prior to the era of colonialism. It argues fundamentally that the multiple histories of capitalism can be better understood from a truly global perspective.</p><p>Dr Kaveh Yazdani is Lecturer (akademischer Rat) in economic history, University of Bielefeld. He teaches economic history at the University of Bielefeld, Germany. His scholarly interests include the 'Great Divergence' debate and the history of South and West Asia between the 17th and 20th centuries. He is the author of <em>India, Modernity and the Great Divergence: Mysore and Gujarat</em> (2017).</p><p>Professor Dilip M. Menon is Mellon Chair of Indian Studies, Director of the Centre for Indian Studies in Africa, University of Witwatersrand, South Africa. He is the author of <em>Caste, Nationalism and Communism in South India: Malabar, 1900-1948</em> (1994).</p><p><em>Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @TimeTravelAllie.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5225</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Zakkiyah Imam Jackson, "Becoming Human: Matter and Meaning in an Antiblack World" (NYU Press, 2020)</title>
      <description>In a world where black(ened) flesh, particularly feminine flesh, is considered the ontological zero of humanness, what interventions and complications are available from art and speculative fiction of the African diaspora? On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Zakkiyah Imam Jackson about the imaginative interventions of African cultural production into the racial logics of the so-called “Enlightenment,” past and present.
Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World (NYU Press, 2020) breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo (NOW-LO) Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae (La-Hi), and the oratory of Frederick Douglass, Dr. Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. Becoming Human demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism.
Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."
Becoming Human is forthcoming as an audio book version in early January 2021. Keep an eye out if you prefer to listen to your new books!
We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>218</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In a world where black(ened) flesh, particularly feminine flesh, is considered the ontological zero of humanness, what interventions and complications are available from art and speculative fiction of the African disapora?</itunes:subtitle>
      <itunes:summary>In a world where black(ened) flesh, particularly feminine flesh, is considered the ontological zero of humanness, what interventions and complications are available from art and speculative fiction of the African diaspora? On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Zakkiyah Imam Jackson about the imaginative interventions of African cultural production into the racial logics of the so-called “Enlightenment,” past and present.
Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World (NYU Press, 2020) breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo (NOW-LO) Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae (La-Hi), and the oratory of Frederick Douglass, Dr. Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. Becoming Human demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism.
Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."
Becoming Human is forthcoming as an audio book version in early January 2021. Keep an eye out if you prefer to listen to your new books!
We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a world where black(ened) flesh, particularly feminine flesh, is considered the ontological zero of humanness, what interventions and complications are available from art and speculative fiction of the African diaspora? On this episode of the New Books Network, <a href="https://leempierce.com/">Dr. Lee Pierce</a> (s/t) interviews <a href="https://dornsife.usc.edu/cf/faculty-and-staff/faculty.cfm?pid=1074887">Dr. Zakkiyah Imam Jackson</a> about the imaginative interventions of African cultural production into the racial logics of the so-called “Enlightenment,” past and present.</p><p>Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, <a href="https://bookshop.org/a/12343/9781479830374"><em>Becoming Human: Matter and Meaning in an Antiblack World</em></a> (NYU Press, 2020) breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo (NOW-LO) Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae (La-Hi), and the oratory of Frederick Douglass, Dr. Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. <em>Becoming Human</em> demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism.</p><p>Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."</p><p><em>Becoming Human </em>is forthcoming as an audio book version in early January 2021. Keep an eye out if you prefer to listen to your new books!</p><p>We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on <a href="https://twitter.com/RhetoricLee">Twitter</a>, <a href="http://www.instagram.com/rhetoriclee/">Instagram</a>, and <a href="http://www.facebook.com/rhetoriclee">Facebook</a> for interview previews, the best book selfies, and new episode alerts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3197</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Silvie Jacobi, "Art Schools and Place: Geographies of Emerging Artists and Art Scenes" (Rowman and Littlefield, 2020)</title>
      <description>What is an art school? In Art Schools and Place: Geographies of Emerging Artists and Art Scenes (Rowman and Littlefield, 2020), Dr Silvie Jacobi, a researcher and head of education at London School of Mosaic, thinks through the status of art schools and arts education in the contemporary world. The book draws on ethnographic research in Manchester and Leipzig, comparting and contrasting two nations, two educational systems, and two cities, to show the different approaches to training and supporting contemporary culture. The book also compares artforms, considering both traditional practices, alongside the emergence of digital and media arts. Bridging geography, sociology, and the history of art, the book is essential reading for scholars of cultural and creative industries, as well as anyone interested in the continuing value and importance of the arts in education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The book draws on ethnographic research in Manchester and Leipzig, comparting and contrasting two nations, two educational systems, and two cities, to show the different approaches to training and supporting contemporary culture...</itunes:subtitle>
      <itunes:summary>What is an art school? In Art Schools and Place: Geographies of Emerging Artists and Art Scenes (Rowman and Littlefield, 2020), Dr Silvie Jacobi, a researcher and head of education at London School of Mosaic, thinks through the status of art schools and arts education in the contemporary world. The book draws on ethnographic research in Manchester and Leipzig, comparting and contrasting two nations, two educational systems, and two cities, to show the different approaches to training and supporting contemporary culture. The book also compares artforms, considering both traditional practices, alongside the emergence of digital and media arts. Bridging geography, sociology, and the history of art, the book is essential reading for scholars of cultural and creative industries, as well as anyone interested in the continuing value and importance of the arts in education.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is an art school? In <a href="https://bookshop.org/a/12343/9781786614711"><em>Art Schools and Place: Geographies of Emerging Artists and Art Scenes </em></a>(Rowman and Littlefield, 2020), <a href="https://twitter.com/silviejacobi?lang=en">Dr Silvie Jacobi</a>, a <a href="https://www.silviejacobi.com/">researcher</a> and <a href="https://www.lsomosaic.com/">head of education at London School of Mosaic</a>, thinks through the status of art schools and arts education in the contemporary world. The book draws on ethnographic research in Manchester and Leipzig, comparting and contrasting two nations, two educational systems, and two cities, to show the different approaches to training and supporting contemporary culture. The book also compares artforms, considering both traditional practices, alongside the emergence of digital and media arts. Bridging geography, sociology, and the history of art, the book is essential reading for scholars of cultural and creative industries, as well as anyone interested in the continuing value and importance of the arts in education.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2388</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[45cbddd8-1301-11eb-8803-c3d4079cfb3c]]></guid>
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      <title>M. Sobolewska and R. Ford, "Brexitland: Identity, Diversity and the Reshaping of British Politics" (Cambridge UP, 2020)</title>
      <description>What are the identity conflicts that define contemporary society? In Brexitland: Identity, Diversity and the Reshaping of British Politics (Cambridge UP, 2020) Maria Sobolewska and Robert Ford, professors of politics at the University of Manchester, explore the long term, structural changes in British society that underpinned the 2016 referendum on EU membership, the 2017 and 2019 general elections, as well as contemporary political debates and future questions such as voting on Scottish independence. At the heart of the book is the identification of new identity groups- both liberal and conservative- that have been shaped by changes in education and diversity, as well as by politicians’ and political parties’ behaviours. Offering historical analysis of immigration and public opinion, as well as a rich and detailed engagement with contemporary social attitudes, the book is essential reading both in the UK and in other nations seeing the rise of similar forms of social change and attitudinal conflicts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What are the identity conflicts that define contemporary society?</itunes:subtitle>
      <itunes:summary>What are the identity conflicts that define contemporary society? In Brexitland: Identity, Diversity and the Reshaping of British Politics (Cambridge UP, 2020) Maria Sobolewska and Robert Ford, professors of politics at the University of Manchester, explore the long term, structural changes in British society that underpinned the 2016 referendum on EU membership, the 2017 and 2019 general elections, as well as contemporary political debates and future questions such as voting on Scottish independence. At the heart of the book is the identification of new identity groups- both liberal and conservative- that have been shaped by changes in education and diversity, as well as by politicians’ and political parties’ behaviours. Offering historical analysis of immigration and public opinion, as well as a rich and detailed engagement with contemporary social attitudes, the book is essential reading both in the UK and in other nations seeing the rise of similar forms of social change and attitudinal conflicts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the identity conflicts that define contemporary society? In <a href="https://www.cambridge.org/core/books/brexitland/667A60CB4C315A755792074E79B20FBA"><em>Brexitland: Identity, Diversity and the Reshaping of British Politics</em></a> (Cambridge UP, 2020) Maria Sobolewska and Robert Ford, professors of politics at the University of Manchester, explore the long term, structural changes in British society that underpinned the 2016 referendum on EU membership, the 2017 and 2019 general elections, as well as contemporary political debates and future questions such as voting on Scottish independence. At the heart of the book is the identification of new identity groups- both liberal and conservative- that have been shaped by changes in education and diversity, as well as by politicians’ and political parties’ behaviours. Offering historical analysis of immigration and public opinion, as well as a rich and detailed engagement with contemporary social attitudes, the book is essential reading both in the UK and in other nations seeing the rise of similar forms of social change and attitudinal conflicts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2860</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f309c240-0f0e-11eb-8f38-73ea5e752f85]]></guid>
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    <item>
      <title>Francesca Sobande, "The Digital Lives of Black Women in Britain" (Palgrave, 2020)</title>
      <description>What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sobande explores the experiences of Black women as producers and as consumers of digital media...</itunes:subtitle>
      <itunes:summary>What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the possibilities and what are the inequalities of the digital world? In <a href="https://bookshop.org/a/12343/9783030466787"><em>The Digital Lives of Black Women in Britain </em></a>(Palgrave, 2020), <a href="https://twitter.com/chess_ess">Francesca Sobande</a>, a lecturer in <a href="https://www.cardiff.ac.uk/people/view/1451406-sobande-francesca">Digital Media Studies at Cardiff University</a> explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2055</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87b5add2-081b-11eb-82c5-ebd0a58d79de]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6417615060.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sianne Ngai, "Theory of the Gimmick: Aesthetic Judgment and Capitalist Form" (Harvard UP, 2020)</title>
      <description>In Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (Harvard University Press, 2020), Sianne Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthetic philosophy, and Marxist political economy in order to illuminate the historical production of this attractive yet unsettling cultural form. From The Magic Mountain to It Follows, smiley faces to subprime mortgages, Ngai’s image of the surprisingly ubiquitous gimmick emerges from a careful evaluation of the capitalist subject’s fundamental discomfort surrounding the coupling of value to labor-time.
Michael Eby is a writer and researcher on contemporary art and digital culture. He lives in New York and tweets @michaeleby2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life...</itunes:subtitle>
      <itunes:summary>In Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (Harvard University Press, 2020), Sianne Ngai continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthetic philosophy, and Marxist political economy in order to illuminate the historical production of this attractive yet unsettling cultural form. From The Magic Mountain to It Follows, smiley faces to subprime mortgages, Ngai’s image of the surprisingly ubiquitous gimmick emerges from a careful evaluation of the capitalist subject’s fundamental discomfort surrounding the coupling of value to labor-time.
Michael Eby is a writer and researcher on contemporary art and digital culture. He lives in New York and tweets @michaeleby2020.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780674984547"><em>Theory of the Gimmick: Aesthetic Judgment and Capitalist Form</em></a> (Harvard University Press, 2020)<em>, </em><a href="https://english.uchicago.edu/people/sianne-ngai">Sianne Ngai</a> continues her theoretical work of demystifying the vernacular aesthetic categories encountered in late capitalist daily life. In this witty and penetrating book-length treatment of the affective experience of the “gimmick,” Ngai draws upon formalist literary criticism, post-Kantian aesthetic philosophy, and Marxist political economy in order to illuminate the historical production of this attractive yet unsettling cultural form. From <em>The Magic Mountain </em>to <em>It Follows</em>, smiley faces to subprime mortgages, Ngai’s image of the surprisingly ubiquitous gimmick emerges from a careful evaluation of the capitalist subject’s fundamental discomfort surrounding the coupling of value to labor-time.</p><p><em>Michael Eby is a writer and researcher on contemporary art and digital culture. He lives in New York and tweets @michaeleby2020.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[977294d4-07e3-11eb-8d46-b3f7f7543f5e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1456376355.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Elisabeth Paquette, "Universal Emancipation: Race Beyond Badiou" (U Minnesota Press, 2020)</title>
      <description>What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In Universal Emancipation: Race Beyond Badiou (University of Minnesota Press, 2020) (Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>229</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference?</itunes:subtitle>
      <itunes:summary>What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In Universal Emancipation: Race Beyond Badiou (University of Minnesota Press, 2020) (Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is Badiou’s theory of emancipation? For whom is this emancipation possible? Does emancipation entail an indifference to difference? In <a href="https://bookshop.org/a/12343/9781517909437"><em>Universal Emancipation: Race Beyond Badiou </em></a>(University of Minnesota Press, 2020)<em> </em>(Minnesota University Press, 2020), Elisabeth Paquette pursues these questions through a sustained conversation with decolonial theory, particularly the work of Sylvia Wynter. Through consideration of Négritude and the Haitian Revolution, Paquette argues for a theory of emancipation that need not subtract particularities, as Badiou theorizes, but rather build a pluri-conceptual framework, as Wynter theorizes, for emancipation based on solidarity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3645</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aabffac4-057f-11eb-96e4-8ba9d66ded15]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1692728385.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tamura Lomax, “Jezebel Unhinged: Loosing the Black Female Body in Religion and Culture” (Duke UP, 2018)</title>
      <description>One of the central threads in the public discourse on Black womanhood is the idea of the “Jezebel.” This trope deems Black women and girls as dishonorable and sexually deviant and the stereotype is circulated from the big screen to the pulpit. Tamura Lomax, Associate Professor at Michigan State University, outlines a historical genealogy of the discursive “Jezebel” and reveals its contemporary legacy in Jezebel Unhinged: Loosing the Black Female Body in Religion and Culture (Duke University Press, 2018). Lomax brings together theoretical strands from medieval thinkers, Biblical narratives, Enlightenment theories of race, and American cultural productions to demonstrate how gender hierarchy and patriarchy have been constructed in Black communities. These systems can be reinforced through the relationship between Hip Hop culture and the Black church or be challenged by Womanist interpreters. In our conversation we discuss girlhood in the the Black Church, racial theories, the Biblical Jezebel, Womanist criticism, formations of respectability, female sexuality and femininity, Bishop T. D. Jakes, and the work of Tyler Perry.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>One of the central threads in the public discourse on Black womanhood is the idea of the “Jezebel"...</itunes:subtitle>
      <itunes:summary>One of the central threads in the public discourse on Black womanhood is the idea of the “Jezebel.” This trope deems Black women and girls as dishonorable and sexually deviant and the stereotype is circulated from the big screen to the pulpit. Tamura Lomax, Associate Professor at Michigan State University, outlines a historical genealogy of the discursive “Jezebel” and reveals its contemporary legacy in Jezebel Unhinged: Loosing the Black Female Body in Religion and Culture (Duke University Press, 2018). Lomax brings together theoretical strands from medieval thinkers, Biblical narratives, Enlightenment theories of race, and American cultural productions to demonstrate how gender hierarchy and patriarchy have been constructed in Black communities. These systems can be reinforced through the relationship between Hip Hop culture and the Black church or be challenged by Womanist interpreters. In our conversation we discuss girlhood in the the Black Church, racial theories, the Biblical Jezebel, Womanist criticism, formations of respectability, female sexuality and femininity, Bishop T. D. Jakes, and the work of Tyler Perry.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the central threads in the public discourse on Black womanhood is the idea of the “Jezebel.” This trope deems Black women and girls as dishonorable and sexually deviant and the stereotype is circulated from the big screen to the pulpit. Tamura Lomax, Associate Professor at Michigan State University, outlines a historical genealogy of the discursive “Jezebel” and reveals its contemporary legacy in <a href="https://bookshop.org/a/12343/9781478001072"><em>Jezebel Unhinged: Loosing the Black Female Body in Religion and Culture</em></a> (Duke University Press, 2018). Lomax brings together theoretical strands from medieval thinkers, Biblical narratives, Enlightenment theories of race, and American cultural productions to demonstrate how gender hierarchy and patriarchy have been constructed in Black communities. These systems can be reinforced through the relationship between Hip Hop culture and the Black church or be challenged by Womanist interpreters. In our conversation we discuss girlhood in the the Black Church, racial theories, the Biblical Jezebel, Womanist criticism, formations of respectability, female sexuality and femininity, Bishop T. D. Jakes, and the work of Tyler Perry.</p><p><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4261</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Adam Knowles, "Heidegger’s Fascist Affinities: A Politics of Silence" (Stanford UP, 2019)</title>
      <description>The German philosopher Martin Heidegger’s influence over the last several decades of philosophy is undeniable, but his place in the canon has been called into question in recent years in the wake of the publication of his private journals kept throughout his life, including during his involvement with the Nazi Party. This has led to a renewal of an intense series of debates about the relationship between Heidegger’s thought and his politics, and the broader implications this relationship may have for philosophy more broadly.
Diving into some of these discussions is Adam Knowles with his recent book ​Heidegger’s Fascist Affinities: A Politics of Silence (Stanford UP, 2019). Combining both philosophical and cultural analysis, the book argues that Heidegger’s philosophy of language and his interest in Greek philosophy left him open to some of the reactionary currents that were active in his own time, and that his intellectual orientations left him with an easy path into Nazism. But beyond studying Heidegger in isolation, this book wants to use Heidegger as a gateway to understand some of the deeper problems that may plague philosophy today, for given how far his influence reaches, the size of the shadow demands we try to be vigilant about potential blind spots.
Adam Knowles completed his PhD at the New School for Social Research, and is an assistant teaching professor of philosophy at Drexel University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Martin Heidegger was member of the Nazi Party. What does that mean for his thought?</itunes:subtitle>
      <itunes:summary>The German philosopher Martin Heidegger’s influence over the last several decades of philosophy is undeniable, but his place in the canon has been called into question in recent years in the wake of the publication of his private journals kept throughout his life, including during his involvement with the Nazi Party. This has led to a renewal of an intense series of debates about the relationship between Heidegger’s thought and his politics, and the broader implications this relationship may have for philosophy more broadly.
Diving into some of these discussions is Adam Knowles with his recent book ​Heidegger’s Fascist Affinities: A Politics of Silence (Stanford UP, 2019). Combining both philosophical and cultural analysis, the book argues that Heidegger’s philosophy of language and his interest in Greek philosophy left him open to some of the reactionary currents that were active in his own time, and that his intellectual orientations left him with an easy path into Nazism. But beyond studying Heidegger in isolation, this book wants to use Heidegger as a gateway to understand some of the deeper problems that may plague philosophy today, for given how far his influence reaches, the size of the shadow demands we try to be vigilant about potential blind spots.
Adam Knowles completed his PhD at the New School for Social Research, and is an assistant teaching professor of philosophy at Drexel University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The German philosopher Martin Heidegger’s influence over the last several decades of philosophy is undeniable, but his place in the canon has been called into question in recent years in the wake of the publication of his private journals kept throughout his life, including during his involvement with the Nazi Party. This has led to a renewal of an intense series of debates about the relationship between Heidegger’s thought and his politics, and the broader implications this relationship may have for philosophy more broadly.</p><p>Diving into some of these discussions is Adam Knowles with his recent book ​<a href="https://bookshop.org/a/12343/9781503608788"><em>Heidegger’s Fascist Affinities: A Politics of Silence</em></a> (Stanford UP, 2019). Combining both philosophical and cultural analysis, the book argues that Heidegger’s philosophy of language and his interest in Greek philosophy left him open to some of the reactionary currents that were active in his own time, and that his intellectual orientations left him with an easy path into Nazism. But beyond studying Heidegger in isolation, this book wants to use Heidegger as a gateway to understand some of the deeper problems that may plague philosophy today, for given how far his influence reaches, the size of the shadow demands we try to be vigilant about potential blind spots.</p><p>Adam Knowles completed his PhD at the New School for Social Research, and is an assistant teaching professor of philosophy at Drexel University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5248</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[09f7b036-071f-11eb-adaf-8fc5c6cef323]]></guid>
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    </item>
    <item>
      <title>Elleni Centime Zeleke, "Ethiopia in Theory: Revolution and Knowledge Production, 1964-2016" (Haymarket Books, 2020)</title>
      <description>Between the years 1964 and 1974, Ethiopian post-secondary students studying at home, in Europe, and in North America produced a number of journals where they explored the relationship between social theory and social change within the project of building a socialist Ethiopia. Ethiopia in Theory: Revolution and Knowledge Production, 1964-2016 (Brill, 2019 and Haymarket Books, 2020 paperback) examines the literature of this student movement, together with the movement’s afterlife in Ethiopian politics and society in order to ask: what does it mean to write today about the appropriation and indigenization of Marxist and mainstream social science ideas in an Ethiopian and African context; and, importantly, what does the archive of revolutionary thought in Africa teach us about the practice of critical theory more generally.
Elleni Centime Zeleke is Assistant Professor of African Studies in the Department of Middle Eastern, South Asian and African Studies at Columbia University in New York. Elleni was born in Ethiopia, and raised in Toronto, Guyana, and Barbados. Trained at the Graduate Program in Social and Political Thought at York University (Toronto), her research interests include vernacular politics in the Horn of Africa, Critical Theory, the Frankfurt School, and the problem of constituting Africa as an object of study.
Listen to Mahmoud Ahmed’s Tizita. And read the review roundtable on Zeleke’s Ethiopia in Theory, with contributions by Alden Young, Samar al-Bulushi, Adom Getachew, and Wendell Marsh.
Madina Thiam is a PhD candidate in history at UCLA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Between the years 1964 and 1974, Ethiopian post-secondary students studying at home, in Europe, and in North America produced a number of journals where they explored the relationship between social theory and social change within the project of building a socialist Ethiopia...</itunes:subtitle>
      <itunes:summary>Between the years 1964 and 1974, Ethiopian post-secondary students studying at home, in Europe, and in North America produced a number of journals where they explored the relationship between social theory and social change within the project of building a socialist Ethiopia. Ethiopia in Theory: Revolution and Knowledge Production, 1964-2016 (Brill, 2019 and Haymarket Books, 2020 paperback) examines the literature of this student movement, together with the movement’s afterlife in Ethiopian politics and society in order to ask: what does it mean to write today about the appropriation and indigenization of Marxist and mainstream social science ideas in an Ethiopian and African context; and, importantly, what does the archive of revolutionary thought in Africa teach us about the practice of critical theory more generally.
Elleni Centime Zeleke is Assistant Professor of African Studies in the Department of Middle Eastern, South Asian and African Studies at Columbia University in New York. Elleni was born in Ethiopia, and raised in Toronto, Guyana, and Barbados. Trained at the Graduate Program in Social and Political Thought at York University (Toronto), her research interests include vernacular politics in the Horn of Africa, Critical Theory, the Frankfurt School, and the problem of constituting Africa as an object of study.
Listen to Mahmoud Ahmed’s Tizita. And read the review roundtable on Zeleke’s Ethiopia in Theory, with contributions by Alden Young, Samar al-Bulushi, Adom Getachew, and Wendell Marsh.
Madina Thiam is a PhD candidate in history at UCLA.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between the years 1964 and 1974, Ethiopian post-secondary students studying at home, in Europe, and in North America produced a number of journals where they explored the relationship between social theory and social change within the project of building a socialist Ethiopia. <a href="https://bookshop.org/a/12343/9781642593419"><em>Ethiopia in Theory: Revolution and Knowledge Production, 1964-2016</em></a><em> </em>(Brill, 2019 and Haymarket Books, 2020 paperback) examines the literature of this student movement, together with the movement’s afterlife in Ethiopian politics and society in order to ask: what does it mean to write today about the appropriation and indigenization of Marxist and mainstream social science ideas in an Ethiopian and African context; and, importantly, what does the archive of revolutionary thought in Africa teach us about the practice of critical theory more generally.</p><p>Elleni Centime Zeleke is Assistant Professor of African Studies in the Department of Middle Eastern, South Asian and African Studies at Columbia University in New York. Elleni was born in Ethiopia, and raised in Toronto, Guyana, and Barbados. Trained at the Graduate Program in Social and Political Thought at York University (Toronto), her research interests include vernacular politics in the Horn of Africa, Critical Theory, the Frankfurt School, and the problem of constituting Africa as an object of study.</p><p>Listen to Mahmoud Ahmed’s <a href="https://open.spotify.com/track/7tmqW3AMXm3DLIxsHE6xHL">Tizita</a>. And read the <a href="https://networks.h-net.org/node/28443/discussions/6426905/h-diplo-roundtable-xxii-3-zeleke-ethiopia-theory-revolution-and">review roundtable</a> on Zeleke’s <em>Ethiopia in Theory</em>, with contributions by Alden Young, Samar al-Bulushi, Adom Getachew, and Wendell Marsh.</p><p><a href="https://history.ucla.edu/grads/madina-thiam"><em>Madina Thiam</em></a><em> is a PhD candidate in history at UCLA.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3331</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cbf7c30a-0270-11eb-82ed-bf3ae70a698f]]></guid>
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    </item>
    <item>
      <title>Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)</title>
      <description>It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they then make. There is no product without a producer, and cultural products are no different, so understanding cultural products means thinking more critically about who produces them.
This is the goal of the recently published ​Culture is Bad for You: Inequality in the Cultural and Creative Industries (Manchester University Press, 2020). Written by Orian Brook, Mark Taylor and, my guest today, Dave O’Brien, the book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are.
Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries, based in the School of History of Art at Edinburgh University. He is also the author of ​Cultural Policy: Management, Value and Modernity in the Creative Industries​ (Routledge).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are.</itunes:subtitle>
      <itunes:summary>It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they then make. There is no product without a producer, and cultural products are no different, so understanding cultural products means thinking more critically about who produces them.
This is the goal of the recently published ​Culture is Bad for You: Inequality in the Cultural and Creative Industries (Manchester University Press, 2020). Written by Orian Brook, Mark Taylor and, my guest today, Dave O’Brien, the book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are.
Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries, based in the School of History of Art at Edinburgh University. He is also the author of ​Cultural Policy: Management, Value and Modernity in the Creative Industries​ (Routledge).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It would be hard to overstate the importance of culture. It teaches us, heals us, rips us apart and puts us back together in new and surprising ways. Given its fundamental importance to the human experience, it would make sense that looking at the sort of people who produce it for us, thinking about who they are, what their experiences are, and what that may say about the cultural products they then make. There is no product without a producer, and cultural products are no different, so understanding cultural products means thinking more critically about who produces them.</p><p>This is the goal of the recently published ​<a href="https://bookshop.org/a/12343/9781526144164"><em>Culture is Bad for You: Inequality in the Cultural and Creative Industries</em></a> (Manchester University Press, 2020). Written by Orian Brook, Mark Taylor and, my guest today, Dave O’Brien, the book combines quantitative data analysis with personal interviews to weave together the complicated picture of who the people behind some of our most cherished experiences are.</p><p>Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries, based in the School of History of Art at Edinburgh University. He is also the author of ​Cultural Policy: Management, Value and Modernity in the Creative Industries​ (Routledge).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3439</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e146557e-0279-11eb-b46b-63f389138661]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5978287572.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kristin J. Jacobson, "The American Adrenaline Narrative" (U Georgia Press, 2020)</title>
      <description>Kristin J. Jacobson In her new book, &lt;a href="https://bookshop.org/a/12343/9780820356990" target="_blank" rel="noopener noreferrer"&gt;&lt;em&gt;The American Adrenaline Narrative&lt;/em&gt;&lt;/a&gt; (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's &lt;em&gt;Into Thin Air&lt;/em&gt; and Aron Ralston's &lt;em&gt;Between a Rock and a Hard Place&lt;/em&gt;. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
&lt;a href="https://blogs.stockton.edu/kristinjjacobson/" target="_blank" rel="noopener noreferrer"&gt;Kristin Jacobson&lt;/a&gt; is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.

&lt;hr /&gt;

&lt;em&gt;&lt;a href="https://ulaval.academia.edu/CarrieLynnEvans" target="_blank" rel="noopener noreferrer"&gt;Carrie Lynn Evans&lt;/a&gt; is a PhD student at Université Laval in Quebec City.&lt;/em&gt;

&lt;iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm?e=LIT6642972270" width="100%"&gt;&lt;/iframe&gt;
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kristin J. Jacobson In her new book, &lt;a href="https://bookshop.org/a/12343/9780820356990" target="_blank" rel="noopener noreferrer"&gt;&lt;em&gt;The American Adrenaline Narrative&lt;/em&gt;&lt;/a&gt; (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's &lt;em&gt;Into Thin Air&lt;/em&gt; and Aron Ralston's &lt;em&gt;Between a Rock and a Hard Place&lt;/em&gt;. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
&lt;a href="https://blogs.stockton.edu/kristinjjacobson/" target="_blank" rel="noopener noreferrer"&gt;Kristin Jacobson&lt;/a&gt; is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.

&lt;hr /&gt;

&lt;em&gt;&lt;a href="https://ulaval.academia.edu/CarrieLynnEvans" target="_blank" rel="noopener noreferrer"&gt;Carrie Lynn Evans&lt;/a&gt; is a PhD student at Université Laval in Quebec City.&lt;/em&gt;

&lt;iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm?e=LIT6642972270" width="100%"&gt;&lt;/iframe&gt;
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kristin J. Jacobson In her new book, &lt;a href="https://bookshop.org/a/12343/9780820356990" target="_blank" rel="noopener noreferrer"&gt;&lt;em&gt;The American Adrenaline Narrative&lt;/em&gt;&lt;/a&gt; (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.</p><p>To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.</p><p>Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's &lt;em&gt;Into Thin Air&lt;/em&gt; and Aron Ralston's &lt;em&gt;Between a Rock and a Hard Place&lt;/em&gt;. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.</p><p>Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.</p><p>&lt;a href="https://blogs.stockton.edu/kristinjjacobson/" target="_blank" rel="noopener noreferrer"&gt;Kristin Jacobson&lt;/a&gt; is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.</p><p><br></p><p>&lt;hr /&gt;</p><p><br></p><p>&lt;em&gt;&lt;a href="https://ulaval.academia.edu/CarrieLynnEvans" target="_blank" rel="noopener noreferrer"&gt;Carrie Lynn Evans&lt;/a&gt; is a PhD student at Université Laval in Quebec City.&lt;/em&gt;</p><p><br></p><p>&lt;iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm?e=LIT6642972270" width="100%"&gt;&lt;/iframe&gt;</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sophie Richter-Devroe, "Women’s Political Activism in Palestine: Peacebuilding, Resistance, and Survival" (U Illinois Press, 2018)</title>
      <description>Dr. Sophie Richter-Devroe’s book, Women’s Political Activism in Palestine: Peacebuilding, Resistance, and Survival (University of Illinois Press, 2018) offers an analysis of the forms assumed by women’s political resistance in Occupied Palestine and interrogates how an understanding of such activism might be expanded if one attends to the ‘everyday’.
During the last twenty years, Palestinian women have practiced creative and, often, informal everyday forms of political activism. Building upon long-term ethnographic fieldwork, including several in-depth interviews and extended participant-observation, Dr. Richter-Devroe reflects on their struggles to bring about social and political change. In doing so, she presents a two-pronged critique of liberal notions of ‘the political’ as well as of mainstream conflict resolution methods–specifically the failed woman-to-woman peacebuilding projects so lauded around the world–which collapse in a context such as Palestine, characterized by ever-intensifying Israeli occupation and settler-colonial policies. Thus Dr. Richter-Devroe suggests that women confront Israeli settler colonialism both directly and indirectly through popular and everyday acts of resistance, drawing particular attention to the intricate dynamics of the everyday, tracing the emergent politics that women articulate and practice in that lived space. That is, through everyday acts with continuously offer women ways to reaffirm and reclaim their ‘right to have rights’, they are able to affect a unique form of political resistance, one that constitutes an important subject of study.
In shedding light on contemporary gendered 'politics from below' in the region, then, the book invites a rethinking of the workings, shapes, and boundaries of the political in ways that importantly contribute to and expand studies of gender and politics in the Middle East.
Dr. Sophie Richter-Devroe is an associate professor at Hamad bin Khalifa University, Doha in the Middle Eastern Studies Department in the College of Humanities and Social Sciences.
This interview is part of an NBN special series on “Mobilities and Methods“.
Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women’s organizing in Amman, Jordan.’
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 05 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Richter-Devroe offers an analysis of the forms assumed by women’s political resistance in Occupied Palestine and interrogates how an understanding of such activism might be expanded if one attends to the ‘everyday’...</itunes:subtitle>
      <itunes:summary>Dr. Sophie Richter-Devroe’s book, Women’s Political Activism in Palestine: Peacebuilding, Resistance, and Survival (University of Illinois Press, 2018) offers an analysis of the forms assumed by women’s political resistance in Occupied Palestine and interrogates how an understanding of such activism might be expanded if one attends to the ‘everyday’.
During the last twenty years, Palestinian women have practiced creative and, often, informal everyday forms of political activism. Building upon long-term ethnographic fieldwork, including several in-depth interviews and extended participant-observation, Dr. Richter-Devroe reflects on their struggles to bring about social and political change. In doing so, she presents a two-pronged critique of liberal notions of ‘the political’ as well as of mainstream conflict resolution methods–specifically the failed woman-to-woman peacebuilding projects so lauded around the world–which collapse in a context such as Palestine, characterized by ever-intensifying Israeli occupation and settler-colonial policies. Thus Dr. Richter-Devroe suggests that women confront Israeli settler colonialism both directly and indirectly through popular and everyday acts of resistance, drawing particular attention to the intricate dynamics of the everyday, tracing the emergent politics that women articulate and practice in that lived space. That is, through everyday acts with continuously offer women ways to reaffirm and reclaim their ‘right to have rights’, they are able to affect a unique form of political resistance, one that constitutes an important subject of study.
In shedding light on contemporary gendered 'politics from below' in the region, then, the book invites a rethinking of the workings, shapes, and boundaries of the political in ways that importantly contribute to and expand studies of gender and politics in the Middle East.
Dr. Sophie Richter-Devroe is an associate professor at Hamad bin Khalifa University, Doha in the Middle Eastern Studies Department in the College of Humanities and Social Sciences.
This interview is part of an NBN special series on “Mobilities and Methods“.
Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women’s organizing in Amman, Jordan.’
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Sophie Richter-Devroe’s book, <a href="https://amzn.to/2HhIoPx"><em>Women’s Political Activism in Palestine: Peacebuilding, Resistance, and Survival</em></a> (University of Illinois Press, 2018) offers an analysis of the forms assumed by women’s political resistance in Occupied Palestine and interrogates how an understanding of such activism might be expanded if one attends to the ‘everyday’.</p><p>During the last twenty years, Palestinian women have practiced creative and, often, informal everyday forms of political activism. Building upon long-term ethnographic fieldwork, including several in-depth interviews and extended participant-observation, Dr. Richter-Devroe reflects on their struggles to bring about social and political change. In doing so, she presents a two-pronged critique of liberal notions of ‘the political’ as well as of mainstream conflict resolution methods–specifically the failed woman-to-woman peacebuilding projects so lauded around the world–which collapse in a context such as Palestine, characterized by ever-intensifying Israeli occupation and settler-colonial policies. Thus Dr. Richter-Devroe suggests that women confront Israeli settler colonialism both directly and indirectly through popular and everyday acts of resistance, drawing particular attention to the intricate dynamics of the everyday, tracing the emergent politics that women articulate and practice in that lived space. That is, through everyday acts with continuously offer women ways to reaffirm and reclaim their ‘right to have rights’, they are able to affect a unique form of political resistance, one that constitutes an important subject of study.</p><p>In shedding light on contemporary gendered 'politics from below' in the region, then, the book invites a rethinking of the workings, shapes, and boundaries of the political in ways that importantly contribute to and expand studies of gender and politics in the Middle East.</p><p><a href="https://bit.ly/2RGQVNT">Dr. Sophie Richter-Devroe</a> is an associate professor at Hamad bin Khalifa University, Doha in the Middle Eastern Studies Department in the College of Humanities and Social Sciences.</p><p>This interview is part of an NBN special series on “<a href="https://newbooksnetwork.com/category/mobilities_and_methods/">Mobilities and Methods</a>“.</p><p><a href="https://bit.ly/3kBqplB"><em>Josephine Chaet</em></a><em> is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women’s organizing in Amman, Jordan.’</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2714</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8668283833.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Chambers-Letson, "After the Party: A Manifesto for Queer of Color Life" (NYU Press, 2018)</title>
      <description>In After the Party: A Manifesto for Queer of Color Life (NYU Press, 2018) Joshua Chambers-Letson invites you to a party featuring Eiko, Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, and Tseng Kwong Chi. Through this diverse cast of characters, Chambers-Letson highlights moments of immanent communism: collaborations, romantic relationships, and serendipitous collisions that point towards a liberated future which also exists in our troubled present. Chambers-Letson draws on queer theorists like Jose Esteban Muñoz as well as Third World Marxists like C.L.R. James to articulate “a practice of being together in difference.” These artists and theorists model a form of solidarity that never denies our differences. Writing back against an often heteronormative and Euro-centric Marxism, Chambers-Letson helps us imagine a revolutionary communist party that lasts through the night and into the morning.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Through this diverse cast of characters, Chambers-Letson highlights moments of immanent communism: collaborations, romantic relationships, and serendipitous collisions that point towards a liberated future which also exists in our troubled present...</itunes:subtitle>
      <itunes:summary>In After the Party: A Manifesto for Queer of Color Life (NYU Press, 2018) Joshua Chambers-Letson invites you to a party featuring Eiko, Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, and Tseng Kwong Chi. Through this diverse cast of characters, Chambers-Letson highlights moments of immanent communism: collaborations, romantic relationships, and serendipitous collisions that point towards a liberated future which also exists in our troubled present. Chambers-Letson draws on queer theorists like Jose Esteban Muñoz as well as Third World Marxists like C.L.R. James to articulate “a practice of being together in difference.” These artists and theorists model a form of solidarity that never denies our differences. Writing back against an often heteronormative and Euro-centric Marxism, Chambers-Letson helps us imagine a revolutionary communist party that lasts through the night and into the morning.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781479832774"><em>After the Party: A Manifesto for Queer of Color Life</em></a> (NYU Press, 2018) Joshua Chambers-Letson invites you to a party featuring Eiko, Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, and Tseng Kwong Chi. Through this diverse cast of characters, Chambers-Letson highlights moments of immanent communism: collaborations, romantic relationships, and serendipitous collisions that point towards a liberated future which also exists in our troubled present. Chambers-Letson draws on queer theorists like Jose Esteban Muñoz as well as Third World Marxists like C.L.R. James to articulate “a practice of being together in difference.” These artists and theorists model a form of solidarity that never denies our differences. Writing back against an often heteronormative and Euro-centric Marxism, Chambers-Letson helps us imagine a revolutionary communist party that lasts through the night and into the morning.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3665</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ac778df6-fb47-11ea-a4d9-47231eb976a4]]></guid>
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    </item>
    <item>
      <title>Michele Goodwin, "Policing the Womb: Invisible Women and the Criminalization of Motherhood" (Cambridge UP, 2020)</title>
      <description>Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. In the context of both the Black Lives Matter movement, and in the lead up to the 2020 Presidential election, her book could not be more timely; Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.
Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.
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      <pubDate>Wed, 30 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Goodwin offers a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States...</itunes:subtitle>
      <itunes:summary>Policing the Womb: Invisible Women and the Criminalization of Motherhood (Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, Michele Goodwin recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. In the context of both the Black Lives Matter movement, and in the lead up to the 2020 Presidential election, her book could not be more timely; Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.
Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781107030176"><em>Policing the Womb: Invisible Women and the Criminalization of Motherhood</em> </a>(Cambridge University Press, 2020) a brilliant but shocking account of the criminalization of all aspects of reproduction, pregnancy, abortion, birth, and motherhood in the United States. In her extensively researched monograph, <a href="https://www.michelebgoodwin.com">Michele Goodwin</a> recounts the horrific contemporary situation, which includes, for example, mothers giving birth shackled in leg irons, in solitary confinement, even in prison toilets, and in some states, women being coerced by the State into sterilization, in exchange for reduced sentences. She contextualises the modern day situation in America’s history of slavery and oppression, and also in relation to its place in the world. Goodwin shows how prosecutors abuse laws, and medical professionals are complicit in a system that disproportionally impacts the poor and women of color. However, Goodwin warns that these women are just the canaries in the coalmine. In the context of both the Black Lives Matter movement, and in the lead up to the 2020 Presidential election, her book could not be more timely; Not only is the United States the deadliest country in the developed world for pregnant women, but the severe lack of protections for reproductive rights and motherhood is compounding racial and indigent disparities.</p><p><em>Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3850</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e5f48efe-faa1-11ea-8bfc-dffacfe63a9e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2787516171.mp3?updated=1717791883" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Laura Briggs, "Taking Children: A History of American Terror" (U California Press 2020)</title>
      <description>Laura Briggs’s Taking Children: A History of American Terror (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.
Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.
Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory. As with many other topics, the COVID-19 pandemic has only rendered visible the realities that were already there.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change...</itunes:subtitle>
      <itunes:summary>Laura Briggs’s Taking Children: A History of American Terror (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.
Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.
Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory. As with many other topics, the COVID-19 pandemic has only rendered visible the realities that were already there.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Laura Briggs’s <a href="https://bookshop.org/a/12343/9780520343672"><em>Taking Children: A History of American Terror</em></a> (University of California Press 2020) is a forceful and captivating book that readers won’t be able to put down, and that listeners from all sort of backgrounds will definitely want to hear more about. Weaving together histories of Black communities (in the US and the Americas more broadly), Native Americans, and multiple Latin Americans countries, Briggs tells us how taking of children has been used as a strategy to terrorize communities that demand social justice and change. This book, timely as no other, asks readers to question the narrative that portrays taking children as something that is done in the benefit of the child, and instead to see it as a strategy that seeks to control and dominate communities that are deem dangerous to the social order. As Prof. Briggs tells us by the end of the interview, in this summer of racial reckoning the BLM movement has asked to eliminate the foster care system for this has been another vehicle for the policing and criminalization of African American communities in the United States. This demand has everything to do with the long history of talking children that is so thoroughly documented in this book.</p><p>Yet this is not only a “History of American Terror” as the title suggests, it is also a history about how individuals, families, communities and organizations have resisted this terrorizing strategy. Make no mistake: this is not a story with a happy ending, still, it is one that teaches us that in our past lies both the ghostly hauntings that explain why taking children has been a strategy used for terror, but also why therein we can find the seeds to resistance and transformation. Definitely a must for these troubling and convoluted times.</p><p>Bonus: Prof. Briggs’s son makes a short but hilarious appearance in our conversation. We have decided not to delete this portion of the interview because it demonstrates one of Prof. Briggs main scholarly arguments: the distinction between the private and public is illusory. As with many other topics, the COVID-19 pandemic has only rendered visible the realities that were already there.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[da294888-fa7b-11ea-9830-67780ddc79fa]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8197752495.mp3?updated=1703960577" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yves Citton, "Mediarchy" (Polity Press, 2019)</title>
      <description>We think that we live in democracies: in fact, we live in mediarchies. Our political regimes are based less on nations or citizens than on audiences shaped by the media. We assume that our social and political destinies are shaped by the will of the people without realizing that ‘the people’ are always produced, both as individuals and as aggregates, by the media: we are all embedded in mediated publics, ‘intra-structured’ by the apparatuses of communication that govern our interactions.
In his new book Mediarchy (Polity Press, 2019), Yves Citton maps out the new regime of experience, media and power that he designates by the term “mediarchy.” To understand mediarchy, we need to look both at the effects that the media have on us and also at the new forms of being and experience that they induce in us. We can never entirely escape from the effects of the mediarchies that operate through us but by becoming more aware of their conditioning, we can develop the new forms of political analysis and practice which are essential if we are to rise to the unprecedented challenges of our time.
This comprehensive and far-reaching book will be essential reading for students and scholars in media and communications, politics and sociology, and it will be of great interest to anyone concerned about the multiple and complex ways that the media – from newspapers and TV to social media and the internet – shape our social, political and personal lives today.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We think that we live in democracies: in fact, we live in mediarchies...</itunes:subtitle>
      <itunes:summary>We think that we live in democracies: in fact, we live in mediarchies. Our political regimes are based less on nations or citizens than on audiences shaped by the media. We assume that our social and political destinies are shaped by the will of the people without realizing that ‘the people’ are always produced, both as individuals and as aggregates, by the media: we are all embedded in mediated publics, ‘intra-structured’ by the apparatuses of communication that govern our interactions.
In his new book Mediarchy (Polity Press, 2019), Yves Citton maps out the new regime of experience, media and power that he designates by the term “mediarchy.” To understand mediarchy, we need to look both at the effects that the media have on us and also at the new forms of being and experience that they induce in us. We can never entirely escape from the effects of the mediarchies that operate through us but by becoming more aware of their conditioning, we can develop the new forms of political analysis and practice which are essential if we are to rise to the unprecedented challenges of our time.
This comprehensive and far-reaching book will be essential reading for students and scholars in media and communications, politics and sociology, and it will be of great interest to anyone concerned about the multiple and complex ways that the media – from newspapers and TV to social media and the internet – shape our social, political and personal lives today.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We think that we live in democracies: in fact, we live in mediarchies. Our political regimes are based less on nations or citizens than on audiences shaped by the media. We assume that our social and political destinies are shaped by the will of the people without realizing that ‘the people’ are always produced, both as individuals and as aggregates, by the media: we are all embedded in mediated publics, ‘intra-structured’ by the apparatuses of communication that govern our interactions.</p><p>In his new book <a href="https://bookshop.org/a/12343/9781509533398"><em>Mediarchy</em></a> (Polity Press, 2019), Yves Citton maps out the new regime of experience, media and power that he designates by the term “mediarchy.” To understand mediarchy, we need to look both at the effects that the media have on us and also at the new forms of being and experience that they induce in us. We can never entirely escape from the effects of the mediarchies that operate through us but by becoming more aware of their conditioning, we can develop the new forms of political analysis and practice which are essential if we are to rise to the unprecedented challenges of our time.</p><p>This comprehensive and far-reaching book will be essential reading for students and scholars in media and communications, politics and sociology, and it will be of great interest to anyone concerned about the multiple and complex ways that the media – from newspapers and TV to social media and the internet – shape our social, political and personal lives today.</p><p><a href="https://marcimazzarotto.com/"><em>Marci Mazzarotto</em></a><em> is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3961</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[479c5ac8-f85f-11ea-8cb3-a7f2a3c0547c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9983929057.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karl Gerth, "Unending Capitalism: How Consumerism Negated China's Communist Revolution" (Cambridge UP, 2020)</title>
      <description>Karl Gerth’s new book, Unending Capitalism: How Consumerism Negated China's Communist Revolution (Cambridge University Press, 2020) details how the state created brands, promoted and advertised particular products, set up department stores, and facilitated the promotion of certain luxury consumer products (notably wristwatches, bicycles, and sewing machines)—all in the Mao era. Though not typically considered to be a period of Chinese history driven by consumerism, Gerth’s beautifully researched book shows how, in the early People’s Republic, the Communist Party expanded consumerism and built ‘state capitalism’, and the ferocity of consumer impulses and behaviors that followed.
Challenging, provocative, and precisely written, Unending Capitalism is sure to appeal to anyone interested in modern Chinese history and histories of capitalism, as well as any readers looking for a book that uses some really fascinating sources to complicate the dominant narrative of China’s ‘socialist’ history.
Sarah Bramao-Ramos is a PhD candidate at Harvard University. She works on Manchu language books and book history and loves anything with a good kesike in it. She can be reached at sbramaoramos@g.harvard.edu  
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 25 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>347</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gerth details how the state created brands, promoted and advertised particular products, set up department stores, and facilitated the promotion of certain luxury consumer products in the Mao era....</itunes:subtitle>
      <itunes:summary>Karl Gerth’s new book, Unending Capitalism: How Consumerism Negated China's Communist Revolution (Cambridge University Press, 2020) details how the state created brands, promoted and advertised particular products, set up department stores, and facilitated the promotion of certain luxury consumer products (notably wristwatches, bicycles, and sewing machines)—all in the Mao era. Though not typically considered to be a period of Chinese history driven by consumerism, Gerth’s beautifully researched book shows how, in the early People’s Republic, the Communist Party expanded consumerism and built ‘state capitalism’, and the ferocity of consumer impulses and behaviors that followed.
Challenging, provocative, and precisely written, Unending Capitalism is sure to appeal to anyone interested in modern Chinese history and histories of capitalism, as well as any readers looking for a book that uses some really fascinating sources to complicate the dominant narrative of China’s ‘socialist’ history.
Sarah Bramao-Ramos is a PhD candidate at Harvard University. She works on Manchu language books and book history and loves anything with a good kesike in it. She can be reached at sbramaoramos@g.harvard.edu  
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://karlgerth.com/">Karl Gerth</a>’s new book, <a href="https://bookshop.org/a/12343/9780521688468"><em>Unending Capitalism: How Consumerism Negated China's Communist Revolution</em></a> (Cambridge University Press, 2020) details how the state created brands, promoted and advertised particular products, set up department stores, and facilitated the promotion of certain luxury consumer products (notably wristwatches, bicycles, and sewing machines)—<em>all in the Mao era</em>. Though not typically considered to be a period of Chinese history driven by consumerism, Gerth’s beautifully researched book shows how, in the early People’s Republic, the Communist Party expanded consumerism and built ‘state capitalism’, and the ferocity of consumer impulses and behaviors that followed.</p><p>Challenging, provocative, and precisely written, <em>Unending Capitalism </em>is sure to appeal to anyone interested in modern Chinese history and histories of capitalism, as well as any readers looking for a book that uses some really fascinating sources to complicate the dominant narrative of China’s ‘socialist’ history.</p><p><em>Sarah Bramao-Ramos is a PhD candidate at Harvard University. She works on Manchu language books and book history and loves anything with a good kesike in it. She can be reached at </em><a href="mailto:sbramaoramos@g.harvard.edu"><em>sbramaoramos@g.harvard.edu</em></a><em>  </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4825</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[465a9f02-f784-11ea-95dc-a3753a33258f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1636013598.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Noam Chomsky and Robert Pollin, "Climate Crisis and the Global Green New Deal: The Political Economy of Saving the Planet" (Verso Books, 2020)</title>
      <description>In Climate Crisis and the Global Green New Deal: The Political Economy of Saving the Planet (Verso Books, 2020), Noam Chomsky, the world’s leading public intellectual, and Robert Pollin, the renowned progressive economist, map out the catastrophic consequences of unchecked climate change—and present a realistic blueprint for change: the Green New Deal.
Together, Chomsky and Pollin show how the forecasts for a hotter planet strain the imagination: vast stretches of the Earth will become uninhabitable, plagued by extreme weather, drought, rising seas, and crop failure. Arguing against the misplaced fear of economic disaster and unemployment arising from the transition to a green economy, they show how this bogus concern encourages climate denialism.
Humanity must stop burning fossil fuels within the next thirty years and do so in a way that improves living standards and opportunities for working people. This is the goal of the Green New Deal and, as the authors make clear, it is entirely feasible. Climate change is an emergency that cannot be ignored. This book shows how it can be overcome both politically and economically.
Robert Pollin is Distinguished University Professor of Economics and Co-Director of the Political Economy Research Institute (PERI) at the University of Massachusetts-Amherst. His books include Greening the Global Economy (2015), Back to Full Employment (2012), and A Measure of Fairness: The Economics of Living Wages and Minimum Wages in the United States (2008).
Brian Hamilton is a Ph.D. candidate at the University of Wisconsin–Madison where he is researching African American environmental history. A Maine native, he lives in Western Massachusetts and teaches at Deerfield Academy. Twitter. Website. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Together, Chomsky and Pollin show how the forecasts for a hotter planet strain the imagination: vast stretches of the Earth will become uninhabitable, plagued by extreme weather, drought, rising seas, and crop failure....</itunes:subtitle>
      <itunes:summary>In Climate Crisis and the Global Green New Deal: The Political Economy of Saving the Planet (Verso Books, 2020), Noam Chomsky, the world’s leading public intellectual, and Robert Pollin, the renowned progressive economist, map out the catastrophic consequences of unchecked climate change—and present a realistic blueprint for change: the Green New Deal.
Together, Chomsky and Pollin show how the forecasts for a hotter planet strain the imagination: vast stretches of the Earth will become uninhabitable, plagued by extreme weather, drought, rising seas, and crop failure. Arguing against the misplaced fear of economic disaster and unemployment arising from the transition to a green economy, they show how this bogus concern encourages climate denialism.
Humanity must stop burning fossil fuels within the next thirty years and do so in a way that improves living standards and opportunities for working people. This is the goal of the Green New Deal and, as the authors make clear, it is entirely feasible. Climate change is an emergency that cannot be ignored. This book shows how it can be overcome both politically and economically.
Robert Pollin is Distinguished University Professor of Economics and Co-Director of the Political Economy Research Institute (PERI) at the University of Massachusetts-Amherst. His books include Greening the Global Economy (2015), Back to Full Employment (2012), and A Measure of Fairness: The Economics of Living Wages and Minimum Wages in the United States (2008).
Brian Hamilton is a Ph.D. candidate at the University of Wisconsin–Madison where he is researching African American environmental history. A Maine native, he lives in Western Massachusetts and teaches at Deerfield Academy. Twitter. Website. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781788739856"><em>Climate Crisis and the Global Green New Deal: The Political Economy of Saving the Planet</em></a> (Verso Books, 2020), Noam Chomsky, the world’s leading public intellectual, and Robert Pollin, the renowned progressive economist, map out the catastrophic consequences of unchecked climate change—and present a realistic blueprint for change: the Green New Deal.</p><p>Together, Chomsky and Pollin show how the forecasts for a hotter planet strain the imagination: vast stretches of the Earth will become uninhabitable, plagued by extreme weather, drought, rising seas, and crop failure. Arguing against the misplaced fear of economic disaster and unemployment arising from the transition to a green economy, they show how this bogus concern encourages climate denialism.</p><p>Humanity must stop burning fossil fuels within the next thirty years and do so in a way that improves living standards and opportunities for working people. This is the goal of the Green New Deal and, as the authors make clear, it is entirely feasible. Climate change is an emergency that cannot be ignored. This book shows how it can be overcome both politically and economically.</p><p>Robert Pollin is Distinguished University Professor of Economics and Co-Director of the Political Economy Research Institute (PERI) at the University of Massachusetts-Amherst. His books include <em>Greening the Global Economy</em> (2015), <em>Back to Full Employment </em>(2012), and <em>A Measure of Fairness: The Economics of Living Wages and Minimum Wages in the United States</em> (2008).</p><p><em>Brian Hamilton is a Ph.D. candidate at the University of Wisconsin–Madison where he is researching African American environmental history. A Maine native, he lives in Western Massachusetts and teaches at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org"><em>Website</em></a><em>. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3050</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[20e31cec-fb3d-11ea-9322-97ad9923cd00]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2224140577.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bethany Klein, "Selling Out: Culture, Commerce and Popular Music" (Bloomsbury, 2020)</title>
      <description>How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 21 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Klein explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’...</itunes:subtitle>
      <itunes:summary>How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the music industry work in the modern world? In <a href="https://bookshop.org/a/12343/9781501339301">S<em>elling Out: Culture, Commerce and Popular Mu</em>sic</a> (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2617</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cb373464-f384-11ea-99fb-a3ecf9e53873]]></guid>
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    </item>
    <item>
      <title>Filippo Menozzi, "World Literature, Non-Synchronism, and the Politics of Time" (Palgrave Macmillan, 2020)</title>
      <description>In World Literature, Non-Synchronism, and the Politics of Time (Palgrave Macmillan) Filippo Menozzi offers to look at literature and literary processes through the prism of non-synchronism.
The book details the notion that Menozzi finds accurate and relevant not only for the analysis of current cultural and political developments, but also for the consideration of the past. Non-synchronism is suggested to subvert the boundaries of time and space that are united and organized through chronologies, imposing and supporting canonical structures. Menozzi asserts that a non-synchronism approach to how we read has political repercussions that can shape the way we navigate the network of political and economic systems.
To demonstrate how the non-synchronism approach helps re-arrange different times, Menozzi draws attention to fiction from Africa and South Asia and focuses on how the change of the temporal perspective can activate textual layers, providing space for the intersection of the local and the global.
Filippo Menozzi (PhD, Kent) is Lecturer in postcolonial and world literature at Liverpool John Moores University, UK.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>83</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Menozzi offers to look at literature and literary processes through the prism of non-synchronism...</itunes:subtitle>
      <itunes:summary>In World Literature, Non-Synchronism, and the Politics of Time (Palgrave Macmillan) Filippo Menozzi offers to look at literature and literary processes through the prism of non-synchronism.
The book details the notion that Menozzi finds accurate and relevant not only for the analysis of current cultural and political developments, but also for the consideration of the past. Non-synchronism is suggested to subvert the boundaries of time and space that are united and organized through chronologies, imposing and supporting canonical structures. Menozzi asserts that a non-synchronism approach to how we read has political repercussions that can shape the way we navigate the network of political and economic systems.
To demonstrate how the non-synchronism approach helps re-arrange different times, Menozzi draws attention to fiction from Africa and South Asia and focuses on how the change of the temporal perspective can activate textual layers, providing space for the intersection of the local and the global.
Filippo Menozzi (PhD, Kent) is Lecturer in postcolonial and world literature at Liverpool John Moores University, UK.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9783030416973"><em>World Literature, Non-Synchronism, and the Politics of Time</em></a> (Palgrave Macmillan) Filippo Menozzi offers to look at literature and literary processes through the prism of non-synchronism.</p><p>The book details the notion that Menozzi finds accurate and relevant not only for the analysis of current cultural and political developments, but also for the consideration of the past. Non-synchronism is suggested to subvert the boundaries of time and space that are united and organized through chronologies, imposing and supporting canonical structures. Menozzi asserts that a non-synchronism approach to how we read has political repercussions that can shape the way we navigate the network of political and economic systems.</p><p>To demonstrate how the non-synchronism approach helps re-arrange different times, Menozzi draws attention to fiction from Africa and South Asia and focuses on how the change of the temporal perspective can activate textual layers, providing space for the intersection of the local and the global.</p><p><a href="https://www.ljmu.ac.uk/about-us/staff-profiles/faculty-of-arts-professional-and-social-studies/humanities-and-social-science/filippo-menozzi">Filippo Menozzi</a> (PhD, Kent) is Lecturer in postcolonial and world literature at Liverpool John Moores University, UK.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8ccea0a-f07c-11ea-b90b-9b380f19ce02]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9440099822.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathryn Sikkink, "The Hidden Face of Rights: Toward a Politics of Responsibilities" (Yale UP, 2020)</title>
      <description>In her latest book, The Hidden Face of Rights: Toward a Politics of Responsibilities (Yale University Press), Kathryn Sikkink puts forward a framework of rights and responsibilities; moving beyond the language of rights that has come to dominate scholarship and activism, she makes the case that human rights cannot be truly implemented unless we also recognise that there are corresponding obligations to implement those rights.
Recognising that talk of responsibility, obligation and duty are often unpopular - because people do not like to be told what they ‘should’ do - Sikkink advocates that we rethink how we conceive of responsibility – it should not be limited to backward-looking blame attribution, but should be expanded to become one of forward-looking responsibility; instead of just asking who is to blame, responsibility should be expanded to ‘what together can we do?’
In making this argument, she focuses on five key areas – climate change, voting, digital privacy, freedom of speech, and sexual assault - to demonstrate how responsibility is engaged. She provides many examples of grass-roots initiatives where people can choose to adopt the rights and responsibilities model for collective action.
There are fewer more pertinent concerns for our times. Sikkink’s book will make you rethink your own responsibilities, and as a citizen of the world, ‘what together we can do’.
Kathryn Sikkink is the Ryan Family Professor of Human Rights Policy at the Harvard Kennedy School of Government.
Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sikkink puts forward a framework of rights and responsibilities; moving beyond the language of rights that has come to dominate scholarship and activism...</itunes:subtitle>
      <itunes:summary>In her latest book, The Hidden Face of Rights: Toward a Politics of Responsibilities (Yale University Press), Kathryn Sikkink puts forward a framework of rights and responsibilities; moving beyond the language of rights that has come to dominate scholarship and activism, she makes the case that human rights cannot be truly implemented unless we also recognise that there are corresponding obligations to implement those rights.
Recognising that talk of responsibility, obligation and duty are often unpopular - because people do not like to be told what they ‘should’ do - Sikkink advocates that we rethink how we conceive of responsibility – it should not be limited to backward-looking blame attribution, but should be expanded to become one of forward-looking responsibility; instead of just asking who is to blame, responsibility should be expanded to ‘what together can we do?’
In making this argument, she focuses on five key areas – climate change, voting, digital privacy, freedom of speech, and sexual assault - to demonstrate how responsibility is engaged. She provides many examples of grass-roots initiatives where people can choose to adopt the rights and responsibilities model for collective action.
There are fewer more pertinent concerns for our times. Sikkink’s book will make you rethink your own responsibilities, and as a citizen of the world, ‘what together we can do’.
Kathryn Sikkink is the Ryan Family Professor of Human Rights Policy at the Harvard Kennedy School of Government.
Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her latest book, <a href="https://bookshop.org/a/12343/9780300233292"><em>The Hidden Face of Rights: Toward a Politics of Responsibilities</em></a> (Yale University Press), Kathryn Sikkink puts forward a framework of rights and responsibilities; moving beyond the language of rights that has come to dominate scholarship and activism, she makes the case that human rights cannot be truly implemented unless we also recognise that there are corresponding obligations to implement those rights.</p><p>Recognising that talk of responsibility, obligation and duty are often unpopular - because people do not like to be told what they ‘should’ do - Sikkink advocates that we rethink how we conceive of responsibility – it should not be limited to backward-looking blame attribution, but should be expanded to become one of forward-looking responsibility; instead of just asking who is to blame, responsibility should be expanded to ‘what together can we do?’</p><p>In making this argument, she focuses on five key areas – climate change, voting, digital privacy, freedom of speech, and sexual assault - to demonstrate how responsibility is engaged. She provides many examples of grass-roots initiatives where people can choose to adopt the rights and responsibilities model for collective action.</p><p>There are fewer more pertinent concerns for our times. Sikkink’s book will make you rethink your own responsibilities, and as a citizen of the world, ‘what together we can do’.</p><p><a href="https://www.hks.harvard.edu/faculty/kathryn-sikkink">Kathryn Sikkink</a> is the Ryan Family Professor of Human Rights Policy at the Harvard Kennedy School of Government.</p><p><em>Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3728</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5a57ec22-f07b-11ea-a357-3f557f165f05]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7760632358.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Burgis, "Give Them an Argument: Logic for the Left" (Zero Books, 2019)</title>
      <description>Logic, the study of how certain arguments either succeed or fail to support their conclusions, is one of the most important topics in philosophy, its importance illustrated by the common assumption that if one is being logical, they are probably right. However, the importance of logic has led to a certain amount of misuse and abuse over the years, with questionable arguments being given a veneer of reasonableness to cover up some questionable philosophical mechanics. In a way this is nothing new; since the beginning of philosophy there has been an ongoing tension between true philosophers and sophists. The form this sophistry takes is often a reflection of the particular political and cultural questions that are being debated, and so any attempt to make sense of one’s times and build any sort of popular consensus will require diving into the pseudologic and deconstructing it, hopefully with a better argument in its place.
This is the project of Ben Burgis in his book ​Give Them an Argument: Logic for the Left (Zero Books, 2019). Both a professor of philosophy and a committed political leftist, Burgis wades through a host of contemporary examples, arguing that the common arguments for capitalism and against socialism often rely on questionable logic that can be debated. On top of this, he argues that the left needs to learn to better integrate logical thinking into its own analysis, and communicate its ideas in ways that not only maintain their rigor, but offer clarity to a wider swathe of people.
Ben Burgis is a philosophy instructor at Georgia State University Perimeter College. His writing has appeared in a number of outlets including ​Jacobin​, ​Areo and ​Quillette​. He is a cohost of ​The Dead Pundits Society​ and hosts his own podcast ​Give Them an Argument​.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Both a professor of philosophy and a committed political leftist, Burgis wades through a host of contemporary examples, arguing that the common arguments for capitalism and against socialism often rely on questionable logic that can be debated...</itunes:subtitle>
      <itunes:summary>Logic, the study of how certain arguments either succeed or fail to support their conclusions, is one of the most important topics in philosophy, its importance illustrated by the common assumption that if one is being logical, they are probably right. However, the importance of logic has led to a certain amount of misuse and abuse over the years, with questionable arguments being given a veneer of reasonableness to cover up some questionable philosophical mechanics. In a way this is nothing new; since the beginning of philosophy there has been an ongoing tension between true philosophers and sophists. The form this sophistry takes is often a reflection of the particular political and cultural questions that are being debated, and so any attempt to make sense of one’s times and build any sort of popular consensus will require diving into the pseudologic and deconstructing it, hopefully with a better argument in its place.
This is the project of Ben Burgis in his book ​Give Them an Argument: Logic for the Left (Zero Books, 2019). Both a professor of philosophy and a committed political leftist, Burgis wades through a host of contemporary examples, arguing that the common arguments for capitalism and against socialism often rely on questionable logic that can be debated. On top of this, he argues that the left needs to learn to better integrate logical thinking into its own analysis, and communicate its ideas in ways that not only maintain their rigor, but offer clarity to a wider swathe of people.
Ben Burgis is a philosophy instructor at Georgia State University Perimeter College. His writing has appeared in a number of outlets including ​Jacobin​, ​Areo and ​Quillette​. He is a cohost of ​The Dead Pundits Society​ and hosts his own podcast ​Give Them an Argument​.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Logic, the study of how certain arguments either succeed or fail to support their conclusions, is one of the most important topics in philosophy, its importance illustrated by the common assumption that if one is being logical, they are probably right. However, the importance of logic has led to a certain amount of misuse and abuse over the years, with questionable arguments being given a veneer of reasonableness to cover up some questionable philosophical mechanics. In a way this is nothing new; since the beginning of philosophy there has been an ongoing tension between true philosophers and sophists. The form this sophistry takes is often a reflection of the particular political and cultural questions that are being debated, and so any attempt to make sense of one’s times and build any sort of popular consensus will require diving into the pseudologic and deconstructing it, hopefully with a better argument in its place.</p><p>This is the project of Ben Burgis in his book ​<a href="https://bookshop.org/a/12343/9781789042108"><em>Give Them an Argument: Logic for the Left</em> </a>(Zero Books, 2019). Both a professor of philosophy and a committed political leftist, Burgis wades through a host of contemporary examples, arguing that the common arguments for capitalism and against socialism often rely on questionable logic that can be debated. On top of this, he argues that the left needs to learn to better integrate logical thinking into its own analysis, and communicate its ideas in ways that not only maintain their rigor, but offer clarity to a wider swathe of people.</p><p>Ben Burgis is a philosophy instructor at Georgia State University Perimeter College. His writing has appeared in a number of outlets including ​Jacobin​, ​Areo and ​Quillette​. He is a cohost of ​The Dead Pundits Society​ and hosts his own podcast ​Give Them an Argument​.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6294</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e05354cc-f140-11ea-9e50-ab5d0365636e]]></guid>
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    </item>
    <item>
      <title>Patrick Ffrench, "Roland Barthes and Film: Myth, Eroticism and Poetics" (Bloomsbury, 2019)</title>
      <description>Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury) is a book by Patrick Ffrench, Professor of French at Kings College.
It is a comprehensively researched and finely argued book that traces Barthes engagement with questions of cinema from early research pre-dating the publication of Mythologies to his last work, Camera Lucida, along the way responding in depth to those who have explicitly commented on Barthes musings on film and those who have been inspired by them in their own work.
It demonstrates how certain critical and theoretical themes regarding the cinema emerge and develop through the course of Barthes’ career and argues for the singular importance of the famous critic’s writing on film, despite, perhaps even precisely because of the deep ambivalence that he sustained towards that object from beginning to end.
For me, Ffrench’s book reads as a celebration of the critical virtue of ambivalence as it is played out in Barthes’ writing, showing how his apparent inability to adopt an unequivocal attitude towards film as an institution and form of expression allowed him to articulate perspectives on the nature and possibilities of cinema that still feel subtle and surprising.
Bill Schaffer is a semi-retired lecturer in Film Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>French offers a comprehensively researched and finely argued book that traces Barthes engagement with questions of cinema from early research pre-dating the publication of Mythologies to his last work, Camera Lucida,,,</itunes:subtitle>
      <itunes:summary>Roland Barthes and Film: Myth, Eroticism and Poetics (Bloomsbury) is a book by Patrick Ffrench, Professor of French at Kings College.
It is a comprehensively researched and finely argued book that traces Barthes engagement with questions of cinema from early research pre-dating the publication of Mythologies to his last work, Camera Lucida, along the way responding in depth to those who have explicitly commented on Barthes musings on film and those who have been inspired by them in their own work.
It demonstrates how certain critical and theoretical themes regarding the cinema emerge and develop through the course of Barthes’ career and argues for the singular importance of the famous critic’s writing on film, despite, perhaps even precisely because of the deep ambivalence that he sustained towards that object from beginning to end.
For me, Ffrench’s book reads as a celebration of the critical virtue of ambivalence as it is played out in Barthes’ writing, showing how his apparent inability to adopt an unequivocal attitude towards film as an institution and form of expression allowed him to articulate perspectives on the nature and possibilities of cinema that still feel subtle and surprising.
Bill Schaffer is a semi-retired lecturer in Film Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781788310659"><em>Roland Barthes and Film: Myth, Eroticism and Poetics</em></a> (Bloomsbury) is a book by <a href="https://www.kcl.ac.uk/people/professor-patrick-ffrench">Patrick Ffrench</a>, Professor of French at Kings College.</p><p>It is a comprehensively researched and finely argued book that traces Barthes engagement with questions of cinema from early research pre-dating the publication of <em>Mythologies</em> to his last work, <em>Camera Lucida</em>, along the way responding in depth to those who have explicitly commented on Barthes musings on film and those who have been inspired by them in their own work.</p><p>It demonstrates how certain critical and theoretical themes regarding the cinema emerge and develop through the course of Barthes’ career and argues for the singular importance of the famous critic’s writing on film, despite, perhaps even precisely because of the deep ambivalence that he sustained towards that object from beginning to end.</p><p>For me, Ffrench’s book reads as a celebration of the critical virtue of ambivalence as it is played out in Barthes’ writing, showing how his apparent inability to adopt an unequivocal attitude towards film as an institution and form of expression allowed him to articulate perspectives on the nature and possibilities of cinema that still feel subtle and surprising.</p><p><em>Bill Schaffer is a semi-retired lecturer in Film Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4532</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5372bdfa-f081-11ea-b0ed-dfb4b8c53b98]]></guid>
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    <item>
      <title>Angèle Christin, "Metrics at Work: Journalism and the Contested Meaning of Algorithms" (Princeton UP, 2020)</title>
      <description>How are algorithms changing journalism? In Metrics at Work: Journalism and the Contested Meaning of Algorithms (Princeton University Press), Angèle Christin, an assistant professor in the Department of Communication at Stanford University, explores the impact of metrics and analytics on the newsrooms of New York and Paris.
Using an ethnography of two organisations, the book demonstrates the complexity, ambivalence, and difference in the use of metrics to make editorial and journalistic judgements. Covering a vast range of issues, from the history of journalism, through methods of managing organisations, to careers and pay, the book gives important insights into the current, and future, practices of our news organisations.
As a result, the book is essential reading for social science and humanities scholars, as well as for anyone interested in how we get the news we have today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How are algorithms changing journalism?</itunes:subtitle>
      <itunes:summary>How are algorithms changing journalism? In Metrics at Work: Journalism and the Contested Meaning of Algorithms (Princeton University Press), Angèle Christin, an assistant professor in the Department of Communication at Stanford University, explores the impact of metrics and analytics on the newsrooms of New York and Paris.
Using an ethnography of two organisations, the book demonstrates the complexity, ambivalence, and difference in the use of metrics to make editorial and journalistic judgements. Covering a vast range of issues, from the history of journalism, through methods of managing organisations, to careers and pay, the book gives important insights into the current, and future, practices of our news organisations.
As a result, the book is essential reading for social science and humanities scholars, as well as for anyone interested in how we get the news we have today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are algorithms changing journalism? In <a href="https://bookshop.org/a/12343/9780691175232"><em>Metrics at Work: Journalism and the Contested Meaning of Algorithms</em></a> (Princeton University Press), <a href="https://twitter.com/angelechristin">Angèle Christin</a>, an <a href="https://sociology.stanford.edu/people/ang%C3%A8le-christin">assistant professor in the Department of Communication at Stanford University</a>, explores the impact of metrics and analytics on the newsrooms of New York and Paris.</p><p>Using an ethnography of two organisations, the book demonstrates the complexity, ambivalence, and difference in the use of metrics to make editorial and journalistic judgements. Covering a vast range of issues, from the history of journalism, through methods of managing organisations, to careers and pay, the book gives important insights into the current, and future, practices of our news organisations.</p><p>As a result, the book is essential reading for social science and humanities scholars, as well as for anyone interested in how we get the news we have today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3476</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8a98ad2e-eec6-11ea-b020-db718d14b5f2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1087857917.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Albena Azmanova, "Capitalism on Edge: How Fighting Precarity Can Achieve Radical Change Without Utopia or Crisis" (Columbia UP, 2020)</title>
      <description>Capitalism seems to many to be in a sort of constant crisis, leaving many struggling to make ends meet. This desperation was intensified in 2008, and for many never went away in spite of claims of a general economic ‘recovery.’ More recently, the tensions and shortcomings of our current socioeconomic system have been exacerbated by the COVID-crisis, with poorly compensated frontline workers struggling to stay safe in workplaces that have failed to take adequate care of their health and safety.
The feeling that we’ve stuck riding along the precipice of disaster for years now is an animating idea for my guest today, Albena Azmanova, here to discuss her recent book Capitalism on Edge: How Fighting Precarity Can Achieve Radical Change Without Utopia or Crisis (Columbia University Press).
The book argues that the animating element of contemporary life under capitalism is precarity, and the driving force behind this precarity is the insatiable drive for profits which leaves workers desperately trying to keep up with capital. Synthesizing history, philosophy, economics and policy analysis, the book takes a sharp look at the elements that make up our current situation, and what our possibilities are for change.
Albena Azmanova is an associate professor of political and social theory at Kent’s Brussels School of International Studies. She is also the author of The Scandal of Reason: A Critical Theory of Political Judgement.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 10 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>185</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Capitalism seems to many to be in a sort of constant crisis, leaving many struggling to make ends meet...</itunes:subtitle>
      <itunes:summary>Capitalism seems to many to be in a sort of constant crisis, leaving many struggling to make ends meet. This desperation was intensified in 2008, and for many never went away in spite of claims of a general economic ‘recovery.’ More recently, the tensions and shortcomings of our current socioeconomic system have been exacerbated by the COVID-crisis, with poorly compensated frontline workers struggling to stay safe in workplaces that have failed to take adequate care of their health and safety.
The feeling that we’ve stuck riding along the precipice of disaster for years now is an animating idea for my guest today, Albena Azmanova, here to discuss her recent book Capitalism on Edge: How Fighting Precarity Can Achieve Radical Change Without Utopia or Crisis (Columbia University Press).
The book argues that the animating element of contemporary life under capitalism is precarity, and the driving force behind this precarity is the insatiable drive for profits which leaves workers desperately trying to keep up with capital. Synthesizing history, philosophy, economics and policy analysis, the book takes a sharp look at the elements that make up our current situation, and what our possibilities are for change.
Albena Azmanova is an associate professor of political and social theory at Kent’s Brussels School of International Studies. She is also the author of The Scandal of Reason: A Critical Theory of Political Judgement.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Capitalism seems to many to be in a sort of constant crisis, leaving many struggling to make ends meet. This desperation was intensified in 2008, and for many never went away in spite of claims of a general economic ‘recovery.’ More recently, the tensions and shortcomings of our current socioeconomic system have been exacerbated by the COVID-crisis, with poorly compensated frontline workers struggling to stay safe in workplaces that have failed to take adequate care of their health and safety.</p><p>The feeling that we’ve stuck riding along the precipice of disaster for years now is an animating idea for my guest today, Albena Azmanova, here to discuss her recent book <a href="https://bookshop.org/a/12343/9780231195379"><em>Capitalism on Edge: How Fighting Precarity Can Achieve Radical Change Without Utopia or Crisis</em></a> (Columbia University Press).</p><p>The book argues that the animating element of contemporary life under capitalism is precarity, and the driving force behind this precarity is the insatiable drive for profits which leaves workers desperately trying to keep up with capital. Synthesizing history, philosophy, economics and policy analysis, the book takes a sharp look at the elements that make up our current situation, and what our possibilities are for change.</p><p><a href="https://www.kent.ac.uk/brussels/people/2607/azmanova-albena">Albena Azmanova</a> is an associate professor of political and social theory at Kent’s Brussels School of International Studies. She is also the author of <em>The Scandal of Reason: A Critical Theory of Political Judgement</em>.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4176</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aeb841a0-eab7-11ea-9547-b3a3f42d7be0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1737572978.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessica Whyte, "Morals of the Market: Human Rights and the Rise of Neoliberalism" (Verso, 2019)</title>
      <description>Drawing on detailed archival research on the parallel histories of human rights and neoliberalism, in Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso), Jessica Whyte uncovers the place of human rights in neoliberal attempts to develop a moral framework for a market society.
In the wake of the Second World War, neoliberals saw demands for new rights to social welfare and self-determination as threats to “civilisation”. Yet, rather than rejecting rights, they developed a distinctive account of human rights as tools to depoliticise civil society, protect private investments and shape liberal subjects.
Jessica Whyte is Scientia Associate Professor of Philosophy at the University of New South Wales. She has published widely on human rights, humanitarianism, sovereignty and war. She is author of Catastrophe and Redemption: The Political Thought of Giorgio Agamben, (SUNY 2013) and The Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso, 2019) and an editor of Humanity: An International Journal of Human Rights, Humanitarianism and Development. More of her research is available here: https://unsw.academia.edu/JessicaWhyte
Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Whyte uncovers the place of human rights in neoliberal attempts to develop a moral framework for a market society....</itunes:subtitle>
      <itunes:summary>Drawing on detailed archival research on the parallel histories of human rights and neoliberalism, in Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso), Jessica Whyte uncovers the place of human rights in neoliberal attempts to develop a moral framework for a market society.
In the wake of the Second World War, neoliberals saw demands for new rights to social welfare and self-determination as threats to “civilisation”. Yet, rather than rejecting rights, they developed a distinctive account of human rights as tools to depoliticise civil society, protect private investments and shape liberal subjects.
Jessica Whyte is Scientia Associate Professor of Philosophy at the University of New South Wales. She has published widely on human rights, humanitarianism, sovereignty and war. She is author of Catastrophe and Redemption: The Political Thought of Giorgio Agamben, (SUNY 2013) and The Morals of the Market: Human Rights and the Rise of Neoliberalism (Verso, 2019) and an editor of Humanity: An International Journal of Human Rights, Humanitarianism and Development. More of her research is available here: https://unsw.academia.edu/JessicaWhyte
Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Drawing on detailed archival research on the parallel histories of human rights and neoliberalism, in <a href="https://bookshop.org/a/12343/9781786633118"><em>Morals of the Market: Human Rights and the Rise of Neoliberalism</em></a> (Verso), Jessica Whyte uncovers the place of human rights in neoliberal attempts to develop a moral framework for a market society.</p><p>In the wake of the Second World War, neoliberals saw demands for new rights to social welfare and self-determination as threats to “civilisation”. Yet, rather than rejecting rights, they developed a distinctive account of human rights as tools to depoliticise civil society, protect private investments and shape liberal subjects.</p><p><a href="https://unsw.academia.edu/JessicaWhyte">Jessica Whyte</a> is Scientia Associate Professor of Philosophy at the University of New South Wales. She has published widely on human rights, humanitarianism, sovereignty and war. She is author of <em>Catastrophe and Redemption: The Political Thought of Giorgio Agamben</em>, (SUNY 2013) and <em>The Morals of the Market: Human Rights and the Rise of Neoliberalism</em> (Verso, 2019) and an editor of <em>Humanity: An International Journal of Human Rights, Humanitarianism and Development</em>. More of her research is available here: <a href="https://unsw.academia.edu/JessicaWhyte">https://unsw.academia.edu/JessicaWhyte</a></p><p><em>Dr </em><a href="https://britishmuseum.academia.edu/AlexandraOrtolja"><em>Alexandra Ortolja-Baird</em></a><em> is a visiting researcher at the British Museum and teaches Digital Humanities at University College London.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4090</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[490320c4-ead4-11ea-9a37-a3aa1b833bc4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4979927152.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>C. De Beukelaer and K. M. Spence, "Global Cultural Economy" (Routledge, 2018)</title>
      <description>How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world.
The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>184</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand the role of cultural industries in contemporary society?</itunes:subtitle>
      <itunes:summary>How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world.
The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the role of cultural industries in contemporary society? In <a href="https://bookshop.org/a/12343/9781138670099"><em>Global Cultural Economy</em></a> (Routledge) <a href="https://findanexpert.unimelb.edu.au/profile/749374-christiaan-de-beukelaer">Christiaan De Beukelaer</a>, a senior lecturer in cultural policy at the University of Melbourne, and <a href="https://twitter.com/endzoftheearth">Kim-Marie Spence</a>, <a href="https://www.solent.ac.uk/staff-profiles/academic-profiles/kim-marie-spence/kim-marie-spence">a postdoctoral researcher at Solent University</a>, explore and explain the interrelationship between culture and economy across the world.</p><p>The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7fd23568-e7dc-11ea-9d77-33a2990ec400]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3957189899.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ronak K. Kapadia, "Insurgent Aesthetics: Security and the Queer Life of the Forever War"(Duke UP, 2019)</title>
      <description>In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East.
He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities.
Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.
Ronak K. Kapadia is an interdisciplinary scholar and cultural theorist of race, security, and empire in the late 20th and early 21st century United States.
Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 03 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East....</itunes:subtitle>
      <itunes:summary>In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East.
He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities.
Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.
Ronak K. Kapadia is an interdisciplinary scholar and cultural theorist of race, security, and empire in the late 20th and early 21st century United States.
Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478003717"><em>Insurgent Aesthetics: Security and the Queer Life of the Forever War</em></a> (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East.</p><p>He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities.</p><p>Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.</p><p><a href="https://gws.uic.edu/profiles/kapadia-ronak-k/">Ronak K. Kapadia</a> is an interdisciplinary scholar and cultural theorist of race, security, and empire in the late 20th and early 21st century United States.</p><p><a href="https://anth.uic.edu/profiles/lakshita-malik/"><em>Lakshita Malik</em></a><em> is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2961</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>João Costa Vargas, "The Denial of Antiblackness: Multiracial Redemption and Black Suffering" (U of Minnesota Press, 2018)</title>
      <description>An incisive new look at the black diaspora, examining the true roots of antiblackness and its destructive effects on all of society.
Thanks to movements like Black Lives Matter, Western society's chronic discrimination against black individuals has become front-page news. Yet, there is little awareness of the systemic factors that make such a distinct form of dehumanization possible. In both the United States and Brazil--two leading nations of the black diaspora--a very necessary acknowledgment of black suffering is nonetheless undercut by denial of the pervasive antiblackness that still exists throughout these societies.
In The Denial of Antiblackness. Multiracial Redemption and Black Suffering (University of Minnesota Press), João H. Costa Vargas examines how antiblackness affects society as a whole through analyses of recent protests against police killings of black individuals in both the United States and Brazil, as well as the everyday dynamics of incarceration, residential segregation, and poverty.
With multisite ethnography ranging from a juvenile prison in Austin, Texas, to grassroots organizing in Los Angeles and Black social movements in Brazil, Vargas finds the common factors that have perpetuated antiblackness, regardless of context. Ultimately, he asks why the denial of antiblackness persists, whom this narrative serves, and what political realities it makes possible.
This book is available open access until August 31 here. 
João H. Costa Vargas is professor of anthropology at the University of California, Riverside.
Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. You can tweet her and suggest books at @MariniCandela
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An incisive new look at the black diaspora, examining the true roots of antiblackness and its destructive effects on all of society.</itunes:subtitle>
      <itunes:summary>An incisive new look at the black diaspora, examining the true roots of antiblackness and its destructive effects on all of society.
Thanks to movements like Black Lives Matter, Western society's chronic discrimination against black individuals has become front-page news. Yet, there is little awareness of the systemic factors that make such a distinct form of dehumanization possible. In both the United States and Brazil--two leading nations of the black diaspora--a very necessary acknowledgment of black suffering is nonetheless undercut by denial of the pervasive antiblackness that still exists throughout these societies.
In The Denial of Antiblackness. Multiracial Redemption and Black Suffering (University of Minnesota Press), João H. Costa Vargas examines how antiblackness affects society as a whole through analyses of recent protests against police killings of black individuals in both the United States and Brazil, as well as the everyday dynamics of incarceration, residential segregation, and poverty.
With multisite ethnography ranging from a juvenile prison in Austin, Texas, to grassroots organizing in Los Angeles and Black social movements in Brazil, Vargas finds the common factors that have perpetuated antiblackness, regardless of context. Ultimately, he asks why the denial of antiblackness persists, whom this narrative serves, and what political realities it makes possible.
This book is available open access until August 31 here. 
João H. Costa Vargas is professor of anthropology at the University of California, Riverside.
Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. You can tweet her and suggest books at @MariniCandela
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An incisive new look at the black diaspora, examining the true roots of antiblackness and its destructive effects on all of society.</p><p>Thanks to movements like Black Lives Matter, Western society's chronic discrimination against black individuals has become front-page news. Yet, there is little awareness of the systemic factors that make such a distinct form of dehumanization possible. In both the United States and Brazil--two leading nations of the black diaspora--a very necessary acknowledgment of black suffering is nonetheless undercut by denial of the pervasive antiblackness that still exists throughout these societies.</p><p>In <a href="https://bookshop.org/a/12343/9781517900939"><em>The Denial of Antiblackness. Multiracial Redemption and Black Suffering</em></a><em> </em>(University of Minnesota Press), João H. Costa Vargas examines how antiblackness affects society as a whole through analyses of recent protests against police killings of black individuals in both the United States and Brazil, as well as the everyday dynamics of incarceration, residential segregation, and poverty.</p><p>With multisite ethnography ranging from a juvenile prison in Austin, Texas, to grassroots organizing in Los Angeles and Black social movements in Brazil, Vargas finds the common factors that have perpetuated antiblackness, regardless of context. Ultimately, he asks why the denial of antiblackness persists, whom this narrative serves, and what political realities it makes possible.</p><p><strong>This book is available open access until August 31 </strong><a href="https://manifold.umn.edu/projects/the-denial-of-antiblackness"><strong>here</strong></a><strong>. </strong></p><p><a href="https://anthropology.ucr.edu/people/faculty/vargas/index.html">João H. Costa Vargas</a> is professor of anthropology at the University of California, Riverside.</p><p><em>Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. You can tweet her and suggest books at @MariniCandela</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)</title>
      <description>Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged.
By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives.
In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab state national narratives.
In so doing, the book captures the multi-layered articulations of Arab American subjectivity across US and Arab collective memories and filmmaking industries in an effort to explore the heterogeneity of Arab Americans’ consciousness in ways which locate their narratives at the crossroads of the individual and the collective, the local and the national, and the national and the transnational.
Through an in-depth discussion of a wide variety of films from three distinct, and yet comparable, cinematic genres – Hollywood cinema, Egyptian cinema, and Arab American cinema – Arab Americans in Film traces the competing narratives of Arab American belonging to enhance the understanding of how Othering is at once constructed and challenged, and what is at stake in those ongoing, parallel processes.
Waleed Mahdi is an assistant professor at the University of Oklahoma with joint affiliations in the Department of International and Area Studies and the Department of Modern Languages, Literatures, and Linguistics.
This interview is part of an NBN special series on "Mobilities and Methods".
Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women's organizing in Amman, Jordan.'
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mahdi offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged...</itunes:subtitle>
      <itunes:summary>Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged.
By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives.
In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab state national narratives.
In so doing, the book captures the multi-layered articulations of Arab American subjectivity across US and Arab collective memories and filmmaking industries in an effort to explore the heterogeneity of Arab Americans’ consciousness in ways which locate their narratives at the crossroads of the individual and the collective, the local and the national, and the national and the transnational.
Through an in-depth discussion of a wide variety of films from three distinct, and yet comparable, cinematic genres – Hollywood cinema, Egyptian cinema, and Arab American cinema – Arab Americans in Film traces the competing narratives of Arab American belonging to enhance the understanding of how Othering is at once constructed and challenged, and what is at stake in those ongoing, parallel processes.
Waleed Mahdi is an assistant professor at the University of Oklahoma with joint affiliations in the Department of International and Area Studies and the Department of Modern Languages, Literatures, and Linguistics.
This interview is part of an NBN special series on "Mobilities and Methods".
Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women's organizing in Amman, Jordan.'
 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Waleed Mahdi’s book, <a href="https://www.amazon.com/Arab-Americans-Film-Stereotypes-Self-Representation/dp/0815636814/?tag=newbooinhis-20"><em>Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation</em></a> (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged.</p><p>By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives.</p><p>In examining the cultural production of Arab American identity in film, <em>Arab Americans in Film</em> importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab state national narratives.</p><p>In so doing, the book captures the multi-layered articulations of Arab American subjectivity across US and Arab collective memories and filmmaking industries in an effort to explore the heterogeneity of Arab Americans’ consciousness in ways which locate their narratives at the crossroads of the individual and the collective, the local and the national, and the national and the transnational.</p><p>Through an in-depth discussion of a wide variety of films from three distinct, and yet comparable, cinematic genres – Hollywood cinema, Egyptian cinema, and Arab American cinema – <em>Arab Americans in Film</em> traces the competing narratives of Arab American belonging to enhance the understanding of how Othering is at once constructed and challenged, and what is at stake in those ongoing, parallel processes.</p><p><a href="https://www.ou.edu/cis/ias/faculty/waleed-mahdi">Waleed Mahdi</a> is an assistant professor at the University of Oklahoma with joint affiliations in the Department of International and Area Studies and the Department of Modern Languages, Literatures, and Linguistics.</p><p><em>This interview is part of an NBN special series on "</em><a href="https://newbooksnetwork.com/category/mobilities_and_methods/"><em>Mobilities and Methods</em></a><em>".</em></p><p><a href="https://anth.uic.edu/profiles/chaet-josephine/"><em>Josephine Chaet</em></a><em> is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women's organizing in Amman, Jordan.'</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2854</itunes:duration>
      <guid isPermaLink="false"><![CDATA[274192ca-de2e-11ea-b773-0fb76f46b751]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8053742948.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lauren Michele Jackson, "White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation" (Beacon, 2019)</title>
      <description>In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jackson demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality...</itunes:subtitle>
      <itunes:summary>In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/0807011800/?tag=newbooinhis-20"><em>White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation</em></a> (Beacon, 2019), <a href="http://www.laurjackson.com/">Lauren Michele Jackson</a> analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3722</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a178753c-da63-11ea-afc6-1f9f2e985946]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9798354892.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Danielle Knafo, "The New Sexual Landscape and Contemporary Psychoanalysis" (Confer Books, 2020)</title>
      <description>The sexual landscape has changed dramatically in the past few decades, with the meaning of gender and sexuality now being parsed within the realms of gender fluidity, nonheteronormative sexuality, BDSM, and polyamory. The sea change in sexual attitudes has also made room for the mainstreaming of internet pornography and the use of virtual reality for sexual pleasure – and the tech gurus have not even scratched the surface when it comes to mining the possibilities of alternative realities.
In The New Sexual Landscape and Contemporary Psychoanalysis (Confer Books, 2020), Danielle Knafo and Rocco Lo Bosco survey modern sex culture and suggests ways psychoanalysis can update its theories and practice to meet the novel needs of today’s generations; at the same time, paying special attention to technology, which is augmenting and expanding sexual and gender possibilities. The authors consider how sexuality and bonding in this brave new world are best suited to meet our psychoanalytic needs.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Knafo and Lo Bosco survey modern sex culture and suggests ways psychoanalysis can update its theories and practice to meet the novel needs of today’s generations...</itunes:subtitle>
      <itunes:summary>The sexual landscape has changed dramatically in the past few decades, with the meaning of gender and sexuality now being parsed within the realms of gender fluidity, nonheteronormative sexuality, BDSM, and polyamory. The sea change in sexual attitudes has also made room for the mainstreaming of internet pornography and the use of virtual reality for sexual pleasure – and the tech gurus have not even scratched the surface when it comes to mining the possibilities of alternative realities.
In The New Sexual Landscape and Contemporary Psychoanalysis (Confer Books, 2020), Danielle Knafo and Rocco Lo Bosco survey modern sex culture and suggests ways psychoanalysis can update its theories and practice to meet the novel needs of today’s generations; at the same time, paying special attention to technology, which is augmenting and expanding sexual and gender possibilities. The authors consider how sexuality and bonding in this brave new world are best suited to meet our psychoanalytic needs.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The sexual landscape has changed dramatically in the past few decades, with the meaning of gender and sexuality now being parsed within the realms of gender fluidity, nonheteronormative sexuality, BDSM, and polyamory. The sea change in sexual attitudes has also made room for the mainstreaming of internet pornography and the use of virtual reality for sexual pleasure – and the tech gurus have not even scratched the surface when it comes to mining the possibilities of alternative realities.</p><p>In <a href="https://www.amazon.com/dp/1913494187/?tag=newbooinhis-20"><em>The New Sexual Landscape and Contemporary Psychoanalysis</em></a> (Confer Books, 2020), Danielle Knafo and Rocco Lo Bosco survey modern sex culture and suggests ways psychoanalysis can update its theories and practice to meet the novel needs of today’s generations; at the same time, paying special attention to technology, which is augmenting and expanding sexual and gender possibilities. The authors consider how sexuality and bonding in this brave new world are best suited to meet our psychoanalytic needs.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3385</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[51851814-d9be-11ea-a9c0-87d520cefb14]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6857647211.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Laura Gómez, "Inventing Latinos: A New Story of American Racism" (The New Press, 2020)</title>
      <description>Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In Inventing Latinos: A New Story of American Racism (The New Press, 2020), Laura Gómez, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today.
Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos migrate from the places most impacted by this nation’s dirty deeds, leading Gómez to a bold call for reparations. In this audacious effort to reframe the often-confused and misrepresented discourse over the Latinx generation, Gómez provides essential context for today’s most pressing political and public debates—representation, voice, interpretation, and power—giving all of us a brilliant framework to engage cultural controversies, elections, current events, and more.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gomez illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today...</itunes:subtitle>
      <itunes:summary>Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In Inventing Latinos: A New Story of American Racism (The New Press, 2020), Laura Gómez, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today.
Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos migrate from the places most impacted by this nation’s dirty deeds, leading Gómez to a bold call for reparations. In this audacious effort to reframe the often-confused and misrepresented discourse over the Latinx generation, Gómez provides essential context for today’s most pressing political and public debates—representation, voice, interpretation, and power—giving all of us a brilliant framework to engage cultural controversies, elections, current events, and more.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Latinos have long influenced everything from electoral politics to popular culture, yet many people instinctively regard them as recent immigrants rather than a longstanding racial group. In <a href="https://www.amazon.com/dp/1595589171/?tag=newbooinhis-20"><em>Inventing Latinos: A New Story of American Racism</em></a> (The New Press, 2020), <a href="https://chavez.ucla.edu/person/laura-e-gomez/">Laura Gómez</a>, a leading expert on race, law, and society, illuminates the fascinating race-making, unmaking, and re-making of Latino identity that has spanned centuries, leaving a permanent imprint on how race operates in the United States today.</p><p>Pulling back the lens as the country approaches an unprecedented demographic shift (Latinos will comprise a third of the American population in a matter of decades), Gómez also reveals the nefarious roles the United States has played in Latin America—from military interventions and economic exploitation to political interference—that, taken together, have destabilized national economies to send migrants northward over the course of more than a century. It’s no coincidence that the vast majority of Latinos migrate from the places most impacted by this nation’s dirty deeds, leading Gómez to a bold call for reparations. In this audacious effort to reframe the often-confused and misrepresented discourse over the Latinx generation, Gómez provides essential context for today’s most pressing political and public debates—representation, voice, interpretation, and power—giving all of us a brilliant framework to engage cultural controversies, elections, current events, and more.</p><p><a href="https://fhssfaculty.byu.edu/FacultyPage/djgonzo">David-James Gonzales (DJ)</a><em> is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter </em><a href="https://twitter.com/djgonzophd?lang=en"><em>@djgonzoPhD</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3804</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[52d767a6-d9b6-11ea-909f-533d462fd716]]></guid>
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    </item>
    <item>
      <title>S. Daulatzai and J. Rana, “With Stones in Our Hands: Reflections on Racism, Muslims and US Empire” (U Minnesota Press, 2018)</title>
      <description>In this current moment it has become increasingly clear that US society is deeply entangled in racist policies and logics of white supremacy. While this affects numerous communities, anti-Muslim racism has continued to grow over the years. In With Stones in Our Hands: Reflections on Racism, Muslims and US Empire (University of Minnesota Press, 2018), Sohail Daulatzai, Associate Professor at the University of California, Irvine, and Junaid Rana, Associate Professor at the University of Illinois, Urbana-Champaign, turn their attention to the intersection of racecraft around Muslims and imperial projects of domination by gathering committed scholars and activists to reflect on how we’ve gotten here and how we can move forward. The collection of over 20 essays contend with political dissent and the promise of activism, migration and assimilation, suspicion and surveillance, and the intellectual and cultural archives that provide imaginative strategies for possible futures. In our conversation we discuss the patterns of the Muslim Left and the Muslim International, the racialization of Muslims, Palestine and American Muslim politics, Muslim belonging in the contexts of liberal multiculturalism and settler colonialism, countering extremism programs, the media reinforcement of stereotypes, and the resources Muslims can draw upon for solidarity politics.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>192</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The book focuses on the intersection of racecraft around Muslims and imperial projects of domination by gathering committed scholars and activists to reflect on how we’ve gotten here and how we can move forward...</itunes:subtitle>
      <itunes:summary>In this current moment it has become increasingly clear that US society is deeply entangled in racist policies and logics of white supremacy. While this affects numerous communities, anti-Muslim racism has continued to grow over the years. In With Stones in Our Hands: Reflections on Racism, Muslims and US Empire (University of Minnesota Press, 2018), Sohail Daulatzai, Associate Professor at the University of California, Irvine, and Junaid Rana, Associate Professor at the University of Illinois, Urbana-Champaign, turn their attention to the intersection of racecraft around Muslims and imperial projects of domination by gathering committed scholars and activists to reflect on how we’ve gotten here and how we can move forward. The collection of over 20 essays contend with political dissent and the promise of activism, migration and assimilation, suspicion and surveillance, and the intellectual and cultural archives that provide imaginative strategies for possible futures. In our conversation we discuss the patterns of the Muslim Left and the Muslim International, the racialization of Muslims, Palestine and American Muslim politics, Muslim belonging in the contexts of liberal multiculturalism and settler colonialism, countering extremism programs, the media reinforcement of stereotypes, and the resources Muslims can draw upon for solidarity politics.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this current moment it has become increasingly clear that US society is deeply entangled in racist policies and logics of white supremacy. While this affects numerous communities, anti-Muslim racism has continued to grow over the years. In <a href="https://bookshop.org/a/12343/9780816696123"><em>With Stones in Our Hands: Reflections on Racism, Muslims and US Empire</em></a> (University of Minnesota Press, 2018), <a href="https://www.faculty.uci.edu/profile.cfm?faculty_id=5300">Sohail Daulatzai</a>, Associate Professor at the University of California, Irvine, and <a href="https://asianam.illinois.edu/directory/profile/jrana">Junaid Rana</a>, Associate Professor at the University of Illinois, Urbana-Champaign, turn their attention to the intersection of racecraft around Muslims and imperial projects of domination by gathering committed scholars and activists to reflect on how we’ve gotten here and how we can move forward. The collection of over 20 essays contend with political dissent and the promise of activism, migration and assimilation, suspicion and surveillance, and the intellectual and cultural archives that provide imaginative strategies for possible futures. In our conversation we discuss the patterns of the Muslim Left and the Muslim International, the racialization of Muslims, Palestine and American Muslim politics, Muslim belonging in the contexts of liberal multiculturalism and settler colonialism, countering extremism programs, the media reinforcement of stereotypes, and the resources Muslims can draw upon for solidarity politics.</p><p><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4615</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2b1e1ea8-de66-11ea-b19b-07747b98114d]]></guid>
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    <item>
      <title>Madina Tlostanova, "What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire" (Duke UP, 2018)</title>
      <description>In What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (Duke University Press, 2018), Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future.
Madina Tlostanova is professor of postcolonial feminisms at Linköping University (Sweden).
Steven Seegel is professor of history at University of Northern Colorado.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Tlostanova traces how contemporary post-Soviet art mediates this human condition...</itunes:subtitle>
      <itunes:summary>In What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (Duke University Press, 2018), Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future.
Madina Tlostanova is professor of postcolonial feminisms at Linköping University (Sweden).
Steven Seegel is professor of history at University of Northern Colorado.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/0822371278/?tag=newbooinhis-20"><em>What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire</em></a> (Duke University Press, 2018), <a href="https://liu.se/en/employee/madtl83">Madina Tlostanova</a> traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future.</p><p>Madina Tlostanova is professor of postcolonial feminisms at Linköping University (Sweden).</p><p><em>Steven Seegel is professor of history at University of Northern Colorado.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3483</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7d57185a-dd85-11ea-95c5-3762030186a8]]></guid>
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    </item>
    <item>
      <title>Karen Patel, "The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities" (Rowman and Littlefield, 2020)</title>
      <description>How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers.
The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>By analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy...</itunes:subtitle>
      <itunes:summary>How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers.
The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has social media changed inequality in the cultural industries? In <a href="https://www.amazon.com/Politics-Expertise-Cultural-Labour-Inequalities/dp/178661250X/?tag=newbooinhis-20"><em>The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities</em></a> (Rowman and Littlefield, 2020), <a href="https://twitter.com/KarenPatel">Karen Patel</a>, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers.</p><p>The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2342</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1dd62048-d695-11ea-b209-a7acff9b3e09]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4150785597.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caron Gentry, "Disordered Violence: How Gender, Race and Heteronormativity Structure Terrorism" (Edinburgh UP, 2020)</title>
      <description>In Disordered Violence: How Gender, Race and Heteronormativity Structure Terrorism (Edinburgh University Press, 2020), Caron Gentry looks at how gender, race, and heteronormative expectations of public life shape Western understandings of terrorism as irrational, immoral and illegitimate. Gentry examines the profiles of 8 well-known terrorist actors. Gentry identifies the gendered, racial, and sexualized assumptions in how their stories are told. Additionally, she interrogates how the current counterterrorism focus upon radicalization is another way of constructing terrorists outside of the Western ideal. Finally, the book argues that mainstream Terrorism Studies must contend with the growing misogynist and racialized violence against women.
Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gentry argues that mainstream Terrorism Studies must contend with the growing misogynist and racialized violence against women...</itunes:subtitle>
      <itunes:summary>In Disordered Violence: How Gender, Race and Heteronormativity Structure Terrorism (Edinburgh University Press, 2020), Caron Gentry looks at how gender, race, and heteronormative expectations of public life shape Western understandings of terrorism as irrational, immoral and illegitimate. Gentry examines the profiles of 8 well-known terrorist actors. Gentry identifies the gendered, racial, and sexualized assumptions in how their stories are told. Additionally, she interrogates how the current counterterrorism focus upon radicalization is another way of constructing terrorists outside of the Western ideal. Finally, the book argues that mainstream Terrorism Studies must contend with the growing misogynist and racialized violence against women.
Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/1474424805/?tag=newbooinhis-20"><em>Disordered Violence: How Gender, Race and Heteronormativity Structure Terrorism</em></a><em> </em>(Edinburgh University Press, 2020), <a href="https://cstpv.wp.st-andrews.ac.uk/people/staff/caron-gentry/">Caron Gentry</a> looks at how gender, race, and heteronormative expectations of public life shape Western understandings of terrorism as irrational, immoral and illegitimate. Gentry examines the profiles of 8 well-known terrorist actors. Gentry identifies the gendered, racial, and sexualized assumptions in how their stories are told. Additionally, she interrogates how the current counterterrorism focus upon radicalization is another way of constructing terrorists outside of the Western ideal. Finally, the book argues that mainstream Terrorism Studies must contend with the growing misogynist and racialized violence against women.</p><p><em>Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3149</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[50bc538e-d824-11ea-a5f3-2bf219cf9522]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6317970183.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mack Hagood, "Hush: Media and Sonic Self-Control" (Duke UP, 2019)</title>
      <description>How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life?
In search for an answer, in this episode I speak with Mack Hagood, Blayney Associate Professor of Comparative Media Studies at Miami University, writer, and podcaster about his book, Hush: Media and Sonic Self-Control (Duke University Press, 2011).
In Hush, Hagood examines a variety of twentieth- and twenty-first-century technologies of sonic self-control that includes nature recordings, clinical audiometric tools, and “sound conditioners” through to top-selling white noise apps and the noise-canceling headphones offered under the commercially succesfull Bose and Beats brands.
What this assortment of tools and technologies have in common, Hagood argues, is that they are all “orphic media”: kinds of media that carry or generate content that is designed to efface itself as such. Orphic media can be understood as tactics and technologies that offer us respite from postmodern conditions of excess and distraction, even if that promise is not always fulfilled.
Hagood draws on a variety of sources, including the results of his own ethnographic work, patent documents, and archival material, to develop a critical account of these media that—ironically—fight sound with yet more sound, one that is both grounded in the technical detail of how specific devices do this work and is sensitive to their various use-contexts, both actual and intended.
Mack Hagood produces and hosts the Phantom Power podcast, an aural exploration of the sonic arts and humanities that launched in 2018 with the support of the Miami University Humanities Center and The National Endowment for the Humanities, and can be subscribed to wherever you get your podcasts.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life?</itunes:subtitle>
      <itunes:summary>How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life?
In search for an answer, in this episode I speak with Mack Hagood, Blayney Associate Professor of Comparative Media Studies at Miami University, writer, and podcaster about his book, Hush: Media and Sonic Self-Control (Duke University Press, 2011).
In Hush, Hagood examines a variety of twentieth- and twenty-first-century technologies of sonic self-control that includes nature recordings, clinical audiometric tools, and “sound conditioners” through to top-selling white noise apps and the noise-canceling headphones offered under the commercially succesfull Bose and Beats brands.
What this assortment of tools and technologies have in common, Hagood argues, is that they are all “orphic media”: kinds of media that carry or generate content that is designed to efface itself as such. Orphic media can be understood as tactics and technologies that offer us respite from postmodern conditions of excess and distraction, even if that promise is not always fulfilled.
Hagood draws on a variety of sources, including the results of his own ethnographic work, patent documents, and archival material, to develop a critical account of these media that—ironically—fight sound with yet more sound, one that is both grounded in the technical detail of how specific devices do this work and is sensitive to their various use-contexts, both actual and intended.
Mack Hagood produces and hosts the Phantom Power podcast, an aural exploration of the sonic arts and humanities that launched in 2018 with the support of the Miami University Humanities Center and The National Endowment for the Humanities, and can be subscribed to wherever you get your podcasts.
Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life?</p><p>In search for an answer, in this episode I speak with <a href="https://miamioh.edu/cas/academics/departments/mjf/about/faculty-staff/hagood-mack/index.html">Mack Hagood</a>, Blayney Associate Professor of Comparative Media Studies at Miami University, writer, and podcaster about his book, <a href="https://www.amazon.com/Hush-Media-Self-Control-Storage-Transmission/dp/1478003804/?tag=newbooinhis-20"><em>Hush: Media and Sonic Self-Control</em></a> (Duke University Press, 2011).</p><p>In <em>Hush</em>, Hagood examines a variety of twentieth- and twenty-first-century technologies of sonic self-control that includes nature recordings, clinical audiometric tools, and “sound conditioners” through to top-selling white noise apps and the noise-canceling headphones offered under the commercially succesfull Bose and Beats brands.</p><p>What this assortment of tools and technologies have in common, Hagood argues, is that they are all “orphic media”: kinds of media that carry or generate content that is designed to efface itself as such. Orphic media can be understood as tactics and technologies that offer us respite from postmodern conditions of excess and distraction, even if that promise is not always fulfilled.</p><p>Hagood draws on a variety of sources, including the results of his own ethnographic work, patent documents, and archival material, to develop a critical account of these media that—ironically—fight sound with yet more sound, one that is both grounded in the technical detail of how specific devices do this work and is sensitive to their various use-contexts, both actual and intended.</p><p>Mack Hagood produces and hosts the <a href="http://phantompod.org/">Phantom Power podcast</a>, an aural exploration of the sonic arts and humanities that launched in 2018 with the support of the Miami University Humanities Center and The National Endowment for the Humanities, and can be subscribed to wherever you get your podcasts.</p><p><a href="https://www.eamonnbell.com/?utm_source=nbn&amp;utm_medium=podbio&amp;utm_campaign=nbn_hagood"><em>Eamonn Bell</em></a><em> (</em><a href="https://twitter.com/_eamonnbell"><em>@_eamonnbell</em></a><em>) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines </em><a href="https://redbook.space/?utm_source=nbn&amp;utm_medium=podbio&amp;utm_campaign=nbn_hagood"><em>the story of the compact disc</em></a><em> from a viewpoint between musicology and media studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4871</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[988994b2-d692-11ea-8279-279b113cac98]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8779799361.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Orit Kamir, "Betraying Dignity" (Fairleigh Dickinson UP, 2019)</title>
      <description>What do medieval knights, suicide bombers and "victimhood culture" have in common?
Betraying Dignity: The Toxic Seduction of Social Media, Shaming, and Radicalization (Fairleigh Dickinson University Press) argues that in the second decade of the twenty-first century, individuals, political parties and nations around the world are abandoning the dignity-based culture we established in the aftermath of two world wars, less than a century ago.
Disappointed or intimidated, many turn their backs on the humanitarian, universalistic culture that presumes our inherent human dignity and celebrates it as the basis of every individual's equal human rights. Instead, people and nations are returning to a much older, honor-based cultural structure.
Because its ancient logic and mentality take new forms (such as social network shaming and certain aspects of "victimhood culture") -- we fail to recognize them, and overlook the pitfalls of the old honor-based structure. Narrating the history of honor-based societies, this book distinguishes their underlying principle from the post-WWII notion of dignity that underlies human rights. It makes the case that in order to revive and strengthen dignity-based culture, the concept of human dignity must be defined narrowly and succinctly, and enhanced with the principle of respect.
Continuing its historical and cultural narrative, the book discusses contemporary phenomena such as al-Qaeda terrorists, shaming via social network, FoMO, and some features of the emerging "victimhood culture". The book pays homage to Erich Fromm's classic Escape from Freedom.
Orit Kamir is founder and academic head of the Center for Human Dignity in Israel, and has taught law and culture studies at universities in Israel, the United States, and Europe.
Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: Yakir1212englander@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>183</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do medieval knights, suicide bombers and "victimhood culture" have in common?</itunes:subtitle>
      <itunes:summary>What do medieval knights, suicide bombers and "victimhood culture" have in common?
Betraying Dignity: The Toxic Seduction of Social Media, Shaming, and Radicalization (Fairleigh Dickinson University Press) argues that in the second decade of the twenty-first century, individuals, political parties and nations around the world are abandoning the dignity-based culture we established in the aftermath of two world wars, less than a century ago.
Disappointed or intimidated, many turn their backs on the humanitarian, universalistic culture that presumes our inherent human dignity and celebrates it as the basis of every individual's equal human rights. Instead, people and nations are returning to a much older, honor-based cultural structure.
Because its ancient logic and mentality take new forms (such as social network shaming and certain aspects of "victimhood culture") -- we fail to recognize them, and overlook the pitfalls of the old honor-based structure. Narrating the history of honor-based societies, this book distinguishes their underlying principle from the post-WWII notion of dignity that underlies human rights. It makes the case that in order to revive and strengthen dignity-based culture, the concept of human dignity must be defined narrowly and succinctly, and enhanced with the principle of respect.
Continuing its historical and cultural narrative, the book discusses contemporary phenomena such as al-Qaeda terrorists, shaming via social network, FoMO, and some features of the emerging "victimhood culture". The book pays homage to Erich Fromm's classic Escape from Freedom.
Orit Kamir is founder and academic head of the Center for Human Dignity in Israel, and has taught law and culture studies at universities in Israel, the United States, and Europe.
Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: Yakir1212englander@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do medieval knights, suicide bombers and "victimhood culture" have in common?</p><p><a href="https://www.amazon.com/Betraying-Dignity-Radicalization-University-Humanities/dp/168393203X/?tag=newbooinhis-20"><em>Betraying Dignity: The Toxic Seduction of Social Media, Shaming, and Radicalization</em></a> (Fairleigh Dickinson University Press) argues that in the second decade of the twenty-first century, individuals, political parties and nations around the world are abandoning the dignity-based culture we established in the aftermath of two world wars, less than a century ago.</p><p>Disappointed or intimidated, many turn their backs on the humanitarian, universalistic culture that presumes our inherent human dignity and celebrates it as the basis of every individual's equal human rights. Instead, people and nations are returning to a much older, honor-based cultural structure.</p><p>Because its ancient logic and mentality take new forms (such as social network shaming and certain aspects of "victimhood culture") -- we fail to recognize them, and overlook the pitfalls of the old honor-based structure. Narrating the history of honor-based societies, this book distinguishes their underlying principle from the post-WWII notion of dignity that underlies human rights. It makes the case that in order to revive and strengthen dignity-based culture, the concept of human dignity must be defined narrowly and succinctly, and enhanced with the principle of respect.</p><p>Continuing its historical and cultural narrative, the book discusses contemporary phenomena such as al-Qaeda terrorists, shaming via social network, FoMO, and some features of the emerging "victimhood culture". The book pays homage to Erich Fromm's classic <em>Escape from Freedom</em>.</p><p><a href="http://www.oritkamir.org/en/about/">Orit Kamir</a> is founder and academic head of the Center for Human Dignity in Israel, and has taught law and culture studies at universities in Israel, the United States, and Europe.</p><p><em>Dr. </em><a href="https://hds.academia.edu/YakirEnglander"><em>Yakir Englander </em></a><em>is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithuanian Ultra-Orthodoxy (Hebrew). He can be reached at: </em><a href="mailto:Yakir1212englander@gmail.com"><em>Yakir1212englander@gmail.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4406</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f47e53b8-d33e-11ea-a9a1-ef495383c992]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4041922263.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tanya Kant, "Making it Personal: Algorithmic Personalization, Identity, and Everyday Life" (Oxford UP, 2020)</title>
      <description>How are algorithms shaping our experience of the internet?
In Making it Personal: Algorithmic Personalization, Identity, and Everyday Life (Oxford University Press), Tanya Kant, a lecturer in Media And Cultural Studies at the University of Sussex interrogates the rise of algorithmic personalization, in the context of an internet dominated by platform providers and corporate interests.
Using detailed empirical case studies, along with a rich and deep theoretical framework, the book shows the negative impact of algorithmic personalization, the nuances and ambivalences in user behaviours, and their modes of resistance.
As we increasingly live our lives online, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how algorithms regulate our lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How are algorithms shaping our experience of the internet?</itunes:subtitle>
      <itunes:summary>How are algorithms shaping our experience of the internet?
In Making it Personal: Algorithmic Personalization, Identity, and Everyday Life (Oxford University Press), Tanya Kant, a lecturer in Media And Cultural Studies at the University of Sussex interrogates the rise of algorithmic personalization, in the context of an internet dominated by platform providers and corporate interests.
Using detailed empirical case studies, along with a rich and deep theoretical framework, the book shows the negative impact of algorithmic personalization, the nuances and ambivalences in user behaviours, and their modes of resistance.
As we increasingly live our lives online, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how algorithms regulate our lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are algorithms shaping our experience of the internet?</p><p>In <a href="https://www.amazon.com/Making-Personal-Algorithmic-Personalization-Identity/dp/0190905093/?tag=newbooinhis-20"><em>Making it Personal: Algorithmic Personalization, Identity, and Everyday Life</em></a> (Oxford University Press), <a href="https://profiles.sussex.ac.uk/p174167-tanya-kant">Tanya Kant</a>, a lecturer in Media And Cultural Studies at the University of Sussex interrogates the rise of algorithmic personalization, in the context of an internet dominated by platform providers and corporate interests.</p><p>Using detailed empirical case studies, along with a rich and deep theoretical framework, the book shows the negative impact of algorithmic personalization, the nuances and ambivalences in user behaviours, and their modes of resistance.</p><p>As we increasingly live our lives online, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how algorithms regulate our lives.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2217</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3991277445.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. Hennefeld and N. Sammond, "Abjection Incorporated: Mediating the Politics of Pleasure and Violence" (Duke UP, 2020)</title>
      <description>From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse.
The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others.
Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga.
Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.
Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny.
Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto.
Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The authors move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others...</itunes:subtitle>
      <itunes:summary>From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse.
The contributors to Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others.
Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga.
Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.
Maggie Hennefeld is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny.
Nicholas Sammond is Associate Professor of Cinema Studies at the University of Toronto.
Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse.</p><p>The contributors to <a href="https://www.amazon.com/Abjection-Incorporated-Mediating-Politics-Pleasure/dp/1478001895/?tag=newbooinhis-20"><em>Abjection Incorporated: Mediating the Politics of Pleasure and Violence</em></a><em> </em>(Duke University Press, 2020) move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others.</p><p>Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga.</p><p>Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.</p><p><a href="https://cla.umn.edu/about/directory/profile/mhennefe">Maggie Hennefeld</a> is Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. Her Twitter handle is @magshenny.</p><p><a href="https://www.cinema.utoronto.ca/people/directories/all-faculty/nicholas-sammond">Nicholas Sammond</a> is Associate Professor of Cinema Studies at the University of Toronto.</p><p><em>Joel Tscherne is an adjunct history general studies professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4364</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Michael Rectenwald, "Beyond Woke" (New English Review Press, 2020)</title>
      <description>A few short years ago, Michael Rectenwald was a Marxist professor at NYU, pursuing his career and contemplating becoming a Trotskyist, when the political climate on campus - victimology, cancel-culture, no-platforming, and political correctness run-amok - began to bother him. He responded by creating a Twitter handle, @AntiPCNYUProf (now @TheAntiPCProf), and began bashing campus excesses with humor and biting satire. Predictably, he was soon discovered and pushed out of his job.
Rectenwald struck back by publishing Springtime for Snowflakes, a memoir of his experiences in academia, which included criticism and analyses of the leftism now dominating campus culture. He followed that book with Google Archipelago, which delves into the seeming enigma of why big business embraces far-left politics - hint: self-interest is involved - and the rapid growth of consumer/citizen surveillance. The foundation for a robust leftist totalitarianism is being carefully laid.
With this new volume, Rectenwald returns with his characteristic sharp wit and incisive analysis and continues to fine tune his critique of modern leftism. In Beyond Woke (The New English Review Press), he brings his unique perspective as an ex-Marxist and civil libertarian to bear on leftist culture, with its abandonment of traditional morality and emphasis on collective social identities - which are ironically increasingly atomized, as overwhelming centrifugal forces break up any previously stable social cohesion.
The revolution is here and it's winning. Find out why, and how to combat it.
Michael Rectenwald is a recently retired Professor of Liberal Studies at New York University, where he taught cultural and social history as well as academic writing since 2008.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rectenwald returns with his characteristic sharp wit and incisive analysis and continues to fine tune his critique of modern leftism...</itunes:subtitle>
      <itunes:summary>A few short years ago, Michael Rectenwald was a Marxist professor at NYU, pursuing his career and contemplating becoming a Trotskyist, when the political climate on campus - victimology, cancel-culture, no-platforming, and political correctness run-amok - began to bother him. He responded by creating a Twitter handle, @AntiPCNYUProf (now @TheAntiPCProf), and began bashing campus excesses with humor and biting satire. Predictably, he was soon discovered and pushed out of his job.
Rectenwald struck back by publishing Springtime for Snowflakes, a memoir of his experiences in academia, which included criticism and analyses of the leftism now dominating campus culture. He followed that book with Google Archipelago, which delves into the seeming enigma of why big business embraces far-left politics - hint: self-interest is involved - and the rapid growth of consumer/citizen surveillance. The foundation for a robust leftist totalitarianism is being carefully laid.
With this new volume, Rectenwald returns with his characteristic sharp wit and incisive analysis and continues to fine tune his critique of modern leftism. In Beyond Woke (The New English Review Press), he brings his unique perspective as an ex-Marxist and civil libertarian to bear on leftist culture, with its abandonment of traditional morality and emphasis on collective social identities - which are ironically increasingly atomized, as overwhelming centrifugal forces break up any previously stable social cohesion.
The revolution is here and it's winning. Find out why, and how to combat it.
Michael Rectenwald is a recently retired Professor of Liberal Studies at New York University, where he taught cultural and social history as well as academic writing since 2008.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A few short years ago, Michael Rectenwald was a Marxist professor at NYU, pursuing his career and contemplating becoming a Trotskyist, when the political climate on campus - victimology, cancel-culture, no-platforming, and political correctness run-amok - began to bother him. He responded by creating a Twitter handle, @AntiPCNYUProf (now <a href="https://twitter.com/TheAntiPCProf">@TheAntiPCProf)</a>, and began bashing campus excesses with humor and biting satire. Predictably, he was soon discovered and pushed out of his job.</p><p>Rectenwald struck back by publishing <em>Springtime for Snowflakes</em>, a memoir of his experiences in academia, which included criticism and analyses of the leftism now dominating campus culture. He followed that book with <em>Google Archipelago</em>, which delves into the seeming enigma of why big business embraces far-left politics - hint: self-interest is involved - and the rapid growth of consumer/citizen surveillance. The foundation for a robust leftist totalitarianism is being carefully laid.</p><p>With this new volume, Rectenwald returns with his characteristic sharp wit and incisive analysis and continues to fine tune his critique of modern leftism. In<em> </em><a href="https://www.amazon.com/Beyond-Woke-Michael-Rectenwald/dp/1943003378/?tag=newbooinhis-20"><em>Beyond Woke</em></a><em> </em>(The New English Review Press), he brings his unique perspective as an ex-Marxist and civil libertarian to bear on leftist culture, with its abandonment of traditional morality and emphasis on collective social identities - which are ironically increasingly atomized, as overwhelming centrifugal forces break up any previously stable social cohesion.</p><p>The revolution is here and it's winning. Find out why, and how to combat it.</p><p><a href="https://www.michaelrectenwald.com/">Michael Rectenwald</a> is a recently retired Professor of Liberal Studies at New York University, where he taught cultural and social history as well as academic writing since 2008.</p><p><em>Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the </em><a href="https://podcasts.apple.com/us/podcast/independent-thought-freedom/id1446388269"><em>iTunes Store</em></a><em> or any of your favorite podcast providers. You can also subscribe to his </em><a href="https://www.youtube.com/playlist?list=PLJ5dQ_tSNLwkuyJuq5SfJR-8fOFa3zGze"><em>YouTube channel</em></a><em>. If you are an academic who wants to get heard nationally, please check out his free training at </em><a href="https://becomeapublicintellectual.com/?utm_source=nbn"><em>becomeapublicintellectual.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3673</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8f44e8ee-ce76-11ea-a548-8b558125c972]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7340854749.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Khurram Hussain, "Islam as Critique: Sayyid Ahmad Khan and the Challenge of Modernity" (Bloomsbury Academic, 2019)</title>
      <description>Delighting in Khurram Hussain’s consistently sparkling prose is reason enough to read his new book Islam as Critique: Sayyid Ahmad Khan and the Challenge of Modernity (Bloomsbury Academic, 2019). But there is much more to this splendid book, framed around the profoundly consequential conceptual and political question of can Muslims serve not as friends or foes but as critics of Western modernity. Hussain addresses this question through a close and energetic reading of key selections from the scholarly oeuvre of the hugely influential yet often misunderstood modern South Asian Muslim scholar Sayyid Ahmad Khan (d. 1898). By putting Khan in contrapuntal conversation with a range of Western philosophers including Reinhold Niebuhr (d.1971), Hannah Arendt (d.1975), and Alasdair MacIntyre (1929-), Hussain explores ways in which Sayyid Ahmad Khan’s thought on profound questions of moral obligations, knowledge, Jihad, and time disrupts a politics of “either/or” whereby Muslim actors are invariably pulverized by the sledgehammer of modern Western commensurability to emerge as either friends or enemies. This provocative and thoughtful book will animate the interest of a range of scholars in Islamic Studies, South Asian Studies, Politics, Philosophy, and Postcolonial thought; it will also work as a great text to teach in courses on these and other topics.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 31 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hussain explores ways in which Sayyid Ahmad Khan’s thought on profound questions of moral obligations, knowledge, Jihad, and time disrupts a politics of “either/or” ...</itunes:subtitle>
      <itunes:summary>Delighting in Khurram Hussain’s consistently sparkling prose is reason enough to read his new book Islam as Critique: Sayyid Ahmad Khan and the Challenge of Modernity (Bloomsbury Academic, 2019). But there is much more to this splendid book, framed around the profoundly consequential conceptual and political question of can Muslims serve not as friends or foes but as critics of Western modernity. Hussain addresses this question through a close and energetic reading of key selections from the scholarly oeuvre of the hugely influential yet often misunderstood modern South Asian Muslim scholar Sayyid Ahmad Khan (d. 1898). By putting Khan in contrapuntal conversation with a range of Western philosophers including Reinhold Niebuhr (d.1971), Hannah Arendt (d.1975), and Alasdair MacIntyre (1929-), Hussain explores ways in which Sayyid Ahmad Khan’s thought on profound questions of moral obligations, knowledge, Jihad, and time disrupts a politics of “either/or” whereby Muslim actors are invariably pulverized by the sledgehammer of modern Western commensurability to emerge as either friends or enemies. This provocative and thoughtful book will animate the interest of a range of scholars in Islamic Studies, South Asian Studies, Politics, Philosophy, and Postcolonial thought; it will also work as a great text to teach in courses on these and other topics.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Delighting in Khurram Hussain’s consistently sparkling prose is reason enough to read his new book<a href="https://www.amazon.com/dp/1350006335/?tag=newbooinhis-20"> <em>Islam as Critique: Sayyid Ahmad Khan and the Challenge of Modernity</em></a> (Bloomsbury Academic, 2019). But there is much more to this splendid book, framed around the profoundly consequential conceptual and political question of can Muslims serve not as friends or foes but as critics of Western modernity. Hussain addresses this question through a close and energetic reading of key selections from the scholarly oeuvre of the hugely influential yet often misunderstood modern South Asian Muslim scholar Sayyid Ahmad Khan (d. 1898). By putting Khan in contrapuntal conversation with a range of Western philosophers including Reinhold Niebuhr (d.1971), Hannah Arendt (d.1975), and Alasdair MacIntyre (1929-), Hussain explores ways in which Sayyid Ahmad Khan’s thought on profound questions of moral obligations, knowledge, Jihad, and time disrupts a politics of “either/or” whereby Muslim actors are invariably pulverized by the sledgehammer of modern Western commensurability to emerge as either friends or enemies. This provocative and thoughtful book will animate the interest of a range of scholars in Islamic Studies, South Asian Studies, Politics, Philosophy, and Postcolonial thought; it will also work as a great text to teach in courses on these and other topics.</p><p><a href="https://www.fandm.edu/sherali-tareen"><em>SherAli Tareen</em></a><em> is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available </em><a href="https://fandm.academia.edu/SheraliTareen/"><em>here</em></a><em>. He can be reached at </em><a href="mailto:sherali.tareen@fandm.edu"><em>sherali.tareen@fandm.edu</em></a><em>. Listener feedback is most welcome.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3528</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[80933958-d264-11ea-b122-db3360399a43]]></guid>
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    <item>
      <title>Nadine El-Enany, "Bordering Britain: Law, Race and Empire" (Manchester UP, 2020)</title>
      <description>How can we understand the legacy of colonialism within contemporary society?
In Bordering Britain Law, Race and Empire (Manchester University Press, 2020), Nadine El-Enany, a senior lecturer in law at Birkbeck School of Law and Co-Director of the Centre for Research on Race and Law, historicises immigration law and ideas of citizenship in Britain, connecting the project of building a nation after the end of empire to whiteness, colonial violence, and racism.
The book analyses legislation and case law, along with the social and historical context of immigration in Britain, to demonstrate the continued, systemic, violence at the heart of the British state.
The book is essential reading across law, history, and the social sciences, as well as for anyone interested in understanding contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can we understand the legacy of colonialism within contemporary society?</itunes:subtitle>
      <itunes:summary>How can we understand the legacy of colonialism within contemporary society?
In Bordering Britain Law, Race and Empire (Manchester University Press, 2020), Nadine El-Enany, a senior lecturer in law at Birkbeck School of Law and Co-Director of the Centre for Research on Race and Law, historicises immigration law and ideas of citizenship in Britain, connecting the project of building a nation after the end of empire to whiteness, colonial violence, and racism.
The book analyses legislation and case law, along with the social and historical context of immigration in Britain, to demonstrate the continued, systemic, violence at the heart of the British state.
The book is essential reading across law, history, and the social sciences, as well as for anyone interested in understanding contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we understand the legacy of colonialism within contemporary society?</p><p>In <a href="https://www.amazon.com/Bordering-Britain-Law-race-empire/dp/1526145421/?tag=newbooinhis-20"><em>Bordering Britain Law, Race and Empire</em></a> (Manchester University Press, 2020), <a href="http://www.bbk.ac.uk/law/our-staff/el-enany">Nadine El-Enany</a>, a senior lecturer in law at Birkbeck School of Law and Co-Director of the Centre for Research on Race and Law, historicises immigration law and ideas of citizenship in Britain, connecting the project of building a nation after the end of empire to whiteness, colonial violence, and racism.</p><p>The book analyses legislation and case law, along with the social and historical context of immigration in Britain, to demonstrate the continued, systemic, violence at the heart of the British state.</p><p>The book is essential reading across law, history, and the social sciences, as well as for anyone interested in understanding contemporary society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2798</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e96746fa-cd18-11ea-b31b-abf87bdef0b2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9920765367.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Sasha Costanza-Chock, "Design Justice: Community-Led Practices to Build the Worlds We Need" (MIT Press, 2020)</title>
      <description>In Design Justice: Community-Led Practices to Build the Worlds We Need (MIT Press, 2020), Sasha Costanza-Chock, an associate professor of Civic Media at MIT, builds the case for designers and researchers to make the communities they impact co-equal partners in the products, services, and organizations they create.
This requires more than eliciting participation from community members, particularly if the goal is extraction. On the contrary, design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value....</itunes:subtitle>
      <itunes:summary>In Design Justice: Community-Led Practices to Build the Worlds We Need (MIT Press, 2020), Sasha Costanza-Chock, an associate professor of Civic Media at MIT, builds the case for designers and researchers to make the communities they impact co-equal partners in the products, services, and organizations they create.
This requires more than eliciting participation from community members, particularly if the goal is extraction. On the contrary, design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Design-Justice-Community-Led-Practices-Information/dp/0262043459/?tag=newbooinhis-20"><em>Design Justice: Community-Led Practices to Build the Worlds We Need</em></a> (MIT Press, 2020), <a href="http://schock.cc/about/">Sasha Costanza-Chock</a>, an associate professor of Civic Media at MIT, builds the case for designers and researchers to make the communities they impact co-equal partners in the products, services, and organizations they create.</p><p>This requires more than eliciting participation from community members, particularly if the goal is extraction. On the contrary, design justice demands a deep understanding of the community and its needs, engagement with community members, and a recognition of their expertise, along with reciprocation of value.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2211</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[040b935c-c207-11ea-bf6e-3f5405f673f0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6335446946.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Kettler, "The Smell of Slavery: Olfactory Racism and the Atlantic World" (Cambridge UP, 2020)</title>
      <description>In his new book, The Smell of Slavery: Olfactory Racism and the Atlantic World (Cambridge University Press, 2020), Dr. Andrew Kettler charts the impact that smell had on the making of race and justifications for enslavement in the Atlantic world.
Western European defined the African subject as a scented object, appropriated as filthy to create levels of ownership through discourse that marked African peoples as unable to access spaces of Western modernity. So powerful was this process of embodied cultural knowledge and racial othering that the very European biological function of smell altered in the early modern period.
While the first half of the book details this dialectical materialism from a European perspective, the second half speaks to the real consciousness and function that the sense of smell had in communities of African descent. Smell became a powerful tool for many enslaved peoples and racialized “others” to assert their agency, individualism, power, and perform everyday acts of resistance.
Deeply researched and theorized, The Smell of Slavery offers modern readers a deeper historical understanding of the unconscious development of their senses and the powerful legacy that such embodied cultural knowledge and olfactory racism still has on Atlantic societies.
Dr. Andrew Kettler is an Ahmason-Getty Fellow for the University of California, Los Angeles Center for 17th and 18th-Century Studies at the William Andrews Clark Memorial Library.
R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic word.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>766</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kettler charts the impact that smell had on the making of race and justifications for enslavement in the Atlantic world....</itunes:subtitle>
      <itunes:summary>In his new book, The Smell of Slavery: Olfactory Racism and the Atlantic World (Cambridge University Press, 2020), Dr. Andrew Kettler charts the impact that smell had on the making of race and justifications for enslavement in the Atlantic world.
Western European defined the African subject as a scented object, appropriated as filthy to create levels of ownership through discourse that marked African peoples as unable to access spaces of Western modernity. So powerful was this process of embodied cultural knowledge and racial othering that the very European biological function of smell altered in the early modern period.
While the first half of the book details this dialectical materialism from a European perspective, the second half speaks to the real consciousness and function that the sense of smell had in communities of African descent. Smell became a powerful tool for many enslaved peoples and racialized “others” to assert their agency, individualism, power, and perform everyday acts of resistance.
Deeply researched and theorized, The Smell of Slavery offers modern readers a deeper historical understanding of the unconscious development of their senses and the powerful legacy that such embodied cultural knowledge and olfactory racism still has on Atlantic societies.
Dr. Andrew Kettler is an Ahmason-Getty Fellow for the University of California, Los Angeles Center for 17th and 18th-Century Studies at the William Andrews Clark Memorial Library.
R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic word.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://www.amazon.com/Smell-Slavery-Olfactory-Racism-Atlantic/dp/1108490735/?tag=newbooinhis-20"><em>The Smell of Slavery: Olfactory Racism and the Atlantic World</em></a> (Cambridge University Press, 2020), Dr. Andrew Kettler charts the impact that smell had on the making of race and justifications for enslavement in the Atlantic world.</p><p>Western European defined the African subject as a scented object, appropriated as filthy to create levels of ownership through discourse that marked African peoples as unable to access spaces of Western modernity. So powerful was this process of embodied cultural knowledge and racial othering that the very European biological function of smell altered in the early modern period.</p><p>While the first half of the book details this dialectical materialism from a European perspective, the second half speaks to the real consciousness and function that the sense of smell had in communities of African descent. Smell became a powerful tool for many enslaved peoples and racialized “others” to assert their agency, individualism, power, and perform everyday acts of resistance.</p><p>Deeply researched and theorized, <em>The Smell of Slavery</em> offers modern readers a deeper historical understanding of the unconscious development of their senses and the powerful legacy that such embodied cultural knowledge and olfactory racism still has on Atlantic societies.</p><p><a href="https://ucla.academia.edu/AndrewKettler">Dr. Andrew Kettler</a> is an Ahmason-Getty Fellow for the University of California, Los Angeles Center for 17th and 18th-Century Studies at the William Andrews Clark Memorial Library.</p><p><a href="https://history.columbia.edu/faculty/kleiser-randal/"><em>R. Grant Kleiser</em></a><em> is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic word.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3227</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08985aa0-c91d-11ea-be7e-8f4ac85b0da8]]></guid>
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    <item>
      <title>Marika Rose, "A Theology of Failure: Žižek Against Christian Innocence" (Fordham UP, 2019)</title>
      <description>Christian theology has a long and at times contradictory history, riddled with tensions that make it difficult (if not impossible) to develop a single systematic account of what Christianity is. However, rather than see this as a shortcoming, one can instead try and see this as a productive philosophical and spiritual starting point.
This is the animating idea of ​A Theology of Failure: Žižek Against Christian Innocence (Fordham University Press, 2019), which argues that failure should be welcomed as a core element of Christian identity. To make sense of this, her book works its way through the Neo-Platonic philosophy of the mystical theologian Dionysius the Areopagite, the Radical Orthodoxy movement, postmodern theology, and finally finds its way to the philosophy of Slavoj Žižek, who has put failure at the center of his own theoretical work. The result is a book that takes a number of twists and turns, wrestling with the shortcomings of various thinkers while still maintaining fidelity in spite of, and perhaps at times because of, failure.
Marika Rose completed her PhD at Durham University, and is now a senior lecturer in philosophical theology at the University of Winchester and has authored numerous book chapters and articles covering the intersections of philosophy and theology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>179</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rose argues that failure should be welcomed as a core element of Christian identity....</itunes:subtitle>
      <itunes:summary>Christian theology has a long and at times contradictory history, riddled with tensions that make it difficult (if not impossible) to develop a single systematic account of what Christianity is. However, rather than see this as a shortcoming, one can instead try and see this as a productive philosophical and spiritual starting point.
This is the animating idea of ​A Theology of Failure: Žižek Against Christian Innocence (Fordham University Press, 2019), which argues that failure should be welcomed as a core element of Christian identity. To make sense of this, her book works its way through the Neo-Platonic philosophy of the mystical theologian Dionysius the Areopagite, the Radical Orthodoxy movement, postmodern theology, and finally finds its way to the philosophy of Slavoj Žižek, who has put failure at the center of his own theoretical work. The result is a book that takes a number of twists and turns, wrestling with the shortcomings of various thinkers while still maintaining fidelity in spite of, and perhaps at times because of, failure.
Marika Rose completed her PhD at Durham University, and is now a senior lecturer in philosophical theology at the University of Winchester and has authored numerous book chapters and articles covering the intersections of philosophy and theology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Christian theology has a long and at times contradictory history, riddled with tensions that make it difficult (if not impossible) to develop a single systematic account of what Christianity is. However, rather than see this as a shortcoming, one can instead try and see this as a productive philosophical and spiritual starting point.</p><p>This is the animating idea of ​<a href="https://www.amazon.com/dp/0823284069/?tag=newbooinhis-20"><em>A Theology of Failure: Žižek Against Christian Innocence</em></a> (Fordham University Press, 2019), which argues that failure should be welcomed as a core element of Christian identity. To make sense of this, her book works its way through the Neo-Platonic philosophy of the mystical theologian Dionysius the Areopagite, the Radical Orthodoxy movement, postmodern theology, and finally finds its way to the philosophy of Slavoj Žižek, who has put failure at the center of his own theoretical work. The result is a book that takes a number of twists and turns, wrestling with the shortcomings of various thinkers while still maintaining fidelity in spite of, and perhaps at times because of, failure.</p><p><a href="https://www.winchester.ac.uk/about-us/leadership-and-governance/staff-directory/staff-profiles/rose.php">Marika Rose</a> completed her PhD at Durham University, and is now a senior lecturer in philosophical theology at the University of Winchester and has authored numerous book chapters and articles covering the intersections of philosophy and theology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3792</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8cecf16-c935-11ea-9ae1-573a62ec8180]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6243603504.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ari Linden, "Karl Kraus and The Discourse of Modernity" (Northwestern UP, 2020)</title>
      <description>In Karl Kraus and The Discourse of Modernity (Northwestern University Press, 2020), Ari Linden analyzes Karl Kraus’s oeuvre while engaging in the conversation about modernism and modernity, which is shaped and conditioned by the already post-postmodern condition.
This perspective opens up the exploration of modernist projects and allows a discussion that goes beyond a specific time-period and invites us to locate the conversation about Kraus, as well as about the modernist discourse, in the context of the present moment.
In his book, Linden outlines the most salient features of Kraus’s writing and establishes an ethic and aesthetic matrix to explore the variations and renditions that the modernist projects may promote and welcome. The book specifies Kraus’s aesthetic engagement with satire, as well as with the exploration of the language limitations (if any) and with intellectual conversations, which serve as responses to political and historical events.
The latter makes Linden’s project particularly relevant and up-to-date for the contemporary moment: Kraus’s oeuvre helps further disclose how writing can be engaged as a key instrument not only for the construction of the individual’s perception of the self and others, but also for the construction of ideological paradigms, encapsulating power and control on both individual and public levels.
Karl Kraus and The Discourse of Modernity brings modernity and modernism to the forefront of the post-postmodernist concerns and offers an insightful perspective on how a writer responds to history and politics while interrupting the discourse with their aesthetic renditions.
Ari Linden is an assistant professor in the Department of German Studies at the University of Kansas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Linden analyzes Karl Kraus’s oeuvre while engaging in the conversation about modernism and modernity, which is shaped and conditioned by the already post-postmodern condition...</itunes:subtitle>
      <itunes:summary>In Karl Kraus and The Discourse of Modernity (Northwestern University Press, 2020), Ari Linden analyzes Karl Kraus’s oeuvre while engaging in the conversation about modernism and modernity, which is shaped and conditioned by the already post-postmodern condition.
This perspective opens up the exploration of modernist projects and allows a discussion that goes beyond a specific time-period and invites us to locate the conversation about Kraus, as well as about the modernist discourse, in the context of the present moment.
In his book, Linden outlines the most salient features of Kraus’s writing and establishes an ethic and aesthetic matrix to explore the variations and renditions that the modernist projects may promote and welcome. The book specifies Kraus’s aesthetic engagement with satire, as well as with the exploration of the language limitations (if any) and with intellectual conversations, which serve as responses to political and historical events.
The latter makes Linden’s project particularly relevant and up-to-date for the contemporary moment: Kraus’s oeuvre helps further disclose how writing can be engaged as a key instrument not only for the construction of the individual’s perception of the self and others, but also for the construction of ideological paradigms, encapsulating power and control on both individual and public levels.
Karl Kraus and The Discourse of Modernity brings modernity and modernism to the forefront of the post-postmodernist concerns and offers an insightful perspective on how a writer responds to history and politics while interrupting the discourse with their aesthetic renditions.
Ari Linden is an assistant professor in the Department of German Studies at the University of Kansas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Karl-Kraus-Discourse-Modernity-Linden/dp/0810141620/?tag=newbooinhis-20"><em>Karl Kraus and The Discourse of Modernity</em></a> (Northwestern University Press, 2020), Ari Linden analyzes Karl Kraus’s oeuvre while engaging in the conversation about modernism and modernity, which is shaped and conditioned by the already post-postmodern condition.</p><p>This perspective opens up the exploration of modernist projects and allows a discussion that goes beyond a specific time-period and invites us to locate the conversation about Kraus, as well as about the modernist discourse, in the context of the present moment.</p><p>In his book, Linden outlines the most salient features of Kraus’s writing and establishes an ethic and aesthetic matrix to explore the variations and renditions that the modernist projects may promote and welcome. The book specifies Kraus’s aesthetic engagement with satire, as well as with the exploration of the language limitations (if any) and with intellectual conversations, which serve as responses to political and historical events.</p><p>The latter makes Linden’s project particularly relevant and up-to-date for the contemporary moment: Kraus’s oeuvre helps further disclose how writing can be engaged as a key instrument not only for the construction of the individual’s perception of the self and others, but also for the construction of ideological paradigms, encapsulating power and control on both individual and public levels.</p><p><em>Karl Kraus and The Discourse of Modernity</em> brings modernity and modernism to the forefront of the post-postmodernist concerns and offers an insightful perspective on how a writer responds to history and politics while interrupting the discourse with their aesthetic renditions.</p><p><a href="https://germanic.ku.edu/ari-linden">Ari Linden</a> is an assistant professor in the Department of German Studies at the University of Kansas.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3211</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Justin Gomer, "White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights" (UNC Press, 2020)</title>
      <description>Justin Gomer is the author of White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights, published by the University of North Carolina Press in 2020.
White Balance explores the connection between politics and film from the 1970s to the 1990s. Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement.
From films like Dirty Harry to Rocky, Gomer is able to show just how much politics and film are intertwined during this period and held to reinforce each other in order to gradually chip away at the gains made during the Civil Rights Movement.
Justin Gomer is an Assistant Professor of American Studies at the California State University-Long Beach.
Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>765</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement...</itunes:subtitle>
      <itunes:summary>Justin Gomer is the author of White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights, published by the University of North Carolina Press in 2020.
White Balance explores the connection between politics and film from the 1970s to the 1990s. Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement.
From films like Dirty Harry to Rocky, Gomer is able to show just how much politics and film are intertwined during this period and held to reinforce each other in order to gradually chip away at the gains made during the Civil Rights Movement.
Justin Gomer is an Assistant Professor of American Studies at the California State University-Long Beach.
Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Justin Gomer is the author of <a href="https://www.amazon.com/White-Balance-Hollywood-Colorblind-Undermined/dp/1469655802/?tag=newbooinhis-20"><em>White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights</em></a>, published by the University of North Carolina Press in 2020.</p><p><em>White Balance</em> explores the connection between politics and film from the 1970s to the 1990s. Gomer illustrates the myriad of ways that Hollywood relied on and helped solidify an emerging ideology of colorblindness in the wake of the civil rights movement.</p><p>From films like <em>Dirty Harry</em> to <em>Rocky</em>, Gomer is able to show just how much politics and film are intertwined during this period and held to reinforce each other in order to gradually chip away at the gains made during the Civil Rights Movement.</p><p><a href="http://www.cla.csulb.edu/programs/americanstudies/faculty/justin-gomer-faculty-bio/">Justin Gomer</a> is an Assistant Professor of American Studies at the California State University-Long Beach.</p><p><a href="https://twitter.com/thetattooedgrad"><em>Derek Litvak</em></a><em> is a Ph.D. student in the department of history at the University of Maryland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4193</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f20ca6b8-c919-11ea-8517-2326d163d9b5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4761272871.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Raluca Soreanu, "Working-through Collective Wounds: Trauma, Denial, Recognition in the Brazilian Uprising" (Palgrave Macmillan, 2018)</title>
      <description>Working-through Collective Wounds: Trauma, Denial, Recognition in the Brazilian Uprising (Palgrave Macmillan, 2018) formulates a theory of collective trauma, drawing on the work of Sándor Ferenczi.
Dr. Soreanu takes Ferenczi into the public square to answer a series of questions. What does it mean to understand the operation of the confusions of tongues at the social level? What are the consequences of imagining the social as an encounter between different registers? And how did we come to postulate the importance, among all social registers, of the tension between the register of recognition and the register of redistribution?
Applying Ferenczian theory to these “interrogations” Soreanu utilizes psychosocial vignettes to make a series of arguments. “Akin to clinical vignettes, their aim is to capture a movement of the libido, or the expression of a symptom, or the resolution of a symptom, or a particular kind of regression, or a kind of dreaming-up that puts some symbols in relation to others.”
In addition to working with established meta-psychologies, Soreanu adds “the pleasure of analogy” to Ferenczi’s emergent ‘vocabulary of pleasure’. This new “doubly relational” pleasure takes us away from the Freudian “insistence on processes of identification” and demonstrates that our epistemologies are “libidinised affairs: they have an erotics.”
At the end of the book, Soreanu answers two questions: What returns to psychoanalysis, after taking Ferenczi to the streets and to the squares, alongside crowds in protest? What returns to social theory, after we have taken Ferenczi to the streets?
Working-through Collective Wounds is part of a series, Studies in the Psychosocial “distinguished by its emphasis on affect, the irrational and unconscious processes, often, but not necessarily, understood psychoanalytically.”
Raluca Soreanu is Reader in Psychoanalytic Studies and Director of Research of the Department of Psychosocial and Psychoanalytic Studies at the University of Essex.
Christopher Russell is a psychoanalyst in Chelsea Manhattan and can be reached at (212) 260-8115
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Soreanu formulates a theory of collective trauma, drawing on the work of Sándor Ferenczi...</itunes:subtitle>
      <itunes:summary>Working-through Collective Wounds: Trauma, Denial, Recognition in the Brazilian Uprising (Palgrave Macmillan, 2018) formulates a theory of collective trauma, drawing on the work of Sándor Ferenczi.
Dr. Soreanu takes Ferenczi into the public square to answer a series of questions. What does it mean to understand the operation of the confusions of tongues at the social level? What are the consequences of imagining the social as an encounter between different registers? And how did we come to postulate the importance, among all social registers, of the tension between the register of recognition and the register of redistribution?
Applying Ferenczian theory to these “interrogations” Soreanu utilizes psychosocial vignettes to make a series of arguments. “Akin to clinical vignettes, their aim is to capture a movement of the libido, or the expression of a symptom, or the resolution of a symptom, or a particular kind of regression, or a kind of dreaming-up that puts some symbols in relation to others.”
In addition to working with established meta-psychologies, Soreanu adds “the pleasure of analogy” to Ferenczi’s emergent ‘vocabulary of pleasure’. This new “doubly relational” pleasure takes us away from the Freudian “insistence on processes of identification” and demonstrates that our epistemologies are “libidinised affairs: they have an erotics.”
At the end of the book, Soreanu answers two questions: What returns to psychoanalysis, after taking Ferenczi to the streets and to the squares, alongside crowds in protest? What returns to social theory, after we have taken Ferenczi to the streets?
Working-through Collective Wounds is part of a series, Studies in the Psychosocial “distinguished by its emphasis on affect, the irrational and unconscious processes, often, but not necessarily, understood psychoanalytically.”
Raluca Soreanu is Reader in Psychoanalytic Studies and Director of Research of the Department of Psychosocial and Psychoanalytic Studies at the University of Essex.
Christopher Russell is a psychoanalyst in Chelsea Manhattan and can be reached at (212) 260-8115
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/Working-through-Collective-Wounds-Recognition-Psychosocial-ebook/dp/B07BNX83WK/?tag=newbooinhis-20"><em>Working-through Collective Wounds: Trauma, Denial, Recognition in the Brazilian Uprising</em></a> (Palgrave Macmillan, 2018) formulates a theory of collective trauma, drawing on the work of Sándor Ferenczi.</p><p>Dr. Soreanu takes Ferenczi into the public square to answer a series of questions. What does it mean to understand the operation of the confusions of tongues at the social level? What are the consequences of imagining the social as an encounter between different registers? And how did we come to postulate the importance, among all social registers, of the tension between the register of recognition and the register of redistribution?</p><p>Applying Ferenczian theory to these “interrogations” Soreanu utilizes psychosocial vignettes to make a series of arguments. “Akin to clinical vignettes, their aim is to capture a movement of the libido, or the expression of a symptom, or the resolution of a symptom, or a particular kind of regression, or a kind of dreaming-up that puts some symbols in relation to others.”</p><p>In addition to working with established meta-psychologies, Soreanu adds “the pleasure of analogy” to Ferenczi’s emergent ‘vocabulary of pleasure’. This new “doubly relational” pleasure takes us away from the Freudian “insistence on processes of identification” and demonstrates that our epistemologies are “libidinised affairs: they have an erotics.”</p><p>At the end of the book, Soreanu answers two questions: What returns to psychoanalysis, after taking Ferenczi to the streets and to the squares, alongside crowds in protest? What returns to social theory, after we have taken Ferenczi to the streets?</p><p><em>Working-through Collective Wounds</em> is part of a series, Studies in the Psychosocial “distinguished by its emphasis on affect, the irrational and unconscious processes, often, but not necessarily, understood psychoanalytically.”</p><p><a href="https://www.essex.ac.uk/people/sorea81205/raluca-soreanu">Raluca Soreanu</a> is Reader in Psychoanalytic Studies and Director of Research of the Department of Psychosocial and Psychoanalytic Studies at the University of Essex.</p><p><em>Christopher Russell is a psychoanalyst in Chelsea Manhattan and can be reached at (212) 260-8115</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4176</itunes:duration>
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      <title>Christina Dunbar-Hester, "Hacking Diversity: The Politics of Inclusion in Open Technology Cultures" (Princeton UP, 2020)</title>
      <description>In Hacking Diversity: The Politics of inclusion in Open Technology Cultures (Princeton University Press, 2020), Christina-Dunbar Hester, an associate professor in the USC Annenberg School for Communication and Journalism, explores the world of open technology – communities centered on knowledge sharing.
In particular, she investigates how these communities are considering the question of diversity and inclusion. Using ethnographic methods – interviews, participant observation, and deep readings of texts – Dunbar-Hester shows how the problem-solving ethos of open tech does not quite meet the challenge of structural social problems.
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      <pubDate>Mon, 20 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Dunbar-Hester investigates how open-technology communities are considering the question of diversity and inclusion.</itunes:subtitle>
      <itunes:summary>In Hacking Diversity: The Politics of inclusion in Open Technology Cultures (Princeton University Press, 2020), Christina-Dunbar Hester, an associate professor in the USC Annenberg School for Communication and Journalism, explores the world of open technology – communities centered on knowledge sharing.
In particular, she investigates how these communities are considering the question of diversity and inclusion. Using ethnographic methods – interviews, participant observation, and deep readings of texts – Dunbar-Hester shows how the problem-solving ethos of open tech does not quite meet the challenge of structural social problems.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Hacking-Diversity-Inclusion-Technology-Princeton-ebook/dp/B07W9B2D4T/?tag=newbooinhis-20"><em>Hacking Diversity: The Politics of inclusion in Open Technology Cultures</em></a> (Princeton University Press, 2020), <a href="https://annenberg.usc.edu/faculty/communication/christina-dunbar-hester">Christina-Dunbar Hester</a>, an associate professor in the USC Annenberg School for Communication and Journalism, explores the world of open technology – communities centered on knowledge sharing.</p><p>In particular, she investigates how these communities are considering the question of diversity and inclusion. Using ethnographic methods – interviews, participant observation, and deep readings of texts – Dunbar-Hester shows how the problem-solving ethos of open tech does not quite meet the challenge of structural social problems.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2079</itunes:duration>
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      <title>Kevin Escudero, "Organizing While Undocumented: Immigrant Youth’s Political Activism Under the Law" (NYU Press, 2020)</title>
      <description>Undocumented youth activists are at the forefront of the present-day immigrant rights movement. This is especially true surrounding the activism of the recent SCOTUS decision on DACA issued on June 18, 2020. Professor Kevin Escudero’s book, Organizing While Undocumented: Immigrant Youth’s Political Activism Under the Law (New York University Press, 2020), depicts just how undocumented immigrant youth have utilized their identities for political action between 2010-2019.
By developing what he calls the “Identity Mobilization Model,” Escudero studies the intersectional collective identity formation of undocumented immigrant communities by focusing on how micro-level processes interact with macro-level legal structures.  
Escudero uses intimate narrative accounts of individual experiences, community gatherings, and organizer meetings to show how undocumented immigrant youth activists emphasized the heterogeneity of the movement while also forming coalitions with other movements.
Escudero drew on ethnographic participant observation and fifty-one in-depth interviews with undocumented youth activists in San Francisco, Chicago, and New York. The book covers three subgroups within the immigrant rights movement: undocumented Asian activists, undocumented queer activists, and formerly undocumented activists.
Each chapter focuses on one of the three subgroups and details how the subgroup shared community knowledge, how they leveraged their intersectional movement identity, and what he observed as high-stakes allyship.  
Organizing While Undocumented shows how undocumented immigrants “have organized powerful countermobilizations to resist the stigma of illegality”. Further, Escudero carefully describes how undocumented youth form an oppositional consciousness informed by articulations of nuanced historical narratives and their participation in the immigrant rights movement.
Overall, Organizing While Undocumented is in direct conversation with academic discussions of migrant illegality, social movement activism, and intersectionality. This book should be read by scholars interested in those fields as well as activists and allies of the immigrant rights movement. 
 
Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1950” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. Jonathan is currently a Ford Predoctoral Fellow as well as a curatorial assistant at the Smithsonian National Museum of American History. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Undocumented youth activists are at the forefront of the present-day immigrant rights movement....</itunes:subtitle>
      <itunes:summary>Undocumented youth activists are at the forefront of the present-day immigrant rights movement. This is especially true surrounding the activism of the recent SCOTUS decision on DACA issued on June 18, 2020. Professor Kevin Escudero’s book, Organizing While Undocumented: Immigrant Youth’s Political Activism Under the Law (New York University Press, 2020), depicts just how undocumented immigrant youth have utilized their identities for political action between 2010-2019.
By developing what he calls the “Identity Mobilization Model,” Escudero studies the intersectional collective identity formation of undocumented immigrant communities by focusing on how micro-level processes interact with macro-level legal structures.  
Escudero uses intimate narrative accounts of individual experiences, community gatherings, and organizer meetings to show how undocumented immigrant youth activists emphasized the heterogeneity of the movement while also forming coalitions with other movements.
Escudero drew on ethnographic participant observation and fifty-one in-depth interviews with undocumented youth activists in San Francisco, Chicago, and New York. The book covers three subgroups within the immigrant rights movement: undocumented Asian activists, undocumented queer activists, and formerly undocumented activists.
Each chapter focuses on one of the three subgroups and details how the subgroup shared community knowledge, how they leveraged their intersectional movement identity, and what he observed as high-stakes allyship.  
Organizing While Undocumented shows how undocumented immigrants “have organized powerful countermobilizations to resist the stigma of illegality”. Further, Escudero carefully describes how undocumented youth form an oppositional consciousness informed by articulations of nuanced historical narratives and their participation in the immigrant rights movement.
Overall, Organizing While Undocumented is in direct conversation with academic discussions of migrant illegality, social movement activism, and intersectionality. This book should be read by scholars interested in those fields as well as activists and allies of the immigrant rights movement. 
 
Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1950” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. Jonathan is currently a Ford Predoctoral Fellow as well as a curatorial assistant at the Smithsonian National Museum of American History. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Undocumented youth activists are at the forefront of the present-day immigrant rights movement. This is especially true surrounding the activism of the recent SCOTUS decision on DACA issued on June 18, 2020. Professor <a href="https://vivo.brown.edu/display/kescuder">Kevin Escudero</a>’s book, <a href="https://www.amazon.com/Organizing-While-Undocumented-Immigrant-Political/dp/1479803197/?tag=newbooinhis-20"><em>Organizing While Undocumented: Immigrant Youth’s Political Activism Under the Law</em></a><em> </em>(New York University Press, 2020), depicts just how undocumented immigrant youth have utilized their identities for political action between 2010-2019.</p><p>By developing what he calls the “Identity Mobilization Model,” Escudero studies the intersectional collective identity formation of undocumented immigrant communities by focusing on how micro-level processes interact with macro-level legal structures.  </p><p>Escudero uses intimate narrative accounts of individual experiences, community gatherings, and organizer meetings to show how undocumented immigrant youth activists emphasized the heterogeneity of the movement while also forming coalitions with other movements.</p><p>Escudero drew on ethnographic participant observation and fifty-one in-depth interviews with undocumented youth activists in San Francisco, Chicago, and New York. The book covers three subgroups within the immigrant rights movement: undocumented Asian activists, undocumented queer activists, and formerly undocumented activists.</p><p>Each chapter focuses on one of the three subgroups and details how the subgroup shared community knowledge, how they leveraged their intersectional movement identity, and what he observed as high-stakes allyship.  </p><p><em>Organizing While Undocumented</em> shows how undocumented immigrants “have organized powerful countermobilizations to resist the stigma of illegality”. Further, Escudero carefully describes how undocumented youth form an oppositional consciousness informed by articulations of nuanced historical narratives and their participation in the immigrant rights movement.</p><p>Overall, <em>Organizing While Undocumented </em>is in direct conversation with academic discussions of migrant illegality, social movement activism, and intersectionality. This book should be read by scholars interested in those fields as well as activists and allies of the immigrant rights movement. </p><p> </p><p><em>Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1950” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. Jonathan is currently a Ford Predoctoral Fellow as well as a curatorial assistant at the Smithsonian National Museum of American History. You can follow Jonathan on Twitter </em><a href="https://twitter.com/joncortz?lang=en"><em>@joncortz</em></a><em> and on their personal website </em><a href="https://historiancortez.com/"><em>www.historiancortez.com</em></a> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4209</itunes:duration>
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      <title>Y. F. Niemann and G. Gutiérrez y Muhs, "Presumed Incompetent II: Race, Class, Power, and Resistance of Women in Academia" (Utah State UP, 2019)</title>
      <description>The courageous and inspiring personal narratives and empirical studies in Presumed Incompetent II: Race, Class, Power, and Resistance of Women in Academia (Utah State University Press, 2019) name formidable obstacles and systemic biases that all women faculty—from diverse intersectional and transnational identities and from tenure track, terminal contract, and administrative positions—encounter in their higher education careers. Edited by Yolanda Flores Niemann, Gabriella Gutiérrez y Muhs, and Carmen G. González, the book provides practical, specific, and insightful guidance to fight back, prevail, and thrive in challenging work environments. This new volume comes at a crucial historical moment as the United States grapples with a resurgence of white supremacy and misogyny at the forefront of our social and political dialogues that continue to permeate the academic world.
Today I talked to two of the editors: Yolanda Flores Niemann (PhD, Psychology, University of Houston, 1992), a professor of psychology at the University of North Texas and Gabriella Gutiérrez y Muhs (MA and PhD Stanford University, 2000), a professor of modern languages and women studies at Seattle University.
Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book provides practical, specific, and insightful guidance to fight back, prevail, and thrive in challenging work environments...</itunes:subtitle>
      <itunes:summary>The courageous and inspiring personal narratives and empirical studies in Presumed Incompetent II: Race, Class, Power, and Resistance of Women in Academia (Utah State University Press, 2019) name formidable obstacles and systemic biases that all women faculty—from diverse intersectional and transnational identities and from tenure track, terminal contract, and administrative positions—encounter in their higher education careers. Edited by Yolanda Flores Niemann, Gabriella Gutiérrez y Muhs, and Carmen G. González, the book provides practical, specific, and insightful guidance to fight back, prevail, and thrive in challenging work environments. This new volume comes at a crucial historical moment as the United States grapples with a resurgence of white supremacy and misogyny at the forefront of our social and political dialogues that continue to permeate the academic world.
Today I talked to two of the editors: Yolanda Flores Niemann (PhD, Psychology, University of Houston, 1992), a professor of psychology at the University of North Texas and Gabriella Gutiérrez y Muhs (MA and PhD Stanford University, 2000), a professor of modern languages and women studies at Seattle University.
Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The courageous and inspiring personal narratives and empirical studies in <a href="https://www.amazon.com/dp/1607329654/?tag=newbooinhis-20"><em>Presumed Incompetent II: Race, Class, Power, and Resistance of Women in Academia</em></a> (Utah State University Press, 2019) name formidable obstacles and systemic biases that all women faculty—from diverse intersectional and transnational identities and from tenure track, terminal contract, and administrative positions—encounter in their higher education careers. Edited by <a href="https://psychology.unt.edu/content/yolanda-flores-niemann">Yolanda Flores Niemann</a>, <a href="https://www.seattleu.edu/artsci/about/faculty-and-staff/gabriella-gutierrez-y-muhs-phd.html">Gabriella Gutiérrez y Muhs</a>, and <a href="https://law.seattleu.edu/faculty/profiles/carmen-gonzalez">Carmen G. González</a>, the book provides practical, specific, and insightful guidance to fight back, prevail, and thrive in challenging work environments. This new volume comes at a crucial historical moment as the United States grapples with a resurgence of white supremacy and misogyny at the forefront of our social and political dialogues that continue to permeate the academic world.</p><p>Today I talked to two of the editors: Yolanda Flores Niemann (PhD, Psychology, University of Houston, 1992), a professor of psychology at the University of North Texas and Gabriella Gutiérrez y Muhs (MA and PhD Stanford University, 2000), a professor of modern languages and women studies at Seattle University.</p><p><em>Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4872</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Martin Jay, "Splinters in Your Eye: Frankfurt School Provocations" (Verso, 2020) </title>
      <description>Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the twenty-first century to unsettle conventional wisdom about culture, society and politics.
Exploring unexamined episodes in the school’s history and reading its work in unexpected ways, Splinters in Your Eye: Frankfurt School Provocations (Verso, 2020) provides ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, these collected essays by Martin Jay range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin’s ruminations on stamp collecting to the ironies in the reception of Marcuse’s One-Dimensional Man, from Löwenthal’s role in Weimar’s Jewish Renaissance to Horkheimer’s involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of colour in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition.
The collection ends with an essay tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of “cultural Marxism” and “political correctness,” which has gained alarming international resonance and led to violence by radical right-wing fanatics.
Ryan Tripp is currently an adjunct in History for community colleges and universities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>758</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jay provides ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times...</itunes:subtitle>
      <itunes:summary>Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the twenty-first century to unsettle conventional wisdom about culture, society and politics.
Exploring unexamined episodes in the school’s history and reading its work in unexpected ways, Splinters in Your Eye: Frankfurt School Provocations (Verso, 2020) provides ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, these collected essays by Martin Jay range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin’s ruminations on stamp collecting to the ironies in the reception of Marcuse’s One-Dimensional Man, from Löwenthal’s role in Weimar’s Jewish Renaissance to Horkheimer’s involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of colour in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition.
The collection ends with an essay tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of “cultural Marxism” and “political correctness,” which has gained alarming international resonance and led to violence by radical right-wing fanatics.
Ryan Tripp is currently an adjunct in History for community colleges and universities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the twenty-first century to unsettle conventional wisdom about culture, society and politics.</p><p>Exploring unexamined episodes in the school’s history and reading its work in unexpected ways, <a href="https://www.amazon.com/dp/178873601X/?tag=newbooinhis-20"><em>Splinters in Your Eye: Frankfurt School Provocations</em></a> (Verso, 2020)<em> </em>provides ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, these collected essays by <a href="https://history.berkeley.edu/people/faculty/emeriti/martin-jay">Martin Jay</a> range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin’s ruminations on stamp collecting to the ironies in the reception of Marcuse’s <em>One-Dimensional Man</em>, from Löwenthal’s role in Weimar’s Jewish Renaissance to Horkheimer’s involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of colour in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition.</p><p>The collection ends with an essay tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of “cultural Marxism” and “political correctness,” which has gained alarming international resonance and led to violence by radical right-wing fanatics.</p><p><em>Ryan Tripp is currently an adjunct in History for community colleges and universities.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5382</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jonathan Sklar, "Dark Times: Psychoanalytic Perspectives on Politics, History and Mourning" (Phoenix, 2018)</title>
      <description>"Although small, this book goes against the grain of the current trend for brief soundbites that allow us to pass swiftly over painful information. It will go into the details of some extremely dark occurrences, not to glorify cruelties, but in order to understand them, as well to give thought to the individuals who suffered them. In turn, this will provide the reader with greater access to things residing in the unconscious."
In Dark Times: Psychoanalytic Perspectives on Politics, History and Mourning (Phoenix Publishing House, 2018), Dr Jonathan Sklar presents us with a book of unsettling stories about the heinous crimes of Nazi Germany, the brutal attacks perpetrated by ISIS and the continued racist structure of the very fabric of US politics and discourse, just to name a few.
Some of these stories are difficult to take in: The visceral descriptions can only be read in a psychosomatic sense. The strength of psychoanalytic thinking about political and historical violence lies in how close we get to the object of study.
In the consulting room we cannot help to feel with the analysand. The histories and phantasies of violence leave an impression. The book argues to face history and reality in order to reckon with the marks that collective violence has left and continues to leave on the individual psyche.
This is no random endeavour : A greater conscious awareness of the dark times we have lived through and of the racist, anti-semitic, familicidal characters within us, we get a chance to mourn all that was lost in and around us - a chance to hopefully at times break the cycle of endless repetition.
In between this psychoanalytically informed reading of history, politics and their relation to the individual psyche, Sklar leaves room for applying the analysis of the histories of trauma and mourning to groups like psychoanalytic societies and institutes. Here especially, the close examination of obstacles to recognition of the Other, rooted in deeply unconscious phantasy, bears fruit.
One way out might be offered through the practice of listening « contrapuntally » - a way of listening in which the barrier to recognition is actively faced, confronted and worked through.
Dr Jonathan Sklar, MBBS, FRCPsych is a training and supervising psychoanalyst of the British Psychoanalytical Society.
Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In between this psychoanalytically informed reading of history, politics and their relation to the individual psyche, Sklar leaves room for applying the analysis of the histories of trauma and mourning...</itunes:subtitle>
      <itunes:summary>"Although small, this book goes against the grain of the current trend for brief soundbites that allow us to pass swiftly over painful information. It will go into the details of some extremely dark occurrences, not to glorify cruelties, but in order to understand them, as well to give thought to the individuals who suffered them. In turn, this will provide the reader with greater access to things residing in the unconscious."
In Dark Times: Psychoanalytic Perspectives on Politics, History and Mourning (Phoenix Publishing House, 2018), Dr Jonathan Sklar presents us with a book of unsettling stories about the heinous crimes of Nazi Germany, the brutal attacks perpetrated by ISIS and the continued racist structure of the very fabric of US politics and discourse, just to name a few.
Some of these stories are difficult to take in: The visceral descriptions can only be read in a psychosomatic sense. The strength of psychoanalytic thinking about political and historical violence lies in how close we get to the object of study.
In the consulting room we cannot help to feel with the analysand. The histories and phantasies of violence leave an impression. The book argues to face history and reality in order to reckon with the marks that collective violence has left and continues to leave on the individual psyche.
This is no random endeavour : A greater conscious awareness of the dark times we have lived through and of the racist, anti-semitic, familicidal characters within us, we get a chance to mourn all that was lost in and around us - a chance to hopefully at times break the cycle of endless repetition.
In between this psychoanalytically informed reading of history, politics and their relation to the individual psyche, Sklar leaves room for applying the analysis of the histories of trauma and mourning to groups like psychoanalytic societies and institutes. Here especially, the close examination of obstacles to recognition of the Other, rooted in deeply unconscious phantasy, bears fruit.
One way out might be offered through the practice of listening « contrapuntally » - a way of listening in which the barrier to recognition is actively faced, confronted and worked through.
Dr Jonathan Sklar, MBBS, FRCPsych is a training and supervising psychoanalyst of the British Psychoanalytical Society.
Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>"Although small, this book goes against the grain of the current trend for brief soundbites that allow us to pass swiftly over painful information. It will go into the details of some extremely dark occurrences, not to glorify cruelties, but in order to understand them, as well to give thought to the individuals who suffered them. In turn, this will provide the reader with greater access to things residing in the unconscious."</p><p>In <a href="https://www.amazon.com/Dark-Times-Psychoanalytic-Perspectives-Politics-ebook/dp/B07HK3VYRC/?tag=newbooinhis-20"><em>Dark Times: Psychoanalytic Perspectives on Politics, History and Mourning</em></a> (Phoenix Publishing House, 2018), Dr Jonathan Sklar presents us with a book of unsettling stories about the heinous crimes of Nazi Germany, the brutal attacks perpetrated by ISIS and the continued racist structure of the very fabric of US politics and discourse, just to name a few.</p><p>Some of these stories are difficult to take in: The visceral descriptions can only be read in a psychosomatic sense. The strength of psychoanalytic thinking about political and historical violence lies in how close we get to the object of study.</p><p>In the consulting room we cannot help to feel with the analysand. The histories and phantasies of violence leave an impression. The book argues to face history and reality in order to reckon with the marks that collective violence has left and continues to leave on the individual psyche.</p><p>This is no random endeavour : A greater conscious awareness of the dark times we have lived through and of the racist, anti-semitic, familicidal characters within us, we get a chance to mourn all that was lost in and around us - a chance to hopefully at times break the cycle of endless repetition.</p><p>In between this psychoanalytically informed reading of history, politics and their relation to the individual psyche, Sklar leaves room for applying the analysis of the histories of trauma and mourning to groups like psychoanalytic societies and institutes. Here especially, the close examination of obstacles to recognition of the Other, rooted in deeply unconscious phantasy, bears fruit.</p><p>One way out might be offered through the practice of listening « contrapuntally » - a way of listening in which the barrier to recognition is actively faced, confronted and worked through.</p><p>Dr <a href="https://psychoanalysis.org.uk/our-authors-and-theorists/jonathan-sklar">Jonathan Sklar</a>, MBBS, FRCPsych is a training and supervising psychoanalyst of the British Psychoanalytical Society.</p><p><em>Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3213</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Lizzie O’Shea, "Future Histories" (Verso, 2019)</title>
      <description>When we talk about technology we always talk about the future—which makes it hard to figure out how to get there.
In Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us about Digital Technology (Verso), Lizzie O’Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O’Shea constructs a “usable past” that help us determine our digital future.
What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? Can debates over digital access be guided by Tom Paine’s theories of democratic economic redistribution? And how is Elon Musk not a visionary but a throwback to Victorian-era utopians?
In engaging, sparkling prose, O’Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. Future Histories is for all of us—makers, coders, hacktivists, Facebook-users, self-styled Luddites—who find ourselves in a brave new world.
Lizzie O’Shea is a lawyer, writer, and broadcaster. She is a founder and the chair of Digital Rights Watch, which advocates for human rights online, is a special advisor to the National Justice Project, and also sits on the board of Blueprint for Free Speech and the Alliance for Gambling Reform. At the National Justice Project, she worked with lawyers, journalists and activists to establish a Copwatch program, for which she received a Davis Projects for Peace Prize. In June 2019, she was named a Human Rights Hero by Access Now.
Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Her research intersects intellectual history, digital humanities and cultural heritage studies. She can be reached at aortolja-baird@britishmuseum.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When we talk about technology we always talk about the future—which makes it hard to figure out how to get there...</itunes:subtitle>
      <itunes:summary>When we talk about technology we always talk about the future—which makes it hard to figure out how to get there.
In Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us about Digital Technology (Verso), Lizzie O’Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O’Shea constructs a “usable past” that help us determine our digital future.
What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? Can debates over digital access be guided by Tom Paine’s theories of democratic economic redistribution? And how is Elon Musk not a visionary but a throwback to Victorian-era utopians?
In engaging, sparkling prose, O’Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. Future Histories is for all of us—makers, coders, hacktivists, Facebook-users, self-styled Luddites—who find ourselves in a brave new world.
Lizzie O’Shea is a lawyer, writer, and broadcaster. She is a founder and the chair of Digital Rights Watch, which advocates for human rights online, is a special advisor to the National Justice Project, and also sits on the board of Blueprint for Free Speech and the Alliance for Gambling Reform. At the National Justice Project, she worked with lawyers, journalists and activists to establish a Copwatch program, for which she received a Davis Projects for Peace Prize. In June 2019, she was named a Human Rights Hero by Access Now.
Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Her research intersects intellectual history, digital humanities and cultural heritage studies. She can be reached at aortolja-baird@britishmuseum.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When we talk about technology we always talk about the future—which makes it hard to figure out how to get there.</p><p>In <a href="https://www.amazon.com/Future-Histories-Lovelace-Commune-Technology/dp/1788734300/?tag=newbooinhis-20"><em>Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us about Digital Technology</em></a><em> </em>(Verso), Lizzie O’Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O’Shea constructs a “usable past” that help us determine our digital future.</p><p>What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? Can debates over digital access be guided by Tom Paine’s theories of democratic economic redistribution? And how is Elon Musk not a visionary but a throwback to Victorian-era utopians?</p><p>In engaging, sparkling prose, O’Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. <em>Future Histories </em>is for all of us—makers, coders, hacktivists, Facebook-users, self-styled Luddites—who find ourselves in a brave new world.</p><p><a href="https://lizzieoshea.com/about/">Lizzie O’Shea</a> is a lawyer, writer, and broadcaster. She is a founder and the chair of Digital Rights Watch, which advocates for human rights online, is a special advisor to the National Justice Project, and also sits on the board of Blueprint for Free Speech and the Alliance for Gambling Reform. At the National Justice Project, she worked with lawyers, journalists and activists to establish a Copwatch program, for which she received a Davis Projects for Peace Prize. In June 2019, she was named a Human Rights Hero by Access Now.</p><p><em>Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Her research intersects intellectual history, digital humanities and cultural heritage studies. She can be reached at aortolja-baird@britishmuseum.org</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4135</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Adrian Johnston, "Prolegomena to Any Future Materialism Volume II: A Weak Nature Alone" (Northwestern UP, 2019)</title>
      <description>Engaging with almost any Western philosopher of the last couple centuries means you are usually, whether you realize it or not, working in the shadow of Hegel, his work proving stubbornly resistant to attempts to remove from contemporary thought. This has itself proven to be a source of much debate and conflict, as Hegel is notoriously difficult to decipher, leaving room for a huge variety of opinions on a variety of topics.
Diving right into this is my guest today, Adrian Johnston, who is back to discuss the second volume of his trilogy, Prolegomena to Any Future Materialism Volume II: A Weak Nature Alone (Northwestern University Press, 2019).
Where the first volume (which we discussed in a previous episode) was concerned with some major turns in French continental philosophy, this volume takes Hegel as its key point of reference. However, rather than simply functioning as a commentary on Hegel, the book acts as a sort of historical survey of various Hegelianisms that have been developed over the last couple centuries, touching on everything from Marxism to contemporary Anglo-American analytic philosophy, and everything else in between.
The result is a book that simultaneously manages to cover a huge swath of intellectual territory while also maintaining a very tight focus throughout, all in search of a thoroughly materialist theory of subjectivity. 
Adrian Johnston is a Distinguished Professor in and Chair of the Department of Philosophy at the University of New Mexico and is a faculty member at the Emory Psychoanalytic Institute in Atlanta. His many books include Irrepressible Truth: On Lacan’s ‘The Freudian Thing’ and the forthcoming Infinite Greed: Money, Marxism, Psychoanalysis. He is also one of the coeditors of the Northwestern University Press book series Diaresis, of which this book is a contribution. 
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This volume takes Hegel as its key point of reference...</itunes:subtitle>
      <itunes:summary>Engaging with almost any Western philosopher of the last couple centuries means you are usually, whether you realize it or not, working in the shadow of Hegel, his work proving stubbornly resistant to attempts to remove from contemporary thought. This has itself proven to be a source of much debate and conflict, as Hegel is notoriously difficult to decipher, leaving room for a huge variety of opinions on a variety of topics.
Diving right into this is my guest today, Adrian Johnston, who is back to discuss the second volume of his trilogy, Prolegomena to Any Future Materialism Volume II: A Weak Nature Alone (Northwestern University Press, 2019).
Where the first volume (which we discussed in a previous episode) was concerned with some major turns in French continental philosophy, this volume takes Hegel as its key point of reference. However, rather than simply functioning as a commentary on Hegel, the book acts as a sort of historical survey of various Hegelianisms that have been developed over the last couple centuries, touching on everything from Marxism to contemporary Anglo-American analytic philosophy, and everything else in between.
The result is a book that simultaneously manages to cover a huge swath of intellectual territory while also maintaining a very tight focus throughout, all in search of a thoroughly materialist theory of subjectivity. 
Adrian Johnston is a Distinguished Professor in and Chair of the Department of Philosophy at the University of New Mexico and is a faculty member at the Emory Psychoanalytic Institute in Atlanta. His many books include Irrepressible Truth: On Lacan’s ‘The Freudian Thing’ and the forthcoming Infinite Greed: Money, Marxism, Psychoanalysis. He is also one of the coeditors of the Northwestern University Press book series Diaresis, of which this book is a contribution. 
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Engaging with almost any Western philosopher of the last couple centuries means you are usually, whether you realize it or not, working in the shadow of Hegel, his work proving stubbornly resistant to attempts to remove from contemporary thought. This has itself proven to be a source of much debate and conflict, as Hegel is notoriously difficult to decipher, leaving room for a huge variety of opinions on a variety of topics.</p><p>Diving right into this is my guest today, Adrian Johnston, who is back to discuss the second volume of his trilogy, <a href="https://www.amazon.com/Prolegomena-Any-Future-Materialism-Diaeresis/dp/0810140624/?tag=newbooinhis-20"><em>Prolegomena to Any Future Materialism Volume II: A Weak Nature Alone</em></a> (Northwestern University Press, 2019).</p><p>Where the first volume (which we discussed in a <a href="https://newbooksnetwork.com/adrian-johnston-prolegomena-to-any-future-materialism-the-outcome-of-contemporary-french-philosophy-northwestern-up-2013/">previous episode</a>) was concerned with some major turns in French continental philosophy, this volume takes Hegel as its key point of reference. However, rather than simply functioning as a commentary on Hegel, the book acts as a sort of historical survey of various Hegelianisms that have been developed over the last couple centuries, touching on everything from Marxism to contemporary Anglo-American analytic philosophy, and everything else in between.</p><p>The result is a book that simultaneously manages to cover a huge swath of intellectual territory while also maintaining a very tight focus throughout, all in search of a thoroughly materialist theory of subjectivity. </p><p>Adrian Johnston is a Distinguished Professor in and Chair of the Department of Philosophy at the University of New Mexico and is a faculty member at the Emory Psychoanalytic Institute in Atlanta. His many books include <em>Irrepressible Truth: On Lacan’s ‘The Freudian Thing’ </em>and the forthcoming <em>Infinite Greed: Money, Marxism, Psychoanalysis</em>. He is also one of the coeditors of the Northwestern University Press book series <em>Diaresis</em>, of which this book is a contribution. </p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5913</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Crystal Mun-hye Baik, "Reencounters: On the Korean War and Diasporic Memory Critique" (Temple UP, 2020)</title>
      <description>This interview coincides with the 70th anniversary of the Korean War, a war that, as Baik reminds us, has not officially ended.
How are the particularities of the Korean War, as an unended war, expressed in the lives of survivors and their descendants? This work explores how violence is narrated and framed in the lives and works of diasporic subjects, utilizing the concept of durational memory to attend to how the past prevails in the present.
Reencounters: On the Korean War and Diasporic Memory Critique (Temple University Press, 2020) joins a growing list of Asian American and Korean American scholarship that interrogates the impact modern warfare has had on memory, trauma, and healing but does so by engaging with a variety of diasporic works such as oral histories, live performances, media installations, and monuments.
Through a close reading of these aesthetic practices and the events surrounding them, Baik offers a new analytic, the process of reencounters, to account for the ways in which the Korean War has transformed the social lives of those within the Korean peninsula and without.
Included in this discourse are the powerful works of transnational Korean adoptees and a reevaluation of the politics of Jeju Island, a contested space of colonialism, militarism, and sovereignty. Reencounters provides a new perspective not only on the aftermaths of war but on the diverse states of being that form our understanding of diaspora and diasporic memory.
Crystal Mun-hye Baik is an Assistant Professor in the Department of Gender &amp; Sexuality Studies at the University of California, Riverside.
Laura Ha Reizman is a PhD candidate in Asian Languages &amp; Cultures at UCLA
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This interview coincides with the 70th anniversary of the Korean War, a war that, as Baik reminds us, has not officially ended...</itunes:subtitle>
      <itunes:summary>This interview coincides with the 70th anniversary of the Korean War, a war that, as Baik reminds us, has not officially ended.
How are the particularities of the Korean War, as an unended war, expressed in the lives of survivors and their descendants? This work explores how violence is narrated and framed in the lives and works of diasporic subjects, utilizing the concept of durational memory to attend to how the past prevails in the present.
Reencounters: On the Korean War and Diasporic Memory Critique (Temple University Press, 2020) joins a growing list of Asian American and Korean American scholarship that interrogates the impact modern warfare has had on memory, trauma, and healing but does so by engaging with a variety of diasporic works such as oral histories, live performances, media installations, and monuments.
Through a close reading of these aesthetic practices and the events surrounding them, Baik offers a new analytic, the process of reencounters, to account for the ways in which the Korean War has transformed the social lives of those within the Korean peninsula and without.
Included in this discourse are the powerful works of transnational Korean adoptees and a reevaluation of the politics of Jeju Island, a contested space of colonialism, militarism, and sovereignty. Reencounters provides a new perspective not only on the aftermaths of war but on the diverse states of being that form our understanding of diaspora and diasporic memory.
Crystal Mun-hye Baik is an Assistant Professor in the Department of Gender &amp; Sexuality Studies at the University of California, Riverside.
Laura Ha Reizman is a PhD candidate in Asian Languages &amp; Cultures at UCLA
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This interview coincides with the 70th anniversary of the Korean War, a war that, as Baik reminds us, has not officially ended.</p><p>How are the particularities of the Korean War, as an unended war, expressed in the lives of survivors and their descendants? This work explores how violence is narrated and framed in the lives and works of diasporic subjects, utilizing the concept of durational memory to attend to how the past prevails in the present.</p><p><a href="https://www.amazon.com/Reencounters-Diasporic-Critique-American-History-ebook/dp/B07YF2G78K/?tag=newbooinhis-20"><em>Reencounters: On the Korean War and Diasporic Memory Critique</em></a> (Temple University Press, 2020) joins a growing list of Asian American and Korean American scholarship that interrogates the impact modern warfare has had on memory, trauma, and healing but does so by engaging with a variety of diasporic works such as oral histories, live performances, media installations, and monuments.</p><p>Through a close reading of these aesthetic practices and the events surrounding them, Baik offers a new analytic, the process of reencounters, to account for the ways in which the Korean War has transformed the social lives of those within the Korean peninsula and without.</p><p>Included in this discourse are the powerful works of transnational Korean adoptees and a reevaluation of the politics of Jeju Island, a contested space of colonialism, militarism, and sovereignty. <em>Reencounters</em> provides a new perspective not only on the aftermaths of war but on the diverse states of being that form our understanding of diaspora and diasporic memory.</p><p><a href="https://profiles.ucr.edu/app/home/profile/cbaik">Crystal Mun-hye Baik</a> is an Assistant Professor in the Department of Gender &amp; Sexuality Studies at the University of California, Riverside.</p><p><em>Laura Ha Reizman is a PhD candidate in Asian Languages &amp; Cultures at UCLA</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4746</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5e94d38c-bd49-11ea-8de5-bbf79ecadde0]]></guid>
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    <item>
      <title>Mia Fischer, "Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State" (U Nebraska Press, 2019)</title>
      <description>In Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State, Mia Fischer traces how media and state actors collude in the violent disciplining of trans women, exposing the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them.

Bringing together transgender, queer, critical race, legal, surveillance, and media studies, Fisher analyzes the cases of Chelsea Manning, CeCe McDonald, and Monica Jones and shows how the heightened visibility of transgender people has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state.
Terrorizing Gender concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact against trans communities, particularly those of color.
 
Dr. Mia Fischer is an Assistant Professor in the Department of Communication at the University of Colorado Denver. Her research and teaching focuses on LGBTQ media representations and the ongoing struggles of LGBTQ communities to access civil rights. Her work has been published in several academic journals, including Feminist Media Studies, Communication, Culture &amp; Critique, Sexualities, and Communication &amp; Sport. She also co-leads the Denver Pen Pal Collaborative (DPPC), a collaborative prison-pen-pal project.
Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mia Fischer traces how media and state actors collude in the violent disciplining of trans women...</itunes:subtitle>
      <itunes:summary>In Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State, Mia Fischer traces how media and state actors collude in the violent disciplining of trans women, exposing the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them.

Bringing together transgender, queer, critical race, legal, surveillance, and media studies, Fisher analyzes the cases of Chelsea Manning, CeCe McDonald, and Monica Jones and shows how the heightened visibility of transgender people has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state.
Terrorizing Gender concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact against trans communities, particularly those of color.
 
Dr. Mia Fischer is an Assistant Professor in the Department of Communication at the University of Colorado Denver. Her research and teaching focuses on LGBTQ media representations and the ongoing struggles of LGBTQ communities to access civil rights. Her work has been published in several academic journals, including Feminist Media Studies, Communication, Culture &amp; Critique, Sexualities, and Communication &amp; Sport. She also co-leads the Denver Pen Pal Collaborative (DPPC), a collaborative prison-pen-pal project.
Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Terrorizing-Gender-Transgender-Surveillance-Interdisciplinary-ebook/dp/B07NW73P88/?tag=newbooinhis-20"><em>Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State</em></a>, Mia Fischer traces how media and state actors collude in the violent disciplining of trans women, exposing the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them.</p><p><br></p><p>Bringing together transgender, queer, critical race, legal, surveillance, and media studies, Fisher analyzes the cases of Chelsea Manning, CeCe McDonald, and Monica Jones and shows how the heightened visibility of transgender people has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state.</p><p><em>Terrorizing Gender</em> concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact against trans communities, particularly those of color.</p><p> </p><p>Dr. <a href="https://miafischer.wordpress.com/">Mia Fischer</a> is an Assistant Professor in the Department of Communication at the University of Colorado Denver. Her research and teaching focuses on LGBTQ media representations and the ongoing struggles of LGBTQ communities to access civil rights. Her work has been published in several academic journals, including <em>Feminist Media Studies</em>, <em>Communication, Culture &amp; Critique</em>, <em>Sexualities</em>, and <em>Communication &amp; Sport</em>. She also co-leads the Denver Pen Pal Collaborative (DPPC), a collaborative prison-pen-pal project.</p><p><em>Dr. </em><a href="https://memphis.academia.edu/IsabelMachado"><em>Isabel Machado</em></a><em> is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3192</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3e9b9dbc-b71e-11ea-8655-af4a8db033cf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4124202269.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Marianna Ritchey, "Composing Capital: Classical Music in the Neoliberal Era" (U Chicago Press, 2019)</title>
      <description>What is the place of classical music in contemporary society?
In Composing Capital: Classical Music in the Neoliberal Era (University of Chicago Press, 2019), Marianna Ritchey, an assistant professor of music history at the University of Massachusetts, Amherst, explores the relationship between neoliberal capitalism and classical music, showing how many of the democratizing and innovative elements of the genre go hand-in-hand with corporate power.
Using detailed social and musicological studies of key composers, movements, opera companies, and tech advertising, the book offers a critical but sympathetic analysis of the potential, but also the limits, of classical music. Accessibly written, blending critical theory with contemporary case studies the book will be essential reading across arts and social sciences, as well as for business and technology scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the place of classical music in contemporary society?</itunes:subtitle>
      <itunes:summary>What is the place of classical music in contemporary society?
In Composing Capital: Classical Music in the Neoliberal Era (University of Chicago Press, 2019), Marianna Ritchey, an assistant professor of music history at the University of Massachusetts, Amherst, explores the relationship between neoliberal capitalism and classical music, showing how many of the democratizing and innovative elements of the genre go hand-in-hand with corporate power.
Using detailed social and musicological studies of key composers, movements, opera companies, and tech advertising, the book offers a critical but sympathetic analysis of the potential, but also the limits, of classical music. Accessibly written, blending critical theory with contemporary case studies the book will be essential reading across arts and social sciences, as well as for business and technology scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the place of classical music in contemporary society?</p><p>In <a href="https://www.amazon.com/Composing-Capital-Classical-Music-Neoliberal/dp/022664023X/?tag=newbooinhis-20"><em>Composing Capital: Classical Music in the Neoliberal Era</em></a> (University of Chicago Press, 2019), <a href="https://www.umass.edu/music/member/marianna-ritchey">Marianna Ritchey</a>, an assistant professor of music history at the University of Massachusetts, Amherst, explores the relationship between neoliberal capitalism and classical music, showing how many of the democratizing and innovative elements of the genre go hand-in-hand with corporate power.</p><p>Using detailed social and musicological studies of key composers, movements, opera companies, and tech advertising, the book offers a critical but sympathetic analysis of the potential, but also the limits, of classical music. Accessibly written, blending critical theory with contemporary case studies the book will be essential reading across arts and social sciences, as well as for business and technology scholars.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3003</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3b5493a-b714-11ea-9202-4bbfd44e1ca2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6624887438.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Greg Burris, "The Palestinian Idea: Film, Media, and the Radical Imagination" (Temple UP, 2019)</title>
      <description>Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid.
Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.
He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied.
He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.
Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds?</itunes:subtitle>
      <itunes:summary>Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid.
Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.
He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied.
He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.
Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? <a href="https://www.amazon.com/Palestinian-Idea-Radical-Imagination-Insubordinate/dp/1439916748/?tag=newbooinhis-20"><em>The Palestinian Idea: Film, Media, and the Radical Imagination</em></a><em> </em>(Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid.</p><p>Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.</p><p>He analyzes the films of prominent directors Annemarie Jacir (<em>Salt of This Sea, When I Saw You</em>) and Hany Abu-Assad (<em>Paradise Now</em>) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary <em>My Love Awaits Me By the Sea</em>, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied.</p><p>He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.</p><p><a href="https://www.aub.edu.lb/fas/soam/media_studies/Pages/GregBurris.aspx">Greg Burris</a> is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon.</p><p><em>Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the </em><a href="https://podcasts.apple.com/us/podcast/independent-thought-freedom/id1446388269"><em>iTunes Store</em></a><em> or any of your favorite podcast providers. You can also subscribe to his </em><a href="https://www.youtube.com/playlist?list=PLJ5dQ_tSNLwkuyJuq5SfJR-8fOFa3zGze"><em>YouTube channel</em></a><em>. If you are an academic who wants to get heard nationally, please check out his free training at </em><a href="https://becomeapublicintellectual.com/?utm_source=nbn"><em>becomeapublicintellectual.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b74261a6-b304-11ea-abd7-f3392ca3dda2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7867386025.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Evan Smith, "No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech" (Routledge, 2020)</title>
      <description>No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech (Routledge, 2020) is the first to outline the history of the tactic of ‘no platforming’ at British universities since the 1970s, looking at more than four decades of student protest against racist and fascist figures on campus.
The tactic of ‘no platforming’ has been used at British universities and colleges since the National Union of Students adopted the policy in the mid-1970s. The author traces the origins of the tactic from the militant anti-fascism of the 1930s–1940s and looks at how it has developed since the 1970s, being applied to various targets over the last 40 years, including sexists, homophobes, right-wing politicians and Islamic fundamentalists.
This book provides a historical intervention in the current debates over the alleged free speech ‘crisis’ perceived to be plaguing universities in Britain, as well as North America and Australasia.
No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech is for academics and students, as well as the general reader, interested in modern British history, politics and higher education. Readers interested in contemporary debates over freedom of speech and academic freedom will also have much to discover in this book.
Evan Smith is a research fellow in history at the College of Humanities, Arts and Social Sciences at Flinders University in South Australia.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The tactic of ‘no platforming’ has been used at British universities and colleges since the National Union of Students adopted the policy in the mid-1970s...</itunes:subtitle>
      <itunes:summary>No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech (Routledge, 2020) is the first to outline the history of the tactic of ‘no platforming’ at British universities since the 1970s, looking at more than four decades of student protest against racist and fascist figures on campus.
The tactic of ‘no platforming’ has been used at British universities and colleges since the National Union of Students adopted the policy in the mid-1970s. The author traces the origins of the tactic from the militant anti-fascism of the 1930s–1940s and looks at how it has developed since the 1970s, being applied to various targets over the last 40 years, including sexists, homophobes, right-wing politicians and Islamic fundamentalists.
This book provides a historical intervention in the current debates over the alleged free speech ‘crisis’ perceived to be plaguing universities in Britain, as well as North America and Australasia.
No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech is for academics and students, as well as the general reader, interested in modern British history, politics and higher education. Readers interested in contemporary debates over freedom of speech and academic freedom will also have much to discover in this book.
Evan Smith is a research fellow in history at the College of Humanities, Arts and Social Sciences at Flinders University in South Australia.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/No-Platform-Anti-Fascism-Universities-Routledge-dp-113859167X/dp/113859167X/?tag=newbooinhis-20"><em>No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech</em></a> (Routledge, 2020) is the first to outline the history of the tactic of ‘no platforming’ at British universities since the 1970s, looking at more than four decades of student protest against racist and fascist figures on campus.</p><p>The tactic of ‘no platforming’ has been used at British universities and colleges since the National Union of Students adopted the policy in the mid-1970s. The author traces the origins of the tactic from the militant anti-fascism of the 1930s–1940s and looks at how it has developed since the 1970s, being applied to various targets over the last 40 years, including sexists, homophobes, right-wing politicians and Islamic fundamentalists.</p><p>This book provides a historical intervention in the current debates over the alleged free speech ‘crisis’ perceived to be plaguing universities in Britain, as well as North America and Australasia.</p><p><em>No Platform: A History of Anti-Fascism, Universities and the Limits of Free Speech</em> is for academics and students, as well as the general reader, interested in modern British history, politics and higher education. Readers interested in contemporary debates over freedom of speech and academic freedom will also have much to discover in this book.</p><p><a href="https://www.flinders.edu.au/people/evan.smith">Evan Smith</a> is a research fellow in history at the College of Humanities, Arts and Social Sciences at Flinders University in South Australia.</p><p><em>Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the </em><a href="https://podcasts.apple.com/us/podcast/independent-thought-freedom/id1446388269"><em>iTunes Store</em></a><em> or any of your favorite podcast providers. You can also subscribe to his </em><a href="https://www.youtube.com/playlist?list=PLJ5dQ_tSNLwkuyJuq5SfJR-8fOFa3zGze"><em>YouTube channel</em></a><em>. If you are an academic who wants to get heard nationally, please check out his free training at </em><a href="https://becomeapublicintellectual.com/?utm_source=nbn"><em>becomeapublicintellectual.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4259</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8007918c-b0cc-11ea-a4ac-e32ce2d9467e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1649868137.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ali Meghji, "Black Middle-Class Britannia: Identities, Repertoires, Cultural Consumption" (Manchester UP, 2019)</title>
      <description>Who are the Black middle-class in Britain?
In Black Middle-Class Britannia: Identities, Repertoires, Cultural Consumption (Manchester University Press, 2019) Ali Meghji, a lecturer in social inequalities at the University of Cambridge, considers the identity of Britain’s Black middle-class by understanding culture and cultural consumption.
Offering examples from across contemporary art and culture, the book provides both a theoretical framework and rich empirical data to demonstrate the importance of understanding race to the study of both class and culture.
As a result, the book is essential reading across the arts and social sciences, as well as for cultural practitioners and policymakers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Maghji considers the identity of Britain’s Black middle-class by understanding culture and cultural consumption...</itunes:subtitle>
      <itunes:summary>Who are the Black middle-class in Britain?
In Black Middle-Class Britannia: Identities, Repertoires, Cultural Consumption (Manchester University Press, 2019) Ali Meghji, a lecturer in social inequalities at the University of Cambridge, considers the identity of Britain’s Black middle-class by understanding culture and cultural consumption.
Offering examples from across contemporary art and culture, the book provides both a theoretical framework and rich empirical data to demonstrate the importance of understanding race to the study of both class and culture.
As a result, the book is essential reading across the arts and social sciences, as well as for cultural practitioners and policymakers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who are the Black middle-class in Britain?</p><p>In <a href="https://www.amazon.com/Black-middle-class-Britannia-repertoires-consumption/dp/1526143070/?tag=newbooinhis-20"><em>Black Middle-Class Britannia: Identities, Repertoires, Cultural Consumption </em></a>(Manchester University Press, 2019) <a href="https://research.sociology.cam.ac.uk/profile/dr-ali-meghji">Ali Meghji</a>, a lecturer in social inequalities at the University of Cambridge, considers the identity of Britain’s Black middle-class by understanding culture and cultural consumption.</p><p>Offering examples from across contemporary art and culture, the book provides both a theoretical framework and rich empirical data to demonstrate the importance of understanding race to the study of both class and culture.</p><p>As a result, the book is essential reading across the arts and social sciences, as well as for cultural practitioners and policymakers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2119</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[976b59f0-b0a7-11ea-9c92-7bf558fb42fc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3876195170.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Neoliberalization Has Increased Social, Economic, and Political Adversities (Part 2)</title>
      <description>The current neoliberal era has seen a paradigm shift in terms of economic liberalization, such as policies on privatization, deregulation, and globalization. Although neoliberalization promises to lessen the burden on government entities to provide welfare, it has evidently caused a greater economic and political divide, especially in advanced capitalist states.
In part 2 of this podcast episode, Cory Blad, Professor and Chair at Department of Sociology, Manhattan College, uses the example of Sweden and Finland to explain how neoliberalization plays a role in mitigating socioeconomic and political hardships—and how they can be overcome. His discussion is an extension of the book chapter “Searching for Saviors: Economic Adversities and the Challenge of Political Legitimacy in the Neoliberal Era,” which is published in the Brill series Critical Global Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cory Blad</itunes:subtitle>
      <itunes:summary>The current neoliberal era has seen a paradigm shift in terms of economic liberalization, such as policies on privatization, deregulation, and globalization. Although neoliberalization promises to lessen the burden on government entities to provide welfare, it has evidently caused a greater economic and political divide, especially in advanced capitalist states.
In part 2 of this podcast episode, Cory Blad, Professor and Chair at Department of Sociology, Manhattan College, uses the example of Sweden and Finland to explain how neoliberalization plays a role in mitigating socioeconomic and political hardships—and how they can be overcome. His discussion is an extension of the book chapter “Searching for Saviors: Economic Adversities and the Challenge of Political Legitimacy in the Neoliberal Era,” which is published in the Brill series Critical Global Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The current neoliberal era has seen a paradigm shift in terms of <a href="https://en.wikipedia.org/wiki/Economic_liberalization">economic liberalization</a>, such as policies on <a href="https://en.wikipedia.org/wiki/Privatization">privatization</a>, <a href="https://en.wikipedia.org/wiki/Deregulation">deregulation</a>, and <a href="https://en.wikipedia.org/wiki/Globalization">globalization</a>. Although neoliberalization promises to lessen the burden on government entities to provide welfare, it has evidently caused a greater economic and political divide, especially in advanced capitalist states.</p><p>In part 2 of this podcast episode, Cory Blad, Professor and Chair at Department of Sociology, Manhattan College, uses the example of Sweden and Finland to explain how neoliberalization plays a role in mitigating socioeconomic and political hardships—and how they can be overcome. His discussion is an extension of the book chapter “Searching for Saviors: Economic Adversities and the Challenge of Political Legitimacy in the Neoliberal Era,” which is published in the Brill series <em>Critical Global Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1096</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[94e69470-e58d-11ec-a101-7b1ee4fb2e21]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN2252559298.mp3?updated=1654446912" length="0" type="audio/mpeg"/>
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    <item>
      <title>Tsedale Melaku, "You Don’t Look Like a Lawyer: Black Women and Systemic Gendered Racism" (Rowman and Littlefield, 2019)</title>
      <description>What kind of discrimination do Black women face in the legal profession? Tsedale Melaku explores this question and more in her new book: You Don’t Look Like a Lawyer: Black Women and Systemic Gendered Racism (Rowman &amp; Littlefield, 2019). Using in-depth interviews with Black women about their lived experiences working in elite law firms, Melaku explores topics including double burden, system gendered racism, and color-blind ideology. She also pushes our thinking further about these issues through discovery of issues including the invisible labor clause and inclusion tax. Her respondents elaborate on their experiences of having their appearances and positions continually scrutinized, leading to hypervisibility and invisibility. Melaku also explores women’s experiences of isolation, exclusion, and ultimately attrition through daily experiences as well as through important relationships within professional networks.
This book will be of interest to many readers inside and outside of Sociology. Scholars of race, gender, and work will find this to be an important reading for their own work and a critical addition to their classrooms. Anyone working in professional institutions could benefit from reading the experiences of these women and Melaku’s clear and thorough analysis of next steps and take-aways.
Sarah E. Patterson is a postdoctoral fellow at the University of Michigan.
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      <pubDate>Mon, 29 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What kind of discrimination do Black women face in the legal profession?</itunes:subtitle>
      <itunes:summary>What kind of discrimination do Black women face in the legal profession? Tsedale Melaku explores this question and more in her new book: You Don’t Look Like a Lawyer: Black Women and Systemic Gendered Racism (Rowman &amp; Littlefield, 2019). Using in-depth interviews with Black women about their lived experiences working in elite law firms, Melaku explores topics including double burden, system gendered racism, and color-blind ideology. She also pushes our thinking further about these issues through discovery of issues including the invisible labor clause and inclusion tax. Her respondents elaborate on their experiences of having their appearances and positions continually scrutinized, leading to hypervisibility and invisibility. Melaku also explores women’s experiences of isolation, exclusion, and ultimately attrition through daily experiences as well as through important relationships within professional networks.
This book will be of interest to many readers inside and outside of Sociology. Scholars of race, gender, and work will find this to be an important reading for their own work and a critical addition to their classrooms. Anyone working in professional institutions could benefit from reading the experiences of these women and Melaku’s clear and thorough analysis of next steps and take-aways.
Sarah E. Patterson is a postdoctoral fellow at the University of Michigan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What kind of discrimination do Black women face in the legal profession? <a href="https://www.tsedalemelaku.com/">Tsedale Melaku</a> explores this question and more in her new book: <a href="https://www.amazon.com/dp/1538107929/?tag=newbooinhis-20"><em>You Don’t Look Like a Lawyer: Black Women and Systemic Gendered Racism </em></a>(Rowman &amp; Littlefield, 2019). Using in-depth interviews with Black women about their lived experiences working in elite law firms, Melaku explores topics including double burden, system gendered racism, and color-blind ideology. She also pushes our thinking further about these issues through discovery of issues including the invisible labor clause and inclusion tax. Her respondents elaborate on their experiences of having their appearances and positions continually scrutinized, leading to hypervisibility and invisibility. Melaku also explores women’s experiences of isolation, exclusion, and ultimately attrition through daily experiences as well as through important relationships within professional networks.</p><p>This book will be of interest to many readers inside and outside of Sociology. Scholars of race, gender, and work will find this to be an important reading for their own work and a critical addition to their classrooms. Anyone working in professional institutions could benefit from reading the experiences of these women and Melaku’s clear and thorough analysis of next steps and take-aways.</p><p><a href="thespattersearch.com"><em>Sarah E. Patterson</em></a><em> is a postdoctoral fellow at the University of Michigan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2952</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2d99bb46-af0f-11ea-95b9-a3b950484be8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3027888830.mp3" length="0" type="audio/mpeg"/>
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      <title>Josh Cerretti, "Abuses of the Erotic: Militarizing Sexuality in the Post-Cold War United States" (U Nebraska Press, 2020)</title>
      <description>In this episode, Jana Byars talks to Josh Cerretti, Associate Professor of History and Women, Gender, and Sexuality Studies at Western Washington University about his new book, Abuses of the Erotic: Militarizing Sexuality in the Post-Cold War United States  (University of Nebraska Press, 2020). In Cerretti’s own words, “In Abuses of the Erotic, I argue that the connections between sexuality and militarism apparent in the wake of September 11, 2001, are best understood in reference to the decade that immediately preceded that day. The first decade following the Cold War became the last decade before the War on Terror in large measure through changes in the relationship between sexuality and militarism. That is, I argue that a project of militarizing sexuality succeeded in the 1990s United States, and, furthermore, the mass mobilizations of state violence collectively known as the “War on Terror” could not have happened without sexualities having been militarized.” Our theory-heavy conversation covers the militarizing of sexual violence, conceptions of domestic space and protection, and homonormativity and gender performance. This is a fun and far-ranging conversation about a compelling and challenging read.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 26 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>742</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cerretti argue that a project of militarizing sexuality succeeded in the 1990s United States...</itunes:subtitle>
      <itunes:summary>In this episode, Jana Byars talks to Josh Cerretti, Associate Professor of History and Women, Gender, and Sexuality Studies at Western Washington University about his new book, Abuses of the Erotic: Militarizing Sexuality in the Post-Cold War United States  (University of Nebraska Press, 2020). In Cerretti’s own words, “In Abuses of the Erotic, I argue that the connections between sexuality and militarism apparent in the wake of September 11, 2001, are best understood in reference to the decade that immediately preceded that day. The first decade following the Cold War became the last decade before the War on Terror in large measure through changes in the relationship between sexuality and militarism. That is, I argue that a project of militarizing sexuality succeeded in the 1990s United States, and, furthermore, the mass mobilizations of state violence collectively known as the “War on Terror” could not have happened without sexualities having been militarized.” Our theory-heavy conversation covers the militarizing of sexual violence, conceptions of domestic space and protection, and homonormativity and gender performance. This is a fun and far-ranging conversation about a compelling and challenging read.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, <a href="https://www.sit.edu/sit_faculty/jana-byars-phd/">Jana Byars</a> talks to <a href="https://chss.wwu.edu/people/cerretj">Josh Cerretti</a>, Associate Professor of History and Women, Gender, and Sexuality Studies at Western Washington University about his new book, <a href="https://www.amazon.com/dp/1496205561/?tag=newbooinhis-20"><em>Abuses of the Erotic: Militarizing Sexuality in the Post-Cold War United States </em></a> (University of Nebraska Press, 2020). In Cerretti’s own words, “In <em>Abuses of the Erotic</em>, I argue that the connections between sexuality and militarism apparent in the wake of September 11, 2001, are best understood in reference to the decade that immediately preceded that day. The first decade following the Cold War became the last decade before the War on Terror in large measure through changes in the relationship between sexuality and militarism. That is, I argue that a project of <em>militarizing sexuality </em>succeeded in the 1990s United States, and, furthermore, the mass mobilizations of state violence collectively known as the “War on Terror” could not have happened without sexualities having been militarized.” Our theory-heavy conversation covers the militarizing of sexual violence, conceptions of domestic space and protection, and homonormativity and gender performance. This is a fun and far-ranging conversation about a compelling and challenging read.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3672</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ce0895ae-ae4a-11ea-bb88-b3c6021084e6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8754072510.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Mariann Hardey, "The Culture of Women in Tech: An Unsuitable Job for a Woman" (Emerald, 2019)</title>
      <description>What is the culture of the tech industry? In The Culture of Women in Tech: An Unsuitable Job for a Woman (Emerald, 2019), Mariann Hardey, an Associate Professor in Marketing at Durham University, shows the ongoing inequalities faced by women in the IT industry. The book uses a range of case studies from across the world’s ‘tech cities’, drawing on interviews, focus groups, ethnography, and a feminist theoretical framework, to make clear the problem of the ‘women in tech’ label and the sexism in the tech industry. The book analyses the gendered spatial and career divisions of tech, making it an important addition to the literature, as well as essential reading for anyone interested in how this most essential modern industry works.
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      <pubDate>Mon, 22 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the culture of the tech industry?</itunes:subtitle>
      <itunes:summary>What is the culture of the tech industry? In The Culture of Women in Tech: An Unsuitable Job for a Woman (Emerald, 2019), Mariann Hardey, an Associate Professor in Marketing at Durham University, shows the ongoing inequalities faced by women in the IT industry. The book uses a range of case studies from across the world’s ‘tech cities’, drawing on interviews, focus groups, ethnography, and a feminist theoretical framework, to make clear the problem of the ‘women in tech’ label and the sexism in the tech industry. The book analyses the gendered spatial and career divisions of tech, making it an important addition to the literature, as well as essential reading for anyone interested in how this most essential modern industry works.
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      <content:encoded>
        <![CDATA[<p>What is the culture of the tech industry? In <a href="https://www.amazon.com/dp/1789734266/?tag=newbooinhis-20"><em>The Culture of Women in Tech: An Unsuitable Job for a Woman</em></a> (Emerald, 2019), <a href="https://twitter.com/thatdrmaz">Mariann Hardey</a>, an <a href="https://www.mariannhardey.com/">Associate Professor in Marketing</a> at <a href="https://www.dur.ac.uk/research/directory/staff/?mode=staff&amp;id=8641">Durham University</a>, shows the ongoing inequalities faced by women in the IT industry. The book uses a range of case studies from across the world’s ‘tech cities’, drawing on interviews, focus groups, ethnography, and a feminist theoretical framework, to make clear the problem of the ‘women in tech’ label and the sexism in the tech industry. The book analyses the gendered spatial and career divisions of tech, making it an important addition to the literature, as well as essential reading for anyone interested in how this most essential modern industry works.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2599</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d4f38236-a9b1-11ea-93f1-5f423d5f505a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7928627480.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>George Lawson, "Anatomies of Revolution" (Cambridge UP, 2019)</title>
      <description>The success of populist politicians and the emergence of social justice movements around the world, and the recent demonstrations against police violence in the United States, demonstrate a widespread desire for fundamental political, economic, and social change, albeit not always in a leftwards direction. What can movements and parties that hope to bring about fundamental social change learn from the past?
In Anatomies of Revolution (Cambridge University Press, 2019), George Lawson analyzes revolutionary episodes from the modern era (beginning with the Glorious Revolution of 1688) to discern how geopolitics, transnational circulation of ideas and people, organizational capabilities, and contingent choices come together to shape the emergence of revolutionary situations and the trajectories and outcomes of revolutions. He also explains why more moderate negotiated revolutions have been more common than far-reaching social revolutions since the 1980s.
Finally, he suggests that the key for social movements to take advantage of systemic crises that could provide openings for revolutionary situations to emerge is the ability of opposition groups to form cohesive political organizations without succumbing to the authoritarianism and the “ends justify the means” logic that turned revolutionary forces into violent, authoritarian regimes in the past.
George Lawson is Associate Professor, Department of International Relations at the London School of Economics.
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      <pubDate>Fri, 19 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What causes revolutions?</itunes:subtitle>
      <itunes:summary>The success of populist politicians and the emergence of social justice movements around the world, and the recent demonstrations against police violence in the United States, demonstrate a widespread desire for fundamental political, economic, and social change, albeit not always in a leftwards direction. What can movements and parties that hope to bring about fundamental social change learn from the past?
In Anatomies of Revolution (Cambridge University Press, 2019), George Lawson analyzes revolutionary episodes from the modern era (beginning with the Glorious Revolution of 1688) to discern how geopolitics, transnational circulation of ideas and people, organizational capabilities, and contingent choices come together to shape the emergence of revolutionary situations and the trajectories and outcomes of revolutions. He also explains why more moderate negotiated revolutions have been more common than far-reaching social revolutions since the 1980s.
Finally, he suggests that the key for social movements to take advantage of systemic crises that could provide openings for revolutionary situations to emerge is the ability of opposition groups to form cohesive political organizations without succumbing to the authoritarianism and the “ends justify the means” logic that turned revolutionary forces into violent, authoritarian regimes in the past.
George Lawson is Associate Professor, Department of International Relations at the London School of Economics.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The success of populist politicians and the emergence of social justice movements around the world, and the recent demonstrations against police violence in the United States, demonstrate a widespread desire for fundamental political, economic, and social change, albeit not always in a leftwards direction. What can movements and parties that hope to bring about fundamental social change learn from the past?</p><p>In <a href="https://www.amazon.com/Anatomies-Revolution-George-Lawson/dp/1108710859/?tag=newbooinhis-20"><em>Anatomies of Revolution</em></a> (Cambridge University Press, 2019), George Lawson analyzes revolutionary episodes from the modern era (beginning with the Glorious Revolution of 1688) to discern how geopolitics, transnational circulation of ideas and people, organizational capabilities, and contingent choices come together to shape the emergence of revolutionary situations and the trajectories and outcomes of revolutions. He also explains why more moderate negotiated revolutions have been more common than far-reaching social revolutions since the 1980s.</p><p>Finally, he suggests that the key for social movements to take advantage of systemic crises that could provide openings for revolutionary situations to emerge is the ability of opposition groups to form cohesive political organizations without succumbing to the authoritarianism and the “ends justify the means” logic that turned revolutionary forces into violent, authoritarian regimes in the past.</p><p><a href="http://www.lse.ac.uk/international-relations/people/lawson">George Lawson</a> is Associate Professor, Department of International Relations at the London School of Economics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5013</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4413aca6-a8e3-11ea-ab6b-5f36ec7d5472]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2427025863.mp3?updated=1732058338" length="0" type="audio/mpeg"/>
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    <item>
      <title>Marcia Chatelain, "Franchise: The Golden Arches in Black America" (Liveright, 2020)</title>
      <description>Franchise: The Golden Arches in Black America (Liveright, 2020) by Marcia Chatelain is a fascinating examination of the relationship between the fast-food industry, Black business owners, and the communities where they set up franchises after the Holy Week Uprisings of 1968.
Using McDonalds as a “prism” to study the expansion of the fast-food industry and the effects of Black capitalism, Franchise tells a complex origins story about Black franchisees and their reception in Black communities across the nation in Atlanta, Chicago, Portland, Cleveland, and Los Angeles after the classical phase of the Civil Rights Movement.
Chatelain ultimately exposes the limits of Black entrepreneurship to supplant state responsibility to create socially and economically reparative conditions in Black communities, while demonstrating how a range of progressive Black politicians and activists came to support Black entrepreneurship as a solution to widespread federal and municipal disinvestment from Black communities.
As Black franchise owners assisted the development of McDonalds into a wealthy and successful national brand, they also encountered glass-ceilings and discriminatory practices within McDonalds corporate and the larger business world despite their tremendous success compared to white counterparts. Chatelain traces these tensions and interconnections across political, business, and community stakeholders to explain how fast-food franchises ingratiated themselves into Black communities, while exasperating inequalities in Black America.
Francise teaches readers to be skeptical of corporate or market-driven solutions whether articulated as Black capitalism or “empowerment,” especially during and after moments of Black uprising.
Marcia Chatelain is a scholar, speaker, and strategist based in Washington, D.C. She teaches courses in African American life and culture at Georgetown University.
Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the grassroots movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>201</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Chatelain examines the relationship between the fast-food industry, Black business owners, and the communities where they set up franchises after the Holy Week Uprisings of 1968...</itunes:subtitle>
      <itunes:summary>Franchise: The Golden Arches in Black America (Liveright, 2020) by Marcia Chatelain is a fascinating examination of the relationship between the fast-food industry, Black business owners, and the communities where they set up franchises after the Holy Week Uprisings of 1968.
Using McDonalds as a “prism” to study the expansion of the fast-food industry and the effects of Black capitalism, Franchise tells a complex origins story about Black franchisees and their reception in Black communities across the nation in Atlanta, Chicago, Portland, Cleveland, and Los Angeles after the classical phase of the Civil Rights Movement.
Chatelain ultimately exposes the limits of Black entrepreneurship to supplant state responsibility to create socially and economically reparative conditions in Black communities, while demonstrating how a range of progressive Black politicians and activists came to support Black entrepreneurship as a solution to widespread federal and municipal disinvestment from Black communities.
As Black franchise owners assisted the development of McDonalds into a wealthy and successful national brand, they also encountered glass-ceilings and discriminatory practices within McDonalds corporate and the larger business world despite their tremendous success compared to white counterparts. Chatelain traces these tensions and interconnections across political, business, and community stakeholders to explain how fast-food franchises ingratiated themselves into Black communities, while exasperating inequalities in Black America.
Francise teaches readers to be skeptical of corporate or market-driven solutions whether articulated as Black capitalism or “empowerment,” especially during and after moments of Black uprising.
Marcia Chatelain is a scholar, speaker, and strategist based in Washington, D.C. She teaches courses in African American life and culture at Georgetown University.
Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the grassroots movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/Franchise-Golden-Arches-Black-America/dp/1631493949/?tag=newbooinhis-20"><em>Franchise: The Golden Arches in Black America</em></a> (Liveright, 2020) by Marcia Chatelain is a fascinating examination of the relationship between the fast-food industry, Black business owners, and the communities where they set up franchises after the Holy Week Uprisings of 1968.</p><p>Using McDonalds as a “prism” to study the expansion of the fast-food industry and the effects of Black capitalism, <em>Franchise</em> tells a complex origins story about Black franchisees and their reception in Black communities across the nation in Atlanta, Chicago, Portland, Cleveland, and Los Angeles after the classical phase of the Civil Rights Movement.</p><p>Chatelain ultimately exposes the limits of Black entrepreneurship to supplant state responsibility to create socially and economically reparative conditions in Black communities, while demonstrating how a range of progressive Black politicians and activists came to support Black entrepreneurship as a solution to widespread federal and municipal disinvestment from Black communities.</p><p>As Black franchise owners assisted the development of McDonalds into a wealthy and successful national brand, they also encountered glass-ceilings and discriminatory practices within McDonalds corporate and the larger business world despite their tremendous success compared to white counterparts. Chatelain traces these tensions and interconnections across political, business, and community stakeholders to explain how fast-food franchises ingratiated themselves into Black communities, while exasperating inequalities in Black America.</p><p><em>Francise</em> teaches readers to be skeptical of corporate or market-driven solutions whether articulated as Black capitalism or “empowerment,” especially during and after moments of Black uprising.</p><p><a href="http://www.marciachatelain.com/">Marcia Chatelain</a> is a scholar, speaker, and strategist based in Washington, D.C. She teaches courses in African American life and culture at Georgetown University.</p><p><em>Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the grassroots movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4233</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[87767206-a836-11ea-9e0f-e77b8a07c1c8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8310739029.mp3?updated=1663959779" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Minou Arjomand, "Staged: Show Trials, Political Theater, and the Aesthetics of Judgment" (Columbia UP, 2020)</title>
      <description>In Staged: Show Trials, Political Theater, and the Aesthetics of Judgment (Columbia University Press, 2020), Minou Arjomand provides a startling account of the many intersections between theatre and trials in Germany and the United States from the 1930s to the 1960s.
Through case studies of Hannah Arendt, Bertolt Brecht, and Edwin Piscator, Arjomand explores the use of trials as a theatrical form, as well as what theatre theory might tell us about political justice.
In doing so, Arjomand demonstrates that calling a trail theatrical is not a criticism but merely a starting point. In considering what type of justice is possible in a trial, we must ask what theatrical conventions are being used, and to what ends. Arjomand’s book both allows us to see pivotal theatrical artists in a new light and poses profound questions about the nature of theatre itself.
Andy Boyd  is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Arjomand provides a startling account of the many intersections between theatre and trials in Germany and the United States from the 1930s to the 1960s...</itunes:subtitle>
      <itunes:summary>In Staged: Show Trials, Political Theater, and the Aesthetics of Judgment (Columbia University Press, 2020), Minou Arjomand provides a startling account of the many intersections between theatre and trials in Germany and the United States from the 1930s to the 1960s.
Through case studies of Hannah Arendt, Bertolt Brecht, and Edwin Piscator, Arjomand explores the use of trials as a theatrical form, as well as what theatre theory might tell us about political justice.
In doing so, Arjomand demonstrates that calling a trail theatrical is not a criticism but merely a starting point. In considering what type of justice is possible in a trial, we must ask what theatrical conventions are being used, and to what ends. Arjomand’s book both allows us to see pivotal theatrical artists in a new light and poses profound questions about the nature of theatre itself.
Andy Boyd  is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Staged-Political-Theater-Aesthetics-Judgment/dp/0231184883/?tag=newbooinhis-20"><em>Staged: Show Trials, Political Theater, and the Aesthetics of Judgment</em></a> (Columbia University Press, 2020), <a href="https://liberalarts.utexas.edu/english/faculty/a4475">Minou Arjomand</a> provides a startling account of the many intersections between theatre and trials in Germany and the United States from the 1930s to the 1960s.</p><p>Through case studies of Hannah Arendt, Bertolt Brecht, and Edwin Piscator, Arjomand explores the use of trials as a theatrical form, as well as what theatre theory might tell us about political justice.</p><p>In doing so, Arjomand demonstrates that calling a trail theatrical is not a criticism but merely a starting point. In considering what type of justice is possible in a trial, we must ask what theatrical conventions are being used, and to what ends. Arjomand’s book both allows us to see pivotal theatrical artists in a new light and poses profound questions about the nature of theatre itself.</p><p><a href="https://www.andyjboyd.com/"><em>Andy Boyd </em></a><em> is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is</em><a href="https://www.andyjboyd.com/"><em> AndyJBoyd.com</em></a><em>, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4577</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[14e2b556-a831-11ea-ac11-cf7bea5d1a87]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5034041738.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Micol Seigel, "Violence Work: State Violence and the Limits of Police" (Duke UP, 2018)</title>
      <description>Recent calls for the defunding or abolition of police raise important questions about the legitimacy of state violence and the functions that police are supposed to serve. Criticism of the militarization of police, concerns about the rise of the private security industry, and the long-standing belief that policing should be controlled by municipal governments suggest that police should be civilians who defend the public interest, and that they should be accountable to the communities that they serve.
In Violence Work: State Violence and the Limits of Police (Duke University Press, 2018), Micol Seigel exposes the mythical nature of the civilian/military, public/private, and local/national/international boundaries that supposedly delimit the legitimate sphere of policing in a liberal democratic society. Focusing on the employees of the Office of Public Safety, a branch of the State Department that provided technical assistance to police forces in developing countries from 1962 until it was closed amid controversy over its role in aiding despotic governments in 1974, Seigel follows their careers as these violence workers put their knowledge of counter-insurgency to use in US police forces, pursued opportunities working for private security firms protecting the oil industry in places like Alaska and Saudi Arabia, and worked alongside military officers in aid missions to Cold War hotspots in the Global South. As she follows the careers of the policemen, she demonstrates that civilian policing has been militarized from the beginning, that capitalist production relies on state violence to discipline workers and dispossess groups who stand in the way of resource extraction, and that violence workers are rarely accountable to the people they supposedly serve.
Violence Work is critical reading for anyone who is interested in rethinking the functions that police should perform in a democratic society. It also weakens the legitimacy of state-sanctioned violence by calling commonly-held ideological distinctions into question.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Recent calls for the defunding or abolition of police raise important questions about the legitimacy of state violence and the functions that police are supposed to serve...</itunes:subtitle>
      <itunes:summary>Recent calls for the defunding or abolition of police raise important questions about the legitimacy of state violence and the functions that police are supposed to serve. Criticism of the militarization of police, concerns about the rise of the private security industry, and the long-standing belief that policing should be controlled by municipal governments suggest that police should be civilians who defend the public interest, and that they should be accountable to the communities that they serve.
In Violence Work: State Violence and the Limits of Police (Duke University Press, 2018), Micol Seigel exposes the mythical nature of the civilian/military, public/private, and local/national/international boundaries that supposedly delimit the legitimate sphere of policing in a liberal democratic society. Focusing on the employees of the Office of Public Safety, a branch of the State Department that provided technical assistance to police forces in developing countries from 1962 until it was closed amid controversy over its role in aiding despotic governments in 1974, Seigel follows their careers as these violence workers put their knowledge of counter-insurgency to use in US police forces, pursued opportunities working for private security firms protecting the oil industry in places like Alaska and Saudi Arabia, and worked alongside military officers in aid missions to Cold War hotspots in the Global South. As she follows the careers of the policemen, she demonstrates that civilian policing has been militarized from the beginning, that capitalist production relies on state violence to discipline workers and dispossess groups who stand in the way of resource extraction, and that violence workers are rarely accountable to the people they supposedly serve.
Violence Work is critical reading for anyone who is interested in rethinking the functions that police should perform in a democratic society. It also weakens the legitimacy of state-sanctioned violence by calling commonly-held ideological distinctions into question.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Recent calls for the defunding or abolition of police raise important questions about the legitimacy of state violence and the functions that police are supposed to serve. Criticism of the militarization of police, concerns about the rise of the private security industry, and the long-standing belief that policing should be controlled by municipal governments suggest that police should be civilians who defend the public interest, and that they should be accountable to the communities that they serve.</p><p>In <a href="https://www.amazon.com/dp/1478000171/?tag=newbooinhis-20"><em>Violence Work: State Violence and the Limits of Police</em></a><em> </em>(Duke University Press, 2018), <a href="https://americanstudies.indiana.edu/about/faculty/seigel-micol.html">Micol Seigel</a> exposes the mythical nature of the civilian/military, public/private, and local/national/international boundaries that supposedly delimit the legitimate sphere of policing in a liberal democratic society. Focusing on the employees of the Office of Public Safety, a branch of the State Department that provided technical assistance to police forces in developing countries from 1962 until it was closed amid controversy over its role in aiding despotic governments in 1974, Seigel follows their careers as these violence workers put their knowledge of counter-insurgency to use in US police forces, pursued opportunities working for private security firms protecting the oil industry in places like Alaska and Saudi Arabia, and worked alongside military officers in aid missions to Cold War hotspots in the Global South. As she follows the careers of the policemen, she demonstrates that civilian policing has been militarized from the beginning, that capitalist production relies on state violence to discipline workers and dispossess groups who stand in the way of resource extraction, and that violence workers are rarely accountable to the people they supposedly serve.</p><p><em>Violence Work</em> is critical reading for anyone who is interested in rethinking the functions that police should perform in a democratic society. It also weakens the legitimacy of state-sanctioned violence by calling commonly-held ideological distinctions into question.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4127</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8386c598-ad85-11ea-b801-37dcf0000fec]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9336387516.mp3?updated=1732058198" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sa’ed Atshan, "Queer Palestine and the Empire of Critique" (Stanford UP, 2020)</title>
      <description>In Queer Palestine and the Empire of Critique (Stanford University Press, 2020) anthropologist and activist Sa’ed Atshan explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora.
His timely and urgent account contends that the movement has been subjected to an “empire of critique,” which has inhibited its growth and undermines the fight against homophobia in the region and beyond. On the one hand, explains Atshan, queer Palestinians must contend with the harsh realities of patriarchal nationalism, homophobia and heteronormativity, Israeli occupation, dehumanizing discourses such as ‘pinkwashing,’ and the legacies of western imperialism.
At the same time, Atshan argues that critiques against such issues – leveled by academics, journalists, and even queer activists – have contributed to a stifling ideological purism that has put activists on the defensive and alienates some queer Palestinians.
Along with a succinct presentation of the immense challenges faced by the LGBTQ-identifying Palestinians, Atshan highlights Palestinian agency, ingenuity, and resilience. He considers how progressive social movements around the world can navigate the often fraught and complex dynamics of intersectional activism, and leaves his readers with a vision of a diverse queer Palestinian movement capable of “radically reimagining possible futures.”
Sa’ed Atshan is an assistant professor of Peace and Conflict Studies at Swarthmore College.
Joshua Donovan is a History PhD candidate and Core Preceptor at Columbia University. His dissertation examines competing conceptions of identity and subjectivity within the Antiochian Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Atshan explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora...</itunes:subtitle>
      <itunes:summary>In Queer Palestine and the Empire of Critique (Stanford University Press, 2020) anthropologist and activist Sa’ed Atshan explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora.
His timely and urgent account contends that the movement has been subjected to an “empire of critique,” which has inhibited its growth and undermines the fight against homophobia in the region and beyond. On the one hand, explains Atshan, queer Palestinians must contend with the harsh realities of patriarchal nationalism, homophobia and heteronormativity, Israeli occupation, dehumanizing discourses such as ‘pinkwashing,’ and the legacies of western imperialism.
At the same time, Atshan argues that critiques against such issues – leveled by academics, journalists, and even queer activists – have contributed to a stifling ideological purism that has put activists on the defensive and alienates some queer Palestinians.
Along with a succinct presentation of the immense challenges faced by the LGBTQ-identifying Palestinians, Atshan highlights Palestinian agency, ingenuity, and resilience. He considers how progressive social movements around the world can navigate the often fraught and complex dynamics of intersectional activism, and leaves his readers with a vision of a diverse queer Palestinian movement capable of “radically reimagining possible futures.”
Sa’ed Atshan is an assistant professor of Peace and Conflict Studies at Swarthmore College.
Joshua Donovan is a History PhD candidate and Core Preceptor at Columbia University. His dissertation examines competing conceptions of identity and subjectivity within the Antiochian Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Queer-Palestine-Empire-Critique-Atshan/dp/1503612392/?tag=newbooinhis-20"><em>Queer Palestine and the Empire of Critique</em></a> (Stanford University Press, 2020) anthropologist and activist <a href="https://www.swarthmore.edu/faculty-sa%E2%80%99ed-atshan">Sa’ed Atshan</a> explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora.</p><p>His timely and urgent account contends that the movement has been subjected to an “empire of critique,” which has inhibited its growth and undermines the fight against homophobia in the region and beyond. On the one hand, explains Atshan, queer Palestinians must contend with the harsh realities of patriarchal nationalism, homophobia and heteronormativity, Israeli occupation, dehumanizing discourses such as ‘pinkwashing,’ and the legacies of western imperialism.</p><p>At the same time, Atshan argues that critiques against such issues – leveled by academics, journalists, and even queer activists – have contributed to a stifling ideological purism that has put activists on the defensive and alienates some queer Palestinians.</p><p>Along with a succinct presentation of the immense challenges faced by the LGBTQ-identifying Palestinians, Atshan highlights Palestinian agency, ingenuity, and resilience. He considers how progressive social movements around the world can navigate the often fraught and complex dynamics of intersectional activism, and leaves his readers with a vision of a diverse queer Palestinian movement capable of “radically reimagining possible futures.”</p><p><a href="https://www.swarthmore.edu/faculty-sa%E2%80%99ed-atshan">Sa’ed Atshan</a> is an assistant professor of Peace and Conflict Studies at Swarthmore College.</p><p><a href="https://history.columbia.edu/faculty/donovan-joshua/"><em>Joshua Donovan</em></a><em> is a History PhD candidate and Core Preceptor at Columbia University. His dissertation examines competing conceptions of identity and subjectivity within the Antiochian Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6054bc7e-a8f8-11ea-a084-0b614a3f039a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9703104435.mp3?updated=1716930221" length="0" type="audio/mpeg"/>
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    <item>
      <title>Joy White, "Terraformed: Young Black Lives in the Inner City" (Repeater Books, 2020)</title>
      <description>How are black lives lived in the contemporary city?
In Terraformed: Young Black Lives in the Inner City, Dr Joy White, a sociologist and ethnographer based in London, explores the case study of Newham in East London to illustrate issues of privatisation, gentrification, policing, and racial discrimination.
In doing so, the book highlights how specific cultures and musical scenes have flourished and developed, even as corporate power aims to regenerate away these vital elements of local life. The ethnography and analysis of power offers important lessons for towns and cities in the UK and beyond, connecting global trends and theoretical insights to specific local case studies.
In our current context the book is essential reading across the humanities and social sciences, as well as for anyone interested in urban life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>173</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How are black lives lived in the contemporary city?</itunes:subtitle>
      <itunes:summary>How are black lives lived in the contemporary city?
In Terraformed: Young Black Lives in the Inner City, Dr Joy White, a sociologist and ethnographer based in London, explores the case study of Newham in East London to illustrate issues of privatisation, gentrification, policing, and racial discrimination.
In doing so, the book highlights how specific cultures and musical scenes have flourished and developed, even as corporate power aims to regenerate away these vital elements of local life. The ethnography and analysis of power offers important lessons for towns and cities in the UK and beyond, connecting global trends and theoretical insights to specific local case studies.
In our current context the book is essential reading across the humanities and social sciences, as well as for anyone interested in urban life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are black lives lived in the contemporary city?</p><p>In <a href="https://www.amazon.com/Terraformed-Young-Black-Lives-Inner/dp/1912248689/?tag=newbooinhis-20"><em>Terraformed: Young Black Lives in the Inner City</em></a><em>, </em>Dr <a href="https://www.joywhite.co.uk/">Joy White</a>, a sociologist and ethnographer based in London, explores the case study of Newham in East London to illustrate issues of privatisation, gentrification, policing, and racial discrimination.</p><p>In doing so, the book highlights how specific cultures and musical scenes have flourished and developed, even as corporate power aims to regenerate away these vital elements of local life. The ethnography and analysis of power offers important lessons for towns and cities in the UK and beyond, connecting global trends and theoretical insights to specific local case studies.</p><p>In our current context the book is essential reading across the humanities and social sciences, as well as for anyone interested in urban life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2211</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18f4607c-a764-11ea-9b4b-1b3eea8cf868]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6809236128.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Neoliberalization Has Increased Social, Economic, and Political Adversities (Part 1)</title>
      <description>The current neoliberal era has seen a paradigm shift in terms of economic liberalization, such as policies on privatization, deregulation, and globalization. Although neoliberalization promises to lessen the burden on government entities to provide welfare, it has evidently caused a greater economic and political divide, especially in advanced capitalist states.
In part 1 of this podcast episode, Cory Blad, Professor and Chair at Department of Sociology, Manhattan College, uses the example of Sweden and Finland to explain how neoliberalization plays a role in mitigating socioeconomic and political hardships—and how they can be overcome. His discussion is an extension of the book chapter “Searching for Saviors: Economic Adversities and the Challenge of Political Legitimacy in the Neoliberal Era,” which is published in the Brill series Critical Global Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 17 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>An interview with Cory Blad</itunes:subtitle>
      <itunes:summary>The current neoliberal era has seen a paradigm shift in terms of economic liberalization, such as policies on privatization, deregulation, and globalization. Although neoliberalization promises to lessen the burden on government entities to provide welfare, it has evidently caused a greater economic and political divide, especially in advanced capitalist states.
In part 1 of this podcast episode, Cory Blad, Professor and Chair at Department of Sociology, Manhattan College, uses the example of Sweden and Finland to explain how neoliberalization plays a role in mitigating socioeconomic and political hardships—and how they can be overcome. His discussion is an extension of the book chapter “Searching for Saviors: Economic Adversities and the Challenge of Political Legitimacy in the Neoliberal Era,” which is published in the Brill series Critical Global Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The current neoliberal era has seen a paradigm shift in terms of <a href="https://en.wikipedia.org/wiki/Economic_liberalization">economic liberalization</a>, such as policies on <a href="https://en.wikipedia.org/wiki/Privatization">privatization</a>, <a href="https://en.wikipedia.org/wiki/Deregulation">deregulation</a>, and <a href="https://en.wikipedia.org/wiki/Globalization">globalization</a>. Although neoliberalization promises to lessen the burden on government entities to provide welfare, it has evidently caused a greater economic and political divide, especially in advanced capitalist states.</p><p>In part 1 of this podcast episode, Cory Blad, Professor and Chair at Department of Sociology, Manhattan College, uses the example of Sweden and Finland to explain how neoliberalization plays a role in mitigating socioeconomic and political hardships—and how they can be overcome. His discussion is an extension of the book chapter “Searching for Saviors: Economic Adversities and the Challenge of Political Legitimacy in the Neoliberal Era,” which is published in the Brill series <em>Critical Global Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1567</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f6982a68-e58c-11ec-bba9-93b925c51e93]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/NBN8552085109.mp3?updated=1654446641" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aaron Kamugisha, "Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition" (Indiana UP, 2019)</title>
      <description>Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kamugisha reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism...</itunes:subtitle>
      <itunes:summary>Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.cavehill.uwi.edu/fhe/CulturalStudies/staff/dr-aaron-kamugisha.aspx">Aaron Kamugisha</a> reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book <a href="https://www.amazon.com/dp/B07LC2W95S/?tag=newbooinhis-20"><em>Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition</em></a> (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3691</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3768875e-a755-11ea-a8c3-cbb4e5b1a2c6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3351681178.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alberto Harambour, "Soberanías fronterizas: Estados y capital en la colonización de Patagonia" (EUAC, 2019)</title>
      <description>Alberto Harambour's new book Soberanías Fronterizas. Estados y capital en la colonización de Patagonia (Argentina y Chile, 1840s-1920s) (Universidad Austral de Chile, 2019) examines the explosion of foreign-owned sheep farming, the fitful expansion of Argentine and Chilean sovereignty, and the violence of primitive accumulation and genocide in southern Patagonia and Tierra del Fuego. Soberanías Fronterizas wrestles with the multiple and competing sovereignties articulated during the Age of Empire, Latin America’s export boom, and the dispossession of autonomous indigenous peoples through settler colonialism. It asks how, over the course of less than a century, this vast territory described by Europeans and outsiders as inhospitable, unknowable, and uninhabited, came to be a wildly profitable export enclave.
Harambous uncovers how foreign (predominantly British) capital came into possession of millions of hectares of land for sheep raising, effectively establishing sovereign control at the expense of the indigenous inhabitants, Chile, and Argentina. To do this, he reconstructs how foreign investors, merchants, and elites and politicians in Santiago and Buenos Aires built networks of corruption to facilitate land acquisitions, infrastructural improvements, and immigration of labourers. This process, however, was anything but smooth. It came through violence (extermination of Fueginos such as the Selknam, extreme military repression of labour movements, and sheep latifundista resistance to customs).
Jesse Zarley is assistant professor of history at Saint Joseph’s College on Long Island, where he teaches Latin American, Caribbean, and Global History. His research interests include the Mapuche, borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of revolution, particularly in Chile and Río de la Plata. Heis the author of a recent article on Mapuche leaders and Chile’s independence wars. You can follow him on Twitter.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Harambour  examines the explosion of foreign-owned sheep farming, the fitful expansion of Argentine and Chilean sovereignty, and the violence of primitive accumulation and genocide in southern Patagonia and Tierra del Fuego...</itunes:subtitle>
      <itunes:summary>Alberto Harambour's new book Soberanías Fronterizas. Estados y capital en la colonización de Patagonia (Argentina y Chile, 1840s-1920s) (Universidad Austral de Chile, 2019) examines the explosion of foreign-owned sheep farming, the fitful expansion of Argentine and Chilean sovereignty, and the violence of primitive accumulation and genocide in southern Patagonia and Tierra del Fuego. Soberanías Fronterizas wrestles with the multiple and competing sovereignties articulated during the Age of Empire, Latin America’s export boom, and the dispossession of autonomous indigenous peoples through settler colonialism. It asks how, over the course of less than a century, this vast territory described by Europeans and outsiders as inhospitable, unknowable, and uninhabited, came to be a wildly profitable export enclave.
Harambous uncovers how foreign (predominantly British) capital came into possession of millions of hectares of land for sheep raising, effectively establishing sovereign control at the expense of the indigenous inhabitants, Chile, and Argentina. To do this, he reconstructs how foreign investors, merchants, and elites and politicians in Santiago and Buenos Aires built networks of corruption to facilitate land acquisitions, infrastructural improvements, and immigration of labourers. This process, however, was anything but smooth. It came through violence (extermination of Fueginos such as the Selknam, extreme military repression of labour movements, and sheep latifundista resistance to customs).
Jesse Zarley is assistant professor of history at Saint Joseph’s College on Long Island, where he teaches Latin American, Caribbean, and Global History. His research interests include the Mapuche, borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of revolution, particularly in Chile and Río de la Plata. Heis the author of a recent article on Mapuche leaders and Chile’s independence wars. You can follow him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://humanidades.uach.cl/academicos/alberto-harambour-ross/">Alberto Harambour's</a> new book <a href="https://www.amazon.com/dp/B07RYY56HR/?tag=newbooinhis-20"><em>Soberanías Fronterizas. Estados y capital en la colonización de Patagonia (Argentina y Chile, 1840s-1920s)</em></a> (Universidad Austral de Chile, 2019) examines the explosion of foreign-owned sheep farming, the fitful expansion of Argentine and Chilean sovereignty, and the violence of primitive accumulation and genocide in southern Patagonia and Tierra del Fuego. <em>Soberanías Fronterizas</em> wrestles with the multiple and competing sovereignties articulated during the Age of Empire, Latin America’s export boom, and the dispossession of autonomous indigenous peoples through settler colonialism. It asks how, over the course of less than a century, this vast territory described by Europeans and outsiders as inhospitable, unknowable, and uninhabited, came to be a wildly profitable export enclave.</p><p>Harambous uncovers how foreign (predominantly British) capital came into possession of millions of hectares of land for sheep raising, effectively establishing sovereign control at the expense of the indigenous inhabitants, Chile, and Argentina. To do this, he reconstructs how foreign investors, merchants, and elites and politicians in Santiago and Buenos Aires built networks of corruption to facilitate land acquisitions, infrastructural improvements, and immigration of labourers. This process, however, was anything but smooth. It came through violence (extermination of Fueginos such as the Selknam, extreme military repression of labour movements, and sheep latifundista resistance to customs).</p><p><em>Jesse Zarley is </em><a href="https://www.sjcny.edu/directory/faculty/jesse-zarley-phd"><em>assistant professor of history at Saint Joseph’s College</em></a><em> on Long Island, where he teaches Latin American, Caribbean, and Global History. His research interests include the Mapuche, borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of revolution, particularly in Chile and Río de la Plata. Heis the author of a recent article on </em><a href="https://read.dukeupress.edu/ethnohistory/article-abstract/66/1/117/137183/Between-the-Lof-and-the-Liberators-Mapuche#.XK3xT4hYNfw.twitter"><em>Mapuche leaders and Chile’s independence wars</em></a><em>. You can follow him on </em><a href="https://twitter.com/jessezphd"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Robert Nichols, "Theft Is Property!: Dispossession and Critical Theory" (Duke UP, 2019)</title>
      <description>Robert Nichols, an associate professor of political theory at the University of Minnesota, has written an engaging and important examination of the clash between the western theoretical approaches to the idea of property and possession and the understanding of land property and possession held by indigenous peoples in a variety of societies settled by Anglophone colonizers. Theft Is Property!: Dispossession and Critical Theory (Duke University Press, 2019) pulls together or bridges intellectual traditions, bringing indigenous political thought into conversation with critical theory and Anglo social contract theory, centering on the different understandings of property, ownership, and possession.
Nichols weaves together a variety of different ways of thinking about the questions of property and possession, examining the language that is applied to the concept of property and how this also defines our understanding of possession and dispossession as well as the dichotomous ideas of property and theft. He also traces the early modern concepts of property and contract and the contemporary legal arguments that have been made to claim land and property from indigenous peoples. Folded into these discussions is a richly delineated argument that lays out the tension inherent in the idea of property, and how this idea was transformed within the context of the European intellectual tradition, and how critical theory subsequently problematized property and possession.
Theft is Property! explores the idea of recursive dispossession, which Nichols explains as the situation where “new proprietary relations are generated but under structural conditions that demand their simultaneous negation.” The exploration of this concept—through critical race theory, Marxism, and feminist theory—takes the reader on a journey focusing on the longstanding claims made by indigenous peoples in Australia, New Zealand, Canada, and the United States, and the counteractions and arguments made by Anglo-settler societies, which have generally left indigenous communities essentially dispossessed of both land and rights.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>489</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nichols explores the idea of recursive dispossession, which Nichols explains as the situation where “new proprietary relations are generated but under structural conditions that demand their simultaneous negation.”</itunes:subtitle>
      <itunes:summary>Robert Nichols, an associate professor of political theory at the University of Minnesota, has written an engaging and important examination of the clash between the western theoretical approaches to the idea of property and possession and the understanding of land property and possession held by indigenous peoples in a variety of societies settled by Anglophone colonizers. Theft Is Property!: Dispossession and Critical Theory (Duke University Press, 2019) pulls together or bridges intellectual traditions, bringing indigenous political thought into conversation with critical theory and Anglo social contract theory, centering on the different understandings of property, ownership, and possession.
Nichols weaves together a variety of different ways of thinking about the questions of property and possession, examining the language that is applied to the concept of property and how this also defines our understanding of possession and dispossession as well as the dichotomous ideas of property and theft. He also traces the early modern concepts of property and contract and the contemporary legal arguments that have been made to claim land and property from indigenous peoples. Folded into these discussions is a richly delineated argument that lays out the tension inherent in the idea of property, and how this idea was transformed within the context of the European intellectual tradition, and how critical theory subsequently problematized property and possession.
Theft is Property! explores the idea of recursive dispossession, which Nichols explains as the situation where “new proprietary relations are generated but under structural conditions that demand their simultaneous negation.” The exploration of this concept—through critical race theory, Marxism, and feminist theory—takes the reader on a journey focusing on the longstanding claims made by indigenous peoples in Australia, New Zealand, Canada, and the United States, and the counteractions and arguments made by Anglo-settler societies, which have generally left indigenous communities essentially dispossessed of both land and rights.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://cla.umn.edu/about/directory/profile/rbnichol">Robert Nichols</a>, an associate professor of political theory at the University of Minnesota, has written an engaging and important examination of the clash between the western theoretical approaches to the idea of property and possession and the understanding of land property and possession held by indigenous peoples in a variety of societies settled by Anglophone colonizers. <a href="https://www.amazon.com/dp/1478006730/?tag=newbooinhis-20"><em>Theft Is Property!: Dispossession and Critical Theory</em></a> (Duke University Press, 2019) pulls together or bridges intellectual traditions, bringing indigenous political thought into conversation with critical theory and Anglo social contract theory, centering on the different understandings of property, ownership, and possession.</p><p>Nichols weaves together a variety of different ways of thinking about the questions of property and possession, examining the language that is applied to the concept of property and how this also defines our understanding of possession and dispossession as well as the dichotomous ideas of property and theft. He also traces the early modern concepts of property and contract and the contemporary legal arguments that have been made to claim land and property from indigenous peoples. Folded into these discussions is a richly delineated argument that lays out the tension inherent in the idea of property, and how this idea was transformed within the context of the European intellectual tradition, and how critical theory subsequently problematized property and possession.</p><p><em>Theft is Property! </em>explores the idea of <em>recursive dispossession</em>, which Nichols explains as the situation where “new proprietary relations are generated but under structural conditions that demand their simultaneous negation.” The exploration of this concept—through critical race theory, Marxism, and feminist theory—takes the reader on a journey focusing on the longstanding claims made by indigenous peoples in Australia, New Zealand, Canada, and the United States, and the counteractions and arguments made by Anglo-settler societies, which have generally left indigenous communities essentially dispossessed of both land and rights.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, </em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0">Women and the White House: Gender, Popular Culture, and Presidential Politics</a> (University Press of Kentucky, 2012), <em>as well as co-editor of</em> <a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/">Mad Men and Politics: Nostalgia and the Remaking of Modern America</a> (Bloomsbury Academic, 2015).</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3639</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8145175638.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Edgar Garcia,  "Signs of the America: A Poetics of Pictography, Hieroglyphs and Khipu" (U Chicago Press, 2019)</title>
      <description>In his sixth thesis on the philosophy of history, Walter Benjamin wrote, “The only writer of history with the gift of setting alight the sparks of hope in the past, is the one who is convinced of this: that not even the dead will be safe from the enemy, if he is victorious.” Edgar Garcia is one such historian…and if you’re not yet convinced of Benjamin’s dictum, you should listen to this interview.
In Signs of the America: A Poetics of Pictography, Hieroglyphs and Khipu (University of Chicago Press, 2019) Garcia sets sparks flying by inviting us to explore the literature and theory created by 20th and 21st century writers who deploy sign systems that, according to the creation myth of European hegemony, alphabetized thought supposedly superseded and destroyed. Akin to Paul Gilroy’s The Black Atlantic in ambition and originality, Signs of the Americas not only pries open a fascinating archive but also forces us to question the organizational principles that govern intellectual history and cultural criticism in this hemisphere. In this interview, we discuss work by Jaime de Angulo, Cecilia Vicuña, John Borrows, and Gloria Anzaldúa, as well as Garcia’s own Skins of Columbus: A Dream Ethnography (Fence Books, 2019), which serves as a kind of poetic companion to Signs.
David Gutherz is a Teaching Fellow in Social Thought at the University of Chicago. His research deals with the history of the human sciences, with a special interest in how intellectuals have aided and undermined authoritarian movements. You can find out more about his work at www.davidmaxgutherz.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In his sixth thesis on the philosophy of history, Walter Benjamin wrote, “The only writer of history with the gift of setting alight the sparks of hope in the past, is the one who is convinced of this: that not even the dead will be safe from the enemy, if he is victorious.” Edgar Garcia is one such historian…and if you’re not yet convinced of Benjamin’s dictum, you should listen to this interview.
In Signs of the America: A Poetics of Pictography, Hieroglyphs and Khipu (University of Chicago Press, 2019) Garcia sets sparks flying by inviting us to explore the literature and theory created by 20th and 21st century writers who deploy sign systems that, according to the creation myth of European hegemony, alphabetized thought supposedly superseded and destroyed. Akin to Paul Gilroy’s The Black Atlantic in ambition and originality, Signs of the Americas not only pries open a fascinating archive but also forces us to question the organizational principles that govern intellectual history and cultural criticism in this hemisphere. In this interview, we discuss work by Jaime de Angulo, Cecilia Vicuña, John Borrows, and Gloria Anzaldúa, as well as Garcia’s own Skins of Columbus: A Dream Ethnography (Fence Books, 2019), which serves as a kind of poetic companion to Signs.
David Gutherz is a Teaching Fellow in Social Thought at the University of Chicago. His research deals with the history of the human sciences, with a special interest in how intellectuals have aided and undermined authoritarian movements. You can find out more about his work at www.davidmaxgutherz.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his sixth thesis on the philosophy of history, Walter Benjamin wrote, “The only writer of history with the gift of setting alight the sparks of hope in the past, is the one who is convinced of this: that not even the dead will be safe from the enemy, if he is victorious.” <a href="https://english.uchicago.edu/edgar-garcia">Edgar Garcia</a> is one such historian…and if you’re not yet convinced of Benjamin’s dictum, you should listen to this interview.</p><p>In<em> </em><a href="https://www.amazon.com/dp/022665902X/?tag=newbooinhis-20"><em>Signs of the America: A Poetics of Pictography, Hieroglyphs and Khipu</em></a> (University of Chicago Press, 2019) Garcia sets sparks flying by inviting us to explore the literature and theory created by 20th and 21st century writers who deploy sign systems that, according to the creation myth of European hegemony, alphabetized thought supposedly superseded and destroyed. Akin to Paul Gilroy’s <em>The Black Atlantic</em> in ambition and originality, <em>Signs of the Americas </em>not only pries open a fascinating archive but also forces us to question the organizational principles that govern intellectual history and cultural criticism in this hemisphere. In this interview, we discuss work by Jaime de Angulo, Cecilia Vicuña, John Borrows, and Gloria Anzaldúa, as well as Garcia’s own <em>Skins of Columbus: A Dream Ethnography </em>(Fence Books, 2019), which serves as a kind of poetic companion to <em>Signs.</em></p><p><em>David Gutherz is a Teaching Fellow in Social Thought at the University of Chicago. His research deals with the history of the human sciences, with a special interest in how intellectuals have aided and undermined authoritarian movements. You can find out more about his work at </em><a href="http://www.davidmaxgutherz.com/"><em>www.davidmaxgutherz.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Fadi A. Bardawil, "Revolution and Disenchantment: Arab Marxism and the Binds of Emancipation" (Duke UP, 2020)</title>
      <description>In his Theses on Feuerbach, Marx famously claimed that philosophers had previously only attempted to interpret the world; the point, however, was to change it. In the 20th century, no philosopher had as great an effect on the world than Marx, with various intellectual and political movements across the world claiming various parts of his thought and using them to develop and change their own parts of the world.
One of these movements, Socialist Lebanon, took root in the 1960s, and much Arab political thought has developed in its shadow ever since. Composed of a variety of activists and intellectuals, their attempts to adapt and develop Marxist thought for their own particular context remains important both for understanding Middle East history, as well as current political possibilities for the Arab world today. This is the set of animating ideas that drive Fadi A. Bardawil in his new book, Revolution and Disenchantment: Arab Marxism and the Binds of Emancipation (Duke University Press, 2020)
Fadi Bardawil received his PhD from Columbia University and is an assistant professor of Asian and Middle Eastern Studies at Duke University
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>172</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>One of these movements, Socialist Lebanon, took root in the 1960s, and much Arab political thought has developed in its shadow ever since.,,</itunes:subtitle>
      <itunes:summary>In his Theses on Feuerbach, Marx famously claimed that philosophers had previously only attempted to interpret the world; the point, however, was to change it. In the 20th century, no philosopher had as great an effect on the world than Marx, with various intellectual and political movements across the world claiming various parts of his thought and using them to develop and change their own parts of the world.
One of these movements, Socialist Lebanon, took root in the 1960s, and much Arab political thought has developed in its shadow ever since. Composed of a variety of activists and intellectuals, their attempts to adapt and develop Marxist thought for their own particular context remains important both for understanding Middle East history, as well as current political possibilities for the Arab world today. This is the set of animating ideas that drive Fadi A. Bardawil in his new book, Revolution and Disenchantment: Arab Marxism and the Binds of Emancipation (Duke University Press, 2020)
Fadi Bardawil received his PhD from Columbia University and is an assistant professor of Asian and Middle Eastern Studies at Duke University
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his <em>Theses on Feuerbach</em>, Marx famously claimed that philosophers had previously only attempted to interpret the world; the point, however, was to change it. In the 20th century, no philosopher had as great an effect on the world than Marx, with various intellectual and political movements across the world claiming various parts of his thought and using them to develop and change their own parts of the world.</p><p>One of these movements, Socialist Lebanon, took root in the 1960s, and much Arab political thought has developed in its shadow ever since. Composed of a variety of activists and intellectuals, their attempts to adapt and develop Marxist thought for their own particular context remains important both for understanding Middle East history, as well as current political possibilities for the Arab world today. This is the set of animating ideas that drive <a href="https://asianmideast.duke.edu/people/fadi-bardawil">Fadi A. Bardawil</a> in his new book, <a href="https://www.amazon.com/dp/1478006757/?tag=newbooinhis-20"><em>Revolution and Disenchantment: Arab Marxism and the Binds of Emancipation</em></a> (Duke University Press, 2020)</p><p>Fadi Bardawil received his PhD from Columbia University and is an assistant professor of Asian and Middle Eastern Studies at Duke University</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5437</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Sam Han, "(Inter)Facing Death: Life in Global Uncertainty" (Routledge, 2020)</title>
      <description>In modern times, death is understood to have undergone a transformation not unlike religion. Whereas in the past it was out in the open, it now resides mostly in specialized spaces of sequestration—funeral homes, hospitals and other medical facilities. A mainstay in so-called traditional societies in the form of ritual practices, death was usually messy but meaningful, with the questions of what happens to the dead or where they go lying at the heart of traditional culture and religion. In modernity, however, we are said to have effectively sanitized it, embalmed it and packaged it—but it seems that death is back. In the current era marked by economic, political and social uncertainty, we see it on television, on the Internet; we see it almost everywhere.
In his new book, (Inter)Facing Death: Life in Global Uncertainty (Routledge, 2020), Sam Han analyzes the nexus of death and digital culture in the contemporary moment in the context of recent developments in social, cultural and political theory. It argues that death today can be thought of as "interfaced," that is mediated and expressed, in various aspects of contemporary life rather than put to the side or overcome, as many narratives of modernity have suggested. Employing concepts from anthropology, sociology, media studies and communications, (Inter)Facing Death examines diverse phenomena where death and digital culture meet, including art, online suicide pacts, the mourning of celebrity deaths, terrorist beheadings and selfies. Providing new lines of thinking about one of the oldest questions facing the human and social sciences, this book will appeal to scholars and students of social and political theory, anthropology, sociology and cultural and media studies with interests in death.
Matt Coward-Gibbs is an Associate Lecturer and PhD student in Sociology at the University of York. He is the editor of the forthcoming collection Death, Culture and Leisure: Playing Dead (Emerald, 2020). You can find his university page here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 04 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>147</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Han analyzes the nexus of death and digital culture in the contemporary moment in the context of recent developments in social, cultural and political theory....</itunes:subtitle>
      <itunes:summary>In modern times, death is understood to have undergone a transformation not unlike religion. Whereas in the past it was out in the open, it now resides mostly in specialized spaces of sequestration—funeral homes, hospitals and other medical facilities. A mainstay in so-called traditional societies in the form of ritual practices, death was usually messy but meaningful, with the questions of what happens to the dead or where they go lying at the heart of traditional culture and religion. In modernity, however, we are said to have effectively sanitized it, embalmed it and packaged it—but it seems that death is back. In the current era marked by economic, political and social uncertainty, we see it on television, on the Internet; we see it almost everywhere.
In his new book, (Inter)Facing Death: Life in Global Uncertainty (Routledge, 2020), Sam Han analyzes the nexus of death and digital culture in the contemporary moment in the context of recent developments in social, cultural and political theory. It argues that death today can be thought of as "interfaced," that is mediated and expressed, in various aspects of contemporary life rather than put to the side or overcome, as many narratives of modernity have suggested. Employing concepts from anthropology, sociology, media studies and communications, (Inter)Facing Death examines diverse phenomena where death and digital culture meet, including art, online suicide pacts, the mourning of celebrity deaths, terrorist beheadings and selfies. Providing new lines of thinking about one of the oldest questions facing the human and social sciences, this book will appeal to scholars and students of social and political theory, anthropology, sociology and cultural and media studies with interests in death.
Matt Coward-Gibbs is an Associate Lecturer and PhD student in Sociology at the University of York. He is the editor of the forthcoming collection Death, Culture and Leisure: Playing Dead (Emerald, 2020). You can find his university page here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In modern times, death is understood to have undergone a transformation not unlike religion. Whereas in the past it was out in the open, it now resides mostly in specialized spaces of sequestration—funeral homes, hospitals and other medical facilities. A mainstay in so-called traditional societies in the form of ritual practices, death was usually messy but meaningful, with the questions of what happens to the dead or where they go lying at the heart of traditional culture and religion. In modernity, however, we are said to have effectively sanitized it, embalmed it and packaged it—but it seems that death is back. In the current era marked by economic, political and social uncertainty, we see it on television, on the Internet; we see it almost everywhere.</p><p>In his new book, <a href="https://www.amazon.com/dp/1138214108/?tag=newbooinhis-20"><em>(Inter)Facing Death: Life in Global Uncertainty</em></a> (Routledge, 2020), <a href="http://sam-han.org/">Sam Han</a> analyzes the nexus of death and digital culture in the contemporary moment in the context of recent developments in social, cultural and political theory. It argues that death today can be thought of as "interfaced," that is mediated and expressed, in various aspects of contemporary life rather than put to the side or overcome, as many narratives of modernity have suggested. Employing concepts from anthropology, sociology, media studies and communications, <em>(Inter)Facing Death</em> examines diverse phenomena where death and digital culture meet, including art, online suicide pacts, the mourning of celebrity deaths, terrorist beheadings and selfies. Providing new lines of thinking about one of the oldest questions facing the human and social sciences, this book will appeal to scholars and students of social and political theory, anthropology, sociology and cultural and media studies with interests in death.</p><p><em>Matt Coward-Gibbs is an Associate Lecturer and PhD student in Sociology at the University of York. He is the editor of the forthcoming collection Death, Culture and Leisure: Playing Dead (Emerald, 2020). You can find his university page </em><a href="https://www.york.ac.uk/sociology/our-staff/academic/matt-coward-gibbs/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2969</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6484441255.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frank Wilderson III, "Afropessimism" (Liveright, 2020)</title>
      <description>How should we understand the pervasiveness – and virulence – of anti-Black violence in the United State? Why and how is anti-Black racism different from other forms of racism? How does it permeate our moral and political ideals? Frank Wilderson III combines memoir and works of political theory, critical theory, literature, and film to offer a philosophy of Blackness.
In his new book Afropessimism (Liveright, 2020), Wilderson insists that the social construct of slavery – as seen through pervasive anti-Black subjugation and violence – permeates our principled and practical assumptions. It is not a relic but a worldview that supports our conception of, for example, what it means to be human. For Wilderson, Blacks remain slaves in the human world because “at every scale of abstraction, violence saturates Black life.” To define what it means to be human, we require people who are slaves.
While the podcast highlights the theory, the book uses accessible autobiographical stories as examples of the philosophical claims. Wilderson’s remarkable life – from his childhood in mid-century Minneapolis to his work with the African National Congress during apartheid – serves to demonstrate that there are no easy solutions (thus his afropessimism) given the level of hatred and violence.
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Jun 2020 14:29:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>440</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand the pervasiveness – and virulence – of anti-Black violence in the United State?</itunes:subtitle>
      <itunes:summary>How should we understand the pervasiveness – and virulence – of anti-Black violence in the United State? Why and how is anti-Black racism different from other forms of racism? How does it permeate our moral and political ideals? Frank Wilderson III combines memoir and works of political theory, critical theory, literature, and film to offer a philosophy of Blackness.
In his new book Afropessimism (Liveright, 2020), Wilderson insists that the social construct of slavery – as seen through pervasive anti-Black subjugation and violence – permeates our principled and practical assumptions. It is not a relic but a worldview that supports our conception of, for example, what it means to be human. For Wilderson, Blacks remain slaves in the human world because “at every scale of abstraction, violence saturates Black life.” To define what it means to be human, we require people who are slaves.
While the podcast highlights the theory, the book uses accessible autobiographical stories as examples of the philosophical claims. Wilderson’s remarkable life – from his childhood in mid-century Minneapolis to his work with the African National Congress during apartheid – serves to demonstrate that there are no easy solutions (thus his afropessimism) given the level of hatred and violence.
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the pervasiveness – and virulence – of anti-Black violence in the United State? Why and how is anti-Black racism <em>different </em>from other forms of racism? How does it permeate our moral and political ideals? <a href="https://en.wikipedia.org/wiki/Frank_B._Wilderson_III">Frank Wilderson III</a> combines memoir and works of political theory, critical theory, literature, and film to offer a philosophy of Blackness.</p><p>In his new book <a href="https://www.amazon.com/dp/163149614X/?tag=newbooinhis-20"><em>Afropessimism</em></a> (Liveright, 2020), Wilderson insists that the social construct of slavery – as seen through pervasive anti-Black subjugation and violence – permeates our principled and practical assumptions. It is not a relic but a worldview that supports our conception of, for example, what it means to be human. For Wilderson, Blacks remain slaves in the human world because “at every scale of abstraction, violence saturates Black life.” To define what it means to be human, we require people who are slaves.</p><p>While the podcast highlights the theory, the book uses accessible autobiographical stories as examples of the philosophical claims. Wilderson’s remarkable life – from his childhood in mid-century Minneapolis to his work with the African National Congress during apartheid – serves to demonstrate that there are no easy solutions (thus his afropessimism) given the level of hatred and violence.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of </em><a href="https://www.amazon.com/Democracy-Intelligent-Design-Evolution-Liebell-dp-1138999482/dp/1138999482/ref=mt_paperback?_encoding=UTF8&amp;me=&amp;qid="><em>Democracy, Intelligent Design, and Evolution: Science for Citizenship</em></a><em> (Routledge, 2013).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3559</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f67ada2-a5a7-11ea-9a86-4f6a56e088d0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3307784164.mp3?updated=1663960312" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shiu-Yin Sharon Yam, "Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship" (Ohio State UP, 2019)</title>
      <description>On this episode of the New Books Network, Lee Pierce (s/t interviews Shiu-Yin Sharon Yam of University of Kentucky on the new book, Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship (Ohio State University Press, 2019), which explores how intersecting networks of power—particularly race and ethnicity, gender, and social class—marginalize transnational subjects who find themselves outside a dominant citizenship that privileges familiarity and socioeconomic and racial superiority. In this study of how neoliberal ideas limit citizenship for marginalized populations in Hong Kong, Shui-yin Sharon Yam examines how three transnational groups—mainland Chinese maternal tourists, Southeast Asian migrant domestic workers, and South Asian permanent residents—engage with the existing citizenry and gain recognition through circulating personal narratives.
Coupling transnational feminist studies with research on emotions, Yam analyzes court cases, interviews, social media discourse, and the personal narratives of Hong Kong’s marginalized groups to develop the concept of deliberative empathy—critical empathy that prompts an audience to consider the structural sources of another’s suffering while deliberating one’s own complicity in it. Yam argues that storytelling and familial narratives can promote deliberative empathy among the audience as both a political and ethical response—carrying the affective power to jolt the dominant citizenry out of their usual xenophobic attitudes and ultimately prompt them to critically consider the human conditions they share with the marginalized and move them toward more ethical coalitions.
I hope you enjoy listening as much as I enjoyed chatting with Sharon about this fascinating book. Connect with me on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Yam examines how three transnational groups—mainland Chinese maternal tourists, Southeast Asian migrant domestic workers, and South Asian permanent residents—engage with the existing citizenry and gain recognition through circulating personal narratives....</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Lee Pierce (s/t interviews Shiu-Yin Sharon Yam of University of Kentucky on the new book, Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship (Ohio State University Press, 2019), which explores how intersecting networks of power—particularly race and ethnicity, gender, and social class—marginalize transnational subjects who find themselves outside a dominant citizenship that privileges familiarity and socioeconomic and racial superiority. In this study of how neoliberal ideas limit citizenship for marginalized populations in Hong Kong, Shui-yin Sharon Yam examines how three transnational groups—mainland Chinese maternal tourists, Southeast Asian migrant domestic workers, and South Asian permanent residents—engage with the existing citizenry and gain recognition through circulating personal narratives.
Coupling transnational feminist studies with research on emotions, Yam analyzes court cases, interviews, social media discourse, and the personal narratives of Hong Kong’s marginalized groups to develop the concept of deliberative empathy—critical empathy that prompts an audience to consider the structural sources of another’s suffering while deliberating one’s own complicity in it. Yam argues that storytelling and familial narratives can promote deliberative empathy among the audience as both a political and ethical response—carrying the affective power to jolt the dominant citizenry out of their usual xenophobic attitudes and ultimately prompt them to critically consider the human conditions they share with the marginalized and move them toward more ethical coalitions.
I hope you enjoy listening as much as I enjoyed chatting with Sharon about this fascinating book. Connect with me on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, <a href="http://leempierce.com/">Lee Pierce</a> (s/t interviews <a href="https://www.sharonyam.com/">Shiu-Yin Sharon Yam</a> of University of Kentucky on the new book, <a href="https://www.amazon.com/dp/0814255515/?tag=newbooinhis-20"><em>Inconvenient Strangers: Transnational Subjects and the Politics of Citizenship</em></a> (Ohio State University Press, 2019)<em>, </em>which explores how intersecting networks of power—particularly race and ethnicity, gender, and social class—marginalize transnational subjects who find themselves outside a dominant citizenship that privileges familiarity and socioeconomic and racial superiority. In this study of how neoliberal ideas limit citizenship for marginalized populations in Hong Kong, Shui-yin Sharon Yam examines how three transnational groups—mainland Chinese maternal tourists, Southeast Asian migrant domestic workers, and South Asian permanent residents—engage with the existing citizenry and gain recognition through circulating personal narratives.</p><p>Coupling transnational feminist studies with research on emotions, Yam analyzes court cases, interviews, social media discourse, and the personal narratives of Hong Kong’s marginalized groups to develop the concept of <em>deliberative empathy</em>—critical empathy that prompts an audience to consider the structural sources of another’s suffering while deliberating one’s own complicity in it. Yam argues that storytelling and familial narratives can promote deliberative empathy among the audience as both a political and ethical response—carrying the affective power to jolt the dominant citizenry out of their usual xenophobic attitudes and ultimately prompt them to critically consider the human conditions they share with the marginalized and move them toward more ethical coalitions.</p><p>I hope you enjoy listening as much as I enjoyed chatting with Sharon about this fascinating book. Connect with me on<a href="https://twitter.com/RhetoricLee"> Twitter</a>,<a href="http://www.instagram.com/rhetoriclee"> Instagram</a>, and<a href="http://www.facebook.com/rhetoriclee"> Facebook</a> for interview previews, the best book selfies, and new episode alerts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3480</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4623478357.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)</title>
      <description>Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)
Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.
John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Greene offers the the reader a theory of everything...</itunes:subtitle>
      <itunes:summary>Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)
Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.
John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.briangreene.org/">Brian Greene</a> is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the <a href="https://www.worldsciencefestival.com/">World Science Festival</a>. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book <a href="https://www.amazon.com/dp/0593171721/?tag=newbooinhis-20"><em>Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe</em></a> (Random House, 2020)</p><p><em>Until the End of Time</em> gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.</p><p><a href="https://www.aalto.fi/en/people/john-weston"><em>John Weston</em></a><em> is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at </em><a href="mailto:john.weston@aalto.fi"><em>john.weston@aalto.fi</em></a><em> and </em><a href="https://twitter.com/johnwphd"><em>@johnwphd</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7237</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d7febaac-a34b-11ea-bdc2-6f04e0a646aa]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2842336374.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Elinor Carmi, "Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media" (Peter Lang, 2020)</title>
      <description>What is spam? In Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media, Dr Elinor Carmi, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free here, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project Me and my big datahere
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is spam?</itunes:subtitle>
      <itunes:summary>What is spam? In Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media, Dr Elinor Carmi, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free here, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project Me and my big datahere
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is spam? In <a href="https://www.peterlang.com/view/title/70160?rskey=HrplY5&amp;format=EPDF"><em>Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media</em></a><em>, </em><a href="https://twitter.com/Elinor_Carmi">Dr Elinor Carmi</a>, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free <a href="https://www.peterlang.com/view/title/70160?rskey=HrplY5&amp;format=EPDF">here</a>, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project <em>Me and my big data</em><a href="https://www.liverpool.ac.uk/humanities-and-social-sciences/research/research-themes/centre-for-digital-humanities/projects/big-data/">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2200</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b70d0192-9ad5-11ea-8bdc-5f8e313cccad]]></guid>
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    <item>
      <title>Viet Thanh Nguyen, "Nothing Ever Dies: Vietnam and the Memory of War" (Harvard UP, 2016)</title>
      <description>According to Viet Thanh Nguyen, all wars are fought twice: first on the field of battle, and then in the struggles over memory. In Nothing Ever Dies: Vietnam and the Memory of War (Harvard University Press, 2016) he explores the various ways in which the American War in Vietnam has been remembered and forgotten. But this wide-ranging, erudite, and joyously inter-disciplinary book is more than just a study of how we talk about this war. Professor Nguyen argues that we need to create a new ethics based on a “just memory” that recognizes not only ourselves and our own humanity but includes the humanity of others and also our own inhumanity. Nothing Ever Dies critiques what he terms the “industries” of memory production. As with the actual war which pitted lightly armed guerrilla fighters against the vast American war machine, asymmetry characterizes memory production. Nguyen contrasts the success of Hollywood films such as “Apocalypse Now” in globalizing the American narrative of the war with the more localized efforts of the Vietnamese Communist Party to promote their version of the war through monuments, museums, and massive graveyards. Nothing Ever Dies is a transnational project that engages both the United States of America and north and south Vietnam, but also brings South Korea, Laos, and Cambodia into the discussion. The book combines history, literary and film criticism, and museum studies into a larger philosophical exploration of ethics and a call for peace grounded in justice.
While Nothing Ever Dies is an impressive book and was a finalist for the National Book Award for non-fiction, Viet Thanh Nguyen is best known for The Sympathizer. This novel won the 2016 Pulitzer for fiction and a host of other awards. Professor Nguyen, who holds the Aerol Arnold Chair of English and is a Professor of American Studies and Ethnicity at the University of Southern California, was been awarded fellowships from the MacArthur and Guggenheim Foundations in 2017. Importantly, Nothing Ever Dies is a very personal work. The author places his identity as a refugee born in Vietnam but airlifted to the United States of America in 1975 at the center of the text. Growing up in San José, California, he learned about the war that shaped his life through American film and fiction. However, he often felt otherized in these often-racist depictions of the war. Nothing Ever Dies is his contribution to writing diverse Vietnamese experiences into our memory of Vietnam.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>732</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>According to Viet Thanh Nguyen, all wars are fought twice: first on the field of battle, and then in the struggles over memory...</itunes:subtitle>
      <itunes:summary>According to Viet Thanh Nguyen, all wars are fought twice: first on the field of battle, and then in the struggles over memory. In Nothing Ever Dies: Vietnam and the Memory of War (Harvard University Press, 2016) he explores the various ways in which the American War in Vietnam has been remembered and forgotten. But this wide-ranging, erudite, and joyously inter-disciplinary book is more than just a study of how we talk about this war. Professor Nguyen argues that we need to create a new ethics based on a “just memory” that recognizes not only ourselves and our own humanity but includes the humanity of others and also our own inhumanity. Nothing Ever Dies critiques what he terms the “industries” of memory production. As with the actual war which pitted lightly armed guerrilla fighters against the vast American war machine, asymmetry characterizes memory production. Nguyen contrasts the success of Hollywood films such as “Apocalypse Now” in globalizing the American narrative of the war with the more localized efforts of the Vietnamese Communist Party to promote their version of the war through monuments, museums, and massive graveyards. Nothing Ever Dies is a transnational project that engages both the United States of America and north and south Vietnam, but also brings South Korea, Laos, and Cambodia into the discussion. The book combines history, literary and film criticism, and museum studies into a larger philosophical exploration of ethics and a call for peace grounded in justice.
While Nothing Ever Dies is an impressive book and was a finalist for the National Book Award for non-fiction, Viet Thanh Nguyen is best known for The Sympathizer. This novel won the 2016 Pulitzer for fiction and a host of other awards. Professor Nguyen, who holds the Aerol Arnold Chair of English and is a Professor of American Studies and Ethnicity at the University of Southern California, was been awarded fellowships from the MacArthur and Guggenheim Foundations in 2017. Importantly, Nothing Ever Dies is a very personal work. The author places his identity as a refugee born in Vietnam but airlifted to the United States of America in 1975 at the center of the text. Growing up in San José, California, he learned about the war that shaped his life through American film and fiction. However, he often felt otherized in these often-racist depictions of the war. Nothing Ever Dies is his contribution to writing diverse Vietnamese experiences into our memory of Vietnam.
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to <a href="https://vietnguyen.info/author-viet-thanh-nguyen">Viet Thanh Nguyen</a>, all wars are fought twice: first on the field of battle, and then in the struggles over memory. In <a href="https://www.amazon.com/dp/067466034X/?tag=newbooinhis-20"><em>Nothing Ever Dies: Vietnam and the Memory of War</em></a> (Harvard University Press, 2016) he explores the various ways in which the American War in Vietnam has been remembered and forgotten. But this wide-ranging, erudite, and joyously inter-disciplinary book is more than just a study of how we talk about this war. Professor Nguyen argues that we need to create a new ethics based on a “just memory” that recognizes not only ourselves and our own humanity but includes the humanity of others and also our own inhumanity. <em>Nothing Ever Dies</em> critiques what he terms the “industries” of memory production. As with the actual war which pitted lightly armed guerrilla fighters against the vast American war machine, asymmetry characterizes memory production. Nguyen contrasts the success of Hollywood films such as “Apocalypse Now” in globalizing the American narrative of the war with the more localized efforts of the Vietnamese Communist Party to promote their version of the war through monuments, museums, and massive graveyards. <em>Nothing Ever Dies</em> is a transnational project that engages both the United States of America and north and south Vietnam, but also brings South Korea, Laos, and Cambodia into the discussion. The book combines history, literary and film criticism, and museum studies into a larger philosophical exploration of ethics and a call for peace grounded in justice.</p><p>While <em>Nothing Ever Dies</em> is an impressive book and was a finalist for the National Book Award for non-fiction, Viet Thanh Nguyen is best known for <em>The Sympathizer</em>. This novel won the 2016 Pulitzer for fiction and a host of other awards. Professor Nguyen, who holds the Aerol Arnold Chair of English and is a Professor of American Studies and Ethnicity at the University of Southern California, was been awarded fellowships from the MacArthur and Guggenheim Foundations in 2017. Importantly, <em>Nothing Ever Dies</em> is a very personal work. The author places his identity as a refugee born in Vietnam but airlifted to the United States of America in 1975 at the center of the text. Growing up in San José, California, he learned about the war that shaped his life through American film and fiction. However, he often felt otherized in these often-racist depictions of the war. <em>Nothing Ever Dies</em> is his contribution to writing diverse Vietnamese experiences into our memory of Vietnam.</p><p><a href="https://michaelvann.academia.edu"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford, 2018). When he’s not quietly reading or happily talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4229</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[38aed5b2-9ae1-11ea-a1cc-f7f84d689de0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3058167968.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Thomas A. Discenna, "Discourses of Denial: The Rhetoric of American Academic Labor" (Routledge, 2017)</title>
      <description>On this episode of the New Books Network, Lee Pierce (they/she) interviews Thomas A. Discenna of Oakland University about the myriad ways that the labor of those employed by universities is situated as somehow distinct from ordinary labor. Focusing on a variety of sites where academic labor is discursively constructed in popular consciousness including among the professoriate itself, its critics and detractors, the unionization struggles of graduate students, the invisibility of contingent academics and the resistance to the unionization of student athletes.
In Discourses of Denial: The Rhetoric of American Academic Labor (Routledge, 2017), Discenna paints a compelling picture of “the denial of academic labor” happening across public and private institutions, arguing that it functions to underwrite an attack on labor in all of its variations. The professoriate is, therefore, not a retrograde figure of more genteel times but the emblematic figure of late capitalism’s transition to cognitive labor and with it an unceasing colonization of the human lifeworld.
I hope you enjoy listening as I much as I enjoyed chatting with Tom about this illuminating book. I’d love to hear from you at rhetoriclee@gmail.com or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Discenna paints a compelling picture of “the denial of academic labor” happening across public and private institutions...</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Lee Pierce (they/she) interviews Thomas A. Discenna of Oakland University about the myriad ways that the labor of those employed by universities is situated as somehow distinct from ordinary labor. Focusing on a variety of sites where academic labor is discursively constructed in popular consciousness including among the professoriate itself, its critics and detractors, the unionization struggles of graduate students, the invisibility of contingent academics and the resistance to the unionization of student athletes.
In Discourses of Denial: The Rhetoric of American Academic Labor (Routledge, 2017), Discenna paints a compelling picture of “the denial of academic labor” happening across public and private institutions, arguing that it functions to underwrite an attack on labor in all of its variations. The professoriate is, therefore, not a retrograde figure of more genteel times but the emblematic figure of late capitalism’s transition to cognitive labor and with it an unceasing colonization of the human lifeworld.
I hope you enjoy listening as I much as I enjoyed chatting with Tom about this illuminating book. I’d love to hear from you at rhetoriclee@gmail.com or connect with me on Twitter, Instagram, and Facebook @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, <a href="http://leempierce.com/">Lee Pierce</a> (they/she) interviews <a href="https://oakland.edu/cj/top-links/faculty/Discenna/">Thomas A. Discenna</a> of Oakland University about the myriad ways that the labor of those employed by universities is situated as somehow distinct from ordinary labor. Focusing on a variety of sites where academic labor is discursively constructed in popular consciousness including among the professoriate itself, its critics and detractors, the unionization struggles of graduate students, the invisibility of contingent academics and the resistance to the unionization of student athletes.</p><p>In <a href="https://www.amazon.com/dp/0367365766/?tag=newbooinhis-20"><em>Discourses of Denial: The Rhetoric of American Academic Labor</em></a> (Routledge, 2017), Discenna paints a compelling picture of “the denial of academic labor” happening across public and private institutions, arguing that it functions to underwrite an attack on labor in all of its variations. The professoriate is, therefore, not a retrograde figure of more genteel times but the emblematic figure of late capitalism’s transition to cognitive labor and with it an unceasing colonization of the human lifeworld.</p><p>I hope you enjoy listening as I much as I enjoyed chatting with Tom about this illuminating book. I’d love to hear from you at <a href="mailto:rhetoriclee@gmail.com">rhetoriclee@gmail.com</a> or connect with me on <a href="https://twitter.com/RhetoricLee">Twitter</a>, <a href="http://www.instagram.com/rhetoricleespeaking">Instagram</a>, and <a href="http://www.facebook.com/rhetoriclee">Facebook</a> @rhetoriclee and @rhetoricleespeaking. Share your thoughts about the interview with the hashtag #newbooksnerd.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3599</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1f2553c2-9a01-11ea-ae63-83b96bacd7d8]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6272825504.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Lachmann, "First Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers" (Verso, 2020)</title>
      <description>Richard Lachmann’s First Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers (Verso, 2020) is a two-for-one deal. The first half of the book is a historical analysis of why some empires transform their geopolitical power into global hegemony while others fail to do so, and why hegemons eventually lose their global predominance. Focusing on the great European empires (Spain, France, Britain, and the Netherlands), Lachmann argues that while imperial expansion can deliver more resources to their centers, they can also create dynamics of elite conflict and complacency that can either prevent an empire from attaining global preeminence, or prevent hegemons from undertaking reforms that would be necessary to maintain their power advantages over emerging rivals. His theoretical framework breaks from internalist theories of state formation and regime change by demonstrating how imperial expansion affects political development in the metropole.
In the second half of the book, Lachmann uses his theory of elite politics to analyze the decline of US geopolitical power from its post-World War II heights, which has manifested itself in rising inequality, increasing economic instability, and the failure to win wars despite its massive military budget. He shows how financialization has fostered predatory, short-termist accumulation strategies for economic elites, as they prioritize maximizing shareholder value over long-term investment. At the same time, military officers and weapons contractors team up to prevent reorganization of the military away from expensive high-tech conventional weapons towards resources that would be more useful for fighting insurgencies. In both cases, elites have been able to use their organizational resources to secure their own interests at the expense of the national interest.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 May 2020 07:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle> Lachmann argues that while imperial expansion can deliver more resources to their centers, they can also create dynamics of elite conflict...</itunes:subtitle>
      <itunes:summary>Richard Lachmann’s First Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers (Verso, 2020) is a two-for-one deal. The first half of the book is a historical analysis of why some empires transform their geopolitical power into global hegemony while others fail to do so, and why hegemons eventually lose their global predominance. Focusing on the great European empires (Spain, France, Britain, and the Netherlands), Lachmann argues that while imperial expansion can deliver more resources to their centers, they can also create dynamics of elite conflict and complacency that can either prevent an empire from attaining global preeminence, or prevent hegemons from undertaking reforms that would be necessary to maintain their power advantages over emerging rivals. His theoretical framework breaks from internalist theories of state formation and regime change by demonstrating how imperial expansion affects political development in the metropole.
In the second half of the book, Lachmann uses his theory of elite politics to analyze the decline of US geopolitical power from its post-World War II heights, which has manifested itself in rising inequality, increasing economic instability, and the failure to win wars despite its massive military budget. He shows how financialization has fostered predatory, short-termist accumulation strategies for economic elites, as they prioritize maximizing shareholder value over long-term investment. At the same time, military officers and weapons contractors team up to prevent reorganization of the military away from expensive high-tech conventional weapons towards resources that would be more useful for fighting insurgencies. In both cases, elites have been able to use their organizational resources to secure their own interests at the expense of the national interest.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.albany.edu/sociology/faculty/richard-lachmann">Richard Lachmann</a>’s <a href="https://www.amazon.com/dp/1788734076/?tag=newbooinhis-20"><em>First Class Passengers on a Sinking Ship: Elite Politics and the Decline of Great Powers</em></a> (Verso, 2020) is a two-for-one deal. The first half of the book is a historical analysis of why some empires transform their geopolitical power into global hegemony while others fail to do so, and why hegemons eventually lose their global predominance. Focusing on the great European empires (Spain, France, Britain, and the Netherlands), Lachmann argues that while imperial expansion can deliver more resources to their centers, they can also create dynamics of elite conflict and complacency that can either prevent an empire from attaining global preeminence, or prevent hegemons from undertaking reforms that would be necessary to maintain their power advantages over emerging rivals. His theoretical framework breaks from internalist theories of state formation and regime change by demonstrating how imperial expansion affects political development in the metropole.</p><p>In the second half of the book, Lachmann uses his theory of elite politics to analyze the decline of US geopolitical power from its post-World War II heights, which has manifested itself in rising inequality, increasing economic instability, and the failure to win wars despite its massive military budget. He shows how financialization has fostered predatory, short-termist accumulation strategies for economic elites, as they prioritize maximizing shareholder value over long-term investment. At the same time, military officers and weapons contractors team up to prevent reorganization of the military away from expensive high-tech conventional weapons towards resources that would be more useful for fighting insurgencies. In both cases, elites have been able to use their organizational resources to secure their own interests at the expense of the national interest.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6ed25a12-9c56-11ea-8fc0-cb89260bb5bb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7060656136.mp3?updated=1732058128" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dana El Kurd, "Polarized and Demobilized: Legacies of Authoritarianism in Palestine" (Oxford UP, 2020)</title>
      <description>What demobilizes a once mobilized society? How does international involvement amplify or suppress these dynamics?
In Polarized and Demobilized: Legacies of Authoritarianism in Palestine (Oxford University Press, 2020), Dana El Kurd’s new book uses a case study to interrogate how the Palestinian Authority – as an indigenous institution – more successfully demobilized Palestinian society than Israeli occupiers. Despite Israel’s greater resources and international backing, the Palestinian Authority, paradoxically, was able to accomplish what the Israelis could not: the polarization and demobilization of the Palestinian population.
The Palestinian Authority (PA) -- insulated from domestic constituents and consumed with addressing international pressures rather than negotiating with Palestinian society – strengthened authoritarian practices. The use of authoritarianism polarized the public over both international involvement and the practice of authoritarianism. El Kurd’s rich case study illustrates how certain authoritarian strategies used by the PA increased societal polarizing – and that polarization negatively affected mobilization and the capacity for collective action. El Kurd uses a mix of survey data, interviews, and field research to demonstrate how international involvement results in insulation that may increase authoritarianism. She not only provides a nuanced look at the Palestinian Authority but applies her findings to Iraqi Kurdistan and Bahrain in one of the concluding chapters. The podcast concludes with incisive comments about how the Trump administration’s disengagement may ironically open opportunities for rebuilding the capacity for Palestinian collective action.
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 25 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>432</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kurd’s rich case study illustrates how certain authoritarian strategies used by the PA increased societal polarizing...</itunes:subtitle>
      <itunes:summary>What demobilizes a once mobilized society? How does international involvement amplify or suppress these dynamics?
In Polarized and Demobilized: Legacies of Authoritarianism in Palestine (Oxford University Press, 2020), Dana El Kurd’s new book uses a case study to interrogate how the Palestinian Authority – as an indigenous institution – more successfully demobilized Palestinian society than Israeli occupiers. Despite Israel’s greater resources and international backing, the Palestinian Authority, paradoxically, was able to accomplish what the Israelis could not: the polarization and demobilization of the Palestinian population.
The Palestinian Authority (PA) -- insulated from domestic constituents and consumed with addressing international pressures rather than negotiating with Palestinian society – strengthened authoritarian practices. The use of authoritarianism polarized the public over both international involvement and the practice of authoritarianism. El Kurd’s rich case study illustrates how certain authoritarian strategies used by the PA increased societal polarizing – and that polarization negatively affected mobilization and the capacity for collective action. El Kurd uses a mix of survey data, interviews, and field research to demonstrate how international involvement results in insulation that may increase authoritarianism. She not only provides a nuanced look at the Palestinian Authority but applies her findings to Iraqi Kurdistan and Bahrain in one of the concluding chapters. The podcast concludes with incisive comments about how the Trump administration’s disengagement may ironically open opportunities for rebuilding the capacity for Palestinian collective action.
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What demobilizes a once mobilized society? How does international involvement amplify or suppress these dynamics?</p><p>In <a href="https://www.amazon.com/dp/1787382133/?tag=newbooinhis-20"><em>Polarized and Demobilized: Legacies of Authoritarianism in Palestine</em></a> (Oxford University Press, 2020), <a href="https://danaelkurd.weebly.com/">Dana El Kurd</a>’s new book uses a case study to interrogate how the Palestinian Authority – as an indigenous institution – more successfully demobilized Palestinian society than Israeli occupiers. Despite Israel’s greater resources and international backing, the Palestinian Authority, paradoxically, was able to accomplish what the Israelis could not: the polarization and demobilization of the Palestinian population.</p><p>The Palestinian Authority (PA) -- insulated from domestic constituents and consumed with addressing international pressures rather than negotiating with Palestinian society – strengthened authoritarian practices. The use of authoritarianism polarized the public over both international involvement and the practice of authoritarianism. <a href="https://twitter.com/danaelkurd?">El Kurd</a>’s rich case study illustrates how certain authoritarian strategies used by the PA increased societal polarizing – and that polarization negatively affected mobilization and the capacity for collective action. El Kurd uses a mix of survey data, interviews, and field research to demonstrate how international involvement results in insulation that may increase authoritarianism. She not only provides a nuanced look at the Palestinian Authority but applies her findings to Iraqi Kurdistan and Bahrain in one of the concluding chapters. The podcast concludes with incisive comments about how the Trump administration’s disengagement may ironically open opportunities for rebuilding the capacity for Palestinian collective action.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan</em> Liebell<em> </em></a><em>is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of </em><a href="https://www.amazon.com/Democracy-Intelligent-Design-Evolution-Liebell-dp-1138999482/dp/1138999482/ref=mt_paperback?_encoding=UTF8&amp;me=&amp;qid="><em>Democracy, Intelligent Design, and Evolution: Science for Citizenship</em></a><em> (Routledge, 2013).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6c5f82f6-92ff-11ea-b281-23052f0b1190]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6560160739.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Santiago Zabala, "Being at Large: Freedom in the Ago of Alternative Facts" (McGill-Queen's UP, 2020)</title>
      <description>In recent years, questions around the nature of ​truth ​and ​facts have reentered public debate, often in discussions around journalistic bias, and whether politically neutral reporting is possible, or even desirable. Many pundits have tried to place blame for the increasingly slippery and fickle nature of truth in reporting on the ideas developed in much 20th-century philosophy, particularly postmodern theory.
Santiago Zabala, however, argues that this is to mistake a diagnosis with the condition itself, and makes the case in his recent book, ​Being at Large: Freedom in the Age of Alternative Facts (McGill-Queen's University Press, 2020),​ that much of the hermeneutic and postmodern philosophical traditions can help us navigate these times out of joint.
Santiago Zabala is a philosopher and cultural critic and ICREA Research Professor of Philosophy at the Pompeu Fabra University in Barcelona. He is author of many books, including Why Only Art Can Save Us: Aesthetics and the Absence of Emergency (Columbia University Press, 2017). His opinion articles have appeared in the Guardian, the New York Times, and Al-Jazeera among other international media outlets.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 25 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In recent years, questions around the nature of ​truth ​and ​facts have reentered public debate...</itunes:subtitle>
      <itunes:summary>In recent years, questions around the nature of ​truth ​and ​facts have reentered public debate, often in discussions around journalistic bias, and whether politically neutral reporting is possible, or even desirable. Many pundits have tried to place blame for the increasingly slippery and fickle nature of truth in reporting on the ideas developed in much 20th-century philosophy, particularly postmodern theory.
Santiago Zabala, however, argues that this is to mistake a diagnosis with the condition itself, and makes the case in his recent book, ​Being at Large: Freedom in the Age of Alternative Facts (McGill-Queen's University Press, 2020),​ that much of the hermeneutic and postmodern philosophical traditions can help us navigate these times out of joint.
Santiago Zabala is a philosopher and cultural critic and ICREA Research Professor of Philosophy at the Pompeu Fabra University in Barcelona. He is author of many books, including Why Only Art Can Save Us: Aesthetics and the Absence of Emergency (Columbia University Press, 2017). His opinion articles have appeared in the Guardian, the New York Times, and Al-Jazeera among other international media outlets.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In recent years, questions around the nature of ​truth ​and ​facts have reentered public debate, often in discussions around journalistic bias, and whether politically neutral reporting is possible, or even desirable. Many pundits have tried to place blame for the increasingly slippery and fickle nature of truth in reporting on the ideas developed in much 20th-century philosophy, particularly postmodern theory.</p><p><a href="http://www.santiagozabala.com/">Santiago Zabala</a>, however, argues that this is to mistake a diagnosis with the condition itself, and makes the case in his recent book, <a href="https://www.amazon.com/dp/0228001927/?tag=newbooinhis-20"><em>​Being at Large: Freedom in the Age of Alternative Facts</em></a> (McGill-Queen's University Press, 2020),​ that much of the hermeneutic and postmodern philosophical traditions can help us navigate these times out of joint.</p><p>Santiago Zabala is a philosopher and cultural critic and ICREA Research Professor of Philosophy at the Pompeu Fabra University in Barcelona. He is author of many books, including <em>Why Only Art Can Save Us: Aesthetics and the Absence of Emergency</em> (Columbia University Press, 2017). His opinion articles have appeared in the <em>Guardian</em>, the <em>New York Times</em>, and Al-Jazeera among other international media outlets.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3438</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7f9d8e9e-97aa-11ea-899a-7b8242edc17f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2845574824.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James M. Jasper, "Public Characters: The Politics of Reputation and Blame" (Oxford UP, 2020)</title>
      <description>Did Donald Trump win the U.S. presidency in 2016 because he was a master of character work – able to sum up opponents in pithy epithets that encourage the public to see them as weak or immoral? What is character work and how do characters with roots in ancient crease help us understand 21st-century politics? While many scholars of politics focus on plots, James M. Jasper, Michael P. Young and Elke Zuern encourage us to look at the characters – particularly the simplified packaging of the intentions, capacities, and actions of public figures.
In Public Characters: The Politics of Reputation and Blame (Oxford University Press, 2020), Jasper and his colleagues show how political figures often allocate praise and blame, identify social problems, cement identities and allegiances, develop policies, and articulate our moral intuitions. Democracies need to understand where characters -- heroes, villains, victims, and minions – come from in order to keep their influence within proper bounds. Although part of a Western rhetorical tradition, character work is often done through dress, posters, facial expressions, statues, paintings, photos, and music.
In the podcast, Jasper discusses Trump’s conveying of ancient rhetorical symbols through Twitter, the gendered nature of “strength” or “heroism,” and the uncomfortable use of stereotypes that shape group “characters.”
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 22 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>431</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Did Donald Trump win the U.S. presidency in 2016 because he was a master of character work – able to sum up opponents in pithy epithets that encourage the public to see them as weak or immoral?</itunes:subtitle>
      <itunes:summary>Did Donald Trump win the U.S. presidency in 2016 because he was a master of character work – able to sum up opponents in pithy epithets that encourage the public to see them as weak or immoral? What is character work and how do characters with roots in ancient crease help us understand 21st-century politics? While many scholars of politics focus on plots, James M. Jasper, Michael P. Young and Elke Zuern encourage us to look at the characters – particularly the simplified packaging of the intentions, capacities, and actions of public figures.
In Public Characters: The Politics of Reputation and Blame (Oxford University Press, 2020), Jasper and his colleagues show how political figures often allocate praise and blame, identify social problems, cement identities and allegiances, develop policies, and articulate our moral intuitions. Democracies need to understand where characters -- heroes, villains, victims, and minions – come from in order to keep their influence within proper bounds. Although part of a Western rhetorical tradition, character work is often done through dress, posters, facial expressions, statues, paintings, photos, and music.
In the podcast, Jasper discusses Trump’s conveying of ancient rhetorical symbols through Twitter, the gendered nature of “strength” or “heroism,” and the uncomfortable use of stereotypes that shape group “characters.”
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Did Donald Trump win the U.S. presidency in 2016 because he was a master of character work – able to sum up opponents in pithy epithets that encourage the public to see them as weak or immoral? What is character work and how do characters with roots in ancient crease help us understand 21st-century politics? While many scholars of politics focus on plots, <a href="https://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/Sociology/Faculty-Bios/James-M-Jasper">James M. Jasper</a>, <a href="https://liberalarts.utexas.edu/sociology/faculty/youngm5">Michael P. Young</a> and <a href="https://www.sarahlawrence.edu/faculty/zuern-elke.html">Elke Zuern</a> encourage us to look at the characters – particularly the simplified packaging of the intentions, capacities, and actions of public figures.</p><p>In <a href="https://www.amazon.com/dp/0190050047/?tag=newbooinhis-20"><em>Public Characters: The Politics of Reputation and Blame</em></a> (Oxford University Press, 2020), Jasper and his colleagues show how political figures often allocate praise and blame, identify social problems, cement identities and allegiances, develop policies, and articulate our moral intuitions. Democracies need to understand where characters -- heroes, villains, victims, and minions – come from in order to keep their influence within proper bounds. Although part of a Western rhetorical tradition, character work is often done through dress, posters, facial expressions, statues, paintings, photos, and music.</p><p>In the podcast, Jasper discusses Trump’s conveying of ancient rhetorical symbols through Twitter, the gendered nature of “strength” or “heroism,” and the uncomfortable use of stereotypes that shape group “characters.”</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan</em> Liebell<em> </em></a><em>is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of </em><a href="https://www.amazon.com/Democracy-Intelligent-Design-Evolution-Liebell-dp-1138999482/dp/1138999482/ref=mt_paperback?_encoding=UTF8&amp;me=&amp;qid="><em>Democracy, Intelligent Design, and Evolution: Science for Citizenship</em></a><em> (Routledge, 2013).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2487</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6e5a0794-92f9-11ea-9729-1363176993bf]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6571672349.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yassir Morsi, “Radical Skin, Moderate Masks: De-radicalising the Muslim and Racism in Post-racial Societies” (Rowman and Littlefield, 2017)</title>
      <description>Muslims living in locations like Australia, Europe, or North America exist within a context dominated by white racial norms and are forced to grapple with those conventions on a daily basis. If they succeed in meeting the presiding criterion of secular liberalism they can be dubbed a “moderate” Muslim by mainstream society.
In Radical Skin, Moderate Masks: De-radicalising the Muslim and Racism in Post-racial Societies (Rowman &amp; Littlefield, 2017), Yassir Morsi, Lecturer at La Trobe University, explores these contemporary social dynamics and considers the various ways Muslims don a mask in order to navigate the expectations of the dominant society. Here he offers three paradigms, what he calls the “Fabulous Mask,” the “Militant Mask,” and the “Triumphant Mask,” that represent changing tensions for the “moderate” Muslim. Morsi deconstructs the “radical” vs. “moderate” binary through the forces of racialized structures that shape everyday life and the historical circumstances of Muslims in the “West.” This is achieved through an auto-ethnography that destabilizes traditional scholarship and enables the reader to come to a better understanding of the psychological and material effects of being a Muslim in the times of the “War on Terror” and government funded deradicalization programs. In our conversation we discuss the relationship between religion and race, the category “moderate” Muslim, Frantz Fanon, being a cultural translator, U.S. Muslim scholar Hamza Yusuf, an Islamic art museum exhibit, Australian media personality Waleed Aly &amp; comedian Nazeem Hussain, readings of Edward Said’s Orientalism, British commentator Maajid Nawaz, Friedrich Nietzsche, and confronting the theoretical and practical norms of academic scholarship.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 22 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Muslims living in locations like Australia, Europe, or North America exist within a context dominated by white racial norms...</itunes:subtitle>
      <itunes:summary>Muslims living in locations like Australia, Europe, or North America exist within a context dominated by white racial norms and are forced to grapple with those conventions on a daily basis. If they succeed in meeting the presiding criterion of secular liberalism they can be dubbed a “moderate” Muslim by mainstream society.
In Radical Skin, Moderate Masks: De-radicalising the Muslim and Racism in Post-racial Societies (Rowman &amp; Littlefield, 2017), Yassir Morsi, Lecturer at La Trobe University, explores these contemporary social dynamics and considers the various ways Muslims don a mask in order to navigate the expectations of the dominant society. Here he offers three paradigms, what he calls the “Fabulous Mask,” the “Militant Mask,” and the “Triumphant Mask,” that represent changing tensions for the “moderate” Muslim. Morsi deconstructs the “radical” vs. “moderate” binary through the forces of racialized structures that shape everyday life and the historical circumstances of Muslims in the “West.” This is achieved through an auto-ethnography that destabilizes traditional scholarship and enables the reader to come to a better understanding of the psychological and material effects of being a Muslim in the times of the “War on Terror” and government funded deradicalization programs. In our conversation we discuss the relationship between religion and race, the category “moderate” Muslim, Frantz Fanon, being a cultural translator, U.S. Muslim scholar Hamza Yusuf, an Islamic art museum exhibit, Australian media personality Waleed Aly &amp; comedian Nazeem Hussain, readings of Edward Said’s Orientalism, British commentator Maajid Nawaz, Friedrich Nietzsche, and confronting the theoretical and practical norms of academic scholarship.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Muslims living in locations like Australia, Europe, or North America exist within a context dominated by white racial norms and are forced to grapple with those conventions on a daily basis. If they succeed in meeting the presiding criterion of secular liberalism they can be dubbed a “moderate” Muslim by mainstream society.</p><p>In <a href="https://www.amazon.com/dp/178348912X/?tag=newbooinhis-20"><em>Radical Skin, Moderate Masks: De-radicalising the Muslim and Racism in Post-racial Societies</em></a> (Rowman &amp; Littlefield, 2017), <a href="https://scholars.latrobe.edu.au/display/ymorsi">Yassir Morsi</a>, Lecturer at La Trobe University, explores these contemporary social dynamics and considers the various ways Muslims don a mask in order to navigate the expectations of the dominant society. Here he offers three paradigms, what he calls the “Fabulous Mask,” the “Militant Mask,” and the “Triumphant Mask,” that represent changing tensions for the “moderate” Muslim. Morsi deconstructs the “radical” vs. “moderate” binary through the forces of racialized structures that shape everyday life and the historical circumstances of Muslims in the “West.” This is achieved through an auto-ethnography that destabilizes traditional scholarship and enables the reader to come to a better understanding of the psychological and material effects of being a Muslim in the times of the “War on Terror” and government funded deradicalization programs. In our conversation we discuss the relationship between religion and race, the category “moderate” Muslim, Frantz Fanon, being a cultural translator, U.S. Muslim scholar Hamza Yusuf, an Islamic art museum exhibit, Australian media personality Waleed Aly &amp; comedian Nazeem Hussain, readings of Edward Said’s Orientalism, British commentator Maajid Nawaz, Friedrich Nietzsche, and confronting the theoretical and practical norms of academic scholarship.</p><p><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4498</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Noëlle McAfee, "Fear of Breakdown: Psychoanalysis and Politics" (Columbia UP, 2019)</title>
      <description>In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott, Noëlle McAfee’s Fear of Breakdown: Psychoanalysis and Politics (Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy.
Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money’s worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will.
Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right?  It seems there is something about democracy that frightens the shit out of us.
Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother’s other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss.
Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage?
Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself’,” to quote Adrienne Rich, “and not the myth?”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 22 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened...</itunes:subtitle>
      <itunes:summary>In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott, Noëlle McAfee’s Fear of Breakdown: Psychoanalysis and Politics (Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy.
Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money’s worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will.
Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right?  It seems there is something about democracy that frightens the shit out of us.
Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother’s other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss.
Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage?
Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself’,” to quote Adrienne Rich, “and not the myth?”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott,<a href="http://philosophy.emory.edu/home/people/faculty/mcafee-noelle.html"> Noëlle McAfee</a>’s <a href="https://www.amazon.com/dp/023119269X/?tag=newbooinhis-20"><em>Fear of Breakdown: Psychoanalysis and Politics</em></a><em> </em>(Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy.</p><p>Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money’s worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will.</p><p>Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right?  It seems there is something about democracy that frightens the shit out of us.</p><p>Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother’s other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss.</p><p>Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage?</p><p>Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself’,” to quote Adrienne Rich, “and not the myth?”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3428</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nancy J. Chodorow, "The Psychoanalytic Ear and the Sociological Eye" (Routledge 2020)</title>
      <description>In The Psychoanalytic Ear and the Sociological Eye: Toward an American Independent Tradition (Routledge 2020) Professor Nancy J. Chodorow gives name and shape to an American middle group between the ego psychological and interpersonal approaches: The American Independent Tradition or intersubjective ego psychology. Through her careful exegesis of theoreticians like Hans Loewald, Erik Erikson and her contemporaries Warren Poland and James McLaughlin she is able to distill an analytic attitude in which the patient’s individuality takes front and center. We get a measured account of how her thinking about the American Independent Tradition evolved over the last two decades, about its "Americanness" and about a powerful approach to technique in which the patient becomes a centred unit by being centred upon.
Turning outward from the consulting room, the in-depth study of psychoanalytic theory is framed by a focus on a larger context, the connection between individuality and society. Chodorow advocates for a return to an interest in the social and social sciences in psychoanalytic thinking. At the same time, she rues the lack of attention within the social sciences to the serious study of individuals and individuality.
Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Chodorow advocates for a return to an interest in the social and social sciences in psychoanalytic thinking...</itunes:subtitle>
      <itunes:summary>In The Psychoanalytic Ear and the Sociological Eye: Toward an American Independent Tradition (Routledge 2020) Professor Nancy J. Chodorow gives name and shape to an American middle group between the ego psychological and interpersonal approaches: The American Independent Tradition or intersubjective ego psychology. Through her careful exegesis of theoreticians like Hans Loewald, Erik Erikson and her contemporaries Warren Poland and James McLaughlin she is able to distill an analytic attitude in which the patient’s individuality takes front and center. We get a measured account of how her thinking about the American Independent Tradition evolved over the last two decades, about its "Americanness" and about a powerful approach to technique in which the patient becomes a centred unit by being centred upon.
Turning outward from the consulting room, the in-depth study of psychoanalytic theory is framed by a focus on a larger context, the connection between individuality and society. Chodorow advocates for a return to an interest in the social and social sciences in psychoanalytic thinking. At the same time, she rues the lack of attention within the social sciences to the serious study of individuals and individuality.
Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/0367134233/?tag=newbooinhis-20"><em>The Psychoanalytic Ear and the Sociological Eye: Toward an American Independent Tradition</em></a> (Routledge 2020) Professor <a href="https://sociology.berkeley.edu/professor-emeritus/nancy-j-chodorow">Nancy J. Chodorow</a> gives name and shape to an American middle group between the ego psychological and interpersonal approaches: The American Independent Tradition or intersubjective ego psychology. Through her careful exegesis of theoreticians like Hans Loewald, Erik Erikson and her contemporaries Warren Poland and James McLaughlin she is able to distill an analytic attitude in which the patient’s individuality takes front and center. We get a measured account of how her thinking about the American Independent Tradition evolved over the last two decades, about its "Americanness" and about a powerful approach to technique in which the patient becomes a centred unit by being centred upon.</p><p>Turning outward from the consulting room, the in-depth study of psychoanalytic theory is framed by a focus on a larger context, the connection between individuality and society. Chodorow advocates for a return to an interest in the social and social sciences in psychoanalytic thinking. At the same time, she rues the lack of attention within the social sciences to the serious study of individuals and individuality.</p><p><em>Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3997</itunes:duration>
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    <item>
      <title>John D. Caputo, "Hoping Against Hope" (Fortress Press, 2015)</title>
      <description>John D. Caputo has a long career as one of the preeminent postmodern philosophers in America. The author of such books as Radical Hermeneutics, The Prayers and Tears of Jacques Derrida, and The Weakness of God, Caputo now reflects on his spiritual journey from a Catholic altar boy in 1950s Philadelphia to a philosopher after the death of God. Part spiritual autobiography, part homily on what he calls the “nihilism of grace,” Hoping Against Hope (Fortress Press, 2015) calls believers and nonbelievers alike to participate in the “praxis of the kingdom of God,” which Caputo says we must pursue “without why.”
Caputo’s conversation partners in this volume include Lyotard, Derrida, and Hegel, but also earlier versions of himself: Jackie, a young altar boy, and Brother Paul, a novice in a religious order. Caputo traces his own journey from faith through skepticism to hope, after the “death of God.” In the end, Caputo doesn’t want to do away with religion; he wants to redeem religion and to reinvent religion for a postmodern time.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Caputo’s conversation partners in this volume include Lyotard, Derrida, and Hegel, but also earlier versions of himself:...</itunes:subtitle>
      <itunes:summary>John D. Caputo has a long career as one of the preeminent postmodern philosophers in America. The author of such books as Radical Hermeneutics, The Prayers and Tears of Jacques Derrida, and The Weakness of God, Caputo now reflects on his spiritual journey from a Catholic altar boy in 1950s Philadelphia to a philosopher after the death of God. Part spiritual autobiography, part homily on what he calls the “nihilism of grace,” Hoping Against Hope (Fortress Press, 2015) calls believers and nonbelievers alike to participate in the “praxis of the kingdom of God,” which Caputo says we must pursue “without why.”
Caputo’s conversation partners in this volume include Lyotard, Derrida, and Hegel, but also earlier versions of himself: Jackie, a young altar boy, and Brother Paul, a novice in a religious order. Caputo traces his own journey from faith through skepticism to hope, after the “death of God.” In the end, Caputo doesn’t want to do away with religion; he wants to redeem religion and to reinvent religion for a postmodern time.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://thecollege.syr.edu/people/faculty/caputo-john-d/">John D. Caputo</a> has a long career as one of the preeminent postmodern philosophers in America. The author of such books as <em>Radical Hermeneutics</em>, <em>The Prayers and Tears of Jacques Derrida</em>, and <em>The Weakness of God</em>, Caputo now reflects on his spiritual journey from a Catholic altar boy in 1950s Philadelphia to a philosopher after the death of God. Part spiritual autobiography, part homily on what he calls the “nihilism of grace,” <a href="https://www.amazon.com/dp/1451499159/?tag=newbooinhis-20"><em>Hoping Against Hope</em></a> (Fortress Press, 2015) calls believers and nonbelievers alike to participate in the “praxis of the kingdom of God,” which Caputo says we must pursue “without why.”</p><p>Caputo’s conversation partners in this volume include Lyotard, Derrida, and Hegel, but also earlier versions of himself: Jackie, a young altar boy, and Brother Paul, a novice in a religious order. Caputo traces his own journey from faith through skepticism to hope, after the “death of God.” In the end, Caputo doesn’t want to do away with religion; he wants to redeem religion and to reinvent religion for a postmodern time.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4431</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9228bc4-91f0-11ea-bb0a-fb12aba97d31]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2124049770.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Paul Harkins, "Digital Sampling: The Design and Use of Music Technologies" (Routledge, 2019)</title>
      <description>How does technology shape music? In Digital Sampling: The Design and Use of Music Technologies (Routledge, 2019), Paul Harkins, a lecturer in music at Edinburgh Napier University, looks at the relationship between the rise of digital sampling, technology, and music. The book draws inspiration from Science and Technology Studies to explore the impact of specific technologies, such as the Fairlight Computer Musical Instrument, programming languages, and studio practices, on artists and producers. The analysis also thinks through the evolution of digital sampling across a variety of genres, including pop, folk, and hop-hop. Drawing on a wealth of examples, the book is essential reading for anyone interested in the history of music, the history of technology, and the history of contemporary culture.
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      <pubDate>Thu, 14 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does technology shape music?</itunes:subtitle>
      <itunes:summary>How does technology shape music? In Digital Sampling: The Design and Use of Music Technologies (Routledge, 2019), Paul Harkins, a lecturer in music at Edinburgh Napier University, looks at the relationship between the rise of digital sampling, technology, and music. The book draws inspiration from Science and Technology Studies to explore the impact of specific technologies, such as the Fairlight Computer Musical Instrument, programming languages, and studio practices, on artists and producers. The analysis also thinks through the evolution of digital sampling across a variety of genres, including pop, folk, and hop-hop. Drawing on a wealth of examples, the book is essential reading for anyone interested in the history of music, the history of technology, and the history of contemporary culture.
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      <content:encoded>
        <![CDATA[<p>How does technology shape music? In <a href="https://www.amazon.com/dp/0815381646/?tag=newbooinhis-20"><em>Digital Sampling: The Design and Use of Music Technologies </em></a>(Routledge, 2019), <a href="https://twitter.com/pmharkins">Paul Harkins</a>, <a href="https://www.napier.ac.uk/people/paul-harkins">a lecturer </a>in music at Edinburgh Napier University, looks at the relationship between the rise of digital sampling, technology, and music. The book draws inspiration from Science and Technology Studies to explore the impact of specific technologies, such as the Fairlight Computer Musical Instrument, programming languages, and studio practices, on artists and producers. The analysis also thinks through the evolution of digital sampling across a variety of genres, including pop, folk, and hop-hop. Drawing on a wealth of examples, the book is essential reading for anyone interested in the history of music, the history of technology, and the history of contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2807</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2687607a-9168-11ea-b9ce-f36a464161d3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6055053197.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Adrian Johnston, "Prolegomena to Any Future Materialism: The Outcome of Contemporary French Philosophy " (Northwestern UP, 2013)</title>
      <description>In the contemporary philosophical landscape, a variety of materialist ontologies have appeared, all wrestling with various political and philosophical questions in light of a post-God ontology. Entering into this discussion is Adrian Johnston, with his 3-volume ​Prolegomena to Any Future Materialism​, an attempt to develop a systematic and thoroughly atheistic material ontology of the subject. The first volume, subtitled ​The Outcome of Contemporary French Philosophy (Northwestern University Press, 2013) looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism, regularly relying on various supramaterial elements to hold their systems together. In doing so, the book attempts to clear the ground for a consistently materialist ontology to be pursued in the latter two volumes.
Adrian Johnston is chair and distinguished professor of philosophy at the University of New Mexico and a faculty member at the Emory Psychoanalytic Institute. He is the author of close to a dozen books, including among others ​Time Driven: Metapsychology and the Splitting of the Drive (Northwestern 2005) and ​Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers (Edinburgh 2014). He is also a co-editor of Northwestern University Press’ book series ​"Diaeresis​," of which this trilogy is a contribution.
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      <pubDate>Mon, 11 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Johnston looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism...</itunes:subtitle>
      <itunes:summary>In the contemporary philosophical landscape, a variety of materialist ontologies have appeared, all wrestling with various political and philosophical questions in light of a post-God ontology. Entering into this discussion is Adrian Johnston, with his 3-volume ​Prolegomena to Any Future Materialism​, an attempt to develop a systematic and thoroughly atheistic material ontology of the subject. The first volume, subtitled ​The Outcome of Contemporary French Philosophy (Northwestern University Press, 2013) looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism, regularly relying on various supramaterial elements to hold their systems together. In doing so, the book attempts to clear the ground for a consistently materialist ontology to be pursued in the latter two volumes.
Adrian Johnston is chair and distinguished professor of philosophy at the University of New Mexico and a faculty member at the Emory Psychoanalytic Institute. He is the author of close to a dozen books, including among others ​Time Driven: Metapsychology and the Splitting of the Drive (Northwestern 2005) and ​Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers (Edinburgh 2014). He is also a co-editor of Northwestern University Press’ book series ​"Diaeresis​," of which this trilogy is a contribution.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the contemporary philosophical landscape, a variety of materialist ontologies have appeared, all wrestling with various political and philosophical questions in light of a post-God ontology. Entering into this discussion is <a href="https://philosophy.unm.edu/people/faculty/profile/adrian-johnston.html">Adrian Johnston</a>, with his 3-volume ​Prolegomena to Any Future Materialism​, an attempt to develop a systematic and thoroughly atheistic material ontology of the subject. The first volume, subtitled ​<a href="https://www.amazon.com/dp/0810129124/?tag=newbooinhis-20"><em>The Outcome of Contemporary French Philosophy</em> </a>(Northwestern University Press, 2013) looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism, regularly relying on various supramaterial elements to hold their systems together. In doing so, the book attempts to clear the ground for a consistently materialist ontology to be pursued in the latter two volumes.</p><p>Adrian Johnston is chair and distinguished professor of philosophy at the University of New Mexico and a faculty member at the Emory Psychoanalytic Institute. He is the author of close to a dozen books, including among others <em>​Time Driven: Metapsychology and the Splitting of the Drive</em> (Northwestern 2005) and ​<em>Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers</em> (Edinburgh 2014). He is also a co-editor of Northwestern University Press’ book series ​"Diaeresis​," of which this trilogy is a contribution.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4796</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1800eece-8e0f-11ea-950a-f3ff2d574433]]></guid>
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    <item>
      <title>Richard Williams "Why Cities Look the Way They Do" (Polity, 2019)</title>
      <description>How should we understand our cities? In Why Cities Look the Way They Do (Polity, 2019), Richard Williams, Professor of Contemporary Visual Cultures in History of Art at the University of Edinburgh explores the processes that shape the city foregrounding images over the idea that cities are designed or planned. The processes include the impact and influence of money, war, gender and sexuality, along with power and work. The book has a wealth of examples from cities across the world, from the megacities of Brazil, the financial hub of London, the sexual and computing spaces of San Francisco, to the aftermath of war in Belgrade. The range of examples, along with the focus on processes, make the book essential reading across the humanities and for anyone interested in contemporary urban life.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>166</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand our cities?</itunes:subtitle>
      <itunes:summary>How should we understand our cities? In Why Cities Look the Way They Do (Polity, 2019), Richard Williams, Professor of Contemporary Visual Cultures in History of Art at the University of Edinburgh explores the processes that shape the city foregrounding images over the idea that cities are designed or planned. The processes include the impact and influence of money, war, gender and sexuality, along with power and work. The book has a wealth of examples from cities across the world, from the megacities of Brazil, the financial hub of London, the sexual and computing spaces of San Francisco, to the aftermath of war in Belgrade. The range of examples, along with the focus on processes, make the book essential reading across the humanities and for anyone interested in contemporary urban life.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand our cities? In <a href="https://www.amazon.com/dp/3030246817/?tag=newbooinhis-20"><em>Why Cities Look the Way They Do </em></a>(Polity, 2019), <a href="https://twitter.com/rjwilliams44">Richard Williams</a>, <a href="https://www.eca.ed.ac.uk/profile/prof-richard-williams">Professor of Contemporary Visual Cultures </a>in History of Art at the University of Edinburgh explores the processes that shape the city foregrounding images over the idea that cities are designed or planned. The processes include the impact and influence of money, war, gender and sexuality, along with power and work. The book has a wealth of examples from cities across the world, from the megacities of Brazil, the financial hub of London, the sexual and computing spaces of San Francisco, to the aftermath of war in Belgrade. The range of examples, along with the focus on processes, make the book essential reading across the humanities and for anyone interested in contemporary urban life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dada9dac-8d77-11ea-b6d1-0fbe54611287]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3636053159.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew McManus, "The Rise of Post-Modern Conservatism" (Palgrave Macmillan, 2020)</title>
      <description>The election of Donald Trump in 2016 shocked and surprised a number of commentators, especially because his own attitudes seemed to be in conflict with much of what people often associate with conservatism. Matt McManus argues, however, that Trump and other similar figures and movements represent a new form of conservatism, one with a long history of development, and formed as a response to various social dynamics. The goal of his recent book, ​The Rise of Post-Modern Conservatism: Neoliberalism, Post-Modern Culture, and Reactionary Politics (Palgrave Macmillan, 2020), is to provide a genealogical analysis of this new form of conservative politics.
Matthew McManus received his PhD from the Socio-Legal Studies program at York University, Canada in 2017. He is currently a Visiting Professor of Political Science and International Relations at the University of TEC de Monterrey, Mexico, and is also the author of ​Making Human Dignity Central to International Human Rights Law: A Critical Legal Argument​.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Manus argues that Trump and other similar figures and movements represent a new form of conservatism, one with a long history of development, and formed as a response to various social dynamics...</itunes:subtitle>
      <itunes:summary>The election of Donald Trump in 2016 shocked and surprised a number of commentators, especially because his own attitudes seemed to be in conflict with much of what people often associate with conservatism. Matt McManus argues, however, that Trump and other similar figures and movements represent a new form of conservatism, one with a long history of development, and formed as a response to various social dynamics. The goal of his recent book, ​The Rise of Post-Modern Conservatism: Neoliberalism, Post-Modern Culture, and Reactionary Politics (Palgrave Macmillan, 2020), is to provide a genealogical analysis of this new form of conservative politics.
Matthew McManus received his PhD from the Socio-Legal Studies program at York University, Canada in 2017. He is currently a Visiting Professor of Political Science and International Relations at the University of TEC de Monterrey, Mexico, and is also the author of ​Making Human Dignity Central to International Human Rights Law: A Critical Legal Argument​.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The election of Donald Trump in 2016 shocked and surprised a number of commentators, especially because his own attitudes seemed to be in conflict with much of what people often associate with conservatism. Matt McManus argues, however, that Trump and other similar figures and movements represent a new form of conservatism, one with a long history of development, and formed as a response to various social dynamics. The goal of his recent book, ​<a href="https://www.amazon.com/dp/3030246817/?tag=newbooinhis-20"><em>The Rise of Post-Modern Conservatism: Neoliberalism, Post-Modern Culture, and Reactionary Politics</em></a> (Palgrave Macmillan, 2020), is to provide a genealogical analysis of this new form of conservative politics.</p><p><a href="https://twitter.com/MattPolProf?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Matthew McManus</a> received his PhD from the Socio-Legal Studies program at York University, Canada in 2017. He is currently a Visiting Professor of Political Science and International Relations at the University of TEC de Monterrey, Mexico, and is also the author of <em>​Making Human Dignity Central to International Human Rights Law: A Critical Legal Argument</em>​.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2939</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1ee98e4e-8d74-11ea-946a-eb817ef05897]]></guid>
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    </item>
    <item>
      <title>Sheetal Chhabria, "Making the Modern Slum: The Power of Capital in Colonial Bombay" (U Washington Press, 2019)</title>
      <description>In the 1870s, as colonial India witnessed some of the worst famines in its history where 6-10 million perished, observers watched in astonishment as famished people set out for the city of Bombay on foot in human caravans thousands of people long. Recently, images of a similar scale of deprivation have resurfaced in India as the COVID-19 crisis has once again forced the laboring poor to migrate in duress, this time in the opposite direction from city to country.
Making the Modern Slum: The Power of Capital in Colonial Bombay (University of Washington Press, 2019) seems like a book written to explain precisely this moment. It asks: how can we understand the relationship between “the city” and its laboring poor? Inaugurating a paradigm shift in how we think of cities and urban space, the author Sheetal Chhabria argues that cities are not naturally occurring spaces or innocent administrative categories marked by lines on a map: instead they are spaced produced by constant labors of inclusion and exclusion which serve to keep capital flowing while stigmatizing the laboring poor. The book shows how “the wellbeing of the city–rather than of its people” took precedence starting in the late 19th century, thereby “positioning agrarian distress, famished migrants, and the laboring poor as threats to be contained or excluded” rather than as constitutive parts of city space.
This argument is crucial. It shows that the injustices faced by the laboring poor are not mistakes or signs of incomplete or failed urbanism. Those injustices are instead the very essence of what it means to mark a space as a “city.” Combining theoretical acuity and empirical depth with an abiding concern for economic justice, the book takes us on a journey through colonial Bombay as it lurched from crisis to crisis at the turn of the 20th century: poverty, famine, plague, and political unrest. In this volatile climate, it was the continual appeals to the “health of the city” which served to render class warfare subterranean, to generate consensus on anti-poor measures across the colonial divide, and to invent a stigmatized object called “the slum” which could be used as a perpetual foil to the city, making the results of deep capitalist inequality (poverty, unsanitary dwellings, hunger) appear instead like vestiges of an incompletely capitalist society which could then be further commercialized. This book is a must read for everyone interested in urban, housing, and economic justice, as well as for scholars of South Asia concerned with the subcontinent’s enduring inequalities.
Aparna Gopalan is a Ph.D. Candidate in Social Anthropology at Harvard University studying the reproduction of inequality through development projects in rural western India.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Chhabria argues that cities are not naturally occurring spaces or innocent administrative categories marked by lines on a map: instead they are spaced produced by constant labors of inclusion and exclusion which serve to keep capital flowing while stigmatizing the laboring poor...</itunes:subtitle>
      <itunes:summary>In the 1870s, as colonial India witnessed some of the worst famines in its history where 6-10 million perished, observers watched in astonishment as famished people set out for the city of Bombay on foot in human caravans thousands of people long. Recently, images of a similar scale of deprivation have resurfaced in India as the COVID-19 crisis has once again forced the laboring poor to migrate in duress, this time in the opposite direction from city to country.
Making the Modern Slum: The Power of Capital in Colonial Bombay (University of Washington Press, 2019) seems like a book written to explain precisely this moment. It asks: how can we understand the relationship between “the city” and its laboring poor? Inaugurating a paradigm shift in how we think of cities and urban space, the author Sheetal Chhabria argues that cities are not naturally occurring spaces or innocent administrative categories marked by lines on a map: instead they are spaced produced by constant labors of inclusion and exclusion which serve to keep capital flowing while stigmatizing the laboring poor. The book shows how “the wellbeing of the city–rather than of its people” took precedence starting in the late 19th century, thereby “positioning agrarian distress, famished migrants, and the laboring poor as threats to be contained or excluded” rather than as constitutive parts of city space.
This argument is crucial. It shows that the injustices faced by the laboring poor are not mistakes or signs of incomplete or failed urbanism. Those injustices are instead the very essence of what it means to mark a space as a “city.” Combining theoretical acuity and empirical depth with an abiding concern for economic justice, the book takes us on a journey through colonial Bombay as it lurched from crisis to crisis at the turn of the 20th century: poverty, famine, plague, and political unrest. In this volatile climate, it was the continual appeals to the “health of the city” which served to render class warfare subterranean, to generate consensus on anti-poor measures across the colonial divide, and to invent a stigmatized object called “the slum” which could be used as a perpetual foil to the city, making the results of deep capitalist inequality (poverty, unsanitary dwellings, hunger) appear instead like vestiges of an incompletely capitalist society which could then be further commercialized. This book is a must read for everyone interested in urban, housing, and economic justice, as well as for scholars of South Asia concerned with the subcontinent’s enduring inequalities.
Aparna Gopalan is a Ph.D. Candidate in Social Anthropology at Harvard University studying the reproduction of inequality through development projects in rural western India.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the 1870s, as colonial India witnessed some of the worst famines in its history where 6-10 million perished, observers watched in astonishment as famished people set out for the city of Bombay on foot in human caravans thousands of people long. Recently, images of a similar scale of deprivation have resurfaced in India as the COVID-19 crisis has once again forced the laboring poor to migrate in duress, this time in the opposite direction from city to country.</p><p><a href="https://www.amazon.com/dp/0295746270/?tag=newbooinhis-20"><em>Making the Modern Slum: The Power of Capital in Colonial Bombay</em></a> (University of Washington Press, 2019) seems like a book written to explain precisely this moment. It asks: how can we understand the relationship between “the city” and its laboring poor? Inaugurating a paradigm shift in how we think of cities and urban space, the author <a href="https://www.conncoll.edu/directories/faculty-profiles/sheetal-chhabria/">Sheetal Chhabria</a> argues that cities are not naturally occurring spaces or innocent administrative categories marked by lines on a map: instead they are spaced produced by constant labors of inclusion and exclusion which serve to keep capital flowing while stigmatizing the laboring poor. The book shows how “the wellbeing of the city–rather than of its people” took precedence starting in the late 19th century, thereby “positioning agrarian distress, famished migrants, and the laboring poor as threats to be contained or excluded” rather than as constitutive parts of city space.</p><p>This argument is crucial. It shows that the injustices faced by the laboring poor are not mistakes or signs of incomplete or failed urbanism. Those injustices are instead the very essence of what it means to mark a space as a “city.” Combining theoretical acuity and empirical depth with an abiding concern for economic justice, the book takes us on a journey through colonial Bombay as it lurched from crisis to crisis at the turn of the 20th century: poverty, famine, plague, and political unrest. In this volatile climate, it was the continual appeals to the “health of the city” which served to render class warfare subterranean, to generate consensus on anti-poor measures across the colonial divide, and to invent a stigmatized object called “the slum” which could be used as a perpetual foil to the city, making the results of deep capitalist inequality (poverty, unsanitary dwellings, hunger) appear instead like vestiges of an incompletely capitalist society which could then be further commercialized. This book is a must read for everyone interested in urban, housing, and economic justice, as well as for scholars of South Asia concerned with the subcontinent’s enduring inequalities.</p><p><em>Aparna Gopalan is a Ph.D. Candidate in Social Anthropology at Harvard University studying the reproduction of inequality through development projects in rural western India.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2299</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1539620070.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Danny Haiphong, "American Exceptionalism and American Innocence" (Skyhorse, 2019)</title>
      <description>“Fake news existed long before Donald Trump…. What is ironic is that fake news has indeed been the only news disseminated by the rulers of U.S. empire.”—From American Exceptionalism and American Innocence (Skyhorse Publishing, 2019).
According to Robert Sirvent and Danny Haiphong, Americans have been exposed to fake news throughout our history—news that slavery is a thing of the past, that we don’t live on stolen land, that wars are fought to spread freedom and democracy, that a rising tide lifts all boats, that prisons keep us safe, and that the police serve and protect.
Thus, the only “news” ever reported by various channels of U.S. empire is the news of American exceptionalism and American innocence. And, as this book will hopefully show, it’s all fake.
Did the U.S. really “save the world” in World War II? Should black athletes stop protesting and show more gratitude for what America has done for them? Are wars fought to spread freedom and democracy? Or is this all fake news?
American Exceptionalism and American Innocence examines the stories we’re told that lead us to think that the U.S. is a force for good in the world, regardless of slavery, the genocide of indigenous people, and the more than a century’s worth of imperialist war that the U.S. has wrought on the planet.
Sirvent and Haiphong detail just what Captain America’s shield tells us about the pretensions of U.S. foreign policy, how Angelina Jolie and Bill Gates engage in humanitarian imperialism, and why the Broadway musical "Hamilton" is a monument to white supremacy.
Danny Haiphong is a socialist activist, writer, and political analyst.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>According to Robert Sirvent and Danny Haiphong, Americans have been exposed to fake news throughout our history...</itunes:subtitle>
      <itunes:summary>“Fake news existed long before Donald Trump…. What is ironic is that fake news has indeed been the only news disseminated by the rulers of U.S. empire.”—From American Exceptionalism and American Innocence (Skyhorse Publishing, 2019).
According to Robert Sirvent and Danny Haiphong, Americans have been exposed to fake news throughout our history—news that slavery is a thing of the past, that we don’t live on stolen land, that wars are fought to spread freedom and democracy, that a rising tide lifts all boats, that prisons keep us safe, and that the police serve and protect.
Thus, the only “news” ever reported by various channels of U.S. empire is the news of American exceptionalism and American innocence. And, as this book will hopefully show, it’s all fake.
Did the U.S. really “save the world” in World War II? Should black athletes stop protesting and show more gratitude for what America has done for them? Are wars fought to spread freedom and democracy? Or is this all fake news?
American Exceptionalism and American Innocence examines the stories we’re told that lead us to think that the U.S. is a force for good in the world, regardless of slavery, the genocide of indigenous people, and the more than a century’s worth of imperialist war that the U.S. has wrought on the planet.
Sirvent and Haiphong detail just what Captain America’s shield tells us about the pretensions of U.S. foreign policy, how Angelina Jolie and Bill Gates engage in humanitarian imperialism, and why the Broadway musical "Hamilton" is a monument to white supremacy.
Danny Haiphong is a socialist activist, writer, and political analyst.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Fake news existed long before Donald Trump…. What is ironic is that fake news has indeed been the only news disseminated by the rulers of U.S. empire.”—From <a href="https://www.amazon.com/dp/1510742360/?tag=newbooinhis-20"><em>American Exceptionalism and American Innocence </em></a>(Skyhorse Publishing, 2019).</p><p>According to <a href="https://www.hiu.edu/about-hiu/directory-detail.php?staff=roberto-sirvent">Robert Sirvent</a> and <a href="https://twitter.com/SpiritofHo?">Danny Haiphong</a>, Americans have been exposed to fake news throughout our history—news that slavery is a thing of the past, that we don’t live on stolen land, that wars are fought to spread freedom and democracy, that a rising tide lifts all boats, that prisons keep us safe, and that the police serve and protect.</p><p>Thus, the only “news” ever reported by various channels of U.S. empire is the news of American exceptionalism and American innocence. And, as this book will hopefully show, it’s all fake.</p><p>Did the U.S. really “save the world” in World War II? Should black athletes stop protesting and show more gratitude for what America has done for them? Are wars fought to spread freedom and democracy? Or is this all fake news?</p><p><em>American Exceptionalism and American Innocence</em> examines the stories we’re told that lead us to think that the U.S. is a force for good in the world, regardless of slavery, the genocide of indigenous people, and the more than a century’s worth of imperialist war that the U.S. has wrought on the planet.</p><p>Sirvent and Haiphong detail just what Captain America’s shield tells us about the pretensions of U.S. foreign policy, how Angelina Jolie and Bill Gates engage in humanitarian imperialism, and why the Broadway musical "Hamilton" is a monument to white supremacy.</p><p>Danny Haiphong is a socialist activist, writer, and political analyst.</p><p><em>Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the </em><a href="https://podcasts.apple.com/us/podcast/independent-thought-freedom/id1446388269"><em>iTunes Store</em></a><em> or any of your favorite podcast providers. You can also subscribe to his </em><a href="https://www.youtube.com/playlist?list=PLJ5dQ_tSNLwkuyJuq5SfJR-8fOFa3zGze"><em>YouTube channel</em></a><em>. If you are an academic who wants to get heard nationally, please check out his free training at </em><a href="https://becomeapublicintellectual.com/?utm_source=nbn"><em>becomeapublicintellectual.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4562</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6ab36e18-8b07-11ea-bbcc-87e4326ba939]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3110664774.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexander Zevin, "Liberalism at Large: The World According to the Economist" (Verso, 2019)</title>
      <description>The Economist is a curious publication. It always takes a point of view (as opposed to the all-the-news-that’s-fit-to-print approach). It maintains a uniform voice (editors and writers are typically handpicked from the same elite British universities, and rarely are there author bylines). And it has lasted a long time, originating back in London’s free-trade debates of the 1840s and continuing to be one of the most widely read magazines in the world. The Economist was a guiding hand in debates over imperialism, decolonization, and globalization.
For all these reasons, The Economist also provides a useful window through which to peer into the history of liberalism. This is exactly what Alexander Zevin does in his perspicuous and provocative new book Liberalism at Large: The World According to the Economist (Verso Books, 2019). By examining The Economist, Zevin, an assistant professor of history at City University of New York and an editor at The New Left Review, helps us see what he calls “really existing liberalism”––that is, a liberalism that rooted for empire, embraced finance, and has always wielded an ambivalence towards democracy. This is a book that we will be talking about for a long time.
Dexter Fergie is a PhD student of US and global history at Northwestern University. He is currently researching the 20th century geopolitical history of information and communications networks. He can be reached by email at dexter.fergie@u.northwestern.edu or on Twitter @DexterFergie.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>727</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Zevin  helps us see what he calls “really existing liberalism”––that is, a liberalism that rooted for empire, embraced finance, and has always wielded an ambivalence towards democracy...</itunes:subtitle>
      <itunes:summary>The Economist is a curious publication. It always takes a point of view (as opposed to the all-the-news-that’s-fit-to-print approach). It maintains a uniform voice (editors and writers are typically handpicked from the same elite British universities, and rarely are there author bylines). And it has lasted a long time, originating back in London’s free-trade debates of the 1840s and continuing to be one of the most widely read magazines in the world. The Economist was a guiding hand in debates over imperialism, decolonization, and globalization.
For all these reasons, The Economist also provides a useful window through which to peer into the history of liberalism. This is exactly what Alexander Zevin does in his perspicuous and provocative new book Liberalism at Large: The World According to the Economist (Verso Books, 2019). By examining The Economist, Zevin, an assistant professor of history at City University of New York and an editor at The New Left Review, helps us see what he calls “really existing liberalism”––that is, a liberalism that rooted for empire, embraced finance, and has always wielded an ambivalence towards democracy. This is a book that we will be talking about for a long time.
Dexter Fergie is a PhD student of US and global history at Northwestern University. He is currently researching the 20th century geopolitical history of information and communications networks. He can be reached by email at dexter.fergie@u.northwestern.edu or on Twitter @DexterFergie.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>The Economist</em> is a curious publication. It always takes a point of view (as opposed to the all-the-news-that’s-fit-to-print approach). It maintains a uniform voice (editors and writers are typically handpicked from the same elite British universities, and rarely are there author bylines). And it has lasted a long time, originating back in London’s free-trade debates of the 1840s and continuing to be one of the most widely read magazines in the world.<em> The Economist</em> was a guiding hand in debates over imperialism, decolonization, and globalization.</p><p>For all these reasons, <em>The Economist</em> also provides a useful window through which to peer into the history of liberalism. This is exactly what <a href="https://twitter.com/zevin_a?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Alexander Zevin</a> does in his perspicuous and provocative new book<a href="https://www.amazon.com/dp/1781686246/?tag=newbooinhis-20"> <em>Liberalism at Large: The World According to the Economist</em></a> (Verso Books, 2019). By examining <em>The Economist</em>, Zevin, an assistant professor of history at City University of New York and an editor at <em>The New Left Review</em>, helps us see what he calls “really existing liberalism”––that is, a liberalism that rooted for empire, embraced finance, and has always wielded an ambivalence towards democracy. This is a book that we will be talking about for a long time.</p><p><a href="https://www.history.northwestern.edu/people/graduate-students/dexter-fergie.html"><em>Dexter Fergie</em></a><em> is a PhD student of US and global history at Northwestern University. He is currently researching the 20th century geopolitical history of information and communications networks. He can be reached by email at </em><a href="mailto:dexter.fergie@u.northwestern.edu"><em>dexter.fergie@u.northwestern.edu</em></a><em> or on Twitter </em><a href="https://twitter.com/DexterFergie"><em>@DexterFergie</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4161</itunes:duration>
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    <item>
      <title>M. R. Michelson and B. F. Harrison, "Transforming Prejudice: Identity, Fear, and Transgender Rights" (Oxford UP, 2020)</title>
      <description>Since the mid-1990s, there has been a seismic shift in attitudes toward gay and lesbian people, with a majority of Americans now supporting same-sex marriage and relations between same-sex, consenting adults. However, support for transgender individuals lags far behind; a significant majority of Americans do not support the right of transgender people to be free from discrimination in housing, employment, public spaces, health care, legal documents, and other areas. Much of this is due to deeply entrenched ideas about the definition of gender, perceptions that transgender people are not "real" or are suffering from mental illness, and fears that extending rights to transgender people will come at the expense of the rights of others. So how do you get people to rethink their prejudices?
In their book Transforming Prejudice: Identity, Fear, and Transgender Rights (Oxford University Press, 2020), Melissa R. Michelson and Brian F. Harrison examine what tactics are effective in changing public opinion regarding transgender people. The result is a new approach that they call Identity Reassurance Theory. The idea is that individuals need to feel confident in their own identity before they can embrace a stigmatized group like transgender people, and that support of members of an outgroup can be encouraged by affirming the self-esteem of those targeted for attitude change. Michelson and Harrison, through their experiments, show that the most effective messaging on transgender issues meets people where they are, acknowledges their discomfort without judgment or criticism, and helps them to think about transgender people and rights in a way that aligns with their view of themselves as moral human beings.
In this interview, Dr. Michelson, Dr. Harrison, and I discuss common issues faced by transgender people, and the ideologies that contribute to anti-transgender discrimination. We then discuss three of the nine experiments conducted by Michelson and Harrison that provide empirical evidence to support the claims in their book. Lastly, we discuss potential ways to change discriminatory beliefs towards transgender people. I recommend this book for people interested in public opinion, social psychology, and LGBTQ issues.
Dr. Melissa R. Michelson (@profmichelson) is Professor of Political Science at Menlo College. Dr. Brian F. Harrison is a Lecturer at the Humphrey School of Public Affairs at the University of Minnesota-Twin Cities and Founder and President of Voters for Equality.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Michelson and Harrison examine what tactics are effective in changing public opinion regarding transgender people...</itunes:subtitle>
      <itunes:summary>Since the mid-1990s, there has been a seismic shift in attitudes toward gay and lesbian people, with a majority of Americans now supporting same-sex marriage and relations between same-sex, consenting adults. However, support for transgender individuals lags far behind; a significant majority of Americans do not support the right of transgender people to be free from discrimination in housing, employment, public spaces, health care, legal documents, and other areas. Much of this is due to deeply entrenched ideas about the definition of gender, perceptions that transgender people are not "real" or are suffering from mental illness, and fears that extending rights to transgender people will come at the expense of the rights of others. So how do you get people to rethink their prejudices?
In their book Transforming Prejudice: Identity, Fear, and Transgender Rights (Oxford University Press, 2020), Melissa R. Michelson and Brian F. Harrison examine what tactics are effective in changing public opinion regarding transgender people. The result is a new approach that they call Identity Reassurance Theory. The idea is that individuals need to feel confident in their own identity before they can embrace a stigmatized group like transgender people, and that support of members of an outgroup can be encouraged by affirming the self-esteem of those targeted for attitude change. Michelson and Harrison, through their experiments, show that the most effective messaging on transgender issues meets people where they are, acknowledges their discomfort without judgment or criticism, and helps them to think about transgender people and rights in a way that aligns with their view of themselves as moral human beings.
In this interview, Dr. Michelson, Dr. Harrison, and I discuss common issues faced by transgender people, and the ideologies that contribute to anti-transgender discrimination. We then discuss three of the nine experiments conducted by Michelson and Harrison that provide empirical evidence to support the claims in their book. Lastly, we discuss potential ways to change discriminatory beliefs towards transgender people. I recommend this book for people interested in public opinion, social psychology, and LGBTQ issues.
Dr. Melissa R. Michelson (@profmichelson) is Professor of Political Science at Menlo College. Dr. Brian F. Harrison is a Lecturer at the Humphrey School of Public Affairs at the University of Minnesota-Twin Cities and Founder and President of Voters for Equality.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the mid-1990s, there has been a seismic shift in attitudes toward gay and lesbian people, with a majority of Americans now supporting same-sex marriage and relations between same-sex, consenting adults. However, support for transgender individuals lags far behind; a significant majority of Americans do not support the right of transgender people to be free from discrimination in housing, employment, public spaces, health care, legal documents, and other areas. Much of this is due to deeply entrenched ideas about the definition of gender, perceptions that transgender people are not "real" or are suffering from mental illness, and fears that extending rights to transgender people will come at the expense of the rights of others. So how do you get people to rethink their prejudices?</p><p>In their book <a href="https://www.amazon.com/dp/0190068892/?tag=newbooinhis-20"><em>Transforming Prejudice: Identity, Fear, and Transgender Rights</em></a><em> </em>(Oxford University Press, 2020), <a href="https://www.menlo.edu/about/find-an-expert/melissa-michelson/">Melissa R. Michelson</a> and <a href="https://brianharrison.net/">Brian F. Harrison</a> examine what tactics are effective in changing public opinion regarding transgender people. The result is a new approach that they call Identity Reassurance Theory. The idea is that individuals need to feel confident in their own identity before they can embrace a stigmatized group like transgender people, and that support of members of an outgroup can be encouraged by affirming the self-esteem of those targeted for attitude change. Michelson and Harrison, through their experiments, show that the most effective messaging on transgender issues meets people where they are, acknowledges their discomfort without judgment or criticism, and helps them to think about transgender people and rights in a way that aligns with their view of themselves as moral human beings.</p><p>In this interview, Dr. Michelson, Dr. Harrison, and I discuss common issues faced by transgender people, and the ideologies that contribute to anti-transgender discrimination. We then discuss three of the nine experiments conducted by Michelson and Harrison that provide empirical evidence to support the claims in their book. Lastly, we discuss potential ways to change discriminatory beliefs towards transgender people. I recommend this book for people interested in public opinion, social psychology, and LGBTQ issues.</p><p>Dr. Melissa R. Michelson (@profmichelson) is Professor of Political Science at Menlo College. Dr. Brian F. Harrison is a Lecturer at the Humphrey School of Public Affairs at the University of Minnesota-Twin Cities and Founder and President of Voters for Equality.</p><p><em>Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3110</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andre Brock, "Distributed Blackness: African American Cybercultures" (NYU Press, 2020)</title>
      <description>Technology has been instrumental in allowing audiences to encounter expressions of culture to which they may have no direct connection. The popular commercial platforms like Twitter and Instagram mediate culture, the affordances of each determining how aspects of culture translate on the sites. In his new book, Distributed Blackness: African American Cybercultures (NYU Press, 2020), Andre Brock, an associate professor at Georgia Tech, theorizes what it means to be Black online, particularly when the physical body can neither be understood nor constrained. Though considering topics like afro-pessimism and the digital divide, Brock particularly focuses on Black joy – “the embodied cognition where Black people express their relationship to the world through our joy in moving through it.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Brock theorizes what it means to be Black online, particularly when the physical body can neither be understood nor constrained...</itunes:subtitle>
      <itunes:summary>Technology has been instrumental in allowing audiences to encounter expressions of culture to which they may have no direct connection. The popular commercial platforms like Twitter and Instagram mediate culture, the affordances of each determining how aspects of culture translate on the sites. In his new book, Distributed Blackness: African American Cybercultures (NYU Press, 2020), Andre Brock, an associate professor at Georgia Tech, theorizes what it means to be Black online, particularly when the physical body can neither be understood nor constrained. Though considering topics like afro-pessimism and the digital divide, Brock particularly focuses on Black joy – “the embodied cognition where Black people express their relationship to the world through our joy in moving through it.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Technology has been instrumental in allowing audiences to encounter expressions of culture to which they may have no direct connection. The popular commercial platforms like Twitter and Instagram mediate culture, the affordances of each determining how aspects of culture translate on the sites. In his new book, <a href="https://www.amazon.com/dp/147982996X/?tag=newbooinhis-20"><em>Distributed Blackness: African American Cybercultures</em></a><em> </em>(NYU Press, 2020), <a href="https://andrebrock.academia.edu/">Andre Brock</a>, an associate professor at <a href="https://www.gatech.edu/">Georgia Tech</a>, theorizes what it means to be Black online, particularly when the physical body can neither be understood nor constrained. Though considering topics like afro-pessimism and the digital divide, Brock particularly focuses on <em>Black joy</em> – “the embodied cognition where Black people express their relationship to the world through our joy in moving through it.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f7144b5c-83f5-11ea-a5da-5f5e1f425939]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4918271767.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiona Vera-Gray, "The Right Amount of Panic: How Women Trade Freedom for Safety" (Policy Press, 2018)</title>
      <description>Have you ever thought about how much energy goes into avoiding sexual violence? The work that goes into feeling safe goes largely unnoticed by the women doing it and by the wider world, and yet women and girls are the first to be blamed the inevitable times when it fails.
We need to change the story on rape prevention and ‘well-meaning’ safety advice, because this makes it harder for women and girls to speak out, and hides the amount of work they are already doing trying to decipher ‘the right amount of panic’. With real-life accounts of women’s experiences, and based on the author’s original research on the impact of sexual harassment in public, this book challenges victim-blaming and highlights the need to show women as capable, powerful and skillful in their everyday resistance to harassment and sexual violence.
In this interview, Dr. Fiona Vera-Gray and I discuss the fear of crime paradox, factors that contribute to fear of crime, the concept of safety work, and how we can move forward in combating sexual harassment and violence against women. I recommend this book for anyone interested in gender, victimology, women’s practices of safety work and experiences with sexual harassment and sexual violence. I thoroughly enjoyed our conversation about such important work.
Dr. Fiona Vera-Gray, author of The Right Amount of Panic: How Women Trade Freedom for Safety (Polity Press, 2018). Dr. Vera-Gray is a researcher based at Durham University working on violence against women and girls. She has over a decade of frontline experience in sexual violence and has written widely on the topics of sexual violence, sexual harassment, women’s safety work, and sexual violence prevention. You can find her on Twitter at @VeraGrayF.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Have you ever thought about how much energy goes into avoiding sexual violence?</itunes:subtitle>
      <itunes:summary>Have you ever thought about how much energy goes into avoiding sexual violence? The work that goes into feeling safe goes largely unnoticed by the women doing it and by the wider world, and yet women and girls are the first to be blamed the inevitable times when it fails.
We need to change the story on rape prevention and ‘well-meaning’ safety advice, because this makes it harder for women and girls to speak out, and hides the amount of work they are already doing trying to decipher ‘the right amount of panic’. With real-life accounts of women’s experiences, and based on the author’s original research on the impact of sexual harassment in public, this book challenges victim-blaming and highlights the need to show women as capable, powerful and skillful in their everyday resistance to harassment and sexual violence.
In this interview, Dr. Fiona Vera-Gray and I discuss the fear of crime paradox, factors that contribute to fear of crime, the concept of safety work, and how we can move forward in combating sexual harassment and violence against women. I recommend this book for anyone interested in gender, victimology, women’s practices of safety work and experiences with sexual harassment and sexual violence. I thoroughly enjoyed our conversation about such important work.
Dr. Fiona Vera-Gray, author of The Right Amount of Panic: How Women Trade Freedom for Safety (Polity Press, 2018). Dr. Vera-Gray is a researcher based at Durham University working on violence against women and girls. She has over a decade of frontline experience in sexual violence and has written widely on the topics of sexual violence, sexual harassment, women’s safety work, and sexual violence prevention. You can find her on Twitter at @VeraGrayF.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Have you ever thought about how much energy goes into avoiding sexual violence? The work that goes into feeling safe goes largely unnoticed by the women doing it and by the wider world, and yet women and girls are the first to be blamed the inevitable times when it fails.</p><p>We need to change the story on rape prevention and ‘well-meaning’ safety advice, because this makes it harder for women and girls to speak out, and hides the amount of work they are already doing trying to decipher ‘the right amount of panic’. With real-life accounts of women’s experiences, and based on the author’s original research on the impact of sexual harassment in public, this book challenges victim-blaming and highlights the need to show women as capable, powerful and skillful in their everyday resistance to harassment and sexual violence.</p><p>In this interview, Dr. <a href="https://www.dur.ac.uk/law/staff/display/?id=14890">Fiona Vera-Gray</a> and I discuss the fear of crime paradox, factors that contribute to fear of crime, the concept of safety work, and how we can move forward in combating sexual harassment and violence against women. I recommend this book for anyone interested in gender, victimology, women’s practices of safety work and experiences with sexual harassment and sexual violence. I thoroughly enjoyed our conversation about such important work.</p><p>Dr. Fiona Vera-Gray, author of <a href="https://www.amazon.com/dp/1447342291/?tag=newbooinhis-20"><em>The Right Amount of Panic: How Women Trade Freedom for Safety</em></a> (Polity Press, 2018). Dr. Vera-Gray is a researcher based at Durham University working on violence against women and girls. She has over a decade of frontline experience in sexual violence and has written widely on the topics of sexual violence, sexual harassment, women’s safety work, and sexual violence prevention. You can find her on Twitter at @VeraGrayF.</p><p><em>Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3065</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[be249794-8408-11ea-bac1-471c89077732]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5406922627.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jathan Sadowski, "Too Smart" (MIT Press, 2020)</title>
      <description>The ubiquity of technology that collects massive volumes of all kinds of data lends itself to one overarching question: “What?” As in what is the purpose(s) of this collection? What are the benefits? And, what are the impacts?
In his new book, Too Smart: How Digital Capitalism is Extracting Data, Controlling Our Lives, and Taking Over the World (MIT Press, 2020), Jathan Sadowski explores this question and those related in an investigation of the expansion of “smart” technologies – networked devices enabling automated data collection and use. In exploring the interests inherent in the design and deployment of smart technology, Sadowski, a Research Fellow in the Emerging Technologies Research Law at Monash University, investigates the political economy of digital capitalism, and the implications of continued reliance on and permeation of smart technology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The ubiquity of technology that collects massive volumes of all kinds of data lends itself to one overarching question: “What?” As in what is the purpose(s) of this collection? What are the benefits? And, what are the impacts?</itunes:subtitle>
      <itunes:summary>The ubiquity of technology that collects massive volumes of all kinds of data lends itself to one overarching question: “What?” As in what is the purpose(s) of this collection? What are the benefits? And, what are the impacts?
In his new book, Too Smart: How Digital Capitalism is Extracting Data, Controlling Our Lives, and Taking Over the World (MIT Press, 2020), Jathan Sadowski explores this question and those related in an investigation of the expansion of “smart” technologies – networked devices enabling automated data collection and use. In exploring the interests inherent in the design and deployment of smart technology, Sadowski, a Research Fellow in the Emerging Technologies Research Law at Monash University, investigates the political economy of digital capitalism, and the implications of continued reliance on and permeation of smart technology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The ubiquity of technology that collects massive volumes of all kinds of data lends itself to one overarching question: “What?” As in what is the purpose(s) of this collection? What are the benefits? And, what are the impacts?</p><p>In his new book, <a href="https://www.amazon.com/dp/026253858X/?tag=newbooinhis-20"><em>Too Smart: How Digital Capitalism is Extracting Data, Controlling Our Lives, and Taking Over the World</em></a> (MIT Press, 2020), <a href="http://jathansadowski.com/">Jathan Sadowski</a> explores this question and those related in an investigation of the expansion of “smart” technologies – networked devices enabling automated data collection and use. In exploring the interests inherent in the design and deployment of smart technology, Sadowski, a Research Fellow in the Emerging Technologies Research Law at Monash University, investigates the political economy of digital capitalism, and the implications of continued reliance on and permeation of smart technology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2781</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dad11d78-8349-11ea-9378-b39e8c30a78f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5432293266.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)</title>
      <description>Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How involved with slavery were American universities? And what does their involvement mean for us?</itunes:subtitle>
      <itunes:summary>Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/0820354422/?tag=newbooinhis-20"><em>Slavery and the University: Histories and Legacies</em></a> (University of Georgia Press, 2019), edited by <a href="https://www.history.northwestern.edu/people/faculty/core-faculty/leslie-m-harris.html">Leslie M. Harris</a>, J<a href="https://history.stanford.edu/people/james-t-campbell">ames T. Campbell</a>, and <a href="https://en.wikipedia.org/wiki/Alfred_Brophy">Alfred L. Brophy</a>, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.</p><p>The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of <em>Slavery and the University</em> stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.</p><p>Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of <em>Slavery in New York</em> and the coeditor, with Daina Ramey Berry, of <em>Slavery and Freedom in Savannah</em> (Georgia).</p><p><em>Adam McNeil is a History PhD student at Rutgers University-New Brunswick.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e6f05852-8598-11ea-9489-43ce0f5d9144]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9770142452.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Sedgwick, "Key Thinkers of the Radical Right" (Oxford UP, 2019)</title>
      <description>The resurgence of the radical Right in America and Europe has drawn attention to the existence of political philosophers and writers whose names are only sometimes familiar and whose thought is generally unknown. It even comes as a surprise to some that the radical Right actually has a political philosophy, other than that of Nazism or of Mussolini’s Fascism, both of which in fact remain discredited and marginal. Instead, the resurgent Right draws on well-known thinkers like Nietzsche and Hegel, on less-known thinkers like Oswald Spengler and Julius Evola, and on the relatively obscure writings of living political philosophers such as Alain de Benoist in France and Alexander Dugin in Russia. And then there is a whole range of emergent thinkers, often American, some unknown, and some famous only for their media stunts.
In his new book Key Thinkers of the Radical Right: Behind the New Threat to Liberal Democracy (Oxford University Press, 2019), Mark Sedgwick looks at the classic canon, at the most influential modern thinkers, and at a selection of emergent thinkers. Sixteen expert scholars explain sixteen thinkers, providing an introduction to their life and work, a guide to their thought, and an explanation of their work’s reception. The book thus provides an authoritative and comprehensive introduction to the thought behind the stunts and the resurgence, the thought of the radical Right.
Mark Sedgwick was born in England and studied history of Oxford University before emigrating to Egypt. He received his PhD at the University of Bergen in Norway, taught history at the American University in Cairo, and then moved to Denmark to teach in the Department of the Study of Religion at Aarhus University. He was secretary of the European Society of the Study of Western Esotericism; he first became aware of the connections between esotericism and radical politics while working on his PhD.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The resurgence of the radical Right in America and Europe has drawn attention to the existence of political philosophers and writers whose names are only sometimes familiar and whose thought is generally unknown...</itunes:subtitle>
      <itunes:summary>The resurgence of the radical Right in America and Europe has drawn attention to the existence of political philosophers and writers whose names are only sometimes familiar and whose thought is generally unknown. It even comes as a surprise to some that the radical Right actually has a political philosophy, other than that of Nazism or of Mussolini’s Fascism, both of which in fact remain discredited and marginal. Instead, the resurgent Right draws on well-known thinkers like Nietzsche and Hegel, on less-known thinkers like Oswald Spengler and Julius Evola, and on the relatively obscure writings of living political philosophers such as Alain de Benoist in France and Alexander Dugin in Russia. And then there is a whole range of emergent thinkers, often American, some unknown, and some famous only for their media stunts.
In his new book Key Thinkers of the Radical Right: Behind the New Threat to Liberal Democracy (Oxford University Press, 2019), Mark Sedgwick looks at the classic canon, at the most influential modern thinkers, and at a selection of emergent thinkers. Sixteen expert scholars explain sixteen thinkers, providing an introduction to their life and work, a guide to their thought, and an explanation of their work’s reception. The book thus provides an authoritative and comprehensive introduction to the thought behind the stunts and the resurgence, the thought of the radical Right.
Mark Sedgwick was born in England and studied history of Oxford University before emigrating to Egypt. He received his PhD at the University of Bergen in Norway, taught history at the American University in Cairo, and then moved to Denmark to teach in the Department of the Study of Religion at Aarhus University. He was secretary of the European Society of the Study of Western Esotericism; he first became aware of the connections between esotericism and radical politics while working on his PhD.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The resurgence of the radical Right in America and Europe has drawn attention to the existence of political philosophers and writers whose names are only sometimes familiar and whose thought is generally unknown. It even comes as a surprise to some that the radical Right actually has a political philosophy, other than that of Nazism or of Mussolini’s Fascism, both of which in fact remain discredited and marginal. Instead, the resurgent Right draws on well-known thinkers like Nietzsche and Hegel, on less-known thinkers like Oswald Spengler and Julius Evola, and on the relatively obscure writings of living political philosophers such as Alain de Benoist in France and Alexander Dugin in Russia. And then there is a whole range of emergent thinkers, often American, some unknown, and some famous only for their media stunts.</p><p>In his new book <a href="https://www.amazon.com/dp/0190877596/?tag=newbooinhis-20"><em>Key Thinkers of the Radical Right: Behind the New Threat to Liberal Democracy</em></a> (Oxford University Press, 2019), <a href="https://en.wikipedia.org/wiki/Mark_Sedgwick">Mark Sedgwick</a> looks at the classic canon, at the most influential modern thinkers, and at a selection of emergent thinkers. Sixteen expert scholars explain sixteen thinkers, providing an introduction to their life and work, a guide to their thought, and an explanation of their work’s reception. The book thus provides an authoritative and comprehensive introduction to the thought behind the stunts and the resurgence, the thought of the radical Right.</p><p>Mark Sedgwick was born in England and studied history of Oxford University before emigrating to Egypt. He received his PhD at the University of Bergen in Norway, taught history at the American University in Cairo, and then moved to Denmark to teach in the Department of the Study of Religion at Aarhus University. He was secretary of the European Society of the Study of Western Esotericism; he first became aware of the connections between esotericism and radical politics while working on his PhD.</p><p><em>Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the </em><a href="https://podcasts.apple.com/us/podcast/independent-thought-freedom/id1446388269"><em>iTunes Store</em></a><em> or any of your favorite podcast providers. You can also subscribe to his </em><a href="https://www.youtube.com/playlist?list=PLJ5dQ_tSNLwkuyJuq5SfJR-8fOFa3zGze"><em>YouTube channel</em></a><em>. If you are an academic who wants to get heard nationally, please check out his free training at </em><a href="https://becomeapublicintellectual.com/?utm_source=nbn"><em>becomeapublicintellectual.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3881</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97b229d2-81b5-11ea-8540-eb28e3337aca]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9188424707.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Caspar Melville, "It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City" (Manchester UP, 2019)</title>
      <description>How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does music help us to understand the contemporary city?</itunes:subtitle>
      <itunes:summary>How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does music help us to understand the contemporary city? In <a href="https://www.amazon.com/dp/1526131250/?tag=newbooinhis-20"><em>It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City</em></a> (Manchester UP, 2019), <a href="https://twitter.com/CasparMelville">Caspar Melville</a>, co-chair of the <a href="https://www.soas.ac.uk/staff/staff86379.php">Centre for Creative Industries, Media and Screen Studies </a>at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2730</itunes:duration>
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    <item>
      <title>Thomas Piketty, "Capital and Ideology" (Harvard UP, 2020)</title>
      <description>It seems easier for us today to imagine the thoroughgoing deterioration of the earth and of nature than the breakdown of late capitalism; perhaps that is due to some weakness in our imaginations - Fredric Jameson, The Seeds of Time
Thomas Piketty, the French economist, was dubbed the modern Marx by The Economist in the wake of his bestselling Capital in the 21st Century, which presented historical data reaching back to the eighteenth century and focused on the dynamics of the distribution of wealth and income and the destabilizing force represented by: r &gt; g – that is, the private rate of return on capital over time can be much higher than the rate of growth of income and output. Readers noted however, in addition to pointing out this ‘central contradiction of capitalism’ Professor Piketty was also clear that the purpose of social science is not to produce mathematical certainties that substitute for inclusive democratic debate. More importantly, he made the case for the progressive taxation of capital, and among many other things for going back to using the term ‘political economy’ for the field of economics – all of which did not render his analysis Marxist, although admittedly, the label made for more catchy magazine column titles in 2014.
Six years in the making Piketty has extended the hopeful reach of his analysis by including a much larger global sampling of historical data – not just Western market economies this time, and by expanding the focus to include the political and ideological in his comparative analysis of capital accumulation and ‘inequality regimes’. The professor does so with the same underlying optimism and realistic eye on promoting the social learning process in which we all find ourselves as individuals within various cultures and societies. Enter his expanded interdisciplinary contribution to comparative political economy – Capital and Ideology (Harvard University Press, 2020) – essential reading.
Thomas Piketty is a professor at the Paris School of Economics, and a Director of The School of Advanced Studies in Social Sciences.
Keith Krueger lectures at the SHU-UTS Business School in Shanghai.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Piketty expands his focus to include the political and ideological in his comparative analysis of capital accumulation and ‘inequality regimes’.</itunes:subtitle>
      <itunes:summary>It seems easier for us today to imagine the thoroughgoing deterioration of the earth and of nature than the breakdown of late capitalism; perhaps that is due to some weakness in our imaginations - Fredric Jameson, The Seeds of Time
Thomas Piketty, the French economist, was dubbed the modern Marx by The Economist in the wake of his bestselling Capital in the 21st Century, which presented historical data reaching back to the eighteenth century and focused on the dynamics of the distribution of wealth and income and the destabilizing force represented by: r &gt; g – that is, the private rate of return on capital over time can be much higher than the rate of growth of income and output. Readers noted however, in addition to pointing out this ‘central contradiction of capitalism’ Professor Piketty was also clear that the purpose of social science is not to produce mathematical certainties that substitute for inclusive democratic debate. More importantly, he made the case for the progressive taxation of capital, and among many other things for going back to using the term ‘political economy’ for the field of economics – all of which did not render his analysis Marxist, although admittedly, the label made for more catchy magazine column titles in 2014.
Six years in the making Piketty has extended the hopeful reach of his analysis by including a much larger global sampling of historical data – not just Western market economies this time, and by expanding the focus to include the political and ideological in his comparative analysis of capital accumulation and ‘inequality regimes’. The professor does so with the same underlying optimism and realistic eye on promoting the social learning process in which we all find ourselves as individuals within various cultures and societies. Enter his expanded interdisciplinary contribution to comparative political economy – Capital and Ideology (Harvard University Press, 2020) – essential reading.
Thomas Piketty is a professor at the Paris School of Economics, and a Director of The School of Advanced Studies in Social Sciences.
Keith Krueger lectures at the SHU-UTS Business School in Shanghai.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>It seems easier for us today to imagine the thoroughgoing deterioration of the earth and of nature than the breakdown of late capitalism; perhaps that is due to some weakness in our imaginations</em> - Fredric Jameson, <em>The Seeds of Time</em></p><p><a href="https://en.wikipedia.org/wiki/Thomas_Piketty">Thomas Piketty</a>, the French economist, was dubbed the modern Marx by <em>The Economist</em> in the wake of his bestselling <em>Capital in the 21st Century</em>, which presented historical data reaching back to the eighteenth century and focused on the dynamics of the distribution of wealth and income and the destabilizing force represented by: <strong>r &gt; g</strong> – that is, the private rate of return on capital over time can be much higher than the rate of growth of income and output. Readers noted however, in addition to pointing out this ‘central contradiction of capitalism’ Professor Piketty was also clear that the purpose of social science is not to produce mathematical certainties that substitute for inclusive democratic debate. More importantly, he made the case for the progressive taxation of capital, and among many other things for going back to using the term ‘political economy’ for the field of economics – all of which did not render his analysis Marxist, although admittedly, the label made for more catchy magazine column titles in 2014.</p><p>Six years in the making Piketty has extended the hopeful reach of his analysis by including a much larger global sampling of historical data – not just Western market economies this time, and by expanding the focus to include the political and ideological in his comparative analysis of capital accumulation and ‘inequality regimes’. The professor does so with the same underlying optimism and realistic eye on promoting the social learning process in which we all find ourselves as individuals within various cultures and societies. Enter his expanded interdisciplinary contribution to comparative political economy – <a href="https://www.amazon.com/dp/0674980824/?tag=newbooinhis-20"><em>Capital and Ideology</em></a> (Harvard University Press, 2020) – essential reading.</p><p>Thomas Piketty is a professor at the Paris School of Economics, and a Director of The School of Advanced Studies in Social Sciences.</p><p><em>Keith Krueger lectures at the SHU-UTS Business School in Shanghai.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2198</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>K. Aronoff, et al., "A Planet to Win: Why We Need a Green New Deal" (Verso, 2019)</title>
      <description>In early 2019, freshman representative Alexandria Ocasio Cortez and Senator Ed Markey proposed a bold new piece of legislation, now very well known as the Green New Deal. Intended as a means of combating climate change, it stunned a number of people due to its enormous ambition, including massive overhauls of our energy systems, as well as providing housing and healthcare for everyone. Naturally a piece of legislation this large raised a number of questions, which is what my guests today are here to discuss. I recently had the pleasure of talking with Kate Aronoff, Alyssa Battistoni, Daniel Aldana Cohen and Thea Riofrancos, the authors of ​A Planet to Win: Why We Need a Green New Deal​ (Verso, 2019). The book is short and accessible, written for everyone interested in understanding this vital piece of legislation, so if you are like me and you don’t understand the fine details of climate economics, you can still pick this up and gain a sense of what is to be done. The book also features a short forward by Naomi Klein, who has been tracking the relationship between economic and climate politics for some time.
Kate Aronoff (@KateAronoff) is a fellow at the Type Media Center and a Contributing Writer at the ​Intercept​. She is the co-editor of ​We Own the Future​ and author of ​The New Denialism​. Her writing has appeared in the ​Guardian​, ​Rolling Stone​, ​Harper’s​, ​In These Times​, and ​Dissent​
Alyssa Battistoni (@alybatt) is a postdoctoral fellow at Harvard University and an editor at Jacobin.​ Her writing has appeared the ​Guardian,​ ​n+1​, ​The Nation​, ​Jacobin,​ ​In These Times​, Dissent​, and the ​Chronicle of Higher Education.​
Daniel Aldana Cohen (@aldatweets) is an assistant professor of sociolgy at the University of Pennsylvania, where he directs the Socio-Spatial Climate Collaborative. His writing has appeared in the ​Guardian​, ​Nature,​ ​The Nation​, ​Jacobin​, ​Public Books​, ​Dissent​, and ​NACLA.​
Thea Riofrancos (@triofrancos) is an assistant professor of political science at Providence College, and is the author of ​Resource Radicals.​ Her writing has appeared in the ​Guardian​, ​n+1​, Jacobin,​ the ​Los Angeles Review of Books​, ​Dissent,​ and ​In These Times​. She serves on the steering committee of DSA’s Ecosocialist Working Group.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In early 2019, freshman representative Alexandria Ocasio Cortez and Senator Ed Markey proposed a bold new piece of legislation, now very well known as the Green New Deal.,,</itunes:subtitle>
      <itunes:summary>In early 2019, freshman representative Alexandria Ocasio Cortez and Senator Ed Markey proposed a bold new piece of legislation, now very well known as the Green New Deal. Intended as a means of combating climate change, it stunned a number of people due to its enormous ambition, including massive overhauls of our energy systems, as well as providing housing and healthcare for everyone. Naturally a piece of legislation this large raised a number of questions, which is what my guests today are here to discuss. I recently had the pleasure of talking with Kate Aronoff, Alyssa Battistoni, Daniel Aldana Cohen and Thea Riofrancos, the authors of ​A Planet to Win: Why We Need a Green New Deal​ (Verso, 2019). The book is short and accessible, written for everyone interested in understanding this vital piece of legislation, so if you are like me and you don’t understand the fine details of climate economics, you can still pick this up and gain a sense of what is to be done. The book also features a short forward by Naomi Klein, who has been tracking the relationship between economic and climate politics for some time.
Kate Aronoff (@KateAronoff) is a fellow at the Type Media Center and a Contributing Writer at the ​Intercept​. She is the co-editor of ​We Own the Future​ and author of ​The New Denialism​. Her writing has appeared in the ​Guardian​, ​Rolling Stone​, ​Harper’s​, ​In These Times​, and ​Dissent​
Alyssa Battistoni (@alybatt) is a postdoctoral fellow at Harvard University and an editor at Jacobin.​ Her writing has appeared the ​Guardian,​ ​n+1​, ​The Nation​, ​Jacobin,​ ​In These Times​, Dissent​, and the ​Chronicle of Higher Education.​
Daniel Aldana Cohen (@aldatweets) is an assistant professor of sociolgy at the University of Pennsylvania, where he directs the Socio-Spatial Climate Collaborative. His writing has appeared in the ​Guardian​, ​Nature,​ ​The Nation​, ​Jacobin​, ​Public Books​, ​Dissent​, and ​NACLA.​
Thea Riofrancos (@triofrancos) is an assistant professor of political science at Providence College, and is the author of ​Resource Radicals.​ Her writing has appeared in the ​Guardian​, ​n+1​, Jacobin,​ the ​Los Angeles Review of Books​, ​Dissent,​ and ​In These Times​. She serves on the steering committee of DSA’s Ecosocialist Working Group.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In early 2019, freshman representative Alexandria Ocasio Cortez and Senator Ed Markey proposed a bold new piece of legislation, now very well known as the Green New Deal. Intended as a means of combating climate change, it stunned a number of people due to its enormous ambition, including massive overhauls of our energy systems, as well as providing housing and healthcare for everyone. Naturally a piece of legislation this large raised a number of questions, which is what my guests today are here to discuss. I recently had the pleasure of talking with <a href="https://twitter.com/KateAronoff?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Kate Aronoff</a>, <a href="https://twitter.com/alybatt?lang=en">Alyssa Battistoni</a>, <a href="https://twitter.com/aldatweets?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Daniel Aldana Cohen</a> and <a href="https://twitter.com/triofrancos?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Thea Riofrancos</a>, the authors of <em>​</em><a href="https://www.amazon.com/dp/1788738314/?tag=newbooinhis-20"><em>A Planet to Win: Why We Need a Green New Deal​</em></a> (Verso, 2019). The book is short and accessible, written for everyone interested in understanding this vital piece of legislation, so if you are like me and you don’t understand the fine details of climate economics, you can still pick this up and gain a sense of what is to be done. The book also features a short forward by Naomi Klein, who has been tracking the relationship between economic and climate politics for some time.</p><p>Kate Aronoff (@KateAronoff) is a fellow at the Type Media Center and a Contributing Writer at the ​Intercept​. She is the co-editor of ​We Own the Future​ and author of ​The New Denialism​. Her writing has appeared in the ​Guardian​, ​Rolling Stone​, ​Harper’s​, ​In These Times​, and ​Dissent​</p><p>Alyssa Battistoni (@alybatt) is a postdoctoral fellow at Harvard University and an editor at Jacobin.​ Her writing has appeared the ​Guardian,​ ​n+1​, ​The Nation​, ​Jacobin,​ ​In These Times​, Dissent​, and the ​Chronicle of Higher Education.​</p><p>Daniel Aldana Cohen (@aldatweets) is an assistant professor of sociolgy at the University of Pennsylvania, where he directs the Socio-Spatial Climate Collaborative. His writing has appeared in the ​Guardian​, ​Nature,​ ​The Nation​, ​Jacobin​, ​Public Books​, ​Dissent​, and ​NACLA.​</p><p>Thea Riofrancos (@triofrancos) is an assistant professor of political science at Providence College, and is the author of ​Resource Radicals.​ Her writing has appeared in the ​Guardian​, ​n+1​, Jacobin,​ the ​Los Angeles Review of Books​, ​Dissent,​ and ​In These Times​. She serves on the steering committee of DSA’s Ecosocialist Working Group.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>6298</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Max Blumenthal, "The Management of Savagery: How America’s National Security State Fueled the Rise of Al Qaeda, ISIS, and Donald Trump" (Verso, 2019)</title>
      <description>In The Management of Savagery: How America’s National Security State Fueled the Rise of Al Qaeda, ISIS, and Donald Trump (Verso, 2019), Max Blumenthal excavates the real, connected story behind the rise of Donald Trump, international jihad, Western ultra-nationalism and the many extremist forces that threaten peace across the globe: American imperialism.
Washington’s secret funding of the mujahedin provoked the Russian invasion of Afghanistan in 1979. With guns and money, the United States has ever since sustained the extremists, including Osama Bin Laden, who have become its enemies. The Pentagon has trained and armed jihadist elements in Afghanistan, Syria, and Libya; it has launched military interventions to change regimes in the Middle East. In doing so, it created fertile ground for the Islamic State and brought foreign conflicts home to American soil.
These failed wars abroad have made the United States more vulnerable to both terrorism as well as native ultra-nationalism. The Trump presidency is the inevitable consequence of neoconservative imperialism in the post–Cold War age. Trump’s dealings in the Middle East are likely only to exacerbate the situation.
Max Blumenthal is an award-winning journalist and bestselling author whose articles and video documentaries have appeared in the New York Times, Daily Beast, Guardian, Huffington Post, Salon, Al Jazeera English and many other publications. He is Senior Editor of AlterNet’s Grayzone Project and the author of Goliath: Life and Loathing in Greater Israel, which won the 2014 Lannan Foundation Cultural Freedom Notable Book Award, the New York Times bestseller Republican Gomorrah: Inside the Movement that Shattered the Party, and The 51 Day War: Ruin and Resistance in Gaza. His documentaries and on-the-ground reports have been seen by millions.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>75</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Blumenthal excavates the real, connected story behind the rise of Donald Trump, international jihad, Western ultra-nationalism and the many extremist forces that threaten peace across the globe: American imperialism...</itunes:subtitle>
      <itunes:summary>In The Management of Savagery: How America’s National Security State Fueled the Rise of Al Qaeda, ISIS, and Donald Trump (Verso, 2019), Max Blumenthal excavates the real, connected story behind the rise of Donald Trump, international jihad, Western ultra-nationalism and the many extremist forces that threaten peace across the globe: American imperialism.
Washington’s secret funding of the mujahedin provoked the Russian invasion of Afghanistan in 1979. With guns and money, the United States has ever since sustained the extremists, including Osama Bin Laden, who have become its enemies. The Pentagon has trained and armed jihadist elements in Afghanistan, Syria, and Libya; it has launched military interventions to change regimes in the Middle East. In doing so, it created fertile ground for the Islamic State and brought foreign conflicts home to American soil.
These failed wars abroad have made the United States more vulnerable to both terrorism as well as native ultra-nationalism. The Trump presidency is the inevitable consequence of neoconservative imperialism in the post–Cold War age. Trump’s dealings in the Middle East are likely only to exacerbate the situation.
Max Blumenthal is an award-winning journalist and bestselling author whose articles and video documentaries have appeared in the New York Times, Daily Beast, Guardian, Huffington Post, Salon, Al Jazeera English and many other publications. He is Senior Editor of AlterNet’s Grayzone Project and the author of Goliath: Life and Loathing in Greater Israel, which won the 2014 Lannan Foundation Cultural Freedom Notable Book Award, the New York Times bestseller Republican Gomorrah: Inside the Movement that Shattered the Party, and The 51 Day War: Ruin and Resistance in Gaza. His documentaries and on-the-ground reports have been seen by millions.
Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/1788732308/?tag=newbooinhis-20"><em>The Management of Savagery: How America’s National Security State Fueled the Rise of Al Qaeda, ISIS, and Donald Trump</em></a> (Verso, 2019), <a href="https://twitter.com/MaxBlumenthal?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Max Blumenthal</a> excavates the real, connected story behind the rise of Donald Trump, international jihad, Western ultra-nationalism and the many extremist forces that threaten peace across the globe: American imperialism.</p><p>Washington’s secret funding of the mujahedin provoked the Russian invasion of Afghanistan in 1979. With guns and money, the United States has ever since sustained the extremists, including Osama Bin Laden, who have become its enemies. The Pentagon has trained and armed jihadist elements in Afghanistan, Syria, and Libya; it has launched military interventions to change regimes in the Middle East. In doing so, it created fertile ground for the Islamic State and brought foreign conflicts home to American soil.</p><p>These failed wars abroad have made the United States more vulnerable to both terrorism as well as native ultra-nationalism. The Trump presidency is the inevitable consequence of neoconservative imperialism in the post–Cold War age. Trump’s dealings in the Middle East are likely only to exacerbate the situation.</p><p>Max Blumenthal is an award-winning journalist and bestselling author whose articles and video documentaries have appeared in the <em>New York Times, Daily Beast, Guardian, Huffington Post, Salon, Al Jazeera English </em>and many other publications. He is Senior Editor of AlterNet’s <em>Grayzone Project </em>and the author of <em>Goliath: Life and Loathing in Greater Israel</em>, which won the 2014 Lannan Foundation Cultural Freedom Notable Book Award, the <em>New York Times </em>bestseller <em>Republican Gomorrah: Inside the Movement that Shattered the Party</em>, and <em>The 51 Day War: Ruin and Resistance in Gaza</em>. His documentaries and on-the-ground reports have been seen by millions.</p><p><em>Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought &amp; Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the </em><a href="https://podcasts.apple.com/us/podcast/independent-thought-freedom/id1446388269"><em>iTunes Store</em></a><em> or any of your favorite podcast providers. You can also subscribe to his </em><a href="https://www.youtube.com/playlist?list=PLJ5dQ_tSNLwkuyJuq5SfJR-8fOFa3zGze"><em>YouTube channel</em></a><em>. If you are an academic who wants to get heard nationally, please check out his free training at </em><a href="https://becomeapublicintellectual.com/?utm_source=nbn"><em>becomeapublicintellectual.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4923</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Katherine Franke, "Repair: Redeeming the Promise of Abolition" (Haymarket Books, 2020)</title>
      <description>Katherine Franke’s ambitious new book challenges Americans to face our collective responsibility for ongoing racial inequality. Rather than fall back on what Franke calls a “palliative history” that emphasizes granting freedom and rights after the Civil War, Franke insists that Americans acknowledge the failure to provide any meaningful reparation to formerly enslaved people in the 1860s. That failure has ongoing structural effects today.
The book replots this history through archival research on two post-war communities in which property ownership produced increased autonomy for freed people. Franke contrasts free and freed – and calls this the dangling ‘d’ the residue of enslavement. Using a myriad of primary documents from the Sea Islands of South Carolina and Davis Bend, Mississippi, Franke details the successes and failures of these communities as they governed and organized their land. Repair demonstrates how government officials recognized the need for reparations (a term they used) and repair in the form of land ownership – an approach later reversed by President Johnson.
Repair: Redeeming the Promise of Abolition (Haymarket Books, 2020) reflects on these radical examples of 19th-century reparations in order to contribute to the modern call for reparations. For Franke, the atrocity of slavery is a festering national wound and the examples of history suggest ways in which we might funnel national wealth (though estate taxes) to a fund to empower black ownership and citizenship.
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>419</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Franke’s ambitious new book challenges Americans to face our collective responsibility for ongoing racial inequality...</itunes:subtitle>
      <itunes:summary>Katherine Franke’s ambitious new book challenges Americans to face our collective responsibility for ongoing racial inequality. Rather than fall back on what Franke calls a “palliative history” that emphasizes granting freedom and rights after the Civil War, Franke insists that Americans acknowledge the failure to provide any meaningful reparation to formerly enslaved people in the 1860s. That failure has ongoing structural effects today.
The book replots this history through archival research on two post-war communities in which property ownership produced increased autonomy for freed people. Franke contrasts free and freed – and calls this the dangling ‘d’ the residue of enslavement. Using a myriad of primary documents from the Sea Islands of South Carolina and Davis Bend, Mississippi, Franke details the successes and failures of these communities as they governed and organized their land. Repair demonstrates how government officials recognized the need for reparations (a term they used) and repair in the form of land ownership – an approach later reversed by President Johnson.
Repair: Redeeming the Promise of Abolition (Haymarket Books, 2020) reflects on these radical examples of 19th-century reparations in order to contribute to the modern call for reparations. For Franke, the atrocity of slavery is a festering national wound and the examples of history suggest ways in which we might funnel national wealth (though estate taxes) to a fund to empower black ownership and citizenship.
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.law.columbia.edu/faculty/katherine-franke">Katherine Franke</a>’s ambitious new book challenges Americans to face our collective responsibility for ongoing racial inequality. Rather than fall back on what Franke calls a “palliative history” that emphasizes granting freedom and rights after the Civil War, Franke insists that Americans acknowledge the failure to provide any meaningful reparation to formerly enslaved people in the 1860s. That failure has ongoing structural effects today.</p><p>The book replots this history through archival research on two post-war communities in which property ownership produced increased autonomy for free<em>d</em> people. Franke contrasts free and free<em>d</em> – and calls this the dangling ‘d’ the residue of enslavement. Using a myriad of primary documents from the Sea Islands of South Carolina and Davis Bend, Mississippi, Franke details the successes and failures of these communities as they governed and organized their land. <em>Repair</em> demonstrates how government officials recognized the need for reparations (a term they used) and repair in the form of land ownership – an approach later reversed by President Johnson.</p><p><a href="https://www.amazon.com/dp/1608466248/?tag=newbooinhis-20"><em>Repair: Redeeming the Promise of Abolition </em></a>(Haymarket Books, 2020) reflects on these radical examples of 19th-century reparations in order to contribute to the modern call for reparations. For Franke, the atrocity of slavery is a festering national wound and the examples of history suggest ways in which we might funnel national wealth (though estate taxes) to a fund to empower black ownership and citizenship.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of </em><a href="https://www.amazon.com/Democracy-Intelligent-Design-Evolution-Liebell-dp-1138999482/dp/1138999482/ref=mt_paperback?_encoding=UTF8&amp;me=&amp;qid="><em>Democracy, Intelligent Design, and Evolution: Science for Citizenship</em></a><em> (Routledge, 2013).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2877</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6618ca2a-7779-11ea-ac41-ef3172452607]]></guid>
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    </item>
    <item>
      <title>Matthew McManus and Marion Trejo, "Myth and Mayhem: A Leftist Critique of Jordan Peterson​" (Zero Books, 2020)</title>
      <description>In 2016, Jordan Peterson, a relatively obscure professor of psychology, released several videos on YouTube making critical remarks on political correctness and related political legislation. This would kick off a meteoric rise in fame, with sold-out live shows, podcasts, television interviews and a worldwide bestselling book. Along with his newfound fame, however, came a ​lot of criticism, much of it from progressive commentators, most recently in the form of ​Myth and Mayhem: A Leftist Critique of Jordan Peterson​ (Zero Books, 2020) The book features several contributions from four authors, as well as an introduction by Slavoj Zizek, who debated Peterson in 2019. It engages with Peterson’s core ideas, while offering critical analysis from leftist perspectives.
Ben Burgis has a Ph.D. in Philosophy from the University of Miami. He is a science fiction writer whose work has appeared in publications such as Tor.com and in Prime Books. Burgis now teaches at Rutgers University. He is also the author of ​Give Them an Argument: Logic for the Left.​
Conrad Hamilton is a doctoral student at Paris 8 University, currently developing a thesis on the relationship between social agency and the value form in the works of Marx under the supervision of Catherine Malabou. He is also a contributor to Zero Books' What Is Post-Modern Conservatism: Essays On Our Hugely Tremendous Times.
Matthew McManus is Professor of Politics and International Relations at the University of Tec de Monterrey, Mexico, where he teaches political science and theory. Before assuming this position McManus worked for the Committee for International Justice and Accountability. He completed his PhD in 2017. He is the editor of What Is Post-Modern Conservatism: Essays On Our Hugely Tremendous Times, publishing by Zero Books in 2020, as well as being the author of ​The Rise of Postmodern Conservatism: Neoliberalism, Post-Modern Culture, and Reactionary Politics.​
Marion Trejo is Professor of Politics and International Relations at Tec de Monterrey, Mexico. She completed her Bachelors in International Relations at Tec de Monterrey and her Masters in Philosophy at the National Autonomous University of Mexico.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>161</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In 2016, Jordan Peterson, a relatively obscure professor of psychology, released several videos on YouTube making critical remarks on political correctness and related political legislation...</itunes:subtitle>
      <itunes:summary>In 2016, Jordan Peterson, a relatively obscure professor of psychology, released several videos on YouTube making critical remarks on political correctness and related political legislation. This would kick off a meteoric rise in fame, with sold-out live shows, podcasts, television interviews and a worldwide bestselling book. Along with his newfound fame, however, came a ​lot of criticism, much of it from progressive commentators, most recently in the form of ​Myth and Mayhem: A Leftist Critique of Jordan Peterson​ (Zero Books, 2020) The book features several contributions from four authors, as well as an introduction by Slavoj Zizek, who debated Peterson in 2019. It engages with Peterson’s core ideas, while offering critical analysis from leftist perspectives.
Ben Burgis has a Ph.D. in Philosophy from the University of Miami. He is a science fiction writer whose work has appeared in publications such as Tor.com and in Prime Books. Burgis now teaches at Rutgers University. He is also the author of ​Give Them an Argument: Logic for the Left.​
Conrad Hamilton is a doctoral student at Paris 8 University, currently developing a thesis on the relationship between social agency and the value form in the works of Marx under the supervision of Catherine Malabou. He is also a contributor to Zero Books' What Is Post-Modern Conservatism: Essays On Our Hugely Tremendous Times.
Matthew McManus is Professor of Politics and International Relations at the University of Tec de Monterrey, Mexico, where he teaches political science and theory. Before assuming this position McManus worked for the Committee for International Justice and Accountability. He completed his PhD in 2017. He is the editor of What Is Post-Modern Conservatism: Essays On Our Hugely Tremendous Times, publishing by Zero Books in 2020, as well as being the author of ​The Rise of Postmodern Conservatism: Neoliberalism, Post-Modern Culture, and Reactionary Politics.​
Marion Trejo is Professor of Politics and International Relations at Tec de Monterrey, Mexico. She completed her Bachelors in International Relations at Tec de Monterrey and her Masters in Philosophy at the National Autonomous University of Mexico.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2016, Jordan Peterson, a relatively obscure professor of psychology, released several videos on YouTube making critical remarks on political correctness and related political legislation. This would kick off a meteoric rise in fame, with sold-out live shows, podcasts, television interviews and a worldwide bestselling book. Along with his newfound fame, however, came a ​lot of criticism, much of it from progressive commentators, most recently in the form of <a href="https://www.amazon.com/dp/1789045533/?tag=newbooinhis-20"><em>​Myth and Mayhem: A Leftist Critique of Jordan Peterson</em></a><em>​</em> (Zero Books, 2020) The book features several contributions from four authors, as well as an introduction by Slavoj Zizek, who debated Peterson in 2019. It engages with Peterson’s core ideas, while offering critical analysis from leftist perspectives.</p><p><a href="https://twitter.com/BenBurgis?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Ben Burgis</a> has a Ph.D. in Philosophy from the University of Miami. He is a science fiction writer whose work has appeared in publications such as Tor.com and in Prime Books. Burgis now teaches at Rutgers University. He is also the author of <em>​Give Them an Argument: Logic for the Left.​</em></p><p><a href="https://univ-paris8.academia.edu/ConradHamilton">Conrad Hamilton</a> is a doctoral student at Paris 8 University, currently developing a thesis on the relationship between social agency and the value form in the works of Marx under the supervision of Catherine Malabou. He is also a contributor to Zero Books' <em>What Is Post-Modern Conservatism: Essays On Our Hugely Tremendous Time</em>s.</p><p><a href="https://twitter.com/MattPolProf?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Matthew McManus</a> is Professor of Politics and International Relations at the University of Tec de Monterrey, Mexico, where he teaches political science and theory. Before assuming this position McManus worked for the Committee for International Justice and Accountability. He completed his PhD in 2017. He is the editor of <em>What Is Post-Modern Conservatism: Essays On Our Hugely Tremendous Times</em>, publishing by Zero Books in 2020, as well as being the author of ​<em>The Rise of Postmodern Conservatism: Neoliberalism, Post-Modern Culture, and Reactionary Politics</em>.​</p><p><a href="https://itesm.academia.edu/MarionTrejo">Marion Trejo</a> is Professor of Politics and International Relations at Tec de Monterrey, Mexico. She completed her Bachelors in International Relations at Tec de Monterrey and her Masters in Philosophy at the National Autonomous University of Mexico.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3160</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1606340061.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Anna Bull, "Class, Control, and Classical Music" (Oxford UP, 2019)</title>
      <description>What is the relationship between inequality and classical music? In Class, Control, and Classical Music (Oxford University Press, 2019), Anna Bull, a Senior Lecturer in Sociology at the University of Portsmouth and co-director of the 1752 Group, explores the intersections of class, race, and gender to explain the exclusive, and excluding, nature of classical music in contemporary society. The book is based on a detailed study of young people’s engagement with classical music, along with a broader understanding of music education and the sociology of culture. The book is also deeply engaged with the question of what, if anything, classical can do to transform, rather than reproduce, social inequalities. It is essential reading across both music and sociology, as well as for anyone interested in contemporary culture and social inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>160</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the relationship between inequality and classical music?</itunes:subtitle>
      <itunes:summary>What is the relationship between inequality and classical music? In Class, Control, and Classical Music (Oxford University Press, 2019), Anna Bull, a Senior Lecturer in Sociology at the University of Portsmouth and co-director of the 1752 Group, explores the intersections of class, race, and gender to explain the exclusive, and excluding, nature of classical music in contemporary society. The book is based on a detailed study of young people’s engagement with classical music, along with a broader understanding of music education and the sociology of culture. The book is also deeply engaged with the question of what, if anything, classical can do to transform, rather than reproduce, social inequalities. It is essential reading across both music and sociology, as well as for anyone interested in contemporary culture and social inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the relationship between inequality and classical music? In <a href="https://www.amazon.com/dp/0190844353/?tag=newbooinhis-20"><em>Class, Control, and Classical Music </em></a>(Oxford University Press, 2019), <a href="https://twitter.com/anna_bull_">Anna Bull</a>, a <a href="https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/anna-bull">Senior Lecturer</a> in Sociology at the University of Portsmouth and co-director of the <a href="https://1752group.com/">1752 Group</a>, explores the intersections of class, race, and gender to explain the exclusive, and excluding, nature of classical music in contemporary society. The book is based on a detailed study of young people’s engagement with classical music, along with a broader understanding of music education and the sociology of culture. The book is also deeply engaged with the question of what, if anything, classical can do to transform, rather than reproduce, social inequalities. It is essential reading across both music and sociology, as well as for anyone interested in contemporary culture and social inequality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2660</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[242d0ad0-7522-11ea-9550-639b55f84963]]></guid>
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    </item>
    <item>
      <title>Marco Z. Garrido, "The Patchwork City: Class, Space and Politics in Metro Manila" (U Chicago Press, 2019)</title>
      <description>In contemporary Manila, slums and squatter settlements are peppered throughout the city, often pushing right up against the walled enclaves of the privileged, creating the complex geopolitical pattern of what sociologist Marco Garrido calls the “patchwork city.” Synthesizing literature in political sociology and urban studies, Garrido shows how experiences along the housing divide in Manila constitute political subjectivities and shape the very experience of democracy in contemporary Philippines.
The Patchwork City: Class, Space and Politics in Metro Manila (University of Chicago Press, 2019) is a beautifully written ethnography is divided into two parts. In the first part, Garrido documents the fragmentation of Manila into a mélange of spaces defined by class, particularly slums and upper- and middle-class enclaves. He calls the pattern of urban fragmentation “interspersion” and persuasively argues that it is a spatial form distinct to cities in the Global South. This distinction is marked not by increasing segregation (as is the case with cities in the Global North) but by increasing proximity and dependence. For enclave residents, the proximity of slums is a source of insecurity, compelling them to impose spatial boundaries on slum residents. For slum residents, the regular imposition of these boundaries creates a pervasive sense of discrimination. Within this everyday, and almost normalized, sense of discrimination, the urban poor and middle class emerge not as labor and capital but as “squatters” and “villagers,” Manila’s name for subdivision residents. In other words, economic identities are unflinchingly spatialized.
In the second part, Garrido looks beyond urban fragmentation to delineate its effects on class relations and politics, arguing that the proliferation of these slums and enclaves and their subsequent proximity have intensified class relations. Going beyond the realm of “the urban”, Garrido examines the politicization of this socio-spatial divide with the specific case of the populist president Joseph Estrada. The book ultimately argues that the two sides – middle-class and urban poor – are drawn into contention over not just the right to the city, but the nature of democracy itself.
In all, The Patchwork City illuminates how segregation, class relations, and democracy are all intensely connected. It makes clear, ultimately, that class as a social structure is as indispensable to the study of Manila—and of many other cities of the Global South—as race is to the study of American cities.
Sneha Annavarapu is a doctoral candidate in the Department of Sociology at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Synthesizing literature in political sociology and urban studies, Garrido shows how experiences along the housing divide in Manila constitute political subjectivities and shape the very experience of democracy in contemporary Philippines...</itunes:subtitle>
      <itunes:summary>In contemporary Manila, slums and squatter settlements are peppered throughout the city, often pushing right up against the walled enclaves of the privileged, creating the complex geopolitical pattern of what sociologist Marco Garrido calls the “patchwork city.” Synthesizing literature in political sociology and urban studies, Garrido shows how experiences along the housing divide in Manila constitute political subjectivities and shape the very experience of democracy in contemporary Philippines.
The Patchwork City: Class, Space and Politics in Metro Manila (University of Chicago Press, 2019) is a beautifully written ethnography is divided into two parts. In the first part, Garrido documents the fragmentation of Manila into a mélange of spaces defined by class, particularly slums and upper- and middle-class enclaves. He calls the pattern of urban fragmentation “interspersion” and persuasively argues that it is a spatial form distinct to cities in the Global South. This distinction is marked not by increasing segregation (as is the case with cities in the Global North) but by increasing proximity and dependence. For enclave residents, the proximity of slums is a source of insecurity, compelling them to impose spatial boundaries on slum residents. For slum residents, the regular imposition of these boundaries creates a pervasive sense of discrimination. Within this everyday, and almost normalized, sense of discrimination, the urban poor and middle class emerge not as labor and capital but as “squatters” and “villagers,” Manila’s name for subdivision residents. In other words, economic identities are unflinchingly spatialized.
In the second part, Garrido looks beyond urban fragmentation to delineate its effects on class relations and politics, arguing that the proliferation of these slums and enclaves and their subsequent proximity have intensified class relations. Going beyond the realm of “the urban”, Garrido examines the politicization of this socio-spatial divide with the specific case of the populist president Joseph Estrada. The book ultimately argues that the two sides – middle-class and urban poor – are drawn into contention over not just the right to the city, but the nature of democracy itself.
In all, The Patchwork City illuminates how segregation, class relations, and democracy are all intensely connected. It makes clear, ultimately, that class as a social structure is as indispensable to the study of Manila—and of many other cities of the Global South—as race is to the study of American cities.
Sneha Annavarapu is a doctoral candidate in the Department of Sociology at the University of Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In contemporary Manila, slums and squatter settlements are peppered throughout the city, often pushing right up against the walled enclaves of the privileged, creating the complex geopolitical pattern of what sociologist <a href="https://sociology.uchicago.edu/directory/marco-garrido">Marco Garrido</a> calls the “patchwork city.” Synthesizing literature in political sociology and urban studies, Garrido shows how experiences along the housing divide in Manila constitute political subjectivities and shape the very experience of democracy in contemporary Philippines.</p><p><a href="https://www.amazon.com/dp/022664314X/?tag=newbooinhis-20"><em>The Patchwork City: Class, Space and Politics in Metro Manila</em></a> (University of Chicago Press, 2019) is a beautifully written ethnography is divided into two parts. In the first part, Garrido documents the fragmentation of Manila into a mélange of spaces defined by class, particularly slums and upper- and middle-class enclaves. He calls the pattern of urban fragmentation “interspersion” and persuasively argues that it is a spatial form distinct to cities in the Global South. This distinction is marked not by increasing segregation (as is the case with cities in the Global North) but by increasing proximity and dependence. For enclave residents, the proximity of slums is a source of insecurity, compelling them to impose spatial boundaries on slum residents. For slum residents, the regular imposition of these boundaries creates a pervasive sense of discrimination. Within this everyday, and almost normalized, sense of discrimination, the urban poor and middle class emerge not as labor and capital but as “squatters” and “villagers,” Manila’s name for subdivision residents. In other words, economic identities are unflinchingly spatialized.</p><p>In the second part, Garrido looks beyond urban fragmentation to delineate its effects on class relations and politics, arguing that the proliferation of these slums and enclaves and their subsequent proximity have intensified class relations. Going beyond the realm of “the urban”, Garrido examines the politicization of this socio-spatial divide with the specific case of the populist president Joseph Estrada. The book ultimately argues that the two sides – middle-class and urban poor – are drawn into contention over not just the right to the city, but the nature of democracy itself.</p><p>In all, <em>The Patchwork City</em> illuminates how segregation, class relations, and democracy are all intensely connected. It makes clear, ultimately, that class as a social structure is as indispensable to the study of Manila—and of many other cities of the Global South—as race is to the study of American cities.</p><p><a href="https://sociology.uchicago.edu/directory/sneha-annavarapu"><em>Sneha Annavarapu</em></a><em> is a doctoral candidate in the Department of Sociology at the University of Chicago.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2750</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1265575662.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>V. Hudson, D. Bowen, P. Nielsen, "The First Political Order: How Sex Shapes Governance and National Security Worldwide" (Columbia UP, 2020)</title>
      <description>Global history records an astonishing variety of forms of social organization. Yet almost universally, males subordinate females. How does the relationship between men and women shape the wider political order? Valerie M. Hudson, Donna Lee Bowen, and Perpetua Lynne Nielsen's new book The First Political Order: How Sex Shapes Governance and National Security Worldwide (Columbia University Press, 2020) is a groundbreaking demonstration that the persistent and systematic subordination of women underlies all other institutions, with wide-ranging implications for global security and development.
Incorporating research findings spanning a variety of social science disciplines and comprehensive empirical data detailing the status of women around the globe, the book shows that female subordination functions almost as a curse upon nations. A society’s choice to subjugate women has significant negative consequences: worse governance, worse conflict, worse stability, worse economic performance, worse food security, worse health, worse demographic problems, worse environmental protection, and worse social progress. Yet despite the pervasive power of social and political structures that subordinate women, history—and the data—reveal possibilities for progress.
The First Political Order shows that when steps are taken to reduce the hold of inequitable laws, customs, and practices, outcomes for all improve. It offers a new paradigm for understanding insecurity, instability, autocracy, and violence, explaining what the international community can do now to promote more equitable relations between men and women and, thereby, security and peace. With comprehensive empirical evidence of the wide-ranging harm of subjugating women, it is an important book for security scholars, social scientists, policy makers, historians, and advocates for women worldwide.
Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The authors show that when steps are taken to reduce the hold of inequitable laws, customs, and practices, outcomes for all improve....</itunes:subtitle>
      <itunes:summary>Global history records an astonishing variety of forms of social organization. Yet almost universally, males subordinate females. How does the relationship between men and women shape the wider political order? Valerie M. Hudson, Donna Lee Bowen, and Perpetua Lynne Nielsen's new book The First Political Order: How Sex Shapes Governance and National Security Worldwide (Columbia University Press, 2020) is a groundbreaking demonstration that the persistent and systematic subordination of women underlies all other institutions, with wide-ranging implications for global security and development.
Incorporating research findings spanning a variety of social science disciplines and comprehensive empirical data detailing the status of women around the globe, the book shows that female subordination functions almost as a curse upon nations. A society’s choice to subjugate women has significant negative consequences: worse governance, worse conflict, worse stability, worse economic performance, worse food security, worse health, worse demographic problems, worse environmental protection, and worse social progress. Yet despite the pervasive power of social and political structures that subordinate women, history—and the data—reveal possibilities for progress.
The First Political Order shows that when steps are taken to reduce the hold of inequitable laws, customs, and practices, outcomes for all improve. It offers a new paradigm for understanding insecurity, instability, autocracy, and violence, explaining what the international community can do now to promote more equitable relations between men and women and, thereby, security and peace. With comprehensive empirical evidence of the wide-ranging harm of subjugating women, it is an important book for security scholars, social scientists, policy makers, historians, and advocates for women worldwide.
Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Global history records an astonishing variety of forms of social organization. Yet almost universally, males subordinate females. How does the relationship between men and women shape the wider political order? <a href="http://vmrhudson.org/">Valerie M. Hudson</a>, <a href="https://en.wikipedia.org/wiki/Donna_Lee_Bowen">Donna Lee Bowen</a>, and <a href="https://statistics.byu.edu/directory/nielsen-lynne">Perpetua Lynne Nielsen</a>'s new book <a href="https://www.amazon.com/dp/0231194668/?tag=newbooinhis-20"><em>The First Political Order: How Sex Shapes Governance and National Security Worldwide</em></a><em> </em>(Columbia University Press, 2020) is a groundbreaking demonstration that the persistent and systematic subordination of women underlies all other institutions, with wide-ranging implications for global security and development.</p><p>Incorporating research findings spanning a variety of social science disciplines and comprehensive empirical data detailing the status of women around the globe, the book shows that female subordination functions almost as a curse upon nations. A society’s choice to subjugate women has significant negative consequences: worse governance, worse conflict, worse stability, worse economic performance, worse food security, worse health, worse demographic problems, worse environmental protection, and worse social progress. Yet despite the pervasive power of social and political structures that subordinate women, history—and the data—reveal possibilities for progress.</p><p><em>The First Political Order</em> shows that when steps are taken to reduce the hold of inequitable laws, customs, and practices, outcomes for all improve. It offers a new paradigm for understanding insecurity, instability, autocracy, and violence, explaining what the international community can do now to promote more equitable relations between men and women and, thereby, security and peace. With comprehensive empirical evidence of the wide-ranging harm of subjugating women, it is an important book for security scholars, social scientists, policy makers, historians, and advocates for women worldwide.</p><p><em>Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5959</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b4759a8c-71ba-11ea-8f55-276f14f75b28]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8313917295.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)</title>
      <description>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.
The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 30 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>According to Cook, a paradox paradox is a sophisticated kind of magic trick...</itunes:subtitle>
      <itunes:summary>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.
The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In <a href="https://www.amazon.com/dp/0262043467/?tag=newbooinhis-20"><em>Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy</em></a> (MIT Press, 2020), <a href="https://www.linkedin.com/in/matt-cook-349811132/">Matt Cook</a> and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.</p><p>The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's <em>Pirates of Penzance. </em>Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3094</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[69ad4f78-6ec6-11ea-a3ce-9fdf7ce9e811]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7594390902.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Tobie Stein, "Racial and Ethnic Diversity in the Performing Arts Workforce" (Routledge, 2020)</title>
      <description>Has can the performing arts confront racial inequality? In Racial and Ethnic Diversity in the Performing Arts Workforce (Routledge, 2020), Tobie S. Stein, Professor Emerita in the Department of Theater, Brooklyn College, CUNY, analyses the longstanding failure of America’s performing arts industry to address issues of diversity. Drawing on interviews with 70 practitioners, as well as a rich and detailed engagement with the structures of the performing arts industry and cultural policy, the book makes clear the unequal opportunities and career paths that result from racial inequality. The book also draws on co-authors to reflect historical, institutional, and international perspectives, adding depth and breadth to an already excellently extensive account. It is an essential read across the humanities and social sciences, as well as for anyone interested in arts and culture.
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      <pubDate>Fri, 27 Mar 2020 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Stein analyses the longstanding failure of America’s theatre industry to address issues of diversity...</itunes:subtitle>
      <itunes:summary>Has can the performing arts confront racial inequality? In Racial and Ethnic Diversity in the Performing Arts Workforce (Routledge, 2020), Tobie S. Stein, Professor Emerita in the Department of Theater, Brooklyn College, CUNY, analyses the longstanding failure of America’s performing arts industry to address issues of diversity. Drawing on interviews with 70 practitioners, as well as a rich and detailed engagement with the structures of the performing arts industry and cultural policy, the book makes clear the unequal opportunities and career paths that result from racial inequality. The book also draws on co-authors to reflect historical, institutional, and international perspectives, adding depth and breadth to an already excellently extensive account. It is an essential read across the humanities and social sciences, as well as for anyone interested in arts and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Has can the performing arts confront racial inequality? In <a href="https://www.amazon.com/dp/113818845X/?tag=newbooinhis-20"><em>Racial and Ethnic Diversity in the Performing Arts Workforce </em></a>(Routledge, 2020), <a href="http://depthome.brooklyn.cuny.edu/theater/people_faculty_stein_tobie.html">Tobie S. Stein</a>, Professor Emerita in the Department of Theater, Brooklyn College, CUNY, analyses the longstanding failure of America’s performing arts industry to address issues of diversity. Drawing on interviews with 70 practitioners, as well as a rich and detailed engagement with the structures of the performing arts industry and cultural policy, the book makes clear the unequal opportunities and career paths that result from racial inequality. The book also draws on co-authors to reflect historical, institutional, and international perspectives, adding depth and breadth to an already excellently extensive account. It is an essential read across the humanities and social sciences, as well as for anyone interested in arts and culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2021</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[12774cc8-6f6a-11ea-95f8-0b9215da0d9f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3050957960.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Erin Hatton, "Coerced: Work Under Threat of Punishment" (U California Press, 2020)</title>
      <description>What do prisoner laborers, graduate students, welfare workers, and college athletes have in common? According to sociologist Erin Hatton, they are all part of a growing workforce of coerced laborers.
Coerced: Work Under Threat of Punishment (University of California Press, 2020) explores this world of coerced labor through an unexpected and compelling comparison of these four groups of workers, for whom a different definition of "employment" reigns supreme—one where workplace protections do not apply and employers wield expansive punitive power, far beyond the ability to hire and fire. Because such arrangements are common across the economy, Hatton argues that coercion—as well as precarity—is a defining feature of work in America today.
Theoretically forceful yet vivid and gripping to read, Coerced compels the reader to reevaluate contemporary dynamics of work, pushing beyond concepts like "career" and "gig work." Through this bold analysis, Hatton offers a trenchant window into this world of work from the perspective of those who toil within it—and who are developing the tools needed to push back against it.
In this interview, Hatton and I discuss how she chose her unique cases for the book (graduate students, inmates, workfare workers, and college athletes), coercion related to status, agency and resistance, and the often harsh, punitive power of work supervisors and employers. I recommend this book for students, professors, and anyone else interested in labor, social stratification, qualitative methods, and culture.
Erin Hatton, PhD, is an associate professor in the SUNY Buffalo Department of Sociology. Professor Hatton’s research focuses on work and political economy, while also extending into the fields of social inequality, labor, law and social policy. You can find her on Twitter at @eehatton.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 24 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do prisoner laborers, graduate students, welfare workers, and college athletes have in common?</itunes:subtitle>
      <itunes:summary>What do prisoner laborers, graduate students, welfare workers, and college athletes have in common? According to sociologist Erin Hatton, they are all part of a growing workforce of coerced laborers.
Coerced: Work Under Threat of Punishment (University of California Press, 2020) explores this world of coerced labor through an unexpected and compelling comparison of these four groups of workers, for whom a different definition of "employment" reigns supreme—one where workplace protections do not apply and employers wield expansive punitive power, far beyond the ability to hire and fire. Because such arrangements are common across the economy, Hatton argues that coercion—as well as precarity—is a defining feature of work in America today.
Theoretically forceful yet vivid and gripping to read, Coerced compels the reader to reevaluate contemporary dynamics of work, pushing beyond concepts like "career" and "gig work." Through this bold analysis, Hatton offers a trenchant window into this world of work from the perspective of those who toil within it—and who are developing the tools needed to push back against it.
In this interview, Hatton and I discuss how she chose her unique cases for the book (graduate students, inmates, workfare workers, and college athletes), coercion related to status, agency and resistance, and the often harsh, punitive power of work supervisors and employers. I recommend this book for students, professors, and anyone else interested in labor, social stratification, qualitative methods, and culture.
Erin Hatton, PhD, is an associate professor in the SUNY Buffalo Department of Sociology. Professor Hatton’s research focuses on work and political economy, while also extending into the fields of social inequality, labor, law and social policy. You can find her on Twitter at @eehatton.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do prisoner laborers, graduate students, welfare workers, and college athletes have in common? According to sociologist <a href="https://arts-sciences.buffalo.edu/sociology/faculty/faculty-directory.host.html/content/shared/arts-sciences/sociology/faculty-staff/department-profiles/hatton-erin.html">Erin Hatton</a>, they are all part of a growing workforce of coerced laborers.</p><p><a href="http://www.amazon.com/dp/0520305418/?tag=newbooinhis-20"><em>Coerced: Work Under Threat of Punishment</em></a> (University of California Press, 2020) explores this world of coerced labor through an unexpected and compelling comparison of these four groups of workers, for whom a different definition of "employment" reigns supreme—one where workplace protections do not apply and employers wield expansive punitive power, far beyond the ability to hire and fire. Because such arrangements are common across the economy, Hatton argues that coercion—as well as precarity—is a defining feature of work in America today.</p><p>Theoretically forceful yet vivid and gripping to read, Coerced compels the reader to reevaluate contemporary dynamics of work, pushing beyond concepts like "career" and "gig work." Through this bold analysis, Hatton offers a trenchant window into this world of work from the perspective of those who toil within it—and who are developing the tools needed to push back against it.</p><p>In this interview, Hatton and I discuss how she chose her unique cases for the book (graduate students, inmates, workfare workers, and college athletes), coercion related to status, agency and resistance, and the often harsh, punitive power of work supervisors and employers. I recommend this book for students, professors, and anyone else interested in labor, social stratification, qualitative methods, and culture.</p><p>Erin Hatton, PhD, is an associate professor in the SUNY Buffalo Department of Sociology. Professor Hatton’s research focuses on work and political economy, while also extending into the fields of social inequality, labor, law and social policy. You can find her on Twitter at @eehatton.</p><p><em>Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3110</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90bb3136-695b-11ea-b984-571ab7e0e33c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9612767121.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd McGowan, "Emancipation After Hegel: Achieving a Contradictory Revolution" (Columbia UP, 2019)</title>
      <description>An Interview with Todd McGowan about his recent Emancipation After Hegel: Achieving a Contradictory Revolution (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. Emancipation After Hegel also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai.
Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>McGowan combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai...</itunes:subtitle>
      <itunes:summary>An Interview with Todd McGowan about his recent Emancipation After Hegel: Achieving a Contradictory Revolution (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. Emancipation After Hegel also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai.
Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An Interview with <a href="https://www.uvm.edu/cas/english/profiles/todd-mcgowan">Todd McGowan</a> about his recent <a href="http://www.amazon.com/dp/0231192703/?tag=newbooinhis-20"><em>Emancipation After Hegel: Achieving a Contradictory Revolution</em></a> (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. <em>Emancipation After Hegel</em> also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai.</p><p><em>Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3021</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bfce6e4c-67c7-11ea-b62b-0f43d95ce51b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4195361918.mp3?updated=1708286727" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Foa Dienstag, "Cinema Pessimism: A Political Theory of Representation and Reciprocity" (Oxford UP, 2019)</title>
      <description>Joshua Foa Dienstag, Professor of Political Science and Law at UCLA, considers, in his new book, the interaction between our experiences in watching films and our positions as citizens in a representative democracy. In both situations, as an audience member watching a movie and as a citizen in a representative republic, we need to understand the interactions we have with others, and consider how we experience representation, in politics and in film. These are not necessarily spaces and concepts that are usually woven together, but Dienstag makes the case that they should be considered in regard to each other because they both are forms of representation, and important emotional dimensions are threaded through each form.
Cinema Pessimism: A Political Theory of Representation and Reciprocity (Oxford University Press, 2019) begins by diving into the idea of representative government, especially in contrast to idealized notions of direct democracy. Dienstag examines some of the history of political thought about representative democracy and focuses on the contemporary dialogue among political theorists about reciprocity as both necessary and difficult in the representation relationship. If we could have more fully reciprocal relationships with our elected officials, inequality and corruption might not be problematic issues. Given that our democracy has grown substantially since the early days of the republic, we, as citizens, are far less connected to our elected officials. Cinema Pessimism holds up a mirror to this question of the estrangement of political representation and examines our experiences in context of filmic representations, which are structured to engage us emotionally and through images that “look like us.” Thus, Dienstag weaves together our experiences as audience members, where we see narrative constructions of these issues of representation and reciprocity, and our political experiences of the same.
In both cases, Dienstag warns that we are becoming disconnected—disconnected from individuals in our lives, from our roles as citizens, and from actual emotional engagement with others—and this disconnection is particularly problematic when the idea of representation and reciprocity is predicated on connections. Cinema Pessimism toggles between thinking about the political experiences of citizens and the emotional and visual experiences of audience members, tracing out the overlapping components of these often-separated roles. Dienstag’s analysis combines visual cultural artifacts and political theory, focusing our thinking on the danger that representative politics may pose for freedom and equality. Cinema Pessimism examines a number of cinematic artifacts, some more overtly political than others, in the course of discussing what we see, feel, and experience as viewers and audience members. This novel and rigorous analysis will be of interest to many readers, bringing together a variety of fields and disciplines, including political theory, philosophy, media studies, cultural studies, and film studies.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>410</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Dienstag considers the interaction between our experiences in watching films and our positions as citizens in a representative democracy...</itunes:subtitle>
      <itunes:summary>Joshua Foa Dienstag, Professor of Political Science and Law at UCLA, considers, in his new book, the interaction between our experiences in watching films and our positions as citizens in a representative democracy. In both situations, as an audience member watching a movie and as a citizen in a representative republic, we need to understand the interactions we have with others, and consider how we experience representation, in politics and in film. These are not necessarily spaces and concepts that are usually woven together, but Dienstag makes the case that they should be considered in regard to each other because they both are forms of representation, and important emotional dimensions are threaded through each form.
Cinema Pessimism: A Political Theory of Representation and Reciprocity (Oxford University Press, 2019) begins by diving into the idea of representative government, especially in contrast to idealized notions of direct democracy. Dienstag examines some of the history of political thought about representative democracy and focuses on the contemporary dialogue among political theorists about reciprocity as both necessary and difficult in the representation relationship. If we could have more fully reciprocal relationships with our elected officials, inequality and corruption might not be problematic issues. Given that our democracy has grown substantially since the early days of the republic, we, as citizens, are far less connected to our elected officials. Cinema Pessimism holds up a mirror to this question of the estrangement of political representation and examines our experiences in context of filmic representations, which are structured to engage us emotionally and through images that “look like us.” Thus, Dienstag weaves together our experiences as audience members, where we see narrative constructions of these issues of representation and reciprocity, and our political experiences of the same.
In both cases, Dienstag warns that we are becoming disconnected—disconnected from individuals in our lives, from our roles as citizens, and from actual emotional engagement with others—and this disconnection is particularly problematic when the idea of representation and reciprocity is predicated on connections. Cinema Pessimism toggles between thinking about the political experiences of citizens and the emotional and visual experiences of audience members, tracing out the overlapping components of these often-separated roles. Dienstag’s analysis combines visual cultural artifacts and political theory, focusing our thinking on the danger that representative politics may pose for freedom and equality. Cinema Pessimism examines a number of cinematic artifacts, some more overtly political than others, in the course of discussing what we see, feel, and experience as viewers and audience members. This novel and rigorous analysis will be of interest to many readers, bringing together a variety of fields and disciplines, including political theory, philosophy, media studies, cultural studies, and film studies.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).
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      <content:encoded>
        <![CDATA[<p><a href="https://law.ucla.edu/faculty/faculty-profiles/joshua-foa-dienstag/">Joshua Foa Dienstag</a>, Professor of Political Science and Law at UCLA, considers, in his new book, the interaction between our experiences in watching films and our positions as citizens in a representative democracy. In both situations, as an audience member watching a movie and as a citizen in a representative republic, we need to understand the interactions we have with others, and consider how we experience representation, in politics and in film. These are not necessarily spaces and concepts that are usually woven together, but Dienstag makes the case that they should be considered in regard to each other because they both are forms of representation, and important emotional dimensions are threaded through each form.</p><p><a href="http://www.amazon.com/dp/0190067721/?tag=newbooinhis-20"><em>Cinema Pessimism: A Political Theory of Representation and Reciprocity</em></a><em> </em>(Oxford University Press, 2019) begins by diving into the idea of representative government, especially in contrast to idealized notions of direct democracy. Dienstag examines some of the history of political thought about representative democracy and focuses on the contemporary dialogue among political theorists about reciprocity as both necessary and difficult in the representation relationship. If we could have more fully reciprocal relationships with our elected officials, inequality and corruption might not be problematic issues. Given that our democracy has grown substantially since the early days of the republic, we, as citizens, are far less connected to our elected officials. <em>Cinema Pessimism</em> holds up a mirror to this question of the estrangement of political representation and examines our experiences in context of filmic representations, which are structured to engage us emotionally and through images that “look like us.” Thus, Dienstag weaves together our experiences as audience members, where we see narrative constructions of these issues of representation and reciprocity, and our political experiences of the same.</p><p>In both cases, Dienstag warns that we are becoming disconnected—disconnected from individuals in our lives, from our roles as citizens, and from actual emotional engagement with others—and this disconnection is particularly problematic when the idea of representation and reciprocity is predicated on connections. <em>Cinema Pessimism</em> toggles between thinking about the political experiences of citizens and the emotional and visual experiences of audience members, tracing out the overlapping components of these often-separated roles. Dienstag’s analysis combines visual cultural artifacts and political theory, focusing our thinking on the danger that representative politics may pose for freedom and equality. <em>Cinema Pessimism</em> examines a number of cinematic artifacts, some more overtly political than others, in the course of discussing what we see, feel, and experience as viewers and audience members. This novel and rigorous analysis will be of interest to many readers, bringing together a variety of fields and disciplines, including political theory, philosophy, media studies, cultural studies, and film studies.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, </em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0">Women and the White House: Gender, Popular Culture, and Presidential Politics</a> (University Press of Kentucky, 2012), <em>as well as co-editor of</em> <a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/">Mad Men and Politics: Nostalgia and the Remaking of Modern America</a> (Bloomsbury Academic, 2015).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3509</itunes:duration>
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      <title>Áine O'Healy, "Migrant Anxieties: Italian Cinema in a Transnational Frame" (Indiana UP, 2019)</title>
      <description>In her recently published Migrant Anxieties: Italian Cinema in a Transnational Frame (Indiana University Press, 2019), Áine O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Migrant Anxieties traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape.
Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.
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      <pubDate>Fri, 20 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades...</itunes:subtitle>
      <itunes:summary>In her recently published Migrant Anxieties: Italian Cinema in a Transnational Frame (Indiana University Press, 2019), Áine O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Migrant Anxieties traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape.
Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her recently published <a href="http://www.amazon.com/dp/0253037182/?tag=newbooinhis-20"><em>Migrant Anxieties: Italian Cinema in a Transnational Frame</em></a> (Indiana University Press, 2019), <a href="https://bellarmine.lmu.edu/modernlanguages/faculty/?expert=ine.ohealy">Áine O'Healy</a> explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. <em>Migrant Anxieties</em> traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape.</p><p><a href="https://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/Comparative-Literature/Faculty-Bios/Giancarlo-Lombardi"><em>Giancarlo Lombardi</em></a><em> is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sukey Fontelieu, "The Archetypal Pan in America: Hypermasculinity and Terror" (Routledge, 2018)</title>
      <description>Relying on Carl Jung’s theory of the complex, as well as the archetypal narratives of the Greek character Pan, Sukey Fontelieu’s The Archetypal Pan in America: Hypermasculinity and Terror (Routledge, 2018) seeks to examine a collection of social and political traumas, both personal and collective. The book examines the development of our personal and social identities in psychoanalytic terms, as well as their historical development through large and defining political events, such as the treatment of indigenous populations, foreign military interventions, and the increasing levels of violence at home. The result is a book that sees our current situation as having been in development for quite some time, and that will require deep personal reflection if we are to move forward.
Sukey Fontelieu, PhD attended the University of Essex and Pacifica Graduate Institute and is currently a professor in the Jungian and Archetypal Studies Program at Pacifica.
Stephen Dozeman is a freelance writer. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Fontelieu seeks to examine a collection of social and political traumas, both personal and collective...</itunes:subtitle>
      <itunes:summary>Relying on Carl Jung’s theory of the complex, as well as the archetypal narratives of the Greek character Pan, Sukey Fontelieu’s The Archetypal Pan in America: Hypermasculinity and Terror (Routledge, 2018) seeks to examine a collection of social and political traumas, both personal and collective. The book examines the development of our personal and social identities in psychoanalytic terms, as well as their historical development through large and defining political events, such as the treatment of indigenous populations, foreign military interventions, and the increasing levels of violence at home. The result is a book that sees our current situation as having been in development for quite some time, and that will require deep personal reflection if we are to move forward.
Sukey Fontelieu, PhD attended the University of Essex and Pacifica Graduate Institute and is currently a professor in the Jungian and Archetypal Studies Program at Pacifica.
Stephen Dozeman is a freelance writer. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Relying on Carl Jung’s theory of the complex, as well as the archetypal narratives of the Greek character Pan, <a href="http://sukeyfontelieu.com/">Sukey Fontelieu</a>’s <a href="http://www.amazon.com/dp/1138691240/?tag=newbooinhis-20"><em>The Archetypal Pan in America: Hypermasculinity and Terror</em></a> (Routledge, 2018) seeks to examine a collection of social and political traumas, both personal and collective. The book examines the development of our personal and social identities in psychoanalytic terms, as well as their historical development through large and defining political events, such as the treatment of indigenous populations, foreign military interventions, and the increasing levels of violence at home. The result is a book that sees our current situation as having been in development for quite some time, and that will require deep personal reflection if we are to move forward.</p><p>Sukey Fontelieu, PhD attended the University of Essex and Pacifica Graduate Institute and is currently a professor in the Jungian and Archetypal Studies Program at Pacifica.</p><p><em>Stephen Dozeman is a freelance writer. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3819</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e1478f5e-63cb-11ea-8640-e7ad123670b3]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1296024141.mp3" length="0" type="audio/mpeg"/>
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      <title>Dennis Baron, "What's Your Pronoun?: Beyond He and She" (Liveright, 2020)</title>
      <description>Today Dennis Baron talks about his new book What's Your Pronoun?: Beyond He &amp; She (Liveright, 2020). Baron is professor emeritus in English at the University of Illinois Urbana-Champaign and has written many books about language and its connection to culture. What’s Your Pronoun addresses an important cultural question about women’s rights and the rights and identities of non-binary people, and reveals how we got from he and she to zie, hir, and singular they. Pronouns have sparked a national (and international) debate, prompting new policies about what pronouns to use in schools, workplaces and even prisons. Baron describes the historical context of singular they, how the use of generic he was both used to assert women’s suffrage and to deny it, and the use of neo-pronouns throughout the centuries. What’s Your Pronoun? chronicles the role that pronouns play in establishing our rights and identities. Indeed, the relevance of the question “what’s your pronoun” throughout English’s history may surprise you.
Carrie Gillon is a linguist, editor and writing coach, working in the academic and healthcare sectors. She’s the author of The Semantics of Determiners (Cambridge Scholars Publishing, 2103) and the co-author of Nominal Contact in Michif (Oxford University Press, 2018). She is also the co-host of the podcast The Vocal Fries, a biweekly podcast about linguistic discrimination (or why judging language is not OK).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>66</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Baron addresses an important cultural question about women’s rights and the rights and identities of non-binary people, and reveals how we got from he and she to zie, hir, and singular they...</itunes:subtitle>
      <itunes:summary>Today Dennis Baron talks about his new book What's Your Pronoun?: Beyond He &amp; She (Liveright, 2020). Baron is professor emeritus in English at the University of Illinois Urbana-Champaign and has written many books about language and its connection to culture. What’s Your Pronoun addresses an important cultural question about women’s rights and the rights and identities of non-binary people, and reveals how we got from he and she to zie, hir, and singular they. Pronouns have sparked a national (and international) debate, prompting new policies about what pronouns to use in schools, workplaces and even prisons. Baron describes the historical context of singular they, how the use of generic he was both used to assert women’s suffrage and to deny it, and the use of neo-pronouns throughout the centuries. What’s Your Pronoun? chronicles the role that pronouns play in establishing our rights and identities. Indeed, the relevance of the question “what’s your pronoun” throughout English’s history may surprise you.
Carrie Gillon is a linguist, editor and writing coach, working in the academic and healthcare sectors. She’s the author of The Semantics of Determiners (Cambridge Scholars Publishing, 2103) and the co-author of Nominal Contact in Michif (Oxford University Press, 2018). She is also the co-host of the podcast The Vocal Fries, a biweekly podcast about linguistic discrimination (or why judging language is not OK).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today <a href="https://en.wikipedia.org/wiki/Dennis_Baron">Dennis Baron</a> talks about his new book <a href="http://www.amazon.com/dp/1631496042/?tag=newbooinhis-20"><em>What's Your Pronoun?: Beyond He &amp; She</em></a> (Liveright, 2020). Baron is professor emeritus in English at the University of Illinois Urbana-Champaign and has written many books about language and its connection to culture. <em>What’s Your Pronoun</em> addresses an important cultural question about women’s rights and the rights and identities of non-binary people, and reveals how we got from he and she to zie, hir, and singular they. Pronouns have sparked a national (and international) debate, prompting new policies about what pronouns to use in schools, workplaces and even prisons. Baron describes the historical context of singular they, how the use of generic he was both used to assert women’s suffrage and to deny it, and the use of neo-pronouns throughout the centuries. <em>What’s Your Pronoun?</em> chronicles the role that pronouns play in establishing our rights and identities. Indeed, the relevance of the question “what’s your pronoun” throughout English’s history may surprise you.</p><p><a href="https://twitter.com/carrie_gee?lang=en"><em>Carrie Gillon</em></a><em> is a linguist, editor and writing coach, working in the academic and healthcare sectors. She’s the author of </em>The Semantics of Determiners<em> (Cambridge Scholars Publishing, 2103) and the co-author of </em>Nominal Contact in Michif<em> (Oxford University Press, 2018). She is also the co-host of the podcast </em><a href="https://vocalfriespod.com/"><em>The Vocal Fries</em></a><em>, a biweekly podcast about linguistic discrimination (or why judging language is not OK).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2517</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Lewis Raven Wallace, “The View from Somewhere: Undoing the Myth of Journalistic Objectivity” (U Chicago Press, 2019)</title>
      <description>From the New York Times to NPR, many major news organizations have strict policies about how reporters can conduct themselves in relation to the stories they cover. Journalists are discouraged from going to political events, advocating for causes related to the topics they cover, and publicly supporting candidates — all in the name of impartiality and presenting the news as an unbiased observer.
Journalist Lewis Raven Wallace argues that this thinking is flawed, and even dangerous to democracy, in his book The View from Somewhere: Undoing the Myth of Journalistic Objectivity (University of Chicago Press, 2019). Wallace traces the history of how objectivity became the gold standard in journalism, and looks at examples of people who have bucked the trend along the way.
Wallace advocates for a style of journalism that frees reporters to tell stories without the veil of impartiality while still uncovering the truth and holding those in power accountable. As you’ll hear, this approach is starting to take root in journalism schools and online news outlets created by voices largely excluded from mainstream media.
Wallace is an independent journalist, a co-founder of Press On, a southern movement journalism collective, and the host of The View from Somewhere podcast. He previously worked in public radio and is a longtime activist engaged in prison abolition, racial justice, and queer and trans liberation. He is a white transgender person from the Midwest and is now based in North Carolina.
Jenna Spinelle is a journalism instructor at Penn State, host of the Democracy Works podcast, produced by Penn State’s McCourtney Institute for Democracy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Wallace traces the history of how objectivity became the gold standard in journalism, and looks at examples of people who have bucked the trend along the way...</itunes:subtitle>
      <itunes:summary>From the New York Times to NPR, many major news organizations have strict policies about how reporters can conduct themselves in relation to the stories they cover. Journalists are discouraged from going to political events, advocating for causes related to the topics they cover, and publicly supporting candidates — all in the name of impartiality and presenting the news as an unbiased observer.
Journalist Lewis Raven Wallace argues that this thinking is flawed, and even dangerous to democracy, in his book The View from Somewhere: Undoing the Myth of Journalistic Objectivity (University of Chicago Press, 2019). Wallace traces the history of how objectivity became the gold standard in journalism, and looks at examples of people who have bucked the trend along the way.
Wallace advocates for a style of journalism that frees reporters to tell stories without the veil of impartiality while still uncovering the truth and holding those in power accountable. As you’ll hear, this approach is starting to take root in journalism schools and online news outlets created by voices largely excluded from mainstream media.
Wallace is an independent journalist, a co-founder of Press On, a southern movement journalism collective, and the host of The View from Somewhere podcast. He previously worked in public radio and is a longtime activist engaged in prison abolition, racial justice, and queer and trans liberation. He is a white transgender person from the Midwest and is now based in North Carolina.
Jenna Spinelle is a journalism instructor at Penn State, host of the Democracy Works podcast, produced by Penn State’s McCourtney Institute for Democracy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the <em>New York Times</em> to NPR, many major news organizations have strict policies about how reporters can conduct themselves in relation to the stories they cover. Journalists are discouraged from going to political events, advocating for causes related to the topics they cover, and publicly supporting candidates — all in the name of impartiality and presenting the news as an unbiased observer.</p><p>Journalist <a href="https://www.lewispants.com/">Lewis Raven Wallace</a> argues that this thinking is flawed, and even dangerous to democracy, in his book <a href="http://www.amazon.com/dp/022658917X/?tag=newbooinhis-20"><em>The View from Somewhere: Undoing the Myth of Journalistic Objectivity</em></a> (University of Chicago Press, 2019). Wallace traces the history of how objectivity became the gold standard in journalism, and looks at examples of people who have bucked the trend along the way.</p><p>Wallace advocates for a style of journalism that frees reporters to tell stories without the veil of impartiality while still uncovering the truth and holding those in power accountable. As you’ll hear, this approach is starting to take root in journalism schools and online news outlets created by voices largely excluded from mainstream media.</p><p>Wallace is an independent journalist, a co-founder of <a href="https://www.presson.media/">Press On</a>, a southern movement journalism collective, and the host of <a href="https://www.criticalfrequency.org/view-from-somewhere">The View from Somewhere podcast</a>. He previously worked in public radio and is a longtime activist engaged in prison abolition, racial justice, and queer and trans liberation. He is a white transgender person from the Midwest and is now based in North Carolina.</p><p><a href="http://jennaspinelle.com"><em>Jenna Spinelle</em></a><em> is a journalism instructor at Penn State, host of the </em><a href="http://democracyworkspodcast.com"><em>Democracy Works podcast</em></a><em>, produced by Penn State’s McCourtney Institute for Democracy.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2724</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49519b40-6236-11ea-88e1-a78798895a52]]></guid>
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    </item>
    <item>
      <title>Nick Crossley, "Connecting Sounds: The Social Life of Music" (Manchester UP, 2020)</title>
      <description>What does music tell us about society? In Connecting Sounds: The Social Life of Music (Manchester University Press, 2020), Nick Crossley, Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, and the public sphere. As well as the sociological perspective, Connecting Sounds discusses the role of individuals, as they use music for meaning and sense of identity, and as practitioners and consumers. Packed with examples, as well as a rich range of theoretical discussions, the book is essential reading for social science and music scholars, as well as for anyone interested in the role of music in our social world.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does music tell us about society?</itunes:subtitle>
      <itunes:summary>What does music tell us about society? In Connecting Sounds: The Social Life of Music (Manchester University Press, 2020), Nick Crossley, Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, and the public sphere. As well as the sociological perspective, Connecting Sounds discusses the role of individuals, as they use music for meaning and sense of identity, and as practitioners and consumers. Packed with examples, as well as a rich range of theoretical discussions, the book is essential reading for social science and music scholars, as well as for anyone interested in the role of music in our social world.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does music tell us about society? In <a href="http://www.amazon.com/dp/1526126036/?tag=newbooinhis-20"><em>Connecting Sounds: The Social Life of Music</em></a> (Manchester University Press, 2020), <a href="https://www.research.manchester.ac.uk/portal/en/researchers/nick-crossley(07f41776-b12d-40be-8eec-539e3eaa876a).html">Nick Crossley</a>, Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, and the public sphere. As well as the sociological perspective, <em>Connecting Sounds</em> discusses the role of individuals, as they use music for meaning and sense of identity, and as practitioners and consumers. Packed with examples, as well as a rich range of theoretical discussions, the book is essential reading for social science and music scholars, as well as for anyone interested in the role of music in our social world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2306</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9418bab8-616f-11ea-9add-9b5e0c8cc5c7]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1120157455.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Andrew Milner, "Again, Dangerous Visions: Essays in Cultural Materialism​" (Brill/Haymarket, 2018)</title>
      <description>Again, Dangerous Visions: Essays in Cultural Materialism (Brill/Haymarket, 2018) brings together twenty-six essays charting the development of Andrew Milner's distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J. R. Burgmann, the first looking back retrospectively on the development of Milner's thought, the second looking forward prospectively towards the future of academia, the political left and science fiction.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>156</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies..,</itunes:subtitle>
      <itunes:summary>Again, Dangerous Visions: Essays in Cultural Materialism (Brill/Haymarket, 2018) brings together twenty-six essays charting the development of Andrew Milner's distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J. R. Burgmann, the first looking back retrospectively on the development of Milner's thought, the second looking forward prospectively towards the future of academia, the political left and science fiction.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1642590398/?tag=newbooinhis-20"><em>Again, Dangerous Visions: Essays in Cultural Materialism</em></a> (Brill/Haymarket, 2018) brings together twenty-six essays charting the development of <a href="https://en.wikipedia.org/wiki/Andrew_Milner">Andrew Milner</a>'s distinctively Orwellian version of cultural materialism between 1981 and 2015. The essays address three substantive areas: the sociology of literature, cultural materialism and the cultural politics of the New Left, and utopian and science fiction studies. They are bookended by two conversations between Milner and his editor J. R. Burgmann, the first looking back retrospectively on the development of Milner's thought, the second looking forward prospectively towards the future of academia, the political left and science fiction.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4015</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ebdc7148-5e1f-11ea-96f4-2b2bbc72955e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1258177771.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Megan T. Neely and Ken Hou-Lin, "Divested: Inequality in the Age of Finance" (Oxford UP, 2020)</title>
      <description>Megan Tobias Neely and Ken Hou-Lin's new book Divested: Inequality in the Age of Finance (Oxford University Press, 2020) explores the rise of finance in American life over the last forty years and its implications for American workers, families, and economies. The authors argue that finance has transformed from a servant to the economy to its master - from a means of creating a prosperous society to an end in itself. The consequences of this shift are profound: the authors identify the many ways finance is implicated in the yawning growth in inequality in the US and how a financialized society redistributes resources from working people to owners, executives, and financial professionals. Using historical analysis, quantitative and qualitative data, the book offers a clear, comprehensive, and compelling account of one of the most important economic developments of our time.
Patrick Sheenan is a graduate student in the Department of Sociology at the University of Texas, Austin.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Neely and Hou-Lin explore the rise of finance in American life over the last forty years and its implications for American workers, families, and economies...</itunes:subtitle>
      <itunes:summary>Megan Tobias Neely and Ken Hou-Lin's new book Divested: Inequality in the Age of Finance (Oxford University Press, 2020) explores the rise of finance in American life over the last forty years and its implications for American workers, families, and economies. The authors argue that finance has transformed from a servant to the economy to its master - from a means of creating a prosperous society to an end in itself. The consequences of this shift are profound: the authors identify the many ways finance is implicated in the yawning growth in inequality in the US and how a financialized society redistributes resources from working people to owners, executives, and financial professionals. Using historical analysis, quantitative and qualitative data, the book offers a clear, comprehensive, and compelling account of one of the most important economic developments of our time.
Patrick Sheenan is a graduate student in the Department of Sociology at the University of Texas, Austin.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.megantobiasneely.com/">Megan Tobias Neely</a> and <a href="https://liberalarts.utexas.edu/sociology/faculty/kl26483">Ken Hou-Lin</a>'s new book <a href="http://www.amazon.com/dp/0190638311/?tag=newbooinhis-20"><em>Divested: Inequality in the Age of Finance</em></a> (Oxford University Press, 2020) explores the rise of finance in American life over the last forty years and its implications for American workers, families, and economies. The authors argue that finance has transformed from a servant to the economy to its master - from a means of creating a prosperous society to an end in itself. The consequences of this shift are profound: the authors identify the many ways finance is implicated in the yawning growth in inequality in the US and how a financialized society redistributes resources from working people to owners, executives, and financial professionals. Using historical analysis, quantitative and qualitative data, the book offers a clear, comprehensive, and compelling account of one of the most important economic developments of our time.</p><p><a href="https://www.linkedin.com/in/patrick-sheehan-282190180/"><em>Patrick Sheenan</em></a><em> is a graduate student in the Department of Sociology at the University of Texas, Austin.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2842</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1064bc2c-5d6d-11ea-b053-434f5c0b9f72]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8830435056.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Salman Sayyid, "Recalling the Caliphate: Decolonization and World Order" (Hurst, 2014)</title>
      <description>In his paradigm shifting book, Recalling the Caliphate: Decolonization and World Order (Hurst, 2014), which was recently translated into Arabic as Isti‘adat al-Khilafa Tafkik al-Isti‘mar wa al-Nizam al-‘Alimi, Salman Sayyid offers a breathtakingly brilliant meditation on the problem of decolonization through Muslim thought and politics. What are the foundational modern Western political and conceptual categories that inhibit and frustrate the project of decolonial thought? And through what resources and strategies might one stage and imagine alternate horizons of the political? These are among the questions that anchor this truly multivalent study that offers critical insights and theoretical dividends into a range of questions, problems, and conceptual registers. Written with exceptional clarity, Recalling the Caliphate especially raises and addresses crucial questions about the role and possibilities offered by Islamist thought in imagining a decolonial world order. This monumental book should be read and taught widely.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sayyid offers a breathtakingly brilliant meditation on the problem of decolonization through Muslim thought and politics...</itunes:subtitle>
      <itunes:summary>In his paradigm shifting book, Recalling the Caliphate: Decolonization and World Order (Hurst, 2014), which was recently translated into Arabic as Isti‘adat al-Khilafa Tafkik al-Isti‘mar wa al-Nizam al-‘Alimi, Salman Sayyid offers a breathtakingly brilliant meditation on the problem of decolonization through Muslim thought and politics. What are the foundational modern Western political and conceptual categories that inhibit and frustrate the project of decolonial thought? And through what resources and strategies might one stage and imagine alternate horizons of the political? These are among the questions that anchor this truly multivalent study that offers critical insights and theoretical dividends into a range of questions, problems, and conceptual registers. Written with exceptional clarity, Recalling the Caliphate especially raises and addresses crucial questions about the role and possibilities offered by Islamist thought in imagining a decolonial world order. This monumental book should be read and taught widely.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his paradigm shifting book, <a href="http://www.amazon.com/dp/1849040036/?tag=newbooinhis-20"><em>Recalling the Caliphate: Decolonization and World Order</em></a> (Hurst, 2014), which was recently translated into Arabic as <em>Isti‘adat al-Khilafa Tafkik al-Isti‘mar wa al-Nizam al-‘Alimi</em>, <a href="https://essl.leeds.ac.uk/sociology/staff/48/professor-s-sayyid">Salman Sayyid</a> offers a breathtakingly brilliant meditation on the problem of decolonization through Muslim thought and politics. What are the foundational modern Western political and conceptual categories that inhibit and frustrate the project of decolonial thought? And through what resources and strategies might one stage and imagine alternate horizons of the political? These are among the questions that anchor this truly multivalent study that offers critical insights and theoretical dividends into a range of questions, problems, and conceptual registers. Written with exceptional clarity, <em>Recalling the Caliphate</em> especially raises and addresses crucial questions about the role and possibilities offered by Islamist thought in imagining a decolonial world order. This monumental book should be read and taught widely.</p><p><a href="https://www.fandm.edu/sherali-tareen"><em>SherAli Tareen</em></a><em> is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available </em><a href="https://fandm.academia.edu/SheraliTareen/"><em>here</em></a><em>. He can be reached at </em><a href="mailto:sherali.tareen@fandm.edu"><em>sherali.tareen@fandm.edu</em></a><em>. Listener feedback is most welcome.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1889ce04-5ee6-11ea-a861-272f2e365579]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7830822227.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Hopkin, "Anti-System Politics: The Crisis of Market Liberalism in Rich Democracies" (Cambridge UP, 2020)</title>
      <description>Should we understand the rise of Trump or the success of Brexit in terms of populism? Culture? Xenophobia? Do the same political forces produce Sanders and Trump? In his new book Anti-System Politics: The Crisis of Market Liberalism in Rich Democracies (Cambridge University Press, 2020), Jonathan Hopkin provides case studies of Spain, Italy, Greece, the US, and UK to argue that the election results in rich Western democracies are not the result of populism or hostility to migration – but opposition to the inequalities brought on by the economic policy of neo-liberalism. Hopkin’s finely grained qualitative study emphasizes the ways in which economics fuels movements from both left and right. Anti-systems candidates attack the ways in which neo-liberal institutions and politics distribute benefits and risks. For Hopkin, the greater the impact of economic inequality and hardship, the higher the vote share for anti-systems candidates and policies.
Hopkin looks back to look forward. As nations abandoned the post-war model of egalitarian capitalism in the 1970s, they triggered an erosion of democratic process in favor of technocratic government that left little room for voters – or their leaders – to influence policy. After the Global Financial Crisis of 2007-2008, voters rejected candidates associated with an economic system that favored bailing out banks yet imposed austerity on citizens. Anti-Systems Politics provides clear and compelling case studies that provide insights on contemporary politics from Europe to the US.
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>409</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Should we understand the rise of Trump or the success of Brexit in terms of populism? Culture? Xenophobia? Do the same political forces produce Sanders and Trump? </itunes:subtitle>
      <itunes:summary>Should we understand the rise of Trump or the success of Brexit in terms of populism? Culture? Xenophobia? Do the same political forces produce Sanders and Trump? In his new book Anti-System Politics: The Crisis of Market Liberalism in Rich Democracies (Cambridge University Press, 2020), Jonathan Hopkin provides case studies of Spain, Italy, Greece, the US, and UK to argue that the election results in rich Western democracies are not the result of populism or hostility to migration – but opposition to the inequalities brought on by the economic policy of neo-liberalism. Hopkin’s finely grained qualitative study emphasizes the ways in which economics fuels movements from both left and right. Anti-systems candidates attack the ways in which neo-liberal institutions and politics distribute benefits and risks. For Hopkin, the greater the impact of economic inequality and hardship, the higher the vote share for anti-systems candidates and policies.
Hopkin looks back to look forward. As nations abandoned the post-war model of egalitarian capitalism in the 1970s, they triggered an erosion of democratic process in favor of technocratic government that left little room for voters – or their leaders – to influence policy. After the Global Financial Crisis of 2007-2008, voters rejected candidates associated with an economic system that favored bailing out banks yet imposed austerity on citizens. Anti-Systems Politics provides clear and compelling case studies that provide insights on contemporary politics from Europe to the US.
Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Should we understand the rise of Trump or the success of Brexit in terms of populism? Culture? Xenophobia? Do the same political forces produce Sanders and Trump? In his new book <a href="http://www.amazon.com/dp/0190699760/?tag=newbooinhis-20"><em>Anti-System Politics: The Crisis of Market Liberalism in Rich Democracies</em></a> (Cambridge University Press, 2020), <a href="http://www.lse.ac.uk/government/people/academic-staff/jonathan-hopkin">Jonathan Hopkin</a> provides case studies of Spain, Italy, Greece, the US, and UK to argue that the election results in rich Western democracies are not the result of populism or hostility to migration – but opposition to the inequalities brought on by the economic policy of neo-liberalism. Hopkin’s finely grained qualitative study emphasizes the ways in which economics fuels movements from both left and right. Anti-systems candidates attack the ways in which neo-liberal institutions and politics distribute benefits and risks. For Hopkin, the greater the impact of economic inequality and hardship, the higher the vote share for anti-systems candidates and policies.</p><p><a href="https://twitter.com/jrhopkin?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Hopkin</a> looks back to look forward. As nations abandoned the post-war model of egalitarian capitalism in the 1970s, they triggered an erosion of democratic process in favor of technocratic government that left little room for voters – or their leaders – to influence policy. After the Global Financial Crisis of 2007-2008, voters rejected candidates associated with an economic system that favored bailing out banks yet imposed austerity on citizens. <em>Anti-Systems Politics</em> provides clear and compelling case studies that provide insights on contemporary politics from Europe to the US.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan</em> Liebell<em> </em></a><em>is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of </em><a href="https://www.amazon.com/Democracy-Intelligent-Design-Evolution-Liebell-dp-1138999482/dp/1138999482/ref=mt_paperback?_encoding=UTF8&amp;me=&amp;qid="><em>Democracy, Intelligent Design, and Evolution: Science for Citizenship</em></a><em> (Routledge, 2013).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f1d82774-5a5d-11ea-8d36-2b2108492d9b]]></guid>
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    </item>
    <item>
      <title>Richard Polt, "Time and Trauma: Thinking Through Heidegger in the Thirties" (Rowman and Littlefield, 2020)</title>
      <description>For some time, the German philosopher Martin Heidegger has been treated with a certain level of skepticism because of his engagement with the Nazi party, a skepticism that has resurfaced with the publication of the ​Black Notebooks​, private journals he kept throughout the last several decades of his life. In his new book Time and Trauma: Thinking Through Heidegger in the Thirties (Rowman and Littlefield, 2020), Richard Polt starts by taking a close look at his ​Being and Time (1927), followed by a close analysis of his philosophical development in the 1930’s. He shows through a close textual analysis that Heidegger’s political engagement stemmed from certain philosophical commitments and errors. The book then ends with an attempt to see what, if anything, can be salvaged from Heidegger’s philosophy for political thinking.
Richard Polt is a professor of philosophy at Xavier University, and is the author of, among other things, ​Heidegger: An Introduction and ​The Emergency of Being: On Heidegger’s Contributions to Philosophy.​ He is co-editor with Gregory Fried of the book series New Heidegger Research, and together they have translated a number of Heidegger’s lectures including ​Introduction to Metaphysics,​ ​Nature, History, State​, and ​Being and Truth​.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Mar 2020 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>155</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>For some time, the German philosopher Martin Heidegger has been treated with a certain level of skepticism because of his engagement with the Nazi party...</itunes:subtitle>
      <itunes:summary>For some time, the German philosopher Martin Heidegger has been treated with a certain level of skepticism because of his engagement with the Nazi party, a skepticism that has resurfaced with the publication of the ​Black Notebooks​, private journals he kept throughout the last several decades of his life. In his new book Time and Trauma: Thinking Through Heidegger in the Thirties (Rowman and Littlefield, 2020), Richard Polt starts by taking a close look at his ​Being and Time (1927), followed by a close analysis of his philosophical development in the 1930’s. He shows through a close textual analysis that Heidegger’s political engagement stemmed from certain philosophical commitments and errors. The book then ends with an attempt to see what, if anything, can be salvaged from Heidegger’s philosophy for political thinking.
Richard Polt is a professor of philosophy at Xavier University, and is the author of, among other things, ​Heidegger: An Introduction and ​The Emergency of Being: On Heidegger’s Contributions to Philosophy.​ He is co-editor with Gregory Fried of the book series New Heidegger Research, and together they have translated a number of Heidegger’s lectures including ​Introduction to Metaphysics,​ ​Nature, History, State​, and ​Being and Truth​.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For some time, the German philosopher Martin Heidegger has been treated with a certain level of skepticism because of his engagement with the Nazi party, a skepticism that has resurfaced with the publication of the ​Black Notebooks​, private journals he kept throughout the last several decades of his life. In his new book <a href="http://www.amazon.com/dp/1786610507/?tag=newbooinhis-20"><em>Time and Trauma: Thinking Through Heidegger in the Thirties</em></a> (Rowman and Littlefield, 2020), <a href="https://www.xavier.edu/philosophy-department/directory/richard-polt">Richard Polt</a> starts by taking a close look at his <em>​Being and Time</em> (1927), followed by a close analysis of his philosophical development in the 1930’s. He shows through a close textual analysis that Heidegger’s political engagement stemmed from certain philosophical commitments and errors. The book then ends with an attempt to see what, if anything, can be salvaged from Heidegger’s philosophy for political thinking.</p><p>Richard Polt is a professor of philosophy at Xavier University, and is the author of, among other things, ​<em>Heidegger: An Introduction</em> and ​<em>The Emergency of Being: On Heidegger’s Contributions to Philosoph</em>y.​ He is co-editor with Gregory Fried of the book series New Heidegger Research, and together they have translated a number of Heidegger’s lectures including ​Introduction to Metaphysics,​ ​Nature, History, State​, and ​Being and Truth​.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3492</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Catherine D’Ignazio and Lauren Klein, "Data Feminism" (MIT Press, 2020)</title>
      <description>The increased datafication our interactions and permeation of data science into more aspects of our lives requires analysis of the systems of power surrounding and undergirding data. The impacts of the creation, use, collection, and aggregation of data are such that individuals from various communities face disparate, negative impacts.
In their new book, Data Feminism (MIT Press, Catherine D’Ignazio and Lauren Klein, call for changing the way we think about data and how it is communicated, particularly through visualization. D’Ignazio, an Assistant Professor of Urban Science and Planning at MIT, and Klein, an Associate Professor in the Departments of English and Quantitative Theory and Methods at Emory University, assert that the way forward is through a commitment to putting into action the ideas associated with intersectional feminism. This requires learning from an inclusive array of experts, many of whom have historically been neglected or ignored. They also assert the need for critical data literacy, which examines power asymmetries in and surrounding data, and challenges the myths and assumptions about data and in data science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>D'Ignazio and Klein call for changing the way we think about data and how it is communicated, particularly through visualization...</itunes:subtitle>
      <itunes:summary>The increased datafication our interactions and permeation of data science into more aspects of our lives requires analysis of the systems of power surrounding and undergirding data. The impacts of the creation, use, collection, and aggregation of data are such that individuals from various communities face disparate, negative impacts.
In their new book, Data Feminism (MIT Press, Catherine D’Ignazio and Lauren Klein, call for changing the way we think about data and how it is communicated, particularly through visualization. D’Ignazio, an Assistant Professor of Urban Science and Planning at MIT, and Klein, an Associate Professor in the Departments of English and Quantitative Theory and Methods at Emory University, assert that the way forward is through a commitment to putting into action the ideas associated with intersectional feminism. This requires learning from an inclusive array of experts, many of whom have historically been neglected or ignored. They also assert the need for critical data literacy, which examines power asymmetries in and surrounding data, and challenges the myths and assumptions about data and in data science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The increased datafication our interactions and permeation of data science into more aspects of our lives requires analysis of the systems of power surrounding and undergirding data. The impacts of the creation, use, collection, and aggregation of data are such that individuals from various communities face disparate, negative impacts.</p><p>In their new book, <a href="http://www.amazon.com/dp/0262044005/?tag=newbooinhis-20"><em>Data Feminism</em></a> (MIT Press, <a href="http://www.kanarinka.com/">Catherine D’Ignazio</a> and <a href="http://lklein.com/">Lauren Klein</a>, call for changing the way we think about data and how it is communicated, particularly through visualization. D’Ignazio, an Assistant Professor of Urban Science and Planning at MIT, and Klein, an Associate Professor in the Departments of English and Quantitative Theory and Methods at Emory University, assert that the way forward is through a commitment to putting into action the ideas associated with intersectional feminism. This requires learning from an inclusive array of experts, many of whom have historically been neglected or ignored. They also assert the need for critical data literacy, which examines power asymmetries in and surrounding data, and challenges the myths and assumptions about data and in data science.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2086</itunes:duration>
      <guid isPermaLink="false"><![CDATA[67466cee-566e-11ea-8b44-e3689a3c1a18]]></guid>
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    </item>
    <item>
      <title>Phil Christman, "Midwest Futures" (Belt Publishing, 2020)</title>
      <description>What does the future hold for the Midwest? A vast stretch of fertile farmland bordering one of the largest concentrations of fresh water in the world, the Midwestern US seems ideally situated for the coming challenges of climate change. But it also sits at the epicenter of a massive economic collapse that many of its citizens are still struggling to overcome.
The question of what the Midwest is (and what it will become) is nothing new. As Phil Christman writes in Midwest Futures (Belt Publishing, 2020), ambiguity might be the region's defining characteristic. Taking a cue from Jefferson’s grid, the famous rectangular survey of the Old Northwest Territory that turned everything from Ohio to Wisconsin into square-mile lots, Christman breaks his exploration of Midwestern identity, past and present, into 36 brief, interconnected essays. The result is a sometimes sardonic, often uproarious, and consistently thought-provoking look at a misunderstood place and the people who call it home.
A former substitute teacher, shelter worker, and home health aide, Phil Christman currently lectures in the English department at University of Michigan. His work has appeared in The Hedgehog Review, Commonweal, The Christian Century, The Outline, and other places. He holds an MFA from the University of South Carolina-Columbia. He is the editor of the Michigan Review of Prisoner Creative Writing, a journal sponsored by the University of Michigan's Prison Creative Arts Project.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>153</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does the future hold for the Midwest?</itunes:subtitle>
      <itunes:summary>What does the future hold for the Midwest? A vast stretch of fertile farmland bordering one of the largest concentrations of fresh water in the world, the Midwestern US seems ideally situated for the coming challenges of climate change. But it also sits at the epicenter of a massive economic collapse that many of its citizens are still struggling to overcome.
The question of what the Midwest is (and what it will become) is nothing new. As Phil Christman writes in Midwest Futures (Belt Publishing, 2020), ambiguity might be the region's defining characteristic. Taking a cue from Jefferson’s grid, the famous rectangular survey of the Old Northwest Territory that turned everything from Ohio to Wisconsin into square-mile lots, Christman breaks his exploration of Midwestern identity, past and present, into 36 brief, interconnected essays. The result is a sometimes sardonic, often uproarious, and consistently thought-provoking look at a misunderstood place and the people who call it home.
A former substitute teacher, shelter worker, and home health aide, Phil Christman currently lectures in the English department at University of Michigan. His work has appeared in The Hedgehog Review, Commonweal, The Christian Century, The Outline, and other places. He holds an MFA from the University of South Carolina-Columbia. He is the editor of the Michigan Review of Prisoner Creative Writing, a journal sponsored by the University of Michigan's Prison Creative Arts Project.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does the future hold for the Midwest? A vast stretch of fertile farmland bordering one of the largest concentrations of fresh water in the world, the Midwestern US seems ideally situated for the coming challenges of climate change. But it also sits at the epicenter of a massive economic collapse that many of its citizens are still struggling to overcome.</p><p>The question of what the Midwest is (and what it will become) is nothing new. As <a href="https://twitter.com/phil_christman?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Phil Christman</a> writes in <a href="http://www.amazon.com/dp/1948742616/?tag=newbooinhis-20"><em>Midwest Futures</em></a> (Belt Publishing, 2020), ambiguity might be the region's defining characteristic. Taking a cue from Jefferson’s grid, the famous rectangular survey of the Old Northwest Territory that turned everything from Ohio to Wisconsin into square-mile lots, Christman breaks his exploration of Midwestern identity, past and present, into 36 brief, interconnected essays. The result is a sometimes sardonic, often uproarious, and consistently thought-provoking look at a misunderstood place and the people who call it home.</p><p>A former substitute teacher, shelter worker, and home health aide, Phil Christman currently lectures in the English department at University of Michigan. His work has appeared in T<em>he Hedgehog Review, Commonweal, The Christian Century,</em> <em>The Outlin</em>e, and other places. He holds an MFA from the University of South Carolina-Columbia. He is the editor of the Michigan Review of Prisoner Creative Writing, a journal sponsored by the University of Michigan's Prison Creative Arts Project.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3850</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>matthew heinz, "Entering Transmasculinity: The Inevitability of Discourse" (Intellect Books, 2016)</title>
      <description>Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification.
Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada.
Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>heinz discusses the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation...</itunes:subtitle>
      <itunes:summary>Published by intellect books in 2016, and currently distributed by The University of Chicago Press, Entering Transmasculinity: The Inevitability of Discourse is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification.
Dr. matthew heinz is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada.
Dr. Isabel Machado is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the Sexing History podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Published by intellect books in 2016, and currently distributed by The University of Chicago Press, <a href="http://www.amazon.com/dp/1783205687/?tag=newbooinhis-20"><em>Entering Transmasculinity: The Inevitability of Discourse</em></a> is a holistic study of the intersecting and overlapping discourses that shape the identities of people who were assigned the female sex at birth and do not identify with that designation. Using a wide range of sources such youtube videos, academic texts, counseling literature, educational pamphlets, popular media, and personal blogs, matthew heinz examines the mediated and experienced transmasculine subjectivities and aims to capture the apparent contradictions that structure transmasculine experience, perception, and identification.</p><p><a href="https://matthewheinz.ca/about">Dr. matthew heinz</a> is vice-provost of Graduate and Interdisciplinary Studies, dean of the College of Interdisciplinary Studies and a professor in the School of Communication and Culture at Royal Roads University in British Columbia, Canada. His scholarly work focuses on the intersections of language, gender identity and culture. He examines intercultural and international communication via performative writing, qualitative studies and discourse analysis. A native of Germany, he spent 20 years in the United States as a student, print journalist, communication specialist and professor before moving to Canada.</p><p><em>Dr. </em><a href="https://memphis.academia.edu/IsabelMachado"><em>Isabel Machado</em></a><em> is a Postdoctoral Fellow in the Department of History at the University of Memphis. Her forthcoming book uses Carnival as a vehicle to understand social and cultural changes in Mobile, Alabama (USA) in the second half of the 20th century. Her new research project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León (Mexico). She also works as an Assistant Producer for the </em><a href="https://www.sexinghistory.com/"><em>Sexing History</em></a><em> podcast.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3516</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7216fcd2-5287-11ea-971b-b7d4a0ea5c42]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7780899917.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ariella Aisha Azoulay, "Potential History: Unlearning Imperialism" (Verso, 2019)</title>
      <description>Ariella Aisha Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium s brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day.
In Potential History: Unlearning Imperialism (Verso, 2019), Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as 'past' and making the repair of torn worlds the substance of politics.
Ariella Aisha Azoulay is a professor of Modern Culture and Media and the Department of Comparative Literature at Brown University
Yorgos Giannakopoulos is an Academy of Athens postdoctoral research fellow at King’s Collage London
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 24 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking...</itunes:subtitle>
      <itunes:summary>Ariella Aisha Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium s brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day.
In Potential History: Unlearning Imperialism (Verso, 2019), Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as 'past' and making the repair of torn worlds the substance of politics.
Ariella Aisha Azoulay is a professor of Modern Culture and Media and the Department of Comparative Literature at Brown University
Yorgos Giannakopoulos is an Academy of Athens postdoctoral research fellow at King’s Collage London
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://vivo.brown.edu/display/aazoulay">Ariella Aisha Azoulay</a> argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium s brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day.</p><p>In <a href="http://www.amazon.com/dp/1788735714/?tag=newbooinhis-20"><em>Potential History: Unlearning Imperialism</em></a> (Verso, 2019), Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as 'past' and making the repair of torn worlds the substance of politics.</p><p>Ariella Aisha Azoulay is a professor of Modern Culture and Media and the Department of Comparative Literature at Brown University</p><p><em>Yorgos Giannakopoulos is an Academy of Athens postdoctoral research fellow at King’s Collage London</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3137</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3bcf233c-524d-11ea-b276-17832d501cd2]]></guid>
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    </item>
    <item>
      <title>Megan Burke, "When Time Warps: The Lived Experience of Gender, Race, and Sexual Violence" (U Minnesota Press, 2019)</title>
      <description>In When Time Warps: The Lived Experience of Gender, Race, and Sexual Violence (University of Minnesota Press, 2019), Megan Burke considers the relationship of sexual violence to lived time by reexamining and building upon the work of Simone de Beauvoir, and in conversation with Judith Butler, María Lugones, Maurice Merleau-Ponty, and many others. Through developing a feminist phenomenology of time, Burke allows us to consider how racialized colonial sexual domination structures feminine subjectivity. By focusing our attention on temporality, Burke deepens our understanding of how the past haunts the present, giving rise to sexual domination, as well as how we can actualize latent possibilities to lay those ghosts to rest.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>211</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Burke considers the relationship of sexual violence to lived time by reexamining and building upon the work of Simone de Beauvoir, and in conversation with Judith Butler, María Lugones, Maurice Merleau-Ponty, and many others...</itunes:subtitle>
      <itunes:summary>In When Time Warps: The Lived Experience of Gender, Race, and Sexual Violence (University of Minnesota Press, 2019), Megan Burke considers the relationship of sexual violence to lived time by reexamining and building upon the work of Simone de Beauvoir, and in conversation with Judith Butler, María Lugones, Maurice Merleau-Ponty, and many others. Through developing a feminist phenomenology of time, Burke allows us to consider how racialized colonial sexual domination structures feminine subjectivity. By focusing our attention on temporality, Burke deepens our understanding of how the past haunts the present, giving rise to sexual domination, as well as how we can actualize latent possibilities to lay those ghosts to rest.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/151790546X/?tag=newbooinhis-20"><em>When Time Warps: The Lived Experience of Gender, Race, and Sexual Violence</em></a> (University of Minnesota Press, 2019), <a href="https://www.meganburkephd.com/">Megan Burke</a> considers the relationship of sexual violence to lived time by reexamining and building upon the work of Simone de Beauvoir, and in conversation with Judith Butler, María Lugones, Maurice Merleau-Ponty, and many others. Through developing a feminist phenomenology of time, Burke allows us to consider how racialized colonial sexual domination structures feminine subjectivity. By focusing our attention on temporality, Burke deepens our understanding of how the past haunts the present, giving rise to sexual domination, as well as how we can actualize latent possibilities to lay those ghosts to rest.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3465</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fe8129f0-45c0-11ea-bd8f-bbd486f452d9]]></guid>
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    <item>
      <title>Virginia Eubanks, "Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor" (St. Martin's, 2018)</title>
      <description>The State of Indiana denies one million applications for healthcare, foodstamps and cash benefits in three years―because a new computer system interprets any mistake as “failure to cooperate.” In Los Angeles, an algorithm calculates the comparative vulnerability of tens of thousands of homeless people in order to prioritize them for an inadequate pool of housing resources. In Pittsburgh, a child welfare agency uses a statistical model to try to predict which children might be future victims of abuse or neglect.
Since the dawn of the digital age, decision-making in finance, employment, politics, health and human services has undergone revolutionary change. Today, automated systems―rather than humans―control which neighborhoods get policed, which families attain needed resources, and who is investigated for fraud. While we all live under this new regime of data, the most invasive and punitive systems are aimed at the poor.
In Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor (St. Martin's, 2018), Virginia Eubanks systematically investigates the impacts of data mining, policy algorithms, and predictive risk models on poor and working-class people in America. The book is full of heart-wrenching and eye-opening stories, from a woman in Indiana whose benefits are literally cut off as she lays dying to a family in Pennsylvania in daily fear of losing their daughter because they fit a certain statistical profile.
The U.S. has always used its most cutting-edge science and technology to contain, investigate, discipline and punish the destitute. Like the county poorhouse and scientific charity before them, digital tracking and automated decision-making hide poverty from the middle-class public and give the nation the ethical distance it needs to make inhumane choices: which families get food and which starve, who has housing and who remains homeless, and which families are broken up by the state. In the process, they weaken democracy and betray our most cherished national values.
This deeply researched and passionate book could not be more timely.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Feb 2020 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Eubanks systematically investigates the impacts of data mining, policy algorithms, and predictive risk models on poor and working-class people in America...</itunes:subtitle>
      <itunes:summary>The State of Indiana denies one million applications for healthcare, foodstamps and cash benefits in three years―because a new computer system interprets any mistake as “failure to cooperate.” In Los Angeles, an algorithm calculates the comparative vulnerability of tens of thousands of homeless people in order to prioritize them for an inadequate pool of housing resources. In Pittsburgh, a child welfare agency uses a statistical model to try to predict which children might be future victims of abuse or neglect.
Since the dawn of the digital age, decision-making in finance, employment, politics, health and human services has undergone revolutionary change. Today, automated systems―rather than humans―control which neighborhoods get policed, which families attain needed resources, and who is investigated for fraud. While we all live under this new regime of data, the most invasive and punitive systems are aimed at the poor.
In Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor (St. Martin's, 2018), Virginia Eubanks systematically investigates the impacts of data mining, policy algorithms, and predictive risk models on poor and working-class people in America. The book is full of heart-wrenching and eye-opening stories, from a woman in Indiana whose benefits are literally cut off as she lays dying to a family in Pennsylvania in daily fear of losing their daughter because they fit a certain statistical profile.
The U.S. has always used its most cutting-edge science and technology to contain, investigate, discipline and punish the destitute. Like the county poorhouse and scientific charity before them, digital tracking and automated decision-making hide poverty from the middle-class public and give the nation the ethical distance it needs to make inhumane choices: which families get food and which starve, who has housing and who remains homeless, and which families are broken up by the state. In the process, they weaken democracy and betray our most cherished national values.
This deeply researched and passionate book could not be more timely.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The State of Indiana denies one million applications for healthcare, foodstamps and cash benefits in three years―because a new computer system interprets any mistake as “failure to cooperate.” In Los Angeles, an algorithm calculates the comparative vulnerability of tens of thousands of homeless people in order to prioritize them for an inadequate pool of housing resources. In Pittsburgh, a child welfare agency uses a statistical model to try to predict which children might be future victims of abuse or neglect.</p><p>Since the dawn of the digital age, decision-making in finance, employment, politics, health and human services has undergone revolutionary change. Today, automated systems―rather than humans―control which neighborhoods get policed, which families attain needed resources, and who is investigated for fraud. While we all live under this new regime of data, the most invasive and punitive systems are aimed at the poor.</p><p>In <a href="http://www.amazon.com/dp/1250074312/?tag=newbooinhis-20"><em>Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor</em></a> (St. Martin's, 2018)<em>, </em><a href="https://virginia-eubanks.com/">Virginia Eubanks</a> systematically investigates the impacts of data mining, policy algorithms, and predictive risk models on poor and working-class people in America. The book is full of heart-wrenching and eye-opening stories, from a woman in Indiana whose benefits are literally cut off as she lays dying to a family in Pennsylvania in daily fear of losing their daughter because they fit a certain statistical profile.</p><p>The U.S. has always used its most cutting-edge science and technology to contain, investigate, discipline and punish the destitute. Like the county poorhouse and scientific charity before them, digital tracking and automated decision-making hide poverty from the middle-class public and give the nation the ethical distance it needs to make inhumane choices: which families get food and which starve, who has housing and who remains homeless, and which families are broken up by the state. In the process, they weaken democracy and betray our most cherished national values.</p><p>This deeply researched and passionate book could not be more timely.</p><p><a href="http://www.nuigalway.ie/business-public-policy-law/school-of-law/staff/johndanaher/"><em>John Danaher</em></a><em> is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast </em><a href="https://philosophicaldisquisitions.blogspot.com/p/podcast.html"><em>Philosophical Disquisitions</em></a><em>. You can find it </em><a href="https://podcasts.apple.com/ie/podcast/philosophical-disquisitions/id447661909"><em>here</em></a><em> on Apple Podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4959</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Iyko Day, "Alien Capital: Asian Racialization and the Logic of Settler Colonial Capitalism" (Duke UP, 2016)</title>
      <description>In our efforts to comprehend the systematic dispossession of indigenous peoples in settler colonies such as the United States, Canada, Australia, or Israel, the notion that "invasion is a structure, not merely an event," first articulated by Patrick Wolfe, has become something of a maxim for critical theorists. Part of this structure, as Patrick Wolfe described it, was a logic of elimination: after all, the settler must eliminate the native in order to secure her claim to the native's territory. But whom does the Native/settler binary exclude? And what do we fail to understand about how settler colonialism functions, as a result?
These are just some of the questions to which Iyko Day speaks in her new book, Alien Capital: Asian Racialization and the Logic of Settler Colonial Capitalism (Duke University Press, 2016). Centering Asian racialization in the United States and Canada in relation to Indigenous dispossession and structures of anti-blackness, Day explores how the historical alignment of Asian bodies and labor with capital's abstract and negative dimensions became one of settler colonialism's foundational and defining features. Romantic anti-capitalism, in turn, allowed white settlers to gloss over their complicity with capitalist exploitation.
In treating Asian North American cultural production as a transnational genealogy of settler colonialism’s capitalist logic, Day does no less than re-theorize settler colonialism itself: Alien Capital pushes us to consider how settler colonialism functions not within a Native/settler binary, but rather as a dynamic triangulation of Native, settler, and alien positionalities. Listen in for the knitty-gritty.
Nancy Ko is a PhD student in History at Columbia University, where she examines Jewish philanthropy and racialization in the late- and post-Ottoman Middle East from a global and comparative perspective. She can be reached at [nancy.ko@columbia.edu].
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Day explores how the historical alignment of Asian bodies and labor with capital's abstract and negative dimensions became one of settler colonialism's foundational and defining features....</itunes:subtitle>
      <itunes:summary>In our efforts to comprehend the systematic dispossession of indigenous peoples in settler colonies such as the United States, Canada, Australia, or Israel, the notion that "invasion is a structure, not merely an event," first articulated by Patrick Wolfe, has become something of a maxim for critical theorists. Part of this structure, as Patrick Wolfe described it, was a logic of elimination: after all, the settler must eliminate the native in order to secure her claim to the native's territory. But whom does the Native/settler binary exclude? And what do we fail to understand about how settler colonialism functions, as a result?
These are just some of the questions to which Iyko Day speaks in her new book, Alien Capital: Asian Racialization and the Logic of Settler Colonial Capitalism (Duke University Press, 2016). Centering Asian racialization in the United States and Canada in relation to Indigenous dispossession and structures of anti-blackness, Day explores how the historical alignment of Asian bodies and labor with capital's abstract and negative dimensions became one of settler colonialism's foundational and defining features. Romantic anti-capitalism, in turn, allowed white settlers to gloss over their complicity with capitalist exploitation.
In treating Asian North American cultural production as a transnational genealogy of settler colonialism’s capitalist logic, Day does no less than re-theorize settler colonialism itself: Alien Capital pushes us to consider how settler colonialism functions not within a Native/settler binary, but rather as a dynamic triangulation of Native, settler, and alien positionalities. Listen in for the knitty-gritty.
Nancy Ko is a PhD student in History at Columbia University, where she examines Jewish philanthropy and racialization in the late- and post-Ottoman Middle East from a global and comparative perspective. She can be reached at [nancy.ko@columbia.edu].
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In our efforts to comprehend the systematic dispossession of indigenous peoples in settler colonies such as the United States, Canada, Australia, or Israel, the notion that "invasion is a structure, not merely an event," first articulated by Patrick Wolfe, has become something of a maxim for critical theorists. Part of this structure, as Patrick Wolfe described it, was a logic of elimination: after all, the settler must eliminate the native in order to secure her claim to the native's territory. But whom does the Native/settler binary exclude? And what do we fail to understand about how settler colonialism functions, as a result?</p><p>These are just some of the questions to which <a href="https://www.mtholyoke.edu/people/iyko-day">Iyko Day</a> speaks in her new book, <a href="http://www.amazon.com/dp/0822360934/?tag=newbooinhis-20"><em>Alien Capital: Asian Racialization and the Logic of Settler Colonial Capitalism</em></a><em> </em>(Duke University Press, 2016). Centering Asian racialization in the United States and Canada in relation to Indigenous dispossession and structures of anti-blackness, Day explores how the historical alignment of Asian bodies and labor with capital's abstract and negative dimensions became one of settler colonialism's foundational and defining features. Romantic anti-capitalism, in turn, allowed white settlers to gloss over their complicity with capitalist exploitation.</p><p>In treating Asian North American cultural production as a transnational genealogy of settler colonialism’s capitalist logic, Day does no less than re-theorize settler colonialism itself: <em>Alien Capital</em> pushes us to consider how settler colonialism functions not within a Native/settler binary, but rather as a dynamic triangulation of Native, settler, and alien positionalities. Listen in for the knitty-gritty.</p><p><em>Nancy Ko is a PhD student in History at Columbia University, where she examines Jewish philanthropy and racialization in the late- and post-Ottoman Middle East from a global and comparative perspective. She can be reached at [nancy.ko@columbia.edu].</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3479</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Shai M. Dromi, "Above the Fray: The Red Cross and the Making of the Humanitarian NGO Sector" (U Chicago Press, 2020)</title>
      <description>How should we understand humanitarian NGOs? In Above the Fray: The Red Cross and the Making of the Humanitarian NGO Sector (University of Chicago Press, 2020), Shai M. Dromi, a lecturer in sociology at Harvard University, uses insights from cultural sociology to reframe the history of the Red Cross. The book blends a detailed historical analysis with field theory and the strong programme in cultural sociology to show the longstanding influence of key individuals and texts, as well as accounting for influences of nationalism and Christianity. The historical analysis of the Red Cross presents crucial lessons for our current context, as well as providing the basis for comparisons with other approaches to humanitarian interventions. The book is both an excellent example of the strengths of the strong programme, along with a fascinating analysis of a key element of our modern world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 13 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand humanitarian NGOs?</itunes:subtitle>
      <itunes:summary>How should we understand humanitarian NGOs? In Above the Fray: The Red Cross and the Making of the Humanitarian NGO Sector (University of Chicago Press, 2020), Shai M. Dromi, a lecturer in sociology at Harvard University, uses insights from cultural sociology to reframe the history of the Red Cross. The book blends a detailed historical analysis with field theory and the strong programme in cultural sociology to show the longstanding influence of key individuals and texts, as well as accounting for influences of nationalism and Christianity. The historical analysis of the Red Cross presents crucial lessons for our current context, as well as providing the basis for comparisons with other approaches to humanitarian interventions. The book is both an excellent example of the strengths of the strong programme, along with a fascinating analysis of a key element of our modern world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand humanitarian NGOs? In <a href="http://www.amazon.com/dp/022668024X/?tag=newbooinhis-20"><em>Above the Fray: The Red Cross and the Making of the Humanitarian NGO Sector</em></a> (University of Chicago Press, 2020), <a href="https://sociology.fas.harvard.edu/people/shai-dromi">Shai M. Dromi</a>, a lecturer in sociology at Harvard University, uses insights from cultural sociology to reframe the history of the Red Cross. The book blends a detailed historical analysis with field theory and the strong programme in cultural sociology to show the longstanding influence of key individuals and texts, as well as accounting for influences of nationalism and Christianity. The historical analysis of the Red Cross presents crucial lessons for our current context, as well as providing the basis for comparisons with other approaches to humanitarian interventions. The book is both an excellent example of the strengths of the strong programme, along with a fascinating analysis of a key element of our modern world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2695</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f5fab03c-4aaf-11ea-a802-ff3ff5e1004a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2831523436.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chenyang Wang, "Subjectivity In-Between Times: Exploring the Notion of Time in Lacan's Work" (Palgrave, 2019)</title>
      <description>If you thought Jacques Lacan’s essay on "Logical Time" was the psychoanalyst’s final word on the subject, then this interview has a lot to teach you! In his new book Subjectivity In-Between Times: Exploring the Notion of Time in Lacan's Work (Palgrave, 2019), emerging scholar of psychoanalytic theory and continental philosophy Chenyang Wang offers the first systematic analysis of the notion of time in Lacan’s work.
Wang, based in East China Normal University, begins by telling us about the state of psychoanalysis in China, before offering a fascinating exploration of how Lacan enables us to radically rethink the past, present, and future. Wang’s approach challenges us to think beyond a linear approach to time and a reductive focus early childhood, rigorously theorising the interrelation of social, bodily, egoic, and unsymbolisable aspects of temporal subjectivity. Toward the end of the interview we focus on Wang’s innovative temporal re-reading of sexual difference, which generously responds to queer and social constructionist challenges to psychoanalysis.
This interview is the first in my new series on Psychoanalysis and Time, produced in collaboration with Waiting Times, a multidisciplinary research project on the temporalities of healthcare. Waiting Times is supported by The Wellcome Trust [205400/A/16/Z], and takes places across Birkbeck (University of London) and the University of Exeter. Learn more about the project by visiting www.whatareyouwaitingfor.org.uk, or follow us on twitter @WhatisWaiting.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>If you thought Jacques Lacan’s essay on "Logical Time" was the psychoanalyst’s final word on the subject, then this interview has a lot to teach you...</itunes:subtitle>
      <itunes:summary>If you thought Jacques Lacan’s essay on "Logical Time" was the psychoanalyst’s final word on the subject, then this interview has a lot to teach you! In his new book Subjectivity In-Between Times: Exploring the Notion of Time in Lacan's Work (Palgrave, 2019), emerging scholar of psychoanalytic theory and continental philosophy Chenyang Wang offers the first systematic analysis of the notion of time in Lacan’s work.
Wang, based in East China Normal University, begins by telling us about the state of psychoanalysis in China, before offering a fascinating exploration of how Lacan enables us to radically rethink the past, present, and future. Wang’s approach challenges us to think beyond a linear approach to time and a reductive focus early childhood, rigorously theorising the interrelation of social, bodily, egoic, and unsymbolisable aspects of temporal subjectivity. Toward the end of the interview we focus on Wang’s innovative temporal re-reading of sexual difference, which generously responds to queer and social constructionist challenges to psychoanalysis.
This interview is the first in my new series on Psychoanalysis and Time, produced in collaboration with Waiting Times, a multidisciplinary research project on the temporalities of healthcare. Waiting Times is supported by The Wellcome Trust [205400/A/16/Z], and takes places across Birkbeck (University of London) and the University of Exeter. Learn more about the project by visiting www.whatareyouwaitingfor.org.uk, or follow us on twitter @WhatisWaiting.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you thought Jacques Lacan’s essay on "Logical Time" was the psychoanalyst’s final word on the subject, then this interview has a lot to teach you! In his new book <a href="http://www.amazon.com/dp/3030260976/?tag=newbooinhis-20"><em>Subjectivity In-Between Times: Exploring the Notion of Time in Lacan's Work</em></a> (Palgrave, 2019), emerging scholar of psychoanalytic theory and continental philosophy <a href="https://birkbeck.academia.edu/ChenyangWang/CurriculumVitae">Chenyang Wang</a> offers the first systematic analysis of the notion of time in Lacan’s work.</p><p>Wang, based in East China Normal University, begins by telling us about the state of psychoanalysis in China, before offering a fascinating exploration of how Lacan enables us to radically rethink the past, present, and future. Wang’s approach challenges us to think beyond a linear approach to time and a reductive focus early childhood, rigorously theorising the interrelation of social, bodily, egoic, and unsymbolisable aspects of temporal subjectivity. Toward the end of the interview we focus on Wang’s innovative temporal re-reading of sexual difference, which generously responds to queer and social constructionist challenges to psychoanalysis.</p><p>This interview is the first in my new series on Psychoanalysis and Time, produced in collaboration with Waiting Times, a multidisciplinary research project on the temporalities of healthcare. Waiting Times is supported by The Wellcome Trust [205400/A/16/Z], and takes places across Birkbeck (University of London) and the University of Exeter. Learn more about the project by visiting <a href="http://www.whatareyouwaitingfor.org.uk/">www.whatareyouwaitingfor.org.uk</a>, or follow us on twitter @WhatisWaiting.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4364</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Carol Gilligan and Naomi Snider, "Why Does Patriarchy Persist?" (Polity, 2018)</title>
      <description>Activists have been working to dismantle patriarchal structures since the feminist and civil rights movements of the last century, and yet we continue to struggle with patriarchy today. In their new book, Why Does Patriarchy Persist? (Polity, 2018), Carol Gilligan and Naomi Snider use psychoanalysis and psychology as frameworks for understanding the vexingly enduring power of this social structure. They offer a cogent and eye-opening theory addressing the fear of loss against which patriarchy aims to protect us, and the consequent impingements on our ability to enter into genuine relationships. In our interview, Carol and Naomi talk about how this book came about and what their ideas offer for our understanding of current political events.
Carol Gilligan is a writer, activist, University Professor at New York University, and the author of In a Different Voice, one of the most influential feminist books of all time.
Naomi Snider is a research fellow at New York University, co-founder of NYU’s Radical Listening Project, and a candidate in psychoanalytic training at the William Alanson White Institute.
Eugenio Duarte is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 10 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Carol Gilligan and Naomi Snider use psychoanalysis and psychology as frameworks for understanding the vexingly enduring power of this social structure...</itunes:subtitle>
      <itunes:summary>Activists have been working to dismantle patriarchal structures since the feminist and civil rights movements of the last century, and yet we continue to struggle with patriarchy today. In their new book, Why Does Patriarchy Persist? (Polity, 2018), Carol Gilligan and Naomi Snider use psychoanalysis and psychology as frameworks for understanding the vexingly enduring power of this social structure. They offer a cogent and eye-opening theory addressing the fear of loss against which patriarchy aims to protect us, and the consequent impingements on our ability to enter into genuine relationships. In our interview, Carol and Naomi talk about how this book came about and what their ideas offer for our understanding of current political events.
Carol Gilligan is a writer, activist, University Professor at New York University, and the author of In a Different Voice, one of the most influential feminist books of all time.
Naomi Snider is a research fellow at New York University, co-founder of NYU’s Radical Listening Project, and a candidate in psychoanalytic training at the William Alanson White Institute.
Eugenio Duarte is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges (2018, Routledge).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Activists have been working to dismantle patriarchal structures since the feminist and civil rights movements of the last century, and yet we continue to struggle with patriarchy today. In their new book, <a href="http://www.amazon.com/dp/1509529136/?tag=newbooinhis-20"><em>Why Does Patriarchy Persist?</em></a> (Polity, 2018), Carol Gilligan and Naomi Snider use psychoanalysis and psychology as frameworks for understanding the vexingly enduring power of this social structure. They offer a cogent and eye-opening theory addressing the fear of loss against which patriarchy aims to protect us, and the consequent impingements on our ability to enter into genuine relationships. In our interview, Carol and Naomi talk about how this book came about and what their ideas offer for our understanding of current political events.</p><p><a href="https://its.law.nyu.edu/facultyprofiles/index.cfm?fuseaction=profile.biography&amp;personid=19946">Carol Gilligan</a> is a writer, activist, University Professor at New York University, and the author of <em>In a Different Voice</em>, one of the most influential feminist books of all time.</p><p><a href="https://twitter.com/naomi_snider?lang=en">Naomi Snider</a> is a research fellow at New York University, co-founder of NYU’s Radical Listening Project, and a candidate in psychoanalytic training at the William Alanson White Institute.</p><p><a href="http://www.eugenioduartephd.com/"><em>Eugenio Duarte</em></a><em> is a psychologist and psychoanalyst practicing in Miami. He treats individuals and couples, with specialties in gender and sexuality, eating and body image problems, and relationship issues. He is a graduate and faculty of William Alanson White Institute in New York City and former chair of their LGBTQ Study Group; and faculty at Florida Psychoanalytic Institute in Miami. He is also a contributing author to the book </em><a href="https://www.routledge.com/Introduction-to-Contemporary-Psychoanalysis-Defining-terms-and-building/Charles/p/book/9781138749887"><em>Introduction to Contemporary Psychoanalysis: Defining Terms and Building Bridges</em></a><em> (2018, Routledge).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e98bc560-477c-11ea-bff6-17538b1f2b55]]></guid>
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    </item>
    <item>
      <title>Kyle Devine, "Decomposed: The Political Ecology of Music" (MIT Press, 2019)</title>
      <description>What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the human and environmental cost of music?</itunes:subtitle>
      <itunes:summary>What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the human and environmental cost of music? In <a href="http://www.amazon.com/dp/0262537788/?tag=newbooinhis-20"><em>Decomposed: The Political Ecology of Music </em></a>(MIT Press, 2019)<em>,</em><a href="https://twitter.com/kyledevinephd">Kyle Devine</a>, an <a href="https://www.hf.uio.no/imv/english/people/aca/tenured/kylerd/">Associate Professor</a> in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76fc225a-44df-11ea-8c32-1fe3ed60c26a]]></guid>
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    </item>
    <item>
      <title>Sean Jacobs, "Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization" (Indiana UP, 2019)</title>
      <description>Sean Jacobs, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed Africa is A Country website, a leader His new book Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization, published by Indiana University Press in 2019.
In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.
Media in Postapartheid South Africa is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.
Susan Thomson is associate professor of peace and conflict studies at Colgate University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age...</itunes:subtitle>
      <itunes:summary>Sean Jacobs, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed Africa is A Country website, a leader His new book Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization, published by Indiana University Press in 2019.
In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.
Media in Postapartheid South Africa is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.
Susan Thomson is associate professor of peace and conflict studies at Colgate University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.newschool.edu/international-affairs/faculty/sean-jacobs/">Sean Jacobs</a>, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed <a href="https://africasacountry.com/"><em>Africa is A Country</em></a> website, a leader His new book <a href="http://www.amazon.com/dp/0253025427/?tag=newbooinhis-20"><em>Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization</em></a>, published by Indiana University Press in 2019.</p><p>In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.</p><p><em>Media in Postapartheid South Africa </em>is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.</p><p><a href="https://www.colgate.edu/about/directory/sthomson"><em>Susan Thomson</em></a><em> is associate professor of peace and conflict studies at Colgate University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3548</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c33fa3ce-436a-11ea-af1d-3f743d6e7b63]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3085123610.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)</title>
      <description>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.
Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>103</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change...</itunes:subtitle>
      <itunes:summary>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.
Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.
Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.</p><p>Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. <a href="http://www.amazon.com/dp/1620368315/?tag=newbooinhis-20"><em>Going Alt-Ac: A Guide to Alternative Academic Careers</em></a> (Stylus Publishing, 2020) by <a href="https://styluspub.presswarehouse.com/browse/author/2a07e59f-b1c2-4cc9-95e5-57f26cb59fc5/Kathryn-E-Linder?page=1">Kathryn E. Linder</a>, <a href="https://styluspub.presswarehouse.com/browse/author/b942fd05-5d35-4095-8f84-df50f428d8f3/Kevin-Kelly?page=1">Kevin Kelly</a>, and <a href="https://styluspub.presswarehouse.com/browse/author/a0500dde-c9b8-476b-b278-24a474aa5399/Thomas-J-Tobin?page=1">Thomas J. Tobin</a> offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.</p><p><em>Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to </em><a href="mailto:zeb.larson@gmail.com"><em>zeb.larson@gmail.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2205</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76067784-4042-11ea-8522-6f68397112c0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2935484669.mp3?updated=1580043968" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helen Taylor, "Why Women Read Fiction: The Stories of Our Lives" (Oxford UP, 2020)</title>
      <description>Why and how is fiction important to women? In Why Women Read Fiction: The Stories of Our Lives (Oxford University Press, 2020), Helen Taylor, Emeritus Professor of English at the University of Exeter, explores this question to give a detailed and engaging picture of fiction in women’s lives. The book presents women’s narratives about fiction, interpretations of key texts, and perspectives on writers and the publishing industry. As the book makes clear, reading is not just another hobby for women, as it occupies a crucial role in women’s lives. Full of examples and women’s stories of how reading matters, discussions of gender and genre, the role of women as authors, along with analysis of book clubs and literary festivals, the book is essential reading across the humanities, social sciences, and for anyone interested in reading!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>150</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Why and how is fiction important to women?</itunes:subtitle>
      <itunes:summary>Why and how is fiction important to women? In Why Women Read Fiction: The Stories of Our Lives (Oxford University Press, 2020), Helen Taylor, Emeritus Professor of English at the University of Exeter, explores this question to give a detailed and engaging picture of fiction in women’s lives. The book presents women’s narratives about fiction, interpretations of key texts, and perspectives on writers and the publishing industry. As the book makes clear, reading is not just another hobby for women, as it occupies a crucial role in women’s lives. Full of examples and women’s stories of how reading matters, discussions of gender and genre, the role of women as authors, along with analysis of book clubs and literary festivals, the book is essential reading across the humanities, social sciences, and for anyone interested in reading!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why and how is fiction important to women? In <a href="http://www.amazon.com/dp/0198827687/?tag=newbooinhis-20"><em>Why Women Read Fiction: The Stories of Our Lives </em></a>(Oxford University Press, 2020), <a href="https://twitter.com/rushton67">Helen Taylor</a>, <a href="https://humanities.exeter.ac.uk/english/staff/taylor/">Emeritus Professor</a> of English at the University of Exeter, explores this question to give a detailed and engaging picture of fiction in women’s lives. The book presents women’s narratives about fiction, interpretations of key texts, and perspectives on writers and the publishing industry. As the book makes clear, reading is not just another hobby for women, as it occupies a crucial role in women’s lives. Full of examples and women’s stories of how reading matters, discussions of gender and genre, the role of women as authors, along with analysis of book clubs and literary festivals, the book is essential reading across the humanities, social sciences, and for anyone interested in reading!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1942</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9da5231c-3d18-11ea-87a8-0f6daa0daaba]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6795076904.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Callison and Zachary Manfredi, "Mutant Neoliberalism: Market Rule and Political Rupture" (Fordham UP, 2020)</title>
      <description>The neoliberal consensus, once thought to be undefeatable, seems to have been broken both in the wake of the fiscal crisis of 2008, as well as a series of surprise movements and elections throughout the world in the last several years. But many scholars argue that it remains alive and well, just in a changed, mutated form. This is the theme that motivates the recent anthology Mutant Neoliberalism: Market Rule and Political Rupture (Fordham University Press, 2020). The book features ten essay by a cast of writers covering the ways in which neoliberalism is mutating to stay alive in a changing environment.
William Callison is a visiting assistant professor of Government and Law at Lafayette College. Zachary Manfredi is an Equal Justice Works Fellow at the Asylum Seeker Advocacy Project.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The neoliberal consensus, once thought to be undefeatable, seems to have been broken both in the wake of the fiscal crisis of 2008, as well as a series of surprise movements and elections throughout the world in the last several years...</itunes:subtitle>
      <itunes:summary>The neoliberal consensus, once thought to be undefeatable, seems to have been broken both in the wake of the fiscal crisis of 2008, as well as a series of surprise movements and elections throughout the world in the last several years. But many scholars argue that it remains alive and well, just in a changed, mutated form. This is the theme that motivates the recent anthology Mutant Neoliberalism: Market Rule and Political Rupture (Fordham University Press, 2020). The book features ten essay by a cast of writers covering the ways in which neoliberalism is mutating to stay alive in a changing environment.
William Callison is a visiting assistant professor of Government and Law at Lafayette College. Zachary Manfredi is an Equal Justice Works Fellow at the Asylum Seeker Advocacy Project.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The neoliberal consensus, once thought to be undefeatable, seems to have been broken both in the wake of the fiscal crisis of 2008, as well as a series of surprise movements and elections throughout the world in the last several years. But many scholars argue that it remains alive and well, just in a changed, mutated form. This is the theme that motivates the recent anthology <a href="http://www.amazon.com/dp/0823285707/?tag=newbooinhis-20"><em>Mutant Neoliberalism: Market Rule and Political Rupture</em></a> (Fordham University Press, 2020). The book features ten essay by a cast of writers covering the ways in which neoliberalism is mutating to stay alive in a changing environment.</p><p><a href="https://www.williamcallison.com/">William Callison</a> is a visiting assistant professor of Government and Law at Lafayette College. <a href="https://asylumadvocacy.org/our-staff/zachary-manfredi/">Zachary Manfredi</a> is an Equal Justice Works Fellow at the Asylum Seeker Advocacy Project.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[30bc2a70-3926-11ea-baba-db164a1c564c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4447210207.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tad DeLay, ​"Against: What Does the White Evangelical Want?"​ (Cascade Book, 2019)</title>
      <description>What does the white evangelical want? In our moment of crisis and rage, this question is everywhere. Scholars ask from where its desires emerged, pundits divine its political future, and the public asks how we lapsed into social chaos. For their part, white evangelicals feel misunderstood while failing to see the direction of their ambitions. We must interrogate its aims not only through its past or current trends but also through the various fantasies by which it rejects and enlivens reality.
Tad DeLay's new book Against: What Does the White Evangelical Want? (Cascade Book 2019)​ traces five zones of opposition: future, knowledge, sexuality, reality, and society. If climate change is the greatest threat civilization has ever faced, then a faith aiding collapse must face analysis. If it swims in assured forgiveness, it feels no shame for its sins against humanity. If it wants a king, it threatens democracy. If it veils xenophobia, it shall be ever more cruel. In a critical and accessible history of odd ideas, DeLay chronicles the past and sketches its troubling future. It might die, but what’s certain is that a faith built on nostalgia and supremacy won’t moderate. We live in dangerous times, so let us consider its justifications, turmoil, appetite, and catastrophe.
Tad DeLay is the author of ​The Cynic &amp; the Fool​ and ​God Is Unconscious​. He teaches philosophy and religious studies in Denver.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 22 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>DeLay traces five zones of White Evangelical opposition: future, knowledge, sexuality, reality, and society...</itunes:subtitle>
      <itunes:summary>What does the white evangelical want? In our moment of crisis and rage, this question is everywhere. Scholars ask from where its desires emerged, pundits divine its political future, and the public asks how we lapsed into social chaos. For their part, white evangelicals feel misunderstood while failing to see the direction of their ambitions. We must interrogate its aims not only through its past or current trends but also through the various fantasies by which it rejects and enlivens reality.
Tad DeLay's new book Against: What Does the White Evangelical Want? (Cascade Book 2019)​ traces five zones of opposition: future, knowledge, sexuality, reality, and society. If climate change is the greatest threat civilization has ever faced, then a faith aiding collapse must face analysis. If it swims in assured forgiveness, it feels no shame for its sins against humanity. If it wants a king, it threatens democracy. If it veils xenophobia, it shall be ever more cruel. In a critical and accessible history of odd ideas, DeLay chronicles the past and sketches its troubling future. It might die, but what’s certain is that a faith built on nostalgia and supremacy won’t moderate. We live in dangerous times, so let us consider its justifications, turmoil, appetite, and catastrophe.
Tad DeLay is the author of ​The Cynic &amp; the Fool​ and ​God Is Unconscious​. He teaches philosophy and religious studies in Denver.
Stephen Dozeman is a freelance writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does the white evangelical want? In our moment of crisis and rage, this question is everywhere. Scholars ask from where its desires emerged, pundits divine its political future, and the public asks how we lapsed into social chaos. For their part, white evangelicals feel misunderstood while failing to see the direction of their ambitions. We must interrogate its aims not only through its past or current trends but also through the various fantasies by which it rejects and enlivens reality.</p><p><a href="http://taddelay.com/">Tad DeLay</a>'s new book <a href="http://www.amazon.com/dp/1532668465/?tag=newbooinhis-20"><em>Against: What Does the White Evangelical Want?</em></a> (Cascade Book 2019)​ traces five zones of opposition: future, knowledge, sexuality, reality, and society. If climate change is the greatest threat civilization has ever faced, then a faith aiding collapse must face analysis. If it swims in assured forgiveness, it feels no shame for its sins against humanity. If it wants a king, it threatens democracy. If it veils xenophobia, it shall be ever more cruel. In a critical and accessible history of odd ideas, DeLay chronicles the past and sketches its troubling future. It might die, but what’s certain is that a faith built on nostalgia and supremacy won’t moderate. We live in dangerous times, so let us consider its justifications, turmoil, appetite, and catastrophe.</p><p>Tad DeLay is the author of ​<em>The Cynic &amp; the Fool​</em> and ​<em>God Is Unconscious</em>​. He teaches philosophy and religious studies in Denver.</p><p><em>Stephen Dozeman is a freelance writer.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b6faec46-33ab-11ea-b9c8-a335ef30f5e5]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4894117644.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wendy Bottero, "A Sense of Inequality" (Roman and Littlefield, 2020)</title>
      <description>How should we understand inequality? In A Sense of Inequality (Roman and Littlefield, 2020), Wendy Bottero, a Reader in Sociology at the University of Manchester offers a detailed and challenging new approach to how we conceive of, how we study, and how we might challenge, social inequality. The book contends we need a new approach to the everyday subjective experience of inequality, appreciating people’s constrained resistance to often highly unequal social situations. Whilst never downplaying the reality of inequality, the book challenges social theories that ignore everyday practices in explanations of the persistence of inequality. Empirically detailed, with extensive global examples, as well as theoretically rich, the book is essential reading across the social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>147</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bottero offers a detailed and challenging new approach to how we conceive of, how we study, and how we might challenge, social inequality...</itunes:subtitle>
      <itunes:summary>How should we understand inequality? In A Sense of Inequality (Roman and Littlefield, 2020), Wendy Bottero, a Reader in Sociology at the University of Manchester offers a detailed and challenging new approach to how we conceive of, how we study, and how we might challenge, social inequality. The book contends we need a new approach to the everyday subjective experience of inequality, appreciating people’s constrained resistance to often highly unequal social situations. Whilst never downplaying the reality of inequality, the book challenges social theories that ignore everyday practices in explanations of the persistence of inequality. Empirically detailed, with extensive global examples, as well as theoretically rich, the book is essential reading across the social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand inequality? In <a href="http://www.amazon.com/dp/1783487879/?tag=newbooinhis-20"><em>A Sense of Inequality</em></a><em> </em>(Roman and Littlefield, 2020), <a href="https://www.research.manchester.ac.uk/portal/wendy.bottero.html">Wendy Bottero</a>, a Reader in Sociology at the University of Manchester offers a detailed and challenging new approach to how we conceive of, how we study, and how we might challenge, social inequality. The book contends we need a new approach to the everyday subjective experience of inequality, appreciating people’s constrained resistance to often highly unequal social situations. Whilst never downplaying the reality of inequality, the book challenges social theories that ignore everyday practices in explanations of the persistence of inequality. Empirically detailed, with extensive global examples, as well as theoretically rich, the book is essential reading across the social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2429</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c0b5226e-36f9-11ea-9334-33a7902a9535]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6220852046.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ben Green, "The Smart Enough City: Putting Technology in its Place to Reclaim Our Urban Future" (MIT Press, 2019)</title>
      <description>The “smart city,” presented as the ideal, efficient, and effective for meting out services, has capture the imaginations of policymakers, scholars, and urban-dweller. But what are the possible drawbacks of living in an environment that is constantly collecting data? What important data is ignored when it is not easily translated into 1s and 0s? In his new book, The Smart Enough City: Putting Technology in Its Place to Reclaim Our Urban Future, critical data scientist Ben Green, an Affiliate and former Fellow at the Berkman Klein Center for Internet and Society at Harvard University and a PhD candidate in Applied Mathematics, critically examines what it means for a city to be smart enough to fulfill the promises of urbanism, while at the same time taking into account the very real drawbacks of constant data collection, and overreliance on digital technology. To do this, Green examines various case study examples, while offering philosophical and critical histories of the city-related technologies that have led us to this era.
Jasmine McNealy is a scholar of media and technology. She teaches at the University of Florida. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The “smart city,” presented as the ideal, efficient, and effective for meting out services, has capture the imaginations of policymakers, scholars, and urban-dweller. But what are the possible drawbacks of living in an environment that is constantly collecting data?</itunes:subtitle>
      <itunes:summary>The “smart city,” presented as the ideal, efficient, and effective for meting out services, has capture the imaginations of policymakers, scholars, and urban-dweller. But what are the possible drawbacks of living in an environment that is constantly collecting data? What important data is ignored when it is not easily translated into 1s and 0s? In his new book, The Smart Enough City: Putting Technology in Its Place to Reclaim Our Urban Future, critical data scientist Ben Green, an Affiliate and former Fellow at the Berkman Klein Center for Internet and Society at Harvard University and a PhD candidate in Applied Mathematics, critically examines what it means for a city to be smart enough to fulfill the promises of urbanism, while at the same time taking into account the very real drawbacks of constant data collection, and overreliance on digital technology. To do this, Green examines various case study examples, while offering philosophical and critical histories of the city-related technologies that have led us to this era.
Jasmine McNealy is a scholar of media and technology. She teaches at the University of Florida. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The “smart city,” presented as the ideal, efficient, and effective for meting out services, has capture the imaginations of policymakers, scholars, and urban-dweller. But what are the possible drawbacks of living in an environment that is constantly collecting data? What important data is ignored when it is not easily translated into 1s and 0s? In his new book, <a href="https://www.amazon.com/Smart-Enough-City-Putting-Technology/dp/0262039672"><em>The Smart Enough City: Putting Technology in Its Place to Reclaim Our Urban Future</em></a>, critical data scientist <a href="https://www.benzevgreen.com/">Ben Green</a>, an Affiliate and former Fellow at the Berkman Klein Center for Internet and Society at Harvard University and a PhD candidate in Applied Mathematics, critically examines what it means for a city to be smart enough to fulfill the promises of urbanism, while at the same time taking into account the very real drawbacks of constant data collection, and overreliance on digital technology. To do this, Green examines various case study examples, while offering philosophical and critical histories of the city-related technologies that have led us to this era.</p><p><a href="https://jasminemcnealy.com/"><em>Jasmine McNealy</em></a><em> is a scholar of media and technology. She teaches at the University of Florida. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2031</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[56917746-370f-11ea-acc9-6b05381e6fd9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8852496945.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Josh Reno, "Military Waste: The Unexpected Consequences of Permanent War Readiness" (U California Press, 2019)</title>
      <description>Seven decades of military spending during the cold war and war on terror have created a vast excess of military hardware – what happens to all of this military waste when it has served its purpose and what does it tell us about militarism in American culture? Josh Reno’s Military Waste: The Unexpected Consequences of Permanent War Readiness (University of California Press, 2019), explores the myriad afterlives of military waste and the people who witness, interpret, manipulate, and reimagine them.
In this episode of New Books in Anthropology, he talks to host Jacob Doherty about how engineers within the military industrial complex conceptualize waste, how artists try to demilitarize surplus air force planes, how near earth orbit has filled up with the debris, and how militarized culture shapes the way we understand mass shootings.
Josh Reno is an associate professor of anthropology at Binghampton University and the author of Waste Away.
Jacob Doherty is a lecturer in the anthropology of development at the University of Edinburgh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Seven decades of military spending during the cold war and war on terror have created a vast excess of military hardware – what happens to all of this military waste when it has served its purpose and what does it tell us about militarism in American culture?</itunes:subtitle>
      <itunes:summary>Seven decades of military spending during the cold war and war on terror have created a vast excess of military hardware – what happens to all of this military waste when it has served its purpose and what does it tell us about militarism in American culture? Josh Reno’s Military Waste: The Unexpected Consequences of Permanent War Readiness (University of California Press, 2019), explores the myriad afterlives of military waste and the people who witness, interpret, manipulate, and reimagine them.
In this episode of New Books in Anthropology, he talks to host Jacob Doherty about how engineers within the military industrial complex conceptualize waste, how artists try to demilitarize surplus air force planes, how near earth orbit has filled up with the debris, and how militarized culture shapes the way we understand mass shootings.
Josh Reno is an associate professor of anthropology at Binghampton University and the author of Waste Away.
Jacob Doherty is a lecturer in the anthropology of development at the University of Edinburgh.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seven decades of military spending during the cold war and war on terror have created a vast excess of military hardware – what happens to all of this military waste when it has served its purpose and what does it tell us about militarism in American culture? Josh Reno’s <a href="http://www.amazon.com/dp/0520316029/?tag=newbooinhis-20"><em>Military Waste: The Unexpected Consequences of Permanent War Readiness</em></a> (University of California Press, 2019), explores the myriad afterlives of military waste and the people who witness, interpret, manipulate, and reimagine them.</p><p>In this episode of New Books in Anthropology, he talks to host Jacob Doherty about how engineers within the military industrial complex conceptualize waste, how artists try to demilitarize surplus air force planes, how near earth orbit has filled up with the debris, and how militarized culture shapes the way we understand mass shootings.</p><p><a href="https://www.binghamton.edu/anthropology/faculty/profile.html?id=jreno">Josh Reno</a> is an associate professor of anthropology at Binghampton University and the author of <a href="https://www.ucpress.edu/book/9780520288942/waste-away">Waste Away</a>.</p><p><a href="http://www.san.ed.ac.uk/people/faculty/jacob_doherty"><em>Jacob Doherty</em></a><em> is a lecturer in the anthropology of development at the University of Edinburgh.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4621</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a67fb62-3652-11ea-a85e-3351360f839f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2082826049.mp3?updated=1663955722" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Gonzalo Lamana, "How 'Indians' Think: Colonial Indigenous Intellectuals and the Question of Critical Race Theory" (U Arizona Press, 2019)</title>
      <description>In his new book, How “Indians” Think: Colonial Indigenous Intellectuals and the Question of Critical Race Theory (University of Arizona Press, 2019), Dr. Gonzalo Lamana carefully investigates the writings of Indigenous intellectuals of the Andean region during Spanish colonialism. By delving into and reinterpreting the work of Guaman Poma de Ayala and Garcilaso de la Vega, Lamana effectively articulates the development of critical race theory from its outset in colonial Latin America. By sharing these centuries old texts, Lamana gives important context to today's social climate while reinvigorating voices from the past. As Lamana points out, “Indians” lived in an upside down world - a world of lies that Indigenous intellectuals were unable to expose. Through the work of Lamana and others, that lie is finally being exposed.
Gonzalo Lamana is an associate professor in the Department of Hispanic Languages and Literatures at the University of Pittsburgh. His teaching and research explores themes of subalternity and indigeneity, race and theology, and meaning-making in the colonial period through a comparative, cross-area and time study of colonial and postcolonial dynamics. Some of his previous publications include Domination without Dominance. Inca-Spanish Encounters in Early Colonial Peru and Pensamiento colonial crítico.
Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at colinmustful.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>678</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lamana carefully investigates the writings of Indigenous intellectuals of the Andean region during Spanish colonialism...</itunes:subtitle>
      <itunes:summary>In his new book, How “Indians” Think: Colonial Indigenous Intellectuals and the Question of Critical Race Theory (University of Arizona Press, 2019), Dr. Gonzalo Lamana carefully investigates the writings of Indigenous intellectuals of the Andean region during Spanish colonialism. By delving into and reinterpreting the work of Guaman Poma de Ayala and Garcilaso de la Vega, Lamana effectively articulates the development of critical race theory from its outset in colonial Latin America. By sharing these centuries old texts, Lamana gives important context to today's social climate while reinvigorating voices from the past. As Lamana points out, “Indians” lived in an upside down world - a world of lies that Indigenous intellectuals were unable to expose. Through the work of Lamana and others, that lie is finally being exposed.
Gonzalo Lamana is an associate professor in the Department of Hispanic Languages and Literatures at the University of Pittsburgh. His teaching and research explores themes of subalternity and indigeneity, race and theology, and meaning-making in the colonial period through a comparative, cross-area and time study of colonial and postcolonial dynamics. Some of his previous publications include Domination without Dominance. Inca-Spanish Encounters in Early Colonial Peru and Pensamiento colonial crítico.
Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at colinmustful.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://www.amazon.com/dp/0816539669/?tag=newbooinhis-20"><em>How “Indians” Think: Colonial Indigenous Intellectuals and the Question of Critical Race Theory</em></a> (University of Arizona Press, 2019), Dr. Gonzalo Lamana carefully investigates the writings of Indigenous intellectuals of the Andean region during Spanish colonialism. By delving into and reinterpreting the work of Guaman Poma de Ayala and Garcilaso de la Vega, Lamana effectively articulates the development of critical race theory from its outset in colonial Latin America. By sharing these centuries old texts, Lamana gives important context to today's social climate while reinvigorating voices from the past. As Lamana points out, “Indians” lived in an upside down world - a world of lies that Indigenous intellectuals were unable to expose. Through the work of Lamana and others, that lie is finally being exposed.</p><p><a href="https://www.hispanic.pitt.edu/person/gonzalo-lamana">Gonzalo Lamana</a> is an associate professor in the Department of Hispanic Languages and Literatures at the University of Pittsburgh. His teaching and research explores themes of subalternity and indigeneity, race and theology, and meaning-making in the colonial period through a comparative, cross-area and time study of colonial and postcolonial dynamics. Some of his previous publications include <em>Domination without Dominance. Inca-Spanish Encounters in Early Colonial Peru</em> and <em>Pensamiento colonial crítico.</em></p><p><em>Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at </em><a href="http://www.colinmustful.com/"><em>colinmustful.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2774</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[97d91a3e-3155-11ea-871c-7f63ba0488a0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9233536210.mp3?updated=1663952611" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alys Eve Weinbaum, "The Afterlife of Reproductive Slavery: Biocapitalism and Black Feminism’s Philosophy of History" (Duke UP, 2019)</title>
      <description>In The Afterlife of Reproductive Slavery: Biocapitalism and Black Feminism’s Philosophy of History (Duke University Press, 2019), University of Washington Professor of English Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's Beloved and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.
Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women’s history and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism...</itunes:subtitle>
      <itunes:summary>In The Afterlife of Reproductive Slavery: Biocapitalism and Black Feminism’s Philosophy of History (Duke University Press, 2019), University of Washington Professor of English Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's Beloved and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.
Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women’s history and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1478002840/?tag=newbooinhis-20"><em>The Afterlife of Reproductive Slavery: Biocapitalism and Black Feminism’s Philosophy of History</em></a> (Duke University Press, 2019), University of Washington Professor of English <a href="https://english.washington.edu/people/alys-eve-weinbaum">Alys Eve Weinbaum</a> investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave episteme—the racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrison's <em>Beloved</em> and Octavia Butler's dystopian speculative fiction to black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of history—one that provides the means through which to understand how reproductive slavery haunts the present.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1029-pacatte-jerrad-p"><em>Jerrad P. Pacatte</em></a><em> is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth century African American women’s history and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3229</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e154ac42-25b5-11ea-9cac-b7fe42868e55]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5107319871.mp3?updated=1663959649" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>H. Appel, S. Whitley, C. Kline, "The Power of Debt: Identity and Collective Action in the Age of Finance" (Institute on Inequality and Democracy, 2019)</title>
      <description>As the upcoming 2020 U.S. election finally brings questions of economic justice center stage, this episode discusses the powerful short open-source book The Power of Debt: Identity and Collective Action in the Age of Finance (Institute on Inequality and Democracy, 2019). The book was published by the Institute on Inequality and Democracy in 2019 and coauthored by Prof. Hannah Appel of UCLA, Sa Whitley, a Ph.D. candidate in Gender Studies at UCLA, and Caitlin Kline, advisor to the Securities and Exchange Commission on derivatives enforcement issues. The book focuses on the urgent problem of staggering economic inequality through the lens of mass indebtedness. After assessing the grim situation - stagnating wages, historic levels of household debt, and the impossibility of accessing the means of life without debt - the authors ask whether we can organize against the injustices of debt as debtors as we once did against oppressive workplaces as workers. What goes into producing a politically salient identity category such as debtor? What do actual examples of debtor organizing tell us about the promises and perils of debtor organizing? What does it take to challenge the power of big banks and mighty investors? As an example, we discuss the strike that I am currently on with Harvard Graduate Students Union, speculating on how labor uprisings could benefit from concerted coalition building with debtors. At Harvard, undergraduates are saddled with unrepayable loans so they can access an education provided by grad students saddled with unpayable rents and bills - if the two groups could unite, what would be possible? In our conversation, Prof. Hannah Appel answered these questions amongst many others in a refreshingly spirited yet accessible style. A must-listen for scholars, organizers, and citizens concerned with economic inequality and possibilities for mobilization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As the upcoming 2020 U.S. election finally brings questions of economic justice center stage, this episode discusses the powerful short open-source book The Power of Debt: Identity and Collective Action in the Age of Finance (Institute on Inequality and Democracy, 2019). The book was published by the Institute on Inequality and Democracy in 2019 and coauthored by Prof. Hannah Appel of UCLA, Sa Whitley, a Ph.D. candidate in Gender Studies at UCLA, and Caitlin Kline, advisor to the Securities and Exchange Commission on derivatives enforcement issues. The book focuses on the urgent problem of staggering economic inequality through the lens of mass indebtedness. After assessing the grim situation - stagnating wages, historic levels of household debt, and the impossibility of accessing the means of life without debt - the authors ask whether we can organize against the injustices of debt as debtors as we once did against oppressive workplaces as workers. What goes into producing a politically salient identity category such as debtor? What do actual examples of debtor organizing tell us about the promises and perils of debtor organizing? What does it take to challenge the power of big banks and mighty investors? As an example, we discuss the strike that I am currently on with Harvard Graduate Students Union, speculating on how labor uprisings could benefit from concerted coalition building with debtors. At Harvard, undergraduates are saddled with unrepayable loans so they can access an education provided by grad students saddled with unpayable rents and bills - if the two groups could unite, what would be possible? In our conversation, Prof. Hannah Appel answered these questions amongst many others in a refreshingly spirited yet accessible style. A must-listen for scholars, organizers, and citizens concerned with economic inequality and possibilities for mobilization.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the upcoming 2020 U.S. election finally brings questions of economic justice center stage, this episode discusses the powerful short open-source book <a href="https://challengeinequality.luskin.ucla.edu/wp-content/uploads/sites/16/2019/03/Appel-Hannah-THE-POWER-OF-DEBT.pdf"><em>The Power of Debt: Identity and Collective Action in the Age of Finance</em></a><em> </em>(Institute on Inequality and Democracy, 2019). The book was published by the Institute on Inequality and Democracy in 2019 and coauthored by Prof. <a href="https://anthro.ucla.edu/faculty/hannah-appel">Hannah Appel</a> of UCLA, <a href="https://gender.ucla.edu/person/sa-whitley/">Sa Whitley</a>, a Ph.D. candidate in Gender Studies at UCLA, and <a href="https://bettermarkets.com/our-team">Caitlin Kline</a>, advisor to the Securities and Exchange Commission on derivatives enforcement issues. The book focuses on the urgent problem of staggering economic inequality through the lens of mass indebtedness. After assessing the grim situation - stagnating wages, historic levels of household debt, and the impossibility of accessing the means of life without debt - the authors ask whether we can organize against the injustices of debt as debtors as we once did against oppressive workplaces as workers. What goes into producing a politically salient identity category such as debtor? What do actual examples of debtor organizing tell us about the promises and perils of debtor organizing? What does it take to challenge the power of big banks and mighty investors? As an example, we discuss the strike that I am currently on with Harvard Graduate Students Union, speculating on how labor uprisings could benefit from concerted coalition building with debtors. At Harvard, undergraduates are saddled with unrepayable loans so they can access an education provided by grad students saddled with unpayable rents and bills - if the two groups could unite, what would be possible? In our conversation, Prof. Hannah Appel answered these questions amongst many others in a refreshingly spirited yet accessible style. A must-listen for scholars, organizers, and citizens concerned with economic inequality and possibilities for mobilization.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3944</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Raj Patel, "A History of the World in Seven Cheap Things" (U California Press, 2017)</title>
      <description>Award winning activist and researcher Raj Patel has teamed up with innovative environmental historian and historical geographer Jason W. Moore to produce an accessible book which provides historical explanations for the world ecological crises and the global crisis in capitalism. Using the framework of "cheapness," A History of the World in Seven Cheap Things: A Guide to Capitalism, Nature, and the Future of the Planet (University of California Press, 2017) takes the reader through the long history of the search for lower production costs, extending from European colonial conquests in the fifteenth century up to present agroindustrial systems. This quest for cheapness originated with European colonists' desire to separate Society—themselves—from Nature—everything else. All forms of "Nature" were categorized by colonist and capitalists so that they could be efficiently used for production. Human beings were often included in this contrived category of Nature. Colonized people, the indigenous, women, and brown people were considered akin to non-human nature. In the process of employing cheapness as a "strategy" across space and time, colonial and capitalist powers have devastated land, destroyed indigenous populations, and exploited workers. Resistance to cheapness is described in the book too, but in Moore and Patel's depiction of the modern world, this resistance seems insignificant compared to the power and momentum of the cheapness strategy. The refusal to pay the true costs of production eventually led to crises because nature was cheap, but never free; debts mounted. “The modern world happened” according to Patel and Moore, “because externalities struck back” (21). Global warming is the best example of these debts but the book exposes many others.
To engage as broad of an audience as possible, the book is structured in a simple way making it useful for researchers, a general audience, and as a teaching text. The introduction begins with the example of the chicken nugget, the production of which exemplifies all seven "cheap things." The chapter then gives an outline of the argument. After the introduction, the reader is walked through relatively self-contained chapters on each of the seven cheap things: cheap nature, cheap money, cheap work, cheap care, cheap food, cheap energy, and cheap lives. Any chapter can be read in isolation as an example of how the concept of cheapness works in different ecological and economic realms but together they give the reader an understanding of the encompassing and destructive power of "cheapness." As Patel explains in the interview, the book was designed to engage an "intersectional" activist audience. Those interested in indigenous rights, class, race, and ecological issues will all find something interesting, and likely infuriating, in this book.
Readers might be disappointed by the brevity of the conclusion however, which attempts to offer some solutions to current global crises. Here Patel and Moore lay out the basic structure for a "reparations ecology" that calls for profound changes, not simply in world economic and political relations, but in humans' attitude towards nature, both human and non-human forms. Hopefully Patel and Moore will elaborate further on the important concept of reparations ecology in their future works. In the meantime, anyone interested in the origins of the most pressing problems facing humanity today must give Patel and Moore's thesis serious consideration.
Jason L. Newton is a visiting assistant professor of history at Cornell University. His book manuscript, Cutover Capitalism: The Industrialization of the Northern Forest, 1850-1950, is a history of the changing types of labor performed by people, trees, and the landscape in the American Northeast as that area industrialized. He has also published on nature, race, and immigration. He teaches classes on labor and the environment.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 07 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Petel and Moore takes the reader through the long history of the search for lower production costs, extending from European colonial conquests in the fifteenth century up to present agroindustrial systems...</itunes:subtitle>
      <itunes:summary>Award winning activist and researcher Raj Patel has teamed up with innovative environmental historian and historical geographer Jason W. Moore to produce an accessible book which provides historical explanations for the world ecological crises and the global crisis in capitalism. Using the framework of "cheapness," A History of the World in Seven Cheap Things: A Guide to Capitalism, Nature, and the Future of the Planet (University of California Press, 2017) takes the reader through the long history of the search for lower production costs, extending from European colonial conquests in the fifteenth century up to present agroindustrial systems. This quest for cheapness originated with European colonists' desire to separate Society—themselves—from Nature—everything else. All forms of "Nature" were categorized by colonist and capitalists so that they could be efficiently used for production. Human beings were often included in this contrived category of Nature. Colonized people, the indigenous, women, and brown people were considered akin to non-human nature. In the process of employing cheapness as a "strategy" across space and time, colonial and capitalist powers have devastated land, destroyed indigenous populations, and exploited workers. Resistance to cheapness is described in the book too, but in Moore and Patel's depiction of the modern world, this resistance seems insignificant compared to the power and momentum of the cheapness strategy. The refusal to pay the true costs of production eventually led to crises because nature was cheap, but never free; debts mounted. “The modern world happened” according to Patel and Moore, “because externalities struck back” (21). Global warming is the best example of these debts but the book exposes many others.
To engage as broad of an audience as possible, the book is structured in a simple way making it useful for researchers, a general audience, and as a teaching text. The introduction begins with the example of the chicken nugget, the production of which exemplifies all seven "cheap things." The chapter then gives an outline of the argument. After the introduction, the reader is walked through relatively self-contained chapters on each of the seven cheap things: cheap nature, cheap money, cheap work, cheap care, cheap food, cheap energy, and cheap lives. Any chapter can be read in isolation as an example of how the concept of cheapness works in different ecological and economic realms but together they give the reader an understanding of the encompassing and destructive power of "cheapness." As Patel explains in the interview, the book was designed to engage an "intersectional" activist audience. Those interested in indigenous rights, class, race, and ecological issues will all find something interesting, and likely infuriating, in this book.
Readers might be disappointed by the brevity of the conclusion however, which attempts to offer some solutions to current global crises. Here Patel and Moore lay out the basic structure for a "reparations ecology" that calls for profound changes, not simply in world economic and political relations, but in humans' attitude towards nature, both human and non-human forms. Hopefully Patel and Moore will elaborate further on the important concept of reparations ecology in their future works. In the meantime, anyone interested in the origins of the most pressing problems facing humanity today must give Patel and Moore's thesis serious consideration.
Jason L. Newton is a visiting assistant professor of history at Cornell University. His book manuscript, Cutover Capitalism: The Industrialization of the Northern Forest, 1850-1950, is a history of the changing types of labor performed by people, trees, and the landscape in the American Northeast as that area industrialized. He has also published on nature, race, and immigration. He teaches classes on labor and the environment.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Award winning activist and researcher <a href="http://rajpatel.org/">Raj Patel</a> has teamed up with innovative environmental historian and historical geographer <a href="https://jasonwmoore.com/">Jason W. Moore</a> to produce an accessible book which provides historical explanations for the world ecological crises and the global crisis in capitalism. Using the framework of "cheapness,"<a href="http://www.amazon.com/dp/0520293134/?tag=newbooinhis-20"> <em>A History of the World in Seven Cheap Things: A Guide to Capitalism, Nature, and the Future of the Planet</em> </a>(University of California Press, 2017) takes the reader through the long history of the search for lower production costs, extending from European colonial conquests in the fifteenth century up to present agroindustrial systems. This quest for cheapness originated with European colonists' desire to separate Society—themselves—from Nature—everything else. All forms of "Nature" were categorized by colonist and capitalists so that they could be efficiently used for production. Human beings were often included in this contrived category of Nature. Colonized people, the indigenous, women, and brown people were considered akin to non-human nature. In the process of employing cheapness as a "strategy" across space and time, colonial and capitalist powers have devastated land, destroyed indigenous populations, and exploited workers. Resistance to cheapness is described in the book too, but in Moore and Patel's depiction of the modern world, this resistance seems insignificant compared to the power and momentum of the cheapness strategy. The refusal to pay the true costs of production eventually led to crises because nature was cheap, but never free; debts mounted. “The modern world happened” according to Patel and Moore, “because externalities struck back” (21). Global warming is the best example of these debts but the book exposes many others.</p><p>To engage as broad of an audience as possible, the book is structured in a simple way making it useful for researchers, a general audience, and as a teaching text. The introduction begins with the example of the chicken nugget, the production of which exemplifies all seven "cheap things." The chapter then gives an outline of the argument. After the introduction, the reader is walked through relatively self-contained chapters on each of the seven cheap things: cheap nature, cheap money, cheap work, cheap care, cheap food, cheap energy, and cheap lives. Any chapter can be read in isolation as an example of how the concept of cheapness works in different ecological and economic realms but together they give the reader an understanding of the encompassing and destructive power of "cheapness." As Patel explains in the interview, the book was designed to engage an "intersectional" activist audience. Those interested in indigenous rights, class, race, and ecological issues will all find something interesting, and likely infuriating, in this book.</p><p>Readers might be disappointed by the brevity of the conclusion however, which attempts to offer some solutions to current global crises. Here Patel and Moore lay out the basic structure for a "reparations ecology" that calls for profound changes, not simply in world economic and political relations, but in humans' attitude towards nature, both human and non-human forms. Hopefully Patel and Moore will elaborate further on the important concept of reparations ecology in their future works. In the meantime, anyone interested in the origins of the most pressing problems facing humanity today must give Patel and Moore's thesis serious consideration.</p><p><a href="https://twitter.com/Jason_L_Newton"><em>Jason L. Newton</em></a><em> is a visiting assistant professor of history at Cornell University. His book manuscript, </em><a href="https://www.academia.edu/37412910/Cutover_Capitalism_The_Industrialization_of_the_Northern_Forest_1850-1950">Cutover Capitalism: The Industrialization of the Northern Forest, 1850-1950<em>,</em></a><em> is a history of the changing types of labor performed by people, trees, and the landscape in the American Northeast as that area industrialized. He has also published on </em><a href="https://www.academia.edu/25472306/_These_French_Canadian_of_the_Woods_are_Half-Wild_Folk_Wilderness_Whiteness_and_Work_in_North_America_1840_1955"><em>nature, race, and immigration</em></a><em>. He teaches classes on labor and the environment.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Mark Bartholomew, "Adcreep: The Case Against Modern Marketing" (Stanford Law Books, 2017)</title>
      <description>Advertising is everywhere. By some estimates, the average American is exposed to over 3,000 advertisements each day. Whether we realize it or not, "adcreep"―modern marketing's march to create a world where advertising can be expected anywhere and anytime―has come, transforming not just our purchasing decisions, but our relationships, our sense of self, and the way we navigate all spaces, public and private.
In Adcreep: The Case Against Modern Marketing (Stanford Law Books, 2017), Mark Bartholomew journeys through the curious and sometimes troubling world of modern advertising. Bartholomew exposes an array of marketing techniques that might seem like the stuff of science fiction: neuromarketing, biometric scans, automated online spies, and facial recognition technology, all enlisted to study and stimulate consumer desire. This marriage of advertising and technology has consequences. Businesses wield rich and portable records of consumer preference, delivering advertising tailored to your own idiosyncratic thought processes. They mask their role by using social media to mobilize others, from celebrities to your own relatives, to convey their messages. Guerrilla marketers turn every space into a potential site for a commercial come-on or clandestine market research. Advertisers now know you on a deeper, more intimate level, dramatically tilting the historical balance of power between advertiser and audience.
In this world of ubiquitous commercial appeals, consumers and policymakers are numbed to advertising's growing presence. Drawing on a variety of sources, including psychological experiments, marketing texts, communications theory, and historical examples, Bartholomew reveals the consequences of life in a world of non-stop selling. Adcreep mounts a damning critique of the modern American legal system's failure to stem the flow of invasive advertising into our homes, parks, schools, and digital lives.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>226</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Whether we realize it or not, "adcreep"―modern marketing's march to create a world where advertising can be expected anywhere and anytime―has come,..</itunes:subtitle>
      <itunes:summary>Advertising is everywhere. By some estimates, the average American is exposed to over 3,000 advertisements each day. Whether we realize it or not, "adcreep"―modern marketing's march to create a world where advertising can be expected anywhere and anytime―has come, transforming not just our purchasing decisions, but our relationships, our sense of self, and the way we navigate all spaces, public and private.
In Adcreep: The Case Against Modern Marketing (Stanford Law Books, 2017), Mark Bartholomew journeys through the curious and sometimes troubling world of modern advertising. Bartholomew exposes an array of marketing techniques that might seem like the stuff of science fiction: neuromarketing, biometric scans, automated online spies, and facial recognition technology, all enlisted to study and stimulate consumer desire. This marriage of advertising and technology has consequences. Businesses wield rich and portable records of consumer preference, delivering advertising tailored to your own idiosyncratic thought processes. They mask their role by using social media to mobilize others, from celebrities to your own relatives, to convey their messages. Guerrilla marketers turn every space into a potential site for a commercial come-on or clandestine market research. Advertisers now know you on a deeper, more intimate level, dramatically tilting the historical balance of power between advertiser and audience.
In this world of ubiquitous commercial appeals, consumers and policymakers are numbed to advertising's growing presence. Drawing on a variety of sources, including psychological experiments, marketing texts, communications theory, and historical examples, Bartholomew reveals the consequences of life in a world of non-stop selling. Adcreep mounts a damning critique of the modern American legal system's failure to stem the flow of invasive advertising into our homes, parks, schools, and digital lives.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Advertising is everywhere. By some estimates, the average American is exposed to over 3,000 advertisements each day. Whether we realize it or not, "adcreep"―modern marketing's march to create a world where advertising can be expected anywhere and anytime―has come, transforming not just our purchasing decisions, but our relationships, our sense of self, and the way we navigate all spaces, public and private.</p><p>In <a href="http://www.amazon.com/dp/0804795819/?tag=newbooinhis-20"><em>Adcreep: The Case Against Modern Marketing</em></a> (Stanford Law Books, 2017), <a href="https://www.law.buffalo.edu/faculty/facultyDirectory/bartholomewMark.html">Mark Bartholomew</a> journeys through the curious and sometimes troubling world of modern advertising. Bartholomew exposes an array of marketing techniques that might seem like the stuff of science fiction: neuromarketing, biometric scans, automated online spies, and facial recognition technology, all enlisted to study and stimulate consumer desire. This marriage of advertising and technology has consequences. Businesses wield rich and portable records of consumer preference, delivering advertising tailored to your own idiosyncratic thought processes. They mask their role by using social media to mobilize others, from celebrities to your own relatives, to convey their messages. Guerrilla marketers turn every space into a potential site for a commercial come-on or clandestine market research. Advertisers now know you on a deeper, more intimate level, dramatically tilting the historical balance of power between advertiser and audience.</p><p>In this world of ubiquitous commercial appeals, consumers and policymakers are numbed to advertising's growing presence. Drawing on a variety of sources, including psychological experiments, marketing texts, communications theory, and historical examples, Bartholomew reveals the consequences of life in a world of non-stop selling. <em>Adcreep</em> mounts a damning critique of the modern American legal system's failure to stem the flow of invasive advertising into our homes, parks, schools, and digital lives.</p><p><a href="http://www.nuigalway.ie/business-public-policy-law/school-of-law/staff/johndanaher/"><em>John Danaher</em></a><em> is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast </em><a href="https://philosophicaldisquisitions.blogspot.com/p/podcast.html"><em>Philosophical Disquisitions</em></a><em>. You can find it </em><a href="https://podcasts.apple.com/ie/podcast/philosophical-disquisitions/id447661909"><em>here</em></a><em> on Apple Podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4290</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>M. Schneider-Mayerson and B. R. Bellamy, "An Ecotopian Lexicon" (U Minnesota Press, 2019)</title>
      <description>By choice or not, the catastrophes of global warming and mass extinction task young generations with reorienting human relationships with the earth’s systems, resources, and lifeforms. The extractavist mindset that promised prosperity in the 20th century now spells doom in the 21st and leaves us unprepared to live on a damaged planet. Into this space academics have birthed a dizzying number of tongue-twisting neologisms, but editors Matthew Schneider-Mayerson and Brent Ryan Bellamy provide us with the welcome reminder that human societies are already rich in intellectual resources for such transformation.
Accordingly, An Ecotopian Lexicon (University of Minnesota Press, 2019) explores dozens of possible loanwords from world cultures, activists subcultures, and speculative fiction that can inform novel quotidian practices, cosmological insights, and political orientations applicable to the age of the Anthropocene. With short readable and eloquent essays that elaborate each term and its possible uses without heavy-handed jargon, this book serves as an excellent bridge between the academic and non-academic thinkers seeking a new vocabulary for a reimagined world.
Lance C. Thurner teaches history at Rutgers Newark.  His research and writing address the production of knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Latin America. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. More at http://empiresprogeny.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>242</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"An Ecotopian Lexicon"  explores dozens of possible loanwords from world cultures, activists subcultures, and speculative fiction that can inform novel quotidian practices, cosmological insights, and political orientations applicable to the age of the Anthropocene...</itunes:subtitle>
      <itunes:summary>By choice or not, the catastrophes of global warming and mass extinction task young generations with reorienting human relationships with the earth’s systems, resources, and lifeforms. The extractavist mindset that promised prosperity in the 20th century now spells doom in the 21st and leaves us unprepared to live on a damaged planet. Into this space academics have birthed a dizzying number of tongue-twisting neologisms, but editors Matthew Schneider-Mayerson and Brent Ryan Bellamy provide us with the welcome reminder that human societies are already rich in intellectual resources for such transformation.
Accordingly, An Ecotopian Lexicon (University of Minnesota Press, 2019) explores dozens of possible loanwords from world cultures, activists subcultures, and speculative fiction that can inform novel quotidian practices, cosmological insights, and political orientations applicable to the age of the Anthropocene. With short readable and eloquent essays that elaborate each term and its possible uses without heavy-handed jargon, this book serves as an excellent bridge between the academic and non-academic thinkers seeking a new vocabulary for a reimagined world.
Lance C. Thurner teaches history at Rutgers Newark.  His research and writing address the production of knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Latin America. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. More at http://empiresprogeny.org
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By choice or not, the catastrophes of global warming and mass extinction task young generations with reorienting human relationships with the earth’s systems, resources, and lifeforms. The extractavist mindset that promised prosperity in the 20th century now spells doom in the 21st and leaves us unprepared to live on a damaged planet. Into this space academics have birthed a dizzying number of tongue-twisting neologisms, but editors <a href="https://www.yale-nus.edu.sg/about/faculty/matthew-schneider-mayerson/">Matthew Schneider-Mayerson</a> and <a href="https://www.trentu.ca/culturalstudies/faculty-research/undergraduate-faculty/brent-ryan-bellamy">Brent Ryan Bellamy</a> provide us with the welcome reminder that human societies are already rich in intellectual resources for such transformation.</p><p>Accordingly, <a href="http://www.amazon.com/dp/1517905907/?tag=newbooinhis-20"><em>An Ecotopian Lexicon </em></a>(University of Minnesota Press, 2019) explores dozens of possible loanwords from world cultures, activists subcultures, and speculative fiction that can inform novel quotidian practices, cosmological insights, and political orientations applicable to the age of the Anthropocene. With short readable and eloquent essays that elaborate each term and its possible uses without heavy-handed jargon, this book serves as an excellent bridge between the academic and non-academic thinkers seeking a new vocabulary for a reimagined world.</p><p><em>Lance C. Thurner teaches history at Rutgers Newark.  His research and writing address the production of knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Latin America. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. More at </em><a href="http://empiresprogeny.org"><em>http://empiresprogeny.org</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2752</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Phoebe Moore, "The Quantified Self in Precarity: Work, Technology and What Counts" (Routledge, 2017)</title>
      <description>Humans are accustomed to being tool bearers, but what happens when machines become tool bearers, calculating human labour via the use of big data and people analytics by metrics?
Phoebe Moore's The Quantified Self in Precarity: Work, Technology and What Counts (Routledge, 2017) highlights how, whether it be in insecure ‘gig’ work or office work, such digitalisation is not an inevitable process – nor is it one that necessarily improves working conditions. Indeed, through unique research and empirical data, Moore demonstrates how workplace quantification leads to high turnover rates, workplace rationalisation and worker stress and anxiety, with these issues linked to increased rates of subjective and objective precarity.
Scientific management asked us to be efficient. Now, we are asked to be agile. But what does this mean for the everyday lives we lead?
With a fresh perspective on how technology and the use of technology for management and self-management changes the ‘quantified’, precarious workplace today, The Quantified Self in Precarity will appeal to undergraduate and postgraduate students interested in fields such as Science and Technology, Organisation Management, Sociology and Politics.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Humans are accustomed to being tool bearers, but what happens when machines become tool bearers, calculating human labour via the use of big data and people analytics by metrics?</itunes:subtitle>
      <itunes:summary>Humans are accustomed to being tool bearers, but what happens when machines become tool bearers, calculating human labour via the use of big data and people analytics by metrics?
Phoebe Moore's The Quantified Self in Precarity: Work, Technology and What Counts (Routledge, 2017) highlights how, whether it be in insecure ‘gig’ work or office work, such digitalisation is not an inevitable process – nor is it one that necessarily improves working conditions. Indeed, through unique research and empirical data, Moore demonstrates how workplace quantification leads to high turnover rates, workplace rationalisation and worker stress and anxiety, with these issues linked to increased rates of subjective and objective precarity.
Scientific management asked us to be efficient. Now, we are asked to be agile. But what does this mean for the everyday lives we lead?
With a fresh perspective on how technology and the use of technology for management and self-management changes the ‘quantified’, precarious workplace today, The Quantified Self in Precarity will appeal to undergraduate and postgraduate students interested in fields such as Science and Technology, Organisation Management, Sociology and Politics.
John Danaher is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast Philosophical Disquisitions. You can find it here on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Humans are accustomed to being tool bearers, but what happens when <em>machines</em> become tool bearers, calculating human labour via the use of big data and people analytics by metrics?</p><p><a href="https://phoebevmoore.wordpress.com/about/">Phoebe Moore</a>'s <a href="http://www.amazon.com/dp/1138674060/?tag=newbooinhis-20"><em>The Quantified Self in Precarity: Work, Technology and What Counts</em></a><em> </em>(Routledge, 2017) highlights how,<em> </em>whether it be in insecure ‘gig’ work or office work, such digitalisation is not an inevitable process – nor is it one that necessarily improves working conditions. Indeed, through unique research and empirical data, Moore demonstrates how workplace quantification leads to high turnover rates, workplace rationalisation and worker stress and anxiety, with these issues linked to increased rates of subjective and objective precarity.</p><p>Scientific management asked us to be efficient. Now, we are asked to be agile. But what does this mean for the everyday lives we lead?</p><p>With a fresh perspective on how technology and the use of technology for management and self-management changes the ‘quantified’, precarious workplace today, <em>The Quantified Self in Precarity </em>will appeal to undergraduate and postgraduate students interested in fields such as Science and Technology, Organisation Management, Sociology and Politics.</p><p><a href="http://www.nuigalway.ie/business-public-policy-law/school-of-law/staff/johndanaher/"><em>John Danaher</em></a><em> is a lecturer the National University of Ireland, Galway. He is also the host of the wonderful podcast </em><a href="https://philosophicaldisquisitions.blogspot.com/p/podcast.html"><em>Philosophical Disquisitions</em></a><em>. You can find it </em><a href="https://podcasts.apple.com/ie/podcast/philosophical-disquisitions/id447661909"><em>here</em></a><em> on Apple Podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3520</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0a4644fa-fa49-11e9-90c7-6b1437804a4a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7098252767.mp3?updated=1663960798" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Xiao Liu, "Information Fantasies: Precarious Mediation in Postsocialist China" (U Minnesota Press, 2019)</title>
      <description>International and transnational historiography has given us vivid glimpses of the development and impact of cybernetics on a national scale in such countries as the Soviet Union, Chile and, of course, in the US and Great Britain where the field initially began to coalesce. Now, Xiao Liu’s Information Fantasies: Precarious Mediation in Postsocialist China (University of Minnesota Press, 2019) makes a massive contribution to the field by opening up a fascinating new vista for scholars of cybernetics, film studies, literature, media studies, science and technology studies, and beyond.
Liu’s meticulously researched and crisply written book takes us from the heady days of China’s “qi gong craze” and notions of the human body as a transparent medium through which “information waves” could pass, through investment and research into “a theory of metasynthetic wisdom” that could lead to a “global human-machine intelligent system,” the evolution of “expert systems” to provide knowledge and guidance in the absence of human experts, the novel deployment of Ross Ashby’s theory of “ultrastability” to describe China’s supposed resistance to modernization, information aesthetics within a new rising tide of advertising and market activity, and much, much more.
All of this combines to a reveal a China after Mao, vigorously employing the theoretical tools of cybernetics to, not only re-configure its socio-political image on a national scale, but to actually craft a new post-socialist subjectivity at the scale of the individual citizen. Illustrating the profound impacts of, and reactions to, these efforts through provocative samplings from Chinese literature, film, and popular culture writ large, Liu manages, in the words of Oxford’s Margaret Hillenbrand to “entirely reconfigure our understanding of the media landscape in 1980’s China."
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Dec 2019 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Liu makes a massive contribution to the field by opening up a fascinating new vista for scholars of cybernetics, film studies, literature, media studies, science and technology studies, and beyond...</itunes:subtitle>
      <itunes:summary>International and transnational historiography has given us vivid glimpses of the development and impact of cybernetics on a national scale in such countries as the Soviet Union, Chile and, of course, in the US and Great Britain where the field initially began to coalesce. Now, Xiao Liu’s Information Fantasies: Precarious Mediation in Postsocialist China (University of Minnesota Press, 2019) makes a massive contribution to the field by opening up a fascinating new vista for scholars of cybernetics, film studies, literature, media studies, science and technology studies, and beyond.
Liu’s meticulously researched and crisply written book takes us from the heady days of China’s “qi gong craze” and notions of the human body as a transparent medium through which “information waves” could pass, through investment and research into “a theory of metasynthetic wisdom” that could lead to a “global human-machine intelligent system,” the evolution of “expert systems” to provide knowledge and guidance in the absence of human experts, the novel deployment of Ross Ashby’s theory of “ultrastability” to describe China’s supposed resistance to modernization, information aesthetics within a new rising tide of advertising and market activity, and much, much more.
All of this combines to a reveal a China after Mao, vigorously employing the theoretical tools of cybernetics to, not only re-configure its socio-political image on a national scale, but to actually craft a new post-socialist subjectivity at the scale of the individual citizen. Illustrating the profound impacts of, and reactions to, these efforts through provocative samplings from Chinese literature, film, and popular culture writ large, Liu manages, in the words of Oxford’s Margaret Hillenbrand to “entirely reconfigure our understanding of the media landscape in 1980’s China."
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>International and transnational historiography has given us vivid glimpses of the development and impact of cybernetics on a national scale in such countries as the Soviet Union, Chile and, of course, in the US and Great Britain where the field initially began to coalesce. Now, <a href="https://www.mcgill.ca/eas/xiao-liu">Xiao Liu</a>’s <a href="http://www.amazon.com/dp/1517902746/?tag=newbooinhis-20"><em>Information Fantasies: Precarious Mediation in Postsocialist China</em></a> (University of Minnesota Press, 2019) makes a massive contribution to the field by opening up a fascinating new vista for scholars of cybernetics, film studies, literature, media studies, science and technology studies, and beyond.</p><p>Liu’s meticulously researched and crisply written book takes us from the heady days of China’s “qi gong craze” and notions of the human body as a transparent medium through which “information waves” could pass, through investment and research into “a theory of metasynthetic wisdom” that could lead to a “global human-machine intelligent system,” the evolution of “expert systems” to provide knowledge and guidance in the absence of human experts, the novel deployment of Ross Ashby’s theory of “ultrastability” to describe China’s supposed resistance to modernization, information aesthetics within a new rising tide of advertising and market activity, and much, much more.</p><p>All of this combines to a reveal a China after Mao, vigorously employing the theoretical tools of cybernetics to, not only re-configure its socio-political image on a national scale, but to actually craft a new post-socialist subjectivity at the scale of the individual citizen. Illustrating the profound impacts of, and reactions to, these efforts through provocative samplings from Chinese literature, film, and popular culture writ large, Liu manages, in the words of Oxford’s Margaret Hillenbrand to “entirely reconfigure our understanding of the media landscape in 1980’s China."</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3832</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[349d0a30-2367-11ea-8e8a-4b85288ab25b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8534105511.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Arnade, "Dignity: Seeking Respect in Back Row America" (Sentinel, 2019)</title>
      <description>A lot of politicians like to say that there are “two Americas,” but do any of them know what life is really like for the marginalized poor?
We speak with journalist and photographer, Chris Arnade, about the forgotten towns and people of back row America. In 2011, Chris left a high-powered job as a bond trader on Wall Street, hit the road, and spent years documenting the lives of poor people, driving 150 thousand miles around the U.S.
His new book is Dignity: Seeking Respect in Back Row America (Sentinel, 2019). In his many columns in The Guardian, Chris writes about broken social systems that have betrayed poor people on the margins of society. He speaks to us about drug addicts and prostitutes he met, and their faith, resilience and ties to community.
"I think if I had one suggestion to policy people, it would be get out of your bubble," says Chris. "I think when you blame a group of people for their behavior, without addressing the situation they find themselves in, then you are doing it wrong."
In this episode we explore the stark division between elite, globalized "front row kids" in the media and knowledge industries, and most of the poor and working-class people in the back row.
Richard Davies and Jim Meigs are the host of the terrific podcast “How Do We Fix It?,” on which they talk to the world's most creative thinkers about, well, how to fix things. Lots of things. Important ones. Highly recommended. You can find “How Do We Fix It” on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>149</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A lot of politicians like to say that there are “two Americas,” but do any of them know what life is really like for the marginalized poor?</itunes:subtitle>
      <itunes:summary>A lot of politicians like to say that there are “two Americas,” but do any of them know what life is really like for the marginalized poor?
We speak with journalist and photographer, Chris Arnade, about the forgotten towns and people of back row America. In 2011, Chris left a high-powered job as a bond trader on Wall Street, hit the road, and spent years documenting the lives of poor people, driving 150 thousand miles around the U.S.
His new book is Dignity: Seeking Respect in Back Row America (Sentinel, 2019). In his many columns in The Guardian, Chris writes about broken social systems that have betrayed poor people on the margins of society. He speaks to us about drug addicts and prostitutes he met, and their faith, resilience and ties to community.
"I think if I had one suggestion to policy people, it would be get out of your bubble," says Chris. "I think when you blame a group of people for their behavior, without addressing the situation they find themselves in, then you are doing it wrong."
In this episode we explore the stark division between elite, globalized "front row kids" in the media and knowledge industries, and most of the poor and working-class people in the back row.
Richard Davies and Jim Meigs are the host of the terrific podcast “How Do We Fix It?,” on which they talk to the world's most creative thinkers about, well, how to fix things. Lots of things. Important ones. Highly recommended. You can find “How Do We Fix It” on Apple Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A lot of politicians like to say that there are “two Americas,” but do any of them know what life is really like for the marginalized poor?</p><p>We speak with journalist and photographer, <a href="https://twitter.com/Chris_arnade?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Chris Arnade</a>, about the forgotten towns and people of back row America. In 2011, Chris left a high-powered job as a bond trader on Wall Street, hit the road, and spent years documenting the lives of poor people, driving 150 thousand miles around the U.S.</p><p>His new book is <a href="http://www.amazon.com/dp/0525534733/?tag=newbooinhis-20"><em>Dignity: Seeking Respect in Back Row America</em></a> (Sentinel, 2019). In his many columns in <em>The Guardian</em>, Chris writes about broken social systems that have betrayed poor people on the margins of society. He speaks to us about drug addicts and prostitutes he met, and their faith, resilience and ties to community.</p><p>"I think if I had one suggestion to policy people, it would be get out of your bubble," says Chris. "I think when you blame a group of people for their behavior, without addressing the situation they find themselves in, then you are doing it wrong."</p><p>In this episode we explore the stark division between elite, globalized "front row kids" in the media and knowledge industries, and most of the poor and working-class people in the back row.</p><p><a href="http://www.howdowefixit.me/test-bio"><em>Richard Davies</em></a><em> and </em><a href="http://www.howdowefixit.me/jim-miegs-bio"><em>Jim Meigs</em></a><em> are the host of the terrific podcast “</em><a href="http://www.howdowefixit.me/"><em>How Do We Fix It?</em></a><em>,” on which they talk to the world's most creative thinkers about, well, how to fix things. Lots of things. Important ones. Highly recommended. You can find “How Do We Fix It” on </em><a href="https://podcasts.apple.com/us/podcast/how-do-we-fix-it/id1002910818"><em>Apple Podcasts</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1486</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ac373ac-03bc-11ea-80dd-1f8322b92876]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7683036246.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simone Knox and Kai Hanno Schwind, "Friends: A Reading of the Sitcom" (Palgrave Macmillan, 2019)</title>
      <description>What does Friends mean to us now? In Friends: A Reading of the Sitcom (Palgrave Macmillan, 2019), Simone Knox, an Associate Professor in the Department of Film, Theatre, and Television at the University of Reading, and Kai Hanno Schwind, an Associate Professor in the School of Arts, Design and Media at Kristiania University College, explore this question in one of the first major academic books about the show. They think through the importance of the show 25 years after the first broadcast, along with the recent critical reception and ‘backlash’, and the global influence of the show. The book also offers a detailed engagement with theories of humour and comedy, theories of performance, along with analysis of Friends’ relationship to genre, sceneography, and production process. The book will be essential reading for humanities and media and communications scholars, as well as anyone interested in Friends!

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does Friends mean to us now?</itunes:subtitle>
      <itunes:summary>What does Friends mean to us now? In Friends: A Reading of the Sitcom (Palgrave Macmillan, 2019), Simone Knox, an Associate Professor in the Department of Film, Theatre, and Television at the University of Reading, and Kai Hanno Schwind, an Associate Professor in the School of Arts, Design and Media at Kristiania University College, explore this question in one of the first major academic books about the show. They think through the importance of the show 25 years after the first broadcast, along with the recent critical reception and ‘backlash’, and the global influence of the show. The book also offers a detailed engagement with theories of humour and comedy, theories of performance, along with analysis of Friends’ relationship to genre, sceneography, and production process. The book will be essential reading for humanities and media and communications scholars, as well as anyone interested in Friends!

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does <em>Friends </em>mean to us now? In <a href="http://www.amazon.com/dp/3030254283/?tag=newbooinhis-20"><em>Friends: A Reading of the Sitcom</em></a> (Palgrave Macmillan, 2019), <a href="https://twitter.com/simoneknox">Simone Knox</a>, an Associate Professor in the Department of Film, Theatre, and Television at the University of Reading, and <a href="https://twitter.com/kaischwind">Kai Hanno Schwind</a>, an Associate Professor in the School of Arts, Design and Media at Kristiania University College, explore this question in one of the first major academic books about the show. They think through the importance of the show 25 years after the first broadcast, along with the recent critical reception and ‘backlash’, and the global influence of the show. The book also offers a detailed engagement with theories of humour and comedy, theories of performance, along with analysis of <em>Friends</em>’ relationship to genre, sceneography, and production process. The book will be essential reading for humanities and media and communications scholars, as well as anyone interested in <em>Friends</em>!</p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2a9e684e-1b51-11ea-b5fc-3f017997483c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3217780631.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vicky Pryce, "Women vs. Capitalism: Why We Can't Have It All in a Free Market Economy" (Hurst, 2019)</title>
      <description>Free market capitalism has failed women, and even the recent progress that had been made in closing the gender wage gap has leveled off in many rich democracies. Vicky Pryce helps us understand the causes of this ongoing discrimination, the harm it does not just to women and their families but to productivity and economic growth, and what governments can do about it.
Women vs. Capitalism: Why We Can't Have It All in a Free Market Economy (Hurst, 2019) is a fresh and timely reminder that, although the #MeToo movement has been hugely important, empowerment of the mind will not achieve full power for women while there remains economic inequality. Pryce urgently calls for feminists to focus attention on this pressing issue: the pay gap, the glass ceiling, and the obstacles to women working at all. Only with government intervention in the labor market will these long-standing problems finally be conquered.
From the gendered threat of robot labor to the lack of women in economics itself, this is a sharp look at an uncomfortable truth: we will not achieve equality for women in our society without radical changes to Western capitalism.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Dec 2019 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Free market capitalism has failed women...</itunes:subtitle>
      <itunes:summary>Free market capitalism has failed women, and even the recent progress that had been made in closing the gender wage gap has leveled off in many rich democracies. Vicky Pryce helps us understand the causes of this ongoing discrimination, the harm it does not just to women and their families but to productivity and economic growth, and what governments can do about it.
Women vs. Capitalism: Why We Can't Have It All in a Free Market Economy (Hurst, 2019) is a fresh and timely reminder that, although the #MeToo movement has been hugely important, empowerment of the mind will not achieve full power for women while there remains economic inequality. Pryce urgently calls for feminists to focus attention on this pressing issue: the pay gap, the glass ceiling, and the obstacles to women working at all. Only with government intervention in the labor market will these long-standing problems finally be conquered.
From the gendered threat of robot labor to the lack of women in economics itself, this is a sharp look at an uncomfortable truth: we will not achieve equality for women in our society without radical changes to Western capitalism.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Free market capitalism has failed women, and even the recent progress that had been made in closing the gender wage gap has leveled off in many rich democracies. <a href="http://www.vickypryce.com/">Vicky Pryce</a> helps us understand the causes of this ongoing discrimination, the harm it does not just to women and their families but to productivity and economic growth, and what governments can do about it.</p><p><a href="http://www.amazon.com/dp/1787381749/?tag=newbooinhis-20"><em>Women vs. Capitalism: Why We Can't Have It All in a Free Market Economy</em></a> (Hurst, 2019) is a fresh and timely reminder that, although the #MeToo movement has been hugely important, empowerment of the mind will not achieve full power for women while there remains economic inequality. Pryce urgently calls for feminists to focus attention on this pressing issue: the pay gap, the glass ceiling, and the obstacles to women working at all. Only with government intervention in the labor market will these long-standing problems finally be conquered.</p><p>From the gendered threat of robot labor to the lack of women in economics itself, this is a sharp look at an uncomfortable truth: we will not achieve equality for women in our society without radical changes to Western capitalism.</p><p><a href="http://www.stephenpimpare.com/"><em>Stephen Pimpare</em></a><em> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of </em>The New Victorians<em> (New Press, 2004), </em>A People’s History of Poverty in America<em> (New Press, 2008), winner of the Michael Harrington Award, and </em>Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen<em> (Oxford, 2017).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1631</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4559eaee-1ab3-11ea-a6f8-2fcdcbcac226]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1571050643.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lundy Braun, "Breathing Race into the Machine" (U Minnesota Press, 2014)</title>
      <description>“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits.
Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body.
Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan.
For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Braun documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity...</itunes:subtitle>
      <itunes:summary>“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits.
Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body.
Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan.
For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“We cannot get answers to questions that cannot be asked.” <a href="https://www.brown.edu/academics/biomed/departments/pathology/content/lundy-braun-phd">Lundy Braun</a>’s influential book, <a href="http://www.amazon.com/dp/0816683573/?tag=newbooinhis-20"><em>Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics</em></a> (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits.</p><p>Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body.</p><p>Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan.</p><p>For ideas and resources to use NBN interviews in your classes, please email <a href="http://www.laura-stark.com">Laura Stark</a> at laura.stark@vanderbilt.edu or see Stark’s essay “<a href="https://www.academia.edu/35215549/Can_New_Media_Save_the_Book">Can New Media Save the Book?</a>” in <em>Contexts</em> (2015).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2538</itunes:duration>
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    <item>
      <title>Victoria Reyes, "Global Borderlands: Fantasy, Violence, and Empire in Subic Bay, Philippines" (Stanford UP, 2019)</title>
      <description>Increasing levels of globalization have led to the proliferation of spaces of international exchange. In her new book, Global Borderlands: Fantasy, Violence, and Empire in Subic Bay, Philippines (Stanford, 2019), sociologist Victoria Reyes looks at one such space, the Subic Bay Freeport Zone, in the Philippines, to understand how they are contested and imagined by different sets of actors in everyday life. She sees freeport zones, places intended to attract foreign investment through the relaxing of domestic economic laws, as examples of what she calls “global borderlands,” or “a place controlled by foreigners and one where the rules that govern socioeconomic life differ from those outside its walls” (2) (other examples include Acapulco, NYU’s Abu Dhabi campus, and any embassy or consulate around the world). They are where two or more legal systems coexist, and where the very notion of state sovereignty gets negotiated on the ground. Through ethnographic and historical-comparative analysis, Reyes shows the origins of the Subic Bay Freeport Zone, and looks in-depth at the wide array of contexts—military agreements, family arrangements, intimate encounters, shopping, and workplaces—to reveal these meanings and their underlying mechanisms. The result is a conceptual framework that social science scholars can apply to any space where international political, economic, and cultural tensions emerge.
Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City &amp; Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Urban Ethnography: Legacies and Challenges (Emerald, 2012) and Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City &amp; Community, and serves on the editorial boards of the journals Contemporary Sociology, Work and Occupations, Metropolitics, and the Journal for Undergraduate Ethnography. Finally, he is the director of the MA program in International Migration Studies at the CUNY Graduate Center.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Increasing levels of globalization have led to the proliferation of spaces of international exchange...</itunes:subtitle>
      <itunes:summary>Increasing levels of globalization have led to the proliferation of spaces of international exchange. In her new book, Global Borderlands: Fantasy, Violence, and Empire in Subic Bay, Philippines (Stanford, 2019), sociologist Victoria Reyes looks at one such space, the Subic Bay Freeport Zone, in the Philippines, to understand how they are contested and imagined by different sets of actors in everyday life. She sees freeport zones, places intended to attract foreign investment through the relaxing of domestic economic laws, as examples of what she calls “global borderlands,” or “a place controlled by foreigners and one where the rules that govern socioeconomic life differ from those outside its walls” (2) (other examples include Acapulco, NYU’s Abu Dhabi campus, and any embassy or consulate around the world). They are where two or more legal systems coexist, and where the very notion of state sovereignty gets negotiated on the ground. Through ethnographic and historical-comparative analysis, Reyes shows the origins of the Subic Bay Freeport Zone, and looks in-depth at the wide array of contexts—military agreements, family arrangements, intimate encounters, shopping, and workplaces—to reveal these meanings and their underlying mechanisms. The result is a conceptual framework that social science scholars can apply to any space where international political, economic, and cultural tensions emerge.
Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City &amp; Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Urban Ethnography: Legacies and Challenges (Emerald, 2012) and Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012), a co-Book Editor at City &amp; Community, and serves on the editorial boards of the journals Contemporary Sociology, Work and Occupations, Metropolitics, and the Journal for Undergraduate Ethnography. Finally, he is the director of the MA program in International Migration Studies at the CUNY Graduate Center.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Increasing levels of globalization have led to the proliferation of spaces of international exchange. In her new book, <a href="http://www.amazon.com/dp/1503609413/?tag=newbooinhis-20"><em>Global Borderlands: Fantasy, Violence, and Empire in Subic Bay, Philippines</em></a> (Stanford, 2019), sociologist <a href="https://victoriadreyes.com/">Victoria Reyes</a> looks at one such space, the Subic Bay Freeport Zone, in the Philippines, to understand how they are contested and imagined by different sets of actors in everyday life. She sees freeport zones, places intended to attract foreign investment through the relaxing of domestic economic laws, as examples of what she calls “global borderlands,” or “a place controlled by foreigners and one where the rules that govern socioeconomic life differ from those outside its walls” (2) (other examples include Acapulco, NYU’s Abu Dhabi campus, and any embassy or consulate around the world). They are where two or more legal systems coexist, and where the very notion of state sovereignty gets negotiated on the ground. Through ethnographic and historical-comparative analysis, Reyes shows the origins of the Subic Bay Freeport Zone, and looks in-depth at the wide array of contexts—military agreements, family arrangements, intimate encounters, shopping, and workplaces—to reveal these meanings and their underlying mechanisms. The result is a conceptual framework that social science scholars can apply to any space where international political, economic, and cultural tensions emerge.</p><p><a href="http://www.jjay.cuny.edu/faculty/richard-e-ocejo"><em>Richard E. Ocejo</em></a><em> is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of </em><a href="http://press.princeton.edu/titles/10960.html"><em>Masters of Craft: Old Jobs in the New Urban Economy</em></a><em> (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale men’s barbers, and whole animal butchers), and of </em><a href="http://press.princeton.edu/titles/10396.html"><em>Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City</em></a><em> (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City &amp; Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of </em><a href="https://books.emeraldinsight.com/page/detail/Urban-Ethnography/?K=9781787690349"><em>Urban Ethnography: Legacies and Challenges</em></a><em> (Emerald, 2012) and </em><a href="https://www.routledge.com/Ethnography-and-the-City-Readings-on-Doing-Urban-Fieldwork/Ocejo/p/book/9780415808385"><em>Ethnography and the City: Readings on Doing Urban Fieldwork</em></a><em> (Routledge, 2012), a co-Book Editor at City &amp; Community, and serves on the editorial boards of the journals Contemporary Sociology, Work and Occupations, Metropolitics, and the Journal for Undergraduate Ethnography. Finally, he is the director of the MA program in International Migration Studies at the CUNY Graduate Center.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4186</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)</title>
      <description>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.
However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.
In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at?</itunes:subtitle>
      <itunes:summary>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.
However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.
In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.</p><p>However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.</p><p>In <a href="http://www.amazon.com/dp/1324001569/?tag=newbooinhis-20"><em>How Charts Lie: Getting Smarter about Visual Information</em></a> (W. W. Norton, 2019), data visualization expert <a href="http://albertocairo.com/">Alberto Cairo</a> teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, <em>How Charts Lie</em> demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Srdja Popovic, "Blueprint for Revolution" (Spiegel and Grau, 2015)</title>
      <description>20 years ago, Srdja Popovic was part of a revolution — literally. He was a founding member of the Otpor! movement that ousted Serbia Slobodan Milsovic from power in 1999. It’s easy to characterize social movements as a bunch of people rallying in the streets, but successful movements require a lot of planning and a unified vision around a singular goal — things that are often easier said than done.
Srdja joins us this week to discuss why Otpor! was successful and anyone can use the same principles of what we describes as “laughtivism” to fight for change. He is the director of the Center for Applied Nonviolent Action and Strategies (CAVNAS) and author of Blueprint for Revolution: How to Use Rice Pudding, Lego Men, and Other Nonviolent Techniques to Galvanize Communities, Overthrow Dictators, or Simply Change the World(Spiegel and Grau, 2015).
Democracy Works is created by the McCourtney Institute for Democracy at Penn State and recorded at WPSU Penn State, central Pennsylvania’s NPR station.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 02 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>20 years ago, Srdja Popovic was part of a revolution — literally.</itunes:subtitle>
      <itunes:summary>20 years ago, Srdja Popovic was part of a revolution — literally. He was a founding member of the Otpor! movement that ousted Serbia Slobodan Milsovic from power in 1999. It’s easy to characterize social movements as a bunch of people rallying in the streets, but successful movements require a lot of planning and a unified vision around a singular goal — things that are often easier said than done.
Srdja joins us this week to discuss why Otpor! was successful and anyone can use the same principles of what we describes as “laughtivism” to fight for change. He is the director of the Center for Applied Nonviolent Action and Strategies (CAVNAS) and author of Blueprint for Revolution: How to Use Rice Pudding, Lego Men, and Other Nonviolent Techniques to Galvanize Communities, Overthrow Dictators, or Simply Change the World(Spiegel and Grau, 2015).
Democracy Works is created by the McCourtney Institute for Democracy at Penn State and recorded at WPSU Penn State, central Pennsylvania’s NPR station.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>20 years ago, <a href="https://en.wikipedia.org/wiki/Sr%C4%91a_Popovi%C4%87_(activist)">Srdja Popovic</a> was part of a revolution — literally. He was a founding member of the Otpor! movement that ousted Serbia Slobodan Milsovic from power in 1999. It’s easy to characterize social movements as a bunch of people rallying in the streets, but successful movements require a lot of planning and a unified vision around a singular goal — things that are often easier said than done.</p><p>Srdja joins us this week to discuss why Otpor! was successful and anyone can use the same principles of what we describes as “laughtivism” to fight for change. He is the director of the Center for Applied Nonviolent Action and Strategies (CAVNAS) and author of <a href="http://www.amazon.com/dp/0812995309/?tag=newbooinhis-20"><em>Blueprint for Revolution: How to Use Rice Pudding, Lego Men, and Other Nonviolent Techniques to Galvanize Communities, Overthrow Dictators, or Simply Change the World</em></a>(Spiegel and Grau, 2015).</p><p><a href="https://www.democracyworkspodcast.com/"><em>Democracy Works</em></a><em> is created by the </em><a href="http://democracyinstitute.la.psu.edu/"><em>McCourtney Institute for Democracy</em></a><em> at Penn State and recorded at </em><a href="http://wpsu.org/"><em>WPSU Penn State</em></a><em>, central Pennsylvania’s NPR station.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2425</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7827944727.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Marie Wiebe, "Everyday Exposure: Indigenous Mobilization and Environmental Justice in Canada’s Chemical Valley" (UBC Press, 2016)</title>
      <description>In a foreword to Everyday Exposure: Indigenous Mobilization and Environmental Justice in Canada’s Chemical Valley (University of British Columbia Press, 2016), the public philosopher James Tully writes that, “Every once in a while, an outstanding work of scholarship comes along that transforms the way a seemingly intractable injustice is seen and, in so doing, also transforms the way it should be approached and addressed by all concerned.” In this second episode in our new series, New Books in Interpretive Political and Social Science, we hear from the book’s author, Sarah Marie Wiebe, about what that intractable injustice is, and why hers is one such work of scholarship, which won the 2017 Charles Taylor Book Award. Along the way she discusses environmental reproductive justice, political ethnography, her method of “sensing policy”, and her new book project, Life against a State of Emergency: Interrupting the Gendered Biopolitics of Settler-Colonialism, about which you can read and view more on the University of Minnesota manifold website.
Sarah also talks about the remarkable photographic essays in the book, which are the work of her friend and collaborator, Laurence Butet-Roch, who has kindly provided a number of them for New Books network listeners to view online, here, here and here.
Listeners interested in the series should also check out the first episode, with Dvora Yanow and Peregrine Schwartz-Shea, on their Interpretive Research Design. 
Nick Cheesman is a fellow in the Department of Political and Social Change, Australian National University, and currently a project researcher at Ritsumeikan University, Kyoto. He co-hosts the New Books in Southeast Asian Studies channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Wiebe discusses environmental reproductive justice, political ethnography, her method of “sensing policy”...</itunes:subtitle>
      <itunes:summary>In a foreword to Everyday Exposure: Indigenous Mobilization and Environmental Justice in Canada’s Chemical Valley (University of British Columbia Press, 2016), the public philosopher James Tully writes that, “Every once in a while, an outstanding work of scholarship comes along that transforms the way a seemingly intractable injustice is seen and, in so doing, also transforms the way it should be approached and addressed by all concerned.” In this second episode in our new series, New Books in Interpretive Political and Social Science, we hear from the book’s author, Sarah Marie Wiebe, about what that intractable injustice is, and why hers is one such work of scholarship, which won the 2017 Charles Taylor Book Award. Along the way she discusses environmental reproductive justice, political ethnography, her method of “sensing policy”, and her new book project, Life against a State of Emergency: Interrupting the Gendered Biopolitics of Settler-Colonialism, about which you can read and view more on the University of Minnesota manifold website.
Sarah also talks about the remarkable photographic essays in the book, which are the work of her friend and collaborator, Laurence Butet-Roch, who has kindly provided a number of them for New Books network listeners to view online, here, here and here.
Listeners interested in the series should also check out the first episode, with Dvora Yanow and Peregrine Schwartz-Shea, on their Interpretive Research Design. 
Nick Cheesman is a fellow in the Department of Political and Social Change, Australian National University, and currently a project researcher at Ritsumeikan University, Kyoto. He co-hosts the New Books in Southeast Asian Studies channel.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a foreword to <a href="https://www.amazon.com/Everyday-Exposure-Indigenous-Mobilization-Environmental/dp/0774832649"><em>Everyday Exposure: Indigenous Mobilization and Environmental Justice in Canada’s Chemical Valley</em></a> (University of British Columbia Press, 2016), the public philosopher James Tully writes that, “Every once in a while, an outstanding work of scholarship comes along that transforms the way a seemingly intractable injustice is seen and, in so doing, also transforms the way it should be approached and addressed by all concerned.” In this second episode in our new series, <a href="https://newbooksnetwork.com/?s=%22interpretive+political+social+science%22">New Books in Interpretive Political and Social Science</a>, we hear from the book’s author, <a href="http://www.politicalscience.hawaii.edu/faculty/wiebe.html">Sarah Marie Wiebe</a>, about what that intractable injustice is, and why hers is one such work of scholarship, which won the 2017 Charles Taylor Book Award. Along the way she discusses environmental reproductive justice, political ethnography, her method of “sensing policy”, and her new book project, <em>Life against a State of Emergency: Interrupting the Gendered Biopolitics of Settler-Colonialism</em>, about which you can read and view more on the <a href="https://manifold.umn.edu/projects/life-against-a-state-of-emergency">University of Minnesota manifold website</a>.</p><p>Sarah also talks about the remarkable photographic essays in the book, which are the work of her friend and collaborator, <a href="https://www.lbrphoto.ca/">Laurence Butet-Roch</a>, who has kindly provided a number of them for New Books network listeners to view online, here, here and here.</p><p>Listeners interested in the series should also check out the <a href="https://newbooksnetwork.com/peregrine-schwartz-shea-and-dvora-yanow-interpretive-research-design-concepts-and-processes-routledge-2012/">first episode</a>, with Dvora Yanow and Peregrine Schwartz-Shea, on their <em>Interpretive Research Design. </em></p><p><a href="https://researchers.anu.edu.au/researchers/cheesman-nw"><em>Nick Cheesman</em></a><em> is a fellow in the Department of Political and Social Change, Australian National University, and currently a project researcher at Ritsumeikan University, Kyoto. He co-hosts the </em><a href="https://newbooksnetwork.com/category/southeast-asian-studies/"><em>New Books in Southeast Asian Studies</em></a><em> channel.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2685</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4233556086.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Gordon Finlayson, "The Habermas-Rawls Debate" (Columbia UP, 2019)</title>
      <description>Jürgen Habermas and John Rawls are perhaps the two most renowned and influential figures in social and political philosophy of the second half of the twentieth century. In the 1990s, they had a famous exchange in the Journal of Philosophy. Quarreling over the merits of each other’s accounts of the shape and meaning of democracy and legitimacy in a contemporary society, they also revealed how great thinkers working in different traditions read—and misread—one another’s work.
James Gordon Finlayson, reader in philosophy and director of the Centre for Social and Political Thought at the University of Sussex, examines and contextualizes The Habermas-Rawls Debate (Columbia University Press, 2019). He traces their dispute from its inception in their earliest works to the 1995 exchange and its aftermath, as well as its legacy in contemporary debates. Finlayson discusses Rawls’s Political Liberalism and Habermas’s Between Facts and Norms, considering them as the essential background to the dispute and using them to lay out their different conceptions of justice, politics, democratic legitimacy, individual rights, and the normative authority of law. He gives a detailed analysis and assessment of their contributions, assessing the strengths and weaknesses of their different approaches to political theory, conceptions of democracy, and accounts of religion and public reason, and he reflects on the ongoing significance of the debate. The Habermas-Rawls Debate is an authoritative account of the crucial intersection of two major political theorists and an explication of why their dispute continues to matter.
Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 22 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>656</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Finlayson traces their dispute from its inception in their earliest works to the 1995 exchange and its aftermath, as well as its legacy in contemporary debates...</itunes:subtitle>
      <itunes:summary>Jürgen Habermas and John Rawls are perhaps the two most renowned and influential figures in social and political philosophy of the second half of the twentieth century. In the 1990s, they had a famous exchange in the Journal of Philosophy. Quarreling over the merits of each other’s accounts of the shape and meaning of democracy and legitimacy in a contemporary society, they also revealed how great thinkers working in different traditions read—and misread—one another’s work.
James Gordon Finlayson, reader in philosophy and director of the Centre for Social and Political Thought at the University of Sussex, examines and contextualizes The Habermas-Rawls Debate (Columbia University Press, 2019). He traces their dispute from its inception in their earliest works to the 1995 exchange and its aftermath, as well as its legacy in contemporary debates. Finlayson discusses Rawls’s Political Liberalism and Habermas’s Between Facts and Norms, considering them as the essential background to the dispute and using them to lay out their different conceptions of justice, politics, democratic legitimacy, individual rights, and the normative authority of law. He gives a detailed analysis and assessment of their contributions, assessing the strengths and weaknesses of their different approaches to political theory, conceptions of democracy, and accounts of religion and public reason, and he reflects on the ongoing significance of the debate. The Habermas-Rawls Debate is an authoritative account of the crucial intersection of two major political theorists and an explication of why their dispute continues to matter.
Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jürgen Habermas and John Rawls are perhaps the two most renowned and influential figures in social and political philosophy of the second half of the twentieth century. In the 1990s, they had a famous exchange in the <em>Journal of Philosophy</em>. Quarreling over the merits of each other’s accounts of the shape and meaning of democracy and legitimacy in a contemporary society, they also revealed how great thinkers working in different traditions read—and misread—one another’s work.</p><p><a href="http://www.sussex.ac.uk/profiles/136704">James Gordon Finlayson</a>, reader in philosophy and director of the Centre for Social and Political Thought at the University of Sussex, examines and contextualizes <a href="http://www.amazon.com/dp/0231164114/?tag=newbooinhis-20"><em>The Habermas-Rawls Debate</em></a><em> </em>(Columbia University Press, 2019). He traces their dispute from its inception in their earliest works to the 1995 exchange and its aftermath, as well as its legacy in contemporary debates. Finlayson discusses Rawls’s <em>Political Liberalism</em> and Habermas’s <em>Between Facts and Norms</em>, considering them as the essential background to the dispute and using them to lay out their different conceptions of justice, politics, democratic legitimacy, individual rights, and the normative authority of law. He gives a detailed analysis and assessment of their contributions, assessing the strengths and weaknesses of their different approaches to political theory, conceptions of democracy, and accounts of religion and public reason, and he reflects on the ongoing significance of the debate. The Habermas-Rawls Debate is an authoritative account of the crucial intersection of two major political theorists and an explication of why their dispute continues to matter.</p><p><em>Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>7460</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Richard J. Bernstein, "Why Read Hannah Arendt Now" (Polity, 2018)</title>
      <description>Nobody should feel excited about the renewed relevance of Hannah Arendt's work today. Her foresight about the fragility of democratic life is relevant for the worst possible reasons: populism, white supremacy, mass deception, the rise of fascism around the world, the coordinated assault on serious journalism, academia and any kind of responsible thought. Really, there's no reason to celebrate why the great analyst of totalitarianism, fascism, and anti-democratic forces and a thinker "in dark times" is so timely today.
But Arendt also insisted, in the preface to her 1968 collection of essays, “Men in Dark Times”: “Even in the darkest of times we have the right to expect some illumination.”
The philosopher Richard J. Bernstein is the author of Why Read Hannah Arendt Now (Polity, 2018). He met Arendt first in 1972, when he was a young professor and three years before her death. He explained to me why Arendt’s work should be read today with renewed urgency, because it provides illumination into the forces that shape our present. Instead of a dry academic exposé, I got a moving anecdote about his first meeting with Arendt ("the most intellectually exciting and erotic meeting") and a lucid yet impassioned explanation of Arendt's analysis of politics and of the human condition.
Bernstein is an American Philosopher who teaches at The New School in New York City, and has written extensively on American pragmatism, political philosophy, the Frankfurt School thinkers, the question of evil, on Jewish identity, and other topics. He is a public intellectual in the best sense of that word by taking thoughtful and principled positions on a range of issues that concern us all. His Why Read Hannah Arendt Now? is a succinct introduction to key themes in Arendt's work.
Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It"
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>139</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nobody should feel excited about the renewed relevance of Hannah Arendt's work today...</itunes:subtitle>
      <itunes:summary>Nobody should feel excited about the renewed relevance of Hannah Arendt's work today. Her foresight about the fragility of democratic life is relevant for the worst possible reasons: populism, white supremacy, mass deception, the rise of fascism around the world, the coordinated assault on serious journalism, academia and any kind of responsible thought. Really, there's no reason to celebrate why the great analyst of totalitarianism, fascism, and anti-democratic forces and a thinker "in dark times" is so timely today.
But Arendt also insisted, in the preface to her 1968 collection of essays, “Men in Dark Times”: “Even in the darkest of times we have the right to expect some illumination.”
The philosopher Richard J. Bernstein is the author of Why Read Hannah Arendt Now (Polity, 2018). He met Arendt first in 1972, when he was a young professor and three years before her death. He explained to me why Arendt’s work should be read today with renewed urgency, because it provides illumination into the forces that shape our present. Instead of a dry academic exposé, I got a moving anecdote about his first meeting with Arendt ("the most intellectually exciting and erotic meeting") and a lucid yet impassioned explanation of Arendt's analysis of politics and of the human condition.
Bernstein is an American Philosopher who teaches at The New School in New York City, and has written extensively on American pragmatism, political philosophy, the Frankfurt School thinkers, the question of evil, on Jewish identity, and other topics. He is a public intellectual in the best sense of that word by taking thoughtful and principled positions on a range of issues that concern us all. His Why Read Hannah Arendt Now? is a succinct introduction to key themes in Arendt's work.
Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It"
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nobody should feel excited about the renewed relevance of Hannah Arendt's work today. Her foresight about the fragility of democratic life is relevant for the worst possible reasons: populism, white supremacy, mass deception, the rise of fascism around the world, the coordinated assault on serious journalism, academia and any kind of responsible thought. Really, there's no reason to celebrate why the great analyst of totalitarianism, fascism, and anti-democratic forces and a thinker "in dark times" is so timely today.</p><p>But Arendt also insisted, in the preface to her 1968 collection of essays, “Men in Dark Times”: “Even in the darkest of times we have the right to expect some illumination.”</p><p>The philosopher <a href="https://www.newschool.edu/nssr/faculty/richard-j-bernstein/">Richard J. Bernstein</a> is the author of <a href="http://www.amazon.com/dp/1509528601/?tag=newbooinhis-20"><em>Why Read Hannah Arendt Now</em></a> (Polity, 2018). He met Arendt first in 1972, when he was a young professor and three years before her death. He explained to me why Arendt’s work should be read today with renewed urgency, because it provides illumination into the forces that shape our present. Instead of a dry academic exposé, I got a moving anecdote about his first meeting with Arendt ("the most intellectually exciting and erotic meeting") and a lucid yet impassioned explanation of Arendt's analysis of politics and of the human condition.</p><p>Bernstein is an American Philosopher who teaches at The New School in New York City, and has written extensively on American pragmatism, political philosophy, the Frankfurt School thinkers, the question of evil, on Jewish identity, and other topics. He is a public intellectual in the best sense of that word by taking thoughtful and principled positions on a range of issues that concern us all. His <em>Why Read Hannah Arendt Now?</em> is a succinct introduction to key themes in Arendt's work.</p><p><a href="https://as.nyu.edu/content/nyu-as/as/faculty/ulrich-c-baer.html"><em>Uli Baer</em></a><em> is a professor at New York University. He is also the host of the excellent podcast "</em><a href="https://www.ulrichbaer.com/"><strong><em>Think About It</em></strong></a><em>"</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3537</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[07b8dfa0-f831-11e9-be7d-2f51efb7869e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7144504919.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marcos González Hernando, "British Think Tanks After the 2008 Global Financial Crisis" (Palgrave Macmillan, 2019)</title>
      <description>How did the financial crisis of 2018 change politics? In British Think Tanks After the 2008 Global Financial Crisis (Palgrave Macmillan, 2019), Marcos González Hernando, an Affiliated Researcher at the University of Cambridge and Senior Researcher at Think Tank for Action on Social Change (TASC), explores how think tanks were impacted by the 2008 crisis. Drawing on the sociology of intellectuals, as well as field theory, the book shows how four think tanks responded in complimentary and contrasting ways, some taking advantage of the crisis, some changing radically, some seeing continuity in their themes and practices. The book offers a theory of the think tank and its role in politics, alongside the rich and detailed case studies. The book is essential reading for anyone interested in contemporary politics!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>González Hernando explores how think tanks were impacted by the 2008 crisis.</itunes:subtitle>
      <itunes:summary>How did the financial crisis of 2018 change politics? In British Think Tanks After the 2008 Global Financial Crisis (Palgrave Macmillan, 2019), Marcos González Hernando, an Affiliated Researcher at the University of Cambridge and Senior Researcher at Think Tank for Action on Social Change (TASC), explores how think tanks were impacted by the 2008 crisis. Drawing on the sociology of intellectuals, as well as field theory, the book shows how four think tanks responded in complimentary and contrasting ways, some taking advantage of the crisis, some changing radically, some seeing continuity in their themes and practices. The book offers a theory of the think tank and its role in politics, alongside the rich and detailed case studies. The book is essential reading for anyone interested in contemporary politics!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did the financial crisis of 2018 change politics? In <a href="http://www.amazon.com/dp/3030203697/?tag=newbooinhis-20"><em>British Think Tanks After the 2008 Global Financial Crisis</em></a> (Palgrave Macmillan, 2019), <a href="https://twitter.com/marcosghernando">Marcos González Hernando</a>, an Affiliated Researcher at the University of Cambridge and Senior Researcher at Think Tank for Action on Social Change (TASC), explores how think tanks were impacted by the 2008 crisis. Drawing on the sociology of intellectuals, as well as field theory, the book shows how four think tanks responded in complimentary and contrasting ways, some taking advantage of the crisis, some changing radically, some seeing continuity in their themes and practices. The book offers a theory of the think tank and its role in politics, alongside the rich and detailed case studies. The book is essential reading for anyone interested in contemporary politics!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2459</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[55d200d2-018b-11ea-a0fd-67af7897047e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9901948393.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jonathan Rothwell, "A Republic of Equals: A Manifesto for a Just Society" (Princeton UP, 2019)</title>
      <description>Inequality in the U.S. has increased dramatically over the past decades -- on that there is agreement. There is less agreement on the causes of that inequality, the consequences of it, and, perhaps least of all, what to do about it. Join us to hear Jonathan Rothwell talk about his new book, A Republic of Equals: A Manifesto for a Just Society (Princeton University Press, 2019), which pushes back against some of the conventional wisdom about the sources of inequality to offer his own provocative diagnosis of the problem and proposed remedies for it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What are the true sources of inequality?</itunes:subtitle>
      <itunes:summary>Inequality in the U.S. has increased dramatically over the past decades -- on that there is agreement. There is less agreement on the causes of that inequality, the consequences of it, and, perhaps least of all, what to do about it. Join us to hear Jonathan Rothwell talk about his new book, A Republic of Equals: A Manifesto for a Just Society (Princeton University Press, 2019), which pushes back against some of the conventional wisdom about the sources of inequality to offer his own provocative diagnosis of the problem and proposed remedies for it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inequality in the U.S. has increased dramatically over the past decades -- on that there is agreement. There is less agreement on the causes of that inequality, the consequences of it, and, perhaps least of all, what to do about it. Join us to hear <a href="https://www.brookings.edu/experts/jonathan-rothwell/">Jonathan Rothwell</a> talk about his new book, <a href="http://www.amazon.com/dp/0691183767/?tag=newbooinhis-20"><em>A Republic of Equals: A Manifesto for a Just Society</em></a> (Princeton University Press, 2019), which pushes back against some of the conventional wisdom about the sources of inequality to offer his own provocative diagnosis of the problem and proposed remedies for it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2162</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ba6ed7e2-0648-11ea-a9b5-7b37f59b070a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8576164160.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Penelope Plaza Azuaje, “Culture as Renewable Oil: How Territory, Bureaucratic Power and Culture Coalesce in the Venezuelan Petrostate" (Routledge, 2018)</title>
      <description>How do states use cultural policy? In Culture as Renewable Oil: How Territory, Bureaucratic Power and Culture Coalesce in the Venezuelan Petrostate (Routledge, 2018), Penelope Plaza Azuaje, a lecturer in architecture at the University of Reading explores the case study of Venezuela to think through the relationship between states, territory, and culture. The book develops the idea of culture as a resource, showing the close relationship between oil and culture, and culture and oil, along with the history of the Venezuelan petrostate. Packed with detailed visual analysis, along with a rich theoretical framework covering urban development, bureaucracy, and power, the book will be essential reading for anyone concerned with the role of culture in the city.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>141</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How do states use cultural policy?</itunes:subtitle>
      <itunes:summary>How do states use cultural policy? In Culture as Renewable Oil: How Territory, Bureaucratic Power and Culture Coalesce in the Venezuelan Petrostate (Routledge, 2018), Penelope Plaza Azuaje, a lecturer in architecture at the University of Reading explores the case study of Venezuela to think through the relationship between states, territory, and culture. The book develops the idea of culture as a resource, showing the close relationship between oil and culture, and culture and oil, along with the history of the Venezuelan petrostate. Packed with detailed visual analysis, along with a rich theoretical framework covering urban development, bureaucracy, and power, the book will be essential reading for anyone concerned with the role of culture in the city.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do states use cultural policy? In <a href="http://www.amazon.com/dp/1138573779/?tag=newbooinhis-20"><em>Culture as Renewable Oil: How Territory, Bureaucratic Power and Culture Coalesce in the Venezuelan Petrostate</em></a> (Routledge, 2018), <a href="https://twitter.com/drpenelopeplaza?lang=en">Penelope Plaza Azuaje</a>, a lecturer in architecture at the University of Reading explores the case study of Venezuela to think through the relationship between states, territory, and culture. The book develops the idea of culture as a resource, showing the close relationship between oil and culture, and culture and oil, along with the history of the Venezuelan petrostate. Packed with detailed visual analysis, along with a rich theoretical framework covering urban development, bureaucracy, and power, the book will be essential reading for anyone concerned with the role of culture in the city.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2129</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9874c24a-016c-11ea-a0cc-676820893adb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7304320269.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Johanna Taylor, "The Art Museum Redefined: Power, Opportunity, and Community Engagement" (Palgrave, 2019)</title>
      <description>What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the future of the museum?</itunes:subtitle>
      <itunes:summary>What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of the museum? In <a href="http://www.amazon.com/dp/3030210200/?tag=newbooinhis-20"><em>The Art Museum Redefined: Power, Opportunity, and Community Engagement</em></a><em> </em>(Palgrave Macmillan, 2020), <a href="https://design.asu.edu/content/johanna-taylor">Johanna Taylor</a>, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2077</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3c24e840-0157-11ea-80b1-0be103fbde20]]></guid>
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    </item>
    <item>
      <title>Ian Parker, "Psychoanalysis, Clinic, and Context: Subjectivity, History, and Autobiography" (Routledge, 2019)</title>
      <description>There are many pathways into the world of psychoanalysis. Some arrive from fields like psychiatry and psychology; some from literature, philosophy, and the humanities; and others from political organising. Our guest Ian Parker found his way into Lacanian psychoanalysis via dissatisfaction with his training in psychology, alongside strongly-held Marxist and feminist political commitments. In his autobiographical work, Psychoanalysis, Clinic, and Context: Subjectivity, History, and Autobiography (Routledge, 2019), Ian shares with us his encounter with British psychoanalysis’s “entangled world of personal-political relationships and rivalries,” including his exploration of Kleinian leftists, group analysts, and Lacanian institutes, while making the case for the emancipatory potential of psychoanalytic thinking and practice, as summarized in his provocative statement: “Psychoanalysis is not what you think.” Tune to hear Ian’s story and his views on the political, theoretical, and clinical potentials and pitfalls of psychoanalysis today.
Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ian shares with us his encounter with British psychoanalysis’s “entangled world of personal-political relationships and rivalries"...</itunes:subtitle>
      <itunes:summary>There are many pathways into the world of psychoanalysis. Some arrive from fields like psychiatry and psychology; some from literature, philosophy, and the humanities; and others from political organising. Our guest Ian Parker found his way into Lacanian psychoanalysis via dissatisfaction with his training in psychology, alongside strongly-held Marxist and feminist political commitments. In his autobiographical work, Psychoanalysis, Clinic, and Context: Subjectivity, History, and Autobiography (Routledge, 2019), Ian shares with us his encounter with British psychoanalysis’s “entangled world of personal-political relationships and rivalries,” including his exploration of Kleinian leftists, group analysts, and Lacanian institutes, while making the case for the emancipatory potential of psychoanalytic thinking and practice, as summarized in his provocative statement: “Psychoanalysis is not what you think.” Tune to hear Ian’s story and his views on the political, theoretical, and clinical potentials and pitfalls of psychoanalysis today.
Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There are many pathways into the world of psychoanalysis. Some arrive from fields like psychiatry and psychology; some from literature, philosophy, and the humanities; and others from political organising. Our guest <a href="https://en.wikipedia.org/wiki/Ian_Parker_(psychologist)">Ian Parker</a> found his way into Lacanian psychoanalysis via dissatisfaction with his training in psychology, alongside strongly-held Marxist and feminist political commitments. In his autobiographical work, <a href="http://www.amazon.com/dp/0367144336/?tag=newbooinhis-20"><em>Psychoanalysis, Clinic, and Context: Subjectivity, History, and Autobiography</em></a> (Routledge, 2019), Ian shares with us his encounter with British psychoanalysis’s “entangled world of personal-political relationships and rivalries,” including his exploration of Kleinian leftists, group analysts, and Lacanian institutes, while making the case for the emancipatory potential of psychoanalytic thinking and practice, as summarized in his provocative statement: “Psychoanalysis is not what you think.” Tune to hear Ian’s story and his views on the political, theoretical, and clinical potentials and pitfalls of psychoanalysis today.</p><p><em>Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found </em><a href="http://ucl.academia.edu/JordanOsserman"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3684</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Serin D. Houston, "Imagining Seattle: Social Values in Urban Governance" (U Nebraska Press, 2019)</title>
      <description>In Imagining Seattle: Social Values in Urban Governance (University of Nebraska Press, 2019), the geographer Serin Houston complicates Seattle’s liberal and progressive reputation through a close ethnographic study of its urban governance. She sheds light on the institutional classism and racism and market-orientated thinking that pervades the decisions and practices of environmentalism and economic growth in the city. Houston’s finds three major social values--social justice, sustainability, and creativity—pervade policy creation in the city and condition privileges and oppressions.
Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He teaches courses on modern United States history, environmental history, and histories of labor and capitalism. He is completing a book on energy development in the American West. @rydriskelltate
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Houston’s finds three major social values--social justice, sustainability, and creativity—pervade policy creation in the city and condition privileges and oppressions...</itunes:subtitle>
      <itunes:summary>In Imagining Seattle: Social Values in Urban Governance (University of Nebraska Press, 2019), the geographer Serin Houston complicates Seattle’s liberal and progressive reputation through a close ethnographic study of its urban governance. She sheds light on the institutional classism and racism and market-orientated thinking that pervades the decisions and practices of environmentalism and economic growth in the city. Houston’s finds three major social values--social justice, sustainability, and creativity—pervade policy creation in the city and condition privileges and oppressions.
Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He teaches courses on modern United States history, environmental history, and histories of labor and capitalism. He is completing a book on energy development in the American West. @rydriskelltate
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/080324875X/?tag=newbooinhis-20"><em>Imagining Seattle: Social Values in Urban Governance </em></a>(University of Nebraska Press, 2019), the geographer <a href="https://www.mtholyoke.edu/people/serin-houston">Serin Houston</a> complicates Seattle’s liberal and progressive reputation through a close ethnographic study of its urban governance. She sheds light on the institutional classism and racism and market-orientated thinking that pervades the decisions and practices of environmentalism and economic growth in the city. Houston’s finds three major social values--social justice, sustainability, and creativity—pervade policy creation in the city and condition privileges and oppressions.</p><p><em>Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He teaches courses on modern United States history, environmental history, and histories of labor and capitalism. He is completing a book on energy development in the American West. </em><a href="https://twitter.com/rydriskelltate"><em>@rydriskelltate</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2686</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e234b71a-fcac-11e9-85da-f7016ec4bc73]]></guid>
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    <item>
      <title>Stuart Schrader, "​Badges Without Borders: How Global Counterinsurgency Transformed American Policing​" (U California Press, 2019)</title>
      <description>Following World War II, in the midst of global decolonization and intensifying freedom struggles within its borders, the United States developed a worldwide police assistance program that aimed to crush left radicalism and extend its racial imperium. Although policing had long been part of the US colonial project, this new roving cadre of advisors funded, supplied, and trained foreign counterinsurgency forces on an unprecedented scale, developing a global cop-consciousness that spanned from Los Angeles to Saigon. In ​Badges Without Borders: How Global Counterinsurgency Transformed American Policing​ (University of California Press, 2019), Stuart Schrader makes the compelling case that the growth of carceral state is just one front of a “discretionary empire” that persists today.
Badges Without Borders​ traces the tangled routes of police bureaucrats as they brought their munitions, methods, and money to precincts at home and abroad, and obviates the divide between “foreign” and “domestic” policy. Ultimately, Schrader suggests that US global power has relied on police reform to endlessly reproduce an ideology of “security.”
Patrick Reilly​ is a PhD student in US History at Vanderbilt University. He studies police, community organizations, and urban development.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>646</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Stuart Schrader makes the compelling case that the growth of carceral state is just one front of a “discretionary empire” that persists today...</itunes:subtitle>
      <itunes:summary>Following World War II, in the midst of global decolonization and intensifying freedom struggles within its borders, the United States developed a worldwide police assistance program that aimed to crush left radicalism and extend its racial imperium. Although policing had long been part of the US colonial project, this new roving cadre of advisors funded, supplied, and trained foreign counterinsurgency forces on an unprecedented scale, developing a global cop-consciousness that spanned from Los Angeles to Saigon. In ​Badges Without Borders: How Global Counterinsurgency Transformed American Policing​ (University of California Press, 2019), Stuart Schrader makes the compelling case that the growth of carceral state is just one front of a “discretionary empire” that persists today.
Badges Without Borders​ traces the tangled routes of police bureaucrats as they brought their munitions, methods, and money to precincts at home and abroad, and obviates the divide between “foreign” and “domestic” policy. Ultimately, Schrader suggests that US global power has relied on police reform to endlessly reproduce an ideology of “security.”
Patrick Reilly​ is a PhD student in US History at Vanderbilt University. He studies police, community organizations, and urban development.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Following World War II, in the midst of global decolonization and intensifying freedom struggles within its borders, the United States developed a worldwide police assistance program that aimed to crush left radicalism and extend its racial imperium. Although policing had long been part of the US colonial project, this new roving cadre of advisors funded, supplied, and trained foreign counterinsurgency forces on an unprecedented scale, developing a global cop-consciousness that spanned from Los Angeles to Saigon. In ​<a href="http://www.amazon.com/dp/0520295625/?tag=newbooinhis-20"><em>Badges Without Borders: How Global Counterinsurgency Transformed American Policing​</em></a><em> </em>(University of California Press, 2019), <a href="https://www.stuartschrader.com/">Stuart Schrader</a> makes the compelling case that the growth of carceral state is just one front of a “discretionary empire” that persists today.</p><p><em>Badges Without Borders​</em> traces the tangled routes of police bureaucrats as they brought their munitions, methods, and money to precincts at home and abroad, and obviates the divide between “foreign” and “domestic” policy. Ultimately, Schrader suggests that US global power has relied on police reform to endlessly reproduce an ideology of “security.”</p><p><a href="https://as.vanderbilt.edu/history/bio/patrick-reilly"><em>Patrick Reilly</em></a><em>​ is a PhD student in US History at Vanderbilt University. He studies police, community organizations, and urban development.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4281</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Nina Sun Eidsheim, "The Race of Sound: Listening, Timbre and Vocality in African American Music" (Duke UP, 2019)</title>
      <description>In 2018, Nicolle R. Holliday and Daniel Villarreal published the results of a study they conducted asking people to rank how “black” President Obama sounded when given four different examples of his speech. Dr. Nina Sun Eidsheim’s latest book, The Race of Sound: Listening Timbre and Vocality in African American Music (Duke University Press, 2019) explores the values, stereotypes, and cultural norms that underline such a question. Through examples ranging from black opera singers in the nineteenth century to user’s responses to the vocal synthesis technology called Vocaloid, Eidsheim sheds light on the ways that listeners invest racial and gendered meanings in vocal timbre. Contending that vocal timbre is an even stronger marker for race and gender than physical appearance, Eidsheim explores the consequences of and reasons for the cognitive dissonance caused by of the seeming “mismatch” between the bodies and vocal timbres of African American jazz singer Jimmy Scott and Norwegian child singer and Billie Holiday impersonator, Angelina Jordan. She takes on the significant political and social results of essentialized understandings of race, gender, age, and ethnicity that support cultural constructions of identity and investigates the central role vocal timbre plays in creating and reinforcing those ideas.
Nina Sun Eidsheim is a Professor of Musicology in the Herb Alpert School of Music at the University of California at Los Angeles.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Eidsheim contents that vocal timbre is an even stronger marker for race and gender than physical appearance...</itunes:subtitle>
      <itunes:summary>In 2018, Nicolle R. Holliday and Daniel Villarreal published the results of a study they conducted asking people to rank how “black” President Obama sounded when given four different examples of his speech. Dr. Nina Sun Eidsheim’s latest book, The Race of Sound: Listening Timbre and Vocality in African American Music (Duke University Press, 2019) explores the values, stereotypes, and cultural norms that underline such a question. Through examples ranging from black opera singers in the nineteenth century to user’s responses to the vocal synthesis technology called Vocaloid, Eidsheim sheds light on the ways that listeners invest racial and gendered meanings in vocal timbre. Contending that vocal timbre is an even stronger marker for race and gender than physical appearance, Eidsheim explores the consequences of and reasons for the cognitive dissonance caused by of the seeming “mismatch” between the bodies and vocal timbres of African American jazz singer Jimmy Scott and Norwegian child singer and Billie Holiday impersonator, Angelina Jordan. She takes on the significant political and social results of essentialized understandings of race, gender, age, and ethnicity that support cultural constructions of identity and investigates the central role vocal timbre plays in creating and reinforcing those ideas.
Nina Sun Eidsheim is a Professor of Musicology in the Herb Alpert School of Music at the University of California at Los Angeles.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2018, Nicolle R. Holliday and Daniel Villarreal published the results of a study they conducted asking people to rank how “black” President Obama sounded when given four different examples of his speech. Dr. <a href="https://schoolofmusic.ucla.edu/people/nina-eidsheim/">Nina Sun Eidsheim</a>’s latest book, <a href="http://www.amazon.com/dp/0822368684/?tag=newbooinhis-20"><em>The Race of Sound: Listening Timbre and Vocality in African American Music</em></a> (Duke University Press, 2019) explores the values, stereotypes, and cultural norms that underline such a question. Through examples ranging from black opera singers in the nineteenth century to user’s responses to the vocal synthesis technology called Vocaloid, Eidsheim sheds light on the ways that listeners invest racial and gendered meanings in vocal timbre. Contending that vocal timbre is an even stronger marker for race and gender than physical appearance, Eidsheim explores the consequences of and reasons for the cognitive dissonance caused by of the seeming “mismatch” between the bodies and vocal timbres of African American jazz singer Jimmy Scott and Norwegian child singer and Billie Holiday impersonator, Angelina Jordan. She takes on the significant political and social results of essentialized understandings of race, gender, age, and ethnicity that support cultural constructions of identity and investigates the central role vocal timbre plays in creating and reinforcing those ideas.</p><p>Nina Sun Eidsheim is a Professor of Musicology in the Herb Alpert School of Music at the University of California at Los Angeles.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4156</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kathryn Conrad on University Press Publishing</title>
      <description>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.
How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 03 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do university presses do, and how do they do it?</itunes:subtitle>
      <itunes:summary>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.
How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.
Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.</p><p>How do they do it? Today I talked to <a href="https://uapress.arizona.edu/2019/06/kathryn-conrad-president-aupresses">Kathryn Conrad</a>, the president of the <a href="http://www.aupresses.org/">Association of University Presses</a>, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.</p><p><em>Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lynne Pettinger, "What’s Wrong with Work?" (Policy Press, 2019)</title>
      <description>How should we understand work? In What’s Wrong with Work? (Policy Press, 2019), Lynn Pettinger, Associate Professor of Sociology at the University of Warwick, explores how work is organised, interconnected, and what work does. The book offers a history of work, as well as challenging and destabilising taken for granted categories such as ‘good’ and ‘bad’ work, foregrounding what is usually taken to be invisible and is deleted. The book covers a range of theoretical territory too, but is written in a clear and accessible style, serving as both a detailed and engaging overview of key issues such as technology and environmental sustainability. The book will be essential reading for anyone seeking to understand work!
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 31 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>138</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand work?</itunes:subtitle>
      <itunes:summary>How should we understand work? In What’s Wrong with Work? (Policy Press, 2019), Lynn Pettinger, Associate Professor of Sociology at the University of Warwick, explores how work is organised, interconnected, and what work does. The book offers a history of work, as well as challenging and destabilising taken for granted categories such as ‘good’ and ‘bad’ work, foregrounding what is usually taken to be invisible and is deleted. The book covers a range of theoretical territory too, but is written in a clear and accessible style, serving as both a detailed and engaging overview of key issues such as technology and environmental sustainability. The book will be essential reading for anyone seeking to understand work!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand work? In <a href="http://www.amazon.com/dp/1447340086/?tag=newbooinhis-20"><em>What’s Wrong with Work? </em></a>(Policy Press, 2019), <a href="https://warwick.ac.uk/fac/soc/sociology/staff/lynnepettinger/">Lynn Pettinger</a>, Associate Professor of Sociology at the University of Warwick, explores how work is organised, interconnected, and what work does. The book offers a history of work, as well as challenging and destabilising taken for granted categories such as ‘good’ and ‘bad’ work, foregrounding what is usually taken to be invisible and is deleted. The book covers a range of theoretical territory too, but is written in a clear and accessible style, serving as both a detailed and engaging overview of key issues such as technology and environmental sustainability. The book will be essential reading for anyone seeking to understand work!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[92ce5692-f647-11e9-914b-9393a6716f79]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9975095996.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Benjamin Fong, "Death and Mastery: Psychoanalytic Drive Theory and the Subject of Late Capitalism" (Columbia UP, 2016)</title>
      <description>Benjamin Fong’s Death and Mastery: Psychoanalytic Drive Theory and the Subject of Late Capitalism (Columbia UP, 2016) revitalizes two oft’ maligned psychoanalytic concepts, the death drive and the drive to mastery, and makes lively and thoroughgoing use of both to revisit arguments about the power of the culture industry and how we might resist its narcotizing allure. For instance, we know Facebook is the devil, offering us relief from real strife via impotent political engagement; like prisoners in solitary we write on its wall. We know Netflix is a platform for product placement that we pay for, meanwhile losing track of our myriad subscriptions. We know we ought to think twice before inhaling the contents of either yet we simply cannot seem to stop ourselves.  What gives?
This--our compliant involvement with what promises to decrease our power and increase our alienation—is an old Frankfurt School obsession and query. Fong attempts to explain our complicity by using Freud altogether differently than his forebears. (Fong has been a member of the Society for Psychoanalytic Inquiry which, having turned ghosts into ancestors, strikes me as the closest thing we have to a contemporary version of the Institut fur Sozialforschung going today, although I believe most of its members are American born.) He reminds us that the Frankfurt School ignored the death drive. In fact, the Freud engaged by the Frankfurt School appears to have stopped writing around 1919. (It is very odd to think that they did not absorb and make use of Beyond The Pleasure Principle, forget Civilization and Its Discontents.) I admit I found myself wondering if Freud’s conclusions about man as wolf to man, the impossibility of loving our neighbor as ourselves, and our desire to go out as we came in, were simply too bleak even for Adorno, Horkheimer and Marcuse?
Of course, the death drive is tough for politics: how to organize people to fight for what is just if, at the end of the day, they simply seek the cessation of tension, and furthermore, are compulsively drawn to repeat their worst experiences? Freud’s thinking after 1920 can be read as offering a devastating critique of neoliberal “just do it” life with its appeals to progress and perfectibility. And Fong puts this Freud to great use. Attempting to construct a way out of being subsumed by the culture industry, with its promise of ruin, Fong champions a reappraisal of the super-ego as a friendly presence. He borrows from Hans Loewald, who argued for the super-ego as being future oriented, and harboring a hopeful fantasy, like a kind parent, about the fate of the ego over time.
Fong also engages the thinking of Jacques Lacan, and with his help, tries to answer a question derived from a debate between Freud and Wilhelm Reich, about “where does the misery come from?” (Thanks to Jacqueline Rose for bringing this question to all of our attention). He develops a new theory (!) about aggressivity that locates it as arising neither solely from within nor from without. Interestingly, he does not rely on Laplanche to make his argument.
That said, mastery as a concept scares me. Can “the master’s tools,” to paraphrase Audre Lorde, “dismantle the master’s house?” Lawrence Kohlberg’s stages of moral development did come to mind as I read, and I was left at times feeling a bit like one of Carol Gilligan’s adolescent girls, putting my feet, talk about returning to the primordial ooze, into the shoes of another. Then there is Freud’s idea that women lack sufficient super-egos. Following this logic, it is not too strange to ask if women can exercise mastery? And finally, what about Kerry James Marshall’s evocative and resonant use of the word, albeit spelled differently (Mastry), to refer to both slavery, the slave master, and the lives of those who survived it and his aftermath? Mastery is not a neutral word.
Tracy D. Morgan is a psychoanalyst and the founding editor of NBiP. Write to her at tracedoris@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 31 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Fong revitalizes two oft’ maligned psychoanalytic concepts, the death drive and the drive to mastery...</itunes:subtitle>
      <itunes:summary>Benjamin Fong’s Death and Mastery: Psychoanalytic Drive Theory and the Subject of Late Capitalism (Columbia UP, 2016) revitalizes two oft’ maligned psychoanalytic concepts, the death drive and the drive to mastery, and makes lively and thoroughgoing use of both to revisit arguments about the power of the culture industry and how we might resist its narcotizing allure. For instance, we know Facebook is the devil, offering us relief from real strife via impotent political engagement; like prisoners in solitary we write on its wall. We know Netflix is a platform for product placement that we pay for, meanwhile losing track of our myriad subscriptions. We know we ought to think twice before inhaling the contents of either yet we simply cannot seem to stop ourselves.  What gives?
This--our compliant involvement with what promises to decrease our power and increase our alienation—is an old Frankfurt School obsession and query. Fong attempts to explain our complicity by using Freud altogether differently than his forebears. (Fong has been a member of the Society for Psychoanalytic Inquiry which, having turned ghosts into ancestors, strikes me as the closest thing we have to a contemporary version of the Institut fur Sozialforschung going today, although I believe most of its members are American born.) He reminds us that the Frankfurt School ignored the death drive. In fact, the Freud engaged by the Frankfurt School appears to have stopped writing around 1919. (It is very odd to think that they did not absorb and make use of Beyond The Pleasure Principle, forget Civilization and Its Discontents.) I admit I found myself wondering if Freud’s conclusions about man as wolf to man, the impossibility of loving our neighbor as ourselves, and our desire to go out as we came in, were simply too bleak even for Adorno, Horkheimer and Marcuse?
Of course, the death drive is tough for politics: how to organize people to fight for what is just if, at the end of the day, they simply seek the cessation of tension, and furthermore, are compulsively drawn to repeat their worst experiences? Freud’s thinking after 1920 can be read as offering a devastating critique of neoliberal “just do it” life with its appeals to progress and perfectibility. And Fong puts this Freud to great use. Attempting to construct a way out of being subsumed by the culture industry, with its promise of ruin, Fong champions a reappraisal of the super-ego as a friendly presence. He borrows from Hans Loewald, who argued for the super-ego as being future oriented, and harboring a hopeful fantasy, like a kind parent, about the fate of the ego over time.
Fong also engages the thinking of Jacques Lacan, and with his help, tries to answer a question derived from a debate between Freud and Wilhelm Reich, about “where does the misery come from?” (Thanks to Jacqueline Rose for bringing this question to all of our attention). He develops a new theory (!) about aggressivity that locates it as arising neither solely from within nor from without. Interestingly, he does not rely on Laplanche to make his argument.
That said, mastery as a concept scares me. Can “the master’s tools,” to paraphrase Audre Lorde, “dismantle the master’s house?” Lawrence Kohlberg’s stages of moral development did come to mind as I read, and I was left at times feeling a bit like one of Carol Gilligan’s adolescent girls, putting my feet, talk about returning to the primordial ooze, into the shoes of another. Then there is Freud’s idea that women lack sufficient super-egos. Following this logic, it is not too strange to ask if women can exercise mastery? And finally, what about Kerry James Marshall’s evocative and resonant use of the word, albeit spelled differently (Mastry), to refer to both slavery, the slave master, and the lives of those who survived it and his aftermath? Mastery is not a neutral word.
Tracy D. Morgan is a psychoanalyst and the founding editor of NBiP. Write to her at tracedoris@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://societyoffellows.uchicago.edu/directory/benjamin-fong">Benjamin Fong</a>’s <a href="http://www.amazon.com/dp/0231176694/?tag=newbooinhis-20"><em>Death and Mastery: Psychoanalytic Drive Theory and the Subject of Late Capitalism</em></a> (Columbia UP, 2016) revitalizes two oft’ maligned psychoanalytic concepts, the death drive and the drive to mastery, and makes lively and thoroughgoing use of both to revisit arguments about the power of the culture industry and how we might resist its narcotizing allure. For instance, we know Facebook is the devil, offering us relief from real strife via impotent political engagement; like prisoners in solitary we write on its wall. We know Netflix is a platform for product placement that <em>we</em> pay for, meanwhile losing track of our myriad subscriptions. We know we ought to think twice before inhaling the contents of either yet we simply cannot seem to stop ourselves.  What gives?</p><p>This--our compliant involvement with what promises to decrease our power and increase our alienation—is an old Frankfurt School obsession and query. Fong attempts to explain our complicity by using Freud altogether differently than his forebears. (Fong has been a member of the Society for Psychoanalytic Inquiry which, having turned ghosts into ancestors, strikes me as the closest thing we have to a contemporary version of the Institut fur Sozialforschung going today, although I believe most of its members are American born.) He reminds us that the Frankfurt School ignored the death drive. In fact, the Freud engaged by the Frankfurt School appears to have stopped writing around 1919. (It is very odd to think that they did not absorb and make use of <em>Beyond The Pleasure Principle</em>, forget <em>Civilization and Its Discontents</em>.) I admit I found myself wondering if Freud’s conclusions about man as wolf to man, the impossibility of loving our neighbor as ourselves, and our desire to go out as we came in, were simply too bleak <em>even for</em> Adorno, Horkheimer and Marcuse?</p><p>Of course, the death drive is tough for politics: how to organize people to fight for what is just if, at the end of the day, they simply seek the cessation of tension, and furthermore, are compulsively drawn to repeat their worst experiences? Freud’s thinking after 1920 can be read as offering a devastating critique of neoliberal “just do it” life with its appeals to progress and perfectibility. And Fong puts this Freud to great use. Attempting to construct a way out of being subsumed by the culture industry, with its promise of ruin, Fong champions a reappraisal of the super-ego as a friendly presence. He borrows from Hans Loewald, who argued for the super-ego as being future oriented, and harboring a hopeful fantasy, like a kind parent, about the fate of the ego over time.</p><p>Fong also engages the thinking of Jacques Lacan, and with his help, tries to answer a question derived from a debate between Freud and Wilhelm Reich, about “where does the misery come from?” (Thanks to Jacqueline Rose for bringing this question to all of our attention). He develops a new theory (!) about aggressivity that locates it as arising neither solely from within nor from without. Interestingly, he does not rely on Laplanche to make his argument.</p><p>That said, mastery as a concept scares me. Can “the master’s tools,” to paraphrase Audre Lorde, “dismantle the master’s house?” Lawrence Kohlberg’s stages of moral development did come to mind as I read, and I was left at times feeling a bit like one of Carol Gilligan’s adolescent girls, putting my feet, talk about returning to the primordial ooze, into the shoes of another. Then there is Freud’s idea that women lack sufficient super-egos. Following this logic, it is not too strange to ask if women can exercise mastery? And finally, what about Kerry James Marshall’s evocative and resonant use of the word, albeit spelled differently (Mastry), to refer to both slavery, the slave master, and the lives of those who survived it and his aftermath? Mastery is not a neutral word.</p><p><em>Tracy D. Morgan is a psychoanalyst and the founding editor of NBiP. Write to her at tracedoris@gmail.com</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4073</itunes:duration>
      <guid isPermaLink="false"><![CDATA[7e60a2a6-f58d-11e9-8141-935c5b32583b]]></guid>
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    </item>
    <item>
      <title>Christian Sorace, "Afterlives of Chinese Communism” (Verso-ANU Press, 2019)</title>
      <description>What to make of the fact that China is ruled by a Communist Party which detains and arrests people studying Maoism, organising workers, or campaigning for women’s liberation is a difficult task. All the more so when that same Party continues to speak in the language of socialist construction, mass organization and Leninist control of the ‘commanding heights’. This is one reason why the compendium Afterlives of Chinese Communism: Political Concepts from Mao to Xi (Verso &amp; Australian National University Press, 2019), edited by Christian Sorace, Ivan Franceschini and Nicholas Loubere, is such an invaluable project.
Through 53 pithy chapters which deal with key ideas from class struggle to thought reform, and trace rich thematic strands linked to affect, aesthetics, internationalism, tradition and the state, this book offers a vast lexicon of fresh approaches to the dizzying world of change and consistency which characterize today’s China. Furthermore, the collection is a highly readable account of recent Chinese history which should prove indispensable in working out where the country is going next and, in the spirit of the radicalism which is the book’s subject matter, it is also open access and free to download from the ANU Press website.
Ed Pulford is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>298</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What to make of the fact that China is ruled by a Communist Party which detains and arrests people studying Maoism, organising workers, or campaigning for women’s liberation...</itunes:subtitle>
      <itunes:summary>What to make of the fact that China is ruled by a Communist Party which detains and arrests people studying Maoism, organising workers, or campaigning for women’s liberation is a difficult task. All the more so when that same Party continues to speak in the language of socialist construction, mass organization and Leninist control of the ‘commanding heights’. This is one reason why the compendium Afterlives of Chinese Communism: Political Concepts from Mao to Xi (Verso &amp; Australian National University Press, 2019), edited by Christian Sorace, Ivan Franceschini and Nicholas Loubere, is such an invaluable project.
Through 53 pithy chapters which deal with key ideas from class struggle to thought reform, and trace rich thematic strands linked to affect, aesthetics, internationalism, tradition and the state, this book offers a vast lexicon of fresh approaches to the dizzying world of change and consistency which characterize today’s China. Furthermore, the collection is a highly readable account of recent Chinese history which should prove indispensable in working out where the country is going next and, in the spirit of the radicalism which is the book’s subject matter, it is also open access and free to download from the ANU Press website.
Ed Pulford is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What to make of the fact that China is ruled by a Communist Party which detains and arrests people studying Maoism, organising workers, or campaigning for women’s liberation is a difficult task. All the more so when that same Party continues to speak in the language of socialist construction, mass organization and Leninist control of the ‘commanding heights’. This is one reason why the compendium <a href="http://www.amazon.com/dp/1788734793/?tag=newbooinhis-20"><em>Afterlives of Chinese Communism: Political Concepts from Mao to Xi</em></a><em> </em>(Verso &amp; Australian National University Press, 2019), edited by <a href="https://www.coloradocollege.edu/academics/dept/politicalscience/people/profile.html?person=sorace_christian_phillip">Christian Sorace</a>, <a href="https://researchers.anu.edu.au/researchers/franceschini-i">Ivan Franceschini</a> and <a href="https://portal.research.lu.se/portal/en/persons/nicholas-loubere(071dc3f5-b9a4-4762-b13c-3490428ce1dc).html">Nicholas Loubere</a><em>, </em>is such an invaluable project.</p><p>Through 53 pithy chapters which deal with key ideas from class struggle to thought reform, and trace rich thematic strands linked to affect, aesthetics, internationalism, tradition and the state, this book offers a vast lexicon of fresh approaches to the dizzying world of change and consistency which characterize today’s China. Furthermore, the collection is a highly readable account of recent Chinese history which should prove indispensable in working out where the country is going next and, in the spirit of the radicalism which is the book’s subject matter, it is also open access and <a href="https://press.anu.edu.au/publications/afterlives-chinese-communism">free to download</a> from the ANU Press website.</p><p><a href="http://edpulf.org/"><em>Ed Pulford</em></a><em> is a postdoctoral researcher at the University of Amsterdam. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3545</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fbb99dc6-f442-11e9-83cd-e7fd6fabbba9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1827229231.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)</title>
      <description>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 24 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The things that make people academics do not necessarily make them good teachers...</itunes:subtitle>
      <itunes:summary>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. <a href="https://www.plattsburgh.edu/academics/schools/arts-sciences/history/faculty/neuhaus.html">Jessamyn Neuhaus</a>’s <a href="http://www.amazon.com/dp/1949199061/?tag=newbooinhis-20"><em>Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers</em></a><em> </em>(West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.</p><p><a href="http://www.stephenpimpare.com/"><em>Stephen Pimpare</em></a><em> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of </em>The New Victorians<em> (New Press, 2004), </em>A Peoples History of Poverty in America<em> (New Press, 2008), winner of the Michael Harrington Award, and </em>Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen<em> (Oxford, 2017).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1798</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[453fae88-f018-11e9-8be4-43787c549319]]></guid>
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    </item>
    <item>
      <title>Erik Harms, "Luxury and Rubble: Civility and Dispossession in the New Saigon" (U California Press, 2016)</title>
      <description>What happens when market-oriented policy reforms butt heads with a single-party state’s strictly maintained limits on political freedoms? That question sets the terms for Luxury and Rubble: Civility and Dispossession in New Saigon (University of California Press, 2016) by Erik Harms, an ethnography of two districts in Saigon, or Ho Chi Minh City, the one a gleaming model of high modernist urban planning and building through party state-endorsed private enterprise, the other a demolition site. Though the residents of both speak of civic duties and advocate for civil rights, in the one these are realized through the manner in which people choose to live, while in the other they are undermined through the ways in which they are dispossessed.
Erik Harms joins us for this New Books in Southeast Asian Studies interview, to talk about detritus and condominiums, civility and civil society, liberalism and neoliberalism, the paradoxes of struggles for rights fought over contested land, the view from a suspension bridge, and the merits of open-access publishing through subvention.
Luxury and Rubble is available for free download here.
Do you have comments about this episode or any other on the New Books in Southeast Asian Studies channel? Perhaps you have suggestions for authors whom we ought to interview? If so, mail the hosts at nick.cheesman [at] anu.edu.au or p.jory [at] uq.edu.au. We look forward to hearing from you.
Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2019 a visiting researcher at the Center for Southeast Asian Studies, Kyoto University, and Ritsumeikan University, also in Kyoto.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What happens when market-oriented policy reforms butt heads with a single-party state’s strictly maintained limits on political freedoms?</itunes:subtitle>
      <itunes:summary>What happens when market-oriented policy reforms butt heads with a single-party state’s strictly maintained limits on political freedoms? That question sets the terms for Luxury and Rubble: Civility and Dispossession in New Saigon (University of California Press, 2016) by Erik Harms, an ethnography of two districts in Saigon, or Ho Chi Minh City, the one a gleaming model of high modernist urban planning and building through party state-endorsed private enterprise, the other a demolition site. Though the residents of both speak of civic duties and advocate for civil rights, in the one these are realized through the manner in which people choose to live, while in the other they are undermined through the ways in which they are dispossessed.
Erik Harms joins us for this New Books in Southeast Asian Studies interview, to talk about detritus and condominiums, civility and civil society, liberalism and neoliberalism, the paradoxes of struggles for rights fought over contested land, the view from a suspension bridge, and the merits of open-access publishing through subvention.
Luxury and Rubble is available for free download here.
Do you have comments about this episode or any other on the New Books in Southeast Asian Studies channel? Perhaps you have suggestions for authors whom we ought to interview? If so, mail the hosts at nick.cheesman [at] anu.edu.au or p.jory [at] uq.edu.au. We look forward to hearing from you.
Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2019 a visiting researcher at the Center for Southeast Asian Studies, Kyoto University, and Ritsumeikan University, also in Kyoto.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens when market-oriented policy reforms butt heads with a single-party state’s strictly maintained limits on political freedoms? That question sets the terms for <a href="http://www.amazon.com/dp/0520292510/?tag=newbooinhis-20"><em>Luxury and Rubble: Civility and Dispossession in New Saigon</em></a> (University of California Press, 2016) by <a href="https://anthropology.yale.edu/people/erik-harms">Erik Harms</a>, an ethnography of two districts in Saigon, or Ho Chi Minh City, the one a gleaming model of high modernist urban planning and building through party state-endorsed private enterprise, the other a demolition site. Though the residents of both speak of civic duties and advocate for civil rights, in the one these are realized through the manner in which people choose to live, while in the other they are undermined through the ways in which they are dispossessed.</p><p>Erik Harms joins us for this <a href="https://newbooksnetwork.com/category/peoples-places/southeast-asian-studies/">New Books in Southeast Asian Studies</a> interview, to talk about detritus and condominiums, civility and civil society, liberalism and neoliberalism, the paradoxes of struggles for rights fought over contested land, the view from a suspension bridge, and the merits of open-access publishing through subvention.</p><p><em>Luxury and Rubble </em>is available for <strong>free download</strong> <a href="https://www.luminosoa.org/site/books/10.1525/luminos.20/">here</a>.</p><p><strong>Do you have comments </strong>about this episode or any other on the New Books in Southeast Asian Studies channel? Perhaps you have suggestions for authors whom we ought to interview? If so, mail the hosts at nick.cheesman [at] anu.edu.au or p.jory [at] uq.edu.au. We look forward to hearing from you.</p><p><a href="https://researchers.anu.edu.au/researchers/cheesman-nw"><em>Nick Cheesman</em></a><em> is a fellow at the College of Asia and the Pacific, Australian National University and in 2019 a visiting researcher at the Center for Southeast Asian Studies, Kyoto University, and Ritsumeikan University, also in Kyoto.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3080</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Melanie Simms, "What Do We Know and What Should We Do About the Future of Work?" (Sage, 2019)</title>
      <description>What is the future of work? In What Do We Know and What Should We Do About the Future of Work? (Sage, 2019), Melanie Simms, a Professor of Work and Employment at the University of Glasgow offers an overview off a vast range of issues associated with work- in a short and accessible book. The book asks us to remember the continuities of problems associated with work, as well as the emerging future trends. The latter include automation, an aging population and pensions, emotional and aesthetic labour, skills, universal basic income, and flexible forms of working. By placing these trends in an appropriate historical setting the book offers lessons about how societies can respond, focusing in particular on rights and regulation, enforcement, and the role of unions and collective action. The book will be essential reading for anyone who works!
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      <pubDate>Fri, 18 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the future of work?</itunes:subtitle>
      <itunes:summary>What is the future of work? In What Do We Know and What Should We Do About the Future of Work? (Sage, 2019), Melanie Simms, a Professor of Work and Employment at the University of Glasgow offers an overview off a vast range of issues associated with work- in a short and accessible book. The book asks us to remember the continuities of problems associated with work, as well as the emerging future trends. The latter include automation, an aging population and pensions, emotional and aesthetic labour, skills, universal basic income, and flexible forms of working. By placing these trends in an appropriate historical setting the book offers lessons about how societies can respond, focusing in particular on rights and regulation, enforcement, and the role of unions and collective action. The book will be essential reading for anyone who works!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future of work? In <a href="http://www.amazon.com/dp/1526463466/?tag=newbooinhis-20"><em>What Do We Know and What Should We Do About the Future of Work?</em></a> (Sage, 2019), <a href="https://www.gla.ac.uk/schools/business/staff/melaniesimms/">Melanie Simms</a>, a Professor of Work and Employment at the University of Glasgow offers an overview off a vast range of issues associated with work- in a short and accessible book. The book asks us to remember the continuities of problems associated with work, as well as the emerging future trends. The latter include automation, an aging population and pensions, emotional and aesthetic labour, skills, universal basic income, and flexible forms of working. By placing these trends in an appropriate historical setting the book offers lessons about how societies can respond, focusing in particular on rights and regulation, enforcement, and the role of unions and collective action. The book will be essential reading for anyone who works!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1954</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ff9d16a4-ea95-11e9-b4ee-c32516a9a684]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5802521178.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>David Farber, "Crack: Rock Cocaine, Street Capitalism, and the Decade of Greed" (Cambridge UP, 2019)</title>
      <description>A shattering account of the crack cocaine years from award-winning American historian David Farber, Crack: Rock Cocaine, Street Capitalism, and the Decade of Greed (Cambridge University Press, 2019) tells the story of the young men who bet their lives on the rewards of selling 'rock' cocaine, the people who gave themselves over to the crack pipe, and the often-merciless authorities who incarcerated legions of African Americans caught in the crack cocaine underworld. Based on interviews, archival research, judicial records, underground videos, and prison memoirs, Crack explains why, in a de-industrializing America in which market forces ruled and entrepreneurial risk-taking was celebrated, the crack industry was a lucrative enterprise for the 'Horatio Alger boys' of their place and time. These young, predominately African American entrepreneurs were profit-sharing partners in a deviant, criminal form of economic globalization. Hip Hop artists often celebrated their exploits but overwhelmingly, Americans - across racial lines -did not. Crack takes a hard look at the dark side of late twentieth-century capitalism.
David Farber is Roy A. Roberts Distinguished Professor of History at the University of Kansas.
Matthew Johnson teaches history at Texas Tech University.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>144</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A shattering account of the crack cocaine years from award-winning American historian David Farber...</itunes:subtitle>
      <itunes:summary>A shattering account of the crack cocaine years from award-winning American historian David Farber, Crack: Rock Cocaine, Street Capitalism, and the Decade of Greed (Cambridge University Press, 2019) tells the story of the young men who bet their lives on the rewards of selling 'rock' cocaine, the people who gave themselves over to the crack pipe, and the often-merciless authorities who incarcerated legions of African Americans caught in the crack cocaine underworld. Based on interviews, archival research, judicial records, underground videos, and prison memoirs, Crack explains why, in a de-industrializing America in which market forces ruled and entrepreneurial risk-taking was celebrated, the crack industry was a lucrative enterprise for the 'Horatio Alger boys' of their place and time. These young, predominately African American entrepreneurs were profit-sharing partners in a deviant, criminal form of economic globalization. Hip Hop artists often celebrated their exploits but overwhelmingly, Americans - across racial lines -did not. Crack takes a hard look at the dark side of late twentieth-century capitalism.
David Farber is Roy A. Roberts Distinguished Professor of History at the University of Kansas.
Matthew Johnson teaches history at Texas Tech University.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A shattering account of the crack cocaine years from award-winning American historian <a href="https://history.ku.edu/david-farber">David Farber</a>, <a href="http://www.amazon.com/dp/1108425275/?tag=newbooinhis-20"><em>Crack: Rock Cocaine, Street Capitalism, and the Decade of Greed</em></a> (Cambridge University Press, 2019) tells the story of the young men who bet their lives on the rewards of selling 'rock' cocaine, the people who gave themselves over to the crack pipe, and the often-merciless authorities who incarcerated legions of African Americans caught in the crack cocaine underworld. Based on interviews, archival research, judicial records, underground videos, and prison memoirs, Crack explains why, in a de-industrializing America in which market forces ruled and entrepreneurial risk-taking was celebrated, the crack industry was a lucrative enterprise for the 'Horatio Alger boys' of their place and time. These young, predominately African American entrepreneurs were profit-sharing partners in a deviant, criminal form of economic globalization. Hip Hop artists often celebrated their exploits but overwhelmingly, Americans - across racial lines -did not. Crack takes a hard look at the dark side of late twentieth-century capitalism.</p><p>David Farber is Roy A. Roberts Distinguished Professor of History at the University of Kansas.</p><p><a href="https://www.depts.ttu.edu/history/faculty/profiles/johnson_matthew.php"><em>Matthew Johnson</em></a><em> teaches history at Texas Tech University.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1240</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>T. L. Bunyasi and C. W. Smith, "Stay Woke: A People’s Guide to Making All Black Lives Matter" (NYU Press, 2019)</title>
      <description>Tehama Lopez Bunyasi and Candis Watts Smith have written an accessible and important book about the #BlackLivesMatter social movement and broader considerations of, essentially, how we got to where we are, in the United States, in regard to race and racism. They also go on to suggest and encourage readers and citizens to move towards a more equal and better future.
Stay Woke: A People’s Guide to Making All Black Lives Matter (NYU Press, 2019) compiles social science research and data to explain the current situation for white citizens, African-American citizens, Latinx citizens, and citizens of other races in the United States. By laying out, in facts and figures, the very different experiences and daily lives of citizens, Lopez Bunyasi and Watts Smith demonstrate not only the way many individuals live profoundly separate and different lives in the United States, but also to show the many ways in which we, as Americans, speak past each other when we are talking about the fraught issue of race, racism, and racial inequality. Stay Woke provides substantial social science data to buttress the discussion and analysis of race and racism in the United States, and it also has an excellent chapter that provides definitions, context, and understanding of so many of the terms that are used, and often differently conceptualized, by citizens in thinking about race, inequality, and social and political dynamics. The authors also examine the history around structural racism and racial inequality. At the end of each chapter Lopez Bunyasi and Watts Smith also include other resources that contributed to their research and that extends the substance of each chapter—the resources include podcast, films, documentaries, television shows, websites, books and articles. These resources along with the questions provided for discussion and debate help readers and students think about what they are learning from each section of the book. The final part of the book provides more options for activism while positioning these actions within the American federal system. This book can be used in classes across a variety of disciplines; it is also a text that is accessible and of interest to any citizen who might want to learn more and work towards a better future.
Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>378</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bunyasi and Smith compile social science research and data to explain the current situation for white citizens, African-American citizens, Latinx citizens, and citizens of other races in the United States...</itunes:subtitle>
      <itunes:summary>Tehama Lopez Bunyasi and Candis Watts Smith have written an accessible and important book about the #BlackLivesMatter social movement and broader considerations of, essentially, how we got to where we are, in the United States, in regard to race and racism. They also go on to suggest and encourage readers and citizens to move towards a more equal and better future.
Stay Woke: A People’s Guide to Making All Black Lives Matter (NYU Press, 2019) compiles social science research and data to explain the current situation for white citizens, African-American citizens, Latinx citizens, and citizens of other races in the United States. By laying out, in facts and figures, the very different experiences and daily lives of citizens, Lopez Bunyasi and Watts Smith demonstrate not only the way many individuals live profoundly separate and different lives in the United States, but also to show the many ways in which we, as Americans, speak past each other when we are talking about the fraught issue of race, racism, and racial inequality. Stay Woke provides substantial social science data to buttress the discussion and analysis of race and racism in the United States, and it also has an excellent chapter that provides definitions, context, and understanding of so many of the terms that are used, and often differently conceptualized, by citizens in thinking about race, inequality, and social and political dynamics. The authors also examine the history around structural racism and racial inequality. At the end of each chapter Lopez Bunyasi and Watts Smith also include other resources that contributed to their research and that extends the substance of each chapter—the resources include podcast, films, documentaries, television shows, websites, books and articles. These resources along with the questions provided for discussion and debate help readers and students think about what they are learning from each section of the book. The final part of the book provides more options for activism while positioning these actions within the American federal system. This book can be used in classes across a variety of disciplines; it is also a text that is accessible and of interest to any citizen who might want to learn more and work towards a better future.
Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://scar.gmu.edu/profile/view/9201">Tehama Lopez Bunyasi</a> and <a href="https://www.candiswsmith.com/">Candis Watts Smith</a> have written an accessible and important book about the #BlackLivesMatter social movement and broader considerations of, essentially, how we got to where we are, in the United States, in regard to race and racism. They also go on to suggest and encourage readers and citizens to move towards a more equal and better future.</p><p><a href="http://www.amazon.com/dp/1479836486/?tag=newbooinhis-20"><em>Stay Woke: A People’s Guide to Making All Black Lives Matter</em></a> (NYU Press, 2019) compiles social science research and data to explain the current situation for white citizens, African-American citizens, Latinx citizens, and citizens of other races in the United States. By laying out, in facts and figures, the very different experiences and daily lives of citizens, Lopez Bunyasi and Watts Smith demonstrate not only the way many individuals live profoundly separate and different lives in the United States, but also to show the many ways in which we, as Americans, speak past each other when we are talking about the fraught issue of race, racism, and racial inequality. <em>Stay Woke</em> provides substantial social science data to buttress the discussion and analysis of race and racism in the United States, and it also has an excellent chapter that provides definitions, context, and understanding of so many of the terms that are used, and often differently conceptualized, by citizens in thinking about race, inequality, and social and political dynamics. The authors also examine the history around structural racism and racial inequality. At the end of each chapter Lopez Bunyasi and Watts Smith also include other resources that contributed to their research and that extends the substance of each chapter—the resources include podcast, films, documentaries, television shows, websites, books and articles. These resources along with the questions provided for discussion and debate help readers and students think about what they are learning from each section of the book. The final part of the book provides more options for activism while positioning these actions within the American federal system. This book can be used in classes across a variety of disciplines; it is also a text that is accessible and of interest to any citizen who might want to learn more and work towards a better future.</p><p><em>Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning </em><a href="https://www.amazon.com/Women-White-House-Presidential-Politics/dp/081314101X">Women and the White House: Gender, Popular Culture, and Presidential Politics</a> (University Press of Kentucky, 2012).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3698</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[abf01254-ede2-11e9-affc-df7ecdeb9579]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8716095054.mp3?updated=1663960239" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wendy Brown, "In the Ruins of Neoliberalism: The Rise of Antidemocratic Politics in the West" (Columbia UP, 2019)</title>
      <description>Neoliberalism is one of those fuzzy words that can mean something different to everyone. Wendy Brown is one of the world’s leading scholars on neoliberalism and argue that a generation of neoliberal worldview among political, business, and intellectual leaders led to the populism we’re seeing throughout the world today. But is it mutually exclusive to democracy? Not necessarily. Wendy joins us this week to help make sense of what neoliberalism is, and where things stand today. We were lucky enough to get an advance copy of her book, In the Ruins of Neoliberalism: The Rise of Antidemocratic Politics in the West (Columbia UP, 2019), which will be released in July. It’s a follow up to her 2015 book, Undoing the Demos, and you’ll hear her talk about how her thinking has changed since then.
Wendy is the Class of 1936 First Chair at the University of California, Berkeley, where she teaches political theory. You might also recognize her from Astra Taylor’s documentary, What Is Democracy?
Democracy Works is created by the McCourtney Institute for Democracy at Penn State and recorded at WPSU Penn State, central Pennsylvania’s NPR station.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Neoliberalism is one of those fuzzy words that can mean something different to everyone...</itunes:subtitle>
      <itunes:summary>Neoliberalism is one of those fuzzy words that can mean something different to everyone. Wendy Brown is one of the world’s leading scholars on neoliberalism and argue that a generation of neoliberal worldview among political, business, and intellectual leaders led to the populism we’re seeing throughout the world today. But is it mutually exclusive to democracy? Not necessarily. Wendy joins us this week to help make sense of what neoliberalism is, and where things stand today. We were lucky enough to get an advance copy of her book, In the Ruins of Neoliberalism: The Rise of Antidemocratic Politics in the West (Columbia UP, 2019), which will be released in July. It’s a follow up to her 2015 book, Undoing the Demos, and you’ll hear her talk about how her thinking has changed since then.
Wendy is the Class of 1936 First Chair at the University of California, Berkeley, where she teaches political theory. You might also recognize her from Astra Taylor’s documentary, What Is Democracy?
Democracy Works is created by the McCourtney Institute for Democracy at Penn State and recorded at WPSU Penn State, central Pennsylvania’s NPR station.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Neoliberalism is one of those fuzzy words that can mean something different to everyone. Wendy Brown is one of the world’s leading scholars on neoliberalism and argue that a generation of neoliberal worldview among political, business, and intellectual leaders led to the populism we’re seeing throughout the world today. But is it mutually exclusive to democracy? Not necessarily. Wendy joins us this week to help make sense of what neoliberalism is, and where things stand today. We were lucky enough to get an advance copy of her book, In the <a href="http://www.amazon.com/dp/0231193858/?tag=newbooinhis-20"><em>Ruins of Neoliberalism: The Rise of Antidemocratic Politics in the West</em></a> (Columbia UP, 2019)<em>, </em>which will be released in July. It’s a follow up to her 2015 book, <em>Undoing the Demos</em>, and you’ll hear her talk about how her thinking has changed since then.</p><p>Wendy is the Class of 1936 First Chair at the University of California, Berkeley, where she teaches political theory. You might also recognize her from Astra Taylor’s documentary, <em>What Is Democracy?</p><p></em><a href="https://www.democracyworkspodcast.com/"><em>Democracy Works</em></a><em> is created by the </em><a href="http://democracyinstitute.la.psu.edu/"><em>McCourtney Institute for Democracy</em></a><em> at Penn State and recorded at </em><a href="http://wpsu.org/"><em>WPSU Penn State</em></a><em>, central Pennsylvania’s NPR station.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2406</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d26006ae-e5dd-11e9-b184-ebf25e4e3a2a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3767012550.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy Allen and Mari Ruti, "Critical Theory Between Klein and Lacan: A Dialogue," Part 2 (Bloomsbury Academic, 2019)</title>
      <description>What happens when a Kleinian and Lacanian have a committed, generous, and accessible conversation about the commonalities and differences between their psychoanalytic perspectives? In this special, two-part interview, host Jordan Osserman joins authors Amy Allen, a prominent representative of Frankfurt School critical theory with expertise on Klein, and Mari Ruti, a leading Lacanian critical theorist, to discuss their new book, Critical Theory Between Klein and Lacan: A Dialogue (Bloomsbury Academic, 2019). In part one, posted on 16th September, we explored the overall structure of the book and the process of writing it, then entered into a conversation on the topic of the ego in Klein and Lacan. In this part, we delve deeper into the knotty areas of the book, including Allen’s understanding of intrapsychic versus intersubjective phenomena in Klein, Ruti’s distinction between circumstantial and constitutive trauma in Lacan, and the challenges involved in balancing psychoanalytic universalism with a Foucauldian commitment to context and contingency.
Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in women's and gender studies from Dartmouth College. His published work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Part 2 of  a two part interview with Allen and Ruti about Klein, Lacan, and Critical Theory...</itunes:subtitle>
      <itunes:summary>What happens when a Kleinian and Lacanian have a committed, generous, and accessible conversation about the commonalities and differences between their psychoanalytic perspectives? In this special, two-part interview, host Jordan Osserman joins authors Amy Allen, a prominent representative of Frankfurt School critical theory with expertise on Klein, and Mari Ruti, a leading Lacanian critical theorist, to discuss their new book, Critical Theory Between Klein and Lacan: A Dialogue (Bloomsbury Academic, 2019). In part one, posted on 16th September, we explored the overall structure of the book and the process of writing it, then entered into a conversation on the topic of the ego in Klein and Lacan. In this part, we delve deeper into the knotty areas of the book, including Allen’s understanding of intrapsychic versus intersubjective phenomena in Klein, Ruti’s distinction between circumstantial and constitutive trauma in Lacan, and the challenges involved in balancing psychoanalytic universalism with a Foucauldian commitment to context and contingency.
Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in women's and gender studies from Dartmouth College. His published work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens when a Kleinian and Lacanian have a committed, generous, and accessible conversation about the commonalities and differences between their psychoanalytic perspectives? In this special, two-part interview, host Jordan Osserman joins authors <a href="https://philosophy.la.psu.edu/people/ara17">Amy Allen</a>, a prominent representative of Frankfurt School critical theory with expertise on Klein, and <a href="http://www.english.utoronto.ca/facultystaff/facultyprofiles/ruti.htm">Mari Ruti</a>, a leading Lacanian critical theorist, to discuss their new book, <a href="http://www.amazon.com/dp/1501352261/?tag=newbooinhis-20"><em>Critical Theory Between Klein and Lacan: A Dialogue</em></a> (Bloomsbury Academic, 2019). In <a href="https://newbooksnetwork.com/amy-allen-and-mari-ruti-critical-theory-between-klein-and-lacan-a-dialogue-bloomsbury-academic-2019/">part one</a>, posted on 16th September, we explored the overall structure of the book and the process of writing it, then entered into a conversation on the topic of the ego in Klein and Lacan. In this part, we delve deeper into the knotty areas of the book, including Allen’s understanding of intrapsychic versus intersubjective phenomena in Klein, Ruti’s distinction between circumstantial and constitutive trauma in Lacan, and the challenges involved in balancing psychoanalytic universalism with a Foucauldian commitment to context and contingency.</p><p><em>Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in women's and gender studies from Dartmouth College. His published work can be found </em><a href="http://ucl.academia.edu/JordanOsserman"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3759</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e696c2cc-eab3-11e9-bc55-e3993c83f469]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2841368202.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Remi Joseph-Salisbury, "Black Mixed-Race Men: Transatlanticity, Hybridity and 'Post-Racial' Resilience" (Emerald, 2018)</title>
      <description>What are the experiences of mixed-race men? In Black Mixed-Race Men: Transatlanticity, Hybridity and 'Post-Racial' Resilience (Emerald Publishing, 2018),  Remi Joseph-Salisbury, a Presidential Fellow in Sociology at the University of Manchester, explores the double consciousness of black mixed-race men in America and the UK. Theoretically rich, with detailed empirical case studies, the book explores the everyday life and experiences, as well as the broader social context, of black mixed-race men. The book considers masculinity, friendships, microaggressions, hair, dating, and many other subjects and issues to give a comprehensive look at black mixed-race men’s lives. At a time when discussions of race are prominent in popular and media discourses, the book will be essential reading for anyone interested in understanding race and society, as well as for scholars across social science and the humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Joseph-Salisbury explores the double consciousness of black mixed-race men in America and the UK...</itunes:subtitle>
      <itunes:summary>What are the experiences of mixed-race men? In Black Mixed-Race Men: Transatlanticity, Hybridity and 'Post-Racial' Resilience (Emerald Publishing, 2018),  Remi Joseph-Salisbury, a Presidential Fellow in Sociology at the University of Manchester, explores the double consciousness of black mixed-race men in America and the UK. Theoretically rich, with detailed empirical case studies, the book explores the everyday life and experiences, as well as the broader social context, of black mixed-race men. The book considers masculinity, friendships, microaggressions, hair, dating, and many other subjects and issues to give a comprehensive look at black mixed-race men’s lives. At a time when discussions of race are prominent in popular and media discourses, the book will be essential reading for anyone interested in understanding race and society, as well as for scholars across social science and the humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the experiences of mixed-race men? In <a href="http://www.amazon.com/dp/1787565327/?tag=newbooinhis-20"><em>Black Mixed-Race Men: Transatlanticity, Hybridity and 'Post-Racial' Resilience</em></a> (Emerald Publishing, 2018),  <a href="https://www.research.manchester.ac.uk/portal/remi.joseph-salisbury.html">Remi Joseph-Salisbury</a>, a Presidential Fellow in Sociology at the University of Manchester, explores the double consciousness of black mixed-race men in America and the UK. Theoretically rich, with detailed empirical case studies, the book explores the everyday life and experiences, as well as the broader social context, of black mixed-race men. The book considers masculinity, friendships, microaggressions, hair, dating, and many other subjects and issues to give a comprehensive look at black mixed-race men’s lives. At a time when discussions of race are prominent in popular and media discourses, the book will be essential reading for anyone interested in understanding race and society, as well as for scholars across social science and the humanities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2838</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6665e252-ded0-11e9-b92c-7708f773b045]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2478210526.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anastasia Denisova, "Internet Memes and Society: Social, Cultural, and Political Contexts" (Routledge, 2019)</title>
      <description>How have memes changed politics? In Internet Memes and Society: Social, Cultural, and Political Contexts(Routledge, 2019), Anastasia Denisova, a lecturer in journalism at the University of Westminster, gives both a history of internet memes as well as an analysis of key case studies of their impact on politics and society. Offering a rich and detailed engagement with Russian and American politics, as well as a nuanced and even-handed assessment of specific and well-known memes. In the current complex political moment the book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand how the internet may shape forthcoming elections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 20 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How have memes changed politics?</itunes:subtitle>
      <itunes:summary>How have memes changed politics? In Internet Memes and Society: Social, Cultural, and Political Contexts(Routledge, 2019), Anastasia Denisova, a lecturer in journalism at the University of Westminster, gives both a history of internet memes as well as an analysis of key case studies of their impact on politics and society. Offering a rich and detailed engagement with Russian and American politics, as well as a nuanced and even-handed assessment of specific and well-known memes. In the current complex political moment the book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand how the internet may shape forthcoming elections.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How have memes changed politics? In <a href="http://www.amazon.com/dp/1138602787/?tag=newbooinhis-20"><em>Internet Memes and Society: Social, Cultural, and Political Contexts</em></a>(Routledge, 2019), <a href="https://www.westminster.ac.uk/about-us/our-people/directory/denisova-anastasia">Anastasia Denisova</a>, a lecturer in journalism at the University of Westminster, gives both a history of internet memes as well as an analysis of key case studies of their impact on politics and society. Offering a rich and detailed engagement with Russian and American politics, as well as a nuanced and even-handed assessment of specific and well-known memes. In the current complex political moment the book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand how the internet may shape forthcoming elections.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b75c06a8-d275-11e9-9b33-dbe69f92b600]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9370824146.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ronald E. Purser, "McMindfulness: How Mindfulness Became the New Capitalist Spirituality" (Repeater Books, 2019)</title>
      <description>In his recent exposé, McMindfulness: How Mindfulness Became the New Capitalist Spirituality (Repeater Books, 2019), Ronald Purser Ph.D. takes a hard look at the mindfulness movement that has taken society by storm. Purser opens the book by questioning elements of the movement that have lead to its success: its scientific credibility, its secular façade, the prevailing discourse in society around stress, and other topics. Purser’s main concern, however, is that mindfulness is being used to reinforce the capitalist system by absolving companies of any responsibility for its negative consequences, for example work-related mental health problems, and shifting full responsibility onto the shoulders of the individual. Purser also points out how mindfulness is being used in questionable ways in schools, the US military and national governments. Purser ends the book by discussing his vision of a revolutionary, socially-minded, collective-based form of mindfulness. Full of humor and eye-opening anecdotes, McMindfulness is a thought-provoking book that forces readers to look at the mindfulness movement in a new light.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 18 Sep 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Purser takes a hard look at the mindfulness movement that has taken society by storm...</itunes:subtitle>
      <itunes:summary>In his recent exposé, McMindfulness: How Mindfulness Became the New Capitalist Spirituality (Repeater Books, 2019), Ronald Purser Ph.D. takes a hard look at the mindfulness movement that has taken society by storm. Purser opens the book by questioning elements of the movement that have lead to its success: its scientific credibility, its secular façade, the prevailing discourse in society around stress, and other topics. Purser’s main concern, however, is that mindfulness is being used to reinforce the capitalist system by absolving companies of any responsibility for its negative consequences, for example work-related mental health problems, and shifting full responsibility onto the shoulders of the individual. Purser also points out how mindfulness is being used in questionable ways in schools, the US military and national governments. Purser ends the book by discussing his vision of a revolutionary, socially-minded, collective-based form of mindfulness. Full of humor and eye-opening anecdotes, McMindfulness is a thought-provoking book that forces readers to look at the mindfulness movement in a new light.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his recent exposé, <a href="http://www.amazon.com/dp/191224831X/?tag=newbooinhis-20"><em>McMindfulness: How Mindfulness Became the New Capitalist Spirituality</em></a> (Repeater Books, 2019), <a href="https://www.ronpurser.com/">Ronald Purser</a> Ph.D. takes a hard look at the mindfulness movement that has taken society by storm. Purser opens the book by questioning elements of the movement that have lead to its success: its scientific credibility, its secular façade, the prevailing discourse in society around stress, and other topics. Purser’s main concern, however, is that mindfulness is being used to reinforce the capitalist system by absolving companies of any responsibility for its negative consequences, for example work-related mental health problems, and shifting full responsibility onto the shoulders of the individual. Purser also points out how mindfulness is being used in questionable ways in schools, the US military and national governments. Purser ends the book by discussing his vision of a revolutionary, socially-minded, collective-based form of mindfulness. Full of humor and eye-opening anecdotes, <em>McMindfulness</em> is a thought-provoking book that forces readers to look at the mindfulness movement in a new light.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5323</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[534fb340-d981-11e9-8e83-8bd4b3a7d89e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2061435921.mp3?updated=1664639727" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy Allen and Mari Ruti, "Critical Theory Between Klein and Lacan: A Dialogue" (Bloomsbury Academic, 2019)</title>
      <description>What happens when a Kleinian and Lacanian have a committed, generous, and accessible conversation about the commonalities and differences between their psychoanalytic perspectives? In this special, two-part interview, host Jordan Osserman joins authors Amy Allen, a prominent representative of Frankfurt School critical theory with expertise on Klein, and Mari Ruti, a leading Lacanian critical theorist, to discuss their new book, Critical Theory Between Klein and Lacan: A Dialogue (Bloomsbury Academic, 2019). The format of the book is innovative in its own right: the two thinkers set aside a week to meet in person everyday and record themselves discussing, free-form, a variety of themes pertaining to their research interests, including subjectivity, affect, love, creativity, and politics. They then edited the content of these conversations into this fascinating work, which maintains the format of a dialogue. In this podcast, we try to recapture something of the spirit of the book, allowing Ruti and Allen to explore the ways they see the work of Klein and Lacan intersect and diverge, and how they put these theorists to work in their own fields.
After the first episode, we felt that the conversation was so rich — and there was so much more left to say — that we decided to record another one. Among other topics, this first part explores the process of writing this unique book, how Ruti and Allen came to realise that Lacan’s critique of ego psychology need not be opposed to Klein’s understanding of ego integration, and how both authors’ focus on critical theory relates to the clinic. In part two, we will delve deeper into the knotty areas of the book, including Allen’s understanding of intrapsychic versus intersubjective phenomena in Klein, Ruti’s distinction between circumstantial and constitutive trauma in Lacan, and the challenges involved in balancing psychoanalytic universalism with a Foucauldian commitment to context and contingency.
Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found here.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What happens when a Kleinian and Lacanian have a committed, generous, and accessible conversation about the commonalities and differences between their psychoanalytic perspectives?</itunes:subtitle>
      <itunes:summary>What happens when a Kleinian and Lacanian have a committed, generous, and accessible conversation about the commonalities and differences between their psychoanalytic perspectives? In this special, two-part interview, host Jordan Osserman joins authors Amy Allen, a prominent representative of Frankfurt School critical theory with expertise on Klein, and Mari Ruti, a leading Lacanian critical theorist, to discuss their new book, Critical Theory Between Klein and Lacan: A Dialogue (Bloomsbury Academic, 2019). The format of the book is innovative in its own right: the two thinkers set aside a week to meet in person everyday and record themselves discussing, free-form, a variety of themes pertaining to their research interests, including subjectivity, affect, love, creativity, and politics. They then edited the content of these conversations into this fascinating work, which maintains the format of a dialogue. In this podcast, we try to recapture something of the spirit of the book, allowing Ruti and Allen to explore the ways they see the work of Klein and Lacan intersect and diverge, and how they put these theorists to work in their own fields.
After the first episode, we felt that the conversation was so rich — and there was so much more left to say — that we decided to record another one. Among other topics, this first part explores the process of writing this unique book, how Ruti and Allen came to realise that Lacan’s critique of ego psychology need not be opposed to Klein’s understanding of ego integration, and how both authors’ focus on critical theory relates to the clinic. In part two, we will delve deeper into the knotty areas of the book, including Allen’s understanding of intrapsychic versus intersubjective phenomena in Klein, Ruti’s distinction between circumstantial and constitutive trauma in Lacan, and the challenges involved in balancing psychoanalytic universalism with a Foucauldian commitment to context and contingency.
Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found here.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens when a Kleinian and Lacanian have a committed, generous, and accessible conversation about the commonalities and differences between their psychoanalytic perspectives? In this special, two-part interview, host Jordan Osserman joins authors <a href="https://philosophy.la.psu.edu/people/ara17">Amy Allen</a>, a prominent representative of Frankfurt School critical theory with expertise on Klein, and <a href="http://www.english.utoronto.ca/facultystaff/facultyprofiles/ruti.htm">Mari Ruti</a>, a leading Lacanian critical theorist, to discuss their new book, <a href="http://www.amazon.com/dp/1501352261/?tag=newbooinhis-20"><em>Critical Theory Between Klein and Lacan: A Dialogue</em></a> (Bloomsbury Academic, 2019). The format of the book is innovative in its own right: the two thinkers set aside a week to meet in person everyday and record themselves discussing, free-form, a variety of themes pertaining to their research interests, including subjectivity, affect, love, creativity, and politics. They then edited the content of these conversations into this fascinating work, which maintains the format of a dialogue. In this podcast, we try to recapture something of the spirit of the book, allowing Ruti and Allen to explore the ways they see the work of Klein and Lacan intersect and diverge, and how they put these theorists to work in their own fields.</p><p>After the first episode, we felt that the conversation was so rich — and there was so much more left to say — that we decided to record another one. Among other topics, this first part explores the process of writing this unique book, how Ruti and Allen came to realise that Lacan’s critique of ego psychology need not be opposed to Klein’s understanding of ego integration, and how both authors’ focus on critical theory relates to the clinic. In part two, we will delve deeper into the knotty areas of the book, including Allen’s understanding of intrapsychic versus intersubjective phenomena in Klein, Ruti’s distinction between circumstantial and constitutive trauma in Lacan, and the challenges involved in balancing psychoanalytic universalism with a Foucauldian commitment to context and contingency.</p><p><em>Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found </em><a href="http://ucl.academia.edu/JordanOsserman"><em>here</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4351</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[042e966e-d01c-11e9-b450-f36a8cb42c03]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7659181200.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexandra Minna Stern, "White Ethnostate: How the Alt-Right Is Warping the American Imagination" (Beacon Press, 2019)</title>
      <description>In this episode, Dr. Alexandra Minna Stern and I discuss her latest book, Proud Boys and the White Ethnostate: How the Alt-Right Is Warping the American Imagination (Beacon Press, 2019). Our conversation examines the intersections of gender and sexuality, and is they relate to her her research on eugenics, white nationalists, the alt-right, and the alt-lite. We also discuss the influence eugenics and race science has had on nationalist movements throughout history. Dr. Alexandra Minna Stern is a professor of American culture, history, women's studies, and obstetrics and gynecology at the University of Michigan and is also the author of the prize-winning book Eugenic Nation: Faults and Frontiers of Better Breeding in Modern America.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 11 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>143</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Our conversation examines the intersections of gender and sexuality, and is they relate to her her research on eugenics, white nationalists, the alt-right, and the alt-lite...</itunes:subtitle>
      <itunes:summary>In this episode, Dr. Alexandra Minna Stern and I discuss her latest book, Proud Boys and the White Ethnostate: How the Alt-Right Is Warping the American Imagination (Beacon Press, 2019). Our conversation examines the intersections of gender and sexuality, and is they relate to her her research on eugenics, white nationalists, the alt-right, and the alt-lite. We also discuss the influence eugenics and race science has had on nationalist movements throughout history. Dr. Alexandra Minna Stern is a professor of American culture, history, women's studies, and obstetrics and gynecology at the University of Michigan and is also the author of the prize-winning book Eugenic Nation: Faults and Frontiers of Better Breeding in Modern America.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Dr. <a href="https://lsa.umich.edu/ac/people/faculty/amstern.html">Alexandra Minna Stern</a> and I discuss her latest book, Proud Boys and the White Ethnostate: How the Alt-Right Is Warping the American Imagination (Beacon Press, 2019). Our conversation examines the intersections of gender and sexuality, and is they relate to her her research on eugenics, white nationalists, the alt-right, and the alt-lite. We also discuss the influence eugenics and race science has had on nationalist movements throughout history. Dr. Alexandra Minna Stern is a professor of American culture, history, women's studies, and obstetrics and gynecology at the University of Michigan and is also the author of the prize-winning book Eugenic Nation: Faults and Frontiers of Better Breeding in Modern America.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9c3608b6-cd01-11e9-aa86-6f52f12d97bb]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4712746378.mp3?updated=1664638963" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mubbashir A. Rizvi, "The Ethics of Staying: Social Movements and Land Rights Politics in Pakistan" (Stanford UP, 2019)</title>
      <description>The military coup that brought General Pervez Musharraf to power as Pakistan's tenth president resulted in the abolition of a century-old sharecropping system that was rife with corruption. In its place the military regime implemented a market reform policy of cash contract farming. Ostensibly meant to improve living conditions for tenant farmers, the new system, instead, mobilized one of the largest, most successful land rights movements in South Asia—still active today.
In The Ethics of Staying: Social Movements and Land Rights Politics in Pakistan (Stanford University Press, 2019), Mubbashir A. Rizvi presents an original framework for understanding this major social movement, called the Anjuman Mazarin Punjab (AMP). This group of Christian and Muslim tenant sharecroppers, against all odds, successfully resisted Pakistan military's bid to monetize state-owned land, making a powerful moral case for land rights by invoking local claims to land and a broader vision for subsistence rights. The case of AMP provides a unique lens through which to examine state and society relations in Pakistan, one that bridges literatures from subaltern studies, military and colonial power, and the language of claim-making. Rizvi also offers a glimpse of Pakistan that challenges its standard framing as a hub of radical militancy, by opening a window into to the everyday struggles that are often obscured in the West's terror discourse.
Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found here.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Rizvi presents an original framework for understanding this major social movement, called the Anjuman Mazarin Punjab (AMP)...</itunes:subtitle>
      <itunes:summary>The military coup that brought General Pervez Musharraf to power as Pakistan's tenth president resulted in the abolition of a century-old sharecropping system that was rife with corruption. In its place the military regime implemented a market reform policy of cash contract farming. Ostensibly meant to improve living conditions for tenant farmers, the new system, instead, mobilized one of the largest, most successful land rights movements in South Asia—still active today.
In The Ethics of Staying: Social Movements and Land Rights Politics in Pakistan (Stanford University Press, 2019), Mubbashir A. Rizvi presents an original framework for understanding this major social movement, called the Anjuman Mazarin Punjab (AMP). This group of Christian and Muslim tenant sharecroppers, against all odds, successfully resisted Pakistan military's bid to monetize state-owned land, making a powerful moral case for land rights by invoking local claims to land and a broader vision for subsistence rights. The case of AMP provides a unique lens through which to examine state and society relations in Pakistan, one that bridges literatures from subaltern studies, military and colonial power, and the language of claim-making. Rizvi also offers a glimpse of Pakistan that challenges its standard framing as a hub of radical militancy, by opening a window into to the everyday struggles that are often obscured in the West's terror discourse.
Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found here.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The military coup that brought General Pervez Musharraf to power as Pakistan's tenth president resulted in the abolition of a century-old sharecropping system that was rife with corruption. In its place the military regime implemented a market reform policy of cash contract farming. Ostensibly meant to improve living conditions for tenant farmers, the new system, instead, mobilized one of the largest, most successful land rights movements in South Asia—still active today.</p><p>In <a href="http://www.amazon.com/dp/150360876X/?tag=newbooinhis-20"><em>The Ethics of Staying: Social Movements and Land Rights Politics in Pakistan</em></a> (Stanford University Press, 2019), <a href="https://gufaculty360.georgetown.edu/s/contact/00336000014TY7yAAG/mubbashir-rizvi">Mubbashir A. Rizvi</a> presents an original framework for understanding this major social movement, called the Anjuman Mazarin Punjab (AMP). This group of Christian and Muslim tenant sharecroppers, against all odds, successfully resisted Pakistan military's bid to monetize state-owned land, making a powerful moral case for land rights by invoking local claims to land and a broader vision for subsistence rights. The case of AMP provides a unique lens through which to examine state and society relations in Pakistan, one that bridges literatures from subaltern studies, military and colonial power, and the language of claim-making. Rizvi also offers a glimpse of Pakistan that challenges its standard framing as a hub of radical militancy, by opening a window into to the everyday struggles that are often obscured in the West's terror discourse.</p><p><em>Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found </em><a href="http://www.madhurikarak.com/"><em>here</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3284</itunes:duration>
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    <item>
      <title>Adem Yavuz Elveren, "The Economics of Military Spending: A Marxist Perspective" (Routledge, 2019)</title>
      <description>I spoke with Dr Adem Yavuz Elveren about his book on the economics of military spending; this is a very original theoretical and empirical contribution
Adem Yavuz Elveren is Associate Professor at Fitchburg State University, U.S.A. His research focuses on gender and social security and the effect of military spending on the economy. The Economics of Military Spending offers a comprehensive analysis of the effect of military expenditures on the economy. It is the first book to provide both a theoretical and an empirical investigation of how military spending affects the profit rate, a key indicator of the health of a capitalist economy.
We discussed the origin of the book and its main contribution. I asked the author to define what is the economic effect of military spending and how does it compare today with the past? We then reviewed what economic theory says about military spending. We then focused on military Keynesianism. I asked the author to explain the notion of military-industrial complex; what economists and politicians think about it. We then moved to what does a Marxist perspective add to the study of military spending. We concluded our conversation focusing on the empirical analysis on the nexus of military spending and profit rate.
The book presents a general discussion on the economic models of the nexus of military spending and economic growth, as well as military Keynesianism and the military-industrial complex. Including an account of the Marxist crisis theories, it focuses on military spending as a counteracting factor to the tendency of rate of profit to fall. Using a range of econometric methods and adopting a Marxist perspective, this book provides comprehensive evidence on the effects of military spending on the rate of profit for more than thirty countries. The findings of the book shed light on the complex linkages between military spending and the profit rate by considering the role of countries in the arms trade.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 03 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Elveren offers a comprehensive analysis of the effect of military expenditures on the economy...</itunes:subtitle>
      <itunes:summary>I spoke with Dr Adem Yavuz Elveren about his book on the economics of military spending; this is a very original theoretical and empirical contribution
Adem Yavuz Elveren is Associate Professor at Fitchburg State University, U.S.A. His research focuses on gender and social security and the effect of military spending on the economy. The Economics of Military Spending offers a comprehensive analysis of the effect of military expenditures on the economy. It is the first book to provide both a theoretical and an empirical investigation of how military spending affects the profit rate, a key indicator of the health of a capitalist economy.
We discussed the origin of the book and its main contribution. I asked the author to define what is the economic effect of military spending and how does it compare today with the past? We then reviewed what economic theory says about military spending. We then focused on military Keynesianism. I asked the author to explain the notion of military-industrial complex; what economists and politicians think about it. We then moved to what does a Marxist perspective add to the study of military spending. We concluded our conversation focusing on the empirical analysis on the nexus of military spending and profit rate.
The book presents a general discussion on the economic models of the nexus of military spending and economic growth, as well as military Keynesianism and the military-industrial complex. Including an account of the Marxist crisis theories, it focuses on military spending as a counteracting factor to the tendency of rate of profit to fall. Using a range of econometric methods and adopting a Marxist perspective, this book provides comprehensive evidence on the effects of military spending on the rate of profit for more than thirty countries. The findings of the book shed light on the complex linkages between military spending and the profit rate by considering the role of countries in the arms trade.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I spoke with Dr Adem Yavuz Elveren about his book on the economics of military spending; this is a very original theoretical and empirical contribution</p><p><a href="https://scholar.google.com.tr/citations?user=sU0kbNMAAAAJ&amp;hl=en">Adem Yavuz Elveren </a>is Associate Professor at Fitchburg State University, U.S.A. His research focuses on gender and social security and the effect of military spending on the economy. The Economics of Military Spending offers a comprehensive analysis of the effect of military expenditures on the economy. It is the first book to provide both a theoretical and an empirical investigation of how military spending affects the profit rate, a key indicator of the health of a capitalist economy.</p><p>We discussed the origin of the book and its main contribution. I asked the author to define what is the economic effect of military spending and how does it compare today with the past? We then reviewed what economic theory says about military spending. We then focused on military Keynesianism. I asked the author to explain the notion of military-industrial complex; what economists and politicians think about it. We then moved to what does a Marxist perspective add to the study of military spending. We concluded our conversation focusing on the empirical analysis on the nexus of military spending and profit rate.</p><p>The book presents a general discussion on the economic models of the nexus of military spending and economic growth, as well as military Keynesianism and the military-industrial complex. Including an account of the Marxist crisis theories, it focuses on military spending as a counteracting factor to the tendency of rate of profit to fall. Using a range of econometric methods and adopting a Marxist perspective, this book provides comprehensive evidence on the effects of military spending on the rate of profit for more than thirty countries. The findings of the book shed light on the complex linkages between military spending and the profit rate by considering the role of countries in the arms trade.</p><p><a href="https://twitter.com/Bernardi_UK"><em>Andrea Bernardi</em></a><em> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his </em><a href="https://www.researchgate.net/profile/Andrea_Bernardi"><em>research interests</em></a><em> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on </em><a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies"><em>Critical Management Studies</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2398</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[61104116-c9c3-11e9-a9ac-278379fe3b5a]]></guid>
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    </item>
    <item>
      <title>Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)</title>
      <description>How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>134</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lena charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art...</itunes:subtitle>
      <itunes:summary>How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did American elites change the meaning of Art? In <a href="http://www.amazon.com/dp/0691158916/?tag=newbooinhis-20"><em>Entitled: Discriminating Tastes and the Expansion of the Arts</em></a> (Princeton University Press, 2019), <a href="https://sociology.columbia.edu/content/jennifer-carroll-lena">Jennifer C. Lena</a>, associate professor of arts administration at Colombia University, charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art. The book has rich case study material of over 100 years of American cultural policy and practice, as well as a detailed sociological understanding of institution building and cultural consumption patterns. It both celebrates and critiques key moments, organisations, and actors, as well as giving new insights into our own, contemporary, elites, their taste practices, and social inequalities. The book will be essential reading across humanities and social sciences, as well as for anyone interested in the arts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2172</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e60b5fa4-c522-11e9-a6c6-879c9f9f307c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7963922734.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Patricia A. Banks, "Diversity and Philanthropy at African American Museums: Black Renaissance" (Routledge, 2019)</title>
      <description>What is the future, and what is the past, of the African American Museum? In Diversity and Philanthropy at African American Museums: Black Renaissance(Routledge, 2019), Patricia Banks, an associate professor of sociology at Mount Holyoke College, explores the rise of the African American museum and its patrons and philanthropists. Combining sociology of culture with organisational and institutional analysis, the book offers both contemporary and historical analysis of some of the most important cultural institutions in America. Crucially, the book restates the importance of understanding race to sociology of culture, particularly in understanding elites. The book also reveals the changing nature of giving, with younger patrons expecting a different mode of engagement, as well as distinctive political and collecting practices. The book is essential reading across social science and humanities, as well as museum and arts professionals, and anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 23 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>133</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Banks explores the rise of the African American museum and its patrons and philanthropists...</itunes:subtitle>
      <itunes:summary>What is the future, and what is the past, of the African American Museum? In Diversity and Philanthropy at African American Museums: Black Renaissance(Routledge, 2019), Patricia Banks, an associate professor of sociology at Mount Holyoke College, explores the rise of the African American museum and its patrons and philanthropists. Combining sociology of culture with organisational and institutional analysis, the book offers both contemporary and historical analysis of some of the most important cultural institutions in America. Crucially, the book restates the importance of understanding race to sociology of culture, particularly in understanding elites. The book also reveals the changing nature of giving, with younger patrons expecting a different mode of engagement, as well as distinctive political and collecting practices. The book is essential reading across social science and humanities, as well as museum and arts professionals, and anyone interested in contemporary culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future, and what is the past, of the African American Museum? In <a href="http://www.amazon.com/dp/0815349645/?tag=newbooinhis-20"><em>Diversity and Philanthropy at African American Museums: Black Renaissance</em></a>(Routledge, 2019), <a href="http://www.patriciaannbanks.com/">Patricia Banks</a>, an associate professor of sociology at Mount Holyoke College, explores the rise of the African American museum and its patrons and philanthropists. Combining sociology of culture with organisational and institutional analysis, the book offers both contemporary and historical analysis of some of the most important cultural institutions in America. Crucially, the book restates the importance of understanding race to sociology of culture, particularly in understanding elites. The book also reveals the changing nature of giving, with younger patrons expecting a different mode of engagement, as well as distinctive political and collecting practices. The book is essential reading across social science and humanities, as well as museum and arts professionals, and anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2235</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1660608e-c120-11e9-82f8-9f0b722d7f9e]]></guid>
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    <item>
      <title>Polina Kroik, "Cultural Production and the Politics of Women’s Work in American Film and Literature" (Routledge, 2019)</title>
      <description>How does thinking about gender and work help to rethink cultural hierarchies? In Cultural Production and the Politics of Women’s Work in American Film and Literature(Routledge, 2019), Polina Kroik, who teaches at Fordham University and Baruch College, CUNY, explores the relationship between work and gender in American culture. The book offers a wide-ranging discussion, from early twentieth century literature to the Hollywood studio system of the 1920s and 1930s, as well as mid-century literary publishing and contemporary television. The book analyses a wealth of well-known authors and examples, including Sylvia Plath and Mad Men, as well as figures, such as Nella Larsen, who have seen less public attention. The book is essential reading across humanities and social sciences, as well as for anyone interested in gender, race, and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kroik explores the relationship between work and gender in American culture...</itunes:subtitle>
      <itunes:summary>How does thinking about gender and work help to rethink cultural hierarchies? In Cultural Production and the Politics of Women’s Work in American Film and Literature(Routledge, 2019), Polina Kroik, who teaches at Fordham University and Baruch College, CUNY, explores the relationship between work and gender in American culture. The book offers a wide-ranging discussion, from early twentieth century literature to the Hollywood studio system of the 1920s and 1930s, as well as mid-century literary publishing and contemporary television. The book analyses a wealth of well-known authors and examples, including Sylvia Plath and Mad Men, as well as figures, such as Nella Larsen, who have seen less public attention. The book is essential reading across humanities and social sciences, as well as for anyone interested in gender, race, and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does thinking about gender and work help to rethink cultural hierarchies? In <a href="http://www.amazon.com/dp/1138327263/?tag=newbooinhis-20"><em>Cultural Production and the Politics of Women’s Work in American Film and Literature</em></a>(Routledge, 2019), <a href="https://polinakroik.com/cv/">Polina Kroik</a>, who teaches at Fordham University and Baruch College, CUNY, explores the relationship between work and gender in American culture. The book offers a wide-ranging discussion, from early twentieth century literature to the Hollywood studio system of the 1920s and 1930s, as well as mid-century literary publishing and contemporary television. The book analyses a wealth of well-known authors and examples, including Sylvia Plath and Mad Men, as well as figures, such as Nella Larsen, who have seen less public attention. The book is essential reading across humanities and social sciences, as well as for anyone interested in gender, race, and culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3062</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[425f384a-b879-11e9-bd59-438c6d2ef771]]></guid>
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    <item>
      <title>Nazia Kazi, "Islamophobia, Race, and Global Politics (Rowman and Littlefield, 2018)</title>
      <description>Nazia Kazi’s Islamophobia, Race, and Global Politics (Rowman &amp; Littlefield, 2018) is a brilliant and powerful meditation on the intersection and interaction of Islamophobia, racism, and U.S. imperial state power. This book seeks to reorient our understanding of Islamophobia from a phenomenon centered on individual attitudes and perceptions of hate, to one which is indelibly entrenched to the structural logics of modern state sovereignty, and to the long-running history of racism in the U.S. Another distinctive feature of this book lies in its sustained and nuanced analysis of liberal Islamophobia in varied social and political domains, that tethers the promise of being categorized as “good Muslim” to the endorsement and celebration of American exceptionalism. Combining methods and perspectives from anthropology, visual studies, race studies, and political studies, this thoroughly interdisciplinary book is also eminently accessible and written beautifully, rendering it particularly suitable for courses on modern Islam, Race and Religion, Islam in America, among many other topics.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>151</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kazi's book is a brilliant and powerful meditation on the intersection and interaction of Islamophobia, racism, and U.S. imperial state power...</itunes:subtitle>
      <itunes:summary>Nazia Kazi’s Islamophobia, Race, and Global Politics (Rowman &amp; Littlefield, 2018) is a brilliant and powerful meditation on the intersection and interaction of Islamophobia, racism, and U.S. imperial state power. This book seeks to reorient our understanding of Islamophobia from a phenomenon centered on individual attitudes and perceptions of hate, to one which is indelibly entrenched to the structural logics of modern state sovereignty, and to the long-running history of racism in the U.S. Another distinctive feature of this book lies in its sustained and nuanced analysis of liberal Islamophobia in varied social and political domains, that tethers the promise of being categorized as “good Muslim” to the endorsement and celebration of American exceptionalism. Combining methods and perspectives from anthropology, visual studies, race studies, and political studies, this thoroughly interdisciplinary book is also eminently accessible and written beautifully, rendering it particularly suitable for courses on modern Islam, Race and Religion, Islam in America, among many other topics.
SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://drnaziakazi.com/">Nazia Kazi</a>’s <a href="http://www.amazon.com/dp/1538110091/?tag=newbooinhis-20"><em>Islamophobia, Race, and Global Politics</em></a> (Rowman &amp; Littlefield, 2018) is a brilliant and powerful meditation on the intersection and interaction of Islamophobia, racism, and U.S. imperial state power. This book seeks to reorient our understanding of Islamophobia from a phenomenon centered on individual attitudes and perceptions of hate, to one which is indelibly entrenched to the structural logics of modern state sovereignty, and to the long-running history of racism in the U.S. Another distinctive feature of this book lies in its sustained and nuanced analysis of liberal Islamophobia in varied social and political domains, that tethers the promise of being categorized as “good Muslim” to the endorsement and celebration of American exceptionalism. Combining methods and perspectives from anthropology, visual studies, race studies, and political studies, this thoroughly interdisciplinary book is also eminently accessible and written beautifully, rendering it particularly suitable for courses on modern Islam, Race and Religion, Islam in America, among many other topics.</p><p><a href="https://www.fandm.edu/sherali-tareen"><em>SherAli Tareen</em></a><em> is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available </em><a href="https://fandm.academia.edu/SheraliTareen/"><em>here</em></a><em>. He can be reached at </em><a href="mailto:sherali.tareen@fandm.edu"><em>sherali.tareen@fandm.edu</em></a><em>. Listener feedback is most welcome.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2610</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8130140414.mp3?updated=1664313092" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alpa Shah, et al., "Ground Down by Growth: Tribe, Caste, Class and Inequality in 21st-Century India" (Pluto Press, 2017)</title>
      <description>A recent UNDP report makes the astonishing claim that India has halved its poverty between 2006 and 2016. Moving us past the rosy picture, Alpa Shah and her co-author's  multi-authored, masterful Ground Down by Growth: Tribe, Caste, Class and Inequality in 21st-Century India (Pluto Press, 2017) focuses on those left behind by, and indeed ground down by, India’s much touted growth. Based on intensive fieldwork in multiple locations across India, the book finds that in particular it is India’s ‘untouchables’ (Dalits) and ‘tribals’ (Adivasis) who toil at the bottom of the pyramid in thankless conditions and for little reward. Instead of eradicating inequalities of caste and tribe, the intensification of capitalism has in fact further entrenched them, transforming them into new mechanisms of oppression and accumulation. Analytical rigor paired with lucid prose makes this co-researched and co-authored book indispensable for scholars and citizens concerned with the Global South, inequality, capitalism, economic growth, and social difference.
Aparna Gopalan is a Ph.D. student at Harvard University with interests in agrarian capitalism in rural Rajasthan.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>98</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Shah and her co-authors focuses on those left behind by, and indeed ground down by, India’s much touted growth...</itunes:subtitle>
      <itunes:summary>A recent UNDP report makes the astonishing claim that India has halved its poverty between 2006 and 2016. Moving us past the rosy picture, Alpa Shah and her co-author's  multi-authored, masterful Ground Down by Growth: Tribe, Caste, Class and Inequality in 21st-Century India (Pluto Press, 2017) focuses on those left behind by, and indeed ground down by, India’s much touted growth. Based on intensive fieldwork in multiple locations across India, the book finds that in particular it is India’s ‘untouchables’ (Dalits) and ‘tribals’ (Adivasis) who toil at the bottom of the pyramid in thankless conditions and for little reward. Instead of eradicating inequalities of caste and tribe, the intensification of capitalism has in fact further entrenched them, transforming them into new mechanisms of oppression and accumulation. Analytical rigor paired with lucid prose makes this co-researched and co-authored book indispensable for scholars and citizens concerned with the Global South, inequality, capitalism, economic growth, and social difference.
Aparna Gopalan is a Ph.D. student at Harvard University with interests in agrarian capitalism in rural Rajasthan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A recent UNDP report makes the astonishing claim that India has halved its poverty between 2006 and 2016. Moving us past the rosy picture, <a href="http://www.lse.ac.uk/anthropology/people/alpa-shah">Alpa Shah</a> and her co-author's  multi-authored, masterful <a href="http://www.amazon.com/dp/0745337694/?tag=newbooinhis-20"><em>Ground Down by Growth: Tribe, Caste, Class and Inequality in 21st-Century India</em></a> (Pluto Press, 2017) focuses on those left behind by, and indeed ground down by, India’s much touted growth. Based on intensive fieldwork in multiple locations across India, the book finds that in particular it is India’s ‘untouchables’ (Dalits) and ‘tribals’ (Adivasis) who toil at the bottom of the pyramid in thankless conditions and for little reward. Instead of eradicating inequalities of caste and tribe, the intensification of capitalism has in fact further entrenched them, transforming them into new mechanisms of oppression and accumulation. Analytical rigor paired with lucid prose makes this co-researched and co-authored book indispensable for scholars and citizens concerned with the Global South, inequality, capitalism, economic growth, and social difference.</p><p><em>Aparna Gopalan is a Ph.D. student at Harvard University with interests in agrarian capitalism in rural Rajasthan.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3936</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[583d420e-b493-11e9-a015-0b0d8e5f7089]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3290582482.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aimee Bahng, "Migrant Futures: Decolonizing Speculation in Financial Times" (Duke UP, 2018)</title>
      <description>In Migrant Futures: Decolonizing Speculation in Financial Times (Duke UP, 2018), Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital’s reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures, and subjectivities that exceed the framework of capitalism.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction...</itunes:subtitle>
      <itunes:summary>In Migrant Futures: Decolonizing Speculation in Financial Times (Duke UP, 2018), Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital’s reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures, and subjectivities that exceed the framework of capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0822363798/?tag=newbooinhis-20"><em>Migrant Futures: Decolonizing Speculation in Financial Times</em></a> (Duke UP, 2018), <a href="https://www.pomona.edu/directory/people/aimee-bahng">Aimee Bahng</a> traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital’s reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures, and subjectivities that exceed the framework of capitalism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[550fea18-afe9-11e9-b180-fb868581eae9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4391359002.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jaime Alves, "Anti-Black City: Police Terror and Black Urban Life in Brazil (U Minnesota Press, 2018)</title>
      <description>The 2018 election of far-right president Jair Bolsonaro in Brazil has brought the issues of police violence, racial discrimination, and misogyny to the fore. Jaime Alves’s book the Anti-Black City: Police Terror and Black Urban Life in Brazil (University of Minnesota Press, 2018) shows that, from the perspective of Black Brazilians, these forces have deep roots in the nation’s history. Alves makes a powerful contribution to urban anthropology, describing the spatial contours of “Brazilian Apartheid” in Sao Paulo, the role of police violence in the constitution of the city’s racial-spatial order, and the ways that national sovereignty is exercised on individual bodies. Richly ethnographic, The Anti-Black City explores these themes through an account of the lives and activism of black residents of Sao Paulo’s favelas. In this episode, Jaime Alves talks with Jacob Doherty about how his background shaped the research leading to the book, about the entanglement of neoliberal moral government through community and the deployment of police terror, and about his conceptual engagements with Afro-pessimist philosophy.
Jaime Alves is assistant professor of sociology and anthropology at the College of Staten Island, City University of New York and a research affiliate at the Centro de Estudios Afrodiasporicos at Universidad Icesi, Colombia. He received his Ph.D. from the University of Texas, Austin. His work has appeared in the Journal of Black Studies, Antipode, Journal of Latin American Studies, Identities, and Critical Sociology.
Jacob Doherty is a research associate in urban mobility at the Transport Studies Unit, University of Oxford, and, most recently, the co-editor Labor Laid Waste, a special issue of International Labor and Working Class History.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Alves makes a powerful contribution to urban anthropology, describing the spatial contours of “Brazilian Apartheid” in Sao Paulo...</itunes:subtitle>
      <itunes:summary>The 2018 election of far-right president Jair Bolsonaro in Brazil has brought the issues of police violence, racial discrimination, and misogyny to the fore. Jaime Alves’s book the Anti-Black City: Police Terror and Black Urban Life in Brazil (University of Minnesota Press, 2018) shows that, from the perspective of Black Brazilians, these forces have deep roots in the nation’s history. Alves makes a powerful contribution to urban anthropology, describing the spatial contours of “Brazilian Apartheid” in Sao Paulo, the role of police violence in the constitution of the city’s racial-spatial order, and the ways that national sovereignty is exercised on individual bodies. Richly ethnographic, The Anti-Black City explores these themes through an account of the lives and activism of black residents of Sao Paulo’s favelas. In this episode, Jaime Alves talks with Jacob Doherty about how his background shaped the research leading to the book, about the entanglement of neoliberal moral government through community and the deployment of police terror, and about his conceptual engagements with Afro-pessimist philosophy.
Jaime Alves is assistant professor of sociology and anthropology at the College of Staten Island, City University of New York and a research affiliate at the Centro de Estudios Afrodiasporicos at Universidad Icesi, Colombia. He received his Ph.D. from the University of Texas, Austin. His work has appeared in the Journal of Black Studies, Antipode, Journal of Latin American Studies, Identities, and Critical Sociology.
Jacob Doherty is a research associate in urban mobility at the Transport Studies Unit, University of Oxford, and, most recently, the co-editor Labor Laid Waste, a special issue of International Labor and Working Class History.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 2018 election of far-right president Jair Bolsonaro in Brazil has brought the issues of police violence, racial discrimination, and misogyny to the fore. <a href="https://lsa.umich.edu/ncid/people/diversity-scholars-directory/jaime-alves.html">Jaime Alves</a>’s book the <a href="http://www.amazon.com/dp/1517901561/?tag=newbooinhis-20"><em>Anti-Black City: Police Terror and Black Urban Life in Brazil</em></a> (University of Minnesota Press, 2018) shows that, from the perspective of Black Brazilians, these forces have deep roots in the nation’s history. Alves makes a powerful contribution to urban anthropology, describing the spatial contours of “Brazilian Apartheid” in Sao Paulo, the role of police violence in the constitution of the city’s racial-spatial order, and the ways that national sovereignty is exercised on individual bodies. Richly ethnographic,<em> The Anti-Black City</em> explores these themes through an account of the lives and activism of black residents of Sao Paulo’s favelas. In this episode, Jaime Alves talks with Jacob Doherty about how his background shaped the research leading to the book, about the entanglement of neoliberal moral government through community and the deployment of police terror, and about his conceptual engagements with Afro-pessimist philosophy.</p><p>Jaime Alves is assistant professor of sociology and anthropology at the College of Staten Island, City University of New York and a research affiliate at the Centro de Estudios Afrodiasporicos at Universidad Icesi, Colombia. He received his Ph.D. from the University of Texas, Austin. His work has appeared in the Journal of Black Studies, Antipode, Journal of Latin American Studies, Identities, and Critical Sociology.</p><p><em>Jacob Doherty is a research associate in urban mobility at the Transport Studies Unit, University of Oxford, and, most recently, the co-editor Labor Laid Waste, a special issue of International Labor and Working Class History.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[091adb26-afef-11e9-9015-0f26142b88cf]]></guid>
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    </item>
    <item>
      <title>Anne O’Brien, "Women, Inequality and Media Work" (Routledge, 2019)</title>
      <description>How do women experience gender inequality in film and television production industries? In Women, Inequality and Media Work (Routledge, 2019), Dr Anne O’Brien, lecturer in the Department of Media Studies at Maynooth University, answers this question with a case study of the Irish media industry. Blending a critical engagement with feminist and media theory with a wealth of empirical material, the book looks at the barriers to women in media occupations. The book highlights the subjectivities within media industries that resist and are responsible for these inequalities, ultimately demanding change in both Irish and Global modes of media production. The book is an important and essential read across a range of academic readers, and for anyone interested in why we have the media we have, and how we can change it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How do women experience gender inequality in film and television production industries?</itunes:subtitle>
      <itunes:summary>How do women experience gender inequality in film and television production industries? In Women, Inequality and Media Work (Routledge, 2019), Dr Anne O’Brien, lecturer in the Department of Media Studies at Maynooth University, answers this question with a case study of the Irish media industry. Blending a critical engagement with feminist and media theory with a wealth of empirical material, the book looks at the barriers to women in media occupations. The book highlights the subjectivities within media industries that resist and are responsible for these inequalities, ultimately demanding change in both Irish and Global modes of media production. The book is an important and essential read across a range of academic readers, and for anyone interested in why we have the media we have, and how we can change it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do women experience gender inequality in film and television production industries? In <a href="http://www.amazon.com/dp/1138352314/?tag=newbooinhis-20"><em>Women, Inequality and Media Work</em></a> (Routledge, 2019), <a href="https://twitter.com/AOBVanV">Dr Anne O’Brien,</a> <a href="https://www.maynoothuniversity.ie/media-studies/our-people/anne-obrien">lecturer</a> in the Department of Media Studies at Maynooth University, answers this question with a case study of the Irish media industry. Blending a critical engagement with feminist and media theory with a wealth of empirical material, the book looks at the barriers to women in media occupations. The book highlights the subjectivities within media industries that resist and are responsible for these inequalities, ultimately demanding change in both Irish and Global modes of media production. The book is an important and essential read across a range of academic readers, and for anyone interested in why we have the media we have, and how we can change it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3dc17e14-af24-11e9-8e04-f7b371af714b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3464759056.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A. Ricardo López-Pedreros, "Makers of Democracy: A Transnational History of the Middle Classes in Colombia" (Duke UP, 2019)</title>
      <description>This tightly argued social and intellectual history of the middle classes in Colombia makes a compelling case for the importance of both transnationalism and gender in the mid-century idea of middle-class-ness. A. Ricardo López-Pedreros' Makers of Democracy: A Transnational History of the Middle Classes in Colombia (Duke University Press, 2019) takes readers through the discursive and ideological creation of the middle classes as necessary to stave off both revolution and oligarchical tyranny in Colombia. As the second half of the book demonstrates, however, members of these middle classes did not always conform to those expectations. The results were tragic, and serve as a cautionary tale in this neoliberal age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 01 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This tightly argued social and intellectual history of the middle classes in Colombia makes a compelling case for the importance of both transnationalism and gender in the mid-century idea of middle-class-ness...</itunes:subtitle>
      <itunes:summary>This tightly argued social and intellectual history of the middle classes in Colombia makes a compelling case for the importance of both transnationalism and gender in the mid-century idea of middle-class-ness. A. Ricardo López-Pedreros' Makers of Democracy: A Transnational History of the Middle Classes in Colombia (Duke University Press, 2019) takes readers through the discursive and ideological creation of the middle classes as necessary to stave off both revolution and oligarchical tyranny in Colombia. As the second half of the book demonstrates, however, members of these middle classes did not always conform to those expectations. The results were tragic, and serve as a cautionary tale in this neoliberal age.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This tightly argued social and intellectual history of the middle classes in Colombia makes a compelling case for the importance of both transnationalism and gender in the mid-century idea of middle-class-ness. <a href="https://chss.wwu.edu/people/lopeza6">A. Ricardo López-Pedreros</a>' <a href="http://www.amazon.com/dp/1478002859/?tag=newbooinhis-20"><em>Makers of Democracy: A Transnational History of the Middle Classes in Colombia</em></a> (Duke University Press, 2019) takes readers through the discursive and ideological creation of the middle classes as necessary to stave off both revolution and oligarchical tyranny in Colombia. As the second half of the book demonstrates, however, members of these middle classes did not always conform to those expectations. The results were tragic, and serve as a cautionary tale in this neoliberal age.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2380</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2bd28c0e-af18-11e9-a69d-0372674d846e]]></guid>
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    </item>
    <item>
      <title>Courtney Pace, "Freedom Faith: The Womanist Vision of Prathia Hall" (U Georgia Press, 2019)</title>
      <description>Freedom Faith: The Womanist Vision of Prathia Hall (University of Georgia Press, 2019) is the first full-length critical study of Rev. Dr. Prathia Laura Ann Hall (1940–2002), an undersung leader in both the civil rights movement and African American theology. Freedom faith was the central concept of Hall’s theology: the belief that God created humans to be free and assists and equips those who work for freedom. Hall rooted her work simultaneously in social justice, Christian practice, and womanist thought.
Courtney Pace examines Hall’s life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher. Moving along the trajectory of Hall’s life and civic service, Freedom Faith focuses on her intellectual and theological development and her radiating influence on such figures as Dr. Martin Luther King Jr., Marian Wright Edelman, and the early generations of womanist scholars. Hall was one of the first women ordained in the American Baptist Churches, USA, was the pastor of Mt. Sharon Baptist Church in Philadelphia, and in later life joined the faculty at the Boston University School of Theology as the Martin Luther King Chair in Social Ethics. In activism and ministry, Hall was a pioneer, fusing womanist thought with Christian ethics and visions of social justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 24 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Pace examines Hall’s life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher...</itunes:subtitle>
      <itunes:summary>Freedom Faith: The Womanist Vision of Prathia Hall (University of Georgia Press, 2019) is the first full-length critical study of Rev. Dr. Prathia Laura Ann Hall (1940–2002), an undersung leader in both the civil rights movement and African American theology. Freedom faith was the central concept of Hall’s theology: the belief that God created humans to be free and assists and equips those who work for freedom. Hall rooted her work simultaneously in social justice, Christian practice, and womanist thought.
Courtney Pace examines Hall’s life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher. Moving along the trajectory of Hall’s life and civic service, Freedom Faith focuses on her intellectual and theological development and her radiating influence on such figures as Dr. Martin Luther King Jr., Marian Wright Edelman, and the early generations of womanist scholars. Hall was one of the first women ordained in the American Baptist Churches, USA, was the pastor of Mt. Sharon Baptist Church in Philadelphia, and in later life joined the faculty at the Boston University School of Theology as the Martin Luther King Chair in Social Ethics. In activism and ministry, Hall was a pioneer, fusing womanist thought with Christian ethics and visions of social justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0820355062/?tag=newbooinhis-20"><em>Freedom Faith: The Womanist Vision of Prathia Hall</em></a> (University of Georgia Press, 2019) is the first full-length critical study of Rev. Dr. Prathia Laura Ann Hall (1940–2002), an undersung leader in both the civil rights movement and African American theology. Freedom faith was the central concept of Hall’s theology: the belief that God created humans to be free and assists and equips those who work for freedom. Hall rooted her work simultaneously in social justice, Christian practice, and womanist thought.</p><p><a href="https://memphisseminary.edu/dr-courtney-pace/">Courtney Pace</a> examines Hall’s life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher. Moving along the trajectory of Hall’s life and civic service, <em>Freedom Faith</em> focuses on her intellectual and theological development and her radiating influence on such figures as Dr. Martin Luther King Jr., Marian Wright Edelman, and the early generations of womanist scholars. Hall was one of the first women ordained in the American Baptist Churches, USA, was the pastor of Mt. Sharon Baptist Church in Philadelphia, and in later life joined the faculty at the Boston University School of Theology as the Martin Luther King Chair in Social Ethics. In activism and ministry, Hall was a pioneer, fusing womanist thought with Christian ethics and visions of social justice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d4436140-a8d5-11e9-b324-3f8b43a57752]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5253999047.mp3?updated=1664637707" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Juan Pablo Pardo-Guerra, “Automating Finance: Infrastructures, Engineers, and the Making of Electronic Markets” (Cambridge UP, 2019)</title>
      <description>How are markets made? In Automating Finance: Infrastructures, Engineers, and the Making of Electronic Markets (Cambridge University Press, 2019), Juan Pablo Pardo-Guerra, an assistant professor in sociology at the University of California, San Diego, explores the history of the finance industry to understand the role of markets and technologies in contemporary capitalism. The book offers a detailed theoretical engagement with the personalities and technological changes underpinning the modern system of automated finance. It uses the case study of the development of the London Stock Exchange, looking at the social relations embedded in financial markets, before moving to look at the global, American system. Charting the move from trading floors to trading screens, the book considers individuals and broader social systems shaping enabling and constraining behaviour in the world of finance. Overall the book offers a rethinking of the meaning of markets, and is essential reading across social science, history, and management studies.
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      <pubDate>Mon, 22 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Pardo-Guerra explores the history of the finance industry to understand the role of markets and technologies in contemporary capitalism...</itunes:subtitle>
      <itunes:summary>How are markets made? In Automating Finance: Infrastructures, Engineers, and the Making of Electronic Markets (Cambridge University Press, 2019), Juan Pablo Pardo-Guerra, an assistant professor in sociology at the University of California, San Diego, explores the history of the finance industry to understand the role of markets and technologies in contemporary capitalism. The book offers a detailed theoretical engagement with the personalities and technological changes underpinning the modern system of automated finance. It uses the case study of the development of the London Stock Exchange, looking at the social relations embedded in financial markets, before moving to look at the global, American system. Charting the move from trading floors to trading screens, the book considers individuals and broader social systems shaping enabling and constraining behaviour in the world of finance. Overall the book offers a rethinking of the meaning of markets, and is essential reading across social science, history, and management studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are markets made? In <a href="http://www.amazon.com/dp/1108496423/?tag=newbooinhis-20"><em>Automating Finance: Infrastructures, Engineers, and the Making of Electronic Markets</em></a> (Cambridge University Press, 2019), <a href="https://sociology.ucsd.edu/people/faculty/faculty%20members/juan-pardo-guerra.html">Juan Pablo Pardo-Guerra</a>, an assistant professor in sociology at the University of California, San Diego, explores the history of the finance industry to understand the role of markets and technologies in contemporary capitalism. The book offers a detailed theoretical engagement with the personalities and technological changes underpinning the modern system of automated finance. It uses the case study of the development of the London Stock Exchange, looking at the social relations embedded in financial markets, before moving to look at the global, American system. Charting the move from trading floors to trading screens, the book considers individuals and broader social systems shaping enabling and constraining behaviour in the world of finance. Overall the book offers a rethinking of the meaning of markets, and is essential reading across social science, history, and management studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2679</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa8d2a20-a5a6-11e9-943b-2741a0290a9e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6287027270.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stijn Vanheule, Derek Hook and Calum Neill, "Reading Lacan’s Écrits" (Routledge, 2018)</title>
      <description>Lacan published his Écrits in 1966, a compilation of his written work up to that middle period in his teaching. Notoriously difficult to read, the editors of the book we’re discussing today describe the Écrits as “an unwieldy, conglomerate ‘urtext’ … not a book at all … but ‘the waste’ of his teaching: elements he didn’t discuss in public … and sensitive points to which his audience would have reacted with reluctance.” It wasn’t until 2007 that, thanks to work of translator Bruce Fink, the complete edition of the Écrits were finally published in English. Now, Stijn Vanheule, Derek Hook and Calum Neill have brought us the three volume work, Reading Lacan’s Écrits (Routledge, 2018), which features world renowned Lacanian scholars and clinicians explicating in detailed paragraph-by-paragraph commentary each of the essays in the Écrits. Thanks to this publication, coming to grips with the Écrits in all its complexity has suddenly become possible. Lacan’s cryptic pronouncements are miraculously, lucidly reformulated, revealing them in their original and enlightening contributions to the practice and theory of psychoanalysis. What was involved in putting together this monumental and challenging work of exegesis? What does it say about the Lacanian tradition today — in all its differing styles, emphases and factions? Join us in conversation with Derek, Calum and Stijn as we explore this and more.
Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found here.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lacan published his Écrits in 1966, a compilation of his written work up to that middle period in his teaching...</itunes:subtitle>
      <itunes:summary>Lacan published his Écrits in 1966, a compilation of his written work up to that middle period in his teaching. Notoriously difficult to read, the editors of the book we’re discussing today describe the Écrits as “an unwieldy, conglomerate ‘urtext’ … not a book at all … but ‘the waste’ of his teaching: elements he didn’t discuss in public … and sensitive points to which his audience would have reacted with reluctance.” It wasn’t until 2007 that, thanks to work of translator Bruce Fink, the complete edition of the Écrits were finally published in English. Now, Stijn Vanheule, Derek Hook and Calum Neill have brought us the three volume work, Reading Lacan’s Écrits (Routledge, 2018), which features world renowned Lacanian scholars and clinicians explicating in detailed paragraph-by-paragraph commentary each of the essays in the Écrits. Thanks to this publication, coming to grips with the Écrits in all its complexity has suddenly become possible. Lacan’s cryptic pronouncements are miraculously, lucidly reformulated, revealing them in their original and enlightening contributions to the practice and theory of psychoanalysis. What was involved in putting together this monumental and challenging work of exegesis? What does it say about the Lacanian tradition today — in all its differing styles, emphases and factions? Join us in conversation with Derek, Calum and Stijn as we explore this and more.
Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found here.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lacan published his <em>Écrits</em> in 1966, a compilation of his written work up to that middle period in his teaching. Notoriously difficult to read, the editors of the book we’re discussing today describe the Écrits as “an unwieldy, conglomerate ‘urtext’ … not a book at all … but ‘the waste’ of his teaching: elements he didn’t discuss in public … and sensitive points to which his audience would have reacted with reluctance.” It wasn’t until 2007 that, thanks to work of translator Bruce Fink, the complete edition of the <em>Écrits</em> were finally published in English. Now, <a href="https://www.researchgate.net/profile/Stijn_Vanheule">Stijn Vanheule</a>, <a href="https://www.duq.edu/academics/faculty/derek-hook">Derek Hook</a> and <a href="https://www.napier.ac.uk/people/calum-neill">Calum Neill</a> have brought us the three volume work, <a href="http://www.amazon.com/dp/0415708028/?tag=newbooinhis-20"><em>Reading Lacan’s Écrits</em></a> (Routledge, 2018), which features world renowned Lacanian scholars and clinicians explicating in detailed paragraph-by-paragraph commentary each of the essays in the <em>Écrits</em>. Thanks to this publication, coming to grips with the <em>Écrits</em> in all its complexity has suddenly become possible. Lacan’s cryptic pronouncements are miraculously, lucidly reformulated, revealing them in their original and enlightening contributions to the practice and theory of psychoanalysis. What was involved in putting together this monumental and challenging work of exegesis? What does it say about the Lacanian tradition today — in all its differing styles, emphases and factions? Join us in conversation with Derek, Calum and Stijn as we explore this and more.</p><p><em>Jordan Osserman grew up in South Florida and currently calls London home. He received his PhD in gender studies and psychoanalysis from University College London, his MA in psychosocial studies from Birkbeck College, and his BA in womens and gender studies from Dartmouth College. His published work can be found </em><a href="http://ucl.academia.edu/JordanOsserman"><em>here</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3609</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jinah Kim, "Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas" (Duke UP, 2019)</title>
      <description>In Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas (Duke University Press, 2019), Jinah Kim explores questions of loss, memory, and redress in post WWII Asian diasporic decolonial politics. Through a close analysis of seminal cultural works that range from theory, short stories, film noir, documentaries, plays, and novels, Kim makes legible how Korean and Japanese diasporic communities have experienced U.S. militarism and Japanese colonialism. The concept of melancholia, defined as an unending state of mourning, along with the notion of “dread forwarding,” in which a new trauma can trigger an older one, inducing both a flashback but also a flash forward, is crucial to her reading. This concise yet rich work addresses the question of collective pain brought on by postcolonial loss and trauma. Kim puts geographical, cultural, and temporal spaces in conversation with one another, illuminating the ways in which Asian diasporic communities have negotiated their colonial histories.
Laura Ha Reizman is a PhD candidate in Asian Languages &amp; Cultures at UCLA

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kim explores questions of loss, memory, and redress in post WWII Asian diasporic decolonial politics...</itunes:subtitle>
      <itunes:summary>In Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas (Duke University Press, 2019), Jinah Kim explores questions of loss, memory, and redress in post WWII Asian diasporic decolonial politics. Through a close analysis of seminal cultural works that range from theory, short stories, film noir, documentaries, plays, and novels, Kim makes legible how Korean and Japanese diasporic communities have experienced U.S. militarism and Japanese colonialism. The concept of melancholia, defined as an unending state of mourning, along with the notion of “dread forwarding,” in which a new trauma can trigger an older one, inducing both a flashback but also a flash forward, is crucial to her reading. This concise yet rich work addresses the question of collective pain brought on by postcolonial loss and trauma. Kim puts geographical, cultural, and temporal spaces in conversation with one another, illuminating the ways in which Asian diasporic communities have negotiated their colonial histories.
Laura Ha Reizman is a PhD candidate in Asian Languages &amp; Cultures at UCLA

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/147800293X/?tag=newbooinhis-20"><em>Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas</em></a> (Duke University Press, 2019), <a href="https://www.csun.edu/mike-curb-arts-media-communication/communication-studies/jinah-kim">Jinah Kim</a> explores questions of loss, memory, and redress in post WWII Asian diasporic decolonial politics. Through a close analysis of seminal cultural works that range from theory, short stories, film noir, documentaries, plays, and novels, Kim makes legible how Korean and Japanese diasporic communities have experienced U.S. militarism and Japanese colonialism. The concept of melancholia, defined as an unending state of mourning, along with the notion of “dread forwarding,” in which a new trauma can trigger an older one, inducing both a flashback but also a flash forward, is crucial to her reading. This concise yet rich work addresses the question of collective pain brought on by postcolonial loss and trauma. Kim puts geographical, cultural, and temporal spaces in conversation with one another, illuminating the ways in which Asian diasporic communities have negotiated their colonial histories.</p><p><em>Laura Ha Reizman is a PhD candidate in Asian Languages &amp; Cultures at UCLA</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5672</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Eric Blanc, "Red State Revolt: The Teachers’ Strike Wave and Working-Class Politics" (Verso, 2019)</title>
      <description>Eric Blanc is the author of Red State Revolt: The Teachers’ Strike Wave and Working-Class Politics(Verso, 2019). Blanc is a former teacher, journalist, and doctoral student in sociology at New York University. He has written for The Nation, The Guardian, and Jacobin magazine.
Red State Revolt explains the emergence and development of the historic wave of teacher strikes in Arizona, West Virginia, and Oklahoma. Blanc embedded himself into the organizations that helped plan the walkouts, gaining access to internal planning meetings and secret Facebook groups. The result is a rich portrait of the labor movement and contemporary political organizing.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 09 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>361</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Red State Revolt explains the emergence and development of the historic wave of teacher strikes in Arizona, West Virginia, and Oklahoma.</itunes:subtitle>
      <itunes:summary>Eric Blanc is the author of Red State Revolt: The Teachers’ Strike Wave and Working-Class Politics(Verso, 2019). Blanc is a former teacher, journalist, and doctoral student in sociology at New York University. He has written for The Nation, The Guardian, and Jacobin magazine.
Red State Revolt explains the emergence and development of the historic wave of teacher strikes in Arizona, West Virginia, and Oklahoma. Blanc embedded himself into the organizations that helped plan the walkouts, gaining access to internal planning meetings and secret Facebook groups. The result is a rich portrait of the labor movement and contemporary political organizing.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://twitter.com/_ericblanc?lang=en">Eric Blanc</a> is the author of <a href="http://www.amazon.com/dp/1788735749/?tag=newbooinhis-20"><em>Red State Revolt: The Teachers’ Strike Wave and Working-Class Politics</em></a>(Verso, 2019). Blanc is a former teacher, journalist, and doctoral student in sociology at New York University. He has written for <em>The Nation</em>, <em>The Guardian</em>, and <em>Jacobin</em> magazine.</p><p><em>Red State Revolt</em> explains the emergence and development of the historic wave of teacher strikes in Arizona, West Virginia, and Oklahoma. Blanc embedded himself into the organizations that helped plan the walkouts, gaining access to internal planning meetings and secret Facebook groups. The result is a rich portrait of the labor movement and contemporary political organizing.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>M. L. Mitma and J. P. Heilman, "Now Peru is Mine: The Life and Times of a Campesino Activist" (Duke UP, 2016)</title>
      <description>Now Peru is Mine: The Life and Times of a Campesino Activist (Duke University Press, 2016), tells the remarkable story of a campesino and indigenous political activist whose career spanned much of Peru’s twentieth century and whose achievements at the local and national level transformed Peruvian peasant politics. Structured as a testimonial biography co-authored by the activist Manuel Llamojha Mitma himself and framed by historian Jaymie Patricia Heilman, this book is a valuable document of both pre-Shining Path indigenous activism and the history of Cold War Peru.
Born into a poor Quechua family in a small community in Ayacucho, Llamojha became one of the most powerful peasant activists in the country, responsible for the expansion of the Confederación Campesina del Perú to the national stage in the 1960s and integral to the debates that shaped Peru’s left before the rise of the Shining Path. Although he was a contemporary of Shining Path founder Abimael Guzmán and a participant in Maoist peasant movements, Llamojha was never a member of the party and rejected Shining Path tactics. Nonetheless, like so many on the Peruvian left, Llamojha and his children were caught up in the repression waged against the party, resulting both Llamojha’s disappearance from political life and the death of his youngest son.
Llamojha was a consummate storyteller whose lifelong commitment to protecting his community was only matched by the ambitious scope of his political vision. Throughout his life, Llamojha articulated an indigenous identity and a politics of liberation that was expressed through class but not subsumed to it. His life story and political writings alike reflect thoughtful negotiation between the intimate demands of family and community and the national and international struggles for revolution that Peru and Llamojha helped lead. Heilman’s deft organizational choices and thoughtful framing help render Llamojha’s stories intelligible to specialists as well as readers without a strong background in Peruvian history or the history of indigenous activism. This book should be read by anyone interested in Peruvian or Latin American history, the Shining Path, the Cold War, and indigenous activism.
Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 08 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book tells the remarkable story of a campesino and indigenous political activist whose career spanned much of Peru’s twentieth century and whose achievements at the local and national level transformed Peruvian peasant politics...</itunes:subtitle>
      <itunes:summary>Now Peru is Mine: The Life and Times of a Campesino Activist (Duke University Press, 2016), tells the remarkable story of a campesino and indigenous political activist whose career spanned much of Peru’s twentieth century and whose achievements at the local and national level transformed Peruvian peasant politics. Structured as a testimonial biography co-authored by the activist Manuel Llamojha Mitma himself and framed by historian Jaymie Patricia Heilman, this book is a valuable document of both pre-Shining Path indigenous activism and the history of Cold War Peru.
Born into a poor Quechua family in a small community in Ayacucho, Llamojha became one of the most powerful peasant activists in the country, responsible for the expansion of the Confederación Campesina del Perú to the national stage in the 1960s and integral to the debates that shaped Peru’s left before the rise of the Shining Path. Although he was a contemporary of Shining Path founder Abimael Guzmán and a participant in Maoist peasant movements, Llamojha was never a member of the party and rejected Shining Path tactics. Nonetheless, like so many on the Peruvian left, Llamojha and his children were caught up in the repression waged against the party, resulting both Llamojha’s disappearance from political life and the death of his youngest son.
Llamojha was a consummate storyteller whose lifelong commitment to protecting his community was only matched by the ambitious scope of his political vision. Throughout his life, Llamojha articulated an indigenous identity and a politics of liberation that was expressed through class but not subsumed to it. His life story and political writings alike reflect thoughtful negotiation between the intimate demands of family and community and the national and international struggles for revolution that Peru and Llamojha helped lead. Heilman’s deft organizational choices and thoughtful framing help render Llamojha’s stories intelligible to specialists as well as readers without a strong background in Peruvian history or the history of indigenous activism. This book should be read by anyone interested in Peruvian or Latin American history, the Shining Path, the Cold War, and indigenous activism.
Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0822362384/?tag=newbooinhis-20"><em>Now Peru is Mine: The Life and Times of a Campesino Activist </em></a>(Duke University Press, 2016), tells the remarkable story of a campesino and indigenous political activist whose career spanned much of Peru’s twentieth century and whose achievements at the local and national level transformed Peruvian peasant politics. Structured as a testimonial biography co-authored by the activist Manuel Llamojha Mitma himself and framed by historian <a href="https://www.ualberta.ca/arts/about/people-collection/jaymie-heilman">Jaymie Patricia Heilman</a>, this book is a valuable document of both pre-Shining Path indigenous activism and the history of Cold War Peru.</p><p>Born into a poor Quechua family in a small community in Ayacucho, Llamojha became one of the most powerful peasant activists in the country, responsible for the expansion of the Confederación Campesina del Perú to the national stage in the 1960s and integral to the debates that shaped Peru’s left before the rise of the Shining Path. Although he was a contemporary of Shining Path founder Abimael Guzmán and a participant in Maoist peasant movements, Llamojha was never a member of the party and rejected Shining Path tactics. Nonetheless, like so many on the Peruvian left, Llamojha and his children were caught up in the repression waged against the party, resulting both Llamojha’s disappearance from political life and the death of his youngest son.</p><p>Llamojha was a consummate storyteller whose lifelong commitment to protecting his community was only matched by the ambitious scope of his political vision. Throughout his life, Llamojha articulated an indigenous identity and a politics of liberation that was expressed through class but not subsumed to it. His life story and political writings alike reflect thoughtful negotiation between the intimate demands of family and community and the national and international struggles for revolution that Peru and Llamojha helped lead. Heilman’s deft organizational choices and thoughtful framing help render Llamojha’s stories intelligible to specialists as well as readers without a strong background in Peruvian history or the history of indigenous activism. This book should be read by anyone interested in Peruvian or Latin American history, the Shining Path, the Cold War, and indigenous activism.</p><p><a href="https://twitter.com/e_c_miscellany"><em>Elena McGrath</em></a><em> is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2938</itunes:duration>
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    <item>
      <title>Bhakti Shringarpure, "Cold War Assemblages: Decolonization to Digital" (Routledge, 2019)</title>
      <description>Bhakti Shringarpure has written a fascinating, multidimensional analysis of the Cold War and decolonization and the often-under-explored connections between these events. In her book, Cold War Assemblages: Decolonization to Digital (Routledge, 2019), she integrates a variety of disciplinary perspectives while also weaving together the encounters and reverberations between the Cold War and decolonization and the post-colonial experience. This study takes on the political understandings of what transpired during the Cold War period in terms of the bipolar framework and what transpired in the Global South as the formerly occupying powers were leaving countries and areas they had colonized, only to be replaced by many a proxy war or occupation in these same spaces and nations. Shringarpure also makes the connection between the hard power, and hot and cold aspects of the Cold War, with the use of soft power by the western powers, especially the British and United States, to infiltrate aspects of the Anglophone world in ways that are still with us. The second part of the book examines the cultural, literary, and artistic aspects of the Cold War, especially as pursued by western intelligence services. This is an important and engaging study that will interest scholars and students across a host of disciplines.
Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-author of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury 2015). She can be found on Twitter @gorenlj.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Shringarpure integrates a variety of disciplinary perspectives while also weaving together the encounters and reverberations between the Cold War and decolonization and the post-colonial experience...</itunes:subtitle>
      <itunes:summary>Bhakti Shringarpure has written a fascinating, multidimensional analysis of the Cold War and decolonization and the often-under-explored connections between these events. In her book, Cold War Assemblages: Decolonization to Digital (Routledge, 2019), she integrates a variety of disciplinary perspectives while also weaving together the encounters and reverberations between the Cold War and decolonization and the post-colonial experience. This study takes on the political understandings of what transpired during the Cold War period in terms of the bipolar framework and what transpired in the Global South as the formerly occupying powers were leaving countries and areas they had colonized, only to be replaced by many a proxy war or occupation in these same spaces and nations. Shringarpure also makes the connection between the hard power, and hot and cold aspects of the Cold War, with the use of soft power by the western powers, especially the British and United States, to infiltrate aspects of the Anglophone world in ways that are still with us. The second part of the book examines the cultural, literary, and artistic aspects of the Cold War, especially as pursued by western intelligence services. This is an important and engaging study that will interest scholars and students across a host of disciplines.
Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-author of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury 2015). She can be found on Twitter @gorenlj.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://english.uconn.edu/bhakti-shringarpure/">Bhakti Shringarpure</a> has written a fascinating, multidimensional analysis of the Cold War and decolonization and the often-under-explored connections between these events. In her book, <a href="http://www.amazon.com/dp/0367196948/?tag=newbooinhis-20"><em>Cold War Assemblages: Decolonization to Digital</em></a> (Routledge, 2019), she integrates a variety of disciplinary perspectives while also weaving together the encounters and reverberations between the Cold War and decolonization and the post-colonial experience. This study takes on the political understandings of what transpired during the Cold War period in terms of the bipolar framework and what transpired in the Global South as the formerly occupying powers were leaving countries and areas they had colonized, only to be replaced by many a proxy war or occupation in these same spaces and nations. Shringarpure also makes the connection between the hard power, and hot and cold aspects of the Cold War, with the use of soft power by the western powers, especially the British and United States, to infiltrate aspects of the Anglophone world in ways that are still with us. The second part of the book examines the cultural, literary, and artistic aspects of the Cold War, especially as pursued by western intelligence services. This is an important and engaging study that will interest scholars and students across a host of disciplines.</p><p><em>Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI. She is co-author of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury 2015). She can be found on Twitter @gorenlj.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2765</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[21ee587e-9467-11e9-a7b3-d7218c8f787f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8971784674.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Beer, “The Data Gaze: Capitalism, Power and Perception“ (Sage, 2019)</title>
      <description>What is the social role of data? In The Data Gaze: Capitalism, Power and Perception (Sage, 2019), David Beer, a professor of sociology at the University of York, considers this question by introducing the concept of the data gaze. The book is the third in Beer’s loose trilogy of work on data. It draws on Foucault’s work in The Birth of the Clinic to think through various theoretical and empirical examples of how the data gaze functions. The book considers theories of temporality and acceleration, along with the practices of analysts, engineers, and organisations in data capitalism, with the aim of questioning the objectivity assumed to be inherent in ‘data’. It will be essential reading to anyone seeking to understand contemporary, data, society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the social role of data?</itunes:subtitle>
      <itunes:summary>What is the social role of data? In The Data Gaze: Capitalism, Power and Perception (Sage, 2019), David Beer, a professor of sociology at the University of York, considers this question by introducing the concept of the data gaze. The book is the third in Beer’s loose trilogy of work on data. It draws on Foucault’s work in The Birth of the Clinic to think through various theoretical and empirical examples of how the data gaze functions. The book considers theories of temporality and acceleration, along with the practices of analysts, engineers, and organisations in data capitalism, with the aim of questioning the objectivity assumed to be inherent in ‘data’. It will be essential reading to anyone seeking to understand contemporary, data, society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the social role of data? In <a href="http://www.amazon.com/dp/1526436914/?tag=newbooinhis-20"><em>The Data Gaze: Capitalism, Power and Perception </em></a>(Sage, 2019)<em>, </em><a href="https://twitter.com/davidgbeer">David Beer</a>, a <a href="https://www.york.ac.uk/sociology/our-staff/academic/david-beer/">professor of sociology at the University of York,</a> considers this question by introducing the concept of the data gaze. The book is the third in Beer’s loose trilogy of work on data. It draws on Foucault’s work in <em>The Birth of the Clinic</em> to think through various theoretical and empirical examples of how the data gaze functions. The book considers theories of temporality and acceleration, along with the practices of analysts, engineers, and organisations in data capitalism, with the aim of questioning the objectivity assumed to be inherent in ‘data’. It will be essential reading to anyone seeking to understand contemporary, data, society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2214</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[26919a5c-9418-11e9-9cb6-f797a87236ca]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2141095813.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carolina Alonso Bejarano, "Decolonizing Ethnography: Undocumented Immigrants and New Directions in Social Science" (Duke UP, 2019)</title>
      <description>Almost 30 years ago, following the lead of scholars and thinkers of color and from the global South, anthropologist Faye Harrison and some of her colleagues published Decolonizing Anthropology: Moving Further Toward an Anthropology of Liberation. Harrison asked her readers: "How can anthropological knowledge advance the interests of the world’s majority during this period of ongoing crisis and uncertainty?" The lives of many have become even more precarious in the ensuing decades, among them people who have emigrated to the United States in search of greater economic stability.
Decolonizing Ethnography: Undocumented Immigrants and New Directions in Social Science (Duke University Press, 2019) responds directly to Harrison's call. The book explores ways in which ethnography, as practiced by people who have historically been objects of ethnographic study, can yield transformative and liberatory results. During former President Obama's second term, immigrant activists Lucía López Juárez and Mirian A. Mijangos García conducted ethnographic research on the effects of the securitization of immigration on the undocumented people of a New Jersey community, in collaboration with Professors Carolina Alonso Bejarano and Daniel M. Goldstein of Rutgers University. The work of these four people on the project is captured in their coauthorship of the book.
During their work on the study, Lucía and Mirian frequently were able to educate and exhort those they interviewed to exercise their rights under state and federal law. And the four authors collaborated on and performed in a play based on Mirian's work injury and successful court case. The entire play is available to the reader in the book in both English and Spanish and it is the authors' hope that it will be performed for the education and inspiration of other undocumented people.
The book features illustrations by Peter Quach.
Amy E. Brown, who is a cohost of the Critical Theory channel, is a writer and liberal arts enthusiast. Her professional and academic background includes technical communication, law, and history. She tweets occasionally at @AmyEBrown3 and you can also find her on LinkedIn.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The book explores ways in which ethnography, as practiced by people who have historically been objects of ethnographic study, can yield transformative and liberatory results.</itunes:subtitle>
      <itunes:summary>Almost 30 years ago, following the lead of scholars and thinkers of color and from the global South, anthropologist Faye Harrison and some of her colleagues published Decolonizing Anthropology: Moving Further Toward an Anthropology of Liberation. Harrison asked her readers: "How can anthropological knowledge advance the interests of the world’s majority during this period of ongoing crisis and uncertainty?" The lives of many have become even more precarious in the ensuing decades, among them people who have emigrated to the United States in search of greater economic stability.
Decolonizing Ethnography: Undocumented Immigrants and New Directions in Social Science (Duke University Press, 2019) responds directly to Harrison's call. The book explores ways in which ethnography, as practiced by people who have historically been objects of ethnographic study, can yield transformative and liberatory results. During former President Obama's second term, immigrant activists Lucía López Juárez and Mirian A. Mijangos García conducted ethnographic research on the effects of the securitization of immigration on the undocumented people of a New Jersey community, in collaboration with Professors Carolina Alonso Bejarano and Daniel M. Goldstein of Rutgers University. The work of these four people on the project is captured in their coauthorship of the book.
During their work on the study, Lucía and Mirian frequently were able to educate and exhort those they interviewed to exercise their rights under state and federal law. And the four authors collaborated on and performed in a play based on Mirian's work injury and successful court case. The entire play is available to the reader in the book in both English and Spanish and it is the authors' hope that it will be performed for the education and inspiration of other undocumented people.
The book features illustrations by Peter Quach.
Amy E. Brown, who is a cohost of the Critical Theory channel, is a writer and liberal arts enthusiast. Her professional and academic background includes technical communication, law, and history. She tweets occasionally at @AmyEBrown3 and you can also find her on LinkedIn.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Almost 30 years ago, following the lead of scholars and thinkers of color and from the global South, anthropologist Faye Harrison and some of her colleagues published <em>Decolonizing Anthropology: Moving Further Toward an Anthropology of Liberation</em>. Harrison asked her readers: "How can anthropological knowledge advance the interests of the world’s majority during this period of ongoing crisis and uncertainty?" The lives of many have become even more precarious in the ensuing decades, among them people who have emigrated to the United States in search of greater economic stability.</p><p><a href="http://www.amazon.com/dp/1478003626/?tag=newbooinhis-20"><em>Decolonizing Ethnography: Undocumented Immigrants and New Directions in Social Science</em></a> (Duke University Press, 2019) responds directly to Harrison's call. The book explores ways in which ethnography, as practiced by people who have historically been objects of ethnographic study, can yield transformative and liberatory results. During former President Obama's second term, immigrant activists Lucía López Juárez and Mirian A. Mijangos García conducted ethnographic research on the effects of the securitization of immigration on the undocumented people of a New Jersey community, in collaboration with Professors <a href="https://latcar.rutgers.edu/people/instructors">Carolina Alonso Bejarano</a> and <a href="https://anthro.rutgers.edu/faculty/92-daniel-goldstein">Daniel M. Goldstein</a> of Rutgers University. The work of these four people on the project is captured in their coauthorship of the book.</p><p>During their work on the study, Lucía and Mirian frequently were able to educate and exhort those they interviewed to exercise their rights under state and federal law. And the four authors collaborated on and performed in a play based on Mirian's work injury and successful court case. The entire play is available to the reader in the book in both English and Spanish and it is the authors' hope that it will be performed for the education and inspiration of other undocumented people.</p><p>The book features illustrations by <a href="http://peterquach.com/">Peter Quach</a>.</p><p><em>Amy E. Brown, who is a cohost of the Critical Theory channel, is a writer and liberal arts enthusiast. Her professional and academic background includes technical communication, law, and history. She tweets occasionally at </em><a href="https://twitter.com/AmyEBrown3"><em>@AmyEBrown3</em></a><em> and you can also find her on </em><a href="https://www.linkedin.com/in/amy-e-brown-8a446831"><em>LinkedIn</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3638</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[375e750a-92b3-11e9-b855-c306510f762a]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3908047314.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Nemser, "Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico" (U Texas Press, 2017)</title>
      <description>Daniel Nemser’s Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico(University of Texas Press, 2017) examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power. Through four case studies spanning nearly 300 years of Spanish rule in colonial Mexico, Nemser illustrates how different modes of concentration -- centralized towns, disciplinary institutions, segregated neighborhoods, and general collections – reflected the prerogatives and imperatives of domination and expropriation. Compellingly, Infrastructures of Race argues that these spatial infrastructures and strategies were central and instrumental in the creation of racial identities and their inscription upon colonial subjects. Through designed and engineered spaces, racial identities were lived, sensed, and experienced, and as the built environment faded into barely noticeable infrastructure, race as well became naturalized. Infrastructures of Race provides essential historical background for present-day interrogations of how infrastructures – from aged water pipes to search engine algorithms – reinforce persistent racial inequalities. The challenges of de-racializing these often unnoticed foundations require a deep understanding of how race became so imbricated with technological environments. Through Nemser’s case studies, we can better apprehend the hundreds of years of oppression that have been built into our material lives.
Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 28 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nemser examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power...</itunes:subtitle>
      <itunes:summary>Daniel Nemser’s Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico(University of Texas Press, 2017) examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power. Through four case studies spanning nearly 300 years of Spanish rule in colonial Mexico, Nemser illustrates how different modes of concentration -- centralized towns, disciplinary institutions, segregated neighborhoods, and general collections – reflected the prerogatives and imperatives of domination and expropriation. Compellingly, Infrastructures of Race argues that these spatial infrastructures and strategies were central and instrumental in the creation of racial identities and their inscription upon colonial subjects. Through designed and engineered spaces, racial identities were lived, sensed, and experienced, and as the built environment faded into barely noticeable infrastructure, race as well became naturalized. Infrastructures of Race provides essential historical background for present-day interrogations of how infrastructures – from aged water pipes to search engine algorithms – reinforce persistent racial inequalities. The challenges of de-racializing these often unnoticed foundations require a deep understanding of how race became so imbricated with technological environments. Through Nemser’s case studies, we can better apprehend the hundreds of years of oppression that have been built into our material lives.
Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://lsa.umich.edu/rll/people/faculty/dnemser.html">Daniel Nemser</a>’s <a href="http://www.amazon.com/dp/1477312609/?tag=newbooinhis-20"><em>Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico</em></a>(University of Texas Press, 2017) examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power. Through four case studies spanning nearly 300 years of Spanish rule in colonial Mexico, Nemser illustrates how different modes of concentration -- centralized towns, disciplinary institutions, segregated neighborhoods, and general collections – reflected the prerogatives and imperatives of domination and expropriation. Compellingly, <em>Infrastructures of Race</em> argues that these spatial infrastructures and strategies were central and instrumental in the creation of racial identities and their inscription upon colonial subjects. Through designed and engineered spaces, racial identities were lived, sensed, and experienced, and as the built environment faded into barely noticeable infrastructure, race as well became naturalized. <em>Infrastructures of Race</em> provides essential historical background for present-day interrogations of how infrastructures – from aged water pipes to search engine algorithms – reinforce persistent racial inequalities. The challenges of de-racializing these often unnoticed foundations require a deep understanding of how race became so imbricated with technological environments. Through Nemser’s case studies, we can better apprehend the hundreds of years of oppression that have been built into our material lives.</p><p><em>Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3806</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ba5eb0f6-9046-11e9-833e-3f20e1b53b87]]></guid>
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    </item>
    <item>
      <title>Kristen Ghodsee, "Red Hangover: Legacies of Twentieth-Century Communism" (Duke UP, 2017)</title>
      <description>I am a child of the so-called transition in Bulgaria and growing-up I could never understand why my parents and grandparents would spend our family gatherings talking about the socialist past. It wasn’t until much later that I realized how much socialism and its end are imprinted on my grandparents’, my parents’ and my generation and that such dramatic changes cannot just be bygones. Kristen Ghodsee, an ethnographer and professor of Russian and East European Studies at the University of Pennsylvania, has spent many years digging into the layers of East European socialist and post-socialist experience trying to give voice to more nuanced narratives about this time, and I was very happy to once again have the chance to talk with her, this time about her book Red Hangover: Legacies of Twentieth-Century Communism (Duke University Press, 2017). In this very personal book with essays and short stories, Ghodsee describes the post-socialist realities of the victims of the greedy neoliberalism that has dismantled their social safety nets and expresses her frustration about the continuing tendency to reduce the twentieth-century East European state socialisms to Stalinism and the Gulags. While acknowledging the many crimes committed in the name of the communist ideal by these regimes, she insists that there were some good aspects and policies from which our present governments could learn, if they would be willing to leave aside the oversimplified and blackwashed tale they cherish so much. “After thirty of years of nursing this terrible hangover from the experience of twentieth century state socialism in Eastern Europe maybe it’s time that we take a little sip and start to clear our heads and figure out where we go from here” Ghodsee says. I invite you to listen and read what she has to say about our need for the proverbial hair of a dog* to sober us up after the heavy drinking of socialism in the twentieth century. Maybe a little bit more of the same could paradoxically help?
Check out my previous interview with Kristen Ghodsee about her most recent book Second World, Second Sex and Ghodsee’s blog - https://kristenghodsee.com/blog

*Note for ESL listeners: the proverb “a hair of the dog” is a shortening of “a hair of the dog that bit you” and it is when you drink a little bit of alcohol to cure a hangover. It comes from an old belief that when you are bitten by a rabid dog, you need to take a medicine containing a hair of the dog that bit you to be cured of rabies.
Marina Kadriu is an international MA student in Anthropology at Simon Fraser University, Canada

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In this very personal book with essays and short stories, Ghodsee describes the post-socialist realities of the victims of the greedy neoliberalism that has dismantled their social safety nets and expresses her frustration about the continuing tendency to reduce the twentieth-century East European state socialisms to Stalinism and the Gulags...</itunes:subtitle>
      <itunes:summary>I am a child of the so-called transition in Bulgaria and growing-up I could never understand why my parents and grandparents would spend our family gatherings talking about the socialist past. It wasn’t until much later that I realized how much socialism and its end are imprinted on my grandparents’, my parents’ and my generation and that such dramatic changes cannot just be bygones. Kristen Ghodsee, an ethnographer and professor of Russian and East European Studies at the University of Pennsylvania, has spent many years digging into the layers of East European socialist and post-socialist experience trying to give voice to more nuanced narratives about this time, and I was very happy to once again have the chance to talk with her, this time about her book Red Hangover: Legacies of Twentieth-Century Communism (Duke University Press, 2017). In this very personal book with essays and short stories, Ghodsee describes the post-socialist realities of the victims of the greedy neoliberalism that has dismantled their social safety nets and expresses her frustration about the continuing tendency to reduce the twentieth-century East European state socialisms to Stalinism and the Gulags. While acknowledging the many crimes committed in the name of the communist ideal by these regimes, she insists that there were some good aspects and policies from which our present governments could learn, if they would be willing to leave aside the oversimplified and blackwashed tale they cherish so much. “After thirty of years of nursing this terrible hangover from the experience of twentieth century state socialism in Eastern Europe maybe it’s time that we take a little sip and start to clear our heads and figure out where we go from here” Ghodsee says. I invite you to listen and read what she has to say about our need for the proverbial hair of a dog* to sober us up after the heavy drinking of socialism in the twentieth century. Maybe a little bit more of the same could paradoxically help?
Check out my previous interview with Kristen Ghodsee about her most recent book Second World, Second Sex and Ghodsee’s blog - https://kristenghodsee.com/blog

*Note for ESL listeners: the proverb “a hair of the dog” is a shortening of “a hair of the dog that bit you” and it is when you drink a little bit of alcohol to cure a hangover. It comes from an old belief that when you are bitten by a rabid dog, you need to take a medicine containing a hair of the dog that bit you to be cured of rabies.
Marina Kadriu is an international MA student in Anthropology at Simon Fraser University, Canada

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I am a child of the so-called transition in Bulgaria and growing-up I could never understand why my parents and grandparents would spend our family gatherings talking about the socialist past. It wasn’t until much later that I realized how much socialism and its end are imprinted on my grandparents’, my parents’ and my generation and that such dramatic changes cannot just be bygones. <a href="https://rees.sas.upenn.edu/people/kristen-r-ghodsee">Kristen Ghodsee</a>, an ethnographer and professor of Russian and East European Studies at the University of Pennsylvania, has spent many years digging into the layers of East European socialist and post-socialist experience trying to give voice to more nuanced narratives about this time, and I was very happy to once again have the chance to talk with her, this time about her book <a href="http://www.amazon.com/dp/0822369494/?tag=newbooinhis-20"><em>Red Hangover: Legacies of Twentieth-Century Communism</em></a> (Duke University Press, 2017). In this very personal book with essays and short stories, Ghodsee describes the post-socialist realities of the victims of the greedy neoliberalism that has dismantled their social safety nets and expresses her frustration about the continuing tendency to reduce the twentieth-century East European state socialisms to Stalinism and the Gulags. While acknowledging the many crimes committed in the name of the communist ideal by these regimes, she insists that there were some good aspects and policies from which our present governments could learn, if they would be willing to leave aside the oversimplified and blackwashed tale they cherish so much. “After thirty of years of nursing this terrible hangover from the experience of twentieth century state socialism in Eastern Europe maybe it’s time that we take a little sip and start to clear our heads and figure out where we go from here” Ghodsee says. I invite you to listen and read what she has to say about our need for the proverbial hair of a dog* to sober us up after the heavy drinking of socialism in the twentieth century. Maybe a little bit more of the same could paradoxically help?</p><p>Check out my <a href="https://newbooksnetwork.com/?p=86536">previous interview</a> with Kristen Ghodsee about her most recent book <em>Second World, Second Sex </em>and Ghodsee’s blog - <a href="https://kristenghodsee.com/blog">https://kristenghodsee.com/blog</p><p></a></p><p>*Note for ESL listeners: the proverb “a hair of the dog” is a shortening of “a hair of the dog that bit you” and it is when you drink a little bit of alcohol to cure a hangover. It comes from an old belief that when you are bitten by a rabid dog, you need to take a medicine containing a hair of the dog that bit you to be cured of rabies.</p><p><em>Marina Kadriu is an international MA student in Anthropology at Simon Fraser University, Canada</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4552</itunes:duration>
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      <title>P. L. Caballero and A. Acevedo-Rodrigo, "Beyond Alterity: Destabilizing the Indigenous Other in Mexico" (U Arizona Press, 2018)</title>
      <description>What happens when scholars approach the category of “indigenous” without presupposing its otherness? Edited by Paula López Caballero and Ariadna Acevedo-Rodrigo, Beyond Alterity: Destabilizing the Indigenous Other in Mexico (University of Arizona Press, 2018) is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity. As the editors explain in the podcast, the indigenous subject has been often assumed to be defined by difference, so scholars tend to overlook the existence of practices, ideas, and politics that do not align with preconceived, essentialized ideas about indigenous alterity. This book examines, on the one hand, the range of lived experiences within indigenous communities, and on the other, the ongoing construction of the category of “indigenous.” Its first section uncovers ways in which indigenous communities’ practices and politics were more similar to than distinct from those of their nonindigenous counterparts. In the podcast, Acevedo-Rodrigo discusses her chapter on the role of Spanish-language schools in indigenous towns during the Porfiriato. The second section explores the changing, debated meanings of “the indigenous” in Mexico in various fields of scientific inquiry. López Caballero synthesizes her findings on anthropological debates on what constituted the indigenous in the 1940s. The editors also make reference to the other contributions to this edited volume on topics from property rights to genomic research.
Rachel Grace Newman is joining Smith College in July 2019 as Lecturer in the History of the Global South. She has a Ph.D. in History from Columbia University, and her dissertation was titled “Transnational Ambitions: Student Migrants and the Making of a National Future in Twentieth-Century Mexico.” She is also the author of a book on a binational program for migrant children whose families divided their time between Michoacán, Mexico and Watsonville, California. She is on Twitter (@rachelgnew).

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      <pubDate>Thu, 27 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Beyond Alterity" is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity...</itunes:subtitle>
      <itunes:summary>What happens when scholars approach the category of “indigenous” without presupposing its otherness? Edited by Paula López Caballero and Ariadna Acevedo-Rodrigo, Beyond Alterity: Destabilizing the Indigenous Other in Mexico (University of Arizona Press, 2018) is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity. As the editors explain in the podcast, the indigenous subject has been often assumed to be defined by difference, so scholars tend to overlook the existence of practices, ideas, and politics that do not align with preconceived, essentialized ideas about indigenous alterity. This book examines, on the one hand, the range of lived experiences within indigenous communities, and on the other, the ongoing construction of the category of “indigenous.” Its first section uncovers ways in which indigenous communities’ practices and politics were more similar to than distinct from those of their nonindigenous counterparts. In the podcast, Acevedo-Rodrigo discusses her chapter on the role of Spanish-language schools in indigenous towns during the Porfiriato. The second section explores the changing, debated meanings of “the indigenous” in Mexico in various fields of scientific inquiry. López Caballero synthesizes her findings on anthropological debates on what constituted the indigenous in the 1940s. The editors also make reference to the other contributions to this edited volume on topics from property rights to genomic research.
Rachel Grace Newman is joining Smith College in July 2019 as Lecturer in the History of the Global South. She has a Ph.D. in History from Columbia University, and her dissertation was titled “Transnational Ambitions: Student Migrants and the Making of a National Future in Twentieth-Century Mexico.” She is also the author of a book on a binational program for migrant children whose families divided their time between Michoacán, Mexico and Watsonville, California. She is on Twitter (@rachelgnew).

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      <content:encoded>
        <![CDATA[<p>What happens when scholars approach the category of “indigenous” without presupposing its otherness? Edited by <a href="https://unam.academia.edu/PaulaL%C3%B3pezCaballero">Paula López Caballero</a> and <a href="https://www.die.cinvestav.mx/Personal-Academico/Dra-Ariadna-Acevedo-Rodrigo">Ariadna Acevedo-Rodrigo</a>, <a href="http://www.amazon.com/dp/0816535469/?tag=newbooinhis-20"><em>Beyond Alterity: Destabilizing the Indigenous Other in Mexico </em></a>(University of Arizona Press, 2018) is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity. As the editors explain in the podcast, the indigenous subject has been often assumed to be defined by difference, so scholars tend to overlook the existence of practices, ideas, and politics that do not align with preconceived, essentialized ideas about indigenous alterity. This book examines, on the one hand, the range of lived experiences within indigenous communities, and on the other, the ongoing construction of the category of “indigenous.” Its first section uncovers ways in which indigenous communities’ practices and politics were more similar to than distinct from those of their nonindigenous counterparts. In the podcast, Acevedo-Rodrigo discusses her chapter on the role of Spanish-language schools in indigenous towns during the Porfiriato. The second section explores the changing, debated meanings of “the indigenous” in Mexico in various fields of scientific inquiry. López Caballero synthesizes her findings on anthropological debates on what constituted the indigenous in the 1940s. The editors also make reference to the other contributions to this edited volume on topics from property rights to genomic research.</p><p><a href="https://rachelgnewman.com/"><em>Rachel Grace Newman</em></a><em> is joining Smith College in July 2019 as Lecturer in the History of the Global South. She has a Ph.D. in History from Columbia University, and her dissertation was titled “Transnational Ambitions: Student Migrants and the Making of a National Future in Twentieth-Century Mexico.” She is also the author of a </em><a href="https://www.worldcat.org/title/ninos-migrantes-entre-michoacan-y-california-pertenencia-estado-nacion-y-educacion-1976-1987/oclc/900268592"><em>book</em></a><em> on a binational program for migrant children whose families divided their time between Michoacán, Mexico and Watsonville, California. She is on Twitter (@rachelgnew).</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4834</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Hye-Kyung Lee, "Cultural Policy in South Korea: Making a New Patron State" (Routledge, 2018)</title>
      <description>Why does Korean cultural policy matter? In Cultural Policy in South Korea: Making a New Patron State (Routledge, 2018), Hye-Kyung Lee, a Senior Lecturer in Cultural and Creative Industries at Kings College, London, demonstrates the importance of South Korea is both an example in comparative cultural policy, and as a fascinating case study in its own right. The book offers historical analysis, as well as a major theoretical contribution in the form of the ‘new patron state’. The book charts the development and changes in cultural policy, from the project of national ‘modernisation’ to the Korean Wave. Thinking through questions of state theory and neoliberalism, as well as the role of culture in democracy, the book will be essential reading across the arts and social sciences.
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      <pubDate>Tue, 25 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lee demonstrates the importance of South Korea is both an example in comparative cultural policy, and as a fascinating case study in its own right...</itunes:subtitle>
      <itunes:summary>Why does Korean cultural policy matter? In Cultural Policy in South Korea: Making a New Patron State (Routledge, 2018), Hye-Kyung Lee, a Senior Lecturer in Cultural and Creative Industries at Kings College, London, demonstrates the importance of South Korea is both an example in comparative cultural policy, and as a fascinating case study in its own right. The book offers historical analysis, as well as a major theoretical contribution in the form of the ‘new patron state’. The book charts the development and changes in cultural policy, from the project of national ‘modernisation’ to the Korean Wave. Thinking through questions of state theory and neoliberalism, as well as the role of culture in democracy, the book will be essential reading across the arts and social sciences.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does Korean cultural policy matter? In <a href="http://www.amazon.com/dp/1138831352/?tag=newbooinhis-20"><em>Cultural Policy in South Korea: Making a New Patron State </em></a>(Routledge, 2018), <a href="https://www.kcl.ac.uk/people/dr-hye-kyung-lee">Hye-Kyung Lee,</a> a Senior Lecturer in Cultural and Creative Industries at Kings College, London, demonstrates the importance of South Korea is both an example in comparative cultural policy, and as a fascinating case study in its own right. The book offers historical analysis, as well as a major theoretical contribution in the form of the ‘new patron state’. The book charts the development and changes in cultural policy, from the project of national ‘modernisation’ to the Korean Wave. Thinking through questions of state theory and neoliberalism, as well as the role of culture in democracy, the book will be essential reading across the arts and social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2536</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Dorinne Kondo, "Worldmaking: Race, Performance, and the Work of Creativity" (Duke UP, 2018)</title>
      <description>In Worldmaking: Race, Performance, and the Work of Creativity (Duke University Press 2018), Dorinne Kondo brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race. Building on over 20 years of experience as an ethnographer, dramaturg and playwriter, Kondo exposes the racial structures that are mutually constitutive of the theatre specifically, and the arts more generally. So doing, she attends to the economic forces and representational practices that have not only enabled the affective violence through which the theatre so often operates; she also draws attention to how these forces and practices can produce the grounds for theatre’s restorative and transformative potential.
Dorinne Kondo is Professor of American Studies and Ethnicity and Anthropology at the University of Southern California. Her research focuses on cultural theory, performance, aesthetics and politics, cross-racial identification/ multiracial collaboration, modes of embodiment, ethnography and genre, the integration of "creative" and "critical" writing.
She is also the author of About Face: Performing Race in Fashion and Theater, and Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace.
Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).

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      <pubDate>Mon, 24 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kondo brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race...</itunes:subtitle>
      <itunes:summary>In Worldmaking: Race, Performance, and the Work of Creativity (Duke University Press 2018), Dorinne Kondo brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race. Building on over 20 years of experience as an ethnographer, dramaturg and playwriter, Kondo exposes the racial structures that are mutually constitutive of the theatre specifically, and the arts more generally. So doing, she attends to the economic forces and representational practices that have not only enabled the affective violence through which the theatre so often operates; she also draws attention to how these forces and practices can produce the grounds for theatre’s restorative and transformative potential.
Dorinne Kondo is Professor of American Studies and Ethnicity and Anthropology at the University of Southern California. Her research focuses on cultural theory, performance, aesthetics and politics, cross-racial identification/ multiracial collaboration, modes of embodiment, ethnography and genre, the integration of "creative" and "critical" writing.
She is also the author of About Face: Performing Race in Fashion and Theater, and Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace.
Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).

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      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1478000945/?tag=newbooinhis-20"><em>Worldmaking: Race, Performance, and the Work of Creativity </em></a>(Duke University Press 2018), <a href="https://dornsife.usc.edu/cf/faculty-and-staff/faculty.cfm?pid=1003424">Dorinne Kondo</a> brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race. Building on over 20 years of experience as an ethnographer, dramaturg and playwriter, Kondo exposes the racial structures that are mutually constitutive of the theatre specifically, and the arts more generally. So doing, she attends to the economic forces and representational practices that have not only enabled the affective violence through which the theatre so often operates; she also draws attention to how these forces and practices can produce the grounds for theatre’s restorative and transformative potential.</p><p>Dorinne Kondo is Professor of American Studies and Ethnicity and Anthropology at the University of Southern California. Her research focuses on cultural theory, performance, aesthetics and politics, cross-racial identification/ multiracial collaboration, modes of embodiment, ethnography and genre, the integration of "creative" and "critical" writing.</p><p>She is also the author of <em>About Face: Performing Race in Fashion and Theater</em>, and <em>Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace</em>.</p><p><em>Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of </em>Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017)<em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2917</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nick Estes, "Our History is the Future: Standing Rock Versus the Dakota Access Pipeline" (Verso, 2019)</title>
      <description>The historian Nick Estes traces two centuries of Indigenous-led resistance and anti-colonial struggle. Our History is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance (Verso, 2019) moves from settler colonialism and Indian Wars to the front lines of indigenous climate activism today. He places the #NoDAPL movement, to block Dakota Access oil pipeline at the Standing Rock Reservation in North Dakota in 2016, squarely within the tradition of indigenous resistance to settler erasure. The book weaves historical analysis into intergenerational stories and demonstrates that Standing Rock’s demands for native sovereignty and liberation are as much the outcome of history as they a harbinger of things to come.
Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He teaches courses on modern United States history, environmental history, and histories of labor and capitalism. He is completing a book on energy development in the American West. @rydriskelltate

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      <pubDate>Mon, 24 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The historian Nick Estes traces two centuries of Indigenous-led resistance and anti-colonial struggle...</itunes:subtitle>
      <itunes:summary>The historian Nick Estes traces two centuries of Indigenous-led resistance and anti-colonial struggle. Our History is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance (Verso, 2019) moves from settler colonialism and Indian Wars to the front lines of indigenous climate activism today. He places the #NoDAPL movement, to block Dakota Access oil pipeline at the Standing Rock Reservation in North Dakota in 2016, squarely within the tradition of indigenous resistance to settler erasure. The book weaves historical analysis into intergenerational stories and demonstrates that Standing Rock’s demands for native sovereignty and liberation are as much the outcome of history as they a harbinger of things to come.
Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He teaches courses on modern United States history, environmental history, and histories of labor and capitalism. He is completing a book on energy development in the American West. @rydriskelltate

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      <content:encoded>
        <![CDATA[<p>The historian <a href="https://twitter.com/nick_w_estes?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Nick Estes</a> traces two centuries of Indigenous-led resistance and anti-colonial struggle. <a href="http://www.amazon.com/dp/1786636727/?tag=newbooinhis-20"><em>Our History is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance</em></a> (Verso, 2019) moves from settler colonialism and Indian Wars to the front lines of indigenous climate activism today. He places the #NoDAPL movement, to block Dakota Access oil pipeline at the Standing Rock Reservation in North Dakota in 2016, squarely within the tradition of indigenous resistance to settler erasure. The book weaves historical analysis into intergenerational stories and demonstrates that Standing Rock’s demands for native sovereignty and liberation are as much the outcome of history as they a harbinger of things to come.</p><p><em>Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He teaches courses on modern United States history, environmental history, and histories of labor and capitalism. He is completing a book on energy development in the American West. @rydriskelltate</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3218</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8831091a-8d32-11e9-93d6-17b52bc5ab61]]></guid>
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    <item>
      <title>Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)</title>
      <description>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.
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      <pubDate>Fri, 21 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ornamentalism offers arguably the first sustained theory of the yellow woman...</itunes:subtitle>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <content:encoded>
        <![CDATA[<p>On this episode, <a href="http://leempierce.com/">Dr. Lee Pierce</a> (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. <a href="https://english.princeton.edu/people/anne-cheng">Anne Cheng</a> (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: <a href="http://www.amazon.com/dp/0190604611/?tag=newbooinhis-20"><em>Ornamentalism</em></a> (Oxford University Press, 2019). <em>Ornamentalism</em> offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4066</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Camisha Russell, "The Assisted Reproduction of Race" (Indiana UP, 2018)</title>
      <description>Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention.  In The Assisted Reproduction of Race (Indiana University Press, 2018), Camisha Russell undertakes this critical analysis.  While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices.  While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work.</itunes:subtitle>
      <itunes:summary>Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention.  In The Assisted Reproduction of Race (Indiana University Press, 2018), Camisha Russell undertakes this critical analysis.  While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices.  While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention.  In <a href="https://newbooksnetwork.com/r-f-kuang-the-poppy-war-harper-voyager-2019/"><em>The Assisted Reproduction of Race </em></a>(Indiana University Press, 2018), <a href="https://philosophy.uoregon.edu/profile/camishar/">Camisha Russell</a> undertakes this critical analysis.  While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices.  While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4715</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>A. Nilsen, K. Nielsen, A. Vaidya, "Indian Democracy: Origins, Trajectories, Contestations" (Pluto Press, 2019)</title>
      <description>More than 70 years after its founding, with Narendra Modi's authoritarian Hindu nationalists in government, is the dream of Indian democracy still alive and well? Indian Democracy: Origins, Trajectories, Contestations (Pluto Press, 2019), a prescient collection of essays, dialogues and commentary from scholars, activists and journalists, tries to come up with answers.
India's pluralism has always posed a formidable challenge to its democracy, with many believing that a clash of identities based on region, language, caste, religion, ethnicity and tribe would bring about its demise. With the meteoric rise to power of the Bharatiya Janata Party, its solidity is once again called into question: is Modi's Hindu majoritarianism an anti-democratic attempt to transform India into a monolithic Hindu nation from which minorities and dissidents are forcibly excluded?
With examinations of the way that class and caste power shaped the making of India's postcolonial democracy, the role of feminism, the media, and the public sphere in sustaining and challenging democracy, this book interrogates the contradictions at the heart of the Indian democratic project, examining its origins, trajectories and contestations.
Alf Gunvald Nilsen is Professor of Sociology at University of Pretoria. He is the author of Dispossession and Resistance in India: The River and the Rage (Routledge, 2010), We Make Our Own History: Marxism and Social Movements in the Twilight of Neoliberalism (Pluto Press, 2014), and Adivasis and the State: Subalternity and Citizenship in India's Bhil Heartland(Cambridge University Press, 2018).
Kenneth Bo Nielsen is Associate Professor in the Department of Culture Studies and Oriental Languages at the University of Oslo. He is the author of Land Dispossession and Everyday Politics in Rural Eastern India (Anthem Press, 2018), and the co-editor of several books on Indian society and politics.
Anand Vaidya is Assistant Professor of Anthropology at Reed College.
Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found here.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>More than 70 years after its founding, with Narendra Modi's authoritarian Hindu nationalists in government, is the dream of Indian democracy still alive and well?</itunes:subtitle>
      <itunes:summary>More than 70 years after its founding, with Narendra Modi's authoritarian Hindu nationalists in government, is the dream of Indian democracy still alive and well? Indian Democracy: Origins, Trajectories, Contestations (Pluto Press, 2019), a prescient collection of essays, dialogues and commentary from scholars, activists and journalists, tries to come up with answers.
India's pluralism has always posed a formidable challenge to its democracy, with many believing that a clash of identities based on region, language, caste, religion, ethnicity and tribe would bring about its demise. With the meteoric rise to power of the Bharatiya Janata Party, its solidity is once again called into question: is Modi's Hindu majoritarianism an anti-democratic attempt to transform India into a monolithic Hindu nation from which minorities and dissidents are forcibly excluded?
With examinations of the way that class and caste power shaped the making of India's postcolonial democracy, the role of feminism, the media, and the public sphere in sustaining and challenging democracy, this book interrogates the contradictions at the heart of the Indian democratic project, examining its origins, trajectories and contestations.
Alf Gunvald Nilsen is Professor of Sociology at University of Pretoria. He is the author of Dispossession and Resistance in India: The River and the Rage (Routledge, 2010), We Make Our Own History: Marxism and Social Movements in the Twilight of Neoliberalism (Pluto Press, 2014), and Adivasis and the State: Subalternity and Citizenship in India's Bhil Heartland(Cambridge University Press, 2018).
Kenneth Bo Nielsen is Associate Professor in the Department of Culture Studies and Oriental Languages at the University of Oslo. He is the author of Land Dispossession and Everyday Politics in Rural Eastern India (Anthem Press, 2018), and the co-editor of several books on Indian society and politics.
Anand Vaidya is Assistant Professor of Anthropology at Reed College.
Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found here.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>More than 70 years after its founding, with Narendra Modi's authoritarian Hindu nationalists in government, is the dream of Indian democracy still alive and well? Indian Democracy: Origins, Trajectories, Contestations (Pluto Press, 2019), a prescient collection of essays, dialogues and commentary from scholars, activists and journalists, tries to come up with answers.</p><p>India's pluralism has always posed a formidable challenge to its democracy, with many believing that a clash of identities based on region, language, caste, religion, ethnicity and tribe would bring about its demise. With the meteoric rise to power of the Bharatiya Janata Party, its solidity is once again called into question: is Modi's Hindu majoritarianism an anti-democratic attempt to transform India into a monolithic Hindu nation from which minorities and dissidents are forcibly excluded?</p><p>With examinations of the way that class and caste power shaped the making of India's postcolonial democracy, the role of feminism, the media, and the public sphere in sustaining and challenging democracy, this book interrogates the contradictions at the heart of the Indian democratic project, examining its origins, trajectories and contestations.</p><p><a href="http://up-za.academia.edu/AlfNilsen">Alf Gunvald Nilsen</a> is Professor of Sociology at University of Pretoria. He is the author of <em>Dispossession and Resistance in India: The River and the Rage </em>(Routledge, 2010),<em> We Make Our Own History: Marxism and Social Movements in the Twilight of Neoliberalism </em>(Pluto Press, 2014), and <em>Adivasis and the State: Subalternity and Citizenship in India's Bhil Heartland</em>(Cambridge University Press, 2018).</p><p><a href="https://www.sum.uio.no/english/people/aca/kenneni/">Kenneth Bo Nielsen</a> is Associate Professor in the Department of Culture Studies and Oriental Languages at the University of Oslo. He is the author of <em>Land Dispossession and Everyday Politics in Rural Eastern India </em>(Anthem Press, 2018), and the co-editor of several books on Indian society and politics.</p><p><a href="https://reed.academia.edu/AnandVaidya">Anand Vaidya</a> is Assistant Professor of Anthropology at Reed College.</p><p><em>Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found </em><a href="http://www.madhurikarak.com/"><em>here</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2909</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1db0ba88-8461-11e9-b494-ab9d538620a9]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3461308954.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)</title>
      <description>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced...</itunes:subtitle>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, Dr. <a href="https://www.geneseo.edu/communication/lee-pierce">Lee Pierce</a> (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews <a href="https://www.lsu.edu/hss/cmst/people/faculty/BMccann.php">Bryan McCann</a> (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism <a href="http://www.amazon.com/dp/0817319484/?tag=newbooinhis-20"><em>The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era</em></a> (University of Alabama Press, 2017). <em>The Mark of Criminality </em>positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3770</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Chandra Russo, "Solidarity in Practice: Moral Protest and the US Security State" (Cambridge UP, 2019)</title>
      <description>In her book Solidarity in Practice: Moral Protest and the US Security State (Cambridge University Press, 2019), Chandra Russo explores how solidarity activists contest the practices of the US security state both within its borders and abroad. Russo follows three social movement organizations (The School of the Americas Watch, the Migrant Trail Walk, and Witness Against Torture) that combine high-risk tactics with the practice of solidarity witnessing. She explores how, through their involvement, solidarity activists put into question Human Rights violations perpetrated by the United States government while going themselves through a process of self-transformation. This book should be of interest for those wanting to know more about how some Americans question the atrocities that their government does, as well as scholars interested in the complexities of solidarity mobilization.
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Russo explores how solidarity activists contest the practices of the US security state both within its borders and abroad. Russo follows three social movement organizations...</itunes:subtitle>
      <itunes:summary>In her book Solidarity in Practice: Moral Protest and the US Security State (Cambridge University Press, 2019), Chandra Russo explores how solidarity activists contest the practices of the US security state both within its borders and abroad. Russo follows three social movement organizations (The School of the Americas Watch, the Migrant Trail Walk, and Witness Against Torture) that combine high-risk tactics with the practice of solidarity witnessing. She explores how, through their involvement, solidarity activists put into question Human Rights violations perpetrated by the United States government while going themselves through a process of self-transformation. This book should be of interest for those wanting to know more about how some Americans question the atrocities that their government does, as well as scholars interested in the complexities of solidarity mobilization.
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book <a href="http://www.amazon.com/dp/1108460992/?tag=newbooinhis-20"><em>Solidarity in Practice: Moral Protest and the US Security State</em></a> (Cambridge University Press, 2019), <a href="https://www.colgate.edu/facultysearch/FacultyDirectory/chandra-russo">Chandra Russo</a> explores how solidarity activists contest the practices of the US security state both within its borders and abroad. Russo follows three social movement organizations (The School of the Americas Watch, the Migrant Trail Walk, and Witness Against Torture) that combine high-risk tactics with the practice of solidarity witnessing. She explores how, through their involvement, solidarity activists put into question Human Rights violations perpetrated by the United States government while going themselves through a process of self-transformation. This book should be of interest for those wanting to know more about how some Americans question the atrocities that their government does, as well as scholars interested in the complexities of solidarity mobilization.</p><p><a href="http://www.felipegsantos.com/"><em>Felipe G. Santos </em></a><em>is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2609</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[152373e2-8ea2-11e9-b888-57e7d47fb11f]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8394772986.mp3?updated=1560516258" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Clare Daniel, "Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era" (U Massachusetts Press, 2017)</title>
      <description>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews Dr. Clare Daniel (she/hers)--Administrative Assistant Professor of Women’s Leadership at Tulane University--on her judicious new book Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era from University of Massachusetts Press (2017). Mediating Morality is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996. Daniel argues that these domains of public thought have merged to reconstruct teen pregnancy as a privatized and deeply personal issue of moral failure--what Daniel, following Lauren Berlant, describes as intimate citizenship--rather than symptomatic of ineffective policies that reproduce racist, classist, and sexist structures of inequality. In addition to engaging readings of popular culture texts such as the movie The Pregnancy Pact and pregnancy prevention campaigns, Mediating Morality is also closely attuned to the legal and political events since 1996 that have authorized and capitalized upon an approach to teen pregnancy that absolves the state of responsibility.
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      <pubDate>Tue, 11 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>"Mediating Morality" is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996...</itunes:subtitle>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews Dr. Clare Daniel (she/hers)--Administrative Assistant Professor of Women’s Leadership at Tulane University--on her judicious new book Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era from University of Massachusetts Press (2017). Mediating Morality is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996. Daniel argues that these domains of public thought have merged to reconstruct teen pregnancy as a privatized and deeply personal issue of moral failure--what Daniel, following Lauren Berlant, describes as intimate citizenship--rather than symptomatic of ineffective policies that reproduce racist, classist, and sexist structures of inequality. In addition to engaging readings of popular culture texts such as the movie The Pregnancy Pact and pregnancy prevention campaigns, Mediating Morality is also closely attuned to the legal and political events since 1996 that have authorized and capitalized upon an approach to teen pregnancy that absolves the state of responsibility.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, <a href="http://leempierce.com/">Dr. Lee Pierce</a> (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--interviews <a href="https://newcomb.tulane.edu/content/clare-daniel-phd">Dr. Clare Daniel </a>(she/hers)--Administrative Assistant Professor of Women’s Leadership at Tulane University--on her judicious new book <a href="http://www.amazon.com/dp/1625342675/?tag=newbooinhis-20"><em>Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era</em></a> from University of Massachusetts Press (2017). <em>Mediating Morality </em>is a contemporary exploration of the construction of teen pregnancy in legal events, activism, media campaigns, television, film, and across many domains of popular-political culture since the dismantling of the welfare state, which Daniel definitively places in the year 1996. Daniel argues that these domains of public thought have merged to reconstruct teen pregnancy as a privatized and deeply personal issue of moral failure--what Daniel, following Lauren Berlant, describes as intimate citizenship--rather than symptomatic of ineffective policies that reproduce racist, classist, and sexist structures of inequality. In addition to engaging readings of popular culture texts such as the movie <em>The Pregnancy Pact </em>and pregnancy prevention campaigns, <em>Mediating Morality </em>is also closely attuned to the legal and political events since 1996 that have authorized and capitalized upon an approach to teen pregnancy that absolves the state of responsibility.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3748</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Daniel HoSang and Joseph E. Lowndes, "Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity" (U Minnesota Press, 2019)</title>
      <description>Dan HoSang and Joe Lowndes’ new book,Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity (University of Minnesota Press, 2019) documents the changing politics of race and class in the age of Trump across a broad range of phenomena, showing how new forms of racialization work to alter the economic protections of whiteness while promoting some conservatives of color as models of the neoliberal regime. Through careful analyses of diverse political sites and conflicts—racially charged elections, attacks on public-sector unions, new forms of white precarity, the rise of black and brown political elites, militia uprisings, multiculturalism on the far right—they highlight new, interwoven deployments of race in the ascendant age of inequality. Using the concept of “racial transposition,” the authors demonstrate how racial meanings and signification can be transferred from one group to another to shore up both neoliberalism and racial hierarchy.
This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj

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      <pubDate>Mon, 10 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:title>HoSang and Lowndes document the changing politics of race and class in the age of Trump across a broad range of phenomena, showing how new forms of racialization work to alter the economic protections of whiteness while promoting some conservatives of color as models of the neoliberal regime</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>355</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dan HoSang and Joe Lowndes’ new book,Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity (University of Minnesota Press, 2019) documents the changing politics of race and class in the age of Trump across a broad range of phenomena, showing how new forms of racialization work to alter the economic protections of whiteness while promoting some conservatives of color as models of the neoliberal regime. Through careful analyses of diverse political sites and conflicts—racially charged elections, attacks on public-sector unions, new forms of white precarity, the rise of black and brown political elites, militia uprisings, multiculturalism on the far right—they highlight new, interwoven deployments of race in the ascendant age of inequality. Using the concept of “racial transposition,” the authors demonstrate how racial meanings and signification can be transferred from one group to another to shore up both neoliberalism and racial hierarchy.
This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj

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      <content:encoded>
        <![CDATA[<p><a href="https://americanstudies.yale.edu/people/daniel-hosang">Dan HoSang</a> and <a href="https://polisci.uoregon.edu/profile/jlowndes/">Joe Lowndes</a>’ new book,<a href="http://www.amazon.com/dp/1517903599/?tag=newbooinhis-20"><em>Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity</em></a> (University of Minnesota Press, 2019) documents the changing politics of race and class in the age of Trump across a broad range of phenomena, showing how new forms of racialization work to alter the economic protections of whiteness while promoting some conservatives of color as models of the neoliberal regime. Through careful analyses of diverse political sites and conflicts—racially charged elections, attacks on public-sector unions, new forms of white precarity, the rise of black and brown political elites, militia uprisings, multiculturalism on the far right—they highlight new, interwoven deployments of race in the ascendant age of inequality. Using the concept of “racial transposition,” the authors demonstrate how racial meanings and signification can be transferred from one group to another to shore up both neoliberalism and racial hierarchy.</p><p><em>This podcast was hosted by </em><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly Goren</em></a><em>, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter </em><a href="https://twitter.com/gorenlj?lang=en"><em>@gorenlj</p><p></em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Abigail De Kosnik and Keith P. Feldman, "#Identity: Hashtagging Race, Gender, Sexuality, and Nation" (U Michigan Press, 2019)</title>
      <description>In the new book #Identity: Hashtagging Race, Gender, Sexuality, and Nation (University of Michigan Press, 2019), Abigail De Kosnik and Keith Feldman bring together a broad array of chapters that dive into multiple perspectives on social media engagement, especially around hashtag activism and the ways that individuals think about and interact with others via Twitter in regard to social movements and political involvement. As the authors note, “#identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world.” This text came out of The Color of New Media working group at the University of California at Berkeley and the contributors come from a variety of academic backgrounds and disciplines, making this a particularly interdisciplinary approach to considering and understanding a wide variety of social movements, social engagement, political discourse, and active use of hashtagging and Twitter. The chapters include examinations of the global use of Twitter in India and Africa; the rise of and then subsequent response/backlash to black Twitter; and the way that Twitter has been used to target minoritarian groups who have established connections and communities via Twitter and social media. This is a fascinating and diverse book, bringing together different voices, studies, and analysis, all examining how Twitter and #hashtagging has grown up, evolved, and essentially provided a platform for political rhetoric, engagement, and also silencing. #identity will appeal to scholars in many different disciplines including sociology, political science, media studies, gender and women’s studies, Queer studies, postcolonial studies, African-American Studies, American Studies, global studies, and more.
This book is available open access here.
Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI.

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      <pubDate>Wed, 05 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>353</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>De Kosnik and Feldman bring together a broad array of chapters that dive into multiple perspectives on social media engagement, especially around hashtag activism and the ways that individuals think about and interact with others via Twitter in regard to social movements and political involvement...</itunes:subtitle>
      <itunes:summary>In the new book #Identity: Hashtagging Race, Gender, Sexuality, and Nation (University of Michigan Press, 2019), Abigail De Kosnik and Keith Feldman bring together a broad array of chapters that dive into multiple perspectives on social media engagement, especially around hashtag activism and the ways that individuals think about and interact with others via Twitter in regard to social movements and political involvement. As the authors note, “#identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world.” This text came out of The Color of New Media working group at the University of California at Berkeley and the contributors come from a variety of academic backgrounds and disciplines, making this a particularly interdisciplinary approach to considering and understanding a wide variety of social movements, social engagement, political discourse, and active use of hashtagging and Twitter. The chapters include examinations of the global use of Twitter in India and Africa; the rise of and then subsequent response/backlash to black Twitter; and the way that Twitter has been used to target minoritarian groups who have established connections and communities via Twitter and social media. This is a fascinating and diverse book, bringing together different voices, studies, and analysis, all examining how Twitter and #hashtagging has grown up, evolved, and essentially provided a platform for political rhetoric, engagement, and also silencing. #identity will appeal to scholars in many different disciplines including sociology, political science, media studies, gender and women’s studies, Queer studies, postcolonial studies, African-American Studies, American Studies, global studies, and more.
This book is available open access here.
Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the new book <a href="http://www.amazon.com/dp/0472054155/?tag=newbooinhis-20"><em>#Identity: Hashtagging Race, Gender, Sexuality, and Nation</em></a> (University of Michigan Press, 2019), <a href="https://tdps.berkeley.edu/people/abigail-de-kosnik/">Abigail De Kosnik</a> and <a href="http://ethnicstudies.berkeley.edu/faculty-profile/keith-feldman-1">Keith Feldman</a> bring together a broad array of chapters that dive into multiple perspectives on social media engagement, especially around hashtag activism and the ways that individuals think about and interact with others via Twitter in regard to social movements and political involvement. As the authors note, “#identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world.” This text came out of The Color of New Media working group at the University of California at Berkeley and the contributors come from a variety of academic backgrounds and disciplines, making this a particularly interdisciplinary approach to considering and understanding a wide variety of social movements, social engagement, political discourse, and active use of hashtagging and Twitter. The chapters include examinations of the global use of Twitter in India and Africa; the rise of and then subsequent response/backlash to black Twitter; and the way that Twitter has been used to target minoritarian groups who have established connections and communities via Twitter and social media. This is a fascinating and diverse book, bringing together different voices, studies, and analysis, all examining how Twitter and #hashtagging has grown up, evolved, and essentially provided a platform for political rhetoric, engagement, and also silencing. #identity will appeal to scholars in many different disciplines including sociology, political science, media studies, gender and women’s studies, Queer studies, postcolonial studies, African-American Studies, American Studies, global studies, and more.</p><p>This book is available open access <a href="https://www.fulcrum.org/concern/monographs/6h440t76h">here</a>.</p><p><em>Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3536</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Manu Karuka, "Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad" (U California Press, 2019)</title>
      <description>What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance.
Ian Shin is assistant professor of History and American Culture at the University of Michigan.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does anti-imperialism look like from the vantage point of North America?</itunes:subtitle>
      <itunes:summary>What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance.
Ian Shin is assistant professor of History and American Culture at the University of Michigan.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does anti-imperialism look like from the vantage point of North America? In <a href="http://www.amazon.com/dp/0520296648/?tag=newbooinhis-20"><em>Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad</em></a>(University of California Press, 2019), <a href="https://twitter.com/manuvimalassery?lang=en">Manu Karuka</a> (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of <em>Empire’s Tracks</em> engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance.</p><p><em>Ian Shin is assistant professor of History and American Culture at the University of Michigan.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4063</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[16355ea8-7e17-11e9-9625-5fb96afd2167]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2058167974.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Niall Geraghty, "The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature" (U Pittsburgh Press, 2019)</title>
      <description>What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history.
Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence?</itunes:subtitle>
      <itunes:summary>What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and engaging book, The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature (University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. The Polyphonic Machine also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history.
Elena McGrath is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of <a href="https://research.sas.ac.uk/search/fellow/970/mr-niall-geraghty/">Niall Geraghty</a>’s eloquent and engaging book, <a href="http://www.amazon.com/dp/0822965534/?tag=newbooinhis-20"><em>The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature </em></a>(University of Pittsburgh Press, 2019). It is also the historically situated problem (in Piglia’s phrase) that unites this particular generation of contemporary Argentine writers. Literary critic/detective Geraghty follows the works of César Aira, Marcelo Cohen, and Ricardo Piglia in their preoccupations with theory and history to reflect on the ways violence and capitalism have created and sustained modern Argentine life. <em>The Polyphonic Machine </em>also mimics the preoccupations of its subjects by embracing polyphony as a stylistic choice, foregrounding the multiplicity of voices used by the authors and their interlocutors within the text itself. In so doing, Geraghty highlights both the particularity of the Argentine Dirty War from 1976-1983 and the global vision of its writers. Latin Americanists of many disciplines will find this book interesting, in particular scholars of literature, philosophy, and history.</p><p><a href="https://twitter.com/e_c_miscellany"><em>Elena McGrath</em></a><em> is a Visiting Assistant Professor of History at Carleton College. She is a historian of race, revolution, and natural resources in the Andes.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2187</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>John Pat Leary, "Keywords: The New Language of Capitalism" (Haymarket Books, 2019)</title>
      <description>John Pat Leary's Keywords: The New Language of Capitalism (Haymarket Books, 2019) chronicles the rise of a new vocabulary in the twenty-first century. From Silicon Valley to the White House, from kindergarten to college, and from the factory floor to the church pulpit, we are all called to be innovators and entrepreneurs, to be curators of an ever-expanding roster of competencies, and to become resilient and flexible in the face of the insults and injuries we confront at work. In the midst of increasing inequality, these keywords teach us to thrive by applying the lessons of a competitive marketplace to every sphere of life. What’s more, by celebrating the values of grit, creativity, and passion at school and at work, they assure us that economic success is nothing less than a moral virtue.
Organized alphabetically as a lexicon, Keywords explores the history and common usage of major terms in the everyday language of capitalism. Because the words in this book have successfully infiltrated everyday life in the English-speaking world, their meanings often seem self-evident, even benign. Who could be against empowerment, after all? Keywords uncovers the unexpected histories of words like innovation, which was once synonymous with “false prophecy” before it became the prevailing faith of Silicon Valley. Other words, like best practices and human capital, are relatively new coinages that promise us a kind of freedom within a marketplace extending its reach across the public sector and into our private lives. The new language of capitalism burnishes hierarchy, competition, and exploitation as leadership, collaboration, and sharing, modeling for us the habits of the economically successful person: be visionary, be self-reliant, and never, ever stop working.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>104</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>John Pat Leary chronicles the rise of a new vocabulary in the twenty-first century...</itunes:subtitle>
      <itunes:summary>John Pat Leary's Keywords: The New Language of Capitalism (Haymarket Books, 2019) chronicles the rise of a new vocabulary in the twenty-first century. From Silicon Valley to the White House, from kindergarten to college, and from the factory floor to the church pulpit, we are all called to be innovators and entrepreneurs, to be curators of an ever-expanding roster of competencies, and to become resilient and flexible in the face of the insults and injuries we confront at work. In the midst of increasing inequality, these keywords teach us to thrive by applying the lessons of a competitive marketplace to every sphere of life. What’s more, by celebrating the values of grit, creativity, and passion at school and at work, they assure us that economic success is nothing less than a moral virtue.
Organized alphabetically as a lexicon, Keywords explores the history and common usage of major terms in the everyday language of capitalism. Because the words in this book have successfully infiltrated everyday life in the English-speaking world, their meanings often seem self-evident, even benign. Who could be against empowerment, after all? Keywords uncovers the unexpected histories of words like innovation, which was once synonymous with “false prophecy” before it became the prevailing faith of Silicon Valley. Other words, like best practices and human capital, are relatively new coinages that promise us a kind of freedom within a marketplace extending its reach across the public sector and into our private lives. The new language of capitalism burnishes hierarchy, competition, and exploitation as leadership, collaboration, and sharing, modeling for us the habits of the economically successful person: be visionary, be self-reliant, and never, ever stop working.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://clasprofiles.wayne.edu/profile/dx7255">John Pat Leary</a>'s <a href="http://www.amazon.com/dp/1608465446/?tag=newbooinhis-20"><em>Keywords: The New Language of Capitalism</em></a> (Haymarket Books, 2019) chronicles the rise of a new vocabulary in the twenty-first century. From Silicon Valley to the White House, from kindergarten to college, and from the factory floor to the church pulpit, we are all called to be innovators and entrepreneurs, to be curators of an ever-expanding roster of competencies, and to become resilient and flexible in the face of the insults and injuries we confront at work. In the midst of increasing inequality, these keywords teach us to thrive by applying the lessons of a competitive marketplace to every sphere of life. What’s more, by celebrating the values of grit, creativity, and passion at school and at work, they assure us that economic success is nothing less than a moral virtue.</p><p>Organized alphabetically as a lexicon, <em>Keywords</em> explores the history and common usage of major terms in the everyday language of capitalism. Because the words in this book have successfully infiltrated everyday life in the English-speaking world, their meanings often seem self-evident, even benign. Who could be against empowerment, after all? Keywords uncovers the unexpected histories of words like innovation, which was once synonymous with “false prophecy” before it became the prevailing faith of Silicon Valley. Other words, like best practices and human capital, are relatively new coinages that promise us a kind of freedom within a marketplace extending its reach across the public sector and into our private lives. The new language of capitalism burnishes hierarchy, competition, and exploitation as leadership, collaboration, and sharing, modeling for us the habits of the economically successful person: be visionary, be self-reliant, and never, ever stop working.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2545</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cc14d8e-7985-11e9-ac17-333b6814a08c]]></guid>
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    <item>
      <title>Zachary Kramer, "Outsiders: Why Difference is the Future of Civil Rights" (Oxford UP, 2019)</title>
      <description>Outsiders: Why Difference is the Future of Civil Rights(Oxford University Press, 2019) by Zachary Kramer (Oxford University Press, 2019) sets forth an imaginative critique of the way that civil rights law currently fulfills its mission. Using stories that lucidly illustrate the gap between the aspiration of civil rights law and the lived reality, Professor Kramer proposes a new approach. Drawing on existing protections for disability and for religious practice, Professor Kramer outlines the way that a right to personality, combined with an accommodation-focused inquiry, could update and refresh our approach to civil rights.
Zachary Kramer is Associate Dean of Faculty, Professor of Law, and Willard H. Pedrick Distinguished Research Scholar at the Sandra Day O'Connor College of Law at Arizona State University.
Künga Tenje is an independent librarian in Virginia.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 27 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kramer outlines the way that a right to personality, combined with an accommodation-focused inquiry, could update and refresh our approach to civil rights...</itunes:subtitle>
      <itunes:summary>Outsiders: Why Difference is the Future of Civil Rights(Oxford University Press, 2019) by Zachary Kramer (Oxford University Press, 2019) sets forth an imaginative critique of the way that civil rights law currently fulfills its mission. Using stories that lucidly illustrate the gap between the aspiration of civil rights law and the lived reality, Professor Kramer proposes a new approach. Drawing on existing protections for disability and for religious practice, Professor Kramer outlines the way that a right to personality, combined with an accommodation-focused inquiry, could update and refresh our approach to civil rights.
Zachary Kramer is Associate Dean of Faculty, Professor of Law, and Willard H. Pedrick Distinguished Research Scholar at the Sandra Day O'Connor College of Law at Arizona State University.
Künga Tenje is an independent librarian in Virginia.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0190682744/?tag=newbooinhis-20"><em>Outsiders: Why Difference is the Future of Civil Rights</em></a>(Oxford University Press, 2019) by <a href="https://asu.pure.elsevier.com/en/persons/zachary-kramer">Zachary Kramer</a> (Oxford University Press, 2019) sets forth an imaginative critique of the way that civil rights law currently fulfills its mission. Using stories that lucidly illustrate the gap between the aspiration of civil rights law and the lived reality, Professor Kramer proposes a new approach. Drawing on existing protections for disability and for religious practice, Professor Kramer outlines the way that a right to personality, combined with an accommodation-focused inquiry, could update and refresh our approach to civil rights.</p><p>Zachary Kramer is Associate Dean of Faculty, Professor of Law, and Willard H. Pedrick Distinguished Research Scholar at the Sandra Day O'Connor College of Law at Arizona State University.</p><p><em>Künga Tenje is an independent librarian in Virginia.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3437</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dia Da Costa, "Politicizing Creative Economy: Activism and a Hunger Called Theater" (U Illinois Press, 2016)</title>
      <description>In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist agendas? At a time when scholars along all points of the political spectrum seem to agree that expressing their creativity is good for oppressed groups, whether because creativity makes them entrepreneurial or because creativity is an inherent challenge to capitalism, Dia Da Costa offers a refreshingly nuanced perspective on the dangers that creative economy discourses pose for radical activism. In Politicizing Creative Economy: Activism and a Hunger Called Theater (U Illinois Press, 2016)--her multisited ethnography focusing on two activist theater troupes in the Indian cities of Delhi and Ahmedabad--Da Costa shows how these ‘theaters of the oppressed’ exist alongside, fall prey to, re-appropriate, and jostle with capitalist discourses and definitions of ‘creative economy’ which seek to contain and tame the cultural production of oppressed groups.
The first troupe Da Costa discusses is the Jan Natya Manch, a Communist-affiliated theater group consisting mainly of middle-class activists who valorize Delhi’s (factory) working-class albeit in a rapidly deindustrializing city, and offer a disenchanted, secular critique of Hindu nationalism albeit in a deeply religious milieu. The second troupe featured is Ahmedabad’s Budhan Theater, run by the lowly and criminalized Chhara caste who hope that through theater they can craft respectable livelihoods and achieve inclusion as citizens while at the same time critiquing the violences of the Indian capitalist state.
By analyzing the possibilities and shortcomings inherent in both troupes’ practices and political approaches, Da Costa shows how carefully and critically studying the diversity of left politics is an important part of building solidarities which can ultimately resist fascist neoliberalism. Da Costa also shows how attending to the politics of affect and emotion can help create successful social mobilization; rather than simply lamenting how oppressed people don’t rise up, attention to affective politics helps us shape forms of activism which actually speak to people’s lives, hopes, and hungers. This book will be of interest to activists, radical educators, and scholars in fields ranging from feminist affect theory to development studies.
Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist agendas?</itunes:subtitle>
      <itunes:summary>In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist agendas? At a time when scholars along all points of the political spectrum seem to agree that expressing their creativity is good for oppressed groups, whether because creativity makes them entrepreneurial or because creativity is an inherent challenge to capitalism, Dia Da Costa offers a refreshingly nuanced perspective on the dangers that creative economy discourses pose for radical activism. In Politicizing Creative Economy: Activism and a Hunger Called Theater (U Illinois Press, 2016)--her multisited ethnography focusing on two activist theater troupes in the Indian cities of Delhi and Ahmedabad--Da Costa shows how these ‘theaters of the oppressed’ exist alongside, fall prey to, re-appropriate, and jostle with capitalist discourses and definitions of ‘creative economy’ which seek to contain and tame the cultural production of oppressed groups.
The first troupe Da Costa discusses is the Jan Natya Manch, a Communist-affiliated theater group consisting mainly of middle-class activists who valorize Delhi’s (factory) working-class albeit in a rapidly deindustrializing city, and offer a disenchanted, secular critique of Hindu nationalism albeit in a deeply religious milieu. The second troupe featured is Ahmedabad’s Budhan Theater, run by the lowly and criminalized Chhara caste who hope that through theater they can craft respectable livelihoods and achieve inclusion as citizens while at the same time critiquing the violences of the Indian capitalist state.
By analyzing the possibilities and shortcomings inherent in both troupes’ practices and political approaches, Da Costa shows how carefully and critically studying the diversity of left politics is an important part of building solidarities which can ultimately resist fascist neoliberalism. Da Costa also shows how attending to the politics of affect and emotion can help create successful social mobilization; rather than simply lamenting how oppressed people don’t rise up, attention to affective politics helps us shape forms of activism which actually speak to people’s lives, hopes, and hungers. This book will be of interest to activists, radical educators, and scholars in fields ranging from feminist affect theory to development studies.
Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist agendas? At a time when scholars along all points of the political spectrum seem to agree that expressing their creativity is good for oppressed groups, whether because creativity makes them entrepreneurial or because creativity is an inherent challenge to capitalism, <a href="https://www.ualberta.ca/education/about-us/professor-profiles/dia-da-costa">Dia Da Costa</a> offers a refreshingly nuanced perspective on the dangers that creative economy discourses pose for radical activism. In <a href="http://www.amazon.com/dp/0252082109/?tag=newbooinhis-20"><em>Politicizing Creative Economy: Activism and a Hunger Called Theater</em></a> (U Illinois Press, 2016)--her multisited ethnography focusing on two activist theater troupes in the Indian cities of Delhi and Ahmedabad--Da Costa shows how these ‘theaters of the oppressed’ exist alongside, fall prey to, re-appropriate, and jostle with capitalist discourses and definitions of ‘creative economy’ which seek to contain and tame the cultural production of oppressed groups.</p><p>The first troupe Da Costa discusses is the Jan Natya Manch, a Communist-affiliated theater group consisting mainly of middle-class activists who valorize Delhi’s (factory) working-class albeit in a rapidly deindustrializing city, and offer a disenchanted, secular critique of Hindu nationalism albeit in a deeply religious milieu. The second troupe featured is Ahmedabad’s Budhan Theater, run by the lowly and criminalized Chhara caste who hope that through theater they can craft respectable livelihoods and achieve inclusion as citizens while at the same time critiquing the violences of the Indian capitalist state.</p><p>By analyzing the possibilities and shortcomings inherent in both troupes’ practices and political approaches, Da Costa shows how carefully and critically studying the diversity of left politics is an important part of building solidarities which can ultimately resist fascist neoliberalism. Da Costa also shows how attending to the politics of affect and emotion can help create successful social mobilization; rather than simply lamenting how oppressed people don’t rise up, attention to affective politics helps us shape forms of activism which actually speak to people’s lives, hopes, and hungers. This book will be of interest to activists, radical educators, and scholars in fields ranging from feminist affect theory to development studies.</p><p><em>Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1272006617.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jinhua Dai (ed. Lisa Rofel), "After the Post-Cold War: The Future of Chinese History" (Duke UP, 2018)</title>
      <description>Although not all that well known to English-speaking audiences, cultural critic and Peking University professor Jinhua Dai’s incisive commentaries and critiques of contemporary Chinese life have elevated her to something akin to ‘rock star’ status in China itself. As Lisa Rofel discusses in this podcast, and in her introduction to After the Post-Cold War: The Future of Chinese History (Duke University Press, 2018), Dai interrogates the truly historic events unfolding in today’s China to ask what these mean for history itself. Vital analyses of the politics of memory and gender also pervade this collection of expertly translated essays.
In particular Dai is interested in the post-Cold War entry of China into a Euro-American neoliberal world order and what this means for how the country sees its historical course. How are recent and more distant pasts invoked or ignored in conversations about this? What do erasures of past experience mean for the possibility of imagining alternative futures, as seemed possible in the twentieth century? In a searing analysis of recent Chinese films in their wider socio-political context, Dai critiques present-day historical myopias and the consequent marginalisation of those most buffeted by the storms of neoliberal capital: active female protagonists and the erstwhile socialist ‘masses’. Especially urgent in this year of key anniversaries for China, this work has much wider implications for understanding our entire global present, and for perceiving the ominous reality that “China must be a China of the future, or there will be no future” (p. 22).
Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.

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      <pubDate>Thu, 23 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>269</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Dai interrogates the truly historic events unfolding in today’s China to ask what these mean for history itself...</itunes:subtitle>
      <itunes:summary>Although not all that well known to English-speaking audiences, cultural critic and Peking University professor Jinhua Dai’s incisive commentaries and critiques of contemporary Chinese life have elevated her to something akin to ‘rock star’ status in China itself. As Lisa Rofel discusses in this podcast, and in her introduction to After the Post-Cold War: The Future of Chinese History (Duke University Press, 2018), Dai interrogates the truly historic events unfolding in today’s China to ask what these mean for history itself. Vital analyses of the politics of memory and gender also pervade this collection of expertly translated essays.
In particular Dai is interested in the post-Cold War entry of China into a Euro-American neoliberal world order and what this means for how the country sees its historical course. How are recent and more distant pasts invoked or ignored in conversations about this? What do erasures of past experience mean for the possibility of imagining alternative futures, as seemed possible in the twentieth century? In a searing analysis of recent Chinese films in their wider socio-political context, Dai critiques present-day historical myopias and the consequent marginalisation of those most buffeted by the storms of neoliberal capital: active female protagonists and the erstwhile socialist ‘masses’. Especially urgent in this year of key anniversaries for China, this work has much wider implications for understanding our entire global present, and for perceiving the ominous reality that “China must be a China of the future, or there will be no future” (p. 22).
Ed Pulford is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Although not all that well known to English-speaking audiences, cultural critic and Peking University professor <a href="https://chinese.pku.edu.cn/rwfc/1224495.htm">Jinhua Dai</a>’s incisive commentaries and critiques of contemporary Chinese life have elevated her to something akin to ‘rock star’ status in China itself. As <a href="https://campusdirectory.ucsc.edu/cd_detail?uid=lrofel">Lisa Rofel</a> discusses in this podcast, and in her introduction to <a href="http://www.amazon.com/dp/1478000384/?tag=newbooinhis-20"><em>After the Post-Cold War: The Future of Chinese History</em></a> (Duke University Press, 2018), Dai interrogates the truly historic events unfolding in today’s China to ask what these mean for history itself. Vital analyses of the politics of memory and gender also pervade this collection of expertly translated essays.</p><p>In particular Dai is interested in the post-Cold War entry of China into a Euro-American neoliberal world order and what this means for how the country sees its historical course. How are recent and more distant pasts invoked or ignored in conversations about this? What do erasures of past experience mean for the possibility of imagining alternative futures, as seemed possible in the twentieth century? In a searing analysis of recent Chinese films in their wider socio-political context, Dai critiques present-day historical myopias and the consequent marginalisation of those most buffeted by the storms of neoliberal capital: active female protagonists and the erstwhile socialist ‘masses’. Especially urgent in this year of key anniversaries for China, this work has much wider implications for understanding our entire global present, and for perceiving the ominous reality that “China must be a China of the future, or there will be no future” (p. 22).</p><p><a href="https://global.oup.com/academic/product/mirrorlands-9781787381384?prevSortField=8&amp;sortField=8&amp;start=0&amp;resultsPerPage=60&amp;view=Standard&amp;prevNumResPerPage=60&amp;lang=en&amp;cc=us"><em>Ed Pulford</em></a><em> is a postdoctoral researcher at the Slavic-Eurasian Research Center, Hokkaido University. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3655</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b4d6739c-7d60-11e9-9e58-934dc4fed093]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9452719559.mp3?updated=1558619114" length="0" type="audio/mpeg"/>
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    <item>
      <title>Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)</title>
      <description>In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well.
Anne A. Cheng is Professor of English and Director of American Studies at Princeton University.
Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).

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      <pubDate>Wed, 22 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’...</itunes:subtitle>
      <itunes:summary>In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well.
Anne A. Cheng is Professor of English and Director of American Studies at Princeton University.
Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her original and thought-provoking book <a href="http://www.amazon.com/dp/0190604611/?tag=newbooinhis-20"><em>Ornamentalism</em></a> (Oxford University Press, 2019), <a href="https://english.princeton.edu/people/anne-cheng">Anne A. Cheng</a> illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well.</p><p>Anne A. Cheng is Professor of English and Director of American Studies at Princeton University.</p><p><a href="http://rcah.msu.edu/about/people/faculty-staff/thobani-sitara.html"><em>Sitara Thobani</em></a><em> is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of</em> Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage<em> (Routledge 2017).</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2189</itunes:duration>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5359060818.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Kimberly Chong, "Best Practice: Management Consulting and the Ethics of Financialization in China" (Duke UP, 2018)</title>
      <description>What do management consultants do, and how do they do it? These two deceptively simple questions are at the centre of Best Practice: Management Consulting and the Ethics of Financialization in China (Duke University Press, 2018), the new book by Kimberly Chong, a lecturer in anthropology at University College London. The book uses an in depth and immersive ethnography of a global management consulting firm to explore the rise of management consultancy in China, engaging with key issues- financialization and commensuration- that are at the heart of understanding contemporary global capitalism. The book is rich with fascinating, and at times hilarious, examples of the contradictions and ambivalences, along with successes, of management consulting systems adapted to and applied in China. It will be essential reading across the social sciences and area studies, as well as for anyone interested in our globalised economy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do management consultants do, and how do they do it?</itunes:subtitle>
      <itunes:summary>What do management consultants do, and how do they do it? These two deceptively simple questions are at the centre of Best Practice: Management Consulting and the Ethics of Financialization in China (Duke University Press, 2018), the new book by Kimberly Chong, a lecturer in anthropology at University College London. The book uses an in depth and immersive ethnography of a global management consulting firm to explore the rise of management consultancy in China, engaging with key issues- financialization and commensuration- that are at the heart of understanding contemporary global capitalism. The book is rich with fascinating, and at times hilarious, examples of the contradictions and ambivalences, along with successes, of management consulting systems adapted to and applied in China. It will be essential reading across the social sciences and area studies, as well as for anyone interested in our globalised economy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do management consultants do, and how do they do it? These two deceptively simple questions are at the centre of <a href="http://www.amazon.com/dp/1478000880/?tag=newbooinhis-20"><em>Best Practice: Management Consulting and the Ethics of Financialization in China</em></a> (Duke University Press, 2018), the new book by <a href="https://www.ucl.ac.uk/anthropology/people/academic-and-teaching-staff/kimberly-chong">Kimberly Chong</a>, a lecturer in anthropology at University College London. The book uses an in depth and immersive ethnography of a global management consulting firm to explore the rise of management consultancy in China, engaging with key issues- financialization and commensuration- that are at the heart of understanding contemporary global capitalism. The book is rich with fascinating, and at times hilarious, examples of the contradictions and ambivalences, along with successes, of management consulting systems adapted to and applied in China. It will be essential reading across the social sciences and area studies, as well as for anyone interested in our globalised economy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2802</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e514baaa-7577-11e9-ad93-4b29f3686903]]></guid>
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    <item>
      <title>Melanie Ramdarshan Bold, "Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom" (Palgrave, 2019)</title>
      <description>Does publishing have a diversity problem? In Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom Dr Melanie Ramdarshan Bold, an associate professor at UCL’s Centre for Publishing lays bare the crisis of underrepresentation for British authors of colour. Focusing on the high profile, but also marginalised, Young Adult Fiction genre, Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom (Palgrave, 2019) explores the experiences of authors navigating the ‘diversity status quo’ of the publishing industry marked by significant inequalities. These inequalities, in turn, shape what is published and what is represented, to the exclusion of a wide range of individuals and communities. Along with companion work on children’s books, the book is essential reading for anyone interested in contemporary culture.
Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries at the University of Edinburgh.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Does publishing have a diversity problem?</itunes:subtitle>
      <itunes:summary>Does publishing have a diversity problem? In Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom Dr Melanie Ramdarshan Bold, an associate professor at UCL’s Centre for Publishing lays bare the crisis of underrepresentation for British authors of colour. Focusing on the high profile, but also marginalised, Young Adult Fiction genre, Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom (Palgrave, 2019) explores the experiences of authors navigating the ‘diversity status quo’ of the publishing industry marked by significant inequalities. These inequalities, in turn, shape what is published and what is represented, to the exclusion of a wide range of individuals and communities. Along with companion work on children’s books, the book is essential reading for anyone interested in contemporary culture.
Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries at the University of Edinburgh.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does publishing have a diversity problem? In <em>Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom</em> Dr <a href="https://twitter.com/ilovecopyright">Melanie Ramdarshan Bold</a>, an <a href="https://www.ucl.ac.uk/information-studies/melanie-ramdarshan-bold">associate professor at UCL’s Centre for Publishing</a> lays bare the crisis of underrepresentation for British authors of colour. Focusing on the high profile, but also marginalised, Young Adult Fiction genre, <a href="http://www.amazon.com/dp/3030105210/?tag=newbooinhis-20"><em>Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom</em></a> (Palgrave, 2019) explores the experiences of authors navigating the ‘diversity status quo’ of the publishing industry marked by significant inequalities. These inequalities, in turn, shape what is published and what is represented, to the exclusion of a wide range of individuals and communities. Along with <a href="https://www.booktrust.org.uk/globalassets/resources/represents/booktrust-represents-diversity-childrens-authors-illustrators-report.pdf">companion work on children’s books</a>, the book is essential reading for anyone interested in contemporary culture.</p><p><em>Dave O’Brien is Chancellor’s Fellow in Cultural and Creative Industries at the University of Edinburgh.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2360</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[62b8b110-70fe-11e9-8f49-7fbc6713b010]]></guid>
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    <item>
      <title>David Courtwright, "The Age of Addiction: How Bad Habits Became Big Business" (Harvard UP, 2019)</title>
      <description>We are living in an age of addiction, from compulsive gaming and binge eating to pornography and opioid abuse. Today I talked with historian David Courtwright about the global nature of pleasure, vice, and capitalism. His new book is called The Age of Addiction: How Bad Habits Became Big Business (Harvard University Press, 2019). During our discussion, Courtwright walks us through the emergence of the worldwide commodification of vice and shares his views on "limbic capitalism," the network of competitive businesses targeting the brain pathways responsible for feeling, motivation, and long-term memory. The book is equally interesting and disturbing. And Courtwright offers timely recommendations about how we can understand and address the Age of Addiction. Coming from one of the world's leading experts on the history of drugs and addiction, this important work raises stimulating and sobering questions about consumption and free will.
Courtwright is the author of Forces of Habit: Drugs and the Making of the Modern World (Harvard University Press, 2001) as well as Dark Paradise: A History of Opiate Addiction in America (Harvard University Press, 1982).
Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. 

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      <pubDate>Fri, 10 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We are living in an age of addiction, from compulsive gaming and binge eating to pornography and opioid abuse...</itunes:subtitle>
      <itunes:summary>We are living in an age of addiction, from compulsive gaming and binge eating to pornography and opioid abuse. Today I talked with historian David Courtwright about the global nature of pleasure, vice, and capitalism. His new book is called The Age of Addiction: How Bad Habits Became Big Business (Harvard University Press, 2019). During our discussion, Courtwright walks us through the emergence of the worldwide commodification of vice and shares his views on "limbic capitalism," the network of competitive businesses targeting the brain pathways responsible for feeling, motivation, and long-term memory. The book is equally interesting and disturbing. And Courtwright offers timely recommendations about how we can understand and address the Age of Addiction. Coming from one of the world's leading experts on the history of drugs and addiction, this important work raises stimulating and sobering questions about consumption and free will.
Courtwright is the author of Forces of Habit: Drugs and the Making of the Modern World (Harvard University Press, 2001) as well as Dark Paradise: A History of Opiate Addiction in America (Harvard University Press, 1982).
Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. 

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are living in an age of addiction, from compulsive gaming and binge eating to pornography and opioid abuse. Today I talked with historian <a href="https://davidcourtwright.domains.unf.edu/">David Courtwright</a> about the global nature of pleasure, vice, and capitalism. His new book is called <a href="http://www.amazon.com/dp/0674737377/?tag=newbooinhis-20"><em>The Age of Addiction: How Bad Habits Became Big Business</em></a> (Harvard University Press, 2019). During our discussion, Courtwright walks us through the emergence of the worldwide commodification of vice and shares his views on "limbic capitalism," the network of competitive businesses targeting the brain pathways responsible for feeling, motivation, and long-term memory. The book is equally interesting and disturbing. And Courtwright offers timely recommendations about how we can understand and address the Age of Addiction. Coming from one of the world's leading experts on the history of drugs and addiction, this important work raises stimulating and sobering questions about consumption and free will.</p><p>Courtwright is the author of <em>Forces of Habit: Drugs and the Making of the Modern World</em> (Harvard University Press, 2001) as well as <em>Dark Paradise: A History of Opiate Addiction in America</em> (Harvard University Press, 1982).</p><p><a href="https://apps.pharmacy.wisc.edu/sopdir/lucas_richert/"><em>Lucas Richert</em></a><em> is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. </p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[136afc96-6f3a-11e9-b5d2-f71eed88f7fa]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4538691810.mp3?updated=1703436284" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robin Truth Goodman, "The Bloomsbury Handbook of 21st-Century Feminist Theory" (Bloomsbury, 2019)</title>
      <description>The book I’m bringing you today, The Bloomsbury Handbook of 21st-Century Feminist Theory (Bloomsbury, 2019) is the most comprehensive available survey of the state of the art of contemporary feminist thought. This is a collection of thirty-four chapters written by world-leading scholars representing a diverse range of voices from academia, exploring the latest thinking on key topics in current feminist discourse. Rather than talking about feminism in terms of its “waves,” it traces feminist history’s time through its constitutive vocabulary and, in looking toward the future, considers feminism as a theory that is vital and living.
The first part explores the notion of feminist subjectivity, inquiring into identity, difference, and intersectionality, as well as topics like birth, body, and affect. The second examines feminist texts, covering writing, reading, genre, and critique. The third section looks at feminism and the world: from power, trauma, and value to technology, migration, and community. Including insights from literary and cultural studies, philosophy, political science and sociology, The Bloomsbury Handbook of 21st-Century Feminist Theory has been called an essential overview of current feminist thinking and future directions for scholarship, debate and activism.
The book is edited by Robin Truth Goodman. She is a professor of English at Florida State University, with an MA and Phd in Comparative Literature from New York University and currently examines feminist theory as a critique of neoliberal ideologies, looking at how literature and critical theory help us understand and oppose the power of institutions and the social oppressions of the new economy. Besides her many authored and edited books, articles, and book chapters, Dr. Goodman received FSU’s Developing Scholar award in 2009 and was a Global Fellow at University of California, Los Angeles in 2003-2004.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 10 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Bloomsbury Handbook is the most comprehensive available survey of the state of the art of contemporary feminist thought...</itunes:subtitle>
      <itunes:summary>The book I’m bringing you today, The Bloomsbury Handbook of 21st-Century Feminist Theory (Bloomsbury, 2019) is the most comprehensive available survey of the state of the art of contemporary feminist thought. This is a collection of thirty-four chapters written by world-leading scholars representing a diverse range of voices from academia, exploring the latest thinking on key topics in current feminist discourse. Rather than talking about feminism in terms of its “waves,” it traces feminist history’s time through its constitutive vocabulary and, in looking toward the future, considers feminism as a theory that is vital and living.
The first part explores the notion of feminist subjectivity, inquiring into identity, difference, and intersectionality, as well as topics like birth, body, and affect. The second examines feminist texts, covering writing, reading, genre, and critique. The third section looks at feminism and the world: from power, trauma, and value to technology, migration, and community. Including insights from literary and cultural studies, philosophy, political science and sociology, The Bloomsbury Handbook of 21st-Century Feminist Theory has been called an essential overview of current feminist thinking and future directions for scholarship, debate and activism.
The book is edited by Robin Truth Goodman. She is a professor of English at Florida State University, with an MA and Phd in Comparative Literature from New York University and currently examines feminist theory as a critique of neoliberal ideologies, looking at how literature and critical theory help us understand and oppose the power of institutions and the social oppressions of the new economy. Besides her many authored and edited books, articles, and book chapters, Dr. Goodman received FSU’s Developing Scholar award in 2009 and was a Global Fellow at University of California, Los Angeles in 2003-2004.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The book I’m bringing you today, <a href="http://www.amazon.com/dp/1350032387/?tag=newbooinhis-20"><em>The Bloomsbury Handbook of 21st-Century Feminist Theory</em></a> (Bloomsbury, 2019) is the most comprehensive available survey of the state of the art of contemporary feminist thought. This is a collection of thirty-four chapters written by world-leading scholars representing a diverse range of voices from academia, exploring the latest thinking on key topics in current feminist discourse. Rather than talking about feminism in terms of its “waves,” it traces feminist history’s time through its constitutive vocabulary and, in looking toward the future, considers feminism as a theory that is vital and living.</p><p>The first part explores the notion of feminist subjectivity, inquiring into identity, difference, and intersectionality, as well as topics like birth, body, and affect. The second examines feminist texts, covering writing, reading, genre, and critique. The third section looks at feminism and the world: from power, trauma, and value to technology, migration, and community. Including insights from literary and cultural studies, philosophy, political science and sociology, <em>The Bloomsbury Handbook of 21st-Century Feminist Theory</em> has been called an essential overview of current feminist thinking and future directions for scholarship, debate and activism.</p><p>The book is edited by <a href="https://english.fsu.edu/faculty/robin-goodman">Robin Truth Goodman</a>. She is a professor of English at Florida State University, with an MA and Phd in Comparative Literature from New York University and currently examines feminist theory as a critique of neoliberal ideologies, looking at how literature and critical theory help us understand and oppose the power of institutions and the social oppressions of the new economy. Besides her many authored and edited books, articles, and book chapters, Dr. Goodman received FSU’s Developing Scholar award in 2009 and was a Global Fellow at University of California, Los Angeles in 2003-2004.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3499</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6170525180.mp3?updated=1557229354" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ann Gleig, "American Dharma: Buddhism Beyond Modernity" (Yale UP, 2019)</title>
      <description>In her new book, American Dharma: Buddhism Beyond Modernity (Yale University Press, 2019), Ann Gleig makes a major contribution to scholarship on American Buddhism. Gleig focuses on meditation-based convert Buddhist lineages in North America, and in particular she is interested in the generational changes underway in these groups. The first generations of convert Buddhist teachers often modernized the tradition in distinctly American ways, and now Gen X and millennial Buddhists are re-engaging with the tradition but bringing to their Buddhist practice and teaching new questions. The issues that they—and Gleig, in her study—tackle include mindfulness as a secular and commercialized practice, sex scandals, and new technologies. These Buddhists ask how their communities should address racism and social injustice, and what the goal of practice should be. Gleig sets her fine-grained ethnographic research within a larger discussion of Buddhist modernism, arguing that the convert Buddhism is better understood through the lens of post-modernity.
Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu.

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      <pubDate>Fri, 26 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Gleig focuses on meditation-based convert Buddhist lineages in North America, and in particular she is interested in the generational changes underway in these groups...</itunes:subtitle>
      <itunes:summary>In her new book, American Dharma: Buddhism Beyond Modernity (Yale University Press, 2019), Ann Gleig makes a major contribution to scholarship on American Buddhism. Gleig focuses on meditation-based convert Buddhist lineages in North America, and in particular she is interested in the generational changes underway in these groups. The first generations of convert Buddhist teachers often modernized the tradition in distinctly American ways, and now Gen X and millennial Buddhists are re-engaging with the tradition but bringing to their Buddhist practice and teaching new questions. The issues that they—and Gleig, in her study—tackle include mindfulness as a secular and commercialized practice, sex scandals, and new technologies. These Buddhists ask how their communities should address racism and social injustice, and what the goal of practice should be. Gleig sets her fine-grained ethnographic research within a larger discussion of Buddhist modernism, arguing that the convert Buddhism is better understood through the lens of post-modernity.
Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="http://www.amazon.com/dp/0300215800/?tag=newbooinhis-20"><em>American Dharma: Buddhism Beyond Modernity</em></a> (Yale University Press, 2019), <a href="https://philosophy.cah.ucf.edu/faculty-staff/?id=569">Ann Gleig</a> makes a major contribution to scholarship on American Buddhism. Gleig focuses on meditation-based convert Buddhist lineages in North America, and in particular she is interested in the generational changes underway in these groups. The first generations of convert Buddhist teachers often modernized the tradition in distinctly American ways, and now Gen X and millennial Buddhists are re-engaging with the tradition but bringing to their Buddhist practice and teaching new questions. The issues that they—and Gleig, in her study—tackle include mindfulness as a secular and commercialized practice, sex scandals, and new technologies. These Buddhists ask how their communities should address racism and social injustice, and what the goal of practice should be. Gleig sets her fine-grained ethnographic research within a larger discussion of Buddhist modernism, arguing that the convert Buddhism is better understood through the lens of post-modernity.</p><p><a href="http://religiousstudies.as.virginia.edu/faculty/profile/%20nlh4x"><em>Natasha Heller</em></a><em> is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter </em><a href="https://twitter.com/nheller?lang=en"><em>@nheller</em></a><em> or email her at </em><a href="mailto:nheller@virginia.edu"><em>nheller@virginia.edu.</p><p></em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5364</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Emily Dawson, "Equity, Exclusion and Everyday Science Learning: The Experiences of Minoritised Groups" (Routledge, 2019)</title>
      <description>Who is excluded from science? What is the role of museums in this exclusion? In Equity, Exclusion and Everyday Science Learning: The Experiences of Minoritised Groups (Routledge, 2019), Dr Emily Dawson, an Associate Professor in the Department of Science and Technology Studies at University College London, introduces the idea of everyday science learning to critically engage with our understandings of science and the role of institutions in that understanding. The book challenges science centres and museums to move from participation policies and schemes, which have failed to significantly change the institution and its audience, to offer recognition and respect to diverse social groups. The need for change is grounded in detailed empirical work across a range of communities and organisations in London, with lessons that go well beyond science education and debates over the role of the museum. The book is essential reading for all social science and humanities scholars, as well as offering important insights for scientists too.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Who is excluded from science?</itunes:subtitle>
      <itunes:summary>Who is excluded from science? What is the role of museums in this exclusion? In Equity, Exclusion and Everyday Science Learning: The Experiences of Minoritised Groups (Routledge, 2019), Dr Emily Dawson, an Associate Professor in the Department of Science and Technology Studies at University College London, introduces the idea of everyday science learning to critically engage with our understandings of science and the role of institutions in that understanding. The book challenges science centres and museums to move from participation policies and schemes, which have failed to significantly change the institution and its audience, to offer recognition and respect to diverse social groups. The need for change is grounded in detailed empirical work across a range of communities and organisations in London, with lessons that go well beyond science education and debates over the role of the museum. The book is essential reading for all social science and humanities scholars, as well as offering important insights for scientists too.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who is excluded from science? What is the role of museums in this exclusion? In <a href="http://www.amazon.com/dp/1138289949/?tag=newbooinhis-20"><em>Equity, Exclusion and Everyday Science Learning: The Experiences of Minoritised Groups</em></a> (Routledge, 2019), <a href="https://twitter.com/emilyadawson">Dr Emily Dawson</a>, an <a href="https://www.ucl.ac.uk/sts/people/dr-emily-dawson">Associate Professor</a> in the Department of Science and Technology Studies at University College London, introduces the idea of everyday science learning to critically engage with our understandings of science and the role of institutions in that understanding. The book challenges science centres and museums to move from participation policies and schemes, which have failed to significantly change the institution and its audience, to offer recognition and respect to diverse social groups. The need for change is grounded in detailed empirical work across a range of communities and organisations in London, with lessons that go well beyond science education and debates over the role of the museum. The book is essential reading for all social science and humanities scholars, as well as offering important insights for scientists too.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3013</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2f3ea46a-5ec6-11e9-b581-7f211ff4f784]]></guid>
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    <item>
      <title>Leta Hong Fincher, "Betraying Big Brother: The Feminist Awakening in China" (Verso, 2018)</title>
      <description>On the eve of International Women’s Day in 2015, five activists were detained by the police in China for their plans to distribute anti-sexual harassment stickers. Although such detainments usually last 24 hours, these women were detained 37 days, the legal limit for detention without bringing charges. Dubbed the Feminist Five, news of the women spread rapidly through social media. The author of Leftover Women: The Resurgence of Gender Inequality in China, Leta Hong Fincher, uses the stories of these women to explore a much larger issue—that the subjugation of women is a key component of the authoritarian state. Betraying Big Brother: The Feminist Awakening in China (Verso, 2018) examines censorship and social media; the trauma of detention and its aftermath; the history of feminism in China; the feminist fight against sexual assault, sexual harassment, and domestic violence; and, ultimately, the remarkable ways that feminist thinking spreads under the circumstances.
Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer).

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      <pubDate>Fri, 12 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hong Fincher makes the case that the subjugation of women is a key component of the authoritarian state...</itunes:subtitle>
      <itunes:summary>On the eve of International Women’s Day in 2015, five activists were detained by the police in China for their plans to distribute anti-sexual harassment stickers. Although such detainments usually last 24 hours, these women were detained 37 days, the legal limit for detention without bringing charges. Dubbed the Feminist Five, news of the women spread rapidly through social media. The author of Leftover Women: The Resurgence of Gender Inequality in China, Leta Hong Fincher, uses the stories of these women to explore a much larger issue—that the subjugation of women is a key component of the authoritarian state. Betraying Big Brother: The Feminist Awakening in China (Verso, 2018) examines censorship and social media; the trauma of detention and its aftermath; the history of feminism in China; the feminist fight against sexual assault, sexual harassment, and domestic violence; and, ultimately, the remarkable ways that feminist thinking spreads under the circumstances.
Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer).

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the eve of International Women’s Day in 2015, five activists were detained by the police in China for their plans to distribute anti-sexual harassment stickers. Although such detainments usually last 24 hours, these women were detained 37 days, the legal limit for detention without bringing charges. Dubbed the Feminist Five, news of the women spread rapidly through social media. The author of <em>Leftover Women: The Resurgence of Gender Inequality in China</em>, <a href="http://www.letahongfincher.com/">Leta Hong Finche</a>r, uses the stories of these women to explore a much larger issue—that the subjugation of women is a key component of the authoritarian state. Betraying <a href="https://aax-us-east.amazon-adsystem.com/x/c/QgKaMoVpTOBMVSKZHd-p6NQAAAFp7d7QYAEAAAFKAQkB5Bc/http://www.amazon.com/dp/1786633647/?creativeASIN=1786633647&amp;linkCode=w61&amp;imprToken=exm1uhTgtQ.snQ4esIEpGw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Big Brother: The Feminist Awakening in China</em></a> (Verso, 2018) examines censorship and social media; the trauma of detention and its aftermath; the history of feminism in China; the feminist fight against sexual assault, sexual harassment, and domestic violence; and, ultimately, the remarkable ways that feminist thinking spreads under the circumstances.</p><p><em>Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter (@LDickmeyer).</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2850</itunes:duration>
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    <item>
      <title>Jamila Lee-Johnson, and Ashley Gaskew, "Critical Theory and Qualitative Data Analysis in Education" (Routledge, 2018)</title>
      <description>Jamila Lee-Johnson and Ashley Gaskew, doctoral students in education at the University of Wisconsin – Madison, join us in this episode to discuss their recently published co-edited volume entitled, Critical Theory and Qualitative Data Analysis in Education. In addition to talking about their own journey to becoming critical scholars, Jamila and Ashley talk to us about the importance of centering voices and perspectives that have been traditionally marginalized in the academy. Their work builds a pathway forward for rigorous data analysis that will shape future generations of critical scholars.
After an overview of the book and its contribution, Ashley and Jamila each summarize their chapters. Ashley’s chapter applies Habermas’ theory of colonization of the lifeworld to the analysis of for-profit television advertisements. She talks about why it is important to study the for-profit sector in higher education, how she transcribed and coded the advertisement, and what this technique allows us to understand about how for-profit sectors are shaping the higher education system. Jamila’s chapter uses tweets from Black Twitter and the #BlackWomenAtWork hashtag. She tells us the inspiration for her inquiry, how she applies Critical Discourse Analysis and W.E.B. Du Bois’ theory of double consciousness to code and interpret tweets, and what this analysis contributes. These are just two examples of the range of data sources and theories that authors use in the book, with other chapters analyzing syllabi, photos, interviews, and political campaign speeches.
The book came together as a result of a graduate-level seminar taught by Rachelle Winkle-Wagner, and Jamila and Ashley talk about what it was like to be involved as both editors and writers in the project. They describe how they worked with authors, provided feedback, and humanized the writing and editing process, demonstrating yet another level of their scholarship.
Julie Kallio is a graduate student in Educational Leadership and Policy Analysis at the University of Wisconsin – Madison. Her research interests include educational change, innovation and improvement networks, and participatory design. You can find more about her work on her website, follow her on twitter, or email her at jmkallio@wisc.edu.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Jamila and Ashley talk to us about the importance of centering voices and perspectives that have been traditionally marginalized in the academy...</itunes:subtitle>
      <itunes:summary>Jamila Lee-Johnson and Ashley Gaskew, doctoral students in education at the University of Wisconsin – Madison, join us in this episode to discuss their recently published co-edited volume entitled, Critical Theory and Qualitative Data Analysis in Education. In addition to talking about their own journey to becoming critical scholars, Jamila and Ashley talk to us about the importance of centering voices and perspectives that have been traditionally marginalized in the academy. Their work builds a pathway forward for rigorous data analysis that will shape future generations of critical scholars.
After an overview of the book and its contribution, Ashley and Jamila each summarize their chapters. Ashley’s chapter applies Habermas’ theory of colonization of the lifeworld to the analysis of for-profit television advertisements. She talks about why it is important to study the for-profit sector in higher education, how she transcribed and coded the advertisement, and what this technique allows us to understand about how for-profit sectors are shaping the higher education system. Jamila’s chapter uses tweets from Black Twitter and the #BlackWomenAtWork hashtag. She tells us the inspiration for her inquiry, how she applies Critical Discourse Analysis and W.E.B. Du Bois’ theory of double consciousness to code and interpret tweets, and what this analysis contributes. These are just two examples of the range of data sources and theories that authors use in the book, with other chapters analyzing syllabi, photos, interviews, and political campaign speeches.
The book came together as a result of a graduate-level seminar taught by Rachelle Winkle-Wagner, and Jamila and Ashley talk about what it was like to be involved as both editors and writers in the project. They describe how they worked with authors, provided feedback, and humanized the writing and editing process, demonstrating yet another level of their scholarship.
Julie Kallio is a graduate student in Educational Leadership and Policy Analysis at the University of Wisconsin – Madison. Her research interests include educational change, innovation and improvement networks, and participatory design. You can find more about her work on her website, follow her on twitter, or email her at jmkallio@wisc.edu.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.linkedin.com/in/jamila-lee-johnson-22a71065/">Jamila Lee-Johnson</a> and <a href="https://www.linkedin.com/in/ashley-gaskew-a1520242/">Ashley Gaskew</a>, doctoral students in education at the University of Wisconsin – Madison, join us in this episode to discuss their recently published co-edited volume entitled, Critical Theory and Qualitative Data Analysis in Education. In addition to talking about their own journey to becoming critical scholars, Jamila and Ashley talk to us about the importance of centering voices and perspectives that have been traditionally marginalized in the academy. Their work builds a pathway forward for rigorous data analysis that will shape future generations of critical scholars.</p><p>After an overview of the book and its contribution, Ashley and Jamila each summarize their chapters. Ashley’s chapter applies Habermas’ theory of colonization of the lifeworld to the analysis of for-profit television advertisements. She talks about why it is important to study the for-profit sector in higher education, how she transcribed and coded the advertisement, and what this technique allows us to understand about how for-profit sectors are shaping the higher education system. Jamila’s chapter uses tweets from Black Twitter and the #BlackWomenAtWork hashtag. She tells us the inspiration for her inquiry, how she applies Critical Discourse Analysis and W.E.B. Du Bois’ theory of double consciousness to code and interpret tweets, and what this analysis contributes. These are just two examples of the range of data sources and theories that authors use in the book, with other chapters analyzing syllabi, photos, interviews, and political campaign speeches.</p><p>The book came together as a result of a graduate-level seminar taught by Rachelle Winkle-Wagner, and Jamila and Ashley talk about what it was like to be involved as both editors and writers in the project. They describe how they worked with authors, provided feedback, and humanized the writing and editing process, demonstrating yet another level of their scholarship.</p><p><a href="http://www.juliekallio.com/"><em>Julie Kallio</em></a><em> is a graduate student in </em><a href="http://elpa.education.wisc.edu/"><em>Educational Leadership and Policy Analysis</em></a><em> at the University of Wisconsin – Madison. Her research interests include educational change, innovation and improvement networks, and participatory design. You can find more about her work on her </em><a href="http://www.juliekallio.com/"><em>website</em></a><em>, follow her on </em><a href="http://www.twitter.com/juliekallio"><em>twitter</em></a><em>, or email her at </em><a href="mailto:jmkallio@wisc.edu"><em>jmkallio@wisc.edu</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2945</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ad5a2442-57b3-11e9-9fa8-2f93f343359b]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8443816378.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mickey and Dick Flacks, "Making History/Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America" (Rutgers UP, 2018)</title>
      <description>Mickey and Dick Flacks' new book Making History/Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America (Rutgers UP, 2018) is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.
Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history—of growing up “Red Diaper babies” in 1950s New York City, using folk music as self-expression as adolescents in the 1960s, and of making blintzes for their own family through the 1970s and 1980s. As the children of immigrants and first generation Jews, Dick and Mickey crafted their own religious identity as secular Jews, created a critical space for American progressive activism through SDS, and ultimately, found themselves raising an “American” family.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, the Flacks' stories are a first-hand account of progressive American activism from the 1960s to the present.</itunes:subtitle>
      <itunes:summary>Mickey and Dick Flacks' new book Making History/Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America (Rutgers UP, 2018) is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.
Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history—of growing up “Red Diaper babies” in 1950s New York City, using folk music as self-expression as adolescents in the 1960s, and of making blintzes for their own family through the 1970s and 1980s. As the children of immigrants and first generation Jews, Dick and Mickey crafted their own religious identity as secular Jews, created a critical space for American progressive activism through SDS, and ultimately, found themselves raising an “American” family.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mickey and Dick Flacks' new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qow6bZe-TA5EjCxbMZcVbh0AAAFp4_bwlQEAAAFKAe8Y4fI/http://www.amazon.com/dp/0813589223/?creativeASIN=0813589223&amp;linkCode=w61&amp;imprToken=uPUnyWPJE93RBZCpl0xnVg&amp;slotNum=0&amp;tag=newbooinhis-20">Making History/Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America</a> (Rutgers UP, 2018) is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.</p><p>Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history—of growing up “Red Diaper babies” in 1950s New York City, using folk music as self-expression as adolescents in the 1960s, and of making blintzes for their own family through the 1970s and 1980s. As the children of immigrants and first generation Jews, Dick and Mickey crafted their own religious identity as secular Jews, created a critical space for American progressive activism through SDS, and ultimately, found themselves raising an “American” family.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Laurence Cox, "Why Social Movements Matter: An Introduction" (Rowman and Littlefield, 2018)</title>
      <description>In his book Why Social Movements Matter: An Introduction (Rowman and Littlefield, 2018), Senior Lecturer Laurence Cox, from Maynooth University, highlights how social movements have shaped the world we live in and their importance for today’s social struggles. He also explores the complex relationship between progressive social movements and political parties, as well as the interactions between movements and intellectuals. The book is written in an engaging way and will also trigger the interest of the general publics interested in social movements and progressive politics.
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 08 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cox highlights how social movements have shaped the world we live in and their importance for today’s social struggles...</itunes:subtitle>
      <itunes:summary>In his book Why Social Movements Matter: An Introduction (Rowman and Littlefield, 2018), Senior Lecturer Laurence Cox, from Maynooth University, highlights how social movements have shaped the world we live in and their importance for today’s social struggles. He also explores the complex relationship between progressive social movements and political parties, as well as the interactions between movements and intellectuals. The book is written in an engaging way and will also trigger the interest of the general publics interested in social movements and progressive politics.
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qjkv_eHp5GUrf9jvPK6QO20AAAFpygwFbwEAAAFKARXndDw/https://www.amazon.com/dp/1786607824/?creativeASIN=1786607824&amp;linkCode=w61&amp;imprToken=TL8zymCZlpzg5WrMBUR8tw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Why Social Movements Matter: An Introduction </em></a>(Rowman and Littlefield, 2018), Senior Lecturer <a href="https://www.maynoothuniversity.ie/sociology/our-people/laurence-cox">Laurence Cox</a>, from Maynooth University, highlights how social movements have shaped the world we live in and their importance for today’s social struggles. He also explores the complex relationship between progressive social movements and political parties, as well as the interactions between movements and intellectuals. The book is written in an engaging way and will also trigger the interest of the general publics interested in social movements and progressive politics.</p><p><a href="http://www.felipegsantos.com/"><em>Felipe G. Santos </em></a><em>is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2004</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c8d80eb2-5481-11e9-bc00-fb204ebdb56d]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9001995350.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Komlos, "Foundations of Real-World Economics: What Every Economics Student Needs to Know" (Routledge, 2019)</title>
      <description>I met with John Komlos, an American economic historian of Hungarian descent and former holder of the Chair of Economic History at the University of Munich. We spoke about his latest book, Foundations of Real-World Economics: What Every Economics Student Needs to Know (Routledge, 2019). This is a very original textbook, a good answer to the call from the Rethinking Economics movement to revise our economics textbooks and programmes.
Komlos argues that the 2008 financial crisis, the rise of Trumpism and the other populist movements which have followed in their wake ‘have grown out of the frustrations of those hurt by the economic policies advocated by conventional economists for generations. Despite this, textbooks continue to praise conventional policies such as deregulation and hyperglobalization.’
His book demonstrates how misleading it can be to apply oversimplified models of perfect competition to the real world. ‘The math works well on college blackboards but not so well on the Main Streets of America. This volume explores the realities of oligopolies, the real impact of the minimum wage, the double-edged sword of free trade, and other ways in which powerful institutions cause distortions in the mainstream models. Bringing together the work of key scholars, such as Kahneman, Minsky, and Schumpeter, this book demonstrates how we should take into account the inefficiencies that arise due to asymmetric information, mental biases, unequal distribution of wealth and power, and the manipulation of demand.’
This book offers students a valuable introductory text with insights into the workings of real markets not just imaginary ones formulated by blackboard economists. A must-have for students studying the principles of economics as well as micro- and macroeconomics.
It is a very original book, in the ambition, in the way it is written, even in its evocative chapter titles and in the unusual tables, carts, diagrams and pictures. I hope you will enjoy the podcast and the book itself.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Komlos argues that the 2008 financial crisis, the rise of Trumpism and the other populist movements which have followed in their wake ‘have grown out of the frustrations of those hurt by the economic policies advocated by conventional economists....</itunes:subtitle>
      <itunes:summary>I met with John Komlos, an American economic historian of Hungarian descent and former holder of the Chair of Economic History at the University of Munich. We spoke about his latest book, Foundations of Real-World Economics: What Every Economics Student Needs to Know (Routledge, 2019). This is a very original textbook, a good answer to the call from the Rethinking Economics movement to revise our economics textbooks and programmes.
Komlos argues that the 2008 financial crisis, the rise of Trumpism and the other populist movements which have followed in their wake ‘have grown out of the frustrations of those hurt by the economic policies advocated by conventional economists for generations. Despite this, textbooks continue to praise conventional policies such as deregulation and hyperglobalization.’
His book demonstrates how misleading it can be to apply oversimplified models of perfect competition to the real world. ‘The math works well on college blackboards but not so well on the Main Streets of America. This volume explores the realities of oligopolies, the real impact of the minimum wage, the double-edged sword of free trade, and other ways in which powerful institutions cause distortions in the mainstream models. Bringing together the work of key scholars, such as Kahneman, Minsky, and Schumpeter, this book demonstrates how we should take into account the inefficiencies that arise due to asymmetric information, mental biases, unequal distribution of wealth and power, and the manipulation of demand.’
This book offers students a valuable introductory text with insights into the workings of real markets not just imaginary ones formulated by blackboard economists. A must-have for students studying the principles of economics as well as micro- and macroeconomics.
It is a very original book, in the ambition, in the way it is written, even in its evocative chapter titles and in the unusual tables, carts, diagrams and pictures. I hope you will enjoy the podcast and the book itself.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I met with <a href="https://en.wikipedia.org/wiki/John_Komlos">John Komlos</a>, an American economic historian of Hungarian descent and former holder of the Chair of Economic History at the University of Munich. We spoke about his latest book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qn3jm36uIYqv3DuqhkYdolYAAAFpzk2A8AEAAAFKAXHJML4/https://www.amazon.com/dp/1138296546/?creativeASIN=1138296546&amp;linkCode=w61&amp;imprToken=06yj7oRpFyhwgkRGnZghrg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Foundations of Real-World Economics: What Every Economics Student Needs to Know</em></a> (Routledge, 2019). This is a very original textbook, a good answer to the call from the Rethinking Economics movement to revise our economics textbooks and programmes.</p><p>Komlos argues that the 2008 financial crisis, the rise of Trumpism and the other populist movements which have followed in their wake ‘have grown out of the frustrations of those hurt by the economic policies advocated by conventional economists for generations. Despite this, textbooks continue to praise conventional policies such as deregulation and hyperglobalization.’</p><p>His book demonstrates how misleading it can be to apply oversimplified models of perfect competition to the real world. ‘The math works well on college blackboards but not so well on the Main Streets of America. This volume explores the realities of oligopolies, the real impact of the minimum wage, the double-edged sword of free trade, and other ways in which powerful institutions cause distortions in the mainstream models. Bringing together the work of key scholars, such as Kahneman, Minsky, and Schumpeter, this book demonstrates how we should take into account the inefficiencies that arise due to asymmetric information, mental biases, unequal distribution of wealth and power, and the manipulation of demand.’</p><p>This book offers students a valuable introductory text with insights into the workings of real markets not just imaginary ones formulated by blackboard economists. A must-have for students studying the principles of economics as well as micro- and macroeconomics.</p><p>It is a very original book, in the ambition, in the way it is written, even in its evocative chapter titles and in the unusual tables, carts, diagrams and pictures. I hope you will enjoy the podcast and the book itself.</p><p><a href="https://twitter.com/Bernardi_UK"><em>Andrea Bernardi</em></a><em> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his </em><a href="https://www.researchgate.net/profile/Andrea_Bernardi"><em>research interests</em></a><em> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on </em><a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies"><em>Critical Management Studies</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2128</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tina Sikka, "Climate Technology, Gender, and Justice: The Standpoint of the Vulnerable" (Springer, 2019)</title>
      <description>How can feminist theory help address the climate crisis? In Climate Technology, Gender, and Justice: The Standpoint of the Vulnerable (Springer Verlag, 2019), Tina Sikka, a lecturer in media and cultural studies at the University of Newcastle, considers the limitations of our current approach to climate change, and the means through which we can respond in more open, and thus more effective, ways. The book uses the example of geoengineering as a case study in responses to climate change, highlighting the closed nature of the discussions and decision making processes associated with the methods, modelling, and policy for this approach. Drawing on Longino’s Feminist Contextual Empiricist theory, the book offers both a critique of current practice and points to ways in which this could be reorientated towards a wider and more inclusive range of human needs and capabilities. Given the nature of the climate crisis the book is essential reading for anyone interested in how the species survives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can feminist theory help address the climate crisis?</itunes:subtitle>
      <itunes:summary>How can feminist theory help address the climate crisis? In Climate Technology, Gender, and Justice: The Standpoint of the Vulnerable (Springer Verlag, 2019), Tina Sikka, a lecturer in media and cultural studies at the University of Newcastle, considers the limitations of our current approach to climate change, and the means through which we can respond in more open, and thus more effective, ways. The book uses the example of geoengineering as a case study in responses to climate change, highlighting the closed nature of the discussions and decision making processes associated with the methods, modelling, and policy for this approach. Drawing on Longino’s Feminist Contextual Empiricist theory, the book offers both a critique of current practice and points to ways in which this could be reorientated towards a wider and more inclusive range of human needs and capabilities. Given the nature of the climate crisis the book is essential reading for anyone interested in how the species survives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can feminist theory help address the climate crisis? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qhtu-Y2YQ52_c33176SXc24AAAFpflE84gEAAAFKAWMq11Y/https://www.amazon.com/dp/3030011461/?creativeASIN=3030011461&amp;linkCode=w61&amp;imprToken=YC0xDg-GWGcnUBtP8J4UjQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Climate Technology, Gender, and Justice: The Standpoint of the Vulnerable </em></a>(Springer Verlag, 2019), <a href="https://twitter.com/tsikka">Tina Sikka</a>, a <a href="https://www.ncl.ac.uk/sacs/staff/profile/tinasikka.html">lecturer in media and cultural studies at the University of Newcastle</a>, considers the limitations of our current approach to climate change, and the means through which we can respond in more open, and thus more effective, ways. The book uses the example of geoengineering as a case study in responses to climate change, highlighting the closed nature of the discussions and decision making processes associated with the methods, modelling, and policy for this approach. Drawing on Longino’s Feminist Contextual Empiricist theory, the book offers both a critique of current practice and points to ways in which this could be reorientated towards a wider and more inclusive range of human needs and capabilities. Given the nature of the climate crisis the book is essential reading for anyone interested in how the species survives.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2499</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0e8a958-4804-11e9-8f17-ff7a62cad80c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7942587637.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Discussion of Massive Online Peer Review and Open Access Publishing</title>
      <description>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.
You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic...</itunes:subtitle>
      <itunes:summary>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.
You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/
Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor <a href="https://www.sandiego.edu/peace/about/biography.php?profile_id=2082">Austin Choi-Fitzpatrick</a>, whose book, <em>The Good Drone: How Social Movements Democratize Surveillance</em> (forthcoming with <a href="https://mitpress.mit.edu/">MIT Press</a>) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.</p><p>You can participate in the MOPR process of <em>The Good Drone</em> through this link: <a href="https://thegooddrone.pubpub.org/">https://thegooddrone.pubpub.org/</a></p><p><a href="http://www.felipegsantos.com/"><em>Felipe G. Santos </em></a><em>is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3072125453.mp3?updated=1711745249" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natalie Koch, "Critical Geographies of Sport: Space, Power, and Sport in Global Perspective" (Routledge, 2017)</title>
      <description>Today we are joined by Natalie Koch, Associate Professor of Geography at the Maxwell School of Citizenship and Public Affairs at Syracuse University, and editor of Critical Geographies of Sport: Space, Power, and Sport in Global Perspective (Routledge, 2017).  In our conversation, we discuss the growing field of critical sports geography, the role of sports in authoritarian regimes, and the neo-liberalization of sports.
In Critical geographies, Koch joins other scholars to address a wide range of sports issues, including the demolition of South Korea’s Dongdaemun baseball stadium, professional wrestling in the territorial era in the United States, and the identity politics of the Gaelic Athletic Association.  An emphasis on space and the ways that space embodies power and power relations, underpins the volume’s diverse offerings and draws them into fruitful conversation with each other.
The collected essays fall into two categories: the first half of the book examines sports, geopolitics, and the state.  Here Koch offers her own fascinating analysis of authoritarian leaders – including Mao Zedong, Vladimir Putin, and Sheikh Zayed – and their use of sports to promote the legitimacy of their regime and their own cult of personality.  Koch is especially careful to differentiate between the distinct masculine discourses at work in China, Russia, and the United Arab Emirates and the way those discourses made use of the divergent topographies of their countries: tundra, desert and massive river delta.
The second half of the book deals with sports, community, and urban space.  Here authors address the opportunities and limitations offered by sports as a tool of social assimilation and integration; the role stadium projects play in the neo-liberalization of public spaces; and the problematic politics of megaevents.
In a coda, Koch and David Jansson provoke further questions by gesturing towards the role social justice can play in critical sports geography.
Each one of these essays in this volume offers enticing insights into the ways that power and space intersect in the sports sphere.  Geographers interested in the field of critical sports geography should read this book but scholars generally interested in questions of sports, power, and space are also encouraged to check out this compelling work.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>126</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Critical geographies, Koch joins other scholars to address a wide range of sports issues, including the demolition of South Korea’s Dongdaemun baseball stadium, professional wrestling in the territorial era in the United States, and the identity politics of the Gaelic Athletic Association...</itunes:subtitle>
      <itunes:summary>Today we are joined by Natalie Koch, Associate Professor of Geography at the Maxwell School of Citizenship and Public Affairs at Syracuse University, and editor of Critical Geographies of Sport: Space, Power, and Sport in Global Perspective (Routledge, 2017).  In our conversation, we discuss the growing field of critical sports geography, the role of sports in authoritarian regimes, and the neo-liberalization of sports.
In Critical geographies, Koch joins other scholars to address a wide range of sports issues, including the demolition of South Korea’s Dongdaemun baseball stadium, professional wrestling in the territorial era in the United States, and the identity politics of the Gaelic Athletic Association.  An emphasis on space and the ways that space embodies power and power relations, underpins the volume’s diverse offerings and draws them into fruitful conversation with each other.
The collected essays fall into two categories: the first half of the book examines sports, geopolitics, and the state.  Here Koch offers her own fascinating analysis of authoritarian leaders – including Mao Zedong, Vladimir Putin, and Sheikh Zayed – and their use of sports to promote the legitimacy of their regime and their own cult of personality.  Koch is especially careful to differentiate between the distinct masculine discourses at work in China, Russia, and the United Arab Emirates and the way those discourses made use of the divergent topographies of their countries: tundra, desert and massive river delta.
The second half of the book deals with sports, community, and urban space.  Here authors address the opportunities and limitations offered by sports as a tool of social assimilation and integration; the role stadium projects play in the neo-liberalization of public spaces; and the problematic politics of megaevents.
In a coda, Koch and David Jansson provoke further questions by gesturing towards the role social justice can play in critical sports geography.
Each one of these essays in this volume offers enticing insights into the ways that power and space intersect in the sports sphere.  Geographers interested in the field of critical sports geography should read this book but scholars generally interested in questions of sports, power, and space are also encouraged to check out this compelling work.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="https://www.maxwell.syr.edu/geo/Koch,_Natalie/">Natalie Koch</a>, Associate Professor of Geography at the Maxwell School of Citizenship and Public Affairs at Syracuse University, and editor of <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qg_DWEcSwyxmioL85jcU5mEAAAFpOqMu3QEAAAFKAeDjHRc/https://www.amazon.com/dp/1138541451/?creativeASIN=1138541451&amp;linkCode=w61&amp;imprToken=th1jkzbnoZ85ZbvtZfVjgQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Critical Geographies of Sport: Space, Power, and Sport in Global Perspective</em></a> (Routledge, 2017).  In our conversation, we discuss the growing field of critical sports geography, the role of sports in authoritarian regimes, and the neo-liberalization of sports.</p><p>In <em>Critical geographies</em>, Koch joins other scholars to address a wide range of sports issues, including the demolition of South Korea’s Dongdaemun baseball stadium, professional wrestling in the territorial era in the United States, and the identity politics of the Gaelic Athletic Association.  An emphasis on space and the ways that space embodies power and power relations, underpins the volume’s diverse offerings and draws them into fruitful conversation with each other.</p><p>The collected essays fall into two categories: the first half of the book examines sports, geopolitics, and the state.  Here Koch offers her own fascinating analysis of authoritarian leaders – including Mao Zedong, Vladimir Putin, and Sheikh Zayed – and their use of sports to promote the legitimacy of their regime and their own cult of personality.  Koch is especially careful to differentiate between the distinct masculine discourses at work in China, Russia, and the United Arab Emirates and the way those discourses made use of the divergent topographies of their countries: tundra, desert and massive river delta.</p><p>The second half of the book deals with sports, community, and urban space.  Here authors address the opportunities and limitations offered by sports as a tool of social assimilation and integration; the role stadium projects play in the neo-liberalization of public spaces; and the problematic politics of megaevents.</p><p>In a coda, Koch and David Jansson provoke further questions by gesturing towards the role social justice can play in critical sports geography.</p><p>Each one of these essays in this volume offers enticing insights into the ways that power and space intersect in the sports sphere.  Geographers interested in the field of critical sports geography should read this book but scholars generally interested in questions of sports, power, and space are also encouraged to check out this compelling work.</p><p><em>Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at </em><a href="mailto:keith.rathbone@mq.edu.au"><em>keith.rathbone@mq.edu.au</p><p></em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4125</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0a067e32-3e8e-11e9-90c3-cf13a7fc81fc]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6415155004.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kate Ervine, "Carbon" (Polity, 2018)</title>
      <description>The crisis of global warming overwhelms the imagination with its urgency, yet more than ever we need patient, clear-sighted. and careful assessments of the possibilities for transforming the global political economy.  Carbon(Polity, 2018) is an excellent addition to our evolving efforts to understand clearly where we are and where we need to go.  Here, Kate Ervine provides an accessible and trenchant introduction to the severity of our situation and the international climate politics of the past 30 years.  With critical insight and deep experience in the field, she describes how and why politics as usual has so far failed to prevent disaster as oil, gas, and coal interests continue to win the better ears of political leaders.  Ervine delves deep into the technological fixes that will and must be part of the human response to climate change, but argues that ultimately preventing full-scale disaster will require more fundamental changes to global politics and economy.  In this way, we can aspire not only to meet this challenge, also to achieve greater environmental justice and stronger democratic practices.
Kate Ervine is Associate Professor of International Development Studies and Faculty Associate of the School of the Environment at Saint Mary’s University.
Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in seventeenth- and eighteenth-century Mexico.  He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>187</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kate Ervine provides an accessible and trenchant introduction to the severity of our situation and the international climate politics of the past 30 years...</itunes:subtitle>
      <itunes:summary>The crisis of global warming overwhelms the imagination with its urgency, yet more than ever we need patient, clear-sighted. and careful assessments of the possibilities for transforming the global political economy.  Carbon(Polity, 2018) is an excellent addition to our evolving efforts to understand clearly where we are and where we need to go.  Here, Kate Ervine provides an accessible and trenchant introduction to the severity of our situation and the international climate politics of the past 30 years.  With critical insight and deep experience in the field, she describes how and why politics as usual has so far failed to prevent disaster as oil, gas, and coal interests continue to win the better ears of political leaders.  Ervine delves deep into the technological fixes that will and must be part of the human response to climate change, but argues that ultimately preventing full-scale disaster will require more fundamental changes to global politics and economy.  In this way, we can aspire not only to meet this challenge, also to achieve greater environmental justice and stronger democratic practices.
Kate Ervine is Associate Professor of International Development Studies and Faculty Associate of the School of the Environment at Saint Mary’s University.
Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in seventeenth- and eighteenth-century Mexico.  He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The crisis of global warming overwhelms the imagination with its urgency, yet more than ever we need patient, clear-sighted. and careful assessments of the possibilities for transforming the global political economy.  <a href="https://aax-us-east.amazon-adsystem.com/x/c/QppZYlXFjWc5ltfWVGdl5EIAAAFpOrCF1QEAAAFKAUYjY08/https://www.amazon.com/dp/1509501126/?creativeASIN=1509501126&amp;linkCode=w61&amp;imprToken=2x.JIwmn06TQicTjLqtBig&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Carbon</em></a>(Polity, 2018) is an excellent addition to our evolving efforts to understand clearly where we are and where we need to go.  Here, <a href="https://smu.ca/research/profiles/faculty/Ervine03.html">Kate Ervine</a> provides an accessible and trenchant introduction to the severity of our situation and the international climate politics of the past 30 years.  With critical insight and deep experience in the field, she describes how and why politics as usual has so far failed to prevent disaster as oil, gas, and coal interests continue to win the better ears of political leaders.  Ervine delves deep into the technological fixes that will and must be part of the human response to climate change, but argues that ultimately preventing full-scale disaster will require more fundamental changes to global politics and economy.  In this way, we can aspire not only to meet this challenge, also to achieve greater environmental justice and stronger democratic practices.</p><p><a href="https://smu.ca/research/profiles/faculty/Ervine03.html">Kate Ervine</a> is Associate Professor of International Development Studies and Faculty Associate of the School of the Environment at Saint Mary’s University.</p><p><em>Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in seventeenth- and eighteenth-century Mexico.  He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3080</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d54241da-3e93-11e9-ad4e-e7b5ed702602]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8765254913.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Farhana Shaikh, "From Imposter to Impact: Arts Leadership in the 21st Century" (Dahlia Publishing, 2019)</title>
      <description>What are the characteristics of the 21st Century arts leader? In From Imposter to Impact: Arts Leadership in the 21st Century (Dahlia Publishing, 2019), Farhana Shaikh, a writer, publisher, and journalist, details lessons from key arts thinkers. The book covers issues including funding, networking, audience development, the challenge of digital, and diversity in the arts. Crucially the book confronts the struggles and failures, as well as the successes, associated with developing an arts career and becoming an arts leader. The book draws on a wealth of interview data and the experience of the Curve Cultural Leadership Programme, as well as Farhana's own reflections on imposter syndrome, motherhood, and arts leadership. These insights are now the basis for an arts mentoring programme aimed at Black, Asian, and Minority Ethnic writers, and the book is essential reading for anyone interested in the arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Mar 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What are the characteristics of the 21st Century arts leader?</itunes:subtitle>
      <itunes:summary>What are the characteristics of the 21st Century arts leader? In From Imposter to Impact: Arts Leadership in the 21st Century (Dahlia Publishing, 2019), Farhana Shaikh, a writer, publisher, and journalist, details lessons from key arts thinkers. The book covers issues including funding, networking, audience development, the challenge of digital, and diversity in the arts. Crucially the book confronts the struggles and failures, as well as the successes, associated with developing an arts career and becoming an arts leader. The book draws on a wealth of interview data and the experience of the Curve Cultural Leadership Programme, as well as Farhana's own reflections on imposter syndrome, motherhood, and arts leadership. These insights are now the basis for an arts mentoring programme aimed at Black, Asian, and Minority Ethnic writers, and the book is essential reading for anyone interested in the arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the characteristics of the 21st Century arts leader? In <a href="http://dahlia-books.kong365.com/en-gb/products/from-imposter-to-impact-arts-leadership-in-the-21st-century"><em>From Imposter to Impact: Arts Leadership in the 21st Century</em></a> (Dahlia Publishing, 2019), <a href="https://twitter.com/farhanashaikh">Farhana Shaikh</a>, a writer, publisher, and journalist, details lessons from key arts thinkers. The book covers issues including funding, networking, audience development, the challenge of digital, and diversity in the arts. Crucially the book confronts the struggles and failures, as well as the successes, associated with developing an arts career and becoming an arts leader. The book draws on a wealth of interview data and the experience of the <a href="https://www.curveonline.co.uk/about-us/artists/key-speaker-biographys/">Curve Cultural Leadership Programme</a>, as well as Farhana's own reflections on imposter syndrome, motherhood, and arts leadership. These insights are now the basis for an <a href="http://middlewaymentoring.co.uk">arts mentoring programme</a> aimed at Black, Asian, and Minority Ethnic writers, and the book is essential reading for anyone interested in the arts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2105</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[40e6ccce-3dab-11e9-af49-33e0e8216f37]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4291279937.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacob Johanssen, "Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data" (Routledge, 2018)</title>
      <description>How can insights from psychoanalysis help us understand digital culture? in Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2018), Jacob Johanssen, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the Embarrassing Bodies television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>118</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can insights from psychoanalysis help us understand digital culture? </itunes:subtitle>
      <itunes:summary>How can insights from psychoanalysis help us understand digital culture? in Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2018), Jacob Johanssen, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the Embarrassing Bodies television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can insights from psychoanalysis help us understand digital culture? in <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qro8AMPsvUFaSs9R65-EQKgAAAFpEKJiZQEAAAFKAWiq2vY/https://www.amazon.com/dp/113848444X/?creativeASIN=113848444X&amp;linkCode=w61&amp;imprToken=LAqD31-xJJjVr-FrJdYMng&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data</em></a> (Routledge, 2018), <a href="https://twitter.com/Jacob_PhD">Jacob Johanssen</a>, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the <em>Embarrassing Bodies</em> television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2229</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[292312ee-3777-11e9-a0a0-cf350ebab7de]]></guid>
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    </item>
    <item>
      <title>Martin Demant Frederiksen, "An Anthropology of Nothing in Particular" (Zero Books, 2018)</title>
      <description>An Anthropology of Nothing in Particular (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be.
Martin Demant Frederiksen is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs Young Men, Time, and Boredom in the Republic of Georgia (2013), Georgian Portraits - Essays on the Afterlives of a Revolution (2017, with Katrine Gotfredsen) and An Anthropology of Nothing in Particular (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue".
Carna Brkovic is a lecturer at the University of Goettingen.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Frederiksen's book is an “exploration of what goes missing when one looks for meaning."</itunes:subtitle>
      <itunes:summary>An Anthropology of Nothing in Particular (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be.
Martin Demant Frederiksen is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs Young Men, Time, and Boredom in the Republic of Georgia (2013), Georgian Portraits - Essays on the Afterlives of a Revolution (2017, with Katrine Gotfredsen) and An Anthropology of Nothing in Particular (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue".
Carna Brkovic is a lecturer at the University of Goettingen.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://aax-us-east.amazon-adsystem.com/x/c/Qt7HcXPEBw3ut-iuMHI3oZgAAAFpFSznzwEAAAFKAVJIJXA/https://www.amazon.com/dp/1785356992/?creativeASIN=1785356992&amp;linkCode=w61&amp;imprToken=.xk3WBUDup3CAZsoDXQcdg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>An Anthropology of Nothing in Particular</em></a> (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be.</p><p><a href="https://www.sv.uio.no/sai/english/people/aca/martin-demant-frederiksen/">Martin Demant Frederiksen</a> is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs <em>Young Men, Time, and Boredom in the Republic of Georgia</em> (2013), <em>Georgian Portraits - Essays on the Afterlives of a Revolution</em> (2017, with Katrine Gotfredsen) and <em>An Anthropology of Nothing in Particular</em> (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue".</p><p><a href="https://carnabrkovic.net/"><em>Carna Brkovic</em></a><em> is a lecturer at the University of Goettingen.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3647225171.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jocelyn M. Boryczka, "Suspect Citizens: Women, Virtue, and Vice in Backlash Politics" (Temple UP, 2012)</title>
      <description>In her book Suspect Citizens: Women, Virtue, and Vice in Backlash Politics (Temple University Press, 2012), Jocelyn M. Boryczka explores the fraught position that women find themselves in as citizens of the United States. She examines this complex position within the parameters of virtue and vice, the dichotomy through which women, their behavior, and their role in the republic are usually situated and interpreted. Explaining that women are often given the moral responsibility for the care and perpetuation of the country, Boryczka concentrates on demands that women hew to a standard of virtue, and if they deviate from that standard, they are often blamed for the failings or problems that afflict the entire country. This precarious position is where these suspect citizens, women, find themselves and have often found themselves across the history of the country itself. The book delves into the historical positioning of women within this dichotomous frame and traces distinct political moments when different groups of women engaged in aspects of citizenship and, often, how those acts of political engagement then generated a backlash to female political involvement. Boryczka puts these historical flashpoints into non-linear engagement with each other, often seeing parallel outcomes or political approaches from distinct events and situations. For anyone interested in the question and complexity of citizenship, this is yet another important analysis, especially in considering the more precarious position of some citizens within the republic.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>328</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Boryczka explores the fraught position that women find themselves in as citizens of the United States...</itunes:subtitle>
      <itunes:summary>In her book Suspect Citizens: Women, Virtue, and Vice in Backlash Politics (Temple University Press, 2012), Jocelyn M. Boryczka explores the fraught position that women find themselves in as citizens of the United States. She examines this complex position within the parameters of virtue and vice, the dichotomy through which women, their behavior, and their role in the republic are usually situated and interpreted. Explaining that women are often given the moral responsibility for the care and perpetuation of the country, Boryczka concentrates on demands that women hew to a standard of virtue, and if they deviate from that standard, they are often blamed for the failings or problems that afflict the entire country. This precarious position is where these suspect citizens, women, find themselves and have often found themselves across the history of the country itself. The book delves into the historical positioning of women within this dichotomous frame and traces distinct political moments when different groups of women engaged in aspects of citizenship and, often, how those acts of political engagement then generated a backlash to female political involvement. Boryczka puts these historical flashpoints into non-linear engagement with each other, often seeing parallel outcomes or political approaches from distinct events and situations. For anyone interested in the question and complexity of citizenship, this is yet another important analysis, especially in considering the more precarious position of some citizens within the republic.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QokfdW4hLnvdCh_T_HBmsZcAAAFpFmt70wEAAAFKARPz7fQ/https://www.amazon.com/dp/143990894X/?creativeASIN=143990894X&amp;linkCode=w61&amp;imprToken=Pm-M.Nr9.qiLXokvmPVq5A&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Suspect Citizens: Women, Virtue, and Vice in Backlash Politics</em></a> (Temple University Press, 2012), <a href="https://www.fairfield.edu/lassochannel/academic/profile/index.lasso?id=16">Jocelyn M. Boryczka</a> explores the fraught position that women find themselves in as citizens of the United States. She examines this complex position within the parameters of virtue and vice, the dichotomy through which women, their behavior, and their role in the republic are usually situated and interpreted. Explaining that women are often given the moral responsibility for the care and perpetuation of the country, Boryczka concentrates on demands that women hew to a standard of virtue, and if they deviate from that standard, they are often blamed for the failings or problems that afflict the entire country. This precarious position is where these suspect citizens, women, find themselves and have often found themselves across the history of the country itself. The book delves into the historical positioning of women within this dichotomous frame and traces distinct political moments when different groups of women engaged in aspects of citizenship and, often, how those acts of political engagement then generated a backlash to female political involvement. Boryczka puts these historical flashpoints into non-linear engagement with each other, often seeing parallel outcomes or political approaches from distinct events and situations. For anyone interested in the question and complexity of citizenship, this is yet another important analysis, especially in considering the more precarious position of some citizens within the republic.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3104</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[eb1a0d54-3767-11e9-9b2c-13dbae05be09]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4537577902.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Oded Nir, "Signatures of Struggle: The Figuration of Collectivity in Israeli Fiction" (SUNY Press, 2018)</title>
      <description>Signatures of Struggle: The Figuration of Collectivity in Israeli Fiction (SUNY Press, 2018) offers a new understanding on Israeli literature and literary history. Using Marxist theorization of the relation between literary form and social form, Oded Nir goes beyond the dominant interpretive horizon of Israeli literary criticism, that focuses on the relation of literature to national ideology. Instead, Nir demonstrates how the engagement with national ideology in Israeli literature probes the social and economic contradictions internal to Israeli society and its social order. Focusing on moments of transformation, Nir argues that the demise of realism in the late 1950s was the result of the failure, rather than the success, of the emancipatory project of Zionist pioneers. Next, Nir shows how the postmodern turn in the 1980s expressed a crisis of social and historical imagination that began with the proletarianization of Palestinians by Israeli capitalism after the 1967 war. Finally, Nir demonstrates how contemporary Israeli fiction responds to the postmodern crisis by staging a creative search for time itself. 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 22 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nir shows how the postmodern turn in the 1980s expressed a crisis of social and historical imagination...</itunes:subtitle>
      <itunes:summary>Signatures of Struggle: The Figuration of Collectivity in Israeli Fiction (SUNY Press, 2018) offers a new understanding on Israeli literature and literary history. Using Marxist theorization of the relation between literary form and social form, Oded Nir goes beyond the dominant interpretive horizon of Israeli literary criticism, that focuses on the relation of literature to national ideology. Instead, Nir demonstrates how the engagement with national ideology in Israeli literature probes the social and economic contradictions internal to Israeli society and its social order. Focusing on moments of transformation, Nir argues that the demise of realism in the late 1950s was the result of the failure, rather than the success, of the emancipatory project of Zionist pioneers. Next, Nir shows how the postmodern turn in the 1980s expressed a crisis of social and historical imagination that began with the proletarianization of Palestinians by Israeli capitalism after the 1967 war. Finally, Nir demonstrates how contemporary Israeli fiction responds to the postmodern crisis by staging a creative search for time itself. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Signatures of Struggle: The Figuration of Collectivity in Israeli Fiction</em> (SUNY Press, 2018) offers a new understanding on Israeli literature and literary history. Using Marxist theorization of the relation between literary form and social form, Oded Nir goes beyond the dominant interpretive horizon of Israeli literary criticism, that focuses on the relation of literature to national ideology. Instead, Nir demonstrates how the engagement with national ideology in Israeli literature probes the social and economic contradictions internal to Israeli society and its social order. Focusing on moments of transformation, Nir argues that the demise of realism in the late 1950s was the result of the failure, rather than the success, of the emancipatory project of Zionist pioneers. Next, Nir shows how the postmodern turn in the 1980s expressed a crisis of social and historical imagination that began with the proletarianization of Palestinians by Israeli capitalism after the 1967 war. Finally, Nir demonstrates how contemporary Israeli fiction responds to the postmodern crisis by staging a creative search for time itself. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2680</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a349623c-3216-11e9-8a49-87489178d93e]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5481933837.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catherine Baker, “Race and the Yugoslav Region: Postsocialist, Post-Conflict, Postcolonial?” (Manchester UP, 2018)</title>
      <description>Catherine Baker’s fascinating new book poses a deceptively simple question: what does race have to do with the Yugoslav region? Eastern European studies has often framed the region as unimplicated in global formations of race, while still remarking on the conditional positioning of Eastern Europeans as the “Other” of Europe, “white but not quite.” Baker traces a cultural history of Yugoslavia that purposefully foregrounds race, and embraces the many new questions that such a shifting of frameworks enables. From the non-aligned movement, to the rhetoric of “returning” to Europe, to highly racialized 1990’s dance music, Baker’s new book forces us to reconsider how it was ever possible to claim that race has nothing to do with the Yugoslav region.
Jelena Golubovic is a PhD candidate at Simon Fraser University. 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Feb 2019 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Catherine Baker’s fascinating new book poses a deceptively simple question: what does race have to do with the Yugoslav region?</itunes:subtitle>
      <itunes:summary>Catherine Baker’s fascinating new book poses a deceptively simple question: what does race have to do with the Yugoslav region? Eastern European studies has often framed the region as unimplicated in global formations of race, while still remarking on the conditional positioning of Eastern Europeans as the “Other” of Europe, “white but not quite.” Baker traces a cultural history of Yugoslavia that purposefully foregrounds race, and embraces the many new questions that such a shifting of frameworks enables. From the non-aligned movement, to the rhetoric of “returning” to Europe, to highly racialized 1990’s dance music, Baker’s new book forces us to reconsider how it was ever possible to claim that race has nothing to do with the Yugoslav region.
Jelena Golubovic is a PhD candidate at Simon Fraser University. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Catherine Baker’s fascinating new book poses a deceptively simple question: what does race have to do with the Yugoslav region? Eastern European studies has often framed the region as unimplicated in global formations of race, while still remarking on the conditional positioning of Eastern Europeans as the “Other” of Europe, “white but not quite.” Baker traces a cultural history of Yugoslavia that purposefully foregrounds race, and embraces the many new questions that such a shifting of frameworks enables. From the non-aligned movement, to the rhetoric of “returning” to Europe, to highly racialized 1990’s dance music, Baker’s new book forces us to reconsider how it was ever possible to claim that race has nothing to do with the Yugoslav region.</p><p><em>Jelena Golubovic is a PhD candidate at Simon Fraser University. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3877</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[356e3854-3212-11e9-8f5e-734d5dda9a82]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3986746118.mp3?updated=1664640749" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexander Hertel-Fernandez, "State Capture: How Conservative Activists, Big Businesses, and Wealthy Donors Reshaped the American States and the Nation" (Oxford UP, 2019)</title>
      <description>Back on the podcast for the second time in two years is Alex Hertel-Fernandez. You might recall his last book Politics at Work which examined the way employers are increasingly recruiting their workers into politics to change elections and public policy. Alex is back with his latest, State Capture: How Conservative Activists, Big Businesses, and Wealthy Donors Reshaped the American States--and the Nation (Oxford University Press, 2019). He is assistant professor in Columbia University’s School of International and Public Affairs.
In State Capture, Hertel-Fernandez focuses on the development and political power of  three inter-locking interest groups: the Koch Brothers-run Americans for Prosperity (AFP), the American Legislative Exchange Council (ALEC), and the State Policy Network (SPN). Drawing from an array of sources of data, Hertel-Fernandez shows how, since the 1970s, conservative policy entrepreneurs, large financial contributors, and major corporations built a right-wing "troika" of overlapping and influential lobbying group.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>326</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In State Capture, Hertel-Fernandez focuses on the development and political power of  three inter-locking interest groups...</itunes:subtitle>
      <itunes:summary>Back on the podcast for the second time in two years is Alex Hertel-Fernandez. You might recall his last book Politics at Work which examined the way employers are increasingly recruiting their workers into politics to change elections and public policy. Alex is back with his latest, State Capture: How Conservative Activists, Big Businesses, and Wealthy Donors Reshaped the American States--and the Nation (Oxford University Press, 2019). He is assistant professor in Columbia University’s School of International and Public Affairs.
In State Capture, Hertel-Fernandez focuses on the development and political power of  three inter-locking interest groups: the Koch Brothers-run Americans for Prosperity (AFP), the American Legislative Exchange Council (ALEC), and the State Policy Network (SPN). Drawing from an array of sources of data, Hertel-Fernandez shows how, since the 1970s, conservative policy entrepreneurs, large financial contributors, and major corporations built a right-wing "troika" of overlapping and influential lobbying group.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Back on the podcast for the second time in two years is <a href="http://www.hertelfernandez.com/about">Alex Hertel-Fernandez</a>. You might recall his last book <a href="https://newbooksnetwork.com/alexander-hertel-fernandez-politics-at-work-how-companies-turn-their-workers-into-lobbyist-oxford-up-2018/"><em>Politics at Work</em></a> which examined the way employers are increasingly recruiting their workers into politics to change elections and public policy. Alex is back with his latest, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvGIIobWkMjxnFVHiJeLf-UAAAFo0qn0FAEAAAFKAaYx6hg/https://www.amazon.com/dp/0190870796/?creativeASIN=0190870796&amp;linkCode=w61&amp;imprToken=OW.mp.DveXSXYad83b26NQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>State Capture: How Conservative Activists, Big Businesses, and Wealthy Donors Reshaped the American States--and the Nation</em></a> (Oxford University Press, 2019). He is assistant professor in Columbia University’s School of International and Public Affairs.</p><p>In <em>State Capture</em>, Hertel-Fernandez focuses on the development and political power of  three inter-locking interest groups: the Koch Brothers-run Americans for Prosperity (AFP), the American Legislative Exchange Council (ALEC), and the State Policy Network (SPN). Drawing from an array of sources of data, Hertel-Fernandez shows how, since the 1970s, conservative policy entrepreneurs, large financial contributors, and major corporations built a right-wing "troika" of overlapping and influential lobbying group.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1429</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[25ad5d02-2e05-11e9-90ed-73aead852844]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6799986333.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Ray Papke, "Containment and Condemnation: Law and the Oppression of the Urban Poor" (Michigan State UP, 2019)</title>
      <description>The law does things, writes David Ray Papke, and it says things, and if we are talking about poor Americans, especially those living in big cities, what it does and says combine to function as powerfully oppressive forces that can much more likely be counted on to do harm than good. Join us as we discuss Papke's book Containment and Condemnation: Law and the Oppression of the Urban Poor (Michigan State University Press, 2019) and learn about how law functions in the lives of poor people in the U.S. today.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>74</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The law does things, writes David Ray Papke, and it says things... </itunes:subtitle>
      <itunes:summary>The law does things, writes David Ray Papke, and it says things, and if we are talking about poor Americans, especially those living in big cities, what it does and says combine to function as powerfully oppressive forces that can much more likely be counted on to do harm than good. Join us as we discuss Papke's book Containment and Condemnation: Law and the Oppression of the Urban Poor (Michigan State University Press, 2019) and learn about how law functions in the lives of poor people in the U.S. today.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The law does things, writes <a href="https://law.marquette.edu/faculty-and-staff-directory/detail/2109973">David Ray Papke</a>, and it <em>says</em> things, and if we are talking about poor Americans, especially those living in big cities, what it does and says combine to function as powerfully oppressive forces that can much more likely be counted on to do harm than good. Join us as we discuss Papke's book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qq60zZLtT6NQgHL2lATdLKAAAAFoz0H5LwEAAAFKAdQBxNQ/https://www.amazon.com/dp/1611863090/?creativeASIN=1611863090&amp;linkCode=w61&amp;imprToken=7p49pVeRCvJ-h9aGyv3FoA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Containment and Condemnation: Law and the Oppression of the Urban Poor</em></a> (Michigan State University Press, 2019) and learn about how law functions in the lives of poor people in the U.S. today.</p><p><a href="http://www.stephenpimpare.com/"><em>Stephen Pimpare</em></a><em> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of </em>The New Victorians<em> (New Press, 2004), </em>A Peoples History of Poverty in America<em> (New Press, 2008), winner of the Michael Harrington Award, and </em>Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen<em> (Oxford, 2017).</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1877</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>B.R. Ambedkar, "Annihilation of Caste: The Annotated Critical Edition" (Verso, 2016)</title>
      <description>Annihilation of Caste: The Annotated Critical Edition, edited by S. Anand (Verso, 2016) and with an Introduction ‘The Doctor and the Saint’ by Arundhati Roy, is based on a speech by Dr. B.R. Ambedakar who took up the anti-caste struggles for the Untouchables in India. S. Anand’s work with thoroughly researched annotations alongside the speech and introduction by Arundhati Roy makes this a must-read book for anyone who wants to understand India, its society, politics and the caste system. This landmark speech by Dr. B.R. Ambedakar is the pinnacle of his scholarly work and cements his legacy alongside Mahatma Gandhi in Indian politics. In this speech, Dr. B.R. Ambedakar makes arguments against Hinduism, how reforming the Hinduism will not solve the issues of centuries of oppression of Untouchables - the depressed and oppressed castes in India. He argues that Indian society and culture that preaches the spirituality to the world cannot provide liberty, equality, and fraternity until she completely annihilates the caste by eradicating the Vedas, Shastras and their teachings.
In this engaging conversation between an Untouchable - Mahendra Kutare and a Brahmin - S. Anand on April 11th, 2018, eighty-two years after this audacious speech was written, they walk through the historical context of the speech, the politics of the pre-independence India, how the caste system works as a social network, and how the caste system is now completely compatible with parliamentary democracy in India. They discuss the fierce arguments and debates between Dr. B.R. Ambedakar and the best-known face of Indian freedom struggle Mahatma Gandhi and the current state of caste consciousness in India.
Anand is the publisher of Navayana. He is the co-author of Bhimayana and has annotated the critical editions of B.R. Ambedkar’s Annihilation of Caste and Riddles in Hinduism. He collaborated with Venkat Raman Singh Shyam on Finding My Way. Anand lives in New Delhi.
Mahendra Kutare is the founder of Kaavya Connections - World Poetry, Literature and Music organization in San Francisco and Bay Area. Mahendra came to the United States for his graduate studies (Ph.D. in Computer Science) in Aug 2007. He graduated with a Masters in Computer Science (Left Ph.D. program) in May 2011. He works at a tech startup and lives in San Francisco. Mahendra is passionate about building communities and making healing accessible with poetry, literary, music, sound, and technology. More details about his work can be found at https://www.kaavyaconnections.com/. He can be reached at mahendra.kutare@gmail.com and tweets @imaxxs

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>92</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This landmark speech by Dr. B.R. Ambedakar is the pinnacle of his scholarly work and cements his legacy alongside Mahatma Gandhi in Indian politics...</itunes:subtitle>
      <itunes:summary>Annihilation of Caste: The Annotated Critical Edition, edited by S. Anand (Verso, 2016) and with an Introduction ‘The Doctor and the Saint’ by Arundhati Roy, is based on a speech by Dr. B.R. Ambedakar who took up the anti-caste struggles for the Untouchables in India. S. Anand’s work with thoroughly researched annotations alongside the speech and introduction by Arundhati Roy makes this a must-read book for anyone who wants to understand India, its society, politics and the caste system. This landmark speech by Dr. B.R. Ambedakar is the pinnacle of his scholarly work and cements his legacy alongside Mahatma Gandhi in Indian politics. In this speech, Dr. B.R. Ambedakar makes arguments against Hinduism, how reforming the Hinduism will not solve the issues of centuries of oppression of Untouchables - the depressed and oppressed castes in India. He argues that Indian society and culture that preaches the spirituality to the world cannot provide liberty, equality, and fraternity until she completely annihilates the caste by eradicating the Vedas, Shastras and their teachings.
In this engaging conversation between an Untouchable - Mahendra Kutare and a Brahmin - S. Anand on April 11th, 2018, eighty-two years after this audacious speech was written, they walk through the historical context of the speech, the politics of the pre-independence India, how the caste system works as a social network, and how the caste system is now completely compatible with parliamentary democracy in India. They discuss the fierce arguments and debates between Dr. B.R. Ambedakar and the best-known face of Indian freedom struggle Mahatma Gandhi and the current state of caste consciousness in India.
Anand is the publisher of Navayana. He is the co-author of Bhimayana and has annotated the critical editions of B.R. Ambedkar’s Annihilation of Caste and Riddles in Hinduism. He collaborated with Venkat Raman Singh Shyam on Finding My Way. Anand lives in New Delhi.
Mahendra Kutare is the founder of Kaavya Connections - World Poetry, Literature and Music organization in San Francisco and Bay Area. Mahendra came to the United States for his graduate studies (Ph.D. in Computer Science) in Aug 2007. He graduated with a Masters in Computer Science (Left Ph.D. program) in May 2011. He works at a tech startup and lives in San Francisco. Mahendra is passionate about building communities and making healing accessible with poetry, literary, music, sound, and technology. More details about his work can be found at https://www.kaavyaconnections.com/. He can be reached at mahendra.kutare@gmail.com and tweets @imaxxs

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://aax-us-east.amazon-adsystem.com/x/c/QmGNfbwgbA_wdeegv0wojSQAAAFolJXieQEAAAFKAWC_lOk/https://www.amazon.com/dp/1784783528/?creativeASIN=1784783528&amp;linkCode=w61&amp;imprToken=5AJ72GwV-XI2ogw7DrjO2g&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Annihilation of Caste: The Annotated Critical Edition</em></a>, edited by <a href="https://en.wikipedia.org/wiki/S._Anand">S. Anand</a> (Verso, 2016) and with an Introduction ‘The Doctor and the Saint’ by <a href="https://navayana.org/authors/2014/03/03/arundhati-roy/">Arundhati Roy,</a> is based on a speech by Dr. B.R. Ambedakar who took up the anti-caste struggles for the Untouchables in India. S. Anand’s work with thoroughly researched annotations alongside the speech and introduction by Arundhati Roy makes this a must-read book for anyone who wants to understand India, its society, politics and the caste system. This landmark speech by Dr. B.R. Ambedakar is the pinnacle of his scholarly work and cements his legacy alongside Mahatma Gandhi in Indian politics. In this speech, Dr. B.R. Ambedakar makes arguments against Hinduism, how reforming the Hinduism will not solve the issues of centuries of oppression of Untouchables - the depressed and oppressed castes in India. He argues that Indian society and culture that preaches the spirituality to the world cannot provide liberty, equality, and fraternity until she completely annihilates the caste by eradicating the Vedas, Shastras and their teachings.</p><p>In this engaging conversation between an Untouchable - Mahendra Kutare and a Brahmin - S. Anand on April 11th, 2018, eighty-two years after this audacious speech was written, they walk through the historical context of the speech, the politics of the pre-independence India, how the caste system works as a social network, and how the caste system is now completely compatible with parliamentary democracy in India. They discuss the fierce arguments and debates between Dr. B.R. Ambedakar and the best-known face of Indian freedom struggle Mahatma Gandhi and the current state of caste consciousness in India.</p><p><a href="https://navayana.org/authors/2010/01/01/anand-s/">Anand</a> is the publisher of Navayana. He is the co-author of <em>Bhimayana</em> and has annotated the critical editions of B.R. Ambedkar’s <em>Annihilation of Caste</em> and <em>Riddles in Hinduism</em>. He collaborated with Venkat Raman Singh Shyam on <em>Finding My Way</em>. Anand lives in New Delhi.</p><p><a href="https://www.linkedin.com/in/imaxxs/"><em>Mahendra Kutare</em></a><em> is the founder of </em><a href="https://www.kaavyaconnections.com/"><em>Kaavya Connections</em></a><em> - World Poetry, Literature and Music organization in San Francisco and Bay Area. Mahendra came to the United States for his graduate studies (Ph.D. in Computer Science) in Aug 2007. He graduated with a Masters in Computer Science (Left Ph.D. program) in May 2011. He works at a tech startup and lives in San Francisco. Mahendra is passionate about building communities and making healing accessible with poetry, literary, music, sound, and technology. More details about his work can be found at </em><a href="https://www.kaavyaconnections.com/"><em>https://www.kaavyaconnections.com/</em></a><em>. He can be reached at </em><a href="mailto:mahendra.kutare@gmail.com"><em>mahendra.kutare@gmail.com</em></a><em> and tweets @imaxxs</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4057</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Matthew Longo, "The Politics of Borders: Sovereignty, Security, and the Citizen after 9/11" (Cambridge UP, 2017)</title>
      <description>In his new book, Matthew Longo takes the reader on an unusual journey, at least within political theory, since his work combines a normative political theory approach with an ethnographic approach to understand both the conceptual and actual issue of borders as spaces that separate and distinguish states and nations, and individuals and citizens. The Politics of Borders: Sovereignty, Security, and the Citizen after 9/11 (Cambridge University Press, 2017) is not simply about the border because, as the book makes clear, borders are in no way simple, and what Longo has pursued in his work is the complexity that encompasses the theoretical idea of the border but also how and why borders are more diverse in understanding than we often ascribe to them. Longo interrogates what a border actually is, noting that the space itself is not quite the thin line between states that we often assume it to be, but a physical area that is co-administered by bordering nations, often collaboratively, thus blurring the line or space of sovereignty. Threaded throughout the book is the ongoing question of what constitutes citizenship, since borders and citizenship are braided together though the structures of the state, and the considerations of who is and is not permitted membership within a state. Longo has also included a substantial exploration of the role of technology and data in the actual understanding of how border security works in practice. This section of the analysis is particularly important to consider because, according to Longo, the focus on the individual and their data profile, shifts the understanding of state sovereignty and the responsibility for definitions of citizenship. This book is incredibly topical in a variety of areas, not least in the way that it contributes to our thinking about the border itself as a space and as a concept, the role of the state, and the growing domain of data and technology and how they are shaping ideas of citizenship.
This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 04 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>324</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Politics of Borders: Sovereignty, Security, and the Citizen after 9/11 (Cambridge University Press, 2017) is not simply about the border because, as the book makes clear, borders are in no way simple...</itunes:subtitle>
      <itunes:summary>In his new book, Matthew Longo takes the reader on an unusual journey, at least within political theory, since his work combines a normative political theory approach with an ethnographic approach to understand both the conceptual and actual issue of borders as spaces that separate and distinguish states and nations, and individuals and citizens. The Politics of Borders: Sovereignty, Security, and the Citizen after 9/11 (Cambridge University Press, 2017) is not simply about the border because, as the book makes clear, borders are in no way simple, and what Longo has pursued in his work is the complexity that encompasses the theoretical idea of the border but also how and why borders are more diverse in understanding than we often ascribe to them. Longo interrogates what a border actually is, noting that the space itself is not quite the thin line between states that we often assume it to be, but a physical area that is co-administered by bordering nations, often collaboratively, thus blurring the line or space of sovereignty. Threaded throughout the book is the ongoing question of what constitutes citizenship, since borders and citizenship are braided together though the structures of the state, and the considerations of who is and is not permitted membership within a state. Longo has also included a substantial exploration of the role of technology and data in the actual understanding of how border security works in practice. This section of the analysis is particularly important to consider because, according to Longo, the focus on the individual and their data profile, shifts the understanding of state sovereignty and the responsibility for definitions of citizenship. This book is incredibly topical in a variety of areas, not least in the way that it contributes to our thinking about the border itself as a space and as a concept, the role of the state, and the growing domain of data and technology and how they are shaping ideas of citizenship.
This podcast was hosted by Lilly Goren, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter @gorenlj.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://www.universiteitleiden.nl/en/staffmembers/matthew-longo#tab-1">Matthew Longo</a> takes the reader on an unusual journey, at least within political theory, since his work combines a normative political theory approach with an ethnographic approach to understand both the conceptual and actual issue of borders as spaces that separate and distinguish states and nations, and individuals and citizens. <a href="https://aax-us-east.amazon-adsystem.com/x/c/QicMqefoL6xR2HJ5P1n9ZdUAAAFoqyPoOgEAAAFKASfSl9s/https://www.amazon.com/dp/1316622932/?creativeASIN=1316622932&amp;linkCode=w61&amp;imprToken=UtFmDPBA1gIw51r3hRJngQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Politics of Borders: Sovereignty, Security, and the Citizen after 9/11</em></a> (Cambridge University Press, 2017) is not simply about the border because, as the book makes clear, borders are in no way simple, and what Longo has pursued in his work is the complexity that encompasses the theoretical idea of the border but also how and why borders are more diverse in understanding than we often ascribe to them. Longo interrogates what a border actually is, noting that the space itself is not quite the thin line between states that we often assume it to be, but a physical area that is co-administered by bordering nations, often collaboratively, thus blurring the line or space of sovereignty. Threaded throughout the book is the ongoing question of what constitutes citizenship, since borders and citizenship are braided together though the structures of the state, and the considerations of who is and is not permitted membership within a state. Longo has also included a substantial exploration of the role of technology and data in the actual understanding of how border security works in practice. This section of the analysis is particularly important to consider because, according to Longo, the focus on the individual and their data profile, shifts the understanding of state sovereignty and the responsibility for definitions of citizenship. This book is incredibly topical in a variety of areas, not least in the way that it contributes to our thinking about the border itself as a space and as a concept, the role of the state, and the growing domain of data and technology and how they are shaping ideas of citizenship.</p><p><em>This podcast was hosted by </em><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly Goren</em></a><em>, Professor of Political Science and Global Studies at Carroll University in Waukesha, WI. You can follow her on Twitter </em><a href="https://twitter.com/gorenlj?lang=en"><em>@gorenlj.</p><p></em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3768845716.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Steven Attewell, "People Must Live by Work: Direct Job Creation in America, from FDR to Reagan" (U Penn Press, 2018)</title>
      <description>There’s lot of talk these days, at least in some circles on the left, of a Universal Basic Income. There’s also talk in many of the same circles of a jobs guarantee. Join us as we speak with Steven Attewell, author of People Must Live by Work: Direct Job Creation in America, from FDR to Reagan (University of Pennsylvania Press, 2018). He tells us the history of direct job creation by government in the U.S. and the lessons to be learned from the successes and failures of such efforts throughout the 20th century. It's a fascinating, surprising, and essential history.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 31 Jan 2019 15:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>There’s lot of talk these days, at least in some circles on the left, of a Universal Basic Income...</itunes:subtitle>
      <itunes:summary>There’s lot of talk these days, at least in some circles on the left, of a Universal Basic Income. There’s also talk in many of the same circles of a jobs guarantee. Join us as we speak with Steven Attewell, author of People Must Live by Work: Direct Job Creation in America, from FDR to Reagan (University of Pennsylvania Press, 2018). He tells us the history of direct job creation by government in the U.S. and the lessons to be learned from the successes and failures of such efforts throughout the 20th century. It's a fascinating, surprising, and essential history.
Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There’s lot of talk these days, at least in some circles on the left, of a Universal Basic Income. There’s also talk in many of the same circles of a jobs guarantee. Join us as we speak with <a href="https://twitter.com/stevenattewell?lang=en">Steven Attewell</a>, author of <a href="https://aax-us-east.amazon-adsystem.com/x/c/QgRGbOvuIAO8kJDST30zBegAAAFom8wT4AEAAAFKAbCwCtc/https://www.amazon.com/dp/0812250435/?creativeASIN=0812250435&amp;linkCode=w61&amp;imprToken=5EI..6QIjomtQhferdFL9Q&amp;slotNum=0&amp;tag=newbooinhis-20"><em>People Must Live by Work: Direct Job Creation in America, from FDR to Reagan</em></a> (University of Pennsylvania Press, 2018). He tells us the history of direct job creation by government in the U.S. and the lessons to be learned from the successes and failures of such efforts throughout the 20th century. It's a fascinating, surprising, and essential history.</p><p><a href="http://www.stephenpimpare.com/"><em>Stephen Pimpare</em></a><em> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of </em>The New Victorians (New Press, 2004)<em>, </em>A Peoples History of Poverty in America (New Press, 2008)<em>, winner of the Michael Harrington Award, and</em> Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2790</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[328b4ece-256a-11e9-8764-0fb7560c96ee]]></guid>
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    <item>
      <title>Sam Friedman and Daniel Laurison, "The Class Ceiling: Why it Pays to be Privileged" (Policy Press, 2019)</title>
      <description>Who gets in to top professions? In The Class Ceiling: Why it pays to be privileged (Policy Press, 2019), Drs Sam Friedman, an associate professor of sociology at LSE, and Daniel Laurison, an assistant professor of sociology at Swarthmore College, explore the dominance of social elites in top professions. The book draws on theories of social mobility and the work of Pierre Bourdieu to explain how top professions are highly exclusive, with under representations of women, ethnic minorities, and those from working class backgrounds. Moreover, even when individuals from these demographics do enter top jobs such as law, medicine, and accountancy, along with media occupations and acting, they suffer gaps in pay because of their class, race, and gender. The intersection of these demographics is crucial to the analysis, and the book uses detailed qualitative research to explain this 'class ceiling', showing how economic, cultural, and social capital play out to account for how inequality is replicated in the workplace and beyond. The book is essential reading for everyone interested in contemporary social inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 31 Jan 2019 13:01:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Who gets in to top professions? Find out...</itunes:subtitle>
      <itunes:summary>Who gets in to top professions? In The Class Ceiling: Why it pays to be privileged (Policy Press, 2019), Drs Sam Friedman, an associate professor of sociology at LSE, and Daniel Laurison, an assistant professor of sociology at Swarthmore College, explore the dominance of social elites in top professions. The book draws on theories of social mobility and the work of Pierre Bourdieu to explain how top professions are highly exclusive, with under representations of women, ethnic minorities, and those from working class backgrounds. Moreover, even when individuals from these demographics do enter top jobs such as law, medicine, and accountancy, along with media occupations and acting, they suffer gaps in pay because of their class, race, and gender. The intersection of these demographics is crucial to the analysis, and the book uses detailed qualitative research to explain this 'class ceiling', showing how economic, cultural, and social capital play out to account for how inequality is replicated in the workplace and beyond. The book is essential reading for everyone interested in contemporary social inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Who gets in to top professions? In <a href="https://policy.bristoluniversitypress.co.uk/the-class-ceiling"><em>The Class Ceiling: Why it pays to be privileged</em></a> (Policy Press, 2019), Drs <a href="https://twitter.com/SamFriedmanSoc">Sam Friedman</a>, an <a href="http://www.lse.ac.uk/sociology/people/sam-friedman">associate professor of sociology at LSE</a>, and <a href="https://twitter.com/Daniel_Laurison">Daniel Laurison</a>, <a href="http://www.daniel-laurison.com">an assistant professor of sociology</a> at<a href="https://www.swarthmore.edu/profile/daniel-laurison"> Swarthmore College</a>, explore the dominance of social elites in top professions. The book draws on theories of social mobility and the work of Pierre Bourdieu to explain how top professions are highly exclusive, with under representations of women, ethnic minorities, and those from working class backgrounds. Moreover, even when individuals from these demographics do enter top jobs such as law, medicine, and accountancy, along with media occupations and acting, they suffer gaps in pay because of their class, race, and gender. The intersection of these demographics is crucial to the analysis, and the book uses detailed qualitative research to explain this 'class ceiling', showing how economic, cultural, and social capital play out to account for how inequality is replicated in the workplace and beyond. The book is essential reading for everyone interested in contemporary social inequality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2364</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c7ccfd70-2556-11e9-aff4-ff6b55334544]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1381382767.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rosalind Fredericks, "Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal" (Duke UP, 2018)</title>
      <description>The production and removal of garbage, as a key element of the daily infrastructure of urban life, is deeply embedded in social, moral, and political contexts. In her book Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal (Duke University Press, 2018) Dr. Rosalind Fredericks illuminates the history of state-citizen relations and economic and political restructuring in Dakar by focusing on the city’s complex history of garbage collection in the late 20th and early 21st centuries, from activist clean-up movements to NGO-led development projects to massive sanitation worker strikes. She pays particular attention to the themes of generation, gender, and religion in her analysis of the ways in which people become integrated into the infrastructural life of the city; in so doing, she invites us to expand our understanding of what constitutes infrastructure. This fascinating book will be useful not only for anthropologists, cultural geographers, and scholars of West Africa, but also for anyone interested in the emerging interdisciplinary fields of new materialism and discard studies.
Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The production and removal of garbage, as a key element of the daily infrastructure of urban life, is deeply embedded in social, moral, and political contexts...</itunes:subtitle>
      <itunes:summary>The production and removal of garbage, as a key element of the daily infrastructure of urban life, is deeply embedded in social, moral, and political contexts. In her book Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal (Duke University Press, 2018) Dr. Rosalind Fredericks illuminates the history of state-citizen relations and economic and political restructuring in Dakar by focusing on the city’s complex history of garbage collection in the late 20th and early 21st centuries, from activist clean-up movements to NGO-led development projects to massive sanitation worker strikes. She pays particular attention to the themes of generation, gender, and religion in her analysis of the ways in which people become integrated into the infrastructural life of the city; in so doing, she invites us to expand our understanding of what constitutes infrastructure. This fascinating book will be useful not only for anthropologists, cultural geographers, and scholars of West Africa, but also for anyone interested in the emerging interdisciplinary fields of new materialism and discard studies.
Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The production and removal of garbage, as a key element of the daily infrastructure of urban life, is deeply embedded in social, moral, and political contexts. In her book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QspzyvrNzVoBZ4L_2CLJcK8AAAFoi8mXAQEAAAFKAUzq0AE/https://www.amazon.com/dp/1478000996/?creativeASIN=1478000996&amp;linkCode=w61&amp;imprToken=l7FDG0nUzDjvSjBJzxlqMA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal</em></a> (Duke University Press, 2018) <a href="https://gallatin.nyu.edu/people/faculty/rcf2.html">Dr. Rosalind Fredericks</a> illuminates the history of state-citizen relations and economic and political restructuring in Dakar by focusing on the city’s complex history of garbage collection in the late 20th and early 21st centuries, from activist clean-up movements to NGO-led development projects to massive sanitation worker strikes. She pays particular attention to the themes of generation, gender, and religion in her analysis of the ways in which people become integrated into the infrastructural life of the city; in so doing, she invites us to expand our understanding of what constitutes infrastructure. This fascinating book will be useful not only for anthropologists, cultural geographers, and scholars of West Africa, but also for anyone interested in the emerging interdisciplinary fields of new materialism and discard studies.</p><p><em>Dannah Dennis is an anthropologist currently working as a Teaching Fellow at New York University Shanghai. You can find her on Twitter @dannahdennis.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3079</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b085b26e-225f-11e9-a640-8be48266fa9c]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4398876324.mp3?updated=1664639199" length="0" type="audio/mpeg"/>
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    <item>
      <title>Marcia Morgan, "Black Women Prison Employees: The Intersectionality of Gender and Race" (Edwin Mellen Press, 2018)</title>
      <description>With prison reform a topic of international conversation and debate, Marica Morgan’s Black Women Prison Employees: The Intersectionality of Gender and Race  offers an in-depth and unique analysis of a population largely lost in these debates and discussions: black women. By centering their experiences, Morgan offers and intersectional and psychodynamic examination of the prison worker and the organizational nature of the prison. This book offers added insight into not only the prison system as a place of employment, but also for any white-male-dominated organization. Taking the reader through the experiences of black women prison employees, Morgan highlights the importance of intersectional qualitative methodology when investigating institutional or organizational culture. Black Women Prison Employees is a necessary and timely read for policymakers and researchers interested in organizational structures and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This book offers added insight into not only the prison system as a place of employment, but also for any white-male-dominated organization...</itunes:subtitle>
      <itunes:summary>With prison reform a topic of international conversation and debate, Marica Morgan’s Black Women Prison Employees: The Intersectionality of Gender and Race  offers an in-depth and unique analysis of a population largely lost in these debates and discussions: black women. By centering their experiences, Morgan offers and intersectional and psychodynamic examination of the prison worker and the organizational nature of the prison. This book offers added insight into not only the prison system as a place of employment, but also for any white-male-dominated organization. Taking the reader through the experiences of black women prison employees, Morgan highlights the importance of intersectional qualitative methodology when investigating institutional or organizational culture. Black Women Prison Employees is a necessary and timely read for policymakers and researchers interested in organizational structures and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With prison reform a topic of international conversation and debate, <a href="https://www.linkedin.com/in/dr-marcia-morgan-67131a42/?originalSubdomain=uk">Marica Morgan</a>’s <a href="https://mellenpress.com/book/Black-Women-Prison-Employees-The-Intersectionality-of-Gender-and-Race/9516/"><em>Black Women Prison Employees: The Intersectionality of Gender and Race</em></a>  offers an in-depth and unique analysis of a population largely lost in these debates and discussions: black women. By centering their experiences, Morgan offers and intersectional and psychodynamic examination of the prison worker and the organizational nature of the prison. This book offers added insight into not only the prison system as a place of employment, but also for any white-male-dominated organization. Taking the reader through the experiences of black women prison employees, Morgan highlights the importance of intersectional qualitative methodology when investigating institutional or organizational culture. <em>Black Women Prison Employees </em>is a necessary and timely read for policymakers and researchers interested in organizational structures and culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2971</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c85e43f2-1d8b-11e9-aae6-fb06055f35a6]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9177480388.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katie Beswick, "Social Housing In Performance: The English Council Estate On and Off Stage" (Methuen Drama, 2018)</title>
      <description>How has the council estate been represented on stage? In Social Housing In Performance: The English Council Estate On and Off Stage (Methuen Drama, 2018),  Dr. Katie Beswick, a lecturer in drama at the University of Exeter, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>116</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How has the council estate been represented on stage?</itunes:subtitle>
      <itunes:summary>How has the council estate been represented on stage? In Social Housing In Performance: The English Council Estate On and Off Stage (Methuen Drama, 2018),  Dr. Katie Beswick, a lecturer in drama at the University of Exeter, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has the council estate been represented on stage? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvhFwgr5TGqNlWz4hdZe_90AAAFoa2hAigEAAAFKAes10E0/https://www.amazon.com/dp/147428521X/?creativeASIN=147428521X&amp;linkCode=w61&amp;imprToken=FzzZKjaDgT3ARof-Nji2Yw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Social Housing In Performance: The English Council Estate On and Off Stage</em></a> (Methuen Drama, 2018),  <a href="https://twitter.com/elfinkate?lang=en">Dr. Katie Beswick</a>, <a href="https://humanities.exeter.ac.uk/drama/staff/kbeswick/">a lecturer in drama at the University of Exeter</a>, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[04742e4e-1d7b-11e9-8fcf-23f904fa2d44]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6479181593.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Arnika Fuhrmann, "Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema" (Duke UP, 2016)</title>
      <description>Since the late 1990s Thai cinema has come to global attention with movies like the famous ghost film, Nang Nak, and more recently the evocative films of director Aphichatpong Weerasethakul, who won a Palme D’Or award at the 2010 Cannes Film Festival. A perennially popular theme in Thai cinema is that of haunting by a female ghost. In this unique, unusual book, Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema (Duke University Press, 2016), Arnika Fuhrmann hones in on this ghostly theme in contemporary Thai cinema to explore the subjects of female desire and queer sexuality. In doing so she raises questions about a central concept in Queer Theory: the nature of desire. Fuhrmann identifies a tension between Western liberal and everyday Thai Buddhist understandings of desire. Arguably, Buddhist teaching about desire is one factor that has contributed to Thailand’s reputation for being a “queer-friendly” country. Indeed, it is even marketed as a “gay paradise”. But the reality is not quite so simple, especially for women in same-sex relationships. Fuhrmann’s Ghostly Desires also addresses the issue of the subtle regulation of heteronormative sexuality, “Thai-style”.
Listeners to this episode might also enjoy listening to:
Justin Thomas McDaniel, The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand (Columbia University Press, 2011)Martin Joseph Ponce, Beyond the Nation: Diasporic Filipino Literature and Queer Reading (NYU Press, 2012)Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>A perennially popular theme in Thai cinema is that of haunting by a female ghost...</itunes:subtitle>
      <itunes:summary>Since the late 1990s Thai cinema has come to global attention with movies like the famous ghost film, Nang Nak, and more recently the evocative films of director Aphichatpong Weerasethakul, who won a Palme D’Or award at the 2010 Cannes Film Festival. A perennially popular theme in Thai cinema is that of haunting by a female ghost. In this unique, unusual book, Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema (Duke University Press, 2016), Arnika Fuhrmann hones in on this ghostly theme in contemporary Thai cinema to explore the subjects of female desire and queer sexuality. In doing so she raises questions about a central concept in Queer Theory: the nature of desire. Fuhrmann identifies a tension between Western liberal and everyday Thai Buddhist understandings of desire. Arguably, Buddhist teaching about desire is one factor that has contributed to Thailand’s reputation for being a “queer-friendly” country. Indeed, it is even marketed as a “gay paradise”. But the reality is not quite so simple, especially for women in same-sex relationships. Fuhrmann’s Ghostly Desires also addresses the issue of the subtle regulation of heteronormative sexuality, “Thai-style”.
Listeners to this episode might also enjoy listening to:
Justin Thomas McDaniel, The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand (Columbia University Press, 2011)Martin Joseph Ponce, Beyond the Nation: Diasporic Filipino Literature and Queer Reading (NYU Press, 2012)Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the late 1990s Thai cinema has come to global attention with movies like the famous ghost film, <em>Nang Nak</em>, and more recently the evocative films of director Aphichatpong Weerasethakul, who won a Palme D’Or award at the 2010 Cannes Film Festival. A perennially popular theme in Thai cinema is that of haunting by a female ghost. In this unique, unusual book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QgB8dnEy08td-kJDxe5wcZIAAAFoCmaHVwEAAAFKAZvrMH4/https://www.amazon.com/dp/0822361558/?creativeASIN=0822361558&amp;linkCode=w61&amp;imprToken=lE7CN0RKXfXhECHhsSQIZw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema</em></a> (Duke University Press, 2016), <a href="https://www.arnikafuhrmann.com/bio.html">Arnika Fuhrmann</a> hones in on this ghostly theme in contemporary Thai cinema to explore the subjects of female desire and queer sexuality. In doing so she raises questions about a central concept in Queer Theory: the nature of desire. Fuhrmann identifies a tension between Western liberal and everyday Thai Buddhist understandings of desire. Arguably, Buddhist teaching about desire is one factor that has contributed to Thailand’s reputation for being a “queer-friendly” country. Indeed, it is even marketed as a “gay paradise”. But the reality is not quite so simple, especially for women in same-sex relationships. Fuhrmann’s <em>Ghostly Desires</em> also addresses the issue of the subtle regulation of heteronormative sexuality, “Thai-style”.</p><p>Listeners to this episode might also enjoy listening to:</p><p>Justin Thomas McDaniel, <a href="https://newbooksnetwork.com/justin-thomas-mcdaniel-the-lovelorn-ghost-and-the-magical-monk-practicing-buddhism-in-modern-thailand-columbia-university-press-2011/"><em>The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand</em></a> (Columbia University Press, 2011)Martin Joseph Ponce, <a href="https://newbooksnetwork.com/martin-joseph-ponce-beyond-the-nation-diasporic-filipino-literature-and-queer-reading-nyu-press-2012/"><em>Beyond the Nation: Diasporic Filipino Literature and Queer Reading</em></a> (NYU Press, 2012)<a href="https://hapi.uq.edu.au/profile/371/patrick-jory"><em>Patrick Jory</em></a><em> teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: </em><a href="mailto:p.jory@uq.edu.au"><em>p.jory@uq.edu.au</p><p></em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2555</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8b33592-1d85-11e9-99a6-4727787c8cbd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9027244167.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Clarence Taylor, "Fight the Power: African Americans and the Long History of Police Brutality in New York City" (NYU Press, 2018)</title>
      <description>In his most new book Fight the Power: African Americans and the Long History of Police Brutality in New York City (NYU Press, 2018), Clarence Taylor, dean of the history of the civil rights movement in New York, looks at black resistance to police brutality in the city, and institutional efforts to hold the NYPD accountable, since the late 1930s and '40s.
​“Many people think that police brutality is a recent phenomenon,” says Taylor, professor emeritus at Baruch College and The Graduate Center of City University of New York. But, in fact, it has a long, sordid history, going back even further than the years covered in this new book. And long before the era of cellphones, black newspapers did their own investigations when men, women, and children were beaten or killed by the police. (Louis Lomax, the first African-American journalist to appear regularly on television news, commented in the early 1960s that, if not for police brutality, the black press would have "considerable blank space.")
Taylor also looks at the history of the Civilian Complaint Review Board, first proposed after the Harlem riots of 1935 and 1943. La Guardia and the mayors who followed refused to challenge the NYPD’s power, which is why it took nearly fifty years to establish an independent public agency to investigate allegations of abuse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Clarence Taylor looks at black resistance to police brutality in the city, and institutional efforts to hold the NYPD accountable, since the late 1930s and '40s.</itunes:subtitle>
      <itunes:summary>In his most new book Fight the Power: African Americans and the Long History of Police Brutality in New York City (NYU Press, 2018), Clarence Taylor, dean of the history of the civil rights movement in New York, looks at black resistance to police brutality in the city, and institutional efforts to hold the NYPD accountable, since the late 1930s and '40s.
​“Many people think that police brutality is a recent phenomenon,” says Taylor, professor emeritus at Baruch College and The Graduate Center of City University of New York. But, in fact, it has a long, sordid history, going back even further than the years covered in this new book. And long before the era of cellphones, black newspapers did their own investigations when men, women, and children were beaten or killed by the police. (Louis Lomax, the first African-American journalist to appear regularly on television news, commented in the early 1960s that, if not for police brutality, the black press would have "considerable blank space.")
Taylor also looks at the history of the Civilian Complaint Review Board, first proposed after the Harlem riots of 1935 and 1943. La Guardia and the mayors who followed refused to challenge the NYPD’s power, which is why it took nearly fifty years to establish an independent public agency to investigate allegations of abuse.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his most new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qr3iQn9TGw6X_7FNORikI9AAAAFoR3dbrwEAAAFKAUd5LQc/https://www.amazon.com/dp/1479862452/?creativeASIN=1479862452&amp;linkCode=w61&amp;imprToken=rp5yMZ6HhJ3hpetFWbXGQw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Fight the Power: African Americans and the Long History of Police Brutality in New York City</em></a> (NYU Press, 2018), <a href="https://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/History/Faculty-Bios/Clarence-Taylor">Clarence Taylor</a>, dean of the history of the civil rights movement in New York, looks at black resistance to police brutality in the city, and institutional efforts to hold the NYPD accountable, since the late 1930s and '40s.</p><p>​“Many people think that police brutality is a recent phenomenon,” says Taylor, professor emeritus at Baruch College and The Graduate Center of City University of New York. But, in fact, it has a long, sordid history, going back even further than the years covered in this new book. And long before the era of cellphones, black newspapers did their own investigations when men, women, and children were beaten or killed by the police. (Louis Lomax, the first African-American journalist to appear regularly on television news, commented in the early 1960s that, if not for police brutality, the black press would have "considerable blank space.")</p><p>Taylor also looks at the history of the Civilian Complaint Review Board, first proposed after the Harlem riots of 1935 and 1943. La Guardia and the mayors who followed refused to challenge the NYPD’s power, which is why it took nearly fifty years to establish an independent public agency to investigate allegations of abuse.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0dd9fc2a-18bc-11e9-8419-bf2d1f167862]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3165236223.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shanna de la Torre, "Sex for Structuralists: The Non-Oedipal Logics of Femininity and Psychosis" (Palgrave Macmillan, 2018)</title>
      <description>What might Levi-Strauss and structuralism have to offer to psychoanalysis beyond the incest prohibition and the Oedipus complex? What happens if we understand Lacan’s notion of the symbolic as creative, rather than prohibitory? And what’s the difference between the psychoanalyst and the shaman? Shanna de la Torre’s Sex for Structuralists: The Non-Oedipal Logics of Femininity and Psychosis (Palgrave Macmillan, 2018) performs a careful reading of Freudian, Lacanian and structuralist texts in order to offer a new way of conceiving of the objects and aims of psychoanalysis today. Alongside it she introduces us to an alternative perspective on Lacan emerging from analysts associated with GIFRIC, a Lacanian school based in Quebec. Listen in as we work our way through some of the book’s major concerns and their implications for theory and practice.
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      <pubDate>Thu, 17 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>101</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What might Levi-Strauss and structuralism have to offer to psychoanalysis beyond the incest prohibition and the Oedipus complex?</itunes:subtitle>
      <itunes:summary>What might Levi-Strauss and structuralism have to offer to psychoanalysis beyond the incest prohibition and the Oedipus complex? What happens if we understand Lacan’s notion of the symbolic as creative, rather than prohibitory? And what’s the difference between the psychoanalyst and the shaman? Shanna de la Torre’s Sex for Structuralists: The Non-Oedipal Logics of Femininity and Psychosis (Palgrave Macmillan, 2018) performs a careful reading of Freudian, Lacanian and structuralist texts in order to offer a new way of conceiving of the objects and aims of psychoanalysis today. Alongside it she introduces us to an alternative perspective on Lacan emerging from analysts associated with GIFRIC, a Lacanian school based in Quebec. Listen in as we work our way through some of the book’s major concerns and their implications for theory and practice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What might Levi-Strauss and structuralism have to offer to psychoanalysis beyond the incest prohibition and the Oedipus complex? What happens if we understand Lacan’s notion of the symbolic as creative, rather than prohibitory? And what’s the difference between the psychoanalyst and the shaman? <a href="https://www.researchgate.net/scientific-contributions/2145768353_Shanna_de_la_Torre">Shanna de la Torre</a>’s <a href="https://aax-us-east.amazon-adsystem.com/x/c/QrFn2QWx8k8jOTU_wDKPgMsAAAFoSMmwIQEAAAFKARMYV2Y/https://www.amazon.com/dp/3319928945/?creativeASIN=3319928945&amp;linkCode=w61&amp;imprToken=3o.PZj0jWyi-p8NifglTSA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Sex for Structuralists: The Non-Oedipal Logics of Femininity and Psychosis</em></a> (Palgrave Macmillan, 2018) performs a careful reading of Freudian, Lacanian and structuralist texts in order to offer a new way of conceiving of the objects and aims of psychoanalysis today. Alongside it she introduces us to an alternative perspective on Lacan emerging from analysts associated with GIFRIC, a Lacanian school based in Quebec. Listen in as we work our way through some of the book’s major concerns and their implications for theory and practice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3765</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>M. Evans, S. Moore, and H. Johnstone, "Detecting the Social: Order and Disorder in Post-1970s Detective Fiction" (Palgrave Macmillan, 2019)</title>
      <description>How can detective fiction explain the social world? In Detecting the Social: Order and Disorder in Post-1970s Detective Fiction(Palgrave Macmillan, 2019), Mary Evans and Hazel Johnstone, both from the London School of Economics' Department of Gender Studies,  and Sarah Moore, a Senior Lecturer at the University of Bath's Department of Social and Policy Sciences, set out a radical agenda for contemporary social theory grounded in an analysis of detective fiction since the 1970s. The book uses a range of examples from the genre, as well as comparative discussions with previous eras of detective fiction. In doing so, the book demonstrates how questions of modernity, globalisation, trust in institutions, blame and responsibility, gender and gender relations, along with the rise of neoliberalism and the transformation of the social state since the 1970s can be understood through key works such as Larsson's Millennium Trilogy. By showing an alternative to 'unpeopled' social theories, the book will be key reading across the social sciences.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can detective fiction explain the social world?</itunes:subtitle>
      <itunes:summary>How can detective fiction explain the social world? In Detecting the Social: Order and Disorder in Post-1970s Detective Fiction(Palgrave Macmillan, 2019), Mary Evans and Hazel Johnstone, both from the London School of Economics' Department of Gender Studies,  and Sarah Moore, a Senior Lecturer at the University of Bath's Department of Social and Policy Sciences, set out a radical agenda for contemporary social theory grounded in an analysis of detective fiction since the 1970s. The book uses a range of examples from the genre, as well as comparative discussions with previous eras of detective fiction. In doing so, the book demonstrates how questions of modernity, globalisation, trust in institutions, blame and responsibility, gender and gender relations, along with the rise of neoliberalism and the transformation of the social state since the 1970s can be understood through key works such as Larsson's Millennium Trilogy. By showing an alternative to 'unpeopled' social theories, the book will be key reading across the social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can detective fiction explain the social world? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhJcVg1at9yEKniTD8QTuucAAAFoPw4x6QEAAAFKAd8mxc4/https://www.amazon.com/dp/331994519X/?creativeASIN=331994519X&amp;linkCode=w61&amp;imprToken=4IEkH-lbZQ6ViL88ptlwDw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Detecting the Social: Order and Disorder in Post-1970s Detective Fiction</em></a>(Palgrave Macmillan, 2019), <a href="http://www.lse.ac.uk/Gender/People/People-Profiles/Faculty/Mary-Evans">Mary Evans</a> and <a href="http://www.lse.ac.uk/about-lse/lse-leading-women/biographies/hazel-johnstone">Hazel Johnstone</a>, both from the London School of Economics' Department of Gender Studies,  and <a href="https://researchportal.bath.ac.uk/en/persons/sarah-moore">Sarah Moore</a>, a Senior Lecturer at the University of Bath's Department of Social and Policy Sciences, set out a radical agenda for contemporary social theory grounded in an analysis of detective fiction since the 1970s. The book uses a range of examples from the genre, as well as comparative discussions with previous eras of detective fiction. In doing so, the book demonstrates how questions of modernity, globalisation, trust in institutions, blame and responsibility, gender and gender relations, along with the rise of neoliberalism and the transformation of the social state since the 1970s can be understood through key works such as Larsson's Millennium Trilogy. By showing an alternative to 'unpeopled' social theories, the book will be key reading across the social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2498</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Robin Marie Averbeck, "Liberalism is not Enough: Race and Poverty in Postwar Political Thought" (UNC Press, 2018)</title>
      <description>Robin Marie Averbeck is a writer, activist and teacher at California State University, Chico. Liberalism is not Enough: Race and Poverty in Postwar Political Thought (The University of North Carolina Press, 2018) is a historical examination of postwar liberalism that powerfully shows how racist capitalism is at the heart of liberal thought. Through ideological laden invocation of pluralism, the “culture of poverty,” and faith in the workings of democratic institutions, liberals shared with conservatives support for an individualistic and racist social order. Demonstrating concern for poverty embodied in the vision of the Great Society, liberals attempted to effectively deny the issue of race for African Americans. Attention to poverty turned to finding an explanation in the pathological makeup of poor blacks and in the overarching “culture of poverty” that became identified with urban environments. After supporting Civil Rights legislation and Community Action Programs funded by the federal government, liberal thinkers were able to deny structural racism and capitalist inequality setting fire to radical resistance. The liberal ideology of white supremacy continues to manifest itself in mass incarceration of African Americans and the weakening of the welfare state. Averbeck demonstrates how the failure to confront the political and social structures that produce inequality stand in the way of true liberation for all Americans.
This episode of New Books in American Studies was produced in cooperation with the Society for U.S. Intellectual History.
Lilian Calles Barger is a cultural, intellectual and gender historian. Her current book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2008).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 10 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Through ideological laden invocation of pluralism, the “culture of poverty,” and faith in the workings of democratic institutions, liberals shared with conservatives support for an individualistic and racist social order...</itunes:subtitle>
      <itunes:summary>Robin Marie Averbeck is a writer, activist and teacher at California State University, Chico. Liberalism is not Enough: Race and Poverty in Postwar Political Thought (The University of North Carolina Press, 2018) is a historical examination of postwar liberalism that powerfully shows how racist capitalism is at the heart of liberal thought. Through ideological laden invocation of pluralism, the “culture of poverty,” and faith in the workings of democratic institutions, liberals shared with conservatives support for an individualistic and racist social order. Demonstrating concern for poverty embodied in the vision of the Great Society, liberals attempted to effectively deny the issue of race for African Americans. Attention to poverty turned to finding an explanation in the pathological makeup of poor blacks and in the overarching “culture of poverty” that became identified with urban environments. After supporting Civil Rights legislation and Community Action Programs funded by the federal government, liberal thinkers were able to deny structural racism and capitalist inequality setting fire to radical resistance. The liberal ideology of white supremacy continues to manifest itself in mass incarceration of African Americans and the weakening of the welfare state. Averbeck demonstrates how the failure to confront the political and social structures that produce inequality stand in the way of true liberation for all Americans.
This episode of New Books in American Studies was produced in cooperation with the Society for U.S. Intellectual History.
Lilian Calles Barger is a cultural, intellectual and gender historian. Her current book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2008).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://robinmarie-averbeck.squarespace.com/">Robin Marie Averbeck</a> is a writer, activist and teacher at California State University, Chico. <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qsu-oBqLI1Bp3riCgQx13qQAAAFoFgnR2AEAAAFKAc5sJvI/https://www.amazon.com/dp/1469646641/?creativeASIN=1469646641&amp;linkCode=w61&amp;imprToken=P63t5dn2MhqOOzk3vHroyQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Liberalism is not Enough: Race and Poverty in Postwar Political Thought</em></a> (The University of North Carolina Press, 2018) is a historical examination of postwar liberalism that powerfully shows how racist capitalism is at the heart of liberal thought. Through ideological laden invocation of pluralism, the “culture of poverty,” and faith in the workings of democratic institutions, liberals shared with conservatives support for an individualistic and racist social order. Demonstrating concern for poverty embodied in the vision of the Great Society, liberals attempted to effectively deny the issue of race for African Americans. Attention to poverty turned to finding an explanation in the pathological makeup of poor blacks and in the overarching “culture of poverty” that became identified with urban environments. After supporting Civil Rights legislation and Community Action Programs funded by the federal government, liberal thinkers were able to deny structural racism and capitalist inequality setting fire to radical resistance. The liberal ideology of white supremacy continues to manifest itself in mass incarceration of African Americans and the weakening of the welfare state. Averbeck demonstrates how the failure to confront the political and social structures that produce inequality stand in the way of true liberation for all Americans.</p><p>This episode of New Books in American Studies was produced in cooperation with the <a href="https://s-usih.org">Society for U.S. Intellectual History</a>.</p><p><a href="http://www.lilianbarger.com">Lilian Calles Barger</a> is a cultural, intellectual and gender historian. Her current book is entitled <em>The World Come of Age: An Intellectual History of Liberation Theology</em> (Oxford University Press, 2008).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3302</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alf Gunvald Nilsen, "Adivasis and the State: Subalternity and Citizenship in India's Bhil Heartland" (Cambridge UP, 2018)</title>
      <description>Almost a decade in the making, Adivasis and the State: Subalternity and Citizenship in India's Bhil Heartland(Cambridge University Press, 2018) draws on collaboratively collected oral histories of two social movements in western Madhya Pradesh, the Khedut Mazdoor Chetna Sangath (KMCS) and the Adivasi Mukti Sangathan (AMS). This longue-durée approach allows Alf Gunvald Nilsen to unravel the Indian state's everyday tyranny against its adivasi citizens. The deep tentacles of caste and class power embodied as the state reach into the Bhil everyday, not tethered to single issues of "development" induced displacement or the disappearing commons, but as an all-encompassing structural violence manifested in the realities of malnutrition, agricultural debt and seasonal migration.
Alf Gunvald Nilsen is Professor of Sociology at the University of Pretoria.
Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found here.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 09 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This longue-durée approach allows Alf Gunvald Nilsen to unravel the Indian state's everyday tyranny against its adivasi citizens...</itunes:subtitle>
      <itunes:summary>Almost a decade in the making, Adivasis and the State: Subalternity and Citizenship in India's Bhil Heartland(Cambridge University Press, 2018) draws on collaboratively collected oral histories of two social movements in western Madhya Pradesh, the Khedut Mazdoor Chetna Sangath (KMCS) and the Adivasi Mukti Sangathan (AMS). This longue-durée approach allows Alf Gunvald Nilsen to unravel the Indian state's everyday tyranny against its adivasi citizens. The deep tentacles of caste and class power embodied as the state reach into the Bhil everyday, not tethered to single issues of "development" induced displacement or the disappearing commons, but as an all-encompassing structural violence manifested in the realities of malnutrition, agricultural debt and seasonal migration.
Alf Gunvald Nilsen is Professor of Sociology at the University of Pretoria.
Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found here.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Almost a decade in the making, <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qou0bULwLwhIY48a4IJYLlcAAAFoBkUXygEAAAFKAamJfbw/https://www.amazon.com/dp/1108496539/?creativeASIN=1108496539&amp;linkCode=w61&amp;imprToken=jnZgbW3HiN9dliXT5Vni9A&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Adivasis and the State: Subalternity and Citizenship in India's Bhil Heartland</em></a>(Cambridge University Press, 2018) draws on collaboratively collected oral histories of two social movements in western Madhya Pradesh, the Khedut Mazdoor Chetna Sangath (KMCS) and the Adivasi Mukti Sangathan (AMS). This longue-durée approach allows <a href="http://up-za.academia.edu/AlfNilsen">Alf Gunvald Nilsen</a> to unravel the Indian state's everyday tyranny against its adivasi citizens. The deep tentacles of caste and class power embodied <em>as </em>the state reach into the Bhil everyday, not tethered to single issues of "development" induced displacement or the disappearing commons, but as an all-encompassing structural violence manifested in the realities of malnutrition, agricultural debt and seasonal migration.</p><p>Alf Gunvald Nilsen is Professor of Sociology at the University of Pretoria.</p><p><em>Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. She tweets @madhurikarak and more of her work can be found </em><a href="http://www.madhurikarak.com/"><em>here</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2526</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tania Li, "Land’s End: Capitalist Relations on an Indigenous Frontier" (Duke UP, 2014)</title>
      <description>If you want to read just one book to properly understand capitalism, let it be Tania Li’s award-winning 2014 book Land’s End: Capitalist Relations on an Indigenous Frontier (Duke University Press, 2014). This might seem like a strange choice: how can a study of a faraway and possibly exotic indigenous place shed light on “our” own global realities of jobless growth and rising inequality? But it can, and it does.
The book is a masterpiece of social scientific scholarship and critical political praxis. Through a longitudinal ethnography conducted over twenty years, the book follows the consequences of Indonesian highlanders’ fateful decision to plant the booming cash crop of the 1990s, cacao. That decision, Li shows, was the reason that capitalism took root and developed apace in the highlands over the coming decades. All the telltale signs of capitalist relations emerged: land was privatized, commons eroded, classes differentiated, and wealth and poverty co-created. Instead of coming as an imposition from the outside, from the state or transnational corporations, capitalism grew within the highlands, in the intimate spaces between kin and neighbors who had all planted cacao hoping it would lead them to a better life and many of whom instead ran into a dead end -- land’s end. The dilemmas and challenges that land’s end brought are explored with care, compassion, and a critical eye in Li’s astonishingly lucid prose.
The book is a challenge both to development discourse that insists that only capitalism can improve the lives of the rural poor, and to social movements which insist that indigenous people must be protected from capitalism’s unwanted encroachment. Neither of these two sides of the debate can account for the situation that many Lauje highlanders find themselves in - landless, jobless, dependent on the market for survival, desirous of joining the march for progress, and yet facing a grim future. Tania Li has once again brought to light the most critical and pressing issues of our time in a book that is a must-read for everyone who cares about poverty and inequality. Anthropologists, historians, economists, activists, policy-makers, and development professionals will all find a great deal of value in this remarkable work. I had the pleasure of speaking with Professor Li earlier today.
Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>f you want to read just one book to properly understand capitalism, let it be Tania Li’s award-winning 2014 book Land’s End: Capitalist Relations on an Indigenous Frontier (Duke University Press, 2014).</itunes:subtitle>
      <itunes:summary>If you want to read just one book to properly understand capitalism, let it be Tania Li’s award-winning 2014 book Land’s End: Capitalist Relations on an Indigenous Frontier (Duke University Press, 2014). This might seem like a strange choice: how can a study of a faraway and possibly exotic indigenous place shed light on “our” own global realities of jobless growth and rising inequality? But it can, and it does.
The book is a masterpiece of social scientific scholarship and critical political praxis. Through a longitudinal ethnography conducted over twenty years, the book follows the consequences of Indonesian highlanders’ fateful decision to plant the booming cash crop of the 1990s, cacao. That decision, Li shows, was the reason that capitalism took root and developed apace in the highlands over the coming decades. All the telltale signs of capitalist relations emerged: land was privatized, commons eroded, classes differentiated, and wealth and poverty co-created. Instead of coming as an imposition from the outside, from the state or transnational corporations, capitalism grew within the highlands, in the intimate spaces between kin and neighbors who had all planted cacao hoping it would lead them to a better life and many of whom instead ran into a dead end -- land’s end. The dilemmas and challenges that land’s end brought are explored with care, compassion, and a critical eye in Li’s astonishingly lucid prose.
The book is a challenge both to development discourse that insists that only capitalism can improve the lives of the rural poor, and to social movements which insist that indigenous people must be protected from capitalism’s unwanted encroachment. Neither of these two sides of the debate can account for the situation that many Lauje highlanders find themselves in - landless, jobless, dependent on the market for survival, desirous of joining the march for progress, and yet facing a grim future. Tania Li has once again brought to light the most critical and pressing issues of our time in a book that is a must-read for everyone who cares about poverty and inequality. Anthropologists, historians, economists, activists, policy-makers, and development professionals will all find a great deal of value in this remarkable work. I had the pleasure of speaking with Professor Li earlier today.
Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you want to read just one book to properly understand capitalism, let it be <a href="https://anthropology.utoronto.ca/people/faculty/tania-li/">Tania Li’s</a> <a href="https://americanethnologist.org/awards/senior-book-prize/2016-winnerlands-end-capitalist-relations-on-an-indigenous-frontier">award-winning</a> 2014 book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhEvUOe_HKg_MkZFjy7NXK8AAAFn2x-eYwEAAAFKAX-ZkHI/https://www.amazon.com/dp/0822357054/?creativeASIN=0822357054&amp;linkCode=w61&amp;imprToken=6a3.rQ7oBCSg3zHX0mMKew&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Land’s End: Capitalist Relations on an Indigenous Frontier</em></a> (Duke University Press, 2014). This might seem like a strange choice: how can a study of a faraway and possibly exotic indigenous place shed light on “our” own global realities of jobless growth and rising inequality? But it can, and it does.</p><p>The book is a masterpiece of social scientific scholarship and critical political praxis. Through a longitudinal ethnography conducted over twenty years, the book follows the consequences of Indonesian highlanders’ fateful decision to plant the booming cash crop of the 1990s, cacao. That decision, Li shows, was the reason that capitalism took root and developed apace in the highlands over the coming decades. All the telltale signs of capitalist relations emerged: land was privatized, commons eroded, classes differentiated, and wealth and poverty co-created. Instead of coming as an imposition from the outside, from the state or transnational corporations, capitalism grew within the highlands, in the intimate spaces between kin and neighbors who had all planted cacao hoping it would lead them to a better life and many of whom instead ran into a dead end -- land’s end. The dilemmas and challenges that land’s end brought are explored with care, compassion, <em>and</em> a critical eye in Li’s astonishingly lucid prose.</p><p>The book is a challenge both to development discourse that insists that only capitalism can improve the lives of the rural poor, and to social movements which insist that indigenous people must be protected from capitalism’s unwanted encroachment. Neither of these two sides of the debate can account for the situation that many Lauje highlanders find themselves in - landless, jobless, dependent on the market for survival, desirous of joining the march for progress, and yet facing a grim future. Tania Li has once again brought to light the most critical and pressing issues of our time in a book that is a must-read for everyone who cares about poverty and inequality. Anthropologists, historians, economists, activists, policy-makers, and development professionals will all find a great deal of value in this remarkable work. I had the pleasure of speaking with Professor Li earlier today.</p><p><em>Aparna Gopalan is a Ph.D. student in Social Anthropology at Harvard University. Her research focuses on how managing surplus populations and tapping into fortunes at the “bottom-of-the-pyramid” are twin-logics that undergird poverty alleviation projects in rural Rajasthan.</p><p></em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3965</itunes:duration>
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    <item>
      <title>Andrea Micocci and Flavia Di Mario, "The Fascist Nature of Neoliberalism" (Routledge, 2017)</title>
      <description>Today I spoke with Flavia di Mario, a young scholar of political economy and industrial relations. She coauthored a very provocative book with Andrea Micocci, The Fascist Nature of Neoliberalism (Routledge, 2017). Flavia is doctoral student at London Middlesex University, Andrea Micocci was professor of Economics at Link University, Rome, Italy.
In their words, they claim that capitalism is based on a false logic in which all facts and ideas are reduced to a consideration of their ‘feasibility’ within the capitalist system. Thus, all mainstream economic and political theories, including those such as Marxism which are supposed to offer an alternative vision, have been stunted and utopian ideas are completely side-lined. "In order to constantly work out the feasible, you have to hang on to pseudo-factual concepts: nationalism; a constant drive for efficiency; the idea of nation/state; corporatism; managed markets; business ethics; governance etc. Capitalism is reduced to the management of the economy by states that fight each other and marvel at the independence of finance. All this, the book argues, is akin, intellectually, economically, politically, and unfortunately individually, to fascism."
We started our conversation with a 1925 quote from Benito Mussolini. In his inaugural speech as prime minister, he argues for the importance of finance and budget stability. A good starting point to discuss the relationship between fascism and capitalism. We then moved on to neoliberalism.
The Fascist Nature of Neoliberalism offers a brief, provocative analysis of this issue with special reference to the most visible executioners of its will: the managerial class. "This group simply happens to hold power, and hence visibility, but they do what everybody else does, and would do, all the time. This is because capitalism is an intellectual outlook that thoroughly directs individual actions through fascist and non-fascist repression."
The book argues that the only way to escape capitalism is to recover individual intellectual and sentimental emancipation from capitalism itself in order to produce radical solutions. A very interesting book that many might find worth reading: those who study and are interested in political economy, economic theory and philosophy, as well as fascism and neoliberalism.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In their words, they claim that capitalism is based on a false logic in which all facts and ideas are reduced to a consideration of their ‘feasibility’ within the capitalist system...</itunes:subtitle>
      <itunes:summary>Today I spoke with Flavia di Mario, a young scholar of political economy and industrial relations. She coauthored a very provocative book with Andrea Micocci, The Fascist Nature of Neoliberalism (Routledge, 2017). Flavia is doctoral student at London Middlesex University, Andrea Micocci was professor of Economics at Link University, Rome, Italy.
In their words, they claim that capitalism is based on a false logic in which all facts and ideas are reduced to a consideration of their ‘feasibility’ within the capitalist system. Thus, all mainstream economic and political theories, including those such as Marxism which are supposed to offer an alternative vision, have been stunted and utopian ideas are completely side-lined. "In order to constantly work out the feasible, you have to hang on to pseudo-factual concepts: nationalism; a constant drive for efficiency; the idea of nation/state; corporatism; managed markets; business ethics; governance etc. Capitalism is reduced to the management of the economy by states that fight each other and marvel at the independence of finance. All this, the book argues, is akin, intellectually, economically, politically, and unfortunately individually, to fascism."
We started our conversation with a 1925 quote from Benito Mussolini. In his inaugural speech as prime minister, he argues for the importance of finance and budget stability. A good starting point to discuss the relationship between fascism and capitalism. We then moved on to neoliberalism.
The Fascist Nature of Neoliberalism offers a brief, provocative analysis of this issue with special reference to the most visible executioners of its will: the managerial class. "This group simply happens to hold power, and hence visibility, but they do what everybody else does, and would do, all the time. This is because capitalism is an intellectual outlook that thoroughly directs individual actions through fascist and non-fascist repression."
The book argues that the only way to escape capitalism is to recover individual intellectual and sentimental emancipation from capitalism itself in order to produce radical solutions. A very interesting book that many might find worth reading: those who study and are interested in political economy, economic theory and philosophy, as well as fascism and neoliberalism.
Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I spoke with <a href="https://www.researchgate.net/profile/Flavia_Di_Mario">Flavia di Mario</a>, a young scholar of political economy and industrial relations. She coauthored a very provocative book with <a href="https://marxandphilosophy.org.uk/book-authors/andrea-micocci/">Andrea Micocci</a>, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QprgmtZyx7Oy4h70YSNUVJ8AAAFn4fuCOgEAAAFKAZVJrK0/https://www.amazon.com/dp/0815369883/?creativeASIN=0815369883&amp;linkCode=w61&amp;imprToken=UZgYYiVM1ai9EPn3vviMPQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Fascist Nature of Neoliberalism</em></a> (Routledge, 2017). Flavia is doctoral student at London Middlesex University, Andrea Micocci was professor of Economics at Link University, Rome, Italy.</p><p>In their words, they claim that capitalism is based on a false logic in which all facts and ideas are reduced to a consideration of their ‘feasibility’ within the capitalist system. Thus, all mainstream economic and political theories, including those such as Marxism which are supposed to offer an alternative vision, have been stunted and utopian ideas are completely side-lined. "In order to constantly work out the feasible, you have to hang on to pseudo-factual concepts: nationalism; a constant drive for efficiency; the idea of nation/state; corporatism; managed markets; business ethics; governance etc. Capitalism is reduced to the management of the economy by states that fight each other and marvel at the independence of finance. All this, the book argues, is akin, intellectually, economically, politically, and unfortunately individually, to fascism."</p><p>We started our conversation with a 1925 quote from Benito Mussolini. In his inaugural speech as prime minister, he argues for the importance of finance and budget stability. A good starting point to discuss the relationship between fascism and capitalism. We then moved on to neoliberalism.</p><p><em>The Fascist Nature of Neoliberalism</em> offers a brief, provocative analysis of this issue with special reference to the most visible executioners of its will: the managerial class. "This group simply happens to hold power, and hence visibility, but they do what everybody else does, and would do, all the time. This is because capitalism is an intellectual outlook that thoroughly directs individual actions through fascist and non-fascist repression."</p><p>The book argues that the only way to escape capitalism is to recover individual intellectual and sentimental emancipation from capitalism itself in order to produce radical solutions. A very interesting book that many might find worth reading: those who study and are interested in political economy, economic theory and philosophy, as well as fascism and neoliberalism.</p><p><a href="https://twitter.com/Bernardi_UK"><em>Andrea Bernardi</em></a><em> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his </em><a href="https://www.researchgate.net/profile/Andrea_Bernardi"><em>research interests</em></a><em> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on </em><a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies"><em>Critical Management Studies</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Irmak Karademir Hazir, "Enter Culture, Exit Arts? The Transformation of Cultural Hierarchies in European Newspaper Culture Sections, 1960–2010" (Routledge, 2018)</title>
      <description>How has European culture changed since the 1960s? In Enter Culture, Exit Arts? The Transformation of Cultural Hierarchies in European Newspaper Culture Sections, 1960–2010 (Routledge, 2018), Dr. Irmak Karademir Hazir and her co-authors, explore this important question by looking at newspaper coverage of culture across Europe over the last 50 years. The book has an incredibly rich and detailed dataset of newspaper articles from Spain, UK, France, Turkey, Sweden and Finland, and covers a range of cultural forms. The book grapples with the classic tensions in the study of culture, between aesthetics and commercialisation, hierarchies, and globalisation, along with changes in the format, style, and production conditions for cultural journalism. The book is essential reading for anyone interested in culture in Europe, and you can find out more about the project and read some of the papers here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 26 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How has European culture changed since the 1960s?</itunes:subtitle>
      <itunes:summary>How has European culture changed since the 1960s? In Enter Culture, Exit Arts? The Transformation of Cultural Hierarchies in European Newspaper Culture Sections, 1960–2010 (Routledge, 2018), Dr. Irmak Karademir Hazir and her co-authors, explore this important question by looking at newspaper coverage of culture across Europe over the last 50 years. The book has an incredibly rich and detailed dataset of newspaper articles from Spain, UK, France, Turkey, Sweden and Finland, and covers a range of cultural forms. The book grapples with the classic tensions in the study of culture, between aesthetics and commercialisation, hierarchies, and globalisation, along with changes in the format, style, and production conditions for cultural journalism. The book is essential reading for anyone interested in culture in Europe, and you can find out more about the project and read some of the papers here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has European culture changed since the 1960s? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QnRCR7t0VE7CD6OAgM7JfOsAAAFnwai5tgEAAAFKAWKwjkQ/https://www.amazon.com/dp/1138740551/?creativeASIN=1138740551&amp;linkCode=w61&amp;imprToken=93sAsTLpHs7FR1h6wk0EMw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Enter Culture, Exit Arts? The Transformation of Cultural Hierarchies in European Newspaper Culture Sections, 1960–2010</em></a> (Routledge, 2018), <a href="https://twitter.com/karademirirmak">Dr. Irmak Karademir Hazir</a> and her co-authors, explore this important question by looking at newspaper coverage of culture across Europe over the last 50 years. The book has an incredibly rich and detailed dataset of newspaper articles from Spain, UK, France, Turkey, Sweden and Finland, and covers a range of cultural forms. The book grapples with the classic tensions in the study of culture, between aesthetics and commercialisation, hierarchies, and globalisation, along with changes in the format, style, and production conditions for cultural journalism. The book is essential reading for anyone interested in culture in Europe, and you can find out more about <a href="https://blogs.helsinki.fi/cudige-project/">the project</a> and read some of the <a href="https://blogs.helsinki.fi/cudige-project/publications-2/">papers here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2218</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dcdf034a-047f-11e9-8eb0-e70fde92b074]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3040529514.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Victoria Cann, "Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures" (I.B.Tauris, 2018)</title>
      <description>How does cultural taste regulate our lives? In Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures (I.B. Tauris, 2018), Dr. Victoria Cann, a lecturer in humanities at the University of East Anglia, explores the regulatory role of taste in the reproduction of gender. The book draws on detailed fieldwork with schools in Norfolk, England, using a range of methods including digital approaches to understand young people's experiences of taste and gender. The rich and detailed narratives of the young people are placed into dialogue with broader social and media theories, with crucial contributions to how we understand youth, gender, and taste. By showing how particular forms of cultural consumption and knowledge are valued, how others are given subordinate status, and the difficulty of transgressing boundaries, the book will be of interest to both social science and humanities readers, as well as anyone interested in the role of culture in contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <pubDate>Tue, 18 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does cultural taste regulate our lives?</itunes:subtitle>
      <itunes:summary>How does cultural taste regulate our lives? In Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures (I.B. Tauris, 2018), Dr. Victoria Cann, a lecturer in humanities at the University of East Anglia, explores the regulatory role of taste in the reproduction of gender. The book draws on detailed fieldwork with schools in Norfolk, England, using a range of methods including digital approaches to understand young people's experiences of taste and gender. The rich and detailed narratives of the young people are placed into dialogue with broader social and media theories, with crucial contributions to how we understand youth, gender, and taste. By showing how particular forms of cultural consumption and knowledge are valued, how others are given subordinate status, and the difficulty of transgressing boundaries, the book will be of interest to both social science and humanities readers, as well as anyone interested in the role of culture in contemporary society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does cultural taste regulate our lives? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qu21dZdHqbd6MGwHoGJ4F9wAAAFnopN-UQEAAAFKAU1jkls/https://www.amazon.com/dp/1784535648/?creativeASIN=1784535648&amp;linkCode=w61&amp;imprToken=4zjf31GAJcPGiXzDPpMy7g&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Girls Like This, Boys Like That: Understanding the (Re)Production of Gender in Contemporary Youth Cultures </em></a>(I.B. Tauris, 2018), <a href="https://twitter.com/_canndo">Dr. Victoria Cann</a>, a lecturer in <a href="https://people.uea.ac.uk/en/persons/v-cann">humanities at the University of East Anglia</a>, explores the regulatory role of taste in the reproduction of gender. The book draws on detailed fieldwork with schools in Norfolk, England, using a range of methods including digital approaches to understand young people's experiences of taste and gender. The rich and detailed narratives of the young people are placed into dialogue with broader social and media theories, with crucial contributions to how we understand youth, gender, and taste. By showing how particular forms of cultural consumption and knowledge are valued, how others are given subordinate status, and the difficulty of transgressing boundaries, the book will be of interest to both social science and humanities readers, as well as anyone interested in the role of culture in contemporary society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[efe47738-0176-11e9-b556-377adaf4e3f2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3472773492.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Hannah Holleman, "Dust Bowls of Empire: Imperialism, Environmental Politics, and the Injustice of 'Green' Capitalism" (Yale UP, 2018)</title>
      <description>None of the climate news that we’re getting is good right now, especially now that a number of governments are reversing or failing to meet commitments they made as part of the Paris Climate Accord. One of the challenges facing human societies and the planet is the issue of aridification. As freshwater is depleted and unsustainable agricultural practices place more stress on soil than can be supported, an increasing amount of land is being lost to erosion, a process that will only become worsen as the planet heats up in the coming decades. Despite plentiful information and awareness, most of the solutions that have been offered up have failed to meaningfully stop the damage being done to the planet.
In Dust Bowls of Empire: Imperialism, Environmental Politics, and the Injustice of "Green" Capitalism (Yale University Press, 2018), Hannah Holleman  looks at the Dust Bowl as one of the first manmade global environmental catastrophes. She begins by noting its manmade dimensions and the underlying forces that helped to create it as well as similar catastrophes across the globe. The underlying forces of imperialism and white supremacy fed the seizure of land from indigenous populations everywhere. White policymakers were aware of the environmental damage that was being wrought, but were unwilling to revise their behavior in a way that would undermine property or profit, which shaped both the New Deal and contemporary responses to climate change such as the Paris Climate Accord. To avoid further catastrophe, people all over the world must seek more radical solutions.
"The Dust Bowl continues to haunt, inspire, and teach us — but as this book shows, we have missed its most profound and far-reaching implications. Unearthing a wealth of new sources, and pulling together disparate analytical threads, Holleman tells a story of global ecological crisis — then and now — rooted in global systems of domination and extraction. A tour de force of engaged scholarship from an exhilarating new voice."—Naomi Klein, author of No Is Not Enough and This Changes Everything
Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>462</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>None of the climate news that we’re getting is good right now, especially now that a number of governments are reversing or failing to meet commitments they made as part of the Paris Climate Accord...</itunes:subtitle>
      <itunes:summary>None of the climate news that we’re getting is good right now, especially now that a number of governments are reversing or failing to meet commitments they made as part of the Paris Climate Accord. One of the challenges facing human societies and the planet is the issue of aridification. As freshwater is depleted and unsustainable agricultural practices place more stress on soil than can be supported, an increasing amount of land is being lost to erosion, a process that will only become worsen as the planet heats up in the coming decades. Despite plentiful information and awareness, most of the solutions that have been offered up have failed to meaningfully stop the damage being done to the planet.
In Dust Bowls of Empire: Imperialism, Environmental Politics, and the Injustice of "Green" Capitalism (Yale University Press, 2018), Hannah Holleman  looks at the Dust Bowl as one of the first manmade global environmental catastrophes. She begins by noting its manmade dimensions and the underlying forces that helped to create it as well as similar catastrophes across the globe. The underlying forces of imperialism and white supremacy fed the seizure of land from indigenous populations everywhere. White policymakers were aware of the environmental damage that was being wrought, but were unwilling to revise their behavior in a way that would undermine property or profit, which shaped both the New Deal and contemporary responses to climate change such as the Paris Climate Accord. To avoid further catastrophe, people all over the world must seek more radical solutions.
"The Dust Bowl continues to haunt, inspire, and teach us — but as this book shows, we have missed its most profound and far-reaching implications. Unearthing a wealth of new sources, and pulling together disparate analytical threads, Holleman tells a story of global ecological crisis — then and now — rooted in global systems of domination and extraction. A tour de force of engaged scholarship from an exhilarating new voice."—Naomi Klein, author of No Is Not Enough and This Changes Everything
Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>None of the climate news that we’re getting is good right now, especially now that a number of governments are reversing or failing to meet commitments they made as part of the Paris Climate Accord. One of the challenges facing human societies and the planet is the issue of aridification. As freshwater is depleted and unsustainable agricultural practices place more stress on soil than can be supported, an increasing amount of land is being lost to erosion, a process that will only become worsen as the planet heats up in the coming decades. Despite plentiful information and awareness, most of the solutions that have been offered up have failed to meaningfully stop the damage being done to the planet.</p><p>In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvjHtkVieZD6H-ApUg-t1H0AAAFno7e_hwEAAAFKATopaXA/https://www.amazon.com/dp/0300230206/?creativeASIN=0300230206&amp;linkCode=w61&amp;imprToken=jZB8X-YiPBczwW3afaF3jA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Dust Bowls of Empire: Imperialism, Environmental Politics, and the Injustice of "Green" Capitalism</em></a> (Yale University Press, 2018), <a href="https://www.amherst.edu/people/facstaff/hholleman">Hannah Holleman</a>  looks at the Dust Bowl as one of the first manmade global environmental catastrophes. She begins by noting its manmade dimensions and the underlying forces that helped to create it as well as similar catastrophes across the globe. The underlying forces of imperialism and white supremacy fed the seizure of land from indigenous populations everywhere. White policymakers were aware of the environmental damage that was being wrought, but were unwilling to revise their behavior in a way that would undermine property or profit, which shaped both the New Deal and contemporary responses to climate change such as the Paris Climate Accord. To avoid further catastrophe, people all over the world must seek more radical solutions.</p><p>"The Dust Bowl continues to haunt, inspire, and teach us — but as this book shows, we have missed its most profound and far-reaching implications. Unearthing a wealth of new sources, and pulling together disparate analytical threads, Holleman tells a story of global ecological crisis — then and now — rooted in global systems of domination and extraction. A tour de force of engaged scholarship from an exhilarating new voice."—Naomi Klein, author of <em>No Is Not Enough</em> and <em>This Changes Everything</em></p><p><em>Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to </em><a href="mailto:zeb.larson@gmail.com"><em>zeb.larson@gmail.com</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3575</itunes:duration>
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      <title>Sarah Banet-Weiser, "Empowered: Popular Feminism and Popular Misogyny" (Duke UP, 2018)</title>
      <description>What is the relationship between popular misogyny and popular feminism? In Empowered: Popular Feminism and Popular Misogyny(Duke University Press, 2018), Sarah Banet-Weiser, Professor of Media and Communications and Head of Department at the LSE's Department of Media and Communications, explores these two interrelated ideas in order to analyse a range of examples including the body positivity movement, confidence, #gamergate, seduction communities, and women in tech. These examples, along with extensive discussion of media examples including advertising, and a theorisation of the 'economy of visibility', demonstrate the important work of popular feminism, its limits, and the misogynist backlash aimed at arresting feminism's progress. The book engages and explains our current politics, with important lessons for both sides of the Atlantic, as well as a media analysis with global implications. As a result the book is an important read across the social sciences, politics, and beyond.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 10 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the relationship between popular misogyny and popular feminism?</itunes:subtitle>
      <itunes:summary>What is the relationship between popular misogyny and popular feminism? In Empowered: Popular Feminism and Popular Misogyny(Duke University Press, 2018), Sarah Banet-Weiser, Professor of Media and Communications and Head of Department at the LSE's Department of Media and Communications, explores these two interrelated ideas in order to analyse a range of examples including the body positivity movement, confidence, #gamergate, seduction communities, and women in tech. These examples, along with extensive discussion of media examples including advertising, and a theorisation of the 'economy of visibility', demonstrate the important work of popular feminism, its limits, and the misogynist backlash aimed at arresting feminism's progress. The book engages and explains our current politics, with important lessons for both sides of the Atlantic, as well as a media analysis with global implications. As a result the book is an important read across the social sciences, politics, and beyond.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the relationship between popular misogyny and popular feminism? In <a href="https://www.dukeupress.edu/empowered"><em>Empowered: Popular Feminism and Popular Misogyny</em></a>(Duke University Press, 2018), <a href="https://twitter.com/sbanetweiser">Sarah Banet-Weiser</a>, Professor of Media and Communications and Head of Department at the LSE's Department of Media and Communications, explores these two interrelated ideas in order to analyse a range of examples including the body positivity movement, confidence, #gamergate, seduction communities, and women in tech. These examples, along with extensive discussion of media examples including advertising, and a theorisation of the 'economy of visibility', demonstrate the important work of popular feminism, its limits, and the misogynist backlash aimed at arresting feminism's progress. The book engages and explains our current politics, with important lessons for both sides of the Atlantic, as well as a media analysis with global implications. As a result the book is an important read across the social sciences, politics, and beyond.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2435</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[53e1de12-fa4f-11e8-8511-478583adcf43]]></guid>
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      <title>McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)</title>
      <description>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!
 Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 06 Dec 2018 13:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention...</itunes:subtitle>
      <itunes:summary>McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!
 Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/McKenzie_Wark">McKenzie Wark</a>’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvE0-zOplJN8ReY79aduX1wAAAFnajN8CQEAAAFKAfKc31U/https://www.amazon.com/dp/1786631903/ref=as_at?creativeASIN=1786631903&amp;linkCode=w61&amp;imprToken=zbjqVnRPdMcgHhrCGI3XPg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>General Intellects: Twenty-One Thinkers for the Twenty-First Century </em></a>(Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!</p><p> <em>Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work </em><a href="https://carlanappi.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3841</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[762f566c-f959-11e8-8631-a7234f1543a4]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7153388997.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Julian Meyrick, Robert Phiddian and Tully Barnett, "What Matters?: Talking Value in Australian Culture" (Monash UP, 2018)</title>
      <description>How should we value culture? In What Matters? Talking Value in Australian Culture (Monash University Press, 2018), Professors Julian Meyrick, Robert Phiddian and Tully Barnett, from Flinders University's Laboratory Adelaide: The Value of Culture project, explore the troublesome question at the core of much contemporary cultural policy. The book charts the struggles over cultural data collection, both in the Australian setting and with implications for many more global debates. It draws on a wealth of examples from across humanities and literature, as well as cultural events. Setting out the importance of narratives, critiquing both the rise of digital platforms and the reductiveness of economic approaches, the book offers a radical alternative for those seeking to defend the value of culture in contemporary politics and society.
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      <pubDate>Thu, 06 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we value culture?</itunes:subtitle>
      <itunes:summary>How should we value culture? In What Matters? Talking Value in Australian Culture (Monash University Press, 2018), Professors Julian Meyrick, Robert Phiddian and Tully Barnett, from Flinders University's Laboratory Adelaide: The Value of Culture project, explore the troublesome question at the core of much contemporary cultural policy. The book charts the struggles over cultural data collection, both in the Australian setting and with implications for many more global debates. It draws on a wealth of examples from across humanities and literature, as well as cultural events. Setting out the importance of narratives, critiquing both the rise of digital platforms and the reductiveness of economic approaches, the book offers a radical alternative for those seeking to defend the value of culture in contemporary politics and society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we value culture? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QkneyyhsPaB3OnyDQbar_DIAAAFnahgnwwEAAAFKAbE3jSs/https://www.amazon.com/dp/1925523802/ref=as_at?creativeASIN=1925523802&amp;linkCode=w61&amp;imprToken=ChVIaTm2aT6-MrS98YzvJQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>What Matters? Talking Value</em> <em>in Australian Culture</em></a> (Monash University Press, 2018), Professors <a href="https://www.flinders.edu.au/people/julian.meyrick">Julian Meyrick</a>, <a href="https://www.flinders.edu.au/people/robert.phiddian">Robert Phiddian</a> and <a href="https://www.flinders.edu.au/people/tully.barnett#">Tully Barnett</a>, from Flinders University's <a href="http://blogs.flinders.edu.au/laboratory-adelaide/">Laboratory Adelaide: The Value of Culture</a> project, explore the troublesome question at the core of much contemporary cultural policy. The book charts the struggles over cultural data collection, both in the Australian setting and with implications for many more global debates. It draws on a wealth of examples from across humanities and literature, as well as cultural events. Setting out the importance of narratives, critiquing both the rise of digital platforms and the reductiveness of economic approaches, the book offers a radical alternative for those seeking to defend the value of culture in contemporary politics and society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2060</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a69f2b7e-f8c8-11e8-827b-339d1b1793c0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7250317985.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Llerena Searle, "Landscapes of Accumulation: Real Estate and the Neoliberal Imagination in Contemporary India" (U Chicago Press, 2015)</title>
      <description>Few who have visited India in the past two decades will have failed to noticed the sudden and spectacular urban transformation that has taken place in many of its cities. Gated residential complexes with tennis courts and indoor gyms, glitzy office buildings, gleaming five-star hotels, and of course air-conditioned malls have become ubiquitous as the new face of a “new” India, often understood as symbols of a long-awaited global modernity. Getting behind the glittery facade, Llerena Searle’s new book Landscapes of Accumulation: Real Estate and the Neoliberal Imagination in Contemporary India (University of Chicago Press, 2015) shows that these buildings are not built to service consumer India; they are built for real estate developers and international investors for whom Indian real estate has become a profitable speculative gamble. Indian land and buildings are no longer local resources for production or use; they are turning, or more accurately being turned, into internationally tradeable financial assets. How this happens, by whose effort, and against what frictions is the story that the book tells. Searle shows that it is through the narrative of a rising Indian middle class that investments are solicited and a real estate boom created. Through ethnographic attention to the practices and labors of real estate producers, Searle offers an innovative, sophisticated and refreshingly human story of the making of neoliberal India, a story has ultimately shows that the new landscapes that are cropping up all over India are landscapes first and foremost of accumulation. This book will be of interest to readers in urban studies, economics, anthropology, and of course South Asian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Dec 2018 13:40:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Few who have visited India in the past two decades will have failed to noticed the sudden and spectacular urban transformation that has taken place in many of its cities...</itunes:subtitle>
      <itunes:summary>Few who have visited India in the past two decades will have failed to noticed the sudden and spectacular urban transformation that has taken place in many of its cities. Gated residential complexes with tennis courts and indoor gyms, glitzy office buildings, gleaming five-star hotels, and of course air-conditioned malls have become ubiquitous as the new face of a “new” India, often understood as symbols of a long-awaited global modernity. Getting behind the glittery facade, Llerena Searle’s new book Landscapes of Accumulation: Real Estate and the Neoliberal Imagination in Contemporary India (University of Chicago Press, 2015) shows that these buildings are not built to service consumer India; they are built for real estate developers and international investors for whom Indian real estate has become a profitable speculative gamble. Indian land and buildings are no longer local resources for production or use; they are turning, or more accurately being turned, into internationally tradeable financial assets. How this happens, by whose effort, and against what frictions is the story that the book tells. Searle shows that it is through the narrative of a rising Indian middle class that investments are solicited and a real estate boom created. Through ethnographic attention to the practices and labors of real estate producers, Searle offers an innovative, sophisticated and refreshingly human story of the making of neoliberal India, a story has ultimately shows that the new landscapes that are cropping up all over India are landscapes first and foremost of accumulation. This book will be of interest to readers in urban studies, economics, anthropology, and of course South Asian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few who have visited India in the past two decades will have failed to noticed the sudden and spectacular urban transformation that has taken place in many of its cities. Gated residential complexes with tennis courts and indoor gyms, glitzy office buildings, gleaming five-star hotels, and of course air-conditioned malls have become ubiquitous as the new face of a “new” India, often understood as symbols of a long-awaited global modernity. Getting behind the glittery facade, <a href="http://www.sas.rochester.edu/ant/people/faculty/searle_llerena/index.html">Llerena Searle’s</a> new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QoDX7CWh5rV7Kyy-Ejiaf_8AAAFna7j2bwEAAAFKAZqV-1Q/https://www.amazon.com/dp/022638506X/ref=as_at?creativeASIN=022638506X&amp;linkCode=w61&amp;imprToken=lZaQ-I7btXH-m5.pACaIYg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Landscapes of Accumulation</em></a><em>:</em><a href="https://aax-us-east.amazon-adsystem.com/x/c/QoDX7CWh5rV7Kyy-Ejiaf_8AAAFna7j2bwEAAAFKAZqV-1Q/https://www.amazon.com/dp/022638506X/ref=as_at?creativeASIN=022638506X&amp;linkCode=w61&amp;imprToken=lZaQ-I7btXH-m5.pACaIYg&amp;slotNum=0&amp;tag=newbooinhis-20"><em> Real Estate and the Neoliberal Imagination in Contemporary India</em></a> (University of Chicago Press, 2015) shows that these buildings are not built to service consumer India; they are built for real estate developers and international investors for whom Indian real estate has become a profitable speculative gamble. Indian land and buildings are no longer local resources for production or use; they are turning, or more accurately being turned, into internationally tradeable financial assets. How this happens, by whose effort, and against what frictions is the story that the book tells. Searle shows that it is <em>through</em> the narrative of a rising Indian middle class that investments are solicited and a real estate boom created. Through ethnographic attention to the practices and labors of real estate producers, Searle offers an innovative, sophisticated and refreshingly human story of the making of neoliberal India, a story has ultimately shows that the new landscapes that are cropping up all over India are landscapes first and foremost of accumulation. This book will be of interest to readers in urban studies, economics, anthropology, and of course South Asian Studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2805</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d132cccc-f893-11e8-b661-97e702ff3166]]></guid>
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    <item>
      <title>Catherine Russell, "Archiveology: Walter Benjamin and Archival Film Practices" (Duke UP, 2018)</title>
      <description>In her book Archiveology: Walter Benjamin and Archival Film Practices (Duke University Press, 2018), Catherine Russell defines "archiveology" as “the reuse, recycling, appropriation and borrowing of archival sounds and images by filmmakers”. In her book, she reviews specific film examples. She also discusses the related work of German philosopher Walter Benjamin and how his ideas coincide with the examples she presents.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 Nov 2018 13:32:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In her book Archiveology: Walter Benjamin and Archival Film Practices (Duke University Press, 2018), Catherine Russell defines "archiveology" as “the reuse, recycling, appropriation and borrowing of archival sounds and images by filmmakers”. In her book, she reviews specific film examples. She also discusses the related work of German philosopher Walter Benjamin and how his ideas coincide with the examples she presents.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QomE9ZXk3JEuhf4E3CrhZvAAAAFnX6a4NQEAAAFKARPGpAc/https://www.amazon.com/dp/0822370573/ref=as_at?creativeASIN=0822370573&amp;linkCode=w61&amp;imprToken=.83dwSYsVbGP2Qa..X.vtw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Archiveology: Walter Benjamin and Archival Film Practices</em></a> (Duke University Press, 2018), <a href="https://www.concordia.ca/finearts/cinema/faculty.html?fpid=catherine-russell">Catherine Russell</a> defines "archiveology" as “the reuse, recycling, appropriation and borrowing of archival sounds and images by filmmakers”. In her book, she reviews specific film examples. She also discusses the related work of German philosopher Walter Benjamin and how his ideas coincide with the examples she presents.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[88d94944-f3dc-11e8-ba07-7bf4336067b2]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8646654424.mp3" length="0" type="audio/mpeg"/>
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      <title>Oli Mould, "Against Creativity" (Verso, 2018)</title>
      <description>Can every aspect of society be 'creative'? In Against Creativity (Verso, 2018), Oli Mould, a lecturer in geography at Royal Holloway, University of London, explains the need to resist and recast the ideology of enforced creativity sweeping through societies all over the world. The book offers a wide range of critical engagements, from the idea of creative work, through the reform of public services, to engagements with space and place, with numerous examples of alternatives to the current 'creative' settlement, and how they reflect bodies, organisations, practices, and places. The book is essential reading for anyone interested in the contemporary social world. You can also read more on Oli's TaCity blog.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Nov 2018 18:05:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Can every aspect of society be 'creative'? In Against Creativity (Verso, 2018), Oli Mould, a lecturer in geography at Royal Holloway, University of London, explains the need to resist and recast the ideology of enforced creativity sweeping through societies all over the world. The book offers a wide range of critical engagements, from the idea of creative work, through the reform of public services, to engagements with space and place, with numerous examples of alternatives to the current 'creative' settlement, and how they reflect bodies, organisations, practices, and places. The book is essential reading for anyone interested in the contemporary social world. You can also read more on Oli's TaCity blog.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can every aspect of society be 'creative'? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qq5MpOfNhd8NtBKeOr2VWuUAAAFnPQhSbwEAAAFKAT48qdQ/https://www.amazon.com/dp/1786636492/ref=as_at?creativeASIN=1786636492&amp;linkCode=w61&amp;imprToken=1dISy1DafpsD.esk25758w&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Against Creativity</em></a> (Verso, 2018), <a href="https://twitter.com/olimould">Oli Mould</a>, <a href="https://pure.royalholloway.ac.uk/portal/en/persons/oli-mould(55e43fac-f61e-488a-8017-35b221e6426b).html">a lecturer in geography</a> at Royal Holloway, University of London, explains the need to resist and recast the ideology of enforced creativity sweeping through societies all over the world. The book offers a wide range of critical engagements, from the idea of creative work, through the reform of public services, to engagements with space and place, with numerous examples of alternatives to the current 'creative' settlement, and how they reflect bodies, organisations, practices, and places. The book is essential reading for anyone interested in the contemporary social world. You can also read more on Oli's <a href="https://tacity.co.uk">TaCity</a> blog.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2097</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Grant Farred, "The Burden of Over-Representation: Race, Sport, and Philosophy" (Temple UP, 2018)</title>
      <description>Today we are joined by Grant Farred, Professor of Africana Studies and English at Cornell University.  Farred is the author of The Burden of Over-Representation: Race, Sport, and Philosophy(Temple University Press, 2018), which explores three sporting ‘events’: an uncharacteristic outburst from Jackie Robinson’s at a spring training game in New Orleans, Francois Pienaar and Nelson Mandela’s celebration after the 1995 Rugby World Cup, and the ethereal presence of Derrida in the stands of the 2010 Soccer World Cup in South Africa.  He concentrates on these three happenings in order to raise questions about (over)representation in sports, the event, reconciliation and conciliation, the curse of service, the interplay between love and suffering, and coloniality and post-coloniality.
In The Burden of Over-Representation, Farred re-interprets these moments using the work of philosophers such as Martin Heidegger, Friedrich Nietzsche, and most consistently Jacques Derrida.  He also interweaves his analysis with larger discussions of literary theory, Hamlet, Judith Butler, Marx, and the Bible.  His novel approach offers new avenues to approach physical culture – sport enables him to actualize Derridian critiques in new ways. “To think sport philosophically.”
Instead of a passive and suffering Robinson, Farred sees a man cursed by his call to service, in part complicit in his own objectification, and in one moment exposed through a split second of Fanoninan profanity.  Pienaar’s negation of Mandela’s congratulations (“No, thank you, Mr. President”), returned the divisive history of apartheid into a moment of national unity.  Pienaar’s power in the face of the powerless President, his self-immolation in his moment of greatest triumph, displayed the limits of Mandela’s policy of reconciliation in a nation still riven by economic, political, and social inequity.  Farred “sees” Derrida, or perhaps only his ghostly echo, at the World Cup in South Africa.  Thinking through the spectral allows Farred to not only reframe the pied-noir philosopher as African thinker, but also show the spectrality of the state, and explain the presence of seventeen Frenchmen of Algerian descent on the Algerian team.
The Burden of Over-Representation – as rich in philosophical insights as it is in humor – will be of interest to scholars fascinated by the connection between sports and philosophy, critical theory, race, and colonialism/post-colonialism.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France's Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Nov 2018 17:34:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today we are joined by Grant Farred, Professor of Africana Studies and English at Cornell University.</itunes:subtitle>
      <itunes:summary>Today we are joined by Grant Farred, Professor of Africana Studies and English at Cornell University.  Farred is the author of The Burden of Over-Representation: Race, Sport, and Philosophy(Temple University Press, 2018), which explores three sporting ‘events’: an uncharacteristic outburst from Jackie Robinson’s at a spring training game in New Orleans, Francois Pienaar and Nelson Mandela’s celebration after the 1995 Rugby World Cup, and the ethereal presence of Derrida in the stands of the 2010 Soccer World Cup in South Africa.  He concentrates on these three happenings in order to raise questions about (over)representation in sports, the event, reconciliation and conciliation, the curse of service, the interplay between love and suffering, and coloniality and post-coloniality.
In The Burden of Over-Representation, Farred re-interprets these moments using the work of philosophers such as Martin Heidegger, Friedrich Nietzsche, and most consistently Jacques Derrida.  He also interweaves his analysis with larger discussions of literary theory, Hamlet, Judith Butler, Marx, and the Bible.  His novel approach offers new avenues to approach physical culture – sport enables him to actualize Derridian critiques in new ways. “To think sport philosophically.”
Instead of a passive and suffering Robinson, Farred sees a man cursed by his call to service, in part complicit in his own objectification, and in one moment exposed through a split second of Fanoninan profanity.  Pienaar’s negation of Mandela’s congratulations (“No, thank you, Mr. President”), returned the divisive history of apartheid into a moment of national unity.  Pienaar’s power in the face of the powerless President, his self-immolation in his moment of greatest triumph, displayed the limits of Mandela’s policy of reconciliation in a nation still riven by economic, political, and social inequity.  Farred “sees” Derrida, or perhaps only his ghostly echo, at the World Cup in South Africa.  Thinking through the spectral allows Farred to not only reframe the pied-noir philosopher as African thinker, but also show the spectrality of the state, and explain the presence of seventeen Frenchmen of Algerian descent on the Algerian team.
The Burden of Over-Representation – as rich in philosophical insights as it is in humor – will be of interest to scholars fascinated by the connection between sports and philosophy, critical theory, race, and colonialism/post-colonialism.
Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France's Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by <a href="https://africana.cornell.edu/grant-farred">Grant Farred</a>, Professor of Africana Studies and English at Cornell University.  Farred is the author of <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qk7VfeEOWbdYoMkaqP9Gqy8AAAFnN7BJXQEAAAFKAb7xcGE/https://www.amazon.com/dp/1439911436/ref=as_at?creativeASIN=1439911436&amp;linkCode=w61&amp;imprToken=Fnu0rpMOPUMbskXUc09paw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Burden of Over-Representation: Race, Sport, and Philosophy</em></a>(Temple University Press, 2018), which explores three sporting ‘events’: an uncharacteristic outburst from Jackie Robinson’s at a spring training game in New Orleans, Francois Pienaar and Nelson Mandela’s celebration after the 1995 Rugby World Cup, and the ethereal presence of Derrida in the stands of the 2010 Soccer World Cup in South Africa.  He concentrates on these three happenings in order to raise questions about (over)representation in sports, the event, reconciliation and conciliation, the curse of service, the interplay between love and suffering, and coloniality and post-coloniality.</p><p>In <em>The Burden of Over-Representation, </em>Farred re-interprets these moments using the work of philosophers such as Martin Heidegger, Friedrich Nietzsche, and most consistently Jacques Derrida.  He also interweaves his analysis with larger discussions of literary theory, <em>Hamlet, </em>Judith Butler, Marx, and the Bible.  His novel approach offers new avenues to approach physical culture – sport enables him to actualize Derridian critiques in new ways. “To think sport philosophically.”</p><p>Instead of a passive and suffering Robinson, Farred sees a man cursed by his call to service, in part complicit in his own objectification, and in one moment exposed through a split second of Fanoninan profanity.  Pienaar’s negation of Mandela’s congratulations (“No, thank you, Mr. President”), returned the divisive history of apartheid into a moment of national unity.  Pienaar’s power in the face of the powerless President, his self-immolation in his moment of greatest triumph, displayed the limits of Mandela’s policy of reconciliation in a nation still riven by economic, political, and social inequity.  Farred “sees” Derrida, or perhaps only his ghostly echo, at the World Cup in South Africa.  Thinking through the spectral allows Farred to not only reframe the pied-noir philosopher as African thinker, but also show the spectrality of the state, and explain the presence of seventeen Frenchmen of Algerian descent on the Algerian team.</p><p><em>The Burden of Over-Representation</em> – as rich in philosophical insights as it is in humor – will be of interest to scholars fascinated by the connection between sports and philosophy, critical theory, race, and colonialism/post-colonialism.</p><p><em>Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France's Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at </em><a href="mailto:keith.rathbone@mq.edu.au"><em>keith.rathbone@mq.edu.au</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3459</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[25fb6a5c-f335-11e8-933d-3737222a5ccd]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7113669720.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Keisha Lindsay, "In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools" (U Illinois Press, 2018)</title>
      <description>According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or "ABMSs." In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally.
Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Nov 2018 14:43:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or "ABMSs." In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally.
Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or "ABMSs." In her new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QmLuLjcEb8mPfHFBJqF2Es8AAAFnNyYQPgEAAAFKAetsV9s/https://www.amazon.com/dp/0252083350/ref=as_at?creativeASIN=0252083350&amp;linkCode=w61&amp;imprToken=TQ7EmR8.uWIerJpLXFOJAw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male</em></a><em> Schools </em>(University of Illinois Press, 2018)<em>, </em><a href="https://polisci.wisc.edu/people/faculty/keisha-lindsay">Keisha Lindsay</a> critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally.</p><p><em>Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter </em><a href="https://twitter.com/culturedmodesty?lang=en"><em>@CulturedModesty</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3237</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[54ee57f2-f31c-11e8-9db8-37d65491e7fe]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2055305524.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeong-Hee Kim, "Understanding Narrative Inquiry: The Crafting and Analysis of Stories as Research" (Sage Publications, 2016)</title>
      <description>In today’s episode, I talked with Dr. Jeong-Hee Kim about her new book, Understanding Narrative Inquiry: The Crafting and Analysis of Stories as Research (Sage Publications, 2016). The book offers a comprehensive overview of the theoretical foundation and practical guidance of narrative inquiry. It embodies narrative thinking by seamlessly weaving together epistemological theories, methodological discussions, and personal stories. Seasoned with Dr. Kim’s unique sense of humor, Understanding Narrative Inquiry is highly accessible and at the same time extremely insightful. A highlight of the interview will be Dr. Kim’s discussion on how to strike a balance between aesthetic play and rigorous social research in narrative studies. It is also helpful to hear her explanation of the various ways researchers can think with theories in crafting their stories. The book has received the 2017 Outstanding Publication Award from the Narrative Research Special Interest Group (SIG) of the American Educational Research Association (AERA).
Jeong-Hee Kim is a Professor of Curriculum Studies at Texas Tech University. Kim is a curriculum theorist, teacher educator, and narrative inquiry methodologist. Her research centers on various epistemological underpinnings of curriculum studies, focusing on phenomenological and hermeneutical ways of understanding the field of curriculum studies and teacher education.
Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Her work employs critical qualitative research methodologies to examine topics such as youth culture, educational reform, and research ethics in both East Asian and American contexts. 

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Nov 2018 14:07:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In today’s episode, I talked with Dr. Jeong-Hee Kim about her new book, Understanding Narrative Inquiry: The Crafting and Analysis of Stories as Research (Sage Publications, 2016). The book offers a comprehensive overview of the theoretical foundation and practical guidance of narrative inquiry. It embodies narrative thinking by seamlessly weaving together epistemological theories, methodological discussions, and personal stories. Seasoned with Dr. Kim’s unique sense of humor, Understanding Narrative Inquiry is highly accessible and at the same time extremely insightful. A highlight of the interview will be Dr. Kim’s discussion on how to strike a balance between aesthetic play and rigorous social research in narrative studies. It is also helpful to hear her explanation of the various ways researchers can think with theories in crafting their stories. The book has received the 2017 Outstanding Publication Award from the Narrative Research Special Interest Group (SIG) of the American Educational Research Association (AERA).
Jeong-Hee Kim is a Professor of Curriculum Studies at Texas Tech University. Kim is a curriculum theorist, teacher educator, and narrative inquiry methodologist. Her research centers on various epistemological underpinnings of curriculum studies, focusing on phenomenological and hermeneutical ways of understanding the field of curriculum studies and teacher education.
Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Her work employs critical qualitative research methodologies to examine topics such as youth culture, educational reform, and research ethics in both East Asian and American contexts. 

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In today’s episode, I talked with Dr. <a href="https://www.depts.ttu.edu/education/our-people/Faculty/jeong_hee_kim.php">Jeong-Hee Kim</a> about her new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QlcTC7A4kOwSG7LSpC5TNAQAAAFnNvUE4gEAAAFKARqrVqs/https://www.amazon.com/dp/1452282781/ref=as_at?creativeASIN=1452282781&amp;linkCode=w61&amp;imprToken=lRAZ3THHlrvGKykW2Vu8qQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Understanding Narrative Inquiry: The Crafting and Analysis of Stories as Research </em></a>(Sage Publications, 2016). The book offers a comprehensive overview of the theoretical foundation and practical guidance of narrative inquiry. It embodies narrative thinking by seamlessly weaving together epistemological theories, methodological discussions, and personal stories. Seasoned with Dr. Kim’s unique sense of humor, <em>Understanding Narrative Inquiry </em>is highly accessible and at the same time extremely insightful. A highlight of the interview will be Dr. Kim’s discussion on how to strike a balance between aesthetic play and rigorous social research in narrative studies. It is also helpful to hear her explanation of the various ways researchers can think with theories in crafting their stories. The book has received the 2017 Outstanding Publication Award from the Narrative Research Special Interest Group (SIG) of the American Educational Research Association (AERA).</p><p>Jeong-Hee Kim is a Professor of Curriculum Studies at Texas Tech University. Kim is a curriculum theorist, teacher educator, and narrative inquiry methodologist. Her research centers on various epistemological underpinnings of curriculum studies, focusing on phenomenological and hermeneutical ways of understanding the field of curriculum studies and teacher education.</p><p><em>Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Her work employs critical qualitative research methodologies to examine topics such as youth culture, educational reform, and research ethics in both East Asian and American contexts. </p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3851</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8517e240-f317-11e8-900e-fbb632726ba0]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3691198280.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julie L. Rose, "Free Time" (Princeton UP, 2018)</title>
      <description>Though early American labor organizers agitated for the eight-hour workday on the grounds that they were entitled to “eight hours for work, eight hours for rest, and eight hours for what we will,” free time as a political good has received little attention from politicians and political philosophers. In her book, Free Time (Princeton University Press, 2018), Julie L. Rose explains that this neglect arises from the mistaken characterization of free time as a matter of personal choice and preference. The book instead argues that not only should we understand free time as a resource that is required for the pursuit of one’s chosen ends and for the exercise of formal liberties and opportunities, but also that it is a resource to which citizens are entitled on the basis of the widely held liberal principles of individual freedom and equality. The claim that the fair distribution of free time is required for justice serves as grounds for the book to interrogate a whole host of policy choices—including maximum work hours provisions, restrictions on over time, universal basic income, income subsidies to caregivers, publicly provided caregiving services and facilities for the elderly, disabled, and children, and workplace accommodations, among others. Though Rose notes that the specific choices societies make about how much free time is required and how exactly to guarantee it will vary, she ultimately argues that the just society must ensure that all citizens have their fair share of free time—time not consumed by meeting the necessities of life, time to devote to their own projects and commitments, whatever those might be.
Emily K. Crandall is a PhD candidate in Political Science at the Graduate Center, CUNY. She is a fellow at the Center for Global Ethics and Politics in the Ralph Bunche Institute for International Studies.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Nov 2018 12:55:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Though early American labor organizers agitated for the eight-hour workday on the grounds that they were entitled to “eight hours for work, eight hours for rest, and eight hours for what we will,” free time as a political good has received little attention from politicians and political philosophers. In her book, Free Time (Princeton University Press, 2018), Julie L. Rose explains that this neglect arises from the mistaken characterization of free time as a matter of personal choice and preference. The book instead argues that not only should we understand free time as a resource that is required for the pursuit of one’s chosen ends and for the exercise of formal liberties and opportunities, but also that it is a resource to which citizens are entitled on the basis of the widely held liberal principles of individual freedom and equality. The claim that the fair distribution of free time is required for justice serves as grounds for the book to interrogate a whole host of policy choices—including maximum work hours provisions, restrictions on over time, universal basic income, income subsidies to caregivers, publicly provided caregiving services and facilities for the elderly, disabled, and children, and workplace accommodations, among others. Though Rose notes that the specific choices societies make about how much free time is required and how exactly to guarantee it will vary, she ultimately argues that the just society must ensure that all citizens have their fair share of free time—time not consumed by meeting the necessities of life, time to devote to their own projects and commitments, whatever those might be.
Emily K. Crandall is a PhD candidate in Political Science at the Graduate Center, CUNY. She is a fellow at the Center for Global Ethics and Politics in the Ralph Bunche Institute for International Studies.

Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Though early American labor organizers agitated for the eight-hour workday on the grounds that they were entitled to “eight hours for work, eight hours for rest, and eight hours for what we will,” free time as a political good has received little attention from politicians and political philosophers. In her book, <a href="https://press.princeton.edu/titles/10889.html"><em>Free Time</em></a> (Princeton University Press, 2018), <a href="https://govt.dartmouth.edu/people/julie-l-rose">Julie L. Rose</a> explains that this neglect arises from the mistaken characterization of free time as a matter of personal choice and preference. The book instead argues that not only should we understand free time as a resource that is required for the pursuit of one’s chosen ends and for the exercise of formal liberties and opportunities, but also that it is a resource to which citizens are entitled on the basis of the widely held liberal principles of individual freedom and equality. The claim that the fair distribution of free time is required for justice serves as grounds for the book to interrogate a whole host of policy choices—including maximum work hours provisions, restrictions on over time, universal basic income, income subsidies to caregivers, publicly provided caregiving services and facilities for the elderly, disabled, and children, and workplace accommodations, among others. Though Rose notes that the specific choices societies make about how much free time is required and how exactly to guarantee it will vary, she ultimately argues that the just society must ensure that all citizens have their fair share of free time—time not consumed by meeting the necessities of life, time to devote to their own projects and commitments, whatever those might be.</p><p><em>Emily K. Crandall is a PhD candidate in Political Science at the Graduate Center, CUNY. She is a fellow at the </em><a href="http://cgep.ws.gc.cuny.edu/"><em>Center for Global Ethics and Politics</em></a><em> in the </em><a href="http://ralphbuncheinstitute.org/"><em>Ralph Bunche Institute for International Studies</em></a><em>.</p><p></em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3447</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Michelle Fine, “Just Research in Contentious Times: Widening the Methodological Imagination” (Teachers College, 2018)</title>
      <description>What can a researcher do to promote social justice? A conventional image of a researcher describes her staying in the ivory tower for most of the time, producing papers filled with academic jargons periodically, and occasionally providing consultations for policymakers. In Just Research in Contentious Times: Widening the Methodological Imagination (Teachers College Press, 2018), renowned critical psychologist Michelle Fine challenges us to imagine social research radically differently. According to Fine, if a researcher’s social justice work was only targeted at top politicians of this era, she probably would feel our era had never been darker. Fine argues that social research can do far more than that: It could create new solidarities across multiple marginalized groups, democratize the knowledge production process, disrupt the reproduction of oppressive social structure, and ultimately, sow the seed of positive social changes.  Just Research in Contentious Times documents Fine’s long-term grounded research efforts at the frontline of the battle for social justice. She and her research team work with dropout students, female prisoners, Muslim youths, LGBTQ teachers, and many other marginalized social groups to bear the witness of their sufferings, probe the inequality of the current system, and raise the public’s consciousness on pressing social issues. By doing that, she champions a research approach which emphasizes the participation of community members as co-researchers, one that she terms as critical participatory action research (CPAR). Just Research in Contentious Times blends her passion for CPAR with highly personal yet profoundly touching self-reflection, rigorous data analysis, and innovative theoretical discussions. It is a compelling and inspiring read for anyone who is interested in social justice work.

Michelle Fine is a distinguished professor of critical social psychology, women’s studies, and urban education at the Graduate Center, the City University of New York. She is the author or editor of more than a dozen books, including Framing Dropouts: Notes on the Politics of an Urban High School (1991), Disruptive Voices: The Possibilities of Feminist Research (1992), Working Method: Research and Social Justice (with Lois Weis, 2004), and Muslim American Youth: Understanding Hyphenated Identities through Multiple Methods (with Selcuk Sirin, 2008).



Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are youth culture, identity formation, qualitative research methods, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Nov 2018 11:00:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What can a researcher do to promote social justice? A conventional image of a researcher describes her staying in the ivory tower for most of the time, producing papers filled with academic jargons periodically,</itunes:subtitle>
      <itunes:summary>What can a researcher do to promote social justice? A conventional image of a researcher describes her staying in the ivory tower for most of the time, producing papers filled with academic jargons periodically, and occasionally providing consultations for policymakers. In Just Research in Contentious Times: Widening the Methodological Imagination (Teachers College Press, 2018), renowned critical psychologist Michelle Fine challenges us to imagine social research radically differently. According to Fine, if a researcher’s social justice work was only targeted at top politicians of this era, she probably would feel our era had never been darker. Fine argues that social research can do far more than that: It could create new solidarities across multiple marginalized groups, democratize the knowledge production process, disrupt the reproduction of oppressive social structure, and ultimately, sow the seed of positive social changes.  Just Research in Contentious Times documents Fine’s long-term grounded research efforts at the frontline of the battle for social justice. She and her research team work with dropout students, female prisoners, Muslim youths, LGBTQ teachers, and many other marginalized social groups to bear the witness of their sufferings, probe the inequality of the current system, and raise the public’s consciousness on pressing social issues. By doing that, she champions a research approach which emphasizes the participation of community members as co-researchers, one that she terms as critical participatory action research (CPAR). Just Research in Contentious Times blends her passion for CPAR with highly personal yet profoundly touching self-reflection, rigorous data analysis, and innovative theoretical discussions. It is a compelling and inspiring read for anyone who is interested in social justice work.

Michelle Fine is a distinguished professor of critical social psychology, women’s studies, and urban education at the Graduate Center, the City University of New York. She is the author or editor of more than a dozen books, including Framing Dropouts: Notes on the Politics of an Urban High School (1991), Disruptive Voices: The Possibilities of Feminist Research (1992), Working Method: Research and Social Justice (with Lois Weis, 2004), and Muslim American Youth: Understanding Hyphenated Identities through Multiple Methods (with Selcuk Sirin, 2008).



Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are youth culture, identity formation, qualitative research methods, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can a researcher do to promote social justice? A conventional image of a researcher describes her staying in the ivory tower for most of the time, producing papers filled with academic jargons periodically, and occasionally providing consultations for policymakers. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QuReNWyb_kkYtOPjU7EPtCwAAAFnF74WCwEAAAFKAXVfFO4/https://www.amazon.com/dp/0807758736/ref=as_at?creativeASIN=0807758736&amp;linkCode=w61&amp;imprToken=.6l9vmE5Rvxr81qeSP8vqw&amp;slotNum=0&amp;tag=newbooinhis-20">Just Research in Contentious Times: Widening the Methodological Imagination</a> (Teachers College Press, 2018), renowned critical psychologist <a href="https://www.gc.cuny.edu/Faculty/Core-Bios/Michelle-Fine">Michelle Fine</a> challenges us to imagine social research radically differently. According to Fine, if a researcher’s social justice work was only targeted at top politicians of this era, she probably would feel our era had never been darker. Fine argues that social research can do far more than that: It could create new solidarities across multiple marginalized groups, democratize the knowledge production process, disrupt the reproduction of oppressive social structure, and ultimately, sow the seed of positive social changes.  Just Research in Contentious Times documents Fine’s long-term grounded research efforts at the frontline of the battle for social justice. She and her research team work with dropout students, female prisoners, Muslim youths, LGBTQ teachers, and many other marginalized social groups to bear the witness of their sufferings, probe the inequality of the current system, and raise the public’s consciousness on pressing social issues. By doing that, she champions a research approach which emphasizes the participation of community members as co-researchers, one that she terms as critical participatory action research (CPAR). Just Research in Contentious Times blends her passion for CPAR with highly personal yet profoundly touching self-reflection, rigorous data analysis, and innovative theoretical discussions. It is a compelling and inspiring read for anyone who is interested in social justice work.</p><p>
Michelle Fine is a distinguished professor of critical social psychology, women’s studies, and urban education at the Graduate Center, the City University of New York. She is the author or editor of more than a dozen books, including Framing Dropouts: Notes on the Politics of an Urban High School (1991), Disruptive Voices: The Possibilities of Feminist Research (1992), Working Method: Research and Social Justice (with Lois Weis, 2004), and Muslim American Youth: Understanding Hyphenated Identities through Multiple Methods (with Selcuk Sirin, 2008).</p><p>
</p><p>
Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are youth culture, identity formation, qualitative research methods, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4804</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79472]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8625188364.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Chris Horrocks, “The Joy of Sets: A Short History of the Television” (Reaktion Press, 2017)</title>
      <description>Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. Chris Horrocks traces the cultural history of the television set in The Joy of Sets: A Short History of the Television (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000).
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      <pubDate>Thu, 08 Nov 2018 11:00:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present tha...</itunes:subtitle>
      <itunes:summary>Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. Chris Horrocks traces the cultural history of the television set in The Joy of Sets: A Short History of the Television (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. <a href="https://www.kingston.ac.uk/staff/profile/dr-chris-horrocks-570/">Chris Horrocks</a> traces the cultural history of the television set in <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qpx4i-eFUp-Epzj2cBjJVQkAAAFm6W3vGwEAAAFKAeWo6As/https://www.amazon.com/dp/1780237588/ref=as_at?creativeASIN=1780237588&amp;linkCode=w61&amp;imprToken=E40VVgSRcK0FWqx2S4xNzg&amp;slotNum=0&amp;tag=newbooinhis-20">The Joy of Sets: A Short History of the Television</a> (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79200]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8437110651.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Raymond Boyle, “The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways” (Palgrave, 2018)</title>
      <description>What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Nov 2018 11:00:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cul...</itunes:subtitle>
      <itunes:summary>What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the hidden structures of the television industry? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Quqg786baBUi_trDR9i5GrsAAAFm4GICMgEAAAFKAcydosc/https://www.amazon.com/dp/3319943782/ref=as_at?creativeASIN=3319943782&amp;linkCode=w61&amp;imprToken=gBpHNd-Yn4-mutOwpvZGeg&amp;slotNum=0&amp;tag=newbooinhis-20">The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways </a>(Palgrave, 2018), <a href="https://twitter.com/raymondboyle67">Raymond Boyle</a>, <a href="https://www.gla.ac.uk/schools/cca/staff/raymondboyle/#/researchinterests">a professor of communications at the University of Glasgow</a>‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2426</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79120]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8073003718.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Claudia Sadowski-Smith, “The New Immigrant Whiteness: Race, Neoliberalism, and Post-Soviet Migration to the United States” (NYU Press, 2018)</title>
      <description>From Dancing with the Stars to the high-profile airport abandonment of seven-year-old Artyom Savelyev by his American adoptive parents in April 2010, popular representations of post-Soviet immigrants in America span the gamut of romantic anti-Communist origin stories to horror stories of transnational adoption of children from Russia. In her latest book, The New Immigrant Whiteness: Race, Neoliberalism, and Post-Soviet Migration to the United States (New York University Press, 2018), Claudia Sadowski-Smith analyzes a plethora of sources from reality tv shows to memoirs and interviews to examine how post-Soviet migrants represent idealized examples of immigrant assimilation and upward mobility in the United States. Sadowski-Smith’s work adds critical analysis to both public and academic American immigration discourses. She evaluates how these migrants have access to a white racial identity often denied to Latino/a and Asian immigrants, how modes of migration impact post-Soviet migrants access to upward mobility, and how these migrants understand anti-immigration legislation aimed at migrants of color. Overall, she examines post-Soviet migrants in the contemporary context of the racialization of immigrants in the United States.



Kimberly St. Julian-Varnon is a History Instructor at Lee College.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 30 Oct 2018 10:00:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>From Dancing with the Stars to the high-profile airport abandonment of seven-year-old Artyom Savelyev by his American adoptive parents in April 2010, popular representations of post-Soviet immigrants in America span the gamut of romantic anti-Communist...</itunes:subtitle>
      <itunes:summary>From Dancing with the Stars to the high-profile airport abandonment of seven-year-old Artyom Savelyev by his American adoptive parents in April 2010, popular representations of post-Soviet immigrants in America span the gamut of romantic anti-Communist origin stories to horror stories of transnational adoption of children from Russia. In her latest book, The New Immigrant Whiteness: Race, Neoliberalism, and Post-Soviet Migration to the United States (New York University Press, 2018), Claudia Sadowski-Smith analyzes a plethora of sources from reality tv shows to memoirs and interviews to examine how post-Soviet migrants represent idealized examples of immigrant assimilation and upward mobility in the United States. Sadowski-Smith’s work adds critical analysis to both public and academic American immigration discourses. She evaluates how these migrants have access to a white racial identity often denied to Latino/a and Asian immigrants, how modes of migration impact post-Soviet migrants access to upward mobility, and how these migrants understand anti-immigration legislation aimed at migrants of color. Overall, she examines post-Soviet migrants in the contemporary context of the racialization of immigrants in the United States.



Kimberly St. Julian-Varnon is a History Instructor at Lee College.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Dancing with the Stars to the high-profile airport abandonment of seven-year-old Artyom Savelyev by his American adoptive parents in April 2010, popular representations of post-Soviet immigrants in America span the gamut of romantic anti-Communist origin stories to horror stories of transnational adoption of children from Russia. In her latest book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QkUW6PRdEOz61khKnCRjcEwAAAFmtt2OJAEAAAFKAYAxsMQ/https://www.amazon.com/dp/1479806714/ref=as_at?creativeASIN=1479806714&amp;linkCode=w61&amp;imprToken=0BjguueFrJvK5EI8k0GaMg&amp;slotNum=0&amp;tag=newbooinhis-20">The New Immigrant Whiteness: Race, Neoliberalism, and Post-Soviet Migration to the United States</a> (New York University Press, 2018), <a href="https://english.clas.asu.edu/content/claudia-sadowski-smith">Claudia Sadowski-Smith</a> analyzes a plethora of sources from reality tv shows to memoirs and interviews to examine how post-Soviet migrants represent idealized examples of immigrant assimilation and upward mobility in the United States. Sadowski-Smith’s work adds critical analysis to both public and academic American immigration discourses. She evaluates how these migrants have access to a white racial identity often denied to Latino/a and Asian immigrants, how modes of migration impact post-Soviet migrants access to upward mobility, and how these migrants understand anti-immigration legislation aimed at migrants of color. Overall, she examines post-Soviet migrants in the contemporary context of the racialization of immigrants in the United States.</p><p>
</p><p>
<a href="http://kstjulian7.wixsite.com/ksvarnon">Kimberly St. Julian-Varnon</a> is a History Instructor at Lee College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3193</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78967]]></guid>
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    <item>
      <title>Melissa Terras, “Picture-Book Professors: Academia and Children’s Literature” (Cambridge UP, 2018)</title>
      <description>How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too!
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 23 Oct 2018 10:00:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh,</itunes:subtitle>
      <itunes:summary>How have academics been represented in children’s books? In Picture-Book Professors: Academia and Children’s Literature (Cambridge University Press, 2018), Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How have academics been represented in children’s books? In<a href="https://aax-us-east.amazon-adsystem.com/x/c/Qq1VpFtZzUquPNLgeTf2m0gAAAFml6W-WgEAAAFKARPGmSM/https://www.amazon.com/dp/1108438458/ref=as_at?creativeASIN=1108438458&amp;linkCode=w61&amp;imprToken=ep9.SlqPECgTYx4iyfbQgw&amp;slotNum=0&amp;tag=newbooinhis-20"> Picture-Book Professors: Academia and Children’s Literature </a>(Cambridge University Press, 2018), <a href="https://twitter.com/melissaterras">Melissa Terras</a>, <a href="https://www.ed.ac.uk/profile/professor-melissa-terras">Professor of Digital Cultural Heritage at the University of Edinburgh</a>, tells the story of the professor in children’s books since 1850. The book details the history of highly problematic depictions of academics, usually as kindly old men, baffled buffoons, or evil madmen, depictions that exclude those who are not white, often middle class origin, men. Terras’ work is a great example for digital humanities scholarship, offering a powerful case for new methods to answer crucial questions of equality and diversity for humanities scholars and across universities more generally. Alongside the analysis, Terras has published an anthology, The Professor in Children’s Literature, including some of the works discussed in the book. Both Picture-Book Professors and the accompanying anthology are open access and free to read, and will be of interest to every academic as well as the wider public too!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78769]]></guid>
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    <item>
      <title>Jennifer Yusin, “The Future Life of Trauma: Partitions, Borders, Repetition” (Fordham UP, 2017)</title>
      <description>How does postcolonial theory and the work of Freud help us understand trauma? In The Future Life of Trauma: Partitions, Borders, Repetition (Fordham University Press, 2017), Dr. Jennifer Yusin, Associate Professor of English and Philosophy at Drexel University, explores both of these approaches for thinking trauma in the the context of a range of historical examples. The book offers a detailed engagement with a host of theorists and theoretical positions from Freud and the theory of psychoanalysis, through postcolonial theories of trauma, to Derrida’s political ideas. The extensive discussion of theory is placed in the context of Rwanda, the memorialisation of genocide, and the partition of India and Pakistan. In the current political context the book offers urgent insights into trauma, and will be of interest across the humanities.

More information about the Kigali Genocide Memorial is available here along with the organization that supports widows of the genocide.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Oct 2018 10:00:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does postcolonial theory and the work of Freud help us understand trauma? In The Future Life of Trauma: Partitions, Borders, Repetition (Fordham University Press, 2017), Dr. Jennifer Yusin, Associate Professor of English and Philosophy at Drexel Un...</itunes:subtitle>
      <itunes:summary>How does postcolonial theory and the work of Freud help us understand trauma? In The Future Life of Trauma: Partitions, Borders, Repetition (Fordham University Press, 2017), Dr. Jennifer Yusin, Associate Professor of English and Philosophy at Drexel University, explores both of these approaches for thinking trauma in the the context of a range of historical examples. The book offers a detailed engagement with a host of theorists and theoretical positions from Freud and the theory of psychoanalysis, through postcolonial theories of trauma, to Derrida’s political ideas. The extensive discussion of theory is placed in the context of Rwanda, the memorialisation of genocide, and the partition of India and Pakistan. In the current political context the book offers urgent insights into trauma, and will be of interest across the humanities.

More information about the Kigali Genocide Memorial is available here along with the organization that supports widows of the genocide.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does postcolonial theory and the work of Freud help us understand trauma? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qp0AnGOtIBEgZV1D2eLt9CsAAAFmU6MJAAEAAAFKAfBiZKM/https://www.amazon.com/dp/0823275450/ref=as_at?creativeASIN=0823275450&amp;linkCode=w61&amp;imprToken=5tVXaTu8N4u7NrOWR8JJ7w&amp;slotNum=0&amp;tag=newbooinhis-20">The Future Life of Trauma: Partitions, Borders, Repetition</a> (Fordham University Press, 2017), Dr. <a href="https://drexel.edu/coas/faculty-research/faculty-directory/yusin-jennifer/">Jennifer Yusin</a>, Associate Professor of English and Philosophy at Drexel University, explores both of these approaches for thinking trauma in the the context of a range of historical examples. The book offers a detailed engagement with a host of theorists and theoretical positions from Freud and the theory of psychoanalysis, through postcolonial theories of trauma, to Derrida’s political ideas. The extensive discussion of theory is placed in the context of Rwanda, the memorialisation of genocide, and the partition of India and Pakistan. In the current political context the book offers urgent insights into trauma, and will be of interest across the humanities.</p><p>
More information about the Kigali Genocide Memorial is available <a href="http://www.kgm.rw">here</a> along with the <a href="http://avega.org.rw">organization that supports widows</a> of the genocide.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2039</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78520]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8109632859.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tim Jelfs, “The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism” (West Virginia UP, 2018)</title>
      <description>In The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value, and its status as either “goods” or “garbage”—have been at the heart of American cultural discourse for centuries, and reached a particularly fevered pitch in the 1980s. Bookended by Jimmy Carter’s “Crisis of Confidence” speech in 1979 and George H. W. Bush’s 1989 inaugural address, both of which lamented the apparent spiritual failings of materialism while at the same time avoiding a full condemnation of the same, Jelfs frames the 1980s as the “Age of Neoliberalism.” This period saw the resurgence of market-based responses to a series of crises, including oil price shocks and inflation. In this context, Jelfs examines texts as wide-ranging as political speeches, films, photography and other visual arts, and novels, using them to explore the particular nuances of American cultural discourse about stuff.

Tim Jelfs is Assistant Professor in American Studies at the University of Groningen. His research focuses on interdisciplinary studies of literature, film, art, and more, with particular interest in discussions of materialism in post-1945 American culture. In addition to his current book on “Goods and Garbage,” his next project examines conversations about crisis and narrative culture in the United States from 9/11 to Donald Trump.



David Fouser is an adjunct faculty member at Santa Monica College, Chapman University, and American Jewish University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Oct 2018 10:00:03 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value,</itunes:subtitle>
      <itunes:summary>In The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value, and its status as either “goods” or “garbage”—have been at the heart of American cultural discourse for centuries, and reached a particularly fevered pitch in the 1980s. Bookended by Jimmy Carter’s “Crisis of Confidence” speech in 1979 and George H. W. Bush’s 1989 inaugural address, both of which lamented the apparent spiritual failings of materialism while at the same time avoiding a full condemnation of the same, Jelfs frames the 1980s as the “Age of Neoliberalism.” This period saw the resurgence of market-based responses to a series of crises, including oil price shocks and inflation. In this context, Jelfs examines texts as wide-ranging as political speeches, films, photography and other visual arts, and novels, using them to explore the particular nuances of American cultural discourse about stuff.

Tim Jelfs is Assistant Professor in American Studies at the University of Groningen. His research focuses on interdisciplinary studies of literature, film, art, and more, with particular interest in discussions of materialism in post-1945 American culture. In addition to his current book on “Goods and Garbage,” his next project examines conversations about crisis and narrative culture in the United States from 9/11 to Donald Trump.



David Fouser is an adjunct faculty member at Santa Monica College, Chapman University, and American Jewish University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qgg2dQhuCo10qiLI03CpP04AAAFmYxovBQEAAAFKAUUdchE/https://www.amazon.com/dp/1946684244/ref=as_at?creativeASIN=1946684244&amp;linkCode=w61&amp;imprToken=qcSbXJPtk3IwXigb20yNUQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Argument about Things in the 1980s: Goods and Garbage in an Age of Neoliberalism</a> (West Virginia University Press, 2018), Tim Jelfs argues that debates about the nature of stuff—its moral valence, its spiritual value, and its status as either “goods” or “garbage”—have been at the heart of American cultural discourse for centuries, and reached a particularly fevered pitch in the 1980s. Bookended by Jimmy Carter’s “Crisis of Confidence” speech in 1979 and George H. W. Bush’s 1989 inaugural address, both of which lamented the apparent spiritual failings of materialism while at the same time avoiding a full condemnation of the same, Jelfs frames the 1980s as the “Age of Neoliberalism.” This period saw the resurgence of market-based responses to a series of crises, including oil price shocks and inflation. In this context, Jelfs examines texts as wide-ranging as political speeches, films, photography and other visual arts, and novels, using them to explore the particular nuances of American cultural discourse about stuff.</p><p>
<a href="https://www.rug.nl/staff/t.jelfs/">Tim Jelfs</a> is Assistant Professor in American Studies at the University of Groningen. His research focuses on interdisciplinary studies of literature, film, art, and more, with particular interest in discussions of materialism in post-1945 American culture. In addition to his current book on “Goods and Garbage,” his next project examines conversations about crisis and narrative culture in the United States from 9/11 to Donald Trump.</p><p>
</p><p>
David Fouser is an adjunct faculty member at Santa Monica College, Chapman University, and American Jewish University. He completed his Ph.D. in 2016 at the University of California, Irvine, and studies the cultural and environmental history of wheat, flour, and bread in Britain and the British empire.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3844</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78629]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5387811238.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Richard Baxstrom and Todd Meyers, “Violence’s Fabled Experiment” (August Verlag, 2018)</title>
      <description>Richard Baxstrom and Todd Meyers are anthropologists who have an interest in studying film for its value in a way to view the world. In Violence’s Fabled Experiment (August Verlag, 2018), they examine three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. Each artist is known for interesting, but controversial films that feature violence in different ways. In the book, Richard and Todd both critique and praise the importance of each and their methods and subjects.

Richard and Todd are co-authors of the book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible. I interviewed them previously for this book in 2017.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 Oct 2018 10:00:17 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Richard Baxstrom and Todd Meyers are anthropologists who have an interest in studying film for its value in a way to view the world. In Violence’s Fabled Experiment (August Verlag, 2018), they examine three filmmakers: Werner Herzog,</itunes:subtitle>
      <itunes:summary>Richard Baxstrom and Todd Meyers are anthropologists who have an interest in studying film for its value in a way to view the world. In Violence’s Fabled Experiment (August Verlag, 2018), they examine three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. Each artist is known for interesting, but controversial films that feature violence in different ways. In the book, Richard and Todd both critique and praise the importance of each and their methods and subjects.

Richard and Todd are co-authors of the book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible. I interviewed them previously for this book in 2017.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.sps.ed.ac.uk/staff/social_anthropology/baxstrom_richard">Richard Baxstrom</a> and <a href="https://shanghai.nyu.edu/academics/faculty/directory/todd-meyers">Todd Meyers</a> are anthropologists who have an interest in studying film for its value in a way to view the world. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qhn75r39EJCc7ecDrwoBX0sAAAFmOeIkEQEAAAFKAQz8cHU/https://www.amazon.com/dp/3941360574/ref=as_at?creativeASIN=3941360574&amp;linkCode=w61&amp;imprToken=kXDHhSWHB.f8Y9dliU7WHg&amp;slotNum=0&amp;tag=newbooinhis-20">Violence’s Fabled Experiment</a> (August Verlag, 2018), they examine three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. Each artist is known for interesting, but controversial films that feature violence in different ways. In the book, Richard and Todd both critique and praise the importance of each and their methods and subjects.</p><p>
Richard and Todd are co-authors of the book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible. I <a href="https://newbooksnetwork.com/richard-baxstrom-and-todd-meyers-realizing-the-witch-science-cinema-and-the-mastery-of-the-invisible-fordham-up-2015/">interviewed them previously</a> for this book in 2017.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78389]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4734304279.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacqueline Rose ,”Mothers: An Essay on Love and Cruelty” (Farrar, Straus and Giroux, 2018)</title>
      <description>I left the kitchen radio on while reading Jacqueline Rose‘s Mothers: An Essay on Love and Cruelty (Farrar, Straus and Giroux, 2018) in preparation for this interview. It was June. Putting the book down for a minute to get a glass of water, I heard a news report that the children of refugee women were being removed from them at the American border.

Rose is nothing if not prescient in her thinking and in this book, perhaps especially so. While most of us learn what we think “alla nachträghlichkeit” (after the fact), her mind has the capacity to trip the light fantastic. I follow her writing to discover what I won’t let myself know. Perhaps she has more access than most to the realm of the preconscious. It seems to be the case.

This wide-ranging book (Rose is an exemplary literary critic and feminist theorist so she pulls from multiple intellectual arenas) is largely about motherhood and its enemies. She examines “mother” as a signifier demonstrating how it functions as a repository for blame and misogynist aggression. The book’s twilight message and hot tip for women on the religious right: beware veneration of the maternal for behind it often lies something quite venal.

Mothers, Rose argues, cannot win for losing and yet remain fantastically vested with delivering the impossible: never ending happiness and total safety. “A simple argument,” she writes, “guides this book: that motherhood is, in Western discourse, the place in our culture where we … bury the reality of our own conflicts, of what it means to be fully human.” To be fully human involves being in need of help, failing frequently and feeling unwieldy hate. (Her chapter on hating and the negation of mothers’ hateful feelings and the social impact of that negation is worth the price of the book alone.)

I have the urge to offer an example from the social realm to make clear what Rose is getting at throughout this text—if only because I found myself fogging over at times while reading. My hazy response I believe relates to my resistance to the topic. Hearkening back to Adrienne Rich’s Of Woman Born (another powerful book that caused me to often drift), Rose dares to look at motherhood as an institution, denaturalizing it to the core.

The example that comes to mind comes from Kristin Luker’s incredible Dubious Conceptions, which debunked the ever-popular idea (see the Clinton Administration, circa 1996 that eviscerated the social safety net) that teen pregnancy creates poverty. The truth, Luker argues, is closer to the reverse: teen poverty may generate teen pregnancy, as poverty can foreclose roads to adulthood, leaving motherhood as a last resort. Poor teen girls who don’t carry to term and poor teen girls who become mothers occupy the same economic strata ten years on. It’s not the pregnancy that hurts their life chances but rather that economic policies are culpable. And yet, teenage mothers, scapegoats really, have long served to hide planned economic inequality; the truth, as it were, is buried in young female flesh.

As our ugly summer wore on, I re-read this book, further preparing for the interview, in addition to spending time in the consulting room, doing what I do: listening to patients elaborate upon themselves. To state the obvious, the psychoanalyst makes her living being inundated with a plethora of words about mothers. To state the further obvious, as temps skyrocketed, Freud’s maxim regarding the repudiation of femininity as bedrock was being powerfully reinforced in America. July and August offered daily opportunities to witness...
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 10 Oct 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>I left the kitchen radio on while reading Jacqueline Rose‘s Mothers: An Essay on Love and Cruelty (Farrar, Straus and Giroux, 2018) in preparation for this interview. It was June. Putting the book down for a minute to get a glass of water,</itunes:subtitle>
      <itunes:summary>I left the kitchen radio on while reading Jacqueline Rose‘s Mothers: An Essay on Love and Cruelty (Farrar, Straus and Giroux, 2018) in preparation for this interview. It was June. Putting the book down for a minute to get a glass of water, I heard a news report that the children of refugee women were being removed from them at the American border.

Rose is nothing if not prescient in her thinking and in this book, perhaps especially so. While most of us learn what we think “alla nachträghlichkeit” (after the fact), her mind has the capacity to trip the light fantastic. I follow her writing to discover what I won’t let myself know. Perhaps she has more access than most to the realm of the preconscious. It seems to be the case.

This wide-ranging book (Rose is an exemplary literary critic and feminist theorist so she pulls from multiple intellectual arenas) is largely about motherhood and its enemies. She examines “mother” as a signifier demonstrating how it functions as a repository for blame and misogynist aggression. The book’s twilight message and hot tip for women on the religious right: beware veneration of the maternal for behind it often lies something quite venal.

Mothers, Rose argues, cannot win for losing and yet remain fantastically vested with delivering the impossible: never ending happiness and total safety. “A simple argument,” she writes, “guides this book: that motherhood is, in Western discourse, the place in our culture where we … bury the reality of our own conflicts, of what it means to be fully human.” To be fully human involves being in need of help, failing frequently and feeling unwieldy hate. (Her chapter on hating and the negation of mothers’ hateful feelings and the social impact of that negation is worth the price of the book alone.)

I have the urge to offer an example from the social realm to make clear what Rose is getting at throughout this text—if only because I found myself fogging over at times while reading. My hazy response I believe relates to my resistance to the topic. Hearkening back to Adrienne Rich’s Of Woman Born (another powerful book that caused me to often drift), Rose dares to look at motherhood as an institution, denaturalizing it to the core.

The example that comes to mind comes from Kristin Luker’s incredible Dubious Conceptions, which debunked the ever-popular idea (see the Clinton Administration, circa 1996 that eviscerated the social safety net) that teen pregnancy creates poverty. The truth, Luker argues, is closer to the reverse: teen poverty may generate teen pregnancy, as poverty can foreclose roads to adulthood, leaving motherhood as a last resort. Poor teen girls who don’t carry to term and poor teen girls who become mothers occupy the same economic strata ten years on. It’s not the pregnancy that hurts their life chances but rather that economic policies are culpable. And yet, teenage mothers, scapegoats really, have long served to hide planned economic inequality; the truth, as it were, is buried in young female flesh.

As our ugly summer wore on, I re-read this book, further preparing for the interview, in addition to spending time in the consulting room, doing what I do: listening to patients elaborate upon themselves. To state the obvious, the psychoanalyst makes her living being inundated with a plethora of words about mothers. To state the further obvious, as temps skyrocketed, Freud’s maxim regarding the repudiation of femininity as bedrock was being powerfully reinforced in America. July and August offered daily opportunities to witness...
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I left the kitchen radio on while reading <a href="https://en.wikipedia.org/wiki/Jacqueline_Rose">Jacqueline Rose</a>‘s <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhU0F7COQWWCGyGAoMxWeKAAAAFmSadZCQEAAAFKAQPa1gM/https://www.amazon.com/dp/0374213798/ref=as_at?creativeASIN=0374213798&amp;linkCode=w61&amp;imprToken=f1-RorMX1eOD1khU-j7qJw&amp;slotNum=0&amp;tag=newbooinhis-20">Mothers: An Essay on Love and Cruelty</a> (Farrar, Straus and Giroux, 2018) in preparation for this interview. It was June. Putting the book down for a minute to get a glass of water, I heard a news report that the children of refugee women were being removed from them at the American border.</p><p>
Rose is nothing if not prescient in her thinking and in this book, perhaps especially so. While most of us learn what we think “alla nachträghlichkeit” (after the fact), her mind has the capacity to trip the light fantastic. I follow her writing to discover what I won’t let myself know. Perhaps she has more access than most to the realm of the preconscious. It seems to be the case.</p><p>
This wide-ranging book (Rose is an exemplary literary critic and feminist theorist so she pulls from multiple intellectual arenas) is largely about motherhood and its enemies. She examines “mother” as a signifier demonstrating how it functions as a repository for blame and misogynist aggression. The book’s twilight message and hot tip for women on the religious right: beware veneration of the maternal for behind it often lies something quite venal.</p><p>
Mothers, Rose argues, cannot win for losing and yet remain fantastically vested with delivering the impossible: never ending happiness and total safety. “A simple argument,” she writes, “guides this book: that motherhood is, in Western discourse, the place in our culture where we … bury the reality of our own conflicts, of what it means to be fully human.” To be fully human involves being in need of help, failing frequently and feeling unwieldy hate. (Her chapter on hating and the negation of mothers’ hateful feelings and the social impact of that negation is worth the price of the book alone.)</p><p>
I have the urge to offer an example from the social realm to make clear what Rose is getting at throughout this text—if only because I found myself fogging over at times while reading. My hazy response I believe relates to my resistance to the topic. Hearkening back to Adrienne Rich’s Of Woman Born (another powerful book that caused me to often drift), Rose dares to look at motherhood as an institution, denaturalizing it to the core.</p><p>
The example that comes to mind comes from Kristin Luker’s incredible Dubious Conceptions, which debunked the ever-popular idea (see the Clinton Administration, circa 1996 that eviscerated the social safety net) that teen pregnancy creates poverty. The truth, Luker argues, is closer to the reverse: teen poverty may generate teen pregnancy, as poverty can foreclose roads to adulthood, leaving motherhood as a last resort. Poor teen girls who don’t carry to term and poor teen girls who become mothers occupy the same economic strata ten years on. It’s not the pregnancy that hurts their life chances but rather that economic policies are culpable. And yet, teenage mothers, scapegoats really, have long served to hide planned economic inequality; the truth, as it were, is buried in young female flesh.</p><p>
As our ugly summer wore on, I re-read this book, further preparing for the interview, in addition to spending time in the consulting room, doing what I do: listening to patients elaborate upon themselves. To state the obvious, the psychoanalyst makes her living being inundated with a plethora of words about mothers. To state the further obvious, as temps skyrocketed, Freud’s maxim regarding the repudiation of femininity as bedrock was being powerfully reinforced in America. July and August offered daily opportunities to witness...</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78481]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2479821871.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joel R. Pruce, “The Mass Appeal of Human Rights” (Palgrave Macmillan, 2019)</title>
      <description>How can human rights campaigns function in consumer and celebrity society? In The Mass Appeal of Human Rights (Palgrave Macmillan, 2019), Joel Pruce, assistant professor in political science at the University of Dayton, explores this question through the framework of the Frankfurt School’s critical theory. Rich with examples and detailed histories of the evolution of both human rights campaigns and celebrity and consumerist practices, the book challenges us to rethink contemporary political movements. Including critical discussions of Amnesty International, Save Darfur, Paris Hilton, Pussy Riot, and Live8, the book is essential reading for anyone concerned with how to change the world for the better, rather than just for the benefit of celebrity and consumer capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Oct 2018 10:00:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can human rights campaigns function in consumer and celebrity society? In The Mass Appeal of Human Rights (Palgrave Macmillan, 2019), Joel Pruce, assistant professor in political science at the University of Dayton,</itunes:subtitle>
      <itunes:summary>How can human rights campaigns function in consumer and celebrity society? In The Mass Appeal of Human Rights (Palgrave Macmillan, 2019), Joel Pruce, assistant professor in political science at the University of Dayton, explores this question through the framework of the Frankfurt School’s critical theory. Rich with examples and detailed histories of the evolution of both human rights campaigns and celebrity and consumerist practices, the book challenges us to rethink contemporary political movements. Including critical discussions of Amnesty International, Save Darfur, Paris Hilton, Pussy Riot, and Live8, the book is essential reading for anyone concerned with how to change the world for the better, rather than just for the benefit of celebrity and consumer capitalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can human rights campaigns function in consumer and celebrity society? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QiLSRYBnWyJ6yCaic9p8g64AAAFmIHk19wEAAAFKAehDv1Q/https://www.amazon.com/dp/331992074X/ref=as_at?creativeASIN=331992074X&amp;linkCode=w61&amp;imprToken=2Zkl3McLYGf-3JDzUXN6Gw&amp;slotNum=0&amp;tag=newbooinhis-20">The Mass Appeal of Human Rights</a> (Palgrave Macmillan, 2019), <a href="https://udayton.edu/directory/artssciences/politicalscience/pruce_joel.php">Joel Pruce</a>, assistant professor in political science at the University of Dayton, explores this question through the framework of the Frankfurt School’s critical theory. Rich with examples and detailed histories of the evolution of both human rights campaigns and celebrity and consumerist practices, the book challenges us to rethink contemporary political movements. Including critical discussions of Amnesty International, Save Darfur, Paris Hilton, Pussy Riot, and Live8, the book is essential reading for anyone concerned with how to change the world for the better, rather than just for the benefit of celebrity and consumer capitalism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78252]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1232974649.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Irfan Ahmad, “Religion as Critique: Islamic Critical Thinking from Mecca to the Marketplace” (UNC Press, 2017)</title>
      <description>In the last few decades, questions relating to Islam’s compatibility with liberal secular democracy, or the question of why Islam remains incompatible with Western liberal norms of thought and politics have generated considerable commentary in both scholarly and journalistic communities. Among the central assumptions driving such compatibility talk relates to Islam’s allegedly inherent incapacity for critique, a virtue often heralded as a signature achievement and characteristic of liberal secularism. Irfan Ahmad’s Religion as Critique: Islamic Critical Thinking from Mecca to the Marketplace (University of North Carolina Press, 2017) represents a devastating indictment of this dominant liberal assumption that Islam is inimical to critique. Turning this assumption on its head, Ahmad combines historical, textual, and ethnographic methods to argue that critique is and has always been central to Muslim intellectual thought and lived practice. The distinctive feature of this book is the way it fluctuates the camera of analysis between a genealogy of Western liberal discourses of critique as a way to puncture their universality and inevitability, while bringing into view alternate logics and imaginaries of critique in Muslim thought and practice, past and present. Eminently readable, this book will be widely discussed and debated in multiple fields, including Religious Studies and Islamic Studies.



SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Oct 2018 10:00:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the last few decades, questions relating to Islam’s compatibility with liberal secular democracy, or the question of why Islam remains incompatible with Western liberal norms of thought and politics have generated considerable commentary in both sch...</itunes:subtitle>
      <itunes:summary>In the last few decades, questions relating to Islam’s compatibility with liberal secular democracy, or the question of why Islam remains incompatible with Western liberal norms of thought and politics have generated considerable commentary in both scholarly and journalistic communities. Among the central assumptions driving such compatibility talk relates to Islam’s allegedly inherent incapacity for critique, a virtue often heralded as a signature achievement and characteristic of liberal secularism. Irfan Ahmad’s Religion as Critique: Islamic Critical Thinking from Mecca to the Marketplace (University of North Carolina Press, 2017) represents a devastating indictment of this dominant liberal assumption that Islam is inimical to critique. Turning this assumption on its head, Ahmad combines historical, textual, and ethnographic methods to argue that critique is and has always been central to Muslim intellectual thought and lived practice. The distinctive feature of this book is the way it fluctuates the camera of analysis between a genealogy of Western liberal discourses of critique as a way to puncture their universality and inevitability, while bringing into view alternate logics and imaginaries of critique in Muslim thought and practice, past and present. Eminently readable, this book will be widely discussed and debated in multiple fields, including Religious Studies and Islamic Studies.



SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the last few decades, questions relating to Islam’s compatibility with liberal secular democracy, or the question of why Islam remains incompatible with Western liberal norms of thought and politics have generated considerable commentary in both scholarly and journalistic communities. Among the central assumptions driving such compatibility talk relates to Islam’s allegedly inherent incapacity for critique, a virtue often heralded as a signature achievement and characteristic of liberal secularism. <a href="https://irfanahmad.org/">Irfan Ahmad</a>’s <a href="https://aax-us-east.amazon-adsystem.com/x/c/QicAyqg0e4lCxvofd5XOJNsAAAFmIFy7zgEAAAFKAZ1PXNg/https://www.amazon.com/dp/1469635097/ref=as_at?creativeASIN=1469635097&amp;linkCode=w61&amp;imprToken=wkkMGt9HmRpNuoMSNkSMwA&amp;slotNum=0&amp;tag=newbooinhis-20">Religion as Critique: Islamic Critical Thinking from Mecca to the Marketplace</a> (University of North Carolina Press, 2017) represents a devastating indictment of this dominant liberal assumption that Islam is inimical to critique. Turning this assumption on its head, Ahmad combines historical, textual, and ethnographic methods to argue that critique is and has always been central to Muslim intellectual thought and lived practice. The distinctive feature of this book is the way it fluctuates the camera of analysis between a genealogy of Western liberal discourses of critique as a way to puncture their universality and inevitability, while bringing into view alternate logics and imaginaries of critique in Muslim thought and practice, past and present. Eminently readable, this book will be widely discussed and debated in multiple fields, including Religious Studies and Islamic Studies.</p><p>
</p><p>
<a href="https://www.fandm.edu/sherali-tareen">SherAli Tareen</a> is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available <a href="https://fandm.academia.edu/SheraliTareen/">here</a>. He can be reached at <a href="mailto:sherali.tareen@fandm.edu">sherali.tareen@fandm.edu</a>. Listener feedback is most welcome.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3307</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78270]]></guid>
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    <item>
      <title>Nick Hubble, “The Proletarian Answer to the Modernist Question” (Edinburgh UP, 2017)</title>
      <description>Nick Hubble’s The Proletarian Answer to the Modernist Question (Edinburgh University Press, 2017) is a thrilling, and timely challenge to the orthodoxy that proletarian and high-modernist literatures ought to be understood in opposition to one another. Featuring writers as diverse as Virginia Woolf, Naomi Mitchison, D. H. Lawrence, John Sommerfield, H. G. Wells, and Walter Brierley, this study creates new critical space that reveals the modernism in the proletarian, and the proletarian in the modernist. It foregrounds ideas of intersubjectivity, intersectional struggles, and emancipatory discourses that rely on some way of relating the ‘I’ to the ‘We’. Covering the critical discourses that have shaped our understanding of these literary movements in the UK since the interwar period, Hubble brings his critical intervention to bear on the contemporary historical moment, and asks how the proletarian answer to the modernist question might inform our political and cultural imaginations as a neoliberal consensus collapses around us.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Sep 2018 10:00:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nick Hubble’s The Proletarian Answer to the Modernist Question (Edinburgh University Press, 2017) is a thrilling, and timely challenge to the orthodoxy that proletarian and high-modernist literatures ought to be understood in opposition to one another....</itunes:subtitle>
      <itunes:summary>Nick Hubble’s The Proletarian Answer to the Modernist Question (Edinburgh University Press, 2017) is a thrilling, and timely challenge to the orthodoxy that proletarian and high-modernist literatures ought to be understood in opposition to one another. Featuring writers as diverse as Virginia Woolf, Naomi Mitchison, D. H. Lawrence, John Sommerfield, H. G. Wells, and Walter Brierley, this study creates new critical space that reveals the modernism in the proletarian, and the proletarian in the modernist. It foregrounds ideas of intersubjectivity, intersectional struggles, and emancipatory discourses that rely on some way of relating the ‘I’ to the ‘We’. Covering the critical discourses that have shaped our understanding of these literary movements in the UK since the interwar period, Hubble brings his critical intervention to bear on the contemporary historical moment, and asks how the proletarian answer to the modernist question might inform our political and cultural imaginations as a neoliberal consensus collapses around us.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.brunel.ac.uk/people/nick-hubble">Nick Hubble</a>’s <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qm5Ntp_lRyYsGawWEwXm31AAAAFl3qbCPQEAAAFKAUpyp6M/https://www.amazon.com/dp/1474415822/ref=as_at?creativeASIN=1474415822&amp;linkCode=w61&amp;imprToken=qowEWQnCgtmN0flv-oMUnw&amp;slotNum=0&amp;tag=newbooinhis-20">The Proletarian Answer to the Modernist Question </a>(Edinburgh University Press, 2017) is a thrilling, and timely challenge to the orthodoxy that proletarian and high-modernist literatures ought to be understood in opposition to one another. Featuring writers as diverse as Virginia Woolf, Naomi Mitchison, D. H. Lawrence, John Sommerfield, H. G. Wells, and Walter Brierley, this study creates new critical space that reveals the modernism in the proletarian, and the proletarian in the modernist. It foregrounds ideas of intersubjectivity, intersectional struggles, and emancipatory discourses that rely on some way of relating the ‘I’ to the ‘We’. Covering the critical discourses that have shaped our understanding of these literary movements in the UK since the interwar period, Hubble brings his critical intervention to bear on the contemporary historical moment, and asks how the proletarian answer to the modernist question might inform our political and cultural imaginations as a neoliberal consensus collapses around us.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5221</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77955]]></guid>
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    <item>
      <title>Michael Levien, “Dispossession Without Development: Land Grabs in Neoliberal India” (Oxford UP, 2018)</title>
      <description>Historically ubiquitous at least since the 15th century and integral to the rise and consolidation of capitalism, land dispossession has re-emerged as a hot button issue for governments, industries, social movements and researchers.

In his first book Dispossession Without Development: Land Grabs in Neoliberal India (Oxford University Press 2018), Michael Levien explores the causes and consequences of India’s land wars in the contemporary neoliberal period. He distinguishes between dispossession in the immediate aftermath of India’s independence (developmentalist) and dispossession in its present-day iteration (neoliberal) as fundamentally different “regimes”. How these regimes of dispossession – their motivations, methods and forms – interact with specific agrarian milieus reveals the mechanics of dispossession as “a social relation of coercive redistribution” in particular contexts and time periods.

A longitudinal case study of a village called Rajpura in western India dispossessed for a Special Economic Zone (SEZ) housing Mahindra World City (MWC), a private business process outsourcing cum real estate hub, forms the backbone of the book. Deeply unequal and politically quiescent, Rajpura is rain-scarce but predominantly agricultural. Post-SEZ Rajpura is marked by livestock depletion, loss of grazing lands and reduced opportunities for rural wage work, features of a semi-proletarianized condition increasingly common across the global countryside. Minimal linkages between Rajpura and the urbanizing but non-industrial economy initiated by MWC combined with the dramatic booms and busts of real estate speculation driven by state compensation policy on the other hand underscore Levien’s larger argument: “dispossession without development is a broader feature of India’s political economy”.

Levien is Assistant Professor of Sociology in Johns Hopkins University. 



Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. Her dissertation titled “Insurgent Difference: An Ethnography of an Indian Resource Frontier” analyzed resource extraction and development as mutually constitutive logics of rule in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 20 Sep 2018 10:00:28 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Historically ubiquitous at least since the 15th century and integral to the rise and consolidation of capitalism, land dispossession has re-emerged as a hot button issue for governments, industries, social movements and researchers.</itunes:subtitle>
      <itunes:summary>Historically ubiquitous at least since the 15th century and integral to the rise and consolidation of capitalism, land dispossession has re-emerged as a hot button issue for governments, industries, social movements and researchers.

In his first book Dispossession Without Development: Land Grabs in Neoliberal India (Oxford University Press 2018), Michael Levien explores the causes and consequences of India’s land wars in the contemporary neoliberal period. He distinguishes between dispossession in the immediate aftermath of India’s independence (developmentalist) and dispossession in its present-day iteration (neoliberal) as fundamentally different “regimes”. How these regimes of dispossession – their motivations, methods and forms – interact with specific agrarian milieus reveals the mechanics of dispossession as “a social relation of coercive redistribution” in particular contexts and time periods.

A longitudinal case study of a village called Rajpura in western India dispossessed for a Special Economic Zone (SEZ) housing Mahindra World City (MWC), a private business process outsourcing cum real estate hub, forms the backbone of the book. Deeply unequal and politically quiescent, Rajpura is rain-scarce but predominantly agricultural. Post-SEZ Rajpura is marked by livestock depletion, loss of grazing lands and reduced opportunities for rural wage work, features of a semi-proletarianized condition increasingly common across the global countryside. Minimal linkages between Rajpura and the urbanizing but non-industrial economy initiated by MWC combined with the dramatic booms and busts of real estate speculation driven by state compensation policy on the other hand underscore Levien’s larger argument: “dispossession without development is a broader feature of India’s political economy”.

Levien is Assistant Professor of Sociology in Johns Hopkins University. 



Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. Her dissertation titled “Insurgent Difference: An Ethnography of an Indian Resource Frontier” analyzed resource extraction and development as mutually constitutive logics of rule in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Historically ubiquitous at least since the 15th century and integral to the rise and consolidation of capitalism, land dispossession has re-emerged as a hot button issue for governments, industries, social movements and researchers.</p><p>
In his first book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QuTeYN4j_6UoFazd0i022k8AAAFl56lpPQEAAAFKAUE5G0A/https://www.amazon.com/dp/0190859164/ref=as_at?creativeASIN=0190859164&amp;linkCode=w61&amp;imprToken=X95HMcr36BarOmCeKxKXbw&amp;slotNum=0&amp;tag=newbooinhis-20">Dispossession Without Development: Land Grabs in Neoliberal India</a> (Oxford University Press 2018), <a href="https://soc.jhu.edu/directory/michael-levien/">M</a><a href="https://soc.jhu.edu/directory/michael-levien/">ichael Levien</a> explores the causes and consequences of India’s land wars in the contemporary neoliberal period. He distinguishes between dispossession in the immediate aftermath of India’s independence (developmentalist) and dispossession in its present-day iteration (neoliberal) as fundamentally different “regimes”. How these regimes of dispossession – their motivations, methods and forms – interact with specific agrarian milieus reveals the mechanics of dispossession as “a social relation of coercive redistribution” in particular contexts and time periods.</p><p>
A longitudinal case study of a village called Rajpura in western India dispossessed for a Special Economic Zone (SEZ) housing Mahindra World City (MWC), a private business process outsourcing cum real estate hub, forms the backbone of the book. Deeply unequal and politically quiescent, Rajpura is rain-scarce but predominantly agricultural. Post-SEZ Rajpura is marked by livestock depletion, loss of grazing lands and reduced opportunities for rural wage work, features of a semi-proletarianized condition increasingly common across the global countryside. Minimal linkages between Rajpura and the urbanizing but non-industrial economy initiated by MWC combined with the dramatic booms and busts of real estate speculation driven by state compensation policy on the other hand underscore Levien’s larger argument: “dispossession without development is a broader feature of India’s political economy”.</p><p>
Levien is Assistant Professor of Sociology in Johns Hopkins University. </p><p>
</p><p>
Madhuri Karak holds a Ph.D. in cultural anthropology from The Graduate Center, City University of New York. Her dissertation titled “Insurgent Difference: An Ethnography of an Indian Resource Frontier” analyzed resource extraction and development as mutually constitutive logics of rule in the bauxite-rich mountains of southern Odisha, India. She tweets <a href="https://twitter.com/madhurikarak">@madhurikarak</a> and more of her work can be found <a href="http://www.madhurikarak.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3387</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78039]]></guid>
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    </item>
    <item>
      <title>Steven Stoll, “Ramp Hollow: The Ordeal of Appalachia” (Hill and Wang, 2017)</title>
      <description>As you’ll hear in this interview with Steven Stoll, his latest book Ramp Hollow: The Ordeal of Appalachia (Hill and Wang, 2017) is “really a book about capitalism.” Specifically, it’s about how the people of the southern mountains––meaning, the area between southern Pennsylvania and southern West Virginia––lost their land. Though the book focuses on Appalachia, Stoll presents readers with vivid confrontations between peasant economies and capitalism in the Atlantic World over the last four centuries to support his contentions.

Stoll spends a lot of the book describing a time when people lived in the southern mountains without a dependence on money. That was possible when people could garden and draw from a rich ecological base, like a forest where they could grow rye, for example. (Speaking of rye, the third chapter offers a splendid reinterpretation of the Whiskey Rebellion by renaming it the Rye Rebellion––you’ll have to pick up the book to find out why.) That ecological base, Stoll argues, was compromised with the industrial invasion of the southern mountains in the nineteenth and twentieth centuries, and then industrial capitalists “captured” the labor that went into practices like gardening. Stoll describes this process in our interview.

“We think of industrial capitalism as eliminating all of these sources of subsistence, when in fact that is hardly ever true. They capture certain forms of subsistence that they find advantageous to use. Why the garden? If a family living in a coal town produces their own food, they can be paid a lower wage.” He explains that the labor of wives, daughters, young songs, grandparents––people not typically down in the mines––can be captured by industrial capitalism. “That labor, outside of the mine, can subsidize a wage for mining that would not otherwise sustain them.”

Stoll closes the book with a hopeful reminder to readers that the story is far from over, but that people and landscapes cannot continue be regarded as “instruments of wealth,” as has been the case in the southern mountains since the nineteenth century. He ends with this inspiring thought, “Freedom, in order to have any meaning, must include the freedom to live in a village and farm as a household, with all its uncertainty.”



Chelsea Jack is a PhD student in the Anthropology Department at Yale University. She focuses on sociocultural and medical anthropology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 19 Sep 2018 10:00:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As you’ll hear in this interview with Steven Stoll, his latest book Ramp Hollow: The Ordeal of Appalachia (Hill and Wang, 2017) is “really a book about capitalism.” Specifically, it’s about how the people of the southern mountains––meaning,</itunes:subtitle>
      <itunes:summary>As you’ll hear in this interview with Steven Stoll, his latest book Ramp Hollow: The Ordeal of Appalachia (Hill and Wang, 2017) is “really a book about capitalism.” Specifically, it’s about how the people of the southern mountains––meaning, the area between southern Pennsylvania and southern West Virginia––lost their land. Though the book focuses on Appalachia, Stoll presents readers with vivid confrontations between peasant economies and capitalism in the Atlantic World over the last four centuries to support his contentions.

Stoll spends a lot of the book describing a time when people lived in the southern mountains without a dependence on money. That was possible when people could garden and draw from a rich ecological base, like a forest where they could grow rye, for example. (Speaking of rye, the third chapter offers a splendid reinterpretation of the Whiskey Rebellion by renaming it the Rye Rebellion––you’ll have to pick up the book to find out why.) That ecological base, Stoll argues, was compromised with the industrial invasion of the southern mountains in the nineteenth and twentieth centuries, and then industrial capitalists “captured” the labor that went into practices like gardening. Stoll describes this process in our interview.

“We think of industrial capitalism as eliminating all of these sources of subsistence, when in fact that is hardly ever true. They capture certain forms of subsistence that they find advantageous to use. Why the garden? If a family living in a coal town produces their own food, they can be paid a lower wage.” He explains that the labor of wives, daughters, young songs, grandparents––people not typically down in the mines––can be captured by industrial capitalism. “That labor, outside of the mine, can subsidize a wage for mining that would not otherwise sustain them.”

Stoll closes the book with a hopeful reminder to readers that the story is far from over, but that people and landscapes cannot continue be regarded as “instruments of wealth,” as has been the case in the southern mountains since the nineteenth century. He ends with this inspiring thought, “Freedom, in order to have any meaning, must include the freedom to live in a village and farm as a household, with all its uncertainty.”



Chelsea Jack is a PhD student in the Anthropology Department at Yale University. She focuses on sociocultural and medical anthropology.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As you’ll hear in this interview with <a href="https://www.fordham.edu/info/20762/faculty/6432/steven_stoll/1">Steven Stoll</a>, his latest book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qtqkfpn06sF2H7vFELCw7mcAAAFl3tr6DAEAAAFKAbtGXi4/https://www.amazon.com/dp/080909505X/ref=as_at?creativeASIN=080909505X&amp;linkCode=w61&amp;imprToken=8eHj3mBxc.Itzkn4SpTdlQ&amp;slotNum=0&amp;tag=newbooinhis-20">Ramp Hollow: The Ordeal of Appalachia</a> (Hill and Wang, 2017) is “really a book about capitalism.” Specifically, it’s about how the people of the southern mountains––meaning, the area between southern Pennsylvania and southern West Virginia––lost their land. Though the book focuses on Appalachia, Stoll presents readers with vivid confrontations between peasant economies and capitalism in the Atlantic World over the last four centuries to support his contentions.</p><p>
Stoll spends a lot of the book describing a time when people lived in the southern mountains without a dependence on money. That was possible when people could garden and draw from a rich ecological base, like a forest where they could grow rye, for example. (Speaking of rye, the third chapter offers a splendid reinterpretation of the Whiskey Rebellion by renaming it the Rye Rebellion––you’ll have to pick up the book to find out why.) That ecological base, Stoll argues, was compromised with the industrial invasion of the southern mountains in the nineteenth and twentieth centuries, and then industrial capitalists “captured” the labor that went into practices like gardening. Stoll describes this process in our interview.</p><p>
“We think of industrial capitalism as eliminating all of these sources of subsistence, when in fact that is hardly ever true. They capture certain forms of subsistence that they find advantageous to use. Why the garden? If a family living in a coal town produces their own food, they can be paid a lower wage.” He explains that the labor of wives, daughters, young songs, grandparents––people not typically down in the mines––can be captured by industrial capitalism. “That labor, outside of the mine, can subsidize a wage for mining that would not otherwise sustain them.”</p><p>
Stoll closes the book with a hopeful reminder to readers that the story is far from over, but that people and landscapes cannot continue be regarded as “instruments of wealth,” as has been the case in the southern mountains since the nineteenth century. He ends with this inspiring thought, “Freedom, in order to have any meaning, must include the freedom to live in a village and farm as a household, with all its uncertainty.”</p><p>
</p><p>
Chelsea Jack is a PhD student in the Anthropology Department at Yale University. She focuses on sociocultural and medical anthropology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2774</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77968]]></guid>
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    </item>
    <item>
      <title>Kurt Dopfer, “Modern Evolutionary Economics: An Overview” (Cambridge UP, 2018)</title>
      <description>This week we met Prof. Kurt Dopfer (Universität St Gallen, Switzerland) to talk about Modern Evolutionary Economics: An Overview (Cambridge University Press, 2018), a book he co-authored with eight other economists. Kurt attended in Nice the 30th annual edition of the EAEPE conference, the sponsor of the Economics channel at NBN. The European Association for Evolutionary Political Economy is the scholarly home for the authors of this book. We tried to contextualize evolutionary economics within heterodox economics and to delineate the history of this approach to economics thanks to this book and the great and long career of Prof. Dopfer.

The book is described by Joel Mokyr (Northwestern University) as ‘An excellent summary of what has been achieved in the field of evolutionary economics. I would hope that this book would be read by scholars steeped in ‘neoclassical’ economics and make them appreciate the power and potential of this scholarship.’ S. Metcalfe (University of Manchester) commented that ‘The publication of this clear and comprehensive introduction to the evolutionary dynamics of modern capitalism could not be more timely. The nature, causes and consequences of economic change are at the heart of current debates about the nature of capitalism, its virtues and vices locally, nationally and globally. This work draws on a wealth of economic thinking, old and new, to elucidate the primary role of innovation to the economic process and I can think of no better introduction to the pervasive and incessant role of human creativity to the operation of capitalism as an ordered but far from equilibrium system.’



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Sep 2018 10:00:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>This week we met Prof. Kurt Dopfer (Universität St Gallen, Switzerland) to talk about Modern Evolutionary Economics: An Overview (Cambridge University Press, 2018), a book he co-authored with eight other economists.</itunes:subtitle>
      <itunes:summary>This week we met Prof. Kurt Dopfer (Universität St Gallen, Switzerland) to talk about Modern Evolutionary Economics: An Overview (Cambridge University Press, 2018), a book he co-authored with eight other economists. Kurt attended in Nice the 30th annual edition of the EAEPE conference, the sponsor of the Economics channel at NBN. The European Association for Evolutionary Political Economy is the scholarly home for the authors of this book. We tried to contextualize evolutionary economics within heterodox economics and to delineate the history of this approach to economics thanks to this book and the great and long career of Prof. Dopfer.

The book is described by Joel Mokyr (Northwestern University) as ‘An excellent summary of what has been achieved in the field of evolutionary economics. I would hope that this book would be read by scholars steeped in ‘neoclassical’ economics and make them appreciate the power and potential of this scholarship.’ S. Metcalfe (University of Manchester) commented that ‘The publication of this clear and comprehensive introduction to the evolutionary dynamics of modern capitalism could not be more timely. The nature, causes and consequences of economic change are at the heart of current debates about the nature of capitalism, its virtues and vices locally, nationally and globally. This work draws on a wealth of economic thinking, old and new, to elucidate the primary role of innovation to the economic process and I can think of no better introduction to the pervasive and incessant role of human creativity to the operation of capitalism as an ordered but far from equilibrium system.’



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This week we met Prof. <a href="https://en.wikipedia.org/wiki/Kurt_Dopfer">Kurt Dopfer</a> (Universität St Gallen, Switzerland) to talk about <a href="https://aax-us-east.amazon-adsystem.com/x/c/QjjXzgUvh09SJ84rFV-K_4wAAAFlzka7TgEAAAFKAUOv_xg/https://www.amazon.com/dp/1108446191/ref=as_at?creativeASIN=1108446191&amp;linkCode=w61&amp;imprToken=vfzs17H9V0LEloMTuryYKA&amp;slotNum=0&amp;tag=newbooinhis-20">Modern Evolutionary Economics: An Overview</a> (Cambridge University Press, 2018), a book he co-authored with eight other economists. Kurt attended in Nice the 30th annual edition of the EAEPE conference, the sponsor of the Economics channel at NBN. The European Association for Evolutionary Political Economy is the scholarly home for the authors of this book. We tried to contextualize evolutionary economics within heterodox economics and to delineate the history of this approach to economics thanks to this book and the great and long career of Prof. Dopfer.</p><p>
The book is described by Joel Mokyr (Northwestern University) as ‘An excellent summary of what has been achieved in the field of evolutionary economics. I would hope that this book would be read by scholars steeped in ‘neoclassical’ economics and make them appreciate the power and potential of this scholarship.’ S. Metcalfe (University of Manchester) commented that ‘The publication of this clear and comprehensive introduction to the evolutionary dynamics of modern capitalism could not be more timely. The nature, causes and consequences of economic change are at the heart of current debates about the nature of capitalism, its virtues and vices locally, nationally and globally. This work draws on a wealth of economic thinking, old and new, to elucidate the primary role of innovation to the economic process and I can think of no better introduction to the pervasive and incessant role of human creativity to the operation of capitalism as an ordered but far from equilibrium system.’</p><p>
</p><p>
<a href="https://twitter.com/Bernardi_UK">Andrea Bernardi</a> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his <a href="https://www.researchgate.net/profile/Andrea_Bernardi">research interests</a> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on <a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies">Critical Management Studies</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2729</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77861]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8949790167.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shelley Tremain, “Foucault and Feminist Philosophy of Disability” (U Michigan Press, 2017)</title>
      <description>How should we understand disability? In Foucault and Feminist Philosophy of Disability (University of Michigan Press, 2017), Dr. Shelley Tremain explores this complex question from the perspective of feminist philosophy, using the work of Michel Foucault. The book is a fascinating critique of much contemporary philosophy and policy, providing a detailed, but easy to follow overview of key works in feminism and in Foucault’s thought. The book places these discussions in the context of inequalities within academic philosophy itself, drawing attention to the marginalisation of key questions of disability and gender from contemporary philosophy as it is currently organised. Overall the book is important reading not only for disability studies and philosophy, but anyone wanting to understand how society disadvantages difference. You can read more of Dr. Tremain’s work, and key debates on philosophy and disability as part of the Discrimination and Disadvantage blog.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 11 Sep 2018 10:00:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand disability? In Foucault and Feminist Philosophy of Disability (University of Michigan Press, 2017), Dr. Shelley Tremain explores this complex question from the perspective of feminist philosophy,</itunes:subtitle>
      <itunes:summary>How should we understand disability? In Foucault and Feminist Philosophy of Disability (University of Michigan Press, 2017), Dr. Shelley Tremain explores this complex question from the perspective of feminist philosophy, using the work of Michel Foucault. The book is a fascinating critique of much contemporary philosophy and policy, providing a detailed, but easy to follow overview of key works in feminism and in Foucault’s thought. The book places these discussions in the context of inequalities within academic philosophy itself, drawing attention to the marginalisation of key questions of disability and gender from contemporary philosophy as it is currently organised. Overall the book is important reading not only for disability studies and philosophy, but anyone wanting to understand how society disadvantages difference. You can read more of Dr. Tremain’s work, and key debates on philosophy and disability as part of the Discrimination and Disadvantage blog.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand disability? In <a href="https://www.press.umich.edu/8504605/foucault_and_feminist_philosophy_of_disability">Foucault and Feminist Philosophy of Disability</a> (University of Michigan Press, 2017), <a href="http://independent.academia.edu/ShelleyTremain">Dr. Shelley Tremain</a> explores this complex question from the perspective of feminist philosophy, using the work of Michel Foucault. The book is a fascinating critique of much contemporary philosophy and policy, providing a detailed, but easy to follow overview of key works in feminism and in Foucault’s thought. The book places these discussions in the context of inequalities within academic philosophy itself, drawing attention to the marginalisation of key questions of disability and gender from contemporary philosophy as it is currently organised. Overall the book is important reading not only for disability studies and philosophy, but anyone wanting to understand how society disadvantages difference. You can read more of Dr. Tremain’s work, and key debates on philosophy and disability as part of the <a href="http://philosophycommons.typepad.com/disability_and_disadvanta/">Discrimination and Disadvantage blog</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2069</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77726]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3961146585.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dagmar Herzog, “Cold War Freud: Psychoanalysis in an Age of Catastrophes” (Cambridge UP, 2017)</title>
      <description>‘Create two, three—many Freuds!’ That, Dagmar Herzog shows, was the forgotten slogan of the Cold War. With Cold War Freud: Psychoanalysis in an Age of Catastrophes (Cambridge University Press, 2017), Prof. Herzog carries forward the groundbreaking research program into the politics of desire that already brought us Sex After Fascism: Memory and Morality in Twentieth-Century Germany and Sex in Crisis: The New Sexual Revolution and The Future of American Politics. The book offers fresh readings of the work of such titanic (and sadly misunderstood) figures as Karen Horney, Robert Stoller, Félix Guattari and Konrad Lorenz—and it will change the way you think about trauma, libido and the New Left. Our conversation focused primarily on the radical currents in Cold War psychoanalysis and what happens when the world comes crashing through the bedroom window.



David Gutherz is a Ph.D. Candidate in the Committee on Social Thought at the University of Chicago. His research centers on the history of the human sciences and revolutionary politics, with a special interest in Fascist and Post-Fascist Italy.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Sep 2018 10:00:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>‘Create two, three—many Freuds!’ That, Dagmar Herzog shows, was the forgotten slogan of the Cold War. With Cold War Freud: Psychoanalysis in an Age of Catastrophes (Cambridge University Press, 2017), Prof. Herzog carries forward the groundbreaking rese...</itunes:subtitle>
      <itunes:summary>‘Create two, three—many Freuds!’ That, Dagmar Herzog shows, was the forgotten slogan of the Cold War. With Cold War Freud: Psychoanalysis in an Age of Catastrophes (Cambridge University Press, 2017), Prof. Herzog carries forward the groundbreaking research program into the politics of desire that already brought us Sex After Fascism: Memory and Morality in Twentieth-Century Germany and Sex in Crisis: The New Sexual Revolution and The Future of American Politics. The book offers fresh readings of the work of such titanic (and sadly misunderstood) figures as Karen Horney, Robert Stoller, Félix Guattari and Konrad Lorenz—and it will change the way you think about trauma, libido and the New Left. Our conversation focused primarily on the radical currents in Cold War psychoanalysis and what happens when the world comes crashing through the bedroom window.



David Gutherz is a Ph.D. Candidate in the Committee on Social Thought at the University of Chicago. His research centers on the history of the human sciences and revolutionary politics, with a special interest in Fascist and Post-Fascist Italy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>‘Create two, three—many Freuds!’ That, Dagmar Herzog shows, was the forgotten slogan of the Cold War. With <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qt9csQNgLbi9d8k3lNxnKWcAAAFlpIj8BAEAAAFKAVjIyB4/https://www.amazon.com/dp/1107072395/ref=as_at?creativeASIN=1107072395&amp;linkCode=w61&amp;imprToken=zdPyk.bD1RRsebRO66lH6A&amp;slotNum=0&amp;tag=newbooinhis-20">Cold War Freud: Psychoanalysis in an Age of Catastrophes </a>(Cambridge University Press, 2017), Prof. Herzog carries forward the groundbreaking research program into the politics of desire that already brought us Sex After Fascism: Memory and Morality in Twentieth-Century Germany and Sex in Crisis: The New Sexual Revolution and The Future of American Politics. The book offers fresh readings of the work of such titanic (and sadly misunderstood) figures as Karen Horney, Robert Stoller, Félix Guattari and Konrad Lorenz—and it will change the way you think about trauma, libido and the New Left. Our conversation focused primarily on the radical currents in Cold War psychoanalysis and what happens when the world comes crashing through the bedroom window.</p><p>
</p><p>
David Gutherz is a Ph.D. Candidate in the Committee on Social Thought at the University of Chicago. His research centers on the history of the human sciences and revolutionary politics, with a special interest in Fascist and Post-Fascist Italy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2717</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77675]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5109572213.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charles Umney, “Class Matters: Inequality and Exploitation in 21st-Century Britain” (Pluto Press, 2018)</title>
      <description>What is class? In Class Matters: Inequality and Exploitation in 21st-Century Britain (Pluto Press, 2018), Charles Umney, an Associate Professor in Work and Employment Relations at the University of Leeds, offers a new marxist analysis of the meaning and impact of class. The book is written in dialogue with recent developments in class analysis, including theories that have placed culture at the heart of how class should be understood. Umney’s book returns to class as more than just classification, rather seeing it as an essential means of understanding inequality and exploitation from a marxist perspective. The book explains core marxist concepts, such as alienation, and offers a vast range of examples of inequality and exploitation, whether the financialisation of the economy, new forms of work, or the role of the state and the media. The book will be essential reading for anyone interested in explaining our current social relations.


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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 03 Sep 2018 10:00:44 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is class? In Class Matters: Inequality and Exploitation in 21st-Century Britain (Pluto Press, 2018), Charles Umney, an Associate Professor in Work and Employment Relations at the University of Leeds, offers a new marxist analysis of the meaning an...</itunes:subtitle>
      <itunes:summary>What is class? In Class Matters: Inequality and Exploitation in 21st-Century Britain (Pluto Press, 2018), Charles Umney, an Associate Professor in Work and Employment Relations at the University of Leeds, offers a new marxist analysis of the meaning and impact of class. The book is written in dialogue with recent developments in class analysis, including theories that have placed culture at the heart of how class should be understood. Umney’s book returns to class as more than just classification, rather seeing it as an essential means of understanding inequality and exploitation from a marxist perspective. The book explains core marxist concepts, such as alienation, and offers a vast range of examples of inequality and exploitation, whether the financialisation of the economy, new forms of work, or the role of the state and the media. The book will be essential reading for anyone interested in explaining our current social relations.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is class? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qodzv0PdOycKITbSHZ3Ctu0AAAFlgL93QwEAAAFKAdZ10oA/https://www.amazon.com/dp/0745337082/ref=as_at?creativeASIN=0745337082&amp;linkCode=w61&amp;imprToken=BeCxjxfDSYkIpu36Csd7gg&amp;slotNum=0&amp;tag=newbooinhis-20">Class Matters: Inequality and Exploitation in 21st-Century Britain</a> (Pluto Press, 2018), <a href="https://twitter.com/CharlesUmney">Charles Umney,</a> an <a href="https://business.leeds.ac.uk/about-us/our-people/staff-directory/profile/charles-umney/">Associate Professor in Work and Employment Relations at the University of Leeds</a>, offers a new marxist analysis of the meaning and impact of class. The book is written in dialogue with recent developments in class analysis, including theories that have placed culture at the heart of how class should be understood. Umney’s book returns to class as more than just classification, rather seeing it as an essential means of understanding inequality and exploitation from a marxist perspective. The book explains core marxist concepts, such as alienation, and offers a vast range of examples of inequality and exploitation, whether the financialisation of the economy, new forms of work, or the role of the state and the media. The book will be essential reading for anyone interested in explaining our current social relations.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2588</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77521]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2756222319.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sean Molloy, “Kant’s International Relations: The Political Theology of Perpetual Peace” (U Michigan Press, 2017)</title>
      <description>What does Kant have to tell us about International Relations? In Kant’s International Relations: The Political Theology of Perpetual Peace (University of Michigan Press, 2017), Sean Molloy, a Reader in International Relations at the University of Kent, offers a close reading of key works by Kant to reframe our understanding of the modern world. Written in dialogue with theories of cosmopolitanism and democratic peace theory, the book radically challenges how we understand Kant by focusing in detail on his work and his words. The book works through the breadth of Kant’s ideas, as well as dealing with specific texts in depth. As a result it will be of interest beyond International Relations, for scholars interested in any element of Kant’s philosophy including theological questions, his ideas on judgement, and ultimately what it is to be human.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Aug 2018 10:00:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does Kant have to tell us about International Relations? In Kant’s International Relations: The Political Theology of Perpetual Peace (University of Michigan Press, 2017), Sean Molloy, a Reader in International Relations at the University of Kent,...</itunes:subtitle>
      <itunes:summary>What does Kant have to tell us about International Relations? In Kant’s International Relations: The Political Theology of Perpetual Peace (University of Michigan Press, 2017), Sean Molloy, a Reader in International Relations at the University of Kent, offers a close reading of key works by Kant to reframe our understanding of the modern world. Written in dialogue with theories of cosmopolitanism and democratic peace theory, the book radically challenges how we understand Kant by focusing in detail on his work and his words. The book works through the breadth of Kant’s ideas, as well as dealing with specific texts in depth. As a result it will be of interest beyond International Relations, for scholars interested in any element of Kant’s philosophy including theological questions, his ideas on judgement, and ultimately what it is to be human.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does Kant have to tell us about International Relations? In <a href="https://www.press.umich.edu/5036715/kants_international_relations">Kant’s International Relations: The Political Theology of Perpetual Peace</a> (University of Michigan Press, 2017), <a href="https://twitter.com/seanmolloyir">Sean Molloy</a>, a <a href="https://www.kent.ac.uk/politics/staff/canterbury/molloy.html">Reader in International Relations at the University of Kent</a>, offers a close reading of key works by Kant to reframe our understanding of the modern world. Written in dialogue with theories of cosmopolitanism and democratic peace theory, the book radically challenges how we understand Kant by focusing in detail on his work and his words. The book works through the breadth of Kant’s ideas, as well as dealing with specific texts in depth. As a result it will be of interest beyond International Relations, for scholars interested in any element of Kant’s philosophy including theological questions, his ideas on judgement, and ultimately what it is to be human.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2891</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77359]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9572809572.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Larisa Jašarević, “Health and Wealth on the Bosnian Market: Intimate Debt” (Indiana UP, 2017)</title>
      <description>In her new book, Health and Wealth on the Bosnian Market: Intimate Debt (Indiana University Press, 2017), Larisa Jašarević traces the odd entanglements between the body and the economy in Bosnia-Herzegovina. In the new post-war, post-socialist market, the feeling of being indebted is a condition shared by many, and the struggle to achieve a good life can make a person “worry themselves sick.” At the interface of health and wealth, Jašarević follows the many detours ordinary Bosnians take in order to try to achieve financial and medical well-being. In the process, she offers ethnographic insights on the informal gifting economy, the enigmatic power of alternative healers, and the political potential of the fleeting communities that form and separate as people try to live well, and to be well.



Jelena Golubovic is a PhD candidate in Anthropology at Simon Fraser University.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Aug 2018 10:00:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her new book, Health and Wealth on the Bosnian Market: Intimate Debt (Indiana University Press, 2017), Larisa Jašarević traces the odd entanglements between the body and the economy in Bosnia-Herzegovina. In the new post-war, post-socialist market,</itunes:subtitle>
      <itunes:summary>In her new book, Health and Wealth on the Bosnian Market: Intimate Debt (Indiana University Press, 2017), Larisa Jašarević traces the odd entanglements between the body and the economy in Bosnia-Herzegovina. In the new post-war, post-socialist market, the feeling of being indebted is a condition shared by many, and the struggle to achieve a good life can make a person “worry themselves sick.” At the interface of health and wealth, Jašarević follows the many detours ordinary Bosnians take in order to try to achieve financial and medical well-being. In the process, she offers ethnographic insights on the informal gifting economy, the enigmatic power of alternative healers, and the political potential of the fleeting communities that form and separate as people try to live well, and to be well.



Jelena Golubovic is a PhD candidate in Anthropology at Simon Fraser University.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhD99u9tDMkc-1DHBg2pOM0AAAFlbD_5UAEAAAFKASldruQ/https://www.amazon.com/dp/0253023823/ref=as_at?creativeASIN=0253023823&amp;linkCode=w61&amp;imprToken=xNIgoPmqkS3rpBWOjIPeZw&amp;slotNum=0&amp;tag=newbooinhis-20">Health and Wealth on the Bosnian Market: Intimate Debt </a>(Indiana University Press, 2017), <a href="https://chicago.academia.edu/LarisaJasarevic">Larisa Jašarević</a> traces the odd entanglements between the body and the economy in Bosnia-Herzegovina. In the new post-war, post-socialist market, the feeling of being indebted is a condition shared by many, and the struggle to achieve a good life can make a person “worry themselves sick.” At the interface of health and wealth, Jašarević follows the many detours ordinary Bosnians take in order to try to achieve financial and medical well-being. In the process, she offers ethnographic insights on the informal gifting economy, the enigmatic power of alternative healers, and the political potential of the fleeting communities that form and separate as people try to live well, and to be well.</p><p>
</p><p>
<a href="http://golubovicjelena.com">Jelena Golubovic</a> is a PhD candidate in Anthropology at Simon Fraser University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3512</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77353]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7579634898.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yves Citton, “The Ecology of Attention” (Polity Press, 2017)</title>
      <description>We are arguably living in the midst of a form of economy where attention has become a key resource and value, labor, class, and currency are being reconfigured as a result. But how is this happening, what are the consequences, and is “economy” necessarily the most productive frame in which to understand these transformations in attention and distraction? Yves Citton’s new book explores these questions in a fascinating study of attention as economy, ecology, and “echology” (with the last taking on resonances of the notion of the echo). The Ecology of Attention (tr. Barnaby Norman) (Polity Press, 2017) looks carefully at attention-related phenomena emergent at a number of scales and argues throughout that there are high stakes for how we understand and work with these phenomena: for teaching, performance, the environment, and liberty itself. It’s a clear and compelling book about an important topic, and it will be of interest to a wide readership. Enjoy the conversation!



Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Aug 2018 10:00:28 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>We are arguably living in the midst of a form of economy where attention has become a key resource and value, labor, class, and currency are being reconfigured as a result. But how is this happening, what are the consequences,</itunes:subtitle>
      <itunes:summary>We are arguably living in the midst of a form of economy where attention has become a key resource and value, labor, class, and currency are being reconfigured as a result. But how is this happening, what are the consequences, and is “economy” necessarily the most productive frame in which to understand these transformations in attention and distraction? Yves Citton’s new book explores these questions in a fascinating study of attention as economy, ecology, and “echology” (with the last taking on resonances of the notion of the echo). The Ecology of Attention (tr. Barnaby Norman) (Polity Press, 2017) looks carefully at attention-related phenomena emergent at a number of scales and argues throughout that there are high stakes for how we understand and work with these phenomena: for teaching, performance, the environment, and liberty itself. It’s a clear and compelling book about an important topic, and it will be of interest to a wide readership. Enjoy the conversation!



Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We are arguably living in the midst of a form of economy where attention has become a key resource and value, labor, class, and currency are being reconfigured as a result. But how is this happening, what are the consequences, and is “economy” necessarily the most productive frame in which to understand these transformations in attention and distraction? <a href="http://www.yvescitton.net/home/">Yves Citton</a>’s new book explores these questions in a fascinating study of attention as economy, ecology, and “echology” (with the last taking on resonances of the notion of the echo). <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qr94jzYBh26ddImPz_owWkEAAAFlJFg7QgEAAAFKARTgpAk/http://www.amazon.com/dp/1509503730/ref=as_at?creativeASIN=1509503730&amp;linkCode=w61&amp;imprToken=hU-hvKOapn55gJXAeDhx8g&amp;slotNum=0&amp;tag=newbooinhis-20">The Ecology of Attention</a> (tr. Barnaby Norman) (Polity Press, 2017) looks carefully at attention-related phenomena emergent at a number of scales and argues throughout that there are high stakes for how we understand and work with these phenomena: for teaching, performance, the environment, and liberty itself. It’s a clear and compelling book about an important topic, and it will be of interest to a wide readership. Enjoy the conversation!</p><p>
</p><p>
Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work <a href="https://carlanappi.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4231</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76855]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9636004230.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Invisible Committee, “Now” (Semiotext(e), 2017)</title>
      <description>What could the communism of the future be? In Now  (Semiotext(e), 2017), The Invisible Committee explores our current crisis by thinking through key critical theory questions, along with specific interventions on French and global politics. On this podcast we hear about The Invisible Committee’s history and their work, contextualizing the specific themes covered by Now. Along with theorizing on new forms of political action, Now critiques institutions, offering thoughts on fragmentation and destitution. The book will be essential reading for anyone interested in responding to the current politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 13 Aug 2018 10:00:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What could the communism of the future be? In Now  (Semiotext(e), 2017), The Invisible Committee explores our current crisis by thinking through key critical theory questions, along with specific interventions on French and global politics.</itunes:subtitle>
      <itunes:summary>What could the communism of the future be? In Now  (Semiotext(e), 2017), The Invisible Committee explores our current crisis by thinking through key critical theory questions, along with specific interventions on French and global politics. On this podcast we hear about The Invisible Committee’s history and their work, contextualizing the specific themes covered by Now. Along with theorizing on new forms of political action, Now critiques institutions, offering thoughts on fragmentation and destitution. The book will be essential reading for anyone interested in responding to the current politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What could the communism of the future be? In <a href="https://mitpress.mit.edu/books/now">Now</a>  (Semiotext(e), 2017), <a href="https://en.wikipedia.org/wiki/The_Invisible_Committee#Now">The Invisible Committee</a> explores our current crisis by thinking through key critical theory questions, along with specific interventions on French and global politics. On this podcast we hear about The Invisible Committee’s history and their work, contextualizing the specific themes covered by Now. Along with theorizing on new forms of political action, Now critiques institutions, offering thoughts on fragmentation and destitution. The book will be essential reading for anyone interested in responding to the current politics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3429</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76838]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5883504027.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Simone Wesner, “Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification” (Palgrave MacMillan, 2018)</title>
      <description>Why is the artist’s voice missing from cultural policy? In Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification (Palgrave Macmillan, 2018), Dr. Simone Wesner, a lecturer in arts management at Birkbeck, University of London, explores this question in the context of post-war and post-unification Germany. The book offers a wealth of detail on the German context, comparing two cultural policy regimes across Saxony, through a longitudinal study of a cohort of artists. Published as part of Palgrave’s New Directions In Cultural Policy Research series, the book offers new theoretical insights to cultural policy, particularly working with the idea of memory to help understand artistic careers as well as national and regional cultural policy. A fascinating read, the book will be of interest across media and cultural studies, as well as for historians, along with anyone interested in understanding the artist’s career and the artists’ role in society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Aug 2018 10:00:41 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Why is the artist’s voice missing from cultural policy? In Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification (Palgrave Macmillan, 2018), Dr. Simone Wesner,</itunes:subtitle>
      <itunes:summary>Why is the artist’s voice missing from cultural policy? In Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification (Palgrave Macmillan, 2018), Dr. Simone Wesner, a lecturer in arts management at Birkbeck, University of London, explores this question in the context of post-war and post-unification Germany. The book offers a wealth of detail on the German context, comparing two cultural policy regimes across Saxony, through a longitudinal study of a cohort of artists. Published as part of Palgrave’s New Directions In Cultural Policy Research series, the book offers new theoretical insights to cultural policy, particularly working with the idea of memory to help understand artistic careers as well as national and regional cultural policy. A fascinating read, the book will be of interest across media and cultural studies, as well as for historians, along with anyone interested in understanding the artist’s career and the artists’ role in society.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is the artist’s voice missing from cultural policy? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QlPDC0VjTgr8GD3Qy5iMgtoAAAFk8mJyOQEAAAFKAbPDpuM/http://www.amazon.com/dp/3319760564/ref=as_at?creativeASIN=3319760564&amp;linkCode=w61&amp;imprToken=ggB54NdB3OSm27BhFgJOvQ&amp;slotNum=0&amp;tag=newbooinhis-20">Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification</a> (Palgrave Macmillan, 2018), Dr. <a href="http://www.bbk.ac.uk/culture/staff/teaching-staff/simone-wesner">Simone Wesner</a>, a lecturer in arts management at Birkbeck, University of London, explores this question in the context of post-war and post-unification Germany. The book offers a wealth of detail on the German context, comparing two cultural policy regimes across Saxony, through a longitudinal study of a cohort of artists. Published as part of Palgrave’s New Directions In Cultural Policy Research series, the book offers new theoretical insights to cultural policy, particularly working with the idea of memory to help understand artistic careers as well as national and regional cultural policy. A fascinating read, the book will be of interest across media and cultural studies, as well as for historians, along with anyone interested in understanding the artist’s career and the artists’ role in society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2710</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76573]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2886812707.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin Shuster, “New Television: The Aesthetics and Politics of a Genre” (U Chicago Press, 2017)</title>
      <description>How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 19 Jul 2018 10:00:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College,</itunes:subtitle>
      <itunes:summary>How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand our new golden age of television? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qo01_QtkoN422ndnyhcGGdIAAAFkmPjtlAEAAAFKAZD4Lmc/http://www.amazon.com/dp/022650395X/ref=as_at?creativeASIN=022650395X&amp;linkCode=w61&amp;imprToken=ZgZ97Kes6mcLFj3YEMOsZQ&amp;slotNum=0&amp;tag=newbooinhis-20">New Television: The Aesthetics and Politics of a Genre </a>(University of Chicago Press, 2017), <a href="https://www.goucher.edu/learn/academic-centers/geographies-of-justice/faculty/martin-shuster">Martin Shuster</a>, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3268</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76162]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7347699136.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ari Heinrich, “Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body” (Duke UP, 2018)</title>
      <description>Ari Larissa Heinrich’s new book, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Duke University Press, 2018), is a fascinating study of representations of the Chinese body in the context of biotechnology.  How are bodies reproduced, broken apart, and circulated?  And how do the representations of these processes help us understand transnational biopolitics? Heinrich takes up these questions and others in this pathbreaking work, one that will change how readers think about the body in contemporary art and media.



Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 10 Jul 2018 10:00:33 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ari Larissa Heinrich’s new book, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Duke University Press, 2018), is a fascinating study of representations of the Chinese body in the context of biotechnology.</itunes:subtitle>
      <itunes:summary>Ari Larissa Heinrich’s new book, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Duke University Press, 2018), is a fascinating study of representations of the Chinese body in the context of biotechnology.  How are bodies reproduced, broken apart, and circulated?  And how do the representations of these processes help us understand transnational biopolitics? Heinrich takes up these questions and others in this pathbreaking work, one that will change how readers think about the body in contemporary art and media.



Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://literature.ucsd.edu/people/faculty/aheinrich.html">Ari Larissa Heinrich</a>’s new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqKp7wW_aspqnSDk67H640sAAAFkdkx48wEAAAFKAbv4gP8/http://www.amazon.com/dp/0822370530/ref=as_at?creativeASIN=0822370530&amp;linkCode=w61&amp;imprToken=sL7FhwY8iw0u5PDHNY7G1A&amp;slotNum=0&amp;tag=newbooinhis-20">Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body </a>(Duke University Press, 2018), is a fascinating study of representations of the Chinese body in the context of biotechnology.  How are bodies reproduced, broken apart, and circulated?  And how do the representations of these processes help us understand transnational biopolitics? Heinrich takes up these questions and others in this pathbreaking work, one that will change how readers think about the body in contemporary art and media.</p><p>
</p><p>
<a href="http://religiousstudies.as.virginia.edu/faculty/profile/%20nlh4x">Natasha Heller</a> is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter <a href="https://twitter.com/nheller?lang=en">@nheller</a> or email her at <a href="mailto:nheller@virginia.edu">nheller@virginia.edu.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=75878]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6651655580.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Noreen Giffney and Eve Watson, “Clinical Encounters in Sexuality: Psychoanalytic Practice and Queer Theory” (Punctum Books, 2017)</title>
      <description>Psychoanalysis is a queer theory. That’s what Tim Dean said, according to Eve Watson in the afterword to Clinical Encounters in Sexuality: Psychoanalytic Practice and Queer Theory (Punctum Books, 2017), a new book that she co-edited with Noreen Giffney. In her interview for this podcast, Watson qualifies that declaration by saying that psychoanalysis isn’t always a queer theory, but it should be. “There are many psychoanalyses.”

Queer theory challenges the conventional approach to sexuality that many clinicians absorbed from their training. These clinicians run the risk of imposing outdated and oppressive sexual norms upon their clients. Until the mid-70’s, homosexuality was officially a mental illness and many psychoanalysts continued to try to cure homosexuals of their sexual pathology long after the DSM corrected its culturally determined diagnostic judgment in 1973. Queer theorists argue that this error was not an isolated incident but rather a trend within institutionalized psychoanalysis that continues to limit the effectiveness of psychoanalytic practice today, and in the worst cases, to harm its consumers.

In fact, the paragraphs above may give a distorted view of the book which does not pursue an argument but presents a stimulating conversation among queer theorists and clinicians about psychoanalysis, sexuality, gender, identity, and discourse. The conversation can fly high at times, especially for those who are new to this kind of literature, but the variety of contributors speak in many voices and every reader will find something valuable in this book for deepening their psychoanalytic vision.



Philip Lance, Ph.D. is a clinical psychologist and psychotherapist with a private practice in Los Angeles. He is candidate at The Psychoanalytic Center of California. He can be reached at PhilipJLance@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Jun 2018 10:00:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Psychoanalysis is a queer theory. That’s what Tim Dean said, according to Eve Watson in the afterword to Clinical Encounters in Sexuality: Psychoanalytic Practice and Queer Theory (Punctum Books, 2017), a new book that she co-edited with Noreen Giffney...</itunes:subtitle>
      <itunes:summary>Psychoanalysis is a queer theory. That’s what Tim Dean said, according to Eve Watson in the afterword to Clinical Encounters in Sexuality: Psychoanalytic Practice and Queer Theory (Punctum Books, 2017), a new book that she co-edited with Noreen Giffney. In her interview for this podcast, Watson qualifies that declaration by saying that psychoanalysis isn’t always a queer theory, but it should be. “There are many psychoanalyses.”

Queer theory challenges the conventional approach to sexuality that many clinicians absorbed from their training. These clinicians run the risk of imposing outdated and oppressive sexual norms upon their clients. Until the mid-70’s, homosexuality was officially a mental illness and many psychoanalysts continued to try to cure homosexuals of their sexual pathology long after the DSM corrected its culturally determined diagnostic judgment in 1973. Queer theorists argue that this error was not an isolated incident but rather a trend within institutionalized psychoanalysis that continues to limit the effectiveness of psychoanalytic practice today, and in the worst cases, to harm its consumers.

In fact, the paragraphs above may give a distorted view of the book which does not pursue an argument but presents a stimulating conversation among queer theorists and clinicians about psychoanalysis, sexuality, gender, identity, and discourse. The conversation can fly high at times, especially for those who are new to this kind of literature, but the variety of contributors speak in many voices and every reader will find something valuable in this book for deepening their psychoanalytic vision.



Philip Lance, Ph.D. is a clinical psychologist and psychotherapist with a private practice in Los Angeles. He is candidate at The Psychoanalytic Center of California. He can be reached at PhilipJLance@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Psychoanalysis is a queer theory. That’s what Tim Dean said, according to <a href="https://www.iicp.ie/faculty/evewatson/">Eve Watson</a> in the afterword to <a href="http://aax-us-east.amazon-adsystem.com/x/c/QoJFmpCiBy2HdwZHfHOEkf8AAAFkMcPD0wEAAAFKAQEHYMM/http://www.amazon.com/dp/0998531855/ref=as_at?creativeASIN=0998531855&amp;linkCode=w61&amp;imprToken=1IoChKFdNcV-ovusxZgdxg&amp;slotNum=0&amp;tag=newbooinhis-20">Clinical Encounters in Sexuality: Psychoanalytic Practice and Queer Theory</a> (Punctum Books, 2017), a new book that she co-edited with <a href="https://www.ulster.ac.uk/staff/n-giffney">Noreen Giffney</a>. In her interview for this podcast, Watson qualifies that declaration by saying that psychoanalysis isn’t always a queer theory, but it should be. “There are many psychoanalyses.”</p><p>
Queer theory challenges the conventional approach to sexuality that many clinicians absorbed from their training. These clinicians run the risk of imposing outdated and oppressive sexual norms upon their clients. Until the mid-70’s, homosexuality was officially a mental illness and many psychoanalysts continued to try to cure homosexuals of their sexual pathology long after the DSM corrected its culturally determined diagnostic judgment in 1973. Queer theorists argue that this error was not an isolated incident but rather a trend within institutionalized psychoanalysis that continues to limit the effectiveness of psychoanalytic practice today, and in the worst cases, to harm its consumers.</p><p>
In fact, the paragraphs above may give a distorted view of the book which does not pursue an argument but presents a stimulating conversation among queer theorists and clinicians about psychoanalysis, sexuality, gender, identity, and discourse. The conversation can fly high at times, especially for those who are new to this kind of literature, but the variety of contributors speak in many voices and every reader will find something valuable in this book for deepening their psychoanalytic vision.</p><p>
</p><p>
<a href="https://therapists.psychologytoday.com/rms/228002">Philip Lance,</a> Ph.D. is a clinical psychologist and psychotherapist with a private practice in Los Angeles. He is candidate at The Psychoanalytic Center of California. He can be reached at <a href="mailto:philipjlance@gmail.com">PhilipJLance@gmail.com</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74914]]></guid>
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    <item>
      <title>James M. Jasper, “The Emotions of Protests” (U Chicago Press, 2018)</title>
      <description>How do emotions affect participation in protests, and in politics more generally? In The Emotions of Protests (University of Chicago Press, 2018), James M. Jasper develops a solid critique to approaches that present political action as strictly rational and emotions as something outside the realm of strategy. Instead, Jasper speaks about feeling-thinking processes to highlight the interaction between strategic thinking and emotions, and the impact they have on participation in politics.

Jasper divides emotions in five categories: reflex emotions (what we normally thinking of when we refer to emotions), urges, moods, affective commitments, and moral commitments. Through an extensive elaboration of these five concepts and the different emotions associated with each of them, Jasper builds a solid ground for the development of what he terms a ‘theory of action’.

This book will stimulate sociologists and political scientists interested in social movements and protests, as well as anyone attracted by debates about rationality.



Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Jun 2018 10:00:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How do emotions affect participation in protests, and in politics more generally? In The Emotions of Protests (University of Chicago Press, 2018), James M. Jasper develops a solid critique to approaches that present political action as strictly rationa...</itunes:subtitle>
      <itunes:summary>How do emotions affect participation in protests, and in politics more generally? In The Emotions of Protests (University of Chicago Press, 2018), James M. Jasper develops a solid critique to approaches that present political action as strictly rational and emotions as something outside the realm of strategy. Instead, Jasper speaks about feeling-thinking processes to highlight the interaction between strategic thinking and emotions, and the impact they have on participation in politics.

Jasper divides emotions in five categories: reflex emotions (what we normally thinking of when we refer to emotions), urges, moods, affective commitments, and moral commitments. Through an extensive elaboration of these five concepts and the different emotions associated with each of them, Jasper builds a solid ground for the development of what he terms a ‘theory of action’.

This book will stimulate sociologists and political scientists interested in social movements and protests, as well as anyone attracted by debates about rationality.



Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do emotions affect participation in protests, and in politics more generally? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QlUbLLV8f6zytrHABZJS7MMAAAFkMWop9wEAAAFKAbfV1EM/http://www.amazon.com/dp/022656178X/ref=as_at?creativeASIN=022656178X&amp;linkCode=w61&amp;imprToken=PGjEm7ZRvUfD2h4VZwFarg&amp;slotNum=0&amp;tag=newbooinhis-20">The Emotions of Protests</a> (University of Chicago Press, 2018), <a href="https://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/Sociology/Faculty-Bios/James-M-Jasper">James M. Jasper</a> develops a solid critique to approaches that present political action as strictly rational and emotions as something outside the realm of strategy. Instead, Jasper speaks about feeling-thinking processes to highlight the interaction between strategic thinking and emotions, and the impact they have on participation in politics.</p><p>
Jasper divides emotions in five categories: reflex emotions (what we normally thinking of when we refer to emotions), urges, moods, affective commitments, and moral commitments. Through an extensive elaboration of these five concepts and the different emotions associated with each of them, Jasper builds a solid ground for the development of what he terms a ‘theory of action’.</p><p>
This book will stimulate sociologists and political scientists interested in social movements and protests, as well as anyone attracted by debates about rationality.</p><p>
</p><p>
<a href="https://pds.ceu.edu/people/felipe-g-santos">Felipe G. Santos</a> is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4023</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74898]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2703216391.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Paula Serafini, “Performance Action: The Politics of Art Activism” (Routledge, 2018)</title>
      <description>How can art change the world? In Performance Action: The Politics of Art Activism (Routledge, 2018), Paula Serafini, a Research Associate at the University of Leicester’s CAMEo Research Institute for Cultural and Media Economies, explores art activism, looking at the power, potential, and problematics of art for political and social change. The book draws on a wealth of ethnographic material, including the author’s own art activism, to show the complexity as well as the importance of art activism. Moreover, the book offers a major theoretical contribution, fusing work on the public sphere, theories of aesthetics and politics, social movements theory, and theories of emotions and the body, with case studies including the high profile Art Not Oil coalition. The book will be essential reading for anyone interested in art, politics, and the potential to challenge and change our institutions and our politics.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Jun 2018 10:00:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can art change the world? In Performance Action: The Politics of Art Activism (Routledge, 2018), Paula Serafini, a Research Associate at the University of Leicester’s CAMEo Research Institute for Cultural and Media Economies,</itunes:subtitle>
      <itunes:summary>How can art change the world? In Performance Action: The Politics of Art Activism (Routledge, 2018), Paula Serafini, a Research Associate at the University of Leicester’s CAMEo Research Institute for Cultural and Media Economies, explores art activism, looking at the power, potential, and problematics of art for political and social change. The book draws on a wealth of ethnographic material, including the author’s own art activism, to show the complexity as well as the importance of art activism. Moreover, the book offers a major theoretical contribution, fusing work on the public sphere, theories of aesthetics and politics, social movements theory, and theories of emotions and the body, with case studies including the high profile Art Not Oil coalition. The book will be essential reading for anyone interested in art, politics, and the potential to challenge and change our institutions and our politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can art change the world? In<a href="http://aax-us-east.amazon-adsystem.com/x/c/QkWSOYv58Lv8j4UCA0IBPMgAAAFkMgBtpQEAAAFKAT71Hzo/http://www.amazon.com/dp/1877675792/ref=as_at?creativeASIN=1877675792&amp;linkCode=w61&amp;imprToken=RZkbV9ZpTjALFH45nx54AA&amp;slotNum=0&amp;tag=newbooinhis-20"> Performance Action: The Politics of Art Activism </a>(Routledge, 2018), <a href="https://www2.le.ac.uk/departments/media/people/dr-paula-serafini">Paula Serafini</a>, a Research Associate at the University of Leicester’s CAMEo Research Institute for Cultural and Media Economies, explores art activism, looking at the power, potential, and problematics of art for political and social change. The book draws on a wealth of ethnographic material, including the author’s own art activism, to show the complexity as well as the importance of art activism. Moreover, the book offers a major theoretical contribution, fusing work on the public sphere, theories of aesthetics and politics, social movements theory, and theories of emotions and the body, with case studies including the high profile <a href="http://www.artnotoil.org.uk">Art Not Oil</a> coalition. The book will be essential reading for anyone interested in art, politics, and the potential to challenge and change our institutions and our politics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2377</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74799]]></guid>
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    <item>
      <title>Hongwei Bao, “Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China” (NIAS Press, 2018)</title>
      <description>Hongwei Bao’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base,  Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 25 Jun 2018 10:00:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Hongwei Bao’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual m...</itunes:subtitle>
      <itunes:summary>Hongwei Bao’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base,  Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.nottingham.ac.uk/clas/people/hongwei.bao">Hongwei Bao</a>’s book is a thoughtful exploration of gay identity and queer activism in China. This work stems from the term and identity tongzhi, which means “comrade” and in more recent decades has been a popular term to refer to gay people and sexual minorities more broadly. Based on ethnographic research and a solid theoretical base, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QipyCx_FBvaifYSEVdyc5KwAAAFkLGvHZwEAAAFKAd8hKEY/http://www.amazon.com/dp/8776942368/ref=as_at?creativeASIN=8776942368&amp;linkCode=w61&amp;imprToken=9dhEQJI9.8HalVSb5nreUg&amp;slotNum=0&amp;tag=newbooinhis-20"> Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China</a> (NIAS Press, 2018) explores queer identity, activism, and governmentality in China, where negotiations between socialism and neoliberalism play out. From a cultural studies perspective, Bao examines a variety of topics from queer spaces in urban centers such as Shanghai, Beijing, and Guangzhou to conversion therapy diaries to queer film festivals. This book speaks to a wide variety of humanities and social science fields and will appeal to those interested in a fresh study of postsocialist China, gay identity formation, activism, and LGBT studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2753</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74829]]></guid>
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    <item>
      <title>Rob Sullivan, “The Geography of the Everyday: Toward an Understanding of the Given” (U Georgia Press, 2017)</title>
      <description>How to theorize what goes without saying? In The Geography of the Everyday: Toward an Understanding of the Given (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive, starting point for social and spatial theorists across disciplines. Proceeding in stepwise fashion, Sullivan builds an account of this concept that scopes over space, place, history, time itself, social and biological reproduction, embodiment, the object world, and the neural and perceptual dimensions of experience, folding high-level theorizing together with an eclectic range of empirical engagements. The book generously synthesizes insights from Erving Goffman, Michel Foucault, Michel de Certeau, Henri Lefebvre, Maurice Merleau-Ponty, Karl Marx, Torsten Hägerstrand, Jane Bennett, and other thinkers on or just off the map of critical geography today. It is an ambitious but conversational text, a committed work of exposition that might dovetail with many a seminar in geographic thought. As Sullivan sees it, materializing our own entwinement with the environment — accepting the complexity of “The TimeSpacePlace Thing” — just might incline future geographers to a richer, more affirmative sense of ethics and politics beyond the hermetic models of selfhood that, on his reading, still have wide appeal, even in an age when the costs of anthropocentrism seem all the more immediate.



Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Jun 2018 10:00:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How to theorize what goes without saying? In The Geography of the Everyday: Toward an Understanding of the Given (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive,</itunes:subtitle>
      <itunes:summary>How to theorize what goes without saying? In The Geography of the Everyday: Toward an Understanding of the Given (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive, starting point for social and spatial theorists across disciplines. Proceeding in stepwise fashion, Sullivan builds an account of this concept that scopes over space, place, history, time itself, social and biological reproduction, embodiment, the object world, and the neural and perceptual dimensions of experience, folding high-level theorizing together with an eclectic range of empirical engagements. The book generously synthesizes insights from Erving Goffman, Michel Foucault, Michel de Certeau, Henri Lefebvre, Maurice Merleau-Ponty, Karl Marx, Torsten Hägerstrand, Jane Bennett, and other thinkers on or just off the map of critical geography today. It is an ambitious but conversational text, a committed work of exposition that might dovetail with many a seminar in geographic thought. As Sullivan sees it, materializing our own entwinement with the environment — accepting the complexity of “The TimeSpacePlace Thing” — just might incline future geographers to a richer, more affirmative sense of ethics and politics beyond the hermetic models of selfhood that, on his reading, still have wide appeal, even in an age when the costs of anthropocentrism seem all the more immediate.



Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How to theorize what goes without saying? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuS7kwUVrYIk3RelPbmrPaUAAAFkFQM_XwEAAAFKAT38Io8/http://www.amazon.com/dp/0820351687/ref=as_at?creativeASIN=0820351687&amp;linkCode=w61&amp;imprToken=hg.0J.OEbV301BnPggGeqA&amp;slotNum=0&amp;tag=newbooinhis-20">The Geography of the Everyday: Toward an Understanding of the Given</a> (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive, starting point for social and spatial theorists across disciplines. Proceeding in stepwise fashion, Sullivan builds an account of this concept that scopes over space, place, history, time itself, social and biological reproduction, embodiment, the object world, and the neural and perceptual dimensions of experience, folding high-level theorizing together with an eclectic range of empirical engagements. The book generously synthesizes insights from Erving Goffman, Michel Foucault, Michel de Certeau, Henri Lefebvre, Maurice Merleau-Ponty, Karl Marx, Torsten Hägerstrand, Jane Bennett, and other thinkers on or just off the map of critical geography today. It is an ambitious but conversational text, a committed work of exposition that might dovetail with many a seminar in geographic thought. As Sullivan sees it, materializing our own entwinement with the environment — accepting the complexity of “The TimeSpacePlace Thing” — just might incline future geographers to a richer, more affirmative sense of ethics and politics beyond the hermetic models of selfhood that, on his reading, still have wide appeal, even in an age when the costs of anthropocentrism seem all the more immediate.</p><p>
</p><p>
Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at <a href="mailto:psrekman@berkeley.edu">psrekman@berkeley.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3283</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74736]]></guid>
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    <item>
      <title>Ignacio Aguiló, “The Darkening Nation: Race, Neoliberalism, and Crisis in Argentina” (U Wales Press, 2018)</title>
      <description>In The Darkening Nation: Race, Neoliberalism, and Crisis in Argentina (University of Wales Press, 2018), Ignacio Aguiló studies the sociocultural impact caused by the failure of the IMF economic measures in Argentina of 2001-2002. Through the lens of cultural production (films, novels, short stories, artwork and music), the author explores two of the country’s so-called exceptionalisms: whiteness and economic success. These myths, heavily endorsed by the military dictatorship during the 1970s and early 1980s, created a sense of homogeneity and uniqueness that came into question at the time of the crisis. All of the cultural products studied by the author show different aspects of what was actually a crisis in the exceptionality myths that linked race with progress.



Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 19 Jun 2018 10:00:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In The Darkening Nation: Race, Neoliberalism, and Crisis in Argentina (University of Wales Press, 2018), Ignacio Aguiló studies the sociocultural impact caused by the failure of the IMF economic measures in Argentina of 2001-2002.</itunes:subtitle>
      <itunes:summary>In The Darkening Nation: Race, Neoliberalism, and Crisis in Argentina (University of Wales Press, 2018), Ignacio Aguiló studies the sociocultural impact caused by the failure of the IMF economic measures in Argentina of 2001-2002. Through the lens of cultural production (films, novels, short stories, artwork and music), the author explores two of the country’s so-called exceptionalisms: whiteness and economic success. These myths, heavily endorsed by the military dictatorship during the 1970s and early 1980s, created a sense of homogeneity and uniqueness that came into question at the time of the crisis. All of the cultural products studied by the author show different aspects of what was actually a crisis in the exceptionality myths that linked race with progress.



Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qqa_RNpZT3nGCesy45UVibkAAAFkCqeYaAEAAAFKAYlsMt4/http://www.amazon.com/dp/1786832216/ref=as_at?creativeASIN=1786832216&amp;linkCode=w61&amp;imprToken=LO-Kqxujc8b6yhZzcXeKEA&amp;slotNum=0&amp;tag=newbooinhis-20">The Darkening Nation: Race, Neoliberalism, and Crisis in Argentina</a> (University of Wales Press, 2018), <a href="https://www.research.manchester.ac.uk/portal/ignacio.aguilo.html">Ignacio Aguiló</a> studies the sociocultural impact caused by the failure of the IMF economic measures in Argentina of 2001-2002. Through the lens of cultural production (films, novels, short stories, artwork and music), the author explores two of the country’s so-called exceptionalisms: whiteness and economic success. These myths, heavily endorsed by the military dictatorship during the 1970s and early 1980s, created a sense of homogeneity and uniqueness that came into question at the time of the crisis. All of the cultural products studied by the author show different aspects of what was actually a crisis in the exceptionality myths that linked race with progress.</p><p>
</p><p>
Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3589</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74699]]></guid>
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    <item>
      <title>Aaron Kuntz, “The Responsible Methodologist: Inquiry, Truth-Telling, and Social Justice” (Left Coast Press, 2015)</title>
      <description>In this episode, I speak with Aaron M. Kuntz about his book, The Responsible Methodologist: Inquiry, Truth-Telling, and Social Justice (Left Coast Press, 2015). This book offers a thorough and much-needed interrogation of the role of research methodologist in today’s neo-liberalist era. Kuntz reflects upon the social and cultural structure that gave rise to the conventional role of a methodologist, a technocrat and middle-manager of knowledge production. He urges social and educational researchers in general, and research methodologists in particular, to move away from such a morally indifferent position and to encompass a social justice oriented approach to research. In his book, Kuntz also mobilizes the latest social theories from post-structuralism to new materialism to reconceptualize the meaning of truth and the responsibility of researchers.

This thought-provoking and beautifully executed book will bring the readers to the central issues and debates with which contemporary researchers and research methodologists have been wrestling. It will be of interest to research methodologists, social and educational researchers, and professionals doing social justice work across different domains.



Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are qualitative research methodology, youth culture, identity formation, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Jun 2018 10:00:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In this episode, I speak with Aaron M. Kuntz about his book, The Responsible Methodologist: Inquiry, Truth-Telling, and Social Justice (Left Coast Press, 2015). This book offers a thorough and much-needed interrogation of the role of research methodolo...</itunes:subtitle>
      <itunes:summary>In this episode, I speak with Aaron M. Kuntz about his book, The Responsible Methodologist: Inquiry, Truth-Telling, and Social Justice (Left Coast Press, 2015). This book offers a thorough and much-needed interrogation of the role of research methodologist in today’s neo-liberalist era. Kuntz reflects upon the social and cultural structure that gave rise to the conventional role of a methodologist, a technocrat and middle-manager of knowledge production. He urges social and educational researchers in general, and research methodologists in particular, to move away from such a morally indifferent position and to encompass a social justice oriented approach to research. In his book, Kuntz also mobilizes the latest social theories from post-structuralism to new materialism to reconceptualize the meaning of truth and the responsibility of researchers.

This thought-provoking and beautifully executed book will bring the readers to the central issues and debates with which contemporary researchers and research methodologists have been wrestling. It will be of interest to research methodologists, social and educational researchers, and professionals doing social justice work across different domains.



Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are qualitative research methodology, youth culture, identity formation, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, I speak with <a href="http://amkuntz.people.ua.edu/">Aaron M. Kuntz</a> about his book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qq081yGei0fWbpZJohULy0kAAAFkCkAUyQEAAAFKAQnEuPU/http://www.amazon.com/dp/161132369X/ref=as_at?creativeASIN=161132369X&amp;linkCode=w61&amp;imprToken=eRcczrDxU7hgOHyyLjHKUg&amp;slotNum=0&amp;tag=newbooinhis-20">The Responsible Methodologist: Inquiry, Truth-Telling, and Social Justice</a> (Left Coast Press, 2015). This book offers a thorough and much-needed interrogation of the role of research methodologist in today’s neo-liberalist era. Kuntz reflects upon the social and cultural structure that gave rise to the conventional role of a methodologist, a technocrat and middle-manager of knowledge production. He urges social and educational researchers in general, and research methodologists in particular, to move away from such a morally indifferent position and to encompass a social justice oriented approach to research. In his book, Kuntz also mobilizes the latest social theories from post-structuralism to new materialism to reconceptualize the meaning of truth and the responsibility of researchers.</p><p>
This thought-provoking and beautifully executed book will bring the readers to the central issues and debates with which contemporary researchers and research methodologists have been wrestling. It will be of interest to research methodologists, social and educational researchers, and professionals doing social justice work across different domains.</p><p>
</p><p>
Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are qualitative research methodology, youth culture, identity formation, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74675]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2986955425.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bruno Chaouat, “Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism” (Liverpool University Press, 2017)</title>
      <description>“Is Theory Good for the Jews?” asks author Bruno Chaouat, professor of French at the University of Minnesota, in Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism (Liverpool University Press, 2017) . The title carries a measure of Chaouat’s characteristically ironic, self-deprecatory, yet polemical tone. So, Chaouat wonders, in both winking reference to the anti-Semitic trope of Jewish tribalism and self-involvement, and at the same time in all sincerity, whether “Theory” – in particular the canon of philosophy, literature, and social thought that grew largely out of Heideggerian roots and which continues to find contemporary purchase – is able to use its own tools to deal with today’s resurgent strains of anti-Semitism.

In this episode, Chaouat discusses several recent events in French letters, including the 2010 publication of writer, diplomat and French Resistance fighter Stéphane Hessel’s manifesto Time for Outrage and novelist Salim Bachi’s literary op-ed, “Moi, Mohammed Merah,”  a fictionalized account of the 2012 Toulouse attacks, told from the point of view of the murderer. We also talk about earlier influential figures, such as Georges Bataille and Jean Genet, and discuss how the vocabularies they invented, which they used to retool ideas of evil, transgression, and “our common inhumanity,” come to be recoded in service of a new “moralistic turn.”



Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 Jun 2018 10:00:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“Is Theory Good for the Jews?” asks author Bruno Chaouat, professor of French at the University of Minnesota, in Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism (Liverpool University Press, 2017) .</itunes:subtitle>
      <itunes:summary>“Is Theory Good for the Jews?” asks author Bruno Chaouat, professor of French at the University of Minnesota, in Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism (Liverpool University Press, 2017) . The title carries a measure of Chaouat’s characteristically ironic, self-deprecatory, yet polemical tone. So, Chaouat wonders, in both winking reference to the anti-Semitic trope of Jewish tribalism and self-involvement, and at the same time in all sincerity, whether “Theory” – in particular the canon of philosophy, literature, and social thought that grew largely out of Heideggerian roots and which continues to find contemporary purchase – is able to use its own tools to deal with today’s resurgent strains of anti-Semitism.

In this episode, Chaouat discusses several recent events in French letters, including the 2010 publication of writer, diplomat and French Resistance fighter Stéphane Hessel’s manifesto Time for Outrage and novelist Salim Bachi’s literary op-ed, “Moi, Mohammed Merah,”  a fictionalized account of the 2012 Toulouse attacks, told from the point of view of the murderer. We also talk about earlier influential figures, such as Georges Bataille and Jean Genet, and discuss how the vocabularies they invented, which they used to retool ideas of evil, transgression, and “our common inhumanity,” come to be recoded in service of a new “moralistic turn.”



Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Is Theory Good for the Jews?” asks author <a href="https://apps.cla.umn.edu/directory/profiles/chaou001">Bruno Chaouat</a>, professor of French at the University of Minnesota, in <a href="http://aax-us-east.amazon-adsystem.com/x/c/QoEMyruSMCW6q0WgrD2cdtoAAAFj5JcnIQEAAAFKAfUec-s/http://www.amazon.com/dp/1781383340/ref=as_at?creativeASIN=1781383340&amp;linkCode=w61&amp;imprToken=IVYZZBQh0tfaqydgabNcqg&amp;slotNum=0&amp;tag=newbooinhis-20">Is Theory Good for the Jews?: French Thought and the Challenge of the New Antisemitism</a> (Liverpool University Press, 2017) . The title carries a measure of Chaouat’s characteristically ironic, self-deprecatory, yet polemical tone. So, Chaouat wonders, in both winking reference to the anti-Semitic trope of Jewish tribalism and self-involvement, and at the same time in all sincerity, whether “Theory” – in particular the canon of philosophy, literature, and social thought that grew largely out of Heideggerian roots and which continues to find contemporary purchase – is able to use its own tools to deal with today’s resurgent strains of anti-Semitism.</p><p>
In this episode, Chaouat discusses several recent events in French letters, including the 2010 publication of writer, diplomat and French Resistance fighter Stéphane Hessel’s manifesto Time for Outrage and novelist Salim Bachi’s literary op-ed, “Moi, Mohammed Merah,”  a fictionalized account of the 2012 Toulouse attacks, told from the point of view of the murderer. We also talk about earlier influential figures, such as Georges Bataille and Jean Genet, and discuss how the vocabularies they invented, which they used to retool ideas of evil, transgression, and “our common inhumanity,” come to be recoded in service of a new “moralistic turn.”</p><p>
</p><p>
Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4349</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74500]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8855113552.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kyla Schuller, “The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century” (Duke UP, 2017)</title>
      <description>Beginning with a discussion about Black Lives Matter may seem like an unlikely place to start a book about nineteenth century science and culture. However, by contrasting Black lives with White feelings, Kyla Schuller sets up the central conflict of her book. The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century (Duke University Press, 2017) interrogates the role of sexual difference in the management of racialized populations, making this book a necessary read for understanding the history of such current social movements as Black Lives Matter and the trans* exclusionary “Pussy hat” feminism.

From the very beginning of the book, our conceptions of nineteenth-century science are challenged. For much of the century,  many US scientists championed Jean-Baptiste Lamarck over Charles Darwin as their most prominent influence. In their quest to refute determinist theories of heredity, the neo-Lamarckians of the American School of Evolution advocated for a self-directed version of evolution. These scientists argued that Anglo-Saxons  have the most adaptable features and impressionable heredity. This impressionability was what made Whites more sentimental and civilized than other races, who were not as impressionable and seen as largely stuck in a prior stage of progressivist evolution, according to E.D. Cope and the American School of Evolution. Whites were also seen as having greater sexual dimorphism than other races, while women of color were not seen as achieving true womanhood. Kyla therefore finds the origin of binary sex enveloped in racialized difference.

Beyond the subject of evolutionary science, this book introduces us to the Black uplift project of Frances Harper, the vagina politics of Dr. Elizabeth Blackwell and Dr. Mary Walker, the biophilanthropy of Charles Loring Brace, and the assemblage theories of W.E.B. DuBois. The Biopolitics of Feeling is packed with interesting, and sometimes shocking, historical anecdotes, such as Walker’s sex advice book to men in 1878, E.D. Cope’s sometimes destructive and violent rivalry with O.C. Marsh, and the “orphan trains” that took two hundred thousand kids out West for educational and labor purposes. The breadth of this book shouldd be of interest to a number of scholars interested in the history of science, literature, and medicine. Meanwhile, Kyla’s engagement and challenge to New Materialist theories is likely to be canonical for future Feminist STS scholars.



Chad J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California, San Diego. His research interests includes the history of the human sciences, the influence of the behavioral sciences on medical practice and health policy, and political activism around science and the arts. You can follow him on Twitter @chadjvalasek.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Jun 2018 14:14:03 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Beginning with a discussion about Black Lives Matter may seem like an unlikely place to start a book about nineteenth century science and culture. However, by contrasting Black lives with White feelings, Kyla Schuller sets up the central conflict of he...</itunes:subtitle>
      <itunes:summary>Beginning with a discussion about Black Lives Matter may seem like an unlikely place to start a book about nineteenth century science and culture. However, by contrasting Black lives with White feelings, Kyla Schuller sets up the central conflict of her book. The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century (Duke University Press, 2017) interrogates the role of sexual difference in the management of racialized populations, making this book a necessary read for understanding the history of such current social movements as Black Lives Matter and the trans* exclusionary “Pussy hat” feminism.

From the very beginning of the book, our conceptions of nineteenth-century science are challenged. For much of the century,  many US scientists championed Jean-Baptiste Lamarck over Charles Darwin as their most prominent influence. In their quest to refute determinist theories of heredity, the neo-Lamarckians of the American School of Evolution advocated for a self-directed version of evolution. These scientists argued that Anglo-Saxons  have the most adaptable features and impressionable heredity. This impressionability was what made Whites more sentimental and civilized than other races, who were not as impressionable and seen as largely stuck in a prior stage of progressivist evolution, according to E.D. Cope and the American School of Evolution. Whites were also seen as having greater sexual dimorphism than other races, while women of color were not seen as achieving true womanhood. Kyla therefore finds the origin of binary sex enveloped in racialized difference.

Beyond the subject of evolutionary science, this book introduces us to the Black uplift project of Frances Harper, the vagina politics of Dr. Elizabeth Blackwell and Dr. Mary Walker, the biophilanthropy of Charles Loring Brace, and the assemblage theories of W.E.B. DuBois. The Biopolitics of Feeling is packed with interesting, and sometimes shocking, historical anecdotes, such as Walker’s sex advice book to men in 1878, E.D. Cope’s sometimes destructive and violent rivalry with O.C. Marsh, and the “orphan trains” that took two hundred thousand kids out West for educational and labor purposes. The breadth of this book shouldd be of interest to a number of scholars interested in the history of science, literature, and medicine. Meanwhile, Kyla’s engagement and challenge to New Materialist theories is likely to be canonical for future Feminist STS scholars.



Chad J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California, San Diego. His research interests includes the history of the human sciences, the influence of the behavioral sciences on medical practice and health policy, and political activism around science and the arts. You can follow him on Twitter @chadjvalasek.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Beginning with a discussion about Black Lives Matter may seem like an unlikely place to start a book about nineteenth century science and culture. However, by contrasting Black lives with White feelings, <a href="http://womens-studies.rutgers.edu/faculty/core-faculty/550-kyla-schuller">Kyla Schuller</a> sets up the central conflict of her book. <a href="http://aax-us-east.amazon-adsystem.com/x/c/QrdkZVyckRmkg2-FiFmuWO8AAAFju7JZQgEAAAFKAbNnzx0/http://www.amazon.com/dp/0822369230/ref=as_at?creativeASIN=0822369230&amp;linkCode=w61&amp;imprToken=-La2FS3QDPTc4C5LqiZnsA&amp;slotNum=0&amp;tag=newbooinhis-20">The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century </a>(Duke University Press, 2017) interrogates the role of sexual difference in the management of racialized populations, making this book a necessary read for understanding the history of such current social movements as Black Lives Matter and the trans* exclusionary “Pussy hat” feminism.</p><p>
From the very beginning of the book, our conceptions of nineteenth-century science are challenged. For much of the century,  many US scientists championed Jean-Baptiste Lamarck over Charles Darwin as their most prominent influence. In their quest to refute determinist theories of heredity, the neo-Lamarckians of the American School of Evolution advocated for a self-directed version of evolution. These scientists argued that Anglo-Saxons  have the most adaptable features and impressionable heredity. This impressionability was what made Whites more sentimental and civilized than other races, who were not as impressionable and seen as largely stuck in a prior stage of progressivist evolution, according to E.D. Cope and the American School of Evolution. Whites were also seen as having greater sexual dimorphism than other races, while women of color were not seen as achieving true womanhood. Kyla therefore finds the origin of binary sex enveloped in racialized difference.</p><p>
Beyond the subject of evolutionary science, this book introduces us to the Black uplift project of Frances Harper, the vagina politics of Dr. Elizabeth Blackwell and Dr. Mary Walker, the biophilanthropy of Charles Loring Brace, and the assemblage theories of W.E.B. DuBois. The Biopolitics of Feeling is packed with interesting, and sometimes shocking, historical anecdotes, such as Walker’s sex advice book to men in 1878, E.D. Cope’s sometimes destructive and violent rivalry with O.C. Marsh, and the “orphan trains” that took two hundred thousand kids out West for educational and labor purposes. The breadth of this book shouldd be of interest to a number of scholars interested in the history of science, literature, and medicine. Meanwhile, Kyla’s engagement and challenge to New Materialist theories is likely to be canonical for future Feminist STS scholars.</p><p>
</p><p>
Chad J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California, San Diego. His research interests includes the history of the human sciences, the influence of the behavioral sciences on medical practice and health policy, and political activism around science and the arts. You can follow him on Twitter <a href="https://twitter.com/chadjvalasek">@chadjvalasek</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3505</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74317]]></guid>
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    <item>
      <title>Christina Scharff, “Gender, Subjectivity, and Cultural Work: The Classical Music Profession” (Routledge, 2018)</title>
      <description>What sort of inequalities characterize classical music today? In Gender, Subjectivity, and Cultural Work: The Classical Music Profession (Routledge, 2018), Christina Scharff, a senior lecturer in culture, media and creative industries in the department of Culture, Media and Creative Industries at King’s College London, offers a detailed analysis of the way the classical music profession is marked by race, class, and gender inequalities. Drawing on contemporary debates in feminism, the work of Michel Foucault, and a critique of the entrepreneurial self, the book offers a comparative study of London and Berlin. In doing so it positions classical music as a crucial site for understanding not only cultural and creative industries, but the entirety of our unequal, post-feminist economy and society. It will be required reading and citation for all creative industries scholars, as well as an important text for cultural and media studies, sociology, music, and anyone interested in the relationship between culture and social inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 29 May 2018 10:00:51 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What sort of inequalities characterize classical music today? In Gender, Subjectivity, and Cultural Work: The Classical Music Profession (Routledge, 2018), Christina Scharff, a senior lecturer in culture, media and creative industries in the department...</itunes:subtitle>
      <itunes:summary>What sort of inequalities characterize classical music today? In Gender, Subjectivity, and Cultural Work: The Classical Music Profession (Routledge, 2018), Christina Scharff, a senior lecturer in culture, media and creative industries in the department of Culture, Media and Creative Industries at King’s College London, offers a detailed analysis of the way the classical music profession is marked by race, class, and gender inequalities. Drawing on contemporary debates in feminism, the work of Michel Foucault, and a critique of the entrepreneurial self, the book offers a comparative study of London and Berlin. In doing so it positions classical music as a crucial site for understanding not only cultural and creative industries, but the entirety of our unequal, post-feminist economy and society. It will be required reading and citation for all creative industries scholars, as well as an important text for cultural and media studies, sociology, music, and anyone interested in the relationship between culture and social inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What sort of inequalities characterize classical music today? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QlJ5rPDcRNb75ASZBs-sN_0AAAFjqK65xwEAAAFKAepy8iM/http://www.amazon.com/dp/1138942561/ref=as_at?creativeASIN=1138942561&amp;linkCode=w61&amp;imprToken=fbLoYlLyrlfvMAyCpmL44A&amp;slotNum=0&amp;tag=newbooinhis-20">Gender, Subjectivity, and Cultural Work: The Classical Music Profession</a> (Routledge, 2018), <a href="https://www.kcl.ac.uk/artshums/depts/cmci/people/academic/scharff/index.aspx">Christina Scharff</a>, a senior lecturer in culture, media and creative industries in the department of Culture, Media and Creative Industries at King’s College London, offers a detailed analysis of the way the classical music profession is marked by race, class, and gender inequalities. Drawing on contemporary debates in feminism, the work of Michel Foucault, and a critique of the entrepreneurial self, the book offers a comparative study of London and Berlin. In doing so it positions classical music as a crucial site for understanding not only cultural and creative industries, but the entirety of our unequal, post-feminist economy and society. It will be required reading and citation for all creative industries scholars, as well as an important text for cultural and media studies, sociology, music, and anyone interested in the relationship between culture and social inequality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2135</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73939]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7045535018.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dieter Vandebroeck, “Distinctions in the Flesh: Social Class and the Embodiment of Inequality” (Routledge, 2017)</title>
      <description>How is class inequality intertwined with the body? In Distinctions in the Flesh: Social Class and the Embodiment of Inequality (Routledge, 2017),  Dieter Vandebroeck, an assistant professor in sociology at the Free University of Brussels, explores this question by a deep engagement with contemporary theory and detailed empirical evidence. The book takes on sociology’s turn to the body in the context of Pierre Bourdieu’s work, in particular the sense of bodies in (unequal) social relations with each other and the distinctions flowing from those relations. Using a huge range of examples, including food and eating practices, sport, and body image, the book moves to position the body as a most crucial site for understanding contemporary inequality. Although the book speaks primarily to sociological debates, the engagement with theory and the empirical analysis is an essential read for anyone interested in how bodies are social, as well as individual.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 May 2018 10:00:53 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How is class inequality intertwined with the body? In Distinctions in the Flesh: Social Class and the Embodiment of Inequality (Routledge, 2017),  Dieter Vandebroeck, an assistant professor in sociology at the Free University of Brussels,</itunes:subtitle>
      <itunes:summary>How is class inequality intertwined with the body? In Distinctions in the Flesh: Social Class and the Embodiment of Inequality (Routledge, 2017),  Dieter Vandebroeck, an assistant professor in sociology at the Free University of Brussels, explores this question by a deep engagement with contemporary theory and detailed empirical evidence. The book takes on sociology’s turn to the body in the context of Pierre Bourdieu’s work, in particular the sense of bodies in (unequal) social relations with each other and the distinctions flowing from those relations. Using a huge range of examples, including food and eating practices, sport, and body image, the book moves to position the body as a most crucial site for understanding contemporary inequality. Although the book speaks primarily to sociological debates, the engagement with theory and the empirical analysis is an essential read for anyone interested in how bodies are social, as well as individual.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is class inequality intertwined with the body? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QjVucTBjEj14pjQlbD4JYwYAAAFjgyCytwEAAAFKAZZYSqI/http://www.amazon.com/dp/1138123552/ref=as_at?creativeASIN=1138123552&amp;linkCode=w61&amp;imprToken=HDRzVez72tXt2qP1.8CnNA&amp;slotNum=0&amp;tag=newbooinhis-20">Distinctions in the Flesh: Social Class and the Embodiment of Inequality </a>(Routledge, 2017),  <a href="http://www.vub.ac.be/TOR/person/dieter-vandebroeck/">Dieter Vandebroeck</a>, an assistant professor in sociology at the Free University of Brussels, explores this question by a deep engagement with contemporary theory and detailed empirical evidence. The book takes on sociology’s turn to the body in the context of Pierre Bourdieu’s work, in particular the sense of bodies in (unequal) social relations with each other and the distinctions flowing from those relations. Using a huge range of examples, including food and eating practices, sport, and body image, the book moves to position the body as a most crucial site for understanding contemporary inequality. Although the book speaks primarily to sociological debates, the engagement with theory and the empirical analysis is an essential read for anyone interested in how bodies are social, as well as individual.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73510]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9421985349.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Rifkin, “Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination” (Duke UP, 2017)</title>
      <description>Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives of settler sovereignty” (ix). Exploring a range of sources including film, government documents, fiction, histories, and autobiography, Rifkin considers how time is defined by non-native ideologies.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 May 2018 10:00:18 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality.</itunes:subtitle>
      <itunes:summary>Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives of settler sovereignty” (ix). Exploring a range of sources including film, government documents, fiction, histories, and autobiography, Rifkin considers how time is defined by non-native ideologies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://english.uncg.edu/people/faculty/rifkin.html">Mark Rifkin</a>’s <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qm2uwqyMGTNxKoYuPUM6g4sAAAFjS0ee8QEAAAFKAUlt-0o/http://www.amazon.com/dp/0822362856/ref=as_at?creativeASIN=0822362856&amp;linkCode=w61&amp;imprToken=PopV3xRGFppZzl0vSqxLgg&amp;slotNum=0&amp;tag=newbooinhis-20">Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination</a> (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives of settler sovereignty” (ix). Exploring a range of sources including film, government documents, fiction, histories, and autobiography, Rifkin considers how time is defined by non-native ideologies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3113</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73504]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1016657969.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Schulman, “Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair” (Arsenal Pulp Press, 2016)</title>
      <description>Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict.

Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 04 May 2018 10:59:12 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups,</itunes:subtitle>
      <itunes:summary>Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict.

Sarah Schulman is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sarah Schulman’s <a href="http://aax-us-east.amazon-adsystem.com/x/c/QrXeXDHd1HaaCWbBBQRq-q4AAAFjKsfR_gEAAAFKAW1hDu4/http://www.amazon.com/dp/1551526433/ref=as_at?creativeASIN=1551526433&amp;linkCode=w61&amp;imprToken=B8t9o.L6iPDZFuANJoAjNw&amp;slotNum=0&amp;tag=newbooinhis-20">Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair </a>(Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of community responsibility for conflict resolution, rather than allowing the punitive state to act as the exclusive arbiter of conflict.</p><p>
<a href="http://www.english.csi.cuny.edu/sarah_schulman.html">Sarah Schulman</a> is a Distinguished Professor of English at the College of Staten Island where she teaches courses on fiction writing, and is a prolific novelist, playwright, filmmaker, and non-fiction writer.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3737</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73300]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7984256589.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leah Bassel and Akwugo Emejulu, “Minority Women and Austerity: Survival and Resistance in France and Britain” (Policy Press, 2017)</title>
      <description>What is the impact of austerity on minority women? How has this impacted on already long standing forms of social inequality across England, France and Scotland? These questions are the subject of Minority Women and Austerity: Survival and Resistance in France and Britain (Policy Press, 2017), the new book from Dr. Leah Bassel, an associate professor of sociology at the University of Leicester, and Professor Akwugo Emejulu, a professor of sociology at the University of Warwick. The book foregrounds the narratives and understandings of minority women activists with regard to the current political moment. It challenges contemporary social policy analysis by using an intersectional approach to the impact of both state and third sector actions, as well as the political mobilizations associated with resistance. Drawing on a wealth of interview fieldwork, detailed policy analysis, and a deep but accessible theoretical framework, the book offers an important intervention on the failures of both right and left wing politics in response to the ongoing marginalization and poverty experienced by women of color. The book is an essential and important read for social policy, sociology, and politics scholars, as well as for anyone who seeks to understand the reality of the racialized and patriarchal contemporary state.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 27 Apr 2018 10:00:07 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the impact of austerity on minority women? How has this impacted on already long standing forms of social inequality across England, France and Scotland? These questions are the subject of Minority Women and Austerity: Survival and Resistance i...</itunes:subtitle>
      <itunes:summary>What is the impact of austerity on minority women? How has this impacted on already long standing forms of social inequality across England, France and Scotland? These questions are the subject of Minority Women and Austerity: Survival and Resistance in France and Britain (Policy Press, 2017), the new book from Dr. Leah Bassel, an associate professor of sociology at the University of Leicester, and Professor Akwugo Emejulu, a professor of sociology at the University of Warwick. The book foregrounds the narratives and understandings of minority women activists with regard to the current political moment. It challenges contemporary social policy analysis by using an intersectional approach to the impact of both state and third sector actions, as well as the political mobilizations associated with resistance. Drawing on a wealth of interview fieldwork, detailed policy analysis, and a deep but accessible theoretical framework, the book offers an important intervention on the failures of both right and left wing politics in response to the ongoing marginalization and poverty experienced by women of color. The book is an essential and important read for social policy, sociology, and politics scholars, as well as for anyone who seeks to understand the reality of the racialized and patriarchal contemporary state.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the impact of austerity on minority women? How has this impacted on already long standing forms of social inequality across England, France and Scotland? These questions are the subject of <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qqq760_Kq4lacoee1rAkl18AAAFjAb-IbAEAAAFKASkQuzg/http://www.amazon.com/dp/1447327136/ref=as_at?creativeASIN=1447327136&amp;linkCode=w61&amp;imprToken=OuQ7dBzg9slWE7o.KqyOxw&amp;slotNum=0&amp;tag=newbooinhis-20">Minority Women and Austerity: Survival and Resistance in France and Britain</a> (Policy Press, 2017), the new book from <a href="https://www2.le.ac.uk/departments/sociology/people/dr-leah-bassel-1">Dr. Leah Bassel, </a>an associate professor of sociology at the University of Leicester, and <a href="https://twitter.com/AkwugoEmejulu">Professor Akwugo Emejulu</a>, a professor of sociology at the University of Warwick. The book foregrounds the narratives and understandings of minority women activists with regard to the current political moment. It challenges contemporary social policy analysis by using an intersectional approach to the impact of both state and third sector actions, as well as the political mobilizations associated with resistance. Drawing on a wealth of interview fieldwork, detailed policy analysis, and a deep but accessible theoretical framework, the book offers an important intervention on the failures of both right and left wing politics in response to the ongoing marginalization and poverty experienced by women of color. The book is an essential and important read for social policy, sociology, and politics scholars, as well as for anyone who seeks to understand the reality of the racialized and patriarchal contemporary state.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2493</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72984]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1923239651.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aimi Hamraie, “Building Access: Universal Design and the Politics of Disability” (U Minnesota Press, 2017)</title>
      <description>The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions.  Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice.

Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health &amp; Society, and Director of Vanderbilt’s Critical Design Lab.



This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Apr 2018 10:00:07 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book,</itunes:subtitle>
      <itunes:summary>The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions.  Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice.

Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health &amp; Society, and Director of Vanderbilt’s Critical Design Lab.



This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qr8lThPsLbx0QWXMoiFESEwAAAFi93OkRAEAAAFKAUTpOMw/http://www.amazon.com/dp/1517901642/ref=as_at?creativeASIN=1517901642&amp;linkCode=w61&amp;imprToken=e8hfzi.tkQaFHqMO8CQZkw&amp;slotNum=0&amp;tag=newbooinhis-20">Building Access: Universal Design and the Politics of Disability</a> (University of Minnesota Press, 2017), <a href="https://www.vanderbilt.edu/mhs/faculty/aimi-hamraie/">Aimi Hamraie</a> takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions.  Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice.</p><p>
Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health &amp; Society, and Director of Vanderbilt’s <a href="https://www.mapping-access.com/lab/">Critical Design Lab</a>.</p><p>
</p><p>
This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2652</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73041]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9879554667.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sigrid Schmalzer, et. al., “Science for the People: Documents from America’s Movement of Radical Scientists (UMass Press, 2018)</title>
      <description>“What is needed now is not liberal reform or withdrawal, but a radical attack, a strategy of opposition. Scientific workers must develop ways to put their skills at the service of the people and against the oppressors.” (Zimmerman, et al. 1972).

Following the 2014 conference, “Science for the People: The 1970s and Today,” Sigrid Schmalzer, Daniel Chard, and Alyssa Botelho, edited a volume of the Science for the People (SftP) movement, curating numerous documents from the group that are as relevant today as when they were published several decades ago. Science for the People: Documents from America’s Movement of Radical Scientists (University of Massachusetts Press, 2018) encapsulates the diverse themes, research, and actions of the movement, which included chapters across the US at one time. Emerging from the radical political culture of the 1960s, and predecessor group, Scientists for Social and Political Action, SftP challenged the value-neutrality of science and technology, and instead sought to democratize science by engaging with other political movements and conducting research with non-experts. While much scientific research continues to be funded by the state or by corporations, SftP provided grassroots scientific and technological assistance and education in a multitude of settings. Just to take a few examples from the volume, these efforts included research for social movements, providing electrical power for a Black Panther free medical clinic, promoting the farming technique of intercropping, as well as distributing resources, literature and education to countries such as Vietnam and Nicaragua. The direction of assistance between SftP and other groups was rarely one-sided, as SftP members absorbed knowledge from other movements and places, as documented in the China: Science Walks on Two Legs selection, wherein several SftP members visited China and learned about some of the traditional science and peasant research conducted in the nation. In addition, through working groups and publications, SftP critiqued racist and sexist science, reductionist biology, nuclear power, weapons research, commercial agriculture, US imperialism, and much more. As their many articles and actions show, SftP did more than just critique mainstream science, they attempted to provide alternatives. Finally, SftP had a formative and lasting effect on Science and Technology Studies through its various studies on the social embeddedness of science and its political uses.

Since the 2014 conference, Science for the People has been revitalized through new efforts. Check out https://scienceforthepeople.org/ to see continued and original projects.



Chad J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California, San Diego. His research interests includes the history of the human sciences, the influence of the behavioral sciences on medical practice and health policy, and political activism around science and the arts. Follow him on Twitter @chadjvalasek.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 Apr 2018 10:00:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“What is needed now is not liberal reform or withdrawal, but a radical attack, a strategy of opposition. Scientific workers must develop ways to put their skills at the service of the people and against the oppressors.” (Zimmerman, et al. 1972).</itunes:subtitle>
      <itunes:summary>“What is needed now is not liberal reform or withdrawal, but a radical attack, a strategy of opposition. Scientific workers must develop ways to put their skills at the service of the people and against the oppressors.” (Zimmerman, et al. 1972).

Following the 2014 conference, “Science for the People: The 1970s and Today,” Sigrid Schmalzer, Daniel Chard, and Alyssa Botelho, edited a volume of the Science for the People (SftP) movement, curating numerous documents from the group that are as relevant today as when they were published several decades ago. Science for the People: Documents from America’s Movement of Radical Scientists (University of Massachusetts Press, 2018) encapsulates the diverse themes, research, and actions of the movement, which included chapters across the US at one time. Emerging from the radical political culture of the 1960s, and predecessor group, Scientists for Social and Political Action, SftP challenged the value-neutrality of science and technology, and instead sought to democratize science by engaging with other political movements and conducting research with non-experts. While much scientific research continues to be funded by the state or by corporations, SftP provided grassroots scientific and technological assistance and education in a multitude of settings. Just to take a few examples from the volume, these efforts included research for social movements, providing electrical power for a Black Panther free medical clinic, promoting the farming technique of intercropping, as well as distributing resources, literature and education to countries such as Vietnam and Nicaragua. The direction of assistance between SftP and other groups was rarely one-sided, as SftP members absorbed knowledge from other movements and places, as documented in the China: Science Walks on Two Legs selection, wherein several SftP members visited China and learned about some of the traditional science and peasant research conducted in the nation. In addition, through working groups and publications, SftP critiqued racist and sexist science, reductionist biology, nuclear power, weapons research, commercial agriculture, US imperialism, and much more. As their many articles and actions show, SftP did more than just critique mainstream science, they attempted to provide alternatives. Finally, SftP had a formative and lasting effect on Science and Technology Studies through its various studies on the social embeddedness of science and its political uses.

Since the 2014 conference, Science for the People has been revitalized through new efforts. Check out https://scienceforthepeople.org/ to see continued and original projects.



Chad J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California, San Diego. His research interests includes the history of the human sciences, the influence of the behavioral sciences on medical practice and health policy, and political activism around science and the arts. Follow him on Twitter @chadjvalasek.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“What is needed now is not liberal reform or withdrawal, but a radical attack, a strategy of opposition. Scientific workers must develop ways to put their skills at the service of the people and against the oppressors.” (Zimmerman, et al. 1972).</p><p>
Following the 2014 conference, “Science for the People: The 1970s and Today,” <a href="http://sigridschmalzer.org/">Sigrid Schmalze</a><a href="http://sigridschmalzer.org/">r,</a> <a href="https://www.umass.edu/history/people/daniel-chard">Daniel Chard</a>, and <a href="https://histsci.fas.harvard.edu/people/alyssa-botelho">Alyssa Botelho</a>, edited a volume of the Science for the People (SftP) movement, curating numerous documents from the group that are as relevant today as when they were published several decades ago. <a href="http://aax-us-east.amazon-adsystem.com/x/c/QnmUi7PIoVwZCw3jC1eOyOYAAAFi7wNCyAEAAAFKAQ4sMLI/http://www.amazon.com/dp/1625343183/ref=as_at?creativeASIN=1625343183&amp;linkCode=w61&amp;imprToken=hZq5WS-YA926D4JiB-IaoQ&amp;slotNum=0&amp;tag=newbooinhis-20">Science for the People: Documents from America’s Movement of Radical Scientists</a> (University of Massachusetts Press, 2018) encapsulates the diverse themes, research, and actions of the movement, which included chapters across the US at one time. Emerging from the radical political culture of the 1960s, and predecessor group, Scientists for Social and Political Action, SftP challenged the value-neutrality of science and technology, and instead sought to democratize science by engaging with other political movements and conducting research with non-experts. While much scientific research continues to be funded by the state or by corporations, SftP provided grassroots scientific and technological assistance and education in a multitude of settings. Just to take a few examples from the volume, these efforts included research for social movements, providing electrical power for a Black Panther free medical clinic, promoting the farming technique of intercropping, as well as distributing resources, literature and education to countries such as Vietnam and Nicaragua. The direction of assistance between SftP and other groups was rarely one-sided, as SftP members absorbed knowledge from other movements and places, as documented in the China: Science Walks on Two Legs selection, wherein several SftP members visited China and learned about some of the traditional science and peasant research conducted in the nation. In addition, through working groups and publications, SftP critiqued racist and sexist science, reductionist biology, nuclear power, weapons research, commercial agriculture, US imperialism, and much more. As their many articles and actions show, SftP did more than just critique mainstream science, they attempted to provide alternatives. Finally, SftP had a formative and lasting effect on Science and Technology Studies through its various studies on the social embeddedness of science and its political uses.</p><p>
Since the 2014 conference, Science for the People has been revitalized through new efforts. Check out <a href="https://scienceforthepeople.org/">https://scienceforthepeople.org/</a> to see continued and original projects.</p><p>
</p><p>
Chad J. Valasek is a Ph.D. Candidate in Sociology &amp; Science Studies at the University of California, San Diego. His research interests includes the history of the human sciences, the influence of the behavioral sciences on medical practice and health policy, and political activism around science and the arts. Follow him on Twitter <a href="https://twitter.com/chadjvalasek">@chadjvalasek</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
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      <title>Anamik Saha, “Race and the Cultural Industries” (Polity, 2018)</title>
      <description>How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture.
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      <pubDate>Mon, 09 Apr 2018 10:00:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London.</itunes:subtitle>
      <itunes:summary>How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do the media make race? This question is at the heart of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QmFVbUb0H5egX7kuHHcWG9MAAAFimtkqrgEAAAFKAQmVJw8/http://www.amazon.com/dp/1509505318/ref=as_at?creativeASIN=1509505318&amp;linkCode=w61&amp;imprToken=16JSTHn74u9.7XfuAlRfNA&amp;slotNum=0&amp;tag=newbooinhis-20">Race and the Cultural Industries</a> (Polity, 2018), the new book by <a href="https://www.gold.ac.uk/media-communications/staff/saha/">Anamik Saha</a>, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2939</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72537]]></guid>
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      <title>Stephen Monteiro, “The Fabric of Interface: Mobile Media, Design, and Gender” (MIT Press, 2017)</title>
      <description>Sewing, knitting, quilting, the crafts related to fabric making, are usually not what we think about when we consider our digital communications devices. Yet, many of the activities that we find ourselves doing with our devices touching the screen, scrolling, swiping, etc. and some of the language that we use to describe our actions, draw from textile culture. In his book The Fabric of Interface: Mobile Media, Design, and Gender (MIT Press, 2017), Stephen Montiero, at Concordia University, explores the connection between the fabric arts and computing. In it he investigates the relationship between gender and the construction of media technologies. A particular focus of his is an examination of how, as in former years sewing was dismissed as women’s work, social aspects of digital technologies are gendered and dismissed as inconsequential. Montiero also details the eraser of the contributions of many women to the evolution of the technology that is now ubiquitous.
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      <pubDate>Fri, 06 Apr 2018 10:00:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sewing, knitting, quilting, the crafts related to fabric making, are usually not what we think about when we consider our digital communications devices. Yet, many of the activities that we find ourselves doing with our devices touching the screen,</itunes:subtitle>
      <itunes:summary>Sewing, knitting, quilting, the crafts related to fabric making, are usually not what we think about when we consider our digital communications devices. Yet, many of the activities that we find ourselves doing with our devices touching the screen, scrolling, swiping, etc. and some of the language that we use to describe our actions, draw from textile culture. In his book The Fabric of Interface: Mobile Media, Design, and Gender (MIT Press, 2017), Stephen Montiero, at Concordia University, explores the connection between the fabric arts and computing. In it he investigates the relationship between gender and the construction of media technologies. A particular focus of his is an examination of how, as in former years sewing was dismissed as women’s work, social aspects of digital technologies are gendered and dismissed as inconsequential. Montiero also details the eraser of the contributions of many women to the evolution of the technology that is now ubiquitous.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sewing, knitting, quilting, the crafts related to fabric making, are usually not what we think about when we consider our digital communications devices. Yet, many of the activities that we find ourselves doing with our devices touching the screen, scrolling, swiping, etc. and some of the language that we use to describe our actions, draw from textile culture. In his book T<a href="https://mitpress.mit.edu/books/fabric-interface">he Fabric of Interface: Mobile Media, Design, and Gender</a> (MIT Press, 2017), <a href="https://www.concordia.ca/artsci/coms/faculty.html?fpid=stephen-monteiro">Stephen Montiero</a>, at Concordia University, explores the connection between the fabric arts and computing. In it he investigates the relationship between gender and the construction of media technologies. A particular focus of his is an examination of how, as in former years sewing was dismissed as women’s work, social aspects of digital technologies are gendered and dismissed as inconsequential. Montiero also details the eraser of the contributions of many women to the evolution of the technology that is now ubiquitous.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72551]]></guid>
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      <title>Lana Lin, “Freud’s Jaw and Other Lost Objects: Fractured Subjectivity in the Face of Cancer” (Fordham UP, 2017)</title>
      <description>In April 1923 Sigmund Freud detected a lesion in his mouth that turned out to be cancerous. From diagnosis to his death, he endured 33 surgeries and 10 prostheses. In 1932 alone, Freud consulted with his surgeon Hans Pichler 92 times. Freud’s smoking motivated much of the fussiness with his prosthetic jaw: it had to be right at the palate edge, with optimal occlusion so as to get the most out of his cigars. For Freud, smoking facilitated writing and intellectual creativity; it provided exquisite enjoyment. An inanimate object thus served as a conduit of both vitality and grave illness—a testament to the entanglement, indeed, the indistinguishability of the life and death drives.

In 1977, after a biopsy of a tumor in her right breast, Audre Lorde fantasized about lopping off the agent of her destruction like “a she-wolf chewing off a paw caught in a trap.” (56) In the manner of a Kleinian infant, she directed her rage at the persecutory breast that betrayed her (once again) and ceased being her own. Lorde turned her poetry and personal survival into political acts of reparation, linking the ravages of cancer to racial and sexual injury and offering herself to queer communities of color as an object of introjection and identification.

In 1992, on the anniversary of her breast cancer diagnosis, queer theorist Eve Kosofsky Sedgwick was en route to yet another academic lecture. She sat in a plane on a runway in frigid Toronto watching Pepto-Bismol-pink anti-icing fluid run down the window beside her. Seized by nauseating horror, she recalled the bloody lymphatic discharge draining from her body in the weeks following her mastectomy. In 1996, after imaging revealed a spinal metastasis that would ultimately kill her, Sedgwick emerged as a patient-teacher in her polyphonic A Dialogue on Love (1999), an account of a psychodynamic treatment intermixed with her poetry and her therapist’s notes. Through autobiographically inflected theoretical writings and the advice column, “Off My Chest,” Sedgwick engaged in what she called good pedagogy, instructing readers about love and mourning in the “prognosis time” of incremental bodily loss.

Lana Lin brings together the stories of Freud, Lorde, and Sedgwick, as well as insights from her own struggle with breast cancer in the tour de force, Freud’s Jaw and Other Lost Objects: Fractured Subjectivity in the Face of Cancer (Fordham University Press, 2017). With her three transferential figures, Lin explores what it means to loosen one’s grip on objects, to live with self-estrangement and threats to bodily integrity, and to understand loss as the maintenance of relationality. As cancer fragments and changes one’s relationship to time, it becomes a catalyst for reparation, invention, and love.



Anna Fishzon, PhD, is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-siecle Russia (Palgrave Macmillan, 2013). She can be reached at afishzon@gmail.com.

 
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      <pubDate>Tue, 03 Apr 2018 10:00:17 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In April 1923 Sigmund Freud detected a lesion in his mouth that turned out to be cancerous. From diagnosis to his death, he endured 33 surgeries and 10 prostheses. In 1932 alone, Freud consulted with his surgeon Hans Pichler 92 times.</itunes:subtitle>
      <itunes:summary>In April 1923 Sigmund Freud detected a lesion in his mouth that turned out to be cancerous. From diagnosis to his death, he endured 33 surgeries and 10 prostheses. In 1932 alone, Freud consulted with his surgeon Hans Pichler 92 times. Freud’s smoking motivated much of the fussiness with his prosthetic jaw: it had to be right at the palate edge, with optimal occlusion so as to get the most out of his cigars. For Freud, smoking facilitated writing and intellectual creativity; it provided exquisite enjoyment. An inanimate object thus served as a conduit of both vitality and grave illness—a testament to the entanglement, indeed, the indistinguishability of the life and death drives.

In 1977, after a biopsy of a tumor in her right breast, Audre Lorde fantasized about lopping off the agent of her destruction like “a she-wolf chewing off a paw caught in a trap.” (56) In the manner of a Kleinian infant, she directed her rage at the persecutory breast that betrayed her (once again) and ceased being her own. Lorde turned her poetry and personal survival into political acts of reparation, linking the ravages of cancer to racial and sexual injury and offering herself to queer communities of color as an object of introjection and identification.

In 1992, on the anniversary of her breast cancer diagnosis, queer theorist Eve Kosofsky Sedgwick was en route to yet another academic lecture. She sat in a plane on a runway in frigid Toronto watching Pepto-Bismol-pink anti-icing fluid run down the window beside her. Seized by nauseating horror, she recalled the bloody lymphatic discharge draining from her body in the weeks following her mastectomy. In 1996, after imaging revealed a spinal metastasis that would ultimately kill her, Sedgwick emerged as a patient-teacher in her polyphonic A Dialogue on Love (1999), an account of a psychodynamic treatment intermixed with her poetry and her therapist’s notes. Through autobiographically inflected theoretical writings and the advice column, “Off My Chest,” Sedgwick engaged in what she called good pedagogy, instructing readers about love and mourning in the “prognosis time” of incremental bodily loss.

Lana Lin brings together the stories of Freud, Lorde, and Sedgwick, as well as insights from her own struggle with breast cancer in the tour de force, Freud’s Jaw and Other Lost Objects: Fractured Subjectivity in the Face of Cancer (Fordham University Press, 2017). With her three transferential figures, Lin explores what it means to loosen one’s grip on objects, to live with self-estrangement and threats to bodily integrity, and to understand loss as the maintenance of relationality. As cancer fragments and changes one’s relationship to time, it becomes a catalyst for reparation, invention, and love.



Anna Fishzon, PhD, is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-siecle Russia (Palgrave Macmillan, 2013). She can be reached at afishzon@gmail.com.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In April 1923 Sigmund Freud detected a lesion in his mouth that turned out to be cancerous. From diagnosis to his death, he endured 33 surgeries and 10 prostheses. In 1932 alone, Freud consulted with his surgeon Hans Pichler 92 times. Freud’s smoking motivated much of the fussiness with his prosthetic jaw: it had to be right at the palate edge, with optimal occlusion so as to get the most out of his cigars. For Freud, smoking facilitated writing and intellectual creativity; it provided exquisite enjoyment. An inanimate object thus served as a conduit of both vitality and grave illness—a testament to the entanglement, indeed, the indistinguishability of the life and death drives.</p><p>
In 1977, after a biopsy of a tumor in her right breast, Audre Lorde fantasized about lopping off the agent of her destruction like “a she-wolf chewing off a paw caught in a trap.” (56) In the manner of a Kleinian infant, she directed her rage at the persecutory breast that betrayed her (once again) and ceased being her own. Lorde turned her poetry and personal survival into political acts of reparation, linking the ravages of cancer to racial and sexual injury and offering herself to queer communities of color as an object of introjection and identification.</p><p>
In 1992, on the anniversary of her breast cancer diagnosis, queer theorist Eve Kosofsky Sedgwick was en route to yet another academic lecture. She sat in a plane on a runway in frigid Toronto watching Pepto-Bismol-pink anti-icing fluid run down the window beside her. Seized by nauseating horror, she recalled the bloody lymphatic discharge draining from her body in the weeks following her mastectomy. In 1996, after imaging revealed a spinal metastasis that would ultimately kill her, Sedgwick emerged as a patient-teacher in her polyphonic A Dialogue on Love (1999), an account of a psychodynamic treatment intermixed with her poetry and her therapist’s notes. Through autobiographically inflected theoretical writings and the advice column, “Off My Chest,” Sedgwick engaged in what she called good pedagogy, instructing readers about love and mourning in the “prognosis time” of incremental bodily loss.</p><p>
<a href="https://www.newschool.edu/public-engagement/school-of-media-studies-faculty/?id=4d54-4935-4d6a-6378">Lana Lin</a> brings together the stories of Freud, Lorde, and Sedgwick, as well as insights from her own struggle with breast cancer in the tour de force, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QiR2-VwxJGLAkJfAYVbf0joAAAFifcL5YgEAAAFKAYNRjJ0/http://www.amazon.com/dp/0823277720/ref=as_at?creativeASIN=0823277720&amp;linkCode=w61&amp;imprToken=4K0a0ucnAY1fEhTcwPxvtA&amp;slotNum=0&amp;tag=newbooinhis-20">Freud’s Jaw and Other Lost Objects: Fractured Subjectivity in the Face of Cancer</a> (Fordham University Press, 2017). With her three transferential figures, Lin explores what it means to loosen one’s grip on objects, to live with self-estrangement and threats to bodily integrity, and to understand loss as the maintenance of relationality. As cancer fragments and changes one’s relationship to time, it becomes a catalyst for reparation, invention, and love.</p><p>
</p><p>
Anna Fishzon, PhD, is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-siecle Russia (Palgrave Macmillan, 2013). She can be reached at <a href="mailto:afishzon@gmail.com">afishzon@gmail.com</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2829</itunes:duration>
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      <title>Natchee Blu Barnd, “Native Space: Geographic Strategies to Unsettle Settler Colonialism” (Oregon State UP, 2017)</title>
      <description>In Native Space: Geographic Strategies to Unsettle Settler Colonialism (Oregon State University Press, 2017), Natchee Blu Barnd examines how Indigenous populations create space and geographies through naming, signage, cultural practices, and artistic expression within the confines of settler colonialism in the United States. Native Space explores these acts as everyday cultural practices, and also examines how settler societies deploy the concept of Indian-ness to create colonial geographies. Barnd takes an interdisciplinary approach toward these subjects, and examines these concepts through the use of demographic and cartographic data, stories, and imagery, each of which underscores the different methods Native peoples use to unsettle settler society and reclaim Indigenous spaces.



Samantha M. Williams is a PhD candidate in History at the University of California, Santa Cruz. She is currently writing her dissertation, which examines the history of the Stewart Indian School in Carson City, Nevada through the lenses of settler colonialism and public history. She can be reached at swillia7@ucsc.edu.
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      <pubDate>Thu, 29 Mar 2018 10:00:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Native Space: Geographic Strategies to Unsettle Settler Colonialism (Oregon State University Press, 2017), Natchee Blu Barnd examines how Indigenous populations create space and geographies through naming, signage, cultural practices,</itunes:subtitle>
      <itunes:summary>In Native Space: Geographic Strategies to Unsettle Settler Colonialism (Oregon State University Press, 2017), Natchee Blu Barnd examines how Indigenous populations create space and geographies through naming, signage, cultural practices, and artistic expression within the confines of settler colonialism in the United States. Native Space explores these acts as everyday cultural practices, and also examines how settler societies deploy the concept of Indian-ness to create colonial geographies. Barnd takes an interdisciplinary approach toward these subjects, and examines these concepts through the use of demographic and cartographic data, stories, and imagery, each of which underscores the different methods Native peoples use to unsettle settler society and reclaim Indigenous spaces.



Samantha M. Williams is a PhD candidate in History at the University of California, Santa Cruz. She is currently writing her dissertation, which examines the history of the Stewart Indian School in Carson City, Nevada through the lenses of settler colonialism and public history. She can be reached at swillia7@ucsc.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuUyR25UlDlm-vU4-xkDgxsAAAFiYyKHfgEAAAFKARrd1lM/http://www.amazon.com/dp/0870719025/ref=as_at?creativeASIN=0870719025&amp;linkCode=w61&amp;imprToken=nS2j0rGhVcb5B-Vib0sOwA&amp;slotNum=0&amp;tag=newbooinhis-20">Native Space: Geographic Strategies to Unsettle Settler Colonialism</a> (Oregon State University Press, 2017), <a href="https://liberalarts.oregonstate.edu/users/natchee-barnd">Natchee Blu Barnd</a> examines how Indigenous populations create space and geographies through naming, signage, cultural practices, and artistic expression within the confines of settler colonialism in the United States. Native Space explores these acts as everyday cultural practices, and also examines how settler societies deploy the concept of Indian-ness to create colonial geographies. Barnd takes an interdisciplinary approach toward these subjects, and examines these concepts through the use of demographic and cartographic data, stories, and imagery, each of which underscores the different methods Native peoples use to unsettle settler society and reclaim Indigenous spaces.</p><p>
</p><p>
<a href="https://history.ucsc.edu/graduate/Graduate%20Student%20Directory/index.php?uid=swillia7">Samantha M. Williams</a> is a PhD candidate in History at the University of California, Santa Cruz. She is currently writing her dissertation, which examines the history of the Stewart Indian School in Carson City, Nevada through the lenses of settler colonialism and public history. She can be reached at <a href="mailto:swillia7@ucsc.edu">swillia7@ucsc.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3582</itunes:duration>
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      <title>Martijn Konings, “Capital and Time: For a New Critique of Neoliberal Reason” (Stanford UP, 2018)</title>
      <description>Today I was joined by Martijn Konings from Australia where he is Associate Professor of Political Economy at the University of Sydney. We had a conversation on his most recent book Capital and Time: For a New Critique of Neoliberal Reason (Stanford University Press, 2018).

Its main contribution is to offer an original point of view on the issue of speculation. Critics of capitalist finance tend to focus on its speculative character. Our financial markets, they lament, encourage irresponsible bets on the future that reflect no real underlying value. Why is it, then, that opportunities for speculative investment continue to proliferate in the wake of major economic crises? To make sense of this, Capital and Time offers an understanding of economy as a process whereby patterns of order emerge out of the interaction of speculative investments. Speculation, he argues, is an essential intrinsic feature of capitalism and not just a negative spillover or a collateral behavior.

The book also provides an original view on the role of the State. Progressive critics have assumed that the state occupies a neutral, external position from which it can step in to constrain speculative behaviors. On the contrary, Konings argues, the state has always been deeply implicated in the speculative dynamics of economic life. Through these insights, he offers a new interpretation of both the economic problems that emerged during the 1970s and the way that neoliberalism responded to them. Neoliberalism’s strength derives from its intuition that there is no position that transcends the secular logic of risk, and from its insistence that individuals actively engage that logic.

The book concludes that the current critique of speculation is misleading and incapable of recognizing how American capitalism has come to embrace speculation and has thus been able to generate new kinds of order and governance. This is a very interesting book, written in an accessible way despite the complexity of the topic.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Mar 2018 10:00:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Today I was joined by Martijn Konings from Australia where he is Associate Professor of Political Economy at the University of Sydney. We had a conversation on his most recent book Capital and Time: For a New Critique of Neoliberal Reason (Stanford Uni...</itunes:subtitle>
      <itunes:summary>Today I was joined by Martijn Konings from Australia where he is Associate Professor of Political Economy at the University of Sydney. We had a conversation on his most recent book Capital and Time: For a New Critique of Neoliberal Reason (Stanford University Press, 2018).

Its main contribution is to offer an original point of view on the issue of speculation. Critics of capitalist finance tend to focus on its speculative character. Our financial markets, they lament, encourage irresponsible bets on the future that reflect no real underlying value. Why is it, then, that opportunities for speculative investment continue to proliferate in the wake of major economic crises? To make sense of this, Capital and Time offers an understanding of economy as a process whereby patterns of order emerge out of the interaction of speculative investments. Speculation, he argues, is an essential intrinsic feature of capitalism and not just a negative spillover or a collateral behavior.

The book also provides an original view on the role of the State. Progressive critics have assumed that the state occupies a neutral, external position from which it can step in to constrain speculative behaviors. On the contrary, Konings argues, the state has always been deeply implicated in the speculative dynamics of economic life. Through these insights, he offers a new interpretation of both the economic problems that emerged during the 1970s and the way that neoliberalism responded to them. Neoliberalism’s strength derives from its intuition that there is no position that transcends the secular logic of risk, and from its insistence that individuals actively engage that logic.

The book concludes that the current critique of speculation is misleading and incapable of recognizing how American capitalism has come to embrace speculation and has thus been able to generate new kinds of order and governance. This is a very interesting book, written in an accessible way despite the complexity of the topic.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I was joined by <a href="http://sydney.edu.au/arts/political_economy/staff/profiles/martijn.konings.php">Martijn Konings</a> from Australia where he is Associate Professor of Political Economy at the University of Sydney. We had a conversation on his most recent book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QkcGyGchCgCFsr1uKHGF6ZAAAAFiXZC26QEAAAFKAdn--Vk/http://www.amazon.com/dp/1503604438/ref=as_at?creativeASIN=1503604438&amp;linkCode=w61&amp;imprToken=i1MguhzryzyUIitGXiru-Q&amp;slotNum=0&amp;tag=newbooinhis-20">Capital and Time: For a New Critique of Neoliberal Reason</a> (Stanford University Press, 2018).</p><p>
Its main contribution is to offer an original point of view on the issue of speculation. Critics of capitalist finance tend to focus on its speculative character. Our financial markets, they lament, encourage irresponsible bets on the future that reflect no real underlying value. Why is it, then, that opportunities for speculative investment continue to proliferate in the wake of major economic crises? To make sense of this, Capital and Time offers an understanding of economy as a process whereby patterns of order emerge out of the interaction of speculative investments. Speculation, he argues, is an essential intrinsic feature of capitalism and not just a negative spillover or a collateral behavior.</p><p>
The book also provides an original view on the role of the State. Progressive critics have assumed that the state occupies a neutral, external position from which it can step in to constrain speculative behaviors. On the contrary, Konings argues, the state has always been deeply implicated in the speculative dynamics of economic life. Through these insights, he offers a new interpretation of both the economic problems that emerged during the 1970s and the way that neoliberalism responded to them. Neoliberalism’s strength derives from its intuition that there is no position that transcends the secular logic of risk, and from its insistence that individuals actively engage that logic.</p><p>
The book concludes that the current critique of speculation is misleading and incapable of recognizing how American capitalism has come to embrace speculation and has thus been able to generate new kinds of order and governance. This is a very interesting book, written in an accessible way despite the complexity of the topic.</p><p>
</p><p>
<a href="https://twitter.com/Bernardi_UK">Andrea Bernardi</a> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his <a href="https://www.researchgate.net/profile/Andrea_Bernardi">research interests</a> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on <a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies">Critical Management Studies</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2485</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72185]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6878605974.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher B. Patterson, “Transitive Cultures: Anglophone Literature of the Transpacific” (Rutgers UP, 2018)</title>
      <description>Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific  (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 26 Mar 2018 10:00:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal di...</itunes:subtitle>
      <itunes:summary>Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific  (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://hum.hkbu.edu.hk/staff.php?staff_class=ts&amp;staff_id=41">Christopher B. Patterson</a>‘s book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QgdM1DI_AOZX2-edEIsWFAgAAAFiU6_MwwEAAAFKARI3u94/http://www.amazon.com/dp/0813591864/ref=as_at?creativeASIN=0813591864&amp;linkCode=w61&amp;imprToken=uKtT7wwifxvntBChflqW8g&amp;slotNum=0&amp;tag=newbooinhis-20">Transitive Cultures: Anglophone Literature of the Transpacific</a>  (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2906</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72084]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2431240101.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Cummings, et al., “A New History of Management” (Cambridge UP, 2017)</title>
      <description>Did Abraham Maslow actually ever draw a pyramid of hierarchy of needs? Did Kurt Lewin devote substantial work on the development of a change management theory? Why do we omit or misrepresent important features of the work of Adam Smith, Max Weber or Frederick Winslow Taylor? What is the forgotten origin of Harvard Business School case method?

I was joined by two of the authors—Stephen Cummings and Todd Bridgman— ofA New History of Management (Cambridge University Press, 2016), a great new book that answers those and many more questions. The book is a very important contribution to critical management studies that uncovers the inaccuracies and simplifications (if not actual inventions) that populate management and organization textbooks. A New History of Management is not a conspiracy theory, but rather it is the result of rigorous historical research on how the field of management studies was constructed in the past century. The authors argue that the existing narratives about how we should organize are built upon, and reinforce, a concept of “good management” derived from what is assumed to be a fundamental need to increase efficiency. But this assumption is based on a presentist, monocultural, and generally limited view of management’s past. This book is for both scholars and practitioners, tutors and students. Academics will be able to reflect critically on the nature of business education and on conformism in teaching and research. Practitioners and students will be able to challenge what they have been taught as a scientific rather than ideological artifact.

Both students and scholars will be able to discuss alternative approaches for managing and organizing in the twenty-first century. Animated videos on the book are available on here.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPEs permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Mar 2018 10:00:26 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Did Abraham Maslow actually ever draw a pyramid of hierarchy of needs? Did Kurt Lewin devote substantial work on the development of a change management theory? Why do we omit or misrepresent important features of the work of Adam Smith,</itunes:subtitle>
      <itunes:summary>Did Abraham Maslow actually ever draw a pyramid of hierarchy of needs? Did Kurt Lewin devote substantial work on the development of a change management theory? Why do we omit or misrepresent important features of the work of Adam Smith, Max Weber or Frederick Winslow Taylor? What is the forgotten origin of Harvard Business School case method?

I was joined by two of the authors—Stephen Cummings and Todd Bridgman— ofA New History of Management (Cambridge University Press, 2016), a great new book that answers those and many more questions. The book is a very important contribution to critical management studies that uncovers the inaccuracies and simplifications (if not actual inventions) that populate management and organization textbooks. A New History of Management is not a conspiracy theory, but rather it is the result of rigorous historical research on how the field of management studies was constructed in the past century. The authors argue that the existing narratives about how we should organize are built upon, and reinforce, a concept of “good management” derived from what is assumed to be a fundamental need to increase efficiency. But this assumption is based on a presentist, monocultural, and generally limited view of management’s past. This book is for both scholars and practitioners, tutors and students. Academics will be able to reflect critically on the nature of business education and on conformism in teaching and research. Practitioners and students will be able to challenge what they have been taught as a scientific rather than ideological artifact.

Both students and scholars will be able to discuss alternative approaches for managing and organizing in the twenty-first century. Animated videos on the book are available on here.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPEs permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Did Abraham Maslow actually ever draw a pyramid of hierarchy of needs? Did Kurt Lewin devote substantial work on the development of a change management theory? Why do we omit or misrepresent important features of the work of Adam Smith, Max Weber or Frederick Winslow Taylor? What is the forgotten origin of Harvard Business School case method?</p><p>
I was joined by two of the authors—<a href="https://twitter.com/strategybuild">Stephen Cummings</a> and <a href="https://twitter.com/ToddBridgman">Todd Bridgman</a>— of<a href="http://aax-us-east.amazon-adsystem.com/x/c/QrGwQp4AoXs5Mm7qUUFv7OkAAAFiONIAzwEAAAFKAftZgT8/http://www.amazon.com/dp/1316502902/ref=as_at?creativeASIN=1316502902&amp;linkCode=w61&amp;imprToken=IIqywvxmI0iT55At9R1YvQ&amp;slotNum=0&amp;tag=newbooinhis-20">A New History of Management</a> (Cambridge University Press, 2016), a great new book that answers those and many more questions. The book is a very important contribution to critical management studies that uncovers the inaccuracies and simplifications (if not actual inventions) that populate management and organization textbooks. A New History of Management is not a conspiracy theory, but rather it is the result of rigorous historical research on how the field of management studies was constructed in the past century. The authors argue that the existing narratives about how we should organize are built upon, and reinforce, a concept of “good management” derived from what is assumed to be a fundamental need to increase efficiency. But this assumption is based on a presentist, monocultural, and generally limited view of management’s past. This book is for both scholars and practitioners, tutors and students. Academics will be able to reflect critically on the nature of business education and on conformism in teaching and research. Practitioners and students will be able to challenge what they have been taught as a scientific rather than ideological artifact.</p><p>
Both students and scholars will be able to discuss alternative approaches for managing and organizing in the twenty-first century. Animated videos on the book are available on <a href="https://www.youtube.com/channel/UCVTvua598jsA0PPeGK4FnSg">here</a>.</p><p>
</p><p>
<a href="https://twitter.com/Bernardi_UK">Andrea Bernardi</a> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his <a href="https://www.researchgate.net/profile/Andrea_Bernardi">research interests</a> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPEs permanent track on <a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies">Critical Management Studies</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2479</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71982]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5508670105.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Claudio Sopranzetti, “Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok” (U California Press, 2017)</title>
      <description>When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map.

In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment.

Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford.

You may also be interested in:

Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok

Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City



Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Mar 2018 11:00:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints,</itunes:subtitle>
      <itunes:summary>When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map.

In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment.

Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford.

You may also be interested in:

Serhat Unaldi, Working Towards the Monarchy: The Politics of Space in Downtown Bangkok

Annette Miae Kim, Sidewalk City: Remapping Public Space in Ho Chi Minh City



Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map.</p><p>
In his vividly etched monograph, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhpjvL7yYfOyZjodBbjsTRsAAAFh9dh2DQEAAAFKAbHTFQ4/http://www.amazon.com/dp/0520288505/ref=as_at?creativeASIN=0520288505&amp;linkCode=w61&amp;imprToken=F7xaip-Pyg7jVSm2psc-8A&amp;slotNum=0&amp;tag=newbooinhis-20">Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok </a>(University of California Press, 2017), <a href="https://www.asc.ox.ac.uk/person/2206">Claudio Sopranzetti</a> moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not only confronts the specific realities of ordinary Thais resisting military authoritarianism over a decade-long period, but also the question of how modes of circulation can become sites of collective action, particularly for precarious workers, in the neoliberal moment.</p><p>
Sopranzetti is a Postdoctoral Fellow at All Souls College, University of Oxford.</p><p>
You may also be interested in:</p><p>
Serhat Unaldi, <a href="http://newbooksnetwork.com/serhat-unaldi-working-towards-the-monarchy-the-politics-of-space-in-downtown-bangkok-u-of-hawaii-press-2016/">Working Towards the Monarchy: The Politics of Space in Downtown Bangkok</a></p><p>
Annette Miae Kim, <a href="http://newbooksnetwork.com/annette-miae-kim-sidewalk-city-remapping-public-space-in-ho-chi-minh-city-u-of-chicago-press-2015/">Sidewalk City: Remapping Public Space in Ho Chi Minh City</a></p><p>
</p><p>
<a href="https://www.madhurikarak.com/">Madhuri Karak</a> is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier” explores processes of state-making in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of her work can be found <a href="http://www.madhurikarak.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71417]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2275639273.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jon Kraszewski, “Reality TV” (Routledge, 2017)</title>
      <description>In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 01 Mar 2018 11:00:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities whe...</itunes:subtitle>
      <itunes:summary>In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqINbb_OCR3cdC_J3KQSQvwAAAFh127wkgEAAAFKAdj1MUc/http://www.amazon.com/dp/041574198X/ref=as_at?creativeASIN=041574198X&amp;linkCode=w61&amp;imprToken=9lSPsPs5RZXEKLirSgpw3g&amp;slotNum=0&amp;tag=newbooinhis-20">Reality TV</a> (Routledge, 2017), author <a href="https://www.shu.edu/profiles/jonathankraszewski.cfm">Jon Kraszewski</a> explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality television uses and exploits that space in relation to their characters.</p><p>
</p><p>
<a href="https://wiu.academia.edu/RebekahBuchanan">Rebekah Buchanan</a> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of <a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3279</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71236]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9750775564.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Marshall Poe, “How to Read a History Book: The Hidden History of History” (Zero Books, 2018)</title>
      <description>What is the history of a “history book”? In How to Read a History Book: The Hidden History Of History (Zero Books, 2018), Marshall Poe, founder and Editor-In-Chief of the New Books Network, tells the story of why and how we have the “history books” we have. The book uses the literary device of “Elizabeth Ranke,” an ideal type of the modern academic historian, to show how academic disciplines, the structure of college and careers, the tensions between popular and academic publishing, and the morality and ethics of history, shape the “history book.” Whilst each chapter critically relates a stage in Elizabeth’s life and career to the form “history books” take, the overall message of the book is a positive defense of history in the current social and political juncture. A short and accessible text, the book will be essential reading for anyone interested in the artifact called “a history book.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 28 Feb 2018 11:00:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the history of a “history book”? In How to Read a History Book: The Hidden History Of History (Zero Books, 2018), Marshall Poe, founder and Editor-In-Chief of the New Books Network, tells the story of why and how we have the “history books” we ...</itunes:subtitle>
      <itunes:summary>What is the history of a “history book”? In How to Read a History Book: The Hidden History Of History (Zero Books, 2018), Marshall Poe, founder and Editor-In-Chief of the New Books Network, tells the story of why and how we have the “history books” we have. The book uses the literary device of “Elizabeth Ranke,” an ideal type of the modern academic historian, to show how academic disciplines, the structure of college and careers, the tensions between popular and academic publishing, and the morality and ethics of history, shape the “history book.” Whilst each chapter critically relates a stage in Elizabeth’s life and career to the form “history books” take, the overall message of the book is a positive defense of history in the current social and political juncture. A short and accessible text, the book will be essential reading for anyone interested in the artifact called “a history book.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the history of a “history book”? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QvNAVuRqyNXnryoj8nLpspIAAAFh041QPgEAAAFKAY22YZE/http://www.amazon.com/dp/1780997299/ref=as_at?creativeASIN=1780997299&amp;linkCode=w61&amp;imprToken=4K8syj2PMBkVsAKodHE40w&amp;slotNum=0&amp;tag=newbooinhis-20">How to Read a History Book: The Hidden History Of History</a> (Zero Books, 2018), <a href="https://en.wikipedia.org/wiki/Marshall_Poe">Marshall Poe</a>, founder and Editor-In-Chief of the New Books Network, tells the story of why and how we have the “history books” we have. The book uses the literary device of “Elizabeth Ranke,” an ideal type of the modern academic historian, to show how academic disciplines, the structure of college and careers, the tensions between popular and academic publishing, and the morality and ethics of history, shape the “history book.” Whilst each chapter critically relates a stage in Elizabeth’s life and career to the form “history books” take, the overall message of the book is a positive defense of history in the current social and political juncture. A short and accessible text, the book will be essential reading for anyone interested in the artifact called “a history book.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2784</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71202]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3411073971.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher J. Lee, “Jet Lag” (Bloomsbury Academic, 2017)</title>
      <description>My father has this personality quirk that drives me crazy. Whenever and wherever he travels, no matter how far, he refuses to reset his watch to the local time. For him, it’s always whatever time it is in Cincinnati, Ohio, even if all the clocks around him flash the fact that it isn’t, even if he’s taking my mother, for example, on their once-in-a-lifetime dream vacation to Hawaii and the sun is setting in perfect postcard colors. “No wonder I’m sleepy,” he’ll say, glancing at his watch. “It’s two in the morning.” I don’t know quite why it drives me so crazy. Maybe it’s his small refusal to accept where he is at that moment or maybe its his small insistence that, at any moment, he’s always home. I just know that, with a wristwatch and a strong will, my father has decided to ignore the laws of time.

It turns out that he’s not so different from most of us who fly frequently from one time zone to another. In his new book, Jet Lag (Bloomsbury Academic, 2017), Chris Lee illuminates what happens to us when, thousands of feet in the air, trapped in an uncomfortable seat in coach or luxuriously sprawled out in first-class, we race ahead of the clock or fall behind it. Suddenly the sun shines when it shouldn’t or the night comes to soon, and were out of synch, not only with time but, it can seem, with the world around us, even with ourselves. We’re jet-lagged, and, as Lee cleverly shows, were experiencing much more than an inconvenience. We’re experiencing something like modernity itself, where time, technology, and our global condition are not only made evident but also, as we stagger off our flights, exhausting.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Feb 2018 11:00:56 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>My father has this personality quirk that drives me crazy. Whenever and wherever he travels, no matter how far, he refuses to reset his watch to the local time. For him, it’s always whatever time it is in Cincinnati, Ohio,</itunes:subtitle>
      <itunes:summary>My father has this personality quirk that drives me crazy. Whenever and wherever he travels, no matter how far, he refuses to reset his watch to the local time. For him, it’s always whatever time it is in Cincinnati, Ohio, even if all the clocks around him flash the fact that it isn’t, even if he’s taking my mother, for example, on their once-in-a-lifetime dream vacation to Hawaii and the sun is setting in perfect postcard colors. “No wonder I’m sleepy,” he’ll say, glancing at his watch. “It’s two in the morning.” I don’t know quite why it drives me so crazy. Maybe it’s his small refusal to accept where he is at that moment or maybe its his small insistence that, at any moment, he’s always home. I just know that, with a wristwatch and a strong will, my father has decided to ignore the laws of time.

It turns out that he’s not so different from most of us who fly frequently from one time zone to another. In his new book, Jet Lag (Bloomsbury Academic, 2017), Chris Lee illuminates what happens to us when, thousands of feet in the air, trapped in an uncomfortable seat in coach or luxuriously sprawled out in first-class, we race ahead of the clock or fall behind it. Suddenly the sun shines when it shouldn’t or the night comes to soon, and were out of synch, not only with time but, it can seem, with the world around us, even with ourselves. We’re jet-lagged, and, as Lee cleverly shows, were experiencing much more than an inconvenience. We’re experiencing something like modernity itself, where time, technology, and our global condition are not only made evident but also, as we stagger off our flights, exhausting.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>My father has this personality quirk that drives me crazy. Whenever and wherever he travels, no matter how far, he refuses to reset his watch to the local time. For him, it’s always whatever time it is in Cincinnati, Ohio, even if all the clocks around him flash the fact that it isn’t, even if he’s taking my mother, for example, on their once-in-a-lifetime dream vacation to Hawaii and the sun is setting in perfect postcard colors. “No wonder I’m sleepy,” he’ll say, glancing at his watch. “It’s two in the morning.” I don’t know quite why it drives me so crazy. Maybe it’s his small refusal to accept where he is at that moment or maybe its his small insistence that, at any moment, he’s always home. I just know that, with a wristwatch and a strong will, my father has decided to ignore the laws of time.</p><p>
It turns out that he’s not so different from most of us who fly frequently from one time zone to another. In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhdlDYUPQjTpkQVtT3pjCacAAAFhvZpfdQEAAAFKAYXE0fU/http://www.amazon.com/dp/1501323229/ref=as_at?creativeASIN=1501323229&amp;linkCode=w61&amp;imprToken=5z-uSdphdIDGF4OjJuLQkQ&amp;slotNum=0&amp;tag=newbooinhis-20">Jet Lag</a> (Bloomsbury Academic, 2017), <a href="https://history.lafayette.edu/people/christopher-lee/">Chris Lee</a> illuminates what happens to us when, thousands of feet in the air, trapped in an uncomfortable seat in coach or luxuriously sprawled out in first-class, we race ahead of the clock or fall behind it. Suddenly the sun shines when it shouldn’t or the night comes to soon, and were out of synch, not only with time but, it can seem, with the world around us, even with ourselves. We’re jet-lagged, and, as Lee cleverly shows, were experiencing much more than an inconvenience. We’re experiencing something like modernity itself, where time, technology, and our global condition are not only made evident but also, as we stagger off our flights, exhausting.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3028</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71090]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1535092168.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Hengen Fox, “Reading as Collective Action: Texts as Tactics” (U Iowa Press, 2017)</title>
      <description>How can reading change the world? In Reading as Collective Action: Texts as Tactics (University of Iowa Press, 2017), Nicholas Hengen Fox, who teaches literature, writing and social justice courses at Portland Community College, explores how literature can make a public impact. A timely book that speaks directly to our current political moment, Reading as Collective Action calls for a move beyond the text in itself to understand how texts are used to imagine and create another world. The potential of a world transformed is seen in the analysis of poetry’s importance after September 11th; The Grapes of Wrath, practical organizing, and the politics of redistribution in response to the great recession; along with how efforts to make texts public might transform academic institutions. The book closes by contextualizing the analysis with Habermas’ theories, offering a note of optimism. At present the book is an essential read for anyone thinking through how best to make a social, political, and aesthetic difference.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Feb 2018 11:00:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can reading change the world? In Reading as Collective Action: Texts as Tactics (University of Iowa Press, 2017), Nicholas Hengen Fox, who teaches literature, writing and social justice courses at Portland Community College,</itunes:subtitle>
      <itunes:summary>How can reading change the world? In Reading as Collective Action: Texts as Tactics (University of Iowa Press, 2017), Nicholas Hengen Fox, who teaches literature, writing and social justice courses at Portland Community College, explores how literature can make a public impact. A timely book that speaks directly to our current political moment, Reading as Collective Action calls for a move beyond the text in itself to understand how texts are used to imagine and create another world. The potential of a world transformed is seen in the analysis of poetry’s importance after September 11th; The Grapes of Wrath, practical organizing, and the politics of redistribution in response to the great recession; along with how efforts to make texts public might transform academic institutions. The book closes by contextualizing the analysis with Habermas’ theories, offering a note of optimism. At present the book is an essential read for anyone thinking through how best to make a social, political, and aesthetic difference.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can reading change the world? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qs8RHlmSbtDbwMklweMBY3EAAAFha0ke3QEAAAFKATTbiCI/http://www.amazon.com/dp/160938525X/ref=as_at?creativeASIN=160938525X&amp;linkCode=w61&amp;imprToken=tvE4mwV80YSrjBIglYAr1Q&amp;slotNum=0&amp;tag=newbooinhis-20">Reading as Collective Action: Texts as Tactics</a> (University of Iowa Press, 2017), <a href="http://spot.pcc.edu/~nhengen/">Nicholas Hengen Fox</a>, who teaches literature, writing and social justice courses at Portland Community College, explores how literature can make a public impact. A timely book that speaks directly to our current political moment, Reading as Collective Action calls for a move beyond the text in itself to understand how texts are used to imagine and create another world. The potential of a world transformed is seen in the analysis of poetry’s importance after September 11th; The Grapes of Wrath, practical organizing, and the politics of redistribution in response to the great recession; along with how efforts to make texts public might transform academic institutions. The book closes by contextualizing the analysis with Habermas’ theories, offering a note of optimism. At present the book is an essential read for anyone thinking through how best to make a social, political, and aesthetic difference.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2320</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70347]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5976218345.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Franklin Obeng-Odoom, “Reconstructing Urban Economics: Towards a Political Economy of the Built Environment” (Zed Books, 2016)</title>
      <description>In this interview, Carlo D’Ippoliti and Andrea Bernardi interview Franklin Obeng-Odoom who teaches urban economics and political economy in the School of Built Environment at the University of Technology, Sydney. In 2016, Dr Obeng-Odoom won the Patrick Welch Prize awarded by the Association for Social Economics. He also won the EAEPE-Kapp Prize 2017 for “Marketising the commons in Africa: the case of Ghana” Review of Social Economy 74 (4), 390-419. He has recently published Reconstructing Urban Economics: Towards a Political Economy of the Built Environment (Zed Books, 2016)

The shift of world populations into cities and the increasing concentration of activities in urban areas have generated new debates about cities as well as rejuvenating old debates, turning them into global concerns. The economics of cities and regions has, therefore, attained a particularly important status in the twenty-first century. Yet many writers on urban economic issues have never formally studied the subject. Many are mainstream economists who apply their general (equilibrium) economics to cities, but most of them have very little appreciation of the political economy of cities and much less understanding of the built environment, its history, complexities, and peculiarities. The result is the rise of a highly mathematical, mystical urban economics abstracted from critical political, institutional, and social processes at a time when real-world urban economics is urgently needed. This book seeks to offer a corrective to this state of affairs, and to generate further interest in critical real-world urban economics. Through the analysis, exposition, and critique of the urban world in which we live, the book shows fundamental contradictions in the wisdom that more mainstream urban economists have offered over the years. It offers clear alternatives that show that another urban world is possible.



Carlo D’Ippoliti is associate professor of political economy at Sapienza University of Rome, and editor of the open access economics journals PSL Quarterly Review and Moneta e Credito. Within EAEPE he is the research area coordinator of History of Political Economy; more info at his website www.carlodippoliti.eu.

Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPEs permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 Jan 2018 13:23:58 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In this interview, Carlo D’Ippoliti and Andrea Bernardi interview Franklin Obeng-Odoom who teaches urban economics and political economy in the School of Built Environment at the University of Technology, Sydney. In 2016,</itunes:subtitle>
      <itunes:summary>In this interview, Carlo D’Ippoliti and Andrea Bernardi interview Franklin Obeng-Odoom who teaches urban economics and political economy in the School of Built Environment at the University of Technology, Sydney. In 2016, Dr Obeng-Odoom won the Patrick Welch Prize awarded by the Association for Social Economics. He also won the EAEPE-Kapp Prize 2017 for “Marketising the commons in Africa: the case of Ghana” Review of Social Economy 74 (4), 390-419. He has recently published Reconstructing Urban Economics: Towards a Political Economy of the Built Environment (Zed Books, 2016)

The shift of world populations into cities and the increasing concentration of activities in urban areas have generated new debates about cities as well as rejuvenating old debates, turning them into global concerns. The economics of cities and regions has, therefore, attained a particularly important status in the twenty-first century. Yet many writers on urban economic issues have never formally studied the subject. Many are mainstream economists who apply their general (equilibrium) economics to cities, but most of them have very little appreciation of the political economy of cities and much less understanding of the built environment, its history, complexities, and peculiarities. The result is the rise of a highly mathematical, mystical urban economics abstracted from critical political, institutional, and social processes at a time when real-world urban economics is urgently needed. This book seeks to offer a corrective to this state of affairs, and to generate further interest in critical real-world urban economics. Through the analysis, exposition, and critique of the urban world in which we live, the book shows fundamental contradictions in the wisdom that more mainstream urban economists have offered over the years. It offers clear alternatives that show that another urban world is possible.



Carlo D’Ippoliti is associate professor of political economy at Sapienza University of Rome, and editor of the open access economics journals PSL Quarterly Review and Moneta e Credito. Within EAEPE he is the research area coordinator of History of Political Economy; more info at his website www.carlodippoliti.eu.

Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPEs permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this interview, Carlo D’Ippoliti and Andrea Bernardi interview <a href="https://www.uts.edu.au/staff/franklin.obeng-odoom">Franklin Obeng-Odoom</a> who teaches urban economics and political economy in the School of Built Environment at the University of Technology, Sydney. In 2016, Dr Obeng-Odoom won the Patrick Welch Prize awarded by the Association for Social Economics. He also won the EAEPE-Kapp Prize 2017 for “Marketising the commons in Africa: the case of Ghana” Review of Social Economy 74 (4), 390-419. He has recently published <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qlxzrb_wIlHCtmUDRCQrWTAAAAFhTFUvNAEAAAFKAQx-KYc/http://www.amazon.com/dp/1783606592/ref=as_at?creativeASIN=1783606592&amp;linkCode=w61&amp;imprToken=uxTxSNGWbJqNM1nJCxh8Wg&amp;slotNum=0&amp;tag=newbooinhis-20">Reconstructing Urban Economics: Towards a Political Economy of the Built Environment</a> (Zed Books, 2016)</p><p>
The shift of world populations into cities and the increasing concentration of activities in urban areas have generated new debates about cities as well as rejuvenating old debates, turning them into global concerns. The economics of cities and regions has, therefore, attained a particularly important status in the twenty-first century. Yet many writers on urban economic issues have never formally studied the subject. Many are mainstream economists who apply their general (equilibrium) economics to cities, but most of them have very little appreciation of the political economy of cities and much less understanding of the built environment, its history, complexities, and peculiarities. The result is the rise of a highly mathematical, mystical urban economics abstracted from critical political, institutional, and social processes at a time when real-world urban economics is urgently needed. This book seeks to offer a corrective to this state of affairs, and to generate further interest in critical real-world urban economics. Through the analysis, exposition, and critique of the urban world in which we live, the book shows fundamental contradictions in the wisdom that more mainstream urban economists have offered over the years. It offers clear alternatives that show that another urban world is possible.</p><p>
</p><p>
<a href="https://twitter.com/dippoliti">Carlo D’Ippoliti</a> is associate professor of political economy at Sapienza University of Rome, and editor of the open access economics journals <a href="http://www.pslquarterlyreview.info">PSL Quarterly Review</a> and <a href="http://www.monetaecredito.info">Moneta e Credito</a>. Within EAEPE he is the research area coordinator of History of Political Economy; more info at his website <a href="http://www.carlodippoliti.eu/">www.carlodippoliti.eu</a>.</p><p>
<a href="https://twitter.com/Bernardi_UK">Andrea Bernardi</a> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his <a href="https://www.researchgate.net/profile/Andrea_Bernardi">research interests</a> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPEs permanent track on <a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies">Critical Management Studies.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3222</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70244]]></guid>
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    <item>
      <title>Alison Gerber, “The Work of Art: Value in Creative Careers” (Stanford UP, 2017)</title>
      <description>Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <pubDate>Fri, 19 Jan 2018 15:12:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University.</itunes:subtitle>
      <itunes:summary>Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is making art a job? This question is central to <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qm7WiKeUCgA7Op7CBmI2YjYAAAFhDtz9hQEAAAFKAXr6WBI/http://www.amazon.com/dp/1503603822/ref=as_at?creativeASIN=1503603822&amp;linkCode=w61&amp;imprToken=eBpIQyA8iBF8HtWkeQxDZA&amp;slotNum=0&amp;tag=newbooinhis-20">The Work of Art: Value in Creative Careers </a>(Stanford University Press, 2017), the new book by <a href="http://akgerber.com">Alison Gerber</a>, a <a href="http://portal.research.lu.se/portal/en/persons/alison-gerber(656bbd99-9fe0-4c44-b16b-3178e099d25f).html">postdoctoral fellow</a> in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3123</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69924]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5719986523.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ella Shohat, “On the Arab-Jew, Palestine, and Other Displacements” (Pluto Press, 2017)</title>
      <description>Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey.



Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.

 
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      <pubDate>Tue, 16 Jan 2018 17:28:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine,</itunes:subtitle>
      <itunes:summary>Spanning several decades, the work of Ella Shohat, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. On the Arab-Jew, Palestine, and Other Displacements (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey.



Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Spanning several decades, the work of <a href="https://tisch.nyu.edu/about/directory/app/1295710755">Ella Shohat</a>, a Professor of Cultural Studies and Middle Eastern Studies at New York University, has introduced conceptual frameworks that fundamentally challenged conventional understandings of Israel, Palestine, Zionism and the Middle East. <a href="http://aax-us-east.amazon-adsystem.com/x/c/QlmruG2K0LOghcVCOY-1O58AAAFg__-oCQEAAAFKAZl7SQM/http://www.amazon.com/dp/0745399495/ref=as_at?creativeASIN=0745399495&amp;linkCode=w61&amp;imprToken=FfF-xnsQGr7wy-YsVafhSQ&amp;slotNum=0&amp;tag=newbooinhis-20">On the Arab-Jew, Palestine, and Other Displacements</a> (Pluto Press, 2017) gathers together her most influential political essays, interviews, speeches, testimonies and memoirs, as well as previously unpublished material. Shohat’s transdisciplinary perspective illuminates the cultural politics in and around the Middle East. Juxtaposing texts of various genres written in divergent contexts, the book offers a vivid sense of the author’s intellectual journey.</p><p>
</p><p>
<a href="https://www.politics.ox.ac.uk/academic-staff/yaacov-yadgar.html">Yaacov Yadgar</a> is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is <a href="http://www.sunypress.edu/p-6401-sovereign-jews.aspx">Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017)</a>. You can read more of Yadgar’s work <a href="https://www.politics.ox.ac.uk/academic-staff/yaacov-yadgar.html">here</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3036</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69876]]></guid>
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    <item>
      <title>Malcolm Harris, “Kids These Days: Human Capital and the Making of Millennials” (Little, Brown and Co, 2017)</title>
      <description>Every young generation inspires a host of comparisons—usually negative ones—with older generations. Whether preceding a criticism or punctuating one, “kids these days” is a common utterance. Perhaps because of the ubiquity of the internet and their heavy presence on it, Millennials have been the most parsed and monitored generation as its members are still in the process of coming of age in history. Stereotypes abound in the media and popular culture: Millennials are lazy, entitled, narcissistic, and immature. Synthesizing an array of social science research that has been conducted not just on this cohort but on the society they find themselves struggling to navigate, writer Malcolm Harris in Kids These Days: Human Capital and the Making of Millennials (Little, Brown and Company, 2017) aims to get readers to question these stereotypes and myths and instead think about how Millennials are trying to survive within today’s shifting social structures and conditions. More than any other generation, Millennials have been raised to think of everything they do as a way to build human capital and invest in their own future. And they do so at time in American history when higher education is becoming increasingly expensive as wages are declining, work is becoming more precarious and less stable, and the future of the social safety net is showing signs of either eroding or at least completely transforming in the future. In short, the book refreshingly considers the forces that have helped shape who Millennials are and why they behave and think as they do. With luck, it will encourage a discussion of the root causes behind serious problems that this young cohort confronts (precarity, youth poverty, over-medication, and over-work) and their possible solutions instead of the same tired stereotypes.



Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale mens barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City &amp; Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012) and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 11 Jan 2018 14:47:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Every young generation inspires a host of comparisons—usually negative ones—with older generations. Whether preceding a criticism or punctuating one, “kids these days” is a common utterance. Perhaps because of the ubiquity of the internet and their hea...</itunes:subtitle>
      <itunes:summary>Every young generation inspires a host of comparisons—usually negative ones—with older generations. Whether preceding a criticism or punctuating one, “kids these days” is a common utterance. Perhaps because of the ubiquity of the internet and their heavy presence on it, Millennials have been the most parsed and monitored generation as its members are still in the process of coming of age in history. Stereotypes abound in the media and popular culture: Millennials are lazy, entitled, narcissistic, and immature. Synthesizing an array of social science research that has been conducted not just on this cohort but on the society they find themselves struggling to navigate, writer Malcolm Harris in Kids These Days: Human Capital and the Making of Millennials (Little, Brown and Company, 2017) aims to get readers to question these stereotypes and myths and instead think about how Millennials are trying to survive within today’s shifting social structures and conditions. More than any other generation, Millennials have been raised to think of everything they do as a way to build human capital and invest in their own future. And they do so at time in American history when higher education is becoming increasingly expensive as wages are declining, work is becoming more precarious and less stable, and the future of the social safety net is showing signs of either eroding or at least completely transforming in the future. In short, the book refreshingly considers the forces that have helped shape who Millennials are and why they behave and think as they do. With luck, it will encourage a discussion of the root causes behind serious problems that this young cohort confronts (precarity, youth poverty, over-medication, and over-work) and their possible solutions instead of the same tired stereotypes.



Richard E. Ocejo is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale mens barbers, and whole animal butchers), and of Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City &amp; Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of Ethnography and the City: Readings on Doing Urban Fieldwork (Routledge, 2012) and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every young generation inspires a host of comparisons—usually negative ones—with older generations. Whether preceding a criticism or punctuating one, “kids these days” is a common utterance. Perhaps because of the ubiquity of the internet and their heavy presence on it, Millennials have been the most parsed and monitored generation as its members are still in the process of coming of age in history. Stereotypes abound in the media and popular culture: Millennials are lazy, entitled, narcissistic, and immature. Synthesizing an array of social science research that has been conducted not just on this cohort but on the society they find themselves struggling to navigate, writer <a href="https://www.littlebrown.com/contributor/malcolm-harris/">Malcolm Harris</a> in <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qgpbb4EVEl3x6ZSIy2CoNzUAAAFg5ZgxzQEAAAFKAaQb3rg/http://www.amazon.com/dp/0316510866/ref=as_at?creativeASIN=0316510866&amp;linkCode=w61&amp;imprToken=r3TlNOnFL-tlUlEGtf9l0g&amp;slotNum=0&amp;tag=newbooinhis-20">Kids These Days: Human Capital and the Making of Millennials</a> (Little, Brown and Company, 2017) aims to get readers to question these stereotypes and myths and instead think about how Millennials are trying to survive within today’s shifting social structures and conditions. More than any other generation, Millennials have been raised to think of everything they do as a way to build human capital and invest in their own future. And they do so at time in American history when higher education is becoming increasingly expensive as wages are declining, work is becoming more precarious and less stable, and the future of the social safety net is showing signs of either eroding or at least completely transforming in the future. In short, the book refreshingly considers the forces that have helped shape who Millennials are and why they behave and think as they do. With luck, it will encourage a discussion of the root causes behind serious problems that this young cohort confronts (precarity, youth poverty, over-medication, and over-work) and their possible solutions instead of the same tired stereotypes.</p><p>
</p><p>
<a href="http://www.jjay.cuny.edu/faculty/richard-e-ocejo">Richard E. Ocejo</a> is associate professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY). He is the author of <a href="http://press.princeton.edu/titles/10960.html">Masters of Craft: Old Jobs in the New Urban Economy</a> (Princeton University Press, 2017), about the transformation of low-status occupations into cool, cultural taste-making jobs (cocktail bartenders, craft distillers, upscale mens barbers, and whole animal butchers), and of <a href="http://press.princeton.edu/titles/10396.html">Upscaling Downtown: From Bowery Saloons to Cocktail Bars in New York City</a> (Princeton University Press, 2014), about growth policies, nightlife, and conflict in gentrified neighborhoods. His work has appeared in such journals as City &amp; Community, Poetics, Ethnography, and the European Journal of Cultural Studies. He is also the editor of <a href="https://www.routledge.com/Ethnography-and-the-City-Readings-on-Doing-Urban-Fieldwork/Ocejo/p/book/9780415808385">Ethnography and the City: Readings on Doing Urban Fieldwork</a> (Routledge, 2012) and serves on the editorial boards of the journals Metropolitics, Work and Occupations, and the Journal for Undergraduate Ethnography.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2668</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69735]]></guid>
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      <title>Alfie Bown, “The Playstation Dreamworld” (Polity, 2017)</title>
      <description>How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Dec 2017 11:00:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition....</itunes:subtitle>
      <itunes:summary>How can Lacan help us to understand the subversive potential of video games? In The Playstation Dreamworld (Polity, 2017), Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can Lacan help us to understand the subversive potential of video games? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QshcvraO1UTfV8jsjDu3IigAAAFgagOykQEAAAFKAetLFHc/http://www.amazon.com/dp/1509518037/ref=as_at?creativeASIN=1509518037&amp;linkCode=w61&amp;imprToken=W8J8WU3PC8c6.c2.6FHtFQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Playstation Dreamworld</a> (<a href="https://www.wiley.com/en-us/The+PlayStation+Dreamworld-p-9781509518029">Polity</a>, 2017), <a href="http://www.hsmc.edu.hk/en/schools-departments/school-of-humanities-and-social-science/departments/english/academic-staff/?staffId=817">Alfie Bown, Assistant Professor of Literature at HSMC, Hong Kong</a>, explores this and many other questions of the modern condition. The book offers an accessible overview of key psychoanalytic theories to understand the video game, in particular the video game experience and its impact on the social world. The book uses a plethora of gaming examples, drawing out the ambivalences and potentials in even the most seemingly un-revolutionary games. These range from the transformation of space and urban experience in Pokemon Go, through the more corporate or reactionary experiences of Uncharted, through to the subversive elements of Papers Please. The book is essential reading for anyone interested in understanding how we live, through video games, now.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2618</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69161]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9336626775.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jack Jacobs, ed. “Jews and Leftist Politics: Judaism, Israel, Antisemitism, and Gender” (Cambridge University Press, 2017)</title>
      <description>In Jews and Leftist Politics: Judaism, Israel, Antisemitism and Gender (Cambridge University Press, 2017), Jack Jacobs, Professor of Political Science at John Jay College and the Graduate Center, City University of New York, has assembled a hugely impressive selection of scholars to delve into varied topics related to Jews and Leftists politics. The volume is characterised by judicious appraisals made by respected authorities and sheds considerable light on contentious themes.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Dec 2017 11:00:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Jews and Leftist Politics: Judaism, Israel, Antisemitism and Gender (Cambridge University Press, 2017), Jack Jacobs, Professor of Political Science at John Jay College and the Graduate Center, City University of New York,</itunes:subtitle>
      <itunes:summary>In Jews and Leftist Politics: Judaism, Israel, Antisemitism and Gender (Cambridge University Press, 2017), Jack Jacobs, Professor of Political Science at John Jay College and the Graduate Center, City University of New York, has assembled a hugely impressive selection of scholars to delve into varied topics related to Jews and Leftists politics. The volume is characterised by judicious appraisals made by respected authorities and sheds considerable light on contentious themes.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qu4MU-5kVO-LzPUk66IlWdMAAAFgRlJE0QEAAAFKAb9AmXc/http://www.amazon.com/dp/1107047862/ref=as_at?creativeASIN=1107047862&amp;linkCode=w61&amp;imprToken=HnZ1gYdUjk3g.jXOaVoNpw&amp;slotNum=0&amp;tag=newbooinhis-20">Jews and Leftist Politics: Judaism, Israel, Antisemitism and Gender</a> (Cambridge University Press, 2017), <a href="https://www.jjay.cuny.edu/faculty/jack-jacobs">Jack Jacobs</a>, Professor of Political Science at John Jay College and the Graduate Center, City University of New York, has assembled a hugely impressive selection of scholars to delve into varied topics related to Jews and Leftists politics. The volume is characterised by judicious appraisals made by respected authorities and sheds considerable light on contentious themes.</p><p>
</p><p>
Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2225</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68991]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6993755156.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sareeta Amrute, “Encoding Race, Encoding Class: Indian IT Workers in Berlin” (Duke UP, 2016)</title>
      <description>Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes.

Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics.



Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Dec 2017 13:13:47 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work,</itunes:subtitle>
      <itunes:summary>Associate professor of anthropology at the University of Washington Sareeta Amrute has written Encoding Race, Encoding Class: Indian IT Workers in Berlin (Duke University Press, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes.

Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics.



Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets @madhurikarak and more of work can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Associate professor of anthropology at the University of Washington <a href="https://anthropology.washington.edu/people/sareeta-amrute">Sareeta Amrute</a> has written<a href="http://aax-us-east.amazon-adsystem.com/x/c/QvLGqwyj3RwVZwlTfsI3HPwAAAFgTKMRegEAAAFKAbo1Fno/http://www.amazon.com/dp/0822361353/ref=as_at?creativeASIN=0822361353&amp;linkCode=w61&amp;imprToken=Q8dQwFGcOwfq..7CjgWepg&amp;slotNum=0&amp;tag=newbooinhis-20"> Encoding Race, Encoding Class: Indian IT Workers in Berlin</a> (<a href="https://www.dukeupress.edu/encoding-race-encoding-class">Duke University Press</a>, 2016), a study of contemporary capitalism, new forms of work, and the racialized underpinnings of immaterial labor regimes.</p><p>
Amrute conducted research among Indian IT workers —“coders”—who were in Berlin for the short-term under Germany’s Green Card program. Instead of tech workers unmarked by race, class or gender, she introduces readers to their “double location”: as unwanted racialized immigrant and simultaneously as part of India’s globalized technoelite. Focusing equally on spaces of work and leisure, jokes circulated over email, gift sharing practices, political cartoons and advertisements, Amrute depicts a world that is constrained but not circumscribed by neoliberal logics.</p><p>
</p><p>
Madhuri Karak is a Ph.D. candidate in cultural anthropology at The Graduate Center, City University of New York. Her dissertation titled “Part-time Insurgents, Civil War and Extractive Capital in an Adivasi Frontier explores processes of statemaking in the bauxite-rich mountains of southern Odisha, India. She tweets <a href="https://twitter.com/madhurikarak?lang=en">@madhurikarak</a> and more of work can be found <a href="https://www.madhurikarak.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2927</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69071]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7204639193.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lars Rensmann, “The Politics of Unreason: The Frankfurt School and the Origins of Modern Antisemitism” (SUNY Press, 2017)</title>
      <description>In his new book, The Politics of Unreason: The Frankfurt School and the Origins of Modern Antisemitism (SUNY Press, 2017) , Lars Rensmann, Professor of European Politics and Society at the University of Groningen, argues that even scholars of the Frankfurt school have often treated the theme of antisemitism with scant attention. However, as Rensmann argues, the problem of antisemitism had been a central motivating dynamic for their interdisciplinary research, from the very early years of the Institute.

In this episode, we begin by discussing the general silence surrounding the Holocaust that presided in Germany into the 1990s, and how this can be understood as part of a phenomenon that Critical Theory called “secondary antisemitism.” We then circle back to explore how the Critical Theorists explained the “primary” phenomenon of antisemitism as an interplay of psychological, social-historical, and economic dynamics. As we learn from this book’s rich analyses, the insights developed by the Frankfurt School on the authoritarian disposition, on hatred and racism, and on the pathologies of modernity retain deep relevance and applicability for the further understanding of today’s politics of unreason.



Daveeda Goldberg is a PhD candidate at York University in Toronto, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 11 Dec 2017 11:00:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, The Politics of Unreason: The Frankfurt School and the Origins of Modern Antisemitism (SUNY Press, 2017) , Lars Rensmann, Professor of European Politics and Society at the University of Groningen,</itunes:subtitle>
      <itunes:summary>In his new book, The Politics of Unreason: The Frankfurt School and the Origins of Modern Antisemitism (SUNY Press, 2017) , Lars Rensmann, Professor of European Politics and Society at the University of Groningen, argues that even scholars of the Frankfurt school have often treated the theme of antisemitism with scant attention. However, as Rensmann argues, the problem of antisemitism had been a central motivating dynamic for their interdisciplinary research, from the very early years of the Institute.

In this episode, we begin by discussing the general silence surrounding the Holocaust that presided in Germany into the 1990s, and how this can be understood as part of a phenomenon that Critical Theory called “secondary antisemitism.” We then circle back to explore how the Critical Theorists explained the “primary” phenomenon of antisemitism as an interplay of psychological, social-historical, and economic dynamics. As we learn from this book’s rich analyses, the insights developed by the Frankfurt School on the authoritarian disposition, on hatred and racism, and on the pathologies of modernity retain deep relevance and applicability for the further understanding of today’s politics of unreason.



Daveeda Goldberg is a PhD candidate at York University in Toronto, Canada.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QkCKinaB6vQ4GX6cJDaCvYgAAAFgPSZ5YAEAAAFKAVHrxCU/http://www.amazon.com/dp/1438465939/ref=as_at?creativeASIN=1438465939&amp;linkCode=w61&amp;imprToken=4fmeDM7fRKoa12zrKrv6fQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Politics of Unreason: The Frankfurt School and the Origins of Modern Antisemitism</a> (<a href="http://www.sunypress.edu/p-6416-the-politics-of-unreason.aspx">SUNY Press</a>, 2017) , <a href="http://larsrensmann.com/">Lars Rensmann</a>, Professor of European Politics and Society at the University of Groningen, argues that even scholars of the Frankfurt school have often treated the theme of antisemitism with scant attention. However, as Rensmann argues, the problem of antisemitism had been a central motivating dynamic for their interdisciplinary research, from the very early years of the Institute.</p><p>
In this episode, we begin by discussing the general silence surrounding the Holocaust that presided in Germany into the 1990s, and how this can be understood as part of a phenomenon that Critical Theory called “secondary antisemitism.” We then circle back to explore how the Critical Theorists explained the “primary” phenomenon of antisemitism as an interplay of psychological, social-historical, and economic dynamics. As we learn from this book’s rich analyses, the insights developed by the Frankfurt School on the authoritarian disposition, on hatred and racism, and on the pathologies of modernity retain deep relevance and applicability for the further understanding of today’s politics of unreason.</p><p>
</p><p>
<a href="https://www.researchgate.net/profile/Daveeda_Goldberg2">Daveeda Goldberg</a> is a PhD candidate at York University in Toronto, Canada.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3659</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68973]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5759542008.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eli Cook, “The Pricing of Progress: Economic Indicators and the Capitalization of American Life” (Harvard UP, 2017)</title>
      <description>I was joined by Eli Cook from Israel to talk about his amazing new book The Pricing of Progress: Economic Indicators and the Capitalization of American Life (Harvard University Press, 2017). While economists and politicians are busy discussing alternative measures of progress, Eli Cook traces the long history that brought us to use the GDP as a measure of growth, success, power, wellbeing. This is not only the history of technical metrics, this is the history of ideas and of a dominant paradigm. According to the author the invention of GDP was the final step not only in the pricing of progress but also the capitalization of American life.

How did Americans come to quantify their society’s progress and well-being in units of money? In today’s GDP-run world, prices are the standard measure of not only our goods and commodities but our environment, our communities, our nation, even our self-worth.The Pricing of Progress traces the long history of how and why we moderns adopted the monetizing values and valuations of capitalism as an indicator of human prosperity while losing sight of earlier social and moral metrics that did not put a price on everyday life.

Eli Cook roots the rise of economic indicators in the emergence of modern capitalism and the contested history of English enclosure, Caribbean slavery, American industrialization, economic thought, and corporate power. He explores how the maximization of market production became the chief objective of American economic and social policy.

As economic elites quantified the nation as a for-profit, capitalized investment, the progress of its inhabitants, free or enslaved, came to be valued according to their moneymaking abilities. The book is a beautiful and enjoyable account of how capitalism shaped our societies: not only introducing a new social order of production and consumption but also through a new way of measuring the value of our economies, of our societies and, eventually, of ourselves.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 06 Dec 2017 11:00:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>I was joined by Eli Cook from Israel to talk about his amazing new book The Pricing of Progress: Economic Indicators and the Capitalization of American Life (Harvard University Press, 2017). While economists and politicians are busy discussing alternat...</itunes:subtitle>
      <itunes:summary>I was joined by Eli Cook from Israel to talk about his amazing new book The Pricing of Progress: Economic Indicators and the Capitalization of American Life (Harvard University Press, 2017). While economists and politicians are busy discussing alternative measures of progress, Eli Cook traces the long history that brought us to use the GDP as a measure of growth, success, power, wellbeing. This is not only the history of technical metrics, this is the history of ideas and of a dominant paradigm. According to the author the invention of GDP was the final step not only in the pricing of progress but also the capitalization of American life.

How did Americans come to quantify their society’s progress and well-being in units of money? In today’s GDP-run world, prices are the standard measure of not only our goods and commodities but our environment, our communities, our nation, even our self-worth.The Pricing of Progress traces the long history of how and why we moderns adopted the monetizing values and valuations of capitalism as an indicator of human prosperity while losing sight of earlier social and moral metrics that did not put a price on everyday life.

Eli Cook roots the rise of economic indicators in the emergence of modern capitalism and the contested history of English enclosure, Caribbean slavery, American industrialization, economic thought, and corporate power. He explores how the maximization of market production became the chief objective of American economic and social policy.

As economic elites quantified the nation as a for-profit, capitalized investment, the progress of its inhabitants, free or enslaved, came to be valued according to their moneymaking abilities. The book is a beautiful and enjoyable account of how capitalism shaped our societies: not only introducing a new social order of production and consumption but also through a new way of measuring the value of our economies, of our societies and, eventually, of ourselves.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I was joined by <a href="http://haifa.academia.edu/EliCook">Eli Cook</a> from Israel to talk about his amazing new book <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qjroxeey0JGmhBOL7hW-ryYAAAFf9DW7kQEAAAFKAeX4nW8/http://www.amazon.com/dp/0674976282/ref=as_at?creativeASIN=0674976282&amp;linkCode=w61&amp;imprToken=Fg5QqUvv-E2K-JxZX2fyoQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Pricing of Progress: Economic Indicators and the Capitalization of American Life</a> (Harvard University Press, 2017). While economists and politicians are busy discussing alternative measures of progress, Eli Cook traces the long history that brought us to use the GDP as a measure of growth, success, power, wellbeing. This is not only the history of technical metrics, this is the history of ideas and of a dominant paradigm. According to the author the invention of GDP was the final step not only in the pricing of progress but also the capitalization of American life.</p><p>
How did Americans come to quantify their society’s progress and well-being in units of money? In today’s GDP-run world, prices are the standard measure of not only our goods and commodities but our environment, our communities, our nation, even our self-worth.The Pricing of Progress traces the long history of how and why we moderns adopted the monetizing values and valuations of capitalism as an indicator of human prosperity while losing sight of earlier social and moral metrics that did not put a price on everyday life.</p><p>
Eli Cook roots the rise of economic indicators in the emergence of modern capitalism and the contested history of English enclosure, Caribbean slavery, American industrialization, economic thought, and corporate power. He explores how the maximization of market production became the chief objective of American economic and social policy.</p><p>
As economic elites quantified the nation as a for-profit, capitalized investment, the progress of its inhabitants, free or enslaved, came to be valued according to their moneymaking abilities. The book is a beautiful and enjoyable account of how capitalism shaped our societies: not only introducing a new social order of production and consumption but also through a new way of measuring the value of our economies, of our societies and, eventually, of ourselves.</p><p>
</p><p>
<a href="https://twitter.com/Bernardi_UK">Andrea Bernardi</a> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his <a href="https://www.researchgate.net/profile/Andrea_Bernardi">research interests</a> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on <a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies">Critical Management Studies</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2903</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68626]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4023634216.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kinneret Lahad, “A Table for One: A Critical Reading of Singlehood, Gender and Time” (Manchester UP, 2017)</title>
      <description>Why are you still single?

This question is often asked of single women, especially those who are deemed by loved ones or friends to be too old to be single. In her newest book, A Table for One: A Critical Reading of Singlehood, Gender and Time (Manchester University Press, 2017), Kinneret Lahad analyzes this undertheorized aspect of the gendered experience. Singlehood is inextricably linked to a post-structural analysis of time: not only are single women judged on their single status based on how old they are, but Lahad argues that being single often ages women at a faster rate in the eyes of others. This book offers a brilliant analysis of singlehood and how different aspects of popular culture depict this intersection of identity. From movies and television shows, popular stories, and online commentary, the ways that these aspects of our culture shapes the identity of a single woman is far-reaching and pervasive. This book is a great read for anyone interested in yet-to-be-fully-explored aspects of gender studies or anyone that has been bothered by the question “why are you still single?”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Dec 2017 20:34:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Why are you still single? This question is often asked of single women, especially those who are deemed by loved ones or friends to be too old to be single. In her newest book, A Table for One: A Critical Reading of Singlehood,</itunes:subtitle>
      <itunes:summary>Why are you still single?

This question is often asked of single women, especially those who are deemed by loved ones or friends to be too old to be single. In her newest book, A Table for One: A Critical Reading of Singlehood, Gender and Time (Manchester University Press, 2017), Kinneret Lahad analyzes this undertheorized aspect of the gendered experience. Singlehood is inextricably linked to a post-structural analysis of time: not only are single women judged on their single status based on how old they are, but Lahad argues that being single often ages women at a faster rate in the eyes of others. This book offers a brilliant analysis of singlehood and how different aspects of popular culture depict this intersection of identity. From movies and television shows, popular stories, and online commentary, the ways that these aspects of our culture shapes the identity of a single woman is far-reaching and pervasive. This book is a great read for anyone interested in yet-to-be-fully-explored aspects of gender studies or anyone that has been bothered by the question “why are you still single?”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why are you still single?</p><p>
This question is often asked of single women, especially those who are deemed by loved ones or friends to be too old to be single. In her newest book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qnyt6FkXDo2EjgJaob6WwEcAAAFgKGDHkAEAAAFKAWiaSfY/http://www.amazon.com/dp/1526115395/ref=as_at?creativeASIN=1526115395&amp;linkCode=w61&amp;imprToken=t6i1nSW34CsPl0a5c00eng&amp;slotNum=0&amp;tag=newbooinhis-20">A Table for One: A Critical Reading of Singlehood, Gender and Time</a> (Manchester University Press, 2017), <a href="http://telaviv.academia.edu/KinneretLahad">Kinneret Lahad</a> analyzes this undertheorized aspect of the gendered experience. Singlehood is inextricably linked to a post-structural analysis of time: not only are single women judged on their single status based on how old they are, but Lahad argues that being single often ages women at a faster rate in the eyes of others. This book offers a brilliant analysis of singlehood and how different aspects of popular culture depict this intersection of identity. From movies and television shows, popular stories, and online commentary, the ways that these aspects of our culture shapes the identity of a single woman is far-reaching and pervasive. This book is a great read for anyone interested in yet-to-be-fully-explored aspects of gender studies or anyone that has been bothered by the question “why are you still single?”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3210</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68842]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2308032270.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Pasquale Tridico, “Inequality in Financial Capitalism” (Routledge, 2017)</title>
      <description>I was joined by Pasquale Tridico, Professor of Political Economy at Roma Tre University in Italy. His latest book, Inequality in Financial Capitalism, was published by Routledge in 2017. The issue of inequality has regained attention in the economic and political debate. This is due to both an increase in income inequality, in particular among rich countries but not only, and an increasing interest in this topic by researchers, policy makers and political movements. In this book, the author presents figures and insights on several possible causes of inequality but focuses on the role of financial capitalism, characterised by the strong dependency of economies on the financial sector, by the intensification of international trade and capital mobility, and by the flexibilisation of labour markets, the reduction of wage shares and a declining welfare redistribution. A conversation on such a complex topic was also the opportunity to briefly mention collateral issues such as the financial crisis, the failure of the Occupy Wall Street protests, and Brexit.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Nov 2017 11:00:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>I was joined by Pasquale Tridico, Professor of Political Economy at Roma Tre University in Italy. His latest book, Inequality in Financial Capitalism, was published by Routledge in 2017. The issue of inequality has regained attention in the economic an...</itunes:subtitle>
      <itunes:summary>I was joined by Pasquale Tridico, Professor of Political Economy at Roma Tre University in Italy. His latest book, Inequality in Financial Capitalism, was published by Routledge in 2017. The issue of inequality has regained attention in the economic and political debate. This is due to both an increase in income inequality, in particular among rich countries but not only, and an increasing interest in this topic by researchers, policy makers and political movements. In this book, the author presents figures and insights on several possible causes of inequality but focuses on the role of financial capitalism, characterised by the strong dependency of economies on the financial sector, by the intensification of international trade and capital mobility, and by the flexibilisation of labour markets, the reduction of wage shares and a declining welfare redistribution. A conversation on such a complex topic was also the opportunity to briefly mention collateral issues such as the financial crisis, the failure of the Occupy Wall Street protests, and Brexit.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on Critical Management Studies.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I was joined by <a href="http://host.uniroma3.it/centri/jeanmonnet/about.html">Pasquale Tridico</a>, Professor of Political Economy at Roma Tre University in Italy. His latest book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qg2ITd6-8qXkmVYIforDhakAAAFf9CARMQEAAAFKAV5iKfQ/http://www.amazon.com/dp/1138944122/ref=as_at?creativeASIN=1138944122&amp;linkCode=w61&amp;imprToken=zV3E.J.7ccEysUKXiAxlTg&amp;slotNum=0&amp;tag=newbooinhis-20">Inequality in Financial Capitalism</a>, was published by Routledge in 2017. The issue of inequality has regained attention in the economic and political debate. This is due to both an increase in income inequality, in particular among rich countries but not only, and an increasing interest in this topic by researchers, policy makers and political movements. In this book, the author presents figures and insights on several possible causes of inequality but focuses on the role of financial capitalism, characterised by the strong dependency of economies on the financial sector, by the intensification of international trade and capital mobility, and by the flexibilisation of labour markets, the reduction of wage shares and a declining welfare redistribution. A conversation on such a complex topic was also the opportunity to briefly mention collateral issues such as the financial crisis, the failure of the Occupy Wall Street protests, and Brexit.</p><p>
</p><p>
<a href="https://twitter.com/Bernardi_UK">Andrea Bernardi</a> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his <a href="https://www.researchgate.net/profile/Andrea_Bernardi">research interests</a> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on <a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies">Critical Management Studies</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2659</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68620]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1164101479.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeremy Milloy, “Blood, Sweat, and Fear: Violence at Work in the North American Auto Industry, 1960-1980” (U. of Illinois Press, 2017)</title>
      <description>In the twenty first century, violence at work is often described in the context of a lone employee “snapping” and harming coworkers or management. In his new book, Blood, Sweat, and Fear: Violence at Work in the North American Auto Industry, 1960-1980 (University of Illinois Press/UBC Press, 2017), Jeremy Milloy argues that violence in the workplace has a much deeper and more complicated history, and that the stereotype of the quiet loner suddenly deciding to commit violence against their peers conceals much more than it reveals. In short, violence on the job has a history. The shift from violence committed by management against striking workers to individualized violence in the form of shootings and assaults among workers occurred as labor unions lost power and splintered into radical and more mainstream factions. By examining the often hyper-masculine heyday of the mid-twentieth-century auto industry, Milloy makes a strong case for a broader definition of what constitutes violence at work under capitalism. In the words of one attorney reflecting on a workplace shooting in a Detroit Chrysler factory, “Chrysler pulled the trigger.” The structure of auto manufacturing work itself bred a culture of violence on the factory floor. In both Detroit, Michigan and Windsor, Ontario, race, gender, and labor dynamics mediated the relationships between employees in the sprawling auto factories that straddled the Canadian-American border. Blood, Sweat, and Fear tells the stark story of life and death within those plants as the nature of work and labor changed in the late twentieth century.

Jeremy Milloy earned his PhD at Simon Fraser University and is a SSHRC postdoctoral fellow at Trent University.



Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Nov 2017 19:03:51 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the twenty first century, violence at work is often described in the context of a lone employee “snapping” and harming coworkers or management. In his new book, Blood, Sweat, and Fear: Violence at Work in the North American Auto Industry,</itunes:subtitle>
      <itunes:summary>In the twenty first century, violence at work is often described in the context of a lone employee “snapping” and harming coworkers or management. In his new book, Blood, Sweat, and Fear: Violence at Work in the North American Auto Industry, 1960-1980 (University of Illinois Press/UBC Press, 2017), Jeremy Milloy argues that violence in the workplace has a much deeper and more complicated history, and that the stereotype of the quiet loner suddenly deciding to commit violence against their peers conceals much more than it reveals. In short, violence on the job has a history. The shift from violence committed by management against striking workers to individualized violence in the form of shootings and assaults among workers occurred as labor unions lost power and splintered into radical and more mainstream factions. By examining the often hyper-masculine heyday of the mid-twentieth-century auto industry, Milloy makes a strong case for a broader definition of what constitutes violence at work under capitalism. In the words of one attorney reflecting on a workplace shooting in a Detroit Chrysler factory, “Chrysler pulled the trigger.” The structure of auto manufacturing work itself bred a culture of violence on the factory floor. In both Detroit, Michigan and Windsor, Ontario, race, gender, and labor dynamics mediated the relationships between employees in the sprawling auto factories that straddled the Canadian-American border. Blood, Sweat, and Fear tells the stark story of life and death within those plants as the nature of work and labor changed in the late twentieth century.

Jeremy Milloy earned his PhD at Simon Fraser University and is a SSHRC postdoctoral fellow at Trent University.



Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the twenty first century, violence at work is often described in the context of a lone employee “snapping” and harming coworkers or management. In his new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqOUOMrxDZWxM44Sqw3RJCkAAAFfy2rxHAEAAAFKAWPzpg0/http://www.amazon.com/dp/0252083385/ref=as_at?creativeASIN=0252083385&amp;linkCode=w61&amp;imprToken=-WcMldthLHFKMfDS4.Mdng&amp;slotNum=0&amp;tag=newbooinhis-20">Blood, Sweat, and Fear: Violence at Work in the North American Auto Industry, 1960-1980 </a>(<a href="https://www.press.uillinois.edu/books/catalog/63cwe4wq9780252083389.html">University of Illinois Press</a>/<a href="https://www.ubcpress.ca/blood-sweat-and-fear">UBC Press</a>, 2017), <a href="https://twitter.com/jeremymilloy?lang=en">Jeremy Milloy </a>argues that violence in the workplace has a much deeper and more complicated history, and that the stereotype of the quiet loner suddenly deciding to commit violence against their peers conceals much more than it reveals. In short, violence on the job has a history. The shift from violence committed by management against striking workers to individualized violence in the form of shootings and assaults among workers occurred as labor unions lost power and splintered into radical and more mainstream factions. By examining the often hyper-masculine heyday of the mid-twentieth-century auto industry, Milloy makes a strong case for a broader definition of what constitutes violence at work under capitalism. In the words of one attorney reflecting on a workplace shooting in a Detroit Chrysler factory, “Chrysler pulled the trigger.” The structure of auto manufacturing work itself bred a culture of violence on the factory floor. In both Detroit, Michigan and Windsor, Ontario, race, gender, and labor dynamics mediated the relationships between employees in the sprawling auto factories that straddled the Canadian-American border. Blood, Sweat, and Fear tells the stark story of life and death within those plants as the nature of work and labor changed in the late twentieth century.</p><p>
Jeremy Milloy earned his PhD at Simon Fraser University and is a SSHRC postdoctoral fellow at Trent University.</p><p>
</p><p>
Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3132</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68413]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6248774314.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jo Littler, “Against Meritocracy: Culture, Power, and Myths of Mobility” (Routledge, 2017)</title>
      <description>How does the idea of ‘meritocracy’ serve to reinforce social inequality?

In Against Meritocracy: Culture, Power and Myths of Mobility (Routledge, 2017) Dr Jo Littler, Reader in Culture and Creative Industries at City, University of London analyses the history of the term, the political project it has been associated with, and the cultural manifestations of its neo-liberal form. The book charts the early, critical and satirical, origins of the idea, mapping its co-option by right wing governments within a project of state transformation and the end of social democracy. Allied to the genealogy of the idea, and the politics of inequality to which it is attached, the book details various manifestations of meritocratic culture that serve to exclude and divide. Here there are rich case studies of inequality of class, gender and ethnicity, ranging from #Damonsplaining, through ‘mumpreneurs’ to normcore plutocrats. Ranging widely, but theoretically grounded, the book is essential reading for anyone wanting to know how our current discourses of fairness have ended up supporting growing social inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 17 Nov 2017 20:22:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does the idea of ‘meritocracy’ serve to reinforce social inequality? In Against Meritocracy: Culture, Power and Myths of Mobility (Routledge, 2017) Dr Jo Littler, Reader in Culture and Creative Industries at City,</itunes:subtitle>
      <itunes:summary>How does the idea of ‘meritocracy’ serve to reinforce social inequality?

In Against Meritocracy: Culture, Power and Myths of Mobility (Routledge, 2017) Dr Jo Littler, Reader in Culture and Creative Industries at City, University of London analyses the history of the term, the political project it has been associated with, and the cultural manifestations of its neo-liberal form. The book charts the early, critical and satirical, origins of the idea, mapping its co-option by right wing governments within a project of state transformation and the end of social democracy. Allied to the genealogy of the idea, and the politics of inequality to which it is attached, the book details various manifestations of meritocratic culture that serve to exclude and divide. Here there are rich case studies of inequality of class, gender and ethnicity, ranging from #Damonsplaining, through ‘mumpreneurs’ to normcore plutocrats. Ranging widely, but theoretically grounded, the book is essential reading for anyone wanting to know how our current discourses of fairness have ended up supporting growing social inequality.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the idea of ‘meritocracy’ serve to reinforce social inequality?</p><p>
In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QsX9GreTk3Gn6iCbhu_wyPAAAAFfxqQXZQEAAAFKAVdZDok/http://www.amazon.com/dp/1138889555/ref=as_at?creativeASIN=1138889555&amp;linkCode=w61&amp;imprToken=msT5Zitu8bIaTKmIWLsqEg&amp;slotNum=0&amp;tag=newbooinhis-20">Against Meritocracy: Culture, Power and Myths of Mobility</a> (Routledge, 2017) <a href="https://twitter.com/littler_jo">Dr Jo Littler</a>, <a href="https://www.city.ac.uk/people/academics/jo-littler">Reader in Culture and Creative Industries at City, University of London</a> analyses the history of the term, the political project it has been associated with, and the cultural manifestations of its neo-liberal form. The book charts the early, critical and satirical, origins of the idea, mapping its co-option by right wing governments within a project of state transformation and the end of social democracy. Allied to the genealogy of the idea, and the politics of inequality to which it is attached, the book details various manifestations of meritocratic culture that serve to exclude and divide. Here there are rich case studies of inequality of class, gender and ethnicity, ranging from #Damonsplaining, through ‘mumpreneurs’ to normcore plutocrats. Ranging widely, but theoretically grounded, the book is essential reading for anyone wanting to know how our current discourses of fairness have ended up supporting growing social inequality.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2724</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68371]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4993313155.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Carlo D’Ippoliti et.al., “The Routledge Handbook of Heterodox Economics: Theorizing, Analyzing, and Transforming Capitalism” (Routledge, 2017)</title>
      <description>The Routledge Handbook of Heterodox Economics: Theorizing, Analyzing, and Transforming Capitalism (Routledge, 2017), a new handbook of economics has been published; it is a very special one. In this interview, Carlo D’Ippoliti, one of the three co-editors, discusses with us why a handbook of heterodox economics was needed. Contributions throughout the handbook explore different theoretical perspectives including: Marxian-radical political economics; Post Keynesian-Sraffian economics; institutionalist-evolutionary economics; feminist economics; social economics; Regulation theory; the Social Structure of Accumulation approach; and ecological economics. Several contributions explain the structural properties and dynamics of capitalism, as well as propose economic and social policies for the benefit of the majority of the population. This book aims, firstly, to provide realistic and coherent theoretical frameworks to understand the capitalist economy in a constructive and forward-looking manner. Secondly, it delineates the future directions, as well as the current state, of heterodox economics. Both graduate students and academics will enjoy reading it. The interview ends with Carlo D’Ippoliti arguing in favour of a more pluralist approach to economics in research, teaching and policymaking.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on ‘Critical Management Studies.’
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Nov 2017 11:00:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Routledge Handbook of Heterodox Economics: Theorizing, Analyzing, and Transforming Capitalism (Routledge, 2017), a new handbook of economics has been published; it is a very special one. In this interview, Carlo D’Ippoliti,</itunes:subtitle>
      <itunes:summary>The Routledge Handbook of Heterodox Economics: Theorizing, Analyzing, and Transforming Capitalism (Routledge, 2017), a new handbook of economics has been published; it is a very special one. In this interview, Carlo D’Ippoliti, one of the three co-editors, discusses with us why a handbook of heterodox economics was needed. Contributions throughout the handbook explore different theoretical perspectives including: Marxian-radical political economics; Post Keynesian-Sraffian economics; institutionalist-evolutionary economics; feminist economics; social economics; Regulation theory; the Social Structure of Accumulation approach; and ecological economics. Several contributions explain the structural properties and dynamics of capitalism, as well as propose economic and social policies for the benefit of the majority of the population. This book aims, firstly, to provide realistic and coherent theoretical frameworks to understand the capitalist economy in a constructive and forward-looking manner. Secondly, it delineates the future directions, as well as the current state, of heterodox economics. Both graduate students and academics will enjoy reading it. The interview ends with Carlo D’Ippoliti arguing in favour of a more pluralist approach to economics in research, teaching and policymaking.



Andrea Bernardi is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his research interests are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on ‘Critical Management Studies.’
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://aax-us-east.amazon-adsystem.com/x/c/QnYIjjTWTGEX2h4uT7K8-OIAAAFfnNlXvgEAAAFKAe3RD3o/http://www.amazon.com/dp/1138899941/ref=as_at?creativeASIN=1138899941&amp;linkCode=w61&amp;imprToken=xiHgHB5uVvwzWHemDDa1Ew&amp;slotNum=0&amp;tag=newbooinhis-20">The Routledge Handbook of Heterodox Economics: Theorizing, Analyzing, and Transforming Capitalism</a> (<a href="https://www.routledge.com/The-Routledge-Handbook-of-Heterodox-Economics-Theorizing-Analyzing-and/Jo-Chester-DIppoliti/p/book/9781138899940">Routledge</a>, 2017), a new handbook of economics has been published; it is a very special one. In this interview, <a href="http://carlodippoliti.eu/">Carlo D’Ippoliti</a>, one of the three co-editors, discusses with us why a handbook of heterodox economics was needed. Contributions throughout the handbook explore different theoretical perspectives including: Marxian-radical political economics; Post Keynesian-Sraffian economics; institutionalist-evolutionary economics; feminist economics; social economics; Regulation theory; the Social Structure of Accumulation approach; and ecological economics. Several contributions explain the structural properties and dynamics of capitalism, as well as propose economic and social policies for the benefit of the majority of the population. This book aims, firstly, to provide realistic and coherent theoretical frameworks to understand the capitalist economy in a constructive and forward-looking manner. Secondly, it delineates the future directions, as well as the current state, of heterodox economics. Both graduate students and academics will enjoy reading it. The interview ends with Carlo D’Ippoliti arguing in favour of a more pluralist approach to economics in research, teaching and policymaking.</p><p>
</p><p>
<a href="https://twitter.com/Bernardi_UK">Andrea Bernardi</a> is Senior Lecturer in Employment and Organization Studies at Oxford Brookes University in the UK. He holds a doctorate in Organization Theory from the University of Milan, Bicocca. He has held teaching and research positions in Italy, China and the UK. Among his <a href="https://www.researchgate.net/profile/Andrea_Bernardi">research interests</a> are the use of history in management studies, the co-operative sector, and Chinese co-operatives. His latest project is looking at health care in rural China. He is the co-convener of the EAEPE’s permanent track on ‘<a href="http://eaepe.org/?page=research_areas&amp;side=cms_critical_management_studies">Critical Management Studies.’</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68206]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3428305931.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric Lee, “The Experiment: Georgia’s Forgotten Revolution, 1918-1921” (Zed Books, 2017)</title>
      <description>Eric Lee‘s The Experiment: Georgia’s Forgotten Revolution, 1918-1921 (Zed Books, 2017) is about the Georgian Social Democratic/ Menshevik Revolution that took place in 1918.

As the world celebrates the centenary of the Bolshevik Revolution, Lee uses this book to explore what happened in Georgia, where the Social Democrats /Mensheviks, led by Noe Zhordania remained committed to a democratic and inclusive revolution as a counterpoint to the Bolshevik notions of a strict, disciplined party and a limited, undemocratic but participatory system of government. He notes that Zhordiania and the other Georgian Mensheviks had cut their teeth in 1902-1906 in the Gurian republic, a small breakaway region in Georgia, where peasant revolt had turned into democratic local government, until it was crushed by Tsarist forces. The lessons learned in Guria remained crucial for the Georgian Social Democrats, who learned to appreciate the peasants as a revolutionary class who demanded an equal seat at the table, as well as principles such as universal suffrage for men and women and the importance of involving local people in policymaking, particularly to solve Georgia’s pressing agrarian question. When the Bolsheviks seized power in 1918, the Georgian Social Democrats reluctantly broke away from Russia and sought to navigate the charged political waters, trying to stave off invasion from Turkey and Denikin’s White forces with alliances with first Germany and then Britain. They also tried to apply classic Marxist principles, creating not socialism but a bourgeois industrial revolution and a corresponding democratic regime, which was elected by secret ballot and universal suffrage to run the new, tiny nation. This new democratically elected Menshevik government tried to solve issues of pressing concern, carrying out land reform and encouraging judicial reform and encouraging industrial development, while trying to maintain the sovereignty and territorial integrity of their new nation. Eventually, due to Georgia’s size and geopolitical location, this revolution failed, but Lee provides a fascinating account of what the country briefly looked like under Menshevik rule and how this compared to the regime established by Georgia’s most famous son, Stalin.



Samantha Lomb is an Assistant Professor at Vyatka State University in Kirov, Russia. Her research focuses on daily life, local politics and political participation in the Stalinist 1930s. Her book, Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the Draft 1936 Constitution is now available online. Her research can be viewed here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Nov 2017 18:18:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Eric Lee‘s The Experiment: Georgia’s Forgotten Revolution, 1918-1921 (Zed Books, 2017) is about the Georgian Social Democratic/ Menshevik Revolution that took place in 1918. As the world celebrates the centenary of the Bolshevik Revolution,</itunes:subtitle>
      <itunes:summary>Eric Lee‘s The Experiment: Georgia’s Forgotten Revolution, 1918-1921 (Zed Books, 2017) is about the Georgian Social Democratic/ Menshevik Revolution that took place in 1918.

As the world celebrates the centenary of the Bolshevik Revolution, Lee uses this book to explore what happened in Georgia, where the Social Democrats /Mensheviks, led by Noe Zhordania remained committed to a democratic and inclusive revolution as a counterpoint to the Bolshevik notions of a strict, disciplined party and a limited, undemocratic but participatory system of government. He notes that Zhordiania and the other Georgian Mensheviks had cut their teeth in 1902-1906 in the Gurian republic, a small breakaway region in Georgia, where peasant revolt had turned into democratic local government, until it was crushed by Tsarist forces. The lessons learned in Guria remained crucial for the Georgian Social Democrats, who learned to appreciate the peasants as a revolutionary class who demanded an equal seat at the table, as well as principles such as universal suffrage for men and women and the importance of involving local people in policymaking, particularly to solve Georgia’s pressing agrarian question. When the Bolsheviks seized power in 1918, the Georgian Social Democrats reluctantly broke away from Russia and sought to navigate the charged political waters, trying to stave off invasion from Turkey and Denikin’s White forces with alliances with first Germany and then Britain. They also tried to apply classic Marxist principles, creating not socialism but a bourgeois industrial revolution and a corresponding democratic regime, which was elected by secret ballot and universal suffrage to run the new, tiny nation. This new democratically elected Menshevik government tried to solve issues of pressing concern, carrying out land reform and encouraging judicial reform and encouraging industrial development, while trying to maintain the sovereignty and territorial integrity of their new nation. Eventually, due to Georgia’s size and geopolitical location, this revolution failed, but Lee provides a fascinating account of what the country briefly looked like under Menshevik rule and how this compared to the regime established by Georgia’s most famous son, Stalin.



Samantha Lomb is an Assistant Professor at Vyatka State University in Kirov, Russia. Her research focuses on daily life, local politics and political participation in the Stalinist 1930s. Her book, Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the Draft 1936 Constitution is now available online. Her research can be viewed here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.ericlee.info/bio.html">Eric Lee</a>‘s <a href="http://aax-us-east.amazon-adsystem.com/x/c/QryhR5HRW4rwZCJiw0kBcJ8AAAFffdHoEgEAAAFKAfD2TC4/http://www.amazon.com/dp/178699092X/ref=as_at?creativeASIN=178699092X&amp;linkCode=w61&amp;imprToken=AdDoYR2BIiiIgB5fgRbAhA&amp;slotNum=0&amp;tag=newbooinhis-20">The Experiment: Georgia’s Forgotten Revolution, 1918-1921</a> (<a href="http://press.uchicago.edu/ucp/books/book/distributed/E/bo27375924.html">Zed Books</a>, 2017) is about the Georgian Social Democratic/ Menshevik Revolution that took place in 1918.</p><p>
As the world celebrates the centenary of the Bolshevik Revolution, Lee uses this book to explore what happened in Georgia, where the Social Democrats /Mensheviks, led by Noe Zhordania remained committed to a democratic and inclusive revolution as a counterpoint to the Bolshevik notions of a strict, disciplined party and a limited, undemocratic but participatory system of government. He notes that Zhordiania and the other Georgian Mensheviks had cut their teeth in 1902-1906 in the Gurian republic, a small breakaway region in Georgia, where peasant revolt had turned into democratic local government, until it was crushed by Tsarist forces. The lessons learned in Guria remained crucial for the Georgian Social Democrats, who learned to appreciate the peasants as a revolutionary class who demanded an equal seat at the table, as well as principles such as universal suffrage for men and women and the importance of involving local people in policymaking, particularly to solve Georgia’s pressing agrarian question. When the Bolsheviks seized power in 1918, the Georgian Social Democrats reluctantly broke away from Russia and sought to navigate the charged political waters, trying to stave off invasion from Turkey and Denikin’s White forces with alliances with first Germany and then Britain. They also tried to apply classic Marxist principles, creating not socialism but a bourgeois industrial revolution and a corresponding democratic regime, which was elected by secret ballot and universal suffrage to run the new, tiny nation. This new democratically elected Menshevik government tried to solve issues of pressing concern, carrying out land reform and encouraging judicial reform and encouraging industrial development, while trying to maintain the sovereignty and territorial integrity of their new nation. Eventually, due to Georgia’s size and geopolitical location, this revolution failed, but Lee provides a fascinating account of what the country briefly looked like under Menshevik rule and how this compared to the regime established by Georgia’s most famous son, Stalin.</p><p>
</p><p>
<a href="https://samanthalomb.weebly.com/">Samantha Lomb</a> is an Assistant Professor at Vyatka State University in Kirov, Russia. Her research focuses on daily life, local politics and political participation in the Stalinist 1930s. Her book, Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the Draft 1936 Constitution is now available online. Her research can be viewed <a href="https://vgu.academia.edu/samlomb">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3046</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68116]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4784090798.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joshua Clark Davis, “From Head Shops to Whole Foods: The Rise and Fall of Activist Entrepreneurs” (Columbia UP, 2017)</title>
      <description>In From Head Shops to Whole Foods: The Rise and Fall of Activist Entrepreneurs (Columbia University Press, 2017), historian Joshua Clark Davis offers an unconventional history of the 1960s and 1970s by uncovering the work of activist entrepreneurs. These activists offered alternatives to conventional profit-driven corporate business models by opening up their own small businesses. It’s a fascinating account that challenges the mistaken idea that activism and political dissent are inherently antithetical to participation in the marketplace.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <pubDate>Thu, 02 Nov 2017 10:00:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In From Head Shops to Whole Foods: The Rise and Fall of Activist Entrepreneurs (Columbia University Press, 2017), historian Joshua Clark Davis offers an unconventional history of the 1960s and 1970s by uncovering the work of activist entrepreneurs.</itunes:subtitle>
      <itunes:summary>In From Head Shops to Whole Foods: The Rise and Fall of Activist Entrepreneurs (Columbia University Press, 2017), historian Joshua Clark Davis offers an unconventional history of the 1960s and 1970s by uncovering the work of activist entrepreneurs. These activists offered alternatives to conventional profit-driven corporate business models by opening up their own small businesses. It’s a fascinating account that challenges the mistaken idea that activism and political dissent are inherently antithetical to participation in the marketplace.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QtjZhgr6H-Sb1nO6fWCapGYAAAFfeMsc7gEAAAFKAS6W4Mo/http://www.amazon.com/dp/0231171587/ref=as_at?creativeASIN=0231171587&amp;linkCode=w61&amp;imprToken=ctXUBpZZmIBEjRjoiGNuEQ&amp;slotNum=0&amp;tag=newbooinhis-20">From Head Shops to Whole Foods: The Rise and Fall of Activist Entrepreneurs</a> (<a href="https://cup.columbia.edu/book/from-head-shops-to-whole-foods/9780231171588">Columbia University Press</a>, 2017), historian <a href="http://www.ubalt.edu/cas/faculty/alphabetical-directory/joshua-clark-davis.cfm">Joshua Clark Davis</a> offers an unconventional history of the 1960s and 1970s by uncovering the work of activist entrepreneurs. These activists offered alternatives to conventional profit-driven corporate business models by opening up their own small businesses. It’s a fascinating account that challenges the mistaken idea that activism and political dissent are inherently antithetical to participation in the marketplace.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2225</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68090]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8488224046.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Claudia Leeb, “Power and Feminist Agency in Capitalism: Towards a New Theory of the Political Subject” (Oxford UP, 2017)</title>
      <description>Claudia Leeb’s new book, Power and Feminist Agency in Capitalism: Toward a New Theory of the Political Subject (Oxford University Press, 2017), takes up pressing issues within contemporary political and feminist theory, especially as we consider the point of action and the instance of movement. This book marries together important questions within political theory, feminist theory, and economics with specific focus on the idea of subject and how an individual subject may be poised towards action, particularly in context of moving towards a more equitable political and economic system. Leeb’s book, which theorizes about the contested nature of the political subject, explores the concept of the political subject in outline as she has titled this theory. This reinterpretation of the political subject is as an incomplete political subject, given the contested interpretations of this concept in political theory, feminist theory, and psychological theory.

The text goes on to examine key political and feminist theorists in framing the positioning of the political subject, putting Marx, Adorno, and Lacan and other Frankfurt School theorists into conversation with feminist theorists. Leeb, as a result of theorizing the capacity for action by the political subject in outline, explores the tension between theory and practice, noting this mediated relationship, and delving into why there is such tension between theory and practice, especially within the academe. The issue of transformative agency, especially a kind of intersectional transformative agency that integrates both feminist and economic impulses, is at the center of Leeb’s analysis and presses on some of the limits of theory as disconnected from the practice of politics.
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      <pubDate>Thu, 26 Oct 2017 10:00:20 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Claudia Leeb’s new book, Power and Feminist Agency in Capitalism: Toward a New Theory of the Political Subject (Oxford University Press, 2017), takes up pressing issues within contemporary political and feminist theory,</itunes:subtitle>
      <itunes:summary>Claudia Leeb’s new book, Power and Feminist Agency in Capitalism: Toward a New Theory of the Political Subject (Oxford University Press, 2017), takes up pressing issues within contemporary political and feminist theory, especially as we consider the point of action and the instance of movement. This book marries together important questions within political theory, feminist theory, and economics with specific focus on the idea of subject and how an individual subject may be poised towards action, particularly in context of moving towards a more equitable political and economic system. Leeb’s book, which theorizes about the contested nature of the political subject, explores the concept of the political subject in outline as she has titled this theory. This reinterpretation of the political subject is as an incomplete political subject, given the contested interpretations of this concept in political theory, feminist theory, and psychological theory.

The text goes on to examine key political and feminist theorists in framing the positioning of the political subject, putting Marx, Adorno, and Lacan and other Frankfurt School theorists into conversation with feminist theorists. Leeb, as a result of theorizing the capacity for action by the political subject in outline, explores the tension between theory and practice, noting this mediated relationship, and delving into why there is such tension between theory and practice, especially within the academe. The issue of transformative agency, especially a kind of intersectional transformative agency that integrates both feminist and economic impulses, is at the center of Leeb’s analysis and presses on some of the limits of theory as disconnected from the practice of politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.claudialeeb.com/1/Home.html">Claudia Leeb’</a>s new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QsNKnURGinF-dryHyZ1lNiUAAAFfVV1NRQEAAAFKAUMmESM/http://www.amazon.com/dp/019063989X/ref=as_at?creativeASIN=019063989X&amp;linkCode=w61&amp;imprToken=lBdpBOAQj9581i6izsZcsw&amp;slotNum=0&amp;tag=newbooinhis-20">Power and Feminist Agency in Capitalism: Toward a New Theory of the Political Subject </a>(<a href="https://global.oup.com/academic/product/power-and-feminist-agency-in-capitalism-9780190639891?cc=us&amp;lang=en&amp;">Oxford University Press</a>, 2017), takes up pressing issues within contemporary political and feminist theory, especially as we consider the point of action and the instance of movement. This book marries together important questions within political theory, feminist theory, and economics with specific focus on the idea of subject and how an individual subject may be poised towards action, particularly in context of moving towards a more equitable political and economic system. Leeb’s book, which theorizes about the contested nature of the political subject, explores the concept of the political subject in outline as she has titled this theory. This reinterpretation of the political subject is as an incomplete political subject, given the contested interpretations of this concept in political theory, feminist theory, and psychological theory.</p><p>
The text goes on to examine key political and feminist theorists in framing the positioning of the political subject, putting Marx, Adorno, and Lacan and other Frankfurt School theorists into conversation with feminist theorists. Leeb, as a result of theorizing the capacity for action by the political subject in outline, explores the tension between theory and practice, noting this mediated relationship, and delving into why there is such tension between theory and practice, especially within the academe. The issue of transformative agency, especially a kind of intersectional transformative agency that integrates both feminist and economic impulses, is at the center of Leeb’s analysis and presses on some of the limits of theory as disconnected from the practice of politics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3154</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67887]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7075398898.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Daromir Rudnyckyj and Filippo Osella, eds., “Religion and the Morality of the Market: Anthropological Perspectives” (Cambridge UP, 2017)</title>
      <description>Since the collapse of the Berlin Wall, there has been a widespread affirmation of economic ideologies that conceive the market as an autonomous sphere of human practice. In the wake of the 2008 financial crisis, this idea has been countered by calls for reforms of financial markets and for the consideration of moral values in economic practice. Religion and the Morality of the Market: Anthropological Perspectives (Cambridge University Press, 2017) intervenes in these debates by showing how neoliberal market practices engender new forms of religiosity, and how religiosity shapes economic actions. Daromir Rudnyckyj, one of the volumes editors, is Associate Professor of anthropology at the University of Victoria.



Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada.




Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 24 Oct 2017 19:03:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Since the collapse of the Berlin Wall, there has been a widespread affirmation of economic ideologies that conceive the market as an autonomous sphere of human practice. In the wake of the 2008 financial crisis,</itunes:subtitle>
      <itunes:summary>Since the collapse of the Berlin Wall, there has been a widespread affirmation of economic ideologies that conceive the market as an autonomous sphere of human practice. In the wake of the 2008 financial crisis, this idea has been countered by calls for reforms of financial markets and for the consideration of moral values in economic practice. Religion and the Morality of the Market: Anthropological Perspectives (Cambridge University Press, 2017) intervenes in these debates by showing how neoliberal market practices engender new forms of religiosity, and how religiosity shapes economic actions. Daromir Rudnyckyj, one of the volumes editors, is Associate Professor of anthropology at the University of Victoria.



Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada.




Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the collapse of the Berlin Wall, there has been a widespread affirmation of economic ideologies that conceive the market as an autonomous sphere of human practice. In the wake of the 2008 financial crisis, this idea has been countered by calls for reforms of financial markets and for the consideration of moral values in economic practice. <a href="http://aax-us-east.amazon-adsystem.com/x/c/QoBKK_30jjccTi49QEj60m8AAAFfT0mBLAEAAAFKAecPxJI/http://www.amazon.com/dp/1107186056/ref=as_at?creativeASIN=1107186056&amp;linkCode=w61&amp;imprToken=YU.IpnH0zDFyCGwl3yDBYw&amp;slotNum=0&amp;tag=newbooinhis-20">Religion and the Morality of the Market: Anthropological Perspectives</a> (<a href="https://www.cambridge.org/core/books/religion-and-the-morality-of-the-market/AEA3F2A0EECD7D3A65F5063D9AFE1470">Cambridge University Press</a>, 2017) intervenes in these debates by showing how neoliberal market practices engender new forms of religiosity, and how religiosity shapes economic actions. <a href="http://web.uvic.ca/~daromir/">Daromir Rudnyckyj</a>, one of the volumes editors, is Associate Professor of anthropology at the University of Victoria.</p><p>
</p><p>
<a href="http://www.hillarykaell.com/">Hillary Kaell</a> co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada.</p><p>
</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3579</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67829]]></guid>
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    <item>
      <title>Clayton Childress, “Under the Cover: The Creation, Production, and Reception of a Novel” (Princeton UP, 2017)</title>
      <description>How does a book come into being?

In Under the Cover: The Creation, Production, and Reception of a Novel (Princeton University Press, 2017), Clayton Childress, Assistant Professor in the Department of Sociology at The University of Toronto, accounts for the social processes behind the contemporary novel. The book uses a case study of Jarrettsville, a work of historical fiction, to explore the processes of creation, production, and reception for the book. Drawing on, but also extending and developing, field theory, the book challenges the usual perception of a lone authorial genius with a detailed sociological picture of how a novel is made. The book offers rich empirical material, from quantitative analysis of inequalities in publishing, through readers’ responses to the novel and insider knowledge from agents and editors, to ethnographic reflections on the social setting for authorial work. The book is a fascinating and accessible read for anyone interested in contemporary culture. The first chapter is available for as a preview here.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 29 Sep 2017 17:29:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does a book come into being? In Under the Cover: The Creation, Production, and Reception of a Novel (Princeton University Press, 2017), Clayton Childress, Assistant Professor in the Department of Sociology at The University of Toronto,</itunes:subtitle>
      <itunes:summary>How does a book come into being?

In Under the Cover: The Creation, Production, and Reception of a Novel (Princeton University Press, 2017), Clayton Childress, Assistant Professor in the Department of Sociology at The University of Toronto, accounts for the social processes behind the contemporary novel. The book uses a case study of Jarrettsville, a work of historical fiction, to explore the processes of creation, production, and reception for the book. Drawing on, but also extending and developing, field theory, the book challenges the usual perception of a lone authorial genius with a detailed sociological picture of how a novel is made. The book offers rich empirical material, from quantitative analysis of inequalities in publishing, through readers’ responses to the novel and insider knowledge from agents and editors, to ethnographic reflections on the social setting for authorial work. The book is a fascinating and accessible read for anyone interested in contemporary culture. The first chapter is available for as a preview here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does a book come into being?</p><p>
In <a href="https://press.princeton.edu/titles/11027.html">Under the Cover: The Creation, Production, and Reception of a Novel</a> (Princeton University Press, 2017), <a href="https://twitter.com/claytonchirping">Clayton Childress</a>, Assistant Professor in the Department of Sociology at The University of Toronto, accounts for the social processes behind the contemporary novel. The book uses a case study of Jarrettsville, a work of historical fiction, to explore the processes of creation, production, and reception for the book. Drawing on, but also extending and developing, field theory, the book challenges the usual perception of a lone authorial genius with a detailed sociological picture of how a novel is made. The book offers rich empirical material, from quantitative analysis of inequalities in publishing, through readers’ responses to the novel and insider knowledge from agents and editors, to ethnographic reflections on the social setting for authorial work. The book is a fascinating and accessible read for anyone interested in contemporary culture. The first chapter is available for as a preview <a href="http://assets.press.princeton.edu/chapters/s11027.pdf">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2882</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67389]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9561227352.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jamie Woodcock, “Working the Phones: Control and Resistance in Call Centers” (Pluto Press, 2017)</title>
      <description>What are the working conditions and what are the possibilities for change in the contemporary economy?

In Working the Phones: Control and Resistance in Call Centers (Pluto Press, 2017), Jamie Woodcock, a fellow at the London School of Economics, analyses perhaps the most important form of contemporary working institution, the call centre. Based on a detailed ethnography, the book describes the working conditions, labour processes, and affective effects of call centre work. The book offers theoretical reflections embedded in the empirical material, easily fusing key contemporary thinkers on work and labour with the lived reality of working the phones. It shows the practices of management, control, and crucially, resistance in the call centre. Moreover, by adopting the approach of a workers’ inquiry and reflecting on the limits of this mode of academic research, the book offers reflections on the need and the prospect for change. The book will be essential reading for management, sociology and cultural studies, as well as for anyone interested in current practices of working life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Sep 2017 14:17:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What are the working conditions and what are the possibilities for change in the contemporary economy? In Working the Phones: Control and Resistance in Call Centers (Pluto Press, 2017), Jamie Woodcock, a fellow at the London School of Economics,</itunes:subtitle>
      <itunes:summary>What are the working conditions and what are the possibilities for change in the contemporary economy?

In Working the Phones: Control and Resistance in Call Centers (Pluto Press, 2017), Jamie Woodcock, a fellow at the London School of Economics, analyses perhaps the most important form of contemporary working institution, the call centre. Based on a detailed ethnography, the book describes the working conditions, labour processes, and affective effects of call centre work. The book offers theoretical reflections embedded in the empirical material, easily fusing key contemporary thinkers on work and labour with the lived reality of working the phones. It shows the practices of management, control, and crucially, resistance in the call centre. Moreover, by adopting the approach of a workers’ inquiry and reflecting on the limits of this mode of academic research, the book offers reflections on the need and the prospect for change. The book will be essential reading for management, sociology and cultural studies, as well as for anyone interested in current practices of working life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the working conditions and what are the possibilities for change in the contemporary economy?</p><p>
In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhjQ1PorIDW4saSomfa6DawAAAFepMbv2AEAAAFKAe9XMCw/http://www.amazon.com/dp/0745399061/ref=as_at?creativeASIN=0745399061&amp;linkCode=w61&amp;imprToken=r5V1VP5lV1GKOs7IPmH2BQ&amp;slotNum=0&amp;tag=newbooinhis-20">Working the Phones: Control and Resistance in Call Centers </a>(<a href="http://press.uchicago.edu/ucp/books/book/distributed/W/bo25367923.html">Pluto Press</a>, 2017), <a href="https://twitter.com/jamie_woodcock">Jamie Woodcock,</a> a fellow at the <a href="http://www.lse.ac.uk/management/people/academic-staff/jwoodcock">London School of Economics,</a> analyses perhaps the most important form of contemporary working institution, the call centre. Based on a detailed ethnography, the book describes the working conditions, labour processes, and affective effects of call centre work. The book offers theoretical reflections embedded in the empirical material, easily fusing key contemporary thinkers on work and labour with the lived reality of working the phones. It shows the practices of management, control, and crucially, resistance in the call centre. Moreover, by adopting the approach of a workers’ inquiry and reflecting on the limits of this mode of academic research, the book offers reflections on the need and the prospect for change. The book will be essential reading for management, sociology and cultural studies, as well as for anyone interested in current practices of working life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2194</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67307]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4109762997.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shaun Scott, “Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present” (Zero Books, 2018)</title>
      <description>In Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present (Zero Books, 2018), Shaun Scott critiques the America millennials inherited and using a pop culture lens to explore how they navigate it. Starting in 1982 as the birth of millennials, Scott examines how millennials have been impacted by the economic and social changes of the 1980s and neoliberalism. Scott takes readers through defining moments and experiences such as latchkey parents, changing representations of masculinity, pop culture feminism, September 11th, and Hurricane Katrina. He uses popular culture examples to define these moments comparing September 11th to Jay-Z’s The Blueprint and using the career of LeBron James to critique corporate relocation and its effects on economic livelihoods. Scott’s well-research book presents readers with a challenge to rethink how millennials are defined and critiqued as he challenges millennials to learn from the mistakes of the past and work for lasting change.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Sep 2017 10:00:50 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present (Zero Books, 2018), Shaun Scott critiques the America millennials inherited and using a pop culture lens to explore how they navigate it.</itunes:subtitle>
      <itunes:summary>In Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present (Zero Books, 2018), Shaun Scott critiques the America millennials inherited and using a pop culture lens to explore how they navigate it. Starting in 1982 as the birth of millennials, Scott examines how millennials have been impacted by the economic and social changes of the 1980s and neoliberalism. Scott takes readers through defining moments and experiences such as latchkey parents, changing representations of masculinity, pop culture feminism, September 11th, and Hurricane Katrina. He uses popular culture examples to define these moments comparing September 11th to Jay-Z’s The Blueprint and using the career of LeBron James to critique corporate relocation and its effects on economic livelihoods. Scott’s well-research book presents readers with a challenge to rethink how millennials are defined and critiqued as he challenges millennials to learn from the mistakes of the past and work for lasting change.



Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qo12oKU_jrIwv_dcGyAd26oAAAFeiuZeigEAAAFKAaH9jJI/http://www.amazon.com/dp/178535583X/ref=as_at?creativeASIN=178535583X&amp;linkCode=w61&amp;imprToken=GCcGh2H-aeBrschVuMpe3g&amp;slotNum=0&amp;tag=newbooinhis-20">Millennials and the Moments that Made Us: A Cultural History of the U.S. from 1982-Present</a> (<a href="http://www.zero-books.net/books/millennials-moments-made-us">Zero Books</a>, 2018), Shaun Scott critiques the America millennials inherited and using a pop culture lens to explore how they navigate it. Starting in 1982 as the birth of millennials, Scott examines how millennials have been impacted by the economic and social changes of the 1980s and neoliberalism. Scott takes readers through defining moments and experiences such as latchkey parents, changing representations of masculinity, pop culture feminism, September 11th, and Hurricane Katrina. He uses popular culture examples to define these moments comparing September 11th to Jay-Z’s The Blueprint and using the career of LeBron James to critique corporate relocation and its effects on economic livelihoods. Scott’s well-research book presents readers with a challenge to rethink how millennials are defined and critiqued as he challenges millennials to learn from the mistakes of the past and work for lasting change.</p><p>
</p><p>
Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67234]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8897602965.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Haley, “No Mercy Here: Gender, Punishment, and the Making of Jim Crow Modernity” (UNC Press, 2016)</title>
      <description>Recent popular and scholarly interest has highlighted the complex and brutal system of mass incarceration in the United States. Much of this interest has focused on recent developments while other scholars have revealed the connections between the development of the prison system after Reconstruction and the legacies of slavery. In her new book, No Mercy Here: Gender, Punishment, and the Making of Jim Crow Modernity (University of North Carolina Press, 2016), Sarah Haley points to an often under recognized part of this history. Haley, an associate professor of gender studies and African American Studies at the University of California, Los Angeles, focuses on the Southern criminal justice system’s treatment and exploitation of black women during the Jim Crow era. Though black women were caught up in the criminal justice system in smaller numbers than men were, Haley shows their treatment was very important to the development of Jim Crow modernity. The brutal and violent treatment, the ideological narratives surrounding black women, and the exploitation of their labor were all key in creating the ideologies of racial capitalism and patriarchy. Haley also discusses the ways black women resisted this treatment and contented the related ideologies.

In this episode of New Books in History, Haley discusses No Mercy Here and this history of gender, criminal justice, and race. She tells listeners about some of experiences of black women in this criminal justice system, explaining the development of the system from convict leasing to chain gangs with an the exploitative parole system. Haley also clearly explains the ideological role this system played in the development of the Jim Crow system. Finally, Haley also discusses some of her research and the challenges of accurately and thoroughly portraying the experiences of women whose voices were mediated by the criminal justice system.



Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. Shes currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 15 Sep 2017 10:00:44 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Recent popular and scholarly interest has highlighted the complex and brutal system of mass incarceration in the United States. Much of this interest has focused on recent developments while other scholars have revealed the connections between the deve...</itunes:subtitle>
      <itunes:summary>Recent popular and scholarly interest has highlighted the complex and brutal system of mass incarceration in the United States. Much of this interest has focused on recent developments while other scholars have revealed the connections between the development of the prison system after Reconstruction and the legacies of slavery. In her new book, No Mercy Here: Gender, Punishment, and the Making of Jim Crow Modernity (University of North Carolina Press, 2016), Sarah Haley points to an often under recognized part of this history. Haley, an associate professor of gender studies and African American Studies at the University of California, Los Angeles, focuses on the Southern criminal justice system’s treatment and exploitation of black women during the Jim Crow era. Though black women were caught up in the criminal justice system in smaller numbers than men were, Haley shows their treatment was very important to the development of Jim Crow modernity. The brutal and violent treatment, the ideological narratives surrounding black women, and the exploitation of their labor were all key in creating the ideologies of racial capitalism and patriarchy. Haley also discusses the ways black women resisted this treatment and contented the related ideologies.

In this episode of New Books in History, Haley discusses No Mercy Here and this history of gender, criminal justice, and race. She tells listeners about some of experiences of black women in this criminal justice system, explaining the development of the system from convict leasing to chain gangs with an the exploitative parole system. Haley also clearly explains the ideological role this system played in the development of the Jim Crow system. Finally, Haley also discusses some of her research and the challenges of accurately and thoroughly portraying the experiences of women whose voices were mediated by the criminal justice system.



Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. Shes currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Recent popular and scholarly interest has highlighted the complex and brutal system of mass incarceration in the United States. Much of this interest has focused on recent developments while other scholars have revealed the connections between the development of the prison system after Reconstruction and the legacies of slavery. In her new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuTAo5XzaOJPZmlgySL91L0AAAFeghAsEQEAAAFKAd7sLAA/http://www.amazon.com/dp/1469627590/ref=as_at?creativeASIN=1469627590&amp;linkCode=w61&amp;imprToken=nkoQERYJDuvWjCSF8s20Mw&amp;slotNum=0&amp;tag=newbooinhis-20">No Mercy Here: Gender, Punishment, and the Making of Jim Crow Modernity</a> (<a href="https://www.uncpress.org/book/9781469627595/no-mercy-here/">University of North Carolina Press</a>, 2016), Sarah Haley points to an often under recognized part of this history. <a href="https://twitter.com/sahaley?lang=en">Haley</a>, an <a href="http://www.genderstudies.ucla.edu/faculty/sarah-haley">associate professor of gender studies and African American Studies at the University of California, Los Angeles</a>, focuses on the Southern criminal justice system’s treatment and exploitation of black women during the Jim Crow era. Though black women were caught up in the criminal justice system in smaller numbers than men were, Haley shows their treatment was very important to the development of Jim Crow modernity. The brutal and violent treatment, the ideological narratives surrounding black women, and the exploitation of their labor were all key in creating the ideologies of racial capitalism and patriarchy. Haley also discusses the ways black women resisted this treatment and contented the related ideologies.</p><p>
In this episode of <a href="http://newbooksnetwork.com/category/history/">New Books in History</a>, Haley discusses No Mercy Here and this history of gender, criminal justice, and race. She tells listeners about some of experiences of black women in this criminal justice system, explaining the development of the system from convict leasing to chain gangs with an the exploitative parole system. Haley also clearly explains the ideological role this system played in the development of the Jim Crow system. Finally, Haley also discusses some of her research and the challenges of accurately and thoroughly portraying the experiences of women whose voices were mediated by the criminal justice system.</p><p>
</p><p>
Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. Shes currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at <a href="mailto:clamberson@angelo.edu">clamberson@angelo.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3344</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67211]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3986486344.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aled Davies, “The City of London and Social Democracy: The Political Economy of Finance in Post-war Britain” (Oxford UP, 2017)</title>
      <description>In the decades following the end of the Second World War, the British economy evolved from a manufacturing-based economy to one driven by service industries, most notably finance. As Aled Davies explains in his book The City of London and Social Democracy: The Political Economy of Finance in Post-war Britain (Oxford University Press, 2017), this shift posed a challenge to the prevailing concept of social democracy in Britain, one to which politicians, particularly those on the left, struggled to respond. With British industry facing growing competition abroad, successive governments in the 1960s and 1970s sought investment capital in order to maintain that sector’s viability. Efforts were made to encourage institutional investors such as pension and insurance funds to devote more of their industrial investment to long-term development rather than short-term profit, while many on the left of the Labour Party in the 1970s advocated nationalizing the banks as a means of channeling resources into the sector. Such proposals, however, were countered with calls to liberalize and deregulate the financial sector, many of which were advanced by trade associations and other bodies within the financial sector whose growing influence reflected the increasing importance of the City both as a part of the economy and within national politics. Their success in resisting intervention, Davies concludes, presaged the market-driven approach pursued by Margaret Thatcher’s Conservative government after 1979, one which continues to define British policy down to the present day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Sep 2017 10:54:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the decades following the end of the Second World War, the British economy evolved from a manufacturing-based economy to one driven by service industries, most notably finance. As Aled Davies explains in his book The City of London and Social Democr...</itunes:subtitle>
      <itunes:summary>In the decades following the end of the Second World War, the British economy evolved from a manufacturing-based economy to one driven by service industries, most notably finance. As Aled Davies explains in his book The City of London and Social Democracy: The Political Economy of Finance in Post-war Britain (Oxford University Press, 2017), this shift posed a challenge to the prevailing concept of social democracy in Britain, one to which politicians, particularly those on the left, struggled to respond. With British industry facing growing competition abroad, successive governments in the 1960s and 1970s sought investment capital in order to maintain that sector’s viability. Efforts were made to encourage institutional investors such as pension and insurance funds to devote more of their industrial investment to long-term development rather than short-term profit, while many on the left of the Labour Party in the 1970s advocated nationalizing the banks as a means of channeling resources into the sector. Such proposals, however, were countered with calls to liberalize and deregulate the financial sector, many of which were advanced by trade associations and other bodies within the financial sector whose growing influence reflected the increasing importance of the City both as a part of the economy and within national politics. Their success in resisting intervention, Davies concludes, presaged the market-driven approach pursued by Margaret Thatcher’s Conservative government after 1979, one which continues to define British policy down to the present day.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the decades following the end of the Second World War, the British economy evolved from a manufacturing-based economy to one driven by service industries, most notably finance. As <a href="http://bristol.academia.edu/AledDavies">Aled Davies</a> explains in his book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuLZiq3QIYyk2lYID2dawNkAAAFecPSzqgEAAAFKAR_36f4/http://www.amazon.com/dp/0198804113/ref=as_at?creativeASIN=0198804113&amp;linkCode=w61&amp;imprToken=AJu0tJxh8oOeiMMD4b2r8g&amp;slotNum=0&amp;tag=newbooinhis-20">The City of London and Social Democracy: The Political Economy of Finance in Post-war Britain</a> (<a href="https://global.oup.com/academic/product/the-city-of-london-and-social-democracy-9780198804116?cc=us&amp;lang=en&amp;">Oxford University Press</a>, 2017), this shift posed a challenge to the prevailing concept of social democracy in Britain, one to which politicians, particularly those on the left, struggled to respond. With British industry facing growing competition abroad, successive governments in the 1960s and 1970s sought investment capital in order to maintain that sector’s viability. Efforts were made to encourage institutional investors such as pension and insurance funds to devote more of their industrial investment to long-term development rather than short-term profit, while many on the left of the Labour Party in the 1970s advocated nationalizing the banks as a means of channeling resources into the sector. Such proposals, however, were countered with calls to liberalize and deregulate the financial sector, many of which were advanced by trade associations and other bodies within the financial sector whose growing influence reflected the increasing importance of the City both as a part of the economy and within national politics. Their success in resisting intervention, Davies concludes, presaged the market-driven approach pursued by Margaret Thatcher’s Conservative government after 1979, one which continues to define British policy down to the present day.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2939</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67146]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1190754962.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rosemary Lucy Hill, “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music” (Palgrave Macmillan 2016)</title>
      <description>How do women experience and participate in Metal?

This question forms the core of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (Palgrave Macmillan 2016), the new book from Rosemary Lucy Hill, a lecturer in sociology at the University of Leeds. Hill’s book is both empirically detailed, drawing on analysis of Metal media, and theoretically rich, engaging with a range of work on music and gender. The book outlines the imagined community of Metal, thinking through the myths underpinning that community. By exploring myths of equality and authenticity, along with the problematic tropes of “warriors” and “groupies,” the analysis makes clear the gendered tensions of Metal fandom.The book concludes with some thoughts on how to build a new cultural vision for Metal, which will realize the promise of egalitarianism offered in much of the community and in the music. It will be essential reading across sociology, music, and media studies, as well as for all Metalheads too.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 Sep 2017 21:48:25 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How do women experience and participate in Metal? This question forms the core of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (Palgrave Macmillan 2016), the new book from Rosemary Lucy Hill,</itunes:subtitle>
      <itunes:summary>How do women experience and participate in Metal?

This question forms the core of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (Palgrave Macmillan 2016), the new book from Rosemary Lucy Hill, a lecturer in sociology at the University of Leeds. Hill’s book is both empirically detailed, drawing on analysis of Metal media, and theoretically rich, engaging with a range of work on music and gender. The book outlines the imagined community of Metal, thinking through the myths underpinning that community. By exploring myths of equality and authenticity, along with the problematic tropes of “warriors” and “groupies,” the analysis makes clear the gendered tensions of Metal fandom.The book concludes with some thoughts on how to build a new cultural vision for Metal, which will realize the promise of egalitarianism offered in much of the community and in the music. It will be essential reading across sociology, music, and media studies, as well as for all Metalheads too.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do women experience and participate in Metal?</p><p>
This question forms the core of <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qs_f6W3qSzipd3rIe3ikfgcAAAFeU2KD4AEAAAFKAaTUAjg/http://www.amazon.com/dp/1137554401/ref=as_at?creativeASIN=1137554401&amp;linkCode=w61&amp;imprToken=xm.nyBRhnAAELpjLwDVSuw&amp;slotNum=0&amp;tag=newbooinhis-20">Gender, Metal and the Media: Women Fans and the Gendered Experience of Music </a>(Palgrave Macmillan 2016), the new book from <a href="https://twitter.com/rosemarylhill?lang=en">Rosemary Lucy Hill</a>, a lecturer in sociology at the <a href="http://www.sociology.leeds.ac.uk/people/staff/hill">University of Leeds</a>. Hill’s book is both empirically detailed, drawing on analysis of Metal media, and theoretically rich, engaging with a range of work on music and gender. The book outlines the imagined community of Metal, thinking through the myths underpinning that community. By exploring myths of equality and authenticity, along with the problematic tropes of “warriors” and “groupies,” the analysis makes clear the gendered tensions of Metal fandom.The book concludes with some thoughts on how to build a new cultural vision for Metal, which will realize the promise of egalitarianism offered in much of the community and in the music. It will be essential reading across sociology, music, and media studies, as well as for all Metalheads too.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2882</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67008]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1467981585.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brooke Erin Duffy “(Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work” (Yale UP, 2017)</title>
      <description>What is life like in the aspirational economy?

In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press,  2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell University, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 16 Aug 2017 20:41:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is life like in the aspirational economy? In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press, 2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell U...</itunes:subtitle>
      <itunes:summary>What is life like in the aspirational economy?

In (Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work (Yale University Press,  2017) Brooke Erin Duffy, an assistant professor in the Department of Communication at Cornell University, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is life like in the aspirational economy?</p><p>
In <a href="http://www.amazon.com/dp/0300218176/?tag=newbooinhis-20">(Not) Getting Paid to Do What You Love: Gender, Social Media and Aspirational Work</a> (<a href="http://yalebooks.yale.edu/book/9780300218176/not-getting-paid-do-what-you-love">Yale University Press,</a>  2017) <a href="https://communication.cals.cornell.edu/people/brooke-duffy">Brooke Erin Duffy</a>, <a href="https://www.brookeduffy.com">an assistant professor</a> in the <a href="https://communication.cals.cornell.edu/people/brooke-duffy">Department of Communication at Cornell University</a>, explores the working life of bloggers, social media stars, and online influencers (not) making a living in and around the fashion industry. The core of the book is the idea of aspirational labour, which captures the demands of trying to get in and get on in this precarious form of work. Aspirational labour is theorised in conjunction with gender and the broader inequalities of production and consumption in consumer culture. The book then uses this frame to explore the big winners of the social media economy, alongside detailing the hidden costs to being authentic and effortless online, as well as reflecting on the impact of aspirational labour on many other areas of economy and society. The book is packed with rich and detailed interview data, and is essential reading for anyone seeking to understand contemporary consumer culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66792]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9068600499.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ivan Ascher, “Portfolio Society: A Capitalist Mode of Prediction” (Zone Books, 2016)</title>
      <description>Is Marx still relevant? Any social scientist will answer with a resounding yes! In what he refers to as a thought experiment, Ivan Ascher uses Marx to understand the financial market. In Portfolio Society: A Capitalist Mode of Prediction (Zone Books, 2016), Ascher focuses on the arc and narratives found in Capital, using them to analyze risk, credit, and the financial market downfall of 2008. Ascher encourages the reader to explore how we might be able to understand what is going on today by looking back at Marx’s understanding of capitalism. The reader will come across familiar characters, like moneybags and vampires, and familiar concepts from Marx, like fetishism and co-dependence within the market. The nice thing about this book is that you do not need prior knowledge of Marx or financial markets, though those who have knowledge of either or both will still find great pleasure in this thought experiment.

This book would be enjoyed by sociologists or political scientists in general, alongside those interested in financial markets. It would be especially useful in a theory course where students could make connections between Marx and Ascher’s narratives.



Sarah E. Patterson is a postdoc at the University of Western Ontario. You can follow and tweet her at @spattersearch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 12 Aug 2017 22:21:53 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Is Marx still relevant? Any social scientist will answer with a resounding yes! In what he refers to as a thought experiment, Ivan Ascher uses Marx to understand the financial market. In Portfolio Society: A Capitalist Mode of Prediction (Zone Books,</itunes:subtitle>
      <itunes:summary>Is Marx still relevant? Any social scientist will answer with a resounding yes! In what he refers to as a thought experiment, Ivan Ascher uses Marx to understand the financial market. In Portfolio Society: A Capitalist Mode of Prediction (Zone Books, 2016), Ascher focuses on the arc and narratives found in Capital, using them to analyze risk, credit, and the financial market downfall of 2008. Ascher encourages the reader to explore how we might be able to understand what is going on today by looking back at Marx’s understanding of capitalism. The reader will come across familiar characters, like moneybags and vampires, and familiar concepts from Marx, like fetishism and co-dependence within the market. The nice thing about this book is that you do not need prior knowledge of Marx or financial markets, though those who have knowledge of either or both will still find great pleasure in this thought experiment.

This book would be enjoyed by sociologists or political scientists in general, alongside those interested in financial markets. It would be especially useful in a theory course where students could make connections between Marx and Ascher’s narratives.



Sarah E. Patterson is a postdoc at the University of Western Ontario. You can follow and tweet her at @spattersearch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is Marx still relevant? Any social scientist will answer with a resounding yes! In what he refers to as a thought experiment, <a href="https://uwm.edu/political-science/people/ascher-ivan/">Ivan Ascher</a> uses Marx to understand the financial market. In <a href="http://www.amazon.com/dp/1935408747/?tag=newbooinhis-20">Portfolio Society: A Capitalist Mode of Prediction </a>(Zone Books, 2016), Ascher focuses on the arc and narratives found in Capital, using them to analyze risk, credit, and the financial market downfall of 2008. Ascher encourages the reader to explore how we might be able to understand what is going on today by looking back at Marx’s understanding of capitalism. The reader will come across familiar characters, like moneybags and vampires, and familiar concepts from Marx, like fetishism and co-dependence within the market. The nice thing about this book is that you do not need prior knowledge of Marx or financial markets, though those who have knowledge of either or both will still find great pleasure in this thought experiment.</p><p>
This book would be enjoyed by sociologists or political scientists in general, alongside those interested in financial markets. It would be especially useful in a theory course where students could make connections between Marx and Ascher’s narratives.</p><p>
</p><p>
Sarah E. Patterson is a postdoc at the University of Western Ontario. You can follow and tweet her at <a href="https://twitter.com/spattersearch">@spattersearch</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1772</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66732]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9656457187.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ilana Gershon, “Down and Out in the New Economy: How People Find (or Don’t Find) Work Today” (U. Chicago Press, 2017)</title>
      <description>Labor markets are not what they used to be, as Ilana Gershon argues in Down and Out in the New Economy: How People Find (or Don’t Find) Work Today (University of Chicago Press, 2017). Job seekers are increasingly being taught that they need to sell themselves as if they were their own business, and what will set them apart from other applicants is not their skills or their experience, but the distinctiveness of their brand. Join us for a provocative discussion about how workers are being taught to position themselves to employers, and how modern labor markets, as a consequence, differ from those in the past — and why that matters.



Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 06 Aug 2017 15:22:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Labor markets are not what they used to be, as Ilana Gershon argues in Down and Out in the New Economy: How People Find (or Don’t Find) Work Today (University of Chicago Press, 2017). Job seekers are increasingly being taught that they need to sell the...</itunes:subtitle>
      <itunes:summary>Labor markets are not what they used to be, as Ilana Gershon argues in Down and Out in the New Economy: How People Find (or Don’t Find) Work Today (University of Chicago Press, 2017). Job seekers are increasingly being taught that they need to sell themselves as if they were their own business, and what will set them apart from other applicants is not their skills or their experience, but the distinctiveness of their brand. Join us for a provocative discussion about how workers are being taught to position themselves to employers, and how modern labor markets, as a consequence, differ from those in the past — and why that matters.



Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Labor markets are not what they used to be, as <a href="http://www.indiana.edu/~anthro/people/faculty/igershon.shtml">Ilana Gershon</a> argues in <a href="http://www.amazon.com/dp/022645214X/?tag=newbooinhis-20">Down and Out in the New Economy: How People Find (or Don’t Find) Work Today </a>(<a href="http://press.uchicago.edu/ucp/books/book/chicago/D/bo25799564.html">University of Chicago Press</a>, 2017). Job seekers are increasingly being taught that they need to sell themselves as if they were their own business, and what will set them apart from other applicants is not their skills or their experience, but the distinctiveness of their brand. Join us for a provocative discussion about how workers are being taught to position themselves to employers, and how modern labor markets, as a consequence, differ from those in the past — and why that matters.</p><p>
</p><p>
<a href="http://www.stephenpimpare.com/">Stephen Pimpare</a> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford University Press, 2017).</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2684</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66534]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7324160651.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Beer, “Metric Power” (Palgrave Macmillan, 2016)</title>
      <description>How do metrics rule the social world? In Metric Power (Palgrave Macmillan, 2016) David Beer, Reader in Sociology at the University of York, outlines the rise of the metric and the role of metrics in shaping everyday life. The book outlines the core theoretical concepts, such as neo-liberalism, bio-power, and bio-politics, alongside the characteristics themes of metric power, including practices of making (in)visible, the social life of methods and data, and questions of agency. These theoretical discussions are set against the broad backdrop of the rise of big data, corporate power, social media, and algorithm based decision making. Metric Power is located within the study of broader social inequalities, meaning the book makes important reading for anyone concerned with how our daily experiences of technologies, organisations, and social institutions, are shaped, unequally, by the power of metrics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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      <pubDate>Wed, 02 Aug 2017 22:42:48 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How do metrics rule the social world? In Metric Power (Palgrave Macmillan, 2016) David Beer, Reader in Sociology at the University of York, outlines the rise of the metric and the role of metrics in shaping everyday life.</itunes:subtitle>
      <itunes:summary>How do metrics rule the social world? In Metric Power (Palgrave Macmillan, 2016) David Beer, Reader in Sociology at the University of York, outlines the rise of the metric and the role of metrics in shaping everyday life. The book outlines the core theoretical concepts, such as neo-liberalism, bio-power, and bio-politics, alongside the characteristics themes of metric power, including practices of making (in)visible, the social life of methods and data, and questions of agency. These theoretical discussions are set against the broad backdrop of the rise of big data, corporate power, social media, and algorithm based decision making. Metric Power is located within the study of broader social inequalities, meaning the book makes important reading for anyone concerned with how our daily experiences of technologies, organisations, and social institutions, are shaped, unequally, by the power of metrics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do metrics rule the social world? In <a href="http://www.amazon.com/dp/113755648X/?tag=newbooinhis-20">Metric Power</a> (Palgrave Macmillan, 2016) <a href="https://twitter.com/davidgbeer">David Beer</a>, <a href="https://davidbeer.net">Reader in Sociology</a> at <a href="https://www.york.ac.uk/sociology/our-staff/academic/david-beer/">the University of York</a>, outlines the rise of the metric and the role of metrics in shaping everyday life. The book outlines the core theoretical concepts, such as neo-liberalism, bio-power, and bio-politics, alongside the characteristics themes of metric power, including practices of making (in)visible, the social life of methods and data, and questions of agency. These theoretical discussions are set against the broad backdrop of the rise of big data, corporate power, social media, and algorithm based decision making. Metric Power is located within the study of broader social inequalities, meaning the book makes important reading for anyone concerned with how our daily experiences of technologies, organisations, and social institutions, are shaped, unequally, by the power of metrics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2062</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66491]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4994283160.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tommy J. Curry, “The Man-Not: Race, Class, and the Dilemmas of Black Manhood” (Temple UP, 2017)</title>
      <description>The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood (Temple University Press, 2017) is a book-length justification for the burgeoning field of Black Male Studies. The author posits that we should conceptualize the black male as a victim, oppressed by his sex. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.

The Man-Not argues that black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of black males.

Author Tommy J. Curry‘s work spans across the various fields of philosophy, jurisprudence, Africana Studies, and Gender Studies. He received his BA from Southern Illinois University in Carbondale, his masters from DePaul, and he returned to SIUC to earn his Ph.D. Though trained in American and Continental philosophical traditions, Curry’s primary research interests are in Critical Race Theory and Africana Philosophy. In addition to his work as Professor of Philosophy and Africana Studies at Texas A&amp;M University, Dr. Curry is also the executive director of Philosophy Born of Struggle, a multimedia project billed as a community a conference, and a textbook. His next major research project will be a book-length follow up to The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, tentatively titled The Mismeasurement of Man: Phallicism and the Paradox of the Racially Subjugated Male.

 



James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Jul 2017 18:02:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood (Temple University Press, 2017) is a book-length justification for the burgeoning field of Black Male Studies. The author posits that we should conceptualize the black male as a victim,...</itunes:subtitle>
      <itunes:summary>The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood (Temple University Press, 2017) is a book-length justification for the burgeoning field of Black Male Studies. The author posits that we should conceptualize the black male as a victim, oppressed by his sex. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.

The Man-Not argues that black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of black males.

Author Tommy J. Curry‘s work spans across the various fields of philosophy, jurisprudence, Africana Studies, and Gender Studies. He received his BA from Southern Illinois University in Carbondale, his masters from DePaul, and he returned to SIUC to earn his Ph.D. Though trained in American and Continental philosophical traditions, Curry’s primary research interests are in Critical Race Theory and Africana Philosophy. In addition to his work as Professor of Philosophy and Africana Studies at Texas A&amp;M University, Dr. Curry is also the executive director of Philosophy Born of Struggle, a multimedia project billed as a community a conference, and a textbook. His next major research project will be a book-length follow up to The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, tentatively titled The Mismeasurement of Man: Phallicism and the Paradox of the Racially Subjugated Male.

 



James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org.


Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1439914869/?tag=newbooinhis-20">The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood</a> (Temple University Press, 2017) is a book-length justification for the burgeoning field of Black Male Studies. The author posits that we should conceptualize the black male as a victim, oppressed by his sex. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines.</p><p>
The Man-Not argues that black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of black males.</p><p>
Author <a href="https://philosophy.tamu.edu/people/tommy-curry/">Tommy J. Curry</a>‘s work spans across the various fields of philosophy, jurisprudence, Africana Studies, and Gender Studies. He received his BA from Southern Illinois University in Carbondale, his masters from DePaul, and he returned to SIUC to earn his Ph.D. Though trained in American and Continental philosophical traditions, Curry’s primary research interests are in Critical Race Theory and Africana Philosophy. In addition to his work as Professor of Philosophy and Africana Studies at Texas A&amp;M University, Dr. Curry is also the executive director of Philosophy Born of Struggle, a multimedia project billed as a community a conference, and a textbook. His next major research project will be a book-length follow up to The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, tentatively titled The Mismeasurement of Man: Phallicism and the Paradox of the Racially Subjugated Male.</p><p>
 </p><p>
</p><p>
James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his <a href="https://www.linkedin.com/in/mrstancil">LinkedIn page</a> or at <a href="mailto:james.stancil@intellectuwell.org">james.stancil@intellectuwell.org</a>.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3756</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66334]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8677608868.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jacob Emery, “Alternative Kinships: Economy and Family in Russian Modernism” (Northern Illinois U. Press, 2017)</title>
      <description>In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes.

While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional.

As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women.

Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment.

Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s),
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 25 Jul 2017 15:58:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena.</itunes:subtitle>
      <itunes:summary>In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes.

While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional.

As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women.

Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment.

Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s),
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0875807518/?tag=newbooinhis-20">Alternative Kinships: Economy and Family in Russian Modernism</a> (Northern Illinois University Press, 2017), <a href="http://www.indiana.edu/~iuslavic/faculty/Emery.shtml">Jacob Emery</a> presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes.</p><p>
While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional.</p><p>
As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women.</p><p>
Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment.</p><p>
Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s),</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2937</itunes:duration>
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      <title>Franck Cochoy, et al. eds., “Markets and the Arts of Attachment’ (Routledge, 2017)</title>
      <description>How should we understand markets? In Markets and the Arts of Attachment (Routledge, 2017) Franck Cochoy, Liz McFall, and Joe Deville (from University Toulouse- Jean Jaures,Open University and Lancaster University respectively) bring together essays engaging with the contemporary economic sociology to better explain how markets function. The book is published as part of the Culture, Economy, and the Social (CRESC) book series, and contains a wide range of examples and case studies on how people become ‘attached’ to, and in, markets, and how markets are deeply intertwined with sentiments and emotions. Brands, consumer finance, classic cars, call centres, advertising, dating, watches, and social media are amongst the varied, yet complimentary, set of subjects for this important new collection. The book is essential reading for anyone seeking to better understand the sociology of markets, in particular seeking to move beyond both one dimensional critiques of consumerism and purely economic narratives of market attachments.
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      <pubDate>Wed, 19 Jul 2017 20:20:44 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand markets? In Markets and the Arts of Attachment (Routledge, 2017) Franck Cochoy, Liz McFall, and Joe Deville (from University Toulouse- Jean Jaures,Open University and Lancaster University respectively) bring together essays eng...</itunes:subtitle>
      <itunes:summary>How should we understand markets? In Markets and the Arts of Attachment (Routledge, 2017) Franck Cochoy, Liz McFall, and Joe Deville (from University Toulouse- Jean Jaures,Open University and Lancaster University respectively) bring together essays engaging with the contemporary economic sociology to better explain how markets function. The book is published as part of the Culture, Economy, and the Social (CRESC) book series, and contains a wide range of examples and case studies on how people become ‘attached’ to, and in, markets, and how markets are deeply intertwined with sentiments and emotions. Brands, consumer finance, classic cars, call centres, advertising, dating, watches, and social media are amongst the varied, yet complimentary, set of subjects for this important new collection. The book is essential reading for anyone seeking to better understand the sociology of markets, in particular seeking to move beyond both one dimensional critiques of consumerism and purely economic narratives of market attachments.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand markets? In <a href="http://www.amazon.com/dp/1138904295/?tag=newbooinhis-20">Markets and the Arts of Attachment</a> (Routledge, 2017) <a href="https://scholar.google.fr/citations?user=q_QH5uQAAAAJ&amp;hl=fr">Franck Cochoy</a>, <a href="https://twitter.com/allartmarkets?lang=en">Liz McFall</a>, and <a href="https://twitter.com/joe_dev?lang=en">Joe Deville</a> (from <a href="http://www.univ-tlse2.fr/#m435053949676087">University Toulouse- Jean Jaures</a>,<a href="http://www.open.ac.uk/people/erm5">Open University </a>and <a href="http://www.lancaster.ac.uk/lums/people/joseph-deville">Lancaster University </a>respectively) bring together essays engaging with the contemporary economic sociology to better explain how markets function. The book is published as part of the <a href="https://www.routledge.com/CRESC/book-series/CRESC">Culture, Economy, and the Social (CRESC)</a> book series, and contains a wide range of examples and case studies on how people become ‘attached’ to, and in, markets, and how markets are deeply intertwined with sentiments and emotions. Brands, consumer finance, classic cars, call centres, advertising, dating, watches, and social media are amongst the varied, yet complimentary, set of subjects for this important new collection. The book is essential reading for anyone seeking to better understand the sociology of markets, in particular seeking to move beyond both one dimensional critiques of consumerism and purely economic narratives of market attachments.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66147]]></guid>
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      <title>Jon Dean, “Doing Reflexivity: An Introduction” (Policy Press, 2017)</title>
      <description>Doing Reflexivity: An Introduction (Policy Press, 2017) by Jon Dean, a senior lecturer in politics and sociology at Sheffield Hallam University, explores and explains reflexivity as one of the essential concepts in modern social research. The book draws on the work of Pierre Bourdieu as its starting point, but broadens out the definition of reflexivity to include a range of critical perspectives, particularly those associated with feminist standpoint epistemologies. The book also engages with the practice of research, setting out examples from Dean’s own work, on culture and on non-profits, along with detailed case studies of different types of reflexivity in different social research settings. The book is essential reading for social researchers everywhere.
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      <pubDate>Thu, 06 Jul 2017 22:14:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Doing Reflexivity: An Introduction (Policy Press, 2017) by Jon Dean, a senior lecturer in politics and sociology at Sheffield Hallam University, explores and explains reflexivity as one of the essential concepts in modern social research.</itunes:subtitle>
      <itunes:summary>Doing Reflexivity: An Introduction (Policy Press, 2017) by Jon Dean, a senior lecturer in politics and sociology at Sheffield Hallam University, explores and explains reflexivity as one of the essential concepts in modern social research. The book draws on the work of Pierre Bourdieu as its starting point, but broadens out the definition of reflexivity to include a range of critical perspectives, particularly those associated with feminist standpoint epistemologies. The book also engages with the practice of research, setting out examples from Dean’s own work, on culture and on non-profits, along with detailed case studies of different types of reflexivity in different social research settings. The book is essential reading for social researchers everywhere.
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      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1447330854/?tag=newbooinhis-20">Doing Reflexivity: An Introduction</a> (Policy Press, 2017) by <a href="https://twitter.com/jondeanstuff?lang=en">Jon Dean</a>, <a href="https://www.shu.ac.uk/about-us/our-people/staff-profiles/jonathan-dean">a senior lecturer in politics and sociology at Sheffield Hallam University</a>, explores and explains reflexivity as one of the essential concepts in modern social research. The book draws on the work of Pierre Bourdieu as its starting point, but broadens out the definition of reflexivity to include a range of critical perspectives, particularly those associated with feminist standpoint epistemologies. The book also engages with the practice of research, setting out examples from Dean’s own work, on culture and on non-profits, along with detailed case studies of different types of reflexivity in different social research settings. The book is essential reading for social researchers everywhere.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2130</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=65775]]></guid>
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      <title>Michael Youngblood, “Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization” (South Asian Studies Press, 2016)</title>
      <description>Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization by Michael Youngblood, a cultural anthropologist based in San Francisco, was published in November, 2016 by the South Asian Studies Association Press. The book is a winner of the Joseph W. Elder Book Prize (conferred by the American Institute of Indian Studies), and has been very well received by reviewers. Cultivating Community is based on the author’s two and a half years of field research in 1996-1999 with the Shetkari Sanghatana, a massive and influential anti-statist movement in India’s Maharashtra state. The book explores the creation of political meaning and the construction of collective identity in a mass social movement. In it, the author address fundamental questions in making sense of mass movements anywhere: Where do movement ideologies come from and what makes them compelling? What motivates diverse groups of ordinary people to rise together in common cause? How can we make sense of individual participants in a movement when their participation sometimes appears irrational and against their own interests?

The book argues for a participant-centric view of the Shetkari Sanghatana, digging beneath the movement’s fantastical mythological idiom and the overarching demands that we hear articulated by leadership to see how the Sanghatana is experienced and constructed by individual participants on the ground. An important part of the analysis focuses on ways that participants and leaders together deploy a pool of shared but highly ambiguous spiritual and political symbols in an ongoing competition to define what the movement stands for, whose interests it represents, and what the future should look like. This is an anthropological ethnography that delves into history, political science, economics, cultural geography, folklore, and religion.

Mike Youngblood received his PhD in cultural anthropology from the University of Wisconsin-Madison. He has taught at the School for International Training, the Haas School of Business at the University of California-Berkeley, the Masters in Social Design program at the Maryland Institute College of Art, and the Hasso Plattner Institute of Design at Stanford University. Mike’s interests in social innovation, collaborative change, design thinking, and ethnographic methodology are central to his work both inside and outside of academe. His work has received a number of recognitions, including the Sardar Patel Award for Best American Dissertation on Modern India, the Percy H. Buchannan Prize for Writing on Asian Affairs, the Robert Miller Prize for Innovation in Anthropological Research, and the Joseph W. Elder Book Prize. He has been a Fulbright fellow, a Watson fellow, and an American Institute of Indian Studies fellow.

 

 
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      <pubDate>Fri, 30 Jun 2017 20:16:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization by Michael Youngblood, a cultural anthropologist based in San Francisco, was published in November, 2016 by the South Asian Studies Association Press.</itunes:subtitle>
      <itunes:summary>Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization by Michael Youngblood, a cultural anthropologist based in San Francisco, was published in November, 2016 by the South Asian Studies Association Press. The book is a winner of the Joseph W. Elder Book Prize (conferred by the American Institute of Indian Studies), and has been very well received by reviewers. Cultivating Community is based on the author’s two and a half years of field research in 1996-1999 with the Shetkari Sanghatana, a massive and influential anti-statist movement in India’s Maharashtra state. The book explores the creation of political meaning and the construction of collective identity in a mass social movement. In it, the author address fundamental questions in making sense of mass movements anywhere: Where do movement ideologies come from and what makes them compelling? What motivates diverse groups of ordinary people to rise together in common cause? How can we make sense of individual participants in a movement when their participation sometimes appears irrational and against their own interests?

The book argues for a participant-centric view of the Shetkari Sanghatana, digging beneath the movement’s fantastical mythological idiom and the overarching demands that we hear articulated by leadership to see how the Sanghatana is experienced and constructed by individual participants on the ground. An important part of the analysis focuses on ways that participants and leaders together deploy a pool of shared but highly ambiguous spiritual and political symbols in an ongoing competition to define what the movement stands for, whose interests it represents, and what the future should look like. This is an anthropological ethnography that delves into history, political science, economics, cultural geography, folklore, and religion.

Mike Youngblood received his PhD in cultural anthropology from the University of Wisconsin-Madison. He has taught at the School for International Training, the Haas School of Business at the University of California-Berkeley, the Masters in Social Design program at the Maryland Institute College of Art, and the Hasso Plattner Institute of Design at Stanford University. Mike’s interests in social innovation, collaborative change, design thinking, and ethnographic methodology are central to his work both inside and outside of academe. His work has received a number of recognitions, including the Sardar Patel Award for Best American Dissertation on Modern India, the Percy H. Buchannan Prize for Writing on Asian Affairs, the Robert Miller Prize for Innovation in Anthropological Research, and the Joseph W. Elder Book Prize. He has been a Fulbright fellow, a Watson fellow, and an American Institute of Indian Studies fellow.

 

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0983447276/?tag=newbooinhis-20">Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization</a> by <a href="http://theyoungbloodgroup.com/people.html">Michael Youngblood</a>, a cultural anthropologist based in San Francisco, was published in November, 2016 by the South Asian Studies Association Press. The book is a winner of the Joseph W. Elder Book Prize (conferred by the American Institute of Indian Studies), and has been very well received by reviewers. Cultivating Community is based on the author’s two and a half years of field research in 1996-1999 with the Shetkari Sanghatana, a massive and influential anti-statist movement in India’s Maharashtra state. The book explores the creation of political meaning and the construction of collective identity in a mass social movement. In it, the author address fundamental questions in making sense of mass movements anywhere: Where do movement ideologies come from and what makes them compelling? What motivates diverse groups of ordinary people to rise together in common cause? How can we make sense of individual participants in a movement when their participation sometimes appears irrational and against their own interests?</p><p>
The book argues for a participant-centric view of the Shetkari Sanghatana, digging beneath the movement’s fantastical mythological idiom and the overarching demands that we hear articulated by leadership to see how the Sanghatana is experienced and constructed by individual participants on the ground. An important part of the analysis focuses on ways that participants and leaders together deploy a pool of shared but highly ambiguous spiritual and political symbols in an ongoing competition to define what the movement stands for, whose interests it represents, and what the future should look like. This is an anthropological ethnography that delves into history, political science, economics, cultural geography, folklore, and religion.</p><p>
Mike Youngblood received his PhD in cultural anthropology from the University of Wisconsin-Madison. He has taught at the School for International Training, the Haas School of Business at the University of California-Berkeley, the Masters in Social Design program at the Maryland Institute College of Art, and the Hasso Plattner Institute of Design at Stanford University. Mike’s interests in social innovation, collaborative change, design thinking, and ethnographic methodology are central to his work both inside and outside of academe. His work has received a number of recognitions, including the Sardar Patel Award for Best American Dissertation on Modern India, the Percy H. Buchannan Prize for Writing on Asian Affairs, the Robert Miller Prize for Innovation in Anthropological Research, and the Joseph W. Elder Book Prize. He has been a Fulbright fellow, a Watson fellow, and an American Institute of Indian Studies fellow.</p><p>
 </p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2207</itunes:duration>
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      <title>Michelle D. Commander, “Afro-Atlantic Flight: Speculative Returns and the Black Fantastic” (Duke UP, 2017)</title>
      <description>In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora. Using analysis inspired by “the ways in which the enslaved and their descendants took and have continued to take back control over their bodies”, and focusing on cultural production, Commander traces the points of intersection and divergence between the two modes of return, rather than dealing with them as mutually exclusive.



Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu.
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      <pubDate>Tue, 20 Jun 2017 22:50:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora.</itunes:subtitle>
      <itunes:summary>In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora. Using analysis inspired by “the ways in which the enslaved and their descendants took and have continued to take back control over their bodies”, and focusing on cultural production, Commander traces the points of intersection and divergence between the two modes of return, rather than dealing with them as mutually exclusive.



Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0822363232/?tag=newbooinhis-20">Afro-Atlantic Flight: Speculative Returns and the Black Fantastic</a> (Duke University Press, 2017), <a href="https://english.utk.edu/people/michelle-commander/">Michelle D. Commander</a> examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora. Using analysis inspired by “the ways in which the enslaved and their descendants took and have continued to take back control over their bodies”, and focusing on cultural production, Commander traces the points of intersection and divergence between the two modes of return, rather than dealing with them as mutually exclusive.</p><p>
</p><p>
Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4912</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Mark Banks, “Creative Justice: Cultural Industries, Work and Inequality” (Rowman and Littlefield, 2017)</title>
      <description>How can we address inequity and injustice in cultural and creative industries? In Creative Justice: Cultural Industries, Work and Inequality (Rowman and Littlefield, 2017), Mark Banks, a professor of culture and communication and director of CAMEo, the research institute for Cultural and Media Economies, at the University of Leicester, sets out a new approach to cultural and creative industries, focused on creative justice. Creative justice develops through the seven chapters of the book, which engage with a range of interdisciplinary concerns about cultural and creative work. The book restates the importance of cultural objects (which are often marginalised in sociological analysis) before moving to consider how justice might be done to the practices of creative work and the workers themselves. Later parts of the analysis think through questions of access, both historical and contemporary, to the cultural sector, with a new set of concepts for creative justice forming the conclusion of the book. It will be essential reading across both academic, policy and practitioner communities in cultural and creative industries.
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      <pubDate>Tue, 20 Jun 2017 17:41:33 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can we address inequity and injustice in cultural and creative industries? In Creative Justice: Cultural Industries, Work and Inequality (Rowman and Littlefield, 2017), Mark Banks, a professor of culture and communication and director of CAMEo,</itunes:subtitle>
      <itunes:summary>How can we address inequity and injustice in cultural and creative industries? In Creative Justice: Cultural Industries, Work and Inequality (Rowman and Littlefield, 2017), Mark Banks, a professor of culture and communication and director of CAMEo, the research institute for Cultural and Media Economies, at the University of Leicester, sets out a new approach to cultural and creative industries, focused on creative justice. Creative justice develops through the seven chapters of the book, which engage with a range of interdisciplinary concerns about cultural and creative work. The book restates the importance of cultural objects (which are often marginalised in sociological analysis) before moving to consider how justice might be done to the practices of creative work and the workers themselves. Later parts of the analysis think through questions of access, both historical and contemporary, to the cultural sector, with a new set of concepts for creative justice forming the conclusion of the book. It will be essential reading across both academic, policy and practitioner communities in cultural and creative industries.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we address inequity and injustice in cultural and creative industries? In <a href="http://www.amazon.com/dp/178660129X/?tag=newbooinhis-20">Creative Justice: Cultural Industries, Work and Inequality </a>(Rowman and Littlefield, 2017), <a href="https://twitter.com/markoliverbanks?lang=en">Mark Banks</a>, <a href="http://www2.le.ac.uk/departments/media/people/professor-mark-banks">a professor of culture and communication</a> and director of <a href="https://twitter.com/CAMEo_UoL">CAMEo</a>, t<a href="http://www2.le.ac.uk/institutes/cameo">he research institute for Cultural and Media Economies, at the University of Leicester</a>, sets out a new approach to cultural and creative industries, focused on creative justice. Creative justice develops through the seven chapters of the book, which engage with a range of interdisciplinary concerns about cultural and creative work. The book restates the importance of cultural objects (which are often marginalised in sociological analysis) before moving to consider how justice might be done to the practices of creative work and the workers themselves. Later parts of the analysis think through questions of access, both historical and contemporary, to the cultural sector, with a new set of concepts for creative justice forming the conclusion of the book. It will be essential reading across both academic, policy and practitioner communities in cultural and creative industries.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2967</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Bruno Perreau, “Queer Theory: The French Response” (Stanford UP, 2016)</title>
      <description>At once wonderfully clear and bursting with complexity, the title of Bruno Perreau‘s book, Queer Theory: The French Response (Stanford University Press, 2016) is one of my favorites of the past several years. An interrogation of the meanings of queer, theory, French, and response, the book is anchored around the anti-gay marriage demonstrations and activisms that proliferated in France during the lead-up to the passage of the 2013 Loi Taubira (a.k.a. “marriage pour tous”). The book focuses on a central claim of French opponents of gay marriage and adoption: the notion that (American) gender and queer theory is responsible for spreading homosexuality in France, and has thus contributed to the undoing of the French family and the nation as a whole.

Throughout its four chapters, the book considers the French response to queer theory in terms of fantasy and echo. This is not a book about reception in a passive or uncomplicated sense. Rather it is the study of a set of reverberations back and forth across the Atlantic that is always already a matter of translation and interpretation. Indeed, the so-called American theory that anti-gay activists have presented as a foreign menace finds much of its own inspiration in the work of French thinkers and writers. Drawing in part on a series of interviews with French feminist and queer intellectuals and activists, the book also offers critical insight regarding the meanings and anxieties surrounding minority identities and communities in contemporary France. Queer Theory will be compelling reading to anyone interested in the history and politics of sexuality, and in the possibilities of thinking and enacting change into the future, in France, in the U.S., and beyond.



Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca.

*The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Jun 2017 10:00:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>At once wonderfully clear and bursting with complexity, the title of Bruno Perreau‘s book, Queer Theory: The French Response (Stanford University Press, 2016) is one of my favorites of the past several years. An interrogation of the meanings of queer,</itunes:subtitle>
      <itunes:summary>At once wonderfully clear and bursting with complexity, the title of Bruno Perreau‘s book, Queer Theory: The French Response (Stanford University Press, 2016) is one of my favorites of the past several years. An interrogation of the meanings of queer, theory, French, and response, the book is anchored around the anti-gay marriage demonstrations and activisms that proliferated in France during the lead-up to the passage of the 2013 Loi Taubira (a.k.a. “marriage pour tous”). The book focuses on a central claim of French opponents of gay marriage and adoption: the notion that (American) gender and queer theory is responsible for spreading homosexuality in France, and has thus contributed to the undoing of the French family and the nation as a whole.

Throughout its four chapters, the book considers the French response to queer theory in terms of fantasy and echo. This is not a book about reception in a passive or uncomplicated sense. Rather it is the study of a set of reverberations back and forth across the Atlantic that is always already a matter of translation and interpretation. Indeed, the so-called American theory that anti-gay activists have presented as a foreign menace finds much of its own inspiration in the work of French thinkers and writers. Drawing in part on a series of interviews with French feminist and queer intellectuals and activists, the book also offers critical insight regarding the meanings and anxieties surrounding minority identities and communities in contemporary France. Queer Theory will be compelling reading to anyone interested in the history and politics of sexuality, and in the possibilities of thinking and enacting change into the future, in France, in the U.S., and beyond.



Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca.

*The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At once wonderfully clear and bursting with complexity, the title of <a href="https://mitgsl.mit.edu/faculty-staff-detail/104">Bruno Perreau</a>‘s book, <a href="http://www.amazon.com/dp/1503600440/?tag=newbooinhis-20">Queer Theory: The French Response</a> (<a href="http://www.sup.org/books/title/?id=27481">Stanford University Press</a>, 2016) is one of my favorites of the past several years. An interrogation of the meanings of queer, theory, French, and response, the book is anchored around the anti-gay marriage demonstrations and activisms that proliferated in France during the lead-up to the passage of the 2013 Loi Taubira (a.k.a. “marriage pour tous”). The book focuses on a central claim of French opponents of gay marriage and adoption: the notion that (American) gender and queer theory is responsible for spreading homosexuality in France, and has thus contributed to the undoing of the French family and the nation as a whole.</p><p>
Throughout its four chapters, the book considers the French response to queer theory in terms of fantasy and echo. This is not a book about reception in a passive or uncomplicated sense. Rather it is the study of a set of reverberations back and forth across the Atlantic that is always already a matter of translation and interpretation. Indeed, the so-called American theory that anti-gay activists have presented as a foreign menace finds much of its own inspiration in the work of French thinkers and writers. Drawing in part on a series of interviews with French feminist and queer intellectuals and activists, the book also offers critical insight regarding the meanings and anxieties surrounding minority identities and communities in contemporary France. Queer Theory will be compelling reading to anyone interested in the history and politics of sexuality, and in the possibilities of thinking and enacting change into the future, in France, in the U.S., and beyond.</p><p>
</p><p>
Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of French culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: <a href="mailto:panchasi@sfu.ca">panchasi@sfu.ca</a>.</p><p>
*The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit <a href="https://agonyklub.com/">https://agonyklub.com/</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64953]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2878156342.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael J. Turner” Radicalism and Reputation: The Career of Bronterre O’Brien” (Michigan State UP, 2017)</title>
      <description>From humble beginnings James Bronterre O’Brien became one of the leading figures in British radical politics in the first half of the 19th century, thanks in no small measure to his skills as a journalist and writer. In Radicalism and Reputation: The Career of Bronterre O’Brien (Michigan State University Press, 2017), Michael J. Turner examines O’Brien’s ideas and his place in the milieu of the politics of his day. Born in Ireland, the young James O’Brien was a fortunate beneficiary of a progressive education and studied for a career in the law. Yet O’Brien was soon drawn into a career as a journalist, where, adopting the pen name Bronterre, he advocated for the radical causes of his day. This culminated in O’Brien’s involvement in the pioneering Chartist movement, which failed to pressure Parliament to undertake reforms but paved the way for the modern democratic system that exists in Britain today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 May 2017 19:16:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>From humble beginnings James Bronterre O’Brien became one of the leading figures in British radical politics in the first half of the 19th century, thanks in no small measure to his skills as a journalist and writer.</itunes:subtitle>
      <itunes:summary>From humble beginnings James Bronterre O’Brien became one of the leading figures in British radical politics in the first half of the 19th century, thanks in no small measure to his skills as a journalist and writer. In Radicalism and Reputation: The Career of Bronterre O’Brien (Michigan State University Press, 2017), Michael J. Turner examines O’Brien’s ideas and his place in the milieu of the politics of his day. Born in Ireland, the young James O’Brien was a fortunate beneficiary of a progressive education and studied for a career in the law. Yet O’Brien was soon drawn into a career as a journalist, where, adopting the pen name Bronterre, he advocated for the radical causes of his day. This culminated in O’Brien’s involvement in the pioneering Chartist movement, which failed to pressure Parliament to undertake reforms but paved the way for the modern democratic system that exists in Britain today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From humble beginnings James Bronterre O’Brien became one of the leading figures in British radical politics in the first half of the 19th century, thanks in no small measure to his skills as a journalist and writer. In <a href="http://www.amazon.com/dp/1611862299/?tag=newbooinhis-20">Radicalism and Reputation: The Career of Bronterre O’Brien</a> (<a href="http://msupress.org/books/book/?id=50-1D0-3FB0#.WS8CQxPysUE">Michigan State University Press</a>, 2017), <a href="https://history.appstate.edu/faculty-staff/michael-j-turner">Michael J. Turner</a> examines O’Brien’s ideas and his place in the milieu of the politics of his day. Born in Ireland, the young James O’Brien was a fortunate beneficiary of a progressive education and studied for a career in the law. Yet O’Brien was soon drawn into a career as a journalist, where, adopting the pen name Bronterre, he advocated for the radical causes of his day. This culminated in O’Brien’s involvement in the pioneering Chartist movement, which failed to pressure Parliament to undertake reforms but paved the way for the modern democratic system that exists in Britain today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3378</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64879]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1355426552.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ashon T. Crawley, “Blackpentecostal Breath: The Aesthetics of Possibility” (Fordham UP, 2016)</title>
      <description>Blackpentecostal Breath: The Aesthetics of Possibility (Fordham University Press, 2016) is innovative and lyrical, challenging and beautiful. Ashon Crawley brings together black studies, queer theory, theology, and continental philosophy to theorize the ways in which what he calls “otherwise worlds of possibility” can serve as disruptions against marginalization and violence and also produce possibilities for flourishing. Examining the whooping, shouting, noise-making, and tongue speaking of Black Pentecostalism, Crawley reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. In the process, he does much more: suggesting a hermeneutics, a methodology for reading culture when people are under siege.

Ashon Crawley is Assistant Professor of Religious Studies and African American Studies at the University of Virginia.



Hillary Kaell is associate professor of Religion at Concordia University in Montreal.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 May 2017 10:00:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Blackpentecostal Breath: The Aesthetics of Possibility (Fordham University Press, 2016) is innovative and lyrical, challenging and beautiful. Ashon Crawley brings together black studies, queer theory, theology,</itunes:subtitle>
      <itunes:summary>Blackpentecostal Breath: The Aesthetics of Possibility (Fordham University Press, 2016) is innovative and lyrical, challenging and beautiful. Ashon Crawley brings together black studies, queer theory, theology, and continental philosophy to theorize the ways in which what he calls “otherwise worlds of possibility” can serve as disruptions against marginalization and violence and also produce possibilities for flourishing. Examining the whooping, shouting, noise-making, and tongue speaking of Black Pentecostalism, Crawley reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. In the process, he does much more: suggesting a hermeneutics, a methodology for reading culture when people are under siege.

Ashon Crawley is Assistant Professor of Religious Studies and African American Studies at the University of Virginia.



Hillary Kaell is associate professor of Religion at Concordia University in Montreal.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0823274543/?tag=newbooinhis-20">Blackpentecostal Breath: The Aesthetics of Possibility</a> (Fordham University Press, 2016) is innovative and lyrical, challenging and beautiful. <a href="http://ashoncrawley.com/">Ashon Crawley</a> brings together black studies, queer theory, theology, and continental philosophy to theorize the ways in which what he calls “otherwise worlds of possibility” can serve as disruptions against marginalization and violence and also produce possibilities for flourishing. Examining the whooping, shouting, noise-making, and tongue speaking of Black Pentecostalism, Crawley reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. In the process, he does much more: suggesting a hermeneutics, a methodology for reading culture when people are under siege.</p><p>
Ashon Crawley is <a href="http://www.ethnicstudies.ucr.edu/people/faculty/crawley/index.html">Assistant Professor of Religious Studies and African American Studies</a> at the University of Virginia.</p><p>
</p><p>
<a href="http://www.hillarykaell.com/">Hillary Kaell</a> is associate professor of Religion at Concordia University in Montreal.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64669]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7075959057.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ralph Young, “Dissent: The History of an American Idea” (NYU Press, 2015)</title>
      <description>Ralph Young is a professor of history at Temple University. His book Dissent: The History of an American Idea (New York University Press, 2015) provides a fast-paced four hundred years people’s history of dissenters in America and the role they played from early New England settlements to Occupy Wall Street and the Tea Party. From Shay’s rebellion in the late eighteenth century to contemporary gay rights and anti-globalist movements, dissenters built their politic on the nations founding as a project of dissent. As a group, they were committed to actualizing the lofty ideals embedded in the founding documents by extending equality and freedom to women, slaves, Indians, workers and other excluded groups. In times of crisis, dissenters called the nation back to its promise even as conservative forces resisted change. Some dissenters, celebrated as heroes, called the nation to its highest ideals; others remain lost to history or vilified. American history seen from the vantage point of those who stood against the status quo illuminates the important role dissent has played in the nation’s political and social development. Young offers an abundance of examples of how political, religious, economic and social protest shape the nation and possibilities of further change.



 Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 May 2017 10:00:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ralph Young is a professor of history at Temple University. His book Dissent: The History of an American Idea (New York University Press, 2015) provides a fast-paced four hundred years people’s history of dissenters in America and the role they played ...</itunes:subtitle>
      <itunes:summary>Ralph Young is a professor of history at Temple University. His book Dissent: The History of an American Idea (New York University Press, 2015) provides a fast-paced four hundred years people’s history of dissenters in America and the role they played from early New England settlements to Occupy Wall Street and the Tea Party. From Shay’s rebellion in the late eighteenth century to contemporary gay rights and anti-globalist movements, dissenters built their politic on the nations founding as a project of dissent. As a group, they were committed to actualizing the lofty ideals embedded in the founding documents by extending equality and freedom to women, slaves, Indians, workers and other excluded groups. In times of crisis, dissenters called the nation back to its promise even as conservative forces resisted change. Some dissenters, celebrated as heroes, called the nation to its highest ideals; others remain lost to history or vilified. American history seen from the vantage point of those who stood against the status quo illuminates the important role dissent has played in the nation’s political and social development. Young offers an abundance of examples of how political, religious, economic and social protest shape the nation and possibilities of further change.



 Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.cla.temple.edu/history/faculty/ralph-young/">Ralph Young</a> is a professor of history at Temple University. His book <a href="http://www.amazon.com/dp/147980665X/?tag=newbooinhis-20">Dissent: The History of an American Idea</a> (New York University Press, 2015) provides a fast-paced four hundred years people’s history of dissenters in America and the role they played from early New England settlements to Occupy Wall Street and the Tea Party. From Shay’s rebellion in the late eighteenth century to contemporary gay rights and anti-globalist movements, dissenters built their politic on the nations founding as a project of dissent. As a group, they were committed to actualizing the lofty ideals embedded in the founding documents by extending equality and freedom to women, slaves, Indians, workers and other excluded groups. In times of crisis, dissenters called the nation back to its promise even as conservative forces resisted change. Some dissenters, celebrated as heroes, called the nation to its highest ideals; others remain lost to history or vilified. American history seen from the vantage point of those who stood against the status quo illuminates the important role dissent has played in the nation’s political and social development. Young offers an abundance of examples of how political, religious, economic and social protest shape the nation and possibilities of further change.</p><p>
</p><p>
 Lilian Calles Barger, <a href="https://lilianbarger.com/">www.lilianbarger.com,</a> is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3447</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64661]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1210530791.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sharrona Pearl, “Face/On: Face Transplants and the Ethics of the Other” (U. Chicago Press, 2017)</title>
      <description>Sharrona Pearl‘s new book is an absolute pleasure to read. Face/On: Face Transplants and the Ethics of the Other (The University of Chicago Press, 2017) looks closely at facial allotransplantations (FAT), commonly known as face transplants, in order to offer a careful and fascinating study of the stakes for changing the face, and the changing stakes for the face. Troubling the indexical relationship between the face and character and reminding us that “[t]he self has always been a set of choices,” Pearl explores face transplantation as it relates to cosmetic surgery and whole-organ transplants, the cinema of the 1960s, television shows, and more. She carefully and sensitively takes us into the debates among surgeons, bioethicists, and journalists that circled the first partial face transplant of Isabelle Dinoire in 2005, and offers a way toward a philosophical approach that brings together Levinas with the kind of (Deleuzian) subjectivity that allows for individuality through constant change and understands the self to be constantly in a process of becoming. The final chapter of the book also situates the analysis within larger contexts of online subjectivities and work with facial and bodily manipulation by artists and performers. It’s sparklingly written and well worth a read!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 18 May 2017 18:56:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sharrona Pearl‘s new book is an absolute pleasure to read. Face/On: Face Transplants and the Ethics of the Other (The University of Chicago Press, 2017) looks closely at facial allotransplantations (FAT), commonly known as face transplants,</itunes:subtitle>
      <itunes:summary>Sharrona Pearl‘s new book is an absolute pleasure to read. Face/On: Face Transplants and the Ethics of the Other (The University of Chicago Press, 2017) looks closely at facial allotransplantations (FAT), commonly known as face transplants, in order to offer a careful and fascinating study of the stakes for changing the face, and the changing stakes for the face. Troubling the indexical relationship between the face and character and reminding us that “[t]he self has always been a set of choices,” Pearl explores face transplantation as it relates to cosmetic surgery and whole-organ transplants, the cinema of the 1960s, television shows, and more. She carefully and sensitively takes us into the debates among surgeons, bioethicists, and journalists that circled the first partial face transplant of Isabelle Dinoire in 2005, and offers a way toward a philosophical approach that brings together Levinas with the kind of (Deleuzian) subjectivity that allows for individuality through constant change and understands the self to be constantly in a process of becoming. The final chapter of the book also situates the analysis within larger contexts of online subjectivities and work with facial and bodily manipulation by artists and performers. It’s sparklingly written and well worth a read!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.asc.upenn.edu/node/622">Sharrona Pearl</a>‘s new book is an absolute pleasure to read. <a href="http://www.amazon.com/dp/022646136X/?tag=newbooinhis-20">Face/On: Face Transplants and the Ethics of the Other </a>(The University of Chicago Press, 2017) looks closely at facial allotransplantations (FAT), commonly known as face transplants, in order to offer a careful and fascinating study of the stakes for changing the face, and the changing stakes for the face. Troubling the indexical relationship between the face and character and reminding us that “[t]he self has always been a set of choices,” Pearl explores face transplantation as it relates to cosmetic surgery and whole-organ transplants, the cinema of the 1960s, television shows, and more. She carefully and sensitively takes us into the debates among surgeons, bioethicists, and journalists that circled the first partial face transplant of Isabelle Dinoire in 2005, and offers a way toward a philosophical approach that brings together Levinas with the kind of (Deleuzian) subjectivity that allows for individuality through constant change and understands the self to be constantly in a process of becoming. The final chapter of the book also situates the analysis within larger contexts of online subjectivities and work with facial and bodily manipulation by artists and performers. It’s sparklingly written and well worth a read!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4096</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64636]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4396532855.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stanley Corkin, “Connecting the Wire: Race, Space, and Postindustrial Baltimore” (U. Texas Press, 2017)</title>
      <description>Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality.

In Connecting The Wire: Race, Space, and Postindustrial Baltimore  (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.

Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

 
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      <pubDate>Tue, 16 May 2017 22:17:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life ...</itunes:subtitle>
      <itunes:summary>Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality.

In Connecting The Wire: Race, Space, and Postindustrial Baltimore  (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.

Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality.</p><p>
In <a href="http://www.amazon.com/dp/1477311777/?tag=newbooinhis-20">Connecting The Wire: Race, Space, and Postindustrial Baltimore </a> (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.</p><p>
Author <a href="http://artsci.uc.edu/departments/english/profiles/stanley_corkin.html">Stanley Corkin</a> is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston.</p><p>
</p><p>
James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64590]]></guid>
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    <item>
      <title>Clea Bourne, “Trust, Power and Public Relations in Financial Markets” (Routledge, 2017)</title>
      <description>Almost 10 years after the great financial crisis, how has the finance industry regained its preeminent social position? In Trust, Power and Public Relations in Financial Markets (Routledge, 2017) Clea Bourne, a Lecturer in PR, Advertising and Marketing at Goldsmiths, University of London, explores the relationship between PR and different types of trust in finance. The book offers a nuanced understanding of trust, looking at both transparency and obfuscation for states, banks, stock markets and individuals. Alongside a critical theory of the function of PR, there are numerous detailed case studies, across every aspect of modern financial markets, making the book both an in depth assessment as well as a useful introduction to trust, PR and finance. The book is clearly written and accessible, making it essential reading for anyone interested in this most important part of economy and society
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      <pubDate>Tue, 02 May 2017 10:00:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Almost 10 years after the great financial crisis, how has the finance industry regained its preeminent social position? In Trust, Power and Public Relations in Financial Markets (Routledge, 2017) Clea Bourne, a Lecturer in PR,</itunes:subtitle>
      <itunes:summary>Almost 10 years after the great financial crisis, how has the finance industry regained its preeminent social position? In Trust, Power and Public Relations in Financial Markets (Routledge, 2017) Clea Bourne, a Lecturer in PR, Advertising and Marketing at Goldsmiths, University of London, explores the relationship between PR and different types of trust in finance. The book offers a nuanced understanding of trust, looking at both transparency and obfuscation for states, banks, stock markets and individuals. Alongside a critical theory of the function of PR, there are numerous detailed case studies, across every aspect of modern financial markets, making the book both an in depth assessment as well as a useful introduction to trust, PR and finance. The book is clearly written and accessible, making it essential reading for anyone interested in this most important part of economy and society
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Almost 10 years after the great financial crisis, how has the finance industry regained its preeminent social position? In <a href="http://www.amazon.com/dp/0415719216/?tag=newbooinhis-20">Trust, Power and Public Relations in Financial Markets </a>(<a href="https://www.routledge.com/Trust-Power-and-Public-Relations-in-Financial-Markets/Bourne/p/book/9780415719216">Routledge</a>, 2017) <a href="https://twitter.com/bourne_clea">Clea Bourne</a>, a <a href="http://www.gold.ac.uk/media-communications/staff/bourne/">Lecturer in PR, Advertising and Marketing at Goldsmiths</a>, University of London, explores the relationship between PR and different types of trust in finance. The book offers a nuanced understanding of trust, looking at both transparency and obfuscation for states, banks, stock markets and individuals. Alongside a critical theory of the function of PR, there are numerous detailed case studies, across every aspect of modern financial markets, making the book both an in depth assessment as well as a useful introduction to trust, PR and finance. The book is clearly written and accessible, making it essential reading for anyone interested in this most important part of economy and society</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2999</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64249]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4916448778.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lizabeth Cohen, “Making A New Deal: Industrial Workers in Chicago, 1919-1939” (Cambridge UP, 2014)</title>
      <description>Lizabeth Cohen‘s Making A New Deal: Industrial Workers in Chicago, 1919-1939 was originally published in 1990, and recently re-published in 2014. In this book, Cohen explores how it was that Chicago workers, who could not overcome ethnic and racial divisions during a wave of failed strikes in 1919, came together in the mid to late-1930s across ethnic and racial lines “to make a New Deal” for themselves and their fellow laborers. They made that “New Deal” as members of national labor unions and a national Democratic Party. These successes were possible because of community and cultural changes that took place in the 1920s, Cohen argues. During that decade, ethnic and race-based community organizations, new institutions of mass culture like chain stores and movie theaters, and employers’ “welfare capitalist” programs all vied for workers attention and loyalty. Paradoxically, the very programs employers hoped would prevent the growth of unions actually helped break down ethnic and racial barriers, building upon new experiences of shared consumerism. As the Great Depression unfolded, workers managed to form the cross-race and cross-ethnic alliances that had alluded them in 1919 and the early 1920s. Union organizers succeeded in building a new culture of unity and achieving new levels of organization and worker power. Industrial laborers and their unions challenged their employers to live up to the “welfare capitalism” they had promised in the years before the financial crisis. As their level of organization grew, Chicago workers also became New Deal Democrats invested in national politics. The new edition includes an updated preface by the author.

Lizabeth Cohen serves as the Howard Mumford Jones Professor of American Studies at Harvard University, as well as the Dean of Harvard’s Radcliffe Institute for Advanced Study.



Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Apr 2017 17:39:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Lizabeth Cohen‘s Making A New Deal: Industrial Workers in Chicago, 1919-1939 was originally published in 1990, and recently re-published in 2014. In this book, Cohen explores how it was that Chicago workers,</itunes:subtitle>
      <itunes:summary>Lizabeth Cohen‘s Making A New Deal: Industrial Workers in Chicago, 1919-1939 was originally published in 1990, and recently re-published in 2014. In this book, Cohen explores how it was that Chicago workers, who could not overcome ethnic and racial divisions during a wave of failed strikes in 1919, came together in the mid to late-1930s across ethnic and racial lines “to make a New Deal” for themselves and their fellow laborers. They made that “New Deal” as members of national labor unions and a national Democratic Party. These successes were possible because of community and cultural changes that took place in the 1920s, Cohen argues. During that decade, ethnic and race-based community organizations, new institutions of mass culture like chain stores and movie theaters, and employers’ “welfare capitalist” programs all vied for workers attention and loyalty. Paradoxically, the very programs employers hoped would prevent the growth of unions actually helped break down ethnic and racial barriers, building upon new experiences of shared consumerism. As the Great Depression unfolded, workers managed to form the cross-race and cross-ethnic alliances that had alluded them in 1919 and the early 1920s. Union organizers succeeded in building a new culture of unity and achieving new levels of organization and worker power. Industrial laborers and their unions challenged their employers to live up to the “welfare capitalism” they had promised in the years before the financial crisis. As their level of organization grew, Chicago workers also became New Deal Democrats invested in national politics. The new edition includes an updated preface by the author.

Lizabeth Cohen serves as the Howard Mumford Jones Professor of American Studies at Harvard University, as well as the Dean of Harvard’s Radcliffe Institute for Advanced Study.



Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://history.fas.harvard.edu/people/lizabeth-cohen">Lizabeth Cohen</a>‘s <a href="http://www.amazon.com/dp/1107431794/?tag=newbooinhis-20">Making A New Deal: Industrial Workers in Chicago, 1919-1939 </a>was originally published in 1990, and recently re-published in 2014. In this book, Cohen explores how it was that Chicago workers, who could not overcome ethnic and racial divisions during a wave of failed strikes in 1919, came together in the mid to late-1930s across ethnic and racial lines “to make a New Deal” for themselves and their fellow laborers. They made that “New Deal” as members of national labor unions and a national Democratic Party. These successes were possible because of community and cultural changes that took place in the 1920s, Cohen argues. During that decade, ethnic and race-based community organizations, new institutions of mass culture like chain stores and movie theaters, and employers’ “welfare capitalist” programs all vied for workers attention and loyalty. Paradoxically, the very programs employers hoped would prevent the growth of unions actually helped break down ethnic and racial barriers, building upon new experiences of shared consumerism. As the Great Depression unfolded, workers managed to form the cross-race and cross-ethnic alliances that had alluded them in 1919 and the early 1920s. Union organizers succeeded in building a new culture of unity and achieving new levels of organization and worker power. Industrial laborers and their unions challenged their employers to live up to the “welfare capitalism” they had promised in the years before the financial crisis. As their level of organization grew, Chicago workers also became New Deal Democrats invested in national politics. The new edition includes an updated preface by the author.</p><p>
Lizabeth Cohen serves as the Howard Mumford Jones Professor of American Studies at Harvard University, as well as the Dean of Harvard’s Radcliffe Institute for Advanced Study.</p><p>
</p><p>
Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4246</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63915]]></guid>
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    <item>
      <title>Benjamin Fondane, “Existential Monday” (NYRB Classics, 2016)</title>
      <description>Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way it anticipates some of the core themes and interests of critical theory, including the limits of rationality and subjectivity, and ideas about the ineffable and the impossible.

Until recently, few of Fondane’s writings, aside from his poetry, had been translated into English, despite a long-standing recognition of their importance to philosophical debates in the period, including by Fondane’s contemporaries, such as Lev Shestov and Albert Camus. A new collection entitled Existential Monday: Philosophical Essays edited and translated by Bruce Baugh and published by the New York Review of Books in 2016, aims to rectify this.

Professor Baugh, who teaches Philosophy at Thompson Rivers University in British Columbia, has written extensively on existential thought and continental philosophy, and is the author of French Hegel: From Surrealism to Postmodernism (Routledge, 2003). Professor Baugh’s work on Fondane will be of interest to a wide variety of readers seeking a better understanding of a thinker whose work invites consideration alongside his better known contemporaries Walter Benjamin and the early Levinas, among others.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 07 Apr 2017 10:20:44 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way...</itunes:subtitle>
      <itunes:summary>Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way it anticipates some of the core themes and interests of critical theory, including the limits of rationality and subjectivity, and ideas about the ineffable and the impossible.

Until recently, few of Fondane’s writings, aside from his poetry, had been translated into English, despite a long-standing recognition of their importance to philosophical debates in the period, including by Fondane’s contemporaries, such as Lev Shestov and Albert Camus. A new collection entitled Existential Monday: Philosophical Essays edited and translated by Bruce Baugh and published by the New York Review of Books in 2016, aims to rectify this.

Professor Baugh, who teaches Philosophy at Thompson Rivers University in British Columbia, has written extensively on existential thought and continental philosophy, and is the author of French Hegel: From Surrealism to Postmodernism (Routledge, 2003). Professor Baugh’s work on Fondane will be of interest to a wide variety of readers seeking a better understanding of a thinker whose work invites consideration alongside his better known contemporaries Walter Benjamin and the early Levinas, among others.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way it anticipates some of the core themes and interests of critical theory, including the limits of rationality and subjectivity, and ideas about the ineffable and the impossible.</p><p>
Until recently, few of Fondane’s writings, aside from his poetry, had been translated into English, despite a long-standing recognition of their importance to philosophical debates in the period, including by Fondane’s contemporaries, such as Lev Shestov and Albert Camus. A new collection entitled <a href="http://www.amazon.com/dp/159017898X/?tag=newbooinhis-20">Existential Monday: Philosophical Essays</a> edited and translated by <a href="http://kamino.tru.ca/experts/home/main/bio.html?id=bbaugh">Bruce Baugh</a> and published by the New York Review of Books in 2016, aims to rectify this.</p><p>
Professor Baugh, who teaches Philosophy at Thompson Rivers University in British Columbia, has written extensively on existential thought and continental philosophy, and is the author of French Hegel: From Surrealism to Postmodernism (Routledge, 2003). Professor Baugh’s work on Fondane will be of interest to a wide variety of readers seeking a better understanding of a thinker whose work invites consideration alongside his better known contemporaries Walter Benjamin and the early Levinas, among others.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4310</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63814]]></guid>
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    <item>
      <title>Marie Hicks, “Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing” (MIT Press, 2017)</title>
      <description>How did gender relations change in the computing industry? And how did the UK go from leading the world to having an all but extinct computer industry by the 1970s? In Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing (MIT Press, 2017). Marie Hicks, an Assistant Professor of History at the Illinois Institute of Technology, offers a detailed and comprehensive overview of this radical social change. Based on rich and detailed archival and interview sources, packed with illustrations and individual narratives of the 1940s to the 1970s, the book demonstrates how the rigid class and gender hierarchies of British society were recreated and reproduced in attempts to modernise the state through technology. As the book’s conclusion notes, “all history of computing is gendered history,” meaning the book is essential reading for anyone interested in how we have the computing and technology industries we have today. The first chapter of the book can be read here, and you can learn more about the book and Dr. Hick’s work on her twitter and on the book’s twitter feed.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Mar 2017 10:00:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How did gender relations change in the computing industry? And how did the UK go from leading the world to having an all but extinct computer industry by the 1970s? In Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge i...</itunes:subtitle>
      <itunes:summary>How did gender relations change in the computing industry? And how did the UK go from leading the world to having an all but extinct computer industry by the 1970s? In Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing (MIT Press, 2017). Marie Hicks, an Assistant Professor of History at the Illinois Institute of Technology, offers a detailed and comprehensive overview of this radical social change. Based on rich and detailed archival and interview sources, packed with illustrations and individual narratives of the 1940s to the 1970s, the book demonstrates how the rigid class and gender hierarchies of British society were recreated and reproduced in attempts to modernise the state through technology. As the book’s conclusion notes, “all history of computing is gendered history,” meaning the book is essential reading for anyone interested in how we have the computing and technology industries we have today. The first chapter of the book can be read here, and you can learn more about the book and Dr. Hick’s work on her twitter and on the book’s twitter feed.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did gender relations change in the computing industry? And how did the UK go from leading the world to having an all but extinct computer industry by the 1970s? In <a href="https://mitpress.mit.edu/books/programmed-inequality">Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing </a>(MIT Press, 2017). <a href="http://mariehicks.net/">Marie Hicks</a>, an Assistant Professor of History at the Illinois Institute of Technology, offers a detailed and comprehensive overview of this radical social change. Based on rich and detailed archival and interview sources, packed with illustrations and individual narratives of the 1940s to the 1970s, the book demonstrates how the rigid class and gender hierarchies of British society were recreated and reproduced in attempts to modernise the state through technology. As the book’s conclusion notes, “all history of computing is gendered history,” meaning the book is essential reading for anyone interested in how we have the computing and technology industries we have today. The first chapter of the book can be read <a href="https://mitpress.mit.edu/sites/default/files/Introduction%20Programmed%20Inequality.pdf">here</a>, and you can learn more about the book and Dr. Hick’s work <a href="https://twitter.com/histoftech">on her twitter</a> and <a href="https://twitter.com/proginequality">on the book’s twitter feed.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63578]]></guid>
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    <item>
      <title>Todd McGowan, “Capitalism and Desire: The Psychic Cost of Free Markets” (Columbia UP, 2016)</title>
      <description>Todd McGowan‘s Capitalism and Desire: The Psychic Cost of Free Markets (Columbia University Press, 2016) elegantly employs psychoanalytic thinking to unpack the lure of capitalism. He argues that we are drawn to capitalism because, under an overt promise to bring us what we want, it gives us what we need: lack.

Every commodity disappoints. And that’s the point.

Satisfaction, that moment when all is well and good, flutters rapidly, blessedly away. What is so great, so crucial, about lack? Though we pine for relief, nothing kills desire like abundance. (Spoiler alert: should there be an equitable redistribution of wealth, we would still suffer a hunger for the lost object which, according to McGowan, not employing Kleinian thinking, was never attainable in the first place.) If we did not experience ourselves as missing something we might never get out of bed–and, as clinicians know, why it can be purely ruinous to gratify a depressive patient.

You buy those boots, the ones you had to have, and within moments of wearing them, your heart sinks. That car you finally got your hands on? Driving it out of the lot you wonder, “should I have just leased it?”  Desire is an engine best run on less than half a tank.

The paradox of capitalism, the way it lets us down, gets a full treatment here. Capitalism reclines on McGowan’s couch and he offers it a few interpretations that shake loose its obsessional and hysterical tendencies. He works with capitalism effectively, not arousing its defenses, because he understands it as caught in a trap of its own making. Embracing Beyond The Pleasure Principle and Lacanian thinking, he asks capitalism how come the ends are more important than the means, and doesn’t it miss the sublime? He also treats the reader, reminding us that we need to not have what we want in order to get what we need.

The interview sails along, if I say so myself, and, given the political surround, offers a good conversation to get into. The author would love to hear from us and has asked that I post his email right here, todd.mcgowan@uvm.edu.
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      <pubDate>Sun, 19 Mar 2017 12:36:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Todd McGowan‘s Capitalism and Desire: The Psychic Cost of Free Markets (Columbia University Press, 2016) elegantly employs psychoanalytic thinking to unpack the lure of capitalism. He argues that we are drawn to capitalism because,</itunes:subtitle>
      <itunes:summary>Todd McGowan‘s Capitalism and Desire: The Psychic Cost of Free Markets (Columbia University Press, 2016) elegantly employs psychoanalytic thinking to unpack the lure of capitalism. He argues that we are drawn to capitalism because, under an overt promise to bring us what we want, it gives us what we need: lack.

Every commodity disappoints. And that’s the point.

Satisfaction, that moment when all is well and good, flutters rapidly, blessedly away. What is so great, so crucial, about lack? Though we pine for relief, nothing kills desire like abundance. (Spoiler alert: should there be an equitable redistribution of wealth, we would still suffer a hunger for the lost object which, according to McGowan, not employing Kleinian thinking, was never attainable in the first place.) If we did not experience ourselves as missing something we might never get out of bed–and, as clinicians know, why it can be purely ruinous to gratify a depressive patient.

You buy those boots, the ones you had to have, and within moments of wearing them, your heart sinks. That car you finally got your hands on? Driving it out of the lot you wonder, “should I have just leased it?”  Desire is an engine best run on less than half a tank.

The paradox of capitalism, the way it lets us down, gets a full treatment here. Capitalism reclines on McGowan’s couch and he offers it a few interpretations that shake loose its obsessional and hysterical tendencies. He works with capitalism effectively, not arousing its defenses, because he understands it as caught in a trap of its own making. Embracing Beyond The Pleasure Principle and Lacanian thinking, he asks capitalism how come the ends are more important than the means, and doesn’t it miss the sublime? He also treats the reader, reminding us that we need to not have what we want in order to get what we need.

The interview sails along, if I say so myself, and, given the political surround, offers a good conversation to get into. The author would love to hear from us and has asked that I post his email right here, todd.mcgowan@uvm.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.uvm.edu/~fts/?Page=ToddMcGowan.php">Todd McGowan</a>‘s <a href="http://www.amazon.com/dp/0231178727/?tag=newbooinhis-20">Capitalism and Desire: The Psychic Cost of Free Markets</a> (Columbia University Press, 2016) elegantly employs psychoanalytic thinking to unpack the lure of capitalism. He argues that we are drawn to capitalism because, under an overt promise to bring us what we want, it gives us what we need: lack.</p><p>
Every commodity disappoints. And that’s the point.</p><p>
Satisfaction, that moment when all is well and good, flutters rapidly, blessedly away. What is so great, so crucial, about lack? Though we pine for relief, nothing kills desire like abundance. (Spoiler alert: should there be an equitable redistribution of wealth, we would still suffer a hunger for the lost object which, according to McGowan, not employing Kleinian thinking, was never attainable in the first place.) If we did not experience ourselves as missing something we might never get out of bed–and, as clinicians know, why it can be purely ruinous to gratify a depressive patient.</p><p>
You buy those boots, the ones you had to have, and within moments of wearing them, your heart sinks. That car you finally got your hands on? Driving it out of the lot you wonder, “should I have just leased it?”  Desire is an engine best run on less than half a tank.</p><p>
The paradox of capitalism, the way it lets us down, gets a full treatment here. Capitalism reclines on McGowan’s couch and he offers it a few interpretations that shake loose its obsessional and hysterical tendencies. He works with capitalism effectively, not arousing its defenses, because he understands it as caught in a trap of its own making. Embracing Beyond The Pleasure Principle and Lacanian thinking, he asks capitalism how come the ends are more important than the means, and doesn’t it miss the sublime? He also treats the reader, reminding us that we need to not have what we want in order to get what we need.</p><p>
The interview sails along, if I say so myself, and, given the political surround, offers a good conversation to get into. The author would love to hear from us and has asked that I post his email right here, <a href="mailto:todd.mcgowan@uvm.edu">todd.mcgowan@uvm.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3554</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63362]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3757206955.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emily K. Hobson, “Lavender and Red: Liberation and Solidarity in the Gay and Lesbian Left” (U. Cal Press, 2016)</title>
      <description>In Lavender and Red: Liberation and Solidarity in the Gay and Lesbian Left (University of California Press, 2016), Emily K. Hobson challenges conceptions of LGBTQ activism as single-issue analogous to but separate from other activist initiatives. Instead, Hobson uncovers the gay and lesbian left, whose activists saw sexual liberation as intertwined with challenging racism, militarism, and imperialism. She focuses on the gay and lesbian left in the San Francisco Bay Area, tracing the movement from 1968 through 1991. This community of struggle was separate from both separatist and liberal LGBTQ organizing. It grew out of late-1960s and early-1970s gay liberation, but solidified in the mid to late 1970s, usually seen as a period when gay activism turned to more reformist and single-issue frameworks. Geography, space and place are important to Hobson’s analysis. The Bay Area generated a lesbian and gay left partly because of newly politicized white queers proximity to Black liberationists, women of color feminists, socialist feminists, and Central American anti-imperialist and anti-capitalist refugees. These activists encountered each other in neighborhoods, activist offices, and at marches and rallies, where they learned form and sharpened each others politics as well as changed the trajectory of each others actions. As the New Right gained ascendancy, lesbian and gay activists found common cause with others under attack within and outside the Unites States. Over the decades, gay and lesbian leftists supported the Black Panther Party and political prisoners, challenged U.S. intervention in Central America, built links with lesbian and gay Sandinistas in Nicaragua, and brought their direct action skills to bear on the AIDS epidemic. Their coalitions were not without tensions, particularly ones of race; many gay and lesbian left groups were primarily white, and gay and lesbians of color challenged these gaps to create their own left-leaning formations and solidarities with other oppressed groups.

Hobson analyzes these tensions and recovers varying forms of political critique, strategy, and community. Through drawing on oral histories and archival documents, including striking photographs, flyers, and political artwork, Lavender and Red lifts up a strain of gay and lesbian activism that had been all but lost to memory for most activists and scholars of today.

Emily Hobson serves as Assistant Professor of History and Gender, Race and Identity at University of Nevada, Reno.



Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 16 Mar 2017 22:28:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Lavender and Red: Liberation and Solidarity in the Gay and Lesbian Left (University of California Press, 2016), Emily K. Hobson challenges conceptions of LGBTQ activism as single-issue analogous to but separate from other activist initiatives.</itunes:subtitle>
      <itunes:summary>In Lavender and Red: Liberation and Solidarity in the Gay and Lesbian Left (University of California Press, 2016), Emily K. Hobson challenges conceptions of LGBTQ activism as single-issue analogous to but separate from other activist initiatives. Instead, Hobson uncovers the gay and lesbian left, whose activists saw sexual liberation as intertwined with challenging racism, militarism, and imperialism. She focuses on the gay and lesbian left in the San Francisco Bay Area, tracing the movement from 1968 through 1991. This community of struggle was separate from both separatist and liberal LGBTQ organizing. It grew out of late-1960s and early-1970s gay liberation, but solidified in the mid to late 1970s, usually seen as a period when gay activism turned to more reformist and single-issue frameworks. Geography, space and place are important to Hobson’s analysis. The Bay Area generated a lesbian and gay left partly because of newly politicized white queers proximity to Black liberationists, women of color feminists, socialist feminists, and Central American anti-imperialist and anti-capitalist refugees. These activists encountered each other in neighborhoods, activist offices, and at marches and rallies, where they learned form and sharpened each others politics as well as changed the trajectory of each others actions. As the New Right gained ascendancy, lesbian and gay activists found common cause with others under attack within and outside the Unites States. Over the decades, gay and lesbian leftists supported the Black Panther Party and political prisoners, challenged U.S. intervention in Central America, built links with lesbian and gay Sandinistas in Nicaragua, and brought their direct action skills to bear on the AIDS epidemic. Their coalitions were not without tensions, particularly ones of race; many gay and lesbian left groups were primarily white, and gay and lesbians of color challenged these gaps to create their own left-leaning formations and solidarities with other oppressed groups.

Hobson analyzes these tensions and recovers varying forms of political critique, strategy, and community. Through drawing on oral histories and archival documents, including striking photographs, flyers, and political artwork, Lavender and Red lifts up a strain of gay and lesbian activism that had been all but lost to memory for most activists and scholars of today.

Emily Hobson serves as Assistant Professor of History and Gender, Race and Identity at University of Nevada, Reno.



Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="http://www.amazon.com/dp/0520279050/?tag=newbooinhis-20"> Lavender and Red: Liberation and Solidarity in the Gay and Lesbian Left </a>(University of California Press, 2016), <a href="https://history.unr.edu/node/39">Emily K. Hobson</a> challenges conceptions of LGBTQ activism as single-issue analogous to but separate from other activist initiatives. Instead, Hobson uncovers the gay and lesbian left, whose activists saw sexual liberation as intertwined with challenging racism, militarism, and imperialism. She focuses on the gay and lesbian left in the San Francisco Bay Area, tracing the movement from 1968 through 1991. This community of struggle was separate from both separatist and liberal LGBTQ organizing. It grew out of late-1960s and early-1970s gay liberation, but solidified in the mid to late 1970s, usually seen as a period when gay activism turned to more reformist and single-issue frameworks. Geography, space and place are important to Hobson’s analysis. The Bay Area generated a lesbian and gay left partly because of newly politicized white queers proximity to Black liberationists, women of color feminists, socialist feminists, and Central American anti-imperialist and anti-capitalist refugees. These activists encountered each other in neighborhoods, activist offices, and at marches and rallies, where they learned form and sharpened each others politics as well as changed the trajectory of each others actions. As the New Right gained ascendancy, lesbian and gay activists found common cause with others under attack within and outside the Unites States. Over the decades, gay and lesbian leftists supported the Black Panther Party and political prisoners, challenged U.S. intervention in Central America, built links with lesbian and gay Sandinistas in Nicaragua, and brought their direct action skills to bear on the AIDS epidemic. Their coalitions were not without tensions, particularly ones of race; many gay and lesbian left groups were primarily white, and gay and lesbians of color challenged these gaps to create their own left-leaning formations and solidarities with other oppressed groups.</p><p>
Hobson analyzes these tensions and recovers varying forms of political critique, strategy, and community. Through drawing on oral histories and archival documents, including striking photographs, flyers, and political artwork, Lavender and Red lifts up a strain of gay and lesbian activism that had been all but lost to memory for most activists and scholars of today.</p><p>
Emily Hobson serves as Assistant Professor of History and Gender, Race and Identity at University of Nevada, Reno.</p><p>
</p><p>
Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4209</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63285]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3315382972.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nancy Wang Yuen, “Reel Inequality: Hollywood Actors and Racism” (Rutgers UP, 2017)</title>
      <description>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a twitter feed and website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Mar 2017 19:19:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University,</itunes:subtitle>
      <itunes:summary>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a twitter feed and website.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we challenge the way film and television represents the world around us? In <a href="http://www.amazon.com/dp/0813586305/?tag=newbooinhis-20">Reel Inequality: Hollywood Actors and Racism</a> (Rutgers University Press, 2017) <a href="https://twitter.com/nancywyuen">Nancy Wan Yuen</a>, and <a href="https://www.biola.edu/directory/people/nancy_yuen">Associate Professor of Sociology at Biola University</a>, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a <a href="https://twitter.com/ReelInequality">twitter feed</a> and <a href="http://www.nancywyuen.com/reel-inequality.html">website</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2316</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63214]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7792722453.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Lowen Agee, “The Streets of San Francisco: Policing and the Creation of a Cosmopolitan Liberal Politics, 1950-1972” (U. Chicago Press, 2014)</title>
      <description>Policing tactics have recently been the subject of lively political debates and the target of protest groups like the Black Lives Matter movement. Police reform is not new, of course. The 1950s and 1960s, in fact, saw one of the most active periods of change surrounding standard policing procedures and a moment of political reexamination of the role of police in a democracy. Christopher Lowen Agee, Associate Professor of History at the University of Colorado Denver, examines these changes in San Francisco in his recent book. The Streets of San Francisco: Policing and the Creation of a Cosmopolitan Liberal Politics, 1950-1972 (University of Chicago Press, 2014) takes on a city where police notoriously clashed with leftist activists, but also a city run by liberals. The Streets of San Francisco examines the causes, consequences, and limits of reform from street-level interactions between police and residents to policing politics in city hall.

In this episode of New Books in History, Agee discusses his new book. He tells listeners about reform in the San Francisco Police Department in the 1950s and 1960s. He talks about some of the unusual alliances formed among reformers and a few of the several controversies that his book examines, explaining to listeners how those controversies changed police procedures. He discusses the role of police discretion and force, of activists responding to police tactics, and also the limits of reform, particularly those surrounding race. The legacies of these reforms continue to influence policing today. Finally, Agee talks about conducting oral histories for this book and more generally about researching policing during the era.



Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.

To download this interview file directly, right click here and select “Save Link (or ‘Target’) As…”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Mar 2017 21:14:11 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Policing tactics have recently been the subject of lively political debates and the target of protest groups like the Black Lives Matter movement. Police reform is not new, of course. The 1950s and 1960s, in fact,</itunes:subtitle>
      <itunes:summary>Policing tactics have recently been the subject of lively political debates and the target of protest groups like the Black Lives Matter movement. Police reform is not new, of course. The 1950s and 1960s, in fact, saw one of the most active periods of change surrounding standard policing procedures and a moment of political reexamination of the role of police in a democracy. Christopher Lowen Agee, Associate Professor of History at the University of Colorado Denver, examines these changes in San Francisco in his recent book. The Streets of San Francisco: Policing and the Creation of a Cosmopolitan Liberal Politics, 1950-1972 (University of Chicago Press, 2014) takes on a city where police notoriously clashed with leftist activists, but also a city run by liberals. The Streets of San Francisco examines the causes, consequences, and limits of reform from street-level interactions between police and residents to policing politics in city hall.

In this episode of New Books in History, Agee discusses his new book. He tells listeners about reform in the San Francisco Police Department in the 1950s and 1960s. He talks about some of the unusual alliances formed among reformers and a few of the several controversies that his book examines, explaining to listeners how those controversies changed police procedures. He discusses the role of police discretion and force, of activists responding to police tactics, and also the limits of reform, particularly those surrounding race. The legacies of these reforms continue to influence policing today. Finally, Agee talks about conducting oral histories for this book and more generally about researching policing during the era.



Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.

To download this interview file directly, right click here and select “Save Link (or ‘Target’) As…”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Policing tactics have recently been the subject of lively political debates and the target of protest groups like the Black Lives Matter movement. Police reform is not new, of course. The 1950s and 1960s, in fact, saw one of the most active periods of change surrounding standard policing procedures and a moment of political reexamination of the role of police in a democracy. <a href="https://clas.ucdenver.edu/directory/faculty-staff/chris-agee">Christopher Lowen Agee</a>, Associate Professor of History at the University of Colorado Denver, examines these changes in San Francisco in his recent book. <a href="http://www.amazon.com/dp/022637808X/?tag=newbooinhis-20">The Streets of San Francisco: Policing and the Creation of a Cosmopolitan Liberal Politics, 1950-1972</a> (University of Chicago Press, 2014) takes on a city where police notoriously clashed with leftist activists, but also a city run by liberals. The Streets of San Francisco examines the causes, consequences, and limits of reform from street-level interactions between police and residents to policing politics in city hall.</p><p>
In this episode of <a href="http://newbooksnetwork.com/category/history/">New Books in History</a>, Agee discusses his new book. He tells listeners about reform in the San Francisco Police Department in the 1950s and 1960s. He talks about some of the unusual alliances formed among reformers and a few of the several controversies that his book examines, explaining to listeners how those controversies changed police procedures. He discusses the role of police discretion and force, of activists responding to police tactics, and also the limits of reform, particularly those surrounding race. The legacies of these reforms continue to influence policing today. Finally, Agee talks about conducting oral histories for this book and more generally about researching policing during the era.</p><p>
</p><p>
Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at <a href="mailto:clamberson@angelo.edu">clamberson@angelo.edu</a>.</p><p>
To download this interview file directly, right click <a href="http://files.newbooksnetwork.com/history/341historyagee.mp3">here</a> and select “Save Link (or ‘Target’) As…”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4123</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63129]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2376751201.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andre Carrington, “Speculative Blackness: The Future of Race in Science Fiction” (U. Minnesota Press, 2016)</title>
      <description>Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts.

Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics &amp; Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism.

In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African &amp; Black Diaspora. In 2015, he organized the first international Queers &amp; Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 03 Mar 2017 11:00:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories?</itunes:subtitle>
      <itunes:summary>Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts.

Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics &amp; Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism.

In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African &amp; Black Diaspora. In 2015, he organized the first international Queers &amp; Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In <a href="http://www.amazon.com/dp/0816678960/?tag=newbooinhis-20">Speculative Blackness: The Future of Race in Science Fiction</a> (<a href="https://www.upress.umn.edu/book-division/books/speculative-blackness">University of Minnesota Press</a>, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts.</p><p>
Author and professor <a href="http://drexel.edu/coas/faculty-research/faculty-directory/CarringtonAndre">Andre Carrington</a> earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics &amp; Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism.</p><p>
In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African &amp; Black Diaspora. In 2015, he organized the first international Queers &amp; Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors.</p><p>
</p><p>
James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3949</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63009]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7328134345.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leilah Danielson, “American Gandhi: A.J. Muste and the History of Radicalism in the 20th Century” (U. Penn Press, 2014)</title>
      <description>During a life that stretched from the Progressive era to the 1960s, A. J. Muste dedicated himself to fighting against war and the exploitation of working Americans. In American Gandhi: A. J. Muste and the History of Radicalism in the Twentieth Century (University of Pennsylvania Press, 2014), Leilah Danielson describes the course of Muste’s career as a pacifist, labor organizer, and civil rights campaigner, explaining the development of his ideology within the context of his activism. An immigrant to America, Muste pursued a career as a Protestant minister until the pressures created by America’s entry into World War I forced him to resign from his pastorate. His work supporting striking textile workers in in Lawrence, Massachusetts heralded the start of a period of involvement in the labor movement, during which time he became a leading figure at Brookwood Labor College and attempted to establish a labor-based political party during the Great Depression. As another war approached in the late 1930s Muste returned to his roots as a Christian pacifist and spent the next three decades working on behalf of the civil rights and anti-nuclear movements before ending his years as a staunch opponent of America’s involvement in the war in Vietnam. As Danielson demonstrates, Muste’s ideas and example inspired generations of activists throughout the world, both in his time and in ours today.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 28 Feb 2017 16:02:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>During a life that stretched from the Progressive era to the 1960s, A. J. Muste dedicated himself to fighting against war and the exploitation of working Americans. In American Gandhi: A. J. Muste and the History of Radicalism in the Twentieth Century ...</itunes:subtitle>
      <itunes:summary>During a life that stretched from the Progressive era to the 1960s, A. J. Muste dedicated himself to fighting against war and the exploitation of working Americans. In American Gandhi: A. J. Muste and the History of Radicalism in the Twentieth Century (University of Pennsylvania Press, 2014), Leilah Danielson describes the course of Muste’s career as a pacifist, labor organizer, and civil rights campaigner, explaining the development of his ideology within the context of his activism. An immigrant to America, Muste pursued a career as a Protestant minister until the pressures created by America’s entry into World War I forced him to resign from his pastorate. His work supporting striking textile workers in in Lawrence, Massachusetts heralded the start of a period of involvement in the labor movement, during which time he became a leading figure at Brookwood Labor College and attempted to establish a labor-based political party during the Great Depression. As another war approached in the late 1930s Muste returned to his roots as a Christian pacifist and spent the next three decades working on behalf of the civil rights and anti-nuclear movements before ending his years as a staunch opponent of America’s involvement in the war in Vietnam. As Danielson demonstrates, Muste’s ideas and example inspired generations of activists throughout the world, both in his time and in ours today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During a life that stretched from the Progressive era to the 1960s, A. J. Muste dedicated himself to fighting against war and the exploitation of working Americans. In <a href="http://www.amazon.com/dp/081224639X/?tag=newbooinhis-20">American Gandhi: A. J. Muste and the History of Radicalism in the Twentieth Century</a> (University of Pennsylvania Press, 2014), <a href="http://nau.edu/cal/history/faculty-staff/danielson/">Leilah Danielson</a> describes the course of Muste’s career as a pacifist, labor organizer, and civil rights campaigner, explaining the development of his ideology within the context of his activism. An immigrant to America, Muste pursued a career as a Protestant minister until the pressures created by America’s entry into World War I forced him to resign from his pastorate. His work supporting striking textile workers in in Lawrence, Massachusetts heralded the start of a period of involvement in the labor movement, during which time he became a leading figure at Brookwood Labor College and attempted to establish a labor-based political party during the Great Depression. As another war approached in the late 1930s Muste returned to his roots as a Christian pacifist and spent the next three decades working on behalf of the civil rights and anti-nuclear movements before ending his years as a staunch opponent of America’s involvement in the war in Vietnam. As Danielson demonstrates, Muste’s ideas and example inspired generations of activists throughout the world, both in his time and in ours today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4019</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62809]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8971411605.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ryan Vieira, “Time and Politics:  Parliament and the Culture of Modernity in Nineteenth-Century Britain and the British World” (Oxford UP, 2015)</title>
      <description>How did the idea of time change during the nineteenth century? In Time and Politics: Parliament and the Culture of Modernity in Nineteenth-Century Britain and the British World  (Oxford University Press, 2015) Ryan Vieira, a sessional lecturer at McMaster University, explores Parliament in the nineteenth century to understand both the bureaucratic structures and the individual parliamentarians’ experiences of time. The understanding of time was shaped by changes in the ideas of industriousness, efficiency and respectability, as well as new communications and technologies.The book challenges current understandings of constitutional change and parliamentary reform, offering a new story of the Victorian age. Moreover, the book considers the context of the British Empire, thinking through the impact of these changes on parliamentary systems across the globe. The book will be essential reading for historians and students of politics, as well as a fascinating text for the general reader.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 24 Feb 2017 18:00:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How did the idea of time change during the nineteenth century? In Time and Politics: Parliament and the Culture of Modernity in Nineteenth-Century Britain and the British World (Oxford University Press, 2015) Ryan Vieira,</itunes:subtitle>
      <itunes:summary>How did the idea of time change during the nineteenth century? In Time and Politics: Parliament and the Culture of Modernity in Nineteenth-Century Britain and the British World  (Oxford University Press, 2015) Ryan Vieira, a sessional lecturer at McMaster University, explores Parliament in the nineteenth century to understand both the bureaucratic structures and the individual parliamentarians’ experiences of time. The understanding of time was shaped by changes in the ideas of industriousness, efficiency and respectability, as well as new communications and technologies.The book challenges current understandings of constitutional change and parliamentary reform, offering a new story of the Victorian age. Moreover, the book considers the context of the British Empire, thinking through the impact of these changes on parliamentary systems across the globe. The book will be essential reading for historians and students of politics, as well as a fascinating text for the general reader.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did the idea of time change during the nineteenth century? In <a href="http://www.amazon.com/dp/0198737548/?tag=newbooinhis-20">Time and Politics: Parliament and the Culture of Modernity in Nineteenth-Century Britain and the British World </a> (Oxford University Press, 2015) <a href="https://mcmaster.academia.edu/RyanAnthonyVieira">Ryan Vieira</a>, a sessional lecturer at McMaster University, explores Parliament in the nineteenth century to understand both the bureaucratic structures and the individual parliamentarians’ experiences of time. The understanding of time was shaped by changes in the ideas of industriousness, efficiency and respectability, as well as new communications and technologies.The book challenges current understandings of constitutional change and parliamentary reform, offering a new story of the Victorian age. Moreover, the book considers the context of the British Empire, thinking through the impact of these changes on parliamentary systems across the globe. The book will be essential reading for historians and students of politics, as well as a fascinating text for the general reader.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2980</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62279]]></guid>
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    <item>
      <title>Amy Brown, “A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School (U. Minnesota Press, 2015)</title>
      <description>There has been much talk in the news recently about funding for public education, the emergence of charter schools, and the potential of school vouchers. How much does competition for financing in urban public schools depend on marketing and perpetuating poverty in order to thrive? Are the actors in this drama deliberately playing up stereotypes of race and class? A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School (University of Minnesota Press, 2015) offers a firsthand look behind the scenes of the philanthropic approach to funding public education a process in which social change in education policy and practice is aligned with social entrepreneurship. The appearance of success, equity, or justice in education, the author argues, might actually serve to maintain stark inequalities and inhibit democracy.

A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School shows that models of corporate or philanthropic charity in education may in fact reinforce the race and class hierarchies that they purport to alleviate. As their voices reveal, the teachers and students on the receiving end of such a system can be critically conscious and ambivalent participants in a school’s racialized marketing and image management. Timely and provocative, this nuanced work exposes the unintended consequences of an education marketplace where charity masquerades as justice.

Amy Brown is an educational anthropologist and a faculty member in the Critical Writing Program at the University of Pennsylvania. In her research she often explores how the increasing privatization of public education affects teaching and learning practices. Another area of focus for Brown is how “philanthrocapitalism” and reliance on private sector funding influence constructions of gender, class and race as well as distribution of power and resources. A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School is her first book.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Feb 2017 20:27:03 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>There has been much talk in the news recently about funding for public education, the emergence of charter schools, and the potential of school vouchers. How much does competition for financing in urban public schools depend on marketing and perpetuati...</itunes:subtitle>
      <itunes:summary>There has been much talk in the news recently about funding for public education, the emergence of charter schools, and the potential of school vouchers. How much does competition for financing in urban public schools depend on marketing and perpetuating poverty in order to thrive? Are the actors in this drama deliberately playing up stereotypes of race and class? A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School (University of Minnesota Press, 2015) offers a firsthand look behind the scenes of the philanthropic approach to funding public education a process in which social change in education policy and practice is aligned with social entrepreneurship. The appearance of success, equity, or justice in education, the author argues, might actually serve to maintain stark inequalities and inhibit democracy.

A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School shows that models of corporate or philanthropic charity in education may in fact reinforce the race and class hierarchies that they purport to alleviate. As their voices reveal, the teachers and students on the receiving end of such a system can be critically conscious and ambivalent participants in a school’s racialized marketing and image management. Timely and provocative, this nuanced work exposes the unintended consequences of an education marketplace where charity masquerades as justice.

Amy Brown is an educational anthropologist and a faculty member in the Critical Writing Program at the University of Pennsylvania. In her research she often explores how the increasing privatization of public education affects teaching and learning practices. Another area of focus for Brown is how “philanthrocapitalism” and reliance on private sector funding influence constructions of gender, class and race as well as distribution of power and resources. A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School is her first book.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There has been much talk in the news recently about funding for public education, the emergence of charter schools, and the potential of school vouchers. How much does competition for financing in urban public schools depend on marketing and perpetuating poverty in order to thrive? Are the actors in this drama deliberately playing up stereotypes of race and class? <a href="http://www.amazon.com/dp/0816691142/?tag=newbooinhis-20">A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School</a> (University of Minnesota Press, 2015) offers a firsthand look behind the scenes of the philanthropic approach to funding public education a process in which social change in education policy and practice is aligned with social entrepreneurship. The appearance of success, equity, or justice in education, the author argues, might actually serve to maintain stark inequalities and inhibit democracy.</p><p>
A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School shows that models of corporate or philanthropic charity in education may in fact reinforce the race and class hierarchies that they purport to alleviate. As their voices reveal, the teachers and students on the receiving end of such a system can be critically conscious and ambivalent participants in a school’s racialized marketing and image management. Timely and provocative, this nuanced work exposes the unintended consequences of an education marketplace where charity masquerades as justice.</p><p>
<a href="http://upenn.academia.edu/AmyBrown">Amy Brown</a> is an educational anthropologist and a faculty member in the Critical Writing Program at the University of Pennsylvania. In her research she often explores how the increasing privatization of public education affects teaching and learning practices. Another area of focus for Brown is how “philanthrocapitalism” and reliance on private sector funding influence constructions of gender, class and race as well as distribution of power and resources. A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School is her first book.</p><p>
</p><p>
James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3845</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62857]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4938198831.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Raphael Dalleo, “American Imperialisms Undead: The Occupation of Haiti and the Rise of Caribbean Anti-colonialism” (UVa Press, 2016)</title>
      <description>As Raphael Dalleo demonstrates in his wide-ranging and compelling American Imperialism Undead: The Occupation of Haiti and the Rise of Caribbean Anti-colonialism (University of Virginia Press, 2016), the US occupation of Haiti reverberated throughout the Caribbean, as intellectuals and activists shaped their anti-colonial views in its shadow. Dalleo’s work recovers the important links between the reality of US military and economic power and critiques of imperialism in the work of writers including George Padmore, C.L.R. James, and Amy Jacques Garvey. In highlighting the ways the occupation of Haiti haunted Caribbean literature and politics, this book offers fresh readings of these well-known critical voices.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Feb 2017 20:17:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As Raphael Dalleo demonstrates in his wide-ranging and compelling American Imperialism Undead: The Occupation of Haiti and the Rise of Caribbean Anti-colonialism (University of Virginia Press, 2016), the US occupation of Haiti reverberated throughout t...</itunes:subtitle>
      <itunes:summary>As Raphael Dalleo demonstrates in his wide-ranging and compelling American Imperialism Undead: The Occupation of Haiti and the Rise of Caribbean Anti-colonialism (University of Virginia Press, 2016), the US occupation of Haiti reverberated throughout the Caribbean, as intellectuals and activists shaped their anti-colonial views in its shadow. Dalleo’s work recovers the important links between the reality of US military and economic power and critiques of imperialism in the work of writers including George Padmore, C.L.R. James, and Amy Jacques Garvey. In highlighting the ways the occupation of Haiti haunted Caribbean literature and politics, this book offers fresh readings of these well-known critical voices.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As <a href="http://www.bucknell.edu/arts-and-sciences-college-of/academic-departments-and-programs/english/literary-studies/faculty-and-staff/raphael-dalleo.html">Raphael Dalleo</a> demonstrates in his wide-ranging and compelling <a href="http://www.amazon.com/dp/0813938945/?tag=newbooinhis-20">American Imperialism Undead: The Occupation of Haiti and the Rise of Caribbean Anti-colonialism</a> (University of Virginia Press, 2016), the US occupation of Haiti reverberated throughout the Caribbean, as intellectuals and activists shaped their anti-colonial views in its shadow. Dalleo’s work recovers the important links between the reality of US military and economic power and critiques of imperialism in the work of writers including George Padmore, C.L.R. James, and Amy Jacques Garvey. In highlighting the ways the occupation of Haiti haunted Caribbean literature and politics, this book offers fresh readings of these well-known critical voices.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1848</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62834]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3327022477.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Stacy Alaimo, “Exposed: Environmental Politics and Pleasures in Posthuman Times” (U. Minnesota Press, 2016)</title>
      <description>Stacy Alaimo’s Exposed: Environmental Politics and Pleasures in Posthuman Times (University of Minnesota Press, 2016) is a provocative reflection on environmental ethics, politics, and forms of knowledge. Through a range of examples as broad as the theoretical scope of the book, Alaimo analyzes political responses to climate change, ocean acidification, deforestation, and plastic pollution, as well as the epistemologies that have shaped our understanding of these crises. Simultaneously, this series of essays also explores the intimacies and entanglements of human and non-human subjectivities in the Anthropocene, arguing for a new materialist engagement with the world. Despite the gravity of her subject matter, Alaimo’s examples and writing are often playful. This not only echoes the complexity and occasional contradictions of environmental politics but also makes Exposed a very enjoyable read.

Drawing on examples from film, fiction, poetry, scientific writing, art, and activism, Alaimo considers the role pleasure has played and could play in various environmentalisms and environmental engagements. Though it bridges and contributes to scholarly work in the fields of environmental studies, feminism, materialism, and posthumanism, this book is much more than a theoretical exploration; it calls on us to rethink what it means to be human and act accordingly. Alaimo demonstrates interconnections between queer animals, naked protesters, melting glaciers, and interested scholars while providing thoughtful guidance on how to understand and respond to the environmental predicaments to which we are all, to varying degrees, exposed.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 21 Feb 2017 17:55:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Stacy Alaimo’s Exposed: Environmental Politics and Pleasures in Posthuman Times (University of Minnesota Press, 2016) is a provocative reflection on environmental ethics, politics, and forms of knowledge. Through a range of examples as broad as the the...</itunes:subtitle>
      <itunes:summary>Stacy Alaimo’s Exposed: Environmental Politics and Pleasures in Posthuman Times (University of Minnesota Press, 2016) is a provocative reflection on environmental ethics, politics, and forms of knowledge. Through a range of examples as broad as the theoretical scope of the book, Alaimo analyzes political responses to climate change, ocean acidification, deforestation, and plastic pollution, as well as the epistemologies that have shaped our understanding of these crises. Simultaneously, this series of essays also explores the intimacies and entanglements of human and non-human subjectivities in the Anthropocene, arguing for a new materialist engagement with the world. Despite the gravity of her subject matter, Alaimo’s examples and writing are often playful. This not only echoes the complexity and occasional contradictions of environmental politics but also makes Exposed a very enjoyable read.

Drawing on examples from film, fiction, poetry, scientific writing, art, and activism, Alaimo considers the role pleasure has played and could play in various environmentalisms and environmental engagements. Though it bridges and contributes to scholarly work in the fields of environmental studies, feminism, materialism, and posthumanism, this book is much more than a theoretical exploration; it calls on us to rethink what it means to be human and act accordingly. Alaimo demonstrates interconnections between queer animals, naked protesters, melting glaciers, and interested scholars while providing thoughtful guidance on how to understand and respond to the environmental predicaments to which we are all, to varying degrees, exposed.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stacy Alaimo’s <a href="http://www.amazon.com/dp/0816628386/?tag=newbooinhis-20">Exposed: Environmental Politics and Pleasures in Posthuman Time</a>s (University of Minnesota Press, 2016) is a provocative reflection on environmental ethics, politics, and forms of knowledge. Through a range of examples as broad as the theoretical scope of the book, <a href="http://www.uta.edu/english/alaimo/">Alaimo</a> analyzes political responses to climate change, ocean acidification, deforestation, and plastic pollution, as well as the epistemologies that have shaped our understanding of these crises. Simultaneously, this series of essays also explores the intimacies and entanglements of human and non-human subjectivities in the Anthropocene, arguing for a new materialist engagement with the world. Despite the gravity of her subject matter, Alaimo’s examples and writing are often playful. This not only echoes the complexity and occasional contradictions of environmental politics but also makes Exposed a very enjoyable read.</p><p>
Drawing on examples from film, fiction, poetry, scientific writing, art, and activism, Alaimo considers the role pleasure has played and could play in various environmentalisms and environmental engagements. Though it bridges and contributes to scholarly work in the fields of environmental studies, feminism, materialism, and posthumanism, this book is much more than a theoretical exploration; it calls on us to rethink what it means to be human and act accordingly. Alaimo demonstrates interconnections between queer animals, naked protesters, melting glaciers, and interested scholars while providing thoughtful guidance on how to understand and respond to the environmental predicaments to which we are all, to varying degrees, exposed.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62812]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3398514438.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helen Glew, “Gender, Rhetoric and Regulation: Women’s Work in the Civil Service and the London County Council, 1900-1955” (Manchester UP, 2016)</title>
      <description>What role has gender played in government institutions? In Gender, Rhetoric and Regulation: Women’s Work in the Civil Service and the London County Council 1900-1955, Helen Glew, a Senior Lecturer in History at the University of Westminster uses detailed case studies of the Post Office, London County Council, and the British Civil Service to explain this crucial question. The book explores the social, economic and cultural setting for the idea of ‘women’s work’ in British state bureaucracy, looking at the barriers confronting women and their resistance to these constraints. The book uses rich historical evidence to analyse campaigns for equal pay, along with the eventual end of the bar to married women in the Civil Service. The book offers a new gendered perspective on organisations that are crucial to understanding British society at the start of the twentieth century. Clear, engaging and well written, the book will be of interest to a general audience, as well as to academics and historians.
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      <pubDate>Sat, 18 Feb 2017 11:00:26 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What role has gender played in government institutions? In Gender, Rhetoric and Regulation: Women’s Work in the Civil Service and the London County Council 1900-1955, Helen Glew, a Senior Lecturer in History at the University of Westminster uses detail...</itunes:subtitle>
      <itunes:summary>What role has gender played in government institutions? In Gender, Rhetoric and Regulation: Women’s Work in the Civil Service and the London County Council 1900-1955, Helen Glew, a Senior Lecturer in History at the University of Westminster uses detailed case studies of the Post Office, London County Council, and the British Civil Service to explain this crucial question. The book explores the social, economic and cultural setting for the idea of ‘women’s work’ in British state bureaucracy, looking at the barriers confronting women and their resistance to these constraints. The book uses rich historical evidence to analyse campaigns for equal pay, along with the eventual end of the bar to married women in the Civil Service. The book offers a new gendered perspective on organisations that are crucial to understanding British society at the start of the twentieth century. Clear, engaging and well written, the book will be of interest to a general audience, as well as to academics and historians.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What role has gender played in government institutions? In<a href="http://www.amazon.com/dp/071909027X/?tag=newbooinhis-20"> Gender, Rhetoric and Regulation: Women’s Work in the Civil Service and the London County Council 1900-1955</a>, <a href="https://twitter.com/helenglew?lang=en">Helen Glew</a>, <a href="https://www.westminster.ac.uk/about-us/our-people/directory/glew-helen">a Senior Lecturer in History at the University of Westminster</a> uses detailed case studies of the Post Office, London County Council, and the British Civil Service to explain this crucial question. The book explores the social, economic and cultural setting for the idea of ‘women’s work’ in British state bureaucracy, looking at the barriers confronting women and their resistance to these constraints. The book uses rich historical evidence to analyse campaigns for equal pay, along with the eventual end of the bar to married women in the Civil Service. The book offers a new gendered perspective on organisations that are crucial to understanding British society at the start of the twentieth century. Clear, engaging and well written, the book will be of interest to a general audience, as well as to academics and historians.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62603]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4527330694.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Rosen and Aaron Santesso, “The Watchman in Pieces: Surveillance, Literature, and Liberal Personhood” (Yale UP, 2013)</title>
      <description>“Surveillance and literature, as kindred practices, have light to shed on each other.”

When David Rosen and Aaron Santesso considered the discipline of surveillance studies in the wake of the attacks on September 11, 2001, they saw contributions from political scientists, sociologists, legal scholars, and engineers, but found that “the distinctive and necessary contribution of the humanities as such to this conversation” had “largely gone unarticulated” (5). The Watchman in Pieces: Surveillance, Literature, and Liberal Personhood (Yale University Press, 2013) is a wide ranging, deeply researched, and compellingly argued corrective to that lacuna that places humanistic thought, and in particular literary history, in complex and satisfying conversation with the disciplines working to theorize surveillance for our moment.

Arguing that “the ultimate target of all surveillance activity: the individual self” is best approached as a knot of questions rather than a stable given, Rosen and Santesso offer an account of “the ways that conceptions of selfhood have changed over time” (8). Working across modes and genres, their argument spans from the early modern period to the present day, along the way challenging current discussions of the role of literature in culture and the myth of interpretive competence that lies behind much thinking about surveillance.

Through careful examination of diverse texts, from Locke’s Essay on Toleration through Orwell’s oeuvre and Tolkien’s novels to Enemy of the State and other films from our own era, Rosen and Santesso demonstrate that the “hermeneutic problems of surveillance are also literary problems” (13). Engaging thinkers who have attempted to grapple with the power of narrative to shape our lives–Swift, Bentham, Mill, Weber, Adorno, Habermas, Foucault, Baudrillard, and others–Rosen and Santesso essentially set out to rethink modernity, exploring “the effects that fiction has on reality,” and finally offering us a new way of understanding how and why we watch and read our neighbors (9).



Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 09 Feb 2017 17:38:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“Surveillance and literature, as kindred practices, have light to shed on each other.” When David Rosen and Aaron Santesso considered the discipline of surveillance studies in the wake of the attacks on September 11, 2001,</itunes:subtitle>
      <itunes:summary>“Surveillance and literature, as kindred practices, have light to shed on each other.”

When David Rosen and Aaron Santesso considered the discipline of surveillance studies in the wake of the attacks on September 11, 2001, they saw contributions from political scientists, sociologists, legal scholars, and engineers, but found that “the distinctive and necessary contribution of the humanities as such to this conversation” had “largely gone unarticulated” (5). The Watchman in Pieces: Surveillance, Literature, and Liberal Personhood (Yale University Press, 2013) is a wide ranging, deeply researched, and compellingly argued corrective to that lacuna that places humanistic thought, and in particular literary history, in complex and satisfying conversation with the disciplines working to theorize surveillance for our moment.

Arguing that “the ultimate target of all surveillance activity: the individual self” is best approached as a knot of questions rather than a stable given, Rosen and Santesso offer an account of “the ways that conceptions of selfhood have changed over time” (8). Working across modes and genres, their argument spans from the early modern period to the present day, along the way challenging current discussions of the role of literature in culture and the myth of interpretive competence that lies behind much thinking about surveillance.

Through careful examination of diverse texts, from Locke’s Essay on Toleration through Orwell’s oeuvre and Tolkien’s novels to Enemy of the State and other films from our own era, Rosen and Santesso demonstrate that the “hermeneutic problems of surveillance are also literary problems” (13). Engaging thinkers who have attempted to grapple with the power of narrative to shape our lives–Swift, Bentham, Mill, Weber, Adorno, Habermas, Foucault, Baudrillard, and others–Rosen and Santesso essentially set out to rethink modernity, exploring “the effects that fiction has on reality,” and finally offering us a new way of understanding how and why we watch and read our neighbors (9).



Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Surveillance and literature, as kindred practices, have light to shed on each other.”</p><p>
When <a href="http://internet2.trincoll.edu/facProfiles/Default.aspx?fid=1019369">David Rosen</a> and <a href="http://www.iac.gatech.edu/people/faculty/santesso">Aaron Santesso</a> considered the discipline of surveillance studies in the wake of the attacks on September 11, 2001, they saw contributions from political scientists, sociologists, legal scholars, and engineers, but found that “the distinctive and necessary contribution of the humanities as such to this conversation” had “largely gone unarticulated” (5). <a href="http://www.amazon.com/dp/0300155417/?tag=newbooinhis-20">The Watchman in Pieces: Surveillance, Literature, and Liberal Personhood</a> (Yale University Press, 2013) is a wide ranging, deeply researched, and compellingly argued corrective to that lacuna that places humanistic thought, and in particular literary history, in complex and satisfying conversation with the disciplines working to theorize surveillance for our moment.</p><p>
Arguing that “the ultimate target of all surveillance activity: the individual self” is best approached as a knot of questions rather than a stable given, Rosen and Santesso offer an account of “the ways that conceptions of selfhood have changed over time” (8). Working across modes and genres, their argument spans from the early modern period to the present day, along the way challenging current discussions of the role of literature in culture and the myth of interpretive competence that lies behind much thinking about surveillance.</p><p>
Through careful examination of diverse texts, from Locke’s Essay on Toleration through Orwell’s oeuvre and Tolkien’s novels to Enemy of the State and other films from our own era, Rosen and Santesso demonstrate that the “hermeneutic problems of surveillance are also literary problems” (13). Engaging thinkers who have attempted to grapple with the power of narrative to shape our lives–Swift, Bentham, Mill, Weber, Adorno, Habermas, Foucault, Baudrillard, and others–Rosen and Santesso essentially set out to rethink modernity, exploring “the effects that fiction has on reality,” and finally offering us a new way of understanding how and why we watch and read our neighbors (9).</p><p>
</p><p>
Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at <a href="https://carlnellis.wordpress.com./">carlnellis.wordpress.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62604]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5929264412.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jessie Daniels, Karen Gregory, and Tressie McMillan Cottom, eds “Digital Sociologies” (Policy Press, 2016)</title>
      <description>How do we do sociology in the digital era? In Digital Sociologies (Policy Press, 2016) Jessie Daniels, Professor of Sociology at Hunter College and The Graduate Center, CUNY, Karen Gregory a Lecturer in Digital Sociology at the University of Edinburgh, and Tressie McMillan Cottom, assistant professor of sociology at Virginia Commonwealth University, have brought together a wealth of scholarship to explore the challenge of digital. The book engages with a range of theoretical questions, including challenging the digital/traditional sociology binary, the role of institutions, digital’s impact on eduction, the racialized practices of Twitch, the meaning of motherhood, the quantified self, the question of the body, and the digital sociological imagination. The eclectic range of scholars, offering perspectives from across the academic life course and deploying examples from across the world, create an important intervention into our understanding of this emerging, and perhaps as a result of this book, established, field of study. Ultimately the book is a call for a new community of scholars to engage with this most important element of contemporary life. 
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      <pubDate>Thu, 09 Feb 2017 17:37:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How do we do sociology in the digital era? In Digital Sociologies (Policy Press, 2016) Jessie Daniels, Professor of Sociology at Hunter College and The Graduate Center, CUNY, Karen Gregory a Lecturer in Digital Sociology at the University of Edinburgh,...</itunes:subtitle>
      <itunes:summary>How do we do sociology in the digital era? In Digital Sociologies (Policy Press, 2016) Jessie Daniels, Professor of Sociology at Hunter College and The Graduate Center, CUNY, Karen Gregory a Lecturer in Digital Sociology at the University of Edinburgh, and Tressie McMillan Cottom, assistant professor of sociology at Virginia Commonwealth University, have brought together a wealth of scholarship to explore the challenge of digital. The book engages with a range of theoretical questions, including challenging the digital/traditional sociology binary, the role of institutions, digital’s impact on eduction, the racialized practices of Twitch, the meaning of motherhood, the quantified self, the question of the body, and the digital sociological imagination. The eclectic range of scholars, offering perspectives from across the academic life course and deploying examples from across the world, create an important intervention into our understanding of this emerging, and perhaps as a result of this book, established, field of study. Ultimately the book is a call for a new community of scholars to engage with this most important element of contemporary life. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do we do sociology in the digital era? In <a href="http://www.amazon.com/dp/1447329015/?tag=newbooinhis-20">Digital Sociologies</a> (Policy Press, 2016) <a href="https://twitter.com/JessieNYC">Jessie Daniels</a>, <a href="http://www.jessienyc.com">Professor of Sociology at Hunter College and The Graduate Center, CUNY</a>, <a href="https://twitter.com/claudiakincaid">Karen Gregory</a> a <a href="http://www.sps.ed.ac.uk/staff/sociology/karen_gregory">Lecturer in Digital Sociology at the University of Edinburgh</a>, and <a href="https://twitter.com/tressiemcphd">Tressie McMillan Cottom</a>, <a href="https://tressiemc.com">assistant professor of sociology at Virginia Commonwealth University</a>, have brought together a wealth of scholarship to explore the challenge of digital. The book engages with a range of theoretical questions, including challenging the digital/traditional sociology binary, the role of institutions, digital’s impact on eduction, the racialized practices of Twitch, the meaning of motherhood, the quantified self, the question of the body, and the digital sociological imagination. The eclectic range of scholars, offering perspectives from across the academic life course and deploying examples from across the world, create an important intervention into our understanding of this emerging, and perhaps as a result of this book, established, field of study. Ultimately the book is a call for a new community of scholars to engage with this most important element of contemporary life. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1910</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62600]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4949069759.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robyn C. Spencer, “The Revolution Has Come: Black Power, Gender and the Black Panther Party in Oakland” (Duke UP, 2016)</title>
      <description>As the first substantive account of the birthplace of the Black Panther Party (BPP), Robyn C. Spencer’s The Revolution Has Come: Black Power, Gender and the Black Panther Party in Oakland (Duke University Press, 2016) rewrites elitist accounts that narrowly defined the party by its male leaders and masculine militarism. With a panoramic and critical lens on the role that gender politics played in effecting and affecting the Revolution – an internal and external activist project of overcoming oppression – Spencer’s organisational history weaves the urban parameters of Oakland, California, into a national and international narrative of racial consciousness.

A book that Robin D. G. Kelley, author of Freedom Dreams, has said “tears down myths and distortions,” The Revolution Has Come traverses the BPP’s uncritical embrace of heteropatriachy in self-defense tactics, the dialectic relationship of state oppression and Black Women’s leadership of the party, the role of community programs in reshaping notions of masculinity and the personal toll of sexual double-standards in unspoken dating rules. Using archival and interview research that includes artwork, wiretap transcripts, poems, trial documents and the BPP’s newsletter, Spencer provides an example of historical scholarship that forefronts the voices and mouthpieces of the BPP to creates a unique intimacy with the “coming of age” of the men and women who set the groundwork for current iterations of Black resistance. In the words of Spencer herself, “this book is right on time,” and is necessary reading for activists and scholars alike who are attempting to define the gendered assumptions and history of strength, self-care and endurance.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 01 Feb 2017 21:08:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As the first substantive account of the birthplace of the Black Panther Party (BPP), Robyn C. Spencer’s The Revolution Has Come: Black Power, Gender and the Black Panther Party in Oakland (Duke University Press,</itunes:subtitle>
      <itunes:summary>As the first substantive account of the birthplace of the Black Panther Party (BPP), Robyn C. Spencer’s The Revolution Has Come: Black Power, Gender and the Black Panther Party in Oakland (Duke University Press, 2016) rewrites elitist accounts that narrowly defined the party by its male leaders and masculine militarism. With a panoramic and critical lens on the role that gender politics played in effecting and affecting the Revolution – an internal and external activist project of overcoming oppression – Spencer’s organisational history weaves the urban parameters of Oakland, California, into a national and international narrative of racial consciousness.

A book that Robin D. G. Kelley, author of Freedom Dreams, has said “tears down myths and distortions,” The Revolution Has Come traverses the BPP’s uncritical embrace of heteropatriachy in self-defense tactics, the dialectic relationship of state oppression and Black Women’s leadership of the party, the role of community programs in reshaping notions of masculinity and the personal toll of sexual double-standards in unspoken dating rules. Using archival and interview research that includes artwork, wiretap transcripts, poems, trial documents and the BPP’s newsletter, Spencer provides an example of historical scholarship that forefronts the voices and mouthpieces of the BPP to creates a unique intimacy with the “coming of age” of the men and women who set the groundwork for current iterations of Black resistance. In the words of Spencer herself, “this book is right on time,” and is necessary reading for activists and scholars alike who are attempting to define the gendered assumptions and history of strength, self-care and endurance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the first substantive account of the birthplace of the Black Panther Party (BPP), <a href="https://twitter.com/racewomanist?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">Robyn C. Spencer’s</a> <a href="http://www.amazon.com/dp/0822362864/?tag=newbooinhis-20">The Revolution Has Come: Black Power, Gender and the Black Panther Party in Oakland</a> (Duke University Press, 2016) rewrites elitist accounts that narrowly defined the party by its male leaders and masculine militarism. With a panoramic and critical lens on the role that gender politics played in effecting and affecting the Revolution – an internal and external activist project of overcoming oppression – Spencer’s organisational history weaves the urban parameters of Oakland, California, into a national and international narrative of racial consciousness.</p><p>
A book that Robin D. G. Kelley, author of Freedom Dreams, has said “tears down myths and distortions,” <a href="https://therevolutionhascome.com/">The Revolution Has Come</a> traverses the BPP’s uncritical embrace of heteropatriachy in self-defense tactics, the dialectic relationship of state oppression and Black Women’s leadership of the party, the role of community programs in reshaping notions of masculinity and the personal toll of sexual double-standards in unspoken dating rules. Using archival and interview research that includes artwork, wiretap transcripts, poems, trial documents and the BPP’s newsletter, Spencer provides an example of historical scholarship that forefronts the voices and mouthpieces of the BPP to creates a unique intimacy with the “coming of age” of the men and women who set the groundwork for current iterations of Black resistance. In the words of Spencer herself, “this book is right on time,” and is necessary reading for activists and scholars alike who are attempting to define the gendered assumptions and history of strength, self-care and endurance.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2931</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62528]]></guid>
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    <item>
      <title>Justin Parkhurst, “The Politics of Evidence: From Evidence-Based Policy to the Good Governance of Evidence” (Routledge, 2016)</title>
      <description>What is the role of evidence in the policy process? In The Politics of Evidence: From Evidence-Based Policy to the Good Governance of Evidence (Routledge, 2016), Justin Parkhurst, Associate Professor of Global Health Policy at the London School of Economics, maps the history of evidence based policy making and offers a new model for the good governance of appropriate evidence in policy. The book is both agenda setting and a detailed and insightful overview of evidence in policy. Moreover, the range of examples shows the importance of understanding the norms and values shaping politics and thus setting the circumstances for evidence use. In the complex and contested current context for evidence in policy, the book makes an important intervention charting the possibility of a more transparent form of decision making and a more evidence informed approach to policy. The book is available as an open access version here.

 
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      <pubDate>Mon, 30 Jan 2017 21:01:08 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the role of evidence in the policy process? In The Politics of Evidence: From Evidence-Based Policy to the Good Governance of Evidence (Routledge, 2016), Justin Parkhurst, Associate Professor of Global Health Policy at the London School of Econ...</itunes:subtitle>
      <itunes:summary>What is the role of evidence in the policy process? In The Politics of Evidence: From Evidence-Based Policy to the Good Governance of Evidence (Routledge, 2016), Justin Parkhurst, Associate Professor of Global Health Policy at the London School of Economics, maps the history of evidence based policy making and offers a new model for the good governance of appropriate evidence in policy. The book is both agenda setting and a detailed and insightful overview of evidence in policy. Moreover, the range of examples shows the importance of understanding the norms and values shaping politics and thus setting the circumstances for evidence use. In the complex and contested current context for evidence in policy, the book makes an important intervention charting the possibility of a more transparent form of decision making and a more evidence informed approach to policy. The book is available as an open access version here.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the role of evidence in the policy process? In <a href="http://www.amazon.com/dp/1138939404/?tag=newbooinhis-20">The Politics of Evidence: From Evidence-Based Policy to the Good Governance of Evidence</a> (Routledge, 2016), <a href="https://twitter.com/justinparkhurst">Justin Parkhurst</a>, <a href="http://www.lse.ac.uk/researchAndExpertise/Experts/profile.aspx?KeyValue=j.parkhurst@lse.ac.uk">Associate Professor of Global Health Policy at the London School of Economics</a>, maps the history of evidence based policy making and offers a new model for the good governance of appropriate evidence in policy. The book is both agenda setting and a detailed and insightful overview of evidence in policy. Moreover, the range of examples shows the importance of understanding the norms and values shaping politics and thus setting the circumstances for evidence use. In the complex and contested current context for evidence in policy, the book makes an important intervention charting the possibility of a more transparent form of decision making and a more evidence informed approach to policy. The book is available as an open access version <a href="http://www.tandfebooks.com/action/showBook?doi=10.4324/9781315675008">here</a>.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3056</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62480]]></guid>
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    <item>
      <title>Manisha Sinha, “The Slave’s Cause: A History of Abolition” (Yale UP, 2016).</title>
      <description>Manisha Sinha is the Draper Chair in American History at the University of Connecticut. She was born in India and received her Ph.D from Columbia University where her dissertation was nominated for the Bancroft prize. Her book The Slave’s Cause: A History of Abolition (Yale University Press, 2016) centers the role of African Americans in ending slavery in the US by detailing the actions they took, the ideas they generated, and the ways they influenced white abolitionists. Acts of Black rebellion including the Haitian Revolution, escapes from bondage and slave revolts shaped the analysis and trajectory of the movement. Drawing on extensive archival research that spans centuries and nations, Sinha paints a complex picture of the transnational and radical movement to end slavery in the US from the 1500s to the Civil War. Previous historical scholarship on abolitionism focused on white participants in the “second wave” of abolitionism, depicting them as paternalistic middle-class reformers who believed in capitalism and imperialism. In contrast, Sinha treats the black and white streams of the abolition movement together, details the “first wave” of organized abolitionist activity as well as the second, and outlines the radical visions of democracy held by many abolitionists. These advocates linked their opposition to slavery to support of the labor movement, utopian socialism and women’s rights and questioned imperialism and market society. The robust movement to end slavery involved men and women, black and white, free, enslaved and formerly enslaved. Despite sometimes bitter disagreements over goals, strategy and tactics, abolitionists found ways to work together.

The Slave’s Cause has been reviewed in the New York Times, The Atlantic, and numerous scholarly journals. It was also named to the National Book Awards Longlist for 2016, and as one of Stephen L. Carter’s’ top three “Great History Books of 2016.”



Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.
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      <pubDate>Fri, 06 Jan 2017 22:28:18 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Manisha Sinha is the Draper Chair in American History at the University of Connecticut. She was born in India and received her Ph.D from Columbia University where her dissertation was nominated for the Bancroft prize.</itunes:subtitle>
      <itunes:summary>Manisha Sinha is the Draper Chair in American History at the University of Connecticut. She was born in India and received her Ph.D from Columbia University where her dissertation was nominated for the Bancroft prize. Her book The Slave’s Cause: A History of Abolition (Yale University Press, 2016) centers the role of African Americans in ending slavery in the US by detailing the actions they took, the ideas they generated, and the ways they influenced white abolitionists. Acts of Black rebellion including the Haitian Revolution, escapes from bondage and slave revolts shaped the analysis and trajectory of the movement. Drawing on extensive archival research that spans centuries and nations, Sinha paints a complex picture of the transnational and radical movement to end slavery in the US from the 1500s to the Civil War. Previous historical scholarship on abolitionism focused on white participants in the “second wave” of abolitionism, depicting them as paternalistic middle-class reformers who believed in capitalism and imperialism. In contrast, Sinha treats the black and white streams of the abolition movement together, details the “first wave” of organized abolitionist activity as well as the second, and outlines the radical visions of democracy held by many abolitionists. These advocates linked their opposition to slavery to support of the labor movement, utopian socialism and women’s rights and questioned imperialism and market society. The robust movement to end slavery involved men and women, black and white, free, enslaved and formerly enslaved. Despite sometimes bitter disagreements over goals, strategy and tactics, abolitionists found ways to work together.

The Slave’s Cause has been reviewed in the New York Times, The Atlantic, and numerous scholarly journals. It was also named to the National Book Awards Longlist for 2016, and as one of Stephen L. Carter’s’ top three “Great History Books of 2016.”



Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://history.uconn.edu/faculty-by-name/manisha-sinha">Manisha Sinha</a> is the Draper Chair in American History at the University of Connecticut. She was born in India and received her Ph.D from Columbia University where her dissertation was nominated for the Bancroft prize. Her book <a href="http://www.amazon.com/dp/030018137X/?tag=newbooinhis-20">The Slave’s Cause: A History of Abolition</a> (Yale University Press, 2016) centers the role of African Americans in ending slavery in the US by detailing the actions they took, the ideas they generated, and the ways they influenced white abolitionists. Acts of Black rebellion including the Haitian Revolution, escapes from bondage and slave revolts shaped the analysis and trajectory of the movement. Drawing on extensive archival research that spans centuries and nations, Sinha paints a complex picture of the transnational and radical movement to end slavery in the US from the 1500s to the Civil War. Previous historical scholarship on abolitionism focused on white participants in the “second wave” of abolitionism, depicting them as paternalistic middle-class reformers who believed in capitalism and imperialism. In contrast, Sinha treats the black and white streams of the abolition movement together, details the “first wave” of organized abolitionist activity as well as the second, and outlines the radical visions of democracy held by many abolitionists. These advocates linked their opposition to slavery to support of the labor movement, utopian socialism and women’s rights and questioned imperialism and market society. The robust movement to end slavery involved men and women, black and white, free, enslaved and formerly enslaved. Despite sometimes bitter disagreements over goals, strategy and tactics, abolitionists found ways to work together.</p><p>
The Slave’s Cause has been reviewed in the<a href="http://www.nytimes.com/2016/02/28/books/review/the-slaves-cause-a-history-of-abolition-by-manisha-sinha.html"> New York Times</a>, <a href="http://www.theatlantic.com/magazine/archive/2016/04/the-truth-about-abolition/471483/">The Atlantic</a>, and numerous scholarly journals. It was also named to the National Book Awards <a href="http://www.nationalbook.org/nba2016_nf_sinha-slaves-cause.html#.WGv6QbYrLBI">Longlist for 2016</a>, and as one of Stephen L. Carter’s’ top three “<a href="https://www.bloomberg.com/view/articles/2016-12-27/great-history-books-of-2016">Great History Books of 2016</a>.”</p><p>
</p><p>
Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3926</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62168]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7541105162.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Houlbrook, “Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook” (U. of Chicago Press 2016)</title>
      <description>How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professor of Cultural History at the University of Birmingham,tells the fascinating and complex story of Netley Lucas, a character whose fragmented and complex story offers clues to the social changes of the period. Netley’s career as confidence trickster, fraudulent journalist and editor, and creator of counterfeit royal biographies, forms the basis of an engagement with anxieties over class boundaries, the reassertion of social norms, and the nature of the historical source. The book is resplendent with a complex cast of characters and offers a rich portrait of the period. Houlbrook raises the question of how to tell the story of the trickster, if it is possible to capture a life of half-truths and duplicity, and the struggle of historical practice, ultimately causing us to question the possibility of history itself. The book is a fascinating tale, as well as being of interest across the humanities and to the general reader.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 Dec 2016 11:17:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professor of Cultural History at the University of Birmingha...</itunes:subtitle>
      <itunes:summary>How should we understand the interwar years in Britain? In Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (University of Chicago Press, 2016) Matt Houlbrook, Professor of Cultural History at the University of Birmingham,tells the fascinating and complex story of Netley Lucas, a character whose fragmented and complex story offers clues to the social changes of the period. Netley’s career as confidence trickster, fraudulent journalist and editor, and creator of counterfeit royal biographies, forms the basis of an engagement with anxieties over class boundaries, the reassertion of social norms, and the nature of the historical source. The book is resplendent with a complex cast of characters and offers a rich portrait of the period. Houlbrook raises the question of how to tell the story of the trickster, if it is possible to capture a life of half-truths and duplicity, and the struggle of historical practice, ultimately causing us to question the possibility of history itself. The book is a fascinating tale, as well as being of interest across the humanities and to the general reader.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand the interwar years in Britain? In<a href="http://www.amazon.com/dp/022613315X/?tag=newbooinhis-20"> Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook</a> (University of Chicago Press, 2016) <a href="https://twitter.com/TricksterPrince">Matt Houlbrook</a>, <a href="http://www.birmingham.ac.uk/staff/profiles/history/houlbrook-matt.aspx">Professor of Cultural History at the University of Birmingham</a>,tells the fascinating and complex story of Netley Lucas, a character whose fragmented and complex story offers clues to the social changes of the period. Netley’s career as confidence trickster, fraudulent journalist and editor, and creator of counterfeit royal biographies, forms the basis of an engagement with anxieties over class boundaries, the reassertion of social norms, and the nature of the historical source. The book is resplendent with a complex cast of characters and offers a rich portrait of the period. Houlbrook raises the question of how to tell the story of the trickster, if it is possible to capture a life of half-truths and duplicity, and<a href="https://tricksterprince.wordpress.com"> the struggle of historical practice</a>, ultimately causing us to question the possibility of history itself. The book is a fascinating tale, as well as being of interest across the humanities and to the general reader.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2561</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61849]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9287223339.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bill V. Mullen, “W.E.B. Du Bois: Revolutionary Across the Color Line,” (Pluto Press, 2016)</title>
      <description>Born just five years after the abolition of slavery, W. E. B. Du Bois died the night before Martin Luther King, Jr. delivered his I Have a Dream speech at the March on Washington in 1963. In the many decades between, W. E. B. Du Bois contributed as much to the political and social advancement of African Americans as any other figure in history.

W. E. B. Du Bois: Revolutionary Across the Color Line (Pluto Press, 2016) offers an accessible and brief introduction to the life and times of W. E. B. Du Bois. It takes in his many achievements, such as being the first black man to earn a Ph.D. from Harvard University and co-founding the NAACP, and sets them alongside the seismic political changes of the twentieth century many of which Du Bois weighed in on, including anti-imperialist and anti-colonial struggles across Asia and Africa.

The author reveals a Du Bois who was focused not just on the immediate question of African American rights, but also took up the question of socialism, the rise of communism, and the complicated interrelationship of capitalism, poverty, and racism. The picture that emerges here is of a powerfully original thinker, fiercely engaged with the political, economic, and social questions of his day never letting up in his struggle to change the world for the better.

Dr. Bill V. Mullen is a professor of American Studies at Purdue University, and teaches courses in African American Literature and Culture, American Studies, Working-Class Literature, Cultural Studies, and Postcolonial Literature. His previous written works include Afro-Orientalism, Popular Fronts: Chicago and African American Cultural Politics 1935-1946 and Un-American: W.E.B. Du Bois and the Century of World Revolution. In addition to his current tenure at Purdue University, Dr. Mullen also has been a Fulbright lecturer at Wuhan University in the Peoples Republic of China.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 17 Dec 2016 13:35:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Born just five years after the abolition of slavery, W. E. B. Du Bois died the night before Martin Luther King, Jr. delivered his I Have a Dream speech at the March on Washington in 1963. In the many decades between, W. E. B.</itunes:subtitle>
      <itunes:summary>Born just five years after the abolition of slavery, W. E. B. Du Bois died the night before Martin Luther King, Jr. delivered his I Have a Dream speech at the March on Washington in 1963. In the many decades between, W. E. B. Du Bois contributed as much to the political and social advancement of African Americans as any other figure in history.

W. E. B. Du Bois: Revolutionary Across the Color Line (Pluto Press, 2016) offers an accessible and brief introduction to the life and times of W. E. B. Du Bois. It takes in his many achievements, such as being the first black man to earn a Ph.D. from Harvard University and co-founding the NAACP, and sets them alongside the seismic political changes of the twentieth century many of which Du Bois weighed in on, including anti-imperialist and anti-colonial struggles across Asia and Africa.

The author reveals a Du Bois who was focused not just on the immediate question of African American rights, but also took up the question of socialism, the rise of communism, and the complicated interrelationship of capitalism, poverty, and racism. The picture that emerges here is of a powerfully original thinker, fiercely engaged with the political, economic, and social questions of his day never letting up in his struggle to change the world for the better.

Dr. Bill V. Mullen is a professor of American Studies at Purdue University, and teaches courses in African American Literature and Culture, American Studies, Working-Class Literature, Cultural Studies, and Postcolonial Literature. His previous written works include Afro-Orientalism, Popular Fronts: Chicago and African American Cultural Politics 1935-1946 and Un-American: W.E.B. Du Bois and the Century of World Revolution. In addition to his current tenure at Purdue University, Dr. Mullen also has been a Fulbright lecturer at Wuhan University in the Peoples Republic of China.



James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Born just five years after the abolition of slavery, W. E. B. Du Bois died the night before Martin Luther King, Jr. delivered his I Have a Dream speech at the March on Washington in 1963. In the many decades between, W. E. B. Du Bois contributed as much to the political and social advancement of African Americans as any other figure in history.</p><p>
<a href="http://www.amazon.com/dp/0745335055/?tag=newbooinhis-20">W. E. B. Du Bois: Revolutionary Across the Color Line</a> (Pluto Press, 2016) offers an accessible and brief introduction to the life and times of W. E. B. Du Bois. It takes in his many achievements, such as being the first black man to earn a Ph.D. from Harvard University and co-founding the NAACP, and sets them alongside the seismic political changes of the twentieth century many of which Du Bois weighed in on, including anti-imperialist and anti-colonial struggles across Asia and Africa.</p><p>
The author reveals a Du Bois who was focused not just on the immediate question of African American rights, but also took up the question of socialism, the rise of communism, and the complicated interrelationship of capitalism, poverty, and racism. The picture that emerges here is of a powerfully original thinker, fiercely engaged with the political, economic, and social questions of his day never letting up in his struggle to change the world for the better.</p><p>
<a href="https://www.cla.purdue.edu/english/directory/?p=Bill_Mullen">Dr. Bill V. Mullen</a> is a professor of American Studies at Purdue University, and teaches courses in African American Literature and Culture, American Studies, Working-Class Literature, Cultural Studies, and Postcolonial Literature. His previous written works include Afro-Orientalism, Popular Fronts: Chicago and African American Cultural Politics 1935-1946 and Un-American: W.E.B. Du Bois and the Century of World Revolution. In addition to his current tenure at Purdue University, Dr. Mullen also has been a Fulbright lecturer at Wuhan University in the Peoples Republic of China.</p><p>
</p><p>
James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3126</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61790]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9754231529.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Benneworth et al., “The Impact and Future of Arts and Humanities Research” (Palgrave, 2016)</title>
      <description>What is the future for Arts and Humanities in Europe? The podcast discusses these questions with Paul Benneworth, one of the authors, along with Magnus Gulbrandsen and Ellen Hazelkorn, of The Impact and Future of Arts and Humanities Research (Palgrave, 2016). Dr. Benneworth, from the University of Twente’s Center for Higher Education Policy Studies, was part of a pan-European project to consider the impact of Impact and the way Arts and Humanities narrate their public value, research which was the basis for the book. The book draws on a wealth of empirical and theoretical material, including comparative case studies from Ireland, Norway, and The Netherlands. The comparative approach allows the book to contextualise engagements with science policy, the role and purpose of the university, public value, and innovation, to offer a new vision of Arts and Humanities research that avoids instrumentalisation. The book is important and essential reading for all interested in the future of higher education and research.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 13 Dec 2016 14:06:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the future for Arts and Humanities in Europe? The podcast discusses these questions with Paul Benneworth, one of the authors, along with Magnus Gulbrandsen and Ellen Hazelkorn, of The Impact and Future of Arts and Humanities Research (Palgrave,...</itunes:subtitle>
      <itunes:summary>What is the future for Arts and Humanities in Europe? The podcast discusses these questions with Paul Benneworth, one of the authors, along with Magnus Gulbrandsen and Ellen Hazelkorn, of The Impact and Future of Arts and Humanities Research (Palgrave, 2016). Dr. Benneworth, from the University of Twente’s Center for Higher Education Policy Studies, was part of a pan-European project to consider the impact of Impact and the way Arts and Humanities narrate their public value, research which was the basis for the book. The book draws on a wealth of empirical and theoretical material, including comparative case studies from Ireland, Norway, and The Netherlands. The comparative approach allows the book to contextualise engagements with science policy, the role and purpose of the university, public value, and innovation, to offer a new vision of Arts and Humanities research that avoids instrumentalisation. The book is important and essential reading for all interested in the future of higher education and research.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the future for Arts and Humanities in Europe? The podcast discusses these questions with <a href="https://twitter.com/heravalue">Paul Benneworth</a>, one of the authors, along with Magnus Gulbrandsen and Ellen Hazelkorn, of <a href="http://www.amazon.com/dp/1137408987/?tag=newbooinhis-20">The Impact and Future of Arts and Humanities Research </a>(Palgrave, 2016). Dr. Benneworth, from the University of Twente’s <a href="https://www.utwente.nl/bms/cheps/TheCHEPSteam/">Center for Higher Education Policy Studies</a>, was part of a <a href="http://heranet.info/heravalue/index">pan-European project </a>to consider the impact of Impact and the way Arts and Humanities narrate their public value, research which was the basis for the book. The book draws on a wealth of empirical and theoretical material, including comparative case studies from Ireland, Norway, and The Netherlands. The comparative approach allows the book to contextualise engagements with science policy, the role and purpose of the university, public value, and innovation, to offer a new vision of Arts and Humanities research that avoids instrumentalisation. The book is important and essential reading for all interested in the future of higher education and research.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2658</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61644]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8948846106.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Banu Bargu, “Starve and Immolate: The Politics of Human Weapons” (Columbia UP, 2016)</title>
      <description>What is the relationship between state power and self-destructive violence as a mode of political resistance? In her book Starve and Immolate: The Politics of Human Weapons (Columbia University Press, 2016), Banu Bargu (Politics, The New School) analyzes the Turkish death fast movement and explores self-inflicted death as a political practice. Amid a global intensification of the “weaponization of life,” Bargu argues for conceptualizing this self-destructive use of the body as a complex political and existential act. In doing so, she theorizes a reconfiguration of sovereignty into biosovereignty and of resistance into necroresistance. To accomplish this, the book innovatively weaves together political and critical theory with ethnography in a way that enables the self-understanding and self-narration of those in and around the death fast movement to speak to canonical thinkers and concepts.



John McMahon is Visiting Assistant Professor in the Department of Political Science at Beloit College. He is a former Fellow at the Center for Global Ethics and Politics at the Ralph Bunche Institute for International Studies at The Graduate Center, CUNY, which sponsors the podcast. In addition to NB Global Ethics and Politics, he also co-hosts the Always Already critical theory podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 10 Dec 2016 14:25:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the relationship between state power and self-destructive violence as a mode of political resistance? In her book Starve and Immolate: The Politics of Human Weapons (Columbia University Press, 2016), Banu Bargu (Politics,</itunes:subtitle>
      <itunes:summary>What is the relationship between state power and self-destructive violence as a mode of political resistance? In her book Starve and Immolate: The Politics of Human Weapons (Columbia University Press, 2016), Banu Bargu (Politics, The New School) analyzes the Turkish death fast movement and explores self-inflicted death as a political practice. Amid a global intensification of the “weaponization of life,” Bargu argues for conceptualizing this self-destructive use of the body as a complex political and existential act. In doing so, she theorizes a reconfiguration of sovereignty into biosovereignty and of resistance into necroresistance. To accomplish this, the book innovatively weaves together political and critical theory with ethnography in a way that enables the self-understanding and self-narration of those in and around the death fast movement to speak to canonical thinkers and concepts.



John McMahon is Visiting Assistant Professor in the Department of Political Science at Beloit College. He is a former Fellow at the Center for Global Ethics and Politics at the Ralph Bunche Institute for International Studies at The Graduate Center, CUNY, which sponsors the podcast. In addition to NB Global Ethics and Politics, he also co-hosts the Always Already critical theory podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the relationship between state power and self-destructive violence as a mode of political resistance? In her book <a href="http://www.amazon.com/dp/023116341X/?tag=newbooinhis-20">Starve and Immolate: The Politics of Human Weapons </a>(Columbia University Press, 2016), <a href="http://www.newschool.edu/nssr/faculty/?id=4d7a-4135-4f54-453d">Banu Bargu</a> (Politics, The New School) analyzes the Turkish death fast movement and explores self-inflicted death as a political practice. Amid a global intensification of the “weaponization of life,” Bargu argues for conceptualizing this self-destructive use of the body as a complex political and existential act. In doing so, she theorizes a reconfiguration of sovereignty into biosovereignty and of resistance into necroresistance. To accomplish this, the book innovatively weaves together political and critical theory with ethnography in a way that enables the self-understanding and self-narration of those in and around the death fast movement to speak to canonical thinkers and concepts.</p><p>
</p><p>
<a href="https://johnamcmahon.com/">John McMahon</a> is Visiting Assistant Professor in the Department of Political Science at Beloit College. He is a former Fellow at the <a href="http://cgep.ws.gc.cuny.edu/">Center for Global Ethics and Politics</a> at the <a href="http://ralphbuncheinstitute.org/">Ralph Bunche Institute</a> for International Studies at The Graduate Center, CUNY, which sponsors the podcast. In addition to NB Global Ethics and Politics, he also co-hosts the <a href="https://alwaysalreadypodcast.wordpress.com/">Always Already</a> critical theory podcast.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3313</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61678]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7132249181.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Jaffe, “Necessary Trouble: Americans in Revolt” (Nation Books, 2016)</title>
      <description>Sarah Jaffe has written Necessary Trouble: Americans in Revolt (Nation Books, 2016). Jaffe is a Nation Institute fellow and an independent journalist. Over the last few years, several authors on the podcast have discussed the growth of the Tea Party, BlackLivesMatter, and Occupy Wall Street. Jaffe’s new book returns to the heart of these movements, explaining what has made ordinary Americans become activists. Jaffe argues that the financial crisis in 2008 sparked activism in many forms. In order to make this case, Jaffe travelled the country, interviewing people about what made them angry. She attended a people’s assembly in a church gymnasium in Ferguson, Missouri; walked a picket line at an Atlanta Burger King; rode a bus from New York to Ohio with student organizers; and went door-to-door in Queens days after Hurricane Sandy.

Find her on twitter @sarahljaffe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 Dec 2016 12:55:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sarah Jaffe has written Necessary Trouble: Americans in Revolt (Nation Books, 2016). Jaffe is a Nation Institute fellow and an independent journalist. Over the last few years, several authors on the podcast have discussed the growth of the Tea Party,</itunes:subtitle>
      <itunes:summary>Sarah Jaffe has written Necessary Trouble: Americans in Revolt (Nation Books, 2016). Jaffe is a Nation Institute fellow and an independent journalist. Over the last few years, several authors on the podcast have discussed the growth of the Tea Party, BlackLivesMatter, and Occupy Wall Street. Jaffe’s new book returns to the heart of these movements, explaining what has made ordinary Americans become activists. Jaffe argues that the financial crisis in 2008 sparked activism in many forms. In order to make this case, Jaffe travelled the country, interviewing people about what made them angry. She attended a people’s assembly in a church gymnasium in Ferguson, Missouri; walked a picket line at an Atlanta Burger King; rode a bus from New York to Ohio with student organizers; and went door-to-door in Queens days after Hurricane Sandy.

Find her on twitter @sarahljaffe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://sarahljaffe.com/bio/">Sarah Jaffe</a> has written <a href="http://www.amazon.com/dp/1568585365/?tag=newbooinhis-20">Necessary Trouble: Americans in Revolt</a> (Nation Books, 2016). Jaffe is a Nation Institute fellow and an independent journalist. Over the last few years, several authors on the podcast have discussed the growth of the Tea Party, BlackLivesMatter, and Occupy Wall Street. Jaffe’s new book returns to the heart of these movements, explaining what has made ordinary Americans become activists. Jaffe argues that the financial crisis in 2008 sparked activism in many forms. In order to make this case, Jaffe travelled the country, interviewing people about what made them angry. She attended a people’s assembly in a church gymnasium in Ferguson, Missouri; walked a picket line at an Atlanta Burger King; rode a bus from New York to Ohio with student organizers; and went door-to-door in Queens days after Hurricane Sandy.</p><p>
Find her on twitter <a href="https://twitter.com/sarahljaffe?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">@sarahljaffe</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1339</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61646]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5248848260.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tom Mills, “The BBC: Myth of a Public Service” (Verso, 2016)</title>
      <description>The BBC is often thought to be a great, impartial, defender of British values and society. In The BBC: Myth of a Public Service (Verso, 2016), Tom Mills, a lecturer in Sociology at Aston University, re-reads the history of the BBC to offer a more problematic status for the corporation, as an adjunct of British state power. The book uses examples from the General Strike in Britain, through war and economics reporting, to the vetting of left wing political attitudes within the Corporation, to tell the story of an institution that has been misunderstood by both left and right wing critics. Moreover, the book provides a critique of the management and organisation reforms to the BBC, coupled with a class analysis, demonstrating the need for transformation to this important part of British society. At a time when the media is under intense scrutiny for its perceived failures in reporting and representing politics and economics, Mills’ analysis and prescriptions for reform make for essential reading.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 02 Dec 2016 20:39:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The BBC is often thought to be a great, impartial, defender of British values and society. In The BBC: Myth of a Public Service (Verso, 2016), Tom Mills, a lecturer in Sociology at Aston University, re-reads the history of the BBC to offer a more probl...</itunes:subtitle>
      <itunes:summary>The BBC is often thought to be a great, impartial, defender of British values and society. In The BBC: Myth of a Public Service (Verso, 2016), Tom Mills, a lecturer in Sociology at Aston University, re-reads the history of the BBC to offer a more problematic status for the corporation, as an adjunct of British state power. The book uses examples from the General Strike in Britain, through war and economics reporting, to the vetting of left wing political attitudes within the Corporation, to tell the story of an institution that has been misunderstood by both left and right wing critics. Moreover, the book provides a critique of the management and organisation reforms to the BBC, coupled with a class analysis, demonstrating the need for transformation to this important part of British society. At a time when the media is under intense scrutiny for its perceived failures in reporting and representing politics and economics, Mills’ analysis and prescriptions for reform make for essential reading.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The BBC is often thought to be a great, impartial, defender of British values and society. In <a href="http://www.amazon.com/dp/1784784826/?tag=newbooinhis-20">The BBC: Myth of a Public Service </a>(Verso, 2016), <a href="https://twitter.com/ta_mills">Tom Mills</a>, a <a href="http://www.aston.ac.uk/lss/staff-directory/dr-tom-mills/">lecturer in Sociology at Aston University</a>, re-reads the history of the BBC to offer a more problematic status for the corporation, as an adjunct of British state power. The book uses examples from the General Strike in Britain, through war and economics reporting, to the vetting of left wing political attitudes within the Corporation, to tell the story of an institution that has been misunderstood by both left and right wing critics. Moreover, the book provides a critique of the management and organisation reforms to the BBC, coupled with a class analysis, demonstrating the need for transformation to this important part of British society. At a time when the media is under intense scrutiny for its perceived failures in reporting and representing politics and economics, Mills’ analysis and prescriptions for reform make for essential reading.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2536</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61547]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2112503882.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kirsty Sedgman, “Locating the Audience: How People Found Value in National Theatre Wales” (Intellect Books 2016)</title>
      <description>The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 19 Nov 2016 19:26:14 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bris...</itunes:subtitle>
      <itunes:summary>The value of the arts is a constant and vital question in contemporary culture. In Locating the Audience: How People Found Value in National Theatre Wales (Intellect Books, 2016) Kirsty Sedgman, British Academy Research Fellow at the University of Bristol, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The value of the arts is a constant and vital question in contemporary culture. In <a href="http://www.amazon.com/dp/1783205717/?tag=newbooinhis-20">Locating the Audience: How People Found Value in National Theatre Wales </a>(Intellect Books, 2016) <a href="https://twitter.com/KirstySedgman">Kirsty Sedgman</a>, <a href="http://www.bris.ac.uk/school-of-arts/people/kirsty-e-sedgman/overview.html">British Academy Research Fellow at the University of Bristol</a>, approaches this question from the point of view of the audience. The book offers an introduction to the question of what an audience is, as well as thinking through the best methods to study the audience, before turning to the story of National Theatre Wales (NTW). The book discusses the tensions between aesthetics and participation, using places and performances from NTW to illustrate the range of responses, and the range of value, that different types of audience can derive from theatre. An engaging and accessible introduction to both the theoretical and practical questions surrounding cultural value, measurement, audiences, and theatre, the book will interest a range of humanities and social science scholars.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2470</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61358]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7448075824.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul C. Taylor, “Black is Beautiful: A Philosophy of Black Aesthetics” (Wiley Blackwell, 2016)</title>
      <description>Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’s longstanding relationship with his slave Sally Hemings and extends to contemporary attitudes towards black hair? In Black is Beautiful: A Philosophy of Black Aesthetics (Wiley-Blackwell, 2016), Paul C. Taylor examines primary themes in racialism from the perspective of aesthetic culture. Taylor, Associate Professor of Philosophy and African American Studies and an Associate Dean for Undergraduate Studies and at Penn State University, considers such issues as black invisibility, expressive culture and politics, and the problem of authenticity and cultural appropriation. He also lays the foundation for analytic philosophical tools to be brought more widely to bear on scholarly discussion of issues related to race and racialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 15 Nov 2016 11:35:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’...</itunes:subtitle>
      <itunes:summary>Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’s longstanding relationship with his slave Sally Hemings and extends to contemporary attitudes towards black hair? In Black is Beautiful: A Philosophy of Black Aesthetics (Wiley-Blackwell, 2016), Paul C. Taylor examines primary themes in racialism from the perspective of aesthetic culture. Taylor, Associate Professor of Philosophy and African American Studies and an Associate Dean for Undergraduate Studies and at Penn State University, considers such issues as black invisibility, expressive culture and politics, and the problem of authenticity and cultural appropriation. He also lays the foundation for analytic philosophical tools to be brought more widely to bear on scholarly discussion of issues related to race and racialism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’s longstanding relationship with his slave Sally Hemings and extends to contemporary attitudes towards black hair? In <a href="http://www.amazon.com/dp/1405150637/?tag=newbooinhis-20">Black is Beautiful: A Philosophy of Black Aesthetics</a> (Wiley-Blackwell, 2016), <a href="http://philosophy.la.psu.edu/directory/pct2">Paul C. Taylor</a> examines primary themes in racialism from the perspective of aesthetic culture. Taylor, Associate Professor of Philosophy and African American Studies and an Associate Dean for Undergraduate Studies and at Penn State University, considers such issues as black invisibility, expressive culture and politics, and the problem of authenticity and cultural appropriation. He also lays the foundation for analytic philosophical tools to be brought more widely to bear on scholarly discussion of issues related to race and racialism.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3968</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61101]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3613450686.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick Wolfe, “Traces of History: Elementary Structures of Race” (Verso, 2016)</title>
      <description>Widely known for his pioneering work in the field of settler colonial studies, Patrick Wolfe advanced the theory that settler colonialism was, “a structure, not an event.” In early 2016, Wolfe deepened this analysis through his most recent book, Traces of History: Elementary Structures of Race (Verso Books, 2016) which takes a comparative approach to five cases in: Australia, Brazil, Europe, North America, and Palestine/Israel. Just as settler colonialism grew through institutionalized structures of Indigenous elimination, categorical notions of race grew through purpose-driven (and context-specific) exploitation, classification and separation. In Traces of History, the machinery and genealogy of race are as present in land relations as they are in legal precedents.

Wolfe ties together a transnational pattern of labor substitution and slavery, Indigenous land dispossession, and the inception of racial categories which continue to normalize these historical processes into the present. While the Indigenous/settler relationship is binary across societies, Wolfe posits, the seemingly fixed concepts of race it produces are, actually, widely varied. Bearing strong threads of influence by Said, DuBois, Marx, and countless Indigenous and Aboriginal scholars, Wolfe lays down a model for drawing connections across these cases, while simultaneously acknowledging that as with any ongoing process, there remain pathways for optimism and change.

Patrick Wolfe passed away in February 2016 shortly after the publication of Traces of History. The following interview is with Dr. Lynette Russell and Dr. Aziz Rana, two of Wolfe’s many colleagues and thought partners both impacted by and familiar with his work. Prompted by the release of Traces of History and Wolfe’s untimely passing soon after, the interview recorded here engages the book as a platform for broader discussion about the substance of Wolfe’s intellectual pursuits, integrity, commitments and the creativity and challenges borne of them.

Patrick Wolfe was a writer and historian who lived and worked in Wurundjeri country near Healesville, Australia. His interdisciplinary work as a historian, political and social theorist focused on intersections of race, colonialism, imperialism, anthropological history and Aboriginal history. Wolfe’s books include Settler Colonialism and the Transformation of Anthropology. He worked at universities in Australia and the United States, including La Trobe University.

Lynette Russell is Director of the Monash Indigenous Centre at Monash University. Russell specializes in anthropological and Indigenous history. Her current research concerns the development of racial thought in Australia. She is the author/editor of over a dozen books, including Roving Mariners, and Appropriated Pasts.

Aziz Rana is a Professor of Law at Cornell University Law School. Rana’s research and teaching center on the U.S. experience within the global history of colonialism, focusing on notions of race, citizenship, and empire in U.S. legal development and political identity. He is the author of The Two Faces of American Freedom.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Nov 2016 11:30:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Widely known for his pioneering work in the field of settler colonial studies, Patrick Wolfe advanced the theory that settler colonialism was, “a structure, not an event.” In early 2016, Wolfe deepened this analysis through his most recent book,</itunes:subtitle>
      <itunes:summary>Widely known for his pioneering work in the field of settler colonial studies, Patrick Wolfe advanced the theory that settler colonialism was, “a structure, not an event.” In early 2016, Wolfe deepened this analysis through his most recent book, Traces of History: Elementary Structures of Race (Verso Books, 2016) which takes a comparative approach to five cases in: Australia, Brazil, Europe, North America, and Palestine/Israel. Just as settler colonialism grew through institutionalized structures of Indigenous elimination, categorical notions of race grew through purpose-driven (and context-specific) exploitation, classification and separation. In Traces of History, the machinery and genealogy of race are as present in land relations as they are in legal precedents.

Wolfe ties together a transnational pattern of labor substitution and slavery, Indigenous land dispossession, and the inception of racial categories which continue to normalize these historical processes into the present. While the Indigenous/settler relationship is binary across societies, Wolfe posits, the seemingly fixed concepts of race it produces are, actually, widely varied. Bearing strong threads of influence by Said, DuBois, Marx, and countless Indigenous and Aboriginal scholars, Wolfe lays down a model for drawing connections across these cases, while simultaneously acknowledging that as with any ongoing process, there remain pathways for optimism and change.

Patrick Wolfe passed away in February 2016 shortly after the publication of Traces of History. The following interview is with Dr. Lynette Russell and Dr. Aziz Rana, two of Wolfe’s many colleagues and thought partners both impacted by and familiar with his work. Prompted by the release of Traces of History and Wolfe’s untimely passing soon after, the interview recorded here engages the book as a platform for broader discussion about the substance of Wolfe’s intellectual pursuits, integrity, commitments and the creativity and challenges borne of them.

Patrick Wolfe was a writer and historian who lived and worked in Wurundjeri country near Healesville, Australia. His interdisciplinary work as a historian, political and social theorist focused on intersections of race, colonialism, imperialism, anthropological history and Aboriginal history. Wolfe’s books include Settler Colonialism and the Transformation of Anthropology. He worked at universities in Australia and the United States, including La Trobe University.

Lynette Russell is Director of the Monash Indigenous Centre at Monash University. Russell specializes in anthropological and Indigenous history. Her current research concerns the development of racial thought in Australia. She is the author/editor of over a dozen books, including Roving Mariners, and Appropriated Pasts.

Aziz Rana is a Professor of Law at Cornell University Law School. Rana’s research and teaching center on the U.S. experience within the global history of colonialism, focusing on notions of race, citizenship, and empire in U.S. legal development and political identity. He is the author of The Two Faces of American Freedom.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Widely known for his pioneering work in the field of settler colonial studies, <a href="https://www.versobooks.com/authors/1913-patrick-wolfe">Patrick Wolfe</a> advanced the theory that settler colonialism was, “a structure, not an event.” In early 2016, Wolfe deepened this analysis through his most recent book, <a href="http://www.amazon.com/dp/1781689172/?tag=newbooinhis-20">Traces of History: Elementary Structures of Race </a>(Verso Books, 2016) which takes a comparative approach to five cases in: Australia, Brazil, Europe, North America, and Palestine/Israel. Just as settler colonialism grew through institutionalized structures of Indigenous elimination, categorical notions of race grew through purpose-driven (and context-specific) exploitation, classification and separation. In Traces of History, the machinery and genealogy of race are as present in land relations as they are in legal precedents.</p><p>
Wolfe ties together a transnational pattern of labor substitution and slavery, Indigenous land dispossession, and the inception of racial categories which continue to normalize these historical processes into the present. While the Indigenous/settler relationship is binary across societies, Wolfe posits, the seemingly fixed concepts of race it produces are, actually, widely varied. Bearing strong threads of influence by Said, DuBois, Marx, and countless Indigenous and Aboriginal scholars, Wolfe lays down a model for drawing connections across these cases, while simultaneously acknowledging that as with any ongoing process, there remain pathways for optimism and change.</p><p>
Patrick Wolfe passed away in February 2016 shortly after the publication of Traces of History. The following interview is with Dr. Lynette Russell and Dr. Aziz Rana, two of Wolfe’s many colleagues and thought partners both impacted by and familiar with his work. Prompted by the release of Traces of History and Wolfe’s untimely passing soon after, the interview recorded here engages the book as a platform for broader discussion about the substance of Wolfe’s intellectual pursuits, integrity, commitments and the creativity and challenges borne of them.</p><p>
Patrick Wolfe was a writer and historian who lived and worked in Wurundjeri country near Healesville, Australia. His interdisciplinary work as a historian, political and social theorist focused on intersections of race, colonialism, imperialism, anthropological history and Aboriginal history. Wolfe’s books include Settler Colonialism and the Transformation of Anthropology. He worked at universities in Australia and the United States, including La Trobe University.</p><p>
<a href="http://monash.edu/research/explore/en/persons/lynette-russell(cc30b10b-e2be-4282-911d-28da1d98abb8).html">Lynette Russell</a> is Director of the Monash Indigenous Centre at Monash University. Russell specializes in anthropological and Indigenous history. Her current research concerns the development of racial thought in Australia. She is the author/editor of over a dozen books, including Roving Mariners, and Appropriated Pasts.</p><p>
<a href="http://www.azizrana.com/">Aziz Rana </a>is a Professor of Law at Cornell University Law School. Rana’s research and teaching center on the U.S. experience within the global history of colonialism, focusing on notions of race, citizenship, and empire in U.S. legal development and political identity. He is the author of The Two Faces of American Freedom.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3038</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61219]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4661498072.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Behrooz Ghamari-Tabrizi, “Foucault in Iran: Islamic Revolution after the Enlightenment” (U. of Minnesota Press, 2016)</title>
      <description>How did the preeminent theorist and philosopher Michel Foucault experience and observe the Iranian revolution? How did he find the revolution disruptive of a teleological notion of history? And how did the Iranian revolution impact and shape Foucault’s thought? These are among the questions addressed by Behrooz Ghamari-Tabrizi in his exciting new book Foucault in Iran: Islamic Revolution after the Enlightenment (University of Minnesota Press, 2016). This book presents an intimate portrait of the events and conditions that led to the revolution, coupled with a fascinating account of Foucault’s engagement with that moment. Historically rich and theoretically nuanced, Foucault in Iran advances a scathing critique of previous works on this subject that charged Foucault with having endorsed Islamist violence by supporting the revolution. This book offers a more complicated reading of Foucault’s views on the revolution that disrupts binaries like secular/Islamist while also providing a riveting analysis on questions of time, history, and revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 06 Nov 2016 21:52:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How did the preeminent theorist and philosopher Michel Foucault experience and observe the Iranian revolution? How did he find the revolution disruptive of a teleological notion of history? And how did the Iranian revolution impact and shape Foucault’s...</itunes:subtitle>
      <itunes:summary>How did the preeminent theorist and philosopher Michel Foucault experience and observe the Iranian revolution? How did he find the revolution disruptive of a teleological notion of history? And how did the Iranian revolution impact and shape Foucault’s thought? These are among the questions addressed by Behrooz Ghamari-Tabrizi in his exciting new book Foucault in Iran: Islamic Revolution after the Enlightenment (University of Minnesota Press, 2016). This book presents an intimate portrait of the events and conditions that led to the revolution, coupled with a fascinating account of Foucault’s engagement with that moment. Historically rich and theoretically nuanced, Foucault in Iran advances a scathing critique of previous works on this subject that charged Foucault with having endorsed Islamist violence by supporting the revolution. This book offers a more complicated reading of Foucault’s views on the revolution that disrupts binaries like secular/Islamist while also providing a riveting analysis on questions of time, history, and revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did the preeminent theorist and philosopher Michel Foucault experience and observe the Iranian revolution? How did he find the revolution disruptive of a teleological notion of history? And how did the Iranian revolution impact and shape Foucault’s thought? These are among the questions addressed by <a href="http://www.history.illinois.edu/people/bghamari">Behrooz Ghamari-Tabrizi</a> in his exciting new book <a href="http://www.amazon.com/dp/0816699496/?tag=newbooinhis-20">Foucault in Iran: Islamic Revolution after the Enlightenment </a>(University of Minnesota Press, 2016). This book presents an intimate portrait of the events and conditions that led to the revolution, coupled with a fascinating account of Foucault’s engagement with that moment. Historically rich and theoretically nuanced, Foucault in Iran advances a scathing critique of previous works on this subject that charged Foucault with having endorsed Islamist violence by supporting the revolution. This book offers a more complicated reading of Foucault’s views on the revolution that disrupts binaries like secular/Islamist while also providing a riveting analysis on questions of time, history, and revolution.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2295</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61185]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6946989547.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Charlotte Mathieson, ed. “Sea Narratives: Cultural Responses to the Sea, 1600-Present” (Palgrave, 2016)</title>
      <description>What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland’s sense of itself; Du Maurier’s understanding of the coast; A S Byatt’s work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Oct 2016 17:19:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey,</itunes:subtitle>
      <itunes:summary>What is the relationship between the sea and culture? In Sea Narratives: Cultural Responses to the Sea, 1600-Present (Palgrave, 2016) , Charlotte Mathieson, a lecturer in English Literature at the University of Surrey, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland’s sense of itself; Du Maurier’s understanding of the coast; A S Byatt’s work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the relationship between the sea and culture? In <a href="http://www.amazon.com/dp/1137581158/?tag=newbooinhis-20">Sea Narratives: Cultural Responses to the Sea, 1600-Present</a> (Palgrave, 2016) , <a href="https://twitter.com/cemathieson">Charlotte Mathieson</a>, a<a href="http://www.surrey.ac.uk/englishandlanguages/staff_list/complete_staff_list/165290/"> lecturer in English Literature at the University of Surrey</a>, assembles a new collection of essays to explore this question. The book develops the concept of a “sea narrative,” thinking through the connection between this and a variety of forms of cultural production. The essays are eclectic, but unified, reflecting the emerging interest in both the subject and the approach the book uses. The book travels across the globe as well as across the centuries since 1600, taking in French accounts of the Atlantic crossing; prisoners of war; newspaper articles; Soviet technology and propaganda; Irishness and Ireland’s sense of itself; Du Maurier’s understanding of the coast; A S Byatt’s work; the idea of the Anthropocene; and “coastal exceptionalism.” Each essay is fascinating in its own right, but the collection builds to reorientate the study of the sea for historians and literary scholars, as well as any academic interested in how we narrate and culturally produce the sea.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2906</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60921]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4369605389.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Cole, “The Birth of Theory” (U. of Chicago Press, 2014)</title>
      <description>Was Hegel a medieval thinker?

In The Birth of Theory (University of Chicago Press, 2014), Andrew Cole puts forward a reexamination of Hegelian dialectics that embeds Hegel in a long tradition of medieval dialectical thinking and suggests that it is precisely Hegel’s engagement with medieval modes of thought that make his work a productive source for Marx and the later thinkers who develop dialectical thinking into theory as we know it today. The Birth of Theory challenges readers with insights won from strenuous contests with the writing of history, philosophy, religion, literature, and political economy. As he makes the case for rereading Hegelian dialectics based on the essentially feudal social and economic organization of Germany in Hegel’s moment, Cole drives at the arbitrary distinctions between medieval and modern but also those between dialectical and anti-dialectical thinking, writing a long arc of intellectual history that renegotiates theory’s relationship to Plato, Aristotle, Plotinus, Hegel, Marx, Heidegger, Deleuze and many others in between (xviii).

Along the way, the argument asks readers to dispense with a host of critical cliches as it winds deftly between close readings of Pseudo-Dionysius and Nietzsche’s Birth of Tragedy to comparative readings of Hegel on the Eucharist and Marx on the commodity, closing with focused and revelatory attention on the legacy established by Hegel in using medieval genres in response to the modern condition.



Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carls work at carlnellis.wordpress.com. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 27 Oct 2016 17:15:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Was Hegel a medieval thinker? In The Birth of Theory (University of Chicago Press, 2014), Andrew Cole puts forward a reexamination of Hegelian dialectics that embeds Hegel in a long tradition of medieval dialectical thinking and suggests that it is pre...</itunes:subtitle>
      <itunes:summary>Was Hegel a medieval thinker?

In The Birth of Theory (University of Chicago Press, 2014), Andrew Cole puts forward a reexamination of Hegelian dialectics that embeds Hegel in a long tradition of medieval dialectical thinking and suggests that it is precisely Hegel’s engagement with medieval modes of thought that make his work a productive source for Marx and the later thinkers who develop dialectical thinking into theory as we know it today. The Birth of Theory challenges readers with insights won from strenuous contests with the writing of history, philosophy, religion, literature, and political economy. As he makes the case for rereading Hegelian dialectics based on the essentially feudal social and economic organization of Germany in Hegel’s moment, Cole drives at the arbitrary distinctions between medieval and modern but also those between dialectical and anti-dialectical thinking, writing a long arc of intellectual history that renegotiates theory’s relationship to Plato, Aristotle, Plotinus, Hegel, Marx, Heidegger, Deleuze and many others in between (xviii).

Along the way, the argument asks readers to dispense with a host of critical cliches as it winds deftly between close readings of Pseudo-Dionysius and Nietzsche’s Birth of Tragedy to comparative readings of Hegel on the Eucharist and Marx on the commodity, closing with focused and revelatory attention on the legacy established by Hegel in using medieval genres in response to the modern condition.



Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carls work at carlnellis.wordpress.com. 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Was Hegel a medieval thinker?</p><p>
In <a href="http://www.amazon.com/dp/022613542X/?tag=newbooinhis-20">The Birth of Theory</a> (University of Chicago Press, 2014), <a href="https://english.princeton.edu/people/andrew-cole">Andrew Cole</a> puts forward a reexamination of Hegelian dialectics that embeds Hegel in a long tradition of medieval dialectical thinking and suggests that it is precisely Hegel’s engagement with medieval modes of thought that make his work a productive source for Marx and the later thinkers who develop dialectical thinking into theory as we know it today. The Birth of Theory challenges readers with insights won from strenuous contests with the writing of history, philosophy, religion, literature, and political economy. As he makes the case for rereading Hegelian dialectics based on the essentially feudal social and economic organization of Germany in Hegel’s moment, Cole drives at the arbitrary distinctions between medieval and modern but also those between dialectical and anti-dialectical thinking, writing a long arc of intellectual history that renegotiates theory’s relationship to Plato, Aristotle, Plotinus, Hegel, Marx, Heidegger, Deleuze and many others in between (xviii).</p><p>
Along the way, the argument asks readers to dispense with a host of critical cliches as it winds deftly between close readings of Pseudo-Dionysius and Nietzsche’s Birth of Tragedy to comparative readings of Hegel on the Eucharist and Marx on the commodity, closing with focused and revelatory attention on the legacy established by Hegel in using medieval genres in response to the modern condition.</p><p>
</p><p>
Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carls work at<a href="https://carlnellis.wordpress.com/"> carlnellis.wordpress.com</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3829</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61004]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7694503238.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matthew MacWilliams, “The Rise of Trump: America’s Authoritarian Spring” (Amherst College Press, 2016)</title>
      <description>NB: Because Amherst College Press is open-access, this book is available free for download here.

Just when I thought I had a pretty good handle on the ways and means of American politics, Donald Trump “happened.” I watched with amazement as he insulted just about every establishment figure in the US–including the untouchable war-hero and senator John McCain!–and alienated large swathes of the American electorate–hispanics, women, people who think it’s important to be polite. And yet he rose; millions of right-thinking Americans continued to vote for him through the primaries and support him after he won them. Every time I said, “Well, that’s it, his run is over,” he trundled on, accompanied by a devoted, Trump-loving “base.”

I don’t think I’m alone in my confusion about the Trump phenomenon, and I don’t think I’m alone in wanting to know how Trump did what he did. Happily, the political scientist Matthew MacWilliams provides some answers in his excellent, short book The Rise of Trump: America’s Authoritarian Spring (Amherst College Press, 2016). What’s especially nice about MacWilliam’s work is that it’s based on evidence and logic, not partisanship and vitriol. What MacWilliams discovered is, well, surprising: there are, he shows, a goodly number of Americans who possess values that can only really be be called “Authoritarian,” and those Americans who have these values overwhelming support Trump. What’s most interesting is that these values were, in a sense, always there; they were, however, largely unrepresented among Americans’ political choices. Trump was, if not exactly the first (remember Pat Buchanan?), then the most expert at presenting them and “activating” the Authoritarian impulse in this reasonably large cohort of Americans.  Trump uncovered or exposed Americans’ latent Authoritarianism. What the political parties will do with it now that it’s there for the taking is anybody’s guess.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 22 Oct 2016 10:47:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>NB: Because Amherst College Press is open-access, this book is available free for download here. Just when I thought I had a pretty good handle on the ways and means of American politics, Donald Trump “happened.</itunes:subtitle>
      <itunes:summary>NB: Because Amherst College Press is open-access, this book is available free for download here.

Just when I thought I had a pretty good handle on the ways and means of American politics, Donald Trump “happened.” I watched with amazement as he insulted just about every establishment figure in the US–including the untouchable war-hero and senator John McCain!–and alienated large swathes of the American electorate–hispanics, women, people who think it’s important to be polite. And yet he rose; millions of right-thinking Americans continued to vote for him through the primaries and support him after he won them. Every time I said, “Well, that’s it, his run is over,” he trundled on, accompanied by a devoted, Trump-loving “base.”

I don’t think I’m alone in my confusion about the Trump phenomenon, and I don’t think I’m alone in wanting to know how Trump did what he did. Happily, the political scientist Matthew MacWilliams provides some answers in his excellent, short book The Rise of Trump: America’s Authoritarian Spring (Amherst College Press, 2016). What’s especially nice about MacWilliam’s work is that it’s based on evidence and logic, not partisanship and vitriol. What MacWilliams discovered is, well, surprising: there are, he shows, a goodly number of Americans who possess values that can only really be be called “Authoritarian,” and those Americans who have these values overwhelming support Trump. What’s most interesting is that these values were, in a sense, always there; they were, however, largely unrepresented among Americans’ political choices. Trump was, if not exactly the first (remember Pat Buchanan?), then the most expert at presenting them and “activating” the Authoritarian impulse in this reasonably large cohort of Americans.  Trump uncovered or exposed Americans’ latent Authoritarianism. What the political parties will do with it now that it’s there for the taking is anybody’s guess.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>NB: Because Amherst College Press is open-access, this book is available free for download <a href="https://acpress.amherst.edu/the-rise-of-trump/">here</a>.</p><p>
Just when I thought I had a pretty good handle on the ways and means of American politics, Donald Trump “happened.” I watched with amazement as he insulted just about every establishment figure in the US–including the untouchable war-hero and senator John McCain!–and alienated large swathes of the American electorate–hispanics, women, people who think it’s important to be polite. And yet he rose; millions of right-thinking Americans continued to vote for him through the primaries and support him after he won them. Every time I said, “Well, that’s it, his run is over,” he trundled on, accompanied by a devoted, Trump-loving “base.”</p><p>
I don’t think I’m alone in my confusion about the Trump phenomenon, and I don’t think I’m alone in wanting to know how Trump did what he did. Happily, the political scientist <a href="https://polsci.umass.edu/people/matthew-c-macwilliams">Matthew MacWilliams</a> provides some answers in his excellent, short book <a href="http://www.amazon.com/dp/1943208026/?tag=newbooinhis-20">The Rise of Trump: America’s Authoritarian Spring</a> (Amherst College Press, 2016). What’s especially nice about MacWilliam’s work is that it’s based on evidence and logic, not partisanship and vitriol. What MacWilliams discovered is, well, surprising: there are, he shows, a goodly number of Americans who possess values that can only really be be called “Authoritarian,” and those Americans who have these values overwhelming support Trump. What’s most interesting is that these values were, in a sense, always there; they were, however, largely unrepresented among Americans’ political choices. Trump was, if not exactly the first (remember Pat Buchanan?), then the most expert at presenting them and “activating” the Authoritarian impulse in this reasonably large cohort of Americans.  Trump uncovered or exposed Americans’ latent Authoritarianism. What the political parties will do with it now that it’s there for the taking is anybody’s guess.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3011</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60956]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8585532050.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>McKenzie Wark, “Molecular Red: Theory for the Anthropocene” (Verso, 2015)</title>
      <description>McKenzie Wark’s new book begins and ends with a playful call: “Workings of the world untie! You have a win to world!” Molecular Red: Theory for the Anthropocene (Verso, 2015) creates a conversation between work from two very different Soviet and American contexts. After guiding readers through the work and theories of Alexander Bogdanov, whose focus on the importance of labor in organizing knowledge forms a central thread through the book as a whole, Wark traces some of those notions in the writing of novelist and utopian Andrey Platonov. The second half of the book extends the conversation into science studies, beginning in a chapter that considers the work of Feyerabend, Haraway, Barad, and Edwards in light of Bogdanov and Platonov’s approaches to labor and knowledge, and continuing into a chapter devoted to Kim Stanley Robinson’s Mars Trilogy. The result is a fascinating treatment of the centrality of labor and the importance of the not-necessarily-human to understanding and theorizing the Anthropocene. (As Wark reminds us, Labor is the mingling of many things, most of them not human.) The entire book is highly recommended, and for the STS-minded among us the third chapter of the book would make an especially useful assignment in a discussion group or seminar devoted to contemporary theory and/in STS.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 10 Oct 2016 21:56:14 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>McKenzie Wark’s new book begins and ends with a playful call: “Workings of the world untie! You have a win to world!” Molecular Red: Theory for the Anthropocene (Verso, 2015) creates a conversation between work from two very different Soviet and Americ...</itunes:subtitle>
      <itunes:summary>McKenzie Wark’s new book begins and ends with a playful call: “Workings of the world untie! You have a win to world!” Molecular Red: Theory for the Anthropocene (Verso, 2015) creates a conversation between work from two very different Soviet and American contexts. After guiding readers through the work and theories of Alexander Bogdanov, whose focus on the importance of labor in organizing knowledge forms a central thread through the book as a whole, Wark traces some of those notions in the writing of novelist and utopian Andrey Platonov. The second half of the book extends the conversation into science studies, beginning in a chapter that considers the work of Feyerabend, Haraway, Barad, and Edwards in light of Bogdanov and Platonov’s approaches to labor and knowledge, and continuing into a chapter devoted to Kim Stanley Robinson’s Mars Trilogy. The result is a fascinating treatment of the centrality of labor and the importance of the not-necessarily-human to understanding and theorizing the Anthropocene. (As Wark reminds us, Labor is the mingling of many things, most of them not human.) The entire book is highly recommended, and for the STS-minded among us the third chapter of the book would make an especially useful assignment in a discussion group or seminar devoted to contemporary theory and/in STS.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://twitter.com/mckenziewark?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor">McKenzie Wark’</a>s new book begins and ends with a playful call: “Workings of the world untie! You have a win to world!” <a href="http://www.amazon.com/dp/1784784087/?tag=newbooinhis-20">Molecular Red: Theory for the Anthropocene </a>(Verso, 2015) creates a conversation between work from two very different Soviet and American contexts. After guiding readers through the work and theories of Alexander Bogdanov, whose focus on the importance of labor in organizing knowledge forms a central thread through the book as a whole, Wark traces some of those notions in the writing of novelist and utopian Andrey Platonov. The second half of the book extends the conversation into science studies, beginning in a chapter that considers the work of Feyerabend, Haraway, Barad, and Edwards in light of Bogdanov and Platonov’s approaches to labor and knowledge, and continuing into a chapter devoted to Kim Stanley Robinson’s Mars Trilogy. The result is a fascinating treatment of the centrality of labor and the importance of the not-necessarily-human to understanding and theorizing the Anthropocene. (As Wark reminds us, Labor is the mingling of many things, most of them not human.) The entire book is highly recommended, and for the STS-minded among us the third chapter of the book would make an especially useful assignment in a discussion group or seminar devoted to contemporary theory and/in STS.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3769</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60736]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3140613654.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stevphen Shukaitis, “The Composition of Movements to Come: Aesthetics and Cultural Labor after the Avant-Garde” (Rowman and Littlefield, 2016)</title>
      <description>How is the notion of the avant-garde in art relevant today? What can contemporary social movements learn from the Situationists? What is the meaning of artistic value to forms of resistance? These, and many other, questions associated with the role of art in modern society are at the heart of The Composition of Movements to Come (Rowman and Littlefield, 2016). Stevphen Shukaitis, a senior lecturer in work and organisation at the University of Essex, approaches these issues from an Autonomist Marxist perspective, thinking through a diverse range of issues, for example cultural labour, and practices, for example the art strike. The book also uses a range of artistic examples, including a detailed engagement with Neue Slowenische Kunst to think through the composition of movements to come. The podcast discusses a forthcoming exhibition of the work of Gee Vaucher at Firstsite in Essex, UK. The book will be of interest to critical theorists, as well as scholars from art, politics and social movement studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Oct 2016 22:22:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How is the notion of the avant-garde in art relevant today? What can contemporary social movements learn from the Situationists? What is the meaning of artistic value to forms of resistance? These, and many other,</itunes:subtitle>
      <itunes:summary>How is the notion of the avant-garde in art relevant today? What can contemporary social movements learn from the Situationists? What is the meaning of artistic value to forms of resistance? These, and many other, questions associated with the role of art in modern society are at the heart of The Composition of Movements to Come (Rowman and Littlefield, 2016). Stevphen Shukaitis, a senior lecturer in work and organisation at the University of Essex, approaches these issues from an Autonomist Marxist perspective, thinking through a diverse range of issues, for example cultural labour, and practices, for example the art strike. The book also uses a range of artistic examples, including a detailed engagement with Neue Slowenische Kunst to think through the composition of movements to come. The podcast discusses a forthcoming exhibition of the work of Gee Vaucher at Firstsite in Essex, UK. The book will be of interest to critical theorists, as well as scholars from art, politics and social movement studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is the notion of the avant-garde in art relevant today? What can contemporary social movements learn from the Situationists? What is the meaning of artistic value to forms of resistance? These, and many other, questions associated with the role of art in modern society are at the heart of <a href="http://www.amazon.com/dp/1783481730/?tag=newbooinhis-20">The Composition of Movements to Come </a>(Rowman and Littlefield, 2016). <a href="https://www.essex.ac.uk/ebs/staff/profile.aspx?ID=2745">Stevphen Shukaitis</a>, <a href="https://essex.academia.edu/StevphenShukaitis">a senior lecturer in work and organisation at the University of Essex</a>, approaches these issues from an Autonomist Marxist perspective, thinking through a diverse range of issues, for example cultural labour, and practices, for example the art strike. The book also uses a range of artistic examples, including a detailed engagement with Neue Slowenische Kunst to think through the composition of movements to come. The podcast discusses a <a href="http://www.firstsite.uk.net/page/gee-vaucher">forthcoming exhibition of the work of Gee Vaucher</a> at <a href="https://twitter.com/firstsite">Firstsite in Essex, UK</a>. The book will be of interest to critical theorists, as well as scholars from art, politics and social movement studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2355</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60634]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6794148576.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stuart Elden “Foucault’s Last Decade” (Polity Press, 2016)</title>
      <description>Why did Michel Foucault radically recast the project of The History of Sexuality? How did he work collaboratively? What was the influence of Antiquity on his thought? In Foucault’s Last Decade (Polity Press, 2016) Stuart Elden, Professor of Political Theory and Geography at the University of Warwick explores these, and many more, questions about the final years in a rich intellectual life. The book combines detailed studies of Foucault’s recently collected lecture series with archival material and his publications, to give an in depth engagement with the changes and continuities in his thought during the last decade. Addressing questions associated with key terms, such as governmentality, as well as confession, the self, power, truth telling, and many other core ideas and themes, the book will be essential reading for anyone interested in this most important of Western thinkers.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 21 Sep 2016 18:46:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Why did Michel Foucault radically recast the project of The History of Sexuality? How did he work collaboratively? What was the influence of Antiquity on his thought? In Foucault’s Last Decade (Polity Press, 2016) Stuart Elden,</itunes:subtitle>
      <itunes:summary>Why did Michel Foucault radically recast the project of The History of Sexuality? How did he work collaboratively? What was the influence of Antiquity on his thought? In Foucault’s Last Decade (Polity Press, 2016) Stuart Elden, Professor of Political Theory and Geography at the University of Warwick explores these, and many more, questions about the final years in a rich intellectual life. The book combines detailed studies of Foucault’s recently collected lecture series with archival material and his publications, to give an in depth engagement with the changes and continuities in his thought during the last decade. Addressing questions associated with key terms, such as governmentality, as well as confession, the self, power, truth telling, and many other core ideas and themes, the book will be essential reading for anyone interested in this most important of Western thinkers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why did Michel Foucault radically recast the project of The History of Sexuality? How did he work collaboratively? What was the influence of Antiquity on his thought? In <a href="http://www.amazon.com/dp/0745683924/?tag=newbooinhis-20">Foucault’s Last Decade</a> (Polity Press, 2016) <a href="https://twitter.com/StuartElden">Stuart Elden</a>, <a href="http://www2.warwick.ac.uk/fac/soc/pais/people/elden/">Professor of Political Theory and Geography at the University of Warwick</a> explores these, and many more, questions about the final years in a rich intellectual life. The book combines detailed studies of Foucault’s recently collected lecture series with archival material and his publications, to give an in depth engagement with the changes and continuities in his thought during the last decade. Addressing questions associated with key terms, such as governmentality, as well as confession, the self, power, truth telling, and many other core ideas and themes, the book will be essential reading for anyone interested in this most important of Western thinkers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2992</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60312]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9412941196.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mary Hawkesworth, “Embodied Power: Demystifying Disembodied Politics” (Routledge, 2016)</title>
      <description>How can we explain the “occlusion of embodied power” and “lack of attention to race, gender, and sexuality” in the discipline of political science, a field “that claims power as a central analytical concept” (17)? In her new book, Embodied Power: Demystifying Disembodied Politics (Routledge, 2016), Mary Hawkesworth (Political Science and Women’s and Gender Studies, Rutgers University) brings intersectionality, feminist theory, and post- and de-colonial theory to bear on the mainstream study of politics. She argues for the need to move away from customary concepts of “power” and “the political” that mask state practices that construct various forms of hierarchy. These concepts and the methodologies and epistemologies they give rise to, she argues, lead the discipline unable to grapple with issues such as the carceral state or the violence of nation-building. At the same they cover over the ways that “racialization and gendering have been constitutive of knowledge production within the discipline” (17). In the interview, Hawkesworth discusses these conceptual practices of power as well as how intersectional attention to embodied power can reclaim the study of politics.



John McMahon is Visiting Assistant Professor in the Department of Political Science at Beloit College. He is a former Fellow at the Center for Global Ethics and Politics at the Ralph Bunche Institute for International Studies at The Graduate Center, CUNY, which sponsors the podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Sep 2016 23:47:35 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can we explain the “occlusion of embodied power” and “lack of attention to race, gender, and sexuality” in the discipline of political science, a field “that claims power as a central analytical concept” (17)? In her new book,</itunes:subtitle>
      <itunes:summary>How can we explain the “occlusion of embodied power” and “lack of attention to race, gender, and sexuality” in the discipline of political science, a field “that claims power as a central analytical concept” (17)? In her new book, Embodied Power: Demystifying Disembodied Politics (Routledge, 2016), Mary Hawkesworth (Political Science and Women’s and Gender Studies, Rutgers University) brings intersectionality, feminist theory, and post- and de-colonial theory to bear on the mainstream study of politics. She argues for the need to move away from customary concepts of “power” and “the political” that mask state practices that construct various forms of hierarchy. These concepts and the methodologies and epistemologies they give rise to, she argues, lead the discipline unable to grapple with issues such as the carceral state or the violence of nation-building. At the same they cover over the ways that “racialization and gendering have been constitutive of knowledge production within the discipline” (17). In the interview, Hawkesworth discusses these conceptual practices of power as well as how intersectional attention to embodied power can reclaim the study of politics.



John McMahon is Visiting Assistant Professor in the Department of Political Science at Beloit College. He is a former Fellow at the Center for Global Ethics and Politics at the Ralph Bunche Institute for International Studies at The Graduate Center, CUNY, which sponsors the podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we explain the “occlusion of embodied power” and “lack of attention to race, gender, and sexuality” in the discipline of political science, a field “that claims power as a central analytical concept” (17)? In her new book, <a href="http://www.amazon.com/dp/1138667315/?tag=newbooinhis-20">Embodied Power: Demystifying Disembodied Politics </a>(Routledge, 2016), <a href="http://womens-studies.rutgers.edu/faculty/core-faculty/66-the-faculty/core-faculty/135-mary-hawkesworth">Mary Hawkesworth</a> (Political Science and Women’s and Gender Studies, Rutgers University) brings intersectionality, feminist theory, and post- and de-colonial theory to bear on the mainstream study of politics. She argues for the need to move away from customary concepts of “power” and “the political” that mask state practices that construct various forms of hierarchy. These concepts and the methodologies and epistemologies they give rise to, she argues, lead the discipline unable to grapple with issues such as the carceral state or the violence of nation-building. At the same they cover over the ways that “racialization and gendering have been constitutive of knowledge production within the discipline” (17). In the interview, Hawkesworth discusses these conceptual practices of power as well as how intersectional attention to embodied power can reclaim the study of politics.</p><p>
</p><p>
<a href="https://johnamcmahon.com/">John McMahon</a> is Visiting Assistant Professor in the Department of Political Science at Beloit College. He is a former Fellow at the <a href="http://cgep.ws.gc.cuny.edu/">Center for Global Ethics and Politics</a> at the <a href="http://ralphbuncheinstitute.org/">Ralph Bunche Institute</a> for International Studies at The Graduate Center, CUNY, which sponsors the podcast.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3798</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60236]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8536388651.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Darian M. Parker, “Sartre and New Child Left Behind: An Existential Psychoanalytic Anthropology of Urban Schooling” (Lexington, 2015)</title>
      <description>Darian M. Parker joins the New Books Network to discuss his recently published book, Sartre and No Child Left Behind: An Existential Psychoanalytic Anthropology of Urban Schooling (Lexington Books, 2015). Through an ethnographic lens, Parker provides an anthropological glimpse into a New York City public school that is considered to be failing. Despite being rooted in a strong theoretical framework, the book should be accessible to anyone interested in education or policy making because of the familiar narrative laid out in a relatable manner.



For any questions, comments, or recommendations for the New Books in Education podcast, you can connect with the host, Ryan M. Allen, at @PoliticsAndEd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 12 Sep 2016 22:02:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Darian M. Parker joins the New Books Network to discuss his recently published book, Sartre and No Child Left Behind: An Existential Psychoanalytic Anthropology of Urban Schooling (Lexington Books, 2015). Through an ethnographic lens,</itunes:subtitle>
      <itunes:summary>Darian M. Parker joins the New Books Network to discuss his recently published book, Sartre and No Child Left Behind: An Existential Psychoanalytic Anthropology of Urban Schooling (Lexington Books, 2015). Through an ethnographic lens, Parker provides an anthropological glimpse into a New York City public school that is considered to be failing. Despite being rooted in a strong theoretical framework, the book should be accessible to anyone interested in education or policy making because of the familiar narrative laid out in a relatable manner.



For any questions, comments, or recommendations for the New Books in Education podcast, you can connect with the host, Ryan M. Allen, at @PoliticsAndEd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.linkedin.com/in/darian-marcel-parker-phd-023950b1">Darian M. Parker</a> joins the New Books Network to discuss his recently published book, <a href="http://www.amazon.com/dp/0739191594/?tag=newbooinhis-20">Sartre and No Child Left Behind: An Existential Psychoanalytic Anthropology of Urban Schooling</a> (Lexington Books, 2015). Through an ethnographic lens, Parker provides an anthropological glimpse into a New York City public school that is considered to be failing. Despite being rooted in a strong theoretical framework, the book should be accessible to anyone interested in education or policy making because of the familiar narrative laid out in a relatable manner.</p><p>
</p><p>
For any questions, comments, or recommendations for the <a href="http://newbooksnetwork.com/category/politics-society/education/">New Books in Education</a> podcast, you can connect with the host, Ryan M. Allen, at <a href="https://twitter.com/politicsanded">@PoliticsAndEd</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2197</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60160]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6903585034.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Matt Dawson “Social Theory for Alternative Societies” (Palgrave, 2016)</title>
      <description>What can social theory offer to visions of an alternative society? In his new book, Social Theory for Alternative Societies (Palgrave, 2016), Dr Matt Dawson, a Lecturer in Sociology at the University of Glasgow, explores how classical and contemporary social theory has grappled with this question. The book proposes three starting points for a vision of the good society, beginning with the identification of a social problem, through the suggestion of an alternative, to the justification for the alternative’s way of solving the social problem. Drawing on classical social theory from Du Bois, Durkheim and Marx, through to more recent ideas from Feminism, Cosmopolitanism, Neo-Marxism and Public Sociology, the book provides a new take on social theory as well as thinking through the meaning of what a good society might be.



Dave O’Brien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 09 Sep 2016 12:38:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What can social theory offer to visions of an alternative society? In his new book, Social Theory for Alternative Societies (Palgrave, 2016), Dr Matt Dawson, a Lecturer in Sociology at the University of Glasgow,</itunes:subtitle>
      <itunes:summary>What can social theory offer to visions of an alternative society? In his new book, Social Theory for Alternative Societies (Palgrave, 2016), Dr Matt Dawson, a Lecturer in Sociology at the University of Glasgow, explores how classical and contemporary social theory has grappled with this question. The book proposes three starting points for a vision of the good society, beginning with the identification of a social problem, through the suggestion of an alternative, to the justification for the alternative’s way of solving the social problem. Drawing on classical social theory from Du Bois, Durkheim and Marx, through to more recent ideas from Feminism, Cosmopolitanism, Neo-Marxism and Public Sociology, the book provides a new take on social theory as well as thinking through the meaning of what a good society might be.



Dave O’Brien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can social theory offer to visions of an alternative society? In his new book, <a href="http://www.amazon.com/dp/1137337338/?tag=newbooinhis-20">Social Theory for Alternative Societies</a> (Palgrave, 2016), <a href="https://twitter.com/mattpdawson">Dr Matt Dawson</a>, a <a href="http://www.gla.ac.uk/schools/socialpolitical/staff/mattdawson/">Lecturer in Sociology at the University of Glasgow</a>, explores how classical and contemporary social theory has grappled with this question. The book proposes three starting points for a vision of the good society, beginning with the identification of a social problem, through the suggestion of an alternative, to the justification for the alternative’s way of solving the social problem. Drawing on classical social theory from Du Bois, Durkheim and Marx, through to more recent ideas from Feminism, Cosmopolitanism, Neo-Marxism and Public Sociology, the book provides a new take on social theory as well as thinking through the meaning of what a good society might be.</p><p>
</p><p>
Dave O’Brien is the host of New Books in Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets <a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2473</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60024]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1115876520.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ibram X. Kendi, “Stamped from the Beginning: The Definitive History of Racist Ideas in America” (Nation Books, 2016)</title>
      <description>Ibram X. Kendi is an assistant professor of African American history at the University of Florida. Stamped from the Beginning: The Definitive History of Racist Ideas in America (Nation Books, 2016) offers a fast moving narrative of racist ideas beginning with the Puritan theologian and preacher Cotton Mather to the post-racial color-blind arguments in the age of Barack Obama. Through American history, racism has been justified by appeals to God’s word, science, nature, or common sense. He demonstrates how good intentioned efforts to overcome racism have often helped to cement racist ideas. The ideas of segregation and assimilation have rationalized racism and have reproduced and spread in the face of challenge by antiracist arguments. Americans have unsuccessfully attempted to root out racism through notions of self-sacrifice, “uplift suasion,” and educational persuasion. Kendi argues that overcoming racism, which hides classism and sexism, will require intelligent self-interest, not altruism. Americans, regardless of color, need to realize that when Black people are free of racism all will be free.



 Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 08 Sep 2016 18:54:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Ibram X. Kendi is an assistant professor of African American history at the University of Florida. Stamped from the Beginning: The Definitive History of Racist Ideas in America (Nation Books, 2016) offers a fast moving narrative of racist ideas beginni...</itunes:subtitle>
      <itunes:summary>Ibram X. Kendi is an assistant professor of African American history at the University of Florida. Stamped from the Beginning: The Definitive History of Racist Ideas in America (Nation Books, 2016) offers a fast moving narrative of racist ideas beginning with the Puritan theologian and preacher Cotton Mather to the post-racial color-blind arguments in the age of Barack Obama. Through American history, racism has been justified by appeals to God’s word, science, nature, or common sense. He demonstrates how good intentioned efforts to overcome racism have often helped to cement racist ideas. The ideas of segregation and assimilation have rationalized racism and have reproduced and spread in the face of challenge by antiracist arguments. Americans have unsuccessfully attempted to root out racism through notions of self-sacrifice, “uplift suasion,” and educational persuasion. Kendi argues that overcoming racism, which hides classism and sexism, will require intelligent self-interest, not altruism. Americans, regardless of color, need to realize that when Black people are free of racism all will be free.



 Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.ibram.org/#!bio/c1ktj">Ibram X. Kendi </a>is an assistant professor of African American history at the University of Florida. <a href="http://www.amazon.com/dp/1568584636/?tag=newbooinhis-20">Stamped from the Beginning: The Definitive History of Racist Ideas in America</a> (Nation Books, 2016) offers a fast moving narrative of racist ideas beginning with the Puritan theologian and preacher Cotton Mather to the post-racial color-blind arguments in the age of Barack Obama. Through American history, racism has been justified by appeals to God’s word, science, nature, or common sense. He demonstrates how good intentioned efforts to overcome racism have often helped to cement racist ideas. The ideas of segregation and assimilation have rationalized racism and have reproduced and spread in the face of challenge by antiracist arguments. Americans have unsuccessfully attempted to root out racism through notions of self-sacrifice, “uplift suasion,” and educational persuasion. Kendi argues that overcoming racism, which hides classism and sexism, will require intelligent self-interest, not altruism. Americans, regardless of color, need to realize that when Black people are free of racism all will be free.</p><p>
</p><p>
 Lilian Calles Barger, <a href="http://www.lilianbarger.com">www.lilianbarger.com,</a> is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3445</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=59997]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2438319972.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John A. Gronbeck-Tedesco, “Cuba, the United States, and the Cultures of the Transnational Left, 1930-1975” (Cambridge UP, 2015)</title>
      <description>John A. Gronbeck-Tedesco’s new book, Cuba, the United States, and the Cultures of the Transnational Left, 1930-1975 (Cambridge University Press, 2015), reaches across the Atlantic ocean and connects journalists, musicians, activists and poets as they moved between Cuba and the United States in the turbulent eras of revolution. Covering 1933 as well as 1959 allows Gronbeck Tedesco to make fresh observations about the intellectual and political climates of those moments as well as to point to important continuities. The ambitions and disillusionment that permeated the novels, plays, poetry and leftist politics frame this book, making it required reading for anyone interested in the fraught and conflictual intimacies between the two nations and those who journeyed back and forth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Aug 2016 18:28:17 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>John A. Gronbeck-Tedesco’s new book, Cuba, the United States, and the Cultures of the Transnational Left, 1930-1975 (Cambridge University Press, 2015), reaches across the Atlantic ocean and connects journalists, musicians,</itunes:subtitle>
      <itunes:summary>John A. Gronbeck-Tedesco’s new book, Cuba, the United States, and the Cultures of the Transnational Left, 1930-1975 (Cambridge University Press, 2015), reaches across the Atlantic ocean and connects journalists, musicians, activists and poets as they moved between Cuba and the United States in the turbulent eras of revolution. Covering 1933 as well as 1959 allows Gronbeck Tedesco to make fresh observations about the intellectual and political climates of those moments as well as to point to important continuities. The ambitions and disillusionment that permeated the novels, plays, poetry and leftist politics frame this book, making it required reading for anyone interested in the fraught and conflictual intimacies between the two nations and those who journeyed back and forth.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.ramapo.edu/sshgs/faculty/john-gronbeck-tedesco/">John A. Gronbeck-Tedesco’s</a> new book, <a href="http://www.amazon.com/dp/1107083087/?tag=newbooinhis-20">Cuba, the United States, and the Cultures of the Transnational Left, 1930-1975</a> (Cambridge University Press, 2015), reaches across the Atlantic ocean and connects journalists, musicians, activists and poets as they moved between Cuba and the United States in the turbulent eras of revolution. Covering 1933 as well as 1959 allows Gronbeck Tedesco to make fresh observations about the intellectual and political climates of those moments as well as to point to important continuities. The ambitions and disillusionment that permeated the novels, plays, poetry and leftist politics frame this book, making it required reading for anyone interested in the fraught and conflictual intimacies between the two nations and those who journeyed back and forth.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=59878]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2938288697.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jean Chalaby, “The Format Age: Television’s Entertainment Revolution” (Polity, 2015)</title>
      <description>Television had been transformed by the rise of the format. In The Format Age: Television’s Entertainment Revolution Jean Chalaby, Professor of International Communication at City University London, charts the beginnings of the format for TV shows, through the globalization of the trade in TV formats, to conclude with reflections on the future of local and global TV markets. The book uses an eclectic set of theoretical frames, including Global Value Chains, World Systems Theory and work of the Annales School, to chart the political economy of the TV format. Using a wide range of examples, detailed case studies of local markets and local production systems (including the UK), the book shows how the format is now crucial to the modern television industry encompassing everything from the game show to the long form drama. The book will be of interest to all media and communications scholars, as well as anyone keen to know why we have the sorts of television programmes we have on our screens.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Aug 2016 14:43:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Television had been transformed by the rise of the format. In The Format Age: Television’s Entertainment Revolution Jean Chalaby, Professor of International Communication at City University London, charts the beginnings of the format for TV shows,</itunes:subtitle>
      <itunes:summary>Television had been transformed by the rise of the format. In The Format Age: Television’s Entertainment Revolution Jean Chalaby, Professor of International Communication at City University London, charts the beginnings of the format for TV shows, through the globalization of the trade in TV formats, to conclude with reflections on the future of local and global TV markets. The book uses an eclectic set of theoretical frames, including Global Value Chains, World Systems Theory and work of the Annales School, to chart the political economy of the TV format. Using a wide range of examples, detailed case studies of local markets and local production systems (including the UK), the book shows how the format is now crucial to the modern television industry encompassing everything from the game show to the long form drama. The book will be of interest to all media and communications scholars, as well as anyone keen to know why we have the sorts of television programmes we have on our screens.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Television had been transformed by the rise of the format. In <a href="http://www.amazon.com/dp/1509502599/?tag=newbooinhis-20">The Format Age: Television’s Entertainment Revolution</a> <a href="http://www.city.ac.uk/people/academics/jean-chalaby">Jean Chalaby</a>, Professor of International Communication at City University London, charts the beginnings of the format for TV shows, through the globalization of the trade in TV formats, to conclude with reflections on the future of local and global TV markets. The book uses an eclectic set of theoretical frames, including Global Value Chains, World Systems Theory and work of the Annales School, to chart the political economy of the TV format. Using a wide range of examples, detailed case studies of local markets and local production systems (including the UK), the book shows how the format is now crucial to the modern television industry encompassing everything from the game show to the long form drama. The book will be of interest to all media and communications scholars, as well as anyone keen to know why we have the sorts of television programmes we have on our screens.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2506</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=59869]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4511014695.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Peter Trawny, “Heidegger and the Myth of a Jewish World Conspiracy” (U. of Chicago Press, 2015)</title>
      <description>In Heidegger and the Myth of a Jewish World Conspiracy (University of Chicago Press, 2015), Peter Trawny, professor of philosophy and founder and director of the Martin Heidegger Institute at the University of Wuppertal, explores the place of anti-Semitism in Martin Heidegger’s philosophy. Using Heidegger’s recently published Black Notebooks, Trawny explains that the philosopher’s anti-Semitism was not just a few stray remarks, but was deeply incorporated into his philosophical and political thinking.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 15 Aug 2016 10:20:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Heidegger and the Myth of a Jewish World Conspiracy (University of Chicago Press, 2015), Peter Trawny, professor of philosophy and founder and director of the Martin Heidegger Institute at the University of Wuppertal,</itunes:subtitle>
      <itunes:summary>In Heidegger and the Myth of a Jewish World Conspiracy (University of Chicago Press, 2015), Peter Trawny, professor of philosophy and founder and director of the Martin Heidegger Institute at the University of Wuppertal, explores the place of anti-Semitism in Martin Heidegger’s philosophy. Using Heidegger’s recently published Black Notebooks, Trawny explains that the philosopher’s anti-Semitism was not just a few stray remarks, but was deeply incorporated into his philosophical and political thinking.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/022630373X/?tag=newbooinhis-20">Heidegger and the Myth of a Jewish World Conspiracy</a> (University of Chicago Press, 2015), <a href="http://www.heidegger.uni-wuppertal.de/en/personen/prof-dr-peter-trawny.html">Peter Trawny</a>, professor of philosophy and founder and director of the Martin Heidegger Institute at the University of Wuppertal, explores the place of anti-Semitism in Martin Heidegger’s philosophy. Using Heidegger’s recently published Black Notebooks, Trawny explains that the philosopher’s anti-Semitism was not just a few stray remarks, but was deeply incorporated into his philosophical and political thinking.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1277</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58558]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3071119445.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jack Jacobs, “The Frankfurt School, Jewish Lives, and Antisemitism” (Cambridge UP, 2015)</title>
      <description>In The Frankfurt School, Jewish Lives, and Antisemitism (Cambridge University Press, 2015), Jack Jacobs, Professor of Political Science at John Jay College and the CUNY Graduate Center, investigates how the Jewish backgrounds of major Critical Theorists, and the ways in which they related to their origins, impacted upon their work, the history of the Frankfurt School, and differences that emerged among them over time. Jacobs builds an in depth picture of these theorists, particularly in relation to their theorization of antisemitism and their attitudes towards Israel. This book is a definitive history of the topic which will be referenced for many years to come.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Aug 2016 12:00:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In The Frankfurt School, Jewish Lives, and Antisemitism (Cambridge University Press, 2015), Jack Jacobs, Professor of Political Science at John Jay College and the CUNY Graduate Center, investigates how the Jewish backgrounds of major Critical Theorist...</itunes:subtitle>
      <itunes:summary>In The Frankfurt School, Jewish Lives, and Antisemitism (Cambridge University Press, 2015), Jack Jacobs, Professor of Political Science at John Jay College and the CUNY Graduate Center, investigates how the Jewish backgrounds of major Critical Theorists, and the ways in which they related to their origins, impacted upon their work, the history of the Frankfurt School, and differences that emerged among them over time. Jacobs builds an in depth picture of these theorists, particularly in relation to their theorization of antisemitism and their attitudes towards Israel. This book is a definitive history of the topic which will be referenced for many years to come.



Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0521730279/?tag=newbooinhis-20">The Frankfurt School, Jewish Lives, and Antisemitism</a> (Cambridge University Press, 2015), <a href="http://www.jjay.cuny.edu/faculty/jack-jacobs">Jack Jacobs</a>, Professor of Political Science at John Jay College and the CUNY Graduate Center, investigates how the Jewish backgrounds of major Critical Theorists, and the ways in which they related to their origins, impacted upon their work, the history of the Frankfurt School, and differences that emerged among them over time. Jacobs builds an in depth picture of these theorists, particularly in relation to their theorization of antisemitism and their attitudes towards Israel. This book is a definitive history of the topic which will be referenced for many years to come.</p><p>
</p><p>
<a href="https://unimelb.academia.edu/MaxKaiser">Max Kaiser</a> is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2854</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58261]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4865745591.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eric Schickler, “Racial Realignment: The Transformation of American Liberalism, 1932-1965” (Princeton UP, 2016)</title>
      <description>Eric Schickler is the author of Racial Realignment: The Transformation of American Liberalism, 1932-1965 (Princeton University Press, 2016). Schickler is the Jeffrey and Ashley McDermott Professor of Political Science at the University of California, Berkeley.

Much scholarship on the racial realignment of U.S. political parties argues for an elite based explanation focused on Washington and national figures. Schickler’s new book challenges this notion with a deep-dive into the archives. He argues that rather than a top-down explanation, party realignment happened from the bottom-up. He credits the long history of the Civil Rights movement, emergence of new players in organized labor, and state and local forces. Realignment, then, is a gradual process that occurred over decades, rather than primarily in the 1960s.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 01 Aug 2016 10:00:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Eric Schickler is the author of Racial Realignment: The Transformation of American Liberalism, 1932-1965 (Princeton University Press, 2016). Schickler is the Jeffrey and Ashley McDermott Professor of Political Science at the University of California,</itunes:subtitle>
      <itunes:summary>Eric Schickler is the author of Racial Realignment: The Transformation of American Liberalism, 1932-1965 (Princeton University Press, 2016). Schickler is the Jeffrey and Ashley McDermott Professor of Political Science at the University of California, Berkeley.

Much scholarship on the racial realignment of U.S. political parties argues for an elite based explanation focused on Washington and national figures. Schickler’s new book challenges this notion with a deep-dive into the archives. He argues that rather than a top-down explanation, party realignment happened from the bottom-up. He credits the long history of the Civil Rights movement, emergence of new players in organized labor, and state and local forces. Realignment, then, is a gradual process that occurred over decades, rather than primarily in the 1960s.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://polisci.berkeley.edu/people/person/eric-schickler">Eric Schickler</a> is the author of <a href="https://press.princeton.edu/titles/10750.html">Racial Realignment: The Transformation of American Liberalism, 1932-1965 </a>(Princeton University Press, 2016). Schickler is the Jeffrey and Ashley McDermott Professor of Political Science at the University of California, Berkeley.</p><p>
Much scholarship on the racial realignment of U.S. political parties argues for an elite based explanation focused on Washington and national figures. Schickler’s new book challenges this notion with a deep-dive into the archives. He argues that rather than a top-down explanation, party realignment happened from the bottom-up. He credits the long history of the Civil Rights movement, emergence of new players in organized labor, and state and local forces. Realignment, then, is a gradual process that occurred over decades, rather than primarily in the 1960s.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1203</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58251]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6064085819.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Russell Rickford, “We Are an African People: Independent Education, Black Power and the Radical Imagination” (Oxford UP, 2016)</title>
      <description>Russell Rickford is an assistant professor of history at Cornell University. We Are an African People: Independent Education, Black Power and the Radical Imagination (Oxford University Press, 2016) offers an intellectual history of the Pan African nationalist schools that emerged in the late 1960s from dissatisfaction with urban school desegregation and its failure to provide an equal education and foster racial pride. Influenced by Third World theories and African anti-colonial campaigns, these black institutions promoted self-determination and black political sovereignty. Beginning with the campaigns for the community control of schools to visions of a Black University, Rickford identifies the key ideological strengths and weaknesses that ultimately resulted in the failure to build strong independent institutions necessary for cultural renewal. The Afrocentric ideas and schools that survived were congruent with a neoliberal ideology that elided the socio-economic conditions of African Americans.



Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Comes of Age: Religion, Intellectuals and the Challenge of Human Liberation.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 31 Jul 2016 16:56:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Russell Rickford is an assistant professor of history at Cornell University. We Are an African People: Independent Education, Black Power and the Radical Imagination (Oxford University Press, 2016) offers an intellectual history of the Pan African nati...</itunes:subtitle>
      <itunes:summary>Russell Rickford is an assistant professor of history at Cornell University. We Are an African People: Independent Education, Black Power and the Radical Imagination (Oxford University Press, 2016) offers an intellectual history of the Pan African nationalist schools that emerged in the late 1960s from dissatisfaction with urban school desegregation and its failure to provide an equal education and foster racial pride. Influenced by Third World theories and African anti-colonial campaigns, these black institutions promoted self-determination and black political sovereignty. Beginning with the campaigns for the community control of schools to visions of a Black University, Rickford identifies the key ideological strengths and weaknesses that ultimately resulted in the failure to build strong independent institutions necessary for cultural renewal. The Afrocentric ideas and schools that survived were congruent with a neoliberal ideology that elided the socio-economic conditions of African Americans.



Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Comes of Age: Religion, Intellectuals and the Challenge of Human Liberation.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://history.arts.cornell.edu/faculty-department-rickford.php">Russell Rickford</a> is an assistant professor of history at Cornell University. <a href="http://www.amazon.com/dp/0199861471/?tag=newbooinhis-20">We Are an African People: Independent Education, Black Power and the Radical Imagination</a> (Oxford University Press, 2016) offers an intellectual history of the Pan African nationalist schools that emerged in the late 1960s from dissatisfaction with urban school desegregation and its failure to provide an equal education and foster racial pride. Influenced by Third World theories and African anti-colonial campaigns, these black institutions promoted self-determination and black political sovereignty. Beginning with the campaigns for the community control of schools to visions of a Black University, Rickford identifies the key ideological strengths and weaknesses that ultimately resulted in the failure to build strong independent institutions necessary for cultural renewal. The Afrocentric ideas and schools that survived were congruent with a neoliberal ideology that elided the socio-economic conditions of African Americans.</p><p>
</p><p>
Lilian Calles Barger, <a href="http://www.lilianbarger.com">www.lilianbarger.com</a>, is a cultural, intellectual and gender historian. Her current book project is entitled The World Comes of Age: Religion, Intellectuals and the Challenge of Human Liberation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3328</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58246]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1543269652.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Susan Cahan, “Mounting Frustration: The Art Museum in the Age of Black Power” (Duke UP, 2016)</title>
      <description>The struggle for representation within the art museum is the focus of a timely and important new book by Susan Cahan, Associate Dean for the Arts at Yale College. Mounting Frustration: The Art Museum in the Age of Black Power (Duke University Press, 2016) charts a pivotal moment for the American Art Museum and reflects on the progress, or lack thereof, for African American Art’s place within the US museum system. Focusing on 4 key institutions and range of exhibitions beginning in the late 1960s, the book offers a rich and detailed reading of the institutional context, the aesthetic practices, and the historical lineages that explain both the period and the current museum settlement. The book is replete with illustrations and is accessible, readable and interesting, representing an important and urgent intervention to how we understand the role of the museum today.



Dave O’Brien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets@Drdaveobrien.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Jul 2016 14:35:20 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The struggle for representation within the art museum is the focus of a timely and important new book by Susan Cahan, Associate Dean for the Arts at Yale College. Mounting Frustration: The Art Museum in the Age of Black Power (Duke University Press,</itunes:subtitle>
      <itunes:summary>The struggle for representation within the art museum is the focus of a timely and important new book by Susan Cahan, Associate Dean for the Arts at Yale College. Mounting Frustration: The Art Museum in the Age of Black Power (Duke University Press, 2016) charts a pivotal moment for the American Art Museum and reflects on the progress, or lack thereof, for African American Art’s place within the US museum system. Focusing on 4 key institutions and range of exhibitions beginning in the late 1960s, the book offers a rich and detailed reading of the institutional context, the aesthetic practices, and the historical lineages that explain both the period and the current museum settlement. The book is replete with illustrations and is accessible, readable and interesting, representing an important and urgent intervention to how we understand the role of the museum today.



Dave O’Brien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets@Drdaveobrien.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The struggle for representation within the art museum is the focus of a timely and important new book by <a href="http://art.yale.edu/SusanCahan">Susan Cahan</a>, <a href="http://art.yale.edu">Associate Dean for the Arts at Yale College</a>. <a href="http://www.amazon.com/dp/0822358972/?tag=newbooinhis-20">Mounting Frustration: The Art Museum in the Age of Black Power</a> (Duke University Press, 2016) charts a pivotal moment for the American Art Museum and reflects on the progress, or lack thereof, for African American Art’s place within the US museum system. Focusing on 4 key institutions and range of exhibitions beginning in the late 1960s, the book offers a rich and detailed reading of the institutional context, the aesthetic practices, and the historical lineages that explain both the period and the current museum settlement. The book is replete with illustrations and is accessible, readable and interesting, representing an important and urgent intervention to how we understand the role of the museum today.</p><p>
</p><p>
Dave O’Brien is the host of New Books in Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets<a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2808</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=58143]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3076314208.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ayten Gundogdu, “Rightlessness in an Age of Rights: Hannah Arendt and the Contemporary Struggles of Migrants” (Oxford UP, 2015)</title>
      <description>How does one “rethink and revise the key concepts of Hannah Arendt’s political theory in light of the struggles of asylum seekers, refugees, and undocumented immigrants” (207)? In her new book Rightlessness in An Age of Rights: Hannah Arendt and the Contemporary Struggles of Migrants (Oxford University Press, 2015), Ayten Gundogdu (Political Science, Barnard College) engages this question to explore both a radical critique and radical rethinking of human rights in our age. The book challenges and reimagines central dimensions to Arendt’s thought – rightlessness, the political and the social, personhood, labor and work, and the ‘right to have rights’ – at the same time that it provides incisive analysis of the precarious conditions of and political action by migrants. The book works with Arendt to offer important critiques of a number of aspects of contemporary human rights theory and practice, and ultimately develops an approach to human rights as “political practices of founding.”



John McMahon has recently completed his PhD in Political Science at The Graduate Center, CUNY, and will be Visiting Assistant Professor in the Department of Political Science at Beloit College starting in August 2016. He has been a Fellow at the Center for Global Ethics and Politics at the Ralph Bunche Institute for International Studies at The Graduate Center, which co-sponsors the podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Jun 2016 20:29:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How does one “rethink and revise the key concepts of Hannah Arendt’s political theory in light of the struggles of asylum seekers, refugees, and undocumented immigrants” (207)? In her new book Rightlessness in An Age of Rights: Hannah Arendt and the Co...</itunes:subtitle>
      <itunes:summary>How does one “rethink and revise the key concepts of Hannah Arendt’s political theory in light of the struggles of asylum seekers, refugees, and undocumented immigrants” (207)? In her new book Rightlessness in An Age of Rights: Hannah Arendt and the Contemporary Struggles of Migrants (Oxford University Press, 2015), Ayten Gundogdu (Political Science, Barnard College) engages this question to explore both a radical critique and radical rethinking of human rights in our age. The book challenges and reimagines central dimensions to Arendt’s thought – rightlessness, the political and the social, personhood, labor and work, and the ‘right to have rights’ – at the same time that it provides incisive analysis of the precarious conditions of and political action by migrants. The book works with Arendt to offer important critiques of a number of aspects of contemporary human rights theory and practice, and ultimately develops an approach to human rights as “political practices of founding.”



John McMahon has recently completed his PhD in Political Science at The Graduate Center, CUNY, and will be Visiting Assistant Professor in the Department of Political Science at Beloit College starting in August 2016. He has been a Fellow at the Center for Global Ethics and Politics at the Ralph Bunche Institute for International Studies at The Graduate Center, which co-sponsors the podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does one “rethink and revise the key concepts of Hannah Arendt’s political theory in light of the struggles of asylum seekers, refugees, and undocumented immigrants” (207)? In her new book <a href="http://www.amazon.com/dp/0199370427/?tag=newbooinhis-20">Rightlessness in An Age of Rights: Hannah Arendt and the Contemporary Struggles of Migrants</a> (Oxford University Press, 2015), <a href="https://polisci.barnard.edu/profiles/ayten-gundogdu">Ayten Gundogdu</a> (Political Science, Barnard College) engages this question to explore both a radical critique and radical rethinking of human rights in our age. The book challenges and reimagines central dimensions to Arendt’s thought – rightlessness, the political and the social, personhood, labor and work, and the ‘right to have rights’ – at the same time that it provides incisive analysis of the precarious conditions of and political action by migrants. The book works with Arendt to offer important critiques of a number of aspects of contemporary human rights theory and practice, and ultimately develops an approach to human rights as “political practices of founding.”</p><p>
</p><p>
John McMahon has recently completed his PhD in Political Science at The Graduate Center, CUNY, and will be Visiting Assistant Professor in the Department of Political Science at Beloit College starting in August 2016. He has been a Fellow at the Center for Global Ethics and Politics at the Ralph Bunche Institute for International Studies at The Graduate Center, which co-sponsors the podcast.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4297</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=57799]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7945358780.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Les Back, “Academic Diary: Or Why Higher Education Still Matters” (Goldsmiths Press, 2016)</title>
      <description>Why does higher education still matter? In Academic Diary: Or Why Higher Education Still Matters,  Les Back, a professor of Sociology at Goldsmiths’ College, University of London, offers a series of reflections framed by the time of the academic year. The first book from Goldsmiths Press, Academic Diary consists of short entries that think through the problems of university management, defend the idea of scholarship, and consider what ideas of being ‘honored’ as an academic might mean. Other chapters extol the virtues of the library and take a witty and wry look at the academy. Thus, the book, with its insights into academic life as well as broader analysis of the social forces shaping the university, offers a picture of the contemporary university, illuminating the pleasures and pains of working within this modern institution. Ultimately, Academic Diary offers a defense of the idea of the university and will be relevant and readable to anyone working or interested in the sector.



Dave OBrien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets@Drdaveobrien.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Jun 2016 18:05:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Why does higher education still matter? In Academic Diary: Or Why Higher Education Still Matters, Les Back, a professor of Sociology at Goldsmiths’ College, University of London, offers a series of reflections framed by the time of the academic year.</itunes:subtitle>
      <itunes:summary>Why does higher education still matter? In Academic Diary: Or Why Higher Education Still Matters,  Les Back, a professor of Sociology at Goldsmiths’ College, University of London, offers a series of reflections framed by the time of the academic year. The first book from Goldsmiths Press, Academic Diary consists of short entries that think through the problems of university management, defend the idea of scholarship, and consider what ideas of being ‘honored’ as an academic might mean. Other chapters extol the virtues of the library and take a witty and wry look at the academy. Thus, the book, with its insights into academic life as well as broader analysis of the social forces shaping the university, offers a picture of the contemporary university, illuminating the pleasures and pains of working within this modern institution. Ultimately, Academic Diary offers a defense of the idea of the university and will be relevant and readable to anyone working or interested in the sector.



Dave OBrien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets@Drdaveobrien.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does higher education still matter? In <a href="http://www.amazon.com/dp/1906897581/?tag=newbooinhis-20">Academic Diary: Or Why Higher Education Still Matters</a>,  <a href="https://twitter.com/AcademicDiary">Les Back</a>, a <a href="http://www.gold.ac.uk/sociology/staff/back/">professor of Sociology at Goldsmiths’ College, University of London</a>, offers a series of reflections framed by the time of the academic year. The first book from <a href="http://www.gold.ac.uk/goldsmiths-press/">Goldsmiths Press</a>, Academic Diary consists of short entries that think through the problems of university management, defend the idea of scholarship, and consider what ideas of being ‘honored’ as an academic might mean. Other chapters extol the virtues of the library and take a witty and wry look at the academy. Thus, the book, with its insights into academic life as well as broader analysis of the social forces shaping the university, offers a picture of the contemporary university, illuminating the pleasures and pains of working within this modern institution. Ultimately, Academic Diary offers a defense of the idea of the university and will be relevant and readable to anyone working or interested in the sector.</p><p>
</p><p>
Dave OBrien is the host of New Books in Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets<a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2453</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=57745]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3756132759.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Geoffrey McCormack and Thom Workman, “The Servant State: Overseeing Capital Accumulation in Canada” (Fernwood, 2015)</title>
      <description>Two Canadian political science professors contend that the grotesque inequities of the capitalist system feed hatred, nourish misogyny, promote chronic dispossession and wreak havoc on the environment. In their new book, The Servant State: Overseeing Capital Accumulation in Canada, (Fernwood, 2015), Geoffrey McCormack and Thom Workman, add that [o]nly when humanity moves beyond this system of social and natural exploitation will the well-being of all improve. Their book suggests, however, that moving beyond capitalism in advanced, industrial countries will not be easy since such states are ruled by governments that consistently serve the interests of the capitalist business class, helping it accumulate the machinery and equipment that are the means of capitalist production. They argue that the capitalist state also reinforces the coercive nature of capitalism with labour market policies designed to force workers into accepting jobs even if they’re poorly paid and insecure.

In The Servant State, McCormack and Workman focus on how Canada weathered the global financial crisis of 2008. The book examines why Canada fared better economically than the U.S. and outlines the steps the Canadian government took to serve and protect capitalism during its latest crisis. Drawing on Marxian theory, the authors seek to move beyond what they describe as the smooth and oftentimes complacent discourse about Canadian capitalism to focus instead on the essential nature of the capitalist system. They write, this study embraces the spirit of rejection rather than indignation, the spirit of repudiation rather than conciliation. Geoffrey McCormack is assistant professor of political science at Wheelock College in Boston while Thom Workman teaches in the political science department at the University of New Brunswick, Fredericton. They spoke to the New Books Network at the university library in Sackville, New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Jun 2016 14:41:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Two Canadian political science professors contend that the grotesque inequities of the capitalist system feed hatred, nourish misogyny, promote chronic dispossession and wreak havoc on the environment. In their new book,</itunes:subtitle>
      <itunes:summary>Two Canadian political science professors contend that the grotesque inequities of the capitalist system feed hatred, nourish misogyny, promote chronic dispossession and wreak havoc on the environment. In their new book, The Servant State: Overseeing Capital Accumulation in Canada, (Fernwood, 2015), Geoffrey McCormack and Thom Workman, add that [o]nly when humanity moves beyond this system of social and natural exploitation will the well-being of all improve. Their book suggests, however, that moving beyond capitalism in advanced, industrial countries will not be easy since such states are ruled by governments that consistently serve the interests of the capitalist business class, helping it accumulate the machinery and equipment that are the means of capitalist production. They argue that the capitalist state also reinforces the coercive nature of capitalism with labour market policies designed to force workers into accepting jobs even if they’re poorly paid and insecure.

In The Servant State, McCormack and Workman focus on how Canada weathered the global financial crisis of 2008. The book examines why Canada fared better economically than the U.S. and outlines the steps the Canadian government took to serve and protect capitalism during its latest crisis. Drawing on Marxian theory, the authors seek to move beyond what they describe as the smooth and oftentimes complacent discourse about Canadian capitalism to focus instead on the essential nature of the capitalist system. They write, this study embraces the spirit of rejection rather than indignation, the spirit of repudiation rather than conciliation. Geoffrey McCormack is assistant professor of political science at Wheelock College in Boston while Thom Workman teaches in the political science department at the University of New Brunswick, Fredericton. They spoke to the New Books Network at the university library in Sackville, New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Two Canadian political science professors contend that the grotesque inequities of the capitalist system feed hatred, nourish misogyny, promote chronic dispossession and wreak havoc on the environment. In their new book, <a href="http://www.amazon.com/dp/1552667839/?tag=newbooinhis-20">The Servant State: Overseeing Capital Accumulation in Canada</a>, (Fernwood, 2015), Geoffrey McCormack and Thom Workman, add that [o]nly when humanity moves beyond this system of social and natural exploitation will the well-being of all improve. Their book suggests, however, that moving beyond capitalism in advanced, industrial countries will not be easy since such states are ruled by governments that consistently serve the interests of the capitalist business class, helping it accumulate the machinery and equipment that are the means of capitalist production. They argue that the capitalist state also reinforces the coercive nature of capitalism with labour market policies designed to force workers into accepting jobs even if they’re poorly paid and insecure.</p><p>
In The Servant State, McCormack and Workman focus on how Canada weathered the global financial crisis of 2008. The book examines why Canada fared better economically than the U.S. and outlines the steps the Canadian government took to serve and protect capitalism during its latest crisis. Drawing on Marxian theory, the authors seek to move beyond what they describe as the smooth and oftentimes complacent discourse about Canadian capitalism to focus instead on the essential nature of the capitalist system. They write, this study embraces the spirit of rejection rather than indignation, the spirit of repudiation rather than conciliation. <a href="http://www.wheelock.edu/academics/faculty-and-administration/mccormack-geoffrey">Geoffrey McCormack </a>is assistant professor of political science at Wheelock College in Boston while <a href="http://www.unb.ca/fredericton/arts/departments/politicalscience/people/wworkman.html">Thom Workman</a> teaches in the political science department at the University of New Brunswick, Fredericton. They spoke to the New Books Network at the university library in Sackville, New Brunswick.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3338</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=57648]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4981777246.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeremy Ahearne, “Government through Culture and the Contemporary French Right” (Palgrave Macmillan, 2014)</title>
      <description>How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture.



Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jun 2016 14:37:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of W...</itunes:subtitle>
      <itunes:summary>How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture.



Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did two right wing presidents use culture to govern France? In <a href="http://www.amazon.com/dp/1137290986/?tag=newbooinhis-20">Government through Culture and the Contemporary French Right</a> (Palgrave Macmillan, 2014), <a href="http://www2.warwick.ac.uk/fac/arts/theatre_s/cp/staff/ahearne/">Jeremy Ahearne</a>, a Professor of French Studies and <a href="http://www2.warwick.ac.uk/fac/arts/theatre_s/cp/">Cultural Policy Studies at the University of Warwick</a>, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture.</p><p>
</p><p>
Dave O’Brien is the host of New Books In Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets <a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2394</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=56986]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2988705108.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alfred Frankowski, “The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning” (Lexington Press, 2015)</title>
      <description>How are cultural practices that suggest social inclusion at the root of marginalizing social suffering? In The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning (Lexington Books, 2015), Alfred Frankowski, an Assistant Professor of Philosophy at Northeastern Illinois University, makes clear this central tension at the heart of contemporary American life. The re-election of Barack Obama and the murder of Trayvon Martin form the backdrop to Frankowski’s exploration of both the philosophical aesthetics and the practical manifestations of race in America today. From these two events the book moves to consider examples from Kantian aesthetic theory, through the history of memorials and museums, to examples from music, to illustrate how, in memorializing the past, we may forget both lessons and insights into current social struggles. The first book in a new series on the Philosophy of Race, The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning will be of interests to philosophers and cultural theorists, as well as those considering questions of race in society.



Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 02 Jun 2016 12:42:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How are cultural practices that suggest social inclusion at the root of marginalizing social suffering? In The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning (Lexington Books, 2015), Alfred Frankowski,</itunes:subtitle>
      <itunes:summary>How are cultural practices that suggest social inclusion at the root of marginalizing social suffering? In The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning (Lexington Books, 2015), Alfred Frankowski, an Assistant Professor of Philosophy at Northeastern Illinois University, makes clear this central tension at the heart of contemporary American life. The re-election of Barack Obama and the murder of Trayvon Martin form the backdrop to Frankowski’s exploration of both the philosophical aesthetics and the practical manifestations of race in America today. From these two events the book moves to consider examples from Kantian aesthetic theory, through the history of memorials and museums, to examples from music, to illustrate how, in memorializing the past, we may forget both lessons and insights into current social struggles. The first book in a new series on the Philosophy of Race, The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning will be of interests to philosophers and cultural theorists, as well as those considering questions of race in society.



Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are cultural practices that suggest social inclusion at the root of marginalizing social suffering? In <a href="http://www.amazon.com/dp/1498502768/?tag=newbooinhis-20">The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning </a>(Lexington Books, 2015), <a href="http://www.neiu.edu/academics/college-of-arts-and-sciences/faculty/alfred-frankowski-phd">Alfred Frankowski</a>, an Assistant Professor of Philosophy at Northeastern Illinois University, makes clear this central tension at the heart of contemporary American life. The re-election of Barack Obama and the murder of Trayvon Martin form the backdrop to Frankowski’s exploration of both the philosophical aesthetics and the practical manifestations of race in America today. From these two events the book moves to consider examples from Kantian aesthetic theory, through the history of memorials and museums, to examples from music, to illustrate how, in memorializing the past, we may forget both lessons and insights into current social struggles. The first book in a new series on the <a href="https://rowman.com/Action/SERIES/LEX/LEXPHR">Philosophy of Race</a>, The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning will be of interests to philosophers and cultural theorists, as well as those considering questions of race in society.</p><p>
</p><p>
Dave O’Brien is the host of New Books In Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets <a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55915]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7065511697.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katie Gentile, ed., “The Business of Being Made” (Routledge, 2015)</title>
      <description>In this interview, Dr. Katie Gentile discusses the research, writing and creative thinking about compulsory parenthood and Assisted Reproductive Technologies (or ARTs) that animate the essays appearing in The Business of Being Made: The Temporalities of Reproductive Technologies in Psychoanalysis and Culture (Routledge, 2015).  It is striking that while personhood amendments proliferate and sovereignty over the reproductive body shifts frighteningly more and more to the State, a global, bio-medical industrial complex has arisen comprising ARTs, surrogate pregnancy, egg/sperm donation and the like. Gentile points out the rise of the post-9/11 fetishization of the fetus a receptacle for all our vulnerabilities which must be protected at all costs in the face of the hyper-object: the threat of global catastrophe looming large. ARTs and its associated industries manufacture hope and optimism in conceiving babies at any cost (for those of privilege) while serving to further elevate, protect and fetishize the fetus. It’s a space of repro-futurity in which life is constructed around achieving reproductive milestones. ARTs have become another neoliberal trope to imagine life without limits as they have been subsumed into ordinary medicine for all women. With ARTs there is often no space to acknowledge loss, shame, uncertainty and the sexual re-traumatization that often occur during the process. On the plus side, ARTs offer the promise and opportunity of biological parenthood to marginalized people (for example, trans men) resulting in diverse family configurations. Gentile asks can other spaces be nurtured so that babies are not the main focus of generativity, especially for women? How can we better theorize childfree lives of creativity that are not seen as displaced parenting but generativity for its own pleasure?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 28 May 2016 13:23:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In this interview, Dr. Katie Gentile discusses the research, writing and creative thinking about compulsory parenthood and Assisted Reproductive Technologies (or ARTs) that animate the essays appearing in The Business of Being Made: The Temporalities o...</itunes:subtitle>
      <itunes:summary>In this interview, Dr. Katie Gentile discusses the research, writing and creative thinking about compulsory parenthood and Assisted Reproductive Technologies (or ARTs) that animate the essays appearing in The Business of Being Made: The Temporalities of Reproductive Technologies in Psychoanalysis and Culture (Routledge, 2015).  It is striking that while personhood amendments proliferate and sovereignty over the reproductive body shifts frighteningly more and more to the State, a global, bio-medical industrial complex has arisen comprising ARTs, surrogate pregnancy, egg/sperm donation and the like. Gentile points out the rise of the post-9/11 fetishization of the fetus a receptacle for all our vulnerabilities which must be protected at all costs in the face of the hyper-object: the threat of global catastrophe looming large. ARTs and its associated industries manufacture hope and optimism in conceiving babies at any cost (for those of privilege) while serving to further elevate, protect and fetishize the fetus. It’s a space of repro-futurity in which life is constructed around achieving reproductive milestones. ARTs have become another neoliberal trope to imagine life without limits as they have been subsumed into ordinary medicine for all women. With ARTs there is often no space to acknowledge loss, shame, uncertainty and the sexual re-traumatization that often occur during the process. On the plus side, ARTs offer the promise and opportunity of biological parenthood to marginalized people (for example, trans men) resulting in diverse family configurations. Gentile asks can other spaces be nurtured so that babies are not the main focus of generativity, especially for women? How can we better theorize childfree lives of creativity that are not seen as displaced parenting but generativity for its own pleasure?
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this interview, <a href="http://www.jjay.cuny.edu/faculty/katie-gentile">Dr. Katie Gentile</a> discusses the research, writing and creative thinking about compulsory parenthood and Assisted Reproductive Technologies (or ARTs) that animate the essays appearing in <a href="http://www.amazon.com/Business-Being-Made-temporalities-psychoanalysis/dp/0415749417/ref=sr_1_1?ie=UTF8&amp;qid=1464374422&amp;sr=8-1&amp;keywords=KATIE+GENTILE">The Business of Being Made: The Temporalities of Reproductive Technologies in Psychoanalysis and Culture </a>(Routledge, 2015).  It is striking that while personhood amendments proliferate and sovereignty over the reproductive body shifts frighteningly more and more to the State, a global, bio-medical industrial complex has arisen comprising ARTs, surrogate pregnancy, egg/sperm donation and the like. Gentile points out the rise of the post-9/11 fetishization of the fetus a receptacle for all our vulnerabilities which must be protected at all costs in the face of the hyper-object: the threat of global catastrophe looming large. ARTs and its associated industries manufacture hope and optimism in conceiving babies at any cost (for those of privilege) while serving to further elevate, protect and fetishize the fetus. It’s a space of repro-futurity in which life is constructed around achieving reproductive milestones. ARTs have become another neoliberal trope to imagine life without limits as they have been subsumed into ordinary medicine for all women. With ARTs there is often no space to acknowledge loss, shame, uncertainty and the sexual re-traumatization that often occur during the process. On the plus side, ARTs offer the promise and opportunity of biological parenthood to marginalized people (for example, trans men) resulting in diverse family configurations. Gentile asks can other spaces be nurtured so that babies are not the main focus of generativity, especially for women? How can we better theorize childfree lives of creativity that are not seen as displaced parenting but generativity for its own pleasure?</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3133</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55951]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5772734509.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Vrousalis, “The Political Philosophy of G.A. Cohen: Back to Socialist Basics” (Bloomsbury Academic, 2015)</title>
      <description>In his book The Political Philosophy of G.A. Cohen: Back to Socialist Basics (Bloomsbury Academic, 2015), Nicholas Vrousalis (Leiden University) provides a thorough and complex reconstruction of G.A. Cohen’s political philosophical project. Understanding Cohen to be engaged in “secular egalitarian theodicy,” Vrousalis threads together the major dimensions of Cohen’s thought to find unity in Cohen’s philosophy. The book and the interview take up the concepts central to Cohen’s work – historical materialism, freedom, equality, exploitation, community, and socialism – in a way that explores the tensions, resonances, and changes that persist across Cohen’s writings. Along the way, Vrousalis analyzes Cohen’s polemical engagements with other major political philosophers, such as John Rawls, Ronald Dworkin, Amartya Sen, Robert Nozick, and more, all as examples of Cohen’s “immanent” philosophical method.



 John McMahon is a Doctoral Candidate in Political Science at The Graduate Center, CUNY, where he has also completed the Women’s Studies Certificate. He is a Fellow at the Center for Global Ethics and Politics at the  Ralph Bunche Institute for International Studies at The Graduate Center, which co-sponsors the podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 May 2016 11:09:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his book The Political Philosophy of G.A. Cohen: Back to Socialist Basics (Bloomsbury Academic, 2015), Nicholas Vrousalis (Leiden University) provides a thorough and complex reconstruction of G.A. Cohen’s political philosophical project.</itunes:subtitle>
      <itunes:summary>In his book The Political Philosophy of G.A. Cohen: Back to Socialist Basics (Bloomsbury Academic, 2015), Nicholas Vrousalis (Leiden University) provides a thorough and complex reconstruction of G.A. Cohen’s political philosophical project. Understanding Cohen to be engaged in “secular egalitarian theodicy,” Vrousalis threads together the major dimensions of Cohen’s thought to find unity in Cohen’s philosophy. The book and the interview take up the concepts central to Cohen’s work – historical materialism, freedom, equality, exploitation, community, and socialism – in a way that explores the tensions, resonances, and changes that persist across Cohen’s writings. Along the way, Vrousalis analyzes Cohen’s polemical engagements with other major political philosophers, such as John Rawls, Ronald Dworkin, Amartya Sen, Robert Nozick, and more, all as examples of Cohen’s “immanent” philosophical method.



 John McMahon is a Doctoral Candidate in Political Science at The Graduate Center, CUNY, where he has also completed the Women’s Studies Certificate. He is a Fellow at the Center for Global Ethics and Politics at the  Ralph Bunche Institute for International Studies at The Graduate Center, which co-sponsors the podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book <a href="http://www.amazon.com/Political-Philosophy-Cohen-Socialist-Bloomsbury/dp/147252828X">The Political Philosophy of G.A. Cohen: Back to Socialist Basics</a> (Bloomsbury Academic, 2015), <a href="http://vrousalis.net/">Nicholas Vrousalis</a> (Leiden University) provides a thorough and complex reconstruction of G.A. Cohen’s political philosophical project. Understanding Cohen to be engaged in “secular egalitarian theodicy,” Vrousalis threads together the major dimensions of Cohen’s thought to find unity in Cohen’s philosophy. The book and the interview take up the concepts central to Cohen’s work – historical materialism, freedom, equality, exploitation, community, and socialism – in a way that explores the tensions, resonances, and changes that persist across Cohen’s writings. Along the way, Vrousalis analyzes Cohen’s polemical engagements with other major political philosophers, such as John Rawls, Ronald Dworkin, Amartya Sen, Robert Nozick, and more, all as examples of Cohen’s “immanent” philosophical method.</p><p>
</p><p>
<a href="http://johnmcmahon.ws.gc.cuny.edu/"> John McMahon </a>is a Doctoral Candidate in Political Science at The Graduate Center, CUNY, where he has also completed the Women’s Studies Certificate. He is a Fellow at the <a href="http://cgep.ws.gc.cuny.edu/">Center for Global Ethics and Politics</a> at the <a href="http://ralphbuncheinstitute.org/"> Ralph Bunche Institute for International Studies</a> at The Graduate Center, which co-sponsors the podcast.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3563</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55782]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4714986663.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bernard Harcourt, “Exposed: Desire and Disobedience in the Digital Age” (Harvard UP, 2015)</title>
      <description>The landscape described in Bernard Harcourt‘s new book is a dystopia saturated by pleasure. We do not live in a drab Orwellian world, he writes. We live in a beautiful, colorful, stimulating, digital world a rich, bright world full of passion and jouissance–and by means of which we reveal ourselves and make ourselves virtually transparent to surveillance.

Exposed: Desire and Disobedience in the Digital Age (Harvard University Press, 2015) guides us through our new digital age, one that makes it so easy for others to monitor, profile, and shape our every desire. We are building what he calls the expository society a platform for unprecedented levels of exhibition, watching, and influence that is reconfiguring our political relations and reshaping our notions of what it means to be an individual.

Other actors from advertisers to government agencies can compile huge amounts of information about who we are and what we do. Whether they use it to recommend other products to buy or track our movements, Harcourt argues that the influence and interests of other actors is often hidden from us. Despite leaks of classified materials about the extent of this surveillance, public outrage is limited and mild. The scale of data collection and tracking is not a national let alone a global scandal.

According to Exposed, are appetites are too well satisfied and our attentions too distracted. Harcourt prods us to practice digital disobedience, lest we will remain in a digital mesh that will only continue to restrict our privacy and anonymity underneath its beautiful, shiny suit.



John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 17 May 2016 11:02:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The landscape described in Bernard Harcourt‘s new book is a dystopia saturated by pleasure. We do not live in a drab Orwellian world, he writes. We live in a beautiful, colorful, stimulating, digital world a rich,</itunes:subtitle>
      <itunes:summary>The landscape described in Bernard Harcourt‘s new book is a dystopia saturated by pleasure. We do not live in a drab Orwellian world, he writes. We live in a beautiful, colorful, stimulating, digital world a rich, bright world full of passion and jouissance–and by means of which we reveal ourselves and make ourselves virtually transparent to surveillance.

Exposed: Desire and Disobedience in the Digital Age (Harvard University Press, 2015) guides us through our new digital age, one that makes it so easy for others to monitor, profile, and shape our every desire. We are building what he calls the expository society a platform for unprecedented levels of exhibition, watching, and influence that is reconfiguring our political relations and reshaping our notions of what it means to be an individual.

Other actors from advertisers to government agencies can compile huge amounts of information about who we are and what we do. Whether they use it to recommend other products to buy or track our movements, Harcourt argues that the influence and interests of other actors is often hidden from us. Despite leaks of classified materials about the extent of this surveillance, public outrage is limited and mild. The scale of data collection and tracking is not a national let alone a global scandal.

According to Exposed, are appetites are too well satisfied and our attentions too distracted. Harcourt prods us to practice digital disobedience, lest we will remain in a digital mesh that will only continue to restrict our privacy and anonymity underneath its beautiful, shiny suit.



John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The landscape described in <a href="http://www.law.columbia.edu/fac/Bernard_Harcourt">Bernard Harcourt</a>‘s new book is a dystopia saturated by pleasure. We do not live in a drab Orwellian world, he writes. We live in a beautiful, colorful, stimulating, digital world a rich, bright world full of passion and jouissance–and by means of which we reveal ourselves and make ourselves virtually transparent to surveillance.</p><p>
<a href="http://www.amazon.com/dp/0674504577/?tag=newbooinhis-20">Exposed: Desire and Disobedience in the Digital Age</a> (Harvard University Press, 2015) guides us through our new digital age, one that makes it so easy for others to monitor, profile, and shape our every desire. We are building what he calls the expository society a platform for unprecedented levels of exhibition, watching, and influence that is reconfiguring our political relations and reshaping our notions of what it means to be an individual.</p><p>
Other actors from advertisers to government agencies can compile huge amounts of information about who we are and what we do. Whether they use it to recommend other products to buy or track our movements, Harcourt argues that the influence and interests of other actors is often hidden from us. Despite leaks of classified materials about the extent of this surveillance, public outrage is limited and mild. The scale of data collection and tracking is not a national let alone a global scandal.</p><p>
According to Exposed, are appetites are too well satisfied and our attentions too distracted. Harcourt prods us to practice digital disobedience, lest we will remain in a digital mesh that will only continue to restrict our privacy and anonymity underneath its beautiful, shiny suit.</p><p>
</p><p>
John Balz is Director of Strategy at VML, a full-service marketing agency with offices around the globe. He has spent his career applying behavioral science strategies in the marketing and advertising field through direct mail and email, display and .coms, mobile messaging, e-commerce and social media. You can follow him on Twitter @Nudgeblog and contact him at nudgeblog@gmail.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4240</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55797]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6614901024.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Malcolm James, “Urban Multiculture: Youth, Politics and Transformations in a Global City” (Palgrave, 2015)</title>
      <description>How is youth culture changing in a globalised city? In Urban Multiculture: Youth, Politics and Transformations in a Global City Malcolm James, a lecturer at the University of Sussex, introduces the concept of Urban Multiculture as a framework for understanding his ethnographic research in East London. The book considers memory, territory and cultural practice, thinking through how the politics of class and race, alongside the lived experience of young people in the area, are being reconfigured by technology. This reconfiguration takes place in the context of global flows of people and culture, in a contested and transforming East London. The book demonstrates the importance of ethnographic research, both to how we understand and do politics, and to how we understand the contemporary city. It will be of interested to any scholar of urban studies, as well as those working on youth, race and class.



Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 May 2016 17:58:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How is youth culture changing in a globalised city? In Urban Multiculture: Youth, Politics and Transformations in a Global City Malcolm James, a lecturer at the University of Sussex, introduces the concept of Urban Multiculture as a framework for under...</itunes:subtitle>
      <itunes:summary>How is youth culture changing in a globalised city? In Urban Multiculture: Youth, Politics and Transformations in a Global City Malcolm James, a lecturer at the University of Sussex, introduces the concept of Urban Multiculture as a framework for understanding his ethnographic research in East London. The book considers memory, territory and cultural practice, thinking through how the politics of class and race, alongside the lived experience of young people in the area, are being reconfigured by technology. This reconfiguration takes place in the context of global flows of people and culture, in a contested and transforming East London. The book demonstrates the importance of ethnographic research, both to how we understand and do politics, and to how we understand the contemporary city. It will be of interested to any scholar of urban studies, as well as those working on youth, race and class.



Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is youth culture changing in a globalised city? In<a href="http://www.palgrave.com/in/book/9781137473806"> Urban Multiculture: Youth, Politics and Transformations in a Global City</a> <a href="http://www.sussex.ac.uk/profiles/355671">Malcolm James</a>, a <a href="http://www.sussex.ac.uk/profiles/355671">lecturer at the University of Sussex</a>, introduces the concept of Urban Multiculture as a framework for understanding his ethnographic research in East London. The book considers memory, territory and cultural practice, thinking through how the politics of class and race, alongside the lived experience of young people in the area, are being reconfigured by technology. This reconfiguration takes place in the context of global flows of people and culture, in a contested and transforming East London. The book demonstrates the importance of ethnographic research, both to how we understand and do politics, and to how we understand the contemporary city. It will be of interested to any scholar of urban studies, as well as those working on youth, race and class.</p><p>
</p><p>
Dave OBrien is the host of New Books In Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets<a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2487</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55575]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1788240328.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Garrett M. Broad, “More Than Just Food: Food Justice and Community Change” (U of California Press, 2016)</title>
      <description>Resistance to the industrial food system has, over the past decades, led to the rise of alternative food movements. Debate about genetically modified food, sugar consumption, fast food and the obesity crisis (to name a few) is pervasive. Most often, this focuses on individual consumer choice. Garrett M.Broad argues, however, for the importance of community level initiative. He maintains that the vote with your fork movement obscures the structural foundation of the corporate food system. The alternative food movements, as a whole, fail to recognize that the inequities in the food system are connected to histories of racial and economic discrimination.

Broad’s book More Than Just Food: Food Justice and Community Change (University of California Press, 2016) examines the work of community-based food justice groups operating in South Los Angeles, like Community Services Unlimited (CSU). Founded as an arm of the South California Black Panther Party, CSU organizes at a grassroots level to provide community access to food, while using food as a means to foster consciousness and promote a broader movement for social justice. More Than Just Food narrates the stories of these organizations, evaluates the pitfalls and possibilities of community-level initiative, and highlights the problematic position of local groups working with national non-profit organizations, and governmental and corporate agencies. Through his engaged scholarship and nuanced analysis, Broad offers us a study of specific movements in their local context and makes recommendations to help future movements organize and act effectively.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 13 May 2016 13:08:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Resistance to the industrial food system has, over the past decades, led to the rise of alternative food movements. Debate about genetically modified food, sugar consumption, fast food and the obesity crisis (to name a few) is pervasive. Most often,</itunes:subtitle>
      <itunes:summary>Resistance to the industrial food system has, over the past decades, led to the rise of alternative food movements. Debate about genetically modified food, sugar consumption, fast food and the obesity crisis (to name a few) is pervasive. Most often, this focuses on individual consumer choice. Garrett M.Broad argues, however, for the importance of community level initiative. He maintains that the vote with your fork movement obscures the structural foundation of the corporate food system. The alternative food movements, as a whole, fail to recognize that the inequities in the food system are connected to histories of racial and economic discrimination.

Broad’s book More Than Just Food: Food Justice and Community Change (University of California Press, 2016) examines the work of community-based food justice groups operating in South Los Angeles, like Community Services Unlimited (CSU). Founded as an arm of the South California Black Panther Party, CSU organizes at a grassroots level to provide community access to food, while using food as a means to foster consciousness and promote a broader movement for social justice. More Than Just Food narrates the stories of these organizations, evaluates the pitfalls and possibilities of community-level initiative, and highlights the problematic position of local groups working with national non-profit organizations, and governmental and corporate agencies. Through his engaged scholarship and nuanced analysis, Broad offers us a study of specific movements in their local context and makes recommendations to help future movements organize and act effectively.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Resistance to the industrial food system has, over the past decades, led to the rise of alternative food movements. Debate about genetically modified food, sugar consumption, fast food and the obesity crisis (to name a few) is pervasive. Most often, this focuses on individual consumer choice. <a href="http://garrettbroad.webflow.io/#About">Garrett M.Broad</a> argues, however, for the importance of community level initiative. He maintains that the vote with your fork movement obscures the structural foundation of the corporate food system. The alternative food movements, as a whole, fail to recognize that the inequities in the food system are connected to histories of racial and economic discrimination.</p><p>
Broad’s book More <a href="http://www.ucpress.edu/book.php?isbn=9780520287457">Than Just Food: Food Justice and Community Change</a> (University of California Press, 2016) examines the work of community-based food justice groups operating in South Los Angeles, like Community Services Unlimited (CSU). Founded as an arm of the South California Black Panther Party, CSU organizes at a grassroots level to provide community access to food, while using food as a means to foster consciousness and promote a broader movement for social justice. More Than Just Food narrates the stories of these organizations, evaluates the pitfalls and possibilities of community-level initiative, and highlights the problematic position of local groups working with national non-profit organizations, and governmental and corporate agencies. Through his engaged scholarship and nuanced analysis, Broad offers us a study of specific movements in their local context and makes recommendations to help future movements organize and act effectively.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3306</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55597]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6392077590.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lynne Pettinger, “Work, Consumption and Capitalism” (Palgrave Macmillan, 2015)</title>
      <description>What do jeans tell us about the contemporary world? They provide the starting point for Lynne Pettinger‘s Work, Consumption and Capitalism (Palgrave Macmillan, 2015). Pettinger, an associate professor of sociology at the University of Warwick, examines the interrelationships between work and consumption, bringing a global perspective to these intertwined areas of social life. The book introduces core theories of capitalism, work, bodies, emotions and markets, with key examples including the fashion industry and other ‘aesthetic’ economies. The book has a profound concern with the ethics of work and consumption, challenging ideas of what a good job or good work may be. Well written, with accessible examples and easy to follow discussions of complex ideas, Work, Consumption and Capitalism will be of interest to a range of social science scholars and students.



Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 May 2016 12:51:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What do jeans tell us about the contemporary world? They provide the starting point for Lynne Pettinger‘s Work, Consumption and Capitalism (Palgrave Macmillan, 2015). Pettinger, an associate professor of sociology at the University of Warwick,</itunes:subtitle>
      <itunes:summary>What do jeans tell us about the contemporary world? They provide the starting point for Lynne Pettinger‘s Work, Consumption and Capitalism (Palgrave Macmillan, 2015). Pettinger, an associate professor of sociology at the University of Warwick, examines the interrelationships between work and consumption, bringing a global perspective to these intertwined areas of social life. The book introduces core theories of capitalism, work, bodies, emotions and markets, with key examples including the fashion industry and other ‘aesthetic’ economies. The book has a profound concern with the ethics of work and consumption, challenging ideas of what a good job or good work may be. Well written, with accessible examples and easy to follow discussions of complex ideas, Work, Consumption and Capitalism will be of interest to a range of social science scholars and students.



Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do jeans tell us about the contemporary world? They provide the starting point for <a href="http://www2.warwick.ac.uk/fac/soc/sociology/staff/lynnepettinger/">Lynne Pettinger</a>‘s <a href="http://www.amazon.com/dp/1137342773/?tag=newbooinhis-20">Work, Consumption and Capitalism</a> (Palgrave Macmillan, 2015). Pettinger, an associate professor of sociology at the University of Warwick, examines the interrelationships between work and consumption, bringing a global perspective to these intertwined areas of social life. The book introduces core theories of capitalism, work, bodies, emotions and markets, with key examples including the fashion industry and other ‘aesthetic’ economies. The book has a profound concern with the ethics of work and consumption, challenging ideas of what a good job or good work may be. Well written, with accessible examples and easy to follow discussions of complex ideas, Work, Consumption and Capitalism will be of interest to a range of social science scholars and students.</p><p>
</p><p>
Dave OBrien is the host of New Books In Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets<a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2004</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55392]]></guid>
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    </item>
    <item>
      <title>Linsey McGoey, “No Such Thing as a Free Gift: The Gates Foundation and the Price of Philanthropy” (Verso, 2015)</title>
      <description>In No Such Thing as a Free Gift: The Gates Foundation and the Price of Philanthropy (Verso Books, 2015), Linsey McGoey proposes a new way of discussing philanthropy and, in doing so, revives associated historical debates often overlooked at present: from the ethics of clinical trials to industrial labor organizing in the early 20th century to global financial regulation.

Tracing theological and industrial origins, among others, of what is now the field of philanthropy, Dr. McGoey asks how these institutions fit into the larger global economy. More broadly, McGoey suggests that capitalism has become the bedrock of many philanthropic social change efforts, reflected in the terms philanthrocapitalism, impact investment, and social enterprise among others. What, then, are the most appropriate questions to ask about regulation, morality, well-being, accountability, and profitability? No Such Thing As A Free Gift starts by examining the industry in the language of monopolies, investments, regulation, taxes, and democratic participation.

Political philosophy and economic justice bookend several of the book’s core arguments, aiming to revisit earlier debates on the relationship between private wealth and the public good, often insisting that these questions are not only relevant to the current philanthropic landscape, but dictate it. While the Bill and Melinda Gates Foundation is the unapologetic focus of the book, its chapters frame an important set of questions about the role of transnational, largely undemocratic institutions, in local and global policy-making.



Anna Levy is an independent researcher and policy analyst with interests in critical political economy, historical memory, histories and philosophies of normalization, accountability politics, science &amp; technology, and structural inequality. She is based in Brooklyn, NY and Amman, Jordan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 04 May 2016 12:35:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In No Such Thing as a Free Gift: The Gates Foundation and the Price of Philanthropy (Verso Books, 2015), Linsey McGoey proposes a new way of discussing philanthropy and, in doing so, revives associated historical debates often overlooked at present: fr...</itunes:subtitle>
      <itunes:summary>In No Such Thing as a Free Gift: The Gates Foundation and the Price of Philanthropy (Verso Books, 2015), Linsey McGoey proposes a new way of discussing philanthropy and, in doing so, revives associated historical debates often overlooked at present: from the ethics of clinical trials to industrial labor organizing in the early 20th century to global financial regulation.

Tracing theological and industrial origins, among others, of what is now the field of philanthropy, Dr. McGoey asks how these institutions fit into the larger global economy. More broadly, McGoey suggests that capitalism has become the bedrock of many philanthropic social change efforts, reflected in the terms philanthrocapitalism, impact investment, and social enterprise among others. What, then, are the most appropriate questions to ask about regulation, morality, well-being, accountability, and profitability? No Such Thing As A Free Gift starts by examining the industry in the language of monopolies, investments, regulation, taxes, and democratic participation.

Political philosophy and economic justice bookend several of the book’s core arguments, aiming to revisit earlier debates on the relationship between private wealth and the public good, often insisting that these questions are not only relevant to the current philanthropic landscape, but dictate it. While the Bill and Melinda Gates Foundation is the unapologetic focus of the book, its chapters frame an important set of questions about the role of transnational, largely undemocratic institutions, in local and global policy-making.



Anna Levy is an independent researcher and policy analyst with interests in critical political economy, historical memory, histories and philosophies of normalization, accountability politics, science &amp; technology, and structural inequality. She is based in Brooklyn, NY and Amman, Jordan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1784780839/?tag=newbooinhis-20">No Such Thing as a Free Gift: The Gates Foundation and the Price of Philanthropy</a> (Verso Books, 2015), <a href="https://www.essex.ac.uk/sociology/staff/profile.aspx?ID=1954">Linsey McGoey</a> proposes a new way of discussing philanthropy and, in doing so, revives associated historical debates often overlooked at present: from the ethics of clinical trials to industrial labor organizing in the early 20th century to global financial regulation.</p><p>
Tracing theological and industrial origins, among others, of what is now the field of philanthropy, Dr. McGoey asks how these institutions fit into the larger global economy. More broadly, McGoey suggests that capitalism has become the bedrock of many philanthropic social change efforts, reflected in the terms philanthrocapitalism, impact investment, and social enterprise among others. What, then, are the most appropriate questions to ask about regulation, morality, well-being, accountability, and profitability? No Such Thing As A Free Gift starts by examining the industry in the language of monopolies, investments, regulation, taxes, and democratic participation.</p><p>
Political philosophy and economic justice bookend several of the book’s core arguments, aiming to revisit earlier debates on the relationship between private wealth and the public good, often insisting that these questions are not only relevant to the current philanthropic landscape, but dictate it. While the Bill and Melinda Gates Foundation is the unapologetic focus of the book, its chapters frame an important set of questions about the role of transnational, largely undemocratic institutions, in local and global policy-making.</p><p>
</p><p>
Anna Levy is an independent researcher and policy analyst with interests in critical political economy, historical memory, histories and philosophies of normalization, accountability politics, science &amp; technology, and structural inequality. She is based in Brooklyn, NY and Amman, Jordan.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3444</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55445]]></guid>
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    <item>
      <title>Mark Schuller, “Humanitarian Aftershocks in Haiti” (Rutgers UP, 2016)</title>
      <description>The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. Mark Schuller‘s book Humanitarian Aftershocks in Haiti  (Rutgers University Press, 2016) takes readers into the temporary camps in Port au Prince and offers a searing critique of the NGOs and aid organizations that organized relief efforts. Despite good intentions, the assumptions and practices of many of those organizations all too frequently resulted in the separation of families, sexual violence, and a continuation of racist hierarchies. And yet Schuller finds some success stories amidst the continuing tragedy. This is a necessary read for anyone interested in the complexities of humanitarianism, in US-Haiti relations, and in the politics of catastrophe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 28 Apr 2016 10:39:16 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. Mark Schuller‘s book Humanitarian Aftershocks in Haiti (Rutgers University Press, 2016) takes readers into the temporary camps in Por...</itunes:subtitle>
      <itunes:summary>The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. Mark Schuller‘s book Humanitarian Aftershocks in Haiti  (Rutgers University Press, 2016) takes readers into the temporary camps in Port au Prince and offers a searing critique of the NGOs and aid organizations that organized relief efforts. Despite good intentions, the assumptions and practices of many of those organizations all too frequently resulted in the separation of families, sexual violence, and a continuation of racist hierarchies. And yet Schuller finds some success stories amidst the continuing tragedy. This is a necessary read for anyone interested in the complexities of humanitarianism, in US-Haiti relations, and in the politics of catastrophe.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. <a href="http://www.niu.edu/anthro/faculty_staff/faculty/schuller.shtml">Mark Schuller</a>‘s book<a href="http://www.amazon.com/dp/0813574242/?tag=newbooinhis-20"> Humanitarian Aftershocks in Haiti</a>  (Rutgers University Press, 2016) takes readers into the temporary camps in Port au Prince and offers a searing critique of the NGOs and aid organizations that organized relief efforts. Despite good intentions, the assumptions and practices of many of those organizations all too frequently resulted in the separation of families, sexual violence, and a continuation of racist hierarchies. And yet Schuller finds some success stories amidst the continuing tragedy. This is a necessary read for anyone interested in the complexities of humanitarianism, in US-Haiti relations, and in the politics of catastrophe.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3034</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55301]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4784760378.mp3" length="0" type="audio/mpeg"/>
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      <title>Mark Carrigan, “Social Media for Academics” (Sage, 2016)</title>
      <description>How can academics respond to the rise of social media? Or should they respond at all? In Social Media for Academics (Sage, 2016), Mark Carrigan, from the Centre for Social Ontology, offers an informed and reflective take on social media, with some practical guidelines for academics. The book introduces key concepts, such as digital scholarship, social media and ‘the public’, alongside discussions of specific platforms including twitter (Mark himself tweets @mark_carrigan). The book is not only a guide for academics who are interested in social media, as it considers the impact of new media forms on scholarship itself, with considerations of academic identities, academic networks and relationships, as well as the benefits and risks of embracing social media.The book is essential reading for any academic seeking an informed understanding of both the ‘how to’ and, perhaps more importantly, the ‘why’ and ‘what’ of social media for academics.



Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Apr 2016 14:12:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can academics respond to the rise of social media? Or should they respond at all? In Social Media for Academics (Sage, 2016), Mark Carrigan, from the Centre for Social Ontology, offers an informed and reflective take on social media,</itunes:subtitle>
      <itunes:summary>How can academics respond to the rise of social media? Or should they respond at all? In Social Media for Academics (Sage, 2016), Mark Carrigan, from the Centre for Social Ontology, offers an informed and reflective take on social media, with some practical guidelines for academics. The book introduces key concepts, such as digital scholarship, social media and ‘the public’, alongside discussions of specific platforms including twitter (Mark himself tweets @mark_carrigan). The book is not only a guide for academics who are interested in social media, as it considers the impact of new media forms on scholarship itself, with considerations of academic identities, academic networks and relationships, as well as the benefits and risks of embracing social media.The book is essential reading for any academic seeking an informed understanding of both the ‘how to’ and, perhaps more importantly, the ‘why’ and ‘what’ of social media for academics.



Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can academics respond to the rise of social media? Or should they respond at all? In <a href="http://www.amazon.com/dp/144629868X/?tag=newbooinhis-20">Social Media for Academics</a> (Sage, 2016), <a href="https://markcarrigan.net">Mark Carrigan</a>, from the <a href="http://socialontology.org">Centre for Social Ontology</a>, offers an informed and reflective take on social media, with some practical guidelines for academics. The book introduces key concepts, such as digital scholarship, social media and ‘the public’, alongside discussions of specific platforms including twitter (Mark himself tweets <a href="https://twitter.com/mark_carrigan">@mark_carrigan</a>). The book is not only a guide for academics who are interested in social media, as it considers the impact of new media forms on scholarship itself, with considerations of academic identities, academic networks and relationships, as well as the benefits and risks of embracing social media.The book is essential reading for any academic seeking an informed understanding of both the ‘how to’ and, perhaps more importantly, the ‘why’ and ‘what’ of social media for academics.</p><p>
</p><p>
Dave O’Brien is the host of New Books In Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets<a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2549</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55185]]></guid>
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      <title>Eben Kirksey, “Emergent Ecologies” (Duke UP, 2015)</title>
      <description>Eben Kirksey new book asks and explores a series of timely, important, and fascinating questions: How do certain plants, animals, and fungi move among worlds, navigate shifting circumstances, and find emergent opportunities? When do new species add value to ecological associations, and when do they become irredeemably destructive? When should we let unruly forms of life run wild, and when should we intervene?…Which creatures are flourishing, and which are failing, at the intersection of divided forces, competing political projects, and diverse market economies? Amid widespread environmental destruction, with radical changes taking place in ecosystems throughout the Americas, where can we find hope? Emergent Ecologies (Duke University Press, 2015) takes readers on an adventure through the Americas stopping over in ecosystems, laboratories, art exhibits, forests, and more in Panama, New York, Maine, Florida, Costa Rica to tell a story about the practices of worldmaking by ants, frogs, fungi, and other ontological amphibians. This is an exuberant and sensitively-written multispecies ethnography that is also a pleasure to read.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Apr 2016 17:24:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Eben Kirksey new book asks and explores a series of timely, important, and fascinating questions: How do certain plants, animals, and fungi move among worlds, navigate shifting circumstances, and find emergent opportunities?</itunes:subtitle>
      <itunes:summary>Eben Kirksey new book asks and explores a series of timely, important, and fascinating questions: How do certain plants, animals, and fungi move among worlds, navigate shifting circumstances, and find emergent opportunities? When do new species add value to ecological associations, and when do they become irredeemably destructive? When should we let unruly forms of life run wild, and when should we intervene?…Which creatures are flourishing, and which are failing, at the intersection of divided forces, competing political projects, and diverse market economies? Amid widespread environmental destruction, with radical changes taking place in ecosystems throughout the Americas, where can we find hope? Emergent Ecologies (Duke University Press, 2015) takes readers on an adventure through the Americas stopping over in ecosystems, laboratories, art exhibits, forests, and more in Panama, New York, Maine, Florida, Costa Rica to tell a story about the practices of worldmaking by ants, frogs, fungi, and other ontological amphibians. This is an exuberant and sensitively-written multispecies ethnography that is also a pleasure to read.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://hal.arts.unsw.edu.au/about-us/people/eben-kirksey/">Eben Kirksey</a> new book asks and explores a series of timely, important, and fascinating questions: How do certain plants, animals, and fungi move among worlds, navigate shifting circumstances, and find emergent opportunities? When do new species add value to ecological associations, and when do they become irredeemably destructive? When should we let unruly forms of life run wild, and when should we intervene?…Which creatures are flourishing, and which are failing, at the intersection of divided forces, competing political projects, and diverse market economies? Amid widespread environmental destruction, with radical changes taking place in ecosystems throughout the Americas, where can we find hope? <a href="http://www.amazon.com/dp/0822360357/?tag=newbooinhis-20">Emergent Ecologies</a> (Duke University Press, 2015) takes readers on an adventure through the Americas stopping over in ecosystems, laboratories, art exhibits, forests, and more in Panama, New York, Maine, Florida, Costa Rica to tell a story about the practices of worldmaking by ants, frogs, fungi, and other ontological amphibians. This is an exuberant and sensitively-written multispecies ethnography that is also a pleasure to read.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4203</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54985]]></guid>
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    <item>
      <title>Alfie Bown, “Enjoying It: Candy Crush and Capitalism” (Zero Books, 2015)</title>
      <description>What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and co-editor of Everyday Analysis and the Hong Kong Review of Books, talks through the political potential of new forms of enjoyment. Using Candy Crush Saga, Football Manager, Gangnam Style, Game of Thrones, and the act of reading critical theory itself, the book argues we need to take enjoyment seriously. Enjoyment is understood in relation to work and capitalism, unpacking ideas of productive and unproductive enjoyment and how they might serve or subvert power and control in modern life. The book will be of interest to scholars across philosophy, literary studies, and the social sciences, alongside anyone with a smart phone, tablet or love of the television box set!



Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 Apr 2016 15:38:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and co-editor of Everyday Analysis and the Hong Kong Rev...</itunes:subtitle>
      <itunes:summary>What is enjoyment and what can contemporary critical theory tell us about it? In Enjoying It: Candy Crush and Capitalism (Zero Books, 2015), Alfie Bown, a lecturer at Hang Seng Management College and co-editor of Everyday Analysis and the Hong Kong Review of Books, talks through the political potential of new forms of enjoyment. Using Candy Crush Saga, Football Manager, Gangnam Style, Game of Thrones, and the act of reading critical theory itself, the book argues we need to take enjoyment seriously. Enjoyment is understood in relation to work and capitalism, unpacking ideas of productive and unproductive enjoyment and how they might serve or subvert power and control in modern life. The book will be of interest to scholars across philosophy, literary studies, and the social sciences, alongside anyone with a smart phone, tablet or love of the television box set!



Dave OBrien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets@Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is enjoyment and what can contemporary critical theory tell us about it? In <a href="http://www.amazon.com/dp/1785351559/?tag=newbooinhis-20">Enjoying It: Candy Crush and Capitalism</a> (Zero Books, 2015), <a href="http://www.hsmc.edu.hk/?option=com_departments&amp;dep=hum&amp;sid=61&amp;staff=817">Alfie Bown</a>, a lecturer at Hang Seng Management Colle<a href="http://www.hsmc.edu.hk/?option=com_departments&amp;dep=hum&amp;sid=61&amp;staff=817">g</a>e and co-editor of <a href="https://www.everydayanalysis.com">Everyday Analysis</a> and the <a href="https://hkrbooks.com">Hong Kong Review of Books</a>, talks through the political potential of new forms of enjoyment. Using Candy Crush Saga, Football Manager, Gangnam Style, Game of Thrones, and the act of reading critical theory itself, the book argues we need to take enjoyment seriously. Enjoyment is understood in relation to work and capitalism, unpacking ideas of productive and unproductive enjoyment and how they might serve or subvert power and control in modern life. The book will be of interest to scholars across philosophy, literary studies, and the social sciences, alongside anyone with a smart phone, tablet or love of the television box set!</p><p>
</p><p>
Dave OBrien is the host of New Books In Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr Peter Matthews). He tweets<a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1867</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54991]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2095660209.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Emma Jackson, “Young Homeless People and Urban Space: Fixed in Mobility” (Routledge, 2015)</title>
      <description>What is the experience of young homeless people? What does this experience tell us about space, place and society? In Young Homeless People and Urban Space: Fixed in Mobility (Routledge, 2015), Dr. Emma Jackson, a lecturer in the Sociology Department of Goldsmith’s College, University of London, employs an ethnographic approach to understand young people’s experience of homelessness in contemporary London. The book is rich with the stories and experiences of young people, based around a day centre offering support as they navigate the complexities of both London’s super-diverse city and the bureaucracies of the British state. Offering important theoretical and methodological contributions, along with the ethnographic insights, the narratives within the book are essential and important reading for all those seeking to understand what it is to be young in a housing crisis within a highly unequal global city.



Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths’ College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and  After Urban Regeneration (edited with Dr Peter Matthews). He tweets @Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 08 Apr 2016 14:00:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the experience of young homeless people? What does this experience tell us about space, place and society? In Young Homeless People and Urban Space: Fixed in Mobility (Routledge, 2015), Dr. Emma Jackson,</itunes:subtitle>
      <itunes:summary>What is the experience of young homeless people? What does this experience tell us about space, place and society? In Young Homeless People and Urban Space: Fixed in Mobility (Routledge, 2015), Dr. Emma Jackson, a lecturer in the Sociology Department of Goldsmith’s College, University of London, employs an ethnographic approach to understand young people’s experience of homelessness in contemporary London. The book is rich with the stories and experiences of young people, based around a day centre offering support as they navigate the complexities of both London’s super-diverse city and the bureaucracies of the British state. Offering important theoretical and methodological contributions, along with the ethnographic insights, the narratives within the book are essential and important reading for all those seeking to understand what it is to be young in a housing crisis within a highly unequal global city.



Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths’ College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and  After Urban Regeneration (edited with Dr Peter Matthews). He tweets @Drdaveobrien
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the experience of young homeless people? What does this experience tell us about space, place and society? In <a href="http://www.amazon.com/dp/0415722160/?tag=newbooinhis-20">Young Homeless People and Urban Space: Fixed in Mobility</a> (Routledge, 2015), <a href="https://twitter.com/emmakjackson?lang=en-gb">Dr. Emma Jackson</a>, a lecturer in the <a href="http://www.gold.ac.uk/sociology/staff/jackson-emma/">Sociology Department of Goldsmith’s College, University of London</a>, employs an ethnographic approach to understand young people’s experience of homelessness in contemporary London. The book is rich with the stories and experiences of young people, based around a day centre offering support as they navigate the complexities of both London’s super-diverse city and the bureaucracies of the British state. Offering important theoretical and methodological contributions, along with the ethnographic insights, the narratives within the book are essential and important reading for all those seeking to understand what it is to be young in a housing crisis within a highly unequal global city.</p><p>
</p><p>
Dave O’Brien is the host of New Books In Critical Theory and is a <a href="http://www.gold.ac.uk/icce/staff/obrien-dave/">Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths’ College, University of London</a>. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and  After Urban Regeneration (edited with Dr Peter Matthews). He tweets <a href="https://twitter.com/drdaveobrien">@Drdaveobrien</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2167</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54548]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3556953897.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Roshanak Kheshti, “Modernity’s Ear: Listening to Race and Gender in World Music” (NYU Press, 2015)</title>
      <description>The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015), Roshanak Kheshti explores how these origins shape how listeners hear world music today.

Kheshti did fieldwork at Kinship Records, a pseudonym of a world music label, and examined how world music gets record, produced, marketed, and sold. Full of theoretical insights, Modernity’s Ear focuses on how listening and the ear have become key sites for the production of racial and gender identities and how listeners come to hear their own desires. Kheshti challenges earlier scholarly studies that criticize world music for appropriating ethnic sounds. Instead, she considers how music allows listeners to incorporate a wide range of sounds into their own culture. For example she discusses how Vampire Weekend, an alternative rock band, drew on Afro pop in their music. For Kheshti, this is a key example of how listeners came to make world music their own.

The book concludes with a discussion of Zora Neale Hurston’s recordings of African American folk songs and tales. Kheshti argues that Hurston understood all too well the dominant paradigms around such folk recordings, which viewed such recordings as valuable because they were authentic sounds. Hurston, however, refused such a position and chose to preform African American folk songs and stories herself rather than record “authentic” native voices. For Kheshti, Hurston’s decision demonstrates potential agency and the ability for world music performers to shape how they get heard.

Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 01 Apr 2016 10:35:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015),</itunes:subtitle>
      <itunes:summary>The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015), Roshanak Kheshti explores how these origins shape how listeners hear world music today.

Kheshti did fieldwork at Kinship Records, a pseudonym of a world music label, and examined how world music gets record, produced, marketed, and sold. Full of theoretical insights, Modernity’s Ear focuses on how listening and the ear have become key sites for the production of racial and gender identities and how listeners come to hear their own desires. Kheshti challenges earlier scholarly studies that criticize world music for appropriating ethnic sounds. Instead, she considers how music allows listeners to incorporate a wide range of sounds into their own culture. For example she discusses how Vampire Weekend, an alternative rock band, drew on Afro pop in their music. For Kheshti, this is a key example of how listeners came to make world music their own.

The book concludes with a discussion of Zora Neale Hurston’s recordings of African American folk songs and tales. Kheshti argues that Hurston understood all too well the dominant paradigms around such folk recordings, which viewed such recordings as valuable because they were authentic sounds. Hurston, however, refused such a position and chose to preform African American folk songs and stories herself rather than record “authentic” native voices. For Kheshti, Hurston’s decision demonstrates potential agency and the ability for world music performers to shape how they get heard.

Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The origins of world music can be found in early ethnographic recordings as anthropologists and ethnomusicologists sought to record the songs of lost or dying cultures. In <a href="http://www.amazon.com/dp/1479817864/?tag=newbooinhis-20">Modernity’s Ear: Listening to Race and Gender in World Music</a> (NYU Press, 2015), <a href="http://www.ethnicstudies.ucsd.edu/faculty/kheshti.html">Roshanak Kheshti</a> explores how these origins shape how listeners hear world music today.</p><p>
Kheshti did fieldwork at Kinship Records, a pseudonym of a world music label, and examined how world music gets record, produced, marketed, and sold. Full of theoretical insights, Modernity’s Ear focuses on how listening and the ear have become key sites for the production of racial and gender identities and how listeners come to hear their own desires. Kheshti challenges earlier scholarly studies that criticize world music for appropriating ethnic sounds. Instead, she considers how music allows listeners to incorporate a wide range of sounds into their own culture. For example she discusses how Vampire Weekend, an alternative rock band, drew on Afro pop in their music. For Kheshti, this is a key example of how listeners came to make world music their own.</p><p>
The book concludes with a discussion of Zora Neale Hurston’s recordings of African American folk songs and tales. Kheshti argues that Hurston understood all too well the dominant paradigms around such folk recordings, which viewed such recordings as valuable because they were authentic sounds. Hurston, however, refused such a position and chose to preform African American folk songs and stories herself rather than record “authentic” native voices. For Kheshti, Hurston’s decision demonstrates potential agency and the ability for world music performers to shape how they get heard.</p><p>
Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3578</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54628]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7611378831.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lisa McCormick, “Performing Civility: International Competitions in Classical Music” (Cambridge UP, 2015)</title>
      <description>The competition seems to be a crucial part of the classical music world. In Performing Civility: International Competitions in Classical Music (Cambridge University Press, 2015), Dr. Lisa McCormick, a lecturer in sociology at the University of Edinburgh, offers a unique insight into the history, function and meaning of the classical music competition. The book offers both a rich history of competitions along with a detailed ethnography of competitors, juries and audiences. McCormick uses a detailed engagement with contemporary cultural sociology to grapple with one of the core questions facing the study of culture, of how performances can be measured, codified and judgements ultimately made. The book also engages with gender, comportment and the body, to think through the interaction of performer, judges and audiences, giving an insight into not only the classical competition, but the nature and function of culture in contemporary society. The book will be important reading beyond sociology, for music scholars and anyone interested in arts and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 18 Mar 2016 17:54:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The competition seems to be a crucial part of the classical music world. In Performing Civility: International Competitions in Classical Music (Cambridge University Press, 2015), Dr. Lisa McCormick, a lecturer in sociology at the University of Edinburg...</itunes:subtitle>
      <itunes:summary>The competition seems to be a crucial part of the classical music world. In Performing Civility: International Competitions in Classical Music (Cambridge University Press, 2015), Dr. Lisa McCormick, a lecturer in sociology at the University of Edinburgh, offers a unique insight into the history, function and meaning of the classical music competition. The book offers both a rich history of competitions along with a detailed ethnography of competitors, juries and audiences. McCormick uses a detailed engagement with contemporary cultural sociology to grapple with one of the core questions facing the study of culture, of how performances can be measured, codified and judgements ultimately made. The book also engages with gender, comportment and the body, to think through the interaction of performer, judges and audiences, giving an insight into not only the classical competition, but the nature and function of culture in contemporary society. The book will be important reading beyond sociology, for music scholars and anyone interested in arts and culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The competition seems to be a crucial part of the classical music world. In <a href="http://www.amazon.com/dp/1107100860/?tag=newbooinhis-20">Performing Civility: International Competitions in Classical Music</a> (Cambridge University Press, 2015), <a href="http://www.sociology.ed.ac.uk/people/staff/lisa_mccormick">Dr. Lisa McCormick</a>, a lecturer in sociology at the University of Edinburgh, offers a unique insight into the history, function and meaning of the classical music competition. The book offers both a rich history of competitions along with a detailed ethnography of competitors, juries and audiences. McCormick uses a detailed engagement with contemporary cultural sociology to grapple with one of the core questions facing the study of culture, of how performances can be measured, codified and judgements ultimately made. The book also engages with gender, comportment and the body, to think through the interaction of performer, judges and audiences, giving an insight into not only the classical competition, but the nature and function of culture in contemporary society. The book will be important reading beyond sociology, for music scholars and anyone interested in arts and culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2888</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53419]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9389087060.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Colette Soler, “Lacanian Affects: The Function of Affect in Lacan’s Work”, trans. Bruce Fink (Routledge, 2016)</title>
      <description>Affect is a weighty and consequential problem in psychoanalysis. People enter treatment hoping for relief from symptoms and their attendant unbearable affects. While various theorists and schools offer differing approaches to “feeling states,” emotions, and affects, Lacan, despite devoting an entire seminar to anxiety, often is charged with completely ignoring affect. This misperception stems in part from a caricatured understanding of Lacanian technique – a suspicion that it consists mainly of punning and interminable wordplay. And there is another, more sound reason for the accusation: the tendency of relational, interpersonal, and Kleinian models to locate truth in affects and regard emotions as inherently revelatory – as the most direct communications by and about the subject. By contrast, the question, “How did that make you feel?” is heard infrequently in the Lacanian clinic. Following Freud, Lacan believed that affects are effects. He shared Freud’s skepticism toward manifest emotional states, doubting not their importance but rather their transparency. The royal road to the unconscious is the deciphering of dreams and not the affects they produce. Nevertheless, Lacan’s views on affect increasingly diverged from those of Freud, offering much that was new.

Colette Soler’s pioneering Lacanian Affects: The Function of Affect in Lacan’s Work, translated by Bruce Fink (Routledge, 2016) is the first book to examine Lacan’s theory of affect and its clinical significance. While Lacan focused more on the structural causes of affect in his earlier theoretical elaborations, an initial reversal came in his seminar Anxiety (1962-63), where he deemed anxiety the only affect that “does not lie” because it refers to and partakes of the real rather than the signifier. Another reversal, Soler explains, culminated in Encore (1972-73), where Lacan declared that certain “enigmatic affects,” though puzzling to the subject, are carriers of knowledge residing in the real unconscious – a knowledge that is not on the side of meaning but of jouissance. Soler’s book is wide-ranging, covering affects such as shame and sadness, as well as many others we did not have time to discuss in our interview: hatred, ignorance, the pain of existence, mourning, “joyful knowledge,” boredom, moroseness, anger, and enthusiasm. Perhaps most fascinating is Soler’s chapter on Lacan’s enigmatic affects: anxiety (translated in the book as “anguish”), love, and the satisfaction derived from the end of an analysis.

Annie Muir kindly translated during the interview.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Mar 2016 15:36:56 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Affect is a weighty and consequential problem in psychoanalysis. People enter treatment hoping for relief from symptoms and their attendant unbearable affects. While various theorists and schools offer differing approaches to “feeling states,</itunes:subtitle>
      <itunes:summary>Affect is a weighty and consequential problem in psychoanalysis. People enter treatment hoping for relief from symptoms and their attendant unbearable affects. While various theorists and schools offer differing approaches to “feeling states,” emotions, and affects, Lacan, despite devoting an entire seminar to anxiety, often is charged with completely ignoring affect. This misperception stems in part from a caricatured understanding of Lacanian technique – a suspicion that it consists mainly of punning and interminable wordplay. And there is another, more sound reason for the accusation: the tendency of relational, interpersonal, and Kleinian models to locate truth in affects and regard emotions as inherently revelatory – as the most direct communications by and about the subject. By contrast, the question, “How did that make you feel?” is heard infrequently in the Lacanian clinic. Following Freud, Lacan believed that affects are effects. He shared Freud’s skepticism toward manifest emotional states, doubting not their importance but rather their transparency. The royal road to the unconscious is the deciphering of dreams and not the affects they produce. Nevertheless, Lacan’s views on affect increasingly diverged from those of Freud, offering much that was new.

Colette Soler’s pioneering Lacanian Affects: The Function of Affect in Lacan’s Work, translated by Bruce Fink (Routledge, 2016) is the first book to examine Lacan’s theory of affect and its clinical significance. While Lacan focused more on the structural causes of affect in his earlier theoretical elaborations, an initial reversal came in his seminar Anxiety (1962-63), where he deemed anxiety the only affect that “does not lie” because it refers to and partakes of the real rather than the signifier. Another reversal, Soler explains, culminated in Encore (1972-73), where Lacan declared that certain “enigmatic affects,” though puzzling to the subject, are carriers of knowledge residing in the real unconscious – a knowledge that is not on the side of meaning but of jouissance. Soler’s book is wide-ranging, covering affects such as shame and sadness, as well as many others we did not have time to discuss in our interview: hatred, ignorance, the pain of existence, mourning, “joyful knowledge,” boredom, moroseness, anger, and enthusiasm. Perhaps most fascinating is Soler’s chapter on Lacan’s enigmatic affects: anxiety (translated in the book as “anguish”), love, and the satisfaction derived from the end of an analysis.

Annie Muir kindly translated during the interview.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Affect is a weighty and consequential problem in psychoanalysis. People enter treatment hoping for relief from symptoms and their attendant unbearable affects. While various theorists and schools offer differing approaches to “feeling states,” emotions, and affects, Lacan, despite devoting an entire seminar to anxiety, often is charged with completely ignoring affect. This misperception stems in part from a caricatured understanding of Lacanian technique – a suspicion that it consists mainly of punning and interminable wordplay. And there is another, more sound reason for the accusation: the tendency of relational, interpersonal, and Kleinian models to locate truth in affects and regard emotions as inherently revelatory – as the most direct communications by and about the subject. By contrast, the question, “How did that make you feel?” is heard infrequently in the Lacanian clinic. Following Freud, Lacan believed that affects are effects. He shared Freud’s skepticism toward manifest emotional states, doubting not their importance but rather their transparency. The royal road to the unconscious is the deciphering of dreams and not the affects they produce. Nevertheless, Lacan’s views on affect increasingly diverged from those of Freud, offering much that was new.</p><p>
Colette Soler’s pioneering <a href="http://www.amazon.com/dp/041571592X/?tag=newbooinhis-20">Lacanian Affects: The Function of Affect in Lacan’s Work</a>, translated by Bruce Fink (Routledge, 2016) is the first book to examine Lacan’s theory of affect and its clinical significance. While Lacan focused more on the structural causes of affect in his earlier theoretical elaborations, an initial reversal came in his seminar Anxiety (1962-63), where he deemed anxiety the only affect that “does not lie” because it refers to and partakes of the real rather than the signifier. Another reversal, Soler explains, culminated in Encore (1972-73), where Lacan declared that certain “enigmatic affects,” though puzzling to the subject, are carriers of knowledge residing in the real unconscious – a knowledge that is not on the side of meaning but of jouissance. Soler’s book is wide-ranging, covering affects such as shame and sadness, as well as many others we did not have time to discuss in our interview: hatred, ignorance, the pain of existence, mourning, “joyful knowledge,” boredom, moroseness, anger, and enthusiasm. Perhaps most fascinating is Soler’s chapter on Lacan’s enigmatic affects: anxiety (translated in the book as “anguish”), love, and the satisfaction derived from the end of an analysis.</p><p>
Annie Muir kindly translated during the interview.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3471</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>John M. Chamberlain, “Medical Regulation, Fitness to Practice and Revalidation: A Critical Introduction” (Policy Press, 2015)</title>
      <description>How is the medical profession regulated in a ‘risk society’. This is the core question of John M. Chamberlain‘s Medical Regulation, Fitness to Practice and Revalidation: A Critical Introduction (Policy Press, 2015). Chamberlain, an associate professor of medical criminology at the University of Southampton, explores both the history of the medical profession as well as recent attempts to regulate and manage medicine’s relationship with society. The book focuses on how practitioners are judged to be fit, or not, to practice, in the context of both transformations of the profession and high profile scandals. The text brings together an analysis of the impact of new modes of regulation, particularly in terms of numbers of doctors sanctioned for poor practice, with theories of the sociology of professions and risk society. Focused on the UK, the book has important global implications and is essential reading for anyone interested in contemporary medical practice, as well as those working on professions, risk and sociology more generally.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 10 Mar 2016 13:29:16 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How is the medical profession regulated in a ‘risk society’. This is the core question of John M. Chamberlain‘s Medical Regulation, Fitness to Practice and Revalidation: A Critical Introduction (Policy Press, 2015). Chamberlain,</itunes:subtitle>
      <itunes:summary>How is the medical profession regulated in a ‘risk society’. This is the core question of John M. Chamberlain‘s Medical Regulation, Fitness to Practice and Revalidation: A Critical Introduction (Policy Press, 2015). Chamberlain, an associate professor of medical criminology at the University of Southampton, explores both the history of the medical profession as well as recent attempts to regulate and manage medicine’s relationship with society. The book focuses on how practitioners are judged to be fit, or not, to practice, in the context of both transformations of the profession and high profile scandals. The text brings together an analysis of the impact of new modes of regulation, particularly in terms of numbers of doctors sanctioned for poor practice, with theories of the sociology of professions and risk society. Focused on the UK, the book has important global implications and is essential reading for anyone interested in contemporary medical practice, as well as those working on professions, risk and sociology more generally.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is the medical profession regulated in a ‘risk society’. This is the core question of <a href="http://www.southampton.ac.uk/socsci/about/staff/jmc1v15.page?">John M. Chamberlain</a>‘s <a href="http://www.amazon.com/dp/1447325443/?tag=newbooinhis-20">Medical Regulation, Fitness to Practice and Revalidation: A Critical Introduction</a> (Policy Press, 2015). Chamberlain, an associate professor of medical criminology at the University of Southampton, explores both the history of the medical profession as well as recent attempts to regulate and manage medicine’s relationship with society. The book focuses on how practitioners are judged to be fit, or not, to practice, in the context of both transformations of the profession and high profile scandals. The text brings together an analysis of the impact of new modes of regulation, particularly in terms of numbers of doctors sanctioned for poor practice, with theories of the sociology of professions and risk society. Focused on the UK, the book has important global implications and is essential reading for anyone interested in contemporary medical practice, as well as those working on professions, risk and sociology more generally.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53446]]></guid>
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    <item>
      <title>Amy Allen, “The End of Progress: Decolonizing the Normative Foundations of Critical Theory” (Columbia UP, 2016)</title>
      <description>How can we de-colonize critical theory from within, and reimagine the way it grounds its normative claims as well as the way it relates to post- and de-colonial theory? Amy Allen (Philosophy and Women’s, Gender, and Sexuality Studies, Penn State University) takes up this project in her book The End of Progress: Decolonizing the Normative Foundations of Critical Theory (Columbia Univ. Press, 2016). The work challenges the way that the Frankfurt School of critical theory constructs and deploys concepts of normativity, history, and progress, in the process offering rich interpretations of JÃ¼rgen Habermas, Axel Honneth, and Rainer Forst. Allen then turns to the work of Theodor Adorno and Michel Foucault in order to articulate a different perspective on these issues, one that enables a radical self-critique and de-colonization of critical theory. She concludes by exploring alternative means for critical theory to justify its normative claims as a way for it to more deeply engage with post- and de-colonial theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 07 Mar 2016 13:07:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How can we de-colonize critical theory from within, and reimagine the way it grounds its normative claims as well as the way it relates to post- and de-colonial theory? Amy Allen (Philosophy and Women’s, Gender, and Sexuality Studies,</itunes:subtitle>
      <itunes:summary>How can we de-colonize critical theory from within, and reimagine the way it grounds its normative claims as well as the way it relates to post- and de-colonial theory? Amy Allen (Philosophy and Women’s, Gender, and Sexuality Studies, Penn State University) takes up this project in her book The End of Progress: Decolonizing the Normative Foundations of Critical Theory (Columbia Univ. Press, 2016). The work challenges the way that the Frankfurt School of critical theory constructs and deploys concepts of normativity, history, and progress, in the process offering rich interpretations of JÃ¼rgen Habermas, Axel Honneth, and Rainer Forst. Allen then turns to the work of Theodor Adorno and Michel Foucault in order to articulate a different perspective on these issues, one that enables a radical self-critique and de-colonization of critical theory. She concludes by exploring alternative means for critical theory to justify its normative claims as a way for it to more deeply engage with post- and de-colonial theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we de-colonize critical theory from within, and reimagine the way it grounds its normative claims as well as the way it relates to post- and de-colonial theory? <a href="http://philosophy.la.psu.edu/directory/ara17">Amy Allen</a> (Philosophy and Women’s, Gender, and Sexuality Studies, Penn State University) takes up this project in her book <a href="http://www.amazon.com/dp/0231173245/?tag=newbooinhis-20">The End of Progress: Decolonizing the Normative Foundations of Critical Theory</a> (Columbia Univ. Press, 2016). The work challenges the way that the Frankfurt School of critical theory constructs and deploys concepts of normativity, history, and progress, in the process offering rich interpretations of JÃ¼rgen Habermas, Axel Honneth, and Rainer Forst. Allen then turns to the work of Theodor Adorno and Michel Foucault in order to articulate a different perspective on these issues, one that enables a radical self-critique and de-colonization of critical theory. She concludes by exploring alternative means for critical theory to justify its normative claims as a way for it to more deeply engage with post- and de-colonial theory.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53389]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1532707878.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nadim Bakhshov, “Against Capitalist Education: What is Education for?” (Zero Books, 2015)</title>
      <description>Nadim Bakhshov joins the New Books in Network to discuss his book Against Capitalist Education: What is Education for? (Zero Books, 2015). The book posits new alternatives to educational thought and philosophy through an innovated, yet classic, style of dialogue between two characters, John and George, whom both channel philosophers, intellectuals, and great thinkers in history.

You can connect to the guest via his Twitter at @nadimbakhshov or website, and also listen to his podcast on the subject here. For questions or comments on the New Books in Education podcast, you can connect to the host at @PoliticsAndEd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Mar 2016 15:46:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Nadim Bakhshov joins the New Books in Network to discuss his book Against Capitalist Education: What is Education for? (Zero Books, 2015). The book posits new alternatives to educational thought and philosophy through an innovated, yet classic,</itunes:subtitle>
      <itunes:summary>Nadim Bakhshov joins the New Books in Network to discuss his book Against Capitalist Education: What is Education for? (Zero Books, 2015). The book posits new alternatives to educational thought and philosophy through an innovated, yet classic, style of dialogue between two characters, John and George, whom both channel philosophers, intellectuals, and great thinkers in history.

You can connect to the guest via his Twitter at @nadimbakhshov or website, and also listen to his podcast on the subject here. For questions or comments on the New Books in Education podcast, you can connect to the host at @PoliticsAndEd.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://nadimbakhshov.org/">Nadim Bakhshov</a> joins the <a href="http://newbooksnetwork.com/">New Books in Network</a> to discuss his book <a href="http://www.amazon.com/dp/1785350579/?tag=newbooinhis-20">Against Capitalist Education: What is Education for?</a> (<a href="http://www.zero-books.net/authors/nadim-anjum-bakhshov">Zero Books</a>, 2015). The book posits new alternatives to educational thought and philosophy through an innovated, yet classic, style of dialogue between two characters, John and George, whom both channel philosophers, intellectuals, and great thinkers in history.</p><p>
You can connect to the guest via his Twitter at <a href="https://twitter.com/nadimbakhshov">@nadimbakhshov</a> or <a href="http://nadimbakhshov.org/">website</a>, and also listen to his podcast on the subject <a href="https://itunes.apple.com/gb/podcast/against-capitalist-education/id1082193566?mt=2">here</a>. For questions or comments on the New Books in Education podcast, you can connect to the host at <a href="https://twitter.com/politicsanded">@PoliticsAndEd</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1870</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53261]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4551103294.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David R. Brake, “Sharing our Lives Online: Risks and Exposure in Social Media” (Palgrave Macmillan, 2014)</title>
      <description>With the growth of social media like Facebook, Twitter, Instagram, and Snapchat, we are increasingly heading toward a radically open society. In Sharing our Lives Online: Risks and Exposure in Social Media (Palgrave Macmillan, 2014), author David R. Brake explores some of the social and individual harms that can arise from unwary social media use. Brake draws upon in-depth interviews with bloggers as well as scholarly research to explore why users may inadvertently reveal more online than they suppose. He explains in detail the social, technological, and commercial influences and pressures that keep us posting what we often shouldn’t and that prevent us from fully appreciating the risks when we do so.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 29 Feb 2016 11:08:03 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>With the growth of social media like Facebook, Twitter, Instagram, and Snapchat, we are increasingly heading toward a radically open society. In Sharing our Lives Online: Risks and Exposure in Social Media (Palgrave Macmillan, 2014), author David R.</itunes:subtitle>
      <itunes:summary>With the growth of social media like Facebook, Twitter, Instagram, and Snapchat, we are increasingly heading toward a radically open society. In Sharing our Lives Online: Risks and Exposure in Social Media (Palgrave Macmillan, 2014), author David R. Brake explores some of the social and individual harms that can arise from unwary social media use. Brake draws upon in-depth interviews with bloggers as well as scholarly research to explore why users may inadvertently reveal more online than they suppose. He explains in detail the social, technological, and commercial influences and pressures that keep us posting what we often shouldn’t and that prevent us from fully appreciating the risks when we do so.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With the growth of social media like Facebook, Twitter, Instagram, and Snapchat, we are increasingly heading toward a radically open society. In <a href="http://www.amazon.com/dp/0230320295/?tag=newbooinhis-20">Sharing our Lives Online: Risks and Exposure in Social Media</a> (Palgrave Macmillan, 2014), author <a href="http://www.well.com/~derb/">David R. Brake </a>explores some of the social and individual harms that can arise from unwary social media use. Brake draws upon in-depth interviews with bloggers as well as scholarly research to explore why users may inadvertently reveal more online than they suppose. He explains in detail the social, technological, and commercial influences and pressures that keep us posting what we often shouldn’t and that prevent us from fully appreciating the risks when we do so.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2806</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52984]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7364824882.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicola Rollock et al. “The Colour of Class: The Educational Strategies of the Black Middle Classes” (Routledge, 2014)</title>
      <description>The experience of the African American middle class has been an important area of research in the USA. However, the British experience has, by comparison, not been subject to the same amount of attention, particularly with regard to the middle class experience of education. Dr. Nicola Rollock, Deputy Director, Centre for Research in Race &amp; Education and Senior Lecturer at the University of Birmingham’s School of Education, along with her co-authors, explores this under researched area in The Colour of Class: The Educational Strategies of the Black Middle Classes (Routledge, 2014). Drawing on Critical Race Theory, the idea of intersectionality, and Bourdieu, the book depicts the strategies associated with choosing schools, the narratives of families’ educational experiences, along with the legacy of racism within the British education system. The book is an important intervention into recent debates around educational attainment, charting the changing strategies, and changing perceptions, held by this section of middle class society. Ultimately despite so much attention given to other sociological categories, such as class or gender, when thinking about education race remains vitally important. This conclusion, alongside its wealth of empirical material and highly accessible style, make it essential reading.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Feb 2016 15:01:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The experience of the African American middle class has been an important area of research in the USA. However, the British experience has, by comparison, not been subject to the same amount of attention, particularly with regard to the middle class ex...</itunes:subtitle>
      <itunes:summary>The experience of the African American middle class has been an important area of research in the USA. However, the British experience has, by comparison, not been subject to the same amount of attention, particularly with regard to the middle class experience of education. Dr. Nicola Rollock, Deputy Director, Centre for Research in Race &amp; Education and Senior Lecturer at the University of Birmingham’s School of Education, along with her co-authors, explores this under researched area in The Colour of Class: The Educational Strategies of the Black Middle Classes (Routledge, 2014). Drawing on Critical Race Theory, the idea of intersectionality, and Bourdieu, the book depicts the strategies associated with choosing schools, the narratives of families’ educational experiences, along with the legacy of racism within the British education system. The book is an important intervention into recent debates around educational attainment, charting the changing strategies, and changing perceptions, held by this section of middle class society. Ultimately despite so much attention given to other sociological categories, such as class or gender, when thinking about education race remains vitally important. This conclusion, alongside its wealth of empirical material and highly accessible style, make it essential reading.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The experience of the African American middle class has been an important area of research in the USA. However, the British experience has, by comparison, not been subject to the same amount of attention, particularly with regard to the middle class experience of education. <a href="https://twitter.com/NicolaRollock">Dr. Nicola Rollock</a>, Deputy Director, <a href="http://www.birmingham.ac.uk/research/activity/education/crre/index.aspx">Centre for Research in Race &amp; Education</a> and <a href="http://www.birmingham.ac.uk/research/activity/education/crre/staff/profile.aspx?ReferenceId=44100">Senior Lecturer at the University of Birmingham’s School of Education</a>, along with her co-authors, explores this under researched area in <a href="https://www.routledge.com/products/9780415809825">The Colour of Class: The Educational Strategies of the Black Middle Classes</a> (Routledge, 2014). Drawing on Critical Race Theory, the idea of intersectionality, and Bourdieu, the book depicts the strategies associated with choosing schools, the narratives of families’ educational experiences, along with the legacy of racism within the British education system. The book is an important intervention into recent debates around educational attainment, charting the changing strategies, and changing perceptions, held by this section of middle class society. Ultimately despite so much attention given to other sociological categories, such as class or gender, when thinking about education race remains vitally important. This conclusion, alongside its wealth of empirical material and highly accessible style, make it essential reading.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3191</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53075]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6624305220.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Finn Brunton, “Spam: A Shadow History of the Internet” (MIT Press, 2013)</title>
      <description>Finn Brunton‘s Spam: A Shadow History of the Internet (MIT Press, 2013) is a cultural history of those communications that seek to capture our attention for the purposes of exploiting it. From pranks on early computer networks in the 1970s to commercial nuisances in the 1990s to the global criminal infrastructure of today driven by botnets and algorithms, spam’s history surfaces and shifts with the Internet itself.

Spam is a lively book packed with tales of the people responsible for sharing and stopping spam’s myriad of forms in email, web sites and social networks. This includes everyone from programmers and security professionals, marketers and lawyers, and con artists and thieves to name a few. Each person has personal experiences with spam and opinions about when they’re being spammed, but Brunton, a professor at New York University, reminds us about the critical role that communities, organizations, and governments have played in regulating spam. Ultimately, the governance agreed to by these groups defines spam in the contemporaneous moment, but more importantly, shapes spam’s future forms. As long as open communication platforms exist, so will spam. It is more useful to treat spam as signal about the quality of our digital interactions. The more our attention is captured and exploited the worse our digital communities are functioning. Like the mysterious meat in a can (and with full appreciation for all the spam lovers out there), a digital diet heavy on spam isn’t just unappetizing, it’s unhealthy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Feb 2016 15:32:51 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Finn Brunton‘s Spam: A Shadow History of the Internet (MIT Press, 2013) is a cultural history of those communications that seek to capture our attention for the purposes of exploiting it. From pranks on early computer networks in the 1970s to commercia...</itunes:subtitle>
      <itunes:summary>Finn Brunton‘s Spam: A Shadow History of the Internet (MIT Press, 2013) is a cultural history of those communications that seek to capture our attention for the purposes of exploiting it. From pranks on early computer networks in the 1970s to commercial nuisances in the 1990s to the global criminal infrastructure of today driven by botnets and algorithms, spam’s history surfaces and shifts with the Internet itself.

Spam is a lively book packed with tales of the people responsible for sharing and stopping spam’s myriad of forms in email, web sites and social networks. This includes everyone from programmers and security professionals, marketers and lawyers, and con artists and thieves to name a few. Each person has personal experiences with spam and opinions about when they’re being spammed, but Brunton, a professor at New York University, reminds us about the critical role that communities, organizations, and governments have played in regulating spam. Ultimately, the governance agreed to by these groups defines spam in the contemporaneous moment, but more importantly, shapes spam’s future forms. As long as open communication platforms exist, so will spam. It is more useful to treat spam as signal about the quality of our digital interactions. The more our attention is captured and exploited the worse our digital communities are functioning. Like the mysterious meat in a can (and with full appreciation for all the spam lovers out there), a digital diet heavy on spam isn’t just unappetizing, it’s unhealthy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://finnb.net/">Finn Brunton</a>‘s <a href="http://mitpress.mit.edu/books/spam">Spam: A Shadow History of the Internet</a> (MIT Press, 2013) is a cultural history of those communications that seek to capture our attention for the purposes of exploiting it. From pranks on early computer networks in the 1970s to commercial nuisances in the 1990s to the global criminal infrastructure of today driven by botnets and algorithms, spam’s history surfaces and shifts with the Internet itself.</p><p>
Spam is a lively book packed with tales of the people responsible for sharing and stopping spam’s myriad of forms in email, web sites and social networks. This includes everyone from programmers and security professionals, marketers and lawyers, and con artists and thieves to name a few. Each person has personal experiences with spam and opinions about when they’re being spammed, but Brunton, a professor at New York University, reminds us about the critical role that communities, organizations, and governments have played in regulating spam. Ultimately, the governance agreed to by these groups defines spam in the contemporaneous moment, but more importantly, shapes spam’s future forms. As long as open communication platforms exist, so will spam. It is more useful to treat spam as signal about the quality of our digital interactions. The more our attention is captured and exploited the worse our digital communities are functioning. Like the mysterious meat in a can (and with full appreciation for all the <a href="http://www.slate.com/articles/life/food/2013/05/i_love_spam_hawaiians_are_ahead_of_the_curve_in_their_celebration_of_the.html">spam lovers out there</a>), a digital diet heavy on spam isn’t just unappetizing, it’s unhealthy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52988]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5082877465.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Wright, “Understanding Cultural Taste:  Sensation, Skill and Sensibility,” (Palgrave Macmillan, 2015)</title>
      <description>What is cultural taste? How is it formed, imagined and patterned? In Understanding Cultural Taste: Sensation, Skill and Sensibility (Palgrave MacMillan, 2015), David Wright, Associate Professor at the University of Warwick, explores the theories and practices framing cultural taste in contemporary society in order to account for the social role of cultural taste. The book explains how taste is made knowable, through quantification and measurement, moves through an explanation of differing cultural taste patterns, including the all important figure of the omnivore, and narrates the impact of technology on cultural taste. The book accounts for the governing and globalisation of cultural taste, thinking through the rise of cosmopolitan tastes, as well as engaging with ideas about taste and expertise. The book uses a range of examples, including detailed discussions of contemporary art works such as Greyson Perry’s The lovely consensus. Although grounded in sociology, the book speaks to debates, and thus to readers, from across arts and cultural subjects.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Feb 2016 13:08:41 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is cultural taste? How is it formed, imagined and patterned? In Understanding Cultural Taste: Sensation, Skill and Sensibility (Palgrave MacMillan, 2015), David Wright, Associate Professor at the University of Warwick,</itunes:subtitle>
      <itunes:summary>What is cultural taste? How is it formed, imagined and patterned? In Understanding Cultural Taste: Sensation, Skill and Sensibility (Palgrave MacMillan, 2015), David Wright, Associate Professor at the University of Warwick, explores the theories and practices framing cultural taste in contemporary society in order to account for the social role of cultural taste. The book explains how taste is made knowable, through quantification and measurement, moves through an explanation of differing cultural taste patterns, including the all important figure of the omnivore, and narrates the impact of technology on cultural taste. The book accounts for the governing and globalisation of cultural taste, thinking through the rise of cosmopolitan tastes, as well as engaging with ideas about taste and expertise. The book uses a range of examples, including detailed discussions of contemporary art works such as Greyson Perry’s The lovely consensus. Although grounded in sociology, the book speaks to debates, and thus to readers, from across arts and cultural subjects.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is cultural taste? How is it formed, imagined and patterned? In <a href="http://www.palgrave.com/us/book/9781137447067">Understanding Cultural Taste: Sensation, Skill and Sensibility </a>(Palgrave MacMillan, 2015), <a href="http://www2.warwick.ac.uk/fac/arts/theatre_s/cp/staff/david/">David Wright</a>, Associate Professor at the University of Warwick, explores the theories and practices framing cultural taste in contemporary society in order to account for the social role of cultural taste. The book explains how taste is made knowable, through quantification and measurement, moves through an explanation of differing cultural taste patterns, including the all important figure of the omnivore, and narrates the impact of technology on cultural taste. The book accounts for the governing and globalisation of cultural taste, thinking through the rise of cosmopolitan tastes, as well as engaging with ideas about taste and expertise. The book uses a range of examples, including detailed discussions of contemporary art works such as Greyson Perry’s The lovely consensus. Although grounded in sociology, the book speaks to debates, and thus to readers, from across arts and cultural subjects.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52835]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4310559722.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Leigh Claire La Berge, “Scandals and Abstraction: Financial Fiction of the Long 1980s” (Oxford UP, 2014)</title>
      <description>What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 27 Jan 2016 05:49:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of f...</itunes:subtitle>
      <itunes:summary>What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. <a href="http://leighclaire-laberge.squarespace.com/">Leigh Claire La Berge</a> is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, <a href="http://www.amazon.com/dp/019937287X/?tag=newbooinhis-20">Scandals and Abstraction: Financial Fiction of the Long 1980s</a>, was recently published by Oxford University Press.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3010</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52784]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3400543408.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Oli Mould, “Urban Subversion and the Creative City” (Routledge, 2015)</title>
      <description>Every city seems to be ‘creative’, whether because it has a creative brand, a creative quarter or is home to creative industries. In his new book Urban Subversion and the Creative City Routledge, 2015), Oli Mould shows how this is an essential, but mistaken, aspect of the neo-liberal city. Creativity in the governance of the neo-liberal city erases and obscures inequalities and prohibits social justice. The book demonstrates a very different way of thinking about the creative city through a variety of subversive practices, from skateboarding and parkour, to urban explorations. Filled with images and global examples, the book will attract readers in geography, urban studies, sociology, cultural studies, as well as anyone interested in alternative forms of urban life. Mould also works across multiple media forms, and you can see more about the visual elements of Urban Subversion here, and read his blog and twitter feed.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 21 Jan 2016 05:51:22 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Every city seems to be ‘creative’, whether because it has a creative brand, a creative quarter or is home to creative industries. In his new book Urban Subversion and the Creative City Routledge, 2015), Oli Mould shows how this is an essential,</itunes:subtitle>
      <itunes:summary>Every city seems to be ‘creative’, whether because it has a creative brand, a creative quarter or is home to creative industries. In his new book Urban Subversion and the Creative City Routledge, 2015), Oli Mould shows how this is an essential, but mistaken, aspect of the neo-liberal city. Creativity in the governance of the neo-liberal city erases and obscures inequalities and prohibits social justice. The book demonstrates a very different way of thinking about the creative city through a variety of subversive practices, from skateboarding and parkour, to urban explorations. Filled with images and global examples, the book will attract readers in geography, urban studies, sociology, cultural studies, as well as anyone interested in alternative forms of urban life. Mould also works across multiple media forms, and you can see more about the visual elements of Urban Subversion here, and read his blog and twitter feed.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every city seems to be ‘creative’, whether because it has a creative brand, a creative quarter or is home to creative industries. In his new book <a href="http://www.amazon.com/dp/1138797049/?tag=newbooinhis-20">Urban Subversion and the Creative City </a>Routledge, 2015), <a href="https://pure.royalholloway.ac.uk/portal/en/persons/oli-mould(55e43fac-f61e-488a-8017-35b221e6426b).html">Oli Mould </a>shows how this is an essential, but mistaken, aspect of the neo-liberal city. Creativity in the governance of the neo-liberal city erases and obscures inequalities and prohibits social justice. The book demonstrates a very different way of thinking about the creative city through a variety of subversive practices, from skateboarding and parkour, to urban explorations. Filled with images and global examples, the book will attract readers in geography, urban studies, sociology, cultural studies, as well as anyone interested in alternative forms of urban life. Mould also works across multiple media forms, and you can see more about the visual elements of Urban Subversion <a href="https://vimeo.com/124247409">here</a>, and read his <a href="http://tacity.co.uk">blog</a> and <a href="https://twitter.com/olimould">twitter feed</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2455</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52796]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7713824807.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Neil Roberts, “Freedom as Marronage” (U of Chicago Press, 2015)</title>
      <description>What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)? In his book Freedom as Marronage University of Chicago Press, 2015), Neil Roberts (Africana Studies, Religion, and Political Science, Williams College) explores this and many other questions. Proceeding from and working with the concept and practice of marronage – modes of escape from slavery emerging from the Caribbean – Roberts articulates a theory of freedom that is historically specific while having trans-historical reverberations, and that is attentive to lived experiences of freedom and slavery. In doing so, he engages histories of the transatlantic slave trade, colonialism, diaspora, the Haitian Revolution, and American slavery. Arguing for the need to creolize political theory and philosophy, Roberts also takes up the thought and practice of W.E.B. DuBois, Hannah Arendt, Philip Petit, Frederick Douglass, Angela Davis, Toussaint L’Ouverture, Jean-Jacques Dessalines, Edouard Glissant, Rastafari, and much more.
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      <pubDate>Fri, 18 Dec 2015 12:14:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)?</itunes:subtitle>
      <itunes:summary>What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)? In his book Freedom as Marronage University of Chicago Press, 2015), Neil Roberts (Africana Studies, Religion, and Political Science, Williams College) explores this and many other questions. Proceeding from and working with the concept and practice of marronage – modes of escape from slavery emerging from the Caribbean – Roberts articulates a theory of freedom that is historically specific while having trans-historical reverberations, and that is attentive to lived experiences of freedom and slavery. In doing so, he engages histories of the transatlantic slave trade, colonialism, diaspora, the Haitian Revolution, and American slavery. Arguing for the need to creolize political theory and philosophy, Roberts also takes up the thought and practice of W.E.B. DuBois, Hannah Arendt, Philip Petit, Frederick Douglass, Angela Davis, Toussaint L’Ouverture, Jean-Jacques Dessalines, Edouard Glissant, Rastafari, and much more.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)? In his book <a href="http://www.amazon.com/dp/022620104X/?tag=newbooinhis-20">Freedom as Marronage </a>University of Chicago Press, 2015), <a href="http://sites.williams.edu/nr2/">Neil Roberts</a> (Africana Studies, Religion, and Political Science, Williams College) explores this and many other questions. Proceeding from and working with the concept and practice of marronage – modes of escape from slavery emerging from the Caribbean – Roberts articulates a theory of freedom that is historically specific while having trans-historical reverberations, and that is attentive to lived experiences of freedom and slavery. In doing so, he engages histories of the transatlantic slave trade, colonialism, diaspora, the Haitian Revolution, and American slavery. Arguing for the need to creolize political theory and philosophy, Roberts also takes up the thought and practice of W.E.B. DuBois, Hannah Arendt, Philip Petit, Frederick Douglass, Angela Davis, Toussaint L’Ouverture, Jean-Jacques Dessalines, Edouard Glissant, Rastafari, and much more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4823</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinafroamstudies.com/2015/12/18/neil-roberts-freedom-as-marronage-u-of-chicago-press-2015/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8372856134.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jason W. Moore, “Capitalism in the Web of Life: Ecology and the Accumulation of Capital” (Verso, 2015)</title>
      <description>In Capitalism in the Web of Life: Ecology and the Accumulation of Capital (Verso, 2015), author Jason W. Moore seeks to undermine popular understandings of the relationship among society, environment, and capitalism. Rather, than seeing society and environment as acting on an external, nonhuman nature, Moore wants us to recognize capitalism-in-nature. For Moore, seeing society and environment as separate has hampered clear thinking on the problems we face, such as climate change or the end of cheap nature, as well as political solutions to these issues. His book is an analysis of the interrelationship of capitalism and nature over the past few centuries as well as a critique of important environmental concepts such as the Anthropocene.

Moore is assistant professor of sociology at SUNY-Binghamton and coordinator of the World Ecology Research Network. This book is a product of over a decade of research and writings on world ecology and evidence of his wide-ranging scholarship.
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      <pubDate>Thu, 03 Dec 2015 13:31:35 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Capitalism in the Web of Life: Ecology and the Accumulation of Capital (Verso, 2015), author Jason W. Moore seeks to undermine popular understandings of the relationship among society, environment, and capitalism. Rather,</itunes:subtitle>
      <itunes:summary>In Capitalism in the Web of Life: Ecology and the Accumulation of Capital (Verso, 2015), author Jason W. Moore seeks to undermine popular understandings of the relationship among society, environment, and capitalism. Rather, than seeing society and environment as acting on an external, nonhuman nature, Moore wants us to recognize capitalism-in-nature. For Moore, seeing society and environment as separate has hampered clear thinking on the problems we face, such as climate change or the end of cheap nature, as well as political solutions to these issues. His book is an analysis of the interrelationship of capitalism and nature over the past few centuries as well as a critique of important environmental concepts such as the Anthropocene.

Moore is assistant professor of sociology at SUNY-Binghamton and coordinator of the World Ecology Research Network. This book is a product of over a decade of research and writings on world ecology and evidence of his wide-ranging scholarship.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1781689024/?tag=newbooinhis-20">Capitalism in the Web of Life: Ecology and the Accumulation of Capital</a> (Verso, 2015), author <a href="http://www.jasonwmoore.com/">Jason W. Moore</a> seeks to undermine popular understandings of the relationship among society, environment, and capitalism. Rather, than seeing society and environment as acting on an external, nonhuman nature, Moore wants us to recognize capitalism-in-nature. For Moore, seeing society and environment as separate has hampered clear thinking on the problems we face, such as climate change or the end of cheap nature, as well as political solutions to these issues. His book is an analysis of the interrelationship of capitalism and nature over the past few centuries as well as a critique of important environmental concepts such as the Anthropocene.</p><p>
Moore is assistant professor of sociology at SUNY-Binghamton and coordinator of the World Ecology Research Network. This book is a product of over a decade of research and writings on world ecology and evidence of his wide-ranging scholarship.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3115</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/12/03/jason-w-moore-capitalism-in-the-web-of-life-ecology-and-the-accumulation-of-capital-verso-2015/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6566376921.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rebecca Gordon-Nesbitt, “To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution” (PM Press, 2015)</title>
      <description>What are the alternatives to the current neo-liberal cultural settlement prevailing in much of the global north? In To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution (PM Press, 2015), Rebecca Gordon-Nesbitt, from The Centre for Cultural Change, argues that this question can be addressed by learning from the cultural policy of the Cuban revolution. The book draws on a wealth of archival material, coupled with the theoretical framework of Marxist Humanism, to give a detailed picture of the revolutionary period on the island and chart the lessons from that era. The book introduces the key policy documents and events, along with examples from a variety of cultural forms, including a detailed engagement with the role of film and cinema in the revolutionary era. The book will be essential reading for cultural studies and cultural policy scholars, alongside anyone seeking an alternative vision of culture’s social role.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 01 Dec 2015 14:05:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What are the alternatives to the current neo-liberal cultural settlement prevailing in much of the global north? In To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution (PM Press, 2015), Rebecca Gordon-Nesbitt,</itunes:subtitle>
      <itunes:summary>What are the alternatives to the current neo-liberal cultural settlement prevailing in much of the global north? In To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution (PM Press, 2015), Rebecca Gordon-Nesbitt, from The Centre for Cultural Change, argues that this question can be addressed by learning from the cultural policy of the Cuban revolution. The book draws on a wealth of archival material, coupled with the theoretical framework of Marxist Humanism, to give a detailed picture of the revolutionary period on the island and chart the lessons from that era. The book introduces the key policy documents and events, along with examples from a variety of cultural forms, including a detailed engagement with the role of film and cinema in the revolutionary era. The book will be essential reading for cultural studies and cultural policy scholars, alongside anyone seeking an alternative vision of culture’s social role.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What are the alternatives to the current neo-liberal cultural settlement prevailing in much of the global north? In <a href="http://www.amazon.com/dp/1629631043/?tag=newbooinhis-20">To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution</a> (PM Press, 2015), <a href="http://cambiarcultura.academia.edu/RebeccaGordonNesbitt">Rebecca Gordon-Nesbitt</a>, from <a href="http://cambiarcultura.org">The Centre for Cultural Change</a>, argues that this question can be addressed by learning from the cultural policy of the Cuban revolution. The book draws on a wealth of archival material, coupled with the theoretical framework of Marxist Humanism, to give a detailed picture of the revolutionary period on the island and chart the lessons from that era. The book introduces the key policy documents and events, along with examples from a variety of cultural forms, including a detailed engagement with the role of film and cinema in the revolutionary era. The book will be essential reading for cultural studies and cultural policy scholars, alongside anyone seeking an alternative vision of culture’s social role.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2503</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=708]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6866708455.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Philip Roscoe, “A Richer Life: How Economics Can Change the Way We Think and Feel” (Penguin, 2015)</title>
      <description>So many of our social questions are now the subject of analysis from economics. In A Richer Life: How Economics can Change the Way We Think and Feel (Penguin, 2015), Phillip Roscoe, a reader at the University of St Andrew’s School of Management, offers a critique of the long march of economics into social life. The book covers a vast range of social examples, including dating, organ transplantation, and education, alongside accessible engagements with historical and contemporary economic theory. Using personal examples as well as academic expertise, Roscoe’s book offers a primer in the social cost of economics, as well as what we can do to resit and challenge economistic modes of thought.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 19 Nov 2015 14:44:23 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>So many of our social questions are now the subject of analysis from economics. In A Richer Life: How Economics can Change the Way We Think and Feel (Penguin, 2015), Phillip Roscoe, a reader at the University of St Andrew’s School of Management,</itunes:subtitle>
      <itunes:summary>So many of our social questions are now the subject of analysis from economics. In A Richer Life: How Economics can Change the Way We Think and Feel (Penguin, 2015), Phillip Roscoe, a reader at the University of St Andrew’s School of Management, offers a critique of the long march of economics into social life. The book covers a vast range of social examples, including dating, organ transplantation, and education, alongside accessible engagements with historical and contemporary economic theory. Using personal examples as well as academic expertise, Roscoe’s book offers a primer in the social cost of economics, as well as what we can do to resit and challenge economistic modes of thought.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>So many of our social questions are now the subject of analysis from economics. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QlcDMFENn5QstWcieWOlEh0AAAFnNkjgsgEAAAFKAZ2q8NM/https://www.amazon.com/dp/0241972728/ref=as_at?creativeASIN=0241972728&amp;linkCode=w61&amp;imprToken=zEwmGgYj9KFi2ujBNLXjEg&amp;slotNum=0&amp;tag=newbooinhis-20">A Richer Life: How Economics can Change the Way We Think and Feel</a> (Penguin, 2015), <a href="https://www.st-andrews.ac.uk/management/aboutus/people/academic/philiproscoe/">Phillip Roscoe</a>, a reader at the University of St Andrew’s School of Management, offers a critique of the long march of economics into social life. The book covers a vast range of social examples, including dating, organ transplantation, and education, alongside accessible engagements with historical and contemporary economic theory. Using personal examples as well as academic expertise, Roscoe’s book offers a primer in the social cost of economics, as well as what we can do to resit and challenge economistic modes of thought.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2314</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=697]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5523294616.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Katie Ellis, “Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance” (Ashgate, 2015)</title>
      <description>Popular culture has been transformed in its attitudes towards disability, as representations across media forms continues to respond to the contemporary politics of disability. In Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance (Ashgate, 2015), Katie Ellis, a Senior Research Fellow at Curtin University,  uses critical perspectives from disability studies to both challenge and celebrate the place of disability in popular culture. The book thinks through ideas of beauty, the role of children’s toys, representations in television and music, as well as science fiction and sport. Alongside the range of sites of disability and popular culture, the book closes with a case study of social media and the limits of inspirational images. The book is essential reading for cultural studies scholars, but raises important questions for a general readership.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 08 Nov 2015 20:13:48 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Popular culture has been transformed in its attitudes towards disability, as representations across media forms continues to respond to the contemporary politics of disability. In Disability and Popular Culture: Focusing Passion,</itunes:subtitle>
      <itunes:summary>Popular culture has been transformed in its attitudes towards disability, as representations across media forms continues to respond to the contemporary politics of disability. In Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance (Ashgate, 2015), Katie Ellis, a Senior Research Fellow at Curtin University,  uses critical perspectives from disability studies to both challenge and celebrate the place of disability in popular culture. The book thinks through ideas of beauty, the role of children’s toys, representations in television and music, as well as science fiction and sport. Alongside the range of sites of disability and popular culture, the book closes with a case study of social media and the limits of inspirational images. The book is essential reading for cultural studies scholars, but raises important questions for a general readership.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Popular culture has been transformed in its attitudes towards disability, as representations across media forms continues to respond to the contemporary politics of disability. In <a href="http://www.amazon.com/dp/1472411781/?tag=newbooinhis-20">Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance</a> (Ashgate, 2015), <a href="https://humanities.curtin.edu.au/schools/MCCA/staff.cfm/Katie.Ellis">Katie Ellis</a>, a Senior Research Fellow at Curtin University,  uses critical perspectives from disability studies to both challenge and celebrate the place of disability in popular culture. The book thinks through ideas of beauty, the role of children’s toys, representations in television and music, as well as science fiction and sport. Alongside the range of sites of disability and popular culture, the book closes with a case study of social media and the limits of inspirational images. The book is essential reading for cultural studies scholars, but raises important questions for a general readership.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2264</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=685]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5166269404.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Am Johal, “Ecological Metapolitics: Badiou and the Anthropocene” (Atropos Press, 2015)</title>
      <description>The French philosopher Alain Badiou is not best known for his engagement with ecological matters per se. Badiou’s insights regarding being, truth, and political militancy are, however, highly relevant for the consideration of “the ecological question.” Based on a doctoral thesis written under Badiou’s supervision, Am Johal‘s new book, Ecological Metapolitics: Badiou and the Anthropocene(Atropos Press, 2015) is a thinking through and with Badiou’s work while addressing some of the most pressing concerns of our time: the relationship between human beings, technology, and nature; the meaning of change; and the possibilities of democratic politics and resistance. This, during an era that many now refer to as the “Anthropocene,” a period in which the impact of human beings on geological conditions and change has become unmistakable.

Ecological Metapolitics is a work of engaged philosophy that will illuminate readers’ understanding of Badiou’s oeuvre. The book also makes an important contribution to our understanding of the past, present, and future of a modernity troubled on scales local and global. In dialogue with one of the most significant French thinkers of the postwar period, the book engages in ideas and debates that reach well beyond the boundaries of national spaces, cultures, and politics.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 08 Nov 2015 19:02:06 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The French philosopher Alain Badiou is not best known for his engagement with ecological matters per se. Badiou’s insights regarding being, truth, and political militancy are, however, highly relevant for the consideration of “the ecological question.</itunes:subtitle>
      <itunes:summary>The French philosopher Alain Badiou is not best known for his engagement with ecological matters per se. Badiou’s insights regarding being, truth, and political militancy are, however, highly relevant for the consideration of “the ecological question.” Based on a doctoral thesis written under Badiou’s supervision, Am Johal‘s new book, Ecological Metapolitics: Badiou and the Anthropocene(Atropos Press, 2015) is a thinking through and with Badiou’s work while addressing some of the most pressing concerns of our time: the relationship between human beings, technology, and nature; the meaning of change; and the possibilities of democratic politics and resistance. This, during an era that many now refer to as the “Anthropocene,” a period in which the impact of human beings on geological conditions and change has become unmistakable.

Ecological Metapolitics is a work of engaged philosophy that will illuminate readers’ understanding of Badiou’s oeuvre. The book also makes an important contribution to our understanding of the past, present, and future of a modernity troubled on scales local and global. In dialogue with one of the most significant French thinkers of the postwar period, the book engages in ideas and debates that reach well beyond the boundaries of national spaces, cultures, and politics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The French philosopher Alain Badiou is not best known for his engagement with ecological matters per se. Badiou’s insights regarding being, truth, and political militancy are, however, highly relevant for the consideration of “the ecological question.” Based on a doctoral thesis written under Badiou’s supervision, <a href="https://www.sfu.ca/vancouver/welcome/sfuvanblog/summer12/july12/amjohal.html">Am Johal</a>‘s new book, <a href="http://www.amazon.com/dp/1940813921/?tag=newbooinhis-20">Ecological Metapolitics: Badiou and the Anthropocene</a>(Atropos Press, 2015) is a thinking through and with Badiou’s work while addressing some of the most pressing concerns of our time: the relationship between human beings, technology, and nature; the meaning of change; and the possibilities of democratic politics and resistance. This, during an era that many now refer to as the “Anthropocene,” a period in which the impact of human beings on geological conditions and change has become unmistakable.</p><p>
Ecological Metapolitics is a work of engaged philosophy that will illuminate readers’ understanding of Badiou’s oeuvre. The book also makes an important contribution to our understanding of the past, present, and future of a modernity troubled on scales local and global. In dialogue with one of the most significant French thinkers of the postwar period, the book engages in ideas and debates that reach well beyond the boundaries of national spaces, cultures, and politics.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3078</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/11/08/am-johal-ecological-metapolitics-badiou-and-the-anthropocene-atropos-press-2015/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8113831489.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hilary Neroni, “The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film” (Columbia UP, 2015)</title>
      <description>Did you notice that after 9/11, the depiction of torture on prime-time television went up nearly seven hundred percent? Hilary Neroni did. She had just finished a book on the changing relationship between female characters and violence in narrative cinema, and was attuned to function of violence in film and television. This was around the time the Abu Ghraib torture photos were leaked to the public. Over the next 10 years, torture porn appeared in the Saw and Hostel films, and it seemed that torture quickly became a routine element of thriller plots in movies and TV, such as the series 24. In The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film (Columbia University Press, 2015),  Neroni makes a compelling case that, prior to 9/11, the stage had already been set for the dehumanizing fantasy of torture to appear in mass culture – via biopolitics. With this book, Neroni takes on the task of defining and understanding torture through a psychoanalytic lens, using films and television as case studies. The book is both compelling and readable, and argues that the fantasy and depiction of torture play a role as an ideology in national politics and policy, and that it’s all more complicated than it seems–once you stop averting your eyes.

Hilary Neroni teaches in the Film and Television Studies Program at the University of Vermont and is also the author of The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema. Her areas of interest include representations of gender and race in contemporary American film, violence in film, women directors, documentary film/video, feminist theory, psychoanalysis, and Marxism. She has published essays on women directors (in particular Jane Campion and Claire Denis) and on issues surrounding gender and violence in the cinema.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Oct 2015 06:00:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Did you notice that after 9/11, the depiction of torture on prime-time television went up nearly seven hundred percent? Hilary Neroni did. She had just finished a book on the changing relationship between female characters and violence in narrative cin...</itunes:subtitle>
      <itunes:summary>Did you notice that after 9/11, the depiction of torture on prime-time television went up nearly seven hundred percent? Hilary Neroni did. She had just finished a book on the changing relationship between female characters and violence in narrative cinema, and was attuned to function of violence in film and television. This was around the time the Abu Ghraib torture photos were leaked to the public. Over the next 10 years, torture porn appeared in the Saw and Hostel films, and it seemed that torture quickly became a routine element of thriller plots in movies and TV, such as the series 24. In The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film (Columbia University Press, 2015),  Neroni makes a compelling case that, prior to 9/11, the stage had already been set for the dehumanizing fantasy of torture to appear in mass culture – via biopolitics. With this book, Neroni takes on the task of defining and understanding torture through a psychoanalytic lens, using films and television as case studies. The book is both compelling and readable, and argues that the fantasy and depiction of torture play a role as an ideology in national politics and policy, and that it’s all more complicated than it seems–once you stop averting your eyes.

Hilary Neroni teaches in the Film and Television Studies Program at the University of Vermont and is also the author of The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema. Her areas of interest include representations of gender and race in contemporary American film, violence in film, women directors, documentary film/video, feminist theory, psychoanalysis, and Marxism. She has published essays on women directors (in particular Jane Campion and Claire Denis) and on issues surrounding gender and violence in the cinema.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Did you notice that after 9/11, the depiction of torture on prime-time television went up nearly seven hundred percent? <a href="https://www.uvm.edu/~fts/?Page=HilaryNeroni.php">Hilary Neroni</a> did. She had just finished a book on the changing relationship between female characters and violence in narrative cinema, and was attuned to function of violence in film and television. This was around the time the Abu Ghraib torture photos were leaked to the public. Over the next 10 years, torture porn appeared in the Saw and Hostel films, and it seemed that torture quickly became a routine element of thriller plots in movies and TV, such as the series 24. In <a href="http://www.amazon.com/dp/B00Y2RZ7KU/?tag=newbooinhis-20">The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film</a> (Columbia University Press, 2015),  Neroni makes a compelling case that, prior to 9/11, the stage had already been set for the dehumanizing fantasy of torture to appear in mass culture – via biopolitics. With this book, Neroni takes on the task of defining and understanding torture through a psychoanalytic lens, using films and television as case studies. The book is both compelling and readable, and argues that the fantasy and depiction of torture play a role as an ideology in national politics and policy, and that it’s all more complicated than it seems–once you stop averting your eyes.</p><p>
Hilary Neroni teaches in the Film and Television Studies Program at the University of Vermont and is also the author of The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema. Her areas of interest include representations of gender and race in contemporary American film, violence in film, women directors, documentary film/video, feminist theory, psychoanalysis, and Marxism. She has published essays on women directors (in particular Jane Campion and Claire Denis) and on issues surrounding gender and violence in the cinema.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/10/27/hilary-neroni-the-subject-of-torture-psychoanalysis-and-biopolitics-in-television-and-film-columbia-up-2015/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4600671976.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aileen Moreton-Robinson, “The White Possessive: Property, Power, and Indigenous Sovereignty” (U of Minnesota Press, 2015)</title>
      <description>Owning property. Being property. Becoming propertyless. These are three themes of white possession that structure Aileen Moreton-Robinson’s brilliant new inquiry into the dynamics of race and Indigeneity in “postcolonizing” societies like Australia.The White Possessive: Property, Power, and Indigenous Sovereignty (University of Minnesota Press, 2015) collects and expands over a decade of work that speaks to key dynamics both at the heart, and sometimes obscured, within critical Indigenous studies.

A Goenpul scholar from Minjerribah (Stradbroke Island), Quandamooka First Nation (Moreton Bay) in Queensland, Australia, Aileen Moreton-Robinson is the author of numerous previous books and articles in the fields of law and sovereignty, whiteness, race and feminism, and is a Council Member of the Native American and Indigenous Studies Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 22 Oct 2015 10:35:30 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Owning property. Being property. Becoming propertyless. These are three themes of white possession that structure Aileen Moreton-Robinson’s brilliant new inquiry into the dynamics of race and Indigeneity in “postcolonizing” societies like Australia.</itunes:subtitle>
      <itunes:summary>Owning property. Being property. Becoming propertyless. These are three themes of white possession that structure Aileen Moreton-Robinson’s brilliant new inquiry into the dynamics of race and Indigeneity in “postcolonizing” societies like Australia.The White Possessive: Property, Power, and Indigenous Sovereignty (University of Minnesota Press, 2015) collects and expands over a decade of work that speaks to key dynamics both at the heart, and sometimes obscured, within critical Indigenous studies.

A Goenpul scholar from Minjerribah (Stradbroke Island), Quandamooka First Nation (Moreton Bay) in Queensland, Australia, Aileen Moreton-Robinson is the author of numerous previous books and articles in the fields of law and sovereignty, whiteness, race and feminism, and is a Council Member of the Native American and Indigenous Studies Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Owning property. Being property. Becoming propertyless. These are three themes of white possession that structure Aileen Moreton-Robinson’s brilliant new inquiry into the dynamics of race and Indigeneity in “postcolonizing” societies like Australia.<a href="http://www.amazon.com/dp/0816692165/?tag=newbooinhis-20">The White Possessive: Property, Power, and Indigenous Sovereignty</a> (University of Minnesota Press, 2015) collects and expands over a decade of work that speaks to key dynamics both at the heart, and sometimes obscured, within critical Indigenous studies.</p><p>
A Goenpul scholar from Minjerribah (Stradbroke Island), Quandamooka First Nation (Moreton Bay) in Queensland, Australia, <a href="http://staff.qut.edu.au/staff/moretonr/">Aileen Moreton-Robinson</a> is the author of numerous previous books and articles in the fields of law and sovereignty, whiteness, race and feminism, and is a Council Member of the <a href="http://naisa.org/">Native American and Indigenous Studies Association</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3654</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/10/22/aileen-moreton-robinson-the-white-possessive-property-power-and-indigenous-sovereignty-u-of-minnesota-press-2015/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1209711846.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Bonin-Rodriguez, “Performing Policy” (Palgrave, 2014)</title>
      <description>How has American cultural and artistic policy changed over the last 25 years? Performing Policy: How Contemporary Politics and Cultural Programmes Redefined US Artists for the Twenty-First Century (Palgrave, 2014) explains the process of policy-making, funding models, NGOs and specific places that have shaped the current cultural settlement in the USA. Paul Bonin-Rodriguez’s book uses examples of policy reports, theatre and cross-arts organisations, as well as drawing on debates about creative platemaking. The multi-disciplinary approach allows Performing Policy to speak directly to the history of arts funding, in the context of the U.S.’s culture wars, as well as to the contemporary question of the role and purpose of the artist in society, along with how those artists might be educated. The book will be important reading for cultural policy and arts management students, as well as those in cultural studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 20 Oct 2015 13:29:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How has American cultural and artistic policy changed over the last 25 years? Performing Policy: How Contemporary Politics and Cultural Programmes Redefined US Artists for the Twenty-First Century (Palgrave,</itunes:subtitle>
      <itunes:summary>How has American cultural and artistic policy changed over the last 25 years? Performing Policy: How Contemporary Politics and Cultural Programmes Redefined US Artists for the Twenty-First Century (Palgrave, 2014) explains the process of policy-making, funding models, NGOs and specific places that have shaped the current cultural settlement in the USA. Paul Bonin-Rodriguez’s book uses examples of policy reports, theatre and cross-arts organisations, as well as drawing on debates about creative platemaking. The multi-disciplinary approach allows Performing Policy to speak directly to the history of arts funding, in the context of the U.S.’s culture wars, as well as to the contemporary question of the role and purpose of the artist in society, along with how those artists might be educated. The book will be important reading for cultural policy and arts management students, as well as those in cultural studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How has American cultural and artistic policy changed over the last 25 years? Performing Policy: How Contemporary Politics and Cultural Programmes Redefined US Artists for the Twenty-First Century (Palgrave, 2014) explains the process of policy-making, funding models, NGOs and specific places that have shaped the current cultural settlement in the USA. Paul Bonin-Rodriguez’s book uses examples of policy reports, theatre and cross-arts organisations, as well as drawing on debates about creative platemaking. The multi-disciplinary approach allows Performing Policy to speak directly to the history of arts funding, in the context of the U.S.’s culture wars, as well as to the contemporary question of the role and purpose of the artist in society, along with how those artists might be educated. The book will be important reading for cultural policy and arts management students, as well as those in cultural studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=675]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6379567510.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kate Pahl, “Materializing Literacies in Communities: The Uses of Literacy Revisited” (Bloomsbury, 2014)</title>
      <description>Literary practices are often associated with specific social groups in particular social settings. Kate Pahl‘s Materializing Literacies in Communities: The Uses of Literacy Revisited (Bloomsbury, 2014) challenges these assumptions by showing the varieties of literary practice in Rotherham, England. The book engages with the locally particular to draw out a variety of general findings, relevant to methodological reflection and material culture debates. The book draws on a wealth of projects from the AHRC funded Connected Communities programme, including Fishing as Wisdom, The Imagine Project, and Language as Talisman. The book represents an important intervention into how we understand community, literacy and identity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 06 Oct 2015 13:46:53 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Literary practices are often associated with specific social groups in particular social settings. Kate Pahl‘s Materializing Literacies in Communities: The Uses of Literacy Revisited (Bloomsbury, 2014) challenges these assumptions by showing the variet...</itunes:subtitle>
      <itunes:summary>Literary practices are often associated with specific social groups in particular social settings. Kate Pahl‘s Materializing Literacies in Communities: The Uses of Literacy Revisited (Bloomsbury, 2014) challenges these assumptions by showing the varieties of literary practice in Rotherham, England. The book engages with the locally particular to draw out a variety of general findings, relevant to methodological reflection and material culture debates. The book draws on a wealth of projects from the AHRC funded Connected Communities programme, including Fishing as Wisdom, The Imagine Project, and Language as Talisman. The book represents an important intervention into how we understand community, literacy and identity.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Literary practices are often associated with specific social groups in particular social settings. <a href="https://www.sheffield.ac.uk/education/staff/academic/pahl">Kate Pahl</a>‘s <a href="http://www.amazon.com/dp/0567469611/?tag=newbooinhis-20">Materializing Literacies in Communities: The Uses of Literacy Revisited </a>(Bloomsbury, 2014) challenges these assumptions by showing the varieties of literary practice in Rotherham, England. The book engages with the locally particular to draw out a variety of general findings, relevant to methodological reflection and material culture debates. The book draws on a wealth of projects from the AHRC funded<a href="https://connected-communities.org"> Connected Communities</a> programme, including <a href="http://spsheff.wix.com/fishingaswisdom">Fishing as Wisdom</a>, <a href="http://www.imaginecommunity.org.uk">The Imagine Project</a>, and <a href="http://languageastalisman.group.shef.ac.uk">Language as Talisman</a>. The book represents an important intervention into how we understand community, literacy and identity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2274</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=662]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4523314201.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Eugene Thacker, “Horror of Philosophy” (Zero Book, 2011-2015)</title>
      <description>Eugene Thacker‘s wonderful Horror of Philosophy series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015) – that collectively explore the relationship between philosophy (especially as it overlaps with demonology, occultism, and mysticism) and horror (especially of the supernatural sort). Each book takes on a particular problematic using a particular form from the history of philosophy, from the quaestio, lectio, and disputatio of medieval scholarship, to shorter aphoristic prose, to productive “mis-readings” of works of horror as philosophical texts and vice versa. Taken together, the books thoughtfully model the possibilities born of a comparative scholarly approach that creates conversations among works that might not ordinarily be juxtaposed in the same work: like Nishitani, Kant, Yohji Yamamoto, and Fludd; or Argento, Dante, and Lautramont. Though they explore topics like darkness, pessimism, vampiric cephalopods, and “black tentacular voids,” these books vibrate with life and offer consistent and shining inspiration for the careful reader. Anyone interested in philosophy, theology, modern literature and cinema, literatures on life and death, the history of horror…or really, anyone at all who appreciates thoughtful writing in any form should grab them – grab all of them! – and sit somewhere comfy, and prepare to read, reflect, and enjoy.

For Thacker’s brand-new book Cosmic Pessimism (published by Univocal with a super-groovy black-on-black cover) go here. Thacker is co-teaching a course with Simon Critchley on “Mysticism” at the New School for Social Research this fall 2015. You can check out the description here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 28 Sep 2015 06:00:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Eugene Thacker‘s wonderful Horror of Philosophy series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books,</itunes:subtitle>
      <itunes:summary>Eugene Thacker‘s wonderful Horror of Philosophy series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015) – that collectively explore the relationship between philosophy (especially as it overlaps with demonology, occultism, and mysticism) and horror (especially of the supernatural sort). Each book takes on a particular problematic using a particular form from the history of philosophy, from the quaestio, lectio, and disputatio of medieval scholarship, to shorter aphoristic prose, to productive “mis-readings” of works of horror as philosophical texts and vice versa. Taken together, the books thoughtfully model the possibilities born of a comparative scholarly approach that creates conversations among works that might not ordinarily be juxtaposed in the same work: like Nishitani, Kant, Yohji Yamamoto, and Fludd; or Argento, Dante, and Lautramont. Though they explore topics like darkness, pessimism, vampiric cephalopods, and “black tentacular voids,” these books vibrate with life and offer consistent and shining inspiration for the careful reader. Anyone interested in philosophy, theology, modern literature and cinema, literatures on life and death, the history of horror…or really, anyone at all who appreciates thoughtful writing in any form should grab them – grab all of them! – and sit somewhere comfy, and prepare to read, reflect, and enjoy.

For Thacker’s brand-new book Cosmic Pessimism (published by Univocal with a super-groovy black-on-black cover) go here. Thacker is co-teaching a course with Simon Critchley on “Mysticism” at the New School for Social Research this fall 2015. You can check out the description here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/Eugene_Thacker">Eugene Thacker</a>‘s wonderful <a href="http://www.amazon.com/dp/184694676X/?tag=newbooinhis-20">Horror of Philosophy</a> series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015) – that collectively explore the relationship between philosophy (especially as it overlaps with demonology, occultism, and mysticism) and horror (especially of the supernatural sort). Each book takes on a particular problematic using a particular form from the history of philosophy, from the quaestio, lectio, and disputatio of medieval scholarship, to shorter aphoristic prose, to productive “mis-readings” of works of horror as philosophical texts and vice versa. Taken together, the books thoughtfully model the possibilities born of a comparative scholarly approach that creates conversations among works that might not ordinarily be juxtaposed in the same work: like Nishitani, Kant, Yohji Yamamoto, and Fludd; or Argento, Dante, and Lautramont. Though they explore topics like darkness, pessimism, vampiric cephalopods, and “black tentacular voids,” these books vibrate with life and offer consistent and shining inspiration for the careful reader. Anyone interested in philosophy, theology, modern literature and cinema, literatures on life and death, the history of horror…or really, anyone at all who appreciates thoughtful writing in any form should grab them – grab all of them! – and sit somewhere comfy, and prepare to read, reflect, and enjoy.</p><p>
For Thacker’s brand-new book Cosmic Pessimism (published by Univocal with a super-groovy black-on-black cover) go <a href="http://www.univocalpublishing.com/account/univocal-books/cosmic-pessimism">here</a>. Thacker is co-teaching a course with Simon Critchley on “Mysticism” at the New School for Social Research this fall 2015. You can check out the description <a href="https://courses.newschool.edu/courses/GLIB6125">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/09/28/eugene-thacker-horror-of-philosophy-zero-book-2011-2015/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4489240619.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Isabelle Dussauge, Claes-Fredrik Helgesson, and Francis Lee, “Value Practices in the Life Sciences and Medicine” (Oxford UP, 2015)</title>
      <description>Valuation is a central question in contemporary social science. Indeed the question of value has a range of academic projects associated with it, whether in terms of specific questions or in terms of emerging fora for academic publications. In Value Practices in the Life Sciences and Medicine (Oxford University Press, 2015), Isabelle Dussauge, Claes-Fredrik Helgesson, and Francis Lee bring together a range of authors to outline a new research programme. Alongside individual essays that range from the allocation of transplant organs, questions of plagiarism in science, the ownership of generically modified organisms though to desire and neuroscience, the book points to a new way to think through questions of valuation. As a result its importance moves beyond an STS audience to establish value practices as a vital framework for understanding contemporary life.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 26 Sep 2015 21:00:49 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Valuation is a central question in contemporary social science. Indeed the question of value has a range of academic projects associated with it, whether in terms of specific questions or in terms of emerging fora for academic publications.</itunes:subtitle>
      <itunes:summary>Valuation is a central question in contemporary social science. Indeed the question of value has a range of academic projects associated with it, whether in terms of specific questions or in terms of emerging fora for academic publications. In Value Practices in the Life Sciences and Medicine (Oxford University Press, 2015), Isabelle Dussauge, Claes-Fredrik Helgesson, and Francis Lee bring together a range of authors to outline a new research programme. Alongside individual essays that range from the allocation of transplant organs, questions of plagiarism in science, the ownership of generically modified organisms though to desire and neuroscience, the book points to a new way to think through questions of valuation. As a result its importance moves beyond an STS audience to establish value practices as a vital framework for understanding contemporary life.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Valuation is a central question in contemporary social science. Indeed the question of value has a range of academic projects associated with it, whether in terms of <a href="http://www.ahrc.ac.uk/research/fundedthemesandprogrammes/culturalvalueproject/">specific questions</a> or in terms of <a href="http://valuationstudies.liu.se">emerging fora for academic publications</a>. In <a href="http://www.amazon.com/dp/019968958X/?tag=newbooinhis-20">Value Practices in the Life Sciences and Medicine</a> (Oxford University Press, 2015), <a href="http://katalog.uu.se/empinfo/?id=N9-5">Isabelle Dussauge</a>, <a href="https://www.tema.liu.se/tema-t/medarbetare/helgesson-claes-fredrik?l=en">Claes-Fredrik Helgesson</a>, and <a href="https://www.tema.liu.se/tema-t/medarbetare/lee-francis?l=en">Francis Lee</a> bring together a range of authors to outline a new research programme. Alongside individual essays that range from the allocation of transplant organs, questions of plagiarism in science, the ownership of generically modified organisms though to desire and neuroscience, the book points to a new way to think through questions of valuation. As a result its importance moves beyond an STS audience to establish value practices as a vital framework for understanding contemporary life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=651]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8568256473.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lois Lee, “Recognizing the Non-religious: Reimagining the Secular” (Oxford UP, 2015)</title>
      <description>What does non-religion mean? In a new book Recognizing the Non-Religious: Reimagining the Secular (Oxford University Press, 2015), Lois Lee, one of the editors of Secularism and Non-Religion, interrogates the role of non-religion in society, to better understand how a seemingly neutral category tells us much about the contemporary world. Positioning the research against narratives that claim society as secularized, or as increasingly post-secular, Lee’s work, along with other scholars in the Non-Religion and Secularity Research Network, shows how there are varieties of secularism and non-religion prevailing today. The book is programatic, setting out a framework for engaging with non-religion as a bodily practice, as sociality, as media and as the everyday. Moreover it offers a methodological challenge to traditions of survey research in this area. In the final chapter the book also sketches the concept of existential cultures, showing the points of intersection in the practices of the secular and non-religious, with the theistic and spiritual. The book, because it reframes our understanding of modernity itself, should be essential reading across the social sciences.


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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 14 Sep 2015 12:42:01 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What does non-religion mean? In a new book Recognizing the Non-Religious: Reimagining the Secular (Oxford University Press, 2015), Lois Lee, one of the editors of Secularism and Non-Religion, interrogates the role of non-religion in society,</itunes:subtitle>
      <itunes:summary>What does non-religion mean? In a new book Recognizing the Non-Religious: Reimagining the Secular (Oxford University Press, 2015), Lois Lee, one of the editors of Secularism and Non-Religion, interrogates the role of non-religion in society, to better understand how a seemingly neutral category tells us much about the contemporary world. Positioning the research against narratives that claim society as secularized, or as increasingly post-secular, Lee’s work, along with other scholars in the Non-Religion and Secularity Research Network, shows how there are varieties of secularism and non-religion prevailing today. The book is programatic, setting out a framework for engaging with non-religion as a bodily practice, as sociality, as media and as the everyday. Moreover it offers a methodological challenge to traditions of survey research in this area. In the final chapter the book also sketches the concept of existential cultures, showing the points of intersection in the practices of the secular and non-religious, with the theistic and spiritual. The book, because it reframes our understanding of modernity itself, should be essential reading across the social sciences.


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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does non-religion mean? In a new book <a href="http://www.amazon.com/dp/0198736843/?tag=newbooinhis-20">Recognizing the Non-Religious: Reimagining the Secular</a> (Oxford University Press, 2015), <a href="https://twitter.com/LoieLee">Lois Lee</a>, one of the editors of <a href="http://www.secularismandnonreligion.org">Secularism and Non-Religion</a>, interrogates the role of non-religion in society, to better understand how a seemingly neutral category tells us much about the contemporary world. Positioning the research against narratives that claim society as secularized, or as increasingly post-secular, Lee’s work, along with other scholars in the <a href="http://nsrn.net">Non-Religion and Secularity Research Network,</a> shows how there are varieties of secularism and non-religion prevailing today. The book is programatic, setting out a framework for engaging with non-religion as a bodily practice, as sociality, as media and as the everyday. Moreover it offers a methodological challenge to traditions of survey research in this area. In the final chapter the book also sketches the concept of existential cultures, showing the points of intersection in the practices of the secular and non-religious, with the theistic and spiritual. The book, because it reframes our understanding of modernity itself, should be essential reading across the social sciences.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2288</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=642]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7941316142.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alf Gunvald Nilsen and Srila Roy, “New Subaltern Politics: Reconceptualizing Hegemony and Resistance in Contemporary India” (Oxford UPs 2015)</title>
      <description>New Subaltern Politics: Reconceptualizing Hegemony and Resistance in Contemporary India (Oxford University Press, 2015), edited by Alf Gunvald Nilsen and Srila Roy, is a wonderfully rich and theoretically coherent collection of texts that critically assess the legacies of Subaltern Studies through research into political movements in India today. The case studies range from students at elite higher education institutes shoring up their privilege, to queer activism in Kolkata, to Dalit villagers fighting land grabs, and the studies’ richness allows for a really nuanced relational understanding of subalternity, hegemony and the state that make the book a truly conceptually and ethnographically innovative collection.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 08 Sep 2015 23:52:56 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>New Subaltern Politics: Reconceptualizing Hegemony and Resistance in Contemporary India (Oxford University Press, 2015), edited by Alf Gunvald Nilsen and Srila Roy, is a wonderfully rich and theoretically coherent collection of texts that critically as...</itunes:subtitle>
      <itunes:summary>New Subaltern Politics: Reconceptualizing Hegemony and Resistance in Contemporary India (Oxford University Press, 2015), edited by Alf Gunvald Nilsen and Srila Roy, is a wonderfully rich and theoretically coherent collection of texts that critically assess the legacies of Subaltern Studies through research into political movements in India today. The case studies range from students at elite higher education institutes shoring up their privilege, to queer activism in Kolkata, to Dalit villagers fighting land grabs, and the studies’ richness allows for a really nuanced relational understanding of subalternity, hegemony and the state that make the book a truly conceptually and ethnographically innovative collection.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0199457557/?tag=newbooinhis-20">New Subaltern Politics: Reconceptualizing Hegemony and Resistance in Contemporary India </a>(Oxford University Press, 2015), edited by <a href="http://www.uib.no/en/persons/Alf.Nilsen">Alf Gunvald Nilsen</a> and <a href="http://www.wits.ac.za/staff/srila.roy.htm">Srila Roy</a>, is a wonderfully rich and theoretically coherent collection of texts that critically assess the legacies of Subaltern Studies through research into political movements in India today. The case studies range from students at elite higher education institutes shoring up their privilege, to queer activism in Kolkata, to Dalit villagers fighting land grabs, and the studies’ richness allows for a really nuanced relational understanding of subalternity, hegemony and the state that make the book a truly conceptually and ethnographically innovative collection.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2251</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/09/08/alf-gunvald-nilsen-and-srila-roy-new-subaltern-politics-reconceptualizing-hegemony-and-resistance-in-contemporary-india-oxford-ups-2015/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1298456895.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Liz McFall, “Devising Consumption Cultural Economies of Insurance, Credit and Spending” (Routledge, 2014)</title>
      <description>The role of financial services in individuals’ and communities’ everyday lives is more important than ever. In Devising Consumption: Cultural Economies of Insurance, Credit and Spending (Routledge, 2014), Liz McFall charts the rise of one particular element of financial services, door-to-door sales, to understand the role of insurance and credit in society. In doing so McFall aims to ‘ventriloquise the lives and consumption practices of the silent poor’, as well as charting a the history of a very neglected element of the story of finance’s role in contemporary life. The book contains a wealth of historical data, alongside a theoretical engagement with the meaning of ‘the device’ within current social theoretical literature. Moreover the book offers reflections on the role and workings of markets and states, both with regard to finance and more broadly to the government of social life. The combination of these perspectives offers an important new lens through which to understand the sociology of consumption and thus, more generally, the social world itself.


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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 02 Sep 2015 17:56:51 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The role of financial services in individuals’ and communities’ everyday lives is more important than ever. In Devising Consumption: Cultural Economies of Insurance, Credit and Spending (Routledge, 2014), Liz McFall charts the rise of one particular el...</itunes:subtitle>
      <itunes:summary>The role of financial services in individuals’ and communities’ everyday lives is more important than ever. In Devising Consumption: Cultural Economies of Insurance, Credit and Spending (Routledge, 2014), Liz McFall charts the rise of one particular element of financial services, door-to-door sales, to understand the role of insurance and credit in society. In doing so McFall aims to ‘ventriloquise the lives and consumption practices of the silent poor’, as well as charting a the history of a very neglected element of the story of finance’s role in contemporary life. The book contains a wealth of historical data, alongside a theoretical engagement with the meaning of ‘the device’ within current social theoretical literature. Moreover the book offers reflections on the role and workings of markets and states, both with regard to finance and more broadly to the government of social life. The combination of these perspectives offers an important new lens through which to understand the sociology of consumption and thus, more generally, the social world itself.


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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The role of financial services in individuals’ and communities’ everyday lives is more important than ever. In <a href="https://www.routledge.com/products/9780415694391">Devising Consumption: Cultural Economies of Insurance, Credit and Spending </a>(Routledge, 2014), <a href="http://www.open.ac.uk/socialsciences/main/staff/people-profile.php?name=Liz_McFall">Liz McFall</a> charts the rise of one particular element of financial services, door-to-door sales, to understand the role of insurance and credit in society. In doing so McFall aims to ‘ventriloquise the lives and consumption practices of the silent poor’, as well as charting a the history of a very neglected element of the story of finance’s role in contemporary life. The book contains a wealth of historical data, alongside a theoretical engagement with the meaning of ‘the device’ within current social theoretical literature. Moreover the book offers reflections on the role and workings of markets and states, both with regard to finance and more broadly to the government of social life. The combination of these perspectives offers an important new lens through which to understand the sociology of consumption and thus, more generally, the social world itself.</p><p>
</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2802</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=635]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6500597157.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Davies, “The Happiness Industry: How the Government and Big Business Sold Us Well-Being” (Verso, 2015)</title>
      <description>Are you happy? In his new book The Happiness Industry: How the Government and Big Business Sold Us Well-Being (Verso, 2015), William Davies, a senior lecturer at Goldsmiths’ College, University of London, critically investigates this question. The book offers skepticism towardsthe demand that economy and society be happy, skepticism founded in an interrogation of the practices of contemporary government and businesses. A whole range of our everyday experiences, including ‘nudges’ for citizens and staff, the perverse incentives of metrics, through tothe consequences of how psychiatry classifies depression, are subject to critical scrutiny.Moreover, the book acts as a primer on economics, psychology and organizational theory, clearly articulating the roots and the consequences of our current economic and social settlement. The book concludes with the possibility of a more democratic way of organizing the world, in contrast to our impersonal, oppressive, and data driven present. Dr Davies is a co-director of Goldsmiths’ Political Economy Research Centre and blogs at Potlatch.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 18 Aug 2015 17:12:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Are you happy? In his new book The Happiness Industry: How the Government and Big Business Sold Us Well-Being (Verso, 2015), William Davies, a senior lecturer at Goldsmiths’ College, University of London, critically investigates this question.</itunes:subtitle>
      <itunes:summary>Are you happy? In his new book The Happiness Industry: How the Government and Big Business Sold Us Well-Being (Verso, 2015), William Davies, a senior lecturer at Goldsmiths’ College, University of London, critically investigates this question. The book offers skepticism towardsthe demand that economy and society be happy, skepticism founded in an interrogation of the practices of contemporary government and businesses. A whole range of our everyday experiences, including ‘nudges’ for citizens and staff, the perverse incentives of metrics, through tothe consequences of how psychiatry classifies depression, are subject to critical scrutiny.Moreover, the book acts as a primer on economics, psychology and organizational theory, clearly articulating the roots and the consequences of our current economic and social settlement. The book concludes with the possibility of a more democratic way of organizing the world, in contrast to our impersonal, oppressive, and data driven present. Dr Davies is a co-director of Goldsmiths’ Political Economy Research Centre and blogs at Potlatch.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Are you happy? In his new book <a href="http://www.amazon.com/dp/B00N6PCKYU/?tag=newbooinhis-20">The Happiness Industry: How the Government and Big Business Sold Us Well-Being</a> (Verso, 2015), <a href="http://www.gold.ac.uk/politics/staff/davies/">William Davies</a>, a senior lecturer at Goldsmiths’ College, University of London, critically investigates this question. The book offers skepticism towardsthe demand that economy and society be happy, skepticism founded in an interrogation of the practices of contemporary government and businesses. A whole range of our everyday experiences, including ‘nudges’ for citizens and staff, the perverse incentives of metrics, through tothe consequences of how psychiatry classifies depression, are subject to critical scrutiny.Moreover, the book acts as a primer on economics, psychology and organizational theory, clearly articulating the roots and the consequences of our current economic and social settlement. The book concludes with the possibility of a more democratic way of organizing the world, in contrast to our impersonal, oppressive, and data driven present. Dr Davies is a co-director of <a href="http://www.gold.ac.uk/perc/">Goldsmiths’ Political Economy Research Centre</a> and blogs at <a href="http://potlatch.typepad.com">Potlatch</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2677</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=628]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8154930507.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Vitale, “Networkologies: A Philosophy of Networks for a Hyperconnected Age” (Zero Books, 2014)</title>
      <description>Networks seem to be the dominant metaphor for contemporary society. In Networkologies: A Philosophy of Networks for a Hyperconnected Age (Zero Books, 2014), Christopher Vitale sets out a manifesto for understanding and using networks as the basis of a new philosophy. The book draws on continental philosophy, complex systems theory and a range of other elements to both introduce and contextualise, as well as present, the networkology manifesto. The book explores what networks are, how they emerge, how they change and how they are resilient (or not). The book intervenes in the contemporary interest in networks and will thus be of interest beyond just the critical theoretical disciplines. The text is also part of a much broader networkological project, including an original iteration of the manifesto and several papers. You can find out more about the project here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Aug 2015 17:42:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Networks seem to be the dominant metaphor for contemporary society. In Networkologies: A Philosophy of Networks for a Hyperconnected Age (Zero Books, 2014), Christopher Vitale sets out a manifesto for understanding and using networks as the basis of a ...</itunes:subtitle>
      <itunes:summary>Networks seem to be the dominant metaphor for contemporary society. In Networkologies: A Philosophy of Networks for a Hyperconnected Age (Zero Books, 2014), Christopher Vitale sets out a manifesto for understanding and using networks as the basis of a new philosophy. The book draws on continental philosophy, complex systems theory and a range of other elements to both introduce and contextualise, as well as present, the networkology manifesto. The book explores what networks are, how they emerge, how they change and how they are resilient (or not). The book intervenes in the contemporary interest in networks and will thus be of interest beyond just the critical theoretical disciplines. The text is also part of a much broader networkological project, including an original iteration of the manifesto and several papers. You can find out more about the project here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Networks seem to be the dominant metaphor for contemporary society. In <a href="http://www.amazon.com/dp/1780992386/?tag=newbooinhis-20">Networkologies: A Philosophy of Networks for a Hyperconnected Age</a> (Zero Books, 2014), <a href="https://www.pratt.edu/faculty_and_staff/bio/?id=cvitale">Christopher Vitale</a> sets out a manifesto for understanding and using networks as the basis of a new philosophy. The book draws on continental philosophy, complex systems theory and a range of other elements to both introduce and contextualise, as well as present, the networkology manifesto. The book explores what networks are, how they emerge, how they change and how they are resilient (or not). The book intervenes in the contemporary interest in networks and will thus be of interest beyond just the critical theoretical disciplines. The text is also part of a much broader networkological project, including an original iteration of the manifesto and several papers. You can find out more about the project <a href="https://networkologies.wordpress.com">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2616</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=618]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3075254522.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Craig Martin, “Capitalizing Religion: Ideology and the Opiate of the Bourgeoisie” (Bloomsbury, 2014)</title>
      <description>Whether you need help being more focused at work, are having a spiritual crisis, or want to understand how you can change your inner self for the better, the popular self-help and spiritual well-being market has got you covered. In Capitalizing Religion: Ideology and the Opiate of the Bourgeoisie (Bloomsbury, 2014), Craig Martin, Associate Professor of Religious Studies St. Thomas Aquinas College, examines the rhetoric of individualism at root in these works and popular conceptions of ‘spirituality’ or individual religion. He demonstrates that individual religion has been placed within sets of dichotomies, communal vs. individual, tradition vs. choice, organized religion vs. spirituality, that establish the continuing conversations about contemporary spirituality. Overall, he argues that many spirituality and related self-help discourses recommend quietism, consumerism, and worker productivity, which reproduce the status quo within neoliberal capitalism. In our conversation we discuss the relationship between individuals and communities, the role of human agency, experience, ideology, contemporary fiction, Durkheim, William James, Karl Marx, Louis Althusser, and the joys of reading Deepak Chopra.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 04 Aug 2015 11:43:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Whether you need help being more focused at work, are having a spiritual crisis, or want to understand how you can change your inner self for the better, the popular self-help and spiritual well-being market has got you covered.</itunes:subtitle>
      <itunes:summary>Whether you need help being more focused at work, are having a spiritual crisis, or want to understand how you can change your inner self for the better, the popular self-help and spiritual well-being market has got you covered. In Capitalizing Religion: Ideology and the Opiate of the Bourgeoisie (Bloomsbury, 2014), Craig Martin, Associate Professor of Religious Studies St. Thomas Aquinas College, examines the rhetoric of individualism at root in these works and popular conceptions of ‘spirituality’ or individual religion. He demonstrates that individual religion has been placed within sets of dichotomies, communal vs. individual, tradition vs. choice, organized religion vs. spirituality, that establish the continuing conversations about contemporary spirituality. Overall, he argues that many spirituality and related self-help discourses recommend quietism, consumerism, and worker productivity, which reproduce the status quo within neoliberal capitalism. In our conversation we discuss the relationship between individuals and communities, the role of human agency, experience, ideology, contemporary fiction, Durkheim, William James, Karl Marx, Louis Althusser, and the joys of reading Deepak Chopra.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Whether you need help being more focused at work, are having a spiritual crisis, or want to understand how you can change your inner self for the better, the popular self-help and spiritual well-being market has got you covered. In <a href="http://www.amazon.com/dp/1472527445/?tag=newbooinhis-20">Capitalizing Religion: Ideology and the Opiate of the Bourgeoisie</a> (Bloomsbury, 2014), <a href="https://craigmartinreligion.wordpress.com">Craig Martin</a>, Associate Professor of Religious Studies St. Thomas Aquinas College, examines the rhetoric of individualism at root in these works and popular conceptions of ‘spirituality’ or individual religion. He demonstrates that individual religion has been placed within sets of dichotomies, communal vs. individual, tradition vs. choice, organized religion vs. spirituality, that establish the continuing conversations about contemporary spirituality. Overall, he argues that many spirituality and related self-help discourses recommend quietism, consumerism, and worker productivity, which reproduce the status quo within neoliberal capitalism. In our conversation we discuss the relationship between individuals and communities, the role of human agency, experience, ideology, contemporary fiction, Durkheim, William James, Karl Marx, Louis Althusser, and the joys of reading Deepak Chopra.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3751</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/08/04/craig-martin-capitalizing-religion-ideology-and-the-opiate-of-the-bourgeoisie-bloomsbury-2014/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9814758575.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Alexander Etkind, “Warped Mourning: Stories of the Undead in the Land of the Unburied” (Stanford UP, 2013)</title>
      <description>Theoretical and historical accounts of postcatastrophic societies often discuss melancholia and trauma at length but leave processes of mourning underexplored. In Warped Mourning: Stories of the Undead in the Land of the Unburied (Stanford UP, 2013), Alexander Etkind shows why mourning is more conducive to cultural analysis. Where trauma is unsymbolized and melancholia is contained within the self, mourning is often an address to the other.Mourning might entail attempts to remember, creatively work through, and make manifest losses in poetry, memorials, histories, painting, and other art forms.Without access to the unconscious, cultural historians can only engage what has already been represented and written — that which has materiality and symbolic richness.Individual and mutigenerational testaments and rituals of mourning — warped, haunted, and incomplete — are all that scholars have available.

Warped Mourning is about how three generations spanning the Soviet and post-Soviet periods have mourned the millions who perished in the Terror, the Stalinist political repressions of the 1930s.Etkind peruses a broad array of writings and artifacts, offering interpretations inflected by insights from psychoanalysis and critical theory.Autobiographies, fiction, film, visual art, academic writings, and sites of memory like monuments contribute to a complex rendering of the work and evolution of mourning: from the mimetic and demetaphorized (potentially deadly) performative acts in the 1950s by those who directly experienced the gulag, to the still traumatized and politicized mourning by their children in the 1960s and 1970s, and, finally, to the more estranged or distanced remembrances of the post-Soviet years and today. Etkind argues that the killings and torture of the Soviet period were not fully worked through for a number of reasons: the gulag was state violence (and the state controlled public mourning), the division between perpetrators and victims was far from clear, and mourning the persecuted eventually became entwined with mourning the ideas of communism.Unfinished mourning and consequent improper burial and recognition of purge victims produced a culture replete with specters and uncanny monsters.The unpaid debt to the dead also created a strange temporality.Until recently, perhaps, Russia’s present has been flooded by the past.In the absence of proper monuments or sufficient memory making, history haunts Russia, propelling its politics and shaping its narratives with an immediacy and force unknown in the West.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 26 Jul 2015 16:42:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Theoretical and historical accounts of postcatastrophic societies often discuss melancholia and trauma at length but leave processes of mourning underexplored. In Warped Mourning: Stories of the Undead in the Land of the Unburied (Stanford UP, 2013),</itunes:subtitle>
      <itunes:summary>Theoretical and historical accounts of postcatastrophic societies often discuss melancholia and trauma at length but leave processes of mourning underexplored. In Warped Mourning: Stories of the Undead in the Land of the Unburied (Stanford UP, 2013), Alexander Etkind shows why mourning is more conducive to cultural analysis. Where trauma is unsymbolized and melancholia is contained within the self, mourning is often an address to the other.Mourning might entail attempts to remember, creatively work through, and make manifest losses in poetry, memorials, histories, painting, and other art forms.Without access to the unconscious, cultural historians can only engage what has already been represented and written — that which has materiality and symbolic richness.Individual and mutigenerational testaments and rituals of mourning — warped, haunted, and incomplete — are all that scholars have available.

Warped Mourning is about how three generations spanning the Soviet and post-Soviet periods have mourned the millions who perished in the Terror, the Stalinist political repressions of the 1930s.Etkind peruses a broad array of writings and artifacts, offering interpretations inflected by insights from psychoanalysis and critical theory.Autobiographies, fiction, film, visual art, academic writings, and sites of memory like monuments contribute to a complex rendering of the work and evolution of mourning: from the mimetic and demetaphorized (potentially deadly) performative acts in the 1950s by those who directly experienced the gulag, to the still traumatized and politicized mourning by their children in the 1960s and 1970s, and, finally, to the more estranged or distanced remembrances of the post-Soviet years and today. Etkind argues that the killings and torture of the Soviet period were not fully worked through for a number of reasons: the gulag was state violence (and the state controlled public mourning), the division between perpetrators and victims was far from clear, and mourning the persecuted eventually became entwined with mourning the ideas of communism.Unfinished mourning and consequent improper burial and recognition of purge victims produced a culture replete with specters and uncanny monsters.The unpaid debt to the dead also created a strange temporality.Until recently, perhaps, Russia’s present has been flooded by the past.In the absence of proper monuments or sufficient memory making, history haunts Russia, propelling its politics and shaping its narratives with an immediacy and force unknown in the West.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Theoretical and historical accounts of postcatastrophic societies often discuss melancholia and trauma at length but leave processes of mourning underexplored. In <a href="http://www.amazon.com/dp/0804773939/?tag=newbooinhis-20">Warped Mourning: Stories of the Undead in the Land of the Unburied</a> (Stanford UP, 2013), <a href="http://www.mml.cam.ac.uk/slavonic/staff/ae264/">Alexander Etkind</a> shows why mourning is more conducive to cultural analysis. Where trauma is unsymbolized and melancholia is contained within the self, mourning is often an address to the other.Mourning might entail attempts to remember, creatively work through, and make manifest losses in poetry, memorials, histories, painting, and other art forms.Without access to the unconscious, cultural historians can only engage what has already been represented and written — that which has materiality and symbolic richness.Individual and mutigenerational testaments and rituals of mourning — warped, haunted, and incomplete — are all that scholars have available.</p><p>
Warped Mourning is about how three generations spanning the Soviet and post-Soviet periods have mourned the millions who perished in the Terror, the Stalinist political repressions of the 1930s.Etkind peruses a broad array of writings and artifacts, offering interpretations inflected by insights from psychoanalysis and critical theory.Autobiographies, fiction, film, visual art, academic writings, and sites of memory like monuments contribute to a complex rendering of the work and evolution of mourning: from the mimetic and demetaphorized (potentially deadly) performative acts in the 1950s by those who directly experienced the gulag, to the still traumatized and politicized mourning by their children in the 1960s and 1970s, and, finally, to the more estranged or distanced remembrances of the post-Soviet years and today. Etkind argues that the killings and torture of the Soviet period were not fully worked through for a number of reasons: the gulag was state violence (and the state controlled public mourning), the division between perpetrators and victims was far from clear, and mourning the persecuted eventually became entwined with mourning the ideas of communism.Unfinished mourning and consequent improper burial and recognition of purge victims produced a culture replete with specters and uncanny monsters.The unpaid debt to the dead also created a strange temporality.Until recently, perhaps, Russia’s present has been flooded by the past.In the absence of proper monuments or sufficient memory making, history haunts Russia, propelling its politics and shaping its narratives with an immediacy and force unknown in the West.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3053</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/07/26/alexander-etkind-warped-mourning-stories-of-the-undead-in-the-land-of-the-unburied-stanford-up-2013/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4974526165.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joe Deville, “Lived Economies of Default: Consumer Credit, Debt Collection and the Capture of Affect” (Routledge, 2015)</title>
      <description>Credit, debt and default are embedded into everyday life, whether as a constant part of people’s daily routines or as a constantly discussed topic in news media. Joe Deville‘s new book, Lived Economies of Default: Consumer Credit, Debt Collection and the Capture of Affect, helps to make sense of this by asking how this core part of the social world functions.The book draws on science and technology studies and theories of affect, to lay bare the practices of attaching the debtor to debt, and to getting debts to be repaid. The book has case studies of credit cards, collections agencies, telephone calls and letters, revealing the reality of default and debt in contemporary society. The book will appeal widely, not only to sociology, organization studies and anthropology, but also to politics, psychology, and the wider humanities.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 20 Jul 2015 11:14:36 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Credit, debt and default are embedded into everyday life, whether as a constant part of people’s daily routines or as a constantly discussed topic in news media. Joe Deville‘s new book, Lived Economies of Default: Consumer Credit,</itunes:subtitle>
      <itunes:summary>Credit, debt and default are embedded into everyday life, whether as a constant part of people’s daily routines or as a constantly discussed topic in news media. Joe Deville‘s new book, Lived Economies of Default: Consumer Credit, Debt Collection and the Capture of Affect, helps to make sense of this by asking how this core part of the social world functions.The book draws on science and technology studies and theories of affect, to lay bare the practices of attaching the debtor to debt, and to getting debts to be repaid. The book has case studies of credit cards, collections agencies, telephone calls and letters, revealing the reality of default and debt in contemporary society. The book will appeal widely, not only to sociology, organization studies and anthropology, but also to politics, psychology, and the wider humanities.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Credit, debt and default are embedded into everyday life, whether as a constant part of people’s daily routines or as a constantly discussed topic in news media. <a href="http://lancaster.academia.edu/JoeDeville">Joe Deville</a>‘s new book, <a href="https://www.routledge.com/products/9780415622509">Lived Economies of Default: Consumer Credit, Debt Collection and the Capture of Affect</a>, helps to make sense of this by asking how this core part of the social world functions.The book draws on science and technology studies and theories of affect, to lay bare the practices of attaching the debtor to debt, and to getting debts to be repaid. The book has case studies of credit cards, collections agencies, telephone calls and letters, revealing the reality of default and debt in contemporary society. The book will appeal widely, not only to sociology, organization studies and anthropology, but also to politics, psychology, and the wider humanities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3420</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=610]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3019074365.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nancy Fraser, “Transnationalizing the Public Sphere” (Polity, 2014)</title>
      <description>How is “the public sphere” best conceptualized on a transnational scale? Nancy Fraser (The New School for Social Research) explores this pressing question in her book Transnationalizing the Public Sphere (Polity, 2014). Opening with Fraser’s foundational essay, “Transnationalizing the Public Sphere: On the Legitimacy and Efficacy of Public Opinion in a Post-Westphalian World,” the book then contains critiques of the essay from a range of scholars working in different fields and concludes with Fraser’s reply, “Publicity, Subjection, Critique.” The interview covers the history and formation of public sphere theory, the currents and forces in the “postnational constellation” that demands its rethinking, critical theory, what normative legitimacy and political efficacy look like on the transnational scale, and more. The book is of interest to democratic theorists, scholars of globalization, critical and postcolonial theorists, media studies scholars, and other fields.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 08 Jul 2015 17:49:21 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How is “the public sphere” best conceptualized on a transnational scale? Nancy Fraser (The New School for Social Research) explores this pressing question in her book Transnationalizing the Public Sphere (Polity, 2014).</itunes:subtitle>
      <itunes:summary>How is “the public sphere” best conceptualized on a transnational scale? Nancy Fraser (The New School for Social Research) explores this pressing question in her book Transnationalizing the Public Sphere (Polity, 2014). Opening with Fraser’s foundational essay, “Transnationalizing the Public Sphere: On the Legitimacy and Efficacy of Public Opinion in a Post-Westphalian World,” the book then contains critiques of the essay from a range of scholars working in different fields and concludes with Fraser’s reply, “Publicity, Subjection, Critique.” The interview covers the history and formation of public sphere theory, the currents and forces in the “postnational constellation” that demands its rethinking, critical theory, what normative legitimacy and political efficacy look like on the transnational scale, and more. The book is of interest to democratic theorists, scholars of globalization, critical and postcolonial theorists, media studies scholars, and other fields.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is “the public sphere” best conceptualized on a transnational scale? <a href="http://www.newschool.edu/nssr/faculty/?id=4e54-6b31-4d41-3d3d">Nancy Fraser</a> (The New School for Social Research) explores this pressing question in her book <a href="http://www.amazon.com/dp/0745650597/?tag=newbooinhis-20">Transnationalizing the Public Sphere</a> (Polity, 2014). Opening with Fraser’s foundational essay, “Transnationalizing the Public Sphere: On the Legitimacy and Efficacy of Public Opinion in a Post-Westphalian World,” the book then contains critiques of the essay from a range of scholars working in different fields and concludes with Fraser’s reply, “Publicity, Subjection, Critique.” The interview covers the history and formation of public sphere theory, the currents and forces in the “postnational constellation” that demands its rethinking, critical theory, what normative legitimacy and political efficacy look like on the transnational scale, and more. The book is of interest to democratic theorists, scholars of globalization, critical and postcolonial theorists, media studies scholars, and other fields.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4209</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/07/08/nancy-fraser-transnationalizing-the-public-sphere-polity-2014/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3874708285.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christian Fuchs, “Culture and Economy in the Age of Social Media” (Routledge, 2015)</title>
      <description>Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 28 Jun 2015 16:33:47 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015),</itunes:subtitle>
      <itunes:summary>Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In <a href="http://www.amazon.com/dp/1138839310/?tag=newbooinhis-20">Culture and Economy in the Age of Social Media</a> (Routledge, 2015), <a href="http://www.westminster.ac.uk/about-us/our-people/directory/christian-fuchs">Christian Fuchs</a>, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available <a href="http://fuchs.uti.at/wp-content/flyer.pdf">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=600]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1251158680.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robin James, “Resistance and Melancholy: Pop Music, Feminism and Neo-Liberalism” (Zero Books, 2015)</title>
      <description>How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (&amp; Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such the techniques and sounds of Atari Teenage Riot, or new strategies and new forms that might be beyond profit, beyond capital, and represent ‘bad investments’ to suck the life fromMulti-Racial White Supremacist Patriarchy. The book will interest a range of humanities and social science scholars, as well as anyone keen to know more about popular music and critical theory. To learn more about Dr James work read her blog here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 02 Jun 2015 12:40:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music,</itunes:subtitle>
      <itunes:summary>How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (&amp; Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such the techniques and sounds of Atari Teenage Riot, or new strategies and new forms that might be beyond profit, beyond capital, and represent ‘bad investments’ to suck the life fromMulti-Racial White Supremacist Patriarchy. The book will interest a range of humanities and social science scholars, as well as anyone keen to know more about popular music and critical theory. To learn more about Dr James work read her blog here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? <a href="http://philosophy.uncc.edu/robin-james">Robin James</a> addresses this question using philosophy of music (and by doing philosophy through music) in her new book <a href="http://www.amazon.com/dp/1782795987/?tag=newbooinhis-20">Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism</a> (Zero Books, 2015). The book opens with a discussion of <a href="https://www.youtube.com/watch?v=17ozSeGw-fY">Calvin Harris (&amp; Florence Welch’s) Sweet Nothing</a> as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of <a href="https://www.youtube.com/watch?v=CGkvXp0vdng">Beyonce</a>, <a href="https://www.youtube.com/watch?v=EVBsypHzF3U">Lady Gaga</a> and <a href="https://www.youtube.com/watch?v=lWA2pjMjpBs">Rihanna</a>. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such the techniques and sounds of <a href="https://www.youtube.com/watch?v=sla0FH16Wsg">Atari Teenage Riot</a>, or new strategies and new forms that might be beyond profit, beyond capital, and represent ‘bad investments’ to suck the life fromMulti-Racial White Supremacist Patriarchy. The book will interest a range of humanities and social science scholars, as well as anyone keen to know more about popular music and critical theory. To learn more about Dr James work read her blog <a href="http://www.its-her-factory.com">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2961</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=592]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3425843547.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nick Crossley, “Networks of Sound, Style, and Subversion” (Manchester UP, 2015)</title>
      <description>Can sociology explain punk? In a new book, Networks of Sound, Style, and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool, and Sheffield, 1975-80 (Manchester University Press, 2015), Nick Crossley from the University of Manchester offers an important new perspective on the birth of punk and post-punk in London, Liverpool, Manchester and Sheffield in the mid to late 1970s. Crossley uses social network analysis (SNA) to show why punk developed in specific places in specific ways. This is in contrast to existing work that seeks to ground punk in the strains of adolescent life in the crisis ridden 1970s, or in the actions of specific individuals. The book seeks to account for punk and post-punk in the four cities as a series of musical worlds, all of which have similarities shown by the SNA. Indeed, by concentrating on the networks that facilitated the rise of punk, the book shows how punk can be explained through networks of connected and sometimes competing sets of enthusiasts, before it became a subject of national moral panic. Combining readable examples of SNA with the story of punk, the book will be of interest to a popular, as well as academic, audience. Prof Crossley will be discussing some of his work that has followed the publication of the book, along with a range of papers on music and networks in Manchester on June 16th-18th 2015.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 18 May 2015 10:32:35 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Can sociology explain punk? In a new book, Networks of Sound, Style, and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool, and Sheffield, 1975-80 (Manchester University Press, 2015),</itunes:subtitle>
      <itunes:summary>Can sociology explain punk? In a new book, Networks of Sound, Style, and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool, and Sheffield, 1975-80 (Manchester University Press, 2015), Nick Crossley from the University of Manchester offers an important new perspective on the birth of punk and post-punk in London, Liverpool, Manchester and Sheffield in the mid to late 1970s. Crossley uses social network analysis (SNA) to show why punk developed in specific places in specific ways. This is in contrast to existing work that seeks to ground punk in the strains of adolescent life in the crisis ridden 1970s, or in the actions of specific individuals. The book seeks to account for punk and post-punk in the four cities as a series of musical worlds, all of which have similarities shown by the SNA. Indeed, by concentrating on the networks that facilitated the rise of punk, the book shows how punk can be explained through networks of connected and sometimes competing sets of enthusiasts, before it became a subject of national moral panic. Combining readable examples of SNA with the story of punk, the book will be of interest to a popular, as well as academic, audience. Prof Crossley will be discussing some of his work that has followed the publication of the book, along with a range of papers on music and networks in Manchester on June 16th-18th 2015.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can sociology explain punk? In a new book, <a href="http://www.amazon.com/dp/0719088658/?tag=newbooinhis-20">Networks of Sound, Style, and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool, and Sheffield, 1975-80</a> (Manchester University Press, 2015), <a href="http://staffprofiles.humanities.manchester.ac.uk/Profile.aspx?Id=nicholas.crossley">Nick Crossley</a> from the University of Manchester offers an important new perspective on the birth of punk and post-punk in London, Liverpool, Manchester and Sheffield in the mid to late 1970s. Crossley uses social network analysis (SNA) to show why punk developed in specific places in specific ways. This is in contrast to existing work that seeks to ground punk in the strains of adolescent life in the crisis ridden 1970s, or in the actions of specific individuals. The book seeks to account for punk and post-punk in the four cities as a series of musical worlds, all of which have similarities shown by the SNA. Indeed, by concentrating on the networks that facilitated the rise of punk, the book shows how punk can be explained through networks of connected and sometimes competing sets of enthusiasts, before it became a subject of national moral panic. Combining readable examples of SNA with the story of punk, the book will be of interest to a popular, as well as academic, audience. Prof Crossley will be discussing some of his work that has followed the publication of the book, along with a range of papers on music and networks in<a href="http://www.socialsciences.manchester.ac.uk/research/research-centres-and-networks/mitchell-centre/events/eventdetails/?eid=even%3Ay3k-i7gbozat-j3ohgu"> Manchester on June 16th-18th 2015</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3760</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=582]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6680140876.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Deborah Cowen, “The Deadly Life of Logistics” (University of Minnesota Press, 2014)</title>
      <description>Our guest today tells us that the seemingly straightforward field of logistics lies at the heart of contemporary globalization, imperialism, and economic inequality. Listen to Deb Cowen, the author of The Deadly Life of Logistics: Mapping Violence in Global Trade (University of Minnesota Press, 2014), discuss how the field of logistics reshaped global capitalism, undermined worker power, and even transformed how we think about life and death.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 09 May 2015 19:52:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Our guest today tells us that the seemingly straightforward field of logistics lies at the heart of contemporary globalization, imperialism, and economic inequality. Listen to Deb Cowen, the author of The Deadly Life of Logistics: Mapping Violence in G...</itunes:subtitle>
      <itunes:summary>Our guest today tells us that the seemingly straightforward field of logistics lies at the heart of contemporary globalization, imperialism, and economic inequality. Listen to Deb Cowen, the author of The Deadly Life of Logistics: Mapping Violence in Global Trade (University of Minnesota Press, 2014), discuss how the field of logistics reshaped global capitalism, undermined worker power, and even transformed how we think about life and death.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our guest today tells us that the seemingly straightforward field of logistics lies at the heart of contemporary globalization, imperialism, and economic inequality. Listen to <a href="http://geography.utoronto.ca/profiles/deborah-cowen/">Deb Cowen</a>, the author of <a href="http://www.amazon.com/dp/0816680884/?tag=newbooinhis-20">The Deadly Life of Logistics: Mapping Violence in Global Trade</a> (University of Minnesota Press, 2014), discuss how the field of logistics reshaped global capitalism, undermined worker power, and even transformed how we think about life and death.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2123</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/05/09/deborah-cowen-the-deadly-life-of-logistics-university-of-minnesota-press-2014/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5314963559.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Timothy Jordan, “Information Politics: Liberation and Exploitation in the Digital Society” (Pluto Press, 2015)</title>
      <description>Struggles over information in the digital era are central to Tim Jordan‘s new book, Information Politics: Liberation and Exploitation in the Digital Society (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of information with the architectures and practices surrounding information. The text begins by setting out how information is not separated from contemporary struggles over liberation and exploitation and points towards the principles of information politics that guide the reader through an engagement with contemporary theories, including the work of Haraway and Deleuze. These principles then inform theories of networks, recursion and the affordances of technologies that are used, in turn, to account for the platforms and battlegrounds of informational politics. The book does not offer up information as a new master discourse for political struggles, but rather shows, through examples including Facebook, the ICloud, the iPad, online gaming, and hacktivism, how information can be connected to, and can shape, other areas of social contestation. The text will be of interest to anyone using the internet, in particular those concerned with who is control of that space and how it might be reimagined.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 05 May 2015 15:03:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Struggles over information in the digital era are central to Tim Jordan‘s new book, Information Politics: Liberation and Exploitation in the Digital Society (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of inf...</itunes:subtitle>
      <itunes:summary>Struggles over information in the digital era are central to Tim Jordan‘s new book, Information Politics: Liberation and Exploitation in the Digital Society (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of information with the architectures and practices surrounding information. The text begins by setting out how information is not separated from contemporary struggles over liberation and exploitation and points towards the principles of information politics that guide the reader through an engagement with contemporary theories, including the work of Haraway and Deleuze. These principles then inform theories of networks, recursion and the affordances of technologies that are used, in turn, to account for the platforms and battlegrounds of informational politics. The book does not offer up information as a new master discourse for political struggles, but rather shows, through examples including Facebook, the ICloud, the iPad, online gaming, and hacktivism, how information can be connected to, and can shape, other areas of social contestation. The text will be of interest to anyone using the internet, in particular those concerned with who is control of that space and how it might be reimagined.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Struggles over information in the digital era are central to <a href="http://www.sussex.ac.uk/profiles/355446">Tim Jordan</a>‘s new book, <a href="http://www.amazon.com/dp/0745333664/?tag=newbooinhis-20">Information Politics: Liberation and Exploitation in the Digital Society</a> (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of information with the architectures and practices surrounding information. The text begins by setting out how information is not separated from contemporary struggles over liberation and exploitation and points towards the principles of information politics that guide the reader through an engagement with contemporary theories, including the work of Haraway and Deleuze. These principles then inform theories of networks, recursion and the affordances of technologies that are used, in turn, to account for the platforms and battlegrounds of informational politics. The book does not offer up information as a new master discourse for political struggles, but rather shows, through examples including Facebook, the ICloud, the iPad, online gaming, and hacktivism, how information can be connected to, and can shape, other areas of social contestation. The text will be of interest to anyone using the internet, in particular those concerned with who is control of that space and how it might be reimagined.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3136</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=574]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5436599615.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Zoe Thompson, ‘Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain’ Ashgate 2015</title>
      <description>What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this question. The book is based on four case studies, of The Lowry in Salford, The Deep in Hull, The Sage Gateshead and The Public in West Bromwich. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individual’s memory, in the case of The Sage, or as collective notions of art and culture, in the example of The Lowry. However the book also shows the risks associated with these spaces, as premature ruins, in the case of the now closed The Public, or sites reminding us of nature’s revenge in the form of climate change, as The Deep does. The book will be of interest to a large range of scholars across cultural and urban studies, through to architecture and critical theory, and it has important lessons for contemporary urban policy too.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 11 Apr 2015 19:40:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this quest...</itunes:subtitle>
      <itunes:summary>What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this question. The book is based on four case studies, of The Lowry in Salford, The Deep in Hull, The Sage Gateshead and The Public in West Bromwich. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individual’s memory, in the case of The Sage, or as collective notions of art and culture, in the example of The Lowry. However the book also shows the risks associated with these spaces, as premature ruins, in the case of the now closed The Public, or sites reminding us of nature’s revenge in the form of climate change, as The Deep does. The book will be of interest to a large range of scholars across cultural and urban studies, through to architecture and critical theory, and it has important lessons for contemporary urban policy too.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the fate of culture and urban regeneration in the era of austerity? In <a href="http://www.amazon.com/dp/147242722X/?tag=newbooinhis-20">Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain </a>(Ashgate, 2015), <a href="http://www.leedsbeckett.ac.uk/staff/dr-zoe-thompson/">Zoe Thompson</a> applies critical cultural theory to help understand this question. The book is based on four case studies, of <a href="http://www.thelowry.com">The Lowry in Salford</a>, <a href="https://www.thedeep.co.uk">The Deep in Hull</a>, <a href="http://www.sagegateshead.com">The Sage Gateshead</a> and <a href="http://en.wikipedia.org/wiki/The_Public,_West_Bromwich">The Public in West Bromwich</a>. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individual’s memory, in the case of The Sage, or as collective notions of art and culture, in the example of The Lowry. However the book also shows the risks associated with these spaces, as premature ruins, in the case of the now closed The Public, or sites reminding us of nature’s revenge in the form of climate change, as The Deep does. The book will be of interest to a large range of scholars across cultural and urban studies, through to architecture and critical theory, and it has important lessons for contemporary urban policy too.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=563]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3478255260.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Amanda Rogers, “Performing Asian Transnationalisms: Theatre, Identity and the Geographies of Performance” (Routledge, 2015)</title>
      <description>Identity, performance and globalisation are at the heart of the cultural practices interrogated by Amanda Rogers in Performing Asian Transnationalisms: Theatre, Identity and the Geography of Performance (Routledge, 2015).The book explores the global networks of theatre that have emerged between Asia, America and Europe, using a variety of policy, practice and political examples. The book argues that globalisation, and the attendant transnational flows of people and culture, has both the potential to create theatre careers and new, important, works, whist at the same time constraining individuals, communities and cultural forms. The book draws on a rich combination of ethnographic and interview data, along with theoretically informed cultural analysis, using examples ranging from The British Council and the Singapore Art Festival, through Asian American and British East Asian identities, to controversial performances of theOrphan of Zhao. The book will be of primary interest to cultural,geography and performance scholars, but has valuable insights for social science and the humanities more generally.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 25 Mar 2015 13:27:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Identity, performance and globalisation are at the heart of the cultural practices interrogated by Amanda Rogers in Performing Asian Transnationalisms: Theatre, Identity and the Geography of Performance (Routledge, 2015).</itunes:subtitle>
      <itunes:summary>Identity, performance and globalisation are at the heart of the cultural practices interrogated by Amanda Rogers in Performing Asian Transnationalisms: Theatre, Identity and the Geography of Performance (Routledge, 2015).The book explores the global networks of theatre that have emerged between Asia, America and Europe, using a variety of policy, practice and political examples. The book argues that globalisation, and the attendant transnational flows of people and culture, has both the potential to create theatre careers and new, important, works, whist at the same time constraining individuals, communities and cultural forms. The book draws on a rich combination of ethnographic and interview data, along with theoretically informed cultural analysis, using examples ranging from The British Council and the Singapore Art Festival, through Asian American and British East Asian identities, to controversial performances of theOrphan of Zhao. The book will be of primary interest to cultural,geography and performance scholars, but has valuable insights for social science and the humanities more generally.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Identity, performance and globalisation are at the heart of the cultural practices interrogated by <a href="http://www.swansea.ac.uk/staff/science/geography/a.rogers/#publications=is-expanded">Amanda Rogers</a> in <a href="http://www.psypress.com/catalogs/routledge_advances_in_theatre_performance_studies/1/1/">Performing Asian Transnationalisms: Theatre, Identity and the Geography of Performance </a>(Routledge, 2015).The book explores the global networks of theatre that have emerged between Asia, America and Europe, using a variety of policy, practice and political examples. The book argues that globalisation, and the attendant transnational flows of people and culture, has both the potential to create theatre careers and new, important, works, whist at the same time constraining individuals, communities and cultural forms. The book draws on a rich combination of ethnographic and interview data, along with theoretically informed cultural analysis, using examples ranging from The British Council and the Singapore Art Festival, through Asian American and British East Asian identities, to controversial performances of theOrphan of Zhao. The book will be of primary interest to cultural,geography and performance scholars, but has valuable insights for social science and the humanities more generally.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3157</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=556]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2857449818.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Helena Gurfinkel, “Outlaw Fathers in Victorian and Modern British Literature” (Fairleigh Dickinson UP, 2014)</title>
      <description>What is a father? In Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (Fairleigh Dickinson UP, 2014), Helena Gurfinkel offers an insightful new vision of fatherhood through an engagement with English literature, Freudian psychoanalysisand queer theory. The book takes a range of authors who have depicted ideas of fatherhood, patriarchal relations and homosociality along with depictions of queer ideas of the family and of fatherhood itself. From Trollope, through James and Forster, to Hollinghurst and contemporary queer media, the book explores how the tightly drawn boundaries of the Victorian paternal relationship are represented and transformed in over a century of literary works. Moreover the core theoretical approaches, for example Freud’s theory of the negative Oedipus, are presented in an accessible opening chapter, making the book a readable entry into literary uses of these ideas.The book concludes by considering contemporary queer texts from and about the Female to Male Trans experience, perhaps the ultimate destabilisation of the heteronormative family binary. The book will appeal to both students of literature and critical theory scholars.
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      <pubDate>Mon, 16 Mar 2015 16:26:42 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is a father? In Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (Fairleigh Dickinson UP, 2014), Helena Gurfinkel offers an insightful new vision of fatherhood through an engagement with English literature,</itunes:subtitle>
      <itunes:summary>What is a father? In Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (Fairleigh Dickinson UP, 2014), Helena Gurfinkel offers an insightful new vision of fatherhood through an engagement with English literature, Freudian psychoanalysisand queer theory. The book takes a range of authors who have depicted ideas of fatherhood, patriarchal relations and homosociality along with depictions of queer ideas of the family and of fatherhood itself. From Trollope, through James and Forster, to Hollinghurst and contemporary queer media, the book explores how the tightly drawn boundaries of the Victorian paternal relationship are represented and transformed in over a century of literary works. Moreover the core theoretical approaches, for example Freud’s theory of the negative Oedipus, are presented in an accessible opening chapter, making the book a readable entry into literary uses of these ideas.The book concludes by considering contemporary queer texts from and about the Female to Male Trans experience, perhaps the ultimate destabilisation of the heteronormative family binary. The book will appeal to both students of literature and critical theory scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is a father? In <a href="http://www.amazon.com/dp/1611476372/?tag=newbooinhis-20">Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy </a>(Fairleigh Dickinson UP, 2014), <a href="http://www.siue.edu/ENGLISH/Directory/gurfinkel.html">Helena Gurfinkel</a> offers an insightful new vision of fatherhood through an engagement with English literature, Freudian psychoanalysisand queer theory. The book takes a range of authors who have depicted ideas of fatherhood, patriarchal relations and homosociality along with depictions of queer ideas of the family and of fatherhood itself. From Trollope, through James and Forster, to Hollinghurst and contemporary queer media, the book explores how the tightly drawn boundaries of the Victorian paternal relationship are represented and transformed in over a century of literary works. Moreover the core theoretical approaches, for example Freud’s theory of the negative Oedipus, are presented in an accessible opening chapter, making the book a readable entry into literary uses of these ideas.The book concludes by considering contemporary queer texts from and about the Female to Male Trans experience, perhaps the ultimate destabilisation of the heteronormative family binary. The book will appeal to both students of literature and critical theory scholars.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=549]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5071326651.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nick Turnbull,  ‘Michel Meyer’s Problematology: Questioning and Society” (Bloomsbury, 2014)</title>
      <description>To be human is to question. This act of questioning is the essence of philosophy, as it allows ontology and epistemology to exist. For example, to understand what it is to be we must first ask the question of what it is to be. This insight, of the primacy of questioning, is at the heart of problematology, a philosophical approach explored in Nick Turnbull‘s new book Michel Meyer’s Problematology: Questioning and Society (Bloomsbury, 2014). The book has two core aims, to introduce problematology to the Anglophone world and to show how this approach can be useful for the social sciences. In particular the book mounts a defence of social science, grounded in the way problematology carves out a specific role for philosophy. The book ranges across Meyer’s work, including aesthetics, rhetoric, philosophies of science and language and political philosophy. The text engages with several key authors in post structuralism, including Derrida, showing the usefulness of Meyer’s thought for contemporary philosophy. However it goes beyond just the philosophical, illustrating how the neglect of Mayer in the English speaking world has missed the chance to found a new research programme in social science.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 07 Mar 2015 19:11:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>To be human is to question. This act of questioning is the essence of philosophy, as it allows ontology and epistemology to exist. For example, to understand what it is to be we must first ask the question of what it is to be. This insight,</itunes:subtitle>
      <itunes:summary>To be human is to question. This act of questioning is the essence of philosophy, as it allows ontology and epistemology to exist. For example, to understand what it is to be we must first ask the question of what it is to be. This insight, of the primacy of questioning, is at the heart of problematology, a philosophical approach explored in Nick Turnbull‘s new book Michel Meyer’s Problematology: Questioning and Society (Bloomsbury, 2014). The book has two core aims, to introduce problematology to the Anglophone world and to show how this approach can be useful for the social sciences. In particular the book mounts a defence of social science, grounded in the way problematology carves out a specific role for philosophy. The book ranges across Meyer’s work, including aesthetics, rhetoric, philosophies of science and language and political philosophy. The text engages with several key authors in post structuralism, including Derrida, showing the usefulness of Meyer’s thought for contemporary philosophy. However it goes beyond just the philosophical, illustrating how the neglect of Mayer in the English speaking world has missed the chance to found a new research programme in social science.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>To be human is to question. This act of questioning is the essence of philosophy, as it allows ontology and epistemology to exist. For example, to understand what it is to be we must first ask the question of what it is to be. This insight, of the primacy of questioning, is at the heart of problematology, a philosophical approach explored in <a href="http://www.manchester.ac.uk/research/nick.turnbull/">Nick Turnbull</a>‘s new book <a href="http://www.amazon.com/dp/1472509889/?tag=newbooinhis-20">Michel Meyer’s Problematology: Questioning and Society</a> (Bloomsbury, 2014). The book has two core aims, to introduce problematology to the Anglophone world and to show how this approach can be useful for the social sciences. In particular the book mounts a defence of social science, grounded in the way problematology carves out a specific role for philosophy. The book ranges across Meyer’s work, including aesthetics, rhetoric, philosophies of science and language and political philosophy. The text engages with several key authors in post structuralism, including Derrida, showing the usefulness of Meyer’s thought for contemporary philosophy. However it goes beyond just the philosophical, illustrating how the neglect of Mayer in the English speaking world has missed the chance to found a new research programme in social science.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3136</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=536]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2405669542.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Victoria Hesford, “Feeling Women’s Liberation” (Duke University Press, 2013).</title>
      <description>Victoria Hesford is an associated professor of Women and Gender Studies at Stony Brook University in New York. Her book Feeling Women’s Liberation (Duke University Press, 2013) examines the pivotal year of 1970 as defining the meaning of “women’s liberation.” Applying a theory of emotions to the rhetoric of mass media and the response of movement participants, Hesford demonstrates how our memory of the movement has been formed by either feelings of attachment, or dis-identification that hide its complexity and heterogeneity. The movement came to represent a radical form of feminism standing against the more staid liberal feminism of Betty Friedan. Instead of ideologically driven, Hesford argues that women’s liberation engaged in the “politics of emotion.” She demonstrates how the visceral media coverage and participant’s experience were mutual constituted in the “feminist-as-lesbian.” The language and multiple images of the feminist as a guerilla fighter, subversive and pathological, evoked the lavender menace and the “woman-identified-woman” within the movement. The lesbian became a defining figure used as a psychic weapon against women, or to denote sexual autonomy and political defiance. Central to her provocative analysis is the often-neglected figure of Kate Millet and her 1970 book Sexual Politics. The media’s outing of Millet, hounding by movement insiders to declare her lesbianism, and the spectacle of a self-fashioning response in the autobiography Flying offers a window into the feelings of betrayal, anger and depression that propelled the movement and evidence of its attachment to definitions of socially acceptable femininity. Instead of focusing on “what really happened,” the political triumphs and failures, Hesford looks to how emotions, both personal and social, shaped the movement and our memories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 06 Mar 2015 15:22:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Victoria Hesford is an associated professor of Women and Gender Studies at Stony Brook University in New York. Her book Feeling Women’s Liberation (Duke University Press, 2013) examines the pivotal year of 1970 as defining the meaning of “women’s liber...</itunes:subtitle>
      <itunes:summary>Victoria Hesford is an associated professor of Women and Gender Studies at Stony Brook University in New York. Her book Feeling Women’s Liberation (Duke University Press, 2013) examines the pivotal year of 1970 as defining the meaning of “women’s liberation.” Applying a theory of emotions to the rhetoric of mass media and the response of movement participants, Hesford demonstrates how our memory of the movement has been formed by either feelings of attachment, or dis-identification that hide its complexity and heterogeneity. The movement came to represent a radical form of feminism standing against the more staid liberal feminism of Betty Friedan. Instead of ideologically driven, Hesford argues that women’s liberation engaged in the “politics of emotion.” She demonstrates how the visceral media coverage and participant’s experience were mutual constituted in the “feminist-as-lesbian.” The language and multiple images of the feminist as a guerilla fighter, subversive and pathological, evoked the lavender menace and the “woman-identified-woman” within the movement. The lesbian became a defining figure used as a psychic weapon against women, or to denote sexual autonomy and political defiance. Central to her provocative analysis is the often-neglected figure of Kate Millet and her 1970 book Sexual Politics. The media’s outing of Millet, hounding by movement insiders to declare her lesbianism, and the spectacle of a self-fashioning response in the autobiography Flying offers a window into the feelings of betrayal, anger and depression that propelled the movement and evidence of its attachment to definitions of socially acceptable femininity. Instead of focusing on “what really happened,” the political triumphs and failures, Hesford looks to how emotions, both personal and social, shaped the movement and our memories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.stonybrook.edu/commcms/cat/people/cat_faculty/VictoriaHesford.html">Victoria Hesford</a> is an associated professor of Women and Gender Studies at Stony Brook University in New York. Her book <a href="http://www.amazon.com/dp/0822353903/?tag=newbooinhis-20">Feeling Women’s Liberation </a>(Duke University Press, 2013) examines the pivotal year of 1970 as defining the meaning of “women’s liberation.” Applying a theory of emotions to the rhetoric of mass media and the response of movement participants, Hesford demonstrates how our memory of the movement has been formed by either feelings of attachment, or dis-identification that hide its complexity and heterogeneity. The movement came to represent a radical form of feminism standing against the more staid liberal feminism of Betty Friedan. Instead of ideologically driven, Hesford argues that women’s liberation engaged in the “politics of emotion.” She demonstrates how the visceral media coverage and participant’s experience were mutual constituted in the “feminist-as-lesbian.” The language and multiple images of the feminist as a guerilla fighter, subversive and pathological, evoked the lavender menace and the “woman-identified-woman” within the movement. The lesbian became a defining figure used as a psychic weapon against women, or to denote sexual autonomy and political defiance. Central to her provocative analysis is the often-neglected figure of Kate Millet and her 1970 book Sexual Politics. The media’s outing of Millet, hounding by movement insiders to declare her lesbianism, and the spectacle of a self-fashioning response in the autobiography Flying offers a window into the feelings of betrayal, anger and depression that propelled the movement and evidence of its attachment to definitions of socially acceptable femininity. Instead of focusing on “what really happened,” the political triumphs and failures, Hesford looks to how emotions, both personal and social, shaped the movement and our memories.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4220</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksincriticaltheory.com/2015/03/06/victoria-hesford-feeling-womens-liberation-duke-university-press-2013/]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3678048845.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jen Harvie, “Fair Play: Art, Performance and Neoliberalism” (Palgrave, 2013)</title>
      <description>Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013)  by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individualised, market driven cultural practice. These issues play out in place and space too, as the narrative of the creative city is contrasted with the forms of exclusion associated with contemporary issues of housing in the city. The book concludes by asking a fundamental question, as to how best to fund the arts, discussing the rise and risks of philanthropy and market modes of support. The book uses a host of examples, from contemporary art, theatre pop ups and cultural institutions. It will be vital reading for anyone interested in the state of culture today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Feb 2015 16:24:43 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art,</itunes:subtitle>
      <itunes:summary>Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013)  by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individualised, market driven cultural practice. These issues play out in place and space too, as the narrative of the creative city is contrasted with the forms of exclusion associated with contemporary issues of housing in the city. The book concludes by asking a fundamental question, as to how best to fund the arts, discussing the rise and risks of philanthropy and market modes of support. The book uses a host of examples, from contemporary art, theatre pop ups and cultural institutions. It will be vital reading for anyone interested in the state of culture today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of <a href="http://www.amazon.com/dp/1137027274/?tag=newbooinhis-20">Fair Play: Art, Performance and Neoliberalism</a> (Palgrave, 2013)  by <a href="http://www.sed.qmul.ac.uk/staff/harviej.html">Professor Jen Harvie</a>. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individualised, market driven cultural practice. These issues play out in place and space too, as the narrative of the creative city is contrasted with the forms of exclusion associated with contemporary issues of housing in the city. The book concludes by asking a fundamental question, as to how best to fund the arts, discussing the rise and risks of philanthropy and market modes of support. The book uses a host of examples, from contemporary art, theatre pop ups and cultural institutions. It will be vital reading for anyone interested in the state of culture today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=527]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8632648422.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sam Gindin and Leo Panitch, “The Making of Global Capitalism: The Political Economy of American Empire” (Verso, 2013)</title>
      <description>Two Canadian socialist thinkers have published a new book on the successes and failures, the crises, contradictions and conflicts in present-day capitalism. In The Making of Global Capitalism: The Political Economy of American Empire (Verso, 2013), Leo Panitch and Sam Gindin trace the evolution of the international capitalist system over the last century. (Panitch is a professor of political science at Toronto’s York University while Gindin holds the Packer Chair in Social Justice at York.)

They argue that today’s global capitalism would not have been possible without American leadership especially after the two World Wars and that the U.S. Treasury and Federal Reserve were more crucial in extending and maintaining American power than the Pentagon or the CIA.

The U.S. capitalist empire is an “informal” one, they write, in which Americans set the terms for international trade and investment in partnership with other sovereign, but less powerful states. Panitch and Gindin also disagree with those who contend that China is set to replace the U.S. as the world’s economic superpower. They write that China does not have the institutional capacity to manage the crisis-prone, global capitalist system — a burden that, for the foreseeable future, will continue to be carried by the American empire.

The Making of Global Capitalism: The Political Economy of American Empire won the 2013 Deutscher Prize awarded for books which exemplify “the best and most innovative new writing in or about the Marxist tradition.”

The New Books Network spoke with co-author Leo Panitch during his recent visit to Halifax, Nova Scotia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 09 Feb 2015 14:12:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Two Canadian socialist thinkers have published a new book on the successes and failures, the crises, contradictions and conflicts in present-day capitalism. In The Making of Global Capitalism: The Political Economy of American Empire (Verso, 2013),</itunes:subtitle>
      <itunes:summary>Two Canadian socialist thinkers have published a new book on the successes and failures, the crises, contradictions and conflicts in present-day capitalism. In The Making of Global Capitalism: The Political Economy of American Empire (Verso, 2013), Leo Panitch and Sam Gindin trace the evolution of the international capitalist system over the last century. (Panitch is a professor of political science at Toronto’s York University while Gindin holds the Packer Chair in Social Justice at York.)

They argue that today’s global capitalism would not have been possible without American leadership especially after the two World Wars and that the U.S. Treasury and Federal Reserve were more crucial in extending and maintaining American power than the Pentagon or the CIA.

The U.S. capitalist empire is an “informal” one, they write, in which Americans set the terms for international trade and investment in partnership with other sovereign, but less powerful states. Panitch and Gindin also disagree with those who contend that China is set to replace the U.S. as the world’s economic superpower. They write that China does not have the institutional capacity to manage the crisis-prone, global capitalist system — a burden that, for the foreseeable future, will continue to be carried by the American empire.

The Making of Global Capitalism: The Political Economy of American Empire won the 2013 Deutscher Prize awarded for books which exemplify “the best and most innovative new writing in or about the Marxist tradition.”

The New Books Network spoke with co-author Leo Panitch during his recent visit to Halifax, Nova Scotia.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Two Canadian socialist thinkers have published a new book on the successes and failures, the crises, contradictions and conflicts in present-day capitalism. In <a href="http://www.amazon.com/dp/1781681368/?tag=newbooinhis-20">The Making of Global Capitalism: The Political Economy of American Empire </a>(Verso, 2013), <a href="http://en.wikipedia.org/wiki/Leo_Panitch">Leo Panitch</a> and <a href="http://en.wikipedia.org/wiki/Sam_Gindin">Sam Gindin</a> trace the evolution of the international capitalist system over the last century. (Panitch is a professor of political science at Toronto’s York University while Gindin holds the Packer Chair in Social Justice at York.)</p><p>
They argue that today’s global capitalism would not have been possible without American leadership especially after the two World Wars and that the U.S. Treasury and Federal Reserve were more crucial in extending and maintaining American power than the Pentagon or the CIA.</p><p>
The U.S. capitalist empire is an “informal” one, they write, in which Americans set the terms for international trade and investment in partnership with other sovereign, but less powerful states. Panitch and Gindin also disagree with those who contend that China is set to replace the U.S. as the world’s economic superpower. They write that China does not have the institutional capacity to manage the crisis-prone, global capitalist system — a burden that, for the foreseeable future, will continue to be carried by the American empire.</p><p>
The Making of Global Capitalism: The Political Economy of American Empire won the 2013 Deutscher Prize awarded for books which exemplify “the best and most innovative new writing in or about the Marxist tradition.”</p><p>
The New Books Network spoke with co-author Leo Panitch during his recent visit to Halifax, Nova Scotia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4042</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/worldaffairs/?p=233]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4336988149.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Martin Shuster, “Autonomy after Auschwitz: Adorno, German Idealism and Modernity” (U of Chicago Press, 2014)</title>
      <description>The work of Theodore Adorno is well established as a crucial resource for understanding the complexities of contemporary capitalism, playing a foundational role in Critical Theory. Dialectic of Enlightenment, Adorno’s most well known text written with Max Horkheimer, is reassessed in a new book of philosophy by Martin Shuster. Autonomy after Auschwitz: Adorno, German Idealism and Modernity (University of Chicago Press, 2014) considers how autonomy might exist under the conditions of contemporary capitalism, following the disastrous inhumanity of events in the twentieth century.

Shuster explores the nature of autonomy in four ways. The book opens with a re-reading of Dialectic of Enlightenment, as a means to engage and critique Kant’s notion of autonomy. The text then turns to consider a potential ‘response’ from Kant, in the form of Kant’s conception of a rational theology. It is here where Shuster considers the importance of God to Kantian ethics, most notably the role of God as establishing the value of humanity in the categorical imperative. The categorical imperative is juxtaposed with Adorno’s later work, which Shuster argues provides a way to think about autonomy that moves beyond and between the totalizing dialectic of enlightenment and Kant’s rational theology. The book closes with a consideration of Hegel’s relationship to this reading of Adorno, reassessing topics such as the teleology of history in Hegel through to the contemporary work of Stanley Cavell. The conclusion provides a practical call to arms based on the conception of autonomy developed in the book. The chapter on Dialectic of Enlightenment provides a stimulating reassessment of a text central to the critical theory tradition and should attract a general readership looking to add depth to their knowledge of this work. However the  book itself will also be of interest to all readers of contemporary philosophy, holocaust studies and those wondering how we should live now.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 02 Feb 2015 15:12:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The work of Theodore Adorno is well established as a crucial resource for understanding the complexities of contemporary capitalism, playing a foundational role in Critical Theory. Dialectic of Enlightenment,</itunes:subtitle>
      <itunes:summary>The work of Theodore Adorno is well established as a crucial resource for understanding the complexities of contemporary capitalism, playing a foundational role in Critical Theory. Dialectic of Enlightenment, Adorno’s most well known text written with Max Horkheimer, is reassessed in a new book of philosophy by Martin Shuster. Autonomy after Auschwitz: Adorno, German Idealism and Modernity (University of Chicago Press, 2014) considers how autonomy might exist under the conditions of contemporary capitalism, following the disastrous inhumanity of events in the twentieth century.

Shuster explores the nature of autonomy in four ways. The book opens with a re-reading of Dialectic of Enlightenment, as a means to engage and critique Kant’s notion of autonomy. The text then turns to consider a potential ‘response’ from Kant, in the form of Kant’s conception of a rational theology. It is here where Shuster considers the importance of God to Kantian ethics, most notably the role of God as establishing the value of humanity in the categorical imperative. The categorical imperative is juxtaposed with Adorno’s later work, which Shuster argues provides a way to think about autonomy that moves beyond and between the totalizing dialectic of enlightenment and Kant’s rational theology. The book closes with a consideration of Hegel’s relationship to this reading of Adorno, reassessing topics such as the teleology of history in Hegel through to the contemporary work of Stanley Cavell. The conclusion provides a practical call to arms based on the conception of autonomy developed in the book. The chapter on Dialectic of Enlightenment provides a stimulating reassessment of a text central to the critical theory tradition and should attract a general readership looking to add depth to their knowledge of this work. However the  book itself will also be of interest to all readers of contemporary philosophy, holocaust studies and those wondering how we should live now.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The work of Theodore Adorno is well established as a crucial resource for understanding the complexities of contemporary capitalism, playing a foundational role in Critical Theory. Dialectic of Enlightenment, Adorno’s most well known text written with Max Horkheimer, is reassessed in a new book of philosophy by <a href="http://transformlearning.avila.edu/rspl/faculty/martin-shuster/">Martin Shuster</a>. <a href="http://www.amazon.com/dp/022615548X/?tag=newbooinhis-20">Autonomy after Auschwitz: Adorno, German Idealism and Modernity</a> (University of Chicago Press, 2014) considers how autonomy might exist under the conditions of contemporary capitalism, following the disastrous inhumanity of events in the twentieth century.</p><p>
Shuster explores the nature of autonomy in four ways. The book opens with a re-reading of Dialectic of Enlightenment, as a means to engage and critique Kant’s notion of autonomy. The text then turns to consider a potential ‘response’ from Kant, in the form of Kant’s conception of a rational theology. It is here where Shuster considers the importance of God to Kantian ethics, most notably the role of God as establishing the value of humanity in the categorical imperative. The categorical imperative is juxtaposed with Adorno’s later work, which Shuster argues provides a way to think about autonomy that moves beyond and between the totalizing dialectic of enlightenment and Kant’s rational theology. The book closes with a consideration of Hegel’s relationship to this reading of Adorno, reassessing topics such as the teleology of history in Hegel through to the contemporary work of Stanley Cavell. The conclusion provides a practical call to arms based on the conception of autonomy developed in the book. The chapter on Dialectic of Enlightenment provides a stimulating reassessment of a text central to the critical theory tradition and should attract a general readership looking to add depth to their knowledge of this work. However the  book itself will also be of interest to all readers of contemporary philosophy, holocaust studies and those wondering how we should live now.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2851</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=516]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3384306198.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steven Shaviro, “The Universe of Things: On Speculative Realism” (University of Minnesota Press, 2014)</title>
      <description>Steven Shaviro‘s new book is a wonderfully engaging study of speculative realism, new materialism, and the ways in which those fields can speak to and be informed by the philosophy of Alfred North Whitehead. While The Universe of Things: On Speculative Realism (University of Minnesota Press, 2014) will satisfy even advanced scholars working on “object-oriented ontology” and related issues, it’s also a fantastic introduction for readers who have never heard of “correlationism” or panpsychism, don’t quite understand what all of the recent humanities-wide Whitehead-related fuss is all about, and aren’t sure where to begin. After a helpful introduction that lays out the major terms and stakes of the study, seven chapters each function as stand-alone units (and thus are very assignable in upper-level undergrad or graduate courses) while also progressively building on one another to collectively advance an argument for what Shaviro calls a “speculative aesthetics.”The Universe of Things emphasizes the importance of aesthetics and aesthetic theory to reading and engaging the work of Whitehead, Harman, Meillassoux, Kant, Levinas, Bryant, and others as an ongoing conversation about how we understand, inhabit, and exist as part of a material world. It’s a fabulous (and fabulously clearly written!) work that I will be recommending widely to colleagues and students.

During the course of the interview we talked a bit about the opportunities that electronic and web-based media have brought to life and work in academia. On that note, you can find Steve’s blog here: http://www.shaviro.com/Blog/
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 16 Jan 2015 14:05:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Steven Shaviro‘s new book is a wonderfully engaging study of speculative realism, new materialism, and the ways in which those fields can speak to and be informed by the philosophy of Alfred North Whitehead.</itunes:subtitle>
      <itunes:summary>Steven Shaviro‘s new book is a wonderfully engaging study of speculative realism, new materialism, and the ways in which those fields can speak to and be informed by the philosophy of Alfred North Whitehead. While The Universe of Things: On Speculative Realism (University of Minnesota Press, 2014) will satisfy even advanced scholars working on “object-oriented ontology” and related issues, it’s also a fantastic introduction for readers who have never heard of “correlationism” or panpsychism, don’t quite understand what all of the recent humanities-wide Whitehead-related fuss is all about, and aren’t sure where to begin. After a helpful introduction that lays out the major terms and stakes of the study, seven chapters each function as stand-alone units (and thus are very assignable in upper-level undergrad or graduate courses) while also progressively building on one another to collectively advance an argument for what Shaviro calls a “speculative aesthetics.”The Universe of Things emphasizes the importance of aesthetics and aesthetic theory to reading and engaging the work of Whitehead, Harman, Meillassoux, Kant, Levinas, Bryant, and others as an ongoing conversation about how we understand, inhabit, and exist as part of a material world. It’s a fabulous (and fabulously clearly written!) work that I will be recommending widely to colleagues and students.

During the course of the interview we talked a bit about the opportunities that electronic and web-based media have brought to life and work in academia. On that note, you can find Steve’s blog here: http://www.shaviro.com/Blog/
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.shaviro.com/">Steven Shaviro</a>‘s new book is a wonderfully engaging study of speculative realism, new materialism, and the ways in which those fields can speak to and be informed by the philosophy of Alfred North Whitehead. While <a href="http://www.amazon.com/dp/0816689261/?tag=newbooinhis-20">The Universe of Things: On Speculative Realism </a>(University of Minnesota Press, 2014) will satisfy even advanced scholars working on “object-oriented ontology” and related issues, it’s also a fantastic introduction for readers who have never heard of “correlationism” or panpsychism, don’t quite understand what all of the recent humanities-wide Whitehead-related fuss is all about, and aren’t sure where to begin. After a helpful introduction that lays out the major terms and stakes of the study, seven chapters each function as stand-alone units (and thus are very assignable in upper-level undergrad or graduate courses) while also progressively building on one another to collectively advance an argument for what Shaviro calls a “speculative aesthetics.”The Universe of Things emphasizes the importance of aesthetics and aesthetic theory to reading and engaging the work of Whitehead, Harman, Meillassoux, Kant, Levinas, Bryant, and others as an ongoing conversation about how we understand, inhabit, and exist as part of a material world. It’s a fabulous (and fabulously clearly written!) work that I will be recommending widely to colleagues and students.</p><p>
During the course of the interview we talked a bit about the opportunities that electronic and web-based media have brought to life and work in academia. On that note, you can find Steve’s blog here: <a href="http://www.shaviro.com/Blog/">http://www.shaviro.com/Blog/</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3788</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/nbnseminar/?p=38]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2650475388.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robert Hewison, “Cultural Capital: The Rise and Fall of Creative Britain” (Verso, 2014)</title>
      <description>How did a golden age of cultural funding in UK turn to lead? This is the subject of a new cultural history by Robert Hewison. Cultural Capital: The Rise and Fall of Creative Britain (Verso, 2014)  charts the New Labour era of cultural policy, detailing the shift from the optimism of the late 1990s to the eventual crisis of funding and policy currently confronting culture in the UK. The book identifies the faustian pact between government and cultural sector, as increased funding came at the price of delivering economic and social policy agendas and responding to bureaucratic forms of management.   The book uses a range of examples to illustrate this problematic bargain, from the disasters of the Millennium Dome and The Public, through an analysis of the 2012 Olympic Games. Alongside the range of cultural policy projects discussed is an exploration of the infrastructure, in particular the government departments and public bodies, which are at the root of the failure of British cultural policy between 1997 and today. These failures, including how policy did little or nothing to broaden the base of consumers for state sponsored cultural institutions, are set against the need to renew the meaning and purpose of culture in government.   Written with a sharp wit and full of intriguing commentary on the personalities of the key players, the book is essential reading for anyone keen to understand why Britain continues to struggle with the idea of cultural policy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 19 Dec 2014 06:00:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>How did a golden age of cultural funding in UK turn to lead? This is the subject of a new cultural history by Robert Hewison. Cultural Capital: The Rise and Fall of Creative Britain (Verso, 2014) charts the New Labour era of cultural policy,</itunes:subtitle>
      <itunes:summary>How did a golden age of cultural funding in UK turn to lead? This is the subject of a new cultural history by Robert Hewison. Cultural Capital: The Rise and Fall of Creative Britain (Verso, 2014)  charts the New Labour era of cultural policy, detailing the shift from the optimism of the late 1990s to the eventual crisis of funding and policy currently confronting culture in the UK. The book identifies the faustian pact between government and cultural sector, as increased funding came at the price of delivering economic and social policy agendas and responding to bureaucratic forms of management.   The book uses a range of examples to illustrate this problematic bargain, from the disasters of the Millennium Dome and The Public, through an analysis of the 2012 Olympic Games. Alongside the range of cultural policy projects discussed is an exploration of the infrastructure, in particular the government departments and public bodies, which are at the root of the failure of British cultural policy between 1997 and today. These failures, including how policy did little or nothing to broaden the base of consumers for state sponsored cultural institutions, are set against the need to renew the meaning and purpose of culture in government.   Written with a sharp wit and full of intriguing commentary on the personalities of the key players, the book is essential reading for anyone keen to understand why Britain continues to struggle with the idea of cultural policy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did a golden age of cultural funding in UK turn to lead? This is the subject of a new cultural history by <a href="http://en.wikipedia.org/wiki/Robert_Hewison">Robert Hewison</a>. <a href="http://www.amazon.com/dp/1781685916/?tag=newbooinhis-20">Cultural Capital: The Rise and Fall of Creative Britain</a> (Verso, 2014)  charts the New Labour era of cultural policy, detailing the shift from the optimism of the late 1990s to the eventual crisis of funding and policy currently confronting culture in the UK. The book identifies the faustian pact between government and cultural sector, as increased funding came at the price of delivering economic and social policy agendas and responding to bureaucratic forms of management.   The book uses a range of examples to illustrate this problematic bargain, from the disasters of the Millennium Dome and The Public, through an analysis of the 2012 Olympic Games. Alongside the range of cultural policy projects discussed is an exploration of the infrastructure, in particular the government departments and public bodies, which are at the root of the failure of British cultural policy between 1997 and today. These failures, including how policy did little or nothing to broaden the base of consumers for state sponsored cultural institutions, are set against the need to renew the meaning and purpose of culture in government.   Written with a sharp wit and full of intriguing commentary on the personalities of the key players, the book is essential reading for anyone keen to understand why Britain continues to struggle with the idea of cultural policy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3294</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=503]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT4223192655.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Steven Fielding, “A State of Play” (Bloomsbury Academic, 2014)</title>
      <description>To understand contemporary politics we must understand how it is represented in fiction. This is the main argument in  A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It (Bloomsbury Academic, 2014)  a new book by Steven Fielding, Professor of Politics at the University of Nottingham. The book explores how British politics has been represented in fiction from the late Victorian era through to the present. The book identifies a fascinating set of core themes, including how the political class has been defended and attacked, how the idea of populism has developed over time, along with the changing role of women in British political fiction. A State of Play does not over-claim, stressing that although an understanding of fiction is essential to understanding politics, we still don’t know the exact relationship between people’s political participation and political fiction. However, it does make a convincing case that any understanding of the British political system will be insufficient without understanding how it has been imagined and depicted. Indeed, as later chapters show, the mode of depiction itself has become an important territory for explaining British political culture.  The book contains a huge range of examples, from the more well known television series, such as Yes, Minister and The Thick of It, through to obscure and perhaps forgotten books such asThe Mistress of Downing Street. Overall it will be of interest to academics and the public alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Dec 2014 12:48:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>To understand contemporary politics we must understand how it is represented in fiction. This is the main argument in A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It (Bloomsbury Academic,</itunes:subtitle>
      <itunes:summary>To understand contemporary politics we must understand how it is represented in fiction. This is the main argument in  A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It (Bloomsbury Academic, 2014)  a new book by Steven Fielding, Professor of Politics at the University of Nottingham. The book explores how British politics has been represented in fiction from the late Victorian era through to the present. The book identifies a fascinating set of core themes, including how the political class has been defended and attacked, how the idea of populism has developed over time, along with the changing role of women in British political fiction. A State of Play does not over-claim, stressing that although an understanding of fiction is essential to understanding politics, we still don’t know the exact relationship between people’s political participation and political fiction. However, it does make a convincing case that any understanding of the British political system will be insufficient without understanding how it has been imagined and depicted. Indeed, as later chapters show, the mode of depiction itself has become an important territory for explaining British political culture.  The book contains a huge range of examples, from the more well known television series, such as Yes, Minister and The Thick of It, through to obscure and perhaps forgotten books such asThe Mistress of Downing Street. Overall it will be of interest to academics and the public alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>To understand contemporary politics we must understand how it is represented in fiction. This is the main argument in  <a href="http://www.amazon.com/dp/1780933169/?tag=newbooinhis-20">A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It</a> (Bloomsbury Academic, 2014)  a new book by<a href="https://twitter.com/polprofsteve"> Steven Fielding</a>, <a href="http://www.nottingham.ac.uk/politics/people/steven.fielding">Professor of Politics at the University of Nottingham</a>. The book explores how British politics has been represented in fiction from the late Victorian era through to the present. The book identifies a fascinating set of core themes, including how the political class has been defended and attacked, how the idea of populism has developed over time, along with the changing role of women in British political fiction. A State of Play does not over-claim, stressing that although an understanding of fiction is essential to understanding politics, we still don’t know the exact relationship between people’s political participation and political fiction. However, it does make a convincing case that any understanding of the British political system will be insufficient without understanding how it has been imagined and depicted. Indeed, as later chapters show, the mode of depiction itself has become an important territory for explaining British political culture.  The book contains a huge range of examples, from the more well known television series, such as Yes, Minister and The Thick of It, through to obscure and perhaps forgotten books such asThe Mistress of Downing Street. Overall it will be of interest to academics and the public alike.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3774</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=493]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1091592977.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Beth Driscoll, “The New Literary Middlebrow: Readers and Tastemaking in the Twenty-First Century” (Palgrave-MacMillan, 2014)</title>
      <description>It is a cliche to suggest we are what we read, but it is also an important insight. In The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century (Palgrave-MacMillan, 2014), Beth Driscoll, from University of Melbourne, extends and critiques the work of Pierre Bourdieu to account for modern literary tastes and the literary field in which those tastes are embedded. The book attempts to explore and defend the idea of the middlebrow in literature. ‘Middlebrow’ is defined by eight characteristics, whereby it is middle class, it has reverence to elite cultures, and it is entrepreneurial, mediated, feminized, emotional, recreational and earnest. In the main it is situated within the tension between the aesthetic and the commercial. The book uses four case studies to explore how this tension, along with the idea of the middlebrow, plays out. In the first case study the role of Oprah Winfrey as a tastemaker and cultural intermediary is explored as part of an analysis of book clubs. The analysis shows how Oprah’s book club was important in establishing markets for books as well as being a site for the struggle over what is, and what is not, legitimate taste. This legitimacy is tied to elements of the middlebrow aesthetic, which has earnestness and self improvement as an important component. This component is both the source of struggle with more elite elements of the literary field and a source of changing reading practices, for example in the way Harry Potter is used in schools. The final two case studies, of book prizes and literary festivals, add to the defence of the middlebrow as a vital form of aesthetic production and cultural consumption for both understanding the future of reading and the future of the market for literature in the era of social media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Dec 2014 14:27:43 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>It is a cliche to suggest we are what we read, but it is also an important insight. In The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century (Palgrave-MacMillan, 2014), Beth Driscoll, from University of Melbourne,</itunes:subtitle>
      <itunes:summary>It is a cliche to suggest we are what we read, but it is also an important insight. In The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century (Palgrave-MacMillan, 2014), Beth Driscoll, from University of Melbourne, extends and critiques the work of Pierre Bourdieu to account for modern literary tastes and the literary field in which those tastes are embedded. The book attempts to explore and defend the idea of the middlebrow in literature. ‘Middlebrow’ is defined by eight characteristics, whereby it is middle class, it has reverence to elite cultures, and it is entrepreneurial, mediated, feminized, emotional, recreational and earnest. In the main it is situated within the tension between the aesthetic and the commercial. The book uses four case studies to explore how this tension, along with the idea of the middlebrow, plays out. In the first case study the role of Oprah Winfrey as a tastemaker and cultural intermediary is explored as part of an analysis of book clubs. The analysis shows how Oprah’s book club was important in establishing markets for books as well as being a site for the struggle over what is, and what is not, legitimate taste. This legitimacy is tied to elements of the middlebrow aesthetic, which has earnestness and self improvement as an important component. This component is both the source of struggle with more elite elements of the literary field and a source of changing reading practices, for example in the way Harry Potter is used in schools. The final two case studies, of book prizes and literary festivals, add to the defence of the middlebrow as a vital form of aesthetic production and cultural consumption for both understanding the future of reading and the future of the market for literature in the era of social media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is a cliche to suggest we are what we read, but it is also an important insight. In <a href="http://www.amazon.com/dp/1137402911/?tag=newbooinhis-20">The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century </a>(Palgrave-MacMillan, 2014), <a href="http://culture-communication.unimelb.edu.au/about/staff/dr-beth-driscoll">Beth Driscoll</a>, from University of Melbourne, extends and critiques the work of Pierre Bourdieu to account for modern literary tastes and the literary field in which those tastes are embedded. The book attempts to explore and defend the idea of the middlebrow in literature. ‘Middlebrow’ is defined by eight characteristics, whereby it is middle class, it has reverence to elite cultures, and it is entrepreneurial, mediated, feminized, emotional, recreational and earnest. In the main it is situated within the tension between the aesthetic and the commercial. The book uses four case studies to explore how this tension, along with the idea of the middlebrow, plays out. In the first case study the role of Oprah Winfrey as a tastemaker and cultural intermediary is explored as part of an analysis of book clubs. The analysis shows how Oprah’s book club was important in establishing markets for books as well as being a site for the struggle over what is, and what is not, legitimate taste. This legitimacy is tied to elements of the middlebrow aesthetic, which has earnestness and self improvement as an important component. This component is both the source of struggle with more elite elements of the literary field and a source of changing reading practices, for example in the way Harry Potter is used in schools. The final two case studies, of book prizes and literary festivals, add to the defence of the middlebrow as a vital form of aesthetic production and cultural consumption for both understanding the future of reading and the future of the market for literature in the era of social media.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2461</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=484]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5323566255.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sam Friedman, “Comedy and Distinction” (Routledge, 2014)</title>
      <description>What is funny? What makes you laugh? We think of laughter as being universal idea that applies to everyone, no matter their age, ethnicity, gender or social class. In Comedy and Distinction: The Cultural Currency of a ‘Good’ Sense of Humour (Routledge, 2014), Sam Friedman tries to overturn our assumptions about comedy. The book draws on the work of Pierre Bourdieu to show how comedy is deeply related to social position, both in terms of what sorts of comedy people watch and listen to and also in terms of their sense of humour. Comedy is the basis for a form of distinction, as social groups differentiate themselves from others by their tastes. This applies not only to the upper and working class groups in society, but has implications for socially mobile individuals too. Moreover, the book shows how the assumption of good taste in comedy, which is related to having omnivorous cultural interests, is often bound up with symbolic violence from high social status groups towards the rest of society. Alongside the book’s detailed consideration of cultural consumption, the text offers an insight into both the history and the business of comedy, illustrating how the tastemakers of comedy scouting and criticism reinforce the social divisions found in comedy consumption. In exploring both the production and consumption of comedy Friedman develops the idea of cultural capital in comedy, a theoretical idea that will be useful for anyone thinking about the sociology of culture. For the more general reader the book shows how important comedy is to modern society, as opposed to those who would see it as a lowbrow cultural form.   By the end of the text the reader will understand that  comedy is no laughing matter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 21 Nov 2014 13:35:47 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is funny? What makes you laugh? We think of laughter as being universal idea that applies to everyone, no matter their age, ethnicity, gender or social class. In Comedy and Distinction: The Cultural Currency of a ‘Good’ Sense of Humour (Routledge,...</itunes:subtitle>
      <itunes:summary>What is funny? What makes you laugh? We think of laughter as being universal idea that applies to everyone, no matter their age, ethnicity, gender or social class. In Comedy and Distinction: The Cultural Currency of a ‘Good’ Sense of Humour (Routledge, 2014), Sam Friedman tries to overturn our assumptions about comedy. The book draws on the work of Pierre Bourdieu to show how comedy is deeply related to social position, both in terms of what sorts of comedy people watch and listen to and also in terms of their sense of humour. Comedy is the basis for a form of distinction, as social groups differentiate themselves from others by their tastes. This applies not only to the upper and working class groups in society, but has implications for socially mobile individuals too. Moreover, the book shows how the assumption of good taste in comedy, which is related to having omnivorous cultural interests, is often bound up with symbolic violence from high social status groups towards the rest of society. Alongside the book’s detailed consideration of cultural consumption, the text offers an insight into both the history and the business of comedy, illustrating how the tastemakers of comedy scouting and criticism reinforce the social divisions found in comedy consumption. In exploring both the production and consumption of comedy Friedman develops the idea of cultural capital in comedy, a theoretical idea that will be useful for anyone thinking about the sociology of culture. For the more general reader the book shows how important comedy is to modern society, as opposed to those who would see it as a lowbrow cultural form.   By the end of the text the reader will understand that  comedy is no laughing matter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is funny? What makes you laugh? We think of laughter as being universal idea that applies to everyone, no matter their age, ethnicity, gender or social class. In <a href="http://www.amazon.com/dp/0415855039/?tag=newbooinhis-20">Comedy and Distinction: The Cultural Currency of a ‘Good’ Sense of Humour</a> (Routledge, 2014), <a href="http://www.lse.ac.uk/sociology/whoswho/academic/Friedman.aspx">Sam Friedman</a> tries to overturn our assumptions about comedy. The book draws on the work of Pierre Bourdieu to show how comedy is deeply related to social position, both in terms of what sorts of comedy people watch and listen to and also in terms of their sense of humour. Comedy is the basis for a form of distinction, as social groups differentiate themselves from others by their tastes. This applies not only to the upper and working class groups in society, but has implications for socially mobile individuals too. Moreover, the book shows how the assumption of good taste in comedy, which is related to having omnivorous cultural interests, is often bound up with symbolic violence from high social status groups towards the rest of society. Alongside the book’s detailed consideration of cultural consumption, the text offers an insight into both the history and the business of comedy, illustrating how the tastemakers of comedy scouting and criticism reinforce the social divisions found in comedy consumption. In exploring both the production and consumption of comedy Friedman develops the idea of cultural capital in comedy, a theoretical idea that will be useful for anyone thinking about the sociology of culture. For the more general reader the book shows how important comedy is to modern society, as opposed to those who would see it as a lowbrow cultural form.   By the end of the text the reader will understand that  comedy is no laughing matter.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2858</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=476]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7871418190.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bruce Fink, “Against Understanding. Volume 1: Commentary and Critique in a Lacanian Key” (Routledge, 2014)</title>
      <description>What can possibly be wrong with the process of understanding in psychoanalytic treatment? Everything, according to Bruce Fink. In Against Understanding. Volume 1: Commentary and Critique in a Lacanian Key (Routledge, 2014), he argues that since understanding is part of the Lacanian imaginary, it often leads to fixed assumptions and projections on the part of both analyst and analysand, inhibiting change, or the curative in psychoanalysis. Many of us probably have heard ourselves and others say that understanding why we do something hurtful or destructive does not seem to stop us from doing it; again and again and again. In the clinical vignettes, case studies, and theoretical papers compiled in this volume Fink suggests that rather than understanding, clinicians ought to strive to bring the unconscious to speech – to help analysands communicate knowledge once residing in the unconscious. Such knowledge is generated not through narrative, insight, or meaning making but parapraxes, slurred speech, and mixed metaphors – the non-sense produced by the subject of the unconscious. Speaking that which was previously unsymbolizable shakes the ego at its foundation and enables therapeutic change.

A section of Against Understanding is devoted to interviews conducted with the author about his translations of Lacan and the work of translation generally. We touch on issues of translation in our interview as well, highlighting the creativity, pleasures, frustrations, and compromises involved in the process. Bruce Fink and I have only begun to explore his theoretical and clinical writings. Please stay tuned for the next installment in a few months, when we will discuss volume 2of this incisive and thought-provoking collection.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Nov 2014 13:45:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What can possibly be wrong with the process of understanding in psychoanalytic treatment? Everything, according to Bruce Fink. In Against Understanding. Volume 1: Commentary and Critique in a Lacanian Key (Routledge, 2014),</itunes:subtitle>
      <itunes:summary>What can possibly be wrong with the process of understanding in psychoanalytic treatment? Everything, according to Bruce Fink. In Against Understanding. Volume 1: Commentary and Critique in a Lacanian Key (Routledge, 2014), he argues that since understanding is part of the Lacanian imaginary, it often leads to fixed assumptions and projections on the part of both analyst and analysand, inhibiting change, or the curative in psychoanalysis. Many of us probably have heard ourselves and others say that understanding why we do something hurtful or destructive does not seem to stop us from doing it; again and again and again. In the clinical vignettes, case studies, and theoretical papers compiled in this volume Fink suggests that rather than understanding, clinicians ought to strive to bring the unconscious to speech – to help analysands communicate knowledge once residing in the unconscious. Such knowledge is generated not through narrative, insight, or meaning making but parapraxes, slurred speech, and mixed metaphors – the non-sense produced by the subject of the unconscious. Speaking that which was previously unsymbolizable shakes the ego at its foundation and enables therapeutic change.

A section of Against Understanding is devoted to interviews conducted with the author about his translations of Lacan and the work of translation generally. We touch on issues of translation in our interview as well, highlighting the creativity, pleasures, frustrations, and compromises involved in the process. Bruce Fink and I have only begun to explore his theoretical and clinical writings. Please stay tuned for the next installment in a few months, when we will discuss volume 2of this incisive and thought-provoking collection.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can possibly be wrong with the process of understanding in psychoanalytic treatment? Everything, according to <a href="http://brucefink.com/">Bruce Fink</a>. In <a href="http://www.amazon.com/dp/0415635438/?tag=newbooinhis-20">Against Understanding. Volume 1: Commentary and Critique in a Lacanian Key </a>(Routledge, 2014), he argues that since understanding is part of the Lacanian imaginary, it often leads to fixed assumptions and projections on the part of both analyst and analysand, inhibiting change, or the curative in psychoanalysis. Many of us probably have heard ourselves and others say that understanding why we do something hurtful or destructive does not seem to stop us from doing it; again and again and again. In the clinical vignettes, case studies, and theoretical papers compiled in this volume Fink suggests that rather than understanding, clinicians ought to strive to bring the unconscious to speech – to help analysands communicate knowledge once residing in the unconscious. Such knowledge is generated not through narrative, insight, or meaning making but parapraxes, slurred speech, and mixed metaphors – the non-sense produced by the subject of the unconscious. Speaking that which was previously unsymbolizable shakes the ego at its foundation and enables therapeutic change.</p><p>
A section of Against Understanding is devoted to interviews conducted with the author about his translations of Lacan and the work of translation generally. We touch on issues of translation in our interview as well, highlighting the creativity, pleasures, frustrations, and compromises involved in the process. Bruce Fink and I have only begun to explore his theoretical and clinical writings. Please stay tuned for the next installment in a few months, when we will discuss volume 2of this incisive and thought-provoking collection.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3744</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/psychoanalysis/?p=586]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1137900349.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Randal Marlin, “Propaganda and the Ethics of Persuasion” (Broadview Press, 2013)</title>
      <description>It’s been 100 years since the start of the First World War, a conflict that cost millions of lives. In his recently revised book, Propaganda and the Ethics of Persuasion (2013), Randal Marlin writes that Britain pioneered propaganda techniques to sell that war that have been imitated ever since. He tells how the British spread a false story about Germans boiling the bodies of their dead soldiers in corpse factories. It was designed to paint Germany as a uncivilized, ghoulish nation that had to be fought. Marlin also tells how American propaganda during the First World War helped foster the modern public relations and advertising industries.

Marlin, who studied with the French propaganda theorist Jacques Ellul, sees propaganda as a manipulative exercise of power and he argues that in order to defend ourselves against it, we need to recognize its methods and techniques. His revised second edition analyzes how the Bush administration used fear to persuade Americans to support the invasion of Iraq.

The book traces the history of propaganda from ancient times to its present, post 9/11 forms

Randal Marlin is a professor of philosophy at Carleton University in Ottawa.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 17 Nov 2014 12:34:38 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>It’s been 100 years since the start of the First World War, a conflict that cost millions of lives. In his recently revised book, Propaganda and the Ethics of Persuasion (2013), Randal Marlin writes that Britain pioneered propaganda techniques to sell ...</itunes:subtitle>
      <itunes:summary>It’s been 100 years since the start of the First World War, a conflict that cost millions of lives. In his recently revised book, Propaganda and the Ethics of Persuasion (2013), Randal Marlin writes that Britain pioneered propaganda techniques to sell that war that have been imitated ever since. He tells how the British spread a false story about Germans boiling the bodies of their dead soldiers in corpse factories. It was designed to paint Germany as a uncivilized, ghoulish nation that had to be fought. Marlin also tells how American propaganda during the First World War helped foster the modern public relations and advertising industries.

Marlin, who studied with the French propaganda theorist Jacques Ellul, sees propaganda as a manipulative exercise of power and he argues that in order to defend ourselves against it, we need to recognize its methods and techniques. His revised second edition analyzes how the Bush administration used fear to persuade Americans to support the invasion of Iraq.

The book traces the history of propaganda from ancient times to its present, post 9/11 forms

Randal Marlin is a professor of philosophy at Carleton University in Ottawa.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s been 100 years since the start of the First World War, a conflict that cost millions of lives. In his recently revised book, <a href="http://www.amazon.com/dp/1554810914/?tag=newbooinhis-20">Propaganda and the Ethics of Persuasion</a> (2013), <a href="http://carleton.ca/philosophy/people/marlin-randal-robert-alexander/">Randal Marlin</a> writes that Britain pioneered propaganda techniques to sell that war that have been imitated ever since. He tells how the British spread a false story about Germans boiling the bodies of their dead soldiers in corpse factories. It was designed to paint Germany as a uncivilized, ghoulish nation that had to be fought. Marlin also tells how American propaganda during the First World War helped foster the modern public relations and advertising industries.</p><p>
Marlin, who studied with the French propaganda theorist Jacques Ellul, sees propaganda as a manipulative exercise of power and he argues that in order to defend ourselves against it, we need to recognize its methods and techniques. His revised second edition analyzes how the Bush administration used fear to persuade Americans to support the invasion of Iraq.</p><p>
The book traces the history of propaganda from ancient times to its present, post 9/11 forms</p><p>
Randal Marlin is a professor of philosophy at Carleton University in Ottawa.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2495</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/journalism/?p=345]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1893530441.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bonnie J. Mann, “Sovereign Masculinity: Gender Lessons from the War on Terror” (OUP, 2014)</title>
      <description>In the aftermath of 9/11, the American political landscape and its discourses took a peculiar turn. America’s national sovereignty-conceived as the expression of its indomitable masculinity-had been challenged. Its mythical invulnerability had been crushed. The response of the United States to these events was both disturbing and enlightening. It revealed the darker underbelly of the American mythos, and revealed the highly gendered nature of American politics. Making use of gender testimony and other widely-shared cultural phenomena that arose during the ‘War on Terror’, Bonnie J. Mann constructs a notion of gender as bound up with the political. Listen in to our discussion of Dr. Mann’s new book Sovereign Masculinity: Gender Lessons from the War on Terror (Oxford University Press, 2014).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 12 Nov 2014 06:00:57 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In the aftermath of 9/11, the American political landscape and its discourses took a peculiar turn. America’s national sovereignty-conceived as the expression of its indomitable masculinity-had been challenged.</itunes:subtitle>
      <itunes:summary>In the aftermath of 9/11, the American political landscape and its discourses took a peculiar turn. America’s national sovereignty-conceived as the expression of its indomitable masculinity-had been challenged. Its mythical invulnerability had been crushed. The response of the United States to these events was both disturbing and enlightening. It revealed the darker underbelly of the American mythos, and revealed the highly gendered nature of American politics. Making use of gender testimony and other widely-shared cultural phenomena that arose during the ‘War on Terror’, Bonnie J. Mann constructs a notion of gender as bound up with the political. Listen in to our discussion of Dr. Mann’s new book Sovereign Masculinity: Gender Lessons from the War on Terror (Oxford University Press, 2014).
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the aftermath of 9/11, the American political landscape and its discourses took a peculiar turn. America’s national sovereignty-conceived as the expression of its indomitable masculinity-had been challenged. Its mythical invulnerability had been crushed. The response of the United States to these events was both disturbing and enlightening. It revealed the darker underbelly of the American mythos, and revealed the highly gendered nature of American politics. Making use of gender testimony and other widely-shared cultural phenomena that arose during the ‘War on Terror’, <a href="http://philosophy.uoregon.edu/profile/bmann/">Bonnie J. Mann</a> constructs a notion of gender as bound up with the political. Listen in to our discussion of Dr. Mann’s new book <a href="http://www.amazon.com/dp/0199981655/?tag=newbooinhis-20">Sovereign Masculinity: Gender Lessons from the War on Terror</a> (Oxford University Press, 2014).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3585</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=461]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5104280500.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marisol Sandoval, “From Corporate to Social Media” (Routledge, 2014)</title>
      <description>What would a truly ‘social’ social media look like? This is the core question of From Corporate to Social Media: Critical Perspectives on Corporate Social Responsibility in Media and Communication Industries (Routledge, 2014), the new book by Marisol Sandoval. The text is concerned with the emergence of a seemingly open and democratic space, social media, which is in fact subject to corporate dominance and control. The book aims to provide a political economy of the social relations in which media and communications industries are embedded, to reveal the inequalities of both power and control in social media. This point is illustrated through case studies of major corporations. Sandoval takes an important theme- including net neutrality, e-waste, ideologies, and labour conditions- and compares and contrasts CSR statements and positions with the reality of corporate actions on these themes. Case studies include Google, Apple, Disney and AT&amp;T. The book concludes by considering how social media might become more social by thinking about how it might contribute to the idea of the commons, a concept that has been crucial to much critical theory thinking in recent years. By linking ideas of the commons to the political economy of media and communications, From Corporate to Social Media, gives an important new basis for future theoretical discussion. The book is therefore essential reading for all of us participating in the new world of social media, whether as academics, employees or as citizens.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 05 Nov 2014 16:53:56 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What would a truly ‘social’ social media look like? This is the core question of From Corporate to Social Media: Critical Perspectives on Corporate Social Responsibility in Media and Communication Industries (Routledge, 2014),</itunes:subtitle>
      <itunes:summary>What would a truly ‘social’ social media look like? This is the core question of From Corporate to Social Media: Critical Perspectives on Corporate Social Responsibility in Media and Communication Industries (Routledge, 2014), the new book by Marisol Sandoval. The text is concerned with the emergence of a seemingly open and democratic space, social media, which is in fact subject to corporate dominance and control. The book aims to provide a political economy of the social relations in which media and communications industries are embedded, to reveal the inequalities of both power and control in social media. This point is illustrated through case studies of major corporations. Sandoval takes an important theme- including net neutrality, e-waste, ideologies, and labour conditions- and compares and contrasts CSR statements and positions with the reality of corporate actions on these themes. Case studies include Google, Apple, Disney and AT&amp;T. The book concludes by considering how social media might become more social by thinking about how it might contribute to the idea of the commons, a concept that has been crucial to much critical theory thinking in recent years. By linking ideas of the commons to the political economy of media and communications, From Corporate to Social Media, gives an important new basis for future theoretical discussion. The book is therefore essential reading for all of us participating in the new world of social media, whether as academics, employees or as citizens.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What would a truly ‘social’ social media look like? This is the core question of <a href="http://www.amazon.com/dp/041572256X/?tag=newbooinhis-20">From Corporate to Social Media: Critical Perspectives on Corporate Social Responsibility in Media and Communication Industries </a>(Routledge, 2014), the new book by <a href="http://www.city.ac.uk/people/academics/marisol-sandoval">Marisol Sandoval</a>. The text is concerned with the emergence of a seemingly open and democratic space, social media, which is in fact subject to corporate dominance and control. The book aims to provide a political economy of the social relations in which media and communications industries are embedded, to reveal the inequalities of both power and control in social media. This point is illustrated through case studies of major corporations. Sandoval takes an important theme- including net neutrality, e-waste, ideologies, and labour conditions- and compares and contrasts CSR statements and positions with the reality of corporate actions on these themes. Case studies include Google, Apple, Disney and AT&amp;T. The book concludes by considering how social media might become more social by thinking about how it might contribute to the idea of the commons, a concept that has been crucial to much critical theory thinking in recent years. By linking ideas of the commons to the political economy of media and communications, From Corporate to Social Media, gives an important new basis for future theoretical discussion. The book is therefore essential reading for all of us participating in the new world of social media, whether as academics, employees or as citizens.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2341</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=452]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8626864115.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kathrin Yacavone, “Benjamin, Barthes, and the Singularity of Photography” (Bloomsbury, 2013)</title>
      <description>Kathrin Yacavone‘s Benjamin, Barthes, and the Singularity of Photography (Bloomsbury, 2013) is an engaging study that explores connections between two of the most significant thinkers of the twentieth century: Walter Benjamin (1892-1940) and Roland Barthes (1915-1980). Considering Benjamin’s influence on Barthes’ later work on photography, the book also opens up the possibility of thinking of Barthes’ influence on how we think about and understand Benjamin in terms of the medium’s effects and significance in theoretical terms.

Divided into two parts, the book situates Benjamin and Barthes in their respective historical and political contexts while pursuing a series of themes through their work on photography: self and other, autobiography, memory, and redemption. It also looks closely at each author’s readings of particular photographs, and even establishes links between these. An intriguing postscript explores the continuing relevance of the ideas of these thinkers into the age of digitization. Listeners will find much in our conversation that illuminates the history and theory of photography, as well as the ideas and oeuvres of both Benjamin and Barthes more broadly.

In our interview, Kathrin and I speak about the book and also about her recent work editing a Summer 2014 issue of Nottingham French Studies on “Photography in Contemporary French and Francophone Cultures”. Outlining the themes of the articles included in this recent collection, Kathrin offers some thoughts on the continuing vitality of the medium in present-day France.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 29 Oct 2014 12:46:17 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Kathrin Yacavone‘s Benjamin, Barthes, and the Singularity of Photography (Bloomsbury, 2013) is an engaging study that explores connections between two of the most significant thinkers of the twentieth century: Walter Benjamin (1892-1940) and Roland Bar...</itunes:subtitle>
      <itunes:summary>Kathrin Yacavone‘s Benjamin, Barthes, and the Singularity of Photography (Bloomsbury, 2013) is an engaging study that explores connections between two of the most significant thinkers of the twentieth century: Walter Benjamin (1892-1940) and Roland Barthes (1915-1980). Considering Benjamin’s influence on Barthes’ later work on photography, the book also opens up the possibility of thinking of Barthes’ influence on how we think about and understand Benjamin in terms of the medium’s effects and significance in theoretical terms.

Divided into two parts, the book situates Benjamin and Barthes in their respective historical and political contexts while pursuing a series of themes through their work on photography: self and other, autobiography, memory, and redemption. It also looks closely at each author’s readings of particular photographs, and even establishes links between these. An intriguing postscript explores the continuing relevance of the ideas of these thinkers into the age of digitization. Listeners will find much in our conversation that illuminates the history and theory of photography, as well as the ideas and oeuvres of both Benjamin and Barthes more broadly.

In our interview, Kathrin and I speak about the book and also about her recent work editing a Summer 2014 issue of Nottingham French Studies on “Photography in Contemporary French and Francophone Cultures”. Outlining the themes of the articles included in this recent collection, Kathrin offers some thoughts on the continuing vitality of the medium in present-day France.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.nottingham.ac.uk/French/Staff/Kathrin.Yacavone">Kathrin Yacavone</a>‘s <a href="http://www.amazon.com/dp/162356669X/?tag=newbooinhis-20">Benjamin, Barthes, and the Singularity of Photography</a> (Bloomsbury, 2013) is an engaging study that explores connections between two of the most significant thinkers of the twentieth century: Walter Benjamin (1892-1940) and Roland Barthes (1915-1980). Considering Benjamin’s influence on Barthes’ later work on photography, the book also opens up the possibility of thinking of Barthes’ influence on how we think about and understand Benjamin in terms of the medium’s effects and significance in theoretical terms.</p><p>
Divided into two parts, the book situates Benjamin and Barthes in their respective historical and political contexts while pursuing a series of themes through their work on photography: self and other, autobiography, memory, and redemption. It also looks closely at each author’s readings of particular photographs, and even establishes links between these. An intriguing postscript explores the continuing relevance of the ideas of these thinkers into the age of digitization. Listeners will find much in our conversation that illuminates the history and theory of photography, as well as the ideas and oeuvres of both Benjamin and Barthes more broadly.</p><p>
In our interview, Kathrin and I speak about the book and also about her recent work editing a Summer 2014 issue of Nottingham French Studies on <a href="http://www.amazon.co.uk/Photography-Contemporary-Francophone-Cultures-Nottingham/dp/0748693661">“Photography in Contemporary French and Francophone Cultures”</a>. Outlining the themes of the articles included in this recent collection, Kathrin offers some thoughts on the continuing vitality of the medium in present-day France.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3218</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/frenchstudies/?p=297]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9235875174.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Viney, “Waste: A Philosophy of Things” (Bloomsbury, 2014)</title>
      <description>What is waste? William Viney‘s Waste: A Philosophy of Things (Bloomsbury, 2014) explores the meaning of waste across a variety of contexts, including literature, sculpture and architecture. The text begins by stressing the importance of time to our understanding of waste, as opposed to more traditional conceptions that are grounded in spatial distinctions. Rather than looking at waste through the dualities of useful or not useful, dirty or clean, William Viney asks us to be attentive to our relationship to objects in time, understanding how they are understood by the many narratives that they may contain, which they may have been party to, and which they may require for us to be able to understand them. The book draws on an emerging but established tradition of work that draws attention to the role of materiality and objects in our understanding of the world.  By offering an alternative to the view that waste is the garbage of consumer capitalism, we can see the value of things as their potential, as it is realised in time. The importance of time to understanding objects, as well as understanding waste, is seen through diverse examples, from Cornelia Parker’s sculptures, one created from an exploded shed, through the material objects of the manuscripts of James Joyce, to the representation of future ruins in The Planet of The Apes. These diverse and eclectic sites to exploring waste sit alongside the readings of more traditional subjects for literary theory, such as Elliot’s  The Waste Land, meaning the book will appeal to a range of scholars working across the humanities and in the social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 15 Oct 2014 13:09:41 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is waste? William Viney‘s Waste: A Philosophy of Things (Bloomsbury, 2014) explores the meaning of waste across a variety of contexts, including literature, sculpture and architecture. The text begins by stressing the importance of time to our und...</itunes:subtitle>
      <itunes:summary>What is waste? William Viney‘s Waste: A Philosophy of Things (Bloomsbury, 2014) explores the meaning of waste across a variety of contexts, including literature, sculpture and architecture. The text begins by stressing the importance of time to our understanding of waste, as opposed to more traditional conceptions that are grounded in spatial distinctions. Rather than looking at waste through the dualities of useful or not useful, dirty or clean, William Viney asks us to be attentive to our relationship to objects in time, understanding how they are understood by the many narratives that they may contain, which they may have been party to, and which they may require for us to be able to understand them. The book draws on an emerging but established tradition of work that draws attention to the role of materiality and objects in our understanding of the world.  By offering an alternative to the view that waste is the garbage of consumer capitalism, we can see the value of things as their potential, as it is realised in time. The importance of time to understanding objects, as well as understanding waste, is seen through diverse examples, from Cornelia Parker’s sculptures, one created from an exploded shed, through the material objects of the manuscripts of James Joyce, to the representation of future ruins in The Planet of The Apes. These diverse and eclectic sites to exploring waste sit alongside the readings of more traditional subjects for literary theory, such as Elliot’s  The Waste Land, meaning the book will appeal to a range of scholars working across the humanities and in the social sciences.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is waste? <a href="https://www.dur.ac.uk/directory/profile/?id=11092">William Viney</a>‘s <a href="http://www.amazon.com/dp/1472527577/?tag=newbooinhis-20">Waste: A Philosophy of Things</a> (Bloomsbury, 2014) explores the meaning of waste across a variety of contexts, including literature, sculpture and architecture. The text begins by stressing the importance of time to our understanding of waste, as opposed to more traditional conceptions that are grounded in spatial distinctions. Rather than looking at waste through the dualities of useful or not useful, dirty or clean, William Viney asks us to be attentive to our relationship to objects in time, understanding how they are understood by the many narratives that they may contain, which they may have been party to, and which they may require for us to be able to understand them. The book draws on an emerging but established tradition of work that draws attention to the role of materiality and objects in our understanding of the world.  By offering an alternative to the view that waste is the garbage of consumer capitalism, we can see the value of things as their potential, as it is realised in time. The importance of time to understanding objects, as well as understanding waste, is seen through diverse examples, from Cornelia Parker’s sculptures, one created from an exploded shed, through the material objects of the manuscripts of James Joyce, to the representation of future ruins in The Planet of The Apes. These diverse and eclectic sites to exploring waste sit alongside the readings of more traditional subjects for literary theory, such as Elliot’s  The Waste Land, meaning the book will appeal to a range of scholars working across the humanities and in the social sciences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2389</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=438]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6796067570.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vernadette V. Gonzalez, “Securing Paradise: Tourism and Militarism in Hawai’i and the Philippines” (Duke UP, 2013)</title>
      <description>Vernadette Vicuna Gonzalez‘s Securing Paradise: Tourism and Militarism in Hawai’i and the Philippines (Duke University Press, 2013), examines the intertwined relationship between tourism and militarism in Hawai’i and the Philippines. Dr. Gonzalez questions dominant narratives of tourism as a tool of development by focusing on tourism as a means of both signifying and legitimating types of security provided by American military forces. Dr. Gonzalez uses an archive that includes literary works, travel brochures, highways, military bases and travel tours, in order to expose how tourism thrives on feelings of nostalgia, heroism and international brotherhood.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Sep 2014 11:50:29 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Vernadette Vicuna Gonzalez‘s Securing Paradise: Tourism and Militarism in Hawai’i and the Philippines (Duke University Press, 2013), examines the intertwined relationship between tourism and militarism in Hawai’i and the Philippines. Dr.</itunes:subtitle>
      <itunes:summary>Vernadette Vicuna Gonzalez‘s Securing Paradise: Tourism and Militarism in Hawai’i and the Philippines (Duke University Press, 2013), examines the intertwined relationship between tourism and militarism in Hawai’i and the Philippines. Dr. Gonzalez questions dominant narratives of tourism as a tool of development by focusing on tourism as a means of both signifying and legitimating types of security provided by American military forces. Dr. Gonzalez uses an archive that includes literary works, travel brochures, highways, military bases and travel tours, in order to expose how tourism thrives on feelings of nostalgia, heroism and international brotherhood.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.billykick.com/manoa-honors-program/about/staff.html">Vernadette Vicuna Gonzalez</a>‘s <a href="http://www.amazon.com/dp/0822353709/?tag=newbooinhis-20">Securing Paradise: Tourism and Militarism in Hawai’i and the Philippines </a>(Duke University Press, 2013), examines the intertwined relationship between tourism and militarism in Hawai’i and the Philippines. Dr. Gonzalez questions dominant narratives of tourism as a tool of development by focusing on tourism as a means of both signifying and legitimating types of security provided by American military forces. Dr. Gonzalez uses an archive that includes literary works, travel brochures, highways, military bases and travel tours, in order to expose how tourism thrives on feelings of nostalgia, heroism and international brotherhood.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4722</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/asianamericanstudies/?p=165]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8818276102.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karl Spracklen, “Whiteness and Leisure” (Palgrave Macmillan, 2013)</title>
      <description>Our taken for granted assumptions are questioned in a new book by Karl Spracklen, a professor of leisure studies at Leeds Metropolitan University in England. Whiteness and Leisure (Palgrave, 2013)  combines two bodies of theoretical literature to interrogate leisure activities which seem innocuous or inoffensive. The book deploys insights from critical race theory along with the work of Jurgen Habermas to at once critique leisure as a site for the continued reproduction of inequality, but at the same time consider the utopian or transformative possibilities offered by leisure activity. The central inequality concerning Whiteness and Leisure is that of the socially constructed, but socially powerful, idea of race. Spracklen argues that whilst there is no scientific evidence for the vast swathes of claims made about race, the idea is influential in modern life. Most notably, ideas of race create categories of normal or taken for granted, in the case of whiteness, and other, exotic and different in the case of blackness. The replication of social inequality using categories of race is shown in discussions of sport, both participating and watching, of popular culture, such as Harry Potter   and World of Warcraft, Music, including Folk and Metal, and forms of travel, tourism and outdoor experience. Drawing on a wide range of literature, empirical examples and personal anecdotes, the text will be of interest to readers from across both social science and the humanities, as well as anyone concerned with social justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Sep 2014 12:46:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Our taken for granted assumptions are questioned in a new book by Karl Spracklen, a professor of leisure studies at Leeds Metropolitan University in England. Whiteness and Leisure (Palgrave, 2013) combines two bodies of theoretical literature to interr...</itunes:subtitle>
      <itunes:summary>Our taken for granted assumptions are questioned in a new book by Karl Spracklen, a professor of leisure studies at Leeds Metropolitan University in England. Whiteness and Leisure (Palgrave, 2013)  combines two bodies of theoretical literature to interrogate leisure activities which seem innocuous or inoffensive. The book deploys insights from critical race theory along with the work of Jurgen Habermas to at once critique leisure as a site for the continued reproduction of inequality, but at the same time consider the utopian or transformative possibilities offered by leisure activity. The central inequality concerning Whiteness and Leisure is that of the socially constructed, but socially powerful, idea of race. Spracklen argues that whilst there is no scientific evidence for the vast swathes of claims made about race, the idea is influential in modern life. Most notably, ideas of race create categories of normal or taken for granted, in the case of whiteness, and other, exotic and different in the case of blackness. The replication of social inequality using categories of race is shown in discussions of sport, both participating and watching, of popular culture, such as Harry Potter   and World of Warcraft, Music, including Folk and Metal, and forms of travel, tourism and outdoor experience. Drawing on a wide range of literature, empirical examples and personal anecdotes, the text will be of interest to readers from across both social science and the humanities, as well as anyone concerned with social justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our taken for granted assumptions are questioned in a new book by <a href="https://www.leedsmet.ac.uk/research/professor-karl-spracklen.htm">Karl Spracklen</a>, a professor of leisure studies at Leeds Metropolitan University in England. <a href="http://www.amazon.com/dp/1137026693/?tag=newbooinhis-20">Whiteness and Leisure</a> (Palgrave, 2013)  combines two bodies of theoretical literature to interrogate leisure activities which seem innocuous or inoffensive. The book deploys insights from critical race theory along with the work of Jurgen Habermas to at once critique leisure as a site for the continued reproduction of inequality, but at the same time consider the utopian or transformative possibilities offered by leisure activity. The central inequality concerning Whiteness and Leisure is that of the socially constructed, but socially powerful, idea of race. Spracklen argues that whilst there is no scientific evidence for the vast swathes of claims made about race, the idea is influential in modern life. Most notably, ideas of race create categories of normal or taken for granted, in the case of whiteness, and other, exotic and different in the case of blackness. The replication of social inequality using categories of race is shown in discussions of sport, both participating and watching, of popular culture, such as Harry Potter   and World of Warcraft, Music, including Folk and Metal, and forms of travel, tourism and outdoor experience. Drawing on a wide range of literature, empirical examples and personal anecdotes, the text will be of interest to readers from across both social science and the humanities, as well as anyone concerned with social justice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2800</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=426]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7966467894.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Protevi, “Life, War, Earth: Deleuze and the Sciences” (University of Minnesota Press, 2013)</title>
      <description>Right now, humanists across very different disciplinary fields are trying to create the kinds of cross-disciplinary conversations that might open up new ways to conceptualize and ask questions of our objects of study. John Protevi‘s new book offers a wonderfully stimulating conceptual toolbox for doing just that. Life, War, Earth: Deleuze and the Sciences (University of Minnesota Press, 2013) creates (and guides readers through) a dialogue between the work of Gilles Deleuze and some key works and concepts animating contemporary geophilosophy, cognitive science, and biology. In doing so, Protevi’s work also has the potential to inform work in STS by turning our attention to new possibilities of thinking with scale, and with a process-oriented philosophy (among many other things). A first introduction lays out some of the basic conceptual tools and orientations emerging from Deleuze’s work, and a second introduction uses some of these ideas to explore the work of Francisco Varela in terms of a political physiology of “bodies politic.” After this pair of introductions, the following chapters focus on particular case studies, ranging from ancient and modern warfare, to hydropolitics, to the notion of a “socially mediated neuroplasticity” in cognitive science, to the role of affect in understanding the Occupy Wall Street movement, to the “eco-devo-evo” of Mary Jane West-Eberhard, and much, much else. It’s a fascinating study that has much to offer for the reader who is interested in the creative and analytic possibilities of bringing continental philosophy to bear in science studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 22 Aug 2014 17:41:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Right now, humanists across very different disciplinary fields are trying to create the kinds of cross-disciplinary conversations that might open up new ways to conceptualize and ask questions of our objects of study.</itunes:subtitle>
      <itunes:summary>Right now, humanists across very different disciplinary fields are trying to create the kinds of cross-disciplinary conversations that might open up new ways to conceptualize and ask questions of our objects of study. John Protevi‘s new book offers a wonderfully stimulating conceptual toolbox for doing just that. Life, War, Earth: Deleuze and the Sciences (University of Minnesota Press, 2013) creates (and guides readers through) a dialogue between the work of Gilles Deleuze and some key works and concepts animating contemporary geophilosophy, cognitive science, and biology. In doing so, Protevi’s work also has the potential to inform work in STS by turning our attention to new possibilities of thinking with scale, and with a process-oriented philosophy (among many other things). A first introduction lays out some of the basic conceptual tools and orientations emerging from Deleuze’s work, and a second introduction uses some of these ideas to explore the work of Francisco Varela in terms of a political physiology of “bodies politic.” After this pair of introductions, the following chapters focus on particular case studies, ranging from ancient and modern warfare, to hydropolitics, to the notion of a “socially mediated neuroplasticity” in cognitive science, to the role of affect in understanding the Occupy Wall Street movement, to the “eco-devo-evo” of Mary Jane West-Eberhard, and much, much else. It’s a fascinating study that has much to offer for the reader who is interested in the creative and analytic possibilities of bringing continental philosophy to bear in science studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Right now, humanists across very different disciplinary fields are trying to create the kinds of cross-disciplinary conversations that might open up new ways to conceptualize and ask questions of our objects of study. <a href="http://uiswcmsweb.prod.lsu.edu/hss/prs/People/Philosophy%20Faculty/item42719.html">John Protevi</a>‘s new book offers a wonderfully stimulating conceptual toolbox for doing just that. <a href="http://www.amazon.com/dp/0816681023/?tag=newbooinhis-20">Life, War, Earth: Deleuze and the Sciences </a>(University of Minnesota Press, 2013) creates (and guides readers through) a dialogue between the work of Gilles Deleuze and some key works and concepts animating contemporary geophilosophy, cognitive science, and biology. In doing so, Protevi’s work also has the potential to inform work in STS by turning our attention to new possibilities of thinking with scale, and with a process-oriented philosophy (among many other things). A first introduction lays out some of the basic conceptual tools and orientations emerging from Deleuze’s work, and a second introduction uses some of these ideas to explore the work of Francisco Varela in terms of a political physiology of “bodies politic.” After this pair of introductions, the following chapters focus on particular case studies, ranging from ancient and modern warfare, to hydropolitics, to the notion of a “socially mediated neuroplasticity” in cognitive science, to the role of affect in understanding the Occupy Wall Street movement, to the “eco-devo-evo” of Mary Jane West-Eberhard, and much, much else. It’s a fascinating study that has much to offer for the reader who is interested in the creative and analytic possibilities of bringing continental philosophy to bear in science studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4121</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/scitechsoc/?p=1217]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6963817163.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Helene Snee, “A Cosmopolitan Journey: Difference, Distinction and Identity Work in Gap Year Travel” (Ashgate, 2014)</title>
      <description>Helene Snee, a researcher at the University of Manchester, has written an excellent new book that should be essential reading for anyone interested in the modern world. The book uses the example of the ‘gap year’, an important moment in young people’s lives, to deconstruct issues of class, cosmopolitanism and identity. Like many other aspects of contemporary life, common assumptions about travel (as opposed to tourism) or the individual experience (as opposed to patterns in social life) are taken apart in the book.  The book reflects broader debates around class in British society that have been influenced by French theorist Pierre Bourdieu, such as the recent Great British Class Survey. The book situates itself in the tradition that seeks to unsettle the assumptions about taken for granted ideas about what is good judgement or good taste, asking why one form of, largely, middle class self development is privileged over others.

A Cosmopolitan Journey? Difference, Distinction and Identity Work in Gap Year Travel (Ashgate, 2014)  is not just a contribution to critical theory. In order to understand the lives of the gap year individuals, Snee uses online blogs as evidence for the way that the ‘gappers’ tell stories that are about the places they have come from (rather than travelled to), about having ‘authentic’ (&amp; potentially middle class) experiences during their travels and about being self-developing individuals. Crucially the book shows how even the word ‘travelling’ draws boundaries with ‘tourism’ to show how power and class dominance function to make it seem as if  ‘not everyone has the good  taste to take a gap year’, rather than the choice of a gap year being part of a much broader social structure.

Snee’s combination of travel and tourism as a topic, using predominantly young people’s experiences as an example, along with the way the text speaks directly to sociological debates between thinkers such as Bourdieu and Giddens, mark A Cosmopolitan Journey out as essential reading for a very wide audience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 12 Aug 2014 14:35:58 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Helene Snee, a researcher at the University of Manchester, has written an excellent new book that should be essential reading for anyone interested in the modern world. The book uses the example of the ‘gap year’,</itunes:subtitle>
      <itunes:summary>Helene Snee, a researcher at the University of Manchester, has written an excellent new book that should be essential reading for anyone interested in the modern world. The book uses the example of the ‘gap year’, an important moment in young people’s lives, to deconstruct issues of class, cosmopolitanism and identity. Like many other aspects of contemporary life, common assumptions about travel (as opposed to tourism) or the individual experience (as opposed to patterns in social life) are taken apart in the book.  The book reflects broader debates around class in British society that have been influenced by French theorist Pierre Bourdieu, such as the recent Great British Class Survey. The book situates itself in the tradition that seeks to unsettle the assumptions about taken for granted ideas about what is good judgement or good taste, asking why one form of, largely, middle class self development is privileged over others.

A Cosmopolitan Journey? Difference, Distinction and Identity Work in Gap Year Travel (Ashgate, 2014)  is not just a contribution to critical theory. In order to understand the lives of the gap year individuals, Snee uses online blogs as evidence for the way that the ‘gappers’ tell stories that are about the places they have come from (rather than travelled to), about having ‘authentic’ (&amp; potentially middle class) experiences during their travels and about being self-developing individuals. Crucially the book shows how even the word ‘travelling’ draws boundaries with ‘tourism’ to show how power and class dominance function to make it seem as if  ‘not everyone has the good  taste to take a gap year’, rather than the choice of a gap year being part of a much broader social structure.

Snee’s combination of travel and tourism as a topic, using predominantly young people’s experiences as an example, along with the way the text speaks directly to sociological debates between thinkers such as Bourdieu and Giddens, mark A Cosmopolitan Journey out as essential reading for a very wide audience.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.manchester.ac.uk/research/helene.snee/">Helene Snee</a>, a researcher at the University of Manchester, has written an excellent new book that should be essential reading for anyone interested in the modern world. The book uses the example of the ‘gap year’, an important moment in young people’s lives, to deconstruct issues of class, cosmopolitanism and identity. Like many other aspects of contemporary life, common assumptions about travel (as opposed to tourism) or the individual experience (as opposed to patterns in social life) are taken apart in the book.  The book reflects broader debates around class in British society that have been influenced by French theorist Pierre Bourdieu, such as the recent <a href="http://soc.sagepub.com/content/47/2/219">Great British Class Survey</a>. The book situates itself in the tradition that seeks to unsettle the assumptions about taken for granted ideas about what is good judgement or good taste, asking why one form of, largely, middle class self development is privileged over others.</p><p>
<a href="http://www.amazon.com/dp/B00K19G9PU/?tag=newbooinhis-20">A Cosmopolitan Journey? Difference, Distinction and Identity Work in Gap Year Travel</a> (Ashgate, 2014)  is not just a contribution to critical theory. In order to understand the lives of the gap year individuals, Snee uses online blogs as evidence for the way that the ‘gappers’ tell stories that are about the places they have come from (rather than travelled to), about having ‘authentic’ (&amp; potentially middle class) experiences during their travels and about being self-developing individuals. Crucially the book shows how even the word ‘travelling’ draws boundaries with ‘tourism’ to show how power and class dominance function to make it seem as if  ‘not everyone has the good  taste to take a gap year’, rather than the choice of a gap year being part of a much broader social structure.</p><p>
Snee’s combination of travel and tourism as a topic, using predominantly young people’s experiences as an example, along with the way the text speaks directly to sociological debates between thinkers such as Bourdieu and Giddens, mark A Cosmopolitan Journey out as essential reading for a very wide audience.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2509</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=413]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5471861100.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William E. Connolly, “The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism” (Duke UP, 2013)</title>
      <description>Bill Connolly‘s  new book proposes a way to think about the world as a gathering of self-organizing systems or ecologies, and from there explores the ramifications and possibilities of this notion for how we think about and practice work with markets, politics, daily life, and beyond.  The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism (Duke UP, 2013)  opens with a prelude that takes readers into the 1755 earthquake disaster in Lisbon via Voltaire’s Candide, using this to introduce a critique of neoliberalism that will continue to be so important for the duration of the book. Connolly reframes our understanding of markets in terms of an entanglement of human and nonhuman systems, with main chapters successively offering a critique of current thinking about neoliberalism and clear suggestions for how to move forward from it, a close reading of the work of Friedrich Hayek, and wonderfully productive dialogues between Kant and Hesiod (in Ch. 3) and Nietzsche and Whitehead (in Ch. 4). A series of interludes open up the narrative and ideas from the main chapters in light of contemporary film, bridges and thermodynamic systems, and the idea of human “fullness” and vitality. A postlude explores the relations between belief, sensibility, role experimentation, and political activism. In short,  The Fragility of Things  is an inspiring and beautifully written work. For readers interested in STS in particular, it also offers a way to think with self-organizing systems in the service of reorienting our stories about (human and nonhuman) individuals, their relationships, and the larger networks of which they’re a part. Highly recommended!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 30 Jul 2014 11:10:53 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Bill Connolly‘s new book proposes a way to think about the world as a gathering of self-organizing systems or ecologies, and from there explores the ramifications and possibilities of this notion for how we think about and practice work with markets,</itunes:subtitle>
      <itunes:summary>Bill Connolly‘s  new book proposes a way to think about the world as a gathering of self-organizing systems or ecologies, and from there explores the ramifications and possibilities of this notion for how we think about and practice work with markets, politics, daily life, and beyond.  The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism (Duke UP, 2013)  opens with a prelude that takes readers into the 1755 earthquake disaster in Lisbon via Voltaire’s Candide, using this to introduce a critique of neoliberalism that will continue to be so important for the duration of the book. Connolly reframes our understanding of markets in terms of an entanglement of human and nonhuman systems, with main chapters successively offering a critique of current thinking about neoliberalism and clear suggestions for how to move forward from it, a close reading of the work of Friedrich Hayek, and wonderfully productive dialogues between Kant and Hesiod (in Ch. 3) and Nietzsche and Whitehead (in Ch. 4). A series of interludes open up the narrative and ideas from the main chapters in light of contemporary film, bridges and thermodynamic systems, and the idea of human “fullness” and vitality. A postlude explores the relations between belief, sensibility, role experimentation, and political activism. In short,  The Fragility of Things  is an inspiring and beautifully written work. For readers interested in STS in particular, it also offers a way to think with self-organizing systems in the service of reorienting our stories about (human and nonhuman) individuals, their relationships, and the larger networks of which they’re a part. Highly recommended!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://politicalscience.jhu.edu/bios/william-connolly/">Bill Connolly</a>‘s  new book proposes a way to think about the world as a gathering of self-organizing systems or ecologies, and from there explores the ramifications and possibilities of this notion for how we think about and practice work with markets, politics, daily life, and beyond.  <a href="http://www.amazon.com/dp/0822355841/?tag=newbooinhis-20">The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism</a> (Duke UP, 2013)  opens with a prelude that takes readers into the 1755 earthquake disaster in Lisbon via Voltaire’s Candide, using this to introduce a critique of neoliberalism that will continue to be so important for the duration of the book. Connolly reframes our understanding of markets in terms of an entanglement of human and nonhuman systems, with main chapters successively offering a critique of current thinking about neoliberalism and clear suggestions for how to move forward from it, a close reading of the work of Friedrich Hayek, and wonderfully productive dialogues between Kant and Hesiod (in Ch. 3) and Nietzsche and Whitehead (in Ch. 4). A series of interludes open up the narrative and ideas from the main chapters in light of contemporary film, bridges and thermodynamic systems, and the idea of human “fullness” and vitality. A postlude explores the relations between belief, sensibility, role experimentation, and political activism. In short,  The Fragility of Things  is an inspiring and beautifully written work. For readers interested in STS in particular, it also offers a way to think with self-organizing systems in the service of reorienting our stories about (human and nonhuman) individuals, their relationships, and the larger networks of which they’re a part. Highly recommended!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4454</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/scitechsoc/?p=1165]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9196262456.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Hesmondhalgh, “Why Music Matters” (Wiley Blackwell, 2014)</title>
      <description>What is the value of music and why does it matter? These are the core questions in  David Hesmondhalgh‘s new book Why Music Matters (Wiley Blackwell, 2014).  The book attempts a critical defence of music in the face of both uncritical populist post-modernism and more economistic neo-liberal understandings of music’s worth. Hesmondhalgh develops this critical defence of music by exploring its importance to individuals, to places, to communities and to nations, eventually engaging with the global aspects of music’s role and position in society. The book seeks to argue against some common positions in music, reasserting the importance of embodied experiences, such as dancing, whilst taking issue with the idea of the rock star as hero. Moreover Hesmondhalgh shows the social position and social structures surrounding music, whilst remaining attentive to the aesthetic qualities of both genres and individual pieces of music.  Most notably the book is ambivalent about much of the promises claimed by the advocates of music’s transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 19 Jun 2014 13:48:37 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is the value of music and why does it matter? These are the core questions in David Hesmondhalgh‘s new book Why Music Matters (Wiley Blackwell, 2014). The book attempts a critical defence of music in the face of both uncritical populist post-moder...</itunes:subtitle>
      <itunes:summary>What is the value of music and why does it matter? These are the core questions in  David Hesmondhalgh‘s new book Why Music Matters (Wiley Blackwell, 2014).  The book attempts a critical defence of music in the face of both uncritical populist post-modernism and more economistic neo-liberal understandings of music’s worth. Hesmondhalgh develops this critical defence of music by exploring its importance to individuals, to places, to communities and to nations, eventually engaging with the global aspects of music’s role and position in society. The book seeks to argue against some common positions in music, reasserting the importance of embodied experiences, such as dancing, whilst taking issue with the idea of the rock star as hero. Moreover Hesmondhalgh shows the social position and social structures surrounding music, whilst remaining attentive to the aesthetic qualities of both genres and individual pieces of music.  Most notably the book is ambivalent about much of the promises claimed by the advocates of music’s transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the value of music and why does it matter? These are the core questions in  <a href="http://ics.leeds.ac.uk/people/david-hesmondhalgh/">David Hesmondhalgh</a>‘s new book <a href="http://www.amazon.com/dp/1405192410/?tag=newbooinhis-20">Why Music Matters</a> (Wiley Blackwell, 2014).  The book attempts a critical defence of music in the face of both uncritical populist post-modernism and more economistic neo-liberal understandings of music’s worth. Hesmondhalgh develops this critical defence of music by exploring its importance to individuals, to places, to communities and to nations, eventually engaging with the global aspects of music’s role and position in society. The book seeks to argue against some common positions in music, reasserting the importance of embodied experiences, such as dancing, whilst taking issue with the idea of the rock star as hero. Moreover Hesmondhalgh shows the social position and social structures surrounding music, whilst remaining attentive to the aesthetic qualities of both genres and individual pieces of music.  Most notably the book is ambivalent about much of the promises claimed by the advocates of music’s transformative potential, but is never bleak, retaining a refreshing realism about the capacity of music to matter to people, publics and nations across the world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2444</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=404]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2145698347.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>William Davies “The Limits of Neo-Liberalism: Authority, Sovereignty and the Logic of Competition” (Sage,</title>
      <description>In his new book, The Limits of Neo-Liberalism: Authority, Sovereignty, and the Logic of Competition (Sage, 2014), William  Davies, from Goldsmiths College University of London presents a detailed and challenging account of the dominant ideology of our age. The book’s five chapters chart the emergence of neo-liberalism within economics and political philosophy, through the international networks that were influential in propagating the ideas, to finally demonstrate, via the use of fieldwork in the US and Europe, how neo-liberalism exists in practice. The book is keen to move beyond the use of neo-liberalism as a mere description of events or practices that are disliked by parts of contemporary global political discourse.  Neoliberalism, for Davies, is the pursuit of the disenchantment of politics by economics.  The book shows how this plays out from the initial work of key neo-liberal thinkers, such as Hayek,  to more recent defenses of neo-liberal approaches by governments, management theorists and think tanks in the post-crash era. Finally the book offers a reflection on the nature of contemporary critical sociology. Drawing on the work of Luc  Boltanski, the French pragmatist sociologist,  The Limits of Neo-Liberalism,  shows the importance of description and history in setting out the structure of our current global settlement in order to challenge it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 29 May 2014 14:38:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book, The Limits of Neo-Liberalism: Authority, Sovereignty, and the Logic of Competition (Sage, 2014), William Davies, from Goldsmiths College University of London presents a detailed and challenging account of the dominant ideology of our a...</itunes:subtitle>
      <itunes:summary>In his new book, The Limits of Neo-Liberalism: Authority, Sovereignty, and the Logic of Competition (Sage, 2014), William  Davies, from Goldsmiths College University of London presents a detailed and challenging account of the dominant ideology of our age. The book’s five chapters chart the emergence of neo-liberalism within economics and political philosophy, through the international networks that were influential in propagating the ideas, to finally demonstrate, via the use of fieldwork in the US and Europe, how neo-liberalism exists in practice. The book is keen to move beyond the use of neo-liberalism as a mere description of events or practices that are disliked by parts of contemporary global political discourse.  Neoliberalism, for Davies, is the pursuit of the disenchantment of politics by economics.  The book shows how this plays out from the initial work of key neo-liberal thinkers, such as Hayek,  to more recent defenses of neo-liberal approaches by governments, management theorists and think tanks in the post-crash era. Finally the book offers a reflection on the nature of contemporary critical sociology. Drawing on the work of Luc  Boltanski, the French pragmatist sociologist,  The Limits of Neo-Liberalism,  shows the importance of description and history in setting out the structure of our current global settlement in order to challenge it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://www.amazon.com/dp/1446270688/?tag=newbooinhis-20">The Limits of Neo-Liberalism: Authority, Sovereignty, and the Logic of Competition</a> (Sage, 2014), <a href="http://potlatch.typepad.com">William  Davies</a>, from <a href="http://www.gold.ac.uk/politics/staff/davies/">Goldsmiths College University of London</a> presents a detailed and challenging account of the dominant ideology of our age. The book’s five chapters chart the emergence of neo-liberalism within economics and political philosophy, through the international networks that were influential in propagating the ideas, to finally demonstrate, via the use of fieldwork in the US and Europe, how neo-liberalism exists in practice. The book is keen to move beyond the use of neo-liberalism as a mere description of events or practices that are disliked by parts of contemporary global political discourse.  Neoliberalism, for Davies, is the pursuit of the disenchantment of politics by economics.  The book shows how this plays out from the initial work of key neo-liberal thinkers, such as Hayek,  to more recent defenses of neo-liberal approaches by governments, management theorists and think tanks in the post-crash era. Finally the book offers a reflection on the nature of contemporary critical sociology. Drawing on the work of Luc  Boltanski, the French pragmatist sociologist,  The Limits of Neo-Liberalism,  shows the importance of description and history in setting out the structure of our current global settlement in order to challenge it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2677</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=386]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2626956984.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. Gail Hamner, “Imaging Religion in Film: The Politics of Nostalgia” (Palgrave Macmillan, 2011</title>
      <description>When we watch film various visual elements direct our understanding of the narrative and its meaning. The subjective position of each viewer informs their reading of images in a multitude of ways. From this perspective, religion can be imaged in film and may be found by viewers but its interpretation will depend upon the relationships between media and audience. In Imaging Religion in Film: The Politics of Nostalgia (Palgrave Macmillan, 2011), M. Gail Hamner, Professor of Religion at Syracuse University, offers a dynamic theoretically informed methodology to examine the ethico-political dimensions of religion and film. She offers a semiotics of religion that relies on her reading of Charles Peirce and Gilles Deleuze, who aid us in thinking about how viewers react to and transform cinematic images. Through three case studies, including Akira Kurosawa’s Dersu Uzala (1972); Abbas Kiarostami’s Taste of Cherry (1997); and the Coen brothers’ The Man Who Wasn’t There (2001), she explores how religion is imaged in social and discursive fields through notions of nostalgia and transcendence. In our conversation we discuss postmodern aesthetics, the pedagogy of self, philosophical gelling through mechanical reproduction, the political economy of film, Deleuzian relations of gaze, situation, and reflection, the space between humanity and animality, confessional ways out of alienation, and ideas about how to watch a film.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 May 2014 17:10:02 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>When we watch film various visual elements direct our understanding of the narrative and its meaning. The subjective position of each viewer informs their reading of images in a multitude of ways. From this perspective,</itunes:subtitle>
      <itunes:summary>When we watch film various visual elements direct our understanding of the narrative and its meaning. The subjective position of each viewer informs their reading of images in a multitude of ways. From this perspective, religion can be imaged in film and may be found by viewers but its interpretation will depend upon the relationships between media and audience. In Imaging Religion in Film: The Politics of Nostalgia (Palgrave Macmillan, 2011), M. Gail Hamner, Professor of Religion at Syracuse University, offers a dynamic theoretically informed methodology to examine the ethico-political dimensions of religion and film. She offers a semiotics of religion that relies on her reading of Charles Peirce and Gilles Deleuze, who aid us in thinking about how viewers react to and transform cinematic images. Through three case studies, including Akira Kurosawa’s Dersu Uzala (1972); Abbas Kiarostami’s Taste of Cherry (1997); and the Coen brothers’ The Man Who Wasn’t There (2001), she explores how religion is imaged in social and discursive fields through notions of nostalgia and transcendence. In our conversation we discuss postmodern aesthetics, the pedagogy of self, philosophical gelling through mechanical reproduction, the political economy of film, Deleuzian relations of gaze, situation, and reflection, the space between humanity and animality, confessional ways out of alienation, and ideas about how to watch a film.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When we watch film various visual elements direct our understanding of the narrative and its meaning. The subjective position of each viewer informs their reading of images in a multitude of ways. From this perspective, religion can be imaged in film and may be found by viewers but its interpretation will depend upon the relationships between media and audience. In <a href="http://www.amazon.com/dp/0230339867/?tag=newbooinhis-20">Imaging Religion in Film: The Politics of Nostalgia</a> (Palgrave Macmillan, 2011), <a href="http://thecollege.syr.edu/profiles/pages/hamner-m.gail.html">M. Gail Hamner</a>, Professor of Religion at Syracuse University, offers a dynamic theoretically informed methodology to examine the ethico-political dimensions of religion and film. She offers a semiotics of religion that relies on her reading of Charles Peirce and Gilles Deleuze, who aid us in thinking about how viewers react to and transform cinematic images. Through three case studies, including Akira Kurosawa’s Dersu Uzala (1972); Abbas Kiarostami’s Taste of Cherry (1997); and the Coen brothers’ The Man Who Wasn’t There (2001), she explores how religion is imaged in social and discursive fields through notions of nostalgia and transcendence. In our conversation we discuss postmodern aesthetics, the pedagogy of self, philosophical gelling through mechanical reproduction, the political economy of film, Deleuzian relations of gaze, situation, and reflection, the space between humanity and animality, confessional ways out of alienation, and ideas about how to watch a film.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3351</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/religion/?p=532]]></guid>
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    </item>
    <item>
      <title>Brett Scott, “The Heretic’s Guide to Global Finance: Hacking the Future of Money” (Pluto Press, 2013)</title>
      <description>Brett Scott is the author of The Heretic’s Guide to Global Finance: Hacking the Future of Money (Pluto Press, 2013). Scott is a journalist, urban deep ecologist, and Fellow at the Finance Innovation Lab.  While much of Scott’s book focuses on explaining various aspects of the financial services section, the heart of the book is a call to action. Scott infuses this call with a variety of first-hand experiences as a campaigner for radical approaches to disrupt the sector. For this reason, the book acts as a guide to activism, applicable for those interested in global finance, but also other domains that are ripe for criticism.

His blog that he mentions at the end of the podcast can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 19 May 2014 06:00:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Brett Scott is the author of The Heretic’s Guide to Global Finance: Hacking the Future of Money (Pluto Press, 2013). Scott is a journalist, urban deep ecologist, and Fellow at the Finance Innovation Lab. While much of Scott’s book focuses on explaining...</itunes:subtitle>
      <itunes:summary>Brett Scott is the author of The Heretic’s Guide to Global Finance: Hacking the Future of Money (Pluto Press, 2013). Scott is a journalist, urban deep ecologist, and Fellow at the Finance Innovation Lab.  While much of Scott’s book focuses on explaining various aspects of the financial services section, the heart of the book is a call to action. Scott infuses this call with a variety of first-hand experiences as a campaigner for radical approaches to disrupt the sector. For this reason, the book acts as a guide to activism, applicable for those interested in global finance, but also other domains that are ripe for criticism.

His blog that he mentions at the end of the podcast can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.theguardian.com/profile/brett-scott">Brett Scott</a> is the author of <a href="http://www.amazon.com/dp/0745333508/?tag=newbooinhis-20">The Heretic’s Guide to Global Finance: Hacking the Future of Money</a> (Pluto Press, 2013). Scott is a journalist, urban deep ecologist, and Fellow at the Finance Innovation Lab.  While much of Scott’s book focuses on explaining various aspects of the financial services section, the heart of the book is a call to action. Scott infuses this call with a variety of first-hand experiences as a campaigner for radical approaches to disrupt the sector. For this reason, the book acts as a guide to activism, applicable for those interested in global finance, but also other domains that are ripe for criticism.</p><p>
His blog that he mentions at the end of the podcast can be found <a href="http://suitpossum.blogspot.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>1736</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/politicalscience/?p=1284]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8768422974.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patricia Ventura, “Neoliberal Culture: Living With American Neoliberalism” (Ashgate, 2012)</title>
      <description>Culture is inescapably linked to questions of political economy. In  Neoliberal Culture: Living With American Neoliberalism (Ashgate, 2012),  Patricia Ventura explores the relationship between contemporary American culture and the ideology that seems to underpin much of American life. The book integrates a range of theoretical perspectives, including the work of Michel Foucault and David Harvey, with contemporary social policy and cultural studies examples. The examples, ranging from Las Vegas’ urban organisation and Oprah’s book club through to cinematic representations of the Iraq war, all support the central thesis that American culture has turned away from the welfare state settlement of the Cold War towards a much harsher social reality. The new settlement is one of increased personal responsibility for structural and systematic failures in contemporary America. The book seeks to situate the analysis in a broader global contact, focusing on issues around immigration and global trade to add context to the focus on Neo-Liberal cultural artefacts. The book concludes with two examples that offer hope for resistance to the march of Neo-Liberalism. Both are focused on food, using one of the basic aspects of our daily lives to rethink how America, and thus the world, will organise its resources in the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 07 May 2014 11:14:24 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Culture is inescapably linked to questions of political economy. In Neoliberal Culture: Living With American Neoliberalism (Ashgate, 2012), Patricia Ventura explores the relationship between contemporary American culture and the ideology that seems to ...</itunes:subtitle>
      <itunes:summary>Culture is inescapably linked to questions of political economy. In  Neoliberal Culture: Living With American Neoliberalism (Ashgate, 2012),  Patricia Ventura explores the relationship between contemporary American culture and the ideology that seems to underpin much of American life. The book integrates a range of theoretical perspectives, including the work of Michel Foucault and David Harvey, with contemporary social policy and cultural studies examples. The examples, ranging from Las Vegas’ urban organisation and Oprah’s book club through to cinematic representations of the Iraq war, all support the central thesis that American culture has turned away from the welfare state settlement of the Cold War towards a much harsher social reality. The new settlement is one of increased personal responsibility for structural and systematic failures in contemporary America. The book seeks to situate the analysis in a broader global contact, focusing on issues around immigration and global trade to add context to the focus on Neo-Liberal cultural artefacts. The book concludes with two examples that offer hope for resistance to the march of Neo-Liberalism. Both are focused on food, using one of the basic aspects of our daily lives to rethink how America, and thus the world, will organise its resources in the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Culture is inescapably linked to questions of political economy. In  <a href="http://www.amazon.com/dp/1409443434/?tag=newbooinhis-20">Neoliberal Culture: Living With American Neoliberalism</a> (Ashgate, 2012),  <a href="http://www.spelman.edu/academics/faculty/patricia-ventura">Patricia Ventura</a> explores the relationship between contemporary American culture and the ideology that seems to underpin much of American life. The book integrates a range of theoretical perspectives, including the work of Michel Foucault and David Harvey, with contemporary social policy and cultural studies examples. The examples, ranging from Las Vegas’ urban organisation and Oprah’s book club through to cinematic representations of the Iraq war, all support the central thesis that American culture has turned away from the welfare state settlement of the Cold War towards a much harsher social reality. The new settlement is one of increased personal responsibility for structural and systematic failures in contemporary America. The book seeks to situate the analysis in a broader global contact, focusing on issues around immigration and global trade to add context to the focus on Neo-Liberal cultural artefacts. The book concludes with two examples that offer hope for resistance to the march of Neo-Liberalism. Both are focused on food, using one of the basic aspects of our daily lives to rethink how America, and thus the world, will organise its resources in the future.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2528</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=352]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1374727644.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Lynne Huffer, “Are the Lips a Grave? A Queer Feminist on the Ethics of Sex” (Columbia University Press, 2013)</title>
      <description>In her fourth book, Lynne Huffer argues for a restored queer feminism to find new ways of thinking about sex and about ethics.  Are the Lips a Grave? A Queer Feminist on the Ethics of Sex (Columbia University Press, 2013) brings forth a breadth of sources — known and less well-known, French and American, primary and secondary — ranging from Colette, Violette Leduc, and Marcel Proust to the book of Genesis, from Supreme Court cases to Virginie Despentes’ rape-revenge film  Baise-moi, from Irigaray to Foucault, through which Huffer reads and writes toward a queer feminist future. Beautifully written and stimulating for the theorist and non-theorist alike, Huffer’s new book combines the personal and the scholarly in experimental ways, such as her analysis of the Hagar, Sarah, and Abraham story. Carefully navigating the couloirs of queer and feminist theory, this is a book about sexuality, ethics, alterity, betrayal, and love.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 23 Apr 2014 11:37:07 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her fourth book, Lynne Huffer argues for a restored queer feminism to find new ways of thinking about sex and about ethics. Are the Lips a Grave? A Queer Feminist on the Ethics of Sex (Columbia University Press,</itunes:subtitle>
      <itunes:summary>In her fourth book, Lynne Huffer argues for a restored queer feminism to find new ways of thinking about sex and about ethics.  Are the Lips a Grave? A Queer Feminist on the Ethics of Sex (Columbia University Press, 2013) brings forth a breadth of sources — known and less well-known, French and American, primary and secondary — ranging from Colette, Violette Leduc, and Marcel Proust to the book of Genesis, from Supreme Court cases to Virginie Despentes’ rape-revenge film  Baise-moi, from Irigaray to Foucault, through which Huffer reads and writes toward a queer feminist future. Beautifully written and stimulating for the theorist and non-theorist alike, Huffer’s new book combines the personal and the scholarly in experimental ways, such as her analysis of the Hagar, Sarah, and Abraham story. Carefully navigating the couloirs of queer and feminist theory, this is a book about sexuality, ethics, alterity, betrayal, and love.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her fourth book, <a href="http://wgss.emory.edu/home/people/faculty/lynne_huffer.html">Lynne Huffer</a> argues for a restored queer feminism to find new ways of thinking about sex and about ethics.  <a href="http://www.amazon.com/dp/0231164173/?tag=newbooinhis-20">Are the Lips a Grave? A Queer Feminist on the Ethics of Sex</a> (Columbia University Press, 2013) brings forth a breadth of sources — known and less well-known, French and American, primary and secondary — ranging from Colette, Violette Leduc, and Marcel Proust to the book of Genesis, from Supreme Court cases to Virginie Despentes’ rape-revenge film  Baise-moi, from Irigaray to Foucault, through which Huffer reads and writes toward a queer feminist future. Beautifully written and stimulating for the theorist and non-theorist alike, Huffer’s new book combines the personal and the scholarly in experimental ways, such as her analysis of the Hagar, Sarah, and Abraham story. Carefully navigating the couloirs of queer and feminist theory, this is a book about sexuality, ethics, alterity, betrayal, and love.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4233</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/genderstudies/?p=528]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5802353759.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bradley Garrett, “Explore Everything: Place-Hacking the City” (Verso, 2013)</title>
      <description>More and more of the world is living in cities, yet we rarely stop to examine how our spaces are organised and controlled. In a remarkable new book, Explore Everything: Place-Hacking the City (Verso, 2013),  Bradley Garrett tells the story of his urban explorations that attempt to show the space from an entirely new viewpoint. The book draws on ethnographic fieldwork with a community of urban explores that begins in London and takes on global sites in the development of what the book refers to as ‘place hacking’. The explorers unearth the hidden histories of the London Underground, experience sites (and sights) of seemingly closed neo-liberal capital’s constructions and point to ways that the city could be a space for creativity beyond the blandness of coffee and consumer culture.   Fundamentally Explore Everything aims to ensure we never look at our city spaces in the same ways again.  Unusually for a book informed by critical theory, the text is richly illustrated with photographs taken as part of the place hacking activities, connecting the theoretical underpinnings of the text with the breathtaking excitement generated in the act of exploration. The text is also a record of the engagement with activism, police forces and security, as well as the media, raising profound questions as to the future role of the university and scholarship in an age where academia is encouraged and expected to have much more visible public impact.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 15 Apr 2014 13:54:50 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>More and more of the world is living in cities, yet we rarely stop to examine how our spaces are organised and controlled. In a remarkable new book, Explore Everything: Place-Hacking the City (Verso, 2013),</itunes:subtitle>
      <itunes:summary>More and more of the world is living in cities, yet we rarely stop to examine how our spaces are organised and controlled. In a remarkable new book, Explore Everything: Place-Hacking the City (Verso, 2013),  Bradley Garrett tells the story of his urban explorations that attempt to show the space from an entirely new viewpoint. The book draws on ethnographic fieldwork with a community of urban explores that begins in London and takes on global sites in the development of what the book refers to as ‘place hacking’. The explorers unearth the hidden histories of the London Underground, experience sites (and sights) of seemingly closed neo-liberal capital’s constructions and point to ways that the city could be a space for creativity beyond the blandness of coffee and consumer culture.   Fundamentally Explore Everything aims to ensure we never look at our city spaces in the same ways again.  Unusually for a book informed by critical theory, the text is richly illustrated with photographs taken as part of the place hacking activities, connecting the theoretical underpinnings of the text with the breathtaking excitement generated in the act of exploration. The text is also a record of the engagement with activism, police forces and security, as well as the media, raising profound questions as to the future role of the university and scholarship in an age where academia is encouraged and expected to have much more visible public impact.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>More and more of the world is living in cities, yet we rarely stop to examine how our spaces are organised and controlled. In a remarkable new book, <a href="http://www.amazon.com/dp/1781681295/?tag=newbooinhis-20">Explore Everything: Place-Hacking the City</a> (Verso, 2013),  <a href="http://www.bradleygarrett.com/">Bradley Garrett</a> tells the story of his urban explorations that attempt to show the space from an entirely new viewpoint. The book draws on ethnographic fieldwork with a community of urban explores that begins in London and takes on global sites in the development of what the book refers to as ‘place hacking’. The explorers unearth the hidden histories of the London Underground, experience sites (and sights) of seemingly closed neo-liberal capital’s constructions and point to ways that the city could be a space for creativity beyond the blandness of coffee and consumer culture.   Fundamentally Explore Everything aims to ensure we never look at our city spaces in the same ways again.  Unusually for a book informed by critical theory, the text is richly illustrated with photographs taken as part of the place hacking activities, connecting the theoretical underpinnings of the text with the breathtaking excitement generated in the act of exploration. The text is also a record of the engagement with activism, police forces and security, as well as the media, raising profound questions as to the future role of the university and scholarship in an age where academia is encouraged and expected to have much more visible public impact.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2763</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=338]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3845498225.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Franklin, “Biological Relatives: IVF, Stem Cells, and the Future of Kinship” (Duke University Press, 2013)</title>
      <description>Sarah Franklin‘s new book is an exceptionally rich, focused yet wide-ranging, insightful account of in vitro fertilization (IVF) and the worlds that it creates and inhabits. Biological Relatives: IVF, Stem Cells, and the Future of Kinship (Duke University Press, 2013) treats IVF as a looking-glass in which can see not only ourselves, but also transformations in modern notions of biology, technology, and kinship. In addition to a fascinating ethnography of the various kinds of work (by artists, by scientists, by patients and doctors) at IVF and stem cell research facilities, readers will find insightful explorations of the work of Marx and Engels, Haraway, Plato, Strathern, Derrida, Firestone, along with a wide range of authors of feminist texts from the 1980s and after. It is a book full of hands, socks, pipettes, eggs, screens, organisms, and arguments, it is fascinating, and it was a great pleasure to talk with Sarah about it.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 09 Mar 2014 14:34:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Sarah Franklin‘s new book is an exceptionally rich, focused yet wide-ranging, insightful account of in vitro fertilization (IVF) and the worlds that it creates and inhabits. Biological Relatives: IVF, Stem Cells,</itunes:subtitle>
      <itunes:summary>Sarah Franklin‘s new book is an exceptionally rich, focused yet wide-ranging, insightful account of in vitro fertilization (IVF) and the worlds that it creates and inhabits. Biological Relatives: IVF, Stem Cells, and the Future of Kinship (Duke University Press, 2013) treats IVF as a looking-glass in which can see not only ourselves, but also transformations in modern notions of biology, technology, and kinship. In addition to a fascinating ethnography of the various kinds of work (by artists, by scientists, by patients and doctors) at IVF and stem cell research facilities, readers will find insightful explorations of the work of Marx and Engels, Haraway, Plato, Strathern, Derrida, Firestone, along with a wide range of authors of feminist texts from the 1980s and after. It is a book full of hands, socks, pipettes, eggs, screens, organisms, and arguments, it is fascinating, and it was a great pleasure to talk with Sarah about it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.sociology.cam.ac.uk/contacts/staff/profiles/sfranklin.html">Sarah Franklin</a>‘s new book is an exceptionally rich, focused yet wide-ranging, insightful account of in vitro fertilization (IVF) and the worlds that it creates and inhabits. <a href="http://www.amazon.com/dp/0822354993/?tag=newbooinhis-20">Biological Relatives: IVF, Stem Cells, and the Future of Kinship </a>(Duke University Press, 2013) treats IVF as a looking-glass in which can see not only ourselves, but also transformations in modern notions of biology, technology, and kinship. In addition to a fascinating ethnography of the various kinds of work (by artists, by scientists, by patients and doctors) at IVF and stem cell research facilities, readers will find insightful explorations of the work of Marx and Engels, Haraway, Plato, Strathern, Derrida, Firestone, along with a wide range of authors of feminist texts from the 1980s and after. It is a book full of hands, socks, pipettes, eggs, screens, organisms, and arguments, it is fascinating, and it was a great pleasure to talk with Sarah about it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3990</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/scitechsoc/?p=975]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9005891331.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Timothy Morton, “Hyperobjects: Philosophy and Ecology after the End of the World” (University of Minnesota Press, 2013)</title>
      <description>So much of Science Studies, of STS as a field or a point of engagement, is deeply concerned with objects. We create sociologies and networks of and with objects, we study them as actors or agents or actants, we worry about our relationships to them and their relationships to each other. We wonder if humans and their objects are really so different, or whether we are all octopuses shrinking behind our own ink.

In Hyperobjects: Philosophy and Ecology after the End of the World (University of Minnesota Press, 2013), Timothy Morton offers a way of thinking with and about hyperobjects, particular kinds of things of which we see only pieces at any given moment. (Though by the end of the book, Morton invites us to consider that perhaps every object is a hyperobject.) Hyperobjects have a number of qualities in common, and the first half of Morton’s book introduces and explores them: they stick to other beings, and they potentially transform our taken-for-granted notions of time, space, locality, causality, and the possibility of ever being “away.” How this all happens is explained in a wonderfully personal and engaging narrative voice that ranges from Heidegger to The Lord of the Rings to the Tardis to Op Art, and the second half of the book introduces some of the consequences of and opportunities created by thinking with hyperobjects. It is about global warming and intimacy and object-oriented ontology and modern art and the possibilities of a phenomenology after we get rid of any notion of “the world” as something out-there and beyond-us. For those who are interested in STS and its environs, it offers a very different and very thoughtful language for articulating narratives beyond a simple “object agency” frame or a human/object binary. It’s also a great pleasure to read.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sun, 23 Feb 2014 13:32:40 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>So much of Science Studies, of STS as a field or a point of engagement, is deeply concerned with objects. We create sociologies and networks of and with objects, we study them as actors or agents or actants,</itunes:subtitle>
      <itunes:summary>So much of Science Studies, of STS as a field or a point of engagement, is deeply concerned with objects. We create sociologies and networks of and with objects, we study them as actors or agents or actants, we worry about our relationships to them and their relationships to each other. We wonder if humans and their objects are really so different, or whether we are all octopuses shrinking behind our own ink.

In Hyperobjects: Philosophy and Ecology after the End of the World (University of Minnesota Press, 2013), Timothy Morton offers a way of thinking with and about hyperobjects, particular kinds of things of which we see only pieces at any given moment. (Though by the end of the book, Morton invites us to consider that perhaps every object is a hyperobject.) Hyperobjects have a number of qualities in common, and the first half of Morton’s book introduces and explores them: they stick to other beings, and they potentially transform our taken-for-granted notions of time, space, locality, causality, and the possibility of ever being “away.” How this all happens is explained in a wonderfully personal and engaging narrative voice that ranges from Heidegger to The Lord of the Rings to the Tardis to Op Art, and the second half of the book introduces some of the consequences of and opportunities created by thinking with hyperobjects. It is about global warming and intimacy and object-oriented ontology and modern art and the possibilities of a phenomenology after we get rid of any notion of “the world” as something out-there and beyond-us. For those who are interested in STS and its environs, it offers a very different and very thoughtful language for articulating narratives beyond a simple “object agency” frame or a human/object binary. It’s also a great pleasure to read.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>So much of Science Studies, of STS as a field or a point of engagement, is deeply concerned with objects. We create sociologies and networks of and with objects, we study them as actors or agents or actants, we worry about our relationships to them and their relationships to each other. We wonder if humans and their objects are really so different, or whether we are all octopuses shrinking behind our own ink.</p><p>
In <a href="http://www.amazon.com/dp/0816689237/?tag=newbooinhis-20">Hyperobjects: Philosophy and Ecology after the End of the World</a> (University of Minnesota Press, 2013), <a href="http://english.rice.edu/morton.aspx">Timothy Morton</a> offers a way of thinking with and about hyperobjects, particular kinds of things of which we see only pieces at any given moment. (Though by the end of the book, Morton invites us to consider that perhaps every object is a hyperobject.) Hyperobjects have a number of qualities in common, and the first half of Morton’s book introduces and explores them: they stick to other beings, and they potentially transform our taken-for-granted notions of time, space, locality, causality, and the possibility of ever being “away.” How this all happens is explained in a wonderfully personal and engaging narrative voice that ranges from Heidegger to The Lord of the Rings to the Tardis to Op Art, and the second half of the book introduces some of the consequences of and opportunities created by thinking with hyperobjects. It is about global warming and intimacy and object-oriented ontology and modern art and the possibilities of a phenomenology after we get rid of any notion of “the world” as something out-there and beyond-us. For those who are interested in STS and its environs, it offers a very different and very thoughtful language for articulating narratives beyond a simple “object agency” frame or a human/object binary. It’s also a great pleasure to read.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4268</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/scitechsoc/?p=968]]></guid>
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    <item>
      <title>Timothy Shenk, “Maurice Dobb: Political Economist” (Palgrave-Macmillan, 2013)</title>
      <description>The British Marxist economist Maurice Dobb is now largely forgotten. That’s too bad for a number of reasons. He was a brilliant thinker who wrote some of the most insightful analyses of the development and workings of capitalism around. You can still read his work and profit. He was the intellectual godfather of several notable British Marxist historians of the “New Left” of the 1960s and 1970s: Rodney Hilton, Christopher Hill, E.P. Thompson, among others. And, perhaps most importantly, his life gives us a window into a forgotten time, one in which a economists took communism seriously and fellows at Cambridge could earnestly believe in a bright communist future. This, I think, is a time we must not forget.

Thanks to  Timothy Shenk‘s well-researched, readable biography Maurice Dobb: Political Economist (Palgrave-Macmillan, 2013), we won’t have to. Shenk tells Dobb’s tale in all its tortured complexity. A member of the establishment and an anti-establishmentarian. A dyed-in-the-wool Marxist and a deadly serious empirically-oriented economist. A supporter of the Soviet Union and a critic of Soviet power. Listen in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 22 Feb 2014 06:00:34 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The British Marxist economist Maurice Dobb is now largely forgotten. That’s too bad for a number of reasons. He was a brilliant thinker who wrote some of the most insightful analyses of the development and workings of capitalism around.</itunes:subtitle>
      <itunes:summary>The British Marxist economist Maurice Dobb is now largely forgotten. That’s too bad for a number of reasons. He was a brilliant thinker who wrote some of the most insightful analyses of the development and workings of capitalism around. You can still read his work and profit. He was the intellectual godfather of several notable British Marxist historians of the “New Left” of the 1960s and 1970s: Rodney Hilton, Christopher Hill, E.P. Thompson, among others. And, perhaps most importantly, his life gives us a window into a forgotten time, one in which a economists took communism seriously and fellows at Cambridge could earnestly believe in a bright communist future. This, I think, is a time we must not forget.

Thanks to  Timothy Shenk‘s well-researched, readable biography Maurice Dobb: Political Economist (Palgrave-Macmillan, 2013), we won’t have to. Shenk tells Dobb’s tale in all its tortured complexity. A member of the establishment and an anti-establishmentarian. A dyed-in-the-wool Marxist and a deadly serious empirically-oriented economist. A supporter of the Soviet Union and a critic of Soviet power. Listen in.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The British Marxist economist Maurice Dobb is now largely forgotten. That’s too bad for a number of reasons. He was a brilliant thinker who wrote some of the most insightful analyses of the development and workings of capitalism around. You can still read his work and profit. He was the intellectual godfather of several notable British Marxist historians of the “New Left” of the 1960s and 1970s: Rodney Hilton, Christopher Hill, E.P. Thompson, among others. And, perhaps most importantly, his life gives us a window into a forgotten time, one in which a economists took communism seriously and fellows at Cambridge could earnestly believe in a bright communist future. This, I think, is a time we must not forget.</p><p>
Thanks to  <a href="http://history.columbia.edu/graduate/Shenk.html">Timothy Shenk</a>‘s well-researched, readable biography <a href="http://www.amazon.com/dp/1137297018/?tag=newbooinhis-20">Maurice Dobb: Political Economist</a> (Palgrave-Macmillan, 2013), we won’t have to. Shenk tells Dobb’s tale in all its tortured complexity. A member of the establishment and an anti-establishmentarian. A dyed-in-the-wool Marxist and a deadly serious empirically-oriented economist. A supporter of the Soviet Union and a critic of Soviet power. Listen in.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3823</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/intellectualhistory/?p=140]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8094521759.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Constance DeVereaux and Martin Griffin, “Narrative, Identity, and the Map of Cultural Policy” (Ashgate, 2013)</title>
      <description>Narrative, Identity, and the Map of Cultural Policy:  Once Upon a Time in a Globalized World  (Ashgate, 2013),  a new book by Constance DeVereaux (Colorado State University) and Martin Griffin (University of Tennessee) sets out to challenge assumptions about policy making and culture in the contemporary world. The book has, at its centre, an understanding of narrative as both a practice that is central to what it means to be human and an analytical tool for understanding policy and culture. The book uses a wide range of case studies to illustrate the importance of this dual understanding of narrative to account for debates and differences between understandings of global culture as potentially threatening, in the form of globalization, or liberating, in the form of transnationalism. The case studies range from film and media studies, historical examples of Berlin and the USA’s National Endowment for the Arts, as well as questions over cultural heritage, through to readings of fictional case studies using the same narrative methods. The book will be essential reading for all scholars working in cultural policy and cultural studies, but also represents a challenge to the mainstream approaches of political science thinking about public policy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 14 Feb 2014 15:40:44 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Narrative, Identity, and the Map of Cultural Policy: Once Upon a Time in a Globalized World (Ashgate, 2013), a new book by Constance DeVereaux (Colorado State University) and Martin Griffin (University of Tennessee) sets out to challenge assumptions ab...</itunes:subtitle>
      <itunes:summary>Narrative, Identity, and the Map of Cultural Policy:  Once Upon a Time in a Globalized World  (Ashgate, 2013),  a new book by Constance DeVereaux (Colorado State University) and Martin Griffin (University of Tennessee) sets out to challenge assumptions about policy making and culture in the contemporary world. The book has, at its centre, an understanding of narrative as both a practice that is central to what it means to be human and an analytical tool for understanding policy and culture. The book uses a wide range of case studies to illustrate the importance of this dual understanding of narrative to account for debates and differences between understandings of global culture as potentially threatening, in the form of globalization, or liberating, in the form of transnationalism. The case studies range from film and media studies, historical examples of Berlin and the USA’s National Endowment for the Arts, as well as questions over cultural heritage, through to readings of fictional case studies using the same narrative methods. The book will be essential reading for all scholars working in cultural policy and cultural studies, but also represents a challenge to the mainstream approaches of political science thinking about public policy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/B00G570M7S/?tag=newbooinhis-20">Narrative, Identity, and the Map of Cultural Policy:  Once Upon a Time in a Globalized World</a>  (Ashgate, 2013),  a new book by <a href="http://colostate.academia.edu/ConstanceDeVereaux">Constance DeVereaux</a> (Colorado State University) and <a href="http://english.utk.edu/peopletwo/martin-griffin-2/">Martin Griffin</a> (University of Tennessee) sets out to challenge assumptions about policy making and culture in the contemporary world. The book has, at its centre, an understanding of narrative as both a practice that is central to what it means to be human and an analytical tool for understanding policy and culture. The book uses a wide range of case studies to illustrate the importance of this dual understanding of narrative to account for debates and differences between understandings of global culture as potentially threatening, in the form of globalization, or liberating, in the form of transnationalism. The case studies range from film and media studies, historical examples of Berlin and the USA’s National Endowment for the Arts, as well as questions over cultural heritage, through to readings of fictional case studies using the same narrative methods. The book will be essential reading for all scholars working in cultural policy and cultural studies, but also represents a challenge to the mainstream approaches of political science thinking about public policy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3200</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=315]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5704581031.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Anastasia Karandinou, “No Matter: Theories and Practices of the Ephemeral in Architecture” (Ashgate, 2013)</title>
      <description>The intersection of empirical research and critical theory is the basis for Anastasia Karandinou‘s new book  No Matter: Theories and Practices of the Ephemeral in Architecture (Ashgate, 2013).  The book takes as its starting point the growth of interest in ephemeral aspects of architecture, for example sound or time, which has arisen during the era of social and digital media. The two developments are interconnected across the book’s attempt to disrupt the traditional binary hierarchies dominant in architectural theory. Drawing on Derrida, Benjamin and Deluze, alongside a range of architects and architectural theorists,  No Matter  raises questions about the dominance of the visual over the non-visual; the formal over the material; and the physical over the digital. The range of empirical case studies used to illustrate the instability of the theoretical divisions ranges from audio projects in Edinburgh, Scotland to performative mapping in Shanghai, China. As a result of both its theoretical basis and its use of case study material,  No Matter will interest anyone who wants to know more about the intersection of the built environment around us and the digital world that we use to live our lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 30 Jan 2014 15:03:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The intersection of empirical research and critical theory is the basis for Anastasia Karandinou‘s new book No Matter: Theories and Practices of the Ephemeral in Architecture (Ashgate, 2013). The book takes as its starting point the growth of interest ...</itunes:subtitle>
      <itunes:summary>The intersection of empirical research and critical theory is the basis for Anastasia Karandinou‘s new book  No Matter: Theories and Practices of the Ephemeral in Architecture (Ashgate, 2013).  The book takes as its starting point the growth of interest in ephemeral aspects of architecture, for example sound or time, which has arisen during the era of social and digital media. The two developments are interconnected across the book’s attempt to disrupt the traditional binary hierarchies dominant in architectural theory. Drawing on Derrida, Benjamin and Deluze, alongside a range of architects and architectural theorists,  No Matter  raises questions about the dominance of the visual over the non-visual; the formal over the material; and the physical over the digital. The range of empirical case studies used to illustrate the instability of the theoretical divisions ranges from audio projects in Edinburgh, Scotland to performative mapping in Shanghai, China. As a result of both its theoretical basis and its use of case study material,  No Matter will interest anyone who wants to know more about the intersection of the built environment around us and the digital world that we use to live our lives.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The intersection of empirical research and critical theory is the basis for <a href="http://www.port.ac.uk/portsmouth-school-of-architecture/staff/dr-anastasia-karandinou.html">Anastasia Karandinou</a>‘s new book  <a href="http://www.amazon.com/dp/1409466280/?tag=newbooinhis-20">No Matter: Theories and Practices of the Ephemeral in Architecture</a> (Ashgate, 2013).  The book takes as its starting point the growth of interest in ephemeral aspects of architecture, for example sound or time, which has arisen during the era of social and digital media. The two developments are interconnected across the book’s attempt to disrupt the traditional binary hierarchies dominant in architectural theory. Drawing on Derrida, Benjamin and Deluze, alongside a range of architects and architectural theorists,  No Matter  raises questions about the dominance of the visual over the non-visual; the formal over the material; and the physical over the digital. The range of empirical case studies used to illustrate the instability of the theoretical divisions ranges from audio projects in Edinburgh, Scotland to performative mapping in Shanghai, China. As a result of both its theoretical basis and its use of case study material,  No Matter will interest anyone who wants to know more about the intersection of the built environment around us and the digital world that we use to live our lives.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2854</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=295]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT5697329743.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Tony Bennett, “Making Culture, Changing Society” (Routledge, 2013)</title>
      <description>In his new book Making Culture, Changing Society (Routledge, 2013), Professor  Tony Bennett aims to change the way we think about culture. The book uses four core ideas about the nature and meaning of culture to present a view that does not see culture as just a set of signs and symbols. Rather culture is a form of knowledge practice, bound up with material conditions and institutions, which is implicated in the production of persons and freedoms. Making Culture, Changing Society justifies this view of culture in two ways. In the first instance the book considers how specific humanities disciplines, associated with anthropology and aesthetics, have been used to distribute ideas of freedom and ideas of the person within liberal government. Bennett uses examples from anthropological studies of colonial societies, along with discussions of the role of aesthetics for theorists such as Pierre Bourdieu, to show the function of culture and its interdependence with forms of knowledge. At the same time the book insists on the material aspects of these discussions, using the example of Melbourne’s National Museum of Victoria and Paris’ Musee de l’Homme.

The book offers an important intervention into debates on culture and public policy, grounding questions of rights and representations within the historical project of liberal government. Moreover it develops a critique of the assumptions surrounding culture as a potentially positive or beneficial force for social change, raising profound questions for public, politics and policy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 13 Nov 2013 12:34:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his new book Making Culture, Changing Society (Routledge, 2013), Professor Tony Bennett aims to change the way we think about culture. The book uses four core ideas about the nature and meaning of culture to present a view that does not see culture ...</itunes:subtitle>
      <itunes:summary>In his new book Making Culture, Changing Society (Routledge, 2013), Professor  Tony Bennett aims to change the way we think about culture. The book uses four core ideas about the nature and meaning of culture to present a view that does not see culture as just a set of signs and symbols. Rather culture is a form of knowledge practice, bound up with material conditions and institutions, which is implicated in the production of persons and freedoms. Making Culture, Changing Society justifies this view of culture in two ways. In the first instance the book considers how specific humanities disciplines, associated with anthropology and aesthetics, have been used to distribute ideas of freedom and ideas of the person within liberal government. Bennett uses examples from anthropological studies of colonial societies, along with discussions of the role of aesthetics for theorists such as Pierre Bourdieu, to show the function of culture and its interdependence with forms of knowledge. At the same time the book insists on the material aspects of these discussions, using the example of Melbourne’s National Museum of Victoria and Paris’ Musee de l’Homme.

The book offers an important intervention into debates on culture and public policy, grounding questions of rights and representations within the historical project of liberal government. Moreover it develops a critique of the assumptions surrounding culture as a potentially positive or beneficial force for social change, raising profound questions for public, politics and policy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book <a href="http://www.amazon.com/dp/0415688841/?tag=newbooinhis-20">Making Culture, Changing Society</a> (Routledge, 2013), Professor  <a href="http://www.uws.edu.au/ics/people/researchers/tony_bennett">Tony Bennett</a> aims to change the way we think about culture. The book uses four core ideas about the nature and meaning of culture to present a view that does not see culture as just a set of signs and symbols. Rather culture is a form of knowledge practice, bound up with material conditions and institutions, which is implicated in the production of persons and freedoms. Making Culture, Changing Society justifies this view of culture in two ways. In the first instance the book considers how specific humanities disciplines, associated with anthropology and aesthetics, have been used to distribute ideas of freedom and ideas of the person within liberal government. Bennett uses examples from anthropological studies of colonial societies, along with discussions of the role of aesthetics for theorists such as Pierre Bourdieu, to show the function of culture and its interdependence with forms of knowledge. At the same time the book insists on the material aspects of these discussions, using the example of Melbourne’s National Museum of Victoria and Paris’ Musee de l’Homme.</p><p>
The book offers an important intervention into debates on culture and public policy, grounding questions of rights and representations within the historical project of liberal government. Moreover it develops a critique of the assumptions surrounding culture as a potentially positive or beneficial force for social change, raising profound questions for public, politics and policy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3888</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=279]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7081638792.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Greg Hainge, “Noise Matters: Towards an Ontology of Noise” (Bloomsbury Academic, 2013)</title>
      <description>What is noise? In his new book Noise Matters: Towards an Ontology of Noise (Bloomsbury Academic, 2013),  Greg Hainge, Reader in French at University of Queensland, Australia, explores this question. The book is written within the tradition of critical theory and is at once playful and punning, as well as suffused with challenging and perceptive analysis. The core position of the book is that we need to move beyond the dichotomous understanding of noise that sees it as either something to be removed or rejected, an unnecessary distraction from a core signal, or something that should be celebrated, but in celebration co-opted into being something that isn’t noise. For Hainge we need a new understanding of noise, an understanding that seeks to celebrate noise through a range of engagements with cultural and theoretical phenomena. Noise is not just about sound, but figures in all forms of communication. The book takes on the accepted readings of work in music, such as John Cage’s 4’33”, literature, such as Sartre’s Nausea, as well as photography and film. These new approaches, mediated by the concern with noise, will be of interest to a range of readers from across the humanities, as well as for specialists in film and music theory and aesthetics. The project of founding on ontology of noise is also a contribution to the growing field of noise studies, which is the kind of interdisciplinary academic area that is emerging within the noisy world of the contemporary academy.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 19 Oct 2013 12:00:13 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>What is noise? In his new book Noise Matters: Towards an Ontology of Noise (Bloomsbury Academic, 2013), Greg Hainge, Reader in French at University of Queensland, Australia, explores this question. The book is written within the tradition of critical t...</itunes:subtitle>
      <itunes:summary>What is noise? In his new book Noise Matters: Towards an Ontology of Noise (Bloomsbury Academic, 2013),  Greg Hainge, Reader in French at University of Queensland, Australia, explores this question. The book is written within the tradition of critical theory and is at once playful and punning, as well as suffused with challenging and perceptive analysis. The core position of the book is that we need to move beyond the dichotomous understanding of noise that sees it as either something to be removed or rejected, an unnecessary distraction from a core signal, or something that should be celebrated, but in celebration co-opted into being something that isn’t noise. For Hainge we need a new understanding of noise, an understanding that seeks to celebrate noise through a range of engagements with cultural and theoretical phenomena. Noise is not just about sound, but figures in all forms of communication. The book takes on the accepted readings of work in music, such as John Cage’s 4’33”, literature, such as Sartre’s Nausea, as well as photography and film. These new approaches, mediated by the concern with noise, will be of interest to a range of readers from across the humanities, as well as for specialists in film and music theory and aesthetics. The project of founding on ontology of noise is also a contribution to the growing field of noise studies, which is the kind of interdisciplinary academic area that is emerging within the noisy world of the contemporary academy.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is noise? In his new book <a href="http://www.amazon.com/dp/1441111484/?tag=newbooinhis-20">Noise Matters: Towards an Ontology of Noise</a> (Bloomsbury Academic, 2013),  <a href="http://www.slccs.uq.edu.au/index.html?page=26127">Greg Hainge</a>, Reader in French at University of Queensland, Australia, explores this question. The book is written within the tradition of critical theory and is at once playful and punning, as well as suffused with challenging and perceptive analysis. The core position of the book is that we need to move beyond the dichotomous understanding of noise that sees it as either something to be removed or rejected, an unnecessary distraction from a core signal, or something that should be celebrated, but in celebration co-opted into being something that isn’t noise. For Hainge we need a new understanding of noise, an understanding that seeks to celebrate noise through a range of engagements with cultural and theoretical phenomena. Noise is not just about sound, but figures in all forms of communication. The book takes on the accepted readings of work in music, such as John Cage’s 4’33”, literature, such as Sartre’s Nausea, as well as photography and film. These new approaches, mediated by the concern with noise, will be of interest to a range of readers from across the humanities, as well as for specialists in film and music theory and aesthetics. The project of founding on ontology of noise is also a contribution to the growing field of noise studies, which is the kind of interdisciplinary academic area that is emerging within the noisy world of the contemporary academy.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2515</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=256]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9833225607.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Beer, “Popular Culture and New Media: The Politics of Circulation” (Palgrave, 2013)</title>
      <description>Popular Culture and New Media: The Politics of Circulation (Palgrave, 2013) is written by David Beer, a Senior Lecturer in Sociology at York University in the UK. He blogs here and tweets here. The book attempts to describe and analyse the impact of new media on culture and society, using a range of critical theoretical starting points. Its use of theory is especially important to such a fast moving topic. The book aims to have continued and longer term relevance to debates about culture, even as specific technologies come and go, as a result of its theoretical basis

David’s book raises a series of challenges for a range of academic areas. Perhaps the most important is the impact of media communications on the sociology of culture. Sociological studies of culture have been slow to consider the impact of new media, as they have tended to focus on debates about the relationship between tastes and class or social status. Popular Culture and New Media argues that the architecture underlying the way many people access culture, from Amazon.com recommendations, through to the metadata tag associated with archiving new media users activity, profoundly shapes peoples relationship to culture. In order to critically engage with modern culture we must understand how cultural objects and artifacts circulate and the modes of that circulation. In addition, David’s book draws our attention to how culture is increasingly becoming a form of data whilst, at the same time, data is becoming culture. Attempts to track what is trending online, what people are interested in, is itself a cultural practice. The emergence of large scale data sources have provided new ways to produce cultural artifacts. Culture is data and data is culture.

The book will be of interest to readers from across the social sciences, in particular communications studies, sociology and social theory. However it also speaks directly to what it is like to live and participate in modern culture. It will, therefore, be a good read for anyone interested in the mechanisms that allow contemporary cultural life to function.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Sat, 21 Sep 2013 18:08:35 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Popular Culture and New Media: The Politics of Circulation (Palgrave, 2013) is written by David Beer, a Senior Lecturer in Sociology at York University in the UK. He blogs here and tweets here. The book attempts to describe and analyse the impact of ne...</itunes:subtitle>
      <itunes:summary>Popular Culture and New Media: The Politics of Circulation (Palgrave, 2013) is written by David Beer, a Senior Lecturer in Sociology at York University in the UK. He blogs here and tweets here. The book attempts to describe and analyse the impact of new media on culture and society, using a range of critical theoretical starting points. Its use of theory is especially important to such a fast moving topic. The book aims to have continued and longer term relevance to debates about culture, even as specific technologies come and go, as a result of its theoretical basis

David’s book raises a series of challenges for a range of academic areas. Perhaps the most important is the impact of media communications on the sociology of culture. Sociological studies of culture have been slow to consider the impact of new media, as they have tended to focus on debates about the relationship between tastes and class or social status. Popular Culture and New Media argues that the architecture underlying the way many people access culture, from Amazon.com recommendations, through to the metadata tag associated with archiving new media users activity, profoundly shapes peoples relationship to culture. In order to critically engage with modern culture we must understand how cultural objects and artifacts circulate and the modes of that circulation. In addition, David’s book draws our attention to how culture is increasingly becoming a form of data whilst, at the same time, data is becoming culture. Attempts to track what is trending online, what people are interested in, is itself a cultural practice. The emergence of large scale data sources have provided new ways to produce cultural artifacts. Culture is data and data is culture.

The book will be of interest to readers from across the social sciences, in particular communications studies, sociology and social theory. However it also speaks directly to what it is like to live and participate in modern culture. It will, therefore, be a good read for anyone interested in the mechanisms that allow contemporary cultural life to function.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/1137270047/?tag=newbooinhis-20">Popular Culture and New Media: The Politics of Circulation</a> (Palgrave, 2013) is written by <a href="http://www.york.ac.uk/sociology/our-staff/academic/david-beer/">David Beer</a>, a Senior Lecturer in Sociology at York University in the UK. He blogs here and tweets here. The book attempts to describe and analyse the impact of new media on culture and society, using a range of critical theoretical starting points. Its use of theory is especially important to such a fast moving topic. The book aims to have continued and longer term relevance to debates about culture, even as specific technologies come and go, as a result of its theoretical basis</p><p>
David’s book raises a series of challenges for a range of academic areas. Perhaps the most important is the impact of media communications on the sociology of culture. Sociological studies of culture have been slow to consider the impact of new media, as they have tended to focus on debates about the relationship between tastes and class or social status. Popular Culture and New Media argues that the architecture underlying the way many people access culture, from Amazon.com recommendations, through to the metadata tag associated with archiving new media users activity, profoundly shapes peoples relationship to culture. In order to critically engage with modern culture we must understand how cultural objects and artifacts circulate and the modes of that circulation. In addition, David’s book draws our attention to how culture is increasingly becoming a form of data whilst, at the same time, data is becoming culture. Attempts to track what is trending online, what people are interested in, is itself a cultural practice. The emergence of large scale data sources have provided new ways to produce cultural artifacts. Culture is data and data is culture.</p><p>
The book will be of interest to readers from across the social sciences, in particular communications studies, sociology and social theory. However it also speaks directly to what it is like to live and participate in modern culture. It will, therefore, be a good read for anyone interested in the mechanisms that allow contemporary cultural life to function.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2282</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=241]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3454571625.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sarah Banet-Weiser, “Authentic: The Politics of Ambivalence in a Brand Culture” (NYU Press, 2013)</title>
      <description>In Authentic: The Politics of Ambivalence in a Brand Culture (NYU Press, 2013),  Sarah Banet-Weiser scrutinizes the spread of brand culture into other spheres of social life that the market–at least in our imaginations–had left untouched: politics, religion, creativity, and the self. Banet-Weiser observes that the authenticity concept seems to carry more weight in a culture of selling: We have come to expect, and to some extent accept, that authenticity, like everything else, can be trademarked. Through rich case studies–Dove ad campaigns, Facebook self-performance, street art, green activism, and New Age spirituality among them–Authentic identifies the pervasive (and often troubling) ambivalence of branded living.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 27 Aug 2013 13:45:47 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Authentic: The Politics of Ambivalence in a Brand Culture (NYU Press, 2013), Sarah Banet-Weiser scrutinizes the spread of brand culture into other spheres of social life that the market–at least in our imaginations–had left untouched: politics,</itunes:subtitle>
      <itunes:summary>In Authentic: The Politics of Ambivalence in a Brand Culture (NYU Press, 2013),  Sarah Banet-Weiser scrutinizes the spread of brand culture into other spheres of social life that the market–at least in our imaginations–had left untouched: politics, religion, creativity, and the self. Banet-Weiser observes that the authenticity concept seems to carry more weight in a culture of selling: We have come to expect, and to some extent accept, that authenticity, like everything else, can be trademarked. Through rich case studies–Dove ad campaigns, Facebook self-performance, street art, green activism, and New Age spirituality among them–Authentic identifies the pervasive (and often troubling) ambivalence of branded living.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0814787142/?tag=newbooinhis-20">Authentic: The Politics of Ambivalence in a Brand Culture</a> (NYU Press, 2013),  <a href="http://annenberg.usc.edu/Faculty/Communication%20and%20Journalism/BanetWeiserS.aspx">Sarah Banet-Weiser</a> scrutinizes the spread of brand culture into other spheres of social life that the market–at least in our imaginations–had left untouched: politics, religion, creativity, and the self. <a href="http://annenberg.usc.edu/Faculty/Communication%20and%20Journalism/BanetWeiserS.aspx">Banet-Weiser</a> observes that the authenticity concept seems to carry more weight in a culture of selling: We have come to expect, and to some extent accept, that authenticity, like everything else, can be trademarked. Through rich case studies–Dove ad campaigns, Facebook self-performance, street art, green activism, and New Age spirituality among them–<a href="http://www.amazon.com/dp/0814787142/?tag=newbooinhis-20">Authentic</a> identifies the pervasive (and often troubling) ambivalence of branded living.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3476</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/communications/?p=139]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6265006236.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Michael Goss, “Rebooting the Herman and Chomsky Propaganda Model in the Twenty-First Century” (Peter Lang, 2013)</title>
      <description>Brian Michael Goss, professor of communication at St. Louis University in Madrid, has taken one of media’s most studied theories and given it a facelift.

In Rebooting the Herman and Chomsky Propaganda Model in the Twenty-First Century (Peter Lang, 2013), Goss revisits the model created by Edward Herman and Noam Chomsky in their 1988 book, Manufacturing Consent. The filters remain, but Goss pushes the model into the modern context of new media models and expanded global exportation.  “Far from condemning journalism,” Goss writes, “I hope to see it more closely approximate its mythologies about itself.”  “Rebooting” is an important work, relevant not just to scholars, but all consumers of media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 22 Jul 2013 17:43:35 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Brian Michael Goss, professor of communication at St. Louis University in Madrid, has taken one of media’s most studied theories and given it a facelift. In Rebooting the Herman and Chomsky Propaganda Model in the Twenty-First Century (Peter Lang,</itunes:subtitle>
      <itunes:summary>Brian Michael Goss, professor of communication at St. Louis University in Madrid, has taken one of media’s most studied theories and given it a facelift.

In Rebooting the Herman and Chomsky Propaganda Model in the Twenty-First Century (Peter Lang, 2013), Goss revisits the model created by Edward Herman and Noam Chomsky in their 1988 book, Manufacturing Consent. The filters remain, but Goss pushes the model into the modern context of new media models and expanded global exportation.  “Far from condemning journalism,” Goss writes, “I hope to see it more closely approximate its mythologies about itself.”  “Rebooting” is an important work, relevant not just to scholars, but all consumers of media.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.slu.edu/colleges/spain/fac/bgoss.html">Brian Michael Goss</a>, professor of communication at <a href="http://spain.slu.edu/">St. Louis University</a> in Madrid, has taken one of media’s most studied theories and given it a facelift.</p><p>
In <a href="http://www.amazon.com/dp/1433116200/?tag=newbooinhis-20">Rebooting the Herman and Chomsky Propaganda Model in the Twenty-First Century</a> (Peter Lang, 2013), Goss revisits the model created by Edward Herman and Noam Chomsky in their 1988 book, Manufacturing Consent. The filters remain, but Goss pushes the model into the modern context of new media models and expanded global exportation.  “Far from condemning journalism,” Goss writes, “I hope to see it more closely approximate its mythologies about itself.”  “Rebooting” is an important work, relevant not just to scholars, but all consumers of media.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/journalism/?p=181]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT9342807414.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stacy Alaimo, “Bodily Natures: Science, Environment, and the Material Self” (Indiana UP, 2010)</title>
      <description>In her book, Bodily Natures: Science, Environment, and the Material Self (Indiana University Press, 2010), Stacy Alaimo approaches the concepts of “science, environment, and self” in an extremely novel and inventive way. The central concept in Alaimo’s work is that of “trans-corporeality” which she describes as a way of theorizing the relationship between humanity and the world at large as not being clearly delineated and separate, but as fluid. As this relates specifically to nature and the environment, Alaimo’s intention is for the reader to reimagine questions of environmental ethics and environmental practices as not isolated issues but rather deeply personal as the environment and our material selves are bound up with one another in a deeply intimate manner. I found Alaimo’s central approach with “trans-corporeality,” theorizing the human as being “already in the world,” extremely refreshing when compared to the idea of human agency in postmodern studies. In this way, Alaimo provides an alternate framework for conceiving of human agency, and thus an “out” of sorts, a release, from the bounds of postmodernism’s isolated and castrated human agent. Alaimo calls this novel direction, “New Materialisms.” With this concept, Alaimo offers new insights into feminist thought and theory.  Bodily Natures: Science, Environment, and the Material Self  is sure to appeal to many students and scholars of literary studies and critical theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 08 Jul 2013 14:07:28 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In her book, Bodily Natures: Science, Environment, and the Material Self (Indiana University Press, 2010), Stacy Alaimo approaches the concepts of “science, environment, and self” in an extremely novel and inventive way.</itunes:subtitle>
      <itunes:summary>In her book, Bodily Natures: Science, Environment, and the Material Self (Indiana University Press, 2010), Stacy Alaimo approaches the concepts of “science, environment, and self” in an extremely novel and inventive way. The central concept in Alaimo’s work is that of “trans-corporeality” which she describes as a way of theorizing the relationship between humanity and the world at large as not being clearly delineated and separate, but as fluid. As this relates specifically to nature and the environment, Alaimo’s intention is for the reader to reimagine questions of environmental ethics and environmental practices as not isolated issues but rather deeply personal as the environment and our material selves are bound up with one another in a deeply intimate manner. I found Alaimo’s central approach with “trans-corporeality,” theorizing the human as being “already in the world,” extremely refreshing when compared to the idea of human agency in postmodern studies. In this way, Alaimo provides an alternate framework for conceiving of human agency, and thus an “out” of sorts, a release, from the bounds of postmodernism’s isolated and castrated human agent. Alaimo calls this novel direction, “New Materialisms.” With this concept, Alaimo offers new insights into feminist thought and theory.  Bodily Natures: Science, Environment, and the Material Self  is sure to appeal to many students and scholars of literary studies and critical theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="http://www.amazon.com/dp/0253222400/?tag=newbooinhis-20">Bodily Natures: Science, Environment, and the Material Self</a> (Indiana University Press, 2010), <a href="http://www.uta.edu/english/alaimo/">Stacy Alaimo</a> approaches the concepts of “science, environment, and self” in an extremely novel and inventive way. The central concept in Alaimo’s work is that of “trans-corporeality” which she describes as a way of theorizing the relationship between humanity and the world at large as not being clearly delineated and separate, but as fluid. As this relates specifically to nature and the environment, Alaimo’s intention is for the reader to reimagine questions of environmental ethics and environmental practices as not isolated issues but rather deeply personal as the environment and our material selves are bound up with one another in a deeply intimate manner. I found Alaimo’s central approach with “trans-corporeality,” theorizing the human as being “already in the world,” extremely refreshing when compared to the idea of human agency in postmodern studies. In this way, Alaimo provides an alternate framework for conceiving of human agency, and thus an “out” of sorts, a release, from the bounds of postmodernism’s isolated and castrated human agent. Alaimo calls this novel direction, “New Materialisms.” With this concept, Alaimo offers new insights into feminist thought and theory.  Bodily Natures: Science, Environment, and the Material Self  is sure to appeal to many students and scholars of literary studies and critical theory.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3098</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=210]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2615638887.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Serazio, “Your Ad Here: The Cool Sell of Guerrilla Marketing” (NYU Press, 2013)</title>
      <description>“Power through freedom.” Michael Serazio‘s Your Ad Here: The Cool Sell of Guerrilla Marketing (NYU Press, 2013) traces the mushrooming world of guerrilla marketing–defined to include word-of-mouth, viral, and advergaming, along with a host of other, often hidden kinds of persuasion. The book describes the ways that advertisers give up “control” to consumers through “authentic” discovery, dialogue, amateurism, the non-sell sell, and even anti-marketing messages themselves–all of which serve, paradoxically, to reinforce control and commercialism. The consumer subject, writes Serazio drawing on Foucault and Gramsci, is strategically engaged to act without the sense of being acted upon–a kind “corporate ventriloquism.” The book includes rich, detailed case studies and interviews with marketers, who recount their “cool sell” campaigns for America’s Army, PBR, and Burger King’s “Subservient Chicken.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 03 Jul 2013 13:02:39 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“Power through freedom.” Michael Serazio‘s Your Ad Here: The Cool Sell of Guerrilla Marketing (NYU Press, 2013) traces the mushrooming world of guerrilla marketing–defined to include word-of-mouth, viral, and advergaming, along with a host of other,</itunes:subtitle>
      <itunes:summary>“Power through freedom.” Michael Serazio‘s Your Ad Here: The Cool Sell of Guerrilla Marketing (NYU Press, 2013) traces the mushrooming world of guerrilla marketing–defined to include word-of-mouth, viral, and advergaming, along with a host of other, often hidden kinds of persuasion. The book describes the ways that advertisers give up “control” to consumers through “authentic” discovery, dialogue, amateurism, the non-sell sell, and even anti-marketing messages themselves–all of which serve, paradoxically, to reinforce control and commercialism. The consumer subject, writes Serazio drawing on Foucault and Gramsci, is strategically engaged to act without the sense of being acted upon–a kind “corporate ventriloquism.” The book includes rich, detailed case studies and interviews with marketers, who recount their “cool sell” campaigns for America’s Army, PBR, and Burger King’s “Subservient Chicken.”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Power through freedom.” <a href="http://www.fairfield.edu/academic/profile.html?id=821">Michael Serazio</a>‘s <a href="http://www.amazon.com/dp/0814785905/?tag=newbooinhis-20">Your Ad Here: The Cool Sell of Guerrilla Marketing</a> (NYU Press, 2013) traces the mushrooming world of guerrilla marketing–defined to include word-of-mouth, viral, and advergaming, along with a host of other, often hidden kinds of persuasion. The book describes the ways that advertisers give up “control” to consumers through “authentic” discovery, dialogue, amateurism, the non-sell sell, and even anti-marketing messages themselves–all of which serve, paradoxically, to reinforce control and commercialism. The consumer subject, writes Serazio drawing on Foucault and Gramsci, is strategically engaged to act without the sense of being acted upon–a kind “corporate ventriloquism.” The book includes rich, detailed case studies and interviews with marketers, who recount their “cool sell” campaigns for America’s Army, PBR, and Burger King’s “Subservient Chicken.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3497</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/communications/?p=119]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7111262234.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dominic Pettman, “Human Error” (UMinnesota, 2011)/”Look at the Bunny” (Zero Books, 2013)</title>
      <description>“The humans are dead.”

Whether or not you recognize the epigram from Flight of the Conchords (and if not, there are worse ways to spend a few minutes than by looking here, and I recommend sticking around for the “binary solo”), Dominic Pettman‘s Human Error: Species-Being and Media Machines (University of Minnesota Press, 2011) will likely change the way you think about humanity, animals, machines, and the relationships among them. Pettman uses a series of fascinating case studies, from television programs to films to Sufi fables to pop songs, to explore the notion of Agamben’s “anthropological machines” and the human being as a “technospecies without qualities” in a modern mediascape that includes Thomas Edison’s film Electrocuting an Elephant, Werner Herzog’s Grizzly Man, and the interplanetary soundscape created by NASA (among many, many others). We recently gathered over Skype to talk about some of the major thematic and argumentative threads snaking through this book and Pettman’s recent exploration of totems in Look at the Bunny: Totem, Taboo, Technology (Zero Books, 2013). Both books take on the varied ways that love, technology, identity (both human and not), and economies have been transformed in a world that includes pacifist Orcs, voices without bodies, ecologies without nature, reptile-doctors, and pixelated lovers. Enjoy!

During our conversation, Pettman mentions a film about the zigzag totem that can be found here.

Cabinet Magazine, which also comes up in the course of our conversation, can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 31 May 2013 12:19:54 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>“The humans are dead.” Whether or not you recognize the epigram from Flight of the Conchords (and if not, there are worse ways to spend a few minutes than by looking here, and I recommend sticking around for the “binary solo”),</itunes:subtitle>
      <itunes:summary>“The humans are dead.”

Whether or not you recognize the epigram from Flight of the Conchords (and if not, there are worse ways to spend a few minutes than by looking here, and I recommend sticking around for the “binary solo”), Dominic Pettman‘s Human Error: Species-Being and Media Machines (University of Minnesota Press, 2011) will likely change the way you think about humanity, animals, machines, and the relationships among them. Pettman uses a series of fascinating case studies, from television programs to films to Sufi fables to pop songs, to explore the notion of Agamben’s “anthropological machines” and the human being as a “technospecies without qualities” in a modern mediascape that includes Thomas Edison’s film Electrocuting an Elephant, Werner Herzog’s Grizzly Man, and the interplanetary soundscape created by NASA (among many, many others). We recently gathered over Skype to talk about some of the major thematic and argumentative threads snaking through this book and Pettman’s recent exploration of totems in Look at the Bunny: Totem, Taboo, Technology (Zero Books, 2013). Both books take on the varied ways that love, technology, identity (both human and not), and economies have been transformed in a world that includes pacifist Orcs, voices without bodies, ecologies without nature, reptile-doctors, and pixelated lovers. Enjoy!

During our conversation, Pettman mentions a film about the zigzag totem that can be found here.

Cabinet Magazine, which also comes up in the course of our conversation, can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“The humans are dead.”</p><p>
Whether or not you recognize the epigram from Flight of the Conchords (and if not, there are worse ways to spend a few minutes than by <a href="http://www.youtube.com/watch?v=B1BdQcJ2ZYY">looking here</a>, and I recommend sticking around for the “binary solo”), <a href="http://www.newschool.edu/lang/faculty.aspx?id=1664">Dominic Pettman</a>‘s <a href="http://www.amazon.com/dp/0816672997/?tag=newbooinhis-20">Human Error: Species-Being and Media Machines </a>(University of Minnesota Press, 2011) will likely change the way you think about humanity, animals, machines, and the relationships among them. Pettman uses a series of fascinating case studies, from television programs to films to Sufi fables to pop songs, to explore the notion of Agamben’s “anthropological machines” and the human being as a “technospecies without qualities” in a modern mediascape that includes Thomas Edison’s film Electrocuting an Elephant, Werner Herzog’s Grizzly Man, and the interplanetary soundscape created by NASA (among many, many others). We recently gathered over Skype to talk about some of the major thematic and argumentative threads snaking through this book and Pettman’s recent exploration of totems in <a href="http://www.amazon.com/dp/1780991398/?tag=newbooinhis-20">Look at the Bunny: Totem, Taboo, Technology </a>(Zero Books, 2013). Both books take on the varied ways that love, technology, identity (both human and not), and economies have been transformed in a world that includes pacifist Orcs, voices without bodies, ecologies without nature, reptile-doctors, and pixelated lovers. Enjoy!</p><p>
During our conversation, Pettman mentions a film about the zigzag totem that <a href="http://www.youtube.com/watch?v=Przck8-fMzI">can be found here.</a></p><p>
Cabinet Magazine, which also comes up in the course of our conversation, <a href="http://www.cabinetmagazine.org/">can be found here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4534</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/scitechsoc/?p=683]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT1536467223.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amir Eshel, “Futurity: Contemporary Literature and the Quest for the Past” (University of Chicago Press, 2013)</title>
      <description>In his very recent work, Futurity: Contemporary Literature and the Quest for the Past(University of Chicago Press, 2013), Amir Eshel presents us with a very interesting examination of what he refers to as “futurity” or literature’s ability to provide us with a way to access the past, rethink it, and move forward.  Eshel’s work here can best be understood as part of the larger effort in literary studies to move beyond the tired and exceedingly fruitless lens of the hermeneutics of suspicion and the despairing chasm of postmodernity. As foci, Eshel examines postwar German literature and Hebrew literature particularly focused on the Israeli-Palestinian  conflict. Overall, the portion of Futurity that continues to linger with me is Eshel’s beautiful ruminations on W.G. Sebald’s masterpiece, Austerlitz. Eshel’s reflections on Austerlitz encouraged me to pick up that novel once more and for this alone I highly encourage anyone interested in postwar German literature, Hebrew literature, and or the future and meaning of literary studies to give Eshel’s work a read.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 22 Jan 2013 12:37:15 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his very recent work, Futurity: Contemporary Literature and the Quest for the Past(University of Chicago Press, 2013), Amir Eshel presents us with a very interesting examination of what he refers to as “futurity” or literature’s ability to provide u...</itunes:subtitle>
      <itunes:summary>In his very recent work, Futurity: Contemporary Literature and the Quest for the Past(University of Chicago Press, 2013), Amir Eshel presents us with a very interesting examination of what he refers to as “futurity” or literature’s ability to provide us with a way to access the past, rethink it, and move forward.  Eshel’s work here can best be understood as part of the larger effort in literary studies to move beyond the tired and exceedingly fruitless lens of the hermeneutics of suspicion and the despairing chasm of postmodernity. As foci, Eshel examines postwar German literature and Hebrew literature particularly focused on the Israeli-Palestinian  conflict. Overall, the portion of Futurity that continues to linger with me is Eshel’s beautiful ruminations on W.G. Sebald’s masterpiece, Austerlitz. Eshel’s reflections on Austerlitz encouraged me to pick up that novel once more and for this alone I highly encourage anyone interested in postwar German literature, Hebrew literature, and or the future and meaning of literary studies to give Eshel’s work a read.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his very recent work, <a href="http://www.amazon.com/Futurity-Contemporary-Literature-Quest-Past/dp/0226924955">Futurity: Contemporary Literature and the Quest for the Past</a>(University of Chicago Press, 2013), <a href="http://europe.stanford.edu/people/amir_eshel/">Amir Eshel</a> presents us with a very interesting examination of what he refers to as “futurity” or literature’s ability to provide us with a way to access the past, rethink it, and move forward.  Eshel’s work here can best be understood as part of the larger effort in literary studies to move beyond the tired and exceedingly fruitless lens of the hermeneutics of suspicion and the despairing chasm of postmodernity. As foci, Eshel examines postwar German literature and Hebrew literature particularly focused on the Israeli-Palestinian  conflict. Overall, the portion of <a href="http://www.amazon.com/dp/0226924955/?tag=newbooinhis-20">Futurity</a> that continues to linger with me is Eshel’s beautiful ruminations on W.G. Sebald’s masterpiece, Austerlitz. Eshel’s reflections on Austerlitz encouraged me to pick up that novel once more and for this alone I highly encourage anyone interested in postwar German literature, Hebrew literature, and or the future and meaning of literary studies to give Eshel’s work a read.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3371</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=172]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7810644531.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas De Villiers, “Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol” (University of Minnesota Press, 2012)</title>
      <description>In his book, Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol (University of Minnesota Press, 2012), Nicholas de Villiers takes up an examination of the work of the three titular authors as a way of understanding their queerness and more specifically, how each man subverted the “in-and-out of the closet” paradigm.   De Villiers devotes ample time to each man, however I found his thoughts on Foucault and Barthes of particular importance as both have come to be so deeply associated with postmodernism, poststructuralism, and queer theory. It is safe to say that Foucault is in large part responsible for the theoretical and philosophical foundations of what we know of today as queer theory and queer studies. This fact makes Foucault’s own relationship with his “out” sexuality all the more fascinating and de Villiers does a great service to Foucault, showing that Foucault himself subverted the  “in-and-out of the closet” paradigm and society’s need to ferret out and make known our sexualities. While many scholars, academics, and cultural critics have criticized Foucault for his “silence,” de Villiers’s work suggests that Foucault’s life was a practice in complicating and disrupting the immense societal desire to see homosexuality expressed in one sanctioned way.  De Villiers work here is deep, insightful, and refreshing in its attempt to offer an alternative to “suspicious reading.” I do hope you enjoy our conversation.

Photo Credit: Lauren M. Jones
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 11 Jan 2013 15:21:41 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his book, Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol (University of Minnesota Press, 2012), Nicholas de Villiers takes up an examination of the work of the three titular authors as a way of understanding their queerness a...</itunes:subtitle>
      <itunes:summary>In his book, Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol (University of Minnesota Press, 2012), Nicholas de Villiers takes up an examination of the work of the three titular authors as a way of understanding their queerness and more specifically, how each man subverted the “in-and-out of the closet” paradigm.   De Villiers devotes ample time to each man, however I found his thoughts on Foucault and Barthes of particular importance as both have come to be so deeply associated with postmodernism, poststructuralism, and queer theory. It is safe to say that Foucault is in large part responsible for the theoretical and philosophical foundations of what we know of today as queer theory and queer studies. This fact makes Foucault’s own relationship with his “out” sexuality all the more fascinating and de Villiers does a great service to Foucault, showing that Foucault himself subverted the  “in-and-out of the closet” paradigm and society’s need to ferret out and make known our sexualities. While many scholars, academics, and cultural critics have criticized Foucault for his “silence,” de Villiers’s work suggests that Foucault’s life was a practice in complicating and disrupting the immense societal desire to see homosexuality expressed in one sanctioned way.  De Villiers work here is deep, insightful, and refreshing in its attempt to offer an alternative to “suspicious reading.” I do hope you enjoy our conversation.

Photo Credit: Lauren M. Jones
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his book, <a href="http://www.amazon.com/dp/0816675716/?tag=newbooinhis-20">Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol</a> (University of Minnesota Press, 2012), <a href="http://unf.academia.edu/NicholasdeVilliers">Nicholas de Villiers</a> takes up an examination of the work of the three titular authors as a way of understanding their queerness and more specifically, how each man subverted the “in-and-out of the closet” paradigm.   De Villiers devotes ample time to each man, however I found his thoughts on Foucault and Barthes of particular importance as both have come to be so deeply associated with postmodernism, poststructuralism, and queer theory. It is safe to say that Foucault is in large part responsible for the theoretical and philosophical foundations of what we know of today as queer theory and queer studies. This fact makes Foucault’s own relationship with his “out” sexuality all the more fascinating and de Villiers does a great service to Foucault, showing that Foucault himself subverted the  “in-and-out of the closet” paradigm and society’s need to ferret out and make known our sexualities. While many scholars, academics, and cultural critics have criticized Foucault for his “silence,” de Villiers’s work suggests that Foucault’s life was a practice in complicating and disrupting the immense societal desire to see homosexuality expressed in one sanctioned way.  De Villiers work here is deep, insightful, and refreshing in its attempt to offer an alternative to “suspicious reading.” I do hope you enjoy our conversation.</p><p>
Photo Credit: <a href="http://cargocollective.com/happical/BFA-Photography">Lauren M. Jones</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3469</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=137]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT3832533209.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Avner Baz, “When Words Are Called For: A Defense of Ordinary Language Philosophy” (Harvard University Press, 2012)</title>
      <description>In When Words Are Called For: A Defense of Ordinary Language Philosophy (Harvard University Press, 2012), Avner Baz sets out to make a case for the reconsideration of Ordinary Language Philosophy, or OLP, in mainstream academic philosophy.  I personally found Baz’s work in it interesting due to the fact that my familiarity with OLP comes solely from a literary perspective and both Baz, as a trained philosopher, and his argumentation present an interesting glimpse into the deep resistance towards OLP that can be found in mainstream philosophy. In fact, after reading When Words Are Called For, and even more so, after speaking with Dr. Baz, it became apparent just how differently philosophers and literary academics view, value, and understand OLP and what it has to offer the critics and the curious.

For those readers who have either a deep affinity for OLP or who come at it from a literary, non-analytical philosophical perspective much of When Words Are Called For will seem spot on but ultimately unnecessary in the best sense of that word in that Baz spends a great deal of his time making a case for the legitimacy of a philosophical perspective that many who are familiar with it from a literary perspective will simply find a given.  This is truly the result of a difference in disciplinary perspective more than anything else.  Where When Words Are Called For does shine is in the epilogue, “Ordinary Language Philosophy, Kant, and the Roots of Antinomial Thinking,” where Baz offers some fascinating insights into the connections between Kant and OLP.

Admittedly, When Words Are Called For is best for the skeptical philosopher, but it also serves a great purpose in illustrating the extreme differences in how two humanist disciplines can approach and come to understand a way of thinking about the world and conceptualizing the language that unites it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 31 Oct 2012 17:25:51 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In When Words Are Called For: A Defense of Ordinary Language Philosophy (Harvard University Press, 2012), Avner Baz sets out to make a case for the reconsideration of Ordinary Language Philosophy, or OLP, in mainstream academic philosophy.</itunes:subtitle>
      <itunes:summary>In When Words Are Called For: A Defense of Ordinary Language Philosophy (Harvard University Press, 2012), Avner Baz sets out to make a case for the reconsideration of Ordinary Language Philosophy, or OLP, in mainstream academic philosophy.  I personally found Baz’s work in it interesting due to the fact that my familiarity with OLP comes solely from a literary perspective and both Baz, as a trained philosopher, and his argumentation present an interesting glimpse into the deep resistance towards OLP that can be found in mainstream philosophy. In fact, after reading When Words Are Called For, and even more so, after speaking with Dr. Baz, it became apparent just how differently philosophers and literary academics view, value, and understand OLP and what it has to offer the critics and the curious.

For those readers who have either a deep affinity for OLP or who come at it from a literary, non-analytical philosophical perspective much of When Words Are Called For will seem spot on but ultimately unnecessary in the best sense of that word in that Baz spends a great deal of his time making a case for the legitimacy of a philosophical perspective that many who are familiar with it from a literary perspective will simply find a given.  This is truly the result of a difference in disciplinary perspective more than anything else.  Where When Words Are Called For does shine is in the epilogue, “Ordinary Language Philosophy, Kant, and the Roots of Antinomial Thinking,” where Baz offers some fascinating insights into the connections between Kant and OLP.

Admittedly, When Words Are Called For is best for the skeptical philosopher, but it also serves a great purpose in illustrating the extreme differences in how two humanist disciplines can approach and come to understand a way of thinking about the world and conceptualizing the language that unites it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0674055225/?tag=newbooinhis-20">When Words Are Called For: A Defense of Ordinary Language Philosophy</a> (Harvard University Press, 2012), <a href="http://ase.tufts.edu/philosophy/faculty/baz.asp">Avner Baz</a> sets out to make a case for the reconsideration of Ordinary Language Philosophy, or OLP, in mainstream academic philosophy.  I personally found Baz’s work in it interesting due to the fact that my familiarity with OLP comes solely from a literary perspective and both Baz, as a trained philosopher, and his argumentation present an interesting glimpse into the deep resistance towards OLP that can be found in mainstream philosophy. In fact, after reading <a href="http://www.amazon.com/dp/0674055225/?tag=newbooinhis-20">When Words Are Called For</a>, and even more so, after speaking with Dr. Baz, it became apparent just how differently philosophers and literary academics view, value, and understand OLP and what it has to offer the critics and the curious.</p><p>
For those readers who have either a deep affinity for OLP or who come at it from a literary, non-analytical philosophical perspective much of When Words Are Called For will seem spot on but ultimately unnecessary in the best sense of that word in that Baz spends a great deal of his time making a case for the legitimacy of a philosophical perspective that many who are familiar with it from a literary perspective will simply find a given.  This is truly the result of a difference in disciplinary perspective more than anything else.  Where When Words Are Called For does shine is in the epilogue, “Ordinary Language Philosophy, Kant, and the Roots of Antinomial Thinking,” where Baz offers some fascinating insights into the connections between Kant and OLP.</p><p>
Admittedly, When Words Are Called For is best for the skeptical philosopher, but it also serves a great purpose in illustrating the extreme differences in how two humanist disciplines can approach and come to understand a way of thinking about the world and conceptualizing the language that unites it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3164</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=102]]></guid>
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    <item>
      <title>Ulrich Plass, “Language and History in Theodor W. Adorno’s Notes to Literature” (Routledge, 2007)</title>
      <description>In  Language and History in Theodor W. Adorno’s Notes to Literature (Routledge, 2007),  Ulrich Plass makes the case for the importance and relevance of Adorno’s often forgotten and derided attempts at literary criticism.   Plass specifically draws our attention to five subjects, Eichendorff, Rudolf Borchardt, Stefan George, Heinrich Heine, and Goethe, and Adorno’s response to their work as a way to make sense of the purpose, motivation, and significance of Adorno’s oeuvre.   As Plass reminds us, and indeed shows us again and again, Adorno’s literary criticism can be quirky and enigmatic and yet strikingly   impenetrable at its best, and utterly baffling and unreadable at its most trying. For Plass however, the determination and rigor required to make sense of Adorno’s literary criticism is worth the reward as he ultimately concludes that its true value lies not solely in its role as such, but rather as a companion and a primer of sorts to his larger philosophical work. The central focus of Language and History is not Adorno’s response to or criticism of any one writer or piece in particular though, rather it is the essay itself.   The essay here more specifically represents what Plass comes to suggest is the medium by which Adorno is able to “act out” his understanding of language and aesthetics rather than ever being able to fully and cohesively conceptualize it in any one phrase or essay of literary criticism-to “say it”.  In this sense what Plass leaves us with most is an invaluable tool with which to approach a unified understanding of Adorno in which his literary criticism and philosophy are not isolated singularities but rather complementary   works.
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      <pubDate>Tue, 25 Sep 2012 20:33:51 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In Language and History in Theodor W. Adorno’s Notes to Literature (Routledge, 2007), Ulrich Plass makes the case for the importance and relevance of Adorno’s often forgotten and derided attempts at literary criticism.</itunes:subtitle>
      <itunes:summary>In  Language and History in Theodor W. Adorno’s Notes to Literature (Routledge, 2007),  Ulrich Plass makes the case for the importance and relevance of Adorno’s often forgotten and derided attempts at literary criticism.   Plass specifically draws our attention to five subjects, Eichendorff, Rudolf Borchardt, Stefan George, Heinrich Heine, and Goethe, and Adorno’s response to their work as a way to make sense of the purpose, motivation, and significance of Adorno’s oeuvre.   As Plass reminds us, and indeed shows us again and again, Adorno’s literary criticism can be quirky and enigmatic and yet strikingly   impenetrable at its best, and utterly baffling and unreadable at its most trying. For Plass however, the determination and rigor required to make sense of Adorno’s literary criticism is worth the reward as he ultimately concludes that its true value lies not solely in its role as such, but rather as a companion and a primer of sorts to his larger philosophical work. The central focus of Language and History is not Adorno’s response to or criticism of any one writer or piece in particular though, rather it is the essay itself.   The essay here more specifically represents what Plass comes to suggest is the medium by which Adorno is able to “act out” his understanding of language and aesthetics rather than ever being able to fully and cohesively conceptualize it in any one phrase or essay of literary criticism-to “say it”.  In this sense what Plass leaves us with most is an invaluable tool with which to approach a unified understanding of Adorno in which his literary criticism and philosophy are not isolated singularities but rather complementary   works.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In  <a href="http://www.amazon.com/dp/0415978378/?tag=newbooinhis-20">Language and History in Theodor W. Adorno’s Notes to Literature</a> (Routledge, 2007),  <a href="http://www.wesleyan.edu/german/people/index.html">Ulrich Plass</a> makes the case for the importance and relevance of Adorno’s often forgotten and derided attempts at literary criticism.   Plass specifically draws our attention to five subjects, Eichendorff, Rudolf Borchardt, Stefan George, Heinrich Heine, and Goethe, and Adorno’s response to their work as a way to make sense of the purpose, motivation, and significance of Adorno’s oeuvre.   As Plass reminds us, and indeed shows us again and again, Adorno’s literary criticism can be quirky and enigmatic and yet strikingly   impenetrable at its best, and utterly baffling and unreadable at its most trying. For Plass however, the determination and rigor required to make sense of Adorno’s literary criticism is worth the reward as he ultimately concludes that its true value lies not solely in its role as such, but rather as a companion and a primer of sorts to his larger philosophical work. The central focus of Language and History is not Adorno’s response to or criticism of any one writer or piece in particular though, rather it is the essay itself.   The essay here more specifically represents what Plass comes to suggest is the medium by which Adorno is able to “act out” his understanding of language and aesthetics rather than ever being able to fully and cohesively conceptualize it in any one phrase or essay of literary criticism-to “say it”.  In this sense what Plass leaves us with most is an invaluable tool with which to approach a unified understanding of Adorno in which his literary criticism and philosophy are not isolated singularities but rather complementary   works.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3591</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=68]]></guid>
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      <title>J. Hillis Miller, “The Conflagration of Community: Fiction Before and After Auschwitz” (University of Chicago Press, 2011)</title>
      <description>In his recent book, The Conflagration of Community: Fiction Before and After Auschwitz (University of Chicago Press, 2011), J. Hillis Miller sets outs to address Theodor Adorno’s famous proclamation that to write poetry after Auschwitz is impossible and barbaric. One should make clear from the outset that Miller’s central project in this regard is not to make some grand claim about the value or worth of literature in the face of dehumanization and atrocity. The value of literature for him and for us is a given. There is nothing to argue. Rather, Miller is most concerned with addressing the question of whether or not literature can truly bear witness to the Shoah. While this question has indeed been a central concern of literary scholars, philosophers, and artists since Celan and Adorno, Miller’s method of approaching this topic by way of the theoretical concept of “community,” and more specifically, “literary communities,” is rather intriguing. Here, Miller invokes the work of Derrida and Jean-Luc Nancy in particular.

As a way of illustrating his theoretical claims, Miller looks extensively at Kafka’s The Castle, The Man Who Disappeared, and The Trial In fact, Miller spends almost two-thirds of The Conflagration of Community examining these and several other Kafka works in order to reveal the extent to which literature can “imagine” the bureaucracies and social infrastructures of the Shoah. Miller’s love and deep admiration for Kafka shines through here and he does an amazing job of penetrating Kafka’s writing and making sense of it in light of his theoretical perspective.

Beside the work of Kafka, Miller also looks extensively at novels that explicitly invoke the Shoah. Keneally’s Schindler’s List, McEwan’s Black Dogs, Spiegelman’s Maus make this list and Miller does each justice.

In addition to the central issue of literature and the Shoah, there also exist several parallel concerns throughout The Conflagration of Community. Among these are American slavery and the serious injustices and human rights violations committed during the Bush administration.

In a refreshing way, Miller’s work in The Conflagration of Community ends up being about much more than the Shoah and in successfully completing the Benjaminian constellation he tells us is his intention to construct in the preface, Miller creates something that is both profound and that persists beyond the page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 23 Aug 2012 18:50:31 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In his recent book, The Conflagration of Community: Fiction Before and After Auschwitz (University of Chicago Press, 2011), J. Hillis Miller sets outs to address Theodor Adorno’s famous proclamation that to write poetry after Auschwitz is impossible an...</itunes:subtitle>
      <itunes:summary>In his recent book, The Conflagration of Community: Fiction Before and After Auschwitz (University of Chicago Press, 2011), J. Hillis Miller sets outs to address Theodor Adorno’s famous proclamation that to write poetry after Auschwitz is impossible and barbaric. One should make clear from the outset that Miller’s central project in this regard is not to make some grand claim about the value or worth of literature in the face of dehumanization and atrocity. The value of literature for him and for us is a given. There is nothing to argue. Rather, Miller is most concerned with addressing the question of whether or not literature can truly bear witness to the Shoah. While this question has indeed been a central concern of literary scholars, philosophers, and artists since Celan and Adorno, Miller’s method of approaching this topic by way of the theoretical concept of “community,” and more specifically, “literary communities,” is rather intriguing. Here, Miller invokes the work of Derrida and Jean-Luc Nancy in particular.

As a way of illustrating his theoretical claims, Miller looks extensively at Kafka’s The Castle, The Man Who Disappeared, and The Trial In fact, Miller spends almost two-thirds of The Conflagration of Community examining these and several other Kafka works in order to reveal the extent to which literature can “imagine” the bureaucracies and social infrastructures of the Shoah. Miller’s love and deep admiration for Kafka shines through here and he does an amazing job of penetrating Kafka’s writing and making sense of it in light of his theoretical perspective.

Beside the work of Kafka, Miller also looks extensively at novels that explicitly invoke the Shoah. Keneally’s Schindler’s List, McEwan’s Black Dogs, Spiegelman’s Maus make this list and Miller does each justice.

In addition to the central issue of literature and the Shoah, there also exist several parallel concerns throughout The Conflagration of Community. Among these are American slavery and the serious injustices and human rights violations committed during the Bush administration.

In a refreshing way, Miller’s work in The Conflagration of Community ends up being about much more than the Shoah and in successfully completing the Benjaminian constellation he tells us is his intention to construct in the preface, Miller creates something that is both profound and that persists beyond the page.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his recent book, <a href="http://www.amazon.com/dp/0226527220/?tag=newbooinhis-20">The Conflagration of Community: Fiction Before and After Auschwitz</a> (University of Chicago Press, 2011), <a href="http://www.faculty.uci.edu/scripts/UCIFacultyProfiles/english/faculty/profile.cfm?ID=2786">J. Hillis Miller</a> sets outs to address Theodor Adorno’s famous proclamation that to write poetry after Auschwitz is impossible and barbaric. One should make clear from the outset that Miller’s central project in this regard is not to make some grand claim about the value or worth of literature in the face of dehumanization and atrocity. The value of literature for him and for us is a given. There is nothing to argue. Rather, Miller is most concerned with addressing the question of whether or not literature can truly bear witness to the Shoah. While this question has indeed been a central concern of literary scholars, philosophers, and artists since Celan and Adorno, Miller’s method of approaching this topic by way of the theoretical concept of “community,” and more specifically, “literary communities,” is rather intriguing. Here, Miller invokes the work of Derrida and Jean-Luc Nancy in particular.</p><p>
As a way of illustrating his theoretical claims, Miller looks extensively at Kafka’s The Castle, The Man Who Disappeared, and The Trial In fact, Miller spends almost two-thirds of The Conflagration of Community examining these and several other Kafka works in order to reveal the extent to which literature can “imagine” the bureaucracies and social infrastructures of the Shoah. Miller’s love and deep admiration for Kafka shines through here and he does an amazing job of penetrating Kafka’s writing and making sense of it in light of his theoretical perspective.</p><p>
Beside the work of Kafka, Miller also looks extensively at novels that explicitly invoke the Shoah. Keneally’s Schindler’s List, McEwan’s Black Dogs, Spiegelman’s Maus make this list and Miller does each justice.</p><p>
In addition to the central issue of literature and the Shoah, there also exist several parallel concerns throughout The Conflagration of Community. Among these are American slavery and the serious injustices and human rights violations committed during the Bush administration.</p><p>
In a refreshing way, Miller’s work in The Conflagration of Community ends up being about much more than the Shoah and in successfully completing the Benjaminian constellation he tells us is his intention to construct in the preface, Miller creates something that is both profound and that persists beyond the page.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>5631</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=38]]></guid>
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    </item>
    <item>
      <title>Wendy Steiner, “The Real Real Thing: The Model in the Mirror of Art” (University of Chicago Press, 2010)</title>
      <description>As the last of what Wendy Steiner refers to as “a loose trilogy” with her earlier works, The Scandal of Pleasure (1995) and Venus in Exile (2001), The Real Real Thing: The Model in the Mirror of Art (University of Chicago, 2010) sets out to establish the centrality of “the model” in art to our understanding of subjectivity and freedom and the ethical imperative that she suggests lies within it.

For Steiner, “the model,” historically conceptualized and understood as female and objectified as such, assumes the level of ontological importance and acts as a symbolic structure that not only lays bare the hierarchies and mechanics of power, but possess the unique ability to reimagine and “introduce new hierarchies into the world” (20). “The model” along with politics and power in Steiner’s estimation are closely linked and in fact bound together. The intriguing and theoretical tension between the seeming contradiction that what on the level of the symbol can be read as object can also be accessed in order to influence the real is one that is thrilling to see the author trace and work out.  To this point specifically, Steiner does an incredible job. Her theoretical argument invokes the work of Kant, Roman Jakobson, Jacques Lacan, and Judith Butler to varying degrees.

Neatly divided into three parts, The Real Real Thing moves from a theoretical exploration of “the model” to several fascinating studies of artists and art works that have employed the model as Steiner envisions it.Bringing “the model” from the realm of the theoretical to that of the real, Steiner closes the book by returning to her notion of the ethical imperative inherent to it. She makes a strong and impassioned case for modern art and what she sees as its “democratic” and “progressive” nature in its ability to not just call attention to itself as art, as an end in itself, but to invite the spectator into a symbiotic union that creates.   It is within this union that traditionally rigid aesthetic notions of beauty and perfection can be overridden and redefined anew.

I thoroughly enjoyed reading The Real Real Thing: The Model in the Mirror of Art and I encourage anyone interested in aesthetics, the future of art, and the future of the arts especially to read this book.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 16 Jul 2012 13:50:19 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>As the last of what Wendy Steiner refers to as “a loose trilogy” with her earlier works, The Scandal of Pleasure (1995) and Venus in Exile (2001), The Real Real Thing: The Model in the Mirror of Art (University of Chicago,</itunes:subtitle>
      <itunes:summary>As the last of what Wendy Steiner refers to as “a loose trilogy” with her earlier works, The Scandal of Pleasure (1995) and Venus in Exile (2001), The Real Real Thing: The Model in the Mirror of Art (University of Chicago, 2010) sets out to establish the centrality of “the model” in art to our understanding of subjectivity and freedom and the ethical imperative that she suggests lies within it.

For Steiner, “the model,” historically conceptualized and understood as female and objectified as such, assumes the level of ontological importance and acts as a symbolic structure that not only lays bare the hierarchies and mechanics of power, but possess the unique ability to reimagine and “introduce new hierarchies into the world” (20). “The model” along with politics and power in Steiner’s estimation are closely linked and in fact bound together. The intriguing and theoretical tension between the seeming contradiction that what on the level of the symbol can be read as object can also be accessed in order to influence the real is one that is thrilling to see the author trace and work out.  To this point specifically, Steiner does an incredible job. Her theoretical argument invokes the work of Kant, Roman Jakobson, Jacques Lacan, and Judith Butler to varying degrees.

Neatly divided into three parts, The Real Real Thing moves from a theoretical exploration of “the model” to several fascinating studies of artists and art works that have employed the model as Steiner envisions it.Bringing “the model” from the realm of the theoretical to that of the real, Steiner closes the book by returning to her notion of the ethical imperative inherent to it. She makes a strong and impassioned case for modern art and what she sees as its “democratic” and “progressive” nature in its ability to not just call attention to itself as art, as an end in itself, but to invite the spectator into a symbiotic union that creates.   It is within this union that traditionally rigid aesthetic notions of beauty and perfection can be overridden and redefined anew.

I thoroughly enjoyed reading The Real Real Thing: The Model in the Mirror of Art and I encourage anyone interested in aesthetics, the future of art, and the future of the arts especially to read this book.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the last of what <a href="http://www.english.upenn.edu/People/WendySteiner">Wendy Steiner</a> refers to as “a loose trilogy” with her earlier works, <a href="http://www.amazon.com/The-Scandal-Pleasure-Art-Fundamentalism/dp/0226772241">The Scandal of Pleasure</a> (1995) and <a href="http://www.amazon.com/Venus-Exile-Rejection-Beauty-Twentieth-century/dp/0684857812">Venus in Exile</a> (2001), <a href="http://www.amazon.com/dp/0226772195/?tag=newbooinhis-20">The Real Real Thing: The Model in the Mirror of Art</a> (University of Chicago, 2010) sets out to establish the centrality of “the model” in art to our understanding of subjectivity and freedom and the ethical imperative that she suggests lies within it.</p><p>
For Steiner, “the model,” historically conceptualized and understood as female and objectified as such, assumes the level of ontological importance and acts as a symbolic structure that not only lays bare the hierarchies and mechanics of power, but possess the unique ability to reimagine and “introduce new hierarchies into the world” (20). “The model” along with politics and power in Steiner’s estimation are closely linked and in fact bound together. The intriguing and theoretical tension between the seeming contradiction that what on the level of the symbol can be read as object can also be accessed in order to influence the real is one that is thrilling to see the author trace and work out.  To this point specifically, Steiner does an incredible job. Her theoretical argument invokes the work of Kant, Roman Jakobson, Jacques Lacan, and Judith Butler to varying degrees.</p><p>
Neatly divided into three parts, The Real Real Thing moves from a theoretical exploration of “the model” to several fascinating studies of artists and art works that have employed the model as Steiner envisions it.Bringing “the model” from the realm of the theoretical to that of the real, Steiner closes the book by returning to her notion of the ethical imperative inherent to it. She makes a strong and impassioned case for modern art and what she sees as its “democratic” and “progressive” nature in its ability to not just call attention to itself as art, as an end in itself, but to invite the spectator into a symbiotic union that creates.   It is within this union that traditionally rigid aesthetic notions of beauty and perfection can be overridden and redefined anew.</p><p>
I thoroughly enjoyed reading The Real Real Thing: The Model in the Mirror of Art and I encourage anyone interested in aesthetics, the future of art, and the future of the arts especially to read this book.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/criticaltheory/?p=23]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2416145563.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stephen Collier, “Post-Soviet Social: Neoliberalism, Social Modernity, Biopolitics” (Princeton UP, 2011)</title>
      <description>Pipes matter. That’s right: pipes. Anyone who has spent time in Russia knows that the hulkish cylinders that snake throughout its cities are the lifeblood of urban space, linking apartment block after apartment block into a centralized network. But pipes are more than tentacles that form the Russian social state. As Stephen Collier argues in his Post-Soviet Social: Neoliberalism, Social Modernity, Biopolitics (Princeton UP, 2011), their physical organization act as structural impediments to neoliberal reform. Drawing on Michel Foucault’s lectures on biopolitics and neoliberalism, Collier demonstrates that the intransigence of the mundane innards of the former Soviet social state–pipes, wires, budgets, apartment blocks, bureaucratic routines and social norms–require us to rethink our standard narratives of neoliberalism as everywhere and behind everything.

Rethinking the actual implementation of neoliberalism in Russia’s turbulent 1990s takes Collier to the provinces, specifically the mono-industrial towns of Belaya Kalitva and Rodniki. There, Soviet postwar urban planning networked industrial development, population, and social welfare with the factory as the central node in what Collier calls “enterprise-centric social modernity.” The factory served as the khoziain, from which radiated the city’s utilities, schools, health care, and cultural centers, planned according to measured norms of allocation and output. But what happened when the Soviet Union collapsed? How did reformers decouple Russia’s integrated social welfare from its economic production? Surprisingly, Collier finds that despite neoliberalism’s tendencies toward privatization and monetarization, the relics of Soviet modernity forced reformers to preserve basic aspects of the Russian social state.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Wed, 20 Jun 2012 18:36:09 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Pipes matter. That’s right: pipes. Anyone who has spent time in Russia knows that the hulkish cylinders that snake throughout its cities are the lifeblood of urban space, linking apartment block after apartment block into a centralized network.</itunes:subtitle>
      <itunes:summary>Pipes matter. That’s right: pipes. Anyone who has spent time in Russia knows that the hulkish cylinders that snake throughout its cities are the lifeblood of urban space, linking apartment block after apartment block into a centralized network. But pipes are more than tentacles that form the Russian social state. As Stephen Collier argues in his Post-Soviet Social: Neoliberalism, Social Modernity, Biopolitics (Princeton UP, 2011), their physical organization act as structural impediments to neoliberal reform. Drawing on Michel Foucault’s lectures on biopolitics and neoliberalism, Collier demonstrates that the intransigence of the mundane innards of the former Soviet social state–pipes, wires, budgets, apartment blocks, bureaucratic routines and social norms–require us to rethink our standard narratives of neoliberalism as everywhere and behind everything.

Rethinking the actual implementation of neoliberalism in Russia’s turbulent 1990s takes Collier to the provinces, specifically the mono-industrial towns of Belaya Kalitva and Rodniki. There, Soviet postwar urban planning networked industrial development, population, and social welfare with the factory as the central node in what Collier calls “enterprise-centric social modernity.” The factory served as the khoziain, from which radiated the city’s utilities, schools, health care, and cultural centers, planned according to measured norms of allocation and output. But what happened when the Soviet Union collapsed? How did reformers decouple Russia’s integrated social welfare from its economic production? Surprisingly, Collier finds that despite neoliberalism’s tendencies toward privatization and monetarization, the relics of Soviet modernity forced reformers to preserve basic aspects of the Russian social state.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pipes matter. That’s right: pipes. Anyone who has spent time in Russia knows that the hulkish cylinders that snake throughout its cities are the lifeblood of urban space, linking apartment block after apartment block into a centralized network. But pipes are more than tentacles that form the Russian social state. As <a href="http://www.gpia.info/collier">Stephen Collier</a> argues in his <a href="http://www.amazon.com/dp/0691148317/?tag=newbooinhis-20">Post-Soviet Social: Neoliberalism, Social Modernity, Biopolitics</a> (Princeton UP, 2011), their physical organization act as structural impediments to neoliberal reform. Drawing on Michel Foucault’s <a href="http://www.amazon.com/gp/product/0312203411/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=486539851&amp;pf_rd_s=lpo-top-stripe-1&amp;pf_rd_t=201&amp;pf_rd_i=1403986541&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_r=1PYW15FCDW1XJA0M75K7">lectures on biopolitics and neoliberalism</a>, Collier demonstrates that the intransigence of the mundane innards of the former Soviet social state–pipes, wires, budgets, apartment blocks, bureaucratic routines and social norms–require us to rethink our standard narratives of neoliberalism as everywhere and behind everything.</p><p>
Rethinking the actual implementation of neoliberalism in Russia’s turbulent 1990s takes Collier to the provinces, specifically the mono-industrial towns of Belaya Kalitva and Rodniki. There, Soviet postwar urban planning networked industrial development, population, and social welfare with the factory as the central node in what Collier calls “enterprise-centric social modernity.” The factory served as the khoziain, from which radiated the city’s utilities, schools, health care, and cultural centers, planned according to measured norms of allocation and output. But what happened when the Soviet Union collapsed? How did reformers decouple Russia’s integrated social welfare from its economic production? Surprisingly, Collier finds that despite neoliberalism’s tendencies toward privatization and monetarization, the relics of Soviet modernity forced reformers to preserve basic aspects of the Russian social state.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4625</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/russianstudies/?p=611]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT2422732162.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Scott Morgensen, “Spaces Between Us: Queer Settler Colonialism and Indigenous Decolonization” (University of Minnesota Press, 2011)</title>
      <description>Here’s a study-guide prepared to accompany the interview.

For as much as recent decades have witnessed a patriarchal backlash against the growing visibility of LGBTQ people in North American society, there is another, increasingly popular narrative embodied by Dan Savage’s ubiquitous internet promise: “It gets better.” As barriers to equal treatment under the law are removed and the state incorporates gender and sexual diversity under its protective umbrella — marriage rights extended, prohibitions to military service lifted, etc — queer politics get folded into the progressive march of the West toward equity and tolerance.

But what about for queer people whose land is violently occupied by the very body politic going about all this incorporating? As Scott Lauria Morgensen powerfully articulates in his new book, Spaces Between Us: Queer Settler Colonialism and Indigenous Decolonization (University of Minnesota Press, 2011), Indigenous Two-Spirit activists work for both decolonization and sexual freedom within their homelands, resisting state incorporation, cultural appropriation, and narratives of their “disappearance.”Brilliantly extending (and intervening) on the work of earlier theorists, Morgensen traces how modern sexual identities are built upon the replacement of indigenous sexuality and the development of settler colonialism in what is now the United States and Canada. “Native and queer studies must regard settler colonialism as a key condition of modern sexuality on stolen land,” Morgensen argues, “and use this analysis to explain the power of settler colonialism among Native and non-Native People.”

This is not simply an indictment. Morgensen shows how conversations between Natives and non-Natives can open up new frameworks for political activism and scholarly research, so long as they remain accountable to the ongoing colonization of Native lands. As mainstream LGBTQ organizations abandon their social movement pasts, Morgensen work is a clarion call for a new wave of decolonial queer organizing.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 14 Feb 2012 16:45:10 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Here’s a study-guide prepared to accompany the interview. For as much as recent decades have witnessed a patriarchal backlash against the growing visibility of LGBTQ people in North American society, there is another,</itunes:subtitle>
      <itunes:summary>Here’s a study-guide prepared to accompany the interview.

For as much as recent decades have witnessed a patriarchal backlash against the growing visibility of LGBTQ people in North American society, there is another, increasingly popular narrative embodied by Dan Savage’s ubiquitous internet promise: “It gets better.” As barriers to equal treatment under the law are removed and the state incorporates gender and sexual diversity under its protective umbrella — marriage rights extended, prohibitions to military service lifted, etc — queer politics get folded into the progressive march of the West toward equity and tolerance.

But what about for queer people whose land is violently occupied by the very body politic going about all this incorporating? As Scott Lauria Morgensen powerfully articulates in his new book, Spaces Between Us: Queer Settler Colonialism and Indigenous Decolonization (University of Minnesota Press, 2011), Indigenous Two-Spirit activists work for both decolonization and sexual freedom within their homelands, resisting state incorporation, cultural appropriation, and narratives of their “disappearance.”Brilliantly extending (and intervening) on the work of earlier theorists, Morgensen traces how modern sexual identities are built upon the replacement of indigenous sexuality and the development of settler colonialism in what is now the United States and Canada. “Native and queer studies must regard settler colonialism as a key condition of modern sexuality on stolen land,” Morgensen argues, “and use this analysis to explain the power of settler colonialism among Native and non-Native People.”

This is not simply an indictment. Morgensen shows how conversations between Natives and non-Natives can open up new frameworks for political activism and scholarly research, so long as they remain accountable to the ongoing colonization of Native lands. As mainstream LGBTQ organizations abandon their social movement pasts, Morgensen work is a clarion call for a new wave of decolonial queer organizing.

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Here’s a <a href="http://files.newbooksnetwork.com/nativeamerica/morgensen-study-guide.pdf">study-guide </a>prepared to accompany the interview.</p><p>
For as much as recent decades have witnessed a patriarchal backlash against the growing visibility of LGBTQ people in North American society, there is another, increasingly popular narrative embodied by Dan Savage’s ubiquitous internet promise: “It gets better.” As barriers to equal treatment under the law are removed and the state incorporates gender and sexual diversity under its protective umbrella — marriage rights extended, prohibitions to military service lifted, etc — queer politics get folded into the progressive march of the West toward equity and tolerance.</p><p>
But what about for queer people whose land is violently occupied by the very body politic going about all this incorporating? As <a href="http://www.queensu.ca/genderstudies/facultyresearch/smorgensen.html">Scott Lauria Morgensen</a> powerfully articulates in his new book, <a href="http://www.amazon.com/dp/0816656339/?tag=newbooinhis-20">Spaces Between Us: Queer Settler Colonialism and Indigenous Decolonization </a>(University of Minnesota Press, 2011), Indigenous Two-Spirit activists work for both decolonization and sexual freedom within their homelands, resisting state incorporation, cultural appropriation, and narratives of their “disappearance.”Brilliantly extending (and intervening) on the work of earlier theorists, Morgensen traces how modern sexual identities are built upon the replacement of indigenous sexuality and the development of settler colonialism in what is now the United States and Canada. “Native and queer studies must regard settler colonialism as a key condition of modern sexuality on stolen land,” Morgensen argues, “and use this analysis to explain the power of settler colonialism among Native and non-Native People.”</p><p>
This is not simply an indictment. Morgensen shows how conversations between Natives and non-Natives can open up new frameworks for political activism and scholarly research, so long as they remain accountable to the ongoing colonization of Native lands. As mainstream LGBTQ organizations abandon their social movement pasts, Morgensen work is a clarion call for a new wave of decolonial queer organizing.</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4744</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/nativeamericanstudies/?p=147]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT8265851572.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jodi A. Byrd, “The Transit of Empire: Indigenous Critiques of Colonialism” (University of Minnesota Press, 2011)</title>
      <description>In a world of painfully narrow academic monographs, rare is the work that teams with ideas, engagements, and interventions across a wide terrain of social life. In The Transit of Empire: Indigenous Critiques of Colonialism (University of Minnesota Press, 2011), Jodi Byrd has produced such a book.

Byrd, a citizen of the Chickasaw Nation of Oklahoma and assistant professor of American Indian studies and English at the University of Illinois at Urbana-Champaign, follows the transit of paradigmatic “Indianness” through the pathways of colonialism, race, and empire. She engages not only the titans of critical theory but the substance of everyday politics, and finds an often disavowed indigeneity in places as disparate as Shakespeare’s The Tempest and the Jonestown Massacre, the development of astronomical sciences and the origins of blues music. Central to this wide-ranging project is a fundamental proposition that in this perhaps terminal phase of American empire, reckoning with – and redressing – the ongoing colonization of Native lands and Native people is more vital than ever.

“Bringing indigeneity and Indians front and center to discussions of U.S. empire as it has traversed across Atlantic and Pacific worlds is a necessary intervention at this historical moment,” Byrd writes, “precisely because it is through the elisions, erasures, enjambments, and repetitions of Indianness that one might see the stakes in decolonial, restorative justice tied to land, life, and grievability.”

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Thu, 26 Jan 2012 16:27:52 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>In a world of painfully narrow academic monographs, rare is the work that teams with ideas, engagements, and interventions across a wide terrain of social life. In The Transit of Empire: Indigenous Critiques of Colonialism (University of Minnesota Pres...</itunes:subtitle>
      <itunes:summary>In a world of painfully narrow academic monographs, rare is the work that teams with ideas, engagements, and interventions across a wide terrain of social life. In The Transit of Empire: Indigenous Critiques of Colonialism (University of Minnesota Press, 2011), Jodi Byrd has produced such a book.

Byrd, a citizen of the Chickasaw Nation of Oklahoma and assistant professor of American Indian studies and English at the University of Illinois at Urbana-Champaign, follows the transit of paradigmatic “Indianness” through the pathways of colonialism, race, and empire. She engages not only the titans of critical theory but the substance of everyday politics, and finds an often disavowed indigeneity in places as disparate as Shakespeare’s The Tempest and the Jonestown Massacre, the development of astronomical sciences and the origins of blues music. Central to this wide-ranging project is a fundamental proposition that in this perhaps terminal phase of American empire, reckoning with – and redressing – the ongoing colonization of Native lands and Native people is more vital than ever.

“Bringing indigeneity and Indians front and center to discussions of U.S. empire as it has traversed across Atlantic and Pacific worlds is a necessary intervention at this historical moment,” Byrd writes, “precisely because it is through the elisions, erasures, enjambments, and repetitions of Indianness that one might see the stakes in decolonial, restorative justice tied to land, life, and grievability.”

 
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a world of painfully narrow academic monographs, rare is the work that teams with ideas, engagements, and interventions across a wide terrain of social life. In <a href="http://www.amazon.com/dp/0816676410/?tag=newbooinhis-20">The Transit of Empire: Indigenous Critiques of Colonialism</a> (University of Minnesota Press, 2011), <a href="http://www.english.illinois.edu/people/jabyrd">Jodi Byrd</a> has produced such a book.</p><p>
Byrd, a citizen of the Chickasaw Nation of Oklahoma and assistant professor of American Indian studies and English at the University of Illinois at Urbana-Champaign, follows the transit of paradigmatic “Indianness” through the pathways of colonialism, race, and empire. She engages not only the titans of critical theory but the substance of everyday politics, and finds an often disavowed indigeneity in places as disparate as Shakespeare’s The Tempest and the Jonestown Massacre, the development of astronomical sciences and the origins of blues music. Central to this wide-ranging project is a fundamental proposition that in this perhaps terminal phase of American empire, reckoning with – and redressing – the ongoing colonization of Native lands and Native people is more vital than ever.</p><p>
“Bringing indigeneity and Indians front and center to discussions of U.S. empire as it has traversed across Atlantic and Pacific worlds is a necessary intervention at this historical moment,” Byrd writes, “precisely because it is through the elisions, erasures, enjambments, and repetitions of Indianness that one might see the stakes in decolonial, restorative justice tied to land, life, and grievability.”</p><p>
 </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>3347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/nativeamericanstudies/?p=131]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT7414946503.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brian Christian, “The Most Human Human: A Defense of Humanity in the Age of the Computer” (Penguin, 2011)</title>
      <description>Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who, looks on and tries to ascertain which participant is made of flesh and blood, and which of bits and bytes. Such a test is held every year in Brighton, England, where the most convincing human confederate is awarded a prize: The Most Human Human. There is also a prize for The Most Human Computer but to date no computer has ever been judged to be more convincingly human than a real person.

Enter Brian Christian who, in 2009, took part in this test (known officially as the Loebner Prize) with the aim of being awarded the prize for Most Human Human. He was successful, and in his new book The Most Human Human: A Defense of Humanity in the Age of the Computer (Penguin, 2011) he charts the methodology of his approach, his conclusions on the conceptual value of the Turing Test and the linguistic insights which arise during conversation with a machine. The artificial intelligence of machines remains relatively primitive, but their programming is canny, and they can even appear to have robust personalities and encyclopaedic knowledge on specialist subjects. Christian’s experiences, presented in the form of his book, provide the reader with an accessible and compelling avenue into the reality of contemporary machine ‘intelligence’, the idiosyncratic tapestry that is language and, most of all, the things which make humans human; the things which machines can’t (yet) do.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Mon, 23 May 2011 19:44:04 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who,</itunes:subtitle>
      <itunes:summary>Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who, looks on and tries to ascertain which participant is made of flesh and blood, and which of bits and bytes. Such a test is held every year in Brighton, England, where the most convincing human confederate is awarded a prize: The Most Human Human. There is also a prize for The Most Human Computer but to date no computer has ever been judged to be more convincingly human than a real person.

Enter Brian Christian who, in 2009, took part in this test (known officially as the Loebner Prize) with the aim of being awarded the prize for Most Human Human. He was successful, and in his new book The Most Human Human: A Defense of Humanity in the Age of the Computer (Penguin, 2011) he charts the methodology of his approach, his conclusions on the conceptual value of the Turing Test and the linguistic insights which arise during conversation with a machine. The artificial intelligence of machines remains relatively primitive, but their programming is canny, and they can even appear to have robust personalities and encyclopaedic knowledge on specialist subjects. Christian’s experiences, presented in the form of his book, provide the reader with an accessible and compelling avenue into the reality of contemporary machine ‘intelligence’, the idiosyncratic tapestry that is language and, most of all, the things which make humans human; the things which machines can’t (yet) do.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who, looks on and tries to ascertain which participant is made of flesh and blood, and which of bits and bytes. Such a test is held every year in Brighton, England, where the most convincing human confederate is awarded a prize: The Most Human Human. There is also a prize for The Most Human Computer but to date no computer has ever been judged to be more convincingly human than a real person.</p><p>
Enter Brian Christian who, in 2009, took part in this test (known officially as the Loebner Prize) with the aim of being awarded the prize for Most Human Human. He was successful, and in his new book <a href="http://www.amazon.co.uk/Most-Human-Defence-Humanity-Computer/dp/0670920800/ref=sr_1_1?ie=UTF8&amp;qid=1306247472&amp;sr=8-1">The Most Human Human: A Defense of Humanity in the Age of the Computer </a>(Penguin, 2011) he charts the methodology of his approach, his conclusions on the conceptual value of the Turing Test and the linguistic insights which arise during conversation with a machine. The artificial intelligence of machines remains relatively primitive, but their programming is canny, and they can even appear to have robust personalities and encyclopaedic knowledge on specialist subjects. Christian’s experiences, presented in the form of his book, provide the reader with an accessible and compelling avenue into the reality of contemporary machine ‘intelligence’, the idiosyncratic tapestry that is language and, most of all, the things which make humans human; the things which machines can’t (yet) do.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>2962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/digitalculture/?p=14]]></guid>
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    </item>
    <item>
      <title>Thomas Wheatland, “The Frankfurt School in Exile” (University of Minnesota Press, 2009)</title>
      <description>I have a friend who, as a young child, happened to meet Herbert Marcuse, by that time a rock-star intellectual and darling of the American student movement. Upon seeing the man, he exclaimed “Marcuse! Marcuse! You have such a beautiful head!” I don’t know how beautiful Herbert Marcuse’s head was, but I do know a lot of other interesting things about him and his Frankfurt School buddies now that I’ve read Thomas Wheatland’s wonderful The Frankfurt School in Exile (University of Minnesota Press, 2009). The story Tom tells casts the Frankfurt School in a new (and more correct) light. For one thing, Horkheimer, Adorno, and the rest really were hard-core empirical social scientists in the beginning, not “Critical Theorists” as we understand the term. They counted, measured, conducted surveys and did everything a positivist sociologist or economist would do. But, of course, that was not how they became idols of the New Left and the founders of “Critical Theory.” (Now that I think about it, almost no one ever achieves fame by doing empirical social science. See “Malcolm Gladwell” for more.) No, they–or rather Fromm, Marcuse and Habermas–got famous by telling young Americans that they were “repressed,” “alienated,” and “downtrodden” at exactly the moment they wanted to hear it, that is, the 1960s. You see, the “old” Marxism was dead; this was the “new and improved” version. In other words, they were in the right Critical-Theoretical place and at the right Critical-Theoretical time. And, as Tom points out, they were bewildered and even a bit disturbed by their fame. Despite what my friend said, Marcuse did not get a big head. Rather the opposite. He, much to his credit, told the students he didn’t want to be their guru, that he didn’t believe in gurus. But they didn’t care–they made him one anyway. Students love gurus. I loved Tom Wheatland’s book, and I encourage you to read it.

Please become a fan of “New Books in History” on Facebook if you haven’t already.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Fri, 12 Jun 2009 22:36:45 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>I have a friend who, as a young child, happened to meet Herbert Marcuse, by that time a rock-star intellectual and darling of the American student movement. Upon seeing the man, he exclaimed “Marcuse! Marcuse! You have such a beautiful head!</itunes:subtitle>
      <itunes:summary>I have a friend who, as a young child, happened to meet Herbert Marcuse, by that time a rock-star intellectual and darling of the American student movement. Upon seeing the man, he exclaimed “Marcuse! Marcuse! You have such a beautiful head!” I don’t know how beautiful Herbert Marcuse’s head was, but I do know a lot of other interesting things about him and his Frankfurt School buddies now that I’ve read Thomas Wheatland’s wonderful The Frankfurt School in Exile (University of Minnesota Press, 2009). The story Tom tells casts the Frankfurt School in a new (and more correct) light. For one thing, Horkheimer, Adorno, and the rest really were hard-core empirical social scientists in the beginning, not “Critical Theorists” as we understand the term. They counted, measured, conducted surveys and did everything a positivist sociologist or economist would do. But, of course, that was not how they became idols of the New Left and the founders of “Critical Theory.” (Now that I think about it, almost no one ever achieves fame by doing empirical social science. See “Malcolm Gladwell” for more.) No, they–or rather Fromm, Marcuse and Habermas–got famous by telling young Americans that they were “repressed,” “alienated,” and “downtrodden” at exactly the moment they wanted to hear it, that is, the 1960s. You see, the “old” Marxism was dead; this was the “new and improved” version. In other words, they were in the right Critical-Theoretical place and at the right Critical-Theoretical time. And, as Tom points out, they were bewildered and even a bit disturbed by their fame. Despite what my friend said, Marcuse did not get a big head. Rather the opposite. He, much to his credit, told the students he didn’t want to be their guru, that he didn’t believe in gurus. But they didn’t care–they made him one anyway. Students love gurus. I loved Tom Wheatland’s book, and I encourage you to read it.

Please become a fan of “New Books in History” on Facebook if you haven’t already.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I have a <a href="http://www.english.illinois.edu/people/cperry">friend</a> who, as a young child, happened to meet Herbert Marcuse, by that time a rock-star intellectual and darling of the American student movement. Upon seeing the man, he exclaimed “Marcuse! Marcuse! You have such a beautiful head!” I don’t know how beautiful Herbert Marcuse’s head was, but I do know a lot of other interesting things about him and his Frankfurt School buddies now that I’ve read Thomas Wheatland’s wonderful <a href="http://www.amazon.com/dp/0816653674/?tag=newbooinhis-20">The Frankfurt School in Exile</a> (University of Minnesota Press, 2009). The story Tom tells casts the Frankfurt School in a new (and more correct) light. For one thing, Horkheimer, Adorno, and the rest really were hard-core empirical social scientists in the beginning, not “Critical Theorists” as we understand the term. They counted, measured, conducted surveys and did everything a positivist sociologist or economist would do. But, of course, that was not how they became idols of the New Left and the founders of “Critical Theory.” (Now that I think about it, almost no one ever achieves fame by doing empirical social science. See “Malcolm Gladwell” for more.) No, they–or rather Fromm, Marcuse and Habermas–got famous by telling young Americans that they were “repressed,” “alienated,” and “downtrodden” at exactly the moment they wanted to hear it, that is, the 1960s. You see, the “old” Marxism was dead; this was the “new and improved” version. In other words, they were in the right Critical-Theoretical place and at the right Critical-Theoretical time. And, as Tom points out, they were bewildered and even a bit disturbed by their fame. Despite what my friend said, Marcuse did not get a big head. Rather the opposite. He, much to his credit, told the students he didn’t want to be their guru, that he didn’t believe in gurus. But they didn’t care–they made him one anyway. Students love gurus. I loved Tom Wheatland’s book, and I encourage you to read it.</p><p>
Please become a fan of “New Books in History” on <a href="http://www.facebook.com/profile.php?id=1361072270#/pages/New-Books-In-History/23393718791?ref=ts">Facebook</a> if you haven’t already.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
      </content:encoded>
      <itunes:duration>4489</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinhistory.com/?p=967]]></guid>
      <enclosure url="https://pdst.fm/e/traffic.megaphone.fm/LIT6177901160.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John H. Summers, “Every Fury on Earth” (Davies Group, 2008)</title>
      <description>The vast majority of historians write history. Perhaps that’s good, as one should stick to what one knows. But there are historians who braves the waters of social and political criticism. One thinks of Arthur Schelsinger Jr., Richard Hofstadter, Christopher Lasch, Robert Conquest, Richard Pipes, Eric Hobsbawm, E. P. Thompson, and more recently Tony Judt, Sean Wilentz and Victor Davis Hanson. Today I had the good fortune to speak with a historian who is virtually sure to enter the top rank of historian-public intellectuals, John H. Summers. Indeed, he already has. He’s published numerous probing essays on academic life, anarchism, the Left, sex scandals, anti-Americanism, the fate of newspapers, and, of course, many of the great American public intellectuals (he’s at work on a biography of C. Wright Mills). Summers does what all critics worth their salt do: comfort the afflicted and afflict the comfortable. Just read his remarkably insightful “All the Priviledged Must Have Prizes” about his experience teaching at Harvard. (Also, read the comments attending article, where current Harvard students unwittingly prove Summers’ main points). We must be grateful, then, that the folks at the Davis Group Press have elected to publish a collection of Summers’ finely crafted essays in Every Fury on Earth (2008). The book is challenging, thought-provoking, and courageous. John H. Summers does not blink. You will agree with some of the things he says, and you will disagree with others. That, of course, is the fun of it.

BTW: If you have a relative or friend who is an academic, this book would make a perfect holiday gift. If you are an academic, indulge yourself and buy it.

Please become a fan of “New Books in History” on Facebook if you haven’t already.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</description>
      <pubDate>Tue, 16 Dec 2008 20:35:14 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Marshall Poe</itunes:author>
      <itunes:subtitle>The vast majority of historians write history. Perhaps that’s good, as one should stick to what one knows. But there are historians who braves the waters of social and political criticism. One thinks of Arthur Schelsinger Jr., Richard Hofstadter,</itunes:subtitle>
      <itunes:summary>The vast majority of historians write history. Perhaps that’s good, as one should stick to what one knows. But there are historians who braves the waters of social and political criticism. One thinks of Arthur Schelsinger Jr., Richard Hofstadter, Christopher Lasch, Robert Conquest, Richard Pipes, Eric Hobsbawm, E. P. Thompson, and more recently Tony Judt, Sean Wilentz and Victor Davis Hanson. Today I had the good fortune to speak with a historian who is virtually sure to enter the top rank of historian-public intellectuals, John H. Summers. Indeed, he already has. He’s published numerous probing essays on academic life, anarchism, the Left, sex scandals, anti-Americanism, the fate of newspapers, and, of course, many of the great American public intellectuals (he’s at work on a biography of C. Wright Mills). Summers does what all critics worth their salt do: comfort the afflicted and afflict the comfortable. Just read his remarkably insightful “All the Priviledged Must Have Prizes” about his experience teaching at Harvard. (Also, read the comments attending article, where current Harvard students unwittingly prove Summers’ main points). We must be grateful, then, that the folks at the Davis Group Press have elected to publish a collection of Summers’ finely crafted essays in Every Fury on Earth (2008). The book is challenging, thought-provoking, and courageous. John H. Summers does not blink. You will agree with some of the things he says, and you will disagree with others. That, of course, is the fun of it.

BTW: If you have a relative or friend who is an academic, this book would make a perfect holiday gift. If you are an academic, indulge yourself and buy it.

Please become a fan of “New Books in History” on Facebook if you haven’t already.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The vast majority of historians write history. Perhaps that’s good, as one should stick to what one knows. But there are historians who braves the waters of social and political criticism. One thinks of Arthur Schelsinger Jr., Richard Hofstadter, Christopher Lasch, Robert Conquest, <a href="http://www.azure.org.il/article.php?id=5">Richard Pipes</a>, Eric Hobsbawm, E. P. Thompson, and more recently Tony Judt, Sean Wilentz and Victor Davis Hanson. Today I had the good fortune to speak with a historian who is virtually sure to enter the top rank of historian-public intellectuals, <a href="http://www.bc.edu/centers/boisi/about/visitingscholars/Summers.html">John H. Summers</a>. Indeed, he already has. He’s published numerous probing essays on academic life, anarchism, the Left, sex scandals, anti-Americanism, the fate of newspapers, and, of course, many of the great American public intellectuals (he’s at work on a biography of C. Wright Mills). Summers does what all critics worth their salt do: comfort the afflicted and afflict the comfortable. Just read his remarkably insightful <a href="http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;storycode=402674">“All the Priviledged Must Have Prizes”</a> about his experience teaching at Harvard. (Also, read the comments attending article, where current Harvard students unwittingly prove Summers’ main points). We must be grateful, then, that the folks at the Davis Group Press have elected to publish a collection of Summers’ finely crafted essays in <a href="http://www.amazon.com/dp/1934542075/?tag=newbooinhis-20">Every Fury on Earth</a> (2008). The book is challenging, thought-provoking, and courageous. John H. Summers does not blink. You will agree with some of the things he says, and you will disagree with others. That, of course, is the fun of it.</p><p>
BTW: If you have a relative or friend who is an academic, this book would make a perfect holiday gift. If you are an academic, indulge yourself and <a href="http://www.amazon.com/Every-Fury-Earth-John-Summers/dp/1934542075/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1229381386&amp;sr=1-1">buy it</a>.</p><p>
Please become a fan of “New Books in History” on <a href="http://www.facebook.com/profile.php?id=1361072270#/pages/New-Books-In-History/23393718791?ref=ts">Facebook</a> if you haven’t already.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p><p>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/critical-theory">https://newbooksnetwork.supportingcast.fm/critical-theory</a></p>]]>
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